Category: news

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had to unfortunately miss Marlborough’s gem a fortnight agoโ€ฆ..

Weather and festival organisers aren’t besties. Organisers quiveringly check forecasts months prior, usual concern being moisture. Daytime at the inaugural Park Farm Festival just outside Devizes, where they positioned a professional looking stage some distance between where punters took shelter in beer tents and sun-shaded tables, Southwestโ€™s premier Chicago blues replicators, aptly named Chicago 9 blasted a wonderful set to distant onlookers whilst the zone between better resembled an African savanna where no man dare tread from fear of being frazzled!

I suspected many events this weekend subtly suffered from the heatwave despite the prospect favoured over torrential downpours, and one look during the day might suggest placing the stage so far away was an error. But by sunset that area will be filled with a selection of locals particularly from surrounding villages, heavy rock or grunge fans, regular Mantonfest attendees knowledgeable these guys have 25+ years of experience at hosting the most hospitable and welcoming local festival we could namedrop, or perhaps those who ticked more than one of those multiple choices. It was at this point you realised, despite July’s event clashes, a flooding of the festival market, and Park Farm being a first timer, numbers in attendance was averagely high and everyone was up for a good time.

I met with Mantonfest’s organisers some months ago where I was concerned replicating Mantonfest this side of Devizes might have a dubious impact, yet it seemed all was alright on the night, tribute acts are welcomed once the beer flows and Park Farm Festival set a high bar, recreating the friendly atmosphere expected at Mantonfests of yore, where everyone had an amazing day. It now takes me to blow the secret, this intends to return annually and I would seriously consider jotting it onto your calendar.

If Lower Park Farm will be a camping site for freewheeling soul and ska mods and skins in a fortnight, when the Devizes Scooter Club’s celebrated annual rally takes hold, this weekend is dedicated to a range of rock aficionados. Sadly I missed Essex’s finest Jamie Williams & The Roots Collective, welcomed regulars to The Southgate, though, I’m safe in the knowledge these guys know what strings to pull.

Barrelhouse followed Chicago 9, keeping the blues flow with the unique yet highly entertaining hoedown of  groovy vintage blues, standard issue at Mantonfest now adored throughout the county.

Double-booked as usual, at this point I took advantage of the free shuttle bus, headed into town to poke my nose into The Three Crownsโ€™ fundraiser, details set to follow. Meanwhile here, Josie & The Radiotones played and I returned for sixties heroes The Swinging Blue Jeans.

Seen these before, legendary rock n rollers who make universally entertaining a crowd look like childsplay, blasting their timeless hits and others which influenced them, as even the younger dared to dance under the beating sun.

Legends ticked it was time for the evening’s tributes, and judging the amount of Nirvana t-shirts against those of AC-DC ones was tight. A sudden quantum leap forward three decades and Nirvana UK did the most accomplished task of recreating those pioneers of grunge, loudly and proudly. Yet if you came here for authenticity in a tribute, AC/DC.UK mightโ€™ve thrown contemporary sound engineers with their usage of original eighties amps, but they sublimely recreated the heavy metal sound of the period and knocked it out of Park Farm!

Personally, heavy metal was never my bag, and through Swindon’s modern grunge scene, bands like I See Orange, The Belladonna Treatment and Liddington Hill have turned my head onto something I also sorely missed in the ravey nineties. Therefore my preference lay in Nirvana UK rather than the headliner, but judging on doing what it says on the tin, AC/DC.UK absolutely rocked that finale.

Yet the whole shebang must be hailed as putting this inguinal festival on the map for following years. For anyone who winces at the price tag, it’s standard in this era of hyperinflation, blame a government not organisers, and know, just like big sister Mantonfest, you’ll see where your money was spent if you attend; quality tried and tested acts, the highest quality production and nice touches like clean toilets and the shuttle bus.

For Grist and his team, financial risk is a thing in any competitive market and it can be surprising how narrow festivals can be; it’s a five-year plan minimal where research is crucial, and the reward is  you’ve created enjoyment. Hats off to them, for this was an amazing beginning.

Pitstop at Air Ambulance Fundraising Mini-festival at The Three Crowns Devizesย 

Rude to walk into an event sporting another event wristband but the welcome was friendly as ever at the Three Crowns in Devizes. It’s mid-afternoon, Park Farm Festival‘s shuttle bus took me into town, cheekily I used it to poke my nose into the Air Ambulance fundraiser here, their first real multi-act day, I believe, save perhaps my 50th birthday, which if you remember any details of, you could always fill me in!

It was a necessity, if only to see Ruby Darbyshire, as it’s been a while, not a long while, but long enough for me. First time playing the venue and she went down a storm, unsurprisingly. Such a rich, natural talent, vocals made from silk, expressive and  forever a joy to listen to; be they either covers, a Portishead one being a particularly breathtaking one, or her intelligently constructed originals, of which she dropped a couple of new ones I’m eager to review here in good time.

There were hugs all round upon my entrance; Ben Borrill and Pat Ward finished a set as Matchbox Mutiny, a shame to miss, because those gorgeously talented guys pull a crowd and hold them. At the moment I did arrive I was delighted to catch Rachel Sinnetta & Jolyon Dixon doing their thing with Andy Fellows accompanying on guitar, as itโ€™s always impressive and highly entertaining. It was a stellar lineup with cupcakes, lollipops, childrenโ€™s face-painting, and tried and tested acts at the Three Crowns, save Ruby, who Iโ€™m assured would be welcomed back.

Rumour was Devizes Male Choir was intending to do a flash mob bit between Ruby and the grand finale, the ever lively Funked-Up. Unsure if this happened, as unfortunately, I was duty bound to return to Park Festival, but you can rest assured Funked-Up got the crowds dancing the night away. I wish I could’ve stayed.

The spirit of The Three Crowns remains toppermost in town; the go-to pub in Devizes for a good night, an unpretentious, friendly atmosphere with the widest age demographic which never clashes. Itโ€™s trouble-free fun, itโ€™s live music program set to enthral, and not forgetting gourmet burgers; itโ€™s an all-round winner on any night, but more of this all-day stuff, please kind sir!  

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathews for the tip off! Her debut album  Clever Rabbits was released today, and itโ€™s a mustโ€ฆโ€ฆ.

Brit Award winning Paul McCartney and Tom Jones producer Ethan Jones spotted Ann Liu performing at Camden’s Spiritual Bar, leading her to a publishing deal with BMG. Ann, who now lives in London, represented Whispering Bob Harris at The Great Escape and Black Deer Festivals, featured on Beans on Toast’s stage at Bearded Theory and on his UK tour. She opened for Lewis Ofman in Mexico, played prestigious venues like The Clapham Grand and The Hotel Cafe Hollywood in LA, but delighted to tell me she schooled in Marlborough and grew up in a nearby village; and I thought St Johnโ€™s girls just sat around the Priory Gardens smoking menthols!

Okay, calm yourself. That was just an eighties joke, and you know this! But remain calm for Clever Rabbits because itโ€™s a breathtaking ride, a tapestry of Anglo-Celtic folklore, sacred texts, sonic binaries of modern digital synthesis and Ann Liuโ€™s classic singer-songwriter roots. โ€œI am the rabbit that knows how to kill the hill, and I have only just begun,โ€ she expressed.ย 

Experimentally playful, with two piano-based ballads opening Clever Rabbits, there’s an ambience of musical theatre about them, then with an irresistibly simple drum and bass the title track runs akin to a Mardi Gras iko-iko chant. Lost Ways has the shuffle of South America rhythms, and weโ€™re halfway through these ten uplifting masterpieces with a bittersweet psychedelic swirl called Tangle.

No You Donโ€™t is acoustic blues with a hint of lounge jazz, as gorgeous as the ultimate Norah Jones song. Another tune in, and rather Iโ€™m now pitching this alongside Joni Mitchell; itโ€™s that strong, naturally raw, and yeah, folk, fundamentally.

The album continues in a similar fashion, uplifting jazzy folk under sublime soundscapes and broken wonderfully with snippets of humorous band banter, which usually are outtakes. It lifts in tempo with False Hope, and chills for the penultimate Movement of Standing Stones, which builds in layers of atmospheric spiritual ambience, and finally a minute and half of bizarre with Gobbleknoll, breaks the concept this isnโ€™t really a book by Richard Adams and Ann Liu is not a rabbit after all!

Exploring limits of prescribed identity in a timeless, brave and sensitive challenge of the zeitgeist, the album is inspired by a Chinese idiom โ€œclever rabbits need three burrows,โ€ and the imagery of three rabbits found in Devon’s churches and China’s caves. Clearly, with profound narrative, you would need to dive deeper into this warren to explore. After one listen, though, you will feel it criminal not to. Everything in this melting pot of influences is subtle, the overall feel is a mellowed thoughtful prose sitting somewhere between the exploratory of Kate Bush and punch of Alanis Morissette, both jamming under the aura of Steeleye Span.ย 

This isnโ€™t an album for streaming. This is a take my money album. The attention to detail is divine. The unedited recordingsโ€™ background goings-on authentically puts you in the room. In promoting it, Ann Lui revealed the backstory. โ€œWhen I was ten,โ€ she explained, โ€œmy father gave me records by Ethan. When I turned 21, I got a call from Ethan after Raf sent my music to him. We began capturing these songs, and my father began dying. Today I turn 26, my father is dead, and the record is born.โ€

โ€œIn the first 25 years I found powerlessness in slow, bad, unwanted death. In limbos and dependency. I found power in wilful endings. In choice. Love ran underneath in a welcome riptide, contextualising the hurt and loss. I nursed wounds, read my stories, read other peopleโ€™s stories, broke away, reflected, mourned, rejoiced, set free. The first quarter century has been about endings, leavings, dying, and dying well. This album is a good death. The bin men are smiling. I am smiling, too.โ€

A launch for Clever Rabbits is at Londonโ€™s Lexington tonight. Ann Lui returns to her roots, as she regularly does, with an Instore at Sound Knowledge, Marlborough on Thursday 17th July at St. Peter’s. Entry is FREE but please do let them know to expect you if you’d like to attend, or pre-order a copy of ‘Clever Rabbits’ from them to guarantee your place.

LinkTree Website

Striking Photographic Portrait Exhibition Celebrates Five Years of Impactful Creative Workย with Older People at Wiltshire Music Centre

If youโ€™ve popped into Wiltshire Music Centre recently; for a concert, workshop, screening orย even a meeting, you might have noticedโ€ฏchanges in the foyer: recorded music, the cafe-barย open at peak times during the day, and currently, a strikingโ€ฏphotographic exhibition of black and white portraitsโ€ฆ..

The โ€˜Men in Conversationโ€™ exhibition presents portraits of members of the Trowbridge Creative Conversations Menโ€™s Group, a creative arts and heritage group for men aged 65+ held in Trowbridge Library. Facilitated by professional artist practitioners, Creative Conversations sessions bring together isolated older people to share their experiences and creative ideas in a friendly and welcoming environment.โ€ฏSo, when Stuart Brook, one of the members of the Trowbridge menโ€™s group shared his interest in photography, it wasnโ€™t surprising that it inspired the participants to take portraits of each other. The results were so impactful, uplifting and moving, that theyโ€™re now on display at Wiltshire Music Centre until the end of July, before moving to Trowbridge Library, all made possible by funding from The Trowbridge Town Trust.

The free-to-visit exhibition contributed to a Celebration event, marking the impact of theย Celebrating Age Wiltshire partnership from 2020-2025. The event, attended by partners,ย funders, artists and community champions, showcased some of the many outcomes achieved through this project, funded by the National Lottery Reaching Communities Fund. Artworks, as well as the exhibition included songs, spoken word, and art and heritage pieces, introduced by Creative Producer, Rebecca Seymour.

It was an opportunity for Wiltshire Music Centre to thank everyone that has contributed to this project to this point, including funders, The National Lottery Reaching Communities Fund, Wiltshire Council Area Boards, Town Councils, Wiltshire Community Foundation, Arts Council England and other Trusts and Foundations. Partners, Pound Arts, Wiltshire Creative, Wiltshire & Swindon History Centre, AgeUK, Wiltshire Council and Libraries and Community First, Creative Producer Rebecca Seymour and our staff team, volunteers, community champions and community organisations past and present, and, of course, the sixty-five artists!

In August, Wiltshire Music Centre will hand over the leadership of this award-winning, countyย wide project to AgeUK Wiltshire, who will continue to reach isolated older people throughย creative arts and heritage events and workshop groups. We look forward to continuing toย partner in this incredible project, as it continues to grow.ย 

More Information HERE

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Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Wendy James Tour Coming to Fromeโ€™s Cheese & Grain

Photo credit: David Leigh Dodd

Pioneers of the indie-rock sound which would lead us into the nineties, Transvision Vamp lead singer Wendy James has announced a UK tour in October in support of her recently released tenth solo album The Shape of History, which includes Fromeโ€™s Cheese & Grainโ€ฆ..

Wendy will be accompanied on tour by a full band, featuring Transvision Vamp’s bass player Dave Parsons, Jim Sclavunos from Nick Cave and The Bad Seeds on drums and Alex Ward (Thurston Moore Group) on guitar. They will be playing songs from across all of her albums, from TVV Pop, to New Wave Punk to Lo-Fi Racine No.1, through to the big productions of Queen High Straight and The Shape Of History, picking off favourite songs from each.ย 

For full tour dates see here, but closest to us is Tuesday 14th October at the Cheese and Grain, and The Fleece, Bristol on Tuesday 28th October.

Wendy James

While The Shape of History doesnโ€™t begin with a sound akin to Transvision Vamp, thereโ€™s underlying echoes of it as the album builds. Layers of electronica envelope the familiar vocals, so while itโ€™s not what you were expecting, the effect is as The Independent described, โ€œlike a patchwork of memories โ€“ victories, heartaches, the feeling of racing down a California highway, no destination in mind.โ€ And Classic Rock expressed that 

โ€œThe Wendy James of 2024 is an older, wiser and far more intriguing prospect. The Shape of History, never dull, and certainly never predictable.โ€ 

 โ€œMy songwriting has always been a wide mix of sounds, which naturally reflect the different music and references I have and love,โ€ Wendy explained, โ€œThe Shape Of History was recorded on Scrubs Lane, West London with Alex Ward, Harry Bohay and James Sclavunos. I then went off to NYC and Brooklyn to record the pianos and organs with Dave โ€˜The Mooseโ€™ Sherman. Overdubbing continued with Al Lawson at the engineering helm in his Shepherdโ€™s Bush studio and then I went back to Berkeley, CA to mix with Jesse Nichols before mastering with Fred Kevorkian in Brooklyn NY. I have spent so much time with this music, I know it note-for-note and love it and am so happy for you to make it your own now”.

 โ€œThe Shape Of History has a lot about love in it, a lot about appreciation of oneself, oneโ€™s life and importantly, of others. It is lifeโ€™s arc of starting out, blooming into something and in some ways maturing. I donโ€™t think my music has got older, I know Iโ€™ve not gone mellow! My attitude can be more ferocious and fearless than ever, but there is an acquired wisdom, which naturally comes after having been alive for a few decades! โ€˜The Shape Of Historyโ€™ is a love letter and a Thank you note to life so far. The culmination of my tenth album is the result of co-musicians and engineers who Iโ€™ve worked with previously and with whom I share a language. We know each other, we choose to work together. We enjoy each otherโ€™s talents and personalities. There is a happiness, a belonging, when we meet up, and an open and determined desire to achieve what we know we have to.โ€

โ€œFrom meeting Nick Christian Sayer and forming Transvision Vamp, the two of us walking into EMI Records, and demanding to see the head of Artists and Repertoire, Dave Ambrose. Getting signed and making our hits of the late 80โ€™s and 90โ€™s. From collaborating with Elvis Costello and mixing that album at Sunset Sound in Hollywood where The Stones mixed โ€˜Exile On Main Stโ€™, then moving to NYC to start writing and recording as a solo artist, all the gigs Iโ€™ve played and the friends Iโ€™ve made around the world, the astounding, incredible, wonderful people whose lives Iโ€™ve crossed paths withโ€ฆ I am so grateful for it all.โ€

Buy Shape of History HERE

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Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

St John’s Choir Christmas Concert in Devizes

Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโ€ฆ

Henry Aldridge and Son to Move Into Devizes Old Town Hall

Family run premier auctioneers of antiques and collector’s items, Henry Aldridge and Son announced a move into The Old Town Hall on Wine Street, Devizes; a move which will see them return to their rootsโ€ฆ..

Alan Aldridge started Henry Aldridge and Son from the first floor of The Old Town Hall thirty-five years ago. Theyโ€™re delighted to be coming home having completed the freehold purchase of the property. โ€œIt means so much to us as a family,โ€ Chrissie Aldridge told us.

โ€œThe Old Town Hall, a stunning Grade II* neoclassical property will serve as the principal location for the collation of our Titanic, Liner and iconic memorabilia auctions. We will also host weekly free valuation days on Thursday market days.โ€ 

โ€œThe first stage of our move will take place next month with our main operation relocating to the Old Emporium in October.โ€

Henry Aldridge and Son host free valuations in Devizes every Friday with their Head of Valuations, TVโ€™s Paul Martin. Paul, who hosted BBCโ€™s Flog It for nearly twenty years is available to cast his expert eye over your prize possessions.

The Old Town Hall dates to 1752, first commissioned as a market hall, the ground floor was the town’s cheese market. By 1785 the first floor was an arsenal for the Royal Wiltshire Militia, and has also been the mess hall of the Devizes Loyal Volunteers, and a Sunday school. 

Why is it called Wine Street? By 1836 the building was leased for commercial use, acquired by wine merchants, Messrs Cunnington, who used the basement and the vaults below for storage. The building has also been the museum, library and reading rooms of the literary and scientific institution. But many will remember its use by TSB, Hen House and the Wine Street Gallery.

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™s good enough for King Alfredโ€ฆ..

The Royal Oak has filled a gap, hosting quality regular music nights under the production of Wiltshire Music Events, but this Saturday was the true test, transforming it into an inaugural carpark-festival, an icing on an already delicious lardy cake, though equally a learning curve.

Programming by Eddie Prestidge, so passionate about spreading word of musicians south of the county, inevitably overbooks, as is his desire to showcase as many as feasible. He called me Friday, delightedly informing me George Wilding was added to the already jammed schedule; but how will he fit him in?! 

Thinking big; quality stage production, security, generous VIP hospitality, two food outlets, and hopeful punters would flood the site. The latter being the only dubious thing about the event. All the right ingredients there, comparable, the price reasonable, certainly got your money’s worth, but to debate only a sprinkling were attracted is opening a Pandora’s box to a general plight of austerity, flooding the festival market, or a combination of the two; every man and his dog are putting them on and there’s only so many individuals can reasonably attend.

Therefore, established festivals may well appeal over the risk of testing a new one, but I was assured here, as I suggested you should be too; Wiltshire Music Events has hosted many great ones in various locations; your money goes on production and ensuring musicians are paid their fair share, something sadly overlooked by other organisers. CrownFest and Salisbury Market Place were the most memorable, plus, whenever The Marley Experience is in the area that’s where I’m gonna be, sir! 

A win-win for me, who was due to attend the fantastic Minety but work and family commitments shadowed this; possibly an argument supporting pub mini-festivals over larger established festivals. Convenience for the middle-aged wrought with unpredictable employment culture or family commitments, above the intense arrangements necessary for a three-day camping extravaganza, such as the beautiful Minety. The mini-festival goer can be spontaneous; it’s Saturday, my only day off, sleeping in a tent is for younger nutters. Iโ€™ve  been otherwise occupied on recent weekends, so, like Peter Pan in spirit but not in body, I’m determined to make up for it this weekend!

There I be, Pewsey, dammit, in an apt Bob Marley tee, watching the grand finale ignoring the timetable; Bird is The Word captured the moment on camera! The Marley Experience professionally captivated and caused the slight crowd to appear larger, with their infectious and irresistible homage to Bob Marley & The Wailers; a matchless show, the band tight, expressive and clearly adoring the limelight of what a decade of dedication has perfected into a sublime tribute act.

But there was magic in the air prior, which opened with Pewsey-own The Little Big Band, and was followed by Rosie Jay and Leon Daye, all of which, due to aforementioned commitments, I missed; and I love Rosie Jay. Though her last single we reviewed was a duet with Salisburyโ€™s award-winning newcomer Lucas Hardy, and on that ground alone I was delighted to catch the end of his superb set. With George Wilding penultimately added, I saw a similarity in Lucas to George’s early years, a natural and unpretentious talent who can engage an audience with a guitar and smile.

Returning from cruising tours, George Wilding doesnโ€™t plan, doesnโ€™t need to, he just charms as usual; if heโ€™s an interactive human jukebox, heโ€™s one of those polished decorative American ones from the fifties. Shout your requests, George knows it, or will give it a try, make it his own, and youโ€™ll love him for it, you wonโ€™t be able to help yourself!

Between those two, then, a basic four-piece setup from Andover with a repertoire of rock classic covers sprinkled with a folk tinge, called The Tipsy Gypsies. Their music commanded Iโ€™d come to the right place. The premise sounds simple, the effect was far from it. They owned the stage with accomplished showmanship, stylised renditions, and a barrelful of fun.

Gypsies tipsy perfect for what would follow, a Somerset Pogues tribute known as The Phogues. Now things were going to really liven up, as, warts, a spilled round of whiskey shots, and all, were divinely caricatured. The Pogues uniquely blended Irish folk with punk, others mimicked it, overshadowing the blueprint. When Phogues return to the originators, you recall why it was copied aplenty; a stern yet fun reminder to the heyday of Shane and bandโ€™s drunken skullduggery, and the music which somehow spawned from it!

Despite being off-season, they told me they had to do โ€œthat song,โ€ and I supposed they did. So, between Streams of Whiskey, Fiesta, Sickbed of Cuchulainn and just about every favourite Pouges song of mine, they drafted in the assistance of unsuspecting Claire Grist, singer and self-proclaimed โ€œright titโ€ of Bird is the Word music promotion, to be Kirsty MacColl, and who made a good job of it. Was their female vocalist absent? No, itโ€™s a gimmick to invite anyone from the audience to take the position, they explained to me, but hey, they didnโ€™t need gimmicks, they did a fine job of bellowing out the beloved Pogues songs far sober than the originals ever did.

Time for a change of direction, as local indie-pop favourites Talk in Code rocked up for a lengthy set of eighties-inspired synth-rock bombs, ate complimentary curry, and lit up the stage with their electric presence. If youโ€™ve come to an event expecting cover bands, Talk in Code donโ€™t go there, but their infectious originals cause you to wonder if youโ€™ve heard them before, on some Now, Thatโ€™s What I Call Music compilation album from 1986. Hereโ€™s the lads in perfect sync, jumping, flaunting their perfection, as ever, doing what they love and engaging any audience from roughneck boater to FullTone Festival punter; they never fail to obtain admiration.

Time pushing on, George Wilding entertained while The Marley Experience prepared, and did their amazing thing, exploding the finale with irresistible reggae vibes. Oak Festival, Pewsey Live, or whatchamacallit, couldโ€™ve been more affordable, by skipping on some of the magic, but they chose to showcase the lot, that paid off to those there, but I suspect, as videos and images emerge, folk not there will be wondering how and why they missed it. They could have overplayed their social media promotion, and a striking poster mightโ€™ve been advantageous, yet I believe thereโ€™s a delicate balance which sees one event sellout and another left threadbare, and itโ€™s debatable what causes this. For what itโ€™s worth, I’ve seen lesser attended first time festivals, much less, and the slight crowdโ€™s merriments made for a population tenfold from the reality!

There was a kebab van, but the delicious waft of curry from a stand, by Tale of Spice on Pewseyโ€™s North Street, twisted my arm. There was little in alternative entertainment, insufficient pub loos, but with concentration on the lineup, this was a welcoming, fun and lively occasion, a showcase of Wiltshire Music Eventsโ€™ quality and varied artists, and petty issues one can shrug off uncaringly when the vibe is this alive. 

Pewsey rocked into the cooling night, possibly later than planned, but no one whined on social media, because this is Pewsey, not Devizes; a carnival village where rather than rant you cannot hear your pin drop, you get your slippers on and join in! 

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Free Charity Fundraising Festival at The Three Crowns Devizes

With the Three Crowns being the liveliest pub in Devizes for some years now with live music every weekend and the Brewery Shop as a new neighbour, it seems sensible to upgrade the idea to a free Wadworth mini fundraising festival ….yay!

On Saturday 12th July The Three Crowns will pull all stocks out, with a free mini-festival supporting Wiltshire Air Ambulance and Juliaโ€™s House. Wadworth has a beer tasting table, Chirton School is doing a cake sale, and they promise other stalls. The music starts at 11am with a childrenโ€™s disco and face painting until 1pm.

The best tried and tested locally sourced music lineup includes Matchbox Mutiny, who starts the music proceedings at 2pm, followed by Jolyon Dixon and Rachel Sinnetta at 3:15pm. Ruby Darbyshire at 4:15pm. Headliners Funked Up at 7pm.

Agreed, there’s a gap between Ruby and Funked Up – maybe there’s something they’ve forgotten to tell me, maybe it’s a surprise, or maybe it’ll be time to grab one of their fantastic gourmet burgers?!

Supergrass Headline Frome Festival to Support Local Community Action Group

Britpop icons Supergrass will headline Frome Festival as a fundraising event for grassroots community action group โ€˜People for Packsaddleโ€™ who are fighting to save a much-loved local green space from development…….

The Cheese and Grain made a last-minute announcement of the concert slated for Friday 11th July as part of the Festival, crashing their site with fans eager to find out more.

Toby Culff, spokesperson for โ€˜People for Packsaddleโ€™ explained, โ€œThe proceeds from this event are being donated to our local community action group, People for Packsaddle, to support us in our ongoing battle to protect the area known as Packsaddle Community Fields, in Frome, from development. Despite hundreds of objections and the planning application being refused by Somerset Council, the developers are taking it to an Appeal. For us to fight the Appeal and be represented by a full legal team comes with a significant financial cost.โ€

Culff continued, โ€œThe fields are a designated Asset of Community Value and a crucial, irreplaceable resource for local people and wildlife, and for Frome as a whole. By coming along to this gig, people will be supporting positive community action whilst also helping to protect the environment.โ€

The drummer of Supergrass, Danny Goffey, who lives in Frome, is a big supporter of this initiative and this offers the perfect opportunity to give something back to the community.

The indie rock legends are celebrating the 30th anniversary of their seminal chart-topping debut album โ€˜I Should Cocoโ€™ by playing it in full and then drawing from their endless greatest hits, proving they’re still at the top of their game. Bursting onto the scene in the mid-90s and channelling their iconic energy, Supergrass shot to fame with anthems like Alright, Caught by the Fuzz and Mansize Rooster. Three decades on, their live shows are as cool as ever, and fans can expect an unforgettable night from a band who helped define an era.

Support comes from Lumley, who describe themselves as โ€œlurking in the Indie pop bargain bin, Fromeโ€™s finest exponents of stealing all of your favourite hits and misses from the โ€˜90sโ€. Lead singer Micheal โ€˜Fordyโ€™ Ford, who is also a concert promoter, stated, โ€œFirst of all this show is for Frome and the ridiculous proposal to build at Packsaddle. We stand with our brothers and sisters of People for Packsaddle. Secondly, itโ€™s just awesome! Supergrass at Bath Moles in 1994 changed everything for me and I finally found MY band!โ€

In true Frome community spirit, the Town Crier, Martin Scott, will be acting as Master of Ceremonies at this one-night-only benefit. Attendees can expect some of his trademark humorous rhyming couplets. Scott shared on social media, โ€œWe are young, we run greenโ€ฆand weโ€™re running full speed towards a night of righteous revelry! Supported by the fabulous Lumley, it promises to be alright, alright, alright! So gather ye, good people of Frome โ€“ for common land, common good, and uncommon talent! Let the bell ring, the chords chime, and the wild ones ride again!โ€

People for Packsaddleโ€™s Toby Culff expressed, โ€œWe are enormously grateful to Supergrass, the Cheese and Grain, local band Lumley and Frome Festival for their support in ensuring this crucial fundraiser can go ahead, as well as to everyone who comes along and enjoys the gig and helps us achieve our goal of saving the fields from development. We wonโ€™t stand by and let developers ride roughshod over democratic, locally made decisions – this fundraising event is going to really help us achieve this aim!โ€

Frome Festival Director, Adam Laughton, explained, โ€œSupergrass headlining Frome Festival is further evidence of the cultural significance of this amazing town, continually punching well above its weight. Enormous thanks to the individuals who have made this happen, as well as Cheese & Grain and People for Packsaddle,โ€ adding, โ€œThis event is the cherry on top of a sensational 10 days of activity kicking off on Friday 4th July. Over 280 events in over 50 venues โ€“ thereโ€™s truly something for everyone.โ€

FROME FESTIVAL is taking place from 4th to 13th July 2025 with its most ambitious and wide-ranging programme to date. This much-loved annual celebration of arts, culture, and community continues to grow in scope and imagination, bringing together world-class performers, local talent, and a wealth of unique experiences across the town.

Additional musical highlights this year include performances from the Ronnie Scottโ€™s All Stars, acclaimed songwriter and producer Guy Chambers (most well-known for his work with Robbie Williams), Brodsky Quartet,  the Miki Berenyi Trio (formerly of Lush), Tom Moth (harpist with Florence + The Machine), Gary Stringer (Reef), Rokia Konรฉ (from Les Amazones d’Afrique), and the dynamic Hackney Colliery Band.

The comedy line-up features some of the UKโ€™s most distinctive voices, with headline sets from Lou Sanders, Andy Zaltzman, and the return of firm favourites Jarred Christmasโ€™ Pop-Up Comedy. Lou Sanders, Andy Zaltzman, and the return of firm favourites Jarred Christmasโ€™ Pop-Up Comedy.

This yearโ€™s Bob Morris Lecture will be presented by historian, author and broadcaster Professor Kate Williams, offering fresh insight into a thousand years of Britainโ€™s palaces, monarchs – and all the royal secrets.

The family-friendly programme includes free events for children, funded by Frome Town Council. Festival-goers can also enjoy the return of cherished community events such as the Hidden Gardens, the Frome Open Art Trail, and the Food Feast, featuring live music from up-and-coming indie rock band Nothing Rhymes With Orange, bluegrass with percussive step dance from Buffalo Gals, and soul collective Kaleida Wild. Entrance to the Food Feast on Saturday 5th July is free.

The theme for 2025, Fromeโ€™s historic textile industry, is woven through the festivalโ€™s branding, artwork, and a variety of textile-inspired events that pay tribute to the townโ€™s rich industrial heritage. These range from the traditional, for example weaving and woad dyeing workshops, to the contemporary, such as a themed AR (Augmented Reality) history quest and a silent disco comedy walk. The yarn bombing competition โ€˜Make Frome Knit Again!โ€™ seeks to decorate the public spaces of Frome for the duration of the Festival.

A free printed festival brochure is available from the Cheese & Grain and other local outlets. The full programme and ticket information can also be found online at www.fromefestival.co.uk

https://www.cheeseandgrain.com/events/supergrass/

REVIEW โ€“ White Horse Operaโ€™s Cosi Fan Tutte @ Assembly Rooms โ€“ Saturday 21st June 2025

Another Triumph for WHO

Andy Fawthrop

Following the excellent recent production of La Belle Helene at Devizesโ€™ Wharf Theatre back in March (see here), White Horse Opera (WHO) have triumphed yet again by bringing their production of Mozartโ€™s Cosi Fan Tutte to D-Town.ย ย 

Cosรฌ fan tutte is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte (who also wrote Le Nozze di Figaro and Don Giovanni).ย  Cosรฌ fan tutte, literally means “So do they all”, using the feminine plural (tutte) to indicate women. It is usually translated into English as “women are like that”.ย  Weโ€™ll get to that in a minute.

Mozart and Da Ponte used the idea of “fiancรฉe swapping”, which is a recurring theme dating back to at least the 13th century; notable earlier versions are found in Boccaccio’s Decameron, and Shakespeare’s play Cymbeline. Elements from Shakespeare’s The Merchant of Venice and The Taming of the Shrew are also present.  Whilst itโ€™s likely that nowadays weโ€™d see such an idea as somewhat โ€œproblematicalโ€, in opera terms such unacceptable behaviour is seen merely as a comic problem to be resolved with a neat and happy ending.

So it was that White Horse Opera (WHO) brought this sparkling jewel to life last night in the elegant surroundings of the Assembly Room in the Town Hall.  Unlike many operas requiring a large cast, chorus and orchestra, Cosi Fan Tutte can be played with only six singers and a pianist, and this made it a perfect piece to transport into a smaller, intimate atmosphere.  Using a simple backdrop, a few screens and virtually no props, the production was allowed to breathe.  The spoken dialog and the songs (all in English) were straightforward and easy to follow, allowing the comedy to shine through (although there was a helpful synopsis in the programme too).  This minimalist approach, thanks to Lewis Cowenโ€™s staging, and Roland Meliaโ€™s musical direction, kept it all as light as a feather.

All six singers excelled in their roles, and it would be invidious to single any one of them out.  Seriously โ€“ they were all on cracking form. The solos, duets and ensemble pieces were all well-delivered, glittering like jewels in a crown.  And the โ€œseventhโ€ member of the cast, pianist Tony James, who was on-stage throughout every scene in this two-act production, provided exactly the right supportive, yet under-stated, musical platform for the singers to really shine.

I loved this production โ€“ it was a chance to get up close to the stage and the mechanics of the performances, and to chat with the performers during the interval and afterwards.  It was as far as it was possible to be from the โ€œgrand ideaโ€ of opera โ€“ i.e. a big cast production in a large gilded opera house with all the social trimmings and conventions.  It proved, if proof be needed, that such a stripped-back delivery can provide all of the good things about opera, but without the concomitant fripperies.

To take such themes as love, trust, fidelity, deception, betrayal, forgiveness and reconciliation, to say nothing of the supposed โ€œweakness of womenโ€, and the cynical view of Don Alfonso that (to quote someone more contemporary) โ€œif you canโ€™t be with the one you love, then love the one youโ€™re withโ€, and to deliver all this up in less than two and a quarter hours, was no mean feat.  Leaving aside the dubious morality of testing fidelity by swapping girl-friends, using (deliberately risible) disguises, the manipulation if others by the main character, and the portrayal of women as weak characters who simply canโ€™t help themselves, sits uncomfortably with a modern audience.  But, hey, this is comic opera, and you need to join in with the joke.  Yes, itโ€™s all very contrived and very silly, but thatโ€™s how comic opera works.  And you can see exactly where Gilbert & Sullivan were coming from when they unleashed their satirical take on many of these devices.

So โ€“ an absolutely spiffing and hats-off production by WHO.  Sparkling staging and singing, and all completely accessible.  Do go and see them whenever you get chance.  Weโ€™re so lucky to have such a talented outfit working in and around our town.

Bravo!

CAST

Fiordiligiโ€“ Barbara Gompels

Dorabellaโ€“ Paula Boyagis

Guglielmo โ€“ Jon Paget

Ferrando โ€“ Robert Felstead

Despina โ€“Toni Johnstone

Don Alfonso โ€“ Robin Jukes

Musical Director Roland Melia, Stage Director Lewis Cowen, Pianist Tony James

White Horse Opera are based in Devizes and regularly perform operas around Wiltshire and beyond.

Findย  out more HERE

News & Chat About Wiltshire Music Awards on Donโ€™t Stop the Music Radio Show

Despite being a tad under the weather last week, I was delighted to join Eddie Prestidge of Wiltshire Music Events on Swindon 105.5 radio to discuss the next stages of our Wiltshire Music Awardsโ€ฆ..

For those not in the know, though I suspect many are, presenter Peggy-Sue Ford produces a weekly show on the long-established station called Donโ€™t Stop the Music, dedicated to showcasing signed and unsigned acts, particularly locally-sourced. What better place to explain our plans for the awards? I cannot think of any, because thereโ€™s few radio shows locally as thoroughly dedicated as Peggyโ€™s, who brings acts into the studio to perform live and has become such a popular catalyst for upcoming local musicians.

This week Peggy-Sue was talking to Rich Swatton of a gem on our event calendar, Minety Music Festival, so it was the second week absent of live music; I did offer to sing for our turn on the show, which was swifty and understandably avoided and the topic diverted! Other than this, I think it went rather well and Ed and I made a bit of a duo, in the vein of Laurel & Hardy!!

Peggy-Sue uploads the shows on Spotify, so you can catch up with the shows if you miss them; hereโ€™s ours, should you wish to listen. Despite no live music, thereโ€™s local tunes from many already on our radar, Talk in Code, Deadlight Dance and JP Oldfield, and others new to us, Swindon crossover rapper Brandon Clarke, who goes under the pseudonym Weather, and Kate X, an upcoming RnB singer; both worth looking up.

With the voting process now closed, Ed and I explained what happens next. The votes will be counted and the top three of each category will be put before a panel of judges, all with professional experience and loyalty to promoting the local music scene. The reason for this, so we can find a balance across the entire county and represent countywide fairly, ensuring the results are not centralised in one area. Whereby some results appear to be close to call, judges will decide the winner, but in all cases, especially those results where one has walked the category, this accomplishment must be considered by the judges as priority.

The judges were announced as being, subject to their own availability: Claire Grist of the Facebook page Bird is the Word, Ed Dyer of Swindon Shuffle, Roger of Sound Knowledge in Marlborough, Ronnie Laurie of Marland Music, Salisbury music producer Joylon Dixon, Nick Beere of Mooncalf Studios, and Peggy-Sue Ford herself. We have advised, now the judges are announced, bribing them with sweeties, kisses, or anything of the kind will be frowned upon!

This is the first Wiltshire Music Awards, and weโ€™re learning and planning as we go, but we are dedicated to presenting the results in October with a grand ceremony at Devizes Corn Exchange. In order to do this effectively we require sponsorship for each category, for which is affordable and details of which can be found HERE. Tickets for the ceremony can also be found there, starting at just ten pounds, and thereโ€™s some FAQs.

We strive towards that date crossing the Ts and dotting the Is, and look forward to presenting the awards with lots of live music acts on the night, perhaps a celebrity presenter alongside me in a tux, the latter of which is worth the ticket price alone!

Iโ€™d like to thank Peggy-Sue and Swindon 105.5 on behalf of myself and Eddie, for allowing us to visit the studio last week, to chat about the awards, and test the swing chairs for squeakiness, which I report was minimal. What a great show! 

REVIEW โ€“ The Lost Trades @ The Piggy Bank, Calne โ€“ Tuesday 18th June 2025

Five Have An Out-of-town Experience

You canโ€™t always get that live music experience you crave by simply staying within the walls of D-Town.ย  Sometimes, and especially when thereโ€™s aย  band playing that you simply have to see, you just need to get the gang together and pile into a motor to visit the wilder Wiltshire provinces.ย  And so it was last night that we ventured over the hill to Calne.ย  We found the border post un-guarded, and so we slipped into the town and found our way to The Piggy Bank micro-pub to see The Lost Trades……

The Piggy Bank has been a surprisingly good little venue over the past year or two, featuring some great nights with, among others, The Rob Lear Band, The Black Feathers, Jess Vincent, and Jinder, as well as pop-up dining nights, quiz nights and (a big favourite of mine) Crazy Bird comedy club nights.

Just in case you donโ€™t know them, The Lost Trades are a trio who play folk/ Americana with a cool Laurel Canyon vibe. With a sound that is reminiscent of the California folk scene of the late 60s/early 70s, (weโ€™re thinking here of Crosby, Stills, Nash & Young), their three part harmonies have been previously described as “flawless”, “spine tingling” and “magical”.

Formed in late 2019, the global Covid hoo-hah cut short their first tour after just a single sold out gig.ย  The band shrugged their shoulders, and retreated to their respective song-writing rooms to work on what was to become their debut album, “The Bird, The Book & The Barrel”, released in June 2021. The follow up album, “Petrichor” was released in March 2023. Both are highly recommended โ€“ trust me!

Then, just last year, one of their founding members, Tamsin Quinn, decided to leave the trio to pursue other interests.  Bit of a shock.  Was this the end for The Lost Trades, we all wondered?  Not a bit of it!  Tamsin has now been replaced (if replaced is really the right word) by the very talented Jess Vincent, who had recently returned to the UK after a few years away in Bulgaria.  

The result of all that is that The Lost Trades now consist of:

ยท Phil Cooper (vocals, acoustic guitar, electric bass), a performer not unknown in the local area for many years, both as a solo performer, as well in various bands, and a guy who knows his way around a recording studio and the producerโ€™s job;

ยท Jamie R Hawkins (vocals, acoustic guitar, electric bass, ukulele), also massively well-known locally, especially in venues around D-Town, for his wonderful solo performances and some great songs. Indeed a bunch of us had slipped over to The Pulpit (ex The Little Hop) in Old Town, Swindon only last week to witness a really excellent solo performance at that new musical venue;

ยท Jess Vincent (vocals, guitar, percussion, shruti box).  Jess first came to notice singing with Penny Red, before branching out into a solo career that produced several albums (Time Frame, Seesaw Dreams, Shine, and last yearโ€™s Lions Den)  

Between us five weโ€™d seen The Lost Trades in their old formation many times before, but this was to be the first time with new band-member Jess.  How would this all work out?  Would the sound and the dynamic have changed?  And if so, for better or worse?  Well, in sum, we need not have worried.  Despite a massive learning curve for Jess to pick up the bandโ€™s performing repertoire in just a few short months, to say nothing of having to re-blend all of their trade-mark close harmonies, the end result was spectacularly good.  It was neither better, nor worse, just slightly different and more developed and mature.  Right from the first number we knew that the magic had remained intact.

All the old stuff was still there โ€“ the constant and easy interchanging of instruments (including guitar, ukulele, bass and percussion), the close three-part harmonies, the well-worked song material, and the light-hearted intimacy, with the group engaging in comfortable repartee with each other and the audience like a group of old friends. And there were a lot of old friends in the audience to help them along.  And, of course, the many familiar songs.

But there was some great new stuff too โ€“ new songs, a different female vocal line, new instruments, and (obviously) a new personal dynamic between the three performers.  All of them had played The Piggy Bank before, and all to packed houses, so there were no nerves about any of that.  And last night, in front of yet another packed house, they managed to produce a truly spell-binding performance once again.

My only (very slight) reservations about the evening were that I needed slightly less chat (some of the introductions were as long as the songs!) and I would have liked slightly more of Jess (the two boys tended to dominate proceedings at times).  But, hey, these are very simple things to be fixed and developed, and didnโ€™t in any way detract from all the superb quality of the music they delivered in their three sets (or โ€œspasmsโ€ as Phil nicely put it).

There were no lashings of ginger beer, but the music flowed, the craft beer certainly flowed, and a jolly good time was had by all.  Then, under cover of darkness, we fled through the night back to the safety of D-Town, our out-of-town mission successfully accomplished.

Hopefully thereโ€™ll be more music dates to come at The Piggy Bank in the autumn.  But, meanwhile, if you want to see The Lost Trades live in concert (and I strongly recommend that you do!), theyโ€™ll be appearing locally as below:

Future dates for The Lost Trades:

Wednesday 23rd July 2025 @ The White Bear, Devizes

Friday 25th July 2025 @ Trowbridge Festivalย ย 

Friday 26th September 2025 @ The Pump, Trowbridge

Saturday 27th September @ The Hop, Old Town, Swindonย ย 

For more information go to thelosttrades.com/ย 

Devizes Arts Festival Relive the Eighties with Riviera Dogsย 

Together in Electric Dreamsโ€ฆ. at The Corn Exchange

Fashionably late for Devizes Arts Festival, I’d like to thank Andy and Ian for informative coverage of some complex events to review, whilst I took the easier route; rocked up for the last Saturday evening party like I was Prince, stole a fluorescent trilby and dad-danced around my bum-bag until they switched the final disco ball offโ€ฆ..

