Month: Apr 2024

James and the Cold Gun, Lucky Number Seven, Nobody’s Dad, The Real Cheesemakers at The Pump, Trowbridge

Brian Yeates 

Images: Greg Stoner

This was the first time I’d heard about the Pump, and realised it did not refer to the popular local festival. I was familiar with James and the Cold Gun from a support run they did with Therapy a few years back. And I was planning to go and see them at the Fleece a few weeks ago when we had a few days away in Bristol, but the gig was sold out….

The Pump, part of the grounds to The Lamb public house, on outward appearances appears to be not much more than an old stable building next to the pub. Being a former member of Melksham covers band El Niño a number of years back, I could recollect playing at the Greyhound just up the road. However, inside is a different story. Two floors, the upstairs has old cinema seating, capacity is seventy. The venue is fitted out for gigs, with sound and lighting facilities, thanks to lottery funding. A nice intimate, quirky venue with musical instruments and stable paraphernalia adorning the walls, as well as “the pump”. If you’re tall like me there are a few places to exercise caution due to low ceilings! Most of the beams have been painted with blackboard paint so that visiting bands can chalk their name up on there.

I quickly set about trying to engage my friends to join me at this event and I managed to get a group of five of us to make the trip from the Vale of Pewsey over to the big lights of Trowvegas! The fact that for the princely sum of £11 each, we actually got to watch four bands, sealed the deal.

So first of all we headed to the Lamb to get some drinks as there is no room to have a bar in the Pump.

Unfortunately we missed a lot of the set by the Real Cheesemakers because we were outside but could tell from what we could hear that the audience inside were being treated to some top music. When we finally ventured in and got our wristbands we were taken aback by the witty and clever lyrical content of the Real Cheesemakers songs. As the set finished we were disappointed that we hadn’t caught more.

Next up was the young but very talented Nobody’s Dad, playing a lively and grungy Pixie-esque set, not to be missed if you get the chance to watch them live. The two lads and two lasses worked really well together and there were great harmonies from the ladies throughout the set.

The hard hitting post punk duo Lucky Number Seven were up next. Just drums, guitar and a big sound from their backing tracks/samples. We’d seen these before at the Underground in Swindon and they did not disappoint with their charged and effervescent set.

As we hear Kate Bush piped over the PA, my mate looks over and says to me that’s her song, ‘James and the Cold Gun;’ time for the main event. The band walked in exuding rockstar. The experience gained since the last time I saw them drips out of every pore, having extensively toured the U.K., two runs in the US including the SXSW (South by SouthWest) festival as well as a support slot for Guns n Roses at Hyde Park and some interesting studio time in the home of grunge.

A lively set with plenty of audience interaction followed covering all of James and the Cold Guns repertoire. With bangers such as Chewing Glass (a personal favourite,) She Moves, dedicated to bassist Gaby, and the recently released Sting in the Tail as well as a new song. Their hard hitting, pacey alternative heavy rock with hints Queens of the Stone Age amongst many other influences was just what the crowd wanted.

The end of the set saw the front men encourage the crowd to form a mosh pit, which members of the band joined in with as well as hugs and handshakes for the audience members that were wearing their band’s merch, reciting lyrics word for word or actively involved in the mosh pit.

All in all a thoroughly good night and we would love to do it all over again!

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Weekly Roundup of Events in Wiltshire: 1st-7th May 2024

Beltane, May Day, or just plain bank holiday Monday; whatever you whatchamacallit, it’s the first day of May, and there’s lots to do in the wilds of Wiltshire this coming week. Here’s what we’ve found….

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.

Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here. 

White horse Arts Art Exhibition at Pamela House, Devizes, runs until 5th May.

Wednesday 1st May

Don’t forget to check our weekly recurring events page as well as the calendar, where you’ll find the regular Devizes Salsa club at The Old School in Market Lavington every Wednesday.

The regular acoustic Jam at The Southgate, Devizes.

Wiltshire Music Centre has a screening of Carmen by the Royal Opera.

The Incident Room opens at The Rondo Theatre, Bath, runs until 4th May. Beyond Baka at the Bell, Bath. Champion Darts at Komedia.

Swindon Gilbert & Sullivan Society Presents Ruddigore at Swindon Arts Centre.

Thursday 2nd

Fashion Against Fear: FearFree Fashion Show at the Condado Lounge, Devizes. Preview here. Rum & Records at the Muck & Dunder.

Annie Dressner at Chapel Arts, Bath. Willie J Healey at Komedia, and Origins 360 Bakey.

The Bug Club at The Tree House, Frome. Jake Bugg at the Cheese & Grain.

Friday 3rd

Midnight Hour at The Three Crowns, Devizes. Mark Colton is at the Pelican.

Josh Kumra at The Barge on Honey Street.

Open Mic at The Parade Cinema, Marlborough.

Annie Dressner is at The Pump, Trowbridge, with Thieves and Ed Blunt.

Plan of Action at the Grapes, Melksham.

Gigspanner at Pound Arts, Corsham.

Jon Amor Trio at The Beehive, Swindon. ZZ Toppd at The Vic.

Marvin Muoneké Quartet at Mount Pleasant Social Club, Bradford-on-Avon. Jacqui Dankworth Trio at Wiltshire Music Centre. Cantaloop at The Three Horseshoes, Bradford-on-Avon.

Somewhere Over England at Chapel Arts, Bath, with support from The Mamils. A Fame event at Komedia.

Sir Ian Botham at the Cheese & Grain, Frome.

And it’s festival time! The Magic Teapot opens for the weekend. And Teddy Rocks Festival at Blandford Forum.

Saturday May the 4th Be With You!

Urchfont Scarecrow Festival opens and runs until Monday.

Star Wars Day Park Run at Quakers Walk, Devizes. May Day Fun at The Market Place, from 11am-1pm. A Seed Bomb Workshop at Hillworth Park from 11am-1pm. Garden & Plant Swap at Pamela House. Kidical Mass bicycle ride from 11am in the Market Place.

Jamie R Hawkins is at The Southgate, Devizes. Beaux Gris Gris & The Apocalypse with Ruzz Guitar and Jon Amor as guests, at The Corn Exchange.

Illingworth & George Wilding at the Crown, Bishop’s Cannings.

No Alarms & No Devizes at the Barge, Honey Street.

South West Comedy Show at The Civic, Trowbridge.

Shot by Both Sides at Chippenham Consti Club.

Star Wars Day at Melksham Assembly Hall.

On Remand at The Royal Oak, Wootton Rivers.

Frenzy at The Three Horseshoes, Bradford-on-Avon

FREE COMIC BOOK DAY at American Dream Comics, Bath. Krater Comedy Club, The Big Disco at Komedia.

Gordon Giltrap John Etheridge at Pound Arts, Corsham.

March For Palestine; 11am start at Regent Circus, Swindon. 12 Bars Later at The Swiss Chalet. Pink Mac at The Vic.

The Cuban Brothers at the Cheese & Grain, Frome, with DJ Yoda. Pet Needs at the Tree House.

Sunday 5th

Sour Apple at The Three Crowns, Devizes from 3pm. Jon Amor Trio with guest Jerry Crozier-Cole at The Southgate, from 5pm.

Southwestern (Adam Woodhouse) at the Lamb, Urchfont.

Open Mic at The Barge on Honey Street.

Open Mic at Red Lion, Lacock.

Cousin Norm’s 5th Birthday at Cousin Norm’s, Chippenham.

Open Mic at The Lamb, Trowbridge.

Schtumm…. Presents Catfish at The Queens Head, Box.

Super Blue Moon at The Three Horseshoes, Bradford-on-Avon. The Chimpanzees Of Happy Town, a relaxed family concert at Wiltshire Music Centre. Ensemble 360 in the evening at the Centre.

‘Peace, War and 9/11’ followed by Q&A with Matt Campbell and Piers Robinson at Chapel Arts, Bath. Komedia has a free community festival; the groove edition, featuring the Cable Street Collective, Ryan-D-Auria, Badlands Vonj, and Plume.

Shades of Seattle vs Nu-Call at The Vic, Swindon. David Scheel at Swindon Arts Centre.

Clinton Baptiste’s Roller Ghoster at the Cheese & Grain, Frome. Ríoghnach Connolly & Honeyfeet at The Tree House.

Monday 6th

The Reason at The Three Crowns, Devizes.

Dirt Road Acoustic at The Lamb, Urchfont.

Animals Guyz Presents Amazing Animals at the Cheese & Grain, Frome.

Tuesday 7th

Thanks for the Memories at Melksham Assembly Hall.

Swindon Festival Of Literature  opens at Swindon Arts Centre, Dr Caroline Campbell and 

Alasdair Beckett-King.

WIG Presents Bath Drag Performer of the year at Komedia.

The Orielles at the Cheese & Grain, Frome.

And that’s all we’ve got for now. Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

Have a good week!

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From Kerouac to Hagrid – Jinder at the Queens Head, Box April 28th 2024

by Ian Diddams
images from Jinder facebook

It has somehow been a few years since I last saw Jinder – or Phil Jinder Dewhurst – play so Sunday evening was a serendipitous outing to the Queen’s Head, Box to catch him play the second half of a gig alongside Mark Harrison.

I’ve talked about the venue in Mark Harrison’s review but its only fair to repeat that the Queens Head, Box as a free house actually espouses that position serving St. Austell ales alongside Bath Gem (top marks!) and is a more than decent music venue with a dedicated space, working with promotor “Schtumm” to put on last evening’s entertainment.

Jinder is an imposing figure – he admits to being six foot six inches or in new money a full two metres give or take the width of a gnat’s doo-dahs. He is resplendent in a C&W shirt, but he quickly pointed out he wouldn’t be playing either musical style last night, even though it appears his daughter has views on what such apparel may mean as to his persona potentially as a cowboy cosplayer!


Jinder is another easy watching (no faint praise here intended either!) performer, totally at ease with his music, his instrument, himself and being on stage. He is accompanied by a tantalising array of pedals all of which get used to great effect during the gig – but more of that later. He also has an easy chatting style with amusing anecdotes and stories, moving seamlessly between songs. He isn’t afraid to share the harder parts of his life, along with the many highs, and with a British self-deprecatory manner describes his conversion from Jack Kerouac to Twat in three days as he was forced to live in his car. And includes a brief etymological discourse over the differences between mash-up and medley and their fruit based versions (I kid you not!).

It’s his music that of course speaks loudest for him. And we were not disappointed. He has released two albums since I last heard him, as part of a loose trilogy, produced by chum Pete Millson. The songs Jinder treated us to appear on his albums Codetta, The Silver Age and Crumbs of Comfort amongst other sources of his work, and each and every one of them delivered with passion and heart and not a little bit of skill. Another plucking style player utilising those pedals to promote a bass line, overlay an electric guitar sound, and loops to create a mesmerising array of rhythms and melodies to underpin sublime “lead” lines.

And the stories continue – the difficulties of using names in a song title so as not to be suspected of being a closet pervert, or harbouring secret desires towards those off-limits, or confusing ex and current wives! And that even when a safe name is found… it transpires that inevitably that is also doomed to failure…

It’s a curtailed set sadly as the march of time moved relentlessly to last orders, but we are regaled for his last song with his greatest triumph of all. How as a Hagrid lookalike he bestrode the red carpet for the world premiere of the film “Fisherman’s Friends” where his hastily recorded song in a shed ousted Ronan Keating in the final production.

Fair goes Jinder. We’ll keep you in our hearts buddy.

Jinder
Web: https://www.jinder.co.uk/
Facebook: mmjinder
Youtube: JinderSongs
Bandcamp: https://jindersongs.bandcamp.com/music


Setlist
The Old Horizon
A Simple Song/Making Plans/Angels Dressed In Black (medley)
Diving Board
I Still Believe
Isabel
Between Vermillion & Mitchell
Overthinkers Anonymous
Keep Me In Your Heart

Blessed are the Toolmakers – Mark Harrison at the Queens Head, Box April 28th 2024

by Ian Diddams
images from Mark Harrison Facebook

Last summer I was lucky enough to see Mark Harrison play at the “Tangled Roots” festival over Radstock way (highly recommended that is too, for a laid back weekend of camping, workshops, and americana/roots music!). So when I saw him appearing on a Sunday night card at the Queens Head, Box it was too good an opportunity to miss.

It was my first visit to the venue which clearly sets itself up as a genuine music venue with its dedicated performance room, aided and abetted by “Schtumm” the promoter of music events here; a good space reminiscent of “The Tree House” at Frome, “The Pump” at Trowbridge and nostalgically “The Fold” in Devizes.. A quick word here too for the pub – a free house offering last night St. Austell ales. Most acceptable.




Mark – a.k.a by his blues monicker “Morose” Mark Harrison – has a relaxed, laconic persona with a lightly cynical view of life. Right up my street. His music is loosely “blues” – though he himself says “but it’s not stuck in the past. I’m tapping into the timeless quality of the early blues to produce music totally relevant to the present day.” Mark plays a 1934 National Trojan resonator guitar, previously owned by Eric Bibb, and he uses a finger plucking style rather than strummed chords.

It was a bijou, intimate crowd at the Queens Head – which as the other act of the night, Jinder, jokingly opined just means “small room, small crowd”. Well, how lucky were WE at such a bijou, intimate gig? Mark played a 75 minute set which might have been 80+ minutes had he not forgotten how one of his own songs started 😊; I’ll cut him some slack… he has another 98 he can remember to choose from after all… Mark’s lyrics are not so much about his own life – “I don’t want to hear about my life, I have to bloody live it” (or words to that effect!) – but about his view on society and the changes he has seen in it in his lifetime. He grew up in Coventry surrounded by car manufacturing, went away for a weekend and on his return the car factories had been replaced by garden centres. People that did real jobs replaced by Marketing Consultants. People with … irritating haircuts… Real activities replaced by twitter – oh sorry Mr. Musk…  “X”. In this vein his numbers “The Wild West”, “The Great Stink” and “Toolmaker’s Blues” encapsulate this exasperation and incredulity.

This is not a political standpoint though, to be clear. Just a reflection of one man’s interpretation of a few decades through the medium of blues influenced music. Songs are interspersed with humorous and/or pointed stories and anecdotes. Often with a pithy, short epithet at those responsible for society’s ills…


Mark’s songs are in many ways stories in themselves, drawing you in with clever lyrics and the haunting finger plucking – simple stuff but (lest this sound damning with faint praise) so skillful yet easy on the ear. Its not until you start watching his fingers dance over the strings you see how there are two patterns going on simultaneously by his thumb and index finger, using the strings as two separate areas while his left hand works the frets on the higher strings.

All too soon the show was over. Eleven songs, eleven chats. A view of life and death in Bognor, the tribulations of late night driving and route diversions, social history… covid and lockdown as a metaphor for 21st century life.

He also has a phenomenal memory; whilst chatting to him after the gig and buying his latest album he asked me if I’d met him also at “Tangled Roots” last June!  I can’t remember what I had to eat this morning!

If Mark is playing near you, go and see him.

If he isn’t, buy his music.

In fact – do both!

Mark Harrison Music
Web: www.markharrisonrootsmusic.com
Twitter/X : @mharrisonmusic
Facebook: markharrisonmusic
Instagram: @markharrisonbandofficial
Youtube: markharrisonband
Bandcamp: https://markharrison.bandcamp.com/music

Setlist
Tribulation Time
Ain’t No Justice
Black Dog Moan
Road Ahead Closed
The Wild West
The Great Stink
More Fool Me
Go Nice
Highgate Hill Blues
Toolmaker’s Blues
Easy Does It

Liar, Liar, Wiltshire Police Crime Commissioner Philip Wilkinson’s Pants are on Fire!!

