Talk in Code Announce Tour Dates

Beginning of January, I reviewed Swindon indie popsters, Talk in Code’s second album, Resolve; blinking catchy it is too. Now, they’ve announced they’re heading out on the road for a RESOLVE Tour.

“Talk in Code write throwaway pop songs you’ll want to listen to forever – how cool is that?”
-Dave Franklin, Swindon Advertiser

The February and March tour to promote Resolve will be stopping off at The Cellar Bar in Devizes on Friday 1st March.

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The four-piece, who have supported names such as Catfish & The Bottlemen, Jesus Jones, Embrace, My Life Story and Toploader, are making waves in the indie music scene, having been featured on BBC Introducing, BBC 6 Music, Q Magazine Track of The Day, The Premium Blend Radio Show, and BBC Radio Wiltshire, with a session booked on Swindon 105.5FM later this month.

Talk in Code released Resolve in December 2018, with a homecoming show at Swindon’s Victoria. Now the band are talking their own unique blend of shimmering synth-led indie pop out on the road with a string of dates in the South, and a number of festival bookings throughout the summer all over the UK:

 
RESOLVE Tour Dates:

Thursday 28 February – JAGS Bar, Southsea, Portsmouth
Friday 1 March – Cellar Bar, Devizes
Saturday 2 March – Spice of Life, Soho, London
Thursday 14 March – Facebar, Reading
Friday 15 March – University of Gloucestershire, Cheltenham
Saturday 16 March – The Horn, St Albans
Saturday 30 March – Level III, Swindon (with The Britpop Boys)

RESOLVE album link:
https://soundcloud.com/talkincode/sets/talk-in-code-resolve/s-shw7Z

 

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Storm in a Teacup; Concerns Over DOCA’s Carnival Change….

Images by Gail Foster

 

It’s easy to make a storm in a teacup in this hurtling era of social media: put one slightly erroneous newspaper article into a mug, brew some pretty strong local feelings on the issue, add a poll to a Facebook group as required; best served boiling.

 
Face it, it’s a lot harder to motivate yourself into actually helping out.

 
It’s clear the Front page in this week’s Gazette and Herald has been wrongly perceived as scaremongering, and failed to focus on the relevant points. Perhaps a slow news-week, but the intention to highlight the Devizes Outside Celebratory Arts (DOCA) need for funding has exploded into a social media frenzy over its date change, and employment of its key manager, Loz Samuels.

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If you felt like the article “was more concerned with one job loss than possibly losing an historic carnival,” consider without someone in Loz’s position, there would be no carnival at all. Besides, Loz expressed she only breezed over the fact her contract runs out with reporter, Joanne Moore, it was not supposed to be the key angle of the piece.

 
When a newspaper decides to run an article, it’s their prerogative which images they place, not the subject’s. Loz was as much surprised to see her own face on the front page as you, and is keen to point out, while funding for carnival, and the plethora of other events DOCA arrange is getting harder each year, it’s much the same as any year.

 
Loz herself works tirelessly with a team of volunteers to provide us with these fantastic, and mostly free events in Devizes, for what my tuppence is worth, she needs to be saluted and thanked, rather than dismally criticised for changes the committee as a whole have decided upon, and in their expert judgement, for good reasons.

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I ask Loz if she feels some people simply don’t like change, being the poll revealed a huge majority feel the date for the carnival should remain the same, in September, as opposed to being shifted forward to July. “More sceptical than not liking I think, until they see it, they’re afraid of the change.” She points out that Weymouth carnival has had to be stopped, expressing her concerns about the number of volunteers, and fund-raising needing to raise over half the cost, after the Town Council’s contributions. The Arts Funding Council require twenty-percent of costs secured before paying out, and in struggling times, local businesses and organisations find it hard to sponsor as much.

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I ponder if popular opinion has not considered every tiny element which makes up DOCA events, every factor which needs to be taken into consideration. The Arts Funding doesn’t cover anything non-art, such as road closures and insurance, the availability and commitment volunteers are able to contribute thins, and yes, while Loz has concerns, and with less time now to arrange the carnival procession, she also confirmed she’s feeling far more optimistic than the newspaper article conveys. “In March,” she elucidates, “we should know.”

 

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Loz pointed towards the school’s eminent participation in the Christmas Lantern Parade and its workshops, to highlight the potential of the carnival’s date change. There is hope local schools will be able to organise themselves better, given the procession is within term-time, that the Confetti Battle and Colour Rush, the latter a vital fund-raising event, can be popularised shifted from midweek to a Saturday, but most of all, Loz stressed on the fatigue of the volunteers after a fortnight’s full schedule of activities, by the time the actual carnival arrives “they’re shattered!”

