Tag: youth bands

The Turn; Debut Album from Salisbury’s 5 Nights at Adyans

Formed just two years ago at Bishop Wordsworth’s School in Salisbury, award-winning four-piece youth band, 5 Nights at Adyans, look set to release their highly-anticipated debut album, The Turn for the 30th anniversary of the prominent community youth music initiative, Bass Connection, at Salisbury Arts Centre on Saturday 5th September…..

I confess I was uneasy about pressing play on the link they sent. In a chat, a little birdy compared them to Devizes’ export Nothing Rhymes with Orange, likely because said birdy knows how much I like them. While now, NRWO are producing concentrated material merging boundaries, they cut their teeth here with quick and catchy indie-punk-pop. I therefore, assumed this would be along similar lines.

The link sent was 5 Nights at Adyans’ initial takes of songs to appear on the album, in an unedited, raw format. While sometimes raw can work, with thrashy punky sounds it usually doesn’t do the band justice compared to the final masters. However, it’s far from “thrashy,” certainly not “trashy,” and I couldn’t have been more pleasantly surprised as I was.

Five tunes, conveniently one for each night at Adyans; I love them all! But the unexpected twist is this; with an incredibly expressive vocal range to make Jim Morrison blush, there’s a majority of elements more akin to classic prog rock riffs than than the punk annihilation I was expecting because of the wonky verbal comparison I received!

Throughout the tracks they sent, there’s swirly psychedelic elements of a sixties acid band, crashing bridges of The Nice, the blues rock of Cream, intense ballad moments and the unstoppable moody layer-building of Led Zeppelin, rather than anything to come out of Busted or Blink 182. The band recently posted a pastiche of the Oasis album cover for Morning Glory to their Facebook page, with themselves posing as Liam and Noel do on it. Here they joked, asking if their fans thought it would make a good cover design; I’d suggest it gives the wrong impression, as I’d not compare this to ephemeral Britpop either. 

Darling You Got Me came across as a nicely flowing blues-rock introduction, with a hot step to it, and it was all go from the off. But it was the following, Final Location which especially captured my ear, as the tempo slowed to ballad; if there’s punk there it’s subtle at best, matured. It’s gorgeously expressive and emotive, but Final Location isn’t an exception; it becomes the rule. 

Tear it Apart also goes there, albeit upbeat, like Rush. Title track Turn brings the dramatic to an apex. The emotional outpour is in full splendour, would appease anyone coming from an aged rock spectrum, and they’d likely assume 5 Nights at Adyans have been at it since 1976! With this thought in mind, this band could save your multi-generational festival!

At times it’s also the mood-shifting sentiment more akin to soft metal rather than grunge. I mean this as the highest compliment, because moodswing is one thing metal could do exceptionally, when it came to aiming into an eighties pop chart. Think how Guns & Roses timelessly transcend the changing trends with their power ballads, like The Doors did decades earlier, whereas the others “halfway there” and “final countdowning” failed the test of time with their commercially viable pop-rock, now only drunken party night nostalgia can save.

I hope you get what I mean?! Because you can go back to a song like Break on Through to the Other Side; it’s enduring. You can unearth Pink Floyd and listen to them again, find new solace with The Who, but often modern sounds fail to stand that test of time. If the finale of The Turn, Knots has an indie, even grunge twinkle, I’d still liken it more to something classic rock.

There’s no three-minute hero here. All the songs are thoughtfully written and composed, are full-bodied and complete odysseys, but being a debut, I predict, might not necessarily age like fine wine, because here’s a progressive band screaming with potential to produce something far greater than the sum of these current parts, cool though they are. In years to come they should reflect back proudly on this beginning, because it’s exceptionally impressive.

Surprised and impressed, with high hopes, Salisbury-based 5 Nights at Adyans certainly took me on a journey. It never fails to amaze how attuned youth can be, from a sixth form band to achieving remarkable regional recognition recently, vocalist Owen Morgan, guitarist Toby Allen, bassist Jasper Hill and drummer Thomas Clarke might spend 5 Nights at Adyans, but going on this debut, should be spending forthcoming decades concreted into rock history.

Find them on Facebook and Instagram, and await for this debut with as much patience as you can bare!

Trending….

Something went wrong. Please refresh the page and/or try again.

Homecoming Gig for Nothing Rhymes With Orange at the Three Crowns Devizes

Friday evening in the liveliest of Devizes pubs, The Three Crowns, with Devizes best upcoming band, Nothing Rhymes With Orange pulling a two hour set out of the hat like a magician pulls a rabbit out of theirs. Surely a perfect match and an unmissable occasion; but, ah, shoot, did I do a cidered-up speech? There’s vague recollections of it this morning. Please accept my apologies!!

Something of a homecoming for the boys, with recent gigs at Bristol’s Louisiana, Bath’s Komedia, and the Gunners in London, and forthcoming dates ranging from the New Forest Rag-City Festival to Trowbridge Festival, only returning here for FullTone. They’re getting the bookings, gig bunnies of Devizes know why.

Changing from Saturday’s usual live music slot for the Three Crowns to a Friday may’ve reduced footfall a smidgen, but just as my arm was twisted, many sought the rare opportunity to see how they’re fairing in the fame, for free. Their devoted Gen Z fan base front and centre, millennial regulars taking up the support trench and anyone older in reserve, save for a few breaking rank, illustrating to those younger how it was done in their day; it was a mixed bunch but plentiful and hospitable, there only to enjoy themselves, and you know NRWO will deliver this.

