Ignore Grandstanding, Devizes is Open, and it’s as Wonderful as it Ever Was!

For the second week running our desperate local rag The Gazelle & Herod have kicked Devizes town centre while it’s on its knees. We say, no, stop it, it’s naughty, and sensationalising only for paper sales and clickbait; Devizes is open, thriving and a wonderful place to visit…. as it always was.

You can monotonously rant your presumptions on umpteen “British nostalgia” Facebook pages that the country is in ruins and is now not a patch of its former self, because of whatever political faction you abhorrent and blame, or ordinary folk from overseas seeking a better life you take for granted. You can whinge there that shops are closing and the High Street is doomed until you’re triggered in so much self-pity your rose-tinted specs drop into your jug of Château Cheval Blanc. But, by comparison with the nation’s empty shopping malls and dilapidated high streets, Devizes is punching above its weight. We have a great cafe culture, we have independent shops, we have talented folk putting on theatrical shows and live music, and we have an aesthetically pleasing relatively trouble-free town centre steeped in history and legends.

But the front page this week suggests the fate of Devizes town centre is in doubt, when all that’s really happening is the Town Council are to include a discussion on the town centre and Market Place, at their next monthly meeting, to see if anything needs improvement; nothing usually comes out of these discussions other than some oversized flowerpots! It’s not broken, it doesn’t need fixing, and it’s likely the council will conclude this is the case.

Last week they splashed the story of how Police now have powers to issue ASBOs to a few “undesirables” loitering around the town centre, drinking, all across the front page. Whilst I’m pleased, of course, that anyone causing other folk troubles will be dealt with, it makes me wonder if it’s as serious an issue that it’s highlighted to be. For whether it is being dealt with, or not, it is still creating a potentially damaging image of Devizes by raising attention to the issue and bringing this false ideology to the forefront of people’s minds that the town is Wiltshire’s answer to Tijuana, and if you go there you’ll be mugged for your Greggs sausage roll, which you know as well as I, this simply isn’t true.  

I find myself contemplating if the few people sitting around the Market Place are actually causing as regular disturbances as it claimed. They could be, they equally could not be. I’ve certainly not seen any more trouble there than any other town centre, not even near it, and therein lies my reasoning to rant on the topic. If you want antisocial behaviour, take a look at how we drive through town!

Every town centre has antisocial loiterers, every town centre has congestion, or problems with closing shops or elements in need of replacing. What are you going to do? Stay in forever, with Netflix, worrying about it? Shop online? When the chain reaction of this is the root to the very problems you fear, the problems media is sensationalising! I look at local town centres and see the same thing happening, everywhere; why the need to single out Devizes when really the problem here isn’t even in the same ballpark as others I could mention, but wouldn’t, because it would be as damaging as the negative image the local newspaper seems to want to project of Devizes?

But the real sour cherry on the doggie doing cake is that this slander could not have come at a more inappropriate time. Right now, Devizes NEEDS your support, shopkeepers, landlords and the community as a whole need you to visit.

Since the terrible fire a few weeks ago and consequently access to the Market Place closed to vehicles from the Northgate side to ensure safety, the town is feeling inevitable repercussions. In light of the tragedy, the majority acted faithfully in compliance, we accepted congestion would increase, and planned our journey times better. But traffic is easing now, in fact the closure of the Market Place at Northgate (which we must add is only to vehicles, NOT pedestrians) has quickened the pace of flow at the Brewery roundabout from New Park Street, despite it affecting the amount of traffic using it and the temporary bus stops. I’ve said before, replacing that roundabout with traffic lights and a box junction could ease congestion, but what do I know?

We cannot discredit the fact this may be so because less are inclined to pass through Devizes, but mostly I believe this can be turned around once it is reopened, provided negative images cast upon the town are not believed and savoured. Plus, it is more likely because we’ve come to terms that we must all use New Park Street and have applied some defensive driving measures; vital to keep traffic flowing. It is not the traffic lights at fault, rather the attitude we take to driving through town.

The solution to easing traffic is as simple as turning a frown upside down; it is driving with consideration for others, as it will help you out in the end too. I illustrate my point with my journey back from town this morning, at around 7am. I’m planning to turn right at Shane’s Castle to take the Chippenham road, but the traffic is nose-to-tail due to the traffic lights at the roadworks on Prison Bridge turning green in the coming into town direction. It is not the traffic light at fault, it’s only changing colour, it’s only programmed to change colour, that is its only function and purpose. It’s the drivers causing the issue, as not one car would consider slowing to allow a gap for me to turn right, when any of them could have, and this would have allowed cars to travel downhill to the lights. In theory it would not have impacted their journey time, because the traffic is flowing less than the speed limit and any car could have easily caught up with the race in seconds.

But so many drivers cannot seem to see the consequence of this, they are driving in an offensive manner rather than a defensive one; an inconsiderate trait that impacts them too rather than helps. You see, because I’m waiting to turn right, vehicles are building up behind me, and there’s only one car down the hill at the lights. The lights turn green this side, and I can finally turn right. Now the cars behind me must decide if they should race for the green light in icy and foggy conditions or be stopped by the light changing back to red. 

It’s rush hour, and they dive into their cars like headless chickens, with a do or die attitude, running late, because an unexpected frosty morning caused them to have to run their engine for a half hour, to save a spray of de-icer. It’s an everyman for themselves tenet which will inevitably backfire. I found myself wondering how many people will need to turn right at the junction in the next hour, it is a busy route after all. If each time they do, a backlog of traffic builds up behind it, consequently only allowing a few cars to make it to the lights before they turn red again, will undoubtedly in time cause a domino effect further into town, and traffic will be queuing by eight o’clock, at every other roundabout and junction; QED. So, while the traffic coming into town saved a car length by not giving way to cars like mine trying to turn right at Shane’s Castle, their actions have found them stuck further down the line.  

You should note, Station Road is now open again, so you can get around the Market Place that way and save yourself a few seconds. Top secret leaked info that one, as while it seems Devizes Town Council has made no announcement of this on their Facebook page, certain Facebook groups with a penchant to ban anyone who doesn’t agree with the political opinion of the admin are the only ones in the know; that is the very same selective and insular “every man for themselves” attitude we must avoid as the driving like a muppet one, if we are to paint a better picture for our town than the journalists are delivering for sales.

For while yes, perhaps these news items need to be published, there’s no need for them to be lead stories splashed across the front page when there’s plentiful positive stories with feelgood factors, locally, of more importance and interest. So, put them inside the paper, small mentions, and counteract them with said positive news that project all the good happenings in towns like Devizes, because there really is, but you’re not reading about them because all you read about is how bad things are, and that is damaging everyone struggling to uphold a business here.

Just stop, slow down, consider the lilies, consider each other! It’s the Winter Festival tomorrow, lantern parade, Christmas market and lights being switched on. No doubt you will be in the Market Place, enjoying the festivities, drinking mulled wine, but will you be back next week, believing what you read and frowning at the few folk drinking there?! Or will you say, “you know what? In the grand scheme of things, Devizes is a great place to live,” avoid media persuasion and general silliness, drive with consideration, shop here, doing your bit to make it so? Devizes is open, thriving and a wonderful place to visit…. as it always was.

Jolly good show, carry on….


“A Streetcar Named Desire” at The Rondo Theatre, Larkhall, Bath, November 27th-30th.

by Ian Diddams
Images by Josie Mae-Ross and Infrogmation

Tennessee Williams’ quasi autobiographical drama “A Streetcar Named Desire” was first performed in 1947 as the world emerged from years of global conflict. That war had changed things for ever in many ways …  while in others, many things remained the same. Williams’ own family’s misfortunes and situations are threaded throughout the play, but while those may have been in reality based in the 30s and 40s the issues he raises – of misogyny, bigotry, domestic abuse, violence, homophobia, and social snobbery – are as obvious today as they were almost eighty years ago.

As titles go though, it may well have been simply named “The Fall and Fall….  And Fall of Blanche DuBois”

The eponymous streetcar ran on the line of that name in New Orleans until around the time the play was first performed. Its simple plot is that of Blanche DuBois and her fall from status, grace and finally sanity. Surrounding her is her sister Stella, who abandoned their cocooned life years before, Stella’s husband Stanley, a course, uncultured “Polak,” and their abusive relationship is mirrored by their neighbours Steve and Eunice.

A glimmer of light comes Blanche’s way in the guise of Mitch, seemingly gentler and more appreciative …  until he turns, showing his shared heritage with the other men. Blanche descends into madness as her airs and graces so vilified by Stanley slip away to expose her own seedy recent past, and her own bigotries, while exposing the other womenfolk’s tightrope walk through their marriages.

This is not a light play. It would come with plenty of trigger warnings – domestic violence, homophobia, rape, alcohol abuse, to name but a few of them. That the company present these challenging aspects convincingly without descending into casual titillation or merely seeking to shock is tribute to their acting skills, the direction of Heidi Street, and the set and technical wizardry on display.

There is another aspect to heighten the senses, and bring New Orleans’ Latin Quarter into this pleasant eastern suburb of genteel Bath, UK. The show’s very own jazz band of Tom Turner, Peter Tucker and Yvonne Paulley providing the appropriate Louisiana style soundtrack to complete this exquisite holistic production.

Not content with playing clarinet as above, Yvonne also appears as the Nurse and a rose seller with a fine command of Spanish, and in-between those two demands also produced the show. Accompanying her and is another clearly ridiculously talented man, Tom Turner swapping his saxophone to play the Doctor as the stranger whose kindness Blanche, for a final time, relies on. Toby Skelton is another all-rounder who aside from stage managing all of this also appears as the Young Man, while Riza Domi is obviously far more sensible, with just the one role of Pablo, one of Stanley’s poker playing buddies.

