Swindon indie popsters Talk in Code return tomorrow (1st March) with a new single, Something Of Nothing โฆ..hold tight to your Deely-Boppers, things are about to get eighties around hereโฆ.
Every time Talk in Code releases a single I find myself pondering deeper into what makes good pop, and if the word pop is a suitable term to use to describe a song at all. Wikipedia defines โpopโ as a โgenre of popular music,โ a rather incontrovertible statement, being it defines โgenreโ as โa conventional category that identifies pieces of music as belonging to a shared tradition or set of conventions.โ Find me โshared conventionsโ between Elvisโs Heartbreak Hotel and Doja Catโs Agora Hills, other than both were commercially produced? If they weren’t โpopโ they would hardly fall into the same category. Theyโre styles apart, separated by time and influences, ergo โpopular,โ at the time, and that’s an epoch, not a genre.
Iโd argue pop is only a genre when thinking outside its own sphere, ie; classical, jazz, folk. Ergo, everything else is pop, making pop a blanket term. Not all pop songs are popular, even if the intention was; singles flop, or, era depending, they become timeworn. Ah, but we were discussing โgood popโ and for that there’s two distinct categories.
Category one is throwaway, only encapsulating briefly, fitting with a current trend. Think of those songs you bought back when, but you’re now horrified you liked them, compared with those songs you consider classics, and will still drag you down to the dancefloor today. I bet you thought of more classics than the once trendy ones, because the latter you block from your mind, until some radio DJ spins it and you think, did I really like that shite?! Therefore, good pop breaks the very rule of pop, itโs not trending, rather itโs timeless. Ask yourself why tribute acts are big business, or a current act feels the need to sample an eighties electronica riff, it’s nostalgia.
Talk in Code often cite The Killers and The 1975 as influences, and certainly their root lies in another ambiguous genre, indie. Indie to me implies nineties dance-indie or Britpop, but whenever I hear a new TIC single I’m contemplating eighties electronica pop, more with every release.

Something Of Nothing is no exception, it accentuates the euphoria of an eighties dancefloor filler, and wouldn’t sound out of place on a chart hits compilation of 1986. By the opening bars I thought Ah-Ha were making a comeback, I thought Roxette might sing. The fact that when I addressed this eighties influence with the band they were agreeable, despite citing nineties influences themselves; itโs what you want to hear, meaning one thing, that their sound is timelessly classic, ergo, good pop.
If it was so, that this tune was on a mid eighties hits album, I’m assured it would be a smash and Bruno Brookes would be introducing them on Top of the Pops. Equally with a nineties one. Talk in Code cherrypicks from era-spanning memorable and timeless pop songs, garnishing them with contemporary freshness.
Subject is equally perennial for any good pop, they blurb this one as, โtaking things at face value, over analysing and the scene of one person wanting more than the other from a relationship.โ Woody Guthire wrote this lyric, โand it’s hard and it’s hard, ain’t it hard, To love one that never did love you?โ in 1941, again, recurring themes are so because theyโre eternally popular subject matter, ergo good pop!
The song will be available via Regent Street Records on all streaming platforms from tomorrow, 1st March. Recorded with Sam Winfield at Studio 91, Newbury. Talk in Code take their dynamic show on the road,ย 7th July โ Minety Festival, 20th July โ Southgate Inn, Devizes, 27th July โ Fulltone Festival, Devizes, 2nd August โ The Three Horseshoes, Bradford On Avon, 3rd August โ The Castle Inn, Swindon and 26th August โ Box Rocks, Box. The act which can neatly slip into these diverse events, can equally thrill an audience at say, FullTone, or the Three Horseshoes, proves my waffling point, I think!


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