Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโs third single to date. I loved the first couple for some strange reason, no point in changing my mind nowโฆ..
โHave you ever had a really terrible birthday?โ Joyrobber asks, presuming none could be as catastrophic as his 25th, in which the back window of his Ford KA was smashed in, and all his possessions taken. In the song he includes the itinerary; chocolates, birthday cake and cards, and the thug even popped his birthday balloon; who does that? Heโs the joy robber, Joyrobber, not you!
Or maybe you too, as by the finale, despite it hiking up his insurance, he wagers they have loads in common. Itโs this dry sense of self-deprecating humour which throttles Joyrobber and drives him to the edge of sanity within the simple grievances, and provides it with originality, like The Divine Comedy went sour.
Personally, Iโd say Iโve had my car broken into, and had some pretty rubbish birthdays, but never together. And if I had and felt driven to scribe a song about it, it wouldnโt be the ultimate power-ballad of towering rock we have here, blessed with twinkling pianos, a huge chorus and some crunchy Weezeresque. The kind of anti-birthday song to make Clare Grogan shudder, upset and vengeful where he rightfully hopes when the culprit needs the toilet, there’s a massive queue!
With production by Sugarpill Productions and the vocal engineering skills of Jolyon Dixon once more, weโve still not unmasked Joyrobberโs alter ego, but would we reveal his true identity if we did?!
Probably not, ruin the mystery, wouldnโt it? But clues are building with each new song, heโs Pewsey based, has an abhor for Jeremy Kyle, with poor interview skills, and now we know he drives a Ka, all of which stand to reason! Cool song, though; fun in tragedy, and original, keep the unfortunate incidents coming, Joyrobber, hereโs wishing you inconveniences for the new year, that you might pen some more marvellous reactions to!!
Images by Hans Shell, Ruth Wordley, Helen’s PolarPix and Bird is the Word
If you’re going to write on a subject you must research it, but if you’re going to write well about it you need to get involved in order to understand the details often hidden to outside observersโฆ.
I learned this a year into creating Devizine, when I decided to hold an anniversary gig. Event organiser Dean Czerwionka basically held my hand through it, as I hadn’t a Scooby-Doo of the immensity of variables involved. Since then, I’ve dug myself deeper into the practical, to understand those obstacles and overcome them, so when being critical, I’m aware of how much work goes into putting events on.
Did you seriously buy that baloney?! Really, I’m an attention-seeking party animal who loves to showcase, whenever feasible, the talents of those I spend hours tapping my keyboard to review, then steal all the credit for it! The whole balancing on a learning curve stuff is only a bonus ball! But it is a delight, whenever the opportunity arises, to witness the actualities of my labour, and one such opportunity occurred yesterday, a short walk from my home.
Rowdefest happened Saturday in my village, an idea to retain aspects of a traditional fete yet modernise it to reflect a mini-festival, in which I had to get my foot in the door of.
Feedback has been overwhelmingly positive, but for myself and the committee, Rowdefest 2025 started months ago, with tea, cake and planning at Barbara’s house. Then, an amount of WhatsApp messages, a Facebook chat coordinating the band’s specs with Simon Stockley, the solo sound engineer worth an entire team of professionals.
RowdeFest Committee pose at the end!
Then there’s the mountains I didn’t climb; Clare’s tribulations to provide a bar, Liz’s organisational skills to provide food vans, sponsors and collect raffle prizes, Kirsty creating a book stall, Geraldine and Angie tying things together, tea, cake and a photo exhibition in the church, chairperson Sue binding our meandering meetings into some kind of order, and so much more from many villagers and parish councillors mucking in, till the point on Friday I was driving a milk-float down Rowde Court Road with a huge tent on it and it all suddenly felt real!
Event organising with a team is wrought with disagreements, problem solving, worries which drag you to examine speculating weather apps daily, and fingers-crossed assurances everything will be alright on the nightโฆ.thankfully it was, so Rowde was blessed with a hugely successful, beautiful occasion. An equally huge thanks and congratulations must go to all involved in its making, but none so much as our chief, Barbara. Even if one of them was me, I still reserve the right to report on it, for there is no flattery necessary, feedback from others gives me the confidence to say this was as fantastic as I perceived it as!
