Free Charity Fundraising Festival at The Three Crowns Devizes

With the Three Crowns being the liveliest pub in Devizes for some years now with live music every weekend and the Brewery Shop as a new neighbour, it seems sensible to upgrade the idea to a free Wadworth mini fundraising festival ….yay!

On Saturday 12th July The Three Crowns will pull all stocks out, with a free mini-festival supporting Wiltshire Air Ambulance and Juliaโ€™s House. Wadworth has a beer tasting table, Chirton School is doing a cake sale, and they promise other stalls. The music starts at 11am with a childrenโ€™s disco and face painting until 1pm.

The best tried and tested locally sourced music lineup includes Matchbox Mutiny, who starts the music proceedings at 2pm, followed by Jolyon Dixon and Rachel Sinnetta at 3:15pm. Ruby Darbyshire at 4:15pm. Headliners Funked Up at 7pm.

Agreed, there’s a gap between Ruby and Funked Up – maybe there’s something they’ve forgotten to tell me, maybe it’s a surprise, or maybe it’ll be time to grab one of their fantastic gourmet burgers?!


Supergrass Headline Frome Festival to Support Local Community Action Group

Britpop icons Supergrass will headline Frome Festival as a fundraising event for grassroots community action group โ€˜People for Packsaddleโ€™ who are fighting to save a much-loved local green space from development…….

The Cheese and Grain made a last-minute announcement of the concert slated for Friday 11th July as part of the Festival, crashing their site with fans eager to find out more.

Toby Culff, spokesperson for โ€˜People for Packsaddleโ€™ explained, โ€œThe proceeds from this event are being donated to our local community action group, People for Packsaddle, to support us in our ongoing battle to protect the area known as Packsaddle Community Fields, in Frome, from development. Despite hundreds of objections and the planning application being refused by Somerset Council, the developers are taking it to an Appeal. For us to fight the Appeal and be represented by a full legal team comes with a significant financial cost.โ€

Culff continued, โ€œThe fields are a designated Asset of Community Value and a crucial, irreplaceable resource for local people and wildlife, and for Frome as a whole. By coming along to this gig, people will be supporting positive community action whilst also helping to protect the environment.โ€

The drummer of Supergrass, Danny Goffey, who lives in Frome, is a big supporter of this initiative and this offers the perfect opportunity to give something back to the community.

The indie rock legends are celebrating the 30th anniversary of their seminal chart-topping debut album โ€˜I Should Cocoโ€™ by playing it in full and then drawing from their endless greatest hits, proving they’re still at the top of their game. Bursting onto the scene in the mid-90s and channelling their iconic energy, Supergrass shot to fame with anthems like Alright, Caught by the Fuzz and Mansize Rooster. Three decades on, their live shows are as cool as ever, and fans can expect an unforgettable night from a band who helped define an era.

Support comes from Lumley, who describe themselves as โ€œlurking in the Indie pop bargain bin, Fromeโ€™s finest exponents of stealing all of your favourite hits and misses from the โ€˜90sโ€. Lead singer Micheal โ€˜Fordyโ€™ Ford, who is also a concert promoter, stated, โ€œFirst of all this show is for Frome and the ridiculous proposal to build at Packsaddle. We stand with our brothers and sisters of People for Packsaddle. Secondly, itโ€™s just awesome! Supergrass at Bath Moles in 1994 changed everything for me and I finally found MY band!โ€

In true Frome community spirit, the Town Crier, Martin Scott, will be acting as Master of Ceremonies at this one-night-only benefit. Attendees can expect some of his trademark humorous rhyming couplets. Scott shared on social media, โ€œWe are young, we run greenโ€ฆand weโ€™re running full speed towards a night of righteous revelry! Supported by the fabulous Lumley, it promises to be alright, alright, alright! So gather ye, good people of Frome โ€“ for common land, common good, and uncommon talent! Let the bell ring, the chords chime, and the wild ones ride again!โ€

People for Packsaddleโ€™s Toby Culff expressed, โ€œWe are enormously grateful to Supergrass, the Cheese and Grain, local band Lumley and Frome Festival for their support in ensuring this crucial fundraiser can go ahead, as well as to everyone who comes along and enjoys the gig and helps us achieve our goal of saving the fields from development. We wonโ€™t stand by and let developers ride roughshod over democratic, locally made decisions – this fundraising event is going to really help us achieve this aim!โ€

Frome Festival Director, Adam Laughton, explained, โ€œSupergrass headlining Frome Festival is further evidence of the cultural significance of this amazing town, continually punching well above its weight. Enormous thanks to the individuals who have made this happen, as well as Cheese & Grain and People for Packsaddle,โ€ adding, โ€œThis event is the cherry on top of a sensational 10 days of activity kicking off on Friday 4th July. Over 280 events in over 50 venues โ€“ thereโ€™s truly something for everyone.โ€

FROME FESTIVAL is taking place from 4th to 13th July 2025 with its most ambitious and wide-ranging programme to date. This much-loved annual celebration of arts, culture, and community continues to grow in scope and imagination, bringing together world-class performers, local talent, and a wealth of unique experiences across the town.

Additional musical highlights this year include performances from the Ronnie Scottโ€™s All Stars, acclaimed songwriter and producer Guy Chambers (most well-known for his work with Robbie Williams), Brodsky Quartet,  the Miki Berenyi Trio (formerly of Lush), Tom Moth (harpist with Florence + The Machine), Gary Stringer (Reef), Rokia Konรฉ (from Les Amazones d’Afrique), and the dynamic Hackney Colliery Band.

The comedy line-up features some of the UKโ€™s most distinctive voices, with headline sets from Lou Sanders, Andy Zaltzman, and the return of firm favourites Jarred Christmasโ€™ Pop-Up Comedy. Lou Sanders, Andy Zaltzman, and the return of firm favourites Jarred Christmasโ€™ Pop-Up Comedy.

This yearโ€™s Bob Morris Lecture will be presented by historian, author and broadcaster Professor Kate Williams, offering fresh insight into a thousand years of Britainโ€™s palaces, monarchs – and all the royal secrets.

The family-friendly programme includes free events for children, funded by Frome Town Council. Festival-goers can also enjoy the return of cherished community events such as the Hidden Gardens, the Frome Open Art Trail, and the Food Feast, featuring live music from up-and-coming indie rock band Nothing Rhymes With Orange, bluegrass with percussive step dance from Buffalo Gals, and soul collective Kaleida Wild. Entrance to the Food Feast on Saturday 5th July is free.

The theme for 2025, Fromeโ€™s historic textile industry, is woven through the festivalโ€™s branding, artwork, and a variety of textile-inspired events that pay tribute to the townโ€™s rich industrial heritage. These range from the traditional, for example weaving and woad dyeing workshops, to the contemporary, such as a themed AR (Augmented Reality) history quest and a silent disco comedy walk. The yarn bombing competition โ€˜Make Frome Knit Again!โ€™ seeks to decorate the public spaces of Frome for the duration of the Festival.

A free printed festival brochure is available from the Cheese & Grain and other local outlets. The full programme and ticket information can also be found online at www.fromefestival.co.uk


IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take over Bristolโ€ฆ..

Queens Square in Bristol will soon hold its first major live music event in 20 years. IDLESโ€™ lead singer, Joe Talbot, promised โ€œmusic we love for the people we loveโ€ and the two-day lineup will not and cannot disappoint.

Friday sees punk duo Soft Play take to the stage, after their thrilling comeback last year with critically acclaimed album โ€˜HEAVY JELLYโ€™, the Lambrini Girls, after the success of their debut album โ€˜Who Let The Dogs Outโ€™ and a set from dubstep artist SICARIA.

Then Saturday continues the party with Spanish duo Hinds, Bristolโ€™s โ€˜Black + Queerโ€™ pioneer Grove, Tash LC and leading the supporting lineup -also the band Iโ€™m most excited about- is The Voidz, fronted by Julian Casablancas (lead singer of The Strokes!).

Both days will, of course, also see sets from the IDLESโ€™ themselves, who have shot back to fame after their #1 album โ€˜TANGKโ€™ โ€“ which also led them to three (yes, three!) Grammy nominations. Theyโ€™ll be travelling all over the world on tour this year, but their only UK shows will be at Block Party.

So, two full days of live music โ€“ from an undeniably incredible line up of bands and artists, with the addition of local DJs and food and drinks from Bristolโ€™s favourites, whatโ€™s not to love?

I really advise grabbing tickets while you still can, theyโ€™re already running low and this definitely isnโ€™t a party to miss.

IDLESโ€™ future tour dates can be found here, and tickets to Block Party can be brought here

REVIEW โ€“ White Horse Operaโ€™s Cosi Fan Tutte @ Assembly Rooms โ€“ Saturday 21st June 2025

Another Triumph for WHO

Andy Fawthrop

Following the excellent recent production of La Belle Helene at Devizesโ€™ Wharf Theatre back in March (see here), White Horse Opera (WHO) have triumphed yet again by bringing their production of Mozartโ€™s Cosi Fan Tutte to D-Town.ย ย 

Cosรฌ fan tutte is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte (who also wrote Le Nozze di Figaro and Don Giovanni).ย  Cosรฌ fan tutte, literally means “So do they all”, using the feminine plural (tutte) to indicate women. It is usually translated into English as “women are like that”.ย  Weโ€™ll get to that in a minute.

Mozart and Da Ponte used the idea of “fiancรฉe swapping”, which is a recurring theme dating back to at least the 13th century; notable earlier versions are found in Boccaccio’s Decameron, and Shakespeare’s play Cymbeline. Elements from Shakespeare’s The Merchant of Venice and The Taming of the Shrew are also present.  Whilst itโ€™s likely that nowadays weโ€™d see such an idea as somewhat โ€œproblematicalโ€, in opera terms such unacceptable behaviour is seen merely as a comic problem to be resolved with a neat and happy ending.

So it was that White Horse Opera (WHO) brought this sparkling jewel to life last night in the elegant surroundings of the Assembly Room in the Town Hall.  Unlike many operas requiring a large cast, chorus and orchestra, Cosi Fan Tutte can be played with only six singers and a pianist, and this made it a perfect piece to transport into a smaller, intimate atmosphere.  Using a simple backdrop, a few screens and virtually no props, the production was allowed to breathe.  The spoken dialog and the songs (all in English) were straightforward and easy to follow, allowing the comedy to shine through (although there was a helpful synopsis in the programme too).  This minimalist approach, thanks to Lewis Cowenโ€™s staging, and Roland Meliaโ€™s musical direction, kept it all as light as a feather.

All six singers excelled in their roles, and it would be invidious to single any one of them out.  Seriously โ€“ they were all on cracking form. The solos, duets and ensemble pieces were all well-delivered, glittering like jewels in a crown.  And the โ€œseventhโ€ member of the cast, pianist Tony James, who was on-stage throughout every scene in this two-act production, provided exactly the right supportive, yet under-stated, musical platform for the singers to really shine.

I loved this production โ€“ it was a chance to get up close to the stage and the mechanics of the performances, and to chat with the performers during the interval and afterwards.  It was as far as it was possible to be from the โ€œgrand ideaโ€ of opera โ€“ i.e. a big cast production in a large gilded opera house with all the social trimmings and conventions.  It proved, if proof be needed, that such a stripped-back delivery can provide all of the good things about opera, but without the concomitant fripperies.

To take such themes as love, trust, fidelity, deception, betrayal, forgiveness and reconciliation, to say nothing of the supposed โ€œweakness of womenโ€, and the cynical view of Don Alfonso that (to quote someone more contemporary) โ€œif you canโ€™t be with the one you love, then love the one youโ€™re withโ€, and to deliver all this up in less than two and a quarter hours, was no mean feat.  Leaving aside the dubious morality of testing fidelity by swapping girl-friends, using (deliberately risible) disguises, the manipulation if others by the main character, and the portrayal of women as weak characters who simply canโ€™t help themselves, sits uncomfortably with a modern audience.  But, hey, this is comic opera, and you need to join in with the joke.  Yes, itโ€™s all very contrived and very silly, but thatโ€™s how comic opera works.  And you can see exactly where Gilbert & Sullivan were coming from when they unleashed their satirical take on many of these devices.

So โ€“ an absolutely spiffing and hats-off production by WHO.  Sparkling staging and singing, and all completely accessible.  Do go and see them whenever you get chance.  Weโ€™re so lucky to have such a talented outfit working in and around our town.

Bravo!


CAST

Fiordiligiโ€“ Barbara Gompels

Dorabellaโ€“ Paula Boyagis

Guglielmo โ€“ Jon Paget

Ferrando โ€“ Robert Felstead

Despina โ€“Toni Johnstone

Don Alfonso โ€“ Robin Jukes

Musical Director Roland Melia, Stage Director Lewis Cowen, Pianist Tony James

White Horse Opera are based in Devizes and regularly perform operas around Wiltshire and beyond.

Findย  out more HERE


News & Chat About Wiltshire Music Awards on Donโ€™t Stop the Music Radio Show

Despite being a tad under the weather last week, I was delighted to join Eddie Prestidge of Wiltshire Music Events on Swindon 105.5 radio to discuss the next stages of our Wiltshire Music Awardsโ€ฆ..

For those not in the know, though I suspect many are, presenter Peggy-Sue Ford produces a weekly show on the long-established station called Donโ€™t Stop the Music, dedicated to showcasing signed and unsigned acts, particularly locally-sourced. What better place to explain our plans for the awards? I cannot think of any, because thereโ€™s few radio shows locally as thoroughly dedicated as Peggyโ€™s, who brings acts into the studio to perform live and has become such a popular catalyst for upcoming local musicians.

This week Peggy-Sue was talking to Rich Swatton of a gem on our event calendar, Minety Music Festival, so it was the second week absent of live music; I did offer to sing for our turn on the show, which was swifty and understandably avoided and the topic diverted! Other than this, I think it went rather well and Ed and I made a bit of a duo, in the vein of Laurel & Hardy!!

