Devizes Assize Court Saved; A New Home for Wiltshire Museum

This afternoon I find myself contemplating what the future holds for historical discovery and learning for all ages, fun and educational exhibits and events in Wiltshire; and it looks positive! Devizes is blessed to have Wiltshire Museum already, but the future looks even better, the future isโ€ฆ. Assizes!

Wiltshire Museum announced today, The National Lottery Heritage Fund has awarded ยฃ8.5 million towards the ยฃ14.8 million Assizes for Devizes project to transform the derelict Assize Court building into a spectacular new home for the Museum. Derelict for decades, the once huge court house of architectural distinction, on the Heritage At Risk register, The Assize Court has been a sour issue for too long, and in its current condition is sadly an eyesore. The project will restore its historic features, and breathe new life into the building; Wiltshire Museum and in turn, Devizes will thrive.

Since 1874 The Wiltshire Museum has been delighting visitors at Long Street in Devizes, and is home to nationally important designated collections, including stunning treasures from the Stonehenge and Avebury World Heritage Site landscape. It also hosts many exhibits, educational events and lectures for all ages, childrenโ€™s craft workshops and so much more. 

Director of Wiltshire Museum David Dawson said, “we are delighted that the Heritage Fund has demonstrated its confidence in our plans to transform the former Devizes Assize Court into the new home for a reimagined Wiltshire Museum. At last we will be able to give the museumโ€™s internationally significant collections a fitting home, while rescuing an important at-risk listed building and providing a focal point for town centre renewal. We are grateful to National Lottery players, our loyal members and our other funders, existing and future, for their commitment and support.โ€

Peter Troughton, CVO CBE, Chair of Devizes Assize Court Trust, which initially saved the building by purchasing it in 2018 with the support of generous donors, said, โ€œthe National Lottery Heritage Fund award to the Wiltshire Museum is fantastic news! It will transform the museum, save the historic Assize Court building and give the people of Devizes a community hub like no other. It will be an enormous help to the campaign to achieve the vision for the award-winning museum, already supported by the town, Wiltshire County Council and leading charitable foundations.โ€

Read More HERE


โ€œLarkin with Womenโ€ at the Mission Theatre, Bath, November 25th-29th November.

by Ian Diddams
images by Ian Diddams, Mike Stephens and Next Stage


Ask people what they know about Philip Larkin, and the general best response may well be โ€œa poetโ€. They may even know he was a librarian at the University of Hull. Some may even know he coined a phrase concerning the effect of oneโ€™s parents upon one โ€“ a rather rude quote, far too rude to be spelt out here in Devizine obviously. What they โ€“ or you โ€“ may not know though is that he had thirty plus years polyamorousโ€ฆ arrangementsโ€ฆ with three women none of whom were overjoyed at sharing him but couldnโ€™t let him go. Or at least, that is the wonderful picture painted by playwright Ben Brown in his play โ€œLarkin with Womenโ€ which Next Stage Theatre Company are performing this week at the Mission Theatre, Bath.


This is a sumptuous work,. Deliciously delivered in a simple in the round setting of office, flats and a weekend cottage with an equally delightful sound track to set it all off. The plot runs through Larkinโ€™s life with his amours Monica a long standing girlfriend and English lecturer, Maeve who comes to work at the library he runs, and Betty his secretary. His persona is of a sharp witted, pithy remarked but not uncaring man, his dialogue stuffed full of ironic responses and jokes. Yet he is egocentric at times seemingly oblivious to his devoteesโ€™ desire for monogamy, or at least uncaring, with his rejection of marriage as an institution. This especially causes a barrier with Maeve who as a strict Catholic cannot agree to sex outside marriage and they carry out their unconsummated affair for over a decade until the inevitable happens, Maeve is distraught, and Larkin responds with โ€œYouโ€™re forty-six years old. Its not as if you can hang on to it for everโ€. Monica is the closest of the three to Larkinโ€™s approach to love but is jealous of the othersโ€™ involvements. Betty is last to fall for him and she too wishes him to herself.

The play draws to the obvious conclusion as Larkinโ€™s life ends at the age he prophesied, his three partners in life visiting him for what may be a last time. Monica has the most heart wrenching line in the play as she answers a question posed by Larkin as he approaches death โ€“ as an audience we can see the answer coming, but when it does it is delivered with such great timing, and tenderness that it still brings forth an immediate emotion and reaction.

The cast are sublime, each playing their part superbly to eke out each characterโ€™s nuances and foibles. Tania Lyons as Monica, Antonia White as Maeve and Stephanie Hunt as Betty create three distinctly different womenโ€ฆ Betty caring, Maeve desperate for marriage, Monica devoted. Brian Hudd fulfils the role of Larkin with panache and even brilliance. Mannerisms, delivery, auraโ€ฆ if this is not how Larkin really was, then he should have been Brianโ€™s portrayal.

A simple set, a gorgeous playlist, subtle yet engaging tech and period clothing throughout from Kris Nuttall, Andy Punt, Vanessa Bishop and Ann Ellison โ€“ who also directed this wonderful piece of theatre, more than ably assisted by Andrew Ellison as Stage Manager.

Ben Brown the writer in the program notes is quoted as saying โ€œthere is a fine line sometimes between humour and ironyโ€. He is spot on of course, but Iโ€™d go one further and suggest there is a fine line between irony and pathosโ€ฆ and Ben delivers that second fine line absolutely perfectly, in this absolutely perfect play. Next Stage have dedicated this performance run to the real life Betty Mackereth, who died this week.

โ€œLarkin with Womenโ€ is playing at the Mission Theatre, Bath, until Saturday November 29th November at 1930 each evening, tickets from the theatre itself or from
https://www.missiontheatre.co.uk/whats-on/2025/larkin-with-women

Klass Komedia Kurmudgeon, Bath, November 2nd 2025 โ€“ Mark Harrison

by Ian Diddams
images by Ben Swann and Ian Diddams


Self-appointed โ€œMoroseโ€ Mark Harrison was once again on totally top form at Komedia last Sunday entertaining us with his style of stunning blues music, engaging history lessons and highly amusing cynical views on society. Lest I appear to be painting Mark in a poor light you may rest assured his easy delivery is gentle on the ears, but delivered with killer punch lines. A thoroughly winning combination. Albeit lacking hotpants which was the sole difference between Mark and Elton John back in the day it seems …

Amongst the recipients of his wit and repartee, and his sublime ex Eric Bibb 1934 National Trojan resonator delivered music, were Ralph McTell, I.T. Analysts (I hid at that juncture!), Eric Clapton, prodigal sons and daughters, a heckler, the services’ economy ( a bunch of flats in London…), schmaltzy songs and twatsโ€™ anthems, โ€œMy Wayโ€, and his cousin Colin. We were regaled with the history of the two artists formerly known as โ€œSonny Boy Williamsonโ€ โ€“ the original aka John Lee Curtis Williamson whose successes in the 30s and 40s were piggy backed by Rice Miller who appropriated the same performance name to hoodwink audiences and record labels. And of Howling Wolf who was years before his time in offering his band members what we would now regard as standard employment benefits such as health insurance.

But in case this sounds like Mark is just a Jack Dee wannabe, it should be emphasised we were here for his music and he was there to deliver it โ€“ with style and panache and not without a bitโ€ฆ well a lotโ€ฆ of dry humour. A cover or two, but predominantly โ€“ naturally โ€“ his own stuffโ€ฆ haunting, engaging, even breath-taking.


The afternoon rushed past โ€“ two hours with a twenty minute break; just one Midlander and a 1934 National Trojan resonator, in a bar in Bath. And thankfully no hotpants.

Perfection.

Mark Harrison’s gig list is here, and his merch is available here.



Wiltshire Music Awards: Results and Ups and Downs

Well, we did it! I sincerely hope you had a great night at the first Wiltshire Music Awards as we filled the Devizes Corn Exchange with a cross-section of people involved in the music scene of Wiltshire, musicians and fans. Positive feedback already, and a few teething issues, noted, which we must take onboard and learn fromโ€ฆ.

But for those who unfortunately couldnโ€™t make it, I guess you are eager to hear the results. Letโ€™s do this easy bit first! But before we do, I ask you, please, to take a few issues into consideration. Firstly, there was a monumental process to arrange, coordinate and launch during and also months prior to the ceremony. From the voting process and organisation of a panel of judges, to decorating the tables and corresponding all those trophies to each category.

So many volunteered their time to help with this, and we are extremely grateful to them. Overall, the management of the whole process and ceremony was carried out by Eddie Prestidge of Stone Circle Music Events. Eddie worked arduously on this project, and was dedicated to creating an extravagant event to be remembered. With the help of so many volunteers, myself included, stage tech and the staff of the Corn Exchange, I believe we achieved this to the best of our abilities, and a fantastic evening was had by most.

There should have been one more trophy, it shouldโ€™ve been big, extra shiny, and presented to Eddie for his dedication and the tireless work he put into this. Exhausted, Eddie fell ill a few days before the ceremony, but strode through it the best that he could. The end result of this was that he was rushed into hospital a few hours prior to the conclusion of the ceremony. I have heard from him this morning, and heโ€™s doing okay.

If you witnessed me on the sideline, rushing up and down the stairs like a headless chicken, it wasnโ€™t my step aerobics workout, it was because I was honouring my part as co-host on stage but attempting to coordinate the floor as well, as best as possible, as Ed seriously needed to take a step back. Whilst the beginning therefore went to plan, as the evening progressed we stumbled on issues, but I ask you to please take this into consideration if youโ€™re intending to criticise the evening on social media. I apologise for any breakdowns in communication, but the condition was out of our control and we strived through best we could.


Results

The results, then. Congratulations to everyone who bagged an award, commiserations to those who did not. To those unable to attend, we have trophies reserved for you and will arrange the best way to get them to you as soon as possible.

Best Venue. Sponsored by Pat Robertson of Trowbridge Motor Supplies ltd.

Runners Up: The Royal Oak, Pewsey. The Vic, Swindon.

Winner: The Three Horseshoes, Bradford-on-Avon.


Best DJ: Sponsored by Mark Anthony Burdge.

Runners Up: Maurice Menghini – DJ Mister M. Mark Lister of Fantasy Radio.

Winner: Paul Alexander of Solstice Sounds, This is How We Do It Entertainment.


Best Drummer.

Runners Up: Tom Gilkes. Callum Rawlings.

Winner: Jamie Oโ€™ Sullivan.


Best Bassist. Presented by Alex Morgan of Waldrop Salisbury Sounds.

Runners Up: Nick Gorman. Nick Beere.

Winner: Mark Turner.


Best Guitarist.

Runners Up: Alastair Sneddon. Nick Beere.

Winner: Jolyon Dixon.


Best Duo.

Runners Up: Jolyon Dixon & Rachel Sinnetta. The Sylvertones.

Winner: Matchbox Mutiny.


Best Covers Band. Sponsored by Simon Woolley of The Three Crowns, Devizes.

Runners Up: Pinky & The Slapcats. The Unpredictables.

Winner: The Brit-Pop Boys.


Best Original Band: Sponsored By Peggy-Sue Ford of Donโ€™t Stop the Music on Swindon 105.5 Radio.

Runners Up: Nothing Rhymes With Orange. Burn The Midnight Oil.

Winner: Talk in Code.


Best Tribute Act.

Runners Up: Painted Bird. BC/DC.

Winner: Mick Jogger & The Stones Experience.


Best Female Artist.

Runners Up: Sammi Evans. Rosie Jay.

Winner: Ruby Darbyshire.


Best Male Artist. Presented by Lesley Scholes of Fantasy Radio.

Runners Up: Lucas Hardy. Vince Bell.

Winner: George Wilding.


Best Original Song.

Runners Up: I Donโ€™t Give a Damn by Rosie Jay. Do I Really Have The Blues by JP Oldfield.

Winner: All In by Talk in Code.


Best Instrumentalist.

Runners Up: Ruby Darbyshire. Andrew Hurst.

Winner: Jolyon Dixon.


Rising Star New Comer.

Runners Up: Ruby Darbyshire. Rosie Jay.

Winner: JP Oldfield.


Best Vocalist.

Runners Up: Chris Stevens. Lucas Hardy.

Winner: Rachel Sinnetta.


There were four special awards given out on the evening which didnโ€™t receive runner-up places as according to the information given to the hosts. If there was an oversight about this, we apologise.

Outstanding Contribution to The Wiltshire Music Scene was won by Colin Holton of Salisbury Live.

Outstanding Contribution to Music in the Community was won by Jo Baines Robbins.

A Special Award was given to Wiltshire Hop & Harmony, The Wotton Bassett Dementia Choir. The Second Special Award was presented to Brian Mundy of BMS Stage Tech.

A Lifetime Achievement Award was presented to Peter Lamb.


Ruby Darbyshire opened the evening with a bagpipe song and two others, as a surprise special guest.

We also had live performances from Nothing Rhymes With Orange, Burn The Midnight Oil, Lucas Hardy, Matchbox Mutiny, George Wilding, and The Britpop Boys. Due to technical issues, Jolyon Dixon and Rachel Sinnetta were unable to perform.

I would like to sincerely thank our panel of judges.

And, Ruby and Brian Darbyshire

The Britpop Boys

Burn The Midnight Oil

Matchbox Mutiny

Lucas Hardy

Jolyon Dixon & Rachel Sinnetta

George Wilding

Nothing Rhymes With Orange

Sponsors:

Val Bewley VB Arts Studios

Alex Organ Wardrop Salisbury Sounds

Colin Howton Salisbury Live

Pam Robertson – Trowbridge Motor Supplies

Simon Woolley – Three Crowns, Devizes

Peggy-Sue Ford – Swindon 105.5 Radio

Mark Jones & Lesley Scholes- Fantasy Radio

And a sponsor and our host DJ Mark Anothony and wife Sandra.

Thanks to Anya and Marc of Soupchick.

To Ian and all the staff at the Corn Exchange

To Brian Mundy and BMS Stage Tech.

To everyone who got behind this, I thank you.

Anthony & Jemma Brown for helping us set up.

Charlotte & Moray MacDonald for help on the front desk. 

But massive thanks goes to Eddie Prestidge and Stone Circle Music Events

And finally, thank you for coming, supporting the local live music scene.   


Five Years in the Cotswolds: Lawton & Mackโ€™s Breathtaking Debut Album

When I put together the 4 Juliaโ€™s House compilation albums a few years ago I decided I shouldnโ€™t pick favourites out of the eighty-one songs donated, but if I had to, it wouldโ€™ve indisputably been Atlantic O by Will Lawton and Ludwig Mack. With the ambience of the gods, this track is such a soothing sentimental earworm it makes you go all tingly as it drifts like a lost ship on the sea. Now the duo have released a debut album, matching the sublimity of Atlantic O. The story behind it is of an absorbing coincidence, and its unique marketing is equally as genius as the musicโ€ฆ..ย 

At the time I was aware of the virtuosity and diversity of Malmsbury musical magician, Will Lawton, from solo performances and fronting The Alchemists. At the time he sent the tune for the project he briefly explained Ludwig was an Argentinian musician he had been working with, but their connection is far more complex and is explained in the book to the album, which is in turn, currently the only way to hear it.ย 

A story of serendipity expressed earnestly through a 36-page hardback, which continues to detail the thought processes of the album, each individual song, and the musicians which accompany them along the titled journey Five Years in the Cotswolds. Then, on the back cover thereโ€™s a QR code to scan, leading you to streaming options; I suggest you do, your ears will love you forevermore.

Enticed by the lure of English music, and his European travelling plans cut short by the pandemic, Argentinian musician Ludwig Mack arrived in the UK from Spain a day prior to lockdown. He had already connected with Will via Instagram, not realising when he settled in Hullavington he was coincidently only a few miles away from Willโ€™s home. They jammed together, the song Atlantic O, and within a year produced the EP Heroes.  

Ludwig explored the UK, and found work whether he could, whilst Will continued with family life, his band the Alchemists and his employment as a music psychotherapist. But Ludwig often dropped in to see Will, and it was inevitable this project would blossom like the opening tune, aptly Blossom, a tender springtime daydream contrasting aging with memories. Itโ€™s as majestic as the morning chorus, and includes a naturally sourced one too.

The fabric of this album continues on this theme, indeed Songbird follows suit into the most gentle flow of concentrated bliss. Itโ€™s the first single released this Friday (10/10) of the goodness of nature rather than societyโ€™s machine, unhinged and timeless piano-based folk, and celebratory of the glory wildlife in all its splendour, wrapped in the warmest serenity. By its very composure it defines the sum of all this goodness and shapes a heart in your mind; if an album was a wander through a springtime meadow, this is a stroll to remember.

It comes as no surprise Will is a music psychotherapist, if the vocation is to improve wellbeing, increase happiness and overcome issues. One listen to Five Years in the Cotswolds is the best remedy. Ten solid tunes, all the like to make the little hairs on the back of your neck stand to attention. Thereโ€™s few artists able to accomplish this, I could cite many, from Bill Withers to John Denver and you will contemplate your favourites when this caresses your senses.

The album lifts with euphoric pace at Godโ€™s Plan, and Iโ€™m left thinking of Marvin Gayeโ€™s What’s Going On as its aperture opens the album to a similar width of beauty. From the guitar chimes of November to the quirkiness of the bluegrass-esque Walk Each Other Home, and from the amorous ambience of Clouds to Freya Everestโ€™s haunting vocal range on I Noticed, this album continues flowing on the theme as a paragon, never meandering off course.

Its production is as crisp as autumn leaves, the arrangements are like sunlight. The composition is a Vivaldi, its versification is W. H. Daviesโ€™ Leisure, the musical expression of a Monet, a pilgrimage to a Constable masterpiece, or all of these wonders capturing the beauty of nature equally combined and consumed, it really is this breathtaking. Devizine

Its production is as crisp as autumn leaves, the arrangements are like sunlight. The composition is a Vivaldi, its versification is W. H. Daviesโ€™ Leisure, the musical expression of a Monet, a pilgrimage to a Constable masterpiece, or all of these wonders capturing the beauty of nature equally combined and consumed, it really is this breathtaking.ย 

Bathโ€™s producer and musician, Rob McLeod, aka Mac Lloyd, Spanish multi-instrumentalist Guillem Mitchel, London based jazz singer-songwriter and producer Freya Everest and drummer Tony Partridge who met Will at Schtumm in Box, are the other collaborators behind this enchanting project, alongside composer and arranger Benjamin Lawton, Willโ€™s son.

Streaming platforms are held off until next year on this, the book to Five Years in the Cotswolds is the albumโ€™s only current access point, and is available on their website, and at upcoming gigs, The Castle, Swindon on 16th October, and Pound Arts in Corsham on 6th November, details of which are also on their website.


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Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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Stranglers Frontman Hugh Cornwell Coming To Cheese & Grain

Image: John Kisch

Legendary songwriter and original Stranglers frontman Hugh Cornwell has announced a run of UK dates this November, accompanied by special guests The Courettes, and it includes Fromeโ€™s Cheese & Grain on Saturday 15thโ€ฆ..

Golden Brown, Strange Little Girl, Always The Sun… sound familiar? All big hits, all great songs, all penned and performed by Hugh Cornwell, the songwriter behind the legendary early eighties punk band The Stranglers.ย 

 When future historians of music draw up a list of the movers and shakers who changed the modern musical landscape, Hugh Cornwellโ€™s name will no doubt be amongst them. As a pioneering musician, songwriter and performer, his pervasive influence persists in the record collections of music aficionados, across this spinning globeโ€™s radio waves, and on stages around the world. Hughโ€™s presence is unquestionable.

 As the leader of The Stranglers, Hugh was the main songwriter of all of the bandโ€™s most memorable songs across ten stellar albums. After their 1977 debut Rattus Norvegicus, follow-up albums such as No More Heroes and The Raven consolidated Cornwellโ€™s stature as a unique songwriter and musician. His multi-layered lyrics to Golden Brown, from La Folie, remain a songwriting masterclass.

Hugh embarks on his Come And Get Some tour in November, appearing at Fromeโ€™s Cheese & Grain on Saturday 15th. A full band show with Stranglers choice cuts and solo delicates, plus support from The Courettes, an explosive group from Denmark and Brazil. With Flavia Couri on vocals and guitar and Martin on drums, they provide the perfect blend of Wall of Sound, Girl Group Heartbreaks, Motown and R&B. Imagine the Ronettes meeting the Ramones at a wild party in the Hitsville echo chamber, thatโ€™s the Courettes!

โ€œCornwellโ€™s still doing things his way and often with striking results,โ€ said Mojo, โ€œThunderously tribal garage rockโ€ฆ the ex-Strangler not yet gone soft,โ€ Uncut provided. 

Kicking off at Epic Studios in Norwich on 6th November, Hugh Cornwell will be playing favourites from his time with The Stranglers as well as a range of solo material, including his 1979 album โ€˜Nosferatuโ€™ in full. The record saw Cornwell teaming up with Captain Beefheartโ€™s Robert Williams to create a record as gothic as the film it takes its name from.

Throughout November, Cornwell will make stops at beloved venues up and down the country including Hangar 34 in Liverpool, Concorde 2 in Brighton and Islington Assembly in the capital. Heโ€™ll be joined on the road by retro-inspired punk rock duo The Courettes, helming from Denmark and Brazil. 

Tickets are on sale HERE

Hugh Cornwell UK 2025 Live Dates

6th Nov – Norwich, Epic Studios

7th Nov – Holmfirth, Picturedome

8th Nov – Liverpool, Hangar 34

13th Nov – London, Islington Assembly

14th Nov – Coventry, Warwick Arts Centre

15th Nov – Frome, Cheese and Grain

16th Nov – Brighton, Concorde 2

20th Nov – Glasgow, St Lukeโ€™s 

21th Nov – Dunfermline, Carnegie Hall

22nd Nov – Newcastle, Digital


Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathews for the tip off! Her debut album  Clever Rabbits was released today, and itโ€™s a mustโ€ฆโ€ฆ.

Brit Award winning Paul McCartney and Tom Jones producer Ethan Jones spotted Ann Liu performing at Camden’s Spiritual Bar, leading her to a publishing deal with BMG. Ann, who now lives in London, represented Whispering Bob Harris at The Great Escape and Black Deer Festivals, featured on Beans on Toast’s stage at Bearded Theory and on his UK tour. She opened for Lewis Ofman in Mexico, played prestigious venues like The Clapham Grand and The Hotel Cafe Hollywood in LA, but delighted to tell me she schooled in Marlborough and grew up in a nearby village; and I thought St Johnโ€™s girls just sat around the Priory Gardens smoking menthols!

Okay, calm yourself. That was just an eighties joke, and you know this! But remain calm for Clever Rabbits because itโ€™s a breathtaking ride, a tapestry of Anglo-Celtic folklore, sacred texts, sonic binaries of modern digital synthesis and Ann Liuโ€™s classic singer-songwriter roots. โ€œI am the rabbit that knows how to kill the hill, and I have only just begun,โ€ she expressed.ย 

Experimentally playful, with two piano-based ballads opening Clever Rabbits, there’s an ambience of musical theatre about them, then with an irresistibly simple drum and bass the title track runs akin to a Mardi Gras iko-iko chant. Lost Ways has the shuffle of South America rhythms, and weโ€™re halfway through these ten uplifting masterpieces with a bittersweet psychedelic swirl called Tangle.

No You Donโ€™t is acoustic blues with a hint of lounge jazz, as gorgeous as the ultimate Norah Jones song. Another tune in, and rather Iโ€™m now pitching this alongside Joni Mitchell; itโ€™s that strong, naturally raw, and yeah, folk, fundamentally.

The album continues in a similar fashion, uplifting jazzy folk under sublime soundscapes and broken wonderfully with snippets of humorous band banter, which usually are outtakes. It lifts in tempo with False Hope, and chills for the penultimate Movement of Standing Stones, which builds in layers of atmospheric spiritual ambience, and finally a minute and half of bizarre with Gobbleknoll, breaks the concept this isnโ€™t really a book by Richard Adams and Ann Liu is not a rabbit after all!

Exploring limits of prescribed identity in a timeless, brave and sensitive challenge of the zeitgeist, the album is inspired by a Chinese idiom โ€œclever rabbits need three burrows,โ€ and the imagery of three rabbits found in Devon’s churches and China’s caves. Clearly, with profound narrative, you would need to dive deeper into this warren to explore. After one listen, though, you will feel it criminal not to. Everything in this melting pot of influences is subtle, the overall feel is a mellowed thoughtful prose sitting somewhere between the exploratory of Kate Bush and punch of Alanis Morissette, both jamming under the aura of Steeleye Span.ย 

This isnโ€™t an album for streaming. This is a take my money album. The attention to detail is divine. The unedited recordingsโ€™ background goings-on authentically puts you in the room. In promoting it, Ann Lui revealed the backstory. โ€œWhen I was ten,โ€ she explained, โ€œmy father gave me records by Ethan. When I turned 21, I got a call from Ethan after Raf sent my music to him. We began capturing these songs, and my father began dying. Today I turn 26, my father is dead, and the record is born.โ€

โ€œIn the first 25 years I found powerlessness in slow, bad, unwanted death. In limbos and dependency. I found power in wilful endings. In choice. Love ran underneath in a welcome riptide, contextualising the hurt and loss. I nursed wounds, read my stories, read other peopleโ€™s stories, broke away, reflected, mourned, rejoiced, set free. The first quarter century has been about endings, leavings, dying, and dying well. This album is a good death. The bin men are smiling. I am smiling, too.โ€

A launch for Clever Rabbits is at Londonโ€™s Lexington tonight. Ann Lui returns to her roots, as she regularly does, with an Instore at Sound Knowledge, Marlborough on Thursday 17th July at St. Peter’s. Entry is FREE but please do let them know to expect you if you’d like to attend, or pre-order a copy of ‘Clever Rabbits’ from them to guarantee your place.

LinkTree Website


โ€œThe Taming of the Shrewโ€ at the Rondo Theatre, Larkhall, Bath, June 18th-21st 2025.

By Ian Diddams
Images by Josie Mae-Ross and Charlotte Emily

Shakespeare wrote several plays that were termed in the late nineteenth century โ€œProblem Playsโ€. These were some of his works that didnโ€™t easily fall into brackets such as comedy, tragedy or history โ€“ usually covering at least two of those โ€“ but also dealt with uncomfortable social problems. When one looks at the basic plot of โ€œShrewโ€ its difficult with our twenty-first century spectacles on to not include it in this classification. Unadulterated misogyny, gas lighting, and mental and physical abuse within marriage are not viewed as comedic obviously โ€ฆย  yet โ€œShrewโ€ is universally billed as a comedy. The Rondo Theatre Company this week, however, sets to reflect these non-contemporary themes in a gender bent performance to highlight the inequalities and oddities of Shakespeareโ€™s script.

It’s also a somewhat sumptuous treat โ€“ costumes (Harriet Hazelwood-Rose) are sublime with a red velvet theme running throughout, and the set whilst a very typical black box for Shakespeare nevertheless encompasses a balcony/second tier, an exciting addition at the Rondo.

Director Jazz Hazelwood-Rose had long planned this version of โ€œShrewโ€, using this gender-queered approach to (in their own words) โ€œโ€ฆ examine how Shakespeareโ€™s โ€˜comedyโ€™ has a darker side that highlights how the gendered language we use affects how we see each other and interact with the world โ€ฆโ€. That this is done so sublimely well is testimony to their vision, and the quality of the cast; very quickly the male v female โ€œbattle of the sexesโ€ is forgotten, and the tale of bigotry and oppression just shines through. Alex Oliviere is simply phenomenal in her role as cock-sure (no pun intended!) Petruchio, wonderfully mirrored by initially surly and increasingly demure Toby Skelton as Katherine. Their stage chemistry builds throughout the play signifying not only Katherineโ€™s submission to her husbands will, but also Petruchioโ€™s adoration for her.

More than ably supporting them are Alana Wright as Hortensio, Megan Robertson as Lucentio, Charly Nehan as Tranio, Helen Taylor as Baptista, Yvonne Pauley as Gremio, and Charlotte Howard as Vincentio, to complete the female/male flips. Freddie Oliviere-Davies as Bianca performs the reverse Kate as it were, all light and softness โ€“ until married of course. Chris Constantine as Biondello and Matt Nation as Grumio follow a traditional casting, and both provide strong characterisation as Lucentio and Petruchioโ€™s servants respectively, Matt Nation especially in an almost slapstick, court fool role. Teasel Howell, Will Prins, Sophie Turner, Ed Hodgkinson, and Moray Macdonald complete the cast as various servants, merchants, tailor, and rich widower.

The set as previously mentioned uses a two-level approach which is used very effectively โ€“ Geoff Rennie step forward for your design and implementation. Alex Latham provides the usual excellent โ€œTechnical Wizardryโ€ and Steph Hazell and George Fletcher keep the whole thing running seamlessly as stage management.

In a time now where the main plot contains universally unacceptable traits โ€“ clearly more acceptable four hundred years ago โ€“ The Rondoโ€™s production handles the subject matter with care and respect. This may not be a โ€œproblem playโ€ by the usual definitions, but the jarring aspects of Petruchioโ€™s โ€œkilling through kindnessโ€ are laid bare all the more through the gender queered approach.

โ€œThe Taming of the Shrewโ€ is showing at the Rondo Theatre, Larkhall, Bath until Saturday 21st June, and is a perfect opportunity to see a lesser performed play from the canonโ€ฆย  and if you arenโ€™t that sure of the background plots in particular, you would do well, in advance, to โ€œBrush Up Your Shakespeareโ€ โ€ฆย 

Tickets from https://www.ticketsource.co.uk/whats-on/bath/rondo-theatre/the-taming-of-the-shrew/e-moayov



REVIEW โ€“ Devizes Arts Festivalโ€“ Julian Costello Quartet โ€“ Assembly Room – Thursday 12th June 2025

Nice place.ย  Nice music. Nice.

Andy Fawthrop

The Devizes Arts Festival has almost run its course, with only a couple of days to go, but still seven events left.ย  But itโ€™s not going quietly, and last night in the Town Hallโ€™s Assembly Room was no exception……

British jazz saxophonist Julian Costello, a superbly gifted musician, composer and teacher from London, and who writes for various ensembles, was the Festivalโ€™s guest.ย  Playing tenor and soprano saxophones, he was joined by John Turville on piano, Andy Hamill on upright bass and harmonica, and Tom Hooper on drums.

The quartet has recently released their third album, โ€˜And All The Birds Were Set Freeโ€™ on the acclaimed label 33 Jazz Records, and their two sets last night featured many tracks from the album.  The albumโ€™s title is a reference to Costelloโ€™s idea that the musicians should be free to express themselves and able to fly. The pieces they played, including the title track, The Gecko, London Blue, Song For Anna and Sunflowers, were all good examples of this open, loosely-structured approach.  Each musician took his various solos easily, improvising on the scenario, but slotting into the structure laid down at the start of each piece.  The particular highlights of these for me were provided by John Turvilleโ€™s piano passages.

The original material was tempered with a leavening of jazz classics, including material from John Coltrane, La Rosita by Benny Goodman, and Carlos Jobimโ€™s If You Never Come To Me.  Costello himself, leading the quartet very much from the front, moved over from tenor to soprano sax for his composition Connections, based upon the structure of an Indian raga.  And bassist Any Hamill strayed onto a very welcome harmonica during the encore Song For Anna (written for Costelloโ€™s wife Anna Stearman).

Costelloโ€™s personal style was laid-back and chatty, bonding easily with the audience using dry humour, and the quartet were clearly very comfortable in each otherโ€™s company. Their enjoyment on stage was very evident.

After an absolute dearth of live jazz in D-Town, it was like drinking at an oasis after a long crawl through a musical desert.  But, parched as I was, I was left very slightly wanting.  The sets needed more variation in tempo, more contrast between light and shade.  Each number they played was very good, but it was slightly one-paced across the whole programme.  Donโ€™t get me wrong โ€“ this was a hugely enjoyable affair, featuring some great music in a beautiful room.  Sound and lighting were spot on (as usual).  But I was left wanting just that little bit more. More jazz please!

Findย  out more at www.juliancostello.co.uk/ย ย 

The Devizes Arts Festival continues until the night of Sunday 15th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online atย  www.devizesartsfestival.org.ukย 


Lions, KITT, Moonrakers and a Whiskey River; Sunday Stroll Around Devizes

If it’s good enough for Knight Rider it’s good enough for me. I see the Hoff ditched his Knight Industries Three Thousand on the Green for a stroll around Devizes on Sunday. He probably found a crusade to champion the cause of the innocent in a world of criminals who operate above the law, whereas I ended up at the British for a scrumpy or threeโ€ฆ.

Image: Simon Folkard Photography

Unlike some guys who act like Spongebob Squarepants on his tenth bag of Haribo at Chessington World of Adventures, I can only get yay excited about a car show. But Devizes Lions do it with cherries onโ€ฆ and debatably false advertising. There were no lions on the Green, but it was Lions on the Green this Sunday past, an annual free fete/car show crossover which never fails to appeal universally; kids nag mums for Rowdey Cow ice cream while dads furiously argue for three hours with a total stranger in sandals that the Mk2 2.8 Injection Granada handles better than the Mk1 with a 3.0 V6 engine.

Image: Simon Folkard Photography

I browse unacquainted with such matters, unfazed by contemporary cock extensions, but in admiration of vintage, retro cars and those with a movie reference attached. Every local from MP Brian Matthews to Pete of Vinyl Realm, and outsiders like Marty McFly have brought their big boy toys along to display, as Fantasy Radio blast Gary Numan. It’s a sunny morning, it’s a lovely occasion, it’s raising funds, and there’s nothing to dislike about it. 

Cars ticked off, hot dog and an extended conversation with a detectorist who’d discovered a variety of civil war shots and cannonballs on Roundway, if the Lions on the Green is a great and unbroken walkthrough event it coincided with Crammer Watch Day further along on, at the Little Green.

With long term solutions outstanding for unsafe conditions for wildfowl on the Crammer, there appears to be a far more communal tenet between concerned residents and the council compared to the outcry a few years ago, and this day was intended rather to celebrate the Crammer than address expensive possible solutions. As it stands, the simple fix is to raise public awareness that the only escape route for swans is across the roadside and they should apply caution when driving throughโ€ฆ.please.

With live painting from the Lawrence Arts Society, stands from the RSPCA, Sustainable Devizes and hosts Friends of The Crammer, conservation was a topic, if overshadowed somewhat by historical tomfoolery, which was something new to the day and personally my highlight.

Image: Simon Folkard Photography

A random team of amateur thespians, some from the Wharf Writers Group and others along for the giggle and wearing of knitted beards, staged a short promenade satirical play โ€œreenactingโ€ the fable of the moonrakers, aptly at The Crammer. The premise didn’t sound so inspiring to me, and I thought I might have to hold my tongue. The actuality surprised me, it was absolutely brilliant!

Image: Simon Folkard Photography

Pythonesque humour delivered with skill on a local legend, deliberately naff props such as a paddling pool for the pond, and astutely scripted silliness, it was indigenous and hilariously original.