Iโ€™ll be honest, with my diddy-boppers cover band radar on high alert and leg warmers in the wash, I wasnโ€™t expecting to stay until the final curtain, for what seemed from the outside to be a refined generation X school disco. I could also get as pedantic as Mary Whitehouse; the band promised eighties, but the name Riviera Dogs is obviously a play on a 1992 Tarantino movie title; quibble when compared to the fantastic night they delivered.

As bang on cue as waiting for Top of the Pops each Friday, Riviera Dogs fired their flux capacitor and dropped Devizes Corn Exchange into the middle of the decade theyโ€™d pay homage to, with an exemplary cover of Go Westโ€™s We Close Our Eyes. From the off it was obvious this five-piece were some way above your average function band. Attendees wasted no bashful time finding a spot on the floor and dancing like it was 1985 again, even those few not old enough to recall it the first time around, (like me, a-hem!)

From there, everybody wanted to rule the world with Tears for Fears and I just died in Cutting Crewโ€™s arms as Riviera Dogs played their trump cards early. Mid-eighties power ballads were their calling, they were proficiently and professionally good at them. Seems they tour the nationwide retro circuit rather than play functions, for if they were to play a wedding itโ€™d overshadow the attention the happy couple would receive!

This said, many function bands use both male and female vocalists for songs, respectively according to the gender of the front person, and I wondered, if eighties pop hits were truly to be covered comprehensively some Madge, Cyndi Lauper and Kylie, to mention but a few, wouldnโ€™t have gone a miss with a female singer as proficient and entertaining as the existing male counterpart.

But as it was, it was a highly entertaining show, full of lively play, relevant and amusing nods to eighties trends which roused the crowds and caused them to reflect on their heyday; thatโ€™s nostalgia on top form. They rolled out smash hit after smash hit like you were listening to a Now album, Chesney Hawkes to Don Henly and beyond. Perhaps the more rock tunes, like Springsteenโ€™s Dancing in the Dark, which though I welcomed, wasnโ€™t as precisely executed as the electronica power pop ballads, but with those so sublimely fulfilled, and the evening in full swing, the crowds simply lapped it up, and twas so subtle no one cared to notice.

At one point though, we went from one end of the decade to the other too suddenly, for me. One minute we were dancing to Buggles’ Video Killed the Radio Star next it was Bros. The scant warning being a gag about wearing Grolsch bottle tops on shoes wasnโ€™t enough for me to prepare for the paradox! This stark contrast midway mayโ€™ve corrupted my timeline but didn’t seem to bother most of the audience either, exposing quinquagenarian Brosettes in the crowd!

As a homage to eighties music several elements were missing; feminine and queer insurgence, and rebellious tenets either side of that mid-eighties march for unadulterated pop mush; punk and Two-Tone at one end, hip hop in the middle, and acid house at the latter. The eighties was about more than the pop they played so well, it was also about advances in music technology and the vast variety of sound experiments it developed. They got as close as covering The Police brilliantly, but jโ€™mon, they never even dared to account for Wacko Jacko, dammit!

It may have reflected only pop commercialisation rather than covering the entirety of a generational divide of consciousness, but this wasnโ€™t supposed to be a history lesson nor comprehensive representation, it was about having a party to celebrate the close of another glorious Devizes Arts Festival, and for that it shone. The vibe was electric, the crowd letting their hair down (or perhaps up with hairspray) for a final night to what’s been a successful and varied programme of events for Devizes Arts Festival. Well done to all involved, you are the one and only, nobody I’d rather you be, you are the one and only, I can’t take that away from you!

Long may Riviera Dogs image the eighties in Mateyโ€™s bubble bath, for it was a Bigtrak loaded with fun, and to assume from my minor critique they didn’t stray from their trump card of electronic power ballads, would be unfair, they did. The finale was a Queen medley and in their own way, they made a fine job of such a difficult trick. For what we must judge this night on is not my personal feelings of commercialisation, rather the expressions of pure delight in the crowd, and if you saw me on the night shaking my tail feather like I was thirteen again, you’d be right to suggest I lived among the creatures of the night, like Laura Branigan, and loved every moment of it too!

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REVIEW โ€“ Devizes Arts Festivalโ€“ Julian Costello Quartet โ€“ Assembly Room – Thursday 12th June 2025

Nice place.ย  Nice music. Nice.

Andy Fawthrop

The Devizes Arts Festival has almost run its course, with only a couple of days to go, but still seven events left.ย  But itโ€™s not going quietly, and last night in the Town Hallโ€™s Assembly Room was no exception……

British jazz saxophonist Julian Costello, a superbly gifted musician, composer and teacher from London, and who writes for various ensembles, was the Festivalโ€™s guest.ย  Playing tenor and soprano saxophones, he was joined by John Turville on piano, Andy Hamill on upright bass and harmonica, and Tom Hooper on drums.

The quartet has recently released their third album, โ€˜And All The Birds Were Set Freeโ€™ on the acclaimed label 33 Jazz Records, and their two sets last night featured many tracks from the album.  The albumโ€™s title is a reference to Costelloโ€™s idea that the musicians should be free to express themselves and able to fly. The pieces they played, including the title track, The Gecko, London Blue, Song For Anna and Sunflowers, were all good examples of this open, loosely-structured approach.  Each musician took his various solos easily, improvising on the scenario, but slotting into the structure laid down at the start of each piece.  The particular highlights of these for me were provided by John Turvilleโ€™s piano passages.

The original material was tempered with a leavening of jazz classics, including material from John Coltrane, La Rosita by Benny Goodman, and Carlos Jobimโ€™s If You Never Come To Me.  Costello himself, leading the quartet very much from the front, moved over from tenor to soprano sax for his composition Connections, based upon the structure of an Indian raga.  And bassist Any Hamill strayed onto a very welcome harmonica during the encore Song For Anna (written for Costelloโ€™s wife Anna Stearman).

Costelloโ€™s personal style was laid-back and chatty, bonding easily with the audience using dry humour, and the quartet were clearly very comfortable in each otherโ€™s company. Their enjoyment on stage was very evident.

After an absolute dearth of live jazz in D-Town, it was like drinking at an oasis after a long crawl through a musical desert.  But, parched as I was, I was left very slightly wanting.  The sets needed more variation in tempo, more contrast between light and shade.  Each number they played was very good, but it was slightly one-paced across the whole programme.  Donโ€™t get me wrong โ€“ this was a hugely enjoyable affair, featuring some great music in a beautiful room.  Sound and lighting were spot on (as usual).  But I was left wanting just that little bit more. More jazz please!

Findย  out more at www.juliancostello.co.uk/ย ย 

The Devizes Arts Festival continues until the night of Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online atย  www.devizesartsfestival.org.ukย 

Meet Henry, the Hollychocs’ Chocolate Duck Helping Cystic Fibrosis

Poulshot’s Award-winning chocolate studio Hollychocs is proud to launch a heartfelt charity campaign in support of the Cystic Fibrosis Trust UK, with a charming chocolate duck leading the way…..

The star of the campaign is Henry Duck โ€“ a handmade chocolate duck crafted from Hollychocsโ€™ signature 45% cocoa milk chocolate and decorated in yellow and gold cocoa butter, in tribute to Cystic Fibrosis Awareness.

For every Henry Duck sold, ยฃ1 will be donated to the Cystic Fibrosis Trust UK, helping fund vital research and provide life-changing support to families across the UK.

โ€œOur family has seen the impact of cystic fibrosis firsthand,โ€ says Holly Garner, chocolatier and founder of Hollychocs. โ€œHenry is named after my nephew, and this campaign coincides with their โ€œWear It Yellowโ€ campaign and is our way of giving something back while sharing a little joy through chocolate.โ€

Awl, look at him. I’m quackers about Henry!

To add to the fun, every purchase in her Beanery Cafรฉ and Chocolate Shop between Thursday 13 and Saturday 15 June will come with a free, numbered mini duck. One lucky mini duck number will win a full-size Henry Duck!

Customers can treat themselves to Hollyโ€™s limited-edition Henry Duck Sundae, an indulgent dessert of half a Henry Duck filled with vanilla gelato, and topped with her award-winning honeycomb and lava salted caramel sauce. As with the Henry Duck, ยฃ1 from every sundae goes to the Cystic Fibrosis Trust.

Customers can take part by purchasing a Henry Duck online or in store, stopping by The Beanery Cafรฉ in Poulshot (Thuโ€“Sat, 10amโ€“5pm) for the special sundae, along with all their other delicious treats, or by entering the mini duck giveaway with each purchase in the cafรฉ & chocolate shop

โ€œHenry Duck is a small treat that makes a big impact,โ€ Holly adds. โ€œWhether you’re indulging yourself, treating a friend, or visiting our cafรฉ, youโ€™re helping support families like oursโ€”and being part of something bigger.โ€

About Hollychocs:


Founded by award-winning chocolatier and chocolate engineer Holly Garner, Hollychocs produces ethically sourced, handcrafted chocolates in small batches from their Wiltshire studio. Known for blending scientific precision with flavour-led creativity, the business has earned multiple accolades, including Great Taste Awards and the title of Southwestโ€™s Chocolate Champion.


About Cystic Fibrosis Trust:


The Cystic Fibrosis Trust is the UK’s leading charity for those affected by cystic fibrosis. Through research, advocacy, and frontline support, the Trust is working to ensure a brighter future for everyone living with the condition.

Various venues in/around D-Town โ€“ Saturday & Sunday 7/8th June 2025

Just How Big Is That Fringe? Or Two Go Myth-Busting

Andy Fawthrop

Weโ€™ve always held that D-Town is a great place to live, and one of the many reasons is that it punches well above its weight in terms of the arts and cultural events.ย  Just speaking to musicians and artists who visit the town for gigs and festivals, the feedback is always the same: theyโ€™re in awe of just how much weโ€™ve got going on here.….

Do we need to recite the list?  Oh go on then โ€“ two/ three Beer Festivals (DOCA Winter Ales, Seend, CAMRA DBF), an arts festival (DAF), a food and drink festival, Fulltone on The Green, our own theatre, two opera companies (WHO, DMT), Devizes to Westminster canoe race, Long Street Blues Club, the DOCA events (Street Festival, Colour Rush, Lantern Parade, Carnival, Picnic In The Park)โ€ฆ.I could (and usually do), go on.  Thereโ€™s pubs with regular live music (White Bear, Three Crowns, The Southgate), fairs and circuses on The Green, book clubs, sports clubsโ€ฆ(youโ€™re really going on a bit nowโ€ฆEd).

But somehow that old refrain of โ€œNothing Ever Happens In Devizesโ€ has been making a come-back of late on social media, yet it just ainโ€™t true.  But like all myths, it refuses to lie down and die.  Despite this revered organ (ooh, matron) laying out the many, many choices you might have every week, and bringing you previews and reviews of everything and anything arts-based that we can get our sticky little fingers on, some folks seem to persist in apparently finding โ€œnothingโ€ to do. So itโ€™s time to, yet again, challenge that myth and have another go at laying it to rest for once and for all.

Anywayโ€ฆ..at the moment of writing weโ€™re right in the middle of the Devizes Arts Festival fortnight, with plenty of variety to please all tastes.  But, admittedly, some of these events can command ticket prices that are unaffordable for some.  So, inspired somewhat by last weekendโ€™s wonderful free Rowdefest (thank you Darren!) and, admittedly, a bit of a โ€œrobust discussionโ€ in the pub, I decided to see just how much fun and entertainment you could enjoy over this weekend at next to no cost. Itโ€™s a challenge I decided to take on by getting off my luxury sofa, and propel myself out โ€œinto the fieldโ€ (as it were).

Armed with only a stout pair of walking boots, an inquisitive and open mind, and a supportive girlfriend, I headed out into the local area to see what I could actually come up with on Saturday and Sunday this weekend.  The results are below:

  • 1. Devizes Farmersโ€™ Market in The Market Place Bar (Saturday 9 am)
  • ยท What it was: monthly gathering of local suppliers
  • ยท What was it like?ย  Plenty of choice โ€“ venison, bread, honey, olives, cheese, bread & fruit, flowers and plants, fresh coffee, cider, cakes.ย  Plenty of good fresh stuff from suppliers within a 30 mile radius of D-Town.ย  Added to stalls in the Shambles, this is worth a half hour of anyoneโ€™s time, either for shopping or simply browsing.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 4/5
  • 2. K&A Canal Walk towpath, any old time
  • ยท What it was: a c. 4 mile walk down the towpath from D-Town to Poulshot
  • ยท What was it like?ย  Lots of people out strolling or cycling, boats passing up and down the flight (an opportunity for some gomgoozling).ย  We also saw many species of birds, including four, yes four, different grey herons โ€“ such elegant birds.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 5/5
  • 3. Poulshot Medicine in Nature Herbal Walk at Poulshot Village Hall (Saturday 10.30am โ€“ 12)
  • ยท What it was: a short walk led by Katherine Baldock & Simon Parkes (ecologist) around the village to explore the wild and naturalised medicinal plants growing thereabouts, and an opportunity to make some herbal vinegar after foraging the local hedgerows.
  • ยท What was it like?ย  Way too slow for me, it was part talk, part very gentle amble around the village green and woodland, part discovery of a number of wild plants.ย  We discussed culinary and medicinal uses. At least I found bits of Poulshot I didnโ€™t know about, including the pond, the specially-created woodland, and some country paths (useful for getting over to Whistley Road later on).
  • ยท Cost: ยฃ5/ person
  • ยท Childrenโ€™s rating: 0/5, Adultsโ€™ rating: 2/5
  • 4. Wiltshire Steam & Vintage Rally Lower Park Farm, Whistley Road (Saturday & Sunday 10 โ€“ 5)
  • ยท What it was:.ย  An event organised by WAPG (Wiltshire Agricultural Preservation Group), featuring static displays of steam traction engines, tractors, miniature steam engines, heavy horses, trade stalls, fairground, military vehicles, classic cars.
  • ยท What was it like? As it was chucking it down with rain as we arrived, the most welcome thing for the first half hour was the (well-stocked) beer tent.ย  I could have done without the loud piped music but, hey, it was dry and there was beer!ย  When the rain slowed down a bit we did the full circuit and there was plenty to see, the most impressive of which were the full-size old traction engines in steam (some also seen later driving through D-Town).ย  There were pop-up food outlets, fresh coffee, craft stalls and tents, a 1940s-themed tea and cakes tent, bouncy castle for the children etc.ย  The site was large with plenty of parking but, because of the rain, getting increasingly muddy.
  • ยท Cost: ยฃ10/ person + drinks
  • ยท Childrenโ€™s rating: 4/5, Adultsโ€™ rating: 4/5
  • 5. Pete Robson & J P Oldfield in The Bear, Cellar Bar (Saturday 8pm)
  • ยท What it was: foot-stomping blues from two solo performers
  • ยท What was it like?ย  Each performer used steel guitar and stomp box to deliver some hard-cutting blues.ย  CDs for sale. Not very well attended, which was a shame.ย  Perhaps it needed to be better advertised. For me Pete Robson was the better performer of the two, taking a slightly less hard-edge approach to his vocals, and mixing up the tempo, giving more light and shade to his set.ย  The cellar bar is an OK venue at best, being a rather odd shape, with very low ceiling and an only partially-stocked bar.ย  I suspect it needs to be used much more often if itโ€™s going flourish as a venue.
  • ยท Cost: ยฃFREE + drinks
  • ยท Adultsโ€™ rating: 3/5
  • ยท Note โ€“we could have also gone to see either Matchbox Mutiny/ Tom Harris in The Three Crowns or The Duskers in The Southgate (both FREE entry), but thereโ€™s only so many hours in the day!
  • 6. Crammer Watch Day on the Small Green Devizes (Sunday 11am onwards)
  • ยท What it was: a chance to meet those involved in celebrating and preserving the Crammer. RSPCA, Wiltshire Wildlife Trust, Wessex Water, Friends of The Crammer, Lawrence Society of Artists, Sustainable Devizes + The Moonrakers Legend (performed at 12 noon and 1pm), photography competition, charity tombola
  • ยท What was it like?ย  We missed the Moonrakers performance, so as an experience I found it a bit thin on the ground.ย  There was little to see and do, unless you wanted to stand and chat to someone about the issues which the Crammer faces. Several stands were just offering information leaflets. Although a worthy attempt, for me personally it was just not very engaging.
  • ยท Cost: ยฃFREE
  • ยท Childrenโ€™s rating: 1/5, Adultsโ€™ rating: 1/5
  • 7. Lions on The Green on The Green (Sunday 10am -4pm)
  • ยท What it was: organised by Devizes Lions Club, a vehicle display (cars, bikes, scooters, military etc) and family fun day (lots of stalls, bar, food outlets)
  • ยท What was it like?ย  Covering the whole of the large Green, this was really excellently-well organised.ย  The central area was given over to the displays of antique, rare and sports cars.ย  Stalls had cakes, plants (from Plot 35), metal signs, honey etc.ย  There was a bouncy castle and fairground rides for children.ย  A licensed bar, coffee shop etc.ย  Lots to look at and plenty of photo opportunities. Fantasy Radio were broadcasting live from the site.
  • ยท Cost: ยฃFREE (donations to the Lions collecting buckets) + drinks
  • ยท Childrenโ€™s rating: 4/5, Adultsโ€™ rating: 5/5
  • 8. Devizes Arts Festival Free Fringe: Whiskey River (@ British Lion gardenย  Sunday 2 โ€“ 5pm)
  • ยท What it was: Roots Music From the Welsh frontier
  • ยท What was it like?ย  The trio Whiskey River played Americana, Cajun, Zydeco, Folk, Country, Blues and a smattering of Celtic music. Using guitar, fiddle, flute, harmonica, mandolin and concertina, these guys provided an excellent and enjoyable afternoon of music in the (occasional) sunshine.ย  The bar was open, and there was a BBQ going on throughout. People sitting out enjoying a drink, dogs, children, good music โ€“ perfect!
  • ยท Cost: ยฃFREE + (a large, undisclosed) drinks bill
  • ยท Childrenโ€™s rating: 3/5, Adultsโ€™ rating: 5/5
  • 9. Wood & Steel (@ The Southgate Inn Sunday 5-7pm)
  • ยท What it was: an acoustic duo playing blues, jazz and ragtime
  • ยท What was it like?ย  This duo were new to me, but I was very impressed by what I heard.ย  Two very good musicians, clearly comfortable in their own skin, played two excellent 50-minute sets and got a very well-deserved encore.ย  Lots of covers from many ages and genres, using dobro, guitar, upright bass and vocals.ย  Excellent musical accompaniment to a late, lazy Sunday afternoon. Great atmosphere too.
  • ยท Cost: ยฃFREE (donations to โ€œthe hatโ€) + more (undisclosed) drinks
  • ยท Adultsโ€™ rating: 5/5
  • ยท Note โ€“ we could also have gone to see Bodge It & Scarperย  at The White Bear (Sunday 5-7pm) playing acoustic music, but didnโ€™t hear about this until quite late.ย  Also canโ€™t be in two places at once.ย  This event was also FREE.ย ย 

In summary:

  • ยท Miles walked โ€“ about 10
  • ยท Bird species spotted โ€“ about 20, including swans, herons, jackdaws, mallard, moorhen, starlings, robins, great tits etc;
  • ยท Friends met – loads โ€“ far too many to mention!
  • ยท Total cost (for two) – ยฃ27.80 (of which ยฃ20 was for the steam fair) + the drinks (but letโ€™s not mention that bit!);
  • ยท Fun and entertainment had โ€“ loads and loads and loads;
  • ยท Well-being โ€“ absolutely knackered, but very happy.ย  Looking forward to next weekend!

Yes it all took a little bit of planning, but it wasnโ€™t that difficult really.  We walked to/ from most venues, so we got lots of other good D-Town stuff (Caen Hill locks, the towpath etc) and took only one short (cheap) bus ride when the heavens opened.  So there was plenty of exercise and fresh air to mitigate the various bits of eating and drinking.  Did I mention that the odd libation was partaken of?  And Iโ€™m not saying that EVERY weekend is quite this packed, but it certainly can be if you put your mind to it.  Bear in mind that thereโ€™s LOADS of other stuff going on โ€“ these were simply the things we happened to pick out.  There were choices โ€“ and we made them!

Nothing Ever Happens In Devizes???  Donโ€™t make me laugh.

Lions, KITT, Moonrakers and a Whiskey River; Sunday Stroll Around Devizes

If it’s good enough for Knight Rider it’s good enough for me. I see the Hoff ditched his Knight Industries Three Thousand on the Green for a stroll around Devizes on Sunday. He probably found a crusade to champion the cause of the innocent in a world of criminals who operate above the law, whereas I ended up at the British for a scrumpy or threeโ€ฆ.

Image: Simon Folkard Photography

Unlike some guys who act like Spongebob Squarepants on his tenth bag of Haribo at Chessington World of Adventures, I can only get yay excited about a car show. But Devizes Lions do it with cherries onโ€ฆ and debatably false advertising. There were no lions on the Green, but it was Lions on the Green this Sunday past, an annual free fete/car show crossover which never fails to appeal universally; kids nag mums for Rowdey Cow ice cream while dads furiously argue for three hours with a total stranger in sandals that the Mk2 2.8 Injection Granada handles better than the Mk1 with a 3.0 V6 engine.

Image: Simon Folkard Photography

I browse unacquainted with such matters, unfazed by contemporary cock extensions, but in admiration of vintage, retro cars and those with a movie reference attached. Every local from MP Brian Matthews to Pete of Vinyl Realm, and outsiders like Marty McFly have brought their big boy toys along to display, as Fantasy Radio blast Gary Numan. It’s a sunny morning, it’s a lovely occasion, it’s raising funds, and there’s nothing to dislike about it. 

Image: Simon Folkard Photography

Cars ticked off, hot dog and an extended conversation with a detectorist who’d discovered a variety of civil war shots and cannonballs on Roundway, if the Lions on the Green is a great and unbroken walkthrough event it coincided with Crammer Watch Day further along on, at the Little Green.

With long term solutions outstanding for unsafe conditions for wildfowl on the Crammer, there appears to be a far more communal tenet between concerned residents and the council compared to the outcry a few years ago, and this day was intended rather to celebrate the Crammer than address expensive possible solutions. As it stands, the simple fix is to raise public awareness that the only escape route for swans is across the roadside and they should apply caution when driving throughโ€ฆ.please.

With live painting from the Lawrence Arts Society, stands from the RSPCA, Sustainable Devizes and hosts Friends of The Crammer, conservation was a topic, if overshadowed somewhat by historical tomfoolery, which was something new to the day and personally my highlight.

Image: Simon Folkard Photography

A random team of amateur thespians, some from the Wharf Writers Group and others along for the giggle and wearing of knitted beards, staged a short promenade satirical play โ€œreenactingโ€ the fable of the moonrakers, aptly at The Crammer. The premise didn’t sound so inspiring to me, and I thought I might have to hold my tongue. The actuality surprised me, it was absolutely brilliant!

Image: Simon Folkard Photography

Pythonesque humour delivered with skill on a local legend, deliberately naff props such as a paddling pool for the pond, and astutely scripted silliness, it was indigenous and hilariously original.

Image: Simon Folkard Photography

Authenticity deliberately skewed for amusement; they couldn’t have done this anywhere else but here, the setting of the beloved fable, which is amusing enough without the added gags. Francis Grose was a witty Victorian chubster and nothing more needs to upset the applecart about the origin of the moonrakers, as this wasn’t intending to proclaim historic fact checking rather to amuse, which a country gent in Harris Tweed with a carrot in his mouth pretending to be a donkey will inevitably achieve.

Image: Simon Folkard Photography

I don’t know where the Hoff got to, but he missed a rarer treat than reuniting with Pamela Anderson for a titillating slow-motion beach jog. Oh, and a whistle stop to Morrisons was a let down culturally compared to what was outside. Along the road I shrug at a classic bus, for its appearance would’ve been more expected trekking the Sahara than parked outside the faithfully traditional British Lion, and there was no explanation for it being there.

Nevertheless I’m one step away from the bar, pondering if there’s one thing expected in Devizes: it’s that The British Lion doesn’t change, because it doesn’t need to. With Devizes Arts Festival is full swing, they’ve arranged a Cwmbran roots trio called Whiskey River to play us some of their sublime classic rock covers, Celtically, with a deep southern Americana twist, as a free fringe event; I cannot argue with this.

Devizes live music aficionados amassed and were thankful, as if they needed an excuse for a pint and fundraising burger from the barbecue. The British Lion is a fond institution, Whiskey River was a great break from our usual circuit, The Lions put on a brilliant and well organised family event, Crammer Watch added to an already great day and those awesome actors with rakes did make us laugh as promised.

It was all too much for me, the White Bear and Southgate continued the music, but I needed a little lie down, while our roving reporter Andy outdone me, partying like Prince in 1999, so I’m also putting up his account of weekend adventures for it’s fuller, far more informative and factually accurate than mine, even if it doesn’t mention Pamela Anderson, because really, she didn’t show. Devizes though, doesn’t need Pam, the fun never stops here, Sunday proved it.

Image: Simon Folkard Photography

REVIEW โ€“ Devizes Arts Festivalโ€“ Anna Ling โ€“ St Andrewโ€™s Church – Thursday 5th June 2025

Another Little Sweetie In The Jar

Andy Fawthrop

Well the Devizes Arts Festival is in full swing now, with several events already under its belt.ย  Thereโ€™s stuff cropping up every day, so I took the chance to pop in to a much-underused venue in the town St Andrewโ€™s Church on Long Street.….

After several big-ticket shows in the programme, it was a pleasure to settle down to something a little more modest, a more bread-and-butter item if you like.ย  Mid-week lunchtime isnโ€™t going to be a time to attract a particularly large audience, even on market day, but a good few hardy souls turned up to at least create a good audience atmosphere.

Anna Ling, a performer Iโ€™d not personally come across before, is a guitarist and singer/songwriter.  Her creative work and sense of purpose are deeply rooted in her love of bringing people together through song. This passion shapes her life, guiding her from leading community choirs to performing at venues, care homes, and world-class festivals.

In a concert co-promoted with the charity, Live Music Now, Anna delivered a professional and engaging 50-minute set which featured both her own material along with a few covers.  She worked hard to engage the audience right from the kick-off, inviting us into her world.  The performance was light and humorous, heartfelt and intimate.  And she was determined that we were not just going to sit back and listen to her, but to join in as well.  She had a lovely clear, strong voice, and used it to particular effect when she came down from the stage and abandoned her guitar in favour of an unaccompanied song right from the middle of the audience.

Her lyrics were simple, her guitar chords straight-forward.  This was not a set filled with new arrangements or presenting anything particularly challenging, but an opportunity to listen to a set of songs simply delivered and largely unadorned.  She filled the gaps between the songs with little stories and anecdotes, never lifting her voice very much, and thus drawing you in.

Plain, simple, and thoroughly enjoyable.  Just another little sweetie in the jar from Devizes Arts Festival.  And thereโ€™s plenty more to see and hear yet, so do make sure that you get along to experience something soon. Itโ€™ll all be over before you know it!

Devizes Arts Festival continues until Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online HERE

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One Week Left to Cast Your Votes for Wiltshire Music Awards

Thatโ€™s right, lovers of local live music countywide, you have less than a week now to cast your votes for your favourite acts in our prestigious, one-of-a-kind Wiltshire Music Awards!

The closing date for voting is Tuesday the 10th June, so get your thinking caps on and VOTE HERE NOW.

Whoโ€™s tickled your fancy the most? Whoโ€™s brought tears to your eyes with their self-penned ballad? Whoโ€™s dragged you off your seat and commanded your feet to the dancefloor, like nobody’s watching?! Whoโ€™s provided that ideal space for you to shake a tailfeather? And who deserves to be recognised for their outstanding contribution to local live music in your honest opinion? We need to know, but donโ€™t tell us here- keep it secret and cast your votes now!

We’ve already had way over seven hundred ballot papers sent into us, and I’ve not taken one sneaky peek yet, but I’m informed the results are close to call, so your vote might yet tip the balance.

So don’t procrastinate on me now, will you? Not for your favourite musicians’ finest hour. They need you; this is important, dammit!

And hereโ€™s an added special message to all musicians, bands and promoters, we love you all, so, please help us to help you, by sharing this news with your fans, as thereโ€™s nothing wrong with shameless self-promotion; order them to vote for you, offer them custard creams if they do, tell your mum you want her to vote for you, tell them all you wanna win a shiny medal for all youโ€™ve done to entertain them. You deserve this, goddammit, everyone creating music around these backwaters does, but thereโ€™s only so many awards we can give out on the night – make sure one of them is yours, yay!

I’m so excited, I just can’t hide it, and I am officially about to lose control…and, guess what? I think I like it. At least, those are my inspirational words to motivate you into the groove.

Wiltshire Music Awards 2025

Swindon Palestine Solidarity Upcoming Events

Swindon Palestine Solidarity continues to call for a ceasefire in Gaza and for aid to be allowed to enter Gazaโ€ฆ..

Their three recent roadside sign actions generated a lot of positive responses. Itโ€™s an effective way to keep people talking about what is happening in Gaza and these actions will be one of the many ways that SPS will continue to campaign.

On Thursday 12th June from 6 – 9pm, people can join us for Stitched in Solidarity, a free sewing workshop at the Bangladesh Centre, County Road, SN1 2EW. Participants can stitch a leaf with their messages of solidarity, or just add their name. The leaves will be added to the large olive tree on the banner, which will be used in protests and public exhibitions. This is a great way for people to add their voices, especially for those who canโ€™t attend protests, but want to be a part of the movement. A free place can be reserved on Eventbrite – Stitched in Solidarity or by emailing info@swindonpalestinesolidarity.org

SPS has called for a local march in Swindon on Saturday 14th June at 1.30pm starting at Regent Circus.ย 

A spokesperson said, โ€˜The narrative from politicians and journalists is shifting. Itโ€™s really important to keep up the pressure and to let them know that we want the people of Gaza to have the food, water, shelter and medical aid that they need. Thousands of them are in immediate danger of starving to death. We demand a ceasefire. Our government should not be sending arms. We previously had 1000 people protesting in Swindon and want the next local protest to be even bigger. We are being joined by members of the local mosques, so letโ€™s show our solidarity with the Palestinian people.โ€™

A coach has been booked to take supporters to the next London protest on 21st June. Leaving Swindon at 8am, and returning at approximately 7.30pm.ย 

The spokesperson said โ€˜There were over 500,000 people at the last national protest for Palestine in London. It was noticeable that directly after that march was when the narrative about the plight of the Palestinians started to change. The next London march needs to be even bigger.โ€™ 

To reserve a seat on the coach, go to Eventbrite – SPS Coach to national protest 21 June from Swindon – or email info@swindonpalestinesolidarity.org  There is a charge of ยฃ13.70 per person, but people can donate more to help cover the subsidised seats. Please contact Swindon Palestine Solidarity if you want to come but canโ€™t afford a seat.

โ€˜We know there is a lot of support for Palestine in Swindon. Hundreds of people have honked their horns and put their thumbs up during our roadside actions. If you arenโ€™t already involved in anything to show support for the people of Palestine, why not come along to a march, either locally or nationally. If marching isnโ€™t for you, you can join the stitching event or a roadside sign action, follow us on social media, join our WhatsApp groups, help fundraise or organise, come to a film night or talk. You can see, sign and share articles, petitions and actions. It all puts the pressure on for the positive changes so many of us want to see. Our charity quiz and meal last week raised over ยฃ900 for GINA (Gaza Infant Nutrition Alliance) which works to establish a continuous milk supply and education for breastfeeding support where it is most needed. Starving mothers are struggling to keep their newborn babies alive. There are so many ways to get involved, we urge everyone to โ€˜DO SOMETHING!โ€™ 

More information about Swindon Palestine Solidarity

Gender-Queered Production of Shakespearean Classic at Bath’s Rondo Theatre Raises Money for Charities

Photo credit: ยฉ Rondo Theatre Company / Jazz Hazelwood

A gender-queered production of William Shakespeareโ€™s classic play, โ€˜The Taming of the Shrewโ€™, will be performed at the Rondo Theatre in Bath this June, as part of Queer Bath and LGBTQIA+ Pride Month, with all profits being donated to charity……

โ€˜The Taming of the Shrewโ€™ is one of Shakespeareโ€™s more challenging plays. The story centres on two siblings: Bianca, who is surrounded by suitors, and the fiercely independent Katherine, whose sharp tongue and violent outbursts have garnered them a fearsome reputation. Bianca cannot marry any of their suitors until Katherine is married – enter Petruchio, who is determined to โ€˜breakโ€™ and marry Katherine.

In this production from the Rondo Theatre Company, which has been the performing arm of the Rondo Theatre since 1982, the play takes on a daring new life where comedy and discomfort intersect. In a world where Petruchio is a boisterous woman and Kate is a shrewish man, this bold reimagining explores the power dynamics at the heart of Shakespeareโ€™s comedy while unpacking how language shapes our understanding of gender and control. The Rondo Theatre Company has flipped the script, and audiences are invited to laugh and reflect on the complexities of gender by re-examining the ways comedy can reveal uncomfortable truths about societal power dynamics.

โ€˜Itโ€™s been a fascinating process to get under the skin of these characters in such a refreshing wayโ€™, says Alex Oliviere, who plays Petruchio in โ€˜The Taming of the Shrewโ€™. โ€˜โ€˜Historically audiences were intended to rejoice in the sight of an outspoken and fiery woman being cowed by a violent and domineering man, and itโ€™s been really interesting to display that power when the positions are reversed. Weโ€™ve had a lot of thought-provoking conversations in the rehearsal room about why it feels so different, and we hope that audiences will be prompted to do the same.โ€™

โ€˜The Taming of the Shrewโ€™ is the Rondo Theatre Companyโ€™s annual charity production, with all profits being shared between Not A Phase and the Rondo Theatreโ€™s โ€˜Revamp the Rondoโ€™ fundraiser.

Not A Phase is a trans-led, nationwide charity committed to uplifting and improving the lives of trans+ adults, through awareness campaigning, social projects and funding trans+ lead initiatives.

โ€˜Weโ€™re really pleased to donate half of this yearโ€™s charity production profits to Not A Phase,โ€™ said Director of โ€˜The Taming of the Shrewโ€™, Jazz Hazelwood, โ€˜with everything that is happening in the world right now itโ€™s more important than ever to protect marginalised communities. With โ€˜Shrewโ€™ weโ€™ve created a space that is inclusive and led from a place of respect and acceptance for all. Not A Phase is a brilliant charity, and the work they do for the trans+ community touches the heart of what weโ€™re doing and the values that this production upholds.โ€™

The Rondo Theatreโ€™s โ€˜Revamp the Rondoโ€™ fundraiser seeks to replace the auditorium seating, and make other building improvements, at the Rondo which has, since 1989, been a place for nurturing local talent, a home for community theatre groups, and a venue for the best touring theatre, stand-up comedy and music – including recent appearances from Nina Conti, Prue Leith, Andy Parsons, Joe Wilkinson, and Milton Jones.

โ€˜We are one of many local community theatre groups who call the Rondo Theatre home,โ€™ says Alana Wright, Chair of the Rondo Theatre Company, โ€˜itโ€™s a truly special venue in the city and weโ€™re delighted to be donating half of this yearโ€™s charity production profits to the Revamp the Rondo fund, and give this well-loved theatre the boost it needs.โ€™

โ€˜The Taming of the Shrewโ€™ takes place during both Pride Month (1 – 30 June), and Queer Bath (26 May – 30 June), a celebration of LGBTQ+ arts, culture, heritage and history in museums and venues across Bath. Queer Bath is a new citywide campaign – the first of its kind – led in partnership with Bath Arts Collective, WIG, and Bathโ€™s museum & heritage community.

โ€˜The Taming of the Shrewโ€™ will be performed at the Rondo Theatre, St. Saviours Road, Bath BA1 6RT, from Wednesday 18th to Saturday 21st June 2025, 7.30pm.

More information and tickets are available on the Rondo website HEREย 

Are We Still in Rowde?! RowdeFest 25 Sunny Overview

Images by Hans Shell, Ruth Wordley, Helen’s PolarPix and Bird is the Word

If you’re going to write on a subject you must research it, but if you’re going to write well about it you need to get involved in order to understand the details often hidden to outside observersโ€ฆ.

I learned this a year into creating Devizine, when I decided to hold an anniversary gig. Event organiser Dean Czerwionka basically held my hand through it, as I hadn’t a Scooby-Doo of the immensity of variables involved. Since then, I’ve dug myself deeper into the practical, to understand those obstacles and overcome them, so when being critical, I’m aware of how much work goes into putting events on.

Did you seriously buy that baloney?! Really, I’m an attention-seeking party animal who loves to showcase, whenever feasible, the talents of those I spend hours tapping my keyboard to review, then steal all the credit for it! The whole balancing on a learning curve stuff is only a bonus ball! But it is a delight, whenever the opportunity arises, to witness the actualities of my labour, and one such opportunity occurred yesterday, a short walk from my home.

Rowdefest happened Saturday in my village, an idea to retain aspects of a traditional fete yet modernise it to reflect a mini-festival, in which I had to get my foot in the door of.

Feedback has been overwhelmingly positive, but for myself and the committee, Rowdefest 2025 started months ago, with tea, cake and planning at Barbara’s house. Then, an amount of WhatsApp messages, a Facebook chat coordinating the band’s specs with Simon Stockley, the solo sound engineer worth an entire team of professionals.

RowdeFest Committee pose at the end!

Then there’s the mountains I didn’t climb; Clare’s tribulations to provide a bar, Liz’s organisational skills to provide food vans, sponsors and collect raffle prizes, Kirsty creating a book stall, Geraldine and Angie tying things together, tea, cake and a photo exhibition in the church, chairperson Sue binding our meandering meetings into some kind of order, and so much more from many villagers and parish councillors mucking in, till the point on Friday I was driving a milk-float down Rowde Court Road with a huge tent on it and it all suddenly felt real!

Event organising with a team is wrought with disagreements, problem solving, worries which drag you to examine speculating weather apps daily, and fingers-crossed assurances everything will be alright on the nightโ€ฆ.thankfully it was, so Rowde was blessed with a hugely successful, beautiful occasion. An equally huge thanks and congratulations must go to all involved in its making, but none so much as our chief, Barbara. Even if one of them was me, I still reserve the right to report on it, for there is no flattery necessary, feedback from others gives me the confidence to say this was as fantastic as I perceived it as!

Devizes Jubilee Morris Dancers

For me personally, it was all about community merriment, and of course, the entertainment. Under the premise we wanted lively bands I took to organising a lineup consisting entirely of tried and tested locally sourced talents, and calling in a few favours! Opening the event then, the Devizes Jubilee Morris Dancers arrived, did their thing literally with bells on, and got the blossoming crowds engaging in a final routine.

Between the two Morris dancing sections, Mat Fucci of Fucci Fit teased the crowds with a workout, and under the beating sun they got as physical as Olvia Newton-John in 1981, or near to it!

ANdrew Hurst with Lucianne Worthy

Then the live music started with my wildcard, the experimental imaginations of music scholar and tutor, Andrew Hurst. With exceptional bassist Lucianne Worthy, they whisked the audience through multi-instrumental tangents, wonderfully.

Talk in Code

Usually a headline act next, and it was only 3pm, with the crowds still on our villageโ€™s own delicious Rowdey Cow ice cream rather than ciders! Wiltshireโ€™s finest indie-pop darlings, Talk in Code kindly pepped it up, making a pitstop on their way to Swindonโ€™s Castle venue. Blasting their eighties pop flavoured originals gorgeously across our small playing field was an indicator this was going to go off rather different from your average village fete!

That was my doing, and apologise if it came as a shock to some sensitive residents. What attendees didnโ€™t witness was me, once being informed about their complaints, slightly sulking in guilt behind the scenes. Yes, what started as a village fete had now gone full-blown festival, which I believed was the intention and well advertised as such. My resolution was, other than gorging on biscuits, that, in times like this, we have to go with the majority. As the huge crowd gathered, of all ages, appeared to be lapping it up, dancing and cherishing every moment, coupled with the expressions of delight I witnessed on the faces of some disabled children in wheelchairs when I held the gate open for them, well, they counteract a billion complainers for me, and Iโ€™m certain there was far, far fewer of them than that!

Talk in Code with Peggy-Sue Ford of Don’t Stop the Music radio show

Talk in Code shines like a beacon to everything dedication can achieve on our local circuits, and their reputation builds with every appearance; I was overjoyed to see them, as, like anyone they meet, theyโ€™ve become my friends. The second act tends to be more modest with their skills, but The Sarah C Ryan Band will always be one of my most favourite bands. They deliver a sublime melodious panache in style and sound, the kind I liken to Fleetwood Mac, but my daughter suggested Florence and The Machine; either works.

The Sarah C Ryan Band

Through cooler originals and the odd cover, Sarah and her band held the crowd spellbound, after wondering if anything would equal Talk in Code, now they were assured I had many more tricks up my sleeve!

Thieves

WIth the crowd simmered, time to allow Thieves to do their thing. Semi-acoustic vibes, Iโ€™d go out on a limb and suggest this is the finest Americania youโ€™ll find around these waters. Authentic bluegrass to rootsy blues, this wonderfully accomplished four-piece vocal harmonise on a level which left our unsuspecting attendees around the hay bales spellbound and those in the know nodding impressively. It was the set to end all sets, setting the scene to bliss, as I wandered receiving everyoneโ€™s approval, but I had one more band yet to introduce.

Burn The Midnight Oil

Given the chance, Talk in Code mightโ€™ve headlined, safe in the knowledge of what they will deliver. Despite knowing front-girl Chrissy Chapman for many years, and fondly reviewing her vocal collaborations on drum n bass tunes, when she put together Burn The Midnight Oil I met with the original lineup to interview them and hear a little rehearsal, but regrettably, I still hadnโ€™t had the opportunity to tick them off my must-see list.

Okay, so, I took a chance here, suspecting theyโ€™d be good, and heard all the good reports, but I didnโ€™t begin to imagine just how good. Burn the Midnight Oil totally rocked the finale, with fantastic originals slipped unnoticed into a set of covers, they made the perfect end to the day. Dressed in a divine white dress of sentimental value to Chrissy, she took her accomplished band and the audience on an elevated hour plus expedition of bluesy rock which no one wanted to ever come to an end. It was total and utter dynamite!

Alannah Mylesโ€™ Blue Velvet rang out across our playing field, as we gathered the committee and volunteers to be cheered before an encore. Chrissy has a confident stage presence. Her interactions with the audience were so professional, I had to take a double-look to check if it was still my dear friend up there!

But, thatโ€™s the magic right there, to take our talented locals and celebrate their skills as they deserve to be celebrated, allow them to shine with the freedom of expression to deliver works theyโ€™ve written and composed, disperse them with classics if they wish to, and introduce the quality of local talent to audiences which may not have the opportunity to follow our local live music scene. That was my objective, as that is alway my objective, and I thank the Rowdefest committee for allowing me to do that in my own village, rather than hiking up Dunkirk Hill again, or trekking further afield; Bradford-on-Avon had a town music festival on, at a level our village couldnโ€™t compete with, but those at RowdeFest wouldnโ€™t have cared at that point; it was magical.

Bramblerose Designs

Okay, Iโ€™m still at one thousand feet about what we accomplished yesterday, but I donโ€™t believe time will water my excitement down. This should go down in the village history books, and if not, it will always be remembered by me. Again my sincere thanks goes to all involved, the committee, the attendees which included MP Brian Matthew, and our media friends Bird is the Word, Peggy-Sue Ford and Alan Watters of our village magazine, but especially the acts and Simon, who came to my rescue; thank you all, for your time, dedication and for superbly rocking my village! 

