If you need a reason to understand why I was so excited about The Sarah C Ryan Band coming to RowdeFest back in May, you wasn’t there!! And if you wasn’t, well, I’m not going to pick on you, just leave said example below and let you decide…..
My Radio Silence, recorded for a session at Crescent Records Studio in Swindon, back in July 2024, has recently been published on YouTube for prosperity, and shows precisely why I so absolutely, totally 100% love this band! It’s so breezy and cool…. I’m going to shut my cake hole and let you enjoy the video…..
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Images by Hans Shell, Ruth Wordley, Helen’s PolarPix and Bird is the Word
If you’re going to write on a subject you must research it, but if you’re going to write well about it you need to get involved in order to understand the details often hidden to outside observers….
I learned this a year into creating Devizine, when I decided to hold an anniversary gig. Event organiser Dean Czerwionka basically held my hand through it, as I hadn’t a Scooby-Doo of the immensity of variables involved. Since then, I’ve dug myself deeper into the practical, to understand those obstacles and overcome them, so when being critical, I’m aware of how much work goes into putting events on.
Did you seriously buy that baloney?! Really, I’m an attention-seeking party animal who loves to showcase, whenever feasible, the talents of those I spend hours tapping my keyboard to review, then steal all the credit for it! The whole balancing on a learning curve stuff is only a bonus ball! But it is a delight, whenever the opportunity arises, to witness the actualities of my labour, and one such opportunity occurred yesterday, a short walk from my home.
Rowdefest happened Saturday in my village, an idea to retain aspects of a traditional fete yet modernise it to reflect a mini-festival, in which I had to get my foot in the door of.
Feedback has been overwhelmingly positive, but for myself and the committee, Rowdefest 2025 started months ago, with tea, cake and planning at Barbara’s house. Then, an amount of WhatsApp messages, a Facebook chat coordinating the band’s specs with Simon Stockley, the solo sound engineer worth an entire team of professionals.
RowdeFest Committee pose at the end!
Then there’s the mountains I didn’t climb; Clare’s tribulations to provide a bar, Liz’s organisational skills to provide food vans, sponsors and collect raffle prizes, Kirsty creating a book stall, Geraldine and Angie tying things together, tea, cake and a photo exhibition in the church, chairperson Sue binding our meandering meetings into some kind of order, and so much more from many villagers and parish councillors mucking in, till the point on Friday I was driving a milk-float down Rowde Court Road with a huge tent on it and it all suddenly felt real!
Event organising with a team is wrought with disagreements, problem solving, worries which drag you to examine speculating weather apps daily, and fingers-crossed assurances everything will be alright on the night….thankfully it was, so Rowde was blessed with a hugely successful, beautiful occasion. An equally huge thanks and congratulations must go to all involved in its making, but none so much as our chief, Barbara. Even if one of them was me, I still reserve the right to report on it, for there is no flattery necessary, feedback from others gives me the confidence to say this was as fantastic as I perceived it as!
Devizes Jubilee Morris Dancers
For me personally, it was all about community merriment, and of course, the entertainment. Under the premise we wanted lively bands I took to organising a lineup consisting entirely of tried and tested locally sourced talents, and calling in a few favours! Opening the event then, the Devizes Jubilee Morris Dancers arrived, did their thing literally with bells on, and got the blossoming crowds engaging in a final routine.
Between the two Morris dancing sections, Mat Fucci of Fucci Fit teased the crowds with a workout, and under the beating sun they got as physical as Olvia Newton-John in 1981, or near to it!
ANdrew Hurst with Lucianne Worthy
Then the live music started with my wildcard, the experimental imaginations of music scholar and tutor, Andrew Hurst. With exceptional bassist Lucianne Worthy, they whisked the audience through multi-instrumental tangents, wonderfully.
Talk in Code
Usually a headline act next, and it was only 3pm, with the crowds still on our village’s own delicious Rowdey Cow ice cream rather than ciders! Wiltshire’s finest indie-pop darlings, Talk in Code kindly pepped it up, making a pitstop on their way to Swindon’s Castle venue. Blasting their eighties pop flavoured originals gorgeously across our small playing field was an indicator this was going to go off rather different from your average village fete!