Image: Simon Folkard Photography

Authenticity deliberately skewed for amusement; they couldn’t have done this anywhere else but here, the setting of the beloved fable, which is amusing enough without the added gags. Francis Grose was a witty Victorian chubster and nothing more needs to upset the applecart about the origin of the moonrakers, as this wasn’t intending to proclaim historic fact checking rather to amuse, which a country gent in Harris Tweed with a carrot in his mouth pretending to be a donkey will inevitably achieve.

Image: Simon Folkard Photography

I don’t know where the Hoff got to, but he missed a rarer treat than reuniting with Pamela Anderson for a titillating slow-motion beach jog. Oh, and a whistle stop to Morrisons was a let down culturally compared to what was outside. Along the road I shrug at a classic bus, for its appearance would’ve been more expected trekking the Sahara than parked outside the faithfully traditional British Lion, and there was no explanation for it being there.

Nevertheless I’m one step away from the bar, pondering if there’s one thing expected in Devizes: it’s that The British Lion doesn’t change, because it doesn’t need to. With Devizes Arts Festival is full swing, they’ve arranged a Cwmbran roots trio called Whiskey River to play us some of their sublime classic rock covers, Celtically, with a deep southern Americana twist, as a free fringe event; I cannot argue with this.

Devizes live music aficionados amassed and were thankful, as if they needed an excuse for a pint and fundraising burger from the barbecue. The British Lion is a fond institution, Whiskey River was a great break from our usual circuit, The Lions put on a brilliant and well organised family event, Crammer Watch added to an already great day and those awesome actors with rakes did make us laugh as promised.

It was all too much for me, the White Bear and Southgate continued the music, but I needed a little lie down, while our roving reporter Andy outdone me, partying like Prince in 1999, so I’m also putting up his account of weekend adventures for it’s fuller, far more informative and factually accurate than mine, even if it doesn’t mention Pamela Anderson, because really, she didn’t show. Devizes though, doesn’t need Pam, the fun never stops here, Sunday proved it.


Hannah Rose Plattโ€™s Fragile Creatures

If Whitney Houston set a benchmark for female vocalists many did before her too, but while others were influenced by them, they never felt obliged to attain a sound precisely mimicking them, as, it seems to me, many modern female singers striving for pop success do with Whitneyโ€™s. And when they do, it sounds, well, manufactured and impassive. A Liverpudlian now residing in Bristol, Hannah Rose Platt releases a concept album tomorrow, Fragile Creatures, of which Iโ€™d compare more to like of Kate Bush, whereby Hannah can weave beautiful tapestries, adapting her voice to reflect the sentiment of her narrative, mood and style of the track; and thereโ€™s a lot going on in Fragile Creaturesโ€ฆ.

It is undoubtedly a concept album, anatomising the complex relationship between women and medicine throughout history. It explores how antiquated myths and misconceptions in the pursuit of science have impacted female health, while creating countless injustices and inequalities. If this comes across sounding more akin to a poignant lecture, Hannah Rose Platt shifts between a collection of musical influences to imprint her wisdom, causing Fragile Creatures to be an altering and compelling journey of prowess and refinement.

It opens introductorily with a spoken word sample of Helen Andelinโ€™s Fascinating Womanhood, a controversial sixties manual encouraging women to uphold their conventional marital role. Ataraxia is as calming as the meaning of its Greek philosophical title, ambiently floating over an acoustic guitar riff and drumbeat, musically reflecting on Diazepam-flavoured tranquillity, as if conformity to the sample will land us all in a world to make Aldous Huxley quiver. In this, Hannahโ€™s voice is bitter, eerie, to convey the point.

But by the second tune, Curious Mixture, a drifting acoustic vibe, Hannahโ€™s voice is as silky and smooth as Kylie, which shifts to a sharper more indie-punk feel as the songs progress. Thereโ€™s a definite Bristol trip hop scene there too, causing me to consider Portishead as an influence. By the fourth tune weโ€™re blessed with the most gorgeous ballad to Mary Magdalene, reminding me of Daisy Chapmanโ€™s folk angle. Itโ€™s at this conjunction I realise Hannah is reciting her deepest thoughts and observations on the theme, historically, and theyโ€™re gender ecumenical rather than bitter stabs of feminist vendetta. I didnโ€™t feel under attack as a guy listening to this, provided I ponder the meanings Hannah so poignantly expresses.

This is eleven tracks strong, melding myths of pseudoscience, superstition and patriarchy with medicine and chronicles of the resilient and defiant women who unyieldingly fought for equality and autonomy. At times itโ€™s Kate Bush vocalising for Massive Attack, as is the tune The Yellow Wallpaper, at others, such as La Grande Hysterie, itโ€™s a contemporary Alanis Morissetteโ€™s Jagged Little Pill covered by Siouxsie and the Banshees. It ends playfully like musical theatre, but penultimately is horrific and beautiful in equal measure.

The album is a themed anthology. Each song has its own narrative, weaving into each other. From the tale of Anne Greene, accused of infanticide under the Concealment of Birth of Bastards Act, and pardoned after being revived from hanging to reflections on the health gap that lingers to this day. Thereโ€™s so much more I still need to discover exploring its sheer brilliance as a concept and how the music compliments it.

Hannah explains the concept, โ€œThis record is both an offering and a tribute to female pioneers in medicine; and an endeavour to honour, and give voice to, the unsung heroines in the history of our health. What struck me most during the research and creation of this album was the deeply ingrained, sinister nature of myth and misconception surrounding womenโ€™s health, and the harmful, cyclical dismissal of experiences; decade after decade, century after century, often reinforced by outdated and dangerous practices. My hope is that listeners will not only be intrigued by these stories but also inspired to dig deeper and empowered to challenge the systems that have long ignored or misrepresented womenโ€™s voices, as this dismissal remains so prevalent today.โ€

At this I could agreeably sigh, like any poignant art which usually preaches to the converted those who really need to take heed of its message will likely overlook it. Nevertheless, if others cite Fragile Creatures as the work of an upcoming artist, Iโ€™d favour to compare the depth and production of this fantastic album to Dark Side of the Moon. And with that the right audience might spare its lesson a thought. A high but deserved accolade, in considering it took Pink Floyd seven albums to accomplish this magnum opus, when this is Hannah Rose Plattโ€™s second; what comes next will be astounding because Fragile Creatures is a sublime keeper.

The advance single Curious Mixture is out now. Full album is released tomorrow (April 25th) via Xtra Mile Recordings and mastered at Abbey Road, with production and playing from Ed Harcourt. Launch party is Friday 25th at Rough Trade, Bristol.


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Yea Devizes; The Future of Events in Devizes

The premise is really quite simple, the prospect is positively glowing with brilliance, the result remains to be seen, but on Sunday the 4th May Devizes will know for sure where the future of events in the town rests โ€ฆ.. No pressure Devizes Yea team!!

It was never a nice thing to have to announce our beloved Street Festival had to be cancelled due to arts funding cuts, but being as the Market Place was booked for an event on the date, Devizes Outdoor Celebratory Arts are determined to put on a show regardless.

The fantastic part to all this is that DOCA has brought together teenage volunteers to create a new annual festival in Devizes Market Place, under the name Yea Devizes. The most important thing for all to note about this is, this is not the street festival, nor a replacement for it, it should not be compared to it, and most important of all, it is NOT just for teenagers. Even if the committee of organisers are youths, this event welcomes everyone, of all ages.

DOCA say they โ€œnoticed very few young adults attended traditional local events and therefore sought out youth ambassadors eventually creating Devizes Youth Event Area (Devizes Yea). The youth volunteers wanted to represent their own interests, making local events appeal to our young adults. Theyโ€™re using their skills and collaboration to create this festival, with an aim of bringing together all generations of our community.โ€

I met up with the team at their weekly planning meeting, and over a massive map of the Market Place, plastered with sticky notes highlighting all the great ideas theyโ€™ve collectively worked on, I was mightily impressed. Under the direction of DOCA expert Annabel, Elsie, Bea, Jo, and Sam are the Devizes Yea core ambassadors, learning the tricks of the events trade, and likely how much hard work goes on behind the scenes to create large scale eventsโ€ฆ. and thereโ€™s more than you imagine.

Jess, my daughter, just joined as press officer, (which puts us ahead of the game of telling you about it!) But Devizes YEA are still looking for teenage volunteers to help in the build-up to and the event itself. So, if you are a young person living in the local area and want to get involved contact: yeadevizes@docadevizes.org.uk or find out more on the DOCA website or Instagram.

โ€œThere will be something for everyone at this outdoor event,โ€ Devizes Yea promises, โ€œwith a range of live music, circus acts, poetry open mics, plot35 Devizes community gardening, cooking demonstrations, food traders and more. There are also chances for teenagers to get involved on the day with sound tech and learn from professional sound engineers who will be setting up the main stage.โ€

We think this is a great idea, and look forward to seeing the results. Oh, and wish them all the best of luck with the first event on 4th May, obviously. This could be the start of something amazing, and I must stress the point once again, that this day is designed and intended to be for everyone, not just our younger residents. Even middle-aged young-at hearts, duty bound to show them how itโ€™s done on the dancefloor; Dad-dancing mode switched to crazy legs… and I’m off, nobody attempt to stop me!!


Alien Invasion in Frome; Henge at The Cheese & Grain

Two people asked me in Frome what the music scene was like in Devizes. I replied it’s great, but by comparison it’s conventional, and this was prior to witnessing the sublime close encounter which was Hengeโ€ฆ..

Before you read further, note, I use the word โ€œweirdโ€ as a compliment. But yes indeedy, those friendly aliens, who take the term space-rock literally, landed their interstellar craft at Frome’s glorious centrepiece The Cheese & Grain last night for an eccentric, electric showdown of universal proportion. It was, in short, out of this world.

Excited about catching Henge live after fondly reviewing their album Journey to Voltus B in January, it was every bit as enthralling as I’d have imagined. The Cheese was brimful of kindly weirdos akin to the rooftop scene in the popcorn-munching abomination that is Independence Day; other than no one punched an alien like Will Smith! From aspiring space cadets to ageing hippies and middle-aged ravers, Henge remotely charged their plasma ball hats and casted a musical tractor beam over them, compulsing them to dance.

With phasers set to fun, Henge launched their wild show much like the energetic take off sequence of their latest album, and I pondered if they plotted to play out the album and be done with it, as is a common occurrence for established earthbound bands; not a chance, us humans were bequeathed a cosmic, extraterrestrial proportioned party.  

There’s a space journey narrative to the album which includes an Orb-esque plodding ambient period of hypersleep, a convenient opportunity for them to avoid, and divert the live journey to play some past album tracks, to keep the show’s pace consistent. These aliens of superior knowledge and proficiency made a wise choice, the place was positively throbbing.

Here’s the music which should’ve been playing in the Cantina scene of Star Wars. Here’s the music which would’ve caused both Miles Davis and Eat Static to have seizures. It’s jazzy, uptempo electronic skullduggery somewhere between prog-rock and trance techno, perhaps, or rather, in a field of their own playful invention.

Yet to pigeonhole it would take a textbook of notes. Henge are toytown, rave vaudeville, a guitar circus in space; they’re alien, unique and clearly on a higher plane of existence. The beauty of them is, they want to share it with you, lovingly. As a spectator you are welcomed on their, what’s best described as, an encapsulating musical space trip.

They analysed our planet, took a murky sample of the River Frome, and advised on the best path for the future of humankind; seemingly to demilitarise and direct its funding towards either ecological revitalisation or space colonisation, and they mastered it hilariously with a peacenik singalong finale.

But they did so as they did with everything, an uplifting sonic musical experience, the likes I’ve never seen before, and I’ve raved with glow sticks at Longleat’s UFO Club, partied worldwide, done, dusted and worn the T-shirt out of many a groundbreaking festival. This was on another planet, truly fantastic; please abduct me again sometime soon!

I’ve seen some weird street theatre in my years on this planet, but I awoke this morning, trying to recollect if I’d ever seen any musical band as weird as Henge. I’d like to say I hadn’t, but an earth half-hour prior I witnessed the support act.

A rib-tickling one-man-band Mancunian hedge monkey called Paddy Steer, who, dressed in the single-most bizarre illuminated space-wizard costume ever, delighted us with a set of experimental percussion and low-fi fluctuations, the likes you’ve never heard before. If Henge owned the mothership, Paddy was his own microsatellite, orbiting a stratosphere of his own mind-bending imagination, and it was as equally mind-blowing as it was hilarious and engagingly original. 

Paddy Steer has found a new level of eccentricity. They broke the mould when they built this alien Gandalf come Frank Sidebottom, on a mushroom journey to Lala Land with S Clay Wilson, and his music is inspired by the fable of it. Making the Mad Professor seem sane, he kept a perfect instrumental harmony as his decorative kit wobbled and a billion and one leads dropped out of their ports, much to the frustration of the sound engineer, but with nonchalant precision and scratch of his wizard beard, Paddy amused the audience by continuing nonetheless, profoundly. It was something to behold and impossible to wipe the smile off your face until Paddy had packed up and returned safely back to Discworld.

Together they made for the kind of fantastically bizarre gig you’ll never find in Devizes, unless you intoxicated yourself with mushrooms and imagined the whole thing. It remains to be fact, Frome is the diverse local centre for counterculture and the eccentrically creative; Henge and Paddy fit like a glove, if The Ozric Tentacles were born here. But it was my second night in Frome, after a Dadโ€™s taxi adventure saw me drop the kids off at the Cheese for Lucy Spraggan on Thursday, a kind of Gen Z Lily Allen.

Lucy Spraggan on Thursday, local rural skullduggery with The Wurzels on Friday, and space adventuring rave circus aliens Henge on Saturday, The Cheese & Grain is punching above Fromeโ€™s weight. To trek elsewhere in the town might not be as bustling, but certainly doesnโ€™t disappoint. From the Merlin Theatre to The Sun and 23 Bath Street, entertainment options are vast here, but when in Frome, I did as the Fromans and found solace while waiting for the kidโ€™s gig to end, at the Rye Bakery by Frome station.

Hereโ€™s a hidden gem wine bar, pizzeria and generally cool hangout away from the live music tourist trail, hosting music Thursday and Saturday nights, in which our own Jon Amor Trio appear on the 24th. For our entertainment on this particular Thursday some groovy modern jazz was supplied proficiently by a quartet called Fushal. They were wonderful, the whole scene is, I might relocate and call this blog Fromzine, if only those aliens of Henge would land here again!     


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Un/Common People: Folk Culture in Wessex; Latest Fascinating Exhibition at Wiltshire Museumย 

Stuffed my dinner, scanned the brief, headlonged out the door, forgot about the road diversion into the Market Place, made a u-turn, arrived at Wiltshire Museum only two minutes late for the preview evening to their latest exhibition, convincing myself itโ€™s often more interesting to go in blind to what the show is all about anyway!

Thereโ€™s graffitied skateboards in the exhibition, embroideries, an abstract canvas, a jesterโ€™s uniform, old ledgers, ships in bottles, straw sculptures, a video of Stonehenge at summer solstice, and many other fascinating items youโ€™d be excused for misunderstanding how they all relate if the rooms was stripped of the information boards and the exhibitionโ€™s title, Un/Common People: Folk Culture in Wessex.

The exhibition opens at Wiltshire Museum from today, Saturday 5th April and runs until Saturday 6th September 2025; plenty of time to pay it a visit, and I recommend you do. 

Fortunately for my ignorance, external curator Mellany Robinson of The Museum of British Folklore was on hand to provide a brief speech explaining the reasoning behind it. All the items on show here are bonded by one concept, that they โ€œtell local, political, expected and entirely unexpected stories to reframe the rich heritage and vibrant present day folk cultures for modern audiences.โ€ And as being folk culture, all the items are created by folk without the disciplines of their craft via official training or education.

Now I can relate! Although I donโ€™t wish to discuss my short-lived art college days, my creative labours are all self-taught, save some advice from cartoonists and writers in my younger days. One piece in the exhibit in particular caught my fascination, as a punk-paste zine-maker of yesteryear; an amateurishly hand-drawn flyer for the 1979 Stonehenge Festival. I strongly suspect, whatever angle you come at this from, whether historian, antique dealer, or folk musician, counterculture artist, or possibly more simply, you hold a passing interest in the origins of local folklore, you will find many objects here on display to fascinate you.

I left feeling enlightened, and perhaps a smidgen abashed by the many things I didnโ€™t know. A Hob-Nob is not biscuit, rather a horse-like costumed fellow in the Salisbury Giant, a midsummer procession first recorded in 1572, for example! I now understand why Great Wishford has Oak Apple Day, and what it means to proclaim, โ€œGrovely, Grovely and all Grovely!โ€

A handcrafted Wiltshire sweetheart pin cushion made by a World War I veteran, a rare ship crafted entirely from straw linking to Pooleโ€™s maritime heritage, and a poignant portrait by a Nigerian artist created while seeking asylum in Swindon, are items the Museum hail are the highlights, but depending on your personal interests, I believe what will constitute the highlight will be open to interpretation, being such a timeless mixed bag of tricks held together only by this theme of folk art; I have plenty of musician friends of whom, I guess, would be fascinated by the instruments, artists who would love the artwork from a community project, and others who would cherish this Wessex folk calendar feel to the whole exhibit, from the Summer Solstice at Stonehenge to the May Day celebrations in Cerne Abbas.

Now Iโ€™m concerned by my overuse of the word โ€œfascinating,โ€ but the boot fits, thatโ€™s what it surprisingly is!   

Curator Mellany Robinson told how the The Museum of British Folklore doesnโ€™t have a fixed venue, and it started because founder Simon Costin was, โ€œpassionate about what museums call intangible cultural heritage, the heritage of folklore which has historically been suppressed, and overlooked. So, when people die, their works get chucked, because it isnโ€™t considered financial value, but it is of huge personal and historic value.โ€ 

Simon Costin founded the The Museum of British Folklore by โ€œbuying an old caravan on Ebay in 2008, and travelled around the country for six months turning it into a museum, to test the response. And we need a Museum of British Folklore because we are one of the very few countries which doesnโ€™t have one.โ€

This project, a collaboration with the Wessex Museumโ€™s collections and the Museum of British Folklore, is more anti-museum than museum in the traditional sense. With many items by unknown creators and certainly all of them unprofessional, itโ€™s more of a hobbit-hole of hidden treasures and curiosities.ย ย 

โ€œWe had to share what we thought of as folk culture because lots of people think certain things of folk culture,โ€ Mellany explained, โ€œbut our definition is; something creative not necessarily tangible, produced by someone who doesnโ€™t have formal training in that medium.โ€ 

Again, we find Wiltshire Museum bucking the preconceived stereotypes of what constitutes traditional aspects of a museum exhibition, and we should consider ourselves lucky to have them on our doorstep here in Devizes, putting the โ€œmuseโ€ in โ€œmuseum!โ€

Un/Common People: Folk Culture in Wessex opens today, and runs until Saturday 6th September. Summer Opening Times are from 10am to 5pm, Monday to Saturday. Entry to the exhibition is included in the admission ticket. Tickets cost from ยฃ8.50 (concessions available,) and itโ€™s free for under 18s. Director of Wiltshire Museumย David Dawson has an online talk introducing the new exhibition on the 8th April.

Do check the Museumโ€™s website for there are many great events upcoming, including the Curious Kids workshops for ages 3-11 and the Museum Explorers Club for 5-7 year olds, lectures, walks and stone carving courses.


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Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

Headline Tickets For Devizes Arts Festival Available Now, And What Else is to Come?!

Tickets for the headline acts at Devizes Arts Festival are up for grabs now, and the rest will follow for general release on April 28th, unless you become a โ€˜friendโ€™ of the festival, in which case it will be the 7th Aprilโ€ฆand why wouldnโ€™t you?!

We all love Devizes Arts Festival here at Devizine, which opens on Friday 30st May and runs right up to Sunday 15th June. If you promise not to go breaking my heart, Iโ€™ll tell you whatโ€™s happening thereโ€ฆyeah, I know, you couldnโ€™t if you tried!!

The festival opens with headliners, Kiki Dee & Carmelo Luggeri at the Corn Exchange on the evening of Friday 30th, and an exhibition by local landscape artist David Oโ€™Connor, who draws inspiration from Paul Nash, and ceramicist Richard Phethean. The exhibit will run throughout the festival at White Chalk Gallery in the Old Swan Yard.

Saturday 31st May sees multi-award-winning teacher, composer and organist Chris Totney returning to Devizes to give this yearโ€™s Festival Organ Recital; one of the very first times youโ€™ll get to experience the new pipe organ that has taken the best part of a year to install in St Johns Church. Followed by one of the UKโ€™s finest Latin bands, Kโ€™Chevere, at the Corn Exchange.ย 

Sunday 1st June, thereโ€™s a walk with Judy Hible of Wiltshire Geology Group, and furniture-maker Stewart Linford hosts a fascinating and informative talk on โ€œLuxury in Woodโ€ at the Peppermill (free fringe event.) But all eyes will be on the skies, when space scientist and BAFTA-nominated presenter of โ€œThe Sky at Nightโ€ Maggie Aderin-Pocock, pops in for an inspiring exploration of the universe.

Monday 2nd is time to get interactive, in a writing session with members of Devizes Writersโ€™ Group, exploring writing fiction or nonfiction, one of the first workshops at the festival this year. Tuesday sees an enthralling and earth-moving evening of gardening talk with TVโ€™s top gardener Frances Tophill. Wednesday is the turn of bestselling crime and thriller writer Felix Francis, for a fascinating talk on mysteries in the world of thoroughbred horse-racing. And Conan Doyle expert David Stuart Daviesโ€™ โ€˜Sherlock Holmes: The Last Act,โ€™ directed by award-winning director Gareth Armstrong, plays at the Wharf Theatre, with a second performance on Thursday. Also find guitarist and singer-songwriterAnna Ling at St Andrews on Thursday.

Friday 6th, join Rowdeโ€™s only botanical artist and author, Ann Swan, for a workshop in her studio, while ceramicist Keith Brymer Jones will talk about his life as a creative potter and his experiences as a judge of The Great Pottery Throwdown at The Corn Exchange.

Saturday 7th June, and youโ€™ll find the Sunday Times bestselling author of โ€œMiss Austenโ€, Gill Hornby talking with Mark Jones from Fantasy Radio, a demonstration by the Devizes Regency Dancers (free fringe event,) and an electrifying country show with all-female Country Chicks.

Another walk on Sunday, gosh, they do like their Sunday walks, this time with Wiltshire Wildlife Trustโ€™s Nick Self, conservation lead for North Wiltshire. Then itโ€™s over to The British Lion for some Welsh frontier roots music with Whiskey River, (free fringe event.)

Monday 9th June you can join print-maker Hannah Cantellow at her Printmaking Studio in Rowde, or learn some crossword secrets from Times Puzzle Master Tim Moorey, who has been solving Times crosswords for over 50 years, on Tuesday. Tuesday also sees virtuoso clarinettist Sarah Williamson and soloist and chamber musician Simon Callaghan.

Wednesday 11th sees singer-songwriter Miranda Pender presenting a darkly humorous talk which includes five original songs based around some of the more bizarre stories unearthed from her family history. And Two Queens, One Nation at the Wharf Theatre, Miriam Cooperโ€™s one-woman show exploring the unavoidable collision of dynamic sovereigns and cousins, Elizabeth I and Mary Queen of Scots.

Photographer and naturalist Stephen Davis is at the Cheese Hall on Thursday 12th, and jazz saxophonist Julian Costello brings his quartet to the Town Hall.

Friday is comedy night as Mark โ€˜Taskmasterโ€™ Watson, celebrates twenty years in standup. Multi-award-winner, YouTube cult figure, Radio 4 favourite and recently โ€˜Baby Reindeerโ€™ actor, Mark comes to Devizes after seasons at the Adelaide, Melbourne, Sydney and Edinburgh comedy festivals.

Author of English Civil War historical fiction series โ€˜Divided Kingdomโ€™, Charles Cordell is with us on Saturday 14th June. His writing has received high praise in editorial and readersโ€™ reviews alike, his latest novel, โ€˜The Keys of Hell and Deathโ€™, is set between Wiltshire and Somerset in July 1643. Followed by the Bath Male Choir in St Johns, and Torbayโ€™s five-piece 80s party band Riviera Dogs at the Corn Exchange.

For the final day of Devizes Arts Festival, Sunday 15th June, author Charles Cordell finishes his talk with a guided walk and discussion of the Siege of Devizes in July 1643. Journalist, writer, and experienced skydiver Sally Smith is at Devizes Books talking about her book โ€˜Magnificent Women and Flying Machines.โ€™ And Bath-based instrumental jazz-infused blend of Levantine mystery, Balkan passion and Latin rhythms quintetย  Radio Banska bring the Arts Festival to a dynamic close at the Cellar Bar. Both of these last two events are free fringe events.

Tickets for the headliners are on sale now, all others will be on sale from HERE on April 28th.


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Devizes Street Festival Cancelled For Second Year

Without sounding like a stuck record, itโ€™s the same unfortunate news for Devizes Street Festival as it was last year; Arts Council England has not awarded DOCA funding for their programme of summer events in 2025โ€ฆ..

DOCA was sorry to announce today, a spokesperson saying, โ€œfunding across the country has diminished significantly and demand for it has increased. As a result our already small staff team will be reduced to a minimum as we try to secure funding for the future.โ€

โ€œThis means that the Street Festival cannot go ahead as intended on 4th & 5th May. We will, however, still be delivering an exciting event in town that weekend. The YEA Devizes project (Youth Event Area Devizes,) which has been funded by National Grid, will present a youth-led event in the Market Place, created and delivered by the incredible young people of our town.โ€

Devizes Yea would like to connect with other community groups and individuals, so if you are a young person interested in being a part of it, or an organisation or club that would like to support the event please get in touch at: yeadevizes@docadevizes.org.uk ( For all non-youth related enquiries please use info@docadevizes.org.uk)

Alongside this DOCA will host Grow Devizes that weekend, a concept that encourages and combines both growth in nature, and growth in our community. To this end, the Out and About project will take the performing arts out into a rural village and in turn invite people from those areas back into all they do in town.

โ€œWe are still navigating the best way forward for our other summer events,โ€ DOCA continues, โ€œsuch as Colour Rush, Confetti Battle, Picnic in The Park and Carnival, working with our partners around town and funders to come up with the best solution. Please bear with us while we consider all available options and weโ€™ll update you as we know more about each specific event.โ€

This was such a special event in Devizes, loved by all. It is such a shame to hear this terrible news for a second year running. The effects of the governmentโ€™s 16% cut in real terms across the UK to arts funding since 2017 is beginning to impact significantly on free events such as town carnivals and village fetes.

Earlier this month Wiltshire Council confirmed an increase in funding to its arts and heritage partners. The council funds four arts organisations across the county; Pound Arts in Corsham, Trowbridge Town Hall Arts, Wiltshire Creative in Salisbury and Wiltshire Music Centre in Bradford on Avon. Funding also goes to Wiltshire Museum and Salisbury Museum.

We support, of course we do, all additional funding for arts in the county, but Devizes gets zilch for arts. They stated this demonstrates WC, โ€œis committed to the delivery of culture in the county by agreeing to uplift each of its grants to arts and heritage partners by 10% in 2025/26.โ€ Yet this excludes every charitable event organisation in the county dedicated to providing arts and culture freely, as while many of their heritage partners fundraise for important charities, all events at the venues require tickets.

The failing of funding for community events is the remnants of a conservative austerity ethos that arts and entertainment will only be available to those able to pay for it, and if Wiltshire Council were as thoroughly dedicated to arts and culture as the claim they are, they would provide budgets for town carnivals as well as the ticketed venues affiliated with them. Instead, and to illustrate by example, one of our Conservative town and county councillors and area board managers criticised the beloved Street Festival for not having a โ€œdiverse audience.โ€ 

The statement was, obviously, poppycock and only made to favour profit-making events in the town; Street Festival was, by a country mile, the most diverse event Devizes has ever seen and attracted the most diverse audience, being it was free and open to all.

Street Festival was a true colourful display of music, arts and theatre, and was once a testament to all which can be accomplished freely when a community comes together. It is heart-breaking to have to mention the event in the past tense, but this sad news today casts a shadow over any hope the Street Festival will ever return.


Trending….

Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

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Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Market Place. One cries out her desperation for the loo, but there’s no detours to another bar en-route for relief, they’re steadfast to their destination, The Three Crowns; a wise choiceโ€ฆ.

I’m heading that way too, trying to pick up pace and overtake them, so as not to convey I’m some creepy codger following them from the bus! Some lads intervened with a wolf-whistle down the Brittox, I gathered at them and not me. I’ll quip with them to break the ice, in hope they see it’s coincidental that our destinations are the same. It worked, they seemed unconcerned, and giggly.

With a fresh lick of paint it really didn’t need in comparison with others, and a scrumptious selection of designer burgers, The Three Crowns is the go-to pub for gen z coming of age, millennials, and a number of elder diehard party heads who still think they’ve โ€œgot it,โ€ because they have, bless โ€˜em!

But the greatest thing about these cross-generational gatherings at The Three Crowns is the carefree atmosphere without division. Everybody is here to enjoy themselves. They crave a live band to throw high-energy covers at them, era-spanning songs they know, love and can sing along with, and they’ll party trouble-free together. Younger attendees will high five the elders, and dad dancers mingle without mockery, I hoped!!

I’m at the back gate chatting to landlord Simon while tonight’s band is sound checking. It’s this Marlborough-Swindon based band’s debut at The Three Crowns, but I assure him what I suspected, that Static Moves will fit like a glove. Not wanting to blow my own trumpet, but I was bloody right anโ€™ all!

Static Moves are a side-burns, flat caps and pork pie wearing, two-Clives five-piece covers band with keyboards, in self-promoting black t-shirts. Even if these other elements don’t convey Static Moves are bringing a touch of new wave eighties mod retrospection to the table, any band boasting two Clives is a win-win!

Being honest, there have been occasions when I’ve dropped into the Crowns to see a great cover band, yet my desire for originals redirects my zimmer frame over to the trusty Gate, and I’m faced with two half-reviews; not this time. Static Moves are irresistible, and enthral any audience.

The systematics of Static Movesโ€™ repertoire appears to be anything which can be delivered loud and proud like it’s Coventry in 1980 or Madchester in 1990. If a particular song choice isn’t, they make it so it is. Taking no prisoners they were greyhounds out of the starting traps, rarely coming up for air, save a short break.

The frontman isn’t Luciano Pavarotti, needs not to be, but is commandeering, can hold a note, and a dynamic showman, with a habit of launching his tambourine either airborne or into the crowd.

The band compliment the lively mannerisms, though fairly recently formed, all members hold a wealth of experience, which shows. It looks like a tight ship, a new drummer slipping into the kind of camaraderie which reflects onto the audience; they’re having fun, you will too.

Static Moves compact a party into their pocket, and, for want of a less Potterhead analogy, like a Choranaptyxis it expands to fit the available space when they catapult it out upon an anticipated crowd. They told me they were working on some originals, we’ll hold the front page.

There were components to their set, it kicked off seventies, absolutely scorched Primal Scream’s Rocks, then launched tongue-in-cheek into early eighties pop hits like Nena’s 99 Red Balloons, Kim Wilde’s Kids in America and even found time to make one-hit-wonder Tiffany’s smash their own! As you might imagine, this was my personal summit, โ€˜cos I bought those singles, but I also observed all generations present acknowledging and lapping up those bubblegum classics.

It moved as swiftly as their tempo onto tracks I’d consider were their own favourites, the more less commercial punk anthems like The Buzzcocks, by which time they had the audience eating out of their hands and could’ve pulled any cheesy bygone slush puppy out of their bag and still rinsed it! As it was they took to The Beastie Boysโ€™ Fight for your Right, which was only amusing until they followed it with a grand attempt at Smells Like Teen Spirit.

Despite the diversity, the template of loud and proud prevented pigeonholing, a party band with a big sack of crowd-pleasers and an unrivalled enthusiasm to deliver them. The finale alongside Billy Idol, were millennial showboats, Britpop anthems, you know the one from The Killers, and yeah, they did Wonderwall, but while I deem that clichรฉ, they did it well, and it always gives the youngsters an opportunity to show everyone they have torches on their phones!

Ahem, that’s irrelevant against the positivity of a diverse crowd throwing away their cares for a moment and enjoying themselves. That’s what’s infectious; you’re duty bound to follow suit with a band like Static Moves. I couldnโ€™t physically leave until the deal was fully sealed.

The Three Crowns revel in this infection, and is the reason it bucks the trend of a decline in pub culture. Here is a Devizes lesson in how to do it, they deserve the praise but don’t really need it. Stalwart for a number of years now, most know the Three Crowns is a testament to a memorable night, including, it seems, girls bussing in from Bath. 


What else is happening?

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Keep reading

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because they showered me with biscuits Iโ€™ve been doing the easy bits of arranging some live music and designing a poster for Rowde Fest 2025โ€ฆ..

Itโ€™s happening on Saturday 31st May from 1-7pm, itโ€™s free, you can roly-poly down Dunkirk Hill, and join our village family fete-like festival at the Rowde Small Playing Field (next to the church); no pressure, but I think youโ€™ll like it!

Burn The Midnight Oil

Already confirmed we have music from Thieves, Adam Woodhouseโ€™s marvellous Americana quartet. With a village connection, the most wonderful new band on everyoneโ€™s lips, Burn The Midnight Oil are playing too. The incredible Sarah C Ryan Band are up for it, and local legend Andrew Hurst is also on the blossoming line-up.

Sarah C Ryan Band

And I believe we may have some super-duper, and I mean super, surprises, like, โ€œpossiblyโ€ the best indie pop band in Wiltshire, and acoustic god, and oh, did I say itโ€™s super-duper?!

Hold the front page!! More great acts to be confirmed!

Update: Wiltshire’s finest indie-pop band Talk In Code have just confirmed; you’ll love these guys!

Thieves

Thereโ€™s Devizes Jubilee Morris dancers, childrenโ€™s activities, face painting, food and drink and side stalls, and more. You all should know by now Rowde has the best ice cream this side of Italy, so yes, Rowdey Cow are sure to be there.

Talk in Code

It is all free, but, you lovely people, we really need some kind donations on the gate, if you can, so we can ensure we can make it an annual occasion.

If you’ve an idea for a side stall, please let us know and I’ll pitch it to the committee, they don’t bite, or at least I’ve seen no evidence of it yet.

Andrew Hurst

Iโ€™m even over-excited to share the poster with you! Subject to alterations, as if I could possibly find any more room on it for other acts yet to confirm, the poster has been collated by me, but is also the fine artistic work of three pupils from Rowde Academy. So a huge thank you to Luca Dowling, Theo Doherty, and Lila Ransome for their inspirational pictures, which were incorporated into our poster.

I look forward to seeing you there; you are coming, right? Here’s the Facebook event page thingy. It wouldnโ€™t be the same without you.



