The Lost Trades & Half of One at The Hop, Swindon

One part of Swindon was in perfect harmony last night, and I donโ€™t mean the traffic circumnavigating the Magic Roundabout. Rather The Lost Trades were at the Hop in Old Town, honouring a postponed gig from Septemberโ€ฆ..

SoP Live, who run a regular Thursday night music club at The Castle, plenty of other gigs, and coordinate the Swindon Shuffle and Swinterfest, arranged this eveningโ€™s entertainment at The Hop, the largest of pubs on the Devizes Road area of Old Town with the perfect upstairs function room to turn into a temporary folk club.

A slight music appreciation collective gathered, seated and respectfully keen to value live music of this calibre. On previous occasions when the Lost Trades played here, organiser Ed Dyer explained, โ€œwere packed out,โ€ and factors of the lesser crowd were discussed; it couldโ€™ve been because it was rescheduled. While free pub gigs thrive equally to overpriced pop star concerts, add even the smallest price to less mainstream acts, as this gig did, sadly seems can reduce its attraction. What we all need to be mindful of is the safety net; dedicated and erudite promoters like SoP guarantee tried and tested acts, ergo paying a small ticket stub is worthwhile for a better class of live music than a pub throwing any old band in for peanuts. Ah, you get what you pay for, but to disregard this notion is to lose venues and promoters. The saddest thing is, that is happeningโ€ฆ.now. Support them, or become a skint Swifty, your choice.

Whilst Jamie R Hawkins and Phil Cooper of The Lost Trades are no strangers to playing a pub gig solo, the key to the Lost Trades works best at folk festivals and clubs, and arts centres. It is fantastic to think this local export is nationwide now, and judging on their performance last night, something Iโ€™ve not caught for what seems like an age, itโ€™s thoroughly deserved. Thereโ€™s a sense of elevation in their delivery of these soothing vocal harmonies, a consistent strive of improvement, which if it isnโ€™t at its peak now, the summit would be on an angelic level.

Such a while it has been, Tamsin Quin left the trio and has been replaced by Jess Vincent, and I was yet to see that working live, despite fondly mentioning their latest single, Float Me On Your River. As well as performing some other new songs, they opened with this, and notwithstanding Tamsin has a distinguishable voice, Jess makes the quintessential substitution, an exemplar to the ethos of The Lost Trades. Her wonderful vocal range and proficient percussion complement Phil and Jamieโ€™s expressions on equal terms as Tamsinโ€™s, and so The Lost Trades are once again at the top of their game.

And a sublime performance it was, but not before a support act new to me played a divine set of fiddle, guitar and occasional loop pedal folk covers. Half of One is a Swindon duo, fiddler Geoff Roberts and guitarist Neil Mercer, and theyโ€™ve played together in folk band SGO who recently disbanded, and who Iโ€™m well aware of, and dance band Cowshed Ceilidh Collective. We were treated to some gorgeous English folk pieces, others from the likes of Sam Sweeny, Show of Handsโ€™ Steve Knightly, and a wonderfully delivered Great War song for Remembrance I missed the name of and cannot find online! It was a spellbinding support, which couldโ€™ve been the headline for any folk club.

As folk, The Lost Trades have always stated itโ€™s โ€œmodern folk,โ€ and with electric guitars and some subject matter I see this, but thereโ€™s something uniquely captivating about them which makes it timeless and conjures images of The Carter Family. I may not have been lucky enough to have seen The Everley Brothers or Simon & Garfunkel, but The Lost Trades are vocal harmony perfection to me!


Available at Devizes Books, or message Devizine for a copy!

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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesyโ€ฆ

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REVIEW โ€“ The Lost Trades @ The Piggy Bank, Calne โ€“ Tuesday 18th June 2025

Five Have An Out-of-town Experience

You canโ€™t always get that live music experience you crave by simply staying within the walls of D-Town.ย  Sometimes, and especially when thereโ€™s aย  band playing that you simply have to see, you just need to get the gang together and pile into a motor to visit the wilder Wiltshire provinces.ย  And so it was last night that we ventured over the hill to Calne.ย  We found the border post un-guarded, and so we slipped into the town and found our way to The Piggy Bank micro-pub to see The Lost Trades……

The Piggy Bank has been a surprisingly good little venue over the past year or two, featuring some great nights with, among others, The Rob Lear Band, The Black Feathers, Jess Vincent, and Jinder, as well as pop-up dining nights, quiz nights and (a big favourite of mine) Crazy Bird comedy club nights.

Just in case you donโ€™t know them, The Lost Trades are a trio who play folk/ Americana with a cool Laurel Canyon vibe. With a sound that is reminiscent of the California folk scene of the late 60s/early 70s, (weโ€™re thinking here of Crosby, Stills, Nash & Young), their three part harmonies have been previously described as “flawless”, “spine tingling” and “magical”.

Formed in late 2019, the global Covid hoo-hah cut short their first tour after just a single sold out gig.ย  The band shrugged their shoulders, and retreated to their respective song-writing rooms to work on what was to become their debut album, “The Bird, The Book & The Barrel”, released in June 2021. The follow up album, “Petrichor” was released in March 2023. Both are highly recommended โ€“ trust me!

Then, just last year, one of their founding members, Tamsin Quinn, decided to leave the trio to pursue other interests.  Bit of a shock.  Was this the end for The Lost Trades, we all wondered?  Not a bit of it!  Tamsin has now been replaced (if replaced is really the right word) by the very talented Jess Vincent, who had recently returned to the UK after a few years away in Bulgaria.  

The result of all that is that The Lost Trades now consist of:

ยท Phil Cooper (vocals, acoustic guitar, electric bass), a performer not unknown in the local area for many years, both as a solo performer, as well in various bands, and a guy who knows his way around a recording studio and the producerโ€™s job;

ยท Jamie R Hawkins (vocals, acoustic guitar, electric bass, ukulele), also massively well-known locally, especially in venues around D-Town, for his wonderful solo performances and some great songs. Indeed a bunch of us had slipped over to The Pulpit (ex The Little Hop) in Old Town, Swindon only last week to witness a really excellent solo performance at that new musical venue;

ยท Jess Vincent (vocals, guitar, percussion, shruti box).  Jess first came to notice singing with Penny Red, before branching out into a solo career that produced several albums (Time Frame, Seesaw Dreams, Shine, and last yearโ€™s Lions Den)  

Between us five weโ€™d seen The Lost Trades in their old formation many times before, but this was to be the first time with new band-member Jess.  How would this all work out?  Would the sound and the dynamic have changed?  And if so, for better or worse?  Well, in sum, we need not have worried.  Despite a massive learning curve for Jess to pick up the bandโ€™s performing repertoire in just a few short months, to say nothing of having to re-blend all of their trade-mark close harmonies, the end result was spectacularly good.  It was neither better, nor worse, just slightly different and more developed and mature.  Right from the first number we knew that the magic had remained intact.

All the old stuff was still there โ€“ the constant and easy interchanging of instruments (including guitar, ukulele, bass and percussion), the close three-part harmonies, the well-worked song material, and the light-hearted intimacy, with the group engaging in comfortable repartee with each other and the audience like a group of old friends. And there were a lot of old friends in the audience to help them along.  And, of course, the many familiar songs.

But there was some great new stuff too โ€“ new songs, a different female vocal line, new instruments, and (obviously) a new personal dynamic between the three performers.  All of them had played The Piggy Bank before, and all to packed houses, so there were no nerves about any of that.  And last night, in front of yet another packed house, they managed to produce a truly spell-binding performance once again.

My only (very slight) reservations about the evening were that I needed slightly less chat (some of the introductions were as long as the songs!) and I would have liked slightly more of Jess (the two boys tended to dominate proceedings at times).  But, hey, these are very simple things to be fixed and developed, and didnโ€™t in any way detract from all the superb quality of the music they delivered in their three sets (or โ€œspasmsโ€ as Phil nicely put it).

There were no lashings of ginger beer, but the music flowed, the craft beer certainly flowed, and a jolly good time was had by all.  Then, under cover of darkness, we fled through the night back to the safety of D-Town, our out-of-town mission successfully accomplished.

Hopefully thereโ€™ll be more music dates to come at The Piggy Bank in the autumn.  But, meanwhile, if you want to see The Lost Trades live in concert (and I strongly recommend that you do!), theyโ€™ll be appearing locally as below:


Future dates for The Lost Trades:

Wednesday 23rd July 2025 @ The White Bear, Devizes

Friday 25th July 2025 @ Trowbridge Festivalย ย 

Friday 26th September 2025 @ The Pump, Trowbridge

Saturday 27th September @ The Hop, Old Town, Swindonย ย 

For more information go to thelosttrades.com/ย 


Between Two Worlds with Ruzz Guitar

He might be between two worlds but he can also be in your home, in your very own ears, and that’s the best place for Ruzz Guitar to be. With a striking Funk-O-Pop styled cartoon cover, Ruzz Guitar has a new album out and yeah, just yeah!

