Month: Jun 2022

REVIEW – Devizes Arts Festival 2022

A Great Festival – Now What About The Future?

Andy Fawthrop

Well, the 2022 Devizes Arts Festival has now drawn to its successful close.  Thanks to a very determined and hard-working committee, this jewel in the D-Town crown was finally shining again.  Along with DOCA-led events like the International Street Festival, Carnival, Colour Rush, Lantern Parade etc, The Food & Drink Festival, the two Beer Festivals, and The Fulltone Music Festival, we are truly spoiled for the cultural life in our town.  We certainly punch way above our weight.….

This year the DAF ran from 9th to 25th June, a fortnight full of great entertainment – I counted 23 events at ten venues across town, showcasing a wide variety of the arts – jazz, classical, rock and country music, comedy, talks, walks.  Most, if not quite all, were well supported and I know that the organisers were pleased overall with ticket sales.  Bearing in mind that this Festival was effectively originally planned in 2019 and meant for delivery in 2020, it finally emerged blinking into the light of a post-Covid world in 2022.  A great job was done in rolling forward as many planned acts as possible, but there were inevitable casualties – some artists previously booked had understandably moved on and taken other bookings in the meantime. So, for the DAF Committee, it must have seemed a little bit like Groundhog Day in getting this thing finally done.

So what was so good about it?  Obviously tastes and opinions are going to differ, but attendances and ticket sales have to be a good indicator.  We saw some nationally-known stars – Lesley Garrett, Simon Calder, Adam Frost, Tankus The Henge, and Darius Brubeck making their way down to this part of rural Wiltshire.  For me, the personal highlights were The Scummy Mummies and Alfie Moore on the comedy side, and Tankus and Darius Brubeck on the musical front.  The spread and variety of events was impressive, the venues were well set up and organised, and the advertising was spot-on.

The things that might need a little further thought about were that some events/ venues weren’t sold out, that there were not more “affordable” events in the mix, and that there were only two Free Fringe events (although both were excellent and very well attended).  Perhaps these factors, and the lack of very much aimed specifically at a much younger audience, did lead to a preponderance of an (ahem) “older demographic” at quite a few events.  Clearly there were a couple of exceptions (Tankus and The Scummies spring to mind), but certainly something I couldn’t help but notice.

But, to be honest, a lot of this is minor quibbling.  The Festival overall was clearly an artistic success, and the DAF committee and volunteers deserve a hell of a lot of praise for getting off their arses and delivering a very high quality event in our town.  Hats off to the lot of them!

So what of the future?  What should we expect?  Already, as the dust settles on this year’s event and all the analysis starts, change is afoot.  The DAF organising committee itself is changing and evolving, as the Chair (Margaret Bryant) and Vice-chair (Vivienne Cuckow) step down from their roles.  Discussion and planning for 2023 and beyond will start shortly, with Vince McNamara and Jean Edwards stepping up to jointly fill the role of Chair.

The broad thinking at the moment is that, now that the “old” Festival has been (finally) delivered, 2023 can start with an almost completely blank sheet of paper.  The decks have been cleared, and the DAF committee are back in the saddle, raring to go.  Is that too many metaphors? – probably, but you get the drift.

There are (hopefully) new venues to think of – the Palace cinema, St. Mary’s, the Vaults and other pubs.  There is the possible prospect of conversations and more co-operation with other music venues in the town, and other Festival organisers – hopefully to mutual benefit.  There might well be more Free Fringe, especially on days/ times that don’t conflict with or overlap the more marquee main events.  Perhaps some choirs or singing events?  Perhaps more to appeal to a younger audience?  (But probably not children’s events – these have been tried several times in the past, but have not succeeded).   Because, whilst it’s important to have an open mind, it would clearly be foolish to completely ignore the hard lessons that have been learned in the past.  Experience has to be blended with innovative thinking.  It has to be a sensible and commercial balance between the completely experimental – bringing in the exotic, the different, unexpected – and the tried-and-trusted popular bankers.

Equally, whilst it’s always good to support artists from our local cultural scene, there needs to be a heavy sprinkling of national/ international stars that audiences in D-Town would never normally get to see at affordable prices.  Frankly, it’s the latter that sells most of the tickets, and the acts that look good on the posters and the advertising!

So it’s going to be a real tightrope walk for the new committee to get this just right.  I don’t envy them, but I do sincerely wish them the very best of luck!

Does this make you feel that you’d like to contribute your ideas and/ or your energy?  If so, I’m pretty sure DAF would like to hear from you – there’s plenty of work to be done to develop and shape a successful festival.  And/ or you can become a Friend of the Festival, volunteer, and – most importantly of all – buy those tickets! For more information see the Devizes Arts Festival website at www.devizesartsfestival.org.uk/

Editor’s note: well, that kept our roving reporter Andy out of trouble for a fortnight! A massive thanks to you, Mr F, you’ve done an astounding job covering the Devizes Arts Festival. As opposed to me who danced my socks off at the fantastic Baila La Cumbia night. Here’s to 2023!

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Timid Deer; back with more Melodies for the Nocturnal

Salisbury may be a grey area for us, we don’t get to hear a great deal about the music scene there. I guess they have their own media, magazines and blogs covering it, but it is something I realise I must work on. For all I know, Timid Deer could be huge there, but they should be widely known, everywhere, in my honest opinion. So even if this is erroneous, I stand my ground when I’ve said in the past, they’re one of the most underrated bands around these parts, and this follow-up EP to vol one of Melodies for the Nocturnal proves their worth…….

If, like me, you find it hard to come to terms with the notion the melodic Bristol-led trip hop scene for the matured raver is a generation past, and cannot get over how luscious Portishead, Massive Attack and, particularly, Morcheeba were, or if your indie side still relishes in the mellowed ambient soundscapes of Celtic goth, of Clannad, or All About Eve, this sits comfortably, somewhere in the middle, yet, for all the random comparisons I’m flinging, it’s unique for not applying the electronica “dope beats” of trip hop or the often gloomy outlook of goth. It is, in essence, uplifting indie.

Uplifting because Timid Deer captures your mood and whisks it away on a smooth airborne expedition across a fantasy realm, akin to Enya or Evanescence, or which seems to be trending recently, Kate Bush’s Running Up That Hill.

Unsure quite why every kid is listening and every mainstream radio station is playing Running up that Hill at the moment, but I’m happy it has, going on the grounds it makes those little hairs on the back of your neck stand up, Timid Deer has the same effect.

I’ve fondly reviewed the first two tracks, Crossed Wires and Run upon their single release in March and December last year, respectively, but the EP contains two more beautiful songs, Wrapped Around Your Heart, and Promises. I said of Run, at the time; “a grand piano opening, their evocative part-indie-part-trip hop ambience is accomplished to a new standard here, with Naomi Henstridge’s both soothing yet haunting vocals embracing howling strings and, wow, this rolling piano. It’s reflective of nineties nu-cool, the brilliance of Morcheeba or Portishead, yet without so much inspired of acid jazz or trip hop to make it cliché, rather it’s owning this refreshing edge to appeal to the more guitar-laced indie fans, too.”

And I described Crossed Wires as, “An uplifting piano three-minute masterwork, engulfing your soul and building layers with smooth electronic beats. Evocative as Enya without the orchestrated strings, as expressive as Clannad without the folk roots, and closer to Yazoo via electronica, rather than the aforementioned influences of Portishead and Morcheeba. Ticks all my boxes.”

These two new tunes follow suit. The rolling piano, is blissful and lyrics beguiling, Wrapped Around your Heart is another winner, perhaps a smidgen more marketable than the previous two. The four-track EP ends with the ballad Promises, exemplifying everything that’s gorgeous about the sound they’ve captured, the strings and piano work in harmony, entreat the euphoric mellifluousness. It’s the standing motionless mouth aghast kind of music which reaches the soul.

I discovered Timid Deer supporting the Lost Trades’ launch night at Trowbridge’s Pump, a gig I unfortunately had to miss but despatched a roving reporter to in my absence, and upon checking out their slight recorded output I was shocked as to why Timid Deer doesn’t have greater recognition. Perhaps a clue in the band name, they play Swindon Shuffle but rarely we see them gig otherwise; it’s a sound to relish, a sound for home comforts, for “chilling in your crib,” and Melodies for the Nocturnal Pt. 2, showcases that brilliance. Absolutely enrapturing…..

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Weekend Roundup: 30th June – 3rd July 2022

Full throttle into July, then; here’s what the weekend looks like around these parts. These parts of cultural void, so it’s claimed, we say otherwise…. You want proof?

As usual no links here, the only link you need is here, our event calendar. Have a great weekend whatever you do!

Ongoing from Wednesday until Sunday the Wyvern Theatre, Swindon has got Shrek the Musical. Thursday and Friday, Devizes Musical Theatre presents their Summer Concert, Miss Fortunes at The Wharf Theatre, see the poster, always see the posters!

I’m delighted to hear Devizes LGBTQ+ group’s first big event, Drag Bingo at the Exchange has sold out on Thursday 30th; well done to them and here’s hoping for some similar events in Devizes in the future.

One of folk music’s greatest innovators, Martin Carthy is at Trowbridge Town Hall Thursday, Paul Jones Live in Concert at Christ Church, Swindon while Swindon Arts Centre has a play called Blithe Spirit, running until Sunday.

Friday is pinch punch. Chippenham Comedy Festival at The Old Road Tavern, starts, running all weekend. Limited Weekend Tickets £60, individual shows are all £7 each. Friday 1st July: 7pm Sam Michael & John Matthews: Cister Act, 8.30pm Juliette Meyers: Passport Face,10pm James Dowdeswell: Beers of a Clown. Saturday 2nd July: 5pm Jo Caulfield: Here Comes Trouble, 6.30pm Sooz Kempner: Playstation, 7.45pm Katie Mitchell: She Festers, 9pm Andrew O’Neill: We Are Not In The Least Afraid Of Ruins; We Carry A New World In Our Hearts, 10.15pm Wil Hodgson: Barbicidal Tendencies. Sunday 3rd July: 5.30pm Jessie Nixon, Dannie Johns & Millie Haswell: Dumb Belles,7pm Joe Wells: I am Autistic, 8.30pm Beth Black.

Devizes School Summer School Concert in the main hall. Minety Festival kicks off for the weekend. Melksham’s One Love reggae night has been moved from the Assembly Hall to Spencer’s Club on Beanacre Road, I just haven’t changed the poster, so forget all I said about paying attention to the posters!!

The Ukey Dukes play The New Inn, Winterbourne Monkton. Ska punkers head to The Barge at Honeystreet, for Slageri J headline there, and surfers should wipe-out at The Three Horseshoes, Bradford-on-Avon, where they’ll find the highly recommended Palooka 5. Rorke’s Drift play The Vic, Swindon, and fresh(ish) from Glasto, Jo Whiley plays 90s Anthems at The Cheese & Grain, Frome.

Saturday 2nd, Longleat continues showing off; those who don’t mind standing for hours, with a bottomless wallet and advance planning can see Tears for Fears, the rest of us are not left without options…. like Salisbury Pride at Queen Elizabeth Gardens.

Arts Together fundraise with a day painting at Bowood, see the poster for real this time!

Six O’clock Circus headline The Vale of the White Horse Scooter Rally at The Cooper’s Arms, Pewsey. While there’s a reggae day at The Wheatsheaf, Calne; the Bee Skas play at 3pm!

The Seven Stars in Bottlesford has a Burger BBQ for twenty quid, but you do get The Reason playing.

The amazing Jack Grace is at Southgate, and popular covers band Paradox are down the Cellar Bar in Devizes; yes, I did say The Cellar Bar, glad to see this venue back on our listings.

Band X at the Three Horseshoes Bradford-on-Avon, Siren at the 12 Bells, Trowbridge, with Hatepenny rocking the Town Hall. @Fest mini-festival at the White Hart in Attsworth. Down & Dirty at The Vic, Swindon.

Swindon’s Midlife Krisis sound system was due to setup at The Barge at HoneyStreet, however, due to issues with their secondary camping field it is unfortunately cancelled. We wish the Barge all the best with this issue, and hope it can be resolved as soon as possible.

Sunday 3rd July is DOCA’s Picnic at Hillworth Park. British Blues with Trevor Babajack Steger from 12pm, from 1pm, find some jazz-tinged klezmer and old-world Yiddish folk, from Mozzle Brocha, branch of the collective, Chai for All, who we tried to get to play a Ukraine fundraiser at St Mary’s, but it unfortunately fell through. It will be good to meet you, guys.   

Eastern European folk traditions follow that with East of Eden at 2:40, South African at 4pm with Otto & The Mutapa Calling, finishing off your Sunday entertainment. Also look out for Rose Popay, the “Art Tart,” sounds hilarious, and various carnival workshops, suitable for all ages; see the DOCA website.

Elsewhere, People Like Us headline free live music for Inspire Warminster, preview here. The Cosmic Sausages play The Bell, Bath, The Lost Hills play The Tap & Barrel, Swindon. Blues legend Andy Fairweather Low plays The Cheese & Grain, Frome, with Ruzz Guitar in support, and oh, it’s Aldbourne Doggy Day!

That’s your weekend wrapped up, unless I missed anything? Did you let us know? It’s not too late, I can edit our event calendar, if you’re nice and send cake!

Through the week you can catch a Live Art Demonstration by the wonderful Caroline le Bourgeois at Devizes Conservative Club on Monday 4th, meanwhile David Olusoga presents A House Through Time at The Cheese & Grain, Frome.

Tuesday sees carparks in Devizes closed for the Birmingham 2022 Queen’s Baton Relay; for a whole half-hour! Heaven help us! Keyboard warriors, I’d advise you walk or bus it into town to get your garibaldi biscuits!

The New Forest Folk Festival starts Wednesday, while there’s a bit of Shakey at Bath’s Rondo Theatre, Macbeth; all proceeds go to Marie Curie. Best of luck to the two Devizes actors appearing in this, Lucy Upward and Ian Diddams; break a leg!

Next weekend you need tickets for a fundraising concert for Devizes GAC’s chosen charity, Julia’s House Children’s Hospice, at Devizes School Hall, on Friday July 8th at 7.30pm. Special guests at the concert will be the Pewsey Belles Ladies Choir. Tickets are priced £8 and available from 01761 472468.

Both Readipop Festival and Cornbury Festival, next weekend, and of course, Devizes Carnival and Trowbridge’s ParkFest, both on the Saturday 9th. I believe I’ll be painting the whole village purple at Bishop’s Cannings mini festival at The Crown; please come and support this too. And on Sunday, give our Essex country-rocker favourites, Jamie Williams & The Roots Collective a warm Devizes welcome at the Southgate.

And if you’ve read this far I salute you; people like you who pay attention really need to grab up tickets to the Full-Tone Festival August Bank Holiday, AND Devizes Scooter Rally, AND Devizes Beer Festival too!

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REVIEW – Tamsin Quin & Vince Bell @ The Southgate, Devizes – Sunday 26th June 2022

300 and still counting!

Andy Fawthrop

Is it really (not that) long? Debs suddenly realised over the weekend that this was the 300th gig that she and Dave had put on in The Southgate since taking over in 2018. That’s only four years, and we had a pandemic in the middle when all the pubs were necessarily closed anyway, so that’s a pretty remarkable record! No-one has done more to support live music in D-Town that Debs and Dave, with virtually every weekend supporting at least one gig, sometimes two or three. I do remember one night when there were (for complicated reasons that need not detain us now) two gigs on at exactly the same time – one inside the pub, and one in the skittle alley!

There have been acts from all over the country, and indeed from several other countries. There has been just about every style of music you can think of – rock, prog, psychedelia, blues, funk, soul, folk and every combination thereof that you can think of. Most of it worked too!

So it was really good, albeit perhaps just a lucky coincidence, that gig number 300 should be one of those relaxed Sunday afternoon sessions featuring a couple of the best of our very local singer/ songwriters – Tamsin Quin and Vince Bell. The atmosphere was, as usual, warm and supportive right from the start.

Tamsin was up first, shorn of her Lost Trades buddies, for an occasional solo performance. I’ve known Tamsin since some of her early gigs back in the mists of time at the now-defunct Seend Acoustic. Back then she was chatty, nervous, a little scatty, but clearly a great songwriter and performer. Since then, and I’ve seen her perform many times, she has clearly developed. She’s stronger and more assured in front of a microphone, her singing style is more gentle, and her song-writing has developed in leaps and bounds – intimate, sincere and with a new depth and maturity.