Peggy-Sue uploads the shows on Spotify, so you can catch up with the shows if you miss them; hereโ€™s ours, should you wish to listen. Despite no live music, thereโ€™s local tunes from many already on our radar, Talk in Code, Deadlight Dance and JP Oldfield, and others new to us, Swindon crossover rapper Brandon Clarke, who goes under the pseudonym Weather, and Kate X, an upcoming RnB singer; both worth looking up.

With the voting process now closed, Ed and I explained what happens next. The votes will be counted and the top three of each category will be put before a panel of judges, all with professional experience and loyalty to promoting the local music scene. The reason for this, so we can find a balance across the entire county and represent countywide fairly, ensuring the results are not centralised in one area. Whereby some results appear to be close to call, judges will decide the winner, but in all cases, especially those results where one has walked the category, this accomplishment must be considered by the judges as priority.

The judges were announced as being, subject to their own availability: Claire Grist of the Facebook page Bird is the Word, Ed Dyer of Swindon Shuffle, Roger of Sound Knowledge in Marlborough, Ronnie Laurie of Marland Music, Salisbury music producer Joylon Dixon, Nick Beere of Mooncalf Studios, and Peggy-Sue Ford herself. We have advised, now the judges are announced, bribing them with sweeties, kisses, or anything of the kind will be frowned upon!

This is the first Wiltshire Music Awards, and weโ€™re learning and planning as we go, but we are dedicated to presenting the results in October with a grand ceremony at Devizes Corn Exchange. In order to do this effectively we require sponsorship for each category, for which is affordable and details of which can be found HERE. Tickets for the ceremony can also be found there, starting at just ten pounds, and thereโ€™s some FAQs.

We strive towards that date crossing the Ts and dotting the Is, and look forward to presenting the awards with lots of live music acts on the night, perhaps a celebrity presenter alongside me in a tux, the latter of which is worth the ticket price alone!

Iโ€™d like to thank Peggy-Sue and Swindon 105.5 on behalf of myself and Eddie, for allowing us to visit the studio last week, to chat about the awards, and test the swing chairs for squeakiness, which I report was minimal. What a great show! 


PREVIEW : โ€œThe Mikadoโ€ at The Mission Theatre, Bath, July 22nd-23rd 2025.

by Ian Diddams
images from Jon Lo Photography

Ask the typical man โ€“ or woman –  in the street which Gilbert & Sullivan performances they can name, and you may well receive such answers as โ€œTop Of The Pops, 1972โ€, โ€œMan about the Houseโ€, โ€œCrucible Theatre World Snooker Final 2001โ€ and โ€œWho? What?โ€.  [ Thatโ€™s a bit left field? โ€“ Ed ] . However, amongst the cognoscenti within this theoretical vox-pop, you may find some that do actually understand the questionโ€ฆ  and amongst the more likely answers of โ€œPirates of Penzanceโ€ etc, you may well find somebody suggesting โ€œThe Mikadoโ€.

The Mikado has had some troubles in recent years being staged, as the core principle of Gilbertโ€™s satire being the send up of BRITISH society by utilising an alternative environment which was all the rage in London Society at the time, is confused with patronising that other place. You may disagree with me, which is your prerogative, of course. But whatever the reasons it has become โ€ฆ  uncomfortable โ€ฆ presenting The Mikado as how it was historically performed.

More modern adaptations however have avoided any unnecessary disquiet by setting the operetta in other situations โ€“ Devizes based White Horse Opera staged a highly successful version set in a dystopian country ruled by a despotic dictator akin to a 1970s central American military president just a few years ago โ€ฆ  I know because I was the Mikado! This in itself however is also I believe to be refreshing โ€“ if all such shows (including Shakespeare etc) were always performed in exactly the same manner, aside from Sullivan’s wonderful music they may quickly lose their shine โ€“ seen one, seen them all. Reimagining the background creates new ways of looking at the story, naturally.

So step forward โ€œForbear! Theatreโ€, a London-based professional theatre company known for producing innovative Gilbert and Sullivan shows, and their splendid Terry Pratchett inspired adaptation, performed at The Mission Theatre prior to their transfer to New York. Minimal changes have been made to the text in bringing this fantasy kingdom to life, with the same madcap characters, plot and iconic songs that have been loved for generations. This version of “The Mikado” aims to represent Gilbertโ€™s original intention by being set in an other-worldly, beautiful and dangerous fictional culture; the perfect canvas onto which to paint British flaws. And of course, Sullivanโ€™s sublime and clever โ€“ almost cheeky โ€“ music.

So come and find out for yourself how Gilbert’s characters fare in this Pratchett inspired fantasy world at The Mission Theatre, July 22nd and 23rd ย 2025.ย  After all, others have praised this production to the hilt already

โ€œThey live for their art.ย  And it shows in their show. You could put this production on at the London Coliseumโ€ (*****) – London Theatre 1
โ€œSuperb singing and silly goings on in the land of Tirwuduโ€ย (****) – London Pub Theatres
โ€œRachel Middle has given an old story a beautiful new homeโ€ย (****) – North Westend
โ€œA real triumph from the creative team who have passionately and carefully reimagined this iconic piece of theatrical historyโ€ (****)ย – The Deskbound Dramatic
โ€œBrilliantly subversiveโ€ – Everything Theatre

Tickets from https://www.missiontheatre.co.uk/whats-on/2025/the-mikadoย 

REVIEW โ€“ The Lost Trades @ The Piggy Bank, Calne โ€“ Tuesday 18th June 2025

Five Have An Out-of-town Experience

You canโ€™t always get that live music experience you crave by simply staying within the walls of D-Town.ย  Sometimes, and especially when thereโ€™s aย  band playing that you simply have to see, you just need to get the gang together and pile into a motor to visit the wilder Wiltshire provinces.ย  And so it was last night that we ventured over the hill to Calne.ย  We found the border post un-guarded, and so we slipped into the town and found our way to The Piggy Bank micro-pub to see The Lost Trades……

The Piggy Bank has been a surprisingly good little venue over the past year or two, featuring some great nights with, among others, The Rob Lear Band, The Black Feathers, Jess Vincent, and Jinder, as well as pop-up dining nights, quiz nights and (a big favourite of mine) Crazy Bird comedy club nights.

Just in case you donโ€™t know them, The Lost Trades are a trio who play folk/ Americana with a cool Laurel Canyon vibe. With a sound that is reminiscent of the California folk scene of the late 60s/early 70s, (weโ€™re thinking here of Crosby, Stills, Nash & Young), their three part harmonies have been previously described as “flawless”, “spine tingling” and “magical”.

Formed in late 2019, the global Covid hoo-hah cut short their first tour after just a single sold out gig.ย  The band shrugged their shoulders, and retreated to their respective song-writing rooms to work on what was to become their debut album, “The Bird, The Book & The Barrel”, released in June 2021. The follow up album, “Petrichor” was released in March 2023. Both are highly recommended โ€“ trust me!

Then, just last year, one of their founding members, Tamsin Quinn, decided to leave the trio to pursue other interests.  Bit of a shock.  Was this the end for The Lost Trades, we all wondered?  Not a bit of it!  Tamsin has now been replaced (if replaced is really the right word) by the very talented Jess Vincent, who had recently returned to the UK after a few years away in Bulgaria.  

The result of all that is that The Lost Trades now consist of:

ยท Phil Cooper (vocals, acoustic guitar, electric bass), a performer not unknown in the local area for many years, both as a solo performer, as well in various bands, and a guy who knows his way around a recording studio and the producerโ€™s job;

ยท Jamie R Hawkins (vocals, acoustic guitar, electric bass, ukulele), also massively well-known locally, especially in venues around D-Town, for his wonderful solo performances and some great songs. Indeed a bunch of us had slipped over to The Pulpit (ex The Little Hop) in Old Town, Swindon only last week to witness a really excellent solo performance at that new musical venue;

ยท Jess Vincent (vocals, guitar, percussion, shruti box).  Jess first came to notice singing with Penny Red, before branching out into a solo career that produced several albums (Time Frame, Seesaw Dreams, Shine, and last yearโ€™s Lions Den)  

Between us five weโ€™d seen The Lost Trades in their old formation many times before, but this was to be the first time with new band-member Jess.  How would this all work out?  Would the sound and the dynamic have changed?  And if so, for better or worse?  Well, in sum, we need not have worried.  Despite a massive learning curve for Jess to pick up the bandโ€™s performing repertoire in just a few short months, to say nothing of having to re-blend all of their trade-mark close harmonies, the end result was spectacularly good.  It was neither better, nor worse, just slightly different and more developed and mature.  Right from the first number we knew that the magic had remained intact.

All the old stuff was still there โ€“ the constant and easy interchanging of instruments (including guitar, ukulele, bass and percussion), the close three-part harmonies, the well-worked song material, and the light-hearted intimacy, with the group engaging in comfortable repartee with each other and the audience like a group of old friends. And there were a lot of old friends in the audience to help them along.  And, of course, the many familiar songs.

But there was some great new stuff too โ€“ new songs, a different female vocal line, new instruments, and (obviously) a new personal dynamic between the three performers.  All of them had played The Piggy Bank before, and all to packed houses, so there were no nerves about any of that.  And last night, in front of yet another packed house, they managed to produce a truly spell-binding performance once again.

My only (very slight) reservations about the evening were that I needed slightly less chat (some of the introductions were as long as the songs!) and I would have liked slightly more of Jess (the two boys tended to dominate proceedings at times).  But, hey, these are very simple things to be fixed and developed, and didnโ€™t in any way detract from all the superb quality of the music they delivered in their three sets (or โ€œspasmsโ€ as Phil nicely put it).

There were no lashings of ginger beer, but the music flowed, the craft beer certainly flowed, and a jolly good time was had by all.  Then, under cover of darkness, we fled through the night back to the safety of D-Town, our out-of-town mission successfully accomplished.

Hopefully thereโ€™ll be more music dates to come at The Piggy Bank in the autumn.  But, meanwhile, if you want to see The Lost Trades live in concert (and I strongly recommend that you do!), theyโ€™ll be appearing locally as below:


Future dates for The Lost Trades:

Wednesday 23rd July 2025 @ The White Bear, Devizes

Friday 25th July 2025 @ Trowbridge Festivalย ย 

Friday 26th September 2025 @ The Pump, Trowbridge

Saturday 27th September @ The Hop, Old Town, Swindonย ย 

For more information go to thelosttrades.com/ย 


โ€œThe Taming of the Shrewโ€ at the Rondo Theatre, Larkhall, Bath, June 18th-21st 2025.

By Ian Diddams
Images by Josie Mae-Ross and Charlotte Emily

Shakespeare wrote several plays that were termed in the late nineteenth century โ€œProblem Playsโ€. These were some of his works that didnโ€™t easily fall into brackets such as comedy, tragedy or history โ€“ usually covering at least two of those โ€“ but also dealt with uncomfortable social problems. When one looks at the basic plot of โ€œShrewโ€ its difficult with our twenty-first century spectacles on to not include it in this classification. Unadulterated misogyny, gas lighting, and mental and physical abuse within marriage are not viewed as comedic obviously โ€ฆย  yet โ€œShrewโ€ is universally billed as a comedy. The Rondo Theatre Company this week, however, sets to reflect these non-contemporary themes in a gender bent performance to highlight the inequalities and oddities of Shakespeareโ€™s script.

It’s also a somewhat sumptuous treat โ€“ costumes (Harriet Hazelwood-Rose) are sublime with a red velvet theme running throughout, and the set whilst a very typical black box for Shakespeare nevertheless encompasses a balcony/second tier, an exciting addition at the Rondo.

Director Jazz Hazelwood-Rose had long planned this version of โ€œShrewโ€, using this gender-queered approach to (in their own words) โ€œโ€ฆ examine how Shakespeareโ€™s โ€˜comedyโ€™ has a darker side that highlights how the gendered language we use affects how we see each other and interact with the world โ€ฆโ€. That this is done so sublimely well is testimony to their vision, and the quality of the cast; very quickly the male v female โ€œbattle of the sexesโ€ is forgotten, and the tale of bigotry and oppression just shines through. Alex Oliviere is simply phenomenal in her role as cock-sure (no pun intended!) Petruchio, wonderfully mirrored by initially surly and increasingly demure Toby Skelton as Katherine. Their stage chemistry builds throughout the play signifying not only Katherineโ€™s submission to her husbands will, but also Petruchioโ€™s adoration for her.

More than ably supporting them are Alana Wright as Hortensio, Megan Robertson as Lucentio, Charly Nehan as Tranio, Helen Taylor as Baptista, Yvonne Pauley as Gremio, and Charlotte Howard as Vincentio, to complete the female/male flips. Freddie Oliviere-Davies as Bianca performs the reverse Kate as it were, all light and softness โ€“ until married of course. Chris Constantine as Biondello and Matt Nation as Grumio follow a traditional casting, and both provide strong characterisation as Lucentio and Petruchioโ€™s servants respectively, Matt Nation especially in an almost slapstick, court fool role. Teasel Howell, Will Prins, Sophie Turner, Ed Hodgkinson, and Moray Macdonald complete the cast as various servants, merchants, tailor, and rich widower.

The set as previously mentioned uses a two-level approach which is used very effectively โ€“ Geoff Rennie step forward for your design and implementation. Alex Latham provides the usual excellent โ€œTechnical Wizardryโ€ and Steph Hazell and George Fletcher keep the whole thing running seamlessly as stage management.

In a time now where the main plot contains universally unacceptable traits โ€“ clearly more acceptable four hundred years ago โ€“ The Rondoโ€™s production handles the subject matter with care and respect. This may not be a โ€œproblem playโ€ by the usual definitions, but the jarring aspects of Petruchioโ€™s โ€œkilling through kindnessโ€ are laid bare all the more through the gender queered approach.

