REVIEW โ€“ King King @ The Corn Exchange, Devizes โ€“ Tuesday 21st April 2026

Acoustic Tuesday

by Andy Fawthrop

Not my favourite night for going to a gig but, hey, sometimes you just have to roll with it.ย  On a night to fit in with their current short seven-date UK tour, Tuesday it just had to be, and King King rolled into town with their stripped-back โ€œacoustic setโ€.

First up, alone on stage, was support act Felix Rabin, a young man with plenty of talent. The Frenchman gave us a cracking first twenty-five minutes, and did an excellent job at paving the way for the main act to come.ย  Here was a man with a mic, a few loops and pedals, a stomp-box and a (gasp) electric guitar.ย  Over just six or seven songs, he easily won over the audience with a wide variety of songs, ranging from full-on loud, almost screaming anguish, through to some really thoughtful and tender material.ย  With an easy, comfortable, personality he fully engaged the audience.ย  The loud applause and the long queue at his merch desk at the end were both fully deserved.ย  A worthy support to the main act for the night.

After a somewhat over-long interval, during which we were able to โ€œenjoyโ€ the Corn Exchangeโ€™s excuse-for-a-bar, it was time for the main act.  With beer, cider and (cans of) Guinness at ยฃ6/ pint, served in plastic glasses by less-than-friendly staff, this is the venueโ€™s Achilles heel.  The offering is so limited, depressing and expensive.  Such a shame, when the overall surroundings of the hall are great, the entertainment was top-notch, and the sound quality delivered from stage was clear and crisp.  Pity they canโ€™t offer music fans something better.  However, I digress.

King King are a British blues rock group, formed in in Glasgow back in 2008 by Alan Nimmo and Lindsay Coulson, both formerly of The Nimmo Brothers. The band has released five studio albums and two live albums. The current line-up features Alan Nimmo (guitar and lead vocals), Stevie Nimmo (guitar and vocals), and Jonny Dyke (keyboards).  In this acoustic-only line-up, there was no room (or need) for bass and drums.  Back in 2014 British Blues Awards, the group won five awards including the Best Band and Best Album Awards.  Normally, in their full electric line-up, theyโ€™re widely praised as one of the UKโ€™s premier blues-rock bands, and known for their high-energy live performances.

Full disclosure: Iโ€™d never seen King King before, so Iโ€™d no idea what to expect.  However, I quickly gathered that the almost-full hall of the Corn Exchange was well packed with plenty of their fans.  By the time I took my seat Iโ€™d already had several fanboy conversations with folks I knew, and seen plenty of King King t-shirts.  The merch desk was also pretty busy.  So I was coming at this with a completely open mind and open ears.  โ€œCome on,โ€ I thought, โ€œshow me what you can do!โ€ Suffice to say, dear readers, I was not to be disappointed.

So not a full-on blues/ rock band then, but an acoustic  version of that band.  Last night, which Alan introduced as โ€œan experimentโ€, was all about keeping things much more stripped back, intimate (compared to their usual format), and with a strong focus on the quality of, and the stories behind, the songs themselves. 

For the next ninety minutes, through a flowing single set, they demonstrated very clearly their superb musicianship, vocal harmonies and song-writing skills.  There was plenty of inter-song chat, building up a picture of their back catalogue, but never straying into that tedious trap of doing more talking than singing.  There was plenty of cheeky humour, music business anecdotes, and an easy patter and interplay with the audience. The songs really spoke for themselves.  Hauled up from various parts of their back catalogue the two Nimmo brothers, both seated with acoustic guitar, introduced songs of great power.  The acoustic format allowed the vocals to really shine through, but never at the expense of some great work from the guitars and keyboard.

There were some nice riffs, some great choruses, plenty of audience participation. Most of the audience didnโ€™t need much winning over in the first place, but as a newbie I was fairly quickly convinced too.  Gotta say that I really loved it, and now feel prompted to go and see the band in their more โ€œnormalโ€ full electric format.  Another time, another date โ€“ but hopefully not on a Tuesday!


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BecFest2 โ€“ Stonehenge Campsite, April 25th 2026

by Ian Diddams
images by Sarah Bec

Have you got an empty weekend coming? Fancy a last minute, first field festival of the year? Donโ€™t want to travel far? Then fill your boots with BecFest2, this Saturday, with camping available for those that want to over imbibe or just get into the festival groove around a late-night campfire.

The brainchild of Sarah Bec and following the huge success of her first foray into low key affordable festivals last year, BecFest2 promises all the festival fun to kick the festival season off in style, with great independent bands, great food, great drink, great merch and a chilled vibe without having to deal with tens of thousands of others. Think of it more as a family gathering, of like-minded souls, rather than a field of strangers. And the weather is looking FABULOUS BABY!!!

The line-up features fully independent musicians โ€“ no covers bands here folks โ€“ and the day headlines with the phenomenal Revelation Roots, the energetic reggae, ska and dub band from the South-West, more than ably aided and abetted by

  • James Harriman, a Bristolian performing a Brit-Pop, folk-rock inspired sound
  • Plot 32, a party ska band from Leeds
  • Tabitha Wild, a mischievous singer-song writer with a sparkle in her eyes and a ukulele in her hands,
  • Mexican Dave, all the way from Swindon with his whacky approach to music, fun and drinking games
  • F.M.I. Clatters, who likes Cornish pasties amongst other hilarious musical offerings
  • Andras Droppa, delivering a hard rock blues style set
  • Dub Catalyst, with a reggae/dub/hip hop feel also from then South-West
  • with Ed Liner as compere and DJ throughout the festival.

The music stage is in a barn, but the weather is looking fine anyway, and camping is available from Friday 2th April through to Sunday 26th. For post music festivities thereโ€™s a campfire for a jam session and chat with new found friends including undoubtedly many of the musicians – no “green room” away from the fans here at BecFest2!

Food is provided by the fantastic festival feeders Events Horizon with breakfast and all-day menus with snacks and spuds, chips, burgers, nachos, curry, pies and toasted sandwiches, with carnivore, vegetarian and vegan options amongst those.


Tickets are priced from ยฃ40 for Saturday, through to ยฃ70 with Saturday camping and Friday camping an additional ยฃ22, which in effect is for the campsite itself. And the best bit โ€“ kids go free, with just a small fee for camping, and pre-schoolers not even that! Thereโ€™s even bell tent glamping options fo0r extra โ€“ truly a festival catering for everybody.

So, grab a ticket, and your tent or live-in vehicle – or glamp! – and get down to Stonehenge campsite for a wonderful weekend of music, meals and madnessย ๐Ÿ˜Š

Tickets and further information fromย https://wegottickets.com/f/13935, and thereโ€™s a Facebook groupย https://www.facebook.com/share/p/1ApfzDaXrW/ for chat and further information.

Phil Cooper & Friends to Play to at The Fold

Excitement for the rebirth of The Fold music venue at The Lamb in Devizes is building. As youโ€™ve probably seen me posting on social media, Devizine presents two astounding Wiltshire singer-songwriters, M3G and Seren to Devizes this Friday (24th April,) and Gaz Brookfield with JP Oldfield in support has only gone and sold out for the 5th June, but between them we have something else to announceโ€ฆ..

Trowbridgeโ€™s hardest working musician Phil Cooper says heโ€™s โ€œmega-excitedโ€ to bring his show to the Fold on Friday 22nd May. With him he brings a Canadian friend, multi-instrumentalist singer-songwriter, arranger and producer LG Breton. Phil explained, โ€œLG told me he was coming from Canada to the UK for a holiday, and asked if there was a chance we could share a stage once again. I jumped at the chance!โ€

And if thatโ€™s not enough for you, the other two original members of The Lost Trades, Jamie R Hawkins and Tamsin Quin will be doing solo support slots, before LG and Jamie join Phil for a Phil Cooper Trio show; I haven’t seen Tamsin for sooo long, and Devizine was the Tamsin Quin fanzine too!