Devizes Jubilee Morris Dancers
For me personally, it was all about community merriment, and of course, the entertainment. Under the premise we wanted lively bands I took to organising a lineup consisting entirely of tried and tested locally sourced talents, and calling in a few favours! Opening the event then, the Devizes Jubilee Morris Dancers arrived, did their thing literally with bells on, and got the blossoming crowds engaging in a final routine.
Between the two Morris dancing sections, Mat Fucci of Fucci Fit teased the crowds with a workout, and under the beating sun they got as physical as Olvia Newton-John in 1981, or near to it!
ANdrew Hurst with Lucianne Worthy
Then the live music started with my wildcard, the experimental imaginations of music scholar and tutor, Andrew Hurst. With exceptional bassist Lucianne Worthy, they whisked the audience through multi-instrumental tangents, wonderfully.
Talk in Code
Usually a headline act next, and it was only 3pm, with the crowds still on our villageโs own delicious Rowdey Cow ice cream rather than ciders! Wiltshireโs finest indie-pop darlings, Talk in Code kindly pepped it up, making a pitstop on their way to Swindonโs Castle venue. Blasting their eighties pop flavoured originals gorgeously across our small playing field was an indicator this was going to go off rather different from your average village fete!
That was my doing, and apologise if it came as a shock to some sensitive residents. What attendees didnโt witness was me, once being informed about their complaints, slightly sulking in guilt behind the scenes. Yes, what started as a village fete had now gone full-blown festival, which I believed was the intention and well advertised as such. My resolution was, other than gorging on biscuits, that, in times like this, we have to go with the majority. As the huge crowd gathered, of all ages, appeared to be lapping it up, dancing and cherishing every moment, coupled with the expressions of delight I witnessed on the faces of some disabled children in wheelchairs when I held the gate open for them, well, they counteract a billion complainers for me, and Iโm certain there was far, far fewer of them than that!
Talk in Code with Peggy-Sue Ford of Don’t Stop the Music radio show
Talk in Code shines like a beacon to everything dedication can achieve on our local circuits, and their reputation builds with every appearance; I was overjoyed to see them, as, like anyone they meet, theyโve become my friends. The second act tends to be more modest with their skills, but The Sarah C Ryan Band will always be one of my most favourite bands. They deliver a sublime melodious panache in style and sound, the kind I liken to Fleetwood Mac, but my daughter suggested Florence and The Machine; either works.
The Sarah C Ryan Band
Through cooler originals and the odd cover, Sarah and her band held the crowd spellbound, after wondering if anything would equal Talk in Code, now they were assured I had many more tricks up my sleeve!
Thieves
WIth the crowd simmered, time to allow Thieves to do their thing. Semi-acoustic vibes, Iโd go out on a limb and suggest this is the finest Americania youโll find around these waters. Authentic bluegrass to rootsy blues, this wonderfully accomplished four-piece vocal harmonise on a level which left our unsuspecting attendees around the hay bales spellbound and those in the know nodding impressively. It was the set to end all sets, setting the scene to bliss, as I wandered receiving everyoneโs approval, but I had one more band yet to introduce.
Burn The Midnight Oil
Given the chance, Talk in Code mightโve headlined, safe in the knowledge of what they will deliver. Despite knowing front-girl Chrissy Chapman for many years, and fondly reviewing her vocal collaborations on drum n bass tunes, when she put together Burn The Midnight Oil I met with the original lineup to interview them and hear a little rehearsal, but regrettably, I still hadnโt had the opportunity to tick them off my must-see list.
Okay, so, I took a chance here, suspecting theyโd be good, and heard all the good reports, but I didnโt begin to imagine just how good. Burn the Midnight Oil totally rocked the finale, with fantastic originals slipped unnoticed into a set of covers, they made the perfect end to the day. Dressed in a divine white dress of sentimental value to Chrissy, she took her accomplished band and the audience on an elevated hour plus expedition of bluesy rock which no one wanted to ever come to an end. It was total and utter dynamite!
