Jon Amor & Friends; Juggernaut at Long Street Blues Club

Oh yeah, invite me to a place with a bar, throw some of the best blues this side of New Orleans at me and then hope Iโ€™ll articulate some words about it next morning, why don’t you?! It’s okay readers, it’s become standard protocol for me, I’ve got thisโ€ฆwith help from Ben and Vicky!

…Here goes my bit; it was the opening of the new season at Long Street Blues Club in Devizes last night. Homegrown blues legend Jon Amor paid it a visit, bringing along his proficient drum and bass section, Tom Gilkes and Jerry Soffe, respectively, a handful of special guests wise in the ways of instrumenting sublime blues, and an intention and motivation to pull an extravaganza from the anticipation in the ether. Irresistible prospect, had to witness, savour, and shake my tail feather to, like it was going out of fashion. Olโ€™ Frankie Valli couldn’t describe it better, oh what a night.ย 

Four to the floor electric blues was the order they marched out to, each one a showstopper yet the show didn’t hang around for the audience to contemplate. Musicians aplenty popping out of the stage door, grabbing instruments and jamming on a rotation akin to an ice hockey game. Johnny Henderson seated at the Hammond organ, Tom Jones guitarist Scott McKeon strumming with Will Edmunds, Craig Crofton blowing that sax, and precision sound engineering all enhanced the usual trioโ€™s show, elevating it to a phenomenal stance.

There were times Jon smoothed it with rarely played ballads, such a superbly protracted Happiest All-Time Low, from his 2018 album Colour in the Sky, but for the most part the Juggernaut and his overload appeased the crowd with expeditious renditions of his belovedย sprightly favourites, and newer The Turnaround album tunes he recorded last year with Jerry & Tom, easiest to pick out being the swinging Rideau Street and the hard stomping riffs of the explicit Miss James. I donโ€™t know who Miss James is, but the passion Jon puts into this, and every song, leaves you wondering what her phone number is!

If this Indian summer is subtle outside it was a furnace inside. Ex-Hoax guitarist Jon, a testament to Devizesโ€™ Mel Bush effect, an immutable adoration of blues, is a stalwart on stage, delivering blues in a style only he could. The aforementioned gubbings only added to the trioโ€™s splendour, and a truly fantastic opening evening for The Long Street Blues Clubโ€™s new season.


But donโ€™t take my word for it, hereโ€™s what Ben Romain and Vicky thought about it, as we got our wires crossed and both wrote about it, but it was such a gig it deserves two reviews anyway!


Stand up and shout! Blues is what it is all about, laid back and loving Blues in D-town!

In my many years as a fan of Jonโ€™s music Iโ€™ve seen him play many venues in Devizes and nearby. We are blessed of course with a monthly residence at The Southgate Inn, where the majority of this ensemble has at some point graced the stage. This evening was a change of a little more space to get some friends together, at our very own Blues Club.

A fine opening set from Leonardo Guilliani, a rapidly rising star, hailing from Southampton. No stranger to the club, having opened for Watermelon Slim previously.

Some great original songs from his album, and new songs from an upcoming release recorded at Abbey Road Studios! I particularly liked the new song โ€˜Angelโ€™, a soulful reflective song, with a gentle tone, blues of a sort but melodic and soothing in a contemporary Blues vein. A few well-chosen covers too, with some resounding classic electric blues. Overall, a perfect opener for this gig! I look forward to seeing him again along the road.

As Jon introduces the extended band to the stage, I am reminded of countless gigs in Devizes and beyond, where I have enjoyed all these musicians. This ensemble has between them played an unbelievable range of genre defining big names, and it showsโ€ฆโ€ฆwith the confident ease they poured into this session.

There are the Jon Amor Trio set regulars like โ€˜Miss Jamesโ€™, โ€˜Juggernautโ€™ and โ€˜Birds Nest on the Groundโ€™, some less regular but great additions such as Jonโ€™s โ€˜Red Telephoneโ€™ and โ€˜Happiest All time Lowโ€™. This entire two hour plus set revelled in and resounding with the connectivity of the scene.

When Will Edmunds and Jon share โ€˜Lovinโ€™ Cupโ€™ a rousing dance friendly classic we get to enjoy the best of this sense, a classic in the sets of Jon and Will in their regular haunts, sharing as they do, many gigs the might of Gilkes and Soffe.

Weโ€™ve enjoyed Jonny Henderson guest slots here in Devizes and with another Devizes and authorโ€™s favourite Elles Bailey amongst others, weโ€™ve seen the wonderful Scott McKeon guest with Jon, and for a bonus Devizes point with Jonโ€™s former bandmate Robin and Beaux Gris Gris and The Apocalypse and most commonly known for playing with Tom Jones.

I could ramble enthusiastically all day about the good vibes of this gig but thereโ€™s a wider point to acknowledge before I run out of type spaceโ€ฆ.that of the community and connectivity both with musicians and audiences.

We have an unusually high level of gigs, especially blues leaning gigs in our town. We have some pretty heavy hitters in the UK blues past and present around here which doubtless helps, but we are also blessed with venues born of passion, people who support those opportunities as much as they can, so we are known in Devizes for putting up a good audience.

Our little world faces challenges like all venues and scenes across the UK, yet on the whole we are bucking the trend and attracting fine music from the brave upstart to the big established names and something to be rightly proud of.

Thereโ€™s weekly amazing music at the Southgate and these incredible seasons of blues at Long Street, pub gigs, even occasionally music in bars and coffee lounges!

Key to the future of all of it, is people getting involved. I could name around a third of the crowd last night, and know most of the band from past gigs, with all of the craziness of the world, when many conscious or not are affected by loss of community, unity and shared positive experienceโ€ฆ.we have all that right here at home, every week.

I am now twelve years or so into my passionate support of local live music, it offers so much more than huge mega money gigs, and it supports through shared venues other aspects of our towns offer.

So, if you missed this incredible gig look at listings here, Facebook or wherever, message venues, talk to friends, thereโ€™s always a solid welcome, and you may find your new favourite band or next best friend in the crowd!



Thanks Ben, that is exactly what itโ€™s all about! And now a “further reading” related rant to finish on!

When I published a preview of Long Street’s new season I highlighted this gig in particular, because Jon is loved by the residents of Devizes as this native hero. It was inevitable, and something I had discussed with both Ian, organiser of Long Street, and Dave at the Southgate, that someone would comment on the social media shares of it, questioning why they would pay to see Jon at Long Street when his monthly residences at the Southgate are free. Being I suspect thereโ€™s others that share this understandable view, and that money is a benefactor to deciding what to and what not to attend in these trying times, I thought Iโ€™d answer it with my opinion, for better or worse.

Starter for ten, we love the Southgate, we love the fact they host these regular sessions with the Jon Amor Trio and usually a special guest, and weโ€™ve covered them many times. In fact, The Southgate has probably had more reviews from us than anywhere else. Dave and Ian are friends, they attend each other’s gigs and liaison to avoid clashes of similar gigs. The Southgate will pay what they can for an artist from money they make at the bar, most pubs operate this way, it is up to the artist to accept this or decline to play. The Southgate, like others, will hand around a tip hat, to top up the performersโ€™ earnings. That is the way we get free gigs, but it is not how it works with event organisers who must pay for acts from the revenue of ticket sales. No matter how great this residency is at the Southgate, they are on Sunday afternoon when gravy is tipped onto your roast! Personally, due to work commitments Iโ€™m unable to let my hair down over more than a pint, like I can do on a Saturday night; thatโ€™s the time they let me out! Iโ€™m sure others find themselves in a similar situation.

Aside this, with the capacity of the club greater than the pub allowing folk room to move, the enhancement of the show via additional guests forming an eight piece band at times, the perfection of the sound engineering, and the uninterrupted presentation, are all benefits you are unlikely to get in any pub environment. Saturday night proved this, for it was a cut above what any performer would be capable of in any pub. It was a fantastic night, if you were there you would know it was and accept it was total and utter class. If you weren’t, well, you only have my and Ben’s words it was so.

And with that notion we can put the final slither of their comment to bed, that Long Street has โ€œzeroโ€ atmosphere. Yes, I understand there are a few longstanding devotees who favour to remain seated and silent, the root to my little regular jest labelling them โ€œthe Devizes blues appreciation society!โ€ But the atmosphere is what YOU make it! We danced the night away, I loved it, Ben and Vicky clearly loved it, people around us loved it. No one bothered us in doing so and no dancer bothered those who opted not to. When compromise is necessary, no less punters at Long Street adhere than might in a pub.

Thereโ€™s no hard feelings, the comment remains as we donโ€™t delete fair opinions. Iโ€™m no Nostradamus, but I suspected someone might suggest this, just a little irked to understand the reasoning for posting it. If it was to encourage others to side with them I genuinely think thatโ€™s a shame, as it risks the continuation of this wonderful club. No one is forcing anyone to go anymore than anyone is forcing anyone else to write such a comment.

Hey, I might see them at the Gate sometime, but they should note some regulars there attended this one, and others who might not frequent the Southgate, they did too; why deny their chances to see an act they claimed to love themselves, like most of us in Devizes? Because, and hereโ€™s the killer line, when Jon and his extended team blasted out the customary Juggernaut finale, feet were stomping, sweat rinsed shirts, and expressions of sheer joy blessed the faces of those in attendance. It was blissfully brilliant, the best night in Devizes Iโ€™ve had for a long time; long live Long Street Blues Club, but yeah, other options, such as The Southgate are available and come highly recommended too. What a petty fiasco!ย ย 


You’re So Cruel; New Single From George Wilding

Nothing cruel about our George Wilding; with his perfect match and another local legend of local music, Jolyon Dixon, they’re knocking out great singles like it’s child’s play…..

You’re So Cruel is out today and is a prime example. It’s an upbeat two minute blast of feelgood indie-pop, seemingly unfazed by the cruelty of the subject in the song, just you know, pointing it out, getting it off his chest! In subject it’s more akin to George’s earlier songs than the previous recent ones. Yet George seems to have captured the rule of not overthinking and keeping it to a simple hook. Yeah, rocks!

Add it to your playlist, even if you’re the cruel person in the song!!

Man With Massive CCTV Says Northgate Street is Open!

None too convenient when you need a wee down the alley where Wilkos was, but handy in other ways; all-seeing eye Noel has spotted something on his CCTV which is worth its weight in gold to anyone who dares to drive through Devizes. Northgate Street is apparently now open to one-way traffic like months of closure never happenedโ€ฆ

Be aware when navigating or painting a St George’s Cross on it, you’ve probably got used to hurtling across the Brewery roundabout like you’re Immortan Joe on a promise, but now you’ve got a thing called โ€œright of wayโ€ to consider. Not that it ever bothered anyone at the Station Road roundabout further along.

Road improvements at Shane’s Castle might still be the subject of petty town politicising, and a Conservative councillor’s golden egg in which to fib about some Guardians because they didn’t kiss his ring during the Vice Chair of the Governance and Personnel Committee voting process, but that’s just bureaucratic toys being launched from prams for no valid reason, provided we take some care at the junction; as if!

I turn right there because, like my sat-nav says, I have no fear! Somebuddy gimmie a HGV.

No, this is much better news, less slanderous and far more relevant. The north gateway to the Market Place was closed after a fire, back in what feels like the nineteen-seventies, and you couldn’t even grab a kebab while you contemplated the effects it would have on the flow of traffic, bus stop confusion, and loss of revenue to an entire corner of the town.

To see it open again is like a breath of fresh carbon monoxide, and I’m certain heavy goods vehicles and other through traffic will celebrate by ducking down there just for the crack….because they can.

It’s like Christmas came early, in an area plagued by roadworks. Unlike the accident blackspot aptly called the Black Dog Crossroads, where, after millenia of campaigning, the Munster finally pulled his finger out of the Green Party’s bum, and the installation of traffic lights is ongoing, causing chaos on the school run, as if no one has heard of four-way traffic lights in Lavington.

Breaking update ….or braking update: it’s only one-way, guys, don’t get over excited. One way the wtong way, btw, for if went into the Market Place rather than out it might have reason to use it. Heading out of the Market Place is a test of human kindness in Devizes, as no traffic has to give way to you. At the last count, it was a twenty-five to one probability there’s someone kindly enough in town to surrender their right of way and allow you through. If that doesn’t say it all about levels of human kindness in Devizes, I don’t know what does!

Seriously, take care out there and drive with consideration of others. Remember, Noel is watching you.

Shearwater: New Single From Nothing Rhymes With Orange

Thereโ€™s a new single from Bristol-based Nothing Rhymes With Orange out tomorrow (Saturday 20th September) which takes the band to a whole new level, and it has got me thinking back to their Devizes rootsโ€ฆ..ย 

You know, I really cannot remember how this thing started, if they contacted me or if I found them. It was three years ago, at a time when local media seemed rampant with scare stories sensationalising teenage hooliganism. Folk jumped the bandwagon, naming and shaming wayward youth on Facebook like it was modern gallows, and making fearmongering sweeping generalisations, classing every child as a psychotic delinquent.

I figured this wasn’t the same picture I was seeing. That thereโ€™s always been a handful off the rails, but in comparison to previous generations, most Gen Z were passive, thoughtful, and creative. So I set out to prove this wonky narrative wrong, and in doing so found many aspiring teenage bands to use as examples, but none so accomplished and motivated as Nothing Rhymes with Orange.

There was always something staunchly between the members of this Devizes School band, frontman Elijah Easton, Sam Briggs, Fin Anderson-Farquhar, and drummer Lui Venables, an unequalled camaraderie which combined their honing skills harmoniously. Their calculated sagacity writing painted a blithe picture of Gen Z, equal to how punk bands like The Newtown Neurotics summarised life for generation X, and it spawned a zeitgeist.

Image: Gail Foster

Moments after reviewing their debut single, Chow for Now, they launched an equivalently impressive EP called Midsummer. I figured it was overdue to check them out live, as they organised their own gig at West Lavington Village Hall. Divided between parents and youth I witnessed the birth of a local phenomenon. I dubbed it โ€œBeatlemania in Devizes.โ€ Teenage fans chanted the chorus of Manipulation back at them, as Elijah jumped from the stage relishing in the moment.

I encouraged teenage budding writers and photographers to record this blossoming movement for us, as alongside bands like Melkshamโ€™s The Sunnies, they were inspiring a new generation of musicians too. And for the adults, I wanted them to quit whinging about youth, by showcasing NRWO in an environment free from age division, where they could see for themselves this emergent youth fandom and the local band which created it. I urged our carnival committee that their annual โ€œInternationalโ€ Street Festival in Devizes should showcase such a local act, and pride overcame me as I introduced them to the masses gathered in the Market Place, because alongside their excellent self-promotion, Devizine expressed with honesty that townsfolk should support this spectacular homemade band, and they did.

The lads released several new songs, all of which were tiny progressive steps to a maturity in their sound. At a gig at The Three Crowns in May 2024 Devizes-own BBC DJ and presenter, James Threlfall gave me constructive criticism regarding their production levels, suggesting it wasnโ€™t quite to the level necessary and in comparison to upcoming bands across the southwest. I also worried at this time, moving along that adolescent rocky road generally was the make or break of a young band, usually the latter.

Delighted that they planned to study together in Bristol Uni, I finished off our local angled reporting of them with a parting interview, safe in the knowledge both the uni and bustling life in Bristol would open new doors for them and hopeful it would perfect their skills to the level James so honestly pointed out. A huge festival touring summer at Dot 2 Dot, Golden Touch, 110 Above and Camper Calling, returning to Studio 91 for the session which produced their new ear-invasive single, Shearwater, out at 6pm on 20th September across all streaming platforms, surely proves they have.

Image: Gail Foster

Shearwater signifies a hotly-anticipated next chapter, one of huge guitar sounds, jacked up drums and Elijahโ€™s desperate vocals, evoking stories of fiery lust and explosive aftermaths. This is the single which will do for an international audience what Nothing Rhymes With Orange did locally three years ago. The spritely frenzy is replaced by the concentrated rhythmic flow and evocative ambience of the kind of timeless indie-pop anthem a multitude of audiences will shine their phone torches too. The layers are divine, the composition professionally crafted.

Iโ€™ve never needed to exaggerate my appraisal nor flatter NRWO for encouragement. I saw this potential, as did their local fanbase. And tomorrow you can hear the fruits of their labour in full bloom, a categorical advancement of Devizes export to the world, and it makes me feel proud to have backed them to this point, what the future holds is answered in this track, and it looks orange!

But donโ€™t just take my word for it; chatting to James Threlfall just yesterday, I pointed out this single felt like the entry level we were talking about last May, and he agreed, telling me they’ve landed a featured artist spot on BBC Introducing South and West, which is live at 8pm tonight (Thursday 8pm.) The single will be debuting live at their upcoming headline show, 26th September, at The Old England, Bristol. Thereโ€™s also an exciting word on the grapevine: an album is the pipeline. Oh, and donโ€™t forget they’re playing our Wiltshire Music Awards on 23rd October here in Devizes, and will be at Devizes Arts Festival next summer like Bruce Springsteen returning to New Jersey!

For me, Iโ€™ll always have those early moments, like blagging a Sharpie from the sound engineer at street festival, so teenage girls could have their T-shirts signed (not by me, you understand?!!)


All Back to Sidmouth Street: The Olive Pizza & Grill

We are creatures of habit here in old Devizes. We’ll stand in the Market Place wearing a vacant expression, wondering where we can bag ourselves a good kebab in town now the Kebab House is sadly no longer. I urge you to think Sidmouth Street, think The Oliveโ€ฆ.

Yeah, I get you. Save the longstanding New Pacific Chinese, the previous takeaways in Sidmouth Street didn’t receive great appraisal, causing the street to be considered a no-go zone for the peckish. Well, times change. With Mustafa Suna, the once owner of the Kebab House content to be relocated a hefty trek away at the Garden Trading Estate, the new option is The Olive Pizza & Grill; you best believe it.

It was newly opened a couple of months ago. By name, it sounds fresher and natural, but does it live up to its name? I thought I’d drag my tastebuds there to find outโ€ฆ..

Shenol Redzheb is the owner of this tidy little takeaway where Acropolis once toppled. He cut his teeth at Chick-O-Land, where he spent thirteen years, but was adamant about building his own new legacy here. It certainly was spotless and hospitable, with everything freshly prepared right before your eyes.

The range is fantastic, too. The standard range of kebabs, combo or wraps, burgers, and chicken, but with a pizzeria too, choices are ample for the most fussiest of families, like mine! One apple of my eye opted for a cheeseburger, the other a pizza, and the wife and I went for the donor kebab, though she favours garlic mayo on hers; sacrilegious! I say this because the homemade chilli sauce here is to die for, really rich, perfect level of hotness and tomatoey; yummy, yummy, yummy, love in my tummy.

In fact, everything was well received. The boy’s burger was apparently โ€œummm,โ€ and despite explaining I needed a bite for the purpose of the review, he wasn’t giving it up without a fight! The daughter praised the pizza, and she’s the Jay Rayner among us, but she especially adored the chips, describing them as crisp, and they were, I concurred. Perfectly cooked little beauties, and cut just the right size to be best considered โ€œchunky fries.โ€

The kebab was lovely too, meat, tasty, a good range of fresh salad, and oh, did I mention the chilli sauce?! It’s worth mentioning twice!

Portions generous, all at a competitive price, the family were happy. I’ll be back faster than Schwarzenegger for an uzi 9mm. You should give this local owner’s new enterprise a try. There’s vegetarian options, phones, and an online ordering website HERE, and they deliver right out to the sticks, at around a four mile radius; dinner sorted!


The Olive Pizza & Grill is at: 26 Sidmouth Street, Devizes, SN10 1LD, UK

Opening Hours
Mon-Sat: 4pm-11pm
Closed On Sundays

Website


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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying, if itโ€™s now dead, as dead it well may be, ye’ll come and find the place where it was lying, and kneel and say an ave there for me a desertion, to save thy political skin from flailing, Herr Faragรผhrer?

Kruger shed it like the snake he is, licked the Gestapo sausage and now heโ€™s a populist, saving common racists from an imaginary invading army; because he was such a โ€œpeople personโ€ before all this, wasnโ€™t he?! And Marlborough is so chockablock with illegal immigrants sponging off Tommyโ€™s pimped teenage girls in Union Jack dresses and luxuriously living free in its five star hotels, innit, thou?!

The guyโ€™s not even painted a fucking roundabout yet. Get with the program, Danny; a Waitrose shopper is your best definition of poverty!  

Well, we all knew there was something very Herr Flick, or at least Von Smallhausen, about misogynistic gutless weasel Danny Kruger, MP for East Wiltshire, the motherland. Yeah, news of the day, heโ€™s jumped ship and plans to turn his East Wiltshire constituency into an ultranationalist fortification, and thereโ€™s not a thing the kindly folk of East Wiltshire can do to stop him.

With a mere 16% of the vote in a constituency deliberately skewered to allow Conservatives a Wiltshire safe seat in Parliament, Reform seized the day, and Danny, originally hoisted in from Richmond without a clue what a lardy cake is, is officially reformed, reborn from being dipped in Kennet, to more registered company than political party, with a tax-dodging lying scumbag dictator for a leader who is made upย  entirely of foreskin. What a happy news day, what a democracy! At least smeg head Ed J Rimmer has something to crisp his jiz rag about tonight.

Meanwhile in our Lib Dem constituency life in Devizes is a landlocked beach, and according to our trustworthy journal the Gazelle and Herod, we’re all sunbathing on the dried up Crammer. This isn’t Clacton, pal, Marlborough’s suitable for you dragon slayers now, but you’ll have to pay to read that bollocks clickbait. There’s sun and rain, anyway, Jason Hughes you silly sausage, haven’t you seen? Even the sky is woke, get your notepad out for that one before the Crammer refills. We’ve got our own flotsam and jetsam issues here, without worrying if Heinrich Himmler is taking tea at The Polly, damn your eyes, sir!

Sign the petition HERE, calling on Danny Kruger to step down as an MP following his recent defection to the Reform Party. Before Kruger strikes in your dream, like the antagonist of A Nightmare on Elcot Lane.

Notify us if you organise a protest and we’ll spread the word, we do more than edgy and triggering political satire. Suggest blocking off Marlborough High Street and rally for your rights while you still can, because Oswald Mosley is laughing from his grave at you, singing, โ€œDon’t-cha wish your girlfriend was a fascist freak like me?!โ€ 

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindon Shuffle. Apologies, but it was plenty to tell they knocked it out of the park again this yearโ€ฆ..

They don’t even need a park. Just a selection of Old Town’s finest watering holes, live music hunters, bucket collectors, sound technicians and only the damn finest collective of musicians we have around here. Such is the magnitude of this beast if you camped on the roundabout at the top of Vic hill for the whole thing you’d still miss something. I measure its success by the expression of fatigue on chief organiser Ed Dyer’s face and kindly remind him he still has a day to go, but I can only tell you what I saw.

The Shuffle is a Swindon institution, a convention for local musicians, and an opportunity for me to meet with other media types like Jamie of the Ink and Dave of Dancing About Architecture. It also serves as an indication that if Eddie Prestidge and myself have spawned The Wiltshire Music Awards this year, our sponsorship with Stone Circle securing its future years is essential, because we’ve only scratched the surface of the quality and quantity of talent in our area. For the most though, it’s a free and unmissable local music showcase raising vital funds for Prospect Hospice.

I divide the options into three variables; safe bets I’ve seen before, ones I must cross off my must-see list, and ones where I’m taking a gamble and going in blind. My only dilemma is the arrangement of them. Thankfully, while clashes are inevitable, the program is so neatly designed with consideration and expertise, each pub staggering their individual schedules every quarter of an hour, and daytime and evening sessions in neighbouring locations, so there’s the potential to stagger and catch at least a bit of all.

Harmony Asia

Safe bets firstly. My rush to get into Old Town, park up and get to the Pulpit was for Chippenham’s soulful singer-songwriter Harmony Asia. Harmony had just taken to the fireplace setting and was performing her succinct and poignantly self-penned acoustic marvels. If they’re written concisely in plain and contemporary language without cryptic riddles, it’s the delivery of them which holds a crowd spellbound. And they were, Harmony charms.

Jol Rose

The only other assured expert I paid a visit to was again at The Pulpit, a comfy new bar on Devizes Road, and that was Americana marvel Jol Rose. Stalwart and reputable, Jol is Swindon’s answer to Woody Guthrie and only a fraction away from that level of brilliance.ย 

A Dylan-esque genius in all modest manners and labour, who’ll encapsulate his audience with ease, and deliver the diverse offerings of a sublime yet prolific wordsmith. Jol is a testament to the wealth of an acoustic singer-songwriter, who could pen a dejected romance song, or, as he also did, make a social or political statement with poetic divinity. 

Between The Linesย 

Hey look, I’ve been here before, aware the evening was young, and a plethora of accomplished bands would shake up the Beehive, Castle and Hop. Tuckered out and the patient and understanding wife twisting my arm with the promise of a homemade lasagne, I confess, I caved, it’s an age thing; but was determined not to until I crossed Between the Lines off my must-see list. If decisions are standard with the Shuffle’s exhaustive roster, this was the best one I made.

Rarely a debut single would be rewarded with an interview on Devizine, yet Melksham’s upcoming indie-rock quartet Between the Lines impressed me to be that rarity, back in February. Since I’ve been dying to catch this band I hailed โ€œMelksham’s next big teen sensation.โ€ So, I’m at the grand looking Hop, and they didn’t lower my expectations any.ย 

Rather, picking up on their fantastic universal appeal live, I might have to take back the โ€œteen sensationโ€ label, because they played out their beguiling originals sprinkled with some aptly chosen covers with such skill, any age could appreciate. One an early Beatles classic covered accurately, another, Tears for Fearsโ€™ Mad World, which they truly made their own.

Between The Lines appeared no more hesitant nor timid than I’d have expected; accosting them outside prior with the excitement of Spongebob probably didn’t help! All aged around seventeen, being recognised on the streets of a town they’ve never played in by an aging toothless baldy could have a negative impact! But I’m confident stage presence will come naturally with experience, because they absolutely rocked it as the crowd grew, nodding to the obvious potential of this promising band.

With an EP in the pipeline, I’m not going to shut up about them until you take heed.

Emma Doupรฉ

The second welcomingly crossed off the must-see list was also the biggest surprise; attired punk-goth was deceiving to any preconceptions I may’ve brought with me. I’ve heard of Emma Doupรฉ but was oblivious on what to expect. Needless to say, Emma has been called into action by the Shuffle team four times in a row, ergo, it was a nice surprise.

Goth, she might go there, but from the off it was clear she has the skill and experimental daring to go wherever she chooses. So diverse, any signs of any subgenre at all were subtly placed. Rather, Doupรฉ is a sublime vocalist with dynamic range, to perform her originals soulfully or operatic soprano at will, and over loops, Stratus piano and autoharp, her fashion is unique and inspiringly alternative.

Her band, The Crystal Wolf Project would showcase her in an alternative electronica trio later at The Hop, apparently. Missed it, shameful I know, but her solo performance at The Tuppenny was enough to swap Emma Doupรฉ into my safe bet category, with or without backing.

Weather

Another topping my must-see list marked safe from being dull. I heard a Weather track on Peggy-Sue’s Don’t Stop The Music Show when attending, and kept one eye on Brandon Clarke since. With the vocal style of Lewis Capaldi and boldness of Rag n Bone Man, this is damn good contemporary crossover pop you cannot ignore.

A forthright charismatic millennial Swindon showman, Weather is one you must watch if you want or not. His singles are heartfelt and moving shifts of emotive indie-nu-soul. In a lively pub environment it may not have gone down so well as when recorded or at a venue gig dedicated to his following.

Opting then to sing, rap and encourage the crowds over his prerecorded tracks like James Corden with swagger, seems Weather is here for the laugh, and it’s delightfully infectious. He could rouse a crowd of librarians to stage dive! The Tuppenny was positively bouncingโ€ฆ.at around 6pm!

Ellis Evason

For the other few I was going in blind. Had to wonder how Ellis Evason would top Weather’s astounding crowd-pleasing blast, then realised I was jesting with him outside, and he was abruptly confident he would; such is hip hop’s general bravissimo. He had such, but was far from the archetypal rapper.

If he upstaged was debatable, but he certainly equalled Weather. Meatloaf in appearance, Eminem in rap mode, Ellis Evason undoubtedly entertained, and raised the roof with raps reflecting exactly this contradiction; surely a stroke of jazzy genius. Chunky bass-driven beats, lyrically waxed to hone his identity and purpose with precision, Ellis Evason pulled in an entourage and rocked the remaining punters respectively. It was a showstopper.

Dave Corrigan

Between Harmony and Jol was a name I’d heard but not seen. The guide describes David Corrigan as a โ€œreasonably reclusive singer-songwriterโ€ who more recently has been concentrating fronting the renowned Astral Ponies, so maybe that’s the reason. He performed with certain ease, though, stripped back Astral songs, a few new ones, and was a delight to catch, if only for a few songs.

Grasslands

If we’re onto the gambles, I navigated the road block to arrive at The Tuppenny, a wonderful new favourite Swindon pub for me, where if the music isn’t to your taste you can read the DIY Beano comic wallpaper in the loo with fond memories! But rarely will it be. One man band Grasslands is wafting gorgeous and mellow experimental rock and folktronic soundscapes, in a fetching fluffy wolf hat; enjoyable.

Summary

For the novice local live music hunter, Swindon Shuffle is one of the most revealing voyages of discovery around the Southwest, and likely the only one without a fee attached. For the more experienced it’s an unearthing of upcoming acts and a vital reunion. For the musician it’s a convention. For the Prospect Hospice it’s a lifeline. For all its amazing, simple. You only need to attend an afternoon to suss this. Someone get me a campervan for next year and book me the weekend off work!ย 


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Wiltshire Music Awards 2025 Partnership with Stone Circle Music Events

The Wiltshire Music Awards are delighted to confirm a new headline partnership with Stone Circle Music Events, who will sponsor the Awards for 2025 and into 2026.

As part of this agreement, the event will be rebranded as: Stone Circle Music Events โ€“ Wiltshire Music Awards.

This collaboration reflects Stone Circle Music Eventsโ€™ ongoing commitment to supporting music in Wiltshire, and across the wider UK and Ireland. Their involvement will provide significant opportunities to raise the profile of the Awards, enhance the experience for participants, and strengthen engagement with the wider music community.

Benefits of this partnership include:

โ€ข             Brand Visibility: Prominent placement of the Stone Circle Music Events name across all event materials, press releases, and social media campaigns.

โ€ข             Audience Reach: Direct engagement with a diverse audience of musicians, industry professionals, and the public.

โ€ข             Prestige & Influence: Recognition as the headline supporter of one of Wiltshireโ€™s most anticipated music events.

โ€ข             Networking Opportunities: Closer ties with event partners, sponsors, and stakeholders.

โ€ข             Catalyst for Growth: The presence of a strong lead sponsor encouraging further sponsorship and increased scale for the Awards.

Eddie Prestige of Wiltshire Music Awards said, โ€œwe are thrilled to welcome Stone Circle Music Events as our headline sponsor. Their passion for supporting music and culture perfectly aligns with our mission to celebrate and elevate the incredible talent across Wiltshire. This partnership will allow us to grow the Awards and create an even more impactful event in 2025 and beyond.โ€

Darren Worrow of Wiltshire Music Awards added, โ€œThis is great news, and we hope it secures a future for the awards.โ€

Managing Director of Stone Circle Music Events, Patrick Oโ€™Sullivan said, โ€œStone Circle Music Events are proud to support the Wiltshire Music Awards as headline sponsor. Music is at the heart of what we do, and this partnership reflects our commitment to nurturing local talent and strengthening the live music community in Wiltshire, the UK, and Ireland. We are excited to be part of such a vibrant celebration of creativity.โ€

This partnership represents an exciting step forward for the Wiltshire Music Awards, helping to secure its long-term success and cement its place as a key celebration of musical talent in the region.


Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 – 9.30pm at Broadgreen Community Centre…..

Almost double the expected amount of people attended the first meeting. There was so much to discuss and the organisers ensured that everyone had an opportunity to share their thoughts. This resulted in the last session on the agenda being pushed over to the next meeting.

Ed Colton, one of the organisers said “We ran out of time because so many people had so much to say! For anyone who missed the first meeting, weโ€™ll be giving a short presentation of what happened, what peopleโ€™s main concerns were, and what local issues were most pressing. Then weโ€™ll continue where we left off. This next session is all about filling roles, deciding on local actions and discovering the skills, experience and connections people have, to build โ€˜Your Partyโ€™ and become part of the landscape in our communities.”

At the first meeting, cards of welcome were signed for asylum seekers in Swindon, which were delivered the week after. This act of humanity, solidarity and friendship has prompted the group to organise a collection of sweets and fruit for them. Please bring a small gift along to the meeting if you are able.


No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuit since and created an impressive following. Today sees him on the next leg of his musical journey, a brand new single aptly titled No Restโ€ฆ..

If the kazoo created a unique identity for Josh, quirking up otherwise darker themes than the novelty songs you’d except the instrument to be found in, this idiosyncratic move may have caused some criticism from traditionalists who simply didn’t get it. Not me, inherent in the belief rules are made to be broken, I’m of the reckoning JP Oldfield is a contemporary rarity, a misunderstood genius finding his feet. A dedicated axemen with an axe to grind, and a singer-songwriter unafraid to explore and expose every detail of the melancholic mind maze in the encapsulating way blues legends did before him.

With this in tow, I’d argue the jukejoint authentic sound created with his haunting grizzly vocal tones, that steel guitar and beaten up suitcase pedal-drum is Marmite. Love it or hate it, JP forged an imitable style, ranging from Cash to Tom Waits and Nick Cave in comparison. I’d draw any critic’s attention to a track like Last Orders, a heart-wrenchingly honest tune which takes on the drunkard’s misery of a relationship break-up in true mellowed delta blues fashion, without kazoo. But hey, now we’ve got No Rest, a level up certainly in production and indicative of all the greatness he’s already achieved; it rocks.

There’s the sombre spiritual blues theme we’ve come to expect, but it’s a foot-stomping pace with a killer rolling riff, kazoo-less yet a perfect balance of everything else JP throws at his music. It’s deliberately raw, perfectly hard-hitting and undoubtedly JP on the best form we’ve ever seen.

In our interview a month short of a year ago, Josh gave me the impression he was something of a perfectionist. A lot of work has gone into this full bodied five minute marvel, and it shows, in its crisp sound, this composition of elements making said perfect balance, and also a enlightening video accompanying it, by Jamie R Hawkinsโ€™ Side Owl Productions. This cones out around 6pm tonight, I’ll add the link to it here, so return after your potato waffles.

The video has a different narrative from the song, rather โ€˜the story of the song;โ€™ a fascinating showcase of JP’s session at Mooncalf Studios, where Nick Beere engineers the kind of tune which we might suggest JP’s feet have been found. We look forward to hearing the other songs from this session in good time, but for now this is plenty to indicate this Devizes bluesman is heading in the right direction. But Nick brought out the best in musicians while I was still doodling boobs on my school rough book!

He’s JP Oldfield, I’m just old, but I know what I like. I could dance barefoot in a barn grasping a bottle of bourbon to this, and when it gets to that irresistible bridge I’ll procrastinate my repent, letting my sins roam free for a day; though I havenโ€™t drawn a boob on a school book for quite some considerable time! 


Reflections From the  Costa Blanca to Amesbury!

There’s something to be said for the function duo route with universal appeal, you could be working somewhere hot! Powerhouse vocal harmony duo Reflections are back in the UK after ten successful years on the Costa Blancaโ€ฆ.

Bringing the very best of the 60s, 70s & 80s, from Cher, Neil Diamond, Cliff Richard, The Carpenters, Shirley Bassey, Shakinโ€™ Stevens, Queen and more, Reflections offer fantastic nights of classic hits & unforgettable entertainment.ย 

Reflections return to the UK to fill venues up to 500 capacity. This vocal/harmony duo provides fantastic nights of entertainment. And they’ll be playing for free this Saturday, 13th September, at Theย Kings Arms in Amesbury. An early event from Stone Circle Eventsโ€™ new outpost in Wiltshire, and something for all to enjoy, so dust off your gladrags and zip up your party boots!


DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there will be a number of creative workshops and makery sessions, not forgetting the creation of those wonderful handmade lanterns for the parade; here’s some early sessions in which you can get creativeโ€ฆ

A number of lantern making workshops in the run-up to the Winter Festival Lantern Parade have been allocated. Including open-to-all workshops at different venues with materials provided โ€“ all they ask is a small donation. DOCA suggests ยฃ5 for a small lantern, which requires one light, but you are welcome to pay as you feel.

Come along to one of their open public workshops to make a lantern in preparation for the parade. All materials are provided, and all are welcome.

Image: Simon Folkard

Held at Wiltshire Museum, Long Street, Devizes, the workshop Schedules are:

Saturday 20th September – 10:15am – 13:15pm, 14:00 – 16:30.

Sunday 21st September – 10:15am – 13:15pm, 14:00 – 16:30.



More info HERE!

Book your session HERE


Yesterdayโ€™s Tomorrow; Debut Album From Ursa Way and its Launch at the Tuppenny

If the eonian motivation of youths picking up guitars and forming bands has hit Gen Z enough that they’re two to a penny, I’m in the right place to discover one new to us, The Tuppennyโ€ฆ.ย 

An adept drummer pinched from Bristol, with the remaining homegrown members formed aย  youthful and hopeful Swindon indie-rock four-piece called Ursa Way, and they’ve ploughed two years into their debut album Yesterdayโ€™s Tomorrow, launched on the night in question. Now was the time to show it off, and they did in an exceptionally accomplished and entertaining way.

If an early start to a Friday evening one weekend before the celebrated Swindon Shuffle was risky, especially being Thursdays are usually the favoured live music nights for The Tuppenny, seems the band are risk-takers, as diving straight in with a twelve track album is ambitious.

Generous to a loyal fanbase when the archetypal EP usually appears first, for the same fiver pricetag, but equally generous are the young punks and an assortment of others who’ve gathered to see them, as they applauded their efforts as if a new wave of hysteria was imminent, which it could well be. Though, this is Old Town, the epicentre of Swindon’s nightlife, where they’ve ingeniously adopted road closure blockades to create Swindon-fashioned alfresco dining areas!

Ursa Way played out their album, but unlike the shameless enterprise of a legend, I predict it was the bulk of their repertoire, and that’s acceptable for an upcoming band. More importantly they did it with bells on; the composition tight, the delivery confident. They seemed most comfortable with a melodic pace rather than thrashing it out, but at perkier tunes they still held it harmoniously.

In a roundabout way they confessed many of their songs were sporadic and spontaneous muses rather than poignantly planned thought processes, which was both amusing and honest, perhaps ironic too I figured after listening to the album. But not as amusing as complimenting Swindon, only to then ironically knock it in a song called Shit Town of Swindon!

While not the poetry of Keats, many of their co-written songs rise above the mocking of their hometown, which if only a standout track for its satirical title, others convey more concentrated narratives. Thereโ€™s a sense of irony throughout though, if Yesterdayโ€™s Tomorrow is surely today, the title track is the penultimate one, and depicts a hungover hope of new horizons of a romantic interlude, in a Britpop style.

The album kicks off with Southbound, an evenly-paced contemporary punk-pop attitude sourced from millennial indie bands like Busted and McFly. Though this album flows brilliantly, itโ€™s onto something decidedly more traditional punk two tracks in, then the aforementioned Shit Town of Swindon continues the style, Britpop influences gradually building. This one has to be anthemic in good time, particularly for their Swindonite fanbase.

Chasing the Sun four tunes in really picks up the pace, again with a comment on their hometown, but with optimism riding the narrative; thereโ€™s a clever and simple hook equal to the previous one here, proving these boys know how to construct a pop song with energy and enthusiasm.

A ballad, Just a Game follows, balancing the pace, and again proving something, that Ursa Way are no one trick pony. Noahโ€™s Nosey Neighbour takes an almost prog-rock style to Britpop, creativity abound here too, this rocks with surprising substance, and weโ€™re only halfway through this twelve-tracks-strong brilliant debut album.

With adroit contrasts in riffs, mainstream rock influences, perfectly placed hooks and intelligent lyrics, thereโ€™s promise in this album that Ursa Way are destined to create something much more memorable, but right now the potential signs are all encompassed in Yesterdayโ€™s Tomorrow. It ends with Another, a monstrously clever drifting Britpop tune seemingly about jealousy, dripping with edge and emotion.

They played this album out at The Tuppenny on Friday, reflecting the feeling weโ€™ll be hearing more of this young band in the future, and the gig felt like a groundbreaking moment for them, in respect of that notion.ย 

LinkTree to Ursa Way

I love the Tuppenny, a hospitable tavern with universal appeal. Thursdays are the live music nights usually, but as I said, itโ€™s Swindon Shuffle next weekend, see my recommendations here, Iโ€™m certain some were at the Tuppenny!


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Rowdefest 26 Lineup Reveal!

Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโ€ฆ

Agricultural Appropriation with Monkey Bizzle

There’s no sophomore slump for Monkey Bizzle; prolific in their art, these rural chav-choppers return with a second album, Agricultural Appropriation, only five years andโ€ฆ

Doctor Faustus Sells His Soulโ€ฆ. in Devizes!

Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisonsโ€ฆ

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Winter Festival & Lantern Parade Confirmed for Devizes

Photograph byย Simon Folkard

It’s been a rocky road for Devizes Outdoor Celebratory Arts (DOCA) these last few years, and I didn’t mean the crushed biscuits and marshmallows sort! Cuts to Arts Funding has meant the unfortunate cancellation of a large part of their annual free event programme. Townsfolk and The Town Council have both been helpful in stepping up to assist. A limited and last-minute carnival went ahead last weekend and was hailed a success; now DOCA looks towards the autumn and winter season optimisticallyโ€ฆ..

Announcing today they’ve been awarded their full winter funding from Arts Council England, and this is fantastic news for the town means DOCA can now move forward in bringing Winter Festival to life and preparing for an amazing Lantern Parade.

โ€œWe’re deeply grateful to Arts Council England for believing in our vision and investing in our community’s creative future,โ€ they said. โ€œThis funding doesn’t just support our organisation, it supports the entire Devizes arts community and all the talented festival makers, audience, and participants who make our work possible.โ€

โ€œA heartfelt thank you also goes out to our wonderful Devizes community for your ongoing support, enthusiasm, and participation. You are the heart of everything we do.โ€

We owe it to DOCA to really ring out the bells on this one. Great news, and we look forward to it. You know, whatever Devizine can do to help, you only need to ask; though I’ve always wanted to be Father Christmas, if you can take a ho-ho-hint!!


I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released at the end of August, a single entitled Doll Guts, truly positions them way above that pedestal and I predict and hope, onto the international marketโ€ฆ.

Though thereโ€™s a nod to the bandโ€™s roots in the accompanying picturesque video, in the way of stage show clips from Swindonโ€™s premier venue The Victoria, itโ€™s consolidated with professional storyboard shots of their playfully cute mien, contrasting their macabre component, commonly associated with grunge. Itโ€™s an original design identity theyโ€™ve manufactured to great success, but never has it been so symbolically recognisable as in this song, and video. The title alone reflects the winsome-dark contrast and their penchant for dolls, and horror, yet thatโ€™s only one element which causes me to hail it their greatest song to date, and the next level up.

Doll Guts is perhaps more melodiously memorable than anything I See Orange has put out in the past, the moreish affiliation of pop, without watering down those gorgeous roaring guitar riffs and thumping drums; greater than the chord simplicity of The Cardigansโ€™ Losing My Favourite Game, but equally punchy. Imagine Hole writing the theme of Twin Peaks; this is evocatively fantasised themed, with a singalong chorus, rising and falling like the paragon of classic grunge, yet their own divine spin.

I loved the drive of Mental Rot, the spookiness of Witch, but Doll Guts is the delineation, incorporating all the elements and symbolism of I See Orangeโ€™s design and launching them back out there in true colours. You have to love this, everyone in the human race, surely?! You donโ€™t have to be the number one Nirvana fanboy. In fact, while mawkish soft metal turned me away from rock in the late eighties, causing me to miss out on grunge, it has been through local bands like I See Orange, Life in Mono, The Belladonna Treatment and Liddington Hill, which has opened my eyes to its power and worth, so, thanks for that!

I See Orange match with a chemistry every band must envy. Formed in 2022 when frontgirl Giselle, originally a folk-pop singer-songwriter moved here from Mexico, and an impromptu rehearsal session with Cameron and Charlie established potential magic. Inspired by nineties and millennial alt-rock, they add their own unique post-grunge flavour. I have believed it works for sometime now, an accolade burgeoning with pace, seeing them gig in London and beyond, and this song confirms the praise theyโ€™re gaining is fully deserved.ย 

JPU Records Link

Find Digital Streams and Downloads HERE


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Chandra Finds Heaven on Earth

Usually I just write what I think, but if I had a point-scoring system this new single from Bristol-based indie-pop outfit Chandra would tick everyโ€ฆ

Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

Come and find out more about the new Integrated Care Centre coming to Trowbridge

Local people can find out more about a brand new state of the art Integrated Care Centre opening in the town in early 2026 at an evening information event on Thursday 11 September from 6.30- 8.30pm at the Holy Trinity Church in Trowbridge.….

