Sonny Vincent’s Snake Pit Therapy

Hereโ€™s me doubting using the phrase โ€œtraditional punk rock,โ€ because wouldnโ€™t punk castoff anything deemed traditional? Yet I feel the term punk is loosely thrown about these days, compared to its original ethos. Much of the sneaker and drainpipe crowd-surfing youngsters barely relates to the sound and attitude of the Pistols or Ramones.  

While Iโ€™m a little behind, and smell like one too, Svart Records released Snake Pit Therapy on 17th of September, legendary NYC rocker Sonny Vincent is something we have to mention, because itโ€™s loud, dangerous and pretty much nails the aforementioned oxymoron, โ€œtraditional punk rock.โ€

Born in New York City and raised on its streets and in its clubs, Sonny Vincent is infamous from NYC punk early fire-starters Testors, who from โ€˜75 to ’79 were attitude-laden fixtures on the CBGB and Maxโ€™s Kansas City scenes. An extraordinarily prolific artist, active since the late 60s, Sonny has released numerous albums collaborating with members of the Stooges, Dead Boys, The Damned, Husker Du, The Replacements, Rocket From The Crypt and releasing four albums with the Velvet Underground’s Moe Tucker. He recently collaborated with Pentagram’s Bobby Liebling in the new supergroup The Limit, whose Caveman Logic album was released in the spring.

Snake Pit Therapy maintains the rawness of real-deal blazing protopunk with heaps of psychedelia and hard rock, all taken to the edge with Vincent’s naked aggression, passionate voice and his trademark caustic guitar. Yet scrupulousness rides this razor-sharp rock n roll testament, because Vincentโ€™s life and antics are more than legend; they are real, as documented in his recent memoirs, bearing the same title as this very album.

In and out of homes for bad kids, committed to the psych ward for observation and forcibly conscripted into a tour of duty in Vietnam courtesy of the U.S. Marine Corp, Vincentโ€™s experience of wild and tough living has awarded his songs hardness with humanity. Sincerity without mawkishness, Snake Pit Therapy is glorious rock ‘n’ roll with an edge thatโ€™ll slice your finger clean off.

For this, Iโ€™ll say, at first it was a hard pill to swallow, blasting it straight in your face when I was in somewhat of a laidback mood, rather Snake Pit Therapy grows on me like a wart with each listen, and if youโ€™re looking for rage without clichรฉ or irrationality, youโ€™ve come to right album.

It was ten tracks into this fifteen-track indestructible primal scream when I was smitten, Japan Mofo, has the start stop of blues-riffed rock n roll, while retaining the ferociousness of previous tracks. Yet itโ€™s the earlier driving rock tune, The End of Light which is the first single released, Never Tired follows, which a heart-ripped-open chorus, is having it.

Note, if youโ€™re expecting it calm down, youโ€™ll be disappointed until the final song, Forest offers a slightly mellowed psychedelic tenet, in comparison with the rest, still though this is verging on metal at times, inline with his recently formed heavy punk-metal band The Limit, featuring Bobby Liebling of Pentagram, and garnering glowing reviews worldwide.

So yeah, while a tad weighty for me, I still see itโ€™s quality and know thereโ€™s a lot of people who are going locally whoโ€™ll love this, and I do too, when Iโ€™m in the raging like of mood, which has been known to happen for anything as long as thirty seconds! In the past, I reached for Iggy Pop, he now will have competition.


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Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โ€ฆ

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โ€œlarge unlicenced musicโ€ฆ

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

Arts in Calne; October sees the Calne Music and Arts Festival

Calne Music and Arts Festival (CMAF) is a community celebration of music and the arts, which takes place during a ten-day period at the beginning of October each year, and this year is of no exception.

The festival aims not only to provide entertainment for the people of Calne and surrounding villages, but also to promote local musical and artistic talent. It was inaugurated in 1974 and has grown substantially over the years, showcasing some exceptional talent, whilst reaching a wide cross section of the community.

Starter for ten, thereโ€™s an art exhibition at Marden House, home to most of the festival. The exhibition presents hundreds of pieces from beginners to internationally exhibiting artists from in and around Calne. Opening times: Saturday 2nd: 10:00am โ€“ 4pm – Please note the Family Day will be in progress. Sunday 3rd: 10:00am – 02:00pm & 04:00pm โ€“ 05:00pm. Monday 4th to Friday 8th: 10:00am โ€“ midday and 01.15pm โ€“ 05:00pm. Saturday 9th: 11:00am – 02:00pm โ€“ Free Artists Talk 10:00am โ€“ midday.

Thereโ€™s a Festival Club, a wine bar at Marden House, open before evening events and for interval drinks. Light lunches, snacks and drinks will be available throughout the Family Day, Saturday 2nd October. Coffee and cakes are also available on weekday evenings after the main event when there is a free late evening concert. Light lunches will be served following the weekday lunchtime concerts.

So, it starts off on Saturday 2nd October with a Family Day at the Pocket Park, and the evening sees Calne based family trio, The Shelburne Ensemble, comprising of Laurence Davies, French horn, violinist Siรขn McInally and pianist Helen Davies. Laurence until recently has been principal horn for the Royal Philharmonic Orchestra, of which Siรขn is still a member.

Lorna Davies

The shows, exhibits and events come in thick and fast, see the program here. Highlights include guitar teacher at Marlborough College, Mark Willcocks with a classical guitar and Renaissance lute, and an evening with Will Blake and the PSG Choir, both on Monday 4th. Returning jazz favourite, Catherine Sykes on 5th, Bath-based folk quartet Concrete Prairie on Thursday 7th and The Bonfire Radicals on the Friday.

Concrete Prairie

Info and Tickets Here


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Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโ€ฆ

Local Bands Ramp Up the Volume on Bradford-on-Avonโ€™s Skatepark Campaign

Bradford on Avon Gig Will Help Raise Funds for New Skate Park

A three-band fundraising gig to help fund a new skate park in Bradford on Avon, Sk8er Noize – Get on Board, is announced for Friday 22 October at the townโ€™s St Margaretโ€™s Hall. Promising to raise the roof as well as a cash contribution towards the park, the night of music and dancing will be headlined by fast-and-furious local legends, The Boot Hill All Stars, supported by popular rock covers band Pseudocrem, plus singer and guitarist Neil Ryles opening the show. Doors and bar open 7.30pm. Tickets are ยฃ5 and available from The Wiltshire Music Centre.

The new skate park is designed by Maverick Industries, creators of some of the best and most progressive parks in the UK and using input from local skaters and young people. It will cost around ยฃ280,000 and Bradford on Avon Town Council have set aside ยฃ100,000 for the venture. The pot of additional publicly raised cash currently stands at around ยฃ30,000 and the gig hopes to add a chunk to that.

The state-of-the-art facility will replace the skate park which was demolished after being vandalised and falling into disrepair. In 2018 the young people of Bradford on Avon began campaigning for a safe and inclusive space to skate board as well as for BMX and scooter riders of all ages and abilities. The new park, finally agreed in 2020, will be at the same site as the previous one, forming part of a redevelopment of the whole Poulton Park site.

The event is organised by local parents, including Mick Stanger who plays guitar and electric mandolin with The Boot Hill All Stars, who have played everywhere from Glastonbury, Boomtown and Camp Bestival to Bradfordโ€™s very own Three Horseshoes pub. โ€œFrom the first song they get the whole crowd up dancing, whooping and getting on down. By the time they bow out with a breakneck Jolene, they’re practically hollering from the rafters.โ€ (Ollie Hulme, Wells May Fayre).ย 

Mick said: โ€œWe always like to support local causes where we can, and are really excited to play our part in the Skate Park project – maybe youโ€™ll see some of us learning to skate on it in a few yearsโ€™ time!โ€ย  Mickโ€™s daughter Beth, aged 12, said: โ€œI’m really excited by the plans for a skate park, it’s been a long time since we had somewhere to skate and it will be great for the local community. I love the idea of a fundraising gig, especially since it gives a spotlight to local bands.โ€

Boot Hill All Stars

Vocalist Neil Ryles will start the night off with your favourite indie covers followed by classic rock and pop from Pseudocrem, made up of local parents and 15-year-old guitar prodigy Alex Maidment.


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The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Local Happenings for October 2021

Unlike the enviably of the weather, events donโ€™t seem to be cooling down this fall. Thereโ€™s lots of great things happening over the month of October, find something local, and save fighting for petrol, so much going on around and about, remember to keep checking Devizineโ€™s event calendar, as itโ€™s constantly updating, but hereโ€™s some highlights. 

The month kicks off on a Friday, when Humdinger play The Barge Inn, Honey Street for a Woodborough Primary School Fundraiser. Itโ€™ll be an evening of Irish folk down Devizesโ€™ Southgate, where The Celtic Roots Collective will be, and Saints of Sin play Swindonโ€™s Vic.

Saturday 2nd, our superheroine Carmela Chillery-Watsonโ€™s mum, Lucy has written a childrenโ€™s book staring her daughter and pet dog Tinker, with all proceeds going to Muscular Dystrophy UK. Theyโ€™ll be signing at Devizes Books from 10:30am. Carmela is making a big splash in the celeb world, winning awards, TV appearances and meeting royalty and of course, David Beckham too! We can all be inspired by her zest, fundraise towards muscular dystrophy, and have fun too, I will talk more about this when a bit further down, when we get to the appropriate, exciting weekend.  

October at The Post-Modern Gallery, on Swindonโ€™s Theatre Square, sees an irresistible exhibition for punks, general music or art aficionados, and devotees of the curious and unusual, The Great Rock N Roll Swindon. Running from the 2nd โ€“ 10th.

Meanwhile, at The Wharf Theatre, James Hurn brings to life three classic epis, odes from the much-loved radio series, The Navy Lark, which ran for 1959-1977 which originally featured Leslie Phillips, Dennis Price, Ronnie Barker and Jon Pertwee.

Devizes Long Street Blues Club have Jimmy Carpenter, Half Way House play Seend Community Centre. Catfish Creek with support from Finley Trusler & Mark Jones play the Coate Mini Music Festival at The New Inn, Coate, and Tool Shed play Swindonโ€™s Vic.

And if thatโ€™s not enough for one weekend, Jon Amor plays with King Street Turnaround at the Bell in Bath from 1pm, promising to make it home to the Southgate by 5pm on Sunday 3rd.

The second week in is Marlborough Mop Fair, starting Friday 8th, and again the following weekend, as is the tradition. The Lonely Road Band & Hamsters from Hell are live at The Vic on the Friday. Saturday 9th sees Retrospective Vol 2 @ MECA, an old skool RnB night with Mr M at the Exchange in Devizes, staying there Iโ€™d thoroughly recommend Strange Folk at The Southgate, and tickets are already flying off the shelf for the first Devizes Scooter Club night at the Cons Club with The Killertones.

Around and about, got to recommend the wonderful indie-popper, Longcoats, with a free gig at Bathโ€™s Devonshire Arms, on the Saturday, and Led in Zeppelin at Swindonโ€™s Vic, which I think explains itself! Yet, while weโ€™re on the fabulous Vic, the brilliant dub project of Erin Bardwell, Subject A will be live, with DJs in support on Sunday 10th, and this will be amazing.

During the week, find The Waterboys playing Swindonโ€™s MECA on Wednesday 13th, and a welcomed return of Marlborough Folk Roots club, who have While and Matthews. Thursday 14th sees the Sultans of Swingers at The Dumb Post in Bremhill.

Another Marlborough Mop Fair weekend upon us, Friday 15th is a lot about Sheer Music, who present Jon Gomm at Emmanuel’s Yard, Trowbridge with support from the lovely Lost Trades. Ian Rayney is at Seend Community Centre, An Evening with Froch & Groves at MECA, and Abstraction Engine with Lunatics Lost are live at The Vic, Swindon.

Saturday 16th is filled with wonderful choice, The Full Tone Orchestra give a classical fireworks concert at Marlborough College, thereโ€™s Just Like That! The Tommy Cooper Show at The Wharf Devizes, and Asa Murphy returns to the Corn Exchange with a variety show including comedian Lennie Anderson and singer Sandy Collins.

General silliness abounds, and in a hip-hop style, at The Old Road Tavern in Chippenham, where local comedy musicians The Real Cheesemakers go head-to-head with Brightonโ€™s chap-hop star Professor Elemental, hosted by Chippenhamโ€™s own Edinburgh Fringe favourite, Will Hodgson; this will be a great crack.

Sheer Music Presents moves over to Swindon, to present outrageous punker girl band, Salem at the Vic.

But I will be in the Sham for sure, where the all-female supergroup, Female of the Species give their annual, unmissable fundraising gig. Something of a local legend this event, receiving a community Civic Award and raising so much money, having a great laugh with a seriously awesome line-up of singers from a plethora of local bands, and this year, as I hinted at prior, is raising money for another hero friend of mine, Carmela Chillery-Watson.

Swindonโ€™s MECA has Raver Tots on Sunday 17th, where you take your child raving! But for want of a quieter event, thereโ€™s an illustrated talk by Tim Craven at Marlborough Town Hall about cartoonist Norman Thelwell on Wednesday.