 

I find this very easy to believe, as a punter, I confess I overdo it at the Street Festival and by the following week, when carnival moves through town, I’m like “really? Can I be bothered?!” Given the choice I’d take the Street Festival over the carnival any day, but I think both are as vital as each other. A reply suggesting organising positions should be unpaid infuriated me, considering how much work is necessary to stage such events; could you do that as a hobby, my friend?

 

In fact, go against popular opinion as I may, I fully support the change of date, seeing it as a great decision which although must’ve been tricky to call, will benefit the town as a whole. Many a comment on this Facebook poll incensed me, truth be told; a stab at why DOCA paid for outside bands to play at the festival, when this year, as previous, I’ve felt the bookings have been justified and welcomed; didn’t see anyone complaining when we danced in the Market Place, a place usually reserved for wandering across from the shops to catch the bus.

 

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I did stress to Loz I’d like to see the wealth of local musical talent represented too, though she pointed out timeslots and the need for breaks in performances on the main stage, so that the circus side acts and street theatre could be heard. I offered the idea of a second stage for our local heroes, and Loz remarked it’d be another grand for a PA, and we’re back to stage one with the lack of funding.

 
Giving more clout to the need to support and attend the year’s fund-raising events, such as the impending Devizes Festival of Winter Ales at The Corn Exchange on the 15th and 16th of Feb. With a beer and cider selection curated by local Stealth Brew Co, it does indeed host local musical talent, such as George Wilding who will be playing this year, “and a cabaret too!” Loz enthusiastically added.

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We breezed over successful city carnivals, such as Bath, whose sponsorship from local business are obviously more plentiful, attraction much wider, and solely concentrate on carnival, unlike DOCA who take the Street Festival, Picnic in the Park, The Confetti Battle, Colour Rush, Christmas Lantern Parade, and Winter Ales Festival under their wings; forgive me if I’ve missed one out, but that’s a truckload of things to arrange.

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In an area as affluent as this, Arts Funding will always give with one eyed squinted, it really is up to us support and fund DOCA. So please treat this bulletin as cautionary, consider damage done by taking our major events for granted and do whatever you can to help DOCA. One phone call with Loz, confirmed my already concrete notion that she is thoroughly dedicated to this position, is worthy and capable of the task. Think, while we have other great events in our wonderful town, they usually come with a price tag.

 
You know what? I blame the bad weather, yeah, the stresses over national politics and so on; understandably tetchy in February, but decent summer entertainment is that one time to put cares aside, let your hair down; don’t let austerity take it away.

Devizes Outside Celebratory Arts (DOCA)

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New Band, Old Roots: Little Geneva

If Devizes folk have a love of blues, with a slash to rock, and all this I find a beautiful thing; Long Street Blues Club, the origins of Saddleback and of course our own legend Jon Amor, there have been occasions when a portion of visiting bands I take with a pinch. There’s cliché, whereas roots of blues are strictly raw, these convey the conventional, an earnest shot to commercialise to a middle-aged tolerable market, which in a way is fine and dandy, there’s clearly a thirst for it and historically such progress is natural.

 
You see where I’m coming from? At a time, Elvis was unacceptable, was edgy, now the rock n roll audience is pensioner age, consider it classic. Marlborough’s popular Jazz Festival fills with hoity-toity yet the rags of Scott Joplin at the time of their conception could only be heard in bawdy New York brothels. Similarly, I hear a once subversive, outrageous noise of nineties rave as a children’s TV cartoon theme tune.

 
From the crashing drums and thrumming guitar opening blast of “Key to Love,” there’s no doubt barriers have been stripped back. Echoes of raw energy from a time of yore rip through you, its two and a half minutes of screeching harmonica and growling vocals place you in 1967, under a blanket at an LA love-in. Little Geneva maybe newly constructed, but resonance images of The Animals, of Steppenwolf and the Stones with a truly proficient edge.

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Putting my point to them, they agreed, “we feel very similar to you mate, very similar indeed… which is why we made those recordings, and, in the stripped back/vintage way we did.”

This EP satisfies retrospective mod-culture and beatniks more-so than contemporary indie fans, I’d say; imagine punk didn’t happen. “All Your Love” slides you into the smooth classical/jazz stimulus of The Doors, yet “Yer Blues” harks the blues which would’ve inspired these aforementioned legends. “Someday After a While,” again breezy melancholic blues sound of Cream or The Animals. Five tracks on this EP, but from the first note I was hooked.

