One of many young indie bands which impressed me at Bradford Roots Festival, and proof thereโs more than the name suggests at The Wiltshire Music Centreโs winter convention of local music, Bristol-based LilyPetals released their debut EP this weekโฆ.
Firing on all cylinders, thereโs five three minute heroes and one slightly longer tune on this impressive introduction to an equally-gendered and equally promising four-piece. Contemporary themes imploded by two fierce opening tracks, Currently Unavailable and, particularly, We Want More, arch a punk flavour of punkโs heyday; and I like that a lot! Thereโs wailing guitars, echoing chorus lines, and emotion pouring out.
If weโre talking emotion though, the tempo lessens for the third tune, Thatโs What You Said to Me, proving LilyPetals is no one trick pony. Itโs a rolling ballad, with a euphoric element akin to a rock classic. If this tune will raise your eyebrow, note, Playwright reverbs with passion and fire, thereโs almost shards of glam rock meeting gothic in there too. But LilyPetals have mastered the hook, leading to a bridge via a finger click, is clever and beguiling stuff.
The four minute tune is the penultimate one, and it just drives from the intro. Break Your Mind is perhaps a magnum opus to date for this band, though I highly suspect from the concentrated and tight compositions of all these tunes, weโre going to be moving onto even better stuff from them in the near future. In principle then, this is encouraging, and it feels like punk is saved for a new generation in their indie passion. This is to Bowling For Soup what Reef is to The Rolling Stones, but the potential for improvement is gapping in their hands; the canvas here is ripped and ready to rock!
It finishes with Spaceman, mate, check this out, the hook is a sinker, it has all the elements of a classic, and, as weโve seen with bands like The Radio Makers, punk rock can evoke modern generations, and punk can live on through them. LilyPetals, arguably ironic namesake, yet the fervour is at a blossoming point, and this is a great and lengthy EP, verging on an album, and album worthy of your perusal.ย ย
The Rondo Theatre in Bath will be bursting with high-energy chaos this June as The Rondo Theatre Company presents Bullshot Crummond, a gloriously silly parodyโฆ
Four years ago I witnessed a Gen Z phenomenon in Devizes. With a certain indie punk zest and intelligent songwriting, Devizes School band Nothing Rhymesโฆ
Firstly, to clear up any confusion, as I know I was, a little, and I also accept it doesnโt take much these days, Devizesโ finest musical export since The Hoax, Nothing Rhymes With Orange will play a homecoming gig at The Three Crowns on the Friday 24th June, and not as previously advertised on the Saturdayโฆ.
Reason being is symbolic of the monumental progress this young band is making nationally; on the Saturday theyโre at the third heat of this yearโs Pilton Stage party in Glastonbury, the winners of which will go on to share the stage with a major headliner in front of 8,000 people on Worthy Farm in September, thatโs all!
Here at Devizine Towers weโve got all fingers and toes crossed for the guys, itโs a tough cookie, but we look forward to catching up with them on Friday. If you need confirmation of my claims of their blossoming progress, check out the latest single, Cats Eyes, which they launched today, and you will realise Iโm not making this up; shits got real.
If eyes are a window to the soul, and cats are sly, this bountifully bodacious banger is the wild romantic ride of Born to Run, with an nonchalant and stylised ring of youth. The narrative is elementary though noteworthy, the post-festival blues of confusing mental bedlam over a fleeting romance, and coming to terms with it all when homebound; itโs convincing, I get the inkling theyโve been there.
Yet itโs the professionalism of a lively style defined here which impresses, having watched these Devizes lads progress from the levels of fun yet amateur punky knockouts like Chow For Now. And itโs all contained within a relatively short space of time whereby each single is a moonwalk to initiating a universal style.
If the early singles like Chow and Manipulation fuelled a local fanbase of peers, Cats Eyes will play the same part in enthusing the big kahunas of the music industry, and if not, I want an inquiry as to why not. These songs theyโll undoubtedly look back on as stepping stones, yet while thereโs a modification to a growing professional trend which sounds to me retrospective eighties indie-pop, the like I hail bands like Talk in Code for reverbating, their rawer punker influences arenโt completely saturated here. It doesnโt feel like selling out, it feels like a natural progression to a permeating and accomplished sound, which will equally not disappoint fans but amass newer ones too.
If weโve always been impressed with Nothing Rhymes With Orangeโs insatiable ability to energetically harmonise, itโs evident here in abundance too. Theyโve mastered the hook, and taking it to a bridge, they detonate the pop formula with indie goodness, something which only gets better each time; Catโs Eyes makes another positive leap forward.
