Akin to Ghostbuster’s nemesis Slimer when he appears over the hotdog stand, I was squatting a spacious windowsill at Wiltshire Music Centre with an Evie’s burger summoning me to munch, when a mature lady swung open the fire-door to the third stage at Bradford Roots Music Festival a couple of weeks ago. She looked agitated, speechless at the brash raucous reverberations of the next band’s soundcheck, as if this wasn’t what she ordered at a “roots” festival, and not alone in her opinion.Naturally, I smirked….
In this much, I consider, not being Peter Pan established, if there’s something psychologically wrong with me. I’m pushing fifty, and welcome the unforeseen, refuse to join pensioner grumpy club. Hark, I say, to the sounds of youthful post-punk indie rock, retains faith musical progression is eternal, and I’m game for upcoming, fledgling bands to do their worst and try turn me into a fuddy-duddy with progression above my capacity. For try as they might, it doesn’t wash; I’m going in if they’re coming out.
The festival’s age demographic was wider than I imagined, and salute the organisers for supplying wild cards, things to appease younger attendees. There was a couple of bands which fit into this pigeonhole, I’m focussing on the one I managed to catch, Swindon-based four-piece Viduals.
This hard-hitting fury, in-your-face indie rock with flavours of skater punk and post-grunge, but never with an air of melancholy, though awash of surprisingly universal dejected romantic topics is a dish best served at a pub-like venue, known for diversity, if not Reading Festival. Our own Nervendings do it with cherries on, and along with a plethora of bands I cite Devizes-own Nothing Rhymes with Orange. The guys of Viduals know both these bands from gigging at The Vic and elsewhere, as I bought up comparisons chatting to them outside.
What came across from our brief conversation was, although not without a touch of understandable adolescent carefree banter, these young guys are level-headed and have a clear understanding what they want and where they wish to take this. Just mentioned that for the sweeping generalisations of stick-in-the-muds! Because, while the performance suffered somewhat with poor technical engineering, causing the Muppet’s Animal-like drummer to be too upfront and drowning out vocals, there was something which grabbed me about these guys, and their EP The Wayside confirms my suspicions.
Five songs pack a punch, Viduals don’t come up for air, the production on this EP affirms the perfect balance of a united group, working as a unit, and the splendour of Viduals shines through. It kicks off with Separate, like a little toe in the water, Look Away increases this degenerate, dysfunctional youthful amorousness theme, both never faulter to a bridge of forlorn downtempo mood, just rocks loud and proud throughout.
To mumble this general theme is cliché, Viduals do it with finesse. Drums roll like velvet over nimble guitar-thrashed riffs and intelligent lyrics, Embraces perhaps the best example. Here’s a thing though; contemplating the aggression of punk of yore, metal or hardcore, while there’s bursts of adolescent emotion within these upcoming bands, the like of The Karios and Mellor, it’s never as incensed or furious as punk’s roots, it takes you with it rather than sticks two-fingers up at you.
Viduals do this with exceptional balance, it’s tolerable universally, unlike, say, The Sex Pistols’ fashion of deliberately offending. I feel it collates various influences along the way, such as the mod-rock garage bands of the eighties, grunge, and in this it ceases to become a “noise,” living in a limbo between acceptable and unacceptable, a kind of halfway house.
But the thing is, taking hardcore bands like Black Flag, through to grunge, there’s never been a more progressive, and consequently, creative time for this genre than now; it has matured into pop, officially and naturally. Enthusing youths to pick up instruments, motivating them to self-promote and persevere with creativity, is a surely good thing. Coming Back to You, being prime to what I’m getting at, perhaps the politest song on offer here; there’s a need to rock, but not spit at or nick the audience’s belongings while doing it!
The finale Permanent Daylight feels something of a magnum-opus, at least to-date, and is symbolic of my overall valuation; in layman’s terms, it kicks ass!
Ironic EP title, in my honest opinion, playing it down. Viduals are a young Swindon-based band destined not to fall by the wayside, rather stand solid and secure on that highway to hell, likely above one of those massive motorway signs straddling this borderline; if the lane is closed, shit, you’re gonna know about it, blasting their non-harshness sublime sound across the stratosphere! Yeah, love it, it’s unexpectedly refined rather than raw, with bags more potential to boot.
Do you remember the wonderful sounds of The Shadows and The Tornadoes beaming across the airwaves from Radio Caroline with their spellbinding instrumentals; Apache, Foot…
Without cloning technology it was another Saturday night dilemma still as easily solved; Concrete Prairie were at The Gate, arm twisted…. From The Barge to…
Thank the heavens we can kick January out of the door! It’s been a warmer week though, hasn’t it? Still wouldn’t reach for the Hawaiian shirts and straw sunhats just yet. The weather is a tease, loves to give you a taster of the potential of the coming season, then reverts without warning or the slightest concern that you risked lobbing your thermal long-johns in the wash!
Some people prefer winter though, apparently; weirdos! Here’s what we’ve found to do in Wiltshire for the rest of us; hermits stay in, covered in blankets, re-watching Wednesday and praying into a bag of cheesy puffs for season two! Get a life, Wiltshire is not a cultureless void, see below if you don’t believe me!
Links and details can be found on our event calendar: here. Just takes ages adding them in here a second time; ain’t nobody got time f’ dat!
Ladies Day continues at The Wharf Theatre, Devizes until Saturday 4th all sold out now, but the next production hosts improvised comedy Instant Wit, for one day and that day being 18th February. Not forgoing the welcome return of Devizes Film Club showing the 2020 film Minari, about a Korean-American family moving from California to a remote Arkansas farm in search of their own American dream. That is on Friday 9th February.
Pinch, punch, Wednesday 1st February it will be then, and Trowbridge’s Pump celebrates Independent Venue Week with The Howlers, Langkamer and Mumble Tide.
Regular acoustic jam at The Southgate, Devizes.
Seventh Avenue Arts presents Simon & Garfunkel Through the Years at Pound Arts, Corsham. Danny Baker’s Sausage Sandwich Tour comes the Wyvern, Swindon.
The Greatest Magician continues until 4th at Rondo Theatre, Bath, and staying in Bath, Monkey Bizzle meets The Scribes Komedia, Flats & Sharp at Chapel Arts, and Junior Bill at The Bell.
Thursday 2ndQuiz Night at The Devizes Literary & Scientific Institute in aid of Devizes & District Food Bank by Devizes Labour Party.
Moon plays The Vic in Swindon, Truck at The Tuppenny. Ben Portsmouth’s This is Elvis 2023 Tour at the Wyvern, and Limehouse Lizzy at Swindon Arts Centre.
Brennan Reece’s Crowded come to Rondo Theatre, Bath, and for music, find Del Barber & Band at Chapel Arts.
Still Moving DJs at Salisbury Arts Centre, Open Mic at The Winchester Gate, and Jamie Lingham’s regular From The Book at Brown Street, Salisbury.
Friday 3rdand it’s Potterne Cricket Club’s Quiz Night at Potterne Village Hall.
While revellers descend on Weston-Super-Mare for the Incider Festival, Jaz Delorean is at The Pump, Trowbridge, but I believe is near sold out, you’ll need to be quick, or own a time machine for this one!
A new regular feature at The Barge on Honey Street, open mic session continues Friday.
Sophie Duker’s Hag at Pound Arts, Corsham, Phoenix Dance Presents ‘We Are Connected’ at The Neeld, Chippenham.
In the top three flamenco guitarists in the world, Juan Martin is at Wiltshire Music Centre, Bradford-on-Avon, Malaya Blue Band at Chapel Arts in Bath, some Impromptu Shakespeare at Rondo Theatre, and David O’Doherty’s Whoa is Me at Komedia.
Wow; Fairport Convention play the Wyvern in Swindon, with Lucy Porter’s Wake Up Call at Swindon Arts Centre. Dohny Jep headlines a triple at The Vic, with Nervendings and Riviera Arcade.
Cressers Last Stand’s The Growing up Tour at Brown Street, Salisbury, while The Jonny Phillips Trio play the Winchester Gate.
Saturday 4th, The Shudders come to The Southgate, Devizes, (Update: The Shudders can’t make it on Saturday. To the rescue, they have laid back dude Grizzly Rhys Morgan at The Southgate instead,)while Devizes Scooter Club hold a Back to the 80’s Party at The Cavalier. But the concentration in Devizes should focus on The Corn Exchange, where we are thinking green. Make a hot-water bottle at Devizes Library during the day, and bring it to the Wiltshire Climate Alliance fundraiser with Seize the Day; preview here.Editor’s Pick of the week? Could be!
Damm! play The Bear, Marlborough, meanwhile it will be Vyv & Jackie’s farewell at The Lamb, after over an incredible 43 years they’re retiring and we wish them all the very best. A solemn occasion it refuses to be, as Pants will out! If you don’t know what that means, I suggest you read undoubtedly the funniest interview we’ve ever done, with Pants, last week. Got to be Editor’s Pick of The Week, if Seize the Day is too, I can’t decide this week!
Phoenix Dance presents a second night of ‘We Are Connected’ at The Neeld, Chippenham.
Still Marillion play The Vic, Swindon, with One Chord Wonders at the Queens Tap, The Bellflowers at The Tuppenny, Homer at The Swiss Chalet, and Six O’clock Circus at Coleview Centre. Troy Hawke’s Sigmund Troy’d at the Wyvern, and Paul Foot at Swindon Arts Centre.
Stray Dogs will be ‘Unleashed’ for a Charity Gig for The Music Man Project at Burdall’s Yard, Bradford-on-Avon.
The Roy Orbison Experience at Chapel Arts, Bath, with Akasha at The Bell.
From 11am, Drag Queen Story Time at The Winchester Gate, while the evening in Salisbury gets punked, with Carsick headlining at foursome at Brown Street with Who Ate All the Crayons, Lucky Number Seven, and Seaside Glamour.
Staying punk, The Cheese & Grain hosts the Frome Punk Fest.
Sunday 5th and if you’ve achieved nothing over the weekend all is not lost, the monthly Jon Amor Trio residency at The Southgate, Devizes at around about 5pm, with guest Thomas Atlas.
Also, Julian Gaskell & His Ragged Trousered Philanthropists are at The Bell, Bath, while Stephen Lynch’s The Time Machine Tour arrives at Komedia.
The Psychology of Serial Killers at the Wyvern, Swindon, wraps up our weekend, but do keep a check on the calendar, for updates and planning.
Monday is Monday, not a lot going on. Do a jigsaw puzzle or something.
Tuesday 7this the Wyvern Theatre Swap Shop at the Wyvern in Swindon, Randy Feltface’s Feltopia at Komedia, Bath, and Wiltshire College FE Student Showcase Samphire at Salisbury Playhouse.
Have a great week, behave yourself, within reason, and don’t forget to keep up-to-date with our calendar, for next week sees aforementioned return of Devizes Film Club, now based at The Wharf Theatre, a triple bill of folk at Pound Arts, Canute’s Plastic Army & Harmony Asia at The Tuppenny, Swindon, Emily Breeze at the Pump, the second stage of Take the Stage 2023 at The Neeld, in which we wish Nothing Rhymes with Orange the best of luck, 50 Years of Fender at Swindon Arts Centre, Ben Borrill at The Three Crowns, Devizes with Junkyard Dogs at The Southgate, and Big Mama’s Banned at the Pilot, Melksham, Adam Ant tribute Ant Trouble at the Vic, the Dub Pistols with Don Letts The Cheese & Grain, Frome, and so much more!
Trust other websites or Facebook pages with what’s to do and you’ll miss truckloads; Devizine is the only one around these darkened backwaters to collate them all; give the man a Twix.
Song of the week this week comes from Brighton’s singer-songwriter Lewis McKale, a Billy Bragg-ish harmonica and guitar combo breakup song from his forthcoming album,…
Bristol’s purveyors of emotive post-grunge verging on etherealwave, Lucky Number Seven get our song of the week today, for their latest burst of harrowing energy,…
Marlborough News reported “in the Seventies, Marlborough boasted well over twenty pubs. Now there are just six,” in an article about the retirement of longstanding landlords of The Lamb, Vyv and Jackie. Marlborough being Marlborough, most of these remaining pubs are aesthetically pleasing, least that’s my apprehensive hypothesis! But for the 100 billion years, or 43 to be more accurate, their stay at the helm of the Lamb is surely a testament to the notion the landlord maketh the pub….
Being local rock comedy band Pants will be playing their farewell gig at this historic testament on to how run a great pub, on Saturday 4th February, I asked their blickum Dan Tozer, and guitarist and paediatric first aider, Fal Carmichael, who is criticised by the other band members as a “thoughtless bastard,” for never trimming the ends of his strings, and leaving them “dangling about like a bunch of sentients, malicious, jangly antennae ready to take someone’s fucking eye out or stab someone in the neck,” if they agreed; I think you can imagine where this interview is heading!
“I would,” Dan replied, adding, “we have had other good landlords in Marlborough, well, when they let us play there! Trevor Stannard was a hero too in that respect. But for longevity, Vyv tops the lot, and never moaned when we trashed the gaff with confetti cannons and other explosive toys! And he still paid us!”
It takes me back to my days in Marlborough, when the Lamb was the choice of watering holes, and in those hazy recollections, I seemed to remember Pants thrashing out a heavy metal version of the Mr Blobby single. For this is their panache and ethos, if they own them; covering cheesy pop songs in a metal fashion. And the result is, while accomplished, highly amusing. They didn’t seem to recall covering Mr Blobby, “although we did once play Bob The Builder,” and thus my diluted memory stands corrected. “Apparently, our first ‘performance’ was 1996……. but we did drink a bit in those days so it might have been earlier.”