That was my doing, and apologise if it came as a shock to some sensitive residents. What attendees didn’t witness was me, once being informed about their complaints, slightly sulking in guilt behind the scenes. Yes, what started as a village fete had now gone full-blown festival, which I believed was the intention and well advertised as such. My resolution was, other than gorging on biscuits, that, in times like this, we have to go with the majority. As the huge crowd gathered, of all ages, appeared to be lapping it up, dancing and cherishing every moment, coupled with the expressions of delight I witnessed on the faces of some disabled children in wheelchairs when I held the gate open for them, well, they counteract a billion complainers for me, and I’m certain there was far, far fewer of them than that!
Talk in Code with Peggy-Sue Ford of Don’t Stop the Music radio show
Talk in Code shines like a beacon to everything dedication can achieve on our local circuits, and their reputation builds with every appearance; I was overjoyed to see them, as, like anyone they meet, they’ve become my friends. The second act tends to be more modest with their skills, but The Sarah C Ryan Band will always be one of my most favourite bands. They deliver a sublime melodious panache in style and sound, the kind I liken to Fleetwood Mac, but my daughter suggested Florence and The Machine; either works.
The Sarah C Ryan Band
Through cooler originals and the odd cover, Sarah and her band held the crowd spellbound, after wondering if anything would equal Talk in Code, now they were assured I had many more tricks up my sleeve!
Thieves
WIth the crowd simmered, time to allow Thieves to do their thing. Semi-acoustic vibes, I’d go out on a limb and suggest this is the finest Americania you’ll find around these waters. Authentic bluegrass to rootsy blues, this wonderfully accomplished four-piece vocal harmonise on a level which left our unsuspecting attendees around the hay bales spellbound and those in the know nodding impressively. It was the set to end all sets, setting the scene to bliss, as I wandered receiving everyone’s approval, but I had one more band yet to introduce.
Burn The Midnight Oil
Given the chance, Talk in Code might’ve headlined, safe in the knowledge of what they will deliver. Despite knowing front-girl Chrissy Chapman for many years, and fondly reviewing her vocal collaborations on drum n bass tunes, when she put together Burn The Midnight Oil I met with the original lineup to interview them and hear a little rehearsal, but regrettably, I still hadn’t had the opportunity to tick them off my must-see list.
Okay, so, I took a chance here, suspecting they’d be good, and heard all the good reports, but I didn’t begin to imagine just how good. Burn the Midnight Oil totally rocked the finale, with fantastic originals slipped unnoticed into a set of covers, they made the perfect end to the day. Dressed in a divine white dress of sentimental value to Chrissy, she took her accomplished band and the audience on an elevated hour plus expedition of bluesy rock which no one wanted to ever come to an end. It was total and utter dynamite!
Alannah Myles’ Blue Velvet rang out across our playing field, as we gathered the committee and volunteers to be cheered before an encore. Chrissy has a confident stage presence. Her interactions with the audience were so professional, I had to take a double-look to check if it was still my dear friend up there!
But, that’s the magic right there, to take our talented locals and celebrate their skills as they deserve to be celebrated, allow them to shine with the freedom of expression to deliver works they’ve written and composed, disperse them with classics if they wish to, and introduce the quality of local talent to audiences which may not have the opportunity to follow our local live music scene. That was my objective, as that is alway my objective, and I thank the Rowdefest committee for allowing me to do that in my own village, rather than hiking up Dunkirk Hill again, or trekking further afield; Bradford-on-Avon had a town music festival on, at a level our village couldn’t compete with, but those at RowdeFest wouldn’t have cared at that point; it was magical.
Bramblerose Designs
Okay, I’m still at one thousand feet about what we accomplished yesterday, but I don’t believe time will water my excitement down. This should go down in the village history books, and if not, it will always be remembered by me. Again my sincere thanks goes to all involved, the committee, the attendees which included MP Brian Matthew, and our media friends Bird is the Word, Peggy-Sue Ford and Alan Watters of our village magazine, but especially the acts and Simon, who came to my rescue; thank you all, for your time, dedication and for superbly rocking my village!