The Lost Trades original line up with Tamsin Quin

Again the event is “pay what you can afford,” and here’s the link to reserve your spot. Phil is such a wonderful musician in whatever guise he delivers, be it The Lost Trades, solo, as The Slight Band or the experimental project BCC, but the best thing about this talented and kind fellow, is either him standing in for missing band members for too many groups to name, or, most importantly, his production and engineering wizardry which has blessed so many artists as well as himself, including our M3G, of whom Phil has produced her last few singles; welcome to the small world of Wiltshire live music!

So, I hope to see you at The Fold on Friday, please bring some cash to donate if possible. The success of these early gigs for the new Fold really will be critical to our ability to put on more, so I hope you can make it, because there’s plenty of other brilliant local acts I’ve discovered on my journeys yet to showcase here in Devizes, and theyโ€™re queuing up, waiting for the green light!

And don’t forget, there’s an open mic up there every first Tuesday of the month.

A huge thanks then must go out to JP Oldfield who has masterminded the project and Sally at The Lamb. We’re so excited at Devizine we’ve a whole page dedicated to it, which I’m off to next to update with this news!


Bradford on Avon Live Music Festival’s Full Line Up

Bradford on Avonโ€™s Live Music Festival returns from Friday 29th May to Sunday 31st May; three days of live music from outstanding bands and artists happening across the town…..

BOA Live has grown year on year, offering everything from indie and rock to pop, jazz and blues kickstarting the summer for music lovers in the town.

They’re kicking things off on Friday night with a launch party at the Wiltshire Music Centre, featuring DJ sets, local musical talent, food trucks, cocktails and plenty of good conversation.

On Friday there will also be music at The Castle Inn โ€“ headlined by local favourites, The Karport Collective.

On Saturday, head over to Westbury Garden where Bruce Juice will be bringing the best of The Boss to life with a set packed full of Springsteen and the E Street Band favourites.

The bandโ€™s passion for Springsteen has even received recognised by E Street guitarist and Sopranos star Steve van Zandt, who said: โ€œCongratulations on all the early 70s stuff โ€“ it is fun. Youโ€™ve got that stuff down!โ€

On top of that, there will be incredible performances from local acts in Westbury Garden, Lamb Yard, The Castle Inn and the acoustic stage at Timbrellโ€™s Yard.

The stage at Westbury Garden will come alive again on Sunday 31st May for a special set of Open Mic performances.

They’re currently booking local acts to perform on the stage from 12 noon to 4pm. If youโ€™re interested in performing on the stage, please head over to the website to complete the form.

Then to round the festival off in style, the Britpop Boys will take to the stage with the biggest hits and fan favourites from the bands that defined the 90s and that unmistakable Cool Britannia sound. There’s a limited number of tickets available at the early bird price of ยฃ12 (usual price ยฃ15.)


Below is the full line up for the BOA Live Music Festival:

Friday

  • Van De Graaf Generator singer-songwriter and Peter Hamill, live in conversation with Daniel Clark, Wiltshire Music Centreโ€™s Artistic Director
  • Guitar duo Stuart Ryan and Australiaโ€™s Adam Miller in a rare one off UK date
  • Sunny indie pop 6 piece from Bath-based Reubenโ€™s Daughters
 The Castle Inn
6.30pmJazz Factory
7.30pmJess Chivers
9pmThe Karport Collective

Saturday

 Lamb YardWestbury GardenTimbrellโ€™s YardThe Castle Inn
1pmxxxThe Mimi Project
2pmxxxWestward
3pmDoctor DoctorFree SpiritsAdrian LongTBC
4pmSian & Rob ColquhounLawton & Mack BandJess ChiversTBC
5pmWestwardJo JohnsonJP OldfieldAdrian Long
6pmMy Unicorn DreamBluebeard & the Desparate HoursRuby DarbyshireMark Greenโ€™s Blues Band
7pmJP OldfieldThe JuiceSian & Rob Colquhounx
7.30pmxxxFunky Monkey Bubble Club
8pmThe StraysTalk in CodePhil Cooperx
9pmKarolina GriskuteBruce Juicexx
9.30pmxxxRebel Heroes (Bowie Tribute)

Sunday

 Westbury GardenSt Margaretโ€™s Hall
12 noon to 4pmTBCx
7.30pmxThe Britpop Boys

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Serenโ€™s New Single; Worm

Thereโ€™s a cold remote ambience of burrowing doubt in the opening of Westburyโ€™s singer-songwriter Serenโ€™s debut song, in which, as the title suggests, she usesโ€ฆ

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โ€œDevizes & Beyondโ€ โ€“ Poetry & Photography by Gail Foster at St. Maryโ€™s Church, Devizes April 18th – 26th 2026

by Ian Diddams
images by Gail Foster


‘Devizes & Beyond’ is a collection of original poems in traditional forms and digital photography, inspired by life in Devizes and the occasional foray into the world outside. The exhibition covers eight areas of life from shopping to spirituality and is a colourful and poignant snapshot of what it is to be human in this beautiful place and brief moment of time, and the physical and metaphysical journeys we take on different forms of transport and through life itself.
(Gail Foster)

Those are Gailโ€™s own words in her description of her exhibition this week at St. Maryโ€™s; she has become a well known poet and photographic artist in our town, and it is a joy to behold this body of work on public display. There are various sections to peruse and ponder over, smile, weep and reflect upon, from “Shopping” and “Spirituality”, as Gail mentions already, to “Community”, “People”, “Transport”, “Creatures” and “Landscapes”. And the eponymous section โ€œDevizes & Beyondโ€.

Some areas unsurprisingly cross over โ€ฆ โ€œCommunityโ€ and โ€œPeopleโ€, โ€œDevizes & Beyondโ€ and โ€œLandscapesโ€, but that is no criticismโ€ฆ such is the breadth of Gailโ€™s work and interests this is probably to be expected. What is presented is certainly worthy of at least thirty minutes of anybodyโ€™s time, and the calm, serene surroundings of St. Maryโ€™s permits us all to take a while to sit and reflect on what we are witnessing and cerebrally imbibing.

We are treated to some two hundred and eighty two photographs, and eight poems within those eight sections. In the vein of the crossovers mentioned above, some poems lend themselves to being a sisterhood together : The beautiful, heart rendingly poignant โ€œChildren of the Avenuesโ€ reflecting upon the lives past and future of the offspring of The Avenues, especially the September 2019, immediately pre-Covid, schoolsโ€™ intakes holds the same gentle and reflective space as โ€œBlink ~ Seven Stanzas for the Seven Ages of Manโ€ harnessing the concepts within Shakespeareโ€™s monologue in โ€œAs You Like Itโ€. Similarly โ€œSinging Riverโ€ and โ€œThis Barrow Strewn Landโ€œ share a love for the Wiltshire great outdoors and its magical and wistfully timeless beauty.

Treat yourself to an indulgence with the exhibition of photographs of all sections and youโ€™ll undoubtedly spot someone you know, a beloved place, something or somewhere to make you laugh, smile, weep โ€“ or even halt you with a jolt. Gail is not shy to show warts and all eitherโ€ฆ we live in such a beautiful part of the world and her wonderful photographic eye captures so many shots that are truly stunning, worthy of any great exhibitionโ€ฆ but she also grabs the mundane parts of everyday life that are the reality of living in a small town. For every framed shot of a church yard entrance, a shaft of light in the Ginnel, thereโ€™s the kebab shop building site, a hearse, a crowded bus.

All of these display Gailโ€™s wonderful eye, and patience, and her lifetime of living in, and love of, Devizes, but if there is one section that truly encapsulates the author and artist that is Gail Foster it is that of spiritualityโ€ฆ her inner peace and connections with an ancient land, and organised religion, of ancient chalk-lands, stones and timeless vistas, and pagan and church ceremonies.

This exhibition covers so much, it is impossible to encapsulate it all in mere words. One will still be taking it all in for some while afterwards โ€“ Iโ€™ve been mulling over this piece for almost two days and I should probably take longer but I am mindful that we need to all experience this display so its imperative I publish this as soon as possible. To paraphrase Peter Quince, a Shakespearean character from โ€œA Midsummer Nightโ€™s Dreamโ€โ€ฆ.