The event will be a great opportunity for local people to find out more about the new centre, meet local NHS representatives behind the project, as well as local councillors.

They will also have an opportunity to hear more about the services that will be provided in the new building, see photos, plans, models, and ask questions.

The ยฃ16 million centre will replace the nearby Trowbridge Community Hospital and deliver BSW ICBโ€™s long-term strategic vision of putting more services in the heart of local communities.

Tea and coffee will be available.

This event is part of wider engagement, with more drop-in sessions planned at local venues:

Fri 19 Sept, 09.30โ€“13.30 โ€“ Trowbridge Library
Fri 3 Oct, 11.00โ€“15.00 โ€“ Shires Shopping Centre
Fri 24 Oct, 11.00โ€“15.00 โ€“ Asda, The Shires
Sat 8 Nov, 10.00โ€“15.00 โ€“ Weavers Market, Town Hall
Wed 10 Dec, 08.00โ€“13.30 โ€“ Trowbridge Market



For more information, visit:

/https://bsw.icb.nhs.uk/news-and-events/integrated-care-centres/trowbridge-icc/


Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย 

Didn’t that crazy toothless editor catch them at The Vic in Swindon just last week? And now The Southgate in Devizes? Isnโ€™t that his second home anyway?!

Hold back your keyboard warrior typing fingers from those vicious comment sections, critic, I will attempt to answer these burning questions I falsely imagine straining from your lips, in a short piece about a Sunday gig well worth mentioningโ€ฆ..

Yes, again, it is another article about Talk in Code. It’s either that or I risk playing a brain training game on my phone; it’s Monday, and my brain refuses instruction.

Yes, they’ve been showered with love from us, but being this an opinion based blog, I reserve my right to express my honest opinion; they deserve it! I have succumbed to being a T-shirt embossed โ€œtalker,โ€ a more family fashioned classification than fanbase.

If the idiom of enlarged heads implies they have a conceited, exaggerated sense of self-importance due to our consistent splatters of flattery, that’s the biggest untruth you could suggest about them. I only said it in ironic jest; woe is me for my fractured sense of humour; pinch of salt, please!

Whilst their performances are showy, that’s pop; they’re the most down to earth bunch you’ll ever have the pleasure to meet … .especially musicians!! Observe them engaging with their audience, young to old. Observe the attention they attract wherever they happen to play as being a product of their universal brilliance. If they appear excitable about this, it derives from their dedication, motivation, and the deserved positive feedback from their audience, not a two-bit blogger!

So what, yeah I was at the Vic last week for their awesome single launch gig, when I said it was theย  best I’ve ever seen them play, suggesting perhaps because it was on their home turf. I’m considering taking this back after catching them yesterday, for two reasons, firstly but less important, Swindon is only home to two of them, Snedds is home here in Devizes, or as near as dammit. Secondly, pop grows on you, the more you listen the more the hook catches you, and they have this down to a T, so maybe the level of skill they’ve attained has now become standard as more fans amass;ย  it certainly seemed that way Sunday at the Southgate. They rocked it with professional ease, just as they did the Vic, as they always do, and it was only a Sunday afternoon at Devizesโ€™ answer to the O2 arena. Given the actual O2, I predict they’d rock that one, too!

Matter of fact, I’ve not been down the Gate for what feels like ages, honest, mum! This occasion was purely circumstantial; I was in town to attend the dress rehearsal of an emotionally sobering play at the Wharf. It is fantastically evocative and reflects a sad time for me personally. See the review to understand, and go see the play. I needed cheering up, and being that it ended when the gig was kicking off, I thought I could sit in the back row and scribe some thoughts on my phone with a pint. It didn’t quite work out this way, not for the want of trying, because Talk in Code’s sound is irresistible, and yeah, it cheered me up a treat.

I’ve not been down The Gate recently, what with a summer season of festivals, a family holiday and inflation mugging us all off. But being the Southgate is so insatiably irresistible, friendly, and  affordable too by comparison, I slip back into its gorgeous rustic appeal like a glove, anyone would.

I’ve stated numerous times how my honest opinion casts it as the best pub locally, these facts stick more than mud, and perhaps it hasn’t been that long, it only feels like it has! George seemed to remember me as a gullible accessory to doggie biscuit snatching crimes. Autumn drawing in, save me the cosy chair.

All hail Talk in Code and The Southgate too. The first play top class indie-pop within a more humble local scene than following a national pop star and praying you can mortgage your home for a ticket to see. The latter is a cathedral to our humble scene, and lively pub culture too, with a rich history of showcasing local musical talent, one all our writers have been disciples of since day dot.

There’s so many artists still to mention, pinky promises I will, all in good time, but a Talk in Code gig at The Gate, despite catching them only last week, was still too good not to drop into!


Still Alice at The Wharf Theatre Raises Dementia Awareness

Valedictorian graduate of Bates College in Maine, and with a PhD in neuroscience from Harvard, neuroscientist Lisa Genova self-published her debut novel, Still Alice in 2007. Acquired for publishing two years later, Still Alice made The New York Times Best Seller list, was adapted for the stage by Christine Mary Dunford of Chicago’s Lookingglass Theatre Company, and spurred a 2014 movie by Memento Films, winning Julianne Moore an Academy Award. Under the direction of John Winterton, The Wharf Theatre brings this poignant play to Devizesโ€ฆโ€ฆ

It’s lovely to be back at Devizesโ€™ cosy and communal theatre. Ian assigned himself our theatre critic and while his brilliant inside knowledge is gratefully appreciated, I figured I fancy this one, as I have a personal angle on the plot. Alzheimerโ€™s Society suggests โ€œevery 3 minutes someone in the UK develops dementia,โ€ therefore I imagine many others will find relevance in it too, and if not, might one day.

We found it amusing at the beginning, my Nan in Dad’s car still wearing her slippers for a party, and other trivial mishaps. But the last time I saw her I was saddened to note she didn’t remember me, as she spoke to me of her โ€œhusband,โ€ rather than address him as โ€œgrandad.โ€ My children were young and understandably apprehensive about going into the care home. But when they plucked up courage my boy stood before her and she was delighted to be face-to-face with who she assumed was me. Here was the relieving point; I realised she hadn’t forgotten me, she just didn’t recognise me because thirty-plus years was missing from her memory; thank you genetics!

The journey between these two points in time was arduous for her and our family. For her it went from confusion to frustration and onto an immune state of obviousness. Lisa Genova wrote Still Alice in first person narrative from the point of view of Alice, a university professor at the height of her career who is diagnosed with early-onset Alzheimerโ€™s disease; it mirrors what we went through, and sheds a fascinating light onto what my Nan must’ve gone through too.

The play honours the narrative perspective by an ingenious method of a personification of Alice’s psyche. With a dual-Alice on stage, the real Alice, played sublimely by Linda Swann, says what she believes she should say, while her conscious shadowing her, equally delivered with skill by a younger version of Alice, Sophie Kerr, offers the audience an insight into what she is thinking. Just as I suggested, with the lost time of my Nanโ€™s mind, Alice perceives herself as being younger, so this age gap works as her sense of reason, until reason runs short in her mind and her consciousness is reduced to the childlike drawing of pictures.

There are many elements to the happenings in the play which anyone who has experienced a loved one going through Alzheimerโ€™s or dementia will recognise, and tears might trickle. There’s periods of thought-provoking awkward silence, intense confrontation at others, when the confusion turns to frustration. There’s poignant reality and touching scenes as the family come to terms with Alice’s deteriorating mind. There’s thought processes from Alice exposed, causing you to identify with her greater than that of her family; a window into the mindset of anyone suffering with this terrible condition.

Overall, akin to a film like Schindler’s List, this is a play you might not want to face, oh, but you must, and you should. 

Still Alice is evoking brilliance, you will leave impelled to discuss the subject further. It raises awareness of this horrifying condition and doesnโ€™t meander from this for any purposes of entertainment. On the impaired particularly, the sentiment is pragmatic, but also in her relationship with her family and their emotions, all poignantly represented and acted with believable precision by John Myles, as the calm under pressure husband, Adam Sturges as the solicitude son, and Kezia Richards as the estranged daughter.

Still Alice raises awareness about Alzheimerโ€™s or dementia in a similar way as Barry Levinsonโ€™s Rain Man raised awareness of autism, but only if we could have seen into the mind of Raymond would it be any more comparable. Thatโ€™s the beauty of theatre, this is a play with the power to change you.ย 

Still Alice runs at The Wharf Theatre, Devizes from September 1st until September 6th 2025, Tickets HERE or at Devizes Books.


World Alzheimerโ€™s Day is Sunday 21st September. You can find more information about local dementia groups at Alzheimerโ€™s Support, and sign up for their Walk to Remember at Wilton House, HERE.


Trending……

Who Broke into Joyrobberโ€™s Car?!

Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโ€™sโ€ฆ

Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

How Much is Too Much? Vandals Deface Alton Barnes White Horse

It had to happen eventually, but how much is too much? It seems, at over 200 years old, the second biggest and one of Wiltshireโ€™s most iconic white horses, The Alton Barnes White Horse has been defaced with the St. George’s Crossโ€ฆ.

As the clouds cleared this morning, All Cannings parish clerk noticedย  something different about the hill figure of Milk Hill. It seems it’s unfortunately been a victim of the patriotic media-hyped frenzy of painting the St George’s Cross on any white surface.

Photoshopped images of the cross painted onto the Westbury White Horse appeared on social media at the beginningof this fad, only to be quickly denounced as fake by residents. But, as far as we know at this time, this one is sadly genuine.

The Patriots wanted to fly the flag, and no one minded, most supported the idea despite unveiled evidence many had done so to deliberately upset foreign visitors and immigrants. The irony here being, the only folk this will upset will be locals.

That backfiring,ย  they then took to painting the cross on roundabouts, zebra crossings, and signposts. This aggravated some, calling it vandalism and pointing out the costs to councils to repaint them and possible dangers they might cause. Now, it seems gravestones and other sentimental objects are being targeted as this frenzy competitively builds into mayhem.

But to deface our treasured monuments is surely a step too far, and far from patriotic, don’t you think? If you genuinely love “Englamp” you would surely respect its history and monuments.

Time to crawl back into your cages and declaw. Rainfall washed their pathetic stunt away, so the last laugh is on the culprits!


Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going to spend a weekend in Swindon, believe me, the 11th-14th September is the oneโ€ฆ..

An entirely free stroller festival centred in Old Town; saunter the eight venues at your leisure and discover a wealth of talent, mostly ฤบocally sourced. Pop some cash in the buckets and help raise some funds as Old Town comes alive with the sound of music!

As usual I’m going to be the judge and jury for this piece, and recommend those who I personally know who will deliver great sets to amaze you. But in no way is it an exhaustive list, for there will be many others and sometimes you have to put your little toe into the waters and find acts unbeknown to you, for the surprise element; an event of exploration! Whatever you do discover you can rest assured, every act is cherrypicked by the Shuffle Team, of Ed Dyer, a promoter who knows his stuff, Jamie Hill of Swindon Link, Kelly Adams, Paul โ€˜Pajโ€™ Jellings, Avril Jellings, Linda Gulliford, and Paul Gemmill, all equally as aware of what makes Wiltshire rock.

Thereโ€™s a printed program, online too; I’m working off that. Given the fantasy scenario of having the whole weekend to attend and choose between the huge lineup, hereโ€™s how I would tackle the mammoth task of maximising my experience…….


Without further ado, then, Thursday 11th of September belongs to The Tuppenny on Devizes Road, and the Hop, literally a hop across the road. A clash already, 7:15 at the Hop, Bathโ€™s spacey indie outfit Aqaba kick off proceedings, while Swindon soul singer Chloe Hepburn is at the Tuppenny at half past; tricky disco to begin, but Chloe has been on my must-see list for a while!

8pm at the Hop, Sebastain and Me is a deffo, but youโ€™ve only a quarter of an hour to drink up and catch the amazing Joli Soul at the Tuppenny. Again, I would be wearing out the traffic lights or flipping a coin. Iโ€™m unaware of all the headliners from there at both fantastic venues, yet the Tuppeny seems more funky soul and jazz while the Hop is indie, so it would be whether I packed my jazz hat or not!


Friday 12th September again is at The Hop, The Vic aptly on Victoria Road, and the Castle on Prospect Hill. Easy picking to begin with, itโ€™s our favourite Marlboroughโ€™s goth duo Deadlight Dance, on at 7:15 at the Castle.

In fact, Iโ€™d feel inclined to stay at the Castle unless Iโ€™m feeling like Dora the Explorer (which is surprisingly common for me!) as after a new one on me, Loophole, the amazing mod/new wave/britop cover band, whoโ€™ve just begun recording originals, Static Moves is on at 8:45, followed by Black Hats, new to me but promising something skanking, and SN Dubstation, who as the name suggest is Swindonโ€™s premier contemporary reggae export. The Hop is mostly folk on Friday, the Vic is indie-punk-rock and the Castle is alternative and reggae. If I was to fancy venturing off to The Vic, it would be at 10pm for Viduals, an emerging indie rock band who play it hard!


Saturday 13th then, when reality checks in, for this is the only day Iโ€™m likely to be able to make it up to Swindon for realz! You can get a bus from Devizes, you know, they run late now!

All guns blazing, The Tuppenny and the Pulpit rule the daytime, from 2pm until dinnertime, and The Hop, The Castle and the Beehive on Prospect Hill take the evening shift.

The great Jim Blair starts at the Pulpit, a new venue to me, but hey, Chippenham singer-songwriter Harmony Asia plays at 3:15 and thatโ€™s simply unmissable in my honest opinion. Oh but oh, Iโ€™ve heard so much good stuff about Swindonโ€™s pop star Kate X, who is on at The Tuppenny at 3:30, and seriously recommend her too!

Shedric and David Corringan at the Pulpit are two Iโ€™d love to see, and Swindonโ€™s answer to Dylan, the incredible Jol Rose is a must-see at 5:30, but dammit, at the Tuppenny has Emma Doupe at 5pm, followed by the freshest indie-pop fellow I simply must touch base with, Weather at 5:45pm. Ed Dyer, what are you putting me through here, or has Swindon got free cloning booths on every street corner now? Weโ€™re a little behind the times in Devizes!!

Saturday evening, and right, and Iโ€™ve made my mind up about how to attack this, though itโ€™s always subject to change. Bit of cheese, sir? At the Castle from 7:15 with Calneโ€™s comedy rock band The Real Cheesemakers is tempting, Gromit, but thereโ€™s a young Melksham band called Between the Lines on at 7pm at The Hop. I cannot lie, these winners of Take the Stage I wanted to play the Music Awards, for while they weren’t nominated, they should have been and I wanted folk to know why. Iโ€™m heading that way and will report on my findings, hopefully bring them to Devizes by hook or by crook!

The Hop continues with lots worth exploring, Iโ€™ve heard particularly good electronica things about The Crystal Wolf Project, there at 9:15, and Iโ€™ve seen headliners Trunk who will ram the place with devoted fans. But look, The Beehive might be my final Saturday resting place. Dulcet Tones at 8pm, then Bristolโ€™s Hannah-Rose Platt; look, just read my album review HERE and youโ€™ll understand this is without doubt a must. And, double-whammy, she is preceded by one of my all time favourite Swindon bands ever, the dark twisted country of Concrete Prairie. Always a must, especially at the Beehive at 9:30pm; save me a quarter of an inch to squeeze into, somewhere near the Tardis.

After that Iโ€™m anyoneโ€™s cheap date! Maybe Iโ€™d check out the Castle, as itโ€™s downhill and looking like hard rock underfoot with Lucky Number Seven coming the most personally recommended, at 9:30pm and followed by Modern Evils.


Then thereโ€™s Sunday 14th September, doesnโ€™t Swindon Shuffle know when to stop?! Wowzers it gets better; The Pulpit, Tuppenny and Beehive are up for your attention. Daytime, 1pm at the Tuppeny for Plummie Racket, stay there for Sienna Wileman and youโ€™ll be glad you did. But pop across to the Pulpit for 2:15 where Devizes is represented by our most excellent blues crooner and kazoo blasting JP Oldfield. I love this guy; Devizes man-hug!

Itโ€™s a Chippenham takeover from then at The Pulpit, Mexican Dave Iโ€™d recommend at 3pm, but M3G is a must and one of my personal favourite singer-songwriters on the local scene right now. Just prior to M3G though, be very tempted to nip back to the Tuppenny at 3:15 when Richard Wileman and Amy Fry do their thing, and thatโ€™s worth its weight in gold. 

Across to the Beehive for the finale to what looks like another unforgettable Shuffle, 6pm, Canuteโ€™s Plastic Army is unmissable, and so too is Joe Kelly & the Royal Pharmacy at 7:30pm.

No forgoing the fringe events, a Shuffle quiz night at the Beehive on Wednesday 10th, the Shuffle Community Ceilidh with The Cowshed Ceilidh Collective Saturday night at Eastcott Community Centre from 7pm, and open vinyl DJ sessions at The Prospect Hospice Book & Music Shop on Victoria Road, each day midday till 4pm.

Then, youโ€™ve only got to wait until the end of January for the Shuffleโ€™s winter version Swinterfest! Swindon Shuffle is a whoโ€™s who of local music, a convention and an institution, a fundraiser like no other, and you wonโ€™t even have to navigate the Magic Roundabout, pinky promise!

Info about Swindon Shuffle and full line-up HERE


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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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The Next Season at Devizesโ€™ Long Street Blues Club

The lawn is still frazzled but the apples and leaves are falling; the weather might not know what season itโ€™s supposed to be running, but all is not lost as we look at what Devizes blues appreciation society, Long Street Blues Club has to entertain us throughout the next season, or threeโ€ฆ.

Their season doesnโ€™t end until January, actually making it more like half a year, and weโ€™ll find John Otway and Wild Willy Barrett on stage, kicking off the summer season in June, but thereโ€™s a lot to get through heading up to that, gigs and a number of specials.

Jon Amor & Friends

Firing on all cylinders for a grand start, doors crash open on Saturday 20th September 2025 when Leonardo Guiliani supports homegrown Hoax member Jon Amor at the Conservative Club. A local legend who needs no introduction to Devizes blues aficionados. You can rest assured Jon will be bringing his trio, drum and bass comrades Jerry Soffe and Tom Gilkes, and an abundance of special guests cherrypicked from his vast circle of legendary friends, including John Baggott, pianist for Portishead and Robert Plant, organist Johnny Henderson, Scott McKeon guitarist for Tom Jones, guitarist Will Edmunds, and Craig Crofton on sax.


What a way to begin, but predictably popular, so early booking is advised. Advance Tickets are ยฃ18.00 from usual outlets or book online (online booking fee applies) Tickets ยฃ20.00 on the door. The deal is the same for all Long Street Blues gigs at the Conservative Club, unless otherwise stated.


October sees three entirely different gigs. On Saturday the 4th The Dirt Road Band returns, by overwhelming popular demand. The brainchild of guitar legend Steve Walwyn, mainly known as the longest serving guitar player in Dr Feelgood, The Dirt Road Band recruited the services of Ted Duggan, a professional since the 60s, including stints with Badfinger and world techno giants Banco de Gaia, and bassist Horace Panter, better known as a founding member of The Specials.ย 


Saturday 18th October Ben Poole is back. A young act to watch, Ben Poole and his band return to the club after a sensational night in April. Jeff Beck called them โ€œf***ing amazing,โ€ need we say more?!


Rock & Roll Circus

Observing all health and safety regulations, on Friday 31st October Long Street Blues Club members march girl-boy, girl-boy across to the Corn Exchange for a special trip back to the sixties. Unusual to see tribute acts organised by the club, so while it might be a wildcard, itโ€™s not to be trifled at, because a Rock & Roll Circus is promised; the gig that never happened!ย 

The very best tributes to three British rock giants, The Who, The Beatles and The Stones, namely Who’s Next, The Beatles For Sale and The Rollin Stoned, will surely wriggle you down memory lane!ย 

With the aid of authentic stage wear and instruments, Whoโ€™s Next recreates a magical point in time in the early 1970s when many believed that The Who were the greatest pop and rock group on Earth. Similarly The Beatles For Sale pride themselves on replicating the Fab 4’s onstage image, sparing no expense with their equipment and outfits, with the ultimate intention to recreate the magic of the Beatles in their sixties heyday.

The Rollin Stoned have toured their affectionate tribute to The Rolling Stones for over 27 years, sharing billing with the likes of Dr John, Status Quo, Suzie Quatro and Jerry Lee Lewis. 

Advance Tickets are ยฃ30.00 for this great night out, from usual outlets or book online (online booking fee applies) Tickets ยฃ35.00 on the door.


Into November, no hanging about, as Last Train Smokin’ pulls into the station to support The Ian Parker Band on Saturday 1st November 2025. Another returning favourite.ย 


Aberdeen’s finest are back on Saturday 22nd November, The Gerry Jablonski Band with support from Firekind.ย 


Beaux Gris Gris & The Apocalypse

Then, an early Christmas present. Yes, itโ€™s a California-Devizes crossover, with favourites Beaux Gris Gris & The Apocalypse at The Corn Exchange on Friday 5th December. Hoax member Robin Davey returns to his hometown with Louisiana born and bred, award-winning vocalist Greta Valenti and their band, and itโ€™s something to behold. I strongly suggest you get in quickly with this one if you wish to start winter in style.

Advance Tickets are ยฃ25.00 from usual outlets or book online (online booking fee applies) Tickets ยฃ28.00 on the door.


If that doesnโ€™t warm your winter cockles nothing will, but their Christmas party is actually on Saturday 20th December 2025 when the โ€œperfect band for our Xmas partyโ€ Dino Baptiste & Night Train appear. A highly energetic London soul and boogie-woogie pianist, Dino Baptiste has a smattering of Ray Charles, and will get the club jumping.


And into the new year we find Oregon harmonica player Curtis Salgado, the man who taught John Belushi the blues while on set at the filming of 1977โ€™s Animal House, team up with European multi award-winning blues harmonica virtuoso Giles Robson.

Widely regarded as one of the greatest blues and soul singers to have emerged in the last fifty years, Curtis Salgado is finally getting the recognition he deserves. Long Street Blues is one of only three dates he is playing.

Thatโ€™s Saturday 17th January 2026; work off some Quality Street, because the next gig isnโ€™t until Monday 8th June, with John Otway and Wild Willy Barrett on stage. Yet one thing is for sure, Long Street Blues Club are quenching the thirst for blues in Devizes folk, and they usually have a big appetite for it!!


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Black Rat Monday at The British Lion; Not Just For Lions and Rats!

There was a geographical population imbalance this bank holiday Monday in Devizes which risked the entire town conically sloping into the back of Morrisons; no one seemed the slightest concerned! It’s Black Rat Monday at The British Lion, the stuff of Dorothy House fundraising burgers, potent beverages and contemporary folkloreโ€ฆ.

Recorded here for prosperity, as itโ€™s dubious that other accounts of the event would be recited with much precision when passed through the generations, that once upon a time in ye olde Devizes, natives satirically dubbed their annual street festival โ€˜Black Rat Monday.โ€™

The name derived from a scrumpy brand popular at a bar run by CAMRA award-winning and stalwart Devizes freehouse, The British Lion. Contractual matters one year caused a breakup between the carnival committee and the pub. Being โ€˜Black Rat Mondayโ€™ was a folk eponym, ergo in the public domain, and the committee likely never appreciated it anyway, The British Lion adopted the name for an occasion of their own making, and the rest is history.

It’s a fable of self-reliance, apolitical empowerment, and mass consumption of scrumpy, though other drink options are available! Leading to a meek event of anti-consumerism, save the Black Rat Monday t-shirt and drink, community-driven subversion, and a crowded beer garden full of merriment, whilst it would seem the elaborate original festival has fallen by the wayside due to arts funding cuts.

This particular year saw the event blossom to bursting point, attracting townsfolk en masse, under the simple premise, it’s now as much of a โ€œDevizes thingโ€ as raking barrels of contraband brandy out of the Crammer or annually lobbing confetti at each other in a peculiar frenzy.

Reasoning why roots to the pub itself, because while other taverns change according to trends, else end up as antique shops or housing estates, the simplest of systematics of The British Lion stand firm, equable and imperishable. And Devizions love โ€˜gurtโ€™ tradition. If it’s not brokenโ€ฆ..

But what helps, and always does, is acquiring the most suitable entertainment; usually locally sourced, not this time, but equally as welcomed. Long-standing and living legend landlord Mike Dearing revealed his heuristic thinking was to provide an act weโ€™ve likely not seen before on our circuit.

For the universal audience the conventional is best, therefore, primarily a function party band, Bristol’s The 789s made a perfect choice. They were lively, proficient, exceptionally accomplished and seemingly pleased to be there. With a vast repertoire spanning every corner of classic singalong pop, they joyfully delivered them all, for sweaty hours, and until Sweet Caroline finalised the cumulation, by which time the crowds were chanting it back to them and dancing on whatever small patch of sun-bleached grass they could suitably fit into.

A punk cover band planned to follow, which duty-bound as Dad’s taxi, I had to miss unfortunately. But The 789โ€™s had roused the audience to a conclusion that there was little doubt anyone could now falter this year’s Black Rat Monday; I’d go out on a limb to suggest it was the best one to date.

There was Parklife, there was Red, Red, Wine, The Proclaimersโ€™ marching song, I’m Gonna Be, and every crowd-pleaser sublimely covered by both male and female vocalists, but only one of them sporting butterfly sunglasses. I don’t want to get all decimal on you after such a strenuous scrumpy surfeit, but The 789’s truly turned it up to ten, at least. For which they were rewarded a gallant cheer of Devizes-fashioned appreciation as they sauntered through the crowds back to the pub, akin to newlywed couple they had undoubtedly performed for many times before!

This respectful display of gratitude, and the whole shebang in general genuinely makes me honoured to document what happens in our lovely, lovely town. For you can bicker on Facebook pages all you want, you can thrash out the rights or wrongdoings of graffiting flags on mini-roundabouts, or pin the blame on someone for a road closure, but Steve Dewar’s brilliant popup youth cafe had kids enjoying a climbing wall on the Green, the sun was shining, and humble folk in the British Lion were laughing and singing, for we all live under that same sun, and that captures the true Devizes spirit, right here in The British, surely?!


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Tidy: Talk in Code at The Vic with Riviera Arcade and Flora Flora

It was only ever supposed to be a single launch gig but it could’ve been for a gold-crested gatefold triple LP, because Talk in Code were larging it last night at their hometown premier venue, Swindon’s Victoria. The crowd was ecstatic and the atmosphere was highly flammableโ€ฆ..strike a light!

If witnessing a great band on their own turf adds a communal elevation to the thrill of seeing them at all, Talk in Code certainly pulled out all the stops, even if the je-ne-sais quoi of these masters of indie-pop perform with sublime quality anywhere they happen to appear.

If this crossing the friend barrier themed quintessential grower, More Than Friends sits perfectly into their eighties vibe discography, we were leaked forthcoming singles might venture somewhere slightly different, but right here, now, at The Vic, Talk in Code was rewarded equal rapturous praise in throwing it out there as they were marching triumphantly through their beloved anthems.

Tunes which, like the best memorable pop, have universal and timeless appeal. At a Talk in Code gig you could mute the sound and still comprehend that the individual takes what they want from their style by observing the diversity of the demographic present. Here, this tight group of musicians evoke memories of everything gorgeous about eighties pop from Ah-Ha to Simple Minds, for me. One generation younger, especially when they backtracked to Oxygen, might wallow in nineties indie, and likewise youth will recognise their own contemporary influences.

If homeliness provides confidence to experiment, we were treated to something I’ve never seen Talk in Code do before; as the band Twix breaked, dynamic Adidas- sponsored frontman Chris Stevens proved he was no one trick pony, and blessed the Vic with an immaculate acoustic number, an original he called We Remain.

If appreciation was a pair of knickers, Talk in Code would have a visible panty line, as devotee โ€œTalkersโ€ in blue sunglasses and merch amassed between Vic regulars, equally relishing their vibrant, danceable and electric hoedown! And all took home a CD embossed goodie bag akin to a toddler’s birthday party, save a slice of squashed sponge cake!

Yet if there’s an honourable family-fashioned ambience surrounding this band, where Talkers would follow them to the four corners of the globe, else create Lego fan-videos or shower them with deserved fondness, the mood for a quality evening was pre-set by two awesome support acts TiC cherrypicked.

Gloucestershire soloist, songwriter and model Flora Flora opened the gig with acoustic splendour. New to me, I’m now keenly following her socials. Not because she took control of my phone from my intoxicated sausage fingers to ensure I did, though she did, but because I’ve since come to realise there’s subsequent levels to her talent than the perfection of her rocking performance last night!

An inspiring Gen Z Swifty wordsmith, crafting evocative songs praised and played by our hero James Threlfall on BBC Introducing. A new one drops on streaming platforms on 29th August but is available now on Bandcamp, Need to Say; it’s far more ethereal than Flora Flora’s edgier performance, and you’ll be foolish not to bookmark it as a favourite; fill your ankle-length boots.

Penultimate act, Bristol-Swindon longstanding five-piece rockers Riviera Arcade, I must confess, I preconceived to be a fair, hard rock band; they certainly came out like one. It only took near to the completion of the first song for me to come to complex reasoning why they’re punching well above that weight. Multi-layered precision with captivating guitar riffs set me contemplating subtle nods to eighties mod or punk, sometimes skanking, but still, it heralded heavier rock. They’ve a 2022 album Gone By Ten on stream, so you can hear what I’m waffling about.

An interesting and certainly unique style which, while I was thinking The Police or Costello, they finalised their set of beguiling originals with an apt and superbly delivered cover of The Stonesโ€™ Paint it Black, a perfect summary to their ethos. I returned home as a newfound fan, a bit wobbly on my feet and Notra-Dame bells ringing in my ears fan, but deffo a fan!

Talk in Code was officially on the best form I’ve ever had the pleasure to witness, but it was the combination of acts, venue and atmosphere which famed this fantastic night too; The Vic is renowned for doing so, historically. Owner Darren Simons assured me, though the venue is up for grabs, it’s only going to someone prepared to continue in his shoes, so this flagship to Wiltshire live music should thankfully continue to reign; dodge magic roundabouts and onwards to The Shuffle!


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Revealing the Line-Up For The Wiltshire Music Awards 2025

As a result of probably the most productive meeting yet, yesterday, about The Wiltshire Music Awards, we can now reveal the most amazing line-up of local music acts who will be performing between the announcements at our grand ceremony on Saturday 25th October at Devizes Corn Exchange, and a few other points we should mention tooโ€ฆ..

Easy bit first for our glitzy and glamorous night, there will be professional sound and lighting provided by Brian Mundy and his team at BSM Stage Tech, and a bar, in which you wonโ€™t have to buy me a drink because Iโ€™m hosting and I donโ€™t want to slur my words, word my slurs or anything along those silly lines!ย 

It makes us all very proud to announce this wonderful lineup. Devizes own Burn The Midnight Oil will open the eveningโ€™s entertainment. Theyโ€™ve come so far in such a short space of time with their own brand of breezy blues-rock, weโ€™re excited to see them perform.

Our lovable legend George Wilding is a name most of you should know, and heโ€™s coming to play a few songs, of course he is! Award winning Lucas Hardy is coming too. Loved on the Salisbury circuit, Lucas will delight you, for what will be, I believe, his first time playing in Devizes; I could be wrong!

Ben Borrill and Pat Ward, aka Matchbox Mutiny, will be there, the lively Devizes-based duo who never fail to charm. Then thereโ€™s Salisbury-based Joylon Dixon and Rachel Sinnetta – a duo who raised the roof off the Three Crowns recently, but I knew it was coming as Rachelโ€™s supreme vocal range and Joylonโ€™s professional accompanying will enthral all.

Thereโ€™s a champagne supernova trip back to the nineties with The Britpop Boys, renowned for blasting those sing-a-long anthems across the county and beyond.ย 

And hereโ€™s our last big secret exposed, Devizes homegrown indie-rock phenomenon Nothing Rhymes With Orange will polish off the evening. They created a storm locally a few years ago as a teen sensation, the likes of which I claimed to be the โ€œBeatlemania of Devizes!โ€ Now studying together at Bristol Uni, their popularity has spread nationwide. Back home they have inspired a new generation to form bands, and we welcome them back delighted.

Image: Gail Foster

Make no mistake, all these acts have had a tremendous year, and deserve to be nominated for awards, as are the many other names hiding in our golden envelopes too. Myself, DJ Mark Anthony and possibly a few guest names will be announcing the winners and runners-up, and these wonderful acts will perform just two or three songs each between the announcements; itโ€™s going to be a show!

A show which, we hope, showcases, highlights and celebrates the wealth of musical talent we have here in Wiltshire, in a manner more celebratory than competitive. While many others and not just those performing have high chances of bagging a trophy, by no means is it exhaustive. There are so many others, producing music, promoting, hosting and creating amazing initiatives to fundraise and to teach, we know this, and I intend to highlight as many as I can at the ceremony, because the list is lengthy enough already to cram into one evening, making it comprehensive is a minefield!

The results of the awards was set by public votes and a panel of expert judges, which we genuinely believe to have been a fair system, causing it to be agonising for us to see the entire county trimmed to this much, but if everyone supports this we hope there will be subsequent years of Wiltshire Music Awards to follow. Years in which we will continuously review in order to improve on.

One point, whilst feedback has been overwhelmingly supportive, one niggly raised was tickets. We have to fund this one way or another. We are asking for sponsorships, many have helped and we thank them. In order to make this work, yes, we are asking everyone who wishes to attend, including those nominated, to buy a ticket, of which we have made as reasonably priced as possible. If you have been nominated for an award within our top ten, you are cordially invited to attend, but along with everyone else we do ask you to please purchase a ticket; there is no other expense asked of you other than this.

As much as we would love to see all the winners and runners-up in person, or a representative on your behalf, on the night to be presented with an award, if you cannot make it due to other commitments we understand, and your award will be given to you at a suitable date thereafter. Important point then: You DO NOT need to attend the ceremony to receive the award if you do not wish to, but please consider that we have to fund this, that we have worked hard on getting this off the ground, and would appreciate your support with it. Wiltshire Music Awards has been created by a genuine team dedicated to the local music scene. Allow me to get all Charles & Eddie on your ass at this conjunction, โ€œwould I lie to you, baby?!!โ€

Whoa, back on the positives; thankfully I wonโ€™t be singing but the experts will, this is going to be cracking night, one for the history books, and I hope to see you there! Saturday 25th October at Devizes Corn Exchange, tickets HERE.


Black Rat Monday and More! Live Music This Bank Holiday Weekend in Wiltshire

Never forget, thereโ€™s lots of other events on our calendar, for families and everyone of all ages. But this weekend is a bank holiday, and those local live music hunters will be out on the prowl, so hereโ€™s what weโ€™ve found for themโ€ฆ.

Thursday 21st August, Just Parsons plays the Foyer Sessions at Chippenhamโ€™s Neeld Hall, thatโ€™s a freebie. Wild Isles & Plummie Racket are at The Castle, Swindon, free, while The Illegal Eagles are at The Wyvern, ticketed. Thereโ€™s a Fayre on Salisburyโ€™s Market Square with The Kings of Lounge Trio, and thatโ€™s free.

Itโ€™s the Welcome to the free Wildwest Country fringe festival at the Three Horseshoes in Bradford-on-Avon, ongoing throughout this week and weekend with a whole lot of circus and music. The Headrush Brass Band plays a hospitality jamboree there on Thursday 21st.


Friday 22nd, and things are really rolling, thereโ€™s even a Music for Miniatures at St Andrewโ€™s Church, Devizes, 10:30am, for the under fours!

Staying in Devizes for anyone over the age of four, try out Brogan Pearce singing covers at The Condado Lounge, or  a โ€œHaze Sessionโ€ with Marcus Boll at The Three Crowns. HoneyFest kicks off at The Barge on Honeystreet, camp up for that one all weekend, ticketed, for theyโ€™ve The Undercover Hippy, RSVP and The Scribes headlining; sweet as mate.

Zack Linton plays The Lamb on the Strand, with new Zia Pizza company and organised by Bird is the Word. The Free Spirits Band at The Royal Oak, Hawkeridge, a Red Hot Chilli Peppers Tribute at The Wheatsheaf, Calne, and The Blue Moon Band at The Rising Sun, Christian Malford, near Chippenham.

Not Quite Bob at Aldbourne Sports & Social Club. Itโ€™s the E-Fest Music Festival in Swindon, and Supersonic Queen at Town Gardens Bowl. A Summer Beer Gin & Rum Festival at The Hop Chapel, but weโ€™re heading into Swindon for a Talk in Code single launch at The Vic, with Riviera Arcade and Flora Fiora in support; bang tidy thatโ€™ll be!

Trips out for Devizes-based acts this weekend: No Alarms and No Devizes are not in Devizes, theyโ€™re at the Boathouse in Bradford-on-Avon, Jon Amor Trio are at The Royal Oak in Bath. The Vintage Explosion plays Komedia, Bath, but theyโ€™re not from around here, I was just running off the Bath paragraph, not to avoid any confusion!

P!nk tribute Vicky Jackson at the Cheese & Grain, Frome. Little Joe at the Coach and Horses, in Salisbury. Fayre on the Square continues at the Market Place in Salisbury with 

Rock The Boat DJs. Lonely Road Band at the Wig and Quill, Summer Beer Festival at the Old Mill with Lucas Hardy, and Jetback and Wilton Voices at The Bear.

Donโ€™t forget Flock Steady Beats festie at The Music Baa near Salisbury, ticketed, hurry up, Buster Shuffle and The Dub Pistols headline, with a host of offbeat goodies, including Captain Accident over the course of the weekend; mint sauce me up!

Tuckerโ€™s Cider & Music Festival at Tuckerโ€™s Grave in Faulkland, El Toro headline Saturday, with Russ Barnes, 41 Fords, The Usual Suspects, Call the Shots, more on Sunday too!


Saturday then, the 23rd August 2025; Bone Chapel at The Southgate, Devizes, and Jambon Chapeau at The Pelican. The Sylvertones at The Duke in Bratton.

Humdinger at The Cooperโ€™s Arms, Pewsey. Sophie Henderson at the Crown, Aldbourne.

Room 101 play The Lamb, Trowbridge, whilst The Twelve Bells have a Punk Picnic. Tex & The Troubadours at Melksham Rock n Roll Clubโ€™s monthly dance.

Bradford-on-Avon, you groovy lot! With the Welcome to the free Wildwest Country fringe festival at the Three Horseshoes still going down, thereโ€™s CastleFest at the Castle, with a great lineup too.

Thomas Arnold Hall in Warminster has an Ultimate 80โ€™s Revival Disco. Ex Stiff Little Finger XSLF at The Vic in Swindon. Total Rex, a Marc Bolan & T Rex Tribute at Chapel Arts, Bath, and the Big Disco at Komedia.

Forwards Festival over Clifton Downs, Bristol, and weโ€™re heading south, the Tin Shack Band are at The Ram in Tidworth. Jolyon Dixon & Rachel Sinnetta make a welcome return to The Kings Arms, Amesbury.

Sleepwalker at the Fayre on the Market Square in Salisbury. Slingshot at Qudos. Jon Bailey at The Royal George. Hop Back Blues Band at The Duke of York. Timespan at The Horse & Groom. Salisbury Live has a Summer Beer Festival, with Black Iris at The Old Mill and The Bear Inn has an August Bank Holiday Beer Festival with Break Cover, Bob Primmer and Ben Vuckovic.


Sunday 24th, then, the fun never stops! 30+ Daytime Clubbing at The Exchange, Devizes. 

Eddie Martin will be at The Southgate around 5pm, and the Roughcut Rebels have got The Three Crowns covered. Potterne Cricket Clubโ€™s ever popular Potterne Festival is likely sold out, but you never know your luck!

Talbot-Fest at the Talbot in Calne, then; Dorothy House fundraiser, all free, see the poster, wicked lineup, Talboterrians!!

The Sylvertones are at The Crown in Westbury. Unpredictables at the Boathouse, Bradford-on-Avon. Rorkeโ€™s Drift at The Vic Swindon.

Johnny G at The Bell, Bath, Kenyan musician Vonj at Komedia.

Coach & Horses Sunday Session in Salisbury has our homegrown marvel, JP Oldfield.  Fayre on the Square continues in the Market Place Salisbury with Park Island, as does the Old Millโ€™s Summer Beer Festival: with Route 3. Salisbury Live are at The Horse & Groom with The Norfolks, Lucas Hardy and The Late Starters. August Bank Holiday Beer Festival continues at The Bear Inn with Slingshot, Above Board, The Reel Deal. Pudenski Bros at The Goat, and a Picnic in the Park at Redlynch Sports & Social Club with the Woodfalls Band.

The Hammervillesโ€™ Bank Holiday Beach Party at the Cheese & Grain, Frome. 


Bank Holiday Monday; yay!! Drew Bryant is at The Three Crowns, Devizes from 3pm, and of course, itโ€™s Black Rat Monday at The British Lion, an annual outdoor Bank Holiday Monday extravaganza, all free, local live bands, they wonโ€™t tell us who, a charity BBQ raising funds for Dorothy House. 

Get in! Black Rat Monday!

Box Rocks is of course the other stalwart of August bank holiday, at The Queenโ€™s Head, Box, theyโ€™ve got a fantastic lineup including our good friend Chandra; nice one!

The Americania Boatfest is another damn fine option, at the Boat House in Bradford-on-Avon; too many bands to mention, but Iโ€™m told our Burn The Midnight Oil will be there, and thatโ€™s worth the trip over alone! Staying in Bradford, The Lamb Yard are celebrating 25 years, with Talk in Code headlining, Fly Yeti Fly and The Trapdoor Spiders. Itโ€™s all free in Bradford!

Bath, and thereโ€™s another free community fest at Komedia, Rusty Shackle, True Strays, and Concrete Prairie, with added Courting Ghosts and Barney Kenny. Barrel House Vipers are at The Bell.

Salisbury, and Pete Donnelly is at The Duke of York, and thereโ€™s the last day of the Old Millโ€™s Summer Beer Festival with SO Uncool.


Thatโ€™s all weโ€™ve foundโ€ฆโ€ฆ.so farโ€ฆ.folks, summer is OVER!! Iโ€™m sure many will jump on the bandwagon and make me add more to our event calendar really soon!! There’s only one link you need to keep up to date, and its HERE! Have a great weekend!


A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his stand in the Brittox, which was busy dishing out free lunches for children during the summer holidays, as is Buddyโ€™s mission. Then came an appearance on Points West, and even Jamie Oliver shared his social media postsโ€ฆ..

Has the media exposure gone to his head?! He modestly agreed with me, that it was nice, โ€œit shows Iโ€™m being acknowledged,โ€ he smiled, and continued to help children decide what sandwiches they fancied. And therein lies the magic, there was never a feeling in meeting Buddy that he was here for prestige. 

โ€œHeโ€™s not doing it for media attention,โ€ Buddyโ€™s mum Emily clarified, โ€œin fact he finds that quite overwhelming. Heโ€™s doing it because thereโ€™s families who need it, and thatโ€™s the reality of it. And if he can help those families to make it a little easier then thatโ€™s all he wants to do.โ€

There were sandwiches with various fillings, crisps, biscuits and fruit, even some toys. Folk gathered, no questions asked, no condescending notions, just a brilliant idea being put into motion by a teenager and his family. I asked Buddy if it was his idea, and how he came up with it. 

โ€œIt was my idea,โ€ he replied, still handing out apples, โ€œand it originated from seeing some friends who were on free school meals, needing that extra help during the holidays too.โ€

Buddy and his family began funding it themselves and now it relies on sponsors and private donations. There may be a few charity-led organisations doing similar in other areas, but Buddy is the first person weโ€™ve heard of individually taking this gesture of goodwill on themselves. I asked Buddy, not if he wanted to head a national charity doing this, for we joked he might end up sitting in an office! Rather if he feels he has, or will, inspire others to do likewise in other areas.

โ€œYeah, I could inspire some people, I hope so,โ€ Buddy told me. โ€œIโ€™m doing it as an individual. Iโ€™m here three times a week, every week for the summer holidays, and thereโ€™s a thought I could do it at Christmas time.โ€

โ€œIt would be lovely if he did inspire other people,โ€ Emily explained, โ€œbut his primary goal is to make sure that anyone who needs food in Devizes has food.โ€

In these trying times, I forever find myself shocked at rising supermarket prices. Accepted, I cleaned my rose-tinted specs declaring how big Wagon Wheels once were, and how they were ten pence, but this inflation issue is not showing evidence of slowing anytime soon. โ€œYes,โ€ Emily agreed, โ€œsome schools and councils do provide ten pounds for the school holiday, but you cannot buy much for ten pounds, so what Buddy is doing really does make a difference.โ€

It really does. I left with a lump to the throat, and somewhat lost for words; rare for me, I know!! What a thoroughly decent, philanthropic and selfless way for a fourteen-year-old to spend their summer holiday. What an absolute legend, Buddy! Thank you.