Recently the band have covered Boney M’s Rasputin, Cliff’s Devil Woman, and the BBC Snooker theme, I wondered if anything was off limits. “Nobody will let me play the Jim’ll Fix It Theme,” Fal expressed, “bunch of squares!”
To wonder if Pants are more Spinal Tap than Barron Knights, conversant Dan informed, “we try to be a combination of the two. A few old favourites and some new stuff, all bolted together by TV themes and poor-quality heavy metal, plus the occasional Christmas Carol.”
If Scott Garcia recorded speed garage track, “it’s a London thing,” Pants are the Marlborough equivalent; strictly a Marlborough thing. I asked them if anyone else ever booked them, other than the Lamb and the football club, and if so, did they regret it?!
“We did gig outside Marlborough in our earlier years when we had a mate with a van. We’re lucky if we play twice a year these days and, as we all suffer from acute travel sickness, prefer to stay local. And I think anyone who booked us would have regrets!”
As well as Fal and Dan, the band consists of Sean, “sometimes Steve,” with the bonus of Moose Harris, former bassist with New Model Army and The Damned. When the focus of the article centred on Moose, as “Moose’s band,” the exasperated reaction of the band was priceless, so I figured I’d add salt to the wound, enhancing “according to a recent Marlborough News article, it was all Moose’s doing and you others just came along for the ride!” But they didn’t take the bait!
“That’s a little harsh on Moose!” Dan gasped, “I’m sure he wouldn’t want to take the blame! I seem to remember that Fal, Moose and myself were having a quiet lemonade, and decided it might be a laugh. We stole Sean from some other crummy old band that he was wasting his time in.”
See, Pants come across how I promoted my books, this self-mockery banter. If I remember Mr Blobby so vividly, but it was Bob the Builder, it can mean only one thing; they’re a bunch of liars, and essentially, they rock!
It’s a fashion questioned by an American book reviewer who commented on a cover sticker saying in small letters “this will never be a” and in much larger letters “major motion picture.” Their argument was I was deliberately selling myself down, suggesting I was actually a pretty good writer and only using this kind of twisted irony as self-promotion, which I think is a similar ethos to Pants. So, I put this in a two-part question, if Dan and Fal think this reflects Pant’s tenet too, and if they, like me, think twats like that should fuck off?!
“We always think we’re crap,” was the revelation, “but people seem to like it! Well, we can play I suppose, and all of us have for years. We do subscribe to the “by the seat of our collective pants” ethos, and so things do go wrong. I suspect that adds to the enjoyment for the audience as much as us. And I speak for all of us when I say ‘Yes! Fuck Off Twats!’ – which at my age pretty much includes everyone.”
It goes without saying, we wish Vyv and Jackie all the best for their retirement, and thank them sincerely for the wonderful times at The Lamb. Though we hope this will not leave Marlborough pantless, and some nutter will book them. This is legacy we’re talking about here, a very serious issue. So, as a final reflection on the future, I ended noting there’s a trend of all-female tribute acts doing the rounds, wondering if they could you foresee “Knickers,” and if so, what colour would they be, but I believe they got the wrong idea; the knobs.
“We rock like navvies in a cradle using pneumatic drills. It’s dangerous but in a slightly unstable comfortable setting. And we’re bound to have an accident,” Dan expressed creatively, with emojis and everything. “By all means, throw your scanties our way. But only if they’re clean! The only skid marks on our Pants will be ours! (Preferably red!) See you all at the Lamb on Feb 4th.”
Safe to bet, taking all this seriousness on board, the farewell gig will be historical and hysterical in equal measure, as the members in Pants signed off with, “when I said red, I meant the pants, not the skid marks!”
Note they’ve even got merchandise, HERE is their online shop with the slogan “either buy something or fuck off.”
Communities, getting together, fundraising, and doing something good for their town’s youth. It might sound like the stuff of Terry Pratchett fantasy here in Devizes…
It’s one Devizine overlooked somewhat last year, arranged rather last minute, clashed with Full-Tone, but was still a 1,250-strong sell-out nonetheless. Potterne is not all…
Today’s protest at Wiltshire Police headquarters in Devizes over the appointment of PC Cheryl Knight into the rural crime unit despite being photographed riding with…
Oh, hey there, it’s me, here to tell you what we’ve found to do in Wiltshire this week, leading us nicely until the end of January. Second winter month nearly down, one more to go, shorter one, then spring, yay! My feet were so numb from the cold after getting in from work this morning I couldn’t tell if my slippers were on the right feet!
As usual I cannot be bothered spending an age posting links here, you can find them all, with further details on our event calendar: here.
Wednesday 25th Wiltshire Museum in Devizes has The Bookshop Quiz, presented by Devizes Books, where I’m guessing you’ll find tickets! Staying in the Vizes, don’t forget, regular acoustic jam at The Southgate.
The Shing-a-lings play The Bell, Bath, while there’s a Queen Extravaganza at Bath Forum.
Thursday 26th find Jules Hill & Charlie Bath at The Tuppenny, Swindon, and Jim Blair at The Beehive, and the regular Chuckles Comedy Club at Meca.
Stallards in Trowbridge have an open mic night.
National Theatre Live film of Othello, at Pound Arts’ The Crucible in Corsham.
And in Bath we see the opening night of The Greatest Magician at the Rondo Theatre, running until 4th February. A dazzling new magic show, presented by James Phelan, the magician most famous for jamming the BBC switchboards after he correctly predicted the lottery, still he’s charging for tickets! This astonishing, enigmatic, five star rated magic show will leave you aching from laughter and dizzy in disbelief, apparently. Directed by the late Paul “that’s magic” Daniels, the enigmatic show comes to the stage for the first time.
Friday 27ththe RSPB will be at Hillworth Park, Devizes, until Sunday, for a Big Garden Bird Watch.
Always great fun, Blondie & Ska play The Pelican in Devizes.
Find the ever-popular Kova Me Bad at The Lamb, Marlborough, while Marlborough Town Football Club has an open mic night from 6pm.
The wonderful Sour Apple are at Old Lane, Chippenham, while there’s one of those grownup pantos of Aladdin at The Neeld; really, though, has anyone been to one of these? Do let us know if it’s any good!
The incredible Jaz DeLorean features at Chapel Arts, Bath, while The Magic of Motown comes to Bath Forum, and Edward Bourne presents Sketchbook, at Rondo Theatre. A play where songs become sketches and sketches become songs as he embarks on his first gig as a jazz keyboardist, only to find the hour overrun by an hour-long string of sketchy flashbacks.
Flow & Hustle play The Winchester Gate in Salisbury.
In Swindon, find Texas Tick Fever at The Beehive, The Jukebox Graduates at The Swiss Chalet, and a triple punk bill at The Vic with Drag Me Down, Mad by Mourning and I See Orange. T-Rextasy tribute at the Wyvern.
Saturday 28thsees Sustainable Devizes at the Corn Exchange for a Think Energy talk from 10-2pm.
The Worried Men play The Southgate, and is quite simply unmissable for you rock fans, whereas B-Sides are at The Three Crowns, and though I’ve not heard these guys before, you’re always in for a great night there anyway!
Find Rob Childs at Woodbrough Social Club, and Josh Kumra at The Bear, Marlborough.
The annual charity 7 Bands in 7 Hours at Calne Liberal Club is happening Saturday, with End of Story, Six O’clock Circus, Homer, Apache Cats, Boston Green, Ukey Dukes and Lonely Daughter; a fiver recommended donation on the door. Think we should make this Editor’s Pick of the Week.
Melksham Rock n Roll Club monthly dance features The Rads, while Sonic Alert play The Pilot.
World Music Club at The Beehive in Swindon, Dury Duty, Mark Colton’s famed tribute to Ian Dury at The Vic, and the most amazing Bob Marley tribute, Legend is at Meca.
From Melbourne, Australia, sister duo Charm of Finches play Pound Arts, Corsham; haunted indie folk, about love, grief and whispering trees, with support from Luke De-Scisco.
Tim Baker plays Chapel Arts, Bath, while a Lucy Lucy and Pameli Benham comedy play, It’s the Hope is what you’ll find at the Rondo.
At Salisbury’s Brown Street find the P45s and Break Cover for a Salisbury Cat Protection fundraiser.
A tad further out, Rage Against the Machine tribute The Machine Rages On play Frome’s Tree House, and there’s the WinterFest at Clevedon.
Sunday 29th and Melksham Assembly Hall have a record fair.
The Film Orchestra play Blockbuster Movie Themes for an audience on Springfield Campus in Corsham.
Comedian Lloyd Griffith presents his One Tonne of Fun tour to Swindon Arts Centre, while at the Wyvern, Buffy Revamped is an Edinburgh Fringe smash-hit fast-paced parody for Buffy the Vampire Slayer aficionados, told through the eyes of Spike.
Rev. James & The Swingtown Cowboys play The Bell, Bath.
Monday 30this the opening night of Ladies’ Day at Devizes’ Wharf Theatre, running until 4th February, Amanda Whittington play, Directed by John Winterton, previewed here, and tickets selling out fast!
Meanwhile, find Aaron Catlow & Brooks Williams at The Bell, Bath
Tuesday, I got nothing, yet, but do keep a check on our event calendar as updates come in, and check ahead for events in February, here. You need to start thinking about tickets for Wiltshire Climate Alliance’s benefit at the Corn Exchange with Seize the Day, of course, The Festival of Winter Ales, Sheer’s Emily Breeze at the Pump on 10th Feb is another one you’ll need to be quick on, and I like the sound of Adam & His Ants tribute Ant Trouble, who play Swindon’s Vic on the 11th. Seriously though, guys, thinking of trying to bring these guys to Devizes, good idea? Just need a venue, any suggestions?
Have a great weekend, wear an extra pair of socks!
Of course, today’s opinion rant comes from news Wiltshire Police have promoted officer Cheryl Knight to the rural crimes department despite allegedly being a member…
Ka-pow, ker-runch, ker-splat! Fear not good citizens of Devizes, waftastic Wiltshirecouncilman is here to save us from the evil delinquent Dylan and the Acne Street…
If the last thing you’d expect as the final sound you hear before leaving a festival carpark is of scraping frost off windscreens, notion of festivals as a summer thing is about to be turned on its head. January blues is curable in Wiltshire, The Bradford Roots Music Festival is your prescription.…
Devizine is not Time Out, writing about our music scene is a personal voyage of discovery, but until now I’d not reached the core. Because Bradford-on-Avon boasts The Wiltshire Music Centre, a modern, purpose-built hub of music and arts, and I’m happy to confirm it’s a wonderful place.
Andy fondly reviewed their past roots festival, on the strength of this and the stunning line-up, it deserved sending my grumpiest of hibernating reviewers, so here I am, with beanie on.
Situated on a housing estate next to a school, first impressions are school-like, by design and decor. Interesting, a festival in a school, even has a coat rack, and fire doors held open by polite teenagers; imagine! If I get a detention here, I’ll be glad.
I believe it’s part-funded this way. Cause and effect are a wide age demographic; yes, a majority are those elders who can afford to fork out £20 in January, but it notably caters for the youngest too, with a vast craft area and workshops, a dinnertime finale of the latter being a Wassail kids’ procession led by Holt Morris Club in the foyer.
Also noteworthy, though I missed this, part of the proceeds goes to Zone Club, an in-house musical programme for learning disabled adults, who’s improv show opened the festival. The other half goes to the centre itself, which has charitable status, and is worth its rather hefty weight in gold.
Wowzers, I was impressed enough already, with plentiful to engage in, yet I’m told this three-stage single day is scaled-down post lockdown, previously housing two other stages and a food court, over three days. Though it was expressed this is the level they’d like to see it return to in future. I’m letting the cat out the bag, you can’t keep it a secret forever, Bradford, the south-west needs to know!
Though if food options were filtered to one, Bradford’s own Evie’s Mac N Cheese wagon is most definitely the one, my burger was to die for! There’s me, stomach-thinking first, when I’ve so much to report, so, so much great music, some completely new to me, others well-grounded in my favourites, and many to tick off my bottomless must-see list.
Aqaba
If I told you what I didn’t love, it’d be quicker, but blank! The only way to do this, is to get chronological, but before I do, it’s crucial to point out what’ll become clear by the end; the logo’s tree growing out of a guitar, and the whole name of Bradford Roots Music Festival can be a tad misconceiving; going in with the preconception it’s all folk, fiddles and hippy-chicks dancing barefoot, though these are present, to assume it’s the be-all-and-end-all is wildly off target. The diversity on offer here is its blessing, its quantity and quality is serious value for money, and likely the most important elements I need to express in order to sell next year’s to you, which I do, because it was utterly fantastic.
Not forgoing the hospitable atmosphere, its easy access under one roof, and its professionalism in staging the best indoor local festival I’ve been to, if not a forerunner for the best local community-driven festival, period. On programming I could point similarities to Swindon Shuffle, in so much as grabbing an international headline isn’t their thing, favouring promoting local acts. But unlike the Shuffle where you wander Old Town pub-to-pub, there’s a treasure behind nearly every fire-door.
Lodestone
Arriving as prompt as possible, unfortunately not as early as I’d have liked, finding Phil Cooper and Jamie R Hawkins packed up and chatting in the foyer, I consoled myself by noting there’s so much happening under this cathedral of music’s roof I won’t miss. Firstly, I found the main stage, a colossal acoustic-heaven seated hall, where came the cool mellow vibes of Chris Hoar’s Lodestone, soon to be renamed Courting Ghosts, with drummer Tim Watts from It’s Complicated, a band booked to headline the third stage, Wild and Woolley, but had to cancel.
