Devizes Winter Festival

The weekend traditionally for Devizes Lantern Parade, 27th-28th November, there promises to be a huge magical community event this year, because of circumstances beyond their control, DOCA are doing things a little differently, and invites you to be apart of the Devizes Winter Festival. There are plenty of things to do, see, and get involved in.

FOR YOUR ENTERTAINMENT
For your delight, they will have roaming performers and an amazing walking trail for you to visit, suitable for all ages.

Projector Boom Bikes by Sound Intervention

Dan Fox will be bringing his amazing projector bikes which will fill the streets with music and light. Interact with all the strange and familiar creatures the bikes project onto the buildings of Devizes.
Location: Leaving from the yard of the Black Swan
Appearing: Friday 27th 17.00 -17.45, 18.30-19.15 &
20.15-21.00 Saturday 28th – 16.45- 17.30 & 18.00-19.00

Celestial Sound Cloud by Pif Paf

Dance and wave and the Sound Cloud will react to you to create a unique conversation in sound and light. Don’t be shy, it’s your chance to be the conductor to create beautiful harmonies and make light patterns like you’ve never seen before. Access to the SoundCloud will be managed by volunteers for your safety.
Location: Wiltshire Museum’s garden, Long Street, SN10 1NS. Access through the rear car park
Times: Friday 27th – 16:00 – 21:00, Saturday 28th – 16:00 – 19:00

The Bell Orchestra by Beautiful Creatures

This amazing supersize instrument is waiting for you to come and play. Created by Beautiful Creatures Theatre who will invite you to experiment with these giant illuminated chimes. Come and enjoy some safe togetherness and make some beautiful music in this lovely Devizes square. Suitable for all ages and abilities
Location: The Chequers Garden, High Street, SN10 1AT
Times: Friday 27th 16:30 – 18:30 & 19:00 – 21:00

Devizes Town Band

Devizes Town Band will bring the sound of festive tunes that you know and love to the Market Place.
Saturday Morning – times to be announced soon

Virtual light switch on by Father Christmas From his home

Like most of us Father Christmas is having a trickier year than usual! To make sure everyone is safe he won’t be appearing in person at the Light Switch on this year but he’ll do it from his home.
He’s asking children to write to him, to help you he has sent us a letter template which you can pick up from the Shambles Market between the 31st of October and the 14th of November. If you want him to write back you’ll need to tick the box on the back of the letter and post it into the red letterbox in the Shambles by 4pm on the 16th of November. All the letters will be sent to Father Christmas who will be reading out a selection on You Tube at 7pm on the 27th along with a tour of his house and workshop. He’ll also write back to you, your letters will be ready for collection on Saturday the 5th and 12th of December between 9am and 12 noon from the Shambles.
The YouTube channel address is http://bit.ly/DevizesSanta

FOR YOUR SHOPPING NEEDS

Doca have selected the best traders in the area, offering a host of fantastic flavours, amazing tipples, beautiful handmade gifts and more. Explore the expanded festive markets in safety over 3 days at your leisure. Please view trading times below.

Friday 27th
Market Place 4 – 9pm
Corn Exchange  2.30 – 8:30pm
The Shambles 10:00am – 8:30pm
Town Hall 2.30 – 8:30pm

Saturday 28th
Market Place 10am – 7pm
Corn Exchange 10am – 7pm
Town Hall 10am – 7pm

Sunday 29th
Market Place 10am – 2pm
Town Hall 10am- 2pm

BE APART OF THE MAGIC  with Window Wanderland

Doca have invited homes, venues and shops to get creative through this Internationally known event, and hope it will become a new tradition in Devizes. Look on the Window Wanderland website or follow the link from ours for more information.
http://www.windowwanderland.com/event/devizes-2020/
Times: 17:30 to 21:00 each night.

Shambles Festive Makeover

With your help DOCA are attempting to transform the Shambles, the roof will be decked with baubles made by the community. Check their website for details for dates and opening times.
docadevizes.org.uk/make-a-bauble-for-the-shambles-installation

HELPING TO KEEP YOU SAFE

Attendees and audiences will be required to follow safety measure. Please ensure you use our track and trace system, scan the QR code in all venues and register using your smartphone
Use hand sanitizer provided
Wear a mask at all times
Maintain a safe distance from people
Bring your own cups for drinks and help the environment too

For more information on Devizes Winter Festival please visit the DOCA website https://www.docadevizes.org.uk/winter-festival/

DOCA’s Window Wanderland

As part of their new Winter Festival, DOCA are inviting our local community to create something special in their windows to show just what an amazingly creative place Devizes is. Window Wonderland is a Covid-sade way to connect people, transforming streets into magical outdoor galleries.