Shadowing the Shadows with a belter of an opening track, Ruzz slips into Bo Diddley like a glove, then it’s off to those foot-tapping honkytonk ballads for a few tracks; oh yes, Ruzz is back and it’s a Gretsch-grappling beautiful monster.

There’s not a great deal I can say about this which I’ve not said about our Ruzz before; if it’s not brokenโ€ฆ.

Ruzz Guitar is a tour de force, a sublime blues rocker meshing blues into a unique and prolonged ecstatic ride into the rock n roll formula of yore, it just jumps, jives, and doesn’t come up for air. And if he does, five tunes in with Forever Yours, it’s like standing in a burning sugarcane field; the sweetest air you’ll ever breathe.

Ruzz brings in stellar backing, with some mind-blowingly soulful vocals from Shannon Scott and Julhi Conlinn. Drummer Brian Fahey, both Chris and Steve PelletierSmith on bass, pianist Paul Quinn and special guest appearances from Tyrone Vaughan, Paul Pigat and Mike Eldred.ย 

Recently he’s been two and fro across the Atlantic more times than Concorde, hence the title of this ten track whopper, but I never find myself wondering how he goes down on the other side, you know, delivering something they invented back to them. It worked for The Beatles, you simply know they’ll love him as deep down as Texas, because it’s impossible not to.

Right here though, we’re in Devizes and via the โ€œMel Bush effect,โ€ the Hoax and now the Long Street Blues Club we’ve equally been conditioned with high expectations when we receive a blues dosage, but no one does it quite proper job like our Bristolian Johnny-be-Goode, Ruzz Guitar. He’s so good they named the guitar after him.

This is class in a tall glass, I was expecting it, it never disappoints. Thereโ€™s a number of tracks weโ€™ve tasted before, revised and polished for the ultimate road trip soundtrack; itโ€™s got a new version of Sweet as Honey on it, which for some reason always makes me go bananas!


Trending……

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s moreโ€ฆ

Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โ€ฆ

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โ€œlarge unlicenced musicโ€ฆ

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

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Frome Multi-Instrumentalist James Hollingworth Recreates Pink Floydโ€™s Wish You Were Here Live

Oh hear ye, for a foretelling I behold. A prog-rock shamen of extensive knowledge and sorcery will enter our sacred vale during the moon to cometh.

A mysterious lone traveller stands at the Trow Bridge, as steadfast as the mist surrounding him. Behind him, the home he departed, the market Frome across the Somerset border. In front as he strides barefoot across the downs, resides the unsuspecting kind folk of the White Horse. He arrives clasping under his cloak, a magical multi-track looper known as a Boomerang III Phrase Sampler, a gatefold sleeve album of yore in his other hand he holds high above his brimmed kappell, and he hath a celebration to bequeathโ€ฆ.

โ€ฆ.or he might have a van, Iโ€™m not 100% certain! But James Hollingsworth returns to Wiltshire to pay homage to Pink Floydโ€™s ninth studio album Wish You Were Here, which celebrates its fiftieth anniversary. With loop pedalboard and other such tech, he bravely attempts it solo, but if any one can, he can.

In our writer Andyโ€™s extolled words of a review long past, when James did similar at the Devizes Southgate on Dark Side of the Moonโ€™s fiftieth birthday, Andy called him a โ€œtour de force, a stunning effort of both musical versatility, but also of concentration. Itโ€™s the music he loves, and it really showed.โ€

Unlike Andy, Iโ€™m not of that era, being only two when Wish You Were Here was released, and as a result Iโ€™m more critical about prog-rock. Though Floyd are a timeless band, whose lyrics we chanted on the playground, inciting us not to need education or thought-control. And of James I said in a 2022 review, again at the Southgate, โ€œfor any music lover from folk to prog-rock, from the era of mellowed Floyd-eske goodness, James Hollingsworth works some magic,โ€ so, I must have loved it!

To make sure, James sent me his latest outpouring, an intense collaboration with keyboardist Steve Griffiths called Lost in the Winds of Time. With tolkienesque charm, swirling soundscapes and whimsical storytelling, Lost in the Winds of Time is a sea shanty rock opera, nine lengthy tracks strong, each flowing beautifully like the whistling winds, into a narrative, mystically.

Though Lost in the Winds of Time might be better comparable to the album Meddle, with its gorgeous circulating psychotropic-inducing effects and riffs which roll over like waves on a  calming sea caressing the shore. Jamesโ€™ silky vocals drift across the ether, like Wiltshire’s own Justin Hayward narrating a Victoran fantasy adventure, or Harry Potter Goes to Sea with Gandalf!

Itโ€™s an impressive trip, to me, as Iโ€™m one who, during the intervening period between undesirable commercialised electronica and the more welcomed acid house, sought the archives for lost psychedelia to suit my blossoming journey into the psycheโ€™s nirvana (I was at art college, it was part of the curriculum!) The older Floyd albums were an inevitable discovery I revelled in, horizontally in a moulding bedroom. Wish You Were Here stood out, for its vivid masterpieces of alienation and mental health, attributing original Pink Floyd member Syd Barrett, and paying their respects to him in such sublime manner reflected by listeners to anyone they once loved and lost.

Not to be confused with a tribute act, James Hollingsworth more simply pays homage to his influences in his own manner, and plans to play some of his compositions alongside. How will he do it? Bet you wish you were here to hear itโ€ฆ (see what I did there? Iโ€™ll get my fur-lined Afghan coat!)  

He takes his show to Melksham, at the Grapes on Saturday 17th May. At the Southgate in Devizes on bank holiday Monday, the 26th May, which are both free, and as part of the Bath Fringe on Thursday 29th May at The Ring O Bells, ticketed event. Also at The Creative Innovation Centre in Taunton on Friday 23rd May.ย 


Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo album called Playing Solitaireโ€ฆ..

Released yesterday (2nd May) Playing Solitaire is Philโ€™s first solo album in five years. The last being These Revelation Games in 2020, which was a varied bunch where Phil experimented extensively. Perhaps lockdown inspired artists to scrutinise and pilot new ideas, though through his part in the Americana harmony trio The Lost Trades, fronting the harder rocking The Slight Band, and BCC project, where Phil dives into synth-pop, heโ€™s never been one to shy away from testing new waters. But the principle beauty of Philโ€™s work lies in the simplicity of his idiosyncratic and solitary acoustic outpourings, a clear and clean line of self-reflection, drenched in honesty and poignancy, and thatโ€™s precisely what youโ€™re getting with Playing Solitaire.

Apologise for the delay in announcing this; I had to take one more listen this morning, before deciding if I should call this his best work to date, as heโ€™s a prolific artist with an outstanding discography already. But I think I can safely say, because of the wonderful way this flows, coalescing in mood and style, I think I can safely suggest that it is.

If an all-out anarchistic thrash of rock n roll is what you require, this isnโ€™t for you. For everyone else Playing Solitaire is beautifully crafted and passive, gorgeously taut and accomplished. Thereโ€™s no whimsical introduction. โ€œLook out world, Iโ€™m here to stay,โ€ Phil confidently announces without warning; good! Because Phil knows precisely how to construct a song, and itโ€™s this dedication to composition where he shines best. The opening song, Still Holding My Breath is quintessential Phil Cooper. Itโ€™s the acme of his observational writing, a homage to the notion hard work pays off, a characteristic we know Phil well for.

Moving to the next tune, romantic dejection is his soft play centre topic, and oh, how you wrote that note, disregarding how it might be interpreted by the receiver; perhaps weโ€™ve all been there. If itโ€™s a personal reflection, you identify, and the magic lies at the feet of this contemplation, the very magic of Philโ€™s words, song and ability to combine them, hard at work. And this is an observation we could make to summarise the whole album.

That Easy Road, is remarkable heart on a sleeve content again, it drifts with a stormy sea metaphor to convince himself heโ€™s loved. Another peace of mind ballad follows, then Bijou comments on struggling grassroots music venues, and even if Iโ€™m not a musician, itโ€™s exceptionally touching and poignant. The passion Phil delivers this with and the construction of the riff, itโ€™s my personal favourite on the album, maybe replacing Road Songs, my past fav Phil Cooper tune. 

Halfway mark of this ten strong album, and weโ€™re in another foreboding place with Beauty in the Cracks, a frustration at progression, perhaps. Uptempo, and weโ€™re on a lighter note next, followed by a live favourite, They Will Call Us Angels. Eric Bogle fashioned or Guthrie, even, if we suggest an Americana route, but weโ€™ve definitely arrived folk inspired by his work with The Lost Trades. Phil glows through a moving account of a frontline medic, and itโ€™s something kinda wonderful.