โ€œThe Taming of the Shrewโ€ is showing at the Rondo Theatre, Larkhall, Bath until Saturday 21st June, and is a perfect opportunity to see a lesser performed play from the canonโ€ฆย  and if you arenโ€™t that sure of the background plots in particular, you would do well, in advance, to โ€œBrush Up Your Shakespeareโ€ โ€ฆย 

Tickets from https://www.ticketsource.co.uk/whats-on/bath/rondo-theatre/the-taming-of-the-shrew/e-moayov



Devizes Arts Festival Relive the Eighties with Riviera Dogsย 

Together in Electric Dreamsโ€ฆ. at The Corn Exchange

Fashionably late for Devizes Arts Festival, I’d like to thank Andy and Ian for informative coverage of some complex events to review, whilst I took the easier route; rocked up for the last Saturday evening party like I was Prince, stole a fluorescent trilby and dad-danced around my bum-bag until they switched the final disco ball offโ€ฆ..

Iโ€™ll be honest, with my diddy-boppers cover band radar on high alert and leg warmers in the wash, I wasnโ€™t expecting to stay until the final curtain, for what seemed from the outside to be a refined generation X school disco. I could also get as pedantic as Mary Whitehouse; the band promised eighties, but the name Riviera Dogs is obviously a play on a 1992 Tarantino movie title; quibble when compared to the fantastic night they delivered.

As bang on cue as waiting for Top of the Pops each Friday, Riviera Dogs fired their flux capacitor and dropped Devizes Corn Exchange into the middle of the decade theyโ€™d pay homage to, with an exemplary cover of Go Westโ€™s We Close Our Eyes. From the off it was obvious this five-piece were some way above your average function band. Attendees wasted no bashful time finding a spot on the floor and dancing like it was 1985 again, even those few not old enough to recall it the first time around, (like me, a-hem!)

From there, everybody wanted to rule the world with Tears for Fears and I just died in Cutting Crewโ€™s arms as Riviera Dogs played their trump cards early. Mid-eighties power ballads were their calling, they were proficiently and professionally good at them. Seems they tour the nationwide retro circuit rather than play functions, for if they were to play a wedding itโ€™d overshadow the attention the happy couple would receive!

This said, many function bands use both male and female vocalists for songs, respectively according to the gender of the front person, and I wondered, if eighties pop hits were truly to be covered comprehensively some Madge, Cyndi Lauper and Kylie, to mention but a few, wouldnโ€™t have gone a miss with a female singer as proficient and entertaining as the existing male counterpart.

But as it was, it was a highly entertaining show, full of lively play, relevant and amusing nods to eighties trends which roused the crowds and caused them to reflect on their heyday; thatโ€™s nostalgia on top form. They rolled out smash hit after smash hit like you were listening to a Now album, Chesney Hawkes to Don Henly and beyond. Perhaps the more rock tunes, like Springsteenโ€™s Dancing in the Dark, which though I welcomed, wasnโ€™t as precisely executed as the electronica power pop ballads, but with those so sublimely fulfilled, and the evening in full swing, the crowds simply lapped it up, and twas so subtle no one cared to notice.

At one point though, we went from one end of the decade to the other too suddenly, for me. One minute we were dancing to Buggles’ Video Killed the Radio Star next it was Bros. The scant warning being a gag about wearing Grolsch bottle tops on shoes wasnโ€™t enough for me to prepare for the paradox! This stark contrast midway mayโ€™ve corrupted my timeline but didn’t seem to bother most of the audience either, exposing quinquagenarian Brosettes in the crowd!

As a homage to eighties music several elements were missing; feminine and queer insurgence, and rebellious tenets either side of that mid-eighties march for unadulterated pop mush; punk and Two-Tone at one end, hip hop in the middle, and acid house at the latter. The eighties was about more than the pop they played so well, it was also about advances in music technology and the vast variety of sound experiments it developed. They got as close as covering The Police brilliantly, but jโ€™mon, they never even dared to account for Wacko Jacko, dammit!

It may have reflected only pop commercialisation rather than covering the entirety of a generational divide of consciousness, but this wasnโ€™t supposed to be a history lesson nor comprehensive representation, it was about having a party to celebrate the close of another glorious Devizes Arts Festival, and for that it shone. The vibe was electric, the crowd letting their hair down (or perhaps up with hairspray) for a final night to what’s been a successful and varied programme of events for Devizes Arts Festival. Well done to all involved, you are the one and only, nobody I’d rather you be, you are the one and only, I can’t take that away from you!

Long may Riviera Dogs image the eighties in Mateyโ€™s bubble bath, for it was a Bigtrak loaded with fun, and to assume from my minor critique they didn’t stray from their trump card of electronic power ballads, would be unfair, they did. The finale was a Queen medley and in their own way, they made a fine job of such a difficult trick. For what we must judge this night on is not my personal feelings of commercialisation, rather the expressions of pure delight in the crowd, and if you saw me on the night shaking my tail feather like I was thirteen again, you’d be right to suggest I lived among the creatures of the night, like Laura Branigan, and loved every moment of it too!


Trending…

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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REVIEW โ€“ Devizes Arts Festivalโ€“ Mark Watson โ€“ Corn Exchange – Friday 13th June 2025

Welsh Favourite Comes to Devizes

Andy Fawthrop

The Devizes Arts Festival came up with another of its heavy hitters last night with a packed house at The Corn Exchange, all ready to welcome comedian Mark Watson to the town.

Mark Watson is an English comedian, novelist and producer.ย  Born in Bristol of a Welsh mother and English father, he has adopted a somewhat Welsh lilt in his delivery.ย  Heโ€™s won a number of comedy awards and is well known from his frequent appearances on TV, as well as being a Radio 4 regular.

Introducing himself, Mark climbed on stage to do an introductory 10-15 minutes before bringing on his support act for the night โ€“ Vicky Slater.  Projecting a slightly larger-than-life persona, Vicky delivered her material well, but Iโ€™m not sure that quite all of it landed.  Her tales of coming out as gay were delightful and amusing, rather than particularly hilarious.  She at least avoided the current lazy habit some up-and-coming comedians have of trying to pick on audience members in order to prompt some witty improv, and instead stuck to her own original material.  Respect for that. She was slightly rambling and incoherent in places, but she gradually won the audience over.

After a slightly short first half and an early interval, the main man was back to deliver his set.  Mark kicked off with comparing how difficult it was being a stand-up comedian versus, say, being a brain surgeon or, prompted by an audience member, a menopause therapist.  His key criteria for the comparisons were, aside from the training and basic aptitude, the amount of sheer stress and anxiety that such an activity could induce.

This was all by way of introduction to his first main theme โ€“ stressful situations in ordinary life.  But this was no feeble Michael Macintyre โ€œobservational comedyโ€, laughing at โ€œisnโ€™t it funny whenโ€ฆ?โ€ type comments.  This was full of little anecdotes of his own personal experience that everyone could easily relate to โ€“ flying with a small airline, getting into a car thinking it was an Uber (when it wasnโ€™t), asking for help in Tesco (from someone who wasnโ€™t even an employee), dealing with a homeless man (who began to take advantage), interacting with chat-bots online (who seemed very concerned for his continued welfare after once buying some towels a few years previously), and coping with his son whose only apparent language capability seemed to be through frequent WhatsApp messages.  The situations were carefully crafted and set up before the always droll and almost exasperated punchlines.

His second โ€œthemeโ€ (if I can call it that) was around the โ€œcorporateโ€ gigs heโ€™s sometimes had to do, particularly the waste-processing and meat-processing industries.  The latterโ€™s โ€œMeat Management Awardsโ€ provided a rich vein that he mined repeatedly for jokes about sausages and how heโ€™d become โ€œan advocate for natural casingsโ€.

Against his own better judgement, heโ€™d been persuaded to use ChatGPT to create a self-description, and it had come up with โ€œa breathless delivery by a neurotic personalityโ€, and even he had to admit that it wasnโ€™t too far from the truth.  And Iโ€™d agree.  Watson came across as genuinely curious about the world, bemused by modern technology, amazed by other people, and surprised by how much of modern life created stressful situations for him.  And out of this melting pot there came a genuinely funny man.  He was self-deprecating, very natural and โ€“ no doubt about it โ€“ absolutely hilarious.

Absolute top marks to Mr Watson and to the Devizes Arts Festival for booking him.ย  Top notch. Findย  out more at www.markwatsonthecomedian.com/ย ย 

The Devizes Arts Festival continues until the night of Sunday 15th June at various venues around the town.  Tickets can be booked at Devizes Books or online at  www.devizesartsfestival.org.uk  


โ€œProstitutes Marry In May,โ€ Devizes Arts Festival at The Wharf Theatre, June 11th, 2025.

by Ian Diddams
images by Ian Diddams, Play on Words Theatre, and Devizes Arts Festival

Who was paying attention in history at school when they covered the Tudors? Hmmm? Anyone? Yes โ€“ you at the back โ€“ you did? Swot! I have a vague recollection of a thirteen-year-old me, pre O-Level options, quasi snoozing through something about lots of people with the same name โ€“ Mary this, and Mary that, and Mary Queen of Scots who was at least more memorable, if only because she had her noggin removed. I dropped history when it came to O-Level options, so my knowledge of the Tudors stopped there and then, although I did manage to understand when an American, I was playing โ€œTrivial Pursuitโ€ with back in the late 80s read from the card โ€œWhat two door battleship sank in the Solentโ€; the answer of course being the Mary Rose. My how we chortled.

Fast forward some fifty years almost and thanks to the wonderful people that are Devizes Art Festival, I was able to improve my knowledge significantly on a small part of the Tudor dynasty โ€“ though in fairness the bar was very low to start with. โ€œPlay on Words Theatreโ€ visited the Wharf Theatre as part of D.A.F. with the phenomenal Miriam Cooper, to portray the lives and relationships of two queens from that family โ€“ Queen Elizabeth the First of England, and Mary, Queen of Scots. The two queens were first cousins, once removed with a shared ancestor of Henry VII, but despite this close familial relationship, and reasonably close distance between London and Edinburgh, the two never actually met until Mary fled Scotland following a revolt, where Elizabeth basically imprisoned her for nineteen years before finally having her head cut off.


The one woman, seventy minute play delves into these lives as Miriam portrays not only the cousins but also a handful of other characters to flesh the story out. A chessboard stone floor and basic set of chair, shrine andย tables with some excellent lighting and sound from the tech team provides a more than adequate setting for the tale of desperation, hope, chicanery and power struggles between reigns and imprisonment for them both. The political chicanery of the period was complex, and no doubt the truth rather depends on whose side one takes, but the play rattles along attempting to be fair to both women, neither praising nor condemning their actions, words and deeds.

The actual history one can find in a plethora of places online, in books, films, TV documentaries and so on, so Iโ€™ll leave you to educate yourselves if that is your wont. But if you caught this show, or can do so as it continues to tour, youโ€™ll get a good head start into it all.

Oh โ€“ and what of prostitutes? And marriage? In May? Mary utters the line towards the end of the play to describe the entangled complications of her, and Elizabethโ€™s lives apart but together. So, apologies for anybody that was hoping for some spicy extracurricular activity โ€ฆ

Devizes arts Festival continues with multifarious offerings until 15th June and details and tickets can be found at https://www.devizesartsfestival.org.uk/events/

Play on Words Theatre continue to tour “Prostitutes Marry In May” and further details can be found at https://playonwordstheatre.com/navigation-mary/tickets-mary/




REVIEW โ€“ Devizes Arts Festivalโ€“ Julian Costello Quartet โ€“ Assembly Room – Thursday 12th June 2025

Nice place.ย  Nice music. Nice.

Andy Fawthrop

The Devizes Arts Festival has almost run its course, with only a couple of days to go, but still seven events left.ย  But itโ€™s not going quietly, and last night in the Town Hallโ€™s Assembly Room was no exception……

British jazz saxophonist Julian Costello, a superbly gifted musician, composer and teacher from London, and who writes for various ensembles, was the Festivalโ€™s guest.ย  Playing tenor and soprano saxophones, he was joined by John Turville on piano, Andy Hamill on upright bass and harmonica, and Tom Hooper on drums.

The quartet has recently released their third album, โ€˜And All The Birds Were Set Freeโ€™ on the acclaimed label 33 Jazz Records, and their two sets last night featured many tracks from the album.  The albumโ€™s title is a reference to Costelloโ€™s idea that the musicians should be free to express themselves and able to fly. The pieces they played, including the title track, The Gecko, London Blue, Song For Anna and Sunflowers, were all good examples of this open, loosely-structured approach.  Each musician took his various solos easily, improvising on the scenario, but slotting into the structure laid down at the start of each piece.  The particular highlights of these for me were provided by John Turvilleโ€™s piano passages.

The original material was tempered with a leavening of jazz classics, including material from John Coltrane, La Rosita by Benny Goodman, and Carlos Jobimโ€™s If You Never Come To Me.  Costello himself, leading the quartet very much from the front, moved over from tenor to soprano sax for his composition Connections, based upon the structure of an Indian raga.  And bassist Any Hamill strayed onto a very welcome harmonica during the encore Song For Anna (written for Costelloโ€™s wife Anna Stearman).

Costelloโ€™s personal style was laid-back and chatty, bonding easily with the audience using dry humour, and the quartet were clearly very comfortable in each otherโ€™s company. Their enjoyment on stage was very evident.

After an absolute dearth of live jazz in D-Town, it was like drinking at an oasis after a long crawl through a musical desert.  But, parched as I was, I was left very slightly wanting.  The sets needed more variation in tempo, more contrast between light and shade.  Each number they played was very good, but it was slightly one-paced across the whole programme.  Donโ€™t get me wrong โ€“ this was a hugely enjoyable affair, featuring some great music in a beautiful room.  Sound and lighting were spot on (as usual).  But I was left wanting just that little bit more. More jazz please!