 

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Bristol-based, Little Geneva, name coined from a Muddy Waters track, only formed on the eve before 2019, conceived during a conversation between the Doherty brothers, Dave and Chris. Partisans of the UK contemporary blues scene for over a decade, they felt a need to get back on stage together, as part of a truly great live band; thus, Little Geneva spawned. Once the seed was sown, recruiting additional members didn’t prove a problem.

 
Chris, 32, and Dave Doherty, 36; both gifted guitarists, holding players such as B.B King, Albert King, Jimi Hendrix and Eric Clapton in high regard, headhunted Rags Russell, 32, (vocals/harmonica) who fronts the youthful and energetic band with an emotive and soulful vocal style. Zak Ranyard, 27, (bass guitar) and Simon Small, 33, (drums) provide the rhythm section’s high level of energy and power, driving the band.

 
Having completed this blinding EP, the band is set to record their first album at the beginning of March, as they look for clubs and festivals dates across Europe. But the bestest part of it all, the album launch gig is based right here, in Devizes. I had to ask them, the connection.

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You may know already, you see that’s where Devizine differs from being our town’s Time Out magazine, it’s a learning curve for me. There’s history behind this band, as individuals, Little Geneva members have opened shows for Ray Davies (The Kinks), John Fogerty (Creedence Clearwater Revival), Mud Morganfield and Lynyrd Skynyrd. Also sharing festival bills with The Red Devils, Jimmie Vaughan, The Hoax, B.B King and many others. But three members of the band began their musical relationship in Devizes, back in 2004. Chris, Simon and Dave went to Lavington Comprehensive.

 

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“We all lived in Devizes at the time our first band formed,” explained Dave, “and we were quickly recruited by other older stalwarts of the scene. We helped create a thriving music scene at The Bell by The Green around this time and it was, for a time, a great little scene.”

 
“They go right back to the beginning of Sheer,” Sheer’s creator Kieran Moore informed, “Check out a band called Hitchmo; that’s where it started.”

 
“That early band came to an end around 2008,” Dave continued, “and the three of us went our separate ways, musically speaking. We all met other musicians, worked with other producers in different genres and countries. Chris now lives in Cornwall, as does Zak. Rags lives in Bristol, as did I when I met him. Simon and I now live in Devizes, where we feel rooted. Bristol is the hub of our activities; it’s obviously a more connected place than Devizes. Devizes is our home though, and all three of want to come back here for our first show, and smash it out of the park!”

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It’s Little Geneva’s deep respect for, and knowledge of what made those early British blues recordings so energised, and exhilarating, coupled with the soulful spirit with which all members express themselves, that will make an unmissable launch date at The Cellar Bar on Saturday 23rd March. Initial reaction to this retrospective goodness was wow, great booking Kieran, but I see now, what’s news to me is a reunion, to a degree, for Sheer and aforementioned scene; indisputably making the gig even more poignant than simply this absolutely rocking sound.

 

I shit you not, it’s like being bought up with Neil Sedaka and suddenly discovering The Faces. Oh, and if you need more convincing, Jon Amor supports…. supports, I know, right!

Website www.littlegenevaband.co.uk
Email: bookings@littlegenevaband.co.uk

Facebook Event Page

 

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Who you Gonna Call? Spirit Team!

Dark night in the early nineties, abandoned airfield near Ramsbury, a couple of crazy kids getting up to no good, that’s all I’m going to say; you don’t want me to waffle with another abstruse reminiscence, but just to say, we both saw something that night, I swear; something I couldn’t explain and still cannot until this day.

 
If I contemplate doubt about ghosts, this memory will wobble my conscious, make me reconsider my scepticism. As many, I’m sure, I figure best not be concerned until Halloween, yet a thrill runs through as all at the thought of chasing ghosts, and this week I was talking to Kelly Chalke who heads a local team who do.

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The Spirit Team, based in Easterton, investigate spiritual paranormal occurrences all over the UK, and they’re are on the hunt for locations to film investigations. Potentially some great free publicity for businesses, they usually require two-day filming set at a mutually convenient time. Not necessarily consecutive days as one will be for main production filming, e.g. interviews, and general filming while the second for the actual filmed investigation.

 
“We do like to have at least two people happy to be interviewed for the show if possible,” Kelly explained, “people willing to participate must sign a talent release form and we will require a location permit from venue owner or whoever else may have permission to grant us filming.”

 
Fully insured and happy to provide references of previous locations they’ve filmed, if required; what better way, other than calling Spengler, Stantz and Venkman, then to explain baffling goings on in your home or place of work? My kitchen cupboards mysteriously empty overnight, although I do have one of those teenager things.

 
This sounds fun, I asked Kelly, “has any TV production companies been interested?”

