Whatโs four years between releasing new material?! We fondly reviewed Subject Aโs album Writerโs Eyes back in 2019; theyโve a new single out this week, and itโs worth the waitโฆ.
The brainchild of Swindonโs finest purveyors of everything offbeat, pianist Erin Bardwell and bassist Dean Sartain, Subject A is the experimental dub project you need to take heed of. This new double A starts with a mellowed and gorgeous electronica dub track, Paradise. Much in the vein of Massive Attack and the nineties Bristol trip hop scene, with the definite nod to reggae, as in what Oxfordโs Zaia are putting out. So, equally as weโre geographically in between Bristol and Oxford, so too is this uniquely Swindon sound!
Starter for ten is the ambience of this aptly named tune, provided through a firm collective of Rachael Birkinโs Viola, Harki Popliโs Tabla (who we know from Will LawtonandtheAlchemists,) and these dreamy vocals and flute of Heather O’Neill; the result is sublime. Add regular drummer Matty Bane to Erinโs keys and Deanโs bass, and all you need to complete the effect is subtle brass, a trumpet, provided by Colin Berry.
The final track is a dub of Paradise, which levels up the reggae tip, reminding me of when the Mad Professor went to work on Massive Attackโs albums. But nestled in-between is an outside chance called The Bottle, a gem of upbeat ska-fuelled dub, perhaps more Mungoโs Hi-Fi than Massive Attack, but most certainly a nod back to their Two-Tone roots; this is the Specials in modern day format, it skanks, itโs irresistibly danceable, and with vocals by Neil Sartain it simply has that floorfiller appeal and shows the diversity of Subject A. Recoded at Earthworm, this is a peach!
Featured Image: Helen Polaxpix What has Devizesโ greatest millennial musical export, England rugby player Jodie Ounsley’s ghost writer, some scummy mummies, a professor of biology atโฆ
Hurrah, at last! Only The Brave is the debut song from Burn The Midnight Oilโs revised lineup; something Iโve been anticipating since watching them rehearseโฆ
Four Dauntsey’s Sixth-Formers have been awarded travel scholarships, and plan to cycle all the way from their school to Bonn in Germany, shortly after completingโฆ
Leading Wiltshire digital entrepreneur Natalie Luckham, AI Educator and founder of award-winning Wiltshire social media consultancy Naturally Social is hosting a free โIntroduction to AIโโฆ
Devizes Outdoor Celebratory Arts key into the town’s majority demographic for its first annual event of the year, mature couples, with an affection for samplingโฆ
The Wiltshire Music Awards 2026 entered an exciting new era when Stone Circle Music Events announced was as official sponsor and organiser. Backed by theirโฆ
If youโve caught either brilliant local soloist, Ben Borrill or Pat Ward performing live in the past, youโll understand what welcomed news it is that the pair have formed a duo called Matchbox Mutiny, and their debut gig is at the Southgate, Devizes, this Saturday 22nd Julyโฆ..
Iโm lucky enough to have been at the beginning of one eveningโs acoustic jam sesh, which happens every Wednesday at the Southgate, where prior to others turning up, Ben and Pat played together for a while, so I know this will be a great match. I offered, at the time, to play the triangle, but Iโm still waiting for that phone call!
The duo will be putting their acoustic spin on various covers, and they have more than a few classics in their arsenal. So best of luck with it guys, Saturday night at the Southgate. Thereโs a double-whammy in this, that Jamie R Hawkins will be filling in for Benโ regular slot at the Moonrakers that evening; spoiled for choice, Devizons!
Show Matchbox Mutiny some Facebook lovinโ HERE, and though I cannot make it unfortunately, if thereโs anyone able to scribe a paragraph or three about it we would welcome your contribution, as Iโm sure youโre in for a great night!
by Ian Diddams images by Chris Watkins media โChicagoโ is a stand out example of the musical theatre genre โ great songs, great characters, greatโฆ
After much deliberation, Devizine is to pull out of any further organisation of the Wiltshire Music Awardsโฆ.. It has not been an easy decision, andโฆ
It seems Shrove Tuesday celebrations in Devizes have fallen as flat as aโฆ.well, you get the gagโฆ Traditionally organised by Age Concern Wiltshire, and oftenโฆ
The mighty mighty Minety Music Festival announced The Bluetones as their Sunday headliner at their Eames Laurie Main Stage, and The Dub Pistols on theโฆ
The celebrated Shindig Festival at Malmesbury’s Charton Park announced their headline act for May bank holiday 2026, and being that it’s Bob Vylan, it isโฆ
The Pump in Trowbridge, is a music venue called such because it is a renovated pump room, but I always like to think the pump disambiguation should also be a metaphor for the heart, for it is the heart of live music in our county town, and it sure has a lot of love to give!
Iโm delighted today to be able to announce the Pumpโs search for the next generation of Trowbridge’s best and brightest musical stars, and theyโre naming it The Future Sound of Trowbridge!
Already renowned for their unrivalled and at times blistering live music experience, The Pump is hoping to continue to inspire and educate the next generation of music stars, by offering our venue and platform. Giving young people the agency and opportunity to present and perform their music and art to their peers, in a professional environment.
Skill level and performance length arenโt an issue; But the desire to get upย and perform is essential! The Pump will provide an exceptionally safe space for people to perform in, with expert help at hand to assist any musician through their technicalย requirements to be in the best possible position to perform their music live!
Now, I always figured if any local venue has done most to encourage youth already, itโs been The Pump. Sheer Musicโs promoter, Kieran Moore, tells me, โbe that as it may, we want to formalise it in the shape of a project, and here it is!โ
โThere are no limits on the style, type or size of the music,โ he continued, โwe aim to unearth what latent talent we have in Trowbridge and offer the opportunity to SHINE!โ
You could be the next pioneer of the spoons, an aspiring violinist or an Avantgarde psych rock, pedal noodler. You could even be a rapper or DJ. The options are limitless, but the opportunity is here and now!
You must be aged between 14 and 25, and not already in an established* band.
Pre-existing local musicians will be able to perform.
There are also opportunities for those who wish to be involved with the delivery of the events. Aspiring sound engineers or lighting engineers are welcome to contact The Pump.
You may be a photographer, or zine writer or blogger. You may be a graphic designer. All of these skills are valued and can be explored and developed with your peers, to gain experience and contribute to your community!
The first event has already been confirmed, with young indie hopefuls Nothing Rhymes With Orange set to perform on Friday 1st September, with a line up including more young musicians from the area.
The Future of Rock and Roll is in your hands, the future of Music is YOU!
Drizzly Sundayโฆagain. Iโve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโฆ
It could be bigger than Diggers! See what I did there? Okay, you youngsters might need Google, but while you’re researching Chippenham’s hedonistic past, aโฆ
There’s no sophomore slump for Monkey Bizzle; prolific in their art, these rural chav-choppers return with a second album, Agricultural Appropriation, only five years andโฆ
Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisonsโฆ
What if I told you the forthcoming production at the Wharf Theatre in Devizes was staged by the Wharf’s own Youth Theatre Group? Would you preconceive it to be akin to a school production? Would you assume it amateurish, or immature? Girls Like That is none of the above, I was invited to a sneaky preview dress rehearsal type thingy, and it’s complex, multi-layered and poignantly provocativeโฆ.
I left the Wharf contemplating the model protagonist versus antagonists is ambiguously played out here, as the centre of attention, due to a lewd photograph of her going viral, Scarlet, played wonderfully by Chloe Lagden, is silent throughout the majority of the play, and until the closing scene where she lays it thick on the line; the layers of blame, of victim of circumstance, and the harassing group banter leaves a bitter taste of irony, of who is right and who are wrong.
Even the title remains questionable once the play has concluded; does the โgirls like thatโ refer to the Scarlets of this world, and their terrible mistakes, or her peers who seem determined to gossip and spread hearsay through their outrage at what she did? I remain undecided, but an open-ended play is favourable if you wish to leave with deliberations about your own social engagements, which it certainly does. Face it, we never truly grow out of our malicious adolescent craving to better ourselves by putting others down, and I only said that because my dad is a black belt in karate!
Of course, it focuses on contemporary methods of harassing, online, but there’s interesting monologues dividing the present day, of twenty year gapped reminiscences, examples of masculine abuse and inequality, which though you assume are only there for an insight to past techniques of humiliation and how they differ or are similar to today’s, there’s a twist at the conclusion to roll them nicely into the narrative…. not forgoing, elders in the audience will love the cultural reverences I’d suspect the actresses would need to Google!
The nine other young actresses, Scarletโs frenemies, each play their parts of equal substance, as if they were made for them. I pondered if they each took reflection from this on their own actions, or this is the superb direction from renowned director Lou Cox, or more likely a bit of both. But one thing I am sure of, the cast; Samantha Scott, Bea Yates, Eloise Bromley, Darcey Oswin, Megan Hughes, Pip Aldridge, Jess Harding, Jess Worrow, and Lisa Grimes, together with Chloe, play utterly convincing parts with gusto and actuality.
There’s subtly placed humour too, satirical and black, and it’s easy to see now how Girls Like That was named best play for young audiences at the Writersโ Guild of Great Britain Awards in 2015, though I would argue with strong language and passionately delivered prose, here is a story to leave an impression on the most hardened adult mind equally.
Clogs and stilettos this play, for me, because being an honest reviewer, anyone who requests a nudie photo of me must either be criminally insane or a director filming a whole new level of twisted horror-comedy; walking in someone else’s shoes is most effective when they’re an entirely different style of shoe. Even if you cannot relate to the circumstance presented in Girls Like That, I believe there’s a moral there for us all, as the naivety of the characters mature, the nature of gossip and backbiting never really fades through age, it just gets more complex and crafty. Ergo, anyone, a victim, perpetrator or both will identify with this gritty, reality-driven play, but all will relish in its gorgeous portrayal.
The popularity of recognisable shows at theatres in general, means previous performances at our wonderful Wharf Theatre, such as The Railway Children, can be taken as red, whereas something lesser-known like this you have to take a chance. Iโm only here to express my thoughts, and would humbly suggest Girls Like That displays the diversity of performances the Wharf are willing to put on, and you will leave breath-taken.
Well done to Lou and her team of aspiring, and indeed, inspiring actors at the Wharf Theatre Youth Group, itโs marvellous!
Girls Like That starts tomorrow, Thursday 20th July, and runs until Saturday 22nd. Shows at 7:30pm, tickets are from ยฃ10, from the Wharf website HERE, or from the Box Office on; 0333 666 3366.
Stone Circle Music Events announced today that all proceeds of CrownFest will be donated to Wiltshire Hope & Harmonyโs Dementia Choir. CrownFest is an all-dayโฆ
If Devizes Scooter Rally has already established its base at Whistley Roadโs Park Farm and Full-Tone are moving to these new pastures, last year theโฆ
Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโฆ
The first day of the school summer holidays will be marked with a very special performance at The Cheese & Grain in Frome, with one of the worldโs best-selling childrenโs authors and poet, Michael Rosen, on Monday 24th Julyโฆโฆ
With over 140 books published to his name, including the classics โWeโre Going on a Bear Huntโ and โA Great Big Cuddleโ, plus 55 million views on his YouTube Channel โKids Poems and Stories with Michael Rosen’; the Number 1 selling children’s author is all set to come to the Cheese and Grain.
Recently seen on BBC Breakfast and The Repair Shop, the visit also follows Rosen receiving the prestigious PEN Pinter Prize just last week, an award honoured to those whose work is committed to a fearless exposition of truth about contemporary life.
Michael Rosen is one of Britainโs best loved writers and performance poets for children and adults. His first degree was from Wadham College, Oxford and he went on to study for an MA and a PhD. He is currently Professor of Childrenโs Literature at Goldsmiths, University of London where he co-devised and teaches an MA in Childrenโs Literature.
Michael is also a popular broadcaster and has presented BBC Radio 4โs acclaimed programme about language, โWord of Mouthโ since 1998, as well as regularly presenting documentary programmes for BBC Radio 4 and BBC Radio 3, including the Sony Gold Award-winning โOn Saying Goodbyeโ.
Michael has published in the region of 200 books for children and adults, including โThe Sad Bookโ with Quentin Blake (Walker Books) – a meditation on bereavement written after the loss of his son, Eddie; โWeโre Going on a Bear Huntโ with Helen Oxenbury (Walker Books) – made into an animated film for Channel 4 broadcast Christmas Day 2016 – and โA Great Big Cuddleโ with Chris Riddell (Walker Books) . His poetry for adults includes โDonโt Mention the Childrenโ (Smokestack) and โSelected Poemsโ (Penguin). Non-fiction work for adults includes โGood Ideas: How to Be Your Childโs (and Your Own) Best Teacherโ (John Murray), โThe Disappearance of Emile Zola, Love, Literature and the Dreyfus Caseโ (Faber), and his memoir โSo They Call You Pisher!โ (Verso).
He has written a book for children and teachers on writing poetry โWhat is Poetry?โ (Walker Books) and has done three booklets for teachers on writing and reading. These are available through his website http://www.michaelrosen.co.uk. He writes up a monthly news page on the website and a blog for teachers giving ideas for writing.
Michael writes a monthly open โletterโ to the Secretary of State for Education in The Guardian where he critiques Government policy on schools from the standpoint of a parent. He visits schools, teachersโ conferences and university teacher training departments where he is in demand to give performances, workshops and keynote addresses. He also appears regularly at literary festivals all over the UK and Ireland.
Michael has received several honorary awards, including degrees from the Open University, the University of Exeter, the University of London Institute of Education and the University of East London/Tavistock and Portman NHS Trust. For outstanding contribution to childrenโs literature he received the Eleanor Farjeon Award and was Childrenโs Laureate 2007-2009. In recognition of his contribution to the profile of French culture in the UK, he was made Chevalier de lโOrdre des Arts et des Lettres.
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโฆ
Chippenham folk singer-songwriter, M3G (because she likes a backward โEโ) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโฆ
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing theirโฆ
Daphneโs Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in theโฆ
Part 1: An Introduction March 1936: newlywed French telecommunications engineer Pierre Schaeffer relocates to Paris from Strasbourg and finds work in radio broadcasting. He embarksโฆ
Is thisโฆ..is thisโฆ.summer, pray tell?! Hereโs what weโve found to be doing locally this coming weekโฆโฆ
Hereโs a thing, all the info and ticket links are on our jam packed event calendar, HERE, and you can plan ahead too. Any updates after today will also be put on there, so do check in later in the week too, as this is not exhaustive or comprehensive, or other such long words like that!
Ongoing through the month, Marlborough Open Studios, countywide artist open studios, where you can invite yourself into many artistโs homes for free to see their work and what biscuits they have! Open Studios runs on the first four weekends in July between 11am and 5pm.
Do pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed here.
Ongoing until Sunday, the Westbury Festival continues until Sunday, with lots going on there.
Wednesday 19th:
The regular acoustic jam at The Southgate, Devizes.
Memory Cinema at Swindon Arts Centre screening Goodnight, Mr. Tom, this for anyone who suffers dementia, and their carers. Tea & Tour of Wyvernโs Spotlight Room in Swindon.
A Craig Crofton Quartet at The Bell, Bath.
Thursday 20th:
Girls Like That opens at The Wharf Theatre, Devizes, The Wharf Youth Theatre presents this, directed by Lou Cox and running until Saturday 22nd. If Iโm rushing out this weekโs roundup, it is because Iโm off to the dress rehearsal, so please look for a review of it tomorrow!
Amadeus Orchestra at Wiltshire Music Centre, Bradford-on-Avon.
Peter and the Test Tube Babies at the Tree House, Frome, The Bluetones at the Cheese & Grain.
Shades of Silver at The Tuppenny, Swindon, and Do You Believe In Ghosts at The Wyvern Theatre.
Friday 21st:
Summer BBQ with Plan of Action at Seend Community Hall.
Just Jinny at The Pelican, Devizes, Sour Apple at The Three Crowns.
The Korgis with The Lost Trades and Rachel Hill at The Laverton in Westbury.
IGGZ Create My Own Lane EP Launch Party Ft Wordlife And Friends at The Pump, Trowbridge.
Highly recommended, Siouxsie and the Banshees tribute Painted Bird with Ian Dury tribute Dury Duty at The Vic, Swindon, Andrew Lawrenceโs I Forgive You at Swindon Arts Centre.
Scott Lavene at Pound Arts, Corsham, highly recommended from us!
Bite The Hand at The Three Horseshoes in Bradford-on-Avon.
Rory McLeod at The Bell in, Bath and This Flight Tonight โ A Tribute to Joni Mitchell at Chapel Arts.
The Guns N Roses Experience at The Cheese & Grain, Frome.
Saturday 22nd:
Arty Kids at Hillworth Park, Devizes. Match Box Mutiny, newly formed duo of Ben Borrill & Pat Ward at The Southgate.
Marlborough Festival has been postponed until 2024, but find Static Moves at The Lamb, Marlborough.
Rave Against the Regime at The Barge on Honey-Street.
The Accidents at Melksham Rock n Roll Club.
Twist of Rock at The Pewsham, Chippenham.
Dr Zebo at Victoria Garden, Westbury, Junkyard Dogs at The Angel.
Cider, Reggae & Rum Festival in Trowbridge. Trowbridge Repair Cafรฉ at the Town Hall.
The Brackish at Pound Arts, Corsham.
Westward Plus! at The Boathouse in Bradford-on-Avon.
Mutter Slater Band at The Bell, Bath, The Jake Leg Jug Band at Chapel Arts.
But all eyes on Swindon this Saturday, for Editorโs Pick of the Week: My Dadโs Bigger Than Your Dad Festival at the Old Town Bowl.ย ย
Plus, Coopers Creek at The Moonrakers, The Flashback Band at The New Inn, Dragoneye at The Queens Tap, and Mean As Custard at The Woodland Edge. The Kirsty Farrow Dance Academyโs This Is Me at The Wyvern Theatre, and Prime Theatre Showcase presents Dreamland at Swindon Arts Centre.
Sunday 23rd:
Sound Affects are doing an afternoon at The Southgate, Devizes, from 5pm, usually.
Coopers Creek at The Electric Bar, Bath.
Revolution Performing Arts โ The Golden Ticket Spotlight Show! at Swindon Arts Centre, and Kitty Langan Studio โ Oh What A Night! at The Wyvern Theatre, Swindon.
Monday 24th:
Radio Banska at The Bell, Bath.
Tuesday 25th:
Jazz Knights at The Royal Oak, Swindon has Chris Cobbsonโs African Jazz Project, and
Bridesmaids of Britain at The Wyvern Theatre.
And thatโs your lot, unless you know different? Listings are free, get in touch!
So, bus driver Xavier Peediyakal of Swindon, admits he fell asleep at the wheel when he collided with an oncoming vehicle, and has been banged up for eighteen months. We are sorry to hear the Calne BMW driver with whom he collided with sustained multiple injuries and a few passengers on the bus also received minor injuries, but have to question remarks made about the incident by PC Leigh Mayhew, of Wiltshire Policeโs Serious Collision Investigation Teamโฆ.
For, it seems, PC Leigh Mayhew also dozed off when he left the real world, but at least passed his level one in supercilious patronisation at training college. He stated on a Wiltshire Police Facebook post, โthe case should send a clear message to drivers, especially those operating large vehicles, of their responsibilities to operate safely. Tiredness can kill โ please take a break if you feel that your tiredness is likely to impact your ability to drive safely.โ Well, I never; who knew?!
The key point here is legally he is correct, of course; legally it is the responsibility of the driver. The company which employs him is not to be blamed, nor the system which pushes the buttons; the wheels on the bus go round and round. But as itโs Sunday Iโve got a story to tell which I feel relevant, so if youโre sitting comfortably then Iโll beginโฆ..
Once upon a time I was pleased to be back working after struggling to find a job for a year. I was to be a delivery driver for a company you will likely know. I will not name them as I believe they have since changed management, and hopefully work ethics. A week into my job, ending my day last afternoon I was told tomorrow I was on โthe London run.โ This consisted of a 2am start time; my argument I had never done the run before fell on deaf ears. On a zero hours contract I started when they told me, I finished when they told me, and if they didnโt have any work, my family did not eat.
Letโs call the chap who usually does this run, Rupert, for want to add a smidgen of humour to an otherwise unamusing anecdote. โLook at Rupert,โ the boss barked, โheโs walking around with two stones in his eyes, someone else has to do the run as well.โ Funny thing; they didnโt tell Rupert he had the morning off, and was there upon my arrival, so joined me to show me the ropes. Lucky he did, the sat-nav was as much use as a chocolate fireguard, and being the concept was to deliver to a few locations and return with one big collection ready for the daytime vans, I would never have found my way and be back in time without his occasional navigation tips, through snoring the remaining journey.
On the return journey I supposed I would be put on a local run which ended earlier than rest, he just laughed at my naivety. I was told to swap vans, as it was the only one they had left; a Mercedes, the pride of fleet, and I was to do โthe Swindon run,โ which I had also never done before. A deceiving title, the route took me through Marlborough to Wotton Bassett and Wroughton, into Swindon, sure, but continued to Newbury, Oxford, right into Buckinghamshire and the North Cotswolds; oh, how we laughed!
Later in my employment it was a run I would master, but without guidance on any running order, I devised to head north from Swindon, take out the Cotswolds, and loop back through Oxfordshire to finish at Newbury. Being I had been working since 2am without a break, time was of the essence, but my sequence was, of course, wrong; the phone rang when I was at Bicester to bark annoyance at me, I hadnโt done the drop at Newbury and they were desperate. I turned around and raced back down the notorious A34, and back up again. To cut an exceptionally boring story short, it was 6:30pm when I reached my final drop near Buckingham. It was chucking it down by the time I returned to base in Devizes, and after eighteen and half hours of consistent driving my eyes were near closing by their own accord. So much so, I caught the rear bumper on the wall of the narrow entrance to base, and scratched it.
I was accused of โdeliberate sabotage,โ and yelled at no end. It was the first time of many I had heard their infamous saying โmake this your last day, then?โ For if you refused a job, no matter how long you had already worked for that day, there were, apparently, a thousand more people out there willing to. If you did not complete the task as quickly as possible, despite a more formal job description being you should not speed, you would be lucky if you, and your family too, were only mocked in an insanely offensive form of banter and not handed your P45.
I continued with this absurdity, bit my tongue and took the corporate shafting for years, so I could put food on the table. I have to wonder if PC Leigh Mayhew has any understanding of this situation, as it is for millions of unskilled workers.
Of course, you are right, Leigh, tiredness can kill, but we know this, and anyone with an ounce of moral standing would so obviously abide by it. You are only preaching to the converted, the ones without said moral standing will not take heed, neither will the pressure of the system of a competitive market.
Replies to the Facebook post reflect this: โMaybe he wasnโt able to take adequate rest breaks. Maybe he felt he couldnโt report to his superiors that he wasnโt fit to drive. I would have less sympathy if he was driving a personal vehicle that he had a choice to drive but to be paid to do a job sometimes you feel obligated to push through no matter how crappy you might feel.โ
โYou say don’t drive tired but it’s almost unavoidable when companies will work you to the bone and if you call in because you’re tired you will be penalised for it. What are we meant to do when either option is to risk your job?โ
โTake a good look people. This is what happens when there is a driver shortage.
The company reports millions in profit, shares that with the irresponsible shareholders and doesnโt think to share it amongst the people who really matter. But instead will put all the pressure on said individuals!โ
โMessage to drivers??!!!! Maybe to companies, is them making drivers work long hours!!!! Try to sit for 5.30 hours constantly and don’t get tired!!!!โ
Thereโs a whole lot of exclamation marks on that last quote, which I think suggests an exclamation, defined as โa sudden cry or remark expressing surprise or a strong emotion,โ because it is a crying shame and a shocking surprise that a leading officer of Wiltshire Police could be so insensitive to the daily affairs of a wider issue than this particular isolated incident.
I am unaware of the work ethics of Stagecoach, but believe they should look into it, but not to single out any one company, as many, letโs face it, are guilty of pushing drivers to their limits, and drivers are persuaded to do this in order to protect their job. It is not an open and shut case to simply prosecute the driver, but the policeโs job to investigate why a driver was driving so tired.
Iโm not ruling out a driver might well be burning the candle at both ends, it may well be the case in certain circumstances, but a fear of your job if you tell them you are not up to the task is the culprit in my more general rant, given my personal experience. And they all lived happily ever after, the end.
Booking Devizesโ most prestigious venue, The Corn Exchange was mighty ambitious for newly formed promoter Lost Monkey Productions, but to say that Nothing Rhymes with Orange was a marvel last night would be an understatement. They completely enthralled the whole hall and captivated the attention of everyone listeningโฆ..
Image: ยฉKiesha Films
Last night kicked off with OverStory, a band only created earlier this year. They had a mix of exceptional covers and originals which were both extraordinary. They even brought on a female voice, which added diversity and elevated their performance. Their relaxed music created a chilled out mood that the audience enjoyed. You couldnโt tell they only called themselves a band early this year. These boys go to Bath College studying music and call their music phenomenon โmessing around.โ I look forward to seeing Overstory โmess aroundโ again.ย ย
Image: ยฉKiesha Films
OverStory then handed the baton to Foxymoron, who exceeded all high expectations. They delivered originals, all with a unique sound that the crowd thoroughly enjoyed. Foxymoron portrayed both great charisma, and a natural ability to perform. Their song โsignsโ was compelling to watch and listen to; I hope they release their music soon. The audience was enchanted with the band and was hanging on to every note. Their fan base is ever expanding with each performance and everyone is hoping to witness their flourishing successes.ย ย
Image: ยฉKiesha Films
As soon as Nothing Rhymes with Orange walked onto their stage, the audience was buzzing with anticipation. NRWO started their set with their new single โButterfliesโ whilst the crowd belted out every word, even though it was only released at the end of May. The dedication of their fanbase to know every lyric truly reflects how NRWO has a committed growing audience, which enjoy both their company and music. They continued their set and continued to amaze all that were there to witness it. They produced an astounding cover of the Kings of Leonโs โSex on Fire.โ
Image: ยฉKiesha Films
The place was absorbed by the energy from the audience and the band’s connection with each other. Continuing from that remarkable cover, NRWO performed more originals and unreleased music, which had the audience engrossed in their show. They performed nearly all their released music, including โCreaturesโ and โChow for Nowโ as well as their unreleased song โMonday,โ which was played on BBC Music Introducing. The fluidity between their own songs and a few covers was incredible and well practised. Their individual performances and characters are starting to develop as well as maturing into a tight band. Their bright guitar, interesting riffs, unique voice and insanely fast and technical drumming gives them an individual sound which separates them from the boy bands of this day in age. The love for their own music and the music of the other performers is projected through the interactions with both. It is clear to see that Nothing Rhymes with Orange appreciate the growth that their band is rightfully getting.
Image: ยฉKiesha Films
Nothing Rhymes with Orange shows the coming generation of musical talent in an amazing light. They are kind to their fans, respectful of everyone who helps them and show appreciation to any support that they receive. They are not only a band, but friends of the audience, which shows as they feel at home on stage. Coming from a local school, it shows that โordinaryโ people can create something which inspires and includes the people around them. I canโt wait to see what all the bands come up with next.
Yesterday Wiltshire Council published an โupdateโ on the lane closure on Northgate Street in Devizes as the fire which caused it reaches its first anniversary.โฆ
Join the St Johnโs Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโฆ
This afternoon I find myself contemplating what the future holds for historical discovery and learning for all ages, fun and educational exhibits and events inโฆ
Featured Image: Barbora Mrazkova My apologies, for Marlboroughโs singer-songwriter Gus Whiteโs debut album For Now, Anyway has been sitting on the backburner, and itโs moreโฆ
Having to unfortunately miss Devizesโ blues extravaganza on Friday, I crossed the borderline on Saturday to get my prescribed dosage of Talk in Codeโฆwith aโฆ
No, I didnโt imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โฆ
Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโs latest offering of soulful pop. Itโs timelessly cool andโฆ
Scottish music producer Beskar made our song of the week feature in June with drum n bass doubleA The Prophecy, featuring Devizes vocalist Chrissy Chapman, aka Huntr/s, and they’ve returned today with another rolling tune on Grand Theft Audio, which even if youโre not into drum n bass youโll recogniseโฆโฆ
Theyโve taken Ella Fitzgeraldโs Fever to techstep heights, which is an interesting approach, if Iโd suggested the more ambient subgenre โintelligentโ drum n bass would I be showing my age?! At least this is contemporary and danceable, forget my blissful reminisces of the Logical Progressions of LTJ Bukem, for when Roni Size did break new foundations I was still at it, and this is equally as beguiling.
But if, as a hardcore junglist, you assume queen of jazz Ella Fitzgerald wasnโt bad e-nuff foโ a drum n bass rework, you should take note, she escaped to Harlem from an abusive father and skipped school to run for the mafia, and serve as a police lookout at a local brothel. She went from orphanage to state reformatory, and it was only her voice which got her through, as the New York jazz clubs were dubious about her scruffy appearance. Iโd wager that is more roughneck than youโll ever be, blud!! Enjoy the tune, itโs a chicken dinnerโฆ.
Words by Ollie MacKenzie. Featured Image by Barbora Mrazkova.ย The creative process can be a winding, long, and often confusing journey. Seeing a project comeโฆ
Whoโs ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโฆ
One part of Swindon was in perfect harmony last night, and I donโt mean the traffic circumnavigating the Magic Roundabout. Rather The Lost Trades wereโฆ
Raging expressions of angered feminist teenage anguish this month, perfectly delivered by Steatopygous via their mindblowing debut album Songs of Salome, I hail as theโฆ
Review by Karen Cannings. Photography by Gail Foster.
Market Lavington Community Hall was filled with music and applause on Friday 7th July, as Lavington Community Choir presented their summer concert under the direction of Paula Boyagis…..
The choir showcased their vocal skills and versatility in a range of jazz-inspired songs, accompanied by a talented jazz ensemble featuring Tim Price on piano, Tony Jones on flute, James Monckton on double bass, Henry Liebling on Sax, Nick Kingman on percussion/drum kit and Nick Hale on miscellaneous percussion.
The first part of the concert included some classic jazz tunes such as ‘Moon River’ and ‘The Way We Were’, arranged for choir by Bernard Wight. The choir sang with rich harmonies and expressive dynamics, creating a warm and engaging atmosphere. Jessica Phillips, Soprano, charmed the audience with her sweet voice in ‘Let there be Love’, while Paula Boyagis, Mezzo Soprano, delivered a rich and expressive performance of ‘Autumn Leaves’. Jim Donovan then entertained everyone with his rendition of ‘Mack the Knife’, complete with a trilby hat!
The second half featured a jazz cantata based on Robert Browning’s poem ‘The Pied Piper of Hamelin’, composed by accompanist Tim Price when he was only 16 years old as a student at Dauntsey’s School. The choir, soloists and jazz ensemble brought this humorous and whimsical story to life with catchy melodies, lively rhythms and colourful narration. The original director of music at Dauntsey’s School, David Price, was present in the audience to enjoy the revival of his former pupil’s work. The conductor of the cantata was Paula Boyagis, who also sang the role of the Piper (complete with flute solos) resplendent in a colourful costume of red and yellow.
Mark Wastell, sang and acted his role as the Mayor with great conviction.