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A perfect sunny(ish) Sunday at Hillworth Park in Devizes, if not to overcome one’s fear of public speaking while dressed in a giraffe onesie and fantabulous tie, but most definitely for a picnic, for the kids to play, and for a fantastic treat from DOCA…
With the unfortunate cancellation of Devizes International Street Festival due to Arts Council funding cuts, DOCA pulled out all the stops for a fantastic and most memorable Picnic in the Park this year.
Slightly deceiving name, Picnic in the Park, if you didn’t know. For while there’s picnicking and yes, it’s in the park, there’s plentiful side stalls, a bar and enough entertainment to deem it a mini festival, of sorts. Mayor Ian Hopkins opened the event, hilarious street circus artist Able Mable filled the gaps between the bands perfectly with her own brand of clowning and superb audience participation. She was the very definition of entertainment.
Kai Carter’s Old Time Hustle made for an amazing kick off. Beguiling guitar, trombone and fiddle, foot-stomping magic moments as suggested on the tin, finding time for some facts about pigeons and to delightfully deliver long lost covers, particularly those of Virginia’s country legend Patsy Cline. They made tradition look cool, very cool.
Second act was equally as lovely and skilled. From Manchester, Good Habits created the most divine sound, and wonderfully full and bassy, considering it was just a cellist and an accordion duo. Particularly adroit was their Kate Bush cover, but then, their original compositions held equivalent poignancy. They’re the kind of duo who could fit into any festival and simmer an audience in awe.
Delighted to have some input, the third and final act was my personal choice. Local family collective, The Sarah C Ryan Band were perfect for this kind of communal event, they’re unique and original, smooth and cool. It’s a paced, universal sound, reflecting masterful pop-rock classics like Kate Bush, Genesis and Fleetwood Mac, yet distinctive. Rarely have they played Devizes, so I was hopeful you’d take heed, as their performance was as memorable as the day was in general.
I caught Sarah and the band last week playing the fantastic Minety, which while I thought was awesome, I believe they played even better here at Hillworth. Perhaps being the headliner here renewed their confidence, perhaps it was Simon at the control tower showing off his new kit, or rather, I favour it was more about the flavour of the glorious day.
DOCA’s ability to bring the best out of Devizes, even at their more simpler events is something to behold with pride. For yep, indeedy, the entertainment was first class, the organisation dedicated, the vibe was positively gleaming, someone threw me a Penguin biscuit (thank you!) but above them all is the sum of their parts, monumental in what can be achieved by pulling resources together.
It may not have been the England football team’s night, (who could’ve predicted it?!) but it certainly was DOCA’s day in Hillworth. Just thought you should know, in case you’re thinking I shouldn’t review an event I was involved in. You should note I only helped them drink their tea and ate all the brownies which were supposed to be for the musicians! It’s the real festival makers, those kindly volunteers who really make DOCA what it is, so the last thanks goes to them as we head towards carnival on the 31st August with renewed sense of anticipation.
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Broke my Minety Music Festival cherry, and it was gurt lush! When it comes to live music and festivals, I initially set a high bar. My first concert was Springsteen in ‘87, and aside from traveller’s free parties, my first festival was Glastonbury. These days hedonism is reduced to finding smaller local festivals to savour, enjoy a pint or four; I’m done with tired feet trudging acres of tents, and what’s more, paying a king’s ransom for a multitude of elements I’m unlikely to witness because it’s all going off simultaneously; my eyes were kaleidoscopic anyway.
Though I miss those heady days, finding middle ground is tricky. The disambiguation of “festival” today is such a pub putting a man with a guitar under a gazebo and flogging undercooked hotdogs off a barbecue constitutes a festival, apparently. No, I need at least a taste of the heyday; monumental fun yet diverse, hassle-free adequate attractions without the notion I’m being taken for a mug. If my want was an ice cream, sure I’ve found some single scoop cones of vanilla, some even plop a flake into it, but this weekend I found the ultimate brownie, millionaire rocky road sundae; everything I want and expect from a festival, topped in caramel and sprinkled with Space Dust, close by, and easy to access in a tall glass. It’s called Minety Music Festival, near Malmesbury, and they’re so amicable they even supply those long-handled spoons to dip right into the chocolate sauce at the bottom; meaning, it was good to the end.