 
“We’ve had some TV companies looking but not yet got a deal, but obviously we are already on Amazon Prime, we are producing our next series and will not put on Amazon until pilots have been sent to relevant TV channels.”

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So, the first series of films, titled “Ghost Response – Haunted UK,” is available on Amazon Prime, where the team are joined by fellow investigators, in search of paranormal existence using various methods and techniques to aid in their quest for the truth. The Spirit Team website explains, “we aim to seek proof of paranormal existence by using modern technology including EVP recorders, EMF detectors, Full spectrum camcorders and more.” But it’s like discovering the Loch Ness Monster isn’t it, wouldn’t proving ghosts be the end to mystery, which is surely the exciting part of it?

 
The first episode is with Ray Jorden from Haunting Australia, on location at a 16th century mill in Wiltshire. The series of ten takes us through a Bristol gothic mansion, to The Radstock Hotel and from Derby Gaols, to, of course, The Bear Hotel in Devizes.
“The Spirit team has been running almost two years,” Kelly continued, “we are a group of five, each with different beliefs and views of the paranormal.”

 

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“Cool,” I replied, “is one of you a Great Dane, perchance?”
“No,” she giggled, “but we have a team member that looks like Shaggy!” Now I’m on the website, does she mean Dave, Frazer or Sammy?! Not sure but I have spoken to the other female of the team in the past, Selina Wright of Paranormal Wiltshire. I am sorry Selina, you’ve mentioned The Spirit Team and Paranormal Wiltshire to me in past, but it’s kind of vanished from my inbox; is there a mystery there, or just procrastination?!

 
I think I was awaiting Halloween, and intended to write a piece then; my “to-do-list” is like a lost scroll. Anyway, now is a good to bring it up as along with regular sell-out ghost walks, The Spirit Team, with locally renowned ghost expert, John Griven of The Wiltshire Museum present an evening with Richard Felix of TV’s Most Haunted, right here at Devizes Town Hall on 13th July. Tickets are a purple one, and from the team’s website.

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While I’m here, plugging other things, if the paranormal interests you, I did knock out a short story called “Blindfold,” a while ago, an eBook to download here, tells the story of a scientist who attempts to prove ghosts are a figment of the imagination, but discovers more than he bargained for. Have a read, knock yourself out!

 

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Seems there’s a lot of local interest in the paranormal recently though, the Facebook group Haunted Devizes notched up over 400 members, and may be a good place to start your own ghostly quest. But one thing is for sure, ghosts aren’t safe here; who you gonna call?

 

 

 

 

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Kent Duchaine – Sunday 27th January @ The Southgate Inn

By Andy Fawthrop

“Great Lazy Sunday Entertainment!”

Dave & Debbie have done a really great job in putting The Southgate back on the Devizes musical map since they took over the pub last year, booking a wide range of great acts from Friday nights through to Sunday afternoons. These gigs are all free entry and, with a comfortable & welcoming environment and all beers at only £3 a pint, it’s a no-brainer to get one’s arse up there to enjoy the musical fare on offer. Sunday afternoons in particular have become one of my favourites – a view obviously shared by the local cognoscenti – for the place was again packed with happy customers.

This Sunday last we were treated to a fabulous session from Kent Duchaine, a man described by Mike Harding as “a legend in his own lunchtime and a REAL bluesman”. I use the word “treat” advisedly, as the man turned out to be one helluva all-round entertainer. Not only did he play some wonderful stripped-back delta blues on his 1934 National Steel guitar Leadbessie, he also connected absolutely with his audience. Every break between songs, every intro, every outro, the man was talking, talking, talking about his life, his travels, his experiences, his deep love of the blues, the music he loved, the blues players he had met an known. And not without a good dose of self-deprecating humour. It was an education just listening to the man. Fascinating. And what a voice! The guy obviously gargles with lumps of granite in his throat! Whether talking or singing, to hear him, (and to look at him) I guess you’d say he’s “well lived-in”, and a well-travelled troubadour.

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Lots of Leadbelly, Muddy Waters, and all the rest of the great bluesmen, just flowed out of him all afternoon. Kent spoke and sang; Leadbessie drawled and crooned. The punters lapped it up.

Absolutely perfect laid-back blues for a lazy Sunday afternoon. Perfect entertainment.

If you’ve not been up The Southgate lately, time you checked it out!

Next gigs coming up @ The Southgate:

• Saturday 2nd February Drew Bryant
• Friday 8th February Clock Radio + The Jelas Live
• Saturday 9th February Tim Manning
• Friday 15th February Fake Walnut Dash
• Saturday 16th February Guilty Pleasure

 

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Rick Estrin & The Wildcats – Saturday 26th January @ Long Street Blues Club, Conservative Club, Devizes

By Andy Fawthrop

 

Back to the top of the hill to The Conservative Club aka Long Street Blues Club to catch the last date of the UK tour by Californian band Rick Estrin & The Wildcats.