The date change was to fit in an audition gig on Saturday for the Pilton Stage, a subsidiary of Glastonbury Festival, of which we wish them the very best of luck. In fact, I did wish them such while they were tuning, whereupon frontman Elijah Easton acknowledged precautions to preserve his voice for tomorrow’s big day, and I looked doubtful at him replying, “yeah, right, that’s not going to happen, is it?!” This contest today is one tough cookie, crossing fingers and toes may not be enough, but come what may, as I believe I said in my slobbering speech, this hometown loves and supports these lads, ergo, they wouldn’t halfheartedly perform to them least anyone. 

Because, and here’s the deal breaker; with over a year on a pedestal, this youthful quartet of indie-punk-pop still revels in the spotlight and this jubilant enthusiasm reflects onto an audience and reverberates throughout. It makes for a positive atmosphere, a benchmark for a memorable gig. And that is exactly what happened last night at the Three Crowns, a pub usually encouraging acts to perform covers but needn’t for this gig, as the passion these boys deliver has their fans here singing back their originals to them as if they were classic covers. Especially when the Greggs steak bake falls apart. 

It was a glorious occasion, the tremendous night I never doubted. Nothing Rhymes With Orange open a two-hour set, time was on their hands to play through every single they’ve produced to date, maybe try some new ones, and covers made the remainder. Blink 182, Kings of Leon, and particularly Arctic Monkeys got the Orange makeover, and there were some especially interesting smooth ambient breaks teetering on prog-rock. Yet it is rare even with a two hour set, for these boys to lower the bpm; it’s uptempo yet paced, but nonchalant rather than all out fury, therefore of universal appeal.

A telltale sign of said passion for their labour came at the finale, when the band didn’t want it to end anymore than the fans screaming for more. It was lead guitarist Fin Anderson-Farquhar who looked at me as I tried to fanboy my way to the microphone, that they had run out of songs to play. Therefore it was up the band to, tongue-in-cheek, knock up the archetypal Oasis cover.  

I don’t know what I needed to say so desperately, but I felt I needed to say something about wishing them the best of luck for today’s audition, to rouse the crowd and let them hear how the local fans support them, because they thoroughly deserve it in my book. Then, probably due to fatigue at an exhausting show of epic proportions, they idiotically left me alone on the microphone!! It was there where I thought I’d convey my compassion to local blues heroes the Hoax over thirty years ago, because I believe that was a Devizes phenomenon then, and we are witnessing the next right now.

Elijah, Fin, bassist Sam Briggs, drummer Lui Venables, are tighter as a band than ever before, as they journey to college together, they take with them a comradeship, and they take a shared passion for their music, and it is something which continues to improve; last night proved that on their hometurf, superbly.

Trending….

Ruby Darbyshire: God is Offline

Wiltshire singer-songwriter Ruby Darbyshire, you’re most likely familiar with, unless you joined Devizine family reader’s circle today, has a new song on YouTube, one she’s…

Keep reading

Something went wrong. Please refresh the page and/or try again.

Devizes Youth Action Group Host U18 Gig at The Exchange

The first gig and club night exclusively for Secondary school aged youth in Devizes is set for Friday 2nd of February at the Exchange nightclub. In conjunction with St James Church, the Devizes Youth Action Group has organised this event for youth, run by youth and created by youth…..only making me wish I was a little bit younger, just a little bit you understand?!

Two local upcoming youth bands, Steatopygous and BellaDonna, of which we’ve heard great things about and will no doubt hear more, will play the night with Devizes School year 10 lads, Shox, headling the bill, and a DJ set from their drummer, Flam. The bar will be non-alcoholic, and here’s hoping this will spur on further youth gigs and club nights in Devizes.

This night is hosted by Devizes Youth Action Group (DYAG), a newly formed group of youth wanting to make things happen for young people in and around Devizes. It is supported by Devizes School and Devizes Town Council. If it’s one thing to see and hear of youth creating their own bands, it’s another to organise such events for them to play and for all to attend, and furthermore, all going well, Devizine’s brilliant young reporter Flo should be on hand to review it.

This night is exclusively for Secondary School aged youth only. No entry will be permitted for those younger or older. Online tickets are £4. Tickets on the door on the night are £6. All profits from the bar and ticket sales will be used to support future DYAG events. There will be professional security on the door during the event.

Devizes-based Steatopygous are Eliza, Poppy and Ewan, and define themselves as post punk/riot grrrl, BellaDonna are B on lead guitar, bassist Ems, and drummer Roxie, headlining are Shox, new to me, but then, I’m passed it! Please give them a follow on Insta. Well done to everyone for organising this, and good luck to the bands and Flam; we show Gen Z in a positive light and fully support your efforts!

Trending……

Emergency Alert: Wessex Water Hosepipe Ban!

Surprised your mobile didn’t sound the apocalyptic alarm to notify you about Wessex Water’s hosepipe ban?! Then, you’re a gullible idiot! But being 22,239 voters…

JAZZ – Our Local Guide

Andy Fawthrop All That Jazz – Nice! D-Town certainly punches above its weight when it comes to providing a vibrant and varied music scene.  It…