Lightgarden
Though at this time, I’d not even found said third stage, dragging myself away from the balcony to the foyer, where a smaller makeshift middle stage hosted the duos and acoustic acts. The beautiful folk of Lightgarden currently attracting a crowd.
Mark Green’s Blues Collective
People tended to settle in one place, I rushed from stage to stage, excited as a sugared-up kid at Disneyland! Discovering the third stage was the best thing I did, as Mark Green’s Blues Collective thrilled with a reggae-riffed version of Knocking on Heaven’s Door.
The Graham Dent Quartet
Decided I need to settle down, smooth and accomplished piano-based jazz on the main stage by The Graham Dent Quartet could’ve easily helped, but hot-footing back to the third stage to catch Junkyard Dogs was a must.
Likely my acme of the daylight hours, if it’s nearly as impossible to rank the best thing any more than picking faults in the festival, Junkyard Dogs rocked this stage with sublimely executed Carl Perkins, Chuck Berry timeless classics of the raw RnB origins of rock n roll, (apt for a “roots” festival,) with added amusing originals, a downtempo Suzie Q, and a funky guitar chilled Dusty Springfield’s Spooky.
Junkyard Dogs
With fantastic delta blues in the foyer, via Westward, and a Wassail choir workshop in the main room, I tended to hover around the more unorthodox third stage, where Mod-type synths band Aqaba rolled out some damn fine originals.
Westward
Caroline Radcliffe Jazz Trio
Meanwhile joyful lounge jazz was blessing the foyer with the Caroline Radcliffe Jazz Trio, as I made my way to way to the main stage once more, to tick Billy in the Lowground off my must-see list. Missed this unique banjo and fiddle five-piece folk ensemble when they’ve graced the Southgate, but though their fiery foot-stomping loud ‘n’ proud scrumpy & western is hard-to-pigeonhole, I won’t be missing them next time.
Billy in the Lowground
This is where the stages vacated for dinnertime, and the Wassail children’s parade accompanied an entertaining Morris dance ruled the hour. It may’ve felt as if the festival was slowing pace, but it was only temporary. Outstanding Bristol-based soloist Zoe kicked off the foyer happenings again, a stalwart of the festival, while young Swindon popular post-grunge wild card, Viduals blasted the third stage.
Zoe
Viduals
It was great to meet the level-headed youths of Viduals, one to watch on the indie circuit, asserting the third stage now was for younger attendees. Man, they had some upfront drumming I likened to Animal from the Muppets, and some defined originals!
Foxymoron
The similarly youthful band, Foxymoron, to grace the headline at the third stage since It’s Complicated’s unfortunate cancellation, sounded prodigious, slightly more accomplished with slithers of retro post-punk, but I confess with so much going on, I didn’t catch enough for a full assessment. Because, I was equally surprised by Karport Collective at the main stage, but in a different way. Didn’t get any info on these guys, only to lean over to the frontman expressing my delight at them daring to cover Outkast classic Hey Ya at a roots event! If a pop repertoire of Fatboy Slim’s Praise You medlied with that Elvis breakbeat rework, wouldn’t fit at a folk festival, they did Bowie’s Let’s Dance too, engaging a mass-exodus to the dancefloor; surely a defining factor in my point about diversity here. Gallant five-piece, Karport Collective pulled a rabbit from their hat, and would be a superb booking for a function or large lively pub with universal appeal.
Karport Collective
Dilemmas over what to watch beached, the ultimate decision was the finale, where subtle yet powerful folk duo Fly Yeti Fly took the foyer, and my new favourite thing, Concrete Prairie played the main stage. Let’s get this straight, okay? Concrete Prairie are unmissable by my reckoning, though this is my third time seeing them live, and Fly Yeti Fly is one I so desperately want to tick off my list. The problem is solved by this easy access, we’re only one fire-door away from simultaneously viewing both, which I did; bloomin’ marvellous!
Complete with double-bass accompaniment, predicted gentle positive acoustic vibes from Fly Yeti Fly, if a song about burning the furniture for firewood on a frozen canal boat is gentle and positive! But, oh, how a duo can hold an audience spellbound, Fly Yeti Fly are the enchantment. My night was completed by their tune Shine a Light, which (plug) you can find on our Julia’s House compilation, together with swinging that fire-door to catch the sublime country-folk of Concrete Prairie as they polished off a set of debut album tracks, covers and new songs, with the magnum-opus Devil Dealt the Deck.
Concrete Prairie
Still at 1,000 feet of an impressive mountain; Bradford Roots Festival, I conclude, is faultless.
In the same week Corsham Town Councillor Ruth Hopkinson unveiled a sign, warning drivers to slow down for their peacocks, designed by a schoolgirl via…
It’s Wednesday night, it’s Song of Week time….and here’s your host…. yeah, sorry, it’s just me, couldn’t afford Stephen Mulhern. Haven’t heard from them for…
Happy Valentine’s Day, hopelessly romantic yet gullible consumers. If you’ve any money left after your overpriced chocolates and cut-off plants purchases, here is what’s happening…
Perhaps you’ve noticed of recent, my overuse of the word “sublime?” I could apologise, and worry abusing a word lessens its clout, despite happening to…
New one on me, Bracknell-based Graham Steel Music Company being my gateway to this astounding London rootsy acoustic soloist, and I’m impressed. With the subtle…
Following her recent successful production of As You Like It, at Devizes’ Wharf Theatre, Liz Sharman returns with another Shakespeare masterpiece, Measure for Measure. Often…
The Kennet & Avon Trust today revealed plans to convert the old café on Devizes Wharf, Couch Lane, into a meeting facility; how exciting!
It is now available as a meeting facility, charged out at competitive rates. It also offers the opportunity to service light refreshments.
More specific details on availability and charge-out rates can be obtained from Carolyn Calder at devizes.chair@katrust.org.uk and on 07739 330159. There’s plentiful pay carparking, but personally I’d like to think the beautiful space could be better used for arts, events, or charity purposes, but we all need a nice meeting every now and then, don’t we?!
Argh, I’m so excited about this I simply don’t think I can contain myself and I’ve come over all management speak; moving forward to some blue-sky thinking, then….
February, not hotting up much temperature-wise, nevertheless plenty of stuff going on across the county and beyond; here’s what we’ve found to satisfy your soul…
A swan from the Crammer hit on the road between Morrison’s roundabout and the traffic lights this morning, has died…. In territorial disputes, the wildfowl…
Akin to Ghostbuster’s nemesis Slimer when he appears over the hotdog stand, I was squatting a spacious windowsill at Wiltshire Music Centre with an Evie’s…
Marlborough News reported “in the Seventies, Marlborough boasted well over twenty pubs. Now there are just six,” in an article about the retirement of longstanding…
Back to a possibility of snow on Wednesday, the big freeze makes an unwelcome return, so please, if you’re heading out be careful. For those careful few, here’s what we’ve found to be doing this week. As usual you can find more details, links, and whatnots on our event calendar….
Wednesday 18thsees Winter Gems, a Lawrence Society art demonstration evening by Pam Lewis from Marston at Devizes Town Hall, and the regular acoustic jam at The Southgate.
Meanwhile, Amadou Diagne & Group Yakar play The Bell, Bath.
There’s an adult panto at the Wyvern, Swindon, Cinderella & Her Naughty Buttons. And Memory Cinema returns to Swindon Arts Centre screening The Wizard Of Oz. Memory Cinema provides a facility where those living with dementia, their carers, friends, and families can watch a range of films.
Thursday 19th the incredible ZambaLando are live at The Beehive, Swindon, while the Wyvern, Arsenal legends Ray Parlour, Paul Merson and Perry Groves give a talk.
Friday 20th is heat one of local amateur musician’s contest Take the Stage, at The Neeld in Chippenham.
Melksham Assembly Hall plays host to Forbidden Nights, ladies, behave yourselves!
In Swindon the A K Poets take The Beehive, Get Carter play The Vic, and there’s Rave On – The Ultimate 50s & 60s Experience at the Wyvern.
Daytime in Bath, Rock the Tots take their Around the World Tour to the Rondo Theatre, and in the evening they’ve The People’s String Foundation Duo. One on my must-see hitlist, Adam and the Ants tribute Ant-Trouble play at The Royal Oak, and From the Jam are at Bath Forum.
They’ll be dancing in the dark at the Cheese & Grain in Frome with Springsteen tribute, Bruce Juice.
Saturday 21stand rock covers band Beyond the Storm play The Southgate, Devizes. Find Homer at The Cooper’s Arms, Pewsey, and El Toro at The Lamb, Marlborough.
At the Barge on Honeystreet, find NFA-TV and BishBosh presenting a night of “musikal mayhem” with the Radical Dance Faction, MC Basher, Doghouse and MCs, tenner on the door, extra £12.50 to camp.
Editor’s Pick of The Week this week must be the Bradford Roots Music Festival at Wiltshire Music Centre in Bradford-on-Avon, which we’ve previewed HERE and unless completely snowed in, I hope to check it out personally.
Simon & Garfunkel Through the Years at The Neeld, Chippenham.
Devizes-own blues legend, Innes Sibun Blues Explosion play The Bell, Bath, while the Rondo Theatre has Jen Brister’s show, The Optimist.
The Rolling Clones tribute at The Vic in Swindon, Locomotion at The Swiss Chalet, Voodoo Room at Swindon Arts Centre, and ABBA Forever at the Wyvern.
Man of the World presents the Music of Peter Green at The Tree House, Frome, and that’s your Saturday night! Unless you know different? Do let us know.
Sunday 22nd Warmington, Lindley and Webb at The Bell, Bath.
Monday 23rd Eddie Martin’s turn at The Bell, Bath.
Tuesday 24th sees a Fish N Chip Supper & Quiz Night for the RNLI at Devizes Conservative Club.
Frank Turner & The Sleeping Souls play Bath Forum, while Cirque – The Greatest Show comes to the Wyvern Theatre, Swindon.
Keep on scrolling through our event calendar to see just how 2023 is blossoming with things to do, far sooner than spring I might add! Have a great weekend, stay safe and don’t go changing just to please me.
What is a psychedelicat, a tin of magic mushroom flavoured Felix?! His picture on the tin certainly displays some suspiciously dilated pupils, but this exaggeration…
I know, it’s hardly festival weather, but this one is all inside! Inside the glorious Wiltshire Music Centre in Bradford-on-Avon that is, on Saturday 21st…
Commendation must go to The Exchange night club in Devizes this week, for introduing regular open mic sessions on Fridays…. Starting on Friday 3rd February,…
What is a psychedelicat, a tin of magic mushroom flavoured Felix?! His picture on the tin certainly displays some suspiciously dilated pupils, but this exaggeration maybe just artistic licence for commercial purposes. In any case, they’re not as dilated as the kitty on the cover of a new album by Marvin B Naylor and Rebsie Fairholm, a Gloucestershire-Hants duo who operate under the pseudonym Psychedelicat; justice sufficient to take a listen……bring out the lava lamp……
Because, a kindly Manchester chap who was always sending me seriously outrageous noises he dubbed “psychedelic” has finally got the message. I don’t mean to be unfair, but music, whether it be as described, a mess of every known subgenre since rock n roll, or not, it must have harmony and melody, or it is borderline industrial noise. Seriously, listen to it under the influence of a single aspirin will likely find you gripping onto the sofa suffering a psychotic episode!
I felt he lacked the concept of psychedelia, for it is surely supposed to be benign, calming and mellowed, inducing a positive karma, rather than a full-blown Cheech and Chong fashioned freak out. On the other hand, when Marvin sent us the opening track of this album, Like a Delicate Psychedelicat, called Ark, as a submission for our Julia’s House compilation, while I was impressed, I wouldn’t have branded it psychedelic; mellowed and beautiful, but nothing particularly Sgt Pepper about it.
So, in the dark wee hours in a village on my milk round, I wedged the air-pods in with the illusion it wouldn’t be half as psychedelic as it said on the tin, especially with this Anthony Burgess approved cat on the cover, the pet of Alex or his droogs. But the glorious Mike Oldfield chimes and reeling soft vocals of Marvin and Rebsie of Ark are merely characteristics of the anticipation of an LSD trip, and before long I was beginning to suspect another milkman had dropped some liberty caps into my travel-mug of tea!
By track two, Steer by the Stars, you begin to obtain the illusion that you might not be in total control of your own mind, as you would if indulging in hallucinogens, without actually having to. That’s the exquisiteness of this, it’s a beautiful journey, to Itchycoo Park. Unlike the excruciating juxtaposition of random noises of our Manchester friend, this just flows gorgeously, like the perfect mellowed trip. If I go AWOL now, they’ll likely find me swaying cross-legged on the village green with flowers in my hair like it was some 1969 San Francisco love-in! “Oi, where’s my pint of semi-skimmed?”
“Like, hey, man, just, like swirling among the milky way, tee-hee; come, sit, can you see it?!”
A pipes and acoustic guitar instrumental flows for the next couple of minutes, then the soothing vocals of Rebsie returns for Green Adieu, to make The Byrds sound like death metal! “Don’t be deceived by the opening track-Ark,” Marvin messaged me far too late, I’m horizontal now, “there are several different styles!”