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CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

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Wiltshire Council to Trial Street Art Wall in Melksham

Dope Wiltshire Council keepin’ it realz n ting, piloting a new legal art wall in Melksham to give artists the opportunity to showcase their talent without vandalising property; have we entered a new era for the county council, or a parallel universe?! Did they sustain a head injury breakdancing at County Hall?! Like, whatever, it’s both surprising and welcome news….

Perhaps they’ve looked at Swindon Paint Fest and seen how our nearest neighbour are decorating their town so wonderfully. The new art wall will be situated at the underpass on the A350 Bath Road in the town, and while it will continue to be managed and monitored by Wiltshire Council, a local community arts group will take on the day-to-day running of the wall, including the maintenance and cleaning of the artwork.

It will be the responsibility of all the users to ensure they keep to the specified area and adhere to the code of conduct, which includes no offensive tags and respecting all users of the underpass. All materials, such as paint and other art supplies, will be provided by the wall users, and the council will step in to remove any inappropriate artwork if required.

While this sounds subjective and restrictive towards freedom to express discontent in art, as street art often does, it’s a promising start we hope will expand into other towns. I guess we simply have to accept that the Council will be judge and jury on what constitutes “offensive.”” Not excluding, of course, the notion if they are to push too strictly on this, graffiti artists will simply go elsewhere, illegally, and the whole scheme is at risk of failure.

Image taken from this year’s Swindon Paint Fest

Cllr Nick Holder, Cabinet Member for Highways and Street Scene, said, Graffiti is a longstanding antisocial issue across the country, and so we’re pleased to be able to trial this legal art wall in Melksham, with the hope it can be a success to roll out into other areas of the county.

We’ve spoken to other authorities, mostly in urban areas, that have trialled similar projects, and they have seen a fall in illegal graffiti, along with increased engagement with the community, and we hope we can do the same here in Wiltshire.

I believe, and hope, they will be pleasantly surprised by the results, artistically, but the divide between what constitutes art and what constitutes vandalism is subjective and open to debate. Yet Mr Holder says, We hope to see some fantastic artwork showcased on the wall once it launches later this year – along with a decrease in illegal graffiti in Melksham during the coming months. And I have to tip my hat to that, for while it’s too late for me and my spray paint days are over, it is the art movement of today, and like it or loathe it, it’s here to stay.

To get involved in the project, people should contact Richard Rogers, Strategic Engagement and Partnerships Manager, on richard.rogers@wiltshire.gov.uk(opens new window).


Tickets for Calne Music & Arts Festival on Sale Now

Running from the 4th to 13th October, The Calne Music & Arts Festival celebrates its 50th anniversary, and tickets for the varied events are on sale nowโ€ฆ.

Arts Festival President Carole Browne said, โ€œin the year that we celebrate our 50th anniversary, our Patron, Dame Judith Weir, who was composer in residence at the 1975 festival, will be handing the baton to another prestigious composer, Brett Dean, who will take up the position in 2025.โ€

โ€œWe are indeed fortunate to have so many musicians and artists who have made their home in Calne. This is a year of many anniversaries. 40 years ago the iconic Harris factory, established in 1770, which dominated the centre of Calne and became its biggest employer,was demolished. Joseph Priestley โ€˜discoveredโ€™ oxygen in Calne 250 years ago. We will mark these anniversaries with special concerts and a community art project featuring over 500 pigs, painted and decorated and on view all over the town.โ€

โ€œAn exhibition in the Heritage Centre throughout October will catalogue, with brochures and press cuttings, the past 50 years as well as featuring a selection of chosen piglets.โ€

As usual there will also be the art exhibition at Marden House, presenting hundreds of pieces from beginners to internationally exhibiting artists from in and around Calne. The exhibit is open at various times throughout the festival.

Festival week starts with a free family day at Marden House, on Saturday 5th, with a 360-degree immersive Theatre Dome experience, Calne Samba Band, Clareโ€™s Circus, a variety of activities by Calne Wordfest, Music and Art workshops throughout the day, an art treasure hunt, stilt walker and more.

Irish Soprano Michelle Sheridan Grant and Scottish Bass-Baritone Peter Grant bring you an eclectic musical evening, also on the 5th. A Gala concert which will be followed by tea, The Ridgeway Ensemble – ‘Walk in Beauty’ on Sunday. Thereโ€™s also a free life drawing session, and Evensong at St Marys.ย 

Accomplished soloist, passionate chamber musician and repetiteur for Opera Ddraig, George Fradley will perform Beethoven’s Sonata Op.109, Chopin’s Ballade No 4 and the Bach-Busoni Chaconne in D Minor, on Monday 7th October. Also The ‘Major Minors’ is a community choir bringing together children from primary schools in Calne and surrounding villages under the direction of Bethan Fryer. They will be joined by Cherhill Youth Theatre and the school choir of Heddington school on Monday. Thereโ€™s โ€œdrink & drawโ€ sessions, and Calne Wordfest Writersโ€™ group joins the celebration of Priestley 250.

Tuesday 8th sees Music Scholars of St. Mary’s School, Calne, then some banjo with the Leon Hunt Trio. Wednesday an Art Talk by Gail Brown and Isla String Quartet. Thursday,ย  Music Scholars of Marlborough College and world music with Eastern Strings and Nabra Trio. Friday 11th sees a clarinet recital with local clarinettist Simon Parker, Opera Anywhereโ€™s Gilbert and Sullivanโ€™s Patience.

Saturday 12th sees Australian now Calne artists Brett Dean and Heather Betts in conversation with Genevieve Sioka, an evening of traditional Andalusian Guitar and Flamenco dance with Flamenco Loco, Calne Choralโ€™s Cloud Messenger from Gustav Holst Gloria-Vivaldi, and a grand finale party!

The Calne Music & Arts Festival box office is open now, you can see the full program and book tickets from HERE.


What else is occurring, dudes?!

Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

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A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

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Lawrence Art Societyโ€™s annual exhibition at Devizes Town Hall

Impressive, in a word, is the Lawrence Art Societyโ€™s annual exhibition at Devizes Town Hall this year, in both quality and quantity; you’ll be amazed at how many talented artists there are locallyโ€ฆ.

It runs up till Saturday, drop in even if you’ve only a passing interest in art. For there’s a good range of styles and movements depicted, from the best part of fifty local artists, one founder member of the society, Elizabeth Allen, posthumous exhibits in tribute and honour. Thereโ€™sย some abstract, in both paintings and copper wire and stone sculptures, yet perhaps as a whole leaning heavier towards fine art, the traditional landscapes and portraits; itโ€™s all very Devizes!

Named after Devizesโ€™ most famous artist, Sir Thomas Lawrence, a child prodigy whose early career began here when his parents owned the Bear Hotel, in association, the Lawrence Art Society has been running since his time, but was formally established in Devizes in 1953. Annual Membership is ยฃ20, ยฃ6 for students, they have monthly meetings and live art shows at the Conservative Club; but this is their annual showstopper, and itโ€™s free to windowshop!

Thereโ€™s a few names Iโ€™m aware of, such as Simon Bishop and Jenny Pape, but more new to me than I could possibly list, youโ€™ll just have to pay it a visit! But I give mention not only to the lovely gentleman I chewed the ears off about Hogarth, Gillary, and Victorian Childrenโ€™s illustrators, and was so wrapped up in our chat I didnโ€™t get his name! But also David Lewis for breaking the running theme with some abstract futurism, Joy Tickell for wonderful acrylic collages, Marilyn Silvester for some colourful Chagall-eske depictions of Devizes during the market, Susan Thompson for her colourful Escher-type designs, and Helen Stanfield for that, wow, monochrome oil of a Yorkshire terrier, so cute, and I donโ€™t care for terriers much!  

Browse the vast selection of near-on 260 pieces of artwork, with a chance to purchase, vote for your favourite, buy some greetings card prints, and gamble with a raffle ticket or two. I took a snap or two as a teaser, pay a visit to see for yourself. Devizes Town Hall is open from 9:30am-5:30pm on Friday, but the show will finish half hour earlier on Saturday, at 5pm.ย 

I asked the ladies on the front desk if many younger artists join the Society, to mixed responses. While even I know of a few, such as Bryony Cox of the White Chalk Gallery, with her fantastic Turner-fashioned seascapes and clouds, thereโ€™s always a risk of losing such a founded group in the future should younger artists preconceive the group as not age appropriate for them. All I can say on this is donโ€™t overlook the experience of learned artists as they can and will help you. I myself feel rather inspired after browsing the Town Hall today, be warned!!


What else is happening?!

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

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My Complaint About Devizesโ€™ Full-Tone Festival!

Images Used With Permission of Gail Foster

Chief organiser of the Full-Tone Festival, Jemma Brown has always been high on my list of local folk of admiration, but went a notch higher Sunday upon delivering a sly quip on stage, in retaliation to a lone keyboard warrior inanely slating the festival on Facebook, while the majority of locals, and visitors from afar, basked in the sunshine and glory of what was the ultimate, (and possibly final of this kind,) showcase of our fantastic homegrown Full-Tone Orchestra, their momentous accomplishment, and all the gorgeous gubbings which went with it!

I was sunbathing on a Muck & Dunder deckchair at the time, enjoying one of their Piรฑa Coladas, the like only they seem to know how to create this side of the Atlantic Ocean, and a hearty chuckle impulsively launched from my cake hole. Oh my, the audacity of the ranting warrior caused a desire in me to march that silly sausage down to the breath-taking stage, allowing them to observe, even if momentarily, a sixty-piece orchestra harmoniously labouring sublimely, while a local youth sings their heart out at the most memorable, prestigious, and significant opportunity of their lives so far, to the tears of joy from their mum in the audience, overwhelmed with pride, and the smiles from those enjoying it, then ask this ranting nobody to confirm their complaint was not driven solely by selfish jealousy!

A neighbour of mine has a tendency to rev his motorbike in his garden. I cannot fathom why he needs to do this, neither appreciate the noise, but to ramble on about it on social media isn’t going to achieve anything but further verbal conflict. All I know is when you’re within the range of that stage, the divine acoustics immerse you, and even if it’s not your cuppa, you cannot deny the magnitude of the moment, just one weekend of it was all that was ever asked, the musical might of something you rarely get in Devizes, or anywhere for that matter.

Then, you turn away at your own free will, and note though it may have appeared so, you are not trapped in the Royal Albert Hall, you’re still on the familiar Green in Devizes, and deckchairs surrounds you like a day in a park, teetering with locals, spellbound and appreciating said moment. That is the magic of the Full-Tone Festival; go grab yourself a G&T or a Rowdy Cow ice cream, maybe get your face painted, return whenever you feel like it. It’s neither a sitting concert because of the freedom to come and go, nor a day in the park, because there’s a mahoosive and effective seamless programme of wonderful and varied music waving across the site; it is unique, iconic, and symbolic of everything great about Devizes.

All comes at a price, though, is another I hear plenty. Comparatively not so. Look around you, it’s over the pound mark for a Crunchie bar in a petrol station, and your average festival or a two-hour pop star’s gig will triple the price tag of Full-Tone’s three day extravaganza, if not more. You can only reasonably complain if your ears and eyes are shut.

Look! Look at that extravagant stage, wonder how many lines the technicians are juggling, watch the procession of musicians coming and going from the stage akin to the precision and order of an antโ€™s nest, though in pretty frocks! Consider every sidestall and those relentlessly working to serve you, the security, the first aid, the unison of everything coming together as it did, is both costly and executed with such professionalism I cannot fault it neither reason why anyone else would complain; it would be insanity to do so. Even conductor Anthony Brown waving his baton around for two solid days is enough to sympathise with any repetitive strain injury heโ€™s likely to have developed!

Though I must say again, it was a shame it clashed with the Devizes Scooter Rally, an event also dear to my heart. In such, there were large chunks of both I missed in a desperate attempt to attend the two. I missed the Friday night, when Jemmaโ€™s Devizes Dance Academy replayed their musical Six, accompanied by the fantastic Ruby Darbyshire and Devizes indie popsters Nothing Rhymes With Orange, but console myself safe in the knowledge based on past experience, this would be a guaranteed chicken dinner.

There were so many elements I sadly missed. I know our prodigy Jess Self knocked it out of the Green with Annieโ€™s Tomorrow, but I was made up by catching Six performers Ruby Phipps and Lisa Grimeโ€™s sublime solos during the James Bond theme section. Amidst the pro singers, these local youths held their own, and walked nervously but magnificently through it like it was butter on hot toast. There was the jazz big band on Sunday to make up for missing a Beatles tribute duo, and again, Talk in Code I know wouldโ€™ve smashed it.

Thereโ€™s simply too much to put every detail into words, but as an overall assessment based on what I witnessed or was gutted to be told how great what I missed was, The Full-Tone Festival again was a spectacular community event on a scale Devizes arguably hasnโ€™t seen since the Boto-X, and the Green looked once again as full as the first paid Full-Tone Festival was three years ago. It will be a shame to see the Green fallow next year, but we look forward to the prospect of it returning in whatever different shape it’ll be.

Notwithstanding the financial gain from visitors to the town and local businesses this attracts, alone for itโ€™s sheer capacity for not only providing a showcase for the orchestra, which will again venture out to the cities to perform at their prestigious venues, and attract the big names within the theatrical, classical and opera to grace our town, but also for showcasing upcoming local talent, Full-Tone receives no complaint from me, (the headline was just a sneaky clickbait trap, ha-ha!) Neither could I justify writing a single negative word about it. If I had to, it would be that we cannot do it bimonthly!

It was, as it has been each time, a fantastic event, and is loved by so many. Look again at dancers dancing, somehow, to the Chariots of Fire theme, kids in fairy wings, the old fellow napping in a deck chair with a bucket hat over his faceโ€ฆlook and take heed of everyone, enjoying themselves โ€ฆ.my hat would come off to everyone involved, if it didnโ€™t risk a sunburned bald patch!

Oh, go on then, everyone involved deserves a factor 50 sunblock, because you shine so bright!

See, Iโ€™m done and dusted with whinging; yep, that satirical rant column from many years ago, that I ask Jemma if she remembers, upon my request for more ammo, how she replied, rather I could highlight the positive things happening in town, and how that ended up with me meeting them at a rehearsal for a newly formed orchestra in Rowde school hall? Not that Iโ€™m blaming anyone for Devizine, I’ll take that rap(!!), more so thinking, wow, how far Full-Tone has come from that acorn, and how I’ve followed that inspirational progression.

Fantabulous and all and every synonym Microsoft Word will match it with, but whatโ€™s more to say? Please, if inclined, add your own thoughts to my waffle on the social media shares and Iโ€™ll transform them onto the bottom here. Help me create a fuller overview, tell me why you think Full-Tone Festival will be seriously missed from our event calendar next year and what you enjoyed about this one, thank you, and thank you Full-Tone and everyone who helped make this such a memorable occasion.


what else is going down?!

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Weekly Roundup of Events in Wiltshire: 24th-30th July 2024

Jam-packed July! If thereโ€™s always lots to do throughout the year, July especially so!  Hereโ€™s what weโ€™ve found in the wilds of Wiltshire this coming weekโ€ฆ.

Everything listed here is on our event calendar; go there for links and more info, as it takes too much time to link them all in. It may also be updated as more events come to our attention, so check in later in the week too!

Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here.

Marlborough Open Studios is running until 28th July. 


Wednesday 24th

Acoustic Jam at the Southgate, Devizes.

James Mortonโ€™s Groove Den at the Bell, Bath. Edinburgh Previews at The Rondo Theatre, Sophie Duker & Garrett Millerick.


Thursday 25th

Womad opens its gates, for some very lucky people!

Open Mic at the Crown, Aldbourne.

Free Music in the Foyer of the Neeld, Chippenham from 7:30pm with Meg, and Kane Pollastrone

Mark Thomasโ€™s Gaffa Tapes at Pound Arts, Corsham.

Loonaloop at The Beehive, Swindon.

Edinburgh Previews at The Rondo Theatre, Bath, Chloe Petts & Katie Norris. The Peter Gill Live Rock โ€˜nโ€™ Roll Big Band at Chapel Arts.

Childrenโ€™s author Michael Rosen is at the Cheese & Grain, Frome.


Friday 26th

The Unpredictables at The Raven, Poulshot.

Kenavon Venture Music Night at Devizes Wharf. Guided Tour of the Lost Pubs of Devizes with John Griven. Devizes Scooter Rally opens for the weekend. Full Tone Festival: Six on the Green with NRWO & Ruby Darbyshire, Fulltone opens officially on Saturday.

Glamarama at The Crown, Aldbourne.

Trowbridge Festival opens. Be Like Will at The Red Admiral, Trowbridge.

The Bookshop Band at Pound Arts, Corsham.

Nin UK, Korn Again and the Spouky Kids at The Vic, Swindon. Prime Youth Theatreโ€™s Grimm Tales at Swindon Arts Centre opens and runs until 27th July. The Ultimate Classic Rock Show at the Wyvern Theatre. KillerTones at The Moonrakers, Swindon.

Death is a Girl at the Three Horseshoes, Bradford-on-Avon.

Little(ish) Women at The Rondo Theatre, Bath. Dan Whitehouse โ€“ A Night Of Glass at Chapel Arts.

Heathen Apostles at the Tree House, Frome.

Flocksteady Live at The Baa, Salisbury, with Captain Accident & the Disasters headlining. 


Saturday 27th

FullTone Festival continues in Devizes. Devizes Scooter Rally continues in Devizes. The Roughcut Rebels at The Three Crowns.

Trowbridge Festival continues.

Calne Bike Meet.

The Hardcore Troubadours at The Crown, Aldbourne.

The Red Bstrds, Hometown Devilry & Dee Dee at The Old Road Tavern, Chippenham.

Kiri Pritchard-McLean: Peacock at Pound Arts, Corsham.

Modern Evils at The Vic, Swindon.

41 Fords at The Seven Stars, Winsley. The Fortunate Sons at the Three Horseshoes, Bradford-on-Avon.

Edinburgh Previews at The Rondo Theatre, Bath: Sara Barron & Jonny Pelham. Mark Thomas: Gaffa Tapes at The Rondo Theatre. Matt Joe Gow at Chapel Arts.

Heathen Apostles at the Tree House, Frome.

Bristol Comic & Gaming Con


Sunday 28th

Guided Tour: Heritage Walk of Devizes with John Griven. Red Sun at The Southgate, Devizes.

Potterne Festival

Owl Fest: Wiltshire Blues & Soul Club, Lacock.

Chippenham Morris Dancers at The Barge, HoneyStreet.

Summer Festival Brunch at Civic, Trowbridge.

Barton Street Regulators at the Three Horseshoes, Bradford-on-Avon.

Simon Kempston & Jake Puntis at Schtuum in the Queenโ€™s Head, Box.

The Dom Dilemma at the Bell, Bath.

4 of Hearts at Richard Jefferies Museum, Swindon 1pm. Marlborough Academy of Dance and Drama at the Wyvern Theatre, Swindon.

The Mayor of Salisburyโ€™s Birthday Bash at Salisbury Market Place.


Monday 29th

Family Workshop: Victorian Portrait Photography brought to life! at Wiltshire Museum, Devizes.


Tuesday 30th

Summer African Jazz Session at Jazz Knights, Royal Oak, Swindon.

Chris Murphy & Barney Kenny at the Bell, Bath.

Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? Itโ€™s not that we donโ€™t like you, itโ€™s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure Iโ€™ve added it and let me know if not!

Have a good week!


What’s Occurring…..

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Cable Street Collective at Devizes Arts Festival

Seven-piece sui generis ensemble The Cable Street Collective were everything I expected them to be last night at The Corn Exchange; another impressive booking for the middle weekend of Devizes Arts Festivalโ€ฆ..

Hailing from the Shadwell area of East London as the name suggests, if Cable Street is remembered for violent clashes between fascist Blackshirts and the multicultural populous, now reduced to lobbing milkshakes, multiculturalism also plays a major part of the band’s influences despite them being largely Caucasian.

From the off I’m reminded of the marabi sound of Hugh Masekela, with the upfront brass of trumpet and saxophone. Yet you couldn’t pigeonhole this with a thousand words, it’s wholly unique. Female fronted by an energetic yogi, she somersaults the high stage projecting a mid-tone vocal range with unrivalled passion, encouraging her audience to follow the leader.

In delivery and posture I likened her to Bristol’s Mr Tea and the Minions, a band the guitarist said they knew when I harassed him afterwards, and you may recall from a Street Festival of yore. Although Mr Tea borrows extensively fromย Balkan ska to create carny-folk, the Cable Street Collective favour African rhythms to dress their overall pop festival soulful sound; such is the interesting melting pot of the contemporary UK festival circuit.

With subtle nods to North African fusion, from Congolese rhumba to soukous, to the more prominent dance music of South Africa ascended from township jive, you cannot go wrong if you desire to get your audience on their feet. And that’s just what happened in the Exchange, they broke a, likely, tougher audience than those at a festival like Boomtown, younger and aching to dance to an alarm clock! An hour before the finale the majority caved into the irresistible urge to dance perpetrated on a Kevin Bacon cuttinโ€™ Footloose level.

This appeased the band no end, as the atmosphere switched, the collective raised the bar, breaking occasionally to lower the tempo for poignancy, it maintained its influences of West African artists likeย Zeke Manyika and Thomas Mapfumo. By doing as they did, it mellowed into something decidedly transatlantic steppers reggae; up my street and knocking loudly on my door. It was a notification there was a concentrated if light narrative in their original dance rhythms.

They never waived from their ethos of delivering an all original set, by slipping in a cheesy cover or ten. Surprisingly then, they made no attempt to wave merch in our faces. For their resilience in what’s a band’s bread and butter these days, I’ll drop their BandCamp link below, because if you were there or should you otherwise take heed of my words, The Cable Street Collective are uniquely sublime and beguiling, and this was a fantastic night full of energy and passion.

Think, if The Brand New Heavies were inspired by a safari, then asked to compose a theme tune for a Shambala Festival promotional film, you get an impression of how quirky and distinctively original they are. This said, their grand finale felt like their magnum opus, an engaging tune called the Wolf, and it was riddled with the familiar brass riff of Paul Simon’s Call Me Al. The guitarist I managed to catch for a quick word expressed a group devotion to their parentsโ€™ copies of Graceland, hence the influence, which in turn made me feel old; parents? I brought that album!

For the record I digress, fact is unlike much of the album, the Call Me Al brass riff is entirely synthesised. In comparison to the Cable Street Collective, where nothing is synthetic save perhaps a spacey moment or two backing track to create ambience, this Collective are cool as cucumbers, bongo bonkers poptastic, and engagingly original. I loved it!

Today Devizes Arts Festival has two free events. Rumour will be at the Three Crowns, from 2pm – 4pm. And the Annie Parker Trio at St John’s Church, from 7pm – 8:30pm. It continues through the week, check out the programme HERE, and treat yourself, it’s been a fantastic year so far.


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REVIEW โ€“ Devizes Arts Festival โ€“ Edward Cross Quintet @ Assembly Roomย  4th June 2024

By Andy Fawthrop

Fine Music In A Fine Room

Today Devizes Arts Festival wheeled out its first classical offering, and chose a particularly fine room in which to showcase this young composer/ musician and his all-female quintet.ย  Iโ€™ve often said how much I admire the Assembly Room in the Town Hall, and I think itโ€™s a perfect fit for this type of concert.

Edward Cross is a Wiltshire based multiโ€instrumentalist with a background in composition and production. He studied at Goldsmiths University and has performed in notable venues including Bath Abbey. His dynamic quintet comprised double bass, cello, viola, violin, and trombone, and this ensemble was completed by Edward himself on (mostly) piano and (occasionally) clarinet.

We were treated, over the course of an hour, to several short pieces of neo-classical exploration.  Most of these were subtle, quiet, meandering pieces.  The mood was suppressed and under-stated.  Most, but not all, were composed by Edward himself.  His interactions with the audience consisted mostly of the introductions to each piece, but with only the very minimum of explanation.

The playing was technically good by all the six musicians, but I was longing for them to play something a little more upbeat.  The programme seemed a little flat to me, only using a very limited palette of tempo and texture.  I craved a little more variation, a little more volume. I felt that the quintet were rather under-used, and was left wondering what they might be capable of if given a little more freedom.

Overall โ€“technically enjoyable, but emotionally not very engaging.  It felt like driving a powerful car, but without ever getting up into the higher gears.  Just my opinion of course โ€“ the audience clearly enjoyed the session, but I was left wanting rather more.  Which just goes to prove that you canโ€™t please all of the people all of the time!

More information on Edward, and access to his music, is available at www.edwardcross.co.uk/

The Devizes Arts Festival continues until Sunday 16th June at various venues around the town.ย 

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.ukย 


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Wiltshire Council Threaten Prosecution Against Wiltshire Music Eventsโ€™ Posters in Devizes

Salisbury-based event organisation Wiltshire Music Events has been ordered to remove posters advertising the Marley Experience gig at the Devizes Corn Exchange on 13th April, by Wiltshire Council, because they were unauthorisedโ€ฆ..

Company director, Eddie Prestidge said, โ€œwe have been told by Wiltshire County Councilย to remove our posters from their present positions around Wiltshire or we will be fined ยฃ250 per poster, per day! When we designed the posters we carefully took into account where we would safely place them, and to make them of a sturdy and waterproof material, so they would be asย  safe as possible. We have monitored them daily in case the weather affected them, but it is with regret that we will have to remove all of our advertising posters by Sunday.โ€

Environmental Enforcement of Wiltshire Council notified the company, stating โ€œthe display of such advertisements does not benefit from exemption or deemed consent under the above the regulations and is therefore unauthorised.โ€ It then threatens the company with liable action should they fail to remove the posters within three working days. โ€œThe Council therefore trusts you will take immediate steps to remove the authorised advertisements, and insure that, neither these or any other unauthorised signs shall be displayed at any location in the control of Wiltshire Council,โ€ going on to explain it will not give the company a warning next time before prosecuting.

It should send out a stark warning to all, if you havenโ€™t permission to display your advertisements it will be considered flyposting, illegal in the UK. UKGov states, โ€œit is illegal to display advertising material such as posters or placards on buildings and street furniture without authorisation. It is not only unsightly but can also cause danger to pedestrians and road users.โ€

But I have to have sympathy for Wiltshire Music Events, an event poster such as the one in question is hardly neon glowing Piccadilly Circus, and no more potentially dangerous to road users than many of our other permitted event signage, from our Arts Festival to DOCA or FullTone, even some brown signs like the one advertising the Old Potato Yard on Andover Road which seriously obscures the view for those turning out of Ostlerโ€™s Yard.

If it all seems a tad harsh, given the town is plastered head to toe with other advertising signage, the rules are the rules, but I wonder if all said signs are situated on the ownerโ€™s own land, or granted permission to be on Council land. And even if they are, should they not still be monitored for being โ€œunsightlyโ€ or dangerous? Mr Prestidge sadly told Devzine that he feels โ€œvictimised.โ€

I consider if this is more โ€œcross my palm with silver,โ€ than monitoring potential unsightliness or danger, and in this, ironically, if the words of Bob Marley, even through a fantastic tribute act to him, might be deemed too reactionary for the delicate situation the Conservative top-heavy county council find themselves in with a forthcoming general election and masses rising against the political ethos they stand by?

It could be; see this is an opinion piece razzled by the notion that both the hospitality and music industry is suffering enough post-lockdown, that it wouldโ€™ve been a kinder resolute for the Council to have waived it this time, with a wrap on the knuckles to say donโ€™t do it again?

However, Wiltshire Music Events promises โ€œthe show will go ahead as planned,โ€ and we will be here to sing it from the highest heights, as loud as we can, not because it appears it’s an event the authorities wish to poo-poo, rather because we need events like this in our town, we want to celebrate events like this coming to our town, and we want to thank all those promoters for sifting through the bureaucratic piffle in order to host them. Plus, Iโ€™ve seen the Marley Experience, and support act Illingworth, and Iโ€™ll let you know now, if you come along youโ€™re in for an unforgettable night of entertainment!

If you have any prominent position in and around Devizes, and would let them display their poster, Eddie states, โ€œperhaps  we can come to some arrangement with a couple of free tickets for this event!โ€ Do get in touch with us, and weโ€™ll gladly pass the message on, or comment in our social media shares of this article, thanks. ๏ฟผ

So, three cheers to Wiltshire Council for giving us an excuse to promote this event again, with a disconcert and quite frankly unjustified angle! As Bob said himself, โ€œwhy’s this fussing and a-fighting? We should really love each other, in peace and harmony, instead, we’re fussing and fighting, and them workin’ iniquity.โ€

I hope to see you on April 13th at the Corn Exchange, Devizes; please do what you can to support live music in our town, share and invite your friends to events, that is the way to get word out.

Tickets HERE.


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Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™sโ€ฆ

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

Valentina: Making Artistic Use of Devizesโ€™ Shambles

It’s our lovable soup-making duo rightfully in the headlines here today. Anya and Marc of Soupchick are making good use of the unit opposite in Devizesโ€™ Shambles, opening a tranquil art space, plus adding a further dining areaโ€ฆ.

It’ll be a lovely space to relax, lunch, and browse some art for sale; I know, I poked my nose into their grand opening this afternoon!

Valentina, they’re calling it, named in memory of Anya’s grandmother, and while for the initial month there’s a teaser of local artists exhibiting, thereafter individual artists will exhibit a show. 

I do believe I’m therefore duty-bound to return with news of said individual exhibits when the time comes, and it’s nothing to do with the absolutely scrumptious soup they serve, so, don’t dare say it is!!


Anna Dillonโ€™s Wessex Airscapes: Elevating Wiltshire

Step into Wiltshire Museum in Devizes before October 15th and youโ€™ll be treated to an exhibition which will make you look at the beautiful views most of us drive past daily in a whole new colourful and graphical contextโ€ฆ..

The exhibition, titled Wessex Airscapes: Elevating Wiltshire by artist Anna Dillon and drone photographer Hedley Thorne is certainly unique. The former being the astoundingly distinctive landscape artist whose painting turned my head ascending the stairs of the Bluestone Gallery, once of Swan Yard in Devizes. Through its unique characteristic bordering graphics, I immediately recognised her print used on an album cover by Woodbrough folk ensemble, the Yirdbards.

Something Iโ€™ve been toying with since, this dividing line between art and graphic design, for the first few terms on a graphics course in art college we were subjected to a vigorous routine of life and still life drawing to perfect sketching and painting as a fine artist, prior to exploring more graphical theories like typography and design.

Hereafter never the twain shall meet, and I wished Iโ€™d ventured down the fine art avenue rather than graphics (too late now!) Within her work, though, Anna straddles this divide; capturing the perennial spatial character of our local landscape, its topographical quiddity, yet of clear line and bold colours, a manner not usually attributed to landscape art.

The wonderful contours of the sarsen dropstone impressions, folds and rolling meadows and agricultural plough lines across the Marlborough Downs, are all depicted as the gestural line found in graphic design, and the result is extraordinary. I was dying to know how Anna defined it, as fine art or graphics.

โ€œIโ€™m quite a messy person in life,โ€ Anna confessed. โ€œBut when it comes to painting it’s the neatest, so very controlled, because I was trained as a graphic designer and illustrator for about fifteen years,โ€ she confirmed, showing me some abstract monoprints which she hoped would highlight her graphic training. โ€œSo, I think when I then became a painter, I did paintings, but not both, but now, yes, you can see the graphics side, the neatness, and I like that, I like that control, I donโ€™t know why.โ€

Unaware this is Anna and Hedley’s second โ€˜Airscapesโ€™ exhibition, the first, at Radley College in 2021, showcased Oxfordshire and Berkshire landscapes, I supposed the Wiltshire landscape to be perfect to capture graphically, as further west the hillsides are steeper and rugged, further east is flatter. โ€œAh,โ€ she expressed, โ€œthe only regret I have is that I feel like I havenโ€™t painted enough, thereโ€™s so much of Wiltshire, this is two years of work, but I feel like thereโ€™s so much more to explore.โ€

The style of this series of aerial landscapes has seen a natural progression, Anna pointing out an earlier Avebury work from 2009, โ€œthe colours are much more vibrant, I donโ€™t think I would paint it like that now, even the trees are stylised.โ€ Though clearly the origin of the recent paintings displayed is here; the graphic distinction is lucid, whereas now itโ€™s much more refined, integrated with the standards of either watercolour or oil landscapes, the grass, bracken and trees details bear realism, whilst the clouds retain this solid format. โ€œI see shapes in the clouds,โ€ Anna expressed, โ€œthey become sculptural form, for me, and theyโ€™re estranged, so as youโ€™re exploring it, youโ€™re trying to go with the shapes; itโ€™s all about shapes, colours and contrasts.โ€ 

Overall you maintain this fantastical imagery of what one could imagine to be a โ€œtoytownโ€ version of the Wiltshire landscape, ideal for a childrenโ€™s book illustration, but I say this is with the highest calibre, and compliment, of course. In fact, Annaโ€™s work has featured in several books.

โ€œItโ€™s more of a subtle pallet,โ€ was how Anna described her latest work, โ€œIโ€™ve used darker colours,โ€ and she veered off onto knowing when to finish a piece and not continuously add touches, โ€œbecause you get a bit blind to it, being in the studio day in day out, you can get a bit, not stale, but sometimes you can overwork a painting or underwork one too.โ€

See, thatโ€™s an artist who cross examines their painting in the studio for an age, not a graphic designer who, governed by the industry, is encouraged to hastily knock a piece of work out and get onto the next job. โ€œI did like graphic design,โ€ Anna explained, โ€œbut I didnโ€™t find the work had any value, itโ€™s kind of throwaway,โ€ though she did show me her logo for a river trust, in which there was a clear relationship to that of her landscape paintings. It is so gorgeously original, it has to be seen to understand.

The exhibit is backed by Hedley Thorneโ€™s breathtaking low altitude aerial photography the paintings are worked from, and they are joined by Annaโ€™s father, Patrick Dillon, who has written the exhibition book, along with contributing a small display of artefacts and documents. 

In all, the exhibit would excite anyone interested in heritage, local cultural-historical artefacts or geographical topography, to artists and graphic designers alike, or indeed anyone interested in viewing a different approach to a classic standard, within landscapes you will recognise, as in so much as a cartoonistโ€™s line is akin to a signature, instantly recognisable as their own, so too are these impressive individually stylised works; well worth a visit.  


Local Artist Clifton Powell Commissioned by King Charles for Windrush Portrait

Last time we mentioned local Jamaican-born artist Clifton Powell, he was commissioned for the English Heritage exhibition, โ€œThe African Diaspora in England.โ€ This time he has been commissioned by King Charles and a Windrush Portraits Committee, marking the 75th anniversary of the arrival of the HMT Empire Windrush to Britain, to participate in a series of Windrush portraits of pioneering members of the Windrush Generation, which are completed and already at Buckingham Palace.….

