Wiltshire Music Centre Unveils Star-Studded New Season

Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their classical music talents…..

Wiltshire Music Centre announces new Spring season with some extraordinary listening experiences on offer in the new year. Wiltshire Music Centre is a unique and contemporary 300-seated concert hall in Bradford on Avon.ย  In the heart of rural Wiltshire, the venue’s built an enviable reputation over the years as a professional concert hall of exceptional quality, rooted in community participation and involvement.ย The Centre also provides a permanent home for local orchestras, choirs and music groups, and works extensively with young people locally through a vibrant and varied Creative Learning Programme in Wiltshire and beyond.

Since first opening in 1997, Wiltshire Music Centre has been a musical hub, bringing the best in live performances to the area as well as providing a home for local orchestras, choirs and music groups. Recently appointed Executive Director, Sarah Robertson and Artistic Director, Daniel Clark have a renewed commitment to creating a space for people to gather and connect through a shared love of music โ€“ a space to celebrate the past, present and future of music-making and to nurture a spirit of musical curiosity.

Audiences can look forward to an exceptional lineup of artists, including first-ever WMC appearances by leading pianist Angela Hewitt (30 Jan 2026), opera virtuoso Sir Willard White performing with WMC favourites The Brodsky Quartet (20 Mar 2026), BBC Big Band (17 Apr 2026) showcasing the musical genius of George Gershwin, international cabaret star Ute Lemper (8 Mar 2026), blues legend Eric Bibb (27 Mar 2026) touring his new album, and a WMC debut by the Neil Cowley Trio (11 Apr 2026) who bring their inventive show inspired by Baroque genius, J.S Bach, to the Centre.  Meanwhile, Jamie Woon (8 Apr 2026), British R & B and electronica singer/producer returns to the stage after a 10-year break.

Classical and jazz season highlights include โ€œtrumpeter extraordinaireโ€ (BBC Music Magazine) Matilda Lloyd performing with the Goldmund Quartet (7 Feb 2026); Nikki Iles and Claire Martinโ€™s new project IG4 (7 Mar 2026); evocative choral works from The Gesualdo Six (28 Mar 2026); stunning vocals from the Grammy-nominated British vocal ensemble VOCES8 (26 Apr 2026); and exciting new jazz sounds from Jazz FM Instrumentalist of the Year Mark Kavuma (28 Mar 2026) and London-based saxophonist Camilla George (22 May 2026), whose music blends Afrofuturism, hip-hop, and jazz.

For blues, folk, and roots fans, thereโ€™s a packed programme of must-see gigs featuring both established and emerging favourites, including the powerful fatherโ€“daughter duo Martin and Eliza Carthy (3 Apr 2026), much-loved folk singer Cara Dillon (8 May 2026), Jon Bodenโ€™s project The Remnant Kings (15 May 2026), and Josienne Clarkeโ€™s homage to Sandy Denny of Fairport Convention (6 Mar 2026).

Families can look forward to a musical retelling of Benji Daviesโ€™s childrenโ€™s book The Storm Whale with Music in the Round (14 Feb 2026), and the film classic Wallace & Gromit: The Wrong Trousers on the big screen with live music performed by WMCโ€™s flagship West of England Youth Orchestra (10 Apr 2026).

The eclectic programming extends beyond the music alone. Former Royal Harpist Catrin Finch (15 Mar 2026) comes to the Centre with Notes to Self, an evening of music and conservation, while master impressionist Alistair McGowan (12 Apr 2026) and sharp-witted comedian Chris Addison (14 Feb 2026) bring comedy and music with their respective shows. There will also be a series of monthly screenings with the newly launched Adventurers Film Club, featuring Becoming Led Zeppelin (28 Jan 2026), Set the Piano Stool on Fire (25 Feb 2026) โ€” the acclaimed documentary about legendary pianist Alfred Brendel and his protรฉgรฉ Kit Armstrongโ€”and more.

Introducing the new season, Daniel Clark says โ€œHere youโ€™ll find a wide-ranging series of concerts from some of the most exciting voices of the past, present and future of music. From great legends of music-making to rising stars, weโ€™re committed to bringing the best music we can to our special venue, and hope youโ€™ll find something that will transport, inspire and delight you.โ€

Highlights:

Angela Hewitt: one of the worldโ€™s greatest living interpreters of Bachโ€™s music and recipient of the City of Leipzig Bach Medal in 2020 will make her WMC debut. (30 Jan 2026)

Angela Hewitt London 2016

Chris Addisonโ€™s Incomplete Guide to Chamber Music: Chris Addison brings to life the rich, vibrant โ€“ and sometimes bizarre โ€“ history of classical chamber music. A musical journey from baroque courts and European revolutions to todayโ€™s contemporary composers with some of the UKโ€™s finest musicians and Chrisโ€™ brilliant and original facts and insight. (14 Feb 2026)

Eric Bibb: Three-time Grammy nominee and blues legend with a career spanning over five decades tours brand new album, One Mississippi blending blues, folk, soul, and Americana. (27 Mar 2026)

Ute Lemper: International cabaret star brings her show telling the story of Hollywood legend Marlene Dietrich through songs and stories: from the Berlin Cabaret years to her Burt Bacharach collaborations. (8 Mar 2026)

Lau Noah: Beautiful, innovative and evocative vocal and guitar harmonies from self-taught Catalan composer and songwriter who has supported Chris Thile, Ben Folds and Jacob Collier on tour over the past two years. (3 May 2026)

Tickets are now on sale: wiltshiremusic.org.uk/


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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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Wiltshire Music Centre Announces First New Season Under New Leadership

Wiltshire Music announces a new season for Autumn Winter: and the first under the new leadership of Daniel Clark, Artistic Director and Sarah Robertson, Executive Directorโ€ฆ.

Since first opening in 1997, Wiltshire Music Centre has been a musical hub, bringing the best in live performances to the area as well as providing a home for local orchestras, choirs and music groups. The upcoming season will feature returning WMC favourites while also spotlighting exciting new artists and expanding the programme, signalling a fresh direction and commitment to musical discovery.

Audiences can look forward to internationally recognised artists including a first visit to WMC by Kingโ€™s Place resident ensemble and Southbank Resident Orchestra,โ€ฏAurora Orchestra (21 Nov) a rare UK appearance by the phenomenal Bill Frisell Trio (22 Nov), classical season opener by Roderick Williams, one of the UKโ€™s most sought after baritones, alongside theโ€ฏCarducci Quartet, (28 Sep) and experimental folk singer-poet Richard Dawson (9 Nov), among others.

Other classical season highlights include celebrated Baroque violinistโ€ฏRachel Podgerโ€ฏperforming withโ€ฏBrecon Baroqueโ€ฏ(8 Oct) and returns to the WMC stage by virtuosic pianist,โ€ฏJeneba Kanneh-Masonโ€ฏ(Sun 26 Oct) andโ€ฏI Fagiolini, who bring their musical storytelling back to the stage with leading local choir, Bath Camerata (13 Dec).โ€ฏThe Young Artist Programme supporting the brightest young stars is back with Classic FM 2024 Rising Star and violinist Nathan Amaral (17 Dec) and Syrian-British pianist, Riyad Nicolas (12 Nov), exploring piano works from Bach, Beethoven and the Arab World.

A season of sensational jazz kicks off with Giacomo Smith and an all-star line-up celebrating 100 years of Louis Armstrong (27 Sep), a tribute to Nina Simone by Lady Nade, contemporary jazz and inventive improv from Danish Jazz Awards winners Jasper Hoibyโ€™s 3Elements, and much more.โ€ฏ

Alongside traditional folk offerings of Gypsy, folk inspired music by Budapest Cafe Orchestra (15 Nov) and โ€œworld-folkโ€ by Dallahan (31 Oct), the line-up also features contemporary sounds, including spellbinding Welsh triple harpist and vocalist Cerys Hafana (18 Oct), the critically acclaimed duo The Breath (2 Nov), and London folktronica band Tunng (19 Nov). 

Families can look forward to CBeebies Musical superhero and Podcast host, Nick Cope and his festive themed show (7 Dec) while earlier in the year, thereโ€™s a Halloween special for all the family with The Paper Cinema (1 Nov) and their immersive puppetry and visuals.

Referring to the Centreโ€™s rich history, Daniel Clark says โ€œWith these concerts, we have aimed to honour the spirit of musical curiosity so present in those early days, with a diverse programme spanning past, present and future. In our next season, you will find a collection of extraordinary musical experiences, handpicked for our wonderful auditorium and marking the start of our own journeys as stewards of this special venue.โ€ 

Daniel Clark joined in January this year, alongside Sarah Robertson. Sarah was previously Director of Communications and Special Projects at Bristol Beacon, leading the marketing and rebranding of the venueโ€™s ยฃ132 million transformation. Daniel, with over 25 years in the arts as a Creative Director, composer, and musician, formerly led the Creative Programme at the Story Museum in Oxford.

Highlights:

Aurora Orchestra: one of the most innovative and boundary-breaking ensembles in classical music make their WMC debut performing Mendelssohnโ€™s much-loved โ€œItalian Symphonyโ€, and Prokofievโ€™s expressive Violin Concerto No 2 with Chloe Hanslip โ€“ all performed from memory. (21 Nov 2025) 

Bill Frisell Trio: Wiltshire Music Centre welcomes legendary jazz guitarist and composer and his acclaimed trio featuring Thomas Moran on bass and Rudy Royston on drums. This will be just one of a handful of UK performances, that includes the London Jazz Festival. (22 Nov 2025) 

Artist Residency: Groundbreaking clarinettist, active educator and composer Giacomo Smith performs a series of concerts: โ€œThe 1925โ€ (27 Sep) celebrating 100 years of Louis Armstrong featuring UKโ€™s jazz talents, Joe Webb and Laura Hurd; Giacomo Smith + Wiltshire Youth Jazz Orchestra (12 Oct), a special afternoon of brilliant big band magic with talented young musicians; Giacomo Smith & Mozes Rosenberg โ€œManoucheโ€ (14 Nov), a special quartet project paying homage to Djanjo Reinhardtโ€™s musical legacy.

Penguin Cafe Plays Music from Penguin Cafe Orchestra: The sounds of Music from the cult avant-pop band of the 80s & 90s is played by group founded by Arthur Jeffes, son of the original creator, Simon (18 Nov)

Little Rituals presents Heliocentrics: Special event presented by Bradford on Avonโ€™s coolest coffee shop, Little Rituals: an evening of psychedelic-funk-jazz, audio-visuals, pop- up vinyl shop run by Melkshamโ€™s indie record shop, Doubles and cocktails. (29 Nov)

Tickets are now on sale from HERE.ย 


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Striking Photographic Portrait Exhibition Celebrates Five Years of Impactful Creative Workย with Older People at Wiltshire Music Centre

If youโ€™ve popped into Wiltshire Music Centre recently; for a concert, workshop, screening orย even a meeting, you might have noticedโ€ฏchanges in the foyer: recorded music, the cafe-barย open at peak times during the day, and currently, a strikingโ€ฏphotographic exhibition of black and white portraitsโ€ฆ..