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REVIEW โ€“ Devizes Arts Festivalโ€“ Kiki Dee & Carmelo Luggeri โ€“ Corn Exchange – Friday 30th May 2025

Still Got The Music In Her

By Andy Fawthrop

Itโ€™s been a while coming a-round but at long last Devizesโ€™ very own Arts Festival finally kicked off last night for its two-week run.ย  And we started off, as is usual now, with a real belter of a concert in the Corn Exchange, this time featuring veteran performers Kiki Dee and Carmelo Luggeri…..

If you were after star quality, Kiki Dee has it in spades.ย  Recently celebrating her 60th year in the music industry, she has now released a whopping 40 singles, three EPs and 22 albums. She is one of the UKโ€™s finest and most revered vocalists, and sheโ€™s sung with and for just about anybody who is anybody in this industry.

Pauline Matthews (as was) was born in Bradford, West Riding of Yorkshire in 1947.  At the age of 10 she won a local talent contest, and at 16 she had her first paid job as Kiki Dee in show business. She worked briefly as an apprentice hairdresser (she did my motherโ€™s hair once โ€“ my feeble claim to fame!) and at Boots in Bradford during the day, while in the evenings she sang songs with a dance band in Leeds.  Initially with Fontana Records, known for her blue-eyed soul vocals, she was the first female singer from the UK to sign with Motown’s Tamla Records. Sheโ€™s best known for the hit singles “Amoureuse” (1973), “I’ve Got the Music in Me” (1974) and “Don’t Go Breaking My Heart”, her 1976 duet with old Reg Dwight (Elton John), which reached Number One on the UK Singles Chart and the US Billboard Hot 100 chart.  Her 1981 single “Star” became the theme song for the talent show Opportunity Knocks when it was revived by the BBC in 1987.  

During her career sheโ€™s sung backing vocals for Dusty Springfield, was one of the backing vocalists on Love Affair’s 1968 UK number one single Everlasting Love, sang backing vocals on various Elton John recordings, such as “All the Girls Love Alice” from Goodbye Yellow Brick Road and various tracks on Rock of the Westies, played as support act to Queen at their Hyde Park concert in front of a crowd of 150,000 people, and performed at Live Aid in 1985, reprising “Don’t Go Breaking My Heart” with John, and performing backing vocals on the other songs in his set. On top of that sheโ€™s won awards for her Musical Theatre roles in Willy Russell’s Blood Brothers, in which she took on the role originally played by Barbara Dickson for the 1988 production and recording, and received an Olivier Award nomination in 1989 in the Best Actress in a Musical category.  

But all of that is history!  Nowadays, or at least for the last twenty years or so, sheโ€™s continued to move forward with the music that she creates with Carmelo Luggeri. Kiki says Carmelo is her favourite guitarist and he co-writes and produces all their songs.  

Dee released the live album Almost Naked, a joint effort with Carmelo in 1995, followed by the studio albums Where Rivers Meet (1998) and The Walk Of Faith (2005). In September 2013, Dee and Luggeri released their third studio album, A Place Where I Can Go, on Spellbound Records. They have been touring together ever since and have played alongside such musical luminaries as Roger Taylor, Jack Bruce, Fish, Paul Young, Tom Robinson, Graham Gouldman and Madeline Bell.  

Carmelo Luggeriโ€™s abilities as a guitarist, composer and producer have taken him on a rich and interesting musical path over his career. Born in England of Italian parents, Carmelo was mainly self-taught with some classical training.  Working with comedian and television personality Billy Connolly he created the โ€œWatzinโ€™ Matildaโ€ re-work used for the hugely successful 1995 โ€œWorld Tour Of Australiaโ€ TV series. In 1998 Carmelo produced the track โ€œStealinโ€ for the film โ€œStill Crazyโ€ starring Jimmy Nail.  Carmelo has also worked with US singer Andy Williams, Paul Rodgers (Free, Bad Company), Ray Cooper (Elton John band), Gus Dudgeon, Stuart Epps, Romy Haag and singer songwriter Ralph McTell.

Carmelo and Kikiโ€™s paths first crossed when he produced a collection of bonus tracks for โ€œThe Very Best of Kiki Deeโ€ album, and, under the guidance of their manager Steve Brown they took on a new musical direction together, playing acoustic concerts, starting with an appearance at The Royal

Albert Hall for World AIDS Day in 1994. It was quite a departure for Carmelo at this point as he was essentially an electric player but this marked the beginning of their now 25 year collaboration where acoustic guitar is at the foundation of their sound.

Sorry for the long introductory pre-amble, but just wanted to reprise the careers of these two wonderful musicians.  And I guess youโ€™d have to say that represents as good a musical pedigree as youโ€™re ever going to get, so the expectations for the large crowd were, to say the least, pretty high.

And we werenโ€™t to be disappointed one bit. Kicking off with โ€œGet What You Wish Forโ€ and the first of several musical career anecdotes, we were suddenly there at โ€œDonโ€™t Go Breaking My Heartโ€!  Like most people I thought this would be the wrap-up song or the encore, but Kiki clearly wanted to get the song on the table early.  Using, not unexpectedly, a completely different acoustic arrangement, with a rather slower tempo, her rendition allowed the lyrics to really shine through, and to deliver some really pathos.

Cracking on with anecdotes about meeting David Hockney in Malibu, and working with Dusty Springfield, we had the self-penned โ€œSmall Merciesโ€. She then mined a rich vein of beautifully-arranged covers โ€“ Kate Bushโ€™s โ€œRunning Up That Hillโ€, Robert Palmerโ€™s โ€œEvery Kinda Peopleโ€, and Neil Youngโ€™s โ€œHarvest Moonโ€.

Following โ€œa nice glass of redโ€ and a costume change, the second half continued in much the same vein, with Kiki interspersing the songs with more anecdotes.  Early up we had her big hit โ€œAmoureuseโ€, partly sung in the original French, a jazzy cover of Leonard Cohenโ€™s โ€œDance Me To The End Of Loveโ€ (featuring a touching cameo when she danced with a member of the audience whilst Carmelo commanded the stage with some fabulous guitar work).  We then had a run of the pairโ€™s own compositions โ€“ โ€œAmen and Goodbyeโ€, โ€œSheโ€™s Smiling Nowโ€, โ€œYou Canโ€™t Fix The Maybeโ€ and โ€œUntil We Meet Againโ€ โ€“ before finishing with an upbeat and rousing version of โ€œIโ€™ve Got The Music In Meโ€.  Getting an encore was a mere formality by this stage, but their choice was a strange one โ€“ a very quiet number entitled โ€œIf You Ever Need Someoneโ€, and a harmonised version of The Beatlesโ€™ โ€œBlackbirdโ€.  Cue lots of cheering and a great ovation.

Kiki showed us that, at 78, sheโ€™s definitely still got it.  Her voice is, expectedly, not as strong and pure as in her youth, but itโ€™s still bloody good, hitting all the notes perfectly, and still delivering plenty of soulfulness and meaning.  Carmelo demonstrated throughout to be no mere prop or accompaniment to the big star on his left, but a real guitar craftsman in his own right.  His subtle and effective use of loops and pedals to add depth and colour to every number, coupled with several changes of guitars and tunings, proved a real revelation.  His introductions and solos were beautifully crafted, drawing much applause, and plenty of genuine praise from Kiki.

As a duo they harmonised well, and were very clearly extremely comfortable in each otherโ€™s company on stage.  Their rapport with each other, and with the audience, added considerably to the quality and the professionalism of the show.

This was the third or fourth time Iโ€™d seen these guys, and Iโ€™d have to say that they only get better and better.  A really solid two and a half hour show, filled with great songs, hilarious anecdotes and superb guitar work โ€“ what more could you possibly want?  I absolutely loved and, it seemed, so did the packed audience.  

A cracker of a concert to kick off this yearโ€™s Devizes Arts Festival!

Learn more at www.kikiandcarmelo.com/carmelo-luggeri/ย ย 

The Devizes Arts Festival continues until Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online atย  www.devizesartsfestival.org.ukย ย 

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Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

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Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

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Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s called Turfinโ€™ Out The Maniacs, which perhaps should be fact-checked as it sounds to me like theyโ€™re letting them all in, as they arrive on yellow submarines and check into Frank Zappaโ€™s 200 five-rhombus rated motelsโ€ฆ..

Self-described as โ€œeasily triggered, dishonest, cryptic yet flirty deluded jangle rockers,โ€ Clock Radio have produced a string of catchy slacker pop wonders here, as they continuously reach inside the box, like theyโ€™re four elfish Rowan Atkinsons all cast as Paul Atreides. But one thing is for certain, Chris Genner, Oliver Daltrey, Gary Martin and Fraser Wilson will entertain you.

Turfinโ€™ Out The Maniacs sound like the results of the Coral offering The Divine Comedy a hashpipe in a moulded teenage boyโ€™s bedroom; thatโ€™s a compliment by the way.

The opening tune Blood on Chrome certainly reeks of that breezy retrospection of Merseyside garage bands or sixties surf-rock, with an added preliminary Quo guitar riffs. Stoned at the Dojo, which follows emphasises the mock lounge style of The Divine Comedy. Itโ€™s vaudeville throughout, all Bonzo Dog Doo-Dah Bandโ€™s twirling circus, and an accordion welcomes in the next song, yet the tempo is upbeat indie rock. Handsome Weeping Man might leave you questioning if itโ€™s necessary to connote the narrative, but it will leave you amused.

Clock Radio knows precisely what buttons to press to evoke a mood, and press them with free will. To say itโ€™s a tad bonkers, itโ€™s only a tad, and Mountains Beyond the Sun kindles a gentle side, drifting surf-rock, sunny side of the street vibe.

Thereโ€™s ten three minute heroes on this impressive debut album, recorded, mixed and mastered by Dominic Bailey-Clay at Nine Volt Leap Studios, with Fender Rhodes piano, percussion by Dominic and a triangle by Shoshi B. If weโ€™re content with getting halfway through and assuming theyโ€™ve calmed slightly, No Death takes us back onto the weird and wonderfully expressed if questionable muses of the opening.

Turfinโ€™ Out The Maniacs is a comfy yet nippy prank, like being stung in the bottom but launching away from it to splash into a chocolate lake. Not so unlike Noรซl Coward playing a Bond villain, with Bowie as Bond; something you couldnโ€™t imagine happening, but being Marie-Georges Mรฉliรจs directed it and itโ€™s on FilmFour at 3am, you might as well grab a bag of cheesy puffs and thirty grams of Amber Leaf, stay up watch it in your pants. โ€œCactus is cooler, Iโ€™m no Ferris Bueller, I do as Iโ€™m told,โ€ is just one line Iโ€™m cherry picking to illustrate my point, youโ€™ll be amused and rocked in plentiful equal measure.

It has an acoustic ending called Complex 5 which will leave you incarcerated in the meandering yet meticulous peculiarly pulp portrayals of Clock Radio, as if you melted into a bubble sofa. It is available now on the streaming platforms, or buy the digital album from Bandcamp.

The Bradford on Avon Live Music Festival- This Weekend!

Bradford-on-Avon Town Councilโ€™s annual festival, aptly titled The Bradford on Avon Live Music Festival is back this weekend, championing local talent with an eclectic line-up of impeccable performers across its multiple venues and in association with the Wiltshire Music Centreโ€ฆ..

The festival launched in 2022, sees music pouring out of venues across the entire town over three days of music. From indie to rock, pop, jazz and blues, there really is something for everyone at this yearโ€™s festival. โ€œOur town is a hub of creativity,โ€ organiser Katie explains, โ€œand weโ€™re proud to keep that spirit alive through the BOA Live Music Festival.โ€

It runs from Friday 30th May to Sunday 1st June; itโ€™s a long listed lineup, hereโ€™s what weโ€™ve found and recommend you donโ€™t miss if youโ€™re attending. Throughout the weekend there will be music at eight venues: Westbury Garden, Trinity Hall (St Laurence School,) Lamb Yard, Timbrellโ€™s Yard, The Three Horseshoes, The Castle Inn, The Canal Tavern, and of course, Wiltshire Music Centre.

On Friday 30th May at 7.30pm, Wiltshire Music Centre brings Jah Wobble & The Invaders of the Heart to the festival. As a bassist, Jah Wobble is well-known for his heavy, hypnotic bass grooves, which often serve as the backbone for atmospheric, genre-crossing tracks. Covering everything from reggae to rock, dub bass to drum and bass, and global influences, his deep, melodic, and trance-like bass is central to the experience. He will open Bradford on Avon’s Live Music Festival for the Centre, along with this band of world-class musicians- the Invaders of the Heart.

Jah Wobble and the Invaders of the Heart: Bradford on Avon Live Music Festival

Jahโ€™s career speaks for itself, spanning over 40 yearโ€™s heโ€™s played on countless albums, with performers such as PILโ€™s John Lydon, Brian Eno, Bill Laswell, U2โ€™s The Edge, Sinead Oโ€™Conner, Primal Scream, Bjork, The Orb, The Cranberries Dolores O ฬRiordan and many more, as well as a regular on the hit TV show Never Mind the Buzzcocks.

Jah Wobble and the Invaders of the Heart at Wiltshire Music Centre is ยฃ27 / ยฃ14.50 U18s + students, but observe this special offer code: 30% off at checkout using promo code BOA30. Highly recommend it.

The Bowie Experience – Bradford on Avon Live Music Festival

Also on Friday you can find The Bowie Experience, 8pm at the Trinity Hall of St Laurence School. I highly recommend Karport Collective with Jess Chivers in support at The Castle Inn. Find some carnivalism at The Three Horseshoes from 5pm with delinquent fuzz jugernaut The Bucky Rage, BullyBones and Glasgow nuggets of Kosher Pickles!ย  And with Bird is the Word taking over music at The Boat House, who has Band of Others on Friday, you are spoiled for choice.

Nothing Rhymes With Orange @ The Exchange ~ The Last Big Devizes Gig

Decisions get even harder on Saturday 31st May, at the main stage at Westbury Garden youโ€™ll find Retro Electro headlining at 9pm. The penultimate act is our favourites, Nothing Rhymes with Orange. All after a lineup of Karport Collective, Feast of Fools, Funky Monkey Bubble Club, Sian & Rob Colquhoun, the incredible Becky Lawrence and the Jazz Factory.

Meanwhile, at Lamb Yard I highly recommend Melkshamโ€™s indie pop band The Sunnies headlining at 9pm, after JPQ, JB & the Mojomakers, Lorikeet, Lone Sea Breakers, Body & Soul, and Jess Chivers from 3pm. The Castle Inn has The Relayz, Westward, This Way Up, I highly recommend Dylan Smith, Broken Focus, Lee Broderick, Joe Hunt, and I highly recommend Becky Lawrence, all from 1pm  

Saturday night at โ€œThe Shoesโ€ youโ€™ll find The Bucky Rage, Kitchen Lover, Kosher Pickles – Well Brined, and The Borough. The Canal Tavern has Star Shaped Pegs, Mojo & Yuji, Lloyd & Art,  and Jake Lockhart. Timbrellโ€™s Yard has Lorikeet, highly recommend Ruby Darbyshire, Sian & Rob Colquhoun, Jess Chivers, Sour Apple and Feast of Fools.

Itโ€™s all afro-beat at Wiltshire Music Centre on Saturday with The Gasper Nali Band, highly recommend it. Famous since a film of him went viral, Gasper Nali is a not-so-traditional babatoni player from Lake Malawi. The babatoni is an African one-string home-made 3-metre long bass guitar, and with a stick and an empty beer bottle. Together with a cow skin kick drum and catchy melodies, he creates the most amazing and danceable original Afro Beats possible!

Gasper Nali Band: Bradford on Avon Live Music Festival

Gasper has toured the UK and Europe several times since his breakthrough video, playing in all environments from seated arts centres spaces to major festival stages. This year, Gasper will be transforming his customary one-man-band show and perform with a three-piece band for the very first time in the UK. Along for the ride is Malawi born songsmith and cultural proponent Luhangah on additional vocals and percussion, as well as Gasperโ€™s long-time producer and collaborator Mattias Stรฅlnacke on guitars.

Gasper Nali Band: Bradford on Avon Live Music Festival at Wiltshire Music Centre starts at 7.30pm. ยฃ16 / ยฃ9 U18s + students. Another SPECIAL OFFER here: 30% off at checkout using promo code BOA30.

Sunday is the first of June, and what a way to see the month in. At The Three Horseshoes from 3pm, for some mod, funk and RnB with The Convulsions. Trinity Hall has The Hipcats: A Century of Sinatra with support from JPQ from 7.30pm, and Judas Goat & the Bell Weather from 3pm, who we highly recommend too!ย 

Nick Langston & The Hipcats: A Century Of Sinatra: Bradford on Avon Live Music Festival

More Info HERE!

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CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick onto theโ€ฆ

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Ruby Darbyshire to Perform at Silverwood School Open Evening

The phenomenally talented Ruby Darbyshire is performing at Silverwood School in Rowde on 27th June. Ruby has kindly offered to support Silverwood Schoolโ€™s open evening…..

Silverwood School near Devizes, has an ambition to provide a truly integrated system of outstanding education for those with special educational needs and disabilities in Wiltshire up to 19 years old.

Silverwood Charity Trust supports the school by fundraising to enhance the educational experience and advance the abilities of the children and young people at the school. A pleaโ€ฆWe are looking for donations for a raffle that we will hold at this event. Any offer will be much appreciated and we thank you in advance for your generosity. We can collect donations at your convenience.

The Trust has made grants across the Chippenham, Trowbridge, and Rowde Campuses totalling ยฃ20,000, built a multi-use sensory walkway at the Rowde Campus to allow wheelchair access to the woodland areas, and has submitted a planning application for an Animal Resource Centre (ARC).

With the new building work at the Rowde Campus complete, the Trust is delighted to hold an open evening at 6pm on Friday 27 June 2025, to which they hope you can join them to learn more about the School and Trust, and support the young people at Silverwood School by raising vital funds for the ARC.

The event is free, but please reserve tickets HERE

Contact: Georgie@NutwoodHouse.co.uk or Tim@NutwoodHouse.co.uk for donations

Shoot Me, A New Single From George Wilding!

I loved it, but if the jury was out in March over Isn’t She Lovely, the last single from George Wilding under the production of Jolyon Dixon for its experimental vaudeville ambience of Queenโ€™s later material and sprinkles of doo-wop at the intro, the third single comes out punchingโ€ฆ..

Shoot Me is released today across all platforms, and if we’re used to George’s wispy moments of psychedelic Velvet Underground, this rather takes on Lou Reed’s more edgy rock n roll. In line with the blossoming tendency of many local bands, from Nothing Rhymes With Orange to Talk in Code, this adopts the timeless indie-rock angle of The Killers and Arctic Monkeys. It’s lively, fire in the belly driving music, I can imagine a crowd hailing it back at him within a relatively short time.


A slight move sidewards for George and a wise decision; millennials to gen z, and even Britpop nineties kids are going to lap this up. It’s a timeless belter. My immediate thought laid with the La’s when the song opened, the notion quickly shifted to something more contemporary, of Franz Ferdinand, and the others I’ve already mentioned.

Yet George is a force in his own right and needs no comparison. Shoot Me contains those recognisable vocal delicacies we’ve come to love him for, that understanding he could shift into any pigeonhole and come up trumps.

The Big Sound Choir to Perform with Aled Jones at St Georgeโ€™s Bristol

Devizes-based The Big Sound Choir will take to the stage at St Georgeโ€™s Bristol on Wednesday 4th June as part of Aled Jonesโ€™s nationwide Full Circle tour โ€“ and audiences are in for a real treat….

Known for their dynamic energy and uplifting sound, The Big Sound Choir will open the evening with a rousing set of feel-good songs before joining Aled Jones live on stage for a powerful finale.

Aled, the beloved boy treble who captured hearts with Walking in the Air, is back with a brand-new show thatโ€™s packed with songs, stories, and surprises. โ€œItโ€™s time to come Full Circle,โ€ says Aled. โ€œIโ€™ll be telling stories about how it all began, then taking the audience on a journey through my career โ€“ from meeting Royalty, singing all over the world, to being sat between Elton John and Billy Connolly at Bob Geldof and Paula Yatesโ€™s wedding!โ€

The concert promises previously unseen photographs, live performances of Aledโ€™s favourite songs, and the chance for the audience to ask him questions. Itโ€™s a warm, funny, and nostalgic evening that celebrates a remarkable career โ€“ and for The Big Sound Choir, itโ€™s a chance to shine alongside one of Britainโ€™s most recognisable voices.


SPECIAL OFFER: 50% OFF TICKETS Book now HERE and use code: 50ALED at the checkout!

Donโ€™t miss this joyful collaboration โ€“ a night of beautiful music, heartwarming memories, and one unforgettable finale!

Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has a four track debut EP; who knew?!

I only found out through talking with Adam about a merch table at our forthcoming RowdeFest, where you can, incidentally, find Thieves playing, but at any gig youโ€™re lucky enough to catch them at, I suggest you pick up a copy of this little showcase disc; theyโ€™re our very own resident Carter Familyโ€ฆ.

Opening with Calneโ€™s Jo Deacon on lead vocals, who also sings solo and with soul function band the Midnight Hour, Coming Back For Me is beguiling and uptempo, refreshing bluegrass fashion. Yet Working Man, which follows, slides the divine ambience into mellowed country-rock. With Adam on lead vocals, Iโ€™m thinking Neil Young, the Byrds, and all those irresistible Americana classics, which imagines youโ€™re heading west through Oklahoma on a Harley with Dennis Hopper and Peter Fonda.

Probably the highlight of this EP is the penultimate, Now You’re Around. Five minutes of total bliss, with Jo back on vocals and some seriously intricate melodies, combining the talents of Roryโ€™s resonator, Adamโ€™s mandolin, and Mattโ€™s upright bass, you can sense Joโ€™s soul experience, as it rings out as authentically Americana as Janis Joplin playing Woodstock with Crosby, Stills & Nash. And still I hear something decidedly UK folk here too, of Fairport Convention, perhaps. Iโ€™m no connoisseur, just know what my ears like; itโ€™s all a melting pot,ย and Thieves stir it with delicate precision.

And in that, Iโ€™m unsure about the name Thieves. Certainly the genuine sound of America is pinched if not more agreeably heavily influenced by, but it might suggest thereโ€™s something edgy going on, when this is dinkum, universally appealing sunny side of the street melodies; the kind of folk the eldest in the crowd will tap their toes to while children will merrily twirl barefoot on the grass.

It was a series of coincidences when I first saw them at Bradford Roots Festival a few years ago. From a distance I thought โ€˜that guy looks just like Adam Woodhouse,โ€™ (and maybe a smidgen like MacGyver too!) but upon hearing them perform I thought of The Lost Trades, turned to tell the person standing next to me, who just happened to be Phil Cooper of the Lost Trades, who nodded his trilby in approval; a fine accolade indeed. โ€œIt is Adam,โ€ Phil replied! Oh, yeah, so it is; I didnโ€™t need to go to Specsavers, because their wonderful sound pulled me closer.

We finish the EP with a ballad called Lately, which Adam and Jo duet, and itโ€™s so beautiful and moreish, leaving you suspended on whatโ€™s to come from Thieves, but rest assured, hereโ€™s a wonderful quartet which can hold a crowd spellbound.

Find where Thieves are playing on our local circuits by following socials Facebook Insta for gigs, and hopefully catch them at Rowdefest on Saturday 31st May? Itโ€™s free, bring me a haslett and cucumber sandwich, Iโ€™ve arranged the acts, I wonโ€™t let you down.

iTunes Link

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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

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Between Two Worlds with Ruzz Guitar

He might be between two worlds but he can also be in your home, in your very own ears, and that’s the best place for Ruzz Guitar to be. With a striking Funk-O-Pop styled cartoon cover, Ruzz Guitar has a new album out and yeah, just yeah!

Shadowing the Shadows with a belter of an opening track, Ruzz slips into Bo Diddley like a glove, then it’s off to those foot-tapping honkytonk ballads for a few tracks; oh yes, Ruzz is back and it’s a Gretsch-grappling beautiful monster.

There’s not a great deal I can say about this which I’ve not said about our Ruzz before; if it’s not brokenโ€ฆ.

Ruzz Guitar is a tour de force, a sublime blues rocker meshing blues into a unique and prolonged ecstatic ride into the rock n roll formula of yore, it just jumps, jives, and doesn’t come up for air. And if he does, five tunes in with Forever Yours, it’s like standing in a burning sugarcane field; the sweetest air you’ll ever breathe.

Ruzz brings in stellar backing, with some mind-blowingly soulful vocals from Shannon Scott and Julhi Conlinn. Drummer Brian Fahey, both Chris and Steve PelletierSmith on bass, pianist Paul Quinn and special guest appearances from Tyrone Vaughan, Paul Pigat and Mike Eldred.ย 

Recently he’s been two and fro across the Atlantic more times than Concorde, hence the title of this ten track whopper, but I never find myself wondering how he goes down on the other side, you know, delivering something they invented back to them. It worked for The Beatles, you simply know they’ll love him as deep down as Texas, because it’s impossible not to.

Right here though, we’re in Devizes and via the โ€œMel Bush effect,โ€ the Hoax and now the Long Street Blues Club we’ve equally been conditioned with high expectations when we receive a blues dosage, but no one does it quite proper job like our Bristolian Johnny-be-Goode, Ruzz Guitar. He’s so good they named the guitar after him.

This is class in a tall glass, I was expecting it, it never disappoints. Thereโ€™s a number of tracks weโ€™ve tasted before, revised and polished for the ultimate road trip soundtrack; itโ€™s got a new version of Sweet as Honey on it, which for some reason always makes me go bananas!

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A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโ€ฆ

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there willโ€ฆ

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Bird is the Word Take Over Live Music At Bradford-on-Avon’s Boathouse

Under the new management, live music will be making a triumphant return to
The Boathouse in Bradford-on-Avon and that Cracking Pair, Claire and Chloe of Bird is the Word are controlling bookingsโ€ฆ..

They excitedly announced today on their Facebook page that they are โ€œworking in partnership to make sure that you are brought the most excellent entertainment!โ€

Due to taking control of bookings acts as of 1st June, they’ve already organised a regular and loved band and DJ at the venue for the relaunch.

We look forward to seeing what they have in store. Bird is the Word said, โ€œfrom 1st June onwards there will be new bookings of bands, artists and events of a super-duper standard that will be well looked after – ‘musicians supporting and promoting musicians’. That means good pay, good treatment, good advertising, and timely response to emails and enquiries.โ€

All bookings will be managed via the email address: Boathouse.Events@sdhospitality.com

So keep an eye on their Facebook page for more information. Great news, and best of luck to Claire & Chloe!

Deadlight in the Daytime; Vinyl Realmโ€™s Acoustic Saturdays Return….

Always a happy place, our traditional record shop Vinyl Realm in Northgate Street Devizes is back in the game of hosting some live music afternoons. First up was the dynamic duo and purveyors of all things goth, Deadlight Danceโ€ฆ.

Owners Pete and Jackie were glad to announce the return of some live music afternoons atย  Vinyl Realm, and between us we couldnโ€™t recall how long itโ€™s been since they last did this. A welcomed visit then, where you can leave your penny-farthing outside, browse some records while youโ€™re there, and take in some locally sourced, unplugged acoustic sounds.

From 2:30pm Deadlight Dance played through stripped back versions of their originals and plenty of classic covers of the eighties new wave and gothic scene, claiming it was World Goth Day, though Google reckons itโ€™s next Thursday, but whoโ€™s arguing? Deadlight Dance were covering these songs when Google was an itch in Ask Jeevesโ€™ web crawler.

Always a pleasure to hear Nick and Tim play, though attired in their black jackets, white shirts and shades, it seems Tim drew the short straw and stood window-side with the sun beating in and a wasp groupie hovering overhead! Mandolin and guitar Echo Beach rinsing through the rafters though, while everyone outside is shopping for a birthday card for their pet cat, or Iceland hot dog stuffed crust pizza; plenty of time that malarky afterwards. I found a 7โ€ of Chaka Khan, and another from Neil from the Young Ones, so there.

Next up is our wonderful Devizes singer-songwriter Sammi Evans, next Saturday 24th May from 2:30pm. Iโ€™ve asked Jackie for a list, but this was vague at the moment; watch this space. Of course JP Oldfield is on for a suitcase drum and kazoo sesh at some point, so if youโ€™re an acoustic performer I suggest you pop into Vinyl Realm and put your name down!ย 

PREVIEW โ€“ Chippenham Folk Festival โ€“ Friday 23rd May through to Monday 26th May 2025ย 

One of Wiltshireโ€™s Best

by Andy Fawthrop

Looking for something to do next weekend? One of Wiltshireโ€™s biggest festivals is happening just up the road in Chippenham all over the late May Bank Holiday weekend.ย  Itโ€™s also one of the largest folk festivals in the UK, and one of the longest running โ€“ this year theyโ€™re clocking up their 52nd festival……

The festival happens over four days at venues all over the town, and provides several streams of entertainment to suit most tastes.ย  With over 650 performers already confirmed covering music concerts, workshops, dance/ ceilidhs, Morris dancing, storytelling and spoken word, and a wide range of childrenโ€™s and other entertainment, thereโ€™ll be something going on in every town-centre street and pub, to say nothing of the thirteen dedicated stages and dance venues.ย ย 

And the good news is that, aside from all the ticketed camping and music/ dance events, thereโ€™s plenty of FREE stuff too.ย  Down at Island Park thereโ€™ll be community stages, a session beer tent (run by Moongazing Hare this was highly popular last year, and Iโ€™d thoroughly recommend it!), lots of pop-up food vendors (crepes, churros, Sri Lankan, vegan, Mexican, Japanese, ice cream etc), and craft stalls โ€“ allย  located alongside the beautiful River Avon. Itโ€™s got a great vibe and is a good family-friendly place to relax, soak up the atmosphere, and enjoy a session and entertainment with children, family and friends.ย 

But with so much going on โ€“ you should see the bulging programme with its literally hundreds of events – we thought weโ€™d take the chance before all the fun starts to preview and pick out some of the best stuff, and to highlight some of our favourite picks. 

Overall, thereโ€™s a brilliant line up of music concerts featuring over 75 different acts, including: 

  • The East Pointers – hailing from Prince Edward Island in Canada. Their dancefloor-shaking, electro-trad glorious combination of folk/ pop sounds has already seen them acknowledged as musical trailblazers internationally. Their debut album Secret Victory won the 2017 JUNO Award for Traditional Roots Recording of the Year. Their 2023 EP House Of Dreams was nominated for a JUNO Award, and won Contemporary Roots Recording of the Year, Group Recording of the Year and Pop Recording of the Year at the 2023 East Coast Music Awards. Their headline show is on the Sunday night;ย 
  • Phil Beer & Paul Downes โ€“ two of the stalwarts of British folk music, and truly great musicians both.ย  Their shows are not only musically entertaining but always delivered with great bantering humour.ย  Their headlining set is on the Saturday night;ย 
  • Miranda Sykes โ€“ another of the folk worldโ€™s all-time great performers, Miranda has played bass with countless bands and line-ups, and has worked for over 20 years with folk royalty Show Of Hands. In 2024 she toured with Hannah Martin, paired a new Baring-Gould Centenary project with Jim Causley, and has toured a wide range of summer festivals. Catch her on the Monday night;ย 
  • Seth Lakeman โ€“ will be playing material from his new album The Granite Way.ย  Catapulted into the spotlight after his album Kitty Jay received a nomination for the Mercury Music Prize in 2005, since then heโ€™s produced multiple albums, toured worldwide and participated in several high-profile collaborations, most recently with Robert Plantโ€™s band The Sensational Shape-shifters.ย  His fiddle playing is simply stunning, and a joy to behold in live performance.ย  Heโ€™ll be doing his thing on the Monday afternoon.

And then thereโ€™s a nearly forty different bands, including a great calling team for the dances and ceilidhs, with bands including Banter with Fee Lock, Sawney White Bird, Doug Eunson & Sarah Matthews, Portmanteau, Hinny & Joe Wass with callers Andrew Swaine, Bernie Culkin, Geoff Cubitt, John Stewart, Susanna Diamon, and more to meet every style.  

Add to this nearly seventy different Morris sides from all over the UK, and over twenty-five childrenโ€™s entertainers (including the simply hilarious and highly-talented Keith Donnelly), featuring music, dance, puppets, dressing up, play, workshops, meet-the-entertainer sessions, and youโ€™ve got plenty to choose from, with different things for all members of the family. 

Apart from the main venues and stages, thereโ€™ll be stuff going on in just about every pub, in the main streets, and anywhere else the performers can find a space. Thereโ€™ll be some open mic sessions too. 

Having been to many Chippenham Folk Festivals over the years (and indeed performed at a few!), I can highly recommend a trip out to one of Wiltshireโ€™s best events โ€“ itโ€™s colourful, itโ€™s noisy, itโ€™s busy, but most of all, itโ€™s entertaining! 

Thereโ€™s still a limited number of day and event tickets, as well as full weekend season tickets (with or without camping) available. Or thereโ€™s also still time to volunteer to help with stewarding and venues (which qualifies you for a FREE ticket). All the information is on the festivalโ€™s website, together with ticketing information at www.chippfolk.co.uk/Tickets

Jake Martin: Heโ€™s a king, and it was in the Castle, with SOP Swindon

By Ben Niamor

Itโ€™s been way too long since I saw the irrepressible Jake Martin, and he did not disappoint, classic songs as ever, open, maybe even anarchic delivery.. he found himself in front of mostly familiar ears….

On tour with some friends on a multi head bill, having fun whilst often singing and talking of lifeโ€™s serious side, all of them; relationships, drinking games and mental health, all up for dissection and deliberation through song.ย 

Mexican Dave opened, a wisecracking confident man with a definite penchant for singing fast, and getting us to sing whilst other key figures in this scene, Gaz Brookfield and Ben B-Sydes become improvised captains for each side of the room in a chorus battle.. as you do! My friend and I sat either side of a table at the front wearing our respective captains tee shirts by coincidence amused us and Dave..!ย 

Blake Cateris, was the middle man in the line up, a little more settled and profound.. an Aussie in our midst. Perhaps more reflective, though, are some great songs, and having a look at his poetry book this morning, he is a great writer. About to set off for a 22 date tour in Germany before returning to Sydney, wish him well and hope to see him againโ€ฆย 

The headline, the main man, Jake Martin. Heโ€™s famously self deprecating and among the most appropriately described musicians in the folk punk remit. Your mother may not appreciate every turn of phrase, but his crowds always will!

I consider him an anthemic hero, all on the bill actively involving us, but none with such fervour, perhaps through widespread familiarity of his rousing songs. I am one to try for instance, of loving, failing and trying in equal measure.

Songs about relationships, poor decisions, mental health, and all with an openness that rarely is found in larger yet less enveloping venues and in many artists. Foot stomping common ground, for many present will have had these problems, for my part my antidote to the modern condition is music, so thatโ€™s how perhaps I should wrap up my ramblings, Jake and all the wonderful musicians that grace our venues are the antidote. All you need to do is go find some that work for you. 

I am pretty sure Ed (Dyer) will forgive me for likening last night as it nostalgically did for me, to the venue which opened this world for me, the fold in Devizes. It literally changed my life. Sadly gone yet seeing old friends and musicians alike roll eyes, and wax lyrical of shared nights such as this many years past, aware how important it is to seize the moment. 

There are great venues around and tirelessly passionate people, many among my friends, itโ€™s as simple as doing a little research, and getting out to support them.

Thankfully I wonโ€™t wait too long as aside from town gigs this weekend , I shall be back to Old Town for the incredible Wilswood Buoys at next week’s Thursday night club at the Castle.

Frome Multi-Instrumentalist James Hollingworth Recreates Pink Floydโ€™s Wish You Were Here Live

Oh hear ye, for a foretelling I behold. A prog-rock shamen of extensive knowledge and sorcery will enter our sacred vale during the moon to cometh.…

A mysterious lone traveller stands at the Trow Bridge, as steadfast as the mist surrounding him. Behind him, the home he departed, the market Frome across the Somerset border. In front as he strides barefoot across the downs, resides the unsuspecting kind folk of the White Horse. He arrives clasping under his cloak, a magical multi-track looper known as a Boomerang III Phrase Sampler, a gatefold sleeve album of yore in his other hand he holds high above his brimmed kappell, and he hath a celebration to bequeathโ€ฆ.

โ€ฆ.or he might have a van, Iโ€™m not 100% certain! But James Hollingsworth returns to Wiltshire to pay homage to Pink Floydโ€™s ninth studio album Wish You Were Here, which celebrates its fiftieth anniversary. With loop pedalboard and other such tech, he bravely attempts it solo, but if any one can, he can.

In our writer Andyโ€™s extolled words of a review long past, when James did similar at the Devizes Southgate on Dark Side of the Moonโ€™s fiftieth birthday, Andy called him a โ€œtour de force, a stunning effort of both musical versatility, but also of concentration. Itโ€™s the music he loves, and it really showed.โ€

Unlike Andy, Iโ€™m not of that era, being only two when Wish You Were Here was released, and as a result Iโ€™m more critical about prog-rock. Though Floyd are a timeless band, whose lyrics we chanted on the playground, inciting us not to need education or thought-control. And of James I said in a 2022 review, again at the Southgate, โ€œfor any music lover from folk to prog-rock, from the era of mellowed Floyd-eske goodness, James Hollingsworth works some magic,โ€ so, I must have loved it!

To make sure, James sent me his latest outpouring, an intense collaboration with keyboardist Steve Griffiths called Lost in the Winds of Time. With tolkienesque charm, swirling soundscapes and whimsical storytelling, Lost in the Winds of Time is a sea shanty rock opera, nine lengthy tracks strong, each flowing beautifully like the whistling winds, into a narrative, mystically.

Though Lost in the Winds of Time might be better comparable to the album Meddle, with its gorgeous circulating psychotropic-inducing effects and riffs which roll over like waves on a  calming sea caressing the shore. Jamesโ€™ silky vocals drift across the ether, like Wiltshire’s own Justin Hayward narrating a Victoran fantasy adventure, or Harry Potter Goes to Sea with Gandalf!

Itโ€™s an impressive trip, to me, as Iโ€™m one who, during the intervening period between undesirable commercialised electronica and the more welcomed acid house, sought the archives for lost psychedelia to suit my blossoming journey into the psycheโ€™s nirvana (I was at art college, it was part of the curriculum!) The older Floyd albums were an inevitable discovery I revelled in, horizontally in a moulding bedroom. Wish You Were Here stood out, for its vivid masterpieces of alienation and mental health, attributing original Pink Floyd member Syd Barrett, and paying their respects to him in such sublime manner reflected by listeners to anyone they once loved and lost.

Not to be confused with a tribute act, James Hollingsworth more simply pays homage to his influences in his own manner, and plans to play some of his compositions alongside. How will he do it? Bet you wish you were here to hear itโ€ฆ (see what I did there? Iโ€™ll get my fur-lined Afghan coat!)  

He takes his show to Melksham, at the Grapes on Saturday 17th May. At the Southgate in Devizes on bank holiday Monday, the 26th May, which are both free, and as part of the Bath Fringe on Thursday 29th May at The Ring O Bells, ticketed event. Also at The Creative Innovation Centre in Taunton on Friday 23rd May.ย 

Melksham Marketing Expert Launches AI Training Course

So what if it paints six fingers on a human hand?! AI is here to stay, love it or lump it; Iโ€™ve known manually run businesses where the right hand doesnโ€™t know what the left is doing! Naturally Social, a social media marketing agency based in Melksham, unveiled its new “AI Made Easy” online course this week. Tailored specifically for marketers and business owners, this affordable training programme is designed to equip organisations of every size with the skills to integrate, manage, and maximise AI tools across their operationsโ€ฆhumโ€ฆ..

The news comes after Microsoftโ€™s 2025 Work Trend Index was published in April 2025. The report identified that 80% of the global workforce feels they donโ€™t have enough time or energy to meet rising demands, and 53% of leaders agree productivity must increase; the flipping slave-drivers; up the workers, even if they’re R2D2.

With my tin foil hat on, I toiled with if I should publish this news. Increasing productivity is one thing, replacing the workforce to do it is another. After using AI as a political propaganda tool, harvesting creativity concerns me mostly; robots should do our mundane housework so we can dedicate our time to being creative, not create art so we have time to do the housework! But in a business environment, AI is here, like it or not. We must integrate this humanely and with consideration for the repercussions, which Naturally Social seems to address, so, with my organic fingers and toes crossed, Iโ€™ll go for it, and let the debate erupt!

Naturally Social say: with the swift progression of AI technologies, many professionals are grappling with how to effectively integrate them into their workflows. Research has shown that employees globally feel unprepared for AI adoption, with concerns about their job security and understanding of these tools. Naturally Socialโ€™s course aims to address this gap by making AI accessible, equipping businesses, freelancers, and charities with the knowledge to thrive in an AI-driven world.

Hey, my first ever AI generated prompt, I think it captures it rather well!

Donโ€™t get me wrong, I was always a fan of the Jetsons, and welcome androids to do the washing-up, but hey, โ€œan AI-driven world,โ€ I confess scares me into a far darker scenario derived from bleaker sci-fi narratives. AI should assist, in the passenger seat, not drive. My mobile phone plays up, overloaded with data it doesnโ€™t do what I ask, it freezes up, glitches, and throws me out of an app; can we really rely on AI to take on jobs which require a degree of responsibility when AI cannot own morales or be held accountable? Maybe a sceptic like me needs this course more than Musk.

Naturally Socialโ€™s founder, thankfully not Sarah Connor but Natalie Luckham, emphasised the importance of education in this space and said, โ€œ2025 is the year to move beyond experimentation and truly embed AI into your strategy.โ€ Dammit, this is SkyNet level! โ€œThis is a pivotal moment for AI adoption, thereโ€™s never been a clearer signal that upskilling must be a top priority. AI Made Easy provides that critical bridge, from curiosity to competence.โ€

They claim participants will learn how to use AI tools to save time, boost creativity, and stay ahead in the competitive digital landscape,and while the other two I am okay with, boosting creativity worries me; we have human designers aching to put dinner on the table, Metal Mickey doesnโ€™t need feeding.

From understanding ethical AI usage, it continues, to leveraging tools for meaningful business impact, “AI Made Easy” empowers learners with the expertise they need to step confidently into the future. This course continues their legacy of providing meaningful, results-driven support to their clients. Kaye King, a fellow marketer and small business owner, attended one AI Made Easy session at the beginning of May and said: โ€œI found it really helpful to understand the different tools available and how to work with them collectively. I also love Natalieโ€™s emphasis on the ethics and transparency around how, when, and why you use AI for your own business and with your clients.โ€

The jury may be out on AI, but while youโ€™re deciding others are embracing it and itโ€™s never the technology which is the problem, rather the person pushing the buttons. So, perhaps this course is for you? The “AI Made Easy” online training course opens for enrolment on the 16th of May with in-person training also available for teams. For more information or to sign up, visit: https://www.naturallysocial.co.uk/ai-made-easy

Just a Mirrorball; Auralcandy New Single With Sienna Wileman

If weโ€™ve had a keen eye on Swindonโ€™s Sienna Wilemanโ€™s natural progression as an upcoming singer-songwriter since being introduced to her self-penned songs via her father Richard Wileman some years ago, her songs have always reflected her dadโ€™s penchant for combining curious and experimental soundscapes with acoustic vibes. Working with the more rhythm-driven Auralcandy this single is a change of directionโ€ฆ.

Just a Mirrorball released yesterday, with a pop sound of nineties nu-cool, as if Sophie Ellis Bextor was on the Madchester scene with Deee-Lite. It’s an instant love from me, and couldn’t go any other way really. Itโ€™s sassy, Maroon 5, danceable, but Auralcandy requests no one ask them for the โ€œboringโ€ backstory on this interesting collaboration, and to stop them if they ever try to tell it! Weโ€™ll just have to see it for what it is, a working combination made in heaven.