Neighbourly Steve and Eunice are subtly portrayed by Tim Carter and Sophie Kerr, all lovey-dovey and lustful – until the pans begin to fly. Tim Hounsome sensitively plays Mitch, Blanche’s almost love interest – until his urges almost overtake him and finally his own prejudices come through. Stella is sympathetically portrayed by the excellent Lauren Arena-McCann who as an American herself – albeit from New York State and not Louisiana also doubled up as unofficial voice coach! Her portrayal of an oppressed wife trapped in a caustic, abusive relationship in which she acquiesces easily to her own lustful urges, while protecting her sister from a world Blanche cannot comprehend is painfully perfect. Matt Rushton delivers Stanley cringingly well too…  his physical presence, large voice and overbearing character is full of unspoken menace the entire play; of course, to Stella but also to his drinking and poker buddies who he controls through fear.

Which simply leaves Blanche DuBois. Lucy Upward is the very essence of Southern belle – sophisticated, used to the finer things in life, seeking to move in the right social circles…  but exposing the cracks in that edifice as the story unfolds.  Delicious flirtatiousness, demure repose, increasing intemperance and the slide into insanity as her Walter Mitty world collapses around her. Lucy captures these airs, moods, and madness perfectly – she IS Blanche DuBois.

The set is a marvel – a perfect setting to portray a cramped two room apartment in the confines of a community theatre. Muslin roman blinds provide discreet views of more intimate – and jarring – moments while the rake of the stalls provides the upstairs flat from Stella and Stanley’s own. Costumes by Chrissie Fry as ever from her, capture the times and characters so well, from Blanche’s diminished trousseau to Stanley’s slobbish attire replete with hideous bowling shirt.

There is false hope, there is pain, there is self-delusion, there is despair. But overall, at the Rondo this week, with a sold out run, there is a Streetcar…  named Desire.







JP Oldfield’s Advent Cellar Session Videos

It’s been a busy season for Devizes musician Josh Oldfield. Since our chat early in October his name has been propping up everywhere across our live music circuit. Over the past few weeks he’s been busy putting together “the cellar session,” an hour long live video of covers and a few originals, just in time for Christmas….

“Basically, it’s my TV Christmas special!” Josh joked, as he’ll be releasing one video of each song from the session every other day on YouTube from the 2nd of December, with the final upload arriving on Christmas Eve. “Think of it as a bit of an advent calendar!” he said.

“The idea of the Cellar session was to put on a DIY live lounge with no frills or major edits in an attempt to recreate the live environment as much as possible,” he explained. “A lot of work and countless hours have gone into this and hopefully you’ll enjoy the end result as much as I enjoyed making it.”

JP Oldfield plays the Sunday sessions at The White Bear on 1st December with John E Wright from 5pm.

Be sure to subscribe to the YouTube channel, HERE, to not miss the uploads! 


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House Music All Night Long: Palooza Returns to Devizes

Purveyors of perfect motion, house music promoters Palooza return to The Exchange in Devizes on Friday 20th December, for its grand finale of the year…..

March of this year saw the launch of Palooza, a project from two local house music diehards to bring the good vibes of house clubbing back to Devizes, and they succeeded with an unforgettable opening night at the Exchange nightclub. Palooza returns one last time in 2024, and it’s set to be the boldest night of the year as they transform the venue into a dance music haven.

Five hours of non-stop music from 9 PM to 2 AM, featuring a stellar lineup of DJs bringing their unique sound across tech house, future house, classics, and techno, guaranteed to bring the beats and keep the energy high. The lineup consists of Grit, Fashion, RodJ, Alchemy, Sun and T-Rex, the latter Palooza’s first female DJ, from Brighton.

Doors open at 9pm, when there’s a happy hour until 10pm with half-price drinks.

The last Palooza of the year promises to be an unforgettable celebration of dance music culture. Whether you’re a loyal fan or new to the Palooza vibe, this is a night you won’t want to miss! No tickets, just pay on the door.


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The Lost Trades Float on New Single

I’ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quin…

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Chapters, New Single From Kirsty Clinch

Okay, so, I’m a  little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning I’ve not yet mentioned Kirsty Clinch’s new single Chapters, released at the beginning of the month, which I should have done. Why, you might ask, is it any good? Did you hear me right, it’s Kirsty Clinch?!

Eloquently sentimental as ever, Kirsty suggests it would make the perfect wedding song, and I’m inclined to agree, though I had my turn already, choosing Ben E King; for prospective newlyweds though, take heed! This bears all the hallmarks of a breezy country classic from the likes of Dolly or Wynette, with a contemporary sense subtler than Swift, that is, added bass by local legend Pete Lamb, who also mixed and mastered this delicate beauty recorded by Kirsty herself.

It trickles like water, with a loose narrative to be interpreted to suit your dreams too, but if there’s the opening of a new chapter of thoughtful prose, the character in the song admits to being too young to reminisce on previous chapters. In fact, it has been a few years since past chapters opened musically for Kirsty, her Evolution album was released in 2021. She has been concentrating on Westbury’s Award Winning music school, First Melodies, which she created to coincide with a series of preschool music books. I love this project as it’s perfect for Kirsty, but, it’s a warm welcome back to recording, as this song sure makes up for lost time!

Buy Chapters on iMusic HERE


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Devizes Chamber Choir Christmas Concert

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Steatopygous go Septic

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The Wurzels To Play At FullTone 2026!

If Devizes’ celebrated FullTone Festival is to relocate to Whistley Road’s Park Farm for next summer’s extravaganza, what better way to give it the rustic…

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Cephid’s Sparks in the Darkness Goes Live at Bath’s Rondo Theatre

Best part of a year has passed since Cephid released the groundbreaking electronica album, Sparks in the Darkness. At the time I said of West Lavington’s musician and composer Moray Macdonald’s alter-ego’s masterwork, it was composed of “gorgeous complex structures and intense electronic textures,” and comparing it thus: “like Jean Michel Jarre came after dubstep, as if 808 State created Tubular Bells!” On February 8th 2025, Cephid is coming to life, live at The Rondo Theatre in Bath……

Yeah, so I waffled in the review, from Dadaist Art of Noises to Delia Derbyshire and onto Kraftwerk, but it was hard to describe this album, to convey how technically constructed it was, because while contemporary, we usually associate electronic music with dance music ever since the slapadash rave era. While it’s certainly danceable, it also relies heavily on the ambience of prog and space-rock soundscapes of yore, and creates this timeless classic impossible to pin down.

The show will likely be that rare and unmissable occasion, Moray said he’s “very excited and a little nervous to announce the first ever Cephid live show!” but that he feels, “lucky to have such a great space to perform in, and I’ll be using light shows, projections, and more to bring the album to life.”

Partner Charlotte is producing the show with Nick Beere on sound. Graham Brown of Grace and Fire and The Paradox Twin will be on percussion and keys, and there’s a solo support performance by ex-Enid’s That Joe Payne.

Since releasing Sparks in the Darkness, Moray has spent a lot of time explaining his thought processes while producing it, and remixing Kleptocracy, the new single from Orchestral Manoeuvres in the Dark which charted at number 1 in the Official Vinyl Singles Chart in May. If you’re an OMD fan, or just have the slightest interest in any subgenre of electronic music, this will be an unmissable show. 

Tickets are HERE.


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DOCA’s Young Urban Digitals

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Jol Rose’s Ragged Stories

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Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizes’ most modest acoustic virtuoso arrives at the 21st just…

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s…

“A Monster Calls” at The Mission Theatre, Bath, November 26th-30th.

by Ian Diddams
Images by Rowan Bendle and Ann Ellison

When is a Monster not a Monster? When is a good person not good? When is a bad person not bad? When is wisdom not positive? When is being invisible a terrible thing? What is the truth?

Bristol Old Vic took Patrick Ness’ novel “A Monster Calls”, based on an idea of Siobhan Dowd, and with the help of Adam Peck created this quasi-fantasy tale of an adolescent coming to terms with teenage angst, awakenings and the complex realities of the adult world. Whilst not harnessing Sondheim (“Into The Woods”), Wilde (“The Picture of Dorian Gray”) and Shakespeare (Macbeth’s witches) nonetheless tiny elements share some areas of those three…  but more of that later…

Next Stage Theatre Company” perform this powerful story of growing up this week at The Mission Theatre, Bath, in the round. A cast of eleven mixed youth and adults form the principal and secondary characters and general ensemble Greek chorus style seamlessly. Directed by Alexa Garner she has carefully crafted this beautiful tale into the powerful vehicle that intensifies its emotions as the play progresses. It is a simplistic play at face value – young teen faces bullying, adult repression, nightmares, and the worst scenario imaginable at such a youthful age and eventually learns the solution to dealing with life. In this regard the youth orientated novel by Ness is quite clear – but its more than just teenage angst. This is a play of onion skins, where if desired peeling away each layer reveals more and more philosophical and at times disturbing facts – possibly about oneself.

The primary character is Conor O’Malley wonderfully portrayed by Fin Hancorn. Its an emotional role and Fin clearly digs deep into himself to reflect all the emotions demanded of his character – he was clearly emotionally drained at the final curtain last night, full kudos for a young actor. He is more than ably contrasted by the Monster, superbly portrayed by Nicky Wilkins as the overbearing and at times demonic, Freddy Kruger like, Yew Tree …  that despite the name and the presence reveals his true purpose at the play’s end.

Conor’s main protagonists are played by Jonathan Taft as the arch bully Harry, and his two henchpersons Sully (Poppy Birch-Langley) and the fully convincing as the unconvinced bully Anton (George Chivers). Treading that wary line between teachers that “don’t get it” while simultaneously caring for their charges are Bob Constantine as Mr. Marl, and particularly Perrine Maillot as Miss Godfrey. Adding insult to injury are two of Connor’s family members, estranged Dad (Mayur Batt) who has lost all realistic connection to his son whilst trying to clumsily help him – and failing, and Grandma (Kay Franksen) who redeems herself at the end after being impervious to teenage needs or Conor’s own wants. Members of the cast also appear throughout as that Greek chorus style ensemble.

Not everyone is against Conor though – Lily is Conor’s best friend (Millie Sharma) though Conor drives her away to a position of frustrated friend looking on from afar. That just leaves Conor’s mum, beautifully portrayed by Hayley Fitton-Cook as her health deteriorates, the one character throughout that maintains a caring, loving, and symbiotic relationship with Conor. The stage chemistry between these two is palpable and reaches its peak in the beautifully surreal healing scene that is played out in their minds but enacted with no spoken word, other than a song, and dance and mime and the use of Makaton to communicate through their void. The Monster plays his part also in the scene as the barrier between them whilst being the source of the hope of healing.

