Song of the Day 1: Atari Pilot

Irregularly I share a music video to our Facebook page with the status “song of the day,” or week, or whenever, as if it’s a daily occurrence. When the reality is it’s a big, fat fib on my part, it’s only when I happen to find such a video and can be arsed to share it. What-cha gonna do, sue me?

So, just in case your lawyer says you have a case, I thought I’d streamline this sporadic idea for 2021, make it an actual feature on the site rather than a Facebook post, and show off that I know what long words like “sporadic” mean.

Little more gone into it than this, you should be used to it by now. I’m not going to review them, just embed them here for your own appraisal and entertainment purposes. Potentially, it’ll be a groundbreakingily breif post, a simple but effective phenomenon, and something I can do without missing the Simpsons.

The challenge is consistency; whether I actually stick to the idea or, like others, it’ll be a flash in the pan. Who knows, this could be the start of something beautiful, this could be the thing they’re talking about in decades to come. A holographic Ken Bruce could be asking “what was the very first Devizine Song of the Day” in a Pop Master 200 years from now.

And you can answer it with who I bestow this honour, Atari Pilot. They’ll be revelling in the triumph of the hour if it wasn’t lockdown, I bet.

History in the making then, the only issue I foresee is I over-waffle any old crap, which is, incidentally, not what’s happening now and rarely does here; I had to explain myself, didn’t I?

Okay, I get message; here it is then, enjoy the tune, enjoy the rest of your evening. Good job, carry on.


  • Stockwell, Storm Jae and Nory Can’t Come Home

    It’s not every day we hear a quintessentially hip-hop track with the magnitude of enriching classic rock riffs, say, as Gerry Rafferty’s Baker Street or Pink Floyd’s The Great Gig in the Sky.

    Agreeably the nineties downbeat and trip hop era unleashed some masterful acts, particularly of the Bristol scene. And there’s shards of precisely this too, of Massive Attack and Portishead, in Can’t Come Home, a new Wise Monkey single from Stockwell featuring Storm Jae and Nory.

    If I retain through rose-tinted specs, a passion for those naughty nineties it’s fuelled by nostalgia; I was young, once! Can even recall some bits of it. But rather than the drifting layers sluggishly building of aforementioned trip hop, the wailing guitar here hits you full in the face, more akin to said enriching classic rock tracks.

    Stockwell

    Even all this said and done, there’s nothing content to rest in a time of yore here, as the alignment of beats, astute male rap and uplifting female vocals of Can’t Come Home is fundamentally fresh and contemporary. Enough, I feel, to cross the barrier from myself to my teenage daughter’s musical taste, and that rarely occurs! This combination makes the song especially unique and substantially epic.

    Storm Jae

    With the attitude and gumption of Stevie Nicks, and the mezzo-soprano range of Joni Mitchell, Storm Jae is a jolt in the right direction for an enveloping new era of singer-songwriters. Nory seems more elusive, I can’t find any information on! But teaming up with the trailblazing hip-hop-come-rock crossover musician and producer Stockwell is a match made in heaven, a heaven you can hear for yourself.

    It’s agelessly sharp, emotionally elevating and an impactful grower, which will tease the palate of rock and urban adherents alike. If I make you wince to note Run DMC walked this way with Aerosmith some thirty-five years ago, or if you have to ask Siri what I mean by that, neither matters, this tune will appease either.


  • Wiltshire’s Most Expensive Laugh; Seedy Out of the PCC Race!

    Two opinion pieces from me in as many days; you lucky, lucky people! What I wouldn’t give to have two lofty opinion pieces from Devizine thrown at me once in a while!

    As the news circulates that hunting bonkers Conservative PCC candidate for Wiltshire, Johnathan Seed is out of the race, we all can have a belly-laugh, especially Basil Brush. But rules are rules, and at this stage, seems WC will need to hold a second election, rather than the obvious, just pick the second-place candidate and roll with that.

    I mean, if a horse falls out of the race, the race continues. You wouldn’t stop the race, pick another horse and rerun it, would you?

    Without quoting sources at this delicate time, word on the street is another election will cost a cool million squid; who picks up this bill, the taxpayer?

    Hinging on two conflicting allegations as to how this story came to light, one being Seedy declared his drink driving offence and suddenly decided he should pull out because of it, and the second that he was ousted when the offense came to light, one could argue if the latter, he, or the Conservative party should be liable for the bill, whereas the first means the electoral roll should’ve picked this up before running the election. Being Wiltshire Council is Tory run, you can bet your bottom dollar, the dollar is coming out of your pocket. In essence, it’s Wiltshire’s most expensive laugh.

    Whatever, this does mean there’s time for the Conservatives to draft in a new candidate, which they can do. One who without even having to campaign, will, by current trends walk the show without the slightest insight or experience of the roll. So, if you thought every cloud has a silver lining, no, not in our Tory haven. But I must stress, that’s speculation.

    Boom Boom!

    If the race is yet to be won, there’s as much convincing as I can to be done, to sway you to consider voting elsewhere. We’ve interviewed Lib Dem Liz Webster, and we’ve interviewed independent Mike Rees. We ran out of time to chat to Labour’s Junab Ali, for which I apologise, but with this news, and depending on the date of the election, perhaps this is still on the cards, and I welcome Junab to chat with us.

    Anyway, tonight will see the news break the local social media sites, where’s there’s a general feeling of relief. Johnathan Seed’s campaign has not been particularly popular. And if that has reflected in the current polls, who knows, we may not have to go through all this again.

    Here’s what some people are saying online, which is what the Gazelle & Herod do for a quick article, I know, and if it’s good enough for them it’s good enough for us!

    “I’m sorry, but I’m losing no sleep over this one!”

