Harmony Asia Can Do This

Itโ€™s a question Iโ€™ve asked Chippenham singer-songwriter Harmony Asia on each rare occasion I catch her for a chat; if sheโ€™s planning to capture a slice of her wonderful performances on record. I guess I will have to find a new request now, but judging by her debut single released today, I Could Do This, it will probably be, when is the next one coming out?!

Yeah, itโ€™s as moreish as Maltesers, deliciously soulful and simply sublime. Whilst I had high expectations it would be no less, the anticipation didnโ€™t falter my delight upon hearing it. The presumption was Harmony Asia can do this, do this with distinction, and she did. I Could Do This is jazzy piano and feathering drum neo soul, and with Harmonyโ€™s soothing vocals causally tingling the coolest feelgood romance theme, itโ€™s commercially viable contemporary pop; top marks from me!

Thereโ€™s technical mastery which seems to come naturally to Harmony; the defined range of emotional depth, and raw passion akin to soul legends, yet retaining the coolness of artists like Sade or Sharon Woolf and Macy Gray. And while this single is on that level too, itโ€™s written with equal skill. Listen to it, youโ€™ll hear what I mean and your ears will love you forevermoreโ€ฆ. ย 


A Year into a Lib Dem Wiltshire Council; Chatting with Ben Reed

Itโ€™s a Friday, just polishing off a big boy breakfast at New Society. Got the window seat; I ponder how beautiful Devizes Market Place looks from up here, and how we often take it for granted. Thereโ€™s Ben Reed, Wiltshire Councillor for Devizes North, waving at me from below; heโ€™s coming up for carrot cake, and to chew the fat over the first year with the Liberal Democrats at the helm of Wiltshire Councilโ€ฆ. priorities; not till Iโ€™ve finished my sausages!

There was minimal bumps driving here, in comparison to how it has been. The Council are slowly playing catch up with our dilapidated roads, but potholes remains firm on my agenda, because while the main roads are getting TLC, it feels like Devizes is being left out. Despite a lesser public issue visibly, isnโ€™t the spiralling costs of social care more important than potholes, or are the two holistically connected, if these potholes drive us to insanity?! Ben? He starts talking pubs; Iโ€™ve made a friend!

Far from being something Ben has researched, โ€œbut,โ€ he started, โ€œI think thirteen pubs might be the most of any council division in Wiltshire. It’s nice to have places to stop when you’re out and about delivering and canvassing.โ€ For the record, it was relevant. I was praising the cafรฉ.

It also served as an introduction to Benโ€™s enthusiastic bearing on the area he manages, explaining its diversity he continued, โ€œthere’s quite a lot of social housing, retirement complexes, and all the businesses. So, quite a lot going on.โ€ 

It is through this enthusiasm Iโ€™ll acknowledge while the public are keen to pick easy targets, like potholes, thereโ€™s so many other duties to being a Councillor we rarely contemplate.  Ben told me he was due to meet an elderly lady straight after this who lives in Long Street and finds it difficult getting around town. โ€œI’m going to try and work out what her routes are,โ€ he said, โ€œand maybe look at whether there are things I can report on the My Wilts app.โ€ Pausing to consider pedestrians navigating our wobbly pavements might better take their chances on the dodgy roads, Iโ€™m determined to turn him to the subject of potholes! Is Devizes being left out?!

โ€œIt does feel a bit like that,โ€ Ben agreed. โ€œfrankly, it’s going to be a problem for a while because the backlog is huge.โ€ I will, later in our chat, praise Ben for his Councillor Facebook page, where, unlike others, thereโ€™s no negativity bashing the opposition, just feelgood posts, but sometimes fact is fact, the previous Conservative Wiltshire Council seriously neglected road repairs, leaving us in this state and passing the buck.

โ€œI’ll try to steer away from being too tribal,โ€ Ben affirmed, โ€œbecause I don’t think it’s very helpful, but as I understand it, there was quite a bow wave of funding in the last couple of years as the election approached. I don’t know whether there was a realisation that this was a problem, but if you go back further than that, and this isn’t this isn’t particularly a Wiltshire problem, going back to 2010, when the Conservative government first came in, local authority funding across the board was really slashed. And highways were one of the things that councils chose to take the money away from. So there was a period where we fell behind with those preventative jobs. And now we’re chasing our tails. It’s a never-ending problem, and when you get a winter like we’ve just had with so much rain and then that freezesโ€ฆ.โ€

As it being a national issue, Iโ€™ve seen better roads in other counties. Yet, we may believe Wiltshire hits the hotlist for the worst roads, probably because we use them regularly. But research suggests Derbyshire, Northamptonshire, Lincolnshire, and others, long before Wiltshire gets a mention.

I could scrutinise the previous Conservative-led Wiltshire Council until suppertime, and Iโ€™m pleased someone else now has a stab at it. But, councillors on the opposition and ex-councillors who lost their seats, are quick to raise issues visible to the public, like the pothole debacle, whereas they wouldโ€™ve avoided the subject when The Conservatives were in charge.

In considering the often unmentioned tasks, such as social care costs, exampling the Trowbridge car park fiasco, which I talked to Taylor Wright about, I worry thereโ€™s too much time taken up with political point scoring, and  the council is far more disputative and argumentative now that the Tories are on the back foot and Reform makes their impact, against all common sense. To summarise, Iโ€™m gonna ask Ben how a council is supposed to find solutions to important and pressing countywide problems, when they spend months bickering about a carpark!

 โ€œYeah,โ€ Ben nods, Iโ€™m onto something! โ€œI found probably the least enjoyable element so far has been those council meetings. It’s difficult to see some of the tactics as anything other than obstructive, unfortunately. The way funding is and the way policies get brought forward is the council officers look at our manifesto and make suggestions and then the administration says yes, or, can we tweak this, and quite often the things we end up doing are probably the things, to be completely honest, that the Conservatives would have done if they’d if they’d still been in power, and yet they end up opposing what often are, as far as I can see, the most the most sensible measures, and the carpark is a good example, I think.โ€

โ€œIt’s a strange situation,โ€ Ben justifies the carpark fiasco thus, โ€œhaving to provide free parking, and this covenant. But you’ll see this week, NCP, the big carpark developer, have gone into administration. So, if they’re not making money on carparks that they can actually charge people to park in, then you can see what a liability a carpark that we’re not allowed to charge for is. And it’s got to be rebuilt. And it’s going to cost us far more now than it would have been to incentivise the developer to knock it down and, you know, build something nice for Trowbridge.โ€

 I can play โ€œrealโ€ journalist, try to gauge Ben for marketable controversy by name-dropping troublesome local political busybodies, but he’s not taking the bait! I’m unconcerned, for that’s never my objective. New to politics, Ben was keen to express he’d never been the opposition, so doesnโ€™t know what it feels like. Though, he comes across as genuine, an earnest and honest guy, tucking into his carrot cake.

There’s a phrase, โ€˜a week is a long time in politics,โ€™ maybe it’s the opposite for local politics; it’s early days for this new Wiltshire Council and perhaps, optimistically, we need to be patient to see any fruition at base level.

The carpark was only an example, I was more after dirt on the bickering. Issues regarding waste, reducing the bin collections, and Reformโ€™s pathetic failed bid to end net zero were all hitting points for the opposition, that we discussed later in our chat. I suggested we need some education on how to reduce waste, not just waste being collected, to which he agreed.

Disappointed by the reaction from the opposition and that โ€œthe petition that’s running doesn’t really go into detail,โ€ Ben was keen to talk bins, and to defend the motion. โ€œYour black bin collections are being reduced from two weekly to three weekly,โ€ Ben said, but expressed, โ€œalongside that, a weekly food waste collection is being introduced. So if you look at a six week period, people will actually be getting more for their money. There will be more collections over the year, just different collections, and hopefully there should be a lot less in the residual waste when the food waste comes out.โ€ Besides, he pointed out, it’s a government requirement, โ€œwe have to we have to do it.โ€

For the opposition itโ€™s a soundbite, easy to highlight your waste collection wonโ€™t be as regular under the Lib Dems, ย but Ben explained, โ€œit’s just not true. One type of bin collection has been reduced, but you’ve got a new one which is a lot more frequent. Sadly, there is a bit of game playing.โ€

On the general bickering, โ€œI do find that very energy-sapping,โ€  Ben replied. โ€œI try and stay away from it as much as I can. I think for the Conservative group, it’s a real change for them. It’s a period of adjustment. They’ve been in charge of Wiltshire Council pretty much from the outset. And I think, well, I hope they’ll find a bit of a friendlier way of conducting themselves. Because opposition is about fair criticism, it’s about scrutiny. They’re perfectly entitled to raise complaints. The roads, you know, it’s difficult to see how we can be criticised too much on those at the moment. Up until last month, we were working on the old Conservative budget. We’ve allocated some additional capital spend for the next few years. Hopefully we can get away from kind of reactive maintenance.โ€

โ€œJanuary, there were 2,700 pothole repairs, which is a record month ever. It’s an unwanted record, but, I think up to mid-March, they did about 5,000. And there’s normally, I think about 15,000 done a year. That’s quite a lot ahead of schedule. They’ll be concentrating on repairs until June and then hopefully they’ll get to a place where they can look at preventative maintenance. Station Road is a case in point. It’s been due for a proper resurfacing, but you can’t do that while Northgate Street is still closed. So as soon as that’s open, I’ll be pushing for Station Road to have its resurfacing, and they’ll come to Northgate Street later.โ€

It makes me wonder, that they created a road repair taskforce, if the workers are allowed to think for themselves and bypass the red tape, because thatโ€™s what appears to delay the process. You download the app, report one pothole at a time in a road of thousands, which goes through evaluation processes, paperwork, venturing out to spray-paint a square around it, or pop a cone in there. Whereas a taskforce could deal with it immediately. Because I see a repaired stretch of road, and often thereโ€™s potholes centimetres after it! Are they restricted to deal with what it says on a piece of paperwork, and not permitted to think, โ€˜hey, we’ve got a bit of spare tarmac, we could just carry on a wee bit, and cover that trench too?!โ€™

โ€œI’m told that there is a bit of leeway for that,โ€ Ben stressed. โ€œPotholes get prioritised, a defect or a pothole gets categorised. So, if it’s in a particularly dangerous area, or of a particular size or depth, then it gets a P1, and it’s supposed to be repaired within 24 hours. If there’s a crew going around doing those, they probably will ignore some smaller ones and just get the ones on their list ticked off. So that’s probably why that arises. But I think in practice, if there’s a massive priority one pothole and then some quite big ones obviously visible nearby, they probably would repair those before they move on, I’d like to think. But it depends how busy they are and what they’ve got on their list for that day.โ€

I canโ€™t really argue with that, state of our roads, they must be busy bees!  Ben also suggested technical issues with the MyWilts app needs reviewing, that issues raised by the public can be marked as closed even if the issue hasnโ€™t been resolved. โ€œI don’t think they should be closed until they’re repaired,โ€ he said, โ€œwe’ll see what the review of the app comes up with, in terms of improvements.โ€

Itโ€™s not the roads though taking up the budget, annoying as it is to hit a pothole, the bigger picture is knowing vulnerable people are safely cared for. โ€œPeople often don’t realise that the bulk of our funding, whether that’s from government or from council tax payments, is pretty much spent before we even decide what to do with it. And social care takes up a really big chunk of that. So, children’s and adults, vulnerable people’s services is, I forget the exact percentage, but it’s certainly over 60% of all Wiltshire Council’s expenditure.โ€

โ€œThat’s an ever-increasing chunk,โ€ Ben justified, โ€œwhich makes it really difficult to find money for other statutory services, like library services are statutory, highways too, obviously. Once you get beyond that, you’re really having to find pennies to do things. Leisure, for instance, is not a statutory service, but Wiltshire’s managed to keep a reasonable number of leisure centres. I think, compared to some local authorities, we’ve done quite well there, building a new leisure centre in Trowbridge, which is coming on very well.โ€

โ€œBut yeah, social care is the headline thing, I think, for councils. And it’s very important to look after people who need help. I’m recently been added to the Children’s Select Committee, which is the main scrutiny committee for all the children’s services. They look at how schools are performing, school attendance, and the leisure and youth services we offer. I’m really enjoying that actually. I don’t have children, so I thought, well, maybe this isn’t the right committee for me. But no, of all the committees I’m on, I think I get most out of that. So yeah, it’s been good.โ€

We talked for some time on MPs, praising Brian Matthew, and we agreed switching parties, as Danny Kruger recently did in Marlborough should meet with a by-election. But the focus needed shifting back to council level, so I asked Ben what he thought the biggest changes at Wiltshire Council has been, and how transparent they are.