The โ€˜Men in Conversationโ€™ exhibition presents portraits of members of the Trowbridge Creative Conversations Menโ€™s Group, a creative arts and heritage group for men aged 65+ held in Trowbridge Library. Facilitated by professional artist practitioners, Creative Conversations sessions bring together isolated older people to share their experiences and creative ideas in a friendly and welcoming environment.โ€ฏSo, when Stuart Brook, one of the members of the Trowbridge menโ€™s group shared his interest in photography, it wasnโ€™t surprising that it inspired the participants to take portraits of each other. The results were so impactful, uplifting and moving, that theyโ€™re now on display at Wiltshire Music Centre until the end of July, before moving to Trowbridge Library, all made possible by funding from The Trowbridge Town Trust.

The free-to-visit exhibition contributed to a Celebration event, marking the impact of theย Celebrating Age Wiltshire partnership from 2020-2025. The event, attended by partners,ย funders, artists and community champions, showcased some of the many outcomes achieved through this project, funded by the National Lottery Reaching Communities Fund. Artworks, as well as the exhibition included songs, spoken word, and art and heritage pieces, introduced by Creative Producer, Rebecca Seymour.

It was an opportunity for Wiltshire Music Centre to thank everyone that has contributed to this project to this point, including funders, The National Lottery Reaching Communities Fund, Wiltshire Council Area Boards, Town Councils, Wiltshire Community Foundation, Arts Council England and other Trusts and Foundations. Partners, Pound Arts, Wiltshire Creative, Wiltshire & Swindon History Centre, AgeUK, Wiltshire Council and Libraries and Community First, Creative Producer Rebecca Seymour and our staff team, volunteers, community champions and community organisations past and present, and, of course, the sixty-five artists!

In August, Wiltshire Music Centre will hand over the leadership of this award-winning, countyย wide project to AgeUK Wiltshire, who will continue to reach isolated older people throughย creative arts and heritage events and workshop groups. We look forward to continuing toย partner in this incredible project, as it continues to grow.ย 

More Information HERE


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Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

The Bradford on Avon Live Music Festival- This Weekend!

Bradford-on-Avon Town Councilโ€™s annual festival, aptly titled The Bradford on Avon Live Music Festival is back this weekend, championing local talent with an eclectic line-up of impeccable performers across its multiple venues and in association with the Wiltshire Music Centreโ€ฆ..

The festival launched in 2022, sees music pouring out of venues across the entire town over three days of music. From indie to rock, pop, jazz and blues, there really is something for everyone at this yearโ€™s festival. โ€œOur town is a hub of creativity,โ€ organiser Katie explains, โ€œand weโ€™re proud to keep that spirit alive through the BOA Live Music Festival.โ€

It runs from Friday 30th May to Sunday 1st June; itโ€™s a long listed lineup, hereโ€™s what weโ€™ve found and recommend you donโ€™t miss if youโ€™re attending. Throughout the weekend there will be music at eight venues: Westbury Garden, Trinity Hall (St Laurence School,) Lamb Yard, Timbrellโ€™s Yard, The Three Horseshoes, The Castle Inn, The Canal Tavern, and of course, Wiltshire Music Centre.

On Friday 30th May at 7.30pm, Wiltshire Music Centre brings Jah Wobble & The Invaders of the Heart to the festival. As a bassist, Jah Wobble is well-known for his heavy, hypnotic bass grooves, which often serve as the backbone for atmospheric, genre-crossing tracks. Covering everything from reggae to rock, dub bass to drum and bass, and global influences, his deep, melodic, and trance-like bass is central to the experience. He will open Bradford on Avon’s Live Music Festival for the Centre, along with this band of world-class musicians- the Invaders of the Heart.

Jahโ€™s career speaks for itself, spanning over 40 yearโ€™s heโ€™s played on countless albums, with performers such as PILโ€™s John Lydon, Brian Eno, Bill Laswell, U2โ€™s The Edge, Sinead Oโ€™Conner, Primal Scream, Bjork, The Orb, The Cranberries Dolores O ฬRiordan and many more, as well as a regular on the hit TV show Never Mind the Buzzcocks.

Jah Wobble and the Invaders of the Heart at Wiltshire Music Centre is ยฃ27 / ยฃ14.50 U18s + students, but observe this special offer code: 30% off at checkout using promo code BOA30. Highly recommend it.

Also on Friday you can find The Bowie Experience, 8pm at the Trinity Hall of St Laurence School. I highly recommend Karport Collective with Jess Chivers in support at The Castle Inn. Find some carnivalism at The Three Horseshoes from 5pm with delinquent fuzz jugernaut The Bucky Rage, BullyBones and Glasgow nuggets of Kosher Pickles!ย  And with Bird is the Word taking over music at The Boat House, who has Band of Others on Friday, you are spoiled for choice.

Nothing Rhymes With Orange @ The Exchange ~ The Last Big Devizes Gig

Decisions get even harder on Saturday 31st May, at the main stage at Westbury Garden youโ€™ll find Retro Electro headlining at 9pm. The penultimate act is our favourites, Nothing Rhymes with Orange. All after a lineup of Karport Collective, Feast of Fools, Funky Monkey Bubble Club, Sian & Rob Colquhoun, the incredible Becky Lawrence and the Jazz Factory.

Meanwhile, at Lamb Yard I highly recommend Melkshamโ€™s indie pop band The Sunnies headlining at 9pm, after JPQ, JB & the Mojomakers, Lorikeet, Lone Sea Breakers, Body & Soul, and Jess Chivers from 3pm. The Castle Inn has The Relayz, Westward, This Way Up, I highly recommend Dylan Smith, Broken Focus, Lee Broderick, Joe Hunt, and I highly recommend Becky Lawrence, all from 1pm  

Saturday night at โ€œThe Shoesโ€ youโ€™ll find The Bucky Rage, Kitchen Lover, Kosher Pickles – Well Brined, and The Borough. The Canal Tavern has Star Shaped Pegs, Mojo & Yuji, Lloyd & Art,  and Jake Lockhart. Timbrellโ€™s Yard has Lorikeet, highly recommend Ruby Darbyshire, Sian & Rob Colquhoun, Jess Chivers, Sour Apple and Feast of Fools.

Itโ€™s all afro-beat at Wiltshire Music Centre on Saturday with The Gasper Nali Band, highly recommend it. Famous since a film of him went viral, Gasper Nali is a not-so-traditional babatoni player from Lake Malawi. The babatoni is an African one-string home-made 3-metre long bass guitar, and with a stick and an empty beer bottle. Together with a cow skin kick drum and catchy melodies, he creates the most amazing and danceable original Afro Beats possible!

Gasper has toured the UK and Europe several times since his breakthrough video, playing in all environments from seated arts centres spaces to major festival stages. This year, Gasper will be transforming his customary one-man-band show and perform with a three-piece band for the very first time in the UK. Along for the ride is Malawi born songsmith and cultural proponent Luhangah on additional vocals and percussion, as well as Gasperโ€™s long-time producer and collaborator Mattias Stรฅlnacke on guitars.

Gasper Nali Band: Bradford on Avon Live Music Festival at Wiltshire Music Centre starts at 7.30pm. ยฃ16 / ยฃ9 U18s + students. Another SPECIAL OFFER here: 30% off at checkout using promo code BOA30.

Sunday is the first of June, and what a way to see the month in. At The Three Horseshoes from 3pm, for some mod, funk and RnB with The Convulsions. Trinity Hall has The Hipcats: A Century of Sinatra with support from JPQ from 7.30pm, and Judas Goat & the Bell Weather from 3pm, who we highly recommend too!ย 

More Info HERE!


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Wiltshire Music Centre Announces New Joint Leadership

Wiltshire Music Centre is delighted to announce the new appointments ofย Danielย Clark as Artistic Director, andย Sarahย Robertson as Executive Director.ย Danielย andย Sarahย join Wiltshire Music Centre in a new co-leadership model. They will join the team in late January 2025, to strengthen the Centre’s role as a culturalย andย creative spaceย andย Arts Council England NPO for Wiltshire.

Sarah is currently working as Director of Communications and Special Projects at Bristol Beacon, where she led on marketing for the rebranding and reopening of the venueโ€™s ยฃ132 million transformation. Sarah’s had a long involvement with Bristol Beacon where she has worked for the past 17 years and been a pivotal figure in the organisation’s evolution.ย During this time, she has also commissioned and managed transformation projects funded by National Lottery Heritage Fund and was a Clore Fellow in 2021. Sheโ€™s also held positions on a number of Boards as Chair for Shakespeare at the Tobacco Factory in 2021-2023, and more recently as co-Chair at Turner Sims.ย 

Daniel has worked in the arts and music industry for over 25 years as a Creative Director, composer and musician. He currently leads the Creative Programme at multi-arts venue, The Story Museum in Oxford, which welcomes over 60,000 visitors a year and delivers a varied programme including learning, exhibitions, events, and participatory activities. Previously he worked as Creative Director for Libraries Unlimitedโ€™s Evolve programme – an imaginative programme of live music, theatre, film, interactive artwork, and workshops supported by Arts Council England, was Founder and Artistic Director of EarFilms, a company exploring 3D audio storytelling for blind and blindfolded audiences, and Music Programmer for After Dark & Dartington Live โ€“ a series of โ€˜secretโ€™ events and concerts on parts of the Dartington Estate.

Speaking of her appointment, Sarah said, “I am delighted to be joining Wiltshire Music Centre as Executive Director in the new year. It is a special place, much loved by audiences and artists, integral to the local community and with a team who are talented and passionate. I am looking forward to working with new Artistic Director, Daniel Clark, to build on its fantastic heritage, keeping the music and musicians at the heart of everything we do.”

Daniel commented, โ€œI’m thrilled to be offered the opportunity to join the team at Wiltshire Music Centre during such an exciting time. This world-class venue has a rich history and an exceptional, dedicated staff and volunteer team. I look forward to working alongside the team and the community to shape an exciting new direction for the centreโ€”one that is deeply connected to the passions and interests of the people it serves, bringing world-class music and musical opportunities to the residents of Wiltshire and beyond.”

James Wetz, chair of Wiltshire Music Centre added, โ€œThe Board are absolutely thrilled to welcome Sarah and Daniel to the team. Their wealth of experience and passion for the music and the arts, will provide the Centre with the right blend of innovation and expertise needed to shape the next chapter. Working with the team, we’re confident they will both be able to build on our strong foundations and move forward our ambitious plans to strengthen and reimagine our place at the heart of music and cultural life in the South-West, helping to keep music accessible and live for young people and the wider community.โ€

We double, triple, quadruple love Wiltshire Music Centre here at Devizine, and would like to wish Sarah and Daniel all the best for their new venture.


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The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Jazz Orchestras and Senegalese Kora to Musical Bingo; New Autumn-Winter Program at Wiltshire Music Centre

Seems like an age since I last visited Bradford-on-Avonโ€™s wonderful Wiltshire Music Centre, though Iโ€™ve been listing their vast range of events on our calendar. Maybe itโ€™s a good time for you to check out whatโ€™s going on there as theyโ€™ve just released their autumn-winter programโ€ฆ.

