โ€œLarkin with Womenโ€ at the Mission Theatre, Bath, November 25th-29th November.

by Ian Diddams
images by Ian Diddams, Mike Stephens and Next Stage


Ask people what they know about Philip Larkin, and the general best response may well be โ€œa poetโ€. They may even know he was a librarian at the University of Hull. Some may even know he coined a phrase concerning the effect of oneโ€™s parents upon one โ€“ a rather rude quote, far too rude to be spelt out here in Devizine obviously. What they โ€“ or you โ€“ may not know though is that he had thirty plus years polyamorousโ€ฆ arrangementsโ€ฆ with three women none of whom were overjoyed at sharing him but couldnโ€™t let him go. Or at least, that is the wonderful picture painted by playwright Ben Brown in his play โ€œLarkin with Womenโ€ which Next Stage Theatre Company are performing this week at the Mission Theatre, Bath.


This is a sumptuous work,. Deliciously delivered in a simple in the round setting of office, flats and a weekend cottage with an equally delightful sound track to set it all off. The plot runs through Larkinโ€™s life with his amours Monica a long standing girlfriend and English lecturer, Maeve who comes to work at the library he runs, and Betty his secretary. His persona is of a sharp witted, pithy remarked but not uncaring man, his dialogue stuffed full of ironic responses and jokes. Yet he is egocentric at times seemingly oblivious to his devoteesโ€™ desire for monogamy, or at least uncaring, with his rejection of marriage as an institution. This especially causes a barrier with Maeve who as a strict Catholic cannot agree to sex outside marriage and they carry out their unconsummated affair for over a decade until the inevitable happens, Maeve is distraught, and Larkin responds with โ€œYouโ€™re forty-six years old. Its not as if you can hang on to it for everโ€. Monica is the closest of the three to Larkinโ€™s approach to love but is jealous of the othersโ€™ involvements. Betty is last to fall for him and she too wishes him to herself.

The play draws to the obvious conclusion as Larkinโ€™s life ends at the age he prophesied, his three partners in life visiting him for what may be a last time. Monica has the most heart wrenching line in the play as she answers a question posed by Larkin as he approaches death โ€“ as an audience we can see the answer coming, but when it does it is delivered with such great timing, and tenderness that it still brings forth an immediate emotion and reaction.

The cast are sublime, each playing their part superbly to eke out each characterโ€™s nuances and foibles. Tania Lyons as Monica, Antonia White as Maeve and Stephanie Hunt as Betty create three distinctly different womenโ€ฆ Betty caring, Maeve desperate for marriage, Monica devoted. Brian Hudd fulfils the role of Larkin with panache and even brilliance. Mannerisms, delivery, auraโ€ฆ if this is not how Larkin really was, then he should have been Brianโ€™s portrayal.

A simple set, a gorgeous playlist, subtle yet engaging tech and period clothing throughout from Kris Nuttall, Andy Punt, Vanessa Bishop and Ann Ellison โ€“ who also directed this wonderful piece of theatre, more than ably assisted by Andrew Ellison as Stage Manager.

Ben Brown the writer in the program notes is quoted as saying โ€œthere is a fine line sometimes between humour and ironyโ€. He is spot on of course, but Iโ€™d go one further and suggest there is a fine line between irony and pathosโ€ฆ and Ben delivers that second fine line absolutely perfectly, in this absolutely perfect play. Next Stage have dedicated this performance run to the real life Betty Mackereth, who died this week.

โ€œLarkin with Womenโ€ is playing at the Mission Theatre, Bath, until Saturday November 29th November at 1930 each evening, tickets from the theatre itself or from
https://www.missiontheatre.co.uk/whats-on/2025/larkin-with-women

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it up in a word, the word would be โ€œdelightfulโ€ฆ..โ€

With Ian dedicated to all things theatrical here on Devizine, panto is reserved for my tuppence; that has become as much a Christmas tradition as Brussel sprouts! Snow White is the choice to loosely base the crazy and fun shenanigans around this time, and while I usually attend just to announce what a treat you’ll miss out on unless you’ve a ticket, this time the Wharf has doubled the run to a fortnight, so it’s not sold out … .yet. The question remains, is it worth your while?

The answer is not hiding behind you. Oh, yes it is! Of course it’s worthwhile, silly!

The time, dedication and professionalism which goes into each and every pantomime at the Wharf is something the team behind them should be proud of. This year sees some unity with various local theatre groups, and their talents bless the show. โ€œThis year we see people coming from Stagecoach, Potterne Panto, Pewsey Vale Amateur Dramatics Society, Centre Stage Dance Academy, Devizes Musical Theatre, Bristol Old Vic, and Melksham Music and Drama,โ€ director and chairman of The Wharf Theatre, Pete Winterton informed, and with additional scriptwriting from Helen Pritchard, Pete wrote and directed this yearโ€™s panto.

Helen plays the face of the magic mirror, brutally honest yet cheeky with the Evil Queen, played with passion and skill by Georgina Watson, from PVADS and who undoubtedly performs the best solo. Yet a truly magnificent antagonist is never a thing without a trusty sidekick, and, no stranger to the Wharf and Stagecoach, twelve-year-old Gigi Underwood takes that role superbly. 

Georgina Claridge, perfect to play Snow White, choreographed the show, which, even at the dress rehearsal stage, looked polished. Archer Lee plays the prince, Rory Lee is his chaperone Dandy. Thereโ€™s a delightful team of seven young dancing villagers, Kira Drezanics, Maisie Lee, Bea Stacey, Myrah Williams, Madeleine Newman, Phoebe Newman, and Coco Fuller, ranging from nine years to thirteen years old and bubbling with talent. 

Of course thereโ€™s also seven, only slightly smaller people, a running copyright infringement gag, which mysteriously fades after time, and theyโ€™re returned to being called dwarfs without explanation, or hopefully, lawsuit, but does a panto need explaining?! If the show is loosely based on Snow White, the seven โ€œassociatesโ€ of Snow White are a unit of parodies, the most bizarre being Corrin Bishop, who plays a politician version, wittily just waving and shaking hands with the audience akin to a silent film star. Jessica Bone as Nurse seems the natural leader, but Jenni Prescott and Ben Byran add humour with roles called Misery and Snorey, respectively. Kelly Williams and Cameron Williams are either shy and throaty, but the icing on this cake is the youngest and smallest, Smiley, played by Stagecoach student Ella Cook, whose natural flair for dramatics charms.

Then, even more important than any plot, for there is a basic runoff narrative from Uncle Waltโ€™s adaptation of the Brothers Grimmโ€™s Sneewittchen, is the comical Dame and their sidekick. There can be no other team better chosen from these wild woods than Adam Sturges, who dons the drag so divinely, to play Dolly, and his partner Oli Beech to play their son James. Oli and Adam are stalwarts at the Wharf, playing apart they both shine but as a duo they are comical genius, naturally proficient at improv and breaking the fourth wall to take these essential roles, delivering them with hilarity, and binding the panto with joyful audience participation.

If panto at the Wharf follows its own methods which bucks traditions of pantomime, Snow White is no exception, and that is what makes it unexpectedly fun. Nitpicking, I thought it unorthodox to not end the first half with a song, though they right this wrong with such a fantastic musical finale it makes up for it. But, Iโ€™m left wondering if slapstick is a thing of the past. Because, cliche or perhaps not politically correct, there was a lack of visual humour in this show; is it too risque for modern kids to see a custard pie in the face?!

Though little ones will not tire of this, itโ€™s fantastic, yet summarised, and doesnโ€™t extend to unnecessary proportions. The humour rests majorly on gags, many of local direction; mocking neighbouring towns, etc. But there are the customary encouraged singalongs, games, and fun pop song adaptations for all ages to love. Thereโ€™s amusing treats, like the mysterious characters appearing from the woods, and the ingeniously adapted charactersโ€™ traits.

Pantomime is the golden opportunity to introduce young people to the theatre, and is the one occasion when those not regular theatre-goers will take a chance. Snow White is a delight, an enjoyable family treat; go see it and start Christmas. The children will be delighted; I was and Iโ€™m a 52 and three quarters-year old kid!     

Snow White opens on Tuesday 25th November and runs until Saturday 6th December. Curtains at 7:30pm, two matiness at 2:30pm on the Saturdays. Tickets HERE or at Devizes Books.


โ€œAntony and Cleopatraโ€ at the Rondo Theatre, Larkhall, Bath, October 18th 2025.

by Ian Diddams
images by Penny Clegg and Shakespeare Live


โ€œAntony & Cleopatraโ€ is one of Shakespeareโ€™s four โ€œRoman Playsโ€, and chronologically is set after โ€œJulius Caesarโ€ as the new triumvirs Mark Antony, Octavius and Lepidus between them oversee the Roman Empire. Basically we start with Mark Antony all loved up, and avoiding his duties until recalled to Rome by Octavius to help fight pirates whilst playing down their distrust of each other. The rest of the play concerns itself with political chicanery egged along by the inevitable soothsayer complete with prophecies of doom and gloom โ€ฆ Our eponymous hero should have considered Julius Caesarโ€™s similar warnings โ€“ but this is Shakespeare so why would he do that? Keen eyed readers may already have spotted a pattern with Shakespeare and prophecies of courseโ€ฆ He makes some pretty dashed poor tactical mistakes over battles and ends up killing himself, leaving Cleopatra to similarly despatch herself in grief โ€ฆ keen eyed readers may already have spotted another pattern with Shakespeare and lovers killing themselves over misunderstandingsโ€ฆ Shakespeare Live bring this Shakespearian tragedy to life on tour, opening at the Rondo.

The play takes anything up to three hours to normally complete โ€“ but director Jacky Crosher has superbly trimmed the text to just a hundred minutes, concentrating on the juicier scenes and real plot developments while using extraneous introduced Greek chorus style narrators to fill in the more prosaic plot areas. The result is a rollocking production that keeps the audience entranced but her directorial influences donโ€™t stop there. The great naval battles on which Mark Antonyโ€™s fate resides rather than being glossed over as per the text are brought to the fore in riveting scenes of their own, played out with two full navies on a tempestuous sea via choreography and music. Similarly the land battle is performed in stylised choreography quite superbly.

All of this also wrapped with various well known musical items from Rodriguez to Black Sabbath. Full kudos to Jacky for creating such a wonderful melange of art styles to tell this tragedy.

The cast are no less excellent. When you portray a pair of lovers it is important to have on stage chemistry โ€“ a belief that the two characters are into each other, so how better to cast such a couple than with a real life couple; so step forward Mr. & Mrs. Finlay, Rob and Maria as the wonderfully played eponymous pairing. Andy Corkโ€™s Enobarbus is sublime, Lucy Upwardโ€™s deferential yet sister-like Charmian delightful while Naomi Miller as Iras shines alongside her as Cleopatraโ€™s companions.

Liz Hollis cameos her way almost sprite like as the inevitable Shakespearian soothsayer, all melodramatic cloak waving, and as a messenger and finally as Eros, squire to Mark Antony. Jeremy Reece advises Mark Antony smoothly while many of the already mentioned also then wade in as a clown, Egyptian and soldier.

Naledi Withers almost surpasses her excellent role of Octavius Caesar in her presentation โ€“ its that narrator thing โ€“ of a newspaper reporter, while in her main role in Rome she is excellently supported by Jeremy Reece (again!) as Lepidus, the far more sensible member of the Triumvirate! Naomi Miller also doubles up just as splendidly as Octavia, Octaviusโ€™ sister who gets married off to Mark Antony, while the stalwarts of Shakespeare Live Gill Morell and Graham Paton as ever shone in their roles as Dolabella and Thidias, and Agrippa respectively.

Tech as ever is delivered by the ever dependable Alex Latham, with more back stage stalwarts of James Dennis and Connor Palmer stage managing it all. The costumes are sumptuous, the set perfectly simpleโ€ฆ a black box with a settee, easy to tour with and never distracting on the eye.

For a roller-coaster ride through post Julius Caesar Roman history, a love story, political chicanery and a tragedy you can do WAY worse than catch Shakespeare Live on tour โ€“ tickets available at

https://www.ticketsource.co.uk/shakespearelive

โ€œTravestiesโ€ at the Rondo Theatre, Larkhall, Bath, October 8th-11th 2025.

by Mick Brian
images from Lauren Arena-McCann


The playwright Tom Stoppard is probably best known for his work โ€œRosencrantz and Guildenstern Are Deadโ€, his absurdist comedy based around Shakespeareโ€™s โ€œHamletโ€. Equally absurd is his country house murder mystery โ€œThe Real Inspector Houndโ€ which has no *cough* resemblance to Agatha Christieโ€™s โ€œThe Mousetrapโ€. A lesser known work of Stoppardโ€™s, though no less absurd, is โ€œTravestiesโ€ which has more than large hints and homages to Wildeโ€™s โ€œThe Importance of Being Earnestโ€ that is set in Zurich in 1917 and features such prominent people of the day as Lenin, James Joyce and Tristan Tzara.

โ€œTravestiesโ€ is to be performed by Bath Drama at the Rondo Theatre, Larkhall, Bath next week from Wednesday 8th to Saturday 11th at 7.30pm.

Henry Carr, a somewhat confused and muddled old man, relates his experiences as a British Consular official in Zurich 1917, kept abreast of current affairs by his butler Bennet, who it is clear has an interesting past of his own. Carrโ€™s topsy-turvy memoirs interweave a social group consisting of the author of Ulysses, the founder of the Bolsheviks and the co-founder of the Dada movement set again the background of World War One and the Russian revolution. Amongst the turmoil we meet two young women keen on love in a confusing triangle of obfuscated names.

Jim McCauley directs this masterpiece in daftness, being a lifelong admirer of this play, more than ably abetted by Lauren Arena-McCann and the two of them have created a truly Stoppardian maelstrom โ€“ youโ€™ll need to stay awake and concentrate to keep up as the characters deal with mislaid writings, revolutionary plans, mismatched trousers, library etiquette, court cases, Charleston dances and limericks.

Henry Carr is played by Andrew Chapman, wonderfully portraying a confused old man and a younger, somewhat bemused Consul with a wonderful delivery and brilliant comic timing; his acting is of course thoroughly ernest (no, not Ernest – the other one). Carrโ€™s love interest, Cecily Carruthers is played by Amy Smith, all strict demureness until her passions are roused by a decadent nihilist. Amy totally nails Cecilyโ€™s prim but not-so-proper presentation and is another whose comic timing is sublime.

His Butler, Bennet, played by Ian Diddams is a gentlemanโ€™s not-so-gentle man who it seems has far more going on than his โ€“ mostly โ€“ calm exterior may indicateโ€ฆ Ian encapsulates Bennetโ€™s complex history and presence excellently, and โ€“ three witches like โ€“ is seemingly omnipresent.

Cecily’s partner in crime as young women forging new socio-political paths is Sophie Turner as the Wilde-ly in love Gwendolen, but herย piรจce de rรฉsistance is as the straight woman to the most complex scenes which she effectively leads.

Gwendolenโ€™s love interest, Tristan Tzara is portrayed by Jem Andrews, nonchalance and devil-may-care superbly louchely played, with and without monocle. Jem’s comic timing โ€“ again! โ€“ is superb and his interactions with Carr encapsulate multiple moods and attitudes easily.

Now, we mustnโ€™t forget here James Joyce,
A man with an Irish voice,
Played here by Felix Byrne
Who gives us a great turn
As an actor in which we rejoice.

Which leaves us with Mr and Mrs Ulyanov. Also known as Lenin. Sam Fynn as ever pours his heart and soul into his portrayal, as shown by his dedication to learn the correct pronunciation of the Russian he speaks in his role. Iโ€™d put a quid on him. Imogens Notshaw portrays Leninโ€™s wife as narrator of their lives and dedicated partnerโ€ฆ she too studied the Russian she speaks and whilst the โ€œstraightestโ€ of characters in the play has a powerful presence throughout.

Tech as ever is provided by Alex Latham, with Connor Palmer as Stage Manager and Penny Clegg as his ever able assistant, with the ever brilliant Rich Canning as set design, costumes by Scarlett Hayler-King and Bath Theatrical with wardrobe support from Chloe Harris.

So come on along to the Rondo theatre to learn far more than you imagined about 1917 in Switzerland and Russia โ€ฆ or then againโ€ฆ not.

Tickets from https://www.ticketsource.co.uk/rondotheatre/travesties/e-pvmvgv


Still Alice at The Wharf Theatre Raises Dementia Awareness

Valedictorian graduate of Bates College in Maine, and with a PhD in neuroscience from Harvard, neuroscientist Lisa Genova self-published her debut novel, Still Alice in 2007. Acquired for publishing two years later, Still Alice made The New York Times Best Seller list, was adapted for the stage by Christine Mary Dunford of Chicago’s Lookingglass Theatre Company, and spurred a 2014 movie by Memento Films, winning Julianne Moore an Academy Award. Under the direction of John Winterton, The Wharf Theatre brings this poignant play to Devizesโ€ฆโ€ฆ

It’s lovely to be back at Devizesโ€™ cosy and communal theatre. Ian assigned himself our theatre critic and while his brilliant inside knowledge is gratefully appreciated, I figured I fancy this one, as I have a personal angle on the plot. Alzheimerโ€™s Society suggests โ€œevery 3 minutes someone in the UK develops dementia,โ€ therefore I imagine many others will find relevance in it too, and if not, might one day.

We found it amusing at the beginning, my Nan in Dad’s car still wearing her slippers for a party, and other trivial mishaps. But the last time I saw her I was saddened to note she didn’t remember me, as she spoke to me of her โ€œhusband,โ€ rather than address him as โ€œgrandad.โ€ My children were young and understandably apprehensive about going into the care home. But when they plucked up courage my boy stood before her and she was delighted to be face-to-face with who she assumed was me. Here was the relieving point; I realised she hadn’t forgotten me, she just didn’t recognise me because thirty-plus years was missing from her memory; thank you genetics!

The journey between these two points in time was arduous for her and our family. For her it went from confusion to frustration and onto an immune state of obviousness. Lisa Genova wrote Still Alice in first person narrative from the point of view of Alice, a university professor at the height of her career who is diagnosed with early-onset Alzheimerโ€™s disease; it mirrors what we went through, and sheds a fascinating light onto what my Nan must’ve gone through too.

The play honours the narrative perspective by an ingenious method of a personification of Alice’s psyche. With a dual-Alice on stage, the real Alice, played sublimely by Linda Swann, says what she believes she should say, while her conscious shadowing her, equally delivered with skill by a younger version of Alice, Sophie Kerr, offers the audience an insight into what she is thinking. Just as I suggested, with the lost time of my Nanโ€™s mind, Alice perceives herself as being younger, so this age gap works as her sense of reason, until reason runs short in her mind and her consciousness is reduced to the childlike drawing of pictures.

There are many elements to the happenings in the play which anyone who has experienced a loved one going through Alzheimerโ€™s or dementia will recognise, and tears might trickle. There’s periods of thought-provoking awkward silence, intense confrontation at others, when the confusion turns to frustration. There’s poignant reality and touching scenes as the family come to terms with Alice’s deteriorating mind. There’s thought processes from Alice exposed, causing you to identify with her greater than that of her family; a window into the mindset of anyone suffering with this terrible condition.

Overall, akin to a film like Schindler’s List, this is a play you might not want to face, oh, but you must, and you should. 

Still Alice is evoking brilliance, you will leave impelled to discuss the subject further. It raises awareness of this horrifying condition and doesnโ€™t meander from this for any purposes of entertainment. On the impaired particularly, the sentiment is pragmatic, but also in her relationship with her family and their emotions, all poignantly represented and acted with believable precision by John Myles, as the calm under pressure husband, Adam Sturges as the solicitude son, and Kezia Richards as the estranged daughter.

Still Alice raises awareness about Alzheimerโ€™s or dementia in a similar way as Barry Levinsonโ€™s Rain Man raised awareness of autism, but only if we could have seen into the mind of Raymond would it be any more comparable. Thatโ€™s the beauty of theatre, this is a play with the power to change you.ย 

Still Alice runs at The Wharf Theatre, Devizes from September 1st until September 6th 2025, Tickets HERE or at Devizes Books.


World Alzheimerโ€™s Day is Sunday 21st September. You can find more information about local dementia groups at Alzheimerโ€™s Support, and sign up for their Walk to Remember at Wilton House, HERE.


Trending……

Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

“Glasshouse” at The Mission Theatre, Bath, July 21st 2025

by Mick Brian

With Sandcastles Productions marking its debut production with Charlie McGuireโ€™s original play Glass House, the cast and crew behind this production are clearly anything but inexperienced as the piece delivers its thrills and emotional beats at every turn.

What Glass Houseย ultimately delivers is a play packed with fascinating questions about the nature of transaction and social transience; questions for which, it would be amiss to neglect, a public bus is not only an apt but a deeply compelling setting. For its sharp 55-minute run time, the audience are held in suspense with the passengers themselves as our collective inaction serves as the playโ€™s crux.

What the perhaps overly wordy synopsis does get right is this: a houseless man, unable to buy a ticket, boards a bus and drags the six others on board into a โ€˜mire of social tensionโ€™. Itโ€™s a simple premise, yet McGuire adeptly and continually reinvents the tension of this idea in a way not dissimilar to Hitchcockโ€™s approach to bottle storytelling; think โ€˜Rear Windowโ€™.

At age 21, this is McGuireโ€™s third original play, having penned and staged his first effort โ€˜Sandcastlesโ€™ (from which his production company naturally gets its name) in 2021 before his sophomore script โ€˜Vignettes from an Inkblot Archipelagoโ€™ was met with critical acclaim (โ˜…โ˜…โ˜…โ˜… – Varsity, โ˜…โ˜…โ˜…โ˜… – The Tab) just last year.

Following his work directing a bevy of projects whilst at university in Cambridge, the mercifully compactly-titled Glass House shows a maturity in its consistent empathy, flair and razor-sharp dialogue. It moves from social realism, to political agitation, to a fantasy about love overcoming hate. At other times, it takes on an existential dread, feeling like a timeless, placeless hell, similar to the works of Samuel Beckett, or simply an inescapable trap, as an Alan Bennett character might experience. The play is far more than 7 strangers sat on a bus for an hour.

And about those strangers; the cast were truly excellent across the board, meeting and arguably exceeding the demands of the script. So strong was each performance that it felt impossible to single-out a protagonist, I simply let myself be compelled by each actor to invest deeply โ€“ almost immediately- in either loving or hating their character. Itโ€™s that sort of play.

Sarah, executed with gripping intensity and striking emotional sincerity by Marta Zalicka, certainly has the most to say as she commands the bus with Malcolm Tucker-esque quips and hard-nosed logic. Rising directly to Sarahโ€™s challenge is Freya, brought to life by May Daws, who is routinely the beating heart and moral compass of the bus. Daws plays Freyaโ€™s simmering frustration to perfection and her chemistry with Zalicka was one of the playโ€™s most compelling dynamics.

Freyaโ€™s girlfriend/not girlfriend Natalie brings further tension to the bus with a painfully-apparent urgency for her feelings to be requited, as Madeleine Whitmore skillfully conveys the weight of her emotional exasperation often through a mere micro expression. As the play progresses, Whitmore becomes more involved in the verbal sparring and superbly delivers the plays most biting one-liners.

Similarly quiet yet nowhere near as observant, Harry Lloyd-Yorke’s Calum feels like a character who could easily have slipped towards a Harry Enfield-reminiscent teenage stereotype. Lloyd-Yorke’s portrays apathy, however, with such well-timed line deliveries and poignant stillness that Calum has more of the menace of a Lord of the Flies character than the dullness of an Enfield trope.

Charles Wolrige-Gordon scored many of the playโ€™s laughs with his portrayal of Colin, however prevented Colin from coming off as merely a comic stock character by lacing many of his lines with genuine threat and malice. Far less loathsome was Joe Orrellโ€™s performance as Owen, the bus driver who seems to be stuck in some form of Beckett-esque purgatory. Sporting a flawless Welsh accent, Orrell undergoes a character progression which may not feel earned in the hands of a lesser actor, but was deeply authentic and ultimately heartbreaking.

Perhaps most surprising is Rafael Grisoโ€™s performance as Eden, the houseless man who canโ€™t afford a ticket, which soars from invigorating the playโ€™s ecstatic, surrealist moments to a remarkable subtlety. Naturally, there are ethical questions to be raised about performing homelessness on stage, especially within the context of the Edinburgh Fringe, but I was glad to see that this is something the play very much interrogates. Without spoiling the scene, as it really was a great shock to the system, Glass House questions in a troublingly-entertaining way why Eden must give us something in order for us to sympathise with his plight.

Outside of the play itself, the team are evidently aware of the potentially problematic nature of performing a play with a prominent houseless character at a festival quietly-renowned for its displacement of the homeless; the play will partner with a homeless charity in Edinburgh, having charity collection boxes at each show and donating profits of the Fringe run to a local homeless charity.

The play tackles a lot, not only thematically and narratively, but theatrically. Attempting to pull off a fictional documentary angle, where interviews of the characters on stage are used to reconstruct a story that supposedly happened years ago, may have felt overstuffed had the play not benefitted from the expert technical design and execution of Barash Tunahan. Interweaving purposefully homespun-sounding interviews with a forlorn and jazzy soundtrack whilst punctuating the playโ€™s emotional beats with precision โ€“ Tunahan’s work seamlessly builds the world of the play in effortlessly cinematic fashion.

If I were to critique the production, I would say that Glass House perhaps is not the best fit for a space like the Mission Theatre. The Mission, a treasured and historic performance space in Bath, has a scale to it which does not benefit the intimacy which McGuire is evidently shooting for, however I am sure this will be remedied by the venue they will find themselves at in Edinburgh.

Whilst I am eager to see what McGuire and Sandcastles Productions do next, Glass House is without a doubt a brilliant piece of Fringe theatre.

โ˜…โ˜…โ˜…โ˜…โ˜…

Glass House is at the Edinburgh Fringe from the 18th-23rd August at Greenside Venues George Street in the Olive Studio.

PREVIEW :โ€œGlasshouseโ€ at The Mission Theatre, Bath, July 21st 2025.

by Ian Diddams
images by Sandcastle Productions

A very new addition to Bath based theatre companies, Sandcastles Productions brings their self penned piece of theatre to The Mission Theatre next week. Playwright Charlie McGuire describes โ€œGlass Houseโ€ as a mix of โ€œTwelve Angry Menโ€ with the defendant in the room, regarding some human beings that are viewed as a problem to be solved, rather than aided. He adds that this is a provocative play, that asks many questionsโ€ฆ but provides few answers. Theatre is meant to challenge us, and this play should do that, leaving us all to make up our own minds.

Glass House is a one-act, boundary-pushing piece of mocku-theatre, inter-spliced with pre-recorded interviews with the โ€˜real-lifeโ€™ inspirations for the on-stage characters. These interviews take us through the nail-biting events of February 14th 2011. On a night of unrelenting rain and flooding in the countryside, a stand-off between a bus driver clinging to the rules and a homeless man who canโ€™t afford a ticket inexorably stirs up an enthralling mire of tension and social conflict amongst the passengers.

Sandcastle Productions are a collaboration of school and university friends, many currently in their second year of courses around the country. Charlie noted he heas been heavily influenced by Robert Icke.

Backed by The Mission Theatre itself who were very receptive to them, this is a world premiere of โ€œGlass Houseโ€ before it transfers to The Edinburgh Fringe Festival, where it can be found at โ€œGreenside@George Streetโ€ between 18th-23rd August at 7.30pm.

Mission Theatre tickets from https://www.eventbrite.com/e/glass-house-at-the-mission-theatre-bath-tickets-1246930525769
Edinburgh Fringe tickets from https://www.edfringe.com/tickets/whats-on/glass-house

“The Motherโ€ at The Mission Theatre, Bath, July 16th-19th 2025.

by Ian Diddams
images by Ian Diddams, Next Stage Theatre Company and Mike Stevens

Florian Zeller is a contemporary French playwright and screenwriter, who received critical acclaim for his films, โ€œThe Fatherโ€ and โ€œThe Sonโ€ in the early 2020s. The films were both adapted from his stage plays of the same name, and it will not therefore be a surprise that he preceded both of these original plays with a third โ€œThe Motherโ€. Next Stage Theatre Company bring this first Zeller play to The Mission Theatre, Bath this week, with its time slipping, reality questioning story of a post-menopausal empty-nester whose raison dโ€™etre has gone.

Anne โ€“ the titular character role โ€“ played by Hayley Fitton-Cook, lives a lonely, insular and empty existence in a home dominated by her favourite colour, red. Her children have grown up and left home, and are somewhat estranged to her; her husband she suspects of having an affair. Her life is meaningless and she dulls the tedium with increasingly larger doses of pills, and booze. The play is her experienced life, the other characters being puppets to enact her perceived reality, though we very quickly start to question which is real, which is fever dream, and which is just unreliable memories. Hayley plays the character honestly – as written, straight, she explained, playing The Mother in each scene as if that is the time and place in the real world. Her uncompromising, incessant performance really strengthens the delivery as we wonder which of the almost repeated scenes with minor changes and nuances is the actual real one โ€“ they are all real to Anne as they happen.

The Father, Pierre, is played by Mayur Bhatt, as the slightly lost businessman trying to keep a connection to his wife, and failing dismally. He is kind and gentle in his own way but his work life is either overtaking his own existence, or is providing a cover for extra-martial nefarious activities. Mayur delivers his confused, hurt, but also self-centred character sublimely, delivering a perfectly crafted Willy Loman style businessman, looking forward to the next exciting convention on microcredits, while achieving not much at all โ€“ except an opportunity to avoid Anne.

Nicholas, The Son, is played by Oliver Manners. The Son represents Anneโ€™s confidence crisis โ€“ he is mid twenties and has left home to live with his girlfriend, and hardly communicates with The Mother now, finding her too stifling of his life. His own relationship crisis brings him back to the family home and the inner tensions and loss of mutual support are exposed all too obviously. The Mother tries to mother him, which he is rejecting; his relationship with his father is at best strained, and Nicholas knows โ€œthingsโ€ about Pierre that Anne doesnโ€™t. Its a tightrope of a plot line to follow for an actor โ€“ neither too close to his parents but equally not totally dismissive of them either; their remains some inklings to family ties but they are stretched. Oliver’s perfection of this fledged offspring counterposed by his critical encapsulation of Nicholas’ insecutorites belies the fact that this is his first role with Next Stage.

Finally the fourth character of The Girl is played by Perrine Maillot; the girl is a melange of various female characters within the story. The is certainly Nicholasโ€™ girlfriend, Elodieโ€ฆ but she is โ€“ in Anneโ€™s confused mind โ€“ also her husbandโ€™s lover, and a mental health nurse arranging treatment for Anne. And there may be a thought amongst the audience that maybe Elodie/lover is actually Nicholasโ€™ sister who is continually referenced but never seen, and has no contact ever with her family. Perrine is strong in her characterisation of Elodie, the girlfriend that doesnโ€™t like the Mother, who in turn doesnโ€™t like Elodie โ€“ though they both like red dressesโ€ฆ.

The mastery of the play is its continual time slip/alternative reality of scenes, often repeating themselves in a ground-hog day scenario, leaving the audience to work out their own understanding of what is going on. There are no right or wrong plot lines here โ€“ Zeller has deliberately set up the play with multiple answers and endings, leaving us to decide which narrative fits our own understandings. Is Anne mad? Is this all a repeating nightmare? Is some of it actually reality surrounded by alternatively recollected situations and outcomes in Anneโ€™s addled mind. Is Anne depressed? Menopausal? Has she dementia? Are some of the characters Anne interacts with actually dead? Are they all dead? Do some of the characters actually ever exist and are just figments of her imagination in her Walter Mitty world?

The set is simplistically perfect โ€“ Anneโ€™s favourite colour red abounds in the bedroom/diner open plan set. Even the scene changes are done to a lowered red wash of light. Created by Director Tiana James it is the perfect reflection of Anneโ€™s mind. Lighting and Sound is provided between Rowan Bendle and Kris Nuttal with Nicky Wilkins as fight choreographer.

Its a challenging play โ€“ it will likely raise emotions, query oneโ€™s own visions of what is real and what is pretend, and some aspects may well be triggering. But art should challenge us โ€“ and Zellerโ€™s play so well delivered by Tiana James on her directorial debut ably assisted by cast and creatives certainly provides the chance to be challenged in all the best ways.

โ€œThe Motherโ€ is showing at The Mission Theatre from July 16th-19th 2025, at 7.30pm. Tickets from https://www.missiontheatre.co.uk/tickets/the-mother


โ€œlove you, byeโ€ at Ustinov Studio, Bath, July 7th-10th 2025.

By Ian Diddams
Images by Luke Ashley Tame of Acadia Creative

Around 2 million women are victims of violence perpetrated by men every year, thatโ€™s 3,000 offences recorded every single day.

A year ago, Uncaged Theatre brought their work in progress production โ€œFaithโ€ to the Rondo Theatre. Its review can be found here. A year later they are about to take its completed version โ€“ now entitled โ€œlove you, byeโ€ – to the Edinburgh Fringe and are warming up with a four-night run at Ustinov Studio, Bath. It has indeed come a long way since that nascent concept and has become a more rounded, holistic production โ€ฆ  which is still sphincter clenchingly, seat squirmingly uncomfortable watching at times โ€“ especially if you are male.

The number of offences has grown 37% in the last five years and violence against women and girls accounts for 20% of all recorded crime. Thatโ€™s recorded. Not total, only what is actually told to the police.  

The fundamental premise and action of the play remains the same โ€“ four friends, a missing woman, the ramifications. The external pressures on the group of trial by social media and finger pointing, and on the missing woman of asking for it, being out alone after dark. The mediaโ€™s gloss-over reporting with its own inherent racial and societal biases, the groupโ€™s individual coping mechanisms, personal even selfish concernsโ€ฆ  and collapse of trustโ€ฆ  all remain in this final product. But while โ€œFaithโ€ was a work in full, โ€œlove you, byeโ€ uses the play as a glorified MacGuffin to the real message of the production.

A woman is killed by a man every three days in the UK. Thatโ€™s 168 women murdered at the hands of a man every year.

As writer Meg Pickup โ€“ who plays Colly โ€“ says โ€œWe didnโ€™t want to write a play just about the victim – we wanted to write about those still standing, and how they carry the weight. We wanted to create something that doesn’t just speak to grief, but to the fierce loyalty and messy beauty of a chosen family. The group at the centre of the play acts as a microcosm of societyโ€™s response to violence against women and girls.โ€

In the year ending March 2022, there were 194,683 sexual offences, of which 70,330 were rape. Thats reported rape, again not total, only what is actually told to the police.

Is the performance a lecture? Is it โ€œentertainmentโ€? These are the questions asked by Colly/Meg directly to the audience. The characters reflect people we all know. Some reading this review and seeing the production will have shared in the charactersโ€™ own experiences. It uses real audio of the likes of Trump, Marilyn Manson, Andrew Tate interspersed with real voicemails of ordinary people wishing each other well, saying โ€œI love youโ€, saying โ€œโ€™byeโ€. The social imagery is stark, uncomfortable. How do we as a society that individually expresses love to partners and friends combine to create monsters that prey on the vulnerable? Why is it those that are in positions of authority to protect, instead abuse that position. We all know these cases โ€“ and also not those cases that the selective media with its own biases omits from our newsfeeds.

Only 3.2% of reported rape is even prosecuted. Then of that 3.2% only 62% are convicted.

The play part of the production includes two new characters from โ€œFaithโ€. Firstly, a collective female character โ€œEverywomanโ€ who is represented by the three female protagonists in their drinking game of โ€œNever Have I Everโ€ requiring a downed shot for every challenge that has happened to them which quickly becomes increasingly dark outlining their shared experiences of violence as females. And there is now โ€œNot-All-Menโ€ –  a, it must be said, loathsome character insisting that itโ€™s all somewhat overblown and not widespread, and whose own words condemn himself for his self denial and lack of collective responsibility and empathy, while wallowing in the words of Richard III and King Lear to justify his position.

The broad indication is that, during the last year, of the 70,330 rapes reported to police only 1,378 led to a conviction…

“love you, bye” is performed by four actors with six parts. Meg Pickup – who also co-wrote the piece – excels as the bullish and frankly bullying Colly who in some ways actually – unbeknownst to her – reflects some of the toxically masculine traits she so despises, in her relationship with Kaia, played by Taruna Nalini. Both portray their failing relationship with skill, neither overegging the tragedy that is happening to them externally and internally nor shying away from the difficult concepts of the story. Taruna’s vulnerability is the perfect foil to Meg’s bullishness and in so doing they reflect the wider society the premise of the play explores. Taruna combines the pain and pleasure of a relationship that isn’t always equal, while carrying a secret from her youth in a different culture, different social mores that nonetheless has a profound lifelong effect – her ability as an actress to mix these emotions and repressed fears is masterful. Billie-Jo Rainbird plays the pivotal role of Mercy, slightly on the outside of her friendship group but devoted to them all and they to her. Her strength is subtle, not worn on her sleeve but she is clearly supportive of not only her friends but also her partner’s anxiety back at their flat, all played sweetly and calmly, a unifying force. Billie-Jo also designed the sound and lighting for the show as well as the digital program. These three also represent collectively “Everywoman”, a combined edifice of womanhood sharing their abuses in a drinking game. These are fast paced scenes delivered perfectly with all the hidden menace in their reported words starkly evident while externally they just blankly down their shots. That just leaves Mercy’s flatmate, the promiscuous devil-may-care gay friend, played by Nicholas Downton-Cooper. Nicholas captures the sexually blithe character of Theo with ease – then the unsure, worried, slightly selfish man concerned at how the world later perceives him. He flip flops this role with the strident, I’m-all-right-Jack delivery of the Not-All-Man character, the polar opposite of Theo’s character in many ways. Flip-flopping between two such opposite characters takes care and skill and Nicholas achieves this seamlessly, aided and abetted by just a pair of spectacles and a yellow shirt in his role changes. Evie Osbon is the directorial genius behind the show and between them all they deliver sixty-eight minutes of gripping, compulsive viewing. It is something everybody should see; the writing is precise, pertinent and pulls no punches.

… This is a conviction rate of less than 2%.

So โ€“ is this a lecture?  Is it entertainment? Are you uncomfortable? Find out for yourself – the show runs until Thursday 10th at Ustinov Studio Bath, and then at the Edinburgh Festival Fringe from August 19th-25th at 12:30 daily at the Bedlam Theatre (Venue 49), 11b Bristol Place EH1 1EZ.

Tickets from www.theatreroyal.org.uk/events/love-you-bye/ (Bath)
                          www.edfringe.com/tickets/whats-on/love-you-bye (Edinburgh)

โ€œMuch Ado About Nothingโ€ at Cleeve House, Seend, July 7th-12th 2025.

By Ian Diddams
Images by Ian Diddams and Shakespeare Live

Is it post watershed? Then I shall beginโ€ฆ  The etymology of the word โ€œNothingโ€ is quiteโ€ฆ  interestingโ€ฆ aside from meaning โ€œzeroโ€ such as is today, historically it has had other meanings and pronunciations including โ€œnoting,โ€ the writing down of musical notesโ€ฆ  and in Shakespeareโ€™s era it had another totally different meaning, that being a slang term for female genitalia. So, with this in mind, Willโ€™s comedy about the pursuit of female companionship and the alleged capriciousness of the distaff members of the human species, โ€œMuch Ado About Nothingโ€ takes on a somewhat slightly different nuance โ€ฆ

Trawling the web for relative popularity of Shakespeareโ€™s plays holds few surprises with regards which gets performed the most etc.  Unsurprisingly maybe โ€œRomeo & Julietโ€, โ€œMacbethโ€ and โ€œMidsummer Nightโ€™s Dreamโ€ feature highest (google is your friend here), and that trend continues with other โ€œobviousโ€ plays until we reach number seven in the list and โ€œMuch Ado About Nothingโ€, his tale of marital pursuit, deceit, jealousy and spurned love that all comes good in the end. The plot of such a Shakespeare standard needs no explanation here and YouTube can easily fill in the blanks for you, and so we move onto the beautiful background of Cleeve House, Seend, for this weekโ€™s performances by โ€œShakespeare Live.โ€

Directed by Gill Morell, her vision has set the play in preโ€“English Civil war times where tensions were rising and familiesโ€™ split along royalist and parliamentarian lines. This is wonderfully portrayed here with the familyโ€™s soldierโ€™s clearly cavaliers, with the opposing Don John and his entourage as parliamentarians. This is perfectly and simply set by some sumptuous costumes revelling in the brightness and pageantry of the Royalists, and the simplistic, wide collared black clothing of the Roundheads. The physical setting is regal too โ€“ with Cleeve House as a backdrop to the stage area we feel we really could be back in time, including use of the houseโ€™s own windows for the bedroom scene.

The entire play of course is premised on spying and eavesdropping โ€“ some for comedic value of course as both Beatrice and Benedick are spoon fed falsehoods as they eavesdrop on the knowing conspirators, but also surreptitious spying in the bedroom scene which in itself is a subterfuge akin to the likes of โ€œOperation Mincemeatโ€. After all, the first casualty of war is truth.

There are three basic groups of characters in Much Ado โ€“ the family, the soldiers, the villagers. The family is portrayed by Alison Paine as a strong Leonata, the matriarch, Jeremy Reece as her brother, Antonio, Sarah Horrex superb as Hero, Leonataโ€™s daughter, the wonderfully tempestuous and feisty niece Beatrice by Phobe Fung, and Kerensa McCondach as Margaret the gentlewoman and erstwhile friend to Hero.

The soldiers are more than well provided by Laurie Parnell as Don Pedro the prince, Peter Emuss as lovestruck Claudio, Oli Beech as Claudioโ€™s best friend and Beatriceโ€™s sparring partner and love-hate interest, Adam Sturges as Balthasar and Napoleon as the sneaky, jealous and conniving Don John, aided and abetted in his fifth column activities by Roger Hames as Borachio and Lucy Perry as Conrad.

That just leaves the villagers made up of the unflappable Simon Reeves as the ย equally unflappable Father Francis, and of course, the best part of the show (personal opinion here! ) the Watch consisting of Paul Batson as Dogberry, Graham Paton as Verges, Penny Clegg as Seacole, Caroline Emuss as Pyke, and David Morrell as Oatcake,

Tech is provided by the ever resourceful Rich Carter, Alex Latham and Ellen Read, the previously mentioned wonderful costumes by Hermione Skrine, Caren Felton, Helen Holliday and Ellen Williamson, Music by Laurie Parnell. This was all kept running smoothly by the dream team of stage management James Dennis and Connor Palmer.

The play finishes with all loose ends neatly tied up and for those that don’t know the plot, no particular spoilers here though following a brief discourse at the eventual wedding scene I was reminded that as Tina Turner once sang… “We Don’t Need another Hero

This is a well delivered rendition of Much Ado in a stunning setting โ€“ it really doesnโ€™t get any better than this. The show runs all week until July 12th, including a Saturday matinee, and tickets are available from https://www.ticketsource.co.uk/shakespearelive

REVIEW โ€“ White Horse Operaโ€™s Cosi Fan Tutte @ Assembly Rooms โ€“ Saturday 21st June 2025

Another Triumph for WHO

Andy Fawthrop

Following the excellent recent production of La Belle Helene at Devizesโ€™ Wharf Theatre back in March (see here), White Horse Opera (WHO) have triumphed yet again by bringing their production of Mozartโ€™s Cosi Fan Tutte to D-Town.ย ย 

Cosรฌ fan tutte is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte (who also wrote Le Nozze di Figaro and Don Giovanni).ย  Cosรฌ fan tutte, literally means “So do they all”, using the feminine plural (tutte) to indicate women. It is usually translated into English as “women are like that”.ย  Weโ€™ll get to that in a minute.

Mozart and Da Ponte used the idea of “fiancรฉe swapping”, which is a recurring theme dating back to at least the 13th century; notable earlier versions are found in Boccaccio’s Decameron, and Shakespeare’s play Cymbeline. Elements from Shakespeare’s The Merchant of Venice and The Taming of the Shrew are also present.  Whilst itโ€™s likely that nowadays weโ€™d see such an idea as somewhat โ€œproblematicalโ€, in opera terms such unacceptable behaviour is seen merely as a comic problem to be resolved with a neat and happy ending.

So it was that White Horse Opera (WHO) brought this sparkling jewel to life last night in the elegant surroundings of the Assembly Room in the Town Hall.  Unlike many operas requiring a large cast, chorus and orchestra, Cosi Fan Tutte can be played with only six singers and a pianist, and this made it a perfect piece to transport into a smaller, intimate atmosphere.  Using a simple backdrop, a few screens and virtually no props, the production was allowed to breathe.  The spoken dialog and the songs (all in English) were straightforward and easy to follow, allowing the comedy to shine through (although there was a helpful synopsis in the programme too).  This minimalist approach, thanks to Lewis Cowenโ€™s staging, and Roland Meliaโ€™s musical direction, kept it all as light as a feather.

All six singers excelled in their roles, and it would be invidious to single any one of them out.  Seriously โ€“ they were all on cracking form. The solos, duets and ensemble pieces were all well-delivered, glittering like jewels in a crown.  And the โ€œseventhโ€ member of the cast, pianist Tony James, who was on-stage throughout every scene in this two-act production, provided exactly the right supportive, yet under-stated, musical platform for the singers to really shine.

I loved this production โ€“ it was a chance to get up close to the stage and the mechanics of the performances, and to chat with the performers during the interval and afterwards.  It was as far as it was possible to be from the โ€œgrand ideaโ€ of opera โ€“ i.e. a big cast production in a large gilded opera house with all the social trimmings and conventions.  It proved, if proof be needed, that such a stripped-back delivery can provide all of the good things about opera, but without the concomitant fripperies.

To take such themes as love, trust, fidelity, deception, betrayal, forgiveness and reconciliation, to say nothing of the supposed โ€œweakness of womenโ€, and the cynical view of Don Alfonso that (to quote someone more contemporary) โ€œif you canโ€™t be with the one you love, then love the one youโ€™re withโ€, and to deliver all this up in less than two and a quarter hours, was no mean feat.  Leaving aside the dubious morality of testing fidelity by swapping girl-friends, using (deliberately risible) disguises, the manipulation if others by the main character, and the portrayal of women as weak characters who simply canโ€™t help themselves, sits uncomfortably with a modern audience.  But, hey, this is comic opera, and you need to join in with the joke.  Yes, itโ€™s all very contrived and very silly, but thatโ€™s how comic opera works.  And you can see exactly where Gilbert & Sullivan were coming from when they unleashed their satirical take on many of these devices.

So โ€“ an absolutely spiffing and hats-off production by WHO.  Sparkling staging and singing, and all completely accessible.  Do go and see them whenever you get chance.  Weโ€™re so lucky to have such a talented outfit working in and around our town.

Bravo!


CAST

Fiordiligiโ€“ Barbara Gompels

Dorabellaโ€“ Paula Boyagis

Guglielmo โ€“ Jon Paget

Ferrando โ€“ Robert Felstead

Despina โ€“Toni Johnstone

Don Alfonso โ€“ Robin Jukes

Musical Director Roland Melia, Stage Director Lewis Cowen, Pianist Tony James

White Horse Opera are based in Devizes and regularly perform operas around Wiltshire and beyond.

Findย  out more HERE


PREVIEW : โ€œThe Mikadoโ€ at The Mission Theatre, Bath, July 22nd-23rd 2025.

by Ian Diddams
images from Jon Lo Photography

Ask the typical man โ€“ or woman –  in the street which Gilbert & Sullivan performances they can name, and you may well receive such answers as โ€œTop Of The Pops, 1972โ€, โ€œMan about the Houseโ€, โ€œCrucible Theatre World Snooker Final 2001โ€ and โ€œWho? What?โ€.  [ Thatโ€™s a bit left field? โ€“ Ed ] . However, amongst the cognoscenti within this theoretical vox-pop, you may find some that do actually understand the questionโ€ฆ  and amongst the more likely answers of โ€œPirates of Penzanceโ€ etc, you may well find somebody suggesting โ€œThe Mikadoโ€.

The Mikado has had some troubles in recent years being staged, as the core principle of Gilbertโ€™s satire being the send up of BRITISH society by utilising an alternative environment which was all the rage in London Society at the time, is confused with patronising that other place. You may disagree with me, which is your prerogative, of course. But whatever the reasons it has become โ€ฆ  uncomfortable โ€ฆ presenting The Mikado as how it was historically performed.

More modern adaptations however have avoided any unnecessary disquiet by setting the operetta in other situations โ€“ Devizes based White Horse Opera staged a highly successful version set in a dystopian country ruled by a despotic dictator akin to a 1970s central American military president just a few years ago โ€ฆ  I know because I was the Mikado! This in itself however is also I believe to be refreshing โ€“ if all such shows (including Shakespeare etc) were always performed in exactly the same manner, aside from Sullivan’s wonderful music they may quickly lose their shine โ€“ seen one, seen them all. Reimagining the background creates new ways of looking at the story, naturally.

So step forward โ€œForbear! Theatreโ€, a London-based professional theatre company known for producing innovative Gilbert and Sullivan shows, and their splendid Terry Pratchett inspired adaptation, performed at The Mission Theatre prior to their transfer to New York. Minimal changes have been made to the text in bringing this fantasy kingdom to life, with the same madcap characters, plot and iconic songs that have been loved for generations. This version of “The Mikado” aims to represent Gilbertโ€™s original intention by being set in an other-worldly, beautiful and dangerous fictional culture; the perfect canvas onto which to paint British flaws. And of course, Sullivanโ€™s sublime and clever โ€“ almost cheeky โ€“ music.

So come and find out for yourself how Gilbert’s characters fare in this Pratchett inspired fantasy world at The Mission Theatre, July 22nd and 23rd ย 2025.ย  After all, others have praised this production to the hilt already

โ€œThey live for their art.ย  And it shows in their show. You could put this production on at the London Coliseumโ€ (*****) – London Theatre 1
โ€œSuperb singing and silly goings on in the land of Tirwuduโ€ย (****) – London Pub Theatres
โ€œRachel Middle has given an old story a beautiful new homeโ€ย (****) – North Westend
โ€œA real triumph from the creative team who have passionately and carefully reimagined this iconic piece of theatrical historyโ€ (****)ย – The Deskbound Dramatic
โ€œBrilliantly subversiveโ€ – Everything Theatre

Tickets from https://www.missiontheatre.co.uk/whats-on/2025/the-mikadoย 

โ€œThe Taming of the Shrewโ€ at the Rondo Theatre, Larkhall, Bath, June 18th-21st 2025.

By Ian Diddams
Images by Josie Mae-Ross and Charlotte Emily

Shakespeare wrote several plays that were termed in the late nineteenth century โ€œProblem Playsโ€. These were some of his works that didnโ€™t easily fall into brackets such as comedy, tragedy or history โ€“ usually covering at least two of those โ€“ but also dealt with uncomfortable social problems. When one looks at the basic plot of โ€œShrewโ€ its difficult with our twenty-first century spectacles on to not include it in this classification. Unadulterated misogyny, gas lighting, and mental and physical abuse within marriage are not viewed as comedic obviously โ€ฆย  yet โ€œShrewโ€ is universally billed as a comedy. The Rondo Theatre Company this week, however, sets to reflect these non-contemporary themes in a gender bent performance to highlight the inequalities and oddities of Shakespeareโ€™s script.

It’s also a somewhat sumptuous treat โ€“ costumes (Harriet Hazelwood-Rose) are sublime with a red velvet theme running throughout, and the set whilst a very typical black box for Shakespeare nevertheless encompasses a balcony/second tier, an exciting addition at the Rondo.

Director Jazz Hazelwood-Rose had long planned this version of โ€œShrewโ€, using this gender-queered approach to (in their own words) โ€œโ€ฆ examine how Shakespeareโ€™s โ€˜comedyโ€™ has a darker side that highlights how the gendered language we use affects how we see each other and interact with the world โ€ฆโ€. That this is done so sublimely well is testimony to their vision, and the quality of the cast; very quickly the male v female โ€œbattle of the sexesโ€ is forgotten, and the tale of bigotry and oppression just shines through. Alex Oliviere is simply phenomenal in her role as cock-sure (no pun intended!) Petruchio, wonderfully mirrored by initially surly and increasingly demure Toby Skelton as Katherine. Their stage chemistry builds throughout the play signifying not only Katherineโ€™s submission to her husbands will, but also Petruchioโ€™s adoration for her.

More than ably supporting them are Alana Wright as Hortensio, Megan Robertson as Lucentio, Charly Nehan as Tranio, Helen Taylor as Baptista, Yvonne Pauley as Gremio, and Charlotte Howard as Vincentio, to complete the female/male flips. Freddie Oliviere-Davies as Bianca performs the reverse Kate as it were, all light and softness โ€“ until married of course. Chris Constantine as Biondello and Matt Nation as Grumio follow a traditional casting, and both provide strong characterisation as Lucentio and Petruchioโ€™s servants respectively, Matt Nation especially in an almost slapstick, court fool role. Teasel Howell, Will Prins, Sophie Turner, Ed Hodgkinson, and Moray Macdonald complete the cast as various servants, merchants, tailor, and rich widower.

The set as previously mentioned uses a two-level approach which is used very effectively โ€“ Geoff Rennie step forward for your design and implementation. Alex Latham provides the usual excellent โ€œTechnical Wizardryโ€ and Steph Hazell and George Fletcher keep the whole thing running seamlessly as stage management.

In a time now where the main plot contains universally unacceptable traits โ€“ clearly more acceptable four hundred years ago โ€“ The Rondoโ€™s production handles the subject matter with care and respect. This may not be a โ€œproblem playโ€ by the usual definitions, but the jarring aspects of Petruchioโ€™s โ€œkilling through kindnessโ€ are laid bare all the more through the gender queered approach.

โ€œThe Taming of the Shrewโ€ is showing at the Rondo Theatre, Larkhall, Bath until Saturday 21st June, and is a perfect opportunity to see a lesser performed play from the canonโ€ฆย  and if you arenโ€™t that sure of the background plots in particular, you would do well, in advance, to โ€œBrush Up Your Shakespeareโ€ โ€ฆย 

Tickets from https://www.ticketsource.co.uk/whats-on/bath/rondo-theatre/the-taming-of-the-shrew/e-moayov



โ€œThe Last Actโ€, Devizes Arts Festival at The Wharf Theatre, June 4th and 5th 2025

by Ian Diddams
images by Ian Diddams and from Devizes Arts Festival

The pea souper smog swirls in the dark. A small light illuminates a bare room โ€“ hatstand bare but for a bowler hat, chair, side table with various bric-a-brac. A rug. Music plays in the distance. London, 1916. And The Wharf Theatre stage, 2025โ€ฆย  the lights drop to darknessโ€ฆย  and the show begins.

Such is the picture provided at the outset of โ€œThe Last Actโ€ by David Stuart Davies, on the first of two nightsโ€™ shows brought to us by Devizes Arts Festival, performed at The Wharf Theatre, Devizes by Fringe Management. A ninety-minute single hander performance by Nigel Miles-Thomas, directed by Gareth Armstrong, providing a potted history of the lives of Sherlock Holes, โ€œConsulting Detectiveโ€, and Dr. John H. Watson โ€“ formerly of the parish of Marylebone.

