Tag: live music

If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the Devizine annual stats fell for a second year, at 6% lower than 2024; you lot still here?!

I’m not concerned about that, you filthy traitors; you’ve been digesting the clickbait of that Gazelle & Herod again, haven’t you?!! Ah, truth is I have been staying home, hibernating a lot like a lightweight couch potato; probably an age thing, most likely a financial thing too; we’ve got hyperinflation to make Robert Mugabe envious. But we keep a stiff upper lip as the world plummets into chaos, our little corner of it remains a pretty nice place to live (if a bit Tory,) where you can block pavements with hoarding or nick a cardboard sheep from a church and get away with it. None of which we are here to highlight, we focus on the best bits, and slag off the worst with a sprinkling of satire; if you don’t like it, you know where to go!

Hits took a hit because I bit my tongue on many local political or social issues this year, to concentrate more on arts and entertainment, but folk love a good shit stir rather than being told about some talented locals doing good. Plus, I’m sick to the back teeth with any dependence on Facebook shares, it’s become a toxic playground for so-called adults and AI bots pretending to be human to boost propaganda. I think I’m going to be one of those smiling insanely old men, content to feed the ducks in the park, rather than ranting at anyone younger than me within range, but I’ve the right to change my mind on this! 

They also took a hit because I’ve been actively engaged in two fantastic major events, RowdeFest and The Wiltshire Music Awards. The latter in particular used up much of my time, but hey, I think they were worth it. The Awards really brought together a wealth of people involved in the Wiltshire music scene, caused me to wear a suit, and we hope to build on this with future years.

The other contributing factor to the downfall of hits to the website might have been me writing a new book, something I rarely get the time for, but was certain I wanted it published by Christmas. I made that deadline and Murder at the Scribbling Horse is officially out; you read it yet? No, didn’t think so!

But lots more happened in 2025, and those we featured are briefed below; we could’ve done more but I think we put out a lot of content; you have to give me some time to play pointless block puzzle games on my phone. Thank you to all our contributors, Ian, Andy, Lois and the few guest writers who have submitted this year. We always need more writers to make this as comprehensive as possible; it is about as flexible as it can possibly be, you can be a fruitcake, we don’t mind, so do get in touch if you can help.

Please continue to support us, we thank you all for your dedication to Devizine; here’s to 2026; try best to avoid the fascist division, millionaires triggered by being disallowed to rip wild animals to death, the US or Russian bombs heading our way, the complete disregard for funding environmental projects while they spend billions fighting for the last scraps of oil, any world leader kidnapping, painting roundabouts, and the usage of anti-terror laws to arrest pensioners peacefully campaigning against genocide.

Just follow us instead, enjoying a pint in a pub and listening to live music, played by real people, focus on youth projects rather than fables of hooliganism, focus on talented individuals doing good rather than bitter clickbait and national headlines, and be here, in the warm and truth, with Devizine; we tell it like it is, and don’t purvey bullshit!              

January

Just as this year starts with a review of the last, so did 2025, but not before I took a visit to the Swindon Story Shed. Forestry England invited dog walkers to Nightingale Wood, apparently to celebrate Walk Your Dog Month; surely every month is walk your dog month?! The second feature film for director Keith Wilhelm Kopp and writer Laurence Guy, First Christmas entered development. We covered how My Dad’s Bigger Than Your Dad Festival raised £11,500 for Prospect Hospice, and there’s more…. 

Jamsters began at Devizes Southgate, an initiative to provide a Friday night platform for loose groupings and associations created at their regular jam sessions each Wednesday. We announced The Beat were to headline Devizes Scooter Rally, that Nick Hodgson formerly of the Kaiser Chiefs’ new band, Everyone Says Hi had an instore at Marlborough’s Sound Knowledge, and we unfortunately said goodbye to the now disbanded People Like Us; sorely missed.

We had new singles from Nothing Rhymes With Orange, a new album from Illingworth, and fuller sessions from Kaya Street. Andy reviewed the first Devizes International Blues Festival, Ian covered Jerusalem at the Mission Theatre, and Veronica’s Room at The Wharf Theatre.

We previewed OakFest at the Royal Oak in Pewsey, La Belle Hélène, White Horse Opera’s Debut at The Wharf Theatre, Devizes Musical Theatre’s Beauty & The Beast, Henge at The Cheese & Grain, and Bradford-on-Avon Green Man Festival which unfortunately this year is in jeopardy, and we welcomed Caffe Vialottie to Devizes, our most popular article of the year.