From contemporary and folk to jazz and classical, thereโ€™s a massive variety. I’d go out on a limb to suggest you’ll not find such diversity in any local music venue. The season begins with some Northumbrian pipe folk with Kathryn Tickell & The Darkening on Wednesday 2nd October. Pupils of The Yehudi Menuhin School, a global leader in music education, present a varied showcase of talent and skill from their young musicians on Sunday 6th.

While Friday 11th gets choral with innovative and creative vocal ensemble The Marian Consort, telling the story of Renaissance art through sound, renowned Pink Floyd tribute All Floyd recreates the Division Bell album on the Saturday at St Margaret’s Hall, while Syrian โ€œQueen of the Qananโ€ Maya Youssef returns to the centre.

BBC Folk Musicians of the Year Andy Cutting and Sam Sweeney group with Rob Harbron on Wednesday 16th for some freeform folk under the guise Leveret. Food critic and MasterChef judge Jay Rayner arrives Saturday 19th as a pianist with a penchant for jazzy โ€˜80s pop; who knew?!

Catherine at the Music Centre really wanted me to highlight the Charity Musical Bingo night on Wednesday 23rd October. โ€œItโ€™s very new for us,โ€ she told us, but if, like me, youโ€™re thinking โ€˜bingo, really?โ€™ note, she explained the spin on it, โ€œweโ€™re planning it to be glitzy and fun, with an added fancy dress competition, live music from quirky covers band FLQ, plus food from Feast Brothers. Itโ€™s a fundraiser for the Centre; instead of numbers on a bingo card, we play snippets of pop songs from the 50s onwards and if they are on your card, you mark them off until you win.โ€ย  That’s my kinda bingo!

Bringing together an electrifying seven-piece band of influential Senegalese musicians and vocalists, master kora player and singer Seckou Keita could have you swaying to the beat of his latest album, Homeland, on Friday 25th October, while The Urban Folk Quartet mix Celtic tune forms, traditional song and cross-genre influences like Afrobeat, Bluegrass, funk and rock, on Saturday 26th.

Kasai Masai at Wiltshire Music Centre, December 2023

October ends with the classical, a lunchtime concert from Italian string musicians Trio Chagall, and weโ€™ve only mentioned the first month. November sees Sir Stephen Hough, The Bristol Ensemble, both Trowbridge and Bath Symphony Orchestras, and Bachโ€™s Brandenburg Concertos with Orchestra of the Age of Enlightenment. For folk thereโ€™s Calan and Manran, thereโ€™s a homage to Simon & Garfunkel, and a big weekend of jazz.

And weโ€™ve not yet covered all the family events like Voices for Life where 200 children from local primary schools sing with BBC Young Chorister of the Year, Belinda Gifford-Guy, or youth projects like Wiltshire England Youth Orchestra and Wiltshire Youth Jazz Orchestra.

Weโ€™ve not touched upon the sterling work of the Zone Club at the centre, offering Monthly creative sessions for learning disabled young adults. Thereโ€™s probably more amazing work going on at Wiltshire Music Centre I donโ€™t even know about, but you cannot deny, itโ€™s a fantastic place with a heart of gold. And you need no other reason to pick up some tickets and support their fundraisers, safe in the knowledge youโ€™re supporting a rather special organisation pushing boundaries in local arts and music.

For full program details, and to book tickets, see HERE.


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Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

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Bradford Roots Session Special With Bill in the Lowground, Daisy Chapman & Thieves This Fridayโ€ฆ..

There will be some foot-tapping folky goodness at the wonderful Wiltshire Music Centre in Bradford-on-Avon on Friday. This year’s Bradford Roots Festival may be a fleeting memory, but it seems they can’t wait for another January, so 19th April sees a session highlighting some fond favourites; if you’re looking for something to entertain you, I thoroughly recommend itโ€ฆ.

Two bands on a triple bill, both which achieve a perfect balance; barefoot fiddler and banjo bashing Broughton Gifford-based headliner Billy in the Lowground, a well-established west-country come Americana favourite who have that rare knack of stabilising an up-tempo pitch with concentrated narrative. And the new ensemble of Adam Woodhouse called Thieves, who mightily impressed me at this year’s festival with that perfect balance of vocal harmony bluegrass and darker country blues.

Nestled between these two fine bands you need not accept a substitute. Trowbridge living legend Daisy Chapman is also on the bill. An early time slot at this year’s festival meant I still haven’t managed to scrub her name off my must-see list, despite briefly touching base with her and, naturally, fondly reviewing two of her albums over the years. Unique is an understatement with Daisy, and if we’re talking about perfect balance, I couldn’t say if it’s the euphoric and epic musical style of her folk, or her astounding writing ability which sets her above your average local singer-songwriter, so I wager it’s both!

Wiltshire Music Centre’s dedication to, and not to mention development of local music is second to none, as well as hosting a wide variety of international musicians. This one is going to leave you contemplating it was twelve pounds well spent, with certainty.

Tickets HERE


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DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s allโ€ฆ

Things to Do During Halloween Half Term

The spookiest of half terms is nearly upon us again; kids excited, parents not quite so much! But hey, as well as Halloween, here’s whatโ€ฆ

N’Faly Kouyatรฉ (Afro-Celt Sound System) Tour Includes Wiltshire Music Centre

Perhaps best known as the frontman of Afro Celt Sound System, the Belgium-based artist N’Faly Kouyatรฉ will be hitting the road for nine intimate shows with his new solo project.ย  Beginning at Southamptonโ€™s Turner Sims on 8th February, the tour will include Bradford-on-Avonโ€™s Wiltshire Music Centre on the 11th Februaryโ€ฆ.

N’Faly Kouyatรฉโ€™s UK tour will be preceded by the release of a brand new single, “Premiers Pas”, a powerful, political track that finds the artist echoing Africa’s call for total autonomy. Offering a poignant reflection on Africa’s tumultuous history, the single will shine a light on the suffering, terror, and an unquenchable thirst for freedom the continent has endured. Merging French and Malinkรฉ languages, the lyrics reflect Africa’s fervent call for complete control, with N’Faly Kouyatรฉ requesting the world recognise Africa’s right to shape its own destiny. It will be streaming on all services on 3 February 2024.ย 

The release of “Premiers Pas” will be accompanied by a striking official music video co-directed by N’Faly Kouyatรฉ, his manager Sandra Werner, and their team. The metaphorical visuals will depict Africa’s journey to freedom, celebrating cultural diversity and the inner strength of its people. Filmed in South Africa, the choice of Nelson Mandela’s homeland as the filming location underscores continental solidarity in the pursuit of autonomy. In tandem, the artist sheds light on similar phenomena in daily life, such as workplace abuse of power, domestic violence, and many others. 

Speaking about the new single N’Faly Kouyatรฉ says: “I am raising a cry with ‘Premiers Pas’ to demand total autonomy for Africa. This song is the expression of the determination of an entire continent to finally take control of its destiny.”

More than a song, “Premiers Pas” is the resounding cry of a continent seeking to reclaim its voice and place on the global stage, sung by one of its most passionate musical advocates. 

Originally hailing from Guinea, N’Faly Kouyate is a world-renowned Griot master musician and multi-instrumentalist. Moving to Belgium in 1994, he formed the ensemble Dunyakan (The Voice of the World), before joining Afro Celt Sound System in 1996. Frequently performing at WOMAD, the latter have released many albums through Real World Records and performed with stars including Peter Gabriel, Robert Plant, and Sinรฉad O’Connor. Owning an innovative sound that blends electronica with music from Ireland and West African countries, Kouyate prominently provides vocals, kora and balafon for the group.

Famed for his irrepressible energy and virtuoso performances on stage, N’Faly Kouyatรฉโ€™s latest solo project will promise a spellbinding mixture of polyphony and electronic music in symbiosis with traditional instruments, called Afrotronix.

On his upcoming โ€˜Rรฉ-Gรฉnรฉration Tourโ€™, N’Faly will be joined each night by his extraordinary ensemble, promising a unique opportunity for British audiences to experience this visionary artist like never before.ย He comes to Wiltshire Music Centre in Bradford-on-Avon on 11th Feb, Tickets here.


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CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Six Reasons to Rock in Market Lavington

Alright yeah, itโ€™s a play on band names and thereโ€™s only really two reasons to rock on Friday 17th October at Market Lavington Community Hall;โ€ฆ

Way to Start the Year; Bradford Roots Festival 2024

Hibernating since Christmas, now I feel like a turkey, making up for it, stuffing eighteen bands into eight hours, such is the beauty of Bradford Roots Festivalโ€ฆ..

Impossible to provide detailed analysis of each with such a sizable quota, not without an essay-length review, and there’s the handful I missed. Suffice it to say, every act I witnessed at Bradford Roots Festival was top notch, and locally-sourced, just as we like it here on the De-viz-ine!

Over two years from 2019, our man Andy returned from the annual convention and reported back. I skipped through it and published. I need not doubt his words, dedicating my time writing something else. I wrongly assumed at the time, likely from its name, that the Bradford Roots Festival was a folk festival, rather โ€œrootsโ€ I now believe refers geographically; it’s the music of the here and now. I discovered this for myself attending last year’s and unexpectedly hearing jazz and youthful grunge bands you wouldnโ€™t usually hear at a folk festival!

Open any fire door to the wonderful Wiltshire Music Centre in Bradford-on-Avon, and there’s another surprise behind it. The festival is an annual indoor feast of music over four stages, fundraising for the Centre itself, their Zone Club, a musical group for disabled adults, and a chosen charity, this year’s being Parkinson’s support. I like to define it as a convention of local musicians rather than a festival, only because it’s all indoors and winter, but it doubles up as either. Either way you view it, it’s a brilliant event for all ages. For the elders there’s a bar and food options, for the youngest there’s craft rooms, workshops and naturally for a festival in January, ice cream!

You could also see it as a taster for the wealth of musical acts we have on this circuit; youโ€™ll find them performing in our local venues. Some I’ve previously tried and tested, others were new to me, and some essential to check off my ever-growing must-see list.

The latter true of the first, gutted to have been too late for Daisy Chapman at the acoustic Gudeon stage, Jol Rose followed. He’s the Swindon-based Americana soloist I met at a Swindon Shuffle of yore and been meaning to catch perform. Like all others, he didn’t disappoint, despite only catching his finale. Here’s a prolific acoustic magician with the experience under his belt to engage an audience. An open mic hour followed at this stage.

If Jol, though, came as no surprise, Thieves did. My next venture to the Wild & Woolley stage where blues is the order by day, and youth gather for indie by the eve, Thieves were playing an acoustic harmony not unlike the Lost Trades, and hey presto, I’m standing next to the one only Phil Cooper, one third of said Trades! Heโ€™s compere for this stage, and will perform at the bar stage later. As Thieves progressed through a sublime set of bluegrass I likened it more to Concrete Prairie, and of similar quality. I’m staring at the frontman from a distance, thinking, by Jove, thatโ€™s Adam Woodhouse, who I know as a soloist with a penchant for rock n roll covers. This new outfit, Thieves, only formed in June and is barking up his alley, youโ€™d imagine the four-piece to have done this all their life. Adam tells me theyโ€™re playing a Sunday at The Southgate, Devizes, in April, well worth your attention.

