If I was ever to be privileged to interview Bruce Springsteen, which I doubt I would be, I’d like to ask him of his thoughts now he’s 71, of penning a song called Growin’ Up at the tender age of 23. Similarly, I’d probe Pete Townshend, only a year young than the Boss, over lyrics of My Generation, which go, “hope I die before I get old!”
Yet, despite its title, I view My Generation to be less about a specific generation, and more about the attitudes of youth, and with this in mind, it could easily be placed into any subsequent generation. The Oasis cover aside, for this opens another Pandora’s Box I’m not willing to go down (I’ve a gig to review here,) it’s fair to say, akin to any song of the “mod” genre, it’s timeless.
To believe the “mod” is wrapped in sixties nostalgia is only partly factual, London’s emerging mod-girl sweetheart, Emily Capell sports a beehive hairstyle, but often sing-raps, like Kate Nash, and collaborates with Dreadzone. Similarly, the age demographic of Devizes-based mod cover band, The Roughcut Rebels spans generations, particularly now young Finley Trusler fronts it; still, he stands, belting out a vigorous and eloquent cover of My Generation.
It’s my reasoning for trekking to Trow-Vegas, keen to finally scrub “must see Finley fronting the Roughcuts” off my to-do-list. He got the job with two gigs before lockdown, thankfully bookings are returning for the band. For through his musical journey, started in the Devizes School boy band 98 Reasons, which branched off to duo Larkin with Sam Bishop, and still works with cousin, Harvey, as the Truzzy Boys, his cool demeanour stage presence and exceptional talent has to been celebrated. Query being, how would this fair with a proficient, yet older mod cover band?
The answer; very well indeed, thanks for asking. I jested with Fin outside the pub, asked him if he had to learn the songs senior to him, and he replied “not really.” This, and their dynamic performance, of course, proved my “mod is timeless” theory. In an explosive manner and highly entertaining show, they rocked Mortimer Street’s The Greyhound, and could do the same for any given venue.
Think of the eras the term encompasses, from The Beatles, Stones, Kinks and Spencer Davis through to The Jam and Purple Hearts, onto Ocean Colour Scene, The Stone Roses, to Britpop, Oasis and Blur, and modern times like Jake Bugg’s Lightning Bolt, The Roughcut Rebels got them all covered, and, loving every minute of it, they took the slight crowd with them.
To blend A Hard Day’s Night into a set with A Town Called Malice, swiftly move onto Park Life, or The Day We Caught The Train, and return with the Kingsmen’s Louie Louie, displays their ability and keenness to incorporate and fuse epochs, and they do it with certain ease. Grant Blackman’s expert drumming and John Burn’s bass played upfront gives it oomph, while Mark Slade adds the succulent and memorable rhythms, topped by Finely’s accomplished vocals, accompanying guitar or else showy tambourine timekeeping like a young Jagger giving it Jumpin’ Jack Flash. Roughcut, huh? Yeah, they are a cut far above the average cover band on the circuit.
As for the venue, The Greyhound, I like it, in the shadow of The Pump, a long-bar town pub unexpectedly clean and tidy, with hospitable staff and drinks cheap as chips. Without so much as a blackboard, it could’ve done with promoting its live music event, as a regular told me he was unaware of it and only popped in because he heard the music. Consequently, the crowd was slight, and all-male (ladies, if you want to bag yourself a drunken Trow-Vegas native in a cheap polo shirt, this place is for you) but through the excellence of the Rebel’s music, all were up dancing.
Here’s a great local covers band which will pull in an age-spanning crowd to your pub, and spur them to spend at your bar; because there’s an anthem or ten for all generations, and it’s lively, accomplished and entertaining.
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