Two things remain: firstly to any family in need, Lunch Box Buddy is outside Haine & Smith, next to Cafe Nero, in Devizes town centre, Mondays, Wednesdays and Fridays, for the duration of the summer holidays, from 11:30-12:30. Follow him HERE for updates, Facebook HERE.

Secondly, to Devizes Town Council; you know I love you all, (wink!) this lad deserves a Civic Award, imho!


Trending….

The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ

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Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young and aspiring Frome โ€œa little bit emo, a little bit notโ€ four-piece released a debut single Wither last month (while I was on my jollies.) So, even though this mention of it might be belated, itโ€™s worthy of your attention, as I predict Butane Skies is a name youโ€™ll be hearing a lot more ofโ€ฆ..

If the name suggests an all-out fireball of frenzied rock you should note itโ€™s taken from a line in the My Chemical Romance song Skylines & Turnstiles, and akin to their emo influence thereโ€™s delicate rising and falling sections of emotive outpouring in Wither. With a dystopian themed desperation, perhaps metaphoric, this is intense yet melodic, as exquisitely composed as Evanescence, and as genius as Frank Turner.

Thereโ€™s an intricate piano, blessing it with a sense of optimism above the emo melancholy of the subtly placed fuzzbox riff and the powerful vox harmonies of a double-Alanis Morissette. Iโ€™m thinking Iโ€™ve not heard local emo quite as good as this since Life in Mono, but not to typecast within the emo pigeonhole, thereโ€™s something more universally indie about them too, Muse-fashion.

Such high accolades deserved, Wither firmly places them on the first runner of the local recording artist ladder, and while an impressive kick start, itโ€™s moreish and patent theyโ€™ve more tricks up their sleeves. Butane Skies established themselves in 2022 after school duo Amaya and Ash collaborated at just 14 years old, and bassist Mia and drummer Alex joined. Theyโ€™ve notched numerous gigs and festivals since Future Sound of Trowbridge at the Pump, and winning Riverbankโ€™s Take The Stage in 2024 with the prize to perform at Minety Music Festival.ย 

Other appearances at Festival on the Farm, Figglefest, Bradford Roots, Corrfest, Chippenham Pride and Sounds at the Ground, and at venues such as The Boathouse, The Neeld, Fromeโ€™s Tree House and a number of local stages at Glastonbury sees them Bristol-bound for The Louisiana and Komedia Bathโ€™s Electric Bar soon. They are nominated for our Wiltshire Music Awards, and now top of never-ending must-see list!

Hereโ€™s a band with a track you must listen to, but the ambience feels something wonderful is blossoming; Butane Skies are yet to hit their magnum-opus, be there when they do.  

LinkTree


Corbyn and Sultana’s Your Party Launch Swindon Presence

The excitement and hope generated by Jeremy Corbyn and Zarah Sultana announcing a new political party has reached Swindonโ€ฆ..

A broad range of people have been keenly messaging and talking to each other and have decided to work together with everyone who supports this new party, to have a marked and positive presence in the Swindon community.

Local activists, charity workers, union members and individuals have announced a meeting to be held at Broadgreen Community Centre on Thursday 28th August 7.30pm to 9.30pm.

Jamie, a local charity worker said โ€˜We are building a movement embedded in our community. We want to hear from everyone; what are your main concerns, do you wantย  our NHS to be properly funded, do you want energy, mail, rail, water, and other infrastructure nationalised, do you want to see council houses being built? Come along to our meeting, where everyone will have the opportunity to share their thoughts and ideas.โ€™

Nationally, over 700,000 people have signed up to the party with no name! At present, the working name is โ€˜Your Partyโ€™ but the permanent name will be decided by people at the inaugural conference later in the year.

A statement on the Your Party website says, โ€˜Itโ€™s time for a new kind of political party. One that belongs to you. The system is rigged. The system is rigged when 4.5 million children live in poverty in the sixth richest country in the world. The system is rigged when giant corporations make a fortune from rising bills. The system is rigged when this government says there is no money for the poor, but billions for war. We cannot accept these injustices โ€“ and neither should you. We will only fix the crises in our society with mass redistribution of wealth and power. That means taxing the very richest in our society. That means an NHS free of privatisation and bringing energy, water, rail and mail into public ownership. That means investing in a massive council-house building programme. That means standing up to fossil fuel giants putting their profits before our planet. Meanwhile, millions of people are horrified by the governmentโ€™s shameful complicity in genocide. We believe in the radical idea that all human life has equal value. That is why we defend the right to protest for Palestine. That is why we demand an end to all arms sales to Israel. And that is why we will carry on campaigning for the only path to peace: a free and independent Palestine.โ€™

In an interview with Tribune Magazine, Jeremy Corbyn said, โ€˜By the end of the year we want to come together at an inaugural conference to decide the direction of our party and what it stands for, but this conference will not come out of the blue. It will be the product of a series of deliberative meetings up and down the country. More than just rallies, these meetings will be an opportunity for communities, social movements, and trade unions to come together to discuss the key questions facing the future of our party and our country. These meetings will generate fierce debates, Iโ€™m sure, and thatโ€™s good. Thatโ€™s what democracy is for.โ€™

Jamie said, โ€˜Letโ€™s reignite the hope, energy and socialist dialogue that we had in 2017 when thousands of people, especially young people, flocked to hear Jeremy Corbyn speak about the things that really matter to us!ย  After all, itโ€™s predominantly the younger generation who are suffering from the catastrophic decisions made by politicians for years, although people with disabilities, pensioners, WASPI women, asylum seekers, migrants and minority groups are feeling the brunt too. If youโ€™re interested in getting involved, want to help build this community movement that addresses our day to day concerns, and make a positive difference to so many people, come along to the meeting, join our Facebook and WhatsApp groups. Meet others who are interested and have your say!โ€™


Crowned Lightbringer: New EP From Ruby Darbyshire

If I was bowled over backwards by Rubyโ€™s teaser single last week, its title, Crowned Lightbringer, now also belongs to this five-track EP, released today, and as you might guess, youโ€™re in for a treatโ€ฆ..

Thereโ€™s so much incredible time, effort and adroitness pouring out of this itโ€™s actually scary how talented Ruby Darbyshire is at such a young age, and in pondering the journey her music will take her. Youโ€™re left numb to what to listen to next, in awe, and spellbound by its harmonic perfection. Thereโ€™s also a general theme of journey, often rinsed in ingenious metaphors, which connects you to Rubyโ€™s world and imaginings, the hallmark of a musician who knows what buttons to press to engage an audience and leave them spellbound.

Rubyโ€™s Scottish roots are displayed in a bagpipe instrumental bonus track, The Spirit of Jenny Whittle, the rest relies on her accomplished acoustic mood-setters, and the ambience is as ever, hauntingly choral, layered with dedication, folk emotive and saturninely uplifting soulfully, edifying a matured Ruby, compared to her debut EP. But if Crowned Lightbringer displays a whole new level for her music, what comes next will be anyoneโ€™s guess. It is, in my humble opinion, an EP which needs to be in everyoneโ€™s life.

Vocally itโ€™s faultless too, profoundly as guiding as Nina Simone, as variable and soulful as Billie Holiday; comparisons of such high accolades, I know, I donโ€™t know where else to go to balance her sublime vocal range. Lady Nade and Mayyadda the only contemporary likenesses I could fairly credit. Opening with Timekeeper, as deeply emotive as Crowned Lightbringer, chilling and as distant as an autumn zephyr. With a rustic vinyl crackle, Calling Hades captures a timeless acoustic goodness of underworldly Greek gods, with a romantically liberating hopefulness as its theme.

Black Dog has a deeper blues feel, yet sprinkled with northern celtic, spiritually-guiding us away from the omen of solitary, the Gytrash. Ruby is folk, primarily rooted and understanding of it. Thereโ€™s much to unpick from her beautiful music tapestry here, Iโ€™ve only had a quick listen, couldnโ€™t wait for a complete analysis before telling you how fantastic this EP is, but I believe, in time, this might be my personal fave! But hey, the title track follows, and weโ€™ve mentioned this last week, itโ€™s a metaphoric shanty which depicts perfectly where Rubyโ€™s music is taking her and all the demons which might lurk on her journey.

All I know is this should put Ruby not a local circuit map, but on an international stage; I donโ€™t flatter, and if you donโ€™t take note more fool yourself. Listen, just, listen! 

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Trending……

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

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Find Out The Winners of Wiltshire Music Awards

Results of the public vote have been put to our expert panel of seven judges in our inaugural Wiltshire Music Awards, and now the judges have decided. I bet you’re wondering who has won and who the runners-up are, aren’t you?

Well, I’m not going to tell youโ€ฆ.yet! Ah, clickbait of ye gods; beat that Newsquest (who havenโ€™t even bothered mentioning this crucial local extravaganza, I might add!) Truth is, I don’t know the results any more than you do, as I kindly requested to remain in the dark for the genuine element of surprise on the night, and itโ€™s the night I want to remind you of!! Because, if you want to find out the winners you need to grab yourself a ticket to the presentation ceremony, the Awards Evening on Saturday 25th October at Devizes Corn Exchange; proper job!

Thereโ€™s table tickets as groups, and single tickets available for our gurt lush Wiltshire Music Awards, the first of its kind. A night of music, celebration, and unforgettable moments. Bring your family, friends, and supporters! Weโ€™ve some top local acts confirmed, all performing a song or three, with intervals where I and special guests will be announcing the winners. Thereโ€™s seventeen categories to get through, wine to drink and partying to be done in honour of all the amazing musical talent weโ€™ve got hiding in our rural county; please, help us to achieve this.

Ticket and info HERE, I look forward to seeing you on the night.

Musicians: please use our top ten to see if you’re nominated, and good luck to all!


REVIEW โ€“ The Pump Acoustic Club @ The Lamb, Trowbridge โ€“ Friday 8th August 2025

Pump Acoustic Nights Are Back!ย 

Andy Fawthrop

For those weird enough among us to be of an acoustic bent, particularly on the folkie side, the time since the Covid lockdowns has been a bit of a desert.ย  Several local clubs which once thrived before 2020, never actually opened again โ€“ Devizes Folk Club, Corshamโ€™s Acoustic Oak, Bradford Folk Club and Trowbridgeโ€™s Village Pump being amongst them.ย  Last year the Bradford club finally stuttered into life again, first at the now-closed Swan Hotel, then at other venues, but only as a very low-key weekly sing-around.ย  The proper full fat Open Mic nights and Guest Nights seemed to have disappeared from the local scene completely.ย  Some of this was due to the โ€œretirementโ€ of the previous hosts, and some of it (unfortunately) due to the passing of their once-leading lights.ย 

The venue itself, known as the Village Pump, at the rear of Wadworthโ€™s The Lamb in Trowbridge, and the mothership of the hugely popular Village Pump and Trowbridge Festivals, recently found a new entrepreneur in our good friend and music promoter Kieran J Moore.ย  Kieran has performed wonders in re-opening the venue, in overhauling its sound and lighting infrastructure, and in attracting a whole new range of artists over the past couple of years.ย  Audiences have grown, drawn by the inventive programming, and the support for many local up-and-coming new indie bands.ย 

And now, at last, a light has re-emerged from the gloom for the folkies with the start of The Pump Acoustic Club as a new pop-up venture at the venue.  Running every second Friday of the month, the club promises a welcoming night whether you want to come and play or just rock up and listen.  The format is pretty similar to the old VP folk club:  the first half is dedicated to acoustic-only (unplugged) floor spots, and the second half to a booked guest.  For the Open Mic part, you have to sign up in advance (first come, first served via comments on their Facebook page), and you get time to sing two or three songs each.  The running order allows for about ten or eleven acts.  Then, following the break, and the inevitable raffle, the second half is a 45-60 PA-supported slot dedicated to a booked artist.   

Last month, on the first outing for the Club, we were treated to a great set by local duo Lorna and Darren, playing as Fly Yeti Fly.  Anyone there would agree it was a great night and a fabulous start to this new venture.   

Last night, for Augustโ€™s booking we had Wings and Whispers, an all-female duo from Bristol. Both classically trained, both admitted to preferring the folkier side of things.  Using harp, guitar, whistle and voices, the pair played some fascinating, ethereal music based in folk legends and myths and in the natural world.  They wove original compositions together with re-arranged folk classics and covers into a mesmerising set. Superb stuff. 

The new Club, set up by Bradford-on-Avonโ€™s Simon Taylor (lately of Water Thieves Trio and Dr. Zeboโ€™s Wheezy Club) and Matt Cook, looks as if itโ€™s hit just the right formula.  Both last monthโ€™s affair and last night were pretty busy, with most seats taken both upstairs and down. Itโ€™s ยฃ4 to get in, and ยฃ1 for a strip of raffle tickets, so youโ€™re all done and dusted for a great night out for a fiver โ€“ what more could you want? Letโ€™s hope that now itโ€™s back, folks will continue to support it and make it into the success it surely deserves to be. 

Future gigs, as stated, will be the second Friday of each month.ย  See their Facebook page for individual events, but hereโ€™s a preview:ย 

Friday 12th September Andy Skellam 

Friday 10th October Lorikeet 

Friday 14th November Brian Stone & The Masters Of None 

Friday 12th December Dr. Zeboโ€™s Wheezy Club 


Swindon Palestine Solidarity Host Summer Fete

Swindon Palestine Solidarity will be hosting a summer fete on Saturday 23rd August, at 12.30pm – 3.30pm. They need volunteers from 11am – 4 pm. at The Broadgreen Community Centre, Salisbury St, Swindon SN1 2AN….

Bring the family to float a boat for Gaza, send a postcard to Gaza, or play ring toss, ball toss, or knock down alley, knocking down injustice one throw at a time! There will be food, Palestinian embroidery, Arabic calligraphy, face painting, and henna. Have a go at tumbling the apartheid wall or on the watermelon shy!ย 

Funds are being raised to send Swindon Palestine Solidarity delegate Liaquth Ali as a volunteer, joining the A thousand Madleens to Gaza flotilla.

In response to the worsening humanitarian crisis in Gaza and the ongoing illegal siege imposed by Israel, a historical global initiative – The 1000 Flotilla: Call to break the siege – is being launched to mobilise an unprecedented international civil fleet to challenge the maritime blockade and deliver life-saving aid directly to the besieged people of Gaza.

This initiative calls upon civil society, humanitarian organisations, trade unions, faith-based movements, maritime workers and peace loving individuals from every continent to contribute ships, crews, medical supplies, food and solidarity.

The aim is to assemble a thousand vessels, symbolic of the global unity and determination, to peacefully defy the blockade and demand an immediate end to the collective punishment of over two million Palestinians.

Liaquth Ali said, “Iโ€™ve decided to join the flotilla because I believe this could be Gaza’s last chance at survival. If we donโ€™t act boldly and urgently, the suffering will only spread, and the West Bank could be next. I canโ€™t sit back while children are bombed and starved, but I’ve also seen hope, our Swindon community and people across the UK rising with courage and solidarity. The world is waking up. Now is the time for action. Every bit of support matters.”

A recent protest by Doctors Against Genocide said, “We are living through a catastrophe unlike any in history. 90% of Gazaโ€™s population has now reached stage 5 malnutrition, the most severe and deadly level. At this stage many cannot be saved.”

Lynn Boylan Member of the European Parliament said “For me, the deep frustration is that the EU has had ample opportunity to do the right thing and they have failed to do that. They have failed to take a single action against Israel. They have a list of actions that they could do, and they are not doing a single one. I hope that they witness, through this flotilla, through the people power, through the mobilisation of people on the streets, that they are on the wrong side of history. They should implement every single item on that list: no trade with Israel, a two way arms embargo, sanctions on the Israeli government, and upholding the ICC arrest warrants.

To support this cause and help send the Swindon Palestine Solidarity delegate from Swindon, please join Swindon Palestine Solidarity at the fete. If you would like to volunteer on the day, or have any questions, please contact Swindon Palestine Solidarity on Facebook, Insta @swindonpalestinesolidarity or email info@swindonpalestinesolidarity.org


Stranglers Frontman Hugh Cornwell Coming To Cheese & Grain

Image: John Kisch

Legendary songwriter and original Stranglers frontman Hugh Cornwell has announced a run of UK dates this November, accompanied by special guests The Courettes, and it includes Fromeโ€™s Cheese & Grain on Saturday 15thโ€ฆ..

Golden Brown, Strange Little Girl, Always The Sun… sound familiar? All big hits, all great songs, all penned and performed by Hugh Cornwell, the songwriter behind the legendary early eighties punk band The Stranglers.ย 

 When future historians of music draw up a list of the movers and shakers who changed the modern musical landscape, Hugh Cornwellโ€™s name will no doubt be amongst them. As a pioneering musician, songwriter and performer, his pervasive influence persists in the record collections of music aficionados, across this spinning globeโ€™s radio waves, and on stages around the world. Hughโ€™s presence is unquestionable.

 As the leader of The Stranglers, Hugh was the main songwriter of all of the bandโ€™s most memorable songs across ten stellar albums. After their 1977 debut Rattus Norvegicus, follow-up albums such as No More Heroes and The Raven consolidated Cornwellโ€™s stature as a unique songwriter and musician. His multi-layered lyrics to Golden Brown, from La Folie, remain a songwriting masterclass.

Hugh embarks on his Come And Get Some tour in November, appearing at Fromeโ€™s Cheese & Grain on Saturday 15th. A full band show with Stranglers choice cuts and solo delicates, plus support from The Courettes, an explosive group from Denmark and Brazil. With Flavia Couri on vocals and guitar and Martin on drums, they provide the perfect blend of Wall of Sound, Girl Group Heartbreaks, Motown and R&B. Imagine the Ronettes meeting the Ramones at a wild party in the Hitsville echo chamber, thatโ€™s the Courettes!

โ€œCornwellโ€™s still doing things his way and often with striking results,โ€ said Mojo, โ€œThunderously tribal garage rockโ€ฆ the ex-Strangler not yet gone soft,โ€ Uncut provided. 

Kicking off at Epic Studios in Norwich on 6th November, Hugh Cornwell will be playing favourites from his time with The Stranglers as well as a range of solo material, including his 1979 album โ€˜Nosferatuโ€™ in full. The record saw Cornwell teaming up with Captain Beefheartโ€™s Robert Williams to create a record as gothic as the film it takes its name from.

Throughout November, Cornwell will make stops at beloved venues up and down the country including Hangar 34 in Liverpool, Concorde 2 in Brighton and Islington Assembly in the capital. Heโ€™ll be joined on the road by retro-inspired punk rock duo The Courettes, helming from Denmark and Brazil. 

Tickets are on sale HERE

Hugh Cornwell UK 2025 Live Dates

6th Nov – Norwich, Epic Studios

7th Nov – Holmfirth, Picturedome

8th Nov – Liverpool, Hangar 34

13th Nov – London, Islington Assembly

14th Nov – Coventry, Warwick Arts Centre

15th Nov – Frome, Cheese and Grain

16th Nov – Brighton, Concorde 2

20th Nov – Glasgow, St Lukeโ€™s 

21th Nov – Dunfermline, Carnegie Hall

22nd Nov – Newcastle, Digital


Talk in Code Announces New Single; More Than Friends

Atmospherically anthemic and reinforced with that infectious rhythmic groove weโ€™ve come to love Talk in Code for, More Than Friends is chockfull of it, and itโ€™s their latest single, to be released on Friday 22nd August 2025 via Regent Street Recordsโ€ฆ.

Even if youโ€™re accounted for now, happily married and matured like a fine wine, the recollections of a blossoming relationship and the eagerness versus apprehension it provokes will never be pushed down a dark alley of your memory lane; successful or epic fail, they live inside the mind forever, Iโ€™m afraid! Frontman, Chris Stevens said of the single, โ€œweโ€™ve all been there, in a situation waiting for the other to make the first move, to validate our feelings, or save face!โ€

I could tell you a few stories, but will save you the agony! Especially as the earliest would be set in the eighties, about getting hot under the collar over girls in rah-rah skirts, leg warmers and dippy-boppers! But thatโ€™s the beauty of this songโ€™s simple premise; if youโ€™re older the irresistible eighties feel to the sound assists you in extracting the emotions needed to savour a memory or two, and youโ€™ll stare back up at your Morten Harket or Kim Wilde poster, should the blu-tac not have dried out, praying theyโ€™ll bless you with a cure to your longing!! Billy Joel, you charlatan, it isnโ€™t that easy to tell her about it!

Whereas if youโ€™re younger and, as gen z generally are, far more practical to be praying to Smash Hits pullout posters, you might relate the songโ€™s narrative to a newfound emotion, sharable on TikTok. But the eighties vibe still functions as a mechanism, because, letโ€™s face it, musical innovators of the eighties are the catalysts to contemporary pop. I was careful here not to suggest eighties music was better, though with my rose-tinted specs on, the thought was! 

And thatโ€™s what makes Talk in Code so universally engaging; it bridges a needed gap between eighties new wave electronica and nineties indie pop. In goes the synths, guitars riffs, the immortal choruses and rousing hooks, and what it exhausts is fresh and pumping, modern yet as timeless as Chris’s Adidas jackets, like someone slipped a rocket between the bum cheeks of Tony Hadley, and whip, zoom heโ€™s top of the download chart faster than you could cry Oasis.

For the reflective mood to the bandโ€™s artistry, which this track seems to strengthen, More Than Friends might be considered typical for the bandโ€™s direction, but as ever, they are growers, and after a listen or three youโ€™ll find the quintessential is challenged with each new release, because this band are tight, theyโ€™re professional, and bounded by great PR, management, and a truly loyal fanbase. A base which will be singing this back to them, in blue sunglasses, at their numerous live performances within the next month!

The single’s launch party is at the Vic, Swindon, on Friday 22nd August. Tickets HERE

Another cracker, Talk in Code. For everyone else, pre-save it HERE!


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Female of the Species Return for the Last Time

โ€œMore deadlier than the maleโ€ is my usual corny pun for this, but if supergroup Female of the Species returns to Melksham this September, it looks like the last time Iโ€™ll be able to use itโ€ฆ.

September 2017, when Devizine had merely eight articles published, I previewed a charity fundraising event in Melksham, The Female of the Species, and Iโ€™ve loved it and supported it since. A supergroup composed of the frontwomen of various local bands, they were already in their second year, but after ten years they announced this one will be their lastโ€ฆ.

Julie Moreton from Trowbridgeโ€™s ska and reggae covers band Train to Skaville, formed the supergroup Female of the Species with Nicky Davis from Warminster-based The Reason, Glastonburyโ€™s Julia Greenland from Soulville Express, Fromeโ€™s Claire Perry from Big Mammaโ€™s Banned, and solo artist Charmaigne Andrews, for an annual fundraiser at the Melksham Assembly Rooms; it became a much-loved institution and has raised over an estimated ยฃ25-30K for various local charities chosen annually.

Itโ€™s an incredible amount, but Julie revealed she wasnโ€™t sure of the grand total over the combined years. โ€œWe’ve never really kept a total of what we’ve raised,โ€ she modestly told me, โ€œwe sang a few songs, and someone’s life got a little better is how we think about it.โ€

Their tenth and final time performing the fundraiser as The Female of the Species will be at The Melksham Assembly Hall on Saturday 13th September 2025, and will be raising for Voices, a Bath-based charity supporting survivors and overcomers of domestic abuse and violence to recover and thrive. Tickets usually sell out quickly, you can grab yours HERE.

And youโ€™ll be glad you did, the accumulation of five talented singers from different bands, coming together for a sizzling melting pot of all popโ€™s subgenres, from rock, soul and reggae, blended with some filthy banter is something to behold, a whole lot of fun and dancing. Thereโ€™s always a quality support act too, the likes of Plan of Action, Becky Lawrence and Dylan Smith have all warmed up the audience in previous years, but the girls have called inย Laura Jayne, their first ever support act, who has carved out her own career as a vocalist.

With only months to raise hundreds of thousands of pounds or face potential closure due to the building it leased being beyond economical repair, in 2024 Female of the Species raised funds for Trowbridge preschool Rainbow Early Years. 2013 was for Alzheimerโ€™s Support, and previous years theyโ€™ve supported Mind, Young Melksham, Wiltshire Air Ambulance, and one very close to our hearts here at Devizine, Carmelaโ€™s Stand Up to Muscular Dystrophy.

They received a Civic Award in 2019, a letter from the Queen Consort, and thanks from the Chartered Institute of Fundraising. For a couple of years, with a misinformed council, they made the move to Seend Community Hall, but in 2024 they headlined Melkshamโ€™s Christmas light switch on and are now back at the Assembly Hall. Although, where and why did it all begin?

โ€œI started The Female of the Species because I didn’t like the way women were perceived on the local music scene,โ€ Julie Moreton told us. โ€œOut with Train to Skaville, at a couple of local festivals I noticed I was the only female on the stage, so I went into the green room and asked โ€˜anyone got any girls in the band?โ€™ The reply was, โ€˜we don’t have girls in our band because theyโ€™re unreliable, always gotta find a babysitter!โ€™ At another  festival I asked the same question, this time the reply was, ‘we get a few girlie’s in when we want some backing lyrics done!โ€™ It bugged me for about a year, then I decided to do something about it, spoke to my co-founder Julia Greenland, we booked the Civic Hall, without really knowing what we were doing!โ€

They only ever planned the gig as a one-off in 2014, but went on for ten years. Julie concluded, โ€œthe rest is history,โ€ until hilarious force of nature Claire โ€œBig Mammaโ€ Perry had to butt in with her welcomed thoughts too!

โ€œI joined this crazy bunch after their first year of performing,โ€ Claire  informed me, โ€œwith, I have to admit, some apprehension!!โ€ and continued to explain her reasoning; being โ€œbadly burntโ€ by another woman in a band; I didnโ€™t dare delve deeper! 

โ€œBut after Jules and Julia convinced me,โ€ she continued, โ€œI thought Iโ€™d be mad not to, โ€˜cos it’ll be fun!  I have to say….I’ve never looked back, well, maybe once or twice, to tell the drummer he’s too frigginโ€™ loud, or asleep, or pissed!โ€

โ€œIt’s been hard work every year, to get the time needed to rehearse, as all the band have their own commitments be it musically, or with their own families and lives, but what a privilege itโ€™s been every year to raise not only awareness of our chosen charities, but of course the money  that has helped them all, in whatever way they chose to put it to use.โ€ 

โ€œI think, if I may speak on behalf of all of us, what being in the Female of the Species has done for us, is to firmly secure the respect, admiration, and amazing friendships we have made amongst us all. Every year, we come out, smiling, (teeth & tits!!) to our trusty, and loyal audiences, professional to a fault, to put on, what we hope- will be a great show…but often hiding, or certainly masking, our own sometimes sad or heartbreaking dilemmas!โ€

Claire described how every year one of the members had issues in their personal lives, โ€œwhether that be, broken hearts, broken limbs!โ€ and here I recollected the year Nicky Davis hobbled out with a broken leg, and stunned the audience standing for her solo, but Claire reflected back three years past, when she lost her mum the night before the show.

โ€œTen years at the top of our game, we hope we can raise the rafters on this, our big celebration of music, friendship, and helping decent people, working to help others in chronically under funded charities, and get the place bouncing!! For me, itโ€™s been a blast, boosted my confidence and morale, and it’s made me proud of what a bunch of musos from the West can do, when we put our collective skills in the pot. Over the last ten years we have been The Female of the Species band, we have raised somewhere in the region of 30K for some very deserving people. It’s been a slog, it’s been a grin, but most of all…it’s been a pleasure!โ€

The pleasure has been ours, as we turn the final page, The Female of the Species will become an historical landmark on Wiltshireโ€™s music scene, and I still didnโ€™t get any of their phone numbers. For one last time youโ€™re invited to help them raise the roof of the Melksham Assembly Hall on Saturday 13th September 2025, but you need a ticket from HERE.


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CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

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Crowned Lightbringer; New Single From Ruby Darbyshire

Ruby, Ruby, Ruby! So good the Kaiser Chiefs wrote a song about her, or if not, at least brilliant enough to silence the most rowdy venue into an utter state of jawdropping awe! A video of a new tune, a metaphorical sea shanty, Crowned Lightbringer teasing us for a forthcoming EP, is out todayโ€ฆ..

A diary jam-packed, gigging across the South West to Scotland and beyond, her natural talent is off the scale, and deservedly gaining attention. With youth on her side, raw determination, and a twinkle in her eye, whatever avenue she might choose to take to get there, everything screams future legend about Ruby Darbyshire. I predicted this from day dot, Crowned Lightbringer confirms.

They whisper, โ€œoh, I’ve not heard her play yet,โ€ and not wishing to present them with a spoiler, I reply, as Ruby tunes up, โ€œjust, don’t go anywhere.โ€ Seconds later, another instant Ruby Darbyshire fan has spawned!

For her most treasured song to date, Insomnia, uses the inventively crafted metaphor of a blankie to represent a relatively adult issue, even breaks the solemnity with a comical line, it remains the simple premise of an intelligent childlike product in comparison to Crowned Lightbringer.

A rowing boat in a storm, a race against sea monsters, the lighthouse diverting ships from a bay; this is multi-layered and richer metaphorically than anything we’ve heard from Ruby in the past,ย and projects a maturing sentiment, with a fleshed, lost character and a sombre, inspiring narrative. The mood is chilled in darkness and euphorically hopeful to be guiding towards light.ย  It’s a sublime voyage of discovery, and overlapping looped harmonies echoing Ruby’s soulful vocal range insists you come aboard.

sneaky peek at the forthcoming EP cover

The tempo mellowed to ghostly, the sentiment interwoven into this rich theme of the implications of maturing; blues, in essence, with silk and steel strings? I’m no expert, but I do know the result is breathtaking, perfection on every level. It feels personal yet outwardly reflecting, and leaves you longing for this forthcoming EP.


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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

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Wiltshire Music Centre Announces First New Season Under New Leadership

Wiltshire Music announces a new season for Autumn Winter: and the first under the new leadership of Daniel Clark, Artistic Director and Sarah Robertson, Executive Directorโ€ฆ.

Since first opening in 1997, Wiltshire Music Centre has been a musical hub, bringing the best in live performances to the area as well as providing a home for local orchestras, choirs and music groups. The upcoming season will feature returning WMC favourites while also spotlighting exciting new artists and expanding the programme, signalling a fresh direction and commitment to musical discovery.

Audiences can look forward to internationally recognised artists including a first visit to WMC by Kingโ€™s Place resident ensemble and Southbank Resident Orchestra,โ€ฏAurora Orchestra (21 Nov) a rare UK appearance by the phenomenal Bill Frisell Trio (22 Nov), classical season opener by Roderick Williams, one of the UKโ€™s most sought after baritones, alongside theโ€ฏCarducci Quartet, (28 Sep) and experimental folk singer-poet Richard Dawson (9 Nov), among others.

Other classical season highlights include celebrated Baroque violinistโ€ฏRachel Podgerโ€ฏperforming withโ€ฏBrecon Baroqueโ€ฏ(8 Oct) and returns to the WMC stage by virtuosic pianist,โ€ฏJeneba Kanneh-Masonโ€ฏ(Sun 26 Oct) andโ€ฏI Fagiolini, who bring their musical storytelling back to the stage with leading local choir, Bath Camerata (13 Dec).โ€ฏThe Young Artist Programme supporting the brightest young stars is back with Classic FM 2024 Rising Star and violinist Nathan Amaral (17 Dec) and Syrian-British pianist, Riyad Nicolas (12 Nov), exploring piano works from Bach, Beethoven and the Arab World.

A season of sensational jazz kicks off with Giacomo Smith and an all-star line-up celebrating 100 years of Louis Armstrong (27 Sep), a tribute to Nina Simone by Lady Nade, contemporary jazz and inventive improv from Danish Jazz Awards winners Jasper Hoibyโ€™s 3Elements, and much more.โ€ฏ

Alongside traditional folk offerings of Gypsy, folk inspired music by Budapest Cafe Orchestra (15 Nov) and โ€œworld-folkโ€ by Dallahan (31 Oct), the line-up also features contemporary sounds, including spellbinding Welsh triple harpist and vocalist Cerys Hafana (18 Oct), the critically acclaimed duo The Breath (2 Nov), and London folktronica band Tunng (19 Nov). 

Families can look forward to CBeebies Musical superhero and Podcast host, Nick Cope and his festive themed show (7 Dec) while earlier in the year, thereโ€™s a Halloween special for all the family with The Paper Cinema (1 Nov) and their immersive puppetry and visuals.

Referring to the Centreโ€™s rich history, Daniel Clark says โ€œWith these concerts, we have aimed to honour the spirit of musical curiosity so present in those early days, with a diverse programme spanning past, present and future. In our next season, you will find a collection of extraordinary musical experiences, handpicked for our wonderful auditorium and marking the start of our own journeys as stewards of this special venue.โ€ 

Daniel Clark joined in January this year, alongside Sarah Robertson. Sarah was previously Director of Communications and Special Projects at Bristol Beacon, leading the marketing and rebranding of the venueโ€™s ยฃ132 million transformation. Daniel, with over 25 years in the arts as a Creative Director, composer, and musician, formerly led the Creative Programme at the Story Museum in Oxford.

Highlights:

Aurora Orchestra: one of the most innovative and boundary-breaking ensembles in classical music make their WMC debut performing Mendelssohnโ€™s much-loved โ€œItalian Symphonyโ€, and Prokofievโ€™s expressive Violin Concerto No 2 with Chloe Hanslip โ€“ all performed from memory. (21 Nov 2025) 

Bill Frisell Trio: Wiltshire Music Centre welcomes legendary jazz guitarist and composer and his acclaimed trio featuring Thomas Moran on bass and Rudy Royston on drums. This will be just one of a handful of UK performances, that includes the London Jazz Festival. (22 Nov 2025) 

Artist Residency: Groundbreaking clarinettist, active educator and composer Giacomo Smith performs a series of concerts: โ€œThe 1925โ€ (27 Sep) celebrating 100 years of Louis Armstrong featuring UKโ€™s jazz talents, Joe Webb and Laura Hurd; Giacomo Smith + Wiltshire Youth Jazz Orchestra (12 Oct), a special afternoon of brilliant big band magic with talented young musicians; Giacomo Smith & Mozes Rosenberg โ€œManoucheโ€ (14 Nov), a special quartet project paying homage to Djanjo Reinhardtโ€™s musical legacy.

Penguin Cafe Plays Music from Penguin Cafe Orchestra: The sounds of Music from the cult avant-pop band of the 80s & 90s is played by group founded by Arthur Jeffes, son of the original creator, Simon (18 Nov)

Little Rituals presents Heliocentrics: Special event presented by Bradford on Avonโ€™s coolest coffee shop, Little Rituals: an evening of psychedelic-funk-jazz, audio-visuals, pop- up vinyl shop run by Melkshamโ€™s indie record shop, Doubles and cocktails. (29 Nov)

Tickets are now on sale from HERE.ย 


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A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

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Announcing The Top Ten Nominees of Wiltshire Music Awards 2025

Yeah, I hear you! An update on our inaugural Wiltshire Music Awards is overdue. So my partner on this monumental project and the guy doing all the work while I take the credit, Eddie Prestidge of Wiltshire Music Events, has taken off his shoes and socks and provided a top ten shortlist for each categoryโ€ฆ.drum roll, and perhaps a generous spray of Febreze!

Excited? I know I am, but then I’m easily excitable. Firstly you should know by now, despite the umpteen โ€œwhere can I voteโ€ questions still fired online at us daily, that the voting has closed; closed, people; pay attention!

We are now in the process of collating those thoughtful public votes, and handing the top three winners of each and every category to an expert panel of judges either selected for their keen involvement in the Wiltshire music scene, sporting a purple goatie, or both.

We thank those who took the time to cast their votes. We had over 700 votes, proving the music scene of Wiltshire is vast and enjoyed by many, has more talented people than a night out with The Venga Boys, and there’s a few Swifties and generally silly people who didn’t get the memo that this is Wiltshire Music Awards and not the Pennsylvania oneโ€ฆ.unless you can find me a suitable connection between Wiltshire and Taylor Swift?! 

Hey, look, let’s be honest, I’d be happy to hand her an award, perhaps in exchange for her phone number, but we have to keep things in perspective.

On our Facebook group over the past week or so, Eddie has been listing the results, precisely as they were written in the boxes by the voters, so you can see, warts, spelling mistakes, and those spoiled ballots by a minority of silly sausages were included. We’re aware, due to stage names, variations, and the state of the education system, some names appear twice or more, and it’s been a task to collate them.

The thing is, and always was, that the voting boxes should be left blank rather than those annoying drop-down option thingies. While the combined minds of Ed and I is both something to behold, and a virtual encyclopedia of the Wiltshire music scene, we can’t pretend to know everyone, and therefore some of the choices made by you, the voters, we were unaware of. And that’s the beauty and ethos behind these awards, networking foremost. Making the scene competitive is the bottom of our priorities, Wiltshire Music Awards is about recognising and celebrating local talent, and showcasing it.

Personally I reckon anyone with the guts to get out there and entertain Wiltshire folk deserves a big shiny medal of bravery, and perhaps one of those right posh giant Toblerones! Thereโ€™s a number of artists and bands missing that Iโ€™d personally liked to see up there, I guess thatโ€™s the way the cookie crumbles.

So, enough of my warbling, cue the Gregory Isaacs song, โ€œThough she isn’t in my top ten, still she is on my chart, Sitting in the back bench still she’s a student of my class,โ€ or not perhaps; political correctness! Here, anyway, is the Top Ten from each category; fill yer boots, no squabbling, and the very best of luck to everyone mentioned belowโ€ฆ.

Listings are alphabetical. Those eagle-eye Action Men might notice not all categories contain ten; where the final one or two contains multiple entries with the same amount of votes, they’ve been omitted.


Come and help us celebrate the winners and runners up with a star-studded lineup of music, announcements, perhaps even yours truly as host (a polished turd in a tuxedo,) and a special celebrity guest or three, by grabbing some tickets for the grand ceremony at Devizes Corn Exchange on Saturday 25th October. 


Best Male Solo Artist

Vince Bell

Giles Halski

Lucas Hardy

Josh Kumra

JP Oldfield

John โ€œIllingworthโ€ Smith

George Wilding

Adam Woodhouse



Best Female Solo Artist

Harmony Asia

Ebony Bell

Chrissy Chapman

Sammi Evans

Ruby Darbyshire

Chloe Hepburn

Rosie Jay

Tamsin Quin

Rachel Sinnetta


Best Originals Band

All Ears Avow

Be Like Will

Burn The Midnight Oil

Dark Prophecy

Deadlight Dance

Cephid

The Jon Amor Trio

Nothing Rhymes With Orange

Talk in Code


Best Covers Band

Be Like Will

The Britpop Boys

Martyโ€™s Fake Family

The Midnight Hour

No Alarms And No Devizes

Pinky & The Slapcats

Static Moves

The Unpredictables


Best Duo

Deadlight Dance

Fly Yeti Fly

Illingworth

Jolyon Dixon & Rachel Sinnetta

Lauren & Hardy

Matchbox Mutiny

Millers Daughter

Rackham

The Sylvertones


Best Rising Star/Newcomer

Sam Bishop

Burn The Midnight Oil

Cephid

Chole Hepburn

Sammi Evans

Fran Daisy

JP Oldfield

Koerie Willsdon

Rosie Jay


Best Tribute Artist/Band

The Bowie Show

BC/DC Breakcover

The Britpop Boys

50 ft Queenie

Mick Jogger & The Stones Experience

Just Elton

Painted Bird

Plastic Fantastic

Rebjorn 


Best Music Venue

The Pump, Trowbridge

Qudos, Salisbury

The Royal Oak, Pewsey

Stallards, Trowbridge

The Southgate, Devizes

The Three Crowns, Devizes

The Three Horseshoes, Bradford-on-Avon

The Victoria, Swindon


Best Original Song

The Bitter Mass – Iโ€™ll Wrap You

Burn The Midnight Oil – Lock Up

Butane Skies – Innocence

Gaz Brookfield – Hook Village Hall

Lucas Hardy – The Below

Rob Sadler – I Wrote a Country Song

Rosie Jay – I Donโ€™t Give a Damn

Talk in Code – All In

The Vivas – Saint Swithens


Best Vocalist

Amber Coleman

Tom Corneill

Elijah Easton

Lucas Hardy

Chloe Jordan

Rachel Sinnetta

Chris Stevens

Tom Thornton


Best Guitarist

Jon Amor

Nick Beere

Joe Burke

Jolyon Dixon

Andy Hill

Howard Hughes

Jack Lowe

Innes Sibun

Alister Sneddon


Best Bassist

Mark Turner

Nick Gowman

Nick Beere

James Hinsley

Lucianne Worthy

Jerry Soffe 

Ed Docherty

Richard Hunt

Thomas Noke


Best Drummer

Dean Creighton

Ed (Solar Bird)

Tom Gilkes

Andy Naish

Jamie O’Sullivan

Thor Porter

Callum Rawlings

Jane Truckle


Best Instrumentalist

Mike Barnett

Nick Beere

Jolyon Dixon

Claire Hopkins

Cailien Hunt

Andrew Hurst

Chris O’Leary

JP Oldfield

Sara Stagg

Wade (from Brakelight)


Best DJ

Paul Alexander

Mark Anthony

Chloe Grist

Guy Griffiths (DJ Bong)

Kevin – (Odstock Radio)

Mark Lister

Maurice Menghini

Andy Saunders

James Threlfall


Lifetime Achievement Award

Jon Amor

Nick Beere

Vince Bell

Jolyon Dixon

Colin Holton

Ruth Jones

Michael Johnson

Pete Lamb

Darren Simons

Talk in Code


Outstanding Contribution to the Wiltshire Music Scene

Jo Baines

Nick Beere

Colin Holton

Ian Hopkins

Tom Mallard

Solstice Sound Music Studio

Talk in Code

The Three Horseshoes

Darren Worrow


Outstanding Contribution to Music in the Community

Jo Baines

Robb Blake

Jemma Brown & Fulltone Orchestra

Saun Dobson & The Three Horseshoes

Ross Gooding

Colin Holton

The Royal Wottonn Bassett Dementia Choir

Talk in Code

West Wilts Radio

Darren Worrow


That’s all folks, save the most important part for you; come and help us celebrate the winners and runners up with a star-studded lineup of music, announcements, perhaps even yours truly as host (a polished turd in a tuxedo,) and a special celebrity guest or three, by grabbing some tickets for the grand ceremony at Devizes Corn Exchange on Saturday 25th October. 

To make this as glitzy as we want it to be, you can help us also by sponsoring a category, more information about this and everything else to do with Wiltshire Music Awards, see HERE.

Devizes Rising Star Jess Self in Final for West End Kids

If youโ€™ve seen Jess Self performing at the Wharf Theatre, singing at the FullTone Festival or elsewhere Iโ€™m certain youโ€™ll agree with us; Jess has that star quality which lights up the stageโ€ฆ..

At 13 Jess won Vernon Kayโ€™s Talent Nation, studied performing arts at Trowbridgeโ€™s Stagecoach and has appeared in many productions including Devizes Music Academy’s Six:Teen, The Railway Children and lead roles in more pantomimes at The Wharf Theatre than I could name!

Weโ€™re delighted to hear Jess has made the final seven hopefuls for West End Kids, the UKโ€™s renowned pre-professional company for musical theatre training and elite performance. From hundreds of entries, the final seven young contestants are decided by public vote, to win a scholarship for their training programme.

Jess said, โ€œthe first show I ever went to watch was Matilda when I was 9, after the show I said I want to do thisโ€™ and I haven’t stopped singing since. This would be a dream come true for me!โ€

Now, this is where you come in, interactive which we are! Please help Jess reach the dream, vote for her and support local talent. Vote HERE by entering your name, and confirming by email. Voting ends this Sunday, 3rd August, so donโ€™t delay.

We wish you the very best of luck, Jess! 


FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited to cover Devizes Scooter Rally, Trowbridge Festival and My Dad’s Bigger Than Your Dad festival in Swindon as well! I either need cloning technology or more people willing to write for peanuts; apply within, monkeys!

What I did discover on the Devizes Green was the usual exceptionally high standards of entertainment, amidst the equally usual quality of sound and light engineering.


Friday night was great, and showcased students of Devizes Music Academy. I’ve covered it here, Saturday I caught another glimpse of the magnificence; The FullTone Orchestra playing out Vivaldiโ€™s Four Seasons with glitter-faced violinist Katy Smith, and was held spellbound, other than perhaps sipping my delicious Muck & Dunder piรฑa colada!


I’m sorry I cannot bring you more, as I dropped into the Rally afterwards and stayed until the finale. The date clash of these two monumentally important Devizes events is a dilemma I’ve mentioned before. But no longer!

I’m glad to hear FullTone has announced a new date for 2026, 10th-12th July, as it cannot possibly clash with the rally,, as it’s being moved to the same site as the rally and recent inaugural and aptly named Park Farm Festival, at Lower Park Farm off the Whistley Road.

It’s a splendid site, plentiful for camping, and this will mean big changes for the FullTone Festival we can only speculate right now….and I’d get in even more trouble with Jemma then I already am!!


Devizes Scooter Rally; Best Yet, Ranking Full Stop!

If there’s been hearsay and ballyhoo about the date clash of two major but individually different events in Devizes this week, I hold my hand up for stirring the pot, yet try to attend both and find fair balance. But at the dawning of them, as magical as the FullTone Festival is, it cannot be argued, Devizes Scooter Rally was the success story this weekendโ€ฆ..