The festival breaks for its foyer tradition of Holtโ€™s morris dancers and childrenโ€™s parade, known as the Wassall, then Phil Cooper takes the Bar Stage, kicking off with his own Road Songs, finding time to superbly cover Goodbye Yellow Brick Road.

Such is diversity on offer, when itโ€™s time for some jazz hey presto, again, Iโ€™ve finally made my way to the Main Stage for The Graham Dent Trio. Jazz pianist with a double-bass player and Nick Sorensen on sax, this is divine melodic invention, contemporary and unique, though I knew what I was letting myself in for, I saw them last year.  

Drag myself away, for Bristol Uni indie four-piece, LilyPetals. New to me, confident youngsters with funky basslines over the archetypal rock, big tick from me. And a tick off my must-see list, Be Like Will on the main stage, a varied strong female-fronted three-piece pub circuit band who used the festival to play through their originals rather than their usual covers to appease a pub audience, which, either way, theyโ€™d accomplish with bells on. The new tune finale was a definite article to how rousing this band can take an audience.

The showstopper though, and itโ€™s a big show to stop, came from Ruby Darbyshire at the Gudgeon. An absolutely spellbinding performance left the crowd in awe as others mingled outside praying someone would leave to replace them; few did. Rubyโ€™s stage presence has drastically improved in a relatively short space of time, her talent to adapt from acoustic folk to jazz scat need not. With just the right balance of originals and covers, she held us in awe, was the only artist to get an encore, and through Sinรฉad O’Connor, Dylan, Bob Marley and Springsteen covers she nailed them all and made them her own. Particularly poignant, Ella Fitzgeraldโ€™s Misty, simply, wow!

Beguiling building layers of goth-rock were sounding from the Wild & Woolley, though, as Bristolโ€™s female-fronted Life in Mono took to the stage. Evanescence in shape, yet solely idiosyncratic, hereโ€™s a euphoric original band to look out for. With Life in Mono indulgently ticked off my must-see, a new one on me rocked the main stage, the steady gypsy-dad-folk of The Mighty Rooster, prior to ensuring I was at the Bar for the unmissable Chippenham folk singer-songwriter, Meg. A passionate and thoughtful young artist, Meg delivers in such a unique yet proficient way I deem it impossible for anyone not to love her.

Such is the tight schedule though, should I need waiver artists weโ€™ve seen and featured before in favour of ones Iโ€™ve yet to catch live? Trowbridge soul artist extraordinaire, Frankisoul is due on the main stage; anticipation brewing from the crowd while the band frustrate themselves with minimal setup times, resulting in a few technical mishaps, would, in any other circumstances be somewhat off-putting, but, fact is Frankisoul is such a character, and such a vibrant and sublime soul vocalist, hiccups were easy to polish over, still, they came up smiling and were my second showstoppers of the festival.       

Clichรฉ is putty in Frankisoulโ€™s hands, if his only cover, Gloria Gaynorโ€™s I Will Survive is so, and they rinsed their originals with gusto and stylish proficiency, even down to a moment of hilarity upon Frankisoul mimicking the coat stage gimmick of James Brown. Itโ€™s these originals which gravitated me towards them, reviewed here, I shivered apprehension comparing him to likes of Luther Vandross, particularly Otis Redding, and yeah, live thereโ€™s a hint of eighties soul, of Kool & the Gang, but now I know he can live up to these.

Meanwhile the wonderful Courting Ghosts were unplugged at the Bar Stage, with their amazing blend of folk-rock, and Melkshamโ€™s finest youth band The Sunnies rocked the Wild & Woolley. One Iโ€™ve been aching to catch, yet I didnโ€™t catch enough of due to Frankisoul gluing me to my seat, if I liken The Sunnies to Devizes-own sensation, Nothing Rhymes With Orange, I think itโ€™s fair to now state, The Sunnies angle slightly to more indie-pop, their originals tinged with a carefree and indeed, sunny-side-of-the-street feel; a blessing to watch, bloominโ€™ marvellous!

With lively function band the Corporations attracting those left standing to the main stage, crowds lessened at the Wild & Woolley, sadly just when the epic finale was due. Yeah, itโ€™s Devizesโ€™ Nothing Rhymes with Orangeโ€™s headliner; those in the know and a few curious punters stayed to observe our hometownโ€™s fever as the boys pulled out their typical energetic and competent show. Evermore is their attraction spreading, with gigs lined up as far as Manchester now, NRWO, Iโ€™ll be banging on about their brilliance for a while yet it seems!

Conclude this now, Worrow, in some manner, youโ€™re sounding boring! I Know, but, over a colossal word-count only teetering on covering all the happenings at Bradford Roots Festival, and only the one day of it too, I struggle to find anything to grumble about. What a way to start the year, Bradford Roots Festival is amazing, the shell, The Wiltshire Music Centre is a blessing to our county, the value for money is righteous, the atmosphere is equable and convivial, and long may it be so.


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Oh Danny Boy!

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A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

No Rest For JP Oldfield, New Single Out Today

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I’ll Tell You What I’m Most Looking Forward to at Bradford Roots Festival, Opinions May Vary!

The longer I gaze in awe at the lineup for this year’s Bradford Roots Festival at the Wiltshire Music Centre the more tempted to break hibernation for an expedition to Bradford-on-Avon I get, even if it means in Robert Falcon Scott style. If it’s Antarctic conditions out there on Saturday 20th Jan, I’m hiring huskies!

Billy in the Lowground

Four stages of the crรจme de la crรจme of locally sourced music under one purpose-built roof ensures it’ll be warm inside. Bradford Roots Festival is a who’s who of local talent, more music convention than festival, and I don’t know if they took heed of some suggestions I made or we’re simply singing off the same song sheet, but, just, wowsers!

Frankisoul

One thing before waffling on those I do know, there’s much more that I don’t know, yet, which is equally gurt lush, and hope to shed some light on those once done and dusted. For now though, let’s virtually trek stage-by-stage, kicking off with the main stage. Graham Dent Jazz Trio I caught last year and look forward to, Be Like Will aren’t much after and we love those guys, but Trowbridgeโ€™s upcoming soul hero, Frankisoul is a must for me. Reviewing his debut EP left me at loss for a local comparison, and while I’d never use Otis Redding lightly, such is the strength of Frankisoul’s vocals I did, and that’s the highest compliment I can reward, surely?! Though I’ve yet to catch him live, I’m putting him on a pedestal I’m certain he won’t kick over.

Nothing Rhymes With Orange at Devizes Street Festival

Wild and Woolley stage speaks for itself, Mark Green’s Blues Band are worthy of attention based on last year’s stunning performance. Yet it’s the gen z takeover in the latter half of the day down there which is really going to go off. Foxymoron, Melkshamโ€™s finest The Sunnies, and Devizes homegrown sensation, Nothing Rhymes With Orange, are all must-sees. Nestled between them is Bristol’s Life in Mono, who, though slightly older, I’ve only heard great things about.

Courting Ghosts

Newly formed but brimming with experience and talent, Courting Ghosts are unplugged as a finale at the bar stage, which will be something else. It’s also grand to see one third Lost Trader Phil Cooper on the list, Phil was the mc last year, and one rising acoustic magician I beg you to catch, Chippenhamโ€™s Meg.

Meg

There’s another stage I can’t even remember them having last year, The Golden Gudegon, kicked off by Trowbridgeโ€™s incredible Americana artist Daisy Chapman, followed by the impressive force which is Swindonโ€™s Joel Rose, and though the rest are new to me,ย Ruby Darbyshire is rightfully on that list, and I recommend you find the stage for these.ย 

And that’s just Saturday! Though unless I win the lottery, or suddenly invent commercially viable cloning technology within a fortnight, Sunday, I’ll sadly miss it. Though Becky Lawrence, Billy in the Lowground, Karport Collective, and Ed Dyke are the ones I’ll be most sad to have missed.

Karport Collective

And there’s my take on it, I’m sure you may have a different opinion and can name drop a whole other set on this stunningly extensive lineup, that’s your prerogative, and I’ll always heed of your recommendations. But one sure thing, Bradford Roots Festival is on, and is a wonderful thing. Fundraising for Parkinsons UK, the Music Centre’s Trust and their inhouse Zone Club, a monthly music-making project supporting the creativity of learning disabled young adults. The Zone Club presents their work on the main stage at 11:30.

Becky Lawrence

Beer from Kettlesmith Brewing and plenty of food and drink. Tickets are just ยฃ32 for the weekend or ยฃ22 for Saturday and ยฃ17 for Sunday onlyโ€ฆ.snap them up, it’s worth it for one of those acts recommended aloneโ€ฆor maybe two, maximum!

Tickets HERE

And the Full Line Up too!


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DOCA’s Early Lantern Workshops

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I See Orangeโ€ฆ.And Doll Guts!

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Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Bradford on Avon Green Man Festival

Featured Image: Colin Rayner Photography

If Iโ€™ve recently been singing the praises of arts diversity in Bradford-on-Avon, centred around the Wiltshire Music Centre and not yet touched upon the various other venues such as the Three Horseshoes and Boathouse, hereโ€™s something to wrap it up into one neat package, the Bradford on Avon Green Man Festivalโ€ฆโ€ฆ

A free one-dayer, the festival is organised by the town council, a vibrant, family-friendly community gathering featuring traditional dance, music, song, and folklore which runs throughout the town centre on Saturday 11 May 2024, from 9.30am to 5pm.

They hail โ€œthereโ€™s something for everyone,โ€ and that story checks out; with over forty dance groups, comprising three-hundred and twenty dancers and musicians, the Bradford on Avon Green Man Festival ranges from Morris dancing to European styles, and encourages you to have a go!

Homegrown Performance troupe, Ganderflankers presents Jack and Jill in the Green, a whimsical journey of a 10ft tall Jack and Jill with their bands and fantasy beasts, visits twelve locations across the town.ย 

Wiltshire Music Centre stage hosts a stage at the Holy Trinity Church, and the festival launch party will be held at the Centre on Friday 10th May, ticketed, it features folk-rock legends Lindisfarne. A new addition for 2024 will be The Three Horseshoes hosting a blues stage, featuring the best local blues musicians. Thereโ€™s also the Folk Club Stage in St Margaretโ€™s Hall. The festival also boasts music sessions in town centre pubs, a regularly featured samba band at the Tithe Barn in the afternoon, a Mummersโ€™ play performed around town, and buskers too.

Pagan Arts & Crafts market with about a dozen stalls selling everything for the closet pagan, shopsโ€™ window dressing, and an Artisan Market with thirty or so local makers. With a childrenโ€™s fun zone with fairground rides, magical storytelling and face painters, The Community Hub for local groups and clubs to showcase their activities, and yet to be confirmed Saturday night party to polish it off, looks like the party is in Bradford-on-Avon in Mayโ€ฆ..twist my arm why donโ€™t you!!

