Tag: Shuffle

Ooh Ah, Shuffling to My Dad’s Bigger Than Your Dad…

If you fancy having a whole heap of fun while helping raise some funds for Prospect Hospice, who have provided end of life care to the people of Swindon and north east Wiltshire for over 40 years, you have two exciting festival options.…..

Firstly lands in your lap on Saturday 22nd July, when Swindon’s Old Town Gardens plays host to My Dad’s Bigger Than Your Dad Festival. Bit long-winded name for a festival, but it’s certainly original and stands out, provided the idea of primary playground sayings for festivals doesn’t trend on the back of it and we have The My Dad’s a Blackbelt in Karate Festival, or even worse, The Ooh Ah Lost my Bra in my Boyfriend’s Car Festival!

In its third year the festival is a tribute to Dave Young, the former landlord of The Victoria and 12 Bar who died in early June 2021 at Prospect Hospice after a hard-fought battle against cancer. The festival has raised over £24,000 for Prospect Hospice in its first two years.

Headline sponsor this year will be Future Planning, an independent financial planners and mortgage advisers based in Swindon. Acts include countywide favourite rockers, The Ukey Dukes, Kova Me Badd, The Vooz, and Splat the Rat, ska and reggae cover giants Train to Skaville, sonic indie darlings Atari Pilot, upcoming indie post punk favourites Viduals, The Pop-Punk Revolution Tour, crazy rappers Imperial Leisure, and in a comedy rock subgenre of their very own, we can never forget the Real Cheesemakers. Plus there’s acoustic goodness from Hip Route’s Jim Blair, Drew Byrant, Joel Rose, Meg, Jules Hill, Shedric.

If this isn’t enough for you, Swindon Paint Fest will be hosting an area of creativity with six fantastic local artists demonstrating their talents by live painting in the Sunken Garden. There will also be a guided spray paint and acrylic pen workshop led by Emma from Old Town’s Mams gallery where  participants will be able to have a go with using the spray paint and acrylic pens onto a canvas board creating an artwork which they are able to take home. 

Caryn Koh from Swindon Paint Fest said, “We at Swindon Paint Fest are excited to collaborate with My Dad’s Bigger Than Your Dad event which is a great initiative raising money for Swindon’s Prospect Hospice.”

Food and drink vendors, including Gurt Wings, have been brought in to keep revellers fed and watered, as well as an independent business market and a funfair area for children.

Adult tickets are a purple one, £20 from their website mydadsbiggerthanyourdad.co.uk . Paper tickets are also available from Holmes Music, The Tuppenny and The Castle Inn.

Second option is in September when, from Thursday 14th to Sunday 17th, Swindon’s Old Town comes alive with locally-sourced live music in a pub stroller type fashion with Swindon Shuffle. The lineups at five music venue boozers, The Victoria, The Hop Inn, The Beehive, The Tuppenny, and the Castle basically reads like a who’s who of local music, and it’s all free, provided you spare a little cash for Prospect Hospice buckets scattered around the venues. Fringe events are also to be found at Baristocats and the Prospect Hospice Books & Media shop.

“This year’s event is shaping up to be the biggest ever and includes something for pretty much everyone out there,” The shufflers say, and they’re not telling fibs. Swindon Link, Sheer Music, Swindon Folk Club, and many others all muck in to help create the enormous homage to David Young and raise funds for Prospect. I made it down last year for just Saturday. I’m thinking I might need to find a B&B this year and a sudden attack of skivalitis from work this time around!

From alt-rock of All Ears Avow and Modern Evils, to the sludge doom of Phantom Droid. The likes of Stay Lunar, Moon UK, Viduals and Chasing Dolls keep the indie-kids dancing and there are first shuffle experiences for up and coming bands Trippy Kicks, I See Orange, and  Mirrored Faces UK.

If something rootsier is more your thing, you are also well-catered for with the widescreen americana of Matt Owens Music & The Delusional Vanity Project and Concrete Prairie headlining stages, along with folkier offerings from the likes of Fly Yeti Fly, Canute’s Plastic Army and Splat The Rat.

Subject A bring a touch of Ska and Reggae to proceedings and there is creative and impossible to pigeonhole music from Will Lawton and the Alchemists, Richard Wileman / Karda Estra & Amy Fry Music and new band The Wheel 2!, who feature many of the faces behind the amazing and much missed Diagonal People. Thud and Bone Chapel bring some blues to proceedings and Swindon Folk Club again curates a stage.

With over sixty acts on the main bill you need to put this in your diary, but for now, whether your Dad is bigger than my Dad, or not, all eyes are focussed on 22nd July, when the wonderful park venue of the Old Town Bowl comes alive….and to think, there’s some wonky folk who groan Swindon is a cultural void, same ones still probably trying to get their bra back from their boyfriend’s car, ooh ah!

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Swindon Shuffle is set to get the town a’rockin’ this September

Organisers of the popular Swindon music event have announced that Swindon Shuffle will return this September…..

The Swindon Shuffle has been a fixture in the diaries of local music lovers since
2007, celebrating all that is good about the Swindon original music scene.
The 2023 event (the 16th edition technically as 2020’s festival was online) runs from Wednesday 13 September with an opening music quiz event at The Beehive.

