Tag: three crowns

Wiltshire Music Awards Begins with George Wilding at The Three Crowns

This afternoon sees the inaugural grand ceremony of Stone Circle Music Events’ Wiltshire Music Awards taking place at the Devizes Corn Exchange. It’s a sellout show celebrating our county’s music scene, with a lot of local acts performing between the announcements of the results of a public voting system. The legend who is Mr George Wilding kicked off proceedings with what was supposed to be a warm-up party last night at The Three Crowns…..

The temperature dropped and the rain came in, and if that didn’t make the term “warm-up party” seem a smidgen dubious, I’m not sure if anyone else attending the awards other than myself, Jolyon Dixon setting up the PA and George himself made it to the evening; best guess they’re saving themselves for the big day today! Nevertheless, it was a fair turnout and those who did come were treated to Geroge’s human jukebox show and came up trumps, singing and dancing the October chill away.

Equally ambiguous as the warm-up is the term “human jukebox” to describe Geroge’s show, for if a jukebox doesn’t have the song you want it cannot play it. George has a plethora of classics in his repertoire, the audience are encouraged to shout them out, and should they request something George hasn’t a handle on, he’ll attempt it anyway, play a riff of it, and declare he doesn’t know it in his droll way. He might try a medley of the parts he does know with other songs of the same artist, he might look to the audience to help with lyrics, and if all this fails it becomes part of his amusing and interactive show.

Far from a man with a guitar and a setlist who frowns at the idea of requests, does his shift and pulls out. George took no break, played overtime, and seemingly adored every minute. I gather this was his mainstay while working the cruise ships and imagine the cruisers delightedly returning each evening, but such voyages for George are on the backburner and while he doesn’t mind running a covers show, he’s otherwise in the studio with producer Jolyon Dixon building a catalogue of original tracks in which he is toying with the idea of releasing as an album.

But the Three Crowns love a covers show, and George delivered such in this interactive way there can be no arguing his brilliance to entertain and his skill as a musician. So, should an audience member request, as one did, The Eagles’ Hotel California and he ponders it’s a bit slow to fit with the pace of previous songs, he’ll up the tempo. An apt Raindrops Keep Falling on my Head opened the show, and George will set the ball rolling, but once the audience catch the drift, he’s never without a request, and will either attempt the most obscure or tell them in the most charming way that they’re really testing him!

As it was I requested The Ronnettes’ Be My Baby, aware the soulful doowop earworm was a personal favourite George used to regularly put in his set and put his own stamp on. He nodded in fond remembrance, and the regulars approved, dancing on the cobblestones. But I only asked for one, the rest left up to the modest crowd, really feeling they were part of something unique and special, because that’s George’s ability and that’s what has made him one of our fondest favourites on the circuit for many a moon. “Total ledge,” I understand is the gen z terminology! 

I cannot tell you if he is to receive an award tonight, but I believe he deserves to; I will announce the winners here as soon as I recover tonight, for those who cannot make it! If you’ve not got a ticket for the awards, there’s a whole list of events happening on our event calendar; just look at it! Just look and see how many are music gigs, and realise the strength of our local music scene. That is what we celebrate tonight, and yeah, George will be singing a song, along with many others. I’m on curtain duty! See you there!   

Pitstop at Air Ambulance Fundraising Mini-festival at The Three Crowns Devizes 

Rude to walk into an event sporting another event wristband but the welcome was friendly as ever at the Three Crowns in Devizes. It’s mid-afternoon, Park Farm Festival‘s shuttle bus took me into town, cheekily I used it to poke my nose into the Air Ambulance fundraiser here, their first real multi-act day, I believe, save perhaps my 50th birthday, which if you remember any details of, you could always fill me in!

It was a necessity, if only to see Ruby Darbyshire, as it’s been a while, not a long while, but long enough for me. First time playing the venue and she went down a storm, unsurprisingly. Such a rich, natural talent, vocals made from silk, expressive and  forever a joy to listen to; be they either covers, a Portishead one being a particularly breathtaking one, or her intelligently constructed originals, of which she dropped a couple of new ones I’m eager to review here in good time.

There were hugs all round upon my entrance; Ben Borrill and Pat Ward finished a set as Matchbox Mutiny, a shame to miss, because those gorgeously talented guys pull a crowd and hold them. At the moment I did arrive I was delighted to catch Rachel Sinnetta & Jolyon Dixon doing their thing with Andy Fellows accompanying on guitar, as it’s always impressive and highly entertaining. It was a stellar lineup with cupcakes, lollipops, children’s face-painting, and tried and tested acts at the Three Crowns, save Ruby, who I’m assured would be welcomed back.

