Try this: think of some tunes of the decade you were born, songs which you like but donโt know why, songs which, for some reason, ring alarm bells at you as characteristic of the era. Your taste screams no, you shouldnโt like these, but you do. Then check the year they charted. I wager many of them were in the year you were born, the previous or following.
I remember liking, at the time, and Iโm not proud but in the name of science Iโm going to confess, Brotherhood of Manโs Save All Your Kisses for Me! Oh, while weโre there, Abbaโs Dancing Queen too! Thing is, I know why. They were in the charts in 1976, when I was three, the sort of excruciating pop mush anthems a toddler graduates to after the Wheels on the Bus. However, I cannot put my finger on why Iโm engrossed with glam rock songs, such as Gary Glitterโs Iโm the Leader of the Gang, The Sweetโs Blockbuster and Sladeโs Cum Feel the Noise, when the genre makes me generally quiver.

Why flower-power sold out and hippies took to wearing kipper ties and platform shoes with goldfish in the heel is beyond my understanding of youth culture vicissitudes. Still, when I hear the aforementioned glam rock screeches, they stir something vague inside, indications of a life obscured by cognition. Coincidence they all charted in 1973, the year I was born? Or could the sounds around you, as a baby, implant permanent scars?! If so, Iโll be dammed, deeply archived Little Jimmy Osmondโs Long-Haired Lover From Liverpool!
Though you should never condemn an entire decade for its pop chart. Given youโll throw Sonia, Jason & Kylie, even Blacklace at me, and tell me to shaddup my face. Despite the lack of technological advances of the seventies when compared with the eighties, there was numerous classics. Iโm drawn to the cherished saxophone riff of Gerry Raffertyโs Baker Street, but surprised to note, it broke my theory and wasnโt until โ78.
The research was stirred by Canadian singer-songwriter, Ariel Posenโs forthcoming album, โHeadway,โ released on 5th March. Oh, yeah, I am coming to an eventual music review, excuse my waffle. Thereโs something retrospectively seventies about it, my mind sees a Ronco record label revolving on the turntable of a seventyโs mahogany music centre. A quick flick through the tracks suggested motives not to like this are manyfold. Yet, akin to why I cannot put my finger on why I like those glam tunes of my birth year, Iโm finding it tricky to reason with this too, but I do like it, a lot.
With magnificent guitar riffs which nods subtly to country and heartland rock & roll, combined with smooth, blue-eyed soul vocals, thereโs something very Springsteenโs Darkness on the Edge of Town, or Tom Pettyโs Full Moon Fever about this potential electrified Americana rock classic.

The harmonious and tenderly sensual soul of Coming Back, against the folksy- blues guitar picking of the single Heart by Heart suggests thereโs a vast melting pot, but Posen meticulously stirs it into one seriously chilled groove, David Soul styled, which will leave you causally drifting through till the end. Hence my reasons for pondering my little science experiment while listening. Again, comparisons to seventies music, hereโs an album to listen to complete, afar from youthful trend of flicking through Spotify playlists like time is against them.
Upon first impressions I was dubious about a Springsteen comparison, contemplating the subjects are generally of romance, and perhaps simpler than the Bossโs interweaved wordplay, yet again humbler Beatlesโ pop formulas clearly influence it greatly too. Harder listening conjured a progressive prose of evolution in life, love, and all points in between. Theyโre poignant and beguiling, combined, you just have to dive a little deeper.

Two years in production, Posen began recording Headway in December 2019, a week after wrapping up an international tour in support of his acclaimed debut, How Long; the effort shows. The gigs received standing ovations, and Rolling Stone dubbed him โa modern-day guitar hero.โ Music Radar listed him as a fan voted top 10 rock guitarist of the year, and the Western Canadian Music Awards nominated him for Breakout Artist of the Year.
So, yeah, this is worthy of your attention, and if I attempt to lambast the seventies again, remind me of the current sate of my lockdown coiffure; Iโve got the big hair of a middle-aged Caucasian from 1976. Iโm going out on my Raleigh Chopper now, mum, call me when my mince in gravy is ready!
Artic Roll for pudding? Hunky dory!






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