Nigel plays Holmes, of course, and also Watsonโ€ฆย  but into that also covers Inspector Lestrade, Stamford, Mrs. Hudson, Inspector Hopkins andโ€ฆย  arch enemy Professor James Moriarty.ย  This potted history, or timeline of Holmes and Watsonโ€™s friendship begins at the occasion of Watsonโ€™s funeral, followed by Holmesโ€™ recollections of their partnership marked by key stories in the Sherlock Holmes case history; โ€œThe Adventure of Abbey Grangeโ€, โ€œThe Speckled Bandโ€, โ€œThe Final Problemโ€, โ€œThe Hound of the Baskervillesโ€ and โ€œHis Last Bowโ€. Nigelโ€™s delivery skips nary a beat as his voice changes and facial expressions per character float in and out seamlessly from Holmesโ€™ character as the carefully woven tale even foreshadows itself. We gain an insight into Sherlockโ€™s childhood and brotherly relationship, of his mother and father mirroring the Abbey Grange lead characters, and his fatherโ€™s death mirroring in portrayal that of Moriartyโ€™s. A description of the wind โ€“ โ€œ…ย  cried and sobbed like a child in the chimneyโ€ is used both in Holmesโ€™ praise of Watsonโ€™s descriptive writing and that of his family home.

It is a story ultimately of loneliness and love โ€“ Holmesโ€™ solitary lifestyle – but also his attachment to his brother, but especially Watson. And a story written with affection for Conan Doylesโ€™ character, delivered with care by Nigel Miles-Thomas, packaged with fondness by director Gareth Armstrong. Truly a “Last Act” with love for the subject.

The Thursday 5th June performance of โ€œThe Last Actโ€ is already sold out, but Devizes Arts Festival continues until Sunday 15th June with a wide range of differing genres and arts to enjoy, with tickets just still available. To see what is available and tickets, browse https://www.devizesartsfestival.org.uk/events/

โ€œSweeney Toddโ€ at St. Augustineโ€™s Catholic College, Trowbridge May 28th-31st

by Ian Diddams
images by Chris Watkins

Performing Sondheim isnโ€™t the simplest of tasks. Or, rather, singing Sondheim isnโ€™t the simplest of tasks. With his dissonant music, off the beat lyrics and constant interchanges of charactersโ€™ lines in songs it takes a lot of practise, a good ear, and huge concentration to meet Sondheimโ€™s demands. Many companies avoid his shows for exactly that reason โ€“ and understandably so being fair to them. So itโ€™s an arguably brave company that goes with that direction โ€“ and congratulations must go to Trowbridge Musical Theatre (TMT) for pulling it off so well.

Many of you will have seen Johnny Depp and Helena Bonham Carter in Tim Burtonโ€™s 2007 film, but here was the full stage musical in all its gory glory, the tale of a falsely accused ex-convict turning revenge  on those that framed and convicted him allied to a little bit of pie-making on the side.

The set built all but overnight by Bernice Hudson and her crew works really well with pie shop stage left and Toddโ€™s barberโ€™s shop above at mid-level. Stage right is the Judgeโ€™s house, with roof garden, the intervening space representing Fleet Street. The set crew have created a three-level space as a result and full kudos to them and Lyn Taylorโ€™s fine eye as director for providing such a visual treat so well utilised constantly drawing our eyes up, down, left, and right. More visual treats in store are the costumes, provided by Sandra Tucker and her team, really hitting the mid-nineteenth century vibe to fully set the tone, and special mention must be made of the work put into hair styling and wigs by Sarah Davies and Lauren Hamblett. Completing the triumvirate is of course the tech team of Jon Lewthwaite, Alex Jacobs and Tony Bonner bringing moody lighting and eerie sound effects expertly. Supporting these creatives was choreographer Daisy Woodruffe and dance captain Hannah Symonds keeping the ensemble moving sinuously during their street scenes, and in perfect unison in the bar scene! All ably assisted โ€“ as ever โ€“ by Team R-H of Nicky, Cameron, and Connor Runyard-Hunt back together again for this show with Stu Langford, Pete Grant, and Steve Riddle who between them lugged furniture and a huge meat grinder as well as other sundry items on and off stage. And Chris Isaacson as stage manager keeping it all under control at the back!

That of course leaves the thirteen strong orchestra led by Musical Director Samuel Warner performing the crazy Sondheim music with strong and emphatic delivery.

Any show is only as strong as its ensemble and this showโ€™s sixteen strong group kept the show moving along nicely with their choreographed street and bar scenes and constant interactions with each other, as well as providing a bird seller, policemen and grave diggers. Special mention is worthy for Claire Warner, Emily Lawes and Hannah Symonds who performed a typically complex Sondheim trio perfectly, and the entire ensembleโ€™s playing of inmates of Bedlam asylum!

It is the principals of course that take the limelight in any show and drive the story along, and TMT have been blessed with a very strong line-up for this show. The minor principals especially supported the main principals well. Caroline Murray as the beggar woman was deliciously wonderful as the annoying, crazy, old hag and Katy Pattinson shone in her quasi principal-boy role as Tobias Ragg the semi-adopted pie making apprentice who grows from timid shyness to cheeky confidence. Matt Wisener with only two weeks to pick the role of Beadle up, and Andrew Curtis as Judge Turpin provided the corrupt underbelly of authority. Never to be underplayed, the evergreen and versatile excellence of Paul West was once again to the fore as the charlatan barber Adolfo Pirelli, while Alan Rutland played the sleezy, corrupt asylum keeper Jonas Fogg.

Noah Heard as Anthony Hope and Amy Emberson as Johanna provide the showโ€™s love interest as Toddโ€™s fellow sailor colleague and daughter respectively โ€“ both with clear, strong and lovely voices and an on-stage chemistry as erstwhile lovers.

Chris Howlett delivers the serial killer Sweeney Todd to perfection โ€ฆย  moody, dark, surly, momentarily relaxed once the money is coming in, then finally distraught. Excellently portrayed. And of course, Michelle Hole as Mrs Lovett. Her stage presence was immense, always engaging, with strong voice and great characterisation.

There is however one absolute star of this show. Itโ€™s usually unfair to pick a star in a show where everybody has put their blood, sweat and even tears into but it is only right and proper in this performance to announce the standout part is most definitely โ€ฆ The chair! A fully working, depositor of Toddโ€™s victims to Mrs Lovettโ€™s bakehouse complete with handle and trap door. Absolutely Brilliant! Worth the ticket price alone!



โ€œSweeney Toddโ€ plays at St. Augustineโ€™s Catholic College, Trowbridge from May 28th to 31st.

Tickets from https://trowbridgemusicaltheatre.co.uk/tickets

Theatre Review: Everybodyโ€™s Talking About Jamie by Devizes Music Academy

An effervescent musical, full of promising young talent

Written by: Melissa Loveday

Images by: Gail Foster

After the success of SIX last year, Devizes Music Academy is beginning to make a name for itself with its second musical production, Everybodyโ€™s Talking About Jamie, which featured two electrifying performances on 19th April at Devizes Schoolโ€ฆ.

And wow! What an incredible show it was! Bringing this musical sensation to life โ€“ including Northern accents, multiple set and costume changes and complex dance numbers โ€“ was ambitious. Yet after only a week of rehearsals, 23 talented young performers, aged just 13 to 18, poured their hearts and souls into a performance that was dynamic, professional and full of impressive talent. It had heart, humour and heels so high I wouldnโ€™t be able to walk in them, let alone dance!

Everybody’s Talking About Jamie

From the opening scene, it was packed with raucous energy and perfectly delivered sass that immediately transported us to a gritty Sheffield comprehensive, where Year 11s contend with the wonderful and frightening possibilities that lie ahead of each of them. Jamie New, an openly gay 16-year-old who dreams of becoming a drag queen, was instantly likeable as he and the rest of the cast swept us into his pop-fantastic daydream โ€˜And You Donโ€™t Even Know Itโ€™.

Everybody’s Talking About Jamie

Inspired by the BBC Three documentary Jamie: Drag Queen at 16, Everybodyโ€™s Talking About Jamie was written by Tom MaCrae with music by Dan Gillespie Sells, from an idea by Jonathan Butterell. First produced by Sheffield Theatres, the show took Londonโ€™s West End by storm in late 2017 and has brought infectious joy to audiences ever since.  

Everybody’s Talking About Jamie

But this is a story about more than a boy wanting to wear a dress. Itโ€™s a multi-layered tale of family and friendship, and having the courage to step into the person you were always meant to be. Set in a working-class area of South Yorkshire, England, the story is grounded in a world thatโ€™s relatable, keeping it from becoming overly sentimental. Instead, it feels edgy and vibrant, whilst not shying away from the struggles individual characters face.  

What made this amateur โ€˜Teen Editionโ€™ so special was the thrill of watching real teenagers bring these teen characters to life. Under Jemma Brownโ€™s expert direction, with vocal coaching by Teresa Isaacson and choreography by Sarah Davies, the cast delivered a level of talent that could easily hold its own on a West End stage.

Everybody’s Talking About Jamie

The whole ensemble was brilliantly cast, with every member delivering a believable storyline through genuine and multi-dimensional acting, powerful vocals and sharp choreography.

Jacob Leggett was made to play Jamie. At just 15, he brought the perfect mix of camp charisma and youthful innocence to the role, whilst also capturing Jamieโ€™s wit, cheekiness and vulnerability. His rendition of โ€˜Wall In My Headโ€™ was captivating, building beautifully into an emotional crescendo that gave me chills!  

Everybody’s Talking About Jamie

Meanwhile, Ruby Phipps gave Pritti, Jamieโ€™s loyal, studious best friend, a quietly headstrong presence. Her solo โ€˜Beautifulโ€™ was sung with elegant control, allowing each phrase the space and diction needed to feel both precise and spontaneous. Although she and other cast members werenโ€™t Muslim, the production honoured the spirit of diversity by respectfully representing the Muslim community, complete with hijabs.

As a parent, I was moved by Lisa Grimeโ€™s portrayal of Jamieโ€™s mum, Margaret, especially her song โ€˜Heโ€™s My Boyโ€™. It was heartfelt and mature, with excellent vocal range, and had me reflecting on the bittersweet truth that while we strive to shield our children from pain, life will inevitably hurt them, and yet we thrive on seeing them live authentically. Our children, in all their brilliance and vulnerability, are our greatest accomplishments.

Everybody’s Talking About Jamie

Another standout came from Cory White, who doubled as the school bully and Jamieโ€™s dad, whoโ€™s harsh lines stung, but showed subtle remorse that added depth to his characterisation.

Ted Maughan was commanding as Hugo and playful as Loco Chanelle, offering a refreshing contrast with his confident spoken-word delivery style and lively American accent.

Everybody’s Talking About Jamie

The set design was simple but effective, with props such as a balloon arch for the prom scene creating a party feel. Transitions between classroom, kitchen, bus stop and prom seemed to happen as if by magic, enhanced by effective lighting and seamless costume changes, from school uniforms to dazzling prom gowns. The spotlight reveal of Jamieโ€™s red dress was especially powerful, leaving the audience wanting more.

Dynamic choreography and colourful harmonies elevated the production, from coordinated group numbers to breakout moments allowing individual characters to shine. Particularly memorable was the schoolgirls’ clapping routine in โ€˜Spotlightโ€™, reminding us of the charactersโ€™ young age, while a dance duet between Cory White and Chloe Whitcombe during Margaretโ€™s โ€˜If I Met Myself Againโ€™ added a poignant, dreamlike quality to the song. But I especially loved the title number โ€˜Everybodyโ€™s Talking About Jamieโ€™, which kicked off Act II, with its excited, gossipy feel, as multiple characters bounced their individual lines off each other before erupting into an energetic and synchronised dance sequence that had the whole room buzzing!

Everybody’s Talking About Jamie

Itโ€™s genuinely hard to believe this was amateur musical theatre. The level of professionalism, emotional authenticity and pure talent displayed by every single cast member absolutely blew me away. These young performers truly brought a little bit of glitter to the grey.

With so much promising young talent on our doorstep, it begs the question: whatโ€™s next Devizes Music Academy? Whatever it is, I canโ€™t wait!

You can catch an abridged version of Everybodyโ€™s Talking About Jamie at the Fulltone Festival, The Green, Devizes, on Friday 25 July. For tickets, visit www.fto.org.uk


Beauty & the Beast; Devizes Musical Theatre at its Best

It was a fantastically successful opening night for Devizes Musical Theatre at Dauntseyโ€™s School for their latest show, Disneyโ€™s Beauty and the Beast, and I returned home still singing Be My Guest and Gaston; they’re still stuck in my head now truth be told, and I’m not usually one for musicals!

Remaining faithful to Disneyโ€™s 1991 adaption of the French fairy tale by Barbot de Villeneuve, widely regarded as one of the greatest animated films of all time, new director Georgia Watson and the entire team at Devizes Musical Theatre pulled out all the stops last night; amateur dramatics has never been this good, surely?!

Already clued up on the plot, as my daughter had a โ€œthingโ€ for the film when little, didn’t prevent me thoroughly enjoying this show, rather itโ€™s likely it aided it; familiarity transformed from film to stage is kingpin to a universally welcomed musical, which this is. Aside from the stellar performances, it was arduously and thoughtfully produced with attention to detail, especially the costume design; they were brilliant. Easy for a cartoonist, but how do you recreate inanimate objects such as a clock and teapot as characters on stage, I wondered beforehand, but not now!

And in this, commendations in particular go to Tia Shafee and Oli Beech, also Sarah Williams, Natalie Angus and Claire Abraham, all for adding those comical elements as candlesticks, clocks and teapots. Yet it was up to Georgia Saunders to add the sparkle, as the compassionate bookworm protagonist Belle, and her relationships with Samuel Phillis as the troubled Beast, Gareth Lloyd as the bawdy egomaniac Gaston, and Graham Day portraying her troubled inventor father, all of which were played confidently and rapturously.ย ย 

Interactions between Gareth and his literal sidekick LeFou, played with camp hilarity by Adam Sturges were comedy gold, as was the โ€œsilly girlsโ€ fighting for Gastonโ€™s affections, Georgia Claridge, Mimi Martin, Laura Bartle, and Bronwyn Hall. With special shout to Pip Emm who was last nightโ€™s Chip, a role which takes on a different young actor each performance, everyone on that stage looked to be loving the spotlight and this enthusiasm shone through, reflecting back off the audience in awe.

It never fails to amaze me how much work and effort goes into Devizes Musical Theatreโ€™s shows, and how professional they are. Beauty & The Beast runs until Saturday 5th April, with a matinee performance on the final Saturday. Ticket holders are in for a real treat, anyone looking for a ticket should act fast as the last rose petal is about to drop; last look there were some left for tonight, the rest is already sold out. At ยฃ16 a pop, youโ€™d pay more at the bar in a West End theatre for a glass of fizzy pop, or for parking.


Trending…..

St John’s Choir Christmas Concert in Devizes

Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโ€ฆ

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s moreโ€ฆ

Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โ€ฆ

โ€œBlood Brothersโ€ at The Mission Theatre, Bath, March 27th-30th 2025

by Ian Diddams
images by Ann Ellison.

What can possibly be better than watching a performance of โ€œBlood Brothersโ€ by Willy Russell?  Watching TWO performances of โ€œBlood Brothersโ€ by Willy Russell of course!  Next Stage Youth performed their dress rehearsals at The Mission Theatre last night, and with two casts we were treated to both of them in action.

The story-line of โ€œBlood Brothersโ€ is easily findable on the web if required, so I won’t bore you with it here, but Next Stage Youth deliver a stripped back โ€“ but by no means lesser for it โ€“ version of the musical. With most of the songs trimmed out to create a fast paced, bare boned, breathless ย ninety minute production, the audience is kept fully engaged as the tale of twins separated at birth (sound familar?) takes us from city to country, working to middle class, struggles.

The set matches this approach โ€“ in the round, bare floor with clever use of eight hinged lidded boxes as prop containers, chairs, windows and walls and the actors do the rest. Clever tech from Kris Nuttal, Alex Tarasevych and Rowan Bendle, with choreography by Hayley Fitton-Cook and wardrobe by Vanessa Bishop paints all the pictures our minds need for this tale of friendship, jealousy, social extremes and madness. Voice coaches Kay Francksen and John Matthews deserve credit too for taking what are a group of West Country youth and getting them to deliver decently passable Scouse accents ๐Ÿ˜Š

Principals are split between the two casts but the ensemble for both remains the same four core actors, a huge kudos to their abilities despite their young ages. Iโ€™ll wrap up with the cast lists at the end of this review, but it is more that fair to say all the casts show passion and no little assurance in delivering their characterisations as separated twins raised each side of the tracks (sound familiar?), their mothers, best friend and the wonderful narrators (more of them later!). It would be unfair to pick any of these principles out for any more praise that others but I will say I had the pleasure of seeing two generations of the Chivers family perform in two nights in two different shows and the dynasty forming is clear! Also Dilys Hughes deserves a mention as itโ€™s the second time Iโ€™ve had the privilege of seeing her act after her appearance in โ€œJerusalemโ€ recently.

The pairings of Mrs Johnston and Micky were spot on. Both the Eddieโ€™s almost stole the show. The pair of Lindas broke all our hearts as the devoted girlfriends of both twins, while both Mrs Lyons craft the characterโ€™s descent into madness superbly – sound familiar?. And the Narrators excel in both casts, including the siblings Gully and Edith Kuenzler playing opposite each other. And another mention to the pairs of twins which are devoted to each other until Micky rejects Eddie and his best friend becomes his enemy โ€“ sound familiar?

This just leaves my appreciation of the director Ann Ellison. The stripped back show she has developed really works but itโ€™s the little touches that really shine. The narrators appear as marionette puppeteers, controlling the characters as the story unfoldsโ€ฆ.  Sound familiar?

So those allusions of familiarity?  Well, four hundred years is a LONG time in theatreโ€ฆ  but what stood out to me again and again were the parallels in the story and developed by Ann just shout Shakespeare to me. We have twins separated at birth ( Comedy of Errors, Twelfth Night) but the clear parallels are with Macbethโ€ฆ  where Eddie is Banquo and Mickey is Macbeth in their friendship story arc, Mrs Lyons is Lady Macbeth in her descent into madness, and brilliance of brilliance the marionette puppeteers controlling the destiny of the characters are the Witches. Sublime. Goosebumps.

The play itself encompasses so much; itโ€™s a story of superstitions โ€“ shoes on tables, a single magpie, prophecies of separated twins. Foreshadowing of the twins eventual demise with the use of a particular implement throughout Mickeyโ€™s personal timeline. And almost biblical allusions to two mothers โ€“ one mother giveth, the other taketh away. And Russell โ€“ and Next Stage Youth โ€“ leave us with existential queriesโ€ฆ  is Eddie patronising? Is Mickey ungrateful? Had Mrs Lyons selected the other twin would the story have ended the same โ€“ nature versus nurture? And overall it is a play that presents a very downbeat view of married life from both ends of the socio-economic spectrum, wonderfully portrayed by these young actors.

โ€œBlood Brothersโ€ is showing this week Thursday 27th March to Sunday 30th March at 19:30 with matinees at 14:00 Saturday and Sunday



Tickets from https://www.missiontheatre.co.uk/tickets?category=Blood Brothers

โ€œFlatpackโ€ at The Rondo Theatre, Larkhall, Bath, March 26th-29th 2025.

by Ian Diddams
images by Josie Mae Ross and Richard Fletcher

John Hodge is well known for his screenwriting of โ€œShallow Graveโ€, โ€œThe Beachโ€, โ€œA Life Less Ordinaryโ€ and โ€œTrainspottingโ€, as well as plays such as โ€œCollaboratorsโ€ which played at the Rondo Theatre last June. This week sees his latest play โ€œFlatpackโ€ appear at the same theatre with the same company, RTC, in a world premiere.

Director of โ€œFlatpackโ€, and โ€œCollaboratorsโ€ last June, Matt Nation says โ€œI directed Collaborators at the Rondo last year. It went very well, and John was kind enough to support the production. So when we jokingly asked him if he had any more scripts up his sleeves โ€“ we werenโ€™t really expecting him to say yes. But here we are โ€“ a brand-new John Hodge playโ€.  And John himself says โ€œWatching ‘Flatpack’ come alive for the first time has been a privilege and a great experienceโ€.

But enough of the show’s program’s plagiarism as review padding! โ€œFlatpackโ€ centres on a young married couple David (Richard Chivers) and Hannah (Naomi Miller) who buy a run down flat with excellent views of the railway, who have best friends Fiona (Sophie Kerr) and Tom (Rob Finlay). The flat is sold by an estate agent Philip (Jon Thrower), and this is all more than ably supported by an unnamed police detective (Andy Fletcher), equally unnamed doctor (Verity Neeves) and kitchen designer and wannabe artist Ryan (Toby Farrow). Davidโ€™s life is thrown into disarray when he received not a death threat but a death announcement โ€“ June 27th 2025 is his final day of life. His increasing fixation with his impending death somewhat glosses over his relationship with Hannah, who falls for the charms of another, and his volun-selected triathlon training. Not to mention him succumbing to a femme fatale herself finding the idea of his approaching alleged death erotic. The detective provides a narration/ Greek chorus role piecing the story arc together and used as a MacGuffin to tie up plot lines. David returns again and again to the Doctor, who themself flits between altruism, greed and compassion with his story-line. Ryan is an over confident kitchen designer feeding his own internal lack of self esteem aching for an alternative life to which he was never suited, and finally the estate agent is one of those annoying characters in life that you can never seem to get rid of and you are never really sure why they are there โ€“ we all know the type.

The writing is unsurprisingly absolutely superb. The story arc moves smoothly with no fat, incorporating clever โ€“ nay brilliant! โ€“ time line and intra-scene flips to create a seamless transition from the โ€œnowโ€ to the future and back again at all times explaining and developing David and Hannahโ€™s relationships. I particularly liked John Hodgeโ€™s little homage  to his own play โ€œCollaboratorsโ€  with a  tiny reference to an unseen and barely mentioned work colleague of Davidโ€™s with regard to the unforeseen effects of a rashly invented suggestion..  The set (Production team, Yvonne Paulley, Alex Oliviere and cast)  is simple but highly effective โ€“ itself used as the flatโ€™s front room, cafes, restaurant, wine bar, friendโ€™s dining room, street corner, doctorโ€™s surgery, garret flat, police station and a bathroom all created impeccably with a sofa, armchair, dining table, a kitchen unit, street lamp and a hidden boudoir. Not to forget either the as ever excellent tech provision by Alex Latham all held together by stage management from Alana Wright and Maria Finlay. A mention must also go out to the costumes โ€“ which at least for Fiona were simply stunning, and for Tom an intriguing  stream on a set of shirtsโ€ฆ  the cast all provided their own wardrobe and it proved to be a superb directorial touch.

The casting was simply perfect. The characterisation just exquisite. Not a single weak part โ€“ testimony to great writing, great acting, great direction. Richard Chivers excelled as the uncertain, distracted and overwrought David as his life begins to unravel around him as his fixation with flatpack kitchens increases. The connections are provided in the play itself but the analogies of his marriage and a uncompleted kitchen unit combined ย with the juxtaposition of his social entropy ย and kitchen improvements are clear and the perfect holistic encompassing of the overall story. Naomi Miller as Hannah was as sweet and loving as a wife can be but we see the cracks in their marriage early on and her falling for the louche charms of Toby Farrowโ€™s Ryan is a natural result of Davidโ€™s loss of focus on her; Ryan is wonderfully cringy and hilarious in turn.

Sophie Kerrโ€™s Fiona and Rob Finlayโ€™s Tom as their best friends are wonderfully awful. Self-centred to a tee, their portrayal of a couple blundering through life as social panzers is hilarious.  Tom is obsessed with triathlon and promotion, bung full of toxic masculinity and without an empathetic bone in his body. Fiona as catty as can be,  happy to see those around her fail – and never more excited (and jealous) of othersโ€™ misfortunes. Verity Neeves as the doctor shows great skills in presenting youthful compassion, with personal greed but eventually shows her caring side at one time being the only person that actually sees David for what he is going through and has become.

The estate agent, Philip, played by Jon Thrower does a great job of being the spare part in the whole play โ€“ the annoying character that keeps turning up for no real reason, not particularly impressive as an estate agentโ€ฆ  so why does he keep getting in the way of Davidโ€™s life?

That just leaves the Detective played by Andy Fletcher. Andy does a phenomenal job โ€“ as mentioned before Greek chorus and MacGuffin combined. And a harmonica player to boot as well as a handy publisher of useful kitchen safety tips…

Overall a wonderful world premiere to get to see. How lucky are we all to have such a chance to see this at a community theatre performed by such an adept company with such great writing.


So does David actually die on July 27th 2025?ย  Far be it for me to spoil the ending – thereโ€™s one way to find out though!

โ€œFlatpackโ€ shows from March 26th to 29th at 1930 at the Rondo Theatre, Larkhall, Bath.

Tickets from https://www.ticketsource.co.uk/whats-on/bath/rondo-theatre/flatpack/e-vkmvkq

Last Few Tickets for Devizes Festival of Winter Ales This Saturday!

There are only a few tickets left for this yearโ€™s Devizes Festival of Winter Ales, an important fundraiser for DOCAโ€ฆ..

This year DOCA has teamed up with the Southgate Inn, who have provided a fantastic selection of thirty ales and ciders, there are pies from Padfield Porkies and sausage rolls from Pig in the Middle.

Saturday 15th February 2025, is the date, at Devizes Corn Exchange. Thereโ€™s an Early Session โ€“ 11am โ€“ 5pm and a Late Session โ€“ 5:30pm โ€“ 11pm.

This year they welcome Glorious Productions, who are excited to bring a taste of their legendary Social Club Cabaret to the Festival of Winter Ales. While you sip your ales and relax they provide comedy, skills and the unexpected! Compere โ€“ Goldie Fiasco, Cabaret โ€“ Jon Udry and Jude Elizabeth. And Vince Bell and Adam Woodhouse play the early session, while Burn the Midnight Oil and Junkyard Dogs take the later session.

New for 2025: based on attendee feedback, there will be a slight difference between the 2 sessions this year. Both sessions will have the same great selection of beers, alongside brilliant entertainment from bands and cabaret. However, the Early Session (11am โ€“ 5pm) will be slightly more low-key for entertainment, geared more towards those who are mostly interested in beer tasting. The Late Session (5:30pm โ€“ 11pm) will be slightly more entertainment focussed for those looking for a buzzier vibe alongside their beer.

This is a fundraising event to help meet the costs of DOCAโ€™s free annual programme of outdoor arts events and activities, including the Street Festival, Confetti Battle, Carnival, Winter Festival and Lantern Parade.

Tickets are ยฃ13 and include your first pint free, and a souvenir glass if you want to take it home.

The Festival of Winter Ales is an 18+ event. The layout will be similar to 2024 with some seating, and some standing. If you require a seat for accessibility reasons, please contact DOCA at info@docadevizes.org.uk

More information on the Winter Ales entertainmentโ€ฆ

Goldie Fiasco โ€“ This yearโ€™s Festival of Winter Ales will be compered by the โ€˜wonderfully bonkers and totally endearing!โ€™  Goldie Fiasco. Goldie is a veteran performer with thousands of shows under her belt including โ€“ Glastonbury Festival Circus Big Top, Edinburgh Fringe, The Social Club Cabaret, Bestival, Shambala, Komedia, and Main Stage Redfest. She will preside over a smorgasbord of delectable entertainment for your delight. Sit back and enjoy the ride.

Jon Udry โ€“ There are jugglers. There are comedians. And there is Jon Udry. Jon combines the two to such a brilliant effect that his unique performance has his audience roaring with laughter from entrance to the final curtain. Formerly the British Young Juggler Of The Year and New Act of the Year Finalist 2018, Jonโ€™s skills and stage persona have brought his show onto various television and radio shows, as well as being a regular on the bill at prestigious festivals like Glastonbury. 

Jon travels internationally, working on a host of luxury cruise lines, at festivals and events, and โ€“ due to his unique comedy style โ€“ his show is also at home on the domestic comedy club circuit. Jonโ€™s repertoire is not the normal type of speciality act โ€“ instead, itโ€™s young, offbeat, quirky and hugely impressive. His current show โ€˜Jon Udry Punches Gravity in the Faceโ€™ is quickly becoming his most successful to date with a host of bookings around the UK, Europe and beyond. 

Jude Elizabeth โ€“ Jude trained as a professional ballet dancer but turned to Circus over a decade ago specialising in Aerial arts and Handbalance. Now internationally renowned, she has performed alongside Hugh Jackman at The Brit Awards, performed for the Royals and at some of the most prestigious venues in the world.  We look forward to bringing her exceptional talent and elegance to our stage.

Vince Bell โ€“ A talented singer-songwriter based in Devizes, Vince Bell is a prominent figure in the local music scene. Known for pouring raw emotion into his songwriting, he creates deeply personal yet universally relatable songs. His music is meticulously crafted and delivered with a captivating sincerity, showcasing his artistry and passion. Drawing inspiration from a diverse range of influences, including the likes of John Martyn, Pink Floyd, Bruce Springsteen, and Richard Thompson, Vinceโ€™s sound is both unique and richly textured, resonating with audiences on a profound level.

Adam Woodhouse โ€“ Guitarist and singer, Adam Woodhouse has a love of country, blues and folk music. As a solo acoustic performer, these influences are always apparent, no matter what musical genre he is playing. Adam covers a wide range of music from across the decades, bringing his own style, vibe and humour to a collection of well-known hits.

Burn the Midnight Oil โ€“ are a powerhouse trio that skim the surface of blues, country, folk, rock and pop with an all-original repertoire.

Junkyard Dogs โ€“ Junkyard Dogs are a group of seasoned musicians with a shared love of Blues and goodtime Rock & Roll. Donโ€™t forget your dancing shoes and let the good times roll!


Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this year looks positively booming with music events. This weekend alone looks hotter for events than it will probably be climate wise!

Leading us up to the start of the month, Swindon Shuffleโ€™s new wintery thang SwinterFest is covering days all this coming weekend from Thursday and onto the 1st and 2nd; Saturday is at the Castle, Sunday at the Beehive, check the poster for the fantastic lineup. Another amazing fundraiser for Prospect House.

Thursday 3oth Jan

Also in Swindon find Ian Barrett Band with Bare Knuckle Asylum and Tiddles the Hellcat at The Vic. Ignacio Lopez at Swindon Arts Centre, and Jack Deeโ€™s Small World at The Wyvern Theatre.

New Writing Night at The Rondo Theatre, Bath, and Tom Jonesโ€™ favourite singer Mim Grey is at Chapel Arts.

Follow Comedy Club at  Qudos in Salisbury, Alistair McGowan at Salisbury Playhouse, and Limehouse Lizzy at Salisbury Arts Centre.


Friday 31st Jan

Jamie Hawkins is at The Bridge in Horton. The Tipsy Gypsies are at The Royal Oak in Pewsey.

The Blunders are at the Pump in Trowbridge, with The Lindup Brothers & Hometown Devilry. Morphew School of Dance presents A Wish Come True at the Civic Centre.

As well as SwinterFest, Last Train Smokinโ€™ are at The Beehive, Swindon. Dr Jekyll & Mr Hyde at Swindon Arts Centre,and Cirque Enchantment at The Wyvern Theatre.

Stable at The Rondo Theatre, Bath.

Lucy Loves Liquor at the Coach and Horses in Salisbury. Diamond Froggs at Deacons, andย Barnstormers Comedy atย  Salisbury Arts Centre. Salisbury Playhouse has Thatโ€™ll Be The Day.ย ย ย 

Sound of the Sirens at The Tree House in Frome. Dire Streets at The Cheese & Grain.


Saturday 1st

Falls on Deaf Ears at the Southgate in Devizes, and thereโ€™s a Long Street Blues Club night at the Cons Club with The John Martin Project. Devizes Scooter Club promises a soul, Motown, ska and reggae DJ night at the Football Club, and Mr M & The Original PJ have a soul night also, at the Bear Hotel. DJ Karl Maggs playing club hits at the Exchange.

Bodge It & Scarper at The Bear, Marlborough, Jam Night at The Barge, HoneyStreet.

Three upcoming local DJs, ET Tronic, FLAM and Artoid play a Future Sound of Trowbridge night at The Pump, while Junkyard Dogs are at the host pub, The Lamb. Morphew School of Dance presents A Wish Come True, a matinee at the Trowbridge Civic Centre.

Dโ€™ Ska Assassins are at Prestbury Sports Bar in Warminster.

Mustard Allegro at The Three Horseshoes, Bradford-on-Avon. Colin Hoult: Colin at The Rondo Theatre, Bath.

As well as Swinterfest in Swindon, Mojo plays The Swiss Chalet, Still Marillion at The Vic, and Peter Andre stars in The Best Of Frankie Valli at The Wyvern Theatre!

Thereโ€™s a Winter FiggleFest at Figheldean Village Hall. Jetpack at The Ram, Tidworth.

Wiltshire Creative Comedy Club with Lucy Beaumont at Salisbury Playhouse. Sarumโ€™s Lot at Qudos. Lucas Hardy, Rosie Jay and Rich Butcher at The Avon Brewery Inn Salisbury and Graffiti Classics: The Comedy String Quartet at Salisbury Arts Centre.

Laurence Jones is at The Tree House in Frome, and there’s an Retro Electro at the Cheese & Grain.


Sunday 2nd Feb

Jon Amor Trio with guest Shannon Harris at The Southgate, Devizes.

Everyone Says Hi are Instore at Sound Knowledge in Marlborough, which we previewed.

Super Blue Moon at The Three Horseshoes, Bradford-on-Avon.

The Roy Orbison Story at The Wyvern Theatre, Swindon.

Sunday Session at The Coach & Horses, Salisbury with Ben Nicholls 

Open Mic at George and Dragon, Salisbury.

CSF Pro Wrestling Showdown at the Cheese & Grain, Frome.


But of course, youโ€™d know all this if you keep checking into our event calendar! We are not running the weekly roundups any longer due to it being time consuming which basically just repeats whatโ€™s been listed already. It was just that this weekend seems to have really opened up for events again, and see this as a gentle reminder to keep checking into Devizine, as the calendar is always updating, as fast as I possibly can add listings!

Do contact us if weโ€™ve missed your event out, and we can list it free for you.

โ€œVeronicaโ€™s Roomโ€ at The Wharf Theatre, Devizes, Januaryย 27th-February 1st 2025

By Ian Diddams
Images by Jeni Meade

No aficionado of 1960s and 1970s horror films would have missed seeing โ€œRosemaryโ€™s Babyโ€, a story of Satanic pregnancy, based on the book by Ira Levin. Shortly after that bookโ€™s release, Levin write a stage play โ€œVeronicaโ€™s Roomโ€ which followed โ€œRosemaryโ€™s Babyโ€ tone of horror with a disturbing, psychological thriller.

The Wharfโ€™s production opens with a furniture draped bedroom, which is soon revealed to be Veronicaโ€™s room. The entire play is set in this room which in itself gives off a creepy, dark atmosphere; you can almost smell the mustiness of the dingy, sparsely furnished bedroom. A bed, chaise-longue, table and chairs, wardrobeโ€ฆย  and a barred window. Director John Winterton and his team designed and created the set and its ominous undertones, and the tech team produce eery lighting, subtly and extremely effectively fitting for this play. Without providing spoilers it’s however fine to say the costumes required for the story fit the requirements perfectly. And as ever Gill Barnes and the costume team have come up trumps to further set the period and the characterisations.

Itโ€™s a short play timewise โ€“ two acts comprising eighty minutes in total, plus an interval. But it is far from short with plot twists and turns, and as each new piece of information unfolds, we are drawn into a darker and more sinister world each time. The cast of four work well together to deliver Levinโ€™s increasingly twisted story, with Johnโ€™s direction keeping the pace exactly right at all times.

Jax Brady plays The Woman, embracing all the mood swings and dialects with ease, the perfect loving partner to The Man played by Gary Robson, whose sombre delivery is befitting of his characterโ€™s inner turmoil and glimmers of hope, of his love for The Woman whilst uneasy with their shared knowledge. Abigail Baker plays The Girl around whom the plot centres; at first brazenly flirtatious, then finally broken, desperate and terrified. The Young Man โ€“ the object of The Girlโ€™s desires – is played by Cameron Williams who also has challenging characterisation and manages it sublimely.

It would be fair to say that โ€œVeronicaโ€™s Roomโ€ is also challenging for the audience โ€“ it is a horror, and a psychological one at that, preying on oneโ€™s mind. Levinโ€™s story is a slow burner to begin with but as Act 2 in particular progresses it becomes a runaway train with hard hitting realisations developing the full horror coming thick and fast. The cast and crew have created a super rendition of Levinโ€™s story that will surely have you checking under your bed when you go to sleep afterwardsโ€ฆ

โ€œVeronicaโ€™s Roomโ€ is performed at The Wharf Theatre, Devizes January 2th to February 1st at 7.30pm each evening.

Tickets available online and from Devizes Books.

Devizes Musical Theatreโ€™s Next Production; Beauty & The Beast

If I had to be magically turned into a candlestick or a teapot, I believe Iโ€™d rather be a teapot than have a wax candle on fire wedged into the top of my head! Fear not, itโ€™s not a worry Iโ€™m losing any sleep over, rather the kind of bizarre fleeting notion which popped into my mind when previewing Devizes Musical Theatreโ€™s next production, Beauty & The Beastโ€ฆ.

The wardrobe is definitely out of the question, anyway I digress! For if thereโ€™s one local amateur theatre collective to make you question the definition of โ€œamateurโ€ itโ€™s Devizes Musical Theatre, in my experience. To pay a kingโ€™s ransom for a West End production is to expect, much less assume, youโ€™re in for a treat, but to see the dedication and hours of labour which goes into an amateur production like those of Devizes Musical Theatre, is the surprise element, that the magic isnโ€™t so far from a professional production.

So, get ready, Gaston, for a tale as old as time, as Devizes Musical Theatreโ€™s curtain is rising once again for Beauty and the Beast. Itโ€™s running from Wednesday 2nd April โ€“ Saturday 5th April 2025, at Dauntsey’s Schoolโ€™s Memorial Hall in West Lavington and tickets are available now at www.devizesmusicaltheatre.co.uk or Devizes Books.

Devizes Musical Theatreโ€™s last sold-out show was Sister Act back in March 2024, of which I reviewed and said โ€œitโ€™s the combination of their motivation and exceptional effort which makes this such a dynamic show, coupled with the elementary notion, Sister Act has universal appeal and is simply fun on a stick!โ€ But no one listens to me, so please note the show was nominated for Best Musical and Best Publicity at the prestigious Rose Bowl Awards.

โ€œTickets are already flying off the shelves,โ€ weโ€™re informed, so donโ€™t miss your chance to experience the magic of live theatre right here in our community. Whether you laughed with the nuns, hissed at Curtis and his baddies in Sister Act, or youโ€™re a newcomer to the DMT productions, this show is guaranteed to leave you spellbound; be their guests, be their guests, be their guests!


โ€œJerusalemโ€ at the Mission Theatre, Bath, January 21st-25th.

By Ian Diddams
Images by Gail Foster

What is reality? Is it the cold light of everyday activities? Is it the symbiosis of contemporary time and ancient natural forces beyond our ken? Is it the raddled memories of mind altering drugs? Or is it a mixture of all of those combined, as personal perception sways between LSD flashbacks, inexplicable encounters, and simple bullshit?


Next Stage Theatre Company bring Jez Butterworthโ€™s 2009 play โ€œJerusalemโ€ to The Mission Theatre, Bath, this week. In a thinly disguised setting of Pewsey (Wiltshire), which is named Flintock but where the pubs names are all real pubs, the play centres on the character of Johnny โ€œRoosterโ€ Byronย (Richard Chivers) who along with other characters in the play are based on actual Pewsey-ites, some of which still live in Pewsey today.

The story is a twenty-four hour period of Byronโ€™s life, focussed on fair day on St. Georgeโ€™s day, and his interactions with his loyal friend Ginger (Sam Fynn), various hanger-on young people (โ€œratsโ€ as he calls them) Davey (Bryan Mulry), Pea (Sophia Punt), Lee (Jonathan Taft), Tanya (Miranda Webb), the senile Professor (Dave Dunn), somewhat dodgy publican Wesley (Brian Hudd), ex-girlfriend Dawn (Tania Lyons), local council officials intent on evicting him Mrs Fawcett (Tania Lyons) and Mr. Parsons (Andrew Ellison), Byron’s son Marky (Spike Fynn), and the lost teen Phaedra (Dilys Hughes) and her angry dad Troy (Andrew Ellison).

As the course of the day and night unwind, we experience Byronโ€™s warped vision of his world as he tells ridiculously tall and impossible tales interspersed with somewhat surreal anecdotes and harsh truths. We see he is a very flawed character โ€“ he is in no way a hero, and very much an anti-hero. His criminal and abusive nature is laid bare, where he despises everyone that surrounds him, even his longest lasting and loyal friend Gingerโ€ฆ with the exception of Marky his son, who he shows genuine affection for (while avoiding any paternal commitment), the Professor and seemingly fifteen year old Phaedra โ€“ about whom we are left with a rather disturbing suspicion as to their underlying relationship.


The set is wonderfully portrayed as a clearing in โ€œRoosters Woodโ€, all ramshackle a mess as you could possibly imagine as an illegal encampment of a broken down caravanโ€™s site surrounded by old garden implements, wood burning stove, boxes and crates, woodland detritus and the remains of Byronโ€™s own drug addled vandalism amongst other assorted accoutrements. Ann Ellison directs the show with an exquisite touch over the banality and failure of Byronโ€™s life โ€“ as well as creating the set along with Brian Fisher โ€“ and the performance though lasting over three hours rattles along at such a high pace there is never a dull moment. Neat little touches abound โ€“ as characters get drawn into Byronโ€™s world, they become coated in straw and woodland detritus, while Byron himself stays clean of these. It is telling that as Lee is to leave Flintock for pastures new far away he is clean of all this woodland connection. Even the Professor ends up covered in straw as his own senile alternative reality merges seamlessly in the renegade aura of the campsite.

Tech is provided by Kris Nuttal, Brian Howe, and Andrew Ellison as they set the scenes of bright morning, sun dappled afternoon and dark and threatening evening. No spoilers here but some cleverly worked backlighting towards the end relieves the audience of unpleasantness while leaving nobody with any doubt as to what is happening. Vanessa Bishop leads costume to perfectly place the setting in the modern day.

Which leads us then back to the actors. A lovely mix of ages as befits the story, all sell their characters believably. I was so drawn in at one stage it was a jolt when I realised that I was watching a work of fiction, and this wasnโ€™t โ€œrealโ€ โ€“ so kudos to the company for creating a fully immersive environment here. Richard Chivers is quite simply superb as the thoroughly egocentric but dangerous Byron. Sam Fynn is wonderful as his lifelong and lost, almost desperately childlike, sidekick Ginger. The “teens” of Jonathan Taft, Bryan Murphy, Sophia Punt and Miranda Webb believingly display youthful male exuberance and teenage slapper. Dave Dunn portrays the heart tearingly sad bewildered and confused doddery old man. Brian Hudd is cringingly excellent in his portrayal of the seedy and low-level dodgy publican who is really no different to the teens while in his own way abusing them as much as Byron is.

Spike Fynn gets Marky spot on as a conflicted nine year old โ€ฆ  โ€œDo I love my dad? Do I like my dad even? Do I trust my dad?โ€. He sells his character precisely through his physical acting as much as Butterworthโ€™s lines. Tania Lyons and Andrew Ellison double up their parts seamlessly โ€“ to the extent that especially for Tania I hadnโ€™t even realised she played two parts until I checked the program after the show! And Dilys Hughes as Phaedra is quite sublimeโ€ฆ  ethereal, fairy like, other worldlyโ€ฆ  and even when that dreamy existence comes crashing into real life, she still keeps an entirely child like innocence despite our suspicions that what happened in Byronโ€™s caravan may not be so innocentโ€ฆ

So โ€“ back to reality. Or various versions of it. From fairies and elves, tall tales and taller creatures, natureโ€™s ancient powers. Drugs. Dreams. Cognitive breakdown. Youthful inexperience and ignorance. Bullshit. All of these variations feature prominently in Jez Butterworthโ€™s powerful text, culminating in Byronโ€™s final monologue as his life crumbles around him and he calls upon everything in his warped mind to help him as he subconsciously seeks an answer to the big question, which he has already passed the point of rationalising…

What IS reality?

“Jerusalem” by Jez Butterworth is performed by Next Stage Theatre Company at The Mission Theatre, Bath between January 21st to 24th at 7.30pm, with a matinee on Saturday at 2 pm.

Tickets from https://www.missiontheatre.co.uk/tickets or on the door if any left.

Devizine Review of 2024 Part 1: Jan to July

Featured Image: Gail Foster

All other image usage here was credited on the original articles, to locate sources again would take a long time, so please accept my apologises. If you see an image you own and wish to be credited for it, please ask. Thank you.

Okay so, three days into 2025 and my chicken kiev parped at me. Is this an augury?! A prediction of how this year is going to play out?! Even my dinners will be farting in my general direction? Que sera sera, weโ€™re not looking forwards, weโ€™re looking backwards, at how 2024 passed here at Devizine Towersโ€ฆ..

Start with stats, โ€˜cos after 2023โ€™s doubling on hits from 2022, we failed to make a similar hike, achieving about 9% less hits than 2023. Iโ€™m not going to lose sleep over it, it was a great year, but figure thereโ€™s a few reasons for this drop. Firstly, despite a shock general election, Iโ€™ve tried to avoid controversy and local political satirical slants as much as possible. Unfortunately itโ€™s often me playing the grumpy old toad which gains attention, but I really wanted to focus more on arts and entertainment news, as thatโ€™s our ethos, the spoof and opinion articles are just me, abusing the platform to magisterially backseat drive.

Result, though; we rid ourselves of Tory tyrants, in parliament at least, thereโ€™s still work to be done to obliterate the impact and ingrained cluelessness of elitist robbery of the working class and have a fairer system for all. Whatโ€™s my opinion of Starmer so far? Not impressive, thatโ€™s for sure, but by comparison with the circus of thieves which was the last government I think weโ€™re in a better place overall. Iโ€™m certainly not going to jump the bandwagon in disparaging him, knowing the alternative is this growing trend for fascism. Though itโ€™s not the shouty sort of fascism of the Third Reich, itโ€™s more ignorance is bliss, pie n chips, pint in hand C3PO gammon nescience. But, enough said about that!

Other reasons for the slight drop in hits could be due to the rising cost, my own fatigue and motivation to head out; I do worry what will become of Devizine with my aging and possible inability to get to gigs and events. A massive thank you must go to our contributors, then. Though submissions can be sporadic, we always need budding writers, especially younger ones to keep what weโ€™ve built here, and report on happenings, because left up to local press weโ€™d be doomed; they seem to favour national clickbait headlines over supporting local arts and entertainment, but likely they deem it is their only way to keep their heads above financial waters. I can’t blame them, but I can have a sly quip or two about it!

It is the accolades we receive from those talented locals which we promote and highlight which keeps me going with Devizine, and I thank them for motivating me. That is therefore where the concentration should be now, not on politics.

Another is top secret, but if youโ€™ve been contemplating that Devizine simply isnโ€™t funny anymore, Iโ€™ll reveal my best jokes are being saved for a book Iโ€™m near to finishing. I think youโ€™ll like it, itโ€™s absolute filth! And lastly, currently Iโ€™m so utterly fed up with social media. Itโ€™s all so bloody serious, nothing is taken with a pinch of salt, nothing is carefree or amusing. And if I do publish something on there for fun, the jokes fly over someoneโ€™s head, they take it the wrong way, get offended and execute a witch hunt against me. Itโ€™s all so petty and obnoxious, akin to road rage, rather than the creative outlet of its potential, and likely, original intention.

If itโ€™s not bombarding me with targeted adverts as a constant reminder Iโ€™m getting old, like care homes and life insurance, it’s flooded with utter crap, often using AI to illustrate misinformation and promote the rightwing bias of the owners, attempting to sway the masses; and it works too, thatโ€™s why they do it.

As a result Iโ€™ve massively reduced my screen time for such wet fart dribbles. Iโ€™ll share our articles on our social media platforms, but rarely feel inclined to interact with the gusto I once did. It is a shame, and it means you need to bookmark our wonderful website and check into it generically rather than wait for your social media platform to prompt you. Otherwise, fuck it, Iโ€™m doing this for bugger all reason, nearly as less than a few pennies it might yet generate. A fundraiser event may be a necessity now, at least an excuse for a much-needed party to lift my spirits! It is January though, a depressing little bugger, our annual review usually turns into whinge!

January

January Iโ€™m usually in hibernation, many are, so previews of events to come are more common as I hide in my hubby hole. Last year we ran ones on The Magic Teapot Gathering, the first line up announcements for My Dadโ€™s Bigger Than Your Dad Festival, Nโ€™Faly Kouyatรฉ of the Afro-Celt Sound System coming to Wiltshire Music Centre, and of course, the Bradford Roots Festival of which dragged me out of my cosy pit for! Two previews for new initiatives in Devizes worthy of previewing in January too were Palooza, a house night to happen in March, and Devizes Youth Action Groupโ€™s U18 gigs, both at The Exchange.

We announced a Lego Club starting at Devizes Library, and looked at courses in the art of chocolate at HollyChocs. I reviewed The Importance of Being Earnest at the Wharf Theatre. Andy ventured out to Long Street Blues Club, but for me, it seems the year begins with The Bradford Roots Festival, blooming lovely that occasion is, then I go back into winter hiding again!

Bookworm time, and Jan saw a review of Sorrel Pittsโ€™ novel Broken Shadows; undoubtedly the best read weโ€™ve ever reported on. And of course, recorded music reviews came thick and fast during those winter months. Albums from Billy Green 3, Richard Wileman and Daisy Chapman. Singles from Sienna Wileman, Nothing Rhymes With Orange, and Ushti Baba.

In the news, politics was brewing for a general election, we talked to the Melksham-Devizes Primary on where best to place our vote. We also reported on the sewage in the Kennet, and the MP who voted to strip legal duty on water companies to reduce harm caused by storm overflows. Yet regardless of all of this, the highest hitting article of the month by far was about a lost dildo found by dog walkers in Quakers Walk; you canโ€™t make up a golden scoop like that!!


February

Still wintery, we looked into SoupChickโ€™s new art gallery in Shambles, Valentina, celebrated thirty years of the Devizes Writers Group, the Kidical Mass bike ride calling for safer streets in Devizes, the Worton & Marston Brownies needing volunteers, and the Swindon Palestine Solidarity charity dinner. But my personal favourite was Darren and The Chocolate Factory, when I joined a family workshop at HollyChocs!

Other memorable events of Feb cannot be topped after Gaz Brookfieldโ€™s Village Hall Tour arrived in West Lavington. Though I also recall with fondness the Errol Linton Band at Long Street Blues Club, The Worried Men at the Pump, and Deadlight Dance at The Southgate. Ian gave us a review of Vince Bell at the Southgate, and Carrie at The Rondo Theatre. And we welcomed a new writer, Florence Lee who reported on Devizes Youth Action Groupโ€™s First Club Night.

Music in review came from Cracked Machine, The Lost Trades, The Jon Amor Trio, Jol Rose, and  Talk in Code. We previewed The Beat at The Cheese and Grain, the Jesus Jones tour, Devizes Pride, Gaz Brookfield, Mantonfest 2024, The Scribes at The Pump, and that The Marley Experience was coming to Devizes.


March

Politically we had a clue to the change in the tide, with a historic Lib Dem win in Marlborough Town Council, shame the trend didnโ€™t carry onto the GE there. We reported on a Palestinian Children Memorial in Swindon, and a Palestine protest at Labour Party fundraiser. We had a recap on the good work Devizes Clean Up Squad do, and opinionated on Wiltshire Councilโ€™s threats of prosecution against Wiltshire Music Eventsโ€™ posters in Devizes. 

I think the hero of the month goes to our bravest 7-year-old, Chloe, who slept out for Devizes OpenDoors. Though Chloeโ€™s feat might yet have been slightly upstaged by our Brian, who discovered Led Zeppelinโ€™s mystery thatcher, became a national hero to prog rock fans, and was the subject of a Wiltshire Museum exhibit.

We previewed FearFreeโ€™s fashion show at the Condado Lounge, Devizes Musical Theatreโ€™s Sister Act at Dauntseys, our Shelly on the wheels of steel at the Muck & Dunder, and Devizes Arts Festival. Andy went to Cinelli Brothers at Long Street Blues Club, Ian gave a review of โ€œRENTโ€ at The Rondo Theatre. I had two unforgettable nights out, when Ian Siegal joined the Jon Amor Trio at the  Southgate, and the first Palooza got me dancing my socks off for my birthday at The Exchange.

An album from Deadlight Dance and singles from M3G, Atari Pilot, and Life in Mono got covered, and we rediscovered our Chrissy from as yet unformed band Burn The Midnight Oil, providing vocals for drum n bass tracks. Oh yeah, I had a rant at those ranting about the Glastonbury line-up too!


April

April fools, of course, when we headlined โ€œDevizes Road Resurfacing Plan Abolished Due to Dinosaur Fossil in Pothole!โ€ The rest, though, was sadly true. Wiltshire Police Crime Commissioner Philip Wilkinson lied through his teeth, Amnesty in Salisbury responded to the Rwanda Bill, and Michelle Donelanโ€™s fake magazine campaign leaflet was promoted by drink driving fox hunter Jonathan Seed. Meanwhile, Wiltshire Council continued to gloat about prosecuting fly posters, attacking Adrenaline Stompers in Westbury this time, whilst The Marley Experience concert in Devizes was attacked by some nasty Facebook posts, falsely claiming it was cancelled. 

But away from nastiness, Chloe raised ยฃ600 for Devizes OpenDoors and we previewed Devizes Lionsโ€™ sponsored walk for the homeless charity too. The Peppermill started an open mic. We also previewed Simply The Best; Tina Turner Tribute at the Corn Exchange, The Female of the Species fundraising this time for Rainbow Early Years in Trowbridge, two teenage punks bands appearing at the Pump, Steatopygous & SHOX, a Bradford Roots session special with Bill in the Lowground, Daisy Chapman & Thieves, the Patsy Gamble Jazz Trio in Bromham, White Horse Operaโ€™s Pucciniโ€™s โ€œLa Bohemeโ€ at Lavington School,

Six:Teen Edition, Devizes Music Academyโ€™s first show, Paloozaโ€™s second night at The Exchange, and Swindon Jazz & Soul Festival, which I attended and loved!

Reviews also from James and the Cold Gun, Lucky Number Seven, Nobodyโ€™s Dad, The Real Cheesemakers at The Pump. Jinder and Mark Harrison at the Queens Head in Box. Barrelhouse at The Southgate. Roughcut Rebels and The Clones at the Three Crowns. Shox & Steatopygous supporting Menthol Lungs at The Pump. The Lost Trades at The Piggy Bank. Six:Teen Edition. โ€œSkylightโ€ at the Rondo Theatre. โ€œThe Thrill of Loveโ€ and โ€œAnd Then There Were Noneโ€ at the Wharf Theatre, and The Marley Experience came to Devizes and everyone loved it regardless of the grandstanding whingers!