Overall the play works through multiple layers …  themes reoccur though not always obviously. The Monster tells a tale of an apothecary – a practicer of old medicine of plants and herbs – while then being the last chance cure from his bark. The overarching meme however is how good and bad can be mixed – a bad pious parson, a good greedy apothecary, the misery of invisibility and the pain of being visible.  These are all flipsides to perceptions; the complexities of adulthood that Conor is beginning to enter and where self-delusion is the greatest barrier of all.

Which just leaves the creatives to praise. The set (Alexa Garner, Liz Wilson, Brian Fisher) is a simple one with excellent use of various props in multiple uses – a hatstand becomes a grandfather clock becomes a hospital I.V. pole, stools also represent industrial mechanisation and so on. The pièce de résistance is undoubtedly the yew tree plinth on which the monster spends most of the show, and height differentials are subtly crafted where the Mission’s layout provides. Costume is simple and contemporary – clever use of school ties to juxtapose the earthy woodland nature of the yew tree, a simple hospital gown and the ethereal Monster garb. Lighting and sound (Kris Nuttall, Rowan Bendle) were subtle but oh so effective – the soundtrack was sublime. Alexa, director, was full of praise for her hard working stage manager – the ironic sign of a great stage manager being that you never know they are there!) Liz Wilson. Choreography totally spot on (Hayley Fitton-Cook and Dynamic Stage Action)

So what of Sondheim, Wilde, and Shakespeare? Shades of “No-one is alone” the worst thing of not being talked about is not being talked about… and is the Monster leading – or controlling Conor? These themes all whirl around this play constantly…  until finally all is made clear.

“If you speak the truth – you’ll be able to face anything.”


“A Monster Calls” is performed by “Next Stage Theatre Company” at The Mission Theatre, Bath nightly at 7.30pm from Tuesday 26th November until Saturday 30th November 2024.

Tickets from https://www.missiontheatre.co.uk/tickets?category=A%20Monster%20Calls

Christmas in Devizes: Everything Happening From Now Until NYE!

Being as we received a taster of wintery weather to come this week, I believe it’s okay to use the C-word; yes, Christmas!!

Here’s everything we’ve found to do in and around Devizes, so far, from now until New Year’s Eve, in addition, of course, to decorating trees, picking all the toffee pennies out of the Quality Street tin, and enjoying watching Hans Gruber fall from the Nakatomi Plaza….

Do remember though our event calendar is constantly updating, so do keep an eye on it, as more events may well be added when they’re brought to our attention. And if you’re in another town, check our event calendar for events in your area; sorry you are not included here, we still love you, but there’s only so many hours in a day!

Lets go from this weekend, but be warned, there’s a lot to get through. Ongoing photographic exhibition at the Valentina Gallery, opposite SoupChick in the Shambles, ends on 2nd December. 

Thursday 21st November sees an Evening of Mediumship with Psychic Medium Nikki Kitt at the Corn Exchange.


Friday 22nd: Public Living Room is open at the Cheese Hall from 1.30-4pm. John Girvan’s celebrated Ghost Walk of Devizes, takes on a Christmas spin. You find tickets at the Wiltshire Museum website. Queen tribute Qween UK plays the Corn Exchange. Recommended trip out of town: boom-bap legends The Scribes are at the Barge on Honeystreet.


Saturday 23rd November: and there’s a Sighthound Stroll at 12pm. Devizes Eisteddfod’s Junior Showcase at the Town Hall. The FullTone Orchestra is at the Corn Exchange with an 80s special, so get your rah-rah skirts dusted and ready.

The Sylvertones are at The Three Crowns. The Ben Fletcher Band at The Southgate. DJ Emilo is bringing in the sounds at the Exchange. And for a short trip out of town, I recommend The Killer Circus show at Market Lavington Community Hall, with a double-header of mod-indie, britpop and ska with The Killertones Underground and 6 O’clock Circus. Or The Publicans at the Royal Oak, Pewsey.


Sunday 24th, The Duskers are at the Southgate for 5pm start, same time, it’s nice to see live music back at the White Bear too; Andrew Hurst kicks those Sunday Sessions back into gear.


Tuesday 26th sees Devizes Lions Bingo Night at the Conservative Club.


Wednesday 27th, don’t forget the acoustic jam at the Southgate.


Thursday 28th – do not miss this, the fantastic Ruby Darbyshire is doing a Fantasy Radio Live Lounge from 7pm at The Pelican. The Last Thursday of each month is also open mic time in the Cellar Bar of the Bear Hotel, from 7:30pm.


Friday 29th is the Winter Festival, on go the lights and Christmas begins officially in Devizes! 

12:00 – 20:00: Indoor & Outdoor Markets and Creative Installations. Lantern Parade at 18:30. 19:00 is Christmas Light Switch On. Window Wanderland begins and runs until 2nd Dec. Look out for the Cascade Chandelier, in the Shambles!

There will be several opportunities to get crafty over Winter Festival weekend with bookable artist-led workshops. More workshops will be dropping soon, so keep an eye on DOCA’s social media! Willow Reindeer Workshop from 10am to 4pm at the Yeoman Room, Corn Exchange. Sarah Jayne Edwards works in willow in all scales, she made the Sanctuary that appeared on the Green in Devizes 2023. Spend a day with her where she will support you to create your own beautiful willow reindeer. 

All materials will be provided on these creative workshops, no experience needed. Event capacity for each is only 8 people. Participants must be aged 16 years or over. There are 2 free places allocated for low-income participants, no questions asked. If you would like to claim one of these places, please email: info@docadevizes.org.uk  

Elsewhere in Devizes, the fantastic People Like Us are at The Three Crowns, it’s the Pour House’s official opening party, and karaoke at the Pelican. Big Plus: it’s panto season at the Wharf Theatre with the opening night of Hansel & Gretel; this is superb, I’ve seen the rehearsal, you’re going to love it, young and old. Hansel & Gretel continues until 7th December, tickets are sold out, but you can join a waiting list.


Saturday 30th sees a Devizes Lions book sale at St Mary’s Church.

Devizes Outdoor Celebratory Arts Winter Festival continues, presenting ‘Crow’ by Avanti Display. ‘Crow’ is a beguiling, genre-defying, beautifully odd show. It teases us with strange images, magical clowning and bewitching visual images. Accompanied by a live inventive score. Video projections expand their comic and curious world, suggesting ideas both profound and absurd. This is a ticketed event at Sheep Street Baptist Church and starts at 6pm.

Also part of the Winter Festival, from 10am to 3pm, there’s an Outdoor Market with Music & Street Entertainment, and Makery Sessions Craft Workshops at various times. Porcelain Christmas Decorations Workshop at Parnella House from 10am to 1pm, with Geraldine Francis.

Contemporary Wreath Making Workshop at 2pm to 5pm at Parnella House with Nancy Rose Stott, an accomplished maker, best known for her amazing hats. All materials will be provided, no experience needed. Event capacity: 8 people only. Participants must be aged 16 years or over. There are 2 free places allocated for low-income participants, no questions asked. If you would like to claim one of these places, please email: info@docadevizes.org.uk

There’s also a Christmas Wreath Making Workshop at Poulshot Village Hall, not DOCA related.

Groovedream at The Three Crowns. Red Light at The Southgate.


And relax, it’s Sunday, but it is December 1st! Curious Kids: Winter Fun at Wiltshire Museum, Devizes. The Pelican has a winter festival Christmas Lunch. JP Oldfield is at the White Bear at 5pm, the Jon Amor Trio residency at the Southgate, same time, and One More Shot at the Black Horse.


Monday 2nd, find a new open mic session at the Pour House, set up by the one and only JP Oldfield; very busy boy atm!


Wednesday 4th December: acoustic jam night at the Southgate.


Friday 6th sees a new regular acoustic session on Fridays at The Southgate, this week has JP Oldfield, Sammi Evans & Bryan Davies playing. White Horse Opera presents some Christmas Music at St Andrews. It’s Christmas Mixup night at the Exchange.


Saturday 7th, there’s a tour behind the scenes at Wiltshire Museum, and another Ghost Walk Christmas Special with John Griven.

The Shudders are at The Southgate. James Mitchell at The Three Crowns. The Coco Club Christmas Ball at the Corn Exchange. Christmas Party at the Exchange. Recommendations out of town, find a reggae night with Knatti P at the Barge on Honeystreet and Ruby Darbyshire at the Woodbridge.


Sunday 8th sees a family Christmas Party at West Lavington Village Hall in aid of Julia’s House. Sunflower Events Christmas Fair at the Corn Exchange. Christmas Fayre at The Barge, Seend Cleeve. 

Music at the Southgate from 5pm with The Wholesome Soul Trio.


Wednesday 11th, acoustic jam at the Southgate.


Thursday 12th is the second Exchange Comedy Night for The Mayor’s Appeal.


Friday 13th there’s Devizes Good Afternoon Choir’s Christmas Invitation with Children from Wansdyke School at St Andrew’s Church. Young Curators Club: Mid-Winter Celebrations: Yule and Saturnalia at Wiltshire Museum.  


Saturday 14th: Table-top Sale for Camps International to Peru Trip: 12-4pm at The Wharfside. LECTURE: Digging for Erlestoke by Leigh Chalmers and Dr Phil Harding at Wiltshire Museum. And the opening of a new exhibit at the Museum, Megalithic Connections – Drawings & Etchings by Dave Gunning, which runs until 22nd Feb.

Christmas Market at Hillworth Park, in which Santa is fully booked, but he’s also at, Breakfast With Santa at the Fire Station! Santa! Hey! I know him!

The Big Sound Christmas Concert at the Corn Exchange. Sour Apple at the Three Crowns, The Worried Men at The Southgate. And Karl Maggs has got the Jingle Bangers in the mix at the Exchange.


