Hereโs me doubting using the phrase โtraditional punk rock,โ because wouldnโt punk castoff anything deemed traditional? Yet I feel the term punk is loosely thrown about these days, compared to its original ethos. Much of the sneaker and drainpipe crowd-surfing youngsters barely relates to the sound and attitude of the Pistols or Ramones.
While Iโm a little behind, and smell like one too, Svart Records released Snake Pit Therapy on 17th of September, legendary NYC rocker Sonny Vincent is something we have to mention, because itโs loud, dangerous and pretty much nails the aforementioned oxymoron, โtraditional punk rock.โ

Born in New York City and raised on its streets and in its clubs, Sonny Vincent is infamous from NYC punk early fire-starters Testors, who from โ75 to ’79 were attitude-laden fixtures on the CBGB and Maxโs Kansas City scenes. An extraordinarily prolific artist, active since the late 60s, Sonny has released numerous albums collaborating with members of the Stooges, Dead Boys, The Damned, Husker Du, The Replacements, Rocket From The Crypt and releasing four albums with the Velvet Underground’s Moe Tucker. He recently collaborated with Pentagram’s Bobby Liebling in the new supergroup The Limit, whose Caveman Logic album was released in the spring.
Snake Pit Therapy maintains the rawness of real-deal blazing protopunk with heaps of psychedelia and hard rock, all taken to the edge with Vincent’s naked aggression, passionate voice and his trademark caustic guitar. Yet scrupulousness rides this razor-sharp rock n roll testament, because Vincentโs life and antics are more than legend; they are real, as documented in his recent memoirs, bearing the same title as this very album.
In and out of homes for bad kids, committed to the psych ward for observation and forcibly conscripted into a tour of duty in Vietnam courtesy of the U.S. Marine Corp, Vincentโs experience of wild and tough living has awarded his songs hardness with humanity. Sincerity without mawkishness, Snake Pit Therapy is glorious rock ‘n’ roll with an edge thatโll slice your finger clean off.
For this, Iโll say, at first it was a hard pill to swallow, blasting it straight in your face when I was in somewhat of a laidback mood, rather Snake Pit Therapy grows on me like a wart with each listen, and if youโre looking for rage without clichรฉ or irrationality, youโve come to right album.
It was ten tracks into this fifteen-track indestructible primal scream when I was smitten, Japan Mofo, has the start stop of blues-riffed rock n roll, while retaining the ferociousness of previous tracks. Yet itโs the earlier driving rock tune, The End of Light which is the first single released, Never Tired follows, which a heart-ripped-open chorus, is having it.

Note, if youโre expecting it calm down, youโll be disappointed until the final song, Forest offers a slightly mellowed psychedelic tenet, in comparison with the rest, still though this is verging on metal at times, inline with his recently formed heavy punk-metal band The Limit, featuring Bobby Liebling of Pentagram, and garnering glowing reviews worldwide.
So yeah, while a tad weighty for me, I still see itโs quality and know thereโs a lot of people who are going locally whoโll love this, and I do too, when Iโm in the raging like of mood, which has been known to happen for anything as long as thirty seconds! In the past, I reached for Iggy Pop, he now will have competition.


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