Tag: M£G

M3G, De-Anchored

At the end of last year Chippenham singer-songwriter M3G released the single Rooks. I felt it set her bar at a whole new higher level. I’m glad to report the follow up single, De-Anchored, is equally angelic, and was released today…..

It might not raise the bar much from Rooks, but it maintains the same direction of excellence. Such is the unique and original direction of this drifting metaphoric shanty, Meg was delighted to hear it played on BBC Introducing in the West last evening, and we are equally thrilled for her! Thank you kindly, Mr Threlfall, they broke the mould when they made Meg.

For in this crazy world of fired up, laden rock n roll and floor rumbling dubstep, sometimes you need a timeout, a breeze of ambient goodness, and M3G’s acoustic take on melancholy is so beautifully presented with all-M3G loop vocals and sublimely unique expression. And arranged by Phil Cooper too, who knows the composition of a beautiful song like the back of his hand.

 This time De-Anchored takes a shanty feeling, metaphorically a loose anchor can’t save a sinking ship, relative to a relationship breakdown and the character’s empathy and sense of loss. It drifts, lost at sea, another delicate impression guaranteed to impress!

De-Anchored is out now, across all major streaming platforms.

‎De-Anchored – Song by M3G – Apple Music

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The Mist; New Single from Meg

Chippenham’s young folk singer-songwriter Meg, or M3G if you want to get numeric, will release her 6th single The Mist on Friday 18th October, and it’s got me thinking about the film Rain Man….

Showing my age, I saw it at the flicks in 88! Tom Cruise was everywhere in the late eighties, and this film began like any other. Cruise, an egomaniac businessman, but in his reassociation with his lost brother, played by Dustin Hoffman, surprisingly bucked the trend of Cruise’s Hollywood template. For the masses it was an awakening, raising awareness of and offering a fascinating insight into autism.

In an interview for Devizine conducted by my daughter, this celebrated upcoming singer-songwriter was comfortable discussing her autism. “I honestly don’t think I would be doing this if I wasn’t autistic, in a weird way,” Meg explained, “All of my songs are about me in some respect and it’s a part of me I can’t escape.” The Mist echoes this sentiment, precisely and wholeheartedly.

At the time of the 2023 interview, Meg figured the single they were discussing, Together was the only song she had written about autism, but connoting her later tunes, I believe others are, perhaps none more than The Mist. It is the most evocative and poignant on the subject, and being, as Meg said herself, “it’s part of who I am and I really value that part,” I’ll boldly declare this is the best of her singles to date.

We’ve come so far since Rain Man in understanding, identifying, and accepting autism spectrum disorder. The most important factor, I believe, is that everyone is an individual. Ergo, while at the time we may have considered Rain Man this insight into the autistic mind, it was, actually, only ever an insight into the character of Rain Man.

This song is on a similar level, as Meg opens up and expresses her deepest thoughts on sociability and correlation versus serenity and solitary, angelically. The line in the song, “my piece of mind got up and left my side, said I’d be better off without them,” is a haunting example. It is also a fascinating insight, to Meg’s sentience, yet in essence, it too is a beautifully crafted song with powerful ambience.

In thoughtful prose it drifts, still as the night air, and candidly as chilly, as if Meg invites you into the depths of her consciousness. It is a tested formula, astute honestly in songwriting, to leave a listener believing they’ve taken a piece of the singer’s life with them, and in turn, identified with it. Yet Meg does this so utterly uniquely it could only be her thoughts done her way, that’s the only hook needed; we’ve all put a square peg in a round hole. The solitariness of her delivery matches the theme and it combines into something wholesomely composed, yet sublimely forsaken.

Even the production matches the solitary of the sound, Meg provides her own backing vocals, to create layers of angelic voice, choral, like her thoughts reverberating, questioning or venerating her meaning. She will also produce and master her own work, so it is solely her outpouring, untainted by another’s input. And that is what makes it work so wonderfully. That is why Meg can hold a crowd willing to intensively listen, spellbound; I’ve witnessed this first hand, first time at the Pump, last time at the Tuppeny, it is something worth savouring timeover. If The Mist is a metaphor for the hindrance which obscures Meg from relating to others, it is also our musical Rain Man, a fascinating insight to how one’s personal autism conducts their innermost thoughts. And that, my friend, is how you write a masterpiece!

The Mist is out Friday 18th, check in then, on M3G’s Spotify page to hear it!

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