โ€œWe certainly want it to feel people are closer to their council,โ€ Ben responded. โ€œThey can ask questions and get answers, and then we will be, transparent with people. Yeah, there’s criticism been levelled about, some meetings go into part two, which is confidential business. And, like the carpark, we were accused of doing things behind closed doors. But this is completely standard stuff that happened under the last administration. If there’s commercial sensitive information, then it doesn’t, or personal; if individuals are being spoken about, that isn’t going to be in the public domain. And that’s the same everywhere.โ€

The opposition play on this, and it reflects badly?

โ€œWell, it does,โ€ Ben agreed. โ€œThere’s no reason why people shouldn’t take what they’re reading from them at face value. But to be honest, I wish more people would tune in to the council meetings on YouTube. Because to me, If you watch a bit of that, then it’s pretty clear, to me at least, who’s trying to get things done, and who’s trying to stop things moving forward.โ€

With public engagement, prior to the meeting, Ben stressed surgeries arenโ€™t popular. I said he shouldnโ€™t take it personally, as they often happen during the working day, and supposed many of us, myself guilty too, prefer to have a whinge on Facebook rather than address the councillors in person!

โ€œProbably, yeah,โ€ he figured.โ€ I want to make sure if someone does want to get in touch with me, they can. So the more channels and opportunities there are for that, the better. And that’s partly on me to go out to events and knock on people’s doors and sort my focused newsletters out three or four times a year. But, it does need someone to make the effort to drop me a line. It can be a phone call, an e-mail, a Facebook message. They can come and see me at a surgery. I am trying to do the surgeries evenings or weekends, so hopefully a bit friendlier times for people.โ€

โ€œI’ll answer comments on Facebook if I think I sensibly can. Sometimes people make comments, and you can understand why, people let off steam, but maybe they donโ€™t know the full facts of what the issue is. And sometimes it’s complex to explain that. So it’s difficult on a Facebook message.โ€

And people can take it the wrong way. It’s just words. Herein I raised the Kebab Shop fire as an example, an issue Ben confirmed had been his most pressing, and being such a complex one, has learned not to  โ€œover promise.โ€ He originally said the site will be demolished in February, weโ€™re moving into April. Devizes is a lovely place, but it’s easy to think the town’s in a state, and everything that’s promised is just pie in the sky.

โ€œWhat would be a worry for a town is if there wasn’t these developments happening,โ€ Ben replied, โ€œif it wasn’t a place where developers wanted to invest and create new facilities and new homes.โ€

โ€œDevizes, seems to be moving in the right direction, and I know it’s frustrating with the delays, but I think there’s so much light at the end of the tunnel. Northgate Street, the kebab house, there’s been a perfect storm, but itโ€™s really unfortunate in terms of the location, the type of building and the damage that was done, ended up being propped up like it was.โ€

โ€œQuite apart from the human aspect of it and the loss of business and livelihoods, and the neighbouring properties are both quite badly damaged as well. Hopefully they can get on and get it repaired. And it has dragged. If I’d been able to hire a wrecking ball and pitch up there myself, I would have done it!โ€

โ€œIt was not the easiest thing to inherit. It was six months after the fire that I won the election, and at that stage, I don’t think the owner had worked through all the insurance issues. But eventually the demolition application went in. They were supposed to do it in February, as you say. They hadn’t finalised the partition wall agreement, because they need to make sure when they knock it down that they don’t do more damage to number one and number three. And then the contractor wasn’t available until April. So we are where we are.โ€

Our chat continued onto Station Roadโ€™s resurface and its traffic flow. Ben agreed lessons needed learning between the Highway’s team and Building control team, and he raised other issues, such as the condemned old Royal Oak building.

โ€œThey’re converting it into apartments,โ€ he said. โ€œIt was a terrible state, but it’s a listed building, so it’s really good to see it getting back into use. Unfortunately, they’re going to need to close half of New Park Street to sort out the water and electricity connections. So, I’ve been talking with the traffic team at Wiltshire Council, about when is a good time; there’s no good time! I think the offer they’ve made to the developer is do it overnight, so there won’t be any closures in the day. So, we’re waiting for that to be scheduled.โ€

โ€œItโ€™s only a short closure, but what we don’t want is any overlap with Northgate Street still being closed. So, the highways team are always balancing these things against each other.โ€

It was great to meet and chat with Ben, for thereโ€™s many issues which need clarification. Short newspaper articles on a relative single subject cannot provide as much information, and being surgeries arenโ€™t popular and the public tend to need matchsticks to keep their eyes open watching a video of council meetings, it is all too easy to be misinformed about Wiltshire Council! I believe social media posts from the opposition parties should be taken with a pinch of salt, and while criticism is fair game, things are looking positive a year into the newly elected Lib Dem council.


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Battle of Bishop’s Cannings Ends in Devizes Defeat

David slew Goliath with a sling and a stone. Bishop’s Cannings Parish Council used evidence, against a group of Devizes Town councillorsโ€™ more circumstantial land grab pitch, at Wiltshire Councilโ€™s Community Governance Review, and just like David, triumphantlyโ€ฆ..

More war of words than any military action, though the latter would’ve made a better scoop for me, the underdogs came up trumps in a surprising result!

Rather than admit it’s for financial reasons, the Devizes Town councillors fluttered around premises such as they were rattled by messages from residentsโ€™ misunderstandings as to what council they came under, plus staking a claim to the Lidl store, in their pitch to the council to transfer areas of the town currently run by Bishops Cannings Parish Council to Devizes Town Council instead.

But the parish council had strong evidence in their arsenal, that theyโ€™re successful in community commitments, and used villagersโ€™ statements to present a more heartfelt plea. They even mentioned football, for what the commendable Bishop’s Cannings FC has done for all ages and abilities with their local grassroots football team supersedes any other local club, and serves the whole community of Devizes and its many other villages.

The Committee voted by 5 votes to 3 to recommend that the semi-urban area and the rural area south of Nurtsteed School should both be retained within the Parish of Bishops Cannings.ย 

Though the battle was won, it’s dubious if the war is over, for while this will not be subject to further consultation, it will go to a free vote amongst Wiltshire Councillors, likely in July.

Chair of Bishops Cannings Parish Council, Cllr Darren Bone sent a message to the residents. He said, โ€œCllr Iain Wallis of Devizes Town Council and Simon Williams, the Town Clerk, made a joint presentation in which they tried to persuade the Committee that the only correct result would be the wholesale transfer of the semi-urban area of Bishops Cannings Parish to Devizes. They also sought the transfer of rural land south of Nursteed School. Some of the arguments were new. All were subjective and offered without evidence. They tried to convince the Committee that 1200 homes and the families of over 2000 electors would all be better off under the control of Devizes.โ€

โ€œIn response, I introduced Mr Chris Nicholls, whose letter in support of the Parish Council and the retention of the semi-urban area was included in our detailed submission to the Committee. I am indebted to Chris for his honest, passionate statement. It was well-received and carried weight.โ€

โ€œI then addressed the Committee in turn, countering the vague notions which had been put forward by representatives of Devizes Town Council. The wealth of verified, tangible evidence presented previously by Bishops Cannings Parish Council in its submission and in person was reiterated. We sought a clear and unambiguous recommendation that the Parishโ€™s boundaries should remain as they currently were. Further agreement was sought for a change of name for the Parish.โ€

But the good news for Bishops Cannings Parish Council wasn’t over yet. Unexpectedly, once the committee debated the issue, they voted to consult with both Devizes and Bishops Cannings Councils, and the public on whether two potential transfers should occur, albeit this time from Devizes Town Council to Bishops Cannings Parish. Whoa there, it’s all gone a bit Treaty of Versailles here, if Devizes has to surrender significant territory, guaranteed someone’s knickers are going to get in a twist!

Despite it being a more common occurrence, where land is urbanly adjoined to a town, community governance reviews tend to side with the town, in this case it seems it was not only a loss for the Devizes Town councillors, but a complete backfire!

Cllr Darren Bone continued his message to the people of Bishops Cannings, โ€œToday was a good day for the Parish of Bishops Cannings, for the Council and for its 2,628 electors and their families. The Councilโ€™s transformation, achievements and intent were universally praised by the Committee. Special thanks go to Mr Nicholls and to Cllr Philip Whitehead, our Unitary Councillor, who both spoke powerfully and eloquently.โ€

Congratulations to Bishops Cannings Parish Council; treat yourself to a cupcake, while the Devizes Town councillors can have some humble pie!


How it Feels for a Bluebeard!

The first time I heard the name Bluebeard and the Desperate Hours, I presumed their sound might be folk or blues inspired. Judging a book by its cover, because while this Wiltshire collective’s debut single How it Feels might pertain such elements, I was pleasantly surprised to find it also jumping with feelgood soul….

Taken from an upcoming album of the same name, How it Feels is brass-blowing, high energy, sunny side of the street music, and I’d wager we all need a bit of that these days.

Piano-driven rock, gripping onto early Springsteen, or Elton John even, uptempo yet melodic, with an instant and irresistible hook. Yet when I listened, I was filled with imaginations of later new wave mod, when it became the staple pop of the eighties; this wouldn’t look out of place on a Style Council album. I’ll tell you how How it Feels feels; it feels alive and kicking!

Bluebeard and the Desperate Hours are quite the expert collective. Dave Turner is the bluebearded frontman pianist, Helen Robertson plays cello and adds those soulful backing vocals with Phil Cooper, who is also on bass.

All backed by guitarist Rich Godfrey and drummer Coby Franklin-Turner. The brass section knocking the energy into this song is provided by trumpeter and flugel horn player John Hare.

Shame I missed them at 7 Hills last weekend now I’ve heard this cracking single, but made up they’ll be at our newly opened The Fold this Friday, 27th March, at The Lamb in Devizes, with JP Oldfield in support. It’s free, hope to see you there?!


โ€œUnderdog: The Other Other Brontรซโ€ at the Rondo Theatre, Larkhall, Bath, March 25th-28th 2026

by Ian Diddams

images by Richard Fletcher

How many Brontรซ sisters can you name? Which books did the sisters write between them? Can you name them?