More Information about Bradford on Avon Green Man Festival HERE


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Recommendations for when Swindon gets Shuffling

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A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his standโ€ฆ

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young andโ€ฆ

Soukous at Wiltshire Music Centre with Kasai Masai

Okay, they’ve given me a seat number but I can’t imagine Itโ€™ll hold me for long. Soukous is infectious, in a word. The dance music of the Congolese, Kasai Masai wears its crown in the UK. Popular on the festival circuit, they’ve perfected this captivating sound over fifteen years and last night blessed the outstanding acoustics of the Wiltshire Music Centre in Bradford on Avon; an opportunity too good for nasty weather to distract meโ€ฆ..

Jesting with frontman Nickens Nkoso before they unleashed their hypnotic and irresistible rhythms, if he was from the Congo he could’ve at least brought the weather with him; yeah, a chilly evening, perhaps inapt for African music, but they sure warmed up the inside of this cathedral of music. Though Kasai Masai are London based, he originates from its capital, Kinshasa, and he briefly introduced me to the band from various areas of central and east Africa, such as Kenya and Tanzania.

I wanted to gauge Kassi if they treated a gig such as this, an audience predominantly unaware of soukous, any different than, perhaps, a London club where African rhythms are more recognisable, but he seemed certain they tackled them all with equal gusto, expressing the wealth of environments they played at, from arts centres to festivals such as Glastonbury and, naturally Womad. This said, one toe was eased in gradually, the opening songs steady in tempo and largely a Congolese rhumba, the root of soukous. Gorgeously layered, lengthy compositions, meld traditional aspects of the music of their homeland with their contemporary counterparts; the second he informed us is a lullaby, apparently! It was sweet and sentimentally executed, ambient, but still, I was edging off my seat.

It is not the structure of Kasai Masai, a six-piece combo of drummer, bassist, lead and rhythm guitarists, one sporadically swapping bongo and saxophone, and Kassi’s smooth vocals and occasional percussion with maracas, rather the unity and harmony of this tight-knit ensemble which charms one so evocatively. No player is upfront, the saxophone is subtle, bass levelled, the bongos drift, the singer binds it, sure, but the secret ingredient is proficient harmony.

Like many world music styles, you need to untrain your ear from the quadrille plod pop has accustomed you to, think of it like breaking in a pair of old leather boots. Unlike some others, soukous is made easy. Swapping to three chords midway, upping the tempo for the offbeat gives it this danceable surge, like those new air-wear souls which your feet slip straight into and off you walk; soukous is the Nike Air of African music! This theory was put to test last night at the Centre, as Massai began, an unassuming audience paid attention, as he encouraged the crowd to dance, it then became compulsory.

The last few songs of the first half I was aching to shake my thang, as the tempo upped and soukous became prominent, it demands it of you. Such is the main hallโ€™s seated set up, you feel the British unmalleable obligation of reservation. The second half I was adamant, used the excuse I could get better photo angles to the few who made the dare to dance in the dancerโ€™s corner, and abashed, added my real intention! Such colourful, electric rhythms, the like rare in these backwaters, I have to tip my hat to The Wiltshire Music Centre for providing such a diverse range of acts. Yeah, I was on my feet, it was hypnotic, but seconds later, I looked up to the seating, the majority were too.

They held the crowd spellbound as exquisite, exotic rhythms basked the Centre in African musicโ€™s opulence, a true and authentic show of the riveting and beguiling reverberations of a distant land; that is world musicโ€™s appeal, and that is what they delivered with certain perfection.

But the show is only a cornerstone to the whole experience at the Centre. This event was backed up earlier with a drumming workshop hosted by Kasai Masai, highlighting the educative element to the Centreโ€™s ethos. Equal to this, upon me entering this wonderful purpose-built complex, the bar was filled with chat, and students jammed multiple xylophones, accompanied by one pianist, in the foyer; a clue to said ethos, thereโ€™s always something happening at the Wiltshire Music Centre, and as the name suggests, itโ€™s usually something musical!

The Music Centre is hospitable and inviting, and gets full marks for its extensive and diverse programming. It was a brilliant evening, though with an act as mesmerising as Kasai Masai I can only begin to imagine the magnificence in atmosphere at a grassroots festival; if you see them on the lineup, head that direction. The remaining of us, The Wiltshire Music Centre in Bradford-on-Avon is a real gem, check out what is coming up and do pay it a worthy visit.


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Wiltshire Music Centre; Proper Job!

Devizes celebrated rum bar, The Muck & Dundar are hosting a dub reggae night with Omega Nebula on Saturday, and received this weekโ€™s prestigious award of being Editorโ€™s Pick of the Week in our weekly roundup! Because, diversity goes a long way on our local, and often insular music circuits! While thereโ€™s nothing wrong in giving folk what theyโ€™re accustomed to, offering variety scores house points from me, in towns otherwise typecast into subgenres; Devizes is a blues town, Marlborough has a penchant for goth and punk, Chippenham is folk, and so on. Where does Bradford-on-Avon sit in this pigeonholing exercise? Iโ€™m in the dark, but perhaps with good reasonโ€ฆ..

This line of thinking for me began as I accidentally kicked a guitar case departing the Southgate on Wednesdayโ€™s regular acoustic jam night. Apology accepted by the owner of the case, he responded it happened quite often in pubs with a small space. It provoked an image of the Wiltshire Music Centre, whereby thereโ€™s a whole wall of cubby-holes in which musicians can safely store their instruments away from cider-fuelled nutjobs like me; just like coats and bag pegs at school! But itโ€™s not the only school-like thing about this purpose-built music heaven in Bradford, itโ€™s so functional Iโ€™d be glad to get a detention in there! I discovered this wandering their wonderful rooms in awe last winter when attending the Bradford Roots Festival. Behind every fire door was another gig going on like a classroom of music!

Concrete Prairie at Bradford Roots 2023

Now, if it seems to you slightly presumptuous to claim your venue is the โ€œcentre of musicโ€ in Wiltshire, youโ€™ve not visited this place. Overall it seems Bradford-on-Avon offers, perhaps, the widest range of music in our smaller county towns. The lively Three Horseshoes provides free music every weekend evening, and while diverse too, favours upcoming punk and indie bands, whereas the gurt lush Boathouse tends to offer more mainstream acts. Then, theyโ€™ve got this place, Wiltshire Music Centre, the lucky buggers!

If diversity is what youโ€™re looking for, youโ€™ll be right at home here. Examples, while we eagerly await the lineup for this yearโ€™s Roots Festival on 20th Januaryโ€ฆ.huh? A festival in mid-winter, are you having a laugh, Worrow?! No, though it was the only festival Iโ€™ve been to where I had to de-ice the windscreen afterwards, itโ€™s all under the roof of this magnificent building. I was mightily impressed by the range of acts performing there too. It was like a whoโ€™s who of local music, a convention more than a festival, and something really worth trekking down to the Bradford on the Avon for; heck, Iโ€™d go to the Bradford near Leeds for this!ย 

Concerts, gigs, whatchamacallits, are often backed up with interactiveness, workshops and classes, and even if you cannot make an event, they often live stream like lockdown was still a thing. Anyway, I digress, examples, thatโ€™s where I was, wasnโ€™t I?! While we endeavour to list it all on our event calendar, thereโ€™s simply too much going on at the centre to reel it all off here and now, mostly my fault for waffling, so do look up their website HERE.

The Museum of Marvellous Things

But if diversity is what youโ€™re after, just up till the end of the year alone, the Wiltshire Music Centre, currently running Oscar Wildeโ€™s The Importance of Being Earnest, plays host to ECO:FEST, a mini festival of music and creative activity delivered in partnership with Climate Friendly Bradford on Avon, Bradford on Avon Town Council and other partners, next weekend, Nov 18th. A magical family giant puppet show which brings picture books to life for ages 3+, The Museum of Marvellous Things on the 12th, to one of the most impressive and engaging new talents in the chamber music scene, Marmen Quartet, on the 15th November.  

Thereโ€™s both the Trowbridge Symphony Orchestra, on the 19th, and the Bath one, on the 25th, and in contrast thereโ€™s jazz with Steve Banks on the 26th. December brings some interesting events too, though. Iโ€™m particularly drawn to Saturday 2nd December, when Congo supergroup Kasai Masai perform their unique blend of traditional and modern African sounds. And, as we said about the interactive element before, thereโ€™s a drumming workshop beforehand with Kasai Masai. Then, on Sunday 3rd, Eastern European folk meets jazz withย The Budapest Cafรฉ Orchestraโ€™s hot club swingโ€ฆ.I should take a sleeping bag and camp in Bradford-on-Avon!

Kasai Masai

For the last twenty-five years the Wiltshire Music Centre hosts over 150 concerts a year, involving more than 1,000 professional, community and young musicians, building up a passionate community of music aficionados, players, aspiring young musicians, and amateur musicians. It provides a permanent home for local orchestras, choirs and music groups. It works extensively with young people locally, delivering an exciting Creative Learning programme in Wiltshire and beyond with 30 projects for over 5,000 young people every year, from concerts to education and community work for all ages, abilities and backgrounds.

Billy in the Lowground at Bradford Roots 2023

Their vision, โ€œto maximise the opportunities for live music to inspire, enrich and transform peopleโ€™s lives,โ€ has a rich history since a group of visionaries recognised the lack of musical provision in the area, and set forth on an ambition to bring performances and rehearsal facilities to the community. Wiltshire Music Centre Trust Ltd is a registered charity, the founding Artistic Director, Keith Nimmo, retired in 2013 and handed the baton to current Chief Executive and Artistic Director James Slater. It is, in Wiltshire terminology, a gurt lush, proper job arts centre with a focus on music! How much more diverse can you possibly want for?!

Braford Roots 2019

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FullTone Festival 2026: A New Home

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Steve Vick International have Renewed their sponsorship of Wiltshireโ€™s Youth Orchestras at Wiltshire Music Centre

Steve Vick International (SVI), a leading innovator in pipeline engineering solutions, is thrilled to announce the renewal of their sponsorship agreement with the Wiltshire Music Centre (WMC). This renewed commitment reflects SVI’s dedication to supporting the local community and nurturing the next generation of musical talent….

Since January 2020, SVI has proudly sponsored Wiltshire Music Centre, and they are continuing their commitment as major sponsors of the West of England Youth Orchestra and the Wiltshire Youth Jazz Orchestra. SVI, headquartered in Bradford on Avon, is deeply rooted in its local community, and has a strong desire to give back through charitable support.

Steve Vick, Chairman of Steve Vick International, expressed his enthusiasm for the sponsorship renewal, “We’re very excited to continue supporting the West of England Youth Orchestra and the Wiltshire Youth Jazz Orchestra. Their exceptional musicianship has consistently impressed me. Our connection with Bradford on Avon is significant to us, and we’re dedicated to being an integral part of the community. We are particularly passionate about fostering young talent and helping them achieve their full potential.”

James Slater, Artistic Director of Wiltshire Music Centre, echoed Steve Vick’s sentiments: “We are extremely grateful to Steve Vick International for their support. Partnerships like this are crucial to our mission of providing high-quality opportunities for music engagement at the highest level.”

Wiltshire Music Centre is not only a cultural gem but also a vital institution that plays a pivotal role in the community. With over 150 concerts each year and the participation of over 1,000 professional, community, and young musicians, the Centre’s purpose-built auditorium is celebrated for having “the finest acoustic outside London” (Sean Rafferty, BBC).