Maybe Phil lessened on the deeper narrative in the middle of this album and left three moreish golden nuggets to finish on. Directionless is as it says on the tin, it drifts, and rises halfway through. And we finalise akin to where we began, a little self-help guide type lyrics, but hey, Phil is always on-point. It is an almost one-man choral twinkle, defining Phil as a perfectionist.  

If you worked with Phil in an office, he might be the friendly confidant you relay youโ€™ve prepped nothing for this meeting, and heโ€™ll assure you heโ€™s done equally poorly, and then, at the meeting heโ€™d turn up with a full presentation! Not a show-off by any means, just a dedicated precisian, motivated to the hilt, but seemingly oblivious of the haphazardness of the more spontaneous type, and thatโ€™s a rare trait in a musician, making for something individual, solitary, like the one who plays solitaire when they could engage in a two-player game, usually with our Jamie!

This album gets top marks as it reflects his personality sublimely, even by title, and you take a little bit of Phil Cooper away with you. In other news, The Lost Trades are back in the picture since the departure of Tamsin Quin. Jess Vincent takes her place as the third Lost Trader, their touring dates are announced, and we look forward to seeing them with the new addition. For now, Playing Solitaire is out, and you can find it HERE.


Trending…..

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SwinterFest Broke Me Out of Hibernation!

Like a hedgehog poking his nose out of the bracken, just a few hours on the Sunday at Swinterfest was enough to cure me of my hibernation, which seems to lengthen with each year and causes me to worry the attraction of warm, cosy nights in might seclude me forevermore, and Iโ€™ll never see a chap strum a guitar again!

I was only at the Beehive for ten minutes before wishing Iโ€™d got here sooner, three days sooner! Swindon Shuffle organisers decided to create a winter version for last weekend, and speaking with both Ed Dyer and Jamie Hill of Swindon Link and Ink, they were wary if it would be as successful as their annual summer extravaganza. Exhausted by Sunday but still positively beaming with enthusiasm, Iโ€™m glad to report Ed signed the event off as a huge triumph.

Crowds turned out to the respective pub venues on each day; Thursday at the Hop, Friday at the Vic, Saturday at The Castle, and Sunday at the Beehive. A colossal selection of the South Westโ€™s finest musical talent united to raise some wonga for the Prospect Hospice, as they do with The Swindon Shuffle and My Dadโ€™s Bigger Than Your Dad festival. 

The team assembled for the final showdown at the Beehive, which is a crazy-good watering hole aptly on Prospect Hill; I could resist no more. From Courting Ghosts and Canuteโ€™s Plastic Army to Will Lawton, George Wilding to I See Orange I sadly missed many of my favourites, even our wonderful M3G and Devizes-own Nothing Rhymes With Orange; what can I say in my defence? Would central heating, cosy sofa or homemade stew cut the crust?!

Despite it being a whistle-stop, I was so glad to be reunited with Swindonโ€™s premier Americana collective Concrete Prairie. At one point I was close to becoming their groupie, unfortunately our paths havenโ€™t crossed for a while. Seconds into their set why Iโ€™ve claimed theyโ€™re better than sliced bread came flooding back. They were, for want of a technical evaluation, absolutely and steadfastly, one-hundred and fifty percent on fire.

I donโ€™t know if it was the fact the Beehive is one of their favourite venues to play, if time had eroded my expectations of them, or theyโ€™ve polished their already proficient skills, or maybe because they opted for their more high-energy originals, or possibly now those songs have become classics fans chant them back at them, but wow, just wow!

I was introduced to Clarie, their new fiddler, previously informed she fitted like a glove into this astounding band, and they weren’t fibbing. It is in their unification where sparks fly, if individually theyโ€™d reach a level of greatness naturally, together theyโ€™re solid and tight. Concrete Prairie is the whole deal for dark and foreboding themed country-blues-rock which takes you on a mood-changing journey; they could play disco and still rouse the hairs on the back of your neck, dammit! (they donโ€™t though, for the record!)

Prior to their invigorating explosion I was delighted to find a new love. From Newport, Joe Kelly & The Royal Pharmacy were truly a blessing. Described as a chameleonic presence, in so much as he plays solo, or his masterful originals are fleshed out with the three-part vocal harmonies, guitar and keyboard combo of his backing band the Royal Pharmacy. Joe explained the versatility of his band contained missing elements today, of drums and bass, which when added could evoke the harder rock ambience of a five-piece, on occasions, but the harmonious delivery of folk-rock masterpieces was plentiful for me to decide this outfit is something I could perpetually return to.

Perfectly pitched between smooth and rustic, Joeโ€™s authentic raspy call of expressionism is breathtakingly emotive, his canvas is projected outwards but his brush operates inwards. It conveys that timeless fidelity and sense of personal reflection and identification of Guthrie or Dylan, with the gusto of Geldof or Petty. It is, in a word, gorgeous; music for the soul.

Through his self made independent record label, Dirty Carrot Records, thereโ€™s a selection of their recordings to check out, I recommend you do, and theyโ€™re showcasing their local circuit with five other artists on the books. Joe Kelly & The Royal Pharmacy timelessly embrace every classic element of folk-rock, the emotional poignancy, sincere homespun fashion, the evoking sound, and project them outwards nothing short of sublimely, encapsulating an audience you really need to be in!

And that was only two of the thirty three acts booked to perform at the inaugural Swinterfest last weekend; imagine the length of my waffling if Iโ€™d see anymore! Jamie at Swindon Link wore the Swinterfest T-shirt out and gave a more comprehensive evaluation, here. Me? Iโ€™m more of a Catchphrase contestant than a music journalist, I just say what I see, and those bottles wonโ€™t deliver themselves, so, I had to retire from the bustling Beehive, disappearing into the night; milk and honey not mixing well this time. Shame, because I missed Erin Bardwell and the Subject A gang, and SN Dubstation, despite knowing theyโ€™re both up my street and knocking loudly on my door.

The most important part to all this was questioning the big chief organiser of the Shuffle and now Swinterfest, Ed Dyer, if heโ€™d make this an annual thing, and there was absolutely no sign of doubt in his tone that he would. Interestingly he suggested incorporating other arts into the mix, suggesting comedy, poetry and drama. The idea was to separate it from the music dominated Shuffle, so it lives in its own domain and isnโ€™t viewed more simply as a winter version of the Shuffle. But as Jamie expressed, what they know best is music, so they went with that to begin with, and they certainly do!


Trending…..

New Album from Illingworth; Man Made of Glass

Four years of hard work in the making, and it sure shows, Man Made of Glass, the third album from John and Jolyon, aka Illingworth, is released across streaming platforms this week. If youโ€™ve seen this Salisbury duo performing on the circuit, the unyielding passion they inject into the obligatory classic rock covers set isnโ€™t half of what they put into their own compositionsโ€ฆ..

Pardon me if you came here for a respite from the onslaught of inflammatory international headlines and to read a nice music review, Man Made of Glass contains much prose on the tyranny of contemporary politics. As the idiom is defined, this narcissistic disorder of egotistical figureheads is fragile and therefore likely to shatter manifests abstractly, particularly in the title track and single Gaslight, but hey, I think itโ€™s safe to say we know the people it is directed towards.

Itโ€™s a floating opening, building in layers, this title track, richly written even if poignantly critical of power corrupting. As ever with Illingworth thereโ€™s this breezy air of feelgood rock too, of Foreigner or The Cars, which enriches the sound naturally. Soulless might be the subject, but soulful is the expression; itโ€™s a contrast.

Superior single Gaslight does similar theme-wise, but as powerful as an indie rock anthem, and rolling on a tougher riff than the title track, throughout, it takes the manipulation of its titleโ€™s term to the worldly encouragement of avoidance; this โ€œdonโ€™t be convinced by propagandaโ€ concept.

Bittersweet is the general ambience Illingworth delivers with here, and thatโ€™s no new thing in rock, but they do so with such passion and expertise it polishes the delivery and leaves you feeling alive and stimulated, with nothing bad you could possibly say about their songs. They are rich with honesty over vanity, reflecting on the theme. Gaslight may be the kingpin to the album, the running motif becoming less prominent in the other tracks. Every tune is a beauty though, embracing all stimulating elements of being uplifting, inspiring and catchy, just subtly with differing moods and tempos.

We Donโ€™t Have to Try is a country-rock ballad on an eternal love subject, whereas, Heart To Rule Your Head, is an inspiring โ€œyou can get it if you really wantโ€ upbeat track. 

Another Passion is upbeat too, of if, buts and maybes, whereas New Year is arousingly paced, reflecting on the unification and love perpetrated by the annual occasion. Love conquering over evil becomes the inclusive factor as the album drifts archetypically. This conquering notion to avoid the brainwashing of those seeking power lessens somewhat in favour of identifying affections, yet never fully expires. The finale is not to let it worry you, as the matter will shatter like glass.