Findย  out more at www.juliancostello.co.uk/ย ย 

The Devizes Arts Festival continues until the night of Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online atย  www.devizesartsfestival.org.ukย 


Meet Henry, the Hollychocs’ Chocolate Duck Helping Cystic Fibrosis

Poulshot’s Award-winning chocolate studio Hollychocs is proud to launch a heartfelt charity campaign in support of the Cystic Fibrosis Trust UK, with a charming chocolate duck leading the way…..

The star of the campaign is Henry Duck โ€“ a handmade chocolate duck crafted from Hollychocsโ€™ signature 45% cocoa milk chocolate and decorated in yellow and gold cocoa butter, in tribute to Cystic Fibrosis Awareness.

For every Henry Duck sold, ยฃ1 will be donated to the Cystic Fibrosis Trust UK, helping fund vital research and provide life-changing support to families across the UK.

โ€œOur family has seen the impact of cystic fibrosis firsthand,โ€ says Holly Garner, chocolatier and founder of Hollychocs. โ€œHenry is named after my nephew, and this campaign coincides with their โ€œWear It Yellowโ€ campaign and is our way of giving something back while sharing a little joy through chocolate.โ€

Awl, look at him. I’m quackers about Henry!

To add to the fun, every purchase in her Beanery Cafรฉ and Chocolate Shop between Thursday 13 and Saturday 15 June will come with a free, numbered mini duck. One lucky mini duck number will win a full-size Henry Duck!

Customers can treat themselves to Hollyโ€™s limited-edition Henry Duck Sundae, an indulgent dessert of half a Henry Duck filled with vanilla gelato, and topped with her award-winning honeycomb and lava salted caramel sauce. As with the Henry Duck, ยฃ1 from every sundae goes to the Cystic Fibrosis Trust.

Customers can take part by purchasing a Henry Duck online or in store, stopping by The Beanery Cafรฉ in Poulshot (Thuโ€“Sat, 10amโ€“5pm) for the special sundae, along with all their other delicious treats, or by entering the mini duck giveaway with each purchase in the cafรฉ & chocolate shop

โ€œHenry Duck is a small treat that makes a big impact,โ€ Holly adds. โ€œWhether you’re indulging yourself, treating a friend, or visiting our cafรฉ, youโ€™re helping support families like oursโ€”and being part of something bigger.โ€


About Hollychocs:


Founded by award-winning chocolatier and chocolate engineer Holly Garner, Hollychocs produces ethically sourced, handcrafted chocolates in small batches from their Wiltshire studio. Known for blending scientific precision with flavour-led creativity, the business has earned multiple accolades, including Great Taste Awards and the title of Southwestโ€™s Chocolate Champion.


About Cystic Fibrosis Trust:


The Cystic Fibrosis Trust is the UK’s leading charity for those affected by cystic fibrosis. Through research, advocacy, and frontline support, the Trust is working to ensure a brighter future for everyone living with the condition.


Events with Cultural Diversity are Beneficial to our Entertainment Calendar, Not Triggers for a Vocal Minority

Events with diversity, be they ethnic, cultural, or life choices, must be welcomed, encouraged and viewed positively as assets offering variety in our local calendar of activities. Rather I find many social media posts promoting such hijacked by a vocal minority hoping to spread their hatred and prejudices to the easily influenced. Don’t jump on bandwagons, you are not sheep. Besides, it makes you look like a Muppet, and a very misinformed one at thatโ€ฆ.

It is, quite frankly, shameful and embarrassing. Find this plentiful during Pride month, but aside this, I’m also shocked to scroll through hoards of disgraceful comments on a post advertising a free African Festival, ardently welcoming โ€œeveryone,โ€ to be held in Swindon on the 5th July.

I held my tongue, concerned any appeal might backfire, and attract more objectifying, but I trust our readers have compassion and understanding. And since the same thing happened again last week, this time for a Refugee Festival at Fairfield House in Bath, happening this Sunday, 15th June, something must be said outside the confines of those groups affected, and I’m going to; deal with it if you’re one to post such offensive dribble.

Deal with the reality you’ve either absolutely no idea or care to know the historical and religious implications of Fairfield House, and while any number of events they hold there are possibilities for your vile attacks, you’ve simply been triggered by the word โ€˜refugeeโ€™ on this particular occasion. To illustrate this and prove your selfishness, let’s backtrack the narrative to build a summarised timeline, please try to digest it and reflect. I don’t write emoji.

Before we embark on our brief history field trip, note this isn’t anything to do with opinions on the current immigration system, as weโ€™d be opening an unnecessary Pandora’s box. Though itโ€™s worthy noting the same politicians who convinced enough of the public to vote for the financial suicide we call Brexit, are the same ones convincing you it’s immigration causing the problem; coincidental? Hummm…..

While gammons chew on that fat, for the more awake, letโ€™s go back seven-hundred years, when tyrannical European slave ships began packing African captives on board like cargo, of which Britain was a major player. Oh, and the consequent 400 years this industry infested into the Atlantic slave trade, profiting on repression and persecution, resulting in millions of deaths, the redistribution of the African population, and forevermore confining a majority to poverty and subjects for institutionalised racism, so Europeans could sprimkle sugar on their acquired wealth.

Or maybe just eighty years ago, when racist fascist forces caused a world war, where De Bono’s Italian invasion of Ethiopia drove Emperor Haile Selassie into exile, settling at Fairfield House in Bath, for thatโ€™s the historic significance of the festivalโ€™s venue many gathered to unfairly criticise and condemn on social media this week. Itโ€™s also relevant to add at this point, descendants of the Africans unwilfully redistributed throughout the Caribbean and with no education of their origin began to look to Haile Selassie as a deity, after prophecies from scholars like Marcus Garvey advocated, and the religion of Rastafari developed, hence Fairfield Houseโ€™s religious significance too.

Letโ€™s go back post war, seventy-seven years ago, when the British government encouraged mass immigration, inviting Afro-Caribbean folk to fill shortages in the post-war labour market. Or trek a few decades back, when they were living under hostile conditions due to the countryโ€™s financial downturn, in which the National Front waged war and police did little to prevent it; use the New Cross house fire as an example, and consider by the very nature of these online taunts, if weโ€™ve ever really progressed nearly enough on racial equality since.

Or letโ€™s just go back just seven years, when the Home Office either detained, denied legal rights, or threatened deportation to British subjects of Caribbean origin, the very people they invited here, the Windrush generation. They even wrongly deported many, had their passports confiscated and were refused re-entry to the UK, or were denied benefits or medical care.

Letโ€™s calculate all these misjustices despite there being many more weโ€™ve not mentioned and from many other nationalities and races, roll them into one fat conclusion, and tell me again; you want to deny folk from such backgrounds from organising a community event open to all, least sound your grievances against it because youโ€™re powerless to prevent it?!

Really?! Pathetic, and, not to mention, totally unjustified. Collect the toys youโ€™ve thrown from your pram and try your best to think, just for a second, for even if youโ€™ve not considered everything Iโ€™ve said, and still donโ€™t like it, no one is forcing you to go!  It makes absolutely no difference to your life if they do or do not host an event. Have you ever heard the idiom live and let live?!

Here at Devizine we will gladly mention those events, respectfully. 


The first Bath Refugee Festival is Sunday 15th June from 12pm – 7pm at Fairford House, 2 Kelston Road, Bath BA1 3QJ. The event is organised by Bristol-based Sudafest, which showcases the vibrant essence of Sudanese cultures and arts, forging connections with diverse communities worldwide. Through dynamic events, they bridge gaps, promote understanding and ignite a profound sense of global unity.

The Bath Refugee Festival is an initiative celebrating the contributions, cultures, and voices of refugees and migrants in Bath. Taking place in June, the festival will align with this yearโ€™s national Refugee Week theme: Community as a Superpower, featuring a diverse programme of events, performances, and discussions. Tickets are ยฃ15 with concessions, from HERE.

There are many other events at Fairford House, including tours, Rastafari Monthly Sabbath Observance, and The 133rd Birthday Celebrations of HIM Emperor Haile Selassie I on Saturday 19th July and Wednesday 23rd July. See HERE.


The African Festival is a vibrant day full of colour, rhythm, and culture on Saturday, 5th July 2025 at St Marks Recreation Ground, Whitehouse Road, Swindon. SN2 1DB, from 1 PM to 8 PM. It is FREE and everyone is welcome, everyone!

Expect: Spectacular Acrobatic Dancers, Live Reggae, Calypso, and Afrobeats Music, African Festive Dancers, Traditional Storytelling, Fun Childrenโ€™s Rides, and A Taste of Africa with a variety of mouth-watering cuisines. The African Festival asks you to bring friends and family, to celebrate the rich culture and joyful spirit of Africa in Swindon. Find more info HERE.


To me, this sounds fabulous. This is an opinion piece, I reserve the right to express it, if you disagree that’s your prerogative, but I cannot and will not entertain negative comments which incite prejudices, because we believe, and always will believe, in One Love.


Various venues in/around D-Town โ€“ Saturday & Sunday 7/8th June 2025

Just How Big Is That Fringe? Or Two Go Myth-Busting

Andy Fawthrop

Weโ€™ve always held that D-Town is a great place to live, and one of the many reasons is that it punches well above its weight in terms of the arts and cultural events.ย  Just speaking to musicians and artists who visit the town for gigs and festivals, the feedback is always the same: theyโ€™re in awe of just how much weโ€™ve got going on here.….

Do we need to recite the list?  Oh go on then โ€“ two/ three Beer Festivals (DOCA Winter Ales, Seend, CAMRA DBF), an arts festival (DAF), a food and drink festival, Fulltone on The Green, our own theatre, two opera companies (WHO, DMT), Devizes to Westminster canoe race, Long Street Blues Club, the DOCA events (Street Festival, Colour Rush, Lantern Parade, Carnival, Picnic In The Park)โ€ฆ.I could (and usually do), go on.  Thereโ€™s pubs with regular live music (White Bear, Three Crowns, The Southgate), fairs and circuses on The Green, book clubs, sports clubsโ€ฆ(youโ€™re really going on a bit nowโ€ฆEd).

But somehow that old refrain of โ€œNothing Ever Happens In Devizesโ€ has been making a come-back of late on social media, yet it just ainโ€™t true.  But like all myths, it refuses to lie down and die.  Despite this revered organ (ooh, matron) laying out the many, many choices you might have every week, and bringing you previews and reviews of everything and anything arts-based that we can get our sticky little fingers on, some folks seem to persist in apparently finding โ€œnothingโ€ to do. So itโ€™s time to, yet again, challenge that myth and have another go at laying it to rest for once and for all.

Anywayโ€ฆ..at the moment of writing weโ€™re right in the middle of the Devizes Arts Festival fortnight, with plenty of variety to please all tastes.  But, admittedly, some of these events can command ticket prices that are unaffordable for some.  So, inspired somewhat by last weekendโ€™s wonderful free Rowdefest (thank you Darren!) and, admittedly, a bit of a โ€œrobust discussionโ€ in the pub, I decided to see just how much fun and entertainment you could enjoy over this weekend at next to no cost. Itโ€™s a challenge I decided to take on by getting off my luxury sofa, and propel myself out โ€œinto the fieldโ€ (as it were).

Armed with only a stout pair of walking boots, an inquisitive and open mind, and a supportive girlfriend, I headed out into the local area to see what I could actually come up with on Saturday and Sunday this weekend.  The results are below:

  • 1. Devizes Farmersโ€™ Market in The Market Place Bar (Saturday 9 am)
  • ยท What it was: monthly gathering of local suppliers
  • ยท What was it like?ย  Plenty of choice โ€“ venison, bread, honey, olives, cheese, bread & fruit, flowers and plants, fresh coffee, cider, cakes.ย  Plenty of good fresh stuff from suppliers within a 30 mile radius of D-Town.ย  Added to stalls in the Shambles, this is worth a half hour of anyoneโ€™s time, either for shopping or simply browsing.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 4/5

  • 2. K&A Canal Walk towpath, any old time
  • ยท What it was: a c. 4 mile walk down the towpath from D-Town to Poulshot
  • ยท What was it like?ย  Lots of people out strolling or cycling, boats passing up and down the flight (an opportunity for some gomgoozling).ย  We also saw many species of birds, including four, yes four, different grey herons โ€“ such elegant birds.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 5/5

  • 3. Poulshot Medicine in Nature Herbal Walk at Poulshot Village Hall (Saturday 10.30am โ€“ 12)
  • ยท What it was: a short walk led by Katherine Baldock & Simon Parkes (ecologist) around the village to explore the wild and naturalised medicinal plants growing thereabouts, and an opportunity to make some herbal vinegar after foraging the local hedgerows.
  • ยท What was it like?ย  Way too slow for me, it was part talk, part very gentle amble around the village green and woodland, part discovery of a number of wild plants.ย  We discussed culinary and medicinal uses. At least I found bits of Poulshot I didnโ€™t know about, including the pond, the specially-created woodland, and some country paths (useful for getting over to Whistley Road later on).
  • ยท Cost: ยฃ5/ person
  • ยท Childrenโ€™s rating: 0/5, Adultsโ€™ rating: 2/5

  • 4. Wiltshire Steam & Vintage Rally Lower Park Farm, Whistley Road (Saturday & Sunday 10 โ€“ 5)
  • ยท What it was:.ย  An event organised by WAPG (Wiltshire Agricultural Preservation Group), featuring static displays of steam traction engines, tractors, miniature steam engines, heavy horses, trade stalls, fairground, military vehicles, classic cars.
  • ยท What was it like? As it was chucking it down with rain as we arrived, the most welcome thing for the first half hour was the (well-stocked) beer tent.ย  I could have done without the loud piped music but, hey, it was dry and there was beer!ย  When the rain slowed down a bit we did the full circuit and there was plenty to see, the most impressive of which were the full-size old traction engines in steam (some also seen later driving through D-Town).ย  There were pop-up food outlets, fresh coffee, craft stalls and tents, a 1940s-themed tea and cakes tent, bouncy castle for the children etc.ย  The site was large with plenty of parking but, because of the rain, getting increasingly muddy.
  • ยท Cost: ยฃ10/ person + drinks
  • ยท Childrenโ€™s rating: 4/5, Adultsโ€™ rating: 4/5

  • 5. Pete Robson & J P Oldfield in The Bear, Cellar Bar (Saturday 8pm)
  • ยท What it was: foot-stomping blues from two solo performers
  • ยท What was it like?ย  Each performer used steel guitar and stomp box to deliver some hard-cutting blues.ย  CDs for sale. Not very well attended, which was a shame.ย  Perhaps it needed to be better advertised. For me Pete Robson was the better performer of the two, taking a slightly less hard-edge approach to his vocals, and mixing up the tempo, giving more light and shade to his set.ย  The cellar bar is an OK venue at best, being a rather odd shape, with very low ceiling and an only partially-stocked bar.ย  I suspect it needs to be used much more often if itโ€™s going flourish as a venue.
  • ยท Cost: ยฃFREE + drinks
  • ยท Adultsโ€™ rating: 3/5
  • ยท Note โ€“we could have also gone to see either Matchbox Mutiny/ Tom Harris in The Three Crowns or The Duskers in The Southgate (both FREE entry), but thereโ€™s only so many hours in the day!