May

A month of ups and downs, we previewed Professor Elemental, Madam Misfit and the Real Cheesemakers at The Barge on Honeystreet, Frome Festival, White Horse Operaโ€™s Mathieson Trust fundraiser with Anup Biswas and The Brand New Heavies at the Cheese and Grain. We reviewed music from LilyPetals, Courting Ghosts, Nothing Rhymes With Orange and Poppy Rose.

We talked about Affordable school costs for all, Swindon families uniting in memory of innocent children killed in conflict, and while Vicar Gerry Lynch faced a soaking at Pottenre fete, St James Devizes Vicar Keith Brindle was honoured as a Canon of Salisbury Cathedral! But sad news was to hear Devizes International Street Festival was cancelled, and funding was needed to keep Confetti Battle going ahead. And Tonka Bean was closing too.

Events picked up though, Ben hailed the Beaux Gris Gris gig the best Devizes has ever seen. Meanwhile I was with Illingworth and catching up with George Wilding at the Crown in Bishops Cannings. Andy attended Peter Knightโ€™s Gigspanner at Pound Arts Centre. Ian covered โ€œThe Incident Roomโ€ at the Rondo Theatre, โ€œSister Actโ€ at St. Augustineโ€™s, and โ€œThe Thrill of Loveโ€ at The Wharf Theatre. There was a homecoming gig for Nothing Rhymes With Orange at the Three Crowns, and another one of those nights when I went on a round robin tour of live music in Devizes, at Long Street, The Southgate and Three Crowns. The only time for a spoof article that month was for one headlined โ€œLabour Party Could Change Star Wars Day to โ€˜Sci-Fiโ€™ Day so to Not Offend Trekkies!โ€

June

June is about going out! Ben gave us reviews of Jim Blair and the Mojo Makers at The Beehive, Swindon, and Robert Vincent & Ryan Davis PAs at Marlboroughโ€™s Sound Knowledge. I caught I See Orange at The Pump with Devizes-own Steatopygous.

Ian checked out โ€œThe Collaboratorsโ€ at the Rondo Theatre, and โ€œWhereโ€™s The Cat? Live!โ€ at the Wharf Theatre, and then there was Devizes Arts Festival which we all covered as extensively as possible.

A Junco Shakers at The British Lion, The Slambovian Circus of Dreams, The Sound Of Blue Note, Duo Tutti, Martin Simpson, Belinda Kirk, Lucy Porter, Ida Pelliccioli, Adam Rutherford, Edward Cross Quintet, Dr. Phil Hammond, Jolly Roger and The Cable Street Collective all reviewed, mainly by Andy, but a few by myself and Ian too, even had one from the Wharfโ€™s own John Winterton. What a great year for Devizes Arts Festival, my personal favourite? Easy, that was Lady Nade.

All this and I still found time to preview Devizes Scooter Rally, the return of Devizes Youth Action Group gig nights, and FullTone Festivalโ€™s youth-supporting extra day. Review music from Talk in Code and Rosie Jay. But if anything kept me busiest, it was interviewing candidates for our MP post, Green Party candidate for Melksham-Devizes Catherine Read, Labour candidate Kerry Postlewhite and Lib Dem candidate Brian Matthew. It was an honour to meet them all, and I enjoyed chatting to them in New Society. Any one of them had the potential to do a more honest job, but there was something about Brian which made me think, hey, thatโ€™s the guy for the job; the best thing about it, a majority agreed with me; crazy times!!

July

And so, it came to be. After fourteen tiresome years of Conservative lies and robbery, continuously leaning further into far right extremism, openly promoting hate and dividing the nation, they got thrown out of there, but didnโ€™t take it on the chin! โ€œMichelle Gonelan Makes History,โ€ was one article we published to make fun of the knicker-twisted attitude of those poor losers. Furious Tory supporters took to local Facebook groups, and we made fun of that too, with a headline deliberately in caps-lock, โ€œWOK SNOWFLICKS GIT THERE KICKS ON DEVIZS ISSUES (BIT BETTER) THIS ELEKTION!โ€ And then, even our county council leader wept like a baby over the new government scrapping the Stonehenge Tunnel! Oh, such fun!!

We continued to focus on DOCAโ€™s fundraising efforts, and took a recap visit to Devizes OpenDoors too. But July is festival season, and we were too knee-deep in sunny vibes to worry about the disgruntled minority upset with the election result.

Firstly, it was a shame Devizes Scooter Rally and the Full-Tone Festival had to be one same weekend, such that I attempted to do both but spent most of my time cruising from one to the other, great though they both were. And it was a time when our recommendations came to pass, as Meg was booked for a rather smashing MantonFest, and The Sarah C Ryan band played DOCAโ€™s Picnic in the Park, in which I played compere, in a giraffe onesie! Happy days.

Ian went to My Dadโ€™s Bigger Than Your Dad Festival, in Old Town Gardens, Swindon, and I popped over to check out Minety, and crowned it the best local festival Iโ€™ve been to. Other great nights out included Talk in Code & Laissez Faire at The Southgate, Ian reporting on The Rob Lear Band at The Piggy Bank, Calne, โ€œFaithโ€ at the Rondo Theatre, and โ€œMacbethโ€ at Cleeve House, Seend.

We also previewed the next season at the Wharf Theatre and announced there were only a few remaining tickets for Trowbridge Festival. Events, events, events, thatโ€™s what summer is for, not worrying about politics, it all ends with the same poor results. I believe it doesnโ€™t matter who is at number ten, and while itโ€™s probably better to have the last lot gone, we will never recover this financial pothole until we ALL face up to the fact the cost of Brexit has ruined us, and until we accept it and freely discuss without prejudice and arguing, what we can best do to recover from it, instead of blaming the current government for problems rooted in politics long before they won, we will see those comforts the UK have become accustomed to drop from us one by one. The closure of venues, pubs, shops, event organisers, the hardship of creatives, the general disillusionment that a new government can fix it overnight, all paints a very gloomy picture. Therefore, as I said at the beginning, Iโ€™m done with politics, and feel Devizine should focus on supporting the arts and entertainment as much as possible.

And thatโ€™s the end of the first half of this 2024 review, weโ€™ll see a lack of political matters during the last six months of the year, and a new ethos of positivity in the face of such gloomโ€ฆ..I hope!!      


โ€œA Streetcar Named Desireโ€ at The Rondo Theatre, Larkhall, Bath, November 27th-30th.

by Ian Diddams
Images by Josie Mae-Ross and Infrogmation

Tennessee Williamsโ€™ quasi autobiographical drama โ€œA Streetcar Named Desireโ€ was first performed in 1947 as the world emerged from years of global conflict. That war had changed things for ever in many ways โ€ฆ  while in others, many things remained the same. Williamsโ€™ own familyโ€™s misfortunes and situations are threaded throughout the play, but while those may have been in reality based in the 30s and 40s the issues he raises โ€“ of misogyny, bigotry, domestic abuse, violence, homophobia, and social snobbery โ€“ are as obvious today as they were almost eighty years ago.

As titles go though, it may well have been simply named โ€œThe Fall and Fallโ€ฆ.  And Fall of Blanche DuBoisโ€

The eponymous streetcar ran on the line of that name in New Orleans until around the time the play was first performed. Its simple plot is that of Blanche DuBois and her fall from status, grace and finally sanity. Surrounding her is her sister Stella, who abandoned their cocooned life years before, Stella’s husband Stanley, a course, uncultured โ€œPolak,โ€ and their abusive relationship is mirrored by their neighbours Steve and Eunice.

A glimmer of light comes Blancheโ€™s way in the guise of Mitch, seemingly gentler and more appreciative โ€ฆ  until he turns, showing his shared heritage with the other men. Blanche descends into madness as her airs and graces so vilified by Stanley slip away to expose her own seedy recent past, and her own bigotries, while exposing the other womenfolkโ€™s tightrope walk through their marriages.

This is not a light play. It would come with plenty of trigger warnings โ€“ domestic violence, homophobia, rape, alcohol abuse, to name but a few of them. That the company present these challenging aspects convincingly without descending into casual titillation or merely seeking to shock is tribute to their acting skills, the direction of Heidi Street, and the set and technical wizardry on display.

There is another aspect to heighten the senses, and bring New Orleans’ Latin Quarter into this pleasant eastern suburb of genteel Bath, UK. The showโ€™s very own jazz band of Tom Turner, Peter Tucker and Yvonne Paulley providing the appropriate Louisiana style soundtrack to complete this exquisite holistic production.

Not content with playing clarinet as above, Yvonne also appears as the Nurse and a rose seller with a fine command of Spanish, and in-between those two demands also produced the show. Accompanying her and is another clearly ridiculously talented man, Tom Turner swapping his saxophone to play the Doctor as the stranger whose kindness Blanche, for a final time, relies on. Toby Skelton is another all-rounder who aside from stage managing all of this also appears as the Young Man, while Riza Domi is obviously far more sensible, with just the one role of Pablo, one of Stanleyโ€™s poker playing buddies.

Neighbourly Steve and Eunice are subtly portrayed by Tim Carter and Sophie Kerr, all lovey-dovey and lustful โ€“ until the pans begin to fly. Tim Hounsome sensitively plays Mitch, Blancheโ€™s almost love interest โ€“ until his urges almost overtake him and finally his own prejudices come through. Stella is sympathetically portrayed by the excellent Lauren Arena-McCann who as an American herself โ€“ albeit from New York State and not Louisiana also doubled up as unofficial voice coach! Her portrayal of an oppressed wife trapped in a caustic, abusive relationship in which she acquiesces easily to her own lustful urges, while protecting her sister from a world Blanche cannot comprehend is painfully perfect. Matt Rushton delivers Stanley cringingly well tooโ€ฆ  his physical presence, large voice and overbearing character is full of unspoken menace the entire play; of course, to Stella but also to his drinking and poker buddies who he controls through fear.

Which simply leaves Blanche DuBois. Lucy Upward is the very essence of Southern belle โ€“ sophisticated, used to the finer things in life, seeking to move in the right social circlesโ€ฆ  but exposing the cracks in that edifice as the story unfolds.  Delicious flirtatiousness, demure repose, increasing intemperance and the slide into insanity as her Walter Mitty world collapses around her. Lucy captures these airs, moods, and madness perfectly โ€“ she IS Blanche DuBois.

The set is a marvel โ€“ a perfect setting to portray a cramped two room apartment in the confines of a community theatre. Muslin roman blinds provide discreet views of more intimate โ€“ and jarring – moments while the rake of the stalls provides the upstairs flat from Stella and Stanleyโ€™s own. Costumes by Chrissie Fry as ever from her, capture the times and characters so well, from Blancheโ€™s diminished trousseau to Stanleyโ€™s slobbish attire replete with hideous bowling shirt.

There is false hope, there is pain, there is self-delusion, there is despair. But overall, at the Rondo this week, with a sold out run, there is a Streetcarโ€ฆ  named Desire.







โ€œA Monster Callsโ€ at The Mission Theatre, Bath, November 26th-30th.

by Ian Diddams
Images by Rowan Bendle and Ann Ellison

When is a Monster not a Monster? When is a good person not good? When is a bad person not bad? When is wisdom not positive? When is being invisible a terrible thing? What is the truth?

Bristol Old Vic took Patrick Nessโ€™ novel โ€œA Monster Callsโ€, based on an idea of Siobhan Dowd, and with the help of Adam Peck created this quasi-fantasy tale of an adolescent coming to terms with teenage angst, awakenings and the complex realities of the adult world. Whilst not harnessing Sondheim (โ€œInto The Woodsโ€), Wilde (โ€œThe Picture of Dorian Grayโ€) and Shakespeare (Macbethโ€™s witches) nonetheless tiny elements share some areas of those threeโ€ฆย  but more of that laterโ€ฆ

โ€œNext Stage Theatre Companyโ€ perform this powerful story of growing up this week at The Mission Theatre, Bath, in the round. A cast of eleven mixed youth and adults form the principal and secondary characters and general ensemble Greek chorus style seamlessly. Directed by Alexa Garner she has carefully crafted this beautiful tale into the powerful vehicle that intensifies its emotions as the play progresses. It is a simplistic play at face value โ€“ young teen faces bullying, adult repression, nightmares, and the worst scenario imaginable at such a youthful age and eventually learns the solution to dealing with life. In this regard the youth orientated novel by Ness is quite clear โ€“ but its more than just teenage angst. This is a play of onion skins, where if desired peeling away each layer reveals more and more philosophical and at times disturbing facts โ€“ possibly about oneself.

The primary character is Conor Oโ€™Malley wonderfully portrayed by Fin Hancorn. Its an emotional role and Fin clearly digs deep into himself to reflect all the emotions demanded of his character โ€“ he was clearly emotionally drained at the final curtain last night, full kudos for a young actor. He is more than ably contrasted by the Monster, superbly portrayed by Nicky Wilkins as the overbearing and at times demonic, Freddy Kruger like, Yew Tree โ€ฆย  that despite the name and the presence reveals his true purpose at the playโ€™s end.

Conorโ€™s main protagonists are played by Jonathan Taft as the arch bully Harry, and his two henchpersons Sully (Poppy Birch-Langley) and the fully convincing as the unconvinced bully Anton (George Chivers). Treading that wary line between teachers that โ€œdonโ€™t get itโ€ while simultaneously caring for their charges are Bob Constantine as Mr. Marl, and particularly Perrine Maillot as Miss Godfrey. Adding insult to injury are two of Connorโ€™s family members, estranged Dad (Mayur Batt) who has lost all realistic connection to his son whilst trying to clumsily help him โ€“ and failing, and Grandma (Kay Franksen) who redeems herself at the end after being impervious to teenage needs or Conorโ€™s own wants. Members of the cast also appear throughout as that Greek chorus style ensemble.

Not everyone is against Conor though โ€“ Lily is Conorโ€™s best friend (Millie Sharma) though Conor drives her away to a position of frustrated friend looking on from afar. That just leaves Conorโ€™s mum, beautifully portrayed by Hayley Fitton-Cook as her health deteriorates, the one character throughout that maintains a caring, loving, and symbiotic relationship with Conor. The stage chemistry between these two is palpable and reaches its peak in the beautifully surreal healing scene that is played out in their minds but enacted with no spoken word, other than a song, and dance and mime and the use of Makaton to communicate through their void. The Monster plays his part also in the scene as the barrier between them whilst being the source of the hope of healing.

Overall the play works through multiple layers โ€ฆย  themes reoccur though not always obviously. The Monster tells a tale of an apothecary โ€“ a practicer of old medicine of plants and herbs โ€“ while then being the last chance cure from his bark. The overarching meme however is how good and bad can be mixed โ€“ a bad pious parson, a good greedy apothecary, the misery of invisibility and the pain of being visible.ย  These are all flipsides to perceptions; the complexities of adulthood that Conor is beginning to enter and where self-delusion is the greatest barrier of all.

Which just leaves the creatives to praise. The set (Alexa Garner, Liz Wilson, Brian Fisher) is a simple one with excellent use of various props in multiple uses – a hatstand becomes a grandfather clock becomes a hospital I.V. pole, stools also represent industrial mechanisation and so on. The piรจce de rรฉsistance is undoubtedly the yew tree plinth on which the monster spends most of the show, and height differentials are subtly crafted where the Mission’s layout provides. Costume is simple and contemporary – clever use of school ties to juxtapose the earthy woodland nature of the yew tree, a simple hospital gown and the ethereal Monster garb. Lighting and sound (Kris Nuttall, Rowan Bendle) were subtle but oh so effective – the soundtrack was sublime. Alexa, director, was full of praise for her hard working stage manager – the ironic sign of a great stage manager being that you never know they are there!) Liz Wilson. Choreography totally spot on (Hayley Fitton-Cook and Dynamic Stage Action)

So what of Sondheim, Wilde, and Shakespeare? Shades of โ€œNo-one is aloneโ€ the worst thing of not being talked about is not being talked aboutโ€ฆ and is the Monster leading โ€“ or controlling Conor? These themes all whirl around this play constantlyโ€ฆย  until finally all is made clear.

โ€œIf you speak the truth โ€“ youโ€™ll be able to face anything.โ€


โ€œA Monster Callsโ€ is performed by โ€œNext Stage Theatre Companyโ€ at The Mission Theatre, Bath nightly at 7.30pm from Tuesday 26th November until Saturday 30th November 2024.

Tickets from https://www.missiontheatre.co.uk/tickets?category=A%20Monster%20Calls

Hansel & Gretel: Panto at the Wharf!

Images: Chris Watkins Media

It was lovely to spend Sunday afternoon at Devizesโ€™ Wharf Theatre, to see how this yearโ€™s pantomime Hansel & Gretel, is coming along. If my preview is behind me now, or if โ€œoh, no, it isnโ€™t,โ€ Iโ€™m happy to confirm ticket holders are in for a real treat, and those without a ticket I urge you to be as quick as a quick thing being quickโ€ฆ..

Tickets for panto at the Wharf sell out fast every year, rightfully. I believe thereโ€™s only a handful left. It may beg the question why Iโ€™m here to preview it at all, but with our Ian hot on the scene of anything theatrical these days, Iโ€™ve missed being at our communal little theatre. While I may not be so knowledgeable on Shakespeare’s plays, I know what I like, and Iโ€™m smitten for a great panto.

First time panto co-director Karen Ellis, who works with Jessica Bone, told me thereโ€™s a slightly different approach this year. I couldnโ€™t tell, Jack & The Beanstalk was wonderful last year, Hansel & Gretel is going to be as amazing as a gingerbread house decorated with sweeties!

A few sweets need tweaking, Iโ€™m at an early rehearsal, neighbouring seats are occupied with ladders and paint pots. Opening night is Friday 29th November, and with extra dates added the show runs until Saturday 7th December, with matinees on the Saturdays. With professionalism abound from whatโ€™s essentially an amateur production, from my sneaky peek alone, Iโ€™ve no doubt, this show is going to absolutely sparkle and thrill young and old equally.ย 

It was interesting, though, to see the inner workings of a panto developing, the many elements needing synchronisation I wouldnโ€™t have contemplated before now, and the attention to detail to something which might seem somewhat improvised to an outsider. It might be a couple of hours of quality family entertainment to you, but from script, expertly crafted by The Wharf Writersโ€™ Group, to this stage where only a few Iโ€™s need dotting and Tโ€™s crossing, has taken a year of hard work from a thoroughly dedicated group of very talented people.

And the hard work explodes like a supernova. As any panto should, the narrative is slight and loosely based on the Brothers Grimm fairy-tale. The show concentrates on slapstick, corny gags, drag, parodies of pop songs, slight tragedy, and a huge dollop of funny banter and audience participation, with a sprinkling of storyline. Brush up on your children’s TV show themes, anything more might be deemed a spoiler, but I can assure you, youโ€™re going to love it; all these elements are in grand abundance, and it thoroughly entertained me.

Starter for ten, neither Hansel, parts shared by two great young actors, Rory Lee and Tamsin Antignani, nor Gretel, similarly played by Emily Edwards and Gigi Underwood, are the protagonists here, rather the main parts depict an investigating police officer, Buttons, and his love interest, comically named Carrie Okie. The latter is played superbly by Georgina Claridge, also responsible for choreography, and the former, Officer Buttons is sublimely brought to life by Darcey Oswin; both masterful and confidently versatile in acting and singing, they work together like the perfect double-act.

Adam Sturgesโ€™ thespianism flare, with a natural ability for improv makes for the quintessential dame; he remained in character and high heels when I chatted to him outside! Is this the first pantomime dame to have a son, I wondered? Shaken, but not stirred and played by Lucas Dowling.

Likewise, Helen Pritchard makes for an excellent witch, and there’s supposed to be a compliment in there! Lesley Scholes is hilarious as a discluded fairy godmother, and the randomly placed comical duo is supplied brilliantly by Oli Beech and Liz Sharman.

Other singing and dancing characters are cast aptly, with Archer Leigh, Jo Benyon-Tucker, Cathy Chappell, Corrin Bishop, Poppy Lamb-Hughes, Emily Webb and Ben Bryan. It wouldnโ€™t be Christmas without a panto, and even a Grinch like me, after watching just a rehearsal for this early in November, could sense sleigh bells jingling and ring-tingle tingling all the way home!

I cannot guarantee your Brussel sprouts will be perfectly timed to coincide with the turkey, but I can assure you without doubt, Hansel & Gretel at The Wharf Theatre will warm your hearts and send you home smiling from elf ear to elf ear!

But hurry and be lucky to pick up the few remaining tickets HERE.


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โ€œThe Real Inspector Houndโ€, at the Rondo Theatre, Larkhall, Bath, November 8th 2024.


by Ian Diddams
images by Playing Up Theatre Company

When is a mousetrap not a mousetrap? When itโ€™s written by Tom Stoppardโ€ฆ
If you have seen โ€œThe Mousetrapโ€ you may find elements of โ€œThe Real Inspector Houndโ€ quite familiar. Or alternatively, if once having seen โ€œThe Real inspector Houndโ€ you then progress to seeing โ€œThe Mousetrapโ€ you may find elements of that show quite familiarโ€ฆ

โ€œThe Mousetrapโ€ of course being a play by Agatha Christie that is the London West Endโ€™s longest running play, performed ever since 1952 with only a lockdown enforced break in all that time. Famously, audiences are asked not to reveal the solution.ย  Tom Stoppard, allegedly, found this requirement somewhat tedious and so set out to write his own, similar, play.ย  You would ideally want to see both however to fully understand what he created.

โ€œThe Real Inspector Houndโ€ is also famously known for being a play-within-a-play; that is, a play in a theatre where the story is about a play. Stoppard though arguably takes this one step further especially as the surreal activities of the second half of the play unfold, as it becomes a play within a play within a playโ€ฆย  the complexities of what that entails are best learned by seeing Stoppardโ€™s excellently bizarre play!

The Playing Up Theatre Company present this show this week at the Rondo, Theatre, Larkhall, on the eastern extremities of Bath. In it they take Stoppardโ€™s already surreal comedy and add even more layers to itโ€ฆย  not only is their performance of Stoppardโ€™s urine extraction of Agatha Christie, but they have added hilarious homages to โ€œThe Play That Goes Wrong,โ€ โ€œAcorn Antiquesโ€ and even โ€œMonty Python,โ€ especially in the first half – the second half is bonkers enough to not need any additional layers, but the surrealism is excellently portrayed with good pace and no blinking of an eyebrow โ€“ audiences need to stay awake and in tune and to have listened attentively to the opening fifteen minutes to get all the nuances going on!

Stoppard used to be a theatre critic himself, and uses this knowledge as a vehicle to extract the urine to that demographic. The two critics, Moon and Birdboot, played by Andrew Chapman and Simon Shorrock respectively, certainly portray two characters full of self-importance and one upmanship, though from opposite ends of the ethical spectrum and the two actors capture this interaction excellently. James Coy adeptly and gruffly spins his way around the stage in a wheelchair as the physically challenged brother-in-law Major Magnus Muldoon, overly protective of his sister-in-law and threatening dark retribution to any man displaying intentions towards her. But is he what he seems to be ?

The star of the show โ€“ if one may be permitted to pick any one actor out of a superb line out anyway โ€“ for me though was Anne Hipperson as Mrs. Drudge the housekeeper. Her self-confessed homage to Mrs Overall from โ€œAcorn Antiquesโ€ is perfect โ€“ some exquisite comedic timing. The only thing missing from the portrayal was Stoppard failing, sadly, to provide her with a line of โ€œTwo sugarsโ€ during the painfully brilliant coffee scene.

Simon Gascoyne, smooth, suave, and sophisticated wooer of women was played by Jordan Phillpots, oozing self-confidence and smarm from every pore, while Felicity Cunningham, played by Leah Brine, the breathless, suspicious, doubly wooed young lady was suitably, deliciously aghast at the abhorrent menfolk in her life.

Then there was the almost obligatory femme fatale for such country house whodunnits โ€“ Sophie Brooks as Lady Cynthia Muldoon. Outwardly a devoted wife to her missing husband, but privately a hot bed of passion for passing fancies, Sophie mixed Mโ€™Ladyโ€™s brooding, sultry character in the farcical first act, and surreal second half to perfection, another actor with perfect comedic timing.


Which leaves just Inspector Hound himself โ€“ as ever perfectly played by the ever talented Richard Chivers. Or then again โ€“ is he the โ€œReal Inspector Houndโ€?


That leaves just one more character on stage โ€ฆ mentioned several times, but hidden, then revealed โ€“ twice. No names, no pack drill, but the character never puts a foot out of place, and remains faultlessly in character and on stage for the entire show.

The set, by cast and crew, is a simple one as befits a typical country house murder mystery, with the use of the Rondoโ€™s rear โ€œcubby holeโ€ option as the theatre seats used by Moon and Birdboot. Costumes fitted the period setting of 1930s upper class types, and technical design, operation and support was handled with aplomb by Darian Nelson and Emily Smith. This just leaves kudos for wonderful direction by Darian Nelson, abetted by superb stage management โ€“ also stepping into the fold of tech team for technical reasons โ€“ by Diluki Oโ€™Beirne.

I canโ€™t praise this performance enough. From the pure delivery of Stoppardโ€™s farcical surrealism, to the directorial tweaks and homages so well delivered by the cast, to use of Bluetooth technology to really sell on stage audio, everything gelled so well.

So all that remains now is to advise you all โ€“ go and see this play wherever you can and see if you can spot who isโ€ฆย  โ€œThe Real Inspector Hound.โ€





โ€œThe Little Mermaidโ€ at St. Augustineโ€™s, Trowbridge, October 30thโ€“November 3rd, 2024.

By Mick Brian
photos by Chris Watkins Media

Disney aficionados will need no introduction to โ€œThe Little Mermaid,โ€ Disneyโ€™s 1989 film about mermaids falling in love with humans based very loosely on Hand Christian Andersonโ€™s tale. By 2007 Disney had crated a stage musical version which officially opened on Broadway in 2008, with a later modification in 2012. But what Broadway can do, Trowbridge can do too, and this week Trowbridge Musical Theatre (a.k.a. TMT ) bring โ€œThe Little Mermaidโ€ all the way from New York City and an undersea kingdom to St. Augustineโ€™s Catholic College for our delectation.

This is a challenging production to pull off, with a huge cast, and multiple characters and costume changes, massive choreography numbers and immensely technical requirements, but TMT manage it sublimely in a packed and fast paced show. With a cast so vast its not feasible to list every single person sadly but it is fair to say that everybody involved brought something special to the performance. Added to which a brave decision to play it with American accents as per Broadway worked really well โ€“ kudos to all for not grating, and being thoroughly believable as sons and daughters of Uncle Sam.

Lets begin with the orchestra โ€“ with ten musicians and Kate Courage M.D. you can already appreciate the scale of this production. From the opening marvellous overture to the last note the orchestra were simply great.

The technical team brought the stage craft to life aided and abetted by some wonderful directorial touches by director Matthew Heatonโ€ฆ the piรจce de resistance being the beautifully simple yet effective use of wave sheets to represent the sea, operated excellently by the younger members of the cast and especially effective in the ship wreck scene โ€“ top waving by  Emmi-Mae Cao, Elsie Cunningham, Iris Cunningham and Sam Hodgman. More kudos to the tech team and set designers with excellent projected backdrops and a few simple but effective set pieces.

Of the principals all provided great characterisation. Alex Ball as Flounder was a standout performance, Noah Heard as Eric executed his role as a prince falling in love at first sight to perfection with a voice that was creamy, dreamy and effortless with great diction, voice agility and ability. Tritonโ€™s daughters (all seven of them) proved wonderfully catty in their roles, and collectively strong with a great sound.

The evergreen Tim Hobbs was as brilliantly crabby as he ever is as Sebastian with some wonderful comedic touches, while Sarah Davies divaโ€™d her way fantastically through the show as the wickedly creepy Ursula, with her wonderfully strong voice as ever.

She was superbly accompanied by the dynamic duo of Frankie Walker and Daisy Woodruffe as Flotsam and jetsam, Ursulaโ€™s henchmen eels who worked really well together. Ariel was the archetypal Disney princess portrayed to a tee by Katy Pattinson โ€“ gorgeous and tiny, with such a pretty voice and moved about the stage nicely.ย  Her chemistry with Eric was particularly good, and as a pair the complemented each other well. Her Act two performance in particular as a mute was really well executed with some strong physical acting, communicating superbly with facial expressions. Her scene of learning to walk was choreographed and performed extremely well.

Which brings us to the ensemble. Oh. My. Word. Ensembles make or break a show and here was a show that was made. Extremely strong in everything they did, they deserve a full bow of their own for the multiple costume and character changes required, as they sang, danced, and acted their way through being gulls, maids, sailors, chefs, princesses and the already praised โ€œWaveโ€ team. A specific mention here to Paul West as Scuttle the head gull with a strong comedic lead. But all members of this vast ensemble were worthy of their places I hasten to say!

Choreography by Anna Mazan was a huge feature of the show, and the time and effort put in by her and her protรฉgรฉs was evident. โ€œUnder The Seaโ€ was a triumph – fantastic, energetically colourful, a massive carnival with bubble machines, jellyfish parasols and so much more in a cavalcade of splendour. Youโ€™d need to watch it many times over to catch everything that was happening on stage.

Costumes were simply fantastic. Just wonderful. A little fish told me that they werenโ€™t without some teething problems on their arrival, but the wardrobe team did the cast proud. Chapeau!!   (If you will pardon the pun).

Itโ€™s a huge show. And its running in Trowbridge, at St. Augustineโ€™s Catholic College until Sunday 3rd November, tickets from https://trowbridgemusicaltheatre.co.uk/tickets/





โ€œCosi Fan Tutteโ€ at Easterton Village Hall, October 11th 2024.

by Ian Diddams
photos by Gail Foster

Devizes based White Horse Opera has a fine and longstanding tradition of a touring opera โ€“ a show taken the length and breadth of Wiltshire (and even further!) performed at various village halls, theatres and churches as venues. Recent past operas have included โ€œDie Fledermausโ€, โ€œThe Mikadoโ€ and Ruddigoreโ€ and their latest offering is Mozartโ€™s slightly bonkers โ€œCosi Fan Tutteโ€. On Friday last the dress rehearsal was produced for the “Friends of W.H.O.โ€ another of their traditions where the great and the good gather to indulge in swathes of cheesy comestibles and stunning music.

Mozart penned his Italian language piece in the 1780s when he was in his thirties. Itโ€™s a comedy, albeit arguably somewhat a chauvinist one leaning heavily as it does on the alleged capriciousness of women โ€“ the title loosely translated as โ€œWomen are like that”.  The basic daft premise โ€“ like all the best highbrow theatre of course โ€“ revolves around the unlikely disguising beyond recognition of two men (Guglielmo and Ferrando) such that their betrothed (Fiordiligi and Dorabella) will not recognise them, and so the farcical consequences may then ensue. Naturally there has to be some neโ€™re do wells that first set up this unlikely scenario (Don Alfonso) and abet it (Despina).

The flirtatious and easily swayed girls are played by Barbara Gompels and Paula Boyagis, who in the duets in particular sweetly complement each other. Regular watchers of W.H.O.โ€™s performances will need no further introduction to this talented pair, as indeed they will need no further introduction to Jon Paget who played Guglielmo, more than ably twinned by Robert Felstead as Ferrando as the pair of soldiers tasked by Don Alfonso played by the evergreen Lewis Cohen to trick their girlfriends in being unfaithful as part of a wager. Toni Johnstone completed the cast as the superbly independent and uncowed maid Despina. Jon and Robert proved an excellent comedy double act throughout their shenanigans, culminating in the wonderful disguises as what appeared to be two 1980s Australian cricketers off to the disco!

As a dress rehearsal as expected the show was ready to roll โ€“ a couple of small hiccoughs for sure but nothing to distract from the hilarious mayhem on stage. Itโ€™s a modern setting costume wise, and the set as befits a touring opera where complex arrangements are problematical, is simple โ€ฆย  a lovely backdrop setting the countryside setting by the inimitable Chrissie Higgs, who is also set to share the role of Despina when on tour.

For those concerned that an Italian language opera will be incomprehensible to their Anglo-Saxon ears, fear ye notโ€ฆ as ever W.H.O.s operas are sung in English, this translation by the much missed Graham Billing who having translated the opera once, then lost it, and had to redo it. The entire translation was full of clearly identified Billingisms in the jokes whether sung or spoken. His legacy lives on and arenโ€™t we all lucky that it does.

No opera of course is complete without its orchestra, and as so often for W.H.O. the orchestra of twenty as writ by Mozart is manfully represented by Tony James on the piano, and all pulled together by Roland Melia as M.D. par excellence. Stage Direction by Lewis Cohen completes the crew.

The tour begins soon in November in Market Lavington, but is also due to visit Bremhill, Hilperton, Winsley and Devizes in 2025, with other dates being announced all the while.ย  And if you would wish W.H.O. to visit your local venue, maybe as a fund raiser for a local cause etc, feel free to contact them on who-enquiries@hotmail.co.uk

Meanwhile, tickets for ALL White Horse Opera events can be found at
https://www.ticketsource.co.uk/whitehorseopera





โ€œPericlesโ€ at the Wharf Theatre, Devizes, October 21stโ€“26th 2024.

by Ian Diddams
images by Chris Watkins Media, Jeni Meade.

It would be fair to say that once William Shakespeare found or invented a plot device, he wasnโ€™t one to avoid using it again. And again. And โ€“ wellโ€ฆ  again, and again. Letโ€™s play โ€œShakespeare Bingoโ€ and โ€œGuess the Playโ€โ€ฆ

Thereโ€™s a STORM AT SEA, a SHIPWRECK, a HUSBAND is SEPARATED from his WIFE, FAMILIES are SEPARATED, each thinks the other is LOST or DEAD, somebody is thought to be DEAD but is actually ALIVE, a RULER abuses his position of POWER, there is a MAGICIAN controlling SOMEBODY, BROTHEL OWNERS, PIRATES, and in the end EVERTHING is resolved and family REUNITED.

Hmmmm.  Well, itโ€™s a tricky one.  The Tempest? Twelfth Night? Comedy of Errors? Romeo and Juliet? Merchant of Venice? Othello? Winterโ€™s Tale? Much Ado? Allโ€™s Well? Henry IV Pt 1? Measure for Measure? Cymberline? Two Gents? Hamlet?

All of these plays have at least one and often more of the attributes listed โ€“ Will liked to avoid working on new plotlines for sure. However, at the Wharf Theatre, Devizes, handily enough as it turns out, placed beside boats on the water to add even more background to a tale of watery confusions, is yet another Shakespeare play reliant on all of those points.

Pericles.

No, it’s not some sort of small whelk, or a garden perennial. Itโ€™s the story of an eponymous hero who escapes from a dodgy tyrant by running away to sea andโ€ฆ  well, you can piece the rest together from that second paragraph and Wikipedia.  Needless to say, allโ€™s well that ends well. So to speak.

Now Pericles is not a popularly performed play. Indeed, according to a 2024 ranking of most performed Shakespearian plays it comes in 22nd of 49 positions since 2012. So itโ€™s a real treat to be able to see it at a local theatre which may understandably have otherwise put on one of the โ€œBig Sixโ€ [*], and running at the same time as the same play at the RSC to boot. The Wharf is no stranger either to putting on lesser known Shakespeare of course, having shown โ€œMeasure for Measureโ€ in 2023. One reason for this wonderful opportunity to see this play is that the director, Nic Proud, is working his way through directing the entire canon โ€“ and this is his twenty-fifth play of that list, and another is the bold and open approach of the Wharfโ€™s artistic director John Winterton.


The play rattles along โ€“ Nic has trimmed the script to the key plot points, although as he says the play is really a series of connected moments and he has created a smooth storyline using those moments. The usual top technical team (Three Ts!) deliver effects and lighting with aplomb of course, leaving the stage ready and waiting for the actors to take us on Pericles’ voyage not only of the high seas, but of his fate and inner turmoil. The set is simply adorned with white and purple drapes, which cunningly transform into a jousting tilt barrier, and ethereal wings of the goddess Diana. A roped balcony provides some height to the set.

Our titular character is well delivered by Chris Smith, one of the four cast who have only one part to concern themselves with (has two shipwrecks!), the others being Danielle Cosh as the ethereal Thaisa (dies at sea, comes back to life!) , Louise Peak as the perspicacious Helicanus, and Nic Proud as Thaliard, stepping into the role at a late stage when an unfortunate injury to Steve Brooks saw him unable to continue โ€“ we wish Steve a speedy recovery and hope he can return to the Wharf in the future.


The other six cast members play between them a bewildering array of twenty-one other characters! That list would run to volumes but huge kudos to Abigail Baker playing Marina, Pericles daughter (lost at sea โ€“ now THEREโ€™s a thingโ€ฆ), Andy Bendell as the seedy bawd (!) Pander, Tony Luscombe as the dastardly Cleon (and a sailor in a  storm!), Sian Stables as even more dastardly Dionyza (and a sailor in a storm!) , Pete Wallis as the vengeful Antiochus (and a pirate!), and Debby Wilkinson as a brilliant mix of servant, bawd (!), sailor (in a storm!) and fisherman!


Nicโ€™s scissors have created a play about the length of a football match, and which is wonderfully easy to follow โ€“ every cast member deliver the lines of Elizabethan English so well that its totally understandable and comprehensible. The costumes are totally sublime so once again chapeau (see what I did there?) to Gill Barnes and her team.

All that remains to say is take this chance to see a play most theatres and companies steer clear of. And if nothing else if you will save your self a drive to Stratford and back to see it.


Pericles is performed at the Wharf Theatre from October 21st-26thth 2024.
Tickets from https://www.ticketsource.co.uk/the-wharf-theatre/pericles/e-plavyr

[*] Big Six
1. A Midsummer Night’s Dream
2. Hamlet
    Romeo and Juliet
4. Macbeth
5. Twelfth Night
6. Much Ado About Nothing

โ€œDesign for Livingโ€ at the Rondo Theatre October 2ndโ€“5th 2024.

by Ian Diddams
images by Josie Mae-Ross

Noel Coward is probably best known for โ€œBlithe Spiritโ€ but he in fact wrote sixty-five stage plays over a fifty year period. Bath Drama this week perform his excellent โ€œDesign for Livingโ€ – a comedy about a menage-a-trois, complicated by a fourth relationship set in Paris, London, and New York.



What is the secret to a successful community theatre show? It’s quite a simple answer in many ways โ€“ talented actors, inspired direction, dedicated crew all working to a vision. Topped off with an intimate space to share it all in. Bath Drama and the Rondo Theatre deliver this equation sublimelyโ€ฆย  from the wonderful sets, beautiful costumes, brilliant lighting, and the ability to be almost on stage with the actionโ€ฆย  for those in the front row in particular one is sitting in Otto, Leo, and Ernestโ€™s abodes.

Three of the principals โ€“ Gilda (Elisabeth Calvert), Otto (Toby Skelton) and Leo (Richard Watkins) share a turbulent three way relationship โ€“ viewed afar with some consternation by the fourth principal, Ernest (Iowerth Mitchell). Ernest is also friends with the trio, but far more platonically. The story moves between Gildaโ€™s affections at any one period; firstly with Otto, then with Leo, then with Ernest, until the playโ€™s dรฉnouement when the three embrace their shared loves and Ernest disowns them all.


Elisabeth Calvert as Gilda drives the show โ€“ she is on stage for the majority of the two and a half hour show (with over a thousand lines!). The entire story in many ways is about her inability to commit and/or her easily swayed attractions; she is also the instigator of all the arguments with her lover at any time hinting at a lack of happiness deep inside.

The one relationship in the play that Coward had to downplay when it was written in 1932 was the homosexual one between Otto and Leo. Even in today’s far more liberated times the dialogue still lends itself to a demure portrayal and little more than heavy hints that the two chaps in Gildaโ€™s absence have a thing going on. A few draped limbs here, a shared pair of pyjamas there, and a liberal use of the word โ€œgayโ€ as a double entendre (I only learned today the term for homosexual was first widely used in the 1930s amongst the gay community!). Toby Skelton and Richard Watkins portray this subtle yet intense relationship supremely well, infinitely comfortable in each otherโ€™s company and arms.

The supporting cast is no less excellent โ€“ Lucy Perry a blaze of door slamming energy on stage as her portrayal of the clumsy Miss Hodge the domestic contrasts superbly with the subtle, suave sophistication of the principals. Tim Carter doubles-up as a photographer and the monied New Yorker husband of Lauren Arena-McCann as the Carver couple, while Lauren also doubles-up Miss Birbeck a reporter. More double-ups as Lucy a.k.a. Miss Hodge also plays the rather more up market Grace Torrence, with her dee-lart-furl Southern drawl.ย  Segueing nicely in this review, Jim McCauley plays Matthew the somewhat stressed New York Butler to Ernest, as well as being Assistant to Gill Morrell as Director.

The set is delightful โ€“ simple yet elegantly portraying with not a little panache a studio in Paris, a flat in London and a suite in New York โ€“ step forward and take a bow to set crew Rich Canning (who else!), David Wood, Miriam Zaccarelli and Connor Palmer. The scene shifts between the three abodes are technical โ€“ which is a subtle way of saying they are long. However โ€“ this is not a negative; the choreography between the stage crew of Connor Palmer, James Dennis and Ellen Read is a delight to behold in itself more than ably abetted by the quite stunning 1920s soundtrack. Costumes by Scarlett Hayler-King and the cast were beautifully elegant โ€ฆย  and of course, there was Miss Hodgeโ€™s rather more prosaic home help clobber ๐Ÿ˜Š Finally, but by no means least, Alex Latham provided tech as smoothly on the outside as we have all come to expect.


This is an exquisitely written play, performed well and is more than worthy of your attendance.ย  โ€œDesign for Livingโ€ is performed at the Rondo Theatre from October 2nd-5th 2024.

Tickets from https://www.ticketsource.co.uk/rondotheatre/design-for-living/e-vllzbb

โ€œTalking Headsโ€ at the Wharf Theatre September 2ndโ€“7th 2024

by Ian Diddams
Images by Chris Watkins Media

Alan Bennet wrote his series of monologues in 1988 and 1998, with two more in 2019, centring on, though not confined to, stories of โ€œNorthernโ€ women, based allegedly on characters he had known in his life, particularly his formative years. The Wharf Theatre has kicked off its autumn program with three of Bennetโ€™s one woman shows performed by two new faces to the wharf, and Tina Duffin who has graced the boards there for a few years at least now.


โ€œA Lady of Lettersโ€ with Joanna Daniel as Irene starts the evening. Itโ€™s a mesmeric tale of a nosey neighbour spinster, who fills her time writing letters complaining about smoking pall bearers, neglectful parents, prostitutes and paedophiles.ย  We all know somebody like Irene. The vicar, the chemist and the police are the recipients of her missives โ€“ but her ill informed NIMBYISM comes home to roost as the truths behind her complaints are learned and she ends up in jail for harassment. Itโ€™s here however that she finds herself truly free and with a social life for the first time in her lifeโ€ฆ


โ€œA Cream Cracker under the Setteeโ€ with Liz Holliss as Doris concludes the first half. Doris is an aging and increasingly frail widow, struggling to maintain her independence while being hen pecked by an โ€“ allegedly โ€“ sloven home help care assistant. Trying to stave off being moved to โ€œStafford Houseโ€ a care home, it becomes increasingly apparent that Doris isnโ€™t actually capable of keeping herself safe and is too proud to admit it. As in โ€œlettersโ€ as the play progresses, we learn more and more about Doris and her life until now, each new revelation moving our understanding slightly from what we had so far understood. There is a โ€œBANGโ€ moment towards the end that stops the viewer in their tracks โ€“ a hitherto un-hinted at sea change in Dorisโ€™ life, if not her husbandโ€™s. This is the saddest tale of the three as we see Dorisโ€™ decline in just thirty minutes and her inevitable future.


After the interval, โ€œBed amongst the Lentilsโ€ with Tina Duffin as Susan is the lightest offering of the evening, although in true Bennett style this isnโ€™t all roses and jollity. The poignancy and inner sadness of the first two monologues is still here โ€“ its rather that the ending has no changes in Susanโ€™s life except โ€“ possibly โ€“ beneficial ones as she looks to overcome her alcoholism which becomes more evident through the story. Susan is a vicarโ€™s wife, and stalwart of the village fete โ€“ though she finds her role as Mrs. Vicar challenging not least as we learn she has no particular skills and is an agnostic surrounded by devout church goers and an ordained husband; thereโ€™s some home spun philosophy in here which I have often thought myself. Susan is clearly if not disenchanted with her life, at least bored with itโ€ฆย  her alcoholism spawns infidelity, though itโ€™s this last act that ultimately leads to her salvation from the demon drink โ€ฆย  before the object of her carnal releases gently leaves her โ€ฆย  and she is left wistful but not sadโ€ฆ

If there is one over-arching theme of these plays its one of entrapment โ€“ women stuck in their surroundings โ€“ be it a home as a prison with the irony that a prison becomes a home, a home that is now an increasingly dirty house, or a boring marriage and estranged lifestyle. With all three finding release in some not so obvious ways.


All three monologues are set in similar roomsโ€ฆย  somewhere between 1950 and 1970 in dรฉcor though as we possibly notice ourselves with older relatives โ€“ or even ourselves! โ€“ that may still be the same thirty years later of course. The Wharfโ€™s own tech crew as ever created the sets โ€“ itโ€™s been many a year since Iโ€™ve seen so many antimacassars. Gill Barnes and her wardrobe team as ever hit the spot with clothing befitting women of a certain age and the actors portray that well.


The actorsโ€ฆย  perfect for the roles in every way. They each capture their characters so well. Susan is every part the vicarโ€™s wife disjointed from her immediate life, Doris the desperate widow gas lighting herself over her independence, Irene the curtain twitching poison pen shit stirrer. Every part as excellent as Maggie Smith, Thora Hird and Patricia Routledge respectively from the original BBC series in the last century.


Abigail Newton, self-released from her national CAMRA activities, returns to direct this perfect show. She has captured the poignancy, light humour and hidden tears and fears of Bennetโ€™s slightly tortured souls in these three monologues. In the week that Oasis gig tickets were released donโ€™t miss out on seeing this particular show โ€ฆย  lest you look back in anger.

โ€œTalking Headsโ€ by Alan Bennet plays at Wharf Theatre, Devizes, from September 2nd to 7thย at 1930 every night.

Tickets are available from the Wharf website at https://www.ticketsource.co.uk/the-wharf-theatre/talking-heads/e-dezdpm

Few Remaining Tickets for The Importance of Being Earnest at West Lavington Manor House and Garden

Tickets are limited and selling fast for a staged reading of Oscar Wildeโ€™s most renowned comedy masterpiece, The Importance of Being Earnest, performed in the glorious setting of West Lavington Manor House and garden, on Sunday 8th September 2024โ€ฆ.

Itโ€™s undoubtedly Wildeโ€™s magnum opus, a timeless hilarity of dissimulation getting out of control, which I cite as the influence of many classic comedy series, particularly Fawtly Towers and Rising Damp.ย ย 

Itโ€™s a promenade performance, moving from space to space, which means seating will be limited. The โ€˜stageโ€™ consists of the Hall and garden of West Lavington Manor. The show promises to go on whatever the weather, so be prepared.

The Old Bag Theatre Company have assembled a superb, and unconventional cast to bring Wildeโ€™s play to surprising life in a setting he would have adored.

All profits from the performance will be donated to The Nestling Trust,ย  a UK Charity established in 2013, with the support of people from a small community in Wiltshire, to give protection, and hope of a future, for destitute and abused children of Nepal, also to help provide basic healthcare and health education for people living in remote areas of the country without any medical facility.ย 

Performances take place on Sunday 8th September at 2pm and 6pm. The grounds will be open from Midday for browsing and picnics, camp chairs are allowed but not in the house. There will be a bar available. But remember, if you take muffins, eat them calmly!

Tickets are ยฃ20 (includes a glass of bubbly) available from HERE.

Enquiries to: oldbagtheatrecompany@gmail.com


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The Next Season at the Wharf Theatre

Featured image byย Chris Watkins

Autumn, finish your ice lolly, as we need to to start thinking about it! Our wonderful, one and only, theatre in Devizes is currently โ€œdark,โ€ for maintenance, installation of new equipment and stage enhancement. But thereโ€™s a new season coming soon, and tickets for a variety of performances beyond panto and into 2025 are up for grabsโ€ฆ

The theatrical term โ€œgone darkโ€ indicates the venue is closed to the public. No lights mean no show. Historically, when theatres go dark one is left lit light at the centre of the stage. Itโ€™s known as the โ€œGhost Light,โ€ believed to guide spirits and ghosts around the building.

Wharf Theatre

While it may be a fire safety hazard too far for us today, candles were used in times gone by, and this may explain why many theatre’s often burned down in the Shakespearean era. Iโ€™m not a fountain of knowledge, I pinched it from the Wharf Theatreโ€™s Facebook post! But we canโ€™t have ghosts snapping up all the tickets for themselves, so hereโ€™s the lowdown on performances theyโ€™ve got lined up for us from August.


Sat 10th August: sees Rabbit Rabbit, a tribute to those cockney sparrows, Chas & Dave. Performed by the renowned trio, Triple Cream with their fantastic musicianship & witty banter, this show will have you smiling from ear to ear!

Mon 2nd – Sat 7th September: Abigail Newton directs British playwright Alan Bennettโ€™s Talking Heads. Three dramatic monologues taken from the BBC TV series from 1988.

Thur 12th September: Devizes Film Club screens joyful British comedy Scrapper.

Fri 20th September: Relive Hancock’s Half Hour with award-winning theatre company, Hambledon Productionsโ€™ recreations of three, โ€˜lostโ€™ episodes from the original television series. Missing from the BBC archives, this UK Tour will mark the very first time these hilarious scripts have been brought to life since their original broadcast.

Sat 28th September: Jazz Britannia. Britain’s best New Orleans jazz combo Baby Jools & The Jazzaholics take you on a musical journey through the birth of British Jazz.ย 

Mon 21st – Sat 26th October: Nic Proud adapts and directs Shakespeareโ€™s Pericles, Prince of Tyre. A man on an endless voyage of peril, with romance and killing.

Sat 2nd Nov: Murder: Just What The Dr Ordered. From Isosceles Theatre Company who brought us a sold-out performance of The Man Who Left The Titanic last year. Set in Edinburgh, between 1827 and 1828, science and murder cling together in a dance of death.

7th Nov: Devizes Film Club screens Aki Kaurismรคkiโ€™s Fallen Leaves, a Finnish film about a romance between a supermarket girl and a metalworker against a backdrop of economic disparity and war in Ukraine. Winner of the 2023 Cannes Film Festival Jury Prize.

Thu 28th Nov – Sat 7th Dec: Panto Time! This year the Wharf Theatre presents Hansel & Gretel. Karen Ellis & Jessica Bone take direction roles for the gingerbread house traditional pantomime. Alway popular, book this asap.

Mon 27th Jan – Sat 1st Feb: Veronica’s Room. John Winterton directs the first Wharf production of 2025, a chilling mystery thriller by the author of Rosemaryโ€™s Baby, exploring the thin line between fantasy and reality, madness and murder.

Tickets now on General Release HERE. Please note that Devizes Library is closed until 24 July which includes the Community Hub Box Office. Support our lovely local theatre.


Weekly Roundup of Events in Wiltshire: 17th- July 2024

Jam-packed July! If thereโ€™s always lots to do throughout the year, July especially so!  

Hereโ€™s what weโ€™ve found in the wilds of Wiltshire this coming weekโ€ฆ.

Everything listed here is on our event calendar; go there for links and more info, as it takes too much time to link them all in. It may also be updated as more events come to our attention, so check in later in the week too!

Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August.

Marlborough Open Studios is running until 28th July. 


Wednesday 17th

Acoustic Jam at the Southgate, Devizes.

Memory Cinema at Swindon Arts Centre screening Kind Hearts And Coronets. Big Jam session at the Vic, Swindon.

Fromage en Feu at the Bell, Bath


Thursday 18th

Amadeus Orchestra at Wilthsire Music Centre, Bradford-on-Avon.

National Theater Live: Present Laughter (Encore Screening) at Pound Arts, Corsham.

Memory Sing at Swindon Arts Centre. Chicago Blues Brothers at the Wyvern Theatre.

Lonely Tourist at The Tuppenny. Larkham & Hall at The Beehive. Preacher Son & Sons of Liberty at The Vic.

Back to Moo Moo at The Rondo Theatre, Bath.


Friday 19th

Event by Babois Eats the Lizard at the Dog & Fox, Bradford-on-Avon. 

Avalon Comedy Network: Michael Odewale, Grace Mulvey, Sahib Singh & Luke Honnoraty at Pound Arts, Corsham.

I Know the End at Swindon Arts Centre, repeats Saturday. 4ft Fingers & Slagerij at The Vic, Swindon.

Upton Blues Festival opens.


Saturday 20th

New Moon โ€“ A Psychic and Spiritual Fayre at Devizes Corn Exchange from 11-4pm. The Roughcut Rebels at The Three Crowns. Talk in Code at The Southgate.

Market Lavington Vintage Meet Family Fun Weekend

Living Among… Reflections on Solitude and Nature: An evening of classical and folk music for violin and voice, with new work from composer Dylan Fixmer, also guest on piano and guitar at St Peter’s, Marlborough. Glamarma at the Bear. Rom 101 at The Lamb.

Reggae at the Pelican, Froxfield with Razah I-Fi.

Classic Ibiza at Bowood House

Glenn Darren & The Krewkats at Melksham Rock n Roll Club.

Cider, Reggae & Rum Festival in Trowbridge.

Ultimate Floyd – Pink Floyd Tribute Show at The Neeld, Chippenham.

The Thomas Sladden Quartet at Wiltshire Music Centre, Bradford-on-Avon.

Malin Lewis Trio at Pound Arts, Corsham.

SGO at Richard Jefferies Museum, Swindon from 1pm. Rammied at The Vic. World Music Club at The Beehive. There’s a rally for Plastine at Faringdon Road Park. Julie Scott’s Academy Of Dance – Let Us Entertain You Again at the Wyvern Theatre.

But, Editorโ€™s Pick of the Week is in Swindon this week, itโ€™s My Dadโ€™s Bigger Than Your Dad Festival for Prospect House at the Old Town Bowl; Ian despatched to find out more and report back!

Carpenters Tribute โ€“ Rainy Days, Mondays & Good Old Dreams at Chapel Arts, Bath.

Frome Record Fair at the Cheese & Grain. The Guns N Roses Experience afterwards.


Sunday 21st

Fantasy Radio is at Hillworth Park, Devizes with Andrew Hurst from 2pm-5pm. Jerry Crozier-Cole Trio at The Southgate, Devizes 5pm. Apparently, thereโ€™s a Family Fun Day at Avon Road Park, Devizes; Deadlight Dance are playing but Iโ€™ve heard nothing more about it. Sunday Sounds at the Muck & Dunder, free entry.

GM Dance Academyโ€™s Summer Showcase at Wiltshire Music Centre, Bradford-on-Avon.

Schtumm X-tra Presents Sarah Gillespie & Chris Montague at The Queens Head, Box. 

Kirris Riviere & Delta du Bruit at the Bell, Bath.

Jol Rose & Rachel Birkin at Richard Jefferies Museum, Swindon 1pm. Embrace All Festival, Swindon. Emma Doupe at The Vic. JHS Dance – Seasons Of Dance at the Wyvern Theatre.

Frome Childrenโ€™s Festival at the Cheese & Grain.


Monday 22nd

Wonder Gigs: Seasons at Pound Arts, Corsham.