    “Apparently they’re going to put up a garden gnome with a blue rosette on it, they’re still convinced it will win.”

    “It’s very frustrating, especially as it’s nothing new. He doesn’t seem to have been a popular choice so fingers crossed he doesn’t win and we can bypass another vote.”

    “Good. Will Wiltshire Council send him the bill for having to rerun the poll?”

    “This will give him more time to spend with the hunt and hounds..”

    Right, that’s enough of that, this isn’t a public forum! Go figure!


  • A Trowbridge Kitchen Sink Drama; Sitting Tenants

    Wednesday, racing down to the newsagent on the corner on my Rayleigh Tomahawk, fifteen pee in sweaty palm. Pick up my Beano, six pence left for halfpenny sweets. The lady stood irritated behind the counter holding a small paper bag, as the kid front of the queue rubbed his chin pondering the crucial quandary. “You’ve got four pee left,” she’d calculate, while the boy finally opted for another flying saucer rather than a fruit salad chew.

    If there’s something delightfully everyday about the subjects on Trowbridge’s Sitting Tenants lockdown album, A Kitchen Sink Drama, none more retrospectively thought-provoking than the fifth tune, the Newsagent, which encouraged the placement of this archived memory to my frontal cortex.

    Unlike many a lockdown inspired project, this lives on the sunny side of the street, no matter how working-class notion of destitution. A semi-acoustic concept album, all from a shed in Trowbridge, as folk, as best pigeonholed, it’s acutely observational and mostly sentimentally mellow, perfect lazy Sunday afternoon music. Yet it never escorts you down a dark alley. Of people-watching in a back street pub, of a welcomed arrival of a letter from an old friend; subjects are ordinary, with an optimistic air of market town affairs. Even the album sleeve is a line drawing of Trowbridge town centre.

    Released on 208 Records, usually reserved for garage mod-revival, still it retains something of that period in sound and particularly subject. Rob himself polished his skill fronting Swindon mod band Roundabout, some twenty-five years past. A band I do recall fondly. But even if you don’t, here is something indie-folky, with a taste of local excellence.

    Revived since lockdown this garage-folk band’s fifth album was recorded in Rob’s garden shed, with only bassist Geoff Allwright, and using Ian Hunter’s lyrics. It’s beautifully peculiar, a mite psychedelic in as much as McCartney vaudeville moments on Sgt Pepper, engrossing as Nick Drake, quirky as Pentangle or The Pretty Things. It’s the Kinks jamming carefree on a Sunday, especially on the most upbeat Lincoln Green. It nods to Lionel Bart on the Austerity Street, John Martyn on The Tin Man, and incredibly on the captivating eleven-minute finale, Falling Backwards, where things do get acute, Ralph McTell.

    Like a Ralph of Trowbridge, it’s like, why is this down the road but new to me? Why didn’t it post a leaflet through my letterbox instead of a pleading politician?


  • Wiltshire Lays all its Eggs in the Same Basket

    You’ve done it now, it’s too late for reason. My reaction to the local election results coming in; you really want to hear it?!

    It’s not really news, and altogether unsurprising to see early results to the local town/village elections coming in, proving generally the majority population of Wiltshire is unable to consider change, and doesn’t much care for their neighbours. Yep, if you proudly tow the national party line, or if you waffle how the sheer ignorance, dishonourable and incompetent of the Conservative Party nationally doesn’t reflect your own opinions and views, if you painted your election leaflet blue, you more than likely won it by a country mile. Did we seriously expect anything less?

    Face it, any other party, or independent candidate wouldn’t have stood a chance even if they offered everyone a free fish finger sandwich for every vote, and everyone, tory or sensible, loves a fish finger sandwich. To those who lost, it’s not a reflection on you, rather the ignorance of the silent majority. Not even mayo on the sarnie would’ve worked.

    As impartial as I get, I offer my congratulations to the winning candidates, but it is with great concern for the wellbeing of the most vulnerable, the youth, the working class and usual victims of this totalitarian regime. Even if many themselves fail to see past their Daily Fail, fail to comprehend the buck stops at the top, and their neighbours, or their mass-media driven forged enemies are not to blame for the current balls up this country finds itself in, it is, nonetheless, proof Wiltshire loves to lay all it’s eggs in the same basket.

    It’s not even a shiny new basket, it’s the aged wrecked one, where guaranteed the eggs drop out of the bottom and an expectant fat cat waits to lap them up.

    I cross my fingers and toes that this sheer stupidity will not elevate to the Police Crime Commissioner role, due to be announced on Monday, but reflecting on today’s results, I’m not holding my breath. The most controversial and malevolent of all tory candidates standing has raised interest in this debatably inconsequential job. It all hinges on what we want from a PCC; a dedicated experienced man in the field, a politically-minded victim’s mother of a callous and brutal attack with an argument to boot, or a one-policy suspected criminal themself, with the financial backing of the wealthiest felons of blood sports in order to encourage police to turn a blind eye to brutally attacking wildlife for twisted kicks. Seriously, you think you’ll get justice for a burglary, an assault or theft, from a fellow whose only objective for the role is to turnaround the hunting act and roam the countryside on horseback yelling tally-ho and smearing the blood of slaughtered foxes on their face? Is that really the future prospective for policing in the county you crave?

    Give me strength. There’s a level of blind folly which astounds my tolerance, it really does. Yet historically it’s a given thing, Wiltshire is Tory, always has been since the Cavaliers whipped the Roundheads; you face it head-on and bite your lip, or you follow suit, opt for the selection which takes no brainpower, and place your cross where you always do. Unreasoning contemporary alterations is a dangerous game, having an opposition is vital to democracy. I’m no politician, don’t pretend to be, don’t wish to be, but that much I do know.  