I entreat you, desire you, and require you to visit Gailโ€™s exhibition this week. Entry is free, open daily 10.00am to 3 p.m. until Sunday 26th April, plus an evening opening opn Friday 24th April from 6pm to 8pm.

And finallyโ€ฆ to enjoy Gailโ€™s eight poems from this exhibition in perpetuity, they are included in her next book, โ€œ”Singing River – a book of poetry”, which can be bought from Devizes Books from Friday 24th. Get it early on Friday and you may be able to meet the author over the weekend to have it signed!


What Billionaire are you Feeding Drinking in a Pub?

A sad state of affairs and reflection on the era, to see village pubs dilapidated and closed, once thriving hubs of a community. I thought this as I drove past Bottlesford’s Seven Stars just the other day, for it was the last pub standing within the Woodborough area, aside from a hike into Pewsey or Honeystreet. Fear not helpless peasant drinkers, as the Gazelle & Herod reports, the billionaires fly in to save us!

Is it a bird? No. Is it a plane? No. Gawd bless yer Lady Loretta Rothschild, trouble n strife of financier Lord Nathaniel Rothschild, for according to the rag, she’s only dun gone brought the gaff, n saved a community from remaining sober!

A spokesperson for Lord Rothschild told the Financial Times, “the pub is a critical part of the local community, and it was on Lady Rothschild’s initiative that the decision was taken to save it.”

Interestingly, the article points out only a fraction of rural pubs are being brought out by โ€œWiltshire’s ultra-wealthy,โ€ but points to Ramsbury’s Bell, owned now by H&M shareholder Stefan Persson, with a $25 billion fortune and American Center Parks VP Chad Pike, who bagged the The Lamb at Edington, and turned it into the Three Daggers.

The fate of other failing pubs may not be so secure. Ours is now a shop, welcomed by villagers despite the fact we already had a community shop which failed, attached to the once pub, which also failed. I figured it was a shame, though I might poke my snozzle in, might not, but upon a Facebook post stating it had a โ€œbeer caveโ€ I was there in 30 seconds; at least I can drink at home. One nil to affordability over social interaction.

Some pubs remain lost causes, empty shells of what they once were, some converted to flats, many ironically turned into antique shops. They can often start bringing in antiques before you’ve had time to finish up your pint! What a shabby state of affairs and I suppose I should welcome โ€œthe Clarkson syndromeโ€ of billionaire buyouts, but do we know whose mouths are we feeding when we buy a drink in our local pub? Ones whose plates are already stacked?

Oh no, herein strides another socialist wordsmith in his work boots, dribbling a peasant’s revolt rant; more Snot Tyler than Wat.

Us hoi polloi must accept we’re nourishing the already bulging wallet of a nationalist tyrant when we drink at โ€˜Spoons, but do it anyway to save ourselves a penny. Are these billionaire buyouts going to likewise offer cheap booze, when they’re located in affluent areas and alone in the market? Doubtful, even though they could potentially afford to. And if they don’t, is it fair to question their real motives for buying the places?

Are they really the heroes here? Or are they merely profiteering, extending their already plentiful wealth? Spreading their assets for tax purposes, perhaps? Don’t ask me, do I look like Mr Monopoly? I can barely afford half a soda water in these places, let alone buy the gaff!

But souls will be watered, I guess. It’s good news pubs return and that’s all we need to know. Billionaire’s would buy their way into heaven, if Mark hadn’t said โ€œit is easier for a camel to go through the eye of a needle than for a rich person to enter the kingdom of God.โ€ stop on, Mark, just because it’s your round!!


Lavington Electronica Composer Moray MacDonald Releases a Wharf Theatre Production’s Soundtrack

Some four years since his last release under his own name, Lavingtonโ€™s electronica composer Moray McDonald presents a soundtrack; the music he wrote and produced for Devizesโ€™ Wharf Theatre’s production of Kit Marloweโ€™s Doctor Faustus, which was performed back in Januaryโ€ฆ..

It was one of those rare occasions I stepped in to cover the dress rehearsal as our regular theatre critic Ian, was busy, stuffing a bucketload of Rice Krispies in the play! And Iโ€™m glad I did. I was uncertain if Iโ€™d take to director Liz Seabourneโ€™s recreation of this Elizabethan gothic black comedy, but came out of there thoroughly enthralled. The composition of the playโ€™s many components made it one of the best plays Iโ€™ve seen; the script, acting and production, yet it wouldnโ€™t have been half as spookily ambient if it wasnโ€™t for Morayโ€™s soundtrack.ย 

Image:@jenimeadephotography

They may only be nine snippets of sound, but with the music on Bandcamp at name your price, listening to it took me back to the play, and reminiscing at just how brilliantly sinister it was. Acts of Black Magic starts us off, an eerie soundscape, with harpsichord strings and jingling foolโ€™s caps, Somewhat to Delight has an unnerving medieval court jester feel to it, grinning devilishly, and then weโ€™re back on soundscapes, and Mendelssohn’s Wedding March gets a spooky underscore.

We swap from a soundscape to orchestral with each brief track, The Seven Deadly Sins nods playfully to Celtic folk dance, whereas the following Devilโ€™s Attack lends more to Buranaโ€™s O Fortuna, but all are equally unsettlingly devilish or scary faerie. If anything it displays the diversity at Morayโ€™s skilled hands, being his concentration has recently been on his Cephid project, a ground-breaking album of electronica, Sparks in the Darkness, which we fondly reviewed in 2023, and enjoyed a rare and intimate live performance of at Bath’s Rondo Theatre.


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The Makers Exchange; DOCA Call to the Creative

Thimbles on standby, Devizes Outdoor Celebratory Arts are calling all creative craftspeople and makers to their new project, The Makers Exchange. Itโ€™s a new craftโ€ฆ

Harmony Asia Can Do This

Itโ€™s a question Iโ€™ve asked Chippenham singer-songwriter Harmony Asia on each rare occasion I catch her for a chat; if sheโ€™s planning to capture aโ€ฆ

How it Feels for a Bluebeard!

The first time I heard the name Bluebeard and the Desperate Hours, I presumed their sound might be folk or blues inspired. Judging a bookโ€ฆ

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Pewsey Moonrakers St George’s Cross Faรงade Stays

Can we please draw a red line under Pewsey’s Moonrakers St George’s Cross facade fiasco now Wiltshire Council has u-turned on a proposal forcing landlord Jerry Kunkler to paint over it? Providing we don’t draw a vertical red line at its centre-point, yes!!

Locally It’s created divided opinion, but reaching national media has wonked the entire narrative, in which many passing causal comments are either sadly misinformed, triggered, or both. For what it’s worth, far from being a patriotic flagshagger, I support Jerry,ย  the โ€œMoonies,โ€ and their flag motif, but to understand why is to understand Pewsey, its manner, and the pub’s reasoning for doing it in the first place. Unfortunately nationwide few do, or even care to. All they see is their polarised falsehood that someone somewhere is attempting to take away their national pride; it’s pretty pathetic when you stop to think about it.

I profess this storm in a teacup really projects an equally bad look for leftwingers as well as the far right, and that’s what troubles me most. Understanding the difference between patriotism and nationalism is crucial. Holding a love and pride in oneโ€™s country is fair game, shared values, and the desire to improve it is never an issue. Nationalism, however, is a fervent, often exclusionary devotion to the nation, frequently asserting its superiority over others. To make this pride into aggression against others is the drive to xenophobia. But the bottom line is, that’s not what’s happened here and if you think it is, you’ve been hoodwinked by propaganda. I’m not even here to patronise you if you have, a lot of money has been put into it to make it powerfully persuasive.