Itโs nice to hear when our features attract attention. Salisburyโs Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโฆ
In thanking everyone who supported this year’s Wiltshire Music Awards, Eddie Prestidge of Stone Circle Music Events revealed his intentions of continuing with the awardsโฆ
Featured Image: Lillie Eiger Frome Festival is launching itsย โ25 for 25โย fundraising campaign with a very special concert featuring three locally based acts:ย Tom Mothย โ best knownโฆ
Iโve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโฆ
Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโฆ
by Ian Diddamsimages by Ben Swann and Ian Diddams Self-appointed โMoroseโ Mark Harrison was once again on totally top form at Komedia last Sunday entertainingโฆ
Yeah, not really who youโre thinking of, you history swot! Rather the Cornish Americana/English alternative folk-rock trio of multi-instrumentalists Ruarri Joseph, Naomi Holmes, and Harry Harding, whoโs unique blend of genres from both sides of the Atlantic can be heard on albums such as 2017’s Proud Disturberof the Peace and 2021’s Maverick Thinker.
Yeah, them, well, theyโre paying an in-store visit to Marlborough on the 29th July, via Sound Knowledgeโฆ. theyโre also at Bexhillโs Musicโs Not Dead the day before, if you want to get historically appropriate and as geographically close to The Battle of Hastings and still see this quality band!
Theyโre there as part of an album launch tour, โExcuse Me While I Vanishโ released on 28th July, via Chrysalis Records. The story of the album goes along the lines of frontman Ruarri Joseph finding himself cocooned at home during lockdown, ruminating on an uncertain creative future, watching on as his wife Mandy, a valiant mental health social worker, engaged with the all-too-real dilemmas of the pandemic-riven here and now. Her example motivated Joseph to become a temporary care worker, an experience which would provide renewed focus and influence the songwriting on the new album.
โMy wife was insomniac for the first six months of lockdown, which made it impossible for me to moan or grieve the fact that everything Iโd been working on for the last five years had come to a standstill,โ he explains. โIt was a much-needed perspective and made me realise what a selfish undertaking William had been โ navel-gazing with my head in the clouds when what people needed was boots firmly on the ground, preferably on the feet of someone like Mandy.โ
But, the bandโs fourth album finds the indie-rock trio firing on all cylinders as Joseph confronts the thin line between creativity and madness, inspired by compassion for the real-life angels of the world.
Produced by the band in a playground of vintage gear, and mixed by Barny Barnicott (Arctic Monkeys, Sam Fender, Kasabian), the resulting albumโs ten tracks marry earworm tunes with insistent, imperious, soaring rock shapes, punctuated by chorus hooks that are simultaneously nuanced and anthemic. Josephโs compelling semi-spoken vocals and swamp-blues-Seattle-scuzz guitars are propelled by the rhythm section of Naomi Holmes and Harry Harding as โExcuse Me While I Vanishโ delivers an effortlessly winning blend of melody and ensemble dynamics, the most accomplished William The Conqueror album to date.
With William The Conquerorโs live performances drawing wildly enthusiastic comparisons to the likes of Kings of Leon, Nirvana, Buffalo Tom and The Marshall Tucker Band, the trio performed to a packed room at The Great Escape earlier this year and recently completed a European tour with Nathaniel Rateliff & The Night Sweats.ย
The band will also play at Latitude Festival this month, before embarking on a nationwide in-store tour in support of the albumโs release across July and August and a full headline tour in October. Other venues close to us include Bristolโs Rough Trade on 30th, and Oxfordโs Truck Store on 1st August, but the all live shows are based in larger towns and cities, you have to hand it to Roger and his team at Sound Knowledge, the ones who brought George Ezra to Trowvegas, theyโre bringing in the names only cities would get the pleasure to witness, and this particular gig is certainly one the eye for olโ Haroldโฆ..sorry, I couldnโt resist!
The trio will be playing a short set at St. Peter’s Church, Marlborugh on Sat 29th July. It’s a FREE event, but let the record store know if you’d like to attend by sending them a message or popping a note in with your album pre-order, HERE.
Wiltshire Council confirmed Blue Badge holders can park freely in council-operated car parks again, following a vote at the Full Council meeting on Tuesday 21โฆ
Featured Image Credit: Jamie Carter Special guests Lightning Seeds to Support Forest Live, Forestry Englandโs summer concert series presented with Cuffe & Taylor, has announcedโฆ
Wiltshire country singer-songwriter Kirsty Clinch released a Christmas song only yesterday, raising funds for the Caenhill Countryside Centre near Devizes, and itโs already racing upโฆ
It was never just the fervent ambience created which made me go tingly with excitement about Melkshamโs young indie band Between The Linesโ demo singleโฆ
A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโs bitter about not getting his dream jobโฆ.. If this mysterious dudeโsโฆ
Itโs not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโฆ
If Devizesโ celebrated FullTone Festival is to relocate to Whistley Roadโs Park Farm for next summerโs extravaganza, what better way to give it the rusticโฆ
I mean, yeah, press releases can be as handy as sitting next to Einstein in a physics test, but reviewing music isnโt an exact science, and while they speed up the process itโs tempting to allow them to spoon-feed you. Sometimes itโs a pleasant surprise to go in blind, as it was with Teenage Things, the debut EP from Salisburyโs young singer-songwriter Becca Maule, due out this Saturday, the 15th Julyโฆ..
I donโt know why, perhaps taken in by earlier images of Becca sporting a pink bob, and by her supporting Carsick, but as Iโve not had the opportunity to catch her performing I dove in with a preconception this was going to be an all-out riot grrrl explosive thrash of punker style emotional outpouring with little to credit her with other than, well, that was loud!
What I hadnโt taken into account was it was produced at Haxtonโs Tunnel Rat Studios with backing by Jolyon Dixon, the studioโs wizard and one half of duo Illingworth, and as a result itโs a dreamy soundscape over acoustic goodness, as is the style Illingworth also purveys. But if the drifting musical ambience has something Pink Floyd-come-melancholic indie, like The Verve or Radiohead, about it, Beccaโs voguish and relaxed vocals breath the freshness and vigour of youth into this, and it flows sublimely.
Opening tune Mother Nature is an obloquy commentary on the political ignorance of environmental concerns, and as such while Beccaโs self-penned vilification drifts causally alongside the sound, this observation gives in to a spiralling angle of fury; a definite slice of the punk I was expecting slowly builds throughout the tune. This, Iโd argue, is astute and profoundly crafted songwriting for someone twice Beccaโs age; sheโs eighteen and just completed an extended diploma in music performance & production at Wiltshire College.
Teenage Things is no whim project for Becca, the single was released shortly after she performed the title track two years ago, with another Poison Roses, to win a Tunnel Ratโs talent competition, telling the Salisbury Journal at the time, โwinning the studio time is golden for me – as a student I donโt have much money and therefore booking studio time is really hard; winning the time means I can professionally record all the ideas in my head instead of trying to do it at home on my not-so-good laptop.โ
Letโs just say, that paid off! Vocally I was immediately taken to imagining if Kirsty MacColl came after Lily Allen, she might sound a little something like this. Though not the rap of Kate Nash, her causal inflection brews hints of that voluble style, itโs refined singing still, and I mean this as a high compliment. Though thereโs no mention of Kirsty MacColl, Becca replied, โI love Lily Allen, so defo a compliment,โ after I put this to her. Am I showing my age now?!
This slightly more upbeat title track follows in this five track EP, and as the name suggests, the subject is teenage anxiety, and the curse of misunderstanding elders. Itโs a woeful mard rather than Anthony Burgess fashioned vexation, over a steady beat. If antidepressants like Fluoxetine are insinuated itโs subtle but poignant nonetheless. From here you accept, Becca has more than a few things to say, and she does so with zest and expression. While her peers will identify with this song, parents should take heed too, and consider theyโve forgotten what it was like to be a teenager. This is a double edged sword.
With a conceptual running theme evolving, Little Girl continues on the subject of confusion over coming of age; this drifts so nicely, it is the song Madonna shouldโve replaced Papa Donโt Preach with! Now, if Becca has got you onboard and youโre now contemplating how marvellously plotted this is, she throws Affliction of Melancholy Lies into the pot, and peps up the emotive intelligent songwriting another notch or twelve. This moves onto the next stage, relationships and their breakdowns, and is simply gorgeously ruminative.
And though I donโt want this to end, Creatures has the most beguiling singalong chorus, folding in dark indie connotations, and Iโm undecided if the safety of wild animals topic is metaphorical, or not, but it is a gratifying cumulation to a sublimely played EP which you really need to delve into wholeheartedly, rather than simply listen to, and that is a rare gem these days.
Iโm so much more than pleasantly surprised, Iโm in awe; use any part of this as a press release if you wish, Becca, but perhaps your astute words and the beautiful way you have presented them speak volumes for themselves, and as I said at the beginning, the wow-factor is often a dish best left as a revelation!
I’ll pop Beccaโs Link-Tree HERE so you can check in on them on Saturday 15th and stream the EP, and will update this review too with links to it.
This afternoon sees the inaugural grand ceremony of Stone Circle Music Eventsโ Wiltshire Music Awards taking place at the Devizes Corn Exchange. Itโs a selloutโฆ
In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโฆ
by Ian Diddamsimages by Penny Clegg and Shakespeare Live โAntony & Cleopatraโ is one of Shakespeareโs four โRoman Playsโ, and chronologically is set after โJuliusโฆ
Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ most modest acoustic virtuoso arrives at the 21st just shortโฆ
Another summery week ahead of us, and our weekly report on all the stuff weโve found to do. We will continue to support all local events and we wonโt succumb to petty squabbling about any of them, by anyone.
It seems unfair that we seem to get minimal respect for what we do by a few local councillors, perhaps it is because of this reason, I really donโt know. Devizes Town Council posted on their Facebook page last week, asking for suggestions to improve the free local council-run pamphlet โThe Messenger.โ I was the only one who offered an idea, being the events list in it only promotes those events governed by the council, that it would be helpful to both us and their readers if they could include a kind of โfor more information on local eventsโ link to Devizine, but they have not bothered to even respond.
It begs the question why Devizes Town Council would ask for suggestions and not reply to those few who do; a simple yes or no would have sufficed! Now that I’ve said it Iโm sure it will get political, Iโll be witch-hunted and banned from social media pages again when all Iโm guilty of is telling people about events going on, so here we go; do let me know if anything below offends you or is any way โbullyingโ someone, wonโt you?!
Donโt forget nothing is comprehensive, other events might well be added during the week as and when we discover them, so check in on our event calendar, for more info and links on these, updates and planning ahead.
Ongoing through the month, Marlborough Open Studios, countywide artist open studios, where you can invite yourself into many artistโs homes for free to see their work and what biscuits they have! Open Studios runs on the first four weekends in July between 11am and 5pm.
Do pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed here.
Wednesday 12th:
Acoustic Jam at The Southgate, Devizes.
Jarman at Swindon Arts Centre.
Amadou Diagne & Group Yakar at The Bell Inn, Bath.
Sophie Duker at the Cheese & Grain, Frome.
Thursday 13th:
Mark Thomas: England and Son (Work In Progress) at Pound Arts, Corsham.
Chris Murphy at The Tuppenny, Swindon.
Ghosts of this Town album launch at The Vic, Swindon.
Friday 14th:
Lost Monkey Productions presents Nothing Rhymes With Orange, Foxymoron and Overstory at the Corn Exchange, Devizes.
The Unpredictables at The Peppermill, Devizes.
Wrestling Night at Marlborough Town Hall.
Slageri & Kimng Alias at The Barge Inn, Honey-Street.
Sour Apple at The Pig and Whistle, Melksham.
Nervendings and Mosaic at the Old Road Tavern, Chippenham.
Jazz at the Cafe with Jacqui Hicks at The Civic, Trowbridge.
The Carrivick Sisters at Pound Arts, Corsham.
Barrelhouse at The Vic, Swindon.
Sara Petite (4 piece) plus support: Savannah Gardner at Chapel Arts, Bath.
Heathen Apostles at the Tree House, Frome.
Asian Dub Foundation at the Cheese & Grain, Frome.
Saturday 15th:
Arty Kids at Hillworth Park, Devizes.
Wiltshire FA Wildcats Festival at Green Lane Playing Fields, Devizes.
Italian Auto Moto Festival in the Market Place, Devizes.
Devizes District Wargames Group: Attack 2023 at Devizes School.
Chris Murphy & Barney Kenny at The Southgate, Devizes.
Roughcut Rebels at The Three Crowns, Devizes.
Midlife Krisis Summer โ Summer Dance at The Barge, Honey-Street.
Humdinger at The Lamb, Marlborough.
On Remand at The Crown, Marlborough.
Sour Apple at the Ship, Upavon.
Market Lavington Vintage Meet Family Fun Weekend
Family Fun Day at Woodborough Social Club from 12-4pm.
Pewsey Pride at the Coopers Arms.
The Passion of Joan of Arc at Pound Arts, Corsham.
Never 42 at Swindon Arts Centre.
Whole Lotta DC at The Vic, Swindon.
Nicki Leighton-Thomas โ One Good Scandal at Chapel Arts, Bath.
Later with Frome College at the Cheese & Grain, Frome.
Newton Faulkner at the Cheese & Grain, Frome.
Gorilla Riot at The Tree House, Frome.
Sunday 16th:
Deadlight Dance & Reverence 80 at The Blue Boar, Aldbourne.
Characters Stage School: The Addams Family at Wiltshire Music Centre, Bradford-on-Avon.
GM Dance Academy Showcase at Wiltshire Music Centre, Bradford-on-Avon.
Warmington, Lindley and Webb at The Bell Inn, Bath.
Monday 17th:
The Westbury Festival opens with lots of great events running until 30th July.
Rock The Tots: Rock Gods vs Princesses at Pound Arts, Corsham.
BD Lenz at The Bell Inn, Bath.
Tuesday 18th:
Open Mic at The Angel, Westbury.
Jazz Knights at The Royal Oak, Swindon with Roger Beaujolais & Tom Berge Trio.
Harri Mason at The Bell, Bath.
And thatโs all we have so far, do check into our event calendar for updates, and have a great week!
by Ian Diddamsimages by Chris Watkins Media and Ian Diddams Whilst probably best known for his editorship of โPrivate Eyeโ magazine and thirty-five years asโฆ
I mean, Devizes own contemporary blues throwback, JP is getting bookings, and rightly so. He’s off to Trowbridgeโs Lamb next Saturday for a double-bill withโฆ
As the excitement continues to detonate to an exploding point for our very first Stone Circle Music Events Wiltshire Music Awards on 25th October, weโฆ
by Mick Brianimages from Lauren Arena-McCann The playwright Tom Stoppard is probably best known for his work โRosencrantz and Guildenstern Are Deadโ, his absurdist comedyโฆ
You might think it’s a laryngologist’s dream come true, this Lewis Capaldi-led decade’s penchant for the blue-eyed soul singersโ melismatic strain to cause Mick Hucknallโฆ
If last year I trundled off the 49 at Bishops Cannings in a blazing heatwave alone, this time things were different; the bus was heaving with revellers, mostly unprepared for the torrential rain forecast, enough to warrant me query out loud if anyone onboard wasnโt going to CrownFest, and if not, did they have a pac-a-mac I could borrow?!
Attendance figures made for a vast improvement to last yearโs inaugural festival at this wonderful village watering hole, which although was a thoroughly smashing occasion, due to a date clash with Devizes carnival could have been better attended. In fact, the unavoidably unpredictable British summer time climate could possibly be my only whinge this time around, as the rationale maintained “might as well make the most of it,โ rang through the beer garden of the Crown, and everyone, it seemed, had a fantastic time.
And to add importantly, downpours were sporadic and at better times the sun poked his head around the gloomy clouds to say hi. Dapper in country attire, Capโn Rastyโs Skiffle City Rockerswere already underway, with highly entertaining skiffle variations of classic pop covers, a few traditional folk singalongs thrown in for authenticity. New to me this one, they were utterly proficient with an air of timeless cool.
Nonchalant was the vibe in general, though, in the face of adversity; a possible landslide to the next village, or trench-foot at the very least. Lesser in sidestalls, perhaps due to the forecast, the arrangement of tables and chairs which last year caused an elongated divide between the stage and bar had been realigned and by design everything was tickety-boo.
But it has to be awarded, the medal of honour for service and total dedication to the cause, to all the young staff at the Crown who worked tirelessly under mounting pressure to serve everyone their poison and tucker with a smile. Basically, gen z staff retained decorum, ironed every trivial issue, and restlessly served their elders, generation x, who generally fell drunkenly into marshland and partied like they were sixteen again and never saw Abba or Tina Turner!
And for want of a better nutshell there it is. Anyone there, lucky enough to have seen the originals of any of these triple billed tribute acts in their prime, would’ve been in the minority, for all intents and purposes, I couldn’t pick a more skilled one between them. This retrospective appeal is why tribute acts are a welcomed trend, and after every new one I witness I’m convinced of their worth and place in live entertainment that bit more.
If three succeeding tributes was a good move by music organiser Tunnel Rat Studio’s Eddie Prestidge, I call allowing all acts an extended ninety minute set a risk which also paid off. Band changes were fewer and swiftly operated; birthday boy Fantasy Radio DJ Marc Anthony was there anyway.
Personal favourite goes without saying, taking the finale, The Marley Experience was everything I could have wanted and more, truly a dedicated and precise homage to Bob Marley and the Wailers of the highest quality and sublimely executed entertainment. They marched through the classic discography, and saved time for a few lesser known tracks, like Soul Rebel. I know my reggae, and this was irie dread-I to the highest heights.
On the other hand, despite Abba not being my cuppa, I was converted by the Abba All Stars even in the most torrential section of the day; imagining how beguiling the Swedish innovators of pop would have been in their heyday was made easy with these confident young band looking and sounding every bit the partโฆWaterloo, or portaloo, it didn’t matter now, we were soaked to the skin, and we didn’t care, and this was mostly thankful to the Abba All Stars. Quote me on this at your own risk, as it’s something I’d never thought I’d say; “I loved this Abba tribute!”
Nestled between though was my most negative preconception, having seen in the past the kind of Tina Turner tribute to put you off of Tina Turner tributes for life, and forgoing the wealth and power of a voice like Tina’s is near impossible to effectively pull off, but Kinisha Morgan-Williams did, with bells on. The Tina Turner tribute known as Simply the Best was indeed as advertised. It was nothing short of phenomenally accurate, even on those soulful ballads, Kinisha absolutely rinsed it and wowed the crowd. Particularly memorable was Kinisha’s Nutbush duet with Eddy Armani; what a dynamic show blessed in realism and excitement.
But, simply the best part of CrownFest was this insatiably friendly festive vibe with an air of enthusiasm and unification from staff, volunteers, punters to performers there was the underlying notion this is the start of an annual landmark in local feelgood festivals in which the villagers welcome revellers and assign themselves to good times. After the success of this weekend, we hope CrownFest will continue; you should consider yourself extremely unfortunate if you miss next year’s.
The sum of all these parts meant CrownFest was nothing short of the kind of superb spirit drizzle couldn’t dampen. Though if locally sourced acts were shorter in billing, those Junkyard Dogs can bark up enough wattage for three bands, with their irresistible electric blues covers. Oh yes, the Dogs did their thing and rocked the show prior to this plethora of tributes and is always an unmissable hoedown. Leon Daye Band unfortunately I arrived too late for, could still taste the toothpaste, soz.
Time to summarise, if I have to accept it’s all over for another year. On our doorstep, a small pub-run festival only in its second year which packs far more punch than this definition, and far beyond the average of its kind. We could debate musically it’s geared towards generation x, against the notion the eighties produced timeless acts legendarily to all, but as, proudly, I’m of that era, CrownFest 2023 was an awesome all-rounder, with or without an umbrella.
Nothing cruel about our George Wilding; with his perfect match and another local legend of local music, Jolyon Dixon, they’re knocking out great singles likeโฆ
Thereโs a new single from Bristol-based Nothing Rhymes With Orange out tomorrow (Saturday 20th September) which takes the band to a whole new level, andโฆ
The Wiltshire Music Awards are delighted to confirm a new headline partnership with Stone Circle Music Events, who will sponsor the Awards for 2025 andโฆ
Following the excitement and success of the first meeting of โYour Partyโ in Swindon, a second meeting has been arranged for 18th September 7.30 -โฆ
It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโฆ
Step into Wiltshire Museum in Devizes before October 15th and youโll be treated to an exhibition which will make you look at the beautiful views most of us drive past daily in a whole new colourful and graphical contextโฆ..
The exhibition, titled Wessex Airscapes: Elevating Wiltshire by artist Anna Dillon and drone photographer Hedley Thorne is certainly unique. The former being the astoundingly distinctive landscape artist whose painting turned my head ascending the stairs of the Bluestone Gallery, once of Swan Yard in Devizes. Through its unique characteristic bordering graphics, I immediately recognised her print used on an album cover by Woodbrough folk ensemble, the Yirdbards.
Something Iโve been toying with since, this dividing line between art and graphic design, for the first few terms on a graphics course in art college we were subjected to a vigorous routine of life and still life drawing to perfect sketching and painting as a fine artist, prior to exploring more graphical theories like typography and design.
Hereafter never the twain shall meet, and I wished Iโd ventured down the fine art avenue rather than graphics (too late now!) Within her work, though, Anna straddles this divide; capturing the perennial spatial character of our local landscape, its topographical quiddity, yet of clear line and bold colours, a manner not usually attributed to landscape art.
The wonderful contours of the sarsen dropstone impressions, folds and rolling meadows and agricultural plough lines across the Marlborough Downs, are all depicted as the gestural line found in graphic design, and the result is extraordinary. I was dying to know how Anna defined it, as fine art or graphics.
โIโm quite a messy person in life,โ Anna confessed. โBut when it comes to painting it’s the neatest, so very controlled, because I was trained as a graphic designer and illustrator for about fifteen years,โ she confirmed, showing me some abstract monoprints which she hoped would highlight her graphic training. โSo, I think when I then became a painter, I did paintings, but not both, but now, yes, you can see the graphics side, the neatness, and I like that, I like that control, I donโt know why.โ
Unaware this is Anna and Hedley’s second โAirscapesโ exhibition, the first, at Radley College in 2021, showcased Oxfordshire and Berkshire landscapes, I supposed the Wiltshire landscape to be perfect to capture graphically, as further west the hillsides are steeper and rugged, further east is flatter. โAh,โ she expressed, โthe only regret I have is that I feel like I havenโt painted enough, thereโs so much of Wiltshire, this is two years of work, but I feel like thereโs so much more to explore.โ
The style of this series of aerial landscapes has seen a natural progression, Anna pointing out an earlier Avebury work from 2009, โthe colours are much more vibrant, I donโt think I would paint it like that now, even the trees are stylised.โ Though clearly the origin of the recent paintings displayed is here; the graphic distinction is lucid, whereas now itโs much more refined, integrated with the standards of either watercolour or oil landscapes, the grass, bracken and trees details bear realism, whilst the clouds retain this solid format. โI see shapes in the clouds,โ Anna expressed, โthey become sculptural form, for me, and theyโre estranged, so as youโre exploring it, youโre trying to go with the shapes; itโs all about shapes, colours and contrasts.โ
Overall you maintain this fantastical imagery of what one could imagine to be a โtoytownโ version of the Wiltshire landscape, ideal for a childrenโs book illustration, but I say this is with the highest calibre, and compliment, of course. In fact, Annaโs work has featured in several books.
โItโs more of a subtle pallet,โ was how Anna described her latest work, โIโve used darker colours,โ and she veered off onto knowing when to finish a piece and not continuously add touches, โbecause you get a bit blind to it, being in the studio day in day out, you can get a bit, not stale, but sometimes you can overwork a painting or underwork one too.โ
See, thatโs an artist who cross examines their painting in the studio for an age, not a graphic designer who, governed by the industry, is encouraged to hastily knock a piece of work out and get onto the next job. โI did like graphic design,โ Anna explained, โbut I didnโt find the work had any value, itโs kind of throwaway,โ though she did show me her logo for a river trust, in which there was a clear relationship to that of her landscape paintings. It is so gorgeously original, it has to be seen to understand.
The exhibit is backed by Hedley Thorneโs breathtaking low altitude aerial photography the paintings are worked from, and they are joined by Annaโs father, Patrick Dillon, who has written the exhibition book, along with contributing a small display of artefacts and documents.
In all, the exhibit would excite anyone interested in heritage, local cultural-historical artefacts or geographical topography, to artists and graphic designers alike, or indeed anyone interested in viewing a different approach to a classic standard, within landscapes you will recognise, as in so much as a cartoonistโs line is akin to a signature, instantly recognisable as their own, so too are these impressive individually stylised works; well worth a visit.
There’s something to be said for the function duo route with universal appeal, you could be working somewhere hot! Powerhouse vocal harmony duo Reflections areโฆ
Formerly known as Judas Goat and the Bellwether, the now renamed band have announced the release of their latest single, โDrill Baby Drillโ (coming outโฆ
Photograph byย Simon Folkard It’s been a rocky road for Devizes Outdoor Celebratory Arts (DOCA) these last few years, and I didn’t mean the crushed biscuitsโฆ
What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย Didn’t that crazy toothless editor catch themโฆ
Valedictorian graduate of Bates College in Maine, and with a PhD in neuroscience from Harvard, neuroscientist Lisa Genova self-published her debut novel, Still Alice inโฆ
Unbelievably two years have nearly passed since Onika Venus gave me a convenient excuse to poke my nose into what Sheer’s Kieran was doing up at Trowbridge Town Hall. Billed as reggae, arm twisted, I took a listen to the debut album, and have been infatuated since; now, we have a follow-upโฆ..
Because while the term roots is bounded around within reggae music, progression never levels, and retrospection rarely arises, save perhaps within the skinhead/scooter culture. Contemporary reggae strives forward endlessly, millennial slackness dancehall has waned to charter a reunion with RnB, and this is where Onika fills a gap on the UK scene.
Onika Venus at Trowbridge Town Hall 2021
But there was more in the melting pot than met the eye, yes, Onika has a sublime voice, rich with Jamaican heritage, but her marriage to Mark, with a penchant for Americana roots meant the debut album, Everything You Are, stretched back into an association with country music not seen since roots reggae days of yore. Though the album is best described as experimental as opposed to retrospective. Still, those tracks serving a Jamaican offbeat were likely the most memorable.
So, I’m content the follow-up Midnight Remedy, released today (7th July) bursts straight into a reggae riff. Turn it Up is bold and brassy, this element breathing a subtle nod to rock steady. Thumbs up so far for pulling off the tricky sequel, for if it rides this train it wouldnโt be a bad thing.
This rock steady riff does continue for the following tune, Who’s Sleeping in my Bed? Topically, it reminds me of the Dawn Penn classic Are You There? With an air of “nah fuss” jollity within it, this is best classed as sunshine reggae; if someone else is sleeping in her bed, she’s not going to let it rain on her parade.
With a broken love theme, Faded Rose still rides a more tenuous offbeat, but this cleverly placed RnB element, which we saw in the debut album, comes back into play and we’re off, stirring the melting pot, equally as refined as the debut album.
Not long to wait to return to rock steady, though with a chatty dancehall vocal placement, and a one drop riddim, the title track Midnight Remedy, chants on the groove, probably the most beguiling yet, especially when that hammond organ plays it to fade; boss reggae gets some attention and I’m smitten.
Heart in a Bubble carries on from the good work of Midnight Remedy, blossoming romance is a tried and tested subject for the rock steady style, arguably the most creative period of the Jamaican recording industry, and this salutes such output.
Gravity, though, is the most experimental yet. Blues by any criticโs pigeonhole, in mood and sound, offering a welcomed darker side to Onika. The offbeat returns for a topically rainy day blues again with Teardrops, only to be proceeded with Something’s Gonna Break, a ballad with a fair slice of eighties-fashioned stanzas, and sax solo. Save Whitney, vocally superior, though, to said pop hits, this drifts along sublimely.
There’s pressures of lockdown themes, with electronica undertones in an eighties soundclash style, but retaining the silkiness of Onika’s house style, followed by a chugging train-themed soul smoothie, aptly Runaway Train. And the finale sees us back with these hints of eighties power ballad again, but whatever the flava, this is one absolutely beautiful album, soulful and uplifting throughout, truly a welcome return for Onika and her proficient band; melancholic when required, bouncy and joyful otherwise, but always wrapped in this most wonderous rich voice it couldn’t be anything less than a winner!
Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโฆ
There was a geographical population imbalance this bank holiday Monday in Devizes which risked the entire town conically sloping into the back of Morrisons; noโฆ
Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory, Butane Skies is a name increasingly exploding on local circuits. The young andโฆ
The excitement and hope generated by Jeremy Corbyn and Zarah Sultana announcing a new political party has reached Swindonโฆ.. A broad range of people haveโฆ
St Mary’s Church in Devizes may be a while yet before becoming the vision of a fully fledged arts centre, but it’s certainly showing its full potential this coming weekend with a stunning exhibition from local artist Alexander Kaiโฆ..
A prolific multimedia artist with the skill of another far elder, Alexanderโs display is breathtaking, and in such an apt environment. At ease with the browsers he expressed great fondness for the setting, remarking on the changing light as evening set in, as I supposed the atypical Bauhaus gallery to be inapposite when you can glide through the pews and find alternative embodiments of countenance within, what is largely life drawing and portraiture with few, but some, landscapes. โI really wanted to integrate the building into it,โ he explained, โbecause it is the most magnificent space.โ
Mike and Mike by Alexander Kai. Image: Gail Foster
Yet the range here is equal in mediums and subject to the quantity. Thereโs many charcoal sketches and sepia life drawings, acrylic and oil works, even some sculptures, and while subjects vary from classic to stimulatingly contemporary, and few with foreboding undertones while others propitiate ebullience, they all capture a moment in time, or an expression with narrative, and are all exquisitely executedโฆ. I’ve said too much already, pay it a visit!
But it’s the precision of expression and quality and range of skin tones which draw you into Alexander’s work. Four paintings in the chancel contradict each other and act as an example of this astounding artist’s range. Far left the torso up of a shirtless young man striding forward with a mammal skull clasped in hand simply connotes an eerie sensation akin to a psychological thriller, whereas far right there’s a more common painting of a Roman sculpture bust, and nestled in between are two works, one a stunning portrait of a younger woman, the third a family type triple pose with elders and youths.
Every contour of the ageing skin of the older lady is so precisely and richly rendered I got to suppose the smoother skin of youth is easier to depict. Alexander thought otherwise, saw the challenge of wrinkles against the contrast of the symmetry of youthful beauty, and reasoned the older the subject the greater story they had to tell, which he captures in that expression and ambience. And in a nutshell, that’s the key, I felt, to the brilliance of this artist, that whatever the medium, subject or style, there’s reason, a story to tell.
Alexander Kais’ Figures in Focus opens tomorrow (Friday 7th) at St Maryโs, Devizes and runs until Sunday (9th.) The church is open from 11am to 4pm, except on Saturday when it closes later at 6pm. Follow Alex Kai on Instagram.
If I was bowled over backwards by Rubyโs teaser single last week, its title, Crowned Lightbringer, now also belongs to this five-track EP, released today,โฆ
Image: John Kisch Legendary songwriter and original Stranglers frontman Hugh Cornwell has announced a run of UK dates this November, accompanied by special guests Theโฆ
Atmospherically anthemic and reinforced with that infectious rhythmic groove weโve come to love Talk in Code for, More Than Friends is chockfull of it, andโฆ
by Mick Brian With Sandcastles Productions marking its debut production with Charlie McGuireโs original play Glass House, the cast and crew behind this production are clearlyโฆ
Envy being too strong a word, perhaps longing would fit how I felt when I saw Facebook photos of families excitedly packed in a car like they’re about to go on their holibobs, rather heading off to Glastonbury Festival instead. Festivals have trended to be family occasions, but I know a member of mine wouldn’t take to such an environment, no matter how I might enjoy them myself. It wouldn’t do for them to be squashed in like sardines, and all the goings-on would mean sensory overload.