Did you get that there were three sisters? That wrote seven books? You may have thought of โ€œJane Eyreโ€ and โ€œWuthering Heightsโ€, but what about โ€œAgnes Greyโ€? Or โ€œThe Tenant of Wildfell Hallโ€. You may have recalled Charlotte and Emily Brontรซโ€ฆ

But what about Anne Brontรซ? Author of those two last named novels? Does she, or they, feature on your literary radar?

Congratulations if they do โ€“ you are an English Literature graduate at least, or one of those weird people that know loads of usually useless knowledge that people want to have on their pub quiz team that then drop you like a stone once the winnings are divvied up, and you wander home alone, smelling vaguely of stale BO and loneliness.

So, step forward the other other Brontรซ, Anne. The one everybody forgets if they ever knew of her to start with. And is embraced by Sarah Gordonโ€™s play performed this week at the Rondo Theatre, Larkhall, Bath by the โ€œin houseโ€ theatre company, RTC.

Anne, as per the above, is the centre of this play, but in many ways its really about the fractious, loving, abusive, and caring, relationship between her and Charlotte as we see Anne systematically abused firstly in her efforts to be a governess, and when finally escaping the oppression of service, receiving little better from her eldest sister… while Anne eventually becomes the worldโ€™s first feminist writer.

The story covers a simple timeline of the Brontรซ sisters adulthood, with appearances of drunken brother Branwell, though there is a little poetic licence over some chronology to help the flow of the narrative. I have to throw that in for the three of you reading this that are actually internationally renowned experts on the Brontรซs and may otherwise think I missed it. So there. I didnโ€™t. For everybody else โ€“ its not important and the story works well as a result. I blame Branwellโ€™s booze befuddled brainโ€ฆ

Anyโ€™ow โ€“ as they may say in West Yorkshire โ€“ their basic history is on Wikipedia so I wonโ€™t reproduce it here. Suffice to say all three Brontรซs in their own way produced magnificent works that have stood the test of time, and Kate Bushโ€™s singing, before Anne and Emily succumbed to tuberculosis following Branwellโ€™s previous demise. The water in Haworth has a lot to answer for.

Charlotte died of complications in pregnancy โ€“ maybe she didnโ€™t drink the water. None of them made the age of forty, and the younger two barely thirty at best. Tragedy had also struck the other two totally unknown sisters – Elizabeth who had died aged ten, and Maria aged eleven.

โ€œUnderdogโ€ is a quite superb piece of writing; Sarah Gordon has lifted a passingly interesting family history and created a vibrant soap opera (in the best possible way!) about three siblings all destined for greatness, with hugely differing personalities. Of their love and support for each other; their internecine rivalries; their differences. Anne, at first demure then latterly strong and quietly confident, Emily, abrupt yet watchful, and Charlotte โ€“ a domineering bully that gaslit her sisters, particularly Anne and most definitely herself. Charlotte opens the show with a 4th wall monologue about pious men looking down on women, but is portrayed as being no better herself.

The three leads are mesmeric. Their characterisation is sublime, magnificent. Josie Mae-Ross plays Charlotte, Naomi Miller, Emily, and Alana Wright, Anne. The three bond so well on stage, with amazing chemistry, they really feel like three sisters. Itโ€™s a line heavy play for the three of them, as well as the portrayal of their characters on top and they are on stage for pretty much the entire two hours that the play runs for. Chapeau all round.

Branwell is played by Natalie Prescott, swapping her natural North Cheshire vowels for West Yorkshire ones and crossing the Pennines to do so. Thereโ€™s a suitably gruesome reminder of the results of TB and Natalie captures Branwellโ€™s self-destructive insouciance to a tee. Natalie also partakes in various ensemble roles along with the other members of the cast Antonia White, Jade Wright, Sarah Horrex and Sophie Kerr. Their slickness between several cameo style roles each is commendable, and peaks with a brilliant scene of literary critics discussing the sistersโ€™ works in deprecating terms. No spoilers here but the show is worth seeing just for this one particular ninety second scene.

Youโ€™ll have noticed I am sure eight female names for eight cast members โ€“ yes dear reader, itโ€™s an all-female cast โ€“ as befits a play about the worldโ€™s first feminist writer. This is all pulled together by director Helen Taylor with great vision and pace. The set is wonderfully simple doing just enough to set the scene and allow the actors to deliver in an uncluttered space.

Tech as ever at the Rondo is delivered as excellently as ever by Alex Latham, and the costumes are simply perfect โ€“ take a bow, as is often the way, Chrissy Fryers. The original music for the show is provided by the maestro that is Moray Macdonald and all of these creatives are more than ably supported by producer Yvonne Paulley, Stage Management Lylou Sharp and Olivia Lynch with publicity and poster design by Meg Robertson and Cate Nunn respectively.

You donโ€™t have to be a Brontรซ fanboy or fangirl to enjoy this show. It has a quality that live theatre brings that watching a screen just doesnโ€™t haveโ€ฆ the immediacy of the action, the intimacy of the space, the direct connection with the cast, and it has this in spades. It is simply one of the best pieces of theatre I have ever seen, and I am fortunate enough to watch a lot of quite excellent theatre that is well worthy of the highest praise.

You could do far worse than blow a whole fifteen quid, cheaper than a pizza and a pint, on a ticket to this wonderful show this week. I even urge you not to miss it.

Tickets from https://rondotheatre.co.uk/underdog-the-other-other-bronte and the show runs Wednesday 25th March to Saturday 28th March.

And you may recall I said something about the water in Haworthโ€ฆ? Itโ€™s actually trueโ€ฆ.

7 Hills to Trowbridgeโ€™s Old Town Hall

To clear up any confusion, Trowbridgeโ€™s old town hall is no longer the town hall, but The Old Town Hall. I have no idea, nor care to know if there’s a new town hall; that’s irrelevant. Whilst still owned by the council, it was refurbished and reopened as a charity funded arts centre and cultural hub last Octoberโ€ฆ..

I met a great bloke there called Tom, he used to run Bath’s venue Moles, now he’s steering events at this glorious grade II listed building, originally opened in 1889 to commemorate Queen Victoria’s Golden Jubilee. It is an utterly stunning space of Victorian splendour with acoustics from the heavens; nice to note it’s in good hands.

In equal splendour was the reason I’m here, for the 10 Hills Spring Music Festival. Congrats if you spotted the deliberate mistake, there were only ever seven hills; I’m rounding it up as if it’s a score out of ten, perhaps I should add an extra hill or five onto that for good measure!

If forced to find a nick-picking fault with this event, I could suggest a lack of chairs inside the hall, considering the higher end of the age demographic in attendance. But the concentration was on the music, an elaborate concert-festival, and the quality and quantity of this was absolutely mindblowing, if not particularly diverse.

7 Hills regularly organise music events at The Night Jar in Bath, including an annual festival. Chris Hoar of Courting Ghosts explained he, โ€œreached out to them initially to say I was planning a festival in the newly renovated Old Town Hall, just to check it didnโ€™t clash with them, and Matt said letโ€™s do it together in Trowbridge as a spring festival.โ€ And here we are finally in spring, I’ve been looking forward to this.

Americana, folk-rock was the order of the day, everything uniformed to the influences of Courting Ghosts. So if you wanted to go looking for a dance tent, this wasn’t for you. But the standard of music was sublime throughout the day and into the evening, and that’s what made 7 Hills so spectacular.

Best festival of the year I could jest, because it’s my first, still, I believe I’m going to be hard pressed to find a lineup as good as this, and the craziest element was, while I knew most of the local acts booked for the afternoon, I was in the dark about the later ones, but far from disappointed.

Jess Chivers

Perhaps the only one I saw to deviate from Americana was Jess Chivers, who delivered a great set on an acoustic stage adjacent to the main one, as this had subtle elements of punk. This second stage assured consistent entertainment whilst bands prepped on the main stage. I believe because I needed sustenance I missed Phil Cooper’s set, drafted in due to a cancellation, and a few others before my arrival, but Leander Morales polished off the acoustic stage with an energetic and poignant set.

Thieves

Sadly I missed Fly Yeti Fly, meeting Darren on the stairs as I came in. Love this duo too, they remind me of Christopher Atkins and Brooke Shields in the Blue Lagoon! My arrival, I hoped, would be timed for Concrete Prairie, as it was, lovable bluegrass collective Thieves were doing their wonderful thing on the second stage, while the prairie tuned on the main, under the stained glassed lancet; confirming I’m going to love this event.

Concrete Prairie

Make no mistake, Concrete Prairie was on fire, I expected no less. Undeniably the liveliest set at the festival, they gave us the classics from their 2022 self titled debut album, finishing on their magnum-opus, the incredible crescendo-hugging Devil Dealt The Deck, but between them blessed our ears with some new songs from their forthcoming album. While Joe set no date for its release, the songs came across livelier than the sombre mood of the debut album. Theyโ€™re perfectionists, providing me with faith there will be no sophomore slump.

The band were incomplete too, Phil Cooper taking bass, and original fiddler in the band, Georgia, filling in for her replacement. Still they rocked it, and Iโ€™d have been content if I had to go home straight after them!

Courting Ghosts

Obviously with Chris Hoar at the helm, Courting Ghosts would play, and I could imagine no other following the Prairie, even if their overall mood is more sombre; this is music for the soul. Counting Ghosts surely set the mood for the remaining acts, this smooth Americania with influences from both country folk and jazzy soul. They gifted us a new song, to be the title track of their next EP, Baby, I Bleed for you, and sparks flew.

Orla

Everything chronologically from now on would be new to me, but all of it flying miles above my expectations. A great example came from the acoustic stage immediately after the Ghosts. Orla is a young singer-songwriter from Bath, and clearly one to watch. With crystal vocals she gave us some divine originals, including a particularly poignant one called Mouthwash, and made Crowded Houseโ€™s principal her own.

Matt Owens & The Delusional Vanity Project

Former Noah and the Whale, Matt Owens & The Delusional Vanity Project followed with a dynamite set. As evening set in a professional precedence, I figured this was going to get continuously better. Multiple AMA UK Award winner Hannah White, the best yet, intertwined devout stage presence with a heartfelt singalong, she captivated, projecting her pure lyricism like dripping honey. I especially liked the tune with the reggae offbeat, but overall, I left wondering if, or how it could possibly get any better.

Hannah White

If Iโ€™m now a Hannah White fan, and all presented before us was of a quality so high it would be impossible to fault, it should be no negative reflection in comparison to suggest something here wasnโ€™t entirely my cuppa. No doubt, any Ohio artist signed by Peter Gabriel is going to be of an excellent standard, and soloist and loop pedal god, Joseph Arthur certainly is, it was just the bar was set so high by Hannah it levelled off here somewhat.

 Joseph Arthur

So, despite the highest of qualities, I wondered now if, for my personal tastes, anything could possibly top Hannah, and casted a preconceiving critical eye over Our Man in The Field as they set up. They certainly had an impressive ensemble, seven piece with an upright bassist, organist and everything. The lead guitarist had something of a Bill Wyman debonair, while the frontman presented himself as a funky truckstop dweller. Grasping tight to my newfound adoration of Hannah, this would be interesting, if nothing more.

Thatโ€™s when the vibe hits you best, when itโ€™s a surprise! Our Man in The Field has the perfect Americana balance, components of country, but with such soulful jazzy swagger, they had me off-guard and now totally hooked, the first to entrance me wholly. Our Man in The Field is sublimely captivating.

Our Man in The Field

Shit, I realise now I shouldโ€™ve put more trust in Chrisโ€™s knowledge! He has presented a lineup which, despite me thinking at numerous intervals, heโ€™s not going to top this, he somehow did! I made up my mind then, I had to witness the final act even if an asteroid hit The Shires shopping centre.