A sub-committee of the Windrush Commemoration Committee, comprising of Baroness Floella Benjamin, the Right Reverend Rose Hudson-Wilkin, Mr Rudolph Walker, and Ms Paulette Simpson, have selected ten artists and sitters. The completed portraits will become part of the Royal Collection and stand as a lasting memorial to all the men, women and children who came to Britain from the Caribbean and gave so much of themselves to rebuild a nation devastated by war.

His Majesty said, โ€œit is, I believe, crucially important that we should truly see and hear these pioneers who stepped off the Empire Windrush at Tilbury in June 1948 – only a few months before I was born – and those who followed over the decades, to recognise and celebrate the immeasurable difference that they, their children and their grandchildren have made to this country,โ€ and BBC Arts Today announced a documentary to commemorate National Windrush Day, Windrush: Portraits Of A Generation, to be aired on 22nd June.

Combining fluid draughtsmanship with realism and a dynamic use of colour, Clifton studied at The Jamaica School of Art in Kingston Jamaica before moving to the UK in the eighties. In London, he worked for leading framers Tempole Art, among many exhibits he exhibited at Bathโ€™s Fairfield House, home of Emperor Haile Selassie, while he was exiled to England. Clifton is also a mentor and part of a team of artists at Arts Together, who deliver creative workshops for older people across 6 community groups in Wiltshire.



Hail The Chippenham Circus of Curious Artists

Alongside fellow artist Rae Melody from Chippenham, and dressed as a clown, Warminster artist Sarah Christie greets the curious and art lovers at the door of the newly opened Forbidden Carnival, long-time aspiration of homegrown Wiltshire alternative artist Si Griffiths. Inspiration strikes and she excitedly elucidates a blossoming idea on the topic of circus….. I went in, they had cake…...

I also found great conversation with Bristol-based artist Jimmer Willmott, who was proudly loitering around his own canvas, capturing an exceptionally dilapidated caravan, graffitied and amusingly adorned with a โ€œfor saleโ€ sign. The opening night of the show, Hail The Curious has my mind pondering, being we were taught art history in movements, what exactly is the movement of now, and if there is one, is this it, alive, well and driven to Chippenham by the enduring and prolific force which is Si Griffiths and his associates?

Wikipedia labels it โ€œcontemporary art,โ€ and denotes itโ€™s not to be confused with โ€œmodern art.โ€ It describes it as a movement, in โ€œa globally influenced, culturally diverse, and technologically advancing world,โ€ with a โ€œdynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries already well underway in the 20th century.โ€ In layman’s terms itโ€™s a blank canvas void of rules, something the Dadaists conceptualised over a century ago so hardly ground-breaking. Yet also, as a concept shrouded in pastiche and often satire, it is indulging outside influences akin to what we see in all media, from music sampling to reworking of classic films.  

Though it is, akin to modern art, postmodernism, or pop art, a rather ineffective name, which will one day suffer from not being contemporary at all, as โ€œpopโ€ art is hardly as โ€œpopularโ€ today as it was when conceived in the mid fifties. Agreeably though, itโ€™s a basis of what I see here, as I browse diverse methods and subjects the only thing combining them is curiosity and alternative thought, the mood varies intensely from the fantastical forbidding worries of Montague Tott and the poignancy of Mike Longโ€™s โ€œOne Million Poppies,โ€ to the brain-curdling comix art of Guts and comical outlandishness of David Russel Talbot, carried off in Victorian book illustration style. It is an anthology of craziness, a feast for your eyes, sir.

So, what is great about the here and now, and firmly accounted for in Forbidden Carnival is the overwhelming notion that art defends itself from the onslaught of technology by being of a level of creativity and method artificial intelligence cannot contend with. Because AI needs the outside command prompt, whereas Sarahโ€™s lightbulb moment, or Jimmer enthusiastically expressing his thoughts when he painstakingly painted each line of said caravan, are organically composed command prompts induced by abstract observation, a challenge pop art never had to contend with. With the exact prompts, AI could recreate anything Warholโ€™s Factory knocked out, on a Samsung phone in seconds and still plaster you with adverts while doing it. 

Thereโ€™s two ways to overcome this battle between the infinite monkey theorem and so-called artificial intelligence; revert back to a period of realism and paint a pragmatic portrait or landscape, which duly seems to be a backpedalling trend around these backwaters and something commented on amidst this gallery of divine curiosity, or face the challenge head on, as is exactly what we see here.

Here, all the artists are independently devising a new wave of incorporating cultural influences, the bizarre and surreal, graffiti, circus and carny lifestyle, comic book art and anything else they deem appropriate to throw into the melting pot, in a manner so far unseen.

In this I partially take back my rather inept observation in my preview of this show, pigeonholing Sarah Christieโ€™s work โ€œfeminine Litchensteinesque,โ€ as I see now thereโ€™s far more layers to her work than preconceived, as while Litchenstienโ€™s blagged comic panels could be reconstructed by AI, Sarahโ€™s work though similarly inspired by comic-book art couldnโ€™t, as they offer originality and sly humour; one lady viewer giggled at the term โ€œmansplainingโ€ on one of her works, and in earshot, with my penchant for ironic overstatement I suggested my daughter had to explain the meaning of the slang!

Now, see, you cannot induce conversation like this with a throwaway AI image, anymore than you can gaze outward and zoom your eye in to pick out hidden details of anything on display here; hold on, there’s a mysterious pair of eyes in the window of Jimmer’s caravan, I could’ve seen this picture on social media a thousand times at not picked it out! I give particular reference to the mind-blowing cubist graffiti work of Miller, his Clokhous piece had me induced for an indefinite time, just gazing into it, picking it out the chosen angles and discovering their subject from the delineating separate image glued onto it, thinking why Pablo Picasso never thought of doing that!

If you want to browse antique shops for a pretty local landscape, you go do that, this is not for you. But should you wish to divulge into a realm of bizarre, of unexplored territory which dips your little toe into familiar waters, than chucks you straight into the deep end with a swirling splash of artistic outpouring, colour and the wary amusement of a meld of ghost train and hall of mirrors, then this circus big top of art is for you, and you only need to get yourself to Chippenhamโ€™s market place to do so. Open Saturdays and Sundays, 10-3pm, and also by appointment.


Trending……..

Chippenhamโ€™s Forbidden Carnival Gallery

Next week Chippenhamโ€™s finest alternative artist Si Griffiths sees his hard work paid off as he opens his gallery at 64a Market Place. The Forbidden Carnival studio and gallery will be something the like Chippenham has never seen, except of course when Si has previously exhibited with friends at the Yelde Hall with an annual show of alternative art. Certain that The Forbidden Carnival will be in a similar vein on a permanent basis, I caught up with Si for a quick chat prior to the opening evening on the 5th Mayโ€ฆ..

With a penchant for the unusual; clowns and carny lifestyle, surrealist pop art, demons and underground comix of yore, Siโ€™s work is exemplary for the bizarre and unique. Recently he took part in Swindonโ€™s inaugural street art festival, Swindon Paint Fest, and the influence of urban graffiti seems to also be an upcoming theme in his work. 

From the Alternative Art Shows of Si, Sally, Clifton and Mike at the Yelde Hall, Chippenham

 But the grand opening will see a global collection of similarly inspired artistsโ€™ work as well. โ€œYeah,โ€ Si laughed as I asked him how it was going, โ€œdealing with a bunch of artists is like herding cats to be honest! But we should be ready to go for it!โ€

Grand opening is on Friday 5th May from 6:30-9pm, and presents โ€œHail the Curious,โ€ an inaugural exhibition featuring a rumbustious ensemble of local, national and international artists, and I know Si well enough by now to know he wonโ€™t skip on rumbustiousness or more importantly, providing a trailblazing sneak at the peculiar of offbeat counterculture art, be it eldritch or quirky.

But after the show, I was curious about the galleryโ€™s opening times, โ€œhereafter the show,โ€ he explained, โ€œit will be open Saturdays and Sundays, 10-3pm, and also by appointment.โ€ But he was flexible on times being his studio is based there too, โ€œweโ€™re still talking about opening times,โ€ Si mentioned the possibility of having staff. So, for the foreseeable future those are the times to visit, or book a visit from the website, and it will be well worth it; I wondered if Chippenham was ready!

Si expressed his delight at said ensemble, works from artists worldwide from northern England to the States, he mentioned shows he regularly exhibits in the US as networking, and an annual holiday combined, but Chippenham?! Does Chippenham know whatโ€™s going to hit it?!

I supposed, to do such a gallery in an area considered quirky and arty, say place this gallery in the Lanes of Brighton, it might meld and be lost amidst similar surroundings, whereas what we have here for Chippenham is something wholly unique. โ€œYeah,โ€ Si agreed, โ€œfor sure, if you go anywhere where it’s established, you just become one of the crowd, whereas youโ€™re switched out here, and Iโ€™m only doing this for me, because itโ€™s a fifteen year dream realised.โ€

Though Si shrugged and I felt he didnโ€™t want the gallery to rule his life, finding the time to continue painting is paramount to him, rather than being a fulltime gallery owner. In this he provides the clue, Si is a creative foremost, opening this gallery seconds to his labour of love, which connotes, this motivated by the passion of an artist, not the profiteering of a dealer.

I wondered this; if his studio is there and visitors pop in while at work painting, one would have to pause their inspirational moment to welcome them, and often with the creative mind in full flight itโ€™s difficult to pull away from it and then return at a later moment. But thatโ€™s the game, finding the balance between creativity, and promoting your work and others youโ€™ve networked. He reasoned with this and spoke of getting some help with the day-to-day running of the gallery, โ€œIโ€™m just opening it, itโ€™s causing a stir already, and weโ€™re going to see what happens.โ€

As is commonplace with the creative mind, to get butterflies upon venturing into something like this, though any fears Si might have suggested now about the certainty of The Forbidden Carnival is down to nerves, and this is will be a fantastic and unique place to visit, shoving a twig in the bicycle spokes of formalist arts in Wiltshire.

With dark artists such as Montague Tott and Holly Aragon, combined with the feminine Litchensteinesque of Sarah Christie and Siโ€™s own penchant for those mysterious clowns in odd circumstances, this will be the offbeat, circus-fashioned feast your eyes will love for, forevermore!

Check out the website HERE, for more info.


Trending…..

Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

Snap Up Some Orignal Artwork and Help Arts Together

Small Wonders is up and running again this year, an online art auction raising funds for Arts Together, a Wiltshire charity bringing creative workshops to those most in need of social interaction, the vulnerable and elderly.

It was one of my most memorable moments working on Devizine, when some years ago I attended a workshop in Melksham with renowned artist Clifton Powell. At a sheltered accommodation centre for the elderly, I witnessed an art group which far exceeded my expectations. It was about so much more than the art, it was an opportunity for social interaction, and when one chap bought out a guitar and sang, I realised it verged on a party! Said exceeded expectation came via talking to the members and realising how much Arts Together meant to them. One couldn’t help but be touched by the experience.

But moreso, the amazing work Arts Together do covers a wider area, with 72 places within six key centres in Devizes, Melksham, Bradford-on-Avon, Trowbridge, Marlborough and Pewsey.

And here’s your chance to help, and bag yourself some original art too, perhaps it’d make a great Christmas present. There’s over 40 pieces to bid on or buy outright, some for as little as thirty quid. Bidding starts on the 18th of November. All the artwork has been donated by renowned local artists, and there’s an impressive variety.

The gallery is open now, click here to have a browse.


Swindon Paint Fest: Live Street Art in October

Though Ken White’s murals have been seen across Swindon for decades, particularly his Golden Lion at the Whale Bridge roundabout on Fleming Way, contemporary street art in Swindon lives in the shadow of neighbouring city Bristol, where the legend of Banksy is crowned. But all that could be set to change, as the Wiltshire town is to get it’s inaugural street art festival, Swindon Paint Fest…..

Saturday 15th and Sunday 16th of October sets the date, Swindon Paint Fest takes place at the Wharf Green in the centre of town, has a GoFundMe, and been organised by an artist collective, Artsite the Post Moden, who provide studio space at the Post Modern in Theatre Square.

It’s free, and promises an array of works and live demonstrations from some six breathtaking artists nationwide and some Wiltshire born, like Inca Mole and Tim Carroll.

With a BA in Fine Art from Leeds University, Tim has completed several local projects, the documentation and renovation of public art for Swindon Borough Council, and an extremely well-received series of paintings, ‘100 Views of Swindon’, now available as a book.

Inca spent time in Greece working as a tattooist where his abilities and potential were encouraged and further inspired in the art world.

Peter Cowdy, will be working with a few youths to create his piece.

British painter and sculptor, Jenna Fox also features. With an MA from the Royal College of Art and currently researching fine art for a PhD, Jenna’s work reflects interactions with people about shared life experiences and journeys. She was selected for Wells Contemporary 2022 and shortlisted for the High prize 2021. Her work has been shown at The Sunbury Gallery, The National Trust, The RSPB, Earley Station, Trowbridge Town Hall, Cromwell Place Gallery and The Crypt Gallery London, and is on permanent display at South Western Rail, The Sculpture Park Farnham, The War Horse memorial at Royal Ascot and Frimley Park Hospital. She has had two residencies at Stand Point Gallery, London, and stills finds time to edit a zine called Haus-a-rest.

Predominantly a spray painter, painting as Lost Dogs for fun and trading as You Pay I Spray, we find another featured artist with a love for sci-fi, comic books and bright colours.

Unless my maths is as wonky as my own typography, I count five featured creatives, who’ve been gradually introduced on the Swindon Paint Fest Facebook page, so we await the final announcement. Until then, stick the date in your diary, favourably in a large colourful graffiti font!


Majesty; Kids Art Exhibit at St Maryโ€™s

Ha! Stand aside established local artists, weโ€™re talking about the artists of the future here! If youโ€™re knocking around Devizes this extended weekend, do pop into St Maryโ€™s, the former church soon-to-be arts centre, where children from Wansdyke, Southbroom and Trinity schools have worked with professional local artist Joanna May to produce a mosaic of their tributes to the Queen for the Palatium Jubilee.

There are some great pictures on display, my attention particularly drawn to one WW2 depiction, an ingenious use of a postal stamp, an astute and beautifully rendered pencil sketch of Windsor Castle, and one which made the Queen look uncannily like Lisa Simpson! There are no names on the pictures but whoever drew these ones wouldโ€™ve won if I were the judge, although I wasnโ€™t, and it wasnโ€™t a competition anyway. But well done to all the children involved, they look super!

Two local children who took part in the project were at the grand opening of the event with the Mayor and Mayoress and Deputy Mayor and Mayoress of Devizes. From left-to-right: Rosemary Stevens (Deputy Mayoress), Cllr John Stevens (Deputy Mayor), the Revโ€™d Jonathan Poston (Rector), David Evans (historian), Shirley Urwin (exhibition organiser), Cllr Peter Corbett (Mayor of Devizes), Chris Corbett (Mayoress), Kate Walling (schools project volunteer).ย 

ย Photo credit: Gerry Lynch. ย 

Joanna, who owns a gallery on Northgate Street, visited all three schools, shown her skills and encouraged the children to create these artworks, but unfortunately caught Covid and couldnโ€™t continue with her emblem-shaped mosaic design. So, working on her idea the members of St Maryโ€™s had to get their own creative juices flowing to create the final piece, which looks fantastic. All best wishes for a speedy recovery, Joanna.

Another good reason is to have a nose around St Mary’s, this glorious 12th century church, where information is displayed about the campaign to make this into a thriving arts centre. Itโ€™s been a laborious journey obtaining the permissions, but detailed plans have been drawn up and are on display. The transformation is inclusive of retaining the aesthetics of this beautiful church, but opening out the central area to provide a flexible, multi-use space. There will also be an extension to the rear of the church, with a patio for outdoor activities.

Presently, one can be captivated in anticipation just by imagining the acoustic value inside. Yet the million-dollar question remains, how long will this take? Depends on how we as a town embrace this project and attend its fundraising events. For now, though, St Marys are positive things are moving steadily for this exciting project.

The exhibition is free, running until Saturday (4th June) from 11am-3pm; thatโ€™s my contribution to the jubilee done!


Trending……

You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

Live Jam Sessions at Swindon Hub Looking for Musicians

Central at The Parade, Swindon Hub, an accessible, friendly community space which opened in October are aiming to host regular Saturday jamming sessions, to promote local artists and give them a platform where they can performโ€ฆ…

The Hub is a comfortable volunteer-led centre trying to bring the community together. Theyโ€™ve an affordable cafรฉ where they invite you to relax in their โ€œsnug,โ€ read and share books in their bookshop, browse items for sale from local retailers and upcycled furniture by Renew Men’s Shed. The profits of any surplus of stock items donated from shops for sale go to Swindon Night Shelter.

They are currently building a calendar of regular events including a monthly craft market, weekly knitting circle and writerโ€™s club, as well as art workshops and regular music jams on the weekends. Theyโ€™ve just hosted Swindon ZineFest, which Iโ€™m sorry to hear I missed, and from a Womenโ€™s History Month exhibition or a Ukraine fundraising jumble sale to Dub in the Hub sessions, the last one by Suitcase Sound System, thereโ€™s something for everyone here, especially those who like cake!

Music last Saturday came from The Thieving Magpies, but it was far from the be-all-and-end-all of activities at the Swindon Hub, as well as the aforementioned zine festival, there was a kidโ€™s comic workshop too; it really caters for all.

“The Jam is a Community project as much as a Music one,” organiser Claire told me.

It focuses on confidence building, teamwork, social interaction and collaboration.

The Jam has been running already since September last year and there have been hundreds of people who have taken part.

There are loads of people who take part who have no background in music or performing to an audience and it creates an opportunity for people to get involved with music without the traditional barriers that stop so many people from taking the first step.

That said there are also many talented musicians who take part and it creates a wonderful mix of experience and enthusiasm that allows people of all experience levels to have a meaningful musical and emotional experience.

The key to creating a successful jam is building a relaxed atmosphere with little pressure or expectation that allows people to share without fear of criticism, ridicule or humiliation.

The Hub has a great atmosphere for this kind of activity due to the warm, friendly and supportive nature of the volunteers and visitors to the space.

There are already some fantastic success stories of people who have had their confidence built up by attending the event.

Post lockdown has seen a real boost in community spirit, and such volunteer-based projects like this are a lifeline, in rural areas and debatably more crucial in urban areas too; the larger the population doesnโ€™t necessarily mean the large scope for friendships to occur, in fact it can be harder. So, a massive congratulations to the good folk at Swindon Hub, this looks like an amazing space doing some amazing work, and I might add for a wide-spanning age demographic.

They always need volunteers, if you want to join and help shape the future of communities in Swindon, and any musicians interested in performing for their day sessions should contact them. Facebook Page here.


Trending….

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo albumโ€ฆ

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to theโ€ฆ

Plein Air Painting at Bowood for Arts Together

On Saturday 2ndย July 2022,ย there will be an exclusive chance to paint en plein air at Bowood House & Gardens in aid of Arts Together.

The Bowood Estate has previously never allowed members of the public to paint in the gardens, but we are delighted to announce that this year, Arts Together has been granted exclusive access to host a Landscape Painting Competition.

Set within 100 acres of beautifully landscaped โ€˜Capabilityโ€™ Brown Parkland Bowood House and Gardens sits in the heart of Wiltshire between Derry Hill and Chippenham. An Italian-inspired Terrace Garden surrounds the Grade I listed Georgian House and a magnificent lake stretches out into the distance creating many opportunities for the landscape painter in this unique event.

The competition will be judged by Lady Lansdowne, High Sheriff of Wiltshire and Jen Gash, Sky Arts Landscape Artist of the Year 2018.

Jen Gash Macedonia โ€“ commission for Sky Landscape Artist of the Year 2018.

Jen Gash โ€˜Macedoniaโ€™ โ€“ commission for Sky Landscape Artist of the Year 2018.

The winner will receive an award at the event prize giving and a ยฃ50 voucher from ARTWAY art supplies.

Tickets are strictly limited and must be booked and paid for in advance through Arts Together.


The deadline for ticket sales is 20thย June
and no tickets will be sold after this date.

Admission time 12pm July 2nd
J
udging 4pm (prize giving 4.30pm) 

Cost per entrant ยฃ25- this includes admission to Bowood House & Gardens
and entry to the competition.

Friends and family who are accompanying a competitor can purchase entry tickets at the standard admission rates, these must be purchased via Arts Together to allow access to the painting arena and prize giving event. Tea, coffee and cakes will be available exclusively to entrants and their friends and family at the Gardenerโ€™s Bothy.  -Cream teas can be pre-booked at cost of ยฃ5 per person.

All competitors will need to bring their own art supplies (unless pre-booked via Arts Together) and any easels or foldaway seating they require. These must be transported by the competitors on foot from the car park unless alternative prior arrangements have been made directly with Arts Together.

 Kindly note: this is an open-air event, and the weather is out of our control. Competitors will need to dress appropriately for the unpredictable summer weather. Come prepared for rain or shine!

If competitors would like to have art materials ready on arrival it is possible to purchase one of two ARTWAY kits from Arts Together at the time of ticket purchase. Further details on the artway kits can be found here

For any further information or to purchase tickets, Bowood House kindly request that all enquiries go via Belinda at Arts Together. Thank you for supporting this charity event.

belinda@artstogether.co.uk | Direct line 07779 608196  |   01380 831434

For directions and more information about Bowood visit www.bowood.org


Trending….

Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโ€ฆ

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

Devizes Kids to Celebrate Jubilee with Professional Artist

Featured Image: Gerry Lynch.

A historic Devizes church will help local children celebrate the Queenโ€™s Platinum Jubilee by giving them the chance to work with a renowned local artist over the jubilee period.

The parish of St John with St Mary in Devizes has partnered with artist Joanna May and historian David Evans to put an exhibition entitled โ€˜Majestyโ€™ in St Maryโ€™s Church on New Park Street from 2-4 June. Three local primary schools will participate: Wansdyke, Southbroom, and Trinity. 

Shirley Urwin, who is helping organise the exhibition, said:ย โ€œThe children will hear about Devizesโ€™ historic links with the monarchy through story-telling, then Joanna will help them make paintings and drawings of story or person that resonated most with them. Joanna will then create a mosaic of the childrenโ€™s drawings as part of a huge exhibition board, based upon her painting โ€œMajestyโ€, which depicts Queen Elizabethโ€™s Coronation Crown.ย 

โ€œWe hope they will benefit from the opportunity to work creatively with a well-known artist and be involved in a unique project marking a memorable event in their lives.ย 

โ€œThe pupils will benefit from one-on-one time with a professional artist completely cost free. All three schools are state-funded, and both Trinity CofE and Southbroom receive higher than the national average Pupil Premium funding. This is about bringing art to everyone in our community.ย 

โ€œThis is part of a programme of activities that will secure the future of St Mary’s Church as a vibrant and viable multi-use venue for the community of Devizes and further afield. It will raise awareness and engagement in the town of the plans to make St Maryโ€™s available for the community as a vibrant arts space, accessible to all.ย ย โ€œย 

The exhibition will be free, and take place at St Maryโ€™s from 11 am โ€“ 3 pm from Thu 2 โ€“ Sat 4 June. 

For more information, contact Shirley Urwin onย shirley.urwin@yahoo.co.ukย orย 07849 536 179.ย ย 

About Joanna Mayย 

Joanna May is an artist based in Devizes.  She is recognised and collected widely, with a listing in โ€˜Whoโ€™s Who In Artโ€™. Her work has sold at Christiesโ€™, including to celebrity buyers; she has paintings at Le Manoir aux Quatโ€™Saisons, Raymond Blancโ€™s famous hotel near Henley. Her beautiful hare paintings for The Hare on the Moon โ€“ A Treasure Hunt Book hang in her Joanna May Gallery, lighting up Northgate Street in Devizes. She can be contacted on joanna@joannamay.com and has a website at joannamay.com

About St Maryโ€™s, Devizes 

St Maryโ€™s Church is a Grade 1 listed building and one of the town’s oldest and most historic landmarks with its magnificent 13m high internal arch. It is among the top 2.5% listed buildings in the country and of significant historic importance to the town. Plans are afoot to redevelop the building into a space for the arts, accessible to all, enjoyed for generations to come, thus preserving our heritage. Find out more atย www.stmarydevizestrust.org.uk.ย ย 


Soraya French’s Art Demonstration in Devizes

The Lawrence Art Society welcomes Soraya French’s return to Devizes, on 7th March at the Devizes Conservative Club. She will be demonstrating a contemporary approach to landscape painting using acrylic inks.

Soraya is an International Artist, and Author based at Project Workshops in the UK, she also demonstrates for GOLDEN Artist Colours, runs private art workshops, and regularly teaches her painting techniques to art groups (including the Lawrence Art Society.)

The Artist Articles – Soraya is a regular contributor to the UK’s leading art magazine “The Artist”. Her articles vary from reviewing products to a four-part series about colour, figure painting, use of acrylics, mixed media, and many more subjects.Collins 30 Minute Acrylics – Many people think they donโ€™t have enough time to paint, but in this attractive guide Soraya French encourages quick and simple learning.

Check out her Facebook Page https://www.facebook.com/sorayafrenchpswa

ยฃ2 for members. You can attend as a none member as a “try before you buy.”

An Art Shambles!

I tip my beret to The Shambles in Devizes for a wonderfully presented Christmas Art Fair on Saturday evening. Though it promised a glass of mulled wine and minced pie, which I didnโ€™t seem to receive, it offered a variety of local artists exhibiting, and besides, Iโ€™m impartial to mince pies anyway!

(Update: seems I was supposed to queue at SoupChick for the mince pie and wine, so in effect I’ve only got myself to blame!)

If many an art show restricts itself by pigeonholing a particular movement, introducing only a handful of local artists gave the show range, and a little bit of everything could be found there. From charming sculptured little clay houses to watercolour landscapes, and from Marc Shillingโ€™s monochrome candlelight art to Caroline Le Bourgeoisโ€™ super-cute animal studies with a dash of humour, it was a diverse assortment, but everything was great in its own right.

Breathtakingly impact-art from our good friend, Clifton Powell really makes one stop and think, not that heโ€™s adverse to also painting life studies of local scenes and wildlife too.

A total of thirteen artists submitted, many on hand to chat with, but I was surprised how busy it was, and a couple of loops around the Shambles still wasnโ€™t enough to take it all in.

Emily Hodges gave us some stunning photography, Josey Lewis had some wonderful landscapes, and visually, Matt Gibson and Belinda Golledge wowed, but my particular favourite, aside the couple I was aware of, Clifton and Caroline, I stopped for the longest in perusal of the colourful acrylic canvasses of first-time exhibiting Elly Smith. I loved the swirling patterns and autumn leaves design, semi-psychedelic, part fantasy expressionism, Elly had an amazing dragon piece which really drew me into it.

As well as art for sale, the more affordable prints and greetings cards were also available. Neil Barnesโ€™s regular stall โ€œPics n Bits,โ€ also remained open, for a great assortment of more mainstream prints and gifts and collectables.

Organised by the independent businesses of The Shambles, Anya Toropov of SoupChick, which conveniently stayed open for refreshments, and Michelle Turner of Phoenix Health and Wellbeing, this was a great, general exhibit which appealed to all, and certainly drew the crowds. But remember, guys, art is not just for Christmas; more of this in the future, please!


Trending….

Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, thisโ€ฆ

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. Theโ€ฆ

Ravilious’s Downland Man- Immersive Watercolours and Captivating History on Show at Wiltshire Museum

by T.B.D Rose

Stemming from an unfinished book of Eric Ravilious’s illustrations (including that of Westbury White Horse) which resurfaced in 2012 and which museum director David Dawson collected for Wiltshire Museum, the Eric Ravilious: Downland Man exhibition has been put together by guest curator James Russell (creator of a previous Ravilious exhibition at the Dulwich Picture Gallery in 2015) and tells the story of the fascinating man’s life and his iconic portraits of English landscapes.

With 9 years in the works and 4 years active planning, it has already attracted around 700 pre-booked visitors from all over the country.

Featuring loans from a number of National Museums, it’s a marvelous and recognisable sight to see for any southwesterner, with Ravilious’s signature realistically vivid, painstakingly gorgeous watercolours of countryside and landmarks right on the doorstep of Devizes locals.

See it while you can. The Exhibit runs from 25th September – 30th January 2022. In memory of Eric Ravilious (1903 – 1942).


The Great Rock N Roll Swindon; Anarchist Artists Unite

October at The Post-Modern Gallery, on Swindonโ€™s Theatre Square, sees an irresistible exhibition for punks, general music or art aficionados, and devotees of the curious and unusual, The Great Rock N Roll Swindon. Running from the 2nd – 10th, itโ€™s a free art show, the name of which was inspired by the Sex Pistols film and song, The Great Rock N Roll Swindle, and is part of a touring group exhibition organised by punk artist, David Apps.….

From 2012 over a six-year period he had staged six exhibitions a year, always with his artwork dominating the exhibition. From London, Essex and Cambridge to Newcastle and Berlin, he staged exhibitions, built up a large following and returned the following year, until opening his own successful gallery in the summer of 2017.

With Brexit and then the world closing down shortly after, sadly David had to close his beloved gallery in December 2020. โ€œLost and not knowing what to do,โ€ he explains, โ€œI decided to book an exhibition a month and go back to how I started out, booking venues and art galleries and taking the artwork on tour.โ€

The exhibition is made up of a plethora of artists from the original punk movement, alongside some extremely interesting artists and friends who David has worked with over the past seven years, including legendary singer of punk band the U.K Subs, Charlie Harper. Two Brixton based artists, Dalis & Angel, aka DnA Factory, who produce provocative and slightly wrong bright pinks!

British punk icon Gaye Black, AKA Gaye Advert exhibits too, a bassist with the Adverts, who hated being the female icon of the band. Her work has dark themes as well as the use of press images of herself and the band in her work.

Others include renowned artist in his own right and son of the artist Lucian Freud, David Freud, Mr Ben Art from Worthing with music-related and punk icon images made from old magazines, papers and paint under a thick resin; sounds real punk-paste. London based T-shirt designer, Sexy Hooligans, specialising in duplicate original Malcolm McLaren & Vivianne Westwoodโ€™s SEX design T-shirts and the Anarchy shirts worn by the Sex Pistols.

Two of the artists are originally from Swindon, Michelle Mildenhall, a Latex artist now based in Hastings, whoโ€™s work contains themes of bondage, face-gags and iconic faces, and Hammer Horror influenced gothic, Saffron Reichenbacker, with fun but angelic designs, Brighton based.

Thereโ€™s also Northampton based artist, Monet Shot, with limited edition prints using consumerism themed products as his influence. World renowned mosaic slogan artist, Carrie Reichardt, of whom weโ€™re advised itโ€™s โ€œwell worth taking a look at her mosaic house in West London on Google.โ€ Carrie will only be showing small works in the exhibition. Plus, a second mosaic artist, CuriousiTeas, whoโ€™s thought-provoking and humorous slogans are put onto custom-made teapots.

But the most interesting and topical sounding of all this bizarre collective, just when you think youโ€™ve heard it all, must be Linda King, who creates large, decorative flat wooden Crows, of beautiful design, to hang in windows to stop birds flying into them. And Hastings based artist, Sassy Luke, who uses religious icons with a twist, and has a wide range of both religious and Covid design knickers.

And with the thought of religious and Covid design knickers I believe itโ€™s best to leave it there. If youโ€™re intrigued by any of this, such as the aforementioned Covid designed knickers, as much as I, you really need to take a peek into this, more works on display can be seen by following Davidโ€™s Instagram account. I mean, who hasnโ€™t tried wearing their facemask as undergarments for some light relief during lockdown? โ€ฆ. oh, just me then!


Win 2 tickets HERE

Trending Now….

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trioโ€ฆ

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Dovesโ€ฆ

Hells Bells! AC/DC tribute in Devizes

With our roads being the state theyโ€™re in, is it any wonder on the 5th April Hells Bells, rated as the UKโ€™s top AC/DC tribute,โ€ฆ

Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There mightโ€ฆ

Eric Ravilious: Downland Man

Unique exhibition to open at Wiltshire Museum

Featured Image: The Westbury White Horse ยฉ Towner Eastbourne

Finally opening at Wiltshire Museum on 25 September 2021 is Eric Ravilious: Downland Man, something we previewed on Devizine in October 2019, but, sadly, lockdown prevented.

This major exhibition explores for the first time the celebrated artistโ€™s lifelong fascination for the chalk hills of southern England, particularly Wiltshire and Sussex.

The exhibition will feature more than 20 works borrowed from national collections and private collectors, including iconic watercolours such as The Westbury Horse and The Wilmington Giant, alongside other rarely-seen works.ย  The exhibition is supported by the Weston Loan Programme with Art Fund.ย  Created by the Garfield Weston Foundation and Art Fund, the Weston Loan Programme is the first ever UK-wide funding scheme to enable smaller and local authority museums to borrow works of art and artefacts from national collections.

Central to the exhibition are several of Raviliousโ€™s best-loved watercolours of chalk figures made in 1939 in preparation for a childrenโ€™s book, Downland Man.  The book was never completed, and for many years the prototype or โ€˜dummyโ€™ made by Ravilious was believed lost.  When it resurfaced in 2012 this precious item was bought at auction by Wiltshire Museum.  It will be included in the exhibition alongside some of the artistโ€™s watercolours, aerial photographs, annotated Ordnance Survey maps, postcards and books that relate to the Ravilious works on show – material drawn largely from Wiltshire Museumโ€™s own collection.

The exhibition will offer a new view of Eric Ravilious (1903-42) as a chronicler of the landscape he knew better than any other.ย  From his student days until the last year of his life, Ravilious returned again and again to the Downs, inspired particularly by the relationship between landscape and people.ย  Watercolours and wood engravings included in the exhibition show dew ponds and farmyards, a cement works and a field roller, modern military fortifications and ancient monuments.ย 

Eric Ravilious: Downland Man is curated by James Russell, previously curator of the 2015 blockbuster Ravilious at Dulwich Picture Gallery. He said โ€˜I studied History at Cambridge and Iโ€™m always intrigued by the social and cultural context of artistsโ€™ work.  When it comes to downland history and archaeology Wiltshire Museum has an unrivalled collection, making this exhibition a unique opportunity to shed new light on Ravilious โ€“ an artist who is well-known these days but still little understood. With watercolours such as โ€˜Chalk Pathsโ€™ and โ€˜The Vale of the White Horseโ€™ on display, visitors are in for a treat.โ€™

Heather Ault, Exhibitions Officer said: โ€˜This is a wonderful opportunity for Wiltshire Museum to exhibit such beautiful works by Ravilious.ย  The exhibition will be an absolute delightโ€™.

Sophia Weston, Trustee of the Garfield Weston Foundation, said: โ€œWe are delighted that the Weston Loan Programme has been able to support the display of these important works by Eric Ravilious in Wiltshire โ€“ an area of the country which repeatedly inspired this much-loved artist. The exhibition will bring his evocative landscapes to new audiences and shed light on material little-known by the public.โ€

Eric Ravilious: Downland Man opens at Wiltshire Museum on Saturday 25 September and closes on 30 January 2022.ย  Tickets can be pre-booked online at https://www.wiltshiremuseum.org.uk/prebooktickets/.