  • 6. Crammer Watch Day on the Small Green Devizes (Sunday 11am onwards)
  • ยท What it was: a chance to meet those involved in celebrating and preserving the Crammer. RSPCA, Wiltshire Wildlife Trust, Wessex Water, Friends of The Crammer, Lawrence Society of Artists, Sustainable Devizes + The Moonrakers Legend (performed at 12 noon and 1pm), photography competition, charity tombola
  • ยท What was it like?ย  We missed the Moonrakers performance, so as an experience I found it a bit thin on the ground.ย  There was little to see and do, unless you wanted to stand and chat to someone about the issues which the Crammer faces. Several stands were just offering information leaflets. Although a worthy attempt, for me personally it was just not very engaging.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 1/5

  • 7. Lions on The Green on The Green (Sunday 10am -4pm)
  • ยท What it was: organised by Devizes Lions Club, a vehicle display (cars, bikes, scooters, military etc) and family fun day (lots of stalls, bar, food outlets)
  • ยท What was it like?ย  Covering the whole of the large Green, this was really excellently-well organised.ย  The central area was given over to the displays of antique, rare and sports cars.ย  Stalls had cakes, plants (from Plot 35), metal signs, honey etc.ย  There was a bouncy castle and fairground rides for children.ย  A licensed bar, coffee shop etc.ย  Lots to look at and plenty of photo opportunities. Fantasy Radio were broadcasting live from the site.
  • ยท Cost: ยฃFREE (donations to the Lions collecting buckets) + drinks
  • ยท Childrenโ€™s rating: 4/5, Adultsโ€™ rating: 5/5

  • 8. Devizes Arts Festival Free Fringe: Whiskey River (@ British Lion gardenย  Sunday 2 โ€“ 5pm)
  • ยท What it was: Roots Music From the Welsh frontier
  • ยท What was it like?ย  The trio Whiskey River played Americana, Cajun, Zydeco, Folk, Country, Blues and a smattering of Celtic music. Using guitar, fiddle, flute, harmonica, mandolin and concertina, these guys provided an excellent and enjoyable afternoon of music in the (occasional) sunshine.ย  The bar was open, and there was a BBQ going on throughout. People sitting out enjoying a drink, dogs, children, good music โ€“ perfect!
  • ยท Cost: ยฃFREE + (a large, undisclosed) drinks bill
  • ยท Childrenโ€™s rating: 3/5, Adultsโ€™ rating: 5/5

  • 9. Wood & Steel (@ The Southgate Inn Sunday 5-7pm)
  • ยท What it was: an acoustic duo playing blues, jazz and ragtime
  • ยท What was it like?ย  This duo were new to me, but I was very impressed by what I heard.ย  Two very good musicians, clearly comfortable in their own skin, played two excellent 50-minute sets and got a very well-deserved encore.ย  Lots of covers from many ages and genres, using dobro, guitar, upright bass and vocals.ย  Excellent musical accompaniment to a late, lazy Sunday afternoon. Great atmosphere too.
  • ยท Cost: ยฃFREE (donations to โ€œthe hatโ€) + more (undisclosed) drinks
  • ยท Adultsโ€™ rating: 5/5
  • ยท Note โ€“ we could also have gone to see Bodge It & Scarperย  at The White Bear (Sunday 5-7pm) playing acoustic music, but didnโ€™t hear about this until quite late.ย  Also canโ€™t be in two places at once.ย  This event was also FREE.ย ย 

In summary:

  • ยท Miles walked โ€“ about 10
  • ยท Bird species spotted โ€“ about 20, including swans, herons, jackdaws, mallard, moorhen, starlings, robins, great tits etc;
  • ยท Friends met – loads โ€“ far too many to mention!
  • ยท Total cost (for two) – ยฃ27.80 (of which ยฃ20 was for the steam fair) + the drinks (but letโ€™s not mention that bit!);
  • ยท Fun and entertainment had โ€“ loads and loads and loads;
  • ยท Well-being โ€“ absolutely knackered, but very happy.ย  Looking forward to next weekend!

Yes it all took a little bit of planning, but it wasnโ€™t that difficult really.  We walked to/ from most venues, so we got lots of other good D-Town stuff (Caen Hill locks, the towpath etc) and took only one short (cheap) bus ride when the heavens opened.  So there was plenty of exercise and fresh air to mitigate the various bits of eating and drinking.  Did I mention that the odd libation was partaken of?  And Iโ€™m not saying that EVERY weekend is quite this packed, but it certainly can be if you put your mind to it.  Bear in mind that thereโ€™s LOADS of other stuff going on โ€“ these were simply the things we happened to pick out.  There were choices โ€“ and we made them!

Nothing Ever Happens In Devizes???  Donโ€™t make me laugh.


Lions, KITT, Moonrakers and a Whiskey River; Sunday Stroll Around Devizes

If it’s good enough for Knight Rider it’s good enough for me. I see the Hoff ditched his Knight Industries Three Thousand on the Green for a stroll around Devizes on Sunday. He probably found a crusade to champion the cause of the innocent in a world of criminals who operate above the law, whereas I ended up at the British for a scrumpy or threeโ€ฆ.

Image: Simon Folkard Photography

Unlike some guys who act like Spongebob Squarepants on his tenth bag of Haribo at Chessington World of Adventures, I can only get yay excited about a car show. But Devizes Lions do it with cherries onโ€ฆ and debatably false advertising. There were no lions on the Green, but it was Lions on the Green this Sunday past, an annual free fete/car show crossover which never fails to appeal universally; kids nag mums for Rowdey Cow ice cream while dads furiously argue for three hours with a total stranger in sandals that the Mk2 2.8 Injection Granada handles better than the Mk1 with a 3.0 V6 engine.

Image: Simon Folkard Photography

I browse unacquainted with such matters, unfazed by contemporary cock extensions, but in admiration of vintage, retro cars and those with a movie reference attached. Every local from MP Brian Matthews to Pete of Vinyl Realm, and outsiders like Marty McFly have brought their big boy toys along to display, as Fantasy Radio blast Gary Numan. It’s a sunny morning, it’s a lovely occasion, it’s raising funds, and there’s nothing to dislike about it. 

Cars ticked off, hot dog and an extended conversation with a detectorist who’d discovered a variety of civil war shots and cannonballs on Roundway, if the Lions on the Green is a great and unbroken walkthrough event it coincided with Crammer Watch Day further along on, at the Little Green.

With long term solutions outstanding for unsafe conditions for wildfowl on the Crammer, there appears to be a far more communal tenet between concerned residents and the council compared to the outcry a few years ago, and this day was intended rather to celebrate the Crammer than address expensive possible solutions. As it stands, the simple fix is to raise public awareness that the only escape route for swans is across the roadside and they should apply caution when driving throughโ€ฆ.please.

With live painting from the Lawrence Arts Society, stands from the RSPCA, Sustainable Devizes and hosts Friends of The Crammer, conservation was a topic, if overshadowed somewhat by historical tomfoolery, which was something new to the day and personally my highlight.

Image: Simon Folkard Photography

A random team of amateur thespians, some from the Wharf Writers Group and others along for the giggle and wearing of knitted beards, staged a short promenade satirical play โ€œreenactingโ€ the fable of the moonrakers, aptly at The Crammer. The premise didn’t sound so inspiring to me, and I thought I might have to hold my tongue. The actuality surprised me, it was absolutely brilliant!

Image: Simon Folkard Photography

Pythonesque humour delivered with skill on a local legend, deliberately naff props such as a paddling pool for the pond, and astutely scripted silliness, it was indigenous and hilariously original.

Image: Simon Folkard Photography

Authenticity deliberately skewed for amusement; they couldn’t have done this anywhere else but here, the setting of the beloved fable, which is amusing enough without the added gags. Francis Grose was a witty Victorian chubster and nothing more needs to upset the applecart about the origin of the moonrakers, as this wasn’t intending to proclaim historic fact checking rather to amuse, which a country gent in Harris Tweed with a carrot in his mouth pretending to be a donkey will inevitably achieve.

Image: Simon Folkard Photography

I don’t know where the Hoff got to, but he missed a rarer treat than reuniting with Pamela Anderson for a titillating slow-motion beach jog. Oh, and a whistle stop to Morrisons was a let down culturally compared to what was outside. Along the road I shrug at a classic bus, for its appearance would’ve been more expected trekking the Sahara than parked outside the faithfully traditional British Lion, and there was no explanation for it being there.

Nevertheless I’m one step away from the bar, pondering if there’s one thing expected in Devizes: it’s that The British Lion doesn’t change, because it doesn’t need to. With Devizes Arts Festival is full swing, they’ve arranged a Cwmbran roots trio called Whiskey River to play us some of their sublime classic rock covers, Celtically, with a deep southern Americana twist, as a free fringe event; I cannot argue with this.

Devizes live music aficionados amassed and were thankful, as if they needed an excuse for a pint and fundraising burger from the barbecue. The British Lion is a fond institution, Whiskey River was a great break from our usual circuit, The Lions put on a brilliant and well organised family event, Crammer Watch added to an already great day and those awesome actors with rakes did make us laugh as promised.

It was all too much for me, the White Bear and Southgate continued the music, but I needed a little lie down, while our roving reporter Andy outdone me, partying like Prince in 1999, so I’m also putting up his account of weekend adventures for it’s fuller, far more informative and factually accurate than mine, even if it doesn’t mention Pamela Anderson, because really, she didn’t show. Devizes though, doesn’t need Pam, the fun never stops here, Sunday proved it.


Hotcakes, Wildfire, Shoesโ€ฆ. and Acid!

In the dead of night sounds in a rural environment are resonating singularities, a car in the distance or the farmer calling his herd. In an urban environment itโ€™s a cacophony, a mesh of motorways, trains and factories. Living in either you become accustomed, but to change can take adjusting. To accommodate the increase of clamour, when I first moved from a village to be neighbours with a cheesy nightclub in Swindon, we drained the noise outside with the 1990 KLF album โ€œChill Out.โ€ Prior to being bound for Mu Mu Land with Tammy Wynette, they created an ambient soundscape which rarely provided a beat. I am reminded of this, and other vague but fond memories while listening to The Hotcakes of Wildfireโ€™s four track EP, Shoes and Acidโ€ฆ.

Released last week, Shoes and Acid is the brainchild of Mick Stanger, guitarist for Bradford-on-Avon scrumpy & western outfit The Boot Hill All Stars and presenter of Sounds of the Wilderness on West Wilts Radio, a show where Mick uncovers a variety of experimental locally-sourced tracks. Alongside him are engineers Alex Pilkington and Leo Hossent, Boot Hill and Monkey Bizzle drummer Cerys Brocklehurst, with synths, guitars and vocals by Rat Himself, additional vocals by Holly Taylor and a fiddle from Ruth Behan. A different line-up from the 2022 debut single War of Words, whereby Mick thrashes out a tongue-in-cheek Scrabble war over grinding metal guitars, and a very different sound too; virtually horizontal dancing in places!

If Iโ€™m reminded of Chill Out, and stealthily manoeuvring through a jungle of guy-ropes and tent pegs across Glastonbury Festival like a missionary expedition, while The Orb rang out subtle harmonies like the call of the natives in the ether, itโ€™s because Iโ€™m of that era. Factually, thereโ€™s been meditative and relaxing moods in all genres from classical and jazz to new age whale song or electronic kosmische. The beauty in Shoes and Acid seems to be that these Hotcakes nod to them all, or if not all, at least since the prog-rock of Zeppelin and Floyd, and exhausts them nonchalantly unique and punkish.

Itโ€™s a lo-fi soundscape opening with birdsong, but Stubentiger kicks in agreeably backwards like the intro to Electric Ladyland, and rolls out a pungent bass guitar riff akin to Fromeโ€™s Ozric Tentaclesโ€™ finest hour; itโ€™s at this early moment I figure Iโ€™m in for an enjoyable if hypnotic ride; pass my meds. Four extended tracks is all it takes to knock up about forty minutes of expressive outpourings, largely instrumental and influenced by many soothing musical styles. Iโ€™m not sure if shoes are a requirement, but acid wouldnโ€™t go a miss, itโ€™s a trip.

Second tune Knocking at the Tree has whimsical female vocals conflicting with devilish male vocals, a drifting prog-folk-rock track wisping and earthy; a Westcountry Clannad with a sprinkle of Hawkwind. But if the prog-rock element continues into the eleven minute beauty, Fever Dream, it becomes very Ozric Tentacles, and like my favourite tune of theirs The Domes of G’Bal, it takes on dub reggae. Being that Iโ€™m fascinated by the studio adventures of King Tubby yet irked somewhat with dubstep, Iโ€™m most at home here, a contemporary Orbโ€™s Towers of Dub which could convert Lee Anderson into a crusty traveller! 