February 

It may be topical now, but we’ve always been supporting the hunting ban, and in February reported how Beaufort Hunters attacked Wiltshire Hunt Sabs’ drone. We sadly confirmed Devizes Street Festival was cancelled for the second year in a row, and The Emporium in Devizes was to close, but Devizes would get a new youth centre.

Previews included, Marlborough School of Languages’ Summer Fiesta, Jazz Sabbath at the Corn Exchange. We announced The Brand New Heavies were to headline Minety, tickets for DOCA’s Winter Ales were running out, and that I was to organise the music for Rowdefest in May, probably my favourite memory of 2025.

We featured Melksham’s teen band Between the Lines, reviewed JP Oldfield’s debut EP Bouffon, Jamie Hawkins’ short film Teeth, and new singles from I See Orange and Sam Bishop. Swinterfest broke me out of my hibernation, and I also got out to see the fantastic Static Moves at the Three Crowns, plus Cephid’s Sparks in the Darkness at The Rondo, which was mindblowing!

March

We announced that Devizes auctioneers Henry Aldridge & Son were relocating to the Old Emporium, Soupchick was to take over The Hillworth Park Cafe, that after the fire in Northgate Street Devizes Kebab Van successfully relocated to Folly  Road, that Devizes was to have a new festival, Park Farm Festival, and of course the very first Wiltshire Music Awards.

We featured the Belladonna Treatment, had a wonderful local reflection on the Trump & Zelenskiy meeting from a Ukrainian living in Wiltshire, and it was one of my all-time favourite interviews with eighties legend Owen Paul ahead of a Devizes gig.

We reviewed The Killer & The Catalyst, Devizes author Dave McKenna’s novelette, Gecko’s new album, and singles by Chloe Hepburn and George Wilding. 

Previewed Devizes Arts Festival, Exchange Comedy in Devizes, Swindon Palestine Solidarity’s Charity Iftar, CUDS’ Devizes Town Litter Pick for GB Spring Clean, and Hells Bells AC/DC tribute coming to Devizes! We listed the results of Salisbury Music Awards.

I managed to make it out to see The Devil’s Doorbell and JP Oldfield at the Cellar Bar, Ruby Darbyshire at the Southgate, and Cracked Machine with Tom Harris in support, too. Ian gave us Blood Brothers at The Mission Theatre and Flatpack at The Rondo, and Pip Aldridge reviewed our Fulltone Orchestra at Tewkesbury Abbey.

I ranted on the state of the roads, and for fun ran a Take Our Wiltshire Pothole or Moon Crater Quiz Challenge!!

April

Ah, All Fools Day, a golden opportunity for us, in which last year we told the fib that funk godfather George Clinton was exiled to the Wiltshire village of Urchfont, created funk music there and it was covered up by their parish council! You might assume it was hardly viable, but some fell for it, and messaged in their outraged reports of “fake news!” 

We looked into DOCA’s new youth initiative Yea Devizes, and while we published our usual extensive list of Easter holiday activities, we also previewed DOCA’s Junk Street drumming workshop.

I visited The Hillworth Park Cafe, where Soupchick took over, hailed Devizes DJ Greg Spencer, the creator of Palooza house nights, who made the prestigious bill of Fatboy Slim’s All Back to Minehead festival, and reviewed the now sadly defunct No Alarms No Devizes playing at the Three Crowns. Discovered Fran Daisy at Swindon’s Plough, and Henge at the Cheese & Grain was a high contender for my gig of the year; out of this world!

We had a guest review from Melissa Loveday on Devizes Music Academy’s Something About Jamie, which though I’m sorry to have missed, I did catch them playing it out at FullTone Festival in the summer. I did attend Devizes Musical Theatre’s Beauty & the Beast at Dauntsey’s School and the opening of Un/Common People, Folk Culture in Wessex, a fascinating exhibition at Wiltshire Museum.

Reviewed Hannah Rose Platt’s album Fragile Creatures, probably the best album we covered last year. The website for Wiltshire Music Awards went live and people held on to cast their votes in May. 

We exposed Reform candidate Calne Violette Simpson for her Facebook profile picture showing her hunting antelope in South Africa, and Devizes South Conservative candidate Sarah Batchelor, who committed election fraud, up and left with her tail between her legs and almost running Bishops Canning’s Crown into the ground. Thankfully it seems the new owners are turning it around and recreating the village hub it once was. 