DOCA invite anyone with a window to create a display which will become part of a programme of events over a weekend which they hope will light up Devizes. Over the weekend you will be able to pick up a map or download online.

Follow the trail of windows into Devizes Town Centre where you’ll find seasonal markets both indoors and out, selling beautiful artisan gifts, delicious food and drink, light installations and walkabout performers, a warm welcome and plenty of smiles.

TAKE PART
To take part and register your own window for this event follow the link to the Windon Wanderland website. Everyone that registers a Window will be added to our event map. You will be reminded of when to display your window and keep your light on!

Take part and register your window: https://www.windowwanderland.com/event/devizes-2020/

WALK THE TRAIL


You will be able to download a map from the DOCA website, the Facebook event, or pick one up from The Shambles over the weekend.

Windows will be displayed between 27th – 29th November from 5:30pm to 9pm.

Window Inspiration


Devizes is putting on a Window Wanderland and you want to take part? Wanderful! Welcome aboard.

Taking part is FREE and everyone is welcome. You can use the windows of your flat, house, business, school, nursery, car, camper van, shop…


It doesn’t even have to windows, you can also use your front door, the front of your house, your front garden…
Visit our website for ideas, FAQs and some top tips:

Devizes Window Wanderland


A (hic) Festival of Winter Ales

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Call them Ale

Proper quality celebratory glasses here y’ know, no squashy disposable cups; something of a memento. There are flowers in a jar on the table, aroma of hot pie, and a bulky fellow juggling knifes, while straddling our own Ian Diddams while he lies flat on his back on stage. If your preconception of a beer festival is a marquee in a muddy field, think again, this is the prestigious Devizes Corn Exchange and DOCA, our Outside Celebratory Arts association, are holding their annual Festival of Winter Ales in conjunction with the Stealth Brewery Company.

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Splat the Rat

I’ll come clean, I’m breaking my Festival of Winter Ales cherry tonight, and I’m also fashionably late. Friday night was a sell-out, I’m informed, today is near equal in success, but I’d better hurry on in, the beers were running out. Another confession, I be a cider drinker, part of my five a day. Our man Andy cannot report, he’s here in a professional capacity, tending the bar, least lengthy set of tables. I would have kept him on his toes, but he’s attending to the ale end of things, I’m occupying the cider corner. A rhubarb laced cider is my first glassful, despite the event’s name, there’s ciders aplenty, but the choice of ale was extensive and over the whole weekend you could possibly, but unlikely to, pursue them all.

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Vince Bell

With a customary token system functioning, and barrels aligning the length of the grand hall, there’s part of this event which reflects the standard beer festival format, in a grand fashion. Yet it has a civilised angle, prementioned flowers on tables, etc and surrounding the magnificent stage as if it was an awards evening rather than a beer festival. Don’t get me wrong, this is not a complaint but a compliment, twas a splendid arrangement for a splendid evening; no one need a muddy field in a rain drenched February, save perhaps the odd duck.

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Matt Barnard

If I’m honest, which you know I blatantly am, I’m not surprised by the impressive event, Stealth knows good beer, and DOCA know what they’re doing and could arrange a party on a glacier off Antarctica and it’d still be awesome. Winter beanies off to them both, for this inviting and warming occasion which is, essentially, an important fundraising event which will help fund the carnival and massive summer events such as the beloved annual street festival.

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It’s Complicated

Through the three sessions over two days, our best local bands and musicians played, the wonderful It’s Complicated, Splat the Rat and Vince Bell. I was there in time to catch the finale of Matt Barnard, who has amused as compere, and all-round entertainer through the festival. He’s a confident, comical and cheery chap with that unique Saturday Night at the Palladium ability to cover all aspects of showbiz proficiently. Kris Dollimore followed, with an extensive résumé, this member of Del Amitri drove from Cornwall to pick a guitar akin to an illusionist vanishing the Eifel Tower. I pay particular astonishment to his beautiful rendition of Marvin Gaye’s Inner-City Blues.

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Kris Dollimore

What a most splendid event, one worthy of your attention for next year, and priced at a tenner with first pint free in your keepsake glass, you cannot go wrong.