If you identify with this conundrum, I might have found an answer. Embrace All is a fully accessible, inclusive one day festival, aimed at people with all disabilities, happening at the Bowl in Old Town Gardens, Swindon on Saturday 5th August. While many festivals cater for disabilities with varying degrees, this is the only event Iโve heard of specifically designed for such, and I have to say, what an absolutely wonderful idea.
The story behind Embrace starts with Rachael Chun and Katie Brown, who both work in social care. With them both on maternity leave back in February, they started a bi-monthly disco at the Tree nightclub in Swindon, Diverse Disco, for anyone sixteen plus with disabilities. โWeโre stopping the discos for now due to the hot weather,โ Katie explained, โbut our next one is on the 14th of July.โ
Taking this brilliant idea to the next stage, Embrace All will be the first of its kind, a festivalย open to everyone but tailored to adults and children with disabilities. โIt’s aimed at all disabilities,โ Katie continued, โbut a lot of the individuals that come to our events have learning difficulties and autism.โ
Creating easy access into and out of the venue and ensuring they cater for all dietary requirements. A sign language interpreter will be onsite and they have a Revolootion (a toilet with a hoist.) โWe are so committed to creating a more accessible and inclusive society and we hope that this will have a really positive impact on the disabled community,โ Katie expressed, โit’s so wonderful to see so much happiness and them just having fun with not a worry In the world.โ
Alongside a range of DJs for a party at the end, they have an impressive lineup, including I See Orange, Here Come The Crows, Joli and the Souls, and one I think will be particularly suitable, the Sarah C. Ryan Band. Sam Swancott, HoneyFunk, Adrianaโs Keys, Chloe Hepburn, Jeanette Etherington, Joshua Heather, and The Carers in Harmony also have slots.
The Sarah C Ryan Band
Diverse Disco has had a number of other events ranging from Teddy Bearโs Picnics to an Abba tribute night, beach and pyjama parties. Tickets for the Embrace Festival are ยฃ15 for adults, ยฃ12 for under 18s, free for one carer, ยฃ40 for a family ticket, plus booking fees.ย The Embrace Festival GoFundMe page is HERE.ย
For more information on the Embrace Festival, and all other forthcoming events by Diverse Disco, thereโs a Facebook group, HERE. Do check in with them for any questions you might have and book early as possible as spaces will be limited. As Katie expressed, โit’s not too busy either, we try to keep minimalย numbers so there’s plenty of space for everyone.โ
We wish the team at Diverse Disco all the very best for this and other events, Iโm still in awe at what a thoughtful and genuinely wonderful idea this is!
Wiltshire Music announces a new season for Autumn Winter: and the first under the new leadership of Daniel Clark, Artistic Director and Sarah Robertson, Executiveโฆ
If youโve seen Jess Self performing at the Wharf Theatre, singing at the FullTone Festival or elsewhere Iโm certain youโll agree with us; Jess hasโฆ
It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโฆ
Devizes annual orchestral festival, FullTone got underway yesterday afternoon with a showcase of local talent from Devizes Music Academy,ย and finalised Friday night with theirโฆ
A feast of Salisbury musicians have recorded the single Edge of Reason, a powerful tribute to the irreplaceable ThomโฏBelk, a champion of Salisburyโs music sceneโฆ
Devizes Food & Drink Festival launched their 2025 programme of events today. Running from Saturday 20th to the 28th September, the Box Office opens onlineโฆ
With your standard festivals two-to-a-penny, some consisting of not much more than a bloke with a guitar in a pub selling undercooked and overpriced hotdogs,โฆ
Bit drizzley innit? Usually waits until after the kids break up from school, so maybe the sun will put his hat on then, or perhaps this will just continue until the rainy season in autumn; who can tell? One thing we can tell you though, thereโs lots to occupy yourselves around these backwaters with this coming week, and here it all isโฆ..
Donโt forget nothing is comprehensive, other events might well be added during the week as and when we discover them, so check in on our event calendar,for more info and links on these, updates and planning ahead.
Ongoing through the month, Marlborough Open Studios, countywide artist open studios, where you can invite yourself into many artistโs homes for free to see their work and what biscuits they have! Open Studios runs on the first four weekends in July between 11am and 5pm.
Running until the 8th July, Bradfordiansโ Amadeus at the Wiltshire Music Centre, Bradford-on-Avon.
Wednesday 5th:
Acoustic Jam at The Southgate, Devizes.
Christ Church Primary School Summer Concert at the Wiltshire Music Centre, Bradford-on-Avon.
Starting today, running until Saturday 8th July, Henry VI at the Rondo Theatre in Bath; two Devizes actors in this, Lucy Upward and Ian Diddams, break a leg, guys!
Starting today, running until Friday 7th July, Wilkes Academy showcase at The Wyvern Theatre, Swindon.
Thursday 6th:
Live music every Thursday at The Tuppenny in Swindon, this week itโs The Rigmarollers.
The Nell Bryden Trio, plus support from Isabella Coulstock at Chapel Arts, Bath.
And hip hoppers fav, the Nass Festival kicks off all weekend at Shepton Mallet.
Friday 7th:
Alexander Kai exhibition at St Marys, Devizes runs until Sunday. Hope to have a preview piece up by Thursday on this, see poster.
DOCA Carnival Quiz at The Shambles in Devizes.
Innes Sibun is at The Southgate, Devizes.
Find a Music Weekender at The Barge, Honey-Street.
Shot by Both Sides at The Three Horseshoes, Bradford-on-Avon.
Moscow Drug Club at Chapel Arts, Bath.
Sefrial at Pound Arts, Corsham.
Moving Pictures (Rush Tribute) at The Vic, Swindon.
Funke and the Two-Tone Baby @ The Cheese & Grain, Frome.
Saturday 8th:
Lacock Scarecrow Trail begins.
Wessex Airscapes, an exhibit from the unique Anna Dillon at Wiltshire Museum starts,and runs until October.
But we hope to be at Editorโs Pick of Week, CrownFest at The Crown in Bishops Cannings. Be quick in getting a ticket for this, it may already be sold out. Preview HERE.
Chaos Brothers play The Three Crowns in Devizes.
Howlin Matt is at The Southgate, Devizes.
Thereโs a Family Festival at The Parade Cinema, Marlborough, with Ann Liu Cannon, The Zoots, Crystal Tides, The Vooz, Hip Route and Nothing Rhymes With Orange.
Chippenham Food & Drink Festival
Wilton Carnival
@Fest at The White Hart, Atworth. Plan of Action headline a Dorothy House Hospice Care fundraiser there.
Lunchtime Piano Recital with Andrew McCormack at Pound Arts, Corsham.
Hugh Pascall Quintet at Pound Arts, Corsham.
Bath Minerva Choir presents Feasts and Fables at Wiltshire Music Centre, Bradford-on-Avon.
Dreamwave plays The Three Horseshoes, Bradford-on-Avon.
Miss Kelโs Academyโs The Best of British at The Wyvern Theatre, Swindon.
Chocolate Theatreโs Grease at Swindon Arts Centre.
Shepherd’s Pie play The Vic, Swindon.
Thresholdโs Party In The Park at Old Town Gardens, Swindon, with an Abba tribute.
I Canโt Believe itโs not Buddy, Buddy Holly show at Chapel Arts, Bath.
Straighten Out, Stranglers Tribute at The Tree House, Frome.
Sunday 9th:
Model Folk plays The Three Horseshoes, Bradford-on-Avon.
Wiltshire Young Musicians Summer Festival from 1.30PM at Wiltshire Music Centre, Bradford-on-Avon.
Tanwood Performing Artsโ Dancing On Sunshine at The Wyvern Theatre, Swindon.
Monday 10th:
Wizard of Oz Drawing Event at The Little Hop, Swindon.
Rumours of Fleetwood Mac at The Wyvern Theatre, Swindon.
Frome Festival begins, with Raghu Dixit at the Cheese & Grain.
Tuesday 11th:
Jazz Knights at The Royal Oak in Swindon has Gethin Liddington and the Dave Jones Quartet
Rhythm of the Dance at The Wyvern Theatre, Swindon.
And thatโs all we have so far, do check into our event calendar for updates, and have a great week!
Contemplated headlining this โClash of the Titans,โ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโฆ
Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its openingโฆ
by Ian Diddamsimages by Sandcastle Productions A very new addition to Bath based theatre companies, Sandcastles Productions brings their self penned piece of theatre toโฆ
by Ian Diddamsimages by Ian Diddams, Next Stage Theatre Company and Mike Stevens Florian Zeller is a contemporary French playwright and screenwriter, who received criticalโฆ
Rude to walk into an event sporting another event wristband but the welcome was friendly as ever at the Three Crowns in Devizes. It’s mid-afternoon,โฆ
If youโve popped into Wiltshire Music Centre recently; for a concert, workshop, screening orย even a meeting, you might have noticedโฏchanges in the foyer: recorded music,โฆ
One of the fundamental elements which makes Mantonfest such an absolutely brilliant festival, aside its beautiful location and friendly atmosphere, has to be the varied age demographic. It may be the case Marlborough doesn’t do separate niche festivals for this, and for that, but I’m thinking after my third consecutive Mantonfest, Marlborough doesn’t need to when it’s all encased in this Treacle Bolly bowl of wonderfulโฆ.
If I smiled to note the same bunch of groupies gathered front of stage for the standard protocol Barrelhousehour I see annually, a smidgen more grownup each time, it was far from the only time I smiled.
Barrelhouse
For as well as Barrelhouse, who on their home turf can attract kids from nine to ninety-nine with this insatiable groovy appetite for vintage jump blues, beach balls and, this year, a homage to Tina Tuner with a Rolling on the River cover,this age demographic was truly catered for musically, this year, I think, more than ever, and I’m backing this claim with another couple of examples as to why.
Reason one being the simplest; the penultimate act is a timeless recipe for success. The fairground version of ska, via an incredibly entertaining Madness tribute from Hull, Badness. Not content with knocking out Baggy Trousers, Night Boat to Cario et al, in a fashion unpretending to mimic the appearance of Madness visually and drop in a little of their own panache, they encompassed the entire two-tone and eighties reggae scenes with equal gusto.
Badness
Badness was a chicken dinner, not only their proficiency and amusing stage banter, but of the formula; ska gets everyone up dancing. They were a blessing to a festival doing amazing without them.
Badness
This was equalled by a high-energy finale whereby tribute Rolling Stones Now not only mimic the era-spanning royalty of British blues, but recreated groundbreaking concerts. Showmanship ablaze with swagger and colourful costume changes, this was a true crowd-pleaser. Something of a history class both entertaining and precise, but more importantly coupled with Badness made a finale which catered for all. As a group of young teenagers loudly requested Baggy Trousers as an encore for Badness, I realised these classics aren’t only relished in retrospective appeal to my generation, but are timeless danacable favourites for everyone.
Mantonfest 2023
James Oliver Band
Second example why this year’s Mantonfest catered for its age demographic so astoundingly, was prior to show-stopping performances of rock n roll and blues, firstly from Welsh guitar virtuosoThe James Oliver Band, Tony Briggs as a replacement upright bassist, and Jodie guest vocalling, whoโs energy is unparalleled by the funny faces he pulls while strumming, sixties legends Swinging Blue Jeans, and nestled in between, the aforementioned Barrelhouse set, Mantonfest hosted an hour or so of upcoming talent from St Johnโs School.
Swinging Blue Jeans
There we have it, those ageing rockers The Swinging Blue Jeans, still so cool with their classic cuts of sixties hits, still commanding the stage with gusto and a depth of experience beyond all else, against a plethora of young local students eager to advance their music, surely meets my criteria for a festival for all.
Renee Hawkins
Five acts in this section I hope the festival will repeat, was kicked off with a nervous looking Renee Hawkins, who through her divine voice came out the other end of her songs looking deservedly chuffed and a hundred percent more confident. Followed by Elton-like pianist Sammy Till-Vattier who breathed so much expression into some self-penned marvels I nodded akiness to Bowie in subject matter, and thatโs a high acclaim for anyone.
Sammy Till-Vattier
A second student at the keyboard, Beth Jones, with equally accomplished vocals blessed the festival with some beautifully spun covers, and while they found time for a second tune from wonderful Paul Simon-esque acoustic guitarist Tom Schusster, who previously had first billing at the festival, nestled between those two we had a surprisingly funky collective known asJvno.
Beth Jones
Jvno
Jvno, pronounced Juno, were sublimely united and tight, with talented saxophonist, two vocalists on bass and drums, and some mechanically ambitious original songs; technically a tricky stunt, the funky rhythms of a contemporary Average White Band, but going on their confident showmanship and collaborative genius, given time these guys are seriously heading places.
If I hark the talented upcomers in my town, Chippenham, Melksham and from Swindon to Salisbury, everywhere young people are creating an exciting new generational scene. Sitting on the grass at Mantonfest thinking about Nick Harper giving a young George Wilding a shot at Avebury Rocks, I reaffirmed Marlborough is no exception.
Of course, the proficiency of Swinging Blue Jeans or James Oliver is going to rock my world, the archetypal brilliance of a Barrelhouse show at this festival built for them I will never tire of, and though Iโm sorry to say I missed breakfast rockers @59 and Olโ Man Witcomb & the Bergamots, I made up for it with the fun of two fantastic tribute acts, the icing on the cake for me personally was this St Johns section, that and some unique chicken and chips I had from a vendor called Surf n Chips, naturally!
We continue to highlight upcoming talent at Devizine, because face it, sadly the mainstream local press seems only interested in projecting an image of gen z hooliganism for clickbait.
Mantonfest 2023
Overall, Mantonfest is a little gem which grows in equal amounts of kindness and charm as it does in stature, yet it seems it hardly expands to unworkable proportions. It doesnโt strive to be the next Glasto, seemingly content with its regulars. Like an exclusive club, if you know you know. Mantonfest will continue, I hope to simply be what it is. If itโs not broken is the motto.
Still, with a wonderful idea to contrast the appeal of matured rockers and embrace the younger ones who tend to not mess around here, rather, to become apprentices of the music theyโre witnessing, and that is something commanding the utmost respect for Mantonfest.
Another quick one from me, to say Devizes upcoming indie band Nothing Rhymes With Orange smashed it out of the park and down the Kennet & Avon all the way to the Barge on Honeystreet last nightโฆ..
Canโt give a full review as I only rocked up with a half-hour to spare, but it was plenty to witness, Nothing Rhymes With Orange are no hometown novelty. Punters at the Barge on Honeystreet were equally enthralled by their dynamic show of originals and the occasional cover. Of which one hailed out their request for an encore should be an original of theirs, which was interesting as it fully projects what weโve been saying all along about this band; their dedication to creating an exclusive and prototypical sound is primary, yet while their ability to project that to an audience is something theyโre continuously perfecting, the result is sheer exhilarating.
It was at this point then, I stress, Nothing Rhymes With Orange seemed more at home and familiar in these pub venue surroundings than ever before, despite what is a legendary local venue with an historic appreciation for the quirky and unusual, it didnโt phase them to perform confidently and superbly. I left thinking everywhere these young guys go they will imprint their music on those who attended and while they may have amassed a blossoming fanbase here, it will only extend further. But more to the point, it is so thoroughly deserved!
Heading a generational scene and finding time to network within it to showcase others is clearly making an impact, as a group of local youngsters form a new production company called Lost Monkey Productions, who arenโt taking things one step at a time, rather hosting NRWO with Foxymoron and Overstory in support at Devizes most prestigious venue, The Corn Exchange on Friday 14th July.
Photo credit: David Leigh Dodd Pioneers of the indie-rock sound which would lead us into the nineties, Transvision Vamp lead singer Wendy James has announcedโฆ
By Ian DiddamsImages by Luke Ashley Tame of Acadia Creative Around 2 million women are victims of violence perpetrated by men every year, thatโs 3,000โฆ
Family run premier auctioneers of antiques and collector’s items, Henry Aldridge and Son announced a move into The Old Town Hall on Wine Street, Devizes;โฆ
By Ian DiddamsImages by Ian Diddams and Shakespeare Live Is it post watershed? Then I shall beginโฆ The etymology of the word โNothingโ is quiteโฆ โฆ
Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโs turn to shine; always a law unto itself, things went off; if itโsโฆ
Britpop icons Supergrass will headline Frome Festival as a fundraising event for grassroots community action group โPeople for Packsaddleโ who are fighting to save aโฆ
Okay, god knows I need my beauty sleep more than most, and on a promise to attend the wonderful Mantonfest, it was only ever going to be a brief drop-in to Hillworth Park to check out Devizes inaugural Pride, but I’m glad I did.
After an evening of drag queen bingo at the Wyvern Club, people gathered for a picnic styled event at the park with a handful of stalls and attractions. It was only ever going to be a small event, compared to Chippenham’s recent first Pride where they pulled out all stops, but it most certainly was well attended and a landmark in progressing Lgbtq in the town. A huge congratulations should go out to chief organiser Oberon Christmas, drag queen act Miss Lucy Luscious Lips and all in the Devizes LGBTQ group.
Likely the influence of the new Chippenham mayor Declan Baseley, not only the youngest mayor at 27, but first openly gay person too, which accelerated the appeal in Chippenham, hopefully will rub off on neighbouring towns also staging a Pride at varying levels. I’m of the thinking, though, it shouldn’t need the undertaking of someone in both the LGBTQ community and council to assist in staging such events, and town councils could do more to financially support such annual occasions, we all could.
Clashing with town’s annual beer festival was Devizes Pride’s major teething trouble, but it sure is a step in the right direction and wonderful to see the rainbow flags flying out of park as attendees dispersed from the park. What the small group achieved here this weekend was far bigger than the event itself. But as Oberan explained to me, it was a lot of work for them to stage themselves. Pride is not a LGBTQ meeting, but rather an open to all celebration of the common acceptance of equality on many levels, and, personally, I felt this was the vibe at Devizes’ first Pride. From small acorns, I’d really like to see this event sponsered and supported by the town in the coming years. Whatever we can do to help this move forward, Devizine will.
I confess a few nerves about my first interview, in a coffee shop in Chippenham, however after meeting folk singer-songwriter Meg, it became more like a chat between two friends. Meg is appearing on the line-ups of many local festivals and venues, from Trowbridgeโs Pump, Chippenham Pride and Folk Festival, to MDBTYD festival in Swindon.….
I asked her which gig she was most looking forward to, โthe Minety Festival is where most of my focus is, as it’s the closest,โ she explained. Meg is playing the Minety stage on Friday night alongside other upcoming artists such as Boston Green and The Sunnies, and amidst legends like Dodgy, Reef and Scouting For Girls.
But which are her favourite venues and most memorable gigs? โIt’s a difficult question, I find gigs better when there are friendly people and a good environment. I did a gig with Boston Green at Newark Hall in Chippenham; they were amazing!โ Meg was passionate about the Pump in Trowbridge, which presents opportunities to upcoming and diverse musicians. โKieran,โ she said, โwho runs it is really involved in helping young musicians.โ
I was keen to understand the difficulties for younger people getting local bookings, at sixteen it must be hard to get gigs being many venues are pub-based. โAt times it can,โ Meg said, โI’ve had a few venues whoโve said no because theyโre 18 plus, so, likebars and clubs, as legally it would be very difficult. Then getting the fan base in because many of them are younger as well.โ
Whatโs Megโs favourite thing about performing? โThe fact I can do it and that there’s an audience who cares enough to actually listen, and who will come up and talk to me afterwards; itโs really sweet. And of course, I love it! I wouldn’t do it if I didn’t love it.โ
Glastonbury is a dream gig for any artist, Meg included. โThough I don’t think I’d like to go there unless I was playing,โ she remarked. Meg cited Florence and the Machine and Aurora as influences, โthey have been hugely influential on my personal style. When I was first going out, I didn’t have many originals, mainly doing Florence and Aurora covers.โ But now Meg is a prolific writer. โAt this point,โ she expressed, โI’m doing all originals, but this time last year I only had two and was doing mainly covers. I actually wrote a bunch of songs whilst doing my GCSEs! Itโs a good way to relieve stress. So, I have a lot more material now.โ
Enough for an album, and at such a young age? Meg was thrilled about an opportunity to record her songs, โI mean thatโs got to be exciting, right?โ
โI’m so excited for that!โ Meg expressed, โI’ve got two days booked, so hopefully I’ll get all the songs I’ve got going at the moment recorded. Yess, there’s going to be an album! We are going to aim to start releasing around September, and then the album will probably come out between then and Christmas.โ
โI feel like the music industry isn’t always that accessible to become successful in, but at my age, I think I have the freedom to put a lot of time into it, and I’m obviously still supported by my parents, and I love them so much; they help me a lot with it!โ
I wondered where Meg got her inspiration. โInspired by the work of Aurora and Florence and the Machine,โ she began, โI love nature so that can sometimes help. And rain, whenever it rains I seem to get ideas! A month ago it was really misty and I wrote a song which is called Mist, which is one of my favourites. When inspiration strikes you just have to write; I often find Iโll be writing songs in the back of my school books!โ
Where did it all begin? โThis probably sounds cliche,โ Meg replied, โbut it’s always been there, as soon as I could talk I started singing! I was four when I wrote my first little song. I would always sing with my mum when I was younger which really helped get me into it and my dad played musical instruments so that helped too.โ
Mist being her personal fav, Meg continued, โThere is this one that’s a calm one; some people say it’s sad, but it’s very nostalgic for me. It’s called Hide in the Rain. There is also another one that’s really helped me through a lot of things, called Together, because Iโm autistic the song has helped remind me I can unmask, I don’t have to pretend to be someone else and it’s fine to be me.โ
Mentioning Together, about her autism, I asked Meg when she is writing her songs does she try to represent autism? โI think Together is the only song I’ve written about it. But I do quite openly talk about it and I don’t think it should be something people are scared to talk about. For me personally it’s part of who I am and I really value that part of me. It’s made some parts of life difficult but it’s made parts of my life better. I honestly don’t think I would be doing this if I wasn’t autistic, in a weird way. All of my songs are about me in some respect and it’s a part of me I can’t escape.โ
Does Meg get performance anxiety? โSometimes, it often depends on the gigs. At new environments like a festival Iโve never been to, or when I’ve got a lot of new songs I haven’t performed, I found then that it can be very nerve-racking.โ
It was lovely chatting to Meg, I asked her what her proudest musical accomplishment was, so far. โI’m not sure. It’s hard to say, but coming second in Take the Stage in Chippenham,when I was fifteen has to be up there!โ And Iโm sure there will be many more!
You can find Meg performing at Minety, Trowbridge Festival, MDBYTD and The Shuffle and regularly at The Pump.
Another Triumph for WHO Andy Fawthrop Following the excellent recent production of La Belle Helene at Devizesโ Wharf Theatre back in March (see here), Whiteโฆ
Five Have An Out-of-town Experience You canโt always get that live music experience you crave by simply staying within the walls of D-Town.ย Sometimes, andโฆ
By Ian DiddamsImages by Josie Mae-Ross and Charlotte Emily Shakespeare wrote several plays that were termed in the late nineteenth century โProblem Playsโ. These wereโฆ
Together in Electric Dreamsโฆ. at The Corn Exchange Fashionably late for Devizes Arts Festival, I’d like to thank Andy and Ian for informative coverage ofโฆ
by Ian Diddamsimages by Ian Diddams, Play on Words Theatre, and Devizes Arts Festival Who was paying attention in history at school when they coveredโฆ
Poulshot’s Award-winning chocolate studio Hollychocs is proud to launch a heartfelt charity campaign in support of the Cystic Fibrosis Trust UK, with a charming chocolateโฆ
Itโs time to be thinking about that nearby little village with a big punch and a spire. CrownFest at The Crown in Bishops Cannings is occurring next weekend, Saturday 8th July, and if last yearโs inaugural festival is anything to go by youโre in for a treatโฆ..
Because the whole term โfestivalโ has become somewhat ambiguous during these trending times, some pubs seem to take the wonky assumption that you can grab a man with a guitar off the street, put him in a marquee, flog undercooked hotdogs and call it a festival! Crownfest, you should note now, does it proper and gurt lush, and last year was hard to imagine it was their first time. It was professionally put together and catered for all; real stage, side stalls, childrenโs entertainment and rides and plenty of food options. And most importantly of all, it was simply a stupendously friendly and buzzing event.
There was never a point where something was a hassle, like free car-parking, camping is reduced to ยฃ15 per (6m x 4m) pitch this year, pets are welcome, toilets and showers are available and it was exceptionally well presented with friendly but effective security; personally I couldnโt fault it other than the fact I fell off the bus too late to catch Pete Lambโs Heartbeats, as they were running ahead of schedule! What festival have you ever been to which runs on time, let alone ahead of schedule?! It must say something about the dedication gone into CrowFest numero uno, and it showed.
Being punctual isnโt something Iโd usually need to enforce at any festie, but perhaps here, as here is the lineup and (apparent) times! Headline amidst a further couple of tributes, from 9:30 till the close, Bob Marley & The Wailers tribute The Marley Experience is surely something youโd be looking forward to? Only ever witnessing one Marley tribute before called Legends, I have to say that one will be a hard act to follow, but in checking out The Marley Experience online, take it from a reggae aficionado himself, these guys sound equally โtop ranking.โ
If May brought us the terrible news of the queen of rock ‘n’ rollโs passing, Tina Turner was perhaps the most misunderstood icon of the eighties. The controversial Ike & Tina Turner Revue of the seventies which put her in the spotlight, equally was her trauma. Unlike Marley tributes, Tina Turner ones are plentiful, and this could go either way. Being honest, with tribute acts I find thereโs no inbetween, theyโre either astoundingly great, and pay a homage to the act theyโre attributing, or are a shocking embarrassment! Thing you need to do when deciding on a tribute act is research, and I assume Eddie music coordinator has done his homework, as Kinisha Morgan-Williams, the Tina Turner tribute act booked, sounds โsimply the bestโ on this here YouTube vid, and she is on at 7:45.
Prior to the private dancer, thereโs an Abba tribute, Abba Allstars from 6pm. Again, I find myself contemplating my โno in betweenโ theory of tribute acts, and the Chiquitita video shows, even for someone like me whoโs not the biggest Abba fan, these Allstars are proficient and sound sublimeโฆ.they might make an Abba fan out of me yet!
Though Iโm a 100% fan of those Junkyard Dogs, on at 4:15pm; a local band of the fiery blues variety and never to be missed. Cap’n Rasty’s Skiffle City Rockers, on at 2:30, is a new one on me, but the name alone is enough to entice. Then, along with Fantasy DJ Marc Anthony, and Guinness Book of Records holder for freestyle football skills Dan Magness, who did keep-me-ups for twenty-four hours, and causing me to wonder how he went to the loo during it, (I will ask him and report back) we also have Gloucesterโs fantastic and energetic alt-rock collective, the Leon Daye Band, who kick off proceedings at 1pm.
With all that in mind, I suggest you head on down to the Crown at Bishops Canning and grab a ticket, or online here, but if you go in person no chatting up the infamous gorilla statue, though; I saw her first!ย
Events with diversity, be they ethnic, cultural, or life choices, must be welcomed, encouraged and viewed positively as assets offering variety in our local calendarโฆ
Swindon Palestine Solidarity continues to call for a ceasefire in Gaza and for aid to be allowed to enter Gazaโฆ.. Their three recent roadside signโฆ
I want Devizine to be primarily about arts and entertainment, but Iโm often pathetically persuaded by bickering political factions to pass opinion on local politicsโฆ
Photo credit: ยฉ Rondo Theatre Company / Jazz Hazelwood A gender-queered production of William Shakespeareโs classic play, โThe Taming of the Shrewโ, will be performedโฆ
Exciting news for Wiltshire Museum in Devizes, who has received initial support from The National Lottery Heritage Fund for an ambitious and exciting project โAssizes for Devizes: Unlocking Wiltshireโs Storiesโ.ย Made possible by National Lottery players, the project aims to revitalise the derelict Devizes Assize Court into a vibrant community hub and iconic new home for Wiltshire Museum and its world class collection.….
Development funding of ยฃ300,748 has been awarded by The National Lottery Heritage Fund to help Wiltshire Museum, working closely with the Devizes Assize Court Trust, to progress plans for the project before applying for a full National Lottery grant in 2025. If successful, work would start on the Assize Court building in three- or four-yearsโ time, with a target opening date of 2030.
โAssizes for Devizesโ aims to create a cultural and community destination at the heart of Wiltshire, supporting tourism and the regeneration of the local area. Essential conservation works to the Assize Court will enable the revitalisation of the building to include a multi-use community and event space, a designated learning area and innovative new museum galleries. The project will also include an exciting programme of local activities, events and volunteer opportunities.
During the two-year development phase we will be holding community days, including โpop-upโ exhibitions to seek the views of local people on plans as they progress. These ideas will be developed with Purcell, our appointed architects, along with adjoining owners, Wiltshire Council and Devizes Town Council.
Martin Nye, Chair of Wiltshire Museum, said โWe are delighted that the Heritage Fund have supported our project to restore this wonderful building and give a home that is fit for purpose for the award-winning Wiltshire Museum. We are all excited by the opportunity to connect the Assize Court building to the rest of Devizes, and to create a vibrant destination for the very wide range of visitors who come from far and wide to see our marvellous collections.โ
Peter Troughton, Chair of the Devizes Assize Court Trust, said โThis fantastic news is a vital and hugely encouraging step on the long journey to giving a new life to this important building. The financial help that the project has received to date has been invaluable, enabling us to get to where we are today. Our thanks to Historic England, Devizes Town Council, a number of charitable trusts and individuals who have made this possible.โ
Stuart McLeod, Director of England – London & South at The National Lottery Heritage Fund, said: โWe believe that investing in heritage means investing in the community it belongs to. It has the power to make our communities better places to live, bring a sense of pride and boost the local economy. Weโre pleased to support Wilshire Museum with their Assizes for Devizes project. It will not only see a Grade II* listed building brought back to life, but also create a space for the community and a new home for the Wiltshire Museum. We look forward to working with the team to progress their plans to apply for a full grant at a later date.โ
A key part of the work over the next two years will be to raise the significant additional funding required to complete the project through applications to trusts and foundations and in securing philanthropic support.
The Wiltshire Museum has been engaging visitors since 1874 in its current buildings on Long Street, Devizes and is home to Designated collections, including stunning treasures from the Stonehenge and Avebury World Heritage Site landscape.
The Devizes Assize Court was built in 1835 and has been derelict since the 1980s. It has been on Historic England โHeritage At Risk registerโ since the schemeโs inception in 1988.
If you fancy having a whole heap of fun while helping raise some funds for Prospect Hospice, who have provided end of life care to the people of Swindon and north east Wiltshire for over 40 years, you have two exciting festival options.…..
Firstly lands in your lap on Saturday 22nd July, when Swindonโs Old Town Gardens plays host to My Dadโs Bigger Than Your Dad Festival. Bit long-winded name for a festival, but it’s certainly original and stands out, provided the idea of primary playground sayings for festivals doesn’t trend on the back of it and we have The My Dad’s a Blackbelt in Karate Festival, or even worse, The Ooh Ah Lost my Bra in my Boyfriendโs Car Festival!
In its third year the festival is a tribute to Dave Young, the former landlord of The Victoria and 12 Bar who died in early June 2021 at Prospect Hospice after a hard-fought battle against cancer. The festival has raised over ยฃ24,000 for Prospect Hospice in its first two years.