In what appears to be a deliberate attempt to smear the campaign of opposition candidate for Wiltshire Police Crime Commissioner, independent Mike Rees, it seems existing PCC Philip Wilkinson has outright and unashamedly lied in a Facebook comment….

In the comment, Mr Wilkinson states Mr Rees was “part of the force that went into special measures and I am the PCC getting it out of special measures.” We can confirm from Mr Rees that this is untrue. “I left ten years ago when the force was in good order,” he told Devizine, and said, “he clearly needs to check his facts.”

We have contacted the office of the PCC but as of yet they have not responded.

It seems Mr Wilkinson is clearly concerned about the outcome of the forthcoming Wiltshire PCC election, as Mr Rees’ campaign makes considerable gains, but to make such a misinformed statement at this time is surely detrimental to his own. We find ourselves asking if Mr Wilkinson is prepared to lie through his teeth in order to slander the opposition, what else he prepared to tell porkies about?!

Here at Devizine we remain hopeful for a time of change, a time when the rapport between police and the community is united, and we believe this is best accomplished by a PCC with on-hand experience in the police force. 

Familiarity: Barrelhouse Take The Southgate, Roughcut Rebels in The Three Crowns

Familiarity was key for me last night, if last weekend was new, trekking to Swindon for their soul and jazz festival, watching an amazing Gambian musician play a string instrument made from a cow skin covered pumpkin. Cue the theme to Cheers, sometimes I simply want to get down to my local, see a band I’ve seen umpteen times, and love, make no notes, take a few blurry snaps, and naturally, blow off work-day stress by sinking a few ciders too many, and when I do, The Southgate or Three Crowns in Devizes are my go-tos….

Apologies if we’ve covered this ground before, a number of times, but Devizine is a hobby. Therefore, I reserve my right to enjoy doing it! Not forgoing, I enjoy the adventure of finding acts I’ve not seen before and exploring new venues equally to the comfort of familiarity, so when Barrelhouse are in town the temptation is too much to resist; I’m legging it in the April drizzle to catch the bus!

There were two free live music options in D-town last night, both as valid as each other, as usual for a Saturday. The trusty Three Crowns had a new look Roughcut Rebels, those established mod to Britpop local favourites. I’ve had some reservations about recent lineup changes, but I’m aware there’s a new guy fronting the team. I must poke my nose in to investigate. So, too, did former members Finley and Mark, I jested to them that they were on the bench, but substitutions were unnecessary.

Only original lead guitarist, Weller-mod-cut John Burns remains, yet with proficiency cool as a cucumber, the new frontman, Jake Lockhart is unpretentiously smooth, bassist on cue, and a stickman who clearly knows his way around a drum kit. They roll out Kinks and Stones classics delightfully, I’m guessing this is going to go Britpop before long, and while I’d personally favour the setlist works in reverse, I’m not of the millennial majority in the Crowns the Rebels need to appease. I can ascertain they did, from their opening alone.

It only took a few songs to accept these guys had it in the pocket, and it was impendingly obvious the Three Crowns will explode into party mode post-haste, it always does by providing the best tried and tested cover bands. Like I say, familiarity. Time for me to grab my zimmer frame and join my own age demographic down at the Southgate; those Marlborough purveyors of sublime vintage blues must’ve soundchecked by now…

And so it was, The Southgate, as warm and welcoming as ever; found a place in the blossoming crowd of elder gig bunnies, and let Barrelhouse do their thing. If I do local circuit analysis and Marlborough comes up decidedly post-punk new wave and gothic, Barrelhouse better appeal to Devizes, perhaps; the Mel Bush effected blues aficionados. Although Barrelhouse is best served on hometurf, you should see the crowds turn out at Mantonfest; it’s a Marlborough blues phenomenon.

I’ve been telling Devizes this since they first appeared at our trusty Gate, to play to a slight crowd, an attraction which builds with each visit they make. Tonight was no exception. It was medium busy as they presented their wonderful show, squashed into the famous alcove, but with the passion and gusto they possess and input into every gig.

Turning the Southgate into a juke-joint is an easy feat, punters love their blues above all else. Though the Gate strives to bring a wider range, you only need to be there for the monthly Jon Amor Trio residency to confirm this. Barrelhouse is apt here, then, but it remains to be that some regulars still need to take heed of just how much these guys will rock them. Those present know the score now, Barrelhouse came, saw, petted the pub dogs, hung T-shirts over the toilet sign, and entertained superbly, again!

When they come your way, do check them out, I don’t fib, not about this anyway! The band are tight, the blues is vintage, with a fiery modern rock twist, in their calculated, balanced setlist of Muddy Waters, Howlin Wolf and other Americana covers, their own compositions which have become as anthemic as the classics to fans, and the brillant rock adaptations such as Motörhead’s Ace of Spades.

Frontman Martin Hands is hands-free, with no instrument other than his confident and convincing gritty delta blues vocals. The band complimented him, Tim is a guitar enthusiast, and his skills shine through. Stuart equally on bass, who acts as compère too. Nick adds to authenticity with harmonica, but it’s no secret he’s an authority both on, backstage, and in music production. 

Even Martin’s fiancé Heidi sporadically guests backing vocals, as do others affectionately dubbed ‘Barrelettes’ when available, giving the band a real family feel.

Encoring Solomon Burke’s Everybody Needs Somebody to Love is standard protocol for Barrelhouse, and they’ve achieved their aim; the pub is pumping, and everybody is dancing. Another memorable evening at the Southgate, you can bet your home most nights are. Check our event calendar for upcoming gigs, but rest assured, thanks to them and the Three Crowns, Devizes remains punching above its weight when it comes to showcasing live local music and while our ticketed events only add to this, there’s gemstones to be found here freely. And we love it!

Led Zep’s Victorian Thatcher Cover Pin-up is Star of His Own Show at Wiltshire Museum!

It’s just as unlikely Jimmy Page, who, it is said, designed the cover of Led Zeppelin 4, could’ve imagined Long Lot, the thatcher in a Victorian postcard discarded in an antique shop near his house in Pangbourne and used in the design, would be the central attraction in an exhibition some fifty-two years after the album was released, as the Thatcher himself would have imagined he would be the subject of a groundbreaking prog-rock album cover! I popped into the official opening of A Wiltshire Thatcher – a Photographic Journey through Victorian Wessex at Wiltshire Museum in Devizes, to sepia-tone my nose….

Researcher from the Regional History Centre at the University of the West of England, Brian Edwards discovered the photograph in November and became something of an overnight sensation with the national press, and a hero to prog-rock fanatics. Now news has moved on, the fable of the uncovering the image has come home to roost, accompanied once again by the collection of its photographer, Ernest Farmer intended it to.

The photograph came from an album titled ‘Reminiscences of a visit to Shaftesbury. Whitsuntide 1892,’ the remaining Victorian photographs from it are of Wiltshire, Dorset and Somerset scenes and some interesting portraits of farm workers, the customary Stonehenge images, and most poignant, the aftermath of a thatch fire in Sixpenny Handley.

They are displayed in the exhibit, alongside information boards about what little we know of Farmer, the rural life he depicted in his works, and information on thatching. The latter particulars might seem odd, being few images here depict thatchers, if it wasn’t for the selling point of the show, Long Lot, who is displayed throughout the exhibit, in interesting ways, such as a model of him, a selfie opportunity, and the merch of a rock legend in the museum shop!

Despite being a leading figure in the development of photography as an art form, which clearly shows through this celebration of his works, little is known about Ernest Farmer. 

Ergo, it’s a mixed bag, hinging on Long Lot but far outreaching a monoculture display. One supposes rather than modern day photographers aiming for a particular style, genre or theme, a Victorian photographer was a rarer thing therefore he captured whatever random subjects inspired him. To turn a negative into a positive, it certainly makes the exhibit diverse, and the photographs are fascinating, nonetheless.

It is, then, an exhibit of perchance, or luck, more than anything, and I guess that’s what makes it heterogeneous. Brian told me he’s working two projects down the line from this, in fact, it was never really a project at all, more chance discovery. The exhibition runs until the 1st September, at Wiltshire Museum in Devizes and would delight a number of groups, be they photographers, local historians, farmers or thatchers, anyone interested in West Country history or landscape, and of course, Led Zeppelin fans!

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Simply The Best; Tina Turner Tribute Coming to Devizes

Ah, the Tina Turner tribute, which turned my criticism of Tina Turner tribute acts on its head, is coming to Devizes in August. In the light of Wiltshire Music Events’ recent successful Corn Exchange takeover with the Marley Experience, it’s set its own pedestal pretty high….

Avid readers of Devizine should know I try, as much as one can in the media, to be honest! They also know and likely produce a deep sigh, I tell a long-winded story! I’m going to manage both today, for your reading pleasure; it’s an age thing, you don’t need to thank me!

Okay, so, once upon a time at the very dawn of Devizine, I was asked to preview another Tina Turner tribute act; it was a lesson learned in the delicate and often problematic balance between honesty for the sake of the readers, and the cajolery towards event promoters. The reason; because, by dammit, there’s no way to butter this up, they were simply the worst!

Accepted, Tina Turner is a popular choice to tribute, likely there’s hundreds out there, but akin to a bomb disposal expert, Tina Turner had such impeccable style, such a unique and powerful voice, it would blow up in their face should they fail.

And, I’m sorry, mentioning no names, but the failure was epic. A second opinion from the better half, I showed her the YouTube clip with a question, “it’s not just me, is it?” The reply confirmed, it was terrible. But then came the dilemma, the dirty bit behind the scenes you don’t get to see; deciding what to do about it. Executive and rightful, I declined, politely. I would not lead readers up a garden path, I couldn’t bring myself to say this particular tribute was anything more than it was.

Backstory complete, I only needed to explain this as it led to my apprehension to the quality of Tina Turner tributes in general; is it even possible to replicate an artist of such calibre with such conviction?

It was also to emphasise my promise not to pull wool over your eyes. You don’t need to be stuck on my heart, baby, but please, hang on every word I say!

I was concerned history would repeat at last summer’s CrownFest when Simply the Best, were due on … how wrong I was. Kinisha Morgan-Williams answered my question through her superb performance; maybe it is possible. She is Tina in this instance; the heels, the strut, the divine attention to detail, and most importantly, the voice of this legend are all defined to perfection with this tribute, and is so astute it’s impossible not to assume you’ve slipped through a time hole to 1984, watching the real thing.

Kinisha, her band, the whole shebang, is a sublime experience for your retrospective entertainment. From Tina’s soulful roots with Ike and the Kings of Rhythm, to her unmatched Queen of Rock n Roll comeback, all the beloved hits are played out, the imitation is impeccable, the show is majestic, and Tina fan or not, you will not leave disappointed. I wouldn’t say it if it wasn’t so!

In this point, I believe, lies the secret to a great tribute act, for it’s not the preconceptions you take in with you, rather it’s the joy and entertainment value whilst there, obviously, but equally, what you leave with. This is governed by personal reflection, how much of a fan of the original act you are. With an artist or band you adored, like me with Bob Marley and the Wailers, the groundwork is laid for them, but for the impartial, one with passing interest, to make an impact on them is the true test. I’m indifferent to Tina Turner, I loved her with no more or less affection than a host of eighties pop legends, but after being wowed by Simply the Best, I came away contemplating just how brilliant Tina Turner was. That’s the benchmark, that’s paying a convincing homage, right there, and Kinisha did this wholeheartedly.

Simply The Best comes to Devizes Corn Exchange on Saturday 31st August. Tickets are a purple one, from HERE. Treat yourself, you’ll love it, if that’s anything to do with it; it’s physical, only logical, and you must try to ignore that it means more than that!

Talk in Code

Wha-oh, Wiltshire Music Events is no secondhand emotion! They’re going from strength to strength! The Kings Arms in Amesbury is a fond venue for them, and they’ve our favourite indie pop originals, Talk in Code there on May 18th. But they’re no stranger to Devizes, hosting CrownFest in Bishops Cannings last year, and a plethora of in-house duo, Illingworth gigs in our pubs; in fact, you can catch Illingworth at the Crown in Bishops Cannings on the bank holiday, 4th May, with a rare appearance from the incredible George Wilding, on leave from his cruise ship work and back to entertain us landlubbers! 

Illingworth

And if you need a fascinating fact to finish on, note John Illingworth and George are uncle and nephew, and 4th May at the Crown will be a rare opportunity to see them on the same bill….Thunderdome!!

George Wilding

“Skylight” at the Rondo Theatre, Larkhall, Bath, April 24th-27th.


by Ian Diddams
images by Jim McCauley & Bath Drama

Its 3 a.m. You are tired. You are still going round and round in circles in a discussion with a partner, lover, friend about a lover, their lover, a friend’s lover.

Sound familiar? Flashbacks? We have all been there – well, anybody that has any friends and has reached the age of eighteen anyway.

David Hare’s play “Skylight” is all so reminiscent of those long, dark tea times of the soul (to paraphrase Douglas Adams). Over the course of this riveting two and half hour play we are witness to the post match analysis of two ex-lovers (their …  “love” … briefly rekindled over the course of half time a.k.a. the interval) exploring their previous, illicit, relationship and the potential for the future.

The play opens, set in the mid-1990s in Kyra’s (Phoebe Fung) flat in Kensal Rise as she returns from work, as a teacher. It is an unglamorous property, and that is being kind. She is soon joined as a total surprise by Edward (Samuel Elliot), a confident eighteen-year old on his gap year. We learn that Edward has had an argument with his father, Tom (Jeremy Fowlds), and has moved out…  that Kyra was part of his family household for years. That his mother, Alice, had died. That Kyra had inexplicably left one day. Then a while after Edward has left, Tom arrives. It transpires Kyra and Tom haven’t seen each other for three years. Were ex-lovers. That Alice had found out. And so, Kyra left.

And the talking starts.

“Skylight” is fundamentally a triple duologue, a play in three parts over two acts. Kyra is on stage aside from brief periods out of sight in her bedroom for the entire play. Tom is on stage for much of that too. Edward has what may be called a cameo role by some but still has a hundred lines to deliver, over the prelude (as above) and an epilogue.

The play’s title is derived from a feature from the bedroom of the play’s fourth character that we never see, Alice, who was dieing of cancer. The bedroom’s sloping glass roof is the “Skylight” … and its existence sums up succinctly Tom’s perception of life. Tom is an extremely wealthy self-made restaurant owning businessman (allegedly modelled on Terence Conran) where life is smoothed by the presence of the “Yellow Pages” (remember that?). Everything can be paid for and that’s all that matters. Kyra once lived in this bubble of financial ease but now chooses a life of social fulfilment – passionately too.

And so, to the set. What a set! Hare once apparently said he doesn’t write plays set in a room but as the exception (?) that proves the rule this one is – it is quite literally a kitchen sink drama. All the action is in Kyra’s kitchen/diner/lounge. Anyone reading this that lived in cheap rented accommodation in the 1980s and 1990s will recognise it immediately. Peeling and patched wallpaper, mould on the walls, gas boiler safety certificate so old its ripped mostly off the boiler, scratched lino floor, rusty doored fridge-freezer, grubby paintwork. You can SMELL the lack of upkeep. Delve deeper into the flat and the attention to detail is superb. Mixed library of books from Freud to Shakespeare to Phillip K. Dick to Salinger to Verne. A working sink. Yes. You read that correctly… a WORKING sink. Water comes out of the taps. Goes down a plughole. And the pièce de resistance, the cooking hob. That works. And on which Kyra cooks, on stage, in real time, a spaghetti and sauce dinner. (Incidentally, it smells divine – do make sure you have eaten before you go and see the show because you will be feeling hungry if not!)


Full kudos must be given to the set designer here. Rich Canning, take a HUGE bow, along with your build crew.  You could give guided tours of this set. I WANTED to be able to see the bedroom. I WANTED to see the flat’s front walkway and stairs. Absolutely amazing.