May

I was honoured and delighted to organise the music for our village fete, which has in the last few years been run by a lovely independent committee, safe from a questionable parish council. It was a wonderful sunny day and the highlight of my year. I called in some favours and presented an amazing lineup for a free fete, featuring, in order of appearance, The Jubilee Morris Dancers, Andrew Hurst who brought bassist Lucianne Worthy with him, Talk in Code, The Sarah C Ryan Band, Thieves, and Burn The Midnight Oil. Being it was the last day of the month, I didn’t write about it until June.

I paid a Sunday afternoon visit to Devizes amazing record shop Vinyl Realm, when Deadlight Dance were attacked by wasps and still managed an amazing unplugged acoustic set. Ben Niamor reviewed Jake Martin at Swindon’s Castle with SOP, and Ian gave us his views on Sweeney Todd at St. Augustine’s Catholic College in Trowbridge, and the Diary of Anne Frank at The Wharf Theatre in Devizes, which was so good I had to go myself. Lois covered newcomers Kingston Media’s Bands at the Bridge in Horton.

I previewed the Bradford-on-Avon Live Music Festival, despite it clashing with our Rowdefest! Also, Ruby Darbyshire who performed at Silverwood School’s open evening. Andy provided a preview of Chippenham Folk Festival, and Lois provided us with previews of Australian Folk singer Ernest Aines at Swindon’s Deanery Theatre and David Olusoga at the Cheese & Grain.

Announced the opening of voting for Wiltshire Music Awards, that Devizes-based The Big Sound Choir was to perform with Aled Jones at St George’s in Bristol, and that Bird is The Word were taking over music organisation at Bradford-on-Avon’s Boathouse.

We featured how Lucas Hardy was collaborating with Rosie Jay, and Frome’s James Hollingsworth, who was bringing his solo recreation of Pink Floyd’s Wish You Were Here album to the Devizes Southgate and elsewhere, and reviewed his album with Griffiths, Lost in the Winds of Time.   

I reviewed Clock Radio’s album Turfing out the Maniacs, Ruzz Guitar’s Between Two Worlds album, Playing Solitaire; Phil Cooper’s first solo album for five years, Thieves’ debut EP, a new single from George Wilding, and one from Auralcandy featuring vocals from Sienna Wileman. A feature of a Melksham marketing expert launching AI training courses was met with controversy, yeah, I get that!

June

If we were all busy with the Devizes Arts Festival, we were previwing summer events like a new festival for Devizes, Park Farm, clashing with an amazing day at the Three Crowns for an air ambulance fundraiser, and I finalyy got over my hangover and ego, and gave coverage of Rowdefest; highlight of my year! 

Andy reviewed White Horse Opera’s Cosi Fan Tutte and The Lost Trades at the Piggybank, Ian did The Mikado at the Mission, The Taming of the Shrew at the Rondo, and of course we all did our bit for the Devizes Arts Festival. Andy also covered an extensive weekend when The Lions were on the Green in Devizes, we had Crammer Watch Day too, and Devizes Arts Festival did a fringe gig at the British Lion; summer lovin’. The highlight of this had to be Where’s the Cat, the Wharf Theatre’s writing group’s hilarious reenactment of the Moonrakers fable at the Crammer, which I felt obliged to cover too. 

Eddie and I were guests on Peggy-Sue’s Don’t Stop the Music show on Swindon 105.5, chatting about the awards. We met Henry the chocolate duck raising funds for cystic fibrosis at HollyChocs, previewed Supergrass headlining Frome Festival, a genderqueered Shakespearean performance at Bath’s Rondo, and Swindon Palestine Solidarity events. Lois did Idles at Bristol’s Block Party. 

I reviewed The Hotcakes of Wildfire’s album Shoes & Acid, ranted on vocal minorities triggered by events of cultural diversity, and did a No Surprises column promising to return the feature, but promises are made to be broken! There’s simply too much to whinge about, and for my health, I need to see the glass half-full.

That’s all for now, folks. Do not fear, it’s still summer in our minds, and we’ll kick off in July for the second part. I know, our goldfish attention spans cannot take in a whole year in one article, what with so much brilliant stuff which happened over the year, so come back when I’ve officially emptied the Quality Street tin and completed the last half of this review of 2025; but I must say, I think the first half was better!!