My afternoon was spent, Muck & Dundar piรฑa colada in hand, in the magnificence of FullTone’s mighty stage, Vivaldiโ€™s Four Seasons striking out with the acoustics of the gods, in awe at glitter-faced violinist Katy Smith and the orchestra behind.ย 

It is unquestionably a fantastic event. Though Devizine isn’t my employment, neither a public service, it’s a hobby, its opinions driven by the personal preferences of the authors. As much as I pretend to be classically cultured, there’s another gig I’m impelled by preference to explore; Devizes Scooter Rally.ย 

Handbags and gladrags for a cider guzzling retrospective camping adventure on the future site of FullTone, Park Farm. The scope for expansion for FullTone is available here, even if townsfolk accustomed to a freebie from their deckchair on the small green might whinge, at least the date will not clash and Devizions can enjoy both next year, if they so wished. Yet if the clash must remain, my devotion is towards the Rally, because it’s more my cuppa.

I’m standing upfield with the โ€œColonelโ€ of Devizes Scooter Club Adam Ford and his partner Lauren Gibbs, watching the sun setting across the vast expanse of tents, campers and scooters; neither sure nor fussed over stats, but the site is at least 25% fuller than last year, which was recordbreaking too. They, club members, and volunteers have been here all week, setting up this magnificent spectacle, now feeling the fatigue but maintaining smiles, and the bar staff continue regardless of lost voices and aching feet. The club built the fantastic bar themselves, and once the rally is opened this testament to their conscientiousness never creates a dull moment.

The sound reputation the rally has built, both locally and nationwide has boosted attendance figures, the headlining of Ranking Jnrโ€™s incarnation of The Beat assisted. A bold move to introduce a renowned name, but the Club needs to discuss just how willing they are to expand the rally, the issues it may raise, but in general the consensus seemed to be that in fear of losing the communal and hospitable atmosphere, this yearโ€™s Rally might be as large as they are willing to take it. I like this, for the atmosphere is sublimely buzzing, yet it retains a friendly, family vibe.

The spirit of the attendees, or the overall โ€œvibeโ€ is key to its success, and something no matter how much dosh you throw at the mechanics or promotion of an event, you canโ€™t manufacture. It just happens, via the altruism and motivation of the organisers, presenting an affordable occasion welcoming all. The scooterists flock here from every corner of the country, the locals are now keen to come too, because thereโ€™s no boundaries or prejudices dividing them. It is also, undoubtedly the nostalgia they all love, a merger of youth cultures of yore, and, for the younger attendees, its influence on today. This, and the certitude ska, reggae, and soul is irresistibly danceable, and for the locals, genres something rarely provided here.

Devizes Scooter Rally is top of its own class. Other largescale rallies have debatably lost their communal atmosphere through their expansion, and those at the lower end of the scale do not pack the same powerful punch. Five bands are booked, thereโ€™s lengthy breaks between them filled with the renowned DJ Terry Hendrick, and no one batters an eyelid in botheration. This isnโ€™t exactly a festival even though it might appear so, more a gathering of likeminded, out to party like thereโ€™s no tomorrow! They gather to chat, drink and be merry; thatโ€™s the motto reflected.

The Butterfly Collective, the penultimate Saturday night act seemed far more polished and diverse than last year, and took us on a grand historic musical journey of covers, relevant yet era-spanning and anthemic. What would finalise the live acts was bubbling the anticipation and excitement of the crowds jamming themselves into the marque.

Two-Tone pioneering bands striving towards chart success in the early eighties attempted it in different ways. The Specials upheld politically-motivated teenage anguish, The Bodysnatchers used their frontgirl for feminist awareness, Madness locked into a carefree fairground sound to appease the youngest, but The Beat achieved it by combining musical styles which would change the nature of pop. Punk, ska, soul and reggae, even Latino influences were not off the cards for The Beat. Though, as seemingly mandatory of the Two-Tone style, an Afro-Caribbean toaster was provided, and his unforgettable name was Ranking Roger.

2019 Ranking Roger sadly passed away aged just 56. We heard a heartwarming homage to him in both speech and song from his son Matthew Murphy, aka Ranking Junior, and though subtle not to sombre the mood, it was emotional. The remaining time was spent absolutely and categorically rocking the crowd with a combination of self-penned songs in the skanking fashion of The Beat yet updated with subtle dancehall and obviously classics from the original lineup when the concentration leaned on his father rather than Dave Wakeling. In so much we weren’t treated to tunes like Canโ€™t Get Used to Losing You, but at the height of the party mood, Mirror in the Bathroom, Full Stop, Hands Off…She’s Mine and an updated Stand Down Margaret did more than suffice. 

It was off the scale, a perfect balance of testament to his father and his own progression, akin to Ziggy Marley, a high but deserved accolade. Through his youthfulness was the drive in the show, the same zest and raw energy his father wouldโ€™ve delivered in his prime, and that was simply delicious, respectful and infectious.

Once the steam had lessened and the night bit in, Terry would supply the other end of the musical difference of contemporary scooterists, Northern Soul. So if the soul dancers were persuaded by genre to hover outside while Ranking Junior’s The Beat took on this timeless extravaganza, the dancefloor was now theirs to show off their fancy moves, and they did!

What a fantastic, peaking blinder on our doorstep, I only hope Iโ€™ve done it justice trying to express how bloody marvelous it was, especially the afternoon after the cider I consumed! Devizes Scooter Club, friends and family sure know to throw an unforgettable shindig, and maximum respect to them for the diligence and efforts they put into putting this rally firmly on the map, again. It just gets better each time! 


FullTone Gets Underway With Devizes Music Academy Showcase and Something About Jamie

Devizes annual orchestral festival, FullTone got underway yesterday afternoon with a showcase of local talent from Devizes Music Academy,ย  and finalised Friday night with their recent musical Thereโ€™s Something About Jamieโ€ฆ.

If today the stage is filled with the sixty-plus piece FullTone Orchestra and guest singers, Friday night was all about Jamie ….or something about Jamie! A contemporary set musical akin to Billy Elliott, save tap dancing is replaced by a desire to become a drag queen.


Prior, students of the Academy took to the colossal stage to sing solo, a tenfold more nail-biting experience than any open mic! At least, I’d imagine it would be, still waiting for the call!

Bravely and with confidence, Emma Nailor, Annie Coleman, andย  Joe Thomas sang, and I’m sorry I missed them. I did arrive fashionably late to catch Braydon-Lee, who delivered an awesome set of pop covers from the likes of Ed Sheeran and others.

Brewing with confidence and stage presence blossoming, Braydon sang over backing tracks. His tenor voice is rich and expressive, able to handle the likes of Sheeran and Capaldi, but this boy needs a band as he’s got star potential.


Something About Jamie was fun. Humorously scripted, poignant, and contemporary. Both the acting and, particularly the singing was first class, kudos to the students of Devizes Music Academy.

Of course, FullTone Festival continues today with the orchestra in full flight. Classical beginnings, including Vivaldiโ€™s Four Seasons at 2pm. Then, the songbook of the Beatles, a recreation of Enya’s groundbreaking album, followed by the popular dance anthems taking the crowds into the night. I’m heading down there now!

Static Moves Crawling Back With Debut Single

In a way itโ€™s more intriguing when a cover band sends an original song than one already producing originals. For if original bands can sometimes be critical of the desire of pub venues to value cover bands over them, yeah, your average cover band is heeding the call for their bread and butter, but are often equally passionate about music, and turn to recording some of their own wares. And when they do itโ€™s natural to pay homage to the particular style they play in, as guaranteed, thatโ€™s their calling and influenceโ€ฆ..

Certainly true of Marlborough-based Static Moves, who released a debut single today, full of the retrospective energy theyโ€™re celebrated for at live shows. They turned a cold February night at the Three Crowns in Devizes into a volcano, as they regularly warm crowds at a plethora of local venues with a repertoire of welcomed new wave to Britpop covers.

The concern is that the raw energy doesnโ€™t transfer to the recording, but you have no worries here; it’s the dog’s bollocks. Crawl Back, as theyโ€™ve called it, belts out an accomplished potential anthem of precisely what theyโ€™re loved for on the circuit. A matured and modern indie-rock spliced โ€œTurning Japaneseโ€ by the Vapors, with a carefree attitude of the Merton Parkas. Itโ€™s got the new wave mod-punk crossover of the early eighties splashed across it like two-tone trousers and Fred Perry T-shirts never went out of fashion. And it didnโ€™t, because you can hear its influence crying out for attention in contemporary indie-rock bands, ergo, the appeal of Crawl Back reaches beyond nostalgic middle-aged to youths today.

With a theme of the tail between your legs sympathy vote, forgiveness is key when you still fancy the wrongdoer, forget the three minute hero, this weighs in at four and a half, and it waits for no man to catch up with it. In a way the length of this whopper is more indicative of modern punk bands, but you cannot help but imagine youโ€™re at a musky gig in 1981, it costs two quid to get in, youโ€™ve only got one and half a packet of fruit Polos to trade with the glue-sniffers hanging outside drinking tins of Tennents!

Static Moves promises more of their, indeed, moreish raw energy captured, and if thereโ€™s more in the pipeline, an EP would be welcomed, an album worth would be knockout, because they could, and should, slip this into their covers set and no one would be any the wiser it wasnโ€™t an album track from Modern English or a nineties influenced crew like The Coral or Supergrass; itโ€™s on that level of excellence too, and that’s why they’re all over our local circuit like Dr Martens were in 1981.


Salisbury Musicians Record Fundraising Single in Memory of Thom Belk

A feast of Salisbury musicians have recorded the single Edge of Reason, a powerful tribute to the irreplaceable Thomโ€ฏBelk, a champion of Salisburyโ€™s music scene who sadly passed away at the end of 2023….

โ€œThomโ€™s passion for local talent lit up this city, and this song is our way of keeping that flame burning bright,โ€ explained Salisbury punkers Lump, organisers and main artists of the single.

You can download the track for ยฃ2 from Bandcamp, and every penny goes straight to The Roseโ€ฏGale Trust & The Thomโ€ฏBelk Community Fund, helping young people in Southโ€ฏWiltshire follow their dreams. Tickets to the Salisbury Victoria Park fundraiser on Saturday August 16th are also available from this link, by Salisbury Live.

Wilton based former Salisbury FC staff member, DJ and chef, Thom Belk passed away in December 2023, aged just 36. A firm supporter of the Salisbury music circuit, and the Salisbury Music Awards.ย 

โ€˜Edge of Reasonโ€™ย  was written, recorded and performed by Lump, with a rap section written and performed by Gavin Roberts (MC Daytripper.) Other vocalists featured on the track areย Alex Morgan-Wardrop, Helen Maple, Mr H, Ruth Jones, Matty Priest, Becs Marchant, Cam Walker, Ellie & Emerson andMC Daytripper. The single has fiddle by Wen Archer and Andy Boulton as lead guitarist.


Trending……

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

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Devizes Food & Drink Festival Programme of Events Released

Devizes Food & Drink Festival launched their 2025 programme of events today. Running from Saturday 20th to the 28th September, the Box Office opens online and at Devizes Books on August 11th; can you wait that long or is your tummy rumbling already?!

The free Street Food and Artisan Marketย will take place in the Devizes Market Place on Saturday 20th, opening the festival. There’s tales and food of Greece, cheese & wine tasting, a teddy bear’s picnic, an exploration of the culinary traditions that have bound French and Russian cuisine together, ย lunch in the Menโ€™s Shed,ย local nutritionist and personal trainer Matt Fruci, lunch of Indian street food at Indigo Antiques, Polly’s lunch on the Water Gypsy, The great Foodie Quiz, a Wadworth tour, a murder mystery dinner, Come Dine With Us, and lots more.

The festival ends with the usual World Food Day, something I very much enjoyed last year when I got my fill! That’s free entry at the Corn Exchange on Sunday 28th September. 12.30 they say, but get there early as the queue will be huge and so might your appetite!

More info on the events HERE.


Strange Days Festival Brings Brian Blessed and Henge to The Barge on HoneyStreet in September

With your standard festivals two-to-a-penny, some consisting of not much more than a bloke with a guitar in a pub selling undercooked and overpriced hotdogs, folk are hunting for the unique and often quirky exceptions. Accept The Barge at HoneyStreet always goes the extra mile as a fact. With camping and weekly events so good it’s like a little festival there most of the time, and their homemade HoneyFest still looming on our calendar this September one caught both my eyes and ears; it’s not just unique, it’s otherworldlyโ€ฆ..

Our legendary and beloved Barge Inn, long considered a nexus for crop circles, cosmic curiosity, and canal-side wonder, will host the inaugural Strange Days Festival, a bold new gathering of curious minds, music, and mystery; intrigued huh?!

And leading the charge into the unknown? They’re truly blessed to have none other than the inimitable Brian Blessed, Britainโ€™s booming-voiced national treasure. As a headline speaker on the Saturday afternoon, Blessed, known for his larger-than-life presence and deep fascination with both earthly and cosmic exploration, not to mention his own real-life cryptid investigations, is surely worth the ticket stub alone. If “Gordon’s alive,” let’s hope he’s not moored at the Barge in September!

โ€œStrange Days Festival is a celebration of the unexplained, rooted in the Fortean tradition: a space where the strange is taken seriously, but not solemnly,โ€ organiser Matt Page of Area 51 explained, and he should know. Area 51 Design provides world-class performances, costumed characters, and cutting edge themed decor to events worldwide, from Glastonbury to the Seychelles.

I had a gander at their Facebook page and was left in awe at their quality bizarre installations, pioneers in this art movement to create feasts for the eyes of festival-goers. But back to Strange Days, indeed.

There’s talks and panels on cryptozoology, folklore, the paranormal and other such shenanigans. This includes legendary underground cartoonist Hunt Emerson, an inspiration to me in my scribbling days of yore, cryptozoologist Richard Freeman, Ian Simmons, editor of Fortean Times, and various other podcasters, artists, authors and researchers.

The festival’s ethos invites attendees to question the world around them, with curiosity, critical thinking, and a sense of cosmic humour. But we’ve only just got started, for when day turns to night, the mystery turns to music. With an electrifying line-up of live bands, DJs and performance art, our interstellar heroes Henge headline. 

If you’ve not witnessed their high-energy, intergalactic spectacle before, what planet are you on? I trekked to The Cheese and Grain to investigate them, here’s my take on it, and the bonkers support I mentioned, Paddy Steer is also playing Strange Days. With their message of peace, rave, and galactic unity, Henge are the perfect sonic ambassadors for the spirit of Strange Days.

Plus, naturally, if QTV’s Quentin Smirhes and Comfrey aroused your unnatural senses and turned your head towards social distancing worm helmets during lockdown, you’ll be concerned Sean Reynard will be there, along with Calne’s Real Cheesemakers, with or without their tortoise.

โ€œThis isnโ€™t a conspiracy circus or a sci-fi cosplay,โ€ Matt promises. โ€œItโ€™s a space for real inquiry, meaningful discussion, and a very good time. We’re bringing together the serious and the surreal, the cerebral and the celebratory.โ€ Okay I get that, but you know those human fans of Henge will bring the plasma ball hats anyway!!

If aliens are to visit us, this is surely the best weekend to do so. Therefore I’m going above and beyond our usual local network, calling all galactic lifeforms, space cadets and fortean fans, for this, on our doorstep, looks more like a porthole to another world rather than the typical half-baked efforts at a festie!

Strange Days Festival is at The Barge on HoneyStreet from 5th to 7th September 2025. Tickets and info HERE, or at your nearest interstellar space port, located near Alpha Centauri.


Trending….

Schools Out For Summer: Here’s Some Things to Do in Wiltshire!

Schools out for summer, yelled a man called Alice, but that was in 1972. We’re about what you can do THIS school summer holiday with those little munchkins; here’s what we’ve found…

Please note as soon as we publish this we’ll be bombarded with events we have missed; at least that’s what usually happens! So, bookmark this article as it will update, as will our event calendar, as soon-(ish) as they come to us! Do not fear, we’ll help you through this period, parents, and prevent you having bored kids and compulsory wine-o’clock!

WC says school hollibobs begin Thursday 24th July and parents are freed on Monday 1st September, but we’ve found stuff from Monday 21st, so let’s get this ball rolling from there…..


Ongoing throughout the summer hols….

Boomerang, Melksham

Kids Activities at Bowood House

Longleat Summer Carnival

Friends of Jesus Children’s Summer Holiday Club @ Southbroom School, Devizes


Mon 21st July


Wed 23rd July

BSO On Your Doorstep Concert @ Wiltshire Music Centre, Bradford-on-Avon

Fitzgraham Academy of Dance โ€“ Mythos @ The Wyvern Theatre, Swindon

(26th July)  The Jungle Book @  Salisbury Playhouse


Fri 25th July


Sat 26th July


Mon 28th July


Tues 29th July

Summer Chocolate Experience (Adult & Child/Teen) @ HollyChocs, Poulshot

Thurs 31st July

Wiltshire & Bath Air Ambulance Teddy Bear’s Picnic @ Semington Base, Trowbridge


Fri 1st August

Kidโ€™s Summer Art Club @ Wiltshire Scrapstore, Lacock

Origami Aeroplanes Workshop @ Trowbridge Museum

(-6th Aug) Devising Drama @ Wiltshire Music Centre, Bradford-on-Avon

(-8th Aug) PLUK Song-Writing Club @ Wiltshire Music Centre, Bradford-on-Avon

(-8th Aug) LEGO Stopframe Animation Workshop @ Wiltshire Music Centre, Bradford-on-Avo

The Most Perilous Comedie of Elizabeth I @ Old Town Bowl, Swindon


Sat 2nd August

Brick Creative Club with Trowbridge Library

Circus Skills Workshop @ Wiltshire Music Centre, Bradford-on-Avon

Friends Summer Tea Party @ Wiltshire Music Centre, Bradford-on-Avon


Mon 4th August


Tues 5th August

Craft Day @ The Shires, Trowbridge


Wed 6th August

Drama Tots @ Wiltshire Music Centre, Bradford-on-Avon

Little Piccolos @ Wiltshire Music Centre, Bradford-on-Avon


Thurs 7th August

Summer Pirate Cruises From The Wharf, Devizes

Kidโ€™s Summer Art Club @ Wiltshire Scrapstore, Lacock

Childrenโ€™s Tie Dye T-shirt Workshop @ Trowbridge Museum

Rock The Tots Summer Party @ Wiltshire Music Centre, Bradford-on-Avon


Fri 8th August

Kidโ€™s Summer Art Club @ Wiltshire Scrapstore, Lacock

Mermaid Dance Party @ Wiltshire Music Centre, Bradford-on-Avon

Paddingtonโ€™s First Concert @ Wiltshire Music Centre, Bradford-on-Avon


Sat 9th August

Curious Kids: Under the Sea @ Wiltshire Museum, Devizes

Seend Fete

Story Time @ Trowbridge Library

Swindon & Wiltshire Pride


Tues 12th August


Wed 13th August

Junk Modelling (ages 5+) @ Trowbridge Museum


Thurs 14th August

Kidโ€™s Summer Art Club @ Wiltshire Scrapstore, Lacock

Balloon Modelling @ The Shires, Trowbridge

(-14th-16th Aug) Annie @ The Wyvern Theatre, Swindon


Fri 15th August

Kidโ€™s Summer Art Club @ Wiltshire Scrapstore, Lacock

Fearlessly Taylor @ Town Gardens Bowl Town Gardens, Swindon


Sat 16th August


Sun 17th August

Mon 18th August


Holiday Club at Southbroom St James Academy, Devizes

A Churches Together in Devizes Holiday Club is taking place from Monday the 18th to Friday the 22nd of August at Southbroom St James Acadamy in Nursteed Road. The sessions are from 9.45am to 12.30pm each day, and itโ€™s for children going into school years one to seven in September. Go along and make new friends this summer. Thereโ€™ll be Bible stories, games, activities, crafts, songs, drame, and much more. Thereโ€™s a suggested donation of ยฃ1 per day. Email devizeschurches.holidayclub@gmail.com for further information and booking details.

(-22nd Aug) Musical in a Week! @ Wiltshire Music Centre, Bradford-on-Avon


Tues 19th August


Crafting with Leather @ Wiltshire Scrapstore, Lacock


Wed 20th August

Horrible Histories: Gorgeous Georgians and Vile Victorians @ The Wyvern, Swindon


Thurs 21st August

Kidโ€™s Summer Art Club @ Wiltshire Scrapstore, Lacock


Fri 22nd August

Kidโ€™s Summer Art Club @ Wiltshire Scrapstore, Lacock


Sat 23rd August

Summer Fete at Devizes Scout Hall

In The Night Garden Live@ The Wyvern, Swindon


Sun 24th August


Mon 25th August

Balloon Modelling @ The Shires, Trowbridge


Tues 26th August


Wed 27th August

Flowers And Friendship Bracelets โ€“ The Ultimate Pop Concert @ The Wyvern, Swindon


Thurs 28th August


Fri 29th August

Hot Air Balloon Weaving (ages 5+) @ Trowbridge Museum


Sat 30th August

Kennet & Avon Summer Floating Fayre @ the Barge, HoneyStreet

MELKSHAM FOOD & RIVER FESTIVAL

Calne Food Festival

Malmesbury Carnival

West of England Youth Orchestra with Leia Zhu @ Wiltshire Music Centre, Bradford-on-Avon


That’s all Folks! Back to school. Parents, breath out and relax!

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes can peacefully contain two major events on the same weekend, and, potentially, everyone comes up smiling because they attract different target audiences. But if the practicalities and ethos of both events differ enough for townsfolk to calculate a decision on which they’d prefer to attend, when you think about it there’s also some striking similarities between the twoโ€ฆ.

Next weekend sees two major Devizes events happening simultaneously, FullTone Festival and Devizes Scooter Rally. Me? My eclectic tastes and desire to impartially cover as much goings-on as possible puts me in a dilemma, but for most it’s a no-brainer which they’d rather go to. FullTone, central in town, celebrates our homegrown orchestra, with classically trained and theatrical musicians and singers. Though it leans towards representing pop too, classical is the root, and you can chill among friends on a deckchair absorbing the magnitude of something akin to Last Night of the Proms, whilst close to both home and some lardy cake! 

Whereas The Scooter Rally, out on the Whistley Road, appeases scooter enthusiasts from near and far, though not exclusively, but either usually have a retrospective penchant for soul, reggae, and dancing to it like there’s no tomorrow! If production is slighter here, it’s ample for its needs; technically engineering sound for ska bands with a brass section, keys and all other gubbings can be nearly as challenging as an orchestra, but the Rally has never failed us yet with precision and high quality output. You. Will. Have. A peaky blinder, guaranteed!

Slide and Decide!

On cost, yes, FullTone comes at a price, but as I’ve stated many times before, when you’re held spellbound in the epicentre of that domed stage, captured by its acoustic magnificence, you’ll soon see where the money is spent; on matchless production, coordination, planning and the highest quality performances. The Scooter Rally prides itself on affordability, but somehow doesnโ€™t skip on quality, which is miraculous in itself. There you will feel like part of something really rather communal and will never be left feeling anyone is out to rip you off; similar to FullTone under the premise โ€œyou get what you pay for.โ€

The ambience this creates at the Rally is second to none; drinks prices match the fairness of the ticket stub, camping is included, showers are provided free, and unlike any preconceived notion, mods and skinheads would rather cuddle you than nick your purse!! As an orchestral event it goes without saying, Fulltone also has the hospitality Hagrid would get returning to Hogwarts. Still, the music offering and type of crowd are vastly different, we could suggest by social class, but again, thereโ€™s a good mix at both too. 

Fulltone Festival 2023 Day Two Image: Gail Foster

So, where’s the other similarities, you ask, or I’d imagine you might, as they sound completely different kettles of fish, agreed.

I’ll tell you the easiest comparisons first, both are in Devizes; yay! Secondly, both are blooming fantastic, worthy of your hard-earned cash. Both are about the same age, and  have become stalwart and beloved annual occasions, both locally and further afield. The attraction nationally of both benefit the town financially.

The other major similarity is uniqueness; if there’s nothing else quite like either in Devizes, it’s fair to argue there’s not much quite like either nationwide. Where else would you find an entire magical weekend covering every aspect of the capabilities of a seventy-piece orchestra, theatrical productions and additions catering for a wider demographic? I cannot think of another event anything like FullTone.

Similarly, scooter rallies tend to only come at two ends of the extreme. There’s long established overpriced rallies of glorious magnitude, and then there’s a pub selling undercooked hotdogs for a tenner, with an uninspiring local mod band perpetually playing Wonderwall. Devizes Scooter Rally sits between the two. You might pay the same price as the lower end of the scale, but you’ll receive all the glory of the upper end, and with a hospitable, local feel to it. I’m not making this up. I’ve spoken to folk who travelled up from Cornwall and folk who trekked down from Manchester to attend Devizes Scooter Rally simply because, and I quote โ€œthere’s nothing quite like it.โ€

And โ€œhighest quality performances,โ€ did I state about FullTone? This year Devizes Scooter Club has only gone and booked The Beat! Yes, The Beat, the legendary Two-Tone popsters remembered for hits like Mirror in the Bathroom, Hands off Sheโ€™s Mine, and Canโ€™t Get Used to Losing You. Although Ranking Junior, son of the late Roger Charlery, aka Ranking Roger has settled into the shoes of his father and fronts a reformation of The Beat, itโ€™s a welcomed addition for the Rally to pull in a big name. They are joined by four other bands including Specials and Small Faces tributes, and top northern soul DJs. Devizes Scooter Rally has the space to expand, booking such a renowned headliner suggests theyโ€™re willing to take it on.

Meanwhile, FullTone this year has concentrated efforts on exhibiting the orchestraโ€™s projects, which theyโ€™ve exported to other towns and cities, such as a homage to Enyaโ€™s Watermark album, and Vivaldiโ€™s Four Seasons, rather than introducing local acts outside of the sphere of orchestral music. Although Friday offers a youth showcase and organiser Jemma Brownโ€™s Devizes Music Academy production of Everybodyโ€™s Talking About Jamie, Saturday hosts the Big Sound Choir, and Sunday finds the Gloucestershire Youth Orchestra on stage at 1pm. If FullTone feels a tad more inclusive this year, it doesnโ€™t need nor has the capacity to expand, it is an incredible experience within itself, as it is.

Fulltone Festival 2023 Day Two Image: Gail Foster

Tickets for FullTone next weekend (25th-27th August) are HERE. For Devizes Scooter Rally, also next weekend (26th-27th July) Facebook message the Devizes Scooter Club, or call 078088 49965.

Not forgoing both The Trowbridge Festival and Swindon’s My Dads Festival are also next weekend and come highly recommended from us. Wiltshire Soul & Blues Club have Owlfest at their secret Lacock location on Sunday, and Tidworth have a freebie festival. And if you cannot make your mind up, or gawd bless you cannot afford any of these, on Friday 25th find The Elvis & Orbison at Devizes Corn Exchange. Saturday sees The Reason at The Three Crowns, Barney Kenny is down The Southgate, thereโ€™s an Elton John tribute in Potterne, and Verdiโ€™s La Traviata at Seend Community Hallโ€ฆ.but youโ€™d know all this if you checked the Devizine event calendar, and youโ€™d be informed of everything going on!

Clashes over summer months are inevitable, weโ€™ve a busy schedule around here and it is an honour to bring them all to your attention. Yeah, thereโ€™s similarities between these two giants, but at the same time, theyโ€™re different enough to not affect the sales of each in these trying times, I hope, and whatever you choose itโ€™s better than staying home, crying into a bag of cheap cheesy puffs and watching โ€œPointless Celebrities;โ€ (thereโ€™s a clue in itโ€™s very name!!) 

Or am I being too nice and impartial for Devizes with this article?! It’ll never get a Facebook share without some conflict. No, the secret is out, we all know which is the better of the two, โ€œthere can be only one;โ€ let the fight to the bitter end commence!


Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its opening in Poulshot, near Devizesโ€ฆ.

Founded by award-winning chocolatier Holly Garner, Hollychocs has become a much-loved fixture in the local community, known not just for its handcrafted chocolates but for creating a warm, welcoming space for chocolate lovers to connect, indulge and experience the very best chocolate in the Southwest.

โ€œThis decision hasnโ€™t come lightly,โ€ said Holly. โ€œSam and I have poured so much into the cafรฉโ€”working long days, championing other small businesses and suppliers and welcoming thousands of people through our doors. The support from our community has meant everything.โ€

The closure comes amidst rising costs that have impacted many small businesses across the country. โ€œWeโ€™ve tried everythingโ€”from constantly creating new menu offerings, to introducing special offers,โ€ Holly added. โ€œIn the end, the increased labour costs paired with price increases across the board, have made it time to focus our energy on a future thatโ€™s sustainable for us, our chocolate, and the people behind it.โ€

Yet this opens a new chapter for Hollychocs. Although the cafรฉ will no longer offer drop-in visits, Hollychocs will continue to host a wide range of bookable chocolate experiences from their studio just outside Devizes. These include guided tastings, chocolate-making workshops, and sit-down afternoon teasโ€”already popular with locals and visitors alike.

Hollychocsโ€™ full product range will also remain available for UK-wide delivery and click & collect. Sheโ€™s just released a Hollychocs version of the viral sensation Dubai Bar and has plans to increase her postbox-friendly chocolate gifts which are an increasingly popular way of sending a thoughtful gift.

They will also be focusing more on Corporate Gifting and Wholesale opportunities both locally and nationally.

โ€œWeโ€™re not going anywhere,โ€ Holly assured. โ€œWeโ€™re simply shifting focusโ€”putting our efforts into the parts of the business we know can sustain us in the long term.โ€

The final day of trading at the Beanery Cafรฉ will take place on Saturday 23rd August, and the team welcomes the community to pop in for one last drink or treat.

โ€œWeโ€™d love to see some familiar faces before we close the doors,โ€ said Holly. โ€œWeโ€™re so proud of what weโ€™ve builtโ€”and incredibly grateful to everyone in Wiltshire whoโ€™s supported us on this journey.โ€

Devizine wishes Holly and the team all the best with progressing this delicious brand. It’s a shame to hear about The Beanery but I believe they’ve made the sensible decision.


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Right Here, Right Now; Fatboy Slim Tribute at Salisbury Fundraiser

A smidgen fuddled over a tribute to a DJ, but Fatboy Slim is no ordinary DJ, heโ€™s a superstar, constructing hits from samples and remixes, rams Brighton beach and is loved for larginโ€™ it. So, when Salisbury Live and The Sounds of Salisbury radio get together for a live summer extravaganza at the cityโ€™s Victoria Park, you might fancy being right there, right then; Victoria Park, Salisbury on Saturday 16th Augustโ€ฆ..

The extravaganza boasts nine acts across two stages, Norman Cook tribute Fatboy Tim, The Absolute Stone Roses, and Salisbury bands In Colour, Love is Enough, Southbound, Signature Vision and Corellian, with Rob Clamp. Thereโ€™s a bar, food stalls and stuff for the kids promised.

Tickets available for ยฃ10, Under 12s free. The event supports The Rose Gale Trust and the Thom Belk Community Fund.ย 


Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had to unfortunately miss Marlborough’s gem a fortnight agoโ€ฆ..

Weather and festival organisers aren’t besties. Organisers quiveringly check forecasts months prior, usual concern being moisture. Daytime at the inaugural Park Farm Festival just outside Devizes, where they positioned a professional looking stage some distance between where punters took shelter in beer tents and sun-shaded tables, Southwestโ€™s premier Chicago blues replicators, aptly named Chicago 9 blasted a wonderful set to distant onlookers whilst the zone between better resembled an African savanna where no man dare tread from fear of being frazzled!

I suspected many events this weekend subtly suffered from the heatwave despite the prospect favoured over torrential downpours, and one look during the day might suggest placing the stage so far away was an error. But by sunset that area will be filled with a selection of locals particularly from surrounding villages, heavy rock or grunge fans, regular Mantonfest attendees knowledgeable these guys have 25+ years of experience at hosting the most hospitable and welcoming local festival we could namedrop, or perhaps those who ticked more than one of those multiple choices. It was at this point you realised, despite July’s event clashes, a flooding of the festival market, and Park Farm being a first timer, numbers in attendance was averagely high and everyone was up for a good time.

I met with Mantonfest’s organisers some months ago where I was concerned replicating Mantonfest this side of Devizes might have a dubious impact, yet it seemed all was alright on the night, tribute acts are welcomed once the beer flows and Park Farm Festival set a high bar, recreating the friendly atmosphere expected at Mantonfests of yore, where everyone had an amazing day. It now takes me to blow the secret, this intends to return annually and I would seriously consider jotting it onto your calendar.

If Lower Park Farm will be a camping site for freewheeling soul and ska mods and skins in a fortnight, when the Devizes Scooter Club’s celebrated annual rally takes hold, this weekend is dedicated to a range of rock aficionados. Sadly I missed Essex’s finest Jamie Williams & The Roots Collective, welcomed regulars to The Southgate, though, I’m safe in the knowledge these guys know what strings to pull.

Barrelhouse followed Chicago 9, keeping the blues flow with the unique yet highly entertaining hoedown of  groovy vintage blues, standard issue at Mantonfest now adored throughout the county.

Double-booked as usual, at this point I took advantage of the free shuttle bus, headed into town to poke my nose into The Three Crownsโ€™ fundraiser, details set to follow. Meanwhile here, Josie & The Radiotones played and I returned for sixties heroes The Swinging Blue Jeans.

Seen these before, legendary rock n rollers who make universally entertaining a crowd look like childsplay, blasting their timeless hits and others which influenced them, as even the younger dared to dance under the beating sun.

Legends ticked it was time for the evening’s tributes, and judging the amount of Nirvana t-shirts against those of AC-DC ones was tight. A sudden quantum leap forward three decades and Nirvana UK did the most accomplished task of recreating those pioneers of grunge, loudly and proudly. Yet if you came here for authenticity in a tribute, AC/DC.UK mightโ€™ve thrown contemporary sound engineers with their usage of original eighties amps, but they sublimely recreated the heavy metal sound of the period and knocked it out of Park Farm!

Personally, heavy metal was never my bag, and through Swindon’s modern grunge scene, bands like I See Orange, The Belladonna Treatment and Liddington Hill have turned my head onto something I also sorely missed in the ravey nineties. Therefore my preference lay in Nirvana UK rather than the headliner, but judging on doing what it says on the tin, AC/DC.UK absolutely rocked that finale.

Yet the whole shebang must be hailed as putting this inguinal festival on the map for following years. For anyone who winces at the price tag, it’s standard in this era of hyperinflation, blame a government not organisers, and know, just like big sister Mantonfest, you’ll see where your money was spent if you attend; quality tried and tested acts, the highest quality production and nice touches like clean toilets and the shuttle bus.

For Grist and his team, financial risk is a thing in any competitive market and it can be surprising how narrow festivals can be; it’s a five-year plan minimal where research is crucial, and the reward is  you’ve created enjoyment. Hats off to them, for this was an amazing beginning.


Pitstop at Air Ambulance Fundraising Mini-festival at The Three Crowns Devizesย 

Rude to walk into an event sporting another event wristband but the welcome was friendly as ever at the Three Crowns in Devizes. It’s mid-afternoon, Park Farm Festival‘s shuttle bus took me into town, cheekily I used it to poke my nose into the Air Ambulance fundraiser here, their first real multi-act day, I believe, save perhaps my 50th birthday, which if you remember any details of, you could always fill me in!

It was a necessity, if only to see Ruby Darbyshire, as it’s been a while, not a long while, but long enough for me. First time playing the venue and she went down a storm, unsurprisingly. Such a rich, natural talent, vocals made from silk, expressive and  forever a joy to listen to; be they either covers, a Portishead one being a particularly breathtaking one, or her intelligently constructed originals, of which she dropped a couple of new ones I’m eager to review here in good time.

There were hugs all round upon my entrance; Ben Borrill and Pat Ward finished a set as Matchbox Mutiny, a shame to miss, because those gorgeously talented guys pull a crowd and hold them. At the moment I did arrive I was delighted to catch Rachel Sinnetta & Jolyon Dixon doing their thing with Andy Fellows accompanying on guitar, as itโ€™s always impressive and highly entertaining. It was a stellar lineup with cupcakes, lollipops, childrenโ€™s face-painting, and tried and tested acts at the Three Crowns, save Ruby, who Iโ€™m assured would be welcomed back.

Rumour was Devizes Male Choir was intending to do a flash mob bit between Ruby and the grand finale, the ever lively Funked-Up. Unsure if this happened, as unfortunately, I was duty bound to return to Park Festival, but you can rest assured Funked-Up got the crowds dancing the night away. I wish I could’ve stayed.

The spirit of The Three Crowns remains toppermost in town; the go-to pub in Devizes for a good night, an unpretentious, friendly atmosphere with the widest age demographic which never clashes. Itโ€™s trouble-free fun, itโ€™s live music program set to enthral, and not forgetting gourmet burgers; itโ€™s an all-round winner on any night, but more of this all-day stuff, please kind sir!  


Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathews for the tip off! Her debut album  Clever Rabbits was released today, and itโ€™s a mustโ€ฆโ€ฆ.

Brit Award winning Paul McCartney and Tom Jones producer Ethan Jones spotted Ann Liu performing at Camden’s Spiritual Bar, leading her to a publishing deal with BMG. Ann, who now lives in London, represented Whispering Bob Harris at The Great Escape and Black Deer Festivals, featured on Beans on Toast’s stage at Bearded Theory and on his UK tour. She opened for Lewis Ofman in Mexico, played prestigious venues like The Clapham Grand and The Hotel Cafe Hollywood in LA, but delighted to tell me she schooled in Marlborough and grew up in a nearby village; and I thought St Johnโ€™s girls just sat around the Priory Gardens smoking menthols!

Okay, calm yourself. That was just an eighties joke, and you know this! But remain calm for Clever Rabbits because itโ€™s a breathtaking ride, a tapestry of Anglo-Celtic folklore, sacred texts, sonic binaries of modern digital synthesis and Ann Liuโ€™s classic singer-songwriter roots. โ€œI am the rabbit that knows how to kill the hill, and I have only just begun,โ€ she expressed.ย 

Experimentally playful, with two piano-based ballads opening Clever Rabbits, there’s an ambience of musical theatre about them, then with an irresistibly simple drum and bass the title track runs akin to a Mardi Gras iko-iko chant. Lost Ways has the shuffle of South America rhythms, and weโ€™re halfway through these ten uplifting masterpieces with a bittersweet psychedelic swirl called Tangle.

No You Donโ€™t is acoustic blues with a hint of lounge jazz, as gorgeous as the ultimate Norah Jones song. Another tune in, and rather Iโ€™m now pitching this alongside Joni Mitchell; itโ€™s that strong, naturally raw, and yeah, folk, fundamentally.

The album continues in a similar fashion, uplifting jazzy folk under sublime soundscapes and broken wonderfully with snippets of humorous band banter, which usually are outtakes. It lifts in tempo with False Hope, and chills for the penultimate Movement of Standing Stones, which builds in layers of atmospheric spiritual ambience, and finally a minute and half of bizarre with Gobbleknoll, breaks the concept this isnโ€™t really a book by Richard Adams and Ann Liu is not a rabbit after all!

Exploring limits of prescribed identity in a timeless, brave and sensitive challenge of the zeitgeist, the album is inspired by a Chinese idiom โ€œclever rabbits need three burrows,โ€ and the imagery of three rabbits found in Devon’s churches and China’s caves. Clearly, with profound narrative, you would need to dive deeper into this warren to explore. After one listen, though, you will feel it criminal not to. Everything in this melting pot of influences is subtle, the overall feel is a mellowed thoughtful prose sitting somewhere between the exploratory of Kate Bush and punch of Alanis Morissette, both jamming under the aura of Steeleye Span.ย 

This isnโ€™t an album for streaming. This is a take my money album. The attention to detail is divine. The unedited recordingsโ€™ background goings-on authentically puts you in the room. In promoting it, Ann Lui revealed the backstory. โ€œWhen I was ten,โ€ she explained, โ€œmy father gave me records by Ethan. When I turned 21, I got a call from Ethan after Raf sent my music to him. We began capturing these songs, and my father began dying. Today I turn 26, my father is dead, and the record is born.โ€

โ€œIn the first 25 years I found powerlessness in slow, bad, unwanted death. In limbos and dependency. I found power in wilful endings. In choice. Love ran underneath in a welcome riptide, contextualising the hurt and loss. I nursed wounds, read my stories, read other peopleโ€™s stories, broke away, reflected, mourned, rejoiced, set free. The first quarter century has been about endings, leavings, dying, and dying well. This album is a good death. The bin men are smiling. I am smiling, too.โ€

A launch for Clever Rabbits is at Londonโ€™s Lexington tonight. Ann Lui returns to her roots, as she regularly does, with an Instore at Sound Knowledge, Marlborough on Thursday 17th July at St. Peter’s. Entry is FREE but please do let them know to expect you if you’d like to attend, or pre-order a copy of ‘Clever Rabbits’ from them to guarantee your place.

LinkTree Website


Striking Photographic Portrait Exhibition Celebrates Five Years of Impactful Creative Workย with Older People at Wiltshire Music Centre

If youโ€™ve popped into Wiltshire Music Centre recently; for a concert, workshop, screening orย even a meeting, you might have noticedโ€ฏchanges in the foyer: recorded music, the cafe-barย open at peak times during the day, and currently, a strikingโ€ฏphotographic exhibition of black and white portraitsโ€ฆ..

The โ€˜Men in Conversationโ€™ exhibition presents portraits of members of the Trowbridge Creative Conversations Menโ€™s Group, a creative arts and heritage group for men aged 65+ held in Trowbridge Library. Facilitated by professional artist practitioners, Creative Conversations sessions bring together isolated older people to share their experiences and creative ideas in a friendly and welcoming environment.โ€ฏSo, when Stuart Brook, one of the members of the Trowbridge menโ€™s group shared his interest in photography, it wasnโ€™t surprising that it inspired the participants to take portraits of each other. The results were so impactful, uplifting and moving, that theyโ€™re now on display at Wiltshire Music Centre until the end of July, before moving to Trowbridge Library, all made possible by funding from The Trowbridge Town Trust.

The free-to-visit exhibition contributed to a Celebration event, marking the impact of theย Celebrating Age Wiltshire partnership from 2020-2025. The event, attended by partners,ย funders, artists and community champions, showcased some of the many outcomes achieved through this project, funded by the National Lottery Reaching Communities Fund. Artworks, as well as the exhibition included songs, spoken word, and art and heritage pieces, introduced by Creative Producer, Rebecca Seymour.

It was an opportunity for Wiltshire Music Centre to thank everyone that has contributed to this project to this point, including funders, The National Lottery Reaching Communities Fund, Wiltshire Council Area Boards, Town Councils, Wiltshire Community Foundation, Arts Council England and other Trusts and Foundations. Partners, Pound Arts, Wiltshire Creative, Wiltshire & Swindon History Centre, AgeUK, Wiltshire Council and Libraries and Community First, Creative Producer Rebecca Seymour and our staff team, volunteers, community champions and community organisations past and present, and, of course, the sixty-five artists!

In August, Wiltshire Music Centre will hand over the leadership of this award-winning, countyย wide project to AgeUK Wiltshire, who will continue to reach isolated older people throughย creative arts and heritage events and workshop groups. We look forward to continuing toย partner in this incredible project, as it continues to grow.ย 

More Information HERE


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FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

Wendy James Tour Coming to Fromeโ€™s Cheese & Grain

Photo credit: David Leigh Dodd

Pioneers of the indie-rock sound which would lead us into the nineties, Transvision Vamp lead singer Wendy James has announced a UK tour in October in support of her recently released tenth solo album The Shape of History, which includes Fromeโ€™s Cheese & Grainโ€ฆ..

Wendy will be accompanied on tour by a full band, featuring Transvision Vamp’s bass player Dave Parsons, Jim Sclavunos from Nick Cave and The Bad Seeds on drums and Alex Ward (Thurston Moore Group) on guitar. They will be playing songs from across all of her albums, from TVV Pop, to New Wave Punk to Lo-Fi Racine No.1, through to the big productions of Queen High Straight and The Shape Of History, picking off favourite songs from each.ย 

For full tour dates see here, but closest to us is Tuesday 14th October at the Cheese and Grain, and The Fleece, Bristol on Tuesday 28th October.

While The Shape of History doesnโ€™t begin with a sound akin to Transvision Vamp, thereโ€™s underlying echoes of it as the album builds. Layers of electronica envelope the familiar vocals, so while itโ€™s not what you were expecting, the effect is as The Independent described, โ€œlike a patchwork of memories โ€“ victories, heartaches, the feeling of racing down a California highway, no destination in mind.โ€ And Classic Rock expressed that 

โ€œThe Wendy James of 2024 is an older, wiser and far more intriguing prospect. The Shape of History, never dull, and certainly never predictable.โ€ 

 โ€œMy songwriting has always been a wide mix of sounds, which naturally reflect the different music and references I have and love,โ€ Wendy explained, โ€œThe Shape Of History was recorded on Scrubs Lane, West London with Alex Ward, Harry Bohay and James Sclavunos. I then went off to NYC and Brooklyn to record the pianos and organs with Dave โ€˜The Mooseโ€™ Sherman. Overdubbing continued with Al Lawson at the engineering helm in his Shepherdโ€™s Bush studio and then I went back to Berkeley, CA to mix with Jesse Nichols before mastering with Fred Kevorkian in Brooklyn NY. I have spent so much time with this music, I know it note-for-note and love it and am so happy for you to make it your own now”.

