Author: Darren Worrow

20’s Plenty Says Devizes Town Councillors

Let’s face facts, they’re not referring to their average age here, are they?! Today’s topic is belting through town like a headless chicken escaping Colonel Sanders. I’ll give credit where it’s due, Gazelle and Herod’s whippersnapper reporter Justin reported the proposal for speed limit reduction from 30 to 20mph in Devizes town centre. And what I’m going to say might shock you, but I’m with the town council on this one……

The crucial article stated Wiltshire Council proposals to create 20mph zones from the A360 from Northgate Street to Long Street, via The Market Place and St John’s Street, as well as other roads in and around the town centre.

It goes on, “the scheme has been supported by members of the town council during consultation, with councillors “pushing for a reduction” for some time,” and quoted Devizes Guardian, Cllr Jonathan Hunter, who believes the change would, “have a positive impact on both road safety and air quality in the town centre.”

Yet, it’s the comment section, yeah, where keyboard warriors usually fire off blanks from their spud-guns, where we find questionable responses. Mostly piffle, as you could imagine, but some raise an eyebrow, so rather than they go unchallenged, I thought I’d point them at Cllr Jonathan Hunter directly.

The only one bang on the money goes under the handle ‘Miker G,’ who, if memory serves me righty had an excruciating 1986 chart-topper with DJ Sven, rapping over Madonna’s Holiday. He gives it, “I’d love to know how to get through Devizes going as fast as 20mph;” Showstopper! Nice one Mike, for no matter how you ring-reng-a-dong for a holiday, you’ll probably only get as far as Ocean City on New Park Street! The others left their sense of humour behind, let’s concentrate on them.

Award for the most ill-informed goes to ‘Synical Sam,’ without getting cynical I’m presuming he means cynical, and he called out Jonathan as a liar, twice in the same sentence! “Tell the truth Cllr,” he suggested, “it is a cash cow, we all know it so tell the truth.”

Using caps lock I think I can handle this one lone. Jonathan is a TOWN COUNCILLOR, and the TOWN COUNCIL do NOT get revenue from speeding fines, silly sausage! “I have zero connection with Wilshire Council,” Jonathan confirmed, “I’m not involved in any of the actual decision making. It’s just the fact we’re applauding it. We’re a local group, saying we’d like to see this in more areas. The fact people are thinking Wiltshire Council are gonna suddenly put cameras on to try and get revenue is just an absolute ridiculous myth!”

Even if, as I did waffle on the idea, using St Edith’s Marsh’s 30mph as a shiny example where they love to sit masticating on onion bhajis, the police can rock up on the day of the changes and hand out tickets like nightclub owners hand out flyers, Devizes Town Council won’t get so much as a bite of their samosa. Jonathan dismissed it promptly. “The police would have to comment on that, that’s not a council affair.” Though it opened a Pandora’s box on the way he envisioned those who accidently went over the speed reductions should be handled. “Anybody can make a mistake and we should have a tolerant society; we shouldn’t have a forensic kind of measurement of everything we do.”

It’s the environmental issue we need dwell, the only rational point in the comments. Ingeniously named ‘Newsfan’ typed, “for my layman’s, unscientific mind, please tell me how air quality is improved by vehicles crawling through at 20mph. Especially as this will more than likely mean being in at least 3rd gear if not lower. I’m sorry but the pedestrian is not King no matter how much you penalise the motorists or quote ‘green improvements’.”

This made me ponder if there was any truth in this, though Miker G might rap it matters not, getting up to 20mph in Devizes town centre is a dream. In response ‘Jimmy Hilly’ took from an extensive study by TFL, “20mph zones do not appear to worsen air quality and they dramatically reduce road danger. They also support a shift to walking and cycling, generate less traffic noise and reduce community severance.”

Jonathan dismissed it too, and we’ve fact-checked what he says with Sustainable Devizes. “I think there’s a lot of people, you know, sat somewhere on a keyboard with some made-up kind of human knowledge about whatever, without any facts, and you know, it’s life isn’t it? Life is full of lots of different views. The scientific facts for drivers of internal combustion engine powered vehicles are the more you press that accelerator the more fuel you will burn, the more emissions that you will create, obviously. The more environmentally friendly the vehicle is, as in its CO2 emissions are lower the less impact that will have, but even going from 30 to 20 is significant. When you multiply that by X amount of thousands of cars going through Devizes or wherever it happens to be……”

“We’ve a constrained traffic situation and not helped by the fact if you want to go to Salisbury or Andover or Swindon, you’ve gotta go through Devizes. It’s a mediaeval town and 21st century traffic, but if, and this is the point I made in The Gazette, if everything is in sync, if everything is going to 30, it doesn’t make any difference if everything’s going to 20. Because you’re in sync it will have an impact, and obviously on safety as well.”

Twenty, thirty, forty, makes no odds, you will always have spanners who ignore it, but if it makes the average moralistic motorist slow it can be no bad thing. Once the twenty limit is normalised, as it already is across many other towns and villages locally, you won’t contemplate it, as was the backlash against drink driving rules or seatbelts in the eighties; watch this video, redneck! How bizarre in reflection, and if boy racers complain about a meagre ten-mph reduction after some time, your argument will seem as absurd.

Twenty is plenty, get used to it, and climate change denialists, you should want to slow down; too fast on a disc-shaped planet and you’ll drive straight over the edge… do us all a favour!!

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Chatting With Burn The Midnight Oil

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Devizes to Falafel Out Loud!

Here’s a Devizes foodie top secret I’m about to spill the chickpeas about; Anya of that delicious kitchen in the Shambles, Soupchick is launching a falafel stall a little bit closer to the main Shambles’ gate, by the community fridge; twist my arm why don’t you!

Inspired by Peter Vaughn’s popular falafel stand at The Bistro, a past divine smelling regular feature at Devizes carnival, Falafel Out Loud will open on carnival day this coming Saturday. Thereafter, over September, it will open on Mondays. “We don’t really have a falafel stall in town,” Anya explained, “although I don’t think there’ll be a demand for it everyday, but once a week if everybody knows it’ll be here on a Monday, they can come.” 

Well, they do now. Thanks for the scoop, Anya, I only popped in for a bowl of soup! And in that here’s the thing, it was just a bowl of tomato soup with fennel and chilli, served with a seeded roll; how does she make tomato soup with fennel and chilli so absolutely scrumptious I had to check my surroundings, see if I could get away with licking my bowl?!

Given this, I’m only imagining what heavenly delights her falafels will offer. Because me, right, I love a cholesterol-hugging cheeseburger as much as the next carnivore, but those little Middle Eastern herby balls of spiced chickpeas are tasty enough to turn Colonel Sanders into a vegan, and I swear by them at big festivals like Glasto where I wouldn’t trust the meat vendors. So, I might catch you down there, and we’ll become fanatical falafel friends?!

Weekly Roundup of Events in Wiltshire: 30th August – 5th September 2023

Bank holiday done and dusted, hope you had a good one whatever you did. But Wiltshire shows no signs of letting up on great things to do moving into September; here’s a roundup of events this coming week…..

Not comprehensive, more will be added to our event calendar as we move through the week, so check in on it from time to time.

Pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed HERE.

Ongoing until 29th Sept, The Incredible Quizzical Bath Pub Tour. 

Wednesday 30th:

Acoustic Jam at The Southgate, Devizes.

Devizes Salsa at West Lavington Village Hall; new members welcome!

The Deadnotes play the Pump in Trowbridge with The Sunnies and Lindup Brothers

Thursday 31st:

There’s an Open Mic at The Crown, Aldbourne.

Happy Kingsley plays The Neeld Bar in Chippenham from 8pm.

End of the Road Festival in Salisbury opens, running until Sunday.

VirginMarys & Lucky Number Seven play The Vic, Swindon.

Friday 1st:

There’s an Open Mic at the Barge on Honey Street.

Too Complicated at The Wellington, Marlborough.

Let’s Rock this Country with Shania & Friends at Melksham Assembly Hall.

The Pump in Trowbridge begins its series of Future Sound of Trowbridge gigs, with Nothing Rhymes With Orange, Feedback and Paradigm. 

Queen 2 at the Neeld Hall, Chippenham, The Blue Moon Band at The Old Lane.

41 Fords at The Three Horseshoes, Bradford-on-Avon.

2 Sick Monkeys at The Castle, Swindon,Blind River Scare at The Beehive, State of the Quo at The Vic, and the Deprivation Festival at Underground, formerly Level III.

Phil Beer’s 2023 Solo Tour at Chapel Arts, Bath.

The Scribes play The Winchester Gate in Salisbury.

Ion Maiden at The Tree House, Frome, with Aynsley Lister at the Cheese & Grain.

Saturday 2nd:

Devizes RFC V Thornbury at Devizes Rugby Club. 

And, of course, it’s Devizes Carnival: The parade departs from the Green at 5:45pm, with an environmental theme.

Julien Biddulph’s trio, Work Experience debut at the The Southgate, there’s karaoke at The Three Crowns, and a Carnival Disco Party at the Pelican.

Swindon’s Apache Cats make their debut at The Bell in Great Cheverall.

Over The Lamb in Marlborough we see the second Famous Hangover Sessions, with a great lineup, Royal Soul from 12pm, George Wilding from 1pm, Jimmy Morre at 2:30, Jolie & the Souls at 4pm, Rivera Arcade at 5:30, Nothing Rhymes With Orange at 7pm, Mick O’Toole from 10pm.  

Trash Panda plays Great Bedwyn Cricket Club.

And it’s Pewsey Pride at The Coopers, with The Reason and, of course, Miss Luscious Lips!

The celebrated homemade festival, Party on the Drive 3 is in Chippenham, and Yanni’s Old Skool Reggae Night at The Neeld. 

Be Like Will play Southwick Sports & Social Club, Shot By Both Sides at Stallards in  Trowbridge, and From Jovi are live at Trowbridge RFC, with The Sunnies as special guests.

Swindon’s second annual Paint Fest will be happening across the town centre. Blitz Kids with Head Noise and Thee Acid Tonguea offer a night of new wave and synth, psychedelic punk at The Vic.

Hatepenny at The

Dire Streets tribute at Chapel Arts, Bath.

41 Fords are at The Sun in Frome, Sex Pistols Exposé at the Tree House.

Sunday 3rd:

Gunina Lane Saxophone Quartet with The Pewsey Players, Take Five and Pewsey Winds at St Mary’s Bishops Cannings. 

The White Horse Vehicle Show, Westbury.

Old Town Street Foods Festival, in Swindon, with Absolva and Furyhead offering some melodic metal at the Vic.

Monday 4th: 

I got nothing, yet, keep an eye on the calendar!

Tuesday 5th:

Curious Kids at Wiltshire Museum, Devizes.

That’s all folks, but it’s early days for September, and there is lots more to come!! I’m telling you, next Saturday you are seriously spoiled for choice, you lucky, lucky, people!

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Full Time for Full-Tone Festival 2023, Here’s to Next Year!

All images ©Gail Foster

It may be a wrap for another successful Full-Tone Festival in Devizes this bank holiday weekend, but talking to conductor Anthony Brown, seems like it’s full steam ahead for next year, with a few changes. With such a busy weekend in general, the one possibility I believe we can leak is it may not be on the same date, other than this you’ll have to wait to see!

And it was a busy weekend, alas I didn’t get the full-on Full-Tone experience I should’ve done and looking through Gail Foster’s awesome snaps today I see what I missed, including the wonderful Becky Lawrence who we absolutely love here at Devizine Towers. Fortunately, we do have some coverage, as our equally wonderful writer Helen Edwards dropped in on the Saturday, and then I made haste for the Green on Sunday, as soon as I washed the dishes, as is my part of the bargain with the very patient and understanding Mrs Devizine……

Becky Lawrence ©Gail Foster

Full-Tone Festival: Saturday: Helen Edwards

Day one at the festival was fantastic. When I arrived the magnificent Full-Tone Orchestra was in full swing with Jemma Brown (one of the key organisers of the festival) at the microphone – and what an incredible voice she has!

©Gail Foster

The vibes were chilled, and family focused, the food and drink options were varied and reasonably priced and the tunes were banging.  Perhaps that’s the wrong word for the earlier afternoon classical proms and TV & movie music but by the end of the evening the dance anthems were pumping out. The crowd in front of the huge Glastonbury-esque stage was thronging, glow sticks in hand with face glitter and fairy-light flower headbands adorned. Those festival goers not dancing were sat in their camping chairs chilling with mates or queuing for food, all bopping their heads to the music. All except those of school age. They were hanging with their friends, the older ones walking laps around the site enjoying the freedom and festival atmosphere.

I left before the end and saw that the entertainment and enjoyment on The Green had spread past the impenetrable, black sheeted fencing. There were many set up on the opposite side of the road with their blankets laid and tents erected enjoying the music from afar.

Pete Lamb’s Heartbeats @ Fulltone Festival 2023 – Day One ©Gail Foster

I got talking to people in the food and drinks queues to ask their thoughts about Devizes’ only two-day bank holiday festival.  I spoke to a couple who live locally and, also, a few who had travelled from neighbouring Calne, Trowbridge and Westbury to attend. Here’s a few of their comments:

‘I don’t enjoy the bigger festivals; there’s too many people and I feel overwhelmed. This is my second year here.  It’s got such a safe atmosphere and amazing and varied music’.

‘It’s brilliant! I can’t wait to get to the front and dance!’

‘It’s such a welcoming festival, everyone’s so friendly.’

Fulltone Festival 2023 – Day One ©Gail Foster

The sound engineers got the balance spot on; the orchestra was majestic throughout, yet the singers’ voices were clear (and brilliant). If you’ve never heard a 50-piece orchestra playing modern music from the movies and TV through to dance anthems, then you’ve got to get to get yourself a ticket to Full-Tone’s next festival.

The people who put their efforts and passion into its success have given Devizes an annual festival to be proud of. It’s become an event that brings our community together, gives a phenomenal orchestral experience and makes the ‘what to do over bank holiday’ decision even harder!

The sound is unforgettable, the vibes are perfectly chilled and it’s a great value for money weekend.

Fulltone Festival 2023 – Day One ©Gail Foster

Full-Tone Festival: Sunday: Darren Worrow

Day two of the Full-Tone Festival here in Devizes, and I’m afraid they’ve got me rocking up this time around, the big bad editor to cast my beady eye on matters; it’s Sunday and I’m grouchy, God dammit!

Allow me thus, to summarise the magic with a story, as I annoyingly tend to do (what? It’s an age thing, you don’t gotta read it!) An anecdote which sees me front and centre absorbing those overwhelming acoustics, bumping into a friend Georgie Devon, who was looking stunning in black dress and glitter, causing me to wonder if she was up there singing on that magnificent stage, and I was right, she was, but I had no idea she could sing!

Fulltone Festival 2023 Day Two ©Gail Foster

For Chris, Snedds, Titch and Jambo, aka the southwest’s champion indie-pop band, Talk in Code, they’ve arrived semi-fresh from the Victorious festival in Southsea, they’re no stranger to a stage, and naturally, they rocked it. For a smidgen over half-hour, they stole the stage, wowing an audience perhaps unaccustomed to festivals, least hoping for classic singalong covers, with their irresistible originals. Talk in Code don’t do covers, they’re an originals band, but both their catchy songs and energetic stage presence holds said audience spellbound, as if they got what they wanted. What I’m suggesting is you might well be induced into some John Hughes eighties soundtrack, for Talk in Code rinse in the retrospective charm of the era so much I find I liken them to bands like Simple Minds, rather than something contemporary.

Talk in Code @ Fulltone Festival 2023 Day Two ©Gail Foster

Apt then, for them to be placed prior to a set by the orchestra and guest singers of eighties classic pop, which was both “rad” and “wicked,” in the eighties slang meanings of the words! Unlike you lucky lot, I had to work this morning, and had Heart’s Alone, perpetually looped in my head, a particularly adroitly performed cover amidst the many wonderful renditions of a very best of Now, That’s why I Call Music compilation; utterly brilliant, Full-Tone. I loved that song, and all the big-haired soft rock chicks; how would Heart get me alone? Well, they only had to ask!

Fulltone Festival 2023 Day Two ©Gail Foster

Back to knowing those Talk in Code guys to seal my overall angle on this piece. It was a no-brainer their set would be this electric, but for the occasional and amateur singers, such as Georgie, the opportunity to deliver a song here on this now iconic stage for the town, amidst a full orchestra, is golden, not to mention the cherry on the cake as to why Full-Tone is so Devizes, and so magical.

Even when star in the making, Jess Self, gets up there, the thrill on her face says what I’m trying to convey, and this young star is accustomed to the stage. The ensemble of these musicians and performers is a monumental occasion for our humble market town. For those not from Devizes, or who hasn’t been to a Full-Tone, imagine, if you will, The Proms, mix it with Pete Tong’s Heritage Orchestra, add a spice of community festival, and stir in a pot of village fete.

Jess Self @ Fulltone Festival 2023 Day Two ©Gail Foster

Then some keyboard warrior goes on Facebook clutching at straws to find any minor issues to whinge about the event. “The least the orchestra could have done was to prevent the rain and stop the traffic,” I joked with chief organiser Jemma Brown, as the rant included the grass was wet and there was noise from the road!

The Full-Tone Orchestra can musically pull a rabbit from a hat, but they’re not gods! Just a collection of talented individuals, a majority of which are local, and the coming together on this scale, the logistics in organising it, the opportunities it provides, the attention to detail, from first aid to side stalls and from portaloos to one man standing conducting a variety packed programme for a full weekend is bonkers amazeballs, and to nitpick unavoidable paltry I can only imagine is based on pathetic jealousy.

“Here’s a man who needs his bed!” I guesstimated to conductor Anthony Brown as he approached to greet me. I had one question for him, as we stood next to this impressive stage surrounded by a mass of crowds clearly enjoying themselves without an inkling or care of online rants. The stage has become iconic, the event has become ingrained in just a few short years in our town’s culture, as I predicted after the inaugural one. The million-dollar question for him; where do you take this next?

Fulltone Festival 2023 Day Two ©Gail Foster

Anthony elucidated it would continue annually but was keen to express there would be some changes. Yet what is important right now, Full-Tone this year was an extension of its previous success rate, it was spectacular on a level apt for a mass audience to enjoy and was a cherry on top of the cake already baked through previous years.

Unlike DOCA events it gets no arts grant, so it must put a price on it, and as we said prior, comparatively it’s reasonable. It is what it is, and I’m not going to suggest it’s everyone’s cuppa, even, but plonk yourself in the middle of it, witness those having fun or stand in awe of the talent and the acoustics they breath into it, and you cannot put a justified complaint in, impossible! Full-Tone works, and Full-Tone is enjoyed by the masses, masses which wouldn’t usually consider an orchestral occasion or festival, for this it is magical, and as Anthony hinted, here to stay; wonderful.

Fulltone Festival 2023 Day Two ©Gail Foster

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Devizes Chamber Choir Christmas Concert

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Jol Rose’s Ragged Stories

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As Sweet as HoneyFest!

Imagine, it’s only just eight pm on the opening day of Honey-Fest at the legendary Barge on HoneyStreet, and the haystack-filled marquee is already positively pumping, largely due to the energetic hoedown of Bristol’s Mr Tea and the Minions……

Too tempting not to, a double whammy with Devizes’ homemade upcoming marvels, Nothing Rhymes With Orange opening, I made a pit stop at HoneyStreet to black my nose and didn’t really want to leave!

I was intrigued as to where the £125 weekend ticket stub would go in comparison to an atypical weekend at the Barge, which, face it, is usually a mini festival itself! Though there’s no colossal stage erected, the sizable marquee makes for an apt music area, as in past events. Though this weekend there’s extra concentration angled at creating an appealing non-stop lineup for the entire weekend and as the ticket includes camping too, it is justifiable. Though, day tickets available on the gate are priced at a far more reasonable tenner; given these factors Honey-Fest is a must for the hedonistic alternative, and you will be guaranteed an amazing bank holiday weekend. It didn’t take more than half-hour for me to acknowledge this!

The Barge ends up being the spiritual home of anyone who passes through, a magic which holds in the air surrounding it. Though, if it has been this way for decades, what Lenny and his team have created recently, is the kind of environment we, as regular attendees since the nineties, would have wished it to be like back then. Ergo, Honey-Fest is a win-win, a festival within a campsite and wharf surrounded pub, which already hails the spirit of counter-culture festivals of yore, anyway!

And I couldn’t suggest a more apt act than the astoundingly fantastic Mr Tea & The Minions, I told them on Facebook they’d love the Barge, a no-brainer indeed. A headline act, I’d say, but scheduled early to fit their agenda, it was back to Bristol then onto a festival in Kent, followed by a trip to Guernsey for another.

They first came to my attention seeking out alternative forms of ska when doing a regular slot on Boot Boy Radio, an internet station designed to appease Two-Tone diehards. A desire to expand the agenda of the show from simply being retrospective led to me discovering South American ska, and Balkan. The latter so crazy and energetic, a mix of ska’s offbeat and oompah and brassy Truba, and their folk. It is a recipe certain to rub off internationally. I became aware of Bristol’s burgeoning scene, bands like the Smerins Anti-Social Club and Carny Villains and was already aware of the Scrumpy & Western folk flavour of The Boot Hill All Stars, et al. Aside the name Mr Tea & The Minions amused me, their sound was an instant love, for while others blend the influences of west country folk and Balkan ska, most adapt swing into the melting pot, or just fly off the handle of carefree loops of instrumental nuttiness. Here is a band composing structured songs with narrative within those confounds, most definably ska-folk, often amusingly but always with purpose, while still maintaining the infectious high-energy tomfoolery. I soon hurried off a review of their album Mutiny in 2019.   

Over the moon when Loz booked them for Devizes Street Festival last year, I roamed the Market Square excitedly ordering everyone to watch them, and they did, and they agreed, if I remember rightly! Gladdened they came out with the title track to Mutiny at HoneyFest and done a sublime rendition of Junkyard Lovesong from the album, but greater pleased to hear some new songs, like their latest single Twitchy Feet, and a swinging self-stylised finale cover of The Bloodhound Gang’s Bad Touch, which simply rained fun. Here is the liveliest, friendliest six-piece family band with the structure and proficiency to command any age to a dancefloor I know of locally; what an amazing start to Honey-Fest, leaving me pondering, if this is an intro, what was yet to come.

Though none of this occurred before young singer-songwriter Marley begun musical proceedings at 4pm, which unfortunately I was still polishing off some beans on toast at home for, and followed by our favourite Devizes band, the utterly awesome Nothing Rhymes with Orange, which, since missing their stint on Fantasy Radio on Thursday, was what I was making a beeline Pewsey direction for. In fact, last time I did catch them it was also here at The Barge, an intended and worthwhile detour homebound from MantonFest.

That time though they were wedged in the corner of the bar and raising its roof. Here in the marquee the sound mechanics would be greater, yet they would need to overcome the niggly issue Elijah was Lost-Voice Guy for the evening! Though they prevailed, the charismatic frontman persisted, and Sam Briggs filled in too, as unperturbed they produced their collection of beguiling indie-rock originals, including their latest creation, Cats Eyes, and wowed the audience young and old, varying degrees of hippies, tipi glampers, passing druids, the odd stilt walker and every other charming and fun oddity who will pass by you at the Barge, making it such the magic place it is!

But the showstopper was a demanded encore just when Elijah’s voice had all but given up, he asked the audience if anyone knew the words to Sex on Fire, to which a random volunteer affirmed, and Elijah asked she come on stage to assist. And she did, and it was as advertised, on fire. But more importantly, it signifies how this upcoming band are fast becoming accustomed to the spotlight, breaking the fourth wall and dragging the crowds into their banter. Something they could always do in their comfort zone of a loyal fanbase, but to rock up to a varied audience like the Barge, isn’t so simple. Their performance was in short, the essence of a blossoming phenonium.

But of course, this was all but the very beginnings of HoneyFest, and if so, the whole shebang will wow you. Hats off to the team at the Barge, not just for staging this particular extravaganza, but for the many wonderful memories there and how they’ve maintained this spirit, supported our local live music circuit and created this divine pocket of resistance from the surrounding cliquey conventional area. There’s food wagon, there’s a toy and clothes swap tent, there’s magical art displays, and crazy street theatre type crazies, but as I said, it may not be as hugely altered from the standard ethos of a weekend camping at the Barge as it could be, but it’s welcoming, it’s as wonderful as the Barge has ever been, and if it isn’t broken……

To conclude my findings, look, we’re overloaded with things to do this bank holiday, I know, it’s gone bonkers, but if you’ve no plans for tonight, this place could have your name all over it, and if not, here’s hoping there’s more annual HoneyFests. Failing any of those, of course, any weekend at The Barge is a blessing and whole heap of fun; forever recommended with festival jester’s hats on and bells on.

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Meg at The Neeld in Chippenham 

Yeah I know, those Nothing Rhymes With Orange lads were pepping up the Crown in Devizes for a Fantasy Radio live lounge last night, and we’re devoted to singing their praises, but over in Chippenham young folk singer-songwriter Meg was doing an intimate set in the Neeld bar, and since my daughter Jess did a fantastic interview with her a few months ago, I was eager to cross Meg off my never-ending must-see live list….

Glad I did, Meg was everything I’d expected and a tad more. Self-penned marvels of whimsical contrasts, between abstract prose of youthful dreams and harsher realities, make for a mostly melancholicus muse, thoughtful and delivered so utterly beautifully it encapsulates you like every good folk singer should, but Meg most definitely does, and Meg most definitely is only at the beginnings of a fascinating journey and one I suspect she’ll document diary-like in song.

Bags of potential here, for her audience to mature with her words, as Potterheads have with Rowling’s, in which Meg is often
quizzically humble, as if asking her audience the kind of questions your teenage self might’ve pondered alone on a ruffled duvet. It causes it to connote honesty, opening her innermost thoughts and desires to you, and the result is spellbinding. So much so, there’s times you assume the song has ended and she’s breaking the fourth wall with customary annotations, but Meg will smile a special smile, and continue the piece, and it’s touching in a unique manner; I’ve never seen another blur the lines between song and chat as well as this.



Yet the most engaging element is the passion in which she performs. In Jess’s interview, Meg was keen to express the connection between her music and her autism, suggesting it was part of her, so she didn’t think she would have one without the other. It equates to a channelled joyful passion, which unavoidably rubs off to her audience.

Look out for Meg, regularly support act at Trowbridge’s Pump and a keen open mic participant at The Old Road Tavern’s.

Focus, New Single From The Scribes

Good to hear The Scribes are back with a new single, Focus

Ah, now the hook on this is immediately snappy, with that repetitive ghostly dope beat, The Scribes demanding you Focus, and like any good boom bap, the lyrics take too much untwining to define appropriately, but I know what I like. I’m trying to stay focussed, guys, straight up, but this captivating loop pounds your head, and the effect of this method lyrically the Scribes play off from each other is mesmerising….

The single is from long-awaited The Scribes X Vice Beats – The Totem Trilogy Part 2 EP, the first part of which we reviewed here back in 2020, and since we’ve been on a journey to find anyone half as good as the Scribes on the UK hip hop scene, but only so far come up with the ensemble who happened to have worked with the Scribes! This time around they’ve turned my attention onto smooth and dynamic, in a Rodney P manner, London-based rapper Donnie Numeric, who fits like a glove into this troop. 

They rocked Devizes last November at the Muck & Dundar, they’re coming to Salisbury’s Winchester Gate soon, where they’re welcomed regulars, and the launch of this single sees them party at The Exchange in Bristol, the night this nugget drops; Friday 25th August. If I link the video to Focus below, you won’t be able to preview it until tomorrow when it goes live, that’s where I’m the lucky one, but honestly, the wait is worth it. The video was filmed by Lloyd Ashman Media, and it functions as a visual cue to the skill of this tongue-twisting talented trio, and makes you shiver somewhat at how this rolls.

With a progressive disc of annihilating hip hop this fresh, it is easy to see how The Scribes have been centre of attention recently, as Exposure Music Awards Best UK Urban Act, and the EatMusic Radio Awards Best Live Act too. They’ve provided original music for BBC and Channel 4 television, and are featured regularly on both national and local radio and media including BBC 1Xtra, BBC Radio 1 Introducing and BBC Radio 6 Music. But through all this, there’s no pretentiousness when you meet them, no chip on a shoulder stereotypical of the scene, just fete perusal of where they’re heading, added with a healthy slice of banter. The Scribes are the real McCoy, and this is just another shining example of why. 

Trending…..

Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasn’t quite dying,…

Foxbaroque; Sally Dobson Drops Us A Message, and a New EP!

Even if you were once on our local music circuit but you’ve escaped the wilds of Wiltshire, you are always welcome here! It was lovely to hear from Sally Dobson last week, as she dropped us a message to show off her new project Foxbaroque, and the EP stemmed from it, Calamity Jane……

Once a stalwart acoustic soloist of our local circuit, staying in Pewsey at the time, Sally gave us a broad gothic angle, yet always with a cheery outlook personally. Foxbaroque continues in the vein of her previous solo songs under the alias Salamander, and of that as the electronica goth duo Strange Tales. In fact, one of the three tunes, No Wrong, is already on our last 4 Julia’s House compilation, which you can grab here; wow, told you we had exclusives!

Sally, bottom right, at Saddleback’s Battle of the Bands in 2018. With John Edwards, George Wilding, Claire, Mike Barham, Jordan Whatley, Jack Moore, Tamsin Quin, and Jamie R Hawkins.

Calamity Jane flows expressively, like Kate Bush meets Siouxsie Sioux, and it’s produced by Curtis Simmons, released through Satellite Kid Records, with drum and percussion from Romain Delettre. Twelve minutes well spent, Foxbaroque is a unique sound swirling of post-punk progression, ardent hooks and expressive and sincere.

https://open.spotify.com/album/6GMHgZRxy8qr2hgA1QgcIp?si=wNqEMXrySuG4TCII2QIelw

Trending…..

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindon…

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of ‘Your Party’ in Swindon, a second meeting has been arranged for 18th September 7.30 -…

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuit…

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there will…

Song of the Week: Paul Lappin

Another wonderful nugget of lonely contemplation from the chillaxed Britpop kahuna, Paul Lappin, formerly of Swindon now residing in the South of France. Unfortunately You makes for our song of the week, and you’ll be drawn into its five minutes of drifting prose and beautiful composition, of that I’m certain.

Paul Lappin

A man of many talents. I love the personal touch of designing your own cover too, in which Paul’s watercolour and pen work has nearly equalled his artistic skill in music. And it goes so well to accommodate the mood of the tune, which is melancholic bliss. 

Trending….

I See Orange….And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released…

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!  Didn’t that crazy toothless editor catch…

Weekly Roundup of Events in Wiltshire: 23rd – 29th August 2023

Righty-ho then, this week’s rodeo roundup of all the lovely fings to Scooby-Doo across Wiltshire’s rolling landscape is rather like when you went on holiday as a nipper and your folks bought you your chosen comic’s summer special… a bumper edition!

Okay, millennials and gen z, you’ll need Google to make any sense of that. The rest of us greying lot will remember spilling Ready Brec on their oversized Beano, Dandy or Nutty summer special while listening to the rain hammering onto a caravan roof, but everyone knows with the bank holiday looming, there’s a lot to get through, so here goes……

Oh, one quick thing while I remember, as these roundup posts are getting more popular, (we had over 10K hits for last week’s) you can see from below it’s too much to stick on a Facebook post, so we do it this way because those not on Facebook can also see what’s happening, but more importantly, this list is published early in the week for ticketed events, events which come to our attention, like those smaller pub gigs which pop up on Facebook or Twitter(if we can still call it that) during the week will NOT be listed here, but they will be on the updating event calendar HERE. So, DON’T take this preview piece as comprehensive, DO check the calendar later in the week.

 Pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed HERE.

Also The Forbidden Carnival in Chippenham has a street art inspired exhibit, Reviewed HERE.

Ongoing until 29th Sept, The Incredible Quizzical Bath Pub Tour. 

Wednesday 23rd:

The regular Acoustic Jam at The Southgate, Devizes.

The Three Horseshoes, Bradford-on-Avon kick off their weekend earliest, with “summer of love” festivities, there’s spoken word and The Cleverly Brothers tonight.

Joe Pasquale’s The New Normal: 40 Years Of Cack comes to The Wyvern Theatre, Swindon.

Fromage en Feu at The Bell, Bath, Iago Banet, The Galician King of Acoustic Guitar at Chapel Arts.

Beaux Gris Gris & The Apocalypse are at the Tree House, Frome.

Thursday 24th:

Nothing Rhymes With Orange are part of a Fantasy Radio Live Lounge at The Crown, Devizes, with poetic interludes by Gail Foster. You can cheat and listen to it on Fantasy, or come down the pub!

The Undercover Hippy at The Three Horseshoes, Bradford-on-Avon.

James Kirby’s The Honest Man Tour at Chapel Arts, Bath.

Mr Love & Justice at The Tuppenny, Swindon. Ghosts of this Town  Album Launch Party at The Vic, Horrible Histories – Barmy Britain at The Wyvern Theatre, Swindon.

Friday 25th:

Emergency Awareness Training! Wiltshire Air Ambulance at Hillworth Park, Devizes, but also the chance for the kids, and parents of course to meet Bluey from 12-2pm. 

Yeah, I’ve no idea who Bluey is, but I know these guys will rock, Plan of Action at The Three Crowns, Devizes, and these guys will skank, Blondie & Ska at The Pelican, and well, we just love People Like Us who are at the Condado Lounge; spoiled rotten for choice I’d say, Devizes!

Honey-Fest over at the Barge on Honey-Street starts, and what a great lineup there; Mr Tea and the Minions! Further afield, it’s the Reading Festival.

Radiation Sickness at The Consti Club, Chippenham.

Riff Raff Aurora at The Three Horseshoes, Bradford on Avon. West of England Youth Orchestra at the Wiltshire Music Centre.

Jurassic Earth at The Wyvern Theatre, Swindon.

And music in Swindon is coming up roses: Stop Stop & Studded Rose at The Vic, Black Rose at the New Inn, Stratton, and Sonic Alert at The Queen’s Tap.

‘Shadowing Hank’ Justin Daish’s tribute to Hank Marvin & The Shadows is at Chapel Arts, Bath.

Dr Beetroot heads another glamping live music sesh at the Baa, near Salisbury.

Saturday 26th:

Continuing on Sunday, it’s time again for the FullTone Festival on the Green in Devizes; yay! And if you’re not going to this, or fancy popping out for a stroll, the fantastic Ruzz Guitar Trio play The Southgate.

Humdinger plays The Coopers, Pewsey.

Forest Fest at The Foresters Arms, Melksham has Manhattan Nights, This Way Up, and Marty’s Fake Family, kicking off at noon.

Cooper’s Creek are at The Wheatsheaf, Calne. Zero Hour at The Wiltshire Yeoman, Trowbridge.

Bradford-on-Avon have Castlefest at the Castle, and the fun continues at the Three Horseshoes with cabaret and circus acts. Ocean Blue, a relaxing duo of sax-based pop classics, jazz, blues, Boassa nova, and funk at the Boathouse.

In Swindon, 12 Bars Later at the Wroughton Club, Comedy at the Bowl at the Old Town Bowl, Apache Cats at The Queens Tap. The Little Mermaid at The Wyvern Theatre.

Sunday 27th:

Jim Blair at The Southgate, Devizes, while FullTone continues on the Green. The Potterne CC Festival is on, there’s a bus to the village from the town centre.

Talbot-Fest at the Talbot in Calne, see poster.

Start the Sirens play The Grapes, Melksham.

A happy 16th anniversary to the Open Mic night at the Old Road Tavern in Chippenham. This one kicks off at 7pm.

Starry Eyes, a charitable trust based in Trowbridge, which provides an opportunity for people of all ages, shapes, sizes and backgrounds to get involved in music, has a Disney Day at Studley Green, Trowbridge. Tickets will be available on the door with a range of activities and entertainment available.

The Summer of Love festival comes to a Reggae Reggae Sunday finale, with Troy Ellis with Hail Jamaica at The Three Horseshoes, Bradford-on-Avon.

It’s Sazz at the New Inn, Stratton, Swindon, 21st Century ABBA & Elton at the Old Town Bowl.

The Original Mike Hoddinott Blues Allstars at The Bell, Bath.

And The Hammervilles’ Bank Holiday Beach Party at the Cheese & Grain, Frome.

Monday 28th:

Unmissable should the headline read; Well Hung Heart at The Southgate, Devizes. But there’s more, The Reason plays The Three Crowns, and The British Lion holds its Black Rat Monday, with a BBQ and the amazing Be Like Will.

Box Rocks at the Queen’s Head in Box, is the fundraising smasher of bank holiday Monday, previewed HERE, fantastic lineup yet again!

Another outdoor all-dayer at the Lamb Yard in Bradford-on-Avon, see poster.

Kid Hyena at The Bell, Bath.

Tuesday 29th:

Bank holiday over, back to work! I chant this because I’ve forgotten what a bank holiday is; no rest for the wicked (and I mean wicked in eighties ironic slang, cos I’m of that era. Nowadays they say “sick,” what’s wrong with them?!)

But there’s still Jazz Knights at The Royal Oak, Swindon with Swing From Paris, and Rob Clamp plays The Bell, Bath.

And we’re not slowing down when we delve into September, you know? The Deadnotes play the Pump, Trowbridge with The Sunnies in support on Wednesday 30th, The End of the Road Festival kicks off in Salisbury the day after that.

Into September, there’s lots to look forward to from the off, The Future Sound of Trowbridge series starts with Nothing Rhymes With Orange at The Pump on Friday the 1st, with our wonderful new writer Florence Lee’s band Paradigm in support.

Then there’s Devizes Carnival, Pewsey Pride, Swindon Paint Fest, the infamous Party on the Drive 3 in Chippenham, Hillworth Park Proms in Devizes, Burbage Beer Festival, a Sci Fi Day at The REME Museum, Calne, Chloe Jordan and Pete Lamb’s Heartbeats at the Corn Exchange Devizes for an Air Ambulance fundraiser, the new season of Long Street Blues Club begins, boss reggae with the arrive of Ya Freshness at Devizes Scooter Club, Nothing Rhymes with Orange play the Exchange, Pewsey carnival, The Wharf Theatre’s Di, Vi and Rose, Swindon Shuffle, Devizes Food & Drink Festival, and so much more to come!

Trending……

A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his stand…

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young and…

All Aboard for Imberbus on Saturday !

Since sending out our last Imberbus email earlier this week, we have had several new subscribers to our mailing list, partly due to some advance press coverage yesterday. We therefore thought that we would send the email out again for their benefit and also share with you the answers to a few of the questions […]

All Aboard for Imberbus on Saturday !

Dylan Smith: Cruel to be Kind

Yeah, the title of Dylan’s debut album, Cruel to be Kind could be an insight into how we conduct our reviews, but being as I missed him yet again when he came to the Southgate, I should really be kind to be kind, asides, there’s nothing in this album to be cruel about….

My excuse was festival season, I was invited to The Devizes Scooter Rally the weekend his name was chalked upon the Gate’s blackboard. Looking for a skinhead friend of mine there proved impossible amidst a sea of skinheads! Without this turning pythonesque, dwelling on Dylan’s fantastic beard, the likes of which I’d have spotted him straight away with, should he have been there, allow me this brief Arthur Twosheds Jackson moment, and we’ll digress onto his music!

While listening I’m contemplating his very name suggests he comes from a musical family, or fans of the Magic Roundabout at the very least. It could be duly noted Dylan these days may well be a name given by parents with no clue to the legendary folk singer, a Dylan the age of Dylan Smith would suggest otherwise. This I haven’t asked him about, I’m making an assumption here, because this album is so eclectic, yet from whichever angle a track off it comes at you, it’s proficiently delivered with the seemingly ease to justify the notion Dylan Smith was born for this.

The title track opens this fifteen track musical marathon. It’s the nice, smooth and breezy folk-rock I was expecting, it’s Tom Petty, vocally, and with a similar hook. However the one time I did meet Dylan, which was when he was backing Becky Lawrence on guitar at the Female of the Species annual fundraiser in Seend, and I asked him to summarise his sound, he was rather generalised and heterogeneous about pigeonholing it. The intro of the second tune, Play the Game, was unexpected, until I recalled that conversation. I mean, through to its conclusion it holds a strong wailing guitar riff, but it kicks in as if I’m about to listen to Orbital, or some other nineties downtempo slice of electronica. It is at this conjunction you accept Cruel to be Kind is going to be a ride through musical influences.

Dylan with Becky Lawrence at the Female of the Species Halloween Party in Seend!

Then, we’re back into rock citing Nashville country by the third tune, with a drifting sound and a reminiscing theme. If you were a nipper in 1983, as is its title, you’ll nod, and perhaps think the witty cultural references are wicked (in the eighties ironic slang usage of the term!) younger listeners may need Google, but I’d predict the effect remains the same; this tune celebrates the diversity Of Dylan’s work, and his ability to apply ruminative narrative.

By now you’re immersed in Dylan’s world, and willing to accept whatever he deems appropriate to throw at you. Check You Out, is quirky and the tad saucy of ZZ Top in content, followed by a beautiful ballad, or two, but we’re only halfway through and anything could happen. Memory Lane again focuses on retrospective reminiscences, with a bouncy acoustic number, I’m awash thinking of classic influences, yeah, Dylan and Cash, but the experimental side of the Beatles and Beach Boys too, and this one finishes on a whistle akin to Otis sitting on the dock of the bay. 

In conclusion to citing influences, a Nils Lofgren of Trowbridge, and as a guitar teacher too I guess Dylan needs to be diverse, perhaps, but there’s so much going on here, stop the press; nine tunes in and Living Fantasy is funky electronica pop! Then whoa, bluegrass supersedes, and we’re back in Dylan’s comfort zone, this Tom Petty folk-rock rings throughout, but there’s no accounting where he’ll go next. A man after my own heart, I feel, as I couldn’t do desert island discs, couldn’t bear to reduce myself to a few genres, let alone a few albums!