Saturday 23rd, then, three band extravaganza Bradford-on-Avonโ€™s Three Horseshoes with Pussycat, The Dirty Johnsonโ€™s and Kiss me, Killer. The Civic in Trowbridge have Mercury, the Queen Tribute but overall, all seems much quieter than last weekend. Of course, gigs will come flooding in soon Iโ€™m sure, so check into our event calendar for updates. You can be sure of those dependable venues, such as The Southgate, The Vic, Horseshoes, Pound Arts and Trowbridge Town Hall will be adding events as we go along, or maybe Iโ€™ve got some serious updating to do!

Monday 25th sees the opening of Glorious! The true story of Florence Foster Jenkins at the Wharf Theatre, Devizes which runs until 30th October. Friday 29th From The Jam play MECA, and White Horse Opera are back in full force with A Night at The Ops at Devizes Town Hall.

Saturday 30th sees Devizes Lions Autumn Fair at the Corn Exchange. Billy Bremnerโ€™s Rockfile at the Long Street Blues Club, and being Halloween, thereโ€™s sure to be some spooky parties going on, try the Three Horseshoes in Bradford-on-Avon, where Strange Folk offer a Halloween Extravaganza, or Swindonโ€™s Swiss Chalet which has Train to Skaville, The DayBreakers and The Hip Replacements.

Have a great Octoberfest, donโ€™t let the bastards grind you down, if you need fuel, just post on your local Facebook group that some other nearby petrol station has fuel, and your path to the pump will be free! Oh, last Sunday of the month, check below, Devizes Town Band at the Corn Exchange, so much to do, it never stops!


Win 2 Tickets HERE

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Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Ravilious’s Downland Man- Immersive Watercolours and Captivating History on Show at Wiltshire Museum

by T.B.D Rose

Stemming from an unfinished book of Eric Ravilious’s illustrations (including that of Westbury White Horse) which resurfaced in 2012 and which museum director David Dawson collected for Wiltshire Museum, the Eric Ravilious: Downland Man exhibition has been put together by guest curator James Russell (creator of a previous Ravilious exhibition at the Dulwich Picture Gallery in 2015) and tells the story of the fascinating man’s life and his iconic portraits of English landscapes.

With 9 years in the works and 4 years active planning, it has already attracted around 700 pre-booked visitors from all over the country.

Featuring loans from a number of National Museums, it’s a marvelous and recognisable sight to see for any southwesterner, with Ravilious’s signature realistically vivid, painstakingly gorgeous watercolours of countryside and landmarks right on the doorstep of Devizes locals.

See it while you can. The Exhibit runs from 25th September – 30th January 2022. In memory of Eric Ravilious (1903 – 1942).


Captain Ricoโ€™s Forgotten Memory of The Beaches

As much as I enjoyed Django Unchained, I’ve not seen the other Tarantino spaghetti western pastiche yet, but I think I should cap it until such a time ol’ QT hires Captain Rico and the Ghost Band to score it.

Echoes of a gothic Ennio Morricone in his darkest hour shudder through this epic instrumental album, transporting you to an alternate reality where The Shadows came after Hawkwind.

A realm where rock history is suffering the same fate as Benjamin Button, created as Britpop, slowly working its way back to rock n roll, and we’re about halfway; USA in the mid-sixties, hardcore surfing with the Beach Boys. Indeed, the sound of The Forgotten Memory of The Beaches,โ€™ which was unleashed last Friday on Spider Music, is inspired by the classic surf-rock sound, pioneered by the likes of The Shadows, The Beach Boys, and The Ventures, yet itโ€™s heavier, man, like vintage psychedelia heavier.

For this, I have to say, amidst sonic blasts, flares of garage fuzz and dark post-punk drumming undertones, there’s nothing really definable as in-your-face heavy metal here, more Chuck Berry’s Gibson ES-355 taken for a journey by Dave Murray, and for this it’s completely unique; a warlockโ€™s cauldron in which he adds a tablespoonful of Duane Eddy and a pinch of The Cramps.

This incredible sound of sixties Southern California has been recaptured and reshaped by a trio based in the South of France, guitarist Damien Ricaud, Yves Manceau on percussion, and bassist Ludovic Timoteo, and itโ€™s a breathless race. Given the psychedelic swirls of space rock at the beginning, you assume youโ€™re in for a mellow trip, assume as Pink Floyd, there will be peaks and troughs, but through a magnitude of twelve relentless three-to-four-minute tracks, it rarely comes up for air.

Neither does it poke a standalone track at you, given itโ€™s completely instrumental, without the hint of sampled spoken word, it flows right through as one masterpiece of mind-blowing nuanced mayhem, causing you wonder what the heck to listen to, or even do next. But for me, makes it tricky to nail a few direct words about it, to pick it apart, reason enough to love it.

On our local circuit, guitar heroes Innes Sibun jamming with Ruzz Evans might come somewhere close to capturing something similar. Should they choose to, because despite these sixtiesโ€™ surfer influences cited in its press release, The Rivieras, for example, wouldโ€™ve reacted like the crowd at the Under the Sea Dance scene in Back to the Future, when Marty blasts Johnny B Goode, or in reality, the impact Hendrix had on music. Captain Rico and the Ghost Band really are, this exciting.


Fun & Food at Devizes Food & Drink Festivalโ€™s Market

Crowds gathered in Devizes Market Place today, for the pushed back grand market and street food festival, all part of the fantastic Devizes Food & Drink Festival, a fabulous start to the series of events happening over the coming fortnight. Itโ€™s been a great success, most events sold out already, but as this is a freebie provided by the organisers for many townsfolk itโ€™s considered the icing on the cake, pardon the pun!

Iโ€™ve always enjoyed this day, food and festival being two of my favourite things and to combine them is music to my ears; this yearโ€™s was no exception. It was the usual bustle of stalls either selling street food, drink or things to take home. Yet the operative word is usual. Perhaps it being later in the year due to obvious circumstances, but I felt stalls were lesser this year compared to previous ones, and, more importantly, there was nothing which hadnโ€™t appeared before.

Gin was the order of the day, drinks wise, and predictably Wadworth sold the ale, Rutts Lane brought the cider, the ever-popular Cosy Kitchen attended with their fantastic gyros, but all these are stable elements to the market, including the Chinese food stall, bratwursts and Coalโ€™s smoky barbeque, the latter of which rustled me up one darn fine lamb & mint burger. The previous year had more choice, the baozi stall so popular in the past wasnโ€™t there, neither was a number of others. I recall with fondness innovative stalls, such as the guy selling ravioli, because itโ€™s a rare thing to have as a street food, and that is what makes the market interesting.

The Gourmet Brownie Kitchen being something I was looking forward to, (to take home for the kids you understand!) but from Poulshot Lodge, only Holychocs attended, fabulous though they are. Likewise, last time the Muck & Dundar mobile bar stole the show for me, but their absence wasnโ€™t missed, as I wandered down the Brittox for a quick rum from their new bar, which was just what the doctor ordered!

Quick Mount Gay rum at the Muck & Dundar!

Another unpreventable shame being Daydream Runaways had to pull out of playing some music, due to frontman Ben having lost his voice. Agreed Fromeโ€™s eclectic-influenced folk four-piece, The Decades made for the perfect entertainment, but again, they were the same band which played there in 2019.

Iโ€™m sorry to be the burden of bad news, though tis but a niggle, but as great as it was, it felt โ€œsamey.โ€ I do hope next yearโ€™s will provide some different stalls, be progressive, as the amazing effort which goes into organising such a fantastic annual event on our calendar thoroughly deserves it.

We should though, consider the market is only a small part of the overall Devizes Food & Drink Festival, and thereโ€™s many other events still to come, from craft cider making to teddy bearโ€™s picnics, and at the end of it all, the grand finale being The World Food event, free at the Corn Exchange on Sunday 3rd October from 12.30. There you can explore the globe on a plate. An event for all the family, where local residents with far flung roots invite you to sample a family favourite from their homeland. Basically, you get little taster portions for 50p a pop. Such a novel idea, and wonderful way to end the festival, one Iโ€™ve not yet tried, so Iโ€™m certain it will re-raise the bar.


Win 2 Tickets Here

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Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s allโ€ฆ

Things to Do During Halloween Half Term

The spookiest of half terms is nearly upon us again; kids excited, parents not quite so much! But hey, as well as Halloween, here’s whatโ€ฆ

CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

The Great Rock N Roll Swindon; Anarchist Artists Unite

October at The Post-Modern Gallery, on Swindonโ€™s Theatre Square, sees an irresistible exhibition for punks, general music or art aficionados, and devotees of the curious and unusual, The Great Rock N Roll Swindon. Running from the 2nd – 10th, itโ€™s a free art show, the name of which was inspired by the Sex Pistols film and song, The Great Rock N Roll Swindle, and is part of a touring group exhibition organised by punk artist, David Apps.….

From 2012 over a six-year period he had staged six exhibitions a year, always with his artwork dominating the exhibition. From London, Essex and Cambridge to Newcastle and Berlin, he staged exhibitions, built up a large following and returned the following year, until opening his own successful gallery in the summer of 2017.

With Brexit and then the world closing down shortly after, sadly David had to close his beloved gallery in December 2020. โ€œLost and not knowing what to do,โ€ he explains, โ€œI decided to book an exhibition a month and go back to how I started out, booking venues and art galleries and taking the artwork on tour.โ€

The exhibition is made up of a plethora of artists from the original punk movement, alongside some extremely interesting artists and friends who David has worked with over the past seven years, including legendary singer of punk band the U.K Subs, Charlie Harper. Two Brixton based artists, Dalis & Angel, aka DnA Factory, who produce provocative and slightly wrong bright pinks!

British punk icon Gaye Black, AKA Gaye Advert exhibits too, a bassist with the Adverts, who hated being the female icon of the band. Her work has dark themes as well as the use of press images of herself and the band in her work.

Others include renowned artist in his own right and son of the artist Lucian Freud, David Freud, Mr Ben Art from Worthing with music-related and punk icon images made from old magazines, papers and paint under a thick resin; sounds real punk-paste. London based T-shirt designer, Sexy Hooligans, specialising in duplicate original Malcolm McLaren & Vivianne Westwoodโ€™s SEX design T-shirts and the Anarchy shirts worn by the Sex Pistols.

Two of the artists are originally from Swindon, Michelle Mildenhall, a Latex artist now based in Hastings, whoโ€™s work contains themes of bondage, face-gags and iconic faces, and Hammer Horror influenced gothic, Saffron Reichenbacker, with fun but angelic designs, Brighton based.

Thereโ€™s also Northampton based artist, Monet Shot, with limited edition prints using consumerism themed products as his influence. World renowned mosaic slogan artist, Carrie Reichardt, of whom weโ€™re advised itโ€™s โ€œwell worth taking a look at her mosaic house in West London on Google.โ€ Carrie will only be showing small works in the exhibition. Plus, a second mosaic artist, CuriousiTeas, whoโ€™s thought-provoking and humorous slogans are put onto custom-made teapots.

But the most interesting and topical sounding of all this bizarre collective, just when you think youโ€™ve heard it all, must be Linda King, who creates large, decorative flat wooden Crows, of beautiful design, to hang in windows to stop birds flying into them. And Hastings based artist, Sassy Luke, who uses religious icons with a twist, and has a wide range of both religious and Covid design knickers.

And with the thought of religious and Covid design knickers I believe itโ€™s best to leave it there. If youโ€™re intrigued by any of this, such as the aforementioned Covid designed knickers, as much as I, you really need to take a peek into this, more works on display can be seen by following Davidโ€™s Instagram account. I mean, who hasnโ€™t tried wearing their facemask as undergarments for some light relief during lockdown? โ€ฆ. oh, just me then!


Win 2 tickets HERE

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Six Reasons to Rock in Market Lavington

Alright yeah, itโ€™s a play on band names and thereโ€™s only really two reasons to rock on Friday 17th October at Market Lavington Community Hall;โ€ฆ

Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

The Next Wharf Theatre Production Will Be Glorious!

How will the Wharf Theatre follow the huge success of Jesus Christ Superstar? I can tell you this much; it will be Glorious!

How do I know? Press release, see, the production is called Glorious, and itโ€™s the true story of Florence Foster Jenkins, dubbed โ€œThe Worst Singer in the World!โ€ A play by Peter Quilter, directed by Liz Sharman, neither of whom have obviously heard me singing in the shower!

It enjoyed a West End run, starring Maureen Lipman, and takes a more humorous approach to its subject matter than the recent Meryl Streep film. Our wonderful Wharf Theatre in Devizes are running it from Monday 25th โ€“ Saturday 30th October, shows at 7.30pm.

Florence Foster Jenkins (1868-1944) was an American soprano, socialite and philanthropist.ย  Her love of music and performing became evident at a young age when she played the piano and performed at various functions under the name of โ€˜Little Miss Fosterโ€™; on one occasion even performing at the White House.

After graduating high school, she nursed dreams of going to Europe to study music but her father staunchly refused.  When an accident then left her unable to play the piano to the level she had previously, she reluctantly pursued a career as a piano teacher.

In 1909, after one failed marriage, she met British actor, St Clair Bayfield, who remained her partner for the rest of her life.  That same year her father died and, having been left a considerable fortune, she seized the opportunity to pursue her singing dreams despite having little obvious talent.

The poet William Meredith wrote that a Jenkins recital, โ€œwas never exactly an aesthetic experience, or only to the degree that an early Christian among the lions provided aesthetic experience; it was chiefly immolatory, and Madame Jenkins was always eaten, in the end.โ€

In the 1920โ€™s she began financing her own shows and with her charm and shining costumes she did, in many ways, find success. In reality she was both adored and mocked by her audiences but although now considered possibly the worst opera singer in the world, who sang out of tune and had no discernible rhythm people still remember her.