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© 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Tickets for Winter Ale

Tickets for DOCA’s Devizes Festival of Winter Ales 2020 at the Corn Exchange on Friday 28th and Saturday 29th February 2020 are now on sale…..
The Devizes Festival of Winter Ales is a fundraising event to help meet the costs of DOCA’s free annual programme of outstanding outdoor arts events and activities, including the Devizes International Street Festival, Confetti Battle, Devizes Carnival and the Christmas Lantern Parade.

Held in collaboration with Stealth Brewery, DOCA have bespoke, warming ales and ciders from some of the best independent breweries in the country, as well as some fantastic bands and special DOCA style entertainment. You’ll be able to chose from a selection of Lovett’s pies, and top quality snacks to keep you going.

Expect fantastic bands over the three sessions, Soon to be announced. In usual DOCA style we will bring to you a cabaret act with a difference!

This year, for your entertainment they will be welcoming Matt Barnard. Matt has performed across the world as a compere, actor, musician, singer and as himself in his unique one man show.
He was the resident compere of the cult Sensation Seekers Stage at the Glastonbury Festival, starred in London’s oldest variety show in the West End in and performed his unique act at the famous London Palladium. He also appeared in the Hollywood movie Mrs Henderson Presents in which he performed the famous sand-dance with Gareth Jones.

Unfortunately, DOCA will be unable to admit people who are under 18. Tickets will include a festival half pint glass and enough beer tokens for two half pints.


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Street Festival, Yeah!

Images used with the kind permission of

Tanya Jurkiewicz Photography

and Gail Foster

 

Gigantic bouncy slide outside the trusty Pelican, where we usually wait for a bus. Beyond, a superior stage surrounded by pockets of circus acts, charity stands, clothes stalls, and street food heaven wraps the Market Place, where DOCA gave information and a Pimms bar bustled. Happenings snaked down Snuff Street, over St Johns, and across the town centre, the atmosphere buzzing. What’s not to like?

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From fudge and churros, to Tibetan cuisine and crocodile burgers, food and drink was diverse. Stealth Brewery held the most aesthetic bar and seating area, The British Lion occupied the other, functional side, frantically serving the cider which gives this event it’s local auxiliary namesake. Yes, Black Rat Monday, or as the wonderful organisers would favour you call it, The Devizes International Street Festival. Upon us, the customary bubbliest, most multicoloured and all-round brilliant community-fuelled event to bless our spirited market town.

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If many a festival constitutes packing camping gear, blagging petrol money off mates and trekking through town and country to attend, DOCA bring the spirit of festival to your doorstep, and do it with bells on. As the crowd bobbed and gyrated at the main stage, I spotted a musical statue, poised to snap a photo, or ten. Gail turned to me with a smile, “it’s my favourite day of the year,” she uttered. Whatever I write of it will be deficient and incomplete, for there’s so much going on. It’s our Mardi Gras; you wander, you catch what you can, go where you like, impossible for me to document it all, especially half-toasted as I was! Gail summed it in a sentence.

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As the sun shone, I must say yet again, this was the fantastic event it traditionally always has been, and improves annually. Impossible to stage something so vast and varied without slight hip-cups. I’m not rising to grumpy hecklers taken to Facebook to whinge their futile vendetta against DOCA, all over a carnival date change so volunteers can take a well-earned break and schools can be encouraged to participate. Drunkenly calling for the artistic director’s head on a platter, as if they were the manager of Newcastle is pathetic. Did you slip through a wormhole and appear in an alternative reality, because I thought it was awesome? Take your storm in a teacup to Rio, least upon return from Lalaland give yourself the directive to resist the urge to post when sozzled!

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Ha, an opinion piece it be, refraining from writing journalistically as I do, it’s my belief we should praise DOCA, award the highest accolade. This weekend was tremendous. Budget didn’t stretch to quite as many cosplayers, walkers and random street theatre than previous years, something funding will help towards, or hey, the attendees maketh the festival; maybe dress up yourself! No Andy; Spiderman onesie is in the wash, thank you!

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My attention was drawn to an apparent lack of activities at the Northgate end, usually the child-friendly zone. I’ll say Sunday on the Green is more geared towards our younger, still it’s fair feedback. Though, it’s all the criticism I will accept as constructive. Yes, unobtainable was sitting around The Market Cross; it was fenced off due to structural damage and danger of pieces falling; no fault of DOCA. Similarly, a band mistaking their performance time is an unavoidable calamity. This caused a rather vacant period on the main stage, which was a shame, yet well-oiled crowds laughed between themselves, and thus away with the fairies went such trivial issues.