But there’s thoughtful prose, genius writing, and adroit guitar work throughout this musical melting pot, even if Dylan can’t decide on moderating to a subgenre; his style is unique and detectable from whatever pigeonhole you care to plonk a particular tune into. The album drifts along in similar fashion to the close, it’s beguiling, yet as there’s a lot of it, you begin to take Dylan’s talent for granted, until it’s over. There is a pocket of variation when Lucie Reyonds vocals on a song called Something to Share. Now, if this one doesn’t standalone to prove the wealth of Dylan’s virtuosity in composure and writing, nothing will.

It’s wonderfully enchanting, as is the album, an interestingly diverse treasure you’ll return to and discover more to, like gags in an Airplane movie! Now who’s taking us back to 1983, and if we could, Dylan, just return to your fantastic beard for a moment?!

For more info on Dylan Smith and to buy the album, see Dylan’s Website HERE

Trending….

FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited to…

Open Mic at the Bell, Great Cheverall, and Other Local Open Mic Nights

Who is Mike anyway, and why is he so open?!

If I said these four words, in this order: open, mic, cellar, and bar, lots of Devizes folk will be evoked with fond reminiscences of Alan Jones and Richard Ben’s regular sessions down in the basement of the Bear Hotel. Many local musicians cut their teeth there, else if already established, rung out their labour of love, and that, in a nutshell is what open mic nights are all about….

But with the event being kaput, I get asked time over, here at Devizine, if I know of any still operating. So last night I popped along to see Nick Beere of Marlborough’s Mooncalf Studios, hosting one at the Bell in Great Cheverell, and off the back of it thought today we could talk about it, and present a more general piece on local open mics; double-whammy.

“I don’t know why I got started doing it,” Nick tells me, as he sets up for the next act. Far from karaoke, Nick is tweaking technical bobs, engineering the sound and advising newcomers, to make them both comfortable and sound professional. There’s a communal feel about open mic nights without pretence. Vince Bell is there, no stranger to an open mic, explaining their importance as a bridge from practising and playing to your friends and family, to getting out gigging. Indeed, there’s an unplanned duo playing tonight, Lisa the singer, and though it’s a nervous start for them, the applause received sent them brewing with deserved confidence.

While you can take it as red Vince delivered his sublime acoustic goodness, he’s here with Devizes singer-songwriter Sorrel Pits, coming across as one of those artists to make excuses, prior to pulling off some beautiful songs adroitly self-penned with meaningful prose.

Guitarist Steve Nicholls and bassist Troy Orourke are also present, uncertain about the future of their band Alfred’s Tower since the singer left, but accompanied on cajon they produced some wonderful instrumental pieces. They asked me if I knew of any singers in need of a band, so if you’re on the hunt get in touch with us and I’ll hook you up. And within this here’s another notable point about open mics, they’re convention-like for networking, a social get-together of like minded talent, and new connections will undoubtedly be made at them.

The Bell at Great Cheverell makes for a hospitable village free house, catering for diners more so, yet often hosting live music; those Truzzy Boys being a particular favourite. No one seemed bothered by being treated to a selection of songs after their meals. Nick runs the open mic here on the second Tuesday of the month, the first Monday of the month he does similar at the perhaps more apt Lamb in Marlborough, and the third Thursday at the Horseshoe in Minal. 

To get involved with open mics, a quick Facebook search is all you need to do to get the ball rolling. Though there’s lots of said groups inactive though, especially post-lockdown. I’ll stick a few groups and pages which we’ve discovered and are currently running at the bottom of this piece. For if you want to break into the local scene, open mic could well be your route. 

Other local open mics worthy of your perusal are Tom Harris’s at the Barge on HoneyStreet. The next one being 22nd September. Join HERE for updates.

In Devizes I only know of one, The Exchange nightclub runs. The next one is Thursday 7th September, and thereafter the first Thursday of each month. HERE is the group you need to join. Though another similar thang, even more communal than open mics are acoustic jams, a particularly popular one being each Wednesday at The Southgate.

Stallards in Trowbridge have open mics on the last Thursday of each month. This group is HERE.

The Old Road Tavern in Chippenham has regular open mics on the last Sunday of the month. Group is HERE. Next evening is Sunday Aug 27th, 7pm to 10.30pm, their 16th anniversary. Chippenham FM’s Brian Reid has been running it since 2014. “We regularly get thirty-forty people each month,” he told us.

Another crucial point Brian made was the Old Road’s is open to poetry and comedy too, as others are likewise. “We have a space which I am proud to say is welcoming and attentive and supportive of newcomers,” he explained, “and a lot of experienced participants come too.”

In Bath Connor McLeod has a regular Monday evening at Belushis, and there’s a general open mic group for Bath, HERE.

Similarly Salisbury has one HERE.

Delaney’s in Wantage have open mics the first Thursday of the month, next up also 7th September. 

For Open Mics across Wiltshire, HERE, and For Open Mics throughout the Southwest, HERE. Have mic will travel!

And if I missed your favourite one, let us know, and we’ll add, provided you don’t expect me to sing personally, as there’s a government health warning on that!

Trending….

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this “Clash of the Titans,” but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes can…

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Café will close on Saturday 23rd August, marking exactly two years since its opening…

Song of the Week: Ruzz Guitar’s Blues Revue & The Mike Eldred Trio

Ah, I reckon we’ve had Ruzz and the Revue up here for song of the week more than once before, but here’s a decidedly syncopated five-accent hambone rhythm of Bo Diddley beat the like you’ve never heard him play before….at least I’ve not! Must be their recent US tour rubbing off, all that playing in the desert malarkey!

Hailing from LA, The Mike Eldred trio consists of Mike on guitar and vocals, Chris Smith on bass and drummer Brian Fahey. Casting a spell alright!

Find Ruzz doing his birthday show at the Cheese & Grain, Frome on 10th February, but if you can’t wait that long, how’s about The Southgate, Devizes, where the Ruzz Guitar Trio will be there to entertain you on the big bank holibobs, Saturday 26th August….yes, that is a fortnight away!

Trending….

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had to…

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathews…

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewsey’s turn to shine; always a law unto itself, things went off; if it’s…

My Dad’s Festival overcomes the rain and raises nearly £9,000 for Prospect Hospice

Featured Image ©Anthony Hunt Photography

The team behind Swindon’s popular all-day music extravaganza, My Dad’s Bigger Than Your Dad Festival, have revealed that nearly £9,000 has been raised for Prospect Hospice following this year’s event…..

MDBTYD 2023, organised in association with South Swindon Parish Council, was held at The Old Town Bowl on Saturday 2nd July with around 800 people braving the rain throughout the day. This was the third year of the festival, which was organised to raise much needed funds for Prospect Hospice in tribute to Dave Young, the former landlord of The Victoria and 12 Bar who died in early June 2021 at the hospice after a hard-fought battle against cancer.

Image: ©Anthony Hunt Photography

Prospect Hospice, based in Wroughton, provides palliative and end of life care for people across the region and has to raise the majority of its costs through fundraising. Sheryl Crouch, Head of Income at the hospice said: “My Dad’s Bigger Than Your Dad is a real celebration of our community and an event that Prospect Hospice is proud to be a part of. The story of local music promoter Dave Young and the support he and his family received from the hospice is reflected in this event through its energy, varied line up of bands and array of entertainment throughout the day, all supported by many local sponsors and volunteers. The event is a true community collaboration, much like the hospice.”

“The event has raised an amazing £30,000 so far and this will be used by the hospice to ensure other local people like Dave can benefit from outstanding care at the end of their lives. We want to thank everyone involved in making the day happen, and all those who attend, for their ongoing support and ensuring we can be there to support further families that need us.”

“The date is already set for next year and we can’t wait to be part of it.”

My Dad’s Bigger Than Your Dad Festival 2023, which had the support of Future Planning as its headline sponsor for the second year running, took place over two stages with 16 acts performing on the Old Town Bandstand acoustic stage and the main stage in the Old Town Bowl.

Image: ©Anthony Hunt Photography

Some of the best acts of the local music scene came together to support the event, including Kova Me Badd, Imperial Leisure and The Real Cheesemakers.
The festival also collaborated with Swindon Paint Fest who hosted an area of creativity which included live painting from six fantastic local artists, with the resulting artworks to be auctioned off in the near future.

Co-organiser Ed Dyer said: “I’ve got to say that yet again we have been blown away by the support Swindon showed to our one-day festival. Sadly, the sunshine of the previous years evaded us but the atmosphere was still terrific with people dancing in the rain and leaving with massive smiles on their faces.
The precise figure is to be confirmed but we couldn’t be more pleased that we are going to be able to donate almost £9000 to Prospect.”

Sponsors of MDBTYD Festival 2023 also included Anytime Fitness, Imagine Cruising, Leightons Opticians, and Lewis Farrant
Floor Layer. Part of the fee paid to South Swindon Parish Council to use the venue has been put aside to help raise money for the upkeep of the Old Town Bowl.

After a well earned break, the organisers of the festival are now planning for MDBTYD 2024, with the date set for Saturday 20th July 2024. For further updates follow My Dad’s Bigger Than Your Dad Festival on social media.
Early tickets for next year’s event are on sale via the website mydadsbiggerthanyourdad.co.uk

Trending…….

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLES’ and music festival Block Party take over…

Wharf Writers’ Group Release First Podcast

Folks at the Wharf Writers’ Group, based in Devizes’ Wharf Theatre, release a new series of podcasts, Where’s The Cat? the first one published today….

There will be twelve weekly episodes, each a short play written and performed by members of the group. In this inaugural episode by John Osborn, a man is looking to redeem his birthday present of a time travel voucher. Warning – contains strong language. You can find it on Apple Podcasts HERE.

Trending…..

Hotcakes, Wildfire, Shoes…. and Acid!

In the dead of night sounds in a rural environment are resonating singularities, a car in the distance or the farmer calling his herd. In…

Weekly Roundup of Events in Wiltshire: 16th – 22nd August 2023

Last week I predicted summer 23 had finally arrived, now, well, it doesn’t look smashing now, does it?! Ah, here’s what we’ve found this coming week to do in wonderful Wiltshire…..

Usual gubbing, all the info and ticket links are on our jam packed event calendar, HERE, and you can plan ahead too. Any updates after today will also be put on there, so do check in later in the week too, as this is not exhaustive or comprehensive, or other such long words like that!

Do pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed HERE.

Also The Forbidden Carnival in Chippenham has a street art inspired exhibit, Reviewed HERE.

Ongoing until 29th Sept, The Incredible Quizzical Bath Pub Tour. 

Wednesday 16th:

Acoustic Jam at The Southgate, Devizes. Devizes Salsa Class in West Lavington.

Mango Factory, Latin flavoured grooviness from double-drama-vocalist party patrol, arrive at The Bell, Bath. 

Johnny Marr is at The Cheese & Grain, Frome.

For kids on school hols, Pound arts has a Sketch and Doodle session, but Lego Animation workshops at the Wiltshire Music Centre in Bradford-on-Avon have now sold out, though Sing Your Head Off still has places.

Thursday 17th:

Tom Speight is Instore at Sound Knowledge in Marlborough.

There’s the Summer Youth Project at the Wyvern Theatre, Swindon, with The Wizard Of Oz.

Showstoppers at Wiltshire Music Centre, Bradford-on-Avon, and Australia’s most admired and versatile songwriters and instrumentalists, Liz Stringer is at Chapel Arts in Bath.

Friday 18th:

Devizes and Marlbroough are playing swappies, Marlborough-based Trash Panda will make a Devizes debut at The Three Crowns, and Ben Borrill and Pat Ward now known as Matchbox Mutiny, play the Wellington in Marlborough! 

There’s Jazz at the Cafe in Trowbridge Civic Hall listed on the calendar, but I’ve drawn a blank link to this, so check ahead with the Civic Hall.

‘The Chas and Dave Story’ featuring Rockney at Chapel Arts, Bath

Fantastic Marillion tribute, Marquee Square Heroes play The Vic, Swindon.

And for a camping trip, consider The Baa in Combe Bisset near Salisbury, which has live music weekend with Captain Accident & the Disasters headlining; I must check this place out!

Saturday 19th:

Devizes gets colourful, yes, it’s DOCA’s Colour Rush & Confetti Battle!  

The Jake Leg Jug Band appear for one night only at The Wharf Theatre, Devizes, Mark Smallman play The Southgate. 

Sausage and Cider Day at The Brewery Inn, Seend, where those Junkyard Dogs will be.

Absolutely Elton at the Consti Club, Chippenham.

It’s the MidLife Krisis Summer Family Event at Supermarine, Swindon; best of luck with this one, guys, I know how hard you’ve all worked towards it. Meanwhile, Down & Dirty play The Vic, Rio at the Woodland Edge, and Michael Jackson tributeJay Styles at the New Inn, Stratton.

Calf2Cow presents Lewis Carroll’s Jabberwocky & Other Nonsense, at Pound Arts in Corsham.

Be Like Will are playing a free BBQ at True Story, unit 7 of the Curtis Centre in Westbury. 

The songbook of Marvin Gaye starring Nate Simpson, at Chapel Arts, Bath.

Meatloaf tribute, Maet Live & The Never Neverland Express at the Cheese & Grain, Frome.

Sunday 20th:

The Jon Amor Trio welcomes Bennett Holland to the unmissable monthly residency at The Southgate, Devizes.

The Convulsions at the Bell, Bath.

There’s also the Mid-Somerset Show 2023.

Monday 21st:

I got nought as of yet, other than 6 1 6 1, wunder-drummer Matt Brown’s  new band debut at the Bell, Bath. But you know, early days, stuff might change as the week goes on, this is why you have to keep one eye on our updating Event Calendar! 

Tuesday 22nd:

Pete Canter Quartet play Jazz Knights at The Royal Oak, Swindon.

And that’s that, folks! Of course, the county is gearing up for a bank holiday next weekend, so next week’s rodeo roundup will be jam packed, but really, you wanna start planning now.

Even Wednesday leading up to it is solid, with not only the acoustic jam at The Southgate, but Bristol gipsies Fromage en Feu at the Bath Bell, Beaux Gris Gris & The Apocalypse playing the Tree House, Frome, and Iago Banet, Galician king of acoustic guitar at Chapel Arts. Oh, and Joe Pasquale at The Wyvern Theatre, Swindon!

And the week goes on like this, the weekend is exploding! Friday, Bluey visits Hillworth Park, Plan of Action visits The Three Crowns, Blondie & Ska visit The Pelican, People Like Us do the Condado Lounge, and that’s just Devizes!

HoneyFest kicks off at The Barge on Honey-Street, not forgetting the Reading Festival, and a host of other great gigs and events. Saturday sees the magical Fulltone Festival in Devizes, where Ruzz Guitar Trio also returns to The Southgate.

CastleFest at The Castle in Bradford-on-Avon, and into Sunday with Potterne Festival, TalbotFest in Calne, and too many gigs to list. Bank holiday Monday sees Black Rat Monday at the British Lion in Devizes but also, Well Hung Heart at The Southgate and The Reason at The Three Crowns; options, people, too many to choose from!! And I was thinking about popping over to Box for Box Rocks at the Queens Head, Dammit, someone clone me, at least six times!

And then it’s into September, back to school and the Pump’s Future Sound of Trowbridge, a series of gigs supporting upcoming local bands and musicians, Swindon Shuffle, and a new season for Long Street Blues Club.

Until then, hold your horses, and I hope to see you out and about! Have a great week!

Trending……

Clock Radio Turf Out The Maniacs

The first full album by Wiltshire’s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. It’s…

Michelle Donelan Out of the Chicken Run for New Devizes-Melksham Constituency, But What Difference Will These Changes Mean?

So, the Boundary Commission for England’s final recommendations for new Parliamentary constituencies, which carves the Devizes constituency into three unequal parts, was submitted to the House of Commons for their perusal in June, and it’s time for MPs to scramble for the safest seats, which Westminster dubs “the chicken run.” But what, at great taxpayer’s cost, will these changes really mean for us? 

Not much to be honest, other than confusion as to who your MP is. And as a majority in the Devizes area will come under the newly formed Devizes-Melksham constituency, which Chippenham MP Michelle Donelan wants her claws in, less chauvinistic attitudes and using parliamentary persuasion to indoctrinate antiquated evangelist beliefs, perhaps. Though looking into Donelan’s backstory, she’s hardly an advocate for equality, not the personification of Amnesty International, unfortunately.

But if ol’ Danny K signed his own death warrant by segregating and offending half the population of his constituency according to gender, time is a healer. Here comes the Tory girls; it stands that our existing constituency is the safest Conservative seat in the area, and they’ll fight tooth and nail for the shards of it.

It makes sense with depleting support for the Tories nationally, that constituencies like Devizes will split to shoulder neighbouring constituencies which might possibly be lost to the opposition otherwise. Donelan’s Chippenham constituency would lose Bradford-on-Avon and Melksham, gaining the thinner ice of Royal Wootton Bassett and Calne, so it makes sense to jump ship.

Hence why Michelle is keen to abandon Chippenham and defect to Devizes-Melksham. This Westminster parlance, or  “chicken run” is no new thing. The phrase was coined in the years leading up to New Labour’s 1997 landslide, when several Conservative MPs, fearing a tricky contest on home soil fled for greener pastures.

Question is, what’s Michelle Donelan like as an MP? Well, although a Christian too, her online persona doesn’t preach like our Danny K, rather is filled with feelgood shares of constituents raising funds for worthy charities; as if the corruption of the current government she supports hasn’t been kingpin as to why we need such charities and now is the time for us all to dig deeper and fundraise, because we’re all so affluent, aren’t we?!

Online Donelan comes across as hard working and responsive to pleas from her constituents, but against her hardlined Conservative voting record this feels like a facade, and with a previous career in media marketing she would be of a professional standard to sell ice to Eskimos.

Currently serving as Secretary of State for Science, Innovation and Technology, she’s also had her mitts in the Johnson government as Minister of State for Higher and Further Education, but under Truss bunked off after less than 36 hours in her new role, resigning, writing Johnson had, “put us in an impossible position.” No shit, Sherlock, you certainly took the long route around to unearth this revelation of subterfuge!

Michelle is no stranger to debunking after a devastating loss. In her first, the 2010 general election, the safe Labour seat of Wentworth and Dearne in South Yorkshire, she took only 17.6%, to Labour MP John Healey’s 50.6%, shoved her tail between her legs and headed for the gold-paved streets of Chippenham!

Hardly Amazonian demigoddess Princess Diana of Themyscira here to save us from, erm, though Wonder Woman had no arch-nemesis, Cheetah was a popular supervillain, so let’s call Danny K it, for the purpose of this analogy! Donelan’s voting record (TheyWorkForYou) doesn’t convey the people-person connoted passionately on her Facebook page, sadly. 

This shows a militant xenophobic, homophobic Brexiteer, always voting against a right to remain for EU nationals already living in the UK, against more EU integration, against UK membership of the EU, and consistently voting for military action against ISIL, and against investigations into the Iraq war. 

It shows Michelle as utterly reprehensible on asylum seekers, and mistrusts the more general population, consistently voting for requiring the mass retention of information about communications.

A general running theme through her voting record reveals the common Conservative thread of giving large corporations a leg-up and down-treading the working class, voting for increasing the rate of VAT, reducing capital gains tax, and for restricting regulation of trade union activity. She voted for a reduction in spending on welfare benefits, and against paying higher benefits over longer periods for those unable to work due to illness or disability.

Selling off the NHS to the highest bidder is something she also appears passionate about, and voted against allowing the terminally ill to be given assistance to end their life; Michelle likes to see you squirm in pain from beginning till the very end.

Hardly the people-person she makes out locally, voting against equal gay rights, and against laws to promote equality and human rights. You try to find me media coverage of Chippenham’s first openly gay mayor Declan Baseley’s MP observing the etiquette of welcoming a new mayor to the position, I challenge you!

And, fracking hell, don’t even get me started on her appalling stance on environmental issues, we may as well abandon the planet now, as she will with Chippenham!

But, why, why all this hostile ethos to the important matters, besides making sure businesses profit? Okay, what if I told you Michelle Donelan’s partner is Tom Turner, Commercial Head of Stronghold Global, exposed by the Good Law Project for involvement in the PPE procurement scandal? Does it ring any alarms? Or, his father Benjamin Turner, who has also landed lucrative Government PPE deals, as director at Toffeln Ltd, a shoe-making firm which landed a £1.1m contract from the DHSC in April 2020 to suddenly supply visors despite no previous experience. Ah, no conflict of interest there, nothing to see here, move along and accept your hopeful new MP, Devizes.

What the hell, Devizine, she’s wearing a blue rosette?! Sigh; it’s like talking to a brick wall. You’d vote for a 4×4 plinth of plywood scrawled with Satanic worshipping slogans if it was wearing one of those; the very reason she’s coming our way. What would it take to change the minds of a majority, to think away from their traditional blind voting agenda? Because a government whose incompetence drastically increased deaths during a pandemic and partied while you watched granny snuff it on video call doesn’t seem to have had any impact at all.

Trending……

Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has a…

Junkyard Dogs are Let off Their Leashes

If I’ve spent some days now, highlighting a wealth of local talented teenagers, forming new bands, and creating a blossoming scene, this isn’t one of those days. And if I’ve reviewed musical releases breaking new ground, this isn’t it either. This is about the Junkyard Dogs, a popular Trowbridge based blues band who kindly posted their CD, Off The Leash, through my letterbox…..

It’s nice to receive something other than bills from Pat, and I’m mature enough to recall a day pre-spotty-fly and Deezer-not-a-geezer, when all music for reviewing was sent via this antiquated method; it’s nice to have something to hold too, something physical. And if I convey ageism I’m hypocritically in the same boat, but on the grounds they’ve a self-penned song titled Too Fat, too Old, Too Bald, I’d imagine and pray they don’t mind; old enough to know better, too old to care, they are Junkyard Dogs, after all.

For I was wondering, when they announced they had an album coming out if they’d polished their pub circuit act and glossed it with a studio makeover, and I furthered it with intrigue but also with concern that this route may not have had the same dynamic blast of their live show. Which is justified, it can and has happened to others.

But it hasn’t here, they’ve rightfully opted to give us a disc recorded live, at The Mason Arms in Warminster last year, only mastered at Sonic Temple, and this simply works, as I don’t believe it’s the kind of groundbreaking CD to be rushing off the HMV shelves, rather the kind of keepsake you pick up after being blown away by a stupendous show, and can happily take a little piece of it back home with you; a secret treasure.

So, if you do catch these guys live, do also beg them for this CD, it has a cover parodying Tarintino film Reservoir Dogs, despite this being a blessing on the ear rather than the slicing of one as seen in the film, and you will love it!

I trust myself to divulge this fact, as many readers are Devizes based, and Devizes is a blues town, I’ve mentioned before what I call the Mel Bush Effect. But personally, I love it because I love my blues rooted, and though the Dogs are electrically amplified their style is deeply rooted too; harmonicas aplenty.

The opening song proving my point, the 1955 prototypical rocker Flip, Flop and Fly, Big Joe Turner’s similar follow-up arrangement to Shake, Rattle and Roll, a tune covered by Bill Haley which essentially spurred a musical revolution, but quintessentially was originally deemed jump blues.

And I favour that term above the later coined rhythm and blues, as it defines it, it encourages a jump rather than melancholic contemplation of delta blues, and it makes for a massive percent of the Dog’s set, it’s lively, it’s carefree, it’s songs about long-legged women, ambiguous usage of the term jelly roll, and flying by the seat of one’s pants; I rest my case. 

Off the Leash is the kind of truckload of fun which could instantly turn a reading room into a juke joint! This said, there’s a fair quantity of this on our circuit, I accept the point, but few do it with the gusto, proficiency and authenticity of Junkyard Dogs.

Mostly self-penned nuggets of blissful blues, other covers include Dale Hawkins’ Susie Q, definably from the golden age of rockabilly, and Robert Parker’s rhythm and blues signature Barefootin’, but the most adroit is the finale of the gospel classic Jesus on the Mainline, originally recorded by Rev. Gatemouth Moore, but covered extensively by the likes of Ry Cooper and Fairport Convention. The tune features Cindy Wilson on vocal harmonies with Jonboy, Craig and Danny, and it highlights a certain diversity in Americana the Dogs will stretch too, making a poignant finale. 

But for the most part, this CD is about letting the good times roll, and for this it works a treat. Who, who, who, whoever lets these dogs out, need walkies themselves, to go see them live, this album only stands a testament to why. 

Trending…..

You; Lucas Hardy Teams With Rosie Jay

One of Salisbury’s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire city’s upcoming talent who’s name is on everyone’s lips, Rosie…

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridge…

Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, he’s released a new solo album…

Beyond Chippenham Streets

It’s the second exhibition at Chippenham pop artist Si Griffiths’s Forbidden Carnival gallery, and if the previous was an overall of the curiosities of alternative art we can expect to see there, this has a more specific theme of street art and graffiti….

It’s been a long rocky road for graffiti to be accepted by the art world, and while in the UK Banksy’s popularity has swayed opinion, the legalities of the practice hinders the gap from walls to gallery, as much as renowned street artists are celebrated. Yet graffiti has a solid history, from slogans on ancient civilisations to the competitive nature of New York gangland borders blossoming into wild-style typographic designs at the dawn of hip hop culture. Such was the vying essence of an emerging scene which took dadaism to the next level, questioning where art should be rather than what art is, artistic flare took the movement away from typography to complex “burners,” or depictions influenced by pop art and underground comix artists such as Vaughn Bode.    

Still, Si seemed a tad scuppered when I met with him, with attempts to engage local street artists to contribute. An underlying fear of identification and cred may well be the cogitate pattern, though while their concerns are understandable, Si wants to encourage and work with street artists, as it functioned party to Swindon’s inaugural Paint Fest last year. For it’s the very model for the alternative ethos The Forbidden Carnival is about; quirky, unorthodox and counter-culture. For this much, the exhibit fits like a glove, though it is largely works by Si’s circle of artist associates inspired by the street art movement.

For a taste of something different this exhibit is still worth your while, there’s some amazing pieces on show here. Artists Rae Melody, Sarah Christie and of course Si himself contribute some zany compositions in their own style, some of which are printed, some of which are hand-painted onto skateboards for purchase. Not for me, with no sense of balance, but I would undoubtedly have the coolest board around!

One particularly interesting artist on display here is Dave E See, aka Guts, with the freaky surreal comix style you could scan forever and still miss something, there’s clear influences from S Clay Wilson, Victor Moscoso and Rick Griffin, to Dr Adolf Steg and Jamie Smart, yet with a defined and distinctive graffiti-fashioned line they’re likely the artist who most fits the bill for this particular show, if it wasn’t, perhaps, for Jimmer Willmott.

Beyond the Streets has Jimmer’s name all over it, bristol-based artist who borders street and gallery, and goes the extra mile to mischievously perpetuate his work into unsuspecting places. Here’s the artist’s answer to Simon Brodkin, who hilariously defaces Tony Blair’s face on the cover of his autobiography and slips on a primely located window display at his local waterstones. An artist who depicts American cops with donuts-for-heads and hidden messages in alphabetti spaghetti, and front-of-centre of this exhibit there’s an example of Jimmer’s sully men-at-work signs, which he often puts back into society.

In my opinion Jimmer’s work is precisely the kick in the backside the art establishment needs to note street art’s value and place as a contemporary movement. It leaps off from the groundwork of Banky with mirth and comical impishness. Putting such works which espouses the outdoor tenet of street art in a gallery is a bold move for a city gallery, to have this in Chippenham is simply exciting and enthrallingly different. 

The Forbidden Carnival is open to view over weekends from 10am to 3pm, or you can request a private view by contacting the studio. Beyond the Streets runs until 27th August, but Si has plans for more thrilling exhibits in the future, including a Halloween themed one, which I hope to tell you more about nearer the time. For now, go check this out…..

Trending……

Hannah Rose Platt’s Fragile Creatures

If Whitney Houston set a benchmark for female vocalists many did before her too, but while others were influenced by them, they never felt obliged…

Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which are…

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizes’ Shambles opened their second branch,…

Weekly Roundup of Events in Wiltshire: 9th – 15th August 2023

Don’t hold your breath, but is … .is…is that summer…. coming? Ah, here’s what we’ve found this coming week to do in wonderful Wiltshire…..

Usual gubbing, all the info and ticket links are on our jam packed event calendar, HERE, and you can plan ahead too. Any updates after today will also be put on there, so do check in later in the week too, as this is not exhaustive or comprehensive, or other such long words like that!

Do pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed here.

Also The Forbidden Carnival in Chippenham has a street art inspired exhibit, I hope to pay a visit and report back tomorrow.

And there’s the Cepen Park Emoji Trail for Dorothy House, see the poster.

Wednesday 9th:

Acoustic Jam at The Southgate, Devizes.

Lots for youngsters at the Wiltshire Music Centre, Bradford-on-Avon, Fidgety Feet Dance & Drama, and two sessions of Fly Like a Bird for 5-7yrs, and then from 8-10yrs.

Thursday 10th:

Little Piccolos Summer Workshop and Beautiful Bunting at Wiltshire Music Centre, Bradford-on-Avon.

Lego workshop, Bricking It at Pound Arts, Corsham.

Sarum Live Open Mic & Jam, at the Duck Inn, Laverstock, Salisbury.

Friday 11th:

The Roughcut Rebels at The Old Lane, Chippenham.

The Radio Makers & Deadlight Dance at The Three Horseshoes, Bradford-on-Avon.

More crafts and kid’s stuff at Wiltshire Music Centre, Bradford-on-Avon; Celebrate the Sun, and again, two aged sessions for a Frozen Dance Party, with a screening of Frozen 2!

Road Trip at The Vic in Swindon, Swipe Right at the Queen’s Tap.

Outdoor Cinema Night – Dirty Dancing at Warminster School.

Stofest – 2nd attempt! at South Newton & Wishford Village Hall near Salisbury.

Who’s Next tribute at the Tree House, Frome. Live music at The Baa, see below…

Saturday 12th

Seend Fete on the Green, by the Lye.

Melksham Assembly Hall get all Lego, see the poster.

Duane Conn & The Connections at The Southgate, Devizes, Down The Hatch at the Three Crowns.

Pants at the Lamb, Marlborough, Second Hand Band at The Three Tuns, Great Bedwyn

Top Of The Pops Band at The Consti Club, Chippenham.

Happy 20th birthday to Venom at Club Ice, celebrating with a birthday bash at Westbury.

41 Fords are at The Royal Oak, Corsham.

Frenzy at the Three Horseshoes, Bradford on Avon.

Editor’s pick of the week is Swindon & Wiltshire Pride at Regents Circus, all rainbow blessings to you!

Elsewhere in Swindon, Homer is at The Swiss Chalet, Retro Electro at The Vic, Barrelhouse at Queen’s Tap, and The Vipers at the New Inn in Stratton.

Illingworth plays The Avon Brewery, Salisbury.

Rosie Merritt is live at The Queen Charlotte, Andover.

Rat Race at the Cheese & Grain, Frome; ska!

Sunday 13th:

All About The Music have their first Record Fair at Devizes Conservative Club, 10am-4pm.

Be Like Will are at The Farmhouse Inn in Southwick, Trowbridge.

Mike Hoddinott Trio at The Three Horseshoes, Bradford-on-Avon.

Ortonesque at the Old Town Bowl, Swindon.

Monday 14th:

Lego Animation Workshop at Wiltshire Music Centre, Bradford-on-Avon.

Tuesday 15th:

Another Lego Animation Workshop at Wiltshire Music Centre, Bradford-on-Avon.

Alex Goodyear Trio presents the Music of Oscar Peterson at the regular Jazz Knights, at The Royal Oak, Swindon.

The Winchester Gate, Salisbury, have their regular poetry evening, Poetika 114 – Pirates and Mermaids.

And that’s your lot, for now, do check into our event calendar as between picking my nose and bum, I might yet update… what? No one reads this far anyway, do they?! This is a checkpoint, see who’s still awake! Good reason for it though, it’s when we look at future stuff to be doing, and thinking about booking…….

Like Liz Stringer at Chapel Arts, Bath on Thursday and a Tom Speight Instore at Sound Knowledge Marlborough.

Next weekend is Devizes DOCA Colour Rush & Confetti Battle, followed by The Jake Leg Jug Band at The Wharf Theatre. Sausage and Cider Day at The Brewery Inn, Seend. Sunday find the monthly Jon Amor residency at the Southgate, Devizes, yay!

And raver-families, check out The MidLife Krisis Summer Family Event at Supermarine, Swindon!

Further into the month, of course we have another one of those bank holiday things; FullTone in Devizes, Potterne Beer Festival, Box Rocks, Talbot-Fest in Calne, Ruzz Guitar Trio at The Southgate, Devizes, Cooper’s Creek at The Wheatsheaf, Calne, 12 Bars Later at the Wroughton Club, Swindon, and so so much more will be coming in, I promise you! We might yet have a summer after all!

Then, beginning September we see the Pump feature the Future Sounds of Trowbridge, a series of gigs for upcoming bands, which I’m going to have to tell you about in a separate post, as I’m too excited and need a wee…..groundbreaking journalism, accept no less; have a great week!!

¡Viva La Devizes Salsa; Eso!

Looking back over the years of Devizine, I’ve engaged myself with more ‘loco’ undertakings than I care to count, things I wouldn’t have otherwise considered attempting; all part of the fun. More often than not I come away thinking it was alright, but seldom follow it up with a burning desire to continue, it’s sadly onto the next story. Today though was incendio; I’m enthralled by a trip to the Muck & Dundar to meet the Devizes Salsa Group, only kidding myself to assume I’ll be sitting there taking notes…..

Fantasy Radio DJ Michael Linford twisted my arm to give it a try, still naturally I was apprehensive, sauntering in. Though I love to dance, it’s best defined freestyle dad-dancing, and I’ve never taken so much as a single instructed step. Not forgoing, whenever I see those salsa dancing champs at any Latino styled Devizes Arts Festival events my two left feet plod feels upstaged; I just nod in awe; wowzers, they look so cool, as I shamefully retreat from the dancefloor! Though when I left today I can hardly profess to being Jim Carrey’s The Mask, I certainly had a lot of fun!

Upon expressing my initial anxiety to Karen, who runs the group, she reassured me, “we want everyone to come and have fun, we don’t want it to be strictly for people who can do all the moves, it’s not about that, we do a bit of freestyle, but it’s mostly about new people to come and give it a go.”

Now, if you know me you’ll hazard a fair guess I tried to hinge myself to the rum bar, but was hoisted front and centre from the off, next to instructor Phil, who makes it look childsplay, and me like Mr Blobby on a bender, yet took us all through the basic steps timed perfectly, and more importantly, gradually! Up here for thinking, down there for dancing, pal; lo and behold I was side-to-side, backstepping, occasionally doing it to the rhythm too!

Am I here to promote the group, are they desperate for new members? While there was no indication of flailing appeal, the group could do with a few more masculine dancers; can I say men, without getting in trouble with the PC brigade?! Sometimes the ‘masculine dancers’ need to take two partners to compensate, (if that’s not an incentive enough, guys.) I should stress having a partner is something, but you’ll be equally welcome not having one.

As a whole, an ensemble gathered to chat, but they’re bustling, and eager to break out some moves on the floor. Unlike a more formal dance workshop, salsa is not ballet, only subtly ballroom related, the structure is paced to suit all ages and experience, and the ethos is to enjoy yourself… which I did, thank you, thoroughly!

Karen tells me it’s been running for seven years, “but it was a different group, I wasn’t running it then. We started up again, after lockdown, in Market Lavington.” The group meets on Wednesdays at the Old School on Church Street in Market Lavington, today at the Muck & Dundar was a drop-in session for newcomers to get a taster. On a previous taster session such as this they broke out of the Muck and swamped the Brittox with an improv Fame moment of dancing in the street, a video of which captured the attention of Devizes Facebook users.

While there’s no membership fees, it usually costs a fiver to cover hall hire costs. Karen was keen for me to note her involvement was purely for the love of it, “I just want the world to throw off their cares and dance,” she expressed; yeah, me too but you do with it style, Karen, I usually just bob up and down like a buoy in a stormy sea!

Men versus multitasking argument away, getting to grips with the basics wasn’t so simple, and when I thought I clinched it, it was but a warm-up! Encouragement was plentiful, though, with no pretence, the members made me feel so very welcome; I didn’t step on any of their feet! Karen underlined the importance of it being a social group, and it certainly was this.

Salsa is this though, cool fun. An American coined blanket term for all Latino style dances, so we danced mambo, pachanga, and rumba, at least I think we did! “We cover all basic salsa,” Karen explained, “LA salsa, and there will be Bachata, which we all love because it slows it right down, so, you know, we can’t keep it going all night, and then, towards the end we go into full flight and all hell lets loose, going into merengue, and even reggaetón.”

Bachata is typified by a slow, sensual beat, similar to Cuban bolero, which meant my two left feet could keep up while concentrating on the choreography, just; it was the changes which threw my sieve-for-a-brain, but something about old dogs and new tricks, I enjoyed learning something new today, and it’s Sunday! Yet as described, the pace picked up a bit as the session progressed; while freestyling, to a degree, least it wasn’t so regimental to keep to the steps, and never did I fear I’d be told off Lydia Grant style (Google her, whippersnappers!) the exuberance gave flavour to the overall enjoyment of it all. Reggaetón I can improvise!

And dammit, it was fun, and addictively engaging, on watching Phil, Karen and other senior members go for it, all of whom were so helpful and non-judgemental, I felt if I could perfect this enough, you know, to get over those initial first steps, the enjoyment would be multiplied, friendships here will be made, even if I never make it to Patrick Swayze level, least I’ve had the time of my life-ish!

If you fancy being the next salsero or salsera of Devizes, here’s a link to the Facebook Group with all the info on it. Might even see you there, though, not wishing to put you off the idea, you don’t have to dance with me! Oh, those poor Devizes Salsa Group dancers, they’ll be wearing steel toe-caps if they know I’m coming back!!

Trending…..

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over the…

The Fulltone Music Festival – Wiltshire’s Own Iconic Festival in its Own Words, with Additional Waffling From Me!

Introducing the rising star of the south west music scene – The Fulltone Orchestra. This dynamic ensemble comprises a rotation of over 90 exceptionally talented musicians from across the region, led by fantastic musical director, Anthony Brown. Their performances are nothing short of extraordinary, defying genres and taking audiences on a captivating musical journey …… okay, you got me, it’s a copy and paste job direct from the press release. Chief organiser Jemma Brown tells me, “feel free to change any of that. It’s proper job PR malarkey!” She knows me too well…..

I will, thank you Jemma, would have anyway! So, it’s me rapping now, hiya, you alright? Yeah, it’s nearly time for Devizes’ own Fulltone Festival, on the August bank holibob, of which I had this to say about the inaugural one, “in the history of events in Devizes, the magnitude of what The Full-Tone Orchestra achieved yesterday will forever be imprinted.”

But…what’s that you say? Bit pricey innit?

Not forgoing the fact no one is stopping you from distantly spectating in a deck chair on the Little Green like being at a Pink concert where she’s at Wembley Stadium and you’re seated somewhere near Harrow, with footballs flying dangerously overhead and forever wondering how absolutely astoundingly awesome the acoustics would sound within the epicentre of that magnificent stage, your statement is merely justifiable, it weighs in at forty-five pound coins. You know, you could always go to one concert of the BBC Proms at the Royal Albert Hall, say Sir Simon Rattle’s Mahler Symphony No 9 at £72 a pop, for two and a half hours; working out at £28.80 per hour.

Or perhaps The Bournemouth Symphony Orchestra’s Rachmaninov’s Rhapsody at the Lighthouse in Poole, setting you back a similar price but for only two hours; £24 an hour. Most affordable option is Bowood’s Ibiza party next July, five and half hours with one set by an orchestra and the rest DJs. That’ll damage you just £48; about £8.72 per hour.

Putting FullTone into this perspective, if you attend the whole weekend you’ll get approximately seventeen hours, which works out at £2.65 an hour; you wouldn’t even get car parking in London or Bournemouth for that, for crying out loud into an Aldi budget-range sickbag!!!

Look, I’m going to shut up and finish off with the press release. I’ve said my piece, welcome to the real world, okay? It’s entirely up to you, I’m no press office consultant, just the milkman with no reason to tell fibs, other than perhaps to his wife! All I know is it’s a fantastic weekend right here in D-town, bringing in other local acts as well as the orchestra; the kind of event of which, when you attend, you’ll understand why it costs so much to stage, and where every penny has been spent.

What follows from here is the official news! Attendees can revel in the orchestra’s own captivating performances, featuring an array of genres, including Proms, iconic Movie and TV themes, massive dance anthems reminiscent of the Bowood sets, a nostalgic afternoon of West End Musical Theatre hits, and a throwback to the 80s with two hours of classic hits from the shoulder pad era! But that’s not all! The festival also features special guest sets from awesome artists like funk, house, and Latin dance music group – The House Iguanas, the New Orleans-inspired brass band – The Brass Junkies, the beloved local legends Pete Lamb and The Heartbeats, and the soulful opera and West End sound singers – The Four Sopranos.

The Sunday lineup promises to be equally exceptional, with performances from the vibrant 60 voices of The Big Sound Choir, the formidable big band – 41º, and the truly brilliant Talk in Code….. Oh, oh, can I rudely interrupt one last time, pretty please?! You know we love Talk in Code, and not because they stingley got me a beanie hat from their own merch stall at my birthday bash at the Three Crowns, like I’m their walking advertising billboard, or something, but because we love ‘em, love their tunes, and when they took me to the seaside to be a roadie for the day and I did nothing more than drink the bar dry of cider, smile at female punters telling them I was “with the band,” and watch them carry their own stuff in!!

Talk in Code

Attendees from previous festivals describe the event as “amazing that we have this on our doorstep and that it’s so well priced! I genuinely look forward to this every year!”

Experience the magic of live music from a massive orchestra, get up close to a whole host of musical instruments, amidst an iconic outdoor setting in the centre of Devizes, as the performances begin at 1pm and carry on into the evening. There will be an array of food and drink stalls, and attendees also have the option to bring a picnic for a leisurely and enjoyable day.