Sunday 15th, Wish Tree Gathering from 3-5pm at Quaker’s Walk. Devizes Town Band Christmas Party at the Corn Exchange. And  Manos Puestas at The Southgate at 5pm.


Wednesday 18th, acoustic jam at the Southgate. 


Friday 20th, John Grivan’s celebrated Ghost Walk of Devizes, takes on a Christmas spin. You find tickets at the Wiltshire Museum website. 

Devizes most celebrated house nights, Palooza returns to The Exchange.


Saturday 21st: Barrelhouse at The Southgate. Adam Woodhouse at The Three Crowns, and the Long Street Blues Club Christmas Party with the Thomas Atlas Band. DJ Mike Alford is at the Exchange.


Sunday 22nd is the Tractor & Tinsel Run at the Market Place. Charity Fundraiser with Burn The Midnight Oil, new band fronted by the fantastic Chrissy Chapman at The Southgate, from 5pm. 


Monday 23rd: The Unpredictables at The Three Crowns, being anything but unpredictable!


Tuesday 24th: Spend Christmas Eve at The White Bear, where the one, the only Jamie R Hawkins will be singing a few songs with Vince Bell too.


Thursday 26th: The Last Thursday of each month is also open mic time in the Cellar Bar of the Bear Hotel, from 7:30. We assume this will take place as usual.


Friday 27th: Drew Bryant at The Three Crowns. Twixmas Fun Quiz at The Pelican. DJ Stevie MC at the Exchange for an after Christmas Party.


Saturday 28th: The Killertones Underground at The Southgate; nice one!


Tuesday, New Year’s Eve: find Soundhog Karaoke at The Three Crowns. Back to Skool New Year’s Eve Party at the Pelican. The Original PJ & Mister M at the Bear Hotel. DJ Karl Maggs at The Exchange, and NYE Party at Seend Community Centre; Happy New Year!


That’s your lot, unless there’s something we missed? Tell us about it, please do, we can add it, it isn’t going to cost you anything more than being nice to me when you see me next! I hope everyone has been good all year, and wish you all a merry Christmas and Happy New Year!


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CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick onto…

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Local Tech Firm Encourages Shoppers to Think Pre-Loved this Christmas

With Black Friday just a few weeks away, Wiltshire based Blackmore Computers Ltd, is encouraging people to think pre-loved if they’re planning on buying laptops and computers in this year’s sales…….

Electrical goods are one of the leading categories of intent to buy over the Black Friday and Cyber Monday weekend (29 November – 2 December 2024) and while discounts on new products can be enticing, second hand devices offer an environmentally friendly alternative without compromising on quality or cost.

Steve Edmunds, Director of Blackmore Computers, said: “The second-hand laptops we sell in our e-store often have higher specifications than new consumer-grade laptops because of higher initial quality and performance standards which are required in the corporate world. Essentially, they’re built to perform and last better than consumer grade laptops.”

The UK is facing a substantial e-waste problem, generating the second-highest amount per capita worldwide. Research from Material Focus, released in March 2024, highlighted that ‘UK households are holding onto 880 million unused electrical items and throwing away 103,000 tonnes of electricals, costing the economy £488 million in lost valuable raw materials.’

Purchasing new tech not only places unwarranted demands on the planet’s resources but poses the question for consumers: “How do I dispose of the old one safely?”

ReassuredIT, a new initiative by Blackmore Computers, addresses both problems by providing a convenient and secure way for residents to dispose of electronic devices they no longer need or want and providing them with a voucher in exchange. The voucher can then be used towards the cost of a quality refurbished laptop from the company’s e-store. All laptops have been refurbished to the highest of standards and present an affordable option for purchasing ‘new tech’ gifts during a cost-of-living crisis.

For a small fee, old devices can be shipped to, or dropped off at, Blackmore’s secure facility near Warminster. Each device is then securely wiped and either refurbished or recycled. More importantly, every customer will receive a certificate confirming all data on the device has been removed.

“Our focus has generally been on corporate contracts and their need for high levels of data safety; however, the number of households storing old devices due to data security concerns is significant,” explained Simon Barfoot, Founder of Blackmore. “I have always been an advocate for sustainable IT and the work we do not only reduces the amount of tech going to landfill but it guarantees the highest standards of data security. Our team of experts restore and refurbish what we can in order to extend the lifecycle of a laptop or computer and tackle the ‘throw away’ culture. Buying new shouldn’t be the default shopping mindset, and purchasing second-hand in 2024 doesn’t mean having less. It’s about making smarter choices.”

To learn more or to register for the Reassured IT service visit: www.ReassuredIT.co.uk


Westbury Trance Masters Hedge Monkey Reunite For Hometown Gig

If rural West Country had a penchant for trance in the happy daze of the mid-nineties, heady nights of fluorescent-clad crusties with eyes like flying saucers and gyrating like robots at the UFO club down Longleat’s Berkeley Suite, or bumbling around a nearby forest afterparty keeping Wrigley’s in business, trance-techno, it could be debated, tended to be heavily influenced by German Tekno and of Kraftwerk and Tangerine Dream which predated it, and in doing so, often felt rather soulless when compared to rivalling subgenres spawned from the rave era, of house or drum n bass, but there’s an alternative, Hedge Monkey….

House, jungle, happy hardcore, et al, they all had their pros and cons, but I tended to saunter them all with equal love, as I arrived on the rave scene at its inception, acid house, and if any splitting subgenre related closer to those roots it was trance and techno. Lou’s smooth vocal chants on Westbury’s electronic dance music ensemble Hedge Monkey blesses it with something bands like Eat Static lacked, a soulful voice and meaning. With an underlying base of trance-techno of yore, Hedge Monkey’s engineer Jase cherry-picks other dance music influences and moulds them into the melting pot. If Massive Attack came from rural Somerset, their sway to hip hop might be lessened, and you might find yourself with a sound not so unlike Hedge Monkey.

Being honest, I hadn’t heard of them until last night; I may have completed my rave honeymoon when Hedge Monkey was blossoming. They’ve three tracks on SoundCloud worth checking out, two new and one being a “samba dub” of an older tune. “We were a band years ago,” Lou explained, “even played Glastonbury festival twice! But this was before social media, really. I’ve been recording music with Jase the whole time, but we never did anything with it. Just recently we decided to get it all back together and it’s been fab, so we decided that we need to have a comeback gig!”

The comeback gig is Saturday November 30th at Westbury Cons Club, tickets are £8, from HERE. There’s DJs until 9pm, then Hedge Monkey swings on stage. If you’ve a passion for dance music of any pigeonholing subgenre, you should take note of this gig.

Based on the tunes, there’s more going on than mindless techno stomp, the vocals on the first tune Deeper Meanings, echoes out as 808 squeaks build in layers to a bouncing beat akin to Leftfield. It’s uplifting, euphoric trance, like Warp’s early days, elements took me back, conjured happy memories of fluffy nuggets like Tuff Little Unit’s Join the Future, (or am I showing my age now?!) which used subtle piano to give balance to the hypnotic ambience. Similar here, actual drum beats, guitars, and vocals give it body, makes it a band, which it is, rather than the sole bedroom producer flouting the usual samples.

The second tune, Lou’s Samba Dub Lung, shakes up more experimentally and contemporarily, dubbing a chemical breakbeat. There’s absolutely no reason for Plump DJs or The Chemical Brothers not to spin this one in my humble opinion, yet still, there’s still something underlyingly faithful to the trance techno of its roots, the dirty little tent on a muddy Somerset field!

Final tune to mention, then you can go take your meds; Turkish E, take us back to trance.  It’s seven minutes of bliss, retaining uplifting vocals, squidgy 808s, shroom-inspired twirls and block rockin’ beats. You know, I might have an efficacious relapse if I attend this reunion-type gig, just try to prevent me from waffling Uncle Albert moments; “when I was in the rave,” type stuff! Ruffle your matted dreadlocks, unearth your tie-dye T-shirt from the loft, ignore me best you can, and I might see you there!  


Devizes Writers Group Win Silver Award

Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group…

At the National Community Radio Awards held in Cardiff on 16th November Together!, the soap opera written by DWG’s Rosalind Ambler and former member Paul Snook, and produced and broadcast by Warminster Community Radio, got the silver award in the Arts and Culture section. Paul nobly stepped from merely playing the part of Gary the […]

A bit of a boast – we got Silver.

Market Lavington’s Killer Circus Show This Saturday

Two of the county’s top retrospective cover bands meet for a double-bill of action in Market Lavington This Saturday. Calne’s indie rock five-piece Six O’clock Circus have diverse influences to win any crowd, but it’s always conveyed with this affirmed nod to the heyday of mod rock, new wave and Britpop. Swindon’s The Killertones Underground likewise will bring Two-Tone ska classics and new wave punk to the forefront in what looks set to be an awesome show…

Saturday 23rd November, Market Lavington is treated to this one-off double-billed headlining show, at their Community Centre. I highly recommend both bands, you will not be disappointed. Killertones you may recall we’ve mentioned many times before, always a hit at Devizes Scooter Rally, and members Cath & Gouldy can equally engage a crowd at the Southgate, often with the more folk-influenced sounding duo Sound Affects.

Six O’Clock Circus can also be as diverse, shows at the Three Crowns in Devizes and the Southgate too, always make for a blinding night’s entertainment, despite differences in the crowd’s demographic, proving we all love to be taken back to a time when music was our lives.

Tickets for the Killer Circus Show are £12 from here; I hope to see you down the front, giving it some like the noughties never happened!


Congratulations to Chloe Boyle, Fundraising for Devizes OpenDoors

Again we find ourselves congratulating and thanking young Chloe Boyle for fantastic fundraising efforts for Devizes homeless charity OpenDoors….

With friends and family she spent Saturday morning selling teddies and soft toys outside Morrisons in Devizes, this time raising £61.40. But if we’ve featured Chloe before they are usually for her individual fundraising efforts. However, it is in her and her family’s continued efforts in which Chloe has been a hero and an inspiration, raising a grand total of £1372.95 so far.