Sienna shows her versatility as a recording artist here, from acoustic folk to musical theatre, now this is decidedly pop, the timeless variety.

โ€œSienna is an absolute joy to work with, an obvious talent but with a complete nonchalance that comes with being one of those pesky kids Scooby Doo warned me about,โ€ they said, โ€œthe middle vocal is all Sienna’s invention. And, to me, reeks of 1960s pop Franรงoise Hardy, Brigitte Bardot et al; effortlessly cool.โ€

And it is so! So much so, it needs wider attention, it deserves to chart, and put them both on the map, but they’re both modest with their talent, so allow me to plug it!

You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosie Jay, for a charming Sunday morning ballad called Youโ€ฆ..

Ah, newfound love, I remember it well! That ray of peerless positivity, like a sunbeam which cannot be clouded; nothing can spoil your mood now youโ€™ve found that certain someone. Many artists have tried to capture it, many overthink it, but You is simply saccharine, and captures the concept beautifully.

This is staring out of a window of a moving car on a sunny Sunday morning music, contemplating when your longing will be over and youโ€™ll be in the arms of your soulmate again. Thereโ€™s nothing negative here, no hidden concern like many such songs, itโ€™s blissful and an the ideal harmonious coupling weโ€™d love to hear from. Check it out!ย 

Trending…..

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Keep reading

Progress Made for the Wiltshire Music Awards

A week into the voting process for the Wiltshire Music Awards and things have been moving forward fast. Weโ€™ve had the best part of 500 voting forms already submitted and weโ€™re busy spreading the news about these new awardsโ€ฆ

The voting process for the Wiltshire Music Awards went live on the 1st May, and if it was overshadowed by some other voting thing going on that day too, this far more important election is gradually gathering pace. And unlike the other elections, no one is jumping on anyoneโ€™s back, making up stories to derail other candidates!

Cast Your Votes HERE

Eddie Prestidge of Wiltshire Music Events UK and I have been busy promoting the concept, and weโ€™re delighted and extremely grateful to everyone who has helped us with this. From visiting Castledown FM to meet Kev Lawrence and waffle on his drive-time show, and future such gigs like Peggy-Sueโ€™s Donโ€™t Stop the Music Show on Swindon 105.5, to features in Swindon Link and Salisbury Radioโ€™s blog, and everyone who has shared our news on social media, word is getting around thanks to you all. 

Of course individual musicians, bands and studios have taken to their social media platforms begging for their fans to vote for them, and, donโ€™t worry, this is encouraged! Itโ€™s also our most treasured venues such as The Wiltshire Music Centre in Bradford-on-Avon who are sharing our news. I believe this is all vital, to ensure weโ€™re making it comprehensive and spanning across the entire county. If you can help us with this, please do get in touch.

Nominations will close on 10th June 2025, so we need your picks by then! Itโ€™s not easy, I know; Eddie messaged me a few hours into the voting process to say he hadnโ€™t seen my submission yet, and I had to tell him I was still making my mind up!

Thereโ€™s so many talented musicians around here, it is difficult to decide whoโ€™s name to put in those boxes. But, in this I feel is a point worth making about the Wiltshire Music Awards; we are doing this to promote, encourage and celebrate everyone creating music locally, from DJ and cover band to original artists and sound engineers. This isnโ€™t intended to make our circuits competitive in any way, as we all enjoy the communal and friendly ethos of our local circuits, and vow to maintain this. The hard work they all do to entertain us is recognised and appreciated; while some of our many friends on the music scenes in Wiltshire might not pick up an award, it doesnโ€™t mean weโ€™ve forgotten them!

Eddie says, โ€œthese awards recognise the individuals and groups whose efforts make a real difference. If you know someone who deserves recognition, or want to showcase your group, now is your chance to give them the spotlight they deserve.โ€

Weโ€™ve just opened a Facebook group for the Awards you can join HERE. People have joined and are making connections there already, which is great and exactly what we want to achieve with this venture; itโ€™s not the Oscars!

Thereโ€™s loads of questions which have been fired at us over the week about how the awards work, despite many of them being answered on the FAQs page of the website! Some others have come up, and we thank you for raising some valid points. One good one I had by Rich of Minety Music Festival, who asked if we could have a category for festivals. We pondered how we could do this as the categories have already been set, thereโ€™s 17 of them already, and feeding it into the venues category might not be fair on the smaller grassroots venues. So, we decided to add festivals as a category for next year, and make a list of festivals in Wiltshire for the judgesโ€™ perusal. I mention this to say, hey, weโ€™re open to ideas and things we might have overlooked.

The most frequent question Iโ€™ve been asked is โ€œcan I vote for myself?!โ€ To which the simple answer is a big fat YES! Why not? Show off your ego, youโ€™ve earned it, go for it! The less frequent but similar question Iโ€™ve had is, surprisingly, โ€œcan I vote for you?!โ€ The answer is, yeah (blush,) if you must!

Weโ€™ve been browsing trophies and medals from a catalogue by Avon Trophies like weโ€™re kids drooling over the lingerie section! And over the next couple of weeks we will be sending invites for people to be judges. Choosing experienced people with dedication to promoting music in the county and trying to set one in each area, we have a list of possibles, but if youโ€™re interested in this let me know this coming week. It is also vital that this event receives sponsorship in order for it to work as well as whatโ€™s in our minds. Please contact us if you would like to sponsor an individual award or the whole shebang!

The award ceremony will take place in Devizes at the Corn Exchange, on Saturday 25th October 2025, tickets are here. We hope it will continue annually, this all depends upon your input and support, which has so far been so encouraging I might even be moved wear a dickie-bow at the event, and that’s worth the ticket price alone! Please vote and share our news, thank you!

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridge come to the Bridge Inn, Horton …

With the sun peeking out and the rain clouds temporarily parting I had the opportunity to head on down to Bands on The Bridge, a mini festival-style event at the Bridge Inn on the outskirts of Devizes. Organised by Kingston Media โ€“ in a step away from their usual publicity/catering work โ€“ the event saw eight bands and solo performers stretched across the afternoon and evening of the Bank Holiday Saturday, all in aid of Dorothy House and Wiltshire Air Ambulance.

From the moment of entering, you could feel a strong sense of excitement, and although the crowd wasnโ€™t big, they definitely had the enthusiasm side nailed as each of the performers was met with cheers and dancing.  

The first band I had the opportunity to see that evening was Burn the Midnight Oil. They started with a cover of Dreams and soon had everyone singing along, before launching into a set of original songs, which saw dancing, cowboy hats and even people howling like wolves for a short time (there was more context to it than that, I promise!).

Although all songs they played โ€“ other than one โ€“ were originals, they played them which such skill that without knowing their setlist beforehand you wouldnโ€™t have known that they werenโ€™t just covers of songs that you just didnโ€™t know, which can take a lot of skill to do right. All their songs were great, but Iโ€™d like to give a mention specifically to Scapegoat and Werewolf, which were my two favourites of the evening. It was clear their focus was on well played and polished originals, which they were fantastic at and which the audience clearly appreciated. 

Dreamcatcher came quickly next, a band that originally started as a Fleetwood Mac tribute, but their tastes broadened to encompass a load more songs of the same sort of style – although rest assured, they still had a healthy dose of Fleetwood throughout. Their 45 minutes setlist saw a variety of different songs, broken strings and even the sun (for a short appearance, which had everyone cheering) with a main focus on stuff from the 60s and 70s, the sort of songs that everyone would know and have a little dance to.

The Dreamcatchers played well, and despite the small crowds, it was clear the audience enjoyed their material and it fit in well for that kind of event. 

By far the most appreciated band of the evening were The 789s, a Bristol based events band. Itโ€™s fair to say they were some of the most skilled players of the evening, with their four-person line up seeing drums, bass, guitar and vocals. Once again, their setlist focused on well-known and easily danceable songs, seeing performances of Come On Eileen, Donโ€™t Look Back In Anger and many more that had everyone excited.

I had a quick chat with their lead singer Ally who said a lot of the songs she enjoys performing are 70s funk and disco style numbers and that that was what she grew up with around the house. Their high energy songs soon had everyone up dancing and singing along and it seemed that 45 minutes wasnโ€™t enough for the audience, after two back-to-back encores at the end of their set leading to a few extra songs, which were just as impressive as โ€“ if not better โ€“ than the rest of their set.

With their skilled instrumentalists, incredible talented singers and a well-polished setlist I thought it was perfect for this kind of event and clearly the rest of the audience agreed. Ally went on to say that the energy people gave her made it a really fun gig to be playing at.  

The last performance of the evening saw headliner Almost Elton take to the stage. By this point the audience were invested in whatever performance would come next, so he was met with a great reception after setting up a keyboard and mic followed by a quick outfit change into a feathered coat and a not entirely convincing wig.

He had a longer set than others, and being an Elton John tribute act ran through all the favourite songs of Mr John โ€“ even bringing some random audience members on stage to โ€˜helpโ€™ with the vocals on Donโ€™t Go Breaking My Heart. It was a good way to round off an event like this, everyone knew the songs, everyone sang along and everyone danced. 

All in all, Kingston Media pulled off an enjoyable event with some fantastic performers throughout the evening. As well as the four Iโ€™ve babbled about above Iโ€™ve heard great things of both Jane Bennetโ€™s and The Sitting Ducksโ€™ sets (and actually all of the rest of the performers) and was sad to miss them.

Although the crowds were a little small, that is completely normal and to be expected for the first year of this sort of event (and in fact, their first ever event of this type). They had the traditional festival atmosphere nailed and a great venue to go along with it. So, hereโ€™s hoping for it to be done again next year, maybe with a bit more sun though?! 

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Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo album called Playing Solitaireโ€ฆ..

Released yesterday (2nd May) Playing Solitaire is Philโ€™s first solo album in five years. The last being These Revelation Games in 2020, which was a varied bunch where Phil experimented extensively. Perhaps lockdown inspired artists to scrutinise and pilot new ideas, though through his part in the Americana harmony trio The Lost Trades, fronting the harder rocking The Slight Band, and BCC project, where Phil dives into synth-pop, heโ€™s never been one to shy away from testing new waters. But the principle beauty of Philโ€™s work lies in the simplicity of his idiosyncratic and solitary acoustic outpourings, a clear and clean line of self-reflection, drenched in honesty and poignancy, and thatโ€™s precisely what youโ€™re getting with Playing Solitaire.

Apologise for the delay in announcing this; I had to take one more listen this morning, before deciding if I should call this his best work to date, as heโ€™s a prolific artist with an outstanding discography already. But I think I can safely say, because of the wonderful way this flows, coalescing in mood and style, I think I can safely suggest that it is.

If an all-out anarchistic thrash of rock n roll is what you require, this isnโ€™t for you. For everyone else Playing Solitaire is beautifully crafted and passive, gorgeously taut and accomplished. Thereโ€™s no whimsical introduction. โ€œLook out world, Iโ€™m here to stay,โ€ Phil confidently announces without warning; good! Because Phil knows precisely how to construct a song, and itโ€™s this dedication to composition where he shines best. The opening song, Still Holding My Breath is quintessential Phil Cooper. Itโ€™s the acme of his observational writing, a homage to the notion hard work pays off, a characteristic we know Phil well for.

Moving to the next tune, romantic dejection is his soft play centre topic, and oh, how you wrote that note, disregarding how it might be interpreted by the receiver; perhaps weโ€™ve all been there. If itโ€™s a personal reflection, you identify, and the magic lies at the feet of this contemplation, the very magic of Philโ€™s words, song and ability to combine them, hard at work. And this is an observation we could make to summarise the whole album.

That Easy Road, is remarkable heart on a sleeve content again, it drifts with a stormy sea metaphor to convince himself heโ€™s loved. Another peace of mind ballad follows, then Bijou comments on struggling grassroots music venues, and even if Iโ€™m not a musician, itโ€™s exceptionally touching and poignant. The passion Phil delivers this with and the construction of the riff, itโ€™s my personal favourite on the album, maybe replacing Road Songs, my past fav Phil Cooper tune. 

Halfway mark of this ten strong album, and weโ€™re in another foreboding place with Beauty in the Cracks, a frustration at progression, perhaps. Uptempo, and weโ€™re on a lighter note next, followed by a live favourite, They Will Call Us Angels. Eric Bogle fashioned or Guthrie, even, if we suggest an Americana route, but weโ€™ve definitely arrived folk inspired by his work with The Lost Trades. Phil glows through a moving account of a frontline medic, and itโ€™s something kinda wonderful.

Maybe Phil lessened on the deeper narrative in the middle of this album and left three moreish golden nuggets to finish on. Directionless is as it says on the tin, it drifts, and rises halfway through. And we finalise akin to where we began, a little self-help guide type lyrics, but hey, Phil is always on-point. It is an almost one-man choral twinkle, defining Phil as a perfectionist.  

If you worked with Phil in an office, he might be the friendly confidant you relay youโ€™ve prepped nothing for this meeting, and heโ€™ll assure you heโ€™s done equally poorly, and then, at the meeting heโ€™d turn up with a full presentation! Not a show-off by any means, just a dedicated precisian, motivated to the hilt, but seemingly oblivious of the haphazardness of the more spontaneous type, and thatโ€™s a rare trait in a musician, making for something individual, solitary, like the one who plays solitaire when they could engage in a two-player game, usually with our Jamie!

Image:ย Andrew Bert Greaves Photography

This album gets top marks as it reflects his personality sublimely, even by title, and you take a little bit of Phil Cooper away with you. In other news, The Lost Trades are back in the picture since the departure of Tamsin Quin. Jess Vincent takes her place as the third Lost Trader, their touring dates are announced, and we look forward to seeing them with the new addition. For now, Playing Solitaire is out, and you can find it HERE.

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Voting Now Open for the Wiltshire Music Awards

The voting process for the Wiltshire Music Awards goes live today; there might be some other voting thing going on too, but this is far more important!

In conjunction with Wiltshire Music Events UK, Iโ€™m delighted Devizine will be actively assisting to organise this new county-wide music awards. Weโ€™ve mentioned it a few times now, but today the moment has finally arrived for you to cast your votes. Nominations are open for the ceremony from 1st May 2025, and will close on 10th June 2025.

Cast Your Votes HERE

Please Share this News

The award ceremony will take place in Devizes at the Corn Exchange, on Saturday 25th October 2025, tickets are here. We hope it will continue annually, this all depends upon your input. Please get voting, and we call upon everyone actively involved in music scenes across the county to get involved too.

Hereโ€™s some FAQs about the process, and other than to say Iโ€™m mega-excited about it all, and to please share this news far and wide, thereโ€™s not a lot else I can waffle on about it for now; everything relies on you all to help us find the talented in Wiltshire, so get voting!

Who can be nominated?

Anyone involved in music based in Wiltshire or primarily active within the county can be nominated. This includes solo artists, bands, DJs, instrumentalists, music promoters, and venues.

Can I nominate in more than one category?

Yes, you can submit nominations in multiple categories. However, each artist, band, group, DJ, or venue may only be nominated in one category overall, so please choose the most suitable one.

Who decides the winners?

A panel of music professionals from across Wiltshire will review the shortlisted entries and select one winner per category. The panelโ€™s decision will be final.

Theatre Review: Everybodyโ€™s Talking About Jamie by Devizes Music Academy

An effervescent musical, full of promising young talent

Written by: Melissa Loveday

Images by: Gail Foster

After the success of SIX last year, Devizes Music Academy is beginning to make a name for itself with its second musical production, Everybodyโ€™s Talking About Jamie, which featured two electrifying performances on 19th April at Devizes Schoolโ€ฆ.

And wow! What an incredible show it was! Bringing this musical sensation to life โ€“ including Northern accents, multiple set and costume changes and complex dance numbers โ€“ was ambitious. Yet after only a week of rehearsals, 23 talented young performers, aged just 13 to 18, poured their hearts and souls into a performance that was dynamic, professional and full of impressive talent. It had heart, humour and heels so high I wouldnโ€™t be able to walk in them, let alone dance!

Everybody’s Talking About Jamie

From the opening scene, it was packed with raucous energy and perfectly delivered sass that immediately transported us to a gritty Sheffield comprehensive, where Year 11s contend with the wonderful and frightening possibilities that lie ahead of each of them. Jamie New, an openly gay 16-year-old who dreams of becoming a drag queen, was instantly likeable as he and the rest of the cast swept us into his pop-fantastic daydream โ€˜And You Donโ€™t Even Know Itโ€™.

Everybody’s Talking About Jamie

Inspired by the BBC Three documentary Jamie: Drag Queen at 16, Everybodyโ€™s Talking About Jamie was written by Tom MaCrae with music by Dan Gillespie Sells, from an idea by Jonathan Butterell. First produced by Sheffield Theatres, the show took Londonโ€™s West End by storm in late 2017 and has brought infectious joy to audiences ever since.  

Everybody’s Talking About Jamie

But this is a story about more than a boy wanting to wear a dress. Itโ€™s a multi-layered tale of family and friendship, and having the courage to step into the person you were always meant to be. Set in a working-class area of South Yorkshire, England, the story is grounded in a world thatโ€™s relatable, keeping it from becoming overly sentimental. Instead, it feels edgy and vibrant, whilst not shying away from the struggles individual characters face.  

What made this amateur โ€˜Teen Editionโ€™ so special was the thrill of watching real teenagers bring these teen characters to life. Under Jemma Brownโ€™s expert direction, with vocal coaching by Teresa Isaacson and choreography by Sarah Davies, the cast delivered a level of talent that could easily hold its own on a West End stage.

Everybody’s Talking About Jamie

The whole ensemble was brilliantly cast, with every member delivering a believable storyline through genuine and multi-dimensional acting, powerful vocals and sharp choreography.

Jacob Leggett was made to play Jamie. At just 15, he brought the perfect mix of camp charisma and youthful innocence to the role, whilst also capturing Jamieโ€™s wit, cheekiness and vulnerability. His rendition of โ€˜Wall In My Headโ€™ was captivating, building beautifully into an emotional crescendo that gave me chills!  

Everybody’s Talking About Jamie

Meanwhile, Ruby Phipps gave Pritti, Jamieโ€™s loyal, studious best friend, a quietly headstrong presence. Her solo โ€˜Beautifulโ€™ was sung with elegant control, allowing each phrase the space and diction needed to feel both precise and spontaneous. Although she and other cast members werenโ€™t Muslim, the production honoured the spirit of diversity by respectfully representing the Muslim community, complete with hijabs.

As a parent, I was moved by Lisa Grimeโ€™s portrayal of Jamieโ€™s mum, Margaret, especially her song โ€˜Heโ€™s My Boyโ€™. It was heartfelt and mature, with excellent vocal range, and had me reflecting on the bittersweet truth that while we strive to shield our children from pain, life will inevitably hurt them, and yet we thrive on seeing them live authentically. Our children, in all their brilliance and vulnerability, are our greatest accomplishments.

Everybody’s Talking About Jamie

Another standout came from Cory White, who doubled as the school bully and Jamieโ€™s dad, whoโ€™s harsh lines stung, but showed subtle remorse that added depth to his characterisation.

Ted Maughan was commanding as Hugo and playful as Loco Chanelle, offering a refreshing contrast with his confident spoken-word delivery style and lively American accent.

Everybody’s Talking About Jamie

The set design was simple but effective, with props such as a balloon arch for the prom scene creating a party feel. Transitions between classroom, kitchen, bus stop and prom seemed to happen as if by magic, enhanced by effective lighting and seamless costume changes, from school uniforms to dazzling prom gowns. The spotlight reveal of Jamieโ€™s red dress was especially powerful, leaving the audience wanting more.

Dynamic choreography and colourful harmonies elevated the production, from coordinated group numbers to breakout moments allowing individual characters to shine. Particularly memorable was the schoolgirls’ clapping routine in โ€˜Spotlightโ€™, reminding us of the charactersโ€™ young age, while a dance duet between Cory White and Chloe Whitcombe during Margaretโ€™s โ€˜If I Met Myself Againโ€™ added a poignant, dreamlike quality to the song. But I especially loved the title number โ€˜Everybodyโ€™s Talking About Jamieโ€™, which kicked off Act II, with its excited, gossipy feel, as multiple characters bounced their individual lines off each other before erupting into an energetic and synchronised dance sequence that had the whole room buzzing!

Everybody’s Talking About Jamie

Itโ€™s genuinely hard to believe this was amateur musical theatre. The level of professionalism, emotional authenticity and pure talent displayed by every single cast member absolutely blew me away. These young performers truly brought a little bit of glitter to the grey.

With so much promising young talent on our doorstep, it begs the question: whatโ€™s next Devizes Music Academy? Whatever it is, I canโ€™t wait!

You can catch an abridged version of Everybodyโ€™s Talking About Jamie at the Fulltone Festival, The Green, Devizes, on Friday 25 July. For tickets, visit www.fto.org.uk

Is This Calne Reform Candidate Violette Simpson?

A photo is circulating on X of Calne’s Reform UK candidate Violette Simpson, which for some reason doesn’t appear on her election campaign….I wonder why?

Just to clear up any confusion, she’s the one with the gun.

According to Calne News Violette Simpson, the Reform UK candidate for Calne Central, has been criticised for describing herself as an “independent” on the ballot paper for Calne Town Council, despite being a member of Reform UK. What else is she hiding, we could ask.

Now, we all know X is a barrage of bamboozlement and bull, so how can we possibly fact-check something as sensitive as this? Simples: It’s her Facebook profile picture!!

“Add friend,” it asks underneath….na, you’re alright, thanks! Vote for Reform in Calne, and you might be forever wondering what happened to your pet cat, as well as your rights to democracy and NHS.

Thanks to Reform UK Exposed for the scoop on this beauty, follow them here.

Devizes Palooza DJ on the Bill for Fatboy Slimโ€™s All Back to Minehead

Big congratulations to Devizes DJ Greg Spencer this week, the creator of Palooza house nights at The Exchange nightclub, for he made the prestigious bill of Fatboy Slimโ€™s All Back to Minehead festival in November at Butlins; we have to celebrate him, baby, and praise him like we should!

Palooza launched in March last year, to bring back regular house nights in Devizes, and fantastic they are too. A year later and Greg excitedly messaged us with the news he was potentially booked for Fatboy Slimโ€™s annual shindig at the Butlins in Minehead, we just had to wait for confirmation, which he now has. โ€œIโ€™m a bit overwhelmed by it,โ€ Greg told us at the time, describing the news as one of the best days of his life when he announced it last week.

Goldie, K-Klass and a DJ set from Leftfield are among the highlights of who will be larginโ€™ it with Norm at this annual dance music extravaganza; we wish Greg all the best with it. But if you want to get Paloozaโ€™d closer to home, theyโ€™re back at the Exchange nightclub this Friday, 2nd May. And weโ€™re leaking future dates for Palooza nights to put in your diary, the 27th June, 29th August and 19th December.

This Friday sees the crew playing house, old skool, techno and tech house with DJs Floormover, Leggy, Rodj, Eldridge and Grit. Pay on the door, Facebook event page is here; let them know if youโ€™re going!

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to the liveliest watering hole, The Three Crowns, to see a band with our town’s name all over it, No Alarms And No Devizes? How apt!

Iโ€™ll confess, while I know most of the members of this five-piece as individual musicians in their own rights or as members of various other groups, I was yet to see them in this setup, despite them forming the best part of a year ago. Naughty of me, I accept, but Iโ€™m overly glad to finally tick them off my must-see list, and on the strength of last nightโ€™s performance, it wonโ€™t be the last.

Aware of their talents as individuals my only pre-gig apprehension being it can sometimes be a case whereby groups formed of members whoโ€™ve met at open mics sadly donโ€™t equate to the sum of their counterparts. This minor angst I quashed before arriving; I could hear them from the carpark as they rang out Steve Harley & the Cockney Rebelโ€™s Make Me Smile with gusto. โ€œCome up and see me,โ€ the song suggests, yeah, Iโ€™m nearly there, and already glad I did. Again, how apt!

But itโ€™s not just in the word-playing a Radiohead songโ€™s band name to give it a local spin, nor the coincidental meaning of the song they were covering when I arrived which makes me happy to report that they know exactly what buttons to press, rather on the tightness of the band and their comradeship too. Frontman Tom Harris, known for also fronting extreme-metal band Kinasis and a stalwart locally as a blues solo artist, is a force to be reckoned with. His lively vocal range knows no bounds, and thereโ€™s joyful connotations within his energy and often amusing facial expressions which rub off on the audience.     

If, as it suggests, โ€˜extreme-metalโ€™ is too extreme for me, itโ€™s in his lighter fashions which makes me smile, and during lockdown the few funky tunes he created really brought Tomโ€™s natural talent to entertain to my attention. With No Alarms No Devizesโ€™ varied range of cover choices in their arsenal, Tom is free to explore his funky side or whatever fancies his tickle, and I loved this about the No Alarms And No Devizes show the most.

Tom is backed by proficient guitarist Pat Ward, once modest about his abilities, today moving through the audience whilst strumming, like a pro! Bassist Jonny Jam, whoโ€™ll you see blessing his skills in many local bands. A new drummer, Nick Wood, who sure found his feet and sticks last night. And with the additional Matt Pryor on keys, the lineup gives them the scope to nail a vast range of pop songs into their repertoire, and they do them all with impressive confidence and showmanship.

Keyed in to precisely what the varied crowd at the Three Crowns want, they ventured through anything and everything from Nina Simone and the Beatles to the obligatory Radiohead, the Proclaimersโ€™ crowd-pleaser, and eighties pop such as my personally most welcomed Men at Workโ€™s Down Under, with a gradual fade from melodic to a frenzy. They slipped in a few great originals too, but whatever direction they took themselves into they did so with flow, precision and enthusiasm, making for a universally highly entertaining night I cannot fault. Even their break was no longer than a wee-stop!

I do ponder if the bandโ€™s name implies itโ€™s just a bunch of guys from Devizes when they arrive at other townโ€™s venues. They played Swindonโ€™s Rolleston recently, they played HoneyFest at the Barge and Salisburyโ€™s Coach & Horses, among others, but Matt assured me theyโ€™re welcomed wherever they play, leaving me only to assure venues outside Devizes, they may be announcing theyโ€™re guys from Devizes within their very name, and banter between towns might be a thing, but once No Alarms And No Devizes are in full swing, youโ€™d be glad you booked them!

Another wonderful night at the Three Crowns, then. It never fails to please. With the Brewery Shop opening next door, seeing visitors stopping into the pub, the live music and gourmet burgers, The Three Crowns is surely a testament to what a pub can achieve if they put their heads into what punters want, particularly in these uncertain times. It was as busy as ever in there, hospitable and lively, with a varied age demographic out to party and nothing baleful.

We clashed events with the wonderful Facebook page dedicated to promoting local live music, Bird is the Word, which had to happen at some point! Go give them a like if you do Facebook, theyโ€™re doing good things over there, with higher quality photos and video streams than my tiddly tries of getting into focus while dancing and balancing a cider!

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Hannah Rose Plattโ€™s Fragile Creatures

If Whitney Houston set a benchmark for female vocalists many did before her too, but while others were influenced by them, they never felt obliged to attain a sound precisely mimicking them, as, it seems to me, many modern female singers striving for pop success do with Whitneyโ€™s. And when they do, it sounds, well, manufactured and impassive. A Liverpudlian now residing in Bristol, Hannah Rose Platt releases a concept album tomorrow, Fragile Creatures, of which Iโ€™d compare more to like of Kate Bush, whereby Hannah can weave beautiful tapestries, adapting her voice to reflect the sentiment of her narrative, mood and style of the track; and thereโ€™s a lot going on in Fragile Creaturesโ€ฆ.

It is undoubtedly a concept album, anatomising the complex relationship between women and medicine throughout history. It explores how antiquated myths and misconceptions in the pursuit of science have impacted female health, while creating countless injustices and inequalities. If this comes across sounding more akin to a poignant lecture, Hannah Rose Platt shifts between a collection of musical influences to imprint her wisdom, causing Fragile Creatures to be an altering and compelling journey of prowess and refinement.

It opens introductorily with a spoken word sample of Helen Andelinโ€™s Fascinating Womanhood, a controversial sixties manual encouraging women to uphold their conventional marital role. Ataraxia is as calming as the meaning of its Greek philosophical title, ambiently floating over an acoustic guitar riff and drumbeat, musically reflecting on Diazepam-flavoured tranquillity, as if conformity to the sample will land us all in a world to make Aldous Huxley quiver. In this, Hannahโ€™s voice is bitter, eerie, to convey the point.

But by the second tune, Curious Mixture, a drifting acoustic vibe, Hannahโ€™s voice is as silky and smooth as Kylie, which shifts to a sharper more indie-punk feel as the songs progress. Thereโ€™s a definite Bristol trip hop scene there too, causing me to consider Portishead as an influence. By the fourth tune weโ€™re blessed with the most gorgeous ballad to Mary Magdalene, reminding me of Daisy Chapmanโ€™s folk angle. Itโ€™s at this conjunction I realise Hannah is reciting her deepest thoughts and observations on the theme, historically, and theyโ€™re gender ecumenical rather than bitter stabs of feminist vendetta. I didnโ€™t feel under attack as a guy listening to this, provided I ponder the meanings Hannah so poignantly expresses.

This is eleven tracks strong, melding myths of pseudoscience, superstition and patriarchy with medicine and chronicles of the resilient and defiant women who unyieldingly fought for equality and autonomy. At times itโ€™s Kate Bush vocalising for Massive Attack, as is the tune The Yellow Wallpaper, at others, such as La Grande Hysterie, itโ€™s a contemporary Alanis Morissetteโ€™s Jagged Little Pill covered by Siouxsie and the Banshees. It ends playfully like musical theatre, but penultimately is horrific and beautiful in equal measure.

The album is a themed anthology. Each song has its own narrative, weaving into each other. From the tale of Anne Greene, accused of infanticide under the Concealment of Birth of Bastards Act, and pardoned after being revived from hanging to reflections on the health gap that lingers to this day. Thereโ€™s so much more I still need to discover exploring its sheer brilliance as a concept and how the music compliments it.

Hannah explains the concept, โ€œThis record is both an offering and a tribute to female pioneers in medicine; and an endeavour to honour, and give voice to, the unsung heroines in the history of our health. What struck me most during the research and creation of this album was the deeply ingrained, sinister nature of myth and misconception surrounding womenโ€™s health, and the harmful, cyclical dismissal of experiences; decade after decade, century after century, often reinforced by outdated and dangerous practices. My hope is that listeners will not only be intrigued by these stories but also inspired to dig deeper and empowered to challenge the systems that have long ignored or misrepresented womenโ€™s voices, as this dismissal remains so prevalent today.โ€

At this I could agreeably sigh, like any poignant art which usually preaches to the converted those who really need to take heed of its message will likely overlook it. Nevertheless, if others cite Fragile Creatures as the work of an upcoming artist, Iโ€™d favour to compare the depth and production of this fantastic album to Dark Side of the Moon. And with that the right audience might spare its lesson a thought. A high but deserved accolade, in considering it took Pink Floyd seven albums to accomplish this magnum opus, when this is Hannah Rose Plattโ€™s second; what comes next will be astounding because Fragile Creatures is a sublime keeper.

The advance single Curious Mixture is out now. Full album is released tomorrow (April 25th) via Xtra Mile Recordings and mastered at Abbey Road, with production and playing from Ed Harcourt. Launch party is Friday 25th at Rough Trade, Bristol.

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Yea Devizes; The Future of Events in Devizes

The premise is really quite simple, the prospect is positively glowing with brilliance, the result remains to be seen, but on Sunday the 4th May Devizes will know for sure where the future of events in the town rests โ€ฆ.. No pressure Devizes Yea team!!

It was never a nice thing to have to announce our beloved Street Festival had to be cancelled due to arts funding cuts, but being as the Market Place was booked for an event on the date, Devizes Outdoor Celebratory Arts are determined to put on a show regardless.

The fantastic part to all this is that DOCA has brought together teenage volunteers to create a new annual festival in Devizes Market Place, under the name Yea Devizes. The most important thing for all to note about this is, this is not the street festival, nor a replacement for it, it should not be compared to it, and most important of all, it is NOT just for teenagers. Even if the committee of organisers are youths, this event welcomes everyone, of all ages.

DOCA say they โ€œnoticed very few young adults attended traditional local events and therefore sought out youth ambassadors eventually creating Devizes Youth Event Area (Devizes Yea). The youth volunteers wanted to represent their own interests, making local events appeal to our young adults. Theyโ€™re using their skills and collaboration to create this festival, with an aim of bringing together all generations of our community.โ€

I met up with the team at their weekly planning meeting, and over a massive map of the Market Place, plastered with sticky notes highlighting all the great ideas theyโ€™ve collectively worked on, I was mightily impressed. Under the direction of DOCA expert Annabel, Elsie, Bea, Jo, and Sam are the Devizes Yea core ambassadors, learning the tricks of the events trade, and likely how much hard work goes on behind the scenes to create large scale eventsโ€ฆ. and thereโ€™s more than you imagine.

Jess, my daughter, just joined as press officer, (which puts us ahead of the game of telling you about it!) But Devizes YEA are still looking for teenage volunteers to help in the build-up to and the event itself. So, if you are a young person living in the local area and want to get involved contact: yeadevizes@docadevizes.org.uk or find out more on the DOCA website or Instagram.

โ€œThere will be something for everyone at this outdoor event,โ€ Devizes Yea promises, โ€œwith a range of live music, circus acts, poetry open mics, plot35 Devizes community gardening, cooking demonstrations, food traders and more. There are also chances for teenagers to get involved on the day with sound tech and learn from professional sound engineers who will be setting up the main stage.โ€

We think this is a great idea, and look forward to seeing the results. Oh, and wish them all the best of luck with the first event on 4th May, obviously. This could be the start of something amazing, and I must stress the point once again, that this day is designed and intended to be for everyone, not just our younger residents. Even middle-aged young-at hearts, duty bound to show them how itโ€™s done on the dancefloor; Dad-dancing mode switched to crazy legs… and I’m off, nobody attempt to stop me!!

Alien Invasion in Frome; Henge at The Cheese & Grain

Two people asked me in Frome what the music scene was like in Devizes. I replied it’s great, but by comparison it’s conventional, and this was prior to witnessing the sublime close encounter which was Hengeโ€ฆ..

Before you read further, note, I use the word โ€œweirdโ€ as a compliment. But yes indeedy, those friendly aliens, who take the term space-rock literally, landed their interstellar craft at Frome’s glorious centrepiece The Cheese & Grain last night for an eccentric, electric showdown of universal proportion. It was, in short, out of this world.

Excited about catching Henge live after fondly reviewing their album Journey to Voltus B in January, it was every bit as enthralling as I’d have imagined. The Cheese was brimful of kindly weirdos akin to the rooftop scene in the popcorn-munching abomination that is Independence Day; other than no one punched an alien like Will Smith! From aspiring space cadets to ageing hippies and middle-aged ravers, Henge remotely charged their plasma ball hats and casted a musical tractor beam over them, compulsing them to dance.

With phasers set to fun, Henge launched their wild show much like the energetic take off sequence of their latest album, and I pondered if they plotted to play out the album and be done with it, as is a common occurrence for established earthbound bands; not a chance, us humans were bequeathed a cosmic, extraterrestrial proportioned party.  

There’s a space journey narrative to the album which includes an Orb-esque plodding ambient period of hypersleep, a convenient opportunity for them to avoid, and divert the live journey to play some past album tracks, to keep the show’s pace consistent. These aliens of superior knowledge and proficiency made a wise choice, the place was positively throbbing.

Here’s the music which should’ve been playing in the Cantina scene of Star Wars. Here’s the music which would’ve caused both Miles Davis and Eat Static to have seizures. It’s jazzy, uptempo electronic skullduggery somewhere between prog-rock and trance techno, perhaps, or rather, in a field of their own playful invention.

Yet to pigeonhole it would take a textbook of notes. Henge are toytown, rave vaudeville, a guitar circus in space; they’re alien, unique and clearly on a higher plane of existence. The beauty of them is, they want to share it with you, lovingly. As a spectator you are welcomed on their, what’s best described as, an encapsulating musical space trip.

They analysed our planet, took a murky sample of the River Frome, and advised on the best path for the future of humankind; seemingly to demilitarise and direct its funding towards either ecological revitalisation or space colonisation, and they mastered it hilariously with a peacenik singalong finale.

But they did so as they did with everything, an uplifting sonic musical experience, the likes I’ve never seen before, and I’ve raved with glow sticks at Longleat’s UFO Club, partied worldwide, done, dusted and worn the T-shirt out of many a groundbreaking festival. This was on another planet, truly fantastic; please abduct me again sometime soon!

I’ve seen some weird street theatre in my years on this planet, but I awoke this morning, trying to recollect if I’d ever seen any musical band as weird as Henge. I’d like to say I hadn’t, but an earth half-hour prior I witnessed the support act.

A rib-tickling one-man-band Mancunian hedge monkey called Paddy Steer, who, dressed in the single-most bizarre illuminated space-wizard costume ever, delighted us with a set of experimental percussion and low-fi fluctuations, the likes you’ve never heard before. If Henge owned the mothership, Paddy was his own microsatellite, orbiting a stratosphere of his own mind-bending imagination, and it was as equally mind-blowing as it was hilarious and engagingly original. 

Paddy Steer has found a new level of eccentricity. They broke the mould when they built this alien Gandalf come Frank Sidebottom, on a mushroom journey to Lala Land with S Clay Wilson, and his music is inspired by the fable of it. Making the Mad Professor seem sane, he kept a perfect instrumental harmony as his decorative kit wobbled and a billion and one leads dropped out of their ports, much to the frustration of the sound engineer, but with nonchalant precision and scratch of his wizard beard, Paddy amused the audience by continuing nonetheless, profoundly. It was something to behold and impossible to wipe the smile off your face until Paddy had packed up and returned safely back to Discworld.

Together they made for the kind of fantastically bizarre gig you’ll never find in Devizes, unless you intoxicated yourself with mushrooms and imagined the whole thing. It remains to be fact, Frome is the diverse local centre for counterculture and the eccentrically creative; Henge and Paddy fit like a glove, if The Ozric Tentacles were born here. But it was my second night in Frome, after a Dadโ€™s taxi adventure saw me drop the kids off at the Cheese for Lucy Spraggan on Thursday, a kind of Gen Z Lily Allen.

Lucy Spraggan on Thursday, local rural skullduggery with The Wurzels on Friday, and space adventuring rave circus aliens Henge on Saturday, The Cheese & Grain is punching above Fromeโ€™s weight. To trek elsewhere in the town might not be as bustling, but certainly doesnโ€™t disappoint. From the Merlin Theatre to The Sun and 23 Bath Street, entertainment options are vast here, but when in Frome, I did as the Fromans and found solace while waiting for the kidโ€™s gig to end, at the Rye Bakery by Frome station.

Hereโ€™s a hidden gem wine bar, pizzeria and generally cool hangout away from the live music tourist trail, hosting music Thursday and Saturday nights, in which our own Jon Amor Trio appear on the 24th. For our entertainment on this particular Thursday some groovy modern jazz was supplied proficiently by a quartet called Fushal. They were wonderful, the whole scene is, I might relocate and call this blog Fromzine, if only those aliens of Henge would land here again!     

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Devizes South Conservative Candidate Accused of Election Fraud

Melksham & Devizes Conservatives released a statement on the 7th April explaining an internal audit revealed one of their candidates was โ€œnot qualified by residence as they believed they were,โ€ and claimed it was a โ€œgenuine mistake.โ€ Devizes residents have gathered on social media to express their concerns that electoral law has been broken and the affair is quietly being pushed under the carpetโ€ฆ.

Conservative candidate Sarah Batchelor moved to the area in July last year, to take over as management of the Crown Inn in Bishops Cannings and therefore has not been resident in the area or on the electoral roll for the legal minimum requirement of twelve months to apply for a councillor role. Melksham & Devizes Conservatives said in their statement they have informed the Electoral Registration Officer and the candidate will โ€œtake no part in the campaign process nor take up their seat if elected.โ€ 

But residents are angered by both the belief this was not a genuine mistake as claimed, is an incident in which media attention is deliberately being avoided, and hypocritical when Melksham & Devizes Conservatives caused a major outcry at a local by-election, when a Devizes Guardian candidate accidentally breached election law. Another sour point was that the Melksham & Devizes Conservatives make no attempt to apologise for the mistake and any potential cost to the taxpayer if a reelection is necessary in the process which will follow. โ€œYouโ€™d thought theyโ€™d have learnt after the PCC debacle a few years back,โ€ the original poster stated, โ€œis this what you want from local councillors?โ€

Announced on the MDCA X account, because everyone looks there!!!

โ€œThe qualifications and rules are clearly stated on the form, and an individual knows if they meet them or not,โ€ one resident pointed out on the Facebook group, Devizes Issue (But Better,) where the debate is causing a storm. โ€œIf the individual completed the forms,โ€ they continued, โ€œthey have falsified an application. If someone else completed them on their behalf – they have not carried out due diligence or have ignored the clear rules. So which is it?โ€

The group were informed by former Labour councillor Noel Woolrych that โ€œthis is actually a police matter and is in their hands. However, I least believe that the name will still appear on the ballot paper as they had already been printed.โ€ This raises the issue if she will be replaced, and as another commenter stated, โ€œeven though the election will still go ahead and the Conservatives have distanced themselves from the candidate, her presence on the ballot could still influence the outcome. Votes cast for her could impact the overall vote share and potentially alter the result, even if sheโ€™s not officially endorsed. That in itself raises concerns about fairness and electoral integrity.โ€

Sarah Batchelor (far right) pictured with other Conservative hopefuls, including Jordan Overton

A reliable source informed us these forms will have been checked prior to submission by Conservative Wiltshire Councillor Iain Wallis, who also controversially runs another Facebook group, Devizes Issues. It is a fact that this councillor is head of promoting all Conservative candidates for Devizes South. Sensitive enough to question the overall honesty of the Melksham & Devizes Conservatives it appears then, that the issue here has been deliberately avoided on said group, and elsewhere by Melksham & Devizes Conservatives, despite Councillor Wallis creating his own storm in a teacup at a by-election last year when a Devizes East Guardian candidate made a minor omission on a leaflet, falsely claiming the candidate had been arrested. 

โ€œI see it as fraud on both parties,โ€ another resident said, โ€œFirst party being the person who completed the forms and stated in the declaration that they are correct knowing they are false. Second, the political party who vetted the form knowingly didnโ€™t complete the due diligence process to ensure that their candidate was lawful and correct.โ€

Again, we suspect the desperate local Conservatives are playing dirty for this local election, as they do for national politics, yet clearly claiming on their social media posts they are โ€œlocal people with the community as our focus, with no central party control and our focus is not on national politics,โ€ to divide themselves with the downfall nationally of their party. Yet, we discover them clearly using national party funds to campaign, and boy, they certainly are influenced by their national party tactics!

And that’s the truth, dammit!!

On a banner produced by the Devizes Conservatives it is claimed what makes candidate Iain Wallis โ€œstand outโ€ is that he โ€œbelieves that every resident should feel their voice is heard.โ€ Shamefully laughable considering this debate has to appear on groups he does not administrate and will no doubt be excluded from his own popular Facebook group. A group which has seen opposition candidates, councillors, support groups, upstanding citizens and charity organisations, and anyone who dares to challenge his opinion with a differing one be rewarded with lifetime bans. 

We also find ourselves in said club of โ€œdisregarded dissidents,โ€ for stating the facts, are proud to say it has been this way for a long time, and consider it a badge of honour!

Although, I strongly suspect, as it has been in past times when we have been caused to be critical of Devizes Conservatives, Mr Wallis will bleat like a hurt lamb, hold up a victim card, claiming all manner of falsehoods that we are attacking him personally. This simply isnโ€™t true, and never has been. We only intend to highlight scoops that, for some strange reason, no one else is willing to risk their backhanders or potential advertising revenue to cover with the clarity needed to expose fraudulent candidates, which this is clearly as a case of. Is it my fault the same name appears to crop up each time? A case I rest there.