While great, if previous Illingworth albums can feel fragmented, like randomly placed collections of their memorable songs you rarely hear enough of when theyโ€™re gigging, Man Made of Glass is more rounded, it has an overall concept. Like a classic rock album, the tracksโ€™ narratives combine and flow wonderfully. Itโ€™s not a โ€œconcept album,โ€ per say, but in the same classic fashion, and thatโ€™s a welcomed rare find these days of media overload and the average attention span of a goldfish!

Man Made of Glass is more suited to a vinyl, CD or cassette format, of a time when album composition contained an all-inclusive message, and you sat in the dark listening to it. Just like those albums of yore it feels like something to cherish, a testament to a bleeding heart of sentiment you identify with and get emotionally involved with, rather than simply hearing it while you wash the dishes. But hey, streaming is the mainstay these days, and thatโ€™s where youโ€™ll find this treasure buried.

Apple Music Link

Amazon Link


Trending….

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

In Retrospect With Gary Martian

So yeah, not only has Cracked Machine and Clock Radio drummer Gary Martin added a letter A to his name to make it sound more extraterrestrial, heโ€™s also fired a sonic blast back to planet Earth in the form of a whopper of a solo rock album! In Retrospect does what it says on the tin, taking inspiration from his most treasured rock bands of yore, and does it loud and proudlyโ€ฆ..

Starter for ten, now Gary Martian, proves heโ€™s a supernova of a multi-instrumentalist, taking the helm of every aspect from guitar to drum and the recording, mastering and distribution of this heavily-laced monster. If Cracked Machine are known for returning us to those heady days of space-rock, the intro to the opening track Lifeboats feels this is going the same direction, but in seconds weโ€™re awash with slamming guitar and drum combos letting rip of a riff more akin to grunge. Whoa, it didnโ€™t even wait for me to attach keychains to my flared cargo trozzers.

Yet while thereโ€™s rising and falling influences from nineties grunge like Nirvana and Therapy? I also taste nods not only to pioneers of the Seattle sound like Alice in Chains, but a broader spectrum of alt-rock too, and even rooted at the few tender moments, with electric blues and the soundscapes of Floyd, such as the closing of a few tracks, one called Bang in particular. Thing is, this value for your dollar, twelve dynamite tracks perpetually exploding at an average full four minutes each, and an epilogue song, Red Handed running into the twenty-minute margin, sublimely. Time enough then to input a carrossel of nods to every influence which has inspired Gary over time.

And there are Syd Barrett moments of whimsical psychedelia, something about Your Coffee Table, thereโ€™s metal grinding like Pearl Jam, breezy moments of The Smashing Pumpkins, such as Summer in the Autumn, and brief commercially viable moments like Jane’s Addiction. โ€œItโ€™s a big-olโ€™ rock album,โ€ Gary told me, โ€œinspired by the bands I love.โ€

Iโ€™m not in my comfort zone connoting such heavy rock and nailing its influences, I confess. I just say what I like, and like recent outfits coming out of Swindon, I See Orange and Liddington Hill, this is the kind of thing which causes me to regret my ignorance to harder rock subgenres, particularly during the ravey nineties. I guess it was all that slushy โ€œsoft metalโ€ previously, for it was an impermanent trend which put me off track; still time for me to catch up, isnโ€™t there?!

This album erodes the Muppetโ€™s Animal stereotype of drummers just being drummers and bit bonkers, as Gary excels in mastering not only all the instruments required to stage an entire rock band, but also in the composition of them. In Retrospect was released across all streaming platforms and is downloadable from Bandcamp, at the beginning of the month, apologies for the delay, but this will rock your cosy Christmas foozies off!

Spotify, Apple Music, iTunes, Deezer, etc…. https://distrokid.com/hyperfollow/garymartian/in-retrospect

Youtube Music: https://music.youtube.com/playlist…

Amazon Music: https://amazon.co.uk/music/player/albums/B0DPHGW1MT…


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DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s allโ€ฆ

Things to Do During Halloween Half Term

The spookiest of half terms is nearly upon us again; kids excited, parents not quite so much! But hey, as well as Halloween, here’s whatโ€ฆ

Funked Up Disco Metal; There’s Always Something Happening in Devizes!

Despite summer being a fleeting memory, and time to batten down the hatches for our major events, even if there’s not โ€˜muchโ€™ going on in Devizes at night, there’s always somethingโ€ฆ.

Though tempted by gigs further afield, The Pump in one direction, George Wilding in Pewsey the other, I had had โ€˜one of those weeks.โ€™ You know the sort, I’m sure; don’t ask if not! It persuaded me towards the self-indulgence of too many ciders; a rare thing for me these days, usually I’m happy to drive to a gig, but adamant I was staying in Devizes to booze, I was stuck with the โ€˜somethings.โ€™ Thing was, those things turned out really rather good.

If there’s always something happening in Devizes, it’s largely down to two pubs, The Southgate and The Three Crowns. But Saturday night, The Bear Hotel was hosting a soul DJ night of Motown to disco, by long-standing Melksham based DJ, Maurice Menghini, aka Mister M, and his partner on the wheels of steel, The Original PJ, or Patrick, as I was introduced to him as. Maurice has carved a flexible DJ promotional organisation called Real Music Promotions, for all manner of function, with a personal penchant for reggae. Heโ€™s been at it for years, and is renowned locally.

My round robin, then, began at the exquisite Bear Hotelโ€™s Ballroom, as rubbing shoulders with Maurice has been long overdue. Itโ€™s a matured affair, a blossoming crowd of Devizes disco die-hards gathered, looking for any excuse to dance, and Maurice provided that with the unsurpassed magic of Motown classics, Northern Soul rarities and spanning into later disco discs. They know what buttons to press, supplying lively banter, and request cards on the tables. While itโ€™s a ticketed event, they only weigh in at a fiver, with free live music elsewhere it must be said, a disco is a hard sell by comparison. Nevertheless, variety is the spice of life, all events are valid here, and Maurice and Patrick are ahead of their game; the ballroom is bouncing.

Real Music promised to return for another at the Bear, on New Yearโ€™s Eve. Rest of the time you can find this double-trouble DJ duo regularly at Spencer’s Club at Melksham FC. The Sham, huh? Coming over here, guys, blessing us with soul vibes and forcing Devizes folk to shake their tail feathers, whatever next?!

Allowing the disco to simmer on low heat, I slipped off across the Market Place, to the trusty Three Crowns, black my nose there. Hugely popular with Millennials and a few older who think they are, The Three Crowns is bustling as usual. Itโ€™s ever-lively, the place to be, theyโ€™ve extended their menu and have the knack to attract a variety of the Devizes demographic.

Except, rather than a full band they usually host, more often than not Britpop or classic rock covers, a working combination, the pub hosts dynamic Devizes duo, Funked Up. Also at it for years and locally renowned for it, with a keyboard and saxophone combo the duo deliver the timeless soul-filled pop classics you simply have to dance to, and they deliver them with the gusto equal to a full band. Needless to say, with the drinks flowing, this one will go off.

For the elders, come-as-you are Devizes live music aficionados, The Southgate remains the place to head for, and rightly so. The rare thing of welcoming original music, the authenticity of pub culture of yore, and the general communal atmosphere are its benefits, and we love it for them. Though I confess I preconceived the band by their name, A Smile, Two Bangs and a Legend kinda sounds quirky and loosely thrown together, you know? As if theyโ€™re a nice, smiley conformist ensemble, attempting to break the wedding function band market! I should know better than to doubt the Southgate, as on arrival all-macho, healthy and hard rock was pumping out and A Smile, Two Bangs and a Legend were nearing the end of their first half.

The obvious question upon meeting one of those classic rock enthusiasts of the band, was who was the Smile, because they all looked equally red-blooded, who was the bangs, because as a unit they all made a noise, and who was the legend, because if there was one of those professional, ex-famous musician beatniks who occasionally played bass for some rock god and lived off the stories, it couldโ€™ve been any one of them! I stood corrected and better informed; the band name derives from a Monty Python quote, though a fan, Iโ€™d not heard of before; from the Flying Circus series I believe, trainspotters.

But it wasnโ€™t the origins of the name, rather the expert delivery of rock classics which turned this around. Executions of ZZ Top and AC-DC and all in-between came thick, fast and accomplished. It is precisely what the regulars at the Southgate lap up, a timeless template of prog-rock to the dawn of metal, those hard-hitting powerhouses which time will not allow us to forget. A Smile, Two Bangs and a Legend exceeded my preconceptions with smiles, bangs and were, definitively, legends in their own denims.