Fever Dream is the summit, an outstanding and epic moment in the album. A final track awaits us, now embedded in a horizontal dream like state imagining fractals forming in the sky. Tardigrades is another eleven-minute sonic exploration, beginning ambient house, Eat Static is expected but it doesnโ€™t venture into trance-techno, rather it builds in layers like Leftfield but takes a space-rock angle with Hollyโ€™s vocals in the driving seat after five minutes of swirling spacey soundscape.

A gorgeous finale to a great third eye opening listen, which doesnโ€™t appear to care if you’re coming at it from a Hawkwind or Orb direction. Iโ€™m just pleased to know thereโ€™s still folk out there producing soothing yet psychedelic ambient music on an astral plane, and this rolls a joint up for you and tucks you into a blissful slumber! 


REVIEW โ€“ Devizes Arts Festivalโ€“ Anna Ling โ€“ St Andrewโ€™s Church – Thursday 5th June 2025

Another Little Sweetie In The Jar

Andy Fawthrop

Well the Devizes Arts Festival is in full swing now, with several events already under its belt.ย  Thereโ€™s stuff cropping up every day, so I took the chance to pop in to a much-underused venue in the town St Andrewโ€™s Church on Long Street.….

After several big-ticket shows in the programme, it was a pleasure to settle down to something a little more modest, a more bread-and-butter item if you like.ย  Mid-week lunchtime isnโ€™t going to be a time to attract a particularly large audience, even on market day, but a good few hardy souls turned up to at least create a good audience atmosphere.

Anna Ling, a performer Iโ€™d not personally come across before, is a guitarist and singer/songwriter.  Her creative work and sense of purpose are deeply rooted in her love of bringing people together through song. This passion shapes her life, guiding her from leading community choirs to performing at venues, care homes, and world-class festivals.

In a concert co-promoted with the charity, Live Music Now, Anna delivered a professional and engaging 50-minute set which featured both her own material along with a few covers.  She worked hard to engage the audience right from the kick-off, inviting us into her world.  The performance was light and humorous, heartfelt and intimate.  And she was determined that we were not just going to sit back and listen to her, but to join in as well.  She had a lovely clear, strong voice, and used it to particular effect when she came down from the stage and abandoned her guitar in favour of an unaccompanied song right from the middle of the audience.

Her lyrics were simple, her guitar chords straight-forward.  This was not a set filled with new arrangements or presenting anything particularly challenging, but an opportunity to listen to a set of songs simply delivered and largely unadorned.  She filled the gaps between the songs with little stories and anecdotes, never lifting her voice very much, and thus drawing you in.

Plain, simple, and thoroughly enjoyable.  Just another little sweetie in the jar from Devizes Arts Festival.  And thereโ€™s plenty more to see and hear yet, so do make sure that you get along to experience something soon. Itโ€™ll all be over before you know it!

Devizes Arts Festival continues until Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online HERE


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โ€œThe Last Actโ€, Devizes Arts Festival at The Wharf Theatre, June 4th and 5th 2025

by Ian Diddams
images by Ian Diddams and from Devizes Arts Festival

The pea souper smog swirls in the dark. A small light illuminates a bare room โ€“ hatstand bare but for a bowler hat, chair, side table with various bric-a-brac. A rug. Music plays in the distance. London, 1916. And The Wharf Theatre stage, 2025โ€ฆย  the lights drop to darknessโ€ฆย  and the show begins.

Such is the picture provided at the outset of โ€œThe Last Actโ€ by David Stuart Davies, on the first of two nightsโ€™ shows brought to us by Devizes Arts Festival, performed at The Wharf Theatre, Devizes by Fringe Management. A ninety-minute single hander performance by Nigel Miles-Thomas, directed by Gareth Armstrong, providing a potted history of the lives of Sherlock Holes, โ€œConsulting Detectiveโ€, and Dr. John H. Watson โ€“ formerly of the parish of Marylebone.

Nigel plays Holmes, of course, and also Watsonโ€ฆย  but into that also covers Inspector Lestrade, Stamford, Mrs. Hudson, Inspector Hopkins andโ€ฆย  arch enemy Professor James Moriarty.ย  This potted history, or timeline of Holmes and Watsonโ€™s friendship begins at the occasion of Watsonโ€™s funeral, followed by Holmesโ€™ recollections of their partnership marked by key stories in the Sherlock Holmes case history; โ€œThe Adventure of Abbey Grangeโ€, โ€œThe Speckled Bandโ€, โ€œThe Final Problemโ€, โ€œThe Hound of the Baskervillesโ€ and โ€œHis Last Bowโ€. Nigelโ€™s delivery skips nary a beat as his voice changes and facial expressions per character float in and out seamlessly from Holmesโ€™ character as the carefully woven tale even foreshadows itself. We gain an insight into Sherlockโ€™s childhood and brotherly relationship, of his mother and father mirroring the Abbey Grange lead characters, and his fatherโ€™s death mirroring in portrayal that of Moriartyโ€™s. A description of the wind โ€“ โ€œ…ย  cried and sobbed like a child in the chimneyโ€ is used both in Holmesโ€™ praise of Watsonโ€™s descriptive writing and that of his family home.

It is a story ultimately of loneliness and love โ€“ Holmesโ€™ solitary lifestyle – but also his attachment to his brother, but especially Watson. And a story written with affection for Conan Doylesโ€™ character, delivered with care by Nigel Miles-Thomas, packaged with fondness by director Gareth Armstrong. Truly a “Last Act” with love for the subject.

The Thursday 5th June performance of โ€œThe Last Actโ€ is already sold out, but Devizes Arts Festival continues until Sunday 15th June with a wide range of differing genres and arts to enjoy, with tickets just still available. To see what is available and tickets, browse https://www.devizesartsfestival.org.uk/events/

One Week Left to Cast Your Votes for Wiltshire Music Awards

Thatโ€™s right, lovers of local live music countywide, you have less than a week now to cast your votes for your favourite acts in our prestigious, one-of-a-kind Wiltshire Music Awards!

The closing date for voting is Tuesday the 10th June, so get your thinking caps on and VOTE HERE NOW.

Whoโ€™s tickled your fancy the most? Whoโ€™s brought tears to your eyes with their self-penned ballad? Whoโ€™s dragged you off your seat and commanded your feet to the dancefloor, like nobody’s watching?! Whoโ€™s provided that ideal space for you to shake a tailfeather? And who deserves to be recognised for their outstanding contribution to local live music in your honest opinion? We need to know, but donโ€™t tell us here- keep it secret and cast your votes now!

We’ve already had way over seven hundred ballot papers sent into us, and I’ve not taken one sneaky peek yet, but I’m informed the results are close to call, so your vote might yet tip the balance.

So don’t procrastinate on me now, will you? Not for your favourite musicians’ finest hour. They need you; this is important, dammit!

And hereโ€™s an added special message to all musicians, bands and promoters, we love you all, so, please help us to help you, by sharing this news with your fans, as thereโ€™s nothing wrong with shameless self-promotion; order them to vote for you, offer them custard creams if they do, tell your mum you want her to vote for you, tell them all you wanna win a shiny medal for all youโ€™ve done to entertain them. You deserve this, goddammit, everyone creating music around these backwaters does, but thereโ€™s only so many awards we can give out on the night – make sure one of them is yours, yay!

I’m so excited, I just can’t hide it, and I am officially about to lose control…and, guess what? I think I like it. At least, those are my inspirational words to motivate you into the groove.


Swindon Palestine Solidarity Upcoming Events

Swindon Palestine Solidarity continues to call for a ceasefire in Gaza and for aid to be allowed to enter Gazaโ€ฆ..

Their three recent roadside sign actions generated a lot of positive responses. Itโ€™s an effective way to keep people talking about what is happening in Gaza and these actions will be one of the many ways that SPS will continue to campaign.


On Thursday 12th June from 6 – 9pm, people can join us for Stitched in Solidarity, a free sewing workshop at the Bangladesh Centre, County Road, SN1 2EW. Participants can stitch a leaf with their messages of solidarity, or just add their name. The leaves will be added to the large olive tree on the banner, which will be used in protests and public exhibitions. This is a great way for people to add their voices, especially for those who canโ€™t attend protests, but want to be a part of the movement. A free place can be reserved on Eventbrite – Stitched in Solidarity or by emailing info@swindonpalestinesolidarity.org


SPS has called for a local march in Swindon on Saturday 14th June at 1.30pm starting at Regent Circus.ย 

A spokesperson said, โ€˜The narrative from politicians and journalists is shifting. Itโ€™s really important to keep up the pressure and to let them know that we want the people of Gaza to have the food, water, shelter and medical aid that they need. Thousands of them are in immediate danger of starving to death. We demand a ceasefire. Our government should not be sending arms. We previously had 1000 people protesting in Swindon and want the next local protest to be even bigger. We are being joined by members of the local mosques, so letโ€™s show our solidarity with the Palestinian people.โ€™


A coach has been booked to take supporters to the next London protest on 21st June. Leaving Swindon at 8am, and returning at approximately 7.30pm.ย 

The spokesperson said โ€˜There were over 500,000 people at the last national protest for Palestine in London. It was noticeable that directly after that march was when the narrative about the plight of the Palestinians started to change. The next London march needs to be even bigger.โ€™ 

To reserve a seat on the coach, go to Eventbrite – SPS Coach to national protest 21 June from Swindon – or email info@swindonpalestinesolidarity.org  There is a charge of ยฃ13.70 per person, but people can donate more to help cover the subsidised seats. Please contact Swindon Palestine Solidarity if you want to come but canโ€™t afford a seat.


โ€˜We know there is a lot of support for Palestine in Swindon. Hundreds of people have honked their horns and put their thumbs up during our roadside actions. If you arenโ€™t already involved in anything to show support for the people of Palestine, why not come along to a march, either locally or nationally. If marching isnโ€™t for you, you can join the stitching event or a roadside sign action, follow us on social media, join our WhatsApp groups, help fundraise or organise, come to a film night or talk. You can see, sign and share articles, petitions and actions. It all puts the pressure on for the positive changes so many of us want to see. Our charity quiz and meal last week raised over ยฃ900 for GINA (Gaza Infant Nutrition Alliance) which works to establish a continuous milk supply and education for breastfeeding support where it is most needed. Starving mothers are struggling to keep their newborn babies alive. There are so many ways to get involved, we urge everyone to โ€˜DO SOMETHING!โ€™ 

More information about Swindon Palestine Solidarity


No Surprises Living in Devizes; Local Politics Rant Returns!

I want Devizine to be primarily about arts and entertainment, but Iโ€™m often pathetically persuaded by bickering political factions to pass opinion on local politics for petty point-scoring, despite being more Olly Murs than Andrew Marr; trouble, troublemaker, yeah, thatโ€™s my middle nameโ€ฆ…

Butter me up with an overpriced burger if you will, but my middle name is Leeโ€ฆ as in Bruce, and I cannot promise my barefaced scripted kung-fu chop wonโ€™t swing for you too. Because if recently Iโ€™ve resisted the urge to add my wonky tuppence to political matters, with unlikely viral internet star Kimberly โ€œsweetโ€ Brownโ€™s catchphrase in mind, โ€œainโ€™t nobody got time fer dat,โ€ the times are as a changinโ€™ as a Dylanesque Dr Who on steroids and history is repeating. Methinks, surely, itโ€™s overdue to relaunch my agitating causerie, โ€œNo Surprises Living in Devizes.โ€ What possible harm/trigger could it do/evoke?

I decided to give it a triumphant monthly relaunch, summarising current and local political piffle in one enjoyable blasรฉ piece this morning, as I felt what roads โ€œcouldโ€ feel like underneath my tyres for approximately one second in Poulshot. Ah, letโ€™s start with the easy topic; the weeping pledges which trickled off every candidateโ€™s wobbly lip this past (and every other council election) to fix the dilapidated asteroid impact craters we call Wiltshireโ€™s roads.

They really have gone and done it, but never said theyโ€™d fix the complete road, no. Observe across the county the patchwork quilt design of perfunctory road resurfacing; just three yards of smoothness here and there, then back onto the bumps like youโ€™re navigating the moon on a penny-farthing, and left to thinking, that bit they patched up was the best bit of the road originally!

They seem to be randomly throwing down grit like a nineteen-forties street urchin playing marbles. Given the circumstances, theyโ€™ve been busy playing pass the parcel at Bythesea Road, squabbling over seats with a hung council. I admit, Iโ€™m averagely content with the outcome of Wiltshire Council now flying a yellow flag even if the infinitesimal Reform seats might consider this as offensive as a rainbow; just close your eyes when itโ€™s sunny and rainy at the same time, yeah?

Touch and go for a moment though, the possibility of Conservatives getting into bed with their recruitment centre, Reform, and taking control of Wiltshire Council, you know, being they fight like cat and dog. Ten seats, Reform snatched, barely touching the sides, and I armed myself with strawberry milkshakes like it was the second coming of the Battle of Cable Streetโ€ฆ. in a Wetherspoons.

Can we just clarify this please? Who the actual fuck voted for a one-policy party in a council election, when said policy is to โ€œgit are cunty back,โ€ by the genocide of immigrants arriving on boats, when the flipping county is landlocked?! What, are they sailing down the Kennet & Avon now?!

The only good to have come out of the insignificant success of Reform here, other than dividing the blue voters into inconsiderate yet affluent, and poorer thick slices of gammon, is that it serves to illustrate their triggers, such as this imagined enemy they call โ€œwoke,โ€ are nothing more than sensationalised media propaganda, because the influx of immigration in rural Wiltshire is so slight itโ€™s like tickling a blue whale with duck-down.