Tickets for The Fulltone Music Festival are now available for purchase at fto.org.uk. Don’t miss this opportunity to immerse yourself in an unforgettable musical extravaganza!

And that’s that box ticked off! I mean they have sent me a mahoosive setlist, but you don’t need spoilers, do you? After all, I might catch you there, but I must say, it’s a wonderful weekend.

Trending…..

Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, this…

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. The…

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trio…

When William the Conqueror Came to Marlborough

By Florence Lee

William the Conqueror might not be a band known by everyone, but quite simply should be. With Ruarri Joseph on vocals and guitar, Naomi Holmes on bass and vocals and Harry Harding on drums and vocals, their heavenly harmonies, beautiful music and captivating performance quite literally conquered all expectations the audience walked in with….

Their newly released album ‘Excuse Me Whilst I Vanish’ was mixed by Barney Barnicott (Arctic Monkeys, Stereophonics, Sam Fender) and recorded on vintage equipment to create a sound unlike other Indie Rock artists. Their idiomatic approach to music is refreshing to your ears, especially when being played in the beautiful venue of St Peters’ Church in Marlborough.

It is obvious to see that all band members are and have been friends for a very long time by the ease in their music and performance, but it also clear to see the individual influence on certain songs and performances. With influence coming from all over the music industry, their albums take on a sound unlike others. Mixing blues, folk, punk and groove music hints to artists like Saint Etienne or Joe Bonamassa. Personally, I think the vocals sounds like a slow Antony Kiedis song.

Thanks to Sound Knowledge, I was lucky enough to be able to interview these talented musicians. Read below:

Why are you called William the Conqueror?

‘A combination of being supremely confident and stupid. Sort of what I was like as a child – so it just to represent that youthful confidence with also youthful idiocy. I was very brave calling us William the Conqueror, but very stupid as well.’

How and why did you come together as a band?

‘That was quite a natural thing that happened. We were all in Cornwall at the same time. We sort of met each other on the Cornish music scene many years ago and started playing together. It was all quite natural. Kind of accidental. Started playing together and then it just became a band – It is the best way.’

How do you go about writing you music and do you have any tips?

‘Just always have a pen in your hand; you don’t know when some idea might come to you. Late at night generally, on my own with nobody interrupting me. Tired and about to go to bed and suddenly an idea will come and I will stay up for the night. Though, they are usually finished in a soundcheck.’

Where does your inspiration come from?

‘All over. No one place. We are like a Frankenstein band. Naomi’s comes from a kind of disco, groove background. Harry more like funk and soul, mine some blues and folk. We try to chuck it all in and see what happens.’

How did each of you get into music?

‘Just listening. I have always just loved it since I was small. You just react to music and have a love for it. It just takes you over and consumes you and before you know it, you are doing this.’

‘I don’t ever remember thinking ‘right I am going to become a musician.’ If you are passionate about it, it just happens.’

If you could play with one band or artist who would it be?

‘Tom Waits – I would love to play with Tom Waits.’

‘I would like to just be friends with a lot of people. I am not sure I would love to play with them as it would be a bit terrifying. Being around that process would be very interesting, you would learn so much. But I would just sit behind them and worry the whole time.’

One for the drummers: What drum sticks do you use? [Editor’s note: essential question from our wonderful new writer, Florence is drummer for local upcoming band Paradigm – so please, shower their insta with follows!]

‘Well, I use 7a’s, because they are lighter and you can then play light. I like 5a’s because they are a bit more like explosion sounds. I don’t ever use nilon tips, I only use wooden tips because I prefer the sound. Anything I like the feel of really. I use Vic Firth a lot. Tonight I used Vater’s.’

Thank you very much Sound Knowledge to let me meet these incredible artists,

Florence.

Forthcoming Events and InStores at Sound Knowledge:

Sunday 22nd October 2023 – BOMBAY BICYCLE CLUB @ St. Peter’s Church

Friday 1st September 2023 – HANNAH GEORGAS Instore

Saturday 26th August 2023 – WILLIE J HEALEY Instore

Thursday 17th August 2023 – TOM SPEIGHT Instore

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Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There might…

Gecko’s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for a…

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs and…

Results of Salisbury Music Awards

All images: ©️ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,…

Atari Pilot New Single

A drifting retrospection of sonic electronica new wave from Swindon’s purveyors of cool, Atari Pilot, is out today. A single with a Peter Pan fashioned postulation anyone within their target audience would surely identify with, despite the title sounds a bit too mathematical!

If 4x /22 equals 88 back in class, rather this tune refers to the immature wishes of a forty something supposing they’re going on twenty-two; in your dreams, pal! But in most middle age dreams, I’d imagine.

Going by the song that’d pitch me at the mental age of early thirties and I can shrug, mentally I’d wish younger still, but not so much that I’d be back at school, no, thank you. About twenty-five would suit me, please, Atari Pilot, make it so. Failing that, just continue prodding my time travelling reverie with your catchy tunes!

Even if I’d consequently be but a Sega Megadrive gamer at that era, with a blue mohican, collecting golden rings with gusto, rather than an Atari pilot per-say, it’s still a nice thought to plant in my mind, and done nicely with a beguiling grower of a track.

It’s up as a name-your-price download on Bandcamp, give it a whirl, you big kid, you! 

Trending…..

Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Market…

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic of…

Chloe Jordan to Play the Southgate on Saturday

Who recalls schooldays when you had a relief teacher, and well, they were a bit naff, didn’t have a scooby-doo what was what, and generally allowed you to stare aimlessly out of the window, or fill your rough book with doodles?! This is not the case with our Southgate, who, due to the cancellation of the Chaz Thorogood Trio this coming Saturday, have the one and only Chloe Jordan chalked up on their gig-board…..

Now, word of warning for anyone attending unaware of Chloe, hold onto your glass, because I do whenever Chloe sings for fear of being in such awe it’ll slip out my hands! For this soprano singer usually reserved for opera and classics at the likes of the Town Hall or Corn Exchange promises to perform covers on piano, the like of “Pink, Taylor, Alicia, Adele to more cheesy ABBA and Elton,” in which she confesses is a “new genre of music for me.” Though it’s unlikely, if Chloe was to perform a tune from trash metal anarchists Slipknot, it would still sound angelic!!

Chloe Jordan: Opendoors Concert 2023. Image Gail Foster

So yes, something of a different night at the Southgate expected, but of an outstanding quality, and making it impossible to say our trusty watering hole of reliable live music doesn’t give us diversity in its music program. I mean, quality too, obviously, look out for bank holiday Monday when homegrown axeman Robin Davey brings his Californian legends Well Hung Heart to the red carpet, and note also his old pal Jon Amor’s monthly residency is pushed forward to the Sunday 20th August this month. Jon invites Sheffield keyboardist Bennett Holland, who I’m hoping comes complete with hammon organ.

The wonderful Strange Folk on the 12th of this month is another guaranteed winner, and not forgetting the Lightning Hobos on the 26th, continues to make the Southgate the toppermost place to catch free live music in Devizes.

However, should Chloe inspire you, which you only need attend for such to happen, also pay attention to 9th of September when she performs at the Corn Exchange with Pete Lamb’s Heartbeats in aid of Wiltshire Air Ambulance. Options though, as the Long Street Blues Club opens its new season on the same night with the Ian Parker Band, and Devizes Scooter Club has Bristol’s finest ska export Ya Freshness & the Big Boss Band at the Cavalier. Spoiled for choice, Devizes, you lucky lot, but this Saturday, do check out Chloe at the Gate, an extraordinary change of plan!! And this is why I Love you, Devizes!!!

Trending…..

Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisoners…..…

RowdeFest 2025!

Okay, I can’t keep the secret any longer or I’ll pop! While all the hard work is being organised by a lovely committee, because they…

The Lucky Stars of The Radio Makers

Bristol-based The Radio Makers have laboured over their forthcoming album Lucky Stars (Got My Radio) for four years, and it shows; you’ll find out for yourself how that toil has paid off on its release next Monday, 7th August……

Though decidedly new wave throughout, Lucky Stars begins as if we’re retracing steps from punk to the new wave era. Reverberating vibes of post-punk the album kicks rock straight out at you; Edible Hearts is borderline punk, but the followup, Echoes immediately signifies that change to the new wave movement. We’ve gone from something which wouldn’t look out of place on an eighties Joel Schumacher or Tim Burton soundtrack, to something perhaps more for John Hughes, in just two tunes. Going on this alone, I’m slouching back in my chair in anticipation for a substantial slice of retrospective goodness, and I got it.

Then, Jo-Jo slows the tempo, with subtle hints of goth drone, we’re progressing through the era, with black eyeliner and a bottle of Chinazo, because that’s the only booze the woman we asked outside the off licence would buy for us! Now, if you’ve been there, outcast youth of 88, attired for the Batcave, all is not lost to Ed Sheeran and Taylor Swift; Song For Rainy Afternoons perhaps belts out the best hook so far, but by halfway through we’re still plodding on a steady goth tempo. Girl Who Looks Like You surely confirms gothic dominance, sitting comfy somewhere between Killing Joke and Bauhaus. Stands to reason, Lucky Stars is produced by Steve Evansson who has worked with Siouxsie Sioux.

Recorded at EAM and NAM studios in Wiltshire, the Radio Makers describe their album as “songs about love, life and people,” which fits like a glove into the kind of subject matter of the common prose of the genre. By subject, even if ironic, I’m a Poseur chants back into that Bowie glam punk, particularly noticeable on this wonderful bridge and slam back in, if there’s going to be a sing-a-long on this grower, it’s this.

And then the title track comes across as being in the period all these new waves bands realised they needed some more Chinazo and had to aim for chart success. Never could they have dolloped the toilet doings of modern day pop, at the time, but as The Cure developed into the near-acceptable face of goth-rock, this turn in the album suggests to me that it has not been overlooked either. It’s no bad “selling out” type thing, in fact it bought the subgenre crashing a tsunami over the defensible face of new romanticism slush of a mainstream 1986, and for those who may have listened to Duran Duran, were now turning to Joy Division and Sisters of Mercy.

Course, you’ll be totally engulfed by the eighth tune to concern yourself with pigeonholing; I only do it in a best attempt to define a sound, so you’ll have some idea of what you’re getting. Though I often felt like a window-shopper in this general genre, at the time, The Radio Makers is one of those bands which makes you realise the worth of the depths of a epoch, and wish, if you could travel back in time, you’d be leatherman draped in velvet, with fishnet stockings and black painted fingernails! Talk About You, is a perfect example, a drifting ballad finale of precision and skill, and it polishes this moreish album adroitly. 

 A nimble and captivating pilgrimage to an era of yore, with compelling freshness; well played, indeed.

It will be available on CD and 12” vinyl (from The Radio Makers’ BandCamp page) and on all digital platforms. A mini launch tour takes them to Le Pub, Newport – Friday 4th August, Hen and Chicken, Bedminster, Bristol for the official album launch party on Saturday 5th August, with Deadlight Dance in support. Then at the Three Horseshoes, Bradford-on-Avon on Friday 11th August, Bristol HMV, Saturday 12th.

They play Box Rocks Festival at The Queens Head, Box on Monday 28th August, previewed here. Party in the Park, Filton, Bristol on Saturday 16th September, and appear at Bath HMV, on Saturday 23rd September.

Weekly Roundup of Events in Wiltshire: 2nd – 8th August 2023

August already, Christmas before you know it. I bet you’ve done your Christmas shopping already, haven’t you?! Me? I can’t remember what I had for dinner yesterday. But I do have what’s happening across wonderful Wiltshire this coming week, and here it is…..

Usual gubbing, all the info and ticket links are on our jam packed event calendar, HERE, and you can plan ahead too. Any updates after today will also be put on there, so do check in later in the week too, as this is not exhaustive or comprehensive, or other such long words like that!

Do pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed here.

Wednesday 2nd:

The regular acoustic jam at The Southgate, Devizes.

Blackberry Wood at The Bell, Bath.

Thursday 3rd:

It is the annual Lawrence Art Society Exhibition at Devizes Town Hall, and congratulations to them, for it is their 70th year. Running until Saturday 5th August.

Emergency Awareness Training from Wiltshire Air Ambulance at Hillworth Park, Devizes.

Wilderness Festival near Chipping Norton opens, likewise does the Outcider Festival near Bristol.

Friday 4th:

Sound Affects are at The Pelican, Devizes.

Open Mic at the Barge, Honey Street.

Post 12 at the Queen’s Tap, Swindon.

A paw-fect open-air theatre show for all the family, Dr Dolittle is at Wiltshire Music Centre, Bradford-on-Avon, followed by The Great Gatsby in the evening.

Whitesnake UK is at The Cheese & Grain.

Saturday 5th:

Curious Kids at Wiltshire Museum, Devizes

Women’s World Cup – Girls Football Tournament at Wiltshire FA Green Lane, Devizes

6 O’clock Circus at The Three Crowns, Devizes.

Chaz Thorogood Trio at The Southgate, Devizes.

People Like Us at The Lamb, Marlborough.

Cooper’s Creek at the Crown, Aldbourne.

Jive Talkin Perform The Bee-Gees at The Neeld, Chippenham.

Editor’s Pick of the Week, The Embrace All Festival at Old Town Bowl, Swindon, a festival open to all, but designed especially for people with disabilities. See the poster, previewed HERE, they’ve got some great acts and wow, it is such a wonderful idea too!

Rotten Aces at Queen’s Tap, Swindon.

Fall From Ruin plus Our Last Goodbye at  the New Inn, Stratton, Swindon.

Rave Against The Regime at the Woodland Edge, Swindon.

The Dung Beatles at Chapel Arts, Bath.

Sunday 6th:

Jon Amor Trio at The Southgate, Devizes

Flats & Sharps at The Bell, Bath.

Courting Ghosts at The Electric Bar, Bath.

Monday 7th:

Devising Drama workshop at Wiltshire Music Centre, Bradford-on-Avon, and a Rock The Tots Summer Party too!

Summer at Queen’s Park, Swindon has The Jabberwocky & Other Nonsense! From 2:00 pm – 4:00 pm.

Lady Noir at The Bell, Bath.

Tuesday 8th:

Fidgety Feet Dance & Drama at Wiltshire Music Centre, Bradford-on-Avon.

Robin Hood at Old Town Bowl, Swindon.

The Kim Cypher Quartet are atJazz Knights in The Royal Oak, Swindon.

And that’s all I have so far, folks, but more will be added to the calendar throughout the week, I’m sure; have a great week!

Trending…..

Devizes Scooter Rally 2023

Have rally will travel; seemingly the scooterist’s motto, chatting to various friendly clubs nationwide, and individuals too, such as a dapper lone mod who rode up from Bridport on a three hour trek, while loitering with a pint of Thatchers in a field at Lower Farm on the Whistley Road. Overall, it’s more than fair to say, thanks to Devizes Scooter Club’s valiant and sedulous toil, Devizes is firmly on the map of must-do scooter rallies…. 

It would, without this blossoming national appeal have been a massively lesser affair; scooter culture being niche and though a blanket term retrospectively  incorporating mod, skinhead and punk subcultures, isn’t, perhaps, appealing to enough locally to have successfully created something on this grand scale. Those local aficionados, or even with a passing interest in the scene therefore are truly treated, as Devizes Scooter Rally this weekend was spectacular.

There’s various reasons for saying this; a hospitable atmosphere throughout the event from attendees and organisers, a controlled and diligent attitude to structure, the underlying notion you’re not going to get ripped off at the bar or elsewhere, a donation to The Devizes & District Opportunity Centre, a worthy charity indeed, a calculatedly perfect site design from bar, venue to campsite, a wide variety of side stalls, and an apt music programme of talented bands and DJs, but mostly, it was the combination of them all which made it as fantastic as it was.

41 Fords

I spent the finale late night moments with some of the club’s valid members, as they reviewed an overall of the weekend, discussing rights against possible improvements. And with expandable site potential, just how far the annual rally could blossom before it becomes less congenial. As such they’ve set the date for 2024, 26th-28th July; if you missed this weekend put it in your diary, if you went I’d imagine you already have!

Sharp Class

So, I rocked up to wet my whistle on Friday, eager to catch up with those Trowbridge rockabilly stalwarts, 41 Fords, and witness Brighton’s revitalised mod marvels Sharp Class. Being there was another day to come, and I wanted to see you there Saturday, I knocked up a quick review of it: HERE. Saturday though, I’m on Shanks’s pony and up for a party; which was delivered to me uncompromisingly.

Apologies, too late to catch The Butterfly Collective, but my arrival coincided with the Roughcut Rebels’ set. Haven’t seen them since Mark moved to pastures new, but Jimmy Moore makes for a great frontman stand-in for Finley, and it was business as usual for this locally renowned Britpop mod band who plucked covers, like Wonderwall, otherwise cliché if not delivered by such an enthralling group from their extensive repertoire. 

Roughcut Rebels, with added Jimmy Moore!

Next up a rare treat, Cath and Gouldy concentrating rather on wider variated Day Breakers outfit, and folk duo Sound Affects, but to have them back under The Killertones guise both more apt for the occasion and a delightful return to their new-wave-two-tone covers set. It was as whatever guise they operate on, perfected and bewitching, with vast improvements from already proficient young drummer, Katy York.

The Killertones

There was me figuring they’d peaked too soon, after ska classics like Pressure Drop, to speed into uptempo two-tone, like The Specials’ Little Bitch and Rancid’s Timebomb, but a sublime set slid nicely into new wave, particularly adroit being The Chords’ Maybe Tomorrow; dammit if Gouldy didn’t go all Morten Harket on us with an offbeat Take on Me, such a rework finale left the crowd spellbound and me realising how much I’d missed these guys!

With Terry Hendrick’s Soul Pressure on the wheels of steel while the headliners set up, a fashion to see the rally into the wee hours, betwixt it regulars at the rally, the south-coast’s longest established ska ensemble Orange Street ripped the roof off.

Terry Hendrick

I could’ve predicted it such, but it didn’t affect the show’s infectious appeal. At an eight-piece complete with brass section, Orange Street are a highly capable homage to Jamaica’s “first national sound,” which infatuated the youths of sixties Jamaica, and thereafter spread worldwide through era-spanning waves. The second wave most memorable to Britain through Windrush exports appealing to mods; the tsunami known as Two-Tone. And to which the band rightfully nodded to, but also provided original engaging material which fits like a glove into such a set. 

Orange Street

The effect is akin to the attraction of the offbeat backwards shuffle, ska, which Prince Buster accidentally discovered during a recording session at Duke Reid’s studio Treasure Isle, not only reflects in the band name, the studio alongside Coxonne Dodd’s Studio One, both located on this legendary Kingston street, the equivalent of Nashville’s Music Row for reggae, but also in their performance which kicked off with a interlude of Madness’s Buster tribute, The Prince. Though it wasn’t long before the opening medley flowed neatly into the Specials’ Dog the Dog, and thereafter the whole spectrum of ska UK chart hits from Bad Manners to The Beat.

While other similar bands attempt to fuse later reggae styles, punk, or general electronica, Orange Street remain faithful to the roots and are therefore a premium choice for an event like this, cradled by a culture nostalgically devoted to it too. And in such, the event is so encapsulating there’s a jollity in the air impossible to hide. Coupled with the wider appeal outside the atypical scooter rally, with this extended and blossoming setup which had taken the Scooter Club weeks to set up, this is rather of festival proportions and equally as brilliant. 

It only leads be to heartfeltly thank and congratulate The Devizes Scooter Club for bringing us another astounding event which offers diversity to our local music circuit, a jolly good beano, and also attracts nationwide fans to our area…even if I’ve been hearing their hairdryers zipping back and forth the dual carriageway all weekend!!

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Discovering Swindon Story Shed

With Dad’s taxi on call in Swindon and a few hours to kill whilst her majesty is at the flicks, it was fortunate local author…

Devizes Scooter Rally Revs Up

First day back from my holibobs and though duties are to unpack and cut the flying ant infested grass, twist my arm, I reckon I can squeeze in a trek down the Whistley Road. Usually just a rat trap you take at your own risk, this weekend is home to hundreds of camping scooterists….

Devizes Scooter Club’s third Scooter Rally and things are looking exceptionally organised. Post-lockdown they set up here last year, relatively a slighter thing than this weekend, I understand. If you consider this a niche market, Devizes Scooter Rally has a festival feel, scooter enthusiasts have gathered from afar, but not to make it feel insular, Devizes Scooter Club invites locals too, and has laid on a shuttle bus from The Pelican; they certainly pull out the stocks.

There’s an extensive campsite, with showers, and stalls are plentiful from Jamaican food to clothes and scooter essentials. Fish n chips to brownies and parkas to engine oil surround a large marquee for a northern soul to ska disco, dispersed with some live acts.

From the music tent extends a plentiful seating area which flows nicely to the bar; the effect is functional and professionally designed; especially given this unpredictable British summer climate. It’s an impressive sight, dammit if they haven’t even got a pool table in there!

Day one done, this is going to go off tonight too. But for now we were treated to the wildcard, Trowbridge’s finest purveyors of feelgood rockabilly, 41 Fords. They never fail to enthuse the party, and if rockabilly isn’t usually on the agenda at a scooter rally, their infectious assortment of covers always raises a smile and taps a foot.

Headlining is Brighton-based Sharp Class, a young trio of highly accomplished Jam-like aficionados, and with fire in their hearts and an enthusiasm to mimic the mod culture they can effectively slip in a few akin originals between covers of The Jam and Clash, to Spencer Davis and The Kinks and make them not look misplaced. Sharp Class is a show of pure energy, verging on a tribute, though slyly original too, adroitly slipping between the two and hardly coming up for air.

Today’s (Saturday 29th July) lineup doubles the fun, The Butterfly Collective are on at 2pm, with our own The Roughcut Rebels at 6pm, Swindon favourites with added Sound Affects Cath & Gouldy,  The Killertones from 7:45pm and the grand finale of one of the finest contemporary ska bands on the circuit, Orange Street. Then, naturally the Soul Pressure sound system, including legendary Northern soul DJ Terry Hendrick takes it to the wee hours, and Saturday all nighter tickets are a snip at £15, so polish your boots and give me some of that old moonstomping!

Weekly New Songs Roundup

Ah, let us have a shiny new feature, being I’m trying to keep up with all the lovely new songs coming out, and failing because I’m putting them as individual articles when I could be rolling them into one, maximising my productivity and giving me some breathing space! Here’s a selection of tracks recently out or forthcoming from our bank of local talent!

Ruzz Guitar Blues Revue: 10-31

Staggering new track from Ruzz and the Blues Revue, featuring Chris Smith and Brian Fahey. Available worldwide on all download and streaming services from June 10th.

The Two Man Travelling Medicine Show: I’m So Angry I Could Vote

Punky folky bluegrass shenanigans … here’s the new single, from Dorset’s finest, The Two Man Travelling Medicine Show; I’m So Angry I Could Vote! Available from Weds 16th August.

Deadlight Dance: Infectious

Infectious is the third single from Deadlight Dance, a Wiltshire, UK-based ’80s alternative/goth duo compromised of Nick Fletcher and Tim Emery. The song was written by Deadlight Dance, and produced by Nick Beere and Deadlight Dance at Mooncalf Studios. The video was made by Haunting The Atom. The zombie shots in the news report were produced by Cottonbro Studio.

William The Conqueror: Shots Fired (From Heaven) 

Okay you got me, not local, but coming to Marlbrough tomorrow, via Sound Knowledge, preview here. From the album ‘Excuse Me While I Vanish’ – out now https://wtc.lnk.to/EMWIVID

The Sunnies: Relapse

Just out, and added last minute, Melksham’s finest indie-punkers, The Sunnies have dropped Relapse, check it out!

https://open.spotify.com/album/1tw2mRSt5nAsVxyCoV1ELK

If we missed one, please send it to us and it will make the next Weekly New Songs Roundup, pinky promise… today’s was just a little experimental prototype and besides, I’m off out in a minute, honest guv!!

Trending…..

The Rise of Winter Festivals

Once upon a time it seemed to me, that folk would grin and bear the winter weather for the sake of a Christmas lights switching on type of event, then batten down the hatches and hibernate like hedgehogs until spring. Nowadays you need not wait till summer for music festivals; winterfests are a thing….. For…

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What’s Happening New Years Eve in Wiltshire 2024

With the big C ticked off, there’s one big push for the final night of 2024. Time to throw off all your aggravations, like who keeps putting the empty wrappers back into the Quality Street container. The busiest Tuesday of the year is coming up fast, and we have thirty-five options in Wiltshire of where…

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It’s a Barrelhouse Here, Long Live The Southgate!

Hey look, I’m done playing nice. Been good all year, but if Santa’s list starts afresh from now, I’m on for a bag of coal next yule; all in the name of honest opinion. I’ve been venturing elsewhere for entertainment, else hibernating like a little hedgehog, Saturday night before the big C, working hard, and…

Darren Worrow's avatar by Darren Worrow

Who Knows, RAE?

With my boat sailing unchartered territory on this voyage of discovery for local talented youth, the rabbit hole continues deeper the further we network and rare findings simply keep coming, and today is no exception; singer-songwriter RAE is something rather special….

At seventeen, Corsham-based RAE most recently played Chippenham Pride, where she duetted with Jarret Brown of Melksham’s upcoming-now-household name The Sunnies. The tune is called PJ’s, and it features on her own self-penned debut four-track EP, Who Knows, which was launched early last month.

There’s subtle innocence in Rae’s acoustic opener, Do You Want Me Too? Simplicity is the key, capturing this truckload of potential in Rae’s delivery, and the ghostly musing of youthful romantic doubt. There’s even a studio moment of discussion left in, to create that personal touch. This is followed by the aforementioned duet with Jarret, PJ’s. Here is where Rae’s ability to compose the perfect acoustic ballad shines, clearly there’s a lot of thought and emotion wrapped in the beguiling chorus, and those verses are sublimely crafted.

Title track comes next, again dealing with mixed young romance emotions, a steady tempo enchants you, RAE knows precisely how to pluck the heartstrings. Yet the finale, I Hope U Don’t Miss Me is moderately uptempo by comparison, the moreish peach of the EP, the catch of which will have you chanting along, guaranteed, and as it fades you are left hanging cold, wanting more.    

It left me more than pleasantly surprised; there’s a sparkle here, like tasting iced sparkling spring water, with a slice of lemon, when you thought you were about to drink tap water! On Rae’s Soundcloud there’s also a cover of Niall Horan’s Heaven, which she puts her own stamp on; though this captures the skill of her delivery, through her own intelligently drafted lyrics, this EP goes the extra mile. Something about the clarity in a voice and guitar combo which is the raw essence of talent, and Rae has this natural bewitching ability to make you stop and listen.

As we continue sailing, to discover more locally-based talent, Rae is one you may have overlooked, but I urge you to anchor up and take a concentrated listen, as I tingle with anticipation at what she will produce next, for Who Knows is a wonderful and highly accomplished starting block. Do please have a listen, and tell me it’s not just me!!

LinkTree to RAE Music 

Trending…..

In Retrospect With Gary Martian

So yeah, not only has Cracked Machine and Clock Radio drummer Gary Martin added a letter A to his name to make it sound…

Christmas Greetings From Devizine!

Here’s our Christmas video Greeting, ho-ho-ho! Filmed on location at DOCA Winter Festival, Devizes, 2024 by Jess Worrow. Merry Christmas everyone!

Going on a Michael Rosen Hunt at The Cheese & Grain!

By Florence Lee

To be able to capture the attention of an age group from little children and grumpy teens to parents and even grandparents is not something that everyone can do. But Michael Rosen is not just everyone.….

He was completely charismatic and had the audience in stitches for his whole show. He grew up surrounded by education, learning, and books, as his parents were primary and secondary school teachers. As he told the audience, when he was younger, he had ‘three parents.’ His mum, dad, and then his older brother, Brian. Brian is older than him by four years, and liked to tell him about his day at school, but also teach him everything he had learnt. Rosen shared the memory of sitting in their shared room whilst his brother would imitate their father at the breakfast table. Within seconds, the whole room was lit up with laughter.

No one was sat without a smile on their face. His impression was animated and came to life as soon as his mouth opened. Everyone was transported into a world of childhood memories.

Michael was born in London and came from a family that was filled with love. He was always interested in writing. He wrote poems for his mother to help her when he came back home from university, and these poems were collected to make his first book. His father was always a bit of a performer, but Michael only found out that he was a performer after writing his first book: ‘Mind Your Own Business.’ He was put in front of around 300 children and completely changed his way of thinking while these 300 kids sang his poem in rhythms and sounds; it was a new way of writing poems.

It was clear to see that as soon as Michael stepped out onto the stage, he wanted to get to know his audience and fans. He instantly pointed out people eating ‘Haribo’s’ in the front row and got to know ‘Henry,’ a young fan eagerly watching for his next joke. Rosen then introduced himself as Michael Raisin and asked the audience questions about their opinions on raisins. Everyone, once again, was laughing as soon as he made a joke.

Michael talked about how he named his books and told stories about people asking him what it was called and having to reply, ‘Mind Your Own Business.’ This caused an eruption in the hall, but he continued to when people asked him about his second book. This time, he would say ‘Wouldn’t You Like To Know,’ and getting the response: ‘Yes, I would like to know.’
Not only did he interact by talking to the audience, but he also made the audience speak and act out his poems with simple movements. Even ‘the dads.’

His captivating poems had everyone doing exactly as he said. As I said earlier, capturing everyone’s attention is a very hard thing to do, but it seems to me that Michael did it with ease. Had Michael not gone into writing, stand-up comedy would have suited him perfectly. If anyone has the chance to spend an hour with this enthralling author, don’t hesitate to go. You will not regret it.

Box Rocks; Spend August Bank Holiday Monday in Box?

Not a typo, even if my irritating grammar check says it’s so, and not ruling out some might like to spend bank holiday Monday “in a box;” each to their own. But Box Rocks, at the Queen’s Head, in Box is an institution, and this year is looking decidedly tempting…..

Forever a bank holiday Monday thing, Box Rocks actually started on Whitsun in 1994. The idea, concocted over a few drinks between like-minded musicians, was to perform a charity gig on the roof overlooking the gardens and car park at The Queens Head in Box; their very own Apple HQ, Savile Row!  

The First Box Rocks, 1994!

“After the first few years,” they tell, “we were advised that putting musicians and alcohol eight feet in the air was not the best idea, so we moved the stage into the garden at ground level!”

In 2002, due to the Queen’s Golden Jubilee, it was shifted to the August Bank Holiday, and due to its blossoming attraction, moved to the carpark, where it remains to this day, with the slogan “8 bands over 8 hours.”

Over the years Box Rocks has raised thousands of pounds for the RUH Forever Friends appeal and other local charities, the past couple raising over £7,000 for Dorothy House. 

Danni W

But enough of the history, Box Rocks goes ahead come rain or shine, on Monday 28th August this year, it’s a fiver or more donation to the Dorothy House on the gate, no animals except guide dogs, only food and drink purchased on the grounds and under 18s must be accompanied by an adult.

Nothing Rhymes With Orange

And the lineup is looking a little something like this: from 2pm the Phoenix River Band kick off, 3pm is Danni W, whose album we recently fondly reviewed but yet to catch live, Tom Petty homage, Petty Minded from 4pm, a fine choice, sirs, Nothing Rhymes With Orange take the 5pm slot, followed by The Sunnies, indie-punkers similarly taking the Sham by storm, and From Jovi at 7pm, which may/may not be a tribute act!

The Sunnies

After dinner, those fantastic Bristolian new wavers The Radio Makers at 8pm, still got their forthcoming album to review, I’m getting to it, honest! And a finale of Fleetwood Mac, with Fleetwood’s Back. So, yeah, might catch you there, if they let me out of my box.

Trending….

Chapters, New Single From Kirsty Clinch

Okay, so, I’m a  little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning I’ve not yet mentioned Kirsty Clinch’s new…

Nothing Rhymes With Orange Release New Single Monday, on Monday!

Rapping on this today, because Devizes young heroes Nothing Rhymes With Orange unleash their latest catchy banger, Monday, tomorrow, which is coincidently or not, a Monday, and we all know Mondays are a load of old tosh and if we had a half decent government Mondays would be banned by now, and being it’s Monday I doubt I’ll get time to mention it then, because it’s Monday, which is kind of what this indie-punk treat is about…..

I could direct the band’s attention to Smiley Lewis, who prior to The Boomtown Rats, New Order and The Bangles, had a single whinging about Mondays way back in 1954, and note the though the concept is far from new, Nothing Rhymes With Orange are not only the first to reference a Greggs steak bake in a song about Monday, but also, Smiley Lewis or none of the above ever drooled on their mate while sleeping on the bus, as far as history books reveal.

The band tells us the tune has “more of an indie-punk sound, a step away from the softer indie-rock of previous tracks and we’re exploring this genre with more songs of a similar style.” Though the subtle difference will, and does already, encourage the live audience into a frenzy at the bridge, to consider such may not be as commercially viable is to note it was the track picked up and played by BBC Introducing this month. Can’t blame them really, it’s a brilliant tune.

“The inspiration for our new single, ‘Monday’, came about when we were chatting about the ‘Monday morning dread’,  when you wake up tired and everything goes wrong,” they explain, though you could effectively walk into a lamppost on any other day, you can bet your bottom dollar it will be on a Monday, but I’m afraid, when it comes to pastries, you get what you pay for, boys; believe me, I’m something of an expert on them.

Image: Kiesha Films.

Timeworn romance topics can be a stable subject, but something which drops in some light-hearted humour it’s more often than not a chicken dinner, particularly within their genre. I pray you’ll recall Wheatus for Teenage Dirtbag rather than A Little Respect, or Foundations of Wayne for Stacey’s Mom rather than Someone’s Gonna Break Your Heart.

It sure is a great tune, with a lot of work gone into it, despite the festival season in full flight, and the band have certainly been gathering appeal and pushing new geographical boundaries, with 30K streams across all platforms. Still to come, they’re live on hometown Fantasy Radio from The Crown in Devizes on 24th August, and a couple of summer festivals remain, Honey Fest and Box Rocks. They also play The Pump on 1st September, The Lamb, Marlborough the next day, their self promoted gig at Devizes The Corn Exchange on the 10th, and its onto Moles in Bath, and we’re looking at 15th December for them to make their debut at the trusty Southgate. 

Pre-save Monday, for Monday, HERE!

Trending…….

Devizes Writers Group Win Silver Award

Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group… At the National Community Radio Awards held in Cardiff on 16th November Together!, the…

Hansel & Gretel: Panto at the Wharf!

Images: Chris Watkins Media It was lovely to spend Sunday afternoon at Devizes’ Wharf Theatre, to see how this year’s pantomime Hansel & Gretel, is…

No Worries; Worried Men at The Pump

Long overdue a visit to the Pump in Trowbridge, Jamie Thyer, frontman of the Worried Men twisted my arm Friday night and there I was,…

Ian Siegal at Long Street Blues Club

Devizes is often spoiled for choice when it comes to live music. Swindon folk ensemble SGO at the Gate would’ve been an excellent decision for…

Weekly Roundup of Events in Wiltshire: 26th July – 1st August 2023

Here’s what we’ve found to be doing locally this coming week into August already…take a raincoat for this is British summer time, yay!

Here’s a thing, all the info and ticket links are on our jam packed event calendar, HERE, and you can plan ahead too. Any updates after today will also be put on there, so do check in later in the week too, as this is not exhaustive or comprehensive, or other such long words like that!

Ongoing through the month, Marlborough Open Studios, countywide artist open studios, where you can invite yourself  into many artist’s homes for free to see their work and what biscuits they have! Open Studios runs on the first four weekends in July between 11am and 5pm.

Do pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed here.

Ongoing until Sunday, the Westbury Festival continues until 30th July, with lots going on there.

Wednesday 26th:

The regular acoustic jam at The Southgate, Devizes, and Negra Santa at The Bell, Bath.

Thursday 27th:

Jam Night at the Boathouse, Bradford-on-Avon.

The Beware of the Bull show, An Audience Without Jake Thackray, which you might have seen in Pewsey, is at Chapel Arts in Bath.

The ELO Experience at The Wyvern Theatre, Swindon.

And festivals kicking off are Womad near Malmesbury (27th-30th) and the same dates for Camp Bestival near Lulworth;  you lucky lot! 

Friday 28th:

Ah, Editor’s pick of the week, Devizes Scooter Rally 2023 all weekend. The Scooter Club are saying the date for pre-order tickets has passed, but you can pay on the gate, except for overnight campervans and caravans, which must have been pre-booked. Friday has 41 Fords and Sharp Class, Saturday The Butterfly Collective, Roughcut Rebels, The Killertones, and Orange Street. Previewed HERE.

Devizes Town Hall has a magic night with Chris Hiscock.

The other biggie is Trowbridge Festival at Southwick, only a few ticket options left for this now, so get in quick.

Jaspreet Singh: With Love, Jaspreet at Swindon Arts Centre, The Daybreakers at The Vic, Good Times at the Queens Tap, and The Duke’s Theatre Company presents Twelfth Night Summer Tour at Old Town Bowl.

Billy in the Lowground at the Three Horseshoes, Bradford-on-Avon.

R.E.M by Stipe at the Tree House, Frome.

Saturday 29th:

Dylan Smith at The Southgate, Devizes, Midnight Hour at The Three Crowns.

William The Conqueror has an instore at Sound Knowledge in Marlborough, with an intimate gig at St. Peter’s Church. Miles Kane is at Marlborough Town Hall, and Barrelhouse are at The Bear. Reggae Garden Party at The Pelican in Froxfield.

Spiritual medium Mitch Garlington at Melksham Assembly Hall.

Calne Bike Meet 2023.

The Last Baguette: Pandora’s Box at Pound Arts, Corsham.

People Like Us at Prestbury Sports Bar, Warminster.

In The Night Garden at The Wyvern Theatre, Swindon, and also running on Sunday. 

Sophia & The Soul Rebels at The Moonrakers, Swindon, Shades of Seattle at The Vic, and Rotten Aces at the Woodland Edge.

LCassidy, Backsy MOC + MissFaithee (Situationships) at St Margaret’s Hall in Bradford On Avon, Us-Two at The Boathouse. 

The Dom Harrison Dilemma at The Bell, Bath.

Metallica Reloaded at The Cheese & Grain, Frome.

Sunday 30th:

Pims in the Park at Lydiard Park, Swindon, a great Julia House fundraiser, with some great bands including our favs Talk in Code, Sarah C Ryan, NoMiddle Ground and N/SH.

Monday 31st:

Mal Webb & Kylie Morrigan at The Bell, Bath.

Tuesday 1st:

Rock The Tots are at Old Town Bowl, Swindon.

That’s all I have for now, but early days, and more will come in, so pay attention to our updating event calendar, and follow our socials for updates and new stuff to do, rather than relying on me editing this, because I rarely get time for it! Have a great week!

Subject A Takes us to Paradise

What’s four years between releasing new material?! We fondly reviewed Subject A’s album Writer’s Eyes back in 2019; they’ve a new single out this week, and it’s worth the wait….

The brainchild of Swindon’s finest purveyors of everything offbeat, pianist Erin Bardwell and bassist Dean Sartain, Subject A is the experimental dub project you need to take heed of. This new double A starts with a mellowed and gorgeous electronica dub track, Paradise. Much in the vein of Massive Attack and the nineties Bristol trip hop scene, with the definite nod to reggae, as in what Oxford’s Zaia are putting out. So, equally as we’re geographically in between Bristol and Oxford, so too is this uniquely Swindon sound!

Starter for ten is the ambience of this aptly named tune, provided through a firm collective of Rachael Birkin’s Viola, Harki Popli’s Tabla (who we know from Will LawtonandtheAlchemists,) and these dreamy vocals and flute of Heather O’Neill; the result is sublime. Add regular drummer Matty Bane to Erin’s keys and Dean’s bass, and all you need to complete the effect is subtle brass, a trumpet, provided by Colin Berry.

The final track is a dub of Paradise, which levels up the reggae tip, reminding me of when the Mad Professor went to work on Massive Attack’s albums. But nestled in-between is an outside chance called The Bottle, a gem of upbeat ska-fuelled dub, perhaps more Mungo’s Hi-Fi than Massive Attack, but most certainly a nod back to their Two-Tone roots; this is the Specials in modern day format, it skanks, it’s irresistibly danceable, and with vocals by Neil Sartain it simply has that floorfiller appeal and shows the diversity of Subject A. Recoded at Earthworm, this is a peach!

Trending…..

Wiltshire Music Centre Announces New Joint Leadership

Wiltshire Music Centre is delighted to announce the new appointments of Daniel Clark as Artistic Director, and Sarah Robertson as Executive Director. Daniel and Sarah join Wiltshire Music Centre in a new co-leadership…

Matchbox Mutiny; Ben Borrill & Pat Ward’s New Duo Debut at The Gate

If you’ve caught either brilliant local soloist, Ben Borrill or Pat Ward performing live in the past, you’ll understand what welcomed news it is that the pair have formed a duo called Matchbox Mutiny, and their debut gig is at the Southgate, Devizes, this Saturday 22nd July…..

I’m lucky enough to have been at the beginning of one evening’s acoustic jam sesh, which happens every Wednesday at the Southgate, where prior to others turning up, Ben and Pat played together for a while, so I know this will be a great match. I offered, at the time, to play the triangle, but I’m still waiting for that phone call!

The duo will be putting their acoustic spin on various covers, and they have more than a few classics in their arsenal. So best of luck with it guys, Saturday night at the Southgate. There’s a double-whammy in this, that Jamie R Hawkins will be filling in for Ben’ regular slot at the Moonrakers that evening; spoiled for choice, Devizons!

Show Matchbox Mutiny some Facebook lovin’ HERE, and though I cannot make it unfortunately, if there’s anyone able to scribe a paragraph or three about it we would welcome your contribution, as I’m sure you’re in for a great night!

Trending…..

YEA Devizes: DOCA New Youth Project

Devizes Outdoor Celebratory Arts announced their upcoming project, YEA Devizes today. Made possible by a grant from National Grid Electricity Transmission’s Community Grant Programme, the…

The Mist; New Single from Meg

Chippenham’s young folk singer-songwriter Meg, or M3G if you want to get numeric, will release her 6th single The Mist on Friday 18th October, and…

The Future Sound of Trowbridge; The Pump Calls for Young Talent

The Pump in Trowbridge, is a music venue called such because it is a renovated pump room, but I always like to think the pump disambiguation should also be a metaphor for the heart, for it is the heart of live music in our county town, and it sure has a lot of love to give!