    As this reflects national trend, I hope every successful candidate adheres to the lofty pledges and promises of change, rather than submits to the corrupt ethos of the current cabinet. Okay, so you used the blue platform to get to this point, despite bits of Bojo’s rash and forbidding outbursts, like the watermelon smiles, the post boxes, and now the bodies piling higher, don’t match your sentiments, but the motivation is surely to climb further up the ladder, that’s the philosophy of modern conservatism, and for which you need to kiss the rings of those in charge, and they do not accept a midrange, centre-right standing; you watched them get ousted in favour of far right and nationalists from other parties, remember? You are buying into oppression, whether you want to, or not, like it, or not.

    There’s nothing wrong with Conservatism per say, as a theory, and one, possibly two Tories I can stomach, for they seem to have morals on the surface. Yet, it’s when there’s a, whatever the collective noun for self-centred arseholes is, they tend to bounce inconsistences to what’s righteous around, garnish them with wonky and selfish agendas, and generally, fuelled by expensive tax-free wine from daddy’s collection, conjure a plan to maintain the wealth for the wealthiest without concern for the trickling down of any leftover faeces for the common man to lap up.

    This is good news for most of us here, this is an affluent area. But I urge you, when you next roll your 21reg Land Rover Discovery off your extensive loose chipping track and drive into the real world, stop to observe not everyone’s silver spoon is quite as polished and orally positioned, and everyone who serves you in Marks and Sparks, everyone who delivers your bespoke Lexington four-draw chest for your next refurb, or collects your recycling bin surely warrants a better day too. Enough to go round, isn’t there? Monkeys live in this jungle too, not just organ grinders.

    Ah, same shitshow different day. For me it’s a no news day, and I’m waffling. I can’t even raise my optimism for the news the controversial head Wiltshire councillor Phillip Whitehead has resigned, for it’s easy to suspect another one will be along shortly, equally as vexed. I’m more flabbergasted, and slightly upset the sequel to my fictional story series needs a new thinktank, as those comical and sensitive Tories say!


  • Brainiac 5’s Other Dimension

    And it is precisely that. Cornish psych-punkers The Brainiac 5 release this mind-blowing album of both reflective new tunes and lost archived tracks, today. Another Time Another Dimension bursts the cliché term genre-breaking to compose scattered influences, with this kind of low-fi garage style, which while loans to punk, even reggae, has the nod to acid rock of a previous psychedelia era. Most befitting a title, this is a tricky nugget to nail down, but it’s grower.

    The band stress this is not a lockdown album, the impetus came from two other sources, namely a digging through the archives for unreleased material, and secondly, the passing of a long-time friend of the band, Martin Griffin. A supportive engineering assistant to the band in its earliest days, allowing them extensive use of his Roach Recording studio. Both reasons sparked the writing of some new songs, in this fifteen-track bundle of era-spanning and mind-expanding goodness.

    I confess I was dubious at first, it’s as if The Beatles came after punk, but still recorded in a garage. It made me ponder the Clash singing “phoney Beatlemania has bitten the dust,” and in turn the target audience, presumably a fairly eclectic bunch. As I said, it’s a grower, and I suspect I’ll be digging bits of “oh yeah, I get it now,” for many listens to come. But time has got the best of me, got to get this review out tonight.

    “The four albums released during our second coming have all garnered many reviews noting our continuing desire to experiment and expand while still maintaining the basic psych/punk ethos,” they say, “Indeed, the three new tracks here do continue this tradition of experimentation. However, although it is clear that the band has grown and developed over the years it is remarkable just how much we were experimenting right from the band’s inception.”

    The bulk of Another Time Another Dimension, then, are memoirs, lost archives from 1976-1980, in what the band name “our initial Cornwall period.” Taking John D. Loudermilk’s Tobacco Road to Hendrix proportions, yep, sure is blues to be found here, and the rough and ready cover of Move’s Do Ya revels in low-fi garage rock.

    But it’s loud, proud and sonic trialling, denoting a path through dubby seventies roots reggae, with a few tracks which offbeat, such as I Call Your Name and though Our Devils is another, it reeks of avant-garde, a Bonzo Dog Doo-Dah Band-come post-punk Talking Heads. Then I return to thinking, definitely punk, I Feel Good a prime example. And then, wham, there’s freaky drunken Jim Morrison weirdness in tracks like Khazi Persona.

    Though the ground here is bumpy at the best of times, your head doesn’t smash on the top; it may be raw, but blends with a flowing refinement of proficiency. “There is a lot of ground covered here,” they rightly explain, “hang on and enjoy the ride.” And there’s the very thing; once you’ve found your footing, it’s a fantastic, adventurous ride, just lacks suspension!

    But, with the third eye being squeegeed so succulently as this, suspension is for losers, anyway. Another Time Another Dimension encompasses a past with a present, as if neither really happened, and that’s refreshingly effective against pigeonholing.


  • Sheer Reveal Frank Turner at Cheese & Grain

    To celebrate the release of his new single “the Gathering,” featuring Jason Isbell and Muse’s Dom Howard, multi-award-winning Frank Turner, one of the UK’s most successful solo artists of the past decade, selling over one million records worldwide and playing to over two million people from small venues to a sold-out show at London’s famous Wembley Arena, announces a UK tour. The good news for Turner fans is, Sheer Music nabbed the man himself for two dates at the Cheese & Grain.

    Out via Xtra Mile Recordings of Polydor Records, The Gathering is his first new solo music in nearly two years. That said, we did review his Buddies sequel album with Jon Snodgrass not so long ago.

