Serenโ€™s New Single; Worm

Thereโ€™s a cold remote ambience of burrowing doubt in the opening of Westburyโ€™s singer-songwriter Serenโ€™s debut song, in which, as the title suggests, she uses a worm analogy to convey shadows of diffidence. Yet, it is a breath of fresh air of resilience, and an exhaustive equilibrium in which to express sorrow and build from a simple honest riff to a sublime and encapsulating stentorianโ€ฆ..

Worm, released today, is impressive. Itโ€™s a richly layered spring-like emerge, a hedgehog poking his nose out of his winter nest. If isolation is a trap, Serenโ€™s uplifting vocals are the escape route, and in this itโ€™s a message to herself which will profoundly convex to others through association; the key to good folk music. Though, it is an urban myth that you can cut an earthworm into two and both parts will live, Seren uses the comparison to the numbness of her mood, not for dividing or multiplying herself, rather to โ€œsee if I feel a thing.โ€

A reflection on a burrowing exercise from emotional blunting, then, hiding, and waiting for a storm to emerge; this song should be that onset squall, for whilst it uses classic singer-songwriter folk hinting towards Sandy Denny or Maddy Prior influences, the beauty of Serenโ€™s vocal range melancholically penetrates through the numbness of its subject; the formula of an experienced artist, of how Tammy Wynette could woo an audience. Though Worms equally captures, it depends more on mood observation than the literal narrative of the likes of Wynette.

โ€œI wrote the song when I was sixteen, in October, a few months into starting my first year at college,โ€ Seren explained, โ€œthe song was linked to struggles with mental health that I have had around that time and before, and how it was making me feel. Itโ€™s a song that was very personal and something that will forever hold meaning for me.โ€

So, Iโ€™ve not had the pleasure of meeting Seren yet, nor seen her perform. I booked her for our double-bill with M3G for our first evening at the newly opened Fold in The Lamb, Devizes based on the strength of the few social media videos she has posted and M3Gโ€™s recommendation; theyโ€™ve worked together before. This song strengthens my faith that this will be an amazing night, for, like M3G, Seren holds a rare skill to encapsulate through honesty and fidelity to her music. You need to listen to Worm, and if you do, Iโ€™ll see you on Friday 24th April; yeah you got me, itโ€™s a gig plug, but even if it wasnโ€™t, in writing and acoustic combo, Worm is this prodigious and breathtaking!

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Serenโ€™s New Single; Worm

Thereโ€™s a cold remote ambience of burrowing doubt in the opening of Westburyโ€™s singer-songwriter Serenโ€™s debut song, in which, as the title suggests, she usesโ€ฆ

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Devizine Presents M3G and Seren at The Fold

Spring is on its way, and we’re looking forward to a season of great live music across the county. You’ve only got to keep your best eye on our ever-updating event calendar to realise the vast and varying options open to you. But here, in Devizes, there’s one particular place I’m personally excited about, the return of The Foldโ€ฆ.

Organised principally by JP Oldfield, the legendary Fold returns with open mic nights on the first Tuesday of each month, Bluebeard and the Desperate Hours headline a freebie with JP in support on Friday 27th March, and the one and only Gaz Brookfield returns to The Fold in a blaze of glory on the 5th June.

But with JPโ€™s reputation spreading like wildfire, he cannot always be at The Fold; I mean, we were just chatting about him supporting Imarhan at Bristolโ€™s The Fleece on Monday, and the many other gigs heโ€™s getting in the area. So, between Bluebeard and Gaz, and not for my ego, well, not entirely, I’m delighted Devizine can be involved with this project.

A Devizine takeover at The Fold, on Friday 24th April, that’s what I’m here to tell you about; bung it your diary now! It’s been too long since we’ve put a gig on. This is happening, the only requirement needed from you is to please support it. In order to encourage your excitement to match my own, we’ve done two things.

Firstly, while we need to fund it somehow, we’re keeping ticket prices as low as possible. Just like it was 1979, this is a pay what you can gig, but I plead that you consider this at the door, that the more you can pay the more we can give you in return, rebuild the Fold, and provide Devizes with some great acts in a comfy, intimate venue and at affordable prices. Please, flash a little cash, not for me, but for our musicians.

My second objective, and I know JP and I are singing off the same songsheet on this even if his singing is ten thousand miles above my own breathtaking shower concertos, is to bring to Devizes the amazing acts we see elsewhere, who haven’t yet made a Devizes debut, or who have rarely played here before. Musicians and bands which I think, โ€œthe good folk in Devizes would love this, they deserve to see this!โ€ And that’s precisely what we’ve done for our first Fold takeover.

We’re hosting two local upcoming singer-songwriters, firstly Meg, or M3G as she prefers, who I’ve been waffling on about for ages, with deserved praise, and my daughter scribbled a great interview with her some years ago.

M3G is an indie folk singer-songwriter from Chippenham. Her music mixes authentic lyrics with soaring vocals. Recently supporting the likes of Frank Turner, Jools Holland, Gaz Brookfield and The Lottery Winners. A regular at Trowbridgeโ€™s Pump, the venue now run by Kieran J Moore, who created Sheer Music at this very venue, The Fold; small world.