Kevin Dempsey at the Bell, Bath.

Later with Frome College at the Cheese & Grain.


Tuesday 23rd

Rob Lear Band at The Piggy Bank, Calne.

Karen Sharpe Quartet at  Jazz Knights, Royal Oak, Swindon.

Week one of Devizes Tennis Clubโ€™s Summer Tennis Camp begins.

And thatโ€™s your lot, for now!

Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!

Have a good week!


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โ€œFaithโ€ at the Rondo Theatre, Larkhall, Bath, July 12th 2024.

by Ian Diddams.
photos by Ian Diddams and Luke Ashley Tame at Acadia Creative.

 
In the U.K. a one hundred and sixty-eight women and girls are murdered each year โ€“ almost one every two days. Eighteen percent of all recorded crime is domestic abuse. To the year end March 2022 police recorded 194,683 sexual offenses. Of which 70,330 were rapes, and of those just 3.2% were prosecuted, with a conviction rate of 62%. That is a conviction rate of under 2% of all reported rapes. โ€œReportedโ€ being the key word here.โ€จ



โ€œFaithโ€, devised by Uncaged Theatre and written by Meg Pickup and Taruna Nalini, explores this background in its story involving four long standing friends – Colly & Kaia a cohabiting lesbian couple, Mercy who has an off-stage lesbian partner, and Theo who leads a promiscuous, single gay lifestyle. They share evenings together drinking wine โ€“ and cider – and playing games where Uno is the safe game of common agreement over strife ridden Monopoly and the ownership of โ€œMayfairโ€. Their harmonious, loving and tight knit group comes under pressure when a close female friend disappears after one such night when she never reaches home after her Uber ride. Things never will be the same again.

โ€จโ€จBefore the friend’s disappearance we witness small cracks in Kaia and Collyโ€™s relationship, which love and partnership smooth over but it’s bubbling below the surface continually. The safety of Theoโ€™s promiscuous gay lifestyle via Grindr is questioned by the three women, but he brushes it off โ€“ a foreshadowing of what is to come in some ways. Mercy is portrayed as the most on-the-level of the four.

The disappearance of their friend lifts the lid on all of these relationships and interactions. The women are connected by a constant fear and dread of male violence. Theoโ€™s viewpoint is one of self-protection and public perception of himself as a male and these two sides of the coin are unable to fully appreciate each otherโ€™s position. As Colly opines, women are worried about BEING the next victim, while men are worried about being blamed. The cracks in Kaia and Collyโ€™s relationship widen over differences in approaches to the tragedy; Collyโ€™s solution is to protest and push the issues into peopleโ€™s faces, Kaiaโ€™s is to hide away and not stir societyโ€™s pot.

The final monologue is stark.โ€จโ€จ

โ€œFaithโ€ is a work in progress and the Rondo performance was its world premiere. As a work in progress there are areas to flesh out, I am sure โ€“ Theoโ€™s story is ripe for this area both with his own vulnerability in his encounters and also as the closest male to the victim. The area around race of the Uber driver is hinted at โ€“ and could again be a sub-plot to expand on, though that may be a distraction for the overarching premise and theme of this play.

โ€จโ€จAll four characters are clearly and perfectly drawn. Meg Pickup as strong willed, somewhat selfish Colly, Taruna Nalini as the loving, but insular Kaia, Billie-Jo Rainbird as the level-headed Mercy and Nicholas Downton-Cooper as Theo living his best unfettered gay life whilst overly sensitive and defensive to public perceptions.โ€จโ€จ

The set by Uncaged Theatre is a simple one (I like a simple set me!) where the action all takes place in Kaia and Collyโ€™s flat. Lighting and sound by Maria Hemming sets the tone and time and day, and Billie-Jo. There are clever uses of TV reporting voices โ€“ voiced by Ashley Kelberman and Max Baldock โ€“ to cover the news around the disappearance and eventual discovery; a very good directorial touch by the company.โ€จ

โ€จThe show is a hard watch, unsurprisingly, due to its core premise. But itโ€™s a well told one written from unfortunate knowledge. At least one of the abuse stories related in the play is 100% true from one of the castโ€™s own experience, and all are based on real occurrences. It is something everybody should see; the writing is precise, pertinent and pulls no punches. The characters are well drawn – these are people we all know … normal, everyday people leading everyday lives just like ourselves. In a friendship group just like we all have. Yet we are lucky enough – mostly – to not face what happens to one of our friends. I hope for all our sakes. Because one day … it may be us. Maybe it’s us that takes that last Uber ride thinking we are nearly home… It will move you – it SHOULD move you. I cried when I reflected on the show.


In closing, we need also reflect that in the time between seeing the show and writing this review, statistically in the U.K. another woman has been murdered.โ€จโ€จ

โ€œFaithโ€ can be seen at the Alma Tavern, in Bristol, on August 10th at 8pm.โ€จTickets from https://www.tickettailor.com/events/almatheatrecompany/1242658

โ€œMacbethโ€ at Cleeve House, Seend, July 1st-6th 2024

By Mick Brian
Photos by cast and arenaphotography

William Shakespeareโ€™s tragedy, inspired by real life eleventh century Scottish kings, is well known by anybody thatโ€™s done GCSE (or even O-Level!) English I am sure, and Wikipedia can fill in the gaps, so I wonโ€™t bore you with the storylineโ€ฆย  other than to say as AC/DC would have it โ€œIf You Want Blood, You’ve Got Itโ€ as Macbeth is enticed by three witches to pursue the throne of Scotland, and in so doing murders Duncan the king, then sees off his best chum Banquo, though fails to also finish Fleance, Banquoโ€™s son who the witches also suggest may become king one day. Lady Macbeth is his conniving ball breaking wife, and eventually Macduff, the ultimate C-section delivery sees him off to bring Duncanโ€™s son Malcolm to the throne.

The cast of โ€œShakespeare Liveโ€, a Wiltshire/Bath based company, bring this tale of blood and sweat if not tears to life at Cleeve House which itself โ€œhath a pleasant seatโ€, near Seend this week in their traditional summer outdoor production. Bring a picnic, sit beneath cover for the show lest it rains or on a blanket as a groundling, and watch this talented cast do dastardly deeds and much plotting, set against the beautiful Wiltshire countryside as a background. Directed by John Jameson Davis, he brings this four hundred year old play to vibrant life. The tech team of Alex Latham, Oscar Davis, Richard Carter and Martin Moffat produce such atmosphere especially in Act 2 as darkness descendsโ€ฆย  Macbeth as a play is set mainly at night-time, so the sun disappearing right on cue as the west yet glimmers with some streaks of day is sublime.

The set is simple yet effective โ€“ that Wiltshire backdrop provides everything thatโ€™s needed, with hints of Wiltshire presented in one corner that tie in with the witches perfectly โ€“ youโ€™ll need to come and watch it to see what that is ๐Ÿ˜Š


Our main man is superbly played by Laurie Parnell, brilliantly combining with Stephanie Richards as Lady Macbeth. The two of course see off Duncan, imperiously played by Gill Morrell.ย  Faithful, then not so faithful thanes are provided by Simon Reeves as Lennox, Taruna Nalini as Ross, Bryce Collishaw as Monteith and Graham Paton as Caithness, aided and abetted by Josh Phillips as Macduff, and Francis Holmes as old Angus. Somebody has to do all the sundry stabbing and Ian Diddams as Seyton and Bryce Collishaw as accompanying neโ€™er do well provide the means to a sticky end seeing off Oli Beech as Banquo, Charlie Aldred as Young Macduff and Kerensa McCondach as Lady Macduff. Centre stage of proceedings of course are three witchesโ€ฆ ย suitably manically presented by Phoebe Fung, Penny Clegg and Andy Cork. Gentlewoman Lydia Harman-Verrell and Doctor Roger Hames provide for Lady Macbethโ€™s wellbeing, and itโ€™s all mopped up in time for Sarah Horrex as Malcolm to finish it all of with a rousing speechโ€ฆย  though Fleance โ€“ Charlie Aldred again โ€“ is never far awayโ€ฆ Its not all darkness, blood and tragedy of course โ€“ Graham Paton wades in with some welcome comic relief and the obligatory Shakespearian knob-gags as the philosophical and ย equivocating Porter.

Costumes are sublime โ€“ Hermione Skrine, Caren Felton and Helen Holliday have superbly dressed the cast in โ€œborrowed robesโ€, and there are no โ€œstrange garmentsโ€ to be seen!


So dust off your O-Levels and GCSEs, grab a friend or three, a blanket, a picnic, and come and enjoy a well presented tale of power, greed and witchy shenanigans in the beauty of the Wiltshire countryside.

โ€œMacbethโ€ is performed at Cleeve house, Seend from July 1st to July 6th at 8pm, as well as a Saturday matinee at 2pm.

Tickets are available from https://www.ticketsource.co.uk/shakespearelive

Devizes Arts Festival Rules, OK?!

Alas, it’s been a long week since the Devizes Arts Festival called time. It feels a little like when my Dad would take the Christmas decorations down; sure, the lava lamp and toilet roll dolly remained but somehow the rest of the house looked bare and sparse!

Another great year for the annual festival which again saw Devizes sprinkled with a variety of events and the coming, and going of talented outsiders. There’s a feedback form the committee would care for you to helpfully fill, HERE, meanwhile I will reflect on the festival as a whole, after some great reports from myself and our esteemed writers, of which you can click on the titles of to read the full review; awesome what we can do nowadays, isnโ€™t it?!

Far more organised than previous years, at least, we drew a rota we rarely referred back to! I led our team out to battle by covering the opening Friday night’s pirate shenanigans, and topped it off with Saturday’s arrival of Lady Nade, undoubtedly my favourite. Thereafter our roving reporter of insurmountable knowledge and something apparently called basic grammar, Andy Fawthrop would pip me to the post with a non-stop barrage of reviews. He was steadfast at the venues, I was wavering, and Ian, well, Ian was a Slambovian Circus of Dreams. After a gate technical blunder it was great to also have the one and only John Winterton of the Wharf Theatre contribute his professional thoughts on one wharfside gig.

Thanks to everyone for the teamwork. If Andy won on quantity, I excuse myself by reminding people Iโ€™ve work commitments while most are tucked up in bed snoring the theme tune to CHIPS. I could argue if there was one negative piece of feedback, it would be that more events at the festival could be organised over weekends, extending the festival perhaps, but rewarding the organisers a well-earned midweek break. Yet, Devizes Arts Festival is not to blame for the extremist early hours of my real labour, so I guess this is a self-inflicted matter; if only I was a popstar instead!

The only other niggly I suspect will come up through feedback is price, it is a sign of the times Iโ€™m afraid. A mountain of work and money goes into this and any other event, something I think people take a smidgen for granted. Weโ€™ve seen the demise of events and venues alike over the last few years, and it comes down to undercutting themselves at their box office. Itโ€™s such a shame, and all we can really do is convince people what is worthy of your hard-earned cash, and what is not. Despite a massively erroneous preconception Devizes Arts Festival is akin to a Saga holiday in some form or fashion, I can assure you it is most definitely not, it is a very worthy event, and needs you younglings to support it. Ticket sales this year varied between events, some sold out unexpectedly, others which the committee assumed would be winners suffered slightly; it is not an exact science, this is why your feedback is crucial.

Donโ€™t forget the festival also hosts many free fringe events across town during the period. These are always well attended, hence surmising a fair ticket price is always a benefit to any event. At all fringe events I pause for thought like a vicar on Radio 2, to acknowledge these free gigs is to only partially immerse yourself in Devizes Arts Festival, and you should consider if you enjoyed them, how much more amazing the paid events are, and treat yourself accordingly.

Friday 31st May the shebang pounded off the starting block in a lively punk-pirate fashion. Of Jolly Roger I said it was, โ€œloud and sprightly unpretentious punkish tomfoolery with a pirate theme, yet, at times there was concentrated and thought-provoking narratives in their original material too. Euphoric tunes such as the most poignant Silent Mountain temporarily broke the frenzy, whereas characters like a bloke who props up the bar, conveyed this is a three sheets to the wind partying band to be taken tongue-in-cheek, but, dressed as pirates kinda gave that game away!โ€ among other things. It was a fiery marine-themed start to the landlocked festival.

Yet I was holding out all expectations for Saturday with Lady Nade, and it did not disappoint. It was my personal favourite and what a way to begin June. I deemed it mesmerising, hailing it, โ€œa breath-taking performance, only Nina Simone between Simon & Garfunkel couldโ€™ve equalised.โ€ย ย 

The first Sunday there was a festival walk; none of our writers seemed to take the walks up; maybe I should buy them some stout boots, Thermos, and pack them a cheese & pickle sandwich?! Neither Adam Alexanderโ€™s Seed Detective that day, nor Eddy Allenโ€™s Solo Loop Show get coverage from us, for which I apologise. But Andy clocked in on Monday, reviewing Dr. Phil Hammondโ€™s โ€˜How to Fix the NHS.โ€™ which he called โ€œa cracking nightโ€™s entertainment โ€“ informative, interesting, and absolutely hilarious.โ€ Personally, and without getting too political, I had my own interpretation for a start to fixing the NHS, and that’s to stop voting in self-serving thieving clowns.

But, I digress, because once Andy gets in gear there’s no stopping him. Tuesday he covered its first classical offering The Edward Cross Quintet, a Wiltshire based multiโ€instrumentalist with a background in composition and production, โ€œoverall,โ€ Andy stated, it was โ€œtechnically enjoyable, but emotionally not very engaging.โ€ Well, I do ask our reviewers to provide an honest opinion, even if Iโ€™m a suck-up!ย 

Liz Grandโ€™s Mrs Churchill we missed on Tuesday, Mike Dilgerโ€™s One Thousand Shades of Green as well. Unfortunately we canโ€™t be everywhere, but we try.

Likely the most interesting reviews was from the Wednesday of the first week when baffling geneticist, author and broadcaster Adam Rutherford came to town. Hereโ€™s where Andy shines, as it would have been too intellectual for me to cast such a detailed review on. โ€œInformative and absolutely fascinating,โ€ Andy called it. โ€œAdam is no comedian, but he does have a light touch, and just like on the radio, he was able to bring science very much to life, to engage his audience, and to leave everyone a little richer in understanding.โ€

Hollie McNishโ€™s Lobster Tour sold out, but we didnโ€™t manage to catch this one either. Andy covered probably the widest known name, comedian Lucy Porter on Thursday. I really wanted to do this one, but hey I think Andy deserved a treat. โ€œIt was for the most part, very clean and straight-forward stuff. There was nothing that could be considered โ€œedgyโ€, there was nothing political, and there was (amazingly) no swearing,โ€ said Andy of it; boring!! โ€œAs such, it probably kept most of the audience in their comfort zone for most of the time, but it was no less hilarious for all of that.โ€

Jo Carley and the Old Dry Skulls was missed on the Friday, I did put my gumboots back on for The Cable Street Collective on the Saturday. This was awesome. โ€œFrom the off Iโ€™m reminded of the marabi sound of Hugh Masekela,โ€ I suggested, โ€œwith the upfront brass of trumpet and saxophone. Yet you couldnโ€™t pigeonhole this with a thousand words, itโ€™s wholly unique. Female fronted by an energetic yogi, she somersaults the high stage projecting a mid-tone vocal range with unrivalled passion, encouraging her audience to follow the leader,โ€ and they did. Cable Street had the Exchange up dancing.

The end of the first week saw another Festival Walk and a free fringe event in the trusty Three Crowns, Rumour, the latter I did manage! โ€œAmericana trio Rumour from the Black Country, pitched up in the yard with a breezy underlying familiarity to their sound. As the name suggests, covers were Fleetwood Mac top-heavy but delivered beautifully amidst a few other classics and some blended original material. Couldnโ€™t fault them if I tried.โ€ Annie Parker Trio was also a fringe event, but I went home for tea and bed.

Midweek marvel, Andy was back on the scene Monday 10th June, with classical pianist Ida Pellicciolo. โ€œThe whole performance was both intense and mesmerising, played and presented by a world-class pianist who was clearly absolutely dedicated to her work, and completely on top of her game.ย  Entirely justifiably there was sustained applause at the end from a very appreciative audience, provoking not one, but two, short encores, the latter of which was an โ€œimpromptuโ€ by the more modern Finnish composer Jean Sibelius (1865 โ€“ 1957).โ€

Again on Tuesday, Andy was on it. Belinda Kirkโ€™s The Life-Changing Power of Adventure this time, which although โ€œmuch against my will,โ€ Andy said โ€œI was actually on the edge of my seat listening to this stuff.ย  And I wasnโ€™t alone either โ€“ the rest of the packed audience seemed pretty enraptured too.ย  Sheโ€™s an enthusiastic, energetic and very articulate speaker.โ€ So, wellbeing tips, ask Andy, Iโ€™d only recommend a sausage sandwich.

Due to a misunderstanding, when Ian Diddams arrived on the scene to cover Discovering Antarctica : Heroic tales of Shackleton, Crean and Scott at the Wharf Theatre it wasnโ€™t to be, and so John Winterton stepped in his shoes. โ€œAn evening well spent and testament to the hard work obviously put into the research put into the script and the characterisation of Tom, by Aidan.โ€ย  Kate Webb and Jon Stockโ€™s The Darker Side of Wiltshire we missed.

โ€œMartin Simpson is, in the contemporary folk world at least, the equivalent of Royalty, or a National Treasure,โ€ Andy said, when he came to Devizes on Wednesday, and our man on the scene summed it, in a word, as a โ€œmasterclass.โ€

Andy gave us his opinion on A Lunchtime Amuse-Bouche, with Duo Tutti on Thursday, and The Sound of Blue Note too, which he hailed โ€œa bunch of guys who were clearly very comfortable with their material, with their arrangements, and with playing in each otherโ€™s company.ย  They sounded absolutely great, tight when they needed to be, but with that wonderful ability to fall back and give space to the many solos and improvisations,โ€ and requested more jazz for Devizes.

Finally they thought better of it and let Ian in! The Slambovian Circus of Dreams on Friday was something I really should have attended judging by the look of it alone. โ€œHillbilly Pink Floydโ€ Ian called it, but expanded โ€œtouches on some aspects of their music, but itโ€™s a far wider demographic than simply that. Certainly, their show at the Corn Exchange last night included elements that certainly sounded very Pink Floyd, but psychedelia, prog, Dylan, Seeger, Tull, Led Zep all played their part weaving into and out of their songs.โ€

The Slambovian Circus of Dreams @ Devizes Arts Festival 2024

No one was tempted by Huw Williamsโ€™ Organ Recital at St Johnโ€™s Church, or the The Poetry Slam at the Wharf which polished off the festivities. Saturday nightโ€™s hypnotist Matt Hale was unfortunately cancelled, to which remained a marvellous afternoon in the British Lion with skiffle band The Junco Shakers. I was content, it was one of those fringe events which simply worked.

Overall, itโ€™s been a great year for Devizes Arts Festival, with some world class acts and much enjoyment was had by all. Though as far as I know, Devizes has never had a hypnotist, and for all its uniqueness Iโ€™d have thought this gig would be a sell-out. It is unfortunate, due to low ticket sales it was pulled. It proves perhaps an error in judgement, or could imply more advertising would have helped, I really donโ€™t know; I was looking forward to it. Again, all I can say is we need to support arts in town, and Devizes Arts Festival is the king of this. We look forward to another year of which I urge to get onboard for; the thought of losing this gem on our calendar as weโ€™ve lost others would be too much to bear.ย 

Thanks to our wonderful team for their valid input, especially our part of the furniture, Andy Fawthrop, who summed it up thus, “Another excellent festival in my opinion – well organised and publicised. The range and variety of events, and the many different venues, together with the Free Fringe, made this another good year. Thanks all those involved for all the hard work youย put in to achieve this. Hats off!”


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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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“The Collaboratorsโ€ at the Rondo Theatre, Larkhall, Bath, June 19th-22nd.

by Ian Diddams
photos by Richard Fletcher & Lisa Hounsome

The concept of historical brutal dictatorships and comedy is not necessarily one that one considers as workable. Yet the likes of โ€œThe Producersโ€ and โ€œThe Death of Stalinโ€ show that the right level of satire can over come any qualms that may exist. John Hodgeโ€™s play โ€œCollaboratorsโ€ continues this trend as an Stoppard-like surreal absurdist comedy about the relationship between real life characters Joseph Stalin and Mikhail Bulgakov, which the Rondo Theatre Company are performing this very week.

John Hodge may be better known for his scriptwriting on โ€œShallow Graveโ€ and โ€œTrainspottingโ€ amongst other blockbuster films but here in โ€œCollaboratorsโ€ he ratchets up the satire and hinges his story on a Machiavellian plan by Stalin toward the dissident playwright Mikhail Bulgakov.

Director Matt Nation has created a demanding โ€“ in effect โ€“ two scene play into a smoothly choreographed storyline, as the simple set of the Bulgakovโ€™s Moscow flat replete with huge Soviet red star also covers the Lubyanka, theatre, rehearsal studio, doctorโ€™s surgery, hospital, kremlin basement & metro, all clarified by Alex Lathamโ€™s subtle lighting changes, The cast smoothly transition between these environments adeptly โ€“ such is the skill of particularly community theatre in  representing multiple arenas in a limited space.


Act 1 is pure absurdist comedy. Bulgakov is pressured into writing a play for Stalinโ€™s birthday, that ends up being written by Stalin himself while Bulgakov ends up running the Soviet Union. Its silly, its surreal โ€“ action also happening in Bulgakovโ€™s head at times but just on the end of Act 1 the plot twists darkly.

Act 2 is pure black comedy. Though as the end of the play approaches is not so much comedy as horror as the repercussions of Bulgakovโ€™s well intentioned โ€œdecisionsโ€ as a proxy for Uncle Joe come clear and those chickens come home to roost. Tragedy would be as good a description as the show reaches its denouement.

Weaving this excellently crafted and delivered tale are the cast of fourteen. Principal characters are unsurprisingly Stalin โ€“ complete with swept back hair and bristling moustache โ€“ played by Andy Fletcher, and Bulgakov played by Jon Thrower. They portray this odd collaboration skilfully and sympathetically, Stalin as an almost genial and friendly Uncle figure, Mikhail as the distrusting and incredulous playwright.



Mikhailโ€™s peer group is comprised of his loving wife Yelena (Lucy Upward) portraying her increasing desperation and concern as to his health, Vassily an aging Czarist (Jonathan Hetreed), Praskovya a history teacher (Verity Neeves) that cannot discuss history before the revolution, and Sergei (Charlie Bevis) who have been billeted in the Bulgakovsโ€™ small flat โ€“ Sergei lives in the cupboard!  On this note the cupboard is superbly used as the entry and exit of Mikhailโ€™s dreams/hallucinations and also the secret Kremlin door (!). Charlieโ€™s portrayal of the enthusiastic young Soviet is touchingly naรฏve, and the group rub along despite their clear and evident differences in opinion and approaches to life under Stalin. Completing Mikhailโ€™s peer group are Grigory (Toby Gibbs) a young writer struggling to get his work published due to its anti-Soviet content and his wife Anna (Elisabeth Calvert) reflecting the timesโ€™ oppression.

Bulgakovโ€™s doctor is portrayed amusingly (in all the right ways!) by Tim Hounsome, all overworked, distant and slapdash until treating the elite, while โ€œthe actorsโ€ are just wonderfully performed by Josie Mae-Ross and Richard Chivers, floating in and out of Mikhailโ€™s dreams as well as acting out the play Bulgakov is โ€œwritingโ€ โ€ฆ  Richardโ€™s homage to Ernst Stavro Blofeld is almost a show stealer in itself.

Last but not least we come to the menace in the play โ€“ the NKVD officers.
Vladimir (Tom Turner) is quite brilliant as the jocular yet disquieting secret policeman who becomes more luvvie and obsequious as the play develops. Its unfair to pick out individual parts as โ€œshow stealersโ€ especially in community theatre, but it would be remiss of me to not to praise one particular performance in this play. Tim Carter plays NKVD policeman number two, Stepan. A silent, brooding presence he delivers the real โ€“ literally unspoken โ€“ menace throughout whilst being at the back of the stage mostly. Its not until the very end that he comes to the fore in his own right, but itโ€™s a special skill to not be heard but be influential in the action and Tim really nails the requirements.



Vladimir’s wife Eva is played with an almost cameo performance by mainstay of the Rondo theatre company, Alana Wright, who manages to stave of the unwanted attentions of Stepan… mostly…




Aside from Alex on lighting, Dylan Jackson provided sound tech and as a team they had a busy time and completed everything to perfection – this is a tech heavy show so huge congratulations to them. Other crew aspects were indeed โ€œcollaboratedโ€ on (dโ€™ya see what I did there? ) by all of the above โ€“ set design and build, stage management (including Toby Skelton), costumes and publicity which was aided and abetted by Lisa Hounsome and Richard Fletcher with photography.

“Collaborators” is a fast paced, thinkers play โ€“ although the allusions to modern day Russia are evident and lie not very far beneath the surface. Some genuine laugh out loud moments, some shocking moments and Stalinโ€™s final words to Bulgakov sum up the regimeโ€™s totalitarian control in a nutshell.

โ€œCollaboratorsโ€ is showing at the Rondo Theatre, Larkhall, Bath from June 19th to 22nd at 1930 every night.

Tickets from https://www.ticketsource.co.uk/rondotheatre/collaborators/e-eqavlp

“Whereโ€™s The Cat? Live!” at the Wharf Theatre June 27th 2024

by Mick Brian
Photos by the “Where’s the Cat?” team

Within the walls of Devizes very own Wharf Theatre meets an eclectic group of script writers. And having written scripts and read them to each other, they wondered what to do next. So they recorded themselves performing these short radio-style plays and unleashed them on an unsuspecting world in the form of a podcast series. Having achieved this milestone the group pondered what to do next, and a live show seemed the next obvious step.ย 

“Whereโ€™s The Cat? Live!” is a melange of short plays, written and performed as rehearsed readings by the group, with the assistance of a couple of Wharf actors and a very sound man on sound. The plays cover the main facets of life; comedy and tragedy, often both at the same time. Thereโ€™s a trilogy of plays about a trio of friends who find themselves in unusual and inconvenient situations. Thereโ€™s a play about spies, another about therapy, another in a dystopian future where the human race is reduced to two people and some pot snacks. We go to Heaven in one play, a driving test centre in another, and a funeral in another.ย  We meet an AI doctor, a fairy tale protagonist, a magician, and a mother and son having a row. Essentially all human life is here, just not necessarily as we know it.


The writers themselves have varying degrees of performance experience. Some are familiar faces upon the Wharfโ€™s boards and their stagecraft shows, whilst others seemed less at ease within the performance space. Whilst it is not necessarily a natural thing for writers to be performers also, the rehearsal process has coaxed the hidden actor out of them and it has been a privilege to watch them develop. The direction has been lead by Ali Warren, and a superb job she has done of it too, bringing these short pieces to life, and the group should be applauded for baring their souls and sharing their art with the public, which is no easy thing to do. The mixture of styles and substance is quite refreshing as one can pretty much guarantee there will be something that will stick with you from the evening.



“Where’s the Cat? Live!” plays for one night only and youโ€™ll kick yourself if you miss it.

Tickets available from https://www.wharftheatre.co.uk/show/wheres-the-cat-wharf-writers-group/

REVIEW โ€“ Devizes Arts Festival โ€“ Lucy Porter + Support @ Corn Exchangeย  6th June 2024

Funny You Should Say That

Andy Fawthrop

And finally it was time to see the girl weโ€™ve all been seeing on the poster for the past few months!ย 

Last night Devizes Arts Festival presented its comedy big-hitter, the radio and TV star Lucy Porter.ย  And D-Town responded with another packed audience.

Lucy Porter is a stand-up comedian, and a regular face and voice on TV and radio panel shows. She loves a good quiz show, appearing on a Pointless Celebrity Special with Ed Byrne and being victorious on Celebrity Mastermind. Sheโ€™s also appeared in QI, Live at the Apollo, Room 101 and heard on BBC Radio 4โ€™s News Quiz.

She handled the start of the first half last night by telling us (perhaps unwisely) that sheโ€™d never been to D-Town before, and therefore felt justified in playing back to us some of the research sheโ€™d managed to dig up.  This was fairly gentle, if predictable, shtick โ€“ poking fun at our โ€œposhโ€ neighbours in Marlborough, relating the Moonrakers story, and throwing in various remarks about the K&A canal, the Caen Hill Flight and something she referred to as the โ€œcanoe marathonโ€.  It was amusing, but not really hitting the target.  Once she put her notes down and started to extemporise a little more, the audience thawed considerably, and the evening began to improve.  Her key task here was to warm the audience up for her chosen support act, and to flag the themes sheโ€™d be covering in the second half.

So it was time to welcome Sharon Wanjohi to the stage.  Sheโ€™s an up and coming stand-up comedian with a varied act ranging from shock to absurd comedy, and has already appeared at a number of festivals and on TV.  Sheโ€™s clearly still learning her craft, but last night she managed to win over an audience that was slightly nervous of someone they werenโ€™t expecting.

Her self-deprecating style, covering themes of personal awakening, both spiritual and sexual, gradually began to hit home.  Asking if there were any black people in the audience, indeed whether being black was even legal in D-Town, began to bring the laughs.  And her interaction with a certain audience member about being lesbian was truly hilarious.  Her set was slightly rambling and disconnected, funny but not hilarious.  But there was no doubting the great reception she received in response to her warm, and sometimes personal, story-telling, and her relaxed easy-going style.  Iโ€™d definitely file her under the โ€œone to watchโ€ category.

And then, finally, after a very long interval, we finally had the star of the show.  Wearing a changed top (โ€œsparkly on top, comfy belowโ€ as she put it), we were treated to a master-class in gentle, apparently rambling associative comedy.  Picking up on the obvious demographic of the audience, she homed in on one audience member who was clearly younger than the rest, and making great show of โ€œexplainingโ€ some of the gags and references (just in case no-one got the point).  She also picked up with Sharon Wanjohiโ€™s interlocutor from the first half, a tactic that worked extremely well.

She hit some obvious targets for a Radio 4 audience โ€“ the menopause, the male mid-life crisis, the desire to retire, increasing health issues.  But she played these well, riffing on her hypochondriac relationship with her GP Margaret (the cancerous spot thast turned out to be Nutella), about doing R2 singalongs with the guys painting her house, and on her thoughts about the โ€œdevelopmentโ€ of Paul Hollywood.  There was a wonderful pastiche of The Sound Of Music and, right at the end, a great punchline about paint involving the chorus of โ€œRelaxโ€.  There were plenty of anecdotes relating to her own general laziness, her long-standing drinking pals, and her tendency to be impulsive.  Her story of just โ€œwinging itโ€ on a mistaken appearance with Melvyn Bragg was superb.

It was, for the most part, very clean and straight-forward stuff.  There was nothing that could be considered โ€œedgyโ€, there was nothing political, and there was (amazingly) no swearing.  As such, it probably kept most of the audience in their comfort zone for most of the time, but it was no less hilarious for all of that.

Overall, it was a good nightโ€™s entertainment, although I expect thereโ€™ll be a LOT of people waking up on Friday morning realising that they now knew what a Gold Star Lesbian is.  Go figure!

Thereโ€™s more information on Lucy at www.lucyporter.co.uk/

Another great night at the Arts Festival, and thanks (yet again) to DAF for bringing such top-notch entertainment to our little town. 

The Devizes Arts Festival continues until Sunday 16th June at various venues around the town.ย 

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.ukย 


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Weekly Roundup of Events in Wiltshire: 5th -11th June 2024

Hereโ€™s what weโ€™ve found to do in the wilds of Wiltshire this coming week. Donโ€™t forget your sunscreen and a nice party umbrella!

Everything listed here is on our event calendar; go there for links and more info. It may be updated, so check in later in the week.

Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here.

Devizes Arts Festival got off to a great start, it continues through the week, individual events are listed as normal below.


Wednesday 5th

Acoustic Jam at The Southgate, Devizes. Mike Dilger โ€“ One Thousand Shades of Green and An Evening with Adam Rutherford, both at Devizes Arts Festival.

Ignas Maknickas at Wiltshire Music Centre, Bradford-on-Avon.

Big Monthly Jam at The Vic, Swindon.

Dot, the Faun and the Elfin Child at Rondo Theatre, Bath. SKANKt at the Bell. 


Thursday 6th

80th anniversary of D-Day, there will be lighting of beacons across the county. One on Marlborough Common, another one Roundway Hill Devizes.

Rum & Records at the Muck & Dundar, Devizes. Hollie McNish โ€“ The Lobster Tour and Lucy Porter at Devizes Arts Festival. Fantasy Radio will be at the Pelican for a live lounge, featuring Andrew Hurst.

Death is a Girl, Ritual Divide & The Belladonna Treatment at the Vic, Swindon. Splat The Rat at The Tuppenny.


Friday 7th

RNLI Lifeboats Event, Polperro Fishermenโ€™s Choir at The Assembly Rooms, Devizes Town Hall. Jo Carley and the Old Dry Skulls at Devizes Arts Festival. 

Open Mic at The Barge on HoneyStreet.

Textiles and Stitch around Marlborough are in Lockeridge, see poster below.

CarmenCo: A Pocket Opera at Pound Arts, Corsham.

Ant Trouble at The Three Horseshoes, Bradford-on-Avon.

Rotten Aces at the Queenโ€™s Tap, Swindon. Bring me the Horizon Party at the Vic.

Meltdown by Tom Hardman (Bath Fringe Festival 2024) at The Mission, Bath. The Collected Grimms Tales by Tim Supple and Carol Ann Duffy (Bath Fringe Festival 2024) at The Mission, Bath. Letโ€™s Unpack That at the Rondo Theatre.

Tangled Roots Folk Festival, Radford Farm, Somerset.

Skinny Lister at The Tree House, Frome. The Buzzcocks at the Cheese & Grain. Not Fragile at The Sun.


Saturday 8th

Cable Street Collective at Devizes Arts Festival, Corn Exchange 8pm. The Unpredictables at The Three Crowns, Devizes. Tom Davies & The Bluebirds at The Southgate. Braeside Summer Extravaganza โ€“ Devizes, free entry, for fun activities, delicious food, live music, artisan market and more. 

The Monkey Dolls at The Lamb, Marlborough. RNLI Concert at St Peterโ€™s Church.

Parker, Youngest of 3 and Butane Skies at the Pump in Trowbridge. Donโ€™t forget, Youngest of 3 drummer Flo is also a regular contributor to Devizine, reporting on the youth scene, so please show them some support if you can! Sounds of Seattle at the Civic.

Bradford-on-Avon Food & Drink Festival. Fist Full of Rage at The Three Horseshoes.

Magic & Marvels at Swindon Arts Centre. Rockabilly Rumble at The Queenโ€™s Tap, Swindon.

Masa at The Tuppenny. The Chaos Brothers at The Vic.

Catherine Bohartโ€™s Again, With Feelings, at Rondo Theatre, Bath.

Little Pickles Market followed by Paul Jones & Dave Kelly at the Cheese & Grain, Frome.


Sunday 9th

Lions on the Green at Devizes Green. Tamsin Quinn & Vince Bell at The Southgate, from 5pm. Devizes Arts Festival Walk : Sarsens, Soldiers and Sawpits, and two free fringe events, Rumour at the Three Crowns at 2pm, and Annie Parker Trio at St John’s Church at 7pm.

Open Mic at the Red Lion, Lacock.

Matt Bragg & Seb Cooper at The Three Horseshoes, Bradford-on-Avon.

Destination: Old Hag by Bridget Hardy, Penny Rossano and Samantha Houston (Bath Fringe Festival 2024) at The Mission, Bath. The Saint Melonians at the Bell, Bath.


Monday 10th

Ida Pelliccioli at Devizes Arts Festival.

Rock The Tots: Jungle at Pound Arts, Corsham.

The University of Bath Minerva Lecture Series at The Mission, Bath. Scott Lavene at the Bell, Bath (we love Scott here at Devizine, go see this, and if you do, please write back to tell us about it.)


Tuesday 11th

Devizes Arts Festival: Belinda Kirk and The Life-Changing Power of Adventure. And Discovering Antarctica : Heroic tales of Shackleton, Crean and Scott ~ Play on Words Theatre.

Peter Jones & Tom Berge Trio for Jazz Knights at the Royal Oak, Swindon.


And thatโ€™s all weโ€™ve got for now; fill your boots! Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed.

Do check ahead with our every-changing events diary. Isnโ€™t it high time you snapped up some tickets for the Devizes Arts Festival?

Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!

Have a good week!


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Weekly Roundup of Events in Wiltshire: 15th-21st May 2024

Hereโ€™s what weโ€™ve found to do in the wilds of Wiltshire this coming weekโ€ฆ

Everything listed here is on our event calendar; go there for links and more info. It may be updated, so check in later in the week.

Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here. 

The Thrill of Love is currently running at the Wharf Theatre until Saturday, hereโ€™s a review.


Wednesday 15th

Acoustic Jam at The Southgate, Devizes.

Patsy Gamble Jazz Trio at St Nicholas Church in Bromham, preview here.

Jonathan Leibovitz at the Wiltshire Music Centre, Bradford-on-Avon.

Mohamed Errebbaa at the Bell, Bath

Memory Cinema at Swindon Arts Centre, for those suffering with dementia and their carers, screening The Lavender Hill Mob (U). Latin funk jazz with Starlings at Jazz Knights in The Royal Oak, Swindon.


Thursday 16th

Royal Wootton Bassett Carnival & Fun Fair starts and finishes at the weekend.

Courting Ghosts at The Tuppenny, Swindon. Rusty Goatโ€™s Poetry All-Stars at Twigs Community Gardens. Memory Sing at Swindon Arts Centre. Pete Allenโ€™s Jazz Band at Swindon Arts Centre. Antiques and a Little Bit of Nonsense at The Wyvern Theatre.


Friday 17th

Full On Fridays at the Exchange, Devizes, with DJ Stevie MC.

Medium Nikki Kitt is at Melksham Assembly Hall .

Mosquito at the Aldbourne Social Club.

Pat Sharp Party Night at the Civic, Trowbridge.

Ion Maiden at The Vic, Swindon. Simplicity at the Queenโ€™s Tap. Ashley Blaker at Swindon Arts Centre. Julian Clary โ€“ A Fistful Of Clary at The Wyvern Theatre.

Ruzz Guitar Trio at The Three Horseshoes, Bradford-on-Avon. Karport Collective at The Boathouse.

Bath International Music Festival begins today, running until 26th May. Bootleg Bee Gees at Chapel Arts. Daliso Chapondaโ€™s Feed this Black Man Again at The Rondo Theatre, Bath.

Dutty Moonshine DJ Set at The Tree House, Frome.

The Chilled Out Motorhome and Camper Weekender in Cirencester opens.


Saturday 18th

Devizes Vegan Market at The Market Place from 10am-3pm. Mynt Image Craft Fair in the Corn Exchange. The Dirt Road Band at Long Street Blues Club. Canuteโ€™s Plastic Army at The Southgate, Edโ€™s pick of the week this one. Adam Woodhouse at The Three Crowns. Caztro is in the mix at the Exchange.

White Horse Soapbox Derby in Westbury.

Mosaic Dogs at The Lamb, Trowbridge.

Talk in Code at The Kings Arms, Amesbury.

Rachel Newton at Pound Arts, Corsham.

Black Wendy at The Three Horseshoes, Bradford-on-Avon. Vocal Works Gospel Choir โ€“ live at 21 at the Wiltshire Music Centre.

Shelf is at the Rondo Theatre, Bath, with a kids version, then teenage men version. Roxy Magic at Chapel Arts.

The Bowie Experience at The Vic, Swindon. Awakening Savannah at The Queenโ€™s Tap. 

The Soul Strutters at the Woodlands Edge. Drew Bryant at the New Inn. The Blackheart Orchestra at Swindon Arts Centre. eMotion Dance Competition at The Wyvern Theatre.

Frome Memorial Theatre Open Day followed by Jive Talkinโ€™. John Lydon is at the Cheese & Grain. ZZ Toppd at the Tree House.


Sunday 19th

The Hoodoos at The Southgate, Devizes from 5pm.

Open Mic at the Red Lion, Lacock.

Shot by Both Sides at The Three Horseshoes, Bradford-on-Avon.

Eddie Martin at the Bell, Bath.

Lee Hurst โ€“ Sweet Sorted Lovely at Swindon Arts Centre.

The Frome International Climate Film Festival at the Cheese & Grain.


Monday 20th

Tony Remy, James Morton & Anders Olinder at the Bell, Bath.

Steeleye Span at The Wyvern Theatre, Swindon.


Tuesday 21st

Letโ€™s Walk โ€“ Caen Hill & Jubilee Wood

Crazy Bird Comedy Night at The Piggy Bank Micropub, Calne.

Gareth Williams Trio for Jazz Knights at The Royal Oak, Swindon.

Ash Mandrake & Jenny Bliss at the Bell, Bath.


And thatโ€™s all weโ€™ve got for now; fill your boots! Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed.

Do check ahead with our every-changing events diary

Shindig Festival at Dillington Park begins next week, the last Shindig festival, have a good one from me.Also find upcoming Chippenham Folk Festival 24th-27th May. Love Saves the Day in Bristol. Beer and Cider Festival at Swindon & Cricklade Railway. Cursus Festival 2024 Dorset. Chris Moyles 90s Hangover Festival at Swindon Town FC. 

In Devizes Nothing Rhymes With Orange makes a homecoming at The Three Crowns on Friday 24th. And isnโ€™t it high time you snapped up some tickets for the Devizes Arts Festival at the end of the month running into June? 

Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!

Have a good week!


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Weekly Roundup of Events in Wiltshire: 8th-14th May 2024

Itโ€™s beginning to look a lot more like spring now; you are officially cleared to go outside! Hereโ€™s what weโ€™ve found to do outside, in the wilds of Wiltshire this coming weekโ€ฆ

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.

Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here.ย 


Wednesday 8th

Acoustic Jam at The Southgate, Devizes

Trowbridge Job Fair.

Nick Helmโ€™s Super Fun Good Time Show at The Rondo Theatre, Bath. O. Love & The Affair at the Bell, Bath. Nurse Georgie Carroll: Sista Flo 2.0 at Komedia.

Big Jam Session at The Vic, Swindon. And the Swindon Festival Of Literature opens with Anne-Marie Oโ€™Dwyer at Swindon Arts Centre,  and Jessica Fostekew: Mettle.


Thursday 9th

Devizes Film Club at the Wharf Theatre, screening The Quiet Girl.

Comedy Loft 9 at the Civic, Trowbridge.

Hannah Sanders & Ben Savage at Pound Arts, Corsham.

The TigerFace Show at The Rondo Theatre, Bath. Hayseed Dixie and The Zipheads at Komedia.

Butcombe Festival Of Laughs At The White Hart, Wroughton. Coopers Creek at The Beehive, Swindon. Swindon Festival Of Literature: Elizabeth Oldfield and Mark Rutterford at Swindon Arts Centre, followed by The Metamorphosis at Swindon Arts Centre.


Friday 10th

People Like Us at The Condado Lounge, Devizes. Palooza are back at the Exchange nightclub, great night of house music, great vibe, last time. 

The Future Sound of Trowbridge #9 at The Pump, with FLAM and Artoid. TrowFest at Trowbridge RFC. 

Miss Kill at the Old Road Tavern, Chippenham.

Counterโ€™s Creek at Pound Arts, Corsham.

Warming up for the Green Man Festival on Saturday, I Smell Burning at The Three Horseshoes, Bradford-on-Avon. The Full Motley at The Boathouse. Lindisfarne at Wiltshire Music Centre.

Benji Kirkpatrick at Chapel Arts, Bath. My Secret Sister at The Rondo Theatre. Craig Charles Funk & Soul House Party at Komedia.

Jordan Red, Webb and Boss Cass at The Vic, Swindon. Peloton at the Queenโ€™s Tap.

Swindon Festival Of Literature at Swindon Arts Centre โ€“has Marcus Du Sautoy, Hilary Bradt, and Felice Hardy.

New Purple Celebration โ€“ The Music of Prince at the Cheese & Grain, Frome. Gary Stringer of Reef at The Tree House.


Saturday 11th

The Stert Country House Collectables and Car Boot Sale in aid of Cancer Research at Stert near Devizes. Kirris Riviere & The Delta Du Bruit at The Southgate. 

Five Lanes Summer Fete in Worton. The Unpredictables at Potterne Social Club.

The Famous Hangover Sessions atThe New Lamb Inn, Marlborough. Open Mic at The Barge on HoneyStreet.

Martyโ€™s Fake Family at Gloucester Road Club, Trowbridge. Rural France, Ravetank, Clock Radio and Fela Dekota all at The Pump.

The Fureys at The Neeld, Chippenham.

Bradford on Avon Green Man Festival, Preview HERE. Also find Strange Folk at The Three Horseshoes. Be Like Will at The Boathouse.

Westbury Food & Drink Festival

โ€˜The Mystery Guest Tour Featuring Lady Nade, Daisy Chute, and Izzue Yardley at Pound Arts, Corsham.

Talk in Code at The Castle, Swindon with KGB and The Racket. Here Comes the Crows at the Queenโ€™s Tap. Rush Hour at the Woodlands Edge. Faux Fighters at The Vic. Swindon Festival Of Literature at Swindon Arts Centre has Tony Hawks and a Flash Fiction Slam!

A rally for Palestine in Bath. Sherlockโ€™s Excellent Adventure at The Rondo Theatre. Ma Bessie and her Pigfoot Band at Chapel Arts.

Kings of Lyon and The UK-Strokes at the Cheese & Grain, Frome.


Sunday 12th

Devizes Lions Sponsored Walk. Jack Grace at The Southgate, from 5pm.

Open Mic at the Red Lion, Lacock.

Melksham Record Fair at Melksham Assembly Hall.

The Ultimate Commitments and Blues Brothers Experience at The Neeld, Chippenham.

Mustard Allegro at The Three Horseshoes, Bradford-on-Avon. Cantamus Chamber Choir Chichester Psalms at Wiltshire Music Centre.

Schtumm presents AQABA at The Queenโ€™s Head in Box. Mambo Jambo at the Bell, Bath.

Legacy at The Kings Arms, Old Town, Swindon. Swindon Festival Of Literature has a Children & Families Day at Swindon Arts Centre, and the Festival Finale.

Tellison at The Tree House, Frome.


Monday 13th

The Thrill of Love opens at the Wharf Theatre, Devizes. Preview HERE. It runs until 18th May.

Rock The Tots: Movies at Pound Arts, Corsham.

Jack Grace at the Bell, Bath.

Teenage Sequence at The Tree House, Frome.


Tuesday 14th

The Black Feathers at The Piggy Bank Micropub, Calne.

Pale Blue Eyes at the Tree House, Frome.


And thatโ€™s all weโ€™ve got for now. Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed.

Snap up tickets time: we recommend on Wednesday 15th, the Patsy Gamble Jazz Trio in Bromham, preview HERE. Jonathan Leibovitz at Wiltshire Music Centre.

And the weekend sees Bath International Music Festival begin, The Chilled Out Motorhome and Camper Weekender in Cirencester, Devizes Vegan Market at The Market Place, Dirt Road Band at Long Street Blues Club, with Ruby Darbyshire in support, and Canuteโ€™s Plastic Army are at The Southgate. White Horse Soapbox Derby, Westbury and Talk in Code make their debut at The Kings Arms, Amesbury. John Lydon, yes, John Lydon is at the Cheese & Grain, and thereโ€™s lots more on our event calendar to boot!

Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!

Have a good week, and don’t forget, the Devizes Arts Festival box office is open and waiting for you!


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โ€œSkylightโ€ at the Rondo Theatre, Larkhall, Bath, April 24th-27th.


by Ian Diddams
images by Jim McCauley & Bath Drama

Its 3 a.m. You are tired. You are still going round and round in circles in a discussion with a partner, lover, friend about a lover, their lover, a friendโ€™s lover.

Sound familiar? Flashbacks? We have all been there โ€“ well, anybody that has any friends and has reached the age of eighteen anyway.

David Hareโ€™s play โ€œSkylightโ€ is all so reminiscent of those long, dark tea times of the soul (to paraphrase Douglas Adams). Over the course of this riveting two and half hour play we are witness to the post match analysis of two ex-lovers (their โ€ฆ  โ€œloveโ€ โ€ฆ briefly rekindled over the course of half time a.k.a. the interval) exploring their previous, illicit, relationship and the potential for the future.

The play opens, set in the mid-1990s in Kyraโ€™s (Phoebe Fung) flat in Kensal Rise as she returns from work, as a teacher. It is an unglamorous property, and that is being kind. She is soon joined as a total surprise by Edward (Samuel Elliot), a confident eighteen-year old on his gap year. We learn that Edward has had an argument with his father, Tom (Jeremy Fowlds), and has moved outโ€ฆย  that Kyra was part of his family household for years. That his mother, Alice, had died. That Kyra had inexplicably left one day. Then a while after Edward has left, Tom arrives. It transpires Kyra and Tom havenโ€™t seen each other for three years. Were ex-lovers. That Alice had found out. And so, Kyra left.

And the talking starts.

โ€œSkylightโ€ is fundamentally a triple duologue, a play in three parts over two acts. Kyra is on stage aside from brief periods out of sight in her bedroom for the entire play. Tom is on stage for much of that too. Edward has what may be called a cameo role by some but still has a hundred lines to deliver, over the prelude (as above) and an epilogue.

The playโ€™s title is derived from a feature from the bedroom of the playโ€™s fourth character that we never see, Alice, who was dieing of cancer. The bedroomโ€™s sloping glass roof is the โ€œSkylightโ€ โ€ฆ and its existence sums up succinctly Tomโ€™s perception of life. Tom is an extremely wealthy self-made restaurant owning businessman (allegedly modelled on Terence Conran) where life is smoothed by the presence of the โ€œYellow Pagesโ€ (remember that?). Everything can be paid for and thatโ€™s all that matters. Kyra once lived in this bubble of financial ease but now chooses a life of social fulfilment โ€“ passionately too.

And so, to the set. What a set! Hare once apparently said he doesnโ€™t write plays set in a room but as the exception (?) that proves the rule this one is โ€“ it is quite literally a kitchen sink drama. All the action is in Kyraโ€™s kitchen/diner/lounge. Anyone reading this that lived in cheap rented accommodation in the 1980s and 1990s will recognise it immediately. Peeling and patched wallpaper, mould on the walls, gas boiler safety certificate so old its ripped mostly off the boiler, scratched lino floor, rusty doored fridge-freezer, grubby paintwork. You can SMELL the lack of upkeep. Delve deeper into the flat and the attention to detail is superb. Mixed library of books from Freud to Shakespeare to Phillip K. Dick to Salinger to Verne. A working sink. Yes. You read that correctlyโ€ฆ a WORKING sink. Water comes out of the taps. Goes down a plughole. And the piรจce de resistance, the cooking hob. That works. And on which Kyra cooks, on stage, in real time, a spaghetti and sauce dinner. (Incidentally, it smells divine โ€“ do make sure you have eaten before you go and see the show because you will be feeling hungry if not!)


Full kudos must be given to the set designer here. Rich Canning, take a HUGE bow, along with your build crew.ย  You could give guided tours of this set. I WANTED to be able to see the bedroom. I WANTED to see the flatโ€™s front walkway and stairs. Absolutely amazing.

Which brings me onto sound and lighting.ย  Once against at the Rondo, Alex Latham has pulled out all the stops. From the โ€œwhoomphingโ€ gas boiler to traffic sounds as doors and windows are opened, to running baths, day turning to night turning to day. Another sublime performance in the tech box.

Andy Cork directs, assisted more than ably by Stephanie Richards who also produced the show. Andyโ€™s program notes expand on this, but he has perfectly helped the cast capture the societal divide post-Thatcher, pre-Blair that resonates so much with contemporary Johnson/Truss/Sunak 2020s. So much so that if we were told this was set in 2024 it would be as valid, as meaningful. Possibly even more so. Social bigotry, monetary divide, Iโ€™m-all-right-jack, anti-woke, no-lives-matter.

This is all encapsulated in the plot and characterisation, expounded so brilliantly by Phoebe and Jeremy. Tom is one step from the โ€œsmelly homeless should be finedโ€ brigade โ€“ if that far even. Kyra has a social conscience โ€“ or has developed one once freed of Tomโ€™s wealth when she was much younger. And that is the crux of their non-relationship. Despite each otherโ€™s strong love for each other still it becomes increasingly clear there is no future. They are poles apart โ€“ at one stage I even thought โ€œWhy/How do these two even get on? Like each other?โ€ They are the antithesis of each otherโ€™s perspectives. Tom crashes though life with a plan that is so focussed he has lost focus on everything else; while he had provided a โ€œSkylightโ€ for his dieing wife he is just Gaslighting constantly. And mainly himself. Maybe even only himself. Kyra has no plan, is drifting, but cares. Passionately cares. About social injustice and Tomโ€™s obvious lack of social conscience. At one point as Kyra rages against the unfairness of society, I was struck by the Jonathan Pie-esque rhetoric, deliveryโ€ฆ quite superb. And letโ€™s not forget Samuel as Edward. Edward demonstrates another side of his family. The lost nephew almost for Kyra that arrives in the epilogue, so to speak, to raise Kyraโ€™s spirits, to display tenderness.ย  Tom makes a point that he, Tom, genuinely GIVES because his gifts are without ulterior motives. But in reality, he is not giving at all, he is gifting. Whereas Edward is giving of himselfโ€ฆย  such that he isnโ€™t really even giving, he is sharing. A sweet portrayal by Samuel.

I could continue in similar vein for pages. I wonโ€™t though. The best thing would be for you, dear reader, to grab a ticket and get yourself to the Rondo and see this amazing show. See David Hareโ€™s words come to life through Andy, Stephanie, Phoebe, Jeremy, Samuel, Alex, and Richโ€™s creativity. We are so blessed with great community theatre in Wiltshire and Bath, but this may well be the best show you see this year.

โ€œSkylightโ€ runs from April 24th to 27th at 1930 each evening at the Rondo Theatre, Larkhall, Bath.

Tickets available from https://rondotheatre.co.uk/skylight/


A View to a Thrill

“The Thrill of Love” at the Wharf Theatre

by Ian Diddams
images by Chris Watkins Media

Just over a year ago, the Wharf theatre performed a sell out show โ€œLadies Dayโ€ written by Amanda Whittington. In less than a monthโ€™s time they are to revisit the same playwrightโ€™s work, with her drama โ€œThe Thrill of Loveโ€ featuring the turbulent and tragic story of the nightclub hostess and later manageress Ruth Ellis.


The story revolves around five characters โ€“ Doris Judd (Mitzi Baehr) , cleaner, Detective Inspector Jack Gale (Sean Andrews),  Vickie Martin (Jess Whiley), club hostess, Sylvia Shaw (Mari Webster), club manageress and of course, Ruth Ellis (Freddie Underwood). Directed by Debby Wilkinson.

This evening I was privy to a rehearsal, watching the cast working through several key scenes. I arrived as Debby and Freddie were discussing the shooting scene โ€“ straight into the core of the plot – then to a discussion about Ruthโ€™s taking control of her own โ€œLittle Clubโ€. A request for biographies to the cast for the program, and then we were onto the stage.