    Launching today, The Gathering is available to stream now across all platforms, alongside are the exciting details for a series of nine live show ‘Gatherings’, headed by Frank and Xtra Mile Recordings and running over summer 2021. Tickets for all shows on sale from 10am BST on Friday May 7th.

    It’s said Frank Turner didn’t want to write a lockdown song. Over the past year he’s written and rewritten songs, trying to steer himself away from the subject that will no doubt dominate the charts for years to come. But for a man whose life and career are so intrinsically linked to live music, not referencing the dearth of festivals and gigs started to prove impossible. Not least since Turner himself has spent much of lockdown playing virtual shows from his living room, raising over £250,000 to support endangered grassroots venues up and down the UK, many of which might not have otherwise survived the pandemic.

    So, it’s fitting that Frank’s new single ‘The Gathering’ is an upbeat, Glam-esque stomp. It puts a positive spin on things, anticipating a return to normality. “It’s about that moment when you come together in a room full of people, and you lean on a stranger and sing along with the chorus and get the words wrong,” explained Frank.

    Produced by Rich Costey (Biffy Clyro, Foo Fighters), who Frank worked with on 2013’s Tape Deck Heart, ‘The Gathering’ features pile driving drums courtesy of Muse’s Dom Howard and a triumphant guitar solo from Jason Isbell, who recorded remotely from Los Angeles and Nashville. The new track follows a number of huge life changes for the star, who left his beloved London for the Essex coast, also getting married after the release of 2019’s No Man’s Land. “The biggest thing for me about the lockdown experience was about identity,” he says. “I am the guy who tours, this is who I’ve been since I was sixteen. This is the longest period of time I’ve slept in the same bed continuously since I was seven.”

    Set to change this summer, when, in celebration of the ethos behind ‘The Gathering’ Frank and label Xtra Mile Recordings will present a run of outdoor shows, helping to kick start the return of live music. It’s been a catastrophic year for the Industry as a whole, with the Covid pandemic dealing blow after blow for everyone in the sector. In true punk rock style, Xtra Mile and Turner want to take matters into their own hands with a set of versatile events that can either be socially distanced or full capacity depending on the maximum safety of the audience, performers and crews and in accordance with any national restrictions in place at the time of the event. Frank says; “At a time when the pandemic has wreaked havoc all across the live music industry, I feel like it’s important to get back to the basics – playing live music to entertain a crowd. This summer, with Xtra Mile and friends, I’m taking the punk approach – do it yourself, find a way. I can’t wait.”

    2021 UK ‘Gathering’ Live Shows include Bideford in June, and Frome’s Cheese & Grain on both Saturday 26th and Sunday 27th June. The tour continues through July with dates in Liverpool and Gloucester, August at Manchester and Hull will need to wait until September.

    The Guv’ of Sheer, Kieran Moore is keen to point out the Sunday is his birthday, so if you are going, take him a cake. I dunno, good question; add about 50ish candles I reckon!


  • Save Furlong Close Campaigners Protest in Rowde

    Rowde villagers joined for a socially distanced and peaceful protest today, in the centre of the village to show their support for the Save Furlong Close campaign.

    More show of solidarity than protest, if “protest” is now a dirty word and standing up for your rights is to be considered illicit. It was good to meet those heading this campaign to deflect the closing of Furlong Close, home to 36 vulnerable adults with learning disabilities, including Down syndrome, autism and epilepsy.

    Reflecting on a thought I’d said in previous articles on this campaign, campaign leader Trish specified how the residents of Furlong Close were a big part of the village community and would be missed if it was to close down. We also discussed that while the red tape between Wiltshire Council and the owning charity HFT continues, the opinions of both locals and residents are being ignored.

    We’ve covered the tragic plans on Devizine at length, in the past; hearing direct from Mark Steele, a member of the campaign’s steering group, who has family at Furlong Close. The Gazette & Herald ran an edition with a wrap-around page campaign, and over a staggering 44,000 have signed the petition, therefore I do not wish to go over the same ground. We know this is a terrible decision, we are aware the residents do not wish to be dispersed and move into isolated and lonely single accommodations they’re unfamiliar with, we only need a workable solution.

    Yet with the backing of many local councillors, Anna Cuthbert and Lib Dem candidate for Bromham, Rowde and Roundway, Mark Mangham in attendance today, the backing of the media, and in particular, the local people, I sincerely hope we can turn this around and end on a feel-good story. The show of hope and solidarity today proves this is possible. Mark said it was, “humbling to be among the campaigners, many related to residents and from beyond Wiltshire. Many Rowde residents are volunteers. This is what community feels like!”


  • Salem Announce National Tour with Sheer Hosting Swindon’s Vic Gig

    There’s something indefinitely old school punk about Salem, with nods to pop-punk, goth and rockabilly, hoisting them to the absolute top of their scene. No one in the UK are delivering this genre better right now.

    This side project of Will Gould from Creepers and Matt Reynolds of Howards Alias is loud, proud and spitting; dripping with Siouxsie and the Banshees, laddered fishnet stockings and Robert Smith influences. Quite honestly, Kieran’s right, again; it’s knocking deafeningly at my front door!

    They described their self-titled debut 2020 EP as “spooky, silly, romantic punk rock songs.” Yeah, figures.

    Today they announce their October UK tour, with Oxford’s Bullingdon, Frome’s Cheese & Grain, and Bristol’s Exchange included, and nestled between them, on October 16th, Sheer Music & Bandit present them at Swindon’s grandstand music venue, The Victoria.

    Support for the Salem’s tour comes from a new solo project from Welsh former Holding Absence bassist, James Joseph; James and the Cold Gun. A playful twist on his name, James and the Cold Gun is named after a Kath Bush song. They promise to be something of a rock n’ roll blues revue, akin to former British rock n’ roll heroes The Computers. They signed to Gallows label Venn Records for the release of their debut album.