As part of their renewed sponsorship, Steve Vick International plans to be actively engaged in the local cultural scene by offering their staff opportunities to attend concerts throughout the year. This involvement underscores their commitment to fostering a vibrant arts and music culture within Bradford on Avon and its surroundings.


This interview is courtesy of Steve Vick International, the Major Sponsor of the Youth Orchestra at Wiltshire Music Centre.

To celebrate the renewal of their sponsorship, SVI recently conducted an exclusive interview with Gabriel Vick, the talented son of Steve Vick, who currently holds the leading role in “Mrs. Doubtfire” in the West End. This interview highlighted the Vick family’s deep-rooted love for music and theatre, which has been a driving force behind their continued support of Wiltshire Music Centre.

Can you share with us how your journey into the world of theatre and music began? What sparked your interest in this field?
“My parents were always creators of theatre, and my earliest memory is when they were part of a theatre company that staged โ€œA Christmas Carolโ€ at the Merlin Theatre in Frome. I was 4 and played โ€œIgnoranceโ€. I learned piano at 8 years old and really took to it. I loved playing Oliver at the age of 10 at my local prep school and then auditioned to be a chorister at Wells Cathedral School and was offered a scholarship to sing in the cathedral choir. I learnt so much about how to read and interpret music. I took up trumpet too.”

Growing up in a family where music and the arts are a prominent part of life, how did that influence your passion for
music and theatre?

“My parents had taken two shows (and us!) to the Edinburgh festival in 1989 and 1990. They were a regular part of the local village theatre production company and I was part of many productions directed by my mother in the late 90โ€™s. They had weekly tickets to the theatre Royal Bath on Thursday nights but didnโ€™t always want to see what was on and would let me go instead. So, in my teens I watched so many musicals and this attracted me to musical theatre.”

Were there any specific artists or mentors who played a significant role in inspiring and shaping your career in the
performing arts?

“Paul Denegri at Wells Cathedral school was a real pupil’s favourite; he taught brass but was more of an agony aunt. My choir master Anthony Crossland (who now lives in Bradford on Avon) was someone I looked up to along with the support of Andrew Nethsingha (now organist of Westminster Abbey). Roland Robertson was a fantastic director of music at Prior Park allowing pupils to take centre stage whilst being an excellent musician providing many opportunities for us to play and sing. Acting was always more of an instinct to me and so I canโ€™t really single out a mentor or artist. I did train at the Royal Academy of music and Mary Hammond and Karen Rabinowitz were champions of mine.”

You’re currently playing the leading role in “Mrs. Doubtfire” at the Shaftesbury Theatre in London Can you tell us about your experience preparing for and performing in such a beloved production?
“I auditioned for Mrs Doubtfire by stringing together 10-12 impressions with jokes to make the panel laugh. These were not in the script, but I knew they were looking for playful manic improvisation and a love of character voices. I got hold of all the script and song material as early as I could even though I didnโ€™t even have an audition yet. All 5 auditions were done in a week as the American team were limited by Covid. I had a feeling this was the role for me but I really had to hustle for it! The character is a beloved gift which I am careful to treat with respect so that the audience get who they came to see. However, over the course of the play they soon feel comfortable with my interpretation, and we generate so much joy in that theatre together.”

Now that I am some months into a year-long run of the show I treat myself like an athlete. There are 28 costume changes, tap dancing, break dancing, countless impressions and singing which is a huge demand on my body physically and mentally. I monitor everything I eat, my weight, water consumption, supplements, I have vocal massages, vocal training, physio, strength training and I sleep long and well. It is safe to say I work very hard to be in peak condition for each and every audience.”

What advice would you offer to aspiring young musicians and actors who are just starting their journey in the world of performing arts?
“Try everything and be prepared to risk looking silly. A diversity of playing experiences helps you hone in on what you are good at and some things may surprise you. Be strong, be patient and work hard.”

Your father, Steve Vick, is sponsoring the West of England Youth Orchestra at the Wiltshire Music Centre. What does it mean to you to see his passion for music and arts support the next generation of talent?
“I am so glad that my father is supporting music for the west country youth; he has certainly seen it benefit me. He has cried
many times at my singing in Wells cathedral to now on the west end stage! Dad took up saxophone about 20 years ago and
loves to play in an orchestra himself. There is a joy to simply making music together, young, and old.”


Could you share a little about the impact organisations like the West of England Youth Orchestra and the Wiltshire Music Centre have on fostering young talent and the importance of their work?
“In the late 1990โ€™s I benefitted from an orchestra called โ€œBath Baroqueโ€ in which I played natural trumpet. Sadly, it ran out of funding but I learnt so much and was enriched by meeting a wider community of musicians. I expanded my repertoire and learnt musicianship skills but also the practical personal responsibility that it takes to commit to an orchestra. The music festivals were also an important part of our calendar taking place at venues just like Wiltshire Music Centre.”

As a performer deeply connected to both music and theatre, do you believe there are valuable lessons or experiences that young musicians and actors can learn from each other?
“I found in my youth that my peers were inspirational. I took up trumpet because my friend encouraged me to do so. It also helped foster friendships and sharing of musical influences. I believe through my experiences I have learnt that everything in life is a collaboration; we are all standing on the shoulders of giants.”

Finally, what can the audience expect from your performance in “Mrs. Doubtfire,” and do you have any upcoming projects or aspirations you’d like to share?
Mrs Doubtfire is the role all my skills culminate in. It truly is a gift and one that I give everything to; I am on stage practically the whole time, so you see a virtuosic performance of singing, dancing, comedy, impressions and even a new musical instrument! I am happy to say I have no immediate projects beyond this as I am living in this fantastic moment of my career.”

Steve Vick International’s commitment to Wiltshire Music Centre demonstrates their dedication to building a brighter future for musical talent in the region and ensuring that the arts continue to thrive. With this renewed sponsorship, SVI and WMC look forward to inspiring and nurturing the creativity of young musicians, enabling them to reach new heights.


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Beating January Blues, Bradford-on-Avon Roots Style

If the last thing you’d expect as the final sound you hear before leaving a festival carpark is of scraping frost off windscreens, notion of festivals as a summer thing is about to be turned on its head. January blues is curable in Wiltshire, The Bradford Roots Music Festival is your prescription.

Devizine is not Time Out, writing about our music scene is a personal voyage of discovery, but until now I’d not reached the core. Because Bradford-on-Avon boasts The Wiltshire Music Centre, a modern, purpose-built hub of music and arts, and I’m happy to confirm it’s a wonderful place.

Andy fondly reviewed their past roots festival, on the strength of this and the stunning line-up, it deserved sending my grumpiest of hibernating reviewers, so here I am, with beanie on.

Situated on a housing estate next to a school, first impressions are school-like, by design and decor. Interesting, a festival in a school, even has a coat rack, and fire doors held open by polite teenagers; imagine! If I get a detention here, Iโ€™ll be glad.

I believe itโ€™s part-funded this way. Cause and effect are a wide age demographic; yes, a majority are those elders who can afford to fork out ยฃ20 in January, but it notably caters for the youngest too, with a vast craft area and workshops, a dinnertime finale of the latter being a Wassail kids’ procession led by Holt Morris Club in the foyer.

Also noteworthy, though I missed this, part of the proceeds goes to Zone Club, an in-house musical programme for learning disabled adults, who’s improv show opened the festival. The other half goes to the centre itself, which has charitable status, and is worth its rather hefty weight in gold.

Wowzers, I was impressed enough already, with plentiful to engage in, yet I’m told this three-stage single day is scaled-down post lockdown, previously housing two other stages and a food court, over three days. Though it was expressed this is the level they’d like to see it return to in future. Iโ€™m letting the cat out the bag, you canโ€™t keep it a secret forever, Bradford, the south-west needs to know!

Though if food options were filtered to one, Bradford’s own Evie’s Mac N Cheese wagon is most definitely the one, my burger was to die for! There’s me, stomach-thinking first, when I’ve so much to report, so, so much great music, some completely new to me, others well-grounded in my favourites, and many to tick off my bottomless must-see list.

Aqaba

If I told you what I didnโ€™t love, itโ€™d be quicker, but blank! The only way to do this, is to get chronological, but before I do, itโ€™s crucial to point out what’ll become clear by the end; the logo’s tree growing out of a guitar, and the whole name of Bradford Roots Music Festival can be a tad misconceiving; going in with the preconception it’s all folk, fiddles and hippy-chicks dancing barefoot, though these are present, to assume it’s the be-all-and-end-all is wildly off target. The diversity on offer here is its blessing, its quantity and quality is serious value for money, and likely the most important elements I need to express in order to sell next yearโ€™s to you, which I do, because it was utterly fantastic.

Not forgoing the hospitable atmosphere, its easy access under one roof, and its professionalism in staging the best indoor local festival I’ve been to, if not a forerunner for the best local community-driven festival, period. On programming I could point similarities to Swindon Shuffle, in so much as grabbing an international headline isn’t their thing, favouring promoting local acts. But unlike the Shuffle where you wander Old Town pub-to-pub, there’s a treasure behind nearly every fire-door.

Lodestone

Arriving as prompt as possible, unfortunately not as early as I’d have liked, finding Phil Cooper and Jamie R Hawkins packed up and chatting in the foyer, I consoled myself by noting there’s so much happening under this cathedral of music’s roof I won’t miss. Firstly, I found the main stage, a colossal acoustic-heaven seated hall, where came the cool mellow vibes of Chris Hoar’s Lodestone, soon to be renamed Courting Ghosts, with drummer Tim Watts from It’s Complicated, a band booked to headline the third stage, Wild and Woolley, but had to cancel.

Lightgarden

Though at this time, I’d not even found said third stage, dragging myself away from the balcony to the foyer, where a smaller makeshift middle stage hosted the duos and acoustic acts. The beautiful folk of Lightgarden currently attracting a crowd.

Mark Green’s Blues Collective

People tended to settle in one place, I rushed from stage to stage, excited as a sugared-up kid at Disneyland! Discovering the third stage was the best thing I did, as Mark Green’s Blues Collective thrilled with a reggae-riffed version of Knocking on Heaven’s Door.

The Graham Dent Quartet

Decided I need to settle down, smooth and accomplished piano-based jazz on the main stage by The Graham Dent Quartet could’ve easily helped, but hot-footing back to the third stage to catch Junkyard Dogs was a must.

Likely my acme of the daylight hours, if it’s nearly as impossible to rank the best thing any more than picking faults in the festival, Junkyard Dogs rocked this stage with sublimely executed Carl Perkins, Chuck Berry timeless classics of the raw RnB origins of rock n roll, (apt for a “roots” festival,) with added amusing originals, a downtempo Suzie Q, and a funky guitar chilled Dusty Springfield’s Spooky.

Junkyard Dogs

With fantastic delta blues in the foyer, via Westward, and a Wassail choir workshop in the main room, I tended to hover around the more unorthodox third stage, where Mod-type synths band Aqaba rolled out some damn fine originals.