 โ€œThe Shape Of History has a lot about love in it, a lot about appreciation of oneself, oneโ€™s life and importantly, of others. It is lifeโ€™s arc of starting out, blooming into something and in some ways maturing. I donโ€™t think my music has got older, I know Iโ€™ve not gone mellow! My attitude can be more ferocious and fearless than ever, but there is an acquired wisdom, which naturally comes after having been alive for a few decades! โ€˜The Shape Of Historyโ€™ is a love letter and a Thank you note to life so far. The culmination of my tenth album is the result of co-musicians and engineers who Iโ€™ve worked with previously and with whom I share a language. We know each other, we choose to work together. We enjoy each otherโ€™s talents and personalities. There is a happiness, a belonging, when we meet up, and an open and determined desire to achieve what we know we have to.โ€

โ€œFrom meeting Nick Christian Sayer and forming Transvision Vamp, the two of us walking into EMI Records, and demanding to see the head of Artists and Repertoire, Dave Ambrose. Getting signed and making our hits of the late 80โ€™s and 90โ€™s. From collaborating with Elvis Costello and mixing that album at Sunset Sound in Hollywood where The Stones mixed โ€˜Exile On Main Stโ€™, then moving to NYC to start writing and recording as a solo artist, all the gigs Iโ€™ve played and the friends Iโ€™ve made around the world, the astounding, incredible, wonderful people whose lives Iโ€™ve crossed paths withโ€ฆ I am so grateful for it all.โ€

Buy Shape of History HERE


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Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโ€ฆ

Henry Aldridge and Son to Move Into Devizes Old Town Hall

Family run premier auctioneers of antiques and collector’s items, Henry Aldridge and Son announced a move into The Old Town Hall on Wine Street, Devizes; a move which will see them return to their rootsโ€ฆ..

Alan Aldridge started Henry Aldridge and Son from the first floor of The Old Town Hall thirty-five years ago. Theyโ€™re delighted to be coming home having completed the freehold purchase of the property. โ€œIt means so much to us as a family,โ€ Chrissie Aldridge told us.

โ€œThe Old Town Hall, a stunning Grade II* neoclassical property will serve as the principal location for the collation of our Titanic, Liner and iconic memorabilia auctions. We will also host weekly free valuation days on Thursday market days.โ€ 

โ€œThe first stage of our move will take place next month with our main operation relocating to the Old Emporium in October.โ€

Henry Aldridge and Son host free valuations in Devizes every Friday with their Head of Valuations, TVโ€™s Paul Martin. Paul, who hosted BBCโ€™s Flog It for nearly twenty years is available to cast his expert eye over your prize possessions.

The Old Town Hall dates to 1752, first commissioned as a market hall, the ground floor was the town’s cheese market. By 1785 the first floor was an arsenal for the Royal Wiltshire Militia, and has also been the mess hall of the Devizes Loyal Volunteers, and a Sunday school. 

Why is it called Wine Street? By 1836 the building was leased for commercial use, acquired by wine merchants, Messrs Cunnington, who used the basement and the vaults below for storage. The building has also been the museum, library and reading rooms of the literary and scientific institution. But many will remember its use by TSB, Hen House and the Wine Street Gallery.


Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™s good enough for King Alfredโ€ฆ..

The Royal Oak has filled a gap, hosting quality regular music nights under the production of Wiltshire Music Events, but this Saturday was the true test, transforming it into an inaugural carpark-festival, an icing on an already delicious lardy cake, though equally a learning curve.

Programming by Eddie Prestidge, so passionate about spreading word of musicians south of the county, inevitably overbooks, as is his desire to showcase as many as feasible. He called me Friday, delightedly informing me George Wilding was added to the already jammed schedule; but how will he fit him in?! 

Thinking big; quality stage production, security, generous VIP hospitality, two food outlets, and hopeful punters would flood the site. The latter being the only dubious thing about the event. All the right ingredients there, comparable, the price reasonable, certainly got your money’s worth, but to debate only a sprinkling were attracted is opening a Pandora’s box to a general plight of austerity, flooding the festival market, or a combination of the two; every man and his dog are putting them on and there’s only so many individuals can reasonably attend.

Therefore, established festivals may well appeal over the risk of testing a new one, but I was assured here, as I suggested you should be too; Wiltshire Music Events has hosted many great ones in various locations; your money goes on production and ensuring musicians are paid their fair share, something sadly overlooked by other organisers. CrownFest and Salisbury Market Place were the most memorable, plus, whenever The Marley Experience is in the area that’s where I’m gonna be, sir! 

A win-win for me, who was due to attend the fantastic Minety but work and family commitments shadowed this; possibly an argument supporting pub mini-festivals over larger established festivals. Convenience for the middle-aged wrought with unpredictable employment culture or family commitments, above the intense arrangements necessary for a three-day camping extravaganza, such as the beautiful Minety. The mini-festival goer can be spontaneous; it’s Saturday, my only day off, sleeping in a tent is for younger nutters. Iโ€™ve  been otherwise occupied on recent weekends, so, like Peter Pan in spirit but not in body, I’m determined to make up for it this weekend!

There I be, Pewsey, dammit, in an apt Bob Marley tee, watching the grand finale ignoring the timetable; Bird is The Word captured the moment on camera! The Marley Experience professionally captivated and caused the slight crowd to appear larger, with their infectious and irresistible homage to Bob Marley & The Wailers; a matchless show, the band tight, expressive and clearly adoring the limelight of what a decade of dedication has perfected into a sublime tribute act.

But there was magic in the air prior, which opened with Pewsey-own The Little Big Band, and was followed by Rosie Jay and Leon Daye, all of which, due to aforementioned commitments, I missed; and I love Rosie Jay. Though her last single we reviewed was a duet with Salisburyโ€™s award-winning newcomer Lucas Hardy, and on that ground alone I was delighted to catch the end of his superb set. With George Wilding penultimately added, I saw a similarity in Lucas to George’s early years, a natural and unpretentious talent who can engage an audience with a guitar and smile.

Returning from cruising tours, George Wilding doesnโ€™t plan, doesnโ€™t need to, he just charms as usual; if heโ€™s an interactive human jukebox, heโ€™s one of those polished decorative American ones from the fifties. Shout your requests, George knows it, or will give it a try, make it his own, and youโ€™ll love him for it, you wonโ€™t be able to help yourself!

Between those two, then, a basic four-piece setup from Andover with a repertoire of rock classic covers sprinkled with a folk tinge, called The Tipsy Gypsies. Their music commanded Iโ€™d come to the right place. The premise sounds simple, the effect was far from it. They owned the stage with accomplished showmanship, stylised renditions, and a barrelful of fun.

Gypsies tipsy perfect for what would follow, a Somerset Pogues tribute known as The Phogues. Now things were going to really liven up, as, warts, a spilled round of whiskey shots, and all, were divinely caricatured. The Pogues uniquely blended Irish folk with punk, others mimicked it, overshadowing the blueprint. When Phogues return to the originators, you recall why it was copied aplenty; a stern yet fun reminder to the heyday of Shane and bandโ€™s drunken skullduggery, and the music which somehow spawned from it!

Despite being off-season, they told me they had to do โ€œthat song,โ€ and I supposed they did. So, between Streams of Whiskey, Fiesta, Sickbed of Cuchulainn and just about every favourite Pouges song of mine, they drafted in the assistance of unsuspecting Claire Grist, singer and self-proclaimed โ€œright titโ€ of Bird is the Word music promotion, to be Kirsty MacColl, and who made a good job of it. Was their female vocalist absent? No, itโ€™s a gimmick to invite anyone from the audience to take the position, they explained to me, but hey, they didnโ€™t need gimmicks, they did a fine job of bellowing out the beloved Pogues songs far sober than the originals ever did.

Time for a change of direction, as local indie-pop favourites Talk in Code rocked up for a lengthy set of eighties-inspired synth-rock bombs, ate complimentary curry, and lit up the stage with their electric presence. If youโ€™ve come to an event expecting cover bands, Talk in Code donโ€™t go there, but their infectious originals cause you to wonder if youโ€™ve heard them before, on some Now, Thatโ€™s What I Call Music compilation album from 1986. Hereโ€™s the lads in perfect sync, jumping, flaunting their perfection, as ever, doing what they love and engaging any audience from roughneck boater to FullTone Festival punter; they never fail to obtain admiration.

Time pushing on, George Wilding entertained while The Marley Experience prepared, and did their amazing thing, exploding the finale with irresistible reggae vibes. Oak Festival, Pewsey Live, or whatchamacallit, couldโ€™ve been more affordable, by skipping on some of the magic, but they chose to showcase the lot, that paid off to those there, but I suspect, as videos and images emerge, folk not there will be wondering how and why they missed it. They could have overplayed their social media promotion, and a striking poster mightโ€™ve been advantageous, yet I believe thereโ€™s a delicate balance which sees one event sellout and another left threadbare, and itโ€™s debatable what causes this. For what itโ€™s worth, I’ve seen lesser attended first time festivals, much less, and the slight crowdโ€™s merriments made for a population tenfold from the reality!

There was a kebab van, but the delicious waft of curry from a stand, by Tale of Spice on Pewseyโ€™s North Street, twisted my arm. There was little in alternative entertainment, insufficient pub loos, but with concentration on the lineup, this was a welcoming, fun and lively occasion, a showcase of Wiltshire Music Eventsโ€™ quality and varied artists, and petty issues one can shrug off uncaringly when the vibe is this alive. 

Pewsey rocked into the cooling night, possibly later than planned, but no one whined on social media, because this is Pewsey, not Devizes; a carnival village where rather than rant you cannot hear your pin drop, you get your slippers on and join in! 


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No Surprises Living in Devizes: Juneโ€™s Hypermasculinity Speeding Solar Farming Rave Sinkhole

Harold Wilson said, โ€œa week in politics is a long time.โ€ Lesser within local politics, but weโ€™ve a month to lambast, so no messing aboutโ€ฆ. okay, maybe a little. With the promise to reduce satire to this monthly causerie, Iโ€™ve been biting my lip till soreโ€ฆ Calne Councillors for Rape campaign, Potterne Hates Solar, to a five- or six-million-pound โ€œsinkhole,โ€ in other words a Wiltshire councillorโ€™s offshore account; itโ€™s all been happeningโ€ฆ…

Pride month too, where we embraced freedom of expression and equality, or got triggered. โ€œWens strait pride munth?โ€ thick slices of gammon inquired on social media, and theyโ€™ve a point. When weโ€™ve progressed from centuries of heterosexuals beheaded, to imprisonment, onto ridicule, and now more agreeably just obtaining angered emojis on every Pride Facebook share simply for loving someone, maybe. Until then just stay home, itโ€™s not law to attend a Pride, you know? I suspect the sunny but rainy start to the month triggered them too; โ€œeven the skyโ€™s gone woke!โ€

Last month Wiltshire Police and Crime Commissioner Philip Wilkinson was on weed, this month it’s speed; he’s right, dammit, it is a gateway drug! What is a gateway drug anyhow, one you can buy in a supermarket? And if so, can you mix them with Somerfield drugs?!

Ah, Wiltshire Police were cracking down on speeding, raving, weed, and anything else causing misinformed Wilko sweaty underarm patches; brutally ripping foxes apart for fun, heโ€™s fine with. When twenty-seven fruit-bats were clocked speeding in Wilton and a further thirty-three in Harnham at the beginning of the month, Wilko told The Wiltshire Times, โ€œSpeeding is dangerous, it can kill and leave others seriously injured.โ€

This is shocking, a shocking piece of clickbait. No shit, Sherlock Wilko. Like a football commentator, overpaid to state the bleeding obvious. Peep from your office window and realise selfish pricks have cars; theyโ€™re hoodies-up driving gung-ho like theyโ€™re escaping the wrath of Steppenwolf, else parking them wherever its most inconvenient for emergency services.

This is something we cannot blame those in positions of power for, it is every driverโ€™s responsibility; Google the word โ€œresponsibilityโ€ in this era where no one is held accountable, not even councillors โ€œlosingโ€ six million smackers, of which we will move onto when convenient. Just thought Iโ€™d mention it under the premise of โ€œsetting a good example.โ€

Thereโ€™s no social grouping either; young, old, male, female, black, white; so many drivers have got headless chickens going โ€œyou’re erratic, pal;โ€ French headless chickens.

Yet Wiltshire done away with stationary cameras, too expensive, but Wilko’s salary isn’t, apparently. A salary the average copper wiping up bits of brain left on the highway could only dream of. โ€œWe havenโ€™t got the resources,โ€ Wilko whinges, then deploys intelligence to break up kids having fun. Yep, on the 19th of June Melksham Police were โ€œaware of a planned large gathering due to take place in Lacock.โ€

โ€œThe event,โ€ they bragged on Facebook, โ€œwhich was being organised via WhatsApp, was set to occur without the landownerโ€™s permission and was expected to attract a significant number of young people. We have engaged directly with the individual believed to be organising the gathering, and they have now cancelled the event.โ€

God forbid, young people, gathering, throwing away their cares and stresses of a business-like education system where theyโ€™re the products, for just a few hours, enjoying themselves without profiteering festival organisers hosting middle-class festivals they cannot afford; if it ends in anarchy, itโ€™ll be of the governmentโ€™s own making. Iโ€™m not going to pretend Iโ€™m hip with the kids, Iโ€™m a 52-year-old grandad, but have we not been here beforeโ€ฆwith glowsticks?!

One tip, young urnโ€™s; we had raves of 40,000, and we did it by word of mouth; try it, cos WhatsApp can be infiltrated. โ€œWe didnโ€™t โ€˜ave all thart inter-web thingy bark wen I be argh right raver, yer nose!โ€

Ah yes, lessons of the nineties forgotten, now unarchived. If you donโ€™t provide entertainment for youth, theyโ€™ll make their own. Does this fake Labour government want this? Keep supporting genocide, silence objectors, set that example, and watch this backfire into massive civil disobedience, why donโ€™t you?!

โ€œThe safeguarding of young people remains a top priority for us,โ€ the police said, didnโ€™t matter about Calne, something else to move onto.

I recall a time when official “pay” raves were no better organised and safer than their illegal counterparts. I cannot say if the same goes now, but unrestricted from the rules of society the majority looked out for each other, even tidied up after themselves. Other than perhaps the noise, they really werenโ€™t the massive problem the media and government would have had people believe, but police would turn up anyway, while their town centres were wrought with drunken troublemakers.

Why not praise their initiative and police it accordingly? Because itโ€™s illegal? Donโ€™t make me laugh, foxhunting is illegal too, but you turn a blind eye to that.

Promoting hate speech isnโ€™t entirely legal either, but police didnโ€™t intervene in Calne when rogue Reform councillor Violette Simpson mistook hypermasculinity and rape culture for โ€œfreedom of speech.โ€ Because thanks to Calne Town Council, who unlike Trowbridgeโ€™s, swallowing Farageโ€™s strawberry milkshake cum bucket at the Civic Hall, they sensibly refused her event to go ahead in council property. Some call it โ€œwoke,โ€ others, with a braincell, call it common sense; I believe theyโ€™ve similar meanings.

Ah, Violette again, who, seemingly so frustrated in South Africa about the abolition of apartheid, took it out on the wildlife, proudly posted her gunning an innocent antelope as her Facebook profile picture, and still manged to obtain a seat on Calne Town Council. Weโ€™re so indoctrinated Reform candidates could shoot Hello Kitty and still win a by-election.

She invited Carl Benjamin to Calne for a nice chat about โ€œBritish Identity and the Modern Male,โ€ which roughly translates to how to progress your hatred for women into violence, it seems to me. Carl, though egotistically calls himself Sargon of Akkad after the first ruler of the Akkadian Empire, is rather a YouTubing Swindon answer to Andrew Tate, just with a smidgen more hatred for feminism.

Simpson whimpered about the cancelation like the hurt puppy she probably wouldโ€™ve shot, calling it an โ€œunprecedented move,โ€ by Calne Town Council, and claimed they were โ€œscared of genuine open and honest dialogue.โ€ Benjamin got a wrap on the knuckle when he Tweeted to Labour MP Jess Phillips, โ€œI wouldn’t even rape you,โ€ meaning it as an insult, to say she was so unattractive to consider raping, ergo if he was to pay her a compliment the precise reverse would be, โ€œI would rape you,โ€ and Violette thinks this is โ€œhonest dialogue?!โ€

It’s not really, is it? Itโ€™s twisted mindfuckery intended to evoke and encourage the kind of hypermasculinity which leads to scenarios akin to Jack Thorne and Stephen Grahamโ€™s celebrated drama Adolescence. Being Calne suffered a real-life comparable situation just six years ago, when a seventeen-year-old boy stabbed the girlfriend who left him, was an event like this respectful to the family of Ellie Gould?

Then again, does Reform understand respect? โ€œWe need strong healthy men to maintain a strong healthy society,โ€ Simpson waffled, has she not seen what this lovechild of Henry VIII and Minecraft Steve has been preaching from Satanโ€™s scrotum?! Iโ€™m a red-blooded British modern male, and to me that means having self-control, accepting patriarchy has been rightfully replaced by equality, and life is not Grand Theft Auto.

Strangely, Benjamin himself is a family man, living masked in a fantasy world like heโ€™s Sauron, inspiring boys to take up arms against girls in some imaginary gender war, and I think thatโ€™s worse than him being a masturbating loner in a bedsit, because heโ€™s normalising this medieval rhetoric. Not to mention, if he did bash the bishop more, he might be less tetchy; you cannot replace a knob with a game controller, for whilst it may satisfy the male craving for fiddling, it does nought for sexual satisfaction.

Yet in a youโ€™ve not heard the last of this yet notion, Violette vowed to host more controversial events. I wonder what they might be. Matthew Hopkinsโ€™ Witch-Burning Festival on International Women’s Day, or a homage to the work of Sir Jimmy Saville on Mothering Sunday?

She even encouraged another Reform town councillor, Augusta Urquhart-Nicholls to jump this bandwagon and bleat to Calne News about how their freedom of speech is unhinged by not allowing them to promote hate. โ€œReform are here now,โ€ Urquhart-Nicholls told Calne News, โ€œwe have been elected, did you really think I would make this easy for you?โ€ Sounds like a Trump-like threat to anyone with empathy, unsurprisingly.

Okay, if sheโ€™s an advocate of free speech despite backed by a fascist company posing as a political party, she might not go as far as sucking off Bob Vylan, but she cannot object to me stating the bleeding obvious, that though Iโ€™ve not met the bloke, or have any desire to do so, he sounds like an utterly vile doggie doing, typical of Reform, and the only event he should be speaking at is a how to drop your soap in the shower for kudos at HMP Belmarsh.

Can we move on now, because if there’s any positive to be obtained from these women promoting hatred towards women, it’s surely proof that Reform councillors are as thick as a Boxing Day turd.

Things are nicer in Potterne, they’re just in dying need of a Green Party parish councillor. I supported Potterne Against Solar as I agreed One Tree Hill was an unsuitable location for a solar farm, but now they’re raging against another, proposed on Whistley Road, because it’s a blot on the landscape between the cesspit and breakers yard. It might just be me, but I’m kind of thinking they just don’t like renewable energy.

One legend suggested on Facebook they put them on the roofs of carparks, because yeah, dammit, all those multistorey carpark roofs in Potterne are just going to waste! Roughly translated, โ€œnot in my backyard.โ€ I’m mistaken to assume we all had to do our bit, before One Tree Hill is One Tree Island. But itโ€™s nice to know I can still walk my dog there when all life on Earth is extinct.

Carpark? Donโ€™t make me laugh; on the same day, the trusty Gazelle & Herod reported on the uncertainty of St Stephenโ€™s multi-storey carpark in Trowvegas. Under review from structural engineers, โ€œthree months after a swathe of parking bays were closed off.โ€ Carparks here cannot hold their own weight, let alone a solar farm on top; almost symbolic of the shambolic Wiltshire Council, huh?

Oh, bet you thought I wouldnโ€™t mention it, didnโ€™t you? Hope and pray this will be pushed under the carpet as quickly as it crept up on us; the ยฃ5 million, or maybe ยฃ6 million, (whoโ€™s counting the odd million?) โ€œsinkholeโ€ opened in Wiltshire Councilโ€™s finances the new Lib Dem administration revealed, and corporate director of resources Lizzie Watkin informatively said it was โ€œa very big number.โ€ Good point on a Wilko grading system, thatโ€™s like a dayโ€™s cash-in-hand work for Jeremy Clarkson.

Stranger Things; no-one has been able to explain what caused it, no-one saw it coming, and some doubted whether the hole exists at all. Using a monkey climbing a tree idiom, I favour the latter; a โ€œsinkhole,โ€ is that another name for a councillorโ€™s offshore account?

The Lib Dems claimed the dosh was missing when they took over, the Conservatives claimed it was there when they left, (blame Pickfords?) The councilโ€™s chief executive said both things were true, and the shoemaker looked suspiciously at the elves.

ยฃ5.5 million was laughed off like it was a box of pencils. All we know is ex-Conservative leader Richard Clewerโ€™s favourite song is Shaggyโ€™s It Wasnโ€™t Me. Typical Tory who doesnโ€™t understand the buck stops at the top, and it isnโ€™t the Demogorgon from the upside down.

The scapegoat for the deficit, which must be replenished, but how that might be achieved is the final unsolvable Scooby-Doo mystery, but you can bet your bottom dollar the taxpayer will involuntary be involved, is pointed at an overspend in adult social care. The budget of which is conveniently something as much spiralling out of control as my waffling, yet unarguably a necessity in a world gone bonkers. The Care Act 2014 moved the goalposts, they reckoned, and everyone got confused at the complicated process, very professional till the end.

Imagine the state of social care if there was no overspend, as itโ€™s currently more like Mad Maxโ€™s Thunderdome rather than Huxleyโ€™s Brave New World. Hereโ€™s an unrelated report about severely autistic Darren Jones, about to be evicted from a Warminster care home; thereโ€™s many comparable stories, and we know from the Furlong Close scandal, when councillors look at care homes they see real estate.

Though, Iโ€™d rather fetch ยฃ6 million out of my own pocket than imagine what adult social care would be like if Reform won the majority and deported the immigrants; and the next in line for adult social care is most of the Reform voters! Chew on that fat until next month when we return for more shit hitting the fan. You can negatively comment, but frankly, Frank, I donโ€™t give a Frank.

International Reggae Day: Ten Reggae Songs You Might Not Know, But You Doโ€ฆ.

1st July marks International Reggae Day, and I want to jam it with you. Why? Because as something of a reggae connoisseur I cringed when someone once asked me if Eric Clapton or Bob Marley recorded I Shot The Sheriff originally. It didnโ€™t deserve an answer! 

It occurred to me, going on this, old ravers with no idea who Max Romeo was until he sadly passed in April, and the amount of songs wrongly listed as being by Bob on YouTube, that your average Joe Bloggs doesn’t know as much about reggae as they should!

Pop music was born on the American railroad construction where slaves mimicked the overseersโ€™ folk dances for their sarcastic amusement. Simplicity was key and the quadrille, or French square dance was popular, initialising a four beat system which will stick like mud to pop forevermore. But the 1950s changed the template slightly; experiments in jump blues by rock n roll pioneers like Fats Domino, discerningly skipping the last beat, effectively created the offbeat.

The offbeat was the kind of thing the Jamaicans loved, as the radio masts left by American troops became essential to their musical expansion, away from their traditional folk, mento. Already accustomed to jazz, and recording studios on the island creating their own, now the Jamiacans were exposed to rhythm & blues and country music from the States. The studios recorded their own beatbop, jump blues, doo-wap, even country. At Duke Reidโ€™s Treasure Island one ex-boxer producer called Prince Buster was passionate about the shuffle rhythms of axemen like T Bone Walker, and instructed his band to copy this over an offbeat. When Buster cut the rehearsal the guitarist strummed the shuffle backwards to bring it to a stop, and behold Jamaica had their own pop music, ska.

Duke Reid himself never liked ska, and it was up to rival Coxone Dodd at Studio One to popularise the homegrown style with his in-house band The Skatalites, classically trained students of Mary Ignatius Davies, a Sister of Mercy at Kingstonโ€™s Alpha School for wayward boys; yep, a pioneer of reggae was a nun! 

Searching for any gimmick to promote tourism, The Jamaican government exploited their new musical export, sending artists to New York to promote ska, but in the shanty towns the music would become associated with gang culture, the rude boys. An enforced curfew, a blistering hot summer, and the expense of brass sections, all caused the music to mellow, concentrating on vocal harmonies; rock steady, arguably Jamaicaโ€™s most creative musical period.

Ever-progressing, the bass increased as rival sound systems battled it out and awareness of Rastafari grew; reggae spawned from rock steady. Reggae will slowly spread worldwide, but no more felt than in the UK, as record labels producing cheap music intended for the Windrush generation, were also brought by British mods. Though in England, reggae at the time would still be seen as novelty. It would take Chris Blackwell endorsing Bob Marley & The Wailers, subsequently signing artists like Toots & Maytals, and, in competition with Bobโ€™s popularity, Richard Branson sending Johnny Lydon to sign as many emerging reggae singers to Virgin as he could discover, to put reggae into a respected international market.  

Meanwhile Jamaica was moving away from roots reggae, noting instrumental sections where the crowd danced, pioneers like King Tubby and Lee Perry progressed to dub. Techniques in dub were transferred to New York by Jamaican immigrant DJ Kool Herc, who used them in funk and electro mixes to found hip hop. While the world embraced the success of Bob Marley and the Wailers, reggae progression was kingpin to pop in general. From punk and Two-Tone to hip hip, onto the breakbeat rave era, reggae was fundamental in shaping pop music. I believe this is sorely overlooked; one good reason to have International Reggae Day! The second is the very reason why itโ€™s so influential and the reason why I love it so much; the offbeat, which makes you jump, be in ska, dancehall, or all the styles in between, they all work on the simple offbeat, and itโ€™s irresistible!

So, you know a little bit more about the history of reggae, now you need to listen to some! But I reckon, even if you donโ€™t know many reggae songs outside of the Marley classics, you know more than you think you do! Hereโ€™s some examples, some songs you might recognise from the pop songs they influencedโ€ฆโ€ฆ


1: I Shot The Sheriff- Bob Marley & The Wailers.

Obvious first. Blackwell was adamant reggae would inspire the rock aficionados, but when Eric Clapton called Bob, history was made which would seal the deal. Ericโ€™s version was his only US number one, and was inducted into the Grammy Hall of Fame. Nineties kids might also recall Warren G, oh well!

2: Rivers of Babylon – The Melodians. 

Lord producer of music thievery Frank Farian manufactured pop crime in a manner unheard of at the time, but is standard protocol now. Boney M was his first infringement, their 1978 smash hit is one of most popular songs, ever, but the original was recorded eight years previous. A Rastafari prayer, meaningful verses were sacrilegiously altered for the pop version. 

3: The Tide is High – The Paragons

With the silk voice of John Holt, this beautifully crafted 1967 Paragonsโ€™ track was at the beginning of rock steady, but you know it either as a Blondie song or, if you cringe the feeling, by Atomic Kitten in 2002.

4: Kingston Town – Lord Creator

Donโ€™t get me wrong, I loved UB40, but once Red, Red Wine hit number one, they rarely wrote their own songs, rather dug into the reggae back catalogue for covers. Originally recorded by Neil Diamond, Red Red Wine was a popular reggae hit for Tony Tribe. But if many reggae tunes UB40 covered were rare beauties, none so more than Kingston Town by Lord Creator on Clancy Eccles’ Clandisc label in 1970. And donโ€™t get me started on Paris Hilton!  

5: Rudy, A Message to You – Dandy Livingstone

Two-Tone was everything in 1979, in the UK, and The Specials were the kings of it. The original message was sent by British Jamaican Dandy Livingstone in 1967. We canโ€™t argue with this, all the reggae covers were respectfully done at Two-Tone, the Specials version even featured the same trombonist, Rico Rodriguez. Even if Dandy himself didnโ€™t know about it until he saw Top of the Pops, many of his songs were eyed for Two-Tone hits, such as The Bodysnatchersโ€™ Let’s Do Rock Steady

6: Chase The Devil – Max Romeo and The Upsetters 

Max Romeo might be seen as the naughty reggae singer who recorded a song called Wet Dream, but nineties ravers will know this 1976 tune only too well. Just like Two-Tone, the breakbeat house of the nineties homegrown rave scene was hugely dependent on reggae. Where would the Prodigy be without Max Romeo, certainly not in outer space. But hey, SL2 also borrowed from reggae, Jah Screechy’s Walk and Skank became On a Ragga Tip, and I could go on!

7: Reggae Merengue – Tommy McCook & The Supersonics 

This. A calypso riddim over a reggae beat in 1970 became the unlikely sound of London circa 2006, when Lily Allen recorded LDN. Itโ€™s instrumental, Tesco wasnโ€™t mentioned!

8: Cherry Oh Baby – Eric Donaldson 

Winner of the 1971 Jamaica Song Festival, Cherry Oh Baby was by Eric Donaldson with backing by Inner Circle, and produced by Bunny Lee and Tommy Cowan, but you might remember it as a Rolling Stones song five years later, or UB40 in the eighties.

9: Nimrod – The Skatalites

Studio One in-house band, The Skatalites recorded this in 1965, yet in 1998, when big beat was the thing, Justin Robertsonโ€™s Lionrock seemed to have something striking similar in the charts, their only massive hit. Rude Boy Rock was big in FIFA ’99, and in it was also the toaster sample, “this is a new skank, get ready;โ€ it wasnโ€™t a new skank at all, was it? Lionrock, you fibbers, it was thirty-three years old at the time!! 

10: Stalag 17 – Ansell Collins

Okay, you should know Sister Nancyโ€™s Bam Bam, everyone sampled it, Lauryn Hill, Groove Armada, Chris Brown, Kanye West & Rihanna, Beyoncรฉ, and Jay-Z. It is the most sampled reggae song, but the title was taken from a Toots & The Maytals song of the same name and the riddim itself was ripped from this wonder, Ansell Collinsโ€™ Stalag 17, released by Winston Riley’s Techniques record label in 1973.


Yay! I might tag Ansel on the Facebook share, because he sent me a friend request a few years ago, because thatโ€™s the unity of reggae. Without the racially segregated charts of the US, Jamacians could be influenced equally by any genres the radio stations threw at them, and in many ways, reggae can be a bridge between them. We might assume reggae was inspired by American music of black origin, but thereโ€™s plenty of examples where country music also inspired them, so in reverse to our list, Iโ€™ll drop some more reggae below, clearly influenced by countryโ€ฆ. And then we can all celebrate International Reggae Day!

Free Charity Fundraising Festival at The Three Crowns Devizes

With the Three Crowns being the liveliest pub in Devizes for some years now with live music every weekend and the Brewery Shop as a new neighbour, it seems sensible to upgrade the idea to a free Wadworth mini fundraising festival ….yay!

On Saturday 12th July The Three Crowns will pull all stocks out, with a free mini-festival supporting Wiltshire Air Ambulance and Juliaโ€™s House. Wadworth has a beer tasting table, Chirton School is doing a cake sale, and they promise other stalls. The music starts at 11am with a childrenโ€™s disco and face painting until 1pm.

The best tried and tested locally sourced music lineup includes Matchbox Mutiny, who starts the music proceedings at 2pm, followed by Jolyon Dixon and Rachel Sinnetta at 3:15pm. Ruby Darbyshire at 4:15pm. Headliners Funked Up at 7pm.

Agreed, there’s a gap between Ruby and Funked Up – maybe there’s something they’ve forgotten to tell me, maybe it’s a surprise, or maybe it’ll be time to grab one of their fantastic gourmet burgers?!


Supergrass Headline Frome Festival to Support Local Community Action Group

Britpop icons Supergrass will headline Frome Festival as a fundraising event for grassroots community action group โ€˜People for Packsaddleโ€™ who are fighting to save a much-loved local green space from development…….

The Cheese and Grain made a last-minute announcement of the concert slated for Friday 11th July as part of the Festival, crashing their site with fans eager to find out more.

Toby Culff, spokesperson for โ€˜People for Packsaddleโ€™ explained, โ€œThe proceeds from this event are being donated to our local community action group, People for Packsaddle, to support us in our ongoing battle to protect the area known as Packsaddle Community Fields, in Frome, from development. Despite hundreds of objections and the planning application being refused by Somerset Council, the developers are taking it to an Appeal. For us to fight the Appeal and be represented by a full legal team comes with a significant financial cost.โ€

Culff continued, โ€œThe fields are a designated Asset of Community Value and a crucial, irreplaceable resource for local people and wildlife, and for Frome as a whole. By coming along to this gig, people will be supporting positive community action whilst also helping to protect the environment.โ€

The drummer of Supergrass, Danny Goffey, who lives in Frome, is a big supporter of this initiative and this offers the perfect opportunity to give something back to the community.

The indie rock legends are celebrating the 30th anniversary of their seminal chart-topping debut album โ€˜I Should Cocoโ€™ by playing it in full and then drawing from their endless greatest hits, proving they’re still at the top of their game. Bursting onto the scene in the mid-90s and channelling their iconic energy, Supergrass shot to fame with anthems like Alright, Caught by the Fuzz and Mansize Rooster. Three decades on, their live shows are as cool as ever, and fans can expect an unforgettable night from a band who helped define an era.

Support comes from Lumley, who describe themselves as โ€œlurking in the Indie pop bargain bin, Fromeโ€™s finest exponents of stealing all of your favourite hits and misses from the โ€˜90sโ€. Lead singer Micheal โ€˜Fordyโ€™ Ford, who is also a concert promoter, stated, โ€œFirst of all this show is for Frome and the ridiculous proposal to build at Packsaddle. We stand with our brothers and sisters of People for Packsaddle. Secondly, itโ€™s just awesome! Supergrass at Bath Moles in 1994 changed everything for me and I finally found MY band!โ€

In true Frome community spirit, the Town Crier, Martin Scott, will be acting as Master of Ceremonies at this one-night-only benefit. Attendees can expect some of his trademark humorous rhyming couplets. Scott shared on social media, โ€œWe are young, we run greenโ€ฆand weโ€™re running full speed towards a night of righteous revelry! Supported by the fabulous Lumley, it promises to be alright, alright, alright! So gather ye, good people of Frome โ€“ for common land, common good, and uncommon talent! Let the bell ring, the chords chime, and the wild ones ride again!โ€

People for Packsaddleโ€™s Toby Culff expressed, โ€œWe are enormously grateful to Supergrass, the Cheese and Grain, local band Lumley and Frome Festival for their support in ensuring this crucial fundraiser can go ahead, as well as to everyone who comes along and enjoys the gig and helps us achieve our goal of saving the fields from development. We wonโ€™t stand by and let developers ride roughshod over democratic, locally made decisions – this fundraising event is going to really help us achieve this aim!โ€

Frome Festival Director, Adam Laughton, explained, โ€œSupergrass headlining Frome Festival is further evidence of the cultural significance of this amazing town, continually punching well above its weight. Enormous thanks to the individuals who have made this happen, as well as Cheese & Grain and People for Packsaddle,โ€ adding, โ€œThis event is the cherry on top of a sensational 10 days of activity kicking off on Friday 4th July. Over 280 events in over 50 venues โ€“ thereโ€™s truly something for everyone.โ€

FROME FESTIVAL is taking place from 4th to 13th July 2025 with its most ambitious and wide-ranging programme to date. This much-loved annual celebration of arts, culture, and community continues to grow in scope and imagination, bringing together world-class performers, local talent, and a wealth of unique experiences across the town.

Additional musical highlights this year include performances from the Ronnie Scottโ€™s All Stars, acclaimed songwriter and producer Guy Chambers (most well-known for his work with Robbie Williams), Brodsky Quartet,  the Miki Berenyi Trio (formerly of Lush), Tom Moth (harpist with Florence + The Machine), Gary Stringer (Reef), Rokia Konรฉ (from Les Amazones d’Afrique), and the dynamic Hackney Colliery Band.

The comedy line-up features some of the UKโ€™s most distinctive voices, with headline sets from Lou Sanders, Andy Zaltzman, and the return of firm favourites Jarred Christmasโ€™ Pop-Up Comedy. Lou Sanders, Andy Zaltzman, and the return of firm favourites Jarred Christmasโ€™ Pop-Up Comedy.

This yearโ€™s Bob Morris Lecture will be presented by historian, author and broadcaster Professor Kate Williams, offering fresh insight into a thousand years of Britainโ€™s palaces, monarchs – and all the royal secrets.

The family-friendly programme includes free events for children, funded by Frome Town Council. Festival-goers can also enjoy the return of cherished community events such as the Hidden Gardens, the Frome Open Art Trail, and the Food Feast, featuring live music from up-and-coming indie rock band Nothing Rhymes With Orange, bluegrass with percussive step dance from Buffalo Gals, and soul collective Kaleida Wild. Entrance to the Food Feast on Saturday 5th July is free.

The theme for 2025, Fromeโ€™s historic textile industry, is woven through the festivalโ€™s branding, artwork, and a variety of textile-inspired events that pay tribute to the townโ€™s rich industrial heritage. These range from the traditional, for example weaving and woad dyeing workshops, to the contemporary, such as a themed AR (Augmented Reality) history quest and a silent disco comedy walk. The yarn bombing competition โ€˜Make Frome Knit Again!โ€™ seeks to decorate the public spaces of Frome for the duration of the Festival.

A free printed festival brochure is available from the Cheese & Grain and other local outlets. The full programme and ticket information can also be found online at www.fromefestival.co.uk


REVIEW โ€“ White Horse Operaโ€™s Cosi Fan Tutte @ Assembly Rooms โ€“ Saturday 21st June 2025

Another Triumph for WHO

Andy Fawthrop

Following the excellent recent production of La Belle Helene at Devizesโ€™ Wharf Theatre back in March (see here), White Horse Opera (WHO) have triumphed yet again by bringing their production of Mozartโ€™s Cosi Fan Tutte to D-Town.ย ย 

Cosรฌ fan tutte is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte (who also wrote Le Nozze di Figaro and Don Giovanni).ย  Cosรฌ fan tutte, literally means “So do they all”, using the feminine plural (tutte) to indicate women. It is usually translated into English as “women are like that”.ย  Weโ€™ll get to that in a minute.

Mozart and Da Ponte used the idea of “fiancรฉe swapping”, which is a recurring theme dating back to at least the 13th century; notable earlier versions are found in Boccaccio’s Decameron, and Shakespeare’s play Cymbeline. Elements from Shakespeare’s The Merchant of Venice and The Taming of the Shrew are also present.  Whilst itโ€™s likely that nowadays weโ€™d see such an idea as somewhat โ€œproblematicalโ€, in opera terms such unacceptable behaviour is seen merely as a comic problem to be resolved with a neat and happy ending.

So it was that White Horse Opera (WHO) brought this sparkling jewel to life last night in the elegant surroundings of the Assembly Room in the Town Hall.  Unlike many operas requiring a large cast, chorus and orchestra, Cosi Fan Tutte can be played with only six singers and a pianist, and this made it a perfect piece to transport into a smaller, intimate atmosphere.  Using a simple backdrop, a few screens and virtually no props, the production was allowed to breathe.  The spoken dialog and the songs (all in English) were straightforward and easy to follow, allowing the comedy to shine through (although there was a helpful synopsis in the programme too).  This minimalist approach, thanks to Lewis Cowenโ€™s staging, and Roland Meliaโ€™s musical direction, kept it all as light as a feather.

All six singers excelled in their roles, and it would be invidious to single any one of them out.  Seriously โ€“ they were all on cracking form. The solos, duets and ensemble pieces were all well-delivered, glittering like jewels in a crown.  And the โ€œseventhโ€ member of the cast, pianist Tony James, who was on-stage throughout every scene in this two-act production, provided exactly the right supportive, yet under-stated, musical platform for the singers to really shine.

I loved this production โ€“ it was a chance to get up close to the stage and the mechanics of the performances, and to chat with the performers during the interval and afterwards.  It was as far as it was possible to be from the โ€œgrand ideaโ€ of opera โ€“ i.e. a big cast production in a large gilded opera house with all the social trimmings and conventions.  It proved, if proof be needed, that such a stripped-back delivery can provide all of the good things about opera, but without the concomitant fripperies.

To take such themes as love, trust, fidelity, deception, betrayal, forgiveness and reconciliation, to say nothing of the supposed โ€œweakness of womenโ€, and the cynical view of Don Alfonso that (to quote someone more contemporary) โ€œif you canโ€™t be with the one you love, then love the one youโ€™re withโ€, and to deliver all this up in less than two and a quarter hours, was no mean feat.  Leaving aside the dubious morality of testing fidelity by swapping girl-friends, using (deliberately risible) disguises, the manipulation if others by the main character, and the portrayal of women as weak characters who simply canโ€™t help themselves, sits uncomfortably with a modern audience.  But, hey, this is comic opera, and you need to join in with the joke.  Yes, itโ€™s all very contrived and very silly, but thatโ€™s how comic opera works.  And you can see exactly where Gilbert & Sullivan were coming from when they unleashed their satirical take on many of these devices.

So โ€“ an absolutely spiffing and hats-off production by WHO.  Sparkling staging and singing, and all completely accessible.  Do go and see them whenever you get chance.  Weโ€™re so lucky to have such a talented outfit working in and around our town.

Bravo!


CAST

Fiordiligiโ€“ Barbara Gompels

Dorabellaโ€“ Paula Boyagis

Guglielmo โ€“ Jon Paget

Ferrando โ€“ Robert Felstead

Despina โ€“Toni Johnstone

Don Alfonso โ€“ Robin Jukes

Musical Director Roland Melia, Stage Director Lewis Cowen, Pianist Tony James

White Horse Opera are based in Devizes and regularly perform operas around Wiltshire and beyond.

Findย  out more HERE


News & Chat About Wiltshire Music Awards on Donโ€™t Stop the Music Radio Show

Despite being a tad under the weather last week, I was delighted to join Eddie Prestidge of Wiltshire Music Events on Swindon 105.5 radio to discuss the next stages of our Wiltshire Music Awardsโ€ฆ..

For those not in the know, though I suspect many are, presenter Peggy-Sue Ford produces a weekly show on the long-established station called Donโ€™t Stop the Music, dedicated to showcasing signed and unsigned acts, particularly locally-sourced. What better place to explain our plans for the awards? I cannot think of any, because thereโ€™s few radio shows locally as thoroughly dedicated as Peggyโ€™s, who brings acts into the studio to perform live and has become such a popular catalyst for upcoming local musicians.

This week Peggy-Sue was talking to Rich Swatton of a gem on our event calendar, Minety Music Festival, so it was the second week absent of live music; I did offer to sing for our turn on the show, which was swifty and understandably avoided and the topic diverted! Other than this, I think it went rather well and Ed and I made a bit of a duo, in the vein of Laurel & Hardy!!

Peggy-Sue uploads the shows on Spotify, so you can catch up with the shows if you miss them; hereโ€™s ours, should you wish to listen. Despite no live music, thereโ€™s local tunes from many already on our radar, Talk in Code, Deadlight Dance and JP Oldfield, and others new to us, Swindon crossover rapper Brandon Clarke, who goes under the pseudonym Weather, and Kate X, an upcoming RnB singer; both worth looking up.

With the voting process now closed, Ed and I explained what happens next. The votes will be counted and the top three of each category will be put before a panel of judges, all with professional experience and loyalty to promoting the local music scene. The reason for this, so we can find a balance across the entire county and represent countywide fairly, ensuring the results are not centralised in one area. Whereby some results appear to be close to call, judges will decide the winner, but in all cases, especially those results where one has walked the category, this accomplishment must be considered by the judges as priority.

The judges were announced as being, subject to their own availability: Claire Grist of the Facebook page Bird is the Word, Ed Dyer of Swindon Shuffle, Roger of Sound Knowledge in Marlborough, Ronnie Laurie of Marland Music, Salisbury music producer Joylon Dixon, Nick Beere of Mooncalf Studios, and Peggy-Sue Ford herself. We have advised, now the judges are announced, bribing them with sweeties, kisses, or anything of the kind will be frowned upon!

This is the first Wiltshire Music Awards, and weโ€™re learning and planning as we go, but we are dedicated to presenting the results in October with a grand ceremony at Devizes Corn Exchange. In order to do this effectively we require sponsorship for each category, for which is affordable and details of which can be found HERE. Tickets for the ceremony can also be found there, starting at just ten pounds, and thereโ€™s some FAQs.

We strive towards that date crossing the Ts and dotting the Is, and look forward to presenting the awards with lots of live music acts on the night, perhaps a celebrity presenter alongside me in a tux, the latter of which is worth the ticket price alone!

Iโ€™d like to thank Peggy-Sue and Swindon 105.5 on behalf of myself and Eddie, for allowing us to visit the studio last week, to chat about the awards, and test the swing chairs for squeakiness, which I report was minimal. What a great show! 