As the original post creator asked the group, โ€œis this what you want from local councillors?โ€

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch, transforming the Hillworth Park cafรฉ. I felt the need to poke my nose in, for the sake of a tea and toastieโ€ฆ.

A slight cooling of temperature didn’t prevent a busy opening day for the team.  Owner Marc told me how customers were lined up at the doors before they opened, and supposed the cooler climate wasn’t a bad thing, as they were still finding their feet!

Hillworth Park was much the same as usual, scenic yet functional, with a sprinkling of families passing through and children playing games. This is a welcomed addition, though, as Soupchick is renowned locally for quality homemade tasty tucker, though the customer base might change slightly. What then, is different from the Soupchick of the Shambles and the new cafรฉ, and what’s the same? I hear you ask!

Easy. The ethos is the same, fromย  the hospitable welcome to fresh quality produce and homemade food, with Anya’s exceptional attention to flavours that compliment each other; it’s all sooo scrumptious!

There’s two of their delicious soups of the day options, naturally, and there’s toasties of similar variety as before. But with a view to more family clientรจle, there’s simplified versions of the toastie, such as plain cheese with ham, tomato or onion, as well as those favourites at the Shambles, such as The New Yorker with pastrami, Swiss cheese, red onion and American mustard, the tuna melt, or Smokey Spanish Chorizo.

While I’m personally partial to a New Yorker toastie, the greater welcomed element will surely be the essential ice cream from Marsh Farm, and a greater concentration on teas, coffees, smoothies, milkshakes and salads. From quiche to baguettes and falafel wraps, it’s a wider variety, but everything retains the fresh quality we’ve come to love Soupchick for.

They’re open for breakfast too, with granola bowls, fruit salads, porridge, toast and wraps, and everything on the menu all day is very reasonably priced; when considering how tasty it all is; you can’t go wrong with a toastie for six pounds, or sandwiches from ยฃ5.50.

It was a shame, for years past, the Hillworth Park cafรฉ perhaps wasn’t reaching its full potential, and selling chocolate bars and drinks which could be found cheaper at the Hillworth Road store a short walk up the street. Soupchick has truly turned the facility around, it offers now something unique with a personal touch, and something, while Devizes residents have become accustomed to through their time spent at the Shambles, a wider appeal than before.

Though, I must stress, Anya, Marc and the team are determined to keep both cafรฉs open, and The Shambles one will continue as before. You could, potentially, buy a takeaway soup at one and walk to the other for a refill!!

We wish them all the best with their new venture, and look forward to the possibility of perhaps having a few events there too some sunny day and meeting you there, of course!

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over the school holiday, you just need to scroll our event calendar to find them!

Oh, okay yeah, wine o’clock already and it’s only the first day?! I’ll list what we’ve got so far below, make it easy for you, but you should keep an eye on the calendar as it updates daily with more stuff to do! And, it should go without saying by now, if you’ve know of anything else let us know and we can add it!

Imber Village open days โ€“ April 7th to April 9th

Monday 7th

Wonder Gigs: Under The Sea

Thursday 10th

Saturday 12th

Young Curators Club: April โ€“ Prehistoric Sea Creatures @ Wiltshire Museum Devizes

Little Pickles Market

Sunday 13th

Messy Easter at Bishops Cannings School

Monday 14th

Official Opening of Hillworth Park Cafe with Soupchick

Easter bonnet decorating @ Caffe Vialottie, Devizes

Rock The Tots: Transport

Tuesday 15th

Wednesday 16th

Thursday 17th

The Noise Next Door: The Adventure Academy … For Adventurers!

Saturday 19th April

Natural History Museum Presents Dinosaurs Live! @ The Wyvern Theatre, Swindon

Sunday 20th

Mini Ravers – Easter Special

Mon 21st

Bradford-on-Avon Duck Race

That’s all folks! But do come back here in a day or so, I’m sure there will be more added! Happy Easter!

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โ€œMuch Ado About Nothingโ€ at Cleeve House, Seend, July 7th-12th 2025.

By Ian DiddamsImages by Ian Diddams and Shakespeare Live Is it post watershed? Then I shall beginโ€ฆ  The etymology of the word โ€œNothingโ€ is quiteโ€ฆ  interestingโ€ฆ aside from meaning โ€œzeroโ€ such as is today, historically it has had other meanings and pronunciations including โ€œnoting,โ€ the writing down of musical notesโ€ฆ  and in Shakespeareโ€™s era itโ€ฆ

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Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™s good enough for King Alfredโ€ฆ.. The Royal Oak has filled a gap, hosting quality regular music nights under the production of Wiltshire Music Events, but this Saturday was the trueโ€ฆ

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No Surprises Living in Devizes: Juneโ€™s Hypermasculinity Speeding Solar Farming Rave Sinkhole

Harold Wilson said, โ€œa week in politics is a long time.โ€ Lesser within local politics, but weโ€™ve a month to lambast, so no messing aboutโ€ฆ. okay, maybe a little. With the promise to reduce satire to this monthly causerie, Iโ€™ve been biting my lip till soreโ€ฆ Calne Councillors for Rape campaign, Potterne Hates Solar, toโ€ฆ

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Un/Common People: Folk Culture in Wessex; Latest Fascinating Exhibition at Wiltshire Museumย 

Stuffed my dinner, scanned the brief, headlonged out the door, forgot about the road diversion into the Market Place, made a u-turn, arrived at Wiltshire Museum only two minutes late for the preview evening to their latest exhibition, convincing myself itโ€™s often more interesting to go in blind to what the show is all about anyway!

Thereโ€™s graffitied skateboards in the exhibition, embroideries, an abstract canvas, a jesterโ€™s uniform, old ledgers, ships in bottles, straw sculptures, a video of Stonehenge at summer solstice, and many other fascinating items youโ€™d be excused for misunderstanding how they all relate if the rooms was stripped of the information boards and the exhibitionโ€™s title, Un/Common People: Folk Culture in Wessex.

The exhibition opens at Wiltshire Museum from today, Saturday 5th April and runs until Saturday 6th September 2025; plenty of time to pay it a visit, and I recommend you do. 

Fortunately for my ignorance, external curator Mellany Robinson of The Museum of British Folklore was on hand to provide a brief speech explaining the reasoning behind it. All the items on show here are bonded by one concept, that they โ€œtell local, political, expected and entirely unexpected stories to reframe the rich heritage and vibrant present day folk cultures for modern audiences.โ€ And as being folk culture, all the items are created by folk without the disciplines of their craft via official training or education.

Now I can relate! Although I donโ€™t wish to discuss my short-lived art college days, my creative labours are all self-taught, save some advice from cartoonists and writers in my younger days. One piece in the exhibit in particular caught my fascination, as a punk-paste zine-maker of yesteryear; an amateurishly hand-drawn flyer for the 1979 Stonehenge Festival. I strongly suspect, whatever angle you come at this from, whether historian, antique dealer, or folk musician, counterculture artist, or possibly more simply, you hold a passing interest in the origins of local folklore, you will find many objects here on display to fascinate you.

I left feeling enlightened, and perhaps a smidgen abashed by the many things I didnโ€™t know. A Hob-Nob is not biscuit, rather a horse-like costumed fellow in the Salisbury Giant, a midsummer procession first recorded in 1572, for example! I now understand why Great Wishford has Oak Apple Day, and what it means to proclaim, โ€œGrovely, Grovely and all Grovely!โ€

A handcrafted Wiltshire sweetheart pin cushion made by a World War I veteran, a rare ship crafted entirely from straw linking to Pooleโ€™s maritime heritage, and a poignant portrait by a Nigerian artist created while seeking asylum in Swindon, are items the Museum hail are the highlights, but depending on your personal interests, I believe what will constitute the highlight will be open to interpretation, being such a timeless mixed bag of tricks held together only by this theme of folk art; I have plenty of musician friends of whom, I guess, would be fascinated by the instruments, artists who would love the artwork from a community project, and others who would cherish this Wessex folk calendar feel to the whole exhibit, from the Summer Solstice at Stonehenge to the May Day celebrations in Cerne Abbas.

Now Iโ€™m concerned by my overuse of the word โ€œfascinating,โ€ but the boot fits, thatโ€™s what it surprisingly is!   

Curator Mellany Robinson told how the The Museum of British Folklore doesnโ€™t have a fixed venue, and it started because founder Simon Costin was, โ€œpassionate about what museums call intangible cultural heritage, the heritage of folklore which has historically been suppressed, and overlooked. So, when people die, their works get chucked, because it isnโ€™t considered financial value, but it is of huge personal and historic value.โ€ 

Simon Costin founded the The Museum of British Folklore by โ€œbuying an old caravan on Ebay in 2008, and travelled around the country for six months turning it into a museum, to test the response. And we need a Museum of British Folklore because we are one of the very few countries which doesnโ€™t have one.โ€

This project, a collaboration with the Wessex Museumโ€™s collections and the Museum of British Folklore, is more anti-museum than museum in the traditional sense. With many items by unknown creators and certainly all of them unprofessional, itโ€™s more of a hobbit-hole of hidden treasures and curiosities.ย ย 

โ€œWe had to share what we thought of as folk culture because lots of people think certain things of folk culture,โ€ Mellany explained, โ€œbut our definition is; something creative not necessarily tangible, produced by someone who doesnโ€™t have formal training in that medium.โ€ 

Again, we find Wiltshire Museum bucking the preconceived stereotypes of what constitutes traditional aspects of a museum exhibition, and we should consider ourselves lucky to have them on our doorstep here in Devizes, putting the โ€œmuseโ€ in โ€œmuseum!โ€

Un/Common People: Folk Culture in Wessex opens today, and runs until Saturday 6th September. Summer Opening Times are from 10am to 5pm, Monday to Saturday. Entry to the exhibition is included in the admission ticket. Tickets cost from ยฃ8.50 (concessions available,) and itโ€™s free for under 18s. Director of Wiltshire Museumย David Dawson has an online talk introducing the new exhibition on the 8th April.

Do check the Museumโ€™s website for there are many great events upcoming, including the Curious Kids workshops for ages 3-11 and the Museum Explorers Club for 5-7 year olds, lectures, walks and stone carving courses.

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IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

UrchFunk; The Forgotten Tale of How George Clinton Created Funk Music in the Wiltshire Village of Urchfont

You’d be forgiven for believing funk music came out of Detroit in the early seventies, when it is a little known fact, obscured and deliberately hidden, likely for the prestige of the American city and the ignominy of the village, that funk music was actually created in the Wiltshire village of Urchfontโ€ฆ.

Funk pioneer George Clinton and bandleader of the collective Parliament-Funkadelic was born in North Carolina and grew up in New Jersey, moving to Detroit in the mid-sixties to work as a songwriter for Motown. By the early seventies Clinton and several members of the band settled in Toronto, but during this time he encountered legal difficulties arising from acquisitions of his record label, resulting in dangerous circumstances and was secretly exiled to England, settling in Urchfont for a few short months.

It was in solitude at the sleepy Wiltshire village where Clinton honed the funk style based on the recordings of James Brown. Developing an association with a few village musicians who had formed a skiffle group on his lonely walks to the village pond from his home in Cuckoo Corner, Clinton convinced them to create a new band. Clinton called them Urch-Funk. The band would play to a small crowd in the village hall, and even daringly attempted an ambitious outside gig around the pond.

After a short while, Clinton got the all clear from his record label, and made his way back to Toronto, taking the idea of funk music back with him, but not without leaving a significant influence in the village. What happened next was a secret funk phenomenon in the village, now sadly hidden; I wanted to know why.

1973: Parliament-Funkadelic visits Clinton in Urchfont

A villager, who prefers to remain anonymous, revealed, โ€œyarp, they bee dancin’ โ€˜nโ€™ singin’, arn movin’ ter thar groovin’, arn joist wen wun hit me, with argh bloody shovel I mioght add, I turned arand I dids, n shouted play art funky music Urchfunk boi!โ€

But, it was not a case of one village under a groove. Some villagers and the parish council have deliberately made my research as difficult as possible. My initial discovery of a disco ball buried in mud for decades and only unearthed when the new houses at Peppercombe were built, led me to wonder how it came to be there. I returned to the site to discover disregarded afro wigs and flyers for soul all-nighters at the village hall. But everyone who I approached refused to talk, accusing me of creating a hoax.

Some even chased me out the village with pitchforks and torches, calling me to not unearth Urchfont’s secret funkadelia past, if I knew what was โ€œgard fur me!โ€ This naturally roused my suspicions that Urchfont held a direct secret link to funk music, a majority were embarrassed by it and, it seemed, were willing to kill to protect the secret. I had to know more.

A rare flyer for an UrchFunk gig at the Village Hall

I took to returning to the village to hunt for more clues by the cover of night, but I found nothing. Until one evening, so frustrated my searching was unfruitful, I stayed all night looking, and early morning joggers and dog walkers were emerging from their homes. Ducking stealthily into Stone Pit Lane, a strange looking old man appeared from out of the bushes and clasped his hand over my mouth, stating, โ€œcum wiff me if yer wanna live… groovy!โ€

He took me to a secret lair in the undergrowth which appeared to be a shrine to Urchfont’s forgotten past. Within this hobbit hole of treasures he allowed me to browse, and as I did he told me his story. He was one of musicians who met Clinton, and who had created the definitive sound of funk which would soon take America by storm. But he told me how the local folk club banished them, believing funk was the work of the devil, but really, he suspected it was more likely because they upstaged them, with glitter, and platform shoes with goldfish in them, which later they declared was animal cruelty. The fish were released into the village pond.

Likely the only existing photograph of UrchFunk. Believed to have been taken at the Urchfont Village Hall in 1973.

They were simply excuses, the man dressed in worn purple corduroys and flowery dagger collar shirt, informed me. He explained how the folk club encouraged the entire village and council to hide Urchfont’s funky disco days, as it was considered untraditional and could radicalise the young people of the village into wearing sequined jumpsuits.

โ€œHoy,โ€ he said, โ€œonce eye bee argh boogie singer, playin’ in argh rock-and-roll band, see? Never โ€˜ard no prublems, me, yer nose, ganderflankinโ€™ down thar one-night stands, like. N everything arand me gart ter start ter feelin’ so low, so eye decided quickly, yarp, eye dids, ter disco down anโ€™ check art thar show, praper jarb!โ€

1973: Parliament-Funkadelic visits Clinton in Urchfont

Once settled down from his excitement of my arrival, the old man continued with his amazing story. Clinton tried to organise a funk festival in the village which he called the Afro-Festival, which the old man claimed once Clinton left for America the parish council changed the name of it to the Scarecrow Festival. The outside gig around the pond, Disco Balls Around the Pond was swiftly changed to Candles Around the Pond, and the villageโ€™s connection to funk was forever swept under the carpet, save for when the wind blows south east across Sleight.

I remain steadfast that this forgotten past of Urchfont should be exposed, and celebrated; the village should be proud of it’s funky past. Therefore, Iโ€™m glad to be able to finally publish this information after many years of research, today, the 1st April 2025.ย ย 

Devizes Auctioneers Henry Aldridge and Son Relocating to Old Emporium

Renowned Devizes auctioneers and valuers, Henry Aldridge and Son announced today they are relocating their auction rooms to The Old Emporium, a Grade II listed property that backs onto the iconic 16th Century St Johnโ€™s Alley, which, as a long-running gift shop, sadly closed last monthโ€ฆ..

In 2024 the company sold the two highest-priced items at auction outside of London. Andrew Aldridge, Managing Director commented, โ€œWe feel moving to the centre of Devizes shows our commitment to the community and hope that our international reputation will bring a number of new visitors to the town.โ€

Henry Aldridge and Son has a global reputation for selling iconic historical memorabilia, from a watch from the Titanic for $2m to the Worldโ€™s First Christmas Card, and in moving to the Old Emporium, they will be selling history within a unique setting which they believe will be one of if not the oldest Auction Room in the UK.

Looking for the right property for two years, Henry Aldridge and Son say that the old Emporium is โ€œperfect.โ€ Its location dates from the early 16th Century, before Henry VIII came to the throne and over 150 years before the English Civil War. The opportunity to move to this unique location in the centre of Devizes, a town described by Poet Laureate John Betjeman as having the โ€˜Perfect Market Placeโ€™, was โ€œone we had to grab with both hands. We will remain at our present Bath Road site until later this year, and the first auction in our new premises will be Titanic and Iconic Memorabilia in the autumn of 2025. Once our renovation is complete we will be running free jewellery and collectibles valuation days on Market Day at The Old Emporium, giving clients access to our specialist valuers.โ€

JP Oldfield Meets The Devil’s Doorbell at the Cellar Bar

To suggest I’m knowledgeable about the music of the 1920s because I lived through the era is plain cheeky, though I wouldn’t put it past you! I like to think I know just enough to hold my own in a drunken waffle on the subject. Such is that Jellylegs Johnson suggested a resurgence of 1920s jazz was pending, to which I agreed, or at least I would appreciate it if it was soโ€ฆ.

Cos I love digging to discover the roots of music, although I cannot be certain a gig of the era resembled what occurred down the Bear’s Cellar Bar last night, even if it was labelled thus, but it was an entertaining night for sure. This much is guaranteed whenever The Devil’s Doorbell has moored nearby.

Yeah, that’s right, I said The Cellar Bar, that central cobblestoned cosy dungeon which holds as many fond memories for Devizions than it does history. It feels great to be down there, as it’s been a while, and this sentiment is shared with the modest audience.

Backstory to why we’re here goes, after our interview with Devizesโ€™ rising star of kazoo-blowing, suitcase drumming idiosyncratic delta blues, JP Oldfield, he landed a gig at Chippenham’s Old Road Tavern supporting the bonkers jazz skiffle duo and boaterโ€™s royalty of double-entendres, Devil’s Doorbell.

Being he was unaware of them at the time, I assured Josh he was in apt company. For if JP’s style is quirky, Nipper, a freewheeling James Baskett/George Formby crossover, and Jellylegs Johnson in sequined hot pants, feathered flapper girl headband and marigolds, audaciously but not impudently salvage long-lost rags, nuggets of bebop and gypsy jazz with tenor ukuleles, a kazzumpet, and Jellylegs on a bass handmade from a washtub and broom handleโ€ฆ and that’s beyond averagely quirky!

It’s also a hard act for anyone to follow, as the agenda was switched for Nipper and Jellylegs to open the show JP Oldfield had arranged. They rang the doorbell for surety, with their unique cheeky tunes and banter, which Jellylegs told me afterwards are often assumed to be of their own pen, rather than outrageous long-lost 78s of a golden jazz era. It’s always a pleasure to hear them play, and so playful with the circus-cabaret they are, it’s infectious.

JP contends with more sombre moods versus a need to be jocular, but his ability to find that perfect balance is his unique spin on delta blues, that and using a kazoo where a harmonica is usually positioned, and both are something blossoming with each gig. His masterwork to date, The Ghost of Spring-heeled Jack is the verification of this balance.

I don’t believe confidence was ever an issue for JP, but that’s grown too, and he proficiently pulled a stunning set of originals and rare covers, neatly chosen to compliment those of his own labour; Tainted Love perhaps not so rare, but with added kazoo, welcomed!

Though on this occasion JP proved he’s no one trick pony as he turned to harmonica for a song, and excused himself for any amateur delivery of it, which was unnecessary as it was sublimely done. As was his entire set.

If we fondly reviewed his debut EP last month, JP Oldfield astutely replicated the magic on stage and guided the crowd to his chosen mood. Likewise, we fondly reviewed Devil’s Doorbell live recording from Trowbridgeโ€™s Pump a couple of years ago, and their excellent stage presence sticks like mud. Two acts, complimenting in a manner others might find it tricky to do, makes for an entertaining night, which it was, and back in the Tin Pan Alley days of yore, of course instruments were handmade or secondhand, salvaged from wherever they could be sourced.

Maybe a gig in the 1920s wouldn’t have been so different to this after all, as both JP and the Devil’s Doorbell are authentic enough and value the retrospection, and when sprinkled with this fun element, does it even matter?!

Bits of Elation; Chatting with The Belladonna Treatment

One of Swindon’s premier grunge pop-punkers, The Belladonna Treatment released their debut single, Bits of Elation, with London-based SODEH Records earlier this month. I spoke about the single, the band and local circuits with the bassist in the band, Ian James, as he was the most punctual at a recent gig at the Vic!

Bits of Elation is fifteen seconds under a three-minute-hero which doesnโ€™t come up for air, compensates for those missing seconds with a dynamic and retrospective Ramones-fashioned riff and the feelgood vibe of pop-punk this side of the millennium.

It is far from the Belladonna Treatmentโ€™s first outing to a recording studio, there was a single last year The Torture Garden, and a three-track EP called Pleasure from 2023, which cherry-picks the best elements of many punk subgenres and moulds them into an imitable and infectious house style. Though Ian expressed working with SODEH has opened doors for the band popular in Swindon, evidently blossoming elsewhere. โ€œItโ€™s being played on radio stations in Belgium, Brazil, USA and Canada,โ€ he told me with delight.

The Belladonna Treatment I witnessed live once, in awe at how they rammed the Castle with adoring fans at Swindon Shuffle. Tonight they play a double-header with I See Orange, who alongside Liddington Hill and a number of others usually on this burgeoning Swindon grunge scene, have turned my head toward the subgenre which passed me by at its inception, save Smells Like Teen Spirit. The Belladonna Treatment are ahead of this game, their appeal is universal and seemingly not confined to aficionados of the grunge subgenre. That was clearly evident at the Castle gig, but other than playing Minety last year, I rarely see their name pop up on local circuits other than Old Townโ€™s lively route of The Vic, Castle and Beehive.

Understanding thereโ€™s a number of local grassroots venues where The Belladonna Treatment would fit like a glove, I was surprised to note they hadnโ€™t yet ventured to Trowbridgeโ€™s Pump, Bradford-on-Avonโ€™s Three Horseshoes or even Chippenhamโ€™s Old Road Tavern. I pondered on bands which seem to get stuck in certain fanbase circuits, despite being fully deserved to be showcased across the county and beyond. โ€œIt all depends on what everyone wants to do,โ€ Ian began, โ€œthings like this pop up and itโ€™s nice to do them, but we do want to expand and do other gigs.โ€

โ€œIt is very easy to get stuck into that circuit, of doing the Castle, and those,โ€ he expanded, โ€œbut itโ€™s nice to get out too. I mean, we played a gig in London at the end of January; a cracking venue, which James put together. There were other bands there, all different, but it was a brilliant show, packed out. We were two or three under the bill, so there were loads of other bandโ€™s fans watching us and we can get more followers this way.โ€

Guitarist James has recently moved to London, hence the opportunities for gigs there, but originally the band were all from Stratton, and knew of each other prior to forming The Belladonna Treatment just over two years ago. โ€œLee and James accidentally got together about five years ago, wrote some songs and went around as an acoustic duo, but weโ€™ve all known each other our whole lives. Then they decided they wanted to get a band together. I hadnโ€™t seen either of them for about twenty years, but I was getting back into playing. Stu, our drummer has been around in lots of other bands, played Glastonbury and stuff like that, and again, weโ€™ve known him, and for the last two and a half years we’ve been playing as a full band.โ€

The Belladonna Treatment have been honing their sound since, and Ian felt Bits of Elation is a milestone. Pigeonholing their style he cited Nirvana and The Manic Street Preachers as influences they grew up on, and also mentioned Bowie, โ€œbut if you listen to the songs theyโ€™re melodic, itโ€™s not just head down thrash punk, itโ€™s more melody-orientated, grunge too. That’s why we like playing with I See Orange, thereโ€™s a whole nineties feel about us, similar to them.โ€

We rapped over the idea of levelling off the thrashed out element for a more melodic preference might once have been considered as โ€œselling out,โ€ in punkโ€™s heyday, rather now itโ€™s more of a natural progression and causing the sound to become viable to a wider audience. โ€œIt can do,โ€ Ian agreed, โ€œitโ€™s also a case of, you want to sell more records and if you want to be popular, you have to do this.โ€ Such progression is kingpin to crowds turning up at the Vic tonight and ramming the Castle at The Shuffle, knowing thereโ€™s a motivated band which rocks!

So I threw in the labour of love concept, and we talked cheerfully about while theyโ€™re sharpening their style to suit wider appeal, theyโ€™re also determined to strive for individuality, create their own methodology and not clone existing successful bands. Ian spoke of three new songs ready for release, the snowballing of radio plays and their determination to accomplish wider appeal, โ€œthatโ€™s what weโ€™re going for.โ€ 

It was great to meet Ian, and the rest of the band briefly, when they turned up! Dadโ€™s taxi was on duty and I could only remain until the end of the Wildcats game, unfortunately missing the gig. A valid reason for highlighting bands seemingly confined locally to our larger towns and encouraging venues to book them around here, because you only need to stream some of their infectious tunes to see what I mean, and why The Belladonna Treatment should be popping up at grassroots venues across the UK, at the very least; fingers and toes crossed.  

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Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, this is the definite RnB sound of now, with nods to nineties RnB like Macy Gray and Mary J. Bligeโ€ฆ.

Though this is fresh, I believe itโ€™s fair to compare Chloe to such RnB queens, for the elements are composed accordingly; the poignant relationship prose of passionate writing, and the sensual tone expressed simply both rinse out those sombre amatory vibes commonly associated with the genre, especially with female vocalists.

Chloe Iโ€™ve just discovered, but itโ€™s an immediate like from me. Soul is not the typical style we find much of here, therefore when it does youโ€™ve got to take it on the hip and make the most of it! Itโ€™s been six months since her last single On The Run, which takes a slightly more ballard approach, and followed by a five track EP called 7 Months, tending towards a pop sound, and that RnB style reliant on and spliced with dancehall, and even house. But, when youโ€™ve finished listening to the moreish Situationships, youโ€™re duty bound by your ears to delve deeper into Chloeโ€™s back catalogue.

But more importantly, now we know of Chloe Hepburn we look forward to hearing what she will do next, as I believe this emerging soul artist has not yet reached her peak, and we need to be there when she does. Situationships filled me with the confidence Chloe is destined for greater things. Itโ€™s a gorgeous single, oozing with potential and only trickling with the necessities to produce something groundbreaking.

Linktree Here

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. The public will be asked to vote, and the award ceremony will take place in Devizes at the Corn Exchange, on Saturday 25th October 2025, with hope it will continue annually…..

Wiltshire Music Events UK in conjunction with Devizine, have decided it is overdue to acknowledge and celebrate the creativity, innovation and dedication of musicians, music promoters, and venues in Wiltshire. Therefore, we have created The Wiltshire Music Awards, an annual award ceremony reflecting and commemorating musical talent within the county.

Nominations are open for the ceremony from 1st May 2025, and will close on 10th June 2025. We are excited to unveil the categories, which reflect the diverse ways people bring music to life within their respective communities, county-wide.

These awards will recognise the individuals, groups and organisations whose efforts make a real difference. If you know someone you believe deserves recognition, or want to showcase your group, this is your chance to give them the spotlight they deserve.

Wiltshire Music Events calls for anyone promoting music locally to get involved and help create diversity and coverage for their own communities. A panel of professionals from across the county will be elected to assist in judging the nominations. With a finale date of Saturday 25th October, when an award ceremony will take place, central to the county, at the Corn Exchange, Devizes.

I have pushed for this event to take place in Devizes, for while it’s geographically central to the county, I’m sure you’ll agree, there is also a powerhouse of talent emerging in this area and it will be a positive attribute to Devizes and hallmark its rightful place in the arts scene of Wiltshire.

Why get involved?

Music has the power to unite communities, foster creativity, and change lives. The Wiltshire Music Awards will honour those who make this possible and provide a platform to showcase to local talents. Whether youโ€™re a performer, organiser, or supporter, these awards are an opportunity to highlight the hard work that often goes unseen.

To receive an award will bring more than just a trophy. It will elevate profiles, help with funding applications, and energise the community.

There is plenty of time to recognise the people and projects that inspire you. Nominating will be easy and online, and we will release the website in which to do so nearer the time for voting. There will be categories. The public can nominate their choices in all of the categories. Once the nominations process is completed, the top three of each category will be presented to the judges, who will then decide the winner of each category. The judges decision will be final, and we shall then announce to the public the top 3 of each category with the result announced at the ceremony.

The 2025 Categories:

Best Solo Male Artist – Best Solo Female Artist

Best Covers Band – Best Original Band

Best Duo – Rising Star Newcomer

Tribute Artist /Band – Music Venue

Best Original Song – Best Vocalist

Best Guitarist – Best Bassist

Best Drummer – Best Instrumentalist

Best Original Song – Best DJ

Lifetime Achievement Award


Outstanding Contribution to the Wiltshire Music Scene


Outstanding Contribution to Music in the Community:

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trio residency at The Southgate. But beyond doubt my favourite young singer-songwriter right now, Ruby Darbyshire, is down my favourite watering hole, and such an occasion would be unmissable even if she did it weekly; twist my arm, why don’t you?!

This raw and self-disciplined talent when I discovered Ruby a little under two years ago was so breathtaking it caused me to state, โ€œRubyโ€™s music will grow into a phenomenon, and you need to hear it blossoming.โ€ I’m honoured to note it’s quoted on her website, one which everyone took heed of, on our local scene and beyond, and one which we can safely convert to past tense; Ruby’s music has blossomed and is now phenomenal.

Everyone was held spellbound throughout, this is now standard protocol wherever Ruby plays. Though Ruby remains modest and โ€œshowyโ€ simply doesn’t equate for her performances, alongside her refined multi-instrumentalism, her confidence to present herself and engage with an audience has accelerated to level up with the naturally sublime soulful voice she’s blessed with. A voice which may be kingpin to her excellence, but is really only the cherry on a cake with top marks all round.

A cake which covers virtuosos Nina Simone to Freddie Mercury, and makes them her own homages, then flips to bring Rag’n’Bone Man’s magnum opus to an older audience, and slides her own compositions in so effectively it’s divinelyย  encapsulating. Then, there’s the additional nods to her Scottish roots; folk sing-a-longs and her distinctive introduction to the second half of her set, with bagpipes. Even if you know it’s coming, you’ll never tire of it or any of it because that’s simply the magic Ruby brings to any venue.ย  Ruby Darbyshire is the whole deal now.

Headline Tickets For Devizes Arts Festival Available Now, And What Else is to Come?!

Tickets for the headline acts at Devizes Arts Festival are up for grabs now, and the rest will follow for general release on April 28th, unless you become a โ€˜friendโ€™ of the festival, in which case it will be the 7th Aprilโ€ฆand why wouldnโ€™t you?!

We all love Devizes Arts Festival here at Devizine, which opens on Friday 30st May and runs right up to Sunday 15th June. If you promise not to go breaking my heart, Iโ€™ll tell you whatโ€™s happening thereโ€ฆyeah, I know, you couldnโ€™t if you tried!!

The festival opens with headliners, Kiki Dee & Carmelo Luggeri at the Corn Exchange on the evening of Friday 30th, and an exhibition by local landscape artist David Oโ€™Connor, who draws inspiration from Paul Nash, and ceramicist Richard Phethean. The exhibit will run throughout the festival at White Chalk Gallery in the Old Swan Yard.

Saturday 31st May sees multi-award-winning teacher, composer and organist Chris Totney returning to Devizes to give this yearโ€™s Festival Organ Recital; one of the very first times youโ€™ll get to experience the new pipe organ that has taken the best part of a year to install in St Johns Church. Followed by one of the UKโ€™s finest Latin bands, Kโ€™Chevere, at the Corn Exchange.ย 

Sunday 1st June, thereโ€™s a walk with Judy Hible of Wiltshire Geology Group, and furniture-maker Stewart Linford hosts a fascinating and informative talk on โ€œLuxury in Woodโ€ at the Peppermill (free fringe event.) But all eyes will be on the skies, when space scientist and BAFTA-nominated presenter of โ€œThe Sky at Nightโ€ Maggie Aderin-Pocock, pops in for an inspiring exploration of the universe.

Monday 2nd is time to get interactive, in a writing session with members of Devizes Writersโ€™ Group, exploring writing fiction or nonfiction, one of the first workshops at the festival this year. Tuesday sees an enthralling and earth-moving evening of gardening talk with TVโ€™s top gardener Frances Tophill. Wednesday is the turn of bestselling crime and thriller writer Felix Francis, for a fascinating talk on mysteries in the world of thoroughbred horse-racing. And Conan Doyle expert David Stuart Daviesโ€™ โ€˜Sherlock Holmes: The Last Act,โ€™ directed by award-winning director Gareth Armstrong, plays at the Wharf Theatre, with a second performance on Thursday. Also find guitarist and singer-songwriterAnna Ling at St Andrews on Thursday.

Friday 6th, join Rowdeโ€™s only botanical artist and author, Ann Swan, for a workshop in her studio, while ceramicist Keith Brymer Jones will talk about his life as a creative potter and his experiences as a judge of The Great Pottery Throwdown at The Corn Exchange.

Saturday 7th June, and youโ€™ll find the Sunday Times bestselling author of โ€œMiss Austenโ€, Gill Hornby talking with Mark Jones from Fantasy Radio, a demonstration by the Devizes Regency Dancers (free fringe event,) and an electrifying country show with all-female Country Chicks.

Another walk on Sunday, gosh, they do like their Sunday walks, this time with Wiltshire Wildlife Trustโ€™s Nick Self, conservation lead for North Wiltshire. Then itโ€™s over to The British Lion for some Welsh frontier roots music with Whiskey River, (free fringe event.)

Monday 9th June you can join print-maker Hannah Cantellow at her Printmaking Studio in Rowde, or learn some crossword secrets from Times Puzzle Master Tim Moorey, who has been solving Times crosswords for over 50 years, on Tuesday. Tuesday also sees virtuoso clarinettist Sarah Williamson and soloist and chamber musician Simon Callaghan.

Wednesday 11th sees singer-songwriter Miranda Pender presenting a darkly humorous talk which includes five original songs based around some of the more bizarre stories unearthed from her family history. And Two Queens, One Nation at the Wharf Theatre, Miriam Cooperโ€™s one-woman show exploring the unavoidable collision of dynamic sovereigns and cousins, Elizabeth I and Mary Queen of Scots.

Photographer and naturalist Stephen Davis is at the Cheese Hall on Thursday 12th, and jazz saxophonist Julian Costello brings his quartet to the Town Hall.

Friday is comedy night as Mark โ€˜Taskmasterโ€™ Watson, celebrates twenty years in standup. Multi-award-winner, YouTube cult figure, Radio 4 favourite and recently โ€˜Baby Reindeerโ€™ actor, Mark comes to Devizes after seasons at the Adelaide, Melbourne, Sydney and Edinburgh comedy festivals.

Author of English Civil War historical fiction series โ€˜Divided Kingdomโ€™, Charles Cordell is with us on Saturday 14th June. His writing has received high praise in editorial and readersโ€™ reviews alike, his latest novel, โ€˜The Keys of Hell and Deathโ€™, is set between Wiltshire and Somerset in July 1643. Followed by the Bath Male Choir in St Johns, and Torbayโ€™s five-piece 80s party band Riviera Dogs at the Corn Exchange.

For the final day of Devizes Arts Festival, Sunday 15th June, author Charles Cordell finishes his talk with a guided walk and discussion of the Siege of Devizes in July 1643. Journalist, writer, and experienced skydiver Sally Smith is at Devizes Books talking about her book โ€˜Magnificent Women and Flying Machines.โ€™ And Bath-based instrumental jazz-infused blend of Levantine mystery, Balkan passion and Latin rhythms quintetย  Radio Banska bring the Arts Festival to a dynamic close at the Cellar Bar. Both of these last two events are free fringe events.

Tickets for the headliners are on sale now, all others will be on sale from HERE on April 28th.

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Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

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Take Our Wiltshire Pothole or Moon Crater Quiz Challenge!!

Can You Find The Wiltshire Potholes From The Moon Craters?!

Now, at Devizine Towers we are far too mature and sensible to mock Wiltshire Councilโ€™s sterling efforts to repair our road defects by jumping on the bandwagons of chalking phallic symbolism around our countyโ€™s potholes, playing pitch and putt in them, or creating memeโ€™s with a drowning Leonardo DiCaprio. But we thought a fun game for all the family might be some harmless entertainment; at least, far more harmless than driving on our roads….

Can you distinguish the pictures of potholes on Wiltshireโ€™s roads between those pictures of moon craters?! It’s not as easy as it looks, kids! Would you know which of these images to report on the MyWilts app, or NASA?!

Thereโ€™s ten pictures below, carefully cropped and in grayscale to avoid clues, like vaguely painted road markings, or little green aliens. If you do need a clue, I can tell you, there’s more Wiltshire pot holes than there are moon craters; we like to keep things real on Devizine!

See how many you can correctly guess in our pothole or moon crater challenge!

Find the answers below, if I can remember myself which ones are which!!

NO PEEKING!!

Question 1: Pothole or Moon Crater?

Question 2: Pothole or Moon Crater?

Question 3: Pothole or Moon Crater?

Question 4: Pothole or Moon Crater?

Question 5: Pothole or Moon Crater?

Question 6: Pothole or Moon Crater?

Question 7: Pothole or Moon Crater?

Question 8: Pothole or Moon Crater?

Question 9: Pothole or Moon Crater?

Question 10: Pothole or Moon Crater? Tricky one to finish on!

Answers: 1- pothole, 2- pothole, 3- moon crater, 4- pot hole, 5-pot hole, 6-moon crater, 7-tricky one this, but it is a moon crater we found on the Poulshot road, 8- pot hole, 9- moon crater, 10- unless Neil Armstrong took a traffic cone with him, we strongly suspect it’s a pot hole, but who can be sure? I reckon you’ve taken a traffic cone to the moon in the past after a few too many shandies, or maybe just to the end of your cul-de-sac.

Mark your own papers, I trust you, but deduct a point for every traffic cone you’ve woken up with, cuddling in your bed, you silly drunken sausages.

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge

Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Doves art installation.…

The entire concert was breathtaking, divided into two halves. The first featured a mixture of orchestral pieces and solos, beginning with the theme from Blue Planet, which was my favourite piece of the evening. The acoustics of the church, combined with the sheer talent of the orchestra, completely captivated the audience. It felt as though, if you closed your eyes, you could almost believe you were watching the programme itself.

This half included a range of music, including a stunning violin solo that provided a striking contrast to the rest of the programme. It concluded with a wonderful rendition of Youโ€™ll Never Walk Alone, which was the perfect piece to lead into the second half.

The second half featured Karl Jenkinsโ€™ The Peacemakers, performed by the Fulltone Chorus and Orchestra. There was a fascinating contrast between the different pieces – some were slow and melodic, while others were more rousing and intense. Many had African and Celtic influences, with a driving beat towards the end.

To me, it felt as though the music gradually built in intensity, symbolising the lengths to which people will go in their pursuit of peace. The concert ended with a powerful crescendo that left me feeling both hopeful and deeply moved. Performing this music beneath the Peace Doves installation felt so intentional and uplifting; hearing music about striving for peace in such a setting truly enhanced the experience.

The variety of music worked beautifully together, giving the impression that it represented the world itself – how it changes and how our approaches to peace evolve over time. The inclusion of words from great peace leaders such as Nelson Mandela and Martin Luther King Jr. made the performance feel deeply personal, yet simultaneously vast in its significance.

This was my first time attending a concert of this kind, and I found it profoundly moving. The passion and dedication of the performers were evident in every note, and I experienced a wide range of emotions throughout. If you ever have the opportunity to see the Fulltone Orchestra and Chorus in one of their upcoming projects, I would highly recommend it – it is a truly special experience.

The last one is in Bath Abbey on the 15th March. You should go. 

Pip is sixteen and studying film at college, with the hope of becoming a journalist. We wish Pip all the best with her career and are grateful for allowing us to publish this insightful and brilliantly written review.

CUDS, Devizes Town Litter Pick for GB Spring Clean

Clean Up Devizes invites you to help with a town littler pick for the GB Spring Clean on 22nd March. The Litter Pick is open to everyone to take part in, equipment can be borrowed on the day. CUDS have pledged to pick up 100 black bags of litter this year which is up from 75 bags last yearโ€ฆ..ย 

On the day people just need to turn up at The Green opposite Morrisons at 10am, they’ll be split up into small groups of 3 or 4 people, and have litter picking routes to go on. The litter pick ends at 12:30, but coordinators Shirley and George tell me, โ€œthey can do as much as they feel able to do, and it’s open to everyone to take part in. We hope that families, neighbours, friends, etc, will all take part!โ€.

Just pledging to fill one bag can make a big difference to the town we love!

Coupled with a Devizes Swap Shop at St James Church on the same Saturday, where you can donate clothes, toys, books, games, crafts, and house plants, swap or take some as you need, itโ€™s going to be a very green day in Devizes! See the poster below for details.

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Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

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Hells Bells! AC/DC tribute in Devizes

With our roads being the state theyโ€™re in, is it any wonder on the 5th April Hells Bells, rated as the UKโ€™s top AC/DC tribute, are taking the highway to hell, via Devizes Corn Exchange?! But they are! Better to be thunderstruck than burst a tyreโ€ฆ..

Hells Bells are Europe’s longest established AC/DC Tribute Band who have performed all over the UK as well as Portugal, Austria, Russia, Belgium, Czech Republic and the Middle East since 1996.

And theyโ€™re bringing Dead Zebras, who claim not to be your typical rock revivalists. They’ve mastered the art of blending eighties nostalgia with a fresh, modern sound, and creating a cocktail that sounds like a wild ride in a DeLorean with a Van Halen soundtrack, apparently!

Tickets are a snip at ยฃ15, which you can grab online here, and Let There Be Rock!!

Soupchick to Take Over The Hillworth Park Cafe

Weโ€™re delighted to hear Anya & Marc of the fantastically tasty Soupchick in the Devizes Shambles are to take over the cafe at Hillworth Park. โ€œWe are excitedly expanding by taking on that little gem of Hillworth Cafe. We aim to source most of our produce as locally as possible to benefit the local economy and to be sustainable,โ€ said Anyaโ€ฆ.

It is hoping to be going ahead in April, and the dynamic soup duo intend to have a grand opening; watch this space! I supposed to Marc that the cafe at the park cafe seemed to sell mainly cakes, chocolate, teas and soft drinks, many of which one could nip around the corner and buy cheaper from the Hillworth Store. Soupchick would be a game changer.

โ€œThatโ€™s what weโ€™re hoping,โ€ Marc replied, โ€œAnya has loads of ideas. We will start with a bit of caution, but of course will do hot food, and alcohol, but weโ€™re really excited to see what we can do!โ€

Soupchick made an appeal for information today, already using Heritage Fine Foods, Lower Field Farm Meats in Coate, coffee roasted in Warminster and fresh fruit and veg from the Thursday Market, they need suggestions for reasonably priced back ups to guarantee a smooth flow. They are looking for local fruit and veg wholesalers, particularly interested in juicing oranges, salad veg growers, and cheesemakers, particularly feta style, cheddar & halloumi style cheeses. Contact them via Facebook.

We wish them the very best of luck with the project, but I grew concerned; would I still be able to get my soup fix in the Shambles and sit in the lovely Valentina art gallery opposite to eat it?! โ€œOh yes,โ€ Marc assured me, โ€œwe are keeping the Shambles going, I like being in town.โ€ We like being in town too, Marc, we like that you like being in town, and I hope you like that we like that you like being in town, andโ€ฆ oh, just lace me with some beef & mushroom stroganoff to stop my over excited waffling, hint, hint!!

If Devizes can have two Greggs, it can have two Soupchicks too!!!!