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However, it did mean many flocked past the Town Hall, an area which usually fizzles out back to the reality of everyday Devizes. I’m so happy to say, prompting DOCA to take onboard our local music scene, I suggested something I really couldn’t commit to; had to work in the morning. But it was so, that Pete of Vinyl Realm had similar ideas, and executed a second zone of music in a manner I couldn’t have. My dream to have a little marquee with some acoustic singers was transformed into not only a trailer stage, but acoustic area and vinyl DJ, adding that extra dimension and rounding off the festival site with a definite border.

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It was here where some excellent sets played before an audience larger than we anticipated. Strange Folk were amazing, yet it was Daydream Runaways who really bought the stage to its pinnacle. Sweltering, this upcoming pop-indie amalgamation of Swindon and Devizes, who I’ve been hailing with praise since I discovered, really delivered an energetic and proficient set of favourite covers and their own accomplished originals.

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Often supporting the guys, Ben Borrill acoustically owned the area next, followed by Devizes space-rockers Cracked Machine. Having not managed to catch this headline act live up till now, I pondered if they could recreate the sublime atmospheric ambience they do on record, and I was not disappointed. This Pink Floyd of the vize volleyed it out of park. With trickles of intoxication, the sound apt under the heat of the sun, the crowd were whisked away blissfully.

 

This was, quite honestly, a highlight of the day, the whole idea to have the second stage was. So, a massive respect goes to Pete, Jacki and all at Vinyl Realm for organising and funding this, and to the Lamb who supplied the power, in more ways than one; I saw Sally wander over to band to hand them all some well-deserved hot dogs!

 

If this doesn’t convince DOCA to support our local music scene, nothing will! Pete has already suggested interest in doing it again next year. But, feeling the need to cover as much of the festival as possible, I scarpered back to witness the most gorgeous African fusion band on the main stage. Blinking heck, s’ all going on, so much so, it’s going off.

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Truly fantastic DOCA and everyone who contributed their share, worked the bars, hosted side stalls and attractions and of course, the bonded spirit of you, the revellers; dotted with the special events, leaving next weekend for Confetti Battle and Colour Rush, I call to embrace this change, as this is destined to progress annually, we should be the envy of all of other towns and be proud of what has been achieved this weekend.

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© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Q: What’s in the Yurt, DOCA? A: Los Galindos’ Udel

Images used with kind permission of Gail Foster

 

For me it’s not enough to say something is “weird.” To start, is it a “good” weird or a “bad” weird? If the opposite of weird is normal, and normal considered boring, then weird must surely entertain. It’s subjective; depends where you sit on the border of what constitutes an acceptable limit of weirdness. When it goes beyond this level maybe it fails to entertain you, by being so weird you cannot process any logic or reason within it, ergo “bad” weird, in your opinion.

Yet illogical or plain nonsensical has always been a backbone of humour. Many strive to extend said border, for if Spike Milligan or Monty Python pushed the limits in surrealism, Miguel de Cervantes did too, 350 years beforehand. I’d suggest there’s something very Don Quixote about Los Galindos’ Udel.

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Humour at its most basic level is visual, a baby will find perpetual peek-a-boo hilarious. Similarly, visual humour relies on those classic formulas; falling over, sudden disappearance and reappearance and dumbfounded surprise. Akin to silent movies, voices are minimal and slapstick in Los Galindos is bountiful, and executed with distinction. But it is weird.

See, I like weird, strive for weirdness, savour weird things, chat to sane people hopefully making me appear weirder. Perhaps I set the barrier of what constitutes too weird high. If you agree, you will love this show. If you’ve wandered past the Green and seen a Mongolian yurt and thought, well how is a circus act supposed to be staged in there, without spoilers I’ll enlighten; that’s part of the joke.

If you’re thinking where does this article stop being a thought on the word weird, and become a review for this fantastically curious show, then you’re already putting barriers at your chosen level. For I don’t want to ruin the surprise, for the show continues through to Monday, but it left me wondering at what point the show actually started. Could be as soon as everyone was seated, even when we were kindly ushered in, perhaps just outside the door. Maybe all walking past, contemplating said notion, well how is a circus act supposed to be staged in there, have already become the audience of sorts.