Rumour was Devizes Male Choir was intending to do a flash mob bit between Ruby and the grand finale, the ever lively Funked-Up. Unsure if this happened, as unfortunately, I was duty bound to return to Park Festival, but you can rest assured Funked-Up got the crowds dancing the night away. I wish I could’ve stayed.

The spirit of The Three Crowns remains toppermost in town; the go-to pub in Devizes for a good night, an unpretentious, friendly atmosphere with the widest age demographic which never clashes. It’s trouble-free fun, it’s live music program set to enthral, and not forgetting gourmet burgers; it’s an all-round winner on any night, but more of this all-day stuff, please kind sir!  

Free Charity Fundraising Festival at The Three Crowns Devizes

With the Three Crowns being the liveliest pub in Devizes for some years now with live music every weekend and the Brewery Shop as a new neighbour, it seems sensible to upgrade the idea to a free Wadworth mini fundraising festival ….yay!

On Saturday 12th July The Three Crowns will pull all stocks out, with a free mini-festival supporting Wiltshire Air Ambulance and Julia’s House. Wadworth has a beer tasting table, Chirton School is doing a cake sale, and they promise other stalls. The music starts at 11am with a children’s disco and face painting until 1pm.

The best tried and tested locally sourced music lineup includes Matchbox Mutiny, who starts the music proceedings at 2pm, followed by Jolyon Dixon and Rachel Sinnetta at 3:15pm. Ruby Darbyshire at 4:15pm. Headliners Funked Up at 7pm.

Agreed, there’s a gap between Ruby and Funked Up – maybe there’s something they’ve forgotten to tell me, maybe it’s a surprise, or maybe it’ll be time to grab one of their fantastic gourmet burgers?!

Homecoming Gig for Nothing Rhymes With Orange at the Three Crowns Devizes

Friday evening in the liveliest of Devizes pubs, The Three Crowns, with Devizes best upcoming band, Nothing Rhymes With Orange pulling a two hour set out of the hat like a magician pulls a rabbit out of theirs. Surely a perfect match and an unmissable occasion; but, ah, shoot, did I do a cidered-up speech? There’s vague recollections of it this morning. Please accept my apologies!!

Something of a homecoming for the boys, with recent gigs at Bristol’s Louisiana, Bath’s Komedia, and the Gunners in London, and forthcoming dates ranging from the New Forest Rag-City Festival to Trowbridge Festival, only returning here for FullTone. They’re getting the bookings, gig bunnies of Devizes know why.

Changing from Saturday’s usual live music slot for the Three Crowns to a Friday may’ve reduced footfall a smidgen, but just as my arm was twisted, many sought the rare opportunity to see how they’re fairing in the fame, for free. Their devoted Gen Z fan base front and centre, millennial regulars taking up the support trench and anyone older in reserve, save for a few breaking rank, illustrating to those younger how it was done in their day; it was a mixed bunch but plentiful and hospitable, there only to enjoy themselves, and you know NRWO will deliver this.

The date change was to fit in an audition gig on Saturday for the Pilton Stage, a subsidiary of Glastonbury Festival, of which we wish them the very best of luck. In fact, I did wish them such while they were tuning, whereupon frontman Elijah Easton acknowledged precautions to preserve his voice for tomorrow’s big day, and I looked doubtful at him replying, “yeah, right, that’s not going to happen, is it?!” This contest today is one tough cookie, crossing fingers and toes may not be enough, but come what may, as I believe I said in my slobbering speech, this hometown loves and supports these lads, ergo, they wouldn’t halfheartedly perform to them least anyone. 

Because, and here’s the deal breaker; with over a year on a pedestal, this youthful quartet of indie-punk-pop still revels in the spotlight and this jubilant enthusiasm reflects onto an audience and reverberates throughout. It makes for a positive atmosphere, a benchmark for a memorable gig. And that is exactly what happened last night at the Three Crowns, a pub usually encouraging acts to perform covers but needn’t for this gig, as the passion these boys deliver has their fans here singing back their originals to them as if they were classic covers. Especially when the Greggs steak bake falls apart. 

It was a glorious occasion, the tremendous night I never doubted. Nothing Rhymes With Orange open a two-hour set, time was on their hands to play through every single they’ve produced to date, maybe try some new ones, and covers made the remainder. Blink 182, Kings of Leon, and particularly Arctic Monkeys got the Orange makeover, and there were some especially interesting smooth ambient breaks teetering on prog-rock. Yet it is rare even with a two hour set, for these boys to lower the bpm; it’s uptempo yet paced, but nonchalant rather than all out fury, therefore of universal appeal.