Headline sponsor this year will be Future Planning, an independent financialย planners and mortgage advisers based in Swindon. Acts include countywide favourite rockers, The Ukey Dukes, Kova Me Badd, The Vooz, and Splat the Rat, ska and reggae cover giants Train to Skaville, sonic indie darlings Atari Pilot, upcoming indie post punk favourites Viduals, The Pop-Punk Revolution Tour, crazy rappers Imperial Leisure, and in a comedy rock subgenre of their very own, we can never forget the Real Cheesemakers. Plus thereโs acoustic goodness from Hip Routeโs Jim Blair, Drew Byrant, Joel Rose, Meg, Jules Hill, Shedric.
If this isnโt enough for you, Swindon Paint Fest will be hosting an area of creativity with six fantastic local artists demonstrating their talents by live painting in the Sunken Garden. There will also be a guided spray paint and acrylic pen workshop led by Emma from Old Townโs Mams gallery where participants will be able to have a go with using the spray paint and acrylic pens onto a canvas board creating an artwork which they are able to take home.
Caryn Koh from Swindon Paint Fest said, “We at Swindon Paint Fest are excited to collaborate with My Dad’s Bigger Than Your Dad event which is a great initiative raising money for Swindon’s Prospect Hospice.โ
Food and drink vendors, including Gurt Wings, have been brought in to keep revellers fed and watered, as well as an independent business market and a funfair area for children.
Adult tickets are a purple one, ยฃ20 from their website mydadsbiggerthanyourdad.co.uk . Paper tickets are also available from Holmes Music, The Tuppenny and The Castle Inn.
Second option is in September when, from Thursday 14th to Sunday 17th, Swindonโs Old Town comes alive with locally-sourced live music in a pub stroller type fashion with Swindon Shuffle. The lineups at five music venue boozers, The Victoria, The Hop Inn, The Beehive, The Tuppenny, and the Castle basically reads like a whoโs who of local music, and itโs all free, provided you spare a little cash for Prospect Hospice buckets scattered around the venues. Fringe events are also to be found at Baristocats and the Prospect Hospice Books & Media shop.
โThis yearโs event is shaping up to be the biggest ever and includes something for pretty much everyone out there,โ The shufflers say, and theyโre not telling fibs. Swindon Link, Sheer Music, Swindon Folk Club, and many others all muck in to help create the enormous homage to David Young and raise funds for Prospect. I made it down last year for just Saturday. I’m thinking I might need to find a B&B this year and a sudden attack of skivalitis from work this time around!
From alt-rock of All Ears Avow and Modern Evils, to the sludge doom of Phantom Droid. The likes of Stay Lunar, Moon UK, Viduals and Chasing Dolls keep the indie-kids dancing and there are first shuffle experiences for up and coming bands Trippy Kicks, I See Orange, and Mirrored Faces UK.
If something rootsier is more your thing, you are also well-catered for with the widescreen americana of Matt Owens Music & The Delusional Vanity Project and Concrete Prairie headlining stages, along with folkier offerings from the likes of Fly Yeti Fly, Canute’s Plastic Army and Splat The Rat.
Subject A bring a touch of Ska and Reggae to proceedings and there is creative and impossible to pigeonhole music from Will Lawton and the Alchemists, Richard Wileman / Karda Estra & Amy Fry Music and new band The Wheel 2!, who feature many of the faces behind the amazing and much missed Diagonal People. Thud and Bone Chapel bring some blues to proceedings and Swindon Folk Club again curates a stage.
With over sixty acts on the main bill you need to put this in your diary, but for now, whether your Dad is bigger than my Dad, or not, all eyes are focussed on 22nd July, when the wonderful park venue of the Old Town Bowl comes aliveโฆ.and to think, thereโs some wonky folk who groan Swindon is a cultural void, same ones still probably trying to get their bra back from their boyfriendโs car, ooh ah!
The first full album by Wiltshireโs finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโs calledโฆ
Bradford-on-Avon Town Councilโs annual festival, aptly titled The Bradford on Avon Live Music Festival is back this weekend, championing local talent with an eclectic line-upโฆ
by Ian Diddamsimages by Chris Watkins Performing Sondheim isnโt the simplest of tasks. Or, rather, singing Sondheim isnโt the simplest of tasks. With his dissonantโฆ
The phenomenally talented Ruby Darbyshire is performing at Silverwood School in Rowde on 27th June. Ruby has kindly offered to support Silverwood Schoolโs open evening…..โฆ
Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโฆ
Hey, busy week this week, hereโs what’s happening across the county. Donโt forget thereโs more info on these, ticket links and irregular updates on our fantabulouso Event Calendar, so get ahead one step ahead of the game!
Ongoing, Hail the Curious, the inaugural exhibit at The Forbidden Carnival in Chippenham; check it out by the end of the month. Devizes Tennis Club starts week one of their Tennis Holiday Camp at Devizes Tennis Club; book here.
Wednesday 28th:
Ah, the regular acoustic jam at the Southgate, Devizes.
Jo Brand: Work In Progress at Swindon Arts Centre.
William KZ at The Bell, Bath, The Beat featuring Dave Wakeling at Bath Forum.
Thursday 29th:
Open Mic at Stallards, Trowbridge.
B-Sydes & Old Man Boom at The Tuppenny in Swindon, while Something Underneath and Chasing Dolls are at the Vic, Drew Bryant is at Timmyโs Bar, and Coldplay tribute Coldplace at The Wyvern Theatre.
Comedy at Komedia in Bath with Phil McIntyre presents Danny Bhoyโs Now is not a Good Time, Danielle Ward and Tread Softly Productionsโ hilarious, intelligent and seriously moving, no-holds-barred look at being a woman in comedy, The Half at the Rondo Theatre.
Friday 30th:
The acclaimed Welsh film, Translations gets a screening at Melksham Assembly Hall, Helen gave us a preview, HERE.
Drew Bryant is at The Pelican, Devizes, with Illingworth at The Three Crowns. And we look forward to Devizes first Pride on Saturday with Drag Queen Bingo at The Wyvern club and an LGBTQ+ Club Night at The Exchange.
Thereโs an Open Mic at Marlborough Town FC, Swipe Right play the Bear, and Reading Dub Club with the Jah Lion Movement visits the Barge on Honey Street.
B-Sydes at the Pump, Trowbridge, with Old Man Boom in support.
Opening is the amazing Minety Music Festival, nr Malmesbury, and happening all weekend.
Chippenham Comedy Festival starts at the Old Road Tavern, and continues until Sunday 2nd July.
Modern Evils, Viduals and Trippy Kicks at The Vic, Swindon, while Moon and Truck are at The Castle, and Jon Amor Trio at the Beehive. Comedy at The Wyvern Theatre with Phil McIntyre presents Danny Bhoyโs Now is not a Good Time.
Iona Lane with Malin Lewis at Pound Arts in Corsham.
Spectrum at The Three Horseshoes, Bradford-on-Avon.
The Ministry of Burlesque cabaret at Komedia, Bath, while the Rondo Theatre have Eleanor Higgins and Bush Productions queer cult sensation, In Pursuet, following two sell-out runs at Edinburgh Festival Fringe. And โYour Songโ โ a Celebration of the Songs of Elton John at Chapel Arts.
Keith Brymer-Jones is at The Memorial Theatre, Frome, with Led Zep tribute Coda at the Cheese & Grain.
Saturday 1st:
Marlborough Open Studios starts, and runs over the first four weekends in July between 11am and 5pm. This is a countywide open studios extravaganza where you can visit many different local artists in their studios.
It is Mantonfest near Marlborough time again; yay! Nothing Rhymes With Orange are at The Barge on Honey Street.
Free to take clothes, swap and donate at Devizes Swap Shop at St James Church from 11am-2pm. It is Devizes first Pride at Hillworth Park, and of course, the 22nd Devizes Beer & Cider Festival. To finish, Jamie Williams & The Roots Collective will continue from the beer fest over to the Southgate.
Thereโs the Heddington and Stockley Steam Rally and Country Fair.
Becky Lawrence & The Reason play The Green Dragon in Market Lavington.
Saucy Jack at The Pilot, Melksham.
Barney Kenny & Chris Murphey at The Pump in Trowbridge.
Matt Woosey at Pound Arts in Corsham.
Trowbridge Symphony Orchestra at Wiltshire Music Centre in Bradford-on-Avon, and highly recommended Adam and the Ants tribute Ant Trouble at The Three Horseshoes, with The Sylvertones at The BoatHouse.
Italia Conti at The Wyvern Theatre, Swindon. My Chemical Romance and Fallout Boy tributes at the Vic, The Black Charade and Fell Out Boy!
Figgle Fest 10th Anniversary, at Figheldean Village Hall Salisbury.
Tribute to Small Faces, the Small Fakers Band has sold out Chapel Arts, Bath.
Gordie Mackeeman & His Rhythm Boys at Frome Memorial Theatre, with An Evening with Simon & Oscar from Ocean Colour Scene at The Cheese & Grain, and Foo Fakers & Nirvanot at the Tree House.
Jon Amor regular session at the Southgate in Devizes, increibley with the Gris Gris, Robin Davey and Greta Valetni; just wow!
Inspire 2023 free music festival at Warminster Pleasure Grounds.
Zone Clubโs Summer Celebration Concert at Wiltshire Music Centre, Bradford-on-Avon.
Regular first Sunday of the month Blues Jam at the Vic in Swindon.
Monday 3rd I got nought, yet.
Tuesday 4th:
Running until 8th July, the Bradfordiansโ Amadeus at the Wiltshire Music Centre, Bradford-on-Avon.
Jazz Knights at The Royal Oak in Swindon brings you the Alex Goodyear Quartet.
That’s your lot for this week, unless you know any different? It’s free to have your event added to our EVENT CALENDAR and feature on our weekly rodeo roundup, so don’t make me come chasing after you, do let us know about them. Have a sixties style fab and groovy weekend!
This summer David is returning with a brand-new show “Historyโs Missing Chapters”, a show made to uncover why, throughout history, some people and events haveโฆ
Under the new management, live music will be making a triumphant return to The Boathouse in Bradford-on-Avon and that Cracking Pair, Claire and Chloe ofโฆ
Always a happy place, our traditional record shop Vinyl Realm in Northgate Street Devizes is back in the game of hosting some live music afternoons.โฆ
One of Wiltshireโs Best by Andy Fawthrop Looking for something to do next weekend? One of Wiltshireโs biggest festivals is happening just up the roadโฆ
If weโve had a keen eye on Swindonโs Sienna Wilemanโs natural progression as an upcoming singer-songwriter since being introduced to her self-penned songs via herโฆ
One of Salisburyโs most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโs upcoming talent who’s name is on everyoneโs lips, Rosieโฆ
Delighted by winning the Best Theatre/Arts Venue category of the WiltshireโฏMuddyโฏStilettos Award 2023, Devizes Wharf Theatre wanted to thank everyone who voted for them. โWe are so proud of our little theatre and all our incredible volunteers,โ they told Devizine, โthe theatre literally would not run without their time and effort. Thank you also to everyone who supports us whether that be by coming to shows, volunteering, or, indeed, nominating us for this award in the first place!โ
MuddyโฏStilettos is all about celebrating and supporting local businesses and this year saw over 800,000 people voting on various categories around the country, and we congratulate the Wharf, for it really is a wonderful little theatre on our doorstep; but we all knew that already, didnโt we?!
There is only one more show left of the summer season at the Wharf, one Iโm personally looking forward to. Girls Like Thatis a gritty reality-driven drama directed by Lou Cox, and performed by the Wharf Youth Theatre Group. It explores the pressures on young people today in the wake of advancing technology, and was named Best Play for Young Audiences at the Writersโ Guild of Great Britain Awards 2015. It runs from 20th-22nd July.
And itโs on with the new program. Saturday 19th of August sees The Jake Leg Jug Band at the Wharf. An authentic sound of 1920’s and 30’s America, from jazz, blues, gospel and ragtime, this trio put their own twist on songs of murder, betrayal, gambling, liquor and redemption.
From Monday 11th September to Saturday 16th, find Amelia Bullmore’s comedy, Di and Viv and Rose, dealing with friendships among a group of three cohabiting female students in 1983, displaying how their solidarity precariously survives physical separation, career paths and even mortality.
On Thursday 28th September thereโs a Devizes Film Club screening of Lunana: A Yak in the Classroom. A 2019 Bhutanese drama film directed by Pawo Choyning Dorji. The first film from the Himalayan kingdom of Bhutan to be nominated for an Oscar, it follows a young teacher with a dream of moving to Australia but finds himself teaching a classroom of eager children, and a yak!
October 23rd to 28th sees Lyn Taylorโs Happy Jack, a 1989 play by John Godber, about a couple who live in a mining village in West Yorkshire.
Steaming into November, and the 4th has an uplifting story of heroism and love by Ali Smith, Cadbury’s Angels. Set in wartime when a group of women working on the production line at the Cadbury factory in Birmingham decided to secretly send letters and cards inside the tins of chocolates that were dispatched to the soldiers fighting on the front lines. To the men fighting miles from home, and away from their loved ones, these women became known as The Cadbury Angels.
Sunday the 5th November, remember, thereโs Water Rats Charity Variety Spectacular, some top stars all raising money for the Water Rats Charity.ย
Saturday 11th November thereโs two showings ofThe Last Post, a poignant, moving and thought-provoking stage show for children and families. The story revolves around the correspondence between Joseph, who is at war, and his son William at home.ย The split stage, multi-rolling and use of projections allows for fast-paced transitions from England to Belgium so the audience remains immersed in this simple but moving story that entertains in an appropriate and engaging manner.ย
With November behind us, oh no it isnโt, December now, and where would be without panto time? This year will beJack and the Beanstalk, and itโs running from Friday 1st to Saturday 9th.ย
Bounding into 2024, we can expect to find Oscar Wildeโs farcical comedy,The Importance of Being Earnest, from 29th January to 3rd February. Auditions for this will be on 18th September, see here.
All tickets for the above performances will be at the box office as of Saturday 1st July. Anything we publish hereafter is top secret speculation taken from leaked documents from the very top of the Wharf Theatre, and I will likely be shot for merely whispering them to you …..in some over dramatic theatrical way too!
Stagecoach Performing Arts School are visiting with a production of Frozen Jnr, followed by a Lonnie Donnigan tribute show on February 24th.
2nd March sees the Music of Simon & Garfunkelshow come to Devizes and in April you can look forward to something very Agatha Christie. From 13th May until the 18th, Amanda Whittingtonโs The Thrill of Loveis the performance. Set in a smoggy 1953 gentlemanโs club in Londonโs West End, where young manager, Ruth Ellis, had it all, the money and lifestyle that she had always dreamed of. However, by 1955 she had lost it all and was the last woman to be hanged in Great Britain.
And on the 1st of June, expect Top Secretโs explosive family show, The Magic of Science.ย An opportunity to surround yourself with the mystery of magic, cleverly fused with wondrous and miraculous feats of science. It is promised the venue will be transformed into a real-life science laboratory and lots of unbelievable “how did they do that!” moments.ย
by Ian Diddamsimages byย Chris Watkins Media One could argue that Anne Frank is possibly the most well-known civilian of the WW2 years, and certainly ofโฆ
Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโs released a new solo albumโฆ
An effervescent musical, full of promising young talent Written by: Melissa Loveday Images by: Gail Foster After the success of SIX last year, Devizes Musicโฆ
A photo is circulating on X of Calne’s Reform UK candidate Violette Simpson, which for some reason doesn’t appear on her election campaign….I wonder why?โฆ
Big congratulations to Devizes DJ Greg Spencer this week, the creator of Palooza house nights at The Exchange nightclub, for he made the prestigious billโฆ
Quick one from me, a belated song of the week, The Prophecy by Beskar featuring Huntr/s. A debut single on RAM Records from Scottish music producer Beskar, named after the Mandalorian steel from the Star Wars universe; if this is the way I love it! Gorgeously dreamy, reach for the stars, rolling drum n bass style with flavours of classics from yore such as LTJ Bukem, Guy Called Gerald and Goldie.…..
It comes as a double A with a track called Path I Canโt Follow, both of which features the vocals of Huntr/s, and therein is our local connection. This Huntress is Chrissy Chapman from Devizes, who you may have caught last weekend singing with Tom Harris at the Sustainable Fair in the Market Place, unless, like me the lazy sausage, you drifted up that bit too late!
Now Iโve heard both these euphoric tracks Iโm even more gutted to have missed them; Chrissy, the vocals in drum n bass really maketh the ambience of the tune, otherwise it would be just a series of breaks and beats, and though said breaks and beats are sublimely aligned here, it is the icing on a deluxe cake!
Chrissy worked for a record label during 2021 run by the once frontman of Foreign Beggers,ย PAV4N. โThis led to meeting artists and then doing a live stream charity event,โ she told us, โsome of them watched and put me in touch with Beskar.โ
Mandalorian armour wouldnโt stop me from dancing to this! Well done, Huntress, keep shining the light, and Beskar too of course, tune!
Melksham & Devizes Conservatives released a statement on the 7th April explaining an internal audit revealed one of their candidates was โnot qualified byโฆ
Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of whichโฆ
It was a fantastically successful opening night for Devizes Musical Theatre at Dauntseyโs School for their latest show, Disneyโs Beauty and the Beast, andโฆ
Guess who limboed into Tonka Bean, to poke their nose in a day before the official opening? Though I’m a sucker for new ventures, especially with a Caribbean twist!
Nestled nicely on St John’s Street where sadly The Vaults micropub once stood, this is the new cafe-bar labour of love of mum and daughter team Abrilli and Mya. Abrilli was sweeping up, getting everything ready for opening day tomorrow (Friday 23rd June at 8:00am and closing at 21:30 pm,) but stopped to welcome me with her backstory. A school teacher who has lived in Devizes for sixteen years with her roots in Trinidad, these new pastures hope to bring both a little piece of Trinidad to Devizes, with a general Caribbean theme to boot.
The bar is situated in the same place it was with the Vaults, the rest is transformed with a bamboo wall and colourfully painted tables and chairs, yeah, I get the vibe, there’s definitely a tropical ambience already. Though you shouldn’t make the word association of bean with coffee, tonka beans are South American black seeds akin in flavour to vanilla, this is not a coffeeshop, though they will serve coffee!
If Abrilli is rather restricted without a kitchen, she’s determined to overcome; the motto of Trindad is “together we aspire, together we achieve,” after all.
Hot and cold foods will be bought in, she was keen to note ninety percent locally sourced. The Happy Food Company will supply sandwiches and salad boxes, Jamaican patties were a sure thing, and she smiled to announce her own recipe curried goat too, served in roti. This sparked a chat about Eastern influences in Caribbean culture and cuisine; she was impressed with my slim knowledge of chutney style, a soca subgenre using Indian instruments!
But turning it back to Trindad cuisine possibilities, Abrilli explained saltfish accra, and a sailfish breakfast dish she called buljol. Alongside wine and spirits, passionfruit, papaya, and mango smoothies, she wet my appetite with “those kinds of tropical flavours that give people that fresh Caribbean feel.” Here was the point where she gave her utmost respect to the success of the Muck and Dundar rumbar in town, but with no dilemma if Tonka Bean is Caribbean themed it had to sell rum punch too, “of course I’m going to have rum punch!”ย
Neither would a Caribbean themed bar be complete without accompanying the standard issue sweet tooth, and Abrilli introduced me to her snow cone machine in which shaved ice with syrup is a popular snack in Trinidad.
The building has a spacious basement the renovation of which to extend Tonka Bean hinges on its initial success, while Abrilli intends to reapply for a live music licence, this won’t happen anytime soon, but expect background music of tropical twist! This bold venture I wish the very best of luck, but if the success hinges on creating a happy atmosphere, you only need to look at carnival to acknowledge you can not beat the Caribbean for happiness!
Small acorns, or tonka beans even, at this early stage, but I came away feeling overwhelmed with positivity about this place, and the cafe bar in Devizes with a different angle. Of course, it all depends on the support the town shows it, and enthusiasm is already building. Abrilli had to close the gates after I left, as people tended to poke their noses in to see if it was open yet; I was the lucky one, but here to report Tonka Bean is going to be irie with all the joy of a Caribbean getaway in our hometown!
Don’t hold your breath, I’m having an Uncle Albert momentโฆback in my day, which wasn’t as long ago as you whippersnappers, with your lime vapes and Taylor Shift Spottyfly playlists, might imagine, media coverage of Glastonbury was far less. TV was left up to Katie Puckrik in pigtails on Channel 4, until a couple of off years when it pissed it downโฆ..
Bad weather has become synonymous with the worldโs legendary festival, and the press rub their hands together when it happens; a golden opportunity to sensationalise a negative stereotype of counterculture and youthfulness; double-whammy.
Every media outlet known to man jumped on the bandwagon to show selective imagery of a handful of intoxicated nutjobs WWF mud wrestling in a negative light, and tarnished every reveller with the same anti-bac j-cloth. 90,000 attended Glastonbury in 1997, officially, the first year it rained for a decade, if you saw x-amount of them on the telebox and assumed everyone was at it you just marginalised thousands with a miniscule percentage, and fell hook, line and sinker for their intentional misconception.
The further rightwing their sway, the more negative they were, “look at those filthy hippies rolling in their own faeces like swine,” and misguided Daily Mail bullshit akin. The truth is, once you’re in there is no going back, and try as you might to stay clean and dry, there comes a breaking point whereby even the fussiest among us realise they’re beaten. Rarely is it up to choice, as the media might portray.
But it put the festival in the media spotlight and television upped their game to show the festival in a positive light. The festival itself prevented the travellers attending and commercialised the experience into what it is today. It was do or die. Similar to our hero desperately trying to keep dry, the Evis family had no choice.
From 89 onwards I did twelve Glastonburys and the sun had his hat on every year until 97. It had rained the week leading up to the fateful day. I put my hefty work boots by my front door while I packed the rest in my car, as I didn’t want to drive in them, and forgot them!
I was left with a pair of designer pumps with all the grip of a Spiny Softshell Turtle, and by the time I arrived at the gate I was Elvis Costello; couldn’t stand up for falling down. My first job was to aim myself, best I could, towards a stall selling wellies. The stallowner was busy and in his element; delighted to rip half my Glastonbury budget off me and a multitude of other disorganised wallies, for a pair, while the guy next door flogging sunscreen considered selling his children to medical science.
My first top tip for a muddy Glastonbury then is rather obvious and perhaps a bit mumsie, but based on a bad experience.
A stout pair of walking boots is essential, and maybe plastic carrier bags as liners. If you forget the rest make sure you don’t be like me, Torvil or Dean. The boots were gone by the time I returned home; in fairness though, they were quality Doc Martins and I did live in Swindon.
The other footwear tip is no matter how drunk you get, to take your boots off before you get inside your tent. I would imagine the once quite common nakedness at Glasto is less trendy these days as millennials tend to be prudish. So spare clothes are your friends, but don’t overpack because you have to carry that shit. But most of all, never tell your friends about your other friends, the dry clothes in your backpack, I shouldn’t have to explain why. If word gets out, one dry sock is equal to seven hundred blaggers befriending you.
Clothing in general is common sense really, a fluffy bra or propellerhead hat can be fun when the weather is on your side, but at a wet one the catwalk is swapped for survival of the fittest, practical is the new fashion. Glitter is out, pac-a-macs are in! Waterproof trozzers will make you the envy of all, even if at a sunnier Glasto you’d be laughed off the site for wearing.
If you’re the driver, take a pair of scissors and leave them in the glovebox. I did this in 98, your jeans will be caked with mud, get ’em off when you reach the car, cut them into shorts, it is easier to drive home. Otherwise you’re driving home in your undercrackers, and as a service station supply top up will be a deffo, psychologically scarring small children for life is never looked upon as a clever thing by their parents.ย A grade A soccer mum Karen whinging at you in the Leigh Delamere carpark while you stand in your four day old pants and a headful of post-festival blues is never welcomed.
Plastic bags have many uses, see photographic evidence of a much younger me; because at first I was afraid, I was petrified, Kept thinking I could never survive without a plastic bag by my side, but I survived and lived to tell the tale through Gloria Gaynor parodies.
Walking the site is tiring when dry, sludging through ankle-high mud is a million times worse and you need to take breaks. If no seating is available, you can’t just plonk down on the grass, you need your bag like Arthur Dent needs his towel.
Honestly, one muddy year I crowned a guy “the genius of Glastonbury,” as he duck-taped an inflatable chair, when inflatable chairs were a thing, to his torso, so wherever he went he could sit in comfort at will. I’m not advising you to do similar, merely pointing out forward thinking, for it was not without its drawbacks discovered over time, like reflating and navigation, though for altications from sharp bramble, he had a bicycle repair kit on his person, further confirming his genius.
But a genius you don’t need to be to survive a muddy Glastonbury, just common sense. Like consuming laxatives, Mexican food or baked beans prior, and ensuring you have a big clearout in the loo before you depart. Do not eat anything which might stimulate your bowels while there. Going to the loo is an experience best avoided at Glastonbury whatever the weather, at a muddy one you take your life in your own hands. You will see things you’d rather have not, things defying medical research, and you could be emotionally scarred for life. If you must go, and if possible, take a licensed therapist with you to the loo as well as a toilet roll and weapons suitable for a zombie apocalypse, and never, I repeat, never, use port-a-loos.
Timing is of the essence when deciding to poo. The later you leave it the worse it will get, a simple motto. Hedgerows and ditches can be your friends at a sunny Glasto, but avoid them like typhoid if wet, unless you happen to welcome typhoid. They are below hell itself as the last place you would want to slip into. Horrifically, I have seen it happen, observed folk laughing too, and felt sorry for the individual, but too afraid to approach them to offer a hand. You’ll be Billy-no-mates if you slip into a ditch thirty thousand drunken hooligans have taken a shit in, no one will aid your escape.
Sign up anyone with a campervan bathroom or VIP access onto your bestie list, shower them with gifts and follow them wherever they go. But, gift buying, especially breakable objects is the stupidest idea in the history of stupid ideas, you are not at B&M. I’ve seen record stalls selling vinyl, glass blowing workshops and various other such insane shopping options. As much as you believe your gran would like a commemorative china plate of Glastonbury, remember you could be several days before you find your tent again, and/or have to pass the main stage area while Slipknot are playing.
The rule for a muddy Glastonbury is simple, take only what you need, buy only what you forgot to bring or realise you might meet your maker if you don’t. No one wants a three tier Victoria sponge caked in mud polluted by 210,000 nutjobs all desperate for a poo.
Now I’ve said all this, it seems like the weather is going to be alright-ish anyway, so you can forget it allโฆ.for this year, and have enough fun there for me and you. Remember, final top tip for any weather; avoid TV cameras if you’re pulling a sicky from work; your boss will be watching.
Happy Summer Solstice, Wednesday, sunrise expected at 3:57am supposed to be a drier night than last night, possibly cloudy; have a wonderful solstice everyone; love and light.ย
Hereโs what else is happening across the county this midsummer week. Donโt forget thereโs more info on these, ticket links and irregular updates on our sparkly Event Calendar, so plan ahead.
Ongoing, Hail the Curious, the inaugural exhibit at The Forbidden Carnival in Chippenham; check it out by the end of the month.
Tuesday 20th:
Poetika 112 โ The Sun And The Moon at The Winchester Gate, Salisbury.
Wednesday 21st:
Acoustic Jam at the Southgate, Devizes.
Classic Car Evening Gathering at Atwell-Wilson Motor Museum in Calne
Running until 24th June, The Western Players present The Dinner Party at Swindon Arts Centre
MorningStar plays The Bell, Bath.
Oh, and of course, thereโs that little shindig called Glastonbury Festival; have one for me if you are heading that way, and if youโve room in your backpack I have been known to fold up quite compact if duty calls!
Thursday 22nd:
Music For Miniatures at The Neeld, Chippenham.
Sebastian & Me & Mirrored Faces at The Vic, Swindon
Lol Goodman Band at Pound Arts, Corsham.
The Damned, yes, I said the Damned, at Komedia, Bathโฆ. well, Iโll be!
Friday 23rd:
Lucky Number 7 plays The Pump in Trowbridge, with JCC and Enter Red.
The Free Association presents St. Doctorโs Hospital, an improvised medical drama, directed by Graham Dickson at the Neeld, Chippenham.
Emily Storm at The Kings Arms, Melksham.
Robinson Stone at Pound Arts, Corsham.
The Unthanks at Wiltshire Music Centre, Bradford-on-Avon.
Xodus – a Tribute to Bob Marley & The Wailers at Chapel Arts, Bath.
TommyInnit at Bath Forum.
Phoxjaw at Moles, Bath.
Hamsters From Hell & The Lonely Road Band at The Vic, Swindon.
Moore’s Exotic Reserve at The Tuppenny, Swindon.
Ed Sheeran Tribute at The Ridge, Swindon.
ZambaLando at Fiesta de Cuba, Greenbridge, Swindon
Saturday 24th:
The Vintage Bazaar at The Corn Exchange, Devizes.
California Dreams at The Wharf Theatre, Devizes. Enjoy a trip through the music of California in the 60โs and 70โs. Recording just a stoneโs throw from each other and guesting on each otherโs records, a group of musical legends worked simultaneously to turn out some of the greatest songs of all time. Hits by The Mamas & The Papas, Eagles, Joni Mitchell, Neil Young, Linda Ronstatd, The Byrds, Crosby, Stills, Nash & Young and many more.
Poulshot Village Fete.
Devizes Chamber Choir presents Summer by the Sea at St Andrews Church, Devizes.
Earl Slick Band @ Long Street Blues Club, Devizes, big question mark over this one, it might well be cancelled, do check ahead.
SGO at The Southgate, Devizes.
Funked Up at The Three Crowns, Devizes.
Ben Borrill at The Moonrakers, Devizes.
Calne Carnival
Melksham Pride
The Strollers at Melksham Rock N Roll Club, now in Spencerโs Sports & Social Club.
Back to the 80’s at Melksham Rugby Club.
Big Family Music Day at Wiltshire Music Centre, Bradford-on-Avon.
Bus Station Loonies at The Three Horseshoes, Bradford-on-Avon.
Atlas Rise at Moles, Bath.
Aoife Scott at Pound Arts, Corsham.
Mixed Bag at Prestbury Sports Bar, Warminster.
Stars of Time Film and Comic Con at Steam, Swindon.
Drag Me Down & Youth Illusion at The Vic, Swindon.
Mickelson: Jump off the Earth UK tour at The Hop Inn, Swindon.
Fleetwood Shack at Level III, Swindon.
Talk in Code at Brown Street, Salisbury.
Sunday 25th:
Devizes Tennis Club starts week one of their Tennis Holiday Camp at Devizes Tennis Club; book here.
Itโs the Pro-Wrestling Showdown at The Corn Exchange, Devizes.
Junkyard Dogs at The Southgate, Devizes.
No Go Glasto charity gig for Diabetes UK at Stallards, Trowbridge.
Weekly bandstand concerts in John Coles Park, Chippenham.
Lazy Summer Sundays at Richard Jefferies with Canuteโs Plastic Army.
Wifi Wars at Swindon Arts Centre.
Keith Brymer Jonesโ Life, Clay and Everything at The Wyvern Theatre, Swindon.
Collapse The Sky & ChemiQueen at Level III, Swindon.
India Arkin live in session at the Electric Bar in Komedia, Bath.
Eddie Martin at The Bell, Bath.
Monday 26th:
Brendon at The Tap & Barrel, Swindon
Phil King Band at The Bell, Bath
Tuesday 27th:
Letโs Swim Get Swimming & Tokyo Toy Company at The Vic, Swindon.
Wyvern Theatre Swap Shop at The Wyvern Theatre, Swindon.
Jazz Knights Presents Nigel Price and the Alban Claret Quartet at The Royal Oak Swindon.
Spiers & Boden at Komedia, Bath
The Hill Book Launch at the Rondo Theatre, Bath.