Westward
Caroline Radcliffe Jazz Trio

Meanwhile joyful lounge jazz was blessing the foyer with the Caroline Radcliffe Jazz Trio, as I made my way to way to the main stage once more, to tick Billy in the Lowground off my must-see list. Missed this unique banjo and fiddle five-piece folk ensemble when they’ve graced the Southgate, but though their fiery foot-stomping loud โ€˜nโ€™ proud scrumpy & western is hard-to-pigeonhole, I won’t be missing them next time.

Billy in the Lowground

This is where the stages vacated for dinnertime, and the Wassail children’s parade accompanied an entertaining Morris dance ruled the hour. It mayโ€™ve felt as if the festival was slowing pace, but it was only temporary. Outstanding Bristol-based soloist Zoe kicked off the foyer happenings again, a stalwart of the festival, while young Swindon popular post-grunge wild card, Viduals blasted the third stage.

Zoe
Viduals

It was great to meet the level-headed youths of Viduals, one to watch on the indie circuit, asserting the third stage now was for younger attendees. Man, they had some upfront drumming I likened to Animal from the Muppets, and some defined originals!

Foxymoron

The similarly youthful band, Foxymoron, to grace the headline at the third stage since It’s Complicatedโ€™s unfortunate cancellation, sounded prodigious, slightly more accomplished with slithers of retro post-punk, but I confess with so much going on, I didn’t catch enough for a full assessment. Because, I was equally surprised by Karport Collective at the main stage, but in a different way. Didnโ€™t get any info on these guys, only to lean over to the frontman expressing my delight at them daring to cover Outkast classic Hey Ya at a roots event! If a pop repertoire of Fatboy Slimโ€™s Praise You medlied with that Elvis breakbeat rework, wouldnโ€™t fit at a folk festival, they did Bowieโ€™s Letโ€™s Dance too, engaging a mass-exodus to the dancefloor; surely a defining factor in my point about diversity here. Gallant five-piece, Karport Collective pulled a rabbit from their hat, and would be a superb booking for a function or large lively pub with universal appeal.

Karport Collective

Dilemmas over what to watch beached, the ultimate decision was the finale, where subtle yet powerful folk duo Fly Yeti Fly took the foyer, and my new favourite thing, Concrete Prairie played the main stage. Letโ€™s get this straight, okay? Concrete Prairie are unmissable by my reckoning, though this is my third time seeing them live, and Fly Yeti Fly is one I so desperately want to tick off my list. The problem is solved by this easy access, weโ€™re only one fire-door away from simultaneously viewing both, which I did; bloominโ€™ marvellous!

Complete with double-bass accompaniment, predicted gentle positive acoustic vibes from Fly Yeti Fly, if a song about burning the furniture for firewood on a frozen canal boat is gentle and positive! But, oh, how a duo can hold an audience spellbound, Fly Yeti Fly are the enchantment. My night was completed by their tune Shine a Light, which (plug) you can find on our Juliaโ€™s House compilation, together with swinging that fire-door to catch the sublime country-folk of Concrete Prairie as they polished off a set of debut album tracks, covers and new songs, with the magnum-opus Devil Dealt the Deck.

Concrete Prairie

Still at 1,000 feet of an impressive mountain; Bradford Roots Festival, I conclude, is faultless.


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The Bradford Roots Music Festival Returns

I know, itโ€™s hardly festival weather, but this one is all inside! Inside the glorious Wiltshire Music Centre in Bradford-on-Avon that is, on Saturday 21st January 2023, and itโ€™s a whooper!

The popular Bradford Roots Music Festival returns kicks off at 11am, and runs until 10pm, for a day of great music to warm away the winter blues and celebrate all Bradford on Avon has to offer.

Building on Lisa and Chris Samuel’s brilliant work since founding the festival in 2012, Bradford Rootsโ€™ new team of community programmers will fill the Centre with folk, blues, pop, and rock, as well as workshops for all the family, great local food and drink and the famous Wassail. A true feel-good event, Roots is synonymous with community spirit, local talent, and an inclusive atmosphere.

Thereโ€™s a huge range of local artists performing across all three stages this year, including the returning Fly Yeti Fly, St Laurence rock band Foxymoron, a Big Sing Workshop to lead participants through the Wassail, and celebrated group and Bradford Roots regulars Holt Morris who will put on a special dance performance.

 Dee Way, one of the new festival programmers shares what makes the festival so special to her: โ€œRoots to me means a music festival under cover to cheer up the winter, to raise money for some very worthwhile charities, and to have a thoroughly good time with family and friends. This is a great opportunity to see and hear a wide range of musicians performing โ€“ all who have a local connection. It is also a brilliant opportunity to find out more about Wiltshire Music Centre and enjoy a family day out.โ€

 As well as music, Evieโ€™s Mac & Cheese will be pitched-up on the front lawn all day and serving delicious grub, sweet treats, and hot drinks. Vegan and gluten-free beers will be available from Bradford on Avon microbrewery Kettlesmith, and scrumptious ciders from Honeyโ€™s Cider โ€“ both local brands who are proudly sponsoring this yearโ€™s festival! Enjoy their flagship refreshments alongside the usual WMC Bar offerings.

 Attendees can also get involved in the famous Wassail, led by Holt Morris, where participants in the Creativity Area can show off their handmade glowing lanterns!

Tickets are now on sale โ€“ one ticket gives admission to all the events of the day, and under 12s go free! Price: ยฃ22 Adult / ยฃ12 U18s + students / Free U12s. Book online: wiltshiremusic.org.uk/whats-on/bradford-roots-music-festival-day-2023

Thatโ€™s the technicalities out of the way, letโ€™s feast our eyes on all thatโ€™s performing at Bradford Roots this year, and, as itโ€™s me and I like favouritism, point out my personal preferences!

To get the ball rolling, one you should never miss, Concrete Prairie are superb, and if youโ€™ve not heard about them yet you must be new to Devizine, cos Iโ€™ve been waffling on about them for a while now, and get tremendously excited whenever their name crops up!

Billy in the Lowground, Fly Yeti Fly, Itโ€™s Complicated and those Junkyard Dogs all go without saying, and although The Lost Trades arenโ€™t there this year, two-thirds are, the boys Phil Cooper & Jamie R Hawkins will be in attendance.

The ones I donโ€™t know about, but you might know different, are Karport Collective, Big Sing Workshop with Jane Harris & Clara Atkins, Graham Dent Jazz Quartet, Lodestone, Jazz Factory,  Doves, Peace Choir, Zone Club, Z O E, Caroline Radcliffe Jazz Trio, Westward, Timur Dersuniyelioglu, LightGarden, Joe Hunt, Adrian Long, Littlemen, Aqaba, Foxymoron, Mark Greenโ€™s Blues Collective, Terry Sheppardโ€™s Open Mic Hour and, and this is a big AND, an and I shouldnโ€™t try but, well, you never know, might have a natural talent for, Wafaa Powell Belly Dancing Workshop!!

ย Follow the Festival online: facebook.com/BradfordRootsFestival #BradfordRoots2023


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PREVIEW: Bradford Roots Music Festival 17th โ€“ 19th January 2020 @ Wiltshire Music Centre, Bradford

Andy Fawthrop

If youโ€™re looking for a whole week-end of music-based events, with lots of sessions for children too, then you should do yourself a favour and head over to Bradford-On-Avon. Itโ€™s a bit out of D-Town I know, but it doesnโ€™t take long to just tootle over to the really splendid Wiltshire Music Centre.

Now in its eighth year, Bradford Roots Music Festival, now extended to three days, is all about two things โ€“ showcasing the vast array of musical talent that has any connection with Bradford, and raising (lots of) money for good causes. This yearโ€™s beneficiaries will be Dorothy House Hospice, Zone Club (creative club for disabled young adults) and Wiltshire Music Centre. All the artists play for nothing and the event is administered and operated wholly by volunteers. That way all the funds raised go to the good causes.

This yearโ€™s event starts next Friday night (17th Jan) with a concert featuring Louie Millar, Crossing The Rockies and Verdisa. This concert is almost sold out, so get your skates on!

Then the main two-day Festival spreads itself across Saturday and Sunday from 11am each day. Saturdayโ€™s programme goes through till 10pm, and Sundayโ€™s programme finishes at 4pm. There are four stages in operation, including the superb main WMC auditorium. Over the two days there are more than fifty different acts scheduled to play, including music concerts, shanty sessions, childrenโ€™s concerts, jazz, blues, poetry, morris dancing and much more.

Particular acts to look out for are The Magnificent AK47, Will Lawton & The Alchemists, Lee Broderick, Billy In The Lowground, and The Yirdbards, although thereโ€™s so much going on that it almost seems invidious to pick out individual artists.

roots 2020 flier-1

Apart from all the music events, there are several spaces given over to craft workshops, merchandising, tarot readings, a Peculiar Gin Company gin bar, a Box Steam main bar and an artisan fair. Just outside thereโ€™s a huge marquee hosting JCโ€™s Kitchen, which runs all weekend serving hot drinks and great array of home-cooked food.

I canโ€™t recommend this event highly enough โ€“ there genuinely is something for everyone to enjoy, with great food, great beer and a great atmosphere. Itโ€™s superb value for money and thereโ€™s plenty to do and see for children and for adults. If youโ€™ve never been, I urge you to check it out. You can buy tickets online, or on the door. Day tickets for Saturday or Sunday are available, as well as a 2-day Weekender Ticket.

The Wiltshire Music Centre is also a superb venue in its own right, hosting a year-round programme of top UK and international artists from all genres โ€“ classical, folk, blues etc. Worth checking out if you are after top-class entertainment.


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Big, Music, Family, Fun @ Wiltshire Music Centre this Saturday

Kids banging their drum set upstairs, would-be guitar hero strumming in the lounge? Want to encourage them, donโ€™t need the headache? I might have the answer to all your problems. This Saturday (22nd June) you need to get down to the Wiltshire Music Centre in Bradford on Avon, as itโ€™s a Big Family Music Day over there, and for only ยฃ6, or ยฃ3 for under 18s and students.

What promises to be โ€œa jam-packed day of fun for all the family,โ€ The Music Centre invites you along to experience something new. Thereโ€™s music and activities for all the family, including these varied workshops and things to do:


Discover / Learn / Perform with Wiltshire Young Musicians:

Come and learn a new instrument with our friends at Wiltshire Young Musicians! Discover brass, strings, wind or percussion before learning with outstanding teachers to prepare for a big performance in the Auditorium.


Bath Youth Folk Band:

Experience toe tapping reels and exciting jigs in this open rehearsal with Bath Youth Folk Band and get involved by singing, clapping or dancing!


Jazz Factory Workshop:

Learn how to swing and play the blues with Ross Hughes of Jazz Factory.


Drum West: African Percussion:

Tap away with Victoria and Chris from Drum West and discover the exciting music of West Africa.


Uke Lift: Ukulele Workshop:

Join Danielle from Uke Lift and pluck away in a large ukulele ensemble!


Free Stage: St Laurence School & Zone Club:

Sit back and enjoy performances from young musicians based across Wiltshire, including Wiltshire Young Musicians, St Laurence School and Zone Club.


WEYO Screening: West of England Youth Orchestra

Enjoy a recording of the West of England Youth Orchestra performing a recent new commission and find out more about the flagship orchestra.