As imagining Iโ€™m the soul man Sam & Dave sang about, Iโ€™m inclined to leave the Gate, safe in the knowledge the band had it under wraps. Next time I see smiles, bangs and legends on the roster itโ€™s a confirmed grand night at the Southgate, but then, in six years Iโ€™ve yet to be disappointed. I am, however, curious to see how our Melksham grandmasters are getting on at the Bear ballroom. On arrival things have escalated, the party in full swing is pumping, the Motown classics have progressed to disco ones, and the crowd have had their fill at the bar, and were either shaking their stuff or chatting enthusiastically.

This ballroom should have been filled to capacity, soul men and divas of Devizes, or anyone with a penchant for disco dancing of yore should take note, keep your eye on Maurice & Patrickโ€™s future events, we will highlight them on our event calendar, your NYE is sorted there. Such it was, that on a mild night, between seasons of Long Street Blues Club, with no Arts Festival, DOCA, Food Festival, or even a show at the Wharf, that a weekend in Devizes is always on the cards, always there is a few options of something going on, and they’re usually pretty good!


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CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Six Reasons to Rock in Market Lavington

Alright yeah, itโ€™s a play on band names and thereโ€™s only really two reasons to rock on Friday 17th October at Market Lavington Community Hall;โ€ฆ

A Chat With Lib Dem Candidate for Melksham & Devizes, Brian Matthew

You know I’m a lady’s man but nestled between chats with Green Party candidate Catherine and our forthcoming one with Kerry of Labour, I’m with the Liberal Democrat candidate for Melksham-Devizes, Brian Mathew. So no flirting this time, straight political chat!

Obviously not as handsome as me, but Brian is one wise gent with a fascinating backstory, and he’s highly likely to be our MP! He can talk for England, but rather than Fishy Rishiโ€™s desperately inane whimpering, everything he said warmed me to the idea of putting my cross in the yellow box. It was intelligent, reflective and held an air of compassion.

Fresh from a previous interview where he expressed their questions were rather standard, he was off waffling policies like a greyhound out of the trap before I even poured the milk into my tea! Imagine his surprise when I interjected, โ€œso, question one; you’re going to win this, right?!โ€

โ€œWell, it would be amazing if I did, wouldn’t it? Yeah!โ€ was his response, perhaps wishing heโ€™d gone on Newsnight instead. I didnโ€™t waiver, continuing with the thought it would be as historical as the Battle of Roundway! Brian believed there was a previous Liberal who won; story checks out, albeit the last time Conservatives lost the original Devizes constituency it was to a Liberal called Eric MacFadyen, in 1923!

Clearly thereโ€™s work to be done, but after a few minutes I was convinced, Brian was the chap to do it, and he added the fact this was a new constituency. โ€œI mean whereas in the past it was one Devizes and the hinterland to the East, now it’s the West, stretching all the way to Box and Colerne,โ€ he said, โ€œwhich is where I’m butcher councillor, down to Bradford-on-Avon, which is pretty solidly Lib Dem across to Melksham where we’ve won the last five town council elections, and then over to here and the Lavingtons.โ€

He discredited my suspicions it was a Tory strategic moving of the goalposts. โ€œThe Boundary Commission are independent, right? So their priority is to get every constituency in the UK to have the same number of people. You know, seventy-odd thousand. So that’s why they’ve done this shift.โ€ But is Brian happy with it?

โ€œI was to start with. Everyone was up in arms in Box, thinking โ€˜we don’t want to lose where we were.โ€™ In that neck of the woods, of course, they see themselves as part of the Cotswolds, which they are, but now I’ve got selected, I’m rather enjoying this new constituency. In fact, I’ve never had so much fun in an election! Hope I’m allowed to say that?! But seriously, I’ve stood several times before; first in 2010, against Liam Fox in North Somerset.โ€

He continued, โ€œafter that I disappeared and went back to what I do for a living.โ€ Brian is an engineer, and he told me about running Water Aid in Tanzania, โ€œbut they wanted someone to help with their programme in East Timor, so I went for a year and a half, and it was just delightful.โ€

A lengthy yet fascinating story he relayed, about putting in water schemes through the mountains with World Vision, their ongoing political struggles, their brief independence and invasion by Indonesia, and how he returned to see how the project had helped the mountain farmers there. โ€œPeople would walk down into the valley,โ€ he informed, โ€œit was usually the children and mothers who would do this, and then walk all the back way up carrying water on their heads, which was usually filthy, and they’d end up with kids with diarrhoea and all kinds. We were putting in water supplies through the mountains to reach communities that had never had a tap before. And what was lovely was going back there six months later and talking with one of the farmers.โ€

If my intentions of these chats are informal, with a focus on the candidates rather than the national politics you can read anywhere, I hadnโ€™t suspected such an engaging and inspiring background, and it confirmed Brian was altruistic and respectable. Ergo, towards the end of our chat, when I asked him for his thoughts on a ceasefire in Palestine, here was chap who knows oppression and genocide firsthand. As an undergraduate Brian took a year out, to research herb and spice production in Egypt and Israel, the latter he resided in. โ€œA lot of the time I was based on a kibbutz close to Gaza, which was attacked on October the 7th last year. I knew the families and the children that were murdered.โ€

Moving onto local affairs, healthcare was at the forefront. Brian is on Wiltshire Council, โ€œalthough we haven’t run Wiltshire Council because we’ve been the minority,โ€ he expressed, โ€œwe’ve been the opposition, we’ve been the tail that wags the Tory dog. So we we’ve come up with promising ideas; that’s the day job! This morning I was in Colerne, trying to sort out the problems with the surgery. I’ve collected the last of the signatures for the petition and this is to save a surgery up there. The doctors have been getting less and less money, and the costs have been going up and up. So they’re now faced with the horrible prospect of having to close one of their surgeries. But to show how committed they are, they have foregone two monthsโ€™ worth of salary. They’ve not taken the money to keep the surgeries open. Now this is wrong, and this is a big part of the manifesto pledge, helping rural surgeries, and this is a rural area.โ€

The facilities in both Melksham and Devizes are hot on every candidateโ€™s agenda. โ€œThe Melksham hospital has been closed. It’s now certainly been turned into houses. In Melksham a hospital is still there, but essentially what it’s become is an outreach place for mental health services for Oxford. Youโ€™ve got a rather ridiculous situation where people are turning up at the hospital, sometimes with quite bad injuries and expect them to be treated and they there’s no one to help them. So what I would like to see is an injuries unit.โ€ Iโ€™m going to throw in the โ€˜how do we fund it curveball!โ€™

โ€œOur manifesto means new spending around 28 billion on areas, health, education, housing, child poverty, and reversing cuts to the army and aid. So that’s what we want to do. And we said we would raise 28 billion through measures such as reversing the cuts to tax on banks. The banks have benefited the tune of something like 50 billion, right? We’re talking about four billion of that, please. But it’s not everything, taxing oil and gas firms, and that’s really to look at the issue of dealing with the changing way people deal with energy. So it’s a one-off tax on them.โ€

Brian also spoke of taxing social media. โ€œSpecifically we’d like to see a mental health expert in every school. Look at the harm that social media does to kids,โ€ and frequent flyers too, โ€œbasically, to encourage people not to fly so much. And reforming capital gains tax.โ€

As with the Greens, eating the rich might force multinational companies to move away, I put to Brian, and thought it was tremendously conservative for me! He used a comparison to post Second World War relationships between employer and employee, and todayโ€™s. โ€œThe differential between them, was something like ten times. You look at the amount bosses are getting paid now and it’s just ridiculous. So you’re talking about thousands of times more than the people at the bottom; you know that’s all wrong. And when you’ve got a situation like that, it’s wrong for society. It’s not healthy. So I don’t have a problem with seeing that.โ€

I point out my socialist trait to my daughter, that there’s enough money to go around, it’s the unjust distribution of it. โ€œYeah,โ€ Brian replied, โ€œabsolutely.โ€ It was all going so well, then I put my foot in it with the B-word, and my teapot was empty! If we’ve become right and left-wing extremities, Brexit has driven the divide, and perhaps middle-road Liberal unity is whatโ€™s required. โ€œYeah,โ€ Brian said, โ€œthere’s a lovely phrase which I really like, and that is when will people realise that the leftwing and the right-wing belong to the same bird? We are one society and can’t be divided. We have been divided, and then you mentioned Brexit, and what a horrible thing it was, you know, in terms of the way it’s absolutely driven a knife through the middle of us.โ€

Brexit stance surely divides Liberal from Conservative, and while thereโ€™s another far-right option with Reform, Iโ€™d consider dangerous, does Brian think theyโ€™ll take a certain number of Conservative voters? โ€œOn the issue of Conservative voters, what we are finding is a general disgust amongst people who traditionally always voted Conservative.โ€ He highlighted the PPE scandal. โ€œPeople were making hand over fist money within the government. Those things stick in the throat of decent people. And I think because of that, weโ€™re now seeing a lot of Conservatives flipping to us, and they are doing it in the way that a smoker who gives up smoking becomes evangelical about it. It’s wonderful. It’s quite something to see!โ€

And Brexit? โ€œWe’re a pro-European party, right? We are Europeans whether we it or not, and that’s a fact. Personally, I think Brexit was a was a mistake, but it’s happened. It created horrible divisions in society, but we must work our way forward. Farmers now are faced with a situation where they can’t export to Europe. our manufacturers can’t export to Europe. Our food processors can’t export to Europe. That is just ridiculous. And at the same time, well, the government has kind of been allowing a lot of stuff from Europe to come through. And now they’re starting to tighten up. On that, we’re not with them. These are our friends, and we should be trading with them.โ€

Strategic voting to get the Tories out, we talked on next. Is every goal a goal to Brian, or does he prefer voters to vote with who they support?