I’m delighted today to be able to announce the Pump’s search for the next generation of Trowbridge’s best and brightest musical stars, and they’re naming it The Future Sound of Trowbridge!

Already renowned for their unrivalled and at times blistering live music experience, The Pump is hoping to continue to inspire and educate the next generation of music stars, by offering our venue and platform. Giving young people the agency and opportunity to present and perform their music and art to their peers, in a professional environment.

Skill level and performance length aren’t an issue; But the desire to get up and perform is essential! The Pump will provide an exceptionally safe space for people to perform in, with expert help at hand to assist any musician through their technical requirements to be in the best possible position to perform their music live!

Now, I always figured if any local venue has done most to encourage youth already, it’s been The Pump. Sheer Music’s promoter, Kieran Moore, tells me, “be that as it may, we want to formalise it in the shape of a project, and here it is!”

“There are no limits on the style, type or size of the music,” he continued, “we aim to unearth what latent talent we have in Trowbridge and offer the opportunity to SHINE!”

You could be the next pioneer of the spoons, an aspiring violinist or an Avantgarde psych rock, pedal noodler. You could even be a rapper or DJ. The options are limitless, but the opportunity is here and now!

You must be aged between 14 and 25, and not already in an established* band. 

Pre-existing local musicians will be able to perform.

There are also opportunities for those who wish to be involved with the delivery of the events. Aspiring sound engineers or lighting engineers are welcome to contact The Pump.

You may be a photographer, or zine writer or blogger. You may be a graphic designer. All of these skills are valued and can be explored and developed with your peers, to gain experience and contribute to your community! 

More information can be found at;

http://www.thepumptrowbridge.co.uk/ or you can email: 

thepumptrowbridge@gmail.com

The first event has already been confirmed, with young indie hopefuls Nothing Rhymes With Orange set to perform on Friday 1st September, with a line up including more young musicians from the area.

The Future of Rock and Roll is in your hands, the future of Music is YOU!

Trending……

Autumn-Winter Comedy in Devizes

Comedy in Devizes is a rare thing, unless you count visitors turning right at the Shane’s Castle junction, reading opinions on the Devizes Issues (but…

Girls Like That at Devizes’ Wharf Theatre Opens Tomorrow 

What if I told you the forthcoming production at the Wharf Theatre in Devizes was staged by the Wharf’s own Youth Theatre Group? Would you preconceive it to be akin to a school production? Would you assume it amateurish, or immature? Girls Like That is none of the above, I was invited to a sneaky preview dress rehearsal type thingy, and it’s complex, multi-layered and poignantly provocative….

I left the Wharf contemplating the model protagonist versus antagonists is ambiguously played out here, as the centre of attention, due to a lewd photograph of her going viral, Scarlet, played wonderfully by Chloe Lagden, is silent throughout the majority of the play, and until the closing scene where she lays it thick on the line; the layers of blame, of victim of circumstance, and the harassing group banter leaves a bitter taste of irony, of who is right and who are wrong.

Even the title remains questionable once the play has concluded; does the “girls like that” refer to the Scarlets of this world, and their terrible mistakes, or her peers who seem determined to gossip and spread hearsay through their outrage at what she did? I remain undecided, but an open-ended play is favourable if you wish to leave with deliberations about your own social engagements, which it certainly does. Face it, we never truly grow out of our malicious adolescent craving to better ourselves by putting others down, and I only said that because my dad is a black belt in karate!

Of course, it focuses on contemporary methods of harassing, online, but there’s interesting monologues dividing the present day, of twenty year gapped reminiscences, examples of masculine abuse and inequality, which though you assume are only there for an insight to past techniques of humiliation and how they differ or are similar to today’s, there’s a twist at the conclusion to roll them nicely into the narrative…. not forgoing, elders in the audience will love the cultural reverences I’d suspect the actresses would need to Google!

The nine other young actresses, Scarlet’s frenemies, each play their parts of equal substance, as if they were made for them. I pondered if they each took reflection from this on their own actions, or this is the superb direction from renowned director Lou Cox, or more likely a bit of both. But one thing I am sure of, the cast; Samantha Scott, Bea Yates, Eloise Bromley, Darcey Oswin, Megan Hughes, Pip Aldridge, Jess Harding, Jess Worrow, and Lisa Grimes, together with Chloe, play utterly convincing parts with gusto and actuality.

There’s subtly placed humour too, satirical and black, and it’s easy to see now how Girls Like That was named best play for young audiences at the Writers’ Guild of Great Britain Awards in 2015, though I would argue with strong language and passionately delivered prose, here is a story to leave an impression on the most hardened adult mind equally.

Clogs and stilettos this play, for me, because being an honest reviewer, anyone who requests a nudie photo of me must either be criminally insane or a director filming a whole new level of twisted horror-comedy; walking in someone else’s shoes is most effective when they’re an entirely different style of shoe. Even if you cannot relate to the circumstance presented in Girls Like That, I believe there’s a moral there for us all, as the naivety of the characters mature, the nature of gossip and backbiting never really fades through age, it just gets more complex and crafty. Ergo, anyone, a victim, perpetrator or both will identify with this gritty, reality-driven play, but all will relish in its gorgeous portrayal.

The popularity of recognisable shows at theatres in general, means previous performances at our wonderful Wharf Theatre, such as The Railway Children, can be taken as red, whereas something lesser-known like this you have to take a chance. I’m only here to express my thoughts, and would humbly suggest Girls Like That displays the diversity of performances the Wharf are willing to put on, and you will leave breath-taken.

Well done to Lou and her team of aspiring, and indeed, inspiring actors at the Wharf Theatre Youth Group, it’s marvellous!

Girls Like That starts tomorrow, Thursday 20th July, and runs until Saturday 22nd. Shows at 7:30pm, tickets are from £10, from the Wharf website HERE, or from the Box Office on; 0333 666 3366.

Trending…….

Swindon Gets Shuffling!

Despite the population of Devizes throwing confetti and paint at each other in their most celebrated annual ritual, I believe I picked the right weekend…

We’re Going on a Bear Hunt to The Cheese & Grain!

The first day of the school summer holidays will be marked with a very special performance at The Cheese & Grain in Frome, with one of the world’s best-selling children’s authors and poet, Michael Rosen, on Monday 24th July……

With over 140 books published to his name, including the classics “We’re Going on a Bear Hunt” and  “A Great Big Cuddle”, plus 55 million views on his YouTube Channel ‘Kids Poems and Stories with Michael Rosen’; the Number 1 selling children’s author is all set to come to the Cheese and Grain. 

Recently seen on BBC Breakfast and The Repair Shop, the visit also follows Rosen receiving the prestigious PEN Pinter Prize just last week, an award honoured to those whose work is committed to a fearless exposition of truth about contemporary life. 

Michael Rosen is one of Britain’s best loved writers and performance poets for children and adults. His first degree was from Wadham College, Oxford and he went on to study for an MA and a PhD. He is currently Professor of Children’s Literature at Goldsmiths, University of London where he co-devised and teaches an MA in Children’s Literature. 

Michael is also a popular broadcaster and has presented BBC Radio 4’s acclaimed programme about language, “Word of Mouth” since 1998, as well as regularly presenting documentary programmes for BBC Radio 4 and BBC Radio 3, including the Sony Gold Award-winning “On Saying Goodbye”. 

Michael has published in the region of 200 books for children and adults, including “The Sad Book” with Quentin Blake (Walker Books) – a meditation on bereavement written after the loss of his son, Eddie; “We’re Going on a Bear Hunt” with Helen Oxenbury (Walker Books) – made into an animated film for Channel 4 broadcast Christmas Day 2016 – and “A Great Big Cuddle” with Chris Riddell (Walker Books) . His poetry for adults includes “Don’t Mention the Children” (Smokestack) and “Selected Poems” (Penguin). Non-fiction work for adults includes “Good Ideas: How to Be Your Child’s (and Your Own) Best Teacher” (John Murray), “The Disappearance of Emile Zola, Love, Literature and the Dreyfus Case” (Faber), and his memoir “So They Call You Pisher!” (Verso). 

He has written a book for children and teachers on writing poetry ‘What is Poetry?’ (Walker Books) and has done three booklets for teachers on writing and reading. These are available through his website http://www.michaelrosen.co.uk. He writes up a monthly news page on the website and a blog for teachers giving ideas for writing. 

Michael writes a monthly open “letter” to the Secretary of State for Education in The Guardian where he critiques Government policy on schools from the standpoint of a parent. He visits schools, teachers’ conferences and university teacher training departments where he is in demand to give performances, workshops and keynote addresses. He also appears regularly at literary festivals all over the UK and Ireland. 

Michael has received several honorary awards, including degrees from the Open University, the University of Exeter, the University of London Institute of Education and the University of East London/Tavistock and Portman NHS Trust. For outstanding contribution to children’s literature he received the Eleanor Farjeon Award and was Children’s Laureate 2007-2009. In recognition of his contribution to the profile of French culture in the UK, he was made Chevalier de l’Ordre des Arts et des Lettres. 

There are two shows on 24th July:

Show 1 doors at 10.30am – TICKETS

Show 2 doors at 13.30pm – TICKETS

Info: www.cheeseandgrain.com

Trending…..

Deadlight Dance New EP Chapter & Verse

Marlborough gothic duo Deadlight Dance are due to release an EP of new material. It’s called Chapter & Verse and it’ll be out on Ray…

Weekly Roundup of Events in Wiltshire: 19th – 25th July 2023

Is this…..is this….summer, pray tell?! Here’s what we’ve found to be doing locally this coming week……

Here’s a thing, all the info and ticket links are on our jam packed event calendar, HERE, and you can plan ahead too. Any updates after today will also be put on there, so do check in later in the week too, as this is not exhaustive or comprehensive, or other such long words like that!

Ongoing through the month, Marlborough Open Studios, countywide artist open studios, where you can invite yourself  into many artist’s homes for free to see their work and what biscuits they have! Open Studios runs on the first four weekends in July between 11am and 5pm.

Do pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed here.

Ongoing until Sunday, the Westbury Festival continues until Sunday, with lots going on there.

Wednesday 19th:

The regular acoustic jam at The Southgate, Devizes.

Memory Cinema at Swindon Arts Centre screening Goodnight, Mr. Tom, this for anyone who suffers dementia, and their carers. Tea & Tour of Wyvern’s Spotlight Room in Swindon.

A Craig Crofton Quartet at The Bell, Bath.

Thursday 20th:

Girls Like That opens at The Wharf Theatre, Devizes, The Wharf Youth Theatre presents this, directed by Lou Cox and running until Saturday 22nd. If I’m rushing out this week’s roundup, it is because I’m off to the dress rehearsal, so please look for a review of it tomorrow!

Amadeus Orchestra at Wiltshire Music Centre, Bradford-on-Avon.

Peter and the Test Tube Babies at the Tree House, Frome, The Bluetones at the Cheese & Grain.

Shades of Silver at The Tuppenny, Swindon, and Do You Believe In Ghosts at The Wyvern Theatre.

Friday 21st:

Summer BBQ with Plan of Action at Seend Community Hall.

Just Jinny at The Pelican, Devizes, Sour Apple at The Three Crowns.

The Korgis with The Lost Trades and Rachel Hill at The Laverton in Westbury.

IGGZ Create My Own Lane EP Launch Party Ft Wordlife And Friends at The Pump, Trowbridge.

Highly recommended, Siouxsie and the Banshees tribute Painted Bird with Ian Dury tribute Dury Duty at The Vic, Swindon, Andrew Lawrence’s I Forgive You at Swindon Arts Centre.

Scott Lavene at Pound Arts, Corsham, highly recommended from us!

Bite The Hand at The Three Horseshoes in Bradford-on-Avon.

Rory McLeod at The Bell in, Bath and This Flight Tonight – A Tribute to Joni Mitchell at Chapel Arts.

The Guns N Roses Experience at The Cheese & Grain, Frome.

Saturday 22nd:

Arty Kids at Hillworth Park, Devizes. Match Box Mutiny, newly formed duo of Ben Borrill & Pat Ward at The Southgate.

Marlborough Festival has been postponed until 2024, but find Static Moves at The Lamb, Marlborough. 

Rave Against the Regime at The Barge on Honey-Street.

The Accidents at Melksham Rock n Roll Club.

Twist of Rock at The Pewsham, Chippenham.

Dr Zebo at Victoria Garden, Westbury, Junkyard Dogs at The Angel.

Cider, Reggae & Rum Festival in Trowbridge. Trowbridge Repair Café at the Town Hall.

The Brackish at Pound Arts, Corsham.

Westward Plus! at The Boathouse in Bradford-on-Avon.

Mutter Slater Band at The Bell, Bath, The Jake Leg Jug Band at Chapel Arts.

But all eyes on Swindon this Saturday, for Editor’s Pick of the Week: My Dad’s Bigger Than Your Dad Festival at the Old Town Bowl.  

Plus, Coopers Creek at The Moonrakers, The Flashback Band at The New Inn, Dragoneye at The Queens Tap, and Mean As Custard at The Woodland Edge. The Kirsty Farrow Dance Academy’s This Is Me at The Wyvern Theatre, and Prime Theatre Showcase presents Dreamland at Swindon Arts Centre.

Sunday 23rd:

Sound Affects are doing an afternoon at The Southgate, Devizes, from 5pm, usually.

Coopers Creek at The Electric Bar, Bath.

Revolution Performing Arts – The Golden Ticket Spotlight Show! at Swindon Arts Centre, and Kitty Langan Studio – Oh What A Night! at The Wyvern Theatre, Swindon.

Monday 24th:

Radio Banska at The Bell, Bath.

Tuesday 25th:

Jazz Knights at The Royal Oak, Swindon has Chris Cobbson’s African Jazz Project, and 

Bridesmaids of Britain at The Wyvern Theatre.

And that’s your lot, unless you know different? Listings are free, get in touch!

“Make This Your Last Day?” A Thought on the Bus Driver Who Fell Asleep at the Wheel

So, bus driver Xavier Peediyakal of Swindon, admits he fell asleep at the wheel when he collided with an oncoming vehicle, and has been banged up for eighteen months. We are sorry to hear the Calne BMW driver with whom he collided with sustained multiple injuries and a few passengers on the bus also received minor injuries, but have to question remarks made about the incident by PC Leigh Mayhew, of Wiltshire Police’s Serious Collision Investigation Team….

For, it seems, PC Leigh Mayhew also dozed off when he left the real world, but at least passed his level one in supercilious patronisation at training college. He stated on a Wiltshire Police Facebook post, “the case should send a clear message to drivers, especially those operating large vehicles, of their responsibilities to operate safely. Tiredness can kill – please take a break if you feel that your tiredness is likely to impact your ability to drive safely.” Well, I never; who knew?!

See Facebook Post Here

The key point here is legally he is correct, of course; legally it is the responsibility of the driver. The company which employs him is not to be blamed, nor the system which pushes the buttons; the wheels on the bus go round and round. But as it’s Sunday I’ve got a story to tell which I feel relevant, so if you’re sitting comfortably then I’ll begin….. 

Once upon a time I was pleased to be back working after struggling to find a job for a year. I was to be a delivery driver for a company you will likely know. I will not name them as I believe they have since changed management, and hopefully work ethics. A week into my job, ending my day last afternoon I was told tomorrow I was on “the London run.” This consisted of a 2am start time; my argument I had never done the run before fell on deaf ears. On a zero hours contract I started when they told me, I finished when they told me, and if they didn’t have any work, my family did not eat.

Let’s call the chap who usually does this run, Rupert, for want to add a smidgen of humour to an otherwise unamusing anecdote. “Look at Rupert,” the boss barked, “he’s walking around with two stones in his eyes, someone else has to do the run as well.” Funny thing; they didn’t tell Rupert he had the morning off, and was there upon my arrival, so joined me to show me the ropes. Lucky he did, the sat-nav was as much use as a chocolate fireguard, and being the concept was to deliver to a few locations and return with one big collection ready for the daytime vans, I would never have found my way and be back in time without his occasional navigation tips, through snoring the remaining journey.

On the return journey I supposed I would be put on a local run which ended earlier than rest, he just laughed at my naivety. I was told to swap vans, as it was the only one they had left; a Mercedes, the pride of fleet, and I was to do “the Swindon run,” which I had also never done before. A deceiving title, the route took me through Marlborough to Wotton Bassett and Wroughton, into Swindon, sure, but continued to Newbury, Oxford, right into Buckinghamshire and the North Cotswolds; oh, how we laughed!

Later in my employment it was a run I would master, but without guidance on any running order, I devised to head north from Swindon, take out the Cotswolds, and loop back through Oxfordshire to finish at Newbury. Being I had been working since 2am without a break, time was of the essence, but my sequence was, of course, wrong; the phone rang when I was at Bicester to bark annoyance at me, I hadn’t done the drop at Newbury and they were desperate. I turned around and raced back down the notorious A34, and back up again. To cut an exceptionally boring story short, it was 6:30pm when I reached my final drop near Buckingham. It was chucking it down by the time I returned to base in Devizes, and after eighteen and half hours of consistent driving my eyes were near closing by their own accord. So much so, I caught the rear bumper on the wall of the narrow entrance to base, and scratched it.

I was accused of “deliberate sabotage,” and yelled at no end. It was the first time of many I had heard their infamous saying “make this your last day, then?” For if you refused a job, no matter how long you had already worked for that day, there were, apparently, a thousand more people out there willing to. If you did not complete the task as quickly as possible, despite a more formal job description being you should not speed, you would be lucky if you, and your family too, were only mocked in an insanely offensive form of banter and not handed your P45.

I continued with this absurdity, bit my tongue and took the corporate shafting for years, so I could put food on the table. I have to wonder if PC Leigh Mayhew has any understanding of this situation, as it is for millions of unskilled workers.

Of course, you are right, Leigh, tiredness can kill, but we know this, and anyone with an ounce of moral standing would so obviously abide by it. You are only preaching to the converted, the ones without said moral standing will not take heed, neither will the pressure of the system of a competitive market.

Replies to the Facebook post reflect this: “Maybe he wasn’t able to take adequate rest breaks. Maybe he felt he couldn’t report to his superiors that he wasn’t fit to drive. I would have less sympathy if he was driving a personal vehicle that he had a choice to drive but to be paid to do a job sometimes you feel obligated to push through no matter how crappy you might feel.”

“You say don’t drive tired but it’s almost unavoidable when companies will work you to the bone and if you call in because you’re tired you will be penalised for it. What are we meant to do when either option is to risk your job?”

“Take a good look people. This is what happens when there is a driver shortage.

The company reports millions in profit, shares that with the irresponsible shareholders and doesn’t think to share it amongst the people who really matter. But instead will put all the pressure on said individuals!”

“Message to drivers??!!!! Maybe to companies, is them making drivers work long hours!!!! Try to sit for 5.30 hours constantly and don’t get tired!!!!”

There’s a whole lot of exclamation marks on that last quote, which I think suggests an exclamation, defined as “a sudden cry or remark expressing surprise or a strong emotion,” because it is a crying shame and a shocking surprise that a leading officer of Wiltshire Police could be so insensitive to the daily affairs of a wider issue than this particular isolated incident.

I am unaware of the work ethics of Stagecoach, but believe they should look into it, but not to single out any one company, as many, let’s face it, are guilty of pushing drivers to their limits, and drivers are persuaded to do this in order to protect their job. It is not an open and shut case to simply prosecute the driver, but the police’s job to investigate why a driver was driving so tired.

I’m not ruling out a driver might well be burning the candle at both ends, it may well be the case in certain circumstances, but a fear of your job if you tell them you are not up to the task is the culprit in my more general rant, given my personal experience. And they all lived happily ever after, the end.

Nothing Rhymes with Orange at Devizes Corn Exchange

By Florence Lee. Images by Kiesha Films.

Booking Devizes’ most prestigious venue, The Corn Exchange was mighty ambitious for newly formed promoter Lost Monkey Productions, but to say that Nothing Rhymes with Orange was a marvel last night would be an understatement. They completely enthralled the whole hall and captivated the attention of everyone listening…..

Image: ©Kiesha Films

Last night kicked off with OverStory, a band only created earlier this year. They had a mix of exceptional covers and originals which were both extraordinary. They even brought on a female voice, which added diversity and elevated their performance. Their relaxed music created a chilled out mood that the audience enjoyed. You couldn’t tell they only called themselves a band early this year. These boys go to Bath College studying music and call their music phenomenon ‘messing around.’ I look forward to seeing Overstory ‘mess around’ again.  

Image: ©Kiesha Films

OverStory then handed the baton to Foxymoron, who exceeded all high expectations. They delivered originals, all with a unique sound that the crowd thoroughly enjoyed. Foxymoron portrayed both great charisma, and a natural ability to perform. Their song ‘signs’ was compelling to watch and listen to; I hope they release their music soon. The audience was enchanted with the band and was hanging on to every note. Their fan base is ever expanding with each performance and everyone is hoping to witness their flourishing successes.  

Image: ©Kiesha Films

As soon as Nothing Rhymes with Orange walked onto their stage, the audience was buzzing with anticipation. NRWO started their set with their new single ‘Butterflies’ whilst the crowd belted out every word, even though it was only released at the end of May. The dedication of their fanbase to know every lyric truly reflects how NRWO has a committed growing audience, which enjoy both their company and music. They continued their set and continued to amaze all that were there to witness it. They produced an astounding cover of the Kings of Leon’s ‘Sex on Fire.’

Image: ©Kiesha Films

The place was absorbed by the energy from the audience and the band’s connection with each other. Continuing from that remarkable cover, NRWO performed more originals and unreleased music, which had the audience engrossed in their show. They performed nearly all their released music, including ‘Creatures’ and ‘Chow for Now’ as well as their unreleased song ‘Monday,’ which was played on BBC Music Introducing. The fluidity between their own songs and a few covers was incredible and well practised. Their individual performances and characters are starting to develop as well as maturing into a tight band. Their bright guitar, interesting riffs, unique voice and insanely fast and technical drumming gives them an individual sound which separates them from the boy bands of this day in age. The love for their own music and the music of the other performers is projected through the interactions with both. It is clear to see that Nothing Rhymes with Orange appreciate the growth that their band is rightfully getting. 

Image: ©Kiesha Films

Nothing Rhymes with Orange shows the coming generation of musical talent in an amazing light. They are kind to their fans, respectful of everyone who helps them and show appreciation to any support that they receive. They are not only a band, but friends of the audience, which shows as they feel at home on stage. Coming from a local school, it shows that ‘ordinary’ people can create something which inspires and includes the people around them.  I can’t wait to see what all the bands come up with next. 

Image: ©Kiesha Films

Trending……..

Fulltone Confirmed For 2025 in Devizes

The Fulltone Orchestra has confirmed today that their annual festival will take place on The Green in Devizes from 25th – 27th July 2025…. “It’s…

Get ‘Lifted’ by Chandra

Chandra, Hindu God of the Moon, with his own NASA X-ray observatory named after him, and also frontman of a self-named friendly Bristol-based four-piece pop-punk…

Local Book Review: Dad’s New Dress

Spent most of Pride month, and the following month too (what? I’m a slow reader and a busy chap!) reading an apt book, given to…

Some Days with Paul Lappin

Paul’s self-made cover to his latest single, Some Days depicts a fellow sitting under a tree pondering life, while an autumn zephyr blows leaves around…

Imberbus is running this Saturday !

Following on from last month’s email, this is a final reminder that year’s Imberbus service will be running this coming Saturday – 17th August 2024.…

Beskar’s Ella Fitzgerald Collaboration with Huntr/s

Scottish music producer Beskar made our song of the week feature in June with drum n bass doubleA The Prophecy, featuring Devizes vocalist Chrissy Chapman, aka Huntr/s, and they’ve returned today with another rolling tune on Grand Theft Audio, which even if you’re not into drum n bass you’ll recognise……

They’ve taken Ella Fitzgerald’s Fever to techstep heights, which is an interesting approach, if I’d suggested the more ambient subgenre “intelligent” drum n bass would I be showing my age?! At least this is contemporary and danceable, forget my blissful reminisces of the Logical Progressions of LTJ Bukem, for when Roni Size did break new foundations I was still at it, and this is equally as beguiling.

But if, as a hardcore junglist, you assume queen of jazz Ella Fitzgerald wasn’t bad e-nuff fo’ a drum n bass rework, you should take note, she escaped to Harlem from an abusive father and skipped school to run for the mafia, and serve as a police lookout at a local brothel. She went from orphanage to state reformatory, and it was only her voice which got her through, as the New York jazz clubs were dubious about her scruffy appearance. I’d wager that is more roughneck than you’ll ever be, blud!! Enjoy the tune, it’s a chicken dinner….

Link HERE

Trending….

Marlborough, I’ve Seen Your Pants

“We can’t stop here. This is Tory country,” I chuckled while fiercely yanking the handbrake, as if Dr Gonzo was in the car. We can…

Ruzz Up The Gate!

I was intending to start this along the lines of “you don’t need me to provide another reason why I love The Southgate,” but this…

Lavington Community Choir dazzles with The Pied Piper of Hamelin

Review by Karen Cannings. Photography by Gail Foster.

Market Lavington Community Hall was filled with music and applause on Friday 7th July, as Lavington Community Choir presented their summer concert under the direction of Paula Boyagis…..

The choir showcased their vocal skills and versatility in a range of jazz-inspired songs, accompanied by a talented jazz ensemble featuring Tim Price on piano, Tony Jones on flute, James Monckton on double bass, Henry Liebling on Sax, Nick Kingman on percussion/drum kit and Nick Hale on miscellaneous percussion.

The first part of the concert included some classic jazz tunes such as ‘Moon River’ and ‘The Way We Were’, arranged for choir by Bernard Wight. The choir sang with rich harmonies and expressive dynamics, creating a warm and engaging atmosphere. Jessica Phillips, Soprano, charmed the audience with her sweet voice in ‘Let there be Love’, while Paula Boyagis, Mezzo Soprano, delivered a rich and expressive performance of ‘Autumn Leaves’. Jim Donovan then entertained everyone with his rendition of ‘Mack the Knife’, complete with a trilby hat!

The second half featured a jazz cantata based on Robert Browning’s poem ‘The Pied Piper of Hamelin’, composed by accompanist Tim Price when he was only 16 years old as a student at Dauntsey’s School. The choir, soloists and jazz ensemble brought this humorous and whimsical story to life with catchy melodies, lively rhythms and colourful narration. The original director of music at Dauntsey’s School, David Price, was present in the audience to enjoy the revival of his former pupil’s work. The conductor of the cantata was Paula Boyagis, who also sang the role of the Piper (complete with flute solos) resplendent in a colourful costume of red and yellow.

Mark Wastell, sang and acted his role as the Mayor with great conviction.

The community choir welcomes new members who want to join them. Videos of the concert are available on YouTube.

Trending…..

Sing Another Love Song with Rosie Jay

Second impressive single from young Salisbury singer-songwriter Rosie Jay is released today. Sing Another Love Song; a sound of the summer….. Her debut breakup track…

Cotswold Water Park to be Renamed

Here’s a prime example as to why I could never be a councillor….. Cotswold District Council will vote on changing the name of Cotswold Water…

Devizes Scooter Rally Rules, OK?!

If it’s been a fantastic weekend on Devizes Green with the orchestral Full-Tone Festival, further out of town scooterists, mods, skins and anyone else with…

The Next Season at the Wharf Theatre

Featured image by Chris Watkins Autumn, finish your ice lolly, as we need to to start thinking about it! Our wonderful, one and only, theatre in…

William The Conqueror to Invade Sound Knowledge, Marlborough!

Yeah, not really who you’re thinking of, you history swot! Rather the Cornish Americana/English alternative folk-rock trio of multi-instrumentalists Ruarri Joseph, Naomi Holmes, and Harry Harding, who’s unique blend of genres from both sides of the Atlantic can be heard on albums such as 2017’s Proud Disturber of the Peace and 2021’s Maverick Thinker.

Yeah, them, well, they’re paying an in-store visit to Marlborough on the 29th July, via Sound Knowledge…. they’re also at Bexhill’s Music’s Not Dead the day before, if you want to get historically appropriate and as geographically close to The Battle of Hastings and still see this quality band!

They’re there as part of an album launch tour, ‘Excuse Me While I Vanish’ released on 28th July, via Chrysalis Records. The story of the album goes along the lines of frontman Ruarri Joseph finding himself cocooned at home during lockdown, ruminating on an uncertain creative future, watching on as his wife Mandy, a valiant mental health social worker, engaged with the all-too-real dilemmas of the pandemic-riven here and now. Her example motivated Joseph to become a temporary care worker, an experience which would provide renewed focus and influence the songwriting on the new album.

“My wife was insomniac for the first six months of lockdown, which made it impossible for me to moan or grieve the fact that everything I’d been working on for the last five years had come to a standstill,” he explains. “It was a much-needed perspective and made me realise what a selfish undertaking William had been – navel-gazing with my head in the clouds when what people needed was boots firmly on the ground, preferably on the feet of someone like Mandy.”

But, the band’s fourth album finds the indie-rock trio firing on all cylinders as Joseph confronts the thin line between creativity and madness, inspired by compassion for the real-life angels of the world.

Produced by the band in a playground of vintage gear, and mixed by Barny Barnicott (Arctic Monkeys, Sam Fender, Kasabian), the resulting album’s ten tracks marry earworm tunes with insistent, imperious, soaring rock shapes, punctuated by chorus hooks that are simultaneously nuanced and anthemic. Joseph’s compelling semi-spoken vocals and swamp-blues-Seattle-scuzz guitars are propelled by the rhythm section of Naomi Holmes and Harry Harding as ‘Excuse Me While I Vanish’ delivers an effortlessly winning blend of melody and ensemble dynamics, the most accomplished William The Conqueror album to date.

With William The Conqueror’s live performances drawing wildly enthusiastic comparisons to the likes of Kings of Leon, Nirvana, Buffalo Tom and The Marshall Tucker Band, the trio performed to a packed room at The Great Escape earlier this year and recently completed a European tour with Nathaniel Rateliff & The Night Sweats. 

The band will also play at Latitude Festival this month, before embarking on a nationwide in-store tour in support of the album’s release across July and August and a full headline tour in October. Other venues close to us include Bristol’s Rough Trade on 30th, and Oxford’s Truck Store on 1st August, but the all live shows are based in larger towns and cities, you have to hand it to Roger and his team at Sound Knowledge, the ones who brought George Ezra to Trowvegas, they’re bringing in the names only cities would get the pleasure to witness, and this particular gig is certainly one the eye for ol’ Harold…..sorry, I couldn’t resist!

The trio will be playing a short set at St. Peter’s Church, Marlborugh on Sat 29th July. It’s a FREE event, but let the record store know if you’d like to attend by sending them a message or popping a note in with your album pre-order, HERE.

Trending…..

A Perfect Picnic in the Park

A perfect sunny(ish) Sunday at Hillworth Park in Devizes, if not to overcome one’s fear of public speaking while dressed in a giraffe onesie and…

Becca Maule’s Teenage Things

I mean, yeah, press releases can be as handy as sitting next to Einstein in a physics test, but reviewing music isn’t an exact science, and while they speed up the process it’s tempting to allow them to spoon-feed you. Sometimes it’s a pleasant surprise to go in blind, as it was with Teenage Things, the debut EP from Salisbury’s young singer-songwriter Becca Maule, due out this Saturday, the 15th July…..

I don’t know why, perhaps taken in by earlier images of Becca sporting a pink bob, and by her supporting Carsick, but as I’ve not had the opportunity to catch her performing I dove in with a preconception this was going to be an all-out riot grrrl explosive thrash of punker style emotional outpouring with little to credit her with other than, well, that was loud!

What I hadn’t taken into account was it was produced at Haxton’s Tunnel Rat Studios with backing by Jolyon Dixon, the studio’s wizard and one half of duo Illingworth, and as a result it’s a dreamy soundscape over acoustic goodness, as is the style Illingworth also purveys. But if the drifting musical ambience has something Pink Floyd-come-melancholic indie, like The Verve or Radiohead, about it, Becca’s voguish and relaxed vocals breath the freshness and vigour of youth into this, and it flows sublimely.

Opening tune Mother Nature is an obloquy commentary on the political ignorance of environmental concerns, and as such while Becca’s self-penned vilification drifts causally alongside the sound, this observation gives in to a spiralling angle of fury; a definite slice of the punk I was expecting slowly builds throughout the tune. This, I’d argue, is astute and profoundly crafted songwriting for someone twice Becca’s age; she’s eighteen and just completed an extended diploma in music performance & production at Wiltshire College.

Teenage Things is no whim project for Becca, the single was released shortly after she performed the title track two years ago, with another Poison Roses, to win a Tunnel Rat’s talent competition, telling the Salisbury Journal at the time, “winning the studio time is golden for me – as a student I don’t have much money and therefore booking studio time is really hard; winning the time means I can professionally record all the ideas in my head instead of trying to do it at home on my not-so-good laptop.”

Let’s just say, that paid off! Vocally I was immediately taken to imagining if Kirsty MacColl came after Lily Allen, she might sound a little something like this. Though not the rap of Kate Nash, her causal inflection brews hints of that voluble style, it’s refined singing still, and I mean this as a high compliment. Though there’s no mention of Kirsty MacColl, Becca replied, “I love Lily Allen, so defo a compliment,” after I put this to her. Am I showing my age now?!

This slightly more upbeat title track follows in this five track EP, and as the name suggests, the subject is teenage anxiety, and the curse of misunderstanding elders. It’s a woeful mard rather than Anthony Burgess fashioned vexation, over a steady beat. If antidepressants like Fluoxetine are insinuated it’s subtle but poignant nonetheless. From here you accept, Becca has more than a few things to say, and she does so with zest and expression. While her peers will identify with this song, parents should take heed too, and consider they’ve forgotten what it was like to be a teenager. This is a double edged sword.

With a conceptual running theme evolving, Little Girl continues on the subject of confusion over coming of age; this drifts so nicely, it is the song Madonna should’ve replaced Papa Don’t Preach with! Now, if Becca has got you onboard and you’re now contemplating how marvellously plotted this is, she throws Affliction of Melancholy Lies into the pot, and peps up the emotive intelligent songwriting another notch or twelve. This moves onto the next stage, relationships and their breakdowns, and is simply gorgeously ruminative. 

And though I don’t want this to end, Creatures has the most beguiling singalong chorus, folding in dark indie connotations, and I’m undecided if the safety of wild animals topic is metaphorical, or not, but it is a gratifying cumulation to a sublimely played EP which you really need to delve into wholeheartedly, rather than simply listen to, and that is a rare gem these days.

I’m so much more than pleasantly surprised, I’m in awe; use any part of this as a press release if you wish, Becca, but perhaps your astute words and the beautiful way you have presented them speak volumes for themselves, and as I said at the beginning, the wow-factor is often a dish best left as a revelation!

I’ll pop Becca’s Link-Tree HERE so you can check in on them on Saturday 15th and stream the EP, and will update this review too with links to it. 

Trending….

The Pleasure was all Minety!

Broke my Minety Music Festival cherry, and it was gurt lush! When it comes to live music and festivals, I initially set a high bar.…

DOCA Picnicing in the Park!

With the unfortunate cancellation of Devizes International Street Festival this year due to Arts Council cuts, all eyes are on our wonderful Hillworth Park next…

Michelle Gonelan Makes History

Last political rant from me for a while, given all that happened today, pinky promise! Hitler shot himself, then, as requested, he was doused in…

MantonFest Magic, Again

With the danceable penultimate act attracting a packed crowd, I observed a young teenager, who, on spotting a disregarded beer bottle, picked it up and…

Weekly Roundup of Events in Wiltshire: 12th – 18th July 2023

Another summery week ahead of us, and our weekly report on all the stuff we’ve found to do. We will continue to support all local events and we won’t succumb to petty squabbling about any of them, by anyone.

It seems unfair that we seem to get minimal respect for what we do by a few local councillors, perhaps it is because of this reason, I really don’t know. Devizes Town Council posted on their Facebook page last week, asking for suggestions to improve the free local council-run pamphlet “The Messenger.” I was the only one who offered an idea, being the events list in it only promotes those events governed by the council, that it would be helpful to both us and their readers if they could include a kind of “for more information on local events” link to Devizine, but they have not bothered to even respond.

It begs the question why Devizes Town Council would ask for suggestions and not reply to those few who do; a simple yes or no would have sufficed! Now that I’ve said it I’m sure it will get political, I’ll be witch-hunted and banned from social media pages again when all I’m guilty of is telling people about events going on, so here we go; do let me know if anything below offends you or is any way “bullying” someone, won’t you?!

Don’t forget nothing is comprehensive, other events might well be added during the week as and when we discover them, so check in on our event calendar, for more info and links on these, updates and planning ahead.

Ongoing through the month, Marlborough Open Studios, countywide artist open studios, where you can invite yourself  into many artist’s homes for free to see their work and what biscuits they have! Open Studios runs on the first four weekends in July between 11am and 5pm.

Do pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed here.

Wednesday 12th:

Acoustic Jam at The Southgate, Devizes.

Jarman at Swindon Arts Centre.

Amadou Diagne & Group Yakar at The Bell Inn, Bath.

Sophie Duker at the Cheese & Grain, Frome.

Thursday 13th:

Mark Thomas: England and Son (Work In Progress) at Pound Arts, Corsham.

Chris Murphy at The Tuppenny, Swindon.

Ghosts of this Town album launch at The Vic, Swindon.

Friday 14th:

Lost Monkey Productions presents Nothing Rhymes With Orange, Foxymoron and Overstory at the Corn Exchange, Devizes.

The Unpredictables at The Peppermill, Devizes.

Wrestling Night at Marlborough Town Hall.

Slageri & Kimng Alias at The Barge Inn, Honey-Street.

Sour Apple at The Pig and Whistle, Melksham.

Nervendings and Mosaic at the Old Road Tavern, Chippenham.

Jazz at the Cafe with Jacqui Hicks at The Civic, Trowbridge.

The Carrivick Sisters at Pound Arts, Corsham.

Barrelhouse at The Vic, Swindon.

Sara Petite (4 piece) plus support: Savannah Gardner at Chapel Arts, Bath.

Heathen Apostles  at the Tree House, Frome.

Asian Dub Foundation at the Cheese & Grain, Frome.

Saturday 15th:

Arty Kids at Hillworth Park, Devizes.

Wiltshire FA Wildcats Festival at Green Lane Playing Fields, Devizes.

Italian Auto Moto Festival in the Market Place, Devizes.

Devizes District Wargames Group: Attack 2023 at Devizes School.

Chris Murphy & Barney Kenny at The Southgate, Devizes.

Roughcut Rebels at The Three Crowns, Devizes.

Midlife Krisis Summer – Summer Dance at The Barge, Honey-Street.

Humdinger at The Lamb, Marlborough.

On Remand at The Crown, Marlborough.

Sour Apple at the Ship, Upavon.

Market Lavington Vintage Meet Family Fun Weekend

Family Fun Day at Woodborough Social Club from 12-4pm.

Pewsey Pride at the Coopers Arms.

The Passion of Joan of Arc at Pound Arts, Corsham.

Never 42 at Swindon Arts Centre.

Whole Lotta DC at The Vic, Swindon.

Nicki Leighton-Thomas – One Good Scandal at Chapel Arts, Bath.

Later with Frome College at the Cheese & Grain, Frome.

Newton Faulkner at the Cheese & Grain, Frome.

Gorilla Riot at The Tree House, Frome.

Sunday 16th:

Deadlight Dance & Reverence 80 at The Blue Boar, Aldbourne.

Characters Stage School: The Addams Family at Wiltshire Music Centre, Bradford-on-Avon.

GM Dance Academy Showcase at Wiltshire Music Centre, Bradford-on-Avon.

Warmington, Lindley and Webb at The Bell Inn, Bath.

Monday 17th:

The Westbury Festival opens with lots of great events running until 30th July. 

Rock The Tots: Rock Gods vs Princesses at Pound Arts, Corsham.

BD Lenz at The Bell Inn, Bath.

Tuesday 18th:

Open Mic at The Angel, Westbury.

Jazz Knights at The Royal Oak, Swindon with Roger Beaujolais & Tom Berge Trio.

Harri Mason at The Bell, Bath.

And that’s all we have so far, do check into our event calendar for updates, and have a great week!

Trending……

Devizes Arts Festival Rules, OK?!

Alas, it’s been a long week since the Devizes Arts Festival called time. It feels a little like when my Dad would take the Christmas…

Talk in Code are All In for New Single

Swindon indie pop virtuosos Talk in Code released their brand new single, All In, Yesterday, via Regent Street Records. And We. Love. Talk in Code…

Simply the Best, CrownFest!

If last year I trundled off the 49 at Bishops Cannings in a blazing heatwave alone, this time things were different; the bus was heaving with revellers, mostly unprepared for the torrential rain forecast, enough to warrant me query out loud if anyone onboard wasn’t going to CrownFest, and if not, did they have a pac-a-mac I could borrow?!

Attendance figures made for a vast improvement to last year’s inaugural festival at this wonderful village watering hole, which although was a thoroughly smashing occasion, due to a date clash with Devizes carnival could have been better attended. In fact, the unavoidably unpredictable British summer time climate could possibly be my only whinge this time around, as the rationale maintained “might as well make the most of it,” rang through the beer garden of the Crown, and everyone, it seemed, had a fantastic time.

And to add importantly, downpours were sporadic and at better times the sun poked his head around the gloomy clouds to say hi. Dapper in country attire, Cap’n Rasty’s Skiffle City Rockers were already underway, with highly entertaining skiffle variations of classic pop covers, a few traditional folk singalongs thrown in for authenticity. New to me this one, they were utterly proficient with an air of timeless cool.