Which brings me onto sound and lighting.  Once against at the Rondo, Alex Latham has pulled out all the stops. From the “whoomphing” gas boiler to traffic sounds as doors and windows are opened, to running baths, day turning to night turning to day. Another sublime performance in the tech box.

Andy Cork directs, assisted more than ably by Stephanie Richards who also produced the show. Andy’s program notes expand on this, but he has perfectly helped the cast capture the societal divide post-Thatcher, pre-Blair that resonates so much with contemporary Johnson/Truss/Sunak 2020s. So much so that if we were told this was set in 2024 it would be as valid, as meaningful. Possibly even more so. Social bigotry, monetary divide, I’m-all-right-jack, anti-woke, no-lives-matter.

This is all encapsulated in the plot and characterisation, expounded so brilliantly by Phoebe and Jeremy. Tom is one step from the “smelly homeless should be fined” brigade – if that far even. Kyra has a social conscience – or has developed one once freed of Tom’s wealth when she was much younger. And that is the crux of their non-relationship. Despite each other’s strong love for each other still it becomes increasingly clear there is no future. They are poles apart – at one stage I even thought “Why/How do these two even get on? Like each other?” They are the antithesis of each other’s perspectives. Tom crashes though life with a plan that is so focussed he has lost focus on everything else; while he had provided a “Skylight” for his dieing wife he is just Gaslighting constantly. And mainly himself. Maybe even only himself. Kyra has no plan, is drifting, but cares. Passionately cares. About social injustice and Tom’s obvious lack of social conscience. At one point as Kyra rages against the unfairness of society, I was struck by the Jonathan Pie-esque rhetoric, delivery… quite superb. And let’s not forget Samuel as Edward. Edward demonstrates another side of his family. The lost nephew almost for Kyra that arrives in the epilogue, so to speak, to raise Kyra’s spirits, to display tenderness.  Tom makes a point that he, Tom, genuinely GIVES because his gifts are without ulterior motives. But in reality, he is not giving at all, he is gifting. Whereas Edward is giving of himself…  such that he isn’t really even giving, he is sharing. A sweet portrayal by Samuel.

I could continue in similar vein for pages. I won’t though. The best thing would be for you, dear reader, to grab a ticket and get yourself to the Rondo and see this amazing show. See David Hare’s words come to life through Andy, Stephanie, Phoebe, Jeremy, Samuel, Alex, and Rich’s creativity. We are so blessed with great community theatre in Wiltshire and Bath, but this may well be the best show you see this year.

“Skylight” runs from April 24th to 27th at 1930 each evening at the Rondo Theatre, Larkhall, Bath.

Tickets available from https://rondotheatre.co.uk/skylight/


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Adrenaline Stomper or Storm in Teacup? Wiltshire Council Gloat About Prosecuting Fly-Posting Club Night

If we spoke only last month about Wiltshire Council’s threats to prosecute Wiltshire Music Events over posters advertising a Bob Marley tribute event in Devizes, it seems we were only at the tip of a disheartening iceberg for event promoters. Promoter for Adrenaline Stomper rave nights at Venom Nightclub in Westbury, Chris Freeman is the latest victim of their crackdown on fly-posting….

Mr Freeman tasted their venom, and was given a 24-month Conditional Discharge and ordered to pay £1,465 on the 19th April for flyposting, and then Wiltshire Council had the audacity to brag about it online. But, karma is a bitch; in a gloaty moment of stupidity, they displayed a photograph of the offending poster, acting like an advert for the event! We do hope it backlashes upon them, and entices people to attend on the 13th July. You can’t make it up! You’ve got to love our Council. I’m such a conformist I will certainly not give it this massive rave a plug for them….

Tickets HERE…… oops-a-daisy!! 

Cllr Nick Holder, Cabinet Member for Transport and Street Scene, waffled, “we’re committed to reducing fly-posting in Wiltshire, and this prosecution is part of our wider clampdown on this unsightly blight on our communities.” As unsightly as, say, the construction of a £2.4 billion tunnel under Stonehenge that the High Court stated was “unlawful,” perhaps? Or the thousands of miles of unrepaired roads in the county, the plight of vacant high street shops due to hikes in rent, the construction of solar farms on areas of outstanding natural beauty when they could quite easily be put along our motorways, or maybe, just maybe, the human faeces pouring into our rivers the government they back allowed water companies to ignore? That level of unsightliness? A poster, advertising an event? Really?!

“It creates a bad impression of an area,” the councillor who couldn’t bear the thought of people enjoying themselves at a party he obviously wasn’t invited to, continued, “and it costs the council thousands of pounds each year to remove.” As costly as £1.4 million for a PCC re-election in 2021, because the Conservative candidate was a drink-driving wildlife assassin, perhaps? Or the £57,000 taxpayers paid to bail out MP Michelle Donelan for slanderous comments on her personal Twitter page? That kind of costly? To rip a poster off a lamppost, really?!

Chris Freeman personally expressed his “disappointment” to see Wiltshire Council brag about their successful prosecution, telling us, “it’s disappointing what they’ve done, still can’t believe it really.”

“I just want this whole thing done with,” he said. “Being I’m someone in the local community and having lived in Wiltshire all of my life, with no previous convictions of any kind, of course I cannot begin to tell you how very disappointed that this went to court, without even a warning.” Mr Freeman continued to suggest not only had it had a significant impact on him mentally, but also taken a huge toll on his family, even without the financial burden now in place.

Chris, a keen fundraiser for local charities, and a regular Father Christmas for local schools, asked Facebook users if  justice was really served, “especially considering these types of events bring business locally into our local towns, shops and hotels?”

The nature of the events they seem to target could suggest the possibility of cherry picking events they take a personal dislike to, being that other event advertisements appear to be immune to the crackdown. Of course, this is highly debatable speculation, and far be for me to say it’s so. But with the hospitality industry at its knees post lockdown, again, maybe, just maybe, a little compromise is needed here from Wiltshire Council, just, y’know, a level of compassion, a little communication, and understanding, perhaps, maybe, just a smidgen?!

“In times like these,” Chris continued, “events that promote wellbeing, and aim to give people a reason to smile should be pushed forward, not pushed back.” Bingo, sir.

Obviously though, we have to go along with Wiltshire Council on this one, and we cannot tell you that the Adrenaline Stompers Festival 2024 at Venom Nightclub in Westbury, on Saturday 13th July promises to be their biggest single day event to date! We really shouldn’t say, it hosts over forty DJs and thirty MCs, over indoor and outdoor stages, has weekend camping including a shuttle bus to & from the event, and retails for a mere £35 a ticket! Because, you know, your council wants you tucked up in bed by ten pm, after enjoying an entertaining TV show with Ant & Dec in…. so, jump to it. 

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Weekly Roundup of Events in Wiltshire: 24th-30th April 2024

One weekend away from Beltane, or May Day to Christains, bank holiday Monday to everyone else, still lots to do in the wilds of Wiltshire this coming week besides. Here’s what we’ve found….

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week…..

Wednesday 24th

The regular acoustic Jam at The Southgate, Devizes.

Don’t forget to check our weekly recurring events page as well as the calendar, where you’ll find the regular Devizes Salsa club at The Old School in Market Lavington every Wednesday.

Open Mic at Stallards, Trowbridge.

Joe Martin performs his debut album “Empty Passenger-Seat,” stripped back and acoustic at Chapel Arts, Bath. Skylight opens at the Rondo Theatre, running until Saturday. Manfredi Funk Initiative at the Bell, Bath.

The Big Jam Session at the Vic, Swindon.

Thursday 25th

Valuation & Buying Event at Gerrard’s Auction Room in Devizes Town Hall.

Runny Snotts’ regular acoustic sessions at the Neeld, Chippenham. PSG Choirs’ free taster session at King Alfred’s Hall. The ELO Encounter’s Blue Sky Tour at the Neeld. LGBGT+ drop in session at Chippenham Community Hub.

The Jersey New Boys at Melksham Assembly Hall.

Mellow sax classics with Timeout at the Old Bell, Warminster.

The Blackheart Orchestra at Pound Arts, Corsham.

Sultans of Swingers at The Mallard, Lyneham.

Cooper’s Creek & Atari PIlot (solo) at The Tuppenny, Swindon. Scott Mickelson at the Vic. 

Lucy Beaumont – The Trouble & Strife at The Wyvern Theatre.

The Leisure Society Trio at Chapel Arts, Bath.

Friday 26th

Devizes Pubic Livng Room meet at the Cheese Hall every Friday from 1pm. Indie Disco with DJs Stevie MC & Thorfinn at the Exchange in Devizes.

Adam Woodhouse at the Barge, Seend Cleeve.

Duelling Pianos Night with Will Blake and Dino Baptiste at The King Alfred Hall, Holt.

Scott Mickelson at the Old Road Tavern, Chippenham.

The Often Herd at the Pump in Trowbridge, Masa in support. Park Lane Big Band at The Civic.

Bill Laurance at Wiltshire Music Centre, Bradford-on-Avon.

Captain Accident & The Disasters at the Winchester Gate, Salisbury.

The First Raitt Band, a tribute to Bonnie Raitt at Chapel Arts, Bath.

Rachel Parris – Poise at The Wyvern Theatre, Swindon. The Ramonas at the Vic, with Death Pop in support.

Sack Sabbath at the Cheese & Grain, Frome.

Saturday 27th

Family Games every Saturday at Devizes Library from 10am. April Sighthound Stroll, Devizes. Devizes Scooter Club has a 70s-80s disco at Devizes FC. 

The Roughcut Rebels at The Three Crowns. Barrelhouse at The Southgate. Devizes LGBTQ+ Drag Queen Bingo Night at the Wyvern Club.

Rod Stewart Tribute at Erlestoke Golf Club.

The Chaos Brothers at The Lamb, Marlborough. Karaoke at the Bear. Two Complicated at the Crown in Aldbourne. 

12 Bars Later at The Talbot, Calne.

Melksham Makers’ Market at the Market Place. Bob Marley Tribute Night at Spencer’s Club in Melksham. Delray Rockets at Melksham Rock n Roll Club.

There’s a Doorway Sleepout in Chippenham. Kandu Arts New Music Showcase at the Rotary Club on Station Hill. 

James and the Cold Gun at The Pump, Trowbridge.

Joanna MacGregor at Wiltshire Music Centre, Bradford-on-Avon.Joe Hunt at the Castle Inn. SicNote at The Boathouse.

Richard Herring’s Can I Have My Ball Back Tour’s warm-up at Pound Arts, Corsham.

Elevation at Tucker’s Grave Inn, Faulkland.

The Scribes

The Scribes at the Vic, Swindon. One Chord Wonders at Ashford Road Club. SALOS – The Greatest Show Concert at Swindon Arts Centre. Simon Reeve – To The Ends Of The Earth at The Wyvern Theatre.

Mother Vulture at the Winchester Gate, Salisbury.

Vintage Bazaar at the Cheese & Grain, Frome, followed by Paul Young’s behind the lens. 

Sunday 28th

Sunflower Events’ Artisan Market & Gift Fair at the Corn Exchange, Devizes.  April Sighthound Stroll, Devizes.

Open Mic at the Red Lion, Lacock.

Corsairs at the Bear, Marlborough. 

April Open Mic at The Old Road Tavern, Chippenham. Blue Bus at Wellington Place, Hullavington.

Jinder & Mark Harrison at The Queen’s Head,Box. The Dirty Weather at the Bell, Bath.

Monday 29th

Praying Mantis & Soulweaver at the Vic, Swindon.

ViperTime at the Bell, Bath.

Tuesday 30th

Let’s Walk – Caen Hill & Jubilee Wood, Devizes. Open Mic at the Tap at the Peppermill, Devizes.

Rumours of Fleetwood Mac at The Wyvern Theatre, Swindon.

And that’s all we’ve got for now, other than some technical gubbings to say: Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

Have a good week!

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Shox & Steatopygous; Devizes Bands Support Menthol Lungs at The Pump’s Future Sound of Trowbridge

By Florence Lee

Images by Kiesha Films

‘They promised hardcore shenanigans which never fall below 180 bpm’

SHOX:

After seeing Shox in February I was expecting to have a great time, and for them to expand on their ideas which they showcased at the Devizes youth night; however, they managed to smash my expectations once again….

Their set list included ‘Back To School’ by the Deftones, ‘Florescent Adolescent’ by the Arctic Monkeys and ‘Drown’ by Bring Me The Horizon and included some insanely smooth add-in’s using the DJ set. The transition between playing ‘Happy Song’ by Bring Me The Horizon and ‘Killing in The Name’ by Rage Against the Machine had a syren playing and what I can only describe as ‘The music and voice that speaks to you before you go onto a terrifying roller coaster.’ I am not quite sure how to describe it, but I have never heard anything like it before. It was pretty incredible – it drew the audience in and it was a really interesting experience. Their set was very much a journey rather than just some music. SHOX have come on leaps and bounds since the youth night and with some more gigs under their belt, I can only imagine their sound will continue to develop.

Image: Kiesha Films

I wanted to know some more about them, so after getting in contact, I asked them a few questions. Jamie (drummer) and Ed (singer/rhythm guitarist) played together in primary school and wanted to get into a band in secondary school. So, when they joined they went out and looked for a band. Zac (guitarist) and Dylan (bassist) came along around two years later when they got paired to do an academic music project together. Once they had played a few times, they realised they had ‘great chemistry’ and formed SHOX. They are looking to start the rollout of their debut album called ‘To Be Honest, I Couldn’t Be Bothered’ and are hoping for a release in November. They also have a ‘Big announcement in the middle of June,’ which I am sure many are looking forward to. If you haven’t seen them live, I would really take the next opportunity!

Image: Kiesha Films

Steatopygous:

If you haven’t read my interview with Steatopygous, I would recommend reading it as you get the ‘inside scoop’ on what Steatopygous really means.

Image: Kiesha Films

In a nutshell, Steatopygous is a riot girl (and boy) band, which truly could not get any better. With front girl Poppy Hillier, playing guitar and singing, the memorising Eliza on bass and drummer Ewan. They played three originals: ‘Marie’s Wedding Song’, ‘Female CD’ and the new ‘Little Boy’. It is safe to say that since hearing Little Boy, it has not left my mind since. You can tell the song came from somewhere close to their hearts, and is now embedded within the audience’s. Both Female CD and Maire’s Wedding Song are also well written songs, that I cannot wait to be able to listen to online.

Image: Kiesha Films

With three admirably well executed Bikini Kill songs – Carnival, Feels Blind and Star Bellied Boy, they enticed the audience so much, we were demanding “one more song”. And wow, they performed Deception by le Tigre, which truly exploded the mosh pit, not that we had stopped dancing since Steatopygous had entered the stage. I just want to say an incredibly well done to Eliza, Poppy and Ewan, as during their set, they had to stop for a tech issue, but carried on, dare I say, better than before. As a performer myself, I can understand how gut wrenchingly scary it can be to play on stage, let alone have to stop and start again, and they dealt with it like the pros they are becoming. I have been told they are working towards an EP and I, like many others, am beyond excited to hear how it comes out. So, like SHOX, if your ears haven’t been blessed by the music of these beautiful people, then I would really take your opportunity.

Image: Kiesha Films

Menthol Lungs:

While I heard both Steatopygous and Shox before, I was pumped to be able to listen to Menthol Lungs as I hadn’t heard of them and all I can say now is that I was missing out. As soon as they started to play, I was transported into the world of Subhumans and Minor Threat and felt the immediate need to find my skateboard and go stagedive off a speaker stack! Their heavy punk rock music was awesome, and I was even more blown away when I realised that eight of their ten songs were originals!