โ€œIt’s not good for this country to have them there anymore,โ€ he said of the ruling party. โ€œBut the only way for that to happen essentially, is for people to pull together in this constituency, that means you’ve got look at the whole of Wiltshire, right? Look where the Wiltshire councillors are. You’ve got three Labour councillors in Salisbury: that’s it. If Labour was so popular across the whole county, you’d find them all over the place, but you only find them in Salisbury, and of course in Swindon, which is in its own borough.โ€

Again, the idea of coalition felt alien. โ€œThe problem with coalitions generally, and you can see this right across Europe, is wherever you’ve got a big party and a small party, the small party is the one that gets the blame.โ€ Dammit, I brought up Nick Clegg, now Iโ€™m never getting the next bus home!

โ€œTotally. And we were destroyed. A lot depends on the amount of influence that we’ll have. If we managed to win enough seats and we form, if you like, the bridge between in the middle, then we might have something called confidence and supply, which means we will vote with the government when we agree with the government. And we will vote against them when we don’t agree. But it would also mean that we wouldn’t have any cabinet ministers. Then you’ve got collective responsibility, and then you end up with horrible battles going on within government. And apparently that’s what happened when we were in bed with the Tories. There were arguments every day.โ€

Trying to turn the tide back local, Brian told me about a project he was proud as a councillor to have achieved, called Shared Lives. โ€œItโ€™s adoption for adults,โ€ he explained, โ€œspecifically for adult social care that could be for retired people, or people with learning difficulties. Adult social care is the one of the biggest things that we all spend our Council tax on. It’s not the roads, it’s not other things, it’s adult social care and indeed, social care for kids as well. That is a massive part of what Wiltshire Council does now. So the idea behind Shared Lives is that a couple of carers can take them into their home, and they get paid by the Council.โ€

Although Brian would and could talk politics in laymanโ€™s terms, and had a convincing argument in each case, it was throughout our chat I felt he favoured discussing these varied and often extreme projects and charity-based motions he both supported and actively engaged in. We rapped Universal Credit, how theyโ€™d like to see proportional representation, and how he didnโ€™t think a PCC was needed, though he praised Wilkinson for targeting hair coursing. Housing, well, thatโ€™s another story.  

โ€œWhat we’re saying is increasing new homes to 380,000 new homes a year and including in that is 150,000 social homes a year, through new garden cities and community LED developments. We’re talking about banning no fault evictions. Making three-year tenancies a default. And creating a National Register of licenced landlords. So we want to see where people do have a landlord. The landlord doesn’t treat them badly.โ€ Young people getting on the ladder, right to buy, got us onto Margaret Thatcher, Pandora’s boxers!

Yet it was a surprisingly brief hurdle, Brian saying she โ€œgotโ€ climate change, and thus I could swiftly move onto this. Brain wrote the motion which got Wiltshire Council to acknowledge the climate emergency. Against the sewage leakage scandal, he acknowledged but also praised Wessex Water for installation of โ€œa massive tank system for example, brought from Maven. So that means that, when you’ve got heavy rainfall, when water is going into the sewer, it’s held in the tank before, and gets processed and then it goes into the river.โ€

He was up on environmental issues, had worked with Wilshire Climate Alliance, and even Extinction Rebellion, I even liked his take on education reform. Brian slipped on nothing, I couldโ€™ve thrown a banana skin under his loafers, and heโ€™d probably glide around it telling me a story of how he once saved a jungle of monkeys from deforestation!

School trusts need a kick into touch, itโ€™s ludicrous to even call them Trusts, and yet again, Brian had a supportive take on how to solve the issue, but not without mentioning, โ€œwhen I worked in Zimbabwe, I remember visiting a school in the Eastern Highlands that was supported by German Stiftung, which was an Education Foundationโ€ฆ…!!โ€ I wondered when the last bus home was, but was kind of in awe of the guy, and found his stories relevant and fascinating. Brian has the experience and compassion to walk into an MP role like Heston Blumenthal could a job in McDonalds, itโ€™s just a case of putting your faith in a middle-road party amidst the pandemonium of a divided country and a government corrupt to the core, which people here are still putting up posters for!

That said, Iโ€™m remain in a dilemma, and Iโ€™ve got Labourโ€™s hopeful, Kerry Postlewhite to chat with next, which incidentally, Iโ€™ve already done, and I really liked her too; Iโ€™m such a suck-up! Still, a consensus of a โ€œwho do we vote forโ€ Facebook debate on a rare freedom of expression Devizes group, suggested they were all the same โ€œshit.โ€ I beg to differ, now Iโ€™ve had the honour of chatting with them personally. A vote for either Brian, Kerry or Catherine is a vote well spent; deciding on which one is the trickiest part.


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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

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A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

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Ooh La La Ya Beaux Gris Gris in Devizes!

Ben Niamor

A triumphant album release party last night for one of the hottest, rapidly growing talents in the blues/rock scene; Beaux Gris Gris & The Apocalypseโ€ฆ..

Guitarist supreme Robin Davey hails from the shire, and was once in The Hoax, a genre-defining UK blues band with Jon Amor, one of the guests we witnessed absolutely blow the roof of the Corn Exchange last night.. so, no stranger to our town. Louisiana-born powerhouse Greta Valenti, also married to Robin, brings the most incredible energy and voice to this band.

They always handpick the most amazing musicians; with this lineup of Sam on keys, Tom on drums joined by additional keys from the incredible Emma Johnson, a horny brass section (as introduced!) and two more local musicians, Jon Amor and Ruzz Evans, bringing some more incredible sounds of their own to the proceedings.

No surprise thereโ€™s an intuitive connection with the band, always playing with the most incredible musicians, these guys are among the most professional outfits you could ever hope to see. Whether raising the roof, running straight out onto stage with Whatโ€™s my Name? a fan favourite anthem, and getting all singing within the first song, or winding down the tempo to captivate the audience with the soul quenching Bungalow Paradise, whether itโ€™s the Queen herself or the musicians doing the talking, they have new and old fans alike eating out of their hands.

New material like Mama Cray, written from Gretaโ€™s childhood family memories including accordion accompaniment from Sam to sound like the true Cajun singalong anthem it isโ€ฆ 

Or from previous records like Thrill Me, a track that has the previously indoctrinated singing at the top of the voice and in silent deference to the whims of Robinโ€™s guitar inside one song!

Donโ€™t take my word for it, friends have taken to social media today having experienced their first full band stage show spreading superlatives stating โ€˜absolute classโ€™ , โ€˜ AMAZING!โ€™ These are from seasoned gig-goers having experienced something much more powerful than anyone could generally expect from a town gig.

The Corn Exchange was filled with over three hundred people, from the seasoned music addict (one notable and passionate couple Pat & Maria marking this gig a milestone of 50 Beaux Gris Gris gigs!) to first timersโ€ฆ Many of them have declared an instant connection, this was nearly double the crowd of the previous outing in the Corn Exchange, some two years ago, which shows the growth of the band and the desire of potential fans to connect with such a talented ensemble.

The new album, Hot Nostalgia Radio, has an even wider spectrum of material and influences than ever before, and is very much more radio friendly , and even more accessible without genre pigeonholing.

The incredible thing being this is nothing to do with record labels, etc, as is sadly all too common, it’s a drive from a band who are truly independent, to widen their appeal, to explore more ideas from their own life stories, and above all have a ball!

I confess to being of the opinion this band are truly amongst the best live bands anywhere right now, they have a fanatical following, which can only grow.

No matter what you think your bag is rock and roll, blues, whatever give this band a few minutes, if you like something you hear go seek out their records, or better yet feel the force of a gigโ€ฆ truly the same quality runs through everything they do.