Thatโs all I got, folks. Not as busy as last weekend, but still lots to keep us all out of trouble! Donโt forget though, to check in on our event calendar for updates as they will come in from time to time!
Last night Wiltshire Councillors voted in Councillor Iain Wallis as the Chair to the Area Board for Devizes. Meaning any grants to community groups, youth organisations, sports clubs and local charities, have to go through him.
Much as I would like to offer my congratulations to councillor Wallis, I feel it is imperative to question many aspects to this with regards to community led projects, other town councillors, youth project workers and the many various other residents who he seems to neglect the opinions of by silencing them and banning them from his Facebook group, the local legendarily biassed, Devizes Issues.
Part of his new job description reads thus: “to provide a local platform for local engagement and conversation.” Will the Devizes Issues be this platform, if he doesn’t allow any opinion differing from his own? Let’s make no mistake here, opposition councillor’s election campaigns have been slandered on this Facebook group, the independent PCC and all of his supporters were barred from posting, a Devizes-based Covid support group was banned from the group, all by this councillor’s hand.
Wiltshire Council’s website explains “area boards exist to work alongside other organisations to make things happen in the community. These groups can include town and parish councils, voluntary and community groups, youth organisations, sports clubs and local charities,” groups as such which he has attempted to silence, including a residents committee set out to solve issues regarding the Crammer.
The description of what the Area Boards do continues, “An important role of the Area Boards is to provide grants to community groups. There are three main funding streams, which include community capital grants, youth grants, and older and vulnerable adult grants.” Yet we know faithful local youth worker Steve Dewar, who works tirelessly school mentoring, liasoning with Devizes Police, Wiltshire FA, RW Football School and Wiltshire YFC and has independently setup a youth pop-up cafe providing free facilities for local youth, also received the honorary ban from Mr Wallis’s “local platform for local engagement and conversation.”
You are within your rights to complain about this decision, but being he is also on the standards committee, you will most likely be better off talking to a brick wall.
Let’s go through what the Wiltshire Council website says about the overall focus of the tasks of the Area Boards:
“Develop a strong, well established and highly functioning network of local partners, organisations, and residents. Generate an in-depth understanding of our local communities, including the demographics and the issues faced by the residents. Empower and facilitate community led action. Recognise the talents, expertise, and knowledge of our communities, trusting and supporting them to co-deliver local services. Ensure decisions are taken in consultation with and close to the residents that they affect. Effectively share data and intelligence at a local level. Provide a local platform for local engagement and conversation. Deliver an opportunity for residents to gain an understanding of the way the council works. Finally, help deliver the Wiltshire Council business plan at a local level with the involvement of communities.”
Now, I ask you, does any of these match with the manner in which he has conducted himself on his Facebook group? Suggesting that time, he would go ahead and continue publishing town council matters regardless of if the council voted individual councillors should refrain from posting such information or not; remember that ickle controversy?!
We will continue to question the suitability of Mr Wallis in this position, given the factors expressed in the opinion piece, and I see this as justified criticism, not, as he himself has stressed on more than one occasion, as “harassing and bullying” him, for that is both not our intention, and indeed, an outright lie. In order to undergo this task effectively, as clearly stated on the website, engaging with the community would, in my opinion, mean everyone within that community and not only the ones who agree with him personally, otherwise that is most certainly not impartial to political and social sway, as proved by the governing of his social media group.
We publish this as a concerning development which seriously risks the future of community led events, organisations and schemes within the Devizes area, as any councillor who seems only focused on pushing the agenda of one national political party will endeavour to allow only those who back them too, and agree with his opinion. This we have discovered by the manner in which he controls his social media group, which would be totally his prerogative to do so, of course, if he wasn’t in such a conflicting position of power.
It does seem such a shame, that this essentially hardworking and proactive councillor cannot seem to overcome this issue of allowing an entire community to communicate freely without the threat of being silenced for simply disagreeing on a particular issue. We too face this terrible predicament, any good work we do at Devizine, whether it be charity, promotion of events, schools and community groups, they will always remain blocked and heavily criticised in order to make way for some grand pipedream of creating an “official’ council run website which basically rests under his control but steals our ideas and input, and you, the council taxpayer will fork out for. God bless us all, for we are going to need it!!
For the love of Liam Gallagher, you cashless twenty and thirty somethings who cannot resist the intoxicated urge to mount benches and dance your cares away in a boozer should take note, when we, the previous generation climbed atop of things to boogie, we did so on disused warehouse roofs, haystacks, buses, railway embankments and perhaps the odd police riot van!
You think Iโm kidding? Yet, for the most part you also seem to have shunned our musical progression through technology and our repetitive beats in favour of the guitar, bass and drums combo of rock n roll of yore. Britpop is like classic golden oldie hour to you, whereas Iโm still processing it. And, in doing so, you take aboard any sing-a-long pop classic from commercialised seventies prog-rock to eighties soft metal, and sugar-coat it with retrospective enlightenment despite not being born when they were conceived. The result is an obstreperous drunken melee of anything goes, as long as it’s rock. Ergo, to step into The Three Crowns after an evening of Latino funk at the Corn Exchange, is a mass mayhem musical affray just trying to squeeze into a convenient gap; sigh, at least youโre having fun!
This kind of reception is usually reserved for our homegrown cover troops, People Like Us, and those Roughcut Rebels, and indeed I note Pip nestled amidst the crowd, nodding at me because this Pewsey lot has basically taken their setlist! Yes, they are tried and tested rock classics guaranteed to pull in a crowd, but what is surprising is this bunch of crazies are Pewsey located, it is their inaugural gig in Devizes, as circuits seldom meld, the gloriously loud welcome Devizes showed them, Humdinger will undoubtedly return.
For said rock covers, even at the most cliche, (yes, Wonderwall) went down like a sack of spuds in a famine, in the hands of these capable Pewsey musicians/nutters! Thereโs just something offbeat about the Vale, isnโt there? Eccentric and well, bit weird in a nonchalant but no malice way! I was fully aware of how much attention Humdinger can attract over those backwaters, Iโm glad to report the same level of recognition was rewarded to them here, as they thoroughly deserved it.
Excuse I canโt give a full review, only able to catch the final hour, but it was enough to confirm, Humdinger is a force to be reckoned with on the rock cover pub circuit, as they blasted out the standard issues with confidence, proficiency and a truckload of fun, as if they had only left the Moonies Fun Pub for the Coppers in the Vale! Making themselves at home, they treated us to flaunty banter and laughs aplenty, as they wriggled through a setlist from Sweet Caroline, through every hackneyed classic known to Britpop, and landed with an encore of Bon Jovi, yeah, Living on a Prayer, how did you guess?!
For an original music buff youโll shed a tear, but again, this worked, and regularly does. As I sat among a mass of empty pint glasses as bar staff rushed off their feet like Kings Cross McDonalds workers at lunchtime, I go-figure, the formula is desired by the masses, they finish pints with the same speed the band finish a chorus, and if it is this you want, or maybe even need, to keep a pub going, a decent rock cover band is what you seek.
Iโd say it again, I cannot exclude our Roughcuts or People Like Us, for they do this regularly at the Three Crowns, but Humdinger should also be firmly on your hitlist, as they certainly bought the party with them this time! Me? I can moan, at rock cover bands so plentiful on our circuit, but like bus drivers, theyโre either really top quality or grumpy as fuck, and the Humdinger guys certainly are not the latter. It was a sardine sandwich squeezable shindig of millennials and others hopelessly pretending to be, it was though executed superbly without malice, just pure rocking fun, and if you didnโt have a blinding night there you should seek medical advice, not mine, I thought it rocked!
Renowned Devizes auctioneers and valuers, Henry Aldridge and Son announced today they are relocating their auction rooms to The Old Emporium, a Grade II listedโฆ
by Ian Diddamsimages by Ann Ellison. What can possibly be better than watching a performance of โBlood Brothersโ by Willy Russell? Watching TWO performances ofโฆ
by Ian Diddamsimages by Josie Mae Ross and Richard Fletcher John Hodge is well known for his screenwriting of โShallow Graveโ, โThe Beachโ, โA Lifeโฆ
One of Swindon’s premier grunge pop-punkers, The Belladonna Treatment released their debut single, Bits of Elation, with London-based SODEH Records earlier this month. I spokeโฆ
A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, thisโฆ
I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. Theโฆ
I was looking forward to the grand finale of The Devizes Arts Festival with cherries on. Starter for ten; I’m yet to discover a subgenre of Caribbean or South American music I don’t instantly fall in love with, and it’s as rare a-find locally as diamond mines. Ergo, Malavita! marched up to my front door and banged loudly on it. And they didn’t hang around to ask me if I was coming out to play. No problemo when opportunity knocks, I had my dancing shoes on ready!
Upbeat from the off they blessed the Devizes Corn Exchange with their irresistible funky Latino blend, which soothed like reggae, swung like son cubano, bounced like bomba, and perhaps added smidgens of Brazilian samba, even Balkan into this melting pot of wonderful afro-funk.
To assume these guys flew in from Cuba or Puerto Rico would be justified, but on reflection there is definitely something western about the salsa which allows the throwing in of all these ingredients and stirring the pot to come out with a unique take effectively satisfying our western expectations. As in our pop, the vocals were soulful and delightfully expressed, and the subject matter of Malavita’s gorgeous and original repertoire seemed to be a glorified reflection on life’s guidance, thoughts and observations, yet subtle as the demanding danceable rhythms take priority. Story checks out, they’re from Devon, and their sound, their whole persona, is as beautiful as cream teas along the Jurassic Coastlineโฆwith added palm trees for an apt exotic effect!
Malavita at Devizes Arts Festival 2023
Funk at the forefront, I was also reminded somewhat on the livelier bands on the Acid Jazz circuit of the mid-nineties; if the Brand New Heavies added some Latino spice you’d imagine it coming off something like this, for this eight-piece with blazing barefoot brass section, congos, and conventional drums, bass and lead guitar presented itself equally as professional and proficiently.ย
So proficient in fact, they can encore with their only recognisable cover, Britney Spears’ Toxic, under such an insatiable house-style, such a rework would push-pin me to the dancefloor! And therein is my summary, you see, for Malavita! ruined my original plan to scoot off to the Three Crowns for a momentary glimpse at Pewsey’s rock covers band Humdinger who after nineteen years on the local circuit finally made their Devizes debut, because the sound of Malavita! is the musical equivalent of that tractor beam which pulls the Millennium Falcon into the Death Star, I was stuck on the dancefloor for the duration.
Malavita at Devizes Arts Festival 2023
For want of a less fanboy analogy, Jedi powers could not have prevented me from shaking my tailfeather, resistance was futile, Malavita are irresistibly danceable. That’s not opinion, that’s fact!
Leading me onto the trickier part, for saying how much I loved this, wracking my brain unable to think of something equally as cool as Malavita, was simple, but to suggest reasoning why the Corn Exchange wasn’t at full capacity as it has been with previous Devizes Arts Festival events this year, are manyfold. Possibly due to exhausted funds by the end, as there was so much choice this year, possibly a reflection on the natives personal taste, particularly those Arts Festival stalwarts, but for whatever the reason, they missed a thrilling evening of the single most sublime funky afro-fusion to bless Devizes, and to The Arts Festival organisers I thank you.
For those who were there, seats were empty anyway after quarter of an hour of this gorgeous, soulful sound, and we danced the evening away far too quickly!
Malavita at Devizes Arts Festival 2023
As things stood, it reached its climax at ten, so I was able to sardine myself into the Crowns for a blast of rock covers after all, though with the taste of Lilly’s mango cider retained, I couldn’t shake off how totally awesome Malavita! were, and akin to Harry Belafonte’s Jump In the Line, I don’t imagine I ever will.
Being I don’t recall what I had for breakfast from one day to the next, I might need to correct myself if I searched our archives, but going out on a limb, I’d proclaim this to have been my gig of the year to-date; scorchio!
A massive well done and thank you to Devizes Arts Festival, as this year’s comes to a close but has shown diversity and quality throughout; we hold tight for next year! I would also like to thank our writers, Andy, Helen, Ben, and Ian, for their outstanding coverage of this year’s Arts Festival here in good ol’ Devizes, and to Gail Foster for allowing us to pinch her superb photos too!
Can You Find The Wiltshire Potholes From The Moon Craters?! Now, at Devizine Towers we are far too mature and sensible to mock Wiltshire Councilโsโฆ
Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Dovesโฆ
If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There mightโฆ
The second single from Georgeโs sessions with Jolyon Dixon is out today, Isnโt She Lonely. With the vaudeville ambience of Queenโs later material and sprinklesโฆ
The Lavington Community Choir will stage a production of the Pied Piper of Hamelin, a musical cantata by Tim Price, on Friday 7th July at 7.30 at the Market Lavington Community Hall….
Written and 1st performed 35 years ago at Dauntseyโs School under the baton of David Price (no relation) when Tim was a 16 year old schoolboy, this wonderfully mature, jazz-inspired work remains as fresh and exciting today as it was then.
Conceived as a light-hearted adaptation of Robert Browningโs poem, the work combines humour and pathos, vividly illustrating this apocryphal, sinister and timelessly topical tale. Jazz riffs and toe-tapping melodies weave their magic as the story unfolds of a town plagued with rats.
The Townspeople debate, the pompous Mayor pontificates, the Piper makes a startling entry with a solution until the Establishment โratโ on the deal that is struck. A lone lame child left behind tugs at our heart-strings with an ethereal tune, before the story concludes on a rare note of hope and peace.
The evenings music is accompanied by a jazz band, and the programme also includes Verdiโs Anvil chorus, and jazz standards: Moon River, Dream a little Dream, Mack the Knife and others, featuring guest soloist Jessica Phillips and conducted by Paula Boyagis.
Tickets ยฃ10 from Devizes Books, St. Arbucks, members of the chorus and edwardsjean39@gmail.com Bar available.
American poet, Carrie Etter has been a resident in England since 2001, and a reader in Creative Writing at Bath Spa University. She published four collections, most recently, The Weather in Normal, and numerous chapbooks. On Saturday Carrie gave a poetry workshop and reading at Devizes Town Hall, as a fringe event of Devizes Arts Festival…..
โCarrieโs workshop was absolutely fantastic, a distilled overview of prose poetry with many examples to show the variation in style and our own time to create (with no pressure).ย Carrie was inspiring, impassioned and quick as a whip.
Her students at Bristol University are very lucky to have her as a teacher (as were her many past students from at Bath Spa University). The open mic at the end was inclusive, supportive and fun. Carrieโs final poem saw me wiping away tears; beautiful.
I wish I could write a longer review but I am doing this one-eyed with a poorly optic nerve. Iโm effervescing with words which will have to wait or be dictaphoned, when they come I now have many tips as to how to form them better.ย Thanks Carrie, your generosity is abundant – Iโve a feeling youโll get a roomfulโs worth of follow up messages. Helen.
A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโฆ
All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โฆ
Monsieur, with these Exchange Comedy night you are really spoiling us, for usually comedy in Devizes is just what we make ourselves; laughing at visitorsโฆ
A drone operated by Wiltshire Hunt Sabs was attacked by a second drone, twice, while surveying The Beaufort Hunt, after it recorded them illegally huntingโฆ
Without sounding like a stuck record, itโs the same unfortunate news for Devizes Street Festival as it was last year; Arts Council England has notโฆ
Devizes Arts Festival headed into its final weekend with a fine Friday night gig at The Corn Exchange.ย As Clair Figes of the Arts Festival said in her introduction, this was all about the music.ย Whilst there might have been some hesitation to give any Russian music any air-time at the present time, perhaps these days would have been different if more people had spent more time listening to music, rather than fighting.ย Let the music flow, she said.ย And how right she was.…..
So then the sharply-dressed quartet that is the Budapest Cafรฉ Orchestra came to the stage, and proceeded to blow everyone away with a really virtuoso performance of world music. This was gypsy and folk-flavoured music from Spain, the Balkans, Russia, wherever, and it was played with verve and panache.
Established in 2009 by British composer and violinist, Christian Garrick, and with 13 albums to their name, the Budapest Cafรฉ Orchestra is a small but impeccably formed ensemble of just four players. They combined violin, guitar, accordion, double bass, saz and balalaika to dazzling effect, creating a sound that you might expect of a far larger ensemble.
The BCO consisted of Christian Garrick (violin, darabuka), Eddie Hession (button accordion), Kelvin Cantlon (double bass), and Adrian Zolotuhin (saz, guitar, balalaika, domra). Each one of them is a master in their field, and each one of them has played with some of the most famous artists in the world. Their pedigree is impeccable. And boy did it show last night, as they collectively breezed through their highly entertaining two sets.
It was high energy, and it was delivered with style, and a great deal of wit. The versatile switching of instruments, the comedic commentary from Christian, the twirling shades of the on-stage standard lamps โ it all added up to a visual and aural delight. And, not surprisingly, the large audience absolutely loved it.
Yet another triumph for this yearโs Arts Festival.
Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Marketโฆ
Once the demonic entity Spring-Heeled Jack entered folklore it became subject to many books and plays, diluting the once real threat of this Victorian bogeymanโฆ
Devizes singer-songwriter Jamie Hawkins, famed for poignant narrative in his songs and one-third Lost Trade, has always had a passion for filmmaking; Teeth is theโฆ
There are only a few tickets left for this yearโs Devizes Festival of Winter Ales, an important fundraiser for DOCAโฆ.. This year DOCA has teamedโฆ
A sublime evening of electronic elegance was had at Bathโs humble Rondo Theatre last night, where Cephidโs album, Sparks in The Darkness, was played outโฆ
Elles Bailey at The Corn Exchange, Devizes; part of Devizes Arts Festival.
By Ben Niamor. Images by Andy Fawthropย
Elles Bailey made a welcomed return to Devizes this week, her sixth appearance in town by my count since local luthier and at that time promoter Mirko Pangrazzi booked this emerging talent some years ago now. Elles was great then, but has grown hugely as an artist, partly through being so fiercely independent and keeping things on her own termsโฆ..ย
This visit for the Arts Festival saw an appreciative crowd, many enjoying Elles live for the first time, packed into a blissfully air conditioned Corn Exchange on blisteringly hot summer school night.
A multiple award winning artist, Elles always surrounds herself with the finest musicians in one of the hardest working live touring bands in the genre.Among them Joe Wilkins, on guitar, a long time friend and collaborator, co-writing with Elles on tracks like Riding Out the Storm in the set here. The wealth of touring translates into a cohesive, relaxed band supporting Ellesโ trademark stage presence and flare.
A great mix of songs in this set from across her albums and some heartfelt selections of covers from her inspirations. Mixing Muscle Shoals, Medicine Man, Whatโs the Matter With You and more with her fantastic song writing, with covers of some of the incredible characters of her inspiration, such as Levon Helms – When I Go Away (particularly well suited to Ellesโ distinctive vocal sound if you listen to the original).
For me personally, a sensational cover of Creedence Clearwater Revivalโs – Long as I Can See the Light. Ellesโ explained she cannot remember a time in her life when she didnโt know and love their music, fuelled just, as in my case, by an upbringing with a father whoโs huge record collection was full of these kinds of incredible records. Truly made the hair on my neck stand up to hear her belt this out, sublime.
In penning Cheats and Liars, a song about and fuelled by the rage at our so-called chancellor of the time, back in the COVID darkness of October 2020โฆ when asked what struggling people in arts and music occupations should do? He quipped โthey should retrain and find other jobsโ. Thank you for the excellent song that prompted Mr Sunak.
Thankfully, lovers of arts and music like myself were worrying that might actually happen through necessity to some degree, at the time buying merch, etc. If we were in a better position and talking to artists etc, letting them know they were loved and supported and meant so much to us.. I had pushed much of this to the back of my mind as we got back to gigs etc. and thankfully lost very little of what I feared, the scenes coming back to life as they did in the end.
I am hard pushed to think of a better example of a journey followed, for many in the audience have been on the journey with Elles, and many others and look forward to a lifetime of continuing to do so. A good artist can do that, remind us of bad times and lift us into good times.
You will have probably realised already I am something of a fan, a true lady of the blues and one so connected with her fans how could you not?!
Thank you Elles and band, and the wonderful arts festival for putting this superb gig on, in walking distance for us.
I caught up with an excited Jonathan Hunter, leader of Devizes Town Councilโs independent party The Guardians, and local loyal youth worker Steve Dewar toโฆ
Experience the Bradford on Avon Green Man Festival, a vibrant, family-friendly community gathering featuring traditional dance, music, song, and folklore throughout the town centre onโฆ
If Iโm considering reviewing worldwide music again, why stop with this planet?! Though Iโve reasoned two tenacious links to mention this madcap Scottish interstellar outfit;โฆ
The team behind popular all-day music extravaganza, My Dadโs Bigger Than Your Dad Festival, can now reveal that nearly ยฃ11,500 was raised for Prospect Hospiceโฆ
By Ian DiddamsImages by Jeni Meade No aficionado of 1960s and 1970s horror films would have missed seeing โRosemaryโs Babyโ, a story of Satanic pregnancy,โฆ
Bingo, someone came up to me in the Market Place while I was chatting with Devizes Greens chief, Margaret Green about all random matters of climate change, to offer us both a free vegan chocolate tiffin, and that’s plenty to swing this blogger to pen a decent review in itself!
Though I didn’t need a tiffin to twist my arm, Sustainable Devizes set up an outstanding fair in the Market Place today. I believe it’s the second annual Devizes Sustainable Fair, an amalgamation of all the separate activities various groups of Sustainable Devizes and others engage in; sorry I missed last year’s. For if imagining a handful of environmental campaigners gathering in crocs and tie dye tees to draw some pretty pictures of the planet was your preconception, you’d be sorely wrong.
Many, of all walks of life, gathered to address concerns and present alternatives to make Devizes sustainable and environmentally friendly, under a festive feel, and it was a splendid occasion.
Children were encouraged by Keith Brindle and family of St James to draw pictures of ideas to create a better environment, on transport and the future of plastic usage, a clothes swap whereby you could donate or take whatever you needed, both encompassed the general idea that this was a community based interactive experience, an event free of commercialisation and profiteering. This extended to the general feel of the day; everyone focussed on the same goal in a polite and friendly way.
There was food, soup and so on, free knife-sharpening, a bicycle repair shop, and organisations were welcomed from the Meadow in my Garden community interest company, to Kennet Furniture Refurb, and it was also lovely to meet the community free for all social club Camerados Public Living Room, who aside regular meetings in the Cheese Room on Fridays, seem to set up a living room complete with sofas, coffee tables and lamps wherever they care to, and I love that the most, they even gave me a cup of orange squash the lovely lot!
But what places this firmly on the map, and diverts this from being any old climate change meeting, converting it into a festival feel is the area of benches in which to gather, and the live music too. I’m sorry to have been too late to witness an acoustic jam session, followed by resident musicians Tom Harris and Chrissy Chapman, but I did make a beeline for those boaterโs royalty of euphemisms, Devil’s Doorbell. We reviewed the ingenious outpourings of this bonkers skiffle duo upon the launch of a live album recorded at Trowbridge’s Pump in February, and they delighted as much as suspected they would, with Nipper playing his tenor banjo and kazzumpet, while the colourful Jellylegs Johnson strummed her washtub bass, both with a jolly dedication to jazzy tunes of yore.
Had to inquire being Caen Hill Locks were closed and the Doorbell duo had to resort to bus journey here, how everyday folk reacted to taking a washtub and kazzumpet amoung their other gear on the bus! But that’s in a nutshell how this event played off, quirky, hospitable and welcoming, a true reflection on a community spirited goal to better ourselves when it comes to progressing with a greener, environmentally friendly manner, and for this alone you cannot fault it.
Brilliant job, Devizes, for together we are sustainable, least heading this way with gusto.
Right you lot, listen up; I’m fully aware this debut album, Lost to be Found, from Swindon’s Danni W has been out, what, a fortnight nearly now? Reason why I’ve not mentioned it prior, aside from being a busy boy, is I had to listen to it a few times because it’s undoubtedly feelgood pop and best defined as a “growerโฆ..”
Meaning that, as all the best pop does, it becomes more appealing the more you listen. This is why commercial radio stations are passed dollar by record companies to keep the same current tunes on a loop until you’re forced to like them, otherwise you run the risk of spontaneous human combustion!
Though, while this album justifies why Danni should be on said loop, she really doesn’t need her songs to forcibly thrust down your throat; you should like this because there’s nothing to dislike about it.
Another valid reason why I’ve avoided its appraisal until now, and perhaps also why it’s uniquely beguiling is twofold. Firstly, unusually for pop it’s incomparable. Every wannabe pop star cites a major influence and strives to sound akin, but while I’m sure Danni has hers, I’m unable to pinpoint a definite phrase like Swindon’s answer to Whitney, or Kylie or Janet, or anyone really. It is, Danni and solely one of a kind. My only hope here is one day not too far away I’ll review someone else with the line, so-and-so’s answer to Danni W!
If I had to cite a clear influence it might well vocally be Maria Carey, though this could stem from how I came to discover Danni when she sent a Christmas song, All I Dream Of, for our christmassy podcast. My notion of the โgrowerโ idea certainly weighed in with this one. I was hooked after a few listens; there was something strictly All I Want For Christmas about it …but away with this yule talk, itโs summer and I donโt wish to mention the C word again!
Second reason is the sheer joy in her voice, confident in the spotlight but with a genuine enthusiasm you simply cannot fake. Her music sounds mainstream but is impossible also to slot into an era, timeless pop which will enthuse all ages, without the need, if feels, to go with the status quo and add trending riffs or retrospective gimmicks. It proficiently rides a generalised sound, and Danni laps up every second of it.
No spoilers here today, but at times Danni handles some tough subject matter too, topics not usually covered in pop, much less with the clarity and precision here. To start with, the opener, If I Tell You Truth, has a blues edge with an easy listening rolling piano riff akin to the crooners of the fifties, but as with all tunes on offer here, thereโs freshness about this sound which delights.
With a guise of Paula Abdul eighties pop, the second tune bounces on a financially hard times theme, the third similarly but with a โfinding yourselfโ concept. Yet by the fourth tune in, one which is reflected in an enchanting piano ballad of lesser tempo, Who Am I, you know you’re in good hands, and this one is sublimely executed leaving you dripping for more from these wonderful three minute heroes.
Back to the upbeat, Ignorance is Bliss is where we find the unusual content in contemporary pop, a political-social commentary wrapped in an almighty crashing and building pop tune, this works possibly the best tune for the balance between upbeat pop and these lounge jazz blues ballads. Tricky subject matter seems to build from here, social media and digital romance and fears of being the odd one out get Danniโs makeover, melancholy apologetic notes over a piano lounge jazz ballad, followed by a confidence builder and I find myself contemplating Gabrielle as a new influence to possibly cite, but maybe I should have just asked Danni rather than clutching at straws, because her sound is stylised and distinctive.
It ends kind of like our Christmas number, bouncy and jolly, an overall take on the whole album, even if the subject sometimes isnโt. Though this one is on impending love, and well, that could go either way! One thing is for sure, Danni W has put a lot of work into this, it shows, and sheโs seemingly lapping up every minute of it. That joy is felt across this universally-appealing album, and damn, if it doesnโt rub off on you equally to the beguiling nature of the sound too!
If you were ever lost, as your album title suggests, Danni W, I, for one, am glad I found you!
In November last year I was mightily impressed with Bristol soul-reggae producer Kaya Street, and reviewed their EP The Soul Sessions, read it here forโฆ
Another Stunning Week-End For Live Music Andy Fawthrop Normally Iโd be raving about just how good the live music was at The Southgate on Sundayย afternoon.โฆ
Developed in Devizes, blossoming in Bristol, as well as a snazzy new website, indie-punk phenomenon Nothing Rhymes with Orange released their next single, and itโsโฆ
Seems odd the perfect combination between Devizesโ only theatre, The Wharf, and one of the longest-running performance group, White Horse Opera hasnโt linked before, butโฆ
Featured Image Credit: Stewart Baxter Riot predictor Nick Hodgson formerly of the Kaiser Chiefs has a new band, the charmingly named Everyone Says Hi, andโฆ
Devizes Arts Festival headed towards the end of its second week with a double-dip into the chocolateโbox of goodies. At lunchtime we had some hot folk, and in the evening we had cool jazz……
St Andrews was the venue at lunchtime as Kit Hawes (guitar, vocals) and Aaron Catlow (violin, vocals) played an absolutely wonderful set of folk tunes and songs. This was no ordinary duo though โ what we heard was absolutely spell-binding stuff. It was largely fiddle-led instrumentals, supported by a wonderful picked guitar, as the two musicians really leaned into their set. Between songs, the pair were chatty and engaging, charming the audience with their laid-back style. The only thing wrong with their set was that it was too short! However, we could forgive them as the guys had to get away because, following this performance, the duo were due to visit two care homes to meet and perform for the residents, courtesy of the performing music charity, Live Music Now. Absolutely sparkling stuff.
For the evening we moved just across the road to the Assembly Room of The Town Hall for The Chris Ingham Trio and an altogether cooler, more laid-back experience. The trio featured Chris himself on piano, vocals and commentary, with Joe Pettitt on upright bass, and George Double on percussion and (soprano) vocals.
Their programme was based around the jazz compositions of the beloved comic actor Dudley Moore (1935-2002). Whilst being more famous for his comic sketch acting on TV and in films, often with his co-comic Peter Cook, Dudley was also one of the UKโs most dazzling, swinging jazz pianists and a composer of wit and depth. The decision to revisit Mooreโs music in The Jazz Of Dudley Moore, with sounds from the fabulous 1960s Decca trio albums, the TV show โNot Only But Alsoโ (1965-70) and the brilliant movie soundtracks for โBedazzledโ (1967) and โ30 Is A Dangerous Age, Cynthiaโ (1968) was a good one, and it made for an excellent evening of jazz, that was both instructive and thoroughly entertaining.
During the evening we (well definitely me!) learned a lot about Dudley Moore and his life. Moore was a vastly under-rated and prodigious jazz talent. He was a working-class Dagenham boy, which always left him feeling somewhat second-best next to the highly intelligent and Cambridge educated co-conspirators Peter Cook, Jonathan Miller and Alan Bennett. He felt he could not always communicate as well as his peers, and music was his outlet for his feelings, his desire to love, and his need to be loved (see โLove Me!โ). There is much melancholy there, and his psychological profile was of a man who was lonely, and whose emotions were fragile. He spent much of his life in therapy of one sort or another. His inner demons drove his manic comedy, his drinking and his womanising. Yet he was possessed of immense personal charm and playfulness.
All of this Chris and the boys attempted to convey in words, and illustrate through the music. Chris could never (in his own words) play piano in exact imitation of Dudley, so the idea was to give โanother run-out to the spirit of the manโs musical styleโ โ playful, and committed to swing, often with a bossa nova groove.
Chrisโs commentary between songs was erudite, yet chatty and witty. His playing was spirited, yet sympathetic, as he led the trio through โBedazzledโ, โCornfieldโ, โSong For Suzieโ, โWaterlooโ, โSad One For Georgeโ and many others. A well-deserved encore of โGood-byeeeโ simply put the cherry on the cake of a really wonderful evening.
The Devizes Arts Festival continues for only two more days until Saturday 17th June.
Bob Marley sang โjamminโ โtil the jam is through,โ Jimmy Cricketโs catchphrase was โcomeโere, thereโs more,โ but it looks like The Southgate in Devizes isโฆ
The second feature film for director Keith Wilhelm Kopp and writer Laurence Guy, First Christmas enters development, to be produced by Shropshire-based production company, Askโฆ
Image credit: Forestry England/Crown copyright. Forestry England Nightingale Wood invites dog owners to celebrate Walk Your Dog Month this January….. Walk Your Dog Month isโฆ
Devizes Arts Festival headed towards the end of its second week last night. And here was another highlight…..