The only defence you can reasonably put up, in my opinion, is that the pub is a listed building, and Jerry didn’t have permission to make such an alteration, for this is the only reason why it became an issue with Wiltshire Council. I get this, and sympathise, it was a bit naughty, but this is Pewsey, in the nicest of ways it’s a law unto itself, and that’s part of its charm! I really don’t differentiate between this and when Just Stop Oil harmlessly threw some red powder at Stonehenge; no permanent damage done, just paint, it’s reversible.

Justifiable I say, considering our loss of so many village pubs in this current financial hole, a landlord must do whatever they can to stay afloat, and Jerry’s had some publicity over this, hopefully The Moonrakers will prevail because of it. It has always been dubbed โ€œthe Moonies fun pub,โ€ by locals, and the boot fits. It is, as Pewsey resident lefty vegan Pants’ guitarist Fal Carmicheal suggested in probably the most surprisingly supportive and informative Facebook comment on the matter, โ€œit’s just a pub in a village where people go to watch sports on a big TV. He may be a Tory Councillor (has been for years) but he’s not a fascist, his pub isn’t a hive of NF goons.โ€

Providing some history and a few expletives to enhance his anger, Fal expressed Jerry’s family are firmly rooted in Pewsey, that โ€œhis father flew Spitfires during the siege of Malta.โ€ And continued to explain the faรงade was painted a decade ago, in support of Pewsey’s Shelley Rudman in the 2013 Winter Olympics. โ€œIt was done purely as a mark of support for various sporting events, all of which he plays on his big TV in the bar. Nobody here fucking cares that his pub has a poorly-painted red cross on it. It’s just Jerry’s pub.โ€ And that, my friends, is the Pewsey spirit in a nutshell!!

Wiltshire Council announced, โ€œThe Eastern Area Planning Committee has granted listed building consent for the retention of painted England flag decoration on the front of The Moonrakers Inn in Pewsey.

The decision was made despite the planning officerโ€™s report, which recommended the committee refuse the application on the grounds that the painting of the front of the pub fails to preserve its special interest as a Grade II listed building and its setting in the Pewsey Conservation Area.

However, after considering the officer report, planning policy, and all material considerations, the committee resolved to grant consent.โ€

Landlord Jerry Kunkler thanked all for โ€œthe support you have given me relating to the painted George Cross on the front of the Moonrakers. Permission was granted this afternoon to allow it to stay.โ€

Context is everything. This was never an intended affiliation with the far right, and after all, how is the decoration any different from a mainstream shop altering a building to advertise itself? I say common sense prevailed and wish Jerry and all at The Moonrakers the very best.


Experiencing Devizes Ways on Market Days; a Special Case for a Town of Culture 2028

Sketches and Written by Brian Edwards

If not too distracted when bumping into townsfolk and village friends, you might remember to get more of a cheese you liked or that essential part for the vacuum cleaner…..

As regular readers of Devizine will know, one of the understated pleasures of Devizes is having a wander around on market days. From the listed buildings to the independent shops, our market day wanderings are significantly enhanced by the character of the townโ€™s historic environment, and an enduring community spirit enriches the charming thoroughfares and myriad of routeways to and from the Market Place.

Farmers & Artisan Market

In 1724 the famous antiquary William Stukeley believed Devizes hosted โ€˜one of the best weekly markets in Englandโ€™. In the previous century the Wiltshire born antiquary John Aubrey thought Devizes hosted the best fish market in Wiltshire, and in the early 16th century that father of English history, John Leland, stated the โ€˜market is very celebrateโ€™. The townโ€™s Thursday market dates to at least 1609, a regular potter around market stalls in Devizes dates to at least 1228 and around the stalls at fairs even earlier that century.

Hence, those visiting the Thursday market in the present are directly linking with a tradition that has periodically been celebrated as noteworthy and has survived hundreds of years of change. And because of this, your present day experience of the cultural footprint could prove influential.

The Brittox: Devizes Jubilee Morris celebrate 2021’s ‘Devizes is Open’ event following the Covid restrictions, and Daddy Longlegs entertain on Easter Monday 2026.

A Town of Culture?

Having been ranked third among the countryโ€™s most quintessential market towns in 2025, Devizes is now bidding to become the U.K. Town of Culture 2028, which offers a top prize of ยฃ3 million as just one of a rollout of substantial financial awards. Towns must at this stage hope to have matched the relevant competition criteria to make the shortlist, which would elicit a ยฃ60,000 grant to support the development of a full application.

In addition to a famous flight of Georgian canal locks and a globally important collection in the Wiltshire Museum on Long Street, Devizes also has a reputation for a busy seasonal programme of festivals, markets and other social and educational events in addition to many places of worship, cultural hubs and active clubs. The lengthy list of cultural happenings covers anything from wildlife to nightlife and every experience from a punishing Westminster canoe race to tinsel tractor runs. The flip side is potentially overlooking something each of us does with regularity without ever thinking how rich and diverse it is in terms of a cultural experience.

Stalls in The Shambles

What might a Town of Culture look, sound and smell like?

If you are familiar with the sights, sounds and smells of a market day mooch, then you may no longer notice the familiar market day hubbub: a soundtrack punctuated by the calls, banter and chats with market traders. You may not give a second thought to the welcome and directions you offered a newbie visitor. You will though notice the music, dance and drama brought by street entertainers, and the art that may be encountered in many forms from the stalls to the windows and interiors of independent shops.

The Ginnel

โ€˜Tell us about the unique story and culture of your town.โ€™

Few will have heard of the once legally renowned court case โ€˜The Mayor and Burgesses of Devizes v. Clark,โ€™ that established the right of a jury to find a general verdict. The unique precedent from 1835 is possibly overlooked now and the butcher Jacob Clark of Maryport Street is entirely forgotten.

The gist of this court case was that Clark sold meat from his home on two successive Thursdays in 1833, when the Corporation held the right to charge butchers to sell to the public from their market stalls.

What interests us with the Town of Culture bid in mind, is not only that the Corporation established in law that their market and right to charge for stalls was ancient, but the arguments that were detailed about the civil authority customarily maintaining a safe adequate โ€˜knownโ€™ environment, where โ€˜large assemblagesโ€™ of the public can bear witness to transactions and events without travelling any great distance. It could have been written with the criteria set by the Town of Culture in mind.

The official Town of Culture requirements include a safe, supportive, nonโ€‘discriminatory environment accessible to all ages – a programme that reaches multiple audiences and offers opportunities for creative content – evidence of capacity, capability, and effective processes to deliver the programme successfully – strengthening or rejuvenating cultural and heritage infrastructure with realistic expectations. The history and modern day experience of the market in Devizes delivers all this and more.

Lilly waits in anticipation outside the bakery.

โ€˜Culture is for Everyoneโ€™

We may never stop to think about it, but a magnificent cross section of local, regional and distant communities are represented on market days. From villagers to townsfolk and tourists threading their way around, to street performers, grassroots artists and other creatively active innovators; market days welcomes them all.

Every decade within living memory is represented on the townโ€™s pavements, and anyone and everyone that isnโ€™t housebound is unconsciously participating in a market day pageant. From prams and pushchairs to rollator walkers, wheelchairs and mobility scooters; these enabling wheeled wonders of our age are everywhere to be witnessed, as are many a responsible human with their pet dog on a lead.

Just sit on any bench in the Brittox and witness how many times you are lapped by elderly phone scrollers, middle age headphone wearers and teenage skateboarders. They are not all in their own world of course: a street performer recently remarked how young people engage with the informal music in the Brittox, stopping to listen and throwing coins into a hat or guitar case.

As outlandish as it may seem then, your wanderings on a Thursday could bear witness to an experience that ticks all the criteria boxes to underpin a bid to become the U.K. Town of Culture 2028. There is surely nothing that is more inclusive, culturally rich and diverse in our lives than a weekly market day dawdle in Devizes. This cultural experience is for everyone from their pram to their very last leg and it is entirely free at the point of delivery.


Acknowledgements

Many thanks to our friends โ€˜shop indie InDevizesโ€™ for both the excellent map and much encouragement https://www.indevizes.org.uk/

Many thanks also to David Dawson, Devizes Jubilee Morris and Daddy Longlegs for their assistance. Many thanks also to all the wonderful dogs and humans that featured in doodles which were redrawn and moved around to work up the final sketches.