Totally incredible performance, and for me I am proud that our town showed them so much love, we are blessed with incredible venues like the Southgate, Long Street Blues Club, etc, that are so well respected in the wider music community, that Devizes can punch so massively above its weight bringing these opportunities to our door.

I think I can safely speak for the vast majority of that hall last night in thanking the promoters, the band and their incredible team, and of course their guests for one of the very best gigs of my life, right here in my hometown! For many thatโ€™s something appreciated as being truly amazing to get involved with. 
Hot Nostalgia Radio by Beaux Gris Gris is out now, search any platform you care to mention  and go hit them up; letโ€™s keep them touring and do this again soon!


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DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there willโ€ฆ

I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released atโ€ฆ

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

The Clones at the Three Crowns, Devizes

Forget your pedal board setup for a moment, it was as if The Clones knew precisely what buttons to press to rouse the party crowd at The Three Crowns in Devizes last night, and whilst I’d admit it doesn’t take a lot to get them going, this four-piece certainly put an earnest shift inโ€ฆ

It seems irrefutable, the Three Crowns is the go-to pub to party and let your hair down in Devizes right now, particularly for Millennials and those tipsy enough to think theyโ€™re also twentysomething, like, I dunno, me?!! These wheels have been in motion for a few years and show no sign of slowing yet. Itโ€™s busy but hospitable, uses card-only payments to speed up service, inside it serves a respectable plate, and if previous generations favoured DJs in club format, the modern method of live cover bands is the epoch The Three Crowns abides by, and delivers in a spacious heated and covered beer garden, with zest โ€ฆ.but you knew this already, right?!

Whilst thereโ€™s the obvious popularity of regularly returning local bands such as People Like Us, The Roughcut Rebels and Illingworth, itโ€™s a blessing to see a new band to the pub attract the same colossal positive response. The Clones hail from Corsham, I was unaware of them and my curiosity paid off. As we witnessed in Devizes last night, they sure put the cor in Corsham. Akin to when Pewseyโ€™s Humdinger arrived in a blaze of glory, the punters showed them the Devizes appreciation and the atmosphere was electric.

Through a motley genre-mapped setlist they delivered a range of covers all with gusto, sharp class and attention to detail. Two lead singers generally adopted different stances, one taking the funky, soul numbers, with a sublime medley of Superstition and equally funky classics, the other with a penchant for eighties new wave, mod to Britpop; the Jamโ€™s A Town Called Malice being my fav of the set, if I was forced at gunpoint to provide one.

Yet both duetted on a number of miscellaneous pop and rock classics. There were few tunes you might consider clichรฉ, but they handled this well because often the crowd wants this, and mostly though sing-a-longs, they werenโ€™t the archetypal songs to falter a cover band setlist. Daring attempts too, from Bowie to Jackoโ€™s Billie Jean, there were some your average cover band should only try at home! It was nonstop fun, never attempting to sooth with a love ballad, or experiment with a synth, just the rock n roll four-piece format of drums, bass and lead, brought up-to-date with an exemplary setlist to rouse any diverse demographic audience.

It was loud, proud, and teetering with polished enthusiasm and professionalism. Landlords, if you want a band to make your punters thirsty by jumping for joy, this might be the cover band for you.


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REVIEW โ€“ Cinelli Brothers ย @ Long Street Blues Club, Con Club, Devizes โ€“ Friday 1st March 2024

Two Great Bands

Andy Fawthrop

This is getting to be a regular thing now.ย  Ian Hopkins puts on a band that Iโ€™ve never heard of, so I trust him and buy a ticket.ย  Then I wander up the hill to the Con Club and find myself in a room thatโ€™s already packed to the rafters, with queues at both bars.ย  Then I have a great night out, and I write a review about what a great band Iโ€™ve just seen.ย  Too good to be true?ย  Nope โ€“ it just seems to work every time, and Iโ€™m not complaining!

Only slight difference this time was that I got two great bands for the price of one.  Support acts come and go, some are good and some are less so.  But last night was one of those really good nights where the support act were really excellent.  You can tell theyโ€™re pretty good and getting through to folks when the idle chatter at the back of the room slowly subsides, and people really start listening.

And so it was last night with first-timers at the club Sons of the Delta.ย  Consisting of Mark Cole ย (vocals, harmonica, guitar and mandolin) and Rick Edwards (guitar & vocals), these guys delivered some real no-nonsense stuff โ€“ a great blend of electric and acoustic blues, featuring both traditional blues plus some originals. ย They were chatty, stripped back, relaxed and completely on top of their performance.ย  It was mostly harmonica-driven, backed by gravelly vocals.ย  Their set seemed all too short and, as Ian said at the end over the enthusiastic applause, hereโ€™s hoping that we get to see these guys again.

And after our starters, we were onto main course and pudding โ€“ two sets from the US-based Cinelli Brothers.ย  The band is a project born out of a common passion for the electric Chicago and Texas blues from the 60s and 70s.ย  Brothers Marco (guitarist and lead singer) and Alessandro (drummer) decided to form an explosive team showcasing original repertoire in the style of Chess, Stax and Motown.ย  Last night on stage they were joined by Tom Julian-Jones on harmonica, guitar and vocals, and by Stephen Giry on bass, guitar and vocals.

This band won the UK Blues Challenge in September 2022, and were ranked number 2 at the International Blues Challenge in Memphis USA in January 2023, so they arrived with plenty of pedigree.  And their latest album is only a couple of months out of the packaging, so obviously there was plenty of material from that source.

There was lots of cool, down-tempo, laid-back stuff –  I particularly liked โ€œLast Cigaretteโ€, which they described as their โ€œbig fuck-up songโ€, and โ€œFoolsโ€™ Paradiseโ€.  There was some blues, there was some funk, and there was some Motown.  Most of all though, there was a damn good show, featuring near on two hours of superb musicianship.  The stage banter, and inter-song rapport with the audience, were both good.  They were commanding, they were engaging and, most importantly, they were utterly entertaining.  Full marks from me.

If you get chance to see these guys in the future โ€“ donโ€™t hesitate.  Definitely recommended!

Future Long Street Blues Club gigs:

Friday 5th April 2024                                       Ben Poole Band

Saturday 4th May 2024                                  Beaux Gris Gris and the Apocalypse

Saturday 18th May 2024                               The Dirt Road Band

Saturday 22nd June 2024                              KOSSOFF The Band Plays On

Thursday 10th October 2024 ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Heavy Drunk, Watermelon Slim & Leonardo GuilianiFriday

Friday 18th October 2024ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Wishbone Ash (Corn Exchange)

Saturday 9th November 2024                     Ian Siegal Band

Saturday 16th November 2024                   John Otway & The Big Band


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Errol Linton Band at Long Street Blues Club, Devizes

London-based Errol Linton and band made a welcomed return to Devizesโ€™ Long Street Blues Club last night. In June I was surprised to label it my personal best night at Long Street. Catching them again equally did not disappoint, despite knowing what I was letting my mojo in forโ€ฆ..

If Flo’s recent review of the Devizes Youth Action club night expressed a need for gigs for local youngsters, we’re not ageist here and tonight I’m at the other end of the spectrum; yeah, say it, I can take it – where I belong!

Long Street Blues Club welcomes all, but largely attracts older middle-classes with a collective passion for the blues, implanted via the historic Mel Bush effect. Ticket prices also play a part in governing clientele, but you certainly get value for money. All the tried and tested acts booked on their seasonal programmes are of a superior class and quality. Long Street should be proud of the  landmark they’ve created. It’s enough to pull devotees from Cardiff to London.

In its present-day form, Long Street Blues Club turns sweet sixteen this year, though with his brother Rick, town councillor and ex-mayor Ian Hopkins revived Devizesโ€™ fixation with the blues mid-nineties.

Typically monthly, it offers the diverse range within its blues tagline its regulars crave. While others may favour British electric blues, prog-rock, or country blues, and these are readily available, I’m smitten for precisely what Errol and his band lay down, an irresistible mesh of Memphis, Delta boogie and jump with the wonderful twist of Errol’s Jamaican roots. Yeah, it’s going to switch to an offbeat, and set the Devizes Conservative Club to skank!

Likely the most prominent example of this in his set is a cover of Howlinโ€™ Wolf’s Howlinโ€™ for my Darlin‘, in which, after an explanation of the blues legend’s time in Jamaica, it rolls off with a one-drop reggae riff to make Joe Higgs blush.

Much is the set, a sublime and highly polished blues act with this resplendent reggae hook. I believe in my last review I waffled on a tangent about offbeat jump blues and shuffle rhythms influencing post wartime Jamaica via American radio stations, and the accidental hook creating the ska sound at an alleged Prince Buster recording session at Duke Reid’s Treasure Island studio. While I cited Jamaica’s first national sound, ska, as a major influence on Errol’s original output, tonight I felt a larger portion was ska’s successors rock steady and reggae. Maintaining the rootsy Delta boogie throughout, even tastes of dub was hinted at, as the pace steadied to hypnotic riddims; now, that’s right up my street and knocking on my door.