One especially amusing anecdote tells of Florenceโ€™s high-pitched scream when in a taxi once, which collided with another car. Arriving home, she made haste for her piano, confirming, least to herself, that the note she had shrieked was the mythical F above high C, a pitch she had never before been able to reach. Ecstatic, she refused to press charges against either involved party, and even sent the taxi driver a box of expensive cigars.

But the most perplexing question surrounding her life was whether she was in on the joke, or honestly believed she had vocal talent, this remains a matter of debate. This hilarious farce picks up her story in 1940โ€™s New York, and sounds a blast!

This amateur production is presented by arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd http://www.concordtheatricals.co.uk

Tickets can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk and at the Devizes Community Hub and Library on Sheep Street.


WIN 2 Tickets HERE

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A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโ€ฆ

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there willโ€ฆ

Remembering Sinclairโ€™s ZX Spectrum

Okay, given the news of the sad passing of Sir Clive Sinclair last week, guaranteed youโ€™ll see lots of photos of him in his scarf, peddling to charge his C5, the innovative electric car of the future. Like few of his inventions, mini televisions included, the C5 flopped, simply because it was way ahead of its time. His successful inventions were too. Sir Clive Sinclair was way ahead of time, period.

If thereโ€™s one invention, Iโ€™ll fondly remember him for, though, itโ€™s not the C5 but can only be the rubber-keyed ZX Spectrum, or โ€œSpeccy,โ€ as we dubbed it. Sinclair never sat on a creation; his pocket calculator was only the beginning. To understand the importance of his work is to understand the era. It was a time of great technological advances in home entertainment, the like we take for granted today.

Computers, yeah, we knew of them, but to have one in every home was the stuff of science fiction. Personal computers had made it to schools, yet IT was a far cry from how itโ€™s taught today. Picture it: a nervous beatnik throwback teacher, big black-rimmed specs, big perm, big beard, complete with leather elbow patches on his tweed jacket. He acknowledges this is the future, as he stands next to a shiny new BBC Model B and hoards of pupils gather around it, yet heโ€™s had no training, and he doesnโ€™t really know what the heck it does any more than they do.

To have gained the slightest teaching about computers at primary school in the early eighties was to be the most bolshy kid, who managed to push his way to the front of the over-excited class. I didnโ€™t tick that box, shy and reserved I loitered towards the back of the crowd, interested if confused, I considered myself lucky to have just seen the thing from a distance, through the pigtails of a petite girl standing in front of me.

No, if I was ever going to get to grips with the computer, Iโ€™d need to have one at home. Yet the ZX80 and ZX81 were the stuff of the seventies, a naff era void of motivation to progress technologically for working class families; a time when the teas-made and electric blanket were cutting edge. Here, in the technological revolution of 1982, what we needed, what we must have, was a home computer, and my dad finally caved into our merciless campaign of perpetually chanting, โ€œcan we have a spectrum, dad, can we have a spectrum?โ€

The pitch was successful on the grounds we appealed it would be a communal thing; it would help my dad by filing his bills, finances and address book, the possibilities were endless; it would, change our lives forever. Christmas 1982 was like no other, the joint present was hooked up to the television set, after major muddles, frustrating cries from my father and annoyed reactions from my mum who realised her favourite television shows were off the cards until the trend had passed.

Mum was first to breech the covenant, hiding in the kitchen prepping Brussel sprouts. She came to the early conclusion it was the devilโ€™s work, if Crossroads was to be missed. My father persevered, and after sweat and tears we finally had a grey screen on our television with the copyright text, โ€œ1982 Sinclair Research Ltd,โ€ mysteriously running along the bottom. We had, as a family, entered the computer age, all 48K of it, our wants and dreams had been fulfilled, but what to do next and why we needed to do it, was a gaping mystery.

Hard to imagine now, given operating systems like Windows are common knowledge and upon booting up a new PC, youโ€™re off applying apps and downloading programs, but we didnโ€™t have a clue what to do, and the lone copyright message offered no help. A big orange book came with it, and my dad tilted his glasses and begun to at least attempt to understand it, while my brother and I were far too excited.

The problem was, to get it to do anything, anything at all, was to understand its own brand of Basic, which the book elucidated was a โ€œcomputer language.โ€ A bead of perspiration dripped from my dadโ€™s brow at the thought of having to comprehend a whole new language prior to us kids getting bored with this rather expensive Christmas present.

A command prompt was where we started. Under instruction of the book, dad apprehensively trembled and pushed a key, typing a 1. Before the hour was done, he had got the computer to have captured โ€œ10: PRINT โ€œHELLO,โ€ followed by a second command, โ€œ20: GOTO 10.โ€ And we looked at each other perplexed. When were we going to get to shoot aliens?

You see, dad had bought us kids two games of our choosing. Mine being a Pac-Man pastiche called โ€œHaunted Hedges,โ€ whereas my brother was nearly as bonkers about โ€œHorace,โ€ as he would be Lara Croft in the decade which followed, and his choice was one where โ€œHorace Goes Skiing.โ€ Young-โ€˜uns should note, games those days were on cassette, and dad was some way away from attaching the cassette recorder to the Spectrum. Rather, he insisted above our pleas, we did things by the book and attempt to understand how to work the now blasted thing prior to blasting aliens.

Time was of the essence; the Morcombe & Wise Christmas Special would be airing soon, and Mum would consider human existence was doomed if he didnโ€™t manage to rewire the television back to the aerial and tune it in again. He digested the next page of the book, and confidently pressed the R key, for the function RUN. Like magic the tele changed to list the word โ€œhelloโ€ all the way down the screen. We gaped in awe at his success, whatever exactly it was. โ€œLook!โ€ he cried in jubilation and misunderstanding the computer was merely following the prompt of his command, his first computer program, โ€œitโ€™s saying hello to us!!โ€

As 1982 turned into 1983 my father had grasped the immensity of the task, his desire to have the computer do the things which he wanted it to do, to file and store an address book, set bill payment reminders, and the kind of stuff weโ€™d do in a second on our mobile phones today, was too difficult a chore. Wrought with complications and complexities at learning a whole new trick, a language to unify human and computer, he spaced out on it and gave up. The ZX Spectrum was abandoned for parents, he sighed all the way to Radio Rentals, hired a second TV, put the old one upstairs and reluctantly passed the computer to us kids, to play games; the sole thing we really wanted it for in the first place.

The key to this was, that cartridges for the Atari 2600 we had prior were expensive, to buy a new game was a rare treat. The revolution of having games on cassette tape made them affordable, and we could collect them in abundance. This bought about a youth culture; Speccy was the first video game movement. You could swap games, tape-to-tape copy them, and if and when the damn tape loaded without crashing, the half-hour wait of white noise would fulfil you with the joy of a new game.

And there was a plethora of games of varying quality, but all shaped the formulas of games today even if they didnโ€™t reflect the same graphics, speed and game play. You have Sonic the Hedgehog, we had Sabre Wulf, you had Tekken, we had Way of the Exploding Fist, you have Super Mario Odyssey, we had Donkey Kong, you have Little Big Planet, we had Bubble Bobble, you have Grand Theft Auto, we had Back 2 Skool, and you have Minecraft, and erm, okay you got me there, we were still on Legoโ€ฆ. But you get the idea.

Speccy was a youth culture of video games, magazines on the subject flew off shelves, kids would hang outside a computer shack in our town, boasting how they solved Jet Set Willy, despite it being impossible without โ€œpokes,โ€ (cheats.) You could go there for advice, if stuck in Valhalla, or Spy Hunter didnโ€™t load. This was the first social network for gamers. Comprehend, though, online gaming was reduced to asking your mum if your mate Adam can come into play, and only permitted if he took his muddy trainers off at the door.

Educating through it was limited, but it introduced me to the terminology, to basic programming and how to create simple BIT graphics and it made me realise the wealth of maths, even if I was shit at it. I knew what a modem was, something way beyond reach, but least I was aware two computers could be linked via a telephone line. Fascinated by an article predicting one day many computers could be linked into a network, only on the example of a virtual classroom, so we wouldnโ€™t have to go to school. I never fathomed this would happen in my lifetime, never considered the interactive whiteboard, the mobile phone app, and especially virtual reality.

As with all devises, the ZX Spectrum waned against upcoming videogame consoles, as the eighties came to a close focus was on Segaโ€™s Megadrive and a 48K rubber-keyed processer, less powerful than a Tamagotchi would never stay standing. Not without a fight it was slayed, but every devise has its day.

Personally, the magic of both computers and videogames was replaced by raves, pubs, and hopelessly chasing girls. I bought a PlayStation when the price came down, it just collected dust. Bit of a hippy, I shunned technology for a while, forgetting everything Iโ€™d learned to the point of when discussing the idea of photocopying my first comic, and my flatmate, who was the editor of a Swindon music zine earlier in the nineties, suggested โ€œno, print will be dead, it will all be on the wobbly web one day,โ€ I hadnโ€™t a clue what she was dribbling about.  

The thing is, this era, where the TV streams off Netflix yet no oneโ€™s really watching, as Iโ€™m updating my blog, the wife is paying a bill on her iPad, my daughterโ€™s sharing photos on her Insta and my son is logged into a Minecraft server with twenty other mates, what Sir Clive Sinclair achieved maybe lost in time, but I feel is gravely underestimated. His name should be up there with Charles Baggage, Alan Turing, Bill Gates and Tim Berners-Lee. Without his vision of home computers, life would be very different today.

Sinclair should be remembered as a visionary, pioneer and innovator, a concept designer like Apple, as today itโ€™s hard to imagine a life without home computing, even if itโ€™s updating your status to post a picture of some cute, fluffy cats. Letโ€™s not dwell on images of him in a failed electric vehicle, he was more than that, and besides, one day our laughing at the C5 will return to bite us in the ass!

Pumpkins & Poppies with Devizes Town Band

In six weeks, the historic Devizes Town Band will be performing at their first indoor concert for two years!

On Sunday 31st October, Devizes Town Band are thrilled to be bringing to you a very special โ€˜Poppyโ€™ Concert supporting the Royal British Legion; โ€œPumpkins and Poppiesโ€

An afternoon of beautiful and entertaining music, to celebrate on Halloweโ€™en being able to perform again and to remember those who served, those who live with the consequences of conflict and those who paid the ultimate price. The concert will be held in the Corn Exchange, Devizes. Doors open at 2pm and the performance will start at 2:30pm.

All seats will be socially distanced and the building is fully air conditioned. Tickets are ยฃ10 each and available online via the link below from today!

You can also get them from the lovely Jo at Devizes Books. We Will Remember Them. Come along to our concert and remember them too….


Win 2 Tickets; Click Here!

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I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released atโ€ฆ

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

We Care Bear Selfie Sculpture

“We want to be there for every seriously ill child that needs us,” say Julia’s House, “but to care for families in your community, we need your support. As part of our Together We Care Appeal, we’re creating a giant bear sculpture and aiming to cover it with the faces of everyone who cares about seriously ill children in Wiltshire – that’s YOU!

Join them in The Brittox, Devizes, this Friday 24th, Salisbury Market Place on Saturday 25th, or Chippenham High Street on Sunday 26th.

Have your photo taken at their selfie tent, and your photo will be added to the We Care Bear. Once created, the bear will tour different towns across the county before going on permanent display at their hospice in Devizes, so the families they look after will be reminded of your support whenever they arrive at the hospice.

Can’t make that date? Alternatively, you can submit your selfie online, just visitย https://www.juliashousebear.org/upload

When can I see the finished bear? Julia’s House will announce the dates soon for when you can see your photo on the finished Julia’s House We Care Bear. Sign up for an email newsletter to get your paws on the latest bear action:ย https://www.juliashouse.org/enews


Don’t forget our wonderful compilation album, download it here, all proceeds go to Julia’s House
Win 2 free Tickets Here!

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A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his standโ€ฆ

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young andโ€ฆ

Onika Venus Smooths Trowbridge Town Hall

A truly wonderful night was had at Trowbridge Town Hall with soul-reggae artist Onika Venus and bandโ€ฆ.

Agreed, you may have to sift through wildly nerdy debates over Kirkby and Buscemaโ€™s cross-hatching, or season 12 of the Fourth Dr Who against season 13, but one great thing about socialising in the comics industry, unlike the mainstream music one, is level-pegging. The fact everyone gets paid peanuts no matter if youโ€™re inking for Dark Horse or small pressing under a broken photocopier, means no snobby hierarchy, and this compares to local music circuits too, something I wrongly didn’t expect it to be like last night.

The arrogance and haughtiness of the pop star is historically documented. If I go above my station, it usually ends in disappointment, because Iโ€™m not wearing a Rolling Stone stage pass. I check ahead this weekend, because Onika Venus responded with gratitude when we reviewed her wonderful album, and on the strength of it alone, I made Trowbridge Town Hall my mecca for my eveningโ€™s intake of quality music. The message simple; make door-staff aware to allow me backstage if you would like to say hi. ย 

Now Iโ€™m sitting in a modest room of the Town Hall, with a slight crowd of approximately forty, rather than the grand ballroom and mass gathering I was expecting, and husband half of the duo, Mark Venus comes to thank me for the review, joking, โ€œitโ€™s okay, Iโ€™ve cleared your backstage pass!โ€

Why my assumptions? Not alone the prestigious connotations of โ€œTrowbridge Town Hall,โ€ but the sheer quality of Onika Venusโ€™s album, Everything You Are. Her rich, beautiful vocals commands superiority, as if sheโ€™s pre-famed internationally, rather than the veracity; sheโ€™s upcoming, gigging together for the best part of twelve years on their local music scene around Bristol and the Forest of Dean, fans of which travelled to attend in support.