The band have been consistently gigging across the South West at festivals and niche music venues since they met in a secondary school, and have been championed by many local radio stations including BBC Introducing who have featured two of their tracks. With a summer tour announced they’ll be playing a range of headline and support gigs right across Wiltshire and on to Hampshire, Bristol, Reading and London.
But while itโs great to see them heading out, you know when they arrive back in Devizes, the party is on, and fans will be chanting their lyrics back to them; the highest accolade aside a blinding review from me, naturally!!
Not just a pretty spiral church, there’s plenty for Bishop’s Cannings to be proud about. Evidence with the personal touch recently defeated a brazen landgrab,โฆ
Friday afternoon at The Lamb, tucked away behind the Town Hall in our market town, with my aim to introduce two aspiring local singer-songwriters whoโฆ
Swindon-based adrenaline pumping five-piece Liddington Hill released their first EP for three years, and Radium is highly radioactiveโฆ.. For most on the North Wessex Downs,โฆ
Mixed emotions over one of those eye-catching social media โreelsโ a few months ago, for two reasons. Firstly, attraction; the singing girl was a visionโฆ
by Mick Brian images by Jim McCauley โLord, what fools these mortals beโ, says the mischievous sprite, Puck, to his master the fairy king Oberonโฆ
by Ian Diddams images by Platform 8 Take Abigailโs party, add some Aykbourn, a touch of Coward and a liberal sprinkling of 2010s socio-political backgroundโฆ
Rapping on this today, because Devizes young heroes Nothing Rhymes With Orange unleash their latest catchy banger, Monday, tomorrow, which is coincidently or not, a Monday, and we all know Mondays are a load of old tosh and if we had a half decent government Mondays would be banned by now, and being itโs Monday I doubt I’ll get time to mention it then, because itโs Monday, which is kind of what this indie-punk treat is aboutโฆ..
I could direct the bandโs attention to Smiley Lewis, who prior to The Boomtown Rats, New Order and The Bangles, had a single whinging about Mondays way back in 1954, and note the though the concept is far from new, Nothing Rhymes With Orange are not only the first to reference a Greggs steak bake in a song about Monday, but also, Smiley Lewis or none of the above ever drooled on their mate while sleeping on the bus, as far as history books reveal.
The band tells us the tune has โmore of an indie-punk sound, a step away from the softer indie-rock of previous tracks and weโre exploring this genre with more songs of a similar style.โ Though the subtle difference will, and does already, encourage the live audience into a frenzy at the bridge, to consider such may not be as commercially viable is to note it was the track picked up and played by BBC Introducing this month. Canโt blame them really, itโs a brilliant tune.
โThe inspiration for our new single, โMonday’, came about when we were chatting about the โMonday morning dreadโ, when you wake up tired and everything goes wrong,โ they explain, though you could effectively walk into a lamppost on any other day, you can bet your bottom dollar it will be on a Monday, but Iโm afraid, when it comes to pastries, you get what you pay for, boys; believe me, Iโm something of an expert on them.
Timeworn romance topics can be a stable subject, but something which drops in some light-hearted humour itโs more often than not a chicken dinner, particularly within their genre. I pray you’ll recall Wheatus for Teenage Dirtbag rather than A Little Respect, or Foundations of Wayne for Staceyโs Mom rather than Someone’s Gonna Break Your Heart.
It sure is a great tune, with a lot of work gone into it, despite the festival season in full flight, and the band have certainly been gathering appeal and pushing new geographical boundaries, with 30K streams across all platforms. Still to come, theyโre live on hometown Fantasy Radio from The Crown in Devizes on 24th August, and a couple of summer festivals remain, Honey Fest and Box Rocks. They also play The Pump on 1st September, The Lamb, Marlborough the next day, their self promoted gig at Devizes The Corn Exchange on the 10th, and its onto Moles in Bath, and weโre looking at 15th December for them to make their debut at the trusty Southgate.
Bradford on Avonโs Live Music Festival returns from Friday 29th May to Sunday 31st May; three days of live music from outstanding bands and artistsโฆ
by Ian Diddamsimages by Gail Foster ‘Devizes & Beyond’ is a collection of original poems in traditional forms and digital photography, inspired by life inโฆ
Some four years since his last release under his own name, Lavingtonโs electronica composer Moray McDonald presents a soundtrack; the music he wrote and producedโฆ
Can we please draw a red line under Pewsey’s Moonrakers St George’s Cross facade fiasco now Wiltshire Council has u-turned on a proposal forcing landlordโฆ
If options for urbanites seeking experiential or themed dining experiences are boundless, theyโre lesser so in our rural backwaters. Yet, weโve returned from a deliciousโฆ