A telltale sign of said passion for their labour came at the finale, when the band didn’t want it to end anymore than the fans screaming for more. It was lead guitarist Fin Anderson-Farquhar who looked at me as I tried to fanboy my way to the microphone, that they had run out of songs to play. Therefore it was up the band to, tongue-in-cheek, knock up the archetypal Oasis cover.  

I don’t know what I needed to say so desperately, but I felt I needed to say something about wishing them the best of luck for today’s audition, to rouse the crowd and let them hear how the local fans support them, because they thoroughly deserve it in my book. Then, probably due to fatigue at an exhausting show of epic proportions, they idiotically left me alone on the microphone!! It was there where I thought I’d convey my compassion to local blues heroes the Hoax over thirty years ago, because I believe that was a Devizes phenomenon then, and we are witnessing the next right now.

Elijah, Fin, bassist Sam Briggs, drummer Lui Venables, are tighter as a band than ever before, as they journey to college together, they take with them a comradeship, and they take a shared passion for their music, and it is something which continues to improve; last night proved that on their hometurf, superbly.

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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes…

Keep reading

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All Cat’s Eyes for Nothing Rhymes With Orange’s New Single

Firstly, to clear up any confusion, as I know I was, a little, and I also accept it doesn’t take much these days, Devizes’ finest musical export since The Hoax, Nothing Rhymes With Orange will play a homecoming gig at The Three Crowns on the Friday 24th June, and not as previously advertised on the Saturday….

Reason being is symbolic of the monumental progress this young band is making nationally; on the Saturday they’re at the third heat of this year’s Pilton Stage party in Glastonbury, the winners of which will go on to share the stage with a major headliner in front of 8,000 people on Worthy Farm in September, that’s all!

Here at Devizine Towers we’ve got all fingers and toes crossed for the guys, it’s a tough cookie, but we look forward to catching up with them on Friday. If you need confirmation of my claims of their blossoming progress, check out the latest single, Cats Eyes, which they launched today, and you will realise I’m not making this up; shits got real.

If eyes are a window to the soul, and cats are sly, this bountifully bodacious banger is the wild romantic ride of Born to Run, with an nonchalant and stylised ring of youth. The narrative is elementary though noteworthy, the post-festival blues of confusing mental bedlam over a fleeting romance, and coming to terms with it all when homebound; it’s convincing, I get the inkling they’ve been there.

Yet it’s the professionalism of a lively style defined here which impresses, having watched these Devizes lads progress from the levels of fun yet amateur punky knockouts like Chow For Now. And it’s all contained within a relatively short space of time whereby each single is a moonwalk to initiating a universal style.

If the early singles like Chow and Manipulation fuelled a local fanbase of peers, Cats Eyes will play the same part in enthusing the big kahunas of the music industry, and if not, I want an inquiry as to why not. These songs they’ll undoubtedly look back on as stepping stones, yet while there’s a modification to a growing professional trend which sounds to me retrospective eighties indie-pop, the like I hail bands like Talk in Code for reverbating, their rawer punker influences aren’t completely saturated here. It doesn’t feel like selling out, it feels like a natural progression to a permeating and accomplished sound, which will equally not disappoint fans but amass newer ones too.

If we’ve always been impressed with Nothing Rhymes With Orange’s insatiable ability to energetically harmonise, it’s evident here in abundance too. They’ve mastered the hook, and taking it to a bridge, they detonate the pop formula with indie goodness, something which only gets better each time; Cat’s Eyes makes another positive leap forward.

The band have been consistently gigging across the South West at festivals and niche music venues since they met in a secondary school, and have been championed by many local radio stations including BBC Introducing who have featured two of their tracks. With a summer tour announced they’ll be playing a range of headline and support gigs right across Wiltshire and on to Hampshire, Bristol, Reading and London. 

But while it’s great to see them heading out, you know when they arrive back in Devizes, the party is on, and fans will be chanting their lyrics back to them; the highest accolade aside a blinding review from me, naturally!!

LinkTree HERE

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Familiarity: Barrelhouse Take The Southgate, Roughcut Rebels in The Three Crowns

Familiarity was key for me last night, if last weekend was new, trekking to Swindon for their soul and jazz festival, watching an amazing Gambian musician play a string instrument made from a cow skin covered pumpkin. Cue the theme to Cheers, sometimes I simply want to get down to my local, see a band I’ve seen umpteen times, and love, make no notes, take a few blurry snaps, and naturally, blow off work-day stress by sinking a few ciders too many, and when I do, The Southgate or Three Crowns in Devizes are my go-tos….

Apologies if we’ve covered this ground before, a number of times, but Devizine is a hobby. Therefore, I reserve my right to enjoy doing it! Not forgoing, I enjoy the adventure of finding acts I’ve not seen before and exploring new venues equally to the comfort of familiarity, so when Barrelhouse are in town the temptation is too much to resist; I’m legging it in the April drizzle to catch the bus!