Vince followed her onto the singing stool and showed us, yet again, what a great singer/ songwriter he is. And it was one of those gigs where, instead of being reduced to the “folkie in the corner” everybody (including the dogs) was properly listening. Again we had strong, deep songs, with some occasional Spiderman-pyjama whimsy thrown in, and a captivating performance.

Unfortunately, I had to skip the very last bit where they got to sing some songs together (Vivaldi’s Four Seasons was calling and I didn’t want to get put “on hold”), so as they used to say in The News Of The World “I made my apologies and left”, which was a damned pity because it was such a lovely, homely gig.

There were lots of friends in the audience, and a lot of love in the room. I’m pretty sure I’m right in thinking that both performers enjoyed it as much as we audience did in listening. Wonderful.

So, as I said, a great gig to celebrate 300 and counting. Let’s hope for many more great gigs, and let’s hope that the good folk of D-Town keep on supporting quality live music.

Future gigs at The Southgate:

Saturday 2nd July Jack Grace Band
Sunday 3rd July Jon Amor + Friends

REVIEW – Fulltone Strings @ Town Hall, Devizes – Sunday 26th June 2022

Four Seasons In One Day

Andy Fawthrop


There’s no respite if you’re into your culture in D-Town these days. Fresh off the back of the wonderful Devizes Arts Festival, I headed on a beautiful sunny Sunday evening to a sold-out Town Hall to hear The Fulltone Orchestra in full musical flight. This was FTO’s “taster” event, and an advert for the big event over the August Bank Holiday weekend (Fulltone Music Festival) to be held on The Green on 27th and 28th August….

Anthony Brown (“Our Tone”) had gathered an almost 40-strong string orchestra, with only a very short time for rehearsals, and moulded them together to provide us with a short, but very satisfying musical repast.
To start with, our amuse-bouche if you like, was the short but sweet Adagio in G Minor by Tomaso Albinoni. This 18th Century composer, who was quite famous in his day, and a contemporary of Vivaldi, is less well-known these days. The piece was light and airy, and played with some panache by a clearly enthusiastic orchestra, a perfect Baroque accompaniment to the sunshine flooding in through the open windows, and a piece absolutely suited to the surroundings of the splendid room in which were sitting.

Next up, the real starter, was Ralph Vaughn Williams’ Fantasia on A Theme By Thomas Tallis. Still light but a little more substantial, this was one English composer’s interpretation of an earlier English composer’s work, and is perhaps more recognisable, having been recorded and performed many times over the last century.

And finally, after a short interval, we were onto the main course and, I suspect, the key reason for this concert’s obvious popularity – Antonio Vivaldi’s The Four Seasons, his violin concerto written roughly 300 years ago in the period 1718-20. For this piece, conductor Anthony willingly ceded the leadership of the strings to guest Russian concert violinist, Elizaveta Tyun. Elizaveta has performed all over the world, and her appearance in Devizes was a real coup for the FTO.

The Four Seasons (“Le quattro stagioni” in Italian) is, by far and away, the best-known of Vivaldi’s works, and is a group of four linked violin concertos, each of which gives musical expression to a season of the year. At the time when they were first performed, they were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds, a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters’ and the prey’s point of view, frozen landscapes, and warm winter fires. Also unusual for the period, Vivaldi published the concerti with accompanying sonnets (possibly written by the composer himself) that elucidated what it was in the spirit of each season that his music was intended to evoke. The concerti therefore stand as one of the earliest and most detailed examples of what would come to be called “program music” — or in other words, music with a narrative element. Vivaldi divided each concerto into three movements (fast–slow–fast), and, likewise, each linked sonnet into three sections. I’m not going to pretend that I knew all of that, but I Googled it and I thought you ought to know! I did it before I listened, and it certainly helped me to understand much better what I was listening to!

What can I say? It was absolutely wonderful, thrilling, inspiring, and emotional stuff. It was live orchestral music at its very best. Elizaveta played with enormous passion and enthusiasm, attacking the faster, trickier passages with great energy. And the strings of the FTO, probably inspired by such skill in their midst, followed her lead and supported her to great effect. It’s an absolutely fabulous piece of music. No matter how many times I’ve heard it played, it never ceases to amaze me. Despite being used in (literally) hundreds of film soundtracks, adverts, and the inevitable telephone on-hold theme, it always comes through as fresh and original. And it was so good to listen to it properly, all the way through, played by a set of musicians who clearly wanted to play it. Hats off to the lot of them – it was absolutely superb!

Well done to Jemma and Anthony Brown for pulling this concert together, well done to Elizaveta for a stirring rendition of the lead violin role, and well done to the scratch group of musicians who came together to deliver an excellent performance. Oh, and well done to the crowd who came out on a Sunday night to support such great live music and gave the performance exactly what it deserved – a long standing ovation and rapturous applause. Absolutely brilliant!

So – don’t forget to buy your tickets for The Fulltone Music Festival on Saturday and Sunday 27th & 28th August on The Green – available from Devizes Books, and online from www. www.ticketsource.co.uk/fulltone

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Miracle at MantonFest!

Ah yeah, Paul McCartney whisked Bruce Springsteen and Dave Grohl out of his hat at Glasto, and no one can top that, no one dare try, but on the other side of the west country The Fab Four were rejuvenated on stage, and miraculously commanded the weather!

Okay, allow some exaggeration for artistic licence, but being the only sour point about MantonFest last year was spates of torrential downpour, and the forecast foreboding a repeat, note it tried its uppermost to drizzle, but on the one occasion the crowds thought, “this is it,” Nottingham’s fantastic Beatles tribute, The Fab Four broke into George Harrison’s Here Comes the Sun and lo-and-behold, the sunshine returned, to a rapturous applause.

Coincidence, or should these guys try a Paul Daniels tribute next, is besides the point; there were numerous memorable happenings at MantonFest this year, the Beatles tribute controlled clement weather was just the tip of the iceberg.

For eleven years strong MantonFest has been Marlborough’s little gem, punching well above its weight. It’s both communal and friendly, but professionally executed too. If Glastonbury is a city of tents, this day festival is a village of gazebos. Picnicking families return year-after-year, and MantonFest prides itself on a loyal fanbase.

Nit-picking, the focus is entirely on the music, but kids seem unperturbed by any lack of facilities aimed at them. They naturally make their own entertainment, organise a game of football in the ample surrounding fields, more so join the already extensive age demographic and genuinely enjoy the music. Perhaps why The Fab Four were so apt, the Beatles’ early music is the eve of bubble-gum, beguilingly simple for the masses, which makes it timeless.

Talking to them backstage they delighted in the notion they’re a platform introducing Beatles music to a new generation, and in that, plus the fact they are an archetypical four-piece rock band setup without strings and effects, they blasted out the earlier, simpler 45s such as Love me Do and Hold my Hand as a baseplate. And they did it fantastically, with a nod to later Beatles creations such as Yellow Submarine and Sgt Pepper’s Lonely Hearts Club Band, but perhaps most absolute to exposing their skills in ballads, such as Something the aforementioned, Here Comes the Sun, and a grand finale of Hey Jude, this was a very entertaining package.

Take a Beatles tribute as red, my mum, caught up in Beatlemania, thrust it willingly down my throat, so I’m bound to enjoy, but the real surprise of MantonFest 2022 was the second tribute, Jean Genie. As it suggests, accomplished musician and writer in his own right, John Mainwaring becomes David Bowie, more so in sound than appearance.

You can rough me up for this, but note while I fully recognise and accept Bowie’s importance in the progression of pop, and understand why he is idolised, I’m a smidgen too young to have been caught up in the fanaticism surrounding him. But this guy wowed, as simple as; assessment is this is way up on my best tributes leader-board, forcing me to view Bowie in a new light. I mean, the guy toured with Bowie’s own band The Spiders from Mars in the nineties, explaining to me backstage the gradual progression to this career point was, as he sounded so much like his influence, through his own original music, he was persuaded first to attribute the fictional persona Ziggy Stardust, “as Bowie killed him off anyway.”

This performance was truer to the definition “tribute” than the standard tribute act, it was part John Mainwaring, being himself hugely inspired by Bowie, but it was also part Bowie, sublimely, his voice and showmanship as close as you could possibly get, and as Starman echoed out, it was a totally mesmerising performance, my highlight of the day.

Unfortunately, while professional and accomplished, I have to say, I don’t think the headliners The Animals topped this. Maybe it was just me, feeling the strain of not drinking myself stupid, of which, looking back on, I’m proud, but at the time at tad niggly! I’d say the line between a real act and a tribute act are blurred, when a man like Mainwaring, with such experience and close relationship with the act he’s attributing is a tribute, but a band with only one original band member is considered the genuine article. I mean, yeah, it’s labelled as The Animals and Friends, but grammar comes into play somewhat. It’s not plural; The Animal and Friends. A rather plodding show, a bit meh in comparison with what went beforehand.

Between the two tributes stood the testament to MantonFest, Marlborough’s pride, Barrelhouse. With bassist Stuart Whant as artistic director, MantonFest is the Barrelhouse fan club’s annual beano, but they’ve the knack to make their show something watchable on repeat. If you ever figured the timeworn blues of Muddy Waters, Howlin’ Wolf and Bo Diddley,or even when they slip into bluegrass, couldn’t enthuse teenagers today, you need to bear witness to the enduring methods of Barrelhouse, with the growling mysterious frontman Martin Hands, his proficient band, and the reaction of their loyal fans at the one place they’ll guarantee to rule the stage, Manton Grange.

But if Barrelhouse are guaranteed goodness, The Fab Four were what they said on the tin, fab, and Jean Genie was a sublime homage, there was an equally talented act upon my arrival. Rocking up a bit late to catch previous performances, Southend-on-Sea’s Rosalie Cunningham was all I needed as confirmation this was going to be a great day for live music. Program a hundred personas of legendary rock heroines into a computer, from Patti Smith to Suzi Quatro and Debbie Harry to Alanis Morissette, and ask it to compute something analogous, it’d likely create Rosalie Cunningham. She looked the part, she sounded like the part, and in all essence, she was the part.

At first it came across prog-rock, all King Crimson type, but there were riffs to punk, nods to rock n roll, and the band explained they liked it like this, prevented it getting tedious for them. For an audience it was astutely performed, original rock, steady, flowing; the like you’d think you knew already.

All-in-all, Mantonfest is a credit to Wiltshire, but as I said last year, absent are the faces of our own live music aficionados, just a stone-throw away. Marlborough is not the Upside Down from Stranger Things, Devizions, yet those rolling downs seem to divide us into little circuits.

In fact, the only connection to my hometown I made was thinking about my stomach! Yes, amico, that trusty airstream caravan, The Italian Job, usually parked upon the Green in Devizes, was pitched at MantonFest, the wonderful aromas of basil and garlic were as alluring as the seating inside, and for want of a cup of Rosey-Lee, I came bundling out with gorgeous homemade lasagne, garlic bread and rocket, and slouched in a chair below the beautiful slopes of Treacle Brolly; now that’s festivaling Marlboro’ country, something you’re really missing. I’d highly recommend you etch MantonFest 2023 into your must-do-list.

REVIEW – Sarah C Ryan Band @ The Southgate, Devizes – Saturday 25th June 2022

Another Great Find

Andy Fawthrop

Ah – you never know what life is going to throw up at you till it smacks you right in the face.  Coming off the back of two weeks’ worth of fare from Devizes Arts Festival, I poked my head in to The Corn Exchange to catch their very last act – Absolute with their Celtic Party Night.  I managed to stay for the first half (and very it good it was too as the crowd began to thaw and fill the dance-floor), but to be honest, there’s only so much diddley-diddley music that one man can take.…..

And so it was, as a late call, I decided to head up the hill to The Southgate to check out the Sarah C. Ryan Band.  And boy am I glad I did.  These guys were a new band to me, despite being quite local (they even rehearse in Devizes), and I couldn’t believe that I’d never run into them before.

In short they were beltingly good – several notches above most pub bands.  But that judgement is kinda unfair – they were much more than a mere “pub band”.  They played mostly self-penned numbers, with just the occasional leavening of covers.  Being a five-piece, and including three guitars, drums, keyboards and the occasional woodwind, gave them a depth and a richness in their sound.  The songs were clean, sharp, unfussy.  Sarah’s singing in particular lifted the performance with her sweet, clear voice, but the whole thing was a complete pleasure to listen to.  Number after number rolled off their set-list, each one bringing huge applause from a very enthusiastic audience.  Their versions of Joy Division’s “Love Will Tear Us Apart” and the Cranberries’ “Zombie” were absolutely spot-on, working with the crowd and feeding off their energy.

Really good band – best I’ve seen in ages.  And really nice folks to talk to as well.  They told me that they don’t actually gig very much, but I really can’t understand why – they’ve got the right package – good songs, good playing, good sound and an ability to connect with their audience.  Let’s hope we see much more of them in the future!

Well done to Debs for another great booking, and a good night at The Gate.

Future gigs at The Southgate:

Saturday 2nd July                               Jack Grace Band

Sunday 3rd July                                  Jon Amor + Friends

Editor’s Top-Secret Information! I’m sorry to have missed this gig at our trusty Southgate, for although I’ve not had the chance to catch The Sarah C Ryan Band live, yet, I can leak some top-secret information, or, at least, procrastination being the reason I’ve not mentioned it sooner: I’m fully aware how absolutely awesome The Sarah C Ryan Band are, as they’ve kindly donated a tune called A Woman in White, to the forthcoming second volume of our Julia’s House compilation. And you HAVE to hear it!

We just need a few more songs to make this happen; don’t make me beg!

We want your band name on our desk!
You can download the first Volume here!

Trending…

Deadlight Dance New Single & Video

New single from our gothic duo Deadlight Dance, taken from March’s album Vox Populi…. Second tune on the album, a ballad to the poisonous evergreen…

Brian on FullTone Festival

Our regular historian and Visiting Research Fellow of The Regional History Centre, UWE Bristol, Brian Edwards takes some time to sketch the FullTone Orchestra ahead…

Inspire Warminster; Free Live Music on Sunday

Skewered, the adverse replies to my Facebook post a month ago, asking for suggestions on how to kill a few hours in Warminster; it was as if I’d wandered into the outback! Skewered by banter, neighbouring rivalry, perhaps, but I also have to take into account the town’s proximity to funky freewheeling Frome, and the fact any town name with the word “war” in hardly connotes an approachable kind of place..…but, is it?

But what’s in a name, military links aside? I set about a little research project to suggest Warminster is not a cultural void, and any accusation it is, is obscured by ignorance, surely? They probably say the same about us; all’s fair in love and war, minster….see what I did there? A little Sunday pun to break the ice! Okay, I’ll get my coat.

Already aware both the Rose & Crown and Prestbury Sports Bar host a regular live music programme, supporting local live music, I also came across a group aptly titled Inspire Warminster. Coincidently, they’ve a free community festival happening Sunday 3rd July from 1-7pm in the town park. I suggest if you suffer from Warminster-phobia you check it out, overcome your negative presumptions!

The brainchild of Pete Bartley and Doug Halls, Inspire Warminster started out in 2013, when their Town Council approached them with their idea to put on an annual live music event in the park to showcase local talent, and more specifically to encourage young people to take up a musical instrument. Doug and Pete wanted to put on a daytime family event where parents could bring their children and enjoy a family day out listening to the music, which is precisely what they did!

Okay, so there’s a guy clearly scratching his butt in their featured Facebook photo, what of it?!

I spoke to Tom of the group, whose job it is to organise the bands. “We’ve nine very diverse bands booked for this year,” he tells me, “All of whom local to Warminster, so it really will be a wonderful showcase of the talents in the town.” This is exactly what I was after, evidence!

Coyote Country starts the music at 1pm, followed by Wade Merritt, Junkyard Dogs, Grumpy Dog, and Brakelight. Then the Warminster Community Choir are on at 4:20, followed by Dr Alibi, The Frontman and our good friends, People Like Us headline at 6. “With the amount of talent on during the course of this event,” Last playing Inspire in 2017, People Like Us announced, “we are stunned, thrilled and humbled to be headlining this brilliant community event.”

Old stock photo of PLUS, knocks a couple of years off, guys!

“PLUS were instrumental in reuniting our community,” Inspire explains, “as we emerged from lockdown, reigniting our spirits and reminding us that good times could exist again. All that remains is to let them do their thing, so come, dance and sing!”

Trending….