With a delicate beating drum, Icy Window is trippy, as we move positively from beatnik to hippy, to the sounds of the renaissance. It’s the little chimes and swirly effects amidst the tunes which exhales this impression of underground counter culture of yore, yet still there’s more going on. Sixteenth century triple-time dance shanty unexpectedly comes into play, with a version of John Dowland’s Captain Digorie Piper His Galliard, which Marvin describes as “complete with a psychedelic freak-out, and lots of harmony singing throughout,” akin to what The Horses of the Gods are putting out.
This is an accomplished eleven track strong album in which Marvin and Rebsie are clear on their approach, and if it’s lost in time against everything since the rise of punk, I suspect that is precisely the aim. As Like a Delicate Psychedelicat settles to a conclusion, you are immersed in its gorgeous portrayals of pliable soundscapes, lost in its forest of musical delights. Of harpsichords, twanging guitar on Promenading to the ambient finale, Bright Hucclecote, the only issue with this superb album for the counterculture bohemian of yore, is what to listen to afterwards.
Drained of inspiration, there’s a comedown on the horizon; abruptly you cannot connect the dots of your modest explanation for the meaning of life involving a dreamcatcher and some leftover twigs, and hey, who dumped that milk-float in the middle of Stonehenge?!
The Full-Tone Orchestra have released details of the 2023 line-up for their annual extravaganza, The Full-Tone Festival on Devizes Green, August bank holiday. It’s all…
As temperatures rise from the coldest December spell in a decade, life on Devizes Crammer is returning to normal. The Crammer Watch team concentrate their…
Having trouble driving in Devizes? We’re not surprised, it’s got the infrastructure designed by a six-year-old given some Lego road plates. There are rules, on…
And that day is Saturday 4th February. Celebrated frontline folk band, Seize the Day, who specialise in conservational protest songs, and have supported many environmental…
The Wharf Theatre in Devizes begin their 2023 program with Amanda Whittington’s Ladies’ Day, running from January 30th to February 4th…… This play, which premiered…
Featured Image by Simon Folkard Photography Happy New Year from Wiltshire’s wackiest what’s-on website. It’s that time again when I waffle on endlessly in hope…
If our beloved two-part Devizes one-part Trowbridge folk harmony trio, The Lost Trades should be at the level now of aiming for reviews in the mainstream press and international folk music specialist magazines, they’re so nice they never forget little ol’ me, still bashing away at my keyboard writing this slapdash jumble! They’ve sent over Long Since Gone, the fourth single to feature on their follow-up album, the details of which are also being unravelled like a scroll in the hands of an eager pirate; exciting news……
Never quite as easy, the follow-up, but via these sneaky peeks, the previous three singles, Daffodils, Keep My Feet Dry, and Old Man of the Sea, anticipation is reasonable. We know its name, “Petrichor,” meaning the aroma of rain after a sunny spell. We have a release date, 10th March, the beginning of their spring tour, Bandcamp pre-orders from Bandcamp Friday, the 3rd February. We also have a glimpse at the cover, in which the trio saunter a one-point perspective open road, Phil looking chuffed, Jamie looking like he’s been duped by the distance they’ve rambled, and Tamsin set slightly back in the middle, doing the whole Mary Poppins thing!
On the strength of the previous singles, I admit I’m going in with high expectations. If each song seems to have bettered the preceding one in each of their own unique way, my first impressions were this has levelled out somewhat. Naturally, it bears all the hallmarks of a great Lost Trades song, it still points in the right direction, but ah, unlike the immediate appeal of the others, Long Since Gone is a grower, me thinks; sneaks up on you, and loiters while you’re dangling off a Bridge Over Troubled Water.
Phil takes the lead here, on this dreamy and sentimental harmony, with its humble narrative of bereavement and anguish, naturally awash with the kind of enriching stimulus we’ve come expect. The Trades explain, “it was written for a friend who sadly lost a long battle with cancer two years ago, and deals with the advanced stage of grieving, after the immediate pain fades and you are left with a lingering ache to see your friend once more.”
A notion we must all face if not already, and the gift this song gives is this all-encompassing emotion, which will implant in your mind the remembrance of a particular person close to you, that much is concrete. If the manufacture of provocative prose by drawing on personal reflection and generalising it, so its audience can mirror the concept from their own reminiscences is the objective of any artist, The Lost Trades have quickly become masters of how the pull the heartstrings and paint a picture through words and music. Therefore, I take it all back, Long Since Gone sure is a beauty, and another darn good reason to be enthusiastic for the 10th March.
Featured Photo credit: Jus Carroll It’s been far too long since Bristol-based singer-songwriter Gaz Brookfield has had a mention on our pages, so here’s a…
Patiently waiting for a good reason to feature ZambaLando, Wiltshire’s premier funksters of Afro-Latino beats, so upon the release of the follow-up album to 2020’s…
Wiltshire Hunt Saboteurs report some great news, ahead of the Avon Vale Hunt’s Boxing Day Hunt, happening in Lacock today…. Wadworth-owned Lacock pub, The Red…
Proving That There’s More To Life Than Football! Andy Fawthrop Another perishingly cold weekend in D-Town, but there was plenty of music and entertainment on…
I know, it’s hardly festival weather, but this one is all inside! Inside the glorious Wiltshire Music Centre in Bradford-on-Avon that is, on Saturday 21st January 2023, and it’s a whooper!
The popular Bradford Roots Music Festival returns kicks off at 11am, and runs until 10pm, for a day of great music to warm away the winter blues and celebrate all Bradford on Avon has to offer.
Building on Lisa and Chris Samuel’s brilliant work since founding the festival in 2012, Bradford Roots’ new team of community programmers will fill the Centre with folk, blues, pop, and rock, as well as workshops for all the family, great local food and drink and the famous Wassail. A true feel-good event, Roots is synonymous with community spirit, local talent, and an inclusive atmosphere.
There’s a huge range of local artists performing across all three stages this year, including the returning Fly Yeti Fly, St Laurence rock band Foxymoron, a Big Sing Workshop to lead participants through the Wassail, and celebrated group and Bradford Roots regulars Holt Morris who will put on a special dance performance.
Dee Way, one of the new festival programmers shares what makes the festival so special to her: “Roots to me means a music festival under cover to cheer up the winter, to raise money for some very worthwhile charities, and to have a thoroughly good time with family and friends. This is a great opportunity to see and hear a wide range of musicians performing – all who have a local connection. It is also a brilliant opportunity to find out more about Wiltshire Music Centre and enjoy a family day out.”
As well as music, Evie’s Mac & Cheese will be pitched-up on the front lawn all day and serving delicious grub, sweet treats, and hot drinks. Vegan and gluten-free beers will be available from Bradford on Avon microbrewery Kettlesmith, and scrumptious ciders from Honey’s Cider – both local brands who are proudly sponsoring this year’s festival! Enjoy their flagship refreshments alongside the usual WMC Bar offerings.
Attendees can also get involved in the famous Wassail, led by Holt Morris, where participants in the Creativity Area can show off their handmade glowing lanterns!
That’s the technicalities out of the way, let’s feast our eyes on all that’s performing at Bradford Roots this year, and, as it’s me and I like favouritism, point out my personal preferences!
To get the ball rolling, one you should never miss, Concrete Prairie are superb, and if you’ve not heard about them yet you must be new to Devizine, cos I’ve been waffling on about them for a while now, and get tremendously excited whenever their name crops up!
Billy in the Lowground, Fly Yeti Fly, It’s Complicated and those Junkyard Dogs all go without saying, and although The Lost Trades aren’t there this year, two-thirds are, the boys Phil Cooper & Jamie R Hawkins will be in attendance.
The ones I don’t know about, but you might know different, are Karport Collective, Big Sing Workshop with Jane Harris & Clara Atkins, Graham Dent Jazz Quartet, Lodestone, Jazz Factory, Doves, Peace Choir, Zone Club, Z O E, Caroline Radcliffe Jazz Trio, Westward, Timur Dersuniyelioglu, LightGarden, Joe Hunt, Adrian Long, Littlemen, Aqaba, Foxymoron, Mark Green’s Blues Collective, Terry Sheppard’s Open Mic Hour and, and this is a big AND, an and I shouldn’t try but, well, you never know, might have a natural talent for, Wafaa Powell Belly Dancing Workshop!!
Grab some free Christmas gifts, clear some space at home, and reduce waste… “try swapping not shopping this Christmas,” says Sustainable Devizes, as they host…
Something I’m personally impartial about, though DOCA’s carnival consultation flagged it as a major issue for many, the recent date changes of carnival is set…
Devizes School excelled during the week of 05 December 2022, putting on a spectacular rendition of the West End show ‘We Will Rock You’...
The Main Hall thrummed with expectation as the compere announced some housekeeping rules, including flash lighting and actors moving amongst the crowd, which had the audience murmuring with anticipation, then silenced as the lights dimmed.
The show then opened in a dystopian world, three hundred years into the future, where music has been banned, and all records (pun intended) deleted by the evil Globalsoft corporation, headed by the sinister Killer Queen played by Ella Petherick.
A chorus of students across all year groups burst onto the stage for the opening song, which set the pace for a break neck ride through a set list of Queen songs, which narrated the tale of our protagonists Galileo and Scaramouche searching for hidden instruments, heralded by lyrics heard in Galileo’s dreams. The Killer Queen instructs her Chief of Police – Khashoggi played by Imogen Newcombe – to find the ‘Dreamer’ and stop his quest. Galileo and Scaramouche search for the instruments with the help of a group of outlaws, and on the way find an unexpected love for each other, despite their opposing characters.
And it’s this juxtaposition which carries the plot with wit and warmth, with Izzy Lane and Ella Phillips delivering note perfect and emotional renditions of both upbeat Queens songs – bringing the audience to their feet, arms in the air – and reducing the assembly to silence and tears during the more introspective tracks. Both leads have incredible and complementary voices, chiming perfect harmonies, a real accomplishment given the complexity of Queen’s songbook. The ensemble cast were all on cue and on song, whip crack humour delivered by the cast, not in the least due to the underlying in joke of the contrasting characters named after unexpected real-life stars, Ozzy, Britney etc. The show ends with a full-on singalong of ‘We Will Rock You’, everyone on their feet, and sheer joy showing in all the cast’s faces – above all these kids had a ball, as did the audience.
The production was a fantastic interpretation of a technically complex show, delivered with ease, belying the work behind the scenes in the intense rehearsals leading up to the opening night, balancing studies and home life. The aim of entertainment is to lose the audience for a couple of hours, take them out of the routine and transport them to a place of joy, and all the players and team delivered note perfectly.
Salisbury-based acoustic rock duo John Illingworth Smith and Jolyon Dixon play The High Post Golf Club, between Amesbury and Salisbury this Friday 2nd December, and…
Another fantabulous evening at Devizes’ tropical holiday resort, The Muck and Dunder rum bar, where Bristol’s boom bap trio I’ve been hailing since day dot,…
As sparkly as Elton John at his most sparkliest, Devizes Outdoor Celebratory Arts pulled the tinsel out of bag for the annual Winter Festival yesterday…
For the first time, Devizes will have its own life-size interactive Advent Calendar starting from the 1st of December. Devizes Adventure is a community event…
Commendation must go to The Exchange night club in Devizes this week, for introduing regular open mic sessions on Fridays….
Starting on Friday 3rd February, the club will open at 8pm for open mic. It’s a concept which has launched many a musical career, an opportunity for amateur and upcoming acts to find an audience. There are usually no fees, but equally there’s no restrictions either.
Owner Ian James says, “if you are a singer, or musician and would like to perform, please message me, OR just turn up on the night we will try and fit you in.”
This will be a monthly event on the first Friday of each month, followed by the Retro Disco until 2am.
We think this is great idea, and salute you, sir! If anyone who’d like to be a part of this has problems contacting Ian personally, do let us know and we’ll be happy to connect the dots.
I thought it’d be nice to have a localised“did you know” type article today, during this era where everyday folk die on our streets waiting for an ambulance, nurses cannot afford the petrol to get them to work, pensioners huddle together in community-led halls to keep warm, and a government which blames everything from a pandemic through to gas prices, Russians, and unions rather than its own incompetence that there’s “systems in place to help,” so, on a completely unrelated note, here goes…..
Did you know between the villages of Whitley and Gastard, on the Melksham to Corsham road, there’s what looks like a modest warehouse with a sizable office atop called Cert Octavian?
From ground up it looks like any other small business premises, other than the high security fence and gatehouse, but inside there’s a goods train which decends into a mine, of over a million square feet.
During the war the mine was used to store munitions, today, because of its constant ambient temperature it’s the perfect environment to store wine. Cert Octavian are a logicistics company, storing bonded wine from worldwide collectors and traders. Their collections are recorded, photographed and documents are sent to the clinet. Then it’s stored underground, millions of pallets of it. Anything from twenty to fifty pallets can arrive there daily, from every corner of the globe but mostly, obviously, from the Châteaus of Bourdeaux. Pallets of eight crates a layer, seven high, each crate with twelve bottles inside, ranging an average of £1,000 a bottle and gaining value with every second that passes.
The owners of the wine rarely see any of it, let alone drink it. A tiny fraction of their collection might be called on for a special occasion, but more likely its traded with another collector, so it will be bought to the surface, sent to the clinet, or to Sotherbys, Christie’s in New York, or similar auction and sent back to Cert Octavian to restore by a different customer, or more generally, simply bought to the surface, relabelled with the new clinet’s details, and sent back down again.
Traders usually buy in yen and sell in US dollar to achieve maximum profit, but why you may ask. Why have all this wine, so much wine they or their conceited bum chums couldn’t possibly drink it all in their lifetimes?