Itโ€™s no simple equation, but if the cost for illegal immigration is guesstimated at 14 billion smackers, that might sound hefty when youโ€™re a low-skilled worker trying to put crispy pancakes on the table but is a drop in the ocean compared with the ยฃ131bn the right-wing government spaffed up the wall during its regime. A cost Starmer was expected to regain milliseconds after becoming captain of the Titanic we call the UK, or else face the blame, when really, we all know now heโ€™s nothing but the Hello Kitty version of a Reform double-agent.

The cost of Brexit is calculated at around ten times this, at ยฃ140 billion, and weโ€™ve not considered the many thefts like the ยฃ1.4 billion wasted on bogus pandemic PPE contracts, down to the ยฃ150m for a mud mound near Marble Arch which lasted no longer than you could walk up it, Westonโ€™s oil rig garden, the ยฃ125,000 annual pension for a prime minister who survived at number ten for about the same time most job interviews last, and, if we must get local, the ยฃ180 million of feasibility studies into pointlessly tunnelling under Stonehenge, trashing the only monument foreign visitors want to pay to see, and creating a concrete monstrosity which the lights of wouldโ€™ve blocked out the effect of the solstice sunrise, just so Roger and Dianne can get from Shrewton to Andover five minutes sooner.

Why, oh why, does anyone assume voting for a lighter shade of blue will counterattack the sheer corruption and shitshow Conservatives caused, and the billions they pocketed whilst in charge, when the ones who did it jump ship at the slightest fall in popularity ratings and join Reform, when you know, we all know, what smells like fascism is most likely fascism? Wake up and sniff, this eighty percent foreskin Enoch Powel character youโ€™re backing is sponsored by Nazi-saluting Musk whoโ€™s one white cat away from being the ultimate James Bond villain.

Keevil evil version Malcom Cupis videoed himself throwing his Reform banners in his wheelie-bin only to rejoin the Toriesโ€ฆ. like anyone gave a toss. Itโ€™s not advertising material which affected his campaign, rather when he disgraced himself calling to scrap climate change polices and nail anyone foreign to a crucifix at the Devizes husting and rode out of there on his superbike.

But easily triggered Malcom is not the be-all-and-end-all, the embers smouldering in the inferno of Hades which persists Wiltshire must remain right-wing against the obvious and democratic process proving it wrong, oh no. Some Tory candidates were successful in retaining their seats, for varying reasons. I tip my hat to Laura Mayes, who though we hardly agree on near every topic, remains loyal and reliable, while the other candidates in her constituency didnโ€™t come out to play. Yet the Munster of Lavington was awarded a cushion by being the loudest bully on the block and mouthing off at anyone who dare oppose him, like Gripper Stebson with a buzzcut. Green Party? Iโ€™ll give you Green!

Not green as in weed though, or PCC Wilko will launch a full-scale aerial bombardment on Littleton Panell and weโ€™ll never get the traffic lights at the Blackdog which campaigners have fought decades for, until the Munster strode into the village like Clint Eastwood and claimed the credit for signing off, just so he could lambast those leftie loonies.

Grrr for pockets of conservative resistance. Youโ€™re not going to catch drug-pushers when youโ€™re spending your budget on unnecessary and brainless pen-pushers. In the most bizarre, misinformed Newsquest arse-licking this week, Wiltshire PCC Wilko (named after the failed budget shop) called for cannabis to be reclassified from a class B drug to a class A, in the same category as heroin and cocaine, calling it a โ€œgateway drug.โ€ Itโ€™s only a โ€œgatewayโ€ drug because of its illegal status, you absolute spanner with no jurisdiction to change the law anyway.

Anyone with an inkling on drug culture will tell you the profit margin on cannabis is far less than hard drugs, so if the penalties for dealing it is equal to hard drugs, dealers may as well risk selling them as well, making reclassing counterproductive to tackling his imaginary and unwinnable war on drugs. Education is what is needed, which could be paid for taxing relatively harmless cannabis once legalised, you have control of it and won. Meanwhile the necessary educating should start with that idiot, Wilko.

But in stark contrast, Wiltshire Council, now lessened with Tories, supported thinking freely when it comes to another illegal activity, graffiti. What a blessing after hearing our police force going backwards into a tyrannical era, especially on the 40th anniversary of the ethnic cleansing event in Wiltshire, the Battle of the Beanfields, to see the official graffiti walls in the Sham have been successful, and the Council wants to roll this out across other towns. This gains my full support; your turn to skin-up, Wilko, and let artistic youth express themselves, decorating our towns with spray paint. Youโ€™ve only got to look at how Swindon Paint Fest has enhanced the town to note, you can polish a turd!

We shouldnโ€™t (but are tempted to) laugh uncontrollably at those Conservatives candidates who failed the test. Especially those like election fraudster Sarah Batchelor of Devizes, who thought sheโ€™d run, despite only passing through the county for a supply of lardy cake to hike up the price of to her customer at the Crown in Bishopโ€™s Cannings, and cause chaos for local larceny of diplomacy, Cllr Iain Wallis, who, (apparently) failed to notice the fallacy in her application when signing it off; maybe because he was too busy on his bias Facebook group slandering Guardians for similar mistakes and roggering senseless anyone who dare say it wasnโ€™t so with a lifetime ban, just, yโ€™know, maybe, or maybe itโ€™s because the Conservatives were so absolutely desperate for candidates they hoped no one would notice them flouting electoral law.

Like Demi Moore in Striptease, thankfully only metaphorically, Wallyish exposed his puppetry like Jim Henson, and meaning to continue his reign despite being a poor loser. Grasping desperately onto political sway in the area by not only retaining his seat at Devizes Town Council but using his newly elected girlfriend Maria as a voice. Akin to the mutant Kuato, living in the stomach of his brother in Total Recall, he flummoxed when spouting off in response to a dissident on Facebook, with such fury he failed to notice he was signed in as her profile.

But hey, I foresee a silver-lining on the clouds, like April showers came late this year, and thereโ€™s many a trooper who needs a medal. Nice chap Lib Dem Devizes East Councillor Taylor Wright, for example, whom I met recently and congratulated accordingly. By comparison to your average councillor heโ€™s still an embryo, and thatโ€™s what we need now, young blood with fresh ideas and a drive to make the necessary changes. Rather than blown-out whingers who couldnโ€™t take a loss lying down, and felt the need to cry, weeping on Facebook like Kate Winslet on a slither of banister as Leonardoโ€™s lifeless body slips into the depths of the freezing Atlantic, quite an apt analogy too!

Chris Greenwoodโ€™s whimper of his lost inflatable seat was perhaps the climax to my amusement, upon me responding to it with a meme of some fragile tape, to which he called me, and I quote, โ€œa tosser;โ€ his dedication to his long-lost constituents knows no bounds, obviously. But if youโ€™re not offending a fox hunting sympathiser who wears Crocs to a council meeting, thinks a police officer engaging in illegal activities isnโ€™t slightly conflicting, and thinks anyone who says itโ€™s so should receive a lifetime ban from his petty Facebook group, youโ€™re not doing it properly! Oh for the days he fibbed about bird flu on the Crammer so his bum-chum could assassinate all the pigeons, where was No Suprises Living in Devizes then, huh?!

Awl, weโ€™re back to put the county to rights, have no worries. And weโ€™ve plenty more ammo to load up with, this was just an intro! Iโ€™m sorry if youโ€™re a local politician desperately in need to be condemned in this column and your name didnโ€™t crop up; try being more of a bastard next time and rub me up the wrong way like Iโ€™m Christina A-Gorillaโ€™s genie in a bottle, despite Iโ€™ve not quite got the belly button for it.

Gender-Queered Production of Shakespearean Classic at Bath’s Rondo Theatre Raises Money for Charities

Photo credit: ยฉ Rondo Theatre Company / Jazz Hazelwood

A gender-queered production of William Shakespeareโ€™s classic play, โ€˜The Taming of the Shrewโ€™, will be performed at the Rondo Theatre in Bath this June, as part of Queer Bath and LGBTQIA+ Pride Month, with all profits being donated to charity……

โ€˜The Taming of the Shrewโ€™ is one of Shakespeareโ€™s more challenging plays. The story centres on two siblings: Bianca, who is surrounded by suitors, and the fiercely independent Katherine, whose sharp tongue and violent outbursts have garnered them a fearsome reputation. Bianca cannot marry any of their suitors until Katherine is married – enter Petruchio, who is determined to โ€˜breakโ€™ and marry Katherine.

In this production from the Rondo Theatre Company, which has been the performing arm of the Rondo Theatre since 1982, the play takes on a daring new life where comedy and discomfort intersect. In a world where Petruchio is a boisterous woman and Kate is a shrewish man, this bold reimagining explores the power dynamics at the heart of Shakespeareโ€™s comedy while unpacking how language shapes our understanding of gender and control. The Rondo Theatre Company has flipped the script, and audiences are invited to laugh and reflect on the complexities of gender by re-examining the ways comedy can reveal uncomfortable truths about societal power dynamics.

โ€˜Itโ€™s been a fascinating process to get under the skin of these characters in such a refreshing wayโ€™, says Alex Oliviere, who plays Petruchio in โ€˜The Taming of the Shrewโ€™. โ€˜โ€˜Historically audiences were intended to rejoice in the sight of an outspoken and fiery woman being cowed by a violent and domineering man, and itโ€™s been really interesting to display that power when the positions are reversed. Weโ€™ve had a lot of thought-provoking conversations in the rehearsal room about why it feels so different, and we hope that audiences will be prompted to do the same.โ€™

โ€˜The Taming of the Shrewโ€™ is the Rondo Theatre Companyโ€™s annual charity production, with all profits being shared between Not A Phase and the Rondo Theatreโ€™s โ€˜Revamp the Rondoโ€™ fundraiser.

Not A Phase is a trans-led, nationwide charity committed to uplifting and improving the lives of trans+ adults, through awareness campaigning, social projects and funding trans+ lead initiatives.

โ€˜Weโ€™re really pleased to donate half of this yearโ€™s charity production profits to Not A Phase,โ€™ said Director of โ€˜The Taming of the Shrewโ€™, Jazz Hazelwood, โ€˜with everything that is happening in the world right now itโ€™s more important than ever to protect marginalised communities. With โ€˜Shrewโ€™ weโ€™ve created a space that is inclusive and led from a place of respect and acceptance for all. Not A Phase is a brilliant charity, and the work they do for the trans+ community touches the heart of what weโ€™re doing and the values that this production upholds.โ€™

The Rondo Theatreโ€™s โ€˜Revamp the Rondoโ€™ fundraiser seeks to replace the auditorium seating, and make other building improvements, at the Rondo which has, since 1989, been a place for nurturing local talent, a home for community theatre groups, and a venue for the best touring theatre, stand-up comedy and music – including recent appearances from Nina Conti, Prue Leith, Andy Parsons, Joe Wilkinson, and Milton Jones.

โ€˜We are one of many local community theatre groups who call the Rondo Theatre home,โ€™ says Alana Wright, Chair of the Rondo Theatre Company, โ€˜itโ€™s a truly special venue in the city and weโ€™re delighted to be donating half of this yearโ€™s charity production profits to the Revamp the Rondo fund, and give this well-loved theatre the boost it needs.โ€™

โ€˜The Taming of the Shrewโ€™ takes place during both Pride Month (1 – 30 June), and Queer Bath (26 May – 30 June), a celebration of LGBTQ+ arts, culture, heritage and history in museums and venues across Bath. Queer Bath is a new citywide campaign – the first of its kind – led in partnership with Bath Arts Collective, WIG, and Bathโ€™s museum & heritage community.

โ€˜The Taming of the Shrewโ€™ will be performed at the Rondo Theatre, St. Saviours Road, Bath BA1 6RT, from Wednesday 18th to Saturday 21st June 2025, 7.30pm.

More information and tickets are available on the Rondo website HEREย 


Are We Still in Rowde?! RowdeFest 25 Sunny Overview

Images by Hans Shell, Ruth Wordley, Helen’s PolarPix and Bird is the Word

If you’re going to write on a subject you must research it, but if you’re going to write well about it you need to get involved in order to understand the details often hidden to outside observersโ€ฆ.

I learned this a year into creating Devizine, when I decided to hold an anniversary gig. Event organiser Dean Czerwionka basically held my hand through it, as I hadn’t a Scooby-Doo of the immensity of variables involved. Since then, I’ve dug myself deeper into the practical, to understand those obstacles and overcome them, so when being critical, I’m aware of how much work goes into putting events on.

Did you seriously buy that baloney?! Really, I’m an attention-seeking party animal who loves to showcase, whenever feasible, the talents of those I spend hours tapping my keyboard to review, then steal all the credit for it! The whole balancing on a learning curve stuff is only a bonus ball! But it is a delight, whenever the opportunity arises, to witness the actualities of my labour, and one such opportunity occurred yesterday, a short walk from my home.

Rowdefest happened Saturday in my village, an idea to retain aspects of a traditional fete yet modernise it to reflect a mini-festival, in which I had to get my foot in the door of.

Feedback has been overwhelmingly positive, but for myself and the committee, Rowdefest 2025 started months ago, with tea, cake and planning at Barbara’s house. Then, an amount of WhatsApp messages, a Facebook chat coordinating the band’s specs with Simon Stockley, the solo sound engineer worth an entire team of professionals.

RowdeFest Committee pose at the end!

Then there’s the mountains I didn’t climb; Clare’s tribulations to provide a bar, Liz’s organisational skills to provide food vans, sponsors and collect raffle prizes, Kirsty creating a book stall, Geraldine and Angie tying things together, tea, cake and a photo exhibition in the church, chairperson Sue binding our meandering meetings into some kind of order, and so much more from many villagers and parish councillors mucking in, till the point on Friday I was driving a milk-float down Rowde Court Road with a huge tent on it and it all suddenly felt real!