The Grand Return of CrownFest

The first week into July, and two local festivals of five ticked off! CrownFest went down a hit with those who attended this fantastic reputation…

An Update on our Postcard Criticism

Earlier today I published an opinion piece on the postcard sent by someone at Devizes Town Council to the Department for Culture, Media and Sport,…

Mantonfest Magic Multiplies

Mantonfest, the longstanding gem on Marlborough’s event calendar, finalised for another fantastic year last night, with metal-driven mayhem, as the sounds of AC/DC ripped across…

REVIEW – Devizes Arts Festival – Alfie Moore’s Fair Cop Unleashed @ Corn Exchange 24th June 2022

Criminal Humour

Andy Fawthrop

The Devizes Arts Festival left it late in their programme to unleash one of its comedy big guns Friday night, but it was well worth the wait. And a huge audience packed out the Corn Exchange to witness some great comedy in action…..

Alfie Moore is a comparatively recent talent to come on to the comedy circuit, but he’s already cornered the market in combining real-life police experience with a natural comedic ability. Recently retired as a police sergeant, with over twenty years’ front-line service with our finest, he has a wealth of real-life insights and comedy moments to share.

Looking every bit the slightly overweight, world-weary copper who’s heard every excuse in the book, Alfie has developed a wry, observational comedic style, which lends itself to witty, and sometimes gritty, anecdotes based on everyday modern policing. He also proved himself to be an adept socio-political commentator and weaved this all together with his take on the comedy gold of real life, the stuff that you just can’t make up.

He led us through his back-story, including his dyslexia, lack of formal education and his low self-esteem. Born and raised on a council estate in Sheffield, he was an apprentice in the steelworks before managing to join the Police, possibly through a mix-up in the paperwork. He was later inspired to take up stand-up comedy in 2007 after his first taste of live comedy at a local comedy club. He quickly became well and truly hooked, and was soon performing regularly up and down the country. (Since then he has written and performed his own one-man show at the Edinburgh Fringe Festival six times now. His BBC Radio 4 comedy series ‘It’s A Fair Cop’ debuted in July 2014 and, following exceptional feedback from listeners and media reviews, further series have since been commissioned.) Last night he was touring his latest show ‘Fair Cop Unleashed’.

The first half consisted mostly of a general stand-up routine, getting himself into the murky world of gender politics, treading a very fine line between the acceptable and the very non-PC, beautifully rescued at the end by a great gag about having to know someone’s gender in order to know how much to pay them. There was some great stuff about police nick-names, the CPS (“Couldn’t Prosecute Satan”), and the ongoing struggle with paperwork in his Grimsby posting.

But it was the second half before he finally laid out his “real life” incident with a mysterious and inebriated clown walking in to his police station, asking for help to find four lions lost from the circus. What followed was the tale of his hilarious attempts to make sense of it all, to work with others (armed police that he referred to as “the Milk Tray men”) to re-capture the four dangerous wild beasts roaming the town (he was advised “try not to look like prey”), whilst overcoming his genuine fear that he might actually die.

His style throughout was engaging, confidential and dead-pan. The whole thing was genuinely funny, laugh-out-loud hilarious, with the gags and asides coming thick and fast. Long and loud applause was his just reward.

The Devizes Arts Festival finished Saturday 25th June with Absolute – Last Night Celtic Party at The Corn Exchange. Devizine congratulates The Devizes Arts Festival and thanks them for putting on such an excellent programme of events, looking forward to another great summer in 2023.

Editor’s Note: I’d also like to thank Andy for his extensive coverage of the Arts Festival over the last fortnight, covering almost every event can be exhausting, but it goes a long way to show how jam-packed the Arts Festival is and the dedication from the team to provide Devizes with some quality and diverse performances.

REVIEW – Devizes Arts Festival – The Second Best Bed @ The Merchant Suite 23rd June 2022

The Plays What She Wrote

Andy Fawthrop

The Devizes Arts Festival’s presentation last night was a right little gem.…

Alright, it definitely helped if you were slightly interested in William Shakespeare and his back-story, but it certainly wasn’t compulsory in order to have found this production quite fascinating. The central conceit of this compelling monologue, superbly played by Liz Grand, was that her recently-deceased husband William, that “upstart crow”, hadn’t in fact written any of his famous plays and poems at all – and that she, Anne Hathaway, was the real literary genius behind the scenes. Addressing a bust of the bard in her bed-chamber, occasionally sitting upon and referring to the eponymous second-best bed, Anne recounted in hilarious detail how the two of them had, jointly, carried off this major deception over the many years of their marriage.

The piece managed to convey both much factual (or at least conjectured) biographical detail – their marriage, the deaths of their children, the vagaries of the court and the theatrical players of their times – as well as the comic flights of fancy that constructed the central myth of bard’s true authorship. Her description of her trips to London, disguised as a man, to see her own plays performed on the stage, and debated in the taverns, whilst passing unrecognised by her oblivious and complacent husband were hilarious. And to later catch him in flagrante with not just one, but two, whores, just proved to her that her that the man was none too bright.

Anne, now widowed, spoke of her regret that her contribution, indeed her literary genius, had not been recognised. It was not now enough, following William’s death, to simply claim authorship since no-one would ever believe her. It would have needed Will to admit the deception, to corroborate the deceit, whilst he was still alive. And the chance of that had now gone forever. She railed at her ex-hubby – a man who couldn’t even spell his own name the same way twice – for having taken all the credit.

There was some clever stuff here if you listened carefully, with many famous lines from both the plays and the sonnets freely scattered in among the scripted lines, and some hilarious explanations of why certain things had been written the way they had. Indeed one of the highlights towards the end was the now-dead Bard arguing with his own genius wife about why she’d written the various roles of the plays’ heroes and heroines the way she had. Richard III, Macbeth, Hamlet, Lear, Othello, and all the flawed tragic men were swiftly eviscerated, and the roles of the women – Lady Macbeth, Juliet, Desdemona, Cordelia, the “Dark Lady” and the rest – were all grounded in the lives and feelings of real, oppressed women.

Both the script, and Liz Grand’s performance, were a tour de force, eagerly lapped up by an appreciative audience. An entertaining and instructive evening all round.

The Devizes Arts Festival continues only for two more days until Saturday 25th June at various venues across town. Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

The World Under the Wood Will Put a Smile on Your Face

A dollop of Lewis Carroll, shards of C. S. Lewis and Roald Dahl, and perhaps even nicer elements of Tolkien, The World Under the Wood will put a smile on your face and bring out the inner child in you.…..

Being honest, it doesn’t take too much to bring out the inner child out in this grumpy old man, but more to cheer me up, and this did both, delightfully!

Running until Sunday, with matinees and evening performances at Devizes’ Wharf Theatre, this simply charming hour-long play, written and directed by Helen Langford is so whimsical, such a delight, you will be captivated by its magical cross-realms. Ideally you need a child aged six plus, but anyone into fairytales you can drag along, I suggest you do. Break out some glitter!

Yet while citing the obvious influences of classic children’s literature combines the settings and themes, it overlooks the subject, a contemporary feel of industry versus nature, the environmental angle on everyone’s lips, especially children. And it presents it in such an easy, fantastical way, without complication or ‘rubbing your face in it’ any age will be absorbed by the moral. Anymore synopsis and I’m verging on spoliers!

All homegrown talent, The World Under the Wood is an unmissable Wharf exclusive. The protagonist, Jodie, a kind of Dorothy-Dora hybrid is played confidently and spectacularly by Georgina Claridge, and her interactions with archetypal characters manage to retain the charm of those they pastiche, a talking tree, played gracefully by Chris Smith, pet dog by Carolynn Coomer, and Louise Peak as the queen-like Great Leader of an industrial underworld of robotic oompa loompa-like humans adds pantomime humour to the show.

Yet, it is not pantomime, in so much its zany or sing-along element is slight above the morals, but it is partially musical, with simple but effective original songs. If I’m honest, I huffed at the thought of going to see a “family” show, but I came out the other end chuffed, sprinkled with psychological fairy dust and mused with an emotion of sustainability on equal terms.

Your kids will love it, you might love it more! The World Under the Wood is running now, ending Sunday 26th June at The Wharf Theatre, Devizes. Tickets HERE.

REVIEW – Devizes Arts Festival– Darius Brubeck Quartet @ The Corn Exchange 22nd June 2022

“Nice”

Andy Fawthrop

The Devizes Arts Festival rolls on, and I was just thinking that it was high time that we had some proper jazz in the programme. To satisfy this so-far unfilled gap, DAF had managed to secure the services of top-notch international outfit The Darius Brubeck Quartet. Darius, of course, is the son of the famous Dave Brubeck.

Looking and sounding somewhat bemused to find themselves in the heart of rural Wiltshire, and a long way from the fleshpots of that there London, the band turned up smartly booted and suited, glad to be out on the road again playing the music that they love.

Darius himself is an American jazz pianist, composer, author and retired professor residing in the UK. Paying tribute to his father’s music in the jazz master’s centenary year, Darius had teamed up with saxophonist Dave O’Higgins, bassist Matt Ridley and drummer Wesley Gibbens. Not surprisingly, this was their Devizes debut, after playing critically acclaimed international tours and sold-out shows at major jazz houses in London.

The concert included Darius’s own compositions, some pieces influenced by and written by his South African students, as well as some well-loved Dave Brubeck hits, culminating in probably the most recognisable piece of the evening: the sublime “Take Five”.

Darius himself, quietly spoken, dapper and urbane, introduced each piece. The quartet’s mutual understanding and interaction was much in evidence, each musician contributing in laid-back fashion, and giving respectful musical breathing space to the others. Each piece was a delight, clear and unfussy, providing a concert that was certainly “cool” and, in the words of Louis Balfour of The Fast Show “nice”. As might have been expected, Darius’ piano and Dave’s saxophone were very much to the fore in most of the pieces, although there was time for both bass and drum solos.

Overall a very enjoyable evening listening to jazz of the highest calibre.

The Devizes Arts Festival continues for the next few days until 25th June at various venues across town. Tickets can be booked at Devizes Books or online at http://www.devizesartsfestival.org.uk

Captain Councillor V The Pigeons From Hell

Jonathan Livingston Seagull came to. Through bloodshot eyes he regained just enough bearing to recall his whereabouts. His wings tied with rope, behind a hardbacked chair, his feet were tied to the legs. Out of focus a stumpy, bearded fellow sneered face-to-face with him, grasping two electrodes. “Sch-sch-should, I shock him again, oh master?” he sniggered.

A deep voice bellowed from the rotund shadow in the background, his ghastly features only visible for a second when he thrusted a Crammar Watch postcard marked with all the postcodes of honest folk who wished to see something done about their poullted town pond, into the fire, and lit his cigar with it. “A word in your shell-like, gull. Refuse to answer and you will be banned from my Facebook group, capiche;? Now, who shate on my Greggs sausage and bean melt?!”

As the first unkindly fellow moved the electrodes closer to his temple, Livingston screamed out, “please, do not exclude me from such a fine, unbais Facebook group; I’ll squawk, I’ll tell, but please, anything but that! It, it, it was the pigeons, they did it!”

Two weeks later….

Honestly, if you’re wondering what happened at the Devizes Town Council meeting last night, when the dynamic duo unleased their devestating plan against pigeons in the Market Place, I dare not ask.

Is this the kind of “important issues” we were advised by Danny K to focus on, rather than partygate? Or just perhaps it’s a distraction from the pollution in the Crammar issue, you know, the other occasion when these two cross-party councillors mobbed up to spread misinformation. Far from me to shoot that in the foot, by pondering the pigeons who’ve abandoned the Crammer, that if there was the natural food source we’ve been campaigning for, perhaps the pigeons would be more evenly dispersed across town, rather than congregating for easy pickings, but I wouldn’t dare suggest such a thing.

“There is no evidence of pollution in the Crammar,” it’s said they claimed, and here’s a CGI video our tech guys at Devizine Towers just knocked up; honestly, it’s like Pixar around here!

Of course, it was rightly pointed out by one of our dynamic duo, that the rescue charity Swan Support actually polluted the unpolluted pond when one of them wadded in for a few moments, before giving up and going for the canoe option. Because, of course, Swan Support always rock up to clean water and steal swans from their natural environment for no good reason.

Ha, and we all thought it was because there’s a runoff drain from the busy road adjacent! Silly us, what do we know, after all we weren’t even there to witness it, probably at home watching Come Dine With Me. The councillors were the ones in the perpetual drizzle rescuing the swans, one even posted a photo of them holding a swan to prove it, it’s been said, the photo circa 2017, on his timeline photos. That’s what being a timelord from Gallifrey is useful for.

Moving the silt in the water is what’s poullting it, they claim, and then they had a toy boat race, for the Queen.

Now, of course, they point out the Crammar is Town Council property, ergo everything in the water is too; including the non-polluting pollution I have to presume. And anyone wadding in to rescue oil-slicked wildlife is liable; which is a nice way of resolving the issue and moving onto a few pigeons in the Market Place.

In a week where a Marlborough councillor tried to convince me the whopping taxpayer’s bill to blockade the ridgeway over solstice, causing chaos for miles, was only to protect nesting birds. Being here in the Vizes councillors are hell bent on destroying birds, hardly gives anyone the confidence Wiltshire tories are keen ornithologists, or give a finger of fudge about any wildlife really, on account of Wiltshire PCCs blind eye to fox hunting. “Look away from the Crammer, and feast your eyes on the site of our future railway station, six miles out of town!”

Yeah, we’re supposed to feel the need, the need for speed; getting Danny K to Parliament on time is the difference it makes, because favours for who gets their tongue furthest up Bojo’s anus are handed out on a first-come-first-served basis. While many taxpayers coughing up for the vanity project won’t be able to afford the bus journey to the station, let alone a railway ticket. Anyway, I digress, who cares about peasants?

What will be done to reduce the slight pigeon population in Devizes; poison in the nests, armed response unit, one-way ticket to Rwanda for these naturally homing flying rats? The latter might get you an allowance to touch Priti Patel’s petticoat, imagine what a semi that’ll produce.

Here’s an article explaining culling pigeons is totally ineffective and actually counterproductive, it will only make matters worse. The best soultion is education, it suggests. No, not the pigeons, though it might be helpful to our education system to replace a few headteachers around these parts for pigeons, it meant educating the public. Because, here’s the bottom line, it’s a monster of our own making, and only Captain Councillor and his trusty sidekick can save us now!

Yes indeedy, hence my narrative at the top, try reading the bottom comment in this screenshot below without taking on an east London gangster type accent. “The gulls are being worked on!” Give me strength, who do they think they are? Hale & Pace doing The Firm?!

I’ve no idea, but they seem to me nothing more than Dastardly and Muttley. How in the bejeezus is a poll conducted on a Facebook group where anyone with a differing opinion from the one-man town council admin is promptly banned, considered a consensus of public opinion and presented before the council as damning evidence?

Whatever happened to democracy, much less live and let live? Pigeon infestations are annoying, so is tory ones in my opinion, but I don’t campaign for their cull. Let’s all be good Christians and sing, “All Things Bright and Beautiful,” shall we, then slaughter a mass of those blasted creatures lord god made?

Can I give up now? Is the hypocrisy showing yet? First world problems for little Englanders, like the verbal war in Bishop’s Cannings over a pub painting its shed purple, perpetrated by keyboard warriors in tow with our dynamic duo, but not quite on city level. Take the slave trader they convicted, in Bristol of all places, where they condone slavery! A city with a council who try to fine folk for taking a statue of a slave trader down! Oh my years, the wonky reasoning went along the lines of “you can’t erase history, we keep the statue to remind us of the atrocities so they won’t happen again.” Yeah, right, the bastard really took notice of that, didn’t he? By that logic you should be erecting a statue of him for future generations to look up to and say, “right, deffo this time, it won’t happen again.”

It might be a world apart, but the same ballpark, all hypocrisy together as one pile of steaming bullshit.

Death to all pigeons will mean we get other species of birds, rats, and other pests taking their place; do we mow down everything in our path in a Mad Max stylee? Or do we just have to get on with our lives, try to live in unity with nature, before the apocalypse?

This duo are a kind of anti-David Attenborough, aren’t they? A knight showing you how dinosaurs gained feathers and evolved into birds when we were but scrurrying rodents in the sand, on the telebox, yet seems these over-inflated egotistical power-hungry councillors think they’re above the natural order of things; because of digital watches, Douglas Adams might conclude.