The Delines, self-labelled as โ€œretro country soulโ€ from Portland, Oregon headlined. With everything previous so hyped in the hamster wheel of my mind, it mattered not if this suited me, I could leave now, more than content. I couldnโ€™t leave. I imagined myself off the lines, driving one of those poetic American roads, planning to stop off to drink my soul away at a roadside bar, but when you walk in a band playing in a back room is so inspiring you figure life is too short as they blissfully cure your blues. 

The Delines

This was gorgeous. Utterly brilliantly steady, smooth with no need to fire up, just drifting with narratives akin to Guthrie, jazzy and soulful as Springsteenโ€™s early recordings and the Asbury Park scene, on a Gil Scott-Heron level, and topped with the honest banter of a band in their prime; there was no need for them to apologise for Trump, thereโ€™s two bridges between us, they can break the political one, but cannot ever do the same to the creative arts one. I wished my friend Chrissy could see this, this is what her band Burn the Midnight Oil should attain to, this was blended bliss, American music without borders.

Impossible for me to compare what Queen Victoria’s Golden Jubilee was like at Trowbridge Town Hall with the events now being run at it, but 7 Hills felt like it couldโ€™ve matched it, even without cherries cooked in flaming brandy, and the range of community events at the venue breathes positive new light into Trowbridge town centre. 



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Harmony Asia Can Do This

Itโ€™s a question Iโ€™ve asked Chippenham singer-songwriter Harmony Asia on each rare occasion I catch her for a chat; if sheโ€™s planning to capture aโ€ฆ

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Wiltshire Hunt Sabs Stolen Drone Footage Reveals a Beaufont Hunt Kill

Retrieved footage from a stolen drone of the Wiltshire Hunt Saboteurs reveals the Beaufont Hunt making a fox kill earlier this month, and itโ€™s undeniable evidence of their despicable crimes against our wildlifeโ€ฆ.

The Wiltshire Hunt Saboteurs have exposed The Beaufort Hunt numerous times, recording a kill on the Fosse Way in November 2025, on the Dukeโ€™s Badminton Estate in December, and another at Cranmore Farm, Shipton Moyne, in January this year.

This distressing footage was recorded earlier this month at Commonwood Farm, Luckington. It clearly shows a fox hiding the hedgerow, the hounds doubling to the exact spot where a field rider was waiting, and dragging the terrified fox from the edge of the hedge, tearing it apart. The fox is then killed in front of hunters, who do nothing to stop the attack.

If this sickens you, the next part of the process is utterly terrible; the cover-up. Whilst they bag the remains of the fox, their terrierโ€‘men and hunt supporters surround the drone, waiting for it to land, in an attempt to steal it, while the sabs rush to protect it. This is now common practice added into their โ€œtraditional country sport.โ€

The Police were called, and an officer from the Roads Policing Unit took the drone. “He just took it,” The Sabs explained, “he didn’t say what powers and didn’t give a receipt, hence we call it a theft.” Meanwhile, many of the terrier-men, with “registration plates deliberately muddied out,” realising they too were being recorded, fled. Police engaged with the leader, but not with the sabs. A rural crime officer viewed the footage on the drone controller, and another officer from Chippenham Response also attended.

The Rural Police Unit seized the drone containing vital evidence, but did nothing to stop the hunt, or locate the remains of the fox, disposed of in a bin bag, according to the sabs. The drone was returned to Wiltshire Hunt Sabs, following a weekโ€‘long campaign exposing the circumstances of its seizure. The evidence has now been posted to their social media platforms.

This leaves me with little faith the new laws will do anything to stop this, if police do not act on them. Because, there was me thinking the objective of the police is to prevent crime, not just punish after a crime is committed? I asked the Wiltshire Hunt Sabs how they feel about these new rules regarding trial hunts, and if they think it will really make a difference?

โ€œItโ€™s hard to say without knowing what the government will implement,โ€ a spokesperson told me. โ€œAny improvement is welcomed but this is our only opportunity to get rid of the loopholes – and the government must make sure it doesnโ€™t introduce new ones.โ€

โ€œThe Hunt Saboteurs Association has produced a brilliant booklet detailing the key changes needed to ensure an effective ban on hunting wildlife with proper sentencing deterrents. Currently the Hunting Act allows only for a fine, which isnโ€™t a deterrent or punishment for fox hunters with deep pockets. Landowners and hunt management also need to be held accountable more often too; they are supportive of their law-breaking hunt staff. Trail hunting needs to be banned; it isnโ€™t an activity in itself, it simply exists only as a legal defence. Reckless clauses will certainly hurt them as every defence comes down to โ€œooops, it was an accident!โ€ Itโ€™s nigh on impossible to prove intent – as you canโ€™t hop into anyoneโ€™s mind, even though everyone knows when fox hunters hunt or kill foxes, itโ€™s 100% intentional.โ€

The continuous scroll of comments on The Wiltshire Hunt Saboteursโ€™ social media posts show the overwhelming support for the organisation’s attempts to prevent this criminal activity, their anger this continues, and criticisms of the seemingly inactions of the Police. Myself? I call the Beaufont Hunt something which rhymes with hunt.

You can follow Wiltshire Hunt Sabs HERE and support their work HERE.


Extended Lineup for CrownFest

It was back in October when we revealed CrownFest at The Crown in Bishopโ€™s Cannings was returning this summer, and January when we last mentioned it, because the organisers Stone Circle announced that its proceeds will be donated to Wiltshire Hope & Harmonyโ€™s Dementia Choir. I like to tease you during those cold winter months, and get us looking forward to warmer days coming…..

Now the time is nearly upon us; frosty starts but some glorious sunshine brings a sigh of relief, as spring has sprung. Time to remind ourselves of some of the local festivals on our horizon, but this isnโ€™t about simply regurgitating what weโ€™ve already said about CrownFest, because thereโ€™s been a few updates since, worthy of your attentionโ€ฆ..

What is new, is that the music will be presented over two stages rather than the single stage. Acoustic acts will be in the marquee, while bigger bands will be soundchecking and warming up on the main stage. This is great news, for continuous entertainment, and youโ€™d have to wonder otherwise, just how theyโ€™d squeeze so many acts into just one day.

And, before I waffle too far, that one day is the 4th July 2026; closer than you might think!

Tickets available HERE. A standard adult is only ยฃ32, children are ยฃ10, and thereโ€™s a ยฃ75 family bundle option too.

So, what Iโ€™ve already told you: Kinishaโ€™s renowned Simply the Best Tina Turner Tribute and Adam & The Ants tribute Ant Trouble headline, closely followed by Wiltshireโ€™s premier indie-pop favourites and winners of six Wiltshire Music Awards, Talk in Code. Purveyors of Irish & Celtic folk The Publicans will also be playing, along with Salisburyโ€™s rock cover band Innovator, rock covers band Tipsy Gypsies, the one and only George Wilding, Mother Ukes, and the blooming marvelous Lucas Hardy.

And if all that isnโ€™t already enough, what you might not have noticed, is some fantastic additional acts recently added. Firstly, the sublime Ruby Darbyshire is now on the lineup, who is worth the ticket price alone! Young Calne singer-songwriter, Braydon Lee, is a name on everyoneโ€™s lips right now, we fondly reviewed his latest single, and heโ€™s coming too. Eighteen-year-old singer-songwriter, guitarist and pianist Dylan Bratley also made the team; a new name to us but Iโ€™ve just checked out his rather cool Noah Kahan cover on TikTok, looking forward to hearing him live.

Lastly, is an upcoming Salisbury sixth form band, organiser Eddie Prestidge likened to Nothing Rhymes With Orange, called Five Nights at Adyans. The Salisbury Journal recently mentioned them playing Wiltshire Creativeโ€™s โ€œGlow with the Flowโ€ event for young musicians at Salisbury Art Centre. They revealed โ€œthe band is composed of four boys, Jasper Hill, Owen Morgan, Thomas Clark, and Toby Allen, who are all currently in Lower Sixth at Bishop Wordsworthโ€™s school, and have been friends since they were in Year Seven. The influence behind their name is a play on the famous video game โ€œFive Nights at Freddyโ€™sโ€, combined with the influence from their classmate called Adyan, whom they often bring up on stage.โ€ย 

This kind of leaves me wondering what Adyan does, if heโ€™s like a young Bez from the Happy Mondays, and if he will show up at CrownFest! Adyan or no Adyan, CrownFest is getting better and better, the latest poster unusually puts the lesser-known acts above the headliners, showing a real dedication to upcoming performers, and thatโ€™s a great look! All roads lead to Bishops Cannings this coming 4th July…. get on one of them!


Vox Populi: New Album From Deadlight Dance

The difference between punk and goth is that as a punk you reject society, as a goth society rejects you. Being society lives mostly online today, that’s probably why my spam filter assumes proposals from exiled middle eastern princes to deposit bitcoin into my bank, and machines to extend oneโ€™s manhood are of interest to a regional entertainment blog, but a local goth duo’s new album should be hidden in a spam folder.

Algorithms now pressure me into having to rush this out, despite noting on social media, Deadlight Dance are releasing their third album, Vox Populi tomorrow (Friday 20th March), which they launched at The White Bear in Devizes last Sunday. Have Nick and Tim got in the humph with me?!

They are Eurythmics-covering retro goths after all, who seem to be dealing with the apocalypse with new songs and a spot of gardening. I’ve always been nice about what they do and thought the feeling was mutual! Not at all; seems after a quick Facebook message, the glitch is real, and the email was discovered; and just like the issues Nick and Tim describe, โ€œthe populist rhetoric, the age of the oligarch where the rapid development of A.I. and deepfakery is upending reality, and โ€˜straight-talkingโ€™ chancers who claim to represent the majority are stoking the smouldering embers of fascism,โ€ these are the depressing first world problems which need addressing, and with them in mind, isnโ€™t it overdue to rekindle the era of the goth spirit?

Recorded as usual at Mooncalf Studio with legendary purple-bearded producer Nick Beere, it feels at times as if Deadlight Dance are canvassing for compassion as humanity gears up to vote for the collapse of civilised society. โ€œItโ€™s dark,โ€ agrees Nick Fletcher, โ€œbut there is hope there. You donโ€™t talk about these things unless you want to do something about it.โ€

โ€œLight and shade,โ€ says his partner in sound, Tim Emery. โ€œHopefully thereโ€™s something forย everyone. For some people, everything will be for them.โ€

With all edgy synths blazing, Gloss opens Vox Populi, dramatically and attacking the beauty industry, its harmful lies and unrealistic standards in an era most pop stars are encouraging them. We reviewed this as a single last October, where I vowed to shave my eyebrows off and draw them back on with a Sharpie. The exploitative nature of the cosmetics industry, the first deep and eerie original song of eight, which speak of algorithmic existences; gaslighting by the elite, the paradox of โ€˜humaneโ€™ food production, identities and the preconceptions that can shape them, the corporatisation of the militaryโ€ฆ and gardening.

โ€œThere are some important horticultural and botanical references,โ€ says Nick, reassuringly. The poisonous evergreen shrub Daphne odora, being an example, as the second tune, a poignant plodding shoegazer and followed by a surprisingly jocund ballad which gracefully reminds of the playful moments of The Cure.

Red Flags warns of danger, but takes no prisoners, Lachrymal is as dismayed as Fields of the Nephilim, Glass Walls is uptempo, furious and robust by design, an enclosed space frameless and seamless, but perhaps not maximising natural light, for thatโ€™s simply not goth!