Because they are not wine conissours at all, and have no intention of ever taking so much as a sip. If they pose as them it’s a smokescreen. They’re worldwide investors, and as wine is a liquid assest they pay no tax on it; not a stitch, not a single penny. Billions upon billions of untaxable stock, just sitting down there, collecting profit and dust. Dust, sitting atop more money than you or I could possibly imagine.
The only people who will ever see it are the warehouse staff. Ask me how I know; I was, for a short peroid, one of those staff members; even honoured to drive the train once, choo-choo, which wasn’t as much fun as it sounds!
I saw it with my own eyes, saw the millionaire contracts from a single crate, and when I left they asked I return the polo shirt workwear they gave me!
Not that it’s for me to suggest the sickening inequality, a tenacious link between this economic recession and the greed of billionaires, simply because they, quite literally, want the shirt off my back. Neither is it for me to suggest how much revenue taxing this vast stock would procure, or the effects if a government had the balls to demand it’s now taxable, or even weighing it up against the NHS or the £2,436.7 billion national deficit, though I’m sure it’d cover both with enough spare to throw a party or twenty.
Or further still, not that it’s for me to suggest the billionaires could engage in what us peasants are asked of us; to “pull together for the good of the country.”
No, of course not, it’s not for me to suggest at all, anymore than the notion the trillions of untaxed pounds stored under Gastard is but a small player in the global untaxed wealth stashed in offshore accounting, tax loopholes, bogus company money laundering and illegal trades of drugs or weapons, but, you know, just thought it was an interesting bit of local historical information, that’s all. You have a good day now, you hear? Work on, pay your taxes, choose between heating your home or feeding your kids, and be bloody grateful!
Well into new year and things are building up again slowly, let’s have a little looky at what’s going on locally over this coming week, if you fancy going out to beat the January blues….
As usual, details and links can be found on our updating event calendar; keep checking for future dates, and, some events for this week will inevitably crop up and I don’t often update them on these articles, only on the calendar.
Wed 11th and I am assuming there will be the regular Acoustic Jam at The Southgate, Devizes. Meanwhile, at the Bell in Bath you can find the Dusk Art Rhythm Quartet.
Thursday 12th is the opening night for Beauty & The Beast, running until the 15th at The Rondo Theatre, Bath. Never too late for a panto!
Mark Farrelly, who you might recall as the creator of Quentin Crisp: Naked Hope, as seen at Devizes Arts Festival last year, has a play at Swindon Arts Centre. It’s a tribute to Frankie Howerd, called Howerd’s End.
Staying in Swindon, Canute’s Plastic Army play The Beehive, Swindon, while UK Pink Floyd Experience is at Wyvern.
Friday 13th might be unlucky for some, but not if you like Chicago blues and you live in Devizes. Editor’s Pick of The Week this week takes us to the Long Street Blues Club, where direct from the US of A, Billy Branch presents at night of Chicago Living Legends, Jamiah Rogers, and John Primer.
Suitable for ages 10+, Living Spit’s Puss in Boots– More Than A Feline comes to The Neeld in Chippenham, which contains a small amount of strong language and awful puns.
Outrageous comedy at Pound Arts, Corsham with Simon Brodkin’s Screwed Up Tour.
One local band to watch out for, Here Come the Crows, they play the Vic, Swindon, while the Calling Planet Earth show is at the Wyvern, a new romantic symphony that goes on a journey through one of the greatest musical eras of all time, the electrifying 80’s. Obviously, I’m far too young to remember that!
Oh, and Absolute Bowie at The Cheese & Grain, Frome.
Saturday 14th and you’ll find Finley & Mark at The Three Crowns, Devizes, and Celtic folk at The Southgate with the Cooper Creek Band.
The Buttmonkies at Stallards in Trowbridge, Legacy at the Pilot in Melksham.
For alt-rock, Britpop, and a dash of punk, check out Static Moves at The Pelican Inn in Froxfield.
Lauren Housley & Nigel Wearne play Chapel Arts, Bath.
Find His Way- The Frank Sinatra Story at The Neeld, Chippenham.
The Beehive in Swindon has an Open-Deck Vinyl Night, while Sister Sister play The Swiss Chalet, and Martin Kemp DJs an eighties set at MECA, plus, there’s a Rapport CIC Performance at Swindon Arts Centre called The Suitcase.
Sunday 15th and The Neeld is the company of Charlie Hides with some Comedy Drag Bingo, while Circus of Horrors: Haunted Fairground is at the Wyvern, Swindon.
For Bath-centric folk instrumental, find The Barton Street Regulators at The Bell, Bath.
Monday 16th sees the first instore session at Sound Knowledge, Marlborough, as Rozi Plain comes to play an intimate set.
Riaan Vosloo’s Uphill Game play The Bell, Bath.
And Tuesday I got nought, so far, save the first councillor’s surgery at Devizes Town Hall from 6pm, with Devizes Town councillors Chris Gay and Ian Pennington.
Unless I missed anything? Do let us know!
By now you should be thinking about tickets for Bradford Roots Music Festival at Wiltshire Music Centre, Bradford-on-Avon, happening next Saturday 21st, The line-up can be found HERE. There’s also The Neeld’sTake The Stage happening next weekend. At the end of the month The Wharf Theatre’s production of Ladies Day, and lots more good, good stuff happening as ever, but you’ll only find them all collated and neatly folded together as one on Devizine!
What of the apostrophe, diacritical, a punctuation marking a possessive case of nouns, a contractive omission of letters, or perhaps, in this case, a leftover…
A huge congratulations to Jess Self, 13, from Devizes, who has won Vernon Kay’s Talent Nation….. Presented by Park Dean Resorts, Talent Nation had over…
Like a descriptive paragraph from a Dicken’s novel, as similar across the UK this season, Devizes Town Council has provided information about a local “warm…
by Ben Romain and Victoria Stanley Following a night in the Corn Exchange Friday, the chance arose for something completely different, something new to our…
Brave New Broken Hearts Club is the acoustic folk-indie project of Neil Phillimore, who might sound as cockney as Ray Winstone singing Any Old Iron on his Facebook videos, but says he’s a former Devizes resident, and he’s returning for a one-off gig at St Johns, Friday 10th February…..
With his trademark brand of “engaging storytelling and warm, affecting songwriting,” he brings waterways London folk poet-singer Pearl Fish with him too.
Promising “an intimate evening of beautiful songwriting and human connection,” tickets are a tenner, HERE.
Who knew? Devizes has an annual Strongest contest; why am I the last to know about these things? Best guess is because I’d only show you all up!
Wiltshire born and bred, the saying goes, strong in the arm and thick in the head! Let’s forget about the latter bit, and concentrate on the first. Who is the strongest man and strongest woman in Devizes? And I don’t mean like a vintage cheddar type strong.
No need to take this outside, on Sunday 2nd April we’ll know for sure, pal, as Pure Grit personal training gym at Hopton Industrial Estate host their second Devizes Strongest competition at Devizes Football Club, and I’m like, that’s a great idea, something a bit different.
To enter costs £35, including the T-shirt, and places are filling fast. Of course, there’s different categories, from beginners and novice lifters to the experienced, of which you’re big and can find out about these for yourself, I’m more interested to wonder if this is a spectator sport.
I know, I’m old, and harking back to the grand days of good ol’ Geoff Capes and Iceland’s Jón Páll Sigmarsson, when The World’s Strongest Man content was something every man and his dog tuned in for, and thinking this might be a fun Sunday thing to watch. So I dropped a line to organiser and Pure Grit owner, Zoe Trevena, warned her I’ve no intention of lifting any cars in case she got the wrong idea, and she tells me it’s a mere two quid to come watch.
The competition starts at 10am, there will be food and side stalls, Zoe explained “we held our first Devizes Strongest Man & Woman last year. This year we have sixty competitors, 40% women 60% men. We also use the Wadworths Dray as part of our pulling event instead of pulling a truck!”
Story checks out too, via a quick online search I found the Wiltshire Times covered this last time, complete with a picture of Zoe pulling the dray. Wowzers; I’m not arguing with her even if she was making it all up! Is she trying to put the shire horses out of a job?!!
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Arising like a brown bear from hibernation, now the Quality Street tin is all but empty wrappers and toffee pennies, I dropped briefly into The Three Crowns yesterday, to catch Adam Woodhouse strumming George Michael’s Faith….
Admist a quiet Devizes town, the faithful central perk was modesty busy under the circumstances, and this lively acoustic sololist was breaking January blues in the alcove. Perpetual drizzle reasoned me to drive, ergo it was more dipping my little toe into the live music water again, rather than the awakening of a standing dive; I’d rather be writing ‘Barbadoszine’ this time of year!
Though it was plentiful to acknowledge, through misty memories of the utterly spectacular show at Long Street Blues Club last year with Errol Linton, which could’ve obscured any support act, Adam Woodhouse is worth his weight in gold when it comes to putting a man with a guitar in a pub.
My reasoning thus; this guy’s repertoire is carefully selected not to be cliché, but still covers songs the audience will love. I collared him during his break, to question this; does he even do Wonderwall if requested?! He joyfully replied words to the effect of everyone had to have that under their belt in case of emergency cliché request, but asserted he favours an assortment of songs not so commonly covered.
In this, Petty’s Free Falling or Dylan’s Knocking on Heaven’s Door might not be the best examples, though Adam still comfortably rinses them with finesse. No, what I mean is Dire Straits’ Walk of Life, or Billy Bragg’s New England, but more so his affection for early rock n roll classics.
I noted a fair quantity of Elvis Presley covers when I saw Adam play Long Street, but was unsure if this was playing to the audience. Delighted to affirm now this wasn’t the case, when last night he knocked out great covers of rock n roll singalongs, Dion’s Runaround Sue, Cochran’s Summertime Blues and even some Monkees. But as I said at the beginning, I sauntered in to George Michael’s Faith, and he covered The Cure’s Friday, Im in Love too.
Confining himself to an era simply isn’t a thing for Adam, as we mutally agreed those rock n roll classics are timeless, but equally will any cover choices he makes be a delight to the audience. He does this comfortably, with slight banter, making Adam Woodhouse a perfect booking for the universal type pub where age demographics don’t exsist, and everyone enjoys singing along. And that’s precisely the spirit in The Three Crowns, it’s forward-thinking, fresh and hospitable and caters for everyone.
Food is being served, tasty pub grub, but music is live and frequent. It is, however, elongated enough to hide away at another end for communal chat or eating, and its spacious fully-covered garden with heat lamps acts as a perfect extension to the pub, rather than the unsuitable and unkempt allotment-fashioned beer garden of others. Yeah, I feel at ease in the Three Crowns, it’s nice, and their affection for supporting local acts on the circuit is both popular and welcoming. Check our event calendar as shows at the Crowns fill most weekends.
That’s it, broke the seasonal spell, I’m back on the streets after yule, looking for quality entertainment, and Adam is one to watch.
The Full-Tone Orchestra have released details of the 2023 line-up for their annual extravaganza, The Full-Tone Festival on Devizes Green, August bank holiday. It’s all on a rather smashing looking poster, unalike darker past posters with neon text, this time with a fresh use of pastel colours on white background, all very Degas I must say. While rain drizzles down our windows, let’s have a nose at what it says on there, shall we, and think of summer?!
A couple of years ago I published one of many list-type articles on the topic of forthcoming local festivals. Ah, phooey, it sparked a debate on social media because I didn’t include Devizes-own Full-Tone Festival, though the event did receive a sovereign preview of its own. My argument at the time was my definition of a festival was of multiple activities happenings across multiple sectors, therefore classing Full-Tone Festival, despite being named Full-Tone Festival, more in line with the word concert.
A technicality I’ve since altered my perspective of, and aside pigeonholing, for recent similar articles I’ve adopted the more causal, universal, and a smidgen double-entendre tagline, “Big Ones,” to encompass largescale events without categories, precisely so we can include things like Pewsey Carnival, and of course, The Full-Tone Festival. And in this, here’s the thing, who wants their event to be typecast and categorised? The Full-Tone Festival is what it is, and that “is” is something spectacular, annually happening now on our very turf, but mostly for point of this argument, something totally unique.
And of my technicality, Full-Tone acts as both sides of the debate, yes it shows off the incredible talent and togetherness of the Full-Tone Orchestra, an ensemble which will voyage to impressive venues like Wells Cathedral and Bath Abbey this year, but also showcases diverse local and national acts. Their social media posts boast “it’s going to be SUCH an amazing weekend of music! 50 musicians and singers, over 100 rotating over the weekend, plus some pretty amazing guests!” If you got it, flaunt it, darling! But honestly, it’s a highly impressive weekend, and they’ve every right to show it off!
Full-Tone Festival opens on the Saturday, for example, showcasing a set of classical proms, and features Full-Tone chief organiser Jemma Brown with her new vocal quartet, The Four Sopranos, consisting of Lucia Pupilli, Tabitha Cox, and Teresa Isaacson too.
Local rock n roll legends and regulars at Full-Tone, Pete Lamb and The Heartbeats are the first guests, followed by the orchestra taking off again for the ever-popular “big TV and movie themes” section, of which I always look forward to Jurassic Park the most, don’t know why, just do. Any comments on social media suggesting it’s because I’m a dinosaur will be deleted!
If, so far critics could cough up the “samey” tosh, I’d argue possibly, but certain elements of this event have become welcomed stalwarts, and why change it just to please them? We love it just the way it is! Besides, here’s a totally new one on me, The House Iguanas promises “massive bonkers brilliant sax, DJ and bongos,” and with that, could you ask for anything more diverse?