Reason enough to cry her name from the hilltops, which I intend to do, because last night was absolutely fantastic, and if everyone knows Macy Grey, Erykah Badu, or even Ariana Grande heaven help, everyone should know the music of Onika Venus.

I could ponder why until the cows come home, and conclude imminent attention aside, thereโ€™s a unique crossover with this singing duo making it tricky to pigeonhole. Husband Mark very much has the style of acoustic country or easy listening, a passionate James Taylor quality, whereas Jamaican-born Onika belts out a naturally sublime soulful voice where reggae is ascertained.

In a world where traditionally, husband and wife duos are unified in style, from Abba to Sonny & Cher, or Johnny Cash and June Carter, this blend is welcomingly unique, and I have to say, works so, so well. Critics should also take heed this little-known fact, historically as well as blues and RnB, country music bears a huge influence on the Jamaican recording industry pre the era of their homegrown radio stations, where folk would hear the sounds of US stations.

I discussed this with the pair, Mark acknowledged Onikaโ€™s mother back in JA sung country songs. In turn this also revealed, like many Jamaican musicians, music is in her blood. For while soulful, thereโ€™s nothing diva about Onika, coming across reserved and shy. Reflecting in the passion of her voice, on stage she shines like a beacon, with the joyfulness of female reggae artists of yore, particularly that of Marcia Griffiths, who always held an esteemed cheerfulness in her sound.

So, amidst this modest audience, accompanied by her husband Mark on acoustic guitar, and two other members, a percussionist on snared cocktail cajon and multi-instrumental brass player, they played out tunes from their album with a perfection spectators held in awe, then took a break.

This was not before the brilliant oddity of a comical support act, namely Big Tom, a friendly Londoner with a warming smile and penchant for original music hall. Whom covered the age-old bawdy parody of the nursey rhyme, โ€œOh Dear What Can the Matter Be,โ€ where seven old ladies were locked in the lavatory. This took me back to the cockney songs my own nan would sing, and I told him so within this surprisingly communal and outgoing environment.

It also gave the opportunity, said environment, to chat with Onika and Mark, the latter suggesting his eclectic influences included mod revival and two-tone ska as well as country-rock. This came to an apex in the second half of the show, whence after playing a few more songs from the album, and introducing us to some new songs theyโ€™ve been working on for a follow-up, the four-piece burst into a lively finale of reggae classics. From Dandy Livingstone to the more obvious Toots and Marley, this medley gave the crowd the incentive to dance, making for a celebratory and memorable culmination.

But if this felt essential given Onikaโ€™s origins, it certainly wasnโ€™t pushy, and with equal joy Onika sang the songs which blessed reggae into international recognition as she did their own compositions. Yet it is in those originally penned songs where this band all gleam, the album is a must-have. I adhere to this notion so much, Iโ€™ve a CD of said album to give away, see below.

For now, though, know this was a wonderful evening, with Sheer Musicโ€™s Kieran at his beloved control tower, Trowbridge Town Hall intends to break barriers and offer a variety of events for all in a relaxed and friendly atmosphere. Not forgoing, Onika and her band were astounding.

WIN A CD OF EVERYTHING YOU ARE!

So, if you want a copy of Everything you Are by Onika Venus, itโ€™s on Bandcamp, or you could win one (if you live in the Devizes area so I can deliver it!) Please ensure youโ€™ve liked our Facebook page, and Onikaโ€™s too. But Iโ€™m not making it that easy, you will have to give me, via Facebook comment, a great example of where country music influenced reggae, post a YouTube link to the song, and letโ€™s get educating! Winner will be the one who picks my favourite example, by chance!


WIN 2 TICKETS HERE!

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FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

REVIEW โ€“ Creedence Clearwater Review โ€“ Long Street Blues Club โ€“ Saturday 18th September 2021

Up Around The Blues Club

By Andy Fawthrop

Well, itโ€™d been a long old time but finally โ€“ finally! โ€“ we were back after 18 months to Long Street Blues Club, hosted by The Con Club.ย  The original artists for this gig had been the USA-based Billy Walton Band but, once one or two other dates on their European tour had been cancelled due to Covid restrictions, found that the tour as a whole had become unviable.ย  Hopefully theyโ€™ll be re-scheduled for 2022.

Which left Ian Hopkins needing to scrabble round fairly quickly in order to fill this date for tickets already sold โ€“ and what a great job he did at such short notice.  He found two very competent acts to step in, and the gig could go ahead, even if not quite as originally planned.

Kevin Brown

Support for the evening came from an old mate of mine, Kevin Brown.ย  He of the oil-can guitar, the blues slide guitar and, when playing on the local pub and festival circuit, Shackdusters fame.ย  This was his first appearance at the club, playing solo.ย  His laid-back, humorous, self-deprecating style quickly won over a large audience, who listened in rapt attention. Kevin writes his own material, based on his life experiences, so that the man and the music blend almost seamlessly. His JJ Cale tribute number was particularly impressive.ย  A very winning performance, which elicited fulsome and well-deserved applause – so letโ€™s hope heโ€™s invited back in the future.

The main act, Creedence Clearwater Revival arrived with a โ€œshowโ€ โ€“ a pre-programmed set, introduced by, and intercut with documentary voice recordings by members of the original band.ย  Early on the band explained โ€“ if explanation it was โ€“ that their rhythm guitarist โ€œcouldnโ€™t make itโ€, so they were doing the show as a trio.ย  An odd start, but then they got on with ticking the hits off the list โ€“ Up Around The Bend, Rocking All Over The World, Heard It Thruโ€™ The Grapevine, Midnight Special, Because Youโ€™re Mine, As Long As I Can See The Light, Bad Moon Rising, Born On The Bayou, Proud Mary, Have You Ever Seen The Rain.ย  The show โ€“ delivered as two fifty-minute sets โ€“ was performed with confidence and aplomb.ย  By the end we had singalongs and quite a few folks up dancing at the front.

And yet. And yetโ€ฆ..and yet it left me rather un-moved.  I grew up with the music of CCR and John Fogerty, so Iโ€™d like to think Iโ€™m a bit of a fan of their material.  So I was surprised to find the show rather unexciting.  The band were professional and competent and captured, to some extent, the โ€œfeelโ€ of CCRโ€™s bayou-based sound. Yet somehow, something of the original CCRโ€™s drive and energy was missing.  It felt a bit โ€œCCR-by-numbersโ€ if you get what I mean? I thought perhaps I was being a bit super-critical, so I consulted a few people whose musical opinions I respect (as well as a few whose musical opinions I donโ€™t respect) and there seemed to be a clear consensus โ€“ it was OK: the band were good, but not great.  My own acid test on these things is โ€“ would I pay money to go and see them again?  Sadly, my answer would be in the negative.  It felt a bit one-dimensional. There wasnโ€™t a whole lot of audience engagement.  Theyโ€™d come to play a show, and they played it.  Job done. No criticism whatsoever of the great job done by Ian, but not every band can float your boat, can it?

Future Long Street Blues Club gigs:

  • Saturday 2nd October โ€“ Jimmy Carpenter
  • Saturday 30th October โ€“ Climax Blues Band (at Devizes Town Hall)
  • Saturday 20th November โ€“ Focus (at Devizes Corn Exchange)
  • Saturday 27th November โ€“ Antonio Forcione Quartet
  • Saturday 18th December โ€“ Kossoff: The Band Plays On
  • Friday 14th January 2022 โ€“ Chicago Blues Allstars

WIN 2 Free TICKETS HERE

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Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโ€ฆ

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its openingโ€ฆ

REVIEW: Strakersโ€™ Devizes Comedy โ€“ Corn Exchange โ€“ Friday 17th September 2021

Youโ€™ve Got To Laugh

by Andy Fawthrop

It really feels as if the old times are back with the very welcome return of Strakersโ€™ Comedy Night at the Corn Exchange.ย  A fairly packed audience of about 200, with long early queues at the bar, settled down for something we all needed โ€“ a great night of laugh-out-loud comedy.ย  It did initially have the feel of a massed estate agentsโ€™ night out and bonding session, but once we finally got under way, all of that was forgotten.

First up was Kane Brown who wasted no time in warming to his first couple of themes โ€“ a black man in a very white town, and the obvious need to take the piss out of the sponsor of tonightโ€™s event.ย  Kane was quick-fire, calm, relaxed and made an immediate bond with his audience.ย  It could be argued that he was scoring into an empty net, such was the crowdโ€™s desire to have a good laugh after such a long lay-off, but in fact it was much better than that.ย  Kane had a very nice line in nostalgia themes โ€“ salted crisps, the choke on cars, old TV technology โ€“ and his slot seemed to slip by in no time.ย  Very assured, very funny and an obvious hit with the crowd.

Next up came Rod Woodward, veteran of the corporate comedy circuit, TV, Royal Variety show etc.ย  Rod played the โ€œIโ€™m very Welshโ€ card early, followed it with low-level machine-gunning of the Strakers (a theme was developing here) and rounded out with routines on Ryanair, and the dangers of going clothes shopping with a married partner. Another great performance, also hilarious, and a great way to end the first half.

Following the half-time scrums at the bar, and the queues for the loos, the second half offered up a couple more comics.ย  First of these was Ali Cook, another very experienced performer in terms of TV work, Edinburgh Festival and the corporate circuit. Ali combined his comedic patter with a number of sleight-of-hand magic tricks, effortlessly pulling victims (sorry โ€“ โ€œassistantsโ€) out of the crowd to help him on stage.ย  Routines involved card-tricks, apparently eating goldfish, and smashing an i-Phone to pieces.ย  Another clear hit with the crowd.

Last on stage was the wild-looking, long-haired Canadian Craig Campbell.  Here was a real force of nature from the get-go.  Having just done a none-too-easy gig for UK troops quarantined after recently returning from Afghanistan, Craig had a lot to say on the subject.  At first this really took the audience with him, but then he appeared to lose a good few people with his crude, shouty, expletive-ridden rants about not very much in particular.  He managed to pull them round with a very good story about the Dutch and the Danes, but then went off into another blizzard of shouting. A few people around me were making their excuses and leaving at this point, but other sections of the audience found him very funny. He lost me towards the end Iโ€™m afraid.  I donโ€™t mind bad language well-used, but Craig seemed to rely on the f-word almost completely to get his laughs, a thin cover for fairly sparse material.  So, something of a Marmite type of performer.

Still โ€“ to badly paraphrase a certain rock legend โ€“ three out of four ainโ€™t bad.ย  Overall a great night, lots of laughs, and a very welcome extra step to getting our lives back again.ย  Thanks to Strakers for putting the show on โ€“ great stuff!


Win 2 Tickets HERE!

Eric Ravilious: Downland Man

Unique exhibition to open at Wiltshire Museum

Featured Image: The Westbury White Horse ยฉ Towner Eastbourne

Finally opening at Wiltshire Museum on 25 September 2021 is Eric Ravilious: Downland Man, something we previewed on Devizine in October 2019, but, sadly, lockdown prevented.

This major exhibition explores for the first time the celebrated artistโ€™s lifelong fascination for the chalk hills of southern England, particularly Wiltshire and Sussex.

The exhibition will feature more than 20 works borrowed from national collections and private collectors, including iconic watercolours such as The Westbury Horse and The Wilmington Giant, alongside other rarely-seen works.ย  The exhibition is supported by the Weston Loan Programme with Art Fund.ย  Created by the Garfield Weston Foundation and Art Fund, the Weston Loan Programme is the first ever UK-wide funding scheme to enable smaller and local authority museums to borrow works of art and artefacts from national collections.

Central to the exhibition are several of Raviliousโ€™s best-loved watercolours of chalk figures made in 1939 in preparation for a childrenโ€™s book, Downland Man.  The book was never completed, and for many years the prototype or โ€˜dummyโ€™ made by Ravilious was believed lost.  When it resurfaced in 2012 this precious item was bought at auction by Wiltshire Museum.  It will be included in the exhibition alongside some of the artistโ€™s watercolours, aerial photographs, annotated Ordnance Survey maps, postcards and books that relate to the Ravilious works on show – material drawn largely from Wiltshire Museumโ€™s own collection.

The exhibition will offer a new view of Eric Ravilious (1903-42) as a chronicler of the landscape he knew better than any other.ย  From his student days until the last year of his life, Ravilious returned again and again to the Downs, inspired particularly by the relationship between landscape and people.ย  Watercolours and wood engravings included in the exhibition show dew ponds and farmyards, a cement works and a field roller, modern military fortifications and ancient monuments.ย 

Eric Ravilious: Downland Man is curated by James Russell, previously curator of the 2015 blockbuster Ravilious at Dulwich Picture Gallery. He said โ€˜I studied History at Cambridge and Iโ€™m always intrigued by the social and cultural context of artistsโ€™ work.  When it comes to downland history and archaeology Wiltshire Museum has an unrivalled collection, making this exhibition a unique opportunity to shed new light on Ravilious โ€“ an artist who is well-known these days but still little understood. With watercolours such as โ€˜Chalk Pathsโ€™ and โ€˜The Vale of the White Horseโ€™ on display, visitors are in for a treat.โ€™

Heather Ault, Exhibitions Officer said: โ€˜This is a wonderful opportunity for Wiltshire Museum to exhibit such beautiful works by Ravilious.ย  The exhibition will be an absolute delightโ€™.