Clive Anderson is pretty well known household name, being seen on TV and heard on radio as a presenter, writer and interviewer over the past 30 years. Heโs an award-winner, a versatile comic writer and, an often overlooked feature, a barrister by training. Heโs fronted his own TV and radio shows, and has been a celebrity guest on countless others.
Last night, in a fairly packed Corn Exchange, he brought his own show โMe, Macbeth and Iโ to the stage. Appearing for the first half in full โScottishโ regalia, his opening assertion was that Macbeth (sharp intake of breath from the luvvies in the audience), sorry โThe Scottish Playโ was the greatest play ever written, and certainly Shakespeareโs best drama. Using this, and his frequently referred-to Scottish ancestry, as a thin framework on which to hang the rest of the show, he set off in pursuit ofโฆ.Iโm not quite sure what.
We had some wonderful, although sometimes rambling, anecdotes from his career in showbiz, name-dropping with gay abandon (Cher, Sting, Robin Williams, Peter Cook, Mikhail Gorbachev to name but a few), although this was rarely gratuitous. Anderson has interviewed them all, and had some great back-stories to relate. He covered his early start in comedy (Cambridge Footlights and Comedy Store), his learning path in presenting live TV, and the vicissitudes of coping with sometimes unpredictable guests. He also shared a number of theatrical anecdotes, milked from โLoose Endsโ with Ned Sherrin, and concluded an overlong first half with the results of his researches into the truth (or otherwise) of the bad luck stigma associated with 400 years of productions of Macbeth. This allowed him to mention Gielgud, Beerbohm, Olivier and Orson Welles, as if in passing.
The second half picked up where heโd left off, although the Scottish outfit had now been abandoned for a more conventional lounge suit. The style was still the same however โ occasionally incoherent, repetitious, going off on tangents and losing his thread. However we always seemed to get back to the point, which left me wondering if this method of delivery was a reflection of his natural style, or a slightly nerves-driven affectation.
Whatever โ it was mostly interesting and funny, with a few topical depth-charges casually dropped into the comedy waters (Gove, Rees-Mogg, Prince Andrew etc). There was a discourse on his own Scottish heritage and of Scottish national stereotypes. The final section allowed him to revisit great interview disasters of others (Parkinson and Rod Hull/ Emu, Russell Harty and Grace Jones) and of himself – the famous Bee Gees walk-off, Richard Branson and (for me the best) Bernard Manning and National Prune Week.
It was funny, but not hilarious. It was interesting and educational, but not gripping. The audience mostly seemed to love it, but I found it difficult to warm to the man somehow. His comedy is more intellectual than human/ emotional, so that might be it. Anyway โ a good night out, and another success for Devizes Arts Festival.
The Devizes Arts Festival continues for three more days until Saturday 17th June.
Salisbury acoustic singer-songwriter Rosie Jay released her debut EP today, taking its title from her first single from June this year, I Donโt Give aโฆ
I’m loving this new tune! Swindon’s upcoming reggae singer/DJ Silver-Star has teamed up with the legendary General Levy for a drum n bass golden nuggetโฆ
Somewhere just outside Westbury a sizable barn hosted the most memorable new year’s eve raves in the mid-nineties, but Iโd never have imagined then, thatโฆ
The format of this, my first foray into this kind of event, seeโs BBC radio presenter Sue Davies chatting with Will, the furniture restorer and woodworking maestro from the Repair Shop on the gogglebox. Apparently his first event of this kind too.. Sue has a dry wit and gentle manner well suited to this, as one might expect given her careerโฆ..
We are treated to many interesting answers and anecdotes, if this is his first time doing such a thing it does not really show, apart from when he chats himself away from his answer and has her remind him of the question! But thatโs only reflective of his genuine joy, and passion for his work.
He seemed mildly embarrassed to admit the first thing he remembers making were some nunchucks from some of his dadโs chains and a stolen broom handle, so he could swing them like his heroes, the Teenage Mutant Ninja Turtles!
His grandfather used to restore furniture, something he had long forgotten until after he started a met-college furniture course having failed a graphic design first yearโฆ twice!
A successful business in proper antique furniture restoration followed before the TV people came knockingโฆ
The way he talks openly and positively of his Family in the shed, the Repair shop team is lovely if not perhaps surprising. 80,000 emails so far requests, 9th series in productionโฆ and an incredible following.
The tale of the people thinking they can go down..! An old lady with a broken clock, having travelled some way and crestfallen she had misunderstood, but was on the doorstep, so Steve fixed it for her in his lunch break..! Sounds like the sort of warmth and humble humanity that you get from the incredible transformations in the programme.
That was during the airing of series one. Now itโs secure, segregated in the museum most of the time such is the profile now reached. They Film nine months of the year, and he has recently reduced the days given over to the show to be able to be an active dad too. It would be easy to forget what a huge hit he is a part of, he truly comes across as every bit as genuine and lovely as what you see suggests.
In the second half our penned questions were answered , ranging from the obvious to the cheeky, a fun thing to do. Favourite woods, favourite jobs, future ambitions you name it we askedโฆ
I thoroughly enjoyed the evening, interesting and a chance to connect in some small way with something I personally love and appreciate. Positive, humble craftspeople making dreams come true, and Iโve met one of them and got my book signed.. brilliant.
I was pleased to see no entourage with overpriced wares but in fact Devizes Books selling the books at the usual reasonable rrp.
I managed to speak to a couple of arts festival committee members before leaving and thank them for their work and the opportunity; another great event.
The Devizes Arts Festival continues at various venues around town until Saturday 17th June.
A Scooby snack-sized pinch punch, first day of the month came from Minety Music Festival this morning upon announcing their headliner for 2025, The Funโฆ
by Ian DiddamsImages by Josie Mae-Ross and Infrogmation Tennessee Williamsโ quasi autobiographical drama โA Streetcar Named Desireโ was first performed in 1947 as the worldโฆ
Purveyors of perfect motion, house music promoters Palooza return to The Exchange in Devizes on Friday 20th December, for its grand finale of the yearโฆ..โฆ
Okay, so, Iโm aย little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning Iโve not yet mentioned Kirsty Clinchโs newโฆ
With Black Friday just a few weeks away, Wiltshire based Blackmore Computers Ltd, is encouraging people to think pre-loved if theyโre planning on buying laptopsโฆ
Devizes Arts Festival played a blinder this afternoon by cranking up the outside temperatures to a level suitable for listening to Lois Pryce talking about riding her motorcycle around the heated countryside of Iran in 2013 and 2014. .
The talk/ slide show/ video was entitled โRevolutionary Ride โ One Womanโs Solo Motorcycle Journey Around Iranโ and it did exactly what it said on the tin.
Lois Pryce, apart from picking banjo on Sunday as part of the bluegrass group The Brothers & The Sisters at The British Lion on Sunday, is a woman of many talents. Sheโs also an author of three books about her solo adventures in far-flung lands (Alaska to Terra del Fuego, London to Cape Town, and now Iran). Sheโs also a speaker and freelance writer and broadcaster.
Her latest book, Revolutionary Ride, is a memoir about her experiences in Iran, undertaken in two separate parts in 2013 and 2014. She covered over 3000 miles, did her own basic bike maintenance, camped out many nights, and (most importantly) funded the whole trip herself without the need for sponsors.
She freely admitted that before going, she was largely uneducated about the wider political situation then existing between Iran and the West, did not speak nor understand Farsi (including road signs), didnโt have a visa, didnโt understand the likely problems to be encountered by a lone female riding a motorbike (technically illegal), and that the only maps she had were pre-Revolution. Nothing daunted, she headed into all the technical, cultural, logistical and legal problems, and just kind of โgot on with itโ.
She drew many parallels and contrasts between the massive amount of hospitality and friendliness she received at a personal level from virtually everyone she met, and the official state-led political situation. She described it as a “chilling regimeโ, almost entirely cut off from the rest of the worldโs infrastructure (internet, banking/ credit systems, foreign imports), with an extreme set of Islamic-led laws, customs and social structures. For women especially, this meant โa life behind the veilโ. Nevertheless there was always a thriving โunder the counterโ culture in everything from motorcycling to music to alcohol.
There were many anecdotes and examples of her โhelmet to hijabโ existence on the road. And after the break (for book sales and signings), there were plenty of questions from the packed audience.
A highly entertaining session, and well-attended. Which just goes to prove that if you put on something interesting, even in the middle of the afternoon on the hottest day of the year, there are plenty of folk in D-Town with nothing better to do. Build it, they say, and they will come. Another Home Run by DAF!
The Devizes Arts Festival continues at various venues around town until Saturday 17th June.
If rural West Country had a penchant for trance in the happy daze of the mid-nineties, heady nights of fluorescent-clad crusties with eyes like flyingโฆ
Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group… At the National Community Radio Awards held in Cardiff on 16th November Together!, theโฆ
Two of the county’s top retrospective cover bands meet for a double-bill of action in Market Lavington This Saturday. Calneโs indie rock five-piece Six Oโclockโฆ
Again we find ourselves congratulating and thanking young Chloe Boyle for fantastic fundraising efforts for Devizes homeless charity OpenDoorsโฆ. With friends and family she spentโฆ
Images: Chris Watkins Media It was lovely to spend Sunday afternoon at Devizesโ Wharf Theatre, to see how this yearโs pantomime Hansel & Gretel, isโฆ
Sheffieldโs DIY punk queer emo five-piece, Slash Fiction will be at the Pump in Trowbridge on Wednesday 20th November as part of their nationwide tour.โฆ
by Ian Diddamsimages by Playing Up Theatre Company When is a mousetrap not a mousetrap? When itโs written by Tom StoppardโฆIf you have seen โTheโฆ
Those cheeky popsters who rocked up at my 50th with a beanie hat present from their own merch range and expected me to parade around wearing it like I was their personified billboard, yeah them, the fantabulous Talk in Code, well, right, havenโt seen them since, say theyโve been busy on the festival scene, when all of a sudden without a drop of notice, tell me theyโre travelling to Pilton this Saturday, 17th June, and we all know what happens there!
Turns out Swindonโs toppermost indie-pop band are playing in the first heat of the Glastonbury Pilton Party competition to audition to win a coveted slot at the Glastonbury Pilton Party, held on the Worthy Farm site, home of the world-famous Glastonbury Festival; show offs!
This Glastonbury Pilton Party is held in early September, and previous headliners have included Liam Gallagher, Elbow, Fatboy Slim and Bastille. Talk In Code have been chosen from hundreds of hopefuls to audition, and I say, while itโs a bit warm for a beanie, thank you so much for my hat, and, oh yeah, also for playing an absolute blinder at the Three Crowns, I feel honoured and it will be a day if I hadnโt have overindulged in Thatcherโs Hazes I will never forget.
But all this aside, as I cannot be bought by showering me with gifts, in my book, Talk in Code would remain the best band in Swindon even if they dunked me in a bath of hot & sour piranhas in just my mankini till I cried like a baby, so I wanted to wish them all the very best of luck, and I hope you will join me in wishing them all the very best of luck, bloody good luck to them!
Itโs all going down at Pilton Club, a stones throw from the Glastonbury Festival Site on Saturday 17th June. Tickets to come and support Swindonโs best indie pop band are available from HERE.
Talk In Code are thrilled to be flying the flag for Swindon at this prestigious event, and I know theyโll knock ’em for six, and if not I want an inquiry as to why not. If you canโt make this, I get that, bit short notice, you should have a listen to Talk in Code, who have amassed over 400,000 streams and been added to over 700 Spotify playlists, HERE.
Wiltshire Music Centre is delighted to announce the new appointments ofย Danielย Clark as Artistic Director, andย Sarahย Robertson as Executive Director.ย Danielย andย Sarahย join Wiltshire Music Centre in a new co-leadershipโฆ
By Mick Brianphotos by Chris Watkins Media Disney aficionados will need no introduction to โThe Little Mermaid,โ Disneyโs 1989 film about mermaids falling in loveโฆ
Remember, remember, weโre moving into November; leaves, loads of โem! Being as we are no longer doing weekly roundups, hereโs some highlights of events inโฆ
The simple answer is yes, very concerned. Following the publication of an article in Melksham Newsโs last issue questioning the councilโs public notice policy, Wiltshireโฆ
Dumping pumpkins in the woods is bad for wildlife says Forestry England. As millions of pumpkins hit supermarket shelves and make their way to gardens,โฆ
Continuing the tradition of great quality Devizes Arts Festival fringe events in the wonderful town centre beer garden of the British lion, Devizes this year we were treated to a cracking bluegrass band.…
Hats off to the arts festival for finding outstanding artists in any given field. It takes more than a check shirt to carry off the traditional sound of bluegrass, especially if you are from our side of the pond!
A six piece bluegrass outfit comprised of Steel guitar, double bass, banjo, fiddle, mandolin , and acoustic guitar and everyone lending vocals.. laid out here and played in delightful harmony. Bluegrass often celebrates the darker side of life, in such a way the brain can wonder how these stories can give us such fun? But fun it was, great fun.
Songs of life, loss and whiskey.. Gotta get drunkโฆ sung by the wonderful gent on steel guitar, those ensembled agree the fact heโs sat down and enjoying the great beer means heโs best suited to sing this.. A bunch of self penned tunes were interspersed within some classic genre covers such as Jolene, some more unusual Bob Dylan, and some classic roots songs across three sets.
All in a fantastic gig, and way to enjoy several hours, even the weather played ball and held off with a sunny flourish for the last set! Thankyou to the excellent band, our wonderful host for the garden, beers and charity barbecue, and of course the arts festival.
Devizes Arts Festival continues until Saturday 17th June. Tickets HERE.
If Phil Cooperโs 2018 โThoughts and Observations,โ was one of the first albums we ever reviewed here on Devizine, itโs been a while since Iโveโฆ
Devizes Outdoor Celebratory Arts announced their upcoming project, YEA Devizes today. Made possible by a grant from National Grid Electricity Transmissionโs Community Grant Programme, theโฆ
Alberta Cross, along with the up-and-coming local bands Something Moves and BroccoliBoy, will perform at a charity gig on Saturday 30th November at 23 Bathโฆ
Chippenhamโs young folk singer-songwriter Meg, or M3G if you want to get numeric, will release her 6th single The Mist on Friday 18th October, andโฆ
Our very own illustrious orchestra, The Fulltone Orchestra, are staging live performances of Enyaโs 1988 breakthrough album, Watermark in Basingstoke, Bath and Cheltenham later thisโฆ
Forget the feud between Notorious B.I.G. and Tupac Shakur, this is England’s West Country rivals The Skimmity Hitchers and Monkey Bizzle in a vicious rapโฆ
If, like me, youโre teetotal and never touch a drop, you can still enjoy the CAMRA Devizes Beer & Cider Festival on the 1st July, for thereโs food and a great musical lineup awaiting you there. Now, back to honest reporting (hic!); the lineup of which Iโm about to reveal now!
Thereโs some stable regulars and some exciting new acts performing, but the first wouldnโt be the same Devizes Beer Festival without them; Devizes Town Band, undoubtedly opening the proceedings.
First great, awesome, amazing surprise to me personally, one of my favourite things, Concrete Prairie will make their debut at the Beer Fest this year; get in! Concrete Prairie are an alt-folk Americaina five-piece ensemble, delivering a veritable soundtrack for the glamour and grit of modern living. Personal opinion incoming, this is enough to seal the deal for me!
But, we also have, hailing all the way from my motherland, the utterly fantastic Jamie Williams and the Roots Collective. Regulars at the Southgate, their unique brand of Americania and folk-rock has seen them settle into the current super-tight line-up after hundreds of shows the band are on fire, playing hundreds of shows and festivals, including a couple of rapturous nights at London’s legendary 100 Club, their ethos is always to have fun and make sure the crowd does too. This is not a band that stands onstage staring at their (red) shoes.
Theyโve shared line-ups with the likes of Wilko Johnson, The Blockheads, The Darkness, The Pretty Things, The Quireboys, Dr Feelgood, the Yardbirds, Eddi Reeder & the Animals to name a few.
Jamie is a prolific writer of accessible songs; songs good enough to hold their own in a solo acoustic setting, which really light up when the band add their own brand of energy & musicianship to the arrangements.
They are like the classic touring bands of the 70s: almost a travelling circus; a dysfunctional family of a band. They’re tight without being boringly slick, leaving just enough rough edges to become one of the most exciting and fun ‘originals’ live bands on the circuit today.
Back to the homegrown talent, Wiltshire four-piece rockers Plan of Action will be in attendance too. Derived from the old well known band ‘El Nino’ they have gathered pace to become one of Wiltshireโs most popular covers bands, packing venues everywhere, circa 2017. Expect the classics from AC/DC to Thin Lizzy and Fleetwood Mac through to Oasis, Red Hot Chilli Pepper and Foo Fighters, something for everyone!
And, as per-last year,Knati P will be providing the sound system reggae chill. Handpicked reggae tunes from Knati P, with more years of playing records and running sounds systems than we dare mention … .you can be assured a wealth of popular reggae picks and some quality laid back material you may not have heard of!
And thatโs your lot, I love it though, there’s not a single one I wouldn’t have picked myself; great minds think alike!Saturday 1st July at Devizes Wharfside 11:30 until about 10pm, tickets are ยฃ19.50 which includes your glass, programme and an initial ยฃ5 of beer tokens, which as you might be able to guess, is ample beer tokens for me, then Iโm on the Tizer!
Itโs been a fantastic summer for Wiltshireโs indie-pop favourites Talk in Code. I think Iโve caught them live at least four times, and only onceโฆ
I was chatting to Josh Oldfield last week, a Devizes singer-songwriter I believe weโll be hearing a lot more of. Though this interview was pendingโฆ
by Ian Diddamsimages by Josie Mae-Ross Noel Coward is probably best known for โBlithe Spiritโ but he in fact wrote sixty-five stage plays over aโฆ
Comedy in Devizes is a rare thing, unless you count visitors turning right at the Shaneโs Castle junction, reading opinions on the Devizes Issues (butโฆ
Seems like an age since I last visited Bradford-on-Avonโs wonderful Wiltshire Music Centre, though Iโve been listing their vast range of events on our calendar.โฆ
Wiltshire Music Events UK has hosted tons of memorable events locally, from CrownFest and The Marley Experience at Devizes Corn Exchange, to more everyday gigsโฆ
Another summery week ticked off, and our event guide just keeps getting bigger. This week is huge, people, huge โฆโฆI mean the week is huge, not the people, Iโm not one to body shame as, I believe, is the appropriate gen z term; pass my pronouns, thereโs good fellow.ย
Donโt forget thereโs more info on these, ticket links and irregular updates on our sparkly Event Calendar, so plan ahead. But this week we haveโฆdrum rollโฆ..
Ongoing, Hail the Curious, the inaugural exhibit at The Forbidden Carnival in Chippenham; check it out by the end of the month.
Tuesday 13th
Floral Display at Hillworth Park, Devizes, continues Wednesday too. Devizes Arts Festival still going strong, they have Lois Pryce: Revolutionary Ride โ One Womanโs Solo Motorcycle Journey around Iran at 3pm in the Bear Hotel, and the fantastic Elles Bailey Band, 8pm at the Corn Exchange.
Nick Beere has an inaugural Open Mic Night at The Bell, in Great Cheverall, which hopes to become a regular second Tuesday of the month thang.
McCartney โ The Songbook at The Wyvern Theatre, Swindon.
Free-movement dance session 60โs to 80โs music at Salisbury Methodist Church.
Wednesday 14th
Poulshot Green Gathering.
Devizes Arts Festival has Clive Andersonโs Me, Macbeth and I. 7:30pm at the Corn Exchange.
Acoustic Jam at the Southgate, Devizes.
Memory Cinema at Swindon Arts Centre for those with dementia and their families, showing
Willy Wonka & The Chocolate Factory. Menopause The Musical 2 at The Wyvern Theatre.
Charlotte Sauste-Bridoux at Wiltshire Music Centre in Bradford-on-Avon.
Lunchtime Recital with cellist Idlir Shyti at Pound Arts in Corsham, and a double bill in the evening with Fly Yeti Fly & Pound Sound.
Thursday 15th
Devizes Arts Festival has folk duo Kit Hawes & Aaron Catlow, 12pm at St Andrews Church, and the Chris Ingham Trioโs The Jazz of Dudley Moore, 8pm at theTown Hall.
Paul Henshaw plays The Tuppenny, Swindon. An Evening with Brian Bilston at Swindon Arts Centre, and Phil Wangโs Wang In There Baby! at The Wyvern Theatre. Liddington Hill EP release party at the Vic, with Lucky Number Severn & Dark Prophecy, EP reviewed here.
Folk Open Mic Meets From the Book, at Brown Street, Salisbury, A Night of Folk Music and Poetry, and continues on Saturday.
AC/DC tribute, Hellโs Bells at The Cheese & Grain, Frome.
Friday 16th
Devizes Arts Festival has Gaelic folk anthems with Christian Garrick and the Budapest Cafรฉ Orchestra, 8pm at Corn Exchange.
John Langan & Maxine Ria at The Barge, Honey-Street.
Park Lane at The Civic, Trowbridge.
Radiation Sickness at The Old Road Tavern, Chippenham.
Longleat Summer Party.
John Bramwell & The Full Harmonic Convergence at Pound Arts, Corsham.
Swindon Folk Club Guest Night: Patakas at The Hop, Swindon, Pink Mac at The Vic,
21st Century Abba at Meca, Oye Santana at Swindon Arts Centre, and In Conversation With Stacey Dooley at The Wyvern Theatre.
Second night of the Folk Open Mic Meets From the Book at Brown Street, Barbar Luck at The George & Dragon in Salisbury.
Band X atThe Three Horseshoes, Bradford-on-Avon.
Isabelle Farahโs Ellpsis at the Rondo Theatre, Bath, and The Alex Voysey Blues Band presents โFaux Bonamassaโ at Chapel Arts.
Legends, Bob Marley & the Wailers kick off a ska and reggae weekender at The Cheese & Grain, Frome.
Saturday 17th
Maps for Devizes Open Gardens are ready and on sale now from Devizes Books, Hillworth Park Cafรฉ, Devizes Town Hall and The Giving Tree in the Little Brittox. ยฃ7 in cash per map, continues on Sunday.
Devizes Sustainability Fair in the Market Place from 10am-4pm.
Devizes Arts Festival has a free fringe event, Carrie Etter Poetry Workshop and reading, atย 2pm in the Cheese Hall of Town Hall. Limited numbers so book your place. And 8-piece reggae Latin funk powerhouse Malavita! 8pm at the Corn Exchange, makes the grand finale of what has been a fantastic year for the festival.
Elsewhere in Devizes, find Will Edmunds Trio at The Southgate, and Humdinger debut at The Three Crowns.
Keevil Summer Roots Festival, a first for the village, preview here.
Stonehenge Campaign Festival, free, at the Barge on Honey-Street.
The Plough at Shalbourne has a FREE Ale and Sausage Festival, with Two Complicated, Deadlight Dance, @59, Reuben Medlin Band and more.
X-Factor winner Steve Brookstien at The Civic in Trowbridge.
Debut Dance Company: Bodies of Water at Pound Arts, Corsham, followed by Iona Johnson: Musical Storytime and Bella Hardy in the evening. But check out the poster for Corfest at Corsham Rugby Club, what a lineup, loads of my favourites from Train to Skaville, Nothing Rhymes With Orange, Plan of Action and Splat the Rat; nice one!
Barrelhouse play The New Inn, Swindon, Hannah Rose-Platt & Adam Giles Levy at The Tuppenny, Wizards of Oz and Judas Rising at The Vic. Patti Boulayeโs Iโm Coming Out at Swindon Arts Centre. Swindon Music Trust holds a Party in the Park at Town Gardens, tickets are ยฃ11.50, great lineup, see here.ย
Bath Symphony Orchestra are Across the Pond at Wiltshire Music Centre, Bradford-on-Avon, find Stanchions at The Three Horseshoes.
Peter Gill โ Piano Legends at Chapel Arts, Bath, with John William Richardโs Almost Hollywood at the Rondo Theatre.
An evening with Logical Park at The Swan near Barton Stacey, Salisbury.
G4 Live at The Memorial Theatre, Frome, with the Cheese & Grainโs second night of their ska and reggae weekender, featuring the Neville Staple Band.
Sunday 18th
DOCAโs Picnic in the Park at Hillworth Park in Devizes, a must!
Max & Ivan: Life Choices (Work In Progress) at Pound Arts, Corsham, with Gav Cross: Snack and Stories too.
GBH Big Bandโs I Got Gershwin at Wiltshire Music Centre in Bradford-on-Avon, while the amazing Dry White Bones play The Three Horseshoes.
As Fanning at Komedia, Bath
Paul Burlingโs Big Daddy Variety Show at The Wyvern Theatre, Swindon.
Monday 19th
Declan Gaynor @ The Tap & Barrell, Swindon
And I got nuthin for Tuesday, yet But if I missed anything out let me know, feed me cake and I can update this and our calendar, but if you donโt tell me donโt come crying! Have a great week, remember, sunscreen, people, sunscreen.
Look out for our incoming next article, as we reveal the music lineup at Devizes Beer Festival on the 1st July!
The “Business Fit For Future” programme has launched with startups across Wiltshire seizing the opportunity to participate in free online business planning workshops. This initiativeโฆ
Featured Photo: Forestry England/Crown copyright Planned timber harvesting is set to begin at popular walking destination, West Woods, from the end of September until Marchโฆ
Despite the population of Devizes throwing confetti and paint at each other in their most celebrated annual ritual, I believe I picked the right weekendโฆ
The newly drafted forest plan for West Woods and Collingbourne is open for public consultation until Monday 7 October. The plan outlines how each woodland willโฆ
If there’s been welcomed stand-ins for the monthly Jon Amor Trio residency at the Southgate in Devizes recently, Ruzz Evans and Eddie Martin, Jon โtheโฆ
The LGBTQIA+ community bravely showed their support for Drag Queen Story Hour at the Wyvern Theatre yesterday, by staging a counter protest to the fascists who were blasting bigoted lies accusing drag performers of being groomers and of sexualising children, when in fact, pantomime dames and drag queens have been a staple of family entertainment for decades.….
Attacking drag queen events is clearly camouflage for a campaign of homophobia (according to Swindon Advertiser, one fascist could be heard saying that: “It’s against the natural order for a man to be with another manโ) directed at all LGBTQ friendly venues and spaces, and fascist scapegoating of minority groups is always a Trojan horse to normalise violent political repression.
The discrimination LGBTQIA+ people experience in society and even from their own families is endemic and a truth those comfortable with heteronormative privilege such as myself can never fully understand, which is exactly why we all need to do what we can to allow people to live their lives and be themselves unencumbered by prejudice or bullying of any kind.
Businesses and supermarkets putting up rainbow flags, nice as it is to see, is not enough when the government, media, and extremist groups are expressly targeting anything and everything LGBTQ.
Pride is a protest and a wonderful expression of community, let’s keep it that way until homophobia is history and love is the order of the day on a fair and free planet. This article is dedicated to my loved ones in the LGBTQIA community.
Oh Deirdre me, we can’t all be as perfect and flawless as Councillor Iain Wallis, and as the Dalek said climbing off the dustbin, we all make mistakes!
Cream crackered after my standard early shift, on Tuesday I rushed out a knee-jerk reaction to Danny Kruger’s comments against the permitted Coate Road development, because I knew other local media would also jump on the bandwagon; you have to be quick to beat the big guns.
It has since come to light, thanks to a civilised reply from councillor Judy Rose, some of the content is slightly misinformed, but while I’m willing to admit it, if you think I’m eating humble pie you can think again! There remains a more general crucial point, I figure, even if some facts about the development itself weren’t, precisely, on the ball.
I might just nibble the crust, if humble pie comes with a crust, or is it more like a shepherd’s pie? Either way it’s unlikely I’ll dive right in, least of all apologise, thatโs sooo not me! Much of the content was taken from a BBC article, and what can I say? I pay my licence fee, local media source content from the Tory-bias Beeb, at least I tarnish mine with opinion rather than lift it wholesale.
It was Dannyโs u-turned angle which had me suspicious, it seemed now he was in support of the campaign against it, as before this storm in a teacup I too was dead against the location of this development and signed petitions against it. But the reasoning for Tuesdayโs article was my dubiousness of anything which comes out of Dannyโs silver-spooned cakehole; can you really blame me for that?!
Justified, I believe, after his several chauvinistic and homophobic comments. Comments which I called him out for, and via Councilor Iain Wallis’s wonky peepers, constituted me being “unpleasant,” I quote. Trying to twist my melon around this, ol’ Danny K can cast any archaic and deplorable views he feels fit to do so, and use his position as MP to preach his narrow-minded religious dogma, but if I question him for it, I’m the one being “unpleasant?” Okay, that sounds fair!
โIโm afraid youโve really got this wrong,โ Judy expressed, โNot about Kruger, although I find his conversion to opposing the 5-year housing land supply a rather dramatic and convenient vote-solidifying change-of-heart, but about the very real concerns regarding the Coate Road development.โ Which is fair enough, and enlightening too. For it is far nicer to address such corrections to us directly, rather than Mr Wallis, who opted to post his hatred only on his own biassed Facebook group, Devizes Issues, of which anyone who disagrees is promptly banned, including us.
This practice of slagging us off behind our backs is standard for this particular councillor, and far from the first time he has done so. Why he does this I can only speculate neither wish to dwell on, but being he recently posted a claim Wiltshire Council is about to produce an events guide, (obviously at taxpayerโs expense) seems he is determined to attempt to wreck our good reputation, or ruin us all together. I’d imagine because he has no control over us. It is vindictive and spiteful, and given such circumstances it is evident, much less blatantly obvious, his intention wasn’t to correct us, rather deliberately discredit us.
Back on point, Judy explained, โThe traffic from this housing estate would mostly use London Road, or rat-run via Coate to access the Swindon road. Adding potentially some 4-500 cars to that stream of traffic is a nightmare scenario by any account, which is why it was refused last time round, and nothing has changed in the interim. More affordable (and we can get into precisely what that is supposed to mean on another occasion, as in my view, it frequently is anything but!) housing is desperately needed, but there will be precious little of it on this or any other site if the developers do their usual cavalier approach and whittle down the numbers to as near zero as they can!โ
โI have been on the Neighbourhood Plan team for over 10 years, and the most frustrating thing is that we cannot get the numbers of affordable housing up because developers just will not build them, so please donโt imagine that if this scheme went ahead, there would be a sudden upsurge in their numbers! The developer may well be bragging about 30% affordable housing, but weโve been here before with other developer promises, and Iโve yet to see any dramatic increase in numbers of so-called affordable housing! Traffic jams would certainly increase, but not affordable housing numbers!โ
And herein was my point, if confused with the details of the development itself, that affordable, and by this I mean it by the actuality of the word, affordable, is needed. If I was trashed by Iain for stating 10% was the minimal requirement, I did clearly say that was a national requirement, not a county one, leading me to ponder if it was deliberate skewering of my words, or if he simply missed that point, either of which suggests I wasnโt the only one who made a mistake! But whatever, it is obvious this percentage needs to be increased significantly by Wiltshire Council, otherwise theyโre building homes only the few can afford, and not enough for those who cannot; Tory economics.
Ergo my suspicions this is deliberately done to uphold the conservative stranglehold on our constituency at a time they fear their national level corruption will come back to haunt them, even here, is, I believe, reasonable to assume. Fair to note, this is also the reason while Conservative MPs will fight between themselves over the boundary changes in the next General Election, as Chippenham MP Michelle Donelan knows full well her seat is safer if the Devizes parliamentary constituency is merged with hers.