Alannah Mylesโ Blue Velvet rang out across our playing field, as we gathered the committee and volunteers to be cheered before an encore. Chrissy has a confident stage presence. Her interactions with the audience were so professional, I had to take a double-look to check if it was still my dear friend up there!
But, thatโs the magic right there, to take our talented locals and celebrate their skills as they deserve to be celebrated, allow them to shine with the freedom of expression to deliver works theyโve written and composed, disperse them with classics if they wish to, and introduce the quality of local talent to audiences which may not have the opportunity to follow our local live music scene. That was my objective, as that is alway my objective, and I thank the Rowdefest committee for allowing me to do that in my own village, rather than hiking up Dunkirk Hill again, or trekking further afield; Bradford-on-Avon had a town music festival on, at a level our village couldnโt compete with, but those at RowdeFest wouldnโt have cared at that point; it was magical.
Bramblerose Designs
Okay, Iโm still at one thousand feet about what we accomplished yesterday, but I donโt believe time will water my excitement down. This should go down in the village history books, and if not, it will always be remembered by me. Again my sincere thanks goes to all involved, the committee, the attendees which included MP Brian Matthew, and our media friends Bird is the Word, Peggy-Sue Ford and Alan Watters of our village magazine, but especially the acts and Simon, who came to my rescue; thank you all, for your time, dedication and for superbly rocking my village!
Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisonsโฆ
Stone Circle Music Events announced today that all proceeds of CrownFest will be donated to Wiltshire Hope & Harmonyโs Dementia Choir. CrownFest is an all-dayโฆ
If Devizes Scooter Rally has already established its base at Whistley Roadโs Park Farm and Full-Tone are moving to these new pastures, last year theโฆ
Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโฆ
In November last year I was mightily impressed with Bristol soul-reggae producer Kaya Street, and reviewed their EP The Soul Sessions, read it here for thereโs no reason to go back through rewriting it, everything I said stands, except for one sectionโฆ.
At the time I praised Kaya Street for the experimental fusions which seemed to switch from four-beat soul and jazz into offbeat reggae, simultaneously evoking sounds of Africa like soukous. I said, โitโs not the ingredients in Kaya Streetโs melting pot which makes it prominently interesting and beguiling, rather the way they stir it, the method in the composition and production.โ
Despite taking into account albums like Mo Waxโs 1996 Money Markโs Keyboard Repair Kit, which used short fragments and splinters of ideas deliberately juxtaposed to create a kind of musical mosaic, I did make a slight criticism about The Soul Sessions, and that was that they were underdeveloped and tended to end abruptly and far too soon. I stated at the time, โIf I am to find some niggly, itโs a lack of intro; the songs tend to jerk right in, but I guess itโs because I have the single edits here, and Kaya Streetโs impressive lineup is plentiful to convince me they know the formula to extend and polish.โ
I am glad to hear that has now been amended and extended versions of the radio edits have been uploaded to Spotify. Each tunenow runs at an average five to seven minutes, and sounds complete. Itโs now time to fully ingest the absolute magic of Kaya Street, in which youโre taken in smoother and played out satisfied by more wholesome versions of their interesting and wonderful fusions, and melting pot of influences, and, in turn, the journey is now complete.
โIt’s not all that glitter is gold,โ Bob Marley sung, โhalf the story has never been told.โ Okay, he was referring to 400 years of institutionalised slaveโฆ
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. Planned forโฆ
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiff drink toโฆ
If past years seem to be racing by me on roller-skates, now theyโre in Formula 1 cars! 2025, in a word, was โaverage,โ though the Devizine annualโฆ
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for them, butโฆ
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail hunts. Asโฆ
Chippenham folk singer-songwriter, M3G (because she likes a backward โEโ) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes on holdโฆ
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their classical musicโฆ