Image: Kiesha Films

Menthol Lungs are anarchistic hardcore, which was appreciated by me and the crowd. The deeper meanings to what could have been simple lyrics, elevated their performance as they spoke for what they truly believe in. If I thought their performance couldn’t get any better, they then performed ‘The Combine Harvester’ by The Wurzels, which had the audience in stitches and singing along in true Devizes harvest-core fashion :-). I was lucky enough to be able to speak to the amazing Ava, who sings and ask a few questions about their band:

Image: Kiesha Films

Can you introduce your band?

‘We have Corey, who is on rhythm guitar. Sam, who couldn’t make it today, is on lead guitar – he is great.  Zeth right here is on drums, Fergus on bass and I am Ava. I do vocals.’

How did the band form?

‘So, about two years ago, I got kicked out of a sh**** pop, punk band, called Corner Shop Liquor. I then turned around to my mate James, an artist as well, and said “I want to start a new band, can you help me out?” and he introduced me to Corey who could play guitar. Then my fiancé Ash joined us as bassist, but then replacing Ash was Fergus; Fergus and Zeph kind of came as a package deal.’

‘We met Corey at a gig about a year and a half ago and so he vaguely knew us.’

‘Yeah, so about a year and a half ago, we got Zeph and Fergus in a band and we record some stuff and start rehearsing on Zeph’s farm, in some stables. We got our first gig last December.’

Special mention to their six-string bass, which I had to ask questions about:

‘May I just say your six string bass is insane. Looks sick’ – me!

‘There is actually a funny story about that. Fergus left one band rehearsal with a five string bass and he left it at the rehearsal space. When he came back, he had a six string bass with him. It’s brilliant.’

How do you write your songs?

‘So, usually Cory will sit down and write some riffs and upload them onto Songster. He will add some drums and lead guitar and a bit of bass. Then, I usually have some lyrics lying around in my notes app and write them up into a full song, or Corey will write lyrics as well. Then at rehearsals we see what works and it usually ends up in a song.’

How do you think tonight went?

‘Do you know what, it was killer. Best vocals I think I have ever managed, to be honest.’

 What’s your next step?

‘Next step … We have an album coming out hopefully later this year. We are hoping for August, but aiming for the end of the year. We have a gig coming up with Disorder in July. We love Disorder. July 25th – go buy your tickets!’

Thank you Ava for spending some time speaking to me; you and your band are great and I am thoroughly looking forward to seeing how you guys progress in the future!

Image: Kiesha Films

So, in conclusion, the audience and I had a brilliant time, dancing, sweating, slamming, singing and getting to know these sick bands. If these bands are not on your radar, please go give them a follow and see how they progress as the gifts they have for your ears are extensive and they have years beyond them of only getting better.

Finally, I just want to say a massive thank you to Kieran and everyone at the Pump. It is an incredibly special, intimate place, which holds thousands of memories for us kids. I wouldn’t be able to recommend going more. If you haven’t been, you are not just missing out on amazing music, but also an experience that you won’t be able to forget for years. Thank you for letting bands be able to share their music with everyone. What you are doing with ‘The Future Sound of Trowbridge’ is unbelievably special and loved by so many people.

P.S. the drummer from SHOX, Jamie, has a DJ set at the Pump on Trowbridge on the 10th of May. Go get your tickets!

The Future Sound of Trowbridge #9

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“The Thrill of Love” at the Wharf Theatre

by Ian Diddams
images by Chris Watkins Media

Just over a year ago, the Wharf theatre performed a sell out show “Ladies Day” written by Amanda Whittington. In less than a month’s time they are to revisit the same playwright’s work, with her drama “The Thrill of Love” featuring the turbulent and tragic story of the nightclub hostess and later manageress Ruth Ellis.


The story revolves around five characters – Doris Judd (Mitzi Baehr) , cleaner, Detective Inspector Jack Gale (Sean Andrews),  Vickie Martin (Jess Whiley), club hostess, Sylvia Shaw (Mari Webster), club manageress and of course, Ruth Ellis (Freddie Underwood). Directed by Debby Wilkinson.

This evening I was privy to a rehearsal, watching the cast working through several key scenes. I arrived as Debby and Freddie were discussing the shooting scene – straight into the core of the plot – then to a discussion about Ruth’s taking control of her own “Little Club”. A request for biographies to the cast for the program, and then we were onto the stage.

The set is taking shape – the nightclub takes centre stage with tables, chairs, lamps, a bar, a record player…  parquet flooring to come blurring into the extremities where prison cell, police interview rooms and the outside world are positioned. It’s a simple set but everything is pertinent, in place and neither too much not too little.

With three weeks to go until run week, it is immediately clear that the cast are not only comfortable with each other but complement each other perfectly. Characterisation is spot on, from world weary Shaw, mirroring Gale, to Martin’s youthful exuberance, Ellis’ glamourous and troubled personality …  and good girl Doris with a heart of gold. I read the superb script a few weeks ago, but these actors are already bringing the written word to life quite wonderfully, all aided and abetted by Debby’s suggestions, tweaks and developments as the evening progressed. Their use of the full depth and width of the stage kept the action flowing beautifully from nightclub to prison cell, to crematorium and back to the club.

The cast are well off book (that’s thesp-speak for “don’t need the script” !!) and while the prompt is used when needed the lines are there.  The production is in a good place.

So with a clever set, top casting, smart direction, and class acting what else does “The Thrill of Love” offer?  How about the sublime music of Billie Holliday? The show is interspersed her songs and cleverly so…  each song underpinning a scene’s messages and plot. It’s a wonderful symbiosis of art, and worthy of watching.

I’ve deliberately not given away too much of the plot this early hoping this piece serves as a teaser – the Wharf’s last three shows were all sell-outs and this one deserves to sell-out too. I’ll be back for a full review at the start of show week but don’t wait for that fuller review … I urge you to get tickets early while you can. You will not be disappointed.

Trust me…   I’m a reviewer 😉

“The Thrill of Love”, by Amanda Whittington, is performed at The Wharf Theatre between May 13th and May 18th, at 1930 each evening. Tickets are available from the Wharf website at https://www.wharftheatre.co.uk/show/the-thrill-of-love, or from Devizes Library.





Pig Hill No More! Swindon’s Fantastic Jazz & Soul Festival

If a rare journey to Swindon usually lands me in the Vic or Beehive, today things were going to be different. A lack of beer tap options was made up, tenfold, by outstanding acoustics of a nineteenth century church, a second stage in the accompanying community centre, an impressive all-day selection of jazz and African music, a delicious Jamaican food stall, and a unique and upfront experience locally with happy hospitality; welcome to the second day of Swindon Jazz & Soul Festival….I took my favourite jazzy hat, but left it the car!

Having been listing the regular club events of Jazz Knights at Swindon’s Royal Oak, generally on Tuesday evenings, for a while on our event calendar, it was high time I poked my nose in, and their annual jazz and soul festival at Old Town’s Christ Church was the ideal opportunity. It’s in its fourth year, folk there told me it’s become an unmissable annual attraction.

Arriving a day late, Friday concentrated on the soul element, climaxing with a Stevie Wonder tribute; would’ve enjoyed this but duty called. Saturday, I’m informed, is all about jazz; I’m somewhat in the dark with jazz hands and technicalities, but more than okay with that. Also, though, the community centre adjacent offers various styles and interpretations of African music; double-whammy.

The initial impressive element hits you before entry, the place is amazeballs. And once in, the acoustics in this colossal spire church are stupendous. This was supplied, at the time, by Cheltenham’s leading saxophonist and composer Kim Cypher, with the archetypal red beret and overwhelming quartet; nice hat, see?!

If jazz in its heyday was considered outrageous and one wouldn’t find it in a church, times change, clearly; all the pews accounted for by large age and ethnic demographics, all taking in the beautiful sounds of traditional jazz, in harmony, with a hint of red wine, said equally as much as the once popular Marlborough Jazz Festival. But I must check the community centre too, as Two-Man-Ting are already playing, and I know and love these guys, from them having played the trusty Southgate back in Devizes.

This Bristol-based duo consisting of English guitarist Jon Lewis, who has a clear penchant for Two-Tone and punk inclinations of yore, and Jah-man Aggrey, a Sierra Leonean percussionist, make for an amazingly unique sound with wonderful audience participation. They made it obvious, as a world music lover, this mini-Womad is going to be my preferred base for the day; found myself a comfy chair.

With an African fusion dance workshop with Morilie Taiwo of Dance Roots Africa in the centre, my two left feet sought the Jamaica Me Crazy stall to fill my soul food appreciation, which they did, mouth-wateringly. And between acts I sauntered from there to the main stage. Though my knowledge of jazz can be written on a matchbox, I know what I like. Bristol’s The Ibou Tall Jazzmates are causing an incredible sound, contemporary yet bebop, like Charlie Parker… to my untrained ear!

When I did drop back to the centre, a crazy-haired saxophonist was wandering through dancing crowds, and I guessed this must be Rhythm Of Africa, an experimentally yet entertaining, and often comical trio, exceptionally skilled in creating a beguiling sound through just djembe drum, guitar and balafon, the latter taken up by said saxophonist.

Things were more traditional jazz in the church, with the aptly named It’s Trad Dad, a passionate orchestra of accomplished musicians. All very conventional, tad swing, and delivered with an astute passion you couldn’t ignore. Here is what I was expecting to see, I got it with bells on, anything else was a bonus ball.

The crème de la crème of The African music showcase, Suntou Susso made my night, though; a bonus ball indeed. Half Gambian half Senegalese, Suntou Susso introduced the audience to his instrument of choice, the Kora. It’s a lute-harp multi-string instrument made from cow skin covered pumpkin, with a mahogany bridge, and he truly is a virtuoso of it. I’ve heard this instrument before, through an old cassette of Dembo Konte and Kausu Kuyateh, but I’ve never seen it played. To add to the already sublime ambience, Suntou completes this enchanting effect with a full funky backing band, proficiently tight and uniformed. It was, in short, a jaw-dropping awe moment.

I arrived at Swindon Jazz & Soul Festival concerned it might all be rather insular, born from a regular jazz club in a town erroneously preconceived to be cultureless, hence leaving my jazzy hat in the car! Figuring it’s akin to Mickey Mouse ears at Disneyland, or an I ‘heart’ NY in New York, isn’t it? Jazzy hat might suggest I’m desperately trying to conform, when really, I look like a twat in it; it can stay on the backseat, I didn’t need a cliché to fit in!

To consider if Oxford has its university and Bath has its Roman Baths, Swindon has its Magic Roundabout, is picky, you know this, and think of Spitfires, Doris Day, Edith New and the GWR; I believe anyone in a nearby town critical of Swindon has infrastructure jealousy issues! Still, I pondered that I shouldn’t expect miracles. I left feeling precisely the opposite. This comfy, quirky and buoyant mini-festival was certainly communal, but friendly and welcoming, and what’s more, the musical professionalism was of top quality. The hat wouldn’t have ruined the effect after all; it was as unpretentious as you’d want a jazz festival to be; bloomin’ marvellous!

Let me be the Melinda Messenger in your Billie Pipeline, local jazz aficionados take note, Jazz Knights is well worth trekking to Swindon for, and any and everyone looking for a unique and sincere music appreciation festival should bookmark next year’s Swindon Jazz & Soul Festival; I had fun there, my hat didn’t!

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Six Reasons to Rock in Market Lavington

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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasn’t quite dying,…

The Female of the Species to Fundraise for Rainbow Early Years in Trowbridge

Girls, girls, girls, we love them here at Devizine, especially our esteemed all-female local supergroup The Female of the Species. 2024 will be their ninth annual fundraiser, they announced details of it this week; yay! The grand total raised over the years must be incalculable, has won them Civic Awards and thanks from the Chartered Institute of Fundraising. But what is more, every event is a classic rock n pop n reggae n soul cover showstopper of such breathtaking proportions, I call it unmissable!

The Female of the Species are local girl power on fire; five ravishing frontwomen of five local bands, all of whom I fail every year to get any of their phone numbers! All working together in perfect union, with hints of naughty bantering and quality support acts. Jules Moreton of Trowbridge’s Train to Skaville, Nicky Davis from People Like Us and The Reason, Julia Greenland from Soulville Express, Claire Perry from Big Mamma’s Banned, Charmaigne Andrews from Siren, and the unforgettable Train to Skaville saxophonist, Karen Porter. All being amazing performers in their own right, together they’re an unsurpassable force which appears more harmonic with each year that passes.

Despite having obligations to their individual bands, they put their all into this trailblazing fundraiser, and they come together bang in the middle of Trowbridge, Melksham and Devizes, at Seend Community Hall, on the Saturday 21st September. Tickets are on sale, HERE, for a snip at £15.

This year we gather to raise funds for Trowbridge preschool Rainbow Early Years. They have only months to raise hundreds of thousands of pounds or face potential closure. Wiltshire Council have said the building it leases is “beyond economical repair.”

Rainbow Early Years has been a registered charity since 1993 and currently has 41 children enrolled, aged between two and four years old. Wiltshire Council are offering 25% of the cost of the building, the remaining needs to be found in order to keep the preschool open.

Parent and school volunteer, Cayla Harle told the BBC, “I came here as a child. My twins came here last year, and my little boy Arthur, now comes here too. (I feel) absolutely heartbroken. This place means so much, the staff here are incredible, they don’t deserve it.”

Manager Hayley Galliers told BBC Radio Wiltshire that she is unsure what exactly the problem with the building is. “Wiltshire Council said to us there’s an issue with the roofing, the electrics and the flooring. We’ve recently passed our health and safety inspection, the guy who did it said the flooring is absolutely fine. We’ve recently had our electrics done and also had our roofing repaired, so I just don’t see what the problem is.” Despite several requests Miss Galliers said the council has been unwilling or unable to provide her with the latest survey report, which was completed in 2022.

Councillor Laura Mayes, Cabinet Member for Children’s Services, Education and Skills, said “We have shared the contents of the survey with Rainbow Early Years but not the actual survey. There is a great amount of detail in the condition survey which would need to be explained, but we are happy to share this and talk through the details with Rainbows.”

Jules Moreton of Female of the Species told us, “when Julia and I met up with the charity, the staff were all really concerned about their jobs.” 

We wish Rainbow Early Years all the very best with their fundraising efforts, but one thing is for sure, The Female of the Species will give it a great boost, and have a whole lot of fun doing it! So be there, get your tickets HERE.

Trending……

A Quick Shuffle to Swindon

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Swindon Branch of Your Party is Growing

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No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuit…

DOCA’s Early Lantern Workshops

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REVIEW – The Lost Trades @ The Piggy Bank, Calne – Tuesday 16th April 2024

by Andy Fawthrop

The Start of Something Big?

Off and on we’ve been writing about The Lost Trades for a couple of years now.  Combining the individual musical talents of locally-based Phil Cooper, Tamsin Quin and Jamie R Hawkins, we’ve always been impressed with both their digital recordings and with their live performances.  Last night, as part of their current UK tour, they came to perform what was basically the first live music gig at Calne’s premier craft beer bar The Piggy Bank.

Although the Piggy is fast approaching its third birthday, this was the first ever dedicated live music night.  Previously there had been pop-up food nights, quiz nights and comedy nights, but finally it was time to combine the two finest complementary ingredients – fabulous acoustic music and great quality craft beer.  And what a success it was.  The local Calne crowd, who had always supported these events from the start, turned out in droves on a chilly Tuesday night.  Sold out some weeks ago, the room was packed.  This is after all a micropub, and not a concert hall, so space for both performers and audience was at a premium.  But was that a problem? – not a bit of it.  It was, let’s say “cosy”, and all the better for that.