Nonchalant was the vibe in general, though, in the face of adversity; a possible landslide to the next village, or trench-foot at the very least. Lesser in sidestalls, perhaps due to the forecast, the arrangement of tables and chairs which last year caused an elongated divide between the stage and bar had been realigned and by design everything was tickety-boo.

But it has to be awarded, the medal of honour for service and total dedication to the cause, to all the young staff at the Crown who worked tirelessly under mounting pressure to serve everyone their poison and tucker with a smile. Basically, gen z staff retained decorum, ironed every trivial issue, and restlessly served their elders, generation x, who generally fell drunkenly into marshland and partied like they were sixteen again and never saw Abba or Tina Turner!

And for want of a better nutshell there it is. Anyone there, lucky enough to have seen the originals of any of these triple billed tribute acts in their prime, would’ve been in the minority, for all intents and purposes, I couldn’t pick a more skilled one between them. This retrospective appeal is why tribute acts are a welcomed trend, and after every new one I witness I’m convinced of their worth and place in live entertainment that bit more.

If three succeeding tributes was a good move by music organiser Tunnel Rat Studio’s Eddie Prestidge, I call allowing all acts an extended ninety minute set a risk which also paid off. Band changes were fewer and swiftly operated; birthday boy Fantasy Radio DJ Marc Anthony was there anyway.

Personal favourite goes without saying, taking the finale, The Marley Experience was everything I could have wanted and more, truly a dedicated and precise homage to Bob Marley and the Wailers of the highest quality and sublimely executed entertainment. They marched through the classic discography, and saved time for a few lesser known tracks, like Soul Rebel. I know my reggae, and this was irie dread-I to the highest heights.

On the other hand, despite Abba not being my cuppa, I was converted by the Abba All Stars even in the most torrential section of the day; imagining how beguiling the Swedish innovators of pop would have been in their heyday was made easy with these confident young band looking and sounding every bit the part…Waterloo, or portaloo, it didn’t matter now, we were soaked to the skin, and we didn’t care, and this was mostly thankful to the Abba All Stars. Quote me on this at your own risk, as it’s something I’d never thought I’d say; “I loved this Abba tribute!”

Nestled between though was my most negative preconception, having seen in the past the kind of Tina Turner tribute to put you off of Tina Turner tributes for life, and forgoing the wealth and power of a voice like Tina’s is near impossible to effectively pull off, but Kinisha Morgan-Williams did, with bells on. The Tina Turner tribute known as Simply the Best was indeed as advertised. It was nothing short of phenomenally accurate, even on those soulful ballads, Kinisha absolutely rinsed it and wowed the crowd. Particularly memorable was Kinisha’s Nutbush duet with Eddy Armani; what a dynamic show blessed in realism and excitement.

But, simply the best part of CrownFest was this insatiably friendly festive vibe with an air of enthusiasm and unification from staff, volunteers, punters to performers there was the underlying notion this is the start of an annual landmark in local feelgood festivals in which the villagers welcome revellers and assign themselves to good times. After the success of this weekend, we hope CrownFest will continue; you should consider yourself extremely unfortunate if you miss next year’s.

The sum of all these parts meant CrownFest was nothing short of the kind of superb spirit drizzle couldn’t dampen. Though if locally sourced acts were shorter in billing, those Junkyard Dogs can bark up enough wattage for three bands, with their irresistible electric blues covers. Oh yes, the Dogs did their thing and rocked the show prior to this plethora of tributes and is always an unmissable hoedown. Leon Daye Band unfortunately I arrived too late for, could still taste the toothpaste, soz.

Time to summarise, if I have to accept it’s all over for another year. On our doorstep, a small pub-run festival only in its second year which packs far more punch than this definition, and far beyond the average of its kind. We could debate musically it’s geared towards generation x, against the notion the eighties produced timeless acts legendarily to all, but as, proudly, I’m of that era, CrownFest 2023 was an awesome all-rounder, with or without an umbrella.

Trending…..

Anna Dillon’s Wessex Airscapes: Elevating Wiltshire

Step into Wiltshire Museum in Devizes before October 15th and you’ll be treated to an exhibition which will make you look at the beautiful views most of us drive past daily in a whole new colourful and graphical context…..

The exhibition, titled Wessex Airscapes: Elevating Wiltshire by artist Anna Dillon and drone photographer Hedley Thorne is certainly unique. The former being the astoundingly distinctive landscape artist whose painting turned my head ascending the stairs of the Bluestone Gallery, once of Swan Yard in Devizes. Through its unique characteristic bordering graphics, I immediately recognised her print used on an album cover by Woodbrough folk ensemble, the Yirdbards.

Something I’ve been toying with since, this dividing line between art and graphic design, for the first few terms on a graphics course in art college we were subjected to a vigorous routine of life and still life drawing to perfect sketching and painting as a fine artist, prior to exploring more graphical theories like typography and design.

Hereafter never the twain shall meet, and I wished I’d ventured down the fine art avenue rather than graphics (too late now!) Within her work, though, Anna straddles this divide; capturing the perennial spatial character of our local landscape, its topographical quiddity, yet of clear line and bold colours, a manner not usually attributed to landscape art.

The wonderful contours of the sarsen dropstone impressions, folds and rolling meadows and agricultural plough lines across the Marlborough Downs, are all depicted as the gestural line found in graphic design, and the result is extraordinary. I was dying to know how Anna defined it, as fine art or graphics.

“I’m quite a messy person in life,” Anna confessed. “But when it comes to painting it’s the neatest, so very controlled, because I was trained as a graphic designer and illustrator for about fifteen years,” she confirmed, showing me some abstract monoprints which she hoped would highlight her graphic training. “So, I think when I then became a painter, I did paintings, but not both, but now, yes, you can see the graphics side, the neatness, and I like that, I like that control, I don’t know why.”

Unaware this is Anna and Hedley’s second ‘Airscapes’ exhibition, the first, at Radley College in 2021, showcased Oxfordshire and Berkshire landscapes, I supposed the Wiltshire landscape to be perfect to capture graphically, as further west the hillsides are steeper and rugged, further east is flatter. “Ah,” she expressed, “the only regret I have is that I feel like I haven’t painted enough, there’s so much of Wiltshire, this is two years of work, but I feel like there’s so much more to explore.”

The style of this series of aerial landscapes has seen a natural progression, Anna pointing out an earlier Avebury work from 2009, “the colours are much more vibrant, I don’t think I would paint it like that now, even the trees are stylised.” Though clearly the origin of the recent paintings displayed is here; the graphic distinction is lucid, whereas now it’s much more refined, integrated with the standards of either watercolour or oil landscapes, the grass, bracken and trees details bear realism, whilst the clouds retain this solid format. “I see shapes in the clouds,” Anna expressed, “they become sculptural form, for me, and they’re estranged, so as you’re exploring it, you’re trying to go with the shapes; it’s all about shapes, colours and contrasts.” 

Overall you maintain this fantastical imagery of what one could imagine to be a “toytown” version of the Wiltshire landscape, ideal for a children’s book illustration, but I say this is with the highest calibre, and compliment, of course. In fact, Anna’s work has featured in several books.

“It’s more of a subtle pallet,” was how Anna described her latest work, “I’ve used darker colours,” and she veered off onto knowing when to finish a piece and not continuously add touches, “because you get a bit blind to it, being in the studio day in day out, you can get a bit, not stale, but sometimes you can overwork a painting or underwork one too.”

See, that’s an artist who cross examines their painting in the studio for an age, not a graphic designer who, governed by the industry, is encouraged to hastily knock a piece of work out and get onto the next job. “I did like graphic design,” Anna explained, “but I didn’t find the work had any value, it’s kind of throwaway,” though she did show me her logo for a river trust, in which there was a clear relationship to that of her landscape paintings. It is so gorgeously original, it has to be seen to understand.

The exhibit is backed by Hedley Thorne’s breathtaking low altitude aerial photography the paintings are worked from, and they are joined by Anna’s father, Patrick Dillon, who has written the exhibition book, along with contributing a small display of artefacts and documents. 

In all, the exhibit would excite anyone interested in heritage, local cultural-historical artefacts or geographical topography, to artists and graphic designers alike, or indeed anyone interested in viewing a different approach to a classic standard, within landscapes you will recognise, as in so much as a cartoonist’s line is akin to a signature, instantly recognisable as their own, so too are these impressive individually stylised works; well worth a visit.  

Lady Nade at Devizes Arts Festival

If the opening Friday evening of Devizes Arts Festival was amazing for lively pirate-punk craziness, Saturday night was too for precisely opposite reasons. Bristol’s soulstress…

Onika Venus is Back with a Midnight Remedy

Unbelievably two years have nearly passed since Onika Venus gave me a convenient excuse to poke my nose into what Sheer’s Kieran was doing up at Trowbridge Town Hall. Billed as reggae, arm twisted, I took a listen to the debut album, and have been infatuated since; now, we have a follow-up…..

Because while the term roots is bounded around within reggae music, progression never levels, and retrospection rarely arises, save perhaps within the skinhead/scooter culture. Contemporary reggae strives forward endlessly, millennial slackness dancehall has waned to charter a reunion with RnB, and this is where Onika fills a gap on the UK scene.

Onika Venus at Trowbridge Town Hall 2021

But there was more in the melting pot than met the eye, yes, Onika has a sublime voice, rich with Jamaican heritage, but her marriage to Mark, with a penchant for Americana roots meant the debut album, Everything You Are, stretched back into an association with country music not seen since roots reggae days of yore. Though the album is best described as experimental as opposed to retrospective. Still, those tracks serving a Jamaican offbeat were likely the most memorable.

So, I’m content the follow-up Midnight Remedy, released today (7th July) bursts straight into a reggae riff. Turn it Up is bold and brassy, this element breathing a subtle nod to rock steady. Thumbs up so far for pulling off the tricky sequel, for if it rides this train it wouldn’t be a bad thing.

This rock steady riff does continue for the following tune, Who’s Sleeping in my Bed? Topically, it reminds me of the Dawn Penn classic Are You There? With an air of “nah fuss” jollity within it, this is best classed as sunshine reggae; if someone else is sleeping in her bed, she’s not going to let it rain on her parade.

With a broken love theme, Faded Rose still rides a more tenuous offbeat, but this cleverly placed RnB element, which we saw in the debut album, comes back into play and we’re off, stirring the melting pot, equally as refined as the debut album.

Not long to wait to return to rock steady, though with a chatty dancehall vocal placement, and a one drop riddim, the title track Midnight Remedy, chants on the groove, probably the most beguiling yet, especially when that hammond organ plays it to fade; boss reggae gets some attention and I’m smitten.

Heart in a Bubble carries on from the good work of Midnight Remedy, blossoming romance is a tried and tested subject for the rock steady style, arguably the most creative period of the Jamaican recording industry, and this salutes such output.

Gravity, though, is the most experimental yet. Blues by any critic’s pigeonhole, in mood and sound, offering a welcomed darker side to Onika. The offbeat returns for a topically rainy day blues again with Teardrops, only to be proceeded with Something’s Gonna Break, a ballad with a fair slice of eighties-fashioned stanzas, and sax solo. Save Whitney, vocally superior, though, to said pop hits, this drifts along sublimely.

There’s pressures of lockdown themes, with electronica undertones in an eighties soundclash style, but retaining the silkiness of Onika’s house style, followed by a chugging train-themed soul smoothie, aptly Runaway Train. And the finale sees us back with these hints of eighties power ballad again, but whatever the flava, this is one absolutely beautiful album, soulful and uplifting throughout, truly a welcome return for Onika and her proficient band; melancholic when required, bouncy and joyful otherwise, but always wrapped in this most wonderous rich voice it couldn’t be anything less than a winner!

Trending…..

LilyPetals Debut EP

One of many young indie bands which impressed me at Bradford Roots Festival, and proof there’s more than the name suggests at The Wiltshire Music…

Courting Ghosts Debut Album: Falling My Friend

Images used with kind permission of Pacific Curd Photography West Wilts and Somerset folk-rock collective Courting Ghosts are about to release their debut album, Falling…

Alexander Kai’s Figures in Focus at St Mary’s Devizes

Featured Image by Gail Foster

St Mary’s Church in Devizes may be a while yet before becoming the vision of a fully fledged arts centre, but it’s certainly showing its full potential this coming weekend with a stunning exhibition from local artist Alexander Kai…..

A prolific multimedia artist with the skill of another far elder, Alexander’s display is breathtaking, and in such an apt environment. At ease with the browsers he expressed great fondness for the setting, remarking on the changing light as evening set in, as I supposed the atypical Bauhaus gallery to be inapposite when you can glide through the pews and find alternative embodiments of countenance within, what is largely life drawing and portraiture with few, but some, landscapes. “I really wanted to integrate the building into it,” he explained, “because it is the most magnificent space.” 

Mike and Mike by Alexander Kai. Image: Gail Foster

Yet the range here is equal in mediums and subject to the quantity. There’s many charcoal sketches and sepia life drawings, acrylic and oil works, even some sculptures, and while subjects vary from classic to stimulatingly contemporary, and few with foreboding undertones while others propitiate ebullience, they all capture a moment in time, or an expression with narrative, and are all exquisitely executed…. I’ve said too much already, pay it a visit!

But it’s the precision of expression and quality and range of skin tones which draw you into Alexander’s work. Four paintings in the chancel contradict each other and act as an example of this astounding artist’s range. Far left the torso up of a shirtless young man striding forward with a mammal skull clasped in hand simply connotes an eerie sensation akin to a psychological thriller, whereas far right there’s a more common painting of a Roman sculpture bust, and nestled in between are two works, one a stunning portrait of a younger woman, the third a family type triple pose with elders and youths.

Every contour of the ageing skin of the older lady is so precisely and richly rendered I got to suppose the smoother skin of youth is easier to depict. Alexander thought otherwise, saw the challenge of wrinkles against the contrast of the symmetry of youthful beauty, and reasoned the older the subject the greater story they had to tell, which he captures in that expression and ambience. And in a nutshell, that’s the key, I felt, to the brilliance of this artist, that whatever the medium, subject or style, there’s reason, a story to tell. 

Alexander Kais’ Figures in Focus opens tomorrow (Friday 7th) at St Mary’s, Devizes and runs until Sunday (9th.) The church is open from 11am to 4pm, except on Saturday when it closes later at 6pm. Follow Alex Kai on Instagram.

Trending….

Poppy Rose, Ready Now….

Not being able to hold a note myself, I tip my hat to any musician in a band. Yet there’s something so much more valiant,…

Embrace All: Swindon’s Festival For Disabled and Learning Difficulties

Envy being too strong a word, perhaps longing would fit how I felt when I saw Facebook photos of families excitedly packed in a car like they’re about to go on their holibobs, rather heading off to Glastonbury Festival instead. Festivals have trended to be family occasions, but I know a member of mine wouldn’t take to such an environment, no matter how I might enjoy them myself. It wouldn’t do for them to be squashed in like sardines, and all the goings-on would mean sensory overload.

If you identify with this conundrum, I might have found an answer. Embrace All is a fully accessible, inclusive one day festival, aimed at people with all disabilities, happening at the Bowl in Old Town Gardens, Swindon on Saturday 5th August. While many festivals cater for disabilities with varying degrees, this is the only event I’ve heard of specifically designed for such, and I have to say, what an absolutely wonderful idea.

The story behind Embrace starts with Rachael Chun and Katie Brown, who both work in social care. With them both on maternity leave back in February, they started a bi-monthly disco at the Tree nightclub in Swindon, Diverse Disco, for anyone sixteen plus with disabilities. “We’re stopping the discos for now due to the hot weather,” Katie explained, “but our next one is on the 14th of July.”

Taking this brilliant idea to the next stage, Embrace All will be the first of its kind, a festival open to everyone but tailored to adults and children with disabilities. “It’s aimed at all disabilities,” Katie continued, “but a lot of the individuals that come to our events have learning difficulties and autism.”

Creating easy access into and out of the venue and ensuring they cater for all dietary requirements. A sign language interpreter will be onsite and they have a Revolootion (a toilet with a hoist.) “We are so committed to creating a more accessible and inclusive society and we hope that this will have a really positive impact on the disabled community,” Katie expressed, “it’s so wonderful to see so much happiness and them just having fun with not a worry In the world.”

Alongside a range of DJs for a party at the end, they have an impressive lineup, including I See Orange, Here Come The Crows, Joli and the Souls, and one I think will be particularly suitable, the Sarah C. Ryan Band. Sam Swancott, HoneyFunk, Adriana’s Keys, Chloe Hepburn, Jeanette Etherington, Joshua Heather, and The Carers in Harmony also have slots.

The Sarah C Ryan Band

Diverse Disco has had a number of other events ranging from Teddy Bear’s Picnics to an Abba tribute night, beach and pyjama parties. Tickets for the Embrace Festival are £15 for adults, £12 for under 18s, free for one carer, £40 for a family ticket, plus booking fees. The Embrace Festival GoFundMe page is HERE. 

For more information on the Embrace Festival, and all other forthcoming events by Diverse Disco, there’s a Facebook group, HERE. Do check in with them for any questions you might have and book early as possible as spaces will be limited. As Katie expressed, “it’s not too busy either, we try to keep minimal  numbers so there’s plenty of space for everyone.”

We wish the team at Diverse Disco all the very best for this and other events, I’m still in awe at what a thoughtful and genuinely wonderful idea this is!

Trending…..

Weekly Roundup of Events in Wiltshire: 6th – 11th July 2023

Bit drizzley innit? Usually waits until after the kids break up from school, so maybe the sun will put his hat on then, or perhaps this will just continue until the rainy season in autumn; who can tell? One thing we can tell you though, there’s lots to occupy yourselves around these backwaters with this coming week, and here it all is…..

Don’t forget nothing is comprehensive, other events might well be added during the week as and when we discover them, so check in on our event calendar, for more info and links on these, updates and planning ahead.

Ongoing through the month, Marlborough Open Studios, countywide artist open studios, where you can invite yourself  into many artist’s homes for free to see their work and what biscuits they have! Open Studios runs on the first four weekends in July between 11am and 5pm.

Running until the 8th July, Bradfordians’ Amadeus at the Wiltshire Music Centre, Bradford-on-Avon.

Wednesday 5th:

Acoustic Jam at The Southgate, Devizes.

Christ Church Primary School Summer Concert at the Wiltshire Music Centre, Bradford-on-Avon.

Starting today, running until Saturday 8th July, Henry VI at the Rondo Theatre in Bath; two Devizes actors in this, Lucy Upward and Ian Diddams, break a leg, guys!

Starting today, running until Friday 7th July, Wilkes Academy showcase at The Wyvern Theatre, Swindon.

Thursday 6th:

Live music every Thursday at The Tuppenny in Swindon, this week it’s The Rigmarollers.

The Nell Bryden Trio, plus support from Isabella Coulstock at Chapel Arts, Bath.

And hip hoppers fav, the Nass Festival kicks off all weekend at Shepton Mallet.

Friday 7th:

Alexander Kai exhibition at St Marys, Devizes runs until Sunday. Hope to have a preview piece up by Thursday on this, see poster.

DOCA Carnival Quiz at The Shambles in Devizes.

Innes Sibun is at The Southgate, Devizes.

Find a Music Weekender at The Barge, Honey-Street.

Shot by Both Sides at The Three Horseshoes, Bradford-on-Avon.

Moscow Drug Club at Chapel Arts, Bath.

Sefrial at Pound Arts, Corsham.

Moving Pictures (Rush Tribute) at The Vic, Swindon.

Funke and the Two-Tone Baby @ The Cheese & Grain, Frome.

Saturday 8th:

Lacock Scarecrow Trail begins.

Wessex Airscapes, an exhibit from the unique Anna Dillon at Wiltshire Museum starts,and runs until October.

But we hope to be at Editor’s Pick of Week, CrownFest at The Crown in Bishops Cannings. Be quick in getting a ticket for this, it may already be sold out. Preview HERE.

Chaos Brothers play The Three Crowns in Devizes.

Howlin Matt is at The Southgate, Devizes.

There’s a Family Festival at The Parade Cinema, Marlborough, with Ann Liu Cannon, The Zoots, Crystal Tides, The Vooz, Hip Route and Nothing Rhymes With Orange.

Chippenham Food & Drink Festival

Wilton Carnival

@Fest at The White Hart, Atworth. Plan of Action headline a Dorothy House Hospice Care fundraiser there.

Lunchtime Piano Recital with Andrew McCormack at Pound Arts, Corsham.

Hugh Pascall Quintet at Pound Arts, Corsham.

Bath Minerva Choir presents Feasts and Fables at  Wiltshire Music Centre, Bradford-on-Avon.

Dreamwave plays The Three Horseshoes, Bradford-on-Avon.

Miss Kel’s Academy’s The Best of British at The Wyvern Theatre, Swindon.

Chocolate Theatre’s Grease at Swindon Arts Centre.

Shepherd’s Pie play The Vic, Swindon.

Threshold’s Party In The Park at Old Town Gardens, Swindon, with an Abba tribute.

I Can’t Believe it’s not Buddy, Buddy Holly show at Chapel Arts, Bath.

Straighten Out, Stranglers Tribute at The Tree House, Frome.

Sunday 9th:

Model Folk plays The Three Horseshoes, Bradford-on-Avon.

Wiltshire Young Musicians Summer Festival from 1.30PM at Wiltshire Music Centre, Bradford-on-Avon.

Tanwood Performing Arts’ Dancing On Sunshine at The Wyvern Theatre, Swindon.

Monday 10th:

Wizard of Oz Drawing Event at The Little Hop, Swindon.

Rumours of Fleetwood Mac at The Wyvern Theatre, Swindon.

Frome Festival begins, with Raghu Dixit at the Cheese & Grain.

Tuesday 11th:

Jazz Knights at The Royal Oak in Swindon has Gethin Liddington and the Dave Jones Quartet 

Rhythm of the Dance at The Wyvern Theatre, Swindon.

And that’s all we have so far, do check into our event calendar for updates, and have a great week!

Trending……

Mantonfest 2023; Best One Yet!

All Images by Gail Foster

One of the fundamental elements which makes Mantonfest such an absolutely brilliant festival, aside its beautiful location and friendly atmosphere, has to be the varied age demographic. It may be the case Marlborough doesn’t do separate niche festivals for this, and for that, but I’m thinking after my third consecutive Mantonfest, Marlborough doesn’t need to when it’s all encased in this Treacle Bolly bowl of wonderful….

If I smiled to note the same bunch of groupies gathered front of stage for the standard protocol Barrelhouse hour I see annually, a smidgen more grownup each time, it was far from the only time I smiled.

Barrelhouse

For as well as Barrelhouse, who on their home turf can attract kids from nine to ninety-nine with this insatiable groovy appetite for vintage jump blues, beach balls and, this year, a homage to Tina Tuner with a Rolling on the River cover, this age demographic was truly catered for musically, this year, I think, more than ever, and I’m backing this claim with another couple of examples as to why.

Reason one being the simplest; the penultimate act is a timeless recipe for success. The fairground version of ska, via an incredibly entertaining Madness tribute from Hull, Badness. Not content with knocking out Baggy Trousers, Night Boat to Cario et al, in a fashion unpretending to mimic the appearance of Madness visually and drop in a little of their own panache, they encompassed the entire two-tone and eighties reggae scenes with equal gusto.

Badness

Badness was a chicken dinner, not only their proficiency and amusing stage banter, but of the formula; ska gets everyone up dancing. They were a blessing to a festival doing amazing without them.

Badness

This was equalled by a high-energy finale whereby tribute Rolling Stones Now not only mimic the era-spanning royalty of British blues, but recreated groundbreaking concerts. Showmanship ablaze with swagger and colourful costume changes, this was a true crowd-pleaser. Something of a history class both entertaining and precise, but more importantly coupled with Badness made a finale which catered for all. As a group of young teenagers loudly requested Baggy Trousers as an encore for Badness, I realised these classics aren’t only relished in retrospective appeal to my generation, but are timeless danacable favourites for everyone.

Mantonfest 2023
James Oliver Band

Second example why this year’s Mantonfest catered for its age demographic so astoundingly, was prior to show-stopping performances of rock n roll and blues, firstly from Welsh guitar virtuoso The James Oliver Band, Tony Briggs as a replacement upright bassist, and Jodie guest vocalling, who’s energy is unparalleled by the funny faces he pulls while strumming, sixties legends Swinging Blue Jeans, and nestled in between, the aforementioned Barrelhouse set, Mantonfest hosted an hour or so of upcoming talent from St John’s School.

Swinging Blue Jeans

There we have it, those ageing rockers The Swinging Blue Jeans, still so cool with their classic cuts of sixties hits, still commanding the stage with gusto and a depth of experience beyond all else, against a plethora of young local students eager to advance their music, surely meets my criteria for a festival for all. 

Renee Hawkins

Five acts in this section I hope the festival will repeat, was kicked off with a nervous looking Renee Hawkins, who through her divine voice came out the other end of her songs looking deservedly chuffed and a hundred percent more confident. Followed by Elton-like pianist Sammy Till-Vattier who breathed so much expression into some self-penned marvels I nodded akiness to Bowie in subject matter, and that’s a high acclaim for anyone.

Sammy Till-Vattier

A second student at the keyboard, Beth Jones, with equally accomplished vocals blessed the festival with some beautifully spun covers, and while they found time for a second tune from wonderful Paul Simon-esque acoustic guitarist Tom Schusster, who previously had first billing at the festival, nestled between those two we had a surprisingly funky collective known as Jvno.

Beth Jones
Jvno

Jvno, pronounced Juno, were sublimely united and tight, with talented saxophonist, two vocalists on bass and drums, and some mechanically ambitious original songs; technically a tricky stunt, the funky rhythms of a contemporary Average White Band, but going on their confident showmanship and collaborative genius, given time these guys are seriously heading places.

If I hark the talented upcomers in my town, Chippenham, Melksham and from Swindon to Salisbury, everywhere young people are creating an exciting new generational scene. Sitting on the grass at Mantonfest thinking about Nick Harper giving a young George Wilding a shot at Avebury Rocks, I reaffirmed Marlborough is no exception.

Of course, the proficiency of Swinging Blue Jeans or James Oliver is going to rock my world, the archetypal brilliance of a Barrelhouse show at this festival built for them I will never tire of, and though I’m sorry to say I missed breakfast rockers @59 and Ol’ Man Witcomb & the Bergamots, I made up for it with the fun of two fantastic tribute acts, the icing on the cake for me personally was this St Johns section, that and some unique chicken and chips I had from a vendor called Surf n Chips, naturally!

We continue to highlight upcoming talent at Devizine, because face it, sadly the mainstream local press seems only interested in projecting an image of gen z hooliganism for clickbait.

Mantonfest 2023

Overall, Mantonfest is a little gem which grows in equal amounts of kindness and charm as it does in stature, yet it seems it hardly expands to unworkable proportions. It doesn’t strive to be the next Glasto, seemingly content with its regulars. Like an exclusive club, if you know you know. Mantonfest will continue, I hope to simply be what it is. If it’s not broken is the motto. 

Still, with a wonderful idea to contrast the appeal of matured rockers and embrace the younger ones who tend to not mess around here, rather, to become apprentices of the music they’re witnessing, and that is something commanding the utmost respect for Mantonfest.

Nothing Rhymes With Orange at the Barge, and Beyond!

Another quick one from me, to say Devizes upcoming indie band Nothing Rhymes With Orange smashed it out of the park and down the Kennet & Avon all the way to the Barge on Honeystreet last night…..

Can’t give a full review as I only rocked up with a half-hour to spare, but it was plenty to witness, Nothing Rhymes With Orange are no hometown novelty. Punters at the Barge on Honeystreet were equally enthralled by their dynamic show of originals and the occasional cover. Of which one hailed out their request for an encore should be an original of theirs, which was interesting as it fully projects what we’ve been saying all along about this band; their dedication to creating an exclusive and prototypical sound is primary, yet while their ability to project that to an audience is something they’re continuously perfecting, the result is sheer exhilarating.

It was at this point then, I stress, Nothing Rhymes With Orange seemed more at home and familiar in these pub venue surroundings than ever before, despite what is a legendary local venue with an historic appreciation for the quirky and unusual, it didn’t phase them to perform confidently and superbly. I left thinking everywhere these young guys go they will imprint their music on those who attended and while they may have amassed a blossoming fanbase here, it will only extend further. But more to the point, it is so thoroughly deserved!

Heading a generational scene and finding time to network within it to showcase others is clearly making an impact, as a group of local youngsters form a new production company called Lost Monkey Productions, who aren’t taking things one step at a time, rather hosting NRWO with Foxymoron and Overstory in support at Devizes most prestigious venue, The Corn Exchange on Friday 14th July.

Tickets for a tenner (hurry!) HERE.

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A View to a Thrill

“The Thrill of Love” at the Wharf Theatre by Ian Diddamsimages by Chris Watkins Media Just over a year ago, the Wharf theatre performed a…

Devizes Hosts First Pride

Okay, god knows I need my beauty sleep more than most, and on a promise to attend the wonderful Mantonfest, it was only ever going to be a brief drop-in to Hillworth Park to check out Devizes inaugural Pride, but I’m glad I did.

After an evening of drag queen bingo at the Wyvern Club, people gathered for a picnic styled event at the park with a handful of stalls and attractions. It was only ever going to be a small event, compared to Chippenham’s recent first Pride where they pulled out all stops, but it most certainly was well attended and a landmark in progressing Lgbtq in the town. A huge congratulations should go out to chief organiser Oberon Christmas, drag queen act Miss Lucy Luscious Lips and all in the Devizes LGBTQ group.

Likely the influence of the new Chippenham mayor Declan Baseley, not only the youngest mayor at 27, but first openly gay person too, which accelerated the appeal in Chippenham, hopefully will rub off on neighbouring towns also staging a Pride at varying levels. I’m of the thinking, though, it shouldn’t need the undertaking of someone in both the LGBTQ community and council to assist in staging such events, and town councils could do more to financially support such annual occasions, we all could.

Clashing with town’s annual beer festival was Devizes Pride’s major teething trouble, but it sure is a step in the right direction and wonderful to see the rainbow flags flying out of park as attendees dispersed from the park. What the small group achieved here this weekend was far bigger than the event itself. But as Oberan explained to me, it was a lot of work for them to stage themselves. Pride is not a LGBTQ meeting, but rather an open to all celebration of the common acceptance of equality on many levels, and, personally, I felt this was the vibe at Devizes’ first Pride. From small acorns, I’d really like to see this event sponsered and supported by the town in the coming years. Whatever we can do to help this move forward, Devizine will.

Just Meg; an Interview

by Jess Worrow

I confess a few nerves about my first interview, in a coffee shop in Chippenham, however after meeting folk singer-songwriter Meg, it became more like a chat between two friends. Meg is appearing on the line-ups of many local festivals and venues, from Trowbridge’s Pump, Chippenham Pride and Folk Festival, to MDBTYD festival in Swindon.….

I asked her which gig she was most looking forward to, “the Minety Festival is where most of my focus is, as it’s the closest,” she explained. Meg is playing the Minety stage on Friday night alongside other upcoming artists such as Boston Green and The Sunnies, and amidst legends like Dodgy, Reef and Scouting For Girls.

But which are her favourite venues and most memorable gigs? “It’s a difficult question, I find gigs better when there are friendly people and a good environment. I did a gig with Boston Green at Newark Hall in Chippenham; they were amazing!” Meg was passionate about the Pump in Trowbridge, which presents opportunities to upcoming and diverse musicians. “Kieran,” she said, “who runs it is really involved in helping young musicians.”

I was keen to understand the difficulties for younger people getting local bookings, at sixteen it must be hard to get gigs being many venues are pub-based. “At times it can,” Meg said, “I’ve had a few venues who’ve said no because they’re 18 plus, so, like bars and clubs, as legally it would be very difficult. Then getting the fan base in because many of them are younger as well.”

What’s Meg’s favourite thing about performing? “The fact I can do it and that there’s an audience who cares enough to actually listen, and who will come up and talk to me afterwards; it’s really sweet. And of course, I love it! I wouldn’t do it if I didn’t love it.”

Glastonbury is a dream gig for any artist, Meg included. “Though I don’t think I’d like to go there unless I was playing,” she remarked. Meg cited Florence and the Machine and Aurora as influences, “they have been hugely influential on my personal style. When I was first going out, I didn’t have many originals, mainly doing Florence and Aurora covers.” But now Meg is a prolific writer. “At this point,” she expressed, “I’m doing all originals, but this time last year I only had two and was doing mainly covers. I actually wrote a bunch of songs whilst doing my GCSEs! It’s a good way to relieve stress. So, I have a lot more material now.”

Enough for an album, and at such a young age? Meg was thrilled about an opportunity to record her songs, “I mean that’s got to be exciting, right?”

“I’m so excited for that!” Meg expressed, “I’ve got two days booked, so hopefully I’ll get all the songs I’ve got going at the moment recorded. Yess, there’s going to be an album! We are going to aim to start releasing around September, and then the album will probably come out between then and Christmas.”

“I feel like the music industry isn’t always that accessible to become successful in, but at my age, I think I have the freedom to put a lot of time into it, and I’m obviously still supported by my parents, and I love them so much; they help me a lot with it!”

I wondered where Meg got her inspiration. “Inspired by the work of Aurora and Florence and the Machine,” she began, “I love nature so that can sometimes help. And rain, whenever it rains I seem to get ideas! A month ago it was really misty and I wrote a song which is called Mist, which is one of my favourites. When inspiration strikes you just have to write; I often find I’ll be writing songs in the back of my school books!”

Where did it all begin? “This probably sounds cliche,” Meg replied, “but it’s always been there, as soon as I could talk I started singing! I was four when I wrote my first little song. I would always sing with my mum when I was younger which really helped get me into it and my dad played musical instruments so that helped too.”

Mist being her personal fav, Meg continued, “There is this one that’s a calm one; some people say it’s sad, but it’s very nostalgic for me. It’s called Hide in the Rain. There is also another one that’s really helped me through a lot of things, called Together, because I’m autistic the song has helped remind me I can unmask, I don’t have to pretend to be someone else and it’s fine to be me.”

Mentioning Together, about her autism, I asked Meg when she is writing her songs does she try to represent autism? “I think Together is the only song I’ve written about it. But I do quite openly talk about it and I don’t think it should be something people are scared to talk about. For me personally it’s part of who I am and I really value that part of me. It’s made some parts of life difficult but it’s made parts of my life better. I honestly don’t think I would be doing this if I wasn’t autistic, in a weird way. All of my songs are about me in some respect and it’s a part of me I can’t escape.”

Does Meg get performance anxiety? “Sometimes, it often depends on the gigs. At new environments like a festival I’ve never been to, or when I’ve got a lot of new songs I haven’t performed, I found then that it can be very nerve-racking.”

It was lovely chatting to Meg, I asked her what her proudest musical accomplishment was, so far. “I’m not sure. It’s hard to say, but coming second in Take the Stage in Chippenham, when I was fifteen has to be up there!” And I’m sure there will be many more!

You can find Meg performing at Minety, Trowbridge Festival, MDBYTD and The Shuffle and regularly at The Pump. 

Follow MEG on Instagram Facebook

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Time to be Thinking About CrownFest!

It’s time to be thinking about that nearby little village with a big punch and a spire. CrownFest at The Crown in Bishops Cannings is occurring next weekend, Saturday 8th July, and if last year’s inaugural festival is anything to go by you’re in for a treat…..

Because the whole term “festival” has become somewhat ambiguous during these trending times, some pubs seem to take the wonky assumption that you can grab a man with a guitar off the street, put him in a marquee, flog undercooked hotdogs and call it a festival! Crownfest, you should note now, does it proper and gurt lush, and last year was hard to imagine it was their first time. It was professionally put together and catered for all; real stage, side stalls, children’s entertainment and rides and plenty of food options. And most importantly of all, it was simply a stupendously friendly and buzzing event.

There was never a point where something was a hassle, like free car-parking, camping is reduced to £15 per (6m x 4m) pitch this year, pets are welcome, toilets and showers are available and it was exceptionally well presented with friendly but effective security; personally I couldn’t fault it other than the fact I fell off the bus too late to catch Pete Lamb’s Heartbeats, as they were running ahead of schedule! What festival have you ever been to which runs on time, let alone ahead of schedule?! It must say something about the dedication gone into CrowFest numero uno, and it showed.

Being punctual isn’t something I’d usually need to enforce at any festie, but perhaps here, as here is the lineup and (apparent) times! Headline amidst a further couple of tributes, from 9:30 till the close, Bob Marley & The Wailers tribute The Marley Experience is surely something you’d be looking forward to? Only ever witnessing one Marley tribute before called Legends, I have to say that one will be a hard act to follow, but in checking out The Marley Experience online, take it from a reggae aficionado himself, these guys sound equally “top ranking.”

If May brought us the terrible news of the queen of rock ‘n’ roll’s passing, Tina Turner was perhaps the most misunderstood icon of the eighties. The controversial Ike & Tina Turner Revue of the seventies which put her in the spotlight, equally was her trauma. Unlike Marley tributes, Tina Turner ones are plentiful, and this could go either way. Being honest, with tribute acts I find there’s no inbetween, they’re either astoundingly great, and pay a homage to the act they’re attributing, or are a shocking embarrassment! Thing you need to do when deciding on a tribute act is research, and I assume Eddie music coordinator has done his homework, as Kinisha Morgan-Williams, the Tina Turner tribute act booked, sounds “simply the best” on this here YouTube vid, and she is on at 7:45.

Prior to the private dancer, there’s an Abba tribute, Abba Allstars from 6pm. Again, I find myself contemplating my “no in between” theory of tribute acts, and the Chiquitita video shows, even for someone like me who’s not the biggest Abba fan, these Allstars are proficient and sound sublime….they might make an Abba fan out of me yet!

Though I’m a 100% fan of those Junkyard Dogs, on at 4:15pm; a local band of the fiery blues variety and never to be missed. Cap’n Rasty’s Skiffle City Rockers, on at 2:30, is a new one on me, but the name alone is enough to entice. Then, along with Fantasy DJ Marc Anthony, and Guinness Book of Records holder for freestyle football skills Dan Magness, who did keep-me-ups for twenty-four hours, and causing me to wonder how he went to the loo during it, (I will ask him and report back) we also have Gloucester’s fantastic and energetic alt-rock collective, the Leon Daye Band, who kick off proceedings at 1pm.

With all that in mind, I suggest you head on down to the Crown at Bishops Canning and grab a ticket, or online here, but if you go in person no chatting up the infamous gorilla statue, though; I saw her first! 

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The Tap at The Peppermill to Host Open Mic

Two local musicians have joined forces as Nightingale Sounds to host their first Open Mic Night at the new Tap at the Peppermill in Devizes….…

The Wiltshire Gothic; Deadlight Dance

With howling, coarse baritones Nick Fletcher, the main vocalist of Marlborough’s gothic duo, Deadlight Dance chants, “here comes the rain, and I love the rain,…

Major step towards revitalising Devizes Assize Court as the new home of Wiltshire Museum

Exciting news for Wiltshire Museum in Devizes, who has received initial support from The National Lottery Heritage Fund for an ambitious and exciting project ‘Assizes for Devizes: Unlocking Wiltshire’s Stories’.  Made possible by National Lottery players, the project aims to revitalise the derelict Devizes Assize Court into a vibrant community hub and iconic new home for Wiltshire Museum and its world class collection.….

Development funding of £300,748 has been awarded by The National Lottery Heritage Fund to help Wiltshire Museum, working closely with the Devizes Assize Court Trust, to progress plans for the project before applying for a full National Lottery grant in 2025.  If successful, work would start on the Assize Court building in three- or four-years’ time, with a target opening date of 2030.

‘Assizes for Devizes’ aims to create a cultural and community destination at the heart of Wiltshire, supporting tourism and the regeneration of the local area.  Essential conservation works to the Assize Court will enable the revitalisation of the building to include a multi-use community and event space, a designated learning area and innovative new museum galleries.  The project will also include an exciting programme of local activities, events and volunteer opportunities.

During the two-year development phase we will be holding community days, including ‘pop-up’ exhibitions to seek the views of local people on plans as they progress.  These ideas will be developed with Purcell, our appointed architects, along with adjoining owners, Wiltshire Council and Devizes Town Council.

Martin Nye, Chair of Wiltshire Museum, said “We are delighted that the Heritage Fund have supported our project to restore this wonderful building and give a home that is fit for purpose for the award-winning Wiltshire Museum. We are all excited by the opportunity to connect the Assize Court building to the rest of Devizes, and to create a vibrant destination for the very wide range of visitors who come from far and wide to see our marvellous collections.”

Peter Troughton, Chair of the Devizes Assize Court Trust, said “This fantastic news is a vital and hugely encouraging step on the long journey to giving a new life to this important building.  The financial help that the project has received to date has been invaluable, enabling us to get to where we are today.  Our thanks to Historic England, Devizes Town Council, a number of charitable trusts and individuals who have made this possible.”

Stuart McLeod, Director of England – London & South at The National Lottery Heritage Fund, said: “We believe that investing in heritage means investing in the community it belongs to. It has the power to make our communities better places to live, bring a sense of pride and boost the local economy. We’re pleased to support Wilshire Museum with their Assizes for Devizes project. It will not only see a Grade II* listed building brought back to life, but also create a space for the community and a new home for the Wiltshire Museum. We look forward to working with the team to progress their plans to apply for a full grant at a later date.”

A key part of the work over the next two years will be to raise the significant additional funding required to complete the project through applications to trusts and foundations and in securing philanthropic support.

The Wiltshire Museum has been engaging visitors since 1874 in its current buildings on Long Street, Devizes and is home to Designated collections, including stunning treasures from the Stonehenge and Avebury World Heritage Site landscape.

The Devizes Assize Court was built in 1835 and has been derelict since the 1980s. It has been on Historic England ‘Heritage At Risk register’ since the scheme’s inception in 1988.

Ooh Ah, Shuffling to My Dad’s Bigger Than Your Dad…

If you fancy having a whole heap of fun while helping raise some funds for Prospect Hospice, who have provided end of life care to the people of Swindon and north east Wiltshire for over 40 years, you have two exciting festival options.…..