There were two free live music options in D-town last night, both as valid as each other, as usual for a Saturday. The trusty Three Crowns had a new look Roughcut Rebels, those established mod to Britpop local favourites. I’ve had some reservations about recent lineup changes, but I’m aware there’s a new guy fronting the team. I must poke my nose in to investigate. So, too, did former members Finley and Mark, I jested to them that they were on the bench, but substitutions were unnecessary.

Only original lead guitarist, Weller-mod-cut John Burns remains, yet with proficiency cool as a cucumber, the new frontman, Jake Lockhart is unpretentiously smooth, bassist on cue, and a stickman who clearly knows his way around a drum kit. They roll out Kinks and Stones classics delightfully, I’m guessing this is going to go Britpop before long, and while I’d personally favour the setlist works in reverse, I’m not of the millennial majority in the Crowns the Rebels need to appease. I can ascertain they did, from their opening alone.

It only took a few songs to accept these guys had it in the pocket, and it was impendingly obvious the Three Crowns will explode into party mode post-haste, it always does by providing the best tried and tested cover bands. Like I say, familiarity. Time for me to grab my zimmer frame and join my own age demographic down at the Southgate; those Marlborough purveyors of sublime vintage blues must’ve soundchecked by now…

And so it was, The Southgate, as warm and welcoming as ever; found a place in the blossoming crowd of elder gig bunnies, and let Barrelhouse do their thing. If I do local circuit analysis and Marlborough comes up decidedly post-punk new wave and gothic, Barrelhouse better appeal to Devizes, perhaps; the Mel Bush effected blues aficionados. Although Barrelhouse is best served on hometurf, you should see the crowds turn out at Mantonfest; it’s a Marlborough blues phenomenon.

I’ve been telling Devizes this since they first appeared at our trusty Gate, to play to a slight crowd, an attraction which builds with each visit they make. Tonight was no exception. It was medium busy as they presented their wonderful show, squashed into the famous alcove, but with the passion and gusto they possess and input into every gig.

Turning the Southgate into a juke-joint is an easy feat, punters love their blues above all else. Though the Gate strives to bring a wider range, you only need to be there for the monthly Jon Amor Trio residency to confirm this. Barrelhouse is apt here, then, but it remains to be that some regulars still need to take heed of just how much these guys will rock them. Those present know the score now, Barrelhouse came, saw, petted the pub dogs, hung T-shirts over the toilet sign, and entertained superbly, again!

When they come your way, do check them out, I don’t fib, not about this anyway! The band are tight, the blues is vintage, with a fiery modern rock twist, in their calculated, balanced setlist of Muddy Waters, Howlin Wolf and other Americana covers, their own compositions which have become as anthemic as the classics to fans, and the brillant rock adaptations such as Motörhead’s Ace of Spades.

Frontman Martin Hands is hands-free, with no instrument other than his confident and convincing gritty delta blues vocals. The band complimented him, Tim is a guitar enthusiast, and his skills shine through. Stuart equally on bass, who acts as compère too. Nick adds to authenticity with harmonica, but it’s no secret he’s an authority both on, backstage, and in music production. 

Even Martin’s fiancé Heidi sporadically guests backing vocals, as do others affectionately dubbed ‘Barrelettes’ when available, giving the band a real family feel.

Encoring Solomon Burke’s Everybody Needs Somebody to Love is standard protocol for Barrelhouse, and they’ve achieved their aim; the pub is pumping, and everybody is dancing. Another memorable evening at the Southgate, you can bet your home most nights are. Check our event calendar for upcoming gigs, but rest assured, thanks to them and the Three Crowns, Devizes remains punching above its weight when it comes to showcasing live local music and while our ticketed events only add to this, there’s gemstones to be found here freely. And we love it!

The Clones at the Three Crowns, Devizes

Forget your pedal board setup for a moment, it was as if The Clones knew precisely what buttons to press to rouse the party crowd at The Three Crowns in Devizes last night, and whilst I’d admit it doesn’t take a lot to get them going, this four-piece certainly put an earnest shift in…

It seems irrefutable, the Three Crowns is the go-to pub to party and let your hair down in Devizes right now, particularly for Millennials and those tipsy enough to think they’re also twentysomething, like, I dunno, me?!! These wheels have been in motion for a few years and show no sign of slowing yet. It’s busy but hospitable, uses card-only payments to speed up service, inside it serves a respectable plate, and if previous generations favoured DJs in club format, the modern method of live cover bands is the epoch The Three Crowns abides by, and delivers in a spacious heated and covered beer garden, with zest ….but you knew this already, right?!