REVIEW โ€“ The Lost Trades @ The Piggy Bank, Calne โ€“ Tuesday 18th June 2025

Five Have An Out-of-town Experience

You canโ€™t always get that live music experience you crave by simply staying within the walls of D-Town.ย  Sometimes, and especially when thereโ€™s aย  band playing that you simply have to see, you just need to get the gang together and pile into a motor to visit the wilder Wiltshire provinces.ย  And so it was last night that we ventured over the hill to Calne.ย  We found the border post un-guarded, and so we slipped into the town and found our way to The Piggy Bank micro-pub to see The Lost Trades……

The Piggy Bank has been a surprisingly good little venue over the past year or two, featuring some great nights with, among others, The Rob Lear Band, The Black Feathers, Jess Vincent, and Jinder, as well as pop-up dining nights, quiz nights and (a big favourite of mine) Crazy Bird comedy club nights.

Just in case you donโ€™t know them, The Lost Trades are a trio who play folk/ Americana with a cool Laurel Canyon vibe. With a sound that is reminiscent of the California folk scene of the late 60s/early 70s, (weโ€™re thinking here of Crosby, Stills, Nash & Young), their three part harmonies have been previously described as “flawless”, “spine tingling” and “magical”.

Formed in late 2019, the global Covid hoo-hah cut short their first tour after just a single sold out gig.ย  The band shrugged their shoulders, and retreated to their respective song-writing rooms to work on what was to become their debut album, “The Bird, The Book & The Barrel”, released in June 2021. The follow up album, “Petrichor” was released in March 2023. Both are highly recommended โ€“ trust me!

Then, just last year, one of their founding members, Tamsin Quinn, decided to leave the trio to pursue other interests.  Bit of a shock.  Was this the end for The Lost Trades, we all wondered?  Not a bit of it!  Tamsin has now been replaced (if replaced is really the right word) by the very talented Jess Vincent, who had recently returned to the UK after a few years away in Bulgaria.  

The result of all that is that The Lost Trades now consist of:

ยท Phil Cooper (vocals, acoustic guitar, electric bass), a performer not unknown in the local area for many years, both as a solo performer, as well in various bands, and a guy who knows his way around a recording studio and the producerโ€™s job;

ยท Jamie R Hawkins (vocals, acoustic guitar, electric bass, ukulele), also massively well-known locally, especially in venues around D-Town, for his wonderful solo performances and some great songs. Indeed a bunch of us had slipped over to The Pulpit (ex The Little Hop) in Old Town, Swindon only last week to witness a really excellent solo performance at that new musical venue;

ยท Jess Vincent (vocals, guitar, percussion, shruti box).  Jess first came to notice singing with Penny Red, before branching out into a solo career that produced several albums (Time Frame, Seesaw Dreams, Shine, and last yearโ€™s Lions Den)  

Between us five weโ€™d seen The Lost Trades in their old formation many times before, but this was to be the first time with new band-member Jess.  How would this all work out?  Would the sound and the dynamic have changed?  And if so, for better or worse?  Well, in sum, we need not have worried.  Despite a massive learning curve for Jess to pick up the bandโ€™s performing repertoire in just a few short months, to say nothing of having to re-blend all of their trade-mark close harmonies, the end result was spectacularly good.  It was neither better, nor worse, just slightly different and more developed and mature.  Right from the first number we knew that the magic had remained intact.

All the old stuff was still there โ€“ the constant and easy interchanging of instruments (including guitar, ukulele, bass and percussion), the close three-part harmonies, the well-worked song material, and the light-hearted intimacy, with the group engaging in comfortable repartee with each other and the audience like a group of old friends. And there were a lot of old friends in the audience to help them along.  And, of course, the many familiar songs.

But there was some great new stuff too โ€“ new songs, a different female vocal line, new instruments, and (obviously) a new personal dynamic between the three performers.  All of them had played The Piggy Bank before, and all to packed houses, so there were no nerves about any of that.  And last night, in front of yet another packed house, they managed to produce a truly spell-binding performance once again.

My only (very slight) reservations about the evening were that I needed slightly less chat (some of the introductions were as long as the songs!) and I would have liked slightly more of Jess (the two boys tended to dominate proceedings at times).  But, hey, these are very simple things to be fixed and developed, and didnโ€™t in any way detract from all the superb quality of the music they delivered in their three sets (or โ€œspasmsโ€ as Phil nicely put it).

There were no lashings of ginger beer, but the music flowed, the craft beer certainly flowed, and a jolly good time was had by all.  Then, under cover of darkness, we fled through the night back to the safety of D-Town, our out-of-town mission successfully accomplished.

Hopefully thereโ€™ll be more music dates to come at The Piggy Bank in the autumn.  But, meanwhile, if you want to see The Lost Trades live in concert (and I strongly recommend that you do!), theyโ€™ll be appearing locally as below:


Future dates for The Lost Trades:

Wednesday 23rd July 2025 @ The White Bear, Devizes

Friday 25th July 2025 @ Trowbridge Festivalย ย 

Friday 26th September 2025 @ The Pump, Trowbridge

Saturday 27th September @ The Hop, Old Town, Swindonย ย 

For more information go to thelosttrades.com/ย 


Devizes Arts Festival Relive the Eighties with Riviera Dogsย 

Together in Electric Dreamsโ€ฆ. at The Corn Exchange

Fashionably late for Devizes Arts Festival, I’d like to thank Andy and Ian for informative coverage of some complex events to review, whilst I took the easier route; rocked up for the last Saturday evening party like I was Prince, stole a fluorescent trilby and dad-danced around my bum-bag until they switched the final disco ball offโ€ฆ..

Iโ€™ll be honest, with my diddy-boppers cover band radar on high alert and leg warmers in the wash, I wasnโ€™t expecting to stay until the final curtain, for what seemed from the outside to be a refined generation X school disco. I could also get as pedantic as Mary Whitehouse; the band promised eighties, but the name Riviera Dogs is obviously a play on a 1992 Tarantino movie title; quibble when compared to the fantastic night they delivered.

As bang on cue as waiting for Top of the Pops each Friday, Riviera Dogs fired their flux capacitor and dropped Devizes Corn Exchange into the middle of the decade theyโ€™d pay homage to, with an exemplary cover of Go Westโ€™s We Close Our Eyes. From the off it was obvious this five-piece were some way above your average function band. Attendees wasted no bashful time finding a spot on the floor and dancing like it was 1985 again, even those few not old enough to recall it the first time around, (like me, a-hem!)

From there, everybody wanted to rule the world with Tears for Fears and I just died in Cutting Crewโ€™s arms as Riviera Dogs played their trump cards early. Mid-eighties power ballads were their calling, they were proficiently and professionally good at them. Seems they tour the nationwide retro circuit rather than play functions, for if they were to play a wedding itโ€™d overshadow the attention the happy couple would receive!

This said, many function bands use both male and female vocalists for songs, respectively according to the gender of the front person, and I wondered, if eighties pop hits were truly to be covered comprehensively some Madge, Cyndi Lauper and Kylie, to mention but a few, wouldnโ€™t have gone a miss with a female singer as proficient and entertaining as the existing male counterpart.

But as it was, it was a highly entertaining show, full of lively play, relevant and amusing nods to eighties trends which roused the crowds and caused them to reflect on their heyday; thatโ€™s nostalgia on top form. They rolled out smash hit after smash hit like you were listening to a Now album, Chesney Hawkes to Don Henly and beyond. Perhaps the more rock tunes, like Springsteenโ€™s Dancing in the Dark, which though I welcomed, wasnโ€™t as precisely executed as the electronica power pop ballads, but with those so sublimely fulfilled, and the evening in full swing, the crowds simply lapped it up, and twas so subtle no one cared to notice.

At one point though, we went from one end of the decade to the other too suddenly, for me. One minute we were dancing to Buggles’ Video Killed the Radio Star next it was Bros. The scant warning being a gag about wearing Grolsch bottle tops on shoes wasnโ€™t enough for me to prepare for the paradox! This stark contrast midway mayโ€™ve corrupted my timeline but didn’t seem to bother most of the audience either, exposing quinquagenarian Brosettes in the crowd!

As a homage to eighties music several elements were missing; feminine and queer insurgence, and rebellious tenets either side of that mid-eighties march for unadulterated pop mush; punk and Two-Tone at one end, hip hop in the middle, and acid house at the latter. The eighties was about more than the pop they played so well, it was also about advances in music technology and the vast variety of sound experiments it developed. They got as close as covering The Police brilliantly, but jโ€™mon, they never even dared to account for Wacko Jacko, dammit!

It may have reflected only pop commercialisation rather than covering the entirety of a generational divide of consciousness, but this wasnโ€™t supposed to be a history lesson nor comprehensive representation, it was about having a party to celebrate the close of another glorious Devizes Arts Festival, and for that it shone. The vibe was electric, the crowd letting their hair down (or perhaps up with hairspray) for a final night to what’s been a successful and varied programme of events for Devizes Arts Festival. Well done to all involved, you are the one and only, nobody I’d rather you be, you are the one and only, I can’t take that away from you!

Long may Riviera Dogs image the eighties in Mateyโ€™s bubble bath, for it was a Bigtrak loaded with fun, and to assume from my minor critique they didn’t stray from their trump card of electronic power ballads, would be unfair, they did. The finale was a Queen medley and in their own way, they made a fine job of such a difficult trick. For what we must judge this night on is not my personal feelings of commercialisation, rather the expressions of pure delight in the crowd, and if you saw me on the night shaking my tail feather like I was thirteen again, you’d be right to suggest I lived among the creatures of the night, like Laura Branigan, and loved every moment of it too!


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REVIEW โ€“ Devizes Arts Festivalโ€“ Mark Watson โ€“ Corn Exchange – Friday 13th June 2025

Welsh Favourite Comes to Devizes

Andy Fawthrop

The Devizes Arts Festival came up with another of its heavy hitters last night with a packed house at The Corn Exchange, all ready to welcome comedian Mark Watson to the town.

Mark Watson is an English comedian, novelist and producer.ย  Born in Bristol of a Welsh mother and English father, he has adopted a somewhat Welsh lilt in his delivery.ย  Heโ€™s won a number of comedy awards and is well known from his frequent appearances on TV, as well as being a Radio 4 regular.

Introducing himself, Mark climbed on stage to do an introductory 10-15 minutes before bringing on his support act for the night โ€“ Vicky Slater.  Projecting a slightly larger-than-life persona, Vicky delivered her material well, but Iโ€™m not sure that quite all of it landed.  Her tales of coming out as gay were delightful and amusing, rather than particularly hilarious.  She at least avoided the current lazy habit some up-and-coming comedians have of trying to pick on audience members in order to prompt some witty improv, and instead stuck to her own original material.  Respect for that. She was slightly rambling and incoherent in places, but she gradually won the audience over.

After a slightly short first half and an early interval, the main man was back to deliver his set.  Mark kicked off with comparing how difficult it was being a stand-up comedian versus, say, being a brain surgeon or, prompted by an audience member, a menopause therapist.  His key criteria for the comparisons were, aside from the training and basic aptitude, the amount of sheer stress and anxiety that such an activity could induce.

This was all by way of introduction to his first main theme โ€“ stressful situations in ordinary life.  But this was no feeble Michael Macintyre โ€œobservational comedyโ€, laughing at โ€œisnโ€™t it funny whenโ€ฆ?โ€ type comments.  This was full of little anecdotes of his own personal experience that everyone could easily relate to โ€“ flying with a small airline, getting into a car thinking it was an Uber (when it wasnโ€™t), asking for help in Tesco (from someone who wasnโ€™t even an employee), dealing with a homeless man (who began to take advantage), interacting with chat-bots online (who seemed very concerned for his continued welfare after once buying some towels a few years previously), and coping with his son whose only apparent language capability seemed to be through frequent WhatsApp messages.  The situations were carefully crafted and set up before the always droll and almost exasperated punchlines.

His second โ€œthemeโ€ (if I can call it that) was around the โ€œcorporateโ€ gigs heโ€™s sometimes had to do, particularly the waste-processing and meat-processing industries.  The latterโ€™s โ€œMeat Management Awardsโ€ provided a rich vein that he mined repeatedly for jokes about sausages and how heโ€™d become โ€œan advocate for natural casingsโ€.

Against his own better judgement, heโ€™d been persuaded to use ChatGPT to create a self-description, and it had come up with โ€œa breathless delivery by a neurotic personalityโ€, and even he had to admit that it wasnโ€™t too far from the truth.  And Iโ€™d agree.  Watson came across as genuinely curious about the world, bemused by modern technology, amazed by other people, and surprised by how much of modern life created stressful situations for him.  And out of this melting pot there came a genuinely funny man.  He was self-deprecating, very natural and โ€“ no doubt about it โ€“ absolutely hilarious.

Absolute top marks to Mr Watson and to the Devizes Arts Festival for booking him.ย  Top notch. Findย  out more at www.markwatsonthecomedian.com/ย ย 

The Devizes Arts Festival continues until the night of Sunday 15th June at various venues around the town.  Tickets can be booked at Devizes Books or online at  www.devizesartsfestival.org.uk  


REVIEW โ€“ Devizes Arts Festivalโ€“ Julian Costello Quartet โ€“ Assembly Room – Thursday 12th June 2025

Nice place.ย  Nice music. Nice.

Andy Fawthrop

The Devizes Arts Festival has almost run its course, with only a couple of days to go, but still seven events left.ย  But itโ€™s not going quietly, and last night in the Town Hallโ€™s Assembly Room was no exception……

British jazz saxophonist Julian Costello, a superbly gifted musician, composer and teacher from London, and who writes for various ensembles, was the Festivalโ€™s guest.ย  Playing tenor and soprano saxophones, he was joined by John Turville on piano, Andy Hamill on upright bass and harmonica, and Tom Hooper on drums.

The quartet has recently released their third album, โ€˜And All The Birds Were Set Freeโ€™ on the acclaimed label 33 Jazz Records, and their two sets last night featured many tracks from the album.  The albumโ€™s title is a reference to Costelloโ€™s idea that the musicians should be free to express themselves and able to fly. The pieces they played, including the title track, The Gecko, London Blue, Song For Anna and Sunflowers, were all good examples of this open, loosely-structured approach.  Each musician took his various solos easily, improvising on the scenario, but slotting into the structure laid down at the start of each piece.  The particular highlights of these for me were provided by John Turvilleโ€™s piano passages.

The original material was tempered with a leavening of jazz classics, including material from John Coltrane, La Rosita by Benny Goodman, and Carlos Jobimโ€™s If You Never Come To Me.  Costello himself, leading the quartet very much from the front, moved over from tenor to soprano sax for his composition Connections, based upon the structure of an Indian raga.  And bassist Any Hamill strayed onto a very welcome harmonica during the encore Song For Anna (written for Costelloโ€™s wife Anna Stearman).

Costelloโ€™s personal style was laid-back and chatty, bonding easily with the audience using dry humour, and the quartet were clearly very comfortable in each otherโ€™s company. Their enjoyment on stage was very evident.

After an absolute dearth of live jazz in D-Town, it was like drinking at an oasis after a long crawl through a musical desert.  But, parched as I was, I was left very slightly wanting.  The sets needed more variation in tempo, more contrast between light and shade.  Each number they played was very good, but it was slightly one-paced across the whole programme.  Donโ€™t get me wrong โ€“ this was a hugely enjoyable affair, featuring some great music in a beautiful room.  Sound and lighting were spot on (as usual).  But I was left wanting just that little bit more. More jazz please!

Findย  out more at www.juliancostello.co.uk/ย ย 

The Devizes Arts Festival continues until the night of Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online atย  www.devizesartsfestival.org.ukย 


Meet Henry, the Hollychocs’ Chocolate Duck Helping Cystic Fibrosis

Poulshot’s Award-winning chocolate studio Hollychocs is proud to launch a heartfelt charity campaign in support of the Cystic Fibrosis Trust UK, with a charming chocolate duck leading the way…..

The star of the campaign is Henry Duck โ€“ a handmade chocolate duck crafted from Hollychocsโ€™ signature 45% cocoa milk chocolate and decorated in yellow and gold cocoa butter, in tribute to Cystic Fibrosis Awareness.

For every Henry Duck sold, ยฃ1 will be donated to the Cystic Fibrosis Trust UK, helping fund vital research and provide life-changing support to families across the UK.

โ€œOur family has seen the impact of cystic fibrosis firsthand,โ€ says Holly Garner, chocolatier and founder of Hollychocs. โ€œHenry is named after my nephew, and this campaign coincides with their โ€œWear It Yellowโ€ campaign and is our way of giving something back while sharing a little joy through chocolate.โ€

Awl, look at him. I’m quackers about Henry!

To add to the fun, every purchase in her Beanery Cafรฉ and Chocolate Shop between Thursday 13 and Saturday 15 June will come with a free, numbered mini duck. One lucky mini duck number will win a full-size Henry Duck!

Customers can treat themselves to Hollyโ€™s limited-edition Henry Duck Sundae, an indulgent dessert of half a Henry Duck filled with vanilla gelato, and topped with her award-winning honeycomb and lava salted caramel sauce. As with the Henry Duck, ยฃ1 from every sundae goes to the Cystic Fibrosis Trust.

Customers can take part by purchasing a Henry Duck online or in store, stopping by The Beanery Cafรฉ in Poulshot (Thuโ€“Sat, 10amโ€“5pm) for the special sundae, along with all their other delicious treats, or by entering the mini duck giveaway with each purchase in the cafรฉ & chocolate shop

โ€œHenry Duck is a small treat that makes a big impact,โ€ Holly adds. โ€œWhether you’re indulging yourself, treating a friend, or visiting our cafรฉ, youโ€™re helping support families like oursโ€”and being part of something bigger.โ€


About Hollychocs:


Founded by award-winning chocolatier and chocolate engineer Holly Garner, Hollychocs produces ethically sourced, handcrafted chocolates in small batches from their Wiltshire studio. Known for blending scientific precision with flavour-led creativity, the business has earned multiple accolades, including Great Taste Awards and the title of Southwestโ€™s Chocolate Champion.


About Cystic Fibrosis Trust:


The Cystic Fibrosis Trust is the UK’s leading charity for those affected by cystic fibrosis. Through research, advocacy, and frontline support, the Trust is working to ensure a brighter future for everyone living with the condition.


Events with Cultural Diversity are Beneficial to our Entertainment Calendar, Not Triggers for a Vocal Minority

Events with diversity, be they ethnic, cultural, or life choices, must be welcomed, encouraged and viewed positively as assets offering variety in our local calendar of activities. Rather I find many social media posts promoting such hijacked by a vocal minority hoping to spread their hatred and prejudices to the easily influenced. Don’t jump on bandwagons, you are not sheep. Besides, it makes you look like a Muppet, and a very misinformed one at thatโ€ฆ.

It is, quite frankly, shameful and embarrassing. Find this plentiful during Pride month, but aside this, I’m also shocked to scroll through hoards of disgraceful comments on a post advertising a free African Festival, ardently welcoming โ€œeveryone,โ€ to be held in Swindon on the 5th July.

I held my tongue, concerned any appeal might backfire, and attract more objectifying, but I trust our readers have compassion and understanding. And since the same thing happened again last week, this time for a Refugee Festival at Fairfield House in Bath, happening this Sunday, 15th June, something must be said outside the confines of those groups affected, and I’m going to; deal with it if you’re one to post such offensive dribble.

Deal with the reality you’ve either absolutely no idea or care to know the historical and religious implications of Fairfield House, and while any number of events they hold there are possibilities for your vile attacks, you’ve simply been triggered by the word โ€˜refugeeโ€™ on this particular occasion. To illustrate this and prove your selfishness, let’s backtrack the narrative to build a summarised timeline, please try to digest it and reflect. I don’t write emoji.

Before we embark on our brief history field trip, note this isn’t anything to do with opinions on the current immigration system, as weโ€™d be opening an unnecessary Pandora’s box. Though itโ€™s worthy noting the same politicians who convinced enough of the public to vote for the financial suicide we call Brexit, are the same ones convincing you it’s immigration causing the problem; coincidental? Hummm…..

While gammons chew on that fat, for the more awake, letโ€™s go back seven-hundred years, when tyrannical European slave ships began packing African captives on board like cargo, of which Britain was a major player. Oh, and the consequent 400 years this industry infested into the Atlantic slave trade, profiting on repression and persecution, resulting in millions of deaths, the redistribution of the African population, and forevermore confining a majority to poverty and subjects for institutionalised racism, so Europeans could sprimkle sugar on their acquired wealth.

Or maybe just eighty years ago, when racist fascist forces caused a world war, where De Bono’s Italian invasion of Ethiopia drove Emperor Haile Selassie into exile, settling at Fairfield House in Bath, for thatโ€™s the historic significance of the festivalโ€™s venue many gathered to unfairly criticise and condemn on social media this week. Itโ€™s also relevant to add at this point, descendants of the Africans unwilfully redistributed throughout the Caribbean and with no education of their origin began to look to Haile Selassie as a deity, after prophecies from scholars like Marcus Garvey advocated, and the religion of Rastafari developed, hence Fairfield Houseโ€™s religious significance too.

Letโ€™s go back post war, seventy-seven years ago, when the British government encouraged mass immigration, inviting Afro-Caribbean folk to fill shortages in the post-war labour market. Or trek a few decades back, when they were living under hostile conditions due to the countryโ€™s financial downturn, in which the National Front waged war and police did little to prevent it; use the New Cross house fire as an example, and consider by the very nature of these online taunts, if weโ€™ve ever really progressed nearly enough on racial equality since.

Or letโ€™s just go back just seven years, when the Home Office either detained, denied legal rights, or threatened deportation to British subjects of Caribbean origin, the very people they invited here, the Windrush generation. They even wrongly deported many, had their passports confiscated and were refused re-entry to the UK, or were denied benefits or medical care.

Letโ€™s calculate all these misjustices despite there being many more weโ€™ve not mentioned and from many other nationalities and races, roll them into one fat conclusion, and tell me again; you want to deny folk from such backgrounds from organising a community event open to all, least sound your grievances against it because youโ€™re powerless to prevent it?!

Really?! Pathetic, and, not to mention, totally unjustified. Collect the toys youโ€™ve thrown from your pram and try your best to think, just for a second, for even if youโ€™ve not considered everything Iโ€™ve said, and still donโ€™t like it, no one is forcing you to go!  It makes absolutely no difference to your life if they do or do not host an event. Have you ever heard the idiom live and let live?!

Here at Devizine we will gladly mention those events, respectfully. 


The first Bath Refugee Festival is Sunday 15th June from 12pm – 7pm at Fairford House, 2 Kelston Road, Bath BA1 3QJ. The event is organised by Bristol-based Sudafest, which showcases the vibrant essence of Sudanese cultures and arts, forging connections with diverse communities worldwide. Through dynamic events, they bridge gaps, promote understanding and ignite a profound sense of global unity.

The Bath Refugee Festival is an initiative celebrating the contributions, cultures, and voices of refugees and migrants in Bath. Taking place in June, the festival will align with this yearโ€™s national Refugee Week theme: Community as a Superpower, featuring a diverse programme of events, performances, and discussions. Tickets are ยฃ15 with concessions, from HERE.

There are many other events at Fairford House, including tours, Rastafari Monthly Sabbath Observance, and The 133rd Birthday Celebrations of HIM Emperor Haile Selassie I on Saturday 19th July and Wednesday 23rd July. See HERE.


The African Festival is a vibrant day full of colour, rhythm, and culture on Saturday, 5th July 2025 at St Marks Recreation Ground, Whitehouse Road, Swindon. SN2 1DB, from 1 PM to 8 PM. It is FREE and everyone is welcome, everyone!

Expect: Spectacular Acrobatic Dancers, Live Reggae, Calypso, and Afrobeats Music, African Festive Dancers, Traditional Storytelling, Fun Childrenโ€™s Rides, and A Taste of Africa with a variety of mouth-watering cuisines. The African Festival asks you to bring friends and family, to celebrate the rich culture and joyful spirit of Africa in Swindon. Find more info HERE.


To me, this sounds fabulous. This is an opinion piece, I reserve the right to express it, if you disagree that’s your prerogative, but I cannot and will not entertain negative comments which incite prejudices, because we believe, and always will believe, in One Love.


Various venues in/around D-Town โ€“ Saturday & Sunday 7/8th June 2025

Just How Big Is That Fringe? Or Two Go Myth-Busting

Andy Fawthrop

Weโ€™ve always held that D-Town is a great place to live, and one of the many reasons is that it punches well above its weight in terms of the arts and cultural events.ย  Just speaking to musicians and artists who visit the town for gigs and festivals, the feedback is always the same: theyโ€™re in awe of just how much weโ€™ve got going on here.….

Do we need to recite the list?  Oh go on then โ€“ two/ three Beer Festivals (DOCA Winter Ales, Seend, CAMRA DBF), an arts festival (DAF), a food and drink festival, Fulltone on The Green, our own theatre, two opera companies (WHO, DMT), Devizes to Westminster canoe race, Long Street Blues Club, the DOCA events (Street Festival, Colour Rush, Lantern Parade, Carnival, Picnic In The Park)โ€ฆ.I could (and usually do), go on.  Thereโ€™s pubs with regular live music (White Bear, Three Crowns, The Southgate), fairs and circuses on The Green, book clubs, sports clubsโ€ฆ(youโ€™re really going on a bit nowโ€ฆEd).

But somehow that old refrain of โ€œNothing Ever Happens In Devizesโ€ has been making a come-back of late on social media, yet it just ainโ€™t true.  But like all myths, it refuses to lie down and die.  Despite this revered organ (ooh, matron) laying out the many, many choices you might have every week, and bringing you previews and reviews of everything and anything arts-based that we can get our sticky little fingers on, some folks seem to persist in apparently finding โ€œnothingโ€ to do. So itโ€™s time to, yet again, challenge that myth and have another go at laying it to rest for once and for all.

Anywayโ€ฆ..at the moment of writing weโ€™re right in the middle of the Devizes Arts Festival fortnight, with plenty of variety to please all tastes.  But, admittedly, some of these events can command ticket prices that are unaffordable for some.  So, inspired somewhat by last weekendโ€™s wonderful free Rowdefest (thank you Darren!) and, admittedly, a bit of a โ€œrobust discussionโ€ in the pub, I decided to see just how much fun and entertainment you could enjoy over this weekend at next to no cost. Itโ€™s a challenge I decided to take on by getting off my luxury sofa, and propel myself out โ€œinto the fieldโ€ (as it were).

Armed with only a stout pair of walking boots, an inquisitive and open mind, and a supportive girlfriend, I headed out into the local area to see what I could actually come up with on Saturday and Sunday this weekend.  The results are below:

  • 1. Devizes Farmersโ€™ Market in The Market Place Bar (Saturday 9 am)
  • ยท What it was: monthly gathering of local suppliers
  • ยท What was it like?ย  Plenty of choice โ€“ venison, bread, honey, olives, cheese, bread & fruit, flowers and plants, fresh coffee, cider, cakes.ย  Plenty of good fresh stuff from suppliers within a 30 mile radius of D-Town.ย  Added to stalls in the Shambles, this is worth a half hour of anyoneโ€™s time, either for shopping or simply browsing.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 4/5

  • 2. K&A Canal Walk towpath, any old time
  • ยท What it was: a c. 4 mile walk down the towpath from D-Town to Poulshot
  • ยท What was it like?ย  Lots of people out strolling or cycling, boats passing up and down the flight (an opportunity for some gomgoozling).ย  We also saw many species of birds, including four, yes four, different grey herons โ€“ such elegant birds.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 5/5

  • 3. Poulshot Medicine in Nature Herbal Walk at Poulshot Village Hall (Saturday 10.30am โ€“ 12)
  • ยท What it was: a short walk led by Katherine Baldock & Simon Parkes (ecologist) around the village to explore the wild and naturalised medicinal plants growing thereabouts, and an opportunity to make some herbal vinegar after foraging the local hedgerows.
  • ยท What was it like?ย  Way too slow for me, it was part talk, part very gentle amble around the village green and woodland, part discovery of a number of wild plants.ย  We discussed culinary and medicinal uses. At least I found bits of Poulshot I didnโ€™t know about, including the pond, the specially-created woodland, and some country paths (useful for getting over to Whistley Road later on).
  • ยท Cost: ยฃ5/ person
  • ยท Childrenโ€™s rating: 0/5, Adultsโ€™ rating: 2/5

  • 4. Wiltshire Steam & Vintage Rally Lower Park Farm, Whistley Road (Saturday & Sunday 10 โ€“ 5)
  • ยท What it was:.ย  An event organised by WAPG (Wiltshire Agricultural Preservation Group), featuring static displays of steam traction engines, tractors, miniature steam engines, heavy horses, trade stalls, fairground, military vehicles, classic cars.
  • ยท What was it like? As it was chucking it down with rain as we arrived, the most welcome thing for the first half hour was the (well-stocked) beer tent.ย  I could have done without the loud piped music but, hey, it was dry and there was beer!ย  When the rain slowed down a bit we did the full circuit and there was plenty to see, the most impressive of which were the full-size old traction engines in steam (some also seen later driving through D-Town).ย  There were pop-up food outlets, fresh coffee, craft stalls and tents, a 1940s-themed tea and cakes tent, bouncy castle for the children etc.ย  The site was large with plenty of parking but, because of the rain, getting increasingly muddy.
  • ยท Cost: ยฃ10/ person + drinks
  • ยท Childrenโ€™s rating: 4/5, Adultsโ€™ rating: 4/5

  • 5. Pete Robson & J P Oldfield in The Bear, Cellar Bar (Saturday 8pm)
  • ยท What it was: foot-stomping blues from two solo performers
  • ยท What was it like?ย  Each performer used steel guitar and stomp box to deliver some hard-cutting blues.ย  CDs for sale. Not very well attended, which was a shame.ย  Perhaps it needed to be better advertised. For me Pete Robson was the better performer of the two, taking a slightly less hard-edge approach to his vocals, and mixing up the tempo, giving more light and shade to his set.ย  The cellar bar is an OK venue at best, being a rather odd shape, with very low ceiling and an only partially-stocked bar.ย  I suspect it needs to be used much more often if itโ€™s going flourish as a venue.
  • ยท Cost: ยฃFREE + drinks
  • ยท Adultsโ€™ rating: 3/5
  • ยท Note โ€“we could have also gone to see either Matchbox Mutiny/ Tom Harris in The Three Crowns or The Duskers in The Southgate (both FREE entry), but thereโ€™s only so many hours in the day!

  • 6. Crammer Watch Day on the Small Green Devizes (Sunday 11am onwards)
  • ยท What it was: a chance to meet those involved in celebrating and preserving the Crammer. RSPCA, Wiltshire Wildlife Trust, Wessex Water, Friends of The Crammer, Lawrence Society of Artists, Sustainable Devizes + The Moonrakers Legend (performed at 12 noon and 1pm), photography competition, charity tombola
  • ยท What was it like?ย  We missed the Moonrakers performance, so as an experience I found it a bit thin on the ground.ย  There was little to see and do, unless you wanted to stand and chat to someone about the issues which the Crammer faces. Several stands were just offering information leaflets. Although a worthy attempt, for me personally it was just not very engaging.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 1/5

  • 7. Lions on The Green on The Green (Sunday 10am -4pm)
  • ยท What it was: organised by Devizes Lions Club, a vehicle display (cars, bikes, scooters, military etc) and family fun day (lots of stalls, bar, food outlets)
  • ยท What was it like?ย  Covering the whole of the large Green, this was really excellently-well organised.ย  The central area was given over to the displays of antique, rare and sports cars.ย  Stalls had cakes, plants (from Plot 35), metal signs, honey etc.ย  There was a bouncy castle and fairground rides for children.ย  A licensed bar, coffee shop etc.ย  Lots to look at and plenty of photo opportunities. Fantasy Radio were broadcasting live from the site.
  • ยท Cost: ยฃFREE (donations to the Lions collecting buckets) + drinks
  • ยท Childrenโ€™s rating: 4/5, Adultsโ€™ rating: 5/5

  • 8. Devizes Arts Festival Free Fringe: Whiskey River (@ British Lion gardenย  Sunday 2 โ€“ 5pm)
  • ยท What it was: Roots Music From the Welsh frontier
  • ยท What was it like?ย  The trio Whiskey River played Americana, Cajun, Zydeco, Folk, Country, Blues and a smattering of Celtic music. Using guitar, fiddle, flute, harmonica, mandolin and concertina, these guys provided an excellent and enjoyable afternoon of music in the (occasional) sunshine.ย  The bar was open, and there was a BBQ going on throughout. People sitting out enjoying a drink, dogs, children, good music โ€“ perfect!
  • ยท Cost: ยฃFREE + (a large, undisclosed) drinks bill
  • ยท Childrenโ€™s rating: 3/5, Adultsโ€™ rating: 5/5

  • 9. Wood & Steel (@ The Southgate Inn Sunday 5-7pm)
  • ยท What it was: an acoustic duo playing blues, jazz and ragtime
  • ยท What was it like?ย  This duo were new to me, but I was very impressed by what I heard.ย  Two very good musicians, clearly comfortable in their own skin, played two excellent 50-minute sets and got a very well-deserved encore.ย  Lots of covers from many ages and genres, using dobro, guitar, upright bass and vocals.ย  Excellent musical accompaniment to a late, lazy Sunday afternoon. Great atmosphere too.
  • ยท Cost: ยฃFREE (donations to โ€œthe hatโ€) + more (undisclosed) drinks
  • ยท Adultsโ€™ rating: 5/5
  • ยท Note โ€“ we could also have gone to see Bodge It & Scarperย  at The White Bear (Sunday 5-7pm) playing acoustic music, but didnโ€™t hear about this until quite late.ย  Also canโ€™t be in two places at once.ย  This event was also FREE.ย ย 

In summary:

  • ยท Miles walked โ€“ about 10
  • ยท Bird species spotted โ€“ about 20, including swans, herons, jackdaws, mallard, moorhen, starlings, robins, great tits etc;
  • ยท Friends met – loads โ€“ far too many to mention!
  • ยท Total cost (for two) – ยฃ27.80 (of which ยฃ20 was for the steam fair) + the drinks (but letโ€™s not mention that bit!);
  • ยท Fun and entertainment had โ€“ loads and loads and loads;
  • ยท Well-being โ€“ absolutely knackered, but very happy.ย  Looking forward to next weekend!

Yes it all took a little bit of planning, but it wasnโ€™t that difficult really.  We walked to/ from most venues, so we got lots of other good D-Town stuff (Caen Hill locks, the towpath etc) and took only one short (cheap) bus ride when the heavens opened.  So there was plenty of exercise and fresh air to mitigate the various bits of eating and drinking.  Did I mention that the odd libation was partaken of?  And Iโ€™m not saying that EVERY weekend is quite this packed, but it certainly can be if you put your mind to it.  Bear in mind that thereโ€™s LOADS of other stuff going on โ€“ these were simply the things we happened to pick out.  There were choices โ€“ and we made them!

Nothing Ever Happens In Devizes???  Donโ€™t make me laugh.


Lions, KITT, Moonrakers and a Whiskey River; Sunday Stroll Around Devizes

If it’s good enough for Knight Rider it’s good enough for me. I see the Hoff ditched his Knight Industries Three Thousand on the Green for a stroll around Devizes on Sunday. He probably found a crusade to champion the cause of the innocent in a world of criminals who operate above the law, whereas I ended up at the British for a scrumpy or threeโ€ฆ.

Image: Simon Folkard Photography

Unlike some guys who act like Spongebob Squarepants on his tenth bag of Haribo at Chessington World of Adventures, I can only get yay excited about a car show. But Devizes Lions do it with cherries onโ€ฆ and debatably false advertising. There were no lions on the Green, but it was Lions on the Green this Sunday past, an annual free fete/car show crossover which never fails to appeal universally; kids nag mums for Rowdey Cow ice cream while dads furiously argue for three hours with a total stranger in sandals that the Mk2 2.8 Injection Granada handles better than the Mk1 with a 3.0 V6 engine.

Image: Simon Folkard Photography

I browse unacquainted with such matters, unfazed by contemporary cock extensions, but in admiration of vintage, retro cars and those with a movie reference attached. Every local from MP Brian Matthews to Pete of Vinyl Realm, and outsiders like Marty McFly have brought their big boy toys along to display, as Fantasy Radio blast Gary Numan. It’s a sunny morning, it’s a lovely occasion, it’s raising funds, and there’s nothing to dislike about it. 

Cars ticked off, hot dog and an extended conversation with a detectorist who’d discovered a variety of civil war shots and cannonballs on Roundway, if the Lions on the Green is a great and unbroken walkthrough event it coincided with Crammer Watch Day further along on, at the Little Green.

With long term solutions outstanding for unsafe conditions for wildfowl on the Crammer, there appears to be a far more communal tenet between concerned residents and the council compared to the outcry a few years ago, and this day was intended rather to celebrate the Crammer than address expensive possible solutions. As it stands, the simple fix is to raise public awareness that the only escape route for swans is across the roadside and they should apply caution when driving throughโ€ฆ.please.

With live painting from the Lawrence Arts Society, stands from the RSPCA, Sustainable Devizes and hosts Friends of The Crammer, conservation was a topic, if overshadowed somewhat by historical tomfoolery, which was something new to the day and personally my highlight.

Image: Simon Folkard Photography

A random team of amateur thespians, some from the Wharf Writers Group and others along for the giggle and wearing of knitted beards, staged a short promenade satirical play โ€œreenactingโ€ the fable of the moonrakers, aptly at The Crammer. The premise didn’t sound so inspiring to me, and I thought I might have to hold my tongue. The actuality surprised me, it was absolutely brilliant!

Image: Simon Folkard Photography

Pythonesque humour delivered with skill on a local legend, deliberately naff props such as a paddling pool for the pond, and astutely scripted silliness, it was indigenous and hilariously original.

Image: Simon Folkard Photography

Authenticity deliberately skewed for amusement; they couldn’t have done this anywhere else but here, the setting of the beloved fable, which is amusing enough without the added gags. Francis Grose was a witty Victorian chubster and nothing more needs to upset the applecart about the origin of the moonrakers, as this wasn’t intending to proclaim historic fact checking rather to amuse, which a country gent in Harris Tweed with a carrot in his mouth pretending to be a donkey will inevitably achieve.

Image: Simon Folkard Photography

I don’t know where the Hoff got to, but he missed a rarer treat than reuniting with Pamela Anderson for a titillating slow-motion beach jog. Oh, and a whistle stop to Morrisons was a let down culturally compared to what was outside. Along the road I shrug at a classic bus, for its appearance would’ve been more expected trekking the Sahara than parked outside the faithfully traditional British Lion, and there was no explanation for it being there.

Nevertheless I’m one step away from the bar, pondering if there’s one thing expected in Devizes: it’s that The British Lion doesn’t change, because it doesn’t need to. With Devizes Arts Festival is full swing, they’ve arranged a Cwmbran roots trio called Whiskey River to play us some of their sublime classic rock covers, Celtically, with a deep southern Americana twist, as a free fringe event; I cannot argue with this.

Devizes live music aficionados amassed and were thankful, as if they needed an excuse for a pint and fundraising burger from the barbecue. The British Lion is a fond institution, Whiskey River was a great break from our usual circuit, The Lions put on a brilliant and well organised family event, Crammer Watch added to an already great day and those awesome actors with rakes did make us laugh as promised.

It was all too much for me, the White Bear and Southgate continued the music, but I needed a little lie down, while our roving reporter Andy outdone me, partying like Prince in 1999, so I’m also putting up his account of weekend adventures for it’s fuller, far more informative and factually accurate than mine, even if it doesn’t mention Pamela Anderson, because really, she didn’t show. Devizes though, doesn’t need Pam, the fun never stops here, Sunday proved it.


Hotcakes, Wildfire, Shoesโ€ฆ. and Acid!

In the dead of night sounds in a rural environment are resonating singularities, a car in the distance or the farmer calling his herd. In an urban environment itโ€™s a cacophony, a mesh of motorways, trains and factories. Living in either you become accustomed, but to change can take adjusting. To accommodate the increase of clamour, when I first moved from a village to be neighbours with a cheesy nightclub in Swindon, we drained the noise outside with the 1990 KLF album โ€œChill Out.โ€ Prior to being bound for Mu Mu Land with Tammy Wynette, they created an ambient soundscape which rarely provided a beat. I am reminded of this, and other vague but fond memories while listening to The Hotcakes of Wildfireโ€™s four track EP, Shoes and Acidโ€ฆ.

Released last week, Shoes and Acid is the brainchild of Mick Stanger, guitarist for Bradford-on-Avon scrumpy & western outfit The Boot Hill All Stars and presenter of Sounds of the Wilderness on West Wilts Radio, a show where Mick uncovers a variety of experimental locally-sourced tracks. Alongside him are engineers Alex Pilkington and Leo Hossent, Boot Hill and Monkey Bizzle drummer Cerys Brocklehurst, with synths, guitars and vocals by Rat Himself, additional vocals by Holly Taylor and a fiddle from Ruth Behan. A different line-up from the 2022 debut single War of Words, whereby Mick thrashes out a tongue-in-cheek Scrabble war over grinding metal guitars, and a very different sound too; virtually horizontal dancing in places!

If Iโ€™m reminded of Chill Out, and stealthily manoeuvring through a jungle of guy-ropes and tent pegs across Glastonbury Festival like a missionary expedition, while The Orb rang out subtle harmonies like the call of the natives in the ether, itโ€™s because Iโ€™m of that era. Factually, thereโ€™s been meditative and relaxing moods in all genres from classical and jazz to new age whale song or electronic kosmische. The beauty in Shoes and Acid seems to be that these Hotcakes nod to them all, or if not all, at least since the prog-rock of Zeppelin and Floyd, and exhausts them nonchalantly unique and punkish.

Itโ€™s a lo-fi soundscape opening with birdsong, but Stubentiger kicks in agreeably backwards like the intro to Electric Ladyland, and rolls out a pungent bass guitar riff akin to Fromeโ€™s Ozric Tentaclesโ€™ finest hour; itโ€™s at this early moment I figure Iโ€™m in for an enjoyable if hypnotic ride; pass my meds. Four extended tracks is all it takes to knock up about forty minutes of expressive outpourings, largely instrumental and influenced by many soothing musical styles. Iโ€™m not sure if shoes are a requirement, but acid wouldnโ€™t go a miss, itโ€™s a trip.

Second tune Knocking at the Tree has whimsical female vocals conflicting with devilish male vocals, a drifting prog-folk-rock track wisping and earthy; a Westcountry Clannad with a sprinkle of Hawkwind. But if the prog-rock element continues into the eleven minute beauty, Fever Dream, it becomes very Ozric Tentacles, and like my favourite tune of theirs The Domes of G’Bal, it takes on dub reggae. Being that Iโ€™m fascinated by the studio adventures of King Tubby yet irked somewhat with dubstep, Iโ€™m most at home here, a contemporary Orbโ€™s Towers of Dub which could convert Lee Anderson into a crusty traveller! 

Fever Dream is the summit, an outstanding and epic moment in the album. A final track awaits us, now embedded in a horizontal dream like state imagining fractals forming in the sky. Tardigrades is another eleven-minute sonic exploration, beginning ambient house, Eat Static is expected but it doesnโ€™t venture into trance-techno, rather it builds in layers like Leftfield but takes a space-rock angle with Hollyโ€™s vocals in the driving seat after five minutes of swirling spacey soundscape.

A gorgeous finale to a great third eye opening listen, which doesnโ€™t appear to care if you’re coming at it from a Hawkwind or Orb direction. Iโ€™m just pleased to know thereโ€™s still folk out there producing soothing yet psychedelic ambient music on an astral plane, and this rolls a joint up for you and tucks you into a blissful slumber! 


REVIEW โ€“ Devizes Arts Festivalโ€“ Anna Ling โ€“ St Andrewโ€™s Church – Thursday 5th June 2025

Another Little Sweetie In The Jar

Andy Fawthrop

Well the Devizes Arts Festival is in full swing now, with several events already under its belt.ย  Thereโ€™s stuff cropping up every day, so I took the chance to pop in to a much-underused venue in the town St Andrewโ€™s Church on Long Street.….

After several big-ticket shows in the programme, it was a pleasure to settle down to something a little more modest, a more bread-and-butter item if you like.ย  Mid-week lunchtime isnโ€™t going to be a time to attract a particularly large audience, even on market day, but a good few hardy souls turned up to at least create a good audience atmosphere.

Anna Ling, a performer Iโ€™d not personally come across before, is a guitarist and singer/songwriter.  Her creative work and sense of purpose are deeply rooted in her love of bringing people together through song. This passion shapes her life, guiding her from leading community choirs to performing at venues, care homes, and world-class festivals.

In a concert co-promoted with the charity, Live Music Now, Anna delivered a professional and engaging 50-minute set which featured both her own material along with a few covers.  She worked hard to engage the audience right from the kick-off, inviting us into her world.  The performance was light and humorous, heartfelt and intimate.  And she was determined that we were not just going to sit back and listen to her, but to join in as well.  She had a lovely clear, strong voice, and used it to particular effect when she came down from the stage and abandoned her guitar in favour of an unaccompanied song right from the middle of the audience.