Brian Edwards is a Visiting Research Fellow at The Regional History Centre, UWE Bristol.


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The Voice of Hind Rajab; Film Screening in Swindon

The award-winning film, โ€˜The voice of Hind Rajabโ€™ will be shown for one night only on Monday 18th May at 7pm at Swindon Arts Centre…..

In January 2024, 6 year old Hind was killed along with her cousins, aunt, uncle and two paramedics from The Palestinian Red Crescent who came to their aid after their car was fired on by Israeli forces in Gaza City. Hosted by the Arts Centre and Create Studios, this is your chance to bear witness to the
events depicted in this heartbreaking film.

This film, which uses the actual voice of Hind from recordings made of her phone calls, received a 23 minute standing ovation at the Venice Film Festival.
Ticket prices have been kept low at ยฃ3 to encourage people to come along. Itโ€™s
important that the voice of Hind is heard. There will be an opportunity on the night to make a donation to support the people living in Gaza via the British Red Cross Gaza appeal.

There will be an introduction before the film by a Swindon based British Red Cross employee, followed by an opportunity to ask questions and share your thoughts after the screening.

Tickets are available from – The Arts Centre Box Office – 01793 535534


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Tastebud Heaven on the Canal; Sunday Lunch at The Water Gypsy

If options for urbanites seeking experiential or themed dining experiences are boundless, theyโ€™re lesser so in our rural backwaters. Yet, weโ€™ve returned from a delicious and most memorable Sunday lunch at The Water Gypsy, a working longboat pop-up licensed restaurant cruising the Kennet & Avon Canal; itโ€™s the unique and enjoyable experience you really need to sample for yourselfโ€ฆ..

In order to do so you can either check their website or social media for availability and mooring in your area, as they stop at various locations throughout the summer, autumn and Christmas seasonโ€ฆ. but chase them up and book you must! This spring season has started their third year, and its popularity is such it gets booked quickly. Until your lucky occasion, I can only try to express in words just how scrumptious and wonderful our experience of it was, and boy, it was!

Drawn to The Shed at Dulwich social experiment, where pranksters tricked TripAdvisor into ranking their shed #1 restaurant in London, to the โ€œmiddle ageโ€ scene in Monty Pythonโ€™s Meaning of Life, where Idle and Jones play an American couple dining in a torture chamber, some quirky dining enterprises can be unnecessarily extreme, some exploit desire to discover unique dining experiences rather than conform to parochial restaurant culture. Howbeit, if seeking such experiences you must, The Water Gypsy presents a most honourable, comforting and hospitable repast; Polly and Hank run the show, balance cooking with being perfect hosts, and stop at nothing to ensure youโ€™re fed in finest fettle.

Being theyโ€™re currently moored in Devizes, it was a short appetite-boosting walk along the towpath and we boarded this beautifully decorated and pristine boat, warmed by a log burner, welcomed affectionately and seated on the only communal table set for twelve guests. You could liken the reception, and the whole occasion, more to a dinner party than sitting alone in a restaurant.

Life on the canal may not always be the romantic setting of freedom preconceived, but The Water Gypsy hones on that idyllic image, glimpses into the fantastical.

Drinks are served, and you are not rushed here. Itโ€™s all finest ingredients, homemade and using local produce, which they proudly transform into tapas-style plates that celebrate sharing and connection. A grazing board, chockfull of dips and tapenade arrived, with pesto topped crostini, charcuterie skewers antipastisti with melon, avocado & prawns, Moroccan carrot puff pastry with orange and thyme syrup, and harissa tahini yoghurt, and, and, oh, look Iโ€™m no Jay Rayner, donโ€™t even sport a goatee, Iโ€™m only now aware how my tastebuds will love me forevermore!

Pescatarian and vegan are catered for, but our main courses were beef estofado, a scrummy slow-cooked Peruvian stew, and delicately sliced hasselback potatoes, sticky pork glazed in garlic and ginger, with spicy Asian broccoli, and chicken tikka skewers with tomato saladโ€ฆ.need I say more for clues to the way to my heart? Food heaven in gypsy ornamentation charm, canalside!

A perfectly baked brownie with strawberries and ice cream polished me off, though the other choice was a rather smashing looking cheese board, which Newsquest reporter Jamie opted for, and while tempted to nick his grapes, such was the hospitable atmosphere and such was the gorgeous food so beautifully presented, I thought Iโ€™d best behave!

Herein arrives the time when, in a typical restaurant, youโ€™re encouraged to get your coat, but Iโ€™ve already observed a washtub and broomhandle propped up in the corner, and identified their owners; weโ€™re in for some entertainment, and I couldnโ€™t think of anyone more apt for the occasion.

Polly wants Sunday afternoons to have an additional live music finale, and while weโ€™ve pondered some alternatives, boaters themselves, Nipper and Jellylegs Johnson drop in to tantalise us audibly the same way and with the same proficiency Polly has done with our palate. Itโ€™s a show you could never tire from, nor find fault with. The Devilโ€™s Doorbell, cheeky, quirky duo passionately recreating jazz and blues roots with homemade instruments, skiffle, bucketloads of charisma and more double entendres than Finbar Saunders remaking the entire backlog of Carry-On films.

There was an encore singalong, and with conversation and wine flowing, the atmosphere was unlike anything youโ€™d find at a restaurant. The Water Gypsy is, by very definition, the most pleasant and divine, not to mention scrummy, dining experience this side of Milliways, Douglas Adams’ Restaurant at the End of the Universe, only this one is a bit closer, just along the towpath!


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Serenโ€™s New Single; Worm

Thereโ€™s a cold remote ambience of burrowing doubt in the opening of Westburyโ€™s singer-songwriter Serenโ€™s debut song, in which, as the title suggests, she uses a worm analogy to convey shadows of diffidence. Yet, it is a breath of fresh air of resilience, and an exhaustive equilibrium in which to express sorrow and build from a simple honest riff to a sublime and encapsulating stentorianโ€ฆ..

Worm, released today, is impressive. Itโ€™s a richly layered spring-like emerge, a hedgehog poking his nose out of his winter nest. If isolation is a trap, Serenโ€™s uplifting vocals are the escape route, and in this itโ€™s a message to herself which will profoundly convex to others through association; the key to good folk music. Though, it is an urban myth that you can cut an earthworm into two and both parts will live, Seren uses the comparison to the numbness of her mood, not for dividing or multiplying herself, rather to โ€œsee if I feel a thing.โ€

A reflection on a burrowing exercise from emotional blunting, then, hiding, and waiting for a storm to emerge; this song should be that onset squall, for whilst it uses classic singer-songwriter folk hinting towards Sandy Denny or Maddy Prior influences, the beauty of Serenโ€™s vocal range melancholically penetrates through the numbness of its subject; the formula of an experienced artist, of how Tammy Wynette could woo an audience. Though Worms equally captures, it depends more on mood observation than the literal narrative of the likes of Wynette.

โ€œI wrote the song when I was sixteen, in October, a few months into starting my first year at college,โ€ Seren explained, โ€œthe song was linked to struggles with mental health that I have had around that time and before, and how it was making me feel. Itโ€™s a song that was very personal and something that will forever hold meaning for me.โ€

So, Iโ€™ve not had the pleasure of meeting Seren yet, nor seen her perform. I booked her for our double-bill with M3G for our first evening at the newly opened Fold in The Lamb, Devizes based on the strength of the few social media videos she has posted and M3Gโ€™s recommendation; theyโ€™ve worked together before. This song strengthens my faith that this will be an amazing night, for, like M3G, Seren holds a rare skill to encapsulate through honesty and fidelity to her music. You need to listen to Worm, and if you do, Iโ€™ll see you on Friday 24th April; yeah you got me, itโ€™s a gig plug, but even if it wasnโ€™t, in writing and acoustic combo, Worm is this prodigious and breathtaking!