The Theatre of Absurd thuds us back into the dark, with anticipatory anxiety and New Order beats. Followed by the first of two cover songs, Eurythmicsโ€™ Sweet Dreams. Deadlight Dance comforts you here with familiarity and reminiscence, but stamp their own authoritative pounce on this, and the second, Princeโ€™s When You Were Mine, both of which feature guest vocalist Sian and drummer Mike Dymond, the latter of whom first played with Nick and Tim when they were sixth formers.

Thereโ€™s an underlying retro sensation with all that Deadlight Dance produces, that not all electronica was lost to Stock Aitken Waterman, and neither will it be with smug grinned Simon Cowell. And something wholly satisfying that post punk artists of yore inspired Nick and Tim to form a band, and, acne replaced by wrinkles, thirty years later, amidst a global pandemic and a growing whirlwind of social and political chaos, they felt that the time was right to continue the journey. But what is more, is that younger punk bands, like those gravitating towards DIY labels like Sketchbook, are continuing the theme, and, I reckon, would take Deadlight Dance with similar respect to the aforementioned post-punk artists who inspired Nick and Tim. At least they should if or when they hear this album.

While there is always a coherent thought process behind them all, their previous releases, 2024โ€™s acoustic covers album The Wiltshire Gothic, and the literature-themed EP Chapter & Verse of the same year, held a running theme more rigidly. The dystopian or unnerving observations of the modern era subjects behind Vox Populi is subtler, and this feels like the fashion of their debut Beyond Reverence, only with the natural progression, experience and diligence of those three years. And it shows, this is a most excellent album, once again.

Vox Populi is released worldwide to stream, and own as a CD, vinyl LP and download,ย through Ray Records on Friday 20th March. Check out details on their website HERE.


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Chandra Likely To Go Boom!

Buzzwords, like โ€œturbo,โ€ or โ€œsonicโ€ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoidโ€ฆ

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Kate X: Swindonโ€™s Best Kept Secret

Youโ€™re young, stars in your eyes, and you live in Swindon; you are not alone, but you are, unfortunately, up against Kate X! Kate is independently producing contemporary pop RnB of international quality, and sheโ€™s riding it. Kate X should, and I hope and strongly predict she will be, a global success storyโ€ฆ..

James Threlfall spins her tunes on BBC Introducing, comparing her with Sabrina Carpenter and Zara Larson, and I respect his professional judgement. Her singles No Tears and Touch have amassed over nine thousand streams on Spotify and her latest, fifth single, For One Night had over a thousand plays in the four days after its recent release.ย ย 

Itโ€™s easy to understand why once youโ€™ve listened. Every element to a viable contemporary pop song is evident in Kate Xโ€™s tunes. Theyโ€™re sassy without being coarse, her mezzo-soprano vocals perfectly fit pop, and Kate has a natural flair for bringing acute hooks to the bridge. For One Night, in particular, has that driving RnB bassline, but as a collection, all of Kate Xโ€™s singles to date make for an impressive portfolio.

Iโ€™ve been hooked on Touch since Peggy-Sue Ford introduced it to me on her Donโ€™t Stop the Music show on Swindon 105.5 last year, and it hasnโ€™t left my head yet! For One Night clearly shows a natural progression, with a familiar and timeless clandestine lover theme, akin to Dusty Springfieldโ€™s popular cover choice Breakfast in Bed, but a contemporary soul feel more Beyonce than Kylie.   

She has 670 monthly listeners on Spotify, which for a local indie artist is impressive. She might suggest she can be the object of her desireโ€™s โ€œbest kept secret,โ€ but in my opinion, she should no longer be secret to mainstream media and a worldwide fanbase.  

Okay, so there are occasions, and more often than not, when an aspiring wannabe’s judgement obscures the probable reality that theyโ€™re the needle in the haystack and unlikely to progress to stardom in the competitive music business. And someone has the unfortunate task of tying their feet back to the floor. It’s sad, but a common stipulation, and often manipulated by television talent shows for ratings. But when I listen to Kate X’s tunes, compare them to what the mainstream is putting out, and consider she’s independently creating and marketing, this is clearly not the case here. Kate has something really rather special, which is on par with the mainstream commercial output.

All it takes is for word to spread, and maybe some crossed fingers and toes, but Kate X seems determined, and unquestionably has the potential to be the next big pop star.

Kate, your songs are simply brilliant, remain steadfast to your goal, mentally prepare for setbacks, obviously, but I reckon, judging on this latest single, youโ€™ve got it in the pocket girl! And we wish you all best of luck with this positively facing journey.ย Follow her journey on Instagram, TikTok, or Facebook.


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Only The Brave Burn The Midnight Oil

Hurrah, at last! Only The Brave is the debut song from Burn The Midnight Oilโ€™s revised lineup; something Iโ€™ve been anticipating since watching them rehearse at Devizesโ€™ HK Studios, just before last yearโ€™s Awards. But if my expectations of a recording from this new Devizes based phenomenon was perched on the summit of the highestโ€ฆ

An Endless Summer with Braydon-Leeโ€™s New Single

If, inspired by the likes of Ed Sheeran and James Arthur, the majority of Gen Z loves a good power ballad, the beginnings of the next generation, Alpha, seem to be following suit. And if thatโ€™s the thing, fifteen-year-old Calne singer-songwriter Braydon Lee was already in the forefront locally, but in my unprofessional opinion, hisโ€ฆ

Tour Des Frites: Four Dauntseysโ€™ Sixth-Formers Awarded Travel Scholarship Cycle from School to Bonn, Germany

Four Dauntsey’s Sixth-Formers have been awarded travel scholarships, and plan to cycle all the way from their school to Bonn in Germany, shortly after completing their A-level exams this summer. Helping at food banks, documenting their journey, and rating chips along the way! The group, Flo Lee, Willย Fittock, Tom Sharples and Mika Jessel said, โ€œwhileโ€ฆ

Shedricโ€™s Misadventures of Theodore Thump

Just who is Theodore Thump? A wise pet rabbit? The mysterious sixth Beach Boy? This album newly released from Shedric, Swindon soloist and groovist of Thud, reveals nothing, but makes for a diverse and interesting listenโ€ฆ.

The Misadventures of Theodore Thump was unwittingly released unto the cosmos earlier this month, and through title and cover art you might preconceive some psychedelic surreal nonsensical comedy akin to the Bonzo Dog Doo-Dah Band, and in a way thereโ€™s sombre and subtle nods to this direction, but thereโ€™s more than meets the eye to this masterwork of audio art.

With wailing guitar it opens unexpectedly, plodding cosmic blues fashion. This swaps to a drifting jazzy folk with smooth Nick Drake styled vocals for the second song, and back to cosmic wah-wah for the intro and chorus for the third, while it settles for a jazz piano core. Still, fusions know no bounds here. Immediately Iโ€™ve the notion that this melting pot isnโ€™t by chance, and the experimentation is purposeful, played out by a genius of many influences and with the ability to cherry-pick and compose them in such a way you are on the edge of your seat, captivated, intrigued, and thoroughly entertained.

It may all have been done before, but unlike this. Four tunes into this seven track marvel, Rosalie is a two-minute ethereal drumbeat and piano instrumental. Drifting lounge style, Scum is contradictory from subject to sound, whereas Lock & Key drives melodically classic RnB, Robert Palmer, and is likely the most commercially viable on this most excellent album. Thereโ€™s a finale, wonderfully written of feelgood sentiment.

Shedric said, โ€œThe Misadventures of Theodore Thump has taken me an insane amount of time to make. The levels of procrastination have been almost as epic as the hours spent at my kitchen table mixing and tweaking.โ€ The dedication and effort shows. It has the experimental quality of Sgt Pepper or Pet Sounds, the coolness of Bookends, its jazzy elements range from Blue Note to prototypical Mark’s Keyboard Repair. At times itโ€™s blues, at others itโ€™s folk, but it always leaves you guessing, and certainly is one to dive into, discovering more intricate details you might have previously missed before; marvellous!


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Chandra Likely To Go Boom!

Buzzwords, like โ€œturbo,โ€ or โ€œsonicโ€ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoid them, but you cannot call Chandraโ€™s releases just plain indie-pop; theyโ€™re turbo-charged sonic boom spearheaded empowerments of synergy indie-pop songs which prolifically arrive with an explosive boom! And, coincidentally, Boom is the new oneโ€ฆ..

Seriously, thereโ€™s a glorious feelgood summer energy to this. You’d have to be having a really bad day to find fault with it. Love the bongo intro, and the subtle, tongue-in-cheek doowop backing, and the guitar riff bridge sits perfectly amidst the positive vibes the subject evokes in the singer.ย ย 

โ€œThis song is a bit of a departure from the norm,โ€ lovable showman Chandra says, โ€œover the past two and half years we’ve never once written a song about love. We’ve always written about topics such as inclusivity, tolerance, compassion, faith and self confidence, but the one thing that ties it all together is we want to write songs that are upbeat, hopeful and empowering. We hope that this song does exactly that.โ€

Observation double underlined, and box triple ticked.

โ€œBoom is a very spiritual song about love,โ€ Bristolโ€™s power indie-pop virtuoso continues, โ€œsoul-mates and the miracle of finding that special someone in a vast universe full of empty space. It may take a moment; it may take a lifetime, but when you find that special person who makes you whole, the explosion is as powerful as the Big Bang. And yes… sometimes it’s really scary to open yourself up to the possibility of being hurt, especially if you’ve experienced something bad previously; something is coming, everything will be alright.โ€

And thatโ€™s about as reassuring as the nature of the song too!ย  Boom launches into the universe on Friday 20th March. Thereโ€™s a BOOM Single Launch Party on Saturday 28th March, at The Queen’s Head in Box. Doors 7.30pm.

Find all stuff you need to know about Chandra HERE


Marlborough School of Languages to Hold Second Fiesta

Itโ€™s always nice to hear when an inaugural local event is successful, especially one as unique and original as Marlborough School of Languagesโ€™ annual Fiesta. Triple so when being bilingual to me means I can switch between English and gibberish!

Marlborough School of Languages offers a range of services to suit language development at any age and stage, in small groups or one-to-one at their school on Marlborough High Street, and online. With regular Spanish, English, French and Italian lessons, bespoke workshops, exciting conversation, film, food and book clubs and sociable cultural drinks evenings, last year founder Maria Gonzalez decided to create their first language summer festival; conveniently the school abbreviates to SOL, the personification of the Sun in ancient Rome!

 โ€œWe are beyond excited to be launching the second edition of our Languages’ Summer School: Fiesta 2026,โ€ Maria explained. โ€œLast year we wanted to end the summer term with a special event that would inspire our students to continue their learning journey with us in September, and create something appealing for potential new learners.โ€

โ€œDespite the heatwave, we delivered 15 hours of Spanish, Italian and EFL lessons, served five wonderful meals at La Bobina, The Marlborough Pub and at our High Street premises, and organised five afternoon activities, including Chinese calligraphy and a wine tasting led by some of the areaโ€™s most talented professionals from Thames Valley Wines.โ€

This yearโ€™s Marlborough School of Languages Fiesta will take place on the 6th to 10th of July. Building on last yearโ€™s success, Fiesta 2026 promises another vibrant celebration of language, culture and community.

Guests can look forward to a programme of engaging Spanish, Italian and EFL sessions in the morning, delicious meals shared in great company, at the best Marlborough High Street eateries, and a selection of inspiring afternoon activities led by talented local professionals.