The intention was only a taster, pop down on the Sunday, check it out, report my findings, but I got a scrumptious bellyful from this alone. Minety is undoubtedly the best all-rounder local festival I’ve seen, period. It’s unfortunate the previous years I’ve advertised this on our event calendar and thought, now there’s a thing, but I hadn’t plunged in. It all now seems so foolish to have passed it off. Nearly all the bands we love and promote on Devizine have graced a stage here. Of them those lovely indie popsters Talk In Code bunged me on their guestlist, and it’s hardly Timbuktu, rather a twenty-five minute drive away; arm twisted, it’s now for me to justify my reasons for telling you how bloody fantastic Minety is, but it is.
Starter for ten, everything is bound around the edges of one gigantic field, you cannot get lost in a maze of tents. Between three stages everything you could possibly want from a festival is there. Kids are spoiled, something often overlooked at others; climbing wall, circus workshop, arts/crafts tents, storytelling, inflatables, face painting, arty kidz, and a cosy tent called the Tree House with an abundance of instruments to try; I swear bands were formed in there. Youths tended to dance or chill at a wonderfully decorated DJ venue, hosted by an eclectic online radio station, the Incapable Staircase, me too; Peter Pan, me, y’know!
I chose to dine there, takeaway Thai curry from a stall with a restaurant in Purton, on cushions thrown outside, next to a bathtub once filled with free waffles, now just furry pillows. Which brings me to my next reasoning; value for money. Food options were incalculable, any street food you fancy, but Minety also supplied a café flogging beans on toast for a pound fifty, or burgers for three quid, and pints at the bar were £4.50, cheaper than some pubs. There was never the archetypal downer you were open to being ripped off, leaving enough in your pocket to consider browsing the great festival stalls of gifts, cakes, or clothes.
Everything has its place at Minety, it’s their seventh year, subtracting those we don’t mention. They know what they’re doing, and the attention to detail was immaculate, equating to a tremendous vibe of positivity. The mammoth task of organising something on this scale was putty in their hands, and I salute them for this and the given concept of booking a handful of averagely known names for headliners and leaving the rest to supporting local acts; this is my third and final reasoning to why Minety is fantastic, and that should be plentiful to tempt you.
Ergo, our loveable poptastic indie darlings Talk in Code, who absolutely and definitely knocked it out of the farm, by the way, preceded a gorgeous set from reunited nineties giants Sleeper, who I favoured over the grand finale of Irish rock band Ash, but others might argue this and quite rightly so, as both rocked. And this was just Sunday, other nights The Feeling headlined, with Elles Bailey and The Chase.
But Minety is also smooth around the edges, as you wander tent to tent. There were a few must-sees for me, Swindon’s grunge newcomers I See Orange were awesome as predicted, in a tent hosted by Chippenham’s Kandu Arts, and The Sarah C Ryan Band were equal, euphorically cool at the Minety stage. Then there’s the discovery element, whereby a number of bands have now come to my attention, none more so than Arkansaw Jukebox, who play singalong pop classics from Spice Girls to Queen, albeit in a bluegrass fashion, and when it’s time to cover a country classic, Country Roads takes on a ska offbeat to make Toots blush! This tenet of jollification brought the tent down.
Others noteworthy were Hooch, blasting some danceable covers, reimagining the Faithless classic, a youthful semi-gothic four-piece called Pavilion, and nineties Seattle grunge-inspired The Rain City Project, with astute Pearl Jam and Nirvana covers. With the range on offer as vast as acts booked, and hurtling between them as fast as my ageing legs will take me, it’d need an essay length review to cover all, and you’ll be bored shitless before I reach my epic conclusion; festivals are a “you had to be there” thing, apologies to those I may’ve missed mentioning.