The exhibition ends on 30 January 2022.


win 2 tickets here

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Geckoโ€™s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for aโ€ฆ

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโ€ฆ

Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โ€ฆ

Up to Trowbridge for Some Miller-Art

Halfway up the grand staircase of Trowbridge Town Hall, where it splits into left or right, my daughter, permanently two paces ahead of me, asked me which way now. Iโ€™d noted a sign to the art exhibit Iโ€™ve been aching to check out, so I called it. Problem was, the show is called โ€œUp,โ€ to which her only rejoinder couldโ€™ve been, โ€œyes, I know itโ€™s up, but which way?!!โ€

If I had reservations about the unpredictably positive response in asking if she wanted to come, being sports is her thing and creativity perhaps not so much, it was only that she might drag me around Usain-Bolt-going-for-gold fashion. Key to my pitch was that, essentially, the most appropriate movement in which to pigeonhole artist Tom Miller was street art, secondarily only to the fact she was โ€œbored, with nothing better to do anyway!โ€

But itโ€™s not her incentive on entry which is important here, rather her reaction inside the exhibit, and if she enjoyed it, which she did, anyone with a mere slither of a passing interest in art will we wowed by this show. For me, it was up my street and knocking loudly on my door.

Native to Trowbridge, Tom Miller exhibits at his hometown until 20th August, not long left to pay it a worthy visit. For yeah, Miller typically uses spray paint as street artists do, but only as a base for these canvases. He thickly layers acrylics and oils over it, amalgamating mediums as much as influences, in explosions of colour and meticulous and intricate detail. The result is staggering.

Swirls of psychedelia snake your eyes across them, akin to underground comix or yore, and in particular S. Clay Wilson. They can be themed darkly, with elements of cyberpunk, or lighter, fine art, impressionism is at play too. Yet thereโ€™s a nod to pop art, capturing humorous elements, wide-ranging themes from flowers to ice creams, and contemporary cultural icons, such as The Simpsons can be discovered on closer examination. Then, as you pan out, you begin to focus on a central point, the composition vortexes into a subject, often random, but themed to suit the surroundings. It is also a clear running concept to repeat the central subject atop the first, but slightly smaller in scale, and perhaps the topper most of one below, larger, like a play with a hall of mirrors.

Apt to mention a hall of mirrors, as thereโ€™s generally something fairground going on here, if the repetition of the central subject is cubist, it would be like viewing cubist art whilst on the waltzer. On a few occasions the subject can feel tangible, as fine art, expressionism, but with Millerโ€™s style brashly expanding the realms of normality, somewhere along the lines. For this, and the running theme of these scaled duplications, Edvard Munch meets Marcel Duchamp in Salvador Daliโ€™s studio, as the lines of expressionism, futurism and surrealism blur into dada in such a way only pop artists couldโ€™ve dreamed of.

But, as I said, if your knowledge of art doesnโ€™t stretch to the influences and movements Iโ€™ve cited, none of it really matters, as why I contemplated Renรฉ Magritte, my daughter also examined the concepts and discovered subjects. Like a Whereโ€™s Wally book, you could circle this exhibit twenty times and still discover something youโ€™d not noticed before in these canvases.

Added to the pieces, thereโ€™s some sublime charcoal sketches, showing his workings and thought process. Thereโ€™s also a bio, with printed matter showing the various private commissions and frescos which obviously couldnโ€™t come to the exhibit, for quintessentially, Miller is a street artist, and in Bristol and round and about Trowbridge thereโ€™s some excellent examples. The brilliant finale to this show is, once youโ€™ve left, you can make a beeline to Stallard Street to find such a wall with Millerโ€™s art displayed, and in the same ethos as whatโ€™s on display inside. This added an extra dimension to the enthralling exhibit.

Plus, Iโ€™m pleased to say, Usain-Bolt had no influence over my daughterโ€™s pace through the show, she took her time, examined everything and came out with some exceptionally precise observations. This is ideal to enthuse a non-art lover equally as much as one who is, as good street art does, but with the extra dimension of this influx of various art movement influences. Go see it, but hurry; it’s only running until 20th August!

Not forgoing Trowbridge Town Hall is a friendly place, where I gossiped and namedropped to the man on reception. Thereโ€™s a vast and amazing array of events planned over the coming months, from the yoga classes to the PSG Choir and from Moo Moo Music for little ones to an impressive gig line up from the likes of Will Lawton & the Alchemists on 11th September, Onika Venus on 18th, Juice Menace on 25th, and on the list goes onโ€ฆ.


Trending….

Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Marketโ€ฆ

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic ofโ€ฆ

Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisonersโ€ฆ..โ€ฆ

Help DOCA Brighten up Devizes; An Art Project for all Ages….

Devizes Outdoor Celebratory Arts are asking budding crafters and artists to help brighten up the town.

“Devizes is usually festooned with hanging baskets at this time of year,” they point out, “but they have been a bit absent since Covid struck and we miss them and all the colour they bring to the town. It got us thinking! We would like to create something equally colourful to decorate the streets of Devizes at our events, and weโ€™d love your help to do this.”

There are two ways you can do thisโ€ฆ 

Make flowers: They are asking anyone of any age to make flowers, so they can make beautiful garlands to drape over the barriers. You can make them out of anything, any size big or small, and DOCA will assemble them.

Materials that can stand getting wet and donโ€™t take too long to dry are the best, old carrier bags, sweet wrappers, used foil wrapping paper, coffee wrappers whatever you can find. We know we have a talented bunch of folk in Devizes and weโ€™d love to see what you come up with for this project. You can drop off your flowers at the Kingfisher Cafรฉ on Devizes Wharf. Please try and avoid their busy lunch time periods. 

Draw pictures: DOCA invites children of 8 years or under to draw pictures of circus characters, performers or other festival or DOCA related things. They will pick out the best artwork and work with a graphic designer to make a montage which will be printed on gauzes to decorate the dull barriers  they use to divide up their events. Please send images as Jpegs.  

DOCA need your work to be sent in digital format, so you can scan it or take a picture and send it. The email to send your artwork to is docadevizes@gmail.com

More information here.


Please include your name and the age of the artistย and even a photo of them holding the work and they’ll share it on their social media… I’d love to see them too!


Breakout to Chippenhamโ€™s Alternative Art Show

The flags of Israel and Palestine halved with a swish and a white dove stencilled over the top, was the starting point for a painting by Chippenham artist, Mike Long. We discussed his method, almost making it up as he went along, the original idea extends outwards as he progresses with a painting, rather like his unique tendency to continue the painting over the actual frame. Underneath the flags, a scene of a football game, with goalposts painted on tanks, in Mikeโ€™s sketchy Chagall style; this element developed while painting it.

Weโ€™re at Chippenhamโ€™s Yelde Hall in the Market Place, Mikeโ€™s turn on the rota to hold the fort. The alternative art show, Breakout is running for another week, until Saturday 3rd July. Open everyday except Sunday from 10am to 4pm, I call it โ€œan art showโ€ to break the preconceptions of words like โ€œgalleryโ€ or โ€œexhibit,โ€ because hereโ€™s a display which finds an even ground between an often seen as tedious fine art gallery of standard landscapes or portraits, and the outright โ€œartyโ€ kind of off-putting โ€œweird.โ€ For this concept, itโ€™s the sort of exhibit to appease anyone with only a passing interest in art; a contemporary pop art show.

Unlike two years past, when, teamed with two other artists, Si Griffiths and Emma Sally, they put on Never Mind The Heritage, Hereโ€™s Our Art Show, in the same venue, the three are joined by five other locally-based artists, each taking a panel, making for variety and a fuller experience. Itโ€™s a dazzling show, well worth paying a visit.

To start at the beginning, an artist I know only too well, Devizes-based Clifton Powell, takes the first panel. Recently commissioned to paint Abbot Hadrian for an English Heritage exhibition, The African Diaspora in England, in Canterbury, closer to home Clifton shows a few works from his ongoing โ€œUnrestโ€ series. Theyโ€™re striking images, poignantly painted with realism, and take the subject of modern civil turbulence.

Works from the other artists exhibiting here are new to me. Jimmer Willmott, a pop surrealist from Bristol takes the next panel, describes his work as a โ€œchaotic love affair of the cute and weird, running naked hand-in-hand with a bright, fun blend of humour and juxtaposition.โ€ Indeed, words found in some excellently crafted Alphabetti Spaghetti, or American cops with donuts for heads in a more colourful vein than Renรฉ Magritteโ€™s The Son of Man, fits the bill.

Meanwhile, photographer Daniel Carmichael takes inspiration from patterns in small objects and the effects of time and the elements upon them. With a keen eye for a snap, autumn leaves covering a discarded men at work road sign, for example, captures a mood of manufactured versus nature.

ย 

Next is Mike Longโ€™s varied styles, of expressionism, often Lowry-like scenes or steampunk imaginings which extends into the frame, involving it and creating the notion the subject continues after the confines of the image youโ€™re looking at, these are ingenious works in which youโ€™ll spot something different in each time you look at them. Also, I was surprised to see some graphical pieces too.

With environmental, often sombre themes, the ever-expressive Emma Sally is up next, she states her artwork this year has arisen from โ€œfeelings of frustration,โ€ aptly. ย A new direction, she says, โ€œin articulating visceral emotions,โ€ and the solemnity of a graveyard with woman dressed in black gazing at headstone is poignantly effective. Others are more sardonically abstract, the Earth ripped apart, rolled into sausage-shapes and knotted back together again being particularly adroit and stirring.

Mixed-media artist Helen Osborne Swan, creates a series of striking papier-mรขchรฉ 3D masks, โ€œopen to the beholderโ€™s interpretation,โ€ but started with the Colston statue being toppled and daubed with paint. โ€œThere is a lot more behind the face we present to the world,โ€ is a notion which could take us back to Cliftonโ€™s Unrest series, thereโ€™s a murky conception in these inventive faces protruding from the canvas at you, some obvious, but others, like the โ€œtoo cool for skoolโ€ one of a younger with baseball cap and shades, youโ€™re left uncertain as to the reason for their underhandedness.

Whereas Montague Tott leaves nothing to the imagination, trained as an illustrator โ€œhaving to follow other peopleโ€™s artistic direction,โ€ given the freedom to express himself through his own work was โ€œtoo great a temptation to ignore,โ€ so he embarked on a more esoteric path. Inspired by classic oil paintings, Montague adds elements of horror movies, comics and popular culture into what would otherwise be a classic portrait. One of whom I suspect as silent-film actress Mabel Normand, painted with a child Freddy Kruger is particularly disconcerting, yet equally are the family portraits of half-man-half goat characters, as if trapped in a mansion of a fantasy novel.

And last up is the amazing, highly-skilled underground comix style of Si Griffiths, with his penchant for putting clowns or Frankensteinโ€™s monster into unusual and inexplicable settings. Comically disturbing at times, in psychedelic visions or thriller movie surroundings, they bring an awkward smile.

If lockdown for the solitude profession of an artist hasnโ€™t been so impacting on ability to work, itโ€™s certainly had an impression on their subjects, but more so, producing a painting is only half the job; getting them out there is crucial financially. Do check this exhibit out if you can, it has Covid regulations in place, and is an airy hall. Importantly though, I feel hereโ€™s an art show you donโ€™t need to be well-versed in art or an โ€œarty sortโ€ to enjoy and be entertained by. Neither will take up your entire day to browse, but with its less-is-more policy, thereโ€™s a varied bunch of alternative art on show, of which the standard is outstanding.


Trending…

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because theyโ€ฆ

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this yearโ€ฆ

Local Artist Clifton Powell Commissioned for English Heritage Exhibition The African Diaspora in England

A proud moment for Devizes-based artist Clifton Powell as he poses for a photo next to his amazing portrait of Abbot Hadrian, in Canterbury.

Clifton joins Elena Onwochei-Garcia, Glory Samjolly, Mikรฉla Henry-Lowe, Hannah Uzor and Chloe Cox in a project by English Heritage. EH has commissioned a series of portraits depicting six historic figures from the African diaspora whose stories have contributed to Englandโ€™s rich history. Each artist has been supported by their curators and historians to creatively portray their subject. Each painting will be hung at the English Heritage site connected to its subject this summer.

St Hadrian of Canterbury played a pivotal role in the early history of the English Church. He was born in North Africa and travelled to Italy, most likely as a refugee, before making the journey to Canterbury. He was abbot of the monastery of St Peter and St Paul (later St Augustineโ€™s) in Canterbury, between 670 and 710.

During his time in Canterbury, he became an influential teacher and scholar, and helped shape the theology and rites of worship of the English Church.

Clifton Powell studied at the Jamaica School of Art in Kingston, Jamaica, and moved to the UK in the late 1980s. A versatile and skilled painter, Clifton is influenced by the places he has travelled to and the people heโ€™s met. He has taken part in numerous exhibitions and art fairs in London, Bath, Stroud and the West Country including the International Black Art Fair, The House of Emperor Haile Selassie, Bluestone Gallery and Diaspora at Salisbury Arts Centre.

You may also remember me reporting on the day I attended the charity-run art group for the elderly, Arts Together, in Melksham way back in February 2019, where I met with Clifton, who is a mentor and volunteer.

Recent areas of exploration in his work include the Wiltshire countryside, wildlife, birds, still life and his remarkable series of paintings depicting unrest in the world. He is currently working on a painting project titled African Art. You can catch his work closer to home, from 21st June to 3rd July at The Yelde Hall in Chippenham when he exhibits as part of Breakout, the Alternative Art Show.

A follow-up to the 2019 exhibit Never Mind The Heritage, Hereโ€™s an Art Show, in which three local artists, Si Griffiths, Mike Long and Emma Sally exhibited their โ€œalternative art,โ€ Breakout extends the concept, with additional artists Clifton, Daniel Carmichael, Helen Osborne-Swan, Jimmer Willmott and Montague Tott, as well as Si, Mike and Sally. Iโ€™m looking forward to this one.

While I’m on the subject of art, don’t forget we have an online art gallery on Devizine, yes we do! Each artist gets a page to show off their work, Clifton’s is here, and if you’d like to be featured with links to your website, just drop us a line, there is no fee.


Trending…..

DOCA Receives Culture Recovering Funding

The future of Devizesโ€™ carnival and Outdoor Celebratory Arts is looking great, as DOCA announce today some exciting news; they are delighted to have received funding from the governmentโ€™s #CultureRecoveryFund.

The much-needed funding will cover their overheads in the coming months. Allowing investments in developing their Board of Trustees, employ a Volunteer Coordinator and begin reconnecting with the existing โ€œfamilyโ€ of volunteers. They also seek new recruits to help deliver the fantastic program of events. Such as new volunteer coordinator, Holly Solo-Hawthorn, who joined the team in last November. If volunteering with DOCA is something you are interested in please email: docavolunteer@gmail.com

Chair of the Trustees, Kelvin Nash said, โ€œwe know people canโ€™t wait to get out and meet up with others and enjoy all the things we might have taken for granted before COVID. We also know we are very privileged to receive this funding that will help us continue bringing great events to Devizes. We hope everyone will continue to support us this year to make these events happen safely, plans are still tentative of course, but it does feel like there is now a light at the end of the tunnel.”

Artistic Director, Loz Samuels expressed although DOCA are able to start planning Summer events, not all of the usual events will be back this year. โ€œThis year will have a different feel but we know that it will be just as amazing as ever. There will be no Confetti Battle this year we hope to combine the Colour Rush with the Street Festival which will add an explosion of colour to the day and we hope to attract some new people along to the event.โ€

As we look forward to future events in Devizes, DOCA will be touching base with market traders and coordinating a hopeful new season of celebrations. Hereโ€™s the plan to date:

Sunday 22nd August 2021 โ€“ Picnic in the Park

Monday 30th August 2021 โ€“ Devizes International Street Festival

Monday 30th August 2021 โ€“ Colour Rush

Friday 26th November 2021 โ€“ Winter Parade

Saturday 27th November 2021 โ€“ 31 Trees and Counting

Saturday 26th & Sunday 27th Feb 2022 โ€“ Festival of Winter Ales

Image: Gail Foster

Online Stuff 2 Do This Half Term

Yay! Home Schooling is out for half term, but before itโ€™s replaced with excruciating racket, higgledy-piggledy hullabaloos, and junior revolutionary uprisings, diligent stay-at-home parents teetering on the edge of wine oโ€™clock should note, if the outside activity mountain won’t come to Muhammad, well, Muhammad has to get there online. Hereโ€™s some โ€œlitโ€ bodacious suggies to get him harnessing his cramponsโ€ฆ.

No, Iโ€™ve no idea what that meant either, just hit me with your suggestions, homies, and Iโ€™ll add them here without beef!

Firstly, keep them well fed, and if you’re having difficulty…….

FREE SCHOOL MEALS ELIGIBILITY

Wiltshire Council is urging families who find themselves in difficult circumstances to check if they are also eligible for free school meals and the holiday food funding. Families can find out details of how to apply for free school meals support on the Wiltshire Council website including those families on: -โ€ข Income Supportโ€ข Job Seeker’s Allowance (income-based)โ€ข Employment and Support Allowance (income-related)โ€ข Support under part six of the Immigration and Asylum Act 1999โ€ข The Guarantee element of State Pension Creditโ€ข Child Tax Credit – providing you are NOT entitled to Working Tax Credit and your family’s annual income (as assessed by HMRC) is not more than ยฃ16,190 (as at 6 April 2012)โ€ข Working Tax Credit ‘run-on’ – the payment you may receive for a further four weeks after you stop qualifying for Working Tax Creditโ€ข Universal Credit (provided you have an annual net earned income of no more than ยฃ7,400, as assessed by earnings from up to three of your most recent assessment periods) โ€ข Better2Gether Funding (two year olds only) Universal Credit – if you and your partner are on a low income from work (this usually means a combined income of less than ยฃ15,400 a year after tax)Or if the two year old child: -โ€ข Has a statutory statement of Special Educational Needs (SEN) or an Education, Health and Care Plan.โ€ข Has left local authority care through a Special Guardianship Order, adoption or a Residence Orderโ€ข Is currently a Looked After Child, for example in foster careโ€ข Is in receipt of Disability Living Allowance (DLA)People should apply directly to Wiltshire Council if they are eligible but currently do not have free school meals by using the form on the Council website.

Morrisons Kids Meal and Pizza making Boxes Here!


Creative

Stuff!

Get Cartooning!

Thereโ€™s always cartoon and comic workshops to get creative darlings budding. Enter Beano artist and charismatic comedian Kev F, whose Comic Art Masterclass usually travels the schools and libraries of the country, and ends with some seriously entertained kids each with their own homemade comic. The only need to travel is to grab some paper and pens now Kevโ€™s class is online.

But check here for a number of different creators giving away their artistic secrets in comic workshopsโ€ฆ


The End of the Pier Show

Jonny Fluffypunk presents a brand spanking new show for families, with poetry, puppetry, story, song and a healthy dose of ramshackle anarchy.

Cooking

Stuff!

The Farm Cookery School in Netherstreet

have their popular holiday clubs online, and are available to book NOW! They are only ยฃ10 – ยฃ15 per login and that includes LIVE Tuition as well as a Recipe and Ingredients Guide which will be emailed to you straight away. Just imagine, dinner may be served by your little horrors!

Learning

Stuff!

Family half term activities among online events at Chippenham Museum

Prior to lockdown Wiltshire Museum were really enjoying hosting Curious Kids sessions for under 5โ€™s and their grown-ups. They have adapted sessions to deliver them on zoom. A chance for younger children to have some interaction with people from outside the home and for families to learn, create and play together โ€“ supported by the museum.

February Half term session will focus on Saxon Crafts and will look at weaving jewellery.


STEM Venturi

 February Half Term online coding courses for 7 – 12+ year olds. Also debuting Girls Who Code course…โ€ฆ Lots of coding courses including Minecraft!


Music

Stuff!

Open to all young people aged 12 โ€“ 18s who love to sing, the new Wiltshire Youth Choir (WYC) will take your singing and performance to the next level.
– Learn from inspiring choir leaders with years of professional experience
– Explore music from different genres: musical theatre, pop, classical and more…
– Work towards performances in some of the countyโ€™s top music venues
Join us for our next free virtual Come and Sing workshop on Thursday, 18 February, 10.00 – 12.00 via zoom.

Trending now….

Discovering Swindon Story Shed

With Dad’s taxi on call in Swindon and a few hours to kill whilst her majesty is at the flicks, it was fortunate local authorโ€ฆ

The Rise of Winter Festivals

Once upon a time it seemed to me, that folk would grin and bear the winter weather for the sake of a Christmas lights switchingโ€ฆ

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

Small Wonders Art Auction in aid of Arts Together

It was one of my most memorable days following a story for Devizine, when I attended an Arts Together workshop in a sheltered accommodation hall in Bowerhill, last February with the artist Clifton Powell. I found out these sessions meant so much more than โ€œart therapyโ€ to the folk there, and it was delightful to talk to them about what they were doing. You can read about it here, and the amazing work this charity does locally.

This Christmas, Arts Together are hoping to raise up to ยฃ5,000, to enable them to continue supporting isolated and lonely older people in the community. Several of the thirteen accomplished artists who help, and many others, have donated artwork for an online auction. The auction is currently running and will last until 13th December.

You can take a look all the beautiful paintings, prints, photographs, ceramics and crafts on show, and make your bid to own one, by clicking here and browsing the images. All the proceeds are going to Arts Together to help them continue our support for older people during this winter.

If you are an artist and would like to donate a piece of small artwork, Arts Together would be delighted to add it to the online auction. Plus, alongside your work they will add a link to your ownโ€ฏwebsite and social media.

Please give this some attention if you can, such a brilliant charity, plus you could bag yourself a piece of fine original art for Christmas. Here’s a look at some of the variety of offer:

Leaping Frog from Roy Evans
Small Salt-Glazed Jug by Lexa Laurence
Beetle by Clifton Powell
Christmas in Snowdonia II by Penny Leaver-Green
Storm Warning by Jeff Pigott

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Alanโ€™s Fine Art Christmas Cards for NHS Charities

Local artist Alan Watters has launched these wonderful pencil-signed greetings cards, with all profits from his website going to NHS charities only until the end of October. The cards are individually pencil signed and sold in packs of ten for ยฃ12 (+ ยฃ3 UK P&P.) But hurry, Alan says theyโ€™re going fast!

Limited edition prints are also available, making a great Christmas present idea. Click here to order.


Urchfont Parish Council Turn Down Youth Art Display

Further to my article reflecting on black history month, and our chat with BLM in the Stix organiser Gurpreet Kaur, I said I had a local issue to raise which could be conceived as the perfect example of the message Iโ€™m trying to get across regarding rural racism so ingrained we fail to recognise it, or simply donโ€™t care to consider it as such. I was waiting for a response from relevant sources in order to give an impartial valuation. In the meantime, the good olโ€™ Gazette & Herald beat me to it!

In all fairness they didnโ€™t make a bad job, but itโ€™s the reactionary and presumptuous comments flowing on social media where the story warps out of all proportion and skewers the facts; keyboard warriors tend to do that.

Urchfont Parish Councilโ€™s Chairman, Graham Day explains, โ€œat its meeting on 8th July, Urchfont Parish Council discussed a proposal for a possible use of the High Street telephone box which is owned by the Council. A lengthy debate on this matter took place, with substantial public input both from those present at the meeting and others who had submitted comments to our Clerk.โ€

As with many rural out of service phone boxes, the community has gathered to find alternative usage for it. Many have become community hubs, noticeboards and others rural self-governed lending libraries. Urchfontโ€™s phone-box was adopted by the Parish Council in 2018, โ€œto protect it and to provide an unusual venue to promote village events and,โ€ hereโ€™s the biting point taken from the phone boxโ€™s own Facebook page, โ€œshowcase work by local groups.โ€

So, members of such a group, Youth Of Urchfont, moved by recent racial injustices, proposed a display presenting art and literature on the theme of racism. Immediately the goalposts are moved, and the ethos of the phone box altered by councillors, stating, โ€œthe telephone box should be used only for local community purposes, as such this proposal covering the wider issue of racism should be rejected.โ€

For the first few minutes of the agendaโ€™s proposal by the teenagers everything seems to be going well. But as the discussion flowed, it appeared an assumption the idea was linked to black lives matter, which rather than a slogan, is perceived by villagers to be an organised political movement.  Intent to maintain the Parish Council is a non-political body, it rejected the proposal five votes against three.

Spirally out of control, social media comments claimed all manner of fabrications, such as the youth wished to paint the phonebox. It hardly constituted any such vandalism, just a display of art and literature on the subject of racism, rather than a paint job, or even a salute to the BLM movement. What is a given thing for the Parish Council, is that the youth are someway promoting BLM, when really, they’re simply reflecting on racism in general; a fair observation? I asked one of the parents, David Kinnaird.

โ€œThey had never suggested painting the phonebox!โ€ he stated. โ€œNeither did they ever suggest any support for the BLM movement. When they first messaged the community bell to say they wanted to do something they immediately said BLM might be too political, and so the kids knew that this was off the table.  Sadly, and predictably, most of the opposition stemmed from perception of what the movement represents, and not to what was actually proposed. In fact, they didnโ€™t really know what they wanted to display, no idea at all really, just wanted to do something. It was lockdown, they hadnโ€™t been to school for months and wanted to do something…โ€

One of the youths, Polly, explained to the Parish Council, that she is really passionate about the proposed display. She questioned the fact that the kiosk had been previously used for political displays, citing the VE day soldier, for example. Wiltshire Council had expressed solidarity with BLM movement, protests had taken place in Wiltshire highlighting human rights, and racial inequality issues. Polly believed that the display will highlight all of these issues, adding it could link with other charities and be a great show for the Village. The Chairman then closed the meeting for public participation.

Councillor Mr Kemp made a statement outlining the ethos of the usage for the phonebox, including โ€œlocal residents had an opportunity to exhibit artisan skills, workshops or art work,โ€ and โ€œit supported the interests of the community as a whole.โ€ He strongly objected, virtually pitchforking the idea, stating โ€œBLM, a patently political movement, is clearly the catalyst, a movement that is demonstrably contentious and of itself offers little, to enhance the lives of the Urchfont community. Unfortunately, a mood of โ€˜if you are not with us then you must be against usโ€™ currently prevails and it can be easier to acquiesce in the face of public demand, against the better judgement of the individual or organisation, when that position is both emotive and forcefully declared.โ€

โ€œIt is clear from additional comments that the BLM movement and the (sometimes offensive) rhetoric associated with it resonates,โ€ he continued waffling, โ€œwhile these may be the legitimate expressions of personal views, the politically divisive nature underlying the issue as a whole is clear and cannot be ignored.โ€ And, democratically, it wasnโ€™t.

Here comes the opinion part, watch out! Ah, you know me well enough by now, not to possibly or in any way suggest this is concentrated prejudice on two parts, race and agism, and allow you to be the judge of if itโ€™s concentrated prejudice on two parts, race and agism, or not, though itโ€™s certainly possible it could be conceived as concentrated prejudice on two parts, race and agism.

The irony is, rather than allow a display organised by enthusiastic youth of their own village, encourage and support free-thinking from young people in an idyllic but humdrum Wiltshire outpost detained in lockdown, the alternative is nothing, and the phonebox currently and since the time it was suggested back in June exhibits such, absolutely nought, nothing, nada.

Nothing until these last few days, where the annual event โ€œcandles around the pond,โ€ was reduced to โ€œcandles in the phonebox,โ€ and raised funds for the church. And there was me thinking in Christianity the candle represents the light of God, and their ethics endorsed virtuous behaviour within its moral theology, as is their duty put in Leviticus 19:18 to love thy neighbour as thyself, and extend an unconditional hand of friendship that loves when not loved back, that gives without getting, and ever looks for what is best in others.

And here, their own children were rejected an art display as if they were suggesting a riot. To me, that is a sad reflection on todayโ€™s blinkered and hypocritic rural society and the very reason we need to openly discuss an issue most would wish to be eradicated many moons ago.


Ros Hewittโ€™s Glass Art Open Studio

Stained glass and mixed-media artist, Ros Hewitt takes stained glass to contemporary levels. Using fused and sandblasted glass techniques, her designs are refreshingly modern and graphically stunning. She opens her studio in Great Bedwyn on Saturday 24th & Sunday 25th October. 11am-5pm.

Working as a graphic designer in the field of scientific illustration, it was a quirk of fate which embarked Ros on a new artistic career in stained glass, initially while living in Sydney, Australia. On returning to the UK, she took a course in traditional stained-glass painting with Paul San Casciani, (author of The Technique of Traditional Stained Glass) in Oxford.

Ros has been using her lockdown time experimenting with capturing air bubbles within glass, and reflecting on her residence in Wiltshire, she has a new collection of bestselling Wessex White Horses, painted and fired onto glass.

Thereโ€™s also a collection of acrylic paintings of local bird life, something that has long been a favourite subject; professional scientific illustrator graduate, see? As I said! Yes, I did!

Might be the perfect opportunity to buy some lovely, local, artisan gifts for Christmas, they really are quite special. No appointment is necessary to see the artists’ work, and you can meet Ros, discuss techniques, equipment and discover her inspiration.

Due to Covid-19, all visitors are required to use anti-bac gel provided, wear a mask, and enter the small studio one at a time. Parents/guardians can enter with their children. For details: ย http://ros.glass/index.html Email: ros@ros.glass Phone: 01672 871 025. Location: Ros Hewitt Glass Studio, Great Bedwyn, SN8 3LT


Open Music Venues, or Do They Hate Art?

The Smart Eโ€™s โ€œSesameโ€™s Treetโ€ bleeped through the hills of a west country location in 1991. There was an air of delight and mirth when someone pointed to the ridge yonder. โ€œLook,โ€ they chuckled, โ€œthe pigs are dancing!โ€ Story checked out, I turned my head to witness a couple of police officers jumping and waving their arms, mocking the fashion of a dancing raver. Imitation we never took to heart, ravers were tongue-in-cheek about their chosen music; repetitive beats over a childrenโ€™s tv theme was comical nostalgia, and not supposed to be taken seriously. As for the police, seemed as individuals observing, they saw the simple truth that there was no harm in what we were doing. Yet there was always hate in the establishment they took orders from, and we were months away from being grounded by force.

rave

Hysterical measures by a desperate conservative government, who failed to see the value we held for something they couldnโ€™t understand, an electronic art movement, principally, a modern folk music.

Authoritarians detest art, least the progression of art, seems to me. And it has been plaguing my mind of recent. Freedom of expression, they fear, encourages liberation, unrest and consequently, rebellion. Munich, 1937; Third Reich leaders combined two opposing art exhibitions into one, the โ€œGreat German Art Exhibition.โ€ The first hall featured art which Hitler considered suitable, orthodox and representational, lots of flaxen folk gallantly posed like Roman deity sculptures, and local idyllic rural sceneries.

great german art ex

The second displayed what Hitler deemed โ€œdegenerate art,โ€ contemporary, progressive and mostly abstract. But they ensured it was demoted, through exhibiting it callously, with disorder, and bestowing dissuading labels on it, describing โ€œthe sick brains of those who wielded the brush or pencil.โ€ Hitler pushed stringent boundaries onto German artists, because he figured art was key to the rise of Nazism and his vision for the future.

Damn, he hated the Bauhaus. Forced the art school to close in 1933. Their angular designs which would herald the most efficient revolution of modernist architecture, were deemed communist intellectualism by the Nazi regime; give them an archaic Spalato Porta Greek arch, or be shot!

bauhaus

I see humour as my art, my aim is to make you laugh, whenever possible. In a week where a keyboard warrior reported me to Facebook for an ironic slate at Boris Johnson, yet a grammatically atrocious meme, stating they need not pay for a holiday, when purchase of a dinghy from Argos will see them put up in a hotel, is hailed as hilarious, I receive a message of eternal doom for the grassroots music industry, from a professional musician.

Gone, it seems, are the days of eighties โ€œalternative comedyโ€ of the Footlights, of Ben Elton and Rick Mayell scornfully ridiculing Thatcherism. Gone is the echoing mantra of Joe Strummer demanding โ€œa riot of our own.โ€ Today the art of comedy, and music, barely touches political matter, and never takes risks. Humour is subjective, as is all art, I accept this, but art enriches our lives, provides joy and entertainment, and should never be curbed or censored. Yet we find a consistent urge by blossoming traditionalists to dampen the spirit of artists.

The Trump administration eliminated the budget for the National Endowment for the Arts. An annual $150 million is a devastating blow to the industry, yet hardly major cost-cutting as it weighs in at only 0.004 percent of the federal budget. Akin to the ethos of the โ€œGreat German Art Exhibition,โ€ history is peppered with examples of right-wing philosophy opposing art. The Stalinists enforced stringent principles of style and content, to ensure it served the purposes of state leadership, methodically executing the Soviet Unionโ€™s Ukrainian folk poets, according to the composer and pianist, Dmitri Shostakovich. Just as Chileโ€™s coup of 1973, when Augusto Pinochet tortured and exiled muralists. Singer, Vรญctor Jara was murdered, his body presented publicly as a warning to others.

grassroots

In the UK, the reopening of lockdown restrictions despite the pandemic still mounting, where it seems perfectly acceptable to travel to foreign lands on a luxury holiday and return without quarantine, where we are encouraged to shop till we drop and eat out in restaurants to save the food industry, and itโ€™s commonly accepted our children will be used as lab rats in a herd immunity experiment, a government, who letโ€™s face it, should have imposed a lockdown sooner, as was the example of every other developed nation worldwide, rather than fail to attend meetings with the World Health Organisation, and use unreliable companies to supply software and PPE to help combat the virus, simply because they are mates of theirs, will not allow us to have a sing-song in a pub.

Now, at first, I accepted the possible threat, but in light of recent lessening of restrictions, I fail to comprehend the logic in this, in continuing the restrictions on art and music. Given the historical facts surrounding the authoritarianโ€™s apparent hatred of art, I am beginning to fear the virus is a being used as a convenient excuse to suppress and suspend creativity. Oi, loony leftie, shut up, stay in your home and watch the celebrity Pointless special.

banksy

I suggested, didnโ€™t I, art is subjective? If Hitler liked the conventional, representative of Renaissance tradition, it was his prerogative, but there was no need to kill everyone simply because he couldnโ€™t draw horses very well. Since the invention of photography can duplicate precise imagery, artists seek expression, inimitability and design according to their own mind. If it constitutes liberal or reformist ideals, why should it be devalued by opposing attitudes? The problem arises when oppression is enforced, freedom will return the fire, and will be back, refreshed, to bite them on the bum!

Just as the Jamaican JLP party of the right, battled burgeoning Rastafarians into the Wareika Hills in the 1950s, and labelled them โ€œBlackheart Men,โ€ or bogeymen, yet the surge of reggae and the popularity of Bob Marley today sees Rastas accepted in Jamaican society for the tourism it attracts, The Battle of the Beanfield in 1985 did nothing to control travellers in the UK. Less than a decade later the free party scene metamorphized into a rave generation which saw youths rally to support them. You cannot curb progressive movements in any art without risking a wave of rebellion. Ironically, the very thing theyโ€™re trying to prevent.