    Tickets go on sale Thursday (6th May.) £10 adv. / £13 OTD for the Vic.


  • Can You Help Calne Central Youth & Community Centre Raise Funds to Keep it Going?

    Calne in Tune stated their activities in 2013. In 2015 a handful of Musicians, Artists & Crafters at Calne in Tune decided they needed a Music Arts & Crafts Centre in Calne to collaborate in creative activities and encourage the young and people of all ages and abilities in the wider Calne area.

    They looked for an appropriate space and found that all Youth Centres were gradually getting closed down. They were not meeting the needs and interest of the young people of today. There were no central Community Centres where they could fully operate from, to provide a broad range of Facilities and Services, 24/7.

    They decided the centre of Calne needed a Youth & Community Centre where any Community Group could operate cheaply, spreading the costs. Community facilities were far too divided and too expensive for each group to be able to get premises of their own, only to use a couple of days a week.

    They first looked at the old Priestley Grove Youth Centre and put in a bid to take it over, repair and refurbish it themselves (many of our members are in the building trades) and set it up as a Music, Arts & Crafts based Youth & Community Centre. The plan was rejected by Wiltshire Council at the time.

    Not going to give up, in 2020 the opportunity became available to hire the old FM Furniture store at 20 Church Street, Calne. They approached the developers (Stibbard Properties) about the possibility of renting the building while plans were being considered for its development (it is now up for sale.)

    Andrew Stibbard was in the process of getting development permissions and agreed to allow them to hire it on a 3-month rolling basis at temporary advantageous rent, with an option to purchase at an advantageous price.

    They moved in over February 2020, installed donated furniture, music and computer equipment and opened to the public by the end of the month. They called it Calne Central Music; Arts & Crafts based Youth & Community Centre.

    “We first kicked off with the Music, Arts and Crafts activities and used the Centre as a base from which to go out to our various Music, Arts and Crafts Venues around Calne Town and across Wiltshire,” explains organiser Terry Couchman.

    “We set up an Arts & Crafts Window Display and decided to include Trade Crafts in our Brief. Our walls and shelves were prepared for Artwork and Crafted good of all kinds and we fitted out a Music Practice Room and a Performance Space.”

    “We, at last, had somewhere where we could encourage local people of all ages and abilities (and disabilities) to engage in any creative and recreational activities. We were also able supplement our Calne in Tune and Calne Community Hub volunteers with further Community Volunteers to help run the place as an integrated Youth & Community Centre. Slowly people began to come through our doors, just as the Covid Lockdown started.”

    Calne in Tune now works with Community Service Charity ‘Heart of the Community’. This is an organisation which brings individual volunteers & community groups together to run Calne Central and provide the wider Community Service.

    “We are now a ‘Community Hub’,” Terry continues, “supporting any group that wants to join us in the building itself, use our facilities to promote itself, or provide equipment and volunteer assistance for their events and activities.”

    “Giving Birth is painful enough without the challenges, frustrations, and stresses of feeling trapped and restricted in our movements. Part of our commitment was towards encouraging people who are variously disabled, those with mental health challenges, the lonely, isolated, and disaffected.”

    “We knew from years of common experience how important Music, Arts and Crafts (of all kinds) benefit people naturally and therapeutically. Sharing these experiences together proved even more beneficial. That remains our main focus for trying to meet all community needs.”

    “We decided that that we were doing was far too important to simply shut down for the duration of the emergency. With the help of increasing numbers of Volunteers and the involvement of Calne Men’s Shed, Calne Community Hub and others, we opened fully, 6 days a week 10-6 and provided access every evening and all weekend for Creative and Essential Community Support activities.”

    “Our Volunteer group grew and through the painful process of any birth, we established enough support to spread the load a little. With the encouragement and funding from Calne Town Council, Wiltshire Council, Wiltshire Community Foundation, and other generous donors, we remained open, including throughout two lockdowns.”

    “We continued to provide our usual Music Arts & Craft Exhibitions & Showcases when we could. People can still come in to practice as individuals and we expanded our Community Activities to include service like the 24/7 Community Fridge & Larder and the Community Café.”

    “We also dedicated ourselves to re-cycling, taking in disused Bikes, Microwaves, Kettles, Irons, Computers TV’s, DVD’s CD, Books, even the odd fridge, washing machine and furniture, to refurbish and sell on at affordable prices.”

    “The Bicycle sales and services became a major income generator, and we became popular for kids to pop in to get their biked made safe and do small repairs for free. This was another valid reason for us remaining open throughout lockdowns.”

    Not everyone was happy though and there was to be more pain to come. There have been a small number of “petty jealousies, bogus complaints and unfair criticisms” of the volunteers and the fact the Centre remained ‘legitimately’ open.

    Some of these were personally abusive and slanderous. Terry said, “we survived all this though, and we are still open and have just enough to get us through to July this year. We will be seeking more Funding but we hope that we can now start to generate a bit more income for ourselves as we come out of lockdown.”

    “As I keep reminding people, in terms of our community facilities. ‘Use it or Lose It (Don’t Abuse It)’. That was our mantra since the beginning.”

    A Youth & Community Centre’s only has a chance in the long-term is when people work together, as a team, in inclusive and diverse ways that are ‘Enabling and Empowering’ for all. People need to speak up for what they need and then seek to protect what they have for everyone’s benefit.

    “There is no room for Superior Egos within Community Services,” Terry continued, “we all make an important contribution, according to our skills, means, interests and the time available outside our family and work lives.”

    “We’ve demonstrated that working together, appreciating each contribution, with mutual tolerance and understanding, is the only way to succeed and grow, without getting too big for our boots.”