But I want this change as I fear this recession will worsen tenfold if the current thieving parliament continues, and more will be on the streets. I want this change because I want diversity in the age demographic here; it is a nice place to live, this wouldnโt change by allowing younger people to be able to start a home and family here too. But they are driven out by house prices, and this is unfair and morally corrupt. This was my general point, and I believe it is still valid; what is the best Wiltshire can do?
โThe best Wiltshire seems to be able to do is to propose a site for social housing at the western end of town where it is not only outside the settlement framework boundary,โ Judy continued, โbut its location also ignores the other criteria of the current Neighbourhood Plan which stipulates that the town centre, GP Surgeries, major shops and schools should all be within walking distance of any development! At well over a mile from any of these, this site fails, yet it is still likely to go ahead, with increased car usage, mainly because it is a Wilts Council proposal on Wilts Council land!โ Does this mean every small village and hamlet will have to be knocked down?! Of course not, if residents cannot walk a mile, they need to rely on an improved bus service; pie in the sky called infrastructure, it works in towns and cities far bigger than ours!
โThere are sites that are more appropriate than Coate Road, but they are not coming forward, and it is not unreasonable to assume that this is because the developers wouldnโt make as much profit on affordable builds as they would otherwise.โ Once again, the Tory economics, the majority mind-bogglingly voted for!
I thank Judy for filling us in, and explaining this twisted catch 22; I am clearer now, though remain unsatisfied; does this give others reason to hate me? We will always support the needs of the townsfolk and villagers, we would never go against this, and we are back to opposing the Coate Road development again, even if it means agreeing with Danny K!
But this was never, as falsely accused by Councillor Wallis, a personal attack on our homophobic and chauvinistic MP any more than deserved, only pondering why he had changed his view so fiercely on the issue.ย If, Mr Wallis, you can point out exactly where I have been in any way “unpleasant” as you so boldly put it, and do so in such a place it can be discussed civilly then please do, and I will, unlike you, apologise. But if you continue to unfairly discredit us on a social media site you have deliberately prevented us access to, you will face further criticism, but I love you Mr Wallis, like I love all mankind, and have never verbally attacked you personally, as you have to me; I forgive.
โThe original refusal really was all about the traffic, and nothing to do with how any householders would vote,โ Judy concluded, โGoodness knows, the majority of folk here who do bother to use the ballot box would vote for a donkey wearing a blue rosette without much further inducement!โ
And thus we go around in circles; expect an unjustified โtold you soโ grilling from the Devizes fรผhrer on his partisanship pile of piffle Facebook page, of which, because of our brute honesty, we cannot respond to, complete with the usual false allegations of victimisation, how we are bullying him and how, Trump-like, we are spreading โfake news.โ At least I can admit when I got it wrong, or do we still need to slaughter every flying animal in the area because of an imaginary outbreak of bird flu on the Crammer?!
Supporters of local live music know, least they should do by now, that Swindon is the place to head this following weekend, 12th-15th September, becauseโฆ
Devizes-own indie-pop-punk youth sensation Nothing Rhymes With Orange smashed the Exchange on Friday as a farewell to their local fanbase. They pursue a music courseโฆ
Reports of another road traffic accident at the notorious Black Dog Crossroads near Lavington today coincides with Wiltshire Councillor for the Lavington constituency, Dominic Munsโฆ
For that certain some-Karen who drove through town last weekend, jumped on social media to waffle off the clichรฉ rant โnothing happens in Devizes,โ butโฆ
Trowbridge-Devizes finest musical export for a decade or two, acoustic folk vocal harmony trio, The Lost Trades, step out for a nationwide tour this September.โฆ
Gasp at the audacity of a press release which spoke of “an ingenious blend of rap and hip hop,” which it really did, is to ponder any art deemed a ‘hybrid genre’ was likely at one point in time adjoined and hardly “ingeniously blended,’ rather reunited!
The most ludicrous of these could well be folk-rock, though compared to my press release’s wordplay abomination this wonky amalgam has matured over time making it seem a more palatable reunification, but it is, in essence, just as nonsensical; especially when you consider every musical genre derives from folk, particularly rock.
Folk-rock was originally coined to pigeonhole The Byrds in the sixties; a hippy band’s escape clause from the sickly bubble-gum pop churned by the industry. Over time it has assisted in driving a separation between the kind of ill-conceived “frumpy” folk upholding traditional values and instrumentation against a wilder, edgier and electronic side; enter alternative folk.
But the story doesn’t end at the division widened by the frenzied, bottle-throwing punkish folk of The Pouges, as last night The Devizes Arts Festival welcomed Brighton-based Noble Jacks to grace the Corn Exchange, and they received an upstanding and faddish reception; hold your hat, though Andy has been on the Art Festival trail, covering its performances with gusto, other than his photographic skills, we gave him the night off, and unfortunately you have my insane waffling to deal with!
But my point is, my eclectic taste doesn’t condone silly pigeonholing, I only use it to best define a sound, and for Noble Jacks folk-rock is best. Though their sound harnesses freshness, the type of awakening of an acceptable form of the frenzied folk of yore, as indie-pop has recently done to convert the wilder post punk eras of goth and emo. If Mumford and Sons are kingpin and Crowded House opened that door, Noble Jacks are relatively younger guys, welcoming something indie-pop into their style too.
I’d liken Noble Jacks more to our local sound of Concrete Prairie, yet Jacks avoids their darker subject matter. This was feelgood, and refined with proficiency; a folk-rock universal adaptor, the kind matured and would be placed equally well at a steaming drunken cider festival, rowdy pub gig, or a more conventional wedding function or family fun day. It worked on all levels; a perfect balance wherever you were to place it, they have a natural ability to raise the roof, without it sounding commercialised too, which is nice, and it was nice too!
Acoustic and electric guitars, bassist and drummer, the setup of this astounding four-piece was standard issue, it was in their usage of them and their delivery which shone. The frontman affixed a harmonica occasionally, but most audience appreciation was shown upon his switch to fiddle for some mind-blowing hillbilly instrumentals; and I had to agree. Mostly the originals, I believe, were those embracing the contemporary indie feel, the toe-tapping instrumentals roused the crowd and showed off Noble Jack’s diversity. They also had covers, particularly notable Charlie Daniels Band’sย The Devil Went Down to Georgia. That was a pure knockout.
On their third album, this nod to bluegrass, melting pot of all Americana against a backdrop of British folk and garnished in contemporary indie values is a delightful working formula taking the nation by storm. For Noble Jacks it felt they relished every moment of this gig, professionally executed backstories and subtle stage banter, there was nothing to dislike here, that would have been impossible. A most enjoyable evening’s entertainment from the Arts Festival, clearly having a top year.
Devizes Arts Festival continues, for more information and tickets click HERE
The Fulltone Orchestra has confirmed today that their annual festival will take place on The Green in Devizes from 25th โ 27th July 2025โฆ. โItโsโฆ
Chandra, Hindu God of the Moon, with his own NASA X-ray observatory named after him, and also frontman of a self-named friendly Bristol-based four-piece pop-punkโฆ
Paul’s self-made cover to his latest single, Some Days depicts a fellow sitting under a tree pondering life, while an autumn zephyr blows leaves aroundโฆ
Itโs when you hear those American addresses, like house number 21,456 Park Avenue, you realise Long Street in Devizes is a long street only comparableโฆ
Impressive, in a word, is the Lawrence Art Societyโs annual exhibition at Devizes Town Hall this year, in both quality and quantity; you’ll be amazedโฆ
Following on from last monthโs email, this is a final reminder that yearโs Imberbus service will be running this coming Saturday โ 17th August 2024.โฆ
Hereโs our bitesize look at whatโs happening in the wilds of Wiltshire this coming weekโฆ. Everything listed here is on our event calendar; go thereโฆ
The Devizes Arts Festival hit the half-way stage last night with an absolute sell-out performance. Honestly, you couldnโt move in the Corn Exchange last night, with every possible space used to get people in. Thank goodness the aircon was working!
Youโd probably have to have been living on another planet not to know who Marcus Brigstocke is. In my book, heโs a major comedy talent as writer, actor, presenter and performer. Since the mid-1990s, heโs been on TV and on Radio 4 more frequently than youโve heard about a Tory political scandal, which is quite a lot.
Last night he did two sets โ one short introductory session, before bringing on New Zealander Jarred Christmas, and then a much longer second session to fill the second half.
Christmasโ appearance was something of a surprise to me, since no support act had been billed, and I suspect also to most of the people in the room. Also no stranger to TV and radio, his set was funny and engaging. Hitting on themes such as Zoom, the Haka, drinking pints of Baileys, body changes, incontinence and what he referred to as the British Armyโs use of โdecompressionโ camps in Malta for servicemen returning to the UK from Iraq and Afghanistan. There were a string of good running gags, a few of which could never be repeated here.
But, good as he was, he wasnโt the reason people had bought tickets in their hundreds. Weโd all come to see Mr. Brigstocke, and his main set was well worth waiting for. Starting off at a gentle canter, he poked light fun at the Coronation, the Queenโs reputation as being โfunnyโ, and the reasons why heโd quite enjoyed the lockdown period of Covid (โthe best two Christmases Iโve ever hadโ, the shared single-use face-mask, the saving vaccines, and the devastating impact on cottaging on Clapham Common).
Building up the pace, he began to lay into the โwellnessโ movement, with particular scorn reserved for Gwyneth Paltrowโs Goop products (especially scented candles, and vagina-steaming โ Iโll never look at a dishwasher quite the same way again). Gradually his laser-like sarcasm alighted on subjects as varied as rolling TV news (we donโt really need it), the need to stop asking โthick peopleโ what they happen to think about complex subjects (they have no bloody idea), and some of the latest political news. Having got that off his chest, he drew the set to a gentler close by talking of his more recent personal life, his second marriage, his new child and being a parent again.
My take was that (as Iโd fully expected him to be), Marcus was extremely funny. The audience clearly loved it too, and cheered to the rafters. But what makes him so good? My personal analysis is that his skill lies in his light touch. He skewers his subject with a sharp stiletto rather (as some lesser comics do) bludgeoning his subjects to death. He makes his point and moves on. Whilst he riffs on a theme, he doesnโt labour the joke. He swears very rarely, so that when he does itโs for real emphasis, not to โshockโ. He does pick on a few people in the audience, but in the best possible way. He belittles and shames no-one (he reserves his hatred and contempt for self-serving politicians), and uses the interactions to make friends or simply to emphasise a point heโs making. He avoids all the lazy techniques beloved of lesser comics. Definitely a master craftsman.
An absolutely cracking night out โ well done the folks at DAF for bringing such a great performer to our little old town.
The Devizes Arts Festival continues at various venues around town until next Saturday 17th June.
by Ben Niamor A first outing on Saturday to Sound Knowledge for Devizes favourite Elles Bailey, whose latest album dropped Friday, and this mini tourโฆ
Tickets are limited and selling fast for a staged reading of Oscar Wildeโs most renowned comedy masterpiece, The Importance of Being Earnest, performed in theโฆ
People from the Swindon community flocked to protect their town and itโs residents, in anticipation of the rumoured far right anti-immigration march through their townโฆ
New single out today from Swindon-based gothic-folk duo, Canuteโs Plastic Army, and itโs three yeses from meโฆCan one person give three yeses? Iโm way pastโฆ
Second impressive single from young Salisbury singer-songwriter Rosie Jay is released today. Sing Another Love Song; a sound of the summerโฆ.. Her debut breakup trackโฆ
Showing off in the desert, we love Ruzz Guitar and his Blues Revue, and being we haven’t done our midweek feature song of the week this week, wowzers, here goes…..Ruzz, still in Palm Springs!
While I’m still at one thousand feet from the fact they came to my 50th birthday party at the Three Crowns, and I’ve barely made it to Lidl since, Ruzz Guitar, so good they named the guitar after him, and his Blues Revue have been touring the USA, and have drifted this absolute desert scorcher to us, 10-31.
Get in! Photobomb opportunity too good to miss. Ruzz Guitar Trio at the best birthday party EVER! And I hadn’t touched a drop, officer!
The track features the amazing Chris Smith on bass and Brian Fahey on drums, and is a sneak peak at a new album that’s currently being worked on, due early 2024; amazing, exciting and I hope the tour is going well, Ruzz, but all I keep thinking is “y’all come back now ya hear!”
Tory tears welled at County Hall this week, when Cllr Richard Clewer, leader of Wiltshire Council threw his teddies from his pram over the Government’sโฆ
Weโre into August already; Christmas before you know it, so you better get outside and taste the sun while it lastsโฆ. Hereโs what weโve foundโฆ
If it’s been a fantastic weekend on Devizes Green with the orchestral Full-Tone Festival, further out of town scooterists, mods, skins and anyone else withโฆ
Jam-packed July! If thereโs always lots to do throughout the year, July especially so! Hereโs what weโve found in the wilds of Wiltshire this coming weekโฆ.โฆ
You may know the tiny village of Keevil, the name of which will never cease to remind me of Evel Knievel, for its airfield steeped in spitfire history, but there are some things in the village deeply rooted to the ground. One is a rather exclusive folk club regularly held in the village hall.…
It first came to my attention when the Lost Trades announced it as a date on their ambitious album tour, leading me to gulp, Keevil, you mean the Keevil, for like Christopher Lambert in Highlander, there can be only one? Yes, came their reply like a Facebook whisper, as if it was all as top secret as Area 51. A low key affair, I was told, hardly exploited on the social media sites Iโm addicted to sourcing all known information from. And, if Iโm honest, Iโve never had need to physically pass through there; for fear of treading on a Trowbridge patch, my milk-float turns around at Bulkington, which incidentally will never cease to remind me of the Lipps Inc disco classic, you know how it goes; โwant to take you to, Bul-kin-town!โ
However, away with such disco and American stuntman silliness, we did receive an email from Rachel Howe about next week’s Keevil Summer Roots Festival, which aside elucidating the folk nights were a, โsmall affair; only 76 allowed in our village hall with tables and chairs,โ this event will be open to a larger audience, and itโs free during the day, other than a fiver to park.
So, from 3pm next Saturday, 17th June, the village welcomes their inaugural Summer Roots Festival, on the Barnfield Recreation Ground. Find afternoon activities and entertainment on the Recreation Ground, completely free to enter, with happenings catering for all ages including children’s activities, tug-of-war, crafting corners, artisan gift stalls, food van, ice cream, Festival Bar, โmuch more.โ
That โmuch moreโ includes the Wilshire Police Band, so behave yourselves, and Forest of Dean acoustic duo Jan & Ian.
Raymondoโs food truck, the Festival Bar and doors open at the village hall, ready for the music to start at 6pm. The tried and tested at their regular folk club musical haul includes Wiltshire based foot-stomping five-piece Stoneโs Throw, with a Keevil-own drummer they will be playing classic rock and pop anthems. Grassroots folk singer songwriter Alan Hinds. Westburyโs easy-listening family duo MGB, Frome-based ukulele renditions of classical tunes marvels The Frukes, and Bathโs lounge jazz duo, Body & Soul, local acoustic eyeopener Ian Rayney, ragtime and music hall aficionado, Hilary Pavey.
Keevil may be one of the smallest villages in Wiltshire but, thanks to the tireless efforts of a group of volunteers, it seems theyโve packed a punch. Wishing they could do more with theirย Recreation Ground. They are excited to be bringing this festival-style celebration of local creative talent to the village, and we wish them all the best with it. So, put that in your pipe, Evel, who never did attempt the Grand Canyon jump!
Gallivanting through festival season omits crucial visits to my local watering hole; I’ve missed it sooo much, and now feel thoroughly refreshedโฆ with a hintโฆ
Featured Image by Simon Folkard Following the announcement earlier this year about the cancellation of the Devizes International Street Festival due the loss of Artsโฆ
Jam-packed July! If thereโs always lots to do throughout the year, July especially so! Hereโs what weโve found in the wilds of Wiltshire this comingโฆ
The 50th Anniversary of the now legendary Village Pump Festival, which was brought back to the UK festival circuit in 2018 by director Nicholas Reed,โฆ
Jam-packed July! If thereโs always lots to do throughout the year, July especially so!ย ย Hereโs what weโve found in the wilds of Wiltshire this comingโฆ
The Devizes Arts Festival continued last night with another one of those difficult-to-categorise items.…
โGertrude Lawrence: A Lovely Way to Spend an Eveningโ is the latest collaboration between actor and singer, Lucy Stevens and pianist Elizabeth Marcus. Previously the pair had done similar shows around Ethel Smyth, Kathleen Ferrier and Virginia Woolf.
Gertrude Lawrence was one of Britainโs brightest theatrical stars during the first half of the 20th century. She was widely known as a charismatic stage presence who excelled in sophisticated musical comedy, having built up her career through the poorer cousins of provincial rep theatre, variety and music hall turns from a very early age. Taking her โbreaksโ as they presented themselves, building on the support of her various lovers and husbands, and thriving on her theatrical liaisons, she emerged as a true star.
This two-part monologue, with musical interludes and accompaniment, told her story from her earliest days of South London poverty. By and large it used Lawrenceโs own words, but the linkages and the songs brought it all very much alive. Lucy Stevensโ powerful, yet seemingly effortless, voice was the thing that gave this piece real life. Stepping back and forth between spoken word and snatches of song, the performance fizzed along with real energy. It was by turns funny, pathetic, surprising and largely good-natured. Whilst Lawrenceโs character came across at times as vain, emotionally brittle and patronising, there was no doubting the womanโs talent, versatility and sheer hard work (twice she had to work flat out to clear her debts in both Britain and the USA)..
Her interactions with famous actors, performers, composers, songwriters and the like (โhe wrote this one especially for me, darlingโ) were dropped into the monologue with gay abandon (Kurt Weil, Noel Coward, Rogers & Hammerstein, Ira Gershwin) and her transatlantic peregrinations mentioned almost casually. But equally, so were her tenuous relationships with her own mother and her daughter. The woman was obviously something of an enigma, but clearly dedicated full-time to her glossy career.
In sum, this was a spell-binding and consummate performance by Lucy Stevens. And, as accurately billed, โA lovely way to spend an eveningโ!
The Devizes Arts Festival continues at various venues around town until Saturday 17th June.
Devizonians (if that ainโt a word it is now) will undoubtedly be aware of โThe Fulltone Orchestraโ and its festival. They may also be aware of the โFulltone Big Bandโ, especially if they attended last years August bank holiday festival. They may even be aware very recently of โThe Four Sopranosโ. All of these entities are separate in their own right, but share much in common, and not just personnel. Thereโs a general air of fun, excitement, and passion about them all. And so its no surprise at all to find that exactly the same magical recipe is rife in another associated gathering โ the โWatson and Brown Little Big Bandโ.
The brainchild of Vicki Watson and Jemma Brown, hatched we are told over a coffee, the latest sound to hit the mean streets โ or at least the arts spaces โ of Devizes the โLittle Big Bandโ broke its duck this evening at the Wharf Theatre. Comprising of nine musicians and three singers the ensemble took us through a whirlwind two hours of jazz numbers ranging from twenties swing by Gerschwin, to seventiesโ Van Morrison, to noughties modern jazz and even some Cole Porter musical theatre โ and so much more. With arrangements by Vicki Watson and Simon Ridge, Jemma Brown and Sean Andrews, aided by an Moeen Ali like Ashes callup for Ed Kerr who replaced the sadly cold ridden Anthony Brown this evening, sung their way through โRoute 66โ, โMoondanceโ, โSay a Little Prayerโ, โEvery Time We Say Goodbyeโ and a male duet with โWell Did You Evahโ until half time and a coffee. All interspersed with instrumentals such as โFascinating Rhythmโ, that 2008 number mentioned above โIโm digโ, โShiny Stockingsโ, โSolarโ and โDat Dereโ.
Vicki Watson and the Watson & Brown – Little Big Band
The second half continued in the same frenzied vein with more well known swing numbers โ โAinโt that a kick in the headโ, โMe and my Shadowโ (Ed in for his second spell!) , โOne for my babyโ, โThingsโ and โStraighten up and fly rightโ. The instrumental pieces forged on also โ and we learn that maybe Miles Davies didnโt pen quite as many songs as we may think he did โฆ and that he played piano at times under a pseudonym. โChili Peppersโ, โUndecidedโ and a funked-up version of โBillieโs Bounceโ, gave the singers some breaks as well โ but the โLittle Big Bandโ were by no means gap fillers. This second half in particular gave the musicians longer chances for solos for our appreciation. Two trumpets (Andy Urquhart and Gethin Liddington), a trombone (Simon Ridge), three saxophones (Vicki Watson, Joe Davies, Mike Wilkins) with Vicki doubling up on flute, bass guitar and electric double bass (Ollie Watson โ itโs that surname again!), with Archie Combe on keyboards (I played rugby with his dad you know!) formed this tight combo for our delectation and joy.
The overall effect was foot tappingly mesmeric. There were some hiccoughs, but its an opening night of a brand-new venture โ but most and more importantly that air of fun, excitement, and passion I mentioned at the start of this review shone through above and beyond everything โฆ and created an evening of BIG smiles, BIG sounds – and a Little BIG Band.
The โWatson and Brown Little Big Band play at the Wharf Theatre, Devizes on Friday 9th June and Saturday 10th June still, 7.30pm start.
With the unfortunate cancellation of Devizes International Street Festival this year due to Arts Council cuts, all eyes are on our wonderful Hillworth Park nextโฆ
Need to keep informed and updated on the general election and its effect locally? Don’t bother with national media sources, everything you need to vomitโฆ
Jam-packed July! If thereโs always lots to do throughout the year, July especially so! Hereโs what weโve found in the wilds of Wiltshire this coming weekโฆ.โฆ
With the danceable penultimate act attracting a packed crowd, I observed a young teenager, who, on spotting a disregarded beer bottle, picked it up andโฆ
By Mick BrianPhotos by cast and arenaphotography William Shakespeareโs tragedy, inspired by real life eleventh century Scottish kings, is well known by anybody thatโs doneโฆ
The Devizes Arts Festival continued to deliver its wide-ranging programme yesterday. Following tango, folk, opera, talks and drama, Wednesday and Thursday saw the arrival of its two back-to-back classical concerts in The Assembly Room in The Town Hall. It seems like you wait ages for the classical bus to come along, then two arrive together!
Wednesday night saw The Leslie Taylor Memorial Concert, delivered by the young and very talented Aglica Trio, and Thursday lunchtime featured the Dieci Corde duo.
The Aglica Trio was created in 2016 in the Guildhall School of Music & Drama when Carys Gittins (flute), Agnieszka ลปyniewicz, (viol), and Lise Vandersmissen (harp) graduated with Distinction. All of them are now multi-award winners, and have pursued careers as both soloists, and as part of various other ensembles. Bringing together Welsh, Polish and Belgian influences, this promised to be something a little different.
Their programme on Wednesday began with Claude Debussyโs Sonata in three movements, where all three instruments were well to the fore, engaging in a light conversation of themes. It was light and airy for the most part, but with a somewhat fiery finale. This was followed by The Song of Amergin by Hilary Tann, which was much more strident in character, and by Two Interludes by Jaques Ibert, wherein Lise managed to make her harp sound very much like a piano at times.
After the interval there were three more pieces. First was a lively flute-led Sonatine by Maurice Ravel, a couple of short exercises written by harpist Lise, and finally (my personal favourite of the evening) the Zodiac Trio Op. 70 by the Welsh composer William Mathias. This final piece really showcased the different voices of the three instruments โ Pisces, the jolly, easy-going flute, then Aries, the โmiserableโ viol, and at last Taurus, the fiery and passionate harp. Although at times slightly discordant, this was a wonderful piece with an exhilarating finish.
Fully deserved rapturous applause was the only possible outcome.
Next day, in exactly the same venue, it was the turn of Dieci Corde in the shape of Clare Deniz (cello) and Mihael Majetic (guitar). Both of them have thriving independent musical careers, but they regularly perform together as Dieci Corde (ten strings) as it lets them explore more interesting ways of performing with their respective instruments.
The Devizes Arts Festival continues at various venues around town until Saturday 17th June.
by Ian Diddamsphotos by Richard Fletcher & Lisa Hounsome The concept of historical brutal dictatorships and comedy is not necessarily one that one considers asโฆ
A leopard doesn’t change its spots, and neither does a British Lion. Watch other Devizes pubs change landlord, decor, attractions, and styles. Watch them close,โฆ
Cool, Man Andy Fawthrop Devizes Arts Festivalโs programme continued on Thursday night, and it was time for a little jazz.ย As I often say (apparently)โฆ
Henry VI by William Shakespeare, Rondo Theatre, July 5th-Sat 8th, 7.30pm. A Preview โ by Ian Diddams…….
Shakespeare wrote three plays about Henry VI โ imaginatively entitled part1, part 2, and part 3. But in true George Lucas style, part 2 was written first, then part 3, with the prequel โ part 1, written last.
So what is better than watching one Henry VI play? Watching all three, together of course! And that is exactly what the Rondo Theatre Company, handily placed, with nominative determinism, at the Rondo Theatre, Larkhall, Bath is doing in early July this year, as its annual charity performance.
Now โ Shakespeare has a bit of a reputation for lengthy plays. Hamlet takes about four hours to perform, and certainly several of his output would take over three hours easily. All three parts of Henry VI performed back-to-back would last longer than a dayโs test cricket, with no likelihood of finishing early for bad light. But fear not โ Director Nic Proud has taken Occamโs razor (and Wilkinsonโs sword, not to mention Macโs knife) to it all and has whittled it down to just the length of a football match plus a half time for a cup of Bovril and a meat pie.
I can feel the Shakespeare aficionados quaking already. But all the real essence of Henry VI is there โ Margaret, the scandalous queen and her naughty boy Suffolk, arrogant Warwick making at least one king anyway, Richard P fighting for his right to party โ well rule at least – Edward who eventually comes fo(u)rth, and of course the arch villain of the whole piece eventually, towering over everybody, Richard (do you see what I did there?). Oh โ and some bloke called Henry VI apparently, all limp wristed, cuckolded and basically a bit rubbish as a wannabe king.
Rest assured though, dear reader and Shakespearean buff. This amalgamation of Henry VI belts along at frenetic pace, with daggers, swords, and treachery at every turn. Dash out to the loo and you are likely to miss at least one murder and a heap of skulduggery. In true weeping angelsโ fashion, donโt blink!
We begin with Henry Vโs death and the crowning of Henry VI โ then a whirlwind marriage arraignment of Margaret (with Suffolk as her bit on the side of course), Richard Plantagenetโs vocal claim to the crown, top soldier Warwickโs clear-headed countenance, and the Wars of the Roses. The battles of Wakefield and Tewkesbury enacted on stage with swords and daggers a-flashing, with their deaths of Richard P and Prince Edward to boot. And of course the slaughter of the playโs titular character by bad boy Richard, and the elevation as monarch to Edward IVโฆ. and a final twist in the tale from tricky Dicky himself.
Nine actors, one director and an assistant, a tech crew and the Rondo theatre. Plus a few swords, a couple of daggers and some stunning costumes by Chrissy Fry. And for a particular Devizesโ interest, two Devizes based actors (editor’s note: yes, it’s you and Lucy Upward, isn’t it? Cheeky!) appear as part of this too, you lucky people! The Rondo theatre is located just a 30 minute drive from Devizes, with lots of free evening street parking, with a pub and Indian restaurant handily located within 100m of each other โ so make an evening out of it!
What more could really you ask for?
Henry VI is performed at the Rondo Theatre, Larkhall, Bath between July 5th and 8th, 7.30 pm each evening. Proceeds from the performance will be donated to the Royal Osteoporosis Society, as this is the Rondoโs annual charity performance.
A Lunchtime Amuse-Bouche by Andy Fawthrop Devizes Arts Festivalโs programme continued on Thursday afternoon with a lunchtime classical concert in the beautiful surroundings of theโฆ
Masterclass by Andy Fawthrop Devizes Arts Festivalโs programme continued last night, and it was the turn of another big name to grace the stage ofโฆ
Over the coming weeks I’m having cuppas with candidates of the Melksham-Devizes constituency crazy enough to indulge my political ignorance and endure my inane waffling;โฆ
World Class Piano by Andy Fawthrop And, following a lively few days of varied events over this last weekend, weโre now into Devizes Arts Festivalโsโฆ
Seven-piece sui generis ensemble The Cable Street Collective were everything I expected them to be last night at The Corn Exchange; another impressive booking forโฆ
โฆ..and other niggly countywide troubles doner meat and chips from Chick-o-Land will stop me ranting aboutโฆ..
Speculation arises if the entire additional ยฃ3.6m awarded to Wiltshire Council from the Department for Transportโs Pothole Fund, has been used to fix just the one pothole on Gains Lane, Devizes, opposite Sainsburys, because there’s bugger all sign of it being used elsewhereโฆ.
Miraculously, the single pothole amidst a multitude of other serious road defects in the county with the fifth worst local authority for fixing potholes, has been filled inโฆ over abundantly, leading residents pondering if the county council are trying to attract tourism by replicating Cape Town’s most renowned landmark,Table Mountain.
Spot the difference!
The road defect on Gains Lane, Devizes
Table Mountain, Cape Town
The hilarious irony is, Wiltshire Council are doing the precise opposite when it comes to tourism, and are hellbent on wiping our county off the tourist track all together, inadvertently risking the future of all leisure facilities too.
But, oopsy daisy, you weren’t supposed to know about the grave concerns expressed to town and parish councils by the Chief Executive of Visit Wiltshire on the Governmentโs new national structure for tourism, which will see the introduction of countywide accredited Local Visitor Economy Partnerships, and as result, Wiltshire Council announcing they will be withdrawing their funding from Visit Wiltshire from April 2024, because withdrawing funding leaves Wiltshire no longer able to meet eligibility criteria to have an accredited LVEP, and it will be effectively ripped off the tourism map of England. Ha, that barrel of laughs is for another place, another time, and I apologise to Wiltshire Council for any accidental leakage until such a time you can illegally trash Stonehenge’s world heritage status by tunnelling a road underneath it, my tongue just runs off with itself sometimes.
Don’t be outraged, there’s time yet to devise a plan as cunning as Baldrick’s to act as a smokescreen and make you believe it’s all for “the greater good.” Cue a certain local Facebook tintop dictator, my very own ineffective fact checker with a penchant for anything corrupt provided it’s suggested by a straight chap with a blue rosette; please try to recognise satire when it stares you in the face.
Not that I’d advise taking business advice from me, but if you own a small business in Wiltshire which relies on tourism, I would only buy stock to last until April if I were you, and consider a crash course in supermarket shelf-filing. Baby-face Danny K, get us a railway station six miles out of town, let’s escape together, we can exchange homophobic gags on the way, step on it!
Anyway, I digress, I shouldn’t worry my silly little head about the vanity of this ease of backhanding futile construction permits once we’re free of tourism, we were rapping about the tarmac on the singular entity on Gains Lane, Devizes, which is so vastly overpacked its convex is an equal malformation to the concave of the original pothole, which, face it, like many locally had the potential of a black hole to suck light, electromagnetic waves and randomly selected solar systems into it. The effect, rather than your wheel dropping into it and smashing suspension, coils, anti-roll bars, et al (which is, even funnier, impossible to prove over the “wear and tear” loophole) is now like navigating a tepuis, or table top mountain in a shopping trolley; hit it and you’re likely to bust open the headliner and bonnet of your vehicle, with your head.