Whilst there’s the obvious popularity of regularly returning local bands such as People Like Us, The Roughcut Rebels and Illingworth, it’s a blessing to see a new band to the pub attract the same colossal positive response. The Clones hail from Corsham, I was unaware of them and my curiosity paid off. As we witnessed in Devizes last night, they sure put the cor in Corsham. Akin to when Pewsey’s Humdinger arrived in a blaze of glory, the punters showed them the Devizes appreciation and the atmosphere was electric.

Through a motley genre-mapped setlist they delivered a range of covers all with gusto, sharp class and attention to detail. Two lead singers generally adopted different stances, one taking the funky, soul numbers, with a sublime medley of Superstition and equally funky classics, the other with a penchant for eighties new wave, mod to Britpop; the Jam’s A Town Called Malice being my fav of the set, if I was forced at gunpoint to provide one.

Yet both duetted on a number of miscellaneous pop and rock classics. There were few tunes you might consider cliché, but they handled this well because often the crowd wants this, and mostly though sing-a-longs, they weren’t the archetypal songs to falter a cover band setlist. Daring attempts too, from Bowie to Jacko’s Billie Jean, there were some your average cover band should only try at home! It was nonstop fun, never attempting to sooth with a love ballad, or experiment with a synth, just the rock n roll four-piece format of drums, bass and lead, brought up-to-date with an exemplary setlist to rouse any diverse demographic audience.

It was loud, proud, and teetering with polished enthusiasm and professionalism. Landlords, if you want a band to make your punters thirsty by jumping for joy, this might be the cover band for you.

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A Typical Saturday of Live Music in Devizes is a Beautiful Thing!

If Devizes was a woman, my patient and understanding wife would be livid because I’m smitten, and I’m about to explain my reasoning. Please humour me best you can…..

Starter for ten, ignore the sensationalising of a few roadworks by the local press, it’s having no negative effect on congestion, and ignore political sway, for the corruption is nationwide. I’m about entertainment in our humble market town, of which comparatively we’re punching well above our weight, on any atypical evening such as this.

Such causes me the dilemma of what pub to pick and what live music to enjoy. A problem I sought to solve by attempting to trundle between all three, though with questionable repercussions; I don’t get to witness and report on an entire set for any of them. A personal niggly I’m willing to shoulder, for the average punter either choice saw a great night of talented musicians doing their thing. Devizes is open for business, and is highly flammable!

Yes, I’d have loved to have dropped into the Pump in Trowvegas, Wiltshire Music Centre, and the Crown in Bishops Cannings, where they hosted a free all-dayer with Talk in Code and Purple Fish, but this takes driving, and occasionally, I want a cider, or four! There’s a thing, doing this is a hobby, you wouldn’t deprive me of sticking around the Vizes and enjoying a jar, would you?!

There is no grand public event in town tonight, as often there is, just three honest and wonderful pubs putting on free live music. My starter was the Southgate, where, after guesting at a particularly memorable Jon Amor Trio residency, Philadelphia-born axeman LeBurn Maddox made a welcome return. Justified as my top choice, because while I’ve witnessed the other two more local acts in The Lamb and Three Crowns before, the chance to catch this bluesman doing his thing is far rarer. And boy, can he play the electric blues with passion and plentiful saucy banter; a sublime performance in our lively juke joint, a longstanding blessing to Devizes.  

Another outstanding night at the trusty Southgate, which despite having the most varied and regular music programme in town by a country mile, predominantly remains favourable to the Mel Bush effect of Devizes being a blues town, appreciated by the regulars and reverberating this afternoon when Jon Amor makes his regular residency.

But though I coulda-shoulda stayed for the duration, I gotta dust my broom and make haste for The Lamb. Once the go-to pub in town, the birthplace of Sheer Music in the Fold, and historically simply a functioning and aesthetic tavern, it’s recently waned in popularity, but while it’s certainly true tonight, they’ve attempted to bounce back and have the breathtaking gothic-folk-rock four-piece Strange Folk to assist. Hailing from Hampshire, this proficient band we’ve seen playing these backwaters at the Gate, and on the Vinyl Realm stage at a DOCA street festival of yore, still, they’re not widely known here, ergo attracting wider appeal to a pub rarely providing music was never going to be a simple task.

Strange Folk are tight in performance, unified in sound. With the hauntingly impassioned vocals of Annie, a kind of PJ Harvey or Kate Bush, they polish covers with uniqueness, such as the apt Stones’ Gimmie Shelter, and have a repertoire of epic, mind blowingly emotive original pieces. Think Fairport Convention doing a Siouxsie and the Banshees tribute in the vein of Pink Floyd with Evanescence, if your imagination stretches that far!