The set is taking shape โ€“ the nightclub takes centre stage with tables, chairs, lamps, a bar, a record playerโ€ฆ  parquet flooring to come blurring into the extremities where prison cell, police interview rooms and the outside world are positioned. Itโ€™s a simple set but everything is pertinent, in place and neither too much not too little.

With three weeks to go until run week, it is immediately clear that the cast are not only comfortable with each other but complement each other perfectly. Characterisation is spot on, from world weary Shaw, mirroring Gale, to Martinโ€™s youthful exuberance, Ellisโ€™ glamourous and troubled personality โ€ฆ  and good girl Doris with a heart of gold. I read the superb script a few weeks ago, but these actors are already bringing the written word to life quite wonderfully, all aided and abetted by Debbyโ€™s suggestions, tweaks and developments as the evening progressed. Their use of the full depth and width of the stage kept the action flowing beautifully from nightclub to prison cell, to crematorium and back to the club.

The cast are well off book (thatโ€™s thesp-speak for โ€œdonโ€™t need the scriptโ€ !!) and while the prompt is used when needed the lines are there.  The production is in a good place.

So with a clever set, top casting, smart direction, and class acting what else does โ€œThe Thrill of Loveโ€ offer?  How about the sublime music of Billie Holliday? The show is interspersed her songs and cleverly soโ€ฆ  each song underpinning a sceneโ€™s messages and plot. Itโ€™s a wonderful symbiosis of art, and worthy of watching.

Iโ€™ve deliberately not given away too much of the plot this early hoping this piece serves as a teaser – the Wharfโ€™s last three shows were all sell-outs and this one deserves to sell-out too. Iโ€™ll be back for a full review at the start of show week but donโ€™t wait for that fuller review โ€ฆ I urge you to get tickets early while you can. You will not be disappointed.

Trust meโ€ฆ   Iโ€™m a reviewer ๐Ÿ˜‰

โ€œThe Thrill of Loveโ€, by Amanda Whittington, is performed at The Wharf Theatre between May 13th and May 18th, at 1930 each evening. Tickets are available from the Wharf website at https://www.wharftheatre.co.uk/show/the-thrill-of-love, or from Devizes Library.





Weekly Roundup of Events in Wiltshire: 3rd – 9th April 2024

First week of April, thereโ€™s no fooling you, hereโ€™s what weโ€™ve found to doโ€ฆ..

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week. 


Wednesday 3rd

Crafty Kids in Hillworth Park, Devizes. RAF Cadetsโ€™ Easter Egg Hunt continues across Devizes until 14th April. Easter Bouncy Castle Kingdom on the Green until 5th April. 

Acoustic Jam at The Southgate, Devizes.

Eric Walrond: A Caribbean Writer in Wiltshire โ€“ Free Talk at Melksham Library.

Screening of The Royal Opera Madama Butterfly at Wiltshire Music Centre, Bradford-on-Avon.

Simon Munneryโ€™s Jerusalem at Swindon Arts Centre.


Thursday 4th

Thereโ€™s Easter themed holiday activities at Wiltshire Museum, Devizes. Rum & Records at the Muck & Dunder, Devizes.

Andrew Hurst is at St Nicholas Church, Bromham.

Hooch at The Tuppenny, Swindon. Subhumans at the Vic. Griff Rhys Jones: The Catโ€™s Pyjamas at Swindon Arts Centre. The Illegal Eagles at The Wyvern Theatre.

Salisbury Open Mic at the Winchester Gate, Salisbury.

Plumhall at Chapel Arts, Bath.


Friday 5th

Brian Poole at Long Street Blues Club, Devizes.

Teenage Halloween, Start The Sirens and Trashed at The Pump, Trowbridge. Open Mic at Newtown Social Club. 

12 Bars Later at The 3 Brewers, Corsham.

The Forgetting Curve & Little Villains at the Three Horseshoes, Bradford-on-Avon. Kammerphilharmonie Europa at the Wiltshire Music Centre.

Swindon Old Town Comedy Club at Christ Church. Black Parade at the Vic. Phil Ellisโ€™ Excellent Comedy Show at Swindon Arts Centre. King of Pop starring Navi and Jennifer Batten at The Wyvern Theatre.

Martin Carthy at Chapel Arts, Bath.

Norman Jayโ€™s Norman Soul at the Cheese & Grain, Frome.


Saturday 6th

Jamie Williams

Jamie Williams & The Roots Collective at The Southgate, Devizes. The Clones at The Three Crowns. SIX: The Musical โ€“ Teen Edition at the Corn Exchange. Back to the 80s party night at the Bear Hotel.

Mick Jogger & the Stones Experience at Seend Community Centre.

Siren at The Pilot, Melksham.

John Hackett Band at the Pump, Trowbridge.

Cara Dillon at Wiltshire Music Centre, Bradford-on-Avon. Desperate Measures, The Setbacks & Death Traps at the Three Horseshoes.

John Otway & Wild Willy Barrett at The Merlin Theatre, Bath.

The Beatles Complete Tribute Show at the Athenaeum Centre, Warminster.

Gaz Brookfield is in the Tent, at the Winchester Gate, Salisbury.

41 Fords at Tuckerโ€™s Grave Inn, Faulkland.

Motley Crude at the Vic, Swindon. Swindon Recital Series at Swindon Arts Centre. Northern Live โ€“ Do I Love You at The Wyvern Theatre.

A Band Called Malice at The Tree House, Frome.


Sunday 7th

Jim Blair at The Southgate, Devizes from 5pm.

Open Mic at The Red Lion, Lacock.

Little Wander Presentsโ€ฆRia Lina at Wiltshire Music Centre, Bradford-on-Avon. The Ben Fletcher Band at the Three Horseshoes. 

Dreamboys at The Wyvern Theatre, Swindon.


Monday 8th

And then There Were None opens at the Wharf Theatre, Devizes, running until Saturday.


Tuesday 9th

Fish n Chip Supper & Quiz Night in aid of RNLA at Devizes Conservative Club.

Cafรฉ Concert at St Andrewโ€™s Chippenham.

Swindon Jazz & Soul Festival Fringe, a Celebration of Wes Montgomery with Nigel Price at Jazz Knights, The Royal Oak, Swindon.


And thatโ€™s all weโ€™ve got for now, other than some technical gubbings to say: Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

And, while we’re planning ahead, April is hotting up, believe me, loads of good, good, even gooder stuff and stuff gooder than them! Have a look at the coming month HERE.  

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!


Trending…..

I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released atโ€ฆ

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโ€ฆ

So Excited…. Devizes Musical Theatreโ€™s Sister Act at Dauntsey’s

An exodus of musical lovers and, I’d assume, a healthy handful of friends and family, trekked southwards through winter’s final ambush last night, to enjoy the opening night of a dazzling performance of Sister Act at Dauntsey’sโ€ฆ..

It was presented by the established local amateur dramatics group, Devizes Musical Theatre. I stress my usage of the word amateur in its foremost dictionary definition; the opposite of professional. The second connotation it was in some way inept couldn’t be further from the truth in this case. A common misconception in creative arts, I find, whereby those in it for the love thrust their hearts, soul, and elbow grease into it, more so than a pro going through the motions for their paycheck. The result usually is perhaps something raw, but highly entertaining and enjoyable, and their production certainly was the latter.

The run ends on Saturday (30th March,) at the last count just fourteen tickets remained, so I advise you to be quick, and lucky, to pick some up. It’s a large hall, selling it out proves the grand reputation Devizes Musical Theatre has built locally, this performance hits their pedestal.

With a debatable focus on the singing rather than acting, the benchmark of a good musical, surely, there’s some show-stopping moments. Georgia Watson makes the perfect diva Deloris, and there’s both astounding vocals and comic timing from Louise Peak as Mother Superior and Barry Gibney, who plays the socially awkward police chief Eddie. Particularly noteworthy is Grace Sheridan who plays Sister Mary Robert, in song and conviction of the influence Deloris holds over the convent.

Yet high accolades go out to all the actors, stage directors and team; Adam Sturges, Oli Beech and Simon Hoy as the mobsters, Gareth Lloyd as mafia boss Curtis, Graham Day as Monsignor Oโ€™Hara and the huge backing of those wonderful singing nuns! It is the combination of their motivation and exceptional effort which makes this such a dynamic show, coupled with the elementary notion, Sister Act has universal appeal and is simply fun on a stick!

In critical reflection, the musical concludes somewhat differently from the movie. Without spoilers, the amusing scene where Deloris prays for Godโ€™s forgiveness unto the mobsters holding a gun to her head, causing them to question their ability to shoot her, wrongly perceiving her as a nun, is replaced by a more slapstick finale akin to a Benny Hill chase scene. Yet on further consideration into my rather geeky complaint, I guess this works better on stage, such is the jollification of a musical, often bordering pantomime. And it wraps it up faster, allowing more time for these astute and timeless Motownesque songs. Devizes Musical Theatre use this to their advantage; you certainly get your money’s worth.

Veils off to first time director Emily Holmes, and musical director Naomi Ibbetson for an apt and fantastic show, which will send you off thoroughly entertained, and with a smile.


Trending……

A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his standโ€ฆ

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young andโ€ฆ

Devizes Arts Festival Reveal Full Line-Up for 2024

After a larger quantity of social media teasers than previous years, Devizes Arts Festival has today revealed their full line-up for 2024. Better take a peaky sneaky gander at it, keep in their good books, because it looks rather special! Based on previous experience they usually range from pretty awesome to super-duper lights are gonna find me awesomeโ€ฆso here goesโ€ฆโ€ฆ

The festival runs from Friday 31st May to Sunday 16th June, and never fails to bring us a diverse programme of separate events within the arts, music and theatre, but also takes in talks and walks. Some come with a worthy price tag, but thereโ€™s lots of free fringe events also. All it takes is for you to support it.

I donโ€™t know about you, but the first one I got excited about when I heard, was Bristolโ€™s soulful indie-folk singer-songstress Lady Nade, who plays the Corn Exchange on Saturday 1st June. I put this Lady on my must-see list after fondly reviewing her album Willing back in 2021. Iโ€™ve not yet had the opportunity to see her live. Yet it is not for that reason Iโ€™m grateful to the Arts Festival for booking Lady Nade, rather in contemplation of the elevated sentimentality channelled through her Americana-fuelled songs.

I summed up the album at the time, with โ€œwritten during the pandemic, thereโ€™s a secluded ambience echoing through these eleven sublime three-minute plus stories of friendship, love and loneliness lost and found, reflecting the fact it was recorded in multiple studios and engineered by all the musicians in isolation. Yet to hear it will hold you spellbound in a single place, till its conclusion.โ€

If that doesnโ€™t tempt you I donโ€™t know what will! But Lady Nade is not before a high-energy Penzance sea-punk grand opening to the festival, with Golden Gnome award winning Jolly Roger, at the Corn Exchange on Friday 31st May; blistering barnacles, Captain Haddock, that sure sounds like some swashbuckling shenanigans.

History of Market Lavington, anyone? Sunday 2nd has a festival walk, followed by the first two free fringe events, consummate story-teller Adam Alexanderโ€™s Seed Detective at The Peppermill from 2pm, and a solo loop pedal show with Eddy Allen, 7pm at the Cellar Bar.

Likely the best known name on the roster, comedian Lucy Porter comes to Devizes on Thursday 6th June, and Iโ€™m sure youโ€™re all aware of her distinctive, bouncy, feel-good comedy from TV and radio panel shows, and being victorious on Celebrity Mastermind.

Lucy Porter

Prior to this headliner, NHS doctor, journalist, broadcaster, speaker, campaigner and comedian Dr Phil Hammond on Monday 3rd June presents โ€˜How to Fix the NHSโ€™ and โ€˜The Ins and Outs of Pleasureโ€ฆโ€™ Iโ€™ve my own suggestions on the subject, donโ€™t get me started, but maybe add Prime Minister to Philโ€™s already impressive rรฉsumรฉ!

Wiltshire based multiโ€instrumentalist, the Edward Cross Quintet at the Assembly Rooms on Tuesday 4th June. Liz Grandโ€™s superb, funny, moving, sensitive and informative portrayal of Clementine Churchill, also on Tuesday at the Merchant Suite.

Wednesday 5th June sees English naturalist, ecologist, author and broadcaster Mike Dilger, known as the wildlife reporter on The One Show, doing a talk on One Thousand Shades of Green, his quest to find 1000 different British plants in a calendar year and assess how our flora is faring in modern Britain. Geneticist, author and broadcaster, Adam Rutherford, who frequently appears on science programmes on both radio and TV, also gives an engaging, provocative and informative talk the Arts Festival promises to be unmissable.

Hollie McNish. Image: Kat Gollock

Poet and author Hollie McNish presents her Lobster Tour on Thursday 6th June at the Town Hall; Iโ€™m just chatting about her with the legend who is Kieran J Moore, seems Hollie played Bath Komedia recently, he recommends, and you canโ€™t get a better local recommendation than that. 

The weekend sees a blues, skiffle, calypso and rockabilly mesh, apparently with a sweeping vaudeville twist, which sounds like a beguiling and exhaustive blend I must say!ย Jo Carley and the Old Dry Skulls are at the Corn Exchange Friday 7th June.

Jo Carley and the Old Dry Skulls

Londonโ€™s Cable Street Collective headline Saturday, an intriguing one, their sound mixes African-influenced guitars and beats with soulful female vocals, socially conscious lyrics and western melodies, creating an idiosyncratic alt-pop sound thatโ€™s all their own.

Sunday 9th June sees a Festival Walk into the West Woods; Sarsens, Soldiers and Sawpits. Two free fringe events, an Americana band from West Midlands called Rumour, from 2pm at the Three Crowns, and a fresh and lively approach to jazz at St Johnโ€™s Church from 7pm with the Annie Parker Trio.

The final week of the festival sees world-renowned concert pianist, Ida Pellicciolo on Monday 10th June at the Town Hall. Belinda Kirk, world-record holding explorer, researcher and a leading campaigner promoting the benefits of adventure on wellbeing, talks at the Town Hall on Tuesday, along with intrepid Antarctic explorer Tom Creanโ€™s story brought to life in a dramatic and humorous solo performance by Aidan Dooley from Play On Words Theatre Company, at the Wharf Theatre.

Two best-selling Wiltshire-based authors, Kate Webb and Jon Stock, discuss their craft at The Peppermill Hotel on Wednesday 12th June, and thereโ€™s a remarkable intimate solo guitar performance from Martin Simpson at the Corn Exchange.

Duo Tutti, a classically-trained flutist and pianist duo who combine well-known classical tunes with interesting sounds to create a unique concert that is accessible to all, at the Town Hall on Thursday. Terry Quinneyโ€™s Sound Of Blue Note accurately recreates jazz and the aesthetics which defines Blue Note Records, also on Thursday 13th June at the Town Hall.

Friday 14th June thereโ€™s an organ recital at St Johnโ€™s with award-winning organist and conductor Huw Williams, and we have the intriguingly titled Slambovian Circus of Dreams at the Corn Exchange, an electrifying live performance of moody but upbeat alt-roots rock.

The final Saturday of the Arts Festival, 15th June, we have something altogether different, hypnotist Matt Hale presents an 80s Spectacular, where Matt promises to have you partying like itโ€™s 1985, humm, whether you like it or not. Iโ€™m not sure about hypnotists, I might stand at the back!

Matt Hale. Image: DG-Imagery-3

Soulful and electrifying rhythm and blues band The Junco Shakers at the The British Lion on

Sunday 16th June at 2pm, and Clive Oseman and Nick Lovell, creators of Oooh Beehive, the number one spoken word and poetry open-mic night in Swindon, have a Wham! Bam! Poetry Slam 6pm at The Wharf Theatre; two free fringe events polishing off another spectacular Devizes Arts Festival. 

Box Office is now open, details and tickets HERE, hope to see you there!ย 


Trending……

Stranglers Frontman Hugh Cornwell Coming To Cheese & Grain

Image: John Kisch Legendary songwriter and original Stranglers frontman Hugh Cornwell has announced a run of UK dates this November, accompanied by special guests The Courettes, and it includes Fromeโ€™s Cheese & Grain on Saturday 15thโ€ฆ.. Golden Brown, Strange Little Girl, Always The Sun… sound familiar? All big hits, all great songs, all penned andโ€ฆ

Talk in Code Announces New Single; More Than Friends

Atmospherically anthemic and reinforced with that infectious rhythmic groove weโ€™ve come to love Talk in Code for, More Than Friends is chockfull of it, and itโ€™s their latest single, to be released on Friday 22nd August 2025 via Regent Street Recordsโ€ฆ. Even if youโ€™re accounted for now, happily married and matured like a fine wine,โ€ฆ

“Glasshouse” at The Mission Theatre, Bath, July 21st 2025

by Mick Brian With Sandcastles Productions marking its debut production with Charlie McGuireโ€™s original play Glass House, the cast and crew behind this production are clearly anything but inexperienced as the piece delivers its thrills and emotional beats at every turn. What Glass Houseย ultimately delivers is a play packed with fascinating questions about the nature ofโ€ฆ

Female of the Species Return for the Last Time

โ€œMore deadlier than the maleโ€ is my usual corny pun for this, but if supergroup Female of the Species returns to Melksham this September, it looks like the last time Iโ€™ll be able to use itโ€ฆ. September 2017, when Devizine had merely eight articles published, I previewed a charity fundraising event in Melksham, The Femaleโ€ฆ

Crowned Lightbringer; New Single From Ruby Darbyshire

Ruby, Ruby, Ruby! So good the Kaiser Chiefs wrote a song about her, or if not, at least brilliant enough to silence the most rowdy venue into an utter state of jawdropping awe! A video of a new tune, a metaphorical sea shanty, Crowned Lightbringer teasing us for a forthcoming EP, is out todayโ€ฆ.. Aโ€ฆ

Wiltshire Music Centre Announces First New Season Under New Leadership

Wiltshire Music announces a new season for Autumn Winter: and the first under the new leadership of Daniel Clark, Artistic Director and Sarah Robertson, Executive Directorโ€ฆ. Since first opening in 1997, Wiltshire Music Centre has been a musical hub, bringing the best in live performances to the area as well as providing a home forโ€ฆ

Announcing The Top Ten Nominees of Wiltshire Music Awards 2025

Yeah, I hear you! An update on our inaugural Wiltshire Music Awards is overdue. So my partner on this monumental project and the guy doing all the work while I take the credit, Eddie Prestidge of Wiltshire Music Events, has taken off his shoes and socks and provided a top ten shortlist for each categoryโ€ฆ.drumโ€ฆ

Devizes Rising Star Jess Self in Final for West End Kids

If youโ€™ve seen Jess Self performing at the Wharf Theatre, singing at the FullTone Festival or elsewhere Iโ€™m certain youโ€™ll agree with us; Jess has that star quality which lights up the stageโ€ฆ.. At 13 Jess won Vernon Kayโ€™s Talent Nation, studied performing arts at Trowbridgeโ€™s Stagecoach and has appeared in many productions including Devizesโ€ฆ

FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited to cover Devizes Scooter Rally, Trowbridge Festival and My Dad’s Bigger Than Your Dad festival in Swindon as well! I either need cloning technology or more people willing to write forโ€ฆ

Devizes Scooter Rally; Best Yet, Ranking Full Stop!

If there’s been hearsay and ballyhoo about the date clash of two major but individually different events in Devizes this week, I hold my hand up for stirring the pot, yet try to attend both and find fair balance. But at the dawning of them, as magical as the FullTone Festival is, it cannot beโ€ฆ

โ€œRENTโ€ at The Rondo Theatre, Bath, March 13th-16th 2024

Ian Diddams

Written by Jonathan Larson
Presented by Maple Theatre Company

It’s always hard reviewing a show that one has seen multiple times before, performed by differing companies. Itโ€™s also hard reviewing a show that is one of oneโ€™s favourite shows EVAH. And if that wasnโ€™t hard enoughโ€ฆ  Its far too hard to review a show that one has performed in oneself. Itโ€™s wrong to compare โ€“ its unfair and meaninglessโ€ฆ  differing companies, differing directors, differing theatres.  So, ignoring the seven other productions Iโ€™ve seen including the one I bummed around in (quite literally โ€“ if you know you know) โ€ฆ.  Here goes…..


For those that know the story of โ€œRENTโ€ โ€“ you can skip this paragraph. Otherwise, Jonathan Larsonโ€™s story โ€“ a glorious homage to Pucciniโ€™s โ€œLa Bohemeโ€ – revolves around a group of bohemians in the lower east side of New York City and deals with topics such as homelessness, drug addiction, betrayal, and AIDSโ€ฆ as well as love, friendship, recovery, and hope. All wrapped up with a stunning score of often poignant, sometimes funny, always beautiful singing with six-part harmonies. If you want to know more โ€ฆย  duck go go is your friend as ever.

RENT on stage is usually set in a quasi-industrial area โ€“ and Maple Theatre Company donโ€™t buck that trend (I doubt RENT heads would allow it to be honest!). Scaffolding creates multiple levels which are used excellently throughout the show and frames several areas for the action. ON stage props and setting is minimal, but I raise my hat to the wonderful use of moveable music flight cases with wooden tops that represent beds, side tables and THE cafe table (if you know, you know). Quite brilliant also was the use of 40-gallon steel oil drums โ€ฆย  where โ€œdrumsโ€ covers two definitions of that word.ย  Chapeau to Luke Hocket, set designer (who also produced the show) and his set team of Tom Courtier and Milly Hayward.

Directing a show like โ€œRENTโ€ is no easy task (not as hard as reviewing it obviously ๐Ÿ˜‰) as the show is basically โ€œthe sameโ€ whoever does it (as it is so iconic โ€“ maybe after 400 years, like Shakespeare, some aspects will be changed, and we will get a RENT set on a spaceship โ€ฆ)ย  but Dionna Kate-Hargreaves set her own stamp on it in subtly brilliant ways. I mentioned the use of multiple levels already but the piece de resistance of the show is in many ways โ€ฆย  the drumming.ย  (If you know you know).

And speaking of drumming that brings us to the music โ€“ a six-piece band led by MD Kris Nock rocked out the show hidden subtly off stage but in full view (once you know, you know). I wonder if Krisโ€™ toughest task (not as arduous as reviewing obviously) was teaching three actors to hit a large piece of metal in time with two sticks for some considerable time (if you know, you know).


Tech is as ever hidden away where no one can see them up in the attic of the Rondo, and technical director Tom Courtier and his crew slid their sliders and pushed their buttons andย  lit their lights to full effect. (Iโ€™ve got a deep and meaningful understanding of tech). Rule number one in a theatre is never hack off the tech guys โ€“ they have hammers, and saws, and unlimited access to 240v at all times (if you know, you know) so โ€“ GREAT WORK GUYS!!!

Thatโ€™s about it then. Set, Tech, props, direction, music.ย  Yup. Thatโ€™ll do.


Ah.

Yes.ย  That lot that cavorts upon the stage.ย  Nearly forgot them. Starting with cavortingโ€ฆย  choreographer and dance captain Grace Egginton and Grace Shobbrook whipped the cast into a frenzy of whirling limbs when they werenโ€™t singing.ย  And often when they were come to that. It must be said the Rondoโ€™s stage is quiteโ€ฆ.ย  Bijouโ€ฆ particularly when by necessity a good half of it is taken up by aluminium scaffolding poles that donโ€™t bend if you collide with them (if you know, you know) so the tightness of choreography is impressive.

And so โ€“ the cast. Iโ€™ve used the line about โ€œstrutting and fretting his hour upon the stageโ€ before so I wonโ€™t use it again.ย  Ooops.

It takes a dedicated cast to work โ€œRENTโ€ โ€“ it is emotionally draining (if you know, you know), taking its toll on the actorsโ€™ own emotions. And this cast did Jonathan Larson proud. The ensemble – they always get listed last so here they are first cos thatโ€™s important (if you know, you know) so bravo Daisy Wilson, Morgan Hames, Georgi pepper, Steven Hockett, Jasmine Lye, Sophie smith, Milly Haywood, and Sarah Easterbrookโ€ฆย  All of whom also starred in the all-important cameo parts that just make โ€œRENTโ€ simply โ€œworkโ€. Special mention must be made though for Jasmine, who stepped up to play the role of the harassed waiter in the cafรฉ scene due to cast unavailability this evening.ย  Cometh the hour, cometh the Jas!

I suppose that leaves the principals. *sigh*.ย  OK. Wellโ€ฆย  ummm…ย  errrโ€ฆ

Well in all honesty they werenโ€™t good. Nope. Not at all.

THEY WERE BELTING!!!ย  FANTASTIC!!!ย  MAGNIFICENT!!!

and other superlatives.

In no particular orderโ€ฆย  Bryan Houce played Markโ€ฆย  his portrayal got stronger and stronger throughout the performance as the middle-class wannabe with no confidence (thatโ€™s Mark โ€“ not Bryan!). Mimi was played superbly by Grace Egginton who quite rightly as a choreographer played the part of a striptease dancer very well.ย  (Hmmmโ€ฆย  that maybe came out a bit wrong?) ๐Ÿ˜‰Roger Davis, all angst, and anger was quite phenomenal played by Josh Phillips.ย  Absolutely fantastic. Liberty Williams probably stole the show for โ€œmost likely to break a wine glass at forty feetโ€ with her incredible top note harmonising as Joanne, and Naomi Marie as Benny (dรฉjร  vu here โ€“ if you know, you know) as the brooding, mean turncoat-comes-good ex-flatmate.

If I appear to be rushing through these principals, itโ€™s because I could write war and peace about them otherwise. Next up โ€“ in her first ever principal role (which is hard to believe, if not as hard as reviewing of course) playing Maureen was Sarah Askew.ย  Now Sarah is no mean belter of a top noted harmony as well, as befits a rock band vocalist (if you know, you know) but โ€ฆย  well.ย  If you need a top MOO-ERR then Sarah is your girl (if you know, you know).ย  And then we have Davey Evans as Collins. Another wow moment.ย  Collins is a complex character to play especially with the range of emotions demanded of it, and Davey perfected them all. Great voice too. Which leaves last, but of course NEVER leastโ€ฆย  Angel. George Friend. I had the pleasure of speaking with George before and after the show โ€“ he is reprising the role he played in 2017 โ€“ and he claimed (yeah right ๐Ÿ˜‰) he couldnโ€™t believe he could still reach the high notes he needed but they were well reached, another great performance.

So thatโ€™s it. Iโ€™ve reviewed a show thatโ€™s hard to review. A show that for an opening night was quite wonderful. And let us not forget either the debut show for a brand-new Bath based community theatre company.ย  Top job.


โ€œRENTโ€ runs until Saturday 16th March at 1930 each evening with a 1430 matinee on the 16th. Tickets can be bought from
https://www.ticketsource.co.uk/whats-on/bath/rondo-theatre/rent/e-mdxlbz

and I urge you to go.

And โ€“ donโ€™t forget to MOOOO!  (if you know, you know).

You always said how lucky you were that we were all friends. But it was us, baby, who were the lucky ones.


Trending……

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโ€ฆ

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its openingโ€ฆ

Weekly Roundup of Events in Wiltshire: 28th February- 5th March 2024

Bit Wintery, innit? Calendars are going forward, weather is going backwards! Hereโ€™s whatโ€™s happening over the coming week in the wilds of Wiltshire, hold onto your hats…..

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week. Nothing ongoing on our list, so, letโ€™s jump right into the weekโ€ฆ.

Okay, all being well, below, find a podcast of everything listed, sprinkled with some great local music. Itโ€™s only a half hour long, trial thing, see how it goes, give it a listen, let me know what you think, especially if youโ€™re the kind of person who cannot be bothered to read this! Also, I thought it might be good for anyone with sight or reading issues, but they will have to put up with me waffling! Music comes from Meg, Jol Rose, Phil Cooper, The Worried Men and Junkyard Dogs.

Wednesday 28th

Green Grub Club at St James, Devizes. Acoustic Jam at The Southgate.

The Importance Of Being Earnest at the Wyvern Theatre, Swindon, running until 11th March. Big Jam Session at The Vic.

Earl Okinโ€™s Legend at Rondo Theatre, Bath. Buffoโ€™s Wake at The Bell, Bath.

National Theatre Live at the Merlin, Frome, with Vanya.


Thursday 29th

Open Mic at The Crown, Aldbourne

Phil Cooper at the Tuppenny, Swindon. Alan Clayson & Chanson at the Beehive. Frank Carducci & The Fantastic Squad at The Vic. Daniel Foxx at Swindon Arts Centre.

Keith James โ€“ โ€˜Solid Airโ€™ โ€“ The songs of Nick Drake & John Martyn at Chapel Arts, Bath. Tam Lin Retold at the Rondo Theatre.

Leaps of Faith at the Merlin Theatre, Frome.


Friday 1st March

The Cinelli Brothers at Long Street Blues Club, Devizes.

Technicolour Steam Train & Ed Dyke at The Pump, Trowbridge. Shape of You – Ed Sheeran Tribute at the Civic.

Jennifer Pike and Martin Roscoe at The Wiltshire Music Centre, Bradford-on-Avon. Samantics at The Three Horseshoes.

Green Haze- Green Day Tribute at The Vic, Swindon. The Worried Men at The Queens Tap. Static Moves at the Deerโ€™s Leap.

FearFree Fest 2024 at The Bell, Bath with DreamCaster, Kane Pollastrone, Mobscure, Louie Greensmith and Sharpie helping to support FearFree, a local charity breaking the cycle of abuse.

Free Community Festival at Komedia, Bath.


Saturday 2nd

CapFest at St James, Devizes. Plan of Action at The Three Crowns. Junkyard Dogs at The Southgate. The Music of Simon & Garfunkel at The Wharf Theatre.

Sam Cronin at The Barge, HoneyStreet. Open Mic at The Kings Arms, All Cannings.

Apache Cats at The Bear, Marlborough. Homer at The Lamb. Chuckle at the Church โ€“ Comedy Night at St Peterโ€™s.

The Chaos Brothers at The Grapes, Melksham

The Future Sound of Trowbridge #6 at the Pump, Trowbridge with Nobodyโ€™s Dad, Sharpie and Sebastian & Me.

Spiers & Boden at The Wiltshire Music Centre, Bradford-on-Avon. The Derellars at The Three Horseshoes.

Mid Life Krisis, Diversify at The Vic, Swindon. Trios Amigos at the Swiss Chalet. Sonic Alert at The Queens Tap. Post 12 at The Woodlandโ€™s Edge. 

The Saviours Collective at Chapel Arts, Bath.

Witchfest Market at the Cheese & Grain in Frome, followed by Maniac Street Preachers Vs StereoIronics. The Blink 182 Show has sold out at the Tree House. Martha Tilston at Rook Lane Chapel.


Sunday 3rd and Monday 4th Iโ€™ve got nothing, but do keep a check on the event calendar for updates.

Update: Just in, there’s an open mic at the Lamb in Marlborough from 8pm on Monday 4th March.


Tuesday 5th

Jazz Knights presents Alan Barnes Quartet at The Royal Oak, Swindon.

ADHD and Women with Dr Samantha Hiew at The Cheese & Grain, Frome.


And thatโ€™s all weโ€™ve got for now, other than some important things to say: Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!

Have a good week, and please listen to the podcast, itโ€™ll be fun, I promise you!!


Weekly Roundup of Events in Wiltshire: 14th – 20th February 2024

Hereโ€™s whatโ€™s happening over the coming week in the wilds of Wiltshire, hold onto your hats, letโ€™s lots to get throughโ€ฆ..

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.

Look, if itโ€™s all the same to you, I cannot choose an Editorโ€™s Pick of Week; too much great stuff happening. Iโ€™m doing a Chocolate making workshop at HollyChocs in Poulshot on Friday (see here,) then off to see Gaz Brookfield at West Lavington Village Hall, (Preview) which has to be one. Saturday, if you loved Adam & the Ants, you need to get to The Vic, Swindon for Ant Trouble (previous review) and if you love hip hop get down the Pump in Trowbridge for the Scribes (preview) but saying all this, when SGO come to the Southgate, Devizes, which they are on Saturday, itโ€™s always a pleasure (past review.) Huge dilemma, ergo, can I have five Editorโ€™s Picks of the Week this week?!!

Ongoing until 17th February, two enlightening exhibits at Wiltshire Museum, Devizes,ย Lest We Forget: the Black Contribution to the World Wars in Wiltshire, and Eric Walrond: A Caribbean Writer living in Wiltshire. Reviewed HERE.

Potterne Pantomime presents Robin Hood at the Potterne Village Hall, running until Saturday. 

Wednesday 14th

Seed Bomb Making at Hillworth Park, Devizes, and the regular Acoustic Jam at The Southgate. 

Glad to hear The Charlton Cat at Charlton St Peter has a grand reopening on Wednesday.

Counterfeit Sixties Show at the Neeld, Chippenham. Love Stories in Chippenham, don;t know where, One Chippenham your website seems to be down! 

A lunchtime recital with violinist Madeleine Mitchell at Pound Arts, Corsham.

Sterling Elliott at Wiltshire Music Centre, Bradford-on-Avon.

Ghost The Musical at The Athenaeum, Warminster.

Memory Cinema at Swindon Arts Centre screens Miss Potter (PG.) The Big Jam Session at The Vic.

Carrie the Musical at Rondo Theatre, Bath. Diddy Sweg at The Bell, Bath.


Thursday 15th

Open Mic nights return to The Cellar Bar, Devizes.

Seend Fawlty Players Presents Aladdin at Seend Community Centre, opening today, running up till Saturday.

Kid Carpet and the Noisy Garden Centre at Pound Arts, Corsham.

B-Sydes, Heartwork & Ed Poole at the Tuppenny, Swindon. Bob Porter Project at the Beehive. The Magic of Terry Pratchett at Swindon Arts Centre. Frankie Boyleโ€™s show opens at the Wyvern Theatre and runs until Saturday.

Bath Bachfest opens and runs until Saturday with lots of concerts across the city.


Friday 16th

Innes Sibun Trio at The Southgate, Devizes. Disneyโ€™s Frozen Jr runs at the Wharf Theatre on Friday and Saturday.

Gaz Brookfield plays West Lavington Village Hall.

Ward Thomas at the Wyvern Theatre, Swindon. Collateral with Zac & The New Men at The Vic. Soulphia, new name for Sophia Bovellโ€™s Soul Rebels, plays The Cow in Swindon.

Classic Rock American Highway Show at Chapel Arts, Bath.

Bootleg Blondie at the Cheese & Grain, Frome. Liam Helm & The Hang Ups at The Tree House.


Saturday 17th

The Melksham & Devizes Primary will be in Melksham town centre from 10am-noon.

Sorrel Pitts will be signing copies of her new novel Broken Shadows at Devizes Books. Reviewed HERE. Thereโ€™s a Devizes Town Hall Ghost Hunt. The Truzzy Boys are at The Three Crowns, and Sโ€™GO at The Southgate, reviewed here. Oh, and of course, itโ€™s DOCAโ€™s Festival of Winter Ales.

The Devilโ€™s Prefects Album Launch at The Barge on HoneyStreet.

Operation 77 at The Lamb, Marlborough.

The Scribes Boombox reaches the Pump in Trowbridge, preview here.

The George Ward School Reunion Disco Class of the 1970s, at the Spencer Club, Melksham.

Wiltshire Police Band at St Andrewโ€™s Church Chippenham. Valentines Concert in Chippenham, at the Neeld, perhaps? One Chippenham, your website is down.

Gwilym Simcock Trio at Wiltshire Music Centre, Bradford-on-Avon.

Framed! And Help! I Think Iโ€™m a Nationalist! at Pound Arts, Corsham.

Fleetwood Mac & Tom Petty The Legacy Show at Swindon Arts Centre. Apache Cats at Queens Tap. 12 Bars Later at Swiss Chalet. Ant Trouble at The Vic.

Deadlight Dance & Steve Mercy are art Chapter 22 Roots & Records, Bath. Joe Wilkinson 

At the Rondo Theatre. This Flight Tonight โ€“ A Tribute to Joni Mitchell at Chapel Arts.

Cover Stories at Salisbury British Legion Hall. The Wiseguys at the Rising Sun, Wimborne.

Even N Song at The Ship, Shipton Bellinger.

Judge Jules is at The Cheese & Grain, Frome.


Sunday 18th

Chantelle Smith is with Richard Wileman & Valve at The Vic, Swindon. Brian Conley at the Wyvern Theatre.

The Woodlanders at The Bell, Bath.


Monday 19th

Buffy Revamped at the Wyvern Theatre, Swindon

Swingle-Tree and Whistling Treason at The Bell, Bath.


Tuesday 20th

Ian Bateman Quartet plays Jazz Knights at the Royal Oak, Swindon. Miles Jupp at the Wyvern Theatre.

POETIKA poetry slams at the Winchester Gate, Salisbury.


And thatโ€™s all weโ€™ve got for now, other than some important things to say: Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!

Have a good week- thatโ€™s the last important thingy to say!!   


Trending……

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had toโ€ฆ

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathewsโ€ฆ

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™sโ€ฆ

Weekly Roundup of Events in Wiltshire: 31st January -6th February 2024

Hey you, Feb already, hereโ€™s whatโ€™s happening over the coming week in the wilds of Wiltshireโ€ฆโ€ฆ

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week. Oh, and accept no substitute, this is the definitive guide to what’s really happening around these parts!!

Ongoing until 17th February, two enlightening exhibits at Wiltshire Museum, Devizes,ย Lest We Forget: the Black Contribution to the World Wars in Wiltshire, and Eric Walrond: A Caribbean Writer living in Wiltshire. Reviewed HERE.

The Importance of Being Earnest is currently running until Sunday at the Wharf Theatre, Devizes. This is sold out, Iโ€™m afraid, reviewed HERE.


Wednesday 31st

Modern & Contemporary Art from the Collection of Chippenham Museum.

Acoustic Jam at The Southgate, Devizes.

โ€˜Full Circle Part IIโ€™ โ€“ Phil Beer & Steve Knightley at Chapel Arts, Bath. Tight Lipped Combo at The Bell.

Truck at the Vic, Swindon, with the Belladonna Treatment and Nostomo. Viggo Venn at The Wyvern Theatre.


Thursday 1st Feb

The Tap Opening Night in Devizes.

Pound Arts, Corsham are screening Sherlock Jr. (1924) with live piano score by Meg Morley.

Cousins, Skiddy, Blair, Lynch at the Tuppenny, Swindon. Sebastian & Me, Talk in Code and Mirrored Faces feature at the Vic as part of Live Music Venues Week. Beyond The Barricade at the Wyvern Theatre.

Allโ€™s Well That Ends Well at Rondo Theatre, Bath. Nigel Wearne (AUS) at Chapel Arts, with support from Simeon Hammond Dallas.

Open Mic at The Winchester Gate, Salisbury.


Friday 2nd

Devizes Youth Action Group has their first event at the Devizes Corn Exchange. U18โ€™s only, all-teen bands, Shox, Steatopygous, and BellaDonna play, with DJ Flam. Well done for organising, we fully support this initiative, and our own youngest reporter, Flo, will be there to give us the lowdown on it. Karaoke starts up at the Exchange nightclub below for the so-called grownups(!), with Karl Maggs on the wheels of steel. This will be a regular thing, the first Friday of each month.ย 

Also on upcoming bands, check the first heat of Take The Stage at Chippenhamโ€™s Neeld Hall, only costs a fiver entry.

Travis Waltons at the Pump, Trowbridge, with Martyโ€™s Fake Family and The Earth & Me.

One Chord Wonders at The Boathouse, Bradford-on-Avon.

IVW 2024 Double Bill: Nuala Honan & Stevie Toddler at Pound Arts, Corsham.

All Ears Avow, Death is a Girl, Fluff and Ritual Divide all play the The Vic, Swindon. Thereโ€™s a Swindon Old Town Comedy Club at Christchurch, Old Town. Calling Planet Earth, Duran Duran tribute at the Wyvern Theatre, Dire Streets at Swindon Arts Centre.

And the In-Cider Festival begins at Weston-Super-Mare! Weston-Super-Mare, Eddie!


Saturday 3rd

The Thomas Atlas Trio takes over from the postponed LeBurn Maddox at The Southgate, Devizes. A darn good replacement, expect some amazing blues. Our trusty duo, Funked up will be at The Three Crowns, guaranteed good night at either. DJ Stevie Mc is in the mix at the Exchange.

Kieran doesnโ€™t know it yet, weโ€™ll see if he reads this religiously, but Iโ€™m invited to the Pump by frontman Jamie, so for this reason and for many others, this gets my Editorโ€™s Pick of Week!ย ย 

The Worried Men play the Pump, Trowbridge, with FuTuRe PlaN in support; anyone going up from Devizes? I needs me a lift!!

From the European Union Chamber Orchestra, Wiltshire Music Centre in Bradford-on-Avon presents Yuzhang Li.

Still Marillion at the Vic, Swindon. Apache Cats the Rat Trap. The Thinking Drinkers at Swindon Arts Centre, and The ELO Show at the Wyvern Theatre.

Itโ€™s Duckfest at the Duck in Laverstock, a Salisbury Live Beggar’s Bash thingy.

Phoebe Troup is at Chapel Arts, Bath.

Dylan tribute The Bob Villains at Tree House Frome Retro Electro at the Cheese & Grain.


Sunday 4th

All-family bike ride, Kidical Mass, from Hillworth Park, Devizes. Lewis Clark at The Southgate from 5pm.

Chasing Dolls, Lucky Number Seven, Better Heaven, Liddington Hill, and Oui Legionarries at The Vic, Swindon. Whitney Queen of the Night at the Wyvern Theatre. Ania Magliano at Swindon Arts Centre.


Monday 5th

Open Mic at the Lamb, Marlborough.

An Evening With Jasper Fforde at Swindon Arts Centre.


Tuesday 6th

Daniel Newberry Trio for Jazz Knights at the Royal Oak, Swindon. An Evening With Jeff Stelling at the Wyvern Theatre.

The Rob Auton Show at Rondo Theatre, Bath.



And thatโ€™s all weโ€™ve got for now, other than some important things to say: Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!

Have a good week- thatโ€™s the last important thingy to say!!   


Trending……

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

The Importance of Being Earnest at the Wharf Theatre, Devizes

The Importance of Being Earnest is rather like a newfound interest in jazz, you must โ€œunlearnโ€ the four-beat pop you’re accustomed to, to fully appreciate it. You have to rewind, temporarily forget Rick Mayall and Ade Edmondson, forgo all farcical comedy from The Goon Show to Charlie Chaplin, and leave your Tardis in late Victorian England, then, you will laugh.โ€ฆ.in a hoity-toity kinda fashion!

Opening Monday, it’s a sell-out at the Wharf Theatre in Devizes already, assuring me you know the plot and backstory; though I caught last night’s dress rehearsal, I’m not sure I need review it, only to assure ticket-holders theyโ€™re in for a good night, express, once again, why you gotta love our communal and hospitable town’s theatre, and maybe attempt to convince you Iโ€™m an intellectual!

One of the few plays Iโ€™ve read, Iโ€™m reminded how ironic and sardonic towards pomposity Oscar Wilde was, and how much trouble he got from it; surely making The Importance of Being Earnest a Victorian Men Behaving Badly, albeit written by a genius of twisting narrative the like I find unable to make a modern comparable.

I find myself wondering how, or even if itโ€™s possible, to modernise it, as they did with Brewsterโ€™s Millions, for example. For it lambasts the snobbery of Victorian social etiquette as nonsensical, ridiculing the formalities of gentry as preposterous folly, and though it suggests insincerity and fabrications should be morally neutral, our protocols to be so feigned with social interactions has drastically improved through equality since, making this feel somewhat lost in time. Such is its ex-post facto beauty, concluding some things are best left the way they are. 

This leaves the happy ending scene questionable by todayโ€™s standards. In an unfeasible  modern twist itโ€™s surely likely both Jack and Algernon wouldโ€™ve been victims of their own circumstance; akin to a double-act of Basil Fawlty and Basil Fawlty. A modernisation of the play would end (spoiler alert) with the penultimate scene, where the ladies discover Earnest was a big, fat double-whammy fib to get in their knickers, and the boys wouldโ€™ve been summoned to punishment for their deceptions, liable to sharp kicks to their respective groin-areas!

True, isnโ€™t it? Modern girls wouldn’t have given these unsuitable and practically unhinged suitors the time of day! Theyโ€™d receive only a two-finger salute, probably de-friended and condemned on Facebook, and theyโ€™d both be rung out to dry on Tinder, no matter how loaded they are! It is then, with a curiosity of Victorian ethics which makes this play so endearingly comical, classic and impossible to modernise; go tell Disney! 

Though, with a line in the play ironically defuncting happy endings I hadnโ€™t picked up on till last nightโ€™s fantastic dramatisation of it, I strongly suspect that is precisely what Wilde was getting at, only leaving me ponder what he would think of our era today. Thereโ€™s far more connotations to encrypt from this play than first meets the eye, but at least he wouldnโ€™t be threatened with a bouquet of rotten vegetables from his boyfriendโ€™s pop and in his attempt to sue the Lord, get banged up in the big house for it. More likely the Lord would get a wrap on the knuckles for a hate-crime; proving how far weโ€™ve emancipated and why this play is so intriguing and poignant, if outmoded comically.

And itโ€™s played out wonderfully, Rob Finlay plays steadfast Jack Worthing, Oliver Beech makes the perfect punster Algernon Moncrieff, and their conflicting characters ricochet off each other like they were performing this in Melkshamโ€™s Bounce House!

Sophie Kerr plays Gwendolen Fairfax, and Anna McGrail is Cecily Cardew, elegantly defining the constricted mannerisms of Victorian ladies, and Wildeโ€™s attempts to satirise it. Comic gold from Debby Wilkinson as Lady Bracknell and Jess Bone as Miss Prism, particularly when the two finally clash. Rob Gill is the bumbling reverend, Tony Luscombe and Ian Diddams make the perfect butlers.

Lewis Cowen is one dedicated director who has made this play shine beyond the rafters of the Wharf. I think youโ€™ll love it, being far more intellectual than me, and I finish with an oxymoron Oscar Wilde might be proud of me for; oh, awfully witty, what-what! Photographer Chris Watkins was there, trying to grab some images from him to illustrate this with, for now, I apologise for not taking photos, but guarantee you, itโ€™s yet another stunning performance.


Trending….

Weekly Roundup of Events in Wiltshire: 24th- 30th January 2024

Hey frozen duckling, hereโ€™s whatโ€™s happening over the coming week in the wilds of Wiltshireโ€ฆโ€ฆ

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.

Ongoing until 17th February, two enlightening exhibits at Wiltshire Museum, Devizes,ย Lest We Forget: the Black Contribution to the World Wars in Wiltshire, and Eric Walrond: A Caribbean Writer living in Wiltshire. Reviewed Here.


Wednesday 24th

Acoustic Jam at The Southgate, Devizes.

Big Jam session at the Vic in Swindon. Rhod Gilbert & The Giant Grapefruit at The Wyvern Theatre.

Apricity Theatre Turns Ten The Rondo, Bath. John E Visticโ€™s Country Club at The Bell, Bath.

Screening of The Old Oak at the Athenaeum in Warminster.


Thursday 25th

Runny Snotts Acoustic Sessions at The Neeld, Chippenham.

Mark Simmons: Quip of the Mark at Pound Arts, Corsham.

Ellis Evason at the Tuppenny, Swindon, Adult Panto โ€“ Beauty And The Big Beast at The Wyvern Theatre.

Andrew Birdโ€™s tour Taken Seriously is at The Rondo, Bath. Gordon Giltrap at Chapel Arts.

The Farewell Tour โ€“ An Evening With Sir Geoff Hurst at the Cheese & Grain, Frome.


Friday 26th

Lucky Number Seven are the Pump, Trowbridge, with LXRDVIRS and Notre Dame of Tokyo. John Lawโ€™s Re-Creations at the Civic.

BlueSoul at The Boathouse, Bradford-on-Avon.

Avalon Comedy Network: Stuart Laws, Lucy Pearman, Heidi Regan & Josh Weller at Pound Arts, Corsham.

This is Your (Improvised) Musical at The Rondo, Bath. Reggae vibes at St James Wine Vaults with the Biggle Sound System. Australiaโ€™s Ernest Aines at Chapel Arts.

King Awesome at The Vic, Swindon, Texas Tick Fever at the Beehive. Stranger Sings at The Wyvern Theatre.


Saturday 27th

Phereakers at The Southgate, Devizes, Donโ€™t Frett at The Three Crowns.

Josh Kumra at the Bear, Marlborough. Broken Dolls at the Lamb.

Bo Walton Band at Melksham Rock n Roll Club.

A Big shout out to organiser John McConnachie, as Editorโ€™s Pick of the Week is at Calne Liberal Club for the annual 7 Bands in 7 Hours. The Killertones, Real Cheesemakers, Mike & the Misfits, People Like Us, 6 O’clock Circus, Homer and the Chaos Brothers join forces for this fundraiser. This year itโ€™s supporting two young children Hartley, diagnosed with Down’s Syndrome and Fletcher who suffers bowel disorder. The mini-festival comes with a suggested ยฃ5 donation, and starts at 4pm. If you canโ€™t make it you can still donate here.

Martyโ€™s Fake Family at Gloucester Club, Trowbridge. Samantics with Devilโ€™s Doorbell at The Pump.

Junkyard Dogs are at The Consti Club in Chippenham.

Shakespeareโ€™s Fool at Pound Arts, Corsham.

Band of Others at Warminster Conservative Club.

Stranger Sings at The Wyvern Theatre, Swindon. Papa Shango at The Vic with Here Comes The Crows in support. 

Ukrainian Benefit Evening at The Bell, Bath. Ania Maglianoโ€™s I Canโ€™t Believe Youโ€™ve Done This at The Rondo.

Snuff at The Winchester Gate, Salisbury. Wilton Live all dayer at Wilton Community Hall, see poster. Sam Fraser is at Follow Comedy at Qudos.

Hugh Cornwell and special guests The Primitives at the Cheese & Grain, Frome, Bruce Juice, Bruce Springsteen Tribute at The Tree House.


Sunday 28th

Vince Bell at The Southgate, Devizes.

Screening of The Royal Operaโ€™s Rusalka at Wiltshire Music Centre, Bradford-on-Avon.

South West Hotel and Careful Spider play a Schtumm at the Long Rooms in Box. Andy Burden Band at The Bell, Bath.

An Evening with Glenn Hoddle at The Wyvern Theatre, Swindon.


Monday 29th

Is the opening night of The Importance of being Earnest at the Wharf Theatre, Devizes. This is running until Feb 3rd, and we will bring you a review of it before it opens; watch this space!

Rock The Tots โ€“ โ€˜The 1990sโ€™ at Pound Arts, Corsham.

Most Haunted Live at The Wyvern Theatre, Swindon.

Brooks Williams & Aaron Catlow at The Bell, Bath.


Tuesday 30th

Stop Making Sense at Pound Arts, Corsham.

Tom Clarke-Hill Quartet plays Jazz Knights The Royal Oak, Swindon. I See Orange at the Vic. Most Haunted Live at The Wyvern Theatre.

Pete Morton at The Bell, Bath.


And thatโ€™s your lot! Let me know if we missed anything, we can list events for free, but a chocolate muffin works better to persuade me! Lots to look forward to this month, Iโ€™ll lob a few posters below, but keep your best eye on theโ€ฆโ€ฆ

Event Calendar!!


Trending….

Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

Weekly Roundup of Events in Wiltshire: 17th -23rd January 2024

V busy week ahead, too busy to type the word โ€œvery,โ€ (though I just did type the word โ€œvery,โ€) despite the cold spell, nothings gonna stop us now, reminding me somewhat of Ollie & Jerryโ€™s theme โ€œBreakinโ€™, thereโ€™s no stopping us.โ€

Not that it takes me much to be reminded of Ollie & Jerry – I think about them all the time, I wonder where they are and what theyโ€™reโ€ฆ..okay, letโ€™s push on, we donโ€™t need you to be like Turbo, no one to dance with other than a broom, (youngsters pipe down and Google it!) hereโ€™s whatโ€™s happening over the coming week in the wilds of Wiltshireโ€ฆโ€ฆ

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.

Ongoing until 17th February, two enlightening exhibits at Wiltshire Museum, Devizes,ย Lest We Forget: the Black Contribution to the World Wars in Wiltshire, and Eric Walrond: A Caribbean Writer living in Wiltshire. Reviewed Here.

Artist Clifton Powell with Eric Walrond portrait at Wiltshire Museum

Wednesday 17th

The Melksham & Devizes Primary have a new year meet at the Kings Arms, Melksham; we recently did an interview with them, a really important issue, check it out here.

The regular Acoustic Jam at The Southgate, Devizes.

Lunchtime Recital Series at The Wyvern Theatre, Swindon, with Babatunde Aleshe in the evening.

Opening night of The Wind in the Willows at The Rondo, Bath, running until Sunday the 21st. Meanwhile, Starlings play The Bell in Bath.

British Lion are at the Cheese & Grain, Frome.


Thursday 18th

M3g plays The Tuppenny, Swindon, Zamba Lando at The Beehive, John Otway at The Vic, a memory sing at Swindon Arts Centre, and Get It On at The Wyvern Theatre.


Friday 19th

Borrowed Atlas plays the Pump, Trowbridge, with Ravetank in support.

Cara Dillon is at Pound Arts, Corsham.

Forbidden Nights at Melksham Assembly Hall, ladies!

Stompers at The Boat House, Bradford-on-Avon.

Littlemen at Chapel Arts, Bath.

Dark Prophecy at The Vic, Swindon, UK Pink Floyd Experience at The Wyvern Theatre. 


Saturday 20th

Day course: Wood Engraving with Robin Mackenzie at Wiltshire Museum, Devizes.

An album launch gig for Cracked Machine at the Southgate, Devizes, with Clock Radio in support. Siren at The Three Crowns. Real Music are at the Bear, with a Soul, Motown Disco.

Open Mic at The Barge Honeystreet.

Chippenham Record Fair, at The Citadel on Bath Road; free entry.


Editorโ€™s Pick of the Week is Bradford Roots Festival at the Wiltshire Music Centre, Bradford-on-Avon; Iโ€™ve been saving myself since new year for this! Incredible line-up, all day Saturday and Sunday, preview here, hope to see you there?


Cara Dillon is at Pound Arts, Corsham.

Ian Diddams and Wendy Dopheide take Happy Jack to the Athenaeum, Warminster for a two night run, Saturday and Sunday; hereโ€™s a review from when this show was at the Wharf in Devizes.

The Korgis โ€“ Time Machine at Chapel Arts, Bath.

Apache Cats at The New Inn, Swindon, The Rolling Clones at The Vic. Abba Forever at The Wyvern Theatre, and an RPA Golden Ticket Show at Swindon Arts Centre.


Sunday 21st

Manos Puestas at The Southgate, Devizes.

Bradford Roots Festival continues.

Sing-A-Long-A Matilda The Musical (PG) at The Wyvern Theatre, Swindon.

Gordie Tentrees & Jaxon Haldane at The Bell, Bath.


Monday 22nd

Giovanni Pernice at The Wyvern Theatre, Swindon.

The Swing Vote at The Bell, Bath.


Tuesday 23rd

Vasilis Xenopoulos & Tom Berge Trio for the regular Jazz Knights The Royal Oak, Swindon.

Giovanni Pernice at The Wyvern Theatre.