Crafts & Activities:

Get creative making instruments for the Junk Band, get your face painted and enjoy fun outdoor activities in our family zone!


Food & Drink:

Bring a packed lunch or enjoy delicious pizza from Bianco Rosso Pizza or artisan coffee from The Coffee Girl.


Buy tickets here. For any other queries about the day, please contact Adam at adam.laughton@wiltshiremusic.org.uk

 

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What a May Day! Things to do This Month; Part 2

Hark, the darling buds of May. Already looking quite blossomy isnโ€™t it? Well, blossoming too is stuff to do in and around our local neighbourhood, and a few weeks ago I presented you with a lengthy look at whatโ€™s on during the first fortnight; see here.

Now though, sit down and brace yourself for some shocking news. I have, actually produced the second part of the monthly preview, and here it is! Though promised with previous months, I tend to side-track, or just plain scatter-brain and not carried it through. Not so this time, you donโ€™t have to thank me, unless you have a choc n nut Cornetto.

Week 3: Mon 13th โ€“ Sunday 19th May

Regular sing-a-long at Devizes Folk Club in the Lamb, Devizes on Monday, similar on Tuesday if your go to the Bradford Folk Club, 8pm in the Cellar Bar of the Swan Hotel. Meanwhile, St James Wine Vaults in Bath where Radical Westie Productions presents Daisy, Television Villain, Ravetank and Devizine favourites Nerve Endings; ยฃ3 door tax.

Wednesday 15th, and Peter Vaughan does pasta at Vaughanโ€™s Kitchen Cookery School, later donโ€™t forget the acoustic jam at The Southgate, Devizes.

Thereโ€™s Bach Suites by Orchestra of the Age of Enlightenment: Young Artists Anima Fidis Quartet at the Wiltshire Music Centre Bradford on Avon.

Thursdayโ€™s is acoustic night at The Royal Oak, Corsham. Hannah Rose Platt and Black Sheep Apprentice at The Tuppenny, Swindon or tribute night with The Quo Experience at The Cheese & Grain, Frome.

artsbarndance

Thereโ€™s a barn dance on Friday 17th at the West Lavington Hall. Usually wouldnโ€™t make a song and dance out of such, but all proceeds go to the wonderful charity Arts Together; read about my visit, and the great work they do, here. Please support Arts Together, theyโ€™ve music, buffet, bar and raffle, see the poster for details. Future Devizine Presents nights will also like to donate to Arts Together.

smokedonuts.jpg

Sheer Music is back in Devizes, the Cellar Bar has Smokinโ€™ Donuts; one-part Carter USM and tโ€™other festival cult hero, Doozer McDooze. Brilliant indie-pop Talk In Code and the talented Jezilyn Martyn support. ยฃ7 advance from Sheer Music, a tenner on the door.

But if you thought Devizes was a one-gig Friday town, youโ€™d be very much mistaken. Thereโ€™s Johnny 2 Bad, an eight-piece boasting to be the UKโ€™s number one UB40 tribute at The Cavalier Community Hall. Except the reggae train-spotter in me upheaves that Johnny Too Bad is actually by The Slickers and only covered by UB40, eh? Bit of reggae in the Vizes, though; never going to knock it. ยฃ10 in advance and should be great night.

2bad

Itโ€™s rather retrospective in the Southgate too, with sixties garage and Mod band, Absolute Beginners at The Southgate playing a debut in the town. Three-piece playing covers of songs by The Who, The Small Faces, The Kinks, The Eyes, The Creation, The Jam, Secret Affair, Squire, and The Purple Hearts.

Without a cinema, the Assembly Hall in Melksham shows movies, The Favourite is on Friday. Break Cover are at The Talbot, Calne. An Open Mic at The Pump, Trowbridge. Comedy Night at the Boat House, Bradford on Avon. Tensheds live at the Rolly in Swindon and amusingly named Antarctic Monkeys at the Cheese & Grain, Frome.

reggaenightost18th

opendoorquiz

Back on reggae for Saturday, although other events are available, itโ€™s Devzineโ€™s second gig of the month, a reggae and ska night at the Cellar Bar with Knati P and Razah and Iโ€™ll be warming up for them with a ska show live. Look, again Iโ€™m asking you to come along, listing door damage as a fiver but as long as you give us what you can, thatโ€™s good enough. For all the proceeds go to homeless charity, Devizes Opendoors. For want of a quieter evening Opendoors also have a Quiz Night from 7pm at Nursteed Community Centre.

Those Truzzy Boys play the Conservative Club in Devizes, ยฃ3 on the door, Drew Bryant at The Southgate, and Sound Affects support the Dusk Brothers at the Cavalierโ€™s Ameripolitan Music Club. Meanwhile, The Wharf Theatre welcome back Hancock clone, James Hurn, with new scripts.

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Brother from Another at the Woodbridge Inn, Pewsey, and Woodborough Social Club has Humdinger. Blues Bros & The Commitments at Melksham Assembly Hall. Cรฒig at the Wiltshire Music Centre, Bradford on Avon while the Neeld Chippenham has medium Derek Acorah.

Fresh from Montreal LG Breton and drummer Marco Dionne joins Phil Cooper for his Vise-Versa tour, closet to us is Saturday at the Village Pump, Trowbridge, other dates here: http://phil-cooper.co.uk/tour-dates

Sunday 19th sees the Chippenham Soap Box Derby and John Etheridgeโ€™s Sweet Chorus is at the Wiltshire Music Centre, Bradford on Avon.

Week 4: 20th -26th May

 

Devizes Folk Club down The Lamb on Monday, An Evening with Graham Gooch at the Neeld, Chippenham on Tuesday. Acoustic Jam at The Southgate, The Royal Balletโ€™s Mixed Triple Bill at Wiltshire Music Centre, and The Waterboys @ Bath Forum on Wednesday.

Thursday is Acoustic Oak night at The Royal Oak, Corsham. Boxing Day and All Better play Level III in Swindon, and Carus Thompson is at The Beehive. But if you ever doubted summer is on its way, the bank holiday truly kicks off festival season, with Bearded Theoryโ€™s Spring Gathering in W. Midlands, or most fruitfully funky and stunningly popular dance fest, Shindig starts in Bruton. Shindig Festival is a glorious mash up of a gig, a house party, circus show, comedy night, a wellbeing retreat and kidโ€™s party. No main stages, just an arrangement of stretch marquees, so you can be in amongst it, or chill on the grass. Kids can learn to DJ, breakdance and urban art.

This crazy weekend sees Chippenham Folk Festival starting Friday, as does Lechlade Festival. With Salisbury Live beginning, and Fromeโ€™s R&B festival with Frankie Millerโ€™s Full House at the Cheese & Grain, youโ€™re spoiled for choice.

Back in Devizes, Friday 24th, Bob Drury pays tribute to Neil Diamond at The Wharf Theatre. Adriano Adewele, Gwilym Simcock and Jason Rebello are at the Wiltshire Music Centre, Bradford on Avon. While in Swindon, the Wyvern Theatre presents The Rolling Stones Story, Sheer Music has Press To Meco at Level III and thereโ€™s a Skaโ€™mageddon at the Vic with SN Dubstation and Kingโ€™s Alias @ The Vic, but for real roots adventurers, try RDK Hi-Fi meets Roots Inspiration @ Black Swan, Bristol. Iโ€™m steering clear of Bristol as thereโ€™s too much to list, but that one will go off.

Saturday then, the 25th. Long Street Blues Club celebrate the music of one of rockโ€™s best-loved icons Paul Kossoff, with May Kossoff the band. A chilled but robust night is promised at the Southgate, with Nick Tannโ€™s British folk take on Americana heartland traditions.

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Itโ€™s also time for Bromham to host the second combined cider and music extravaganza, OwlFest at the Owl, obviously. Did this last year, loved this last year, although Iโ€™ve no line-up info for you, you can bet your Bromham dollar thisโ€™ll be great. Another to watch is Marlandโ€™s showpiece, Gladstonebury at the Gladstone Arms, Chippenham, expect Steve Morano, the Sweet Swing Trio, The Chicken Teddys and Burbank.
Loud soulful, happy vibes will come from The Pilot, Melksham where Big Mamaโ€™s Banned play. The Gimme Gimme Gimmes and Devizine favs, The One Chord Wonders are at St James Wine Vaults, Bath, Fromeโ€™s R&B Festival continues at the Cheese & Grain with Geno Washington & The Ram Jam Band.

The old English spelling of Savernake Forest, Safernoc inspires an intriguing event in Marlborough on Saturday too; โ€œviolin, voice and banjo music from the 16th century to the present day, world premiere of Paul Elwoodโ€™s Safernoc; a series of compositions for mezzo soprano Alice Simmons and violinist Tam Coates by composer Paul Elwood. Both Simmons and Coates live near the forest and both have found inspiration in the shadows of that ecosystem. The text by the composer is a play on trees and an imagined impression of Savernake taken from Dante, Berniniโ€™s sculpture of Daphne transforming into a tree, and Mexican painter (Sister) Juana Beatriz de la Fuenteโ€™s, โ€œThe Tree of Life.โ€ Admission ยฃ10, email contactamitytrio@gmail.com for tickets.

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Alex Roberts Live at The Southgate on Sunday 26th, the wonderful Sugar Motown returns to the Three Crowns. While Dr Feelgood plays the Frome R&B Festival at the Cheese & Grain.

End of May, Mon 27th โ€“ Friday 31st

Proper West Country, itโ€™s the Coopers Hill Cheese Roll at Brockworth on Monday, Fromeโ€™s R&B Festival has Nick Lowe & Los Straightjackets.

With Bandeoke at Chippenhamโ€™s Neeld and Jackie & Felix Byrne at the Bradford Folk Club, that makes up Tuesday, while Wednesday itโ€™s the World Music Club at The Beehive in Swindon, and of course, an acoustic jam at The Southgate, Devizes.

You can Meet the Gruffalo at Hillworth Park in Devizes on Thursday 30th, for his 20th birthday, Devizes Books bring the books, with a trail around the park, a prize draw and guest appearances, should be fun for kids of all ages.

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Acoustic Oak at The Royal Oak, Corsham and Jonathan James is Discovering Music at the Wiltshire Music Centre, Bradford on Avon, while tribute The Commitments Experience are at the Neeld, Chippenham and Gaz Coombes is at the Cheese @ Grain.

Thatโ€™s the month of May done, Friday 31st the Brodsky Quartet are at the Wiltshire Music Centre, Bradford on Avon and Salisbury Live continues. Other than this, seems like a quiet Friday, save for the fact itโ€™s time for the opening of the Devizes Arts Festival, I think itโ€™s the best line-up yet, starting with An Audience with John Simpson at Corn Exchange. Check our preview of the festival here, and I will be highlighting some of the separate events as the month goes on.

More details of all events here are on our event calendar which makes up Devizineโ€™s busy home page, but bear in mind this is not a exhaustive list, the calendar is updated (nearly) every day, so keep checking for updates; too much of it to continuously post to Facebook, you need to check in every now and then, or you might miss something you need tickets for.

Have a grand and blossoming May, itโ€™s building up to a great summer ahead!

 

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