Basq

Weโ€™ve seen a return of the rave, police fearing a riot if they try to prevent them, but they reflect nothing of the magnitude of the nineties, yet. Unless grassroots music venues and pubs who were regularly supplying live music are reopened, even if that means social distancing measures are in place, it is inevitable you will open a gapping underground and future generations will strike back. This does nothing for the values conservatives uphold, or their vision of a totalitarian future, but furthermore severely punishes every professional in the arts industry from rock star to sound engineer, every prospering new performer in an era formerly to lockdown, I see equivalent to those swinging sixties; a time I suspect most baby boomers of tory ethos hold dear. An era where every youth was in a band, and focused on music rather than belligerent misdoings.

Yet still, gammons, I believe is the modern terminology, if the left is snowflake, persist in whinging about how youths have no respect, how they were flaunting rules in the park, gathering, conspiring, they so suspect, against them. What if they are, though probably just socialising as they likely once did in their younger years, what if theyโ€™ve some masterplan to overthrow this Tory charade; they surprised by this? How egocentrically imprudent, how selfishly insular. This is peopleโ€™s livelihoods they are toiling with. As Bob Marley once said, โ€œa hungry man is an angry man.โ€

bob

 

 

Bryony Cox Art on Sale and NHS Donated

Wondering where the time goes, itโ€™s been near on a couple of years since we featured Devizes artist Bryony Cox, when she exhibited her paintings in Upstairs at Jacks. At the time Bryony had not long graduated from Falmouth Uni. Since completing her studies, she has travelled extensively throughout Asia.

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โ€œIโ€™m now doing an MA in actor musicianship at Rose Bruford College of Speech and Drama,โ€ she informed me to minor surprise, aware Bryony has performed and sung in local dramatics such as the White Horse Opera and Devizes Musical Theatre in the past. โ€œBut Iโ€™ve kept my studio in Trowbridge and still produce artwork alongside. Sometimes I have been able to use my visual skills exploring theatre making and performance.โ€

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Personally, Iโ€™ve always been taken by her dramatic landscapes and fascination with mountains, yet Iโ€™ve always been a fan of Turner, and thereโ€™s something equally as expressive and unified in Bryonyโ€™s. There is, however, a variety in her enlarged portfolio since we last spoke, some figure and settings work inspired from her travels, sketched miniatures, and she has been using mixed-media, charcoal and pastel for example, and experimentation with college, even animation. And thereโ€™s no better time to browse Bryonyโ€™s website, as she offers 20% off and 50% on some of her older works, with 20% donated to the NHS. See for yourself on her website, here.

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These connections between art and performing arts captivates me, aside the name arts, and primary school drama class where I had to pretend to be a tree! So, I asked Bryony if she thinks there are similar work practices in theatre to art, and in what ways.

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โ€œIโ€™m quite interested in the crossover between theatre and performance art,โ€ she explained. โ€œI have started bringing film back into my work and my research on my MA has been about performing alongside film projections of drawings, animations and audio overlays. But I have always kept drawing and painting Wiltshire alongside because of the beautiful countryside and still keep drawing portraits from any travels that I have been on as I love to document different people and cultures.โ€

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We are lucky to live in an area where artists feel their home is an equally inspiring subject as their travels. In this much I see a likeness to Clifton Powellโ€™s work, another well-travelled local artist who documents his journeys through his art, yet returning to Wiltshire often produces some equally outstanding pieces.

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It’s worthwhile bookmarking Bryonyโ€™s site as she frequently updates it with new work. โ€œMore recently I have been to Vietnam and Indonesia,โ€ she told me, โ€œso some of my more recent portraits that I am going to put up today are from that trip.โ€ We look forward to seeing them!

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ยฉ 2017-2020 Devizine (Darren Worrow) Images Copyright of Bryony Cox.
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Rowde Artist Alan Watterโ€™s NHS Portraits

Rowde artist Alan Watters has finished a portrait in the โ€˜Free Portraits for NHS Heroesโ€™ initiative as featured on BBC news recently. The subject is Christina Whicker, an IAC nurse at Boston Pilgrim Hospital. Alan says heโ€™s about to start another, โ€œas I find it difficult to say no!โ€

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Alan is also a part time support worker confined to 12 weeks self-isolation and wishing to still do something to help the fight against the Coronavirus. โ€œI thought I could produce limited edition pencil signed and numbered prints from some of my recently created original artworks and sell them at a modest price but with 100% of the profit going to causes fighting the virus, the major benefactor being โ€˜NHS Charities Together.โ€

So, heโ€™s knocked up a website where you can view the prints, here. โ€œI have a little way to go to reach my target of ยฃ1000,โ€ Alan explained, โ€œso please have a look and help if you can.โ€ Thereโ€™s a wide-range of fine art on show here, some life sketches, celebrity portraits, cute animals and also some thought-provoking imagery. Most prints are ยฃ25, for a limited period itโ€™ll also include a pencil signed greetings card featuring the image of your choice.


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March On: Things to Do. Part 2

Everyone having a nice March so far, been alright, innit? I promised, when I featured the first fortnight of events, here, that I would return to complete the last two weeks. Iโ€™ve promised this before and totally spaced on it, for which I apologise; not enough hours in the day. Nothing to do with my goldfish memory. Here though, this month, Iโ€™ve actually only gone and done it, before the 31st March too! See below if you donโ€™t believe itโ€™s true, the last fortnight in March, stuff to do while waiting for the supermarkets to restock on bog roll, and all that. I know, it scares me sometimes too.

madmarch
Click on the hare here to see the first fortnight of March

Bear in mind, mind, our calendar is constantly updating, so do check in as more events and gigs are bound to magically appear like the shopkeeper in Mr Ben.

Week 3

Sunday 15th is where we were up to, and I got two fantablous gigs, Burbank are the White Bear in Devizes, while Jon Amor is at the Three Horseshoes in Bradford on Avon; nice.

Monday, I never know if the Devizes Folk Club is on down the Lamb or not, to be frank, but itโ€™s a place for a beer if Iโ€™m wrong and itโ€™s not!!

Tuesday 17th The Stonehenge lecture at the Wiltshire Museum is now sold out. Celebrated cartoonist and artist, Norman Thelwell is at The Merchantโ€™s House in Marlborough, for a fascinating hour illustrated talk, tracing his life, passions and artistic development. Thelwell produced 1,500 cartoons and 60 front covers for the famed Punch magazine alone and some 32 books translated into a dozen different languages. His works were full of beautifully observed detail and mainly of rural subjects, including country and leisure pursuits, sport, house sales and renovation, stately homes, gardening and sailing. Failing that, Cracknakeel provides live music at The Sun in Frome for their St Patrickโ€™s Day celebration.

Wednesday 18th is jam-packed, for a Wednesday! Acoustic jam down the Southgate, Devizes. Bromhamโ€™s Farm Cookery School has a Taste of Morocco class, where you could be learning how to make a Briouat which is like a Moroccan Samosa, make your own Khobz and Kefta Mkaouara. ยฃ40.00 per person. Over in Marlborough David Evans gives the second of three lectures in The Merchant’s House Study Series, focussing on Reformation in England and the Arts. The Roots Sessions continues at Fromeโ€™s Cheese & Grain with the fantastic Ruzz Guitarโ€™s Blues Revue.

ruzz1

Thursday 19th and you could be back down The Farm Cookery School in Bromham for a Mozzarella & Halloumi Masterclass with Josie. She will teach how to make both cheese which is technical but fun! ยฃ35.00 per person. The fantastic Ed Byrne is at the Bath Forum and Moles has a punky/metal night with the Anarchistโ€™s Bookfair, Butter The Pavement and Out Of Reach.

JCS_2020

If itโ€™s a slow start to the week, Friday 20th March makes up for it. If, like me, all you know about Jesus Christ Superstar is that he came down from heaven on a Yamaha, and you have doubts with your conviction of that, itโ€™s the opening night for this amateur production by arrangement with The Really Useful Group Ltd at Devizesโ€™ Wharf Theatre. Tim Rice and Andrew Lloyd Webberโ€™s classic musical portrayal of the last seven days of the life of Christ as seen through the eyes of Judas Iscariot runs until Sat 28th March and while tickets are still available as I write this, do be as quick, as if you were on a Yamaha yourself; take care not to skid though!

operaspring

Meanwhile Devizes Town Hall is the place to head for opera fans, as The White Horse Opera presents their Spring Concert. Including Donizettiโ€™s L’Elisir d’amore, Ruddigore by Gilbert and Sullivan and Hadynโ€™s Creation, this would be the perfect introduction to opera for those, like me, who thought Donizetti was a type of pasta sauce!

melkfos

If you fancy music more pop, the local supergroup Iโ€™m always raving about, the Female Of The Species play Melkshamโ€™s Assembly Hall. Fusing all their respective bandโ€™s influences, expect the best of rock, soul and ska as the girlโ€™s combine forces for a fun-filled gig; Iโ€™ve been to see one of these shows and Iโ€™m not hyping it up because theyโ€™re all awesome chicks, I highly recommend it!

shoeboxlogo

Day one of two, at the inspiring Shoebox Theatre in Swindon of their FUSE Festival where six emerging artists test a new performance idea over three days. Fuse is about supporting the beginnings of new work before it’s fully developed. Watch, discuss, and be part of the creation of something brilliant. Two performances Kat Lyonsโ€™ Dry Season, interweaving music and movement with original spoken word poetry and extracts from medical literature. And the debut one-woman-show from Mighty Mammal Theatre, Swine of the Times, where you can meet the piggies at the troff; they sing songs, say prayers and even mime. Alice Wolff-Whitehouse employs her skills in physical comedy, dance and song to bring to life a series of flawed and quintessentially British characters, looking at the grotesque nature of privilege in the UK through a warped and colourful lens.

Staying in Swindon, Baila Coffee & Vinyl have some Disco Voodoo with DJ Amir, or try indie rock covers with Joli & the Souls at the Vic. Elsewhere, the Leathers play The Three Horseshoes in Bradford on Avon, Clannad are at Bath Forum, and Jack Deeโ€™s Off The Telly tour is at Salisbury City Hall.

Saturday 21st then. After the hugely successful free concert in the Market Place last summer, The Full Tone Orchestra have taken their show to Marlborough, and return to town to rave the night away at the Corn Exchange. Taking the most popular section of their show, the club anthems, expect this to be something innovative and all glowsticks, as conductor Anthony Brownโ€™s beloved orchestra reproduce the club classics which defined an era.

The Cavalier go country with the Stone Mountain Sinners, caught these guys before, theyโ€™ve a refreshing approach to country-rock which is a cut above the rest. And breezy, original songwriter Ed Witcomb makes a welcome return to The Southgate. For surf beats, odd time signatures, eccentric tunes and irony-fuelled free jazz, try The Barge at Honeystreet, where bonkers surf surrealists Mustard Allegro do their stuff.

Super Trooper Abba tribute, Sensations grace the Seend Community Centre, while Swindonโ€™s Meca has a Whitney Houston tribute. Donโ€™t forget though, itโ€™s day two of the Shoeboxโ€™s Fuse Festival too.

Mercy Lounge at The Three Horseshoes, Bradford on Avon. Recommended ska night at Warminsterโ€™s Prestbury Sports Bar with the Train To Skaville, and Paul Carrick is at Bath Forum.

Train to Skaville

Week 4

Head to the Southgate for an afternoon pint or three, on Sunday 22nd, and our fantastic singer-songwriter Vince Bell will entertain you. Meanwhile, Groovelator play The Three Horseshoes in Bradford.

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Vince

Tuesday, Devizes Film Club at the Town Hall have the latest Ken Loach film, Sorry We Missed You, which you will be if you miss this one film fans. Full of drama, tension and heartbreak. Ricky and Debbie are the parents of teenage children. Ricky joins the โ€˜gigโ€™ economy with a franchise for a parcel delivery firm. The job is sold to him as one where he will become master of his own destiny. Providing, that is, he complies with the labyrinth of deadlines, rules and conditions imposed by the company, a near impossible task. Debbie is a care worker who wants to care for the old people as though they are her Mam. But her working conditions thwart her in doing the job as she thinks fit. This modern Dickensian story dramatises the conflict between work and family life in contemporary Britain.

Donโ€™t forget Wednesdayโ€™s acoustic Jam down the Southgate, and blues-folk singer Elles Bailey is with Phil King at the Chapel Arts, Bath. Thursday you can witness epic human-powered feats, life-affirming challenges and mind-blowing cinematography on the big screen at The Banff Mountain Film Festival world tour, coming to the Salisbury City Hall. Staying in Devizes on the last Thursday of every month though is no bore, as the regular and celebrated open mic night at the Cellar Bar is something to behold.

Seventies punk bands never had such a great name as Brightonโ€™s Peter & The Test Tube Babies. Still going strong forty years on, they play the Vic in Swindon on Friday 27th. Tenner on the door. Swindon also has an Improv Jam at The Shoebox, and homemade function band Locomotion at the Swiss Chalet.

Locomotion

While itโ€™ll sadly never be possible for the boys to be back in town, Prestonโ€™s tribute Twin Lizzy will. They make a welcomed return to the Cavalier, Devizes on Friday. Meanwhile, the Devizes & District Twinning Association take over the town hall to bring us some French Cafรฉ Music with Jac & Co, tickets are also a tenner for both these diverse evenings.

How much more diverse do you want? A dedicated club night for adults with Learning Disabilities? This Is Me at the wonderful charity youth centre, Young Melksham is precisely that, a night of great music and friendship. Thereโ€™s a series of these events, first one is Friday.

Another welcomed return to Marlborough Folk-Roots at the Town Hall on Friday, when Steve Knightley explores the themes and stories that inspire him and shows how music and words can become lyrics and chords and notes can meld to create songs that acquire a life of their own.

For want of an authentic tribute band, From The Jam play The Cheese & Grain in Frome, and Iโ€™ve heard all good stories about them. If originals are what you want though, The Queenโ€™s Head in Box has a double-booking Friday. Katy Hurt stretches the country music genre in exciting new directions; haunting blues vocals, towering country rock guitars, even a reggae vibe, and she is followed by psychedelic alternative rock band, The Bohemian Embassy.

Saturday night of the 28th March is alright, but no fighting, please. Time for the Devizes Lionsโ€™ Spring Concert at St Andrewโ€™s Church, where Ian Diddams comperes Bath Coleman, Bangers & Nash, and the Trowbridge & District Youth Band. Tickets are ยฃ10, proceeds to Wiltshire Young Carers.

The Corn Exchange has a Gin Festival. Tribute act, Motley Crude are The Cavalier and local heroes Rockhoppaz play The Black Swan. For high octane original and classic rock mixed with some tasteful Bluesy tracks, check the Mark Smallman Band at the Southgate.

Devizine is the unofficial Tamsin Quin fan club, if you wanna hear why, head to Bromhamโ€™s Owl on Saturday. Another Abba Tribute, Swede Dreams play Market Lavington Community Hall.

Tamsin Quin

Highly recommended for the mods, The Roughcut Rebels are at The Pheasant in Chippenham. Also, Blondie & Ska are great fun, theyโ€™re at the Wiltshire Yeoman in Trowbridge, checking ahead, they play in Devizes, at the Pelican in May. The Blue Rose Band at The Westbury Conservative Club and an Amy Winehouse tribute at Bathโ€™s Odd Down AFC & Social Club. Level III have a โ€œOne Step Beyond-ska and punk club-night.

Elsewhere in Swindon, homemade Damm at Coleview Community Centre and P!nk tribute, Beautiful Trauma play Brookhouse Farm, and a Pearl Jam tribute, Earl Jam at the Vic.

Sophie Matthews explores the links between the visual and the aural in a one-hour presentation at the Merchantโ€™s House, Marlborough. Drawing on the works of great painters including Brueghel, Hogarth and Rigaud, Sophie presents a feast of images featuring historical woodwind instruments in their original social context interspersed with live performances of historical music using authentic instruments.

Sunday 29th – Nearly there, and breathโ€ฆ. Yin Yoga & Gong Bath at Devizes Corn Exchange, The Sunday Sessions continue at The White Bear with Matt Cook and Gary Hall at The Southgate. Thereโ€™s a Comic-Con at Bath Pavilion, to be frank, itโ€™s a commercial affair rather than a genuine โ€œcomicโ€ con, with cosplay, gaming and meeting vague TV actors and ex-Gladiators, but might be fun for the kids.

Thatโ€™s it, folks, March done, save Bradford on Avon Folk Club have Geoff Lakeman on Tuesday 31st. Letโ€™s regroup in April, but feedback on these articles are needed. Do they work for you? Long-winded I know, but in order to fit it in. Devizine is a work in progress, I enjoy and need to know whatโ€™s working and whatโ€™s not. So, if youโ€™ve read this far, I salute you! Tell me about it!


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden

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Mad March: Things to Do. Part 1…

Huzzah, hurrah, hurray, whoop, bravo, hoot, shout, shriek, hosanna, alleluia and other synonyms for expressions of delight which Iโ€™ve shamelessly purloined from Wordโ€™s dictionary. Do I care? Itโ€™s March, time of the Mad March Hare, spring springing, birds a-singing in the blossoming treetops; after such a damp winter itโ€™s refreshing to look forward to the April showers season!

Why do we even call them April showers when they tend to carry through from March to June?! Nevertheless, itโ€™s warmer rain, with momentary lapses of sunshine, those little teasers of spring; donโ€™t blink you might miss them. Still, just like a bear, Iโ€™m awakening from my hibernation, and heading downstream for a salmon supper!

In celebration of the feast, hereโ€™s some choosiest stuff to do over the coming month, as fished from our event calendar. The list is by no means comprehensive, you know the score by now, itโ€™s updated (nearly) every day, so do try to keep up. Facebook is a good idea, if you do that, our page pumps posts out like Dwayne Johnson on a promise. Also, consider signing up for a weekly email, I donโ€™t spam you, just once a week bulletin of what weโ€™ve done and whatโ€™s to come.

First fortnight in March then, here it comes; the second half will followโ€ฆ… I say that, then like a goldfish itโ€™s a notion thatโ€™s gone in three seconds! Also, I canโ€™t provide the links, but itโ€™s all listed on our home page with links; itโ€™ll take till April to do that, computer running at the speed of snail and all!

Devizes: First of the month is Sunday, nice way to ease into it. Georgina, Landlady of the White Bear, is running the London Marathon for Dorothy House, so thereโ€™s a pub quiz at 6:30pm to fundraise; ยฃ2.50 per person, max. 6 people on a team. Great Scott! St James Church hosts the monthly Devizes Silver Screen Film Club; Back to the Future showing this month. A great social meeting for our elders, and Driving Miss Daisy can provide transport.

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If youโ€™re looking for something wilder, The Three Horseshoes in Bradford on Avon is the place to head, where those Back-Wood Redeemers will be twisting those dark country and blues riffs into their splendid frenzy. Highly recommended from Devizine, tell them we sent you!

PSG has their regular Monday โ€œDevizes session of Pop Soul & Gospel Choir,โ€ at the Parish Rooms on Long Street, from 8pm until 9:30pm. Incredibly welcoming, PSG currently expect between 25 and 30 members on a Monday, and inform us โ€œit’s a fantastic sound!โ€ Join them for a fantastic start to your week!

Tuesday 3rd then, and itโ€™s Devizes Film Club at the Town Hall. The Farewell (PG) from China, 2019. Director: Lulu Wang. To western eyes, this film has a curious plot but it becomes understandable in the telling. Billi has left China aged six, to be brought up in New York. Twenty-four years later, she is called back to attend a wedding that has been arranged purely to conceal from her grandmother that she is dying of lung cancer. Such kindly subterfuge is apparently common practice but Billi finds it hard to accept. She sees again many family members and it is her gradual reacquaintance with her Chinese heritage that provides this compelling, spiky exploration of family duty. A heartfelt, funny, emotional and rewarding film. The screenplay and production are wonderful, prompting The Irish Critic to call it the Best Film of the Year.

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Edgelarks

Wednesday is the regular acoustic jam at the Southgate. Marlboroughโ€™s folk-roots club has Edgelarks at the Town Hall; duo Phillip Henry and Hannah Martin combine exquisite folk with influences as diverse as the blues and Indian classical slide guitar, to create a sound that is โ€œsubtle, atmospheric and bravely originalโ€ (The Guardian.) Alternatively, one of the most romantic operas ever written, La Bohรจme is showing at Bath Forum.

Even if not for the weather, Thursday 5th should get heated. Extinction Rebellion Devizes and Marlborough debate with MP Danny Kruger at St Maryโ€™s Devizes.

Friday night in Devizes looks loud; hard-edged vintage blues with Barrelhouse at the Southgate will yowl like the Howlinโ€™ Wolf. To contend, AC/DC tribute, Hellโ€™s Bells play the Exchange, but want for a local, loud, classic rock cover-band, the awesome Homer play The Crown at Bishopโ€™s Canningโ€™s, and youโ€™ll probably hear them from the Market Place!

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Buddy Holly and The Cricketers

Lighter rock n roll tributes come from Melkshamโ€™s Assembly Hall, where youโ€™ll find Buddy Holly and The Cricketers. Or Bath Forum has Elvis show, The King is Back, and Johnny Walker presents Sounds Of The 70s at Swindonโ€™s Wyvern Theatre.

The 7th, first Saturday of the month then, here it is: A songwriter genuinely literate, sometimes almost literary, Ian Parker is an original craftsman. Expressed through a distinctive bitter-sweet vocal delivery, Ian’s songs hold nothing back. His ability and willingness to share with his audience, naked honesty and genuine emotion, is what sets him apart, and The Long Street Blues Club welcomes him and his band back. Meanwhile, a little more light-hearted, Teachers Pet Rock Show comes to The Cavalier Community Hall. If youโ€™ve seen School of Rock, expect an East/West Midlands styled tribute, promising to be a โ€œgut busting, face melting glorious rock show that’s suitable for all ages!โ€

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Thereโ€™s acoustic fingerpicking, electric guitar thumping rhythms, harmonica and a loop pedal at the Southgate with Jon Pollard, while Marlboroughโ€™s Lamb has the high-energy classic rock covers band, The Electric Troubadours. Down tโ€™other end of that enlarged High Street, The Wellington has its Welly-Fest; check their Facebook page as thereโ€™s stuff going on the whole month long. Comes to ahead for reggae fans though, on Saturdayย  when our friends Razah and Knati P bring their sound system; oh yes.

Tributes in Trow-Vegas with Abbamania at The Civic. Whereas itโ€™s a Britpop tribute double-header at the Melksham Assembly Hall with Oasis Maybe and Ultimate Stone Roses, and always worth catching, The Blue Rose Band play The Talbot Inn, Calne.

Would you Adam & Eve it, Sunday March 8th is my birthday? Thank you, itโ€™s just a number. Not spoiled for choice as Iโ€™ve only one gig listed at the moment, but I do love the White Bear, where Phil Jinder Dewhurst continues their regular Sunday Sessions. Talking Sunday sessions, Swindon promoters Songs of Praise do similar at The Tuppenny, find the Richard Wileman & the Amy Fry Experience there this Sunday 8th.

Week 2

Second week of March then, then weโ€™re done and you go vacuum the hallway, or whatever else is outstanding; never ends, does it? Extinction Rebellion Devizes and Marlborough holds workshop โ€œRoots of a Regenerative Culture,โ€ Monday 7pm at The Barge on Honey Street. This training demystifies how to make everything we do regenerative and, as such, it is the key to understanding how to build resilience within ourselves and our communities.

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Tuesday 10th there be a Quiz Night at The Vaults, Devizes in aid of Opendoors. And the Devizes Film Club has a Mexican movie, The Chambermaid (15) at the Town Hall. Director Lila Avilรฉsโ€™ first film quietly pulses with life in a multi-storey luxury hotel in Mexico. We see the engrossing work of a young, single mother trying her best to be promoted by thorough work, and to study in what spare time she is allowed. There is no life-saving Hollywood romance, just the drudgery of her daily work, problems with her fellow workers and managers and her efforts to improve her life. Cartol acts with sublime understanding of her role. With persistence and wry humour, she rearranges her tasks for variety, wickedly teases the window-cleaners, goes to evening classes and reads Jonathan Livingston Seagull. A subtle gem of a film, beautifully shot against the boring and colourless back-rooms, lush guest-rooms and the stunning city views.

Wednesday 11th at Marlboroughโ€™s Merchants House Michael Hart presents โ€œProtestantism and the English Character.โ€ While one of the most intriguing and exciting collaborations on todayโ€™s folk scene, Peter Knight, legendary violinist and ex-Bellowhead member John Spiers brings an evening of improvisation and invention of mysterious tunes to Pound Arts in Corsham. In Devizes, itโ€™s time again for the acoustic jam at the trusty Southgate.

blossoms
Blossoms

Blossoms play the Bath Forum on Thursday 12th, revealing their new album, Foolish Loving Spaces. They explain, โ€œThe album is a pure celebration of love in all of its splendid and baffling guises, toying with the so-called sins of lust and forbidden infatuation. Itโ€™s inspired by a summer spent listening to โ€˜Stop Making Senseโ€™, โ€˜The Joshua Treeโ€™ & โ€˜Screamadelicaโ€™.โ€ If youโ€™re in Swindon though, head for The Tuppenny, where the awesome Jake Martin and Jess Silk perform acoustic. Acoustic, made for Thursday, eh? If you disagree, check out the Winchester Gate, Salisbury where top Ramones tribute, The Ramonas are guaranteed to liven it up.

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The Lost Trades

Friday is the night when the county finally gets ready for the debut gig of super-group The Lost Trades. Highly anticipated amalgamation of our good friends, Phil Cooper, Jamie R Hawkins and Tamsin Quin. We wish you the very best of luck, guys. Theyโ€™ll be supported by Timid Deer and Vince Bell at Trowbridgeโ€™s Village Pump.

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Meanwhile, keeping Kalm โ€˜nโ€™ Kind in Devizes, thereโ€™s a Restorative Yoga class with Kim Pierpoint, a Fundraising Quiz Evening for Opendoors at 7.30. Philippa and Declan Morgan are running the quiz at Wiltshire Museum. Tickets ยฃ10, including nibbles and a glass of wine. Reserve your ticket online and pay on the door! https://devizesopendoors.yapsody.com/event/index/533176/quiz-evening

On my never-ending list to do is get to โ€œPelly,โ€ kudos for putting on live music gigs, guys, just got work early in the mornings! Drew Bryant is live at The Pelican Inn on Friday, Lewis Clark & The Essentials with folk, soul, and blues at The Southgate, and thereโ€™s a Queen tribute called The Bohemians at the Corn Exchange. Comedy Night at Bradfordโ€™s Boat House with Jake Lambert, and the amazing Frank Turner plays Bath Forum.

lewisclark
Lewis Clark & The Essentials

Tuesday is St Patrickโ€™s Day, but Devizesโ€™ Cavalier canโ€™t wait, and present a St Patrickโ€™s theme weekend with those brilliant Day Breakers in the Community Hall on Saturday 14th. On the other side, three-piece rock originals, the Lightninโ€™ Hobos play The Southgate, and if youโ€™re not spoiled for choice this Saturday, I donโ€™t know when you will be, as the one and only Pete Gage plays with Innes Sibun and Jon Amor, all backed by Ruzz Guitar Revue at the Sports Club, corrrrr, thatโ€™ll be awesome.

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Extinction Rebellion Devizes and Marlborough are back at the The Barge, Honeystreet for a gathering, where the evening presents a stripped back, 3-piece version of Troyka Bristol, Troyka Mala. They play a stormy mixture of traditional and original songs and rhythms from the former Yugoslavia and the Balkans with brushes of Klezmer and the Middle East; intrigued? I am.

Powerhouse Gospel Choir play Melksham Assembly Hall while Jon Hopkins is at Bath Forum. For something more off planet, stoner rock and electro art-punk are promised at the Three Horseshoes, Bradford on Avon, with Head Noise, Conspiracy of Chaplains and The Forgetting Curve.

TLT artwork

Thatโ€™s about all, we will follow this up with the final fortnight of March, when I get around to it. I do, though wish Iโ€™d stop promising these things! One thing you can depend on, Saturday in Swindon will rock with Splat The Rat at The Merlin on Drove Road, unfortunately, I cannot recommend Talk In Codeโ€™s new single Talk Like That enough, see our review. Note, the launch party is at the Castle on this particular Saturday, the 14th, and I canโ€™t think of a better way to finish this lengthy roundup off!


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Gate-crashed The Lawrence Society of Artโ€™s Annual Exhibition!

Nipped into the Town Hall earlier, imagine, me, in the Town Hall. The Guardians will want me on their head chair before you know it; they should be so lucky! Ah, but thereโ€™s milling around The Assembly Rooms, few things still in boxes and a few ends to tie as The Lawrence Society of Art prepare for their annual art exhibition.

Iโ€™m informed Iโ€™m rather early, all will be running for the preview evening tonight, Wednesday 13th November, where all are welcome, from 6pm onwards. I sneaked a preview; you know me by now, just barge in uninvited, start randomly snapping phone photos and bust out of there like Billy Whizz on a promise, leaving everyone inside wondering โ€œwho was that guy with the chin?โ€

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The show ends on Saturday 16th November, Iโ€™d advise paying it a visit, for to my pleasant surprise, the range of paintings are diverse and the standard is outstanding. All local artists, members of the society, with the furthest away coming from over Trowbridge yonder, Iโ€™m told. For sale or browsing, I note our good friend Clifton Powell has a selection from his Africa series, and spotted some brilliant sketches from Rowdeโ€™s Alan Watters too. But more enlightening was the quantity of contributors Iโ€™ve yet to discover. From cubist to landscape, and abstract to fine art, the range is sundry with no apparent theme. I like this approach though, nothing open to interpretation.

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Proudly Iโ€™m informed the Lawrence Society of Art was formed back in 1953, and has actively fostered an interest in art with lectures, demonstrations, classes, outings, workshops and this major Annual Exhibition consistently since. The productivity of such an established association shows here today; my few pics will not do it justice.

The other major event of the society is usually in August. Their Art Trail, where participating shops and venues have a trail map, and there are about 30 shops in town showcasing members work, many available to purchase.

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Named after child prodigy Sir Thomas Lawrence, a leading English portrait painter and the fourth president of the Royal Academy, who picked up sketching aged ten while his Dad was proprietor of the Bear Hotel, The Lawrence Art Society has an annual membership fee, for regular meetings and workshops. If you dabble, this exhibition could be the perfect introduction, if you just fancy a browse, Iโ€™ll say itโ€™s very worthwhile. The opening times are: 14th November 9.30 am – 5.30 pm, 15th 9.30 am – 5.30 pm and 16th November 9.30 am – 12.00 pm.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Eric Ravilious; the Downland Man

For the very first time Wiltshire Museum will be borrowing from major National Museums to bring an international standard art exhibition to the County. Theyโ€™ve confirmed important loans from the Tate and V&A, as well as private lenders. They are also liaising with the Imperial War Museum, British Museum, National Museum of Wales and the prestigious Towner Art Gallery in Eastbourne, as well as private lenders, to secure a significant range of evocative watercolours for the display.

This ground-breaking exhibition celebrates watercolour artist Eric Ravilious, and his fascination with the sweeping downland landscapes of Wiltshire and Sussex. His watercolours have such a spirit of place you can almost feel the wind on your cheeks and hear the birds above. Wiltshire Museum say, โ€œit will appeal to art lovers across the country and to local people who love the iconic local landscapes.โ€

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The exhibition is masterminded by guest curator, James Russell. James created the enormously successful Ravilious exhibition at the Dulwich Picture Gallery in 2015. He will also write an illustrated catalogue to accompany the exhibition.

The importance of the downlands to Ravilious is well documented, but this exhibition will be the first to be dedicated solely to this subject. It will explore this area of his work and relate it to the national fascination with downland landscapes, mythology and archaeology, which gripped Britain between the wars. The exhibition will include darkly menacing war-time views of the coastline, including the famous โ€˜White Cliffsโ€™ of Dover.

Items from the museumโ€™s designated collections will be included in the exhibition. A highlight will be a sketch book Ravilious created in 1939 for the โ€˜Puffinโ€™ series of childrenโ€™s books. Although never published, it contains delicate pencil drawings of chalk hill figures, ancient monuments and prehistoric earthworks in Wiltshire. The idea behind the series of books was to promote patriotism in the youth of England as the Second World War loomed.

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Though Wiltshire Museum need your help to bring this important exhibition to life. You can support the appeal by clicking here. donations will provide invaluable match-funding for grant applications to make the exhibition possible. They have already had donations from private individuals and are seeking commercial sponsorship.

We will also be organising an events programme linked to the exhibition. If you are interested in bringing a group to see the exhibition, having a guided tour or a lecture to your group, then please get in touch with the museum.


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Top Twenty Best Vids of the Vizes!

Wet play project, canโ€™t be bothered to go out. Iโ€™ve complied the best-loved videos documenting our crazy lilโ€™ town, yet it can be updated if you know of a better one? And not one of your barbeque party where cousin Billy lost it on the trampoline; Iโ€™m not Harry flipping Hill and you wonโ€™t get two-hundred and fifty quid out of me, lucky to blag 10p. Let the arguments commence, but Iโ€™ve tried to top twenty the best, based on historical fact, entertainment value, general nostalgia and quantity of eighties short-shorts.

1- I was fascinated to watch this near on half-hour 1956 silent film, A Small Town Devizes. Made by cameraman David Prosser, from a series of similar Small-Town shorts. It features the lives of people in Devizes during Carnival Week August 1956. In the YouTube notes thereโ€™s an extensive list of people and companies which featured in the film. If it brings any notable points of interest it must surely be lobbying DOCA to reintroduce the drag-your-wife-along-in-a-pram-attached-to-a-motorbike race, methinks.

2 โ€“ Lion in the Hall! Courtesy of BBC Points West, the day in 1980 when escaped circus lions paid Devizes School a visit during the lunch hour goes down in history. Were you there, are you showing your age, and did you try feed the lion your mateโ€™s school tie? What about todayโ€™s pupils, do you think Mr Bevan should reinstate this lion, maybe give him a TA job? Would your teacher benefit from fighting a lion, it might help to maintain the pupilโ€™s interest in the lesson?

3 – Boto-X clip 1986. See, my Devizes born and bred better half told me about this strict health & safety regulated event and, if it hadnโ€™t been Devizes, Iโ€™d probably have branded her a liar. Delighted to see Caen Hill Locks dig up a clip of this incredibly brilliant Boto-X from 1986. Stop! Win a Colour Telly!