What began as a stall selling her own cuddly toys, has amounted to collecting donations from others, and continuing this amazing work. Mum, Julie proudly told me how the community has got behind this, and led her stall to be found regularly around the area, at our many great events like FullTone, and special occasions at Hillworth Park. If you see Chloe’s stall around and about, do take a look and buy a bear or two! Congratulations Chloe, you are a star!


Hansel & Gretel: Panto at the Wharf!

Images: Chris Watkins Media

It was lovely to spend Sunday afternoon at Devizes’ Wharf Theatre, to see how this year’s pantomime Hansel & Gretel, is coming along. If my preview is behind me now, or if “oh, no, it isn’t,” I’m happy to confirm ticket holders are in for a real treat, and those without a ticket I urge you to be as quick as a quick thing being quick…..

Tickets for panto at the Wharf sell out fast every year, rightfully. I believe there’s only a handful left. It may beg the question why I’m here to preview it at all, but with our Ian hot on the scene of anything theatrical these days, I’ve missed being at our communal little theatre. While I may not be so knowledgeable on Shakespeare’s plays, I know what I like, and I’m smitten for a great panto.

First time panto co-director Karen Ellis, who works with Jessica Bone, told me there’s a slightly different approach this year. I couldn’t tell, Jack & The Beanstalk was wonderful last year, Hansel & Gretel is going to be as amazing as a gingerbread house decorated with sweeties!

A few sweets need tweaking, I’m at an early rehearsal, neighbouring seats are occupied with ladders and paint pots. Opening night is Friday 29th November, and with extra dates added the show runs until Saturday 7th December, with matinees on the Saturdays. With professionalism abound from what’s essentially an amateur production, from my sneaky peek alone, I’ve no doubt, this show is going to absolutely sparkle and thrill young and old equally. 

It was interesting, though, to see the inner workings of a panto developing, the many elements needing synchronisation I wouldn’t have contemplated before now, and the attention to detail to something which might seem somewhat improvised to an outsider. It might be a couple of hours of quality family entertainment to you, but from script, expertly crafted by The Wharf Writers’ Group, to this stage where only a few I’s need dotting and T’s crossing, has taken a year of hard work from a thoroughly dedicated group of very talented people.

And the hard work explodes like a supernova. As any panto should, the narrative is slight and loosely based on the Brothers Grimm fairy-tale. The show concentrates on slapstick, corny gags, drag, parodies of pop songs, slight tragedy, and a huge dollop of funny banter and audience participation, with a sprinkling of storyline. Brush up on your children’s TV show themes, anything more might be deemed a spoiler, but I can assure you, you’re going to love it; all these elements are in grand abundance, and it thoroughly entertained me.

Starter for ten, neither Hansel, parts shared by two great young actors, Rory Lee and Tamsin Antignani, nor Gretel, similarly played by Emily Edwards and Gigi Underwood, are the protagonists here, rather the main parts depict an investigating police officer, Buttons, and his love interest, comically named Carrie Okie. The latter is played superbly by Georgina Claridge, also responsible for choreography, and the former, Officer Buttons is sublimely brought to life by Darcey Oswin; both masterful and confidently versatile in acting and singing, they work together like the perfect double-act.

Adam Sturges’ thespianism flare, with a natural ability for improv makes for the quintessential dame; he remained in character and high heels when I chatted to him outside! Is this the first pantomime dame to have a son, I wondered? Shaken, but not stirred and played by Lucas Dowling.

Likewise, Helen Pritchard makes for an excellent witch, and there’s supposed to be a compliment in there! Lesley Scholes is hilarious as a discluded fairy godmother, and the randomly placed comical duo is supplied brilliantly by Oli Beech and Liz Sharman.

Other singing and dancing characters are cast aptly, with Archer Leigh, Jo Benyon-Tucker, Cathy Chappell, Corrin Bishop, Poppy Lamb-Hughes, Emily Webb and Ben Bryan. It wouldn’t be Christmas without a panto, and even a Grinch like me, after watching just a rehearsal for this early in November, could sense sleigh bells jingling and ring-tingle tingling all the way home!

I cannot guarantee your Brussel sprouts will be perfectly timed to coincide with the turkey, but I can assure you without doubt, Hansel & Gretel at The Wharf Theatre will warm your hearts and send you home smiling from elf ear to elf ear!

But hurry and be lucky to pick up the few remaining tickets HERE.


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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasn’t quite dying,…

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A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindon…

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No Worries; Worried Men at The Pump

Long overdue a visit to the Pump in Trowbridge, Jamie Thyer, frontman of the Worried Men twisted my arm Friday night and there I was, to witness, once again, these wonderful weavers of sublime blues to rock n roll tapestries…..

It’s been five months since I was last here in the legendary pump room converted music venue, and it feels good to return to this friendly appreciation society. Steeped in history of Trowbridge nightlife, newfound energy was, quite aptly “pumped” into the once adored folk club upon Kieran Moore’s takeover some years ago, in which diversity was widened by the Sheer Music promoter’s vast knowledge of indie bands both local and international. I’ve said this before; you can see established big names at our city’s larger venues, but at the Pump you’ll see the upcoming names soon to be big, that’s its unique appeal.

Despite the Pump bucking the concerning trend of grassroots music venues stumbling on financial difficulties, its future felt dubious at the beginning of 2024 when landlords of the Lamb, the Wadworth pub which houses the establishment planned to leave. A silver lining was emerging from the cloud when I was last there, Kieran was optimistic after meeting the prospective landlords, who were supportive.

It has to be said, my past experiences of the Lamb was such that it felt like there was a psychological barrier between it and the Pump. A thriving pub, but not interacting with a similar ethos of the venue, like the Pump was a welcome entity only for extra bar sales. But, alerted to the new landlords staging live music in the actual pub too, and hosting Brian Reid’s celebrated open mic nights as well, it seemed like the tables were, quite literally, turning.

Confirming this, I spoke to a few punters in the Pump last night, who had curiously wandered in from the pub, delighted in what they were witnessing, and dammit, if I wasn’t suspicious that the couple leaning against the wall by the actual pump itself wasn’t the new landlords themselves, lapping up the music (I should’ve asked rather than make the assumption, but it was loud!)

If it feels like a positive new chapter has opened here, the Pump is much the same visually; if it ain’t broke…. And who could blame those curious punters and the landlords, when the Worried Men do their thing, it’s something to behold and nothing, as the name might suggest, to be worried about.

Three matured rockers, new drummer I think, doing a show I’ve seen enough times before to know what gorgeousness I was treating my ears to. With a support act awol they started their journey early, no one minded getting a little extra worried, and Jamie mocked the situation, as he does many elements, in his psychedelic surrealist sense of humour.

A grand night indeed. For anyone not versed on the occasions I’ve reviewed The Worried Men, here at the Pump, their album, and at The Southgate, here’s how they throw it down. Yes, there’s life in covers, Jim, but not as we know it. Renowned riffs and rhythms of rock music classics you will acknowledge, but they’re woven into an original tapestry, a medley of homages in splinters, where the band interpret and Jamie improvs these wild experimental guitar adventures akin to Hendrix, and dare I suggest it, with equal skill and gusto? Okay, with honesty, it’s not far off that unbelievable benchmark.

On Jimi, it’s a personal favourite of mine when elements of The Wind Cries Mary come into play, but equally, the baby, please don’t go blues of Waters and Wolf, to mellowed Flyod-esque moments of sixties psychedelia, smoke on water, Louie Louie, Berry’s rock n roll finales with farewells to Johnny B Goode, all interspersed with original thoughts, observations and compositions, and a jumpin’ Jack flash encore; it’s easy riding, keepin’ on truckin’ as if the age of the Rubix Cube never happened!

And I call it a tapestry, for they are the most skilled pre-Renaissance medium created by the most proficient embroiderers, and The Worried Men are proof that practice makes perfect. Efficiently if cheekily quoting my own quotes, I’ve said in the past, “and Morpheus said unto Neo, “unfortunately, no one can be told what the Matrix is. You have to see it for yourself.” Funny cos, I kinda feel similar about The Worried Men!” and upon discovering them at the Gate two years ago, I explained Jamie’s gestures thus: “Jamie holds an expression of concentration, occasionally looking up at you through these spellbinding Hendrix fashioned excursions, as if to ask “is that alright for you?” Like a dentist with his tools stuck in your gum, you feel like responding, “yes, fine, thank you doctor.”

And these quotes still fit, for if there’s nothing new to report about The Worried Men show, it doesn’t require improvement. The majority of acts at the Pump are younger, upcoming and to catch them irregularly over time you will see them progress. The Worried Men had their talents honed long before I came to report on them, it is, in a sentence, timeless bliss you’ll never tire of hearing.

The Pump is the proof, locally, the message is getting out there: support live music, and I look forward to returning; just wish there was a late night bus to and fro, because if there’s one good reason to head for Vegas, it’s their Pump! Check out what’s coming up there.


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Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!  Didn’t that crazy toothless editor catch them…

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Emo Night: Slash Fiction and The Yacht Club Nationwide Tour Comes to Trowbridge’s Pump

Sheffield’s DIY punk queer emo five-piece, Slash Fiction will be at the Pump in Trowbridge on Wednesday 20th November as part of their nationwide tour. A winter-warming double-header with their tour buddies, London’s math-emos, The Yacht Club, and Devizes’ own upcoming nu-gaze band Enguun, with Steatopygous drummer Ewan Middleton….

Comparable to Get Up Kids and The Wonder Years, Slash Fiction, recently released their debut album, Gender, Trauma & Friendship, which Kieran J Moore of the Pump hailed as his album of the year. They also claim The Yacht Club are equally as wonderful; “think math-y guitars a la American Football combined with a Jimmy Eat World pop sensibility,” they said. Four members fighting their guitars, The Yacht Club define their style as Revival-Revival Math Rock and have an EP out called IDTTIARTBWY.

It’s unusual for the Pump to be open for a Wednesday night show. “This will either prove that we’re mentalists OR that Trowbridge is great throughout the week, and not just at weekends,” they said. 