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It’s a prime example of what I’m getting at, the act is the production, the production is an act, the props are parts of the stage and yurt, and the yurt, stage, and possibly the audience too are the props. The costumes and overall impression are modest, yet charming. The acrobatics are deliberately played down like Tommy Cooper’s magic, but are exceptionally skilful.

Wrapped in essence of a humbled, poor circus family, who overdramatically welcome you, their efforts to make you comfortable and enjoy their show is the clowning element, perhaps it’s only narrative. The hazard of these disguised clowns executing daredevil circus stunts within inches of your face is worrying, and part of its attraction which will leave you in awe.

If you’re the sort expecting a traditional request, “I need a volunteer from the audience,” disregard your expectations. This is a unique and original take on circus noir, it’s clowning and acrobatics combined in a manner leaving you spellbound and pondering what exactly just happened, and why.

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There was a point in the act, without giving the game away, where the doors blew open, and in viewing a glance outside there was a gentle reminder you were sitting on the Green in Devizes, and not immersed in a scene from Don Quixote staged by amateurs with a homemade theatre, in some remote mountainous village north of Barcelona.

It’s fantastically abridged circus, something radical moulded into a Mediterranean era of yore, and honestly, something you’ve not see in Devizes before, or probably ever will again, even if you consider Devizes is weird!


© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


 

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Chatting Carnival with Loz

With a nail in the offside rear tyre, I’ve got a three-quarter of an hour window to nip to Mike Woods and stop for a drink at Times Square before the school run. Prioritise Worrow, prioritise; erm, just a cup of tea thanks, you get a little biscuit on the side anyway.

Loz Samuels beats me hands down when it comes to time management, it’s her second visit to coffee shop today, chatting and encouraging the progress of DOCA. Whenever I catch her, Loz laments how crazy it’s all been, yet I suspect she wouldn’t have it any other way. Appears to me she personifies the satisfaction of commitment so much it’s scary; procrastination not in her agenda, unlike me who lives by its golden rule.

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Skipping the announcement of Vinyl Realm’s second stage at the Street Festival, as despite being the reasoning for arranging the meeting, I measured both Pete and I too enthusiastic about the prospect to wait till now. Seems Loz wanted to concentrate on the subject of carnival and the nearby sub-events, opening with a partnership project with Amesbury Carnival. “We’ve created a six-feet high puppet of a mammoth,” she explained, confirming after some deliberation of the crane’s availably, it will stomp its way through our procession.

I note it’s the kind of thing you see at carnivals in South America or the Caribbean. “Yes,” she agrees, describing a second mahoosive moveable puppet of a Neolithic woman, “it’s quite colourful, because the theme is Through the Ages, so it works, it works well for them (the sponsors) because they wanted something to do with heritage.”

There was me thinking about an old British Pathe film showing a Devizes carnival of yore, but Loz explained the theme is more general, not as I thought, a historical look at Devizes Carnival. “No, just through the ages, you know, could be the future, could be aliens, but maybe someone will interpret it like that.”

So, carnival is on the 13th July this year, a change that’ll bring the walls down and make life no longer worth living, according to “traditionalists” on social media. In our last chat with Loz, we enlightened the reasoning for the change, aside the fatigue of DOCA’s volunteers with a full fortnight of events, the hesitancy of schools to contribute during summer holidays has opened up. Schools are able to work on their projects earlier in the year, and workshops have been running in seven participating schools, with others coming. The theme, Loz explains, is suitable for their curriculum too, be it Victorians, or pirates for example; one positive reason to change. Loz stressed how pleased she was with this change; carnival wouldn’t be carnival without the children.

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We move onto the notion that the subevents, the Colour Rush and the strictly Devizes “thing,” The Confetti Battle can now be on a Saturday too, rather than weekdays as previous. “So hopefully,” she nods, “there will be masses there. We had four thousand there last year, and on a Wednesday night when you’ve got to get up next day, it’s quite late….”

“It’s going to be different every year, I mean,” she continued, “how many times are you going to go to Confetti Battle when it’s the same old thing?”

I agreed, despite my kids loving it when younger, they consider they’re getting too old to bother. “But they might do this year,” Loz interrupted ardently, “because there’s gonna be massive inflatable crazy things that’ll appear in the crowd!”