    Part of providing a Youth & Community Space is to ensure it remains safe, adaptable and accessible, with enough volunteer contribution and assistance from the members of the community that use it and benefits from it. “There is no room for those who would seek to undermine, disrupt or in any way distress those who provide the services or use them. Such actions will be (and must be) confronted.”

    They now need to review the first year of operation and find ways to fund it through the rest of the year. Meanwhile, there is an opportunity to buy the current building at a very advantaged price.

    Terry said, “we know we can renovate the building ourselves. We will be conducting a survey of all our members, volunteers and users looking an option for the purchase of the building.”

    The fundraising effort can be found on Facebook here; please don’t let Calne lose this important facility.


  • State of the Thing; a Monthly Guide to Last and This Coming Month of Devizine

    Particularly crucial at this point, in the midst of this “roadmap” out of lockdown, for me to consider writing a monthly post outlining where we’re at, what we’ve been doing, and looking forward to the next month. A two-part article then, the second half on what’s happening locally during May particularly important.

    But first, I have to say, despite the lack of events causing the lowering of hits annually, stats for April hit a record-breaking high, a staggering 132% higher than March. This is fantastic and I thank our readers for their support. Generally, April is a good month, All Fools Day being our bread and butter. This year’s was exceptionally accommodating, when I convinced thousands, Devizes was to get a McDonalds! This prank was in the pipeline long before April, and I suspected it would spread like wildfire, but only issue now, is how to top it next year.

    Other popular articles this month have been political, when Tory Wiltshire Councillors were instructed by head councillor, Philip Whitehead to block correspondence with the Stop the Closure of Furlong Close campaigners, particularly prevalent. So too has been the interest of the Police Crime Commissioner election, with our interviews of Mike Rees and Liz Webster. And we’ve played impartial, allowing all council candidates an untainted paragraph in which to pitch the reason while we should vote for them.

    Such is lockdown, when another seemingly popular doing, was my satirical fictional story serial, The Adventures of Councillor Yellowhead; honestly, I don’t know where these ideas come from! I think serials might be good addition to Devizine, and I’ve a new, wholly different approach to the next one, a personal account celebrating thirty years since the blossoming of the rave scene. So, wave your hands in the air for that one, if I find the time to write it!

    Yet, proving our stomachs are more important than our politics, the best hitting articles, second only to the April Fools, have been when the Naan Guru opened, and my visit to the Feisty Fish. Proof of what I say, time and time again, but few owners of eateries listen; throwing me a luncheon voucher will boast your sales! We published our Feisty Fish review Wednesday, by Friday they sold out at their pitch in Littleton Pannell!

    And I thought our mainstay was music and arts. But without live music reviews, it’s been no walk in the park. The live streams continue, but I cannot justify reviewing them in the same manner, only drawing your attention to them, and all other online events. This is why, and I can’t stress this enough, because I spend eons adding to it, our event guide is crucial, the coming months doubly so.

    Our Song of the Day features continues, if slightly more sporadic than previous months, and we’ve covered reviews of Erin Bardwell, The Horses of Gods, Longcoats, Fruits Records and Black Market, with more to follow. But, with fingers crossed, and it’s looking rosy, May is the month live music is returning, so let’s muck about now more, wallowing in the past, and bang straight on with what’s happening over May.

    Not forgoing, before I get onto this, my efforts this month will be focussed on our forthcoming compilation album, For Julia’s House, which I hope to be released later in the month or early June.   The list of contributors now looks like this, all of them I’d like to thank eternally: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Will Lawton, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Kier Cronin, Sam Bishop, Mr Love & Justice, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, The Oyster, Nigel G. Lowndes, The Birth of Bonoyster, Revival, Room 101, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Cutsmith, Big Ship Alliance and Knati P. What a line up!

    And I’ve more promised in the pipeline, possible tracks from Clock Radio, the Horse of Gods, Cutfish, The Lost Trades, and so many more; how utterly fantastic is that? I just have to pull my finger out and get on the case!

    So, to what’s happening in May!

    Events, remember them, that’s the kiddy, that’s what we’re looking forward to. And with positive feedback from the Liverpool clubbing experiment, stuff is being arranged and events organised, and everyone is undoubtedly as excited as a kid at Christmas.

    May is the month which will, hopefully, keep on giving. I’ve a mega-task trying to keep up with changes and added events, updating our new look event calendar. You can help, by letting me know about your event, rather than expecting me to go digging. Thanks. Oh, and people, this preview is not exhausted, take heed, the calendar is going to explode with updates, so keep on top of it. Plus, the notion events will often be under usual capacity due to social distancing, and ticketed, so keeping ahead of the game is vital, if you want to head on out with a destination in mind!

    For the now though, events remain online, but not void. Do check out the Wylye Valley Arts Trail, running until next Sunday, 9th May, and the Online Swindon Festival of Literature starting tomorrow until the same Sunday the 9th.

    Later today, I’d recommend you check out the Kyla Brox Band stream, or for banging clubland, the Midlife Krisis has it’s Sunday Session. Tomorrow, Monday 3rd, head down to Hillworth Park in Devizes, where there’s a fundraising books and toys stand in Hillworth Park, for Wiltshire Air Ambulance. 10am till 2pm.

    But on Saturday 8th the Prestbury Sports Bar in Warminster is the first I’ve noted to open their doors to a live gig, and the fantaboulouso People Like Us will kick it off. Good luck to Nicky, Pip and the Scooby gang!