4 โ€“ Oh get off my back, Iโ€™ve read Tess of the d’Urbervilles, just not any other of olโ€™ Tom Hardyโ€™s books, itโ€™s not like heโ€™s going to hassle me about it. Far From The Maddening Crowd was his first major novel, and had four film adaptations. John Schlesingerโ€™s 1967 MGM version was part filmed in Devizes, and Bill Huntly of Devizes Television loses his shit about it like it was Casablanca or Star Wars; bless. There are some great clips of the film in this interview, of people drunkenly singing and dancing in the Market Place; something you donโ€™t see every day, eh? Yeah, I know, right, not that far from the maddening crowd at all really, wait for the bin to kick out.

5- Out of all Simon Folkardโ€™s gorgeous aerial shot films, last yearโ€™s snow-covered town and canal was undoubtedly the most breath-taking. Oh, that Beast from the East, looks beautiful from above, but just to think, I was wheel-spinning a milk-float down there somewhere, holding on to me gold-tops for dear life.

6- While weโ€™re on the subject of the milkman, hereโ€™s Madness disciple Markโ€™s moment in the spotlight as BBC Wiltshire focus on Plankโ€™s Dairy. It has to be nine below zero before he puts his long trousers on, no one needs to see those knees, Mark. Ask him to whistle a Thin Lizzy tune on his round, I double-dare you.

7- 19 36- Last Train From Devizes. Post-punk poets, Browfort, ingeniously fuse synth-pop and local history in this video about The Beeching Axe and the last train from Devizes in 1966. Thereโ€™s some great railway footage, mixed with their performance at The Bell on the Green. Thereโ€™s no evidence to suggest the band will reform as Juliaโ€™s House to pay tribute to the first train from Devizes Parkway, whenโ€ฆ. erm, if it happens.

8 – If youโ€™re considering shoplifting for camera film in town, watch this early-eighties adaptation of the story of Ruth Pierce by Devizes Cine Club, and youโ€™ll quickly be bored into submission. It really is so bad itโ€™s good. I need not mock it, the acting, production and deviation of facts does it for me. Just to say though, is it me, or does the lead role sound a little like Claire Perry?!

9- We love our whacky historian John Girvan, the only man to enter the Town Hall lock up and live to tell the tale, save for feasting food festival fanatics who failed to note thereโ€™s the far comfier Peppermill across the road. But did you know, rather than most men whose interests lie more on whatโ€™s inside them, John confesses a love for brassieres? So, if your bra goes missing from the washing line, you know who to point the finger at.

10- Proof that either the legendary ghost of Room 4, or stranger still, the Black Swan’s window cleaner has five fingers. In 2014 the Visual Paranormal Investigations team trucked their mystery machine into our town and, without the great Dane and giant sandwiches, set up an experiment to find out if the ghost broadcasts on FM, like Ken Bruce.

11- More actual evidence in this charmingly narrated clip, this time of the Muppetry of the new traffic light system on London Road. Evidence the road planning department of Wiltshire Council are, and I quote, “retarded!” Classic, donโ€™t hold back Truthseeker. I don’t know who you are pal, but you’re defo not Philip Whitehead.

12- Thereโ€™s countless musical performers I could include here, but perhaps the widest known and appreciated is blues legend Jon Amor. Here he is, at the International Street Festival 2015 with a lengthy but worthy song, Even After That.

13- Talented Arthur Plumb, the Juggling Unicyclist at Sidmouth Street Festival 2015. While thereโ€™s a vast amount of street acts posted to YouTube, from our street festivals and carnivals, if I could only pick one itโ€™s this entertaining Devizes TV presentation of a rather youthful Arthur Plumb. Three years ago, Shambles trader Bill Huntly was fast becoming our townโ€™s TV host, where did he go, someone nick his cravat? Seriously though, hope you are well Mr Huntly and wishing you all the best; we loved your short films.

14- Usually reserved for the still camera, Nick Padmore is a man loved by our local music scene, for capturing the essence of its performers. Here though he videos the man, Vince Bell at Sheer Music in the Fold. Not intending to post too many music-related videos here, this 2017 performance is a must, if not just for Ship of Fools, but his amusing ditty about Devizes, Nobody Gets Out of Here Alive, right at the end of this film.

15- If you ever wondered why Tesco shut its Devizes metro branch, this may go some way to explain why. Yep, never had a lick of paint applied to it since the release of Michael Jacksonโ€™s album Thriller. The staff were friendly though!

16- Set the captives free! No really, I think theyโ€™d have moved convicts before blowing Devizes prison to the ground to make way for housing in 1927, wouldnโ€™t they? Or did they move into the houses? Might explain a few things. British Pathe have millions of videos on their website, search Devizes and youโ€™ll find a carnival parade of the 1920s and an Army Football Cup final from 1955, to name a couple.

https://www.britishpathe.com/video/prison-walls-make-cottage-homes/query/devizes

17- There’s nothing sarcastic I can comment here, even I wanted to, which I wouldnโ€™t, cos Iโ€™m not like that; a gorgeously edited film of Devizes at Christmas by Chris Watkins, accompanied by a song written and performed by the equally wonderful Kirsty Clinch, makes my bells go all jingly…I said my bells!

18- Well done Paige Hanchant, for the only Harry Hill style clip Iโ€™m going to allow; capturing this amusing moment on the canal, just when it was going so well too; who ordered the chubster? Awl, bless.

19- No one interrupted the march to nip into Greggs for a sausage and bean melt in 1983, not in this pleasant three-minute video of the parade at least.

20 – Moonrakers Fable. Vintage poem narrator Alan Doel puts on his best Wiltshire accent to recite Edward Slowโ€™s 1881 telling of the Moonrakers fable, and illustrated with postcards and emblems, makes a fair job of it. Yet the tale is known only too well in Devizes, it be rioght gurt lush to โ€˜ear it read in ye olde Wiltshire dialect, ewe.

Thatโ€™s all folks, well, Iโ€™m sure thereโ€™s many others, but these were my favs. Not to blow my own trumpet, but Devizine does have its own YouTube channel, mostly I create wobbly musical performance clips, with a cider in the other hand and standing far too close to the speaker to do the band or musician justice, but they seem like a good idea at the time. So, subscribe at your own risk. I set it up primarily to capture this meeting with local street magician Raj Bhanot in Cafรฉ Nero last summer, and here he is for a bonus vid.

Perhaps, if we get another rainy day, which is doubtful, Iโ€™ll find another set of videos based in Devizes. If you know of any which should be included then do send the link. Saucy ones to my personal email though, please.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Never Mind The Heritage, Hereโ€™s an Art Show

Images by Gail Foster

ย Si Griffiths teams up with Mike Long and Emma Sally for an all-together different art show…..in Chippenham!

 

If, like me, you like your art with edge, and you donโ€™t stand on convention, a trio of Chippenham artists have a DIY exhibition at the Yelde Hall you really need to see.

With a poster akin to the cover of Never Mind the Bollocks, Never Mind The Heritage, Hereโ€™s Our Art Show show does just that, it grabs the conventional art world where it hurts and hurls it away, but in a satirical manner rather than all-out anarchy.

Weโ€™ve had a few moments with Si Griffiths online in the past, it was a great opportunity to meet him in person, but more so, see his paintings for real. Itโ€™s an argument I try convey to many non-art-lovers; itโ€™s one thing to see a 72dpi Google image, even a print in a book, but something all together different to view the original in a gallery.

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Part-psychedelic-part-punker painter with a penchant for clowns, thereโ€™s always narrative to Siโ€™s work, hidden meanings, repeated symbolism and a counter-culture ethos. With a dark satirical edge, his paintings often reflect underground comix of yore. Think Rick Griffin rather than Vaughn Bode, and principally pre-Fredrick Werthamโ€™s censorship assault on US comic books in the fifties, such as the daring EC line. A couple even have hand painted text in a similar font to EC comic books.

While itโ€™s the comic influence which initially drew me in his work, others show a proficient hand at life drawing, but all are psychedelia, explosive with colour and hold disturbing undertones. Tattoo-like devils, skeletons, but particularly misplaced clowns, often in unusual or dangerous predicaments, say with hookers and guns, or sitting alongside a table depicting disciples in Da Vinciโ€™s Last Supper, with Jesus as a jester. Thereโ€™s a slight element to pop art and surrealism, with a plethora of cultural references, Freddy Kruger and that guy with the pins in his head! Yet Siโ€™s work is highly unique and stylised, accurately rendered, with running symbolism such as yin and yan, and Edvard Munch’s the Scream seems to hang on the walls of many scenes.

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Emma Sally with Si’s work behind her

We talked over many influences, I mentioned Pieter Bruegel, but in turning a corner to the second artist, Mike Long, I noted he had an even greater influence to Bruegal, and L. S. Lowry too, with some pleasing busy scenes you could examine for an age and still discover something new. I feel this similar element brings both artists together, yet this is a varied show, and Mikeโ€™s take is different from Siโ€™s angle.

I breezed past some still life, something faithfully enlightening in concept, and onto some scenes which defied the laws of perspective. This took me to mention Hogarth, for his play on perspective, but from a larger scenic painting Mike pointed to a group of fairground attendees in a pose akin to Goyaโ€™s classic The Third of May 1808; again, I see why these two artists complement each other perfectly, Goya had a cartoony style, of sorts, yet both Si and Mike retain their individualism. Mike expressed the scenes are real, with alternative angles to various parts, like the cubist approach.

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Mike Long’s Goya-styled fairground attraction

I loved a painting on the end of the board, of a steampunk airship, and Mike elucidated his inspiration came from the frame he used. This then was an entirely new approach to me, not fathoming the frame is anything more than the sum of its parts, a frame, a border to the end of the piece. With this notion I looked back at his still life paintings, and across the board there was a definite relationship to the frame in each painting. While in some the frame matched the style or theme, in others the painting extended out across the frame in an inimitable fashion.

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Mike explains the relationship with the border in this steampunk inspired peice

Between the two, Emma Sallyโ€™s work displayed some beautiful still life with expressive attention to reflection, but as I progressed to the other side of the wall, I witnessed a move to veiled meanings, of freedom, of love and passion. These are highly skilled paintings, breath-taking photographic renditions, and a series of oriental fashioned female poses, they were absolutely awesome, I demanded our lady of the lens, Gail, takes a snap of this one, as I think it alone will lure you in to this wonderful and friendly little exhibit.

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That’s the painting I’m on about from Emma, totally drew me in for ages!

Itโ€™s free folks, the works are extremely fair-priced, and I could think of three billion ways less productive and interesting to kill an hour in Chippenham! What is more, The Yelde Hall is a lovely space for it, central in Chippenham and I hope it inspires more artistic happenings in the town. Itโ€™s on until Thursday 26th September, open daily from 10am until 4pm, except Sunday.

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The legend, Kieran J Moore dropped in during his lunchbreak to show us some magic tricks!!

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ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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A Touching Conclusion to Cliftonโ€™s First Marlborough Open Studio

If you need a feelgood story this week, as the Marlborough Open Studios closes for another year, newcomer to the event and our friend here at Devizine, artist Clifton Powell made a big impact with a heart-warming conclusion.

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Founder member of the Marlborough Open Studios, Elizabeth Scott exhibited every year from 1985 at her studio at Minal, until she moved to Savernake Forest in 2006. There she continued to show in Newbury Open Studios.

Elizabeth starting as a photographer in Rome in the 1960s, where she chronicled Italy through the many people she met there. She settled into family life in Wiltshire in the 1980s and the inheritance of dark room equipment from her brother-in-law led her to study photography at Swindon College.

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Commissioned to produce a series of local portraits, she gained an interest in painting. This second half of her artistic career took her from Marlborough College Summer School to study at the Slade Summer School at St Ives, the Verocchio Arts Centre in Italy and more recently for the Rabley Drawing Centre. Her painting, drawing and etching from these travels, along with inspiration from the Wiltshire downs were all shown in her open studios and exhibited further afield.

All this came to an abrupt halt in 2017 when Elizabeth had a pulmonary embolism, following a number of mini strokes. Determined to keep up her art she joined a local watercolour class and then was offered a place in an Arts Together group in Pewsey. This is where she met Clifton Powell, one of a number of volunteer artists who lead the groups.

Marlborough Open Studios chose an annual charity to support, and this year it was Arts Together. If you recall, I spent a special day visiting Clifton at a group in Melksham, here is how it went, it also goes some way to explain the importance of the work Arts Together does.

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This final weekend of the Open Studios came to an emotional pinnacle for Clifton, who was displaying some of Elizabethโ€™s work within his own open studio exhibit in Potterne. Elizabeth made a surprise visit at the studio. She took great pleasure in seeing her work on show again. Good friend, Bev said, โ€œThe whole family came, eight of them, all the way from London, and they had a family picnic in our lounge! It was very touching.โ€

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Her family commented, โ€œArts Together has been without doubt the most human and empathetic support offered to her during difficult times.โ€ Showing some of Elizabethโ€™s work at this yearโ€™s Open Studios was an opportunity to both honour her work as an artist, her founding contribution to Open Studios and the ongoing work of Arts Together.

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ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


 

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Marlborough Opens Studios in July

Imagine, if you will, donโ€™t feel you have to on my account, but imagine an art gallery the size of a county, with forty artists exhibiting over a whole month. For some that may be overload, itโ€™s understandable; thereโ€™s only so much trudging through an art gallery one can do without the need to scream โ€œwhereโ€™s the door, my head can only take in so much?!โ€

If thereโ€™s also apprehension from the artist, itโ€™s understandable, if you even get to meet them. Itโ€™s a gallery, youโ€™re a potential customer, theyโ€™ve got to be sober, wear plastic smile and clothes not splattered in gouache. Art galleries can often be perceived as chic, swanky places, the chinking of wine glasses and ho-ray Henries chortling, โ€œoh, how awfully common.โ€

How better to visit a more relaxed artist, at their home or studio? Thatโ€™s the beauty of an Open Studios event, and we have a whopper on our doorstep. Often lonesome by occupational hazard, those creative minds open up their studios in faith youโ€™ll pay them a visit. They call it Marlborough Open Studios, but it pans across the downs from Calne and Devizes to Hungerford, and from Pewsey to Wroughton.

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Arty Pumpkin

We previewed it last year, donโ€™t think we got much of a thanks or response from the committee, truth be told; probably favouring pressing the local rag and those ritzy websites and publications with covers of models in Harris Tweed suits and shooting rifles over their shoulders, prancing about woodland. Thereโ€™s the whole systematic issue with art today, itโ€™s considered too hoity-toity for the average, chips-from-the-chippy type person. I despise this stereotype; art appreciation should be for the masses. I like art, I donโ€™t wear a beret, never have.

Anyway, Iโ€™m waffling. Thing is, with forty artists on show this year, I couldnโ€™t possibly cover them all. So, I encourage you to browse their comprehensive website or pick up the guidebook distributed locally. Iโ€™m going to flick through, highlight some I like the look of, the rest is up to you.

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Normandy Barcelo-Soto

It is free to visit any artist, and they open for the first for Saturdays and Sundays of the month of July, but you need to check ahead for the particular artist as not all open every weekend. Some have special events and workshops which may incur a cost.

Again, the Open Studios committee select some exhibiting artists for a bursary award, these this year go to Japanese inspired furniture maker Josh Milton and bespoke hatmaker, Sophia Spicer.

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Mark Somervilleย 

Iโ€™m delighted to say The Marlborough Open Studios has chosen Arts Together to be supported charity this year. Iโ€™ve covered the charity some months ago, when I attended a workshop by artist Clifton Powell, one of a number of volunteer artists who lead the groups.

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Clifton @ Arts Together

It should be noted that Clifton Powell will also be exhibiting his fine realism paintings from his Potterne home, a variety of wildlife, locally and throughout his travelling, and the most poignant theme of unrest in the world.

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Roy Evans

Hereโ€™s my alphabetical rundown of other favourites to attend:

Anne Swan at Rowde: Botanical coloured pencil drawing.
Arty Pumpkin at Wroughton: urban mixed media printmaker with word and image combinations.
Diccon Dadey in Hungerford: amazing modern metal life sculptures.
Jenny Pape at Chirton: Oil Landscape artist.
Mark Somerville at Ogbourne St George: Lens based urban artist.
Mary Wilkinson at Mildenhall: oil and pastel landscape artist.
Normandy Barcelo-Soto in Froxfield: Mexican modern surrealist.
Roy Evans at Potterne: Coppersmith sculptures of nature.
Sarah Burton at Chirton: Expressive landscape artist.
Susan Kirkman in Ramsbury: multi-media landscape collages.
Susie Bigglestone at Calne: abstract photography.
Tania Coleridge at Wroughton: Textiles, pastel and paint imagery.

Yet, itโ€™s just the tip of the iceberg, there is so many others to explore. Do check the website.

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Cuban meets African, in Devizes: All About Grupo Lokito

You know, I have my ska-reggae show on Boot Boy radio, thatโ€™s while Iโ€™m so looking forward to Barbโ€™dwire playing the Devizes Arts Festival in June, but feel I differ from its, generally, skinhead cohorts with instantaneous love for all Caribbean styles of music.

Thereโ€™s something so colourful and lively in these many styles from the islands in the sun, but in my excitement for the ska night, Iโ€™ve overlooked the other intriguing main musical booking, London-based Afro-Cuban group Grupo Lokito, and wow, they sound tremendous!

Rhumba down to Corn Exchange on Saturday 15th June, where Grupo Lokito fuse contemporary Congolese and Cuban; I leave a few videos here, certain to wow you as they have me. In addition, weโ€™re lucky enough to have Lokitoโ€™s manager and keyboardist, Sara McGuinness to enlighten.

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Keen to scoop some background, I asked Sara about managing a number of Cuban groups in London, Grupo Lokito being just one, and if they were Cuban by birth.

โ€œI have played Cuban music and salsa for most of my life, as a piano player on the UK Latin scene,โ€ Sara tells me. โ€œIn the mid-2000s I decided I wanted to investigate Congolese music, found a, at that time, vibrant underground Congolese music scene and started playing keyboards in a Congolese band. Congolese music is one of the few styles that is popular pan- Africa. The fact it has a modern but distinctly African sound is often cited as one of the reasons. Itโ€™s vibrant, fantastic music. What became clear to me the minute I started working with Congolese musicians within their community was that the music the African audience, the โ€˜homeโ€™ audience if you will, liked was quite distinct from the music favoured by the world music audience. The Congolese liked the old and the modern stuff, whereas the tastes of the world music audience stopped in the 60s. I loved the modern music that I was playing with the Congolese bands. Furthermore, I could see many similarities in performance practice and musical structure between that music and Cuban music. So, together with a Congolese singer, I wrote some tunes and we brought together musicians from the two traditions.โ€

โ€œWe were lucky as, working within both scenes, we had insider knowledge about who to work with. What was striking was that the two groups of musicians had never met each other or mixed at all before we brought them together in this band. Together in the band we worked hard to absorb each otherโ€™s musical styles. I was determined not to have a โ€˜fusionโ€™ group which played a pastiche of the two styles. Grupo Lokito have a large original repertoire which combines different elements of Congolese and Cuban music. All of the band are dedicated to playing the music well and with an amazing groove.โ€

I asked Sara to breakdown the bandโ€™s origins.

โ€œIโ€™m the bandleader, born in the UK. The two lead singers, the lead guitarist and, on this occasion, the drummer are from the Democratic republic of Congo. The bass player and the percussionist are from Colombia and the trumpet player who is guesting with us on this occasion, is Cuban. What is more important than our origins are we are all Londoners, we have all chosen to make London our home and contribute to the rich cultural fabric of this great city.โ€

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This Cuban/Congolese fusion, I had to ask; are African fusions common in Cuba’s contemporary music scene, or something unique to Lokito?

โ€œAbsolutely not. My experience of Cuba is that most Cubans know very little about contemporary African music. Yes, there are many African derived musical traditions in Cuba but these hark back to an imagined Africa and African of 200 years ago. My experience is that initially the Congolese musicians I involved in the project had more idea about Cuban music, albeit a little old fashioned, than the Latinos did about Congolese music. The band is unique.โ€

The idea of an โ€œimaginedโ€ Africa of yore is interesting, I think akin to all Caribbean music, particularly reggae. On Cuban styles though, I can’t believe it’s been over 20 years since the Buena Vista Social club album when, Ry Cooder popularised the genre. I wondered what Sara thought about this, does she think itโ€™s been good for Cuban bands in the UK, as it’s probably the only album the masses would recognise from a bucket of “world music” albums.

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โ€œThe Buena Vista Social Club project certainly was part of the opening up of Cuba and popularity of Cuban music in the world,โ€ she explains, โ€œIt is often said to be a Ry Cooper project, but was actually a consortium of Juan De Marcos Gonzales, Nick Gold (World Circuit) and Ry Cooder. They decided to bill it as Ry Cooder in order for the project to gain wider popularity and not just end up in the world music bin; it worked!โ€

โ€œIn terms of it being good for Cuban music in the UK there are positive and negative consequences. On the positive side; many people became interested in Cuban Son and there was more call for Cuban bands to play old style, Cuban Son. On a negative side, it did create a nostalgic, polarized image of what Cuban music is and created a standard repertoire that bands were required to play. In fact, the island of Cuba has a huge number of musical styles which have come out of the island, a product of the mix of cultures on the island: Mainly European and African but also Chinese, and other.โ€

My research suggested Cubano Son is the style associated with an African and Latin fusion in Cuba, which has been around since the 1920s. So, is Grupo Lokito similar? But does Sara think this wouldn’t be popular in Cuba today.

โ€œI donโ€™t agree Son is the style associate with African and Latin in Cuba,โ€ Sara corrected me, I’m here to learn! โ€œThere are definite African and European roots to son,โ€ Sara continues, โ€œSon has been constantly developing since the 20s and, as you point out most people are not listening to son in the style of the 20s. Cuba has definitely opened up to the world and there is a lot of music coming out of Cuba now, from Jazz to Hip hop, timba, son.โ€

But Grupo Lokito brings together contemporary musicians from two musical traditions, okay, similar more so to Soukous, a popular dance music from the Congo Basin derived from Congolese rumba, or better still, stop pigeonholing Worrow! Grupo Lokito write their own original tunes: stories of life ranging from love tales, reflections on the trials facing musicians trying to make a home away from home, the wisdom of the elders, to the simple joy of dancing, and sounds awesome!

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To return this fascinating and enlightening chat to the beginning, what of reggae and ska, surely the most popular forms of Caribbean music in the UK, due to the Windrush generation. I asked Sara, what she thinks African, or Cuban styles would have to do to become as ingrained in our culture as them, is that even possible does she think, and is it something to aim for?

โ€œI think it depends who ‘we’ are,โ€ Sara replied. โ€œThere are many second, third and more generation British people of African descent and for them, the music of home is embedded in their culture. Latin-American music, in cities such as London, where there are large Latin American communities, particularly Colombian and again, second and third generations have Colombian musical styles ingrained in their culture. I definitely think that multi-cultural society is something we should be proud of. I do realise the London is a cultural bubble and the rest of the UK, particularly outside the large cities, is far less multi-cultural. If you look at some of the new music being created in the UK cities it will all be in there.โ€

Ah, but this be Devizes me lover! Iโ€™m extremely grateful for Saraโ€™s time in chatting with us, must say, itโ€™s a great example of the diversity on offer at this yearโ€™s Devizes Arts Festival, and something exotic and exciting for us bumpkins!

 

Tickets to Grupo Lokito are on sale now at ยฃ18.

 

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De Novo; New Beginnings for Claire and Mark

 

Whatโ€™s all this about then, another invitation to โ€œlikeโ€ a Facebook page? I was glad to catch up with Claire Gilchrist yesterday, as she announced a new venture with other former People Like Us originator, Mark Povey…โ€ฆ.

The fresh electro-acoustic duo dubbed, De Novo, promises to โ€œcreate something frickinโ€™ stratospheric!โ€

Bassist Mark left People Like Us after a sell-out New Yearโ€™s Eve gig at the Three Crowns, Devizes back in 2017, while Claire left towards the end of last year. Let’s not dwell on details, I wanted to press Claire for what we can expect from this silver lining, for does she see it as thus? โ€œQuite,โ€ Claire agreed, and informed me, โ€œDe Novo is Latin for New Beginning.โ€

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But is De Novo something dreamed up on a whim, this Sunday afternoon in a beer garden? โ€œNo. Mark and I have been toying with the idea of a duo for a while now,โ€ Claire explained, โ€œbut I was far from ready to sing again after last year.โ€ The split from People Like Us left Claire disheartened, so we are pleased to hear sheโ€™s found her feet again, and that wonderfully punctual and expressive voice too, obviously.

But, what kind of music can we expect?

โ€œWe will be producing our own take on chart and album songs, old and new,โ€ she explained.

How far do you plan to go back? I inquired, requesting them to give us some eighties!

โ€œFooโ€™s,โ€ Claire namedropped, โ€œBeach Boys, Adele, Guns & Roses, The Policeโ€ฆโ€ Then Erasure, The Human League, and Simple Minds were also cited.

A broad pop mix, โ€œchoosing your favourites?!โ€ I asked.

โ€œThe One and Only!โ€ came a knee-jerk reaction, I hope in jest! โ€œYes, but also songs that people wonโ€™t necessarily recognise.โ€ The blurb on De Novo expresses: Anyone who knows either of us already will not be surprised to read that our duo will not be that of the โ€˜every dayโ€™ kind.

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Original People Like Us line-up, Andy, Nicky, Claire and Mark

Claire agreed with my belief, that it’s fascinating to cover songs, when putting your own stamp on them. But what about originals, has the duo their own compositions up their sleeves?

โ€œYes, Mark and I are songwriters.โ€

โ€œTogether?โ€

โ€œYes.โ€ Claire was keen to open up to a little of her history, โ€œI had a record deal with an independent label when I was in my early twenties. My song-writing partner and I had songs that were put forward to artists in Nashville, at the time.โ€ Yet she sings and plays by ear, โ€œI always need an โ€˜actualโ€™ musician to realise stuff properly.โ€

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Mark and Claire are at โ€œthe very beginning of our musical journey together,โ€ and we wish all the best for this promising duo, but are they ready?

โ€œNot quite yet, weโ€™re honing our act. We donโ€™t want to go out and perform without being 100% happy and ready,โ€ she explained, โ€œbut weโ€™re hoping to pop up over the summer to give people a free taster and be gig-ready by September. Like flash-mob, out of the blue, street kinda stuff.โ€

โ€œBuskers,โ€ I jest, though Claire professed the importance of busking, informing me her idol KT Tunstall started as a busker. So, track their progress by giving the De Novo Facebook page your โ€œlike,โ€ and we look forward to hearing from them soon.

 

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What a May Day! Things to do This Month; Part 2

Hark, the darling buds of May. Already looking quite blossomy isnโ€™t it? Well, blossoming too is stuff to do in and around our local neighbourhood, and a few weeks ago I presented you with a lengthy look at whatโ€™s on during the first fortnight; see here.

Now though, sit down and brace yourself for some shocking news. I have, actually produced the second part of the monthly preview, and here it is! Though promised with previous months, I tend to side-track, or just plain scatter-brain and not carried it through. Not so this time, you donโ€™t have to thank me, unless you have a choc n nut Cornetto.

Week 3: Mon 13th โ€“ Sunday 19th May

Regular sing-a-long at Devizes Folk Club in the Lamb, Devizes on Monday, similar on Tuesday if your go to the Bradford Folk Club, 8pm in the Cellar Bar of the Swan Hotel. Meanwhile, St James Wine Vaults in Bath where Radical Westie Productions presents Daisy, Television Villain, Ravetank and Devizine favourites Nerve Endings; ยฃ3 door tax.

Wednesday 15th, and Peter Vaughan does pasta at Vaughanโ€™s Kitchen Cookery School, later donโ€™t forget the acoustic jam at The Southgate, Devizes.

Thereโ€™s Bach Suites by Orchestra of the Age of Enlightenment: Young Artists Anima Fidis Quartet at the Wiltshire Music Centre Bradford on Avon.

Thursdayโ€™s is acoustic night at The Royal Oak, Corsham. Hannah Rose Platt and Black Sheep Apprentice at The Tuppenny, Swindon or tribute night with The Quo Experience at The Cheese & Grain, Frome.

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Thereโ€™s a barn dance on Friday 17th at the West Lavington Hall. Usually wouldnโ€™t make a song and dance out of such, but all proceeds go to the wonderful charity Arts Together; read about my visit, and the great work they do, here. Please support Arts Together, theyโ€™ve music, buffet, bar and raffle, see the poster for details. Future Devizine Presents nights will also like to donate to Arts Together.

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Sheer Music is back in Devizes, the Cellar Bar has Smokinโ€™ Donuts; one-part Carter USM and tโ€™other festival cult hero, Doozer McDooze. Brilliant indie-pop Talk In Code and the talented Jezilyn Martyn support. ยฃ7 advance from Sheer Music, a tenner on the door.

But if you thought Devizes was a one-gig Friday town, youโ€™d be very much mistaken. Thereโ€™s Johnny 2 Bad, an eight-piece boasting to be the UKโ€™s number one UB40 tribute at The Cavalier Community Hall. Except the reggae train-spotter in me upheaves that Johnny Too Bad is actually by The Slickers and only covered by UB40, eh? Bit of reggae in the Vizes, though; never going to knock it. ยฃ10 in advance and should be great night.

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Itโ€™s rather retrospective in the Southgate too, with sixties garage and Mod band, Absolute Beginners at The Southgate playing a debut in the town. Three-piece playing covers of songs by The Who, The Small Faces, The Kinks, The Eyes, The Creation, The Jam, Secret Affair, Squire, and The Purple Hearts.

Without a cinema, the Assembly Hall in Melksham shows movies, The Favourite is on Friday. Break Cover are at The Talbot, Calne. An Open Mic at The Pump, Trowbridge. Comedy Night at the Boat House, Bradford on Avon. Tensheds live at the Rolly in Swindon and amusingly named Antarctic Monkeys at the Cheese & Grain, Frome.

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Back on reggae for Saturday, although other events are available, itโ€™s Devzineโ€™s second gig of the month, a reggae and ska night at the Cellar Bar with Knati P and Razah and Iโ€™ll be warming up for them with a ska show live. Look, again Iโ€™m asking you to come along, listing door damage as a fiver but as long as you give us what you can, thatโ€™s good enough. For all the proceeds go to homeless charity, Devizes Opendoors. For want of a quieter evening Opendoors also have a Quiz Night from 7pm at Nursteed Community Centre.

Those Truzzy Boys play the Conservative Club in Devizes, ยฃ3 on the door, Drew Bryant at The Southgate, and Sound Affects support the Dusk Brothers at the Cavalierโ€™s Ameripolitan Music Club. Meanwhile, The Wharf Theatre welcome back Hancock clone, James Hurn, with new scripts.

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Brother from Another at the Woodbridge Inn, Pewsey, and Woodborough Social Club has Humdinger. Blues Bros & The Commitments at Melksham Assembly Hall. Cรฒig at the Wiltshire Music Centre, Bradford on Avon while the Neeld Chippenham has medium Derek Acorah.

Fresh from Montreal LG Breton and drummer Marco Dionne joins Phil Cooper for his Vise-Versa tour, closet to us is Saturday at the Village Pump, Trowbridge, other dates here: http://phil-cooper.co.uk/tour-dates

Sunday 19th sees the Chippenham Soap Box Derby and John Etheridgeโ€™s Sweet Chorus is at the Wiltshire Music Centre, Bradford on Avon.

Week 4: 20th -26th May

 

Devizes Folk Club down The Lamb on Monday, An Evening with Graham Gooch at the Neeld, Chippenham on Tuesday. Acoustic Jam at The Southgate, The Royal Balletโ€™s Mixed Triple Bill at Wiltshire Music Centre, and The Waterboys @ Bath Forum on Wednesday.

Thursday is Acoustic Oak night at The Royal Oak, Corsham. Boxing Day and All Better play Level III in Swindon, and Carus Thompson is at The Beehive. But if you ever doubted summer is on its way, the bank holiday truly kicks off festival season, with Bearded Theoryโ€™s Spring Gathering in W. Midlands, or most fruitfully funky and stunningly popular dance fest, Shindig starts in Bruton. Shindig Festival is a glorious mash up of a gig, a house party, circus show, comedy night, a wellbeing retreat and kidโ€™s party. No main stages, just an arrangement of stretch marquees, so you can be in amongst it, or chill on the grass. Kids can learn to DJ, breakdance and urban art.

This crazy weekend sees Chippenham Folk Festival starting Friday, as does Lechlade Festival. With Salisbury Live beginning, and Fromeโ€™s R&B festival with Frankie Millerโ€™s Full House at the Cheese & Grain, youโ€™re spoiled for choice.

Back in Devizes, Friday 24th, Bob Drury pays tribute to Neil Diamond at The Wharf Theatre. Adriano Adewele, Gwilym Simcock and Jason Rebello are at the Wiltshire Music Centre, Bradford on Avon. While in Swindon, the Wyvern Theatre presents The Rolling Stones Story, Sheer Music has Press To Meco at Level III and thereโ€™s a Skaโ€™mageddon at the Vic with SN Dubstation and Kingโ€™s Alias @ The Vic, but for real roots adventurers, try RDK Hi-Fi meets Roots Inspiration @ Black Swan, Bristol. Iโ€™m steering clear of Bristol as thereโ€™s too much to list, but that one will go off.

Saturday then, the 25th. Long Street Blues Club celebrate the music of one of rockโ€™s best-loved icons Paul Kossoff, with May Kossoff the band. A chilled but robust night is promised at the Southgate, with Nick Tannโ€™s British folk take on Americana heartland traditions.

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Itโ€™s also time for Bromham to host the second combined cider and music extravaganza, OwlFest at the Owl, obviously. Did this last year, loved this last year, although Iโ€™ve no line-up info for you, you can bet your Bromham dollar thisโ€™ll be great. Another to watch is Marlandโ€™s showpiece, Gladstonebury at the Gladstone Arms, Chippenham, expect Steve Morano, the Sweet Swing Trio, The Chicken Teddys and Burbank.
Loud soulful, happy vibes will come from The Pilot, Melksham where Big Mamaโ€™s Banned play. The Gimme Gimme Gimmes and Devizine favs, The One Chord Wonders are at St James Wine Vaults, Bath, Fromeโ€™s R&B Festival continues at the Cheese & Grain with Geno Washington & The Ram Jam Band.

The old English spelling of Savernake Forest, Safernoc inspires an intriguing event in Marlborough on Saturday too; โ€œviolin, voice and banjo music from the 16th century to the present day, world premiere of Paul Elwoodโ€™s Safernoc; a series of compositions for mezzo soprano Alice Simmons and violinist Tam Coates by composer Paul Elwood. Both Simmons and Coates live near the forest and both have found inspiration in the shadows of that ecosystem. The text by the composer is a play on trees and an imagined impression of Savernake taken from Dante, Berniniโ€™s sculpture of Daphne transforming into a tree, and Mexican painter (Sister) Juana Beatriz de la Fuenteโ€™s, โ€œThe Tree of Life.โ€ Admission ยฃ10, email contactamitytrio@gmail.com for tickets.