And thatโ€™s your lot, let me know what we missed, we can list events for free, but a chocolate muffin works better to persuade me! Lots to look forward to this month, Iโ€™ll lob a few posters below, but keep your best eye on theโ€ฆโ€ฆEvent Calendar!! Also note, we have a new page for weekly events including clubs and activities, here: it’s new so we need to list some more, tell us what you know!


Trending……

Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

Girls Like That at Devizesโ€™ Wharf Theatre Opens Tomorrowย 

What if I told you the forthcoming production at the Wharf Theatre in Devizes was staged by the Wharf’s own Youth Theatre Group? Would you preconceive it to be akin to a school production? Would you assume it amateurish, or immature? Girls Like That is none of the above, I was invited to a sneaky preview dress rehearsal type thingy, and it’s complex, multi-layered and poignantly provocativeโ€ฆ.

I left the Wharf contemplating the model protagonist versus antagonists is ambiguously played out here, as the centre of attention, due to a lewd photograph of her going viral, Scarlet, played wonderfully by Chloe Lagden, is silent throughout the majority of the play, and until the closing scene where she lays it thick on the line; the layers of blame, of victim of circumstance, and the harassing group banter leaves a bitter taste of irony, of who is right and who are wrong.

Even the title remains questionable once the play has concluded; does the โ€œgirls like thatโ€ refer to the Scarlets of this world, and their terrible mistakes, or her peers who seem determined to gossip and spread hearsay through their outrage at what she did? I remain undecided, but an open-ended play is favourable if you wish to leave with deliberations about your own social engagements, which it certainly does. Face it, we never truly grow out of our malicious adolescent craving to better ourselves by putting others down, and I only said that because my dad is a black belt in karate!

Of course, it focuses on contemporary methods of harassing, online, but there’s interesting monologues dividing the present day, of twenty year gapped reminiscences, examples of masculine abuse and inequality, which though you assume are only there for an insight to past techniques of humiliation and how they differ or are similar to today’s, there’s a twist at the conclusion to roll them nicely into the narrative…. not forgoing, elders in the audience will love the cultural reverences I’d suspect the actresses would need to Google!

The nine other young actresses, Scarletโ€™s frenemies, each play their parts of equal substance, as if they were made for them. I pondered if they each took reflection from this on their own actions, or this is the superb direction from renowned director Lou Cox, or more likely a bit of both. But one thing I am sure of, the cast; Samantha Scott, Bea Yates, Eloise Bromley, Darcey Oswin, Megan Hughes, Pip Aldridge, Jess Harding, Jess Worrow, and Lisa Grimes, together with Chloe, play utterly convincing parts with gusto and actuality.

There’s subtly placed humour too, satirical and black, and it’s easy to see now how Girls Like That was named best play for young audiences at the Writersโ€™ Guild of Great Britain Awards in 2015, though I would argue with strong language and passionately delivered prose, here is a story to leave an impression on the most hardened adult mind equally.

Clogs and stilettos this play, for me, because being an honest reviewer, anyone who requests a nudie photo of me must either be criminally insane or a director filming a whole new level of twisted horror-comedy; walking in someone else’s shoes is most effective when they’re an entirely different style of shoe. Even if you cannot relate to the circumstance presented in Girls Like That, I believe there’s a moral there for us all, as the naivety of the characters mature, the nature of gossip and backbiting never really fades through age, it just gets more complex and crafty. Ergo, anyone, a victim, perpetrator or both will identify with this gritty, reality-driven play, but all will relish in its gorgeous portrayal.

The popularity of recognisable shows at theatres in general, means previous performances at our wonderful Wharf Theatre, such as The Railway Children, can be taken as red, whereas something lesser-known like this you have to take a chance. Iโ€™m only here to express my thoughts, and would humbly suggest Girls Like That displays the diversity of performances the Wharf are willing to put on, and you will leave breath-taken.

Well done to Lou and her team of aspiring, and indeed, inspiring actors at the Wharf Theatre Youth Group, itโ€™s marvellous!

Girls Like That starts tomorrow, Thursday 20th July, and runs until Saturday 22nd. Shows at 7:30pm, tickets are from ยฃ10, from the Wharf website HERE, or from the Box Office on; 0333 666 3366.


Trending…….

You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo albumโ€ฆ

The Railway Children Calls at Devizes’ Wharf Theatre

Pride of the arts in Devizes, The Wharf Theatre say, if you love the story of The Railway Children, first serialised in The London Magazine in 1905 and published as a book in 1906, before being made into the classic 1970 film; then we can assure you that the stage play will not disappoint.

Being honest, it’s a story I’m unfamiliar with, believing, if memory serves me well, there was also a popular TV series of it in the early eighties, but at the time I was cosumed rather by Monkey Magic and The A-Team! I think today, though, I can look upon this with matured eyes and be equally as intrigued by its genius synopsis as those the Wharf deem “lovers” of the story.

Therefore, I’m pleased to highlight that they’re proud to present this renowned story of a prosperous Edwardian family from London, forced into near-penury in the rural north of England, after their Father is falsely imprisoned. Come and meet โ€˜Bobbie, Peter and Phyllis as they adapt to their new life in the cottage by the railway and join them as they meet someone who might just be able to help them get their happy ending.

Under Freddie Underwoodโ€™s direction, this stage adaptation perfectly captures the anxieties and exhilarations of childhood with great tenderness and insight. Adults and children will be enthralled by the heart-warming story and the clever use of imaginative theatricality. This is definitely one โ€˜not to be missedโ€™โ€ฆ

Running from May 8th to May 13th 2023 @ 7.30pm. As you might predict, tickets are selling well on this already, so I encourage your urgency to snap up a seat.

Tickets can be purchased by ringing 03336 663 366; from the website and at the Devizes Community Hub and Library on Sheep Street. For group bookings, please contact hire@wharftheatre.co.uk


REVIEW โ€“ Measure For Measure @ Wharf Theatre, Devizes โ€“ Monday 27th March 2023

First Night Triumph

by Andy Fawthrop

Images used with kind permission of Chris Watkins Media

Again it was a real pleasure to bowl along to our townโ€™s little theatre and to enjoy a wonderful opening night.ย  The fare on offer was that Mr. Shakespeareโ€™s tragi-comic offering Measure For Measure……

To be honest, it was (many) years since Iโ€™d last read or seen a performance of this often neglected play.  It just doesnโ€™t get wheeled out as often as those wonderful chaps Othello, Hamlet and Lear.  I wonder why that is?  Perhaps itโ€™s because it doesnโ€™t quite plumb the emotional and tragic depths in the same way as those giant figures?  Or perhaps because itโ€™s not as funny as the classic comedy capers we see in Midsummer Nightโ€™s Dream?  Or maybe tragedy and comedy donโ€™t mix together too well in the same play?

Notwithstanding these difficulties, Liz Sharmanโ€™s production made light of such concerns, and a competent and well-drilled cast delivered an excellent opening night performance to a near-full theatre.  The themes of corrupt power, of vice vying with virtue, of hypocrisy and double dealing remain as a relevant commentary on the political events of today, to say nothing of the resonance of the #MeToo movement.  In this case, of course, The Bard of Avon ensures that all is wrapped up well at the end, where deception is uncovered, virtue is rewarded and the criminals are punished.  If only that happened so neatly in real life.

Using a sparse black set, a simple staircase and a gallery, and little in the way of props or scenery, the focus was very much on the words and the actions.  The only real exception was the frequent use of cloaks and hoods, a necessary device given that the plot hinges on disguise and deception.  Pete Wallis as Vincentio, Simon Carter as Angelo, Paul Snook as Lucio and Eleanor Smith as Isabella all delivered their leading roles with great aplomb, but they were just as ably supported by stalwarts of the Wharf Lewis Cowan. Oli Beech and Tor Burt.  And it would be churlish not to mention the old โ€œrude mechanicalsโ€, Ian Diddams as the bawd Pompey and Lesley Scholes as the prostitute Mistress Overdone, whose exaggerated comic performances gave the show that comic lift that it occasionally needed.  It was worth the entrance money alone to witness the bizarre shirts worn by Ian.

All in all, a great ensemble performance from faces both new and familiar.  Well played!

The show runs until Saturday, so I urge you to go and see it.ย  There are still just a few tickets left, available via The Wharfโ€™s website.

Future productions at The Wharf Theatre:

Sat 1st April Open Day at the Wharf

Sat 15th April                                      Walk On Back To Happiness

Mon 8th โ€“ Sat 13th May                   The Railway Children

Sat 20th May                                       Jack & Jordan Sketch Show

Fri 26th/ Sat 27th May                      Having A Baby

Thu 8th โ€“ Sat 10th June                    Watson & Brown Little Big Band

Sat 24th June                                      California Dreams

Thu 20th โ€“ Sat 22nd July                   Girls Like That

For all information about The Wharf Theatre and its productions go to www.wharftheatre.co.uk


Trending…..

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to theโ€ฆ

Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโ€ฆ

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

See Behind the Scenes: Open Day at The Wharf Theatre

Saturday April 1st, between 10am and 2pm The Wharf Theatre in Devizes are holding their second ever open day, itโ€™s free and open to all. Whether youโ€™ve been in the theatre before, or not, everyone is welcome to come and see what goes on at the Theatre and what goes into putting on a show…..

There will be a collection of costumes, and guided theatre tours – even to darkest depths of the Wharf visitors donโ€™t usually see, like the tech box and green room.

An entirely free event which will be offering refreshments. If youโ€™re interested in joining the theatre groups, either on the stage or behind the scenes, people will be on hand to chat about the various roles, but even if you fancy popping in for a cuppa and a look around, theyโ€™re welcome.

Publicity director Karen said, โ€œfollowing the lockdowns, when it looked for a while that we might not survive, we were saved with the help of the lovely local people who donated to our Just Giving Page, we would like to think that we are the little theatre who the town took to its heart and helped to save.โ€

Next show at The Wharf is hidden Shakespearean gem, Measure for Measure, running from March 27th to the open day on April 1st. See our preview here.


Trending….

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

Weekly Roundup of Events in Wiltshire: 8th โ€“ 14th February 2023

February, not hotting up much temperature-wise, nevertheless plenty of stuff going on across the county and beyond; hereโ€™s what weโ€™ve found to satisfy your soul this weekโ€ฆ.

You know the score, no links here, find them on our event calendar โ€“ something you need to keep an eye on as it has been known to get updated from time to time! If we missed anything you told me about, I apologise, let me know and I can add it. If I missed anything you failed to tell me about, thatโ€™s your own lookout, but still, if youโ€™re nice I might add it, but it will cost you a cupcake.


Letโ€™s not mess about, Wednesday 8th sees the regular acoustic jam at the Southgate, Devizes, an over 60s event at The Neeld, Chippenham, Macie J Kulakowski at the Wiltshire Music Centre, Bradford-on-Avon, Chris McCauslandโ€™s Speaky Blinder at Komedia, Bath, and a folk open mic at Brown Street, Salisbury.


On Thursday 9th we welcome back Devizes Film Club, who are setting up camp at The Wharf Theatre, tickets for the film, Minari have sold out, please note upcoming screenings, here.

Pound Arts in Corsham have a triple bill of folk, Flo Perlin, Daisy Chute and Fern Maddie.

The Tuppenny, Swindon, have one on my hitlist, Canuteโ€™s Plastic Army, with the wonderful Harmony Asia in support.

Phil Beer plays Chapel Arts, Bath, and Terence Blacker presents The Shock of the Old at Rondo Theatre.

Opening night for How The Other Half Loves at Salisbury Playhouse, running until 4th March.


Friday 10th sees the acoustic folk-indie project of now London-based but former Devizes resident Neil Phillimore, Brave New Broken Hearts Club come to St Johns in Devizes for a one-off gig with London folk poet-singer Pearl Fish. Previewed Here.

Upcoming bands battle it out for heat two of Take the Stage 2023 at The Neeld, Chippenham.

The Corsairs play The Bear in Marlborough.

Emily Breeze plays the Pump in Trowbridge for Sheer Music. You need to get in quick on any events at the Pump, they will sell out before you know what’s-what!

Guitar enthusiasts head for Swindon Arts Centre for a show celebrating 50 Years of Fender, while The Shudders play The Vic, with Celtic folkers Liddington Hill and Death is a Girl.

Aaron Azunda Akugbo plays Wiltshire Music Centre, Bradford-on-Avon, Sara Pascoe appears at Bath Forum, while thereโ€™s a free indoor fest at Komedia, featuring Year of the Dog, Nookee, Drop in the Ocean, Ryan Dโ€™Auria and Bohosapiens, and at the Rondo Theatre thereโ€™s a play called Thirst, running over the weekend.

Jolyon Dixson & Steele play The Royal George in Salisbury, Break Cover are at Brown Street, and Jarlath Regan and Garrett Millerickโ€™s Work in Progress at Salisbury Arts Centre.

Henge at The Cheese & Grain, Frome.


Start your Saturday 11th with some deliberation, as the Devizes Town Council Roadshow meets at The Market Place, 10am-1pm! In the evening, find Ben Borrill at The Three Crowns, and Junkyard Dogs at The Southgate.

Big Mamaโ€™s Banned play the Pilot, Melksham, Be Like Will play The Wiltshire Yeoman in Trowbridge, while The Worried Men are at the Pump.

Dave B & The Bop Wonโ€™t Stop presents The Ultimate Shakinโ€™ Stevens Tribute at Chapel Arts, Bath, and thereโ€™s a West End Winter Show at Wiltshire Music Centre, Bradford-on-Avon.

If thatโ€™s not enough difficult decisions already, Don Letts is guest at The Cheese & Grain in Frome, as the Dub Pistols headline.

Find Six Oโ€™clock Circus at The Phoenix in Wotton Bassett, Thickcut play The Swiss Chalet in Swindon, and Bella Notte features Bel Canto, Belle Voci and Bella Musica in an evening of songs from shows and popular music in Everybody Sing at Swindon Arts Centre.

However, Editorโ€™s Pick of Week will see us trek to Swindon, unless a serious hurricane-blizzard-tornado hits, where Adam Ant tribute Ant Trouble play the Vic. If you want a lift from Devizes, give me a shout, but you’ll have to help with my war-paint! Iโ€™ve been looking forward to this for ages, rekindling my youth with some ant music… we are the family!


Sunday 12th sees Bee-Gees tribute Jive Talkin at the Wyvern, while Tom Stade takes The High Road at Swindon Arts Centre.

Phil Cooper is live in Session at The Electric Bar, at Komedia in Bath, while comedian Lloyd Griffithโ€™s One Tonne of Fun play the main hall. Eliza Carthy & The Restitutionโ€™s 30th Anniversary tour comes to the Wiltshire Music Centre, Bradford-on-Avon.


On Monday 13th Strictly Come Dancing champion Giovanni Pernice invites you to join him on a journey to his homeland for his production of Made in Italy at the Wyvern, Swindon.


Tuesday 14th sees The Classic Rock Show at the Wyvern, Swindon. Bath Phil & Jeneba Kanneh-Mason at Bath Forum and Future Cavemen at Komedia.


Into The Future…..

Thatโ€™s all for this week folks, should be something to please everyone there, I think, but nothing will beat some kings of the wild frontier in my honest opinion!

Do scroll through the event calendar, some things you should take note of; Devizes Winter of Festival Ales is near-sold out, you best hurry. Seend Community Centre sees it 43rd village pantomime, The Princess & The Frog start on Thursday 16th and runs the Friday and Saturday.

Friday 17th in Frome, though, with birthday boy Ruzz Guitar at The Cheese & Grain, featuring The Real John Lewis and Peter Gage, and over the road, The Lost Trades play The Treehouse; wowzers! Talking of birthdays and Ruzz, don’t forget, Devizes people, not only is Ruzz playing his own birthday, he’s playing mine too! All welcome on March 4th to the Three Crowns where we’ll have a daytime open mic, the fantabulous Talk In Code will playing too and you can laugh at me reaching the half-century mark.

Spoiled for choice in Devizes on Saturday 18th, Thin Lizzy founder and guitarist Eric Bell arrives at Long Street Blues Club, head-to-head with Devizes Festival of Winter Ales, fantastic improv comedy with Instant Wit at The Wharf Theatre; decisions, decisions, but you need to make your mind up and get tickets, though if you fail, Black Nasty is at our trusty Southgate.


Trending….

Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, thisโ€ฆ

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. Theโ€ฆ

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trioโ€ฆ

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Dovesโ€ฆ

Weekly Roundup of Events in Wiltshire: 1st โ€“ 7th February 2023

Thank the heavens we can kick January out of the door! Itโ€™s been a warmer week though, hasnโ€™t it? Still wouldnโ€™t reach for the Hawaiian shirts and straw sunhats just yet. The weather is a tease, loves to give you a taster of the potential of the coming season, then reverts without warning or the slightest concern that you risked lobbing your thermal long-johns in the wash!

Some people prefer winter though, apparently; weirdos! Hereโ€™s what weโ€™ve found to do in Wiltshire for the rest of us; hermits stay in, covered in blankets, re-watching Wednesday and praying into a bag of cheesy puffs for season two! Get a life, Wiltshire is not a cultureless void, see below if you donโ€™t believe me!

Links and details can be found on our event calendar: here. Just takes ages adding them in here a second time; ainโ€™t nobody got time fโ€™ dat!

Ladies Day continues at The Wharf Theatre, Devizes until Saturday 4th all sold out now, but the next production hosts improvised comedy Instant Wit, for one day and that day being 18th February. Not forgoing the welcome return of Devizes Film Club showing the 2020 film Minari, about a Korean-American family moving from California to a remote Arkansas farm in search of their own American dream. That is on Friday 9th February.


Pinch, punch, Wednesday 1st February it will be then, and Trowbridgeโ€™s Pump celebrates Independent Venue Week with The Howlers, Langkamer and Mumble Tide.

Regular acoustic jam at The Southgate, Devizes.

Seventh Avenue Arts presents Simon & Garfunkel Through the Years at Pound Arts, Corsham. Danny Bakerโ€™s Sausage Sandwich Tour comes the Wyvern, Swindon.

The Greatest Magician continues until 4th at Rondo Theatre, Bath, and staying in Bath, Monkey Bizzle meets The Scribes Komedia, Flats & Sharp at Chapel Arts, and Junior Bill at The Bell.


Thursday 2nd Quiz Night at The Devizes Literary & Scientific Institute in aid of Devizes & District Food Bank by Devizes Labour Party.

Moon plays The Vic in Swindon, Truck at The Tuppenny. Ben Portsmouthโ€™s This is Elvis 2023 Tour at the Wyvern, and Limehouse Lizzy at Swindon Arts Centre.

Brennan Reeceโ€™s Crowded come to Rondo Theatre, Bath, and for music, find Del Barber & Band at Chapel Arts.

Still Moving DJs at Salisbury Arts Centre, Open Mic at The Winchester Gate, and Jamie Linghamโ€™s regular From The Book at Brown Street, Salisbury.


Friday 3rd and itโ€™s Potterne Cricket Clubโ€™s Quiz Night at Potterne Village Hall.

While revellers descend on Weston-Super-Mare for the Incider Festival, Jaz Delorean is at The Pump, Trowbridge, but I believe is near sold out, youโ€™ll need to be quick, or own a time machine for this one!

A new regular feature at The Barge on Honey Street, open mic session continues Friday.

Sophie Dukerโ€™s Hag at Pound Arts, Corsham, Phoenix Dance Presents โ€˜We Are Connectedโ€™ at The Neeld, Chippenham.

In the top three flamenco guitarists in the world, Juan Martin is at Wiltshire Music Centre, Bradford-on-Avon, Malaya Blue Band at Chapel Arts in Bath, some Impromptu Shakespeare at Rondo Theatre, and David Oโ€™Dohertyโ€™s Whoa is Me at Komedia.

Wow; Fairport Convention play the Wyvern in Swindon, with Lucy Porterโ€™s Wake Up Call at Swindon Arts Centre. Dohny Jep headlines a triple at The Vic, with Nervendings and Riviera Arcade.

Cressers Last Standโ€™s The Growing up Tour at Brown Street, Salisbury, while The Jonny Phillips Trio play the Winchester Gate.


Saturday 4th, The Shudders come to The Southgate, Devizes, (Update: The Shudders canโ€™t make it on Saturday. To the rescue, they have laid back dude Grizzly Rhys Morgan at The Southgate instead,)while Devizes Scooter Club hold a Back to the 80โ€™s Party at The Cavalier. But the concentration in Devizes should focus on The Corn Exchange, where we are thinking green. Make a hot-water bottle at Devizes Library during the day, and bring it to the Wiltshire Climate Alliance fundraiser with Seize the Day; preview here. Editor’s Pick of the week? Could be!

Damm! play The Bear, Marlborough, meanwhile it will be Vyv & Jackieโ€™s farewell at The Lamb, after over an incredible 43 years theyโ€™re retiring and we wish them all the very best. A solemn occasion it refuses to be, as Pants will out! If you donโ€™t know what that means, I suggest you read undoubtedly the funniest interview weโ€™ve ever done, with Pants, last week. Got to be Editorโ€™s Pick of The Week, if Seize the Day is too, I can’t decide this week!

Phoenix Dance presents a second night of โ€˜We Are Connectedโ€™ at The Neeld, Chippenham.

Still Marillion play The Vic, Swindon, with One Chord Wonders at the Queens Tap, The Bellflowers at The Tuppenny, Homer at The Swiss Chalet, and Six Oโ€™clock Circus at Coleview Centre. Troy Hawkeโ€™s Sigmund Troyโ€™d at the Wyvern, and Paul Foot at Swindon Arts Centre.

Stray Dogs will be โ€˜Unleashedโ€™ for a Charity Gig for The Music Man Project at Burdallโ€™s Yard, Bradford-on-Avon.

The Roy Orbison Experience at Chapel Arts, Bath, with Akasha at The Bell.

From 11am, Drag Queen Story Time at The Winchester Gate, while the evening in Salisbury gets punked, with Carsick headlining at foursome at Brown Street with Who Ate All the Crayons, Lucky Number Seven, and Seaside Glamour.

Staying punk, The Cheese & Grain hosts the Frome Punk Fest.


Sunday 5th and if youโ€™ve achieved nothing over the weekend all is not lost, the monthly Jon Amor Trio residency at The Southgate, Devizes at around about 5pm, with guest Thomas Atlas.

Also, Julian Gaskell & His Ragged Trousered Philanthropists are at The Bell, Bath, while Stephen Lynchโ€™s The Time Machine Tour arrives at Komedia.

The Psychology of Serial Killers at the Wyvern, Swindon, wraps up our weekend, but do keep a check on the calendar, for updates and planning.


Monday is Monday, not a lot going on. Do a jigsaw puzzle or something.


Tuesday 7th is the Wyvern Theatre Swap Shop at the Wyvern in Swindon, Randy Feltfaceโ€™s Feltopia at Komedia, Bath, and Wiltshire College FE Student Showcase Samphire at Salisbury Playhouse.


Have a great week, behave yourself, within reason, and donโ€™t forget to keep up-to-date with our calendar, for next week sees aforementioned return of Devizes Film Club, now based at The Wharf Theatre, a triple bill of folk at Pound Arts, Canuteโ€™s Plastic Army & Harmony Asia at The Tuppenny, Swindon, Emily Breeze at the Pump, the second stage of Take the Stage 2023 at The Neeld, in which we wish Nothing Rhymes with Orange the best of luck, 50 Years of Fender at Swindon Arts Centre, Ben Borrill at The Three Crowns, Devizes with Junkyard Dogs at The Southgate, and Big Mamaโ€™s Banned at the Pilot, Melksham, Adam Ant tribute Ant Trouble at the Vic, the Dub Pistols with Don Letts The Cheese & Grain, Frome, and so much more!

Trust other websites or Facebook pages with whatโ€™s to do and youโ€™ll miss truckloads; Devizine is the only one around these darkened backwaters to collate them all; give the man a Twix.


Trending….

Hells Bells! AC/DC tribute in Devizes

With our roads being the state theyโ€™re in, is it any wonder on the 5th April Hells Bells, rated as the UKโ€™s top AC/DC tribute,โ€ฆ

Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There mightโ€ฆ

Geckoโ€™s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for aโ€ฆ

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโ€ฆ

Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โ€ฆ

REVIEW โ€“ Picnic At Hanging Rock @ Wharf Theatre, Devizes โ€“ Monday 31st October 2022

Strange Happenings

Andy Fawthrop

A wet and windy Halloween night was quite an odd elemental preparation for going to see this atmospheric play.ย  Set in the wide-open spaces and searing heat of 1900 Southern Australia, the tight confines of our lovely little Wharf Theatre seemed as if it would present a stretch of the imagination just a step too far.ย  But not a bit of it, and Director Debby Wilkinson had done a marvellous job in transforming the obvious physical limitations of a small stage into a much bigger canvas.

The plot of this mystery tale, rumoured to be loosely based on real events, is initially quite straightforward.  On St Valentine’s Day in 1900, a group of schoolgirls from Appleyard College set out for a picnic at Hanging Rock, a volcanic beauty spot in rural Victoria.  After their picnic, a group of the girls climb into the blaze of the afternoon sun.  But their idyllic day turns to tragedy as three of their number inexplicably vanish, never to be seen again.  The complexities then arise.  Despite extensive searching, no bodies are found.  Questions begin to be asked, and the answers are rarely forthcoming.  Back-stories and under-currents are discovered.  Memories differ.  Uncertainly prevails.  We begin to understand that, in fact, there are many things that we do not understand.

Using just five female actors to both narrate and to act out the story, there is little room for manoeuvre.  We are compelled to use our own imaginations to fill in many of the blanks.  The bare, stripped-back set, and the use of virtually no props, only serves to reinforce the bleakness and emptiness of the rough landscape.  We are taken through the disappearance and its aftermath, its many layers of uncertainty and a whole range of contrasts โ€“ truth and lies, light and dark, dreams and nightmares, the real and the imaginary, and the unsettling way in which facts seem to simply dissolve into nothingness. The open-ness of the great outdoors is set against the stifling atmosphere of the school, and the claustrophobia of the rules of genteel society.

This was a wonderful cast.  There were five very strong, word-perfect performances from Helen Langford, Imogen Riley, Louise Peak, Lucy Upward and Cassidy Hill.  Their pace and movement around the stage, as one role melted into another, was confident and assured.  Their ability to switch genders, voices, tones and attitudes was excellent.  Without apparent effort, they immersed you in both the story itself and into the motives and feelings of the different characters.  Totally convincing and professional throughout.  Top work.

The adaptation of Joan Lindsayโ€™s original 1967 novel by Tom Wright is a tautly pared-back affair, yet there is no loss of poetic and lyrical language.  Previous film and TV adaptations have had the luxury of using the great Australian landscape as their background, but here it all had to be in the language and the acting.  And the five actors absolutely nailed it.  The sense of mystery was never lost, and the audience were bound in.

This is exactly the sort of production that the Wharf excels at.ย  The stage and the arena are, by many standards, very small.ย  Thereโ€™s always going to be a skill in selecting the right productions and using the best directors to make the best of these limitations.ย  Picnic At Hanging Rock is absolutely one of those productions. Please go and see it.ย ย  This production is excellent and fully deserves your support โ€“ you wonโ€™t be disappointed! ย ย The production runs from tonight (Tuesday) through to Saturday 5th November at 7.30pm each evening.ย  Book your tickets HERE

Future productions at The Wharf Theatre:

Mon 14th โ€“ Sat 19th Sept                                TITCo Evening of Musical Theatre

Fri 8th โ€“ Sat 17th Dec                                        Little Red Riding Hood

Mon 30th Jan โ€“ Sat 4th Feb                            Ladies Day

For all information about The Wharf Theatre and its productions go to www.wharftheatre.co.uk


Trending….

Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Marketโ€ฆ

Weekly Roundup of Events in Wiltshire: 19th- 26th Oct 2022

Hereโ€™s our weekly summary of things to do over the coming week. It saves you surfing every individual event calendar, and saves me waffling on about some unrelated rubbish, which I admit I have a tendency to do, but in the words of the great philosopher, KC, and, of course, his Sunshine Band; thatโ€™s the way, uh-huh uh-huh, I like itโ€ฆ… oh, Iโ€™m doing it again arenโ€™t I?!

Onwards, not forgetting further details and links can be found on our event calendar, itโ€™s too time consuming adding them a second time, and besides, there you can scroll away until your heartโ€™s content, planning future weekends.


Best way to kick off live music early is Swindonโ€™s experimental dub duo, Subject A, are at The Bell on Walcott Street, Bath, on Wednesday 19th; consider it highly recommended. Meanwhile, Beth Nielsen Chapman plays The Cheese & Grain, Frome.


Thursday 20th sees a Very Hungry Caterpillar, on show at Neeld Hall, Chippenham.

Mr Love & Justice are at The Beehive, Swindon, Hannah Sanders & Ben Savage at Chapel Arts, Bath. But the link to Faustus at Salisbury Arts Centre seems to be broken, unsure if thatโ€™s still going ahead.


Friday 21st and Trowbridgeโ€™s Pump is the place to be, Matt Owens of Noah & The Whale headlines, with the amazing Concrete Prairie in support.

The magical Lady Nade plays Pound Arts, Corsham, The Little Unsaid at Chapel Arts, Bath.

Hatepenny at The Three Horseshoes, Bradford-on-Avon, The Reservoir Hogs at The Old Ham Tree, Holt. And in Marlborough youโ€™ll find @59 at The Wellington, and the incredibly good fun, Dr Zebos Wheezy Club at The Bear.

That just leaves me with the tributes, Queen tribute, Majesty at Melksham Assembly Hall, while Fleetwood Bac are at The Cheese & Grain, Frome.

Devizes, I have got nothing at all for this Friday, unless you know different? When near-on every known pub in town put live music on last Friday night, with a guaranteed crowd-puller from Longcroft at the Corn Exchange too! This town isnโ€™t a competition, guys, please try to coordinate, through us, if you like, but it works better for you all if we do. Rant over!


Swiftly onto Saturday 22nd, itโ€™s Trowbridge Carnival, plus Lego Club at Chippenham Museum, free and at 3-4pm every Saturday; everything is awesome!

Thereโ€™s an evening of Irish classics with Asa Murphy and Shenanigans at the Devizes Corn Exchange, and the unmissable Eddie Martin Band is back for some blues at The Southgate.

Daz n Chave at Neeld Community & Arts Centre, Chippenham sounds a laugh, and thereโ€™s a Melksham Rock n Roll Club dance this week, with Glenn Darren & The Krewkats.

Full-Tone Orchestra presents their Symphonie Fantastique at Marlborough College, and if you check the quote on the poster, yes, I said that! Itโ€™s always nice to be quoted, on the rare occasion I say something nice, that is!

Sheer are down the Trowbridge Town Hall, putting on Lucky Number 7 and the Lindup Brothers, with promising local teen band Boston Green in support. Meanwhile The Forgetting Curve play The Three Horseshoes, Bradford-on-Avon. A tribute to Pearl Jam at The Vic, Swindon, Earl Ham, and Tundra plays The Woodlandโ€™s Edge.

But if you want to boss the night away with some serious skanking, I cannot recommend Bristolโ€™s legendary ska and reggae skinhead, Ya Freshness, of Strictly Rockers Records enough, who is with his Big Boss Band at Odd Down Football Club in Bath. Fiver a shot for a cracking knees up. In fact, what the heck, letโ€™s make this one Editorโ€™s Pick of The Week!

For a mellower experience in Bath, try The Tom Petty Legacy at Chapel Arts.

The Grief Opera, Love Goes On at St Andrewโ€™s, Chippenham, Shift Social presents I Was Born in the Wrong Decade at Salisbury Arts Centre, and a Vintage Bazaar is followed by Moments of Pleasure, The Music of Kate Bush, at The Cheese & Grain, Frome.


Halloween Scavenger Hunt at Hillworth Park on Sunday 23rd October, PSG Choir hold an autumn concert at Devizes Town Hall, and the Chas Thorogood Trio play an afternoon session at the Southgate.

Kavus Torabi, Richard Wileman & Amy Fry at The Vic, Swindon, Richard and Amy appear on our Juliaโ€™s House compilation album, show them your support if possible. Always in for a great night with the Joh Amor Band, who play The Three Horseshoes, Bradford-on-Avon. And oh, CSF wrestling at the Cheese & Grain finishes our weekend off.


Got nothing through the weekdays Iโ€™m afraid, but lots of updating to the calendar still to do, so check in from time to time. That is, of course, until Wednesday, the 26th, when White Horse Opera presents Lโ€™elisir Dโ€™amore at Lavington School, which is running until 29th October, and also running on the same dates, Female Transport at the Rondo Theatre, Bath.

And thatโ€™s your lot for this week, can I go now?!


Trending…..

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic ofโ€ฆ

Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisonersโ€ฆ..โ€ฆ

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because theyโ€ฆ

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this yearโ€ฆ

Picnic at Hanging Rock, Via The Wharf Theatre

Opening on Halloween and ending on Guy Fawkes Night, the next production at Devizes Wharf Theatre promises to be a mysteriously eerie….

Written by Joan Lindsay adapted by Tom Wright and directed by Debby Wilkinson, Picnic at Hanging Rock takes place on St Valentineโ€™s Day in 1900, when a group of schoolgirls from Appleyard College set out for a picnic at Hanging Rock, a volcanic beauty spot in rural Victoria, Australia.

After lunch some of them climb into the blaze of the afternoon sun, pressing on through the scrub into the shadows of the rock.ย  However, their idyllic day turns into a nightmare when three of their number inexplicably vanish, never to be seen again.

The question remains and intrigues audiences to this day โ€“ is the plot an eerie re-telling of a real event?ย  ‘Hanging Rock’ exists, as do the surrounding towns mentioned; the boarding school is loosely based on Clyde Girls’ Grammar School in Melbourne, which the author attended and there was reportedly a case of two girls who went missing in the 1800โ€™s.ย  Or could it be that the author simply dreamt the plot, as she once said? Shrouded in mystery Picnic at Hanging Rock remains a firm favourite with film and theatre audiences alike.

In this Wharf production five female narrators perform all parts and recount the mystery of the disappearance and looming hysteria as the illusion of genteel society is torn apart. Tom Wrightโ€™s adaptation pares down the events and uses evocative and poetic language to create an edgy and mysterious play and Debby Wilkinsonโ€™s incredibly strong cast bring a wealth of experience and talent.

Get your tickets here, before they mysterious disappear!


Hedda Gabler at the Wharf is Seriously Thought-provoking

Featured Image: Chris Watkins Media

Home after previewing a dress rehearsal at The Wharf Theatre, Devizes last night, I kissed my wife goodnight. She didn’t understand the relevance, but Henrik Ibsen’s magnum opus, Hedda Gabler is one seriously thought-provoking playโ€ฆ…

They didn’t have Billy Joel’s doo-wop fad in nineteenth century Norway, see, otherwise the protagonist’s husband, George Tesman could’ve benefitted by taking heed of the lyrics of Tell Her About It, such as the line “let her know how much she means.”

Image: Chris Watkins Media
ย 

Whereas it’s typical for a fellow to be wilfully pig ignorant in taking their partner for granted, George, played impeccably by Chris Smith, is seemingly oblivious of his psychological man-shed. In modern terminology one might suggest he’s on the autistic spectrum, but definitely, this academic lacks common sense over a work obsession. This is expressed rather amusingly in the opening scene with the assertive “Aunt Ju-Ju,” grandly represented by Jessica Bone.

She interrogates him in pompous nineteenth century mannerisms, in the hope of gaining some pregnancy gossip, but poor old George just doesn’t take the hint any more than Frank Spencer.

Seems he proudly spent his lengthy honeymoon researching for his new book, much to the dismay and rancour of his rather stubborn wife, Hedda, who, longing for a spirit of adventure and drama, finds herself feeling trapped, lonesome and unloved; it’d be an epic fail for Match.com!

Together, her frustrations and his nescient glee, combined with four other exceptionally well-defined characters, twists the kind narrative Ricky Gervais needs to be taking notes from. Character-driven, elements might feel comical at first, but subtle black humour is gradually collapsing into tragedy; such the reason you’ll come away from it realising its stroke of genius.

Image: Chris Watkins Media
ย 

A feminine Hamlet, perhaps, as the plot thickens to a dramatic climax, but I’ll relax my waffling for fear of spoilers. Though if the plot relies on conflicting characters, this wasn’t the case behind the scenes. Director, Lewis Cowen delighted to tell me the casting immediately fell into place effectively, and indeed this convincing team bounce of each other so well it’d be impossible to extract their real personalities. There’s no way I’m going to attempt to obtain trigger-happy lead role Ange Davis’s phone number, for instance, not after witnessing her sublime expressions of bitterness and contempt for her fellow characters! Her second stint at the Wharf Theatre after appearing in Revlon Girl in March; in layman’s terms, Ange takes on the protagonist roll like a boss.

Pete Wallis wonderfully plays the woeful Eilert Lรถvborg expressively, personifying the bleeding heart of the artist. With his heart on his sleeve and love for the bottle, he’s easily convinced, but the kingpin to George’s jealousy.

The weak and diffident Thea Elvsted is played to perfection by Anna McGrail, her despair at her broken marriage is paramount to yield Hedda’s vengeance and bullying nature.

Undoubtedly housemaid Bertha, acted subtly but professionally clownish by Merrily Powell, retains the comedy noir while it spirals into tragedy, via her shocked expressions, omniscience but knowing her place to remain silent.

The unscrupulous and advantageous persona of Judge Brack, played sternly by Rob Gill, pitches him as the dark horse, the archetypal baddie, if there has to be one. Rather the depth of all the characters, needy or lusting after Hedda in their own way, here shows far more layers to them then the typically flatness of the Hollywood template.

Image: Chris Watkins Media

For if said template is becoming tiresome for you, you know the sort; a couple or amount of people with conflicting personalities come together with an abhorrence of each other but thrust unwillingly into a set of circumstances find mutual ground and befriend with a happy ending, perhaps you should grab up a ticket for Hedda Gabler, running at the Wharf Theatre from the 19th to the 24th September. Because if the cliche template is a reversible jumper, akin to classics such as Easy Rider or Quadrophenia, this intelligently crafted dark play turns it inside out.

I mean, I’m no theatrical critic, just know what I like, but if the hospitable and non-pretentious Wharf Theatre welcome me to assess such quality productions as this, on our doorstep, I’m game!

If opposites attract, love is calmly discussing and accepting your differences, but the escape clause wasn’t so simple in days of yore, and in the confines of the era’s strict conducts, a terrible entrapment can twist a person; that’s the contemplation I took away with me after this engaging and quality production; go see for yourself.


Trending….

Wharf Theatre Opens For Autumn/Winter Season with Hedda Gabler

The wonderful Wharf Theatre in Devizes is reopening this month for a new autumn-winter season; I know, don’t say “winter,” not yet!

Hedda Gabler is the first production, running from 19th to 24th September. It’s written byย Henrik Ibsen with a translation byย Michael Meyer. The Wharf’s chief director, Lewis Cowen is on this one, and it’s the second work of Henrik Ibsen to be performed at our trusty theatre.

In 2007 The Wharf Theatre staged an adaptation of the highly successful โ€˜A Dollโ€™s Houseโ€™ by acclaimed Norwegian playwright Henrik Ibsen.ย  They are now delighted to introduce, perhaps, his greatest work, Hedda Gabler.

Having its world premiere, in Germany 1891, the play initially opened to mixed reviews however, a more sympathetic, naturalistic London production three months later was a triumph. Now considered a masterpiece within the genres of literary realism and 19th century drama it is rarely out of the repertoire of the great theatre companies of the world.

The title character herself remains one of the greatest female dramatic roles and has been portrayed by some of the biggest names in theatre and film, including Ingrid Bergman, Peggy Ashcroft, Dianna Rigg, Geraldine James and, more recently, Sheridan Smith.

Sometimes described as a female version of Hamlet, Hedda is a character firmly set against the backdrop of the Victorian era when women could only achieve success vicariously through the men in their lives. The daughter of a General and national hero, Hedda idolises her Father but harbours her own political ambitions. She attempts to achieve these by influencing firstly her husband and later an admirer

A drama which starts quietly and humorously gradually builds to a riveting and terrifying climax.

Tickets can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk and at the Devizes Community Hub and Library on Sheep Streetโ€ฆโ€ฆand donโ€™t forget to follow them on Instagram and Twitter


The Rondo Theatre does Macbeth

Review by Mick Brian

Photos by Gail Foster

โ€œIt will have blood, they say; blood will have blood.โ€ So says Macbeth to Lady Macbeth following his vision of Banquoโ€™s ghost….

And audiences at the Rondo Theatre Companyโ€™s performances of the titular show last week were not deprived of that substance. From slit throats, gory locks and shirts, to bloodied faces, neckerchiefs and a finale of a trail of blood as Macbethโ€™s body is unceremoniously dragged from his home, there was no letting up of the blood (pun intended) throughout the riveting two hours of the show.

Directors Matt Nation and Will Jesmond de Clermontโ€™s vision of a 1920s London organised crime gang setting delivered โ€“ Peaky Blinders meets William Shakespeare with a gritty, no holds barred presentation of violence inherent in the struggles for supremacy, whether over rival gangs, traitorous turncoats or internal seizure of power and the retributions to maintain power. But this was no pastiche of Tommy Shelby and Co. โ€“ this was full Shakespearian tragedy brought into the 20th century brilliantly. Chrissy Fryerโ€™s costumery sublimely captured the era with tweeds, caps, flapper dresses and the ubiquitous used of orange gang colours throughout as neckers, ties, hair ribbons and pocket handkerchief. And no more so that the thoroughly perfect witches, played by Sophie Kerr, Tasha Bye and Anna McGrail, as drug addled opium den management resplendent in flapper dresses, overseen by the powerful Maria Finlay as Hecate.

Set design was simplistically excellent. Duncanโ€™s gangland headquarters a timber merchantsโ€™ front โ€“ the Birnam Wood Co. of course โ€“ and a gauze separated backstage area for the opium den. Which brings further praise for the lighting from Andy Cork, with the dark, sombre mood of the play enhanced by subtle changesโ€ฆ accompanied by the brightness of the opium den to display the rich colours of the silks and drapes therein.

And so to the rest of the cast. Not a single weak member โ€“ all thoroughly convincing and believable, fronted by the perfect pairing as Sam Fynn as Macbeth, and Alice Grace as his scheming, power hungry wife. We all looked to the lady as she ensnared her uncertain husband, then dealt with the lecherous and seedy Duncan in turn and tidied up the mess left by Macbeth. Sam Fynn portrayed the slide into madness perfectly as his world collapsed around him, culminating in his torment when Lady M kills herself. I challenge anyone to find a more harrowing depiction of these power crazed lovers, one coldly calculating, the other increasingly crazed.

Rob Finlay played the jovial Banquo who realises oh too late that he is on the hitlist, then the battle hardened and focussed Siward โ€“ once he had shaken his gory locks and broken the good mirth at the banquet of course. Maria Finlay as well as Hecate provided wonderful comic relief as the porter cum cleaner โ€“ and invented a whole new scene as an epilogue swabbing the floor of Macbethโ€™s blood. To complete the family set, Freddie Finlay in classic casting style played Fleance, Banquoโ€™s son, as a no mean wielder of a razor himself.

More double up casting saw Steve Brookes as the contemplative, pipe smoking Menteith and a murderer, enacting Macbethโ€™s violent requests with his fellow despatcher, Ian Diddams. Praise is needed here especially โ€“ the fight scene between these two, Banquo and Fleance left no holds barred with stabbings, slicing, punches, and the razored throat cutting. As well as murdering at the drop of a surly hat, Ian Diddams opened the play as Duncan โ€“ far from the oft played kindly benevolent leader, this was a nasty, lecherous characterisation fully deserving of losing his life โ€“ and fully fitting the gritty vision of the directors.

Thence to Ross, played by Becky Waters, and Lennox , Natalie Prescott, two increasingly disillusioned gang members, And Jack Strawbridge as Malcom, whose journey moved from uncertain, shy son of Duncan to assertive, and even nastier eventual victor, his metamorphosis highlighted by the wash of red light in his victory speechโ€ฆ all that was needed was unfurled swastikas to finalise the image portrayed. Lady Macbethโ€™s doctor was elegantly and eloquently portrayed by Julia Marshall-Wessendorfโ€ฆ all crisp and professional demeanour, not totally supressing the disquiet and concern beneath. Two further younger cast members joined Freddie Finlay in the show also โ€“ Dilan Minto as the brave but doomed Young Siward, hatred for Macbeth pouring from his every pore, and Scarlett Nation, the youngest cast member effortlessly working her way through servant, messenger and slaughtered pretty chicken of Macduff.

And speaking of Macduffโ€ฆ Lucy Upward played the angry Lady MacDuff, remonstrating against the ills of the world as an abandoned wifeโ€ฆ and screaming her way to her death before brilliantly appearing as a west country maid to the Lady of the house. Which leaves the hero of the hourโ€ฆ MacDuff himself, silkily played by Chris Constantine exacting revenge for his familyโ€™s slaughter by seeing off the chief protagonist in a slashed throat and streak of blood left on set.

Two hours of non stop action delivered at a frenetic pace. Two hours of truly class acting and technical presentation โ€“ the piece de resistance being the genius portrayal of Banquoโ€™s lineage of kings presented to Macbeth by the witches. And this is โ€œamateurโ€ theatre โ€“ some bloody amateur production that was I say (NOT!) โ€ฆ and bloody they were indeed by the end.

โ€œIt will have blood, they say; blood will have blood.โ€

And they did.

Macbeth, by The Rondo Theatre company, at the Rondo Theatre, Larkhall, Bath, July 6th โ€“ 9th 2022.


Devizes Church Hosts Play Shining Light on Kids in Care ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย 

A historic Devizes church will host a professional theatre company later this month as it performs a play that shines a light on the realities facing children in the care system in Britain today……

My Place is a powerful and moving evening of theatre and conversation, telling the interwoven stories of children โ€“ an individual, a sibling group and a refugee โ€“ as they journey through the care system.  

As part of its 8 week nationwide tour, My Place is coming to St Maryโ€™s Church on New Park Street in Devizes onย Sunday 26th June at 7.30 pm.

The evening will combine a performance of My Place with an opportunity to hear about the national fostering and adoption charityย Home for Goodย and how each of us can play our part in transforming the lives of vulnerable children and young people. ย 

WHATโ€™S THE STORY OF MY PLACE?  

Both entertaining and thought-provoking, My Place follows the stories of four children in care, an individual child, a pair of siblings and an unaccompanied child refugee. They have different backgrounds and journeys, brought to life through a range of colourful story-telling techniques, including song and spoken word. Each story highlights the need for all vulnerable children to have a safe, stable and loving home where they can thrive.  

Home for Good is a charity that exists to find a home for every child who needs one. We hope to inspire and equip people to open their homes to children and teenagers through fostering, adoption and supported lodgings. We resource churches to be a welcoming and supportive community for families who care for vulnerable children and advocate on their behalf at all levels of government.  

WHO IS THIS EVENT FOR? ย 

Everyone! Any individual who cares about children, has a passion for justice and compassion for our societyโ€™s most vulnerable would be inspired by this event. We hope that many people will gain a better understanding of the experience of young refugees and children in care. The play is suitable for teenagers and adults but not recommended for younger children. ย 

Visitย www.ridinglights.org/my-placeย for a full tour schedule, information and online booking.


Strong Ladyโ€™s Power; DOCA at St Andrews

For personal reasons Strong Lady Charmaine Childs was unable to perform her show, Power at the DOCA Street Festival this year, but came to visit Devizes as a one-off separate show in St Andrewโ€™s Church yesterday, and it was as advertised, inspiringโ€ฆ…

I can stagger home from a music gig already with an oven-baked opinion, and have a broad idea of what to write about it. It may take serious grammar corrections if I do jot intoxicated notes down, but the basis is there. Whereas in, as what was essentially street theatre, it takes a little time and reflection for what I just witnessed to fully sink in; thatโ€™s certainly the case with Power.

Often the fascinating world of street theatre DOCA artistic director Loz Samuels brings to us is abstract, provocative, and most importantly for our market town, completely off the wall. A Strong-Lady conjures ideas of circus, of ta-da-daโ€ฆand-for-my-next-trick-type acts, of which Charmaine was keen to elucidate the roots of her talent lie there. But this was different, this was theatre, and it had an enthralling narrative.

There was no big top, crazy clown costumes, blinding stage lights, in-your-face effects, and shows of acrobatic talent were minimal, in context. There was only, at first what might appear somewhat disappointing to those in want of dazzling mainstream spectacles, just a fortysomething Australian lady in gym shorts and vest carry two tote bags of house-bricks.

I mean, yeah, props expanded to some books, planks and two wallpaper stands, but that was all you were getting. Yet, through charisma, magnetism and skill she weaved an autobiographical tapestry with audio excerpts taken from otherโ€™s personal reflections on the subject of times they felt, or didnโ€™t feel powerful, of which she had collected on her journey, and visually created an act of tragedy, comedy, and thoughtful prose which was itself, powerful.

If there were feminine connotations, they were subtle, the message was neutral on every level, open to all. The idea we all have it within ourselves to overcome mental obstacles and have the power to continue, was prominent, though other angles like attaining power through success was touched upon, as Charmaine opened up her story, and related the recorded ones accordingly. And for the times when she did perform acts of strength and agility, they were backed with reason and relation to the monologue. She is one strong lady indeedy, yet while there was wasnโ€™t the crowd counting along and drum rolls, these shows of strength were incorporated in such a way as not only to impress, but to provoke an emotion; there is no circus act which does this.

It was indeed something entirely different, and unable to pigeonhole, and for that alone, deserves recognition and commendation. The result was apparently, to leave the audience โ€œenergised and hopeful,โ€ and it was indeed a positive catalyst, but more so, it was inspirational, conjuring your own stories of times you were powerful. I reminisced upon two occasions immediately afterwards, and while I could reveal them in interminable yarns, I think youโ€™d rather me get directly to the point. You donโ€™t want me to get all Uncle Albert on you, not on a Friday at any rate!

Needless to say, the stories differ in two basic elements, one was a time when due to a personal tragedy I had to undertake tasks Iโ€™d rather have not, nor ever expected Iโ€™d need to, whilst retaining a plastic smile, and it was, I guess, the power in me and my love for that person, to have managed. The other is less abstract and more physical, but I did once, in my younger years have one of these massive super-heroics shows of ability, accomplishing a feat Iโ€™d never even contemplate attempting, if it hadnโ€™t been for the fact if I didnโ€™t, I couldโ€™ve died. Now I know, if you know me, youโ€™re thinking, na, mate, get out of town, but it is true. Now I find myself contemplating which one was more relevant to Power, which show of power was the Strong Lady getting at, mental, physical, or both? But it doesnโ€™t matter, what matters is it got the cogs revolving, it got me mulling it over, and in turn, it evoked personal reflection in its narrative; hence I rightfully call it inspiring.


Charmaine Childs is a Strong Ladyย touring internationally as an independent artist since 2002. She trained in theatre at university, before focusing on outdoor arts festivals and circus/variety shows; if you get the opportunity to see this show, don’t argue with a strong lady, just go!


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REVIEW โ€“ Lovesong @ Wharf Theatre, Devizes โ€“ Thursday 26th May 2022

Fabulous Stagecraft!

by Andy Fawthrop

Images used with kind permission of Chris Watkins Media

Been a while since Iโ€™d been to our townโ€™s lovely little theatre, and it was a joy to go back again.…..

The occasion was the staging of Abi Morganโ€™s โ€œLovesongโ€. Now I happen to be a fan of Abi Morganโ€™s writing, and anyone who watched the recent BBC1 three-series drama โ€œThe Splitโ€ will know exactly what Iโ€™m on about. Her catalogue of work in TV, film and live theatre has won plenty of much-deserved critical acclaim. Accordingly, I was very much looking forward to this production, about which Iโ€™d heard many positive comments (and which we briefly previewed here at Devizine recently).

Image: Chris Watkins

The play, directed by the talented Freddie Underwood, no stranger to Wharf productions for a few years now, is a tight emotional drama. Starring only four actors โ€“ Imogen Riley, Adam Ball, John Winterton and Tor Burt โ€“ โ€œLovesongโ€ tells the story of one couple from two different points in their lives, both as young lovers in their 20s, and as older companions looking back on their lives. Their relationship is reviewed by their past and present selves, blending youthful yearning and optimism with more worldly experience. The start of a youthful relationship blends with an impending death.

I found the production quite mesmerising, captured by the verbal and physical choreography of the piece. The tactile interactions of the two couples (being really the same couple) was offset by their inability to talk to their future or past selves, only their contemporaneous partner. It made for some interesting debates, particularly in the second half, about whether time (and space) is linear, or whether the past, present and future are somehow all fused together. Life events happen, they come and go, but emotions and feelings are far more complex than that.

Image: Chris Watkins

The two younger members of the cast โ€“ Imogen Riley and Adam Ball โ€“ gave confident and assured performances, looking quite at home on the stage as the younger version of the couple. But it was the elder version of the couple โ€“ played by John Winterton (in a rare appearance in front of the audience), and the talented and evergreen Tor Burt โ€“ that edged it for me. It may be an age thing, but I found the way that they inhabited their roles quite fascinating. Their concerns, their issues and their undoubted love for each other were conveyed in an utterly convincing performance.

I wonโ€™t spoil the ending (and you can see it coming a mile off) but it was pretty heart-wrenching, and there were plenty of weepy eyes in the auditorium to prove it.

For me, this was an ideal type of production to run at the Wharf, given its tight space restrictions on stage. A cast of only four had enough room on a sparsely-dressed stage to actually move and to breathe, and therefore you could concentrate on the words and the action, without your eye being distracted any purely physical/ practical stage constraints in productions with a larger cast.

Image: Chris Watkins

I found the music in the first half slightly distracting, but the balance felt much better in the second half. That minor quibble aside, this was overall a superb production. Starting with Abi Morganโ€™s tautly-scripted prose, Freddie Underwoodโ€™s assured direction, working with four very good actors on stage, and we had the recipe for success. Very highly recommended.

There are still a few tickets left for tonight (Friday) and tomorrow (Saturday), so get along to see it if you possibly can. You wonโ€™t regret it. Box Office โ€“ 03336 663366 or www.wharftheatre.co.uk

Future productions at The Wharf Theatre:

23rd โ€“ 26th June The World Under The Wood
19th โ€“ 24th September Hedda Garbler
1st October The Lesson (Icarus Theatre Company) โ€“ one night only
7th October London Philharmonic Skiffle Orchestra โ€“ one night only


ยฉ 2017-2022 Devizine (Darren Worrow)

Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Discovering Swindon Story Shed

With Dad’s taxi on call in Swindon and a few hours to kill whilst her majesty is at the flicks, it was fortunate local authorโ€ฆ

The Rise of Winter Festivals

Once upon a time it seemed to me, that folk would grin and bear the winter weather for the sake of a Christmas lights switchingโ€ฆ

In Retrospect With Gary Martian

So yeah, not only has Cracked Machine and Clock Radio drummer Gary Martin added a letter A to his name to make it sound moreโ€ฆ

Devizes Street Festival; Day Two and Overall

All images used with the kind permission of Simon Folkard Photography

That’s overall, as in “taking everything into account,” and not the all-in-one pac-a-mac kind, I thought you should know before I commence wafflingโ€ฆ

Do they even sell pac-a-macs now? Google it if you feel the need, but keep the results to yourself; ah, off I trek… Sunday, the second day of Devizes Street Festival, and the main stage had a little hat; unfortunately, weather turned more appropriate for April and I’d wager combined with fragments of hangover, it resulted in a slightly lesser crowd.