Loz’s hopes for additions to this year’s Confetti Battle are from Willy Wonka’s rulebook, golden tickets to win £50 in the bags of confetti, and more side attractions will add to its appeal. “The Confetti Battle could be nationally known,” she continued, comparing its potential to the Cooper’s Hill Cheese Roll, “but not on a Wednesday night. People aren’t going to be travelling from, say, London on a Wednesday night.”

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Confident to grow this unique element of our carnival, Loz continued to express advantages of the battle commencing over the weekend, taking down the rigs in order for market the following morning will be a thing of the past, meaning a more elaborate setup. She had a meeting with the astatically pleasing festival, BoomTown, aiming to create a visually stunning spectacle with wider appeal.

If cynical of her ambitious outlook, Loz claimed, “the sky’s the limit, if we can raise money to put into it, then we can do it, we can do anything, so, it’s a start, I’m aware people are sceptical about changes but if we stay as we are, we’re not going to grow, we’ve no potential to make money, our arts funding will decrease.” Seems logical to me. We talked of possibilities, of Caribbean carnivals where the procession concludes into an arena for a concert afterwards. “I think it’s really exciting,” she stated, “doors are opening now.”

The crucial thing to note in this chat, is that this is only Loz’s third year at the helm, finding her feet has been uphill, with a system only documented only in her predecessor’s head. She now feels in a position to build on past experiences and deliver us the large-scale outdoor events we will be talking about through the forthcoming ages.

So, let’s get things straight right now, DOCA’s program of events is ever as lively, but with a few changes:


Saturday 6th July: Carnival Costume Making Workshop @ Wiltshire Museum:

Help prepare a large-scale costume to walk in this year’s parade. Families and children aged 8+ are invited to make some spectacular back pack style costumes. This will be a group making session working on revamping backpacks which will match with costumes made by our school groups, in either Medieval, Tudor, 18th Century, or Victorian style.

Artist and costume designer Abi Kennedy will guide you through making a colourful back pack, a fun and creative afternoon is promised. No experience is necessary.


Wednesday 10th July: Skittles Night @ The Wyvern Club

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Saturday 13th July: Devizes Carnival Through the Ages.

Entrant registration from 4pm, Procession starts at 6:15pm.

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Sunday 18th August: Picnic in the Park @ Hillworth Park


Sunday 25th August: International Street Festival @ The Green


Monday 26th August: International Street Festival @ The Market Place

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Friday 30th August: Kennet & Avon Canal Trust’s Music by the Canal

6.30pm until 10pm @ Devizes Wharf.


Saturday 31st August: The Colour Rush

Starts at Green Lane Playing Fields and finishing in Market Place.


Saturday 31st August: Confetti Battle @ The Market Place

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UduL by Los Galindos @ The Green
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An award-winning Catalan circus company who inhabit a traditional Mongolian yurt which will be located on the Green for three days. Saturday 24th August: Doors 7pm Show 7.30pm, Sunday 25th August: Matinee Doors 1.45pm, show 2pm. Evening Doors 7pm Show 7.30pm, and Monday 26th of August: Doors 7pm Show 7.30pm. Minimum age recommended from 7 years. TICKETS: £5 Early bird price until 31st July, thereafter: £7 each, £5 for under 16’s.


Shop Window Competition

Shops around town have placed one item in their window, during Street Festival fortnight, that they don’t normally sell. Spot them all and be in with a chance of winning £25! Entry forms will be available online throughout the Street Festival Fortnight or from Devizes Books and the Town Hall. Completed forms can be left at the Town Hall.


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Vinyl Realm Hosts New Stage at DOCA Street Festival

Yeah, it’s a toasty secret I’ve been busting to spill the beans on for eons; and we’re gathered here today to announce the line-up!

Sometime ago I suggested a local affair for DOCA’s amazing street festival on 26th August, just a small marquee-fashioned area, I imagined, set aside to highlight our local acoustic musicians. Like most of my ideas though, I throw away all practicalities and left it up to a fellow worker to causally whisper it’s a Monday and I’d be working in the morning!

Similarly, though, Pete of Vinyl Realm wanted to do something along these lines, and I’m delighted to announce he has taken the project under his wing and only gone done it, with bells on. The idea has expanded to a full-sized stage, with a great line-up that I’m here today to tell you about.

So, well done to Pete, Loz, et all, who’ve worked tirelessly to sort this out. Next week I’ll be chatting with Loz of DOCA about carnival and the street festival in general, but for now, all eyes on this, set to be the loudest alternative corner of the street festival, ever!