Sophia Weston, Trustee of the Garfield Weston Foundation, said: โ€œWe are delighted that the Weston Loan Programme has been able to support the display of these important works by Eric Ravilious in Wiltshire โ€“ an area of the country which repeatedly inspired this much-loved artist. The exhibition will bring his evocative landscapes to new audiences and shed light on material little-known by the public.โ€

Eric Ravilious: Downland Man opens at Wiltshire Museum on Saturday 25 September and closes on 30 January 2022.ย  Tickets can be pre-booked online at https://www.wiltshiremuseum.org.uk/prebooktickets/.

The exhibition ends on 30 January 2022.


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Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had toโ€ฆ

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathewsโ€ฆ

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™sโ€ฆ

Real Cheesemakers go Head-to-Head with Professor Elemental in Chippenham

So, youโ€™re planning to go out-out, the decision rests on music or a night of comedy. An unnecessary dilemma, no need for a crystal ball, tarot cards or Paul the psychic octopus, you can do both in the land of chips n ham. In fact, if you happen to own a psychic octopus, this will be right up your street.

Iโ€™ve been waffling on the subject of comical music of recent, reviewing release from Monkey Bizzle, Death of Guitar Pop, Mr B, and Scott Lavene, but hereโ€™s an evening not to be missed for your dancing shoes and funny bone alike.

Professor Elemental

Lord of whimsy himself, Brightonโ€™s steampunk chap-hop artist Professor Elemental, whoโ€™s been in a friendly feud with the very same Mr. B The Gentleman Rhymer, goes head-to-head with Calneโ€™s nonsensical Real Cheesemakers, and the ref will be Chippenhamโ€™s own legend and Edinburgh Festival favourite Wil Hodgson in a night not to be missed or dissed.

The Real Cheesemakers

One randomly selected lyric of Professor Elemental might whet your appetite, โ€œthis oneโ€™s for the crusty festivals and shows, where a fan tries to hug me and I get a dreadlock up my nose,โ€ and honey, heโ€™s got rhymes you havenโ€™t heard yet. Expect hilarity at the Old Town Tavern on 16th October, demand trousers, horses and dinosaurs, tickets are eight quid, a brown one on the door. Facebook yo bad self, tell ’em you want in.


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IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

Spearmintโ€™s Holland Park

As spacey as Spaceman 3, I get a whopping chunk of cleansed retro Madchester with the opening of Holland Park, the new album from one of ‘Britainโ€™s best kept secrets’, Londoners, Spearmint. The album drops tomorrow, September 17th, on WIAIWYA Records, and is produced by acclaimed journalist and musician Rhodri Marsden, known afor playing in Scritti Politti.

Story checks out, with thereโ€™s a clear Scritti Politti influence going on here, The Boo Radleys, Belle & Sebastian comes over in waves too. The follow-up to their acclaimed 2019 album Are You From The Future? This is one rich, uplifting record.

It mellowly plods but picks up with the third tune, Walk Away From Hollywood, only to be followed by a strings-based honour to Bowie, in a kind of Mike Berryโ€™s Tribute to Buddy Holly. Shirley Lee, frontman of Spearmint explains the meaning behind the first single released from Holland Park, โ€œSince Bowie Died isnโ€™t about David Bowie, itโ€™s about the rest of us. I remember hearing the news at the start of 2016: it didnโ€™t seem real. Then as things came to pass that ear and since, I felt like our world had become a harsher place from that moment on, as though it had โ€˜opened the floodgatesโ€™. I know others felt the same way, so we wanted to capture this feeling in the song, but add some hope too.โ€

The spirit of Bowie courses through the record as a leitmotif, and hallmarks their typically sublime mellow brit-pop infused melodies. A record that “explores what itโ€™s like to be in a band, what itโ€™s like to have walked away from being in a band, what music means to all of us, and how it feels to lose your heroes.โ€

A concept album in the vein of the subject it depicts, Holland Park has a running theme of a seventies rock group who never quite hit the big time, based on the singer Shirleyโ€™s fatherโ€™s band. It comes to its apex at The Streets of Harlesden, the following title track with an everyday chit-chatty quality, similar to Scott Lavene we reviewed yesterday, and a striking instrumental called Black Vinyl. All mood setting like a slumbering Who rock opera. Thereโ€™s a dreamy but uplifting ambiance here, and itโ€™s beguiling.

Once it winds back to the mellow Britpop for a few tunes, the penultimate is the oddity, a sudden blast of sonic punk, called She Says She Wants to Save the Pigs, and it returns with its hallmark for an uplifting romantic finale.

Spearmint plan to premiere the album live in London in November, followed by shows in Brighton and Bristol, with further gigs being planned for 2022.


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Help Choose a Charity For A Fundraising Music Event in Devizes….

A prestigious live music gig is being planned for Devizes. Top secret, if I spill anymore beans about it they’d be forced to shoot me, and I know you wouldn’t want that…..would you?

I thought not, not even if they just skimmed my kneecap with a spud-gun?

But what you can help the organisers decide is, what local non-profit charity would you want this event to fundraise for, should it go ahead?

I’ve added some worthy charities, but you can add your own if you wish. Please give us your feedback asap, takes a second, thank you! And yes, I’ll tell you all about when the time comes, just, like push me, man!

Sheer Music to Host Frank Turner and the Sleeping Souls UK Tour at Bath Forum

Featured Image by Clair McAllister

Little doubt Frank Turner is the top of his game, the prolific indie-rockerโ€™s ninth studio album, โ€œFTHCโ€ is highly anticipated….

The previously released lead single, โ€œThe Gatheringโ€ only gives a small insight into the new direction of the record. Though Frank is not only able to feature guest appearances from Muse, Nine Inch Nails, Biffy Clyro and more, the supporting tour allows him to cherry-pick venues and promoters.

Frank will be doing a unique tour playing all thirty-nine English historic counties, plus nine districts of Scotland, eight counties in Wales, six in N. Ireland and a further eight counties in Ireland. The ambition is to reach all of his fans with his new record and play where most artists will not go.

Sheer Music is the obvious choice for the west country, and promoter, Kieran J Moore is delighted to have been asked. Frank has chosen The Forum in Bath for his Somerset date, which will be Friday 18th February 2022.

The beautiful art-deco Forum gave Frank one of his last shows from his previous album tour, just prior to lockdown. The venue remains a firm favourite with artists and fans alike. It will be Sheerโ€™s first show at the historic venue, Mr Moore says, โ€œitโ€™s an opportunity weโ€™re truly honoured and excited about being given!โ€

Image: Clair McAllister

Given the nature of the show and the current climate, (itโ€™s as if no one was allowed out for a year or more!) tickets will be snatched quickly, so a heads up for Turner fans, that tickets will be available in the following structure;

Album Pre Order for Pre-Sale: Tuesday, 21 September @ 5PM BST

Album Order Pre-Sale: Wednesday, 22 September @ 12PM BST โ€“ Friday, 24 September @ 12PM BST

Promoter Pre-Sale: Thursday, 23 September @ 12PM BST

General On Sale: Friday, 24 September @ 12PM BST


WIN 2 TICKETS HERE

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Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

Scott Laveneโ€™s Milk City Sweethearts

Weโ€™ve had a spate of comical albums coming in for review, what with Death of Guitar Pop, Mr B the Gentleman Rhymer and now this, which is by far the darkest, consequently most poignant. Songwriter and raconteur Scott Lavene returns this Friday (17th September) with Milk City Sweethearts, an album of new material…..

Thereโ€™s intelligent and thought-provoking arch-beat poetry chatted here, an amphetamine-induced self-evaluation of an ordinary Essex boy, delivered passionately with a witty edge you cannot ignore. Something of an oddity at times, random prose seemingly slotted erratically fall into place with a running theme of this hopeless romantic, as the album progresses.

Behind a variation of backbeats, often being post-punk, as is Scottโ€™s roots, yet fluctuating through new romantic electronica and eighties mod revival, are honest and blunt chronicles of love, loss, coming of age, in effect making for a memorable kind of album, border-crossing Ian Dury with Sleaford Mods; a Mike Skinner of The Streets in the Bowie or Jam era, or a psychedelic Gecko.

Humbly wry, the observations of his imprudent past come back to haunt him, as he retells heartfelt autobiography. The Ballad of Lynsey being the particularly touching example, telling of a potential everlasting love, but lasting only year due to differences, with the revealing chorus, โ€œI choose amphetamines over you.โ€  

If Iโ€™ve made this sound despondent and somewhat depressing, while yeah there is that, Scottโ€™s witty charisma teeters atop at even the gloomiest synopsises with clever wordplay and metaphors. And besides, not every track is quite so melancholic. In fact, it begins very much with the aforementioned mod revival style. Upbeat opening tune, Nigel, is especially comical, expressing the strangeness of individualโ€™s choice of โ€œkicks.โ€ Likewise, The First-Time reels off an amusing list of first experiences with the annotation, โ€œone day thereโ€™ll be a last.โ€ Itโ€™s all very Essex lad Talking Heads, Phil Daniels chatting on Blurโ€™s Parklife, etc.

Art-pop carries over when the mod revival moves over for a new wave electronica feel as the album progresses, by the third tune, The Earth Donโ€™t Spin, itโ€™s very much more Stephan Tintin Duffy than Weller. For all the credentials and comparisons mentioned, thereโ€™s no clichรฉ, everything here is uniquely composed and written originally, and Milk City Sweethearts isa listener, not the sort of long-player you can pause and pick up again, youโ€™ll be impelled to digest it one sitting.

A master storyteller astutely aware of when and how to evoke the correct emotions, and find unusual thoughts to everyday scenarios. The farewell to deceased finale, Say Hello to Zeus, is as Bowie, simply inimitable and inducing. Whereas halfway through gives us the laugh-out-loud Walk Away is Essex humour at its very best.

Closest youโ€™ll get to see him to here is Bathโ€™s Komedia on the 12th December, for now this masterful album, out via Nothing Fancy Records, is interesting, to say the least, an essential item for enthusiasts of the quirky and unusual, making the world seem that much smaller, and amusing, for lonely hearts.

I’m quite happy, thank you, but loved it nonetheless, cos it ain’t always been that way. And that’s it, right there, I figure it’s not only my association Scott is from my motherland, but there’s something I think anyone with a heart will identify with here, and that’s something really rather special.


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Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

Chop Chappy with Mr. B The Gentleman Rhymer

Fancy a break from the serious side of life? Tired of bolshy reactionary keyboard warriors blotting facts and illogically splicing political car crashes into positives? Or maybe itโ€™s just that bastard tap in the upstairs bathroom, dripping, and the only thing the bimbo at the call centre is filing is her fingernails.

You need some Chop Chappy time, a dose of which is available from Bandcamp. Some name-your-price craziness from Mr. B, The Gentleman Rhymer spawned yesterday, and chockfull of jolly, pythonesque hip hop lockdown cabin fever rejoinders, itโ€™s what the doctor would recommend; the madcap scientist type.

Lessons from Double Dee & Steinski Iโ€™ll give you, but no album is going to wax lyrical Michael Palin fashion over the Grange Hill Theme, throwdown Grandmaster Melle Melโ€™s Message over the Charleston, or bite LL Cool Jโ€™s Mama Said Knock You Out with a Wurzels-fashioned backbeat, usually.

And weโ€™re only five tracks into Chop Chappy, inspired by the tunes of his lockdown โ€œniceolationโ€ parties, every Tuesday, on his Mixcloud. Though, since its dawn, the likes of The Treacherous Three, Doug E Fresh or Ron & the DC Crew sprinkled comedy into hip hop, and today even locally weโ€™ve Goldie Looking Chain, Monkey Bizzle, Corky, and more, itโ€™s only clichรฉ if you fail to find an original angle. Mr B subtitles his angle, The Gentleman Rapper, and with mock pomposity it does what it says on the tin, granting said tin should be authentically displayed in a museum of curiosities.

Lounge style Casio keyboard Bowie, a gangsta version of Presleyโ€™s cover of Thatโ€™s Alright Mama, a Chas n Dave skanking Pistolโ€™s Pretty Vacant, are just some of the actions, but while thereโ€™s always a gentlemanly vintage edge, itโ€™s not all vintage sourced.

As well as old skool, contemporary rap acts go under Mr B’s sniping tool, one revealed to my outdated knowledge to be Cardi B, apparently. Called in E-troops, Shazam recognised it despite the fairground organ pasted atop. One, namely Flat Beat, even tested the app, admitting ‘this is tricky’ and it expanded its search to find a remotely similar track. I knew what it was, couldnโ€™t put my finger on the title. Yet others are instantly recognisable as you dally through its crafted mosaic, from Daft Punk to a sample of Bojo’s bus model making waffle.

There are few occasions, like Nearly Robin, where Mr B raps original lyrics, and that’s most definitely the funniest parts. But to face facts, nothing here is desert island discs, hip hop is throwaway, music caught in the moment, and not repeated. This said, it makes Mr B hugely prolific, sixteen releases strong on his Bandcamp page since 2008.