But if that popular shirtless tattooed entertainer Jimmy Moore covering the theme to Spongebob, Spice Girls on banjos, stripy stilt walk jugglers with bowler hats, or more upcoming young bands than you’d catch at a college talent show won’t satisfy you, or just this idea of wandering few steps to get from drum n bass at the aforementioned Staircase, to some middle-agers, Chippenham’s Free Spirits, in the Kadu Arts tent enjoy an enjoyable recital of Dire Straits doing the walk of life, and a conglomerate of kindly North Wilts and South Gloucestershire freakshow punters out to revel isn’t enough to rock your boat, you need to downsize your vessel, skipper, because Minety’s boot fits me; a blindingly stupendous do. I’m tempted, if not feel it compulsory to dust off my dome tent and do the whole shebang next year, even if it finishes me off for good!
Busy on the festival circuit Talk in Code are regulars here. Though they expressed a history of unpreventable technical mishaps, this year they were third from top billing, full of zest and gave the sublime show we love them for. The crowd were pumping along with their engaging and original poptastic stage show, “Talkers” or not, a presence improving with every appearance, and proving them far more than musical fluffers for the following headliners. But as the story goes, I didn’t witness a single band at Minety which would make me look the other way.
In conclusion, if before Minety I held a dilemma of what’s best between coughing up dollar for multiple elements you’re unlikely to catch because they’re spread over multiple arenas miles apart, or a cheaper single stage plan whereby you get to see everything, if you wanted to or not, Minety is the middle ground. Centred in a single field, and averagely sized, it’s no trouble to saunter stage to stage, and being scheduled at different quarter of an hour timings, convenient should you have a change of heart. This, tripled with a buzzing aura, plentiful attractions, and a program delivered with clear intention of entertaining, and motivated by a desire to include local or upcoming acts, is cherries on the sundae, and for it Minety Music Festival is well worthy of your attention. If you only do one festival annually, Minety would make the perfect choice.
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Frome’s Cheese & Grain will host a celebration of the life of local music promoter Phil Moakes, who sadly passed away last July, aged just 66… Party at the End of the World will be on Sunday 10th May and will be a special event in celebration of Phil’s life, alongside his family and friends.…
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Ah – you never know what life is going to throw up at you till it smacks you right in the face. Coming off the back of two weeks’ worth of fare from Devizes Arts Festival, I poked my head in to The Corn Exchange to catch their very last act – Absolute with their Celtic Party Night. I managed to stay for the first half (and very it good it was too as the crowd began to thaw and fill the dance-floor), but to be honest, there’s only so much diddley-diddley music that one man can take.…..
And so it was, as a late call, I decided to head up the hill to The Southgate to check out the Sarah C. Ryan Band. And boy am I glad I did. These guys were a new band to me, despite being quite local (they even rehearse in Devizes), and I couldn’t believe that I’d never run into them before.
In short they were beltingly good – several notches above most pub bands. But that judgement is kinda unfair – they were much more than a mere “pub band”. They played mostly self-penned numbers, with just the occasional leavening of covers. Being a five-piece, and including three guitars, drums, keyboards and the occasional woodwind, gave them a depth and a richness in their sound. The songs were clean, sharp, unfussy. Sarah’s singing in particular lifted the performance with her sweet, clear voice, but the whole thing was a complete pleasure to listen to. Number after number rolled off their set-list, each one bringing huge applause from a very enthusiastic audience. Their versions of Joy Division’s “Love Will Tear Us Apart” and the Cranberries’ “Zombie” were absolutely spot-on, working with the crowd and feeding off their energy.
Really good band – best I’ve seen in ages. And really nice folks to talk to as well. They told me that they don’t actually gig very much, but I really can’t understand why – they’ve got the right package – good songs, good playing, good sound and an ability to connect with their audience. Let’s hope we see much more of them in the future!
Well done to Debs for another great booking, and a good night at The Gate.
Editor’s Top-Secret Information! I’m sorry to have missed this gig at our trusty Southgate, for although I’ve not had the chance to catch The Sarah C Ryan Band live, yet, I can leak some top-secret information, or, at least, procrastination being the reason I’ve not mentioned it sooner: I’m fully aware how absolutely awesome The Sarah C Ryan Band are, as they’ve kindly donated a tune called A Woman in White, to the forthcoming second volume of our Julia’s House compilation. And you HAVE to hear it!
We just need a few more songs to make this happen; don’t make me beg!
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