Listening Link

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Rowdefest 26 Lineup Reveal!

Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโ€ฆ

Keep reading

The date is set for Imberbus 2026 !

We are pleased to start 2026 by announcing that this year, we are planning to run the Imberbus service on Saturday 15th August 2026 when several vintage former London Transport Routemaster double deckers (plus a few newer ones) along with some visiting buses from other areas, will again provide a bus service from Warminster Station [โ€ฆ]

The date is set for Imberbus 2026 !

Don’t Click on Illegal Rave Rage-Bait!

The biggest risk for any media reporting negatively on illegal raves is that, in their youth, their fifty-plus target audience probably attended illegal raves themselves!

What the actual F are they trying to prove with their negative coverage of an illegal rave, when tax-dodging billionaires ripped a financial hole into the country, politicalย extremists march causing division and spreading hate, yet all seem unscathed from media assaults, and countrymen illegally hunt without concern journalists might pop out of the hedgerow with a waggy finger? That a few kids want to have a party? Really?!

Their laughable problem is, rage-bait backfires and they lose readership. Post comments on their social media shares in support of the ravers, by all means, but don’t rise to the temptation of clicking on these articles, because they couldn’t give a monkey’s arse about your opinion, they only want to feed their advertisers with blossoming stats.ย 

The Castlemorton Common Festival in May 1992 was the UK’s largest illegal rave, with an estimated 50,000 attendees, a mere fraction of the hundreds of thousands of folk who regularly ventured out to party their cares away at the peak of rave culture in the nineties. Perhaps there’s some diehards still at it, more organising events, but for the most, they’ve matured, settled into life, yet retain fond, kaleidoscopic memories they don’t want tarnished by negativity about the slim chance of a comeback!

Media platforms pathetically attempt to enrage for clickbait with damning reports about the odd slight bank holiday gathering, when the feedback suggests the reality for a majority is the only annoyance it might cause them, is that they never dusted off their white gloves and whistles, and attended themselves?!

I have to laugh at the audacity, the final irony being, when acid house parties first appeared in the eighties, there were only a handful of Ibiza-returning aficionados partying, until one invited a journalist and the newspapers exploded the scene! At first they encouraged it, tongue-in-cheek, The Sun even sold acid house t-shirts. But once the scene blossomed, out of government control, and t-shirt sales waned, they turned nasty, exploiting it with scare stories for parents to wither in fear their teenagers might be involved. It was more likely they weren’t, until they saw the newspapers, but by then it was on Top of the Pops.

It was as if they did it just to sell newspapers; who’d have flunked it possible?! Crazy to think how the press would be so callous, but now it seems they’re up to it again, and I predict adverse effects, again. The bottom line being it’s no new-fangled trend, and wasn’t back when; for as long as mankind has been on Earth, they gathered tribally to dance to hypnotic beats, and didn’t need TicketSource to do so.

There’s nothing for younger people to do in the cesspit we call โ€œprogress,โ€ and just as it was back in the nineties, if they want to ensemble, gather freely for enjoyment, make the most of what little freedom they retain building communities, friendships and celebrating their time alive, then so be it. Open your eyes and look around;  there’s far worse they could be doing.

So, journalists, get your own life, and quit jumping on their backs for hits โ€ฆ..please share this article if you agree with this hypocrite writer, or give the codger a chewing gum, bottle of water, and send him off to the fantastical utopia of blissful yore swishing in his mindset!!


Devizes Music Academy returns with uplifting production of Sister Act!ย 

Devizes Music Academy is set to bring joy, energy and a whole lot of sparkle to the stage with its latest musical theatre production,ย Sister Actย later this week…..ย 

Following the outstanding success of previous productionsย SIXย andย Everybodyโ€™s Talking About Jamie, the Academy continues its run of ambitious, high-quality youth theatre with this feel-good favourite, based on the much-loved film.

Sister Act tells the story of Deloris Van Cartier, a nightclub singer who is placed in protective custody in a convent after witnessing a crime. What unfolds is a heartwarming and often hilarious journey of friendship, transformation and finding your voice – all set to a vibrant score inspired by disco, gospel and Motown.

Directed by Jemma Brown, with her team Sarah Davies and Teresa Isaacson, the production showcases a cast of talented young performers who have taken on an extraordinary challenge – learning their lines, music and choreography in advance, and bringing the entire show together in just five days. They are performing the show in the round – where the audience surround the stage – itโ€™s a truly exciting project. 

Jemma said, โ€œThis show is just full of joy. Itโ€™s bold, uplifting and all about finding your place and your voice, which feels incredibly important for young people. What always amazes me is what this group achieves in such a short space of time – the commitment, the teamwork, the energy. Itโ€™s genuinely quite special to watch it all come together.โ€

Ruby Phipps, who plays Deloris and previously appeared inย SIXย andย Everybodyโ€™s Talking About Jamie, said, โ€œIโ€™m absolutely loving being part ofย Sister Act. Deloris is such a fun role to play, and the music is just incredible. What makes it really special though is doing it with this group – everyone works so hard and supports each other, and it all comes together so quickly. Itโ€™s such a great experience.โ€

At its heart, Sister Act is a story about community, acceptance and individuality – themes that resonate strongly both on and off the stage.

The production also highlights the powerful role the arts can play in young peopleโ€™s lives, helping to build confidence, resilience and a strong sense of belonging.

โ€œIn a world where it can sometimes be hard to see the positives, this show is a reminder of what young people can achieve when they are given encouragement, belief and the chance to shine,โ€ Jemma added.

With a brilliant cast, an infectious soundtrack and a huge sense of fun,ย Sister Actย promises an uplifting night of theatre for audiences of all ages. And the Academy is already looking ahead, with plans to take on the iconicย Les Misรฉrablesย next year.

Sister Act Jnr is at Devizes Corn Exchange on Friday 10th and Saturday 11th April. Tickets: www.ticketsource.co.uk/dma or from Devizes Books.


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Three Crowns, One New Stage, and a Fake Family

Easter 2026: I could speculate The Three Crowns was still the place to be in Devizes, but thought it best to check! I’m not the gathering-shit-from-Facebook type journalist, pal, I’m the milkman who needs an unwinding cider or six on a Saturday. I took matters into my own hands; things I must endure for the cause of investigative journalism!

Three-piece Trowbridge punkers Marty’s Fake Family were second on the new south-facing stage, The Reason rocked it first, on Friday. Landlord Simon explained the sound now projects into the carpark causing it to be less of a neighbourly nuance, but, while the space might be more confined, it gives lift and stance to the performers, and marks a boundary so equipment isn’t at risk. Waddies are spending money on this establishment, there is no reason to wonder why when you attend.

Marty’s Fake Family know which buttons to press; they’ve played here before, and what they do fits like a glove. They kick off as they mean to go on, fiery rock with embers of their metal and punk roots, and giving it 200%. Though, they mellow early for Snow Patrol’s Chasing Cars, jesting it’s the only ballad they do. If we’re being eased in gently it remains loud and proud, though the crowd is slighter, and older; the age demographic dips at 10pm and the pub fills to bursting point. Millennials and Gen Z are economically conditioned, I guesstimate taking advantage of Spoons’ prices and moving on to where the action is when sufficiently wobbly.

And The Three Crowns know exactly how to play it. A young friend of my family perfectly summarised; “there’s nowhere else to go in Devizes.” Technically there is, yet the Crowns appease them with an efficient cashless bar, and comfort food, appetising burgers and wings. But the central attraction is a lively covers band to which they can sing along to timeless pop classics, loudly, and party surprisingly civilly compared to youths of previous generations. Some take Scissor Sisters’ advice and take their mammas out all night, but age is meaningless for Three Crowns regulars, the vibe fits all.

Marty’s Fake Family absolutely rocked the crowd with bells on. They’ve been doing similarly proficient shows locally for eight years. If you want your venue/event to be a library-esque original music appreciation society, avoid them as theyโ€™re living and loving it in the cover band moment, and Martyโ€™s Fake Family needs 1.21 gigawatts of electricity to operate their flux capacitor; great Scotts, what a night; The Three Crowns can produce the power requirement!