Her bio also says she’s โ€œdescribed as, โ€˜Beautiful and Captivatingโ€™ by a local music magazine,โ€ which I’m suspicious was me! And โ€œshe brings a unique perspective and humour to the stage,โ€ which sums it perfectly, if I do say so myself! Her recent singles, like โ€œRooksโ€ , were produced by Phil Cooper, who you should know from The Lost Trades, and also will be at the Fold with Bluebeard on the 27th March; again, small world!

M3G’s style is uniquely wonderful and personal, something I advise you really need to see for yourself; hereโ€™s your chance. I also introduce you to Take the Stage finalist Seren, a Warminster based young folk singer-songwriter with a voice you wonโ€™t forget.ย 

Seren performs a mixture of original songs and covers. โ€œMy favourite covers to perform are Fast Car by Tracy Chapman, Unwritten by Natasha Bedingfield, and Black Star by Radiohead,โ€ she tells me. โ€œI first started performing in May 2024, and since then I have performed at CorFest 2025, Swinterfest, and have supported Irish folk musicians in Salisbury including The Henry Girls, Daoirรญ Farrell, and Tim Eady and Mike McGoldrick. I am inspired by a mix of artists/musicians and genres such as folk, indie, pop, indie rock, and jazz.โ€

Both of a similar age, M3G and Seren have worked together before, supporting each other, and after performing solo, promise to duet in a rare finale session. I canโ€™t wait, I advised MantonFest to book Meg a couple of years ago, but I believe this will be both their Devizes debuts. I hope you can join me in bringing these two sublime performers to town and really give them the warmest of Devizes welcomes, on the 24th April; put it in your diaries now!!

Facebook event thingy, here, let us know you’re coming. If you are coming, I promise not to sing myself. Oh, and give the Facebook page a follow too, for updates there.


The Return of The Fold Music Venue in Devizes

If your average Tuesday night in Devizes might feel like The Day The Earth Stood Still, it certainly felt this way for me yesterday; I was at an open mic, down The Foldโ€ฆ..

Yeah, you read that right, the back room of The Lamb which launched Kieranโ€™s Sheer Music a decade or so ago, a Devizes to Trow-Vegas success story many hold fond memories of. Since then it seems itโ€™s been rather dormant up there, so Iโ€™m sure it will come as a delight to many to hear this once popular, intimate space is reopening, because this open mic night is only the beginning.

The open mic will continue, each first Tuesday of the month, and the weekends hopes to see regular affordable ticketed gigs. Iโ€™ve got to stop saying โ€œTuesdayโ€ now, because in my mind Iโ€™m voicing it as Miranda, probably because Iโ€™m a smidgen over-excited to bring you this fantastic news!

The project has been masterminded by Sally at the Lamb, who has renovated the Fold, and Josh Oldfield, who will be running nights there. Furthermore, on occasions when Josh is gigging elsewhere, Devizine is allowed to use it, and in a joint venture, we hope to bring some great gigs to town.

The legend that is Gaz Brookfield returns to The Fold in a blaze of glory on the 5th June, with our faithful JP in support. But the Fold opens earlier; officially on Friday 27th March, when piano-driven pop-rock trio, Bluebeard and the Desperate Hours headline with JP again in support. This one is free, save a tip jar for the acts.

Devizineโ€™s first night hosting there will be Friday 24th April.

Iโ€™m sorting it out now, do not fear! My concept is to bring in some exciting new and original acts to Devizes, or at the very least ones who have rarely played here, despite me bashing on about them within the pages of Devizine! Starting with an acoustic folk night; save the date, for we have two of Chippenhamโ€™s finest young singer-songwriters, Meg and Seren promising to play for us on the 24th April.

Meg, Image by Kiesha

Details on this and other gigs at the Fold will follow. For now letโ€™s just say last night was a great start to reinventing the venue. A humble and hospitable evening, as most open mics are; shame I rarely get to attend any because they usually occur on weekday evenings.  

With performers at opposite sides of the timeline, a promising acoustic guitar sporting Billy went first, followed by Ronnie unplugged with an electric. Eyebrows were raised further when young bassist, Meadow, backed Ed Dowdeswell, stepson of Jamie R Hawkins, who, though containing elements of brilliant songwriting and riffs clearly rubbed off from Jamie, is carving a name for himself independently, and quite rightly so.

A smidgen more mature musicians, Jim and Ray, blessed us with some folk-blues covers. And between them and our wonderful Sammi Evans, Sammiโ€™s son Kristian also sang quite wonderfully for the very first time; the apple doesn’t fall far from the tree.

Sammi is always a delight to see live, but her set ended abruptly due to guitar string snap, and golden axeman Brian took his place and pumped some gorgeous blues covers our way; Big Mamma Thornton, though, nicely placed sir!

Young Amelia may have been penultimate on the roster, but was the ultimate voice, and known throughout the free world of Devizes, Gordy and Tim polished this fantastic inaugural reopening of The Fold off expertly. I left feeling this will be something very special added to our busy live music circuit here in Devizes, and I hope to see you there soon!

Grand opening with Bluebeard and the Desperate Hours and JP Oldfield will be free on 27th March. The next open mic is due April 2nd. We take over with Meg and Seren on 24th April, Gaz arrives on 5th June, and thereโ€™s more to follow; exciting news!ย Open mics are just nice, aren’t they?!


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Harmony Asia Can Do This

Itโ€™s a question Iโ€™ve asked Chippenham singer-songwriter Harmony Asia on each rare occasion I catch her for a chat; if sheโ€™s planning to capture aโ€ฆ

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