The advance billing was impressive, and the short UK tour had had several sold-out dates. Not sure this gig was technically sold out, but it was certainly pretty rammed in there.

Ian Hopkins had written: “Overflowing with talent and bursting with bravado, Rick Estrin & The Nightcats have created one of the blues’ most instantly recognizable sounds and no-holds-barred styles. With the world-class talents of harmonica master, songwriter and vocalist Rick Estrin, guitar wunderkind Chris “Kid” Andersen, keyboard wizard Lorenzo Farrell and dynamic drummer Alex Pettersen, Rick Estrin & The Nightcats serve up sharp and incisive original blues and gritty roadhouse rock ‘n’ roll.”

So there was much to look forward to, and a lot to live up to. The room was packed and buzzing with anticipation. The crowd were royally entertained by local singer/ songwriter Joe Hicks (always good value for money), and suitably warmed up. Finally, after what seemed a longer gap than usual, the band took to the stage and belted out the first number.

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Estrin himself cut an impressive figure at the front – smartly dressed and coiffed, leaning into the mike, and delivering a high-energy performance. Within minutes there was the trademark howling harmonica, backed by driving keyboards and rhythm section. The band were always tight and well-drilled when the songs needed it, but not afraid to cut loose in the breaks either. Think growling, witty, street-smart vocals – often reduced to almost a gravelly whisper, occasionally a haunting drawl – then lashing back out into a full-force vocal delivery. The band itself dropped the sound back at times allowing Estrin to strut his stuff and to paint his pictures, but then returned in full force, producing a wonderful dirty, muddy noise of driving California blues. Yet this was far from being a one-dimensional blues band – we had some great jazzy/ improve passages, and a longish monologue from Estrin himself at one point. Technically impressive, laid-back, grooving and absolutely whip-smart stuff.

And the crowd – not surprisingly – absolutely loved it. As did I – another great night at Long Street Blues. If I had one minor criticism it was that the set was (compared to many bands I’ve seen at the venue) relatively short – just over the hour. I think we could all have done with a bit more!

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The band’s latest album is Groovin’ In Greaseland, which I think I’ll be checking out shortly. https://rickestrin.com/

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No Clowning with Six O’clock Circus at The Southgate

So, yeah, broke my 2019 hibernation and ventured out last night. I know right, but Calne-based, Six O’clock Circus blasted an otherwise mild night at the Southgate with some passionately executed mod, punk and indie covers; right up my street and kicking down my door.

 
Loud and proud, regardless of the five-piece squashed into Devizes’ answer to the O2 arena, singing toward the wall, plus having gigged the afternoon in Boughton Gifford, and Friday evening with Devizes-based, Burbank, for a Big Yellow Bus fundraiser at the Bug & Spider, they never waned, pulling a fine ensemble of indie covers out of their bag, for the first half, but not before an introduction of the Kinks and Who.

 
Six O’clock Circus, started at nine o’clock, but despite poor punctuality of their namesake, and lack of clowns, I loved the starter, then it went a bit Britpop; Travis, Stereophonics, James and Shed Seven representations. Yet I nodded through with appreciation, their precision awarded even my non-favs with worthy magnitude. Though I personally like my indie served, as they did towards latter section of the first half, with Primal Scream and the Coral, and overall would favour more mod, of the Jam, which ended the first half, Six O’clock Circus delivered them all feverously, and favourably, with ardent appreciation of their influences.

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A quieter night at this haven for live music allowed me to notice the cloudy cider tariff on the wooden beam, where at least one hairy hippy usually leans, obscuring the menu. So a double-whammy for me, securing a love for the Southgate I’d joyfully shout to the hills and back.

 
Undoubtedly, said cider played it’s part but I supposed the band tightened with every tune. A swap of instruments, promising a “seventies love-song,” they completed by knocking out a genuine “Pretty Vacant” before the break. It was clear Six 0’Clock Circus had no intentions of delivering us a ballad at all, neither attempt something experimental, as the second section banged in with The Buzzcocks’ classic, Ever Fallen in Love, and slipping nicely into London’s Burning by the Clash.

 
So, the evening’s entertainment leaves me now stamping a thoroughly deserved recommendation on Six O’clock Circus, perfect for the thirty-forty-fifty somethings function or pub circuit, and with that said, I’m off to make a bacon butty.

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Six O’clock Circus on Facebook, give em a like!

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