Firstly lands in your lap on Saturday 22nd July, when Swindon’s Old Town Gardens plays host to My Dad’s Bigger Than Your Dad Festival. Bit long-winded name for a festival, but it’s certainly original and stands out, provided the idea of primary playground sayings for festivals doesn’t trend on the back of it and we have The My Dad’s a Blackbelt in Karate Festival, or even worse, The Ooh Ah Lost my Bra in my Boyfriend’s Car Festival!

In its third year the festival is a tribute to Dave Young, the former landlord of The Victoria and 12 Bar who died in early June 2021 at Prospect Hospice after a hard-fought battle against cancer. The festival has raised over £24,000 for Prospect Hospice in its first two years.

Headline sponsor this year will be Future Planning, an independent financial planners and mortgage advisers based in Swindon. Acts include countywide favourite rockers, The Ukey Dukes, Kova Me Badd, The Vooz, and Splat the Rat, ska and reggae cover giants Train to Skaville, sonic indie darlings Atari Pilot, upcoming indie post punk favourites Viduals, The Pop-Punk Revolution Tour, crazy rappers Imperial Leisure, and in a comedy rock subgenre of their very own, we can never forget the Real Cheesemakers. Plus there’s acoustic goodness from Hip Route’s Jim Blair, Drew Byrant, Joel Rose, Meg, Jules Hill, Shedric.

If this isn’t enough for you, Swindon Paint Fest will be hosting an area of creativity with six fantastic local artists demonstrating their talents by live painting in the Sunken Garden. There will also be a guided spray paint and acrylic pen workshop led by Emma from Old Town’s Mams gallery where  participants will be able to have a go with using the spray paint and acrylic pens onto a canvas board creating an artwork which they are able to take home. 

Caryn Koh from Swindon Paint Fest said, “We at Swindon Paint Fest are excited to collaborate with My Dad’s Bigger Than Your Dad event which is a great initiative raising money for Swindon’s Prospect Hospice.”

Food and drink vendors, including Gurt Wings, have been brought in to keep revellers fed and watered, as well as an independent business market and a funfair area for children.

Adult tickets are a purple one, £20 from their website mydadsbiggerthanyourdad.co.uk . Paper tickets are also available from Holmes Music, The Tuppenny and The Castle Inn.

Second option is in September when, from Thursday 14th to Sunday 17th, Swindon’s Old Town comes alive with locally-sourced live music in a pub stroller type fashion with Swindon Shuffle. The lineups at five music venue boozers, The Victoria, The Hop Inn, The Beehive, The Tuppenny, and the Castle basically reads like a who’s who of local music, and it’s all free, provided you spare a little cash for Prospect Hospice buckets scattered around the venues. Fringe events are also to be found at Baristocats and the Prospect Hospice Books & Media shop.

“This year’s event is shaping up to be the biggest ever and includes something for pretty much everyone out there,” The shufflers say, and they’re not telling fibs. Swindon Link, Sheer Music, Swindon Folk Club, and many others all muck in to help create the enormous homage to David Young and raise funds for Prospect. I made it down last year for just Saturday. I’m thinking I might need to find a B&B this year and a sudden attack of skivalitis from work this time around!

From alt-rock of All Ears Avow and Modern Evils, to the sludge doom of Phantom Droid. The likes of Stay Lunar, Moon UK, Viduals and Chasing Dolls keep the indie-kids dancing and there are first shuffle experiences for up and coming bands Trippy Kicks, I See Orange, and  Mirrored Faces UK.

If something rootsier is more your thing, you are also well-catered for with the widescreen americana of Matt Owens Music & The Delusional Vanity Project and Concrete Prairie headlining stages, along with folkier offerings from the likes of Fly Yeti Fly, Canute’s Plastic Army and Splat The Rat.

Subject A bring a touch of Ska and Reggae to proceedings and there is creative and impossible to pigeonhole music from Will Lawton and the Alchemists, Richard Wileman / Karda Estra & Amy Fry Music and new band The Wheel 2!, who feature many of the faces behind the amazing and much missed Diagonal People. Thud and Bone Chapel bring some blues to proceedings and Swindon Folk Club again curates a stage.

With over sixty acts on the main bill you need to put this in your diary, but for now, whether your Dad is bigger than my Dad, or not, all eyes are focussed on 22nd July, when the wonderful park venue of the Old Town Bowl comes alive….and to think, there’s some wonky folk who groan Swindon is a cultural void, same ones still probably trying to get their bra back from their boyfriend’s car, ooh ah!

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Weekly Roundup of Events in Wiltshire: 28th June – 4th July 2023

Hey, busy week this week, here’s what’s happening across the county. Don’t forget there’s more info on these, ticket links and irregular updates on our fantabulouso Event Calendar, so get ahead one step ahead of the game!

Ongoing, Hail the Curious, the inaugural exhibit at The Forbidden Carnival in Chippenham; check it out by the end of the month. Devizes Tennis Club starts week one of their Tennis Holiday Camp at Devizes Tennis Club; book here.

Wednesday 28th:

Ah, the regular acoustic jam at the Southgate, Devizes.

Jo Brand: Work In Progress at Swindon Arts Centre.

William KZ at The Bell, Bath, The Beat featuring Dave Wakeling at Bath Forum. 

Thursday 29th:

Open Mic at Stallards, Trowbridge.

B-Sydes & Old Man Boom at The Tuppenny in Swindon, while Something Underneath and Chasing Dolls are at the Vic, Drew Bryant is at Timmy’s Bar, and Coldplay tribute Coldplace at The Wyvern Theatre.

Comedy at Komedia in Bath with Phil McIntyre presents Danny Bhoy’s Now is not a Good Time, Danielle Ward and Tread Softly Productions’ hilarious, intelligent and seriously moving, no-holds-barred look at being a woman in comedy, The Half at the Rondo Theatre.

Friday 30th:

The acclaimed Welsh film, Translations gets a screening at Melksham Assembly Hall, Helen gave us a preview, HERE.

Drew Bryant is at The Pelican, Devizes, with Illingworth at The Three Crowns. And we look forward to Devizes first Pride on Saturday with Drag Queen Bingo at The Wyvern club and an LGBTQ+ Club Night at The Exchange.

There’s an Open Mic at Marlborough Town FC, Swipe Right play the Bear, and Reading Dub Club with the Jah Lion Movement visits the Barge on Honey Street.

B-Sydes at the Pump, Trowbridge, with Old Man Boom in support.

Opening is the amazing Minety Music Festival, nr Malmesbury, and happening all weekend.

Chippenham Comedy Festival starts at the Old Road Tavern, and continues until Sunday 2nd July.

Modern Evils, Viduals and Trippy Kicks at The Vic, Swindon, while Moon and Truck are at The Castle, and Jon Amor Trio at the Beehive. Comedy at The Wyvern Theatre with Phil McIntyre presents Danny Bhoy’s Now is not a Good Time.

Iona Lane with Malin Lewis at Pound Arts in Corsham.

Spectrum at The Three Horseshoes, Bradford-on-Avon.

The Ministry of Burlesque cabaret at Komedia, Bath, while the Rondo Theatre have Eleanor Higgins and Bush Productions queer cult sensation, In Pursuet, following two sell-out runs at Edinburgh Festival Fringe. And ‘Your Song’ – a Celebration of the Songs of Elton John at Chapel Arts.

Keith Brymer-Jones is at The Memorial Theatre, Frome, with Led Zep tribute Coda at the Cheese & Grain.

Saturday 1st:

Marlborough Open Studios starts, and runs over the first four weekends in July between 11am and 5pm. This is a countywide open studios extravaganza where you can visit many different local artists in their studios. 

It is Mantonfest near Marlborough time again; yay! Nothing Rhymes With Orange are at The Barge on Honey Street.

Free to take clothes, swap and donate at Devizes Swap Shop at St James Church from 11am-2pm. It is Devizes first Pride at Hillworth Park, and of course, the 22nd Devizes Beer & Cider Festival. To finish, Jamie Williams & The Roots Collective will continue from the beer fest over to the Southgate.

There’s the Heddington and Stockley Steam Rally and Country Fair. 

Becky Lawrence & The Reason play The Green Dragon in Market Lavington.

Saucy Jack at The Pilot, Melksham.

Barney Kenny & Chris Murphey at The Pump in Trowbridge.

Matt Woosey at Pound Arts in Corsham.

Trowbridge Symphony Orchestra at Wiltshire Music Centre in Bradford-on-Avon, and highly recommended Adam and the Ants tribute Ant Trouble at The Three Horseshoes, with The Sylvertones at The BoatHouse.

Italia Conti at The Wyvern Theatre, Swindon. My Chemical Romance and Fallout Boy tributes at the Vic, The Black Charade and Fell Out Boy!

Figgle Fest 10th Anniversary, at Figheldean Village Hall Salisbury.

Tribute to Small Faces, the Small Fakers Band has sold out Chapel Arts, Bath.

Gordie Mackeeman & His Rhythm Boys at Frome Memorial Theatre, with An Evening with Simon & Oscar from Ocean Colour Scene at The Cheese & Grain, and Foo Fakers & Nirvanot at the Tree House.

Sunday 2nd:

Carmela’s Wiltshire Wonder Wheels 100km & 10km Charity Cycle Ride.

Jon Amor regular session at the Southgate in Devizes, increibley with the Gris Gris, Robin Davey and Greta Valetni; just wow!

Inspire 2023 free music festival at Warminster Pleasure Grounds.

Zone Club’s Summer Celebration Concert at Wiltshire Music Centre, Bradford-on-Avon.

Regular first Sunday of the month Blues Jam at the Vic in Swindon.

Monday 3rd I got nought, yet.

Tuesday 4th:

Running until 8th July, the Bradfordians’ Amadeus at the Wiltshire Music Centre, Bradford-on-Avon.

Jazz Knights at The Royal Oak in Swindon brings you the Alex Goodyear Quartet.

That’s your lot for this week, unless you know any different? It’s free to have your event added to our EVENT CALENDAR and feature on our weekly rodeo roundup, so don’t make me come chasing after you, do let us know about them. Have a sixties style fab and groovy weekend!

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Let’s Clean up Devizes!

You’ve got to love our CUDS, the Clean up Devizes Squad, hardworking volunteers who make the town look tidy and presentable. Here’s your chance to…

Ashes of Memory; New Single From M3G

The fifth single coming out from Chippenham singer-songwriter M3g on Friday, Ashes of Memory, and if I’ve said in the past what separates Meg from…

Never Changing the Rules With Atari Pilot

Swindon’s sonic indie popsters Atari Pilot are a prolific bunch, and have a new single out called The Rules Never Change…. And, they don’t. There’s…

A Sneak Peak at the Wharf Theatre’s Upcoming Season

Delighted by winning the Best Theatre/Arts Venue category of the Wiltshire Muddy Stilettos Award 2023, Devizes Wharf Theatre wanted to thank everyone who voted for them. “We are so proud of our little theatre and all our incredible volunteers,” they told Devizine, “the theatre literally would not run without their time and effort. Thank you also to everyone who supports us whether that be by coming to shows, volunteering, or, indeed, nominating us for this award in the first place!”

Muddy Stilettos is all about celebrating and supporting local businesses and this year saw over 800,000 people voting on various categories around the country, and we congratulate the Wharf, for it really is a wonderful little theatre on our doorstep; but we all knew that already, didn’t we?!

There is only one more show left of the summer season at the Wharf, one I’m personally looking forward to. Girls Like That is a gritty reality-driven drama directed by Lou Cox, and performed by the Wharf Youth Theatre Group. It explores the pressures on young people today in the wake of advancing technology, and was named Best Play for Young Audiences at the Writers’ Guild of Great Britain Awards 2015. It runs from 20th-22nd July.

There’s an audition notice for 9th July, a currently untitled new play by the amazing Freddie Underwood.

And it’s on with the new program. Saturday 19th of August sees The Jake Leg Jug Band at the Wharf. An authentic sound of 1920’s and 30’s America, from jazz, blues, gospel and ragtime, this trio put their own twist on songs of murder, betrayal, gambling, liquor and redemption.

From Monday 11th September to Saturday 16th, find Amelia Bullmore’s comedy, Di and Viv and Rose, dealing with friendships among a group of three cohabiting female students in 1983, displaying how their solidarity precariously survives physical separation, career paths and even mortality.

On Thursday 28th September there’s a Devizes Film Club screening of Lunana: A Yak in the Classroom. A 2019 Bhutanese drama film directed by Pawo Choyning Dorji. The first film from the Himalayan kingdom of Bhutan to be nominated for an Oscar, it follows a young teacher with a dream of moving to Australia but finds himself teaching a classroom of eager children, and a yak!

October 23rd to 28th sees Lyn Taylor’s Happy Jack, a 1989 play by John Godber, about a couple who live in a mining village in West Yorkshire.

Steaming into November, and the 4th has an uplifting story of heroism and love by Ali Smith, Cadbury’s Angels. Set in wartime when a group of women working on the production line at the Cadbury factory in Birmingham decided to secretly send letters and cards inside the tins of chocolates that were dispatched to the soldiers fighting on the front lines. To the men fighting miles from home, and away from their loved ones, these women became known as The Cadbury Angels.

Sunday the 5th November, remember, there’s Water Rats Charity Variety Spectacular, some top stars all raising money for the Water Rats Charity. 

Saturday 11th November there’s two showings of The Last Post, a poignant, moving and thought-provoking stage show for children and families. The story revolves around the correspondence between Joseph, who is at war, and his son William at home. The split stage, multi-rolling and use of projections allows for fast-paced transitions from England to Belgium so the audience remains immersed in this simple but moving story that entertains in an appropriate and engaging manner. 

With November behind us, oh no it isn’t, December now, and where would be without panto time? This year will be Jack and the Beanstalk, and it’s running from Friday 1st to Saturday 9th. 

Bounding into 2024, we can expect to find Oscar Wilde’s farcical comedy, The Importance of Being Earnest, from 29th January to 3rd February. Auditions for this will be on 18th September, see here.

All tickets for the above performances will be at the box office as of Saturday 1st July. Anything we publish hereafter is top secret speculation taken from leaked documents from the very top of the Wharf Theatre, and I will likely be shot for merely whispering them to you …..in some over dramatic theatrical way too!

Stagecoach Performing Arts School are visiting with a production of Frozen Jnr, followed by a Lonnie Donnigan tribute show on February 24th.

2nd March sees the Music of Simon & Garfunkel show come to Devizes and in April you can look forward to something very Agatha Christie. From 13th May until the 18th, Amanda Whittington’s The Thrill of Love is the performance. Set in a smoggy 1953 gentleman’s club in London’s West End, where young manager, Ruth Ellis, had it all, the money and lifestyle that she had always dreamed of. However, by 1955 she had lost it all and was the last woman to be hanged in Great Britain.

And on the 1st of June, expect Top Secret’s explosive family show, The Magic of Science.  An opportunity to surround yourself with the mystery of magic, cleverly fused with wondrous and miraculous feats of science. It is promised the venue will be transformed into a real-life science laboratory and lots of unbelievable “how did they do that!” moments. 

Trending…..

Peace, Love, Americana and Jol Rose

I trouble procrastinating upon being gifted a previously released CD from an artist for review, unfortunately they land on the backburner, prioritising upcoming news items.…

Date Set for Devizes Pride

Hear ye, oh, hear ye, with much yet to plan for the event, we’re pleased to announce the date of Saturday June 29th has been…

Song of The Week: Beskar

Quick one from me, a belated song of the week, The Prophecy by Beskar featuring Huntr/s. A debut single on RAM Records from Scottish music producer Beskar, named after the Mandalorian steel from the Star Wars universe; if this is the way I love it! Gorgeously dreamy, reach for the stars, rolling drum n bass style with flavours of classics from yore such as LTJ Bukem, Guy Called Gerald and Goldie.…..

It comes as a double A with a track called Path I Can’t Follow, both of which features the vocals of Huntr/s, and therein is our local connection. This Huntress is Chrissy Chapman from Devizes, who you may have caught last weekend singing with Tom Harris at the Sustainable Fair in the Market Place, unless, like me the lazy sausage, you drifted up that bit too late!

Now I’ve heard both these euphoric tracks I’m even more gutted to have missed them; Chrissy, the vocals in drum n bass really maketh the ambience of the tune, otherwise it would be just a series of breaks and beats, and though said breaks and beats are sublimely aligned here, it is the icing on a deluxe cake!

Chrissy worked for a record label during 2021 run by the once frontman of Foreign Beggers, PAV4N. “This led to meeting artists and then doing a live stream charity event,” she told us, “some of them watched and put me in touch with Beskar.”

Mandalorian armour wouldn’t stop me from dancing to this! Well done, Huntress, keep shining the light, and Beskar too of course, tune!

Trending…..

Tonka Bean’s Taste of Trinidad in Devizes

Guess who limboed into Tonka Bean, to poke their nose in a day before the official opening? Though I’m a sucker for new ventures, especially with a Caribbean twist!

Nestled nicely on St John’s Street where sadly The Vaults micropub once stood, this is the new cafe-bar labour of love of mum and daughter team Abrilli and Mya. Abrilli was sweeping up, getting everything ready for opening day tomorrow (Friday 23rd June at 8:00am and closing at 21:30 pm,) but stopped to welcome me with her backstory. A school teacher who has lived in Devizes for sixteen years with her roots in Trinidad, these new pastures hope to bring both a little piece of Trinidad to Devizes, with a general Caribbean theme to boot.

The bar is situated in the same place it was with the Vaults, the rest is transformed with a bamboo wall and colourfully painted tables and chairs, yeah, I get the vibe, there’s definitely a tropical ambience already. Though you shouldn’t make the word association of bean with coffee, tonka beans are South American black seeds akin in flavour to vanilla, this is not a coffeeshop, though they will serve coffee!

If Abrilli is rather restricted without a kitchen, she’s determined to overcome; the motto of Trindad is “together we aspire, together we achieve,” after all.

Hot and cold foods will be bought in, she was keen to note ninety percent locally sourced. The Happy Food Company will supply sandwiches and salad boxes, Jamaican patties were a sure thing, and she smiled to announce her own recipe curried goat too, served in roti. This sparked a chat about Eastern influences in Caribbean culture and cuisine; she was impressed with my slim knowledge of chutney style, a soca subgenre using Indian instruments!

But turning it back to Trindad cuisine possibilities, Abrilli explained saltfish accra, and a sailfish breakfast dish she called buljol. Alongside wine and spirits, passionfruit, papaya, and mango smoothies, she wet my appetite with “those kinds of tropical flavours that give people that fresh Caribbean feel.” Here was the point where she gave her utmost respect to the success of the Muck and Dundar rumbar in town, but with no dilemma if Tonka Bean is Caribbean themed it had to sell rum punch too, “of course I’m going to have rum punch!” 

Neither would a Caribbean themed bar be complete without accompanying the standard issue sweet tooth, and Abrilli introduced me to her snow cone machine in which shaved ice with syrup is a popular snack in Trinidad.

The building has a spacious basement the renovation of which to extend Tonka Bean hinges on its initial success, while Abrilli intends to reapply for a live music licence, this won’t happen anytime soon, but expect background music of tropical twist! This bold venture I wish the very best of luck, but if the success hinges on creating a happy atmosphere, you only need to look at carnival to acknowledge you can not beat the Caribbean for happiness!

Small acorns, or tonka beans even, at this early stage, but I came away feeling overwhelmed with positivity about this place, and the cafe bar in Devizes with a different angle. Of course, it all depends on the support the town shows it, and enthusiasm is already building. Abrilli had to close the gates after I left, as people tended to poke their noses in to see if it was open yet; I was the lucky one, but here to report Tonka Bean is going to be irie with all the joy of a Caribbean getaway in our hometown!

Follow Tonka Bean on Instagram

Top Tips to Survive a Muddy Glastonbury Festival

Don’t hold your breath, I’m having an Uncle Albert moment…back  in my day, which wasn’t as long ago as you whippersnappers, with your lime vapes and Taylor Shift Spottyfly playlists, might imagine, media coverage of Glastonbury was far less. TV was left up to Katie Puckrik in pigtails on Channel 4, until a couple of off years when it pissed it down…..

Bad weather has become synonymous with the world’s legendary festival, and the press rub their hands together when it happens; a golden opportunity to sensationalise a negative stereotype of counterculture and youthfulness; double-whammy.

Every media outlet known to man jumped on the bandwagon to show selective imagery of a handful of intoxicated nutjobs WWF mud wrestling in a negative light, and tarnished every reveller with the same anti-bac j-cloth. 90,000 attended Glastonbury in 1997, officially, the first year it rained for a decade, if you saw x-amount of them on the telebox and assumed everyone was at it you just marginalised thousands with a miniscule percentage, and fell hook, line and sinker for their intentional misconception.

The further rightwing their sway, the more negative they were, “look at those filthy hippies rolling in their own faeces like swine,” and misguided Daily Mail bullshit akin. The truth is, once you’re in there is no going back, and try as you might to stay clean and dry, there comes a breaking point whereby even the fussiest among us realise they’re beaten. Rarely is it up to choice, as the media might portray.

But it put the festival in the media spotlight and television upped their game to show the festival in a positive light. The festival itself prevented the travellers attending and commercialised the experience into what it is today. It was do or die. Similar to our hero desperately trying to keep dry, the Evis family had no choice.

From 89 onwards I did twelve Glastonburys and the sun had his hat on every year until 97. It had rained the week leading up to the fateful day. I put my hefty work boots by my front door while I packed the rest in my car, as I didn’t want to drive in them, and forgot them!

I was left with a pair of designer pumps with all the grip of a Spiny Softshell Turtle, and by the time I arrived at the gate I was Elvis Costello; couldn’t stand up for falling down. My first job was to aim myself, best I could, towards a stall selling wellies. The stallowner was busy and in his element; delighted to rip half my Glastonbury budget off me and a multitude of other disorganised wallies, for a pair, while the guy next door flogging sunscreen considered selling his children to medical science.

My first top tip for a muddy Glastonbury then is rather obvious and perhaps a bit mumsie, but based on a bad experience.

A stout pair of walking boots is essential, and maybe plastic carrier bags as liners. If you forget the rest make sure you don’t be like me, Torvil or Dean. The boots were gone by the time I returned home; in fairness though, they were quality Doc Martins and I did live in Swindon.

The other footwear tip is no matter how drunk you get, to take your boots off before you get inside your tent. I would imagine the once quite common nakedness at Glasto is less trendy these days as millennials tend to be prudish. So spare clothes are your friends, but don’t overpack because you have to carry that shit. But most of all, never tell your friends about your other friends, the dry clothes in your backpack, I shouldn’t have to explain why. If word gets out, one dry sock is equal to seven hundred blaggers befriending you.

Clothing in general is common sense really, a fluffy bra or propellerhead hat can be fun when the weather is on your side, but at a wet one the catwalk is swapped for survival of the fittest, practical is the new fashion. Glitter is out, pac-a-macs are in! Waterproof trozzers will make you the envy of all, even if at a sunnier Glasto you’d be laughed off the site for wearing.

If you’re the driver, take a pair of scissors and leave them in the glovebox. I did this in 98, your jeans will be caked with mud, get ’em off when you reach the car, cut them into shorts, it is easier to drive home. Otherwise you’re driving home in your undercrackers, and as a service station supply top up will be a deffo, psychologically scarring small children for life is never looked upon as a clever thing by their parents. A grade A soccer mum Karen whinging at you in the Leigh Delamere carpark while you stand in your four day old pants and a headful of post-festival blues is never welcomed.

Plastic bags have many uses, see photographic evidence of a much younger me; because at first I was afraid, I was petrified, Kept thinking I could never survive without a plastic bag by my side, but I survived and lived to tell the tale through Gloria Gaynor parodies.

Walking the site is tiring when dry, sludging through ankle-high mud is a million times worse and you need to take breaks. If no seating is available, you can’t just plonk down on the grass, you need your bag like Arthur Dent needs his towel.

Honestly, one muddy year I crowned a guy “the genius of Glastonbury,” as he duck-taped an inflatable chair, when inflatable chairs were a thing, to his torso, so wherever he went he could sit in comfort at will. I’m not advising you to do similar, merely pointing out forward thinking, for it was not without its drawbacks discovered over time, like reflating and navigation, though for altications from sharp bramble, he had a bicycle repair kit on his person, further confirming his genius.

But a genius you don’t need to be to survive a muddy Glastonbury, just common sense. Like consuming laxatives, Mexican food or baked beans prior, and ensuring you have a big clearout in the loo before you depart. Do not eat anything which might stimulate your bowels while there. Going to the loo is an experience best avoided at Glastonbury whatever the weather, at a muddy one you take your life in your own hands. You will see things you’d rather have not, things defying medical research, and you could be emotionally scarred for life. If you must go, and if possible, take a licensed therapist with you to the loo as well as a toilet roll and weapons suitable for a zombie apocalypse, and never, I repeat, never, use port-a-loos.

Timing is of the essence when deciding to poo. The later you leave it the worse it will get, a simple motto. Hedgerows and ditches can be your friends at a sunny Glasto, but avoid them like typhoid if wet, unless you happen to welcome typhoid. They are below hell itself as the last place you would want to slip into. Horrifically, I have seen it happen, observed folk laughing too, and felt sorry for the individual, but too afraid to approach them to offer a hand. You’ll be Billy-no-mates if you slip into a ditch thirty thousand drunken hooligans have taken a shit in, no one will aid your escape.

Sign up anyone with a campervan bathroom or VIP access onto your bestie list, shower them with gifts and follow them wherever they go. But, gift buying, especially breakable objects is the stupidest idea in the history of stupid ideas, you are not at B&M. I’ve seen record stalls selling vinyl, glass blowing workshops and various other such insane shopping options. As much as you believe your gran would like a commemorative china plate of Glastonbury, remember you could be several days before you find your tent again, and/or have to pass the main stage area while Slipknot are playing. 

The rule for a muddy Glastonbury is simple, take only what you need, buy only what you forgot to bring or realise you might meet your maker if you don’t. No one wants a three tier Victoria sponge caked in mud polluted by 210,000 nutjobs all desperate for a poo.

Now I’ve said all this, it seems like the weather is going to be alright-ish anyway, so you can forget it all….for this year, and have enough fun there for me and you. Remember, final top tip for any weather; avoid TV cameras if you’re pulling a sicky from work; your boss will be watching. 

Weekly Roundup of Events in Wiltshire: 20th -27th June 2023

Happy Summer Solstice, Wednesday, sunrise expected at 3:57am supposed to be a drier night than last night, possibly cloudy; have a wonderful solstice everyone; love and light. 

Here’s what else is happening across the county this midsummer week. Don’t forget there’s more info on these, ticket links and irregular updates on our sparkly Event Calendar, so plan ahead.

Ongoing, Hail the Curious, the inaugural exhibit at The Forbidden Carnival in Chippenham; check it out by the end of the month.

Tuesday 20th:

Poetika 112 – The Sun And The Moon at The Winchester Gate, Salisbury.

Wednesday 21st:

Acoustic Jam at the Southgate, Devizes.

Classic Car Evening Gathering at Atwell-Wilson Motor Museum in Calne

Running until 24th June, The Western Players present The Dinner Party at Swindon Arts Centre

MorningStar plays The Bell, Bath.

Oh, and of course, there’s that little shindig called Glastonbury Festival; have one for me if you are heading that way, and if you’ve room in your backpack I have been known to fold up quite compact if duty calls!

Thursday 22nd: 

Music For Miniatures at The Neeld, Chippenham.

Sebastian & Me & Mirrored Faces at The Vic, Swindon

Lol Goodman Band at Pound Arts, Corsham.

The Damned, yes, I said the Damned, at Komedia, Bath…. well, I’ll be!

Friday 23rd:

Lucky Number 7 plays The Pump in Trowbridge, with JCC and Enter Red.

The Free Association presents St. Doctor’s Hospital, an improvised medical drama, directed by Graham Dickson at the Neeld, Chippenham.

Emily Storm at The Kings Arms, Melksham.

Robinson Stone at Pound Arts, Corsham.

The Unthanks at Wiltshire Music Centre, Bradford-on-Avon.

Xodus – a Tribute to Bob Marley & The Wailers at Chapel Arts, Bath.

TommyInnit at Bath Forum.

Phoxjaw at Moles, Bath.

Hamsters From Hell & The Lonely Road Band at The Vic, Swindon.

Moore’s Exotic Reserve at The Tuppenny, Swindon.

Ed Sheeran Tribute at The Ridge, Swindon.

ZambaLando at Fiesta de Cuba, Greenbridge, Swindon

Saturday 24th:

The Vintage Bazaar at The Corn Exchange, Devizes.

California Dreams at The Wharf Theatre, Devizes. Enjoy a trip through the music of California in the 60’s and 70’s. Recording just a stone’s throw from each other and guesting on each other’s records, a group of musical legends worked simultaneously to turn out some of the greatest songs of all time. Hits by The Mamas & The Papas, Eagles, Joni Mitchell, Neil Young, Linda Ronstatd, The Byrds, Crosby, Stills, Nash & Young and many more. 

Poulshot Village Fete.

Devizes Chamber Choir presents Summer by the Sea at St Andrews Church, Devizes.

Earl Slick Band @ Long Street Blues Club, Devizes, big question mark over this one, it might well be cancelled, do check ahead.

SGO at The Southgate, Devizes.

Funked Up at The Three Crowns, Devizes.

Ben Borrill at The Moonrakers, Devizes.

Calne Carnival

Melksham Pride

The Strollers at Melksham Rock N Roll Club, now in Spencer’s Sports & Social Club.

Back to the 80’s at Melksham Rugby Club.

Big Family Music Day at Wiltshire Music Centre, Bradford-on-Avon.

Bus Station Loonies at The Three Horseshoes, Bradford-on-Avon.

Atlas Rise at Moles, Bath.

Aoife Scott at Pound Arts, Corsham.

Mixed Bag at Prestbury Sports Bar, Warminster.

Stars of Time Film and Comic Con at Steam, Swindon.

Drag Me Down & Youth Illusion at The Vic, Swindon.

Mickelson: Jump off the Earth UK tour at The Hop Inn, Swindon.

Fleetwood Shack at Level III, Swindon.

Talk in Code at Brown Street, Salisbury.

Sunday 25th:

Devizes Tennis Club starts week one of their Tennis Holiday Camp at Devizes Tennis Club; book here.

It’s the Pro-Wrestling Showdown at The Corn Exchange, Devizes.

Junkyard Dogs at The Southgate, Devizes.

No Go Glasto charity gig for Diabetes UK at Stallards, Trowbridge.

Weekly bandstand concerts in John Coles Park, Chippenham.

Lazy Summer Sundays at Richard Jefferies with Canute’s Plastic Army.

Wifi Wars at Swindon Arts Centre.

Keith Brymer Jones’ Life, Clay and Everything at The Wyvern Theatre, Swindon.

Collapse The Sky & ChemiQueen at Level III, Swindon.

India Arkin live in session at the Electric Bar in Komedia, Bath.

Eddie Martin at The Bell, Bath.

Monday 26th:

Brendon at The Tap & Barrel, Swindon

Phil King Band at The Bell, Bath

Tuesday 27th:

Let’s Swim Get Swimming & Tokyo Toy Company at The Vic, Swindon.

Wyvern Theatre Swap Shop at The Wyvern Theatre, Swindon.

Jazz Knights Presents Nigel Price and the Alban Claret Quartet at The Royal Oak Swindon.

Spiers & Boden at Komedia, Bath

The Hill Book Launch at the Rondo Theatre, Bath.

That’s all I got, folks. Not as busy as last weekend, but still lots to keep us all out of trouble! Don’t forget though, to check in on our event calendar for updates as they will come in from time to time!

Devizes New Chair to Area Board of Wiltshire Council…Guess Who?!

Last night Wiltshire Councillors voted in Councillor Iain Wallis as the Chair to the Area Board for Devizes. Meaning any grants to community groups, youth organisations, sports clubs and local charities, have to go through him.

Much as I would like to offer my congratulations to councillor Wallis, I feel it is imperative to question many aspects to this with regards to community led projects, other town councillors, youth project workers and the many various other residents who he seems to neglect the opinions of by silencing them and banning them from his Facebook group, the local legendarily biassed, Devizes Issues.

Part of his new job description reads thus: “to provide a local platform for local engagement and conversation.” Will the Devizes Issues be this platform, if he doesn’t allow any opinion differing from his own? Let’s make no mistake here, opposition councillor’s election campaigns have been slandered on this Facebook group, the independent PCC and all of his supporters were barred from posting, a Devizes-based Covid support group was banned from the group, all by this councillor’s hand.

Wiltshire Council’s website explains “area boards exist to work alongside other organisations to make things happen in the community. These groups can include town and parish councils, voluntary and community groups, youth organisations, sports clubs and local charities,” groups as such which he has attempted to silence, including a residents committee set out to solve issues regarding the Crammer.

The description of what the Area Boards do continues, “An important role of the Area Boards is to provide grants to community groups. There are three main funding streams, which include community capital grants, youth grants, and older and vulnerable adult grants.” Yet we know faithful local youth worker Steve Dewar, who works tirelessly school mentoring, liasoning with Devizes Police, Wiltshire FA, RW Football School and Wiltshire YFC and has independently setup a youth pop-up cafe providing free facilities for local youth, also received the honorary ban from Mr Wallis’s “local platform for local engagement and conversation.”

You are within your rights to complain about this decision, but being he is also on the standards committee, you will most likely be better off talking to a brick wall.

Let’s go through what the Wiltshire Council website says about the overall focus of the tasks of the Area Boards:

“Develop a strong, well established and highly functioning network of local partners, organisations, and residents. Generate an in-depth understanding of our local communities, including the demographics and the issues faced by the residents. Empower and facilitate community led action. Recognise the talents, expertise, and knowledge of our communities, trusting and supporting them to co-deliver local services. Ensure decisions are taken in consultation with and close to the residents that they affect.
Effectively share data and intelligence at a local level. Provide a local platform for local engagement and conversation.
Deliver an opportunity for residents to gain an understanding of the way the council works. Finally, help deliver the Wiltshire Council business plan at a local level with the involvement of communities.”

Now, I ask you, does any of these match with the manner in which he has conducted himself on his Facebook group? Suggesting that time, he would go ahead and continue publishing town council matters regardless of if the council voted individual councillors should refrain from posting such information or not; remember that ickle controversy?!

We will continue to question the suitability of Mr Wallis in this position, given the factors expressed in the opinion piece, and I see this as justified criticism, not, as he himself has stressed on more than one occasion, as “harassing and bullying” him, for that is both not our intention, and indeed, an outright lie. In order to undergo this task effectively, as clearly stated on the website, engaging with the community would, in my opinion, mean everyone within that community and not only the ones who agree with him personally, otherwise that is most certainly not impartial to political and social sway, as proved by the governing of his social media group.

We publish this as a concerning development which seriously risks the future of community led events, organisations and schemes within the Devizes area, as any councillor who seems only focused on pushing the agenda of one national political party will endeavour to allow only those who back them too, and agree with his opinion. This we have discovered by the manner in which he controls his social media group, which would be totally his prerogative to do so, of course, if he wasn’t in such a conflicting position of power.

It does seem such a shame, that this essentially hardworking and proactive councillor cannot seem to overcome this issue of allowing an entire community to communicate freely without the threat of being silenced for simply disagreeing on a particular issue. We too face this terrible predicament, any good work we do at Devizine, whether it be charity, promotion of events, schools and community groups, they will always remain blocked and heavily criticised in order to make way for some grand pipedream of creating an “official’ council run website which basically rests under his control but steals our ideas and input, and you, the council taxpayer will fork out for. God bless us all, for we are going to need it!!

Half a Humdinger Review Taking the Three Crowns, Devizes

For the love of Liam Gallagher, you cashless twenty and thirty somethings who cannot resist the intoxicated urge to mount benches and dance your cares away in a boozer should take note, when we, the previous generation climbed atop of things to boogie, we did so on disused warehouse roofs, haystacks, buses, railway embankments and perhaps the odd police riot van!

You think I’m kidding? Yet, for the most part you also seem to have shunned our musical progression through technology and our repetitive beats in favour of the guitar, bass and drums combo of rock n roll of yore. Britpop is like classic golden oldie hour to you, whereas I’m still processing it. And, in doing so, you take aboard any sing-a-long pop classic from commercialised seventies prog-rock to eighties soft metal, and sugar-coat it with retrospective enlightenment despite not being born when they were conceived. The result is an obstreperous drunken melee of anything goes, as long as it’s rock. Ergo, to step into The Three Crowns after an evening of Latino funk at the Corn Exchange, is a mass mayhem musical affray just trying to squeeze into a convenient gap; sigh, at least you’re having fun!

This kind of reception is usually reserved for our homegrown cover troops, People Like Us, and those Roughcut Rebels, and indeed I note Pip nestled amidst the crowd, nodding at me because this Pewsey lot has basically taken their setlist! Yes, they are tried and tested rock classics guaranteed to pull in a crowd, but what is surprising is this bunch of crazies are Pewsey located, it is their inaugural gig in Devizes, as circuits seldom meld, the gloriously loud welcome Devizes showed them, Humdinger will undoubtedly return.

For said rock covers, even at the most cliche, (yes, Wonderwall) went down like a sack of spuds in a famine, in the hands of these capable Pewsey musicians/nutters! There’s just something offbeat about the Vale, isn’t there? Eccentric and well, bit weird in a nonchalant but no malice way! I was fully aware of how much attention Humdinger can attract over those backwaters, I’m glad to report the same level of recognition was rewarded to them here, as they thoroughly deserved it.

Excuse I can’t give a full review, only able to catch the final hour, but it was enough to confirm, Humdinger is a force to be reckoned with on the rock cover pub circuit, as they blasted out the standard issues with confidence, proficiency and a truckload of fun, as if they had only left the Moonies Fun Pub for the Coppers in the Vale! Making themselves at home, they treated us to flaunty banter and laughs aplenty, as they wriggled through a setlist from Sweet Caroline, through every hackneyed classic known to Britpop, and landed with an encore of Bon Jovi, yeah, Living on a Prayer, how did you guess?!

For an original music buff you’ll shed a tear, but again, this worked, and regularly does. As I sat among a mass of empty pint glasses as bar staff rushed off their feet like Kings Cross McDonalds workers at lunchtime, I go-figure, the formula is desired by the masses, they finish pints with the same speed the band finish a chorus, and if it is this you want, or maybe even need, to keep a pub going, a decent rock cover band is what you seek.

I’d say it again, I cannot exclude our Roughcuts or People Like Us, for they do this regularly at the Three Crowns, but Humdinger should also be firmly on your hitlist, as they certainly bought the party with them this time! Me? I can moan, at rock cover bands so plentiful on our circuit, but like bus drivers, they’re either really top quality or grumpy as fuck, and the Humdinger guys certainly are not the latter. It was a sardine sandwich squeezable shindig of millennials and others hopelessly pretending to be, it was though executed superbly without malice, just pure rocking fun, and if you didn’t have a blinding night there you should seek medical advice, not mine, I thought it rocked!  

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Mantonfest 2024

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Malavita! Maravillosa en Devizes Arts Festival; Ardiendo Afro-Funk Latina!

Images by Gail Foster

I was looking forward to the grand finale of The Devizes Arts Festival with cherries on. Starter for ten; I’m yet to discover a subgenre of Caribbean or South American music I don’t instantly fall in love with, and it’s as rare a-find locally as diamond mines. Ergo, Malavita! marched up to my front door and banged loudly on it. And they didn’t hang around to ask me if I was coming out to play. No problemo when opportunity knocks, I had my dancing shoes on ready!

Upbeat from the off they blessed the Devizes Corn Exchange with their irresistible funky Latino blend, which soothed like reggae, swung like son cubano, bounced like bomba, and perhaps added smidgens of Brazilian samba, even Balkan into this melting pot of wonderful afro-funk.

To assume these guys flew in from Cuba or Puerto Rico would be justified, but on reflection there is definitely something western about the salsa which allows the throwing in of all these ingredients and stirring the pot to come out with a unique take effectively satisfying our western expectations. As in our pop, the vocals were soulful and delightfully expressed, and the subject matter of Malavita’s gorgeous and original repertoire seemed to be a glorified reflection on life’s guidance, thoughts and observations, yet subtle as the demanding danceable rhythms take priority. Story checks out, they’re from Devon, and their sound, their whole persona, is as beautiful as cream teas along the Jurassic Coastline…with added palm trees for an apt exotic effect!

Malavita at Devizes Arts Festival 2023

Funk at the forefront, I was also reminded somewhat on the livelier bands on the Acid Jazz circuit of the mid-nineties; if the Brand New Heavies added some Latino spice you’d imagine it coming off something like this, for this eight-piece with blazing barefoot brass section, congos, and conventional drums, bass and lead guitar presented itself equally as professional and proficiently. 

So proficient in fact, they can encore with their only recognisable cover, Britney Spears’ Toxic, under such an insatiable house-style, such a rework would push-pin me to the dancefloor! And therein is my summary, you see, for Malavita! ruined my original plan to scoot off to the Three Crowns for a momentary glimpse at Pewsey’s rock covers band Humdinger who after nineteen years on the local circuit finally made their Devizes debut, because the sound of Malavita! is the musical equivalent of that tractor beam which pulls the Millennium Falcon into the Death Star, I was stuck on the dancefloor for the duration.

Malavita at Devizes Arts Festival 2023

For want of a less fanboy analogy, Jedi powers could not have prevented me from shaking my tailfeather, resistance was futile, Malavita are irresistibly danceable. That’s not opinion, that’s fact!

Leading me onto the trickier part, for saying how much I loved this, wracking my brain unable to think of something equally as cool as Malavita, was simple, but to suggest reasoning why the Corn Exchange wasn’t at full capacity as it has been with previous Devizes Arts Festival events this year, are manyfold. Possibly due to exhausted funds by the end, as there was so much choice this year, possibly a reflection on the natives personal taste, particularly those Arts Festival stalwarts, but for whatever the reason, they missed a thrilling evening of the single most sublime funky afro-fusion to bless Devizes, and to The Arts Festival organisers I thank you.

For those who were there, seats were empty anyway after quarter of an hour of this gorgeous, soulful sound, and we danced the evening away far too quickly!