Nevertheless, the show marched on unperturbed. I confess, due to Dad’s taxi on call, I rocked up far too late to justify a precise evaluation, but you know me, I relish in the attention giving my tuppence brings, so I will, thank you.

Firstly, I’ll apologise if Saturday’s thoughts came across a tad preachy, about volunteering and playing your part, but my reasoning was concern. It is critical younger volunteers take up these posts as the years pass; I worry if generation next doesn’t replicate what DOCA have achieved, it could go all village fete fashion, rather than what we have now, the colourful array of variety, the festive-style we rarely see the like of around these backwaters.

Though I accept how it is, folk are busy, working, have other priorities (like dadโ€™s taxi) and want the occasion to unwind and enjoy themselves, that is, after all, its purpose. I found myself caught in this dilemma helping out Saturday. Self-assigned myself to wheelie bin patrol, I figured I could keep one eye on them from the bar area! Anyhoo, let’s drift away from that thought and look at what an utterly fantastic show it was; don’t wanna jinx it.

An assessment of social media commentary hailed it a success, aside one ironic Facebook jester. Many suggested it was the best yet, though it came to us at a light at the end of a biennial tunnel, void of much entertainment at all, so a Jim Davidson tour would sound fantastic by comparison. But I agree, taking heed of various attendeesโ€™ observations, yeah, it was equally if not better than previous street festivals. I believe the change of stage positioning, binding food stalls into a horseshoe was a benefactor for this, but aside design the surprise icing on the cake had to be the Ceres show, the splendour of which was covered in my previous article. The local folklore subject breathed a sense of inimitability and distinctiveness to the whole shebang, it really did.

I confess, when I first read about the idea, I was sceptical, even at its commencement I doubted but now, the more I consider it the more astonished and overwhelmed I become with its magnificence. Sunday for me though had one highlight I simply couldnโ€™t miss; Iโ€™ve been raving Bristolโ€™s folk-Balkan ska ensemble Mr Tea & The Minions since I fondly reviewed their album Mutiny in 2019. So much so Iโ€™ve been trying to convince anyone and everyone to book them somewhere local since; you shouldโ€™ve seen my little chubby chops light up when I noticed their name on the schedule, the like of a toddler at Christmas. Why did I then go about, recommending them to every passer-by? The proof was in the pudding, they didnโ€™t disappoint despite the pedestal I put them on, as their album they were lively, jubilantly danceable, the perfect match for the spirit of the street festival.

With some brilliant new tunes and a handful from their album they won the audience over with their stylised formula of blending localised folk into this already deeply fused south-eastern European genre which reflects its own roots with the off-beat of Jamaciaโ€™s finest musical export. As an enthusiast of ska keen to ascertain its contemporary global progression, Iโ€™m resolute we castoff the polarized presumption it belonged to a time of yore, of eighties skinheads and Two-Tone. Memorable and fantastically beguiling though Madness, The Specials, et al were, developments internationally offer us a much wider variety often overshadowed by the aforementioned retrospective cult in the UK. I think Mr Tea & the Minions represent this, but as the tradition presides, they have a truckload of carefree fun while doing it.

I could chew your ear off about how much I enjoyed that particular act, but it is the combination of all which really made the weekend something special. Equally as much as I love the wealth of local talent, and do believe they too should be represented at the Street Festival, director Lozโ€™s determination to present us with a variety of sounds unconventional to our usual local circuit, the liveliest and most colourful array of world music, is something I welcome with open arms. Just like the South American vibe of Mariachi Las Velentinas, Simo Lagnawiโ€™s Gnawa Blues All Stars, on one act prior to Mr Tea, was the perfect example; you donโ€™t get to hear Gnawa, the scared trance music of Morocco in the pubs around here, and they played it sublimely for our alternate jiffy.

In this, the most conventional act on the main stage was perhaps the Brass Junkies, and by our usual expectations they were pretty much unconventional! I note them because while a covers band, where I usually assess with their attention of making a cover their own, this Bristol-based versatile brass band of New Orleans style do this so absolutely proficiently. So, to appease the populace, covers of contemporary, foot-tapping pop hits, such as Daft Punkโ€™s Get Lucky get a brass makeover, and they refined this angle with bells on.

But more so on this variety point is the vast array of circus and street theatre, too many to cover, they just go on, around you, in a breath-taking inclusive show you dare not blink at. If one constructive criticism I heard bounding about requested DOCA add more music to the main stage, the answer would have to be, aside the sheer cost and the time needed to soundcheck for these multi-instrumental seven- or eight-piece bands, is that DOCA want you to explore the Market Place and take in the variety of side-shows, and to have a continuous rave at the main stage would both distract the crowds and drown out the sounds of them too; and you know what? I think thatโ€™s fair point.

The combination of all these elements meant the Street Festival is restored post-lockdown, better than it ever was and is continuing to better itself through continued assessment and experimental changes; something we are very lucky to have here in Devizes. Though the smiles in the crowd said it all, then the topical and uniquely Devizes narrative of this added element, this sublime finale, combing dance, acrobatic performance, poetry and music truly was the binding component which confirms my assertion and made it, undoubtedly, the finest street festival yet. Thank you once again, all the organisers and volunteers of DOCA.

Onwards, carnival is July 9th, the Confetti Battle and Colour Rush are on 3rd September, but next up is The Picnic in the Park at Hillworth Park, Devizes, on Sunday 3rd July, all the info you need is at the DOCA website; enjoy yourself, itโ€™s later than you think.


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Christmas Greetings From Devizine!

Here’s our Christmas video Greeting, ho-ho-ho! Filmed on location at DOCA Winter Festival, Devizes, 2024 by Jess Worrow. Merry Christmas everyone!

The World Under the Wood; New Family Theatre at The Wharf

The World under the Wood is a new musical-play for children & family audiences written by Helen Langford, who brought โ€˜Adam & The Gurglewinkโ€™ to the Wharf in 2020…..

Jodie meets a magical talking Tree who asks for her help. The wood seems to be dying and Tree thinks the incredible World under the Wood may hold the answerโ€ฆJodie is whisked away to a super-world where life moves super-fast. But she discovers that this world is failing too; the super-humans have been collapsing and productivity is down. Jodie and Harley the dog must now journey between worlds to find an answer. Can the mega-multiplier plants restore the wood? And what is the mysterious Source?

The play highlights the need to stop taking the natural-world and its resources for granted. The world under the wood is an awe-inspiring land of invention and productivity, but Jodie discovers that the resources which underpin it are, to everyoneโ€™s surprise, finite. The โ€˜super-humansโ€™ parody the rat-race of contemporary life, where achievement is king and the constant cycle of doing is reassuringly exhausting. Any long-term consequences of living this way have been ignoredโ€ฆuntil now. We learn through Jodieโ€™s adventure, that it is through perseverance and working together that environmental problems can be tackled.

Though the message is timely and serious, the show is full of fun. With larger-than-life characters, catchy songs, and magical happenings, youโ€™re sure to love your adventure to the world under the wood!

The World Under the Wood runs from Thursday 23rd June till the Sunday, 26th June.

Tickets can be purchased by ringing 03336 663 366; from the website https://www.wharftheatre.co.uk/ and at the Devizes Community Hub and Library on Sheep Streetโ€ฆโ€ฆand donโ€™t forget to follow on Instagram and Twitter.

Ticket Prices:
ยฃ6.00 โ€“ ยฃ8.00* Family 4 โ€“ ยฃ22.00* Family 5 โ€“ ยฃ28.00* *booking fee applies For Group Bookings please contact hire@wharftheatre.co.uk directly to ensure that you only pay one booking fee.


Lovesong at The Wharf

Director Freddie Underwood, who brought the highly successful Things I Know To Be True to the Wharf Theatre, Devizes in 2019 once again puts her personal stamp on this production with the use of movement and music partnering textโ€ฆ..

Written by Abi Morgan Lovesong comes to the Wharf on Monday 23rd and runs until Saturday 28th May. Inspired by T.S. Eliotโ€™s poem, the Love Song of J. Alfred Prufrock – the story of a middle-aged man who, although in love, feels his love song has never been sung – Abi Morganโ€™s play revolves around one couple at two very different stages of their lives.  First produced in 2011, the story introduces us to young lovers displaying all the optimism of youth alongside their older selves who have the wisdom and experience of age, but now face growing old with the ensuing frailties of the human body. Past and present literally intertwine as the older and younger couples move around each other on the stage and this poignant piece will take the audience on a journey which ultimately leads back to the belief thatโ€ฆlove is a leap of faith…

Tickets can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk and at the Devizes Community Hub and Library on Sheep Street.


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Chapters, New Single From Kirsty Clinch

Okay, so, Iโ€™m aย  little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning Iโ€™ve not yet mentioned Kirsty Clinchโ€™s newโ€ฆ

Devizes Writers Group Win Silver Award

Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group… At the National Community Radio Awards held in Cardiff on 16th November Together!, theโ€ฆ

Hansel & Gretel: Panto at the Wharf!

Images: Chris Watkins Media It was lovely to spend Sunday afternoon at Devizesโ€™ Wharf Theatre, to see how this yearโ€™s pantomime Hansel & Gretel, isโ€ฆ

Wharf Theatre Goes from Comedy to Tragedy

To those living in Devizes it should come as no surprise Jemma Brown can pull off a performance. Directing a stage version of the eightyโ€™s sitcom classic Allo Allo at the Wharf Theatre has been hailed a massive success, Devizesโ€™ sole theatre Tweeted this morning โ€œCafรฉ Rene may have returned to the workshop, but the echoes of laughter will mark its place in Wharf history.โ€

But looking forward today at forthcoming performances, after the rescheduled feel-good musical comedy Sister Act JR, (25th & 26th February,) and the jocularity of award-winning theatre company White Cobraโ€™s Betty & Joan, on the 5th March, the next in-house production takes rather a melancholic turn.

From the 28th March to 2nd April, The Revlon Girl is set eight months after the Aberfan disaster, the catastrophic collapse of a colliery spoil tip in 1966, in the Welsh village of Aberfan. The devastating slurry took the lives of 116 children and 28 adults as it submerged the villageโ€™s junior school.

The Revlon Girl tells the real-life story of a group of bereaved mothers who met every week to talk, cry and even laugh without feeling guilt. At one of their meetings, they secretly arrange for a representative from American multinational cosmetics, and fragrance company Revlon, to come and give them a talk on beauty tips.

Directed by Lyn Taylor, this is a play packed with character and heartache, entwining the restraints, gossip and sometime irrationality of a small-town community, with the poignancy of a motherโ€™s loss. There are many humorous, uplifting and hopeful moments, allowing this piece to bring much emotion and entertainment to its audience.

Book office is open on this one now, tickets are ยฃ10-ยฃ14, with the success of the recently closed Allo Allo, the Wharf goes from strength-to-strength, yet while a show like the last one will sell itself based on its background in popular culture, it is the poignant and ground-breaking dramas such as this which really deserves the push. Personally, Iโ€™m impartial to putting on some slap, bit of lippy at the weekend p’haps, but please support your local arts anyway!


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No Worries; Worried Men at The Pump

Long overdue a visit to the Pump in Trowbridge, Jamie Thyer, frontman of the Worried Men twisted my arm Friday night and there I was,โ€ฆ

Ian Siegal at Long Street Blues Club

Devizes is often spoiled for choice when it comes to live music. Swindon folk ensemble SGO at the Gate would’ve been an excellent decision forโ€ฆ

Wiltshire Music Centre Announces New Joint Leadership

Wiltshire Music Centre is delighted to announce the new appointments ofย Danielย Clark as Artistic Director, andย Sarahย Robertson as Executive Director.ย Danielย andย Sarahย join Wiltshire Music Centre in a new co-leadershipโ€ฆ

What’s Happening During November in Devizes?

Remember, remember, weโ€™re moving into November; leaves, loads of โ€˜em! Being as we are no longer doing weekly roundups, hereโ€™s some highlights of events inโ€ฆ

Chippenhamโ€™s Fringe Feb Festival is Back!

An exciting variety of arts and performance events are being offered to Chippenham residents from Friday 11th-13th February. The line-up for this yearโ€™s Fringe Feb festival includes live comedy, dance, theatre and music performances along with a host of interactive fun and entertainment for the whole family to enjoy. There will be events popping up across Chippenham throughout the weekend, from on the high street to local venues and cafรฉs.

Chippenhamโ€™s Fringe Feb Festival has been set up and funded by Chippenham Borough Lands Charity to champion the arts in the town and bring exciting work to Chippenham. There is a wide selection of events to choose from with some completely free and others provided at a special subsidised ticket price.

Laura Graham-May, Arts and Education Officer for CBLC said, โ€œThis is now our third year of the festival following last yearโ€™s Covid safe online event. We’re very excited to be bringing a mixture ofโ€ฏlive arts and performance events to Chippenham people. We hope there is something for everyone to enjoy and brighten up this cold and quiet time of the yearโ€. 

For comedy fans, thereโ€™s an improvised musical from The Bean Spillers,  quick fire comedy from the brilliant Instant Wit, and there are two special Fringe Feb gigs from Chippenham Comedy Club – one for adults, and an afternoon one for kids and families.

Book tickets at the Cause Venue to see โ€˜Cult Figure: Kenneth Williamsโ€™ for an hilarious and engaging evening and then the next afternoon โ€˜The Mary Lou Revueโ€™, an all-singing, all-dancing celebration of Golden Age entertainment featuring the songs of Frank Sinatra, Louis Armstrong, Peggy Lee & others.

Chippenham performer Florence Espeut-Nickless brings her hard hitting monologue, โ€˜Destinyโ€™ back to her home town for one night only at The Neeld Community & Arts Centre. For a 14+ audience, follow the story of a teenage girl growing up in a rural Wiltshire Council estate after a big night out takes a turn for the worst.

โ€˜Mama Gโ€™s Storytimeโ€™ at the Yelde Hall, is a show that will make the whole family laugh, love and think. Combining panto and the art of storytelling, this all singing, partial-dancing extravaganza is filled with stories about being who you want and loving who you are!

Boogie along and clean up the streets of Chippenham with the โ€˜Disco Litter Queensโ€™ and help โ€˜The Dance We Madeโ€™ dancers create some new moves and watch a performance come together on the high street and then on YouTube. Expect the unexpected watching โ€˜A real fictionโ€™, a hyperactive mix of dance, theatre, meme and pop culture and โ€˜Chippenham youโ€™re under a vestโ€™ with the โ€˜Fashion Policeโ€™ who will be rolling out the red carpet ready for the best cat walk, hop, skip and a jump!

Travel back in time at Wiltshire & Swindon History Centre with an evening of little seen silent film of the county dating back from the 1930โ€™s to the 1980โ€™s, accompanied by evocative live traditional west country music and song. You might also like to join the Chippenham Museum team for the premiere of its latest โ€˜Museum Jukeboxโ€™ piece where you can experience their latest exhibition through the music of John Noble, local saxophonist, composer and teacher.

Chippenhamโ€™s brilliant Knatty Knitters will be back again this year bringing their knitting magic to a town centre window with some surprises to look out for and a festival in Chippenham would simply not be complete without The Chippenham Town Morris Men in attendance. They have been dancing in the town and surrounding villages since 1978 and will be back by The Buttercross on Saturday lunchtime. The fantastic Chippenham Rock Choir will follow them, providing you with entertainment and classic pop songs to enjoy. There may be more to watch โ€“ so pop along and see who might be there!

You can view the work of local artists and crafters by visiting the latest Chippenham Craft Market at King Alfred Hall and blow away the winter blues with a โ€œSweet Soul Music Singalongโ€ workshop with Chippenham Allsorts Community Choir.

There will be music to enjoy throughout the day in Grounded cafรฉ and you can put your music knowledge to the test by taking part in โ€œThe Lyric Walkโ€ around Chippenham. Hidden in the main streets of Chippenham will be 29 snatches of lyrics, from across the decade. Will you be able to find the most lyrics and win ยฃ50 worth of vouchers?!

Pop the 11th-13th February into your diary and get ready to be entertained in Chippenham. Visitย  www.chippenhamfringe.co.uk for more information and to book tickets.


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YEA Devizes: DOCA New Youth Project

Devizes Outdoor Celebratory Arts announced their upcoming project, YEA Devizes today. Made possible by a grant from National Grid Electricity Transmissionโ€™s Community Grant Programme, theโ€ฆ

The Mist; New Single from Meg

Chippenhamโ€™s young folk singer-songwriter Meg, or M3G if you want to get numeric, will release her 6th single The Mist on Friday 18th October, andโ€ฆ

REVIEW โ€“ TITCOโ€™s Switch The Lights Back On! @ The Wharf Theatre, Devizes โ€“ Tuesday 9th November 2021

TITCO Hit the Ground Running

Andy Fawthrop

Thatโ€™s it โ€“ the set is now complete!ย  Back in August we had the Fulltone Orchestra striking up once again after a long enforced lay-off.ย  In September Devizes Musical Theatre shyly peeked out from behind the showbiz curtain.ย  October saw White Horse Opera step out onto the stage, and now, in November, TITCO have finally switched on the lights back on!ย  And what a delight it was to have them back, completing the fantastic range of local music offerings based in D-Town.

Switched from the earlier venue of St Maryโ€™s to the, perhaps more suitable, surroundings of the Wharf Theatre, TITCO hit the stage with their presentation โ€œSwitch The Lights Back Onโ€.ย  From Chris Worthyโ€™s opening number of โ€œWilkommenโ€ from Cabaret, right through to the closing ensemble rendition of The Proclaimersโ€™ โ€œOver And Done Withโ€ we had a fast-paced and thoroughly enjoyable evening.

The two-hour programme included songs from Cabaret, Cats, Jesus Chris Superstar, Sunset Boulevard, School of Rock, Joseph, Spamalot, Billy Elliot, Les Miserables, Hamilton, Once, Everybodyโ€™s Talking About Jamie, and Sunshine on Leith.ย  The numbers chosen were not always the usual ones from those shows, not always the obvious biggest โ€œhitsโ€ that one would normally think of, but great songs nevertheless.ย  The items chosen, and the sequence of those songs, nicely showcased the individual talents of the cast members, giving most of them at least one solo, with duets and ensemble numbers.ย  It certainly worked for me.

The staging was simple and sparse, allowing the music to do all the talking.ย  Dressed all in black, with little in the way of colour or props to distract the eye, the songs were completely to the front.ย  Musical accompaniment was understated, but absolutely spot-on, provided by Dominic Irving on keyboard, Lou Hewitt on bass, and Becky Nottingham on percussion.ย  And in front of them, although itโ€™s always a little unfair to single out particular individuals, the stars of the night (for me at least) were Chris Worthy, Mari Webster, Matt Dauncey and Jemma Brown.ย  But there were strong performances all round.ย  And I also have to give a special mention to our local Fulltone Orchestra musical arranger and baton-wielder, Anthony Brown.ย  Iโ€™m so used to seeing him from the back conducting his orchestra, that Iโ€™d almost forgotten what he looked like, and that he has a wonderful voice!ย  Respect!

The showโ€™s finale consisted of three songs from โ€œSunshine On Leithโ€, the musical by Stephen Greenhorn, based on the music of The Proclaimers, a fitting trailer for the full-length production which will take place at St Maryโ€™s, Devizes next June 2022.

Overall, this was a thoroughly enjoyable show.ย  Full disclosure โ€“ Iโ€™m not the greatest fan of musicals โ€“ but even I couldnโ€™t help but warmly applaud this splendid show.ย  And I was in good company โ€“ the audience throughout was loud and enthusiastic in their well-deserved rounds of applause.

The show runs through to Saturday 13th November, and I have absolutely no hesitation in recommending that you get along and see it.ย  There are still a few tickets left (but not many!) โ€“ I guarantee that you wonโ€™t be disappointed, and that youโ€™ll have a great night out.ย  Trust me!


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Spoiled Rotten in Devizes this November with Devizes Arts Festival, The Wharf Theatre, Long Street, TITCO, DOCA and more!

Spoiled Rotten in Devizes this November you are. In what is usually a quiet month leading up to yule, the easing of lockdown has detonated the month, opening it up as anyoneโ€™s game. Itโ€™s just so good to see a chockful event calendar for the whole county, and so many event organisers making a Rocky Balboa style comeback.

Dave and Deborah at the Southgate

Aside our dependable Southgate, whoโ€™ve led the way for events in Devizes, and continue to provide top notch live music every weekend, free I might add, itโ€™s exciting to see the Cavalier, The Muck & Dundar, and even the Condado Lounge in the running.

There are some big guns coming out too, as we welcome back the Wharf Theatre, who hosted The Paul Simon Story last weekend, and the return of the Invitation Theatre Company from Tuesday (9th) to Saturday (13th) this coming week. The Long Street Blues Club are back in force with three gigs this month, the Gerry Jablonski Band Saturday 13th, Force on the 20th, which is such a whopper itโ€™s coming out of The Corn Exchange rather than usual Cons Club, and the Antonio Forcione Quartet on the 27th.

If itโ€™s sounding good so far, weโ€™ve not even touched on Devizes Eisteddfod from Thursday 18th to Saturday 20th, The Lawrence Art Societyโ€™s exhibition at the Town Hall from 25th to the 27th, and of course DOCA bring the Winter Festival and lantern parade on the 26th.

With all that Iโ€™ve mentioned it would be understandable to have overlooked the icing on the cake; Devizes Arts Festival surprisingly pops up to host some awesome events this month, when itโ€™s usually confined to more summery months. Despite weโ€™ve outlined the individual gigs lined up at the Arts Festival, back when it was announced in August, such has lockdown caused much jiggery-pokery with the dates of such things, and not forgoing Iโ€™d suspect the Arts Festival got itchy fingers and simply couldnโ€™t wait until summertime to present us with some amazing performances, these things need reminders, so here I am!

Though the opening gig, Thursdayโ€™s Ronnie Scottโ€™s All Stars Jazz Club Tour has sold out, tickets for the others are on the table awaiting your attention, plus, of course thereโ€™s free fringe events across town too. Letโ€™s have another look at whatโ€™s on offer here, to wet your appetite shall we?

Under the banner, โ€œthe show must go on,โ€ the Arts Festival are delighted to welcome Sally Barker to Devizes, on the 13th. In this new show โ€˜Sandy, Joni & Meโ€™ she will bring some of the songs of both Joni Mitchell and Sandy Denny to the stage, exploring the singer/songwriter legacy that was forged in the early โ€™70s.

Veteran folk-blues singer/songwriter Sally Barker became Tom Jonesโ€™ finalist on The Voice UK 2014 after reducing her mentor, and many watching the TV, to tears with her performances. Sally has toured with Sir Tom, Bob Dylan and Robert Plant amongst others. Radio 2 DJ Chris Evans said, โ€œSally changes the atmosphere in a room when she sings.โ€

And Friday 19th is Motown Gold time at the Corn Exchange. Dust off your dancing shoes for a fabulous evening from a fantastic band. Motown Gold celebrate the finest songs from the timeless Motown and Classic Soul era, which kind of speaks for itself.

As for free Fringe events, The Muck & Dundar have loop pedal guru Arif Najak bringing laid-back reggae sounds on Friday 12th. Sunday 14th is at New Society, where youโ€™ll find Bristolโ€™s dynamic jazz vocalist Lucy Moon, performing energetic swing and classic swing-era tunes to liven up your Sunday lunchtime. Booking is essential for this one, contact New Society to reserve your table.

Thereโ€™s a couple more fringe events before the Arts Festivalโ€™s grand Motown finale; South Walesโ€™s Big Sky are at The Crown on Wednesday 17th, with roots rock infused with touches of blues, country and psychedelia, they are known for being one of the few bands containing brothers who have not yet had an on-stage altercation! And Thursday 18th sees Mark Harrison at the Three Crowns. An original and interesting songwriter, a stunning guitarist, and a master storyteller.

It is, in all my years of running Devizine, the biggest November Iโ€™ve ever seen! But the Devizes Arts Festival doesnโ€™t stop there, this is just filling a gap. I asked artistic director Margaret Bryant if there will be something in the pipeline for a summer arts festival too, and she replied โ€œyes, weโ€™re already planning 2022!โ€

But let’s not get ahead of ourselves here, just look forward to November; get your Devizes Arts Festival tickets here, for all other gigs and events, see our event calendar for links and info; see you out and about, folks!


Trending…..

Autumn-Winter Comedy in Devizes

Comedy in Devizes is a rare thing, unless you count visitors turning right at the Shaneโ€™s Castle junction, reading opinions on the Devizes Issues (butโ€ฆ

Forestry Operations Due to Start at West Woods

Featured Photo: Forestry England/Crown copyright Planned timber harvesting is set to begin at popular walking destination, West Woods, from the end of September until Marchโ€ฆ

Swindon Gets Shuffling!

Despite the population of Devizes throwing confetti and paint at each other in their most celebrated annual ritual, I believe I picked the right weekendโ€ฆ

REVIEW: Devizes Musical Theatreโ€™s โ€œA Gallery Of Roguesโ€ @ Lavington Community Centre โ€“Saturday 11th September 2021

Yes Mโ€™Lud!

By Andy Fawthrop

Itโ€™s not often that youโ€™ll get me schlepping down to a Community Hall in the middle of nowhere (well, OK, Lavington) on a Saturday night for a dose of Light Opera, butโ€ฆwellโ€ฆit seemed like a good warm-up for the BBC Last Night of the Proms which was due to be broadcast later that night โ€“ and so it proved to be.

Devizes Musical Theatre (DMT), in their wisdom, had chosen this slightly out-of-the-way place to perform โ€œA Gallery of Roguesโ€ as their 2021 production (their first since 2019 following Lockdown for most of last year). And thus, breezing my way past the various posters for WI and other local events, I found myself in this rather modern and well equipped hall.

The evening was in two parts – the first being a performance of Gilbert and Sullivanโ€™s โ€œTrial By Juryโ€, a one act comic opera, and the second being the company performing a number of well known songs from many different musical shows.

โ€œTrial by Juryโ€ is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced in 1875, at London’s Royalty Theatre, where it initially ran for 131 performances and was considered a hit. The story concerns a “breach of promise of marriage” lawsuit in which the judge and the legal system are the objects of light-hearted satire. As with most G&S operas, the plot of โ€œTrial by Juryโ€ is ludicrous, but the characters behave as if the events were perfectly reasonable. This narrative technique blunts some of the pointed barbs aimed at hypocrisy, especially of those in authority, and the sometimes base motives of supposedly respectable people and institutions. The success of โ€œTrial by Juryโ€ launched the famous series of 13 collaborative works between Gilbert and Sullivan that came to be known as the Savoy Operas.

In this production, using mostly modern dress, no scenery, and virtually no props, the guys and gals from DMT had nowhere to hide. Using only a simple piano accompaniment, it was down to the strength and quality of the voices only. And, after a slightly nervous start, they pretty well nailed it, with each singer growing in confidence as the play progressed. The call-and-response choruses, so beloved of G&S fans, were used to great effect and the whole production swung along with very few flaws. Of particular note were Naomi Ibbetson as The Plaintiff, and Tom Hazell as The Defendant. The supporting roles, especially the three bridesmaids, were also strongly played to great effect.

The second half consisted of a series of songs from various musicals including โ€œCatsโ€, โ€œOliverโ€ and โ€œThe Wizard of Ozโ€, culminating in a full-cast version of the Lockdown classic โ€œSomewhere Over The Rainbowโ€. Not a dry eye in the house.

For me, it was a good evening of entertainment, and well worth the trip out to Lavington. And Iโ€™d say the rest of the audience agreed, as the applause was hard and long. However, Iโ€™m still mystified as to why a concert that clearly took a lot of time and effort to be produced was only to be given this single performance, and why at such an out-of-town venue. Surely more people would have gone to see DMT in action if this had used a more Devizes-central location?

Future DMT productions:

The Wind in the Willows โ€“ 3rd to 10th April 2022 at Dauntseyโ€™s School


Click here to buy!
Click here to win 2 free tickets!

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The Juggernaut Delivers Back at The Southgate

If there’s been welcomed stand-ins for the monthly Jon Amor Trio residency at the Southgate in Devizes recently, Ruzz Evans and Eddie Martin, Jon โ€œtheโ€ฆ

Deadlight Dance New EP Chapter & Verse

Marlborough gothic duo Deadlight Dance are due to release an EP of new material. Itโ€™s called Chapter & Verse and itโ€™ll be out on Rayโ€ฆ

Some Reasons Why I Enjoyed Jesus Christ Superstar at The Wharf

One reason why I enjoyed Jesus Christ Superstar at Devizes Wharf Theatre yesterday evening, is similar to why I like sci-fi and fantasy genres.

No, hear me out, long winded it maybe, but thereโ€™s a point! With sci-fi you can take an earth-bound concept, and moving it from its usual perimeters, see it for what it truly is, without being predetermined via propaganda or personal opinion. Example; racism. Take a green coloured race of aliens fighting with a blue race, and from outside looking in you can see how completely meaningless and rash it is.

Jesus Christ Superstar throws out preconceptions of this renowned Easter story, bought about by biblical re-enactments and more commonly accepted adaptions. In essence, itโ€™s a rock opera, opera is tragedy, and rock music is modernised, least it was when Tim Rice and Andrew Llyod Webber created it.

I often wonder what it was like for Michael Jackson, in the limo to the show, mobbed by obsessive devotees throwing themselves unashamedly at him. In a way, the tragic desolation and isolation of fame is more the subject in question, rather than the biblical Easter story. Just like our sci-fi scenario, it never suggests a religious connection, never states definitively that Jesus is the son of God. It takes the story out of the usual context and reconnects the dots.

The set is deliberately void, mostly of black backdrop, and props are minimal. Rather than a school playโ€™s amateurishly painted scene, the darkness leaves the setting to your imagination. While Nazareth and Rome are mentioned, thereโ€™s no depiction of it. The concentration is flowed into the characters and music. For Jesus here is unlike another representation; in fact, Iโ€™d argue Brian from Monty Pythonโ€™s โ€œLife ofโ€ is closer! Played convincingly by Jordan Overton, if this was intentional, I found Jesus actually quite irritating. Far from blasphemous given the circumstances, for here heโ€™s unforgiving, frustrated at the mounting iconic hysteria surrounding him. Probably more likely how it would be, especially in the modern era.

If Jordan made a grand job of it, more so did the surrounding characters, for Judas is Jerry if Jesus is Tom, the tension between the two the narrative. Arguably Peter Assiratiโ€™s performance is passionately executed greater, the focus on his despair is equal pegging, as Judas feels overexposure will be Jesusโ€™s ruin. Like washed up rock stars or actors in the modern era, we know from tragedies like Marylin Monroe, to Whitney and Kurt Cobain, the feeling is real. In a way then, the lines between protagonist and antagonist are blurred, another reason why I liked this piece of musical theatre.

More general is the third reason; the Wharf is such a splendid asset to Devizes. This historic shoebox theatre central to town is so welcoming, if the doormat was curled at the edge staff would lie over it so you donโ€™t trip. Chat in the auditorium is not of condescending theatre-goers and thespians, rather an almost family ambience with an age demographic to match. As with most venues, lockdown flogged this theatre, kicking it while it was down. Those who can, bearing in mind ticket stubs here are far more reasonably priced than city playhouses, are dutybound to help it to its feet. I witnessed said devotion firmly in place already, as Jesus Christ Superstar plays to a full house.

The fourth reason I enjoyed it is simply the surprise element. I went in critical, didnโ€™t expect to actually like it, given the theme tuneโ€™s school playground variant of yore, set to ridicule it with Yamahas and dustbin lids, was wedged in my mind. Anyone younger will have to ask Alexa about this; Iโ€™ve exposed my age enough already!

I tip my hat to the performances of additional characters, Pete Winterton casted perfectly for the seventies-fashioned game show host version of Herod, breathing one humorous element to the tragedy, at least! Francis Holmes as Caiaphas made for the textbook managerial role and convincingly bellowed his solo with professionalism.

Emma Holmes and Chris Smithโ€™s recitals of Simon and Peter, respectively, being especially poignant. None so much though as Mary Magdalene, played by Cassy Swann, who, with her astute expressions of woe and loyalty, her superior voice commanded the stage above all else. In this, full credit has also to be awarded to Victoria Warren, music director, and the band, Jennifer Cardno, Bob Ball, Claire Borovac and John Joy, for limited to a four-piece, amalgamated the show to epic and euphoric proportions.

You should note, if you go see this, at the time, amidst the hullabaloo surrounding its controversial subject, it took the best part of decade to alter from rock opera album to the stage in London, and only because of its success in the USA. True music fans will recognise this more as an album of music than a play, ergo the dynamics of elaborate stage effects are deliberately stripped back, the opening of Jesus Christ Superstar rightfully displays the band playing the overture prior to actors taking their stance. But go see it you should; decide quick and seize a ticket post haste. Itโ€™s only running at the Wharf Theatre until this Saturday, the 18th September, and last time I checked, tickets are up for grabs weekdays, Saturday is sold out.

Please buy our compilation album of local music, all proceeds go to Julia’s House, thank you!
WIN 2 tickets to Gary in Punderland @ Devizes Corn Exchange by clicking on the poster!

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Fulltone Confirmed For 2025 in Devizes

The Fulltone Orchestra has confirmed today that their annual festival will take place on The Green in Devizes from 25th โ€“ 27th July 2025โ€ฆ. โ€œItโ€™sโ€ฆ

Get ‘Lifted’ by Chandra

Chandra, Hindu God of the Moon, with his own NASA X-ray observatory named after him, and also frontman of a self-named friendly Bristol-based four-piece pop-punkโ€ฆ

Local Book Review: Dadโ€™s New Dress

Spent most of Pride month, and the following month too (what? Iโ€™m a slow reader and a busy chap!) reading an apt book, given toโ€ฆ

A Gallery of Rogues: Devizes Musical Theatre is Back!

A Gallery of Rogues, huh? Can’t be, they look okay to me; it’s always the quiet one. I’m just pleased to hear the Devizes Musical Theatre is back and coming to a Market Lavington Community Hall near you!

Presenting a complete performance of “Trial by Jury,” W.S Gilbert and Arthur Sullivan together witha collection of other ditties, performed by members of the cast, and directed by Laura Deacon and Susan Braunton.

On the 21st October 1965, Devizes Musical Theatre (formerly named ‘Devizes Light Operatic Society’)ย  was born. A society committed to the arts, with an emphasis on fun, team work and a love for all things musical. Since, ‘DMT’ has grown into the talented, passionate and friendly society that it is today.

The society performs two full-scale productions each year with a number of concerts and showcases alongside these. In two sections; youth (‘DMT Footlights’) or adult, aged 8 or 80 they have something for you! On stage, behind the scenes or front of house alike, they are always keen to welcome new people.

Rehearsals began in a back garden and they’re now ready to bring you a large slice of G&S, followed by a pot pourri of songs. A light-hearted evening’s entertainment for all the family, on 11th September. Doors at 7:30pm, ยฃ7 payable on the door. Or email chairman@devizesmusicaltheatre.co.uk to reserve your tickets.


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Some Days with Paul Lappin

Paul’s self-made cover to his latest single, Some Days depicts a fellow sitting under a tree pondering life, while an autumn zephyr blows leaves aroundโ€ฆ

Imberbus is running this Saturday !

Following on from last monthโ€™s email, this is a final reminder that yearโ€™s Imberbus service will be running this coming Saturday โ€“ 17th August 2024.โ€ฆ

Marlborough, I’ve Seen Your Pants

โ€œWe can’t stop here. This is Tory country,โ€ I chuckled while fiercely yanking the handbrake, as if Dr Gonzo was in the car. We canโ€ฆ

Full Steam Ahead for The Collected Grimm Tales at The Wharf Theatre

Despite the gloomy pushback to the 19th July for step four of the roadmap to reopen venues, government announced plans to pilot test live theatrical performances with increased capacities, as it has already done for music festivals and sports events.

While this will delight larger city venues, our Wharf Theatre in Devizes must continue with a limited socially distanced capacity for its reopening performance of The Brothers Grimm. All the more reason to book early for this delightful sounding family-orientated presentation!

Collected Grimm Tales runs from Tuesday 13th to Saturday 17th July, with doors opening at 7.30pm. ย Itโ€™s adapted by Carol Ann Duffy of the Young Vic Company, dramatized by Tim Supple and directed by Debby Wilkinson.

In this acclaimed adaptation of Hansel and Gretel, Ashputtel, Rumpelstiltskin and more are bought to life by a small adult cast using a physical and non-natural style of performance.  It will take you on a journey into the world of imagination, as you discover the elusive paths that wind through the dark woods of fairy tales and invite you to experience again the living power of theatre.

Tickets can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk and at the Devizes Community Hub and Library on Sheep Street.

The fitting with the prince onlooking, illustration in Les Contes de Perrault by Gustave Dorรฉ, 1862

Devizes Wharf Theatre Launch Youth Theatre

Have you any young budding actors in your family? Drama kings and queens?! You might like to know Devizes Wharf Theatre have just launched a Youth Theatre. See I could have done with this when I was knee-high to a grasshopper, as I liked to act. Okay, you got me, that was act the fool. Iโ€™d think myself lucky if I got the rear-end role of the pantomime horse!

In the past, The Wharf Theatre has produced some amazing youth productions, if you remember the hugely successful Legally Blonde Junior in the summer of 2019, for example.

Wharf Theatre

โ€œWe have long felt and recognised that to safeguard the future of the world of theatre it is vital to inspire and encourage the next generation and have been working, behind the scenes, to create a group especially dedicated to them,โ€ they say, announcing two youth theatre directors now in a position to officially launch The Wharf Youth Theatre, ready for September. Here are the details:

Senior Actors Company

Friday 6-8pm. Sept 24th โ€“ Oct 22nd/Nov 5th โ€“ Dec 3rd

For school years 10-13 (as of September โ€˜21)

This group will be led by Lou Cox.  Louโ€™s career highlights include theatre tours, The Edinburgh Festival, singing professionally at Glastonbury festival and stand-up comedy. Lou is now a freelance drama teacher at various schools in the area and is a LAMDA examiner. She also directs and has recently started exciting projects with Barnardoโ€™s adoption agency, using drama as a training tool for adoptive parents and a refugee charity in Swindon.

This Company bridges the gap between school drama offering you further practitioner knowledge, a chance to develop your performance skills and many opportunities to perform in our very own theatre. It is a chance to work with like-minded people once a week who share the same passion for drama. You will explore theatre through the ages, engage in practitioner acting theories, work with text and devise your own work. There will be opportunities for students to compete in performance festivals, perform a live play to a paid audience and most importantly have fun!

10-week term ยฃ90. (Concessionary places available โ€“ please contact; artisticdirector@wharftheatre.co.uk)

If you have any questions, please feel free to email Lou at: senioryouthdirector@wharftheatre.co.uk

Junior Actors Company

Thursdays 4.30-6pm Sept 23rd โ€“ Oct 21st/Nov 4th โ€“ Dec 2nd

This group is for school years 6-9 (as of September โ€˜21)

This group will be led by Lucia Pupilli.  Lucia studied at The London Academy of Music and Dramatic Art and has worked professionally in various theatre and film productions including โ€˜White collar hooligansโ€™ directed by Paul Tanter in Rio de Janeiro and โ€˜His and Hersโ€™ directed by Lisa Spirling at The Egg theatre in Bath. Lucia has performed in clubs and restaurants as a cabaret singer and has also worked as a Primary School teacher for five years in Wiltshire. She founded โ€˜Music with Luciaโ€™ teaching instrumental lessons on Piano, Flute and Voice and, in addition, enjoys performing with โ€˜The Invitation Theatre Companyโ€™ and The Fulltone Orchestra.

10-week term ยฃ75. (Concessionary places available โ€“ please contact:artisticdirector@wharftheatre.co.uk)

If you have any questions, please feel free to email Lucia at:

 junioryouthdirector@wharftheatre.co.uk

Bookings for Autumn Term Opening Soon

In order to book please find details of the membership system on their website: wharftheatre.co.uk

Look under โ€˜get involvedโ€™ and click on โ€˜wharf youth theatreโ€™

Wharf Theatre

The concentration will be on fun at the junior actorโ€™s school workshops, building confidence and gaining skills through drama, games and improvisations. Theyโ€™ll be rehearsing and performing scenes from plays and devising their own. The aim is to put on an annual show as they progress.

The workshops are not only an opportunity to develop acting and drama skills but also to make friends and become confident young adults. The Wharf encourage all children to reach their full potential in a safe and inclusive environment.

In addition to the fuller workshops of these new youth companies, the Wharf are also offering two Summer Workshops this year. These will offer an opportunity to have fun and participate in various drama activities.  Whilst they will give you a flavour of the work you could be exploring over the forthcoming terms these are stand-alone sessions and are open to all.

Senior Actors with Lou

Wednesday July 28th 10am-1pm

Wednesday August 11th 10am-1pm

Junior Actors with Lucia

Wednesday August 4th 2-5pm

Wednesday August 11th 2-5pm.

Each 3-hour workshop costs ยฃ15.

Bookings can be made on Ticketsource via their website wharftheatre.co.uk .ย  Look under โ€˜get involvedโ€™ and click on โ€˜wharf youth theatre.โ€™ Places are limited but they will be operating a wait list system if groups are full.

Me? I’m passed it now, I’m afraid, but I’ll always have my moment in the spotlight, my Shakin’ Stevens impression on my cub scout pack-holiday. You had to have been there…..or not!


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Ruzz Up The Gate!

I was intending to start this along the lines of โ€œyou don’t need me to provide another reason why I love The Southgate,โ€ but thisโ€ฆ

Sing Another Love Song with Rosie Jay

Second impressive single from young Salisbury singer-songwriter Rosie Jay is released today. Sing Another Love Song; a sound of the summerโ€ฆ.. Her debut breakup trackโ€ฆ

Cotswold Water Park to be Renamed

Here’s a prime example as to why I could never be a councillor….. Cotswold District Council will vote on changing the name of Cotswold Waterโ€ฆ

Devizes Scooter Rally Rules, OK?!

If it’s been a fantastic weekend on Devizes Green with the orchestral Full-Tone Festival, further out of town scooterists, mods, skins and anyone else withโ€ฆ

DOCA Receives Culture Recovering Funding

The future of Devizesโ€™ carnival and Outdoor Celebratory Arts is looking great, as DOCA announce today some exciting news; they are delighted to have received funding from the governmentโ€™s #CultureRecoveryFund.

The much-needed funding will cover their overheads in the coming months. Allowing investments in developing their Board of Trustees, employ a Volunteer Coordinator and begin reconnecting with the existing โ€œfamilyโ€ of volunteers. They also seek new recruits to help deliver the fantastic program of events. Such as new volunteer coordinator, Holly Solo-Hawthorn, who joined the team in last November. If volunteering with DOCA is something you are interested in please email: docavolunteer@gmail.com

Chair of the Trustees, Kelvin Nash said, โ€œwe know people canโ€™t wait to get out and meet up with others and enjoy all the things we might have taken for granted before COVID. We also know we are very privileged to receive this funding that will help us continue bringing great events to Devizes. We hope everyone will continue to support us this year to make these events happen safely, plans are still tentative of course, but it does feel like there is now a light at the end of the tunnel.”

Artistic Director, Loz Samuels expressed although DOCA are able to start planning Summer events, not all of the usual events will be back this year. โ€œThis year will have a different feel but we know that it will be just as amazing as ever. There will be no Confetti Battle this year we hope to combine the Colour Rush with the Street Festival which will add an explosion of colour to the day and we hope to attract some new people along to the event.โ€

As we look forward to future events in Devizes, DOCA will be touching base with market traders and coordinating a hopeful new season of celebrations. Hereโ€™s the plan to date:

Sunday 22nd August 2021 โ€“ Picnic in the Park

Monday 30th August 2021 โ€“ Devizes International Street Festival

Monday 30th August 2021 โ€“ Colour Rush

Friday 26th November 2021 โ€“ Winter Parade

Saturday 27th November 2021 โ€“ 31 Trees and Counting

Saturday 26th & Sunday 27th Feb 2022 โ€“ Festival of Winter Ales

Image: Gail Foster

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

The Return of the Wharf Theatre

Word on the towpath is our wonderful theatre, the only theatre in Devizes, The Wharf Theatre is preparing for curtains up in October, starting with an amateur production of My Mother Said I Never Should.

Since being forced to close in March the team have been working tirelessly to keep East Wiltshireโ€™s best loved and only theatre afloat. There was a time, in June, when the future looked rather bleak for the little theatre. After the renovation three years ago, surplus funds were already low, then lockdown happened. The Gazette reported it may have to close due to a ยฃ30,000 shortfall in income. Celebrity patron Christopher Biggins praised and promoted a campaign, at the time they hoped to reopen for 2021. So good news is, weโ€™re some months earlier you can enjoy the Wharf productions once again.

While itโ€™s great news for entertainment in town, be aware and be quick to book. Only thirty tickets are available for each performance, in line with current guidelines. They can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm

Last yearsโ€™ Chair, Oli Beech says: โ€œBreak out the bottles, the phoenix of theatre does rise from the ashes and soars high above Devizes! Our dear little theatre is back in the black after a close encounter with disaster! The call went out and boy, was it answered. Weโ€™ve had donations pouring in, generous members and locals passing the hats around, bake sale proceeds, even an overwhelming donation of ยฃ10,000. We are so thankful to everyone who has helped us either financially or with their many words of support and encouragementโ€ฆ.โ€

During their enforced closure the team hosted three costume sales to raise further funds; completely updated their website and launched a YouTube channel to keep people entertained with specially filmed monologues and some short behind the scene films.

The Wharf also welcome a new Artistic Director, Debby Wilkinson. โ€œRestrictions are beginning to lift but with social distancing still very much in place,โ€ Debby said, โ€œanything we do in the theatre itself will be limited. However, we are very proud to launch the first three plays of our Autumn/Winter season.โ€

Whilst social distancing restrictions remain in place please continue to refer to their website for the latest details. But Iโ€™m happy to announce the new performances will be:

My Mother Said I Never Should

Friday 16th and Saturday 17th October 2020ย 7.30pm each evening

Written by Charlotte Keatley and Directed by Debby Wilkinson       

This rehearsed reading is scheduled to run on October 16th and 17th.   First performed in 1987, this play breaks with convention in that it doesnโ€™t follow a linear timeline.  The text is now studied for both GCSE and A level and tells the stories of four women throughout several periods of their lives. It explores the relationships between mothers and daughters along the themes of independence and secrets. It is a poignant bittersweet story of love, jealousy and the price of freedom through the immense social changes of the 20th century.                   Copyright: this amateur production is presented by arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd concordtheatricals.co.uk


 Tickets: ยฃ10/ยฃ8 concessions.

Adam and the Gurglewink

Friday 13th and Saturday 14th November

7.30pm each evening with a 2.30pm Saturday Matinee

Written and Directed by Helen Langford

Three rehearsed readings of an original play by the Wharfโ€™s own Helen Langford.   Adam is planning to run away when he stumbles across The Gurglewink, a childhood toy who has come to life in the attic.  They form a reluctant friendship where reality blurs and magic happen. They meet Rainbowgirl who challenges Adam to a dangerous quest which will depend on his ability to keep going when things are not always what they seem.

Suitable for children 6-12 years and their parents. Tickets:/ ยฃ8/ยฃ6 concessions


Collected Grimm Tales

Monday 14th to Saturday 19th December       7.30pm each evening with a 2.30pm Saturday Matinee

By: The Brothers Grimm     Directed by: Debby Wilkinson

Familiar and lesser known stories are brought to the stage using a physical and non-natural style of performance.  These stories journey into the warped world of imagination.  We will meet Hansel and Gretel, Ashputtel, Rumpelstiltskin and others, performed by a small adult cast, on a simple set.  The audience will need to use their imagination and fully embrace the living power of theatre. Suitable for children and adults.

Copyright: this amateur production is presented by arrangement with Concord Theatricals Ltd. On behalf of Samuel French Ltd concordtheatricals.co.ukย  Adaptor Carol Ann Duffy Dramatised by Tim Supple and the Young Vic Co.ย ย Tickets: ยฃ14/ยฃ12 concessions

March On: Things to Do. Part 2

Everyone having a nice March so far, been alright, innit? I promised, when I featured the first fortnight of events, here, that I would return to complete the last two weeks. Iโ€™ve promised this before and totally spaced on it, for which I apologise; not enough hours in the day. Nothing to do with my goldfish memory. Here though, this month, Iโ€™ve actually only gone and done it, before the 31st March too! See below if you donโ€™t believe itโ€™s true, the last fortnight in March, stuff to do while waiting for the supermarkets to restock on bog roll, and all that. I know, it scares me sometimes too.

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Click on the hare here to see the first fortnight of March

Bear in mind, mind, our calendar is constantly updating, so do check in as more events and gigs are bound to magically appear like the shopkeeper in Mr Ben.

Week 3

Sunday 15th is where we were up to, and I got two fantablous gigs, Burbank are the White Bear in Devizes, while Jon Amor is at the Three Horseshoes in Bradford on Avon; nice.

Monday, I never know if the Devizes Folk Club is on down the Lamb or not, to be frank, but itโ€™s a place for a beer if Iโ€™m wrong and itโ€™s not!!

Tuesday 17th The Stonehenge lecture at the Wiltshire Museum is now sold out. Celebrated cartoonist and artist, Norman Thelwell is at The Merchantโ€™s House in Marlborough, for a fascinating hour illustrated talk, tracing his life, passions and artistic development. Thelwell produced 1,500 cartoons and 60 front covers for the famed Punch magazine alone and some 32 books translated into a dozen different languages. His works were full of beautifully observed detail and mainly of rural subjects, including country and leisure pursuits, sport, house sales and renovation, stately homes, gardening and sailing. Failing that, Cracknakeel provides live music at The Sun in Frome for their St Patrickโ€™s Day celebration.

Wednesday 18th is jam-packed, for a Wednesday! Acoustic jam down the Southgate, Devizes. Bromhamโ€™s Farm Cookery School has a Taste of Morocco class, where you could be learning how to make a Briouat which is like a Moroccan Samosa, make your own Khobz and Kefta Mkaouara. ยฃ40.00 per person. Over in Marlborough David Evans gives the second of three lectures in The Merchant’s House Study Series, focussing on Reformation in England and the Arts. The Roots Sessions continues at Fromeโ€™s Cheese & Grain with the fantastic Ruzz Guitarโ€™s Blues Revue.

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Thursday 19th and you could be back down The Farm Cookery School in Bromham for a Mozzarella & Halloumi Masterclass with Josie. She will teach how to make both cheese which is technical but fun! ยฃ35.00 per person. The fantastic Ed Byrne is at the Bath Forum and Moles has a punky/metal night with the Anarchistโ€™s Bookfair, Butter The Pavement and Out Of Reach.

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If itโ€™s a slow start to the week, Friday 20th March makes up for it. If, like me, all you know about Jesus Christ Superstar is that he came down from heaven on a Yamaha, and you have doubts with your conviction of that, itโ€™s the opening night for this amateur production by arrangement with The Really Useful Group Ltd at Devizesโ€™ Wharf Theatre. Tim Rice and Andrew Lloyd Webberโ€™s classic musical portrayal of the last seven days of the life of Christ as seen through the eyes of Judas Iscariot runs until Sat 28th March and while tickets are still available as I write this, do be as quick, as if you were on a Yamaha yourself; take care not to skid though!

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Meanwhile Devizes Town Hall is the place to head for opera fans, as The White Horse Opera presents their Spring Concert. Including Donizettiโ€™s L’Elisir d’amore, Ruddigore by Gilbert and Sullivan and Hadynโ€™s Creation, this would be the perfect introduction to opera for those, like me, who thought Donizetti was a type of pasta sauce!

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If you fancy music more pop, the local supergroup Iโ€™m always raving about, the Female Of The Species play Melkshamโ€™s Assembly Hall. Fusing all their respective bandโ€™s influences, expect the best of rock, soul and ska as the girlโ€™s combine forces for a fun-filled gig; Iโ€™ve been to see one of these shows and Iโ€™m not hyping it up because theyโ€™re all awesome chicks, I highly recommend it!

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Day one of two, at the inspiring Shoebox Theatre in Swindon of their FUSE Festival where six emerging artists test a new performance idea over three days. Fuse is about supporting the beginnings of new work before it’s fully developed. Watch, discuss, and be part of the creation of something brilliant. Two performances Kat Lyonsโ€™ Dry Season, interweaving music and movement with original spoken word poetry and extracts from medical literature. And the debut one-woman-show from Mighty Mammal Theatre, Swine of the Times, where you can meet the piggies at the troff; they sing songs, say prayers and even mime. Alice Wolff-Whitehouse employs her skills in physical comedy, dance and song to bring to life a series of flawed and quintessentially British characters, looking at the grotesque nature of privilege in the UK through a warped and colourful lens.

Staying in Swindon, Baila Coffee & Vinyl have some Disco Voodoo with DJ Amir, or try indie rock covers with Joli & the Souls at the Vic. Elsewhere, the Leathers play The Three Horseshoes in Bradford on Avon, Clannad are at Bath Forum, and Jack Deeโ€™s Off The Telly tour is at Salisbury City Hall.

Saturday 21st then. After the hugely successful free concert in the Market Place last summer, The Full Tone Orchestra have taken their show to Marlborough, and return to town to rave the night away at the Corn Exchange. Taking the most popular section of their show, the club anthems, expect this to be something innovative and all glowsticks, as conductor Anthony Brownโ€™s beloved orchestra reproduce the club classics which defined an era.

The Cavalier go country with the Stone Mountain Sinners, caught these guys before, theyโ€™ve a refreshing approach to country-rock which is a cut above the rest. And breezy, original songwriter Ed Witcomb makes a welcome return to The Southgate. For surf beats, odd time signatures, eccentric tunes and irony-fuelled free jazz, try The Barge at Honeystreet, where bonkers surf surrealists Mustard Allegro do their stuff.

Super Trooper Abba tribute, Sensations grace the Seend Community Centre, while Swindonโ€™s Meca has a Whitney Houston tribute. Donโ€™t forget though, itโ€™s day two of the Shoeboxโ€™s Fuse Festival too.

Mercy Lounge at The Three Horseshoes, Bradford on Avon. Recommended ska night at Warminsterโ€™s Prestbury Sports Bar with the Train To Skaville, and Paul Carrick is at Bath Forum.

Train to Skaville

Week 4

Head to the Southgate for an afternoon pint or three, on Sunday 22nd, and our fantastic singer-songwriter Vince Bell will entertain you. Meanwhile, Groovelator play The Three Horseshoes in Bradford.

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Vince

Tuesday, Devizes Film Club at the Town Hall have the latest Ken Loach film, Sorry We Missed You, which you will be if you miss this one film fans. Full of drama, tension and heartbreak. Ricky and Debbie are the parents of teenage children. Ricky joins the โ€˜gigโ€™ economy with a franchise for a parcel delivery firm. The job is sold to him as one where he will become master of his own destiny. Providing, that is, he complies with the labyrinth of deadlines, rules and conditions imposed by the company, a near impossible task. Debbie is a care worker who wants to care for the old people as though they are her Mam. But her working conditions thwart her in doing the job as she thinks fit. This modern Dickensian story dramatises the conflict between work and family life in contemporary Britain.