Above all, Fiesta is designed to bring people together in a relaxed, friendly atmosphere where learning, conversation and cultural discovery go hand in hand.

Tutors in both Italian, Claudia Marin and Spanish, Maria Gonzalez along with English as a foreign language tutor Matt Gow, will take classes from 9:00 am to 12 pm, followed by lunch, and workshops in the afternoon. Some details still need confirming at this stage, but they anticipate the paella making workshops will be back, and there will be a theatre workshop where the three language groups will each prepare and perform the same short play in their respective languages. 

For further details go to the Marlborough School of Languages website HERE.


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Palooza Invited Back to Fatboy Slim’s All Back to Minehead 2026

Right here, right now in Devizes, Palooza spawned and has become the fast-growing house music event brand in Wiltshire. They’ve beenย invited backย to perform atย Fatboy Slimโ€™s All Back To Minehead 2026, following a standout appearance at last yearโ€™s event. The highly anticipated festival takes placeย 6โ€“9 November 2026ย and brings together some of the biggest names in dance music for a full weekend of music, energy and unforgettable moments…..

Joining an exceptional lineup that includesย DJ EZ, Erol Alkan, Horse Meat Disco, Simon Pegg, Sarah Story, Darren Emerson, Eats Everything, Kirollus, Olive F, Woody Cook, Elliot Schooling, Liam Palmer, Krafty Kuts, Dr Banana, Arielle Freeย and many more, Palooza will once again bring its signature blend ofย house, classics, anthems and underground soundsย to the iconic Minehead weekender.

Known for itsย high-energy dancefloors and community-driven atmosphere, Palooza has built a strong reputation on the UKโ€™s underground scene, making its return to All Back To Minehead a significant milestone for the brand. The invitation back to the lineup reflects the impact of last yearโ€™s performance and the growing recognition of Paloozaโ€™s unique sound and vibe.

โ€œWeโ€™re buzzing to be invited back,โ€ said Greg Spencer from Palooza. โ€œLast year was incredible, and to return alongside such a huge lineup is a real honour. Weโ€™re bringing even more energy this time.โ€

All Back To Minehead continues to be one of the UKโ€™s most celebrated dance music weekends, combining world-class DJs with a unique holiday atmosphere and a packed schedule of activities across the resort.

For full lineup details, tickets and event information, visit:
๐Ÿ‘‰ย www.allbacktominehead.com


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Rowdefest 26 Lineup Reveal!

Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโ€ฆ

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Devizine Presents M3G and Seren at The Fold

Spring is on its way, and we’re looking forward to a season of great live music across the county. You’ve only got to keep your best eye on our ever-updating event calendar to realise the vast and varying options open to you. But here, in Devizes, there’s one particular place I’m personally excited about, the return of The Foldโ€ฆ.

Organised principally by JP Oldfield, the legendary Fold returns with open mic nights on the first Tuesday of each month, Bluebeard and the Desperate Hours headline a freebie with JP in support on Friday 27th March, and the one and only Gaz Brookfield returns to The Fold in a blaze of glory on the 5th June.

But with JPโ€™s reputation spreading like wildfire, he cannot always be at The Fold; I mean, we were just chatting about him supporting Imarhan at Bristolโ€™s The Fleece on Monday, and the many other gigs heโ€™s getting in the area. So, between Bluebeard and Gaz, and not for my ego, well, not entirely, I’m delighted Devizine can be involved with this project.

A Devizine takeover at The Fold, on Friday 24th April, that’s what I’m here to tell you about; bung it your diary now! It’s been too long since we’ve put a gig on. This is happening, the only requirement needed from you is to please support it. In order to encourage your excitement to match my own, we’ve done two things.

Firstly, while we need to fund it somehow, we’re keeping ticket prices as low as possible. Just like it was 1979, this is a pay what you can gig, but I plead that you consider this at the door, that the more you can pay the more we can give you in return, rebuild the Fold, and provide Devizes with some great acts in a comfy, intimate venue and at affordable prices. Please, flash a little cash, not for me, but for our musicians.

My second objective, and I know JP and I are singing off the same songsheet on this even if his singing is ten thousand miles above my own breathtaking shower concertos, is to bring to Devizes the amazing acts we see elsewhere, who haven’t yet made a Devizes debut, or who have rarely played here before. Musicians and bands which I think, โ€œthe good folk in Devizes would love this, they deserve to see this!โ€ And that’s precisely what we’ve done for our first Fold takeover.

We’re hosting two local upcoming singer-songwriters, firstly Meg, or M3G as she prefers, who I’ve been waffling on about for ages, with deserved praise, and my daughter scribbled a great interview with her some years ago.

M3G is an indie folk singer-songwriter from Chippenham. Her music mixes authentic lyrics with soaring vocals. Recently supporting the likes of Frank Turner, Jools Holland, Gaz Brookfield and The Lottery Winners. A regular at Trowbridgeโ€™s Pump, the venue now run by Kieran J Moore, who created Sheer Music at this very venue, The Fold; small world.

Her bio also says she’s โ€œdescribed as, โ€˜Beautiful and Captivatingโ€™ by a local music magazine,โ€ which I’m suspicious was me! And โ€œshe brings a unique perspective and humour to the stage,โ€ which sums it perfectly, if I do say so myself! Her recent singles, like โ€œRooksโ€ , were produced by Phil Cooper, who you should know from The Lost Trades, and also will be at the Fold with Bluebeard on the 27th March; again, small world!

M3G’s style is uniquely wonderful and personal, something I advise you really need to see for yourself; hereโ€™s your chance. I also introduce you to Take the Stage finalist Seren, a Warminster based young folk singer-songwriter with a voice you wonโ€™t forget.ย 

Seren performs a mixture of original songs and covers. โ€œMy favourite covers to perform are Fast Car by Tracy Chapman, Unwritten by Natasha Bedingfield, and Black Star by Radiohead,โ€ she tells me. โ€œI first started performing in May 2024, and since then I have performed at CorFest 2025, Swinterfest, and have supported Irish folk musicians in Salisbury including The Henry Girls, Daoirรญ Farrell, and Tim Eady and Mike McGoldrick. I am inspired by a mix of artists/musicians and genres such as folk, indie, pop, indie rock, and jazz.โ€

Both of a similar age, M3G and Seren have worked together before, supporting each other, and after performing solo, promise to duet in a rare finale session. I canโ€™t wait, I advised MantonFest to book Meg a couple of years ago, but I believe this will be both their Devizes debuts. I hope you can join me in bringing these two sublime performers to town and really give them the warmest of Devizes welcomes, on the 24th April; put it in your diaries now!!

Facebook event thingy, here, let us know you’re coming. If you are coming, I promise not to sing myself. Oh, and give the Facebook page a follow too, for updates there.


From Nothing Rhymes With Orange and John Otway to Scummy Mummies and Milton Jones; Devizes Arts Festival Celebrates 40 Years with an Amazing Lineup

Featured Image: Helen Polaxpix

What has Devizesโ€™ greatest millennial musical export, England rugby player Jodie Ounsley’s ghost writer, some scummy mummies, a professor of biology at the University of Sussex, and a world poetry slam champion all have in common? Yep, usually not a great deal, but they’re all among a stellar lineup for this year’s Devizes Arts Festival, and it’s their fortieth anniversaryโ€ฆ..

Forty years and Devizes Arts Festival has gone through some changes, yet continues to offer the town a unique and differing variety of world class celebrities, musicians, comedians, artists and all manner of inspiring people. Make no mistake, we LOVE Devizes Arts Festival with big, bold capslock; happy 40th birthday!

This year the festival runs from 29th May till June 24th. The committee have already announced the headliners, and Devizes Retailers and Independents let the cat out of a bag which I promised I’d keep my cake hole shut about; that our very own Nothing Rhymes With Orange will play a homecoming at the Corn Exchange on Saturday 13th June! And thankfully, there’s loads more to reveal about what’s also going down for the town.

I’ve found it excruciating to have kept schtum about Devizesโ€™ greatest musical export since The Hoax, Nothing Rhymes With Orange returning, who, while some years ago produced a phenomenon in the Devizes area I likened to Beatlemania, are now studying at Bristol and have had the same effect nationwide. I think this is a brilliant move for the festival, which often  suffers with the public wonky presumption it’s a Saga holiday entertainment venue. Producing the widest variety of arts and entertainment in Devizes, Devizes Arts Festival volunteers work tirelessly through the season, preparing and hosting this extravaganza, and there’s something for everyone here. Examples? Yes, mate, I’m not going to reel off details of the entire program, which will be out soon, but there’s plenty of secrets I can leak, so keep readingโ€ฆ..

So, headliners, be art punnyman off the telebox, Milton Jones, on Friday 12th June; he makes me look sane, but heโ€™s hilarious, Iโ€™m just mildly laughable. I know a certain salsa group who will welcome Londonโ€™s premier salsa orchestra, delivering an irresistible night of Cubanโ€‘inspired rhythm and dance; Salseology! I also know many in town will welcome John Otway and Wild Willy Barrett at the Cons Club on Monday 8th June. 

Those outrageous Scummy Mummies will make a welcomed return, and Midsomer Murders and Foyleโ€™s War writer and producer Anthony Horowitz pays Devizes a visit on 1st June. But these are just the tip of the iceberg.

Thereโ€™s conservationist, passionate story teller and โ€œhuman swan,โ€ Sacha Dench, African-American concert pianist Beatrice Nicholas, BBC Sports journalist Becky Grey talks ghostwriting, Patrick Grant is on clothes. Bee specialist Professor of Biology at University of Sussex, Dave Goulson talks on saving our insects.

You can watch Portuguese classical guitarist and lutenist Fรกbio Fernandes, listen to the life of Derek Jarman, and join Wiltshire cameraman Nick Upton for a fascinating account of his life and work capturing wildlife.

Clare Durham and Paul Martin to explore the world of collectors and collecting. Book plugs from television and radio journalist Grahame Lloyd, acclaimed author of six novels, Charlotte Philby, and climate activist and the co-founder of Transition Network, Rob Hopkins. The Wharf Theatre presents The Secret Life of Enid Blyton, and thereโ€™s a world poetry slam champion Harry Baker coming to town.

More music from The Robert Vincent Band, shanty-punk folk with Man The Lifeboats, allโ€‘string jazz quartet Swing from Paris, and organist John Challenger.

Free fringe events are aplenty, John Handby talks on AI, brilliant Bristolโ€‘based songwriter Elly Hopkins is playing Hillworth Park Cafe, Old Baby Mackerel play highโ€‘energy, footโ€‘stomping bluegrass at the British Lion, The Rigmarollers with a unique take on the blues, and local writers Vanessa Tanner and Louisa Davison have an open mic for poetry and prose at The Black Swan.

Plenty of inspiring walks as usual, and Have-a-go workshops also make a return, with ones for singalong country, memoir writing, phone photography, and sketching at the wonderful White Chalk Gallery. And Erlestoke Prison presents an art exhibition by the inmates; what more do you want?!

We cannot wait for June, and hope to have a โ€œDevizine Assemble,โ€ to bring you as much coverage as possible; if you would like to volunteer as a reporter, do drop me a message. Now we await the box office to open; keep in the know by bookmarking their website, HERE. 