Festivities continue until Sunday 17 September, with over 60 acts featured across five main venues in Old Town (The Beehive, The Castle, The Hop, The Tuppenny and The Victoria) alongside fringe events at venues like Baristocats and The Eternal Optimist and more. The event will be raising funds for Prospect Hospice.

The cream of the local crop will be on display with every musical genre imaginable. This year’s line up will once again include the Friday evening specially curated by The Swindon Folk Club, which takes place at The Hop.

Headline acts include the reggae goodness of Subject A at The Hop on the Thursday evening with Canute’s Plastic Army topping the bill just down the road at The Tuppenny.

On the Friday evening, the headliners include All Ears Avow at The Vic and Splat
The Rat at The Castle.

Saturday will see headline sets from Richard Wileman and Amy Fry (The Tuppenny), Modern Evils (The Vic), Concrete Prairie (The Beehive), and Stay Lunar (The Castle).

The final day on the Sunday will see headliners Fly Yeti Fly (Tuppenny) and Matt Owens and The Delusional Vanity Project (The Beehive).

Organiser Ed Dyer said: “We are really excited to have such an incredible line-up of local talent playing this years event. We have loads more to announce and plans for this year’s festival to be the biggest and best yet. It is a privilege each year to be able to put this event on and to raise much needed funds for Prospect Hospice.”

All sessions are free of charge with full details available HERE.

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Island Bop with Shuffle & Bang

San Diego, California, 2018, King Pops Horn and son, Korey Kingston began on a musical partnership, merging Korey’s deep vested love for dub and reggae with his father’s tenure as a decorated traditional jazz singer.

Gathering a gang of musicians with resumes including savvy veterans from The Aggrolites, Rhythm Doctors, Suedehead, Brian Setzer Orchestra, The Original Wailers, Stevie Wonder and a pianist who plays organ for the San Diego Padres baseball team, they formed Shuffle & Bang.

Over multiple recording sessions taking two years, this unique musical journey culminated in an accomplished album, Island Bop. Pirates Press Records, partnered with the band’s own Jetsetter Records are ready to deliver this gem to the world on 6th November; everything about it suggests it’s right up my street and banging loudly on my door.

And it is, and it is loud. Dressed as a classic Blue Note jazz album, with indistinct band-in-action photo and simple capitalised font running down the left side, it comes exceptionally close to capturing the elegance of an era of definitive jazz and soul. Yet it drifts wildly between genres, a surprise to know what’s coming next in many ways, but often, perhaps, constituting a Jack-of-all-trades.

I mean this in the nicest way possible, to hit the benchmarks of such legendary epochs, to come close to all the variety of influences represented here in one shebang, from Blue Note to Stax and Studio One, is quite near impossible. You got to hand it to them for trying. For all it is worth, it is accomplished, highly polished and grand. It’s exceedingly entertaining and highly danceable, to boot! Just don’t let the cover art allow to run off with the idea you’ve stumbled upon a new Marvin Gaye’s What’s Going on.

At all times, no matter what subgenre it’s mimicking, it’s brash but not slapdash, flamboyant and proud. There’s minimal subtly of soul, delicately tight riffs of ska, and to cast it overall is to say it is akin to big band, as it’s in your face and won’t let you escape, even if you wanted to, which, you probably wouldn’t. Big Band does jump blues, ska, soul, and even by the end, dub reggae.

Yep, you heard it right; it ticks all the boxes. The opening song is a deep acapella with a booming Teddy Pendergrass fashioned soul voice, whereas the second sets the running theme as this big band panache. Taking the jazz end of a classic ska sound, the third tune dragged me onto the dancefloor, or my kitchen lino to be more precise; yep, I’m reviewing while washing the dishes again!

Switching back to Cab Calloway big band groove for a fifth song, it is perhaps the next which is most interesting to date, Naima maintains a big band style but serves it with a rock steady riff. Quickly as it does it, it shifts again, onto a shuffle rhythm with some killer horns, more Louis Jordan than T-Bone Walker.

Within the thirteen strong songs, the whole album is showy and that makes it rather magnificently inimitable, and because of this running big band ethos incorporating all the various styles, at no time does it jerk into an alternative genre, shudder the goalposts, rather surprisingly, they flow all rather splendidly.

It gets unpremeditated and rides the Ratpack train, with beguiling vocal gorgeousness, When I Take My Sugar to Tea, particularly, or a take of traditional ska like the Skatalites, but the next tune might again return to up-tempo swing. Given our Louis Jordan reference, the only recognisable cover is his Tympany Five’s Let the Good Times Roll, at least you think it is, until the end song.

If you figured this cover might act as a grand finale, prepare, because after a drum and cymbal interlude, the groove suddenly and without warning dubs. Yep, true dat; with a deep rolling bass and reverbs akin to King Tubby, and perhaps melodica to impersonate Augustus Pablo, we are treated to a divine dub of the Gorillaz’s Clint Eastwood. Although they’re calling it Drum Song.

The culmination forces you to hardly recognise the style at the beginning of the album, and to return to it might make you think, no, I want to go listen to some Sly & Robbie now instead. However, Island Bop will rest accustomed in a jazz, blues, soul or reggae record collection, and you will return to its gorgeous portrayals. For all its swapping and merging, yes, Island Bop is hard to pin down, but for eclectic jazz and soul fans, its refreshingly experimental and a damn good groove!