So, rather than expect a stairway to heaven or bohemian rhapsody, accept, for a while, you’ll be bamboozled by Mr B simply mucking about and mashing up, and then, and only then, will you see, this is about as much fun you can have with two turntables, mic, sampler, and gramophone 78s; and for that much alone, it’s highly entertaining and amusing.


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You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosie Jay,โ€ฆ

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridge comeโ€ฆ

Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo album calledโ€ฆ

REVIEW: Devizes Town Band โ€“ Proms in Hillworth Park โ€“Sunday 12th September 2021

Sun Shining & All Is Well with The World

Andy Fawthrop

Does anybody else feel like things are starting to roll again?ย  I mean like โ€œnormalโ€? โ€“ not the โ€œnew normalโ€, not the โ€œold normalโ€, but just โ€œnormalโ€?ย  Just me then?!

After snuggling up with the BBC on Saturday night to witness the old โ€œlast night of the Promsโ€, with a cup of warm Horlicks and a packet of McVities digestives, and remembering that this was what itโ€™s always been like at this time of year, I came over all nostalgic.ย  You know what I mean โ€“ the slide into Crimbo & the New Year via โ€œputting the clocks backโ€, Halloween, Gunpowder Plot (and Thanksgiving if youโ€™re of a Yankee persuasion).ย  And the โ€œit must be Autumn because Strictlyโ€™s started up againโ€.ย  Yeah โ€“ all that.ย  Soon be snow on the ground, blah, blah, blahโ€ฆ

Well, Sunday in Hillworth Park proved that thereโ€™s still a bit of life left in the old Summer yet, and itโ€™s not quite time to pull out the long-johns and big coat.ย  A large group of D-Town citizens turned out with camping chairs and picnic blankets to be royally entertained by Fantasy Radio (broadcasting live), the talented young singer Chloe Jordan, and the massed might of the Devizes Town Band, with their version of Proms In The Park.ย  Children played, dogs scampered around, people ate ice-creams and queued for the loos.ย  This was England!ย  This was Summer!ย  All good traditional stuff.

Chloe Jordan

We were treated to a wonderfully varied programme of songs and music, ably MCโ€™d by Mark Jones of Fantasy Radio 97FM, and under the direction of the enthusiastic Sharon Lindo.ย  There were great solos from Jim Keenahan and Bruce MacDonald, ensemble and orchestral pieces, and of course the traditional rousing coda of Sailorโ€™s Hornpipe, Rule Britannia, Jerusalem (beautifully rendered by Chloe), and the National Anthem.ย  We had everything โ€“ clapping, singing, dancing, flag-waving โ€“ from the enthusiastic crowd.ย  If anyone was feeling a little blue after months of Lockdown, no-one had told the hundreds of people who were out to enjoy themselves.ย  And they rewarded the performers with a pretty darned good ovation at the end.ย  Perhaps we ought to ask the Town Council to build us a bandstand?ย  Just a thought. (Yes Andy, I suggested this too; Ed!)

A really cracking way to spend a Sunday afternoon!

Next Devizes Town Band concert – Sunday 31st October in the Corn Exchange

Future Events in Hillworth Park: Party In The Park โ€“ Fantasy Radio โ€“ 2pm to 5pm 19th September 2021


WIN! Two tickets to Gary in Punderland @ The Corn Exchange

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No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to theโ€ฆ

Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโ€ฆ

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

Signs and Wonders of The Burner Band

Popping immediately into your head with fun songs youโ€™ll be singing for the rest of the week, while breaking out in denims, Leeds’ The Burner Band kick off their debut album, last week, Signs and Wonders with a rock n roll blinder, but thatโ€™s not all theyโ€™ve got in them.….

The subsequent tune to Blues Came In, though, Block out the Sun, suggests, rather than mellowed blues, the blue is here cowboy-boot-tapping bluegrass, with spurs. A fast-moving fashion which continues throughout the album, fusing all Americana influences, and yeah, it sure is above snakes catchy.

As a solo artist, vocalist and guitarist Lewis Burner has supported the likes of Bob Log III, The Coal Porters and The Legendary Shack Shakers, appearing at Broadstairs Folk Week, Orwell Bluegrass Festival and Strummer Camp, and released two albums. Here he collaborates with Ian, absent surname, to create the duo The Burner Band, and it certainly does burn!

Company Man is acoustic goodness, nods towards Simon Garfunkelโ€™s more upbeat moments; deep-rooted Celia, for if as their PR document suggests punk is an influence as well as bluegrass, and rock ‘n’ roll, itโ€™s coming through remarkably subtle, typically folky. I say this because thereโ€™s a professional feelgood factor to The Burner Burner, rather than the rawness and unskilled tenet of punk; the simple country pop sound of it Takes Two, four tracks in, is enticingly gratifying, yet afterwards, this album takes serious themes, without losing the appeal.

You, the Devil and Me deals with grief, Search Deep, Find Out assesses morals and judgements. Thereโ€™s subjects of mental health and murder, but it retains, above all else, itโ€™s catchy charm and slither of flippancy, just by the upbeat nature.

Voodoo Queen, seven tunes in, being the most diverse with its Latino undertones, whereas with Pray for the Light, the folk-punk is now coming across, and itโ€™s welcome to. Thing is, even suggestions of blues, as in Too Much Blues, is only in topic, sound-wise itโ€™s rock n roll, leaving one to ponder if The Burner Band are capable of mellow! Though maybe they just held out for the memorable title track at the very end, with its Springsteen-esque narrative.

Itโ€™s certainly lively, filled with exhilaration and excitedness. It also sounds sincere Americana, even when dealing with satirical themes; Liverpoolโ€™s campaign to rid the city of The Sun, being most poignant. Penned wise, though, I loved Donโ€™t Have To Listen the most, reflecting on teenage ignorance against the face of authority, for secretly in my own mind, Iโ€™m still a adolescent tearaway, and maybe, in a nutshell, thatโ€™s the appeal here; forget skin cream, this entertaining, quality toe-tapping bluegrass rock n roll merger will knock years off you!

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Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

REVIEW: Devizes Musical Theatreโ€™s โ€œA Gallery Of Roguesโ€ @ Lavington Community Centre โ€“Saturday 11th September 2021

Yes Mโ€™Lud!

By Andy Fawthrop

Itโ€™s not often that youโ€™ll get me schlepping down to a Community Hall in the middle of nowhere (well, OK, Lavington) on a Saturday night for a dose of Light Opera, butโ€ฆwellโ€ฆit seemed like a good warm-up for the BBC Last Night of the Proms which was due to be broadcast later that night โ€“ and so it proved to be.

Devizes Musical Theatre (DMT), in their wisdom, had chosen this slightly out-of-the-way place to perform โ€œA Gallery of Roguesโ€ as their 2021 production (their first since 2019 following Lockdown for most of last year). And thus, breezing my way past the various posters for WI and other local events, I found myself in this rather modern and well equipped hall.

The evening was in two parts – the first being a performance of Gilbert and Sullivanโ€™s โ€œTrial By Juryโ€, a one act comic opera, and the second being the company performing a number of well known songs from many different musical shows.

โ€œTrial by Juryโ€ is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced in 1875, at London’s Royalty Theatre, where it initially ran for 131 performances and was considered a hit. The story concerns a “breach of promise of marriage” lawsuit in which the judge and the legal system are the objects of light-hearted satire. As with most G&S operas, the plot of โ€œTrial by Juryโ€ is ludicrous, but the characters behave as if the events were perfectly reasonable. This narrative technique blunts some of the pointed barbs aimed at hypocrisy, especially of those in authority, and the sometimes base motives of supposedly respectable people and institutions. The success of โ€œTrial by Juryโ€ launched the famous series of 13 collaborative works between Gilbert and Sullivan that came to be known as the Savoy Operas.

In this production, using mostly modern dress, no scenery, and virtually no props, the guys and gals from DMT had nowhere to hide. Using only a simple piano accompaniment, it was down to the strength and quality of the voices only. And, after a slightly nervous start, they pretty well nailed it, with each singer growing in confidence as the play progressed. The call-and-response choruses, so beloved of G&S fans, were used to great effect and the whole production swung along with very few flaws. Of particular note were Naomi Ibbetson as The Plaintiff, and Tom Hazell as The Defendant. The supporting roles, especially the three bridesmaids, were also strongly played to great effect.

The second half consisted of a series of songs from various musicals including โ€œCatsโ€, โ€œOliverโ€ and โ€œThe Wizard of Ozโ€, culminating in a full-cast version of the Lockdown classic โ€œSomewhere Over The Rainbowโ€. Not a dry eye in the house.

For me, it was a good evening of entertainment, and well worth the trip out to Lavington. And Iโ€™d say the rest of the audience agreed, as the applause was hard and long. However, Iโ€™m still mystified as to why a concert that clearly took a lot of time and effort to be produced was only to be given this single performance, and why at such an out-of-town venue. Surely more people would have gone to see DMT in action if this had used a more Devizes-central location?

Future DMT productions:

The Wind in the Willows โ€“ 3rd to 10th April 2022 at Dauntseyโ€™s School


Click here to buy!
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Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, thisโ€ฆ

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. Theโ€ฆ

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trioโ€ฆ

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Dovesโ€ฆ

Some Reasons Why I Enjoyed Jesus Christ Superstar at The Wharf

One reason why I enjoyed Jesus Christ Superstar at Devizes Wharf Theatre yesterday evening, is similar to why I like sci-fi and fantasy genres.

No, hear me out, long winded it maybe, but thereโ€™s a point! With sci-fi you can take an earth-bound concept, and moving it from its usual perimeters, see it for what it truly is, without being predetermined via propaganda or personal opinion. Example; racism. Take a green coloured race of aliens fighting with a blue race, and from outside looking in you can see how completely meaningless and rash it is.

Jesus Christ Superstar throws out preconceptions of this renowned Easter story, bought about by biblical re-enactments and more commonly accepted adaptions. In essence, itโ€™s a rock opera, opera is tragedy, and rock music is modernised, least it was when Tim Rice and Andrew Llyod Webber created it.

I often wonder what it was like for Michael Jackson, in the limo to the show, mobbed by obsessive devotees throwing themselves unashamedly at him. In a way, the tragic desolation and isolation of fame is more the subject in question, rather than the biblical Easter story. Just like our sci-fi scenario, it never suggests a religious connection, never states definitively that Jesus is the son of God. It takes the story out of the usual context and reconnects the dots.

The set is deliberately void, mostly of black backdrop, and props are minimal. Rather than a school playโ€™s amateurishly painted scene, the darkness leaves the setting to your imagination. While Nazareth and Rome are mentioned, thereโ€™s no depiction of it. The concentration is flowed into the characters and music. For Jesus here is unlike another representation; in fact, Iโ€™d argue Brian from Monty Pythonโ€™s โ€œLife ofโ€ is closer! Played convincingly by Jordan Overton, if this was intentional, I found Jesus actually quite irritating. Far from blasphemous given the circumstances, for here heโ€™s unforgiving, frustrated at the mounting iconic hysteria surrounding him. Probably more likely how it would be, especially in the modern era.

If Jordan made a grand job of it, more so did the surrounding characters, for Judas is Jerry if Jesus is Tom, the tension between the two the narrative. Arguably Peter Assiratiโ€™s performance is passionately executed greater, the focus on his despair is equal pegging, as Judas feels overexposure will be Jesusโ€™s ruin. Like washed up rock stars or actors in the modern era, we know from tragedies like Marylin Monroe, to Whitney and Kurt Cobain, the feeling is real. In a way then, the lines between protagonist and antagonist are blurred, another reason why I liked this piece of musical theatre.

More general is the third reason; the Wharf is such a splendid asset to Devizes. This historic shoebox theatre central to town is so welcoming, if the doormat was curled at the edge staff would lie over it so you donโ€™t trip. Chat in the auditorium is not of condescending theatre-goers and thespians, rather an almost family ambience with an age demographic to match. As with most venues, lockdown flogged this theatre, kicking it while it was down. Those who can, bearing in mind ticket stubs here are far more reasonably priced than city playhouses, are dutybound to help it to its feet. I witnessed said devotion firmly in place already, as Jesus Christ Superstar plays to a full house.

The fourth reason I enjoyed it is simply the surprise element. I went in critical, didnโ€™t expect to actually like it, given the theme tuneโ€™s school playground variant of yore, set to ridicule it with Yamahas and dustbin lids, was wedged in my mind. Anyone younger will have to ask Alexa about this; Iโ€™ve exposed my age enough already!

I tip my hat to the performances of additional characters, Pete Winterton casted perfectly for the seventies-fashioned game show host version of Herod, breathing one humorous element to the tragedy, at least! Francis Holmes as Caiaphas made for the textbook managerial role and convincingly bellowed his solo with professionalism.

Emma Holmes and Chris Smithโ€™s recitals of Simon and Peter, respectively, being especially poignant. None so much though as Mary Magdalene, played by Cassy Swann, who, with her astute expressions of woe and loyalty, her superior voice commanded the stage above all else. In this, full credit has also to be awarded to Victoria Warren, music director, and the band, Jennifer Cardno, Bob Ball, Claire Borovac and John Joy, for limited to a four-piece, amalgamated the show to epic and euphoric proportions.