Engunn proved a hit at Devizes Youth Action Group’s club nights in February and June. Our reviewer Florence Lee said, “when Enguun went onto the stage, I was simply blown away. They are insane. My ears were in euphoria as soon as Ewan Middleton and Joshua Allen started to bless the audience with their music. As a musician, their ability to capture audience attention and put everyone in a trance-like state of freaking out was out of this world.” 

Tickets Here, from the Pump Website.


Ian Siegal at Long Street Blues Club

Devizes is often spoiled for choice when it comes to live music. Swindon folk ensemble SGO at the Gate would’ve been an excellent decision for this Saturday night, and I considered dropping by at some point during the proceedings at Long Street Blues Club prior to the proceedings at Long Street Blues Club, but during the proceedings at Long Street Blues Club I concluded I’d have to be criminally insane to leave now…..

I might be insane, but not criminally, yet! To a packed house, award-winning, and not one to shy away from jesting about it, UK blues legend Ian Siegal came, saw, and revisited his two debut albums as requested by Long Street Blues Club organiser and Devizes mayor Ian Hopkins, enthralling the crowd; including me.

Ian Siegal is a national treasure, his 2009 album Broadside made MOJO magazine’s blues album of the year, but the theme tonight focussed on his debut album from four years previous, Meat & Potatoes, which received four stars in the Penguin Book of Blues Recordings and paved the way for Ian’s sound, and its follow on, 2007’s Swagger. With the original organist from Meat & Potatoes, Jonny Henderson, and drummer Tom Gilkes, he drove sublime Detroit, Chicago and Memphis blues fusions, authentic and raw, to the forefront of a deservedly ostentatious show. That’s how you play it.

I’m not up on these albums, detected a chorus mentioning Swagger, but for the most part, I was simply soaking up the sublime moment joyfully and without overanalysing; too easy to go with the flow of Ian’s sound. There were nods to his influences in splices of covers, flamboyant banter, and skilled compositions. It was, in summary, divine blues. Devizes own, Jon Amor joined him for a couple, and Ian spun blues riffs like they were childsplay.

None of this before the support act, young Ruby Darbyshire, who for the first and last time she played here I called it to be the best support I’ve seen at the club; it’s a double-whammy line-up tonight. Multi-intrumnetalist, Ruby was blowing her bagpipes for Remembrance in the Brittox earlier. Arriving a tad late due to a bus delay, I noted she was already underway, unusually behind a keyboard. Explaining she hadn’t played piano live before, she made a grand job of it, and returned to her guitar where we know and love her best.

A few originals including her timeless Insomnia, and covers from Ella Fitzgerald and Nina Simone to Rag & Bone Man’s Human, she puts her wonderful stamp on them all, rapturously expressive and soulful. To hear Ruby is a magic I’ll never tire of, she’s improved her confidence, which is tricky in this appreciation society, where there’s the silence of a library while performers do their thing. It may be respectful, but a smidgen daunting for anyone on the stage used to more clamorous venues. But hey, anyone who can make Queen’s Is This The World We Created their own fully deserves the upstanding applause she received, from a matured audience who have witnessed many talented people come and go.

Blues stalwarts at the club may have been in the know much longer than me, but Devizine was a learning curve, and when I began it I had no clue how deep the rabbit hole went, this, what I dub “Mel Bush effect,” the town’s association with UK blues. When blues supergroup lockdown project Birdmen became a live show at Long Street a couple of years ago, Dave Doherty invited me and it was my epiphany into how the club was continuing Devizes folk’s affection for the blues. This fantastic eye-opening gig was so due to the stellar lineup, in particular frontman Ian Siegal. 

In its review I summarised him as “the very definition of cool,” but knew I’d have to expand on that next time, which was when he was a guest at the Jon Amor Trio monthly residency at the Southgate in March. So, the extended version was as “cool on a barefoot Bruce Willis pounding through the glass of the Nakatomi Plaza level, he is the Steve McQueen leaping anti-tank obstacles on a stolen Triumph of UK blues!” 

As a quote I was kinda chuffed with, I thought I’d attempt to recite it when I met him after the gig, but intoxication levels took control, and accepting I’d probably stumble out the word Nakatomi, I only mumbled I compared him to Bruce Willis. He didn’t seem impressed, assuming I was referring to the dire commercial album Willis launched in the eighties, trashing soul classics like Under the Boardwalk! Apologies to the man, for I’d archived that album to the back of my mind and wasn’t referring to it at all!

I hope he reads this so I can correct the tit I made of myself! Because last night’s gig was sublime; I never had any doubts, and my concept Ian Siegal is cool, however I express it, sticks! Plus, of course, there will be plenty of other opportunities to make a tit out of myself, I’m sure!

As for Ian, he seems to be on a permanent tour, find dates on his website, and news of an new album, Stone by Stone, due in April, HERE.

For Long Street, John Otway & The Big Band arrives next Saturday, 16th November, promising to be something different, and with Billy in the Lowground in support. Then, Thomas Atlas Band plays with Two Smiles, A Bang, and a Legend in support, for a Christmas Party on Saturday 21st December.


“The Real Inspector Hound”, at the Rondo Theatre, Larkhall, Bath, November 8th 2024.


by Ian Diddams
images by Playing Up Theatre Company

When is a mousetrap not a mousetrap? When it’s written by Tom Stoppard…
If you have seen “The Mousetrap” you may find elements of “The Real Inspector Hound” quite familiar. Or alternatively, if once having seen “The Real inspector Hound” you then progress to seeing “The Mousetrap” you may find elements of that show quite familiar…

“The Mousetrap” of course being a play by Agatha Christie that is the London West End’s longest running play, performed ever since 1952 with only a lockdown enforced break in all that time. Famously, audiences are asked not to reveal the solution.  Tom Stoppard, allegedly, found this requirement somewhat tedious and so set out to write his own, similar, play.  You would ideally want to see both however to fully understand what he created.

“The Real Inspector Hound” is also famously known for being a play-within-a-play; that is, a play in a theatre where the story is about a play. Stoppard though arguably takes this one step further especially as the surreal activities of the second half of the play unfold, as it becomes a play within a play within a play…  the complexities of what that entails are best learned by seeing Stoppard’s excellently bizarre play!

The Playing Up Theatre Company present this show this week at the Rondo, Theatre, Larkhall, on the eastern extremities of Bath. In it they take Stoppard’s already surreal comedy and add even more layers to it…  not only is their performance of Stoppard’s urine extraction of Agatha Christie, but they have added hilarious homages to “The Play That Goes Wrong,” “Acorn Antiques” and even “Monty Python,” especially in the first half – the second half is bonkers enough to not need any additional layers, but the surrealism is excellently portrayed with good pace and no blinking of an eyebrow – audiences need to stay awake and in tune and to have listened attentively to the opening fifteen minutes to get all the nuances going on!

Stoppard used to be a theatre critic himself, and uses this knowledge as a vehicle to extract the urine to that demographic. The two critics, Moon and Birdboot, played by Andrew Chapman and Simon Shorrock respectively, certainly portray two characters full of self-importance and one upmanship, though from opposite ends of the ethical spectrum and the two actors capture this interaction excellently. James Coy adeptly and gruffly spins his way around the stage in a wheelchair as the physically challenged brother-in-law Major Magnus Muldoon, overly protective of his sister-in-law and threatening dark retribution to any man displaying intentions towards her. But is he what he seems to be ?

The star of the show – if one may be permitted to pick any one actor out of a superb line out anyway – for me though was Anne Hipperson as Mrs. Drudge the housekeeper. Her self-confessed homage to Mrs Overall from “Acorn Antiques” is perfect – some exquisite comedic timing. The only thing missing from the portrayal was Stoppard failing, sadly, to provide her with a line of “Two sugars” during the painfully brilliant coffee scene.

Simon Gascoyne, smooth, suave, and sophisticated wooer of women was played by Jordan Phillpots, oozing self-confidence and smarm from every pore, while Felicity Cunningham, played by Leah Brine, the breathless, suspicious, doubly wooed young lady was suitably, deliciously aghast at the abhorrent menfolk in her life.

Then there was the almost obligatory femme fatale for such country house whodunnits – Sophie Brooks as Lady Cynthia Muldoon. Outwardly a devoted wife to her missing husband, but privately a hot bed of passion for passing fancies, Sophie mixed M’Lady’s brooding, sultry character in the farcical first act, and surreal second half to perfection, another actor with perfect comedic timing.


Which leaves just Inspector Hound himself – as ever perfectly played by the ever talented Richard Chivers. Or then again – is he the “Real Inspector Hound”?


That leaves just one more character on stage … mentioned several times, but hidden, then revealed – twice. No names, no pack drill, but the character never puts a foot out of place, and remains faultlessly in character and on stage for the entire show.

The set, by cast and crew, is a simple one as befits a typical country house murder mystery, with the use of the Rondo’s rear “cubby hole” option as the theatre seats used by Moon and Birdboot. Costumes fitted the period setting of 1930s upper class types, and technical design, operation and support was handled with aplomb by Darian Nelson and Emily Smith. This just leaves kudos for wonderful direction by Darian Nelson, abetted by superb stage management – also stepping into the fold of tech team for technical reasons – by Diluki O’Beirne.

I can’t praise this performance enough. From the pure delivery of Stoppard’s farcical surrealism, to the directorial tweaks and homages so well delivered by the cast, to use of Bluetooth technology to really sell on stage audio, everything gelled so well.

So all that remains now is to advise you all – go and see this play wherever you can and see if you can spot who is…  “The Real Inspector Hound.”





False Allegations Against Wiltshire Hunt Sabs About Drone Fly Zones is Unapologetically Reversed By Illegal Hunt Supporting Facebook Group

Due to my real job making regular home deliveries I get to know when folk are away on their holibobs, and when they plan on returning. I could, if I wanted, start a “residents watch” Facebook group for burglars, to ensure those pesky homeowners don’t return early and cause good honest thieves to be inconvenienced while ransacking their homes!