Malavita at Devizes Arts Festival 2023

As things stood, it reached its climax at ten, so I was able to sardine myself into the Crowns for a blast of rock covers after all, though with the taste of Lilly’s mango cider retained, I couldn’t shake off how totally awesome Malavita! were, and akin to Harry Belafonte’s Jump In the Line, I don’t imagine I ever will.

Being I don’t recall what I had for breakfast from one day to the next, I might need to correct myself if I searched our archives, but going out on a limb, I’d proclaim this to have been my gig of the year to-date; scorchio! 

For more information about Malavita!

A massive well done and thank you to Devizes Arts Festival, as this year’s comes to a close but has shown diversity and quality throughout; we hold tight for next year! I would also like to thank our writers, Andy, Helen, Ben, and Ian, for their outstanding coverage of this year’s Arts Festival here in good ol’ Devizes, and to Gail Foster for allowing us to pinch her superb photos too!

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The Lavington Community Choir Brings the Pied Piper to Lavington

The Lavington Community Choir will stage a production of the Pied Piper of Hamelin, a musical cantata by Tim Price, on Friday 7th July at 7.30 at the Market Lavington Community Hall….

Written and 1st performed 35 years ago at Dauntsey’s School under the baton of David Price (no relation) when Tim was a 16 year old schoolboy, this wonderfully mature, jazz-inspired work remains as fresh and exciting today as it was then.

Conceived as a light-hearted adaptation of Robert Browning’s poem, the work combines humour and pathos, vividly illustrating this apocryphal, sinister and timelessly topical tale. Jazz riffs and toe-tapping melodies weave their magic as the story unfolds of a town plagued with rats.


The Townspeople debate, the pompous Mayor pontificates, the Piper makes a startling entry with a solution until the Establishment ‘rat’ on the deal that is struck. A lone lame child left behind tugs at our heart-strings with an ethereal tune, before the story concludes on a rare note of hope and peace.


The evenings music is accompanied by a jazz band, and the programme also includes Verdi’s Anvil chorus, and jazz standards: Moon River, Dream a little Dream, Mack the Knife and others, featuring guest soloist Jessica Phillips and conducted by Paula Boyagis.


Tickets £10 from Devizes Books, St. Arbucks, members of the chorus and
edwardsjean39@gmail.com
Bar available.

Carrie Etter’s Poetry Workshop at Devizes Arts Festival

By Helen Edwards

American poet, Carrie Etter has been a resident in England since 2001, and a reader in Creative Writing at Bath Spa University. She published four collections, most recently, The Weather in Normal, and numerous chapbooks. On Saturday Carrie gave a poetry workshop and reading at Devizes Town Hall, as a fringe event of Devizes Arts Festival…..

‘Carrie’s workshop was absolutely fantastic, a distilled overview of prose poetry with many examples to show the variation in style and our own time to create (with no pressure).  Carrie was inspiring, impassioned and quick as a whip.

Her students at Bristol University are very lucky to have her as a teacher (as were her many past students from at Bath Spa University). The open mic at the end was inclusive, supportive and fun. Carrie’s final poem saw me wiping away tears; beautiful.

I wish I could write a longer review but I am doing this one-eyed with a poorly optic nerve. I’m effervescing with words which will have to wait or be dictaphoned, when they come I now have many tips as to how to form them better.  Thanks Carrie, your generosity is abundant – I’ve a feeling you’ll get a roomful’s worth of follow up messages. Helen.

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Learn the Art of Chocolate with HollyChocs 

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REVIEW – Devizes Arts Festival – Christian Garrick & The Budapest Café Orchestra @ Corn Exchange  16th June 2023

Hot Gypsy Jazz

Andy Fawthrop

Devizes Arts Festival headed into its final weekend with a fine Friday night gig at The Corn Exchange.  As Clair Figes of the Arts Festival said in her introduction, this was all about the music.  Whilst there might have been some hesitation to give any Russian music any air-time at the present time, perhaps these days would have been different if more people had spent more time listening to music, rather than fighting.  Let the music flow, she said.  And how right she was.…..

So then the sharply-dressed quartet that is the Budapest Café Orchestra came to the stage, and proceeded to blow everyone away with a really virtuoso performance of world music.  This was gypsy and folk-flavoured music from Spain, the Balkans, Russia, wherever, and it was played with verve and panache.

Established in 2009 by British composer and violinist, Christian Garrick, and with 13 albums to their name, the Budapest Café Orchestra is a small but impeccably formed ensemble of just four players.  They combined violin, guitar, accordion, double bass, saz and balalaika to dazzling effect, creating a sound that you might expect of a far larger ensemble.

The BCO consisted of Christian Garrick (violin, darabuka), Eddie Hession (button accordion), Kelvin Cantlon (double bass), and Adrian Zolotuhin (saz, guitar, balalaika, domra).  Each one of them is a master in their field, and each one of them has played with some of the most famous artists in the world.  Their pedigree is impeccable.  And boy did it show last night, as they collectively breezed through their highly entertaining two sets.

It was high energy, and it was delivered with style, and a great deal of wit.  The versatile switching of instruments, the comedic commentary from Christian, the twirling shades of the on-stage standard lamps – it all added up to a visual and aural delight.  And, not surprisingly, the large audience absolutely loved it.

Yet another triumph for this year’s Arts Festival.

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Lego Club at Devizes Library Announced

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The Magic Teapot Gathering

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No Need for Medicine Men – Elles Bailey Will Lift Your Spirit

Elles Bailey at The Corn Exchange, Devizes; part of Devizes Arts Festival.

By Ben Niamor. Images by Andy Fawthrop 

Elles Bailey made a welcomed return to Devizes this week, her sixth appearance in town by my count since local luthier and at that time promoter Mirko Pangrazzi booked this emerging talent some years ago now. Elles was great then, but has grown hugely as an artist, partly through being so fiercely independent and keeping things on her own terms….. 

This visit for the Arts Festival saw an appreciative crowd, many enjoying Elles live for the first time, packed into a blissfully air conditioned Corn Exchange on blisteringly hot summer school night. 

A multiple award winning artist, Elles always surrounds herself with the finest musicians in one of the hardest working live touring bands in the genre.Among them Joe Wilkins, on guitar, a long time friend and collaborator, co-writing with Elles on tracks like Riding Out the Storm in the set here. The wealth of touring translates into a cohesive, relaxed band supporting Elles’ trademark stage presence and flare. 

A great mix of songs in this set from across her albums and some heartfelt selections of covers from her inspirations. Mixing Muscle Shoals, Medicine Man, What’s the Matter With You and more with her fantastic song writing, with covers of some of the incredible characters of her inspiration, such as Levon Helms – When I Go Away (particularly well suited to Elles’ distinctive vocal sound if you listen to the original). 

For me personally, a sensational cover of Creedence Clearwater Revival’s – Long as I Can See the Light. Elles’ explained she cannot remember a time in her life when she didn’t know and love their music, fuelled just, as in my case, by an upbringing with a father who’s huge record collection was full of these kinds of incredible records. Truly made the hair on my neck stand up to hear her belt this out, sublime. 

In penning Cheats and Liars, a song about and fuelled by the rage at our so-called chancellor of the time, back in the COVID darkness of October 2020… when asked what struggling people in arts and music occupations should do? He quipped ‘they should retrain and find other jobs’. Thank you for the excellent song that prompted Mr Sunak. 

Thankfully, lovers of arts and music like myself were worrying that might actually happen through necessity to some degree, at the time buying merch, etc. If we were in a better position and talking to artists etc, letting them know they were loved and supported and meant so much to us.. I had pushed much of this to the back of my mind as we got back to gigs etc. and thankfully lost very little of what I feared, the scenes coming back to life as they did in the end.

I am hard pushed to think of a better example of a journey followed, for many in the audience have been on the journey with Elles, and many others and look forward to a lifetime of continuing to do so.  A good artist can do that, remind us of bad times and lift us into good times.

You will have probably realised already I am something of a fan, a true lady of the blues and one so connected with her fans how could you not?!

Thank you Elles and band, and the wonderful arts festival for putting this superb gig on, in walking distance for us. 

We are lucky to call this place home…..

Elles Bailey Website

The Closing of Cooper Tyres

By T.B.D and D Rose for Devizine.The author can be reached at housetyg@gmail.com This month the historic Cooper Tires factory in Melksham which began the…

Devizes, We Are Sustainable!

Bingo, someone came up to me in the Market Place while I was chatting with Devizes Greens chief, Margaret Green about all random matters of climate change, to offer us both a free vegan chocolate tiffin, and that’s plenty to swing this blogger to pen a decent review in itself!

Though I didn’t need a tiffin to twist my arm, Sustainable Devizes set up an outstanding fair in the Market Place today. I believe it’s the second annual Devizes Sustainable Fair, an amalgamation of all the separate activities various groups of Sustainable Devizes and others engage in; sorry I missed last year’s. For if imagining a handful of environmental campaigners gathering in crocs and tie dye tees to draw some pretty pictures of the planet was your preconception, you’d be sorely wrong.

Many, of all walks of life, gathered to address concerns and present alternatives to make Devizes sustainable and environmentally friendly, under a festive feel, and it was a splendid occasion.

Children were encouraged by Keith Brindle and family of St James to draw pictures of ideas to create a better environment, on transport and the future of plastic usage, a clothes swap whereby you could donate or take whatever you needed, both encompassed the general idea that this was a community based interactive experience, an event free of commercialisation and profiteering. This extended to the general feel of the day; everyone focussed on the same goal in a polite and friendly way.

There was food, soup and so on, free knife-sharpening, a bicycle repair shop, and organisations were welcomed from the Meadow in my Garden community interest company, to Kennet Furniture Refurb, and it was also lovely to meet the community free for all social club Camerados Public Living Room, who aside regular meetings in the Cheese Room on Fridays, seem to set up a living room complete with sofas, coffee tables and lamps wherever they care to, and I love that the most, they even gave me a cup of orange squash the lovely lot!

But what places this firmly on the map, and diverts this from being any old climate change meeting, converting it into a festival feel is the area of benches in which to gather, and the live music too. I’m sorry to have been too late to witness an acoustic jam session, followed by resident musicians Tom Harris and Chrissy Chapman, but I did make a beeline for those boater’s royalty of euphemisms, Devil’s Doorbell. We reviewed the ingenious outpourings of this bonkers skiffle duo upon the launch of a live album recorded at Trowbridge’s Pump in February, and they delighted as much as suspected they would, with Nipper playing his tenor banjo and kazzumpet, while the colourful Jellylegs Johnson strummed her washtub bass, both with a jolly dedication to jazzy tunes of yore.

Had to inquire being Caen Hill Locks were closed and the Doorbell duo had to resort to bus journey here, how everyday folk reacted to taking a washtub and kazzumpet amoung their other gear on the bus! But that’s in a nutshell how this event played off, quirky, hospitable and welcoming, a true reflection on a community spirited goal to better ourselves when it comes to progressing with a greener, environmentally friendly manner, and for this alone you cannot fault it.

Brilliant job, Devizes, for together we are sustainable, least heading this way with gusto. 

We’ve Found You, Danni W!

Right you lot, listen up; I’m fully aware this debut album, Lost to be Found, from Swindon’s Danni W has been out, what, a fortnight nearly now? Reason why I’ve not mentioned it prior, aside from being a busy boy, is I had to listen to it a few times because it’s undoubtedly feelgood pop and best defined as a “grower…..”

Meaning that, as all the best pop does, it becomes more appealing the more you listen. This is why commercial radio stations are passed dollar by record companies to keep the same current tunes on a loop until you’re forced to like them, otherwise you run the risk of spontaneous human combustion!

Though, while this album justifies why Danni should be on said loop, she really doesn’t need her songs to forcibly thrust down your throat; you should like this because there’s nothing to dislike about it.

Another valid reason why I’ve avoided its appraisal until now, and perhaps also why it’s uniquely beguiling is twofold. Firstly, unusually for pop it’s incomparable. Every wannabe pop star cites a major influence and strives to sound akin, but while I’m sure Danni has hers, I’m unable to pinpoint a definite phrase like Swindon’s answer to Whitney, or Kylie or Janet, or anyone really. It is, Danni and solely one of a kind. My only hope here is one day not too far away I’ll review someone else with the line, so-and-so’s answer to Danni W!

If I had to cite a clear influence it might well vocally be Maria Carey, though this could stem from how I came to discover Danni when she sent a Christmas song, All I Dream Of, for our christmassy podcast. My notion of the “grower” idea certainly weighed in with this one. I was hooked after a few listens; there was something strictly All I Want For Christmas about it …but away with this yule talk, it’s summer and I don’t wish to mention the C word again!  

Second reason is the sheer joy in her voice, confident in the spotlight but with a genuine enthusiasm you simply cannot fake. Her music sounds mainstream but is impossible also to slot into an era, timeless pop which will enthuse all ages, without the need, if feels, to go with the status quo and add trending riffs or retrospective gimmicks. It proficiently rides a generalised sound, and Danni laps up every second of it.

No spoilers here today, but at times Danni handles some tough subject matter too, topics not usually covered in pop, much less with the clarity and precision here. To start with, the opener, If I Tell You Truth, has a blues edge with an easy listening rolling piano riff akin to the crooners of the fifties, but as with all tunes on offer here, there’s freshness about this sound which delights.

With a guise of Paula Abdul eighties pop, the second tune bounces on a financially hard times theme, the third similarly but with a “finding yourself” concept. Yet by the fourth tune in, one which is reflected in an enchanting piano ballad of lesser tempo, Who Am I, you know you’re in good hands, and this one is sublimely executed leaving you dripping for more from these wonderful three minute heroes.

Back to the upbeat, Ignorance is Bliss is where we find the unusual content in contemporary pop, a political-social commentary wrapped in an almighty crashing and building pop tune, this works possibly the best tune for the balance between upbeat pop and these lounge jazz blues ballads. Tricky subject matter seems to build from here, social media and digital romance and fears of being the odd one out get Danni’s makeover, melancholy apologetic notes over a piano lounge jazz ballad, followed by a confidence builder and I find myself contemplating Gabrielle as a new influence to possibly cite, but maybe I should have just asked Danni rather than clutching at straws, because her sound is stylised and distinctive.

It ends kind of like our Christmas number, bouncy and jolly, an overall take on the whole album, even if the subject sometimes isn’t. Though this one is on impending love, and well, that could go either way! One thing is for sure, Danni W has put a lot of work into this, it shows, and she’s seemingly lapping up every minute of it. That joy is felt across this universally-appealing album, and damn, if it doesn’t rub off on you equally to the beguiling nature of the sound too!

If you were ever lost, as your album title suggests, Danni W, I, for one, am glad I found you!

LinkTree to Danni W

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REVIEW – Devizes Arts Festival – Hawes & Catlow @ St Andrews, Chris Ingham Trio @ Town Hall 15th June 2023

Andy Fawthrop

The Hot & The Cool


Devizes Arts Festival headed towards the end of its second week with a double-dip into the chocolate–box of goodies. At lunchtime we had some hot folk, and in the evening we had cool jazz……

St Andrews was the venue at lunchtime as Kit Hawes (guitar, vocals) and Aaron Catlow (violin, vocals) played an absolutely wonderful set of folk tunes and songs. This was no ordinary duo though – what we heard was absolutely spell-binding stuff. It was largely fiddle-led instrumentals, supported by a wonderful picked guitar, as the two musicians really leaned into their set. Between songs, the pair were chatty and engaging, charming the audience with their laid-back style. The only thing wrong with their set was that it was too short! However, we could forgive them as the guys had to get away because, following this performance, the duo were due to visit two care homes to meet and perform for the residents, courtesy of the performing music charity, Live Music Now. Absolutely sparkling stuff.

For the evening we moved just across the road to the Assembly Room of The Town Hall for The Chris Ingham Trio and an altogether cooler, more laid-back experience. The trio featured Chris himself on piano, vocals and commentary, with Joe Pettitt on upright bass, and George Double on percussion and (soprano) vocals.

Their programme was based around the jazz compositions of the beloved comic actor Dudley Moore (1935-2002). Whilst being more famous for his comic sketch acting on TV and in films, often with his co-comic Peter Cook, Dudley was also one of the UK’s most dazzling, swinging jazz pianists and a composer of wit and depth. The decision to revisit Moore’s music in The Jazz Of Dudley Moore, with sounds from the fabulous 1960s Decca trio albums, the TV show “Not Only But Also” (1965-70) and the brilliant movie soundtracks for “Bedazzled” (1967) and “30 Is A Dangerous Age, Cynthia” (1968) was a good one, and it made for an excellent evening of jazz, that was both instructive and thoroughly entertaining.

During the evening we (well definitely me!) learned a lot about Dudley Moore and his life. Moore was a vastly under-rated and prodigious jazz talent. He was a working-class Dagenham boy, which always left him feeling somewhat second-best next to the highly intelligent and Cambridge educated co-conspirators Peter Cook, Jonathan Miller and Alan Bennett. He felt he could not always communicate as well as his peers, and music was his outlet for his feelings, his desire to love, and his need to be loved (see “Love Me!”). There is much melancholy there, and his psychological profile was of a man who was lonely, and whose emotions were fragile. He spent much of his life in therapy of one sort or another. His inner demons drove his manic comedy, his drinking and his womanising. Yet he was possessed of immense personal charm and playfulness.

All of this Chris and the boys attempted to convey in words, and illustrate through the music. Chris could never (in his own words) play piano in exact imitation of Dudley, so the idea was to give “another run-out to the spirit of the man’s musical style” – playful, and committed to swing, often with a bossa nova groove.

Chris’s commentary between songs was erudite, yet chatty and witty. His playing was spirited, yet sympathetic, as he led the trio through “Bedazzled”, “Cornfield”, “Song For Suzie”, “Waterloo”, “Sad One For George” and many others. A well-deserved encore of “Good-byeee” simply put the cherry on the cake of a really wonderful evening.

The Devizes Arts Festival continues for only two more days until Saturday 17th June.

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

Trending……

REVIEW – Devizes Arts Festival – Clive Anderson 14th June 2023 @ The Corn Exchange, Devizes

Andy Fawthrop

The Scottish Play


Devizes Arts Festival headed towards the end of its second week last night. And here was another highlight…..

Clive Anderson is pretty well known household name, being seen on TV and heard on radio as a presenter, writer and interviewer over the past 30 years. He’s an award-winner, a versatile comic writer and, an often overlooked feature, a barrister by training. He’s fronted his own TV and radio shows, and has been a celebrity guest on countless others.

Last night, in a fairly packed Corn Exchange, he brought his own show “Me, Macbeth and I” to the stage. Appearing for the first half in full “Scottish” regalia, his opening assertion was that Macbeth (sharp intake of breath from the luvvies in the audience), sorry “The Scottish Play” was the greatest play ever written, and certainly Shakespeare’s best drama. Using this, and his frequently referred-to Scottish ancestry, as a thin framework on which to hang the rest of the show, he set off in pursuit of….I’m not quite sure what.

We had some wonderful, although sometimes rambling, anecdotes from his career in showbiz, name-dropping with gay abandon (Cher, Sting, Robin Williams, Peter Cook, Mikhail Gorbachev to name but a few), although this was rarely gratuitous. Anderson has interviewed them all, and had some great back-stories to relate. He covered his early start in comedy (Cambridge Footlights and Comedy Store), his learning path in presenting live TV, and the vicissitudes of coping with sometimes unpredictable guests. He also shared a number of theatrical anecdotes, milked from “Loose Ends” with Ned Sherrin, and concluded an overlong first half with the results of his researches into the truth (or otherwise) of the bad luck stigma associated with 400 years of productions of Macbeth. This allowed him to mention Gielgud, Beerbohm, Olivier and Orson Welles, as if in passing.

The second half picked up where he’d left off, although the Scottish outfit had now been abandoned for a more conventional lounge suit. The style was still the same however – occasionally incoherent, repetitious, going off on tangents and losing his thread. However we always seemed to get back to the point, which left me wondering if this method of delivery was a reflection of his natural style, or a slightly nerves-driven affectation.

Whatever – it was mostly interesting and funny, with a few topical depth-charges casually dropped into the comedy waters (Gove, Rees-Mogg, Prince Andrew etc). There was a discourse on his own Scottish heritage and of Scottish national stereotypes. The final section allowed him to revisit great interview disasters of others (Parkinson and Rod Hull/ Emu, Russell Harty and Grace Jones) and of himself – the famous Bee Gees walk-off, Richard Branson and (for me the best) Bernard Manning and National Prune Week.

It was funny, but not hilarious. It was interesting and educational, but not gripping. The audience mostly seemed to love it, but I found it difficult to warm to the man somehow. His comedy is more intellectual than human/ emotional, so that might be it. Anyway – a good night out, and another success for Devizes Arts Festival.

The Devizes Arts Festival continues for three more days until Saturday 17th June.

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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Snotty nose, change of weather, otherwise I’d have dragged my sorry ass down to Underground, formerly Level III in Swindon for last weekend’s Children in…

An evening with Will Kirk at Devizes Arts Festival

Ben Niamor

The format of this, my first foray into this kind of event, see’s BBC radio presenter Sue Davies chatting with Will, the furniture restorer and woodworking maestro from the Repair Shop on the gogglebox. Apparently his first event of this kind too.. Sue has a dry wit and gentle manner well suited to this, as one might expect given her career…..

We are treated to many interesting answers and anecdotes, if this is his first time doing such a thing it does not really show, apart from when he chats himself away from his answer and has her remind him of the question! But that’s only reflective of his genuine joy, and passion for his work. 

He seemed mildly embarrassed to admit the first thing he remembers making were some nunchucks from some of his dad’s chains and a stolen broom handle, so he could swing them like his heroes, the Teenage Mutant Ninja Turtles! 

His grandfather used to restore furniture, something he had long forgotten until after he started a met-college furniture course having failed a graphic design first year… twice! 

A successful business in proper antique furniture restoration followed before the TV people came knocking… 

The way he talks openly and positively of his Family in the shed, the Repair shop team is lovely if not perhaps surprising. 80,000 emails so far requests, 9th series in production… and an incredible following.

The tale of the people thinking they can go down..! An old lady with a broken clock, having travelled some way and crestfallen she had misunderstood, but was on the doorstep, so Steve fixed it for her in his lunch break..! Sounds like the sort of warmth and humble humanity that you get from the incredible transformations in the programme.

That was during the airing of series one. Now it’s secure, segregated in the museum most of the time such is the profile now reached. They Film nine months of the year, and he has recently reduced the days given over to the show to be able to be an active dad too. It would be easy to forget what a huge hit he is a part of, he truly comes across as every bit as genuine and lovely as what you see suggests.

In the second half our penned questions were answered , ranging from the obvious to the cheeky, a fun thing to do. Favourite woods, favourite jobs, future ambitions you name it we asked…

I thoroughly enjoyed the evening, interesting and a chance to connect in some small way with something I personally love and appreciate. Positive, humble craftspeople making dreams come true, and I’ve met one of them and got my book signed.. brilliant. 

I was pleased to see no entourage with overpriced wares but in fact Devizes Books selling the books at the usual reasonable rrp.

I managed to speak to a couple of arts festival committee members before leaving and thank them for their work and the opportunity; another great event.

The Devizes Arts Festival continues at various venues around town until Saturday 17th June.

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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REVIEW – Devizes Arts Festival – Lois Pryce 13th June 2023 @ The Bear Hotel, Devizes

Revolutionary Ride

Andy Fawthrop


Devizes Arts Festival played a blinder this afternoon by cranking up the outside temperatures to a level suitable for listening to Lois Pryce talking about riding her motorcycle around the heated countryside of Iran in 2013 and 2014. .

The talk/ slide show/ video was entitled “Revolutionary Ride – One Woman’s Solo Motorcycle Journey Around Iran” and it did exactly what it said on the tin.

Lois Pryce, apart from picking banjo on Sunday as part of the bluegrass group The Brothers & The Sisters at The British Lion on Sunday, is a woman of many talents. She’s also an author of three books about her solo adventures in far-flung lands (Alaska to Terra del Fuego, London to Cape Town, and now Iran). She’s also a speaker and freelance writer and broadcaster.

Her latest book, Revolutionary Ride, is a memoir about her experiences in Iran, undertaken in two separate parts in 2013 and 2014. She covered over 3000 miles, did her own basic bike maintenance, camped out many nights, and (most importantly) funded the whole trip herself without the need for sponsors.

She freely admitted that before going, she was largely uneducated about the wider political situation then existing between Iran and the West, did not speak nor understand Farsi (including road signs), didn’t have a visa, didn’t understand the likely problems to be encountered by a lone female riding a motorbike (technically illegal), and that the only maps she had were pre-Revolution. Nothing daunted, she headed into all the technical, cultural, logistical and legal problems, and just kind of “got on with it”.

She drew many parallels and contrasts between the massive amount of hospitality and friendliness she received at a personal level from virtually everyone she met, and the official state-led political situation. She described it as a “chilling regime”, almost entirely cut off from the rest of the world’s infrastructure (internet, banking/ credit systems, foreign imports), with an extreme set of Islamic-led laws, customs and social structures. For women especially, this meant “a life behind the veil”. Nevertheless there was always a thriving “under the counter” culture in everything from motorcycling to music to alcohol.

There were many anecdotes and examples of her “helmet to hijab” existence on the road. And after the break (for book sales and signings), there were plenty of questions from the packed audience.

A highly entertaining session, and well-attended. Which just goes to prove that if you put on something interesting, even in the middle of the afternoon on the hottest day of the year, there are plenty of folk in D-Town with nothing better to do. Build it, they say, and they will come. Another Home Run by DAF!

The Devizes Arts Festival continues at various venues around town until Saturday 17th June.

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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Swindon band Talk In Code in race to Glastonbury Pilton Party; show offs!

Those cheeky popsters who rocked up at my 50th with a beanie hat present from their own merch range and expected me to parade around wearing it like I was their personified billboard, yeah them, the fantabulous Talk in Code, well, right, haven’t seen them since, say they’ve been busy on the festival scene, when all of a sudden without a drop of notice, tell me they’re travelling to Pilton this Saturday, 17th June, and we all know what happens there!

Turns out Swindon’s toppermost indie-pop band are playing in the first heat of the Glastonbury Pilton Party competition to audition to win a coveted slot at the Glastonbury Pilton Party, held on the Worthy Farm site, home of the world-famous Glastonbury Festival; show offs!

This Glastonbury Pilton Party is held in early September, and previous headliners have included Liam Gallagher, Elbow, Fatboy Slim and Bastille. Talk In Code have been chosen from hundreds of hopefuls to audition, and I say, while it’s a bit warm for a beanie, thank you so much for my hat, and, oh yeah, also for playing an absolute blinder at the Three Crowns, I feel honoured and it will be a day if I hadn’t have overindulged in Thatcher’s Hazes I will never forget.

But all this aside, as I cannot be bought by showering me with gifts, in my book, Talk in Code would remain the best band in Swindon even if they dunked me in a bath of hot & sour piranhas in just my mankini till I cried like a baby, so I wanted to wish them all the very best of luck, and I hope you will join me in wishing them all the very best of luck, bloody good luck to them!

It’s all going down at Pilton Club, a stones throw from the Glastonbury Festival Site on Saturday 17th June. Tickets to come and support Swindon’s best indie pop band are available from HERE. 

Talk In Code are thrilled to be flying the flag for Swindon at this prestigious event, and I know they’ll knock ’em for six, and if not I want an inquiry as to why not. If you can’t make this, I get that, bit short notice, you should have a listen to Talk in Code, who have amassed over 400,000 streams and been added to over 700 Spotify playlists, HERE.

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The Sisters and The Brothers at the British Lion

by Ben Niamor with images by Andy Fawthrop

Continuing the tradition of great quality Devizes Arts Festival fringe events in the wonderful town centre beer garden of the British lion, Devizes this year we were treated to a cracking bluegrass band.…

Hats off to the arts festival for finding outstanding artists in any given field. It takes more than a check shirt to carry off the traditional sound of bluegrass, especially if you are from our side of the pond!

A six piece bluegrass outfit comprised of Steel guitar, double bass, banjo, fiddle, mandolin , and acoustic guitar and everyone lending vocals.. laid out here and played in delightful harmony. Bluegrass often celebrates the darker side of life, in such a way the brain can wonder how these stories can give us such fun? But fun it was, great fun.

Songs of life, loss and whiskey.. Gotta get drunk… sung by the wonderful gent on steel guitar, those ensembled agree the fact he’s sat down and enjoying the great beer means he’s best suited to sing this.. A bunch of self penned tunes were interspersed within some classic genre covers such as Jolene, some more unusual Bob Dylan, and some classic roots songs across three sets.

All in a fantastic gig, and way to enjoy several hours, even the weather played ball and held off with a sunny flourish for the last set! Thankyou to the excellent band, our wonderful host for the garden, beers and charity barbecue, and of course the arts festival.

Devizes Arts Festival continues until Saturday 17th June. Tickets HERE.

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Quick one from me today, you’ll be happy to hear! Song of the week comes from Meg, dreamily expressing her romantic thoughts, hidden from the…

Devizes Beer & Cider Festival Release 2023 Music Lineup…..

If, like me, you’re teetotal and never touch a drop, you can still enjoy the CAMRA Devizes Beer & Cider Festival on the 1st July, for there’s food and a great musical lineup awaiting you there. Now, back to honest reporting (hic!); the lineup of which I’m about to reveal now!

There’s some stable regulars and some exciting new acts performing, but the first wouldn’t be the same Devizes Beer Festival without them; Devizes Town Band, undoubtedly opening the proceedings.

First great, awesome, amazing surprise to me personally, one of my favourite things, Concrete Prairie will make their debut at the Beer Fest this year; get in! Concrete Prairie are an alt-folk Americaina five-piece ensemble, delivering a veritable soundtrack for the glamour and grit of modern living. Personal opinion incoming, this is enough to seal the deal for me!

But, we also have, hailing all the way from my motherland, the utterly fantastic Jamie Williams and the Roots Collective. Regulars at the Southgate, their unique brand of Americania and folk-rock has seen them settle into the current super-tight line-up after hundreds of shows the band are on fire, playing hundreds of shows and festivals, including a couple of rapturous nights at London’s legendary 100 Club, their ethos is always to have fun and make sure the crowd does too. This is not a band that stands onstage staring at their (red) shoes.

They’ve shared line-ups with the likes of Wilko Johnson, The Blockheads, The Darkness, The Pretty Things, The Quireboys, Dr Feelgood, the Yardbirds, Eddi Reeder & the Animals to name a few.

Jamie is a prolific writer of accessible songs; songs good enough to hold their own in a solo acoustic setting, which really light up when the band add their own brand of energy & musicianship to the arrangements.

They are like the classic touring bands of the 70s: almost a travelling circus; a dysfunctional family of a band. They’re tight without being boringly slick, leaving just enough rough edges to become one of the most exciting and fun ‘originals’ live bands on the circuit today.

Back to the homegrown talent, Wiltshire four-piece rockers Plan of Action will be in attendance too. Derived from the old well known band ‘El Nino’ they have gathered pace to become one of Wiltshire’s most popular covers bands, packing venues everywhere, circa 2017. Expect the classics from AC/DC to Thin Lizzy and Fleetwood Mac through to Oasis, Red Hot Chilli Pepper and Foo Fighters, something for everyone!

And, as per-last year, Knati P will be providing the sound system reggae chill. Handpicked reggae tunes from Knati P, with more years of playing records and running sounds systems than we dare mention … .you can be assured a wealth of popular reggae picks and some quality laid back material you may not have heard of!

And that’s your lot, I love it though, there’s not a single one I wouldn’t have picked myself; great minds think alike! Saturday 1st July at Devizes Wharfside 11:30 until about 10pm, tickets are £19.50 which includes your glass, programme and an initial £5 of beer tokens, which as you might be able to guess, is ample beer tokens for me, then I’m on the Tizer!

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Weekly Roundup of Events in Wiltshire: 13th -19th June 2023

Another summery week ticked off, and our event guide just keeps getting bigger. This week is huge, people, huge ……I mean the week is huge, not the people, I’m not one to body shame as, I believe, is the appropriate gen z term; pass my pronouns, there’s good fellow. 

Don’t forget there’s more info on these, ticket links and irregular updates on our sparkly Event Calendar, so plan ahead. But this week we have…drum roll…..

Ongoing, Hail the Curious, the inaugural exhibit at The Forbidden Carnival in Chippenham; check it out by the end of the month.

Tuesday 13th

Floral Display at Hillworth Park, Devizes, continues Wednesday too. Devizes Arts Festival still going strong, they have Lois Pryce: Revolutionary Ride – One Woman’s Solo Motorcycle Journey around Iran at 3pm in the Bear Hotel, and the fantastic Elles Bailey Band, 8pm at the Corn Exchange.

Nick Beere has an inaugural Open Mic Night at The Bell, in Great Cheverall, which hopes to become a regular second Tuesday of the month thang.

McCartney – The Songbook at The Wyvern Theatre, Swindon.

Free-movement dance session 60’s to 80’s music at Salisbury Methodist Church.

Wednesday 14th

Poulshot Green Gathering.

Devizes Arts Festival has Clive Anderson’s Me, Macbeth and I. 7:30pm at the Corn Exchange.

Acoustic Jam at the Southgate, Devizes.

Memory Cinema at Swindon Arts Centre for those with dementia and their families, showing

Willy Wonka & The Chocolate Factory. Menopause The Musical 2 at The Wyvern Theatre.

Charlotte Sauste-Bridoux at Wiltshire Music Centre in Bradford-on-Avon.

Lunchtime Recital with cellist Idlir Shyti at Pound Arts in Corsham, and a double bill in the evening with Fly Yeti Fly & Pound Sound.

Thursday 15th

Devizes Arts Festival has folk duo Kit Hawes & Aaron Catlow, 12pm at St Andrews Church, and the Chris Ingham Trio’s The Jazz of Dudley Moore, 8pm at theTown Hall. 

Paul Henshaw plays The Tuppenny, Swindon. An Evening with Brian Bilston at Swindon Arts Centre, and Phil Wang’s Wang In There Baby! at The Wyvern Theatre. Liddington Hill EP release party at the Vic, with Lucky Number Severn & Dark Prophecy, EP reviewed here.

Folk Open Mic Meets From the Book, at Brown Street, Salisbury, A Night of Folk Music and Poetry, and continues on Saturday.

AC/DC tribute, Hell’s Bells at The Cheese & Grain, Frome. 

Friday 16th

Devizes Arts Festival has Gaelic folk anthems with Christian Garrick and the Budapest Café Orchestra, 8pm at Corn Exchange.

John Langan & Maxine Ria at The Barge, Honey-Street.

Park Lane at The Civic, Trowbridge.

Radiation Sickness at The Old Road Tavern, Chippenham.

Longleat Summer Party.

John Bramwell & The Full Harmonic Convergence at Pound Arts, Corsham.

Swindon Folk Club Guest Night: Patakas at The Hop, Swindon, Pink Mac at The Vic, 

21st Century Abba at Meca, Oye Santana at Swindon Arts Centre, and In Conversation With Stacey Dooley at The Wyvern Theatre.

Second night of the Folk Open Mic Meets From the Book at Brown Street, Barbar Luck at The George & Dragon in Salisbury.

Band X atThe Three Horseshoes, Bradford-on-Avon.

Isabelle Farah’s Ellpsis at the Rondo Theatre, Bath, and The Alex Voysey Blues Band presents ‘Faux Bonamassa’ at Chapel Arts.

Legends, Bob Marley & the Wailers kick off a ska and reggae weekender at The Cheese & Grain, Frome.

Saturday 17th

Maps for Devizes Open Gardens are ready and on sale now from Devizes Books, Hillworth Park Café, Devizes Town Hall and The Giving Tree in the Little Brittox. £7 in cash per map, continues on Sunday.

Devizes Sustainability Fair in the Market Place from 10am-4pm. 

Devizes Arts Festival has a free fringe event, Carrie Etter Poetry Workshop and reading, at 2pm in the Cheese Hall of Town Hall. Limited numbers so book your place. And 8-piece reggae Latin funk powerhouse Malavita! 8pm at the Corn Exchange, makes the grand finale of what has been a fantastic year for the festival.

Elsewhere in Devizes, find Will Edmunds Trio at The Southgate, and Humdinger debut at The Three Crowns. 

Keevil Summer Roots Festival, a first for the village, preview here.

Stonehenge Campaign Festival, free, at the Barge on Honey-Street.

The Plough at Shalbourne has a FREE Ale and Sausage Festival, with Two Complicated, Deadlight Dance, @59, Reuben Medlin Band and more.

Chippenham Pride has a great lineup, but you will need to register your interest online.

The Rider are at the Pilot in Melksham.

Shaw Summer Family Music Fair.

X-Factor winner Steve Brookstien at The Civic in Trowbridge.

Debut Dance Company: Bodies of Water at Pound Arts, Corsham, followed by Iona Johnson: Musical Storytime and Bella Hardy in the evening. But check out the poster for Corfest at Corsham Rugby Club, what a lineup, loads of my favourites from Train to Skaville, Nothing Rhymes With Orange, Plan of Action and Splat the Rat; nice one!

Barrelhouse play The New Inn, Swindon, Hannah Rose-Platt & Adam Giles Levy at The Tuppenny, Wizards of Oz and Judas Rising at The Vic. Patti Boulaye’s I’m Coming Out at Swindon Arts Centre. Swindon Music Trust holds a Party in the Park at Town Gardens, tickets are £11.50, great lineup, see here. 

Bath Symphony  Orchestra are Across the Pond at Wiltshire Music Centre, Bradford-on-Avon, find Stanchions at The Three Horseshoes.

Peter Gill – Piano Legends at Chapel Arts, Bath, with John William Richard’s Almost Hollywood at the Rondo Theatre.

An evening with Logical Park at The Swan near Barton Stacey, Salisbury.

G4 Live at The Memorial Theatre, Frome, with the Cheese & Grain’s second night of their ska and reggae weekender, featuring the Neville Staple Band. 

Sunday 18th

DOCA’s Picnic in the Park at Hillworth Park in Devizes, a must!

Max & Ivan: Life Choices (Work In Progress) at Pound Arts, Corsham, with Gav Cross: Snack and Stories too.

GBH Big Band’s I Got Gershwin at Wiltshire Music Centre in Bradford-on-Avon, while the amazing Dry White Bones play The Three Horseshoes.

As Fanning at Komedia, Bath

Paul Burling’s Big Daddy Variety Show at The Wyvern Theatre, Swindon.

Monday 19th

Declan Gaynor @ The Tap & Barrell, Swindon

And I got nuthin for Tuesday, yet But if I missed anything out let me know, feed me cake and I can update this and our calendar, but if you don’t tell me don’t come crying! Have a great week, remember, sunscreen, people, sunscreen.

Look out for our incoming next article, as we reveal the music lineup at Devizes Beer Festival on the 1st July!

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Drag Queen Story Time in Swindon Sparks Counter Protest

By T.B.D Rose

The LGBTQIA+ community bravely showed their support for Drag Queen Story Hour at the Wyvern Theatre yesterday, by staging a counter protest to the fascists who were blasting bigoted lies accusing drag performers of being groomers and of sexualising children, when in fact, pantomime dames and drag queens have been a staple of family entertainment for decades.….

Attacking drag queen events is clearly camouflage for a campaign of homophobia (according to Swindon Advertiser, one fascist could be heard saying that: “It’s against the natural order for a man to be with another man”) directed at all LGBTQ friendly venues and spaces, and fascist scapegoating of minority groups is always a Trojan horse to normalise violent political repression.

The discrimination LGBTQIA+ people experience in society and even from their own families is endemic and a truth those comfortable with heteronormative privilege such as myself can never fully understand, which is exactly why we all need to do what we can to allow people
to live their lives and be themselves unencumbered by prejudice or bullying of any kind.

Businesses and supermarkets putting up rainbow flags, nice as it is to see, is not enough when the government, media, and extremist groups are expressly targeting anything and everything LGBTQ.

Pride is a protest and a wonderful expression of community, let’s keep it that way until homophobia is history and love is the order of the day on a fair and free planet. This article is dedicated to my loved ones in the LGBTQIA community.

For more information on Swindon Pride click HERE.

Humble Pie Over Danny K’s Coate Road Development Comments Rant? Unlikely!

Oh Deirdre me, we can’t all be as perfect and flawless as Councillor Iain Wallis, and as the Dalek said climbing off the dustbin, we all make mistakes!

Cream crackered after my standard early shift, on Tuesday I rushed out a knee-jerk reaction to Danny Kruger’s comments against the permitted Coate Road development, because I knew other local media would also jump on the bandwagon; you have to be quick to beat the big guns.

It has since come to light, thanks to a civilised reply from councillor Judy Rose, some of the content is slightly misinformed, but while I’m willing to admit it, if you think I’m eating humble pie you can think again! There remains a more general crucial point, I figure, even if some facts about the development itself weren’t, precisely, on the ball.

I might just nibble the crust, if humble pie comes with a crust, or is it more like a shepherd’s pie? Either way it’s unlikely I’ll dive right in, least of all apologise, that’s sooo not me! Much of the content was taken from a BBC article, and what can I say? I pay my licence fee, local media source content from the Tory-bias Beeb, at least I tarnish mine with opinion rather than lift it wholesale. 

It was Danny’s u-turned angle which had me suspicious, it seemed now he was in support of the campaign against it, as before this storm in a teacup I too was dead against the location of this development and signed petitions against it. But the reasoning for Tuesday’s article was my dubiousness of anything which comes out of Danny’s silver-spooned cakehole; can you really blame me for that?!

Justified, I believe, after his several chauvinistic and homophobic comments. Comments which I called him out for, and via Councilor Iain Wallis’s wonky peepers, constituted me being “unpleasant,” I quote. Trying to twist my melon around this, ol’ Danny K can cast any archaic and deplorable views he feels fit to do so, and use his position as MP to preach his narrow-minded religious dogma, but if I question him for it, I’m the one being “unpleasant?” Okay, that sounds fair!