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You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There might be some scientific theory for this, equally there may not. What is more probable is that it is an occupational hazard for members to get as lost in space as Dr. Zachary Smith. Cracked Machine, here tonight to provide the entertainment at the Devizesโ€™ Southgate, are also prone to getting through some keyboardists and drummers, though if the lead guitarist-frontman and bassist remain steadfast, this propensity is not the only element to them comparable with Hawkwind, and thatโ€™s a good thing in my opinionโ€ฆ..

If youโ€™ve any hazy recollection of a maintaining a horizontal posture in a bedroom for the duration of a scratched long player with a gatefold sleeve, staring at patterns either in the mould on the wall or blu-tacked Mandelbrot set posters covering them up, in a smoky haze proportionate to your memories and stenching of wood burner and red Leb, whether only with a bong for a friend or a few stragglers with no more conversation than the bong, save a few comments like โ€œoh wow, man, can you see it?!โ€ then Cracked Machine is the band to seek such fond memories, and bring them to the forefront of your fragile cerebral cortex, through a preponderance of sublime bassy rock bliss.

For if space-rock is a natural progression from Led Zeppelin, Flyod or Hendrixโ€™s overextended bridges of swirling sonic electric guitar skullduggery and wobbly sound effects, Cracked Machine nailed it some years ago and show no sign of altering their methodology. In fact, the tendency is to get harder. Though Hawkwind allowed vocals, Fromeโ€™s Ozric Tentacles may be a better comparison for space-rock aficionados.

In this, itโ€™s been some years since Iโ€™ve caught up with them live, despite reviewing albums one, two and three. It was left up to Ben Niamor and Andy Fawthrop to review their last two appearances at the Southgate, respectively in November 2022, and October 2018. For me, I will always have the 2019 Devizes Street Festival, when Pete of Vinyl Realm paid and hosted our local stage idea on the corner of St Johnโ€™s and townsfolk slow-roasted on deckchairs while Cracked Machineโ€™s definitive sound caressed their very souls. But while Cracked Machineโ€™s lineup has changed since then, their devotion to the sound and ability to knock it out to the shimmering rafters, isnโ€™t. 

In that, I knew what I was letting myself in for. It was another one of those birthday things for me, which always seems to charge me with ever-increasing speed. There wasnโ€™t actually much else happening in town Saturday night, much I wouldโ€™ve missed this for a wanton jig to Motown or some-other such-like, elsewhere. Suppose I had the option to go down the Bin afterwards, but as it was advised by Vince Bell who I met on the bus, such a recommendation had to be taken with a pinch of salt, and was best at 52 to get a taxi direct to my duvet! For a while there though, it was a party, as it is in The Southgate, with itโ€™s no frills hospitable atmosphere, affordable range of drinks, and general โ€œproper pubโ€ tenet. The affectionately dubbed โ€œGateโ€ doesnโ€™t change like band members of a space-rock band, and itโ€™s a cracking party there more often than not.

Tom Harris kicked off the proceedings with his guitar, belting vocals and the expressions of a hyperalgesic at the dentist. Impossible to fault, Tom delivers the banter as well as his songs, divides covers equally from originals, so if heโ€™s not charming an emotive blues ballad of his own pen, itโ€™s perhaps a scatological one or heโ€™s made amusing entertainment from a slyly chosen cover. Rob Thomasโ€™ Santana summer smoothie reflects the unusually clement climate for March, and Tenacious Dโ€™s hilarious Tribute was surely perfect for Tom, and he handled them with might, until drummer Gary Martin arrived from a support slot at the Pump with Clock Radio, and the main act was completed and ready to rock.

They didnโ€™t come up for air throughout these lengthy compositions of prog rock formulated instrumentals, and as a result of not taking advantage of the customary break, their set ran off too early. Landlord Dave encouraged them to pull something else out of the bag, saving the necessity of the crowdโ€™s cliche call for an encore, which you know wouldโ€™ve happened anyway. To which they considered how to continue, yet what elapsed was another drifting spacey masterpiece of fifteen minutes or more. We loved it.

If the template of Cracked Machineโ€™s sound is arguably narrow, and narrative is vague due to only being expressions of instruments, their nature is stylised, and works wonders, creating a spellbinding ambience. Cracked Machine are always welcomed by the Southgate regulars, for even if the pub strives to diversify, itโ€™s electric blues and prog rock which they favour, and this, with those wobbly keyboard noises and subtly placed samples, is simply a psychedelic progression from it which is decades old, yet Cracked Machine proves itโ€™s worth in the modern world.

Space rock, or acid rock, a direct descendant of Pink Floyd and Zepโ€™s tolkienesque The Battle of Evermore, also acts as the bridge from rock to electronica and ambient house, a bridge the guarding troll usually confounds most rock subgenres with a riddle and renders them unable to cross, thatโ€™s why I love it, and thatโ€™s while I will only have good things to say about Cracked Machine.

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Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

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Isnโ€™t She Lonely, New George Wilding Single

The second single from Georgeโ€™s sessions with Jolyon Dixon is out today, Isnโ€™t She Lonely. With the vaudeville ambience of Queenโ€™s later material and sprinkles of doo-wop at the intro, this whisps around crooners with subtler psychedelic undertones than usual. One could ask if this is tongue-in-cheek or a mature direction for George, to delve into post rock n roll influences, yet, of course, it retains, through its incredibly inventive uniqueness, the definitive George Wildingโ€ฆ..

For his fans itโ€™ll remind them somewhat of Terrible Little Secret from his decade past Being Ragdollian EP; how George is skillfully capable of frolicing vocally with the schlager of artists like Tony Christie, and remain cool throughout by splicing this music hall vibe ironically with a degree of melancholy in the narrative. It is, in short, impressive.

โ€œThe lyrics were born out of the idea of changing one letter of โ€˜Isnโ€™t She Lovelyโ€™ so it takes on this whole desperate air,โ€ George explained. โ€œIt goes from so celebratory to a real longing when you change it to โ€˜Lonely;โ€™ the instant flip side of love. When I wrote it I had it as a 60โ€™s thing in my head; think Bobby Veeโ€™s โ€˜Take Good Care of My Baby.โ€™โ€

George Wilding

My immediate reaction was Stevie Wonder was referring to his newborn daughter in the title, rather a romantic interlude, but this take only bears resemblance to it by title, and just like how George can make a cover his own, Isnโ€™t She Lonely is not in any way a parody of Wonderโ€™s 1978 hit. Though the commercially viable element rings home, and sticks. 

Just as Madonna did with True Blue, yesteryear pop hooks will be recalled and reused so not to be archived in an impenetrable chest, and in that they become timeless, precisely summing up this song. If the last single back in October, Signs of Life, bore elements of gothic and most definitely indie, this is George being more playful, different, yet still being George!

Isn’t She Lonely is across streaming platforms today….

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Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

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Favourite Waste of Time: Chatting with Owen Paul Ahead a Devizes 80s Gig

July 1986, Madonna was asking her papa not to preach, Chris De Burgh was fantasising about a lady in red, and they were the only two things preventing a feelgood summer cover called My Favourite Waste of Time reaching the top of the charts. It was recorded by Owen Paul, who arrives in Devizes for a โ€œtribute to the eightiesโ€ gig at the Corn Exchange on Friday 21st March. I caught up with him ahead of this, and we chatted merrily about the hit, his origins and influences, mullets and all things eighties, oh and what to expect from the showโ€ฆ.

After clearing up uncertainty over his two forenames, Owen is his, Paul derived from a younger brotherโ€™s name, we moved onto the way I envisioned this meeting. I imagined weโ€™d be dancing on some tropical beach in white sleeveless t-shirts and sporting mullets, as was the video to his pop smash.

โ€œYeah,โ€ he laughed, explaining about a gig last Saturday in Exeter with Radio 1 DJ Pat Sharp, โ€œit was the battle of the guy that used to be the world champion of the mullet people!โ€

A tropical theme was so eighties too, I said, from Wham to Blacklace, we all wanted to go on holiday, we all wanted to be on that beach in the My Favourite Waste of Time video. โ€œYou’re absolutely right,โ€ Owen responded, pointing out the gig last weekend was in a theatre called Tropicana. โ€œIt was one of the strangest shows I’ve ever done. Club Tropicana, just for the event, right? ย The show started at 2pm and run โ€˜till 8pm. I said to my manager, โ€˜weโ€™re gonna play in the afternoon?โ€™ She was like, โ€˜yeah. You do the thing in the afternoon, people come dressed in eighties clothes and they forget their lives for five minutes.โ€™ Apparently, itโ€™s a thing; adults like to go to a show between 2 and 6pm, so they can get back to watch Casualty!โ€

I assured Owen I must be the exception to that rule, but Owen was still giggling, โ€œor Strictly!โ€

But were the contents of the show like what we can expect to see in Devizes on the 21st, I had to ask. For the record, while tagged with the idiom โ€œone-hit-wonder,โ€ Owen is a prolific recording artist who is still releasing new original material; will he be playing these? โ€œEven though I still do songs, when it’s an eighties show like in Devizes, it’ll be full on eighties-tastic, girl singers, dancers, and weโ€™ll sing Bowie, U2, Deacon Blue, Crowded House and more.โ€

Time to drop my million-dollar question which had been floating around my excuse for a brain since knowing I was to chat with Owen. That the term one-hit-wonder, which Owen was bequeathed at the time, must be quite disparaging for an artist with a wealth of other works. I asked him how he felt about it at the time, and how he feels about the label now.

Not to blow my own trumpet, he replied, โ€œif I think of all the interviews I’ve done in recent times, that is the best question I’ve ever had! No one has ever asked that of me because they’re always scared. And youโ€™ve asked, so thatโ€™s fine. Iโ€™ve got to tell you the truthful answer, right? And I mean this with all my heart. I know a million acts whoโ€™ve never had a hit. And I have. That ahead gave me the doorway to be here forty years later, playing festivals all over the world. So I don’t think it’s disparaging at all. I think it’s a complete opposite. I think I’ve had a hit, when I know people more talented than me,โ€ Owen exampled a mildly successful Scottish band called The Blue Nile, โ€œthey had โ€˜Tinseltown in the Rain,โ€™ the closest thing to them having a hit, (reached No. 87 on the singles chart in 1984) Theyโ€™re an incredible act, but I had a smash that went global. They never had. So I don’t think of it as disparaging at all.โ€

In this I think Owen misunderstood my question, that it wasnโ€™t the having a one-hit-wonder which I thought might be disparaging, rather being labelled a one-hit-wonder which could be, but hey, it was a calculated and flattering response anyway!

Being Iโ€™m walking Owen down memory lane, I wanted to take him further back, being aside My Favourite Waste of Time being an acoustic guitar-led feelgood anthem delineating eighties pop, Wikipedia claims it was the Sex Pistols which first inspired him.

โ€œThe basic story is this, and this is completely true,โ€ Owen elucidated, โ€œwe had a basement, which makes us sound posh, but it was a council flat. My brother and his mates from school used to come back to our house, and they used to rehearse and make an absolute racket of a noise! And this is like 1975-76ish. I was too young; I wasn’t allowed to go downstairs. I used to sit upstairs and listen to what they were doing, and they would play singles of whatever was going on, and they played the Damned, The Clash, The Strangers, and then played the Sex Pistolโ€™s Anarchy in the UK, and I’m upstairs going, what, the, hell, is, that?!โ€

โ€œAnd I’m going off the back of the seventies when it was prog rock and all the stuff where you had to be a virtuoso and play for ten hours. And it really changed me, and the guys who’s downstairs in our basement, turns out to be Simple Minds; you wanna write that down?!!โ€

Noted in awe, Owen, thank you. His brother Brian was the Simple Minds drummer, and guitarist Charlie Burchill, he informed me, โ€œwould come upstairs to my room, ’cause I was not allowed down there, and I had a guitar. My dad was publican, and when people couldnโ€™t pay their bill, you make them get on and perform.โ€ Owen told how Charlie showed him an E chord, an A chord and a D chord, โ€œand he said that’s all you need, and I said โ€˜thanks!โ€™โ€

We talked of the 3-chord simplicity of eighties pop, Owen extended this by getting technical on learning structures from the likes of The Velevt Underground. โ€œAnd then,โ€ he explained, โ€œoff the back of that, I started to make my own noise.โ€

On his first band, Venigmas, Owen explained how at just sixteen they left Glasgow for London, and he told his mum, โ€œI don’t think we’ll be back.โ€ Owen spoke of the changing scene, the new romantics, but was adamant he was a โ€œrock guy.โ€

โ€œBecause everyone thinks you’re an overnight sensation. I was eight years or more in the industry before I got signed to Sony. They signed me as a rock act, and then I stupidly made a pop record! And that became my real problem. Because I saw myself as a Bowie guy, I thought you could do anything. I thought you could do funk, you could do rock, soul, and pop; that’s what I thought. How naive was I?!โ€

Owen recorded two songs for Sony, the one we all know was nominated for a Brit award. He spoke fondly of recording it and how they immediately knew it was a hit, then suggested โ€œbut at the same time, in my heart I went oh-no. I’m in trouble here.โ€

I speculated aloud, asking him if it was because the music industry will typecast him as pop, and he replied, โ€œyou’re absolutely right; that’s what happened. So the record comes out, it’s a worldwide smash. It got me on Smash Hit’s cover, on Saturday morning, telly; I’m shiny, bubble-gum pop guy. That’s where I am, right? Now, the record label wants ten more tracks which sounds like thatโ€ฆ. but Iโ€™m a rock guy!! You can see the problem?!โ€

If all sounds weighty, I must point out Owen finished this sentence with a giggle, recalling his moment in the spotlight playfully. But we compared it to his freedom now to write, and his new song Fly With Me, which I observed reminded me of Cat Stevens or George Harrison. Again, he found my question about it, โ€œinteresting. I don’t get it asked much. I think ultimately, I’m a Celt, Scottish and folk music is everything to us. I’ve always been like that, every song I hear in my head, when I’m doing new tracks sounds like a folk song. But when you’re in the eighties and you’ve got a record deal, they donโ€™t want that, you turn that into a pop song.โ€

Owen continued to explain how, with his guitarist Howard, decided to produce a folk album after an acoustic gig, but clarified, โ€œfolk is the fifth of it all.โ€ This seemed like a convenient time to move away from the roots and back to idea he was coming to Devizes to do an eighties show, and people will lap that up. โ€œI love that about eighties shows,โ€ he revealed, โ€œI didn’t do them for a long time, nearly twenty years. I pretended that I wasn’t Owen Paul or sang that song. And then, I did a thing on telly called Watchdog, Rouge Traders. They were investigating this company with security cameras and asked me to walk in at the end and sing (and he did sing it for me!) youโ€™re mineโ€ฆ!โ€

โ€œI thought, hang on a minute. Is this because I didn’t pay my tax bill?!  Are they actually chasing me?! I double checked, and it turned out that it was the BBC, and it was fantastic and really funny! The next day, my phone was exploding. My website was exploding with pictures going โ€˜oh my God, Owen Paul isn’t dead,โ€™ can you do this show?!โ€

Owen recalled with joy, how it felt to now do retro festivals where, โ€œthe most amazing thing occurred to me. After me not wanting to be Owen Paul, that guy, that song. I get to the beginning of the song, and obviously it’s not like there’s an intro, it just goes bang, you know? And then suddenly, I’ve got 20,000 people singing that back at me.โ€

Regardless of how you might feel about the commercialisation of it, I try to imagine that and offer to Owen that it is truly is the testament to his work. โ€œYeah,โ€ he responded so positively, โ€œI think I grew up as well. You know, I’ve been doing this for a while now and I’ve realised if you’re the wrong side of forty-five, so youโ€™re an eighties kid and you’ve got two kids, a mortgage, bills and you’ve got all your rubbish; you want five minutes away from it all.โ€

Which is, in turn, the best advert for the upcoming show! We continued for some considerable time, I was enthralled he spoke about Howard Jones on first name terms, being asked to do a number of celebrity shows, like Strictly. We talked about dance music, Britpop, and the changes these brought, and even from the effect of streaming services on the industry, to the youth of today identifying with the songs of the eighties. It was becoming clear one of us needed to break the chat through fear of day becoming night, and maybe back again.

It was a wonderful conversation which knew no natural end, because though I was honoured and slightly in awe of Owen Paul, we chatted like old school friends at a reunion. If the nineties saw me shun the commercialisation of the pop of my youth, Owen caused me to rethink it again, and it was a pleasure.

Owen Paul brings his eighties show to the Corn Exchange on Friday 21st March. Tickets are aptly ยฃ19.80, because itโ€™s promised youโ€™ll be transported back to the 1980s! Have I got time to grow a mullet?

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Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

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Geckoโ€™s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for a week. The brother and sister pigs were dubbed the โ€œThe Tamworth Two,โ€ during the huge media sensation. I didnโ€™t remember this bizarre scoop, I was told about it in 2022 by London-based artist Gecko, on stage when Kieran of Sheer Music used to do gigs at Trowbridge Town Hall, as an introduction to his new song; itโ€™s a track on his latest album, The Big Picture, due for release this Friday, 7th Marchโ€ฆโ€ฆ

If the storyโ€™s location, or the gigโ€™s, is a feeble excuse for reviewing something not locally produced, as I vowed to uphold, neither matters; Iโ€™m willing to make an exception for something so uniquely satisfying as Geckoโ€™s humble and sentimental outpourings. For in these days where the pop song template is generally concerned with how compassionate someone is in the sack, or how ignorant someone was in the sack, thatโ€™s why they dumped them and now both parties involved are agitated, Gecko breaks the mould so absolutely ingenious and inventively. His singing of a song about two pigs escaping their fate is surely proof!ย ย 

Gecko

And if Iโ€™m intending to pigeonhole such outpourings I must go broadly with hip hop, though nothing remains of the ostentatious machismo stereotype of the genre, quite the opposite here. Iโ€™d only mention it with a flux capacitor in hand, ready with Doc Brown to form an alternative timeline where the mixture of sounds to suit a cosmopolitan society still resides in hip hop, and the bullshit doesnโ€™t.

For Gecko is a inoffensive dreamer, like the rare influential teacher who inspired a class, his songs drizzled with the utmost sentiments, and innocuous observations, sprinkled with humour. In which case his intelligent writing better fits indie rather than hip hop, his DIY stylistic choice of lo fi electronica reflects the contemporary, and will suit the mood of the narrative.

Thereโ€™s three songs as examples to what I mean, before the one about the pigs. Geology opens with a retrospective thump, elucidating the overall theme of The Big Picture rests on environmental concerns, though nothing about Geckoโ€™s delivery is vexed, rather calm and reflective. Darn it, itโ€™s a good start, I expected it would be. Though the second track threw me, in general the humour is subtler than 2020โ€™s Climbing Frame, the sentimental wordplay remains, and this one, Itโ€™s You (That I Find) parodies a conventional love song, using a jazzy beat and favouring singing over rap, as if Jamiroquai is a Gecko tribute!

Whereas the third tune, In This Tree, raps over a tropical or tribal bassline, Iko Iko fashion. Gecko always fits the soundโ€™s style around the narrative, in this case a luxuriant rainforest, the next a racing acoustic guitar celebrating the Tamworth Twoโ€™s break for freedom, orchestrated for the uplifting sentiment, kazoo applied for tongue-in-cheek underscore!

If heartfelt sincerity is key throughout The Big Picture it builds in layers of emotion. The Dawn Chorus is a piano based ballad to the morning reflecting an awakening, like the most memorable primary school assembly youโ€™d ever be blessed to be present at! The lounge-jazzy Family to Me follows, extending the positive attributes of friendship. Itโ€™s a lengthy journey of goodness, ten family-sized tunes. The Lost Boys beautifully tells a story of precisely what it says on the tin, and the sense of adventurousness is so overwhelming you assume itโ€™s a memory, only using J. M. Barrie as an analogy.

Gecko at Trowbrisge Town Hall 2022

Being The Tamworth Two has a backstory, I assume Bowling in Madison has too, but how Gecko makes the motivation of a bowling team so concentrated and purposeful, one can interpret it more vaguely, as the importance of any achievement. But if the run up to the finale has become the best possible saccharine vibe, the penultimate Take a Look Around is a formulated Gecko at his best, with the observational and uplifting rap sprinkled with humour. And lastly, The Universe is another lounge jazz parody which is the most perfect ending to a live show ever. Itโ€™s a goodbye message which incorporates every golden element to this most perfect album, the mindful study of deeper meaning to the everyday, pondering the stars above, and everything in between which nature gifts us with. 

It is, in short, beautifully executed with the best ingredients, thoughtful prose and ingenious blending, the sum of which can only leave you spellbound. Do not delay, listen to it, tomorrow, your ears will thank you.

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Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals,โ€ฆ

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK.โ€ฆ

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amorโ€ฆ

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peaceโ€ฆ

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The Trump & Zelenskiy Meeting; A Personal Reflection From a Ukrainian Living in Wiltshire

Iโ€™m certain most of us have seen the disturbing video of Zelenskiy meeting Trump at the White House last week, and have formed our own judgments of it. While opinion pieces abound in national media, we donโ€™t dabble in national politics here at Devizine nor jump on a bandwagon. However, as the affair has left me unusually speechless yet moved with concern and compassion for those directly affected by this terrible war, I figured the only way to address this with a local angle is to ask a Ukrainian currently residing in Wiltshire for their personal reflectionโ€ฆ..

ะžะปัŒะณะฐ ะกะธะปะฐะตะฒะฐ (Olga Silaeva) came to Royal Wootton Bassett with her son under the Homes for Ukraine programme. She agreed to express her feelings about the incident. All I ask is you leave any political opinion at the door if you wish to read on. For while Olga begins by outlining the politics of the incident, this isnโ€™t about affairs of the state, rather what it flows into, which is heartfelt and personal.ย ย 

For translational purposes Olga has used Chat GPT for the political parts, but here is what she had to say:

Of course, watching President Trump’s statements and actions (his pressure on Zelenskiy to influence the presidential election, public accusations of dictatorship, false debt figures, imposing a disadvantageous rare earths contract, voting against the Ukrainian resolution at the UN to whitewash Putin’s policies), we all expected the continuation of harsh pressure and attempts to force Zelenskiy to surrender Ukraine’s interests.

It is clear that Trump has no real plan to end the war, despite repeatedly promising this to his voters. Since he cannot agree on a ceasefire with Putin and does not want to confront him, he decided to force President Zelenskiy, who is in a weak position, to make significant concessions. In addition, Trump is keen to distance Russia from China in order to weaken China, and he seems willing to sacrifice Ukraine to achieve this goal.

I believe that Zelenskiy, when he went to Washington, hoped to convince Trump and improve relations. However, he could not ignore the insults from J.D. Vance, who said many offensive things, including that Zelenskiy organised โ€˜tourist tripsโ€™ to Bucha. (Bucha is a city that was occupied by Russian troops, where many civilians, including children and adults, were subjected to violence, torture, looting and brutal killings. It was the first big shock for all Ukrainians and the world).

President Zelenskiy was certainly not a perfect diplomat and openly disagreed with the White House leadership. However, he has told the truth and called a spade a spade without humiliating anyone. That is why the vast majority of Ukrainians support him. He has demonstrated that he will not betray us or our national interests.

โ€˜Agreements with Putin on a ceasefire are meaningless without security guarantees from the West.โ€™

โ€˜Putin has repeatedly deceived European and American leaders.โ€™

โ€˜If Ukraine loses, there is a high probability that Putin will send troops to other European countries. Then America, as a member of NATO, will be forced to send its soldiers to war with Russia.โ€™

This is the truth that offended President Trump.  The nuclear weapons that Ukraine voluntarily gave up in exchange for the support of the Budapest Memorandum signatories give Ukraine the right to demand a legal document as a guarantee in response to America’s demands.

But today, the US president is not acting as an ally and partner of Ukraine, but as a party lobbying for the interests of the aggressor Russia.

Thus, it is deeply regrettable that the leader of the United States does not put justice and international law first and does not appear to be a reliable partner or ally for Europe either.

It seems that the US is no longer a leader in global security and compliance with international laws and agreements. Europe must therefore take on this vacant leadership role. Europe should form a new military alliance – this would be the best guarantee of peace and stability in the future. We very much hope that European leaders will act quickly and decisively in this direction. In the meantime, we, Ukrainians, will continue to fight the evil of our crazy neighbour and continue to tell the world the truth.

A little bit about me. I came to Royal Wootton Bassett with my son under the Homes for Ukraine programme. We have a strong community of active Ukrainians and an amazing support network. We organise festivals, celebrations and performances to introduce the British to our history and culture, explain the reasons for Russia’s invasion of Ukraine, support each other and raise funds to help Ukrainians.

I fell in love with Britain. The British are very open, kind and always ready to help. I am extremely grateful to everyone I have met here – they are wonderful people. Despite our differences in culture, traditions and habits, I also see that we share a similar spirit.

But my heart remains at home. I follow every air raid alert in Kyiv and am regularly donating money to support our soldiers in various ways. My nephew was recently wounded in action. Some of my friends and their children were killed in the war. My parents’ house was completely destroyed. What our nation is going through now is terrible and tragic because we are losing our best people. Many of our fallen heroes were never able to start families and have children. Civilians are dying and becoming disabled. Thousands have lost their homes and jobs. Thousands more remain in the occupied territories, suffering from oppression and violence. Millions have fled to other countries with their children – will they ever return home?

We have difficult times ahead of us. But we must save our nation, our country and our independence.

I would like to thank Olga for her insightful and moving words. We stand with Ukraine.

Olga and many other Ukrainians living in the Swindon borough network, campaign, and get assistance from Swindon Welcomes Ukraine, a not-for-profit committee created to help the people of Ukraine. And there is a Facebook support group in Wiltshire for Ukrainian people both in Ukraine and those fleeing the fighting.

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Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โ€ฆ

Keep reading

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs and hooked up with Grist Environmental to bring a second day event, this time in Devizes…..

Park Farm Music Festival will take place on Saturday 12th July at Whistley Road near Potterne. Park Farm Music Festival will be held in the beautiful location of Potterne in Devizes, Wiltshire. It promises a big outdoor stage, brilliant sound and lighting, plenty of room to dance, lots of trade stalls and a range of food and drink outlets.ย 

Barrelhouse at Mantonfest 2023: Image Gail Foster

The line-up includes headlining tributes AC/DC UK, and Nirvana UK. Sixties legends The Swinging Blue Jeans. MantonFest favourites and one of our favourites too, Barrelhouse will also play, with Chicago 9 Rhythm & Blues Band and Essex’s finest and stalwarts at the Southgate, Jamie Williams & The Roots Collective.

Jamie Williams

Adult tickets are ยฃ40.00, 13-17 are ยฃ20, and children under 13 are just ยฃ10.
Camper vans are an additional ยฃ2,5 and tents are ยฃ15, if you wish to camp. If you would like to bring your own gazebo (3m x 3m max.), these will ยฃ10 and be payable on entry.

Tickets and more info HERE.

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Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography

An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards, was held on Saturday at The Winchester Gate, and the results are inโ€ฆ.

Members of the Salisbury music community came together yesterday to celebrate the incredible musical talent the city has within its music scene.

The Thom Belk Community Fund, named after the founder of the Salisbury Music Awards who sadly passed away in 2023, wanted to ensure that the awards continued in his memory. They collaborated with Salisbury Live, Sounds of Salisbury, The Winchester Gate and Rock The Boat DJs to bring a spectacular night of celebration and music to Salisbury.

The musical talent on offer for the event was a showcase of the superbly diverse music scene within the City. With a DJ set from Radio Odstockโ€™s Kev Lawrence kicking off the proceedings, the fantastic crowd were also treated to live music on two stages. Luke Hall, Lauren & Hardy, Sock Puppet Jukebox and Black Iris entertained on the acoustic stage, with sets from Solarbird, Charmtype, KINKi and headliners Pugwall lifting the room off of the band stage area.

And when the live music was finished, a silent disco provided the perfect end to a wonderful event via DJ sets from StreetLife, No Gimmicks and Bad Gxrls Do It Well.

The Awards, voted for by the public and collated by the team at Wade Digital, were announced over two breaks in the live music schedule, to allow acts and audience to show appreciation and support for winners and nominees. With voting up 16% on the previous year, there were an incredible number of nominees in each category.

There was a truly emotional moment during the second awards segment, as the Belk family accepted the Lifetime Achievement Award on behalf of Thom Belk, given in recognition for his many years of supporting and promoting Salisbury music and the community as a whole.ย 

His sister Charleigh said, “Thom would be incredibly proud and humbled to see his legacy continuing with these awards and extremely happy to see so many acts continuing to prove Salisbury has such a superb music scene.”

The family also recognised the extremely positive influence of Colin Holton and Robb Blake on Thomโ€™s musical and life journeys, gifting them special commemorative gifts as token of their appreciation.

Here at Devizine, we would like to congratulate all the winners. In particular, Rosie Jay for picking up the award for best breakthrough act. An incredible soloist we’ve keenly followed the career of. And to Lucas Hardy for best solo act.ย 

Award results are as follows:

Lifetime Achievement Award: Thom Belk.

Outstanding Contribution to Music in the Community: Lilli Badcock (Evolution Choir.)

Outstanding Contribution to the Salisbury Music Scene: Sounds of Salisbury (Ellen & Alex Morgan-Wardrop.)

Best Band: Lump

Best Original Song: Love is Enough for their song โ€˜1 in 4โ€™

Best Live Act: Lump

Best Solo Act: Lucas Hardy

Break Thru Act: Rosie Jay

Best Covers Act: Solarbird

Best Venue: The WInchester Gate

Best Vocalist: Becs Marchant

Best Guitarist: Joe Burke

Best Bassist: Nick Gowman

Best Drummer: Edd Grigg

Best Instrumentalist: Owena Archer

Best DJ: Disco Dion

Marlborough School of Languages to Hold Summer Fiesta

Pot pourri, Rodney, mange tout! If weโ€™ve brought to your attention as large a variety of local festivals as possible, here is one that is completely unique, and you will learn something from, rather than, like me, remaining speaking French with the fluency of Del-Boy!

Marlborough School of Languages is the newly branded Marlborough Language Tutorsโ€™ Hub; a group of independent language tutors who offer a wide range of courses and workshops for secondary school students and adults. They are now taking bookings for the 2024/25 academic year. But as well as these workshops and a Spanish student exchange program, over the week from the 7th to the 11th July they are holding a summer fiesta across Marlborough’s grand high street; a unique week of language, culture and fun!

The fiesta is an immersive summer experience designed for language enthusiasts of all levels, it includes morning language lessons in Spanish, French, Italian and English as a foreign language with expert tutors. There are afternoon cultural talks and workshops in language, culture, and gastronomy, and to really twist your arm, you will also enjoy meals at top local restaurants, a paella feast on Wednesday, and a finale celebration of wine tasting, tapas and live music the tutors call the “Battle of the Nations.”

It must be a challenge second only to teaching pet hamsters quantum mechanics, to teach the average English person a foreign language! Personally, I assume shouting in the same English what has already been misunderstood, while ingeniously adopting a wonky foreign accent will generally suffice! But you should be rest assured the team at Marlborough School of Languages are a dedicated bunch.

There are eight fully-qualified tutors at Marlborough School of Languages. Valรฉrie Calder for French, who comes from Champagne, Italian tutor Claudia Marin from Venice, Laura Simons who teaches English, Welsh and French, Kate Browne from Canterbury, who teaches English, and four Spanish tutors, Nazaret Garcรญa Val from a town in Zaragoza, Nacho Panadero Carroceda from Vigo, newest member Ignacio Vargas online only from Cantabria, and the founder Marรญa Gonzรกlez.

โ€œAfter years of tutoring students of all ages in Wiltshire and London, I decided to offer the locals the opportunity to make their learning experience a social event too,โ€ Marรญa explained, native Spaniard from Lugo, in the beautiful Galicia who has lived in the UK for twenty-five years, teaching at Marlboroughโ€™s St John’s Academy, organising Spanish learning clubs in local primaries and is now working at the Department of Modern Languages in Marlborough College.

Marรญa Gonzรกlez

Maria said, โ€œWe aim to give our students, whether secondary school pupils or adult learners, a chance to really immerse themselves in the language and understand a little about different cultures from our base in the picturesque Wiltshire market town of Marlborough and online. We offer them the opportunity to engage in cultures and perspectives beyond their immediate environment.โ€

“The tutors at the fiesta will be Andrew Brown (French), Matt Gow (EFL), Claudia Marin (Italian), and I will teach Spanish,” Maria continued, “Andrew and Matt both worked at Marlborough college and they are just doing this event with me. They have 30 and 25 years of experience so, over the moon with their input!”

This could be the golden opportunity to broaden your horizons and learn a language the fun way, discovering new cultures, and making unforgettable memories. Always a silly sausage, I struggled with languages in school truth be told, troubling with English even, but had my teacher brought in a paella feast things might have been oh so different!! 

There are limited spaces available for this, so secure your place with a ยฃ100 deposit HERE. The cost overall is ยฃ345 per person. Book now at: www.marlboroughsol.com

Contact Marlborough School of Languages at info@marlboroughsol.com or call 07940910821 for more informationโ€ฆ. or informaciรณn, con su permiso mi amigoโ€ฆ okay, thereโ€™s no fooling you, I used Google translate, but you might not need to after this and the world will be your oyster, or ostra!

Devizes Street Festival Cancelled For Second Year

Without sounding like a stuck record, itโ€™s the same unfortunate news for Devizes Street Festival as it was last year; Arts Council England has not awarded DOCA funding for their programme of summer events in 2025โ€ฆ..

DOCA was sorry to announce today, a spokesperson saying, โ€œfunding across the country has diminished significantly and demand for it has increased. As a result our already small staff team will be reduced to a minimum as we try to secure funding for the future.โ€

โ€œThis means that the Street Festival cannot go ahead as intended on 4th & 5th May. We will, however, still be delivering an exciting event in town that weekend. The YEA Devizes project (Youth Event Area Devizes,) which has been funded by National Grid, will present a youth-led event in the Market Place, created and delivered by the incredible young people of our town.โ€

Devizes Yea would like to connect with other community groups and individuals, so if you are a young person interested in being a part of it, or an organisation or club that would like to support the event please get in touch at: yeadevizes@docadevizes.org.uk ( For all non-youth related enquiries please use info@docadevizes.org.uk)

Alongside this DOCA will host Grow Devizes that weekend, a concept that encourages and combines both growth in nature, and growth in our community. To this end, the Out and About project will take the performing arts out into a rural village and in turn invite people from those areas back into all they do in town.

โ€œWe are still navigating the best way forward for our other summer events,โ€ DOCA continues, โ€œsuch as Colour Rush, Confetti Battle, Picnic in The Park and Carnival, working with our partners around town and funders to come up with the best solution. Please bear with us while we consider all available options and weโ€™ll update you as we know more about each specific event.โ€

This was such a special event in Devizes, loved by all. It is such a shame to hear this terrible news for a second year running. The effects of the governmentโ€™s 16% cut in real terms across the UK to arts funding since 2017 is beginning to impact significantly on free events such as town carnivals and village fetes.

Earlier this month Wiltshire Council confirmed an increase in funding to its arts and heritage partners. The council funds four arts organisations across the county; Pound Arts in Corsham, Trowbridge Town Hall Arts, Wiltshire Creative in Salisbury and Wiltshire Music Centre in Bradford on Avon. Funding also goes to Wiltshire Museum and Salisbury Museum.

We support, of course we do, all additional funding for arts in the county, but Devizes gets zilch for arts. They stated this demonstrates WC, โ€œis committed to the delivery of culture in the county by agreeing to uplift each of its grants to arts and heritage partners by 10% in 2025/26.โ€ Yet this excludes every charitable event organisation in the county dedicated to providing arts and culture freely, as while many of their heritage partners fundraise for important charities, all events at the venues require tickets.

The failing of funding for community events is the remnants of a conservative austerity ethos that arts and entertainment will only be available to those able to pay for it, and if Wiltshire Council were as thoroughly dedicated to arts and culture as the claim they are, they would provide budgets for town carnivals as well as the ticketed venues affiliated with them. Instead, and to illustrate by example, one of our Conservative town and county councillors and area board managers criticised the beloved Street Festival for not having a โ€œdiverse audience.โ€ 

The statement was, obviously, poppycock and only made to favour profit-making events in the town; Street Festival was, by a country mile, the most diverse event Devizes has ever seen and attracted the most diverse audience, being it was free and open to all.

Street Festival was a true colourful display of music, arts and theatre, and was once a testament to all which can be accomplished freely when a community comes together. It is heart-breaking to have to mention the event in the past tense, but this sad news today casts a shadow over any hope the Street Festival will ever return.

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Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisonersโ€ฆ..โ€ฆ

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because theyโ€ฆ

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this yearโ€ฆ

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Between the Lines; Melkshamโ€™s Upcoming Teen Band

We remain in awe of the deserved success of indie-pop band The Sunnies, which has continued to flourish since winning Take the Stage at the Neeld two years ago. But is their hometown ready for the next big teen sensation? If so, Iโ€™m predicting it will be Between the Lines, because it should be Between the Linesโ€ฆ..

Last weekend The Sunnies headlined a town councilโ€™s 4Youth โ€œNext Gen Gigโ€ at The Melksham Assembly Hall. Being just a smidgen over the age limit I missed this, but a video of the support act, Between The Lines, shared on social media caught my eye, or at least, my ear!

Formed five months after The Sunnies took the Neeldโ€™s stage, in October 2023, Between The Lines are smooth indie-rock female-fronted four-piece, consisting of bassist Belle upfront, lead guitarist George, and Ethan and Louis, who both switch between drums and guitars, the latter being the rhythm guitarist.

They put out a demo single, Fading Time earlier this year, with an irresistible classic rock riff, some nonchalant and confident vocals, and an enchanting hook. Itโ€™s raw, for sure, but a grower. Its ingredients blend wonderfully, painting a melancholic picture of adolescent romance; the tune is moreish, and blossoming to bursting point with potential.

โ€œFading Time was the only song we recorded in that session,โ€ George explained, as I thought I should catch up with them, sooner rather than later, โ€œbut there are exciting new ones due to be released very soon.โ€ I look forward to hearing them; progression feels imminent with this promising new band; you should keep an eye out for them.

With the band members currently studying music courses at either college or sixth form, I always like asking teenage groups what their music teachers thought of their band, poorly assuming it’ll break the ice! Even if referencing their education is highly unlikely to do that, I tend to stereotype teachers in retrospection of my own, wondering if they retain the doddery notion rock music is the โ€œwork of the devil,โ€ and attempt to throw classical violin at them, or theyโ€™ve modernised, least enough to be hip to be square on a Huey Lewis level!

Louis answered this one, elucidating Georgeโ€™s and his music teacher had, โ€œsupported our band on multiple occasions, with gig opportunities and equipment in the past, and has always been enthusiastic about it. Fortunately, no classical violins!โ€ Ah, got you. Our music teachers used to be funky too, though only in the archaic definition of being unpleasantly smelly!

Ethan expanded on this, and moved onto their first few gigs. โ€œMy drum teacher was always telling me to form a band and after talking with Isobel,โ€ He said, โ€œshe was adamant to get something going. Through music GCSE, we started Between The Lines, playing songs with each other for assignments and eventually starting regular rehearsals. Weโ€™re still new to the gigging scene, and have performed at the Kings Arms in Melksham and The Queenโ€™s Head in Box.โ€ The latter being a fortunate venue to play so early, Ethan also went on to reveal theyโ€™re on the bills for Box Revels in May and CorFest at Corshamโ€™s rugby club on June 21st.

George explained how theyโ€™d heard of The Sunnies before they had formed, upon me cheekily asking them if they thought they were the next big thing to come out of Melksham; youโ€™ve got to big yourself up in the Sham, theyโ€™ve got a golden arches, and Henry Moule inventor of the dry earth toilet, as claims to fame!

โ€œWell, hopefully!โ€ he laughed, but remained modest. โ€œIt really was great to play with people that youโ€™ve looked up to, in a way, and of course they bring such an energetic and fun performance which is something to be fond of. As for us, it’s exciting to see lots of new people enjoy what we do and it brings a lot of motivation for us to keep moving forward and expand as much as we can, it’s only up from here.โ€

Based solely on this single, I strongly hope and suspect it will be, so we moved on to the demo, Fading Time. I suggested the opening riff reminded me of the intro to Sweet Home Alabama combined with a dollop of Natalie Imbruglia’s Torn, even if itโ€™s showing my age, itโ€™s an accolade. I wondered if this smooth feel-good indie-pop rock was the kind of quality they were going for.

โ€œThe song itself came from a simple melody idea that I had for ages never necessarily taking any inspiration from others,โ€ George expressed, โ€œand we bounced back and forth from each otherโ€™s ideas until we recorded it in the short space of time we had.โ€

Ethan expanded on the backstory of Fading Time, in answering that cliche question I fired at them about their working process. โ€œSo far,โ€ he clarified, โ€œour originals have stemmed from one idea. For example, โ€˜Fading Timeโ€™ came from a melody idea from George and our unreleased single developed from a project I created for a college assignment. We then developed the song together to add a little bit of each otherโ€™s personality in our parts. We are fairly new to songwriting as weโ€™re mainly a cover band but we all develop our own little ideas and send them to each other!โ€

Their current repertoire includes covers of The Foo Fighters, Radiohead, and Chris Isaak, among others. โ€œWe try to choose covers that are both crowd-pleasers and that reflect the same vibes as our originals,โ€ Belle expressed.

Between The Linesโ€™ website cites Radiohead and Matt Maltese as influences, Belle expanded on this, โ€œas the main lyricist of the band,โ€ she suggested she took inspiration from โ€œvery poetic artists, like Boygenius, Fiona Apple and Bon Iver. Ethan focuses on instrumentation, inspired by Big Thief and Better Oblivion Community Centre. George is all about the hooks and guitar riffs, heโ€™s influenced by Wallows. Louis works on a strong rhythm, taking from Foo Fighters and Seal.โ€ 

Phew, at least the last two my dilapidating database has heard of! Youโ€™ve got to love Seal, I saw him live once, but he didnโ€™t do Kiss From a Rose nor Crazy, just balanced a beach ball on his nose and clapped his flippers. That was the last time I went to a gig at the Sea Life Centre.

As a finale, I pondered whatโ€™s in the band name, perhaps they met in a history class about WWII, you know, between enemy lines … .perhaps, ah, forget it, Iโ€™ll get my coat! When actually, Belle revealed rather than history, they did meet in GCSE music, โ€œdoing a project for the Christmas concert!โ€ Not too far off the mark then, just the wrong lesson, which goes in line with my own schooling. I was often found in the wrong lesson, and if I was in the right one, I tended to be somewhere else mentally; kind of explains a lot.

โ€œChoosing a name for the band was quite difficult,โ€ Belle said, signalling her vast music knowledge supersedes her age, โ€œeveryone suggested different names every day. Ethan suggested the name In Between The Spaces, which reminded me of two things – Between The Bars by Elliot Smith and especially the album Between The Lines by Janis Ian. After numerous ideas for names we decided on Between the Lines!โ€

Deliberating on a band name is important, it might fatefully fade into obscurity as the competition of a tough market to break takes its toll, or it could be that name in lights for decades to come. I wish Between The Lines all the very best with their ambitious beginnings, and very much hope the result is the latter.

I advise you to support new local talent and follow their socials, TikTok, and website here, as while Iโ€™m no clairvoyant, I know what I like, and predict we will be hearing a lot more good stuff from Between The Lines in the near futureโ€ฆ..

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Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Market Place. One cries out her desperation for the loo, but there’s no detours to another bar en-route for relief, they’re steadfast to their destination, The Three Crowns; a wise choiceโ€ฆ.

I’m heading that way too, trying to pick up pace and overtake them, so as not to convey I’m some creepy codger following them from the bus! Some lads intervened with a wolf-whistle down the Brittox, I gathered at them and not me. I’ll quip with them to break the ice, in hope they see it’s coincidental that our destinations are the same. It worked, they seemed unconcerned, and giggly.