The crowd felt the vibe too, and while Long Street is a seated music appreciation society where idle chit-chat is frowned upon during a performance, folk felt the irresistible urge to shake their thang for the finale. For me, while happy it’s hardly stage-diving, mosh pit country here, I don’t know how anyone could’ve kept still last night!

It was a full house for this amazing five-piece, natural entertainer Errol on vocals and harmonica, pounding upright bassist Lance Rose, invigorating lead guitarist Richey Green, Petar Zivokvic wildly pushing the ivory, and devine drummer Gary Williams. Errol recounted tales of family ties, his parent’s immigration influencing a new song which came across decidedly dub in its initial King Tubby incarnation, whereas another memorable moment for me came with a country-tingedย ballad called Country Girl, so gorgeously delivered it could’ve come from Toots Hibbert’s songbook. It was that magical.

They played with skill, joy and gusto, but not before Oxford’s acoustic bluesman Thompson Smurthwaite pulled out an impressive support. A regular at the Southgate I’ve yet to have had the pleasure of hearing, though Andy has reported previously.

I don’t know if Thompson sold his soul to the devil at the Botley interchange, but there was something decidedly deeply-rooted in his enlightening set of relatable originals and prison-type narrative about life on canals, with casual scat vocals akin to Robert Johnson himself, and all the sublime harmonica and guitar picking of any Mississippi blues legend of yore. 

Another cracking night at Long Street Blues Club. I was content enough just to be back in Devizes with cider in hand, after hibernation, broken by teetotal stints at The Pump and Wiltshire Music Centre! Anything else would’ve been a bonus, ergo, Errol’s band, and Thompson too made it a bonus ball the size of the boulder chasing Indiana Jones!

Next Stops for Long Street Blues Club are…

Friday 1st March 2024 – The Cinelli Brothers

Friday 5th April 2024 – Ben Poole Band

Saturday 4th May 2024 – Beaux Gris Gris and the Apocalypse (Corn Exchange)

Saturday 18th May 2024 – The Dirt Road Band

Saturday 22nd June 2024 – KOSSOFF The Band Plays On

Thursday 10th October 2024 – Heavy Drunk, Watermelon Slim & Leonardo Guiliani

Friday 18th October 2024 – Wishbone Ash (Corn Exchange)

Saturday 16th November 2024 – John Otway & The Big Band


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FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

Skates and Wagons: Path of Condie

If Iโ€™d one criticism of Britpop, during its heyday, least that which the pop charts threw at us, was, in an era of progressing technological electronica, embedded deep in my psyche, Britpop, to me felt regressive. I argued at the time, if The Beatles were still together, in their prime, theyโ€™d be producing techno or drum n bass, for they were trailblazing, innovative and progressive. Whereas, picking on Oasis, particularly, being they seemed to strive to be a Beatles tribute as far as I could see, were relapsing to a previous generation.

Then the crossover crossed back over. If waning was a heady dawn of the nineties where rock fused electronica on the Madchester scene, towards the end of the decade The Prodigy were advancing with an almost punk slant, and Noel Gallagher was lending his vocals to the Chemical Brothers. To pick the era apart now is futile, no one remembers what the fuck was going on most of the time!

Letโ€™s agree to disagree, put it in the past and note today, retrospection is big business, and thereโ€™s nothing wrong with songs which hark back to the sixties, for it was pioneering but more importantly, divine and inspiring. Particularly when, rather than regenerating cover songs, but acting as a base of inspiration. We see a lot of this; from the sixtyโ€™s British blues scene to bubble-gum pop, but perhaps not produced with as much passion as Skates & Wagons.

Skates & Wagons

They sent me a link to their album, Path of Condie on Boxing Day, so apologies it was put on the backburner but I had Scrabble tiles to lay and Quality Street to puke. The EP I reviewed previously appears to be taken down, and Iโ€™m unsure why. The album, is akin to all I mentioned about the EP, only more so. If regenerating Britpop is tiresome and monotonous to you, you need to check this Oxford duo, because they manage it with the precision, innovation and splendour of classic pop-rock and blues of that sixties period, with bells on.

I mean sure, it opens with an interesting approach, Chevron Waltz proves this is going to be no everyday indie-Britpop ride, it is indeed as the name suggests, a waltz. If weโ€™re going to revel in compassions, Iโ€™ll cite The Kinks or Small Faces, The Spencer Davis Group, The Troggs, but predominantly the Beatles, more than Oasis. Plus, weโ€™d need to break it down with the fab-fourโ€™s individual preferences. Opening then is experimental, merging traditional styles of music is certainly McCartney, yet the majority, like Indian Summer rolls smooth, like the later Beatles, Sane Again is anthemically mellowed; very George Harrison.

But this is an album which builds progressively, just like the sixties did. The earlier tunes, initiate sixties pop, and sit at radio-friendly three-to-four-minute timings. Mr Wake Up, for example, explains how itโ€™s going to roll for the time being, beat-based shards of classic pop-rock. But things liven up at Conversation with God, the walt reprise towards the end nuances the album is progressing the entire decade and weโ€™re midway. Waste of the Sky is subtly psychedelia, like the opening to the beatnik period.

Itโ€™s this equidistant section where Skates and Wagons really shine, itโ€™s as if we didnโ€™t need the 1980s, we were fine where we were. Catchy tracks like The Man Who Never Sleeps and All the Love mirror the advancing changes of the middle of the decade, and bring us in line with classic seventies rock bands like Genesis and ELO.

It leaves you dripping for the concentrated, lengthier compositions the trend which followed via Floyd and Hendrix et all, and Skates and Wagons deliver. As Path of Condie develops it builds to more ending with a beautiful eight-minute composition, Yesterday’s Love. Itโ€™s beguiling and timeless splendour, catchy as pop, definitive as classic rock.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement, as opposed to a Britpop throwback band going through archaic motions. Though thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements; scooterists donโ€™t go for that, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


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Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathewsโ€ฆ

Skates & Wagons EP

Fashionably late for the party, this Oxford duoโ€™s self-titled debut EP was released on White Label Records at the beginning of the month; what can I say for an excuse? Glad to catch up though, as Skates & Wagons are well worth it.

Thereโ€™s retrospective grandeur on offer here; even down to the bracketed song titles, as was common at the time, of these four diligently composed tunes of sixties-fashioned mod psych-pop. Itโ€™s as if weโ€™d not progressed from the era of The Kinks or Small Faces, The Spencer Davis Group and The Troggs at all. And to hear this makes one wonder if it was ever progress anyway.

Yeah, the dawn of the beatnik epoch, developed from the blues and soul inspired pop of Merseybeat is formulated, tried and tested, and anyone who mimics it is dependant on the only element left to ensure it’s respectable, the quality. Skates & Wagons set such a benchmark, taking a big chunk of the influence from this aforementioned style, but with a fresh approach rather than a shoddy and aged tribute, paling by comparison to its original.

Weโ€™ve seen this youthful blast of retrospection recently with the awesome blues detonation of Little Geneva, least to suggest this is more the pop of the fab decade, it also expands to classic electric rock, and is immediately beguiling via its wonderful musings. Skates & Wagons have long established themselves on the live circuit in Oxfordshire and beyond, but the EP is something precured over time like a fine wine. Initially they started working on it as far back as 2011, and completed it earlier in 2020, a testament to that old adage, you canโ€™t rush art.

Opening borderline glam, Just Because you Can (Doesnโ€™t Mean you Should) is possibly the most progressive, early Genesis fashioned, and vocally thereโ€™s harmony parallel to Gabriel and Collins. Itโ€™s as if Skates & Wagons regress through time as it goes on. Spin my Wheels is decidedly backdated in sound from the opening song, mid-Kinks period of their โ€˜66 album, Face-to-Face.

A nuanced approach to sixties-indebted structures, all four songs drip with instant fascination, as if you mayโ€™ve heard them on a classic radio show. The third tune is perhaps the most sublime, Tender (is the Night) is affectionate acoustic guitar-led emotive mellowness, to slip into a Who rock opera unnoticed. Itโ€™s an epic, seasonal-spanning romance themed masterpiece.

Yet, the final tune, Law As I Am True plays-out with the thump of pre-psychedelia sixties pop, but itโ€™s got the kick of how The Jam re-enacted the sound, and itโ€™s catchy because thereโ€™s subtle hints and swirls of the imminent next move to flower-power. Together hereโ€™s four memorable tunes which would have undoubtedly sailed to the Top of the Pops during that golden era, yet somehow completely original and uniquely fitting for the now.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement. Though I caution them, thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!