Like Busted and McFly, bassist Dan confirmed their namesake relates to Back to the Future, and explained they started with metal intentions but, tongue in cheek, wanted to do Abba songs. โ€œThe rest of the band thought it was a shit idea, but it stuck,โ€ he told me… before running off to the loo at breaktime.

Their repertoire spans like the Tardis, anything from any era crowd-pleasingly loud, and they do it with zest and punk passion. So, tunes like American Idiot and Teenage Dirtbag need no adaptation, Blur’s Song Two, All Sit Down by James, and The Cranberries’ Zombie guaranteed to excite, alongside eighties rock, ZZ Top, Sumner of โ€˜69, et al. But they’ve rabbits in their hats as the evening progresses; punky versions of Abba, Eurythmics meld into Noah Kahan’s Stick Season, and return to Sweet Caroline proclaiming to walk 500 miles and every other crowd-pleaser youโ€™ve no need to request; there’s even a rock n roll medley finale. They tick every cover band box, stamp their authority, and certainly seal my approval.

Seems the Three Crowns retains their everyday staple entertainment status quo in Devizes, has been top of their game for some time, and show no sign of letting up. Perhaps we need to award at least one more crown to its name for sustaining this dominion; four, five or even six Crowns maybe?!!  


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Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

Who Broke into Joyrobberโ€™s Car?!

Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโ€™sโ€ฆ

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The Makers Exchange; DOCA Call to the Creative

Thimbles on standby, Devizes Outdoor Celebratory Arts are calling all creative craftspeople and makers to their new project, The Makers Exchange. Itโ€™s a new craft market celebrating the South Westโ€™s most skilled makers, and it will take place at the historic Devizes Corn Exchange on the 23rd and 24th Mayโ€ฆ..

The event offers visitors the chance to explore a vibrant marketplace of contemporary craft, meet the makers behind the work, and experience live demonstrations and workshops. 

Across the weekend, the Corn Exchange will be filled with beautifully presented stalls featuring ceramics, textiles, woodwork, jewellery, clothing, and homewares, all designed and made by the makers themselves.

Highlights include live demonstrations by Marion Wright, renowned for traditional signwriting and decorative painting, and Amy Whittingham, whose bold, chunky glass chains feature separate, moving links, cast individually through a fascinating process.

The weekend begins on Friday 22nd May with The Ideas Exchange, an informative evening gathering for creative people featuring a talk and demonstration by knitwear designer and farmer Katie Allen of Cotmarsh Farm, followed by drinks and conversation.

Visitors will also have the chance to engage in hands-on experiences, including a drop-in cyanotype printing area by Bloemen & Blue, with proceeds supporting the marine conservation charity Surfers Against Sewage.

On a crafty mission to bring high-quality, community-focused arts to Devizes and the surrounding area, DOCA presents professional indoor and outdoor arts experiences, creating participatory opportunities working with local, national and international artists.ย 

The Makers Exchange is a celebration of contemporary craft in the South West, bringing together the regionโ€™s finest designer-makers. The event is designed to connect makers and the public, offering an immersive experience where visitors can see skills in action, try their hand at creative techniques, and take home beautifully made, unique pieces.

Rowde’s printmaker Hannah Cantellow

The makers include, Marlborough knitwear designer Katie Allen, Plymouth glass artist Amy Whittingham, signwriter Marion Wright, Bath Sashiko tutor Jessica Way, Bristol woodworker Geoff Hannis, Bromhamโ€™s cyanotype artist Libby Mornement of Bloemen & Blue, Wiltshire Spinners, Weavers and Dyers Guild, and members of the Guild of Traditional Upholsterers.

But, whoโ€™d thought it, Rowde is the creative cradle, with three makers featured in the event?! Rowde’s printmaker Hannah Cantellow, lampshade maker Aimรฉe Alice Payton, and cabinet maker Thorn Smith. Seriously, I better polish up on my Fuzzy Felts!

The Ideas Exchange on Friday 22nd May runs from 6:30-9pm at The Peppermill Hotel, and is ยฃ10. The Makers Exchange is at Devizes Corn Exchange from the 23rd and the 24th May from 10:30 to 4:30pm, and costs just two pounds, with children going free.  

For full details, workshop bookings, and tickets, visit:


Frome Celebrates the Life of Phil Moakes with Fundraiser at The Cheese & Grain

Fromeโ€™s Cheese & Grain will host a celebration of the life of local music promoter Phil Moakes, who sadly passed away last July, aged just 66โ€ฆ

Party at the End of the World will be on Sunday 10th May and will be a special event in celebration of Philโ€™s life, alongside his family and friends. The evening features a fantastic line-up, including The Utopia Strong, Arch Garrison, Richard, Chantelle & Amy, Kavus Torabi, Thee Jolly Rotter, Hodmadoddery, and Sara Vian, and will be hosted by Martin Dimery.

Kavus Torabi fronted Gong, one of Philโ€™s favourite bands, The Utopia Strong are from Glastonbury with professional snooker player Steve Davis, and Sara Vian was one of many presenters at Philโ€™s Visual Radio Arts project. 

Phil Moakes was a keen musician, and played keys in local bands throughout the seventies and eighties, including The Replacements and Wasted Space. For Frome he would become not only a legendary music promoter and media broadcaster, but a prominent community leader advocating the arts. He served as a Somerset County Councillor, founded Frome FM, and was a former Chair of the Cheese and Grain Board of Trustees.

โ€œPhil played a pivotal role in the development of the Cheese and Grain,โ€ a spokesperson for the Cheese & Grain said, โ€œand was instrumental in securing the venueโ€™s long-term future during some of its most challenging years. His dedication, leadership, and belief in the venue and its staff helped shape it into the vibrant cultural hub it is today.โ€

Phil Moakesโ€™ last vision was a project called Visual Radio Arts, which started as a Frome FM project in 2016, and independently branched out to create promotional gig videos for artists from Fromeโ€™s Old Fire Station. It was in 2021 when I first met Phil, having relocated with his family to Royal Wotton Bassett, he had moved the studio to Bath Road in Devizes.

In the lockdown era musicians took to streaming gigs from their homes, often amateurly and with varying results. Visual Radio Arts offered a professional option, to capture bands live, akin to The Old Grey Whistle Test, and many artists took up the offer to perform.ย 

Being new to the area, I think Phil wanted me to suggest local acts who might like to be hosted on Visual Radio Arts. Anyone I namedropped were already on Philโ€™s radar, but it didnโ€™t stop us having a passionate and lengthy chat about the local music scene. Questioning Phil on the financial structure of Visual Radio Arts was all quite vague; it seemed his only motivation was the promotion of the musicians.

โ€œWe remain profoundly grateful for Philโ€™s vision, support,โ€ The Cheese & Grain continued, โ€œand the lasting legacy he leaves behind, not only within the Cheese and Grain, but across the wider Frome community. In celebration of his life and in honour of this legacy, all funds raised from the event will be donated to support the vital work of Fair Frome.โ€ 

Fair Frome is a foodbank charity offering sustainable services and support, raising awareness of the issues of poverty across Frome.ย 


All Together Ooky; Addams Family Musical with Devizes Musical Theatre

Whether you’ve a bizarre inclination to meet the Addams Family in the flesh and figure this might be your closest opportunity, you couldn’t think of anything worse, or you’ve absolutely no opinion on the matter whatsoever, Devizes Musical Theatre’s Addams Family Musical is a must-see!

Invited to the dress rehearsal yesterday, The Addams Family Musical opens tonight, Wednesday 1st, and runs to Saturday 4th April, at Dauntseyโ€™s School, and I can confirm it’s creepy, kooky, mysterious, spooky and absolutely brilliant. I left delighted and more charmed than spooked.ย 

The Addams Family began as a panel in the New Yorker by Charles Addams, a cartoonist alleged to be nearly as weird as the characters he created, but it was the gothic sitcom of the sixties which most will fondly recall, and Barry Sonnenfeldโ€™s nineties movie adaptations brought them into contemporary culture.