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Chandra Finds Heaven on Earth

Usually I just write what I think, but if I had a point-scoring system this new single from Bristol-based indie-pop outfit Chandra would tick everyโ€ฆ

Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

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Only The Brave Burn The Midnight Oil

Hurrah, at last! Only The Brave is the debut song from Burn The Midnight Oilโ€™s revised lineup; something Iโ€™ve been anticipating since watching them rehearse at Devizesโ€™ HK Studios, just before last yearโ€™s Awards. But if my expectations of a recording from this new Devizes based phenomenon was perched on the summit of the highest mountain, gaining a sneaky preview before its release on Friday (13th March) far from disappointed, in fact Iโ€™m now soaring above cloudsโ€ฆ.

I know pressing a CD is a financial risk for any upcoming band against bunging it on streaming platforms, but Iโ€™d urge them to go for it. In the relatively short time Burn The Midnight Oil have been gigging under this current format, theyโ€™ve become the kind of band youโ€™d see live and make haste for their merch stand in hope to return home grasping a piece of what you just experienced. Based on this first of a few singles coming out of Martin Spencerโ€™s Badger Set Studio in Potterne, a compilation album would be a real keepsake.

Itโ€™s hasty and gearing, a rich and refreshing design on a timeless formula; the folk-rock-blues combo conveying enduring, moreish and matured pop, with that driving beat, with that irresistible rolling guitar riff, and with the smooth-as-velvet female vocals soothing a biting narrative. Causal listening itโ€™s feelgood, but in depth itโ€™s fighting against the odds and rising above adversities.

Itโ€™s the song for the comeback scene of an epic movie. Youโ€™re on the edge of your seat, identifying with the character, either relating your own experiences, or more simply distinguishing their plight is their drive, but you cannot sympathise, because like Tina Turner, Gloria Gaynor, or Natasha Bedingfield, sheโ€™s weaponised it, risen above it regardless, and taken control of her own destiny; Alanis Morissette of Devizes.

Yet the most marvellous thing about Only the Brave is, Chrissy โ€œSteenโ€ Chapman can equally hold the vocal power of any of the aforementioned female big hitters, kick the meaning behind the song into touch, and her backing band accompanies her with such tight precision, itโ€™s something to behold. In essence, it has the perfect combination for the memorable and relevant tune you wonโ€™t mind having stuck in your head!

I cannot wait to hear the others, but for now, pre-save this beauty HERE. Find them rootin and tootin their thing live by following them on Facebook, HERE.ย Attend CapFest as seen below, for their next Devizes show.


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Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

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An Endless Summer with Braydon-Leeโ€™s New Single

If, inspired by the likes of Ed Sheeran and James Arthur, the majority of Gen Z loves a good power ballad, the beginnings of the next generation, Alpha, seem to be following suit. And if thatโ€™s the thing, fifteen-year-old Calne singer-songwriter Braydon Lee was already in the forefront locally, but in my unprofessional opinion, his second single newly released, Endless Summer, provides the truckload of potential necessary to make this a nationwide phenomenonโ€ฆโ€ฆ

Oi kids, we had heartbreakingly emotional roller-coaster power ballads in the eighties too, you know; practically invented โ€˜em?! Just with a lot more guitars and hairspray! Yet, Iโ€™ve been reconditioned by gigging with my daughter, where Noah Kahan at the O2 impressed me on a Springsteen level, into appreciating these soulful melodic beats, derived, debatably, of folktronica and contemporary RnB. If Iโ€™ve acclaimed anyone on the local scene for adopting this in a manner marketable on an international level, it has to be Swindonโ€™s Brandon Clarke, aka Weather. It just so happens, Brandon has produced this track, and together, Braydon and Brandon, their dedication illuminates on this ingenious and poignantly buoyant love song.

This is an absolutely wonderful tune, a hefty guitar riff bassline drifting you along a crestfallen narrative with euphoric backing and Braydonโ€™s eloquent vocals shining through. Braydon has penned a sublime anthem to pluck any heartstring, and he delivers it with the passion and emotion of a professional singer twenty years further down their line.

Itโ€™s this bucketload of unpatronising top marks from me, which though I thought Iโ€™d seen him before, searched my own blog and came up trumps, (I caught the end of his superb appearance at last yearโ€™s FullTone Festival) I predict one day soon, no one will need to search for Braydon Lee; theyโ€™ll all know him, love him, and have brought his merch from the O2 shop!

โ€œIt was my YouTube cover of Sam Barber’s Straight and Narrow that started getting me attention,โ€ Braydon explained. Now, I’m just a two-bit blogger not wishing to put stars in anyone’s eyes, but while running off a quick cover will gain attention, Braydon needs to concentrate on carving an original style, with the noticeable hook, and herein lies the groundbreaking moment, Endless Summer accomplishes this. 

You can pen a thousand good songs, but finding that awakening hook is key. An Endless Summer, working outdoors through the night, I like this idea, although this is metaphorically akin to the Summer of โ€˜69 when Bryan wished the season would go on forever, so Braydon might romantically hook his duck, I reckon. And on those levels this works, and will gain more than the attention of his heart’s desire. The first geezer I’m sending this review to will be Mr Threlfeall at BBC Introducing, hoping Braydon is already on his radar.

It comes with a professionally shot video created by Swindon’s 1988 Media, and as a package this has impressed me. I urge you to pay it some attention, or at least pass this message onto your offspring; Braydon is one to watchโ€ฆ.

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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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Tour Des Frites: Four Dauntseysโ€™ Sixth-Formers Awarded Travel Scholarship Cycle from School to Bonn, Germany

Four Dauntsey’s Sixth-Formers have been awarded travel scholarships, and plan to cycle all the way from their school to Bonn in Germany, shortly after completing their A-level exams this summer. Helping at food banks, documenting their journey, and rating chips along the way!

The group, Flo Lee, Willย Fittock, Tom Sharples and Mika Jessel said, โ€œwhile simply a group of friends, we also bringย a very goodย physical ability to the table.ย We have successfully completed our Gold DofE Expeditions together in a group, enjoying our experience together.โ€ย 

Both Will and Flo have completed in and won, respectively, the DW race, and won, respectively, the Breconโ€™s challenge together with Tom. Tom is a nationally ranking cross country runner. โ€œWhile all of us enjoy and have done varying amounts of cycling,โ€ they said, โ€œMika has prior experience in bikepacking through both Europe and Morrocco.โ€ 

Using EuroVelo Cycle Network, they have planned this route themselves. โ€œWhile it is not perfect,โ€ Flo explains, โ€œit is the best option to find established cycle paths across Europe.โ€ 

The direct route from Devizes to Bonn takes just under 1000km, taking the ferry from Dover to Calais. It will take them through London, the French and Belgian coasts, the Netherlands, and finally, Germany. 

The other countries are less of a concern than England. Flo continued, โ€œBelgium and especially the Netherlands are famous for their bike infrastructure and the route we are taking through Germany goes along the Rhein river, which, speaking from experience, is easy cycling.โ€

โ€œIf we take two weeks to do this, including two rest days, that comes out to just about 80km a day, with manageable elevation. Judging by previous experience and the fitness of the group, this is easily doable. Keeping this in mind that we will try to keep our daily goals flexible in case this estimate is wrong. However, with both interval and long ride training, we are positive this wonโ€™t be the case.โ€  

Their aim is to inspire other young people their age to take on ambitious bikepacking challenges, and to show what is possible with determination, planning and teamwork.

Along our route, they will also be volunteering at food banks across England, France, Belgium, the Netherlands and Germany. โ€œWe are committed to making this journey not only an adventure, but a socially responsible one,โ€ Flo told me.

This will be happening in summer 2026, thus โ€œbringing Mika homeโ€ after they finish their A Levels, โ€œwhich will reduce his carbon emissions and let us have one last adventure together as a group,โ€ Flo said. โ€œIdeally, we will leave a day or two after speech day (6/7th July) and arriving in Bonn two weeks later (19/20th July.)โ€ 

As part of their project, they will be producing two short films; an article documenting the journey, and regular social media content.

โ€œWe are going to document our adventure,โ€ Flo explained, โ€œusing our phones and my Sony camera to make two short films. The first will be to document our trip for nostalgia and to show our family and friends, however the second will be related to our volunteering. We will interview those people we meet during our volunteering, hopefully both volunteers and those in need, to help spread awareness for those who are unaware to the extent of the poverty and food waste problem throughout Europe.โ€  

You may remember, Flo has published some articles on Devizine, including youth gig reviews and including interviews, of which we are of course very grateful for. Though she hasnโ€™t so much recently, because Flo has been rightly concentrating on her exams, we will give her a big golden key, access to the platform so she they can publish their adventures along the way!  

But why, dare I ask, are they calling their Instagram account called ‘Tour des Frites 2026?!โ€™  โ€œTo follow our progress,โ€ Flo explained โ€œwe will make a public chip-rating Instagram account. We will showcase ratings online, hopefully gaining traction and potentially showing the highs and lows of our expedition. The idea comes from the fact, that especially the Belgians, are particularly proud of their Fritten!โ€   

โ€œThe chips will be rated out of fifty, in categories on crispiness, creaminess, cut, coating and colour, character and presentation, with four extra points if it stays crispy when cold and tastes as good as it looks. We think that this can be a fun way of documenting the cultural side of our trip, while enjoying some delicious meals along the way!โ€ 

Camping in local campsites, using  lightweight tents and trying to gain sponsorship from different cycling companies, will hopefully keep it in budget. They will  be cycling for two weeks straight, which I donโ€™t even want to think about, but we wish them all the best of luck and look forward to hearing about their adventures!

Follow the Tour de Frites on Instagram, HERE.


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Wiltshire Business Leader to Host Free International Womenโ€™s Day AI Webinar to Prevent Women Being โ€œLeft Behindโ€ in Tech Shift

Leading Wiltshire digital entrepreneur Natalie Luckham, AI Educator and founder of award-winning Wiltshire social media consultancy Naturally Social is hosting a free โ€œIntroduction to AIโ€ webinar this International Womenโ€™s Day to help women across the county understand artificial intelligence – and ensure they are not left behind as the technology reshapes workplaces and homes….

The webinar event is aimed at women across Wiltshire, from business owners and freelancers to employees, returners to work, and those simply curious about AIโ€™s growing influence in everyday life.

The one-hour online session, taking place at midday on International Womenโ€™s Day (8 March), will offer a practical and accessible introduction to artificial intelligence. Titled around this yearโ€™s International Womenโ€™s Day theme, โ€œGive to Gain,โ€ the webinar will demystify AI by covering:

ยท What AI actually is (and what it isnโ€™t)

ยท How large language models are built

ยท The risks, bias and ethical considerations

ยท Real-life demonstrations of useful applications at work and home

ยท How to prompt AI tools effectively

ยท Where human judgment remains essential

The session will include live demonstrations and a Q&A, allowing attendees to ask questions in a supportive environment.

Artificial intelligence adoption is accelerating across industries, from marketing and finance to healthcare and education. Yet studies continue to show that women are underrepresented in AI development and adoption, raising concerns about a widening gender confidence and skills gap.

Natalie says the webinar is about empowerment, not hype. โ€œSo many women I speak to have experimented with AI but say, โ€˜Iโ€™ve played with it โ€” I just donโ€™t really get it.โ€™

“If we donโ€™t understand how these tools work – their strengths, their limitations, their risks – we risk stepping back from the conversation entirely. My goal is simple: to give women the knowledge and confidence to make informed decisions, ask better questions, and participate fully in the future of work.โ€

The session aims to demonstrate the potential and the pitfalls of AI, helping women approach the technology critically and confidently rather than feeling overwhelmed or excluded.