You can use netting, paint owl eyes on windows as a deterrent, you can cover up food for sale outside or keep a watch over them. You can diversify and defeat, peacefully. Pigeons have a brain capability slightly lesser than councillors, you can outwit them.

It must’ve really helped local shop-owners when the dynamic duo blabbed to Wiltshire Times, for example, how “traders in the little Brittox are concerned by the number of pigeons in the area as they believe the droppings are making the footpath unsafe and are contaminating food and products on display.” Good thinking, guys, that’s not put me off buying produce from there at all. Just another day for Captain Councillor and his trusty sidekick!

REVIEW – Devizes Arts Festival– Simon Calder @ The Corn Exchange 21st June 2022

Travel Tales

Andy Fawthrop

Well, we’re on to week two of the Devizes Arts Festival, but there’s been no let-up, as the entertainment continues to come thick and fast. Following Florian Felcitta’s wonderful Free Fringe performance in the Three Crowns on Sunday afternoon, and yesterday’s highly entertaining talk from gardening expert Adam Frost, last night it was the turn of The Independent’s travel writer and commentator Simon Calder.

I suppose there was a deep irony at play in Simon coming to D-Town, a place that last saw a rail service back in the 1960s, and which “enjoys” the bus services of a third-world country. Added to which, of course, was the added insult of it being the first day of the national rail strike. Simon’s day had started very early (as early as that of our esteemed milky editor) in his attempt to catch the first (still running) train of the day from London to Gatwick. And even then, his only purpose in being at Gatwick at sparrow’s cough was to be aboard the first Gatwick Express back to London, just so that he could report on the experience for various TV and radio stations. His quest turned out to be forlorn – the first train failed to run (staff shortages), and the second one only managed ten miles before it broke down. It was the start of a day which, he remarked in an understated stage whisper, had “gone completely Tango Uniform”. If you don’t know, Google it.

Following that, he’d made his way via Swindon, and the rigours of the cross-country 49 bus, to finally haul up in The Vize – and there were plenty of graphic pictures to prove it, including a shot of him in Tea Inc. doing yet another media despatch. Having played this early sympathy card, and got the near-capacity audience fully on-side, Simon was off on his more standard presentation on the life of a travel journalist, using photos of funny signs from around the world, personal travel experiences, and his reflections on such issues as the Covid travel restrictions, and the sub-optimal outcomes (for travellers at least) of Brexit.

His style was confident and brisk, with quips, asides and much dry humour in evidence. He was deft in praising the charms of D-Town, whilst playing to the gallery by snarking at Melksham, Swindon and Trowbridge. He’d done his homework all right. The main presentation having concluded, Simon spent a good half hour fielding audience-generated questions (ably delivered by DAF Chair Margaret Bryant) and providing helpful and hilarious advice on topics as wide as Avios points, best and worst places to visit, when to board an aircraft, the quality of airline catering, the value of rail travel, tourism in post-conflict Ukraine, and the feasibility (or otherwise) of electric planes.

An altogether professional and entertaining evening, and another coup for DAF in getting a media personality down to our neck of the woods.

The Devizes Arts Festival continues for the next few days until 25th June at various venues across town. Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

What to Do; Weekend Roundup for 24th-27th June

Okay, here we go for our weekend rodeo roundup, for those who it’s too much energy to scroll our event calendar for. No time for links, I’m a busy bee, find the links on the aforementioned event calendar, forcing you scrolling, and also updates as they come bounding in…..

Build-up to the weekend….

Another week of Devizes Arts Festival events prior to the finale at the weekend. Wednesday 22nd sees the Darius Brubeck Quartet at the Corn Exchange. Meanwhile, local legend Nick Harper showcases Phantastes at Marlborough Town Hall, there’s The Carpenters Story at The Wyvern Theatre, Swindon, and many will start making their way to Glastonbury, hopefully not relying on the railway.

Thursday’s Devizes Arts Festival offering is Liz Grand at The Merchant Suite with a frank, humorous and revealing monologue about Shakespeare and Hathaway’s bed. While over at the Wharf Theatre there’s the opening night of the family play, The World under the Wood, directed by Helen Langford, where I hope to meet a talking tree and report back my findings. This one will close Saturday night, and is ideal for everyone aged six plus.

Electric Ladies of the 80s at The Wyvern Theatre, Swindon, Thursday, YouTube weekly That Pedal Show comes to The Tree House, Frome, with Andy Timmons, and Playgroup Open Mic sessions at The Bell, Bath, takes us neatly to Friday.

Friday

The 24th day of June is a Friday, and you’ll find Finley Trusler at The Condado Lounge, while Radio 4 cop-comedian Alfie Moore presents his stand-up show at the Corn Exchange Devizes, as part of the Arts Festival. On comedy, there’s a stage show of Keeping Up Appearances at Neeld, Chippenham, running over the weekend.

Band of Pilgrims with Sour Apple in support at The Pump, Trowbridge, Death is a Girl at The Three Horseshoes, Bradford-on-Avon and Alex Rex & Mighty One at The Tree House, Frome.

Marlborough Town FC have an open mic night, and psychic medium Craig Morris is at Swindon Arts Centre, Monastries & Creek & Chasing Dolls at The Vic, but if in Swindon, I recommend the Ruzz Guitar Trio at The Rolleston Arms, obviously!

Oh yeah, and Simply Red play Longleat, if you want to cough up a small fortune and be charged extra for a seat; camping chairs are not allowed at these gigs, go figure. Taste my deckchair Hucknall!

Saturday

Anyways, Saturday 25th June, is MantonFest Day, yay! Get your ticket, hope to see you there at this brilliantly professionally organised yet exceptionally welcoming festival near Marlborough, got to be highlight of the weekend. Firstly though, I’ve got to nip over to Trowbridge’s Carnival Fair in the town park, lots going on there, see the poster.

Bromham Carnival’s Teddy Bear Trail starts Saturday, and continues Sunday, with the theme ‘Someone Beginning with B.’ Forty-plus teddies around the village, created and generously sponsored by local businesses and individuals. See how many you can guess, and enjoy a walk round their beautiful village at the same time.

The wonderful Swindon Hub has their Monthly Craft Market, and the Spotlight Rooms hosts a Mamma Mia & More Dinner Dance. Elsewhere in Swindon, check Down & Dirty at The Queen’s Tap, Myra DuBois at Swindon Arts Centre, Italia Conti Newbury at The Wyvern Theatre or A Night At The Opera at the Old Town Gardens Bowl.

Let’s get the 49 to Devizes then, I know you want to! Because Devizes Arts Festival has an afternoon Organ Recital by Claudia Grinnell at St Johns Church, followed by their grand finale, a Celtic party night with a band called Absolute at the Corn Exchange.

Spoiled for choice again you are though, The Sarah C Ryan Band comes highly recommended by yours truly, and they play The Southgate. Over in the Sham, the monthly Melksham Rock n Roll Club have Shane & The Korrados.

Life in Mono come to Trowbridge Town Hall, and with one our fav Bath indie-pop bands, Longcoats in support, it’s guaranteed to be great. Marty’s Fake Family at Stallards, Biaritz at The Three Horseshoes, Bradford-on-Avon, and Siren at The Rose & Crown, Warminster; all good, good stuff.

Sunday

Come on back to Devizes Sunday, and find Vince Bell and Tamsin Quin live at The Southgate, but don’t forget, The FullTone pre-festival warm up at the Town Hall, presents Vivaldi’s The Four Seasons, or Riding Lights Theatre Company comes to St Marys with a play called My Place.

Heading slightly westwards to the Owl Lodge near Lacock, and the exclusive Wiltshire Blues and Soul Club celebrate their first anniversary with what they do best, a jam; happy anniversary, guys! Oh, and watch out for the Lacock Road Races while you’re there!

To end our weekend with a blowout, Below the Salt play The Three Horseshoes, Bradford-on-Avon

Aftermath

A quiet week follows, at the moment, but you should be browsing July on our calendar, and looking to grab up tickets for Devizes Musical Theatre’s Musical Fortunes at the Wharf on Thursday and Friday, and I’m delighted to say the Devizes LGBTQ+ group has sold out Thursday’s Drag Queen Bingo Night at the Exchange already; that is fantastic guys, well done!

That’s all folks, have a great weekend.

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Wadfest; Great Community Do Launched at Wadworth

When a better half browsing Facebook, tells her husband about an event in their own town, that’s informative. When the husband runs a local what’s on guide, it’s a tad embarrassing! But that is the unusual way I found out about Devizes’ cornerstone industry, the Wadworth Brewery putting on a mini-festival in their carpark.

This added a droplet to my overall scepticism as to what a do at Wadworth might involve, but what I overlooked was Jim Smith, frontman of local flightless bird rock covers band, Rockhoppaz, was a valid employee of the institution, so there you go. Now, in our last partial review of last weekend’s entertainment before looking to the next, I’ll tell you I did manage to pop along whilst juggling this and Saddleback, by hotfooting the tow path. But we’re getting ahead of ourselves.

Once informed about this by the good lady wife, I despatched an enquiry as to acts booked, and the usual promise of free promotion, but the only reply I received was something about a free T-shirt. Promoters should note, local rags seem preoccupied with national headline clickbait, and a preview on Devizine is worth a zillion self-promoting Facebook posts, but c’est la vie; when I saw the lineup I was immediately reassured this was a worthy venture, and apologise to Waddies for any aforementioned scepticism.

Upon arrival the wonderful folk acoustic soloist and Visual Radio Arts presenter, Sue Harding, one third of Devizes’ two-thirds of the folk harmony trio on everyone’s lips, The Lost Trades’ Jamie R Hawkins, and the incredibly unpretentious Vince Bell had already played, the latter shrugging I missed him as I approached. How can I excuse the plain and simple fact I need my beauty sleep? But I can take it as red, due to past experience, this is a brilliant way to kick off the proceedings of any local do.

Of great consolation, the fantastically cool Ben Borrill was doing his thing, sublimely covering those tasteful classics. Duty called though, when you’ve an invite to a ticketed event where Ruzz Guitar and his Revue were about to begin, you’re more than obliging. My apologies to RockHoppaz, the first full band on. Again though, this is such a renowned local circuit lineup, it may’ve been seen before but of a quailty worthy of all the repeats of the Dave TV channel.

What I did glimpse of Wadfest was just enough to know, this was Devizes’ surprise freebie event of the summer, central, communal, with both pizza and hog roast, and anything where those dynamic retrospective RoughCut Rebels rocks the finale is a-okay by me.

The only nitpicking to let Wadfest down were not the blame of anyone. Firstly, the natural elements’ temporary weekend pause in a record breaking heatwave will always reduce footfall, unavoidable clashes with other similar events in Devizes added to it. A fair crowd of local music and beer afictionardos gathered nonetheless and an enjoyable afternoon was had, cut short by a medical incident of which we wish the person involved all the best for a speedy recovery.

Just prior though, the drizzle did its worst, as the Roughcuts did their cliché but refined Wonderwall cover, and I ducked into The Tap Shop and Bar, grasping a perfectly baked hot and spicy pizza, breaking my Woodland Pizza Kitchen cherry. Ha, this appleman justifes drinking Frome’s finest Lilley’s Cider in the Waddies Tap Shop as being one of my five-a-day. But have to say, the Tap Shop is a thing of beauty, doubly so with such a tasty pizza.

On a better day, free of other town goings-on and a tad clement, Wadfest would’ve been an absolute blast, as it was it made the best of bad situations and did the town proud. I sincerely hope this will turn into an annual event to look forward to in the coming years, and fully praise Wadworth for hoisting in the community spirit and bringing us this delightful lineup of locally sourced acts.

Devizes School Summer Concert – Celebrating our Local School Community

Devizes School students will be showcasing their artistic and creative abilities at the school’s first public concert since the end of the Covid-19 lockdowns on Friday July 1st from 7:30pm.

With performances and pieces from across the arts, the student community of Devizes welcomes local people back to their school with an evening to remember. A mix of dramatic excerpts, dance recitals across multiple disciplines and a mix of musical styles will be sure to engage and enthral attendees, as well as celebrate the young creatives ushering in the next generation of the arts in our local area and possibly beyond. The stars of the future could very well be born on the Devizes School stage!

Tickets are available now via Devizes School or alternatively on the door on July 1st. 

Adults – £3

Children – £2

Under 5s – FREE

Any further information can be found by emailing Devizes School – devizes_school@devizes.wilts.sch.uk. Or by calling 01380 724886

REVIEW – Devizes Arts Festival FREE FRINGE –Florian Felcitta @ Three Crowns 19th June 2022

Superb Talent In The Afternoon

Andy Fawthrop

Another day, and yet another Arts Festival presentation at a different D-Town venue. This afternoon it was the turn of The Three Crowns to host a Free Fringe presentation in their wonderful courtyard. And what a delicious Sunday afternoon treat it was.….

Florian Felcitta is a young man who, in my mind at least, is going places. An extremely accomplished guitarist, who plays modern folk/ gypsy/ jazz, gave an absolute masterclass in how to engage and entertain a Sunday afternoon audience. Modest, self-deprecating, and thoroughly charming to boot, he worked his way through two superb sets of material. With no vocals, but merely relying on his sheer artistry of the guitar strings to produce accomplished instrumental versions of some great pop and rock tunes, the performance was absolutely captivating. Challenging his audience from the outset to effectively “name that tune”, he largely lost his £1000 per tune bets as his listeners homed in on the key melodies. We had hits from Fleetwood Mac, Stevie Wonder, Ed Sheeran, Django Reinhardt, Michael Jackson, Guns & Roses, Tom Petty and many others. But absolutely like you’ve never heard them before.

His guitar skills were superb. Aided by a modest use of loops and pedals, which he never allowed to dominate, he managed to produce a beautiful and very laid-back performance. The audience, despite being in the middle of a very busy pub serving lunches, were never distracted and paid full attention to every song and every introduction. It was stripped back, it was accomplished, and it was very, very good indeed. Hopefully we’ll see and hear much more of this wonderful artist in the future. I’m old and cynical, and not easily impressed these days, but this performance was absolutely spot-on. Highly recommended.

And, yet again, well done to DAF for putting this event on. The fact that it was FREE was just the icing on the cake!

The Devizes Arts Festival continues every day until 25th June at various venues across town. Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

REVIEW – Devizes Arts Festival –The Homing @ Conservative Club 17th June 2022

A Game of Two Halves

Andy Fawthrop

Another day, another Arts Festival presentation. Following classical, rock, comedy, it was time for something completely different – this time it was alt-country/ folk/ Americana from London-based The Homing, and yet another different D-Town venue. We were up at the Con Club in Long Street, normally home to the very successful Long Street Blues Club. The place was pretty full and, due to the lack of any air-conditioning, a very hot place to be.

The Homing are: Dani Somerside (vocals, percussion), June Brawner (vocals, keyboards, guitar, mandolin), with Abraham Kane (acoustic and electric guitars), Rob Navrati (drums, vocals) and
Arnold Carrete (bass).

This concert, for me at least, was a game of two halves. In the first half the band struggled to reach its stride and to generate much enthusiasm, either on stage or in the audience. The songs were pleasant enough and competently performed, but the vibe was steady and plodding, rather than exciting. Slow and medium tempo numbers ran into one another, and it was a relief to get to half time.

After the break things were different. I don’t know if there was a hairdryer moment in the dressing room, or whether this is just how their shows usually run. But suddenly there was a flash of that missing spark. They lifted the tempo a few notches and, hey presto, the dance-floor quickly filled up. There were still the odd mis-steps in the set-list as the band, inexplicably, twice cleared a busy dance-floor by doing a long rambling intro, followed by another slow one. However, they kept rescuing it, and we just about reached the finishing-line with a guarded thumbs up.

Not the best gig I’ve been to, to be honest, but you can’t like everything. A better-ordered set-list, a couple more upbeat numbers, and slightly less chat might have lifted this performance to “good”. It was an enjoyable night out (just), but I was left feeling that it could have been rather better than it actually was. Oh, and I wouldn’t have called this Americana or alt-country either – more like soft/ folk-rock. Not massively important in the grand scheme of things, but we do worry about our labels don’t we?

The Devizes Arts Festival continues every day until 25th June at various venues across town. Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

The Return of Saddleback

Yes, felt obliged to drop into the Saddleback Festival, have a nose…..

If a week of heatwave may’ve inconviently paused for drizzle Saturday, fortunately Devizes Rugby Club erected a rather splendid marque for the slight return of their legendary Saddleback Festival.