Bottom line, Strange Folk deserved a bigger audience. Getting a foot on the first runner of live music in a small town with two other venues renowned and currently trending for it is no easy task. I suggest The Lamb books acts popular locally to attract a returning crowd before an outside chance such as Strange Folk, wonderful as they are.

Leaving the Lamb with reservations, if we don’t use this iconic tavern do we risk losing it to another antique shop?! I’m not willing to let it happen, not the Lamb, it’s legendary.

With the night coming to its cumulation, I hotfooted it across the carpark to the rear of the Three Crowns, echoes of Illingworth covering Pink Floyd’s Wish You Were Here growing as I approached, upset this is usually the outro to their set, but too steadfast to check the time! 

It unfortunately was, my consolation being I’ve seen the Illingworth duo play a number of times, and you can guarantee the creme de la creme of acoustic era-spanning covers, the kind of setlist to appease the broad demographic of the Three Crowns. Here’s a town pub currently winning the race, deservedly. Food served late, efficient cashless bar, its spacious, comfortable, covered, and heated yard has an epoch of supporting wider-appealing local live music acts. The benchmark for booked bands is literal here; blast nostalgic Britpop covers to attain tabletop dancing!

It was as rammed as expected there, my only reservation being I only caught the finale of Jon and Joylen, a duo you cannot fault. Still, I downed a Thatchers haze, got a cuddle and good chat with them both, and blagged a haven for eating the best chicken sandwich in town, from the most excellent Kebab House, in Jon’s van, which he gratefully dropped me home in; what an utter legend!

In conclusion, even if there’s no grand ticketed event at the Corn Exchange, Devizes is happening, and is the perfect town for a great night out, thanks to wonderful pubs like the Southgate, the Three Crowns, encompassing other lively options such as karaoke in the Pelican,  and I sincerely hope and pray, The Lamb rejoins the list too, we simply have to support it. Please keep an eye on our event calendar and weekly roundup articles .The next music night there will be advertised, and I hope to catch you there then.

Half a Humdinger Review Taking the Three Crowns, Devizes

For the love of Liam Gallagher, you cashless twenty and thirty somethings who cannot resist the intoxicated urge to mount benches and dance your cares away in a boozer should take note, when we, the previous generation climbed atop of things to boogie, we did so on disused warehouse roofs, haystacks, buses, railway embankments and perhaps the odd police riot van!

You think I’m kidding? Yet, for the most part you also seem to have shunned our musical progression through technology and our repetitive beats in favour of the guitar, bass and drums combo of rock n roll of yore. Britpop is like classic golden oldie hour to you, whereas I’m still processing it. And, in doing so, you take aboard any sing-a-long pop classic from commercialised seventies prog-rock to eighties soft metal, and sugar-coat it with retrospective enlightenment despite not being born when they were conceived. The result is an obstreperous drunken melee of anything goes, as long as it’s rock. Ergo, to step into The Three Crowns after an evening of Latino funk at the Corn Exchange, is a mass mayhem musical affray just trying to squeeze into a convenient gap; sigh, at least you’re having fun!

This kind of reception is usually reserved for our homegrown cover troops, People Like Us, and those Roughcut Rebels, and indeed I note Pip nestled amidst the crowd, nodding at me because this Pewsey lot has basically taken their setlist! Yes, they are tried and tested rock classics guaranteed to pull in a crowd, but what is surprising is this bunch of crazies are Pewsey located, it is their inaugural gig in Devizes, as circuits seldom meld, the gloriously loud welcome Devizes showed them, Humdinger will undoubtedly return.

For said rock covers, even at the most cliche, (yes, Wonderwall) went down like a sack of spuds in a famine, in the hands of these capable Pewsey musicians/nutters! There’s just something offbeat about the Vale, isn’t there? Eccentric and well, bit weird in a nonchalant but no malice way! I was fully aware of how much attention Humdinger can attract over those backwaters, I’m glad to report the same level of recognition was rewarded to them here, as they thoroughly deserved it.

Excuse I can’t give a full review, only able to catch the final hour, but it was enough to confirm, Humdinger is a force to be reckoned with on the rock cover pub circuit, as they blasted out the standard issues with confidence, proficiency and a truckload of fun, as if they had only left the Moonies Fun Pub for the Coppers in the Vale! Making themselves at home, they treated us to flaunty banter and laughs aplenty, as they wriggled through a setlist from Sweet Caroline, through every hackneyed classic known to Britpop, and landed with an encore of Bon Jovi, yeah, Living on a Prayer, how did you guess?!