But I’m unlikely to, really, aren’t I? Because, even if I had no moral standards, someone is bound to grass me to the police who would force me to shut down the group, and perhaps rightfully arrest me. Perplexed by the audacity and with a lump in my throat, I’m driven to rant about a Facebook group which Wiltshire Hunt Saboteurs today made us aware of in a post, for the group is not so unlike the bizarre scenario of my introduction; different context, same concept; you can’t make up vindictive stupidity on this level…..

The group is called “South Coast Sab Watch,” therefore I presume there’s regional others. Alas, it does what it says on the tin, and condones and promotes illegal hunting to boot. So, let’s just run through the concept here, shall we, so there can be no mistaking? It’s a group for criminal hunters, whether they genuinely believe the baloney they’re maintaining the natural balance of the countryside, or have a sadistic fetish for animal cruelty (as disgraced former Prime Minister and lockdown party animal, Bojo, enlightened us about,) to keep a beady eye on self-organised non-profit collectives out in the field attempting to curb and highlight their illegal activities, and to inform police of said sab groups, if they were ever to incriminate themselves in the pursuit of such.

Is it just me, or can anyone else see a slither of hypocrisy here?! Reminds me of security guards at a factory I once worked at where smoking was banned, who would prowl the site at night looking for staff smoking, with fags on the go themselves!

It’s been drawn to our attention because of a disagreement over CAA rules when the Wiltshire Hunt Sabs flew drones over a SSSI watching the notorious Tedworth Hunt. The South Coast Sab Watch claimed it was illegal to do this in a statement on their group, and wasted the rural crime team’s time with the matter.

The hunt sabs responded, stating “Drone Assist, which anyone can check, confirms that the Kings Play Hill SSSI is not a CAA “non-fly” area for drones at all.” Seems it was perfectly legal to do this, and as a result, the sab watch group fact checked, and updated their post to admit they were wrong and the sabs were right, there was nothing illegal in what the sabs did. They apologised, but only to the followers of the group, not the Wiltshire Hunt Sabs who deserved the apology, which kinda suggests their motive is driven by hateful vengeance; tell us something we don’t already know!

“We hear the same stupid nonsense from the Beaufort who don’t understand the difference on the maps between barred areas (red areas) and areas where you can fly with caution (yellow areas),” Wiltshire Hunt Sabs explained. “What is an offence, the illegal hunting of wild animals with a pack or dogs on ANY location.  Also what can be an offence is the disturbing of wildlife on an SSSI which is exactly what a pack of dogs  and a bunch of horses chasing them through the SSSI constitutes.”

It’s laughable, should you like laughing at the idiocy of a knee-jerk reaction from barbaric snobs so desperate to twist a narrative, but I’m like, hey, is no one mentioning the elephant in the room? Probably not, it’s likely they’d much prefer to be on a big game hunt for some ivory. Look, being the hunters were so quick to pick a potential mistake from the sabs in their surveillance of them, before checking the facts, doesn’t it look rather obvious they’ve something to hide? On a discussion about CCTV in Devizes, a point was made that this is not big brother, if you’re not doing crime then you’ve nothing to worry about; surely it’s the same thing here?

But, more to the point, if they weren’t suspected of illegally hunting, on the grounds many hunts have been caught in the past illegally hunting, and promote and condone it on their social media, the hunt sabs wouldn’t have needed to fly drones in the first bloody place, you utter, utter numpties! For crying out loud, how stupid can you possibly get?!!

It’s with great curiosity as to the defective mind of a fox hunter which caused me to browse their group, where there’s shockingly blatant posts to admit to and pathetically justify their illegal and barbaric activities.

Starter for ten, they love to highlight this wonky idea that they do what they do in order to maintain the balance of nature in the countryside, which poses the question how this is relevant to what they claim to be doing; legally chasing a tea towel garnished with the fake scent of a fox , that will not affect the balance of nature, only cause disruptions for residents. Ergo, they inadvertently confessed to committing crimes against the hunting act.

They home in on our affections for the lovable creatures like hedgehogs, to play with our emotions, claiming badgers are the reason for their apparent decline. Again, in the decade of my nocturnal outside job, it’s not the hedgehog I see in decline at all, in fact there’s an abundance of them, but rarely do I see a badger these days, and I could count the times I’ve seen a fox on one hand. When I do, they’re generally running for their lives, and I futilely plead to their fleeting shadow not to tarnish all humans with the same Basil Brush; boom boom!

Another post called to arms the might of the hunters when millionaire farmers set out to protest in London later this month, against having to pay their fair share of inheritance tax. Not to open another Pandora’s box here, it simply took to mind they are planning to join in the fun whether they’re wanted there, or not. I mean, does every farmer agree with fox hunting, or will they be like the unwarranted gatecrasher at a party? Humm, I could only answer this one with speculation. History repeating though; when farmers protested over fuel rises in 2002, it was hijacked by pro-hunters who changed the objective to suit their whim.

But what amazes and disgusts me most in equal measure, is how social media groups promoting illegal activities and creating falsehoods against those campaigning against it are allowed to continue. Police should shut them down for spreading misinformation, surely, as they would if they were condoning a different crime.

Again, it seems it is up sab organs like our hard-working volunteers of the Wiltshire Hunt Sabs to call them out. Well done once again to Wiltshire Hunt Sabs, you got them lying, hook, line and sinker! As we move closer to the Boxing Day incongruous pageants, we need and support them as much as we can, so find them here and buy them a coffee


Wiltshire Music Centre Announces New Joint Leadership

Wiltshire Music Centre is delighted to announce the new appointments of Daniel Clark as Artistic Director, and Sarah Robertson as Executive Director. Daniel and Sarah join Wiltshire Music Centre in a new co-leadership model. They will join the team in late January 2025, to strengthen the Centre’s role as a cultural and creative space and Arts Council England NPO for Wiltshire.

Sarah is currently working as Director of Communications and Special Projects at Bristol Beacon, where she led on marketing for the rebranding and reopening of the venue’s £132 million transformation. Sarah’s had a long involvement with Bristol Beacon where she has worked for the past 17 years and been a pivotal figure in the organisation’s evolution. During this time, she has also commissioned and managed transformation projects funded by National Lottery Heritage Fund and was a Clore Fellow in 2021. She’s also held positions on a number of Boards as Chair for Shakespeare at the Tobacco Factory in 2021-2023, and more recently as co-Chair at Turner Sims. 

Daniel has worked in the arts and music industry for over 25 years as a Creative Director, composer and musician. He currently leads the Creative Programme at multi-arts venue, The Story Museum in Oxford, which welcomes over 60,000 visitors a year and delivers a varied programme including learning, exhibitions, events, and participatory activities. Previously he worked as Creative Director for Libraries Unlimited’s Evolve programme – an imaginative programme of live music, theatre, film, interactive artwork, and workshops supported by Arts Council England, was Founder and Artistic Director of EarFilms, a company exploring 3D audio storytelling for blind and blindfolded audiences, and Music Programmer for After Dark & Dartington Live – a series of ‘secret’ events and concerts on parts of the Dartington Estate.

Speaking of her appointment, Sarah said, “I am delighted to be joining Wiltshire Music Centre as Executive Director in the new year. It is a special place, much loved by audiences and artists, integral to the local community and with a team who are talented and passionate. I am looking forward to working with new Artistic Director, Daniel Clark, to build on its fantastic heritage, keeping the music and musicians at the heart of everything we do.”

Daniel commented, “I’m thrilled to be offered the opportunity to join the team at Wiltshire Music Centre during such an exciting time. This world-class venue has a rich history and an exceptional, dedicated staff and volunteer team. I look forward to working alongside the team and the community to shape an exciting new direction for the centre—one that is deeply connected to the passions and interests of the people it serves, bringing world-class music and musical opportunities to the residents of Wiltshire and beyond.”

James Wetz, chair of Wiltshire Music Centre added, “The Board are absolutely thrilled to welcome Sarah and Daniel to the team. Their wealth of experience and passion for the music and the arts, will provide the Centre with the right blend of innovation and expertise needed to shape the next chapter. Working with the team, we’re confident they will both be able to build on our strong foundations and move forward our ambitious plans to strengthen and reimagine our place at the heart of music and cultural life in the South-West, helping to keep music accessible and live for young people and the wider community.”

We double, triple, quadruple love Wiltshire Music Centre here at Devizine, and would like to wish Sarah and Daniel all the best for their new venture.


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The Soul Sessions from Bristol’s Kaya Street

In 1985 Tenor Saw toasted the lyric, “another sound is dying,” in Ring the Alarm. It implied his sound was the contemporary champion, yet while it’s true reggae is competitively progressive, this particular tune’s dubplate derived from the Stalag riddim created by Ansel Collins twelve years earlier, as did Sister Nancy’s Bam Bam and numerous others. I appreciate the ethos of dubplates, for a musician to lay down a track and various singers to interpret it, but favour, if you want a true contemporary champion sound, it’s not to regurgitate existing riddims, but to use past influences to create original composition; the more the merrier! I may have opened a Pandora’s box upon receiving The Soul Sessions EP from Bristol’s Kaya Street, but it’s certainly a refreshing and interesting original sound…..

In a promotional shot advertising their latest single Wild Child, getting spun on Daniel Pascoe’s BBC Introducing show, Kaya Street’s main man, Kaya, is shown wearing a Trojan Records logo on his T-shirt, it connotes awareness of their roots. I beg to differ from their accompanying quote, “like nothing we’ve heard before,” while perhaps not recently, the fusions Kaya Street experimented with here, reggae, soul, and afrobeat, have indeed been tried before, in abundance.

I could cite bands from Misty in Roots to the Clash, and even Bristol’s own Massive Attack. I could point to the logo on the shirt and suggest many discs sought for distribution by Trojan in the sixties experimented in such a manner; take Lord Brynner’s 1966 single Congo War as one of many examples, or even predate this with the notion mento is rooted from African rhythms. Yet, it’s not the ingredients in Kaya Street’s melting pot which makes it prominently interesting and beguiling, rather the way they stir it, the method in the composition and production. Either that, or I’m an ageing trainspotter beyond the years of all at BBC Introducing!!

The single Wild Child is an enchanting one-drop steppers march, steeped in conscious vocals akin to Marley’s Get Up Stand Up, denouncing the violent crime epidemic in the UK.