A combination of inclement weather and clashes with other similar town events meant while Saddleback lacked the footfall of past years, primarily, it certainly made up for it by delivering some first class music.

There was a feeling of content with organisers I chatted to, that to expand this rushed decision festival to a size akin or progressive to prior years was something they didn’t feel necessary, given the lapse of planning time, and concentration should focus on the quality of the event, for which I will say, was first class.

A definite need to stroll to and fro the towpath for me, in order to also check how Wadworth Brewery was doing, with their first free mini-festival outside their tap shop; the result of which forthcoming in a separate article. For now it’s interesting to note, while I used it as a halfway house to Saddleback, there was just a second of silence on the canal where Wadfest faded prior to hearing the sounds of Saddleback. The significance of which symbolic of the unfortunate clash.

To compare the two simply for being on the same day would be unfair to both, though my quest to cover both deservedly, leaves gapping holes in reviews; forgive me until cloning technology is affordable!
While Waddies surprised with a wealth of local talent, for free, Saddleback came with the £30 pricetag, flushing every penny back into pyrotechnics, staffing and quality of acts. And whilst those acts sourced locally to start, a dramatic change to Saddleback occured, like switching a TV channel.

Jon Amor with Ruzz Guitar Blues Revue

My priority was to wiggle my way in for Ruzz Guitar Blues Revue at half-four, consolled missing the unmissable King Street Turnaround under conviction the trusty Southgate’s monthly Sunday residency of Jon Amor. Though those eyes of mine lit up when Jon excused himself from our chat, informing me he was to join the Blues Revue for a few numbers, then pretty much staying for the whole hog, which if you’re knowledgeable about our local circuit I need not explain the level of treat this is. For Ruzz and gang knocking out their archetypal set is something I will never tire of. The finale of which, Sweet as Honey, was dedicated to me personally; thanks Ruzz but flattery unnecessary, a blinding assessment is due even if you was to insult me on stage!

Being it’s someone I’ve only happened to catch acousticaly solo, it was a blessing to witness the incredible Joe Hicks with a full band behind him, adding that extra dimension to this wonderful performer, making it childsplay suitably following Ruzz.

Joe Hicks

Twas at this conjunction I went missing in action, hopping down the towpath. The first noticeable change upon my return was the age demographic had dropped like a bombshell. A young girl called Dorothy Ella stood acousticaly on the grand stage, confidently delivering some beautiful self-penned songs. With the code of our local circuit broken, I relished to witness some different acts sourced from the same agent in Derby. The Public Eye followed, yet the influx of cider skewered my perception somewhat, this indie-pop fourpiece breathed youthful hard-edged momentum into Saddleback.

Dorothy Ella

The Darkeness and nearly a Clash cover enveloped into some originals for the kingpin of this Derby invasion, with the glamorously folky punk Matt Peach. Yet another youthful engagement full of Jim Morrison fashioned confidence and bravdo, this band really came to rock some sodden socks off, and was a most entertaining show prior to handpicked local DJs, Matter, Rappo, Retrospekt and Astral Pipes polishing the night off with the charitable element of Saddleback, the bolted on LottieFest, breakbeat and drum n bass stylee.

Matt Peach

A fitting tribute, to see something all together different for Devizes, and especially Saddleback. To see a local festival engaging the twenty-somethings is precisely what’s missing from our usual schedule and for this alone, aside the archetypal brilliance of acts like Ruzz, Jon and Joe, Saddleback should be comended.

Yet, to label “festival” to every event simply for having a hotdog stand, bar and some bloke with a guitar is debatable, similarly while this year’s Saddleback could be better defined as a kind of wedding-fashioned posh party, it was the best wedding-fashioned posh party I’ve ever attended, and the positives of this was a real communal and incredibly welcoming atmosphere. There was no bantering this grumpy grandad, seemingly earning respect from millennials and gen z, there, partying in a safe environment, and for that, I cannot criticise…bit hungover though; never again….till next weekend.

REVIEW – Devizes Arts Festival –The Scummy Mummies @ Corn Exchange 16th June 2022

Scum In The Corn Exchange

Andy Fawthrop

Well we’ve had plenty of music, chats and walks so far in the Devizes Arts Festival, so it was about time that a comedy monster raised its ugly head in our lovely town.  And, as they say, if you’re going to do comedy, best get out there and do it big.  And it doesn’t come much bigger, better and more well-known than the Scummy Mummies…..

For those who don’t know – Ellie Gibson and Helen Thorn originally joined forces to become The Scummy Mummies back in 2013.  Since then they have gone on to produce an award-winning podcast, a popular book, and their own range of merchandise.  They have an ever-growing social media presence, with more than 160,000 followers on Instagram.  There are now over 200 episodes of The Scummy Mummies Podcast, and they have been downloaded more than 5 million times in 150 countries.  The show has featured in “Best Podcast” lists in The Guardian, the Sunday Times, and The Telegraph.  

So taking the next logical step to create The Scummy Mummies as a live comedy show, packed with sketches, songs, and top quality boob jokes, came almost as an inevitability.  In 2019 they made their Edinburgh Festival debut, selling out the entire 25-night run and earning a five-star review.

And last night, the show rolled into D-Town and, not to be outdone by some mere provincial town in Scotland, was a sell-out.  400 or so folks packed into the Corn Exchange.  I’m guessing that there were a lot of dads across town looking after their children, cowering in the darkness, and wondering about how exactly to load the dish-washer, since about 95% of the audience were of the female persuasion.  This was like the biggest prosecco-fuelled hen-party on earth.  The air was thick with the aroma from competing waves of oestrogen and HRT patches, and it was almost over-whelming to we few cowering, intimidated males who had dared to put in an appearance.  Make no mistake – this was a BIG girls’ night out, the WAGs moving en masse, and woe betide anyone who got in their way.

And of course, it was everything the crowd had been expecting – potty-mouthed sketches, observations and songs on all the obvious themes and targets – the failings of men, sex, childbirth, domesticity, parenthood, body issues, you name it.  Every target was greeted with loud hoots and cheers of recognition and sisterhood solidarity.  Subtle and sophisticated it was not – but it was absolutely, side-splittingly, laugh-out-loud, bloody hilarious.  Ellie and Helen were absolutely superb at picking their targets and (male) victims from the audience, riffing and improvising on familiar themes of failed expectations, can’t-be-arsed attitudes, and rapidly-waning interests in other things in life than wine and sex.  I almost felt sorry for poor Phil and Dave sitting up at the front.  But not very sorry, to be honest.  It was excruciating at times, yet never nasty or vicious, just deeply funny.

Musical mash-ups featuring ABBA, Cher, Love Island, RuPaul, and the Nineties were great set pieces, together with sketches about baby-books, hair waxing, the horny-versus-hungry dilemma, and the “beauty” industry.  But the best bits in my view were the observational stand-up sessions, and the games (“I have never…” and the “confession” cards), which were generated by the D-Town audience itself, and led to the best impromptu comedy from both women.  And finally the “scum-ometer” revealed the “scummiest mummy in Devizes”, and then we were done.  Huge, huge cheers and applause was the justified response.

I think (I hope) it’s probably safe for the chaps to come out now, but be afraid – very afraid!

What an absolutely fabulous night out – great entertainment, and two hours of belly-laughs.  Well done DAF for throwing this absolute gem into the mix.

The Devizes Arts Festival continues every day until 25th June at various venues across town.  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk 

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Thoughts About George Ezra at Trowbridge’s Civic

Yes, I did, thank you; and what a brilliant show it was last night when George Ezra came to Trowbridge!

Consider the punks, who spat at conformity, consumerism and society’s esteem of pop culture, are now near, if not pension age, when digestating the derisions and jeers from a few when I told them “I’m going to see George Ezra.” Marketed commercialisation, yeah, I get that; if for the pre-gig meal we frequented the golden arches, I was more than disappointed my “Italian Stack” was just a cheeseburger with rocket salad and pesto sauce. I mean, who puts a pasta sauce on a burger, adding insult to injury what with the broken milk shake machine, my only guilty pleasure from Ronald?

For them though, I bid they take heed of my anecdote more than those who attended George Ezra at Trowbridge’s Civic Centre yesterday, which, like many of my yarns, begins with me spending a penny. Upon my return to the hall, in which we were instructed in this record-breaking heatwave to “squeeze in as tight as possible,” a few had gathered behind my teenage girl posse. With my customary irony I nudged in front, “make way, responsible adult coming through!” only to note I’d obscured the view of a young girl behind me.

The expression of anticipation at seeing George Ezra drained from her face, unacknowledging now she’d only see the back of a podgy middle-aged parent in a Batman t-shirt. But before she could completely well-up, I promised to stand aside as soon as he came on stage, but if I moved now someone not so willing might push in. Though she doubted my conviction, I did retreat from my position, her parents expressed their gratitude. The space my belly once occupied ample for her to sing and dance her heart out, which she did, and her expression of sheer joy made my night.

Because, while George and his band may’ve only blasted a job-and-finish half-hour set at us, damn it the guy puts some umph in. Honestly, he’s like the geek of a Saturday supermarket job who really puts his all into shelf-staking. Professionally executing the placid and sincere pop star persona, the guy convinced me he’s the genuine article, finding time to box-in his every known popular tune. Sure, playing through his new album The Gold Rush Kid, was a pointless marketing exercise, being the ticket price included a copy of it, but there was everything there you’d expect from an upcoming musician and none of the bravado of celebrity; passion, drive, and even some narrative of backstory.

But for his best efforts, I owe it to the little girl in front of me, and every other screaming teenager or child, to express what a superb evening it was, her mien said it all. For it was never about anti-corporatism critics, rather the rare opportunity for youths to see a popstar in the flesh, in Trowbridge, which would otherwise cost the parents something quite unaffordable in tickets and travel costs.

Doubtless this was The Civic’s finest half-hour, though structured without encore, for less than a purple one, we got our money’s worth in George and his band’s dynamic performance; worth the hassle of fastest-finger first ticket booking system, which sold out in seconds of going online, queuing in the heat only to be squashed in like sardines, but perhaps not the no drinks policy profiteering attitude, which saw the bar closed and only bottled water they sold allowed. Maybe laws have changed without my knowledge, but I assumed not providing free drinking water was unlawful, and even if not, it’s safety and basic etiquette poorly overlooked by The Civic.

Yet we owe it to Marlborough’s music shop, Sound Knowledge for this most excellent show. Must be best part of quarter-of-a-century Roger has been the best purveyor of records around these backwaters, and stayed afloat through this technology-changing era by hosting these fantastic album marketing gigs. Usually based in the shop itself or in the club opposite, it’s bought many an upcoming act to Marlborough, including Ezra in 2014. The only other time a band has been too big to fit in was when they shifted Rag’N’Bone Man to the College campus, but George was too bigger name, even for this venue, causing the organisers to add a matinee at the Civic.

But usually, there’s a post-gig meet-and-greet opportunity, something though we took our CDs we had to accept would’ve sadly been unviable due to the vast number of attendees. And that, in a nutshell, whitewashes any niggly criticisms, because maybe restrictions have to be set in order to pull off an event of this magnitude, perhaps you do have to shout orders at the crowd and search children’s bags in this day and age. Even though this isn’t what I’m used to, I was happy in the knowledge that for many there, this was not just a golden opportunity, but a first-time concert which will live in their memories forever.

It got me thinking of my first ever gig, about the same age as my daughter and her friends now. To set the bar high, it was Bruce Springsteen, and, George, sorry mate, but through rose-tinted specs, while you weren’t quite that good, you were totally amazing. Proof of this goes along the lines of me mumbling the words to Shotgun all day today, the profound effect is unimaginable for those younger, if it got this grumpy old git inspired!               

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REVIEW – Devizes Arts Festival – Quentin Crisp – Naked Hope @ Corn Exchange 15th June 2022

Lessons In Life!

Andy Fawthrop

The Devizes Arts Festival continues to offer us a wide range of arts performances.  After several, and varied, musical offerings over the past few days, last night was the time to dial things down a little, and to present something completely different and much more personally engaging.….

The Merchants Suite (aka the Corny Bin aka Exchange Night Club on weekend club nights) had been transformed by way of seating and lighting into an intimate theatre-like venue for this most personal of dramatic presentations, given by Mark Farrelly.  His self-scripted show “Quentin Crisp – Naked Hope” – was an absolute tour de force.  The words, largely lifted from Crisp’s 1968 autobiography “The Naked Civil Servant”, and previously in the mouth of the wonderful John Hurt in the 1975 TV adaptation, were wonderfully brought to life again.

The performance fell into three connected pieces.  We began with the younger Crisp, London-based, speaking in his high affected drawl, explaining his early life as “a camp, affected, homo-sexual” making his way through school, art school and the early London gay scene.  Several incidents were played out using different voices to illustrate how contempt and negativity conspired to shape his views.  The scene with the draft sergeant when he turned up, hair freshly henna’d, to try and enlist in the Army at the outbreak of war, was top-notch.

The second monologue was, following a swift on-stage clothes-change and transformation, featured the New-York-based 80-year-old, now gravel-voiced media personality.  His deliberate playing to a “club” audience was both clever and knowing, tired and yet hopeful.  His schtick now alternating between an almost stand-up comedian, and a world-weary philosopher of life.  The section ended with some showbiz-style audience participation (from the helpful Phil), using prepared questions on cards to elicit prepared answers which reflected Crisp’s views on life.

And then it was over and the audience applauded.  But was it really over?  In an impromptu third section, usually reserved for those who would like to beard him the bar afterwards (but the bar being closed), Mark dropped out of character and became himself.  In what was to prove to be the most affecting section, he revealed the true story of his own naked hope that had emerged ten years ago after “a year from hell” which had seen the break-up of a long-term relationship, and the suicide of a close friend.  His misery and despair at that time had been finally counteracted, at least in part, by the picture and the writings of Crisp.  In saving his own soul (as he saw it), he vowed to help others recover from the lowest pitch.  His own philosophy – that hope is always better than despair – reflects that of Crisp.

It was a truly moving and worthwhile personal coda to what had largely been a light and witty in-character monologue.  In my view, Farrelly should always include this section, and never leave it just for the ears of the bar-flies.

In sum, this was a great show, full of witty bon mots, aphorisms and quotable quotes (many worthy of that other famous early gay icon Oscar Wilde).  It was a set of “rules” for living – live your own life, be yourself, let the world come to you, don’t conform to society’s norms, and never look backwards or forwards – only “inside” yourself.

A cracking evening’s entertainment.

The Devizes Arts Festival continues every day until 25th June at various venues across town.  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk 

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REVIEW – Devizes Arts Festival –Borealis Saxophone Quartet @ St Andrew’s Church 16th June 2022

Sax in Church

Andy Fawthrop

OK it’s a clickbait headline, but now you’re here, there’s more good news to report.…

If you look upon The Devizes Arts Festival as a box of chocolates, this particular concert was a sweet little surprise – an additional lunchtime treat if you will, a chocolate to be enjoyed with a nice cup of (free) tea or coffee (thanks to the grand volunteers at St Andrew’s).

St Andrew’s church is a light, pleasant airy space, and an ideal venue for this sort of lunchtime concert, and it was good to see the Festival making good use of additional venues around the town.

The Borealis Saxophone Quartet is an award-winning chamber ensemble, led by Alastair Penman (soprano saxophone), with the other three members on alto, tenor and baritone saxophones.  They played a varied hour’s programme featuring contemporary & recently commissioned pieces, together with more well-known items by Bach, Gershwin, Rossini and Bernstein/ Sondheim.  Hence we had extracts from West Side Story, and the William Tell Overture (the “Lone Ranger” theme for our more childish readers; Editor’s Note: That’s a-me!)

As one might have expected from such experienced and professional musicians, this was an immaculately performed concert, full of brightness and verve.  All the pieces were well received by an appreciative audience, and the final applause was justifiably fulsome.

All of DAF’s offerings so far have been exceptionally good, and this one just kept their good run going.  Short and sweet, but an excellent concert. 

The Devizes Arts Festival continues every day until 25th June at various venues across town.  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk 

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REVIEW – Devizes Arts Festival – Tankus The Henge @ Corn Exchange 14th June 2022

Absolutely Stonking!

Andy Fawthrop


The Devizes Arts Festival stepped up several gears last night with an absolutely explosive performance from the musical phenomenon that is Tankus The Henge.…..