For an original music buff you’ll shed a tear, but again, this worked, and regularly does. As I sat among a mass of empty pint glasses as bar staff rushed off their feet like Kings Cross McDonalds workers at lunchtime, I go-figure, the formula is desired by the masses, they finish pints with the same speed the band finish a chorus, and if it is this you want, or maybe even need, to keep a pub going, a decent rock cover band is what you seek.

I’d say it again, I cannot exclude our Roughcuts or People Like Us, for they do this regularly at the Three Crowns, but Humdinger should also be firmly on your hitlist, as they certainly bought the party with them this time! Me? I can moan, at rock cover bands so plentiful on our circuit, but like bus drivers, they’re either really top quality or grumpy as fuck, and the Humdinger guys certainly are not the latter. It was a sardine sandwich squeezable shindig of millennials and others hopelessly pretending to be, it was though executed superbly without malice, just pure rocking fun, and if you didn’t have a blinding night there you should seek medical advice, not mine, I thought it rocked!  

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The Lost Trades Float on New Single

I’ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quin…

REVIEW – Devizes Arts Festival – Texas Tick Fever @ Three Crowns, Devizes, 4th June 2023

Andy Fawthrop

Free Fringe Frolics

Another day, another venue, and the Devizes Arts Festival is now getting into its stride.  This afternoon was the first of the five FREE events in this year’s programme, and what a cracker it turned out to be.…

Texas Tick Fever hail from that there Stroud, up in the Wild North Country, and rolled into town full of energy on a beautiful sunny afternoon in the courtyard of The Three Crowns.  The Vize was about to be treated to some bluegrass, y’all.  Although they’re a firm fixture on the roots music circuit, they’re a band I’d not personally run into before.  Took ‘em about two numbers and I was quickly hooked.

The boys’ marketing BS had talked about their music being “moonshine-fuelled”, but this being The Vize, it was more Wadworth 6X and ice-cream-fuelled.  Not that that mattered in the slightest, as they were on absolutely top form.

Their blend of Americana/ roots/ hillbilly/ Appalachian/ backwoods/ hayseed and good old bluegrass quickly had the crowd applauding.  With plenty of wise-cracking and self-deprecating humour on the side, this was just perfect stuff for a lazy afternoon at the pub.  Featuring banjo and guitar, occasional harmonica, kick-drum and harmonising vocals, the guys made some great music.  There was new and original stuff, and plenty of covers, including Sittin’ On Top O’ The World, It Takes A Worried Man, Down In Mississippi and (believe it or not, older readers look away now) that old theme to The Beverly Hillbillies.  Amazing.  And who could forget their fully-deserved encore of Duelling Banjos?  Terrific stuff.

They’ve also won my “Best Introduction To A Song” Award for one of their intros.  Following a decent re-telling of the urban myth, where legend has it that Robert Johnson met the devil at a crossroads and gave him his soul in exchange for mastery of the guitar, Stretch leaned into the mic and grinned, saying “well, anyways, this next song has absolutely nothin’ to do with that”.  Comic timing at its best.

Absolutely terrific entertainment, and an early highlight of the Festival for me.

And there’s more FREE Fringe next Saturday 10th June in Condado Lounge with Jukebox James, next Sunday 11th June in the British Lion with Sisters & Brothers, and the following Saturday 17th June with Carrie Etter Poetry.

The Devizes Arts Festival continues at various venues around town until Saturday 17th June.  

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk  

Breaking Hibernation; Adam Woodhouse at The Three Crowns

Arising like a brown bear from hibernation, now the Quality Street tin is all but empty wrappers and toffee pennies, I dropped briefly into The Three Crowns yesterday, to catch Adam Woodhouse strumming George Michael’s Faith….

Admist a quiet Devizes town, the faithful central perk was modesty busy under the circumstances, and this lively acoustic sololist was breaking January blues in the alcove. Perpetual drizzle reasoned me to drive, ergo it was more dipping my little toe into the live music water again, rather than the awakening of a standing dive; I’d rather be writing ‘Barbadoszine’ this time of year!

Though it was plentiful to acknowledge, through misty memories of the utterly spectacular show at Long Street Blues Club last year with Errol Linton, which could’ve obscured any support act, Adam Woodhouse is worth his weight in gold when it comes to putting a man with a guitar in a pub.

My reasoning thus; this guy’s repertoire is carefully selected not to be cliché, but still covers songs the audience will love. I collared him during his break, to question this; does he even do Wonderwall if requested?! He joyfully replied words to the effect of everyone had to have that under their belt in case of emergency cliché request, but asserted he favours an assortment of songs not so commonly covered.