With a fresh lick of paint it really didn’t need in comparison with others, and a scrumptious selection of designer burgers, The Three Crowns is the go-to pub for gen z coming of age, millennials, and a number of elder diehard party heads who still think they’ve โ€œgot it,โ€ because they have, bless โ€˜em!

But the greatest thing about these cross-generational gatherings at The Three Crowns is the carefree atmosphere without division. Everybody is here to enjoy themselves. They crave a live band to throw high-energy covers at them, era-spanning songs they know, love and can sing along with, and they’ll party trouble-free together. Younger attendees will high five the elders, and dad dancers mingle without mockery, I hoped!!

I’m at the back gate chatting to landlord Simon while tonight’s band is sound checking. It’s this Marlborough-Swindon based band’s debut at The Three Crowns, but I assure him what I suspected, that Static Moves will fit like a glove. Not wanting to blow my own trumpet, but I was bloody right anโ€™ all!

Static Moves are a side-burns, flat caps and pork pie wearing, two-Clives five-piece covers band with keyboards, in self-promoting black t-shirts. Even if these other elements don’t convey Static Moves are bringing a touch of new wave eighties mod retrospection to the table, any band boasting two Clives is a win-win!

Being honest, there have been occasions when I’ve dropped into the Crowns to see a great cover band, yet my desire for originals redirects my zimmer frame over to the trusty Gate, and I’m faced with two half-reviews; not this time. Static Moves are irresistible, and enthral any audience.

The systematics of Static Movesโ€™ repertoire appears to be anything which can be delivered loud and proud like it’s Coventry in 1980 or Madchester in 1990. If a particular song choice isn’t, they make it so it is. Taking no prisoners they were greyhounds out of the starting traps, rarely coming up for air, save a short break.

The frontman isn’t Luciano Pavarotti, needs not to be, but is commandeering, can hold a note, and a dynamic showman, with a habit of launching his tambourine either airborne or into the crowd.

The band compliment the lively mannerisms, though fairly recently formed, all members hold a wealth of experience, which shows. It looks like a tight ship, a new drummer slipping into the kind of camaraderie which reflects onto the audience; they’re having fun, you will too.

Static Moves compact a party into their pocket, and, for want of a less Potterhead analogy, like a Choranaptyxis it expands to fit the available space when they catapult it out upon an anticipated crowd. They told me they were working on some originals, we’ll hold the front page.

There were components to their set, it kicked off seventies, absolutely scorched Primal Scream’s Rocks, then launched tongue-in-cheek into early eighties pop hits like Nena’s 99 Red Balloons, Kim Wilde’s Kids in America and even found time to make one-hit-wonder Tiffany’s smash their own! As you might imagine, this was my personal summit, โ€˜cos I bought those singles, but I also observed all generations present acknowledging and lapping up those bubblegum classics.

It moved as swiftly as their tempo onto tracks I’d consider were their own favourites, the more less commercial punk anthems like The Buzzcocks, by which time they had the audience eating out of their hands and could’ve pulled any cheesy bygone slush puppy out of their bag and still rinsed it! As it was they took to The Beastie Boysโ€™ Fight for your Right, which was only amusing until they followed it with a grand attempt at Smells Like Teen Spirit.

Despite the diversity, the template of loud and proud prevented pigeonholing, a party band with a big sack of crowd-pleasers and an unrivalled enthusiasm to deliver them. The finale alongside Billy Idol, were millennial showboats, Britpop anthems, you know the one from The Killers, and yeah, they did Wonderwall, but while I deem that clichรฉ, they did it well, and it always gives the youngsters an opportunity to show everyone they have torches on their phones!

Ahem, that’s irrelevant against the positivity of a diverse crowd throwing away their cares for a moment and enjoying themselves. That’s what’s infectious; you’re duty bound to follow suit with a band like Static Moves. I couldnโ€™t physically leave until the deal was fully sealed.

The Three Crowns revel in this infection, and is the reason it bucks the trend of a decline in pub culture. Here is a Devizes lesson in how to do it, they deserve the praise but don’t really need it. Stalwart for a number of years now, most know the Three Crowns is a testament to a memorable night, including, it seems, girls bussing in from Bath. 

What else is happening?

Send Your Camel To Bed! The Brand New Heavies Headline Sunday at Minety Music Festival

Heavenโ€™s holding a half moon tonight, a secret I’ve gotta spill, shining for all going to the Minety Music Festival in July….

Seeming not content with just awesome headliners The Fun Lovinโ€™ Criminals on the Saturday evening, Toploader and The Stereo MCs on Sunday, organisers of this, which I hailed the best local festival last year, have confirmed the UKโ€™s finest nineties soul ensemble, The Brand New Heavies will bless their stage on Sundayโ€ฆ.

Debuting in 1990, The Brand New Heavies may not be so new any longer, but theyโ€™re still the heavy, funky acid jazz pioneers who toured last year to celebrate the thirtieth anniversary of their ground-breaking 1994 album Brother Sister. Propelled by the classic singles Dream On Dreamer, and Maria Muldaurโ€™s Midnight At The Oasis, the record achieved huge success (a #4 chart position, over a million sales and a BRIT nomination) as they cemented their position as the pioneers of Acid Jazz.

Featuring original members Andrew Levy and Simon Bartholomew, with the phenomenal vocalist Angela Ricci, the The Brand New Heavies continue today, and make for a brilliant end to what looks to be the festival worthy of your hard-earned cash.

Fun Lovin’!

Heavies, brand new or not, is not the reason I loft Minety on such a high pedestal. Yeah, they book universal big names to headline, but the whole community feel, affordable markets, food and drinks, so much for the younger attendees, and so much more so, their devotion to upcoming local live music is something to behold.

Set over four stages, thereโ€™s a plethora of great acts, from tributes to The Foo Fighters, Pink Floyd, Sex Pistols and The Police, to many of the original local artists weโ€™ve praised right here on Devizine; I See Orange, M3G, The Vooz, Jimmy Moore, SN Dubstation, Bottle of Dog, and those The Real Cheesemakers, naturally! Plus of course, many other bands new to us, which Iโ€™ll endeavour to catch as many as I can between chilling at the Incapable Staircase tent.

Midnight though, I hope thereโ€™s an international time zone between Minety and the Oasis, because the cider there is affordable, and Iโ€™m not sure if Iโ€™ll hold out for that long!ย 

Minety Music Festival runs over the weekend of 3rd – 6th July 2025. Itโ€™s a scorcher, tickets and more info HERE.

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The Rise of Winter Festivals

Once upon a time it seemed to me, that folk would grin and bear the winter weather for the sake of a Christmas lights switchingโ€ฆ

In Retrospect With Gary Martian

So yeah, not only has Cracked Machine and Clock Radio drummer Gary Martin added a letter A to his name to make it sound moreโ€ฆ

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Bouffon! JP Oldfieldโ€™s Debut EP in Review

Once the demonic entity Spring-Heeled Jack entered folklore it became subject to many books and plays, diluting the once real threat of this Victorian bogeyman into a mockery of mass hysteria and hoaxes. If our local upcoming blues soloist JP Oldfield is resurrecting the legend as an opening to his forthcoming debut EP, Bouffon, the trackโ€™s haunting ambience is broken by the usage of his kazoo, implementing the very vaudeville element of satire the albumโ€™s title reflectsโ€ฆ.

Bouffon, being a French theatrical term for a performance of mockery, much like a jester becomes subtly apt once youโ€™ve listened, but thereโ€™s deeper prose at work. โ€œI threw a lot of names around in my head for this project but nothing seemed to fit,โ€ Josh told me, โ€œI wanted a name that summed up everything that these songs, my style, stood for. As such Bouffon, I think, is an unexpected title for my debut EP but I’ve never really seemed toย  like following the mould with any of this musical stuff and despite at first I rejected the idea, it sat in the back of my mind and wouldn’t go away.โ€

In a town where blues is taken extremely seriously my initial reaction to this EP was โ€œthere he goes again, blowing that kazoo when traditionally there should be a harmonica!โ€ But it soon dawned on me, this, and his beaten up suitcase pedal-drum looking like a juke joint throwout, is all part of the unique and idiosyncratic approach JP Oldfield has forged, and its originality works wonders.ย ย 

If thereโ€™s one notable eccentric kazoo-blowing duo on the local circuit itโ€™s Devilโ€™s Doorbell, who Josh supported at Chippenhamโ€™s Old Road Tavern. But whereas those crazy boaters with ukulele and washtub bass rely solely on the jaunty and jocular, thereโ€™s a much deeper tenet to JP Oldfield, richly layered, psychologically.

โ€œTo me a Bouffon clown holds a mirror up to the audience,โ€ Josh explained, โ€œat times it can be hard to look at, deeply sad, and presents you with things you’d rather not face, but in the end it doesn’t pull its punches, and allows for anything to be possible, a blank space where youโ€™re truly free to explore. I really resonate with the idea of this. I’ve always enjoyed the strange, quirky and unlovable. Elements of this have bled far enough into my music to feel a need to name my debut after it.โ€

The second tune asks this directly, if the singer has the blues, as if the melancholic disposition of blues is an affliction the doctor can diagnose. But three tunes in and weโ€™re blessed with such melancholy, Last Orders is a gorgeous ballad to vainly justifying alcoholism. Magpie which follows delves much deeper in its narrative.

โ€œA lot of people associate me with lively suitcase drum playing, jazz chord kazoo mania,โ€ Josh expressed, โ€œand I get it, but that’s not the only side to my music and I would be doing myself a disservice if that was all that I recorded. All my songs are dark but sometimes it needs to bubble up fully to the surface and see the light of day.โ€

He examples the two as those which โ€˜really fill out the point of the recordings.โ€™ โ€œLast Orders is a deep dive into my previous alcohol abuse and really aims to look behind the curtain on the inner workings of a lonely alcoholic. Magpie is a story told from the point of view of a child whose parents have just lost a baby and the confusion that comes from that as the parent’s attempt to hide and dress up the truth. It was actually written in half an hour, the afternoon before hitting the studio, when I put it down on tape it was only the fifth time I ever played it. I had the lyric sheet in front of me and sat real close to the microphone. We did it in one take, the studio went silent and we all seemed to be in agreement that despite it not being perfect, it was exactly the take we needed for that song.โ€

I suggest, in its rawness, Magpie is the most emotionally driven track on the album, the song an audience will take away with them. Though achieving the balance is key here. When we first met for an interview, the topic rested mainly on his powerful basso vocal range, likening him to Cash or Leonard Cohen, and while Josh should pursue this angle in his recording, his live show wouldnโ€™t be the same without the more kazoo blowing mockery of his macabre topics. For the finale Josh pulls in all resources. By title and topic, Satanโ€™s Bar one could imagine weโ€™re off in a similar style as Last Orders and Magpie, but no, mate, itโ€™s jump blues and off he goes with that kazoo again! I suppose, solving the dilemma on how to go out, Satanโ€™s Bar has both sides to JP Oldfield covered nicely.ย 

If I tend to relate baritones to Jim Morrison, and his ability to induce his crowd hypnotically, (taking into account their probable intoxication!), one can suggest JP Oldfield has a similar commanding voice, and thatโ€™s a high compliment, but deserved on the strength of this EP alone.

Oliver Stone projected this well in his 1991 biopic, though those who knew Morrison criticised his persona as deeper layered than that which was represented. They claimed while Morrison was the unbalanced and sometimes vexatious character portrayed, that Stone missed his more playful and humorous side. Josh undoubtedly has the capacity and skill to mesmerise a crowd, like Riders on the Storm, yet if those middle tracks on the EP proves this, the beginning and end ones suggest his favourite Doors track might be the more gamesome Alabama Song, showing Morrison to the way to the next whiskey bar.

Bouffon is released on 25th February 2025, it certainly wonโ€™t disappoint his live fans. With this original balance of melancholic delta blues with a sense of vaudeville satire, thereโ€™s deep personal reflection versus folklore and contemporary narrative, all encompassing and blended superbly.ย 

When I first heard Josh perform, I figured this needed the kind of guided hand only the legend Nick Beere at Mooncalf Studios could master. Coincidentally I bumped into him the weekend after Josh sent the album, and Nick not only confirmed he had recorded it, but agreed the kazoo and all JP Olfieldโ€™s gubbings were all part of the uniqueness of the act. 

โ€œNick’s not only very knowledgeable but also a great guy,โ€ Josh finished on. โ€œWe’d met a couple of times before, at open mics, and he already had a fairly good idea of what I sounded like. I left the production side completely in his hands, he’s the master, I just make the sound. It was the first time Nick had ever recorded a kazoo and a suitcase so I was happy to be the first!โ€

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Christmas Greetings From Devizine!

Here’s our Christmas video Greeting, ho-ho-ho! Filmed on location at DOCA Winter Festival, Devizes, 2024 by Jess Worrow. Merry Christmas everyone!

Chapters, New Single From Kirsty Clinch

Okay, so, Iโ€™m aย  little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning Iโ€™ve not yet mentioned Kirsty Clinchโ€™s newโ€ฆ

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Jamie Hawkinsโ€™ Teeth and Side Owl Short Films

Devizes singer-songwriter Jamie Hawkins, famed for poignant narrative in his songs and one-third Lost Trade, has always had a passion for filmmaking; Teeth is the breakthrough worth chatting aboutโ€ฆ.or chattering about!

What started as simple yet amusing animations as Team Biscuit and the obligatory music video for his sole projects and those with The Lost Trades has come to this, Side Owl Productions.

Short film creator for music, documentaries and promo videos, Side Owl showcases its talent with this quirky horror short, a genre I firmly believe works best for the format, and this is bizarre and a tad eerie.

Torben Fugger provides the score. Jamie stars alone in the four minute flick, save some novelty chattering teeth. It’s like Hitchcock teamed with Monty Python and cast Jeff Bridges once more as The Dude… in Devizes!

โ€œIt’s been months in the making and a huge learning experience,โ€ Jamie explained, โ€œI’m really proud of what I feel is a massive level up from my previous work and this has been helped by the amazing original score from the very talented Torben Fuggerย  whose work has elevated the film as a whole.ย ย  I’ve always found collaboration difficult as it’s hard to let go and put my trust in others, but Torben made it incredibly easy in this case.โ€

โ€œAlthough this was mostly a solo filmmaking project, I couldn’t have done it without the help of Ed Dowdeswell, Dougerick Marsh, and Janey Lou.โ€ I just hope and pray he cleans the blood off the carpet, orโ€ฆ..well, you give it a watch and find out for yourself!

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic of boarded up storefronts, itโ€™s saddening to hear today The Emporium on St Johns Street is to closeโ€ฆ..

It has been a stalwart in our town centre for generations, as long as I can recall, and it has seen off a number of similar shops. Once of a dark green faรงade, it was a creaking floorboard cavern, a treasure trove of curious and peculiar shiny things, from vintage clothes and Indian rugs, to charming novelty gifts and titillating joke books!

Teresa Garraud opened the shop in 1981 and ran it until retiring in 2019. The owners of the last decade Kate Suter and Kelly Harford reinvented it, gave it a fresher white design, and offered luxury gift items through the adjoining K Collection shop, but also adhered to keep it within the spirit Ms Garraud created, and has always been known and loved for.  

At one point in recent history it was one of few places charms of such could be found in Devizes, now it seems itโ€™s innovation has seen a blossoming of similar gift shops, online ones too, and with the growing popularity of craft fairs. If it sadly looked as if this is the last we will see of it, we now believeย new owners have been found but are we are yet to know if they intend to continue trading as The Emporium or if products stocks will be similar.

Photo by http://www.gphillipsphotography.com 

The Emporium told its Facebook followers, โ€œThe Emporium is closing downโ€ฆ All stock now half price!โ€ and has not replied to the huge response in the comments section as townsfolk, flocking to show their respect for the gift shop:

โ€œSuch a great shop for gifts. One of my favourites.” “I’ve bought so many lovely gifts for people from here.โ€ โ€œLove your shop. Been going in here since I was 8 years old, I am 50 this year.โ€ โ€œI spent hours in there when growing up buying scented rubbers and notepaper.โ€ โ€œGreat memories of spending my pocket money in here 35+ years ago!!โ€ And many others comments of sympathy and fond recollections are flooding in.

Times change, Amazon has some great coupons for similar products. You should see HERE for some great codes and discounts.

We have been informed unofficially that someone is seeking to continue to run a shop at the location, but perhaps not in its current format. We wish Kate Suter and Kelly Harford our best wishes for the future.

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PREVIEW โ€“ Jazz Sabbath @ Corn Exchange, Devizes โ€“ Saturday 1st March 2025

Donโ€™t Miss This One!

Andy Fawthrop

Just over two years ago I was privileged to be in the audience when Jazz Sabbath played their only previous show in D-Town.ย  And what a night that was. The musical skill on show simply blew me away.ย  No surprise then that weโ€™re mightily looking forward to their next gig here on 1st March….

Jazz Sabbath are a jazz trio headed by Adam Wakeman, son of Rick Wakeman on keyboards, Dylan Howe, son of Alan Howe on drums, and Jack Tustin (son of his parents Iโ€™m sure), on upright bass. Theyโ€™ve just started on their 2025 UK tour, and many of the venues are either already sold out, or very close to doing so.ย  And one of those dates is in our town, long in the calendar, thanks to the forward thinking of long-time fan Paul Chandlerโ€™s Longcroft Productions.

Adamโ€™s credentials are absolutely second to none.  Apart from having a famous father, Adam has played with the elite of the music world.  Recent credits include Tony Hadleyโ€™s world tour, Deep Purple, Uriah Heep, Rick Wakeman, and at Ozzy Osbourneโ€™s induction into the Rock and Roll Hall of Fame. Heโ€™s also booked to play with Ozzy and the mighty Sabbath themselves at the recently-announced farewell gig in Birmingham this Summer.  Thatโ€™s a pretty impressive CV in my book.

Their offering is to present jazz interpretations of Black Sabbath classics.  It sounds utterly mad, but it isnโ€™t.  Adamโ€™s jazz arrangements are an almost unrecognisable world away, and the bandโ€™s shows also feature plenty of Adamโ€™s own contemporary compositions.  To my ear itโ€™s very little Sabbath, and very much Jazz, but the only way to test that supposition is to get yourselves a ticket and head on down to The Corn Exchange!

The band will be playing material from their latest and third album โ€œThe 1968 Tapesโ€ which, as usual, is promoted in the bandโ€™s straight-faced spoof mock-documentary style.  Itโ€™s worth the ticket price alone just to see and hear the whole comedic wrap-around, never mind the excellent music.  So take it from me โ€“ youโ€™ll be in for a superb night of entertainment.

Get out and get those tickets โ€“ this is going to be a real one-off!

Tickets available online through the bandโ€™s website at https://www.ticketsource.co.uk/booking/select/yebepzmqgpvw or at Devizes Books (the Last Minute dot Com of D-Town).

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Local Tech Firm Encourages Shoppers to Think Pre-Loved this Christmas

With Black Friday just a few weeks away, Wiltshire based Blackmore Computers Ltd, is encouraging people to think pre-loved if theyโ€™re planning on buying laptops and computers in this yearโ€™s sales……. Electrical goods are one of the leading categories of intent to buy over the Black Friday and Cyber Monday weekend (29 November โ€“ 2โ€ฆ

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Westbury Trance Masters Hedge Monkey Reunite For Hometown Gig

If rural West Country had a penchant for trance in the happy daze of the mid-nineties, heady nights of fluorescent-clad crusties with eyes like flying saucers and gyrating like robots at the UFO club down Longleatโ€™s Berkeley Suite, or bumbling around a nearby forest afterparty keeping Wrigleyโ€™s in business, trance-techno, it could be debated, tendedโ€ฆ

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Devizes Writers Group Win Silver Award

Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group… At the National Community Radio Awards held in Cardiff on 16th November Together!, the soap opera written by DWGโ€™s Rosalind Ambler and former member Paul Snook, and produced and broadcast by Warminster Community Radio, got the silver award in the Arts and Culture section.โ€ฆ

Darren Worrow's avatar by Darren Worrow

Last Few Tickets for Devizes Festival of Winter Ales This Saturday!

There are only a few tickets left for this yearโ€™s Devizes Festival of Winter Ales, an important fundraiser for DOCAโ€ฆ..

This year DOCA has teamed up with the Southgate Inn, who have provided a fantastic selection of thirty ales and ciders, there are pies from Padfield Porkies and sausage rolls from Pig in the Middle.

Saturday 15th February 2025, is the date, at Devizes Corn Exchange. Thereโ€™s an Early Session โ€“ 11am โ€“ 5pm and a Late Session โ€“ 5:30pm โ€“ 11pm.

This year they welcome Glorious Productions, who are excited to bring a taste of their legendary Social Club Cabaret to the Festival of Winter Ales. While you sip your ales and relax they provide comedy, skills and the unexpected! Compere โ€“ Goldie Fiasco, Cabaret โ€“ Jon Udry and Jude Elizabeth. And Vince Bell and Adam Woodhouse play the early session, while Burn the Midnight Oil and Junkyard Dogs take the later session.

New for 2025: based on attendee feedback, there will be a slight difference between the 2 sessions this year. Both sessions will have the same great selection of beers, alongside brilliant entertainment from bands and cabaret. However, the Early Session (11am โ€“ 5pm) will be slightly more low-key for entertainment, geared more towards those who are mostly interested in beer tasting. The Late Session (5:30pm โ€“ 11pm) will be slightly more entertainment focussed for those looking for a buzzier vibe alongside their beer.

This is a fundraising event to help meet the costs of DOCAโ€™s free annual programme of outdoor arts events and activities, including the Street Festival, Confetti Battle, Carnival, Winter Festival and Lantern Parade.

Tickets are ยฃ13 and include your first pint free, and a souvenir glass if you want to take it home.

The Festival of Winter Ales is an 18+ event. The layout will be similar to 2024 with some seating, and some standing. If you require a seat for accessibility reasons, please contact DOCA at info@docadevizes.org.uk

More information on the Winter Ales entertainmentโ€ฆ

Goldie Fiasco โ€“ This yearโ€™s Festival of Winter Ales will be compered by the โ€˜wonderfully bonkers and totally endearing!โ€™  Goldie Fiasco. Goldie is a veteran performer with thousands of shows under her belt including โ€“ Glastonbury Festival Circus Big Top, Edinburgh Fringe, The Social Club Cabaret, Bestival, Shambala, Komedia, and Main Stage Redfest. She will preside over a smorgasbord of delectable entertainment for your delight. Sit back and enjoy the ride.

Jon Udry โ€“ There are jugglers. There are comedians. And there is Jon Udry. Jon combines the two to such a brilliant effect that his unique performance has his audience roaring with laughter from entrance to the final curtain. Formerly the British Young Juggler Of The Year and New Act of the Year Finalist 2018, Jonโ€™s skills and stage persona have brought his show onto various television and radio shows, as well as being a regular on the bill at prestigious festivals like Glastonbury. 

Jon travels internationally, working on a host of luxury cruise lines, at festivals and events, and โ€“ due to his unique comedy style โ€“ his show is also at home on the domestic comedy club circuit. Jonโ€™s repertoire is not the normal type of speciality act โ€“ instead, itโ€™s young, offbeat, quirky and hugely impressive. His current show โ€˜Jon Udry Punches Gravity in the Faceโ€™ is quickly becoming his most successful to date with a host of bookings around the UK, Europe and beyond. 

Jude Elizabeth โ€“ Jude trained as a professional ballet dancer but turned to Circus over a decade ago specialising in Aerial arts and Handbalance. Now internationally renowned, she has performed alongside Hugh Jackman at The Brit Awards, performed for the Royals and at some of the most prestigious venues in the world.  We look forward to bringing her exceptional talent and elegance to our stage.

Vince Bell โ€“ A talented singer-songwriter based in Devizes, Vince Bell is a prominent figure in the local music scene. Known for pouring raw emotion into his songwriting, he creates deeply personal yet universally relatable songs. His music is meticulously crafted and delivered with a captivating sincerity, showcasing his artistry and passion. Drawing inspiration from a diverse range of influences, including the likes of John Martyn, Pink Floyd, Bruce Springsteen, and Richard Thompson, Vinceโ€™s sound is both unique and richly textured, resonating with audiences on a profound level.

Adam Woodhouse โ€“ Guitarist and singer, Adam Woodhouse has a love of country, blues and folk music. As a solo acoustic performer, these influences are always apparent, no matter what musical genre he is playing. Adam covers a wide range of music from across the decades, bringing his own style, vibe and humour to a collection of well-known hits.

Burn the Midnight Oil โ€“ are a powerhouse trio that skim the surface of blues, country, folk, rock and pop with an all-original repertoire.

Junkyard Dogs โ€“ Junkyard Dogs are a group of seasoned musicians with a shared love of Blues and goodtime Rock & Roll. Donโ€™t forget your dancing shoes and let the good times roll!

Electric Dream Comes True; Cephidโ€™s Sparks in the Darkness at The Rondo

A sublime evening of electronic elegance was had at Bathโ€™s humble Rondo Theatre last night, where Cephidโ€™s album, Sparks in The Darkness, was played out exclusively to a packed house. It was, in a word, breathtakingโ€ฆ.

The type of genius who built a laser-harp at seventeen years old, Cephid‘s composer, producer and multi-instrumentalist Moray McDonald is bound by modesty, and appeared, prior to the show, understandingly nervous about the prospect of performing. He hadnโ€™t contemplated ever reproducing this masterwork on stage, for the project began as a collection of demos he created โ€œfor fun.โ€ โ€œWith all my focus being on creating an album that would live up to the grand ideas in my head,โ€ he explained, โ€œI didnโ€™t stop to think about whether this music could be performed in a live environment.โ€

Seems he shies from being centre of attention, his comfort zone on stage favouring the many occasions he hides as a keyboardist in prog rock bands. Moray, currently residing in Lavington, cut his teeth touring with progressive rock and metal artists such as That Joe Payne, Godsticks, Kim Seviour and Ghost Community, more recently he remixed for OMD.

Moray was adamant this was a totally exclusive show which wouldnโ€™t be taken on the road, although it has the magnitude of doing so. The show was produced and promoted by his partner Charlotte, whoโ€™s theatrical flamboyance encourages Moray to overcome his reservedness. Therefore a communal air bloomed in the audience, that this was a one-off treat, and we were the lucky few; because we were.

Being I was there to review, it probably didn’t help his anxiety any telling him I’d seen Kraftwerk at a Tribal Gathering of yore, where from every tent of every subgenre ravers descended to observe the roots of it all. โ€œKraftwerk was the beginning of everything,โ€ he agreed.

While itโ€™s an accurate summary of the origins of electronic pop music, Sparks in The Darkness delves beyond this for inspiration. Itโ€™s orchestral on a Jean-Michel Jarre level; even if the show wasnโ€™t to the same scale it was in spirit. It nodded to the trial phase of electronic music, prog-rockโ€™s psychedelic swirls found in Pink Floyd, Led Zeppelin et al, and continues to the ambient house pioneers like The KLF and Orb. It rests on the heyday of electronica, the quirky experiments of new wave post-punk like New Order, and early US electro outfits, like Newcleus. Yet it incorporates contemporary technological advances, the variety of modern subgenres stemming from it, and it evoked in me a fascination with the history of electronic sound.

To contemplate futurist Luigi Russoloโ€™s 1913 The Art of Noises theories, that music would change due to the ear becoming accustomed to mechanical, industrial and urban noises, and the dadaists flouting this, is to consider the eighties clunkiness of the engine sampling of the aptly named Art of Noise, or Yello, or the piercing hubbub of acid houseโ€™s 303s, for the sake of artistic expressionism rather than melodious music. Sparks in The Darkness doesnโ€™t go there, it doesnโ€™t tumultuously provoke, rather itโ€™s polyphonically beautiful, sampleless, and tonally complimentary on the ear. In this, the decades of electronic music progression has become an epoch, therefore a โ€œfolkโ€ music, effectively turning music full circle; Cephid is on that cusp, and proved it last night.

But not before That Joe Payne, who later returned to the stage to provide vocals for Cephid, supported with an astounding original set. With just keyboard and voice he acoustically gifted us with a one-man rock opera, the like Iโ€™d never seen before. Combining camp comedy with tragedy, reminiscent of Elton Johnโ€™s heyday and expressed divinely with the vast vocal range of Freddie Mercury, this was delicious vaudeville. Though I cite these clear influences, they broke the mould when they made That Joe Payne, and that is the only shame about this highly entertaining character.

If That Joe Payne was something which bucked my norm in the nicest of methods, the whole evening was equally different for me, who these days is used to traditional rock, folk, or blues bands, and even with a history of dance music under my belt, this wasnโ€™t a rave anymore than it was a gig in the tradition of, even if the effect was similar. This was a showcase of modernism, an electronica fantasy in fruition. If at any point I likened it to something visually, it was Howard Jones meets Orbital, and thatโ€™s a high compliment.

The Rondo ignited with laser lights after the interval, colouring the subtle smoke machine output, and doused with a building ambient drone. Moray appeared onstage with electric percussionist Graham Brown, both dressed in white bodysuits with scarlet tie-belts. Layers developed and the album was played out sublimely, stretched to fit the show. The skill of the pair, to unite in sound and highlight exactly how these tunes were accomplished was insightful, and amazing. The only analogue instrument being a snare, the rest was digital technology caressed to evolve the most refined musical topography, an audio landscape masterpiece.

The grand finale was the usage of the triangular centrepiece, the laser harp Moray created at seventeen but had never used publicaly. Even if many in the crowd were connected in some way to Moray or the team, akin to a family party, everyone was held spellbound when the laser harp strings lit up, and Moray took position behind it.

If the perfect composition of this groundbreaking sound, with the laser show and theatrical performance wasnโ€™t enough to convince anyone in the crowd to the monumental importance to the artist, and the rare and wonderful occasion this was, it was Morayโ€™s expression of sheer joy, at the audienceโ€™s standing ovation. It was confirmation that this project, so immensely well received, is surely the testament, plus an ego boost, to the diffidence of a creative genius!

You might have missed this show, but you can (and should) buy the album HERE.

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Just a Little New Single From Sam Bishopย 

โ€œThis song speaks to anyone who’s ever felt like they weren’t quite enough for someone, yet still held out hope for just a hint of validation,โ€ Sam Bishop explained to me about his latest release, Just a Little which is out today, 7th Februaryโ€ฆ.

The immediate hook to this song is in the simplicity of the riff, it glides with a summer breeze echoing in feelgood ambience. Refreshingly vehement and not overworked, Just a Little caused me to think of Natasha Bedingfieldโ€™s Unwritten, and further back to how Madonna secured her queen of pop title with the Latino hook in La Isla Bonita, or am I going too far back for you now?! Noah Kahan brought back fervency, this goes along similar lines, though Sam likened it to Coldplay and Bastille, stating, โ€œI hope people can connect to it.โ€ย 

Itโ€™s certainly miles beyond his beginnings in Devizes School boy band 98 Reasons and the duo Larkin with fellow member Finley Trusler, in commercial viability. It shows a maturity, but if weโ€™ve followed this natural progression I could argue his previous songs were growers, whereas this was an instant like, and swift appeal is whatโ€™s needed in the fast-paced industry.

Sam scribed this beauty whilst travelling the States over summer and produced it once home. โ€œThis song is for everyone whoโ€™s ever felt like they were giving their all but still wondering if itโ€™s enough,โ€ he expressed, โ€œI wanted to create something that felt vulnerable, yet comforting, that also feels personal.โ€ Yeah, Sam, I think youโ€™ve captured that!

Just a Little is out across streaming platforms from 7th February. Check it out HERE; it’s already top ten on UK iTunes – deservedly.

SwinterFest Broke Me Out of Hibernation!

Like a hedgehog poking his nose out of the bracken, just a few hours on the Sunday at Swinterfest was enough to cure me of my hibernation, which seems to lengthen with each year and causes me to worry the attraction of warm, cosy nights in might seclude me forevermore, and Iโ€™ll never see a chap strum a guitar again!

I was only at the Beehive for ten minutes before wishing Iโ€™d got here sooner, three days sooner! Swindon Shuffle organisers decided to create a winter version for last weekend, and speaking with both Ed Dyer and Jamie Hill of Swindon Link and Ink, they were wary if it would be as successful as their annual summer extravaganza. Exhausted by Sunday but still positively beaming with enthusiasm, Iโ€™m glad to report Ed signed the event off as a huge triumph.

Crowds turned out to the respective pub venues on each day; Thursday at the Hop, Friday at the Vic, Saturday at The Castle, and Sunday at the Beehive. A colossal selection of the South Westโ€™s finest musical talent united to raise some wonga for the Prospect Hospice, as they do with The Swindon Shuffle and My Dadโ€™s Bigger Than Your Dad festival. 

The team assembled for the final showdown at the Beehive, which is a crazy-good watering hole aptly on Prospect Hill; I could resist no more. From Courting Ghosts and Canuteโ€™s Plastic Army to Will Lawton, George Wilding to I See Orange I sadly missed many of my favourites, even our wonderful M3G and Devizes-own Nothing Rhymes With Orange; what can I say in my defence? Would central heating, cosy sofa or homemade stew cut the crust?!

Despite it being a whistle-stop, I was so glad to be reunited with Swindonโ€™s premier Americana collective Concrete Prairie. At one point I was close to becoming their groupie, unfortunately our paths havenโ€™t crossed for a while. Seconds into their set why Iโ€™ve claimed theyโ€™re better than sliced bread came flooding back. They were, for want of a technical evaluation, absolutely and steadfastly, one-hundred and fifty percent on fire.

I donโ€™t know if it was the fact the Beehive is one of their favourite venues to play, if time had eroded my expectations of them, or theyโ€™ve polished their already proficient skills, or maybe because they opted for their more high-energy originals, or possibly now those songs have become classics fans chant them back at them, but wow, just wow!

I was introduced to Clarie, their new fiddler, previously informed she fitted like a glove into this astounding band, and they weren’t fibbing. It is in their unification where sparks fly, if individually theyโ€™d reach a level of greatness naturally, together theyโ€™re solid and tight. Concrete Prairie is the whole deal for dark and foreboding themed country-blues-rock which takes you on a mood-changing journey; they could play disco and still rouse the hairs on the back of your neck, dammit! (they donโ€™t though, for the record!)

Prior to their invigorating explosion I was delighted to find a new love. From Newport, Joe Kelly & The Royal Pharmacy were truly a blessing. Described as a chameleonic presence, in so much as he plays solo, or his masterful originals are fleshed out with the three-part vocal harmonies, guitar and keyboard combo of his backing band the Royal Pharmacy. Joe explained the versatility of his band contained missing elements today, of drums and bass, which when added could evoke the harder rock ambience of a five-piece, on occasions, but the harmonious delivery of folk-rock masterpieces was plentiful for me to decide this outfit is something I could perpetually return to.

Perfectly pitched between smooth and rustic, Joeโ€™s authentic raspy call of expressionism is breathtakingly emotive, his canvas is projected outwards but his brush operates inwards. It conveys that timeless fidelity and sense of personal reflection and identification of Guthrie or Dylan, with the gusto of Geldof or Petty. It is, in a word, gorgeous; music for the soul.

Through his self made independent record label, Dirty Carrot Records, thereโ€™s a selection of their recordings to check out, I recommend you do, and theyโ€™re showcasing their local circuit with five other artists on the books. Joe Kelly & The Royal Pharmacy timelessly embrace every classic element of folk-rock, the emotional poignancy, sincere homespun fashion, the evoking sound, and project them outwards nothing short of sublimely, encapsulating an audience you really need to be in!

And that was only two of the thirty three acts booked to perform at the inaugural Swinterfest last weekend; imagine the length of my waffling if Iโ€™d see anymore! Jamie at Swindon Link wore the Swinterfest T-shirt out and gave a more comprehensive evaluation, here. Me? Iโ€™m more of a Catchphrase contestant than a music journalist, I just say what I see, and those bottles wonโ€™t deliver themselves, so, I had to retire from the bustling Beehive, disappearing into the night; milk and honey not mixing well this time. Shame, because I missed Erin Bardwell and the Subject A gang, and SN Dubstation, despite knowing theyโ€™re both up my street and knocking loudly on my door.

The most important part to all this was questioning the big chief organiser of the Shuffle and now Swinterfest, Ed Dyer, if heโ€™d make this an annual thing, and there was absolutely no sign of doubt in his tone that he would. Interestingly he suggested incorporating other arts into the mix, suggesting comedy, poetry and drama. The idea was to separate it from the music dominated Shuffle, so it lives in its own domain and isnโ€™t viewed more simply as a winter version of the Shuffle. But as Jamie expressed, what they know best is music, so they went with that to begin with, and they certainly do!

Trending…..

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because they showered me with biscuits Iโ€™ve been doing the easy bits of arranging some live music and designing a poster for Rowde Fest 2025โ€ฆ..

Itโ€™s happening on Saturday 31st May from 1-7pm, itโ€™s free, you can roly-poly down Dunkirk Hill, and join our village family fete-like festival at the Rowde Small Playing Field (next to the church); no pressure, but I think youโ€™ll like it!

Burn The Midnight Oil

Already confirmed we have music from Thieves, Adam Woodhouseโ€™s marvellous Americana quartet. With a village connection, the most wonderful new band on everyoneโ€™s lips, Burn The Midnight Oil are playing too. The incredible Sarah C Ryan Band are up for it, and local legend Andrew Hurst is also on the blossoming line-up.

Sarah C Ryan Band

And I believe we may have some super-duper, and I mean super, surprises, like, โ€œpossiblyโ€ the best indie pop band in Wiltshire, and acoustic god, and oh, did I say itโ€™s super-duper?!

Hold the front page!! More great acts to be confirmed!

Update: Wiltshire’s finest indie-pop band Talk In Code have just confirmed; you’ll love these guys!

Thieves

Thereโ€™s Devizes Jubilee Morris dancers, childrenโ€™s activities, face painting, food and drink and side stalls, and more. You all should know by now Rowde has the best ice cream this side of Italy, so yes, Rowdey Cow are sure to be there.

Talk in Code

It is all free, but, you lovely people, we really need some kind donations on the gate, if you can, so we can ensure we can make it an annual occasion.

If you’ve an idea for a side stall, please let us know and I’ll pitch it to the committee, they don’t bite, or at least I’ve seen no evidence of it yet.

Andrew Hurst

Iโ€™m even over-excited to share the poster with you! Subject to alterations, as if I could possibly find any more room on it for other acts yet to confirm, the poster has been collated by me, but is also the fine artistic work of three pupils from Rowde Academy. So a huge thank you to Luca Dowling, Theo Doherty, and Lila Ransome for their inspirational pictures, which were incorporated into our poster.

I look forward to seeing you there; you are coming, right? Here’s the Facebook event page thingy. It wouldnโ€™t be the same without you.

Trending….

YEA Devizes: DOCA New Youth Project

Devizes Outdoor Celebratory Arts announced their upcoming project, YEA Devizes today. Made possible by a grant from National Grid Electricity Transmissionโ€™s Community Grant Programme, theโ€ฆ

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An Insight into Devizes New Youth Centre Project

I caught up with an excited Jonathan Hunter, leader of Devizes Town Councilโ€™s independent party The Guardians, and local loyal youth worker Steve Dewar to rap about an imminent youth centre coming to Sidmouth Street in Devizesโ€ฆ.

I was aware Jonathan swore to create a youth project in town some years ago and was engaging with teenagers, researching what their expectations of such a place might contain.

โ€œThis is all part of a speech I made in council years ago,โ€ he told me, โ€œAsking the council to support three objectives, which were civic recognition for young people, to put them on equal standing to all the other recognitions we do in the annual civic awards, which we now do and thatโ€™s brilliant. The second was a street engagement program where we work with disenfranchised young people, on the streets, through an outreach team.โ€

โ€œItโ€™s taken four years to get the premises,โ€ he continued. โ€œThe council have decided to redeploy what was an old bed shop. What it does is gets to the youth right in the middle of town, gives them their own cafรฉ.โ€

If like me, your memories of youth clubs are dubious, based on the out of touch approach of our elders at the time, I was keen to discover how much of the project will be created by youths themselves. โ€œThe vison is that they get to run it and be integral rather than a bunch of older people meaning well but not necessarily understanding all the issues and concerns young people have,โ€ Jonathan replied. โ€œItโ€™s going to be brilliant!โ€

He used the word โ€œbrilliantโ€ numerous times, our own version of Paul Whitehouseโ€™s Fast Show character, Brilliant Kid, right here on our town council!! But are we to overcome the stigma of said youth clubs of the past which tended to not engage the youth who might need it most?

โ€œAbsolutely,โ€ Jonathan responded with his constant air of enthusiasm, โ€œIโ€™m really focussed on that, taking a collaborative approach with different people, with Steve Dewar, who inspired me five years ago to stand. Steve spoke of a โ€˜missing piece in a jigsawโ€™ with youth provision. I just wanted to go and bat for young people, and doing whatโ€™s right for the community rather than a political party or any ideological stuff, and make things happen that way, which Iโ€™m glad we can.โ€

I couldnโ€™t think of a better local youth worker than Steve Dewar to be involved in this project, but as the sole-creator of a mobile youth charity and his mobile Youth Pop-Up Cafรฉ travelling the county providing leisure facilities to youth, I was concerned his involvement with the youth centre would reduce usage of the pop-up cafรฉ project. โ€œWe, as a charity havenโ€™t had any financial provision for staffing the centre, that would be perhaps an independent youth worker,โ€ Steve explained, โ€œor someone employed by the council, to man it. The challenge we have as a small charity is weโ€™re also committed to supporting young people in schools, through detached youth work, and thereโ€™s only me in this area and a few volunteers.โ€

โ€œIt is a constant battle and challenge, and is nationally, to reinvest back into youth workers as a vocation, to give it the time and professionalism that we think it deserves,โ€ Steve expressed. โ€œUnfortunately cuts to services has removed a lot of that peoplepower, to be able to commit to it. As much as I would love to give more time to it, as I certainly have a heart and vision for it, that needs to align with our other projects.โ€

โ€œFor me the challenge will always be an applicate to Wiltshire council, town councils that a centre-based provision isnโ€™t a quick fix and isnโ€™t a one-size fits all. It must compliment and work alongside with detached youth work, such as our pop-up van, schools-based work, and uniformed organisations, other charities.  It must be a part of that. The Pop-Up Youth Cafe has had its busiest year, and weโ€™re in the process of converting another van, to be able to respond to more needs across the county. Obviously, I want to see all these elements of youth work flourish.โ€

Jonathan informed me there would be three floors, the ground floor as a youth space โ€œwhere they can congregate with a coffee bar or whatever they want to put in. They can hang out and discuss things in a safe space and enjoy each otherโ€™s company, without the cost of a coffee in a regular place.โ€

Plans for the first floor is โ€œan aspirational hub, where different youth agencies can come together and work direct and deliver their visions. The top floor weโ€™d love to se it going to an external educational provider which works with young people who might be disenfranchised from normal education, that are getting bused or taxied around the county access basic maths and English, to have something more local, which is sits far better for these local young people who have slipped through.โ€

Current town Mayor and councillor Ian Hopkins has also been working towards the project. Jonathan furthered, โ€œalso, what weโ€™ve done in conjunction with this is, Ian Hopkins and I, are building a relationship with Devizes School, which is going well. We had a forum last week with the head and a selection of students. Theyโ€™re really interested in this; they want to be involved and take a lead and be part of it.โ€

โ€œWhat was brilliant was, when we met with the school, one of the studentsโ€ฆ these young people are so eloquent, articulate and knowledgeable, I was massively inspired by themโ€ฆ one of them said, โ€˜we need to help the parents too,โ€™ because there are parents out there who are looking after and struggling to help teenagers growing up. Itโ€™s not an easy task, and some parents out there could probably do with some support; that came from the young people, that wasnโ€™t our suggestion, so thereโ€™s possibilities on the top floor to develop a meeting place for parents to come together and share ideas and concerns.โ€

On youth engaging with the project, Steve added, โ€œif we were doing it without them, weโ€™ve missed the point. Thatโ€™s why Iโ€™ve advocated several our local councillors to engage with young people and working in better partnerships with school staff so young people are involved, on the grounds on training.โ€ He exampled a girl today who had been helping him create posters to go up in the youth space as they develop it, to let people know to โ€˜watch this space.โ€™ โ€œAnd we spoke about what she thinks the teenagers need and want.โ€

โ€œResults of the school survey was young people would like safe places to go,โ€ Steve explained, โ€œand safe people to be able to speak to, and thatโ€™s nothing new, itโ€™s been the case for years, and is certainly true in Devizes. Yet weโ€™ve not been able to respond to them. Thatโ€™s why Iโ€™m so chuffed, pleased, stoked, that hopefully Devizesโ€ฆ well, that this is the start of the journey which is starting to respond to that.โ€

โ€œIโ€™m really encouraged,โ€ Jonathan said, โ€œand weโ€™ve got some seeds running through the area board, but I want to attract some funders to be able to run it, and for it to be successful and sustainable for years to come.โ€

I thought out loud, that the previous youth club in Devizes being attached to the school may have been viewed a hindrance and rather off-putting to the youth, whereas this, regardless of the schoolโ€™s keen involvement, is geographically separate from it.