At this point, times of the bands performing are unconfirmed, as it needs to coincide with acts on the main stage. While DOCA’s booking of some fantastic international acts each year, it leaves us eager to know what they’ve in store for August; it’s secret left for you to buy a programme. But do save some room in your wandering for the Vinyl Realm Presents stage at the corner St Johns and Long Street, bang outside the shop.

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Ah, the new four-piece indie-rock band I’ve been harking on about recently, Daydream Runaways will be playing. Wiltshire-based Ben Heathcote on vocals, Cam Bianchi on Guitar, Nath Heathcote on Bass and drummer, Brad Kinsey. Citing influences from the likes of The Killers, The Strokes and Sam Fender, Airborne, they also praise Fleetwood Mac, The Stones and Talking Heads. We reviewed their excellent single Light the Spark a few months ago, and have high hopes for this youthful bunch.

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Whisked away on one awesome, blissful journey through sound after just one listen of their debut album, I, Cosmonaut, Cracked Machine have been mentioned and rightfully praised on Devizine over the last year. Formed in Wiltshire also, in 2015, local space-rock hypnotists, weaving “mesmerising grooves, infectious riffs and layers of sonic texture to create compelling and original soundscapes which take fellow cosmic explorers on an exhilarating trip through the cosmos.” This is Pink Floyd likened space-rock, meeting ambient trance for a new generation, yet their second album, The Call Of The Void, reflects a harder, rock edge, we’re talking Hawkwind here, and it’s reverie style will hold you spellbound.

 

Deemed the headline act, Cracked Machine is a quartet of experienced musicians, brought together in a quest for aural mayhem; Bill Denton on guitar, Clive Noyes on keys samples and vocals, Chris Sutton on bass and Blazej Gradziel on drums. They play the Southgate today, and are a welcome blessing to our local scene.

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Vibrant retro-rock fusion with folk and neo-gothic, Somerset/Hampshire’s Strange Folk UK is one I’ve not heard of, and look forward to. The band’s roots are in folk, and distinct rock aspirations are tempered by a recognisable folk vein running through their songs to varying degrees. Dark impressive vocals ride the crest of a truly great sound that transports the listener to another time.

Quoting their influences may divulge that time; sixties psychedelic legends such as Dylan, Janis Joplin, T-Rex, The Doors, Free, Hendrix, and Jethro Tull, there’s mod influences too like The Who, and Genesis, and harder rock like Zeppelin and Judas Priest.

Between bands, we announce acoustic artists, Devizes singer-songwriters, Marland favourite Tom Littlefair and the brilliant Ben Borrill, topped off with a local funky soul DJ set from Usaf. I’m truly delighted to bring you this news, reckoning this is addition is going to really add a whole new musical dimension to this already fantastic gem on Devizes event calendar. As well as all of DOCA’s exciting circus, street theatre side stalls, rides and games, it now stands at two stages large, double the fun!

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Oh, and I do believe Devizine has the exclusive on this one; expect a plagiarising Gazelle or Herod along any moment. Please feel free to share our posts, but if republishing them observe copyright and quote Devizine as the source; basic etiquette, thanks!

 

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Storm in a Teacup; Concerns Over DOCA’s Carnival Change….

Images by Gail Foster

 

It’s easy to make a storm in a teacup in this hurtling era of social media: put one slightly erroneous newspaper article into a mug, brew some pretty strong local feelings on the issue, add a poll to a Facebook group as required; best served boiling.

 
Face it, it’s a lot harder to motivate yourself into actually helping out.

 
It’s clear the Front page in this week’s Gazette and Herald has been wrongly perceived as scaremongering, and failed to focus on the relevant points. Perhaps a slow news-week, but the intention to highlight the Devizes Outside Celebratory Arts (DOCA) need for funding has exploded into a social media frenzy over its date change, and employment of its key manager, Loz Samuels.

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If you felt like the article “was more concerned with one job loss than possibly losing an historic carnival,” consider without someone in Loz’s position, there would be no carnival at all. Besides, Loz expressed she only breezed over the fact her contract runs out with reporter, Joanne Moore, it was not supposed to be the key angle of the piece.

 
When a newspaper decides to run an article, it’s their prerogative which images they place, not the subject’s. Loz was as much surprised to see her own face on the front page as you, and is keen to point out, while funding for carnival, and the plethora of other events DOCA arrange is getting harder each year, it’s much the same as any year.