It’s bravely brassy too. In an electric modern world taken for granted, it will wake you up to the roots of reggae, when brass sections ruled the day, something which trends throughout the EP. I’m more than happy for the EP to flow throughout like this, but, imagine, a pleasant surprise when the second tune, Alfie proves Kaya Street are no one trick pony.

This is positively alive in an uplifting, paced soukous-inspired sound, while the last song Sway sounds more south than east African; funky township jive, reminding me somewhat of Thomas Mapfumo, with such a saxophone solo to rival Hugh Masekela’s trumpet, least as near as dammit! The penultimate song Be Mine is more commercially western, the offbeat is slight, the theme is romance, the overall vibe is soul, with its silky backing vocals, and again with this consistent concentration of saxophone.

But the best example to highlight my opening point is Low. Low certainly wasn’t my favourite on the EP, to begin with. It starts very lounge jazz, again with the prominent sax and silky vocals, but then subtly and unexpectedly twists into a dubby rockers riddim, so smoothly I had to rewind just to identify when and how this occurred. This alone caused my first impression to alter from, “yeah, this is good,” to “actually, this is a stroke of genius,” and for me to take it back to the beginning and reassess it.

Kaya Street’s sound, like anything progressive and experimental, is a grower, it creeps up on you. There’s narratives to each song I’ve yet to analyse fully, but the more you listen, the more you detect an element from this vast melting pot of cherry-picked influences, and comprehend the story behind each, and I love it for this!

Being I was digging into the archives to find examples of similar past fusions, a subject I could chew your ears off about, if Brynner’s Congo War is a specimen to ska’s African roots prior to the commercial blossoming of Rasta, as opposed to the more commonly cited jump blues influence, derived from US troops leaving radio masts in Jamaica after the second world war, try The Paragons’ lesser-known If I Were You for soul train size. It’s so funky it could be in the Stax catalogue, and is something Be Mine reminded me of; there’s so much going on here.

Yet as many examples of where and how the melting pot has been stirred, none are apogees; it takes Jamaican born Bronx DJ Kool Herc to reach that climax, when he maintained the procedures of King Tubby and applied it to funk and soul to appease the multiculturalism of New York, and created hip hop. Bristol in the nineties was a kingpin to pioneering a UK hip hop formula, which returned influences full circle and incorporated reggae again. Kaya Street continues this Bristol epoch, reviving it freshly. The Soul Sessions is a revisit, recorded in three sessions in 2012 at Exeter’s Valvetastic Studios, with prolific award-winning producer and musician Jolyon Holroyd.

If I am to find some niggly, it’s a lack of intro; the songs tend to jerk right in, but I guess it’s because I have the single edits here, and Kaya Street’s impressive lineup is plentiful to convince me they know the formula to extend and polish. It consists of Revelation Roots drummer Dan Salter, bassist Mark Lee from Hot Dub and Kolo, and that gorgeous sax is provided by Ray Beavis of The Clash, Suzy Quatro, and Katrina and the Waves. Kaya himself has previously worked with dub producers The Vibronics and Dubmatix. Herein is an insight to how the influences meld so professionally, so absolutely sublime.

And sublime is a word I’ll happily use to sum this up, save me waffling further! The initial project was a limited run of CDs for gigs, now for the first time, they are being remastered and released online. Wild Child was released 1st of November, the rest, I believe, will follow, and you need to be there to hear them when they do; Don Letts is raving about this, so here’s the socials to follow.

LinkTree . Facebook . Insta .


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El Toro Fundraiser at The Old Road Tavern, Chippenham

Over to Chippenham for my dose of live music this Saturday. I didn’t see any chips nor ham, there were some pasties passed around a lively and hospitable “proper” pub, and whilst meeting some favourites old and new, there were also opportunities to cross some must-sees off my list. It was a fundraiser for El Toro, Chippenham’s music suppliers faced with a fire which destroyed their premises in July. Henry Ray, the shop owner, completed the evening’s entertainment with his own band, also conveniently called El Toro…..

But let’s get chronological, for it’s unusual for me to head Chippenham’s direction for a night out, of which I’m apologetic to the natives for; unintentional, que sera, sera. Though it’s been widely brought to my attention that if I ever was to tread water in the Ham, The Old Road Tavern, aptly on Old Road, is the best place to bookmark; regulars corrected me that it was, apparently, the “only” place.  

Supportive of grassroots music, home of Chippenham Comedy Club, and Brain Reid’s popular open mic session, it’s akin to Swindon’s Beehive, or Devizes’ Southgate, a tucked away treasure, a promiscuously welcoming and traditional watering hole with a nonchalant ethos; fits me like a glove. That was, after I’d fussed with parking. I’m not paying six quid or downloading an app when there’s free on-street a walk away, though I’m flustered at the fiasco, hoping to catch Will Lawton’s set already underway.

Eloquently poised at his keys, without backing from The Alchemists Will’s sound is obviously rawer than usual, yet equally as euphoric and harmonious. It is, undoubtedly, always a pleasure to hear his original outpourings in whatever setup he delivers them with. In contrast to the next act, Chippenham’s young folk singer-songwriter Meg, who’s divine and insightful observations are so utterly unique, only she could deliver them the way she does, solo with guitar in hand. It’s a wholesome listener’s show, delving deeply and honestly into her psyche, identifying her audience with meditative reflections.

This is all taking place in “The Barn,” exterior to the pub, amidst a fitting outside area, the Barn is a modest venue with low stage, one comfy sofa and school chairs, in fitting with the causal attitude of the boozer. Again in contrast to occurrences at the Barn, a bulky chap called DD is entertaining the troops at the bar with banjo-led ditties and drinking singalongs of the scrumpy & western variety. And he does so with bells on. The lively bar will be central to the event hereafter, at least while El Toro set up their full band in the Barn.

Sharpie, aka, Ollie Sharp, was up next in the bar. Pleased to catch up with Sharpie, it’s been years since mentioning him on Devizine, as frontman of the now defunct indie-popsters Longcoats, from Bath. We fondly reviewed their releases at the time, but never actually caught them live, so it was good to finally meet him. Sharpie records and tours the local circuit with a backing band, but tonight, being a volunteering fundraiser, he’s solo, still equally as engaging. Fusion of indie covers and originals, Sharpie delivered them with passion and professionalism, adding essential banter and stage presence amidst a crowd of regulars seemingly accustomed to having original musicians play their splendid pub.

The showstopper for me was Harmony Asia Thomas, Chippenham singer-songwriter key to organising this event. Though said regulars appeared to know what they were letting themselves in for; this is her local too. Much praise I’ve heard for Harmony, seen a rather aged video of her performing in Trowbridge, and have been looking forward to catching her live. None of these fully prepared me, as while Harmony passed off a few technical guitar hitches with good banter in a familiar environment for her, and in the excitement at how well the event had traversed, coupled possibly by drinks she’d had for Dutch courage, she absolutely held me spellbound! Her guitar is an accompaniment, the thrill is in her voice.

The subject matter of her self-penned songs are defined and thoughtful prose, if somewhat customary in comparison to Meg. They involve relationship worries, and tales of fatigue working a busy bar, yet they are never without an inspiring twist. Vocally, it’s as if Ella Fitzgerald came after Kate Nash. I humbly and honestly declare, Harmony can hit those powerful and soulful notes of jazz greats like Nina Simone, loudly and proudly, expressively and defined, yet it is not without the contemporary twist, accented in the kind of feminine pseudo-rap akin to Nash or Lilly Allen. Delivered so utterly passionately, it becomes a joy to hear her, as she glides through expressive vocal arrangements like they are childsplay.

Harmony is young, with time on her hands, telling me she has pinned an album’s worth of songs down, which is due out shortly, yet I cannot help but attain high hopes for her after finally seeing her perform; as, if she was located in London, she’d reach an Amy Winehosue level, at least front a professional funky band. But here we are, in Chippenham, and right now Harmony is rightfully loving the attention. If our county contains these small local circuits in which one may be central in one but merging into others isn’t so simple, I tumbled into a Chippenham one last night, and it contains boundless potential talent, friendly bonds and devoted fans, talkative and lovable crazy ones, but devoted nonetheless!

Once unbinded from the spell, I made my way back to the Barn, driven by the accomplished blast of a doubleheader of Led Zeppelin covers. Are El Toro a Zepp tribute, I pondered, as they appeared to have nailed Rock and Roll and Immigrant Song sublimely? Crowds gathered inside, seemingly expectant of greatness, and as far as pub circuit rock bands go, El Toro is on a pegging way above average. Matured rockers against the plethora of younger talent earlier, felt they’re doing it for the love, and have been for many a year.

Ah, teasing me in, I reckon, as they then delivered a great original next, which could have slipped into the era’s driving electric blues scene unnoticed. It was within the hard-rock homage, El Toro shine, simply and effortlessly. Their matchless ability to rouse a crowd was paramount, with comical timing set against a tight four-piece which set the ball rolling by fusing a medley of Lynyrd Skynyrd’s crowd-pleaser, Sweet Home Alabama with Warren Zevon’s Werewolves of London, though they adapted the location to Wiltshire, and plonked in an amusing and unsuspected nod to Will Smith, with Getting Jiggy With It, and the theme from The Fresh Prince of Bel Air, being a prime example; it had quickly become obvious, El Toro wasn’t a Led Zepp tribute, nor tribute to anyone particular, rather legends on their own circuit, who know precisely what buttons to press to create a great night for tipsy revellers, and such it was.

Unsure if donations made much of an effect to the campaign, kind of think now, by the culmination it didn’t seem so important as hosting a lively party in a pub, and the Old Road Tavern is the perfect place for it. Open mics here happen on the last Sunday of each month, 7:30-10pm. Devizes-own JP Oldfield supports those banana washtub bassist, kazoo-tooting boaters Devil’s Doorbell next Saturday, 9th November. Comedy Club is monthly, most weekends there’s something going on here, and even if there wasn’t, it still feels like the place to be for the mild-mannered, open minded alternative in Chippenham; bloody loved it! 


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