    The first to brave the water on mass, though, is our brilliant Big Yellow Bus co-ordinator, Gerry Watkins with a Gloucestershire VW Bus Meet and Chill, a free event on 15th May at Cirencester Town Football Club. “It’s just that,” Gerry explains, “meet up with old and new friends that share the same passion for the VW bus, it doesn’t matter if it’s a rusty old shed or a sparking bran new one it’s your pride and joy and we are here to enjoy and have fun, it’s also to help raise funds for The Big Yellow Bus Project a homeless shelter.” Bands playing include: Six O Clock Circus, Loaded Dice, The Daybreakers, and The Roughcut Rebels. Sounds super, but like I said, all events this early need booking, and once all 85 spaces have been filled that’s it; which it might already be. Just leaves me to say, have a great time, guys, and I hope you raise some serious funds for the Big Yellow Bus project.

    But it’s the following weekend when shit really hits the fan. Swindon’s Victoria kicks off the return of live music with Awakening Savannah on Friday 21st, and Thin Lizzy tribute, The Lizzy Legacy on the Saturday, I wish you all the best for these gigs, Darren Simons and the team at the Vic.

    Both Pewsey and Devizes kick off live music too, on the Saturday. As for a fiver a pop, the Barge at Honeystreet offer Paul Ruck paying his tribute to legendary guitarist Eric Clapton, and at our trusty Southgate in Devizes, the long awaited return of live music will be supplied by the band who finished off at the last live music session prior to the lockdown, I believe, Swindon’s fantastic Sound Affects, who will double-up as the Daybreakers; something I’ve been looking forward to since I dunno when, and hope to see many faces I haven’t seen for ages, perhaps lockdown hair!

    The Daybreakers pop up again the following Friday at Swindon’s Vic, while Honeystreet’s Barge offers you their favourites Jassy and Ted, aka SwingleTree, a wonderous folky duo with songs of the sea, lost loves, the ol’ canal, heart-warming harmonies, luscious squeeze boxes, and toe tapping tunes.

    Saturday 29th The Barge has the Dryadic collective, The Southgate have Leon Daye, and there’s few tickets left for an Attitude Is Everything fundraiser with Longcoats and Tangled Oaks at Bath’s Moles. But in general, the fantastic news is, slow and few in between, live music is returning to Wiltshire this month, and if everyone bonds, taking care and adhering to the restrictions set out, by June, we could have ourselves a mini summer of love!

    Apologises if I’ve missed your event here, it’s most likely because you didn’t tell me about it! But it’s never too late to let me know. For fun-seekers crawling out of the woodwork, as I said, this list is not exhaustive, and over the coming weeks you must take a peek at our calendar, as it will continuously blossom with stuff to do. I mean, take a look at June, when festivals begin; oh, my lord, remember them?!


Blank Pages of an Atari Pilot

This extensive belter of eighties-fashioned high-fidelity pop waits for no man, a sonic blast opens it, and the riff wouldn’t sound alien appearing in a John Hughes coming-of-age eighties movie. Visualise Jud, Molly, Emilio et all, dancing around a school library to this latest track from Swindon’s Atari Pilot.

After our glorious appraisal of their previous single Right Crew, Wrong Captain in July, they reckon I’m going to be fair on them again, but really, there’s nothing to dislike about Blank Pages. A review in which they quoted me suggesting, “this sound is fresh, kind of straddling a bridge between space-rock and danceable indie.” Here though, save the strong bassline, the space-rock element is lessened and retrospective synth-pop chimes in a racing beat, twisting this into a real grower on the ears.

Press release aptly cites “everything from Springsteen to Daft punk, Kathleen Edwards to Love,” as influences. As if Daft Punk would work with Springsteen, but if they did, I’d imagine something rather like this. And that alone, makes for an interesting sound, again akin to what Talk in Code are putting out locally, perhaps more so for this single. While we could hinge on an inglorious comeback from an eighties pop star and be thoroughly disappointed by their timeworn platitude and fame induced narcissistic attitude, nostalgia has never been so energetic and fresh when it’s channelled as an influence rather than comeback or tacky tribute act.

There’s a backstory about Atari Pilot, I may have mentioned before but worth reminding. After their debut album “Navigation of The World by Sound” in 2011, a long hiatus took in a serious cancer battle for Onze. But getting a second chance at life gave him the inspiration to get back to writing, and Atari Pilot reformed in 2018 with an acoustic set at the Swindon Shuffle. Reforming the band was actually planned from his hospital bed.

With this in mind, Onze describes the thinking behind this great song, “Blank Pages, like the other songs for the struggle, were inspired by being diagnosed with and recovering from cancer. The songs reflect the highs and lows of life and the struggles we are faced with and have to overcome to reach where we want to be.”

There’s a heartening theme of struggle in the face of change, “it’s also about trying to recognise that we can’t escape ourselves, and asks whether we can use our history and baggage to fire a brighter future,” Onze explains.

It’s a DIY production, recorded and mixed in Onze’s home studio by using Logic Pro X, but sounds stunningly professional. Atari Pilot are Onze (vox,) Paj (bass,) Frosty (guitar) and drummer Andy, and we look forward to hearing more from them. I even managed to review this one without mentioning retro-gaming:


Atari Pilot’s Right Crew, Wrong Captain

Only gamers of a certain age will know of The Attic Bug. Hedonistic socialiser, Miner Willy had a party in his manor and wanted to retire for the evening. Just how a miner in the eighties could’ve afforded a manor remains a mystery; but that erroneous flaw was the tip of the iceberg. In this ground-breaking ZX Spectrum platform game, the Ribena Kid’s mum appeared to guard Willy’s bedroom, tapping her foot impatiently. Touch this mean rotund mama and she’d kill you, unless you’d tided every bit of leftovers from the bash. Turned out, months after the game’s release, one piece, in the Attic, was impossible to collect. Until this glitch became public knowledge, players were fuming as an intolerable bleeping version of “If I was a Rich Man,” perpetually looped them to insanity.