Describing themselves as a “vocal harmony and multi-instrument trio with a cool Laurel Canyon vibe”, with a sound that is reminiscent of the California folk scene of the late 60s/early 70s, The Lost Trades’ three-part harmonies have been described as “flawless”, “spine tingling” and “magical”.  And with very good reason.

Playing tracks from studio albums 2021’s “The Bird, The Book and The Barrel”, and 2022’s “Petrichor” and their very recent live album, the Trades delivered a sparkling night of musical entertainment.  Their performance included the now-expected frequent swapping around of instruments, with each of them playing bass, guitar and percussion at different points in the show, and the usual relaxed, easy rapport both amongst themselves, and with a very willing audience.  They’re clearly comfortable now with their material, and obviously relaxed in each other’s company.  This closeness pays dividends.  As ever, their harmonies were spot on, with lovely acapella sections suddenly emerging in the middle of many songs.

Taking it in turns to introduce and explain the songs, and the meaning behind the lyrics, the three friends took the audience with them.  There was a wonderful intimacy established in the room as their three sets progressed, and the audience (usually quietly spell-bound during the songs) responded with loud and warm enthusiasm.  I’m no expert, but I’m pretty sure they made a lot of new friends last night!

An encore was an absolute formality.  A nice feature of such a packed room was that there wasn’t really the space for the band to do that formalised “let’s walk off the stage and then come back on again” routine.  There could be no pretence in such an environment.  The three of them were pinned to the stage, duly delivered their lost song, then took a well-deserved bow before a cheering crowd.

Difficult to top that – a simple ten out of ten from me for a great night’s entertainment.

So – is this the start of something big for both The Lost Trades, and for The Piggy Bank as a new Tuesday night music venue?  Time will tell, but both have now got the wind in their sails, so watch this space!

For more info you can always head over to thelosttrades.com and piggybankpub.co.uk  

Future gigs at The Piggy Bank are listed below. Most are already filling up, with only a few tickets left, so if you want to grab some top-class keenly-priced entertainment in Calne on a Tuesday night,  you know what you need to do!

Future music (and other) events at The Piggy Bank:

Tuesday 14th May  The Black Feathers

Tuesday 21st May  Crazy Bird Comedy Night

Tuesday 18th June  Jon Pearson “What Have You Been Up To?” (Comedy)

Tuesday 25th June  Jess Vincent & Katie Whitehouse

Tuesday 16th July  Crazy Bird Comedy Night

Tuesday 23rd July   Rob Lear Band

More information on these gigs (and tickets) are available via the pub’s Facebook page or on https://www.piggybankpub.co.uk/music

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Talk in Code Down The Gate!

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Weekly Roundup of Events in Wiltshire: 17th-23rd April 2024

Here we go with what we’ve found to do in the wilds of Wiltshire this coming week, exciting stuff, I know!

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.….

Wednesday 17th

Acoustic Jam at The Southgate, Devizes.

Emmanuel Coppey and Antoine Préat at Wiltshire Music Centre, Bradford-on-Avon.

Two times BBC Folk Award winner Daoirí Farrell is at Chapel Arts, Bath.

Memory Cinema, for those with dementia, at Swindon Arts Centre are showing A Funny Thing Happened On The Way To The Forum. Tom Houghton’s It’s Not Ideal at Swindon Arts Centre. Peppa Pig’s Fun Day Out at The Wyvern Theatre.

Show Of Hands – Full Circle Farewell Tour at the Cheese & Grain, Frome.

Thursday 18th

Quiz Night at the Peppermill, Devizes in aid of The Cotswolds Dogs & Cats Home.

PSG Choir taster session at the King Alfred Hall, Chippenham.

Thieves & Skiddy at The Tuppenny, Swindon. The Big Fat Monthly Quiz at the Vic. 

Memory Sing at Swindon Arts Centre. Primary School Assembly Bangers Live! at Swindon Arts Centre. Peppa Pig’s Fun Day Out at The Wyvern Theatre.

Fretn Keyz with Dave Howell at Rude Giant Beerhouse, Salisbury.

Friday 19th

Youth Work Auction Fundraiser at John O’Gaunt School, Trowbridge.

Take the Stage at the Neeld, in Chippenham. Chippenham Beer Festival too.

Bradford Roots Special at The Wiltshire Music Centre, Bradford-on-Avon with Billy in the Lowground, Daisy Chapman and Thieves; Ed’s pick of the week, that one is! Preview here.

The Droogs & John E Viztic at The Three Horseshoes in Bradford-on-Avon.

People Like Us at Prestbury Sports Bar, Westbury.

Swindon Jazz & Soul Festival, preview here. Draining The Swamp at Swindon Arts Centre. Barrelhouse & The Leon Daye Band at the Vic.

Wingin’ It at The George & Dragon, Salisbury. A Murder Mystery at Salisbury Cathedral.

Johnny Cash Revisited at Chapel Arts, Bath.

ex Wishbone Ash, Martin Turner  is at The Tree House, Frome.

Saturday 20th

Roma Antoine Exhibit and Art Sale at Tonka Bean, Devizes. Devizes Swap Shop at St James Church. The Bren Jones Big Band at the Wharf Theatre. Strange Folk at The Southgate. Down the Hatch at The Three Crowns. DJ Tappa Tappa at the Exchange.

Oriental Antiques Indigo Antiques Open Day at Manningford Bruce, Pewsey. Dutty Moonshine at the Barge on HoneyStreet. @59 at The Woodborough Social Club.

Marty’s Fake Family at The Pilot, Melksham.

The Future Sound of Trowbridge #8 at the Pump in Trowbridge; preview Here.

Mighty Magic Animal at The Three Horseshoes, Bradford-on-Avon. Griff Rhys Jones: The Cat’s Pyjamas at Wiltshire Music Centre.

Pop-Up Bowie at Chapel Arts, Bath.

Driftwood at Tucker’s Grave Inn, Faulkland.

Junkyard Dogs at The King’s Arms, Amesbury. Are You Worthy & Grant Sharkey at the Winchester Gate, Salisbury. Salisbury Pride Fundraiser at The Hope & Anchor, Salisbury.

Rosie Holt – That’s Politainment! at Swindon Arts Centre. Wrong Jovi at the Vic. The Worried Men at The Queen’s Tap. The Tin Shack Band at The Woodlands Edge.

The Shires at the Cheese & Grain, Frome is sold out, so too is Bare Jams at the Tree House. Try the 41 Fords at The Sun; we love the 41 Fords!

Sunday 21st

Mr Griff at The Southgate, Devizes from 5pm. Devizes Town Band Showtime Sensations at the Corn Exchange, Devizes.

Open Mic at Red Lion, Lacock.

Jazz on Sunday Afternoon at Little Cheverall Village Hall.

The Dirty Weather Blues Revue at The Three Horseshoes, Bradford-on-Avon.

VW Campfest begins at Stonehenge.

Mini Ravers – Spring Tour at The Cheese & Grain, Frome.

Monday 22nd and Tuesday 23rd

I got nothing, yet; keep a keen eye on our updating event calendar, as I’m way behind updating it, and still got the front garden to sort out! Weeds, huh? I used go out to the garden to smoke de grass, nowadays I just go out to the garden to cut de grass!!

And that’s all we’ve got for now, other than some technical gubbings to say: Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

Have a good week!

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A Busy Week For Lunch Box Buddy!

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Steatopygous & SHOX: Two Teen Devizes Punk Bands Appear on Trowbridge’s Pump Triple-bill this Saturday

Two teen Devizes punker bands appear on Trowbridge’s Pump triple-bill this Saturday, as the search for the Future of Trowbridge reaches its eighth instalment; unsure if Flo, our youngest reporter (by a country mile!) will be on the scene, so I’m tempted to leave my embarrassing grandad cap in the drawer and have a nose myself….

A new one on me, Menthol Lungs headline the show, with an ambiguous base I’m taking a wild stab in the dark to be Trowvegas. They promise hardcore shenanigans which never fall below 180 bpm. I might try to attempt to keep up with that, but kids, please stop me if you see me turn purple!

Now, our town’s newcomers, riot front-grrrl Poppy Hillier, bassist Eliza Brindle and drummer boy Ewan Middleton, aka Steatopygous, take the middle slot. In accordance to Flo’s recent interview with them, in true punk DIY fashion this band formed at Devizes school, and was the one she was most excited to see at the youth gig set up by Devizes Youth Action Group at the Corn Exchange in Feb.

Progressive indie fusion with a drum n bass DJ, apparently, SHOX also played the gig, and Flo had only good words to say about them too, concluding thus, “these guys have some awesome ideas, which makes them stand out and make a unique sound that I would love to hear some original songs with.” A concept that leaves me intrigued, I must say.

There’s one damn decent way to further these band’s progression locally, and that’s to feature at the one true venue dedicated to being their, and so many other upcoming talents’ launchpads, The Pump. Whereas most venues want to bring in a big name, The Pump strives to introduce you to the next big names…. Bloomin’ lovely place too.

Bucking the trend of depleting support, this Trowbridge golden nugget goes above and beyond grassroots schematics to host what will surely be, The Future Sound of Trowbridge. Hats off to all who sail in her, and I’m over the moon if it is to be suggested Flo’s excellent coverage of the Devizes Youth Action Group gig on Devizine encouraged Mr Moore, our favourite-most promoter, to book these two. But, hey, if we’re talking hats, there’s bound to be some other codger to share gardening tips there, surely? What the hell, if I do attend this gen z hoedown I might take my grandad cap after all! Best of luck to Menthol Lungs, Steatopygous, and SHOX. 

Tickets are only a fiver, go, invite your grandad along too! HERE.

The Future Sound of Trowbridge #8

Bradford Roots Session Special With Bill in the Lowground, Daisy Chapman & Thieves This Friday…..

There will be some foot-tapping folky goodness at the wonderful Wiltshire Music Centre in Bradford-on-Avon on Friday. This year’s Bradford Roots Festival may be a fleeting memory, but it seems they can’t wait for another January, so 19th April sees a session highlighting some fond favourites; if you’re looking for something to entertain you, I thoroughly recommend it….

Two bands on a triple bill, both which achieve a perfect balance; barefoot fiddler and banjo bashing Broughton Gifford-based headliner Billy in the Lowground, a well-established west-country come Americana favourite who have that rare knack of stabilising an up-tempo pitch with concentrated narrative. And the new ensemble of Adam Woodhouse called Thieves, who mightily impressed me at this year’s festival with that perfect balance of vocal harmony bluegrass and darker country blues.

Nestled between these two fine bands you need not accept a substitute. Trowbridge living legend Daisy Chapman is also on the bill. An early time slot at this year’s festival meant I still haven’t managed to scrub her name off my must-see list, despite briefly touching base with her and, naturally, fondly reviewing two of her albums over the years. Unique is an understatement with Daisy, and if we’re talking about perfect balance, I couldn’t say if it’s the euphoric and epic musical style of her folk, or her astounding writing ability which sets her above your average local singer-songwriter, so I wager it’s both!

Wiltshire Music Centre’s dedication to, and not to mention development of local music is second to none, as well as hosting a wide variety of international musicians. This one is going to leave you contemplating it was twelve pounds well spent, with certainty.

Tickets HERE

*CANCELLED* Bradford Roots Sessions

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Jammin’ till the Jam is Through: The Marley Experience Came to Devizes 

I woke up yesterday morning long before the rising sun, but I did have a smile, because I witnessed the sheer magic of The Marley Experience at CrownFest last summer, and knew Devizes would be beautifully showered in one love; it didn’t disappoint….

They came to our Corn Exchange, rarely blessed with reggae, to pay a respectful and sublimely entertaining homage to the undisputed king of it, and raised the roof considerably higher. With professionalism, astute attention to detail and a prodigious heap of gusto,The Marley Experience is a live phenomenon must-see for anyone with so little as just a passing interest in reggae; and who hasn’t?! It’s the offbeat, isn’t it? That little jump which makes it so appealing, that, and its marriage between narrative in songwriting and danceable beats we rarely see in other pop genres; well, it is for me! 

I’d only seen a few tribute acts prior to starting Devizine, thus was critical of their worth to begin with. Then my investigations led to an invitation to see a different Bob Marley and the Wailers tribute in the Sham. I thought of this as a true test, to impress me by tributing an artist I idolised rather than one I could take or leave. But they delivered, and this reinforced my devotion and commitment to tributes in general; at the time I never imagined a Bob Marley tribute could’ve topped it.

Amazing as this other Wailers tribute was, particularly visually, I felt the show was, at times, rather unmalleable, or structured, by comparison to the loose and causal vibrations of the real McCoy. To have been lucky enough to have seen Bob Marley and the Wailers perform during their peak would, I’d imagine, have been an experience less lucid, more spontaneous and extempore. While arguably not quite as meticulous visually, The Marley Experience seem to have a better handle on this looseness priority, projecting a far more relaxed and comfy attitude, and resulting in something less ostentatious, joyful in ambience; precisely how I’d imagined a real Bob Marley concert to have played out.

Amusing story from a documentary, when the original Bob Marley and the Wailers lineup with Peter and Bunny attended an Old Grey Whistle Test for the BBC in 1973. A BBC engineer had a wonky preconception of the mechanics of the reggae style and tried to intervene, claiming what the band were playing wasn’t reggae! Whatever his presumption was didn’t matter because reggae, from ska to dancehall, is progressive, never stagnant; these were raggle-taggle Trenchtown rudeboys doing what they do, I think they knew full well what reggae was, and that you’d have been extremely foolish to question them about it! 

Reggae branches on equally as many tangents as rock or soul, perhaps more. It’s this pliability which rewards it with its charm and magic. No tribute act is supposed to be Madame Tussauds, particularly a reggae one! It’s surely a musical commendation and adulation, something The Marley Experience clearly acquired, proudly and ingeniously; musically precise, and that is, after all, what we surely want from a tribute act, not a duplicate, but an interpretation of, a homage.

There’s a plentiful beloved back catalogue of Bob Marley and the Wailers not to have to delve deeply into rarities, rather provide the audience with a setlist of the songs they know and love, and they did this. From One Love and Three Little Birds, they sure moved the crowd. Ballads like Stir it Up and Waiting in Vain were irresistibly causing partners to embrace, and his militant songs of unity, Buffalo Soldier or Get Up Stand Up were performed with such superlative passion, well, it might as well have been the real thing. And as Bob Marley & The Wailers fanboy number one, that’s definitely the highest accolade I could reward. 

They held Exodus off until the encore, leaving the crowds screaming for more. Perhaps the most obscure song choice being Soul Rebel, they marched on through the known classics with certain professional ease, and appeared to have a lot of fun doing it. The joy of performing reflects on the audience, and I didn’t notice one face in the crowd not in awe of what they were witnessing, much less attempt to stand still!

The atmosphere was enhanced by the quality of sound and lights, and the perfect engineering we’ve come to expect from Wiltshire Music Events; they promise to return to Devizes in style; watch this space.

The brilliance of The Marley Experience took flight only after a wonderful set from John and Joylen, aka Illingworth, an acoustic duo with said worth, active on the local pub circuits and a cut above the rest. Favourites of Wiltshire Music Events and session musicians for their Tunnel Rat Studio in Salisbury, the pair did themselves proud, I’d have expected no less from them. With some wonderfully executed covers of rock classics, it made for an alternative to the more common option of a reggae DJ to support, and Illingworth saw it as a convenient opportunity to add a higher number of their own compositions as they might usually perform in a pub scenario; something you’ll never see me grumble about.

But, if there was a natural mystic blowin’ through the air last night in Devizes, if you listened carefully you’d have heard; watching the news and international tensions unfold, there’s timeless words in Bob Marely’s writing equally as poignant and relative today as they were when he wrote them. Yeah, we have this film, yeah we have Marley grandchildren sampling his works, but more grounded and achievable to go see, the strength of a good tribute act to him will do more than entertain, one hopes, it will serve to continue and resound the plain and simple message he profoundly wailed, and The Marley Experience have that commitment, passion and skill to do exactly that, plus get us easy skanking, naturally!