The powerhouse 7-piece hit the stage running, immediately injecting energy, noise, fun and bombast into a dull Devizes Tuesday night. This is a band that is almost impossible to categorise, but why on earth should that matter?

“Eclectic” is probably the best I can come up with, combining influences from all over the musical spectrum, and all over the world. There’s soul, funk, blues, jazz, psychedelic all there in the mix, one minute evoking the stinking swamps of New Orleans, the next minute a Berlin bordello, and then on to vaudeville and cabaret. You can hear Tom Waits, Dexys, Madness, Audience and the late and long-missed Alex Harvey.

Up front Jaz Delorean was the ultimate showman, not only leading the band on vocals and piano, but egging on his band-mates to greater and greater efforts. His boogie-woogie piano, often shifting into almost ragtime, combined with physical and actual pyrotechnics – the tilting piano, the clouds of smoke, the climbing acrobatics – provided an arresting front-piece to a very, very good band. These guys were happy to give out the appearance of a ramshackle, fun-loving, loose band, but make no mistake, they were an extremely tight and well-rehearsed unit. The rhythm section drove the juggernaut, and the three-man brass section did all the wheelies. The moves were dramatic and choreographed, theatrical and expressive, and a grand visual foil to the musical shenanigans.

But, like any really good band, they were no mere one trick pony. Never afraid to dial it down for a while, drop the tempo and the volume, they took the audience with them every step of the way. Love songs were mixed with crowd-pleasing call-and-response anthems, before the full wall-of-sound came belting back at you again.

Tankus themselves describe what they do as “Gonzo rock & roll”, and I guess that summed it up – – bonkers, anarchic, fusion, bizarre, batshit-crazy stuff. And it was absolutely wonderful, drawing enormous applause from the dancing crowd.

And so good to see people of all ages and generations there amongst the crowd. I suppose with such a catalogue of styles it would be hard not to at least please some of the people some of the time. With a full 90-minute rollercoaster, high-energy set, Tankus have certainly lifted the bar in D-Town for sheer enjoyment and entertainment.

I’ve no idea how much these guys got paid (and I’m not asking) but whatever it was, Tankus absolutely earned their money. They must be one of the most hard-working bands on the circuit. This wasn’t so much a performance, as complete on-stage energy blow-out. It was a musical statement made in the boldest of colours and loud sounds. It was never subtle, but OMG it was soooo good! Bonkers but brilliant!

The Devizes Arts Festival continues every day until 25th June at various venues across town. Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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The Bakesys, Thursday Night on my Television

The Bakesys have a new album out this week, to get your flux capacitor firing on all cylinders……

Though Perry Como got the ball rolling for a possible “10 songs which stick in your head” nonsense article today, I’ve been pleasantly reminded of eighties German outfit, Trio. A kind of poor man’s Europop Ian Dury, their only UK hit ‘Da Da Da’ definitely fits the bill.

But in turn it reminded me I’ve an album review to prioritise, a track on which reeks of Trio, and not the popular chocolate biscuit of the era. With its upfront ZX Spectrum game backbeat ‘Six O’clock Already‘ is like techno never happened; you can virtually see Jet Set Willy entering the banyan tree.

If you need Google to comprehend that reference, Newbury’s The Bakesys’ ‘Thursday Night on my Television,‘  might skyrocket over your head. Inspired by late eighties third wave ska bands, The Bakesys formed in 1990, and frontman Kevin Flowerdew is now editor of the superlative ska-zine ‘Do The Dog.’
I fondly reviewed their last outpouring, Sentences I’d Like To Hear The End Of, in which a variety of sixties news headlines are given a fourth gen ska makeover to poignant and danceable effect. This latest album is a different ballpark.

Through retrospective compilation, Thursday Night on my Television, relies entirely on that post-punk pop era, where no subgenre in the clutter of youth cultures could avoid the onslaught of electronica. It was a do-or-die age of experimentation, free of the trend of sampling. And unlike the previous Bakesys’ album, there are no samples, just rich of culture references harking of the kind of sounds dripping from that era, and deliberately clunky.


Fun Boy Three’s Our Lips are Sealed gets a counter-reaction, Molly Ringwald gets a mention, in a song akin to Kirsty McColl’s guy down the chip shop, and the best ballad themes around the subject of Bunking Off School, Jumping on Buses, leaving no doubts The Bakesys are either Dr Who, or lived this time, and are reminiscing on both reality-driven romance and fantasising, of John Hughes characters.

With shards of Two-Tone, new wave and post-punk, no pre-electronica subgenre is left behind, as it merges into this experimental period, this album will have you recollecting all from The Damned and The Beat, to Blancmange and Sparks, if you don’t remember ‘Beat the Clock,’ your memory will be jogged by this retrospective outpouring, and in the words of Kenny Everett, “all in the best possible taste!”

For it might take a couple of listens to be fully immersed, for what was avantgarde might now be cliché, The Bakesys home in with such a degree you’re drawn into reliving rather than attributing, like your Harrington jacket, Doc Martins and Fred Perry polo shirt have been hanging in your wardrobe all this time, waiting for you to stop staring at that fading Kim Wilde poster on your wall, and nip to the arcade to play some Space Invaders until a fight breaks out….. which kinda makes it alright.

But, it took me by surprise, expecting ska, when even the most ska-ish track, Money all the Time, has the electronic plod of Depeche Mode. It’s a synth-pop marvel, with a notion to matured retrospection, rather than delinquent melancholy, and it works on a level above the archetypal 80s tribute, to the point I’ll be avoiding white dog shit on the street, and I can smell that bubble gum you used to get in trading cards!

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What to Do; Weekend Roundup for 16th-19th June

Ah, the Ashes, about the only international sporting event where England can get a second place! It’s gonna be another scorcher weekend, folks, so here’s your sunscreen-advised roundup….

Don’t forget, details and links and stuff like that can be found on the only link you need, our event calendar, and be advised this post is NOT comprehensive, more stuff is added all the time, try to keep up. And if you’re way ahead of us and there’s something we missed all you got to do is tell us about it.

Now, I don’t want to get political, let’s leave whether it’s deliberate or coincidence at the door, just to note everyone’s trying to do their thing over the summer months and perhaps it’s no bad thing to have options. Options, people, options, yeah, there’s three “festivals” happening in the market town of Devizes, incredibly. Ongoing Devizes Arts Festival has been going well, and continues over the next week (more on that as we go through.) Meanwhile over at Devizes Sports Club there’s the welcome return of Saddleback. Yes, it’s back, Ruzz Guitar, Jon Amor and plenty of others will be there, with an added “LottieFest,” meaning some seriously top-notch DJs will take you through the night. We’ve previewed this one already, which is HERE.

Now, if anyone can organise a piss-up in a brewery, Wadworth is your safest bet around these parts, and they’ve a free festival ingeniously titled “WadFest” on Saturday from midday, in the brewery tap shop carpark. The Woodland Pizza Kitchen and Wiltshire Hog Roast are serving, and if you join the “Waddies Waddle” as soon as possible, you’ll receive a free t-shirt and entry in the free raffle to win a pair of tickets to an Autumn international rugby game in Cardiff.

Acoustic folk opens the show at midday, with the wonderful Susan Harding. Jamie R Hawkins takes over at 1pm, Vince Bell follows at 2pm, and Ben Borrill at 3. Then Wadworth’s own RockHoppaz are the first band, on at 4pm, The RoughCut Rebels headline from 6pm till an early close at 8. There is not one single act playing this that I wouldn’t thoroughly recommend, and I praise Wadworth’s for their local circuit support on this one.

Ongoing this week….

But whoa there, we’re getting ahead of ourselves here. Let’s build this weekend up with a drumroll of ongoing stuff. Have you been to Chippenham yet, to check out the Art Heist exhibit of alternative art? I suggest you do, it’s running until 21st June, review HERE.

For the kids, The Wyvern has an ongoing interactive family Jurassic adventure, Dinosaur World Live runs up till tomorrow, Wednesday, so be quick on this. Also, running Wednesday till Friday, Darkroom Theatre Company are at The Wyvern with a play called Cougar, while there’s a Western Players domestic comedy a comedy by Eric Chappell and directed by Karen Evans at Swindon Arts Centre, called Haywire, running until Saturday.

Wednesday 15th

Wednesday then, and a solo show for Devizes Arts Festival, Quentin Crisp: Naked Hope has toured the UK ever since it was first previewed in Edinburgh in 2014. Quentin surveys a lifetime of degradation and rejection for being flamboyantly gay, from his filthy Chelsea flat, to a transition in NY where Quentin is finally embraced by society. Naked Hope is a glorious, truthful and uplifting celebration of a genuinely unique human being, and of the urgent necessity to be yourself.

On a similar note, well done to Melksham Proud, who raised £1782 with their first Pride in Melksham on Sunday, we didn’t hear about this until late, please keep Devizine in the loop, guys.

Patron of Autistic Inclusive Meets London, professional author and five-star Edinburgh Fringe act, Aida H Dee is at Pound Arts’ The Green Sky Festival in Corsham, reading her own children’s LGBT books.

Thursday 16th

Two Devizes Arts Festival events today, Borealis Saxophone Quartet at St Andrews Church, midday, and The Scummy Mummies Show at the Corn Exchange in the evening; break out the wine, mums, that will go off like a nappy change.

Then, okay, I did tell you about George Ezra, but now, if you want a ticket you’ll have to resort to murder; it is a terrible time to be alive if you’re prone to overthinking and under planning anyway. Courtesy of Sound Knowledge, Marlborough, he plays The Civic, Trowbridge, the only venue big enough around here for him, in a matinee and an evening CD-flogging exercise where you’ll be lucky to be riding shotgun for a mere half-hour set. For an easier evening, join the Playgroup Open Mic sessions at the Bell in Bath.

Friday 17th

The Yate & Sodbury Scooter Club “Back to Bedrock” Scooter Rally begins, while there’s an alt-country revival with The Homing, part of Devizes Arts Festival, at Devizes Conservative Club on Friday, meanwhile happy anniversary to Debs, landlady at Market Lavington’s Green Dragon, they’ve got People Like Us playing.

Rock covers done in style, with @59 at Marlborough’s Green Dragon, while Mollys Chambers is recommended at The Rose & Crown, Warminster. All Trowbridge eyes on the Pump, where Sheer have Hit Like a Girl, support from I Feel Fine and Start the Sirens. We like Start the Sirens, but if you need a heavy cover instead, Metallica Reloaded at The Cheese & Grain, Frome.

A Dr. Jekyll & Mr Hyde play maybe at Neeld, Chippenham, but for the little children, try Catch That Beast at the Corsham Almshouses; FREE, a magical, deliciously silly show exploring how we interact with wild things. It’s full of offbeat humour, live music, inventive puppetry, and audience participation. Staying in Corsham, Ellie Gowers plays Pound Arts.

Saturday 18th

Happy anniversary to Trowbridge Museum, they’ve got free cake, music, crafts & demos during the afternoon, when they launch of their summer exhibition. Or stroll through the streets of Chippenham town centre at your leisure and find local art in local venues, yes, Chippenham Art Trail is on Saturday.

If Devizes folk can recall the fantastic Buddy Holly Lives show from a few years back, a tribute to Bruce Hopkins, they’ll be aware of how fantastic Asa Murphy is, and he’s ferrying across the Mersey to return to town, as part of Devizes Arts Festival; expect a night of swing with his The Song-Writing Years at The Corn Exchange. Then there’s our aforementioned Saddleback Music Festival and Wadfest happening Saturday. If you can’t pick or choose, the brilliant Hip Route frontman Jim Blair is at The Southgate.Sharon Lazibird plays the Pump, and the Boot Hill All Stars boot up The Three Horseshoes in Bradford-on-Avon. Papa Shango at The Vic, Swindon, Good Times at The Queen’s Tap.

Whitney Houston tribute I’m Every Whitney at Neeld, Chippenham, and Pound Arts in Corsham continue their Green Sky Festival with a Southampton Ukulele Jam, Corsham Windband, a Silent Disco and comedy from Sarah Smout & Natalie Holmes.

Check this out though, are you ready? Eighties two-tone The Beat play the Cheese & Grain, Frome; Full Stop!

Sunday 19th

Devizes Arts Festival go for a walk, then onto Three Crowns for a free fringe event, Florian Felcitta; what a way to end the weekend.

Tell Tale Twit with Gav Cross at Pound Arts, Connor McLeod plays the Grapes in Bath, but never to be missed, Strange Folk are at The Three Horseshoes, Bradford-on-Avon.

Then it’s Monday, back to work!

There are more Arts Festival events ongoing through the week, An Audience with Adam Frost on Monday, Simon Calder on Tuesday, Darius Brubeck Quartet on Wednesday.

Our “where everyone matters” county council have already been aggressively unaccommodating to the disabled and alternative tourism, arriving at Avebury for Tuesday’s solstice, by blocking every byway and carpark to campervans, and if you’re going to Glastonbury, you need not read on.

Things to book, The World under the Wood starts at the Wharf Theatre, Devizes, Thursday, runs until Sunday. Bromham Carnival’s Teddy Bear Trail starts next Saturday, and it is Manton-Fest time in Marlborough, get your tickets for that. Also coming soon, check the posters, always check the posters! And have yourself a great weekend.  

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REVIEW – Devizes Arts Festival – Leonore Piano Trio @ Town Hall 13th June 2022

A Real Classic

Andy Fawthrop


It’s taken a lot of resolve and a lot of hard work and planning to get Devizes Arts Festival back on the road after two enforced years away due to that C-thing, so it was great to get back to business as usual. And the good folks of D-Town have responded well by turning out for the first few events.….

Lesley Garrett at the Corn Exchange (“A Diva and a Piano”) was a cracking start with the hall full and Lesley herself on sparkling and witty form. I’m not a personal fan of her singing style, but it was well worth the time just listening to her down-to-earth humour, and her genuinely funny stories. Superb entertainment.

Since then we’ve had Baila La Cumba, South American music (reviewed earlier here on Devizine by Darren) and the first free Fringe event with Rockin’ Billy at The British Lion on Sunday

Which brings us to Monday and our first piece of classical music programming. The Leonore Piano Trio, first formed in 2012, consists of Benjamin Nabarro (violin), Tim Horton (piano), and Gemma Rosefield (cello). Each of them is an acclaimed soloist, having played with many famous orchestras and musical projects around the world. And last night it was a pleasure to welcome them to the beautiful setting of the Town Hall.

An almost-full room were treated to three pieces. The first, and perhaps most familiar was Haydn’s XV:25 in G major (Gypsy Rondo) – a lively and upbeat three-movement work. Second up was the far less familiar four-movement work by Bargiel – Trio in F, a work which the group have been recently recording. And, following the interval, Mendelssohn’s Trio in D minor. For me it was this last piece which struck the deepest chord, with a passionate and romantic first movement, and a wonderful short, sparkling scherzo as its third movement.

To my untrained ear, it was all pitch-perfect. The trio played with spark and intelligence, bringing real feeling to the pieces and, to quote a somewhat unreliable source, played all the right notes in the right order. It was a wonderful, uplifting and entertaining evening. And, as we are fairly starved of classical music in Devizes, a very welcome opportunity to hear three world-class musicians perform in our little town. A thoroughly enjoyable night out.

And there’s plenty more yet to come with the best part of two weeks’ worth of events still to happen, yet again nailing the increasingly redundant myth that “nothing ever happens in Devizes”. It’s good to see this major cultural Arts Festival firmly back in the calendar.

And this is just the Devizes Arts Festival! – don’t forget that there’s plenty of other stuff happening during that same two weeks – Wadworth’s Music (Wadfest), Saddleback Music Festival and Jim Blair solo at The Southgate – and that’s just on Saturday. See elsewhere on Devizine for a complete guide as to what’s on where and when. Get yourselves out there and see some live music!!

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Baila La Cumbia; Devizes Arts Festival Brings Columbia to the Corn Exchange

Well, Devizes Arts Festival pulled it out of the bag at the Corn Exchange last night with something entirely new and different from usual musical offerings in Devizes……

If Ry Cooder popularised the Cuban styles of son and bolero in the nineties with the Buena Vista Social Club project, since English New Yorker Will Holland, aka Quantic, spent twelve years in Colombia, he’s doing similar with cumbia.

But if Quantic’s Flowering Inferno was my avenue into this infectious genre, via fusions of dub and global beats, I never imagined I’d be listening to cumbia at Devizes’ Corn Exchange!