The timing reflects growing national conversations around AI regulation, workplace transformation and digital skills development.

The webinar has been created in response to increasing local demand for clear, jargon-free guidance on AI. Natalie has spent the past year delivering AI training to businesses and organisations across the Southwest and says the same concern keeps emerging: people are experimenting, but without real understanding.

Registration is free but spaces are limited. Women can reserve their place HERE


The Return of The Fold Music Venue in Devizes

If your average Tuesday night in Devizes might feel like The Day The Earth Stood Still, it certainly felt this way for me yesterday; I was at an open mic, down The Foldโ€ฆ..

Yeah, you read that right, the back room of The Lamb which launched Kieranโ€™s Sheer Music a decade or so ago, a Devizes to Trow-Vegas success story many hold fond memories of. Since then it seems itโ€™s been rather dormant up there, so Iโ€™m sure it will come as a delight to many to hear this once popular, intimate space is reopening, because this open mic night is only the beginning.

The open mic will continue, each first Tuesday of the month, and the weekends hopes to see regular affordable ticketed gigs. Iโ€™ve got to stop saying โ€œTuesdayโ€ now, because in my mind Iโ€™m voicing it as Miranda, probably because Iโ€™m a smidgen over-excited to bring you this fantastic news!

The project has been masterminded by Sally at the Lamb, who has renovated the Fold, and Josh Oldfield, who will be running nights there. Furthermore, on occasions when Josh is gigging elsewhere, Devizine is allowed to use it, and in a joint venture, we hope to bring some great gigs to town.

The legend that is Gaz Brookfield returns to The Fold in a blaze of glory on the 5th June, with our faithful JP in support. But the Fold opens earlier; officially on Friday 27th March, when piano-driven pop-rock trio, Bluebeard and the Desperate Hours headline with JP again in support. This one is free, save a tip jar for the acts.

Devizineโ€™s first night hosting there will be Friday 24th April.

Iโ€™m sorting it out now, do not fear! My concept is to bring in some exciting new and original acts to Devizes, or at the very least ones who have rarely played here, despite me bashing on about them within the pages of Devizine! Starting with an acoustic folk night; save the date, for we have two of Chippenhamโ€™s finest young singer-songwriters, Meg and Seren promising to play for us on the 24th April.

Meg, Image by Kiesha

Details on this and other gigs at the Fold will follow. For now letโ€™s just say last night was a great start to reinventing the venue. A humble and hospitable evening, as most open mics are; shame I rarely get to attend any because they usually occur on weekday evenings.  

With performers at opposite sides of the timeline, a promising acoustic guitar sporting Billy went first, followed by Ronnie unplugged with an electric. Eyebrows were raised further when young bassist, Meadow, backed Ed Dowdeswell, stepson of Jamie R Hawkins, who, though containing elements of brilliant songwriting and riffs clearly rubbed off from Jamie, is carving a name for himself independently, and quite rightly so.

A smidgen more mature musicians, Jim and Ray, blessed us with some folk-blues covers. And between them and our wonderful Sammi Evans, Sammiโ€™s son Kristian also sang quite wonderfully for the very first time; the apple doesn’t fall far from the tree.

Sammi is always a delight to see live, but her set ended abruptly due to guitar string snap, and golden axeman Brian took his place and pumped some gorgeous blues covers our way; Big Mamma Thornton, though, nicely placed sir!

Young Amelia may have been penultimate on the roster, but was the ultimate voice, and known throughout the free world of Devizes, Gordy and Tim polished this fantastic inaugural reopening of The Fold off expertly. I left feeling this will be something very special added to our busy live music circuit here in Devizes, and I hope to see you there soon!

Grand opening with Bluebeard and the Desperate Hours and JP Oldfield will be free on 27th March. The next open mic is due April 2nd. We take over with Meg and Seren on 24th April, Gaz arrives on 5th June, and thereโ€™s more to follow; exciting news!ย Open mics are just nice, aren’t they?!


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Dulcet Tones Rock Back to Bassett!

You’re a teenage Tom Cruise, at least you wish you were, but stay with me on this! Your parents are away, you’re home alone with dad’s liquor cabinet. For certain, you’re going to get into some risky business as the movie progresses, but your initial impulse is to dance around the house in a shirt and pants. I’ve no interest in seeing you in your pants, Tom, what makes the scene so iconic is surely the song choice. Because Bob Segar was bang on the money; experimentation in music is good, but the scene wouldn’t have the same impact if he was listening to Jean-Michel Jarre. Sometimes you do need some old time rock n rollโ€ฆ..

Now, imagine Bob never recorded that song; what song would you pick instead? Options, people, options aplenty, but here, take the 49 to Swindon and try Dulcet Tones for size. Since a single from last May, they’ve a debut EP, Back To Bassett; okay, itโ€™s got a few local references including, bizarrely, an Avebury-Chuck Berry link, but it’s old time rock n roll, at least โ€œrockโ€ if youโ€™re nitpicking, still, the kind of timeless music that soothes the soul.

A bit of delay in mentioning this, apologies to the band, frontman Andrew McLennan, lead guitarist Nick Osman, bassist Darryl Wilks and drummer Rob Cooper, but it makes for perfect air guitar practice from beginning to end! Embellished by wailing guitar riffs to make ZZ Top blush, driving drum rolls, and that archetypal hoarse vocal rebel yell, the opening tune, As I Am, doesnโ€™t wait for you to adjust your funky pants, but being the simple premise is taking them as they are or not at all, the choice is a no brainer; this absolutely rocks!

In essence itโ€™s โ€œgood olโ€™ boyโ€™s music,โ€ windows down summery driving rock, wind in your beard, and itโ€™s more fun than deeply meaningful. Hold On stomps with elements of Tom Petty, or maybe harder, think Aerosmith, Lynyrd Skynyrd, but has the on-the-road narrative to mirror what Iโ€™m trying to say, I hope! 

Three quid for four solid tunes means weโ€™re driving to the halfway house. Dream Home soothes the tempo, thereโ€™s notions of Guns & Roses at their most sentimental. Oh, this is cool; if dulcet tones implies sweet, melodious, and pleasing, this tune proves theyโ€™ve named themselves appropriately.

Title track comes last, does it need saying Back to Bassett has some local references? Not outright slating the town, nor as the concept extends to other local urban areas, like Swindonโ€™s Old Town, rather it suggests theyโ€™d prefer to chill out in a more rural and spiritual setting, an adventure citing our ancient stones and monuments. In subject itโ€™s obviously not going to work well with the Americana of the previous tunes, making this one sound more akin to British psychedelic rock, weighty and significantly Levellers.

Back to Bassett as a track was a pleasant surprise, and proves Dulcet Tones are no one trick pony. Back to Bassett as an EP is loudly and proudly moreish, using the tried and tested formula of classic rock subgenres, like the California sound of Buffalo Springfield or Crosby, Stills, & Nash, and heaps of rock and roll revival, yet with the finale, thereโ€™s adherents of neopagan rock.

Iโ€™ve seen their band name listed gigging about the circuit, Swindon Shuffle I think most, but now I need to grow some hair and make a beeline. You could, if you so wished, say I’m old-fashioned, say I’m over the hill. Iโ€™d rebuke it without too much botheration, because I keep myself eclectic through personal want and need in writing this blog, but thereโ€™s many occasions when I contemplate Bobโ€™s words and agree; today’s music ain’t got the same soul, and go for that old-time rock ‘n’ roll. When I do, now thankfully I have Dulcet Tones; you should too, you old rocker!

LinkTree HERE


Talk in Code Headlined Devizes Winter of Festive Ales

Devizes Outdoor Celebratory Arts key into the town’s majority demographic for its first annual event of the year, mature couples, with an affection for sampling the widest varieties of beers and ales. In this The Winter of Festive Ales may function parochially, but is not only extremely popular and is revitalising from the torpor of winter, it also raises vital funds for DOCA to stage more family-driven events freely throughout the coming yearโ€ฆ..

Cabaret and music acts usually perform, yet are secondary in importance to the sampling of the booze for the average amateur connoisseur attending; no issue there, because that’s the ethos of the event. In reviewing an event my top priority is awarded if it โ€˜does what it says on the tin.โ€™ The Winter of Festive Ales at the Corn Exchange received top marks in that department, we tried maple syrup and blueberry stouts, mango cider and plenty of other interesting and delicious fusions selected by Stealth Brewery, The Southgate and The Pour House, and Padfield Porkies pies are undeniably knockout.

With cabaret it can therefore be quirky and perhaps out on a limb, which I’d consider a deliberately lethargic roller-skater, a ragamuffin Basil Brush styled wolf, and a chequered suit bloke putting four ping-pong balls in his mouth is; the drink influences greater belly laughs. But for the music, one might opt for the demographic’s preferred genres, of blues or roots driven prog rock.

Being honest the fact Talk in Code headlined this year surprised but delighted me, with their original eighties-nineties indie-pop fusion, but I didn’t need ponder if this was the best choice, because, yet again, Talk in Code proved they fit into any box, without even having to change their set to suit. They more simply, do what they do, and it’s infectious to all.

Said this before, where Talk in Code can charm a food festival, fete, or anywhere from a Pride festival to a bike meet. They come up trumps at FullTone, supporting an eighties tribute like The Pet Shop Boys Actually, and equally thrill at grassroots venues such as Bradford-on-Avon’s Three Horseshoes. Though I might advise it is best to see Talk in Code in Swindon where their fanbase is largest and the vibes alight most, for every random event across the nation they display their sublime sound,  and forthcoming personas at, the positivity in their style rubs off, building to a phenomenon, known only too well by their adoring fanbase, the Talkers.

You can find the Talkers at any Talk in Code gig, they reside at the front attired in merch, encouraging other punters to dance. Else, afterwards they’ll chat with band members like family. Unlike a pop band who might hide in a green room, they mingle. Aside from the hive mind of their fans, though, there’s a dedicated corporate identity, a brand with clever marketing which supports the music. This completes the Talk in Code effect, displayed triumphantly, even here, at the Winter of Festive Ales in Devizes last night.

The event splits into two ticketed sessions, one quieter in the afternoon for the real ale connoisseurs to rap about body, fruitiness and alcohol content, the later evening session more lively and entertaining. Yep, Talk in Code will deliver this with bells on.

For the average punter whose kids have likely fled the nest, the early start time of the evening session might suit as more ale can, and will be consumed. For us with teenagers in need of picking up from Saturday jobs, feeding and watering, it unfortunately meant we missed The Wholesome Soul Duo and some cabaret. And I was looking forward to this soul duo, who often take the early Sunday gig at The Southgate, having yet to cross them off my must-see list. I know a raffle must come towards the end, but if I remain slightlyย dubious about the arrangement of acts, thinking Talk in Code could’ve finalised the evening, rather than winding it down too early, and The Wholesome Soul Duo be pushed to a later slot than 6pm, that’s only due to personal commitments. Itโ€™s a quality, well-organised and enjoyable event with plenty of time for quantities of alcohol consumption, which confirms Devizes is a town of culture; drinking culture at least! Whatever the outcome of an award, residents here know it is.

And this is the just opening, the beginning of a year of seasonal events across the town, either blossoming or established, many of which, with a sprinkling of dedicated volunteers, DOCA will stage, host and gift to, not only the population, but attracting visitors from afar. For this alone, we love and thank everyone who comes together to make DOCA a thing. The Winter of Festive Ales is vital to the funding of it, and remains to be a fantastic, Devizes fashioned occasion worthy of your hard-earned cash.


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