Trending…..

Static Moves Crawling Back With Debut Single

In a way it’s more intriguing when a cover band sends an original song than one already producing originals. For if original bands can sometimes be critical of the desire of pub venues to value cover bands over them, yeah, your average cover band is heeding the call for their bread and butter, but are…

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Salisbury Musicians Record Fundraising Single in Memory of Thom Belk

A feast of Salisbury musicians have recorded the single Edge of Reason, a powerful tribute to the irreplaceable Thom Belk, a champion of Salisbury’s music scene who sadly passed away at the end of 2023…. “Thom’s passion for local talent lit up this city, and this song is our way of keeping that flame burning bright,”…

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Devizes Food & Drink Festival Programme of Events Released

Devizes Food & Drink Festival launched their 2025 programme of events today. Running from Saturday 20th to the 28th September, the Box Office opens online and at Devizes Books on August 11th; can you wait that long or is your tummy rumbling already?! The free Street Food and Artisan Market will take place in the Devizes…

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Sax in the Country; Patsy Gamble Jazz Trio Comes to Bromham

After an inaugural midweek gig with local legend Andrew Hurst this month, it seems Bromham’s St Nicholas Church could be the unexpected new rural music venue worth talking about, as jazz saxophonist Patsy Gamble arrives on Wednesday May 15th…..

If brass is class, Stroud’s Patsy Gamble comes with an impressive résumé. A British Blues Award finalist in 2011 and 2012, Patsy plays soprano, alto, tenor and baritone saxophones and has performed across Europe and the Middle East. As a session saxophonist with one of the UK’s top horn sections, The Little Big Horns, there’s a hall of fame of names she’s worked with, from Steve Winwood, Mick Jagger, Paul Weller and Suggs, to Jasper Carrott.

Patsy performs freelance and with her own bands, The Patsy Gamble Blues Collective, and both as a jazz trio and quartet, is a vocalist, composer, and somehow even finds time for some art on the side!  You may have seen her working with the incredibly cool Eddie Martin, a regular axeman on our circuit, and a particular favourite at our trusty Southgate in Devizes. You can also catch Patsy with her Blues Collective on Sunday, 26th May, at The Southgate.

But it’s the jazz trio appearing in Bromham, with Tristan Watson on guitar and bassist Duncan Kingston, and there’s nothing better to cure those midweek blues than a touch of jazz, but you knew tgat already….

Tickets are £15 from HERE

Michelle Donelan’s Fake Magazine Promoted By Drink Driving Fox Hunter

And so it begins. Expect an influx of Tory propaganda and lies rammed through your letterbox over the coming weeks; you’d be better taking your chances clicking on a link from an Indonesian newsite claiming Simon Cowell is in hospital than believe any of the crap spewing from their mouths…..

Who’s had this one recently dropped like a bombshell onto their doormat, You & Your Family?! It’s NOT a delightful blithe local Hello magazine some nice neighbour thought you’d like to browse, it’s a propaganda leaflet of lies and deceit from a desperate ruling political party, only playfully disguised as a delightful blithe local Hello magazine, and you would be a fool to believe any of it. I hope they don’t mind that we remixed it, added a few truths.

From our own Conservative MP, Michelle Donelan, You & Your Family avoids the blue colour of the usual Conservative corporate identity, and goes for the neutral, coffee table magazine look in an attempt to disguise its true nature. It doesn’t even mention the political party she’s affiliated with, rather shamelessly masquerades as something it’s not; they’re that proud of their party they have to hide it!

Now, if the fact that both Michelle’s partner, and his father both set up companies to supply bogus PPE to the NHS during the pandemic, and recently this Secretary of State for Science, Innovation and Technology faced court action for falsely alleging on X scientist Professor Kate Sang of Heriot-Watt University had expressed sympathy for Hamas, which she used £15,000 of taxpayer’s money to bail herself out of, isn’t enough tory scandal to put you off ever voting for them again, note this fluff pamphlet of deceit has been promoted by none other than our old pal, Jonathan Seed.

Yep, in the tiniest writing on the back it names Jonathan Seed as the promoter. Once huntsmaster of the Avon Vale Hunt, who busted a few heads in Lacock one Boxing Day while a police officer hunter herself turned a blind eye, and were so sure of themselves they convicted themselves, filming themselves killing a fox and posting it online!    

Dammit, I thought we’d heard the last of this seedy by name seedy by nature character, who I warned you all about when he told me anyone campaigning against the needless and brutal slaughter of our wildlife is an online troll. He was going for the Police Crime Commissioner role at the time, a keen Countryside Alliance chappie, hoping to persuade the rural crime team to turn a blind eye to hunting. And despite me telling you he was a wrong-un, the majority voted for him, because he had his picture taken with Boris Johnson, a very trustworthy prime minister after all.

He won, if you recall. But he didn’t seem to care; he had previous convictions for drunk driving and many other offences, which he failed to disclose to the electorate, and pulled out after the election, costing the local taxpayer millions for a re-election. The result of which changed nothing as he was swiftly replaced in the PCC role by Tory crony Phillip Wilkinson who is equally critical of anti-hunt supporters and admitted attending hunt balls himself.

So when you read your magazine, You & Your Family, spare a thought for You & Your Family, for the ones promoting it, the ones lying in it, couldn’t give a finger of fudge about  You & Your Family, for if they did, they wouldn’t be fleecing the NHS, the taxpayers to fund their own mistakes, they wouldn’t be drunk driving, or posing a danger to the public pursuing a fox to slay for pompous drunk kicks, now, would they?! There’s a lot of people out there trying to scam you, clearly, the Conservative Party is the worst offender yet. 

PREVIEW – White Horse Opera’s Puccini’s “La Boheme”@ Lavington School, Devizes – Wednesday 10th, Friday 12th, and Saturday 13th April 2024

by Andy Fawthrop

A Sparkling Production

Last night I was privileged to sit in on the Dress Rehearsal for this wonderful production.  It was like having a private viewing of a great work of art, with a chance to see how it all came together, and to figure out what made the whole thing tick.  It was also a chance for cast and crew, together with Musical Director Roland Melia, and Stage Director Matt Dauncey to iron out any last-minute wrinkles.  There were a few but, as the song goes, too few to mention.  This show is absolutely ready to go live for the rest of the week!

Giacomo Puccini’s La Bohème is one of the most famous operas ever written, following the unforgettable story of two young bohemian lovers in Paris at the end of the 19th century. When young poet Rodolfo meets seamstress Mimì, it’s love at first sight. But, faced by the cruel realities of poverty and ill health, will the flame that burns between them flicker and die? Or will the timeless strength of their youthful passion withstand every trial and tribulation that life can throw at them? With a great love story comes a beautiful score, including arias like Musetta’s Waltz and ‘Yes, they call me Mimì’ (Si, mi chiamano Mimì).

A classic tale of tragic romance, La Bohème is a great opera for beginners and regulars alike. Director Matt had updated the setting to the 1960s, with fashion to match but, to me at least, it made little real difference to the superb quality of musical operatic delivery.  Using WHO’s trade-mark stripped back lines in terms of scenery backdrops, props, costumes and musical accompaniment, this was nevertheless a production that felt rich and full.

The four principals absolutely shone.  Guest tenor Robert Felstead (Rodolfo), and WHO stalwarts soprano Lisa House (Mimi), baritone Jon Paget (Marcello) and soprano Jess Phillips (Musetta) all put in superb performances.  And that’s not to diminish the quality of the rest of the cast in any way.  Contributions all round were spot on, and the staging was confident and upbeat.  The rapid interplay of dialogue singing during certain scenes meant that everyone had to be completely on their game and if there were any slip-ups I certainly didn’t spot them.

The whole production is sung in English in four acts, with a half-time interval. The programme provides excellent notes and a synopsis of the plot for each act, and the whole thing wraps up in about two hours.  These factors make the production accessible to all and easy to digest.  If you’ve not tried opera before, this is the sort of production that should change your mind, and I’d encourage anyone to give it a shot.  Equally those who are perhaps more familiar with the opera will not be disappointed, as what’s on offer here is a truly sparkling version of a classic.

Tickets are still available (both online and at Devizes Books) for performances tonight (Wednesday), and for Friday and Saturday.

Future WHO events:

Sat 18th May                       Top Of The Ops                                Seagrey, nr Chippenham

Fri 6th December              Christmas Concert                           St. Andrew’s Church, Devizes

2025 – La Belle Helene

More information on WHO is available HERE

Weekly Roundup of Events in Wiltshire: 10th-16th April 2024

Spring has sprung! There were two snails on my milk-float this morning, opening “doing it,” without shame; absolute filth! …. I should have filmed it (in a jealous rage!) there might be a gap in the market for mollusc porn! Birds, bees, now snails, they’re all getting some!

Okay, let’s get you out and about, and you never know your luck, you too can be like those snails! Here’s what we’ve found to do in the wilds of Wiltshire this coming week…..

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.

Ongoing: Devizes RAF Squadron still have their Easter Egg Hunt running across Devizes, until 14th April; I’d have eaten the lot by now!

And then There Were None runs at the Wharf Theatre, Devizes until Saturday; review HERE.

Wednesday 10th

Crafty Kids at Hillworth Park, Devizes. Acoustic Jam at The Southgate. White Horse Opera’s La Boheme at Lavington School opens and runs up to Saturday.

Runny Snotts Open Mic at the Three Crowns, Chippenham.

Dom Martin Solo Tour with special guest: Demi Marriner, at Chapel Arts, Bath.

 Easter Panto, Beauty And The Beast at The Wyvern Theatre, Swindon. Pop Kids Mini Rave at the Vic, with a Big Jam Session in the evening.

Thursday 11th

PSG Choir taster session at the King Alfred Hall, Chippenham.

Boo Hewerdine plus support: Vlado Nosal at Chapel Arts, Bath.

Tommy Hale & the Magnificent Bastards at the Beehive, Swindon. Lost Revellers at The Tuppenny. Tanwood Youth Theatre’s Frozen Jr. opens at Swindon Arts Centre, runs until Sunday. An Evening Of Burlesque at The Wyvern Theatre.

Friday 12th

Karaoke Night with Karl Maggs at the Exchange, Devizes. 

Open Mics at The Barge on HoneyStreet, and The Parade Cinema, Marlborough.

Americana Beer Festival at The Bell, Bowden Hill, Lacock.

Sound of the Sirens at the Pump, Trowbridge, with Bluebeard in support.

This Carpenters Masquerade at Melksham Assembly Hall.

West of England Youth Orchestra Relaxed Family Concert at Wiltshire Music Centre, Bradford-on-Avon. Heavy For the Tropics at The Three Horseshoes.

Jon Amor Trio at The Ram, Bath. Emma Stevens Band’s “Bloom” Tour plus support from BLÁNID at Chapel Arts.

Barrelhouse at The New Inn, Swindon. Motorheadache at the Vic. Plucking Different at the Beehive. 12 Bars Later at The Village Inn, Shaw. Sir Bradley Wiggins at The Wyvern Theatre.

The Scribes’ Boombox at the Winchester Gate, Salisbury.

Saturday 13th

Museum Explorers Club – Animals in the Museum at Wiltshire Museum, Devizes. Museum Explorers club is for 5-7 year olds and is an introduction to popular topics such as the Romans and Ancient Egyptians. The Great British Yarn Crawl at Pins & Needles on Snuff Street, Devizes.

Humdinger at The Three Crowns, Devizes. Cooper’s Creek at The Southgate. Dreamettes at Devizes Conservative Club. And Stevie MC is in the mix at the Exchange.

But, Editor’s Pick of the Week is The Marley Experience at the Corn Exchange, Devizes. I’ve been looking forward to this since CrownFest last summer; hope to see you there…jammin’ ‘til the jam is done!

Meatloud at Melksham Assembly Hall. The Corsairs at The Grapes. The Singing Herdsman at The Pilot.

The Chaos Brothers at The Talbot, Calne.

The Monkey Dolls at the Lamb, Marlborough.

The Exact Opposite at the Pump, Trowbridge. 

The Idle Silence, Cult Python, & Otterman at The Three Horseshoes, Bradford-on-Avon.

Fire & Rain & American Pie at Chapel Arts, Bath.

Stockers Street Food Festival at The Hop, Swindon. The Daybreakers at the Vic.

The Good Old Fashioned Lover Boys at Tuckers Grave Inn, Faulkland.

The JB Conspiracy at the Winchester Gate, Salisbury. 

Top Secret – The Magic of Science at the Cheese & Grain, Frome. Mother Vulture at The Tree House.

Sunday 14th

CSF Wrestling at the Corn Exchange, Devizes.  Jon Amor Trio Special with guest Stevie Watts at The Southgate.

Open Mic at Red Lion, Lacock.

Deadlight Dance’s The Wiltshire Gothic Album Launch at The Blue Boar, Aldbourne. Album reviewed HERE.

Murder Trial Tonight at The Wyvern Theatre, Swindon.

Barney & Kelly at The Three Horseshoes, Bradford-on-Avon.

Monday 15th

Macbeth at Swindon Arts Centre, also runs on Tuesday.

Tuesday 16th

The Lost Trades at The Piggybank, Calne.

Swindon Jazz & Soul Festival Fringe event for Jazz Knights at The Royal Oak, Swindon, A celebration of Herbie Hancock, with Tom Berge.

Poetika at the Winchester Gate, Salisbury.

And that’s all we’ve got for now, other than some technical gubbings to say: Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

And, while we’re planning ahead, April is hotting up, believe me, loads of good, good, even gooder stuff and stuff gooder than them! Have a look at the coming month HERE.  

Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

Have a good week, One Love.

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Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this “Clash of the Titans,” but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes can…

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Café will close on Saturday 23rd August, marking exactly two years since its opening…

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had to…

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathews…

The Clones at the Three Crowns, Devizes

Forget your pedal board setup for a moment, it was as if The Clones knew precisely what buttons to press to rouse the party crowd at The Three Crowns in Devizes last night, and whilst I’d admit it doesn’t take a lot to get them going, this four-piece certainly put an earnest shift in…

It seems irrefutable, the Three Crowns is the go-to pub to party and let your hair down in Devizes right now, particularly for Millennials and those tipsy enough to think they’re also twentysomething, like, I dunno, me?!! These wheels have been in motion for a few years and show no sign of slowing yet. It’s busy but hospitable, uses card-only payments to speed up service, inside it serves a respectable plate, and if previous generations favoured DJs in club format, the modern method of live cover bands is the epoch The Three Crowns abides by, and delivers in a spacious heated and covered beer garden, with zest ….but you knew this already, right?!

Whilst there’s the obvious popularity of regularly returning local bands such as People Like Us, The Roughcut Rebels and Illingworth, it’s a blessing to see a new band to the pub attract the same colossal positive response. The Clones hail from Corsham, I was unaware of them and my curiosity paid off. As we witnessed in Devizes last night, they sure put the cor in Corsham. Akin to when Pewsey’s Humdinger arrived in a blaze of glory, the punters showed them the Devizes appreciation and the atmosphere was electric.

Through a motley genre-mapped setlist they delivered a range of covers all with gusto, sharp class and attention to detail. Two lead singers generally adopted different stances, one taking the funky, soul numbers, with a sublime medley of Superstition and equally funky classics, the other with a penchant for eighties new wave, mod to Britpop; the Jam’s A Town Called Malice being my fav of the set, if I was forced at gunpoint to provide one.