Saturday night closes with the reappearance of the orchestra’s The Ultimate Dance Anthems, which being they only scootered around last year with nineties pop hits, for me, personally, and literally from the sheer eruption of enthusiasm of the crowd of previous years, I’m sure will be a very welcomed return, with glowsticks.
If Saturdays showcases the orchestra foremost, I must say it’s more diverse this year, and, Sunday tends to focus on other acts more, anyways. Though the orchestra opens the day with the “Big Sound” section of this remarkable concert manifold, North Wiltshire big band 41 Degrees take over straight after. They’re the wedding function band of the wedding you’d never forget, with a spanning repertoire from Duke Ellington and Glenn Miller, through Rat Pack and Weather Report, to the Killers and Oasis. There’s nothing like big band pop covers, often showing shame to the originals, and this sounds cool as.
A highlight of last year’s Devizes Street Festival, those funky mavericks of Mardi Gras and New Orleans jazz, The Brass Junkies revisit our soil, and remember; brass is class.
Time for the Full-Tone Orchestra to finish off their pizzas and get back onto that notable stage for a section of West End Musical hits. It must be exhausting, blowing into that brass, precisely plucking those strings and whatever else they need to do to create these massive sounds, not forgoing conductor Anthony Brown must be at risk of repetitive strain injury over the weekend.
Wowzers, and I’ve not got to the best bit, least what I think is the best bit, because this info was leaked to me by the band, but sworn to secrecy I couldn’t even blow my own trumpet and act all smarmy about, until now, so I will, thank you; Talk in Code play the finale guest set. A mighty local indie-pop band which, if you don’t know you must be new to Devizine, and I urge you pay more attention in future! Yes, forgive my plug, but they are coming to my birthday party at the Three Crowns on March 4th, and YOU are all welcome, but again, and in summary to the Full-Tone Festival as a whole, playing up on that breath-taking stage, with matchless acoustics is something else, and well worth the ticket stub. There’s nothing else quite like it in Devizes.
If Talk in Code have that stylised knack of capturing something decidedly eighties within their original material, Sunday aptly closes with the orchestra one final time, giving it whooping eighties bangers, which by then if you’re not completely satisfied, I suggest you urgently seek professional medical attention!
Early bird tickets are HERE, or at Devizes Books. Kids under 14 go free with a paying adult, £45 for the weekend (£35 before the 31st January), £35 for the day. And there it is, apologises for waffling, but it is all terribly exciting!
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As temperatures rise from the coldest December spell in a decade, life on Devizes Crammer is returning to normal. The Crammer Watch team concentrate their efforts on the natural course of activities for the wildfowl present, as aggressive swans drive others onto the roadside in territorial disputes...…
Meanwhile, confused as to whether they should be fed, due to a lack of official advise to update them on the situation, townsfolk are understandably concerned for their health and wellbeing, after the deaths of two swans and two Canada Geese in December.
But the questions which need to be asked now, but clearly are not, are concerned more with the appropriateness of actions taken by Devizes Town Councillors on the matter; off I go, not wanting to issue a rant so close into a new year, but feeling it’s imperative; someone’s gotta say it……
Firstly, Guardian Town Councillor, Chris Greenwood declared on the Devizes News Facebook page that an outbreak of bird flu had be confirmed on the Crammer, and the birds had been collected by DEFRA for testing. This was backed up by a stern campaign on another Facebook group, Devizes Issues, by the admin and Conservative town councillor, Iain Wallis, not to feed the wildfowl on the Crammer to prevent spread of the disease.
Only when questioned on his statement did Mr Greenwood revert to DEFRA guidelines, stating any suspected outbreak should be treated as a definite outbreak, therefore this governed his advice to stop feeding the wildfowl. Meanwhile, Mr Wallis took it upon himself to delete any differing opinions on his own Facebook group. The argument for continuing to feed being, because of a lack of natural food source, the wildfowl would consequently die of starvation, if bird flu was evident or not.
They both informed the public DEFRA had collected the birds for testing, and this was backed up belatedly by Devizes Town Council, who issued a notice advising the same, not to feed the wildfowl. Clerk Simon Fisher adding in his published musings that the Council were operating on skeleton staff during the period, despite it being some weeks prior to Christmas.
As confirmation from DEFRA didn’t arrive all went quiet on the Western Front, updates were scarce and suspiciously varying. Councillor Wallis stated DEFRA were “busy,” others suggested DEFRA was closed for Christmas, a fortnight prior to Christmas. Councillor Greenwood stated no confirmation was likely, as DEFRA rarely test individual birds. But the real facts are coming to light from a leaked email from Clerk Simon Fisher to a Crammer Watch member; the birds were never collected by DEFRA at all.
In the email Mr Fisher states, “we did report the bird in the hope they would be collected but they weren’t. Given the time period and the level of decay that had started to set in, the birds were double bagged and disposed of. We are pleased that since the initial incidents, that there have been no more deaths, but we are now seeking advice from the Wetland Trust on the best way to feed the birds, which may be something that we do it ourselves in the future.”
Seems evident now it’s all been one big, fat fib, the likelihood of bird flu remains unknown and so does the chances of ever knowing. Only one bird on the canal has been reported dead since the original few during the freezing spell in December, DTC reports today, and well, nature takes its course, wild animals will unfortunately die. There’s as much evidence to suggest there never was an outbreak of bird flu as much as there was, but the truth may never be known. Reasons why the issue has been handled so appallingly would be speculation. Despite no one was pointing a finger, it was a close one to call after all, I’ll give them that much. Yet, I believe what needs to be questioned is the bolshy way this was pushed into effect via social media hysteria caused by the individual Councillors.
And of course, none of it would be a problem if the birds were in an area with a natural food source, for without it, as is the Crammer, the birds will die of starvation, infected with bird flu or not. Furthermore, there’s a danger to the birds crossing over the busy road to find alternative means of food from nearby pub and supermarket bins. This information of the lack a natural food source was passed to us by Swan Support, when they aided a rescue of swans struck by pollution in the Crammer back in springtime. The reason why Crammer Watch was set up. Crammer Watch advocated feeding the birds safely and individually would give them the sustainability to survive the freezing conditions, and the jury was out for the while, now it seems it was the right thing course of action, after all.
The argument put forward by the councillors active on social media was by not feeding the birds we are reducing the likelihood they’ll congregate and spread the disease. I get this, I really do, yet through various channels Crammer Watch sourced information from DEFRA, from the top UK medical boffins and the King’s Swan Marker; they’re not simply acting on a whim.
They say it isn’t illegal to feed and where local authorities are trying to stop it in most cases, they have installed barriers and taken over safe feeding. Devizes Town Council have none of this yet, and only now, a month too late, have they suggested it “may be something that we do it ourselves in the future.”
But the really concerning issue is by the aforementioned town councillor, Iain Wallis, responsible for the area the Crammer is, in mounting a huge campaign for no feeding, via being admin of the controversial Facebook group, Devizes Issues, which saw any angle of debate questioning the ruling we should stop feeding the wildfowl, promptly deleted and the commenters banned. Mr Wallis furthered the campaign by suggesting townsfolk should take the law into their own hands by reprimanding anyone found feeding the swans.
It’s one thing for admin of a claimed “unbiased” social media group to delete misinformation, it’s another to eradicate personal opinions, especially when there’s no confirmation of the fact. Now temperatures have returned to normal, comments on the post have been turned off, so no updated information seems to allowed, the word is final there; don’t feed the swans.
The final straw in this matter, for me, was to encourage the public to question anyone feeding the birds, as, and let’s be frank here, it’s obvious this would lead to a “torches and pitchforks” scenario, in which enraged abuse is thrown at anyone who dares to take an opposing opinion to Mr Wallis. Lo and behold, several reports of this have been made by victims of such verbal abuse, one person claiming an angered man shouted at her child for feeding the ducks. What have we become?!
Make no mistake, this outcome is outrageous and despicable, in my opinion, and questions should be raised as to councillor Iain Wallis’s motives behind such a forceful approach. As no official updates were given, people continued obey and not feed the wildfowl, much less drive others away from feeding them by hurling abuse at them.
But why, you understandably ask, and the only answer I can provide is, I don’t know. The birds there would obviously die if not fed, providing more evidence for a supposed but unproven case of bird flu. Councillor Greenwood stated in no uncertain circumstances, such a continuation of deaths will result in a mass cull of all birds in the area, interestingly he noted the gulls and the pigeons. The very gulls Wiltshire Councillor Laura Mayes has been calling for a cull of for months, and likewise the very same town councillor, Iain Wallis, has been pushing for a cull of the pigeons?
Permission needs granting to cull birds, if relevant agencies assess there’s not a significant pigeon problem in the area, they’ll not issue a licence. But we’ve heard nothing of the result on this, and they say no news is good news. I could fairly venture therefore, they didn’t issue any such licence, ergo pushing for a case of bird flu would be the backdoor to having a cull. Of course, this is speculation, but I worry, why else is this being pushed without evidence, and isn’t it coincidental the same councillor pushing this is the one who campaigned to cull the pigeons?
What other reason could there be? That the councillor is, much less a wildlife expert, because he’s not, but a caring soul for wildlife? A confessed Conservative blindly following the advice of DEFRA unquestionably. DEFRA, a government department, the same government which, against advice of financial experts condoned we’re best leaving the EU and plummeted us into recession, a government who, against advice of the World Health Organisation, suggested we’d not need to lockdown in a worldwide pandemic until after international jetsetters flew in for a profitable horse race? A government who profited from said lockdown and partied through it while advising we don’t see our babies born or our elderly relatives die? A government who crushed the NHS and education budgets, have continued to lie at every given opportunity? That government? Oh yeah, sounds viable to me!
If it feels like said government have little respect for human life, why do you suppose they would for animals? A government with the kingpin prime minister stating a fetish of fox hunting, continuing to find reasonable grounds to turn the hunting act around, and advocating other unlawful blood sports, and a badger cull, for example, without any real proof it leads to bovine Tb in cattle. And ultimately, a government which assigns an MP like Thérèse Coffey as minister for DEFRA, despite voting against protecting Animal Welfare and Food Standards from post-Brexit trade deals, as well as a lengthy voting record of other disgracefully unjust and oppressive issues. Face it, Thérèse Coffey doesn’t view animals as sentient, least that’s what her voting record revealed.
The MP who defended Rebekah Brooks as chief executive of News International when they thought it’d be fun to hack the phone of murdered teenager Milly Dowler, claiming objectors were on a “witch hunt,” yet had no issue aiding a similar witch hunt against Marcus Rashford, for merely suggesting the poorest children should be fed during the pandemic? Oh right, yeah, she sounds like someone who gives a toss about some swans living in a duck shit pond in Devizes, for sure.
Apologies if you feel I’ve gone off on a wild tangent here, but it feels like another brick in the wall. When a topic is debatable it usually means the motivation behind each side differs. Mine is purely based on the protection of the wildlife, the other side argue the same, but all I called for is a debate, with experts present, on how the Crammer can be improved to help the wildlife there. Chris Greenwood’s response to a call for a natural food source and an island ideal for bird flight paths, was “There’s currently no real possibility of providing a natural food source in or near the Crammer, due to it potentially restricting flight paths for the swans and geese, it would also disrupt the aesthetics of the area, by changing the very nature of a feature of our Town.”
The latter part of this raises the question of what folk in Devizes want, a pretty looking pond unsuitable and dangerous for the wildlife which visits it, or a conservational area apt for sustaining the needs of the wildlife. Crammer Watch say, “the Crammer had an island in the middle during the Victorian period, there is no other imaginable reason for its introduction unless it was precisely because of the aesthetic enhancement of walks.”
The first part of this, quite frankly, is codswallop. Crammer Watch points out, “swans drop in but can’t take off because there isn’t a long enough stretch of water for a safe runway and they can’t clear the trees or buildings.” Also stating “I have only seen them take off from the Green, albeit one may have taken off from water alone in June. I have started to wonder whether a way could be engineered to put swans off of dropping in. If non breeders drop in they find it impossible to leave in the short term and nothing to eat.”
Ergo, given Occam’s razor, that the explanation that requires the fewest assumptions is usually the correct one, without any confirmation or even evidence of bird flu, and the only birds dying in the extreme cold has now stopped as the temperature levelled, the argument with fewer explanations required is that the birds died of extreme weather conditions, as is the unfortunate natural course of life.
Whether or not the unsuitable conditions at the Crammer played a part in this, well, we could carry on all night with, but what’s clear, without feeding they’ll die anyway, so the logical reasoning is to feed them and anyone who says otherwise are either misinformed or have a different agenda. I also apologise to those councillors I’ve called out on this, all’s fair in love and war, for there’s a fair chunk of speculation presented, I’ll admit, but I can see no other reason for staging such a ferocious campaign against feeding them without the required evidence. But more so, I question the need to incite folk to police it themselves, for this would undoubtedly cause friction.
I believe a full, independent enquiry needs to be done, as to why the councillors perpetrated their fictious campaign; what else are they lying to us about?
Let’s hope for a positive outcome for the new year ahead, but if not, I urge you to leave The Devizes Issues Facebook group, because no one should be taking its advice and reprimanding children for feeding ducks; inexcusable behaviour from a town councillor, for heaven help if incited verbal abuse turned physical.
Having trouble driving in Devizes? We’re not surprised, it’s got the infrastructure designed by a six-year-old given some Lego road plates. There are rules, on a need-to-know basis, if you’re not local you will get no sympathy for your negligence of them. So, here’s some advice to follow if passing through our lovely town…you don’t have to thank me, I just overtook you because you were foolish enough to believe the red light at London Road’s traffic lights actually means you have to stop!