You should note, if you go see this, at the time, amidst the hullabaloo surrounding its controversial subject, it took the best part of decade to alter from rock opera album to the stage in London, and only because of its success in the USA. True music fans will recognise this more as an album of music than a play, ergo the dynamics of elaborate stage effects are deliberately stripped back, the opening of Jesus Christ Superstar rightfully displays the band playing the overture prior to actors taking their stance. But go see it you should; decide quick and seize a ticket post haste. Itโ€™s only running at the Wharf Theatre until this Saturday, the 18th September, and last time I checked, tickets are up for grabs weekdays, Saturday is sold out.

Please buy our compilation album of local music, all proceeds go to Julia’s House, thank you!
WIN 2 tickets to Gary in Punderland @ Devizes Corn Exchange by clicking on the poster!

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Hells Bells! AC/DC tribute in Devizes

With our roads being the state theyโ€™re in, is it any wonder on the 5th April Hells Bells, rated as the UKโ€™s top AC/DC tribute,โ€ฆ

Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There mightโ€ฆ

Geckoโ€™s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for aโ€ฆ

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโ€ฆ

Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โ€ฆ

Absolutely Pukka; Death of Guitar Pop

Itโ€™s top marks for the Death of Guitar Pop duo, Silky and Top Kat, for their new album, Pukka Sounds, from me; did you expect anything less?!

In 1976 Bunny Wailer titled his debut solo album, โ€œBlackheart Man,โ€ that being a Jamaican version of the bogeyman. Perhaps he likened the mysteriousness of Rastafarians to this childhood fable, for prior to the Kingston trend, which we associate so closely with reggae, the Rastas were rural hermits, seen as dangerous outsiders. The sound of the time of the Wailersโ€™ early development was ska, and had little to do with religious or political thinking. It was a dance, untroubled and carefree.

Yet by the second wave of ska, initiated by Coventryโ€™s Two-Tone Records, groups like the Specials bought about a political stance to ska too. After a tinkering second of piano, sounding like the beginning of a Who rock opera, Pukka Sounds explodes, rightfully quoting their influences, โ€œwe play Two-Tone Records, Trojan Records.โ€ Yet for me, the crucial line of โ€œWhen the Ska Calls,โ€ is โ€œitโ€™s the nuttiest of feelings,โ€ a clear reference to Madness.

If mod and second gen ska was the concluding inclination of pop, prior to the hit factories churning out their monotonous formula, I was slightly too young to appreciate the solemn concepts bands like The Specials and Jam put forward. Merely a wee school kid, couldnโ€™t relate to the teenage anguish of dogmatic student rants, or Terry Hallโ€™s and exasperations at his sister. I thought the Jam were singing, โ€œeating trifles,โ€ rather than โ€œEton Rifles,โ€ as in, โ€œgreat trifle, mum!โ€ โ€œThank you, Paul, I made your favourite flavourโ€ฆ. glue.โ€

But the underground youth culture had been breached; Bad Manners, The Piranhas, The Beat, Fun Boy Three, and especially Madness aimed at the charts. โ€œWalking home and squashing snails,โ€ was more relevant to me and my mates, than โ€œbands donโ€™t play no more,โ€ ergo the resounding and lasting success of Madness above all others of the era.

It is of no bad thing then, the most appropriate comparison to Death of Guitar Pop can only be Madness, for their fairground sound was not just universally appealing, but reflected more on the original ethos of ska, as a carefree dance music. Death of Guitar Pop mimic this tenet, with bells, horns and chequered trilbies on.

Iโ€™m struggling then, to find anything serious about Pukka Sounds, and thatโ€™s its charm. Silky begins the second tune in with lounge style vocals, which has to be taken with a pinch of salt. Tongue-in-cheeks all the way through, Iโ€™d give Death of Guitar Pop takes Madnessโ€™s wittiest lateral to a whole new level, with tunes like Fell off the back of a Lorry, their jaunty Essex-boy humour is exposed, and comes over highly entertaining.

Perhaps the best track, for nodding to influences beyond Madness is The Death of Guitar Pop Shuffle, with the legendary Nick Welsh, aka King Hammond, for hereโ€™s a tune which recognises skaโ€™s origins from the shuffle subgenre of RnB, the likes of T-Bone Walker and Fats Domino, replicated but reversed by Prince Buster at a Duke Reid recording sessions, to create โ€œJamaciaโ€™s first nation sound.โ€   

Nods also go to reggae though, the pedigree โ€œboss soundโ€ distributed by Trojan in sixties England, which appeased the skinhead culture. I tip my hat to them for the track, For Alys, as a concentrated downtempo number without their comical toasting; their own The Return of The Los Palmas 7?

Bobby Dazzler, a Pukka Ballad, too, both challenging an anthemic hopeless romantic theme, naturally beer-driven last song ballads.

But, at best, Guitar Pop reveal in these beguiling ska and upbeat boss tunes with comical, carefree leitmotifs and nonsensical fun, like Captain Melvin’s Reggae Party Bus, and a cover of ska-punk band, Rancid’s Junkie Man, the aforementioned exactness to the ethos of Madness being the reason these guys have rocketed to the top of their game, in just three albums.

The array of ska nuttiness is reborn here, and the party doesnโ€™t wait for those held up in the kitchen, the album marches, the sax on The Velvet Drum particularly evoking memories of Lee Thompson flying over rooftops.  

For anyone with deliberations British ska is mislaid, home only to withering skinheads of a lost epoch, this deluxe edition of Pukka Sounds is eighteen original tracks strong, released yesterday, and it places England firmly back on the ska map amidst a universal scene. But more than this, their charisma is a beacon calling out to others, who may only have a passing interest in the movement. I urge, if you shrug at my consistent praise of ska, youโ€™ve not tried Death of Guitar Pop, and really, you should. Then come back and tell me you didnโ€™t least tap your toes, all the way to Southend pier and back, geeza!

Why? Need you ask why? Because, ska is the bollocks….


Win two Free Tickets here

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Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Marketโ€ฆ

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic ofโ€ฆ

Devizes; The Only Thing with Brains Here, is a Pie!

Not as eminent as the Yorkshire pud or the Bakewell tart, Devizes does have its own pie; who knew? Furthermore, what kind of monstrosity could the filling be; a generous helping of 6X, farmer Perkinโ€™s old boot fished from the crammer, perhaps?! How offal could it possibly be (see what I did there?)

Iโ€™ll tell you, shall I, as thatโ€™s a lot of questions to digest? Though when I do tell you, you might favour digesting them instead. Basically, itโ€™s cold calfโ€™s head, complete with brains, some pickled tongue, sweetbreads, lamb and veal added, with bacon, and hard-boiled eggs; nice.

It might not sound very Devizes, being itโ€™s got brains, but the final couple of questions for today are, can we modernise it, with, I dunno, doner meat and chips? And why all the fuss now about some fifteenth century pie recipe?

While Iโ€™m happy to hear many events of The Devizes Food Festival have already sold out, theyโ€™re keen to bring back the pie, least with an opportunity to create a new Devizes Pie.

Yes, keen cooks and pie enthusiasts are being invited to create a new recipe for the celebrated Devizes Pie, which will appeal to modern tastes at this year’s Devizes Food and Drink Festival.

There will be two categories – a meat pie and a vegetarian pie – and an entrance fee of ยฃ3 per pie.

Sponsored by multi award-winning West Country Devizes based butchers, Walter Rose & Sons, the winner of each category will receive a ยฃ100 voucher to spend on Roseโ€™s exceptional locally sourced meat, fresh fish or choose from their extensive delicatessen products.

Entrants will be asked to create a pie containing any assortment of meat, vegetables, and other flavourful ingredients encased in pastry and suitable to be served and eaten cold [as was the original].ย  Imagination and taste exploration is the order of the day!

Judging will take place at 12 noon on Saturday 25th September, the opening day of the weeklong festival, in the Corn Exchange, Market Place, Devizes. The Walter Rose Devizes Pie competition 2021 will be judged by Lisa Markwell, editor of โ€˜Dishโ€™, the Sunday Times food magazine, Steve Cook, director Walter Rose & Sons and Chris Gay, Mayor of Devizes, who said, โ€œthis is such an excellent competition. I have eaten a Devizes pie made from the original old recipe and it is certainly not a pie that would appeal to many modern pie eaters! A new and delicious Devizes Pie, to add to all our other tasty, local specialties, is a wonderful idea. Well done, Devizes Food Festival.โ€

Quite; you and Terry Wogan alone, Chris!

TO ENTER: Enter on-line via the festival website or via Devizes Books, tickets will be available from 16th August. Entrants will need to register their interest, complete the entry form and purchase a ยฃ3 ticket per pie [link on website]. Each person may enter as many pies as they like, with each pie attracting a ยฃ3 entrance fee.

PIES must be served cold, measure about 20cm/8โ€ in diameter and be enveloped in a pastry case. An ingredients list should be provided highlighting any known allergens. Two categories: Meat and Vegetarian.

But away with all this, sounds far too nice for a Devizine article, I want to get the lowdown on exactly why we have a calfโ€™s brain pie in the first place, why we couldnโ€™t be famous for an ice cream sundae or something like that instead!

The cookery book of one Mrs Dalgairns holds the answer, and sheโ€™s not even local, God dammit!

She was born in 1788 on Prince Edward Island in Canada, the location of the Anne of Green Gables books. Mrs Dalgairns was of American\Scots heritage and had family in India; she didnโ€™t even know where Derrickโ€™s Deals come from, let alone who Ruth Peirce was!

She produced a prodigious volume of recipes, 1,597 in total, in multiple editions, dating from 1829-1860 and with culinary influences that reflected her origins, but Devizes Food Festival explains, it is not at all obvious how she came by the recipe for Devizes Pie. She just stuck a pin in a map, Iโ€™d presume, a pie with brains after all is hardly apt!

Though the Food Festival say, the lack of clear connections can only allude to the fact that our pie was popular and is therefore a good one. You be the judge of that, Iโ€™m off down the Rowdey Cow, and would rather look forward to an updated recipe; the original recipe is below:

Cut into very thin slices, after being dressed, cold calfโ€™s head, with some of the brains, pickled tongue, sweetbreads, lamb, veal, a few slices of bacon, and hard-boiled eggs; put them in layers into a pie-dish, with plenty of seasoning between each, of cayenne, white pepper, allspice, and salt; fill up the dish with rich gravy; cover it with a flour-and-water paste; bake it in a slow oven, and when perfectly cold, take off the crust, and turn the pie out upon a dish; garnish it with parsley and pickled eggs cut into slices.


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Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisonersโ€ฆ..โ€ฆ

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because theyโ€ฆ

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this yearโ€ฆ

Everything You Are, Onika Venus

You remember being given some coursework, when back in higher education, with various objectives and your task was to choose one to complete? Not really wanting to do it, you go to the student at the top of the class, and ask them what theyโ€™ve done. They reply, โ€œah, not much,โ€ and this gives you the cue to do absolutely nothing. Then, on the day of handing it in, theyโ€™ve unexpectedly produced the single-most awesome project, covering all the objectives in one ingenious combination, and you stand there with zilch, except a jaw hanging and an implausible excuse, which you made up on the bus coming in?!

Iโ€™d imagine Onika Venus to be just like that. Now Bristol-based, Jamaican-born Onika plays Trowbridge Town Hall on September 18th, so, given reggae is cited as an influence, I thought Iโ€™d check out her debut solo album, Everything You Are, which was released back in March.

The title track was chosen as Songsmithโ€™s Song of the Year 2020, and itโ€™s easy to hear why. Iโ€™ve not been this blown away by a female vocalist since discovering Minneapolisโ€™s Mayyadda.

Immediately this pushed my buttons, but if this opening title tune is decidedly acoustic blues, with a distant harmonica resounding in the background, thereโ€™s a truckload more going on than the first impressions here.

The premise from the beginning is as simple as, Onika Venus has the prevailing soulful voice to carry whatever genre is thrown into the melting pot, and drizzle it over you like hot sauce. It only leaves you pondering how far she will take it. The second tune I pigeonholed as RnB pop, a contemporary Macy Gray or Erykah Badu, aiming for chart success. When Iโ€™m Broken carries this concept to a higher height, and is simply, the model formula of popular music every song should aim for.

Yet, three songs in and here comes the Caribbean influence. Friday Love has a clear mento feel, itโ€™s immediately beguiling, a good-time chugging song in the face the despondent romance theme. This will occur again towards the middle the album with Whoโ€™s Been loving You. Again, with Shotgun thereโ€™s similar appeal, perhaps the most definable as โ€œroots reggae,โ€ and, for me, theyโ€™re the favoured sections.

But it swaps back to the mainstay for track four, steady soul with an orchestrated ambience; Everything has its Season, is the ideal equilibrium to bless that heavenly voice and compose this euphoric moment of bliss. After a surprising modern dancehall intro, weโ€™re back to an acoustic guitar riff for the poignant The Storm, using sax to mitigate jazz. I Need You, though, has kick-ass funk, Ike & Tina Turner in their prime.

With only three tunes to go, just when you think influences have been exhausted, thereโ€™s a duet with a male voice, supplied by husband, Mark, Mary, sounds classic Americana, as if Joe Cocker just walked into the studio and said, why donโ€™t you try this?!