Yet both duetted on a number of miscellaneous pop and rock classics. There were few tunes you might consider cliché, but they handled this well because often the crowd wants this, and mostly though sing-a-longs, they weren’t the archetypal songs to falter a cover band setlist. Daring attempts too, from Bowie to Jacko’s Billie Jean, there were some your average cover band should only try at home! It was nonstop fun, never attempting to sooth with a love ballad, or experiment with a synth, just the rock n roll four-piece format of drums, bass and lead, brought up-to-date with an exemplary setlist to rouse any diverse demographic audience.

It was loud, proud, and teetering with polished enthusiasm and professionalism. Landlords, if you want a band to make your punters thirsty by jumping for joy, this might be the cover band for you.

Trending….

“And Then There Were None” at The Wharf Theatre, Devizes, April 8th-13th 2024


By Mick Brian.
Images by Chris Watkins Media


Mention the name of the author “Agatha Christie” and most people will immediately think of her two main detectives, Hercule Poirot and Miss Marple. But Christie wrote more than just crime mysteries featuring these two characters …  her prolific creative palmares include many stories without these protagonists. Arguably her most famous such tale was published in 1939 with a title that it is unacceptable to use in these far more enlightened times. In 1985 in the UK that title was amended to “Ten little Indians”.


During World War II, she used that book to produce a stage play, named for the already re-named US title “And Then There Were None”. The book’s grisly ending was amended for this stage play, in an attempt, allegedly, to provide a lighter feel-good ending during the dark days of 1943, though later an alternative ending matching the book’s was written. Directors are free to choose whichever ending they wish…

Having read both the book and now the play, it must be said that the book stands up to scrutiny far better than the play does. There are some rather glaring oddities in the plotline of the play that just don’t withstand a very deep forensic review. One rather gets the impression Christie may have been asked by “somebody” to create the play as a matter of public levity at a sombre time in history, and do so quickly, and as such the play itself seems at times quite slapdash. Key areas of the book are omitted in the play or included in one ending and not the other.

That all said the story is a rollicking one, fast paced and leaves the audience guessing right until the very end (unless they have seen the play, or films, or read the book of course!). And I must stress that the limitations of the play itself as above do not reduce the impact or the Wharf’s performances one iota. The pace is so frenetic that any possible plot oddities probably pass unnoticed as the audience is taken on the roller coaster ride of ten people on a secluded island all being murdered one by one by an unknown assassin.

Rose Fitter’s direction, ably assisted by John Winterton as assistant director and the Wharf’s excellent tech crew have created two and quarter hours of gut churning intrigue and suspense. Costumes by Gill Barnes and her team are totally spot on for a 1939 house party of “rich folks”, waited on by two domestic staff. The set is a classic one room country house murder mystery replete – of course – with “ten little solder boys” and their poem quite rightly literally taking centre stage. There are some lovely, clever stage management touches (Beth Ramsay) throughout the show but to let on here would spoil the impact of them …

The cast of eleven deliver Christie’s lines with panache, aplomb, and tempo. And what a cast! Many familiar faces to Wharf regulars mixed with a new face or two. I shan’t go into details of each cast member here because this review would become “War and Peace” length, but its is more than fair to say that each and every character is fully believable, from obstreperous boatman to deferential staff, hardened and cynical, or repentant, ex-army and ex-police officers, naïve secretary, puerile playboy, quasi-evangelical bigot, stressed doctor and sardonic judge.

The dress rehearsal wasn’t devoid of a couple of slips but given the high pace and quick-fire interactions of the script in a community production that is maybe understandable.

What is thoroughly commendable is that three characters – Claythorne, Lombard and Blore – between them have 60% of all the lines in the play, and with Wargrave 70%.

Not that this diminishes the rest of the cast – the performance thrives as mentioned above on the superb characterisations displayed by everybody involved and the acting displayed is absolutely top notch. The wharf’s own intimacy aligns itself particularly well as usual – those in the front row particularly are literally just inches from mayhem, arguments, and corpses!

Finally to that ending…  as the opening paragraphs mention there are two endings available for this play. So, which is it that this performance uses? Well…  you’ll have to come along and see it to find out! But on that note – this run of six nights is sold out, so if you have a ticket, you are in for treat. If you didn’t manage to procure one there is always the chance of a return but after all…  with regards to tickets…

And Then There Were None…

CAST
Narracott                          Frank Jones
Mrs. Rogers                     Carolyn Miles
Rogers                               Chris Smith
Vera Claythorne            Anna Leyden
Lombard                           Paul Snook
Marston                             Fraser Normington
Blore                                   Ian Diddams
Mackenzie                        Steve Keyes
Emily Brent                      Sian Stables
Wargrave                           Pete Wallis
Dr. Armstrong                Julie Atkinson-Baker

“And Then There Were None” is performed at 1930 each evening Monday 8th April to Saturday 13th April 2024 at the Wharf Theatre, Devizes.

Trending….

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLES’ and music festival Block Party take over…

Six:Teen Edition; Devizes Music Academy’s Historic Pop Blast Showcase!  

Images Used With Permission of Gail Foster

Last night at Devizes Corn Exchange I, and a packed house, witnessed the retelling of the six wives of Henry VIII, in an unique, contemporary and dazzling way. It was as if Andrew Lloyd Webber was directing Little Mix in a musical of Horrible Histories….

Without hindsight I admit, I was apprehensive it would be my cuppa. It was mostly the fact young Jess Self starred in it which drew me to it. Truly a natural born star, I’ve witnessed firsthand the range of dramatics she handles with sublime ease, yet I was concerned her talent may upstage the other students appearing in Devizes Music Academy’s inaugural showcase.

I wasn’t wrong about Jess’s talent, playing the part of Jane Seymour, her solo ballad much in the musical style she’s accustomed brought the house down, but I hadn’t predicted how exceptionally close to that pedestal the other cast members would attain. It was a bonded girl band, to all intents and purposes, akin to the non-uniformed Spice Girls, where each girl’s contrasting characteristics and personalities have the freedom to be played out, but the ingenious part was that both the individuality of each performer, and the characters of the wives of Henry VIII intertwined so wonderfully if the concept is difficult to imagine, it simply worked wonders through their dedication.

Image: Gail Foster

I mean, yeah, Devizes most prestigious stage, the quality of light and sound engineering, and the clever design of the dresses to mesh Tudor styles with contemporary fashion, all benefitted, but the magic truly was in the performance, as they boomed onto the stage brewing with both with the joy of performing and confidence of an established pop band on tour. Backed by the precise choreography of the remaining students, the six wives came out in a force of unison, as did they finalise the show with two additional numbers.

With just enough narrative to inform and not prevent it turning into a full blown play, rather a pastiche of a pop party, they jostled each other for the spotlight with amusing Gen Z banter and staged a song-off battle brimming with historic facts. It was uniquely brilliant.

Image: Gail Foster

Each took a solo pitch in the chronological order of the King’s wives. I tried to keep track of this despite mostly staring out of the classroom window during history lessons! Katherine of Aragon first, played enthusiastically and skilfully with the egotistical diva of Miley Cyrus, by Ruby Phipps, and you’d be forgiven to assume her astute and amusing quips and side-eye glances at the others would be a comical showstopper, much too was the confidence in her vocals.

Amelie Smith as Anne Boleyn followed. A contrasting but equally engaging performance, with the Cockney-pseudo-rap-singing fashion of Kate Nash. It was clear each modern pop sub-genre would be inclusive with each solo, and each performer’s personal attributes would be encased within their characters; the casting was defined with excellence.

Image: Gail Foster

Jane Seymour next, her family-orientated persona perfect for Jess Self to light up the stage with the aforementioned breathtaking musical ballad. Truly a star, but the others, I now know, are too.

It then all went all Europop for Anne of Cleves, adapting her Germanic roots in the House of La Marck as a tekno club intro was a stroke of humorous genius. Played with gusto and inimitable panache, the exceptionally talented Kelsey Husband took no prisoners in a neo-soul blast akin to Missy Elliot come attitude of P!nk in a period drama; wowzers, it was as cool as a cucumber!

Image: Gail Foster

Mia Jepson as Catherine Howard implemented a more punky, indie fusion, as if lead in a Republica style band. The result was spellbinding and contrasting, and performed with confidence, as if singing like a rock legend was child’s play to Mia!

Image: Gail Foster

The final wife Kateryn Parr, played with a certain brilliance by Lisa Grime returned the vibe superbly back to a soulful ballad, and through beautiful vocals the harsh realities of their fates begun to reside over the folly and excitement of fame, exactly the downside of Henry VIII’s wives and contemporary pop stars might equally face. And that was where the unique spin resided. I said from concept to production the idea was a stroke of genius, didn’t I?!

Sure, we’ve seen modern makeovers of biblical or historical stories in musicals, from the Romeo and Juliet adaptation West Side Story to Rice’s Jesus Christ Superstar, but nothing I know of which reflects a Gen Z pop concert to the letter, in so much as it was more a pop concert than play, and this conveyed the preference of the generation, and breathed zest and joy into a head-chopping historic referenced narrative.

Image: Gail Foster

A mahoosive congratulations to director and mentor Jemma Brown, and all the awesome students of Devizes Music Academy. It was absolutely fantastic, enough to take on tour, or perhaps, if you all became presenters of the History Channel, they’d move it to MTV and actually get viewers!!

While there’s many great local options for schools of performing arts, judged from the quality of this show alone, Devizes Music Academy shows real potential in creating current programs which would really engage the youth of today. 

Trending….

Hotcakes, Wildfire, Shoes…. and Acid!

In the dead of night sounds in a rural environment are resonating singularities, a car in the distance or the farmer calling his herd. In…

Seven Year Old Chloe Raised £600 for Devizes Opendoors

Brave young fundraiser, Chloe Boyle did it! Just as she promised, Chloe slept outside in her garden Friday night, and raised an amazing £600 for homeless charity Devizes Opendoors; fantastic Chloe, congratulations! You are a trooper!

£57 of it Chloe raised herself, running a cuddly toy stall at school. But this amazing effort is only part of the continued fundraising Chloe has done for Opendoors and other charities.

If cities host Big Sleepouts, this was surely Devizes’ Little Sleepout, and brave Chloe managed the whole night outside. Mum, Julie said, “I have to say I wasn’t as prepared as I thought, for the amount of noise that happens all through the night.”

“I am so incredibly proud of Chloe for sticking out what was a really tough night in the end. It is not like being at a campsite where everyone around you is there for a holiday too, and the noise is a minimum. She has definitely taught me something through this fundraiser too. She really is a beautiful soul.”

We agree, well done, Chloe, and keep up the awesome fundraising. You are an inspiration to us all. Seems the Mayor thinks so too, and this week, Chloe received a young person’s civic award from the Mayor. A very busy Easter holiday!

Julie said, “all of her efforts are only possible because of the amazing people in our community.” Thanks to everyone for their support, homelessness is increasing locally, and Opendoors is there to help.

Six:Teen Edition: Devizes Music Academy’s First Show!

Devizes Music Academy brings us Six: Teen Edition This Saturday, and we wish all the young performers the very best of luck!

So, I find myself chatting with Jemma Brown, who, if you live in Devizes but don’t know, you don’t get out much! With husband Anthony, they’re the brainchild of drama group The Invitation Theatre Company, and FullTone, our homegrown orchestra which has thrilled audiences from Marlborough College to Bath Abbey and beyond, yet annually return to town to stage the most breathtaking FullTone Festival….but there’s a new style of show heading our way this Saturday 6th April…..

Jemma has brought together a phenomenal team under the Devizes Music Academy banner, a school of performing arts she has run for the past two years, and their phenomenal cast of young people, to bring an historical masterpiece to the stage in the centre of Devizes this weekend. Six:Teen Edition is a full-length adaptation of Toby Marlow and Lucy Moss’ Six, modified for performance by teen actors for family audiences.

Six was created and written by Marlow and Moss. What began as a one-off student production staged at the Edinburgh Fringe Festival in 2017 has gone on to be staged professionally, and is currently seen on stages in London’s West End, on Broadway and on tours across the UK, Australia, New Zealand, North America, and now…..(insert drum roll here) ….Devizes!!!

Twenty local 13-19 year olds will be smashing their way through the stories of the lives of Katherine of Aragon (Ruby Phipps), Anne Boleyn (Amelie Smith), Jane Seymour (Jess Self), Anne of Cleves (Kelsey Husband), Catherine Howard (Mia Jepson) and Kateryn (that’s how you spell it!) Parr (Lisa Grime), with 14 Ladies in Waiting in support – and promises to be quite something. 

Think our young people can’t pull off a show of this magnitude? Think again! Jemma said “we’ve spent the week absolutely drilling this show in full scale all day rehearsals – the voices of the six queens are off the scale and the entire attitude towards the production from all the performers has blown us away. We have full on tech from the best team (Patch Productions) coming in and quite literally are bringing the West End to the West Country! The music, the story telling, the dancing, the total and pure emotion of the songs, both in hilarity and devastation, rivals adult productions – fact. I can’t quite believe we’re doing it and that the young performers themselves have pulled off such a fantastic end result. It’s very very exciting!”

It’s on at Devizes Corn Exchange for one day only – Saturday 6th April, but there’s two showtimes, 2:30pm and 7:30pm. The strapline asks, would “Henry VIII approve of this show?! When you see SIX, we’re pretty sure you’ll all be in agreement….who cares?!” Devzine wishes Jemma and all the youths performing, we know a few from previous performances, all the very best with this amazing sounding show, and I’m certain, no one will need their heads chopped off!

We fully agree with Jemma when she expressed, “supporting young talent is so important, because encouraging kids to put themselves out there is a fantastic thing and…..you might be surprised just how much you enjoy this gem of a show!”

Tickets are from Devizes Books priced £15/£20; or online HERE.

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Clock Radio Turf Out The Maniacs

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Thieves Debut EP

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Devizes House Promoters Palooza’s Second Night at The Exchange

Well, I had fun, danced my little socks off at Palooza’s inaugural house music experiment back in early March, and I’m glad to hear they’ve another coming up on Friday May 10th….

Palooza delivered everything they said they would to the Devizes Exchange nightclub early March, with a knockout inaugural night of smooth house music vibes. Here’s my take on it. The DJs were bang on the money, the atmosphere was unpretentiously buzzing with positive and uplifting vibes I compared to the UK rave scene at its peak, but a few more through the door would’ve been welcomed. As it is with dance music culture, a new thing has to grow and develop, and this works through word-of-mouth; hence why I mention it!

What impressed me most was the age demographic there. I spotted a number of older ravers, reliving their misspent youth, and I saw younger clubbers too, but all mingled with the shared ethos of good vibes, and that’s what made the night so satisfying. If you missed the last one, I advise you check in on the next one in May; keep up-to-date with them on Facebook. Tickets are HERE.

Trending….

Swindon Jazz & Soul Festival 19th & 20th April featuring Darius Brubeck, The Wonder of Stevie, and Suntou Susso

Swindon Jazz & Soul Festival is coming soon, over the 18th to the 20th April at Christ Church and free fringe events at the Royal Oak, both in the heart of Swindon, Old Town….

The 4th Swindon Jazz & Soul Festival continues to bring world class acts to Wiltshire, and this year includes a month of free entry Festival Fringe events at The Royal Oak Old Town.

The main event starts with ‘An Evening of Classic Soul’ (Friday 18th April) which is headlined by The Wonder of Stevie, the Ultimate Celebration of Stevie Wonder. The project has been a favourite throughout theatres and is the brainchild of two of the top performers in the UK, Noel McCalla and Derek Nash. Noel McCalla’s long association with the Morrisey Mullen Band earned him acclaim as “one of Britain’s best Soul Singers,” (Blues and Soul Magazine). Noel’s vocals were featured with the iconic Manfred Mann’s Earth Band and he provided vocals on Mike Rutherford’s album, Smallcreep’s Day.