It was an unmissable rare opportunity, provided by Devizes Arts Festival, absolutely sparkling their opening weekend. A six-piece version of Bristol-based Baila La Cumbia expertly transported the Ceres Hall to South America last night with the colourful sounds of a more traditional cumbia.

The hall was adequately filled, many I’d imagine curious of what they were to hear, others perhaps lucky enough to have travelled. Salsa Club dancers immediately took to dancefloor, yet this is a completely different rhythm. Something I’m merely teetering on the edge of.

Though contagiously danceable, this contemporary sound of Columbia is a blend of traditional Latino, Afro and native American folk, and Baila La Cumbia export it as gospel, not deviating from the style. In a word, it was gorgeous.

Folkloric, and spreading to neighbouring countries since recorded sound in the 1940s, the African influence of cumbia is a subject often open to debate. Baila La Cumbia though, used double drummers, with a selection of caja, used like djembes, and a set of metal snares, to keep a consistent percussion. I quizzed the frontman and electric guitarist afterwards, suggesting I thought they’d up the tempo, as common in Caribbean styles. But a Colombian himself, the reply was interesting, that the Afro-American slaves working on the railroads worked consistently to a steady pace, the music stridden to suit, so he clearly cited the African influence.

And that’s how it was, not frenzied, rising or falling, more comparable in western fashion to trance than samba and salsa, in so much as it was a hypnotic sound, as completely absorbing as African drumming. And akin to modern dance music, vocals were sparse, some more single word shout-outs, while other songs adopted some Latino narrative. In fact, the spread of cumbia to Mexico has seen a contemporary subgenre, tecnocumbia, rise, using electronica, though tonight felt strictly traditional Colombian.

Yet more conventional by our expectations, instruments such as trumpet (by Joe Longridge), keys and double-bass were heavily involved, providing a sound wholly original to our untrained ears, almost jazz, tropical flavoured, and it made for a memorably disparate evening; you don’t hear much world music on our local circuit, cumbia, erm, ever!

I imagine these were original compositions, perhaps I’m wrong and they played traditional songs, it was one question I forgot to ask, being spellbound by the moment, and maybe the odd cider!

So, a massive thank you and congratulations go to Devizes Arts Festival, for putting on such a rarity around these parts, it was a most infectious musical experience. Though we’re only the edge of the fortnight of an amazing array of diversity; the Arts Festival have more up their sleeve. Most prominently this coming week, musically speaking, is Tuesday night when groovy Soho heavy rock and New Orleans swing fusion Tankus the Henge stop by on their way to Glastonbury. But check their website for details of the amazingly diverse programme of talks, country-rock, saxophone quartets, comedy, jazz and swing, lots more.

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Great News for The Devizes Assize Court Trust and Wiltshire Museum

Things are finally looking up for that great redundant building on Devizes’ Northgate Street, the Assize Court. You know you’ve passed it gloomily for decades, recognising its potential and hoping one day it’ll be put to good use….

Twisted in red tape, the charitable Devizes Assize Court Trust bought the building from Kamarran Mahmoud in 2018, a London merchant who gave it no attention, yet resisted Devizes Town Council’s resubmission to convert it to homes and a community centre in 2015; yeah, I dunno what all that was about neither, pal. The Trust now strive to raise £13 million to restore and refit it, for conversion into a new home for Wiltshire Museum.

The Trust are delighted to announce this week, The National Lottery Heritage Fund have accepted their ‘Expression of Interest,’ and they are now able to submit an application for funding. This means that the project is now on the first rung of the ladder.

I believe we’re lucky enough already in Devizes, to be home to the county’s museum, imagine the impact of it being in the Assize Court, the expansion potential and possible modernisation. I mean, I know right, it’s a pretty great museum as it is, but imagine buses of school children, all in pac-a-macs and carrying lunchboxes, from all over the country, pulling up there, visitors from afar, actually, like, coming to Devizes, spending money here, not just driving through looking glumly through the windows at us; in’t museums brilliant, yay!

Excuse my Paul Whitehouse-esque over-excitedness, the Trust have twelve months to submit the first-round application, and if successful, then we’re looking at two years of development phase, before a second bid. If it comes up roses, substantial funding to enable work on the building to start, the Trust hope by 2025 or 2026; I’ll be a museum piece myself by then, save my family on care costs, just stick me in glass cabinet!

Meanwhile, Wiltshire Museum continues to operate out of Long Street, with a new exhibit exploring how Thomas Hardy’s writing merged his present with the past, within this ancient landscape. Plus, an ever-growing event calendar full of walks, talks, courses and children’s activities, such as the Young Curators Club for ages 8-13.

The Trust need help developing these plans for the Devizes Assize Court, seeking new trustees who can bring diverse voices and experiences to their board. Deadline for applications is 20th June 2022.

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Morning person by default, I get to see the sunrise every morning, ergo I’ll tell you something you all should know anyway; watching it as a live stream on your phone just doesn’t have the same impact. “You’ve got a window, use it, hippy,” seems to be the ethos of regulations set by Wiltshire Council, the National Trust and English Heritage, who’ve ganged up to ruin solstice at Avebury, for the people it means the most to.

Marlborough Tory Councillor Jane Davies republished Wiltshire Council’s statement on her Facebook page, to receive much frustrated and unanswered replies. The Council will close The Ridgeway from Overton Hill to Hackpen Hill to all vehicles from Monday 13th to Thursday 30th June. It will also close Avebury High Street to non-residents through 20th to 22nd June. Solstice is Tuesday 21st.

Park illegally and it will be towed away they threaten, as a way to “ensure people can enjoy the summer solstice safely at Avebury this year.” Yes, with irony on a departed flightpath, that really is their reasoning, reminding folk if they don’t like it the sunrise will be live streamed anyway, so you know where to go.

Let’s look at this logically, if I may, rather than the type of wonky perception of English Heritage, who last week saw nothing inappropriate in abusing Stonehenge as a giant projection screen for images of the Queen. The fact remains, while the National Trust carpark is the only way they’ll make a tidy profit, it simply isn’t big enough, neither will it accept “live-in” vehicles, or has ample disabled parking spaces, and despite this there’s rumours floating it’ll also be closed.

One stage away from bricking the village in, I find myself pondering if they’ve stopped to consider the consequences, or if they really care. Anyone who can read between the fabricated wellbeing and conservational lines will be fully aware this is a calculated attack on our rights to roam, and those who execute that right. Yet it will not only affect them, but the entire community surrounding the stones. Rightfully every farmer will batten down the hatches, close gates and block entrances, because this is necessary arable land and the last thing, they need, is a bunch of hippies hanging about; I get that, but surely, that’s the point of the Ridgeway in the first place, to give them space to camp, without invading private farmland?

This, and the alternatives will set to infuriate residents and passers-by, perpetuating the negative stereotype of the travelling community, as lorry drivers cannot take a well-earned rest in occupied laybys, and neighbouring villages will clutter with parked vehicles; I get that too, but it’s easily avoided if the Ridgeway offered them a temporary stop, as is the practice. Ha, who’d a thought it, (not the pub carpark, don’t make it like I put ideas in your head!) but it feels like Wiltshire Council have an agenda, a kind of abhorrence of the travelling community, when we all thought the Beanfields was consigned to historical articles in the Guardian.

For a further point of aggravation; surely, it’s a burden to the Police too, who’ll have to deal with the frustration these restrictions will cause, and likely face the brunt of the blame? “Appropriately” seems to be a word they bounce around regularly in the notification, as in “this will ensure Solstice celebrations can be managed appropriately,” and “people preparing for the summer solstice should take note of these important restrictions so they can plan celebrations appropriately.” Yet by very definition, in a manner that is suitable or proper in the circumstances, these regulations are perceptibly inappropriate. In other words, we have a polarised vision of how to conduct an ancient festivity, and you are forced to follow it; we don’t want too many people to enjoy themselves and it doesn’t include travellers.

With limited space in the pricey National Trust carpark, feels like the Council and EH want just enough revellers to set the mood for their live stream; the local folk they snub but humour “champagne socialists,” or as I favour to call them; a dying breed of affluent inhabitants with a conscious and basic morals. If lockdown facilitated a culture of watching events online, note, WC, that time is over.

Ha, course you could get the bus, if only the service was adequate. But yeah, Solstice is on a first-come-first-served basis this year, giving locals the upper-hand; This is a local solstice, for local people, there’s no sunrise for you here.

Shoot me after my conclusion, but all this feels akin to the Christianisation of ancient festivals, like you know, Father Christmas was a wiseman following the star, or the Easter bunny’s rabbit holes provided excellent support for crucifixion crosses; the very same ethos which tore down Avebury stone circle in the first place (check your history.) Why not go the full hog and Disneyfy the whole shebang, make solstice sunrise only available as a series on Disney+?

Rather, it’s high time for our county to accept and embrace this alternative form of tourism, provide facilities adequate to the need. Do this under the presumption without aggravation caused by such restrictions will go some way to building a trustworthy bond, because, and here is the rock bottom line; the only trouble that’s EVER happened at Avebury or Stonehenge during Solstice was caused by frustration at such restrictions. Given the right to celebrate, there would be no trouble, there never has been. Make people feel constrained, fraught and segregated, and there’s nowhere else for them to go but exacerbation.

And don’t be giving me this “protecting a world heritage site,” crock-of-shite; when they’re prepared to strip Stonehenge of its world heritage status in order to unlawfully (according to the High Court,) construct a monstrous overpriced tunnel underneath it! Here; take a hint, a row of bushes will do the job of hiding it from non-paying tourists!

There, had my rant, these organisations made their bed, and if this causes issues, they’ve only themselves to blame. You know closing off the byways isn’t going to solve any damage to Avebury, it will only make it worse, I wonder if you care, or if there’s a hidden agenda. Feels like WC are an older sibling, continuously slyly poking their younger brother until he’s forced to lash out, and then calling, “mum, he hit me!” Because it’s not relevant in their lives they want rid of it; I say, get over yourself.

Trending….

Dulcet Tones Rock Back to Bassett!

You’re a teenage Tom Cruise, at least you wish you were, but stay with me on this! Your parents are away, you’re home alone with…

Weekend Roundup 9th-12th June 2022

Despite all you have to do is scroll our event calendar, I thought I’d make it even easier for you, with a new weekly regular feature rounding up the forthcoming weekends; you’ve never had it so good. Well, you might have, if you’re on Facebook, as I usually post a roundup there, but I figure not everyone does Facebook, so this will transcend your favourite social media sites.

Although the queen’s jubilee may’ve passed and this “cost of living crisis” was slumped to the backburner while we all bought bunting and got sloshed as per Bojo’s order, this following weekend is burgeoning with stuff to do. So, let’s all forget about the overkill of last weekend and get on with what’s going on this one, shall we?!

Quick note though, I’ve not the time to add links here, so if you see something that fancies your tickle, nip to the event calendar for more details and ticket links; I’m a busy fellow y’know.

Firstly, I’d advise you pay a visit to the Yelde Hall in Chippenham or the Art Heist show of alternative art, here’s my review of it from Monday. It’s running until 21st June.

Also currently running is four nights of amazing comedians appearing at Pound Arts, Corsham, with their new work before heading up to the Edinburgh Festival. Simon Brodkin tomorrow, Thursday, and Bella Hull & Glenn Moore on Saturday.

Thursday 9th June sees Keith James play the songs of Leonard Cohen at The Pump, Trowbridge, The Zoots at Swindon Arts Centre, and Giant Walker at The Vic, Swindon.

Friday 10th June is the opening night of two weeks of fantastic events from Devizes Arts Festival, I’ve got them all listed on the calendar, check them out. It starts with A Diva and a Piano with Lesley Garrett at Devizes Corn Exchange, Friday, Agatha, Poirot & Me – Sophie Hannah at Devizes Town Hall on Saturday, and Saturday night there’s cumbia at Devizes Corn Exchange with Baila La Cumbia, which I did have to explain to someone the other day, is the music of Colombia, and not Cumbria. Why must Wiltshire folk add an R into every word is beyond me!

Hanging on Friday, those Truzzy Boys are at The Barge Inn, Seend, Greg “the Axeman” Winters plays The Wellington Arms, Marlborough, Ben Osborn with Ravetank, and Follow The Sun at the Pump, Trowbridge, The Junkyard Dogs at The Rose & Crown, Warminster, or musical comedy at Pound Arts, Corsham with There’s Jonny & The Baptists: Dance Like It Never Happened

In Swindon, check out Barrelhouse & Lonely Road Band at The Vic, “ZambaLando” at “Fiesta de Cuba,” or Steve Bugeja at Swindon Arts Centre. T-Rextasy play The Cheese & Grain, Frome.

Saturday 11th then, here we go; free entry for a two-day festival at The Lamb, Marlborough with an awesome line up there, and there’s also a Family Festival at St Katherines, Marlborough.

Sustainable Devizes will be in the Shambles for a Sustainability Day from 10pm until 2pm, Vinyl Realm are at the Devizes Literary Club with another Vinyl Listening Session. The Daybreakers play The Southgate, which is always a great fixture.

Party on the Pitch at Calne FC, Perry Grant’s “It’s great to be 30” Celebration Birthday Concert at Neeld, and the North Wiltshire Symphony Orchestra have their Summer 2022 concert at St Andrew’s Church, also in Chippenham.

One of favourite bands on the local circuit, Daydream Runaways play Trowbridge Town Hall, while The Cheese & Grain, Frome have only gone and got The Feeling; good luck finding a ticket for that!

Aside the Wiltshire Steam & Vintage Rally at Lydiard Park, Swindon also has a massive Ukraine fundraiser at Level III, with Talk in Code, SexJazz, the Celtic ska-punk Liddington Hill and others, while    AC/DC tribute Whole Lotta DC play The Vic, The Roughcut Rebels are at The Castle, and The Wyvern Theatre has Hits Out Of Hell – The Meat Loaf Songbook, while Sam Avery: Role Model is at Swindon Arts Centre.

Sunday 12th, and There’s a Chocolate Experience at Vaughan’s Kitchen Cookery School, Open Farm Sunday at The Gourmet Goat Farmer near Avebury, and Kitty Langan Studio – Unstoppable at The Wyvern Theatre, Swindon.

Devizes Lions will be on the Green with their fantastic car show plus from 10am-4pm; always a great family day. Devizes Arts Festival go for a Festival Walk, and it’s all down to the British Lion for a free fringe event, where Rockin Billy will rip It up.

Other music this Sunday, check out Lazy Sunday Afternoon with Mr Love & Justice & Friends at Eastcott Studios Arts Courtyard, Swindon, and Chris Murphy at The Tupenny.

That’s all folks! See our calendar for what’s happening over the week, as it’s a busy week in Devizes with the Arts Festival happening, and lots of great stuff to book, including Tankus the Hedge on Tuesday; wow! Yes, showing off, I will be going to see George Ezra on Thursday, gigging with daughter and her friends; wish me luck!

Things in the near future you need to be considering wiping the cobwebs off your wallet for; Sheer’s Hit Like A Girl at the Pump, Friday 17th, Saddleback, Saturday 18th June, Pound Arts’ Green Sky Festival, and The Beat at The Cheese & Grain, The World under the Wood at Wharf Theatre, MantonFest too; I swear, it never stops!!

Devizes Church Hosts Play Shining Light on Kids in Care                                   

A historic Devizes church will host a professional theatre company later this month as it performs a play that shines a light on the realities facing children in the care system in Britain today……

My Place is a powerful and moving evening of theatre and conversation, telling the interwoven stories of children – an individual, a sibling group and a refugee – as they journey through the care system.  

As part of its 8 week nationwide tour, My Place is coming to St Mary’s Church on New Park Street in Devizes on Sunday 26th June at 7.30 pm.

The evening will combine a performance of My Place with an opportunity to hear about the national fostering and adoption charity Home for Good and how each of us can play our part in transforming the lives of vulnerable children and young people.  

WHAT’S THE STORY OF MY PLACE?  

Both entertaining and thought-provoking, My Place follows the stories of four children in care, an individual child, a pair of siblings and an unaccompanied child refugee. They have different backgrounds and journeys, brought to life through a range of colourful story-telling techniques, including song and spoken word. Each story highlights the need for all vulnerable children to have a safe, stable and loving home where they can thrive.  

Home for Good is a charity that exists to find a home for every child who needs one. We hope to inspire and equip people to open their homes to children and teenagers through fostering, adoption and supported lodgings. We resource churches to be a welcoming and supportive community for families who care for vulnerable children and advocate on their behalf at all levels of government.  