“I’m afraid you’ve really got this wrong,” Judy expressed, “Not about Kruger, although I find his conversion to opposing the 5-year housing land supply a rather dramatic and convenient vote-solidifying change-of-heart, but about the very real concerns regarding the Coate Road development.” Which is fair enough, and enlightening too. For it is far nicer to address such corrections to us directly, rather than Mr Wallis, who opted to post his hatred only on his own biassed Facebook group, Devizes Issues, of which anyone who disagrees is promptly banned, including us.  

This practice of slagging us off behind our backs is standard for this particular councillor, and far from the first time he has done so. Why he does this I can only speculate neither wish to dwell on, but being he recently posted a claim Wiltshire Council is about to produce an events guide, (obviously at taxpayer’s expense) seems he is determined to attempt to wreck our good reputation, or ruin us all together. I’d imagine because he has no control over us. It is vindictive and spiteful, and given such circumstances it is evident, much less blatantly obvious, his intention wasn’t to correct us, rather deliberately discredit us.

Back on point, Judy explained, “The traffic from this housing estate would mostly use London Road, or rat-run via Coate to access the Swindon road. Adding potentially some 4-500 cars to that stream of traffic is a nightmare scenario by any account, which is why it was refused last time round, and nothing has changed in the interim. More affordable (and we can get into precisely what that is supposed to mean on another occasion, as in my view, it frequently is anything but!) housing is desperately needed, but there will be precious little of it on this or any other site if the developers do their usual cavalier approach and whittle down the numbers to as near zero as they can!”

“I have been on the Neighbourhood Plan team for over 10 years, and the most frustrating thing is that we cannot get the numbers of affordable housing up because developers just will not build them, so please don’t imagine that if this scheme went ahead, there would be a sudden upsurge in their numbers! The developer may well be bragging about 30% affordable housing, but we’ve been here before with other developer promises, and I’ve yet to see any dramatic increase in numbers of so-called affordable housing! Traffic jams would certainly increase, but not affordable housing numbers!”

And herein was my point, if confused with the details of the development itself, that affordable, and by this I mean it by the actuality of the word, affordable, is needed. If I was trashed by Iain for stating 10% was the minimal requirement, I did clearly say that was a national requirement, not a county one, leading me to ponder if it was deliberate skewering of my words, or if he simply missed that point, either of which suggests I wasn’t the only one who made a mistake! But whatever, it is obvious this percentage needs to be increased significantly by Wiltshire Council, otherwise they’re building homes only the few can afford, and not enough for those who cannot; Tory economics.

Ergo my suspicions this is deliberately done to uphold the conservative stranglehold on our constituency at a time they fear their national level corruption will come back to haunt them, even here, is, I believe, reasonable to assume. Fair to note, this is also the reason while Conservative MPs will fight between themselves over the boundary changes in the next General Election, as Chippenham MP Michelle Donelan knows full well her seat is safer if the Devizes parliamentary constituency is merged with hers.

But I want this change as I fear this recession will worsen tenfold if the current thieving parliament continues, and more will be on the streets. I want this change because I want diversity in the age demographic here; it is a nice place to live, this wouldn’t change by allowing younger people to be able to start a home and family here too. But they are driven out by house prices, and this is unfair and morally corrupt. This was my general point, and I believe it is still valid; what is the best Wiltshire can do?

“The best Wiltshire seems to be able to do is to propose a site for social housing at the western end of town where it is not only outside the settlement framework boundary,” Judy continued, “but its location also ignores the other criteria of the current Neighbourhood Plan which stipulates that the town centre, GP Surgeries, major shops and schools should all be within walking distance of any development! At well over a mile from any of these, this site fails, yet it is still likely to go ahead, with increased car usage, mainly because it is a Wilts Council proposal on Wilts Council land!” Does this mean every small village and hamlet will have to be knocked down?! Of course not, if residents cannot walk a mile, they need to rely on an improved bus service; pie in the sky called infrastructure, it works in towns and cities far bigger than ours!

“There are sites that are more appropriate than Coate Road, but they are not coming forward, and it is not unreasonable to assume that this is because the developers wouldn’t make as much profit on affordable builds as they would otherwise.” Once again, the Tory economics, the majority mind-bogglingly voted for!

I thank Judy for filling us in, and explaining this twisted catch 22; I am clearer now, though remain unsatisfied; does this give others reason to hate me? We will always support the needs of the townsfolk and villagers, we would never go against this, and we are back to opposing the Coate Road development again, even if it means agreeing with Danny K!

But this was never, as falsely accused by Councillor Wallis, a personal attack on our homophobic and chauvinistic MP any more than deserved, only pondering why he had changed his view so fiercely on the issue. If, Mr Wallis, you can point out exactly where I have been in any way “unpleasant” as you so boldly put it, and do so in such a place it can be discussed civilly then please do, and I will, unlike you, apologise. But if you continue to unfairly discredit us on a social media site you have deliberately prevented us access to, you will face further criticism, but I love you Mr Wallis, like I love all mankind, and have never verbally attacked you personally, as you have to me; I forgive.

“The original refusal really was all about the traffic, and nothing to do with how any householders would vote,” Judy concluded, “Goodness knows, the majority of folk here who do bother to use the ballot box would vote for a donkey wearing a blue rosette without much further inducement!” 

And thus we go around in circles; expect an unjustified “told you so” grilling from the Devizes führer on his partisanship pile of piffle Facebook page, of which, because of our brute honesty, we cannot respond to, complete with the usual false allegations of victimisation, how we are bullying him and how, Trump-like, we are spreading “fake news.” At least I can admit when I got it wrong, or do we still need to slaughter every flying animal in the area because of an imaginary outbreak of bird flu on the Crammer?!  

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Noble Jacks at Devizes Arts Festival 

Gasp at the audacity of a press release which spoke of “an ingenious blend of rap and hip hop,” which it really did, is to ponder any art deemed a ‘hybrid genre’ was likely at one point in time adjoined and hardly “ingeniously blended,’ rather reunited!

The most ludicrous of these could well be folk-rock, though compared to my press release’s wordplay abomination this wonky amalgam has matured over time making it seem a more palatable reunification, but it is, in essence, just as nonsensical; especially when you consider every musical genre derives from folk, particularly rock.

Folk-rock was originally coined to pigeonhole The Byrds in the sixties; a hippy band’s escape clause from the sickly bubble-gum pop churned by the industry. Over time it has assisted in driving a separation between the kind of ill-conceived “frumpy” folk upholding traditional values and instrumentation against a wilder, edgier and electronic side; enter alternative folk.

But the story doesn’t end at the division widened by the frenzied, bottle-throwing punkish folk of The Pouges, as last night The Devizes Arts Festival welcomed Brighton-based Noble Jacks to grace the Corn Exchange, and they received an upstanding and faddish reception; hold your hat, though Andy has been on the Art Festival trail, covering its performances with gusto, other than his photographic skills, we gave him the night off, and unfortunately you have my insane waffling to deal with!

But my point is, my eclectic taste doesn’t condone silly pigeonholing, I only use it to best define a sound, and for Noble Jacks folk-rock is best. Though their sound harnesses freshness, the type of awakening of an acceptable form of the frenzied folk of yore, as indie-pop has recently done to convert the wilder post punk eras of goth and emo. If Mumford and Sons are kingpin and Crowded House opened that door, Noble Jacks are relatively younger guys, welcoming something indie-pop into their style too.

I’d liken Noble Jacks more to our local sound of Concrete Prairie, yet Jacks avoids their darker subject matter. This was feelgood, and refined with proficiency; a folk-rock universal adaptor, the kind matured and would be placed equally well at a steaming drunken cider festival, rowdy pub gig, or a more conventional wedding function or family fun day. It worked on all levels; a perfect balance wherever you were to place it, they have a natural ability to raise the roof, without it sounding commercialised too, which is nice, and it was nice too!

Acoustic and electric guitars, bassist and drummer, the setup of this astounding four-piece was standard issue, it was in their usage of them and their delivery which shone. The frontman affixed a harmonica occasionally, but most audience appreciation was shown upon his switch to fiddle for some mind-blowing hillbilly instrumentals; and I had to agree. Mostly the originals, I believe, were those embracing the contemporary indie feel, the toe-tapping instrumentals roused the crowd and showed off Noble Jack’s diversity. They also had covers, particularly notable Charlie Daniels Band’s The Devil Went Down to Georgia. That was a pure knockout.

On their third album, this nod to bluegrass, melting pot of all Americana against a backdrop of British folk and garnished in contemporary indie values is a delightful working formula taking the nation by storm. For Noble Jacks it felt they relished every moment of this gig, professionally executed backstories and subtle stage banter, there was nothing to dislike here, that would have been impossible. A most enjoyable evening’s entertainment from the Arts Festival, clearly having a top year.

Devizes Arts Festival continues, for more information and tickets click HERE

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REVIEW – Devizes Arts Festival – Marcus Brigstocke 9th June 2023 @ The Corn Exchange

A Top-Class Comedian At Work

Andy Fawthrop

The Devizes Arts Festival hit the half-way stage last night with an absolute sell-out performance. Honestly, you couldn’t move in the Corn Exchange last night, with every possible space used to get people in. Thank goodness the aircon was working!

You’d probably have to have been living on another planet not to know who Marcus Brigstocke is. In my book, he’s a major comedy talent as writer, actor, presenter and performer. Since the mid-1990s, he’s been on TV and on Radio 4 more frequently than you’ve heard about a Tory political scandal, which is quite a lot.

Last night he did two sets – one short introductory session, before bringing on New Zealander Jarred Christmas, and then a much longer second session to fill the second half.

Christmas’ appearance was something of a surprise to me, since no support act had been billed, and I suspect also to most of the people in the room. Also no stranger to TV and radio, his set was funny and engaging. Hitting on themes such as Zoom, the Haka, drinking pints of Baileys, body changes, incontinence and what he referred to as the British Army’s use of “decompression” camps in Malta for servicemen returning to the UK from Iraq and Afghanistan. There were a string of good running gags, a few of which could never be repeated here.

But, good as he was, he wasn’t the reason people had bought tickets in their hundreds. We’d all come to see Mr. Brigstocke, and his main set was well worth waiting for. Starting off at a gentle canter, he poked light fun at the Coronation, the Queen’s reputation as being “funny”, and the reasons why he’d quite enjoyed the lockdown period of Covid (“the best two Christmases I’ve ever had”, the shared single-use face-mask, the saving vaccines, and the devastating impact on cottaging on Clapham Common).

Building up the pace, he began to lay into the “wellness” movement, with particular scorn reserved for Gwyneth Paltrow’s Goop products (especially scented candles, and vagina-steaming – I’ll never look at a dishwasher quite the same way again). Gradually his laser-like sarcasm alighted on subjects as varied as rolling TV news (we don’t really need it), the need to stop asking “thick people” what they happen to think about complex subjects (they have no bloody idea), and some of the latest political news. Having got that off his chest, he drew the set to a gentler close by talking of his more recent personal life, his second marriage, his new child and being a parent again.

My take was that (as I’d fully expected him to be), Marcus was extremely funny. The audience clearly loved it too, and cheered to the rafters. But what makes him so good? My personal analysis is that his skill lies in his light touch. He skewers his subject with a sharp stiletto rather (as some lesser comics do) bludgeoning his subjects to death. He makes his point and moves on. Whilst he riffs on a theme, he doesn’t labour the joke. He swears very rarely, so that when he does it’s for real emphasis, not to “shock”. He does pick on a few people in the audience, but in the best possible way. He belittles and shames no-one (he reserves his hatred and contempt for self-serving politicians), and uses the interactions to make friends or simply to emphasise a point he’s making. He avoids all the lazy techniques beloved of lesser comics. Definitely a master craftsman.

An absolutely cracking night out – well done the folks at DAF for bringing such a great performer to our little old town.

The Devizes Arts Festival continues at various venues around town until next Saturday 17th June.

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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Showing off in the desert, we love Ruzz Guitar and his Blues Revue, and being we haven’t done our midweek feature song of the week this week, wowzers, here goes…..Ruzz, still in Palm Springs!

While I’m still at one thousand feet from the fact they came to my 50th birthday party at the Three Crowns, and I’ve barely made it to Lidl since, Ruzz Guitar, so good they named the guitar after him, and his Blues Revue have been touring the USA, and have drifted this absolute desert scorcher to us, 10-31.

Get in! Photobomb opportunity too good to miss. Ruzz Guitar Trio at the best birthday party EVER! And I hadn’t touched a drop, officer!

The track features the amazing Chris Smith on bass and Brian Fahey on drums, and is a sneak peak at a new album that’s currently being worked on, due early 2024; amazing, exciting and I hope the tour is going well, Ruzz, but all I keep thinking is “y’all come back now ya hear!”

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You may know the tiny village of Keevil, the name of which will never cease to remind me of Evel Knievel, for its airfield steeped in spitfire history, but there are some things in the village deeply rooted to the ground. One is a rather exclusive folk club regularly held in the village hall.…

It first came to my attention when the Lost Trades announced it as a date on their ambitious album tour, leading me to gulp, Keevil, you mean the Keevil, for like Christopher Lambert in Highlander, there can be only one? Yes, came their reply like a Facebook whisper, as if it was all as top secret as Area 51. A low key affair, I was told, hardly exploited on the social media sites I’m addicted to sourcing all known information from. And, if I’m honest, I’ve never had need to physically pass through there; for fear of treading on a Trowbridge patch, my milk-float turns around at Bulkington, which incidentally will never cease to remind me of the Lipps Inc disco classic, you know how it goes; “want to take you to, Bul-kin-town!”

However, away with such disco and American stuntman silliness, we did receive an email from Rachel Howe about next week’s Keevil Summer Roots Festival, which aside elucidating the folk nights were a, “small affair; only 76 allowed in our village hall with tables and chairs,” this event will be open to a larger audience, and it’s free during the day, other than a fiver to park.

So, from 3pm next Saturday, 17th June, the village welcomes their inaugural Summer Roots Festival, on the Barnfield Recreation Ground. Find afternoon activities and entertainment on the Recreation Ground, completely free to enter, with happenings catering for all ages including children’s activities, tug-of-war, crafting corners, artisan gift stalls, food van, ice cream, Festival Bar, “much more.”

That “much more” includes the Wilshire Police Band, so behave yourselves, and Forest of Dean acoustic duo Jan & Ian.

Then from half-past five, there’s an evening of live music in the village hall, and tickets are £15 from HERE. 

Raymondo’s food truck, the Festival Bar and doors open at the village hall, ready for the music to start at 6pm. The tried and tested at their regular folk club musical haul includes Wiltshire based foot-stomping five-piece Stone’s Throw, with a Keevil-own drummer they will be playing classic rock and pop anthems. Grassroots folk singer songwriter Alan Hinds. Westbury’s easy-listening family duo MGB, Frome-based ukulele renditions of classical tunes marvels The Frukes, and Bath’s lounge jazz duo, Body & Soul, local acoustic eyeopener Ian Rayney, ragtime and music hall aficionado, Hilary Pavey.

Keevil may be one of the smallest villages in Wiltshire but, thanks to the tireless efforts of a group of volunteers, it seems they’ve packed a punch. Wishing they could do more with their  Recreation Ground. They are excited to be bringing this festival-style celebration of local creative talent to the village, and we wish them all the best with it. So, put that in your pipe, Evel, who never did attempt the Grand Canyon jump!

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REVIEW – Devizes Arts Festival – Lucy Stevens as Gertrude Lawrence 8th June 2023 @ Town Hall

Andy Fawthrop

A Lovely Way To Spend An Evening

The Devizes Arts Festival continued last night with another one of those difficult-to-categorise items.…

“Gertrude Lawrence: A Lovely Way to Spend an Evening” is the latest collaboration between actor and singer, Lucy Stevens and pianist Elizabeth Marcus. Previously the pair had done similar shows around Ethel Smyth, Kathleen Ferrier and Virginia Woolf.

Gertrude Lawrence was one of Britain’s brightest theatrical stars during the first half of the 20th century. She was widely known as a charismatic stage presence who excelled in sophisticated musical comedy, having built up her career through the poorer cousins of provincial rep theatre, variety and music hall turns from a very early age. Taking her “breaks” as they presented themselves, building on the support of her various lovers and husbands, and thriving on her theatrical liaisons, she emerged as a true star.

This two-part monologue, with musical interludes and accompaniment, told her story from her earliest days of South London poverty. By and large it used Lawrence’s own words, but the linkages and the songs brought it all very much alive. Lucy Stevens’ powerful, yet seemingly effortless, voice was the thing that gave this piece real life. Stepping back and forth between spoken word and snatches of song, the performance fizzed along with real energy. It was by turns funny, pathetic, surprising and largely good-natured. Whilst Lawrence’s character came across at times as vain, emotionally brittle and patronising, there was no doubting the woman’s talent, versatility and sheer hard work (twice she had to work flat out to clear her debts in both Britain and the USA)..

Her interactions with famous actors, performers, composers, songwriters and the like (“he wrote this one especially for me, darling”) were dropped into the monologue with gay abandon (Kurt Weil, Noel Coward, Rogers & Hammerstein, Ira Gershwin) and her transatlantic peregrinations mentioned almost casually. But equally, so were her tenuous relationships with her own mother and her daughter. The woman was obviously something of an enigma, but clearly dedicated full-time to her glossy career.

In sum, this was a spell-binding and consummate performance by Lucy Stevens. And, as accurately billed, “A lovely way to spend an evening”!

The Devizes Arts Festival continues at various venues around town until Saturday 17th June.

Tickets can be booked at Devizes Books or online at http://www.devizesartsfestival.org.uk

Little Big Sax Appeal! Watson and Brown Little Big Band, at the Wharf Theatre, Devizes

By Ian Diddams. Images by Gail Foster

Devizonians (if that ain’t a word it is now) will undoubtedly be aware of “The Fulltone Orchestra” and its festival. They may also be aware of the “Fulltone Big Band”, especially if they attended last years August bank holiday festival. They may even be aware very recently of “The Four Sopranos”. All of these entities are separate in their own right, but share much in common, and not just personnel. There’s a general air of fun, excitement, and passion about them all. And so its no surprise at all to find that exactly the same magical recipe is rife in another associated gathering – the “Watson and Brown Little Big Band”.

The brainchild of Vicki Watson and Jemma Brown, hatched we are told over a coffee, the latest sound to hit the mean streets – or at least the arts spaces – of Devizes the “Little Big Band” broke its duck this evening at the Wharf Theatre.
Comprising of nine musicians and three singers the ensemble took us through a whirlwind two hours of jazz numbers ranging from twenties swing by Gerschwin, to seventies’ Van Morrison, to noughties modern jazz and even some Cole Porter musical theatre – and so much more. With arrangements by Vicki Watson and Simon Ridge, Jemma Brown and Sean Andrews, aided by an Moeen Ali like Ashes callup for Ed Kerr who replaced the sadly cold ridden Anthony Brown this evening, sung their way through “Route 66”, “Moondance”, “Say a Little Prayer”, “Every Time We Say Goodbye” and a male duet with “Well Did You Evah” until half time and a coffee. All interspersed with instrumentals such as “Fascinating Rhythm”, that 2008 number mentioned above “I’m dig”, “Shiny Stockings”, “Solar” and “Dat Dere”.

Vicki Watson and the Watson & Brown – Little Big Band

The second half continued in the same frenzied vein with more well known swing numbers – “Ain’t that a kick in the head”, “Me and my Shadow” (Ed in for his second spell!) , “One for my baby”, “Things” and “Straighten up and fly right”. The instrumental pieces forged on also – and we learn that maybe Miles Davies didn’t pen quite as many songs as we may think he did … and that he played piano at times under a pseudonym. “Chili Peppers”, “Undecided” and a funked-up version of “Billie’s Bounce”, gave the singers some breaks as well – but the “Little Big Band” were by no means gap fillers. This second half in particular gave the musicians longer chances for solos for our appreciation. Two trumpets (Andy Urquhart and Gethin Liddington), a trombone (Simon Ridge), three saxophones (Vicki Watson, Joe Davies, Mike Wilkins) with Vicki doubling up on flute, bass guitar and electric double bass (Ollie Watson – it’s that surname again!), with Archie Combe on keyboards (I played rugby with his dad you know!) formed this tight combo for our delectation and joy.

The overall effect was foot tappingly mesmeric. There were some hiccoughs, but its an opening night of a brand-new venture – but most and more importantly that air of fun, excitement, and passion I mentioned at the start of this review shone through above and beyond everything … and created an evening of BIG smiles, BIG sounds – and a Little BIG Band.

The “Watson and Brown Little Big Band play at the Wharf Theatre, Devizes on Friday 9th June and Saturday 10th June still, 7.30pm start.

Tickets from https://www.ticketsource.co.uk/wbbigband

Jemma Brown and Sean Andrews with Watson & Brown – Little Big Band

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REVIEW – Devizes Arts Festival – Aglica Trio 7th June, 2023 @ Town Hall

Classical Comes Calling

Andy Fawthrop

The Devizes Arts Festival continued to deliver its wide-ranging programme yesterday. Following tango, folk, opera, talks and drama, Wednesday and Thursday saw the arrival of its two back-to-back classical concerts in The Assembly Room in The Town Hall. It seems like you wait ages for the classical bus to come along, then two arrive together!

Wednesday night saw The Leslie Taylor Memorial Concert, delivered by the young and very talented Aglica Trio, and Thursday lunchtime featured the Dieci Corde duo.

The Aglica Trio was created in 2016 in the Guildhall School of Music & Drama when Carys Gittins (flute), Agnieszka Żyniewicz, (viol), and Lise Vandersmissen (harp) graduated with Distinction. All of them are now multi-award winners, and have pursued careers as both soloists, and as part of various other ensembles. Bringing together Welsh, Polish and Belgian influences, this promised to be something a little different.

Their programme on Wednesday began with Claude Debussy’s Sonata in three movements, where all three instruments were well to the fore, engaging in a light conversation of themes. It was light and airy for the most part, but with a somewhat fiery finale. This was followed by The Song of Amergin by Hilary Tann, which was much more strident in character, and by Two Interludes by Jaques Ibert, wherein Lise managed to make her harp sound very much like a piano at times.

After the interval there were three more pieces. First was a lively flute-led Sonatine by Maurice Ravel, a couple of short exercises written by harpist Lise, and finally (my personal favourite of the evening) the Zodiac Trio Op. 70 by the Welsh composer William Mathias. This final piece really showcased the different voices of the three instruments – Pisces, the jolly, easy-going flute, then Aries, the “miserable” viol, and at last Taurus, the fiery and passionate harp. Although at times slightly discordant, this was a wonderful piece with an exhilarating finish.

Fully deserved rapturous applause was the only possible outcome.

Next day, in exactly the same venue, it was the turn of Dieci Corde in the shape of Clare Deniz (cello) and Mihael Majetic (guitar). Both of them have thriving independent musical careers, but they regularly perform together as Dieci Corde (ten strings) as it lets them explore more interesting ways of performing with their respective instruments.

The Devizes Arts Festival continues at various venues around town until Saturday 17th June.

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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Preview: Shakespeare’s Henry VI at The Rondo Theatre, Bath

Henry VI by William Shakespeare, Rondo Theatre, July 5th-Sat 8th, 7.30pm. A Preview – by Ian Diddams…….

Shakespeare wrote three plays about Henry VI – imaginatively entitled part1, part 2, and part 3. But in true George Lucas style, part 2 was written first, then part 3, with the prequel – part 1, written last.

So what is better than watching one Henry VI play? Watching all three, together of course! And that is exactly what the Rondo Theatre Company, handily placed, with nominative determinism, at the Rondo Theatre, Larkhall, Bath is doing in early July this year, as its annual charity performance.

Now – Shakespeare has a bit of a reputation for lengthy plays. Hamlet takes about four hours to perform, and certainly several of his output would take over three hours easily. All three parts of Henry VI performed back-to-back would last longer than a day’s test cricket, with no likelihood of finishing early for bad light. But fear not – Director Nic Proud has taken Occam’s razor (and Wilkinson’s sword, not to mention Mac’s knife) to it all and has whittled it down to just the length of a football match plus a half time for a cup of Bovril and a meat pie.

I can feel the Shakespeare aficionados quaking already. But all the real essence of Henry VI is there – Margaret, the scandalous queen and her naughty boy Suffolk, arrogant Warwick making at least one king anyway, Richard P fighting for his right to party – well rule at least – Edward who eventually comes fo(u)rth, and of course the arch villain of the whole piece eventually, towering over everybody, Richard (do you see what I did there?). Oh – and some bloke called Henry VI apparently, all limp wristed, cuckolded and basically a bit rubbish as a wannabe king.

Rest assured though, dear reader and Shakespearean buff. This amalgamation of Henry VI belts along at frenetic pace, with daggers, swords, and treachery at every turn. Dash out to the loo and you are likely to miss at least one murder and a heap of skulduggery. In true weeping angels’ fashion, don’t blink!

We begin with Henry V’s death and the crowning of Henry VI – then a whirlwind marriage arraignment of Margaret (with Suffolk as her bit on the side of course), Richard Plantagenet’s vocal claim to the crown, top soldier Warwick’s clear-headed countenance, and the Wars of the Roses. The battles of Wakefield and Tewkesbury enacted on stage with swords and daggers a-flashing, with their deaths of Richard P and Prince Edward to boot. And of course the slaughter of the play’s titular character by bad boy Richard, and the elevation as monarch to Edward IV…. and a final twist in the tale from tricky Dicky himself.

Nine actors, one director and an assistant, a tech crew and the Rondo theatre. Plus a few swords, a couple of daggers and some stunning costumes by Chrissy Fry. And for a particular Devizes’ interest, two Devizes based actors (editor’s note: yes, it’s you and Lucy Upward, isn’t it? Cheeky!) appear as part of this too, you lucky people! The Rondo theatre is located just a 30 minute drive from Devizes, with lots of free evening street parking, with a pub and Indian restaurant handily located within 100m of each other – so make an evening out of it!

What more could really you ask for?

Henry VI is performed at the Rondo Theatre, Larkhall, Bath between July 5th and 8th, 7.30 pm each evening. Proceeds from the performance will be donated to the Royal Osteoporosis Society, as this is the Rondo’s annual charity performance.

Tickets from
https://www.ticketsource.co.uk/rondotheatre/henry-vi/e-zqyvmv

See you there – if you’re Bard enough!

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Wiltshire Council Replicate Table Mountain in Devizes Pothole…

…..and other niggly countywide troubles doner meat and chips from Chick-o-Land will stop me ranting about…..

Speculation arises if the entire additional £3.6m awarded to Wiltshire Council from the Department for Transport’s Pothole Fund, has been used to fix just the one pothole on Gains Lane, Devizes, opposite Sainsburys, because there’s bugger all sign of it being used elsewhere….

Miraculously, the single pothole amidst a multitude of other serious road defects in the county with the fifth worst local authority for fixing potholes, has been filled in… over abundantly, leading residents pondering if the county council are trying to attract tourism by replicating Cape Town’s most renowned landmark,Table Mountain.

Spot the difference!

The road defect on Gains Lane, Devizes
Table Mountain, Cape Town

The hilarious irony is, Wiltshire Council are doing the precise opposite when it comes to tourism, and are hellbent on wiping our county off the tourist track all together, inadvertently risking the future of all leisure facilities too.

But, oopsy daisy, you weren’t supposed to know about the grave concerns expressed to town and parish councils by the Chief Executive of Visit Wiltshire on the Government’s new national structure for tourism, which will see the introduction of countywide accredited Local Visitor Economy Partnerships, and as result, Wiltshire Council announcing they will be withdrawing their funding from Visit Wiltshire from April 2024, because withdrawing funding leaves Wiltshire no longer able to meet eligibility criteria to have an accredited LVEP, and it will be effectively ripped off the tourism map of England. Ha, that barrel of laughs is for another place, another time, and I apologise to Wiltshire Council for any accidental leakage until such a time you can illegally trash Stonehenge’s world heritage status by tunnelling a road underneath it, my tongue just runs off with itself sometimes.

Don’t be outraged, there’s time yet to devise a plan as cunning as Baldrick’s to act as a smokescreen and make you believe it’s all for “the greater good.” Cue a certain local Facebook tintop dictator, my very own ineffective fact checker with a penchant for anything corrupt provided it’s suggested by a straight chap with a blue rosette; please try to recognise satire when it stares you in the face.

Not that I’d advise taking business advice from me, but if you own a small business in Wiltshire which relies on tourism, I would only buy stock to last until April if I were you, and consider a crash course in supermarket shelf-filing. Baby-face Danny K, get us a railway station six miles out of town, let’s escape together, we can exchange homophobic gags on the way, step on it!

Anyway, I digress, I shouldn’t worry my silly little head about the vanity of this ease of backhanding futile construction permits once we’re free of tourism, we were rapping about the tarmac on the singular entity on Gains Lane, Devizes, which is so vastly overpacked its convex is an equal malformation to the concave of the original pothole, which, face it, like many locally had the potential of a black hole to suck light, electromagnetic waves and randomly selected solar systems into it. The effect, rather than your wheel dropping into it and smashing suspension, coils, anti-roll bars, et al (which is, even funnier, impossible to prove over the “wear and tear” loophole) is now like navigating a tepuis, or table top mountain in a shopping trolley; hit it and you’re likely to bust open the headliner and bonnet of your vehicle, with your head.

If it happened to you, you may feel a tad dizzy, and confused enough to vote for these councillors again come council elections, which could well be the reasoning behind it. Perhaps it could lead to further famous table mountains being replicated in our county’s potholes, like Mount Roraima, the most famous tepui in Venezuela, or the Canyonlands of Utah; now, wouldn’t that be nice?

Of course, this is purely satirical speculation for amusement purposes only, and it is more conceivable that the council worker simply couldn’t be arsed to flatten it out, let alone use the surplus tarmac to fill the upteen other potholes nearby it, for that would be far too proactive and because it’s highly likely they’ve forgotten what a pay rise is.

Fact is, as Cabinet Member for Transport Caroline Thomas has, in the drone of a weatherman on dope, blamed the annual 400% increase in potholes on “a combination of a long dry summer followed by periods of very wet and then freezing conditions,” we should take her word for it, as it’s not like we’ve experienced seasonal weather changes since, I dunno, eternity, is it? And we should stop bothering them as there are far more pressing issues, such as forgetting to take one’s expenses form when frequenting that trendy wine bar. 

The Cape Town Tourism website says Table Top Mountain has attracted 24 million visitors since it opened in 1929. Not that I’m the kinda guy wondering how you open a mountain, let alone with the restricted technology back in 1929, but perhaps it’s something worth considering before all tourists are left wondering whatever happened to that place between Berkshire and Somerset, and they could all nip into Chick-o-Land and pick me up some doner meat and chips; might shut me up for a bit.

REVIEW – Devizes Arts Festival – Onarole Theatre’s Jesus My Boy @ Merchant Suite, Devizes, 6th June 2023

Onarole On A Roll

Andy Fawthrop

The Devizes Arts Festival is now in full swing.  On Day 5 it was time for the first theatre offering of this year’s programme.  Onarole (geddit?) Theatre were in the Corny Bin in the shape of Jonathan Darby to present a four-scene one-hander entitled “Jesus My Boy”.  It was written by John Dowie, directed by Chris Jaeger, and was originally performed by Tom Conti.

Here we had a different take, a very different take, on the traditional bible stories probably familiar to all those there present.  It was very much a sideways look from the point-of-view of Jesus’ father Joseph, played as a slightly inept carpenter, a good Jew, an ordinary man simply looking to keep his head down and himself out of trouble.  He recounted, with down-to-earth good humour and some laugh-out-loud assertions, the beginning of his slightly hen-pecked relationship with a very determined and single-minded Mary, progressing through a harrowing but amusing child-birth scene, right through to the crucifixion and its aftermath.

Much of the humour stemmed from Joseph’s insistence on debunking the many myths, or apocryphal stories, taken for granted and repeated in the Bible.  There was never going to be any room at the inn (it was the only one in town) and he simply forgot to book.  The Torah is not, in fact, a long a complex document – it can be taught in one sentence whilst standing on one leg.  And stoning adulterers and blasphemers is not as straightforward as you might have thought.

But away from the amusing anecdotes (Jesus is better at carpentry than his father, Mary packed way too much stuff before setting off for Bethlehem, and the almost Pythonesque squabbling between the different Judean sects), there was much that was harrowing to listen to, not least the detailed description of the prolonged, vindictive  and agonising death brought about by crucifixion.

Jonathan Darby’s performance, to my eyes and ears at least, was pitch-perfect.  His rapid movement between comedy and tragedy, humour and pathos, was a thing to behold.  The audience sat enraptured, and the hour-long performance seemed to simply whizz by.  It was moving, beautiful, religious, political and very human all at the same time.

Yet again, hats off to the Arts Festival for bringing this really excellent performance to the town.  

The Devizes Arts Festival continues at various venues around town until Saturday 17th June.  

Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk  

Danny Kruger Throws Toys out of His Pram Over Affordable Housing Development in Devizes

The BBC News article on overthrowing the Council and his own objections for a new housing development in Devizes received a share from our MP Danny Kruger today, and his accompanying message didn’t take too kindly to it.

Up to two hundred new homes have been approved by a government inspector, despite fierce local opposition.

“Wiltshire needs (and is building) a lot of new homes – we don’t need ugly inappropriate imposed developments like this.” He explained. Reading between the lines here it’s all rather obvious that “ugly and inappropriate” are hidden synonyms for “affordable.”

The new estate by Robert Hitchins Ltd boasts 30% affordable housing, as well retail outlets and £500,000 towards funding works to the canal towpath to improve and provide accessibility for pedestrians and cyclists. This is three times the national minimum requirement of 10% affordable housing, a generous percentage for what is really necessary here, and is rarely provided above the bare minimum, forcing young residents out to other places.

No one, I believe, wants further development in Devizes but we should face facts, there is a desperate requirement for affordable housing.

Danny waffles on, “This application was approved despite objections by me, CPRE [a countryside charity], the Town Council and all. Why? Because of the arbitrary Five-Year Housing Land Supply rule. I have raised this issue with Government and will continue to push for planning reform with more local power when it comes to decision making.”

Which connotes a positive response on the surface, yet other developments locally have been allowed, offering only the minimum amount of affordable housing. Why, he asks, why, I ask, are they so against this development, yet willingly approved the other applications? Because it would be housing younger and/or less affluent folk in the area who are far less likely to vote Conservative, there’s your bottom line right there; hook, line, and sinker.

To spin a positive from this, it shows local Conservatives are gravely concerned for their long considered “safe seat,” and fear the inevitable change might yet impact election results even here. We are in a financial crisis, only a few can even contemplate a mortgage, so why build unaffordable housing when there’s no requirement for it, but object to the real need of struggling families, Danny boy, eh, you homophobic chauvinistic evangelist nutjob who doesn’t even live here?! I got my eye on you!

Weekly Roundup of Events in Wiltshire: 7th – 13th June 2023

Trouble, troublemaker, yeah, that’s your middle name, oh-oh, sings my homeboy Olly, but really, I ask you, what kind of a parent gives their kids a middle name like troublemaker? Ah, well, sign of times; here’s the lowdown on everything we’ve found to be doing around these backwaters this coming week….

Don’t forget there’s more info on these, ticket links and irregular updates on our sparkly Event Calendar, so plan ahead. But this week we have…drum roll…..

Ongoing, Hail the Curious, the inaugural exhibit at The Forbidden Carnival in Chippenham; check it out by the end of the month.

 Wednesday 7th

Devizes Arts Festival still going strong, with Welsh, Polish and Belgian influences, the Aglica Trio explore exciting works by lesser-known composers as well as delving into the standard classical repertoire. 8pm at Devizes Town Hall.

Regular acoustic jam at the Southgate in Devizes.

Dragons And Mythical Beasts at The Wyvern Theatre, Swindon.

San Reetam at Komedia, Bath.

Thursday 8th

Devizes Arts Festival has cello and guitar duo Dieci Corde at 12:30pm in the Town Hall, and Lucy Stevens is Gertrude Lawrence in A Lovely Way to Spend an Evening, 7:30pm also at the Town Hall.

Meanwhile over at The Wharf Theatre, it’s the opening night for Watson and Brown’s Little Big Band, running until Saturday 10th.

Also running until the 10th, The Marlborough Players Presents Ian Hislop & Nick Newman’s A Bunch of Amateurs at Marlborough Town Hall.

The Overmorrow play The Tuppenny in Swindon, The Zoots are at Swindon Arts Centre with some Sound of The 60s, and Alan Fletcher’s The Doctor Will See You Now is at The Wyvern Theatre.

Comedy Drag Bingo with Charlie Hides from Ru Paul’s Drag Race at Komedia, Bath, Human Nature at the Rondo Theatre, Luke De-Sciscio is at Chapel Arts, with support from Ella Clayton.

Friday 9th

Major British comedy talent Marcus Brigstocke is at Devizes Arts Festival, 8pm at the Corn Exchange. Plan of Action plays The Southgate, Devizes, and Gaz Brookfield is at The Barge on Honey-Street.

Mobile Blackout at The Three Horseshoes, Bradford-on-Avon, Quartetto Di Cremona’s Italian Postcards at the Wiltshire Music Centre.

Living Spit presents One Man and His Cow at Pound Arts, Corsham.

Celebrate Me at the Rondo Theatre, Bath, Mississippi MacDonald at Chapel Arts, and Kalopsia, Intrusive, Sharpie & Dreamcaster all at Moles.

Grunge Tribute Shades of Seattle at The Vic in Swindon, a change from the Chaos Brothers as previously advertised, Oasish at Coleview Community Centre, and 

An Evening And A Little Bit Of Morning with Mark Steel at The Wyvern Theatre.

Saturday 10th

Marden Village Fete. There’s an Antique Sale at Devizes Market Place from 9am-3pm, and the Devizes Arts Festival continues with a free fringe event at 2pm in the Condado Lounge, Jukebox James,  Tessa Dunlop, 3pm at the Town Hall, and folk-influenced Americana with Noble Jacks at 8pm in the Corn Exchange. Noble Jacks are a rip-roaring alt.folk band with roof-raising energy, whose warm electro-acoustic interactions fuse together a mixture of folky footstompin’ rhythms and engaging lyricism.

Elsewhere in Devizes, the Eric Bell Band Band play Long Street Blues Club, Lewis Clark is at The Southgate, Ben Borrill at the Moonrakers, a One Chord Wonders and The Killertones for a Cavalier special, see poster.

Time for The Famous Hangover Sessions at the Lamb in Marlborough, with Splat the Rat, The Station, The Vooz and of course, Pants.

North Wiltshire Symphony Orchestra Presents a Summer Concert at the Neeld Hall in Chippenham. John Morrissey memorial gig at the Consti Club in aid of Dorothy House.

The Stones, tribute at the Civic in Trowbridge, oh, and this….

Nadine Khouri at Pound Arts, Corsham.

It’s the Bradford-on-Avon Food & Drink Festival, Vonj at the Three Horseshoes. 

Boorish Trumpson at the Rondo Theatre, Bath, Untamed Burlesque at Chapel Arts.

King Awesome at The Vic, Swindon, Kentwood Choir t Swindon Arts Centre, and 

Elizabeth & Philip – A Story of Young Love, Marriage, and Monarchy at The Wyvern Theatre. 

Nearly Dan – The Spirit & Sound of Steely Dan at the Cheese & Grain in Frome.

Sunday 11th

Lions on the Green, Devizes Lions Club’s annual car show and fun day at Devizes Green. Devizes Arts Festival, Festival Walk – Wansdyke Wanderings. Briefing at 10.20am. There’s a free fringe event, 2pm at the British Lion, hard stompin’, bluegrassy, old-timey playing of The Sisters & The Brothers.

Friggit at The Tuppenny in Swindon.

The Jon Amor Trio play The Three Horseshoes, Bradford-on-Avon.

Adam Giles Levy is at the Electric Bar in Komedia, Bath, Josh Berry’s Sexual Politics at Rondo Theatre, Flamenco Express at Chapel Arts.

Monday 12th

Devizes Arts Festival have An Evening with furniture restorer, Will Kirk, primarily known for his work on BBC’s phenomenally successful restoration programme The Repair Shop.

7:30pm at the Corn Exchange.

Rock The Tots: Whatever The Weather at Pound Arts, Corsham.

Wiltshire Schools Dance Festival at The Wyvern Theatre, Swindon.

Tuesday 13th

Devizes Arts Festival’s Lois Pryce: Revolutionary Ride – One Woman’s Solo Motorcycle Journey around Iran at the Bear Hotel, the Elles Bailey Band play the Corn Exchange at 8pm.

McCartney – The Songbook at The Wyvern Theatre, Swindon.

That’s all I got for you, trouble, troublemaker. I know you’re no good, but you’re stuck in my brain, or Brian, or whatever. So, just for you a reminder this list is not exhaustive, and more events will undoubtedly be added to our event calendar as and when we discover them. So keep an eye on it, just the one though, be safe and have a good week.

Trending….

Summer Roots Festival….In Keevil?!

You may know the tiny village of Keevil, the name of which will never cease to remind me of Evel Knievel, for its airfield steeped…

CSF Professional Wrestling returns to Devizes

CSF Professional Wrestling returns to Devizes, on Sunday 25th June for a very special edition of CSF SHOWDOWN!

Following multiple sellouts of the venue, The Corn Exchange will again host this spectacular event as twelve top stars arrive to do battle in five Pro Bouts of High Flying, BodySlamming, Action Packed Family Entertainment.

The Undisputed All Nations Champion: ‘Unique’ Jake McCluskey will put his Title and belt on the line as he faces the challenge of Odyssey, whilst the man mountain known as Bullit goes up against the Maori Warrior NIWA!

Other names appearing include: Axel Carter, Bane ‘n’ Bronson, Joshua James, JJ  Gilligan Gordon. Doors open at 4pm // First Bell 4:30pm // Event Finish 7pm As always, the wrestlers will be on hand to sign autographs and take photos with their fans. Event suitable for all ages, no ages restrictions.

Tickets are priced at £12 each, for all ages. Tickets available directly from CSF Wrestling by visiting: www.csfwrestling.co.uk or by visiting Devizes Books in the town centre. For the full line up and all CSF news, please visit Facebook: www.facebook.com/csfprofessionslwrestling