Her lyrics were simple, her guitar chords straight-forward.  This was not a set filled with new arrangements or presenting anything particularly challenging, but an opportunity to listen to a set of songs simply delivered and largely unadorned.  She filled the gaps between the songs with little stories and anecdotes, never lifting her voice very much, and thus drawing you in.

Plain, simple, and thoroughly enjoyable.  Just another little sweetie in the jar from Devizes Arts Festival.  And thereโ€™s plenty more to see and hear yet, so do make sure that you get along to experience something soon. Itโ€™ll all be over before you know it!

Devizes Arts Festival continues until Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online HERE


Trending…..

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

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One Week Left to Cast Your Votes for Wiltshire Music Awards

Thatโ€™s right, lovers of local live music countywide, you have less than a week now to cast your votes for your favourite acts in our prestigious, one-of-a-kind Wiltshire Music Awards!

The closing date for voting is Tuesday the 10th June, so get your thinking caps on and VOTE HERE NOW.

Whoโ€™s tickled your fancy the most? Whoโ€™s brought tears to your eyes with their self-penned ballad? Whoโ€™s dragged you off your seat and commanded your feet to the dancefloor, like nobody’s watching?! Whoโ€™s provided that ideal space for you to shake a tailfeather? And who deserves to be recognised for their outstanding contribution to local live music in your honest opinion? We need to know, but donโ€™t tell us here- keep it secret and cast your votes now!

We’ve already had way over seven hundred ballot papers sent into us, and I’ve not taken one sneaky peek yet, but I’m informed the results are close to call, so your vote might yet tip the balance.

So don’t procrastinate on me now, will you? Not for your favourite musicians’ finest hour. They need you; this is important, dammit!

And hereโ€™s an added special message to all musicians, bands and promoters, we love you all, so, please help us to help you, by sharing this news with your fans, as thereโ€™s nothing wrong with shameless self-promotion; order them to vote for you, offer them custard creams if they do, tell your mum you want her to vote for you, tell them all you wanna win a shiny medal for all youโ€™ve done to entertain them. You deserve this, goddammit, everyone creating music around these backwaters does, but thereโ€™s only so many awards we can give out on the night – make sure one of them is yours, yay!

I’m so excited, I just can’t hide it, and I am officially about to lose control…and, guess what? I think I like it. At least, those are my inspirational words to motivate you into the groove.


Swindon Palestine Solidarity Upcoming Events

Swindon Palestine Solidarity continues to call for a ceasefire in Gaza and for aid to be allowed to enter Gazaโ€ฆ..

Their three recent roadside sign actions generated a lot of positive responses. Itโ€™s an effective way to keep people talking about what is happening in Gaza and these actions will be one of the many ways that SPS will continue to campaign.


On Thursday 12th June from 6 – 9pm, people can join us for Stitched in Solidarity, a free sewing workshop at the Bangladesh Centre, County Road, SN1 2EW. Participants can stitch a leaf with their messages of solidarity, or just add their name. The leaves will be added to the large olive tree on the banner, which will be used in protests and public exhibitions. This is a great way for people to add their voices, especially for those who canโ€™t attend protests, but want to be a part of the movement. A free place can be reserved on Eventbrite – Stitched in Solidarity or by emailing info@swindonpalestinesolidarity.org


SPS has called for a local march in Swindon on Saturday 14th June at 1.30pm starting at Regent Circus.ย 

A spokesperson said, โ€˜The narrative from politicians and journalists is shifting. Itโ€™s really important to keep up the pressure and to let them know that we want the people of Gaza to have the food, water, shelter and medical aid that they need. Thousands of them are in immediate danger of starving to death. We demand a ceasefire. Our government should not be sending arms. We previously had 1000 people protesting in Swindon and want the next local protest to be even bigger. We are being joined by members of the local mosques, so letโ€™s show our solidarity with the Palestinian people.โ€™


A coach has been booked to take supporters to the next London protest on 21st June. Leaving Swindon at 8am, and returning at approximately 7.30pm.ย 

The spokesperson said โ€˜There were over 500,000 people at the last national protest for Palestine in London. It was noticeable that directly after that march was when the narrative about the plight of the Palestinians started to change. The next London march needs to be even bigger.โ€™ 

To reserve a seat on the coach, go to Eventbrite – SPS Coach to national protest 21 June from Swindon – or email info@swindonpalestinesolidarity.org  There is a charge of ยฃ13.70 per person, but people can donate more to help cover the subsidised seats. Please contact Swindon Palestine Solidarity if you want to come but canโ€™t afford a seat.


โ€˜We know there is a lot of support for Palestine in Swindon. Hundreds of people have honked their horns and put their thumbs up during our roadside actions. If you arenโ€™t already involved in anything to show support for the people of Palestine, why not come along to a march, either locally or nationally. If marching isnโ€™t for you, you can join the stitching event or a roadside sign action, follow us on social media, join our WhatsApp groups, help fundraise or organise, come to a film night or talk. You can see, sign and share articles, petitions and actions. It all puts the pressure on for the positive changes so many of us want to see. Our charity quiz and meal last week raised over ยฃ900 for GINA (Gaza Infant Nutrition Alliance) which works to establish a continuous milk supply and education for breastfeeding support where it is most needed. Starving mothers are struggling to keep their newborn babies alive. There are so many ways to get involved, we urge everyone to โ€˜DO SOMETHING!โ€™ 

More information about Swindon Palestine Solidarity


No Surprises Living in Devizes; Local Politics Rant Returns!

I want Devizine to be primarily about arts and entertainment, but Iโ€™m often pathetically persuaded by bickering political factions to pass opinion on local politics for petty point-scoring, despite being more Olly Murs than Andrew Marr; trouble, troublemaker, yeah, thatโ€™s my middle nameโ€ฆ…

Butter me up with an overpriced burger if you will, but my middle name is Leeโ€ฆ as in Bruce, and I cannot promise my barefaced scripted kung-fu chop wonโ€™t swing for you too. Because if recently Iโ€™ve resisted the urge to add my wonky tuppence to political matters, with unlikely viral internet star Kimberly โ€œsweetโ€ Brownโ€™s catchphrase in mind, โ€œainโ€™t nobody got time fer dat,โ€ the times are as a changinโ€™ as a Dylanesque Dr Who on steroids and history is repeating. Methinks, surely, itโ€™s overdue to relaunch my agitating causerie, โ€œNo Surprises Living in Devizes.โ€ What possible harm/trigger could it do/evoke?

I decided to give it a triumphant monthly relaunch, summarising current and local political piffle in one enjoyable blasรฉ piece this morning, as I felt what roads โ€œcouldโ€ feel like underneath my tyres for approximately one second in Poulshot. Ah, letโ€™s start with the easy topic; the weeping pledges which trickled off every candidateโ€™s wobbly lip this past (and every other council election) to fix the dilapidated asteroid impact craters we call Wiltshireโ€™s roads.

They really have gone and done it, but never said theyโ€™d fix the complete road, no. Observe across the county the patchwork quilt design of perfunctory road resurfacing; just three yards of smoothness here and there, then back onto the bumps like youโ€™re navigating the moon on a penny-farthing, and left to thinking, that bit they patched up was the best bit of the road originally!

They seem to be randomly throwing down grit like a nineteen-forties street urchin playing marbles. Given the circumstances, theyโ€™ve been busy playing pass the parcel at Bythesea Road, squabbling over seats with a hung council. I admit, Iโ€™m averagely content with the outcome of Wiltshire Council now flying a yellow flag even if the infinitesimal Reform seats might consider this as offensive as a rainbow; just close your eyes when itโ€™s sunny and rainy at the same time, yeah?

Touch and go for a moment though, the possibility of Conservatives getting into bed with their recruitment centre, Reform, and taking control of Wiltshire Council, you know, being they fight like cat and dog. Ten seats, Reform snatched, barely touching the sides, and I armed myself with strawberry milkshakes like it was the second coming of the Battle of Cable Streetโ€ฆ. in a Wetherspoons.

Can we just clarify this please? Who the actual fuck voted for a one-policy party in a council election, when said policy is to โ€œgit are cunty back,โ€ by the genocide of immigrants arriving on boats, when the flipping county is landlocked?! What, are they sailing down the Kennet & Avon now?!

The only good to have come out of the insignificant success of Reform here, other than dividing the blue voters into inconsiderate yet affluent, and poorer thick slices of gammon, is that it serves to illustrate their triggers, such as this imagined enemy they call โ€œwoke,โ€ are nothing more than sensationalised media propaganda, because the influx of immigration in rural Wiltshire is so slight itโ€™s like tickling a blue whale with duck-down.

Itโ€™s no simple equation, but if the cost for illegal immigration is guesstimated at 14 billion smackers, that might sound hefty when youโ€™re a low-skilled worker trying to put crispy pancakes on the table but is a drop in the ocean compared with the ยฃ131bn the right-wing government spaffed up the wall during its regime. A cost Starmer was expected to regain milliseconds after becoming captain of the Titanic we call the UK, or else face the blame, when really, we all know now heโ€™s nothing but the Hello Kitty version of a Reform double-agent.

The cost of Brexit is calculated at around ten times this, at ยฃ140 billion, and weโ€™ve not considered the many thefts like the ยฃ1.4 billion wasted on bogus pandemic PPE contracts, down to the ยฃ150m for a mud mound near Marble Arch which lasted no longer than you could walk up it, Westonโ€™s oil rig garden, the ยฃ125,000 annual pension for a prime minister who survived at number ten for about the same time most job interviews last, and, if we must get local, the ยฃ180 million of feasibility studies into pointlessly tunnelling under Stonehenge, trashing the only monument foreign visitors want to pay to see, and creating a concrete monstrosity which the lights of wouldโ€™ve blocked out the effect of the solstice sunrise, just so Roger and Dianne can get from Shrewton to Andover five minutes sooner.

Why, oh why, does anyone assume voting for a lighter shade of blue will counterattack the sheer corruption and shitshow Conservatives caused, and the billions they pocketed whilst in charge, when the ones who did it jump ship at the slightest fall in popularity ratings and join Reform, when you know, we all know, what smells like fascism is most likely fascism? Wake up and sniff, this eighty percent foreskin Enoch Powel character youโ€™re backing is sponsored by Nazi-saluting Musk whoโ€™s one white cat away from being the ultimate James Bond villain.

Keevil evil version Malcom Cupis videoed himself throwing his Reform banners in his wheelie-bin only to rejoin the Toriesโ€ฆ. like anyone gave a toss. Itโ€™s not advertising material which affected his campaign, rather when he disgraced himself calling to scrap climate change polices and nail anyone foreign to a crucifix at the Devizes husting and rode out of there on his superbike.

But easily triggered Malcom is not the be-all-and-end-all, the embers smouldering in the inferno of Hades which persists Wiltshire must remain right-wing against the obvious and democratic process proving it wrong, oh no. Some Tory candidates were successful in retaining their seats, for varying reasons. I tip my hat to Laura Mayes, who though we hardly agree on near every topic, remains loyal and reliable, while the other candidates in her constituency didnโ€™t come out to play. Yet the Munster of Lavington was awarded a cushion by being the loudest bully on the block and mouthing off at anyone who dare oppose him, like Gripper Stebson with a buzzcut. Green Party? Iโ€™ll give you Green!

Not green as in weed though, or PCC Wilko will launch a full-scale aerial bombardment on Littleton Panell and weโ€™ll never get the traffic lights at the Blackdog which campaigners have fought decades for, until the Munster strode into the village like Clint Eastwood and claimed the credit for signing off, just so he could lambast those leftie loonies.

Grrr for pockets of conservative resistance. Youโ€™re not going to catch drug-pushers when youโ€™re spending your budget on unnecessary and brainless pen-pushers. In the most bizarre, misinformed Newsquest arse-licking this week, Wiltshire PCC Wilko (named after the failed budget shop) called for cannabis to be reclassified from a class B drug to a class A, in the same category as heroin and cocaine, calling it a โ€œgateway drug.โ€ Itโ€™s only a โ€œgatewayโ€ drug because of its illegal status, you absolute spanner with no jurisdiction to change the law anyway.

Anyone with an inkling on drug culture will tell you the profit margin on cannabis is far less than hard drugs, so if the penalties for dealing it is equal to hard drugs, dealers may as well risk selling them as well, making reclassing counterproductive to tackling his imaginary and unwinnable war on drugs. Education is what is needed, which could be paid for taxing relatively harmless cannabis once legalised, you have control of it and won. Meanwhile the necessary educating should start with that idiot, Wilko.

But in stark contrast, Wiltshire Council, now lessened with Tories, supported thinking freely when it comes to another illegal activity, graffiti. What a blessing after hearing our police force going backwards into a tyrannical era, especially on the 40th anniversary of the ethnic cleansing event in Wiltshire, the Battle of the Beanfields, to see the official graffiti walls in the Sham have been successful, and the Council wants to roll this out across other towns. This gains my full support; your turn to skin-up, Wilko, and let artistic youth express themselves, decorating our towns with spray paint. Youโ€™ve only got to look at how Swindon Paint Fest has enhanced the town to note, you can polish a turd!

We shouldnโ€™t (but are tempted to) laugh uncontrollably at those Conservatives candidates who failed the test. Especially those like election fraudster Sarah Batchelor of Devizes, who thought sheโ€™d run, despite only passing through the county for a supply of lardy cake to hike up the price of to her customer at the Crown in Bishopโ€™s Cannings, and cause chaos for local larceny of diplomacy, Cllr Iain Wallis, who, (apparently) failed to notice the fallacy in her application when signing it off; maybe because he was too busy on his bias Facebook group slandering Guardians for similar mistakes and roggering senseless anyone who dare say it wasnโ€™t so with a lifetime ban, just, yโ€™know, maybe, or maybe itโ€™s because the Conservatives were so absolutely desperate for candidates they hoped no one would notice them flouting electoral law.

Like Demi Moore in Striptease, thankfully only metaphorically, Wallyish exposed his puppetry like Jim Henson, and meaning to continue his reign despite being a poor loser. Grasping desperately onto political sway in the area by not only retaining his seat at Devizes Town Council but using his newly elected girlfriend Maria as a voice. Akin to the mutant Kuato, living in the stomach of his brother in Total Recall, he flummoxed when spouting off in response to a dissident on Facebook, with such fury he failed to notice he was signed in as her profile.

But hey, I foresee a silver-lining on the clouds, like April showers came late this year, and thereโ€™s many a trooper who needs a medal. Nice chap Lib Dem Devizes East Councillor Taylor Wright, for example, whom I met recently and congratulated accordingly. By comparison to your average councillor heโ€™s still an embryo, and thatโ€™s what we need now, young blood with fresh ideas and a drive to make the necessary changes. Rather than blown-out whingers who couldnโ€™t take a loss lying down, and felt the need to cry, weeping on Facebook like Kate Winslet on a slither of banister as Leonardoโ€™s lifeless body slips into the depths of the freezing Atlantic, quite an apt analogy too!

Chris Greenwoodโ€™s whimper of his lost inflatable seat was perhaps the climax to my amusement, upon me responding to it with a meme of some fragile tape, to which he called me, and I quote, โ€œa tosser;โ€ his dedication to his long-lost constituents knows no bounds, obviously. But if youโ€™re not offending a fox hunting sympathiser who wears Crocs to a council meeting, thinks a police officer engaging in illegal activities isnโ€™t slightly conflicting, and thinks anyone who says itโ€™s so should receive a lifetime ban from his petty Facebook group, youโ€™re not doing it properly! Oh for the days he fibbed about bird flu on the Crammer so his bum-chum could assassinate all the pigeons, where was No Suprises Living in Devizes then, huh?!

Awl, weโ€™re back to put the county to rights, have no worries. And weโ€™ve plenty more ammo to load up with, this was just an intro! Iโ€™m sorry if youโ€™re a local politician desperately in need to be condemned in this column and your name didnโ€™t crop up; try being more of a bastard next time and rub me up the wrong way like Iโ€™m Christina A-Gorillaโ€™s genie in a bottle, despite Iโ€™ve not quite got the belly button for it.

Gender-Queered Production of Shakespearean Classic at Bath’s Rondo Theatre Raises Money for Charities

Photo credit: ยฉ Rondo Theatre Company / Jazz Hazelwood

A gender-queered production of William Shakespeareโ€™s classic play, โ€˜The Taming of the Shrewโ€™, will be performed at the Rondo Theatre in Bath this June, as part of Queer Bath and LGBTQIA+ Pride Month, with all profits being donated to charity……

โ€˜The Taming of the Shrewโ€™ is one of Shakespeareโ€™s more challenging plays. The story centres on two siblings: Bianca, who is surrounded by suitors, and the fiercely independent Katherine, whose sharp tongue and violent outbursts have garnered them a fearsome reputation. Bianca cannot marry any of their suitors until Katherine is married – enter Petruchio, who is determined to โ€˜breakโ€™ and marry Katherine.

In this production from the Rondo Theatre Company, which has been the performing arm of the Rondo Theatre since 1982, the play takes on a daring new life where comedy and discomfort intersect. In a world where Petruchio is a boisterous woman and Kate is a shrewish man, this bold reimagining explores the power dynamics at the heart of Shakespeareโ€™s comedy while unpacking how language shapes our understanding of gender and control. The Rondo Theatre Company has flipped the script, and audiences are invited to laugh and reflect on the complexities of gender by re-examining the ways comedy can reveal uncomfortable truths about societal power dynamics.

โ€˜Itโ€™s been a fascinating process to get under the skin of these characters in such a refreshing wayโ€™, says Alex Oliviere, who plays Petruchio in โ€˜The Taming of the Shrewโ€™. โ€˜โ€˜Historically audiences were intended to rejoice in the sight of an outspoken and fiery woman being cowed by a violent and domineering man, and itโ€™s been really interesting to display that power when the positions are reversed. Weโ€™ve had a lot of thought-provoking conversations in the rehearsal room about why it feels so different, and we hope that audiences will be prompted to do the same.โ€™

โ€˜The Taming of the Shrewโ€™ is the Rondo Theatre Companyโ€™s annual charity production, with all profits being shared between Not A Phase and the Rondo Theatreโ€™s โ€˜Revamp the Rondoโ€™ fundraiser.

Not A Phase is a trans-led, nationwide charity committed to uplifting and improving the lives of trans+ adults, through awareness campaigning, social projects and funding trans+ lead initiatives.

โ€˜Weโ€™re really pleased to donate half of this yearโ€™s charity production profits to Not A Phase,โ€™ said Director of โ€˜The Taming of the Shrewโ€™, Jazz Hazelwood, โ€˜with everything that is happening in the world right now itโ€™s more important than ever to protect marginalised communities. With โ€˜Shrewโ€™ weโ€™ve created a space that is inclusive and led from a place of respect and acceptance for all. Not A Phase is a brilliant charity, and the work they do for the trans+ community touches the heart of what weโ€™re doing and the values that this production upholds.โ€™

The Rondo Theatreโ€™s โ€˜Revamp the Rondoโ€™ fundraiser seeks to replace the auditorium seating, and make other building improvements, at the Rondo which has, since 1989, been a place for nurturing local talent, a home for community theatre groups, and a venue for the best touring theatre, stand-up comedy and music – including recent appearances from Nina Conti, Prue Leith, Andy Parsons, Joe Wilkinson, and Milton Jones.

โ€˜We are one of many local community theatre groups who call the Rondo Theatre home,โ€™ says Alana Wright, Chair of the Rondo Theatre Company, โ€˜itโ€™s a truly special venue in the city and weโ€™re delighted to be donating half of this yearโ€™s charity production profits to the Revamp the Rondo fund, and give this well-loved theatre the boost it needs.โ€™

โ€˜The Taming of the Shrewโ€™ takes place during both Pride Month (1 – 30 June), and Queer Bath (26 May – 30 June), a celebration of LGBTQ+ arts, culture, heritage and history in museums and venues across Bath. Queer Bath is a new citywide campaign – the first of its kind – led in partnership with Bath Arts Collective, WIG, and Bathโ€™s museum & heritage community.

โ€˜The Taming of the Shrewโ€™ will be performed at the Rondo Theatre, St. Saviours Road, Bath BA1 6RT, from Wednesday 18th to Saturday 21st June 2025, 7.30pm.

More information and tickets are available on the Rondo website HEREย 


Are We Still in Rowde?! RowdeFest 25 Sunny Overview

Images by Hans Shell, Ruth Wordley, Helen’s PolarPix and Bird is the Word

If you’re going to write on a subject you must research it, but if you’re going to write well about it you need to get involved in order to understand the details often hidden to outside observersโ€ฆ.

I learned this a year into creating Devizine, when I decided to hold an anniversary gig. Event organiser Dean Czerwionka basically held my hand through it, as I hadn’t a Scooby-Doo of the immensity of variables involved. Since then, I’ve dug myself deeper into the practical, to understand those obstacles and overcome them, so when being critical, I’m aware of how much work goes into putting events on.

Did you seriously buy that baloney?! Really, I’m an attention-seeking party animal who loves to showcase, whenever feasible, the talents of those I spend hours tapping my keyboard to review, then steal all the credit for it! The whole balancing on a learning curve stuff is only a bonus ball! But it is a delight, whenever the opportunity arises, to witness the actualities of my labour, and one such opportunity occurred yesterday, a short walk from my home.

Rowdefest happened Saturday in my village, an idea to retain aspects of a traditional fete yet modernise it to reflect a mini-festival, in which I had to get my foot in the door of.

Feedback has been overwhelmingly positive, but for myself and the committee, Rowdefest 2025 started months ago, with tea, cake and planning at Barbara’s house. Then, an amount of WhatsApp messages, a Facebook chat coordinating the band’s specs with Simon Stockley, the solo sound engineer worth an entire team of professionals.

RowdeFest Committee pose at the end!

Then there’s the mountains I didn’t climb; Clare’s tribulations to provide a bar, Liz’s organisational skills to provide food vans, sponsors and collect raffle prizes, Kirsty creating a book stall, Geraldine and Angie tying things together, tea, cake and a photo exhibition in the church, chairperson Sue binding our meandering meetings into some kind of order, and so much more from many villagers and parish councillors mucking in, till the point on Friday I was driving a milk-float down Rowde Court Road with a huge tent on it and it all suddenly felt real!

Event organising with a team is wrought with disagreements, problem solving, worries which drag you to examine speculating weather apps daily, and fingers-crossed assurances everything will be alright on the nightโ€ฆ.thankfully it was, so Rowde was blessed with a hugely successful, beautiful occasion. An equally huge thanks and congratulations must go to all involved in its making, but none so much as our chief, Barbara. Even if one of them was me, I still reserve the right to report on it, for there is no flattery necessary, feedback from others gives me the confidence to say this was as fantastic as I perceived it as!

Devizes Jubilee Morris Dancers

For me personally, it was all about community merriment, and of course, the entertainment. Under the premise we wanted lively bands I took to organising a lineup consisting entirely of tried and tested locally sourced talents, and calling in a few favours! Opening the event then, the Devizes Jubilee Morris Dancers arrived, did their thing literally with bells on, and got the blossoming crowds engaging in a final routine.

Between the two Morris dancing sections, Mat Fucci of Fucci Fit teased the crowds with a workout, and under the beating sun they got as physical as Olvia Newton-John in 1981, or near to it!

ANdrew Hurst with Lucianne Worthy

Then the live music started with my wildcard, the experimental imaginations of music scholar and tutor, Andrew Hurst. With exceptional bassist Lucianne Worthy, they whisked the audience through multi-instrumental tangents, wonderfully.

Talk in Code

Usually a headline act next, and it was only 3pm, with the crowds still on our villageโ€™s own delicious Rowdey Cow ice cream rather than ciders! Wiltshireโ€™s finest indie-pop darlings, Talk in Code kindly pepped it up, making a pitstop on their way to Swindonโ€™s Castle venue. Blasting their eighties pop flavoured originals gorgeously across our small playing field was an indicator this was going to go off rather different from your average village fete!

That was my doing, and apologise if it came as a shock to some sensitive residents. What attendees didnโ€™t witness was me, once being informed about their complaints, slightly sulking in guilt behind the scenes. Yes, what started as a village fete had now gone full-blown festival, which I believed was the intention and well advertised as such. My resolution was, other than gorging on biscuits, that, in times like this, we have to go with the majority. As the huge crowd gathered, of all ages, appeared to be lapping it up, dancing and cherishing every moment, coupled with the expressions of delight I witnessed on the faces of some disabled children in wheelchairs when I held the gate open for them, well, they counteract a billion complainers for me, and Iโ€™m certain there was far, far fewer of them than that!

Talk in Code with Peggy-Sue Ford of Don’t Stop the Music radio show

Talk in Code shines like a beacon to everything dedication can achieve on our local circuits, and their reputation builds with every appearance; I was overjoyed to see them, as, like anyone they meet, theyโ€™ve become my friends. The second act tends to be more modest with their skills, but The Sarah C Ryan Band will always be one of my most favourite bands. They deliver a sublime melodious panache in style and sound, the kind I liken to Fleetwood Mac, but my daughter suggested Florence and The Machine; either works.

The Sarah C Ryan Band

Through cooler originals and the odd cover, Sarah and her band held the crowd spellbound, after wondering if anything would equal Talk in Code, now they were assured I had many more tricks up my sleeve!

Thieves

WIth the crowd simmered, time to allow Thieves to do their thing. Semi-acoustic vibes, Iโ€™d go out on a limb and suggest this is the finest Americania youโ€™ll find around these waters. Authentic bluegrass to rootsy blues, this wonderfully accomplished four-piece vocal harmonise on a level which left our unsuspecting attendees around the hay bales spellbound and those in the know nodding impressively. It was the set to end all sets, setting the scene to bliss, as I wandered receiving everyoneโ€™s approval, but I had one more band yet to introduce.

Burn The Midnight Oil

Given the chance, Talk in Code mightโ€™ve headlined, safe in the knowledge of what they will deliver. Despite knowing front-girl Chrissy Chapman for many years, and fondly reviewing her vocal collaborations on drum n bass tunes, when she put together Burn The Midnight Oil I met with the original lineup to interview them and hear a little rehearsal, but regrettably, I still hadnโ€™t had the opportunity to tick them off my must-see list.

Okay, so, I took a chance here, suspecting theyโ€™d be good, and heard all the good reports, but I didnโ€™t begin to imagine just how good. Burn the Midnight Oil totally rocked the finale, with fantastic originals slipped unnoticed into a set of covers, they made the perfect end to the day. Dressed in a divine white dress of sentimental value to Chrissy, she took her accomplished band and the audience on an elevated hour plus expedition of bluesy rock which no one wanted to ever come to an end. It was total and utter dynamite!

Alannah Mylesโ€™ Blue Velvet rang out across our playing field, as we gathered the committee and volunteers to be cheered before an encore. Chrissy has a confident stage presence. Her interactions with the audience were so professional, I had to take a double-look to check if it was still my dear friend up there!

But, thatโ€™s the magic right there, to take our talented locals and celebrate their skills as they deserve to be celebrated, allow them to shine with the freedom of expression to deliver works theyโ€™ve written and composed, disperse them with classics if they wish to, and introduce the quality of local talent to audiences which may not have the opportunity to follow our local live music scene. That was my objective, as that is alway my objective, and I thank the Rowdefest committee for allowing me to do that in my own village, rather than hiking up Dunkirk Hill again, or trekking further afield; Bradford-on-Avon had a town music festival on, at a level our village couldnโ€™t compete with, but those at RowdeFest wouldnโ€™t have cared at that point; it was magical.

Bramblerose Designs

Okay, Iโ€™m still at one thousand feet about what we accomplished yesterday, but I donโ€™t believe time will water my excitement down. This should go down in the village history books, and if not, it will always be remembered by me. Again my sincere thanks goes to all involved, the committee, the attendees which included MP Brian Matthew, and our media friends Bird is the Word, Peggy-Sue Ford and Alan Watters of our village magazine, but especially the acts and Simon, who came to my rescue; thank you all, for your time, dedication and for superbly rocking my village! 


Trending…..

REVIEW โ€“ Devizes Arts Festivalโ€“ Kiki Dee & Carmelo Luggeri โ€“ Corn Exchange – Friday 30th May 2025

Still Got The Music In Her

By Andy Fawthrop

Itโ€™s been a while coming a-round but at long last Devizesโ€™ very own Arts Festival finally kicked off last night for its two-week run.ย  And we started off, as is usual now, with a real belter of a concert in the Corn Exchange, this time featuring veteran performers Kiki Dee and Carmelo Luggeri…..

If you were after star quality, Kiki Dee has it in spades.ย  Recently celebrating her 60th year in the music industry, she has now released a whopping 40 singles, three EPs and 22 albums. She is one of the UKโ€™s finest and most revered vocalists, and sheโ€™s sung with and for just about anybody who is anybody in this industry.

Pauline Matthews (as was) was born in Bradford, West Riding of Yorkshire in 1947.  At the age of 10 she won a local talent contest, and at 16 she had her first paid job as Kiki Dee in show business. She worked briefly as an apprentice hairdresser (she did my motherโ€™s hair once โ€“ my feeble claim to fame!) and at Boots in Bradford during the day, while in the evenings she sang songs with a dance band in Leeds.  Initially with Fontana Records, known for her blue-eyed soul vocals, she was the first female singer from the UK to sign with Motown’s Tamla Records. Sheโ€™s best known for the hit singles “Amoureuse” (1973), “I’ve Got the Music in Me” (1974) and “Don’t Go Breaking My Heart”, her 1976 duet with old Reg Dwight (Elton John), which reached Number One on the UK Singles Chart and the US Billboard Hot 100 chart.  Her 1981 single “Star” became the theme song for the talent show Opportunity Knocks when it was revived by the BBC in 1987.  

During her career sheโ€™s sung backing vocals for Dusty Springfield, was one of the backing vocalists on Love Affair’s 1968 UK number one single Everlasting Love, sang backing vocals on various Elton John recordings, such as “All the Girls Love Alice” from Goodbye Yellow Brick Road and various tracks on Rock of the Westies, played as support act to Queen at their Hyde Park concert in front of a crowd of 150,000 people, and performed at Live Aid in 1985, reprising “Don’t Go Breaking My Heart” with John, and performing backing vocals on the other songs in his set. On top of that sheโ€™s won awards for her Musical Theatre roles in Willy Russell’s Blood Brothers, in which she took on the role originally played by Barbara Dickson for the 1988 production and recording, and received an Olivier Award nomination in 1989 in the Best Actress in a Musical category.  

But all of that is history!  Nowadays, or at least for the last twenty years or so, sheโ€™s continued to move forward with the music that she creates with Carmelo Luggeri. Kiki says Carmelo is her favourite guitarist and he co-writes and produces all their songs.  

Dee released the live album Almost Naked, a joint effort with Carmelo in 1995, followed by the studio albums Where Rivers Meet (1998) and The Walk Of Faith (2005). In September 2013, Dee and Luggeri released their third studio album, A Place Where I Can Go, on Spellbound Records. They have been touring together ever since and have played alongside such musical luminaries as Roger Taylor, Jack Bruce, Fish, Paul Young, Tom Robinson, Graham Gouldman and Madeline Bell.  

Carmelo Luggeriโ€™s abilities as a guitarist, composer and producer have taken him on a rich and interesting musical path over his career. Born in England of Italian parents, Carmelo was mainly self-taught with some classical training.  Working with comedian and television personality Billy Connolly he created the โ€œWatzinโ€™ Matildaโ€ re-work used for the hugely successful 1995 โ€œWorld Tour Of Australiaโ€ TV series. In 1998 Carmelo produced the track โ€œStealinโ€ for the film โ€œStill Crazyโ€ starring Jimmy Nail.  Carmelo has also worked with US singer Andy Williams, Paul Rodgers (Free, Bad Company), Ray Cooper (Elton John band), Gus Dudgeon, Stuart Epps, Romy Haag and singer songwriter Ralph McTell.

Carmelo and Kikiโ€™s paths first crossed when he produced a collection of bonus tracks for โ€œThe Very Best of Kiki Deeโ€ album, and, under the guidance of their manager Steve Brown they took on a new musical direction together, playing acoustic concerts, starting with an appearance at The Royal

Albert Hall for World AIDS Day in 1994. It was quite a departure for Carmelo at this point as he was essentially an electric player but this marked the beginning of their now 25 year collaboration where acoustic guitar is at the foundation of their sound.

Sorry for the long introductory pre-amble, but just wanted to reprise the careers of these two wonderful musicians.  And I guess youโ€™d have to say that represents as good a musical pedigree as youโ€™re ever going to get, so the expectations for the large crowd were, to say the least, pretty high.

And we werenโ€™t to be disappointed one bit. Kicking off with โ€œGet What You Wish Forโ€ and the first of several musical career anecdotes, we were suddenly there at โ€œDonโ€™t Go Breaking My Heartโ€!  Like most people I thought this would be the wrap-up song or the encore, but Kiki clearly wanted to get the song on the table early.  Using, not unexpectedly, a completely different acoustic arrangement, with a rather slower tempo, her rendition allowed the lyrics to really shine through, and to deliver some really pathos.

Cracking on with anecdotes about meeting David Hockney in Malibu, and working with Dusty Springfield, we had the self-penned โ€œSmall Merciesโ€. She then mined a rich vein of beautifully-arranged covers โ€“ Kate Bushโ€™s โ€œRunning Up That Hillโ€, Robert Palmerโ€™s โ€œEvery Kinda Peopleโ€, and Neil Youngโ€™s โ€œHarvest Moonโ€.

Following โ€œa nice glass of redโ€ and a costume change, the second half continued in much the same vein, with Kiki interspersing the songs with more anecdotes.  Early up we had her big hit โ€œAmoureuseโ€, partly sung in the original French, a jazzy cover of Leonard Cohenโ€™s โ€œDance Me To The End Of Loveโ€ (featuring a touching cameo when she danced with a member of the audience whilst Carmelo commanded the stage with some fabulous guitar work).  We then had a run of the pairโ€™s own compositions โ€“ โ€œAmen and Goodbyeโ€, โ€œSheโ€™s Smiling Nowโ€, โ€œYou Canโ€™t Fix The Maybeโ€ and โ€œUntil We Meet Againโ€ โ€“ before finishing with an upbeat and rousing version of โ€œIโ€™ve Got The Music In Meโ€.  Getting an encore was a mere formality by this stage, but their choice was a strange one โ€“ a very quiet number entitled โ€œIf You Ever Need Someoneโ€, and a harmonised version of The Beatlesโ€™ โ€œBlackbirdโ€.  Cue lots of cheering and a great ovation.

Kiki showed us that, at 78, sheโ€™s definitely still got it.  Her voice is, expectedly, not as strong and pure as in her youth, but itโ€™s still bloody good, hitting all the notes perfectly, and still delivering plenty of soulfulness and meaning.  Carmelo demonstrated throughout to be no mere prop or accompaniment to the big star on his left, but a real guitar craftsman in his own right.  His subtle and effective use of loops and pedals to add depth and colour to every number, coupled with several changes of guitars and tunings, proved a real revelation.  His introductions and solos were beautifully crafted, drawing much applause, and plenty of genuine praise from Kiki.

As a duo they harmonised well, and were very clearly extremely comfortable in each otherโ€™s company on stage.  Their rapport with each other, and with the audience, added considerably to the quality and the professionalism of the show.

This was the third or fourth time Iโ€™d seen these guys, and Iโ€™d have to say that they only get better and better.  A really solid two and a half hour show, filled with great songs, hilarious anecdotes and superb guitar work โ€“ what more could you possibly want?  I absolutely loved and, it seemed, so did the packed audience.  

A cracker of a concert to kick off this yearโ€™s Devizes Arts Festival!

Learn more at www.kikiandcarmelo.com/carmelo-luggeri/ย ย 

The Devizes Arts Festival continues until Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online atย  www.devizesartsfestival.org.ukย ย 


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Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

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Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s called Turfinโ€™ Out The Maniacs, which perhaps should be fact-checked as it sounds to me like theyโ€™re letting them all in, as they arrive on yellow submarines and check into Frank Zappaโ€™s 200 five-rhombus rated motelsโ€ฆ..

Self-described as โ€œeasily triggered, dishonest, cryptic yet flirty deluded jangle rockers,โ€ Clock Radio have produced a string of catchy slacker pop wonders here, as they continuously reach inside the box, like theyโ€™re four elfish Rowan Atkinsons all cast as Paul Atreides. But one thing is for certain, Chris Genner, Oliver Daltrey, Gary Martin and Fraser Wilson will entertain you.

Turfinโ€™ Out The Maniacs sound like the results of the Coral offering The Divine Comedy a hashpipe in a moulded teenage boyโ€™s bedroom; thatโ€™s a compliment by the way.

The opening tune Blood on Chrome certainly reeks of that breezy retrospection of Merseyside garage bands or sixties surf-rock, with an added preliminary Quo guitar riffs. Stoned at the Dojo, which follows emphasises the mock lounge style of The Divine Comedy. Itโ€™s vaudeville throughout, all Bonzo Dog Doo-Dah Bandโ€™s twirling circus, and an accordion welcomes in the next song, yet the tempo is upbeat indie rock. Handsome Weeping Man might leave you questioning if itโ€™s necessary to connote the narrative, but it will leave you amused.

Clock Radio knows precisely what buttons to press to evoke a mood, and press them with free will. To say itโ€™s a tad bonkers, itโ€™s only a tad, and Mountains Beyond the Sun kindles a gentle side, drifting surf-rock, sunny side of the street vibe.

Thereโ€™s ten three minute heroes on this impressive debut album, recorded, mixed and mastered by Dominic Bailey-Clay at Nine Volt Leap Studios, with Fender Rhodes piano, percussion by Dominic and a triangle by Shoshi B. If weโ€™re content with getting halfway through and assuming theyโ€™ve calmed slightly, No Death takes us back onto the weird and wonderfully expressed if questionable muses of the opening.

Turfinโ€™ Out The Maniacs is a comfy yet nippy prank, like being stung in the bottom but launching away from it to splash into a chocolate lake. Not so unlike Noรซl Coward playing a Bond villain, with Bowie as Bond; something you couldnโ€™t imagine happening, but being Marie-Georges Mรฉliรจs directed it and itโ€™s on FilmFour at 3am, you might as well grab a bag of cheesy puffs and thirty grams of Amber Leaf, stay up watch it in your pants. โ€œCactus is cooler, Iโ€™m no Ferris Bueller, I do as Iโ€™m told,โ€ is just one line Iโ€™m cherry picking to illustrate my point, youโ€™ll be amused and rocked in plentiful equal measure.

It has an acoustic ending called Complex 5 which will leave you incarcerated in the meandering yet meticulous peculiarly pulp portrayals of Clock Radio, as if you melted into a bubble sofa. It is available now on the streaming platforms, or buy the digital album from Bandcamp.


The Bradford on Avon Live Music Festival- This Weekend!

Bradford-on-Avon Town Councilโ€™s annual festival, aptly titled The Bradford on Avon Live Music Festival is back this weekend, championing local talent with an eclectic line-up of impeccable performers across its multiple venues and in association with the Wiltshire Music Centreโ€ฆ..

The festival launched in 2022, sees music pouring out of venues across the entire town over three days of music. From indie to rock, pop, jazz and blues, there really is something for everyone at this yearโ€™s festival. โ€œOur town is a hub of creativity,โ€ organiser Katie explains, โ€œand weโ€™re proud to keep that spirit alive through the BOA Live Music Festival.โ€

It runs from Friday 30th May to Sunday 1st June; itโ€™s a long listed lineup, hereโ€™s what weโ€™ve found and recommend you donโ€™t miss if youโ€™re attending. Throughout the weekend there will be music at eight venues: Westbury Garden, Trinity Hall (St Laurence School,) Lamb Yard, Timbrellโ€™s Yard, The Three Horseshoes, The Castle Inn, The Canal Tavern, and of course, Wiltshire Music Centre.

On Friday 30th May at 7.30pm, Wiltshire Music Centre brings Jah Wobble & The Invaders of the Heart to the festival. As a bassist, Jah Wobble is well-known for his heavy, hypnotic bass grooves, which often serve as the backbone for atmospheric, genre-crossing tracks. Covering everything from reggae to rock, dub bass to drum and bass, and global influences, his deep, melodic, and trance-like bass is central to the experience. He will open Bradford on Avon’s Live Music Festival for the Centre, along with this band of world-class musicians- the Invaders of the Heart.

Jahโ€™s career speaks for itself, spanning over 40 yearโ€™s heโ€™s played on countless albums, with performers such as PILโ€™s John Lydon, Brian Eno, Bill Laswell, U2โ€™s The Edge, Sinead Oโ€™Conner, Primal Scream, Bjork, The Orb, The Cranberries Dolores O ฬRiordan and many more, as well as a regular on the hit TV show Never Mind the Buzzcocks.

Jah Wobble and the Invaders of the Heart at Wiltshire Music Centre is ยฃ27 / ยฃ14.50 U18s + students, but observe this special offer code: 30% off at checkout using promo code BOA30. Highly recommend it.

Also on Friday you can find The Bowie Experience, 8pm at the Trinity Hall of St Laurence School. I highly recommend Karport Collective with Jess Chivers in support at The Castle Inn. Find some carnivalism at The Three Horseshoes from 5pm with delinquent fuzz jugernaut The Bucky Rage, BullyBones and Glasgow nuggets of Kosher Pickles!ย  And with Bird is the Word taking over music at The Boat House, who has Band of Others on Friday, you are spoiled for choice.

Nothing Rhymes With Orange @ The Exchange ~ The Last Big Devizes Gig

Decisions get even harder on Saturday 31st May, at the main stage at Westbury Garden youโ€™ll find Retro Electro headlining at 9pm. The penultimate act is our favourites, Nothing Rhymes with Orange. All after a lineup of Karport Collective, Feast of Fools, Funky Monkey Bubble Club, Sian & Rob Colquhoun, the incredible Becky Lawrence and the Jazz Factory.

Meanwhile, at Lamb Yard I highly recommend Melkshamโ€™s indie pop band The Sunnies headlining at 9pm, after JPQ, JB & the Mojomakers, Lorikeet, Lone Sea Breakers, Body & Soul, and Jess Chivers from 3pm. The Castle Inn has The Relayz, Westward, This Way Up, I highly recommend Dylan Smith, Broken Focus, Lee Broderick, Joe Hunt, and I highly recommend Becky Lawrence, all from 1pm  

Saturday night at โ€œThe Shoesโ€ youโ€™ll find The Bucky Rage, Kitchen Lover, Kosher Pickles – Well Brined, and The Borough. The Canal Tavern has Star Shaped Pegs, Mojo & Yuji, Lloyd & Art,  and Jake Lockhart. Timbrellโ€™s Yard has Lorikeet, highly recommend Ruby Darbyshire, Sian & Rob Colquhoun, Jess Chivers, Sour Apple and Feast of Fools.

Itโ€™s all afro-beat at Wiltshire Music Centre on Saturday with The Gasper Nali Band, highly recommend it. Famous since a film of him went viral, Gasper Nali is a not-so-traditional babatoni player from Lake Malawi. The babatoni is an African one-string home-made 3-metre long bass guitar, and with a stick and an empty beer bottle. Together with a cow skin kick drum and catchy melodies, he creates the most amazing and danceable original Afro Beats possible!

Gasper has toured the UK and Europe several times since his breakthrough video, playing in all environments from seated arts centres spaces to major festival stages. This year, Gasper will be transforming his customary one-man-band show and perform with a three-piece band for the very first time in the UK. Along for the ride is Malawi born songsmith and cultural proponent Luhangah on additional vocals and percussion, as well as Gasperโ€™s long-time producer and collaborator Mattias Stรฅlnacke on guitars.

Gasper Nali Band: Bradford on Avon Live Music Festival at Wiltshire Music Centre starts at 7.30pm. ยฃ16 / ยฃ9 U18s + students. Another SPECIAL OFFER here: 30% off at checkout using promo code BOA30.

Sunday is the first of June, and what a way to see the month in. At The Three Horseshoes from 3pm, for some mod, funk and RnB with The Convulsions. Trinity Hall has The Hipcats: A Century of Sinatra with support from JPQ from 7.30pm, and Judas Goat & the Bell Weather from 3pm, who we highly recommend too!ย 

More Info HERE!


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Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has a fourโ€ฆ

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Ruby Darbyshire to Perform at Silverwood School Open Evening

The phenomenally talented Ruby Darbyshire is performing at Silverwood School in Rowde on 27th June. Ruby has kindly offered to support Silverwood Schoolโ€™s open evening…..

Silverwood School near Devizes, has an ambition to provide a truly integrated system of outstanding education for those with special educational needs and disabilities in Wiltshire up to 19 years old.

Silverwood Charity Trust supports the school by fundraising to enhance the educational experience and advance the abilities of the children and young people at the school. A pleaโ€ฆWe are looking for donations for a raffle that we will hold at this event. Any offer will be much appreciated and we thank you in advance for your generosity. We can collect donations at your convenience.

The Trust has made grants across the Chippenham, Trowbridge, and Rowde Campuses totalling ยฃ20,000, built a multi-use sensory walkway at the Rowde Campus to allow wheelchair access to the woodland areas, and has submitted a planning application for an Animal Resource Centre (ARC).