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Alex Roberts Live at The Southgate on Sunday 26th, the wonderful Sugar Motown returns to the Three Crowns. While Dr Feelgood plays the Frome R&B Festival at the Cheese & Grain.

End of May, Mon 27th โ€“ Friday 31st

Proper West Country, itโ€™s the Coopers Hill Cheese Roll at Brockworth on Monday, Fromeโ€™s R&B Festival has Nick Lowe & Los Straightjackets.

With Bandeoke at Chippenhamโ€™s Neeld and Jackie & Felix Byrne at the Bradford Folk Club, that makes up Tuesday, while Wednesday itโ€™s the World Music Club at The Beehive in Swindon, and of course, an acoustic jam at The Southgate, Devizes.

You can Meet the Gruffalo at Hillworth Park in Devizes on Thursday 30th, for his 20th birthday, Devizes Books bring the books, with a trail around the park, a prize draw and guest appearances, should be fun for kids of all ages.

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Acoustic Oak at The Royal Oak, Corsham and Jonathan James is Discovering Music at the Wiltshire Music Centre, Bradford on Avon, while tribute The Commitments Experience are at the Neeld, Chippenham and Gaz Coombes is at the Cheese @ Grain.

Thatโ€™s the month of May done, Friday 31st the Brodsky Quartet are at the Wiltshire Music Centre, Bradford on Avon and Salisbury Live continues. Other than this, seems like a quiet Friday, save for the fact itโ€™s time for the opening of the Devizes Arts Festival, I think itโ€™s the best line-up yet, starting with An Audience with John Simpson at Corn Exchange. Check our preview of the festival here, and I will be highlighting some of the separate events as the month goes on.

More details of all events here are on our event calendar which makes up Devizineโ€™s busy home page, but bear in mind this is not a exhaustive list, the calendar is updated (nearly) every day, so keep checking for updates; too much of it to continuously post to Facebook, you need to check in every now and then, or you might miss something you need tickets for.

Have a grand and blossoming May, itโ€™s building up to a great summer ahead!

 

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What a May Day! Things to do Next Month; Part 1

Now your Easter eggs are nothing but screwed up tin foil itโ€™s time to look towards May, and whatโ€™s in store for us during this early summer month. Part one, letโ€™s get the first fortnight over and done with.

 

Week 1: Wednesday 1st May โ€“ Sunday 5th

 

First day of the month is a Wednesday, so itโ€™s the regular acoustic jam down the Southgate, Devizes, an open Mic at The New Inn, Semington or a live stream of the The Royal Opera: Faust at Wiltshire Music Centre, Bradford on Avon.

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Thursday 2nd jabs at your funny bone, when the Moonrakers Comedy Night sets into the Cellar Bar, Devizes. Ed Pownall presents headliner Sol Bernstein, returning after twenty-five years of semi-retirement, only playing nursing homes. Heโ€™s performed all over the world at venues including The London Palladium, New Yorkโ€™s Carnegie Hall, The Paris Olympia, Caesars Palace Las Vegas, and Scunthorpe Baths, but itโ€™s at night clubs where Sol really comes to life. With opener, Craig Deeley, a finalist in Jongleurs Last Laugh competition, and an additional special guest, tickets are ยฃ10, available form: The Bear Hotel, Devizes Books, The British Lion, The Southgate Inn, The Vaults, and on-line at โ€œWe Got Tickets.โ€

Along with a Charity Quiz Night for the British Heart Foundation at The Owl, Bromham, Swindonโ€™s masters of downbeat, slack indie and wobbly pop, the Flour Babies bring an acoustic set to The Tuppenny with support by Callum McLean. Meanwhile, Chapel Arts in Bath has Will Lawton & Weasel Howlett (feat Buddy Fonzarelli) with support by our favourite, Tamsin Quin; Devizine is the #officialtamsinquinfanclub

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The second ale, cider and sausage festival, Hopdog, at the Woodbridge, Pewsey, kicks off Friday 3rd. Three days of family mayhem for a ยฃ10 advanced ticket, ยฃ3 for 12+ and children under 12 free. You can camp, for ยฃ7, space is limited so please book early via email: woodbridgeinnpewsey@gmail.com Friday sees Grizzly & The Grasshoppers. Saturday: Bob Bowles, Brian Stone, Jazz Wrann & The Ruby Welts and Sunday, firm Devizine favourites, the Larkin boys will be with Fly Yeti Fly and Kit Trigg.

Another festival in Blandford starts, the Teddy Rocks, in aid of Childrenโ€™s Cancer, with a tribute-based line-up: details here: https://teddyrocks.co.uk/

Over in Devizes, the family club has Hariana, the UKโ€™s number 1 tribute to Ariana Grande, and rumour has it, Vinyl Realm will host another fantastic Drum n Bass night at the Lamb, unconfirmed as of yet. Melksham Assembly Hall boasts Jethroโ€™s The Count of Cornwall tour, while the Neeld have Queen II, and Bradfordโ€™s Wiltshire Music Centre hosts the Orchestra of the Age of Enlightenment. But if you like it raw, the Back-Wood Redeemers are at The Royal Oak, Bath.

Star Wars Day, oh yeah, bank hols too, Saturday 4th May, itโ€™s over to Urchfont, for the Scarecrow Festival; always a lovely family day, starts at 9:30 through to Monday.

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Saturday night in Devizes is about rum and reggae at the Wyvern Club, where Michelle and Stuart Fieldโ€™s Muck and Dunder rum bar hosts Swindonโ€™s finest SN Dubstation while you dip into forty types of rum, ah-ha me hearties, tenner a ticket from https://www.muckanddunder.co.uk/ or failing that, dependable The Southgate has the great Sunset Service, free as always.

Out and about, you only need to get as far as Seend for beer, yep, itโ€™s that time again for the Seend Beer Fest, their 19th, they know what theyโ€™re doing; gawd blimey, Train to Skaville will be there; love them. Certainly, reggae filled weekend though, with The Bob Marley Revival headlining Melksham Townfest at the football club, with Falling Fish, The Decibelles and whaaaa???? Train to Skaville will be there too??; must be an express train. The Ultimate Stone Roses are at the Assembly Hall, over in Bradford on Avon the NYJO Ambassadors and Mark Armstrong are at the Wiltshire Music Centre.

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Swindon has โ€œkids for a quidโ€ at the Swindon & Cricklade Railway, PinkMac at The Waiting Room and some groovy Disco Voodoo, with DJ Ashley Beedle at Baila Coffee & Vinyl.

Spring in the Park is a family fun-day in Warminster on Sunday 5th, or round up the weekend at The Southgate, with a band Iโ€™ve heard only good things about, The Astral Ponies. Swindon has the cool indie-sixties mod band, Six Oโ€™clock Circus at The Woodlands Edge, and Bath has Pigstock at The Pig and Fiddle; two stages, with Falling Fish, Pompadour, Cut Throat Francis, The White Lakes, Luna Lake, Jamie Watson, Eilis Tucker, and our own favourite, Mr George Wilding.


Week 2: Monday 6th May โ€“ Sunday 12th

 

Bank holiday innt? Those Devizes Lions have the May Day Fair in the Market Place, and Corn Exchange from 9am- 4pm. On similar lines as previous years, but in addition to trades and charities, a new class of stall is being introduced, for artisans who produce goods for direct sale to the public.

Sound Knowledge Marlborough are celebrating the holiday with a bang, with Frank Carter & The Rattlesnakes from midday in Club Thirty8, for a wristbands-only short set, after which they’ll be in the shop signing copies of new album ‘End of Suffering’.

Wednesday is acoustic jam at the Southgate. Thursday is regular Kinks tribute, Kast off Kinksย  at the Assembly Hall, Melksham, but if you think thereโ€™s too many broken hearts in the world, head for the Cheese & Grain, yeah, yeah, I know; Jason Donovan.

Friday 10th sees Tom C Walker at the Long Street Blues Club, Teddy White Band returning to The Southgate, and legendary punk poet, Dr John Cooper Clarke at The Corn Exchange. English comedian and writer, Mark Steel gives contemporary rants with his Every Little Thingโ€™s Gonna Be Alright show at Melksham Assembly Hall.

Sam Sweeneyโ€™s The Unfinished Violin at Wiltshire Music Centre, Bradford on Avon and Sharron Shannon Band & Seckou Keita at the Cheese & Grain, Frome.

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Saturday 11th start the day browsing the Stert Car Boot Sale, itโ€™s Devizes Cancer Researchโ€™s grandest event, supported by Grist, please come and help make a difference to this invaluable charity.

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In all actual fact, itโ€™s a very charitable day in Devizes; yep, weโ€™ve our first Devizine Presents gig at the Cellar Bar. If you like Larkin, then itโ€™s a double-whammy, because while Fin and Sam will be there, itโ€™ll be possibly the only place to see them both, separately, Sam with a newly formed band and Fin with cousin Harvey as the Truzzy Boys. If thatโ€™s not enough for you, The Hound on the Mountain, the incredible Jordan Whatley will also be showing off his new songs and Gail Foster I will be in charge of intervals with her spellbinding and, possibly, rude poems. Itโ€™s a fiver or whatever you can donate, in aid of Devizes Opendoor; so please come down.

Opps, UPDATE ALERT! Please see the poster above for a change in schedule, unfortunately Sam had to pull out, but every clown has a silver lifeboat, hurrah for sixties mod-rock covers band, The Roughcut Rebels, who’ve stepped in to save the day and will be sure to add an extra dimension to the festivities.

If my thing ainโ€™t your thing, I might just forgive you, especially if you try the Devizes Town Band’s concert, โ€œGreatest Love Themes,โ€ which will be raising funds for Alzheimerโ€™s Support at 7:30pm, The Corn Exchange. In a change from the traditional black, band members will be wearing some other colours to make the concert more dementia friendly. I can identify with this; my nan suffered this terrible ailment.

Some people living with dementia see a black mat or flooring as a bottomless black hole, which is understandably very scary. They can also see people wearing black as floating heads, because they cannot identify black clothes.

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Babs Harris, CEO of Alzheimerโ€™s Support said: โ€œPeopleโ€™s perceptions can change when they have dementia and it is fascinating to hear from some of them how they now see colours. It is so heartening that Devizes Town Band have taken this on board for their concert and taken this extra step to make their performance truly inclusive and dementia-friendly. It promises to be a wonderful evening of music and the bright colours will only add to the celebratory atmosphere.โ€ Tickets are ยฃ7.50 and you can get them from Devizes Books, or online via www.devizestownband.com

 
Alternatively, Hip Route are live at The Southgate, and the brilliant Indecision at The Owl, Bromham.

 
In Marlborough The Skandals are at The Lamb and Room 101 are at The Bear. The Blue Rose Band at The Pilot, Melksham. London Mozart Players at Wiltshire Music Centre, Bradford on Avon, Operation 77 at The Woodlands Edge, Swindon. Martin Kempโ€™s Back to the 80โ€™s at Cheese & Grain, Frome; take your own Rubix Cube.

 
For want a peaceful Sunday on the 12th the Marlborough and District Lions Club welcomes you to drive through the glorious bluebells at Westwoods, enjoy the Bluebells and help support your local Lions Club. This repeats again next Sunday.
Time travelling magicians Morgan & West present a jaw dropping, heart stopping, brain busting, opinion adjusting, death defying, mind frying, spirit lifting, paradigm shifting, outlook changing, furniture rearranging magic extravaganza at the Neeld in Chippenham Sunday afternoon, promising to be fun for ages 5 to 105.

 
Thatโ€™s about it for the first two weeks of May, if you think itโ€™s jam-packed you need to see the finale part of Mayโ€™s whatโ€™s on article, which Iโ€™m working on now, okay โ€“ cut me some slack! But before I go, remember to check devizine.com regularly, as itโ€™s updated, like, nearly every day, and you might well miss something.

 
Also, please shed my workload by letting me know about your event, or news stories; thereโ€™s only so much scrolling and clicking I can do. You can email your info to devizine@hotmail.com Tweet, message the Facebook page, or I now have a Facebook group called The Devizine Communications Group, to make it super easy to make me aware of your events and gigs and news and stuff, so use it, donโ€™t abuse it, love it and get some free publicity for your efforts.

 
Most of all though, donโ€™t whinge at me for omitting something if you havenโ€™t actually told me about it, sounds bleeding obvious I know but youโ€™d be surprised by that amount of people who do!

 

Hey, hey, hey; I have actually followed this article up, click the image to go to the rest of the month’s preview!

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My Kind of Science Fair!

 

Virtual Reality

Throw on your lab coats and grab your goggles: My Science Fair 2019 is here!

 
For the eighth year running, on Sunday 3rd March from 10am-3pm, the Wiltshire Music Centre in Bradford on Avon will host the free family event My Science Fair. The annual Fair, which attracted over 400 visitors last year, promises a jam-packed programme, full of activities, presentations and performances designed to engage young people aged 5+ years in the amazing worlds of music, movements and science.

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The day will begin with a bang as Bath-based Fun Science and presenter Cressida Bullock (known by her scientist alter-ego โ€˜Chemical Cressโ€™) take to the Centreโ€™s Auditorium stage for an interactive experiment with colour, excitement and fire. The Fun Science team will also be conducting roaming experiments throughout the day around the Centre!

 

This opening performance will be followed by a percussion workshop exploring the fast-paced rhythms of samba music with music leader David Garcia, who will be putting a scientific twist on the vibrant dance music genre. Later, electro-acoustic composer Duncan Chapman will be recording soundbites from My Science Fair attendees to create an enthralling lullaby, complete with the swooping and ethereal sounds of the Theremin and the haunting vocals of an Indian raga singer.

Supriya Lullaby MSF

 
Elsewhere around the Centre, children can look forward to creating their own plastic models with a 3D printer from the University of Bath or blast off with water powered rockets out on the field. Explore the exciting world of electricity with a Van de Graaf generator in a hair-raising experience, or discover the science behind the music we hear with sonic crystals. Experience a Colourscape installation where you are able to create sounds and digital imagery using your body movements or explore far-off worlds using a virtual reality headset. Budding engineers can check out the LEGO robotics stand, as well as Bot Club, where you can create your own mini-robots, and find out how to use ultrasound to levitate solid objects with University of Bath students.

 

QUESTION MARK GIRL
The Fair also marks the culmination of the My Science Fair competition, for which students from 14 primary schools across Wiltshire and Bath have been devising their own exciting experiments exploring music, movement and science. Experiments will be exhibited throughout the day and will be judged by an expert panel, including scientists from the University of Bath, University of Bristol and the University of the West of England, as well as automotive-test specialists AB Dynamics, the Ministry of Defence and Unilever.

 
As you make your way around the Centre make sure to visit the experiment stands to find out about their investigations, which explore questions such as โ€œWhich ingredients are important in a cake?โ€, โ€œIs it possible to make butter using a bike?โ€ and โ€œClassical or funky music โ€“ which is best for sleeping?โ€

Duncan Chapman Lullaby
My Science Fair is being generously supported by the Bradford on Avon Area Board, the Jack Lane Charitable Trust, NFU Mutual and Wiltshire Music Connect, as well as Wiltshire Music Centre Season Sponsor AB Dynamics. Entrance is free and there is no need to book tickets. Simply bring your enquiring minds and join in on Sunday 3rd March to investigate, discover and create!

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SUN 3 MARCH 10AM-3PM
Wiltshire Music Centre, Bradford on Avon, BA15 1DZ
TICKETS: This event is FREE to attend. There is no need to book, simply bring inquiring minds on the day and get ready to discover something amazing!

TIMETABLE:
10am-12pm: Fun Science Experiment, Samba Science with David Garcia
12.15pm-2.30pm: Lullaby Recording and Performance with Duncan Chapman
2.30pm: Prize Giving for Young Scientists
All Day: LEGO Robotics Workshops, roaming experiments, Colourscape, virtual reality, Bot Club, water-powered rockets, Young Scientistsโ€™ Experiment tables.

 

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FOR MORE INFORMATION:
Visit http://www.wiltshiremusic.org.uk/mysciencefair

or call the Wiltshire Music Centre Box Office on:
01225 860 100

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FOLLOW, LIKE AND SHARE:
Using the hashtag: #MyScienceFair2019
Twitter @wiltshiremusic
Instagram @wiltshiremusic
Facebook @WiltshireMusicCentre

 

 

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A Get Together with Arts Together

โ€œWhat we have learned is that simply offering support or information is sometimes not enough,โ€ states Age UK, โ€œolder people who are in the worst place often feel there is no hope, leading to a vicious circle of low self-esteem, lack of motivation and reluctance sometimes to ask for, or accept help.โ€

 
What sounds bad on paper, is often not as the eye perceives. While undoubtedly this is fact, Iโ€™m visiting Kestrel Court in Bowerhill, sheltered accommodation for elderly. I bear witness to a lively group, not just engaged in an art class, but merrily lapping up every minute of it. Thereโ€™re cakes in abundance, tea, and some Mozart as background music. At one-point Gerald gets up to strum a guitar, and once the class is all but ended, the artist Clifton Powell slipped on some reggae; despite hard-of-hearing and cataract, Gladys, from Paraguay, is up dancing.

 
This is the doing of a charity group called Arts Together.

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โ€œIโ€™ve never been a person who joins groups,โ€ Sue tells me as we sit together admiring her still life watercolour, โ€œalways been on the edge looking in. I really feel part of this group; thatโ€™s so unusual.โ€ Arts Together is perhaps a slightly misleading name for this local charity, as while indeed it provides members with tutorials and equipment to engage in a wide variety of art projects, it also acts as wellbeing, and an invaluable social group.

 
I asked Sue about the community side to it, did she balance itโ€™s worth with the actual art as half-and-half. She agreed it was equally vital, describing her battle with depression. โ€œBut this kind of thing really addresses it. Thereโ€™s so many of the things they say you should do, going to your doctor, behaviour training and what have you, which has never helped me. And then you get something like this, which has been a real help. If this was on prescription, Iโ€™d be asking my doctor for it!โ€

 

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Sue reveals a creative nature, sheโ€™s written poems and performed them. Other members of the group, such as Carol, who proudly holds up her painting to show me, has no previous artistic calling. Thereโ€™s a varied degree of skill, but Clifton commends and encourages all, a reason they all sing his praises. He was joined last minute by Rachel Heard, a Wiltshire artist, known for her โ€œexplorations of natural forms,โ€ painting.

 
Arts Together have thirteen accomplished artists, and many group volunteers. In the last year theyโ€™ve delivered 180 art sessions, over their six locations across the county. Arts Together meet, in Bradford, Trowbridge, Devizes, Pewsey, Marlborough and here, in Melksham. Projects are as wide as wire and clay sculptures, mosaics and textiles. Sue particularly warmed to the puppet making workshop. Iโ€™ve invaded the final meet of this still life project, frames are scattered over the table, once completed a windowsill becomes a makeshift gallery, presenting their work.

 


Arts Together works to support older people who have become physically and socially isolated. I did ponder if they catered for dementia patients and such like, but was informed care homes and hospices organise their own activities, while the elderly in sheltered accommodation are often left out. โ€œThereโ€™s nothing like this around here,โ€ Iโ€™m told. So, while I didnโ€™t class this as โ€œart therapyโ€ in similar light, itโ€™s indubitably therapeutic, it stimulates and actively encourages the participants to try new things, to be creative and social. In a word, itโ€™s wonderful.

 

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But Iโ€™m moved by Arts Together manager, Karolyneโ€™s announcement, โ€œWe are on the brink of closure and desperately help.โ€ While this is not the first time the charity has been under financial pressure, they assure me itโ€™s the worst. โ€œAny statutory funding from public money disappeared years ago and it has been our supporters and some enlightened Trusts that have helped us survive.โ€ I find myself shrugging; sad sign of the times.

 
This isnโ€™t some large charity with a whole department dedicated to fundraising, managers balancing campiagns with sessions. Itโ€™s lunchtime as I get my coat, Iโ€™m invited to stay but cannot. Agreeably I attended for some media exposure, but so welcomed I left with sensation of making real friends. I imagine life for these newfound friends without Arts Together, and shudder.

 
Without Arts Together members return to a solitary, empty week, consequently effecting their health and wellbeing. Wellbeing was a word passed around a lot today, the charity take pride in their achievement, help them maintain it.

 

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Thereโ€™s a coffee morning at Rick Steinโ€™s on the High Street in Marlborough, on 1st March. Admission by ยฃ5 minimum donation, includes coffee tea and cake.

 

Iโ€™d like to thank the members I met today, it truly was fun and an inspiration to meet you, and the team behind it. I was enlightened, and think Devizine should stage a fundraising event too, as soon as possible. Anyone interested in helping with me on that please get in touch.

 
Until then, you can donate on the website; please, please, if you can, do. If youโ€™re an artist consider volunteering some time. Any donation from you will help around 80 very frail older people to rediscover their zest for life. Arts Together enables them to rebuild their confidence, self-esteem and resilience and remain living independently in the community for as long as possible.

 

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Half Term Fill: Local Things To Do For Kids

Big gulp of wine Mums, itโ€™s half term next week. Okay, thatโ€™s quite enough, donโ€™t panic. From daffodil picking, cooking and first aid, to football, driving tanks and having a go at being a DJ, hereโ€™s some things to keep little soldiers and princesses of all ages at bay, and smiling!

 
Sure thing is a movie; โ€œHow to Train Your Dragon: The Hidden World,โ€ is at the Palace Cinema, from today until Thursday 21st. โ€œThe Lego Movie 2โ€ is a must, from Friday 15th also until Thursday 21st.

 

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From Thursday 14th through to Friday 22nd thereโ€™s a funfair at The County Ground in Swindon, from 2pm. Scream if you want me to go faster, or youโ€™re running low on wine.

 
There will be the usual free swimming at the Leisure Centres, but check ahead, as some timetables have changed.

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You could take them for a trip down the Kennet & Avon, The Admiral is free on Saturday 16th and Sunday 17th, find it at the Caen Hill Cafรฉ, below the bridge at lock 44, at 11am. There will be trial sheets to explore the Jubilee Woods, and, back on board there will be a history of the canal and its restoration.

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Starting Saturday 16th, you can pick your own daffodils at Woodboroughโ€™s Whitehall Garden Centre, available daily until 31st March. ยฃ4.99 per bag. Both centres, at Woodbrough and Lacock, have a Gardening Nature Trail until Thursday 21st. Claim a lollipop at customer services for every completed entry.

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Saturday (16th) The Devizes Family Club have at Childrenโ€™s Disco at the Conservative Club. 6:30-8pm, all are welcome but only above 9 years should be left. Thereโ€™s an adult creche for you, with bar! ยฃ3 on the door, lucky dip 50p, tbc face painting and optional princess and superhero fancy dress. Proceeds are going to Rowde Academy.

 
Starting Sunday and running through the week, The Wyvern Theatre in Swindon has a roadshow at The Brunel Centre, inviting children to join in at The Crossing, to make dinosaurs or dragons to celebrate the arrival of Dinosaur World Live and Julia Donaldsonโ€™s Zog in April.

 
In Melksham thereโ€™s activities all week long at Young Melkshamโ€™s The Canberra Club. These clubs are for all young people in Year 5 and above (aged 8 to 16) and will run from 2pm till 5pm Monday to Friday, with entry costing ยฃ2.50 per session or a week-long pass for just ยฃ10. There will be a plenty of activities on offer including pool, table tennis, table football, arts and crafts, karaoke, cooking and baking, games and sports and much more. There are also computers and consoles available for use and a chill out room where you can watch tv or a film together.

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The Canberra Centre is amazing building with lots of space to run around and have fun and play games with your friends. There is also an outside courtyard for football, basketball and just burning off some energy! A variety of hot and cold food and snacks will be available to purchase as well as free squash.

 
How about teaching your nipper some line dancing on Monday? All ages and abilities welcome at The Town Hall, Devizes. Early Bird Session: 6.30-7.30pm ยฃ5 Beginners: 7-8pm ยฃ5. Improvers 7.30-9.30pm ยฃ6.

 
For footballers ages three to six, Devizes Town Youth has free coaching in their Little Kickers sessions from 9.30am to 11am on Monday, Wednesday and Friday at the Football Club. Kid receive a free t-shirt and football. To sign your child up contact Mr Sheridan on 07860232052 or Raymond King on 07917787903 or Jon Wozencraft on 07767851332

 
Tuesday and Wednesday with two sessions per day: 11.00am โ€“ 12.30pm & 1.30pm โ€“ 3.00pm, thereโ€™s Wildlife in Wiltshire at The Wiltshire Museum, Devizes. Art and Craft activities linked to their Natural History Exhibition. You can make animal masks, create animal models and pictures. These sessions are very popular, so booking is essential. Itโ€™s suitable for age 11 and under. Age 8 and under to be accompanied. ยฃ5 per child. Accompanying adults free.

 
Or maybe try your hand at being a DJ? Trowbridgeโ€™s Community Area Future has a Free Half Term DJ Workshop at Studley Green People’s Place on Tuesday 19th. DJ Nina LoVe will show you how to mix the Old Skool way, using vinyl records! There will be a few different types of music available โ€“ House, UK Garage or Drum and Bass. Come and check it out, book yourself some time on the decks or get on the microphone! For ages 13-18. Please feel free to drop in or call to book a place on 07765371051/tcaf@trowbridge.gov.uk

 
Have a go at a soldier-led assault course, plus Tank-themed fun family activities, at the REME Museum, Lyneham. Make your own tank with parachute and see if your engineering skills are up to scratch by dropping your tank โ€œinto battleโ€ in one piece. On the artistic side, you can design and colour-in tanks. Thereโ€™re model tanks which you can drive on a special course. Drop in from 11 am to 3 pm, any day from Tuesday until Friday. Special soldier run kidโ€™s assault course will be running, plus fun tank-based kids trails, activities and craft in the museum. All children to be accompanied by an adult. All activities are included in the admission fee. Assault Course suitable for 5 – 12-year olds. The Museum is open from 10 am to 4.30 pm (last entry at 3.30 pm), some activities run from 11 am to 3 pm. Museum admission required to take part in activities. No pre-booking required for this activity, just turn up and enjoy.

 
Wednesday 20th is time to get fit in Hillworth Park, free event, in association with Boot Camp UK, itโ€™s going to be all Sprint, Slide, Shake, Scamper, Scurry, Swing and Stomp!

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For arts and crafts, Fired Thoughts at the Old Potato Yard, Devizes, has Half Term Lino Workshops, from Wednesday to Friday. A two-hour workshop to design, cut and print using Lino and inks. All ages and abilities welcome. All materials included, but please book: Tel:01380 840666 email: info@firedthoughts.co.uk

 
At the Court Street Gallery in Trowbridge, thereโ€™s a Children’s Silk Sun Catchers Workshop on Wednesday at 10am. ยฃ15 per person including materials. To learn more and book, visit: www.nicoladaviscrafts.co.uk/workshops.html

 
How about some first aid training for your children? Louise Worsley, a qualified trainer is at Marlborough Rugby Club on Thursday, 21st, 09:30 โ€“ 15:30 with an essential First Aid Training for Children. Sessions are tailored to age groups and are full of practical to make them fun and memorable: 9:30-11am – Mini Life-Savers course for 5-8-year olds – ยฃ18 (ยฃ15 for a sibling.) 11:30am-1pm – Mini Life-Savers course for 8-12-year olds – ยฃ18 (ยฃ15 for a sibling) and 1:30-3:30pm – Teen-Aiders course for 12-16-year olds – ยฃ24 (ยฃ20 for a sibling)

 
Thursday is the opening night for MACS Theatre Schoolโ€™s โ€œThe Addams Familyโ€ at Devizes School. It runs until Sunday. Tickets at Devizes Books or online here. Doors open at 6:30pm for a curtain up at 7:30. Thereโ€™s also a mini Macs matinee performance on Saturday at 2:30pm.

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From Thursday until Saturday 23rd The Seend Village Pantomime presents โ€œSnow White and the 7 Dwarfs.โ€ It takes place at Seend Community Centre, itโ€™s the Fawlty Players 40th Anniversary, and thereโ€™s three of the cast were in the first Snow White in 1981! Tickets at the Post Office and Community Centre.

 
At Bradford on Avonโ€™s St Margaret’s Hall, two of Roald Dahlโ€™s Revolting Rhymes will be performed by local theatre group, the multi award-winning Bradfordians Dramatic Society. A take on Dahl’s retelling of the classic fairy tales, Cinderella and Jack and the Beanstalk. Following their success with The Twits last year, the group will bring Dahl’s honest, often vicious wit and humour to the stage in this production. Show times: Thursday 21st February – 6.30PM, Friday 22nd February – 6.30PM, Saturday 23rd February – 11AM, Saturday 23rd February – 2.30PM, Sunday 24th February – 2.30PM. Head to the Bradfordian’s website to see the full cast and more information here: http://www.thebradfordians.com/

 
Learn some street dance with a taster class at Charlotteโ€™s School of Dance, Bath Rd Business Centre, Devizes, at 7:30pm on Friday with Jacinta Childs. To book this ยฃ5 session text: 07903812364.

 
Aspiring chefs, Saturday 23rd is for you; Margaret Bryant hosts Middle Eastern at Vaughan’s Kitchen Cookery School, Devizes. Spicy (but not hot) Falafels; Hummus; Baklava. Designed to give your youngster a firm foundation that will provide them with the techniques and knowledge they need to grow into competent and confident cook, it is also lots of FUN and they will bring home the results of the session to share with the family.

 

That enough?! Still bored?

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Upstairs at Jacks with Bryony Cox

I don’t know who โ€œtheyโ€ are, but Bryony tells me they say you shouldn’t mix dry and wet mediums. โ€œI thought why not,โ€ she shrugs, as we ponder a stunning pastel and ink landscape of Alton Barnes.

Why not indeed? In this painting of an atypical day in Wiltshire, a dark cloud looms over the down, the ink emphasises its shadows across the fields impeccably. In art, rules are made to be broken, provided you understand them first, and judging by the range and panache of Bryony Cox’s paintings, she certainly does.

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You’ve a day left to drop into Upstairs at Jacks and see this Devizes based artist, who studied and remains in Falmouth, and her humbling exhibit as part of Marlborough Open Studios; I suggest you do. I first met Bryony as an aspiring singer, but itโ€™s in her paintings where she really shines.

“You’ve got to be the youngest artist at the open studios, haven’t you?” I asked, knowing how to flatter a girl! She suspected she was but wasn’t completely sure. If it’s true her work certainly fits the bill, it comes across as sophisticated and as mature as anything else on display throughout the county.

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A moody sky landscape takes pride and place, so we ponder Turner; it’s takes no words to see his influence on Bryony’s work. Turner has that instantly recognisable style, rare in a landscape artist and as well as major inspiration, I can see a definite style in Bryonyโ€™s work developing.

She appears most comfortable with landscapes. Although there’s a detailed range of pencil studies of animals and wildlife, some sublime scenes from travels in Sri Lanka and even an instantly recognisable wildcard of fellow singer George Wilding with birds nesting in his scraggy hair to add a slither of humour. Although these other subjects show Bryonyโ€™s skill has range, the landscapes are simply breath-taking.

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Beauty in small moments of stillness is the essence of what she wants the viewer to engage with; I was just passing while on my way to the supermarket! Unusual for me to do the shopping, I find myself very structured and meticulous while undergoing the task, ensuring I get only what I need and get out as fast as possible. This is so unlike me, who favours to stop and stare at the wonders around me, so if youโ€™ve a spare quarter hour or more, need a break from the shops as I did, Iโ€™d recommend you stop by Upstairs at Jacks tomorrow and check it out.

Bryony’s Website

 

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Our Entire Area Becomes an Art Mecca with Marlborough Open Studios

Provided itโ€™s large enough, Iโ€™ve been known to lose all track of time in an art gallery, and miss the last train home! But a gallery is one thing, this is another. July is Marlborough Open Studios month, the name of which in itself is quite misleading.

 
Although transport will help, a train to London is not needed, this is bang on your doorstep. The Open Studio concept transforms our beautiful landscape of the North Wessex Chalk Downs, which you know is breath-taking enough, into one massive interactive art exhibit, and something, well, quite unique.

 

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Jenny Pape

 
Beyond Marlborough, engulfing Calne to Hungerford, Wroughton to Chirton, a staggering forty-three of our finest artists open their studios and let you visit, to view their work in their own surroundings. You can meet them, perhaps their pets too, but I wouldnโ€™t advise going through their pants draw like it was some tacky reality TV cooking show.

 
This is as far from a gallery as you can get and still remain in the world of art, but this is not a festival where youโ€™ll be crammed into a tiny space with a million sweating, novelty back-pack-wearing young sybarites clutching bottles of water, all trying to dribble clichรฉs over one painting. No, no, no; circulate at your own pace, use the website to check which studios are open, and visit at your leisure. There is no charge, just drop in when the studios are open; hence the name Open Studio, see?!

 

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Kareen Jackson

 
I guess you assess how formal you need to be by the greeting of each individual artist, but generally Iโ€™d imagine theyโ€™d be pleased to meet you. Artists, writers and creative people in general work in relatively solitude, twist their arm they might even put the kettle on; I might have to test this myself and get back to you on that!

 
So yes, Open Studios – July weekends: 7th-8th, 14th-15th, 21th-22th, 28th-29th. Check out the website here for browsing exhibiting artist as thereโ€™s too many to list here! The ones caught my eye are; beachcombing Kareen Jackson from Baydon, who transforms beach junk into unique hand-crafted driftwood boats, cottages and animals; so cute!

 

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Steven Davis

 
Also, Mary Wilkinson in Minal, for her Turneresque local landscapes, Hungerfordโ€™s Jane Corbettโ€™s other-worldly glass sculptures, stunning Devizes photographer Steven Davis, in Chirton Diana Nealeโ€™s dreamy mixtures of photographs and watercolours, or Jenny Papeโ€™s beautiful oil landscapes, Sally Osborneโ€™s crazy fish glazes in All Cannings, and thereโ€™s so many more, just browse the website to see!

 

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Jane Corbett

 
Artists Iโ€™m well aware of but up for popping in to see too, are Bryony Cox, last yearโ€™s Bursary Award winner, who exhibits her paintings of vast skies over the Wiltshire landscape, Upstairs at Jacks in Devizes, and Anne Swan in Rowde who, with just colour pencils makes botanical studies youโ€™d think you could reach in to the picture and take a bite out of!

 

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Bryony Cox

 
What a refreshing alternative to galleries, which you could take a whole month to peruse, at your own leisure, and not worry about missing the last train!

Marlborough Open Studios in July

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Gail interviews Si Griffiths

So yeah, I’ve previewed pop surrealist and tattoo artist, Si Griffiths’ latest exhibit at the Black Swan Arts in Frome, (here) but our local poet/photographer Gail Foster popped down to chat with the man himself and here’s her video to prove it, complete with melancholic themes.

Thanks for letting me make a quick and easy post out of it Gail, saved me some typing, on a Sunday too! So yay, check it out, and note the exhibit runs until 26th May.

So go for a wander round the exhibition, see the artist at work, and hear him talking about his art.

 

si griff

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