The award winning saxophonist Derek Nash has played with Jools Holland’s Rhythm and Blues Orchestra since 2004 and is also a member of the Ronnie Scotts Blues Explosion. He has performed live with artists such as Gregory Porter, Chaka Khan, David Sanborn, Eric Clapton, Jack Bruce, Amy Winehouse and many, many more.

Billy & Louie Soul Band

The Evening of Classic Soul also features local talent Billy & Louie, will perform with their new nine-piece soul band, following their soul out debut concert. The duo are set to perform an array of soulful classics from Aretha Franklin to Bill Withers. They’ll also perform soulful versions of some of their own material from their debut EP ‘Manifesting You’.

On the David Knight Jazz Stage (Saturday 20th April) the line up is headlined by the Darius Brubeck Quartet. Born in San Francisco, Jazz pianist and composer Darius Brubeck grew up in the artistic milieu of his famous father Dave Brubeck and has enjoyed a lifetime of international experience as band leader, composer, teacher and broadcaster. Previously a Professor of music in South Africa, his concerts also feature South African music as well as some of  Dave Brubeck’s iconic hits.

DARIUS BRUBECK QUARTET / Clerkenwell / Shot by Rob Blackham / http://www.blackhamimages.com

The 2023 festival added a showcase of music from Africa which was a huge success and the 2024 event will continue to include this genre. The African stage (Saturday 20th April) is headlined by Suntou Susso and his band. Celebrated across Africa and Europe, Suntou is a Kora player (a 22 stringed harp-lute), percussionist, singer and composer from The Gambia. Born into the 700-year-old Griot tradition, Suntou performs his role as a historian, storyteller, and unifier of people through song. The group combines the rich, traditional sound of West-African Mandinka culture with Afro jazz and soul.

The event also features favourites at Devizes Southgate, Two Man Ting, the Bristol-based duo of English guitarist Jon Lewis, who has a clear penchant for Two-Tone and punk inclinations of yore, and Jah-Man Aggrey, a Sierra Leonean percussionist. Also, Ibou Tall Quintet, Ian Bateman’s ‘It’s Trad, Dad’, Billy & Louie’s Soul Band,  Kim Cypher Quartet, and more.

Two Man Ting

The Festival Fringe is being held at The Royal Oak Old Town which is the home of Tuesday weekly Jazz nights. From 19th March, leading up to the festival, they will be celebrating some of the biggest names in Jazz such as Herbie Hancock and Stan Getz, with some of the best musicians on the scene. All the fringe events are free entry and the first set is at 8pm. As well as the live music, their restaurant, The ChopTank will be serving a delicious menu before and during the first set. Please contact the venue directly for table or pre music dinner – 01793 977337.

Swindon Jazz & Soul Festival Tickets from HERE

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You; Lucas Hardy Teams With Rosie Jay

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Bands At The Bridge

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Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, he’s released a new solo album…

Ignore Petty Facebook Posts; The Marley Experience Concert in Devizes Is Going Ahead as Planned

In song Bob Marley made no exceptions. He spoke freely in several songs about the powers that be, trying to hush him. The summit of their disapproval led to an assassination attempt in December 1976…is his message the reason for a loud minority of locals trying to derail a tribute act gig, I mean, really?!!

On the Survival album he chanted about an “ambush in the night, tryin’ to conquer me,” and in the song Keep on Moving he openly told of his heartbreak at having to leave his family to exile in London.

It is not for me to reason why, neither would I dare compare the gravity of his plight with a seemingly petty recent local resistance against the tribute act The Marley Experience coming Devizes Corn Exchange on 13th April, but after complaints to the Council over signage advertising this event, now it seems some people have taken to Facebook to falsely claim the event has been cancelled.

We will not speculate why they have decided to do this, only say the event is most definitely going ahead. Eddie Prestidge of Wiltshire Events, hosting the gig, said, “this is totally unfounded. Unfortunately this rumour has been posted by some malicious individuals for unknown reasons, but the show will go on. There are still a limited number of tickets available.” 

Whatever motives those deliberately trying to sabotage this event have, we really don’t care. There are no valid reasons for it. If you don’t want to go, don’t; simples. We’ve been looking forward to this. I’ve seen The Marley Experience before, and as a lifelong fan of Bob Marley and the Wailers, I will tell you, you will not be disappointed. These petty attacks on the event are counterproductive to their intentions, as they only serve us a darn good excuse to continue plugging this gig!

They’re really scraping the bottom of the barrel for pathetic attempts to derail this gig from going ahead, “Have pity on those whose chances grow thinner.” 

Get your tickets from Devizes Books, Sidmouth Street, or online here:

https://wiltshiremusiceventsuk.onestopwebworks.com/event/bob-marley-event/

The Tap at The Peppermill to Host Open Mic

Two local musicians have joined forces as Nightingale Sounds to host their first Open Mic Night at the new Tap at the Peppermill in Devizes….

With a vision to showcase the local talent pool and provide a platform for networking, connection and collaboration, Nightingale invites you to join them for an evening full of wonder, on Tuesday 30th April; what better way to finish off the first month of spring?!

Welcoming all abilities and styles, they also embrace the use of backing tracks and can provide a session drummer and bassist to enhance solo performances. 

At this stage they are not accepting full bands, but would love to hear from you regarding future ticketed events as they plan to ramp up the ante for musical events at The Tap at The Peppermill. 

Either turn up on the night between 7-730pm to book your 2 song slot to or pre-book with Chrissy on 07521770189.

Weekly Roundup of Events in Wiltshire: 3rd – 9th April 2024

First week of April, there’s no fooling you, here’s what we’ve found to do…..

Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week. 

Wednesday 3rd

Crafty Kids in Hillworth Park, Devizes. RAF Cadets’ Easter Egg Hunt continues across Devizes until 14th April. Easter Bouncy Castle Kingdom on the Green until 5th April. 

Acoustic Jam at The Southgate, Devizes.

Eric Walrond: A Caribbean Writer in Wiltshire – Free Talk at Melksham Library.

Screening of The Royal Opera Madama Butterfly at Wiltshire Music Centre, Bradford-on-Avon.

Simon Munnery’s Jerusalem at Swindon Arts Centre.

Thursday 4th

There’s Easter themed holiday activities at Wiltshire Museum, Devizes. Rum & Records at the Muck & Dunder, Devizes.

Andrew Hurst is at St Nicholas Church, Bromham.

Hooch at The Tuppenny, Swindon. Subhumans at the Vic. Griff Rhys Jones: The Cat’s Pyjamas at Swindon Arts Centre. The Illegal Eagles at The Wyvern Theatre.

Salisbury Open Mic at the Winchester Gate, Salisbury.

Plumhall at Chapel Arts, Bath.

Friday 5th

Brian Poole at Long Street Blues Club, Devizes.

Teenage Halloween, Start The Sirens and Trashed at The Pump, Trowbridge. Open Mic at Newtown Social Club. 

12 Bars Later at The 3 Brewers, Corsham.

The Forgetting Curve & Little Villains at the Three Horseshoes, Bradford-on-Avon. Kammerphilharmonie Europa at the Wiltshire Music Centre.

Swindon Old Town Comedy Club at Christ Church. Black Parade at the Vic. Phil Ellis’ Excellent Comedy Show at Swindon Arts Centre. King of Pop starring Navi and Jennifer Batten at The Wyvern Theatre.

Martin Carthy at Chapel Arts, Bath.

Norman Jay’s Norman Soul at the Cheese & Grain, Frome.

Saturday 6th

Jamie Williams

Jamie Williams & The Roots Collective at The Southgate, Devizes. The Clones at The Three Crowns. SIX: The Musical – Teen Edition at the Corn Exchange. Back to the 80s party night at the Bear Hotel.

Mick Jogger & the Stones Experience at Seend Community Centre.

Siren at The Pilot, Melksham.

John Hackett Band at the Pump, Trowbridge.

Cara Dillon at Wiltshire Music Centre, Bradford-on-Avon. Desperate Measures, The Setbacks & Death Traps at the Three Horseshoes.

John Otway & Wild Willy Barrett at The Merlin Theatre, Bath.

The Beatles Complete Tribute Show at the Athenaeum Centre, Warminster.

Gaz Brookfield is in the Tent, at the Winchester Gate, Salisbury.

41 Fords at Tucker’s Grave Inn, Faulkland.

Motley Crude at the Vic, Swindon. Swindon Recital Series at Swindon Arts Centre. Northern Live – Do I Love You at The Wyvern Theatre.

A Band Called Malice at The Tree House, Frome.

Sunday 7th

Jim Blair at The Southgate, Devizes from 5pm.

Open Mic at The Red Lion, Lacock.

Little Wander Presents…Ria Lina at Wiltshire Music Centre, Bradford-on-Avon. The Ben Fletcher Band at the Three Horseshoes. 

Dreamboys at The Wyvern Theatre, Swindon.

Monday 8th

And then There Were None opens at the Wharf Theatre, Devizes, running until Saturday.

Tuesday 9th

Fish n Chip Supper & Quiz Night in aid of RNLA at Devizes Conservative Club.

Café Concert at St Andrew’s Chippenham.

Swindon Jazz & Soul Festival Fringe, a Celebration of Wes Montgomery with Nigel Price at Jazz Knights, The Royal Oak, Swindon.

And that’s all we’ve got for now, other than some technical gubbings to say: Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed. 

Important note two, events which come to our attention from now on in, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

And, while we’re planning ahead, April is hotting up, believe me, loads of good, good, even gooder stuff and stuff gooder than them! Have a look at the coming month HERE.  

Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

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Hannah Rose Platt’s Fragile Creatures

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Wiltshire Music Awards Website Goes Live

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Soupchick in the Park

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Help Devizes Opendoors On Lions Sponsored Walk

Join Devizes Opendoors for a sponsored walk, at 9.30 am on Sunday 12 May 2024,  (registration from 9am) to support the work of Opendoors, which helps local homeless and vulnerable people. They ensure that they have a hot meal, clean clothes and bedding, help to tackle problems like finding a home, getting medical assistance, or sorting out financial difficulties….

It’s an eight mile circular walk to the south of Devizes, from the Guide Hall on Coate Road. The route is mainly flat and easy terrain but with a few small hills on the way. The route passes through Nursteed Village, Sleight, and Stert, then returns to the Guide Hall via the Wessex Ridgeway.

The walk organised by the Devizes Lions gives the opportunity to all the local groups and charities to raise funds for their particular good causes.

There is a shorter walk for young children. Dogs are welcome!

The walk is suitable for all ages and abilities. There will be marshals and safety vehicles at strategic points along the route should anyone require assistance. There will be a drink station on route and at the Guide Hall at the end of the walk.

Register for the event and set up your sponsorship page: https://www.justgiving.com/campaign/devizesopendoorssponsoredwalk2024

Or contact them: events@devizesopendoors.org.uk

Or just want to support our work by making a donation: https://www.justgiving.com/campaign/devizesopendoorssponsoredwalk2024

Devizes Road Resurfacing Plan Abolished Due to Dinosaur Fossil in Pothole

Wiltshire Council’s ambitious plans to resurface all the roads in Devizes before the next ice age have been cancelled because rare dinosaur fossils have been found in the potholes on Estcourt Street, by the Morrisons roundabout….

Head of Wiltshire Council, Dick Cleaver, a keen fossil finder in his spare time, discovered the fossil of what is believed to be a baby Tyrannosaurus Rex when inspecting the potholes personally. “I’ve always had a keen eye for spotting fossils,” he explained, “there’s lots of them at County Hall.” 

“We’ve suspected Devizes had a prehistoric past, a breeding ground for dinosaurs like the T-Rex we’ve found,” Cllr Cleaver continued. “This is why we’ve deliberately not fixed a single pothole for the last decade or two, but we couldn’t announce the reasoning until we found some concrete evidence.”

Now they have, Wiltshire Council have had no choice but to suspend plans to fix the potholes. “They are of vital archaeological interest,” the councillor expressed, “a freestanding baby Tyrannosaurus Rex fossil perfectly intact like this is an extraordinarily rare find. Who knows what other feeble excuses, oh, sorry, I meant paleontological relics the potholes will unearth? Archaeology excavations are costly, thanks to the potholes we’ve saved crucial spending costs to the taxpayers.”

It is thought the dinosaur died from either Sarsan dropstones falling from the melting glacier on Roundway Hill, 65 million years ago to this very day, the 1st of April, or it was hit by a speeding Waltery Rosely butchers delivery driver. Councillor Yan Wallish said, “it is unfortunate that local archaeologist Professor Brian Schmuck, the independent verificator of the discovery sadly has gone mysteriously missing in his brand new Porsche just hours before releasing his report, and the document is password secured on his Speak & Spell.”

The contract for excavation of the site has been awarded to Strongishold Global Archaeological Research, a newly-formed subsidiary of John Turner’s company, partner of local MP Michelle Donenought. Ms Donenought was excited by the news, stating, “there’s been a decline in requirements for bogus PPE fleecing the NHS, since the end of the pandemic, and Johnny’s profits have felt the crunch; we thought we might have to sell the second yacht. By coincidence SGAR has just been set up for precisely this kind of exciting discovery, so we’re delighted; imagine trying to live with just the one yacht, like Chippenham chavs. Oh, by the way, I can say what I like about anyone now, and if they sue, you the taxpayers cough it up, how fantabulous is that?”

Amazingly fortunate, SGAR was registered as a company at London’s Company House, with its banking in the Cayman Islands, just five minutes before the discovery of the fossil. With the potholes already at considerable depth, little further work needs to be done over the next millennium and the company could employ as many as three experts in the field. “Expect an insignificant rise in your council tax to cover the cost,” Cllr Cleaver explained, “for as little as an extra £30 a week to the average household, Devizes could become the archeological site of interest for the entire county, especially as we’re wrecking Stonehenge this coming summer. I’m sure residents will be delighted with the news.”

Accusations made by Wiltshire’s gutter press, the Wiltshire Hive newsite were quickly dismissed by the council. Editor Kenny J Plebb, alleged the discovery was a hoax, and a feeble excuse for not fixing the potholes, as he spoke with Cllr Cleaver’s mum, who claimed some fossils had recently gone missing from her son’s private collection which he kept in a biscuit tin under his bed. Then she asked the Wiltshire Hive reporter for the fifty quid he offered her, but Kenny just ran away giggling, after showing her his Spiderman underpants.

Councillor Yan Wallish reminded residents that the roads are the property of Wiltshire Council, and anyone found interfering with any archaeological discoveries, by “driving past them with the expression of a woke loony lefty,” would result in the persons responsible being permanently banned from his Tory bias pornographic Facebook group, Devizes Tissues. “And no one wants that to happen,” he expressed, “if they want the free pix of Liz Truss in her undercrackers, that I recently acquired, and who wouldn’t? Corr, I’ve cracked a few out over that, I tell you.”

The baby Tyrannosaurus Rex townsfolk are calling “Barney,” was approached for an interview, but as of yet has refused to comment, which is a shame because he would likely make more sense than your average Tory councillor dinosaur. What is becoming clear through these findings is that Devizes was hugely populated with these beasts, but despite the T-Rex left masses of footprints measuring 1.55 feet in length, Devizes roads were significantly smoother during the Jurassic period than they are now. Mum may have gone to Iceland, but it seems T-Rex shopped at Morrisons. The dinosaurs were naïve to a bargain, and likely missed out on hotdog stuffed crust pizza and chicken tikka lasagne for a pound fifty each.

The only question remains if the dinosaurs of today’s Devizes are equally as naïve to believe any of this April Fools joke. I’d like to think it’s really scraping the bottom of the barrel to expect anyone to fall for this, but the clickbait keywords are all here for a healthy hitting article, like Devizes and pothole, hot topics right now for some unknown reason.

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Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals,…