With the new building work at the Rowde Campus complete, the Trust is delighted to hold an open evening at 6pm on Friday 27 June 2025, to which they hope you can join them to learn more about the School and Trust, and support the young people at Silverwood School by raising vital funds for the ARC.

The event is free, but please reserve tickets HERE

Contact: Georgie@NutwoodHouse.co.uk or Tim@NutwoodHouse.co.uk for donations


Shoot Me, A New Single From George Wilding!

I loved it, but if the jury was out in March over Isn’t She Lovely, the last single from George Wilding under the production of Jolyon Dixon for its experimental vaudeville ambience of Queenโ€™s later material and sprinkles of doo-wop at the intro, the third single comes out punchingโ€ฆ..

Shoot Me is released today across all platforms, and if we’re used to George’s wispy moments of psychedelic Velvet Underground, this rather takes on Lou Reed’s more edgy rock n roll. In line with the blossoming tendency of many local bands, from Nothing Rhymes With Orange to Talk in Code, this adopts the timeless indie-rock angle of The Killers and Arctic Monkeys. It’s lively, fire in the belly driving music, I can imagine a crowd hailing it back at him within a relatively short time.


A slight move sidewards for George and a wise decision; millennials to gen z, and even Britpop nineties kids are going to lap this up. It’s a timeless belter. My immediate thought laid with the La’s when the song opened, the notion quickly shifted to something more contemporary, of Franz Ferdinand, and the others I’ve already mentioned.

Yet George is a force in his own right and needs no comparison. Shoot Me contains those recognisable vocal delicacies we’ve come to love him for, that understanding he could shift into any pigeonhole and come up trumps.

The Big Sound Choir to Perform with Aled Jones at St Georgeโ€™s Bristol

Devizes-based The Big Sound Choir will take to the stage at St Georgeโ€™s Bristol on Wednesday 4th June as part of Aled Jonesโ€™s nationwide Full Circle tour โ€“ and audiences are in for a real treat….

Known for their dynamic energy and uplifting sound, The Big Sound Choir will open the evening with a rousing set of feel-good songs before joining Aled Jones live on stage for a powerful finale.

Aled, the beloved boy treble who captured hearts with Walking in the Air, is back with a brand-new show thatโ€™s packed with songs, stories, and surprises. โ€œItโ€™s time to come Full Circle,โ€ says Aled. โ€œIโ€™ll be telling stories about how it all began, then taking the audience on a journey through my career โ€“ from meeting Royalty, singing all over the world, to being sat between Elton John and Billy Connolly at Bob Geldof and Paula Yatesโ€™s wedding!โ€

The concert promises previously unseen photographs, live performances of Aledโ€™s favourite songs, and the chance for the audience to ask him questions. Itโ€™s a warm, funny, and nostalgic evening that celebrates a remarkable career โ€“ and for The Big Sound Choir, itโ€™s a chance to shine alongside one of Britainโ€™s most recognisable voices.


SPECIAL OFFER: 50% OFF TICKETS Book now HERE and use code: 50ALED at the checkout!

Donโ€™t miss this joyful collaboration โ€“ a night of beautiful music, heartwarming memories, and one unforgettable finale!


Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has a four track debut EP; who knew?!

I only found out through talking with Adam about a merch table at our forthcoming RowdeFest, where you can, incidentally, find Thieves playing, but at any gig youโ€™re lucky enough to catch them at, I suggest you pick up a copy of this little showcase disc; theyโ€™re our very own resident Carter Familyโ€ฆ.

Opening with Calneโ€™s Jo Deacon on lead vocals, who also sings solo and with soul function band the Midnight Hour, Coming Back For Me is beguiling and uptempo, refreshing bluegrass fashion. Yet Working Man, which follows, slides the divine ambience into mellowed country-rock. With Adam on lead vocals, Iโ€™m thinking Neil Young, the Byrds, and all those irresistible Americana classics, which imagines youโ€™re heading west through Oklahoma on a Harley with Dennis Hopper and Peter Fonda.

Probably the highlight of this EP is the penultimate, Now You’re Around. Five minutes of total bliss, with Jo back on vocals and some seriously intricate melodies, combining the talents of Roryโ€™s resonator, Adamโ€™s mandolin, and Mattโ€™s upright bass, you can sense Joโ€™s soul experience, as it rings out as authentically Americana as Janis Joplin playing Woodstock with Crosby, Stills & Nash. And still I hear something decidedly UK folk here too, of Fairport Convention, perhaps. Iโ€™m no connoisseur, just know what my ears like; itโ€™s all a melting pot,ย and Thieves stir it with delicate precision.

And in that, Iโ€™m unsure about the name Thieves. Certainly the genuine sound of America is pinched if not more agreeably heavily influenced by, but it might suggest thereโ€™s something edgy going on, when this is dinkum, universally appealing sunny side of the street melodies; the kind of folk the eldest in the crowd will tap their toes to while children will merrily twirl barefoot on the grass.

It was a series of coincidences when I first saw them at Bradford Roots Festival a few years ago. From a distance I thought โ€˜that guy looks just like Adam Woodhouse,โ€™ (and maybe a smidgen like MacGyver too!) but upon hearing them perform I thought of The Lost Trades, turned to tell the person standing next to me, who just happened to be Phil Cooper of the Lost Trades, who nodded his trilby in approval; a fine accolade indeed. โ€œIt is Adam,โ€ Phil replied! Oh, yeah, so it is; I didnโ€™t need to go to Specsavers, because their wonderful sound pulled me closer.

We finish the EP with a ballad called Lately, which Adam and Jo duet, and itโ€™s so beautiful and moreish, leaving you suspended on whatโ€™s to come from Thieves, but rest assured, hereโ€™s a wonderful quartet which can hold a crowd spellbound.

Find where Thieves are playing on our local circuits by following socials Facebook Insta for gigs, and hopefully catch them at Rowdefest on Saturday 31st May? Itโ€™s free, bring me a haslett and cucumber sandwich, Iโ€™ve arranged the acts, I wonโ€™t let you down.

iTunes Link

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You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

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Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

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Between Two Worlds with Ruzz Guitar

He might be between two worlds but he can also be in your home, in your very own ears, and that’s the best place for Ruzz Guitar to be. With a striking Funk-O-Pop styled cartoon cover, Ruzz Guitar has a new album out and yeah, just yeah!

Shadowing the Shadows with a belter of an opening track, Ruzz slips into Bo Diddley like a glove, then it’s off to those foot-tapping honkytonk ballads for a few tracks; oh yes, Ruzz is back and it’s a Gretsch-grappling beautiful monster.

There’s not a great deal I can say about this which I’ve not said about our Ruzz before; if it’s not brokenโ€ฆ.

Ruzz Guitar is a tour de force, a sublime blues rocker meshing blues into a unique and prolonged ecstatic ride into the rock n roll formula of yore, it just jumps, jives, and doesn’t come up for air. And if he does, five tunes in with Forever Yours, it’s like standing in a burning sugarcane field; the sweetest air you’ll ever breathe.

Ruzz brings in stellar backing, with some mind-blowingly soulful vocals from Shannon Scott and Julhi Conlinn. Drummer Brian Fahey, both Chris and Steve PelletierSmith on bass, pianist Paul Quinn and special guest appearances from Tyrone Vaughan, Paul Pigat and Mike Eldred.ย 

Recently he’s been two and fro across the Atlantic more times than Concorde, hence the title of this ten track whopper, but I never find myself wondering how he goes down on the other side, you know, delivering something they invented back to them. It worked for The Beatles, you simply know they’ll love him as deep down as Texas, because it’s impossible not to.

Right here though, we’re in Devizes and via the โ€œMel Bush effect,โ€ the Hoax and now the Long Street Blues Club we’ve equally been conditioned with high expectations when we receive a blues dosage, but no one does it quite proper job like our Bristolian Johnny-be-Goode, Ruzz Guitar. He’s so good they named the guitar after him.

This is class in a tall glass, I was expecting it, it never disappoints. Thereโ€™s a number of tracks weโ€™ve tasted before, revised and polished for the ultimate road trip soundtrack; itโ€™s got a new version of Sweet as Honey on it, which for some reason always makes me go bananas!


Trending……

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to theโ€ฆ

Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโ€ฆ

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Bird is the Word Take Over Live Music At Bradford-on-Avon’s Boathouse

Under the new management, live music will be making a triumphant return to
The Boathouse in Bradford-on-Avon and that Cracking Pair, Claire and Chloe of Bird is the Word are controlling bookingsโ€ฆ..

They excitedly announced today on their Facebook page that they are โ€œworking in partnership to make sure that you are brought the most excellent entertainment!โ€

Due to taking control of bookings acts as of 1st June, they’ve already organised a regular and loved band and DJ at the venue for the relaunch.

We look forward to seeing what they have in store. Bird is the Word said, โ€œfrom 1st June onwards there will be new bookings of bands, artists and events of a super-duper standard that will be well looked after – ‘musicians supporting and promoting musicians’. That means good pay, good treatment, good advertising, and timely response to emails and enquiries.โ€

All bookings will be managed via the email address: Boathouse.Events@sdhospitality.com

So keep an eye on their Facebook page for more information. Great news, and best of luck to Claire & Chloe!


Deadlight in the Daytime; Vinyl Realmโ€™s Acoustic Saturdays Return….

Always a happy place, our traditional record shop Vinyl Realm in Northgate Street Devizes is back in the game of hosting some live music afternoons. First up was the dynamic duo and purveyors of all things goth, Deadlight Danceโ€ฆ.

Owners Pete and Jackie were glad to announce the return of some live music afternoons atย  Vinyl Realm, and between us we couldnโ€™t recall how long itโ€™s been since they last did this. A welcomed visit then, where you can leave your penny-farthing outside, browse some records while youโ€™re there, and take in some locally sourced, unplugged acoustic sounds.

From 2:30pm Deadlight Dance played through stripped back versions of their originals and plenty of classic covers of the eighties new wave and gothic scene, claiming it was World Goth Day, though Google reckons itโ€™s next Thursday, but whoโ€™s arguing? Deadlight Dance were covering these songs when Google was an itch in Ask Jeevesโ€™ web crawler.

Always a pleasure to hear Nick and Tim play, though attired in their black jackets, white shirts and shades, it seems Tim drew the short straw and stood window-side with the sun beating in and a wasp groupie hovering overhead! Mandolin and guitar Echo Beach rinsing through the rafters though, while everyone outside is shopping for a birthday card for their pet cat, or Iceland hot dog stuffed crust pizza; plenty of time that malarky afterwards. I found a 7โ€ of Chaka Khan, and another from Neil from the Young Ones, so there.

Next up is our wonderful Devizes singer-songwriter Sammi Evans, next Saturday 24th May from 2:30pm. Iโ€™ve asked Jackie for a list, but this was vague at the moment; watch this space. Of course JP Oldfield is on for a suitcase drum and kazoo sesh at some point, so if youโ€™re an acoustic performer I suggest you pop into Vinyl Realm and put your name down!ย 


PREVIEW โ€“ Chippenham Folk Festival โ€“ Friday 23rd May through to Monday 26th May 2025ย 

One of Wiltshireโ€™s Best

by Andy Fawthrop

Looking for something to do next weekend? One of Wiltshireโ€™s biggest festivals is happening just up the road in Chippenham all over the late May Bank Holiday weekend.ย  Itโ€™s also one of the largest folk festivals in the UK, and one of the longest running โ€“ this year theyโ€™re clocking up their 52nd festival……

The festival happens over four days at venues all over the town, and provides several streams of entertainment to suit most tastes.ย  With over 650 performers already confirmed covering music concerts, workshops, dance/ ceilidhs, Morris dancing, storytelling and spoken word, and a wide range of childrenโ€™s and other entertainment, thereโ€™ll be something going on in every town-centre street and pub, to say nothing of the thirteen dedicated stages and dance venues.ย ย 

And the good news is that, aside from all the ticketed camping and music/ dance events, thereโ€™s plenty of FREE stuff too.ย  Down at Island Park thereโ€™ll be community stages, a session beer tent (run by Moongazing Hare this was highly popular last year, and Iโ€™d thoroughly recommend it!), lots of pop-up food vendors (crepes, churros, Sri Lankan, vegan, Mexican, Japanese, ice cream etc), and craft stalls โ€“ allย  located alongside the beautiful River Avon. Itโ€™s got a great vibe and is a good family-friendly place to relax, soak up the atmosphere, and enjoy a session and entertainment with children, family and friends.ย 

But with so much going on โ€“ you should see the bulging programme with its literally hundreds of events – we thought weโ€™d take the chance before all the fun starts to preview and pick out some of the best stuff, and to highlight some of our favourite picks. 

Overall, thereโ€™s a brilliant line up of music concerts featuring over 75 different acts, including: 

  • The East Pointers – hailing from Prince Edward Island in Canada. Their dancefloor-shaking, electro-trad glorious combination of folk/ pop sounds has already seen them acknowledged as musical trailblazers internationally. Their debut album Secret Victory won the 2017 JUNO Award for Traditional Roots Recording of the Year. Their 2023 EP House Of Dreams was nominated for a JUNO Award, and won Contemporary Roots Recording of the Year, Group Recording of the Year and Pop Recording of the Year at the 2023 East Coast Music Awards. Their headline show is on the Sunday night;ย 
  • Phil Beer & Paul Downes โ€“ two of the stalwarts of British folk music, and truly great musicians both.ย  Their shows are not only musically entertaining but always delivered with great bantering humour.ย  Their headlining set is on the Saturday night;ย 
  • Miranda Sykes โ€“ another of the folk worldโ€™s all-time great performers, Miranda has played bass with countless bands and line-ups, and has worked for over 20 years with folk royalty Show Of Hands. In 2024 she toured with Hannah Martin, paired a new Baring-Gould Centenary project with Jim Causley, and has toured a wide range of summer festivals. Catch her on the Monday night;ย 
  • Seth Lakeman โ€“ will be playing material from his new album The Granite Way.ย  Catapulted into the spotlight after his album Kitty Jay received a nomination for the Mercury Music Prize in 2005, since then heโ€™s produced multiple albums, toured worldwide and participated in several high-profile collaborations, most recently with Robert Plantโ€™s band The Sensational Shape-shifters.ย  His fiddle playing is simply stunning, and a joy to behold in live performance.ย  Heโ€™ll be doing his thing on the Monday afternoon.

And then thereโ€™s a nearly forty different bands, including a great calling team for the dances and ceilidhs, with bands including Banter with Fee Lock, Sawney White Bird, Doug Eunson & Sarah Matthews, Portmanteau, Hinny & Joe Wass with callers Andrew Swaine, Bernie Culkin, Geoff Cubitt, John Stewart, Susanna Diamon, and more to meet every style.  

Add to this nearly seventy different Morris sides from all over the UK, and over twenty-five childrenโ€™s entertainers (including the simply hilarious and highly-talented Keith Donnelly), featuring music, dance, puppets, dressing up, play, workshops, meet-the-entertainer sessions, and youโ€™ve got plenty to choose from, with different things for all members of the family. 

Apart from the main venues and stages, thereโ€™ll be stuff going on in just about every pub, in the main streets, and anywhere else the performers can find a space. Thereโ€™ll be some open mic sessions too. 

Having been to many Chippenham Folk Festivals over the years (and indeed performed at a few!), I can highly recommend a trip out to one of Wiltshireโ€™s best events โ€“ itโ€™s colourful, itโ€™s noisy, itโ€™s busy, but most of all, itโ€™s entertaining! 

Thereโ€™s still a limited number of day and event tickets, as well as full weekend season tickets (with or without camping) available. Or thereโ€™s also still time to volunteer to help with stewarding and venues (which qualifies you for a FREE ticket). All the information is on the festivalโ€™s website, together with ticketing information at www.chippfolk.co.uk/Tickets


Jake Martin: Heโ€™s a king, and it was in the Castle, with SOP Swindon

By Ben Niamor

Itโ€™s been way too long since I saw the irrepressible Jake Martin, and he did not disappoint, classic songs as ever, open, maybe even anarchic delivery.. he found himself in front of mostly familiar ears….

On tour with some friends on a multi head bill, having fun whilst often singing and talking of lifeโ€™s serious side, all of them; relationships, drinking games and mental health, all up for dissection and deliberation through song.ย 

Mexican Dave opened, a wisecracking confident man with a definite penchant for singing fast, and getting us to sing whilst other key figures in this scene, Gaz Brookfield and Ben B-Sydes become improvised captains for each side of the room in a chorus battle.. as you do! My friend and I sat either side of a table at the front wearing our respective captains tee shirts by coincidence amused us and Dave..!ย 

Blake Cateris, was the middle man in the line up, a little more settled and profound.. an Aussie in our midst. Perhaps more reflective, though, are some great songs, and having a look at his poetry book this morning, he is a great writer. About to set off for a 22 date tour in Germany before returning to Sydney, wish him well and hope to see him againโ€ฆย 

The headline, the main man, Jake Martin. Heโ€™s famously self deprecating and among the most appropriately described musicians in the folk punk remit. Your mother may not appreciate every turn of phrase, but his crowds always will!

I consider him an anthemic hero, all on the bill actively involving us, but none with such fervour, perhaps through widespread familiarity of his rousing songs. I am one to try for instance, of loving, failing and trying in equal measure.

Songs about relationships, poor decisions, mental health, and all with an openness that rarely is found in larger yet less enveloping venues and in many artists. Foot stomping common ground, for many present will have had these problems, for my part my antidote to the modern condition is music, so thatโ€™s how perhaps I should wrap up my ramblings, Jake and all the wonderful musicians that grace our venues are the antidote. All you need to do is go find some that work for you. 

I am pretty sure Ed (Dyer) will forgive me for likening last night as it nostalgically did for me, to the venue which opened this world for me, the fold in Devizes. It literally changed my life. Sadly gone yet seeing old friends and musicians alike roll eyes, and wax lyrical of shared nights such as this many years past, aware how important it is to seize the moment. 

There are great venues around and tirelessly passionate people, many among my friends, itโ€™s as simple as doing a little research, and getting out to support them.

Thankfully I wonโ€™t wait too long as aside from town gigs this weekend , I shall be back to Old Town for the incredible Wilswood Buoys at next week’s Thursday night club at the Castle.


Frome Multi-Instrumentalist James Hollingworth Recreates Pink Floydโ€™s Wish You Were Here Live

Oh hear ye, for a foretelling I behold. A prog-rock shamen of extensive knowledge and sorcery will enter our sacred vale during the moon to cometh.

A mysterious lone traveller stands at the Trow Bridge, as steadfast as the mist surrounding him. Behind him, the home he departed, the market Frome across the Somerset border. In front as he strides barefoot across the downs, resides the unsuspecting kind folk of the White Horse. He arrives clasping under his cloak, a magical multi-track looper known as a Boomerang III Phrase Sampler, a gatefold sleeve album of yore in his other hand he holds high above his brimmed kappell, and he hath a celebration to bequeathโ€ฆ.

โ€ฆ.or he might have a van, Iโ€™m not 100% certain! But James Hollingsworth returns to Wiltshire to pay homage to Pink Floydโ€™s ninth studio album Wish You Were Here, which celebrates its fiftieth anniversary. With loop pedalboard and other such tech, he bravely attempts it solo, but if any one can, he can.

In our writer Andyโ€™s extolled words of a review long past, when James did similar at the Devizes Southgate on Dark Side of the Moonโ€™s fiftieth birthday, Andy called him a โ€œtour de force, a stunning effort of both musical versatility, but also of concentration. Itโ€™s the music he loves, and it really showed.โ€

Unlike Andy, Iโ€™m not of that era, being only two when Wish You Were Here was released, and as a result Iโ€™m more critical about prog-rock. Though Floyd are a timeless band, whose lyrics we chanted on the playground, inciting us not to need education or thought-control. And of James I said in a 2022 review, again at the Southgate, โ€œfor any music lover from folk to prog-rock, from the era of mellowed Floyd-eske goodness, James Hollingsworth works some magic,โ€ so, I must have loved it!

To make sure, James sent me his latest outpouring, an intense collaboration with keyboardist Steve Griffiths called Lost in the Winds of Time. With tolkienesque charm, swirling soundscapes and whimsical storytelling, Lost in the Winds of Time is a sea shanty rock opera, nine lengthy tracks strong, each flowing beautifully like the whistling winds, into a narrative, mystically.

Though Lost in the Winds of Time might be better comparable to the album Meddle, with its gorgeous circulating psychotropic-inducing effects and riffs which roll over like waves on a  calming sea caressing the shore. Jamesโ€™ silky vocals drift across the ether, like Wiltshire’s own Justin Hayward narrating a Victoran fantasy adventure, or Harry Potter Goes to Sea with Gandalf!

Itโ€™s an impressive trip, to me, as Iโ€™m one who, during the intervening period between undesirable commercialised electronica and the more welcomed acid house, sought the archives for lost psychedelia to suit my blossoming journey into the psycheโ€™s nirvana (I was at art college, it was part of the curriculum!) The older Floyd albums were an inevitable discovery I revelled in, horizontally in a moulding bedroom. Wish You Were Here stood out, for its vivid masterpieces of alienation and mental health, attributing original Pink Floyd member Syd Barrett, and paying their respects to him in such sublime manner reflected by listeners to anyone they once loved and lost.

Not to be confused with a tribute act, James Hollingsworth more simply pays homage to his influences in his own manner, and plans to play some of his compositions alongside. How will he do it? Bet you wish you were here to hear itโ€ฆ (see what I did there? Iโ€™ll get my fur-lined Afghan coat!)  

He takes his show to Melksham, at the Grapes on Saturday 17th May. At the Southgate in Devizes on bank holiday Monday, the 26th May, which are both free, and as part of the Bath Fringe on Thursday 29th May at The Ring O Bells, ticketed event. Also at The Creative Innovation Centre in Taunton on Friday 23rd May.ย 


Melksham Marketing Expert Launches AI Training Course

So what if it paints six fingers on a human hand?! AI is here to stay, love it or lump it; Iโ€™ve known manually run businesses where the right hand doesnโ€™t know what the left is doing! Naturally Social, a social media marketing agency based in Melksham, unveiled its new “AI Made Easy” online course this week. Tailored specifically for marketers and business owners, this affordable training programme is designed to equip organisations of every size with the skills to integrate, manage, and maximise AI tools across their operationsโ€ฆhumโ€ฆ..

The news comes after Microsoftโ€™s 2025 Work Trend Index was published in April 2025. The report identified that 80% of the global workforce feels they donโ€™t have enough time or energy to meet rising demands, and 53% of leaders agree productivity must increase; the flipping slave-drivers; up the workers, even if they’re R2D2.

With my tin foil hat on, I toiled with if I should publish this news. Increasing productivity is one thing, replacing the workforce to do it is another. After using AI as a political propaganda tool, harvesting creativity concerns me mostly; robots should do our mundane housework so we can dedicate our time to being creative, not create art so we have time to do the housework! But in a business environment, AI is here, like it or not. We must integrate this humanely and with consideration for the repercussions, which Naturally Social seems to address, so, with my organic fingers and toes crossed, Iโ€™ll go for it, and let the debate erupt!

Naturally Social say: with the swift progression of AI technologies, many professionals are grappling with how to effectively integrate them into their workflows. Research has shown that employees globally feel unprepared for AI adoption, with concerns about their job security and understanding of these tools. Naturally Socialโ€™s course aims to address this gap by making AI accessible, equipping businesses, freelancers, and charities with the knowledge to thrive in an AI-driven world.

Hey, my first ever AI generated prompt, I think it captures it rather well!

Donโ€™t get me wrong, I was always a fan of the Jetsons, and welcome androids to do the washing-up, but hey, โ€œan AI-driven world,โ€ I confess scares me into a far darker scenario derived from bleaker sci-fi narratives. AI should assist, in the passenger seat, not drive. My mobile phone plays up, overloaded with data it doesnโ€™t do what I ask, it freezes up, glitches, and throws me out of an app; can we really rely on AI to take on jobs which require a degree of responsibility when AI cannot own morales or be held accountable? Maybe a sceptic like me needs this course more than Musk.

Naturally Socialโ€™s founder, thankfully not Sarah Connor but Natalie Luckham, emphasised the importance of education in this space and said, โ€œ2025 is the year to move beyond experimentation and truly embed AI into your strategy.โ€ Dammit, this is SkyNet level! โ€œThis is a pivotal moment for AI adoption, thereโ€™s never been a clearer signal that upskilling must be a top priority. AI Made Easy provides that critical bridge, from curiosity to competence.โ€

They claim participants will learn how to use AI tools to save time, boost creativity, and stay ahead in the competitive digital landscape,and while the other two I am okay with, boosting creativity worries me; we have human designers aching to put dinner on the table, Metal Mickey doesnโ€™t need feeding.

From understanding ethical AI usage, it continues, to leveraging tools for meaningful business impact, “AI Made Easy” empowers learners with the expertise they need to step confidently into the future. This course continues their legacy of providing meaningful, results-driven support to their clients. Kaye King, a fellow marketer and small business owner, attended one AI Made Easy session at the beginning of May and said: โ€œI found it really helpful to understand the different tools available and how to work with them collectively. I also love Natalieโ€™s emphasis on the ethics and transparency around how, when, and why you use AI for your own business and with your clients.โ€

The jury may be out on AI, but while youโ€™re deciding others are embracing it and itโ€™s never the technology which is the problem, rather the person pushing the buttons. So, perhaps this course is for you? The “AI Made Easy” online training course opens for enrolment on the 16th of May with in-person training also available for teams. For more information or to sign up, visit: https://www.naturallysocial.co.uk/ai-made-easy


Just a Mirrorball; Auralcandy New Single With Sienna Wileman

If weโ€™ve had a keen eye on Swindonโ€™s Sienna Wilemanโ€™s natural progression as an upcoming singer-songwriter since being introduced to her self-penned songs via her father Richard Wileman some years ago, her songs have always reflected her dadโ€™s penchant for combining curious and experimental soundscapes with acoustic vibes. Working with the more rhythm-driven Auralcandy this single is a change of directionโ€ฆ.

Just a Mirrorball released yesterday, with a pop sound of nineties nu-cool, as if Sophie Ellis Bextor was on the Madchester scene with Deee-Lite. It’s an instant love from me, and couldn’t go any other way really. Itโ€™s sassy, Maroon 5, danceable, but Auralcandy requests no one ask them for the โ€œboringโ€ backstory on this interesting collaboration, and to stop them if they ever try to tell it! Weโ€™ll just have to see it for what it is, a working combination made in heaven.

Sienna shows her versatility as a recording artist here, from acoustic folk to musical theatre, now this is decidedly pop, the timeless variety.

โ€œSienna is an absolute joy to work with, an obvious talent but with a complete nonchalance that comes with being one of those pesky kids Scooby Doo warned me about,โ€ they said, โ€œthe middle vocal is all Sienna’s invention. And, to me, reeks of 1960s pop Franรงoise Hardy, Brigitte Bardot et al; effortlessly cool.โ€

And it is so! So much so, it needs wider attention, it deserves to chart, and put them both on the map, but they’re both modest with their talent, so allow me to plug it!


You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosie Jay, for a charming Sunday morning ballad called Youโ€ฆ..

Ah, newfound love, I remember it well! That ray of peerless positivity, like a sunbeam which cannot be clouded; nothing can spoil your mood now youโ€™ve found that certain someone. Many artists have tried to capture it, many overthink it, but You is simply saccharine, and captures the concept beautifully.

This is staring out of a window of a moving car on a sunny Sunday morning music, contemplating when your longing will be over and youโ€™ll be in the arms of your soulmate again. Thereโ€™s nothing negative here, no hidden concern like many such songs, itโ€™s blissful and an the ideal harmonious coupling weโ€™d love to hear from. Check it out!ย 


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Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

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Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

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Progress Made for the Wiltshire Music Awards

A week into the voting process for the Wiltshire Music Awards and things have been moving forward fast. Weโ€™ve had the best part of 500 voting forms already submitted and weโ€™re busy spreading the news about these new awardsโ€ฆ

The voting process for the Wiltshire Music Awards went live on the 1st May, and if it was overshadowed by some other voting thing going on that day too, this far more important election is gradually gathering pace. And unlike the other elections, no one is jumping on anyoneโ€™s back, making up stories to derail other candidates!

Eddie Prestidge of Wiltshire Music Events UK and I have been busy promoting the concept, and weโ€™re delighted and extremely grateful to everyone who has helped us with this. From visiting Castledown FM to meet Kev Lawrence and waffle on his drive-time show, and future such gigs like Peggy-Sueโ€™s Donโ€™t Stop the Music Show on Swindon 105.5, to features in Swindon Link and Salisbury Radioโ€™s blog, and everyone who has shared our news on social media, word is getting around thanks to you all. 

Of course individual musicians, bands and studios have taken to their social media platforms begging for their fans to vote for them, and, donโ€™t worry, this is encouraged! Itโ€™s also our most treasured venues such as The Wiltshire Music Centre in Bradford-on-Avon who are sharing our news. I believe this is all vital, to ensure weโ€™re making it comprehensive and spanning across the entire county. If you can help us with this, please do get in touch.

Nominations will close on 10th June 2025, so we need your picks by then! Itโ€™s not easy, I know; Eddie messaged me a few hours into the voting process to say he hadnโ€™t seen my submission yet, and I had to tell him I was still making my mind up!

Thereโ€™s so many talented musicians around here, it is difficult to decide whoโ€™s name to put in those boxes. But, in this I feel is a point worth making about the Wiltshire Music Awards; we are doing this to promote, encourage and celebrate everyone creating music locally, from DJ and cover band to original artists and sound engineers. This isnโ€™t intended to make our circuits competitive in any way, as we all enjoy the communal and friendly ethos of our local circuits, and vow to maintain this. The hard work they all do to entertain us is recognised and appreciated; while some of our many friends on the music scenes in Wiltshire might not pick up an award, it doesnโ€™t mean weโ€™ve forgotten them!

Eddie says, โ€œthese awards recognise the individuals and groups whose efforts make a real difference. If you know someone who deserves recognition, or want to showcase your group, now is your chance to give them the spotlight they deserve.โ€

Weโ€™ve just opened a Facebook group for the Awards you can join HERE. People have joined and are making connections there already, which is great and exactly what we want to achieve with this venture; itโ€™s not the Oscars!

Thereโ€™s loads of questions which have been fired at us over the week about how the awards work, despite many of them being answered on the FAQs page of the website! Some others have come up, and we thank you for raising some valid points. One good one I had by Rich of Minety Music Festival, who asked if we could have a category for festivals. We pondered how we could do this as the categories have already been set, thereโ€™s 17 of them already, and feeding it into the venues category might not be fair on the smaller grassroots venues. So, we decided to add festivals as a category for next year, and make a list of festivals in Wiltshire for the judgesโ€™ perusal. I mention this to say, hey, weโ€™re open to ideas and things we might have overlooked.

The most frequent question Iโ€™ve been asked is โ€œcan I vote for myself?!โ€ To which the simple answer is a big fat YES! Why not? Show off your ego, youโ€™ve earned it, go for it! The less frequent but similar question Iโ€™ve had is, surprisingly, โ€œcan I vote for you?!โ€ The answer is, yeah (blush,) if you must!

Weโ€™ve been browsing trophies and medals from a catalogue by Avon Trophies like weโ€™re kids drooling over the lingerie section! And over the next couple of weeks we will be sending invites for people to be judges. Choosing experienced people with dedication to promoting music in the county and trying to set one in each area, we have a list of possibles, but if youโ€™re interested in this let me know this coming week. It is also vital that this event receives sponsorship in order for it to work as well as whatโ€™s in our minds. Please contact us if you would like to sponsor an individual award or the whole shebang!

The award ceremony will take place in Devizes at the Corn Exchange, on Saturday 25th October 2025, tickets are here. We hope it will continue annually, this all depends upon your input and support, which has so far been so encouraging I might even be moved wear a dickie-bow at the event, and that’s worth the ticket price alone! Please vote and share our news, thank you!


Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo album called Playing Solitaireโ€ฆ..

Released yesterday (2nd May) Playing Solitaire is Philโ€™s first solo album in five years. The last being These Revelation Games in 2020, which was a varied bunch where Phil experimented extensively. Perhaps lockdown inspired artists to scrutinise and pilot new ideas, though through his part in the Americana harmony trio The Lost Trades, fronting the harder rocking The Slight Band, and BCC project, where Phil dives into synth-pop, heโ€™s never been one to shy away from testing new waters. But the principle beauty of Philโ€™s work lies in the simplicity of his idiosyncratic and solitary acoustic outpourings, a clear and clean line of self-reflection, drenched in honesty and poignancy, and thatโ€™s precisely what youโ€™re getting with Playing Solitaire.

Apologise for the delay in announcing this; I had to take one more listen this morning, before deciding if I should call this his best work to date, as heโ€™s a prolific artist with an outstanding discography already. But I think I can safely say, because of the wonderful way this flows, coalescing in mood and style, I think I can safely suggest that it is.

If an all-out anarchistic thrash of rock n roll is what you require, this isnโ€™t for you. For everyone else Playing Solitaire is beautifully crafted and passive, gorgeously taut and accomplished. Thereโ€™s no whimsical introduction. โ€œLook out world, Iโ€™m here to stay,โ€ Phil confidently announces without warning; good! Because Phil knows precisely how to construct a song, and itโ€™s this dedication to composition where he shines best. The opening song, Still Holding My Breath is quintessential Phil Cooper. Itโ€™s the acme of his observational writing, a homage to the notion hard work pays off, a characteristic we know Phil well for.

Moving to the next tune, romantic dejection is his soft play centre topic, and oh, how you wrote that note, disregarding how it might be interpreted by the receiver; perhaps weโ€™ve all been there. If itโ€™s a personal reflection, you identify, and the magic lies at the feet of this contemplation, the very magic of Philโ€™s words, song and ability to combine them, hard at work. And this is an observation we could make to summarise the whole album.

That Easy Road, is remarkable heart on a sleeve content again, it drifts with a stormy sea metaphor to convince himself heโ€™s loved. Another peace of mind ballad follows, then Bijou comments on struggling grassroots music venues, and even if Iโ€™m not a musician, itโ€™s exceptionally touching and poignant. The passion Phil delivers this with and the construction of the riff, itโ€™s my personal favourite on the album, maybe replacing Road Songs, my past fav Phil Cooper tune. 

Halfway mark of this ten strong album, and weโ€™re in another foreboding place with Beauty in the Cracks, a frustration at progression, perhaps. Uptempo, and weโ€™re on a lighter note next, followed by a live favourite, They Will Call Us Angels. Eric Bogle fashioned or Guthrie, even, if we suggest an Americana route, but weโ€™ve definitely arrived folk inspired by his work with The Lost Trades. Phil glows through a moving account of a frontline medic, and itโ€™s something kinda wonderful.

Maybe Phil lessened on the deeper narrative in the middle of this album and left three moreish golden nuggets to finish on. Directionless is as it says on the tin, it drifts, and rises halfway through. And we finalise akin to where we began, a little self-help guide type lyrics, but hey, Phil is always on-point. It is an almost one-man choral twinkle, defining Phil as a perfectionist.  

If you worked with Phil in an office, he might be the friendly confidant you relay youโ€™ve prepped nothing for this meeting, and heโ€™ll assure you heโ€™s done equally poorly, and then, at the meeting heโ€™d turn up with a full presentation! Not a show-off by any means, just a dedicated precisian, motivated to the hilt, but seemingly oblivious of the haphazardness of the more spontaneous type, and thatโ€™s a rare trait in a musician, making for something individual, solitary, like the one who plays solitaire when they could engage in a two-player game, usually with our Jamie!

This album gets top marks as it reflects his personality sublimely, even by title, and you take a little bit of Phil Cooper away with you. In other news, The Lost Trades are back in the picture since the departure of Tamsin Quin. Jess Vincent takes her place as the third Lost Trader, their touring dates are announced, and we look forward to seeing them with the new addition. For now, Playing Solitaire is out, and you can find it HERE.


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Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trioโ€ฆ

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Voting Now Open for the Wiltshire Music Awards

The voting process for the Wiltshire Music Awards goes live today; there might be some other voting thing going on too, but this is far more important!

In conjunction with Wiltshire Music Events UK, Iโ€™m delighted Devizine will be actively assisting to organise this new county-wide music awards. Weโ€™ve mentioned it a few times now, but today the moment has finally arrived for you to cast your votes. Nominations are open for the ceremony from 1st May 2025, and will close on 10th June 2025.

Please Share this News

The award ceremony will take place in Devizes at the Corn Exchange, on Saturday 25th October 2025, tickets are here. We hope it will continue annually, this all depends upon your input. Please get voting, and we call upon everyone actively involved in music scenes across the county to get involved too.

Hereโ€™s some FAQs about the process, and other than to say Iโ€™m mega-excited about it all, and to please share this news far and wide, thereโ€™s not a lot else I can waffle on about it for now; everything relies on you all to help us find the talented in Wiltshire, so get voting!

Who can be nominated?

Anyone involved in music based in Wiltshire or primarily active within the county can be nominated. This includes solo artists, bands, DJs, instrumentalists, music promoters, and venues.

Can I nominate in more than one category?

Yes, you can submit nominations in multiple categories. However, each artist, band, group, DJ, or venue may only be nominated in one category overall, so please choose the most suitable one.

Who decides the winners?

A panel of music professionals from across Wiltshire will review the shortlisted entries and select one winner per category. The panelโ€™s decision will be final.


Theatre Review: Everybodyโ€™s Talking About Jamie by Devizes Music Academy

An effervescent musical, full of promising young talent

Written by: Melissa Loveday

Images by: Gail Foster

After the success of SIX last year, Devizes Music Academy is beginning to make a name for itself with its second musical production, Everybodyโ€™s Talking About Jamie, which featured two electrifying performances on 19th April at Devizes Schoolโ€ฆ.

And wow! What an incredible show it was! Bringing this musical sensation to life โ€“ including Northern accents, multiple set and costume changes and complex dance numbers โ€“ was ambitious. Yet after only a week of rehearsals, 23 talented young performers, aged just 13 to 18, poured their hearts and souls into a performance that was dynamic, professional and full of impressive talent. It had heart, humour and heels so high I wouldnโ€™t be able to walk in them, let alone dance!

Everybody’s Talking About Jamie

From the opening scene, it was packed with raucous energy and perfectly delivered sass that immediately transported us to a gritty Sheffield comprehensive, where Year 11s contend with the wonderful and frightening possibilities that lie ahead of each of them. Jamie New, an openly gay 16-year-old who dreams of becoming a drag queen, was instantly likeable as he and the rest of the cast swept us into his pop-fantastic daydream โ€˜And You Donโ€™t Even Know Itโ€™.

Everybody’s Talking About Jamie

Inspired by the BBC Three documentary Jamie: Drag Queen at 16, Everybodyโ€™s Talking About Jamie was written by Tom MaCrae with music by Dan Gillespie Sells, from an idea by Jonathan Butterell. First produced by Sheffield Theatres, the show took Londonโ€™s West End by storm in late 2017 and has brought infectious joy to audiences ever since.  

Everybody’s Talking About Jamie

But this is a story about more than a boy wanting to wear a dress. Itโ€™s a multi-layered tale of family and friendship, and having the courage to step into the person you were always meant to be. Set in a working-class area of South Yorkshire, England, the story is grounded in a world thatโ€™s relatable, keeping it from becoming overly sentimental. Instead, it feels edgy and vibrant, whilst not shying away from the struggles individual characters face.  

What made this amateur โ€˜Teen Editionโ€™ so special was the thrill of watching real teenagers bring these teen characters to life. Under Jemma Brownโ€™s expert direction, with vocal coaching by Teresa Isaacson and choreography by Sarah Davies, the cast delivered a level of talent that could easily hold its own on a West End stage.

Everybody’s Talking About Jamie

The whole ensemble was brilliantly cast, with every member delivering a believable storyline through genuine and multi-dimensional acting, powerful vocals and sharp choreography.

Jacob Leggett was made to play Jamie. At just 15, he brought the perfect mix of camp charisma and youthful innocence to the role, whilst also capturing Jamieโ€™s wit, cheekiness and vulnerability. His rendition of โ€˜Wall In My Headโ€™ was captivating, building beautifully into an emotional crescendo that gave me chills!  

Everybody’s Talking About Jamie

Meanwhile, Ruby Phipps gave Pritti, Jamieโ€™s loyal, studious best friend, a quietly headstrong presence. Her solo โ€˜Beautifulโ€™ was sung with elegant control, allowing each phrase the space and diction needed to feel both precise and spontaneous. Although she and other cast members werenโ€™t Muslim, the production honoured the spirit of diversity by respectfully representing the Muslim community, complete with hijabs.

As a parent, I was moved by Lisa Grimeโ€™s portrayal of Jamieโ€™s mum, Margaret, especially her song โ€˜Heโ€™s My Boyโ€™. It was heartfelt and mature, with excellent vocal range, and had me reflecting on the bittersweet truth that while we strive to shield our children from pain, life will inevitably hurt them, and yet we thrive on seeing them live authentically. Our children, in all their brilliance and vulnerability, are our greatest accomplishments.

Everybody’s Talking About Jamie

Another standout came from Cory White, who doubled as the school bully and Jamieโ€™s dad, whoโ€™s harsh lines stung, but showed subtle remorse that added depth to his characterisation.

Ted Maughan was commanding as Hugo and playful as Loco Chanelle, offering a refreshing contrast with his confident spoken-word delivery style and lively American accent.

Everybody’s Talking About Jamie

The set design was simple but effective, with props such as a balloon arch for the prom scene creating a party feel. Transitions between classroom, kitchen, bus stop and prom seemed to happen as if by magic, enhanced by effective lighting and seamless costume changes, from school uniforms to dazzling prom gowns. The spotlight reveal of Jamieโ€™s red dress was especially powerful, leaving the audience wanting more.

Dynamic choreography and colourful harmonies elevated the production, from coordinated group numbers to breakout moments allowing individual characters to shine. Particularly memorable was the schoolgirls’ clapping routine in โ€˜Spotlightโ€™, reminding us of the charactersโ€™ young age, while a dance duet between Cory White and Chloe Whitcombe during Margaretโ€™s โ€˜If I Met Myself Againโ€™ added a poignant, dreamlike quality to the song. But I especially loved the title number โ€˜Everybodyโ€™s Talking About Jamieโ€™, which kicked off Act II, with its excited, gossipy feel, as multiple characters bounced their individual lines off each other before erupting into an energetic and synchronised dance sequence that had the whole room buzzing!

Everybody’s Talking About Jamie

Itโ€™s genuinely hard to believe this was amateur musical theatre. The level of professionalism, emotional authenticity and pure talent displayed by every single cast member absolutely blew me away. These young performers truly brought a little bit of glitter to the grey.

With so much promising young talent on our doorstep, it begs the question: whatโ€™s next Devizes Music Academy? Whatever it is, I canโ€™t wait!

You can catch an abridged version of Everybodyโ€™s Talking About Jamie at the Fulltone Festival, The Green, Devizes, on Friday 25 July. For tickets, visit www.fto.org.uk


Is This Calne Reform Candidate Violette Simpson?

A photo is circulating on X of Calne’s Reform UK candidate Violette Simpson, which for some reason doesn’t appear on her election campaign….I wonder why?

Just to clear up any confusion, she’s the one with the gun.

According to Calne News Violette Simpson, the Reform UK candidate for Calne Central, has been criticised for describing herself as an “independent” on the ballot paper for Calne Town Council, despite being a member of Reform UK. What else is she hiding, we could ask.

Now, we all know X is a barrage of bamboozlement and bull, so how can we possibly fact-check something as sensitive as this? Simples: It’s her Facebook profile picture!!

“Add friend,” it asks underneath….na, you’re alright, thanks! Vote for Reform in Calne, and you might be forever wondering what happened to your pet cat, as well as your rights to democracy and NHS.

Thanks to Reform UK Exposed for the scoop on this beauty, follow them here.


Devizes Palooza DJ on the Bill for Fatboy Slimโ€™s All Back to Minehead

Big congratulations to Devizes DJ Greg Spencer this week, the creator of Palooza house nights at The Exchange nightclub, for he made the prestigious bill of Fatboy Slimโ€™s All Back to Minehead festival in November at Butlins; we have to celebrate him, baby, and praise him like we should!

Palooza launched in March last year, to bring back regular house nights in Devizes, and fantastic they are too. A year later and Greg excitedly messaged us with the news he was potentially booked for Fatboy Slimโ€™s annual shindig at the Butlins in Minehead, we just had to wait for confirmation, which he now has. โ€œIโ€™m a bit overwhelmed by it,โ€ Greg told us at the time, describing the news as one of the best days of his life when he announced it last week.

Goldie, K-Klass and a DJ set from Leftfield are among the highlights of who will be larginโ€™ it with Norm at this annual dance music extravaganza; we wish Greg all the best with it. But if you want to get Paloozaโ€™d closer to home, theyโ€™re back at the Exchange nightclub this Friday, 2nd May. And weโ€™re leaking future dates for Palooza nights to put in your diary, the 27th June, 29th August and 19th December.

This Friday sees the crew playing house, old skool, techno and tech house with DJs Floormover, Leggy, Rodj, Eldridge and Grit. Pay on the door, Facebook event page is here; let them know if youโ€™re going!