To keep you guessing what the last couple of tunes will hold, yeah, folk is strapped onto soul, Reaper Man aches of Aretha Franklin, but by this point you just know Onika Venus can carry this off with bells on. Raising the bar of comparisons is justified, believe me. For when itโ€™s funky Iโ€™d give you Randy Crawford, Chaka Khan, and when it levels with acoustic and folk, her voice dishes out notions of reggae heroines, of Phyllis Dillon or Marcia Griffiths, and the gospel finale, yeah, Aretha will be justified, if not Sister Rosetta Tharpe; it is this magnificent.

Yet, unlike all these aforementioned legends, the style here is not monocultured, neither does it jerk from genre to genre without consistency and flow. Onika Venus gives volumes to the eclecticism, and it moulds efficaciously into one melting pot, beautifully. Prior to this solo launch, in a band called Slyde, her voice customised their breakbeat, techno and house style, to great effect, and I can well believe it. The flexibility of her skill is captured here, Iโ€™d imagine as comprehensively as she chooses personally, and just as the student who bursts in effortlessly, with the homework complete and to an exceptional standard, Onika Venus makes this look easy!


Win 2 free tickets here!

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King of the One-Liners; Gary Delaney Coming to Devizes- Win Two Tickets Here!

What time did the man go to the dentist?

Tooth hurt-yโ€ฆ.

Okay, Iโ€™ll get my coat. Leave it to the professionals, one of whom announced this morning, Devizes is on his hitlist. Husband of comedy supremo Sarah Millican, and king of the one-liners, Gary Delaney delivers his hilarious tour, “Gary in Punderland,โ€ to our honoured little town on Thursday 5th May 2022, appearing at the Corn Exchange……

The double Sony Award Winner and Chortle Award nominee is a regular on Mock The Week. Gary is the only comic ever to have got two gags in the same top 10 for Daveโ€™s TV Funniest Jokes from the Edinburgh Fringe, and his current tour took in over 200 venues; weโ€™re so glad to hear heโ€™s heading our way. After selling out his Andover show, and in the absence of a Swindon show, it was decided that Devizes offered the best central location, and easiest access in Wiltshire to attract his fans. Devizions love a bit of joking about, look at the councillors we elected….ba boom!!

If youโ€™re hunting for snark, Garyโ€™s got it covered! Not one to get too bogged down in serious stuff, like political and social observations, he leaves that to other comedians. Gary Delaney is known for his machinegun rapid, quick fire one liners, which take you away from your daily lives for the evening, something Iโ€™d imagine we all could do with. He loves each and every gag, and you canโ€™t help but be carried away by his infectious charm. Heโ€™s like a cheeky schoolboy who can barely hide his glee with each and every punchline.

Courtesy of Sheer Music, weโ€™ve been holding onto this news for a while, aching to tell you, honest! So, if youโ€™re ready to dive into a rabbit hole of the best jokes in the world, star of Live at the Apollo and sell-out sensation Gary Delaney is your man.

WIN A COUPLE OF TICKETS!!

But to help you prepare, and you know, to celebrate this fantastic news, I want you to think up your best one liner, the very crรจme de la crรจme of your wit, and either send it to us using the box below, or commenting on the Facebook share of this article. Facebook users, ensure youโ€™ve liked our page, invited your friends to like it too, and shared the post; I will be checking!

Also, ensure you have commented on the official Devizine Facebook page’s post, and not those shared to other groups and pages, I cannot trace them all, hunting for your joke, no matter how bad it might be; for that’s a joke in itself!

Closing Date for this competition: 4th October 2021. You must be over 18 to enter the competition.

Meanwhile Iโ€™m going to arrange for a score of top comedy judges to decide on the best one, (which will more than likely be my daughter and I, or if we can, Gary Delaney might help!) and they will WIN TWO FREE TICKETS! Note, this event is strictly 16+, and wheelchair access and seats are available.

Otherwise, tickets are set at ยฃ20, and available from SeeTickets and TicketSource online.

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Discovering Swindon Story Shed

With Dad’s taxi on call in Swindon and a few hours to kill whilst her majesty is at the flicks, it was fortunate local authorโ€ฆ

Showcase of Reggae Perfection; Lone Ark meets the 18th Parallel

Just as Afrika Bambaataa was โ€œlooking for the perfect beat,โ€ Iโ€™m one whoโ€™s seldom content with the direction reggae has shifted to in the modern era, and long to discover something more akin to the finale of its golden age, when Marley chanted his songs of freedom to a liberated Zimbabwe, Jah Shaka shook the rafters and Linton Kwesi Johnson poetically versed an English insurgence.

Alongside international acts such as Spanish The Emeterians, or Hollie Cook closer to us, Switzerlandโ€™s Fruits Records is that rare outpost still defending the ethos of that militant period in reggae, and if Iโ€™ve used the term โ€œreggae perfection,โ€ to define their wonderful outpourings before, this one takes the phrase to a whole new dizzy height.

Out tomorrow, 3rd September, Showcase Vol1, cannot be compared with any other reggae album Iโ€™ve heard of recent; it simply wouldnโ€™t be fair on the others. Iโ€™d better pitch this against classics; Bob Marley & The Wailersโ€™ Survival, Burning Spearโ€™s Marcus Garvey, Black Uhuruโ€™s Guess Who’s Coming to Dinner, and a particular favourite of mine, Misty in Roots, Live at the Counter Eurovision 79, in order to rank it equitably, fi true.

Probably the most respected and sought-after producer of the European reggae scene of the last decade, Roberto Sรกnchez takes his place behind the microphone to deliver a new album as a singer under pseudonym Lone Ark, and is backed by Fruitsโ€™ in-house band, The 18th Parallel, and itโ€™s quite simply, a sublime combination.

Sublime because it honours the Jamaican roots reggae tradition, with bells on. To put in perspective these six tracks, with dubplate counterparts, is to accept Iโ€™m sent so much music they occasionally get played more than once, but Showcase has been on repeat for the last month, and it still makes me tingle with delight, and militantly march while washing up the dishes!

It just has all the elements of said reggae perfection, heavy bass, divine one-drops, scorching riddims and well-penned lyrics of righteousness. The creativity of the sound engineer and the musicians is freely expressed, and the melody is tight, allowing all elements to flow in an amalgamation which sizzles under the grill.

Without being preachy or spiritual, thereโ€™s balanced virtue in the words. Starting revolutionary in citing youth, with the rousing line of Defend; โ€œthe rights of our brothers and sisters who cannot defend themselves,โ€ through the yin-yang revelation in the solid Snake in the Grass. Side B, however, starts with Build an Ark, talks of family values in everyday activities, and โ€œGet You,2 projects positivity to defeat oppression, akin to One Love. And in a summary, it creates a tenet comparable to the words of Marley, along with the sound of Sly & Robbie at their peak of Black Uhuru. And Iโ€™m sorry, but you cannot beat that.

This album is a treasure, all reggae fans need in their lives.


Check out my reggae and ska show, every Friday from 10pm GMT

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The Rise of Winter Festivals

Once upon a time it seemed to me, that folk would grin and bear the winter weather for the sake of a Christmas lights switchingโ€ฆ

In Retrospect With Gary Martian

So yeah, not only has Cracked Machine and Clock Radio drummer Gary Martin added a letter A to his name to make it sound moreโ€ฆ

Wiltshire Museum; A Gem in our Town

Our rambling reporter, T.B.D Rose, hangs up her walking boots for a moment, to enjoy a guided tour of our town gem, The Wiltshire Museumโ€ฆ.

Opened in 1873, Wiltshire Museum, on 41 Long Street Devizes, isn’t much to look at from the front but holds a nationally renowned world of wonders in its walls.

Walking me through the basics of the museum’s most famed collections was its director of over 12 years, David Dawson.

David often finds that although the museum is the major attraction for visitors, the reception with locals is a different story: they often take a โ€œoh yeah, I went to the museum 30 years ago, there’s not much there, it’s not for meโ€ attitude, and that it’s as simply โ€œa tiny museum full of cobwebs and it’s stuck in a part of town they don’t go to.โ€

As the age-old adage goes, it’s easier to look at the outside than it is the inside.

The Assize Court

For these reasons and to save another treasured part of local history, the museum is working with Assize Court Trust in a long-term plan to make the abandoned Devizes Assize Court the new home of Wiltshire Museum.

Following a consultation this time last year, a hundred-page report of what could engage visitors was produced. It doesn’t differ much from the current set up of the museum but will probably make it worth ยฃ2,000000 to the local economy, more than twice it’s worth currently.

Although he sees the enormous potential once the museum moves to the Assizes Court, David wants people to visit the museum now and hopes to reach our local readership.

So on to the museum!

Stonehenge and the Bronze Age

Having started our interview in a part of the building that was once a Georgian grammar school, it turns out the museum is in fact five buildings knocked together, including two Georgian town houses and a link building.

We begin on the ground floor covering the Bronze Age which was once a 1980s art gallery extension, the floor having originally been converted into the museum in 1872.

David gives me the rundown.

“What we’re best known for is our prehistory collection, particularly the Bronze Age, so that’s the time from about 2200 BC to 1500 BC, and what everyone thinks of at that time is Stonehenge.” The world-famous monument that needs no introduction.

For people looking for something closer to home, โ€œStonehenge seems a long way away, we do have objects from a burial on top of Roundway, Roundway down, which has the largest copper dagger ever found in Britain. And that’s a much earlier burial that’s about 2300 BC. And we think he, the chap who was buried there, probably grew up on the continent. But came across and was buried here.โ€

The objects he was buried with are currently in a traveling exhibition in the US, having been at four venues so far it will eventually be going to New Zealand and Australia.

โ€œAt the moment we’re also lending to two exhibitions in Germany, and that’s Stonehenge and the Bronze Age. And come early next year we’ll be lending some of our stuff to the British museum for a major exhibition about prehistoric Europe, because we have the best Bronze Age collection in the country.โ€

โ€œSo other museums have to come to us to cover the Bronze Age.โ€

As it’s important to note, David eloquently explains away a common misconception about our ancestors: โ€œMost people think people at the time were like Fred Flintstone bashing each other over the head with clubs, no! These guys were really, really sophisticated.โ€

I won’t spoil it any further for you but this part of the museum is certainly the place for archaeology buffs.

The Kingdom of the Saxons

Here you can learn all about the Saxon people and the coming of Christianity and the branches of the Church, the most often noted one founded by St. Nicholas and brought to our shores by St. Augustine.

In addition to this often-referenced part of our religious development, David points out a less commonly known factor, “what everyone forgets is that the Irish Church survived from the late Roman period and there were missionaries coming across from Ireland, and so in Malmesbury for example there was an Irish monk who founded a monastery, before the St. Augustine type of missionary arrived.โ€

Among many other colourful characters, you can also learn the life story of a Christian woman of high status, who may have been an Abbes and possibly even the daughter of a King of Wessex.

The Story of Devizes

An aptly named section which, as David put it, โ€œdoes what it says on the can.โ€

Beginning from, well, the earliest beginning to prehistory and the Romans (there having been Roman settlements here) through to Medieval town and castle, and a wonderful quirkily constructed model by John Girvan (our local tour guide, history buff and ghost walk host) of what the town may have looked like.

And also on show is a book of charters given to the town and made in the Tudor Period, which you’ll see is beautifully illustrated.

โ€œWe also talk about the story of The Battle of Roundway, and we’ve also got some cannon balls found in the town, musket balls found in the battle site,” etc.

There’s also a section on the old Prison (the museum even has one of its thick wooden barred doors) and the Asylum.

“There’s going to be a Channel Four program that’s going to dig up bits of the Prison from people’s back gardens,” says David, that the museum is involved in, which will start essentially in the second week of September.

Then you can see the majestic mayoral robe from the 1880s, we probably had our first mayor around 12000.

Fun fact if you’re a Devizes School Student: you’ll see a mourning ring in the cabinet beside the robe, it contains a lock of hair from the lady in the portrait that hangs in the school entrance.

In the next room David told me the heart-warming story of a boy and his toy submarine (now on display in the cabinet), made by prisoners of war who had befriended him while they were in Swindon building houses.

โ€œThis toy submarine was made by guys in the camp and given to a young lad in Swindon. The guys in the camp were being taken to Swindon to help build houses and they made friends with this lad and they gave him that as a present.โ€

The Library

With over 20,000 books and 20,000 archaeological journals, 30,000 photos and lots of archival material, and working with “over 30 postgraduate researchers every year and over 10 universities,” it’s not only a Library but also a research hub.

For anyone wanting to look through the archive, “pretty much everything we’ve got is searchable through our online database, it’s got images of everything, I think we’ve got about 15-20,000 images.โ€

The library’s archive of books, some donated by authors and others bought by the museum, covers the entire county.

I bid David adieu and thanked him for the informative tour: Bear in mind this was only a tour of the highlights, there’s far more in store for visitors.

Wiltshire Museum is funded by ยฃ12,780 in grant from Wiltshire Council and ยฃ4,000 from our Town Council, but they’re worth 3 quarters of a million pounds to the local economy, because as David illustrates, “when people come here, most of our visitors are making a special visit to Devizes to come to the Museum. Then of course they’re staying in B&Bs or hotels and spending money in pubs and shops and restaurants.โ€

Believe me, it’s not the boring, fuddy-duddy cobwebby museum you may remember. So, I for one reckon it’s time to show our support and appreciation for Wiltshire Museum!

Us locals ought to pay our prized museum a visit now and then, especially families so our kids can engage with the exhibits and have a sense of their history.


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