โ€œYes,โ€ Jonathan agreed, โ€œBang in the centre of town! And what weโ€™re looking at next is a brand, thereโ€™s a provisional name that weโ€™ve given it, but young people are examining different kind branding and names, to give it the right kind of profile as well, and thatโ€™s with them. I think they should be the architects of that, and how they want it to develop. Itโ€™s just a great breakthrough, more to do, and talking with Steve and Ian, we want this to be super sustainable, and we want it to run itself.โ€

โ€œIโ€™m looking for this to have a halo effect,โ€ Jonathan said, โ€œmaybe the minority of young people who find themselves disenfranchised and donโ€™t have the infrastructure that some can enjoy, or maybe they donโ€™t have good role models, they might look at this place and think Iโ€™d rather be there in a positive environment than be caught up in anti-social behaviour.โ€

Steve spoke fondly of a new national youth program, discussing a coloration of a lack of youth services has resulted in a trend of anti-social behaviour, โ€œand those links as to how we, as communities, invest in our young people positively, goes in line with those elements to society which will take advantage of our young people,โ€ he explained. โ€œSo, doing nothing, to me, isnโ€™t an option, and thatโ€™s why Iโ€™m pleased the town and county council and other local organisations, hopefully local businesses as well, will get onboard with insuring that Devizes has the pullies to develop youth work provision.โ€

On the matter of a prospective opening date, Jonathan estimated, โ€œthe work is underway, weโ€™re aiming for spring, an aspirational date. Itโ€™s all about working together, and I was really encouraged by MP Brian Matthewโ€™s support, he recognises thereโ€™s a void of this kind of activity, which weโ€™re aiming to fill.โ€

It all sounds amazing, certainly far better than my memories of a youth club, where youโ€™d discover the most diluted orange squash known to mankind, in a drafty scout hall, and two kids playing on an undersized snooker table, while an aged vicar snored on a broken wooden chair in the corner!  Itโ€™s all too late to save me, but good news for those just slightly younger than me! That, thanks to the organisers of this project, the youth are positively encouraged to engage with inputting what they want to get from the project.

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this year looks positively booming with music events. This weekend alone looks hotter for events than it will probably be climate wise!

Leading us up to the start of the month, Swindon Shuffleโ€™s new wintery thang SwinterFest is covering days all this coming weekend from Thursday and onto the 1st and 2nd; Saturday is at the Castle, Sunday at the Beehive, check the poster for the fantastic lineup. Another amazing fundraiser for Prospect House.

Thursday 3oth Jan

Also in Swindon find Ian Barrett Band with Bare Knuckle Asylum and Tiddles the Hellcat at The Vic. Ignacio Lopez at Swindon Arts Centre, and Jack Deeโ€™s Small World at The Wyvern Theatre.

New Writing Night at The Rondo Theatre, Bath, and Tom Jonesโ€™ favourite singer Mim Grey is at Chapel Arts.

Follow Comedy Club at  Qudos in Salisbury, Alistair McGowan at Salisbury Playhouse, and Limehouse Lizzy at Salisbury Arts Centre.

Friday 31st Jan

Jamie Hawkins is at The Bridge in Horton. The Tipsy Gypsies are at The Royal Oak in Pewsey.

The Blunders are at the Pump in Trowbridge, with The Lindup Brothers & Hometown Devilry. Morphew School of Dance presents A Wish Come True at the Civic Centre.

As well as SwinterFest, Last Train Smokinโ€™ are at The Beehive, Swindon. Dr Jekyll & Mr Hyde at Swindon Arts Centre,and Cirque Enchantment at The Wyvern Theatre.

Stable at The Rondo Theatre, Bath.

Lucy Loves Liquor at the Coach and Horses in Salisbury. Diamond Froggs at Deacons, andย Barnstormers Comedy atย  Salisbury Arts Centre. Salisbury Playhouse has Thatโ€™ll Be The Day.ย ย ย 

Sound of the Sirens at The Tree House in Frome. Dire Streets at The Cheese & Grain.

Saturday 1st

Falls on Deaf Ears at the Southgate in Devizes, and thereโ€™s a Long Street Blues Club night at the Cons Club with The John Martin Project. Devizes Scooter Club promises a soul, Motown, ska and reggae DJ night at the Football Club, and Mr M & The Original PJ have a soul night also, at the Bear Hotel. DJ Karl Maggs playing club hits at the Exchange.

Bodge It & Scarper at The Bear, Marlborough, Jam Night at The Barge, HoneyStreet.

Three upcoming local DJs, ET Tronic, FLAM and Artoid play a Future Sound of Trowbridge night at The Pump, while Junkyard Dogs are at the host pub, The Lamb. Morphew School of Dance presents A Wish Come True, a matinee at the Trowbridge Civic Centre.

Dโ€™ Ska Assassins are at Prestbury Sports Bar in Warminster.

Mustard Allegro at The Three Horseshoes, Bradford-on-Avon. Colin Hoult: Colin at The Rondo Theatre, Bath.

As well as Swinterfest in Swindon, Mojo plays The Swiss Chalet, Still Marillion at The Vic, and Peter Andre stars in The Best Of Frankie Valli at The Wyvern Theatre!

Thereโ€™s a Winter FiggleFest at Figheldean Village Hall. Jetpack at The Ram, Tidworth.

Wiltshire Creative Comedy Club with Lucy Beaumont at Salisbury Playhouse. Sarumโ€™s Lot at Qudos. Lucas Hardy, Rosie Jay and Rich Butcher at The Avon Brewery Inn Salisbury and Graffiti Classics: The Comedy String Quartet at Salisbury Arts Centre.

Laurence Jones is at The Tree House in Frome, and there’s an Retro Electro at the Cheese & Grain.

Sunday 2nd Feb

Jon Amor Trio with guest Shannon Harris at The Southgate, Devizes.

Everyone Says Hi are Instore at Sound Knowledge in Marlborough, which we previewed.

Super Blue Moon at The Three Horseshoes, Bradford-on-Avon.

The Roy Orbison Story at The Wyvern Theatre, Swindon.

Sunday Session at The Coach & Horses, Salisbury with Ben Nicholls 

Open Mic at George and Dragon, Salisbury.

CSF Pro Wrestling Showdown at the Cheese & Grain, Frome.

But of course, youโ€™d know all this if you keep checking into our event calendar! We are not running the weekly roundups any longer due to it being time consuming which basically just repeats whatโ€™s been listed already. It was just that this weekend seems to have really opened up for events again, and see this as a gentle reminder to keep checking into Devizine, as the calendar is always updating, as fast as I possibly can add listings!

Do contact us if weโ€™ve missed your event out, and we can list it free for you.

Bradford-on-Avon Green Man Festival Returns In May

Experience the Bradford on Avon Green Man Festival, a vibrant, family-friendly community gathering featuring traditional dance, music, song, and folklore throughout the town centre on Saturday 10th May 2025 (9.30am to 6pm). And the best part is, it’s free!

Witness over 50 dance groups, including 500 dancers and 120 musicians, featuring Morris dancing and diverse European styles.

Join the whimsical journey of our 10ft tall Jack in the Green and Jill in the Green, visiting 12 town centre venues with bands and fantasy beasts.

You’ll also discover the kid’s zone, artisan market, community hub, pagan arts and crafts.

Groove to a samba band, mummers’ play, Folk Club stage, Wiltshire Music Centre stage at Holy Trinity Church, a great venue with fantastic acoustics, Blues @ The Shoes stage, live pub music with English folk music in The Canal Tavern organised by the regular BoA session players, The Dandy Lion hosting an Appalachian session, French music outside in the sun at Timbrellโ€™s Yard, buskers and more!

A Friday night launch party at the Wiltshire Music Centre is always a great start to the festival. This year it is on Friday 9th May, and theyโ€™ve booked the fantastic John Martyn Project.

The full programme is available on the BoA Green Man Festival website: boagreenmanfest.org

The BoA Green Man Festival has something for everyone โ€“ so dress up for the day and really get into the swing of things.

Date: Saturday 10 May 2025

Time: 9.30am to 6pm

Location: Across Bradford on Avon

Website: boagreenmanfest.org/welcome/

Trending…

Autumn-Winter Comedy in Devizes

Comedy in Devizes is a rare thing, unless you count visitors turning right at the Shaneโ€™s Castle junction, reading opinions on the Devizes Issues (butโ€ฆ

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Henge Journey to Voltus B, Via Fromeโ€™s Cheese & Grain; Abduct Me!

If Iโ€™m considering reviewing worldwide music again, why stop with this planet?! Though Iโ€™ve reasoned two tenacious links to mention this madcap Scottish interstellar outfit; one, their tour lands them at Frome’s Cheese and Grain on Saturday April 19th, and two, they’re called Henge, and as Wiltshire houses the most famous one of them, thatโ€™ll do!

Why am I so keen to mention them? It’s the challenge of summing up something completely unique. It requires a gaping pigeonhole, comical jazzy post-rave space-rock probably best suits; bonkers, in a word. Someone shared a video of them headlining the Shambala Festival and I was abducted, though while Iโ€™ve not listened to their previous three albums, weโ€™ll launch off with their forthcoming album Journey to Voltus B, set for release on January 31st, exactly ten years to the day from when the band gave their first live performance on planet Earth.

This is truly out of this world fantastic, and what should’ve been playing at the Cantina in Star Wars. It’s like Scott Joplin came after Eat Static, or Miles Davis was a member of Hawkwind. If Funki Porcini met Altern 8, or Philip K Dick was a guest on Yo Gabba Gabba, it’s the sum of all these parts yet it’s none of them, because it’s alien, pinching Jeff Wayneโ€™s stash for testing purposes and stranding him on an uninhabited Plutoid!

Over seven certifiably insane but glorious tunes you travel to Voltus B with the half-druid mutant electronic spacerockers, the planet of an advanced civilisation with a looming atomic future, and you get to decide their fate!

Side B of the vinyl version of the album has been innovatively cut in โ€˜parallel grooveโ€™ with two tracks, both called Power of the Atom, pressed concentrically to each other on the same side of the record. While one track tells the bleak fate of Voltus B after its inhabitants use their newfound knowledge of atomic power to make weapons, with the planet annihilated in war and entering a nuclear winter; the other tells the story of the planetโ€™s future after the aliens decide to use their scientific discovery to create limitless clean energy through Nuclear Fusion. 

But you are supplied with the mission brief enroute. Ascending is the opening tune and first single, which is out now and available on all platforms. It blasts off without waiting for you to lock into position. Then itโ€™s a Slingshot around Mars to get us on our way, a post-punky robotic vocal track with equal pace, which falls dramatically by the third tune as we enter Hypersleep. As it suggests, this is the dreamy ambience of the Orb, and you await for landing, in audio bliss. Descending next, and weโ€™re off again with the crazy uptempo nut-filled jazzy explosion of synths. Youโ€™re welcomed to Voltus B like it was a nineties free party, then comes the concluding narrative, like Edward Packardโ€™s Choose Your Own Adventure book series, on acid!

Of the new single, Henge frontman and crew captain, Zpor, explains, โ€œwith this new single Ascending we are setting the scene for our latest adventure into space. As we blast off from Earth, it becomes clear that YOU, the listener, are among our crew for this high-stakes voyage, where the fate of an entire planet is literally in your hands.โ€

This is, without doubt, mind-blowingly progressive, and highly entertaining, especially for stoners, Trekkies and kids of all ages alike, and I tick all those boxes. Itโ€™s child-friendly psychedelic vaudeville, the Jetsons meet the Fabulous Furry Freak Brothers, in Lego.

This new favourite thing made me think about the end of ET, and why Elliot couldnโ€™t go with him, because if music is like this elsewhere in the universe and I was Elliot, Iโ€™d have packed glow sticks into my backpack and not looked back at Earth once!

 In support of their latest campaign, HENGE are embarking on an extensive run of UK shows planned for 2025. Join the band at the following locations and venues:

HENGE TOUR DATES

UK (with Tirikilatops)

14/03/25 – G2 Garage, Glasgow

15/03/25 – The Grand, Clitheroe

20/03/25 – The Parish, Huddersfield

21/03/25 – The Drill, Lincoln

22/03/25 – The Tivoli, Buckley

27/03/25 – Castle and Falcon, Birmingham

28/03/25 – Esquires, Bedford

04/04/25 – Sidney and Matilda, Sheffield

05/04/25 – Brudenell, Leeds (matinee & evening)

11/04/25 – Boileroom, Guildford

12/04/25 – Forum, Tunbridge Wells

17/04/25 – Arts Club Loft, Liverpool

18/04/25 – Marrs Bar, Worcester

19/04/25 – Cheese and Grain, Frome

20/04/25 – Cornish Bank, Falmouth

23/04/25 – South Street Arts Centre, Reading 

24/04/25 – Marine Theatre, Lyme Regis

25/04/25 – Clwb Ifor Bach, Cardiff

26/04/25 – Trinity Centre, Bristol (matinee & evening)

27/04/25 – Barrelhouse, Totnes (matinee & evening)

02/05/25 – Concorde2, Brighton

03/05/25 – Wedgewood Rooms, Portsmouth

Swindon Festival prevails for fourth consecutive year having raised over ยฃ40,000 for Prospect Hospice

The team behind popular all-day music extravaganza, My Dadโ€™s Bigger Than Your Dad Festival, can now reveal that nearly ยฃ11,500 was raised for Prospect Hospice following last Summerโ€™s event, bringing the total raised since the festivalโ€™s inception to well over ยฃ40,000…..

MDBTYD 2024, organised in association with the South Swindon Parish Council, was held at Old Town Bowl on Saturday 20th July 2024 with around 1,000 people joining in the festivities. Devizine sent our Ian along, and this was what he said about it.

This was the fourth year of the increasingly popular local festival, which was organised to raise much needed funds for Prospect Hospice in tribute to Dave Young, the former landlord of The Victoria and 12 Bar, who died in early June 2021 at the Hospice after a hard-fought battle against cancer.

Prospect Hospice, based in Wroughton, provides invaluable care for people across the region and has to raise in excess of 70% of its costs through fundraising through the local community. In 2023 alone Prospect Hospice provided free care for over 2,000 patients. With costs continuing to rise and more people than ever needing their care, fundraising is critical to continue this vital service โ€“ they have sadly lost 50% of their capacity for inpatient care due to underfunding within the last two years.

โ€œProspect Hospice is an organisation that does incredible work, delivering palliative and end of life care to those who need it; work that is only going to become more important in the future. Everything that the hospice does is driven by the people in our community, which I find to be truly inspirational.โ€ โ€“ Jeremy Lune, CEO.

The story of local music promoter Dave Young and the support he and his family received from the hospice is reflected in this event through its energy, varied line up of predominantly local bands and array of family friendly entertainment throughout the day, all supported by local sponsors and an army of volunteers. The event is a true community collaboration, much like the hospice itself.

Anna Sprawson, Daveโ€™s widow & event co-organiser has said โ€œWithout the support of Prospect Hospice, what was a terrible time for Dave and us, his family was made somewhat more bearable โ€“ I could call on Daveโ€™s Prospect nurse, Tina at any time for support & guidance and she remains a close family friend to this day. Hospices are often simply thought of as places where someone goes to die, however it is so muchย more than that โ€“ it allows the family to spend the remaining moments with their loved ones, allowing me to be Daveโ€™s wife again and not only his carer.โ€

My Dadโ€™s Bigger Than Your Dad Festival 2024, which had the support of Future Planning as its headline sponsor for the third year running, took place over two stages with 16 acts performing on the Old Town Bandstand acoustic stage as well as the main stage at the Old Town Bowl. Sanjay from Future Planning said โ€œEveryone we work with and speak to knows about the Prospect Hospice and the incredible work they undertake, touching so many lives, itโ€™s a privilege to be able to help such a worthy cause. Each time we interact with someone from Prospect, they are always friendly and helpful. We are always happy to support in any way possible and hope the Prospect Hospice can continue doing their amazing work for many years to come.โ€.

Other sponsors of MDBTYD Festival 2024 included Holmes Music, The Tuppenny, Lewis Farrant Floor Layer, Funky Corner Radio. Some of the best acts of the local music scene came together to support the event – SN Dubstation, Gaz Brookfield and The Company of Thieves, The Chaos Brothers (one of Daveโ€™s bands) and many more.

Part of the fee paid to South Swindon Parish Council to use the venue has been put aside to help raise money for the continued upkeep of the Old Town Bowl, an eye-catching 1930โ€™s art deco amphitheatre.

After a well-earned break, the organisers of the festival are now planning for MDBTYD 2025, with the date set for Saturday 26th July 2025. For further updates, follow My Dadโ€™s Bigger Than Your Dad Festival on social media. Facebook. Insta.ย 

Discounted early bird tickets for this yearโ€™s event are already on sale via their website โ€“ HERE – get them while theyโ€™re still hot!

What else is happening?!

Forestry Operations Due to Start at West Woods

Featured Photo: Forestry England/Crown copyright Planned timber harvesting is set to begin at popular walking destination, West Woods, from the end of September until Marchโ€ฆ

Swindon Gets Shuffling!

Despite the population of Devizes throwing confetti and paint at each other in their most celebrated annual ritual, I believe I picked the right weekendโ€ฆ

The Juggernaut Delivers Back at The Southgate

If there’s been welcomed stand-ins for the monthly Jon Amor Trio residency at the Southgate in Devizes recently, Ruzz Evans and Eddie Martin, Jon โ€œtheโ€ฆ

Deadlight Dance New EP Chapter & Verse

Marlborough gothic duo Deadlight Dance are due to release an EP of new material. Itโ€™s called Chapter & Verse and itโ€™ll be out on Rayโ€ฆ

Devizes Musical Theatreโ€™s Next Production; Beauty & The Beast

If I had to be magically turned into a candlestick or a teapot, I believe Iโ€™d rather be a teapot than have a wax candle on fire wedged into the top of my head! Fear not, itโ€™s not a worry Iโ€™m losing any sleep over, rather the kind of bizarre fleeting notion which popped into my mind when previewing Devizes Musical Theatreโ€™s next production, Beauty & The Beastโ€ฆ.

The wardrobe is definitely out of the question, anyway I digress! For if thereโ€™s one local amateur theatre collective to make you question the definition of โ€œamateurโ€ itโ€™s Devizes Musical Theatre, in my experience. To pay a kingโ€™s ransom for a West End production is to expect, much less assume, youโ€™re in for a treat, but to see the dedication and hours of labour which goes into an amateur production like those of Devizes Musical Theatre, is the surprise element, that the magic isnโ€™t so far from a professional production.

So, get ready, Gaston, for a tale as old as time, as Devizes Musical Theatreโ€™s curtain is rising once again for Beauty and the Beast. Itโ€™s running from Wednesday 2nd April โ€“ Saturday 5th April 2025, at Dauntsey’s Schoolโ€™s Memorial Hall in West Lavington and tickets are available now at www.devizesmusicaltheatre.co.uk or Devizes Books.

Devizes Musical Theatreโ€™s last sold-out show was Sister Act back in March 2024, of which I reviewed and said โ€œitโ€™s the combination of their motivation and exceptional effort which makes this such a dynamic show, coupled with the elementary notion, Sister Act has universal appeal and is simply fun on a stick!โ€ But no one listens to me, so please note the show was nominated for Best Musical and Best Publicity at the prestigious Rose Bowl Awards.

โ€œTickets are already flying off the shelves,โ€ weโ€™re informed, so donโ€™t miss your chance to experience the magic of live theatre right here in our community. Whether you laughed with the nuns, hissed at Curtis and his baddies in Sister Act, or youโ€™re a newcomer to the DMT productions, this show is guaranteed to leave you spellbound; be their guests, be their guests, be their guests!

Returning to Kaya Street For Fuller Soul Sessions

In November last year I was mightily impressed with Bristol soul-reggae producer Kaya Street, and reviewed their EP The Soul Sessions, read it here for thereโ€™s no reason to go back through rewriting it, everything I said stands, except for one sectionโ€ฆ.

At the time I praised Kaya Street for the experimental fusions which seemed to switch from four-beat soul and jazz into offbeat reggae, simultaneously evoking sounds of Africa like soukous. I said, โ€œitโ€™s not the ingredients in Kaya Streetโ€™s melting pot which makes it prominently interesting and beguiling, rather the way they stir it, the method in the composition and production.โ€

Despite taking into account albums like Mo Waxโ€™s 1996 Money Markโ€™s Keyboard Repair Kit, which used short fragments and splinters of ideas deliberately juxtaposed to create a kind of musical mosaic, I did make a slight criticism about The Soul Sessions, and that was that they were underdeveloped and tended to end abruptly and far too soon. I stated at the time,  โ€œIf I am to find some niggly, itโ€™s a lack of intro; the songs tend to jerk right in, but I guess itโ€™s because I have the single edits here, and Kaya Streetโ€™s impressive lineup is plentiful to convince me they know the formula to extend and polish.โ€ 

I am glad to hear that has now been amended and extended versions of the radio edits have been uploaded to Spotify. Each tunenow runs at an average five to seven minutes, and sounds complete. Itโ€™s now time to fully ingest the absolute magic of Kaya Street, in which youโ€™re taken in smoother and played out satisfied by more wholesome versions of their interesting and wonderful fusions, and melting pot of influences, and, in turn, the journey is now complete.

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Fulltone Confirmed For 2025 in Devizes

The Fulltone Orchestra has confirmed today that their annual festival will take place on The Green in Devizes from 25th โ€“ 27th July 2025โ€ฆ. โ€œItโ€™s hard toโ€ฆ

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New Album from Illingworth; Man Made of Glass

Four years of hard work in the making, and it sure shows, Man Made of Glass, the third album from John and Jolyon, aka Illingworth, is released across streaming platforms this week. If youโ€™ve seen this Salisbury duo performing on the circuit, the unyielding passion they inject into the obligatory classic rock covers set isnโ€™t half of what they put into their own compositionsโ€ฆ..

Pardon me if you came here for a respite from the onslaught of inflammatory international headlines and to read a nice music review, Man Made of Glass contains much prose on the tyranny of contemporary politics. As the idiom is defined, this narcissistic disorder of egotistical figureheads is fragile and therefore likely to shatter manifests abstractly, particularly in the title track and single Gaslight, but hey, I think itโ€™s safe to say we know the people it is directed towards.

Itโ€™s a floating opening, building in layers, this title track, richly written even if poignantly critical of power corrupting. As ever with Illingworth thereโ€™s this breezy air of feelgood rock too, of Foreigner or The Cars, which enriches the sound naturally. Soulless might be the subject, but soulful is the expression; itโ€™s a contrast.

Superior single Gaslight does similar theme-wise, but as powerful as an indie rock anthem, and rolling on a tougher riff than the title track, throughout, it takes the manipulation of its titleโ€™s term to the worldly encouragement of avoidance; this โ€œdonโ€™t be convinced by propagandaโ€ concept.

Bittersweet is the general ambience Illingworth delivers with here, and thatโ€™s no new thing in rock, but they do so with such passion and expertise it polishes the delivery and leaves you feeling alive and stimulated, with nothing bad you could possibly say about their songs. They are rich with honesty over vanity, reflecting on the theme. Gaslight may be the kingpin to the album, the running motif becoming less prominent in the other tracks. Every tune is a beauty though, embracing all stimulating elements of being uplifting, inspiring and catchy, just subtly with differing moods and tempos.

We Donโ€™t Have to Try is a country-rock ballad on an eternal love subject, whereas, Heart To Rule Your Head, is an inspiring โ€œyou can get it if you really wantโ€ upbeat track. 

Another Passion is upbeat too, of if, buts and maybes, whereas New Year is arousingly paced, reflecting on the unification and love perpetrated by the annual occasion. Love conquering over evil becomes the inclusive factor as the album drifts archetypically. This conquering notion to avoid the brainwashing of those seeking power lessens somewhat in favour of identifying affections, yet never fully expires. The finale is not to let it worry you, as the matter will shatter like glass.

While great, if previous Illingworth albums can feel fragmented, like randomly placed collections of their memorable songs you rarely hear enough of when theyโ€™re gigging, Man Made of Glass is more rounded, it has an overall concept. Like a classic rock album, the tracksโ€™ narratives combine and flow wonderfully. Itโ€™s not a โ€œconcept album,โ€ per say, but in the same classic fashion, and thatโ€™s a welcomed rare find these days of media overload and the average attention span of a goldfish!

Man Made of Glass is more suited to a vinyl, CD or cassette format, of a time when album composition contained an all-inclusive message, and you sat in the dark listening to it. Just like those albums of yore it feels like something to cherish, a testament to a bleeding heart of sentiment you identify with and get emotionally involved with, rather than simply hearing it while you wash the dishes. But hey, streaming is the mainstay these days, and thatโ€™s where youโ€™ll find this treasure buried.

Apple Music Link

Amazon Link

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Get ‘Lifted’ by Chandra

Chandra, Hindu God of the Moon, with his own NASA X-ray observatory named after him, and also frontman of a self-named friendly Bristol-based four-piece pop-punkโ€ฆ

Local Book Review: Dadโ€™s New Dress

Spent most of Pride month, and the following month too (what? Iโ€™m a slow reader and a busy chap!) reading an apt book, given toโ€ฆ

Some Days with Paul Lappin

Paul’s self-made cover to his latest single, Some Days depicts a fellow sitting under a tree pondering life, while an autumn zephyr blows leaves aroundโ€ฆ

Imberbus is running this Saturday !

Following on from last monthโ€™s email, this is a final reminder that yearโ€™s Imberbus service will be running this coming Saturday โ€“ 17th August 2024.โ€ฆ

REVIEW โ€“ Devizes International Blues Festival โ€“ Saturday 18th January 2025, Corn Exchange, Devizes 

Another Stunning Week-End For Live Music

Andy Fawthrop

Normally Iโ€™d be raving about just how good the live music was at The Southgate on Sundayย afternoon. ย And it was indeed brilliant, featuring the amazingly talented bluesman Eddie Martin, withย his band The 58s (the year he was born apparently). ย The band consisted of Tom Gilkes on drums,ย Jerry Soffe on bass, and the wonderful Patsy Gamble on saxophones. ย And normally Iโ€™d write a longย incoherent full review of that gig on its own, but thereโ€™s just too much other stuff to tell you about!

The previous day was the first Devizes International Blues Festival. ย And hereโ€™s the low-down.

Nobody could ever say that Long Street Blues Club and its wily leader Ian Hopkins (currently alsoย Lord Mayor of this parish) doesnโ€™t keep on trying to push the boundaries of live music in D-Town, andย to present some really top-notch entertainment. Not content with a full programme of events at theย mothership venue of The Conservative Club (see below), there was still ambition enough to doย something even bigger in terms of both entertainment and venue.

So, in the interests of blowing out the post-Crimbo and New Year cobwebs, I felt it was only fair to reward such bravado with my own presence on Saturday afternoon and evening (yes it was an all-dayer, not just the normal simple gig format of band + support).  This was altogether more than that with no less than five, yes five, headliners playing their way through the six hours or so of the two main sessions.

This is (as far as anyone knows) the first indoor Blues Festival Devizes has ever staged (if you donโ€™tย count the blues events at the club itself this time last year). Being January, it was cold, damp, and wetย outside, so I think everyone was pretty glad to be on the inside! This was definitely not the same as,ย say, Saddleback of a couple of years ago sitting outside at Devizes Rugby Club in the middle ofย summer! ย 

The team had attempted to create an intimate blues club in the Ceres Hall, using tables and seating,ย but with some room for dancing at the front near the stage. ย It was always going to be a big ask withย the high ceilings and the big windows and aircon units much in evidence, but they did a pretty goodย job, by closing the curtains and excellent use of both main hall and stage lighting. And the rewardย was a virtually-full room of music-hungry people.

First up the afternoon double-header was harmonica player extraordinaire Giles Robson. Although based in Jersey, and the only UK resident amongst this star-studded otherwise Chicago cast, Giles was entirely at home, having in the past played with all the American greats, and having toured with his own band all over Europe.  I think I last caught him a year ago at the Blues Club playing support to another of todayโ€™s line-up John Primer.  Giles, accompanied by only an acoustic guitarist, served up a portion of (somewhat unusual on the UK scene) acoustic blues.  His wailing, crooning, imploring style of playing, together with his laconic inter-song chat style, soon had the audience hushed and listening intently. His last offering, which Iโ€™m sure had to be a parody on a whole raft of suggestive blues songs, involved milk in the ice-cream mixer.  Donโ€™t ask. Seriously, donโ€™t ask.

After a suitable pause for stage changes and (ahem) refreshments at the bar, it was the turn of Oscarย Wilson. Here was the real deal (in my book at least). ย Although not great in physical stature, andย leaning heavily on his customised stick, this guy had a commanding presence and provided some bigย sounds, with deep gravel vocals right from the outset. ย Growing up in Chicago, his major influencesย were Muddy Waters and Howlinโ€™ Wolf, and there was plenty of that on show right here. ย Workingย with a โ€œhouse bandโ€ that he didnโ€™t know, Oscar soon built a rapport with his musicians, commandingย every move with subtle moves of the hand, a flick or a bounce of the stick, or a wry smile to the side.

They were winging it a bit but (honestly) you could hardly see the joins.  His set was a real switch from what weโ€™d just heard from Gilesโ€™ solo set.  It was instantly deeper, faster, and with much more intent.  There was more variation, changes in tempo and altogether much more heft.  Even with Giles himself joining the band and providing the frills and the infills, the full band sound was much more to my taste.  Weโ€™d definitely moved up a notch, and the crowd were loving it.

At this point there was a break in proceedings for a couple of hours, and we were tipped out into the D-Town afternoon to find what other pleasures we could discover.  I guess the gap had a sound logistical reason behind it, but it felt strange to kind of lose all of the atmosphere that had started to build up.  Maybe it was sound checks, but the โ€œhouse bandโ€ was still the same guys upporting the evening performers. So Iโ€™m not sure about that one.

Anyhow, after the break and the crowd had reassembled itself once more, the next four and a halfย hours gave us three cracking performers of the Chicago blues.

First up was Nora Jean Wallace, a Chicago blues singer with Deep Delta roots. ย A striking figure of aย woman, sporting a fine silver wig, Nora Jean delivered a set that was far funkier than what had goneย before, almost leaning towards Motown at times. ย Clearly unwell with a stinking head-cold, sheย declared โ€œbut ahโ€™m gonna give it ma bestโ€, she absolutely delivered on that promise. ย The singingย was strong and high-powered. ย Only between songs could you see that she was struggling a little, andย you had to feel a little sorry for her. ย Her detailed control of the now-regular โ€œhouse bandโ€ wasย slightly less tight than Oscarโ€™s had been, but with Giles once again on stage with the harmonicaย support, the overall sound was terrific.

Toronzo ย Cannon came up next, sporting a nice line in hats, and a guitar that he used withย devastating effect. ย His song lyrics (and indeed the inter-song patter that introduced them) was wittyย and truth-telling. ย His topics included sex, divorce, insurance, his various health issues (again, pleaseย donโ€™t ask), his mid-life crisis (pubes turning grey anyone?) and so on. ย These were all original songs,ย and topics not normally covered by the mainstream blues, but massively entertaining nevertheless. ย But it was his blistering and inventive guitar work that impressed more than his impassioned vocals. ย Like all the artists who preceded him on the bill, he worked hard at engaging the audience, crackingย jokes and engaging in plenty of call-and-response numbers. ย Giles did not join the band on this oneย occasion, and Toronzoโ€™s sound was all the better for it. ย I love blues harmonica, but weโ€™d had quite aย lot of it already by this stage in proceedings.

Almost finally, it was the turn of John Primer, another one of the kings of Chicago blues. Originally aย guitarist in Muddy Watersโ€™ band for many years, he also played with another Chicago legend, Willieย Dixon. Here was another of these great performers, having also played in Long Street club about aย year ago, which was where Iโ€™d last seen him. ย Compared to Toronzo, John seemed more focused andย down to it, a little more serious, with less chat and humour. ย And still the โ€œhouse bandโ€ were thereย with him, together with Giles Robson once more. ย There was more of a feeling of just cracking onย with the show now, but never in any kind of hurry. ย โ€œAhโ€™m jusโ€™ takinโ€™ ma timeโ€, he declared at oneย point, which was absolutely how it felt. ย He also described himself as โ€œan old man, but with youngย ideasโ€ and then cracked the broadest smile of the evening. ย He delivered (to my ears at least) superbย versions of โ€œGot My Mojo Workingโ€ and โ€œRainy Night In Georgiaโ€. ย What a great performer.

But there was one final thing still to enjoy when the whole ensemble hauled themselves back onย stage for a final encore, sharing vocals and guitar licks. ย And finally also โ€“ huge applause for theย โ€œhouse bandโ€ whoโ€™d managed to play backing band to four different headliners, staying on stage forย over four hours. ย Unfortunately, I couldnโ€™t catch all their names, but a definite hats off to those guys. ย 

Overall, it was a great day out, packed with some great performances and musical gems. ย My favourite? โ€“ย Oscar Wilson was the guy who really nailed it for me, but these things are often a matter of personal taste. All five headliners gave great performances, and difficult to fault any of them. So, well done,ย once again, to Ian and his team for putting on such a great event in our town. Brilliant.

Future gigs at Long Street Blues Club:

Saturday 1st Feb โ€“ the John Martyn project

Friday 21st Feb โ€“ Brave Rival (at the Corn Exchange as part of the Lord Mayorโ€™s Dinner)

Friday 14th March โ€“ Jimmy Regal & The Royals

Friday 4th April โ€“ Tommy Castro & The Painkillers

Saturday 12th April โ€“ Billy Walton Band

Saturday 3rd May โ€“ Alastair Greene

Saturday 17th May โ€“ Fullhouse, with special guest Innes Sibun

Saturday 9th Aug โ€“ Skinny Molly

But, as always, check with their websiteย www.longstreetbluesclub.co.ukย for all the latest information.

Stepping Up My Spine; New Nothing Rhymes With Orange Single

Developed in Devizes, blossoming in Bristol, as well as a snazzy new website, indie-punk phenomenon Nothing Rhymes with Orange released their next single, and itโ€™s stepping up their spines … apparently!

A narrative of pending infatuation in the hope the feeling is mutual, Stepping Up My Spine is instantly lovable, projecting a more lenient and ubiquitous indie-pop sound than the bandโ€™s raw punkier past; a direction they seem to have been progressing towards with each new release.

Image: Gail Foster

I cite many local bands like Talk in Code and Atari Pilot, reflecting a national indie trend to return us to an eighties pop-rock vibe, and this follows suit, but only slightly. It retains the โ€œreal instrumentsโ€ rock ethos theyโ€™ve sworn to uphold, thereโ€™s no electronica influence, thus maintaining the edge we know them for. Letโ€™s call it a natural progression rather than a desire to follow a trend, not forgoing itโ€™s still stylised to their sound and is bound to appease their maturing fans.

If weโ€™ve keenly watched Nothing Rhymes With Orange and their devoted fanbase evolve and proliferate, this new single reflects and preserves that continuation. And long may it be so!

Keep up the good work, guys! You catch NRWO at SwinterFest next Saturday, at the Castle.ย 

The Oak Festival; The Best Thing to Hit Pewsey Sinceโ€ฆ..?!

Yet to witness it myself but heard on the grapevine, the blossoming liveliest place to be in Pewsey at the moment, is, apparently the Royal Oak. Wiltshire Music Events, who brought us CrownFest in Bishops Cannings and sold out Devizes Corn Exchange with The Marley Experience, has been at the forefront of furnishing the pub with gigs from the growing wealth of talent on their books. Tempted to drop by and check it out asap, but if all else fails, Saturday July 5th sees them holding a debut mini-festival, which is double-underlined on my personal calendarโ€ฆโ€ฆ

The Oak Festival is an all dayer boasting seven bands, food and outside bar, but itโ€™s the lineup which will really wow. Three, no, thirty yeses from me, to The Marley Experience headlining, being smitten with Bob Marley & The Wailers since day dot and after much deliberation, these guys recreate their music and vibe with such unprecedented precision itโ€™s unmissable.

Thereโ€™s also a lively Irish folk element to the festival with The Tipsy Gypsies, and Pouges tribute, The Phogues, both Iโ€™ve yet to tick off my must-see list, but they also dive into indie with the blues edge of The Leon Daye Band, and our favourite-most indie-pop masters Talk in Code, who need no introduction here neither further praise; forget sliced bread, theyโ€™re the most electrifying exciting local act we have.

Thereโ€™s two acoustic singer-songwriters too, Lucas Hardy who Iโ€™ve heard only good things about, and Salisburyโ€™s Rosie Jay, who with her poignant writing and exquisitely unique delivery overnight clocked into our all-time hall of fame here at Devizine!

Early bird tickets at an extremely reasonable ยฃ25 are available until 1st Feb, HERE.

Later the price goes up but only slightly, to ยฃ32.50, which, once youโ€™ve seen The Marley Experience, youโ€™ll realise the ticket stub was worth it just to see them alone, and why Iโ€™m all excited about this one!

It could be the best thing to happen in pea island since carnival, since the coronation of Alfred the Great; trust me on this one!!

Devizes Welcomes New Coffee Shop, Caffe Vialottie

Devizes welcomed a charming new coffee shop to The Market Place today, called Caffe Vialottie; I thought it best to drop by, poke my nose inโ€ฆ..

Caffe Vialottie takes over the listed number 35, where the cherished Times Square closed its doors for the final time in June 2024. The walls are adorned with some nice artwork, the colour theme altered to a dark green and cream, but the tried and tested layout remains much the same as Times Square. It was met with busy enthusiasm by customers, many I suspect devotees of the previous cafe happy to see it back in action. โ€œEveryone wants to try the new cafe,โ€ manager Chelsie Godden greeted me, between frantically serving customers, โ€œitโ€™s been busy, but nice!โ€

While Chelsie worked at Times Square previously, the owner was new to the area. He stressed the importance of creating an individual space, adamant copying the mainstream coffee shop chains wasnโ€™t on the agenda here, he said, โ€œI think weโ€™ve got something special here, something nice.โ€

If the word nice was coincidentally dropped twice, it certainly is that; nothing negative could be said about Caffe Vialottie. It seemed friendly, with a vibe to fit like a glove into Devizes. Yet with coffee being centre stage, tea and a good choice of soft drinks, thereโ€™s only toasties and a selection of cakes and Kettle crisps to wash down. It is, primarily, a โ€œlight lunchโ€ stop-off point, rather than attempting to be a restaurant, and despite the call not to replicate the major coffee shop chains, unfortunately we do have a lot of similar establishments already in Devizes.

But hey, it does what it says on the tin, hospitably, and is price-matched with the established competitors in town. While personally Iโ€™d like to see someone trying something different and off the wall, ideas like tapas and Caribbean themed cafes havenโ€™t been so successful in Devizes recently, as the tried and tested formula of tea, coffee and cake, seems to appease locals more. It is with that notion we wish Caffe Vialottie all the best of luck in these trying times, and hope future days will emulate the success of their opening day. Devizes can never have enough coffee it seems!

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Ruzz Up The Gate!

I was intending to start this along the lines of โ€œyou don’t need me to provide another reason why I love The Southgate,โ€ but thisโ€ฆ

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People Liked Us; Devizes Premier Covers Band Call it a Day

A sunny July in 2018 and Iโ€™m in Hillworth Park for a Fantasy Radio live session, finally witnessing a Devizes based band Iโ€™d been adding the gigs of onto our calendar. With an especial distinctiveness People Like Us complimented Coldplay, nailed as Oasis, and breezed through Crowded House, but it was when they covered Every Little Thing She Does is Magic, and gifted us with their timeless rendition of Mr Blue Sky, sparks flew. It is sad to see them announce today that โ€œPeople Like Usโ€ is now in past tense. โ€œPeople Liked Usโ€, because they sure didโ€ฆ.

More appropriately, โ€œPeople Loved Us,โ€ twas to have observed a typical night in the Three Crowns in Devizes, where, if ecstatic frenzies of table top dancing amidst a crammed beer garden became something of a clichรฉ (which had to be culled for health and safety regulations,) I do declare the originators who evoked such wild party vibes with such an accomplished and respected homegrown sound, was People Like Us; I might be wrong on this, but if so, well, thereโ€™s a first for everything!

Okay, I mayโ€™ve compared the then four-piece visually to Scooby-Dooโ€™s gang, at the time, then worried afterwards they might take offense to it as they didnโ€™t tend to wear bell-bottoms and cravats, but it was the first time Iโ€™d seen a band use a cajon drum, and the effect came across with a decidedly Californian sixties pop panache, though with contemporary cover choices. Yet it will go down in the history of the local music circuit, that People Like Us bucked any deliberations folk may have against cover bands by stamping their unique take on classic pop songs, and thrilled every audience.

Only a couple of years after they formed, they seemed to crop everywhere, from pub gig to fete, and wherever they did they brought the party with them, compulsively. All vocalising harmoniously, People Like Us was made up of prolific keyboardist Nicky Davis, Claire Gilchrist on kick drums, who would depart from the band a year later, Andy โ€œPipโ€ Phillips on cajรณn and guitarist Dean Ellicock. Since leaving the band Claire embarked on a solo career, performed with six-piece function band LiveWired, and has created local music promotional Facebook page Bird is the Word. The remaining three, Nicky, Dean and Pip carried on People Like Us, clocking up nine years of service to the local music scene.

But in a shock Facebook announcement today, they said โ€œweโ€™ve decided itโ€™s time to bring People Like Us to a close. Weโ€™ve had an incredible time over the last nine years and want to thank each and every one of you who came to a gig, booked us for an event, danced and sang for us and genuinely reminded us how lucky we were to be able to entertain you. Itโ€™s been a pretty awesome run for a project that was just meant to be a bit of fun here and there!โ€

While it certainly has, the group gave the cloud a silver lining, reminding fans Pip is still part of Finley Truslerโ€™s The Unpredictables, and Nicky continues the even longer running band, The Reason, and theyโ€™ll no doubt join again for the annual The Female of the Species fundraiser.

If this is buttering up a sad situation, itโ€™s a good and acceptable one, still, we will miss you all as People Like Us, wish you all the best for your existing and future projects, and declare your honourable and thoroughly deserved place in our local music hall of fame, with a big gold framed portrait…..if, erm, I was a portrait artist, which I’m not, and if I attempted it you’d really look like Scooby’s gang then, so maybe it’s best I don’t. I’ll just quote Abba instead, (which is not as rare a thing as you might imagine it to be) and say, “thank you for the music!”