In this, Petty’s Free Falling or Dylan’s Knocking on Heaven’s Door might not be the best examples, though Adam still comfortably rinses them with finesse. No, what I mean is Dire Straits’ Walk of Life, or Billy Bragg’s New England, but more so his affection for early rock n roll classics.

I noted a fair quantity of Elvis Presley covers when I saw Adam play Long Street, but was unsure if this was playing to the audience. Delighted to affirm now this wasn’t the case, when last night he knocked out great covers of rock n roll singalongs, Dion’s Runaround Sue, Cochran’s Summertime Blues and even some Monkees. But as I said at the beginning, I sauntered in to George Michael’s Faith, and he covered The Cure’s Friday, Im in Love too.

Confining himself to an era simply isn’t a thing for Adam, as we mutally agreed those rock n roll classics are timeless, but equally will any cover choices he makes be a delight to the audience. He does this comfortably, with slight banter, making Adam Woodhouse a perfect booking for the universal type pub where age demographics don’t exsist, and everyone enjoys singing along. And that’s precisely
the spirit in The Three Crowns, it’s forward-thinking, fresh and hospitable and caters for everyone.

Food is being served, tasty pub grub, but music is live and frequent. It is, however, elongated enough to hide away at another end for communal chat or eating, and its spacious fully-covered garden with heat lamps acts as a perfect extension to the pub, rather than the unsuitable and unkempt allotment-fashioned beer garden of others. Yeah, I feel at ease in the Three Crowns, it’s nice, and their affection for supporting local acts on the circuit is both popular and welcoming. Check our event calendar as shows at the Crowns fill most weekends.

That’s it, broke the seasonal spell, I’m back on the streets after yule, looking for quality entertainment, and Adam is one to watch.

Three Crowns and Some People, Like Us

Red level weather warning, they said, only make essential journeys they said, but fail to define the terms of what is essential. Is helping an elderly relative essential, getting to work, or a doctor’s appointment? What about People Like Us playing the Three Crowns, Devizes?!

To those hunting original live music, perhaps not, for this local trio covers is their game, fully aware what will rouse a standard pub crowd, and they do precisely this with such uniqueness and deliver it with such passion, for everyone else it is, totally essential!

To catch Nicky, back on two legs after an injury which I might add, failed to prevent her performing, and behind that faithful scarlet keyboard, Dean at the strings, switching lead to bass guitars, and now skinheaded Pip, (shaved his head fundraising for our Carmela, but seems to like it,) who, even not best postured for delivering vocals, slouched over a cajon, still somehow manages to professionaly grace the moment, is, in the words of the great Yogi Bear, smarter than the average pub covers group.

Putting a finger on why opens a Pandora’s Box, aforementioned drive, skill and professionalism evident in many a covers band. Still, People Like Us submits all these qualities as if a sponge cake, then they add icing. Observing the demographic of the crowd at the Three Crowns holds a clue, every landlord desires a cross section of punter and the repertoire of this trio truly caters for them all.

Short notes I make to jog my gradually degrading memory mystify me this morning, as one simply read, “new song” adding my daughter’s name; she knows it! Silly to have thought it useful at the time, but relevant to my point. Expect a few contemporary among their plethora of pop hits, but an also era-spanning setlist to leave you guessing.

Yep, walked in to an Oasis cover, Adele’s Rolling in the Deep, Snow Patrol’s Chasing Cars, and The Stereophonics’ Dakota particularly adroitly enacted modern indie tearjerkers followed, with eighties electronica power pop such as Together in Electric Dreams, or even The Police’s Every Little Thing She Does is Magic, blended with this balanced collection. Yet with similar dedication Metallica’s Nothing Else Matters got the breathtaking PLus makeover.

Yet I believe, for People Like Us, no decade within the crowd’s indivdual most cherished era is as off the cards as genres are. They will take you back to the seventies with ELO, Fleetwood Mac, even a possible Abba(?!) covers, and with similar assertion slip in nineties britpop and indie anthems too. Tonight saw plenty of this, wonderful was Take Your Mama, by the Scissor Sisters, but particularly captivating was their rendition of the Cranberries’ Zombie, with perhaps a little too “lite” on riotous version of the Kaiser Chiefs’ classic, but Nicky wowed with authority upon covering Alanis Morissette’s You Oughta Know.

Bottom line is, it makes zero odds what the tune they’re covering is pigeonholed as, they add their stamp, and with banter between songs often verging on near tiffs, they represent reality, comfortable being what’s written on their tin; people, just like us.

Zero multiplied by anything is zero, and that should be a landlord’s percentage of doubt in considering booking this trio, if they wish their punters to return home satisfied they had a fantastic night, for that’s precisely how I’m certain the crowd at the Three Crowns last night feel this morning, perhaps with a shadowing hangover!