Donโ€™t forget Wednesdayโ€™s acoustic Jam down the Southgate, and blues-folk singer Elles Bailey is with Phil King at the Chapel Arts, Bath. Thursday you can witness epic human-powered feats, life-affirming challenges and mind-blowing cinematography on the big screen at The Banff Mountain Film Festival world tour, coming to the Salisbury City Hall. Staying in Devizes on the last Thursday of every month though is no bore, as the regular and celebrated open mic night at the Cellar Bar is something to behold.

Seventies punk bands never had such a great name as Brightonโ€™s Peter & The Test Tube Babies. Still going strong forty years on, they play the Vic in Swindon on Friday 27th. Tenner on the door. Swindon also has an Improv Jam at The Shoebox, and homemade function band Locomotion at the Swiss Chalet.

Locomotion

While itโ€™ll sadly never be possible for the boys to be back in town, Prestonโ€™s tribute Twin Lizzy will. They make a welcomed return to the Cavalier, Devizes on Friday. Meanwhile, the Devizes & District Twinning Association take over the town hall to bring us some French Cafรฉ Music with Jac & Co, tickets are also a tenner for both these diverse evenings.

How much more diverse do you want? A dedicated club night for adults with Learning Disabilities? This Is Me at the wonderful charity youth centre, Young Melksham is precisely that, a night of great music and friendship. Thereโ€™s a series of these events, first one is Friday.

Another welcomed return to Marlborough Folk-Roots at the Town Hall on Friday, when Steve Knightley explores the themes and stories that inspire him and shows how music and words can become lyrics and chords and notes can meld to create songs that acquire a life of their own.

For want of an authentic tribute band, From The Jam play The Cheese & Grain in Frome, and Iโ€™ve heard all good stories about them. If originals are what you want though, The Queenโ€™s Head in Box has a double-booking Friday. Katy Hurt stretches the country music genre in exciting new directions; haunting blues vocals, towering country rock guitars, even a reggae vibe, and she is followed by psychedelic alternative rock band, The Bohemian Embassy.

Saturday night of the 28th March is alright, but no fighting, please. Time for the Devizes Lionsโ€™ Spring Concert at St Andrewโ€™s Church, where Ian Diddams comperes Bath Coleman, Bangers & Nash, and the Trowbridge & District Youth Band. Tickets are ยฃ10, proceeds to Wiltshire Young Carers.

The Corn Exchange has a Gin Festival. Tribute act, Motley Crude are The Cavalier and local heroes Rockhoppaz play The Black Swan. For high octane original and classic rock mixed with some tasteful Bluesy tracks, check the Mark Smallman Band at the Southgate.

Devizine is the unofficial Tamsin Quin fan club, if you wanna hear why, head to Bromhamโ€™s Owl on Saturday. Another Abba Tribute, Swede Dreams play Market Lavington Community Hall.

Tamsin Quin

Highly recommended for the mods, The Roughcut Rebels are at The Pheasant in Chippenham. Also, Blondie & Ska are great fun, theyโ€™re at the Wiltshire Yeoman in Trowbridge, checking ahead, they play in Devizes, at the Pelican in May. The Blue Rose Band at The Westbury Conservative Club and an Amy Winehouse tribute at Bathโ€™s Odd Down AFC & Social Club. Level III have a โ€œOne Step Beyond-ska and punk club-night.

Elsewhere in Swindon, homemade Damm at Coleview Community Centre and P!nk tribute, Beautiful Trauma play Brookhouse Farm, and a Pearl Jam tribute, Earl Jam at the Vic.

Sophie Matthews explores the links between the visual and the aural in a one-hour presentation at the Merchantโ€™s House, Marlborough. Drawing on the works of great painters including Brueghel, Hogarth and Rigaud, Sophie presents a feast of images featuring historical woodwind instruments in their original social context interspersed with live performances of historical music using authentic instruments.

Sunday 29th – Nearly there, and breathโ€ฆ. Yin Yoga & Gong Bath at Devizes Corn Exchange, The Sunday Sessions continue at The White Bear with Matt Cook and Gary Hall at The Southgate. Thereโ€™s a Comic-Con at Bath Pavilion, to be frank, itโ€™s a commercial affair rather than a genuine โ€œcomicโ€ con, with cosplay, gaming and meeting vague TV actors and ex-Gladiators, but might be fun for the kids.

Thatโ€™s it, folks, March done, save Bradford on Avon Folk Club have Geoff Lakeman on Tuesday 31st. Letโ€™s regroup in April, but feedback on these articles are needed. Do they work for you? Long-winded I know, but in order to fit it in. Devizine is a work in progress, I enjoy and need to know whatโ€™s working and whatโ€™s not. So, if youโ€™ve read this far, I salute you! Tell me about it!


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden

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Mad March: Things to Do. Part 1…

Huzzah, hurrah, hurray, whoop, bravo, hoot, shout, shriek, hosanna, alleluia and other synonyms for expressions of delight which Iโ€™ve shamelessly purloined from Wordโ€™s dictionary. Do I care? Itโ€™s March, time of the Mad March Hare, spring springing, birds a-singing in the blossoming treetops; after such a damp winter itโ€™s refreshing to look forward to the April showers season!

Why do we even call them April showers when they tend to carry through from March to June?! Nevertheless, itโ€™s warmer rain, with momentary lapses of sunshine, those little teasers of spring; donโ€™t blink you might miss them. Still, just like a bear, Iโ€™m awakening from my hibernation, and heading downstream for a salmon supper!

In celebration of the feast, hereโ€™s some choosiest stuff to do over the coming month, as fished from our event calendar. The list is by no means comprehensive, you know the score by now, itโ€™s updated (nearly) every day, so do try to keep up. Facebook is a good idea, if you do that, our page pumps posts out like Dwayne Johnson on a promise. Also, consider signing up for a weekly email, I donโ€™t spam you, just once a week bulletin of what weโ€™ve done and whatโ€™s to come.

First fortnight in March then, here it comes; the second half will followโ€ฆ… I say that, then like a goldfish itโ€™s a notion thatโ€™s gone in three seconds! Also, I canโ€™t provide the links, but itโ€™s all listed on our home page with links; itโ€™ll take till April to do that, computer running at the speed of snail and all!

Devizes: First of the month is Sunday, nice way to ease into it. Georgina, Landlady of the White Bear, is running the London Marathon for Dorothy House, so thereโ€™s a pub quiz at 6:30pm to fundraise; ยฃ2.50 per person, max. 6 people on a team. Great Scott! St James Church hosts the monthly Devizes Silver Screen Film Club; Back to the Future showing this month. A great social meeting for our elders, and Driving Miss Daisy can provide transport.

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If youโ€™re looking for something wilder, The Three Horseshoes in Bradford on Avon is the place to head, where those Back-Wood Redeemers will be twisting those dark country and blues riffs into their splendid frenzy. Highly recommended from Devizine, tell them we sent you!

PSG has their regular Monday โ€œDevizes session of Pop Soul & Gospel Choir,โ€ at the Parish Rooms on Long Street, from 8pm until 9:30pm. Incredibly welcoming, PSG currently expect between 25 and 30 members on a Monday, and inform us โ€œit’s a fantastic sound!โ€ Join them for a fantastic start to your week!

Tuesday 3rd then, and itโ€™s Devizes Film Club at the Town Hall. The Farewell (PG) from China, 2019. Director: Lulu Wang. To western eyes, this film has a curious plot but it becomes understandable in the telling. Billi has left China aged six, to be brought up in New York. Twenty-four years later, she is called back to attend a wedding that has been arranged purely to conceal from her grandmother that she is dying of lung cancer. Such kindly subterfuge is apparently common practice but Billi finds it hard to accept. She sees again many family members and it is her gradual reacquaintance with her Chinese heritage that provides this compelling, spiky exploration of family duty. A heartfelt, funny, emotional and rewarding film. The screenplay and production are wonderful, prompting The Irish Critic to call it the Best Film of the Year.

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Edgelarks

Wednesday is the regular acoustic jam at the Southgate. Marlboroughโ€™s folk-roots club has Edgelarks at the Town Hall; duo Phillip Henry and Hannah Martin combine exquisite folk with influences as diverse as the blues and Indian classical slide guitar, to create a sound that is โ€œsubtle, atmospheric and bravely originalโ€ (The Guardian.) Alternatively, one of the most romantic operas ever written, La Bohรจme is showing at Bath Forum.

Even if not for the weather, Thursday 5th should get heated. Extinction Rebellion Devizes and Marlborough debate with MP Danny Kruger at St Maryโ€™s Devizes.

Friday night in Devizes looks loud; hard-edged vintage blues with Barrelhouse at the Southgate will yowl like the Howlinโ€™ Wolf. To contend, AC/DC tribute, Hellโ€™s Bells play the Exchange, but want for a local, loud, classic rock cover-band, the awesome Homer play The Crown at Bishopโ€™s Canningโ€™s, and youโ€™ll probably hear them from the Market Place!

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Buddy Holly and The Cricketers

Lighter rock n roll tributes come from Melkshamโ€™s Assembly Hall, where youโ€™ll find Buddy Holly and The Cricketers. Or Bath Forum has Elvis show, The King is Back, and Johnny Walker presents Sounds Of The 70s at Swindonโ€™s Wyvern Theatre.

The 7th, first Saturday of the month then, here it is: A songwriter genuinely literate, sometimes almost literary, Ian Parker is an original craftsman. Expressed through a distinctive bitter-sweet vocal delivery, Ian’s songs hold nothing back. His ability and willingness to share with his audience, naked honesty and genuine emotion, is what sets him apart, and The Long Street Blues Club welcomes him and his band back. Meanwhile, a little more light-hearted, Teachers Pet Rock Show comes to The Cavalier Community Hall. If youโ€™ve seen School of Rock, expect an East/West Midlands styled tribute, promising to be a โ€œgut busting, face melting glorious rock show that’s suitable for all ages!โ€

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Thereโ€™s acoustic fingerpicking, electric guitar thumping rhythms, harmonica and a loop pedal at the Southgate with Jon Pollard, while Marlboroughโ€™s Lamb has the high-energy classic rock covers band, The Electric Troubadours. Down tโ€™other end of that enlarged High Street, The Wellington has its Welly-Fest; check their Facebook page as thereโ€™s stuff going on the whole month long. Comes to ahead for reggae fans though, on Saturdayย  when our friends Razah and Knati P bring their sound system; oh yes.

Tributes in Trow-Vegas with Abbamania at The Civic. Whereas itโ€™s a Britpop tribute double-header at the Melksham Assembly Hall with Oasis Maybe and Ultimate Stone Roses, and always worth catching, The Blue Rose Band play The Talbot Inn, Calne.

Would you Adam & Eve it, Sunday March 8th is my birthday? Thank you, itโ€™s just a number. Not spoiled for choice as Iโ€™ve only one gig listed at the moment, but I do love the White Bear, where Phil Jinder Dewhurst continues their regular Sunday Sessions. Talking Sunday sessions, Swindon promoters Songs of Praise do similar at The Tuppenny, find the Richard Wileman & the Amy Fry Experience there this Sunday 8th.

Week 2

Second week of March then, then weโ€™re done and you go vacuum the hallway, or whatever else is outstanding; never ends, does it? Extinction Rebellion Devizes and Marlborough holds workshop โ€œRoots of a Regenerative Culture,โ€ Monday 7pm at The Barge on Honey Street. This training demystifies how to make everything we do regenerative and, as such, it is the key to understanding how to build resilience within ourselves and our communities.

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Tuesday 10th there be a Quiz Night at The Vaults, Devizes in aid of Opendoors. And the Devizes Film Club has a Mexican movie, The Chambermaid (15) at the Town Hall. Director Lila Avilรฉsโ€™ first film quietly pulses with life in a multi-storey luxury hotel in Mexico. We see the engrossing work of a young, single mother trying her best to be promoted by thorough work, and to study in what spare time she is allowed. There is no life-saving Hollywood romance, just the drudgery of her daily work, problems with her fellow workers and managers and her efforts to improve her life. Cartol acts with sublime understanding of her role. With persistence and wry humour, she rearranges her tasks for variety, wickedly teases the window-cleaners, goes to evening classes and reads Jonathan Livingston Seagull. A subtle gem of a film, beautifully shot against the boring and colourless back-rooms, lush guest-rooms and the stunning city views.

Wednesday 11th at Marlboroughโ€™s Merchants House Michael Hart presents โ€œProtestantism and the English Character.โ€ While one of the most intriguing and exciting collaborations on todayโ€™s folk scene, Peter Knight, legendary violinist and ex-Bellowhead member John Spiers brings an evening of improvisation and invention of mysterious tunes to Pound Arts in Corsham. In Devizes, itโ€™s time again for the acoustic jam at the trusty Southgate.

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Blossoms

Blossoms play the Bath Forum on Thursday 12th, revealing their new album, Foolish Loving Spaces. They explain, โ€œThe album is a pure celebration of love in all of its splendid and baffling guises, toying with the so-called sins of lust and forbidden infatuation. Itโ€™s inspired by a summer spent listening to โ€˜Stop Making Senseโ€™, โ€˜The Joshua Treeโ€™ & โ€˜Screamadelicaโ€™.โ€ If youโ€™re in Swindon though, head for The Tuppenny, where the awesome Jake Martin and Jess Silk perform acoustic. Acoustic, made for Thursday, eh? If you disagree, check out the Winchester Gate, Salisbury where top Ramones tribute, The Ramonas are guaranteed to liven it up.

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The Lost Trades

Friday is the night when the county finally gets ready for the debut gig of super-group The Lost Trades. Highly anticipated amalgamation of our good friends, Phil Cooper, Jamie R Hawkins and Tamsin Quin. We wish you the very best of luck, guys. Theyโ€™ll be supported by Timid Deer and Vince Bell at Trowbridgeโ€™s Village Pump.

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Meanwhile, keeping Kalm โ€˜nโ€™ Kind in Devizes, thereโ€™s a Restorative Yoga class with Kim Pierpoint, a Fundraising Quiz Evening for Opendoors at 7.30. Philippa and Declan Morgan are running the quiz at Wiltshire Museum. Tickets ยฃ10, including nibbles and a glass of wine. Reserve your ticket online and pay on the door! https://devizesopendoors.yapsody.com/event/index/533176/quiz-evening

On my never-ending list to do is get to โ€œPelly,โ€ kudos for putting on live music gigs, guys, just got work early in the mornings! Drew Bryant is live at The Pelican Inn on Friday, Lewis Clark & The Essentials with folk, soul, and blues at The Southgate, and thereโ€™s a Queen tribute called The Bohemians at the Corn Exchange. Comedy Night at Bradfordโ€™s Boat House with Jake Lambert, and the amazing Frank Turner plays Bath Forum.

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Lewis Clark & The Essentials

Tuesday is St Patrickโ€™s Day, but Devizesโ€™ Cavalier canโ€™t wait, and present a St Patrickโ€™s theme weekend with those brilliant Day Breakers in the Community Hall on Saturday 14th. On the other side, three-piece rock originals, the Lightninโ€™ Hobos play The Southgate, and if youโ€™re not spoiled for choice this Saturday, I donโ€™t know when you will be, as the one and only Pete Gage plays with Innes Sibun and Jon Amor, all backed by Ruzz Guitar Revue at the Sports Club, corrrrr, thatโ€™ll be awesome.

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Extinction Rebellion Devizes and Marlborough are back at the The Barge, Honeystreet for a gathering, where the evening presents a stripped back, 3-piece version of Troyka Bristol, Troyka Mala. They play a stormy mixture of traditional and original songs and rhythms from the former Yugoslavia and the Balkans with brushes of Klezmer and the Middle East; intrigued? I am.

Powerhouse Gospel Choir play Melksham Assembly Hall while Jon Hopkins is at Bath Forum. For something more off planet, stoner rock and electro art-punk are promised at the Three Horseshoes, Bradford on Avon, with Head Noise, Conspiracy of Chaplains and The Forgetting Curve.

TLT artwork

Thatโ€™s about all, we will follow this up with the final fortnight of March, when I get around to it. I do, though wish Iโ€™d stop promising these things! One thing you can depend on, Saturday in Swindon will rock with Splat The Rat at The Merlin on Drove Road, unfortunately, I cannot recommend Talk In Codeโ€™s new single Talk Like That enough, see our review. Note, the launch party is at the Castle on this particular Saturday, the 14th, and I canโ€™t think of a better way to finish this lengthy roundup off!


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Truth Sluth: Epistemological Investigations for the Modern Age

One of the most intriguing blurbs to a local event to catch my eye on recent online travels, in this humble but perpetual quest to bring you news of happenings, has to be a new performance from a Bristol/South-West theatre group, aptly named the Modest Genius Theatre Company. โ€œTruth Sluth: Epistemological Investigations for the Modern Age,โ€ is touring locally, and coming to Trowbridge Library on Tuesday 7th April, Warminsterโ€™s on the morning of Wednesday 8th April, the afternoon at Devizes Library on the 8th and Calne on Thursday 9th.

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Targeted at everyone aged seven and up, Truth Sluth is a choose-your-own-adventure comedy show that will make laugh, think critically and question everything. It explores contemporary issues surrounding fact and fiction, and asks โ€œever wondered who you can trust? Ever read a blog and doubted its veracity? (Hummm; ed!) Is your newsfeed feeding you fake fodder? Truth Sleuth is on the case of fake news.โ€

Pre- booked tickets are ยฃ5 and are available from www.modestgenius.co.uk or telephone 01249 701628. Tickets on the door are ยฃ7 (cash only for on the door tickets.) Then, be ready to โ€œjoin Truth Sleuth to gather clues, make decisions and steer the action. Come on down to the birthplace of information itself, the oracle with a public toilet: your local library.โ€

The Modest Genius Theatre company are fast becoming renowned for their innovative, dark physical comedy about social taboos. Based in Bristol and the South West, the company was formed in 2015 by graduates of the Lecoq, Gaulier and Dell’arte theatre schools, Tristan Green, Sidney Robb and Tess Cartwright. Using clown, mime, physical theatre, storytelling, movement and music they mesmerise audiences with poignant material that takes you on an emotional journey. โ€œWe love the extremes,โ€ they tell, โ€œand give our audience permission to feel how they feel.โ€

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Truth Sluth: Epistemological Investigations for the Modern Age is hot topical comedy, in collaboration with Canadian playwright Greg Cochrane, and Pound Arts. Using physical comedy, storytelling and clever wordplay, this is devised theatre that obliterates the fourth wall. I donโ€™t know about you lovely lot; Iโ€™m delighted to hear local libraries hosting something so intriguing and hope itโ€™s the beginning of more such performances.


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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From Devizes to Disneyland with MACs!

For want of a feel-good story this stormy weekend, what a marvellous opportunity for the kids at MACS Theatre School, as a group performed a musical melody Halloween show on the main stage at Disneyland Paris this week. โ€œEach and every one of them were absolutely fantastic, and a pleasure to take on the trip,โ€ the Devizes theatre school announced.

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A proud moment for the school, and a memory thatโ€™ll last a lifetime for the group. Twelve-year old Evie, who performed, said, โ€œI had the best time with MACs last night, attending has given me the confidence I never knew I had.โ€ Many other parents and children have expressed their delight at the chance. Itโ€™s an achievement proving what weโ€™ve said before, โ€œMac’s Theatre School is refining local drama and putting Devizes on the map!โ€

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With a high quality of standards, Macโ€™s aim is to โ€œcreate and produce theatre that excites, entertains but more importantly inspires. Giving young people a chance to shine, to challenge themselves and exceed expectations,โ€ and I think this news goes to show just that, if youโ€™ll pardon the pun!

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โ€œWeโ€™re so incredibly proud of them,โ€ said Emily Dodd, assistant director and Mini Mac coordinator, โ€œthe show was a huge success!โ€ Held in anticipation since the wonderful โ€œOur Houseโ€ performance, I asked if she could give us a hint as to what might be next for MACs, or if itโ€™s top secret?!

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โ€œWeโ€™re taking a break from big shows this year so we can spend time with our own little mini Mac! However, we will continue with our full membership groups, which run on a Wednesday and our mini Macโ€™s sessions on a Monday.โ€ Membership fee is just ยฃ15 for weekly workshops. Weekly workshops run as Mini Macs (aged 5-10), First Stages Group (aged 11-13) or the Centre Stage group (aged 14-16.) Places are available, contact: macs_theatre@yahoo.com for more information.

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As for me, I’d risk a roller-coaster ride, but I’m not singing and dancing; no one needs to see that, even Mickey Mouse! I’m just wishing all those involved my very best wishes for the future. Well done to all!


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Forty Years of The Wharf Theatre, we look forward as well as backwards.


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Now a trail of leisurely pursuits, remnants of an industrial thoroughfare are still visible on The Kennet and Avon Canal. While some lay dormant and dilapidated since its decline in the 1850s, many have been put to good use. Enhancing the tourist attraction, cafes and inns make use of warehouses and wharfs, but none perhaps as much as the small, 18th century warehouse, adjacent to the Kennet & Avon Canal Museum at the Devizes Wharf.

Itโ€™s been home for The Wharf Theatre for the past forty years, officially opening on the 16th May 1980 with a production of J B Priestley’s When We Are Married. Prior to purpose-built arts centres, Devizes was the only local town with its own theatre, and it remains the only dedicated theatre in East Wiltshire.

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Formed in 1947, The Devizes and District Amateur Dramatic Society, were never happy using the Palace Cinema or Corn Exchange, and though it gave them the name Wharf Theatre in โ€˜73, even the first premises in Couch Lane was unsuitable. Itโ€™d take another six years before Kennet District Council redeveloped the Wharf, and the site as we know it today was reserved.

Handy, perhaps that the then treasurer, John Hurley, was former assistant chief executive at Kennet District Council, but the fact we have our own theatre is largely due to him and wife Beryl. However, if you think the theatre is all a bit hoity-toity for you, consider it was renovated with labour provided by youth, under a Job Creation Scheme, and part-funded by the Manpower Services Commission, a quango addressing unemployment. Itโ€™s said all members chipped in to help, working alongside offenders on community service!

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If youโ€™re still not convinced, thinking this is all before my time, (me too, honest!) stick around as Devizine wishes the Wharf a happy 40th birthday, and with their autumn-winter season brochure out, highlight whatโ€™s happening over the coming season. With an incorrigible womaniser, ghostly horror, an amateur boxer and a pimp, skiffle and comedy songs, flap-tastic family comedy and pantomime, oh, and Boycie, there may be something for you.

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It starts 23rd -28th September with a ghost story, and everyone loves a ghost story. The Turn of the Screw, which we previewed here.

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On Friday 4th October they trace back a plethora of comedy songs. Probably The best Comedy Songs in the World Everโ€ฆ. Maybe! covers a history of comedy songs, from Noel Coward and Lonnie Donegan to Monty Python and The Goons. Bernie Cribbins is in there, and of course, if they need any props for the customary Benny Hill song, Iโ€™ve a milk bottle or twenty.

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Also note I can do a cracking impression of both Boycie and Marlene, but not to order. John Challis has an audience with on 12th October, revealing on-set secrets from Only Fools and Horses and the actors Sir David Jason and Nicholas Lyndhurst. You know this one makes sense, Rodders.

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Comedy a running theme for the early autumn, Alan Ayckbournโ€™s Living Together runs from 21st to 26th October, introducing us to the incorrigible womaniser, Norman, and his family of recognisable middle-class types whose personalities are never quite as predictable as they seem.

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One of the UK’s beloved comedians and impressionists, Duncan Norvelle and award-winning singer and entertainer, Maggie Regan visit the Wharf Theatre on November 1st. Combing eccentric humour with high energy roots music, itโ€™s all funny songs, crazy costumes and virtuoso music with The London Philharmonic Skiffle Orchestra on Friday 8th November.

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In residence at Pound Arts, Corsham, but taking their show internationally, expect flap-tastic family comedy, when The Last Baguette Theatre Company presents The Bird Show on the 9th. Suitable for the โ€œwhole brood,โ€ including fledglings from three plus, this madcap and touching show about birds facing changes to their habitat uses live music, puppetry and lots of silly bird jokes.

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Now, I donโ€™t wanna think about it just yet, sure you donโ€™t either, not while the sun is still shining, but the big C wouldnโ€™t be the big C without pantomime, and the Wharf has Cinderella running from Friday 6th to Saturday 14th December.

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New decade, 2020 then, and nobel laureate Harold Pinterโ€™s Tony Award-winning 1964 two-act play, The Homecoming runs from Monday 27th January to Saturday 1st February. Directed by Lewis Cowen, this is vintage Pinter, but its twists are worthy of Alfred Hitchcock.

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When Teddy, an expatriate American philosophy professor, brings his wife Ruth to visit his old home in London, he finds his eccentric family still living in the house; his father, a retired butcher, his uncle, a chauffeur and his brothers, an amateur boxer and a pimp. In the conflict that follows, it is Ruth who becomes the focus of the familyโ€™s struggle for supremacy.

With a rich history, notable past performances and maintening an eminent yet pragmatic, hospitable atmosphere, The Wharf Theatre is something for Devizes to be proud of. Check the website for more details of performances and tickets.

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ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Q: Whatโ€™s in the Yurt, DOCA? A: Los Galindos’ Udel

Images used with kind permission of Gail Foster

 

For me itโ€™s not enough to say something is โ€œweird.โ€ To start, is it a โ€œgoodโ€ weird or a โ€œbadโ€ weird? If the opposite of weird is normal, and normal considered boring, then weird must surely entertain. Itโ€™s subjective; depends where you sit on the border of what constitutes an acceptable limit of weirdness. When it goes beyond this level maybe it fails to entertain you, by being so weird you cannot process any logic or reason within it, ergo โ€œbadโ€ weird, in your opinion.

Yet illogical or plain nonsensical has always been a backbone of humour. Many strive to extend said border, for if Spike Milligan or Monty Python pushed the limits in surrealism, Miguel de Cervantes did too, 350 years beforehand. Iโ€™d suggest thereโ€™s something very Don Quixote about Los Galindosโ€™ Udel.

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Humour at its most basic level is visual, a baby will find perpetual peek-a-boo hilarious. Similarly, visual humour relies on those classic formulas; falling over, sudden disappearance and reappearance and dumbfounded surprise. Akin to silent movies, voices are minimal and slapstick in Los Galindos is bountiful, and executed with distinction. But it is weird.

See, I like weird, strive for weirdness, savour weird things, chat to sane people hopefully making me appear weirder. Perhaps I set the barrier of what constitutes too weird high. If you agree, you will love this show. If youโ€™ve wandered past the Green and seen a Mongolian yurt and thought, well how is a circus act supposed to be staged in there, without spoilers I’ll enlighten; thatโ€™s part of the joke.

If youโ€™re thinking where does this article stop being a thought on the word weird, and become a review for this fantastically curious show, then youโ€™re already putting barriers at your chosen level. For I donโ€™t want to ruin the surprise, for the show continues through to Monday, but it left me wondering at what point the show actually started. Could be as soon as everyone was seated, even when we were kindly ushered in, perhaps just outside the door. Maybe all walking past, contemplating said notion, well how is a circus act supposed to be staged in there, have already become the audience of sorts.

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Itโ€™s a prime example of what Iโ€™m getting at, the act is the production, the production is an act, the props are parts of the stage and yurt, and the yurt, stage, and possibly the audience too are the props. The costumes and overall impression are modest, yet charming. The acrobatics are deliberately played down like Tommy Cooperโ€™s magic, but are exceptionally skilful.

Wrapped in essence of a humbled, poor circus family, who overdramatically welcome you, their efforts to make you comfortable and enjoy their show is the clowning element, perhaps itโ€™s only narrative. The hazard of these disguised clowns executing daredevil circus stunts within inches of your face is worrying, and part of its attraction which will leave you in awe.

If youโ€™re the sort expecting a traditional request, โ€œI need a volunteer from the audience,โ€ disregard your expectations. This is a unique and original take on circus noir, itโ€™s clowning and acrobatics combined in a manner leaving you spellbound and pondering what exactly just happened, and why.

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There was a point in the act, without giving the game away, where the doors blew open, and in viewing a glance outside there was a gentle reminder you were sitting on the Green in Devizes, and not immersed in a scene from Don Quixote staged by amateurs with a homemade theatre, in some remote mountainous village north of Barcelona.

Itโ€™s fantastically abridged circus, something radical moulded into a Mediterranean era of yore, and honestly, something you’ve not see in Devizes before, or probably ever will again, even if you consider Devizes is weird!


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


 

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The Turn of the Screw at The Wharf

The forthcoming new season of productions at our Wharf Theatre, Devizes, kicks off with a haunting Henry James adaption they claim is not for the nervy.ย  The Turn of the Screw, a 1898 horror novella by Henry James, first published as a serial in Collier’s Weekly magazine,ย has been adapted for stage by Ken Whitmore and is directed by Lewis Cowen.

 

Running from Monday 23rd September to Saturday 28th at 7.30pm, The Turn of the Screw is set in a sprawling manor house in Bly, in the first half of the 19th Century. Henry Jamesโ€™ classic is one of the most famous ghost stories in the English language, and is a foundation for academics pledged to New Criticism. With contradictory understandings, critics attempt to regulate the precise nature of the evil implied. Others claim its brilliance grades its skill in creating an intimate sense of misperception and insecurity.

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By Collier’s Weekly, illustration by Eric Pape – Beinecke Rare Book & Manuscript Library, Yale University, Public Domain

Miss Grey is hired as governess to two orphaned siblings, Miles, 10 and 8 year old Flora. However, she soon discovers a dark secret and becomes embroiled in a supernatural struggle with the ghosts of the former valet and governess. She is forced to fight for the children despite fearing for her life and questioning her sanity.

Tickets (ยฃ12/under 16s ยฃ10) can be purchased from Ticketsource at: https://www.ticketsource.co.uk/the-wharf-theatre/eventsย or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm or by ringing 03336 663 366. To find out what else is on at the Wharf pick up a new Autumn/Winter brochure which is available from the Community Hub and Library and many other outlets around Devizes.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Spectacular Space-Bots at the Shoebox; Family Performance & Drama Workshop

Swindonโ€™s Shoebox Theatre are getting excited to welcome Edalia Day to the Theatre, as part of their Artist Residency Programme, and invite children aged 7-12 to join in the fun!

Edalia will be developing a new piece of theatre called โ€˜Spectacular Spacebots.โ€™ Itโ€™s a new family show about autism and space adventures. The children will be sharing a relaxed, work-in-progress performance with an after-show Q&A on Saturday the 21st of September.

Join Zee, robot adventurer, as they battle space wizards, gunslingers and a quizzical hippopotamus, asking what does it mean to be human. And how far do you have to go to be accepted as oneโ€ฆ

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But the fun doesnโ€™t stop there! There will also be an opportunity for to take part in a FREE pre-show workshop with Edalia.

In this physical workshop, you’ll play improvisation games and learn how Edalia makes theatre. Exploring the voice and movement of digital characters and acting alongside them, using a mixture of wordplay, puppetry, chorus and physical comedy.

Workshop: Saturday, 21st September, 11am-12.00 Midday
How much? FREE!
Suitable for ages 7-12

Work in Progress Performance and Q&A: Saturday, 21st September, 13.00pm
How much: ยฃ3

Suitable for all the family aged 5+
Approx. runtime: 45min

Book at www.shoeboxtheatre.org.uk/whatson


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Legally Blonde Jnr Comes to Devizes

You got into Harvard Law?

What? Like, it’s hard?

Hey, get your flaxen Barnett around this; Legally Blonde, rom-com, chick-flick adaptation of Amanda Brownโ€™s novel of the same name is eighteen years old. Yeah, like, I know right. Two years later they made the sequel; although a smash at the box office, it never raised a reviewerโ€™s eyebrow, banally crashing the blonde versus brunette joke which Archie Comics carried for over seventy years.

Yet the initial movie stands the test of time, I like it and chick-flick generally isnโ€™t my thing; lack of spaceships blowing things up, see?! The foreseeable gags enhanced by Reese Witherspoonโ€™s amusing characteristics, at a time when The Spice Girlsโ€™ run of โ€œgirl powerโ€ was fading. Challenging the blonde stereotype with comical narrative was a peg in female equality and certainly the break for Reese; ummm, Reese Witherspoonโ€ฆโ€ฆ where was I? Oh yes, female equality.

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Like many trailblazing films, it received a theatrical reworking by 2007. Premiered on Broadway, Legally Blonde had an efficacious three-year-run at London’s Savoy and picked up many awards. Now, directed by Oliver Phipps and Hayley Baxter with musical direction from Naomi Ibbetson, it has found its way, least a โ€œJnrโ€ version, to our own Wharf Theatre.

Legally Blonde Jr. The Musical opens at the Wharf Wednesday 24th July, runs until Saturday 27th (7.30pm each evening with a 2.30pm Saturday Matinee) and promises to be pink: โ€œThe Musical is a fun and sassy journey of self-empowerment and expanding horizons, with instantly recognizable songs, this show will leave cast members and audiences alike seeing pink!โ€

Plot being, if the film passed you by: The Delta Nu sorority president, Elle Woods, seems to have it all; good looks, a relationship with the campus catch and a great taste in clothes. However, her life is turned upside down when her boyfriend, Warner, dumps her to attend Harvard Law School. Determined not to lose him Elle uses hard work and a fair degree of charm to get a place there herself so that she can prove she is serious and win him back. Whilst there she tackles stereotypes, snobbery and scandal but she also makes some great new friends along the way and gradually discovers how her new found knowledge of the law can really help others.

With music and lyrics by Laurence O’Keefe and Nell Benjamin, again itโ€™s a rousing and prevalent choice for the delightfully quaint Wharf Theatre. Tickets, ยฃ12 with under 16s ยฃ10, can be purchased from Ticketsource, at the Devizes Community Hub and Library on Sheep Street, or by ringing 03336 663 366. To find out what else is on at the Wharf pick up a Spring/Summer brochure which is available from the Community Hub and Library and many other outlets around Devizes.

 

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PREVIEW – White Horse Opera sing Gilbert & Sullivanโ€™s โ€œThe Mikadoโ€ โ€“ Saturday 15th June @ St Maryโ€™s Church, Devizes

A Bit of Nanki-Poo in The Vize

By Andy Fawthrop

 

Do you like opera? What about โ€œlightโ€ opera? With rather a lot of comedy thrown in? Good โ€“ because youโ€™re really going to love this!

Last night I was privileged to attend the full dress rehearsal for โ€œThe Mikadoโ€ by the splendid White Horse Opera company. I was expecting something perhaps still a little rough round the edges, maybe the odd fluffed line, the occasional note or cue to be missed, but there was really none of that. The company had been rehearsing for months, had chosen their principals carefully, and were absolutely up for it.

Yet again โ€“ another gem in the entertainment crown of Devizes โ€“ we are so lucky to have these people doing this stuff!

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This particular bit of nonsense, a โ€œcomic operaโ€ in two acts, with music by Arthur Sullivan and words by W.S. Gilbert, their ninth of fourteen operatic collaboration, opened in March 1885, in London, where it ran at the Savoy Theatre for 672 performances, the second-longest run for any work of musical theatre, and one of the longest runs of any theatre piece up to that time. Since then itโ€™s been translated into numerous languages, and is one of the most frequently played musical theatre pieces in history. The setting is Japan, an exotic locale far away from Britain, which allowed Gilbert to satirise British politics and institutions more freely by disguising them as Japanese. And the company has done an excellent job of the now-traditional exercise in updating the lyrics of some songs to reflect politics Britain in 2019. Particularly pointed was Ko-Koโ€™s (The Lord High Executionerโ€™s) song about who heโ€™d like to execute (โ€œIโ€™ve got a little list, and theyโ€™ll none of them be missedโ€).

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Itโ€™s always difficult, and sometimes a little invidious, to pick out individual performances but I think itโ€™s worth mentioning particularly Graham Billing, who delivered a hilariously nervous and dithering Ko-Ko, Charles Leeming as a wonderfully pompous and self-important Pooh-Bar (Lord High Everything Else), Lisa House as Yum-Yum, and the resilient Ian Diddams, playing The Mikado splendidly as a power-crazed modern dictator. But there were strong performances all round, from every member of the cast. It was so obvious that they were thoroughly enjoying what they do, delivering a top-notch production.

Iโ€™m not going to give the plot away, nor would I even attempt to summarise the complicated ins and outs leading to the hilarious denouement โ€“ suffice to say that the story is stuffed with disguises, mistaken identities, the fickleness of emotions, and the usual human drivers of fear and greed. The main characters ham it up splendidly, and deliver the songs with confidence and panache, squeezing every last drop of comedy out of the script.

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Given that itโ€™s performed in modern dress, sung in English, and is a laugh-a-minute, itโ€™s completely accessible and enjoyable. So, even if you thought that you didnโ€™t like โ€œoperaโ€, I can assure you that you are going to love this. Thoroughly entertaining stuff!

Itโ€™s going to be performed on Saturday 15th June at St Maryโ€™s church at 7.30pm. Tickets are an absolute bargain at only a tenner, and are available via Ticketsource or the companyโ€™s website at
https://whitehorseopera.co.uk/

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Future productions by WHO include:

โ€ข Wednesday 30th Oct to Saturday 2nd November @ Lavington School โ€“ Bizetโ€™s โ€œCarmenโ€
โ€ข Tuesday 17th December โ€“ venue TBA โ€“ Christmas Concert
โ€ข Friday 20th March 2020 โ€“ venue TBA โ€“ Spring Concert

And if youโ€™re interested in getting involved yourself, whether singing, playing or behind the scenes, just head over to their website. You can also support them by becoming a โ€œFriendโ€ of the company for ยฃ20 p.a. Remember โ€“ they are an amateur company, supported by volunteer efforts and by voluntary contributions from their supporters.

 

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What a May Day! Things to do This Month; Part 2

Hark, the darling buds of May. Already looking quite blossomy isnโ€™t it? Well, blossoming too is stuff to do in and around our local neighbourhood, and a few weeks ago I presented you with a lengthy look at whatโ€™s on during the first fortnight; see here.

Now though, sit down and brace yourself for some shocking news. I have, actually produced the second part of the monthly preview, and here it is! Though promised with previous months, I tend to side-track, or just plain scatter-brain and not carried it through. Not so this time, you donโ€™t have to thank me, unless you have a choc n nut Cornetto.

Week 3: Mon 13th โ€“ Sunday 19th May

Regular sing-a-long at Devizes Folk Club in the Lamb, Devizes on Monday, similar on Tuesday if your go to the Bradford Folk Club, 8pm in the Cellar Bar of the Swan Hotel. Meanwhile, St James Wine Vaults in Bath where Radical Westie Productions presents Daisy, Television Villain, Ravetank and Devizine favourites Nerve Endings; ยฃ3 door tax.

Wednesday 15th, and Peter Vaughan does pasta at Vaughanโ€™s Kitchen Cookery School, later donโ€™t forget the acoustic jam at The Southgate, Devizes.

Thereโ€™s Bach Suites by Orchestra of the Age of Enlightenment: Young Artists Anima Fidis Quartet at the Wiltshire Music Centre Bradford on Avon.

Thursdayโ€™s is acoustic night at The Royal Oak, Corsham. Hannah Rose Platt and Black Sheep Apprentice at The Tuppenny, Swindon or tribute night with The Quo Experience at The Cheese & Grain, Frome.

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Thereโ€™s a barn dance on Friday 17th at the West Lavington Hall. Usually wouldnโ€™t make a song and dance out of such, but all proceeds go to the wonderful charity Arts Together; read about my visit, and the great work they do, here. Please support Arts Together, theyโ€™ve music, buffet, bar and raffle, see the poster for details. Future Devizine Presents nights will also like to donate to Arts Together.

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Sheer Music is back in Devizes, the Cellar Bar has Smokinโ€™ Donuts; one-part Carter USM and tโ€™other festival cult hero, Doozer McDooze. Brilliant indie-pop Talk In Code and the talented Jezilyn Martyn support. ยฃ7 advance from Sheer Music, a tenner on the door.

But if you thought Devizes was a one-gig Friday town, youโ€™d be very much mistaken. Thereโ€™s Johnny 2 Bad, an eight-piece boasting to be the UKโ€™s number one UB40 tribute at The Cavalier Community Hall. Except the reggae train-spotter in me upheaves that Johnny Too Bad is actually by The Slickers and only covered by UB40, eh? Bit of reggae in the Vizes, though; never going to knock it. ยฃ10 in advance and should be great night.

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Itโ€™s rather retrospective in the Southgate too, with sixties garage and Mod band, Absolute Beginners at The Southgate playing a debut in the town. Three-piece playing covers of songs by The Who, The Small Faces, The Kinks, The Eyes, The Creation, The Jam, Secret Affair, Squire, and The Purple Hearts.

Without a cinema, the Assembly Hall in Melksham shows movies, The Favourite is on Friday. Break Cover are at The Talbot, Calne. An Open Mic at The Pump, Trowbridge. Comedy Night at the Boat House, Bradford on Avon. Tensheds live at the Rolly in Swindon and amusingly named Antarctic Monkeys at the Cheese & Grain, Frome.

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Back on reggae for Saturday, although other events are available, itโ€™s Devzineโ€™s second gig of the month, a reggae and ska night at the Cellar Bar with Knati P and Razah and Iโ€™ll be warming up for them with a ska show live. Look, again Iโ€™m asking you to come along, listing door damage as a fiver but as long as you give us what you can, thatโ€™s good enough. For all the proceeds go to homeless charity, Devizes Opendoors. For want of a quieter evening Opendoors also have a Quiz Night from 7pm at Nursteed Community Centre.

Those Truzzy Boys play the Conservative Club in Devizes, ยฃ3 on the door, Drew Bryant at The Southgate, and Sound Affects support the Dusk Brothers at the Cavalierโ€™s Ameripolitan Music Club. Meanwhile, The Wharf Theatre welcome back Hancock clone, James Hurn, with new scripts.

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Brother from Another at the Woodbridge Inn, Pewsey, and Woodborough Social Club has Humdinger. Blues Bros & The Commitments at Melksham Assembly Hall. Cรฒig at the Wiltshire Music Centre, Bradford on Avon while the Neeld Chippenham has medium Derek Acorah.

Fresh from Montreal LG Breton and drummer Marco Dionne joins Phil Cooper for his Vise-Versa tour, closet to us is Saturday at the Village Pump, Trowbridge, other dates here: http://phil-cooper.co.uk/tour-dates

Sunday 19th sees the Chippenham Soap Box Derby and John Etheridgeโ€™s Sweet Chorus is at the Wiltshire Music Centre, Bradford on Avon.

Week 4: 20th -26th May

 

Devizes Folk Club down The Lamb on Monday, An Evening with Graham Gooch at the Neeld, Chippenham on Tuesday. Acoustic Jam at The Southgate, The Royal Balletโ€™s Mixed Triple Bill at Wiltshire Music Centre, and The Waterboys @ Bath Forum on Wednesday.

Thursday is Acoustic Oak night at The Royal Oak, Corsham. Boxing Day and All Better play Level III in Swindon, and Carus Thompson is at The Beehive. But if you ever doubted summer is on its way, the bank holiday truly kicks off festival season, with Bearded Theoryโ€™s Spring Gathering in W. Midlands, or most fruitfully funky and stunningly popular dance fest, Shindig starts in Bruton. Shindig Festival is a glorious mash up of a gig, a house party, circus show, comedy night, a wellbeing retreat and kidโ€™s party. No main stages, just an arrangement of stretch marquees, so you can be in amongst it, or chill on the grass. Kids can learn to DJ, breakdance and urban art.

This crazy weekend sees Chippenham Folk Festival starting Friday, as does Lechlade Festival. With Salisbury Live beginning, and Fromeโ€™s R&B festival with Frankie Millerโ€™s Full House at the Cheese & Grain, youโ€™re spoiled for choice.

Back in Devizes, Friday 24th, Bob Drury pays tribute to Neil Diamond at The Wharf Theatre. Adriano Adewele, Gwilym Simcock and Jason Rebello are at the Wiltshire Music Centre, Bradford on Avon. While in Swindon, the Wyvern Theatre presents The Rolling Stones Story, Sheer Music has Press To Meco at Level III and thereโ€™s a Skaโ€™mageddon at the Vic with SN Dubstation and Kingโ€™s Alias @ The Vic, but for real roots adventurers, try RDK Hi-Fi meets Roots Inspiration @ Black Swan, Bristol. Iโ€™m steering clear of Bristol as thereโ€™s too much to list, but that one will go off.

Saturday then, the 25th. Long Street Blues Club celebrate the music of one of rockโ€™s best-loved icons Paul Kossoff, with May Kossoff the band. A chilled but robust night is promised at the Southgate, with Nick Tannโ€™s British folk take on Americana heartland traditions.

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Itโ€™s also time for Bromham to host the second combined cider and music extravaganza, OwlFest at the Owl, obviously. Did this last year, loved this last year, although Iโ€™ve no line-up info for you, you can bet your Bromham dollar thisโ€™ll be great. Another to watch is Marlandโ€™s showpiece, Gladstonebury at the Gladstone Arms, Chippenham, expect Steve Morano, the Sweet Swing Trio, The Chicken Teddys and Burbank.
Loud soulful, happy vibes will come from The Pilot, Melksham where Big Mamaโ€™s Banned play. The Gimme Gimme Gimmes and Devizine favs, The One Chord Wonders are at St James Wine Vaults, Bath, Fromeโ€™s R&B Festival continues at the Cheese & Grain with Geno Washington & The Ram Jam Band.

The old English spelling of Savernake Forest, Safernoc inspires an intriguing event in Marlborough on Saturday too; โ€œviolin, voice and banjo music from the 16th century to the present day, world premiere of Paul Elwoodโ€™s Safernoc; a series of compositions for mezzo soprano Alice Simmons and violinist Tam Coates by composer Paul Elwood. Both Simmons and Coates live near the forest and both have found inspiration in the shadows of that ecosystem. The text by the composer is a play on trees and an imagined impression of Savernake taken from Dante, Berniniโ€™s sculpture of Daphne transforming into a tree, and Mexican painter (Sister) Juana Beatriz de la Fuenteโ€™s, โ€œThe Tree of Life.โ€ Admission ยฃ10, email contactamitytrio@gmail.com for tickets.

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Alex Roberts Live at The Southgate on Sunday 26th, the wonderful Sugar Motown returns to the Three Crowns. While Dr Feelgood plays the Frome R&B Festival at the Cheese & Grain.

End of May, Mon 27th โ€“ Friday 31st

Proper West Country, itโ€™s the Coopers Hill Cheese Roll at Brockworth on Monday, Fromeโ€™s R&B Festival has Nick Lowe & Los Straightjackets.

With Bandeoke at Chippenhamโ€™s Neeld and Jackie & Felix Byrne at the Bradford Folk Club, that makes up Tuesday, while Wednesday itโ€™s the World Music Club at The Beehive in Swindon, and of course, an acoustic jam at The Southgate, Devizes.

You can Meet the Gruffalo at Hillworth Park in Devizes on Thursday 30th, for his 20th birthday, Devizes Books bring the books, with a trail around the park, a prize draw and guest appearances, should be fun for kids of all ages.

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Acoustic Oak at The Royal Oak, Corsham and Jonathan James is Discovering Music at the Wiltshire Music Centre, Bradford on Avon, while tribute The Commitments Experience are at the Neeld, Chippenham and Gaz Coombes is at the Cheese @ Grain.

Thatโ€™s the month of May done, Friday 31st the Brodsky Quartet are at the Wiltshire Music Centre, Bradford on Avon and Salisbury Live continues. Other than this, seems like a quiet Friday, save for the fact itโ€™s time for the opening of the Devizes Arts Festival, I think itโ€™s the best line-up yet, starting with An Audience with John Simpson at Corn Exchange. Check our preview of the festival here, and I will be highlighting some of the separate events as the month goes on.

More details of all events here are on our event calendar which makes up Devizineโ€™s busy home page, but bear in mind this is not a exhaustive list, the calendar is updated (nearly) every day, so keep checking for updates; too much of it to continuously post to Facebook, you need to check in every now and then, or you might miss something you need tickets for.

Have a grand and blossoming May, itโ€™s building up to a great summer ahead!

 

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Jemmaโ€™s Thoughts (well, some of them) on Things I Know to be True @ The Wharf Theatre

As big chief of the Invitation Theatre Company and partner of Anthony, conductor of The Full Tone Orchestra, you cannot deny, Jemma Brown knows a thing or two about performing arts, so Iโ€™ve pinched her words of praise after watching Things I Know to be True at the Wharf Theatreโ€ฆโ€ฆ.

Jemma Brown โ€“ 26.4.19

I donโ€™t think I have ever heard so many people, prior to me going to see something, telling me how incredible it is. So, it was with a gently raised eyebrow, that I went to see Andrew Bovellโ€™s Things I Know to be True โ€“ directed by a friend, with good friends in it, on a stage that has an awful lot of personal connection, I girded my loins. Now before I launch into what I thought of it all, one must know that I am horribly critical, an awful theatre goer, and the fact that I know the performers and director, my thoughts must not be deemed as bias. Because I would tell you how it is.

It was totally and utterly beautiful. Beautiful.

It made me think about every single possible aspect of life. The love, the pain, the happiness, the sadness, the euphoria, the devastation. And, whatโ€™s important.

The set – simple, sensual, unfussy โ€“ was the perfect setting for what lay ahead. Six breathtakingly superb performers, performing a piece that is so brilliantly written meant I was hooked from the second it started. The lighting, and the setting was sublime. I loved the fact simple accents were used, because it meant each cast member could grasp the text and tell the story and it made them all the more relatable.

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The use of film, laying out a relationship of a family, was an inspired and delicate way to set everything out. We knew from it, that we were going to be meeting a family who loved each other. It drew me in, and it made me gently weep. And how it made me feel at the endโ€ฆ. not everything you see is how it is. The things you know, they change, and they grow.

Interspersed throughout was the most wonderful physical theatre, to the most brilliantly chosen music that enveloped you. The dance elements fell into place like a comfortable shoe, as though it was the most natural thing in the world. And they made me brim with tears. The interconnections between the family was brought to life by this touch and made all the more powerful by the tenderness as it was steered by the cast. A glass of wine that passed from one to another at one point, like it floated. The brother and sister connection that playfully danced.

The coming together of all of them to support and move and just be there, in gentle, significant movements was just stunning. The scene at the end was quite simply one of the most powerful and beautifully executed pieces of theatre I have ever seen. I couldnโ€™t get out of the theatre quick enough at the end so I could get to my car and howl. And I sobbed. I sobbed because of the story, but I sobbed because those six people, the director and the technical team had created something so beautiful, it was all I could do. When I got home, I couldnโ€™t explain what I had just seen, I sobbed and I jumbled a sobbing garble to my husband about what I had just seen. I held my daughter so tight and just could not tell her deeply enough how much I loved her. The effect the whole production had on me was profound. And I really am not the only one. This play has deeply touched everyone who has seen it.

The four children were played by four exceptional actors, each of whom played their roles with such excellence, I found myself wondering why they arenโ€™t all on the professional stage. I forgot I was at The Wharf and that they all have normal lives. They handled their characters with such care and maturity โ€“ real kudos to Freddie Underwood and her exemplary direction. I just knew that rehearsal process had been special, that what they had undertaken was a passion for the text and for their director. Because it showed.

Jessica Whiley as Rosie was enchanting. Her storytelling and perfect diction had me feeling and believing and imagining every single thing she was telling us. I felt the love she felt, I felt the passion she had had and I wanted to go home and share a bowl of cereal with the love of MY life. She captured the sense of travelling but wanting to be at home just perfectly. Her performance throughout was captivating. She broke my heart at the end of the play, her gentle voice and the beautiful but devastating words that came tumbling out of her mouth made me want to bawl. Her performance was outstanding.

Lou Cox, a stalwart of theatre, surpassed my expectations as Pip. Her characterisation of the role drew you in and you felt every feeling that she had. Her brilliant usage of inflections and the light and shade of her expertly executed use of the stage and the script meant that you knew who she was, her relationship with her mother and her siblings. Her relationship with every other character on stage was real and unmistakable. Louโ€™s handling of the character meant you knew exactly who Pip was, it was a striking and beautiful performance. I felt the pull she felt and that earth-shattering realisation that you need to follow your heart.

Fraser Normington as Ben – I loved him. His flexibility within the character was excellent. He caught the busyness of his life perfectly. He looked good, he sounded good and when he royally messed up, his manic panic was caught so brilliantly, I thought I was going to have a panic attack.

Karl Montgomery-Williams played the role of Mark magnificently. We knew something was wrong, he brought something to the stage when we first met him that we could just feel there wasnโ€™t something right. As it unfolded, his storytelling was exquisite. His sensitivity to the subject, his relationship with Rosie and the response to his parents, was heartbreakingly brilliant. Again, you just felt every emotion, every word. His performance was remarkable.

Debby Wilkinson and Paul Butler as Fran and Bob. Well what can I say. I have seen these two perform and have been lucky enough to be on stage with both of them. They blew me away. Paul was bimbling and kind, and his parenting was just what every child needs; calm, gentle, principled. You yet again, felt who he was and felt every inch of his loyalty to his wife and the life they had made together and that he had always done what he thought was right. His aversion to swearing and how he reacted to it made you never want to swear again โ€“ yet his โ€˜F*CK YOUโ€™ was one of the highlights for me. Because it came from Paul as Bob in such a way at the direction towards his son, the disappointment and pure and innate despair, was palpable. It hung in the air, it bounced around the theatre, we felt it. But his relationship with his wife was beautiful was what I loved the most โ€“ he broke my heart, his performance when he broke was simply heartbreakingly beautiful โ€“ his collapsing on his beloved roses made me want to howl, holding that in was near on impossible, but he captured absolute, all-encompassing pain, gut wrenchingly perfectly.

In response to his portrayal of Bob, Debby played the part of Fran with extraordinary professionalism and realism. She was quite truly excellent. Her connections with the words, the emotion, her relationship with each of her children was breathtakingly intense. She made me feel like I didnโ€™t know who she was โ€“ I thought I had her, then she changed. A friend of mine hated her character, describing her as a bitch โ€“ I didnโ€™t see her as a bitch, I just saw her and felt her as someone who just didnโ€™t quite know how to โ€˜beโ€™, her children were all different and the one who was the most like her was the one who she loathed.

So, was she self-loathing? Was that what the problem was? I just did not know, and that was down to how to she was directed, but also how she interpreted such a great and complex piece of writing that captured so many issues and feeling and life experiences. Her handling of the character, the script, the stunning, stunning movement that was incorporated and then her explosion at one of her sons that simply took my breath away, made me weep โ€“ her brilliance made me weep.

The production was better than clever. There is just so much in it to talk about. The characterisations of each character left me totally unable to explain what I had just seen. The lighting and music made me want to tap on the lighting box door and tell them how excellently they had handled it all (a real rarity), but the whole vision from the director that had spilled out onto the stage and in her performers, was exemplary. The pure emotion that had been poured into every single aspect was truly on a professional level. It did, quite frankly, blow me away. Even when I sensed there might have been a few line struggles, it just didnโ€™t matter. It was slick, it was calm, and you felt them all working together to make the whole thing โ€˜happenโ€™.

One thing I know to be true, was that it was, quite frankly, one of the best pieces of live theatre I have ever seen.
And not just because it is an incredible script, but because of who directed it, her tech team and who she had cast to be in it.

 

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