WHO IS THIS EVENT FOR?  

Everyone! Any individual who cares about children, has a passion for justice and compassion for our society’s most vulnerable would be inspired by this event. We hope that many people will gain a better understanding of the experience of young refugees and children in care. The play is suitable for teenagers and adults but not recommended for younger children.  

Visit www.ridinglights.org/my-place for a full tour schedule, information and online booking.

Chippenham Art Heist

If Devizine was a voyage of discovery to begin with, I still manage to find talented folk hiding in this rural county, but often it’s nice to return to recurring events we’ve featured before….

Like yesterday, I put up a preview for the annual Female of the Species fundraiser, today I paid a worthwhile trip to the Yelde Hall in Chippenham, where a group of local artists have annually exhibited their wares since 2019, in what can be best described as “alternative art.” It’s become something of a fixture on our calendar.

Art Heist is this year’s title, Breakout was last years, and while there’s one new artist, Rae Melody from Trowbridge, exhibiting her colourful typographical graffiti-fashioned pieces, the returning artists have some spectacular new works too, you really need to see firsthand to get the full impact of.



A worthwhile visit then, particularly if you’re a fan of either pop art, graffiti, underground comix, or just desire a contemporary and thought-provoking experience from a gallery. The show opened today Tuesday 7th, and runs until 21st June, open from 10am-4pm daily, except Sundays.



So, totalling eight artists now, the Yelde Hall is chockful of some impressive art for those thinking outside the box. Expressionist Emma Sally, clown themed underground comix styled Si Griffiths, the weird and wonderful world of Montague Tott, the pop art meets Chagall of Mike Long, the impressive and poignant paintings of Clifton Powell, the awesome masks of Helen Osbourne-Swann, aforementioned Rae Melody and the only artist here not local, US’s amazing Jimmer Willmott, with his obsession for donut-headed cops!


At times amusing, at times poignant and thought-provoking, there’s meaning and depth to everything on display, sometimes clear to comprehend with a powerful message, or open to the viewer’s interpretation, it’s the stimulating ride through art you rarely get with average portraits and landscapes. Think 3D masks protruding from the canvas, think explosions of cultural references, think social comment, think of a serial killer Charlie Brown, or psychedelic swirls of reading a 3D comix without the specs, and you’re only teetering on the edge of what you’ll find there.


If you’re feeling wealthly bring a cheque book, as pieces are reasonably priced, but window shoppers are encouraged, and it simply refuses to come off as the hoity toity confines of an archetypal gallery. Here’s a group of exceptional local artists cutting out the middle man, high-fiving the DIY ethos of counterculture and putting on their own show for the love of it; which ticks all my boxes.

I’m keeping it brief to avoid spoilers, but have to say, this is a free art show worthy of your attention even if you’ve only a passing interest in art. To be honest, I’ve not got the tits to be what social media defines as “an influencer” but I know what I like, and I like telling you about it! So, do yourself a favour and pay it a visit.

Female of the Species Back For Halloween

The annual all-female local supergroup get-together is annouced for the Halloween weekend, at a new venue, Seend Community Centre.…

Nicky Davis from People Like Us and The Reason, Julia Greenland from Soulville Express & Delta Swing, Claire Perry from Big Mamma & The Misfitz, solo artist Charmaigne Andrews, and Julie Moreton from Trowbridge’s Train to Skaville and Jules & The Odd Men, form the Civic Award-winning supergroup The Female of the Species. I’ll let you in on a secret if you’ve not been to one of their six annual gigs, it’s a party not to be missed.

Halloween costumes optional, but you can guarantee the girls will be dressed up for their annual fundraising extravaganza.

Last year’s event raised a staggering £1,763 for the Therapy Fund of Devizine’s other superheroine, Carmela Chillery-Watson. This time around the girls said, “it’s so difficult to choose from all the incredible charities that apply to us every year, but this year, with the way mental health has been such a huge topic, particularly amongst our younger generations, we have gone with TeenTalk.”

TeenTalk is the early help and support service, run by Young Melksham. TeenTalk’s mission is to reduce and relieve the suffering and distress, and to improve the emotional wellbeing, of young people and their families throughout North and West Wiltshire.

The date for this seventh spectacular is set for Saturday 29th October 2022, now moved to Seend Community Centre, famous for their epic beer festivals.There will be a support act, yet to be confirmed, but doors open at 7pm for drinks, and Female of the Species take to the stage at 8:30pm. Get your tickets here.

Errol Linton at Long Street Blues Club

In a remarkable finale to the season for Long Street Blues Club, London-based The Errol Linton Band presented Devizes with a sublime lively blues blend of delta and RnB, incorporating jazz, funk, reggae and ska too. But if the band’s proficiency in implementing this melting pot sounds erratic, the perfection was in the precision of switching through subgenres. The result was simply infectious.…..

It’s rarely mused, given the contemporary influence of Jamaica’s musical export, that prior to reggae its route lies with the removal of shortwave radio stations provided for American soldiers stationed on the island after WW2. As they disembarked Jamaica they left a blossoming sound system culture, the entrepreneurs of which set up recording studios as supply of US 45s declined.

They pulled from the influences they heard, jump blues particularly, and within these walls is the fabled Duke Reid session with Prince Buster, whereby copying the offbeat experiments of Fats Domino and Barbie Gaye, as was popular on the sound systems, and riding the shuffle beat style of T Bone Walker, a timeout was called and the guitarist ended by running the shuffle backwards, accidently creating “the ska.”

Even less widely known; initially Duke Reid wasn’t in favour of ska, but as the government promoted it for tourism as “Jamaica’s first national sound,” obviously he felt he’d lose out if he didn’t follow the trend. So, pre-ska, and even during its explosion, the Jamaican studios continued to put out as wider variety of sounds as they heard on US Radio, from blues to doowop and even country. This is a necessary backstory to capture the ethos of Errol Linton and his band, as Errol and two-thirds of the band have Jamaican heritage, are keen to emphasis this, and however subtle, everything mentioned gets a nod in their performance.

Errol is also an accomplished artist, creating portraits of his influences gives clear indication of who he is citing, the blues legends, from Sister Rosetta Tharpe to Louis Armstrong and beyond. Yes, the band deviated from blues, to throw down a jazzy number, to increase levels of danceable funk, and with a narrative of Howlin’ Wolf visiting Jamaica, they covered Howlin’ For my Darling with a matchless ska offbeat. Particularly diverse was an original “Country Girl,” as while maintaining one-drop reggae, the chorus verged onto a dancehall riff. It was right up my street and knocking loudly on my door, but I paused to observe the more blues aficionado regulars enjoying it equally as much as I!

For all the diversity I’ve noted, and mentioned the pleasure was in how proficiently they switched, even mid-song, this tight arrangement was best at delivering blues, and did so second-to-none. Frontman Errol gliding between vocals and harmonica, cherry-capped pianist Petar Zivkovic lightening on the keys, Lance Rose in porkpie hat, chilled on the upright double bass, perfectionist timekeeper Gary Williams on drums, and guitarist Richey Green presented the funkiest dancing show during play, the combo was spellbinding.

But none of this happened before Devizes-own Adam Woodhouse delivered the textbook support slot. Confident, despite his first outing at this blues appreciation society in which regulars will aim all eyes on you, Adam kicked off with an Elvis rendition of That’s Alright Mama, and with top-notch finger picking, continued covers with a remarkable Johnny Cash. Adam, a regular soloist at The Southgate and attendee of their celebrated Wednesday jam session, had some originals of his own, which were executed with panache.

A most memorable evening was had, in which frontman Errol reigned the moment, showing this natural ability accomplished over thirty years, since a busker of London’s streets. This is British blues at its finest, individually stylised yet heavily drawing from his roots, a perfect blend to homage his heritage, entertain and packaged in such a non-pretentious manner, you couldn’t dislike it; impossible!

An absolutely blinding night for the Long Street Blues Club, organiser Ian Hopkins’ smile said it all, as he clarified he’s been trying to book these guys for a while, and made a promise to the crowd they’d return; you need to be there when it does. The next season starts on 20th August, with anticipated return of Skinny Molly. Worth mentioning though, being we’ve discussed the early stages of Jamaican sound systems and Duke Reid’s Treasure Ilse, competitor Coxsone Dodd over at Studio One gave fame to a majority of reggae artists, yes, including Bob, and another crowned King of Rock Steady, Alton Ellis, that Alton’s son, Troy is on in Hillworth Park around about 3pm today. So, get your sandals on, unless you remain adamant nothing ever happens in Devizes!

Trending….

Rowdefest 26 Lineup Reveal!

Drizzly Sunday…again. I’ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up a…

Talk in Code get Illogical

The only person who isn’t going to love this is Mr Spock! Swindon’s Talk in Code released a new single today, Illogical, their first release on Regent Street Records, since signing at the beginning of the year……

Only seconds of a Tangerine Dream fashioned intro elapses before the boys’ flare that uniformed indie-pop at you; the kind they’ve grown into and we’ve come to love them for. Again, Illogical sums up their undeviating style, upbeat and optimistic, each new title shimmeringly fresh and more astute to the “code.”

Built-in euphoric backing consecrates this imitable style; yeah, there’s tinges of eighties pop while retentive of the contemporary knowhow, so to have discovered it on an “Hits Album” of the era would’ve likely caused a seizure of excitement for the listener, and a technical enquiry call from Kraftwerk for the band.

Recorded and produced with Sam Winfield and Tom Millar at Studio 91 (Amber Run, The Amazons, Fickle Friends), the ‘guilty by design’ theme connotes relationship complexity, contradiction and confusion. Yet, as with universal pop formula, their leitmotifs pale by the energetic beat, until the bridge which winds down and highlights subtle narrative. Talk in Code find that perfect balance, which I why I tip them one of the very best on our local circuit. More so, the theme of the song seems to suggest this.

But their strive for wider appeal is deservedly paying off independently amassing 170k streams and over 600 Spotify playlist adds, radio airplay from Amazing Radio and BBC Introducing, and thriving festival appearances.

If you’re expecting covers at their gig, you might be disappointed, but Talk in Code’s beguiling singles are immediately palpable by effect, and will have you thinking you’ve heard them before; “catchy” is a word I try to avoid, but is apt. Illogical is perhaps more danceable then their power-pop previous single, Young Love’s Dream, and more akin to 2020’s Talk Like That. With such an amazing discography gradually building, probably best now to compare Talk in Code singles with Talk in Code singles rather than cite influences. Progression is the only issue here is, each one seems to better the previous and each new one binds this aforementioned uniform style.

“Analysis please, Mr Spock……”

“Given variables, Captain, it would be illogical to find fault with this new Talk in Code single!”    

Showing off the day I made a rubbish roadie on the road with Talk in Code!

Trending….

Agricultural Appropriation with Monkey Bizzle

There’s no sophomore slump for Monkey Bizzle; prolific in their art, these rural chav-choppers return with a second album, Agricultural Appropriation, only five years and…

Doctor Faustus Sells His Soul…. in Devizes!

Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisons…

Chandra Finds Heaven on Earth

Usually I just write what I think, but if I had a point-scoring system this new single from Bristol-based indie-pop outfit Chandra would tick every…

Just the Beginning, Start The Sirens

If it’s the beginning, it’s a loud one; kicking punk album release from Start the Sirens out last week has got me potentially stage-diving off the top of wardrobe.…..

A collaboration of members from Trowbridge, Devizes, Westbury and Wotton Bassett, Start The Sirens formed in 2019, hit the pandemic with an acoustic EP, which bassist Leyton Jones, aka Rocky explains was an experimental project to “find our own style, and achieve that upbeat sound.” Just the Beginning is the kicking debut, and a testament to accomplishment; they rock it with bells on.

If Forget What You Heard sets the mood, kick-ass skater punk which takes no prisoners, the second track Sunset to Sunrise breathes an air of carefree ingenuity akin to millennial pop-punk. Three tunes in though, Tell Me hints of traditional punk, well, at me it does! Lead vocalist Holly Harwood in Siouxsie Sioux fashion, especially with the “Whoa Whoa” chorus. It’s beguiling stuff hard to pinpoint but with a wave insensible to pigeonholing; just shut it and rock out.

Keen though I am to shelf this with punk roots, for it has that DIY ethos, Rocky was adamant to cite pop-punk and emo bands like New Found Glory and Blink 182 as obvious influences, and I’m forced to shed my aged perceptions and agree, it’s high-energy vibes and doesn’t come up for air, but cast in positive light rather than the dejected attitude of original punk. Positivity was key, Rocky established with me.

Design by Nikki Noodle

We spoke of tricky placements in local circuit pub gigs, though the band rocked Trowbridge’s Stallards last weekend, play the Old Bear Staverton tonight (2nd June) at 8pm, and support USA’s Hit Like A Girl with Brighton-based I Feel Fine, for a Sheer Music gig at The Village Pump on Friday 17th June. Rocky spelled out their motivation was a labour of love, and based on this showcase album, they should be placed firmly on a touring map of UK punk venues. Though I think Swindon’s Vic should snap them up, Bradford’s Three Horseshoes and Devizes Southgate would love it too.

Seven original three-to-four-minute heroes here, the penultimate This One’s For You perhaps the most enticingly commercially viable, and it finishes with one final name-sake anthem blast; I’m looking forward to catching these guys live. What? No, I’m convinced I still got it, mate! I’ve told you my story of Dad’s taxi to a Bowling for Soup gig at Bristol’s O2 before, haven’t I? I was like leaning on the railings of the upper area when I perchance to spot another glum looking expression on a guy of similar age. Seems like he was also chaperone to his kids, and we did the dad nod. Then I thought fuck it, I’m here, allowed to enjoy myself too and tried to drag that son to the mosh pit!

I may be outdated for the skater punk detonation, but it’s high energy, full of zest and aspiration, that’s my take, and something Start the Sirens has captured here; have a listen, get ’em in your local….  

Trending….

Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Great…

Who Broke into Joyrobber’s Car?!

Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious character’s…

Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff…

Majesty; Kids Art Exhibit at St Mary’s

Ha! Stand aside established local artists, we’re talking about the artists of the future here! If you’re knocking around Devizes this extended weekend, do pop into St Mary’s, the former church soon-to-be arts centre, where children from Wansdyke, Southbroom and Trinity schools have worked with professional local artist Joanna May to produce a mosaic of their tributes to the Queen for the Palatium Jubilee.

There are some great pictures on display, my attention particularly drawn to one WW2 depiction, an ingenious use of a postal stamp, an astute and beautifully rendered pencil sketch of Windsor Castle, and one which made the Queen look uncannily like Lisa Simpson! There are no names on the pictures but whoever drew these ones would’ve won if I were the judge, although I wasn’t, and it wasn’t a competition anyway. But well done to all the children involved, they look super!

Two local children who took part in the project were at the grand opening of the event with the Mayor and Mayoress and Deputy Mayor and Mayoress of Devizes. From left-to-right: Rosemary Stevens (Deputy Mayoress), Cllr John Stevens (Deputy Mayor), the Rev’d Jonathan Poston (Rector), David Evans (historian), Shirley Urwin (exhibition organiser), Cllr Peter Corbett (Mayor of Devizes), Chris Corbett (Mayoress), Kate Walling (schools project volunteer). 

 Photo credit: Gerry Lynch.  

Joanna, who owns a gallery on Northgate Street, visited all three schools, shown her skills and encouraged the children to create these artworks, but unfortunately caught Covid and couldn’t continue with her emblem-shaped mosaic design. So, working on her idea the members of St Mary’s had to get their own creative juices flowing to create the final piece, which looks fantastic. All best wishes for a speedy recovery, Joanna.

Another good reason is to have a nose around St Mary’s, this glorious 12th century church, where information is displayed about the campaign to make this into a thriving arts centre. It’s been a laborious journey obtaining the permissions, but detailed plans have been drawn up and are on display. The transformation is inclusive of retaining the aesthetics of this beautiful church, but opening out the central area to provide a flexible, multi-use space. There will also be an extension to the rear of the church, with a patio for outdoor activities.

Presently, one can be captivated in anticipation just by imagining the acoustic value inside. Yet the million-dollar question remains, how long will this take? Depends on how we as a town embrace this project and attend its fundraising events. For now, though, St Marys are positive things are moving steadily for this exciting project.

The exhibition is free, running until Saturday (4th June) from 11am-3pm; that’s my contribution to the jubilee done!

Trending……

Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail…

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes…

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over £500 (at the last count) for His Grace Children’s Centre in…