Event organising with a team is wrought with disagreements, problem solving, worries which drag you to examine speculating weather apps daily, and fingers-crossed assurances everything will be alright on the nightโ€ฆ.thankfully it was, so Rowde was blessed with a hugely successful, beautiful occasion. An equally huge thanks and congratulations must go to all involved in its making, but none so much as our chief, Barbara. Even if one of them was me, I still reserve the right to report on it, for there is no flattery necessary, feedback from others gives me the confidence to say this was as fantastic as I perceived it as!

Devizes Jubilee Morris Dancers

For me personally, it was all about community merriment, and of course, the entertainment. Under the premise we wanted lively bands I took to organising a lineup consisting entirely of tried and tested locally sourced talents, and calling in a few favours! Opening the event then, the Devizes Jubilee Morris Dancers arrived, did their thing literally with bells on, and got the blossoming crowds engaging in a final routine.

Between the two Morris dancing sections, Mat Fucci of Fucci Fit teased the crowds with a workout, and under the beating sun they got as physical as Olvia Newton-John in 1981, or near to it!

ANdrew Hurst with Lucianne Worthy

Then the live music started with my wildcard, the experimental imaginations of music scholar and tutor, Andrew Hurst. With exceptional bassist Lucianne Worthy, they whisked the audience through multi-instrumental tangents, wonderfully.

Talk in Code

Usually a headline act next, and it was only 3pm, with the crowds still on our villageโ€™s own delicious Rowdey Cow ice cream rather than ciders! Wiltshireโ€™s finest indie-pop darlings, Talk in Code kindly pepped it up, making a pitstop on their way to Swindonโ€™s Castle venue. Blasting their eighties pop flavoured originals gorgeously across our small playing field was an indicator this was going to go off rather different from your average village fete!

That was my doing, and apologise if it came as a shock to some sensitive residents. What attendees didnโ€™t witness was me, once being informed about their complaints, slightly sulking in guilt behind the scenes. Yes, what started as a village fete had now gone full-blown festival, which I believed was the intention and well advertised as such. My resolution was, other than gorging on biscuits, that, in times like this, we have to go with the majority. As the huge crowd gathered, of all ages, appeared to be lapping it up, dancing and cherishing every moment, coupled with the expressions of delight I witnessed on the faces of some disabled children in wheelchairs when I held the gate open for them, well, they counteract a billion complainers for me, and Iโ€™m certain there was far, far fewer of them than that!

Talk in Code with Peggy-Sue Ford of Don’t Stop the Music radio show

Talk in Code shines like a beacon to everything dedication can achieve on our local circuits, and their reputation builds with every appearance; I was overjoyed to see them, as, like anyone they meet, theyโ€™ve become my friends. The second act tends to be more modest with their skills, but The Sarah C Ryan Band will always be one of my most favourite bands. They deliver a sublime melodious panache in style and sound, the kind I liken to Fleetwood Mac, but my daughter suggested Florence and The Machine; either works.

The Sarah C Ryan Band

Through cooler originals and the odd cover, Sarah and her band held the crowd spellbound, after wondering if anything would equal Talk in Code, now they were assured I had many more tricks up my sleeve!

Thieves

WIth the crowd simmered, time to allow Thieves to do their thing. Semi-acoustic vibes, Iโ€™d go out on a limb and suggest this is the finest Americania youโ€™ll find around these waters. Authentic bluegrass to rootsy blues, this wonderfully accomplished four-piece vocal harmonise on a level which left our unsuspecting attendees around the hay bales spellbound and those in the know nodding impressively. It was the set to end all sets, setting the scene to bliss, as I wandered receiving everyoneโ€™s approval, but I had one more band yet to introduce.

Burn The Midnight Oil

Given the chance, Talk in Code mightโ€™ve headlined, safe in the knowledge of what they will deliver. Despite knowing front-girl Chrissy Chapman for many years, and fondly reviewing her vocal collaborations on drum n bass tunes, when she put together Burn The Midnight Oil I met with the original lineup to interview them and hear a little rehearsal, but regrettably, I still hadnโ€™t had the opportunity to tick them off my must-see list.

Okay, so, I took a chance here, suspecting theyโ€™d be good, and heard all the good reports, but I didnโ€™t begin to imagine just how good. Burn the Midnight Oil totally rocked the finale, with fantastic originals slipped unnoticed into a set of covers, they made the perfect end to the day. Dressed in a divine white dress of sentimental value to Chrissy, she took her accomplished band and the audience on an elevated hour plus expedition of bluesy rock which no one wanted to ever come to an end. It was total and utter dynamite!

Alannah Mylesโ€™ Blue Velvet rang out across our playing field, as we gathered the committee and volunteers to be cheered before an encore. Chrissy has a confident stage presence. Her interactions with the audience were so professional, I had to take a double-look to check if it was still my dear friend up there!

But, thatโ€™s the magic right there, to take our talented locals and celebrate their skills as they deserve to be celebrated, allow them to shine with the freedom of expression to deliver works theyโ€™ve written and composed, disperse them with classics if they wish to, and introduce the quality of local talent to audiences which may not have the opportunity to follow our local live music scene. That was my objective, as that is alway my objective, and I thank the Rowdefest committee for allowing me to do that in my own village, rather than hiking up Dunkirk Hill again, or trekking further afield; Bradford-on-Avon had a town music festival on, at a level our village couldnโ€™t compete with, but those at RowdeFest wouldnโ€™t have cared at that point; it was magical.

Bramblerose Designs

Okay, Iโ€™m still at one thousand feet about what we accomplished yesterday, but I donโ€™t believe time will water my excitement down. This should go down in the village history books, and if not, it will always be remembered by me. Again my sincere thanks goes to all involved, the committee, the attendees which included MP Brian Matthew, and our media friends Bird is the Word, Peggy-Sue Ford and Alan Watters of our village magazine, but especially the acts and Simon, who came to my rescue; thank you all, for your time, dedication and for superbly rocking my village! 


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REVIEW โ€“ Devizes Arts Festivalโ€“ Kiki Dee & Carmelo Luggeri โ€“ Corn Exchange – Friday 30th May 2025

Still Got The Music In Her

By Andy Fawthrop

Itโ€™s been a while coming a-round but at long last Devizesโ€™ very own Arts Festival finally kicked off last night for its two-week run.ย  And we started off, as is usual now, with a real belter of a concert in the Corn Exchange, this time featuring veteran performers Kiki Dee and Carmelo Luggeri…..

If you were after star quality, Kiki Dee has it in spades.ย  Recently celebrating her 60th year in the music industry, she has now released a whopping 40 singles, three EPs and 22 albums. She is one of the UKโ€™s finest and most revered vocalists, and sheโ€™s sung with and for just about anybody who is anybody in this industry.

Pauline Matthews (as was) was born in Bradford, West Riding of Yorkshire in 1947.  At the age of 10 she won a local talent contest, and at 16 she had her first paid job as Kiki Dee in show business. She worked briefly as an apprentice hairdresser (she did my motherโ€™s hair once โ€“ my feeble claim to fame!) and at Boots in Bradford during the day, while in the evenings she sang songs with a dance band in Leeds.  Initially with Fontana Records, known for her blue-eyed soul vocals, she was the first female singer from the UK to sign with Motown’s Tamla Records. Sheโ€™s best known for the hit singles “Amoureuse” (1973), “I’ve Got the Music in Me” (1974) and “Don’t Go Breaking My Heart”, her 1976 duet with old Reg Dwight (Elton John), which reached Number One on the UK Singles Chart and the US Billboard Hot 100 chart.  Her 1981 single “Star” became the theme song for the talent show Opportunity Knocks when it was revived by the BBC in 1987.  

During her career sheโ€™s sung backing vocals for Dusty Springfield, was one of the backing vocalists on Love Affair’s 1968 UK number one single Everlasting Love, sang backing vocals on various Elton John recordings, such as “All the Girls Love Alice” from Goodbye Yellow Brick Road and various tracks on Rock of the Westies, played as support act to Queen at their Hyde Park concert in front of a crowd of 150,000 people, and performed at Live Aid in 1985, reprising “Don’t Go Breaking My Heart” with John, and performing backing vocals on the other songs in his set. On top of that sheโ€™s won awards for her Musical Theatre roles in Willy Russell’s Blood Brothers, in which she took on the role originally played by Barbara Dickson for the 1988 production and recording, and received an Olivier Award nomination in 1989 in the Best Actress in a Musical category.  

But all of that is history!  Nowadays, or at least for the last twenty years or so, sheโ€™s continued to move forward with the music that she creates with Carmelo Luggeri. Kiki says Carmelo is her favourite guitarist and he co-writes and produces all their songs.  

Dee released the live album Almost Naked, a joint effort with Carmelo in 1995, followed by the studio albums Where Rivers Meet (1998) and The Walk Of Faith (2005). In September 2013, Dee and Luggeri released their third studio album, A Place Where I Can Go, on Spellbound Records. They have been touring together ever since and have played alongside such musical luminaries as Roger Taylor, Jack Bruce, Fish, Paul Young, Tom Robinson, Graham Gouldman and Madeline Bell.  

Carmelo Luggeriโ€™s abilities as a guitarist, composer and producer have taken him on a rich and interesting musical path over his career. Born in England of Italian parents, Carmelo was mainly self-taught with some classical training.  Working with comedian and television personality Billy Connolly he created the โ€œWatzinโ€™ Matildaโ€ re-work used for the hugely successful 1995 โ€œWorld Tour Of Australiaโ€ TV series. In 1998 Carmelo produced the track โ€œStealinโ€ for the film โ€œStill Crazyโ€ starring Jimmy Nail.  Carmelo has also worked with US singer Andy Williams, Paul Rodgers (Free, Bad Company), Ray Cooper (Elton John band), Gus Dudgeon, Stuart Epps, Romy Haag and singer songwriter Ralph McTell.

Carmelo and Kikiโ€™s paths first crossed when he produced a collection of bonus tracks for โ€œThe Very Best of Kiki Deeโ€ album, and, under the guidance of their manager Steve Brown they took on a new musical direction together, playing acoustic concerts, starting with an appearance at The Royal

Albert Hall for World AIDS Day in 1994. It was quite a departure for Carmelo at this point as he was essentially an electric player but this marked the beginning of their now 25 year collaboration where acoustic guitar is at the foundation of their sound.

Sorry for the long introductory pre-amble, but just wanted to reprise the careers of these two wonderful musicians.  And I guess youโ€™d have to say that represents as good a musical pedigree as youโ€™re ever going to get, so the expectations for the large crowd were, to say the least, pretty high.

And we werenโ€™t to be disappointed one bit. Kicking off with โ€œGet What You Wish Forโ€ and the first of several musical career anecdotes, we were suddenly there at โ€œDonโ€™t Go Breaking My Heartโ€!  Like most people I thought this would be the wrap-up song or the encore, but Kiki clearly wanted to get the song on the table early.  Using, not unexpectedly, a completely different acoustic arrangement, with a rather slower tempo, her rendition allowed the lyrics to really shine through, and to deliver some really pathos.

Cracking on with anecdotes about meeting David Hockney in Malibu, and working with Dusty Springfield, we had the self-penned โ€œSmall Merciesโ€. She then mined a rich vein of beautifully-arranged covers โ€“ Kate Bushโ€™s โ€œRunning Up That Hillโ€, Robert Palmerโ€™s โ€œEvery Kinda Peopleโ€, and Neil Youngโ€™s โ€œHarvest Moonโ€.

Following โ€œa nice glass of redโ€ and a costume change, the second half continued in much the same vein, with Kiki interspersing the songs with more anecdotes.  Early up we had her big hit โ€œAmoureuseโ€, partly sung in the original French, a jazzy cover of Leonard Cohenโ€™s โ€œDance Me To The End Of Loveโ€ (featuring a touching cameo when she danced with a member of the audience whilst Carmelo commanded the stage with some fabulous guitar work).  We then had a run of the pairโ€™s own compositions โ€“ โ€œAmen and Goodbyeโ€, โ€œSheโ€™s Smiling Nowโ€, โ€œYou Canโ€™t Fix The Maybeโ€ and โ€œUntil We Meet Againโ€ โ€“ before finishing with an upbeat and rousing version of โ€œIโ€™ve Got The Music In Meโ€.  Getting an encore was a mere formality by this stage, but their choice was a strange one โ€“ a very quiet number entitled โ€œIf You Ever Need Someoneโ€, and a harmonised version of The Beatlesโ€™ โ€œBlackbirdโ€.  Cue lots of cheering and a great ovation.

Kiki showed us that, at 78, sheโ€™s definitely still got it.  Her voice is, expectedly, not as strong and pure as in her youth, but itโ€™s still bloody good, hitting all the notes perfectly, and still delivering plenty of soulfulness and meaning.  Carmelo demonstrated throughout to be no mere prop or accompaniment to the big star on his left, but a real guitar craftsman in his own right.  His subtle and effective use of loops and pedals to add depth and colour to every number, coupled with several changes of guitars and tunings, proved a real revelation.  His introductions and solos were beautifully crafted, drawing much applause, and plenty of genuine praise from Kiki.

As a duo they harmonised well, and were very clearly extremely comfortable in each otherโ€™s company on stage.  Their rapport with each other, and with the audience, added considerably to the quality and the professionalism of the show.

This was the third or fourth time Iโ€™d seen these guys, and Iโ€™d have to say that they only get better and better.  A really solid two and a half hour show, filled with great songs, hilarious anecdotes and superb guitar work โ€“ what more could you possibly want?  I absolutely loved and, it seemed, so did the packed audience.  

A cracker of a concert to kick off this yearโ€™s Devizes Arts Festival!

Learn more at www.kikiandcarmelo.com/carmelo-luggeri/ย ย 

The Devizes Arts Festival continues until Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online atย  www.devizesartsfestival.org.ukย ย 


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