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I swear, if I hear that tune, even some forty years on I cringe; the haunting memory of my perseverance with the impossible Jetset Willy. Music in videogames has come a long way, thank your chosen deity. Yet in this trend of retrospection I terror at musical artists influenced by these cringeworthy clunky, bleeping melodies of early Mario, or Sonic soundtracks; like techno never happened, what are they thinking of? It was with caution, then, when I pressed play on the new single from Swindon band “Atari Pilot.” I had heard of them, but not heard them. I was pleasantly surprised.

For starters, this is rock, rather than, taken from the band’s name, my preconceived suspicion I would be subject to a lo-fi electronica computer geek’s wet dream. While there is something undeniably retrospective gamer about the sonic synth blasts in Right Crew, Wrong Captain, it is done well, with taste and this track drives on a slight, space-rock tip. Though comparisons are tricky, Atari Pilot has a unique pop sound. No stranger to retrospection, with echoey vocals and a cover akin to an illustration from Captain Pugwash, still this sound is fresh, kind of straddling a bridge between space-rock and danceable indie. Oh, and it’s certainly loud and proud.

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A grower, takes a few listens and I’m hooked. Their Facebook blurb claims to “change the rules of the game, take the face from the name, trade the soul for the fame…I’m an Atari Pilot.” After their debut album “Navigation of The World by Sound” in 2011, a long hiatus took in a serious cancer battle. But Atari Pilot returned in 2018 with an acoustic set at the Swindon Shuffle. The full band gathered once again the following year with live shows and a new set of “Songs for the Struggle.” This will be the title of their forthcoming follow-up album, “When we were Children” being the first single from it, and now this one, “Right Crew, Wrong Captain,” is available from the end of July.

Its theme is of isolation, “and defiance, after the ship has gone down,” frontman Onze informs me. There’s a haunting metaphor within the intelligent lyrics, “you nail yourself to the mast and you pray that everything lasts, you just want to know hope floats, when the water rises, coz it’s gonna rise, take a deep breath and count to ten, sink to the bottom and start again.”

There’s a bracing movement which dispels predefined ideas of indie and progresses towards something encompassing a general pop feel, of bands I’ve highlighted previously, Talk in Code and Daydream Runaways, Atari Pilot would not look out of place billed in a festival line-up with these acts, and would add that clever cross between space-rock with shards of the videogames of yore, yet, not enough to warrant my aforementioned fears of cringeworthy bleeps. Here’s hoping it’s “game over” for that genre. That said, thinking back, when you bought your Atari 2600, if you recall, oldie, you got the entire package of two joysticks and those circler controllers too, as standard; could you imagine that much hardware included with a modern console? Na, mate, one controller, you’ve got to buy others separately.

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So, if decades to come we have a band called X-Box or PlayStation Pilot, I’d be dubious, but Atari gave us quality, a complete package; likewise, with Atari Pilot!


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“Static” Shuffle; Swindon Shuffle Live Streams This Saturday

If you rarely venture into Swindon, July is the month in which to make the journey. Swindon Shuffle celebrates and backs local music, since 2007 hosting a weeklong town music festival at its hottest venues; namely The Victoria, The Beehive, The Hop, The Tuppenny and Baila Coffee & Vinyl. In association with Swindon Link and the West Berkshire Brewery, last year they presented forty-four bands over the weekend, all free, and supported mental health charity MIND.

I was forgiven in thinking this year would be virtual, saving some petrol money at least, but the organisers inform me this weekend’s Virtual Shuffle is only to breeze over this gloomy, Groundhog Day isolation period, and they cross their fingers for the real thing on the 16th-19th July; crossing my toes too!

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So, yeah, but yeah, whoop-whoop, Swindon Shuffle will indeed fill this gap with plentiful live streams this Saturday 11th April, kicking off at 3:15pm. Streamed direct from their Facebook page, expect to catch all local acts; Jim Blair of Hip Route, the bearer of Devizine’s heart Miss Tamsin Quin, Mr Love & Justice himself, Steve Cox, jazz pianist, singer-songwriter Will Lawton, Harry Leigh, frontman of indie-pop outfit Stay Lunar, experimental Karda Estra project runner Richard Wileman, Onze from Atari Pilot, Joe Rose and Nash.

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Mr Love & Justice, Steve Cox

Our favourite Swindonian music journalist, the one and only Dave Franklin, if there’s another he’s a phoney, is all over helping organise this sofa bash. He states “obviously there’s more important things going on in the world right now than worrying about a local music festival, but it is also at times like these that music, art, creativity in general, helps get us through or at least offers an oasis of calm where we can retreat to and forget the day-to-day worries for a bit.”

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Karda Estra

For me personally, I’m continuing to toil with the worth of the live stream against a real gig, ponder it’s currently all we have, worry either punter or musician are forced onto the ropes when it comes to how they should be arranged and financed and have even encountered and engaged in heated debates as we scramble in the dark trying to make this work best for everyone. This said, if anyone can I’m reckoning the Shuffle team will make an amazing job of it. If there is an upside to it, it is that one can check these artists out for when the gig scene does take off, and boy, I’m predicting it’ll go off like an atomic blast, and it will encourage many to take the journey to festivals such as Swindon Shuffle, in this example.

Will Lawton

In the meantime, enjoy the streams and not let it miff us too much at missing the real thing. I tell myself the scene is dormant; it will erupt again. It should go without saying, but I’m going to spell it out; B, for BUY, U for Yourself (sort of,) Y for some local music, (okay, that didn’t work) Look, just support the artists and buy their music from their websites and Bandcamp sites!