1- Even if you escape and head down Caen Hill like a Tie-fighter launching off the Death Star, congestion in town is always a problem. If you need to get across town in a hurry, simply type a post on a local Facebook group with the word “issue” in its title, pretending that the road you require is closed, and hey presto, within minutes you’ll be like Will Smith in “I Am Legend.”
2- Lethal potholes are rife throughout the town, it wouldn’t be a Wiltshire town without them. You need to be financially able to purchase either a 4×4, tractor or monster truck, the latter can be helpful too for on-street parking. If you wish your street to be resurfaced regularly consider moving to a street where a Wiltshire Councillor lives.
3- Safety at roundabouts. Devizes has it’s own rules for roundabouts you need to be aware of. You must give way to the driver with the most expensive vehicle, at all times. Aside this, every roundabout has its own unique rules, points 4, 5 and 6, are just three of the most bizarre.
4- Indicating right at the Castle Hotel roundabout. You should be aware, anyone indicating right whilst coming out of the one-way system on Maryport Street and onto the mini roundabout, codger or not, are bluffing, and are actually intending to go straight over. Check their poker face before bothering to stop.
5- Pick a lane at the Cannings Hill roundabout, but don’t let anyone see it. Even the first roundabout you hit if heading into town from the east, Swindon/Marlborough direction, is a David Blaine fashioned illusion. The turning on the far right is bogus, there’s two left turnings proir to the main route into town, so in theory you should be in the right lane if heading to the town centre. But anyone who does is snarled at and given the mid-digit, so most don’t bother. Best option is to straddle both lanes and wind the windows up if easily offended.
6- Roses Roundabout. Unlike Swindon, names of roundabouts are unofficial, we just name them after a nearby landmark so grumpy old gits can whinge in pubs about them, and other grunpy old gigs listening know to which they refer. The roundabout meeting Estcourt, New Park Streets and Southbroom Road, usually dubbed after the longstanding hardware shop, but also reffered to as Dominoes Pizza or Kwik-Fit roundabout, is our Arc de Triomphe, and is a complete free-for-all. Best method to win right of way on this one is to adopt the expression of a lunatic on a day out of the funny farm, and shove your way out, otherwise a stalemate will occur while everyone looks at everyone else, contemplating who the maddest bastard is. Note; butcher’s vans generally 3-60, and vistors to the vets should also consider booking a doctor’s appointment too.
7- The Shane’s Castle hairpin manoeuvre. It’s as dodgy as a plumper advertising on The Devizes Issues (but better,) but the infamous Shane’s Castle hairpin manoeuvre can be pulled off with practice. Anyone there struggling and red-in-face is an outsider, blindingly following a sat-nav, and needs to be laughed at hysterically. The mind-boggling concept of putting a no right turn sign on Dunkirk Hill is the stuff of Tolkien style fiction to a town planner, so for now, it’s free game. The best technique is simply to close both eyes and swing it wildly around, there is no room neither time for caution.
8- The St Johns Street-Market Place zebra crossing. Unofficially the singlemost stupidest place to place a zebra crossing in the universal history of stupid places to place a zebra crossing. It’s the kinda zebra crossing even zebras say “I ain’t crossing there, buddy.” Be wary of this one unless you are Immortan Joe, especially when Spoons kicks out. You might view it as natural selection but the police won’t see it the same way.
9- Do Hopton Industrial Estate like a Boss. Queuing from Newbury because it’s shift change at the factories on Hopton Industrial Estate, and they’ve got the right of way at the roundabout? Stop. Think. If you can’t beat the them, join them, and turn right on the dual carriageway no matter what restrictions or pavements are there. Be like a boss, and beat the traffic, you can even bag yoursef an all day breakfast baguette on the way through, and still get in front of the 49 bus.
10- There is No Law, at least none worth the weight of the paper their payslips are printed on. Yes, Devizes maybe the headquarters of Wiltshire Police, and it may boast its pivotal role in operation Julie, the biggest worldwide illegal drug bust in history, but face it, that was near on fifty years ago and likely their last success story.
Honestly, being so close to the Salisbury Plains, you could roll down New Park Street in a fleet of Russian T-4 combat tanks lobbing molotov cocktails at the Shambles carpark, and if they can be arsed they might yet send a rookie officer to give you a stern telling off.
Otherwise, you’re pretty much free to do whatever traffic violation you deem suitable to get you through the congestion, safe in the knowledge traffic police seldom come out of their doughnut filled hobby holes to investigate. Just don’t confuse a camera-yeilding bloke who, though might look like Noel Edmonds, is no friend of Mr Blobby, rather the Ingsoc of Devizes, and you answer to him as if you were Winston Smith in room 101. So, ensure you are always in the right hand lane at the Wadworth roundabout if wishing to go into the Market Place, anything else is your own perogative, just don’t look for a bypass; Roundway Hill is NOT the Hammersmith flyover!
Well, as you could probably imagine, after yule celebrations the start to the new year is kind of quiet. At least, that’s what we’re seeing; it’s all broken, all over, only empty wrappers and toffee pennies left in the Quality Street tin, your Lynx Africa deodorant set is in the cupboard, Christmas cracker hat left on the floor of the bedroom where it fell, red wine-stained glasses on the side but no refill. You might just as well go back to work……
Wednesday 4th, Thursday 5th I got nothing for you, I’m afraid, enter sad face emoji.
Friday 6thand there’s open mic at the Barge on Honey-Street, while Shades of Seattle’s MTV Unplugged set featuring Alice in Chains, Nirvana, Pearl Jam, Stone Temple Pilots and more at the Vic, Swindon.
Saturday 7th and you’ll find the talented Adam Woodhouse at The Three Crowns, Devizes.
The Beat play MECA, Swindon, which must be Editor’s Pick of the Week, told I was going, but still no official invite! What the hell is that all about?! January blues really kicking in now!
Meanwhile, The Bowie Experience play the Vic, and there’s magical comedy at the Wyvern with The Mind Mangler’s Member of the Tragic Circle show.
Sunday and Monday, I got nothing to report, but Tuesday 10ththere’s a lunchtime piano recital at Pound Arts, Corsham with Emma Abbate & Julian Perkins.
Wednesday 11th and being the Southgate reopens on the Monday, the usual acoustic jam will be on.
However, after this first week, things are really beginning to look up, so keep in the loop, check out our event calendar, it’s a noticeboard of upcoming fun!
And that day is Saturday 4th February. Celebrated frontline folk band, Seize the Day, who specialise in conservational protest songs, and have supported many environmental campaigns across the world, will arrive at our Corn Exchange for a one-off gig fundraising for Wiltshire Climate Alliance……
Founded in 1997 by singer-songwriters Theo Simon and Shannon Smy, Seize the Day are renowned for revelling and inspiring the country’s environmental movement. They annually play Glastonbury Festival along with a variety of folk and mainstream UK festivals, and as stalwarts to grass-roots campaigners, they also play many benefit gigs and protest meetings, often with a solar-powered PA.
Wiltshire Climate Alliance are an umbrella campaign group, bringing together the various eco-groups from across Wiltshire, including Sustainable Devizes. Formed in 2019, when Wiltshire Council acknowledged that there was a climate emergency and set themselves a target to make Wiltshire carbon neutral by 2030, Wiltshire Climate Alliance set to ensure that Wiltshire Council was taking this commitment seriously.
In February 2020 they held a rally outside County Hall in Trowbridge, and have since created several active topic groups including energy, transport, land use and business engagement, organizing speakers and workshops, responses to consultations and planning applications, site visits and more.
Continuing to grow, the group welcome new members, partners and people who can help with our organization and administration.
An eight-piece ensemble, Seize the Day, fresh from an XR Christmas party at The Cellar Bar in Bath, I’m sure will bring a welcomed and refreshing show to Devizes Corn Exchange. Tickets are £15.00 or £7.50 for those who are struggling to pay any more, people can choose which to buy. Food will be available to purchase.
Yep, it’s true, Devizes’ wonderful Hillworth Park is to get an all-weather outdoor table tennis table, installed over the coming weeks, agreed at a Devizes…
Amidst the number of other suspicious, much less futilely brutal activities, in the pursuit of rural blood sports, we’re currently knee-deep in the badger cull,…
Such is the universal beauty of Bandcamp, one goes exploring music from another continent and discovers something sublime, from only ninety miles down the M5!…
The Wharf Theatre in Devizes begin their 2023 program with Amanda Whittington’s Ladies’ Day, running from January 30th to February 4th……
This play, which premiered in 2005, is the first of a trilogy which follows the adventures of Pearl, Jane, Shelley, and Linda. It’s written by Amanda Whittington with arrangements with Nick Hern Books, and directed by John Winterton.
The ladies are a fish-filleting foursome for whom work, love and life are just one long hard slog until their fortunes look set to change when Linda finds tickets to Ladies’ Day at Royal Ascot, the year it is relocated to York.
Out go the hair nets, overalls, and wellies as the four of them ditch work, do themselves up to the nines and head off to the races for a drink, a flirt and a flutter. Secrets are spilled with the champagne but if their luck holds, they could just hit the jackpot and more besides!
Described by The Stage as, “as much fun as a day at the races and, arguably, better value for money,” Ladies’ Day will be the first production at Devizes Wharf Theatre, with more to follow. So, while we await the Wharf’s homegrown program, outsourced productions include a fresh and inventive improvised comedy called Instant Wit, on 18th February, and on February 25th, when the Apollo Theatre Company presents The Songs & Monologues of Joyce Grenfell.
Though word on the grapevine is you’ll be treated to some Shakespeare and The Railway Children, this coming year, and The Wharf also plans a theatre open day one Saturday in April, when they hope people will join them for refreshments and a tour of the theatre, offering the chance to see what goes on behind the scenes.
Tickets for Ladies’ Day can be purchased by ringing 03336 663 366; from the website; wharftheatre.co.uk and at the Devizes Community Hub and Library on Sheep Street.
Good to hear homeless and sheltered charity Devizes Opendoors is planning to open a new session every other Tuesday, for women only. Promising coffee, crafts…
Oh, for the enthusiasm of emerging talent; new track from Nothing Rhymes with Orange is a surprisingly garage band delight…… My dad never revealed his…
Uplifting and sentimental, Flowers is the new song by Chippenham singer-songwriter Lou Trigg very worthy of your attention and playlist. A chorale delicacy, it trickles…
With Ranking Junior now taking centre stage, the mighty Beat will be heading on tour, taking Swindon, Bournemouth, Leeds, and Hull to get audiences dancing…
Featured image: Remembrance Sunday 2019, Devizes by Gail Foster. With thanks to the secretary of The Devizes Branch of the Royal British Legion, Vera Richmond,…
Happy New Year from Wiltshire’s wackiest what’s-on website. It’s that time again when I waffle on endlessly in hope of summing up an entire year on Devizine. What can I say? It helps me grasp the ups and downs, highlights the things we could’ve done better but most of all, the things that went down well in 2022. And you get to see for yourself, our local area is awash with so many great events, so much great talent, and few things of concern……
Though I’m reserved to the fact, Santa’s good list starts afresh as early as January, so those who deliberately go out of their way to spoil the wellbeing of others and upset public peace will be called out accordingly, regardless of what position of power they might think they hold over others; Santa reads Devizine and Devizine states the facts, fact! See? It just did!
For the most part, though, Devizine is a happy place. If I must pick a favourite article I wrote this year, I’ve chosen an interview with John Petty, the brainchild of Devizes’ legendary event, the Boto-X. But it’s a rare thing for us to be retrospective, most coverage is about the here and now, and there’s so many highlights to mention, advance apologies for waffling!
January, I was still reviewing international music releases, as per-lockdown when we scrambled somewhat in the dark for content. It put me between a rock and hard place, the ol’ melon twister as to what exactly Devizine is; a music review blog, or a site dedicated to local affairs. While it straddled between the two for a while, I made the executive decision that Devizine is, first and foremost, a local affair, for local people, therefore if you’re not local the “things for you here” have been greatly reduced this year, as I’m sworn to dedicate it to the first and foremost.
Not to suggest I didn’t appreciate receiving new tunes from afar, and if I can make a tenacious link to something local, such as bands including a local venue on their tour, I will. The biggest niggle has been time, and time is key to decisions I’ve needed to make with content. As Devizine grows and lockdown is archived to the history books, I get inundated with enough local content to keep me busy, therefore reviewing international music has been put on the back-burner. Though reviewing locally produced music is still something we relish in, please send them in to us.
If I had the time, I’d consider reintroducing it, and in that there’s a reason to brainstorm how I balance my in-tray with working full-time and spending quality time with the family.
Part of this begun end of last year, when Christmas saw my son gain a “gamer’s corner” of our lounge, and to create the space I relocated my PC to my bedroom. At first, I admit I liked the idea, gave me office type space to think, but as the year went on, I realised I was missing family time, upstairs like a hermit. This meant I was either rushing out content fast as I could, or attempting to create content on my phone app, which doesn’t work quite as well. The new year’s resolution, then, is to acquire a shiny new laptop, allowing me to disappear upstairs when I need to concentrate, but create content and update the event calendar far more efficiently while still spending time downstairs with the family.
If I used the term “Devizine Towers” to make you believe we’ve a Trump-like office block, employing staff in various departments, (mostly in the complaints department) it was a big fat fib for humorous effect. But you’re no fool, I guess you knew this anyway.