The popularity of a recent television spinoff about the family’s daughter Wednesday fares well with the timeliness of this production, especially being the story of this musical centres around Wednesday coming of age too. Within the beloved setting of the Addams Family franchise, it follows a classic musical plot of forbidden love with a happy ending.

It tells of losing inhibitions and that love is calmly discussing your differences. But, no more spoilers from me! Rest assured you’re in capable hands, because the casting on this is impeccable, and its appearance is the best weโ€™ve seen so far from Devizes Musical Theatre; itโ€™s a ghoulish visual feast.

I couldnโ€™t pick a favourite part, they were all exceptional. Gary Robson makes a convincing Gomez, the father, but Dolly May was born for the part of his wife Morticia, it would seem, and the chemistry between them was magnetic. Likewise for Wednesday, played so utterly wonderfully by Grace Sheridan, and the object of her desires, Lucas, in which Oscar Thorley played with superb ease; if Oscar is his name, well, he should win one!

In contrast to the family traits, Lucasโ€™ parents Lucy Burgess and Simon Hoy presented them with professional quality, particularly when their influences are altered by the course of the narrative. Then you have the steadfast extra family members, pouring the comedy into it, such as the Grandma, Debby Wilkinson, whose haunting cackle alone would be plentiful for comic effect, without the need for her grinning smirks and ambling around the stage.

Cameron Williams plays Frankensteinโ€™s Prometheus butler Lurch, who is still amazing, despite having nothing but a growl, because thereโ€™s a twist, at the end, and Iโ€™ll say no more. The troubled son Pugsley, played with magic by Georgia Saunders is key to a plot twist, and is so convincing in the relationship with his sister, she may as well be a sibling to Grace.ย 

Attending a dress rehearsal has slight differences to the actual show, one thing you wouldnโ€™t see at the show was when, at the interval, Ben Griffiths-Mills, who plays the disturbingly innocent Uncle Fester, came to address the director Lyn Taylor, who happened to be sitting beside me. The Addams Family is more music and fun than spooky, the most shocking part of my evening was not in the show, rather when Ben spoke in his normal voice to Lyn, as I was so utterly convinced by his sublime performance as Fester, I expected him to speak with the quirky high-pitched accent of Fester! And this sums the experience up, so credible it is, I had to remind myself these were actors in character; in that, Thing wasn’t wandering around the school at night, and if forced to pick a favourite, Uncle Ben Fester would probably be it!

Such is the attention to detail, I reveal thereโ€™s not just a random collective of excellent dancers too, but theyโ€™re separate characters of the ghostly ancestors the Addams have venerated, and each dances around their crypts according to their back stories and fate; the program identifies them, and the cast highlight the show.

Iโ€™ve mentioned the dubious double-meaning of the word โ€˜amateurโ€™ used in the term โ€˜amateur dramaticsโ€™ before, being a noun for โ€˜unprofessionalโ€™ doesnโ€™t necessarily mean the subject it refers to is โ€˜rubbish,โ€™ as second definitions suggest. I did so in a review of a Devizes Musical Theatre production, because, while everyone volunteers, the standard, attention to detail, and production values are so high you could assume youโ€™re at the West End. This notion has never been more relevant than with their latest production, The Addams Family Musical; if youโ€™re going, youโ€™re in for a treatโ€ฆand definitely not a trick.

When people come to see ’em, They really are a scream, The Addams Family may not have the same box office clout as Devizes Musical Theatre producing a Disney fairy-tale; thereโ€™s a few tickets left for a performance which usually sells out. Do not be distracted by the quirky choice of production, as this was DMT at their very best.


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Katie Hopkins to Reopen Devizes Cinema in May

Picturedrone, the new owners of the old Palace Cinema in Devizes announced today that the cinema will have a grand reopening as early as May, and media personality turned controversial comedian Katie Hopkins has accepted an invitation to cut the ribbon on the newly renovated establishmentโ€ฆ.

May is set to be an exciting time in Devizes, when the cinema will finally be reopened. We are told the work is near complete and the company plans to reopen in May, though an exact date remains unconfirmed. The townโ€™s only cinema closed in July 2021, with broken promises to reopen under new management. But the new owners, Picturedrone Cinemas, met spiralling costs with the extensive refurbishment. The good news is, The Wiltshire Reform Party has stepped in to help fund the project.

Aiming for a traditional, multi-use, Roman Colosseum styled venue, the cinema will also house the Wiltshire Reform headquarters and provide them with a space to hold popular conferences and rallies. Flagpoles will align the Market Place outside, restoring pride in our country and providing dogs and drunks with somewhere to relieve themselves. They really have thought of everything, even the reintroduction of white dog shit.

Harmless and loved by all, Katie Hopkins is expected to deliver one of her hilarious hate speech comedy routines before she cuts the ribbon and Devizes cinema will be open once again, to patriots and Brexiteers only. Then there will be a screening of โ€œMein Kampf: The Movie,โ€ an animated cartoon adaptation of Reform’s beloved bible, aimed at children.

โ€œWe’re eternally grateful to the Wiltshire Reform party for their donation,โ€ a spokesperson for Picturedrone said, โ€œI mean, who needs equality, basic morals, Trowbridge’s Oden, or a health service, when you can stuff hotdogs while watching โ€˜1000 Men and Me: The Bonnie Blue Storyโ€™ on the big screen, in the comfort of your own town, yell abusive gibberish and puke Wetherspoons lager into your popcorn?โ€

A spokesperson for Wiltshire Reform said, โ€œwe’re making cinema great again. It will be like the good old days of British cinema, Zulu, Dad’s Army and The Black and White Minstrel Show. There will be snogging and fingering in the back row, and chewing gum will be squashed into every chair. Their springs will jut out of the material piercing every bottom; just as uncomfortable as our make-it-up-as-we-go manifesto. And of course, you will be allowed to smoke cigarettes inside, in fact, that’s compulsory.โ€

โ€œIf you visit the cinema in Devizes you can rest assured your family will not be exposed to dangerous leftie woke films. They will not be shown. No films of forced diversity, gendered power shifts, anything by Mark Ruffalo, or any containing boats, save perhaps โ€˜Titanicโ€™; just films with good old traditional family values, like โ€˜Showgirlsโ€™ and โ€˜Lolita.โ€

The Ivana Trump biopic The Apprentice will be the first film screened at the reopened cinema, and is expected to attract huge interest.

A spokesperson for Devizes Town Council told Devizine they think this is, โ€œa great initiative and an asset to our town.โ€ They continued to express their delight and said, โ€œI’m looking forward to the cinema reopening and inviting Danny Kruger back to Devizes so I can kiss the hem of his petticoat in the dark. We’re grateful for Reform’s contribution. I think all Devizes Town Councillors should show their gratitude by switching their chosen party affiliation to Reform, and if they don’t, I’ll ban them from my popular Facebook page, or call Donald to carpet bomb the town, thus liberating our people from the oppressive regime of The Devizes Gardens, or Guardians, or whatever stupid name they call themselves.โ€

Devizes wet wipe residents active on the Devizes Tissues (but bitter) Facebook group are said to have โ€œshot their loadโ€ upon hearing the news about โ€œsexyโ€ Katie Hopkinsโ€™ appearance, as excitement builds for the town’s many gammon flagshaggers. Bert, a local fake profile, deliberately provoking poll maker and anchor with a capital W is said to be โ€œbesides himself,โ€ likely because no one else would.ย 

Hopefully, by next April Fools Day a visit to the cinema in Devizes will be a usual occurrence, and we will all be marching there in Nigel Faragรผhrer football kit uniform. Thank you, Reform, and the Russian oligarchs who are gaslighting your fascist propaganda. I’m so happy about the cinema and its โ€œfree fagsโ€ policy, and, being as thick as a Hungry Horse’s Big Plate Special slice of gammon with the political awareness of a small pickled egg, I’m voting for you now.


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