 
Loz herself works tirelessly with a team of volunteers to provide us with these fantastic, and mostly free events in Devizes, for what my tuppence is worth, she needs to be saluted and thanked, rather than dismally criticised for changes the committee as a whole have decided upon, and in their expert judgement, for good reasons.

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I ask Loz if she feels some people simply don’t like change, being the poll revealed a huge majority feel the date for the carnival should remain the same, in September, as opposed to being shifted forward to July. “More sceptical than not liking I think, until they see it, they’re afraid of the change.” She points out that Weymouth carnival has had to be stopped, expressing her concerns about the number of volunteers, and fund-raising needing to raise over half the cost, after the Town Council’s contributions. The Arts Funding Council require twenty-percent of costs secured before paying out, and in struggling times, local businesses and organisations find it hard to sponsor as much.

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I ponder if popular opinion has not considered every tiny element which makes up DOCA events, every factor which needs to be taken into consideration. The Arts Funding doesn’t cover anything non-art, such as road closures and insurance, the availability and commitment volunteers are able to contribute thins, and yes, while Loz has concerns, and with less time now to arrange the carnival procession, she also confirmed she’s feeling far more optimistic than the newspaper article conveys. “In March,” she elucidates, “we should know.”

 

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Loz pointed towards the school’s eminent participation in the Christmas Lantern Parade and its workshops, to highlight the potential of the carnival’s date change. There is hope local schools will be able to organise themselves better, given the procession is within term-time, that the Confetti Battle and Colour Rush, the latter a vital fund-raising event, can be popularised shifted from midweek to a Saturday, but most of all, Loz stressed on the fatigue of the volunteers after a fortnight’s full schedule of activities, by the time the actual carnival arrives “they’re shattered!”

 

I find this very easy to believe, as a punter, I confess I overdo it at the Street Festival and by the following week, when carnival moves through town, I’m like “really? Can I be bothered?!” Given the choice I’d take the Street Festival over the carnival any day, but I think both are as vital as each other. A reply suggesting organising positions should be unpaid infuriated me, considering how much work is necessary to stage such events; could you do that as a hobby, my friend?

 

In fact, go against popular opinion as I may, I fully support the change of date, seeing it as a great decision which although must’ve been tricky to call, will benefit the town as a whole. Many a comment on this Facebook poll incensed me, truth be told; a stab at why DOCA paid for outside bands to play at the festival, when this year, as previous, I’ve felt the bookings have been justified and welcomed; didn’t see anyone complaining when we danced in the Market Place, a place usually reserved for wandering across from the shops to catch the bus.

 

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I did stress to Loz I’d like to see the wealth of local musical talent represented too, though she pointed out timeslots and the need for breaks in performances on the main stage, so that the circus side acts and street theatre could be heard. I offered the idea of a second stage for our local heroes, and Loz remarked it’d be another grand for a PA, and we’re back to stage one with the lack of funding.

 
Giving more clout to the need to support and attend the year’s fund-raising events, such as the impending Devizes Festival of Winter Ales at The Corn Exchange on the 15th and 16th of Feb. With a beer and cider selection curated by local Stealth Brew Co, it does indeed host local musical talent, such as George Wilding who will be playing this year, “and a cabaret too!” Loz enthusiastically added.

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We breezed over successful city carnivals, such as Bath, whose sponsorship from local business are obviously more plentiful, attraction much wider, and solely concentrate on carnival, unlike DOCA who take the Street Festival, Picnic in the Park, The Confetti Battle, Colour Rush, Christmas Lantern Parade, and Winter Ales Festival under their wings; forgive me if I’ve missed one out, but that’s a truckload of things to arrange.

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In an area as affluent as this, Arts Funding will always give with one eyed squinted, it really is up to us support and fund DOCA. So please treat this bulletin as cautionary, consider damage done by taking our major events for granted and do whatever you can to help DOCA. One phone call with Loz, confirmed my already concrete notion that she is thoroughly dedicated to this position, is worthy and capable of the task. Think, while we have other great events in our wonderful town, they usually come with a price tag.

 
You know what? I blame the bad weather, yeah, the stresses over national politics and so on; understandably tetchy in February, but decent summer entertainment is that one time to put cares aside, let your hair down; don’t let austerity take it away.

Devizes Outside Celebratory Arts (DOCA)

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