Fact is, Devizine is a non-profit labour of love. Though this notion hasn’t put more folk off contributing and helping to make Devizine comprehensive in coverage. I’m eternally grateful for everyone who has helped in this, from longstanding reporter, Mr Andy Fawthrop, to Ian Diddams, Ben and Vicky, Lorraine, and the few other occasional contributors.
Take the “Devi” bit away, and you’re left with “zine,” and that’s the ethos we run with, a free press, DIY concept without the confines of mainstream publishing; ergo, we can publish whatever we see fit, and anyone and everyone is welcome to submit anything for consideration. This transpires to you all, if you go to a gig, for example, and think “everyone needs to know how fantastic this band are,” please consider jotting down a few words on the subject, snap a couple of wobbly photos on your phone, and send it to us. You don’t need to be Shakespeare, we are not your English teacher, and can even edit any spelling or grammatical mishaps to the best of our ability!
To stats and all that mathematical malarkey. 2021 we received well over double the hits to the site, but to double it again felt a little ambitious. We didn’t achieve it, but we did get 23% above the record-breaking 2021 with a further +18K, so again we’re heading up the right direction, with 100K hits seeming like an achievable target this year. To have achieved this, being I feel I slacked off slightly with supplying regular content sometimes through the year, I think is amazing, and I appreciate everyone who enjoys reading Devizine; thank you all, blinking love yer, group hug!
The best hitting article this year was from May, when immediately after DOCA’s Street Festival, I highlighted all the forthcoming big events coming in Devizes, headlining it “The Big Ones; Forthcoming Summer Events in Devizes.” Strange how, going on the success of this, in December I published a second “Big Ones” piece, this time highlighting on a wider scale, the best large-scale events and festivals locally over the entire 2023, incorporating anything deemed conceivable to travel to from here. But this was not nearly as successful on hits. Pondering why, I must consider we’re Devizes based, ergo content about Devizes seems to get most attention. Start to venture any further than the Lavingtons and that’s foreign soil!
Yeah, I’m aware the name Devizine directly links to Devizes, but I like the name, it’s grounded now, besides, I believe it’s important to let folk from other local areas know, Devizine’s boundaries are flexible, incorporate anywhere conceivable to travel to for an event, so ideally from Salisbury to Swindon, Bath to Marlborough, but hey, like I say, we’re flexible and I’m not going to hold it against you if you live in Newbury!
In fact, even if I often loiter sober, Billy-no-mates fashion, I’ve enjoyed my voyages of discovery outside of D-town most of all. Particularly Swindon Shuffle, MantonFest, Trowbridge Town Hall, Seend Community Centre for The Female of the Species gig, a trip to Aldbourne to see Painted Bird and Deadlight Dance, and especially the fond memory of going on the road to a Portsmouth gig with Talk in Code. It also goes a long way in the introduction of acts from elsewhere, who often find gigs in town after we’ve featured them playing elsewhere, or within an album review.
Fair to point out at this conjunction, our preview of The Party For Life organised Suicide Prevention gig at Melksham Town FC was the second highest hitting article this year, blowing my Devizes-only theory out of the water, and forgoing the best hit articles are often based upon how many people share and re-Tweet social media posts. The organisers of this one was so pleased to get some press coverage, in an area where the mainstream press seem more interested in national headlines and celebrity click-bait tosh, they rarely support local affairs, especially in entertainment.
This is what gives me the motivation to continue with Devizine, despite some criticism of a completely fictional political sway, or knickers twisted from the few we’ve had to call out the behaviour of. To know we’re appreciated, to hear stories of how we helped, be it a venue finding a band, or visa-versa, or a charity able to reach out, these things are what keeps our spirits up.
Feel-good articles, you know? That’s the ticket, so when young local actress Jess Self won Vernon Kay’s Talent Nation in November, people flocked to our coverage, making it our third best-hitting article this year. These bring the person(s) of the subject delight and joy, and that’s really what it’s all about, smiles on faces, people, smiles all round.
And given this, I really don’t understand why some people want to criticise us, ban us from their petty, clique social media groups, but they will, and that’s life. I got a name for them, I won’t spell it out here today; smiles on faces, remember?!
The fourth best-hit article of the year was a 30th anniversary piece on the Castlemorton free rave, a personal reflection on the historic event and the impact it had on society. But more importantly should be local current affairs, and when we broke the story of pollution in the water of The Crammer Pond in Devizes, well that became our fifth best hitter. Sadly, I really thought we’d made an impact here, and plans were afoot to address the unsuitability of the pond for wildlife and what can be done to rectify it by the town council.
Unfortunately, the issue has raised its ugly head again after the death of some wildfowl during December’s freezing conditions, of which bird flu was blamed but never proven. Nevertheless, no bird has died since a rise in temperature, bird flu is being used to politically point score and to suit other agendas by the powers that be. Is there nothing off limits to boost their egos, not even the deaths of wild animals?
Apparently not, as we continue to assist in campaigns against animal cruelty, especially of blood sports, the badger cull, and expose the trial hunt as the smokescreen it is. So, not only did we cover Lacock’s violence at Boxing Day perpetrated by the Avon Vale Hunt, when it came to light, the single police officer was a member of the hunt and did little to keep the peace, but other suspicious factors too, such as the proposed closure of Savernake Forest. Allowing only for a few set paths to be accessible around the Postern Hill site, environmental benefits to the forest were used in excuse, but residents were suspicious it’d give game hunters unrestricted access without the watchful eye of ramblers.
I cover these issues because I believe in them, and we don’t see enough being done to tackle the issues in, not only other local media sources, but within Wiltshire Police too, who’s fall into special measures surely proves what we’ve always said; the bogus re-election of a PCC in order to sustain totalitarianism for the Conservative Party has resulted in a candidate completely unsuitable for the role, a lack of motivation within the force, and people’s conviction in the Police in general.
I strive to wish to help any such organisations, to illustrate what they are doing to improve, should they wish to, but if it’s fluff they seek, they’re in the wrong place. Our services, our schools and charities are suffering from the incompetence of an uncaring government, we continue the fight for the everyman. That is not political sway, that’s common sense.
We will be reporting the facts of the Crammer debate as opinion pieces here, if you disagree that’s no issue, we won’t hold it against you, for it’s a close one to call. Much less certain councillors have decided their way or the highway. Okay, whatever hidden agendas lie there, but if you convince others to take matters into their own hands, resulting in children being harassed and verbally abused simply for feeding ducks, what have we become, blindly taking the word of someone with a popular Facebook page?!! Well, more’s the pity for them when I call them out on it.
On a happier note, sixth most popular article announced; George Ezra coming to Trowbridge, in what must’ve been the highlight of many young faces in our area. The response was overwhelming, and special thanks goes to Roger of Sound Knowledge, Marlborough and Kieran Moore of Sheer Music for making that happen. Bringing a top act like this to our area, without the need of an extortionate price, or ticket stub of festival proportions, allowing children and teenagers to catch a glimpse of live music by an inspiring popular act like Ezra was nothing short of miraculous, and I had a great time too!!
Something which doesn’t bother me as much as it seems to for a majority, the news DOCA have reset the date of Devizes carnival to the traditional date to the 2nd September was our 7th most popular article. MantonFest revealing their 2022 line-up came 8th, and what a brilliant festival it was, tickets for this year’s are on sale now, though I’ve procrastinated on a preview for the line-up, save inclusion on our aforementioned “Big Ones” article. Something we’re sure to knock up as soon as, because 2023’s line-up sounds equally as great.
From a proposal raised at a Devizes Town Council meeting by national organisers, the idea of a Devizes Cheese & Chilli Festival proved popular, being our 9th most popular article of 2022. Though, did this ever actually happen?! I certainly don’t recall hearing any more about it. Fact is though, Devizes already has our regular Devizes Food & Drink Festival, and that is well-established and as popular as ever. Dates for this year are to be confirmed, cheese and chilli I’m sure will be included, all you must do is support it.
The 10th most popular article of 2022 was concerned with Wax Palace, who held an officially licensed “rave festival” near Erlestoke. Much to the preconceptions of locals concerned, we spoke to organiser Harry, the man who ingeniously got a rave approved by Wiltshire Council, but when chatting to him it became clear how he managed it.
After this the sheer mountain of content we published continued, the day-to-day reviews of nights down our favourite venues, the concerns of public interest, and some silliness to boot! Though I must say, our cheeky, satirical pieces I’ve laid off from recently; must try harder!
Always popular, though not as previous years, like the very notion a McDonald’s would come to Devizes, was our essential April Fools joke. Our 11th most popular article this year, when I suggested Devizes Market Place will be pedestrianised; oh, the very thought of environmental progression angered gammons from afar, but seriously struck a chord with campaigners like Sustainable Devizes, and when you think about it, might yet be an environmentally sensible solution.
Yet, last year I struggled with an April Fools joke, while previous years were founded long before the date, I’m pleased to whisper to those brave enough to have read this far, I’ve already got a killer for this year, and it came to me immediately after All Fools Day 2022. On this though, no one seemed to have noticed the service road on my diagram was deliberately shaped like a small penis; a gag failed, maybe because clearly, none of you own a small penis!
But what of the importance of stats and popularity against our own personal enjoyment of attending events and giving our tuppence on them? Speaking to Andy about what we should or shouldn’t attend, I stressed, as we’re far from professional here, our focus should be on enjoying ourselves rather than seeing ourselves as pro-journalists, having to cover events we might not enjoy. Our objective therefore is surely to enjoy ourselves foremost; so, mine is a pint of scrumpy when you see me, cheers! Excuse the wobbly photos, we should view this as enjoyable or it’s not worth doing.
Taxing Andy’s superior mind for his most memorable events of 2022, off the top of his head, and in no particular order, he suggested: when Tankus The Henge played Devizes Arts Festival, and the Darius Brubeck Quartet too. Longcroft’s Lachy Doley gig in December, and Jazz Sabbath in November. Long Street Blues Club also features understandably high in his hitlist, noting April’s Carl Palmer,Skinny Molly, and March’s Soft Machine gigs. For me, both the Birdmen and the Errol Linton Band were my most memorable nights at Long Street, up skanking with the town councillor! Our gratitude to Ian and Liz for perhaps the most interesting and diverse programme at Long Street, ever!
As for Devizes Arts Festival, Andy became part of the furniture there, not missing a gig. I, on the other hand, skived, apologise profusely, and regret it too. Although, to catch Baila La Cumbia, or simply to have cumbia in Devizes was something I couldn’t miss, and must be one of my favourite gigs of 2022. That said, on my venturing out of Devizes note, I was welcomed over to Calne for their Arts Festival, to see one my new favourite things after fondly reviewing their debut album, and that is Concrete Prairie, who I’m glad to say, come to the Southgate on Saturday 25th March, do not miss it.
On our dependable Southgate, there’s too much to type about, again proving itself for another year to be the stalwart in providing regular live music, and simply for being such a fantastic watering hole. Andy notes the first Sunday of the month residences of Jon Amor, and I cannot possibly argue against this, reviewed them too, and even Ian Diddams stepped in to write his take on it.
Though despite working his little socks off at the Stealth bar, Andy was also quick to mention the Full-Tone Festival, which goes without saying. Such a marvellous annual event on our calendar, we had a fantastic time Full-Tone, thank you. Think classical festival, I’ll give you, but with Kirsty Clinch breezing the sunny Sunday vibes with her brand of pop-folk, or James Threlfall up there on the wheels of steel, how can we possibly now marginalise this? It’s incorporating everything, aside their love of classical, to the point the only part of the word classical we need to sum it up with is the beginning part; class.
Image: Gail Foster
Image: Simon Folkard
Time for tiny niggle, then, for Full-Tone comes at a price, a price you’ll see where your money goes should you attend, but with this in mind, the most fantastic event in Devizes must remain as the free-for-all DOCA Street Festival. This year I took a taster in volunteering to help, and consequently saw how much hard work goes into putting this on. All this said, I still partied, cider in one hand, clearing the bins in the other! And must say, throughout the wealth of talent present, the circus acts, and musical activities, which are too many to mention here, Mr Tea and the Minions rocked my world, and Loz’s farewell gift to Devizes, the Ceres display by Bassline Circus, was nothing short of the most breath-taking, inspiring, and apt thing I’ve EVER seen happen in Devizes.
Image Simon Folkard
But Devizes has seen the most amazing year for entertainment events in general, post lockdown, we are celebrating big stylee! Just think, I’ve written all this without even mentioning CAMRA’s Devizes Beer and Cider Festival yet, and that was phenomenal this year. With Ben and Vicky taking on the music task, they did a spectator job, Dr Zebo’s, I give you, Vince Bell giving it “you ain’t ever leaving,” and why would we? With Triple JD’s Hendrix-fashioned brilliance, followed by a reggae jam with Knati P and Nick; wowzers! Yes, it was so good I did fall into the flowerbed; thanks to my rescuers!
And while Wadworth gave us a free mini-fest, supporting local acts like Ben Borrill and The Roughcuts, Ruzz Guitar and the gang rocked Saddleback, which after a plethora of acts from Derby, turned into a full-scale dance event for an apt charitable cause. And The Crown at Bishop’s Cannings pulled out all the stops, giving us the inaugural CrownFest, something so utterly spectacular, I shit you not, Freddie Mercury mingled with the crowd!
Outside our area, I did MantonFest, which was a beauty, and later witnessed a Noddy-a-like yell “it’s Christmassss” at Marlborough College, while trips to Trowbridge Town Hall blessed me with meeting Gecko, and The Scribes, and wow, if Professor Elemental didn’t host a fantastic night with Boom Boom Racoon and The Real Cheesemakers. Nights I’ll never forget.