If it happened to you, you may feel a tad dizzy, and confused enough to vote for these councillors again come council elections, which could well be the reasoning behind it. Perhaps it could lead to further famous table mountains being replicated in our county’s potholes, like Mount Roraima, the most famous tepui in Venezuela, or the Canyonlands of Utah; now, wouldn’t that be nice?
Of course, this is purely satirical speculation for amusement purposes only, and it is more conceivable that the council worker simply couldn’t be arsed to flatten it out, let alone use the surplus tarmac to fill the upteen other potholes nearby it, for that would be far too proactive and because it’s highly likely they’ve forgotten what a pay rise is.
Fact is, as Cabinet Member for Transport Caroline Thomas has, in the drone of a weatherman on dope, blamed the annual 400% increase in potholes on “a combination of a long dry summer followed by periods of very wet and then freezing conditions,” we should take her word for it, as it’s not like we’ve experienced seasonal weather changes since, I dunno, eternity, is it? And we should stop bothering them as there are far more pressing issues, such as forgetting to take one’s expenses form when frequenting that trendy wine bar.
The Cape Town Tourism website says Table Top Mountain has attracted 24 million visitors since it opened in 1929. Not that I’m the kinda guy wondering how you open a mountain, let alone with the restricted technology back in 1929, but perhaps it’s something worth considering before all tourists are left wondering whatever happened to that place between Berkshire and Somerset, and they could all nip into Chick-o-Land and pick me up some doner meat and chips; might shut me up for a bit.
The Devizes Arts Festival is now in full swing. ย On Day 5 it was time for the first theatre offering ofย this yearโs programme. ย Onarole (geddit?) Theatre were in the Corny Bin in the shape of Jonathanย Darby to present a four-scene one-hander entitled โJesus My Boyโ. ย It was written by John Dowie,ย directed by Chris Jaeger, and was originally performed by Tom Conti.
Here we had a different take, a very different take, on the traditional bible stories probably familiar to all those there present. It was very much a sideways look from the point-of-view of Jesusโ father Joseph, played as a slightly inept carpenter, a good Jew, an ordinary man simply looking to keep his head down and himself out of trouble. He recounted, with down-to-earth good humour and some laugh-out-loud assertions, the beginning of his slightly hen-pecked relationship with a very determined and single-minded Mary, progressing through a harrowing but amusing child-birth scene, right through to the crucifixion and its aftermath.
Much of the humour stemmed from Josephโs insistence on debunking the many myths, orย apocryphal stories, taken for granted and repeated in the Bible. ย There was never going to be anyย room at the inn (it was the only one in town) and he simply forgot to book. ย The Torah is not, in fact,ย a long a complex document โ it can be taught in one sentence whilst standing on one leg. ย Andย stoning adulterers and blasphemers is not as straightforward as you might have thought.
But away from the amusing anecdotes (Jesus is better at carpentry than his father, Mary packed way too much stuff before setting off for Bethlehem, and the almost Pythonesque squabbling between the different Judean sects), there was much that was harrowing to listen to, not least the detailed description of the prolonged, vindictive and agonising death brought about by crucifixion.
Jonathan Darbyโs performance, to my eyes and ears at least, was pitch-perfect. His rapid movement between comedy and tragedy, humour and pathos, was a thing to behold. The audience sat enraptured, and the hour-long performance seemed to simply whizz by. It was moving, beautiful, religious, political and very human all at the same time.
Yet again, hats off to the Arts Festival for bringing this really excellent performance to the town.
The Devizes Arts Festival continues at various venues around town until Saturday 17th June.
The BBC News article on overthrowing the Council and his own objections for a new housing development in Devizes received a share from our MP Danny Kruger today, and his accompanying message didn’t take too kindly to it.
Up to two hundred new homes have been approved by a government inspector, despite fierce local opposition.
“Wiltshire needs (and is building) a lot of new homes – we don’t need ugly inappropriate imposed developments like this.” He explained. Reading between the lines here it’s all rather obvious that “ugly and inappropriate” are hidden synonyms for “affordable.”
The new estate by Robert Hitchins Ltd boasts 30% affordable housing, as well retail outlets and ยฃ500,000 towards funding works to the canal towpath to improve and provide accessibility for pedestrians and cyclists. This is three times the national minimum requirement of 10% affordable housing, a generous percentage for what is really necessary here, and is rarely provided above the bare minimum, forcing young residents out to other places.
No one, I believe, wants further development in Devizes but we should face facts, there is a desperate requirement for affordable housing.
Danny waffles on, “This application was approved despite objections by me, CPRE [a countryside charity], the Town Council and all. Why? Because of the arbitrary Five-Year Housing Land Supply rule. I have raised this issue with Government and will continue to push for planning reform with more local power when it comes to decision making.”
Which connotes a positive response on the surface, yet other developments locally have been allowed, offering only the minimum amount of affordable housing. Why, he asks, why, I ask, are they so against this development, yet willingly approved the other applications? Because it would be housing younger and/or less affluent folk in the area who are far less likely to vote Conservative, there’s your bottom line right there; hook, line, and sinker.
To spin a positive from this, it shows local Conservatives are gravely concerned for their long considered “safe seat,” and fear the inevitable change might yet impact election results even here. We are in a financial crisis, only a few can even contemplate a mortgage, so why build unaffordable housing when there’s no requirement for it, but object to the real need of struggling families, Danny boy, eh, you homophobic chauvinistic evangelist nutjob who doesn’t even live here?! I got my eye on you!
Trouble, troublemaker, yeah, thatโs your middle name, oh-oh, sings my homeboy Olly, but really, I ask you, what kind of a parent gives their kids a middle name like troublemaker? Ah, well, sign of times; hereโs the lowdown on everything weโve found to be doing around these backwaters this coming weekโฆ.
Donโt forget thereโs more info on these, ticket links and irregular updates on our sparkly Event Calendar, so plan ahead. But this week we haveโฆdrum rollโฆ..
Ongoing, Hail the Curious, the inaugural exhibit at The Forbidden Carnival in Chippenham; check it out by the end of the month.
Wednesday 7th
Devizes Arts Festival still going strong, with Welsh, Polish and Belgian influences, the Aglica Trio explore exciting works by lesser-known composers as well as delving into the standard classical repertoire. 8pm at Devizes Town Hall.
Regular acoustic jam at the Southgate in Devizes.
Dragons And Mythical Beasts at The Wyvern Theatre, Swindon.
San Reetam at Komedia, Bath.
Thursday 8th
Devizes Arts Festival has cello and guitar duo Dieci Corde at 12:30pm in the Town Hall, and Lucy Stevens is Gertrude Lawrence in A Lovely Way to Spend an Evening, 7:30pm also at the Town Hall.
Meanwhile over at The Wharf Theatre, it’s the opening night for Watson and Brownโs Little Big Band, running until Saturday 10th.
Also running until the 10th, The Marlborough Players Presents Ian Hislop & Nick Newmanโs A Bunch of Amateurs at Marlborough Town Hall.
The Overmorrow play The Tuppenny in Swindon, The Zoots are at Swindon Arts Centre with some Sound of The 60s, and Alan Fletcherโs The Doctor Will See You Now is at The Wyvern Theatre.
Comedy Drag Bingo with Charlie Hides from Ru Paulโs Drag Race at Komedia, Bath, Human Nature at the Rondo Theatre, Luke De-Sciscio is at Chapel Arts, with support from Ella Clayton.
Friday 9th
Major British comedy talent Marcus Brigstocke is at Devizes Arts Festival, 8pm at the Corn Exchange. Plan of Action plays The Southgate, Devizes, and Gaz Brookfield is at The Barge on Honey-Street.
Mobile Blackout at The Three Horseshoes, Bradford-on-Avon, Quartetto Di Cremonaโs Italian Postcards at the Wiltshire Music Centre.
Living Spit presents One Man and His Cow at Pound Arts, Corsham.
Celebrate Me at the Rondo Theatre, Bath, Mississippi MacDonald at Chapel Arts, and Kalopsia, Intrusive, Sharpie & Dreamcaster all at Moles.
Grunge Tribute Shades of Seattle at The Vic in Swindon, a change from the Chaos Brothers as previously advertised, Oasish at Coleview Community Centre, and
An Evening And A Little Bit Of Morning with Mark Steel at The Wyvern Theatre.
Saturday 10th
Marden Village Fete. Thereโs an Antique Sale at Devizes Market Place from 9am-3pm, and the Devizes Arts Festival continues with a free fringe event at 2pm in the Condado Lounge, Jukebox James, Tessa Dunlop, 3pm at the Town Hall, and folk-influenced Americana with Noble Jacks at 8pm in the Corn Exchange. Noble Jacks are a rip-roaring alt.folk band with roof-raising energy, whose warm electro-acoustic interactions fuse together a mixture of folky footstompinโ rhythms and engaging lyricism.
Elsewhere in Devizes, the Eric Bell Band Band play Long Street Blues Club, Lewis Clark is at The Southgate, Ben Borrill at the Moonrakers, a One Chord Wonders and The Killertones for a Cavalier special, see poster.
Time for The Famous Hangover Sessions at the Lamb in Marlborough, with Splat the Rat, The Station, The Vooz and of course, Pants.
North Wiltshire Symphony Orchestra Presents a Summer Concert at the Neeld Hall in Chippenham. John Morrissey memorial gig at the Consti Club in aid of Dorothy House.
The Stones, tribute at the Civic in Trowbridge, oh, and this….
Nadine Khouri at Pound Arts, Corsham.
Itโs the Bradford-on-Avon Food & Drink Festival, Vonj at the Three Horseshoes.
Boorish Trumpson at the Rondo Theatre, Bath, Untamed Burlesque at Chapel Arts.
King Awesome at The Vic, Swindon, Kentwood Choir t Swindon Arts Centre, and
Elizabeth & Philip โ A Story of Young Love, Marriage, and Monarchy at The Wyvern Theatre.
Nearly Dan โ The Spirit & Sound of Steely Dan at the Cheese & Grain in Frome.
Sunday 11th
Lions on the Green, Devizes Lions Clubโs annual car show and fun day at Devizes Green. Devizes Arts Festival, Festival Walk โ Wansdyke Wanderings. Briefing at 10.20am. Thereโs a free fringe event, 2pm at the British Lion, hard stompinโ, bluegrassy, old-timey playing of The Sisters & The Brothers.
Friggit at The Tuppenny in Swindon.
The Jon Amor Trio play The Three Horseshoes, Bradford-on-Avon.
Adam Giles Levy is at the Electric Bar in Komedia, Bath, Josh Berryโs Sexual Politics at Rondo Theatre, Flamenco Express at Chapel Arts.
Monday 12th
Devizes Arts Festival have An Evening with furniture restorer, Will Kirk, primarily known for his work on BBCโs phenomenally successful restoration programme The Repair Shop.
7:30pm at the Corn Exchange.
Rock The Tots: Whatever The Weather at Pound Arts, Corsham.
Wiltshire Schools Dance Festival at The Wyvern Theatre, Swindon.
Tuesday 13th
Devizes Arts Festivalโs Lois Pryce: Revolutionary Ride โ One Womanโs Solo Motorcycle Journey around Iran at the Bear Hotel, the Elles Bailey Band play the Corn Exchange at 8pm.
McCartney โ The Songbook at The Wyvern Theatre, Swindon.
Thatโs all I got for you, trouble, troublemaker. I know youโre no good, but youโre stuck in my brain, or Brian, or whatever. So, just for you a reminder this list is not exhaustive, and more events will undoubtedly be added to our event calendar as and when we discover them. So keep an eye on it, just the one though, be safe and have a good week.
As if the FullTone Festival isnโt exciting enough for Devizes, the Town Council has allowed them an extra day, on the Friday 26th Julyโฆ.. Seeingโฆ
Andy Fawthrop Itโs All In The Genes Today Devizes Arts Festival presentation took on a more serious and talkative tone with another marquee signing takingโฆ
The first gig and club night by Devizes Youth Action Group exclusively for secondary school aged youth in Devizes back in February was hugely successful,โฆ
Hereโs what weโve found to do in the wilds of Wiltshire this coming week. Donโt forget your sunscreen and a nice party umbrella! Everything listedโฆ
Have you had โthe visitโ yet? Your local councillor house-calling hand-in-hand with Conservative candidate Michelle Donelan? I have. At least it broke up my busyโฆ
If the opening Friday evening of Devizes Arts Festival was amazing for lively pirate-punk craziness, Saturday night was too for precisely opposite reasons. Bristol’s soulstressโฆ
With a rolling hook in the chorus, piano riff over acoustic guitar and a heartfelt narrative, hereโs a promising debut single from Salisburyโs young singer-songwriterโฆ
CSF Professional Wrestling returns to Devizes, on Sunday 25th June for a very special edition of CSF SHOWDOWN!
Following multiple sellouts of the venue, The Corn Exchange will again host this spectacular event as twelve top stars arrive to do battle in five Pro Bouts of High Flying, BodySlamming, Action Packed Family Entertainment.
The Undisputed All Nations Champion: ‘Unique’ Jake McCluskey will put his Title and belt on the line as he faces the challenge of Odyssey, whilst the man mountain known as Bullit goes up against the Maori Warrior NIWA!
Other names appearing include: Axel Carter, Bane ‘n’ Bronson, Joshua James, JJย Gilligan Gordon. Doors open at 4pm // First Bell 4:30pm // Event Finish 7pm As always, the wrestlers will be on hand to sign autographs and take photos with their fans. Event suitable for all ages, no ages restrictions.
Tickets are priced at ยฃ12 each, for all ages. Tickets available directly from CSF Wrestling by visiting: www.csfwrestling.co.uk or by visiting Devizes Books in the town centre. For the full line up and all CSF news, please visit Facebook: www.facebook.com/csfprofessionslwrestling
Last time we mentioned local Jamaican-born artistClifton Powell, he was commissioned for the English Heritage exhibition, โThe African Diaspora in England.โ This time he has been commissioned by King Charles and a Windrush Portraits Committee, marking the 75th anniversary of the arrival of the HMT Empire Windrush to Britain, to participate in a series of Windrush portraits of pioneering members of the Windrush Generation, which are completed and already at Buckingham Palace.….
A sub-committee of the Windrush Commemoration Committee, comprising of Baroness Floella Benjamin, the Right Reverend Rose Hudson-Wilkin, Mr Rudolph Walker, and Ms Paulette Simpson, have selected ten artists and sitters. The completed portraits will become part of the Royal Collection and stand as a lasting memorial to all the men, women and children who came to Britain from the Caribbean and gave so much of themselves to rebuild a nation devastated by war.
His Majesty said, โit is, I believe, crucially important that we should truly see and hear these pioneers who stepped off the Empire Windrush at Tilbury in June 1948 – only a few months before I was born – and those who followed over the decades, to recognise and celebrate the immeasurable difference that they, their children and their grandchildren have made to this country,โ and BBC Arts Today announced a documentary to commemorate National Windrush Day, Windrush: Portraits Of A Generation, to be aired on 22nd June.
Combining fluid draughtsmanship with realism and a dynamic use of colour, Clifton studied at The Jamaica School of Art in Kingston Jamaica before moving to the UK in the eighties. In London, he worked for leading framers Tempole Art, among many exhibits he exhibited at Bathโs Fairfield House, home of Emperor Haile Selassie, while he was exiled to England. Clifton is also a mentor and part of a team of artists at Arts Together, who deliver creative workshops for older people across 6 community groups in Wiltshire.
Another day, another venue, and the Devizes Arts Festival is now getting into its stride. ย Thisย afternoon was the first of the five FREE events in this yearโs programme, and what a cracker itย turned out to be.…
Texas Tick Fever hail from that there Stroud, up in the Wild North Country, and rolled into town full of energy on a beautiful sunny afternoon in the courtyard of The Three Crowns. The Vize was about to be treated to some bluegrass, yโall. Although theyโre a firm fixture on the roots music circuit, theyโre a band Iโd not personally run into before. Took โem about two numbers and I was quickly hooked.
The boysโ marketing BS had talked about their music being โmoonshine-fuelledโ, but this being Theย Vize, it was more Wadworth 6X and ice-cream-fuelled. ย Not that that mattered in the slightest, asย they were on absolutely top form.
Their blend of Americana/ roots/ hillbilly/ Appalachian/ backwoods/ hayseed and good old bluegrass quickly had the crowd applauding. With plenty of wise-cracking and self-deprecating humour on the side, this was just perfect stuff for a lazy afternoon at the pub. Featuring banjo and guitar, occasional harmonica, kick-drum and harmonising vocals, the guys made some great music. There was new and original stuff, and plenty of covers, including Sittinโ On Top Oโ The World, It Takes A Worried Man, Down In Mississippi and (believe it or not, older readers look away now) that old theme to The Beverly Hillbillies. Amazing. And who could forget their fully-deserved encore of Duelling Banjos? Terrific stuff.
Theyโve also won my โBest Introduction To A Songโ Award for one of their intros. Following a decent re-telling of the urban myth, where legend has it that Robert Johnson met the devil at a crossroads and gave him his soul in exchange for mastery of the guitar, Stretch leaned into the mic and grinned, saying โwell, anyways, this next song has absolutely nothinโ to do with thatโ. Comic timing at its best.
Absolutely terrific entertainment, and an early highlight of the Festival for me.
And thereโs more FREE Fringe next Saturday 10th June in Condado Lounge with Jukebox James, next Sunday 11th June in the British Lion with Sisters & Brothers, and the following Saturday 17th June with Carrie Etter Poetry.
The Devizes Arts Festival continues at various venues around town until Saturday 17th June.
“Do you know of anyone else doing something similar to what you’re doing?” I asked him as he crouched by the Cellar Bar’s vinyl banner, packing his resonator back into the guitar case.
He looked over his shoulder in contemplation and shook his head, “no.”
To think the only thing unusual this day and age about this is that I hinted there was live music Sunday evening at Devizes’ Cellar Bar, I’d say you’ve a point. The new owners of The Bear Hotel have yet to utilise the Cellar Bar to its former glory. Their prerogative, we can only encourage, being speculative articles published about the slight possibility the bar might reopen as a music venue tends to gain monumental attention, that the venue is clearly cherished by the natives, therefore it would surely be in their best interests.
It wouldn’t help my case much either if I told you the musician is a bluesman, as many a bluesman has graced our town. We could coin it, “The Mel Bush effect,” the influence of bringing big names to the Corn Exchange in the seventies gained Devizes a blues reputation and inspiring homegrown talent from The Hoax’s Robin Davey, Jon Amor, Doherty brothers, Innes Sibun, et al.
But there is something distinctively unique about this bluesman, Ajay Srivastav. With Indian heritage and Hindu faith he incorporates into his sound, writing and ethos, while still not definable as all-out bhangra akin to sitar virtuoso Ravi Shanker, a dash of its spices are generously added to his melting pot; the main ingredient being delta blues. The result is something wonderful and uncomparable; the Devizes Arts Festival fringe event I’ve been holding out for.
The performance, in a word, was sublime. With a rich voice, Ajay sure knows how to handle that guitar, and was joined by proficient tabla player, Vinod Kerai, injecting the Eastern influence into these devine self-penned songs. Geniusly awash with thought-provoking prose and backed with verbal explanations, the delivery reflected the skill of Paul Simon, archetypal blues subject matter, of life lessons, contemplating intrapersonal and relationships, yet subtly incorporating Hindu ideology, even mythology, and still reflecting more generally so all could relate. For example, Ajay not only had teaching of Itihasa and Vedas, but even contrasted the fable of Robert Johnson selling his soul to the devil at the crossroads with the order from chaos of Maa Saraswati, Hindu goddess of education, creativity, and music. This said, a majority of thought applied here was of his own observations and musings, which was earnest when it needed to be, and amusing equally.
Far from this feeling rather preachy, it was presented in such a charismatic and western manner. It was casual yet informative, gracing the songs with context. The songs were constructed with love and attention to detail, so none stood out rather a gentle flow throughout which with squinted eyes took me on its desired journey. So some tunes summed his angle, Karmic Blues, others like Between the Cracks were personal reflections of fitting into society’s pigeonholes, and by the finale the pace picked up, replacing the contemplative for slightly more lighthearted content, like a romanticised devotion to Vasudhara called Six Arm Goddess.
If second generation Asians in dance music culture, like Asian Dub Foundation, Apache Indian and my personal favourite, Black Star Liner, have borrowed extensively from their roots, musically, dance music is, in general, not the genre for placing your thoughts, and in this Ajay Srivastav is the whole deal, exceptionally unique and put simply, a delight to listen to.
The Devizes Arts Festival continues. Our team are out there assessing its progress, but as lover of world music equally in key with our homegrown fashions, this topped both and now I fear I might struggle to find something to better it; time will tellโฆ.
With the happenings at the Arts Festival taken care of, and twenty/thirty something’s pilgrimage to The Three Crowns for the delights of our most famed cover band, People Like Us, I’m in Devizes for the wildcard; Trowbridge trio of nutty rockabilly/skabilly 41 Fords are playing The Southgate; arm twisted for a cider or three.….
Currently camped at some festival or another as they accidentally double-booked, they hot-footed it from the site delighted to be here. Told me of their love for the Gate, not the only thing we have in common. Though they regularly play our hospitable and stalwart, offbeat live music pub, it was never intentional that I missed them, but going on the strength of their debut album, Not Dead Yet, which we fondly reviewed back in April, 41 Fords were understandably on my must-see list.
Job ticked off and far from disappointed, they shook the rafters with high-energy rockabilly adaptations of a wide selection of pop hits. A guitar, drums and double-bass trio, it’s a simple template to stamp their own style on everything and anything from Adam Ant’s Goody Two Shoes to Green Day, and The Primitives’ Crash to Hall & Oates, but dammit if it doesn’t work like a charm. Rousing the slight audience with lively upbeat versions, the fun simply doesn’t stop, other than for a twanged guitar string; they couldn’t even cover Ben E King’s Stax classic Stand By Me without a frenzied rise of tempo!
To be niggly, I looked forward to some originals from said album, but they felt it best to do covers, a trusted judgement paid off, and besides, Deborah had chalked them up as such on the board. If flat-caps worn with anything other than country-gent attire usually connotes the cheekiness of a cockney sparrow, and there were a lot of them floating about tonight, similarly does a double-bass without it being an orchestra. Given said instrument is adorned with second gen ska’s checkerboard black & white tiles and a slogan reading “get lucky” in friendly font, you get the general gist this is punk-fused rockabilly, yet without the grave characteristics associated with psychobilly. It is, simply, as much fun as you could possibly squeeze into a gig, the result was precisely that.
Unusual their trump card, as the drummer tended to vocal the cheesy eighties pop covers, aforementioned Adam Ant, but Tracey Ulman’s Breakaway being particularly amusing, whereas the guitarist vocalising on the earlier or more apt classics, from the Jam to Tears of a Clown bending on The Special’s version, and probably the golden nugget tonight, Dion’s Runaround Sue. The double-bass player simply displayed the cheeky grin of Jason Statham as Bacon in Lock Stock, but anyone spinning a double-bass wins, they don’t got to say anything!
By the time the second half of this frenzied show of confident and proficient uniqueness played out, it really didn’t matter what they covered, they could’ve done Save All Your Kisses for Me for all it mattered, though I don’t believe they did. Everything was fantastic, 41 Fords are undiluted footstompin’ goodness and bring the party with them as standard issue. What a lively fun-filled night at The Southgate, as ever!
Don’t forget, it’s the monthly Jon Amor at the Southgate today at 5pm, and you can find 41 Fords at Devizes Scooter Rally.
It was time last night for The Devizes Arts Festival to roll out its first big-hitter of the 2023 programme, and what a smash it proved to be. Although not quite sold out, the Corn Exchange was pretty full, and those who turned out were rewarded with a sparkling performance.…
Sir Willard White is one of the worldโs best-loved and most versatile opera stars of the last 40 years. He is a performer whose illustrious career has taken him to the most prestigious opera houses and concert halls throughout the world. It was opera royalty come to pay us a state visit.
The evening opened with the Kymaera Duo, the twin guitars of Shane Hill and Simon James, who have been performing together for over twenty years. Their beautiful and understated rendition of the classic โSummertimeโ set a very high bar for the rest of the evening. Soon they were joined by the tastefully yellow waist-coated Sir Willard.
Over the next couple of hours we were entertained with songs and reminiscences from his life onย stage and screen. ย The songs were selected because they had been particularly important to him, orย held some special meaning. ย Pausing to explain and to introduce each piece, he took us on a musicalย journey from his youth in Jamaica, through his early career, the first truly complete recording ofย Gershwinโs Porgy and Bess in 1976 to the songs that made the bass-baritone singer Paul Robesonย famous in the 1920s and โ30s. ย He explained that, amazingly, he had never wanted to be a singer inย the professional sense, he just wanted to do something that would define him as โa real manโ. ย But,ย having tried out the idea of working in an office with a briefcase and a rolled umbrella, Mr. White (asย he termed himself) discovered that would not be his life.
With occasional instrumental pieces from the guitar duo to spell the singer, the Great American Songbook was rolled out for us, together with a few other unexpected classics. We had Gershwin, Nat King Cole, Aaron Copeland, and even Bob Marleyโs Redemption Song. โIt Donโt Mean A Thing If It Ainโt Got That Swingโ, โSome Enchanted Eveningโ, โMy Wayโ, โOle Man Riverโ were delivered in what appeared an effortless style, all the while accompanied by some fabulous guitar work.
A totally splendid performance and a deserved encore. But even then it wasnโt over. In an equally engaging coda to the evening, Sir Willard took questions from the floor. In this section he revealed (even more that the main performance) what a really charming, urbane and thoughtful man he was. His style was avuncular, gentle and understated, and his philosophy of life, of self-care (of voice and body) and of mutual self-respect was thought-provoking. All in all, a great evening, and a worthy gem in the Arts Festival crown.
The Devizes Arts Festival continues, with events every day, until Saturday 17th June. The full programme of events, times and prices is available online.
On to Day 2 of the Arts Festival, and something a little different. Thatโs the good thing about a two-week festival like this โ thereโs something in there for everyone. And this afternoonโs offering featured a very adventurous soul, who was keen to relate what sheโd learnt in the course of her travels.
Saturday afternoon in a church assembly room is not one of my usual haunts, but listening to Sue Stockdale was a very good reason to be here. Scot Sue comes with an enviable pedigree โ not only is she a polar adventurer and motivational speaker, sheโs also spent much of her life not only exploring the worldโs most remote and hostile environments (including Greenland, Antarctica, and Chile), sheโs also thought long and hard about what motivates her, and what the wider lessons are.
Her initial inspiration is excitement and adventure, but I guess anyone could say that. What makes Sue interesting is the way sheโs translated that inspiration into solid and specific action, developing new skills along the way, together with both physical and mental resilience. The challenges have not always been obvious or straightforward โ for example, how do you raise the money to fund your adventures? How do you deal with the ecological impact of what you do? How do you develop the necessary team-work skills to make an expedition work?
In 1996, Sue became the first British woman to reach the magnetic North Pole and, aside from sharing some of her photos and experiences, she was keen to relate how the team kept sane, conserved energy, developed working routines, and overcame the navigational challenges of such an undertaking.
It was at times an Old Skool slide presentation but, mixed in with video clips, and a light-hearted and engaging delivery style, she kept her audience enthralled right through until it was time for the Q&A at the end. Fascinating stuff โ entertaining, interesting and, yes, motivating. For people like me, who struggle to get their act together to even get out of The Vize these days, it was a true lesson in how to really get oneโs arse in gear.
Copies of Sueโs latest book EXPLORE: A Life of Adventure are available for purchase at Devizes Books.
The Devizes Arts Festival continues, with events every day, until Saturday 17th June. The full programme of events, times and prices is available online.
Land ahoy me hearties! Devizes Corn Exchange was boarded last night by Cornish punk pirates Jolly Roger, for a frivolous and swashbuckling opening to Devizesโฆ
Images used with kind permission of Pacific Curd Photography West Wilts and Somerset folk-rock collective Courting Ghosts are about to release their debut album, Fallingโฆ
We’ve been chatting with the Community Organiser and Campaigns Manager of Devizes and District Foodbank, Alex Montegriffo, about an important free community conversation on Mondayโฆ
By Ian DiddamsPhotos by Gail Foster In 1971 Ken Russell enchanted film audiences with โThe Devilsโ, which incorporated nuns in the story โ somewhat controversially.โฆ
Friday evening in the liveliest of Devizes pubs, The Three Crowns, with Devizes best upcoming band, Nothing Rhymes With Orange pulling a two hour setโฆ
In recognition of his selfless ministry and leadership of St James Church, where the community and residents are at the core of everything, birthday boyโฆ
Itโs going to be all strawberries and cheese baps in pith helmets swinging in trouserland bedlam, with chap-hop shenanigans galore at the Barge on Honeystreetโฆ
The Devizes Arts Festival kicked off its 2023 programme with a real bang last night, and perhaps this will be the best one yet if the opening gig was anything to go by.…..
Tango Calor is, not surprisingly, a tango band trio. It was originally formed by the concertina, sorry โ bandoneon, player Mirek Salmon in Bristol in 2016. Joining him was jazz pianist Daan Temmink, and the Cuban vocalist Indira Roman. And together the three of them produced a sparkling evening of music for a full room and an appreciative crowd.
Tango Calor at Devizes Arts FestivalImage: Gail Foster
The Assembly Room in the Town Hall is a beautiful venue (and I may have banged on about this before) provided itโs used for the right performers. Tango Calor certainly fitted that bill. With the room laid out cabaret-style with tables and chairs, leaving a dance-floor at the front, and good sound and nicely-subdued lighting, the atmosphere was just right.
Tango Calor at Devizes Arts FestivalImage: Gail Foster
We were treated over two sets, to a wide range of South American and Caribbean rhythms, some instrumental, and some accompanied by Indiraโs infectious Spanish vocals. The songs were romantic, sensuous, melting like warm chocolate. Iโd be the first to admit that tango is not at the top of my list of favourite musical styles, but even I was won over. I stayed right to the end, and the evening seemed to be over all too quickly. We even had a few brave couples getting up to dance, which was wonderful to watch. Iโm no expert, but they certainly seemed to be making all the right moves in the right order. The warm applause after each number was often as much for the dancers as it was for the musicians.
Tango Calor at Devizes Arts Festival. Image: Gail Foster
The band received a justified all-clapping, all-singing encore, and then it was all over. Back into the Devizes evening with a warm glow of appreciation for a top-notch performance. Roll on the rest of the Festival!
The Devizes Arts Festival continues, with events every day, until Saturday 17th June. The full programme of events, times and prices is available online.
For those that are too busy to read this film review and to help our tech-conditioned โkeep-it-quickโ minds please see the one liner below:
โA raw portrayal of the depths that a mental illness can reach with a glimpse of the impact on others and the eventual hope that can lead to recoveryโ
Or, if youโve a few more seconds, read the Tweet-length review here:
โA reflective, unsettling film depicting mental ill health, grief and two people coming together to heal. Kate Morgan-Jonesโ performance brings depth and skill with a brilliantly realistic scene showing a crisis episode. Walls are broken down and agoraphobia is given a platform for understandingโ
I suspect Iโve lost a few of you. For those still reading, thank you. Here is the full lowdown of โTranslationsโ, the black and white, romantic, mental health exposรฉ drama set in Wales:
Most of my reviews are pretty long and I apologise each time I link one to a social media account. But I wonโt change the length. Well, not for now at least. To write only a short piece would be a disservice to the people who have put their soul into the work. They deserve a full debrief for the hours and cash that theyโve ploughed in, usually with no guarantee of success. It takes a risk-taker and an entrepreneur, with often an activistโs determination to see a creative project through to the finish. This is especially true of a feature film where the stakes are higher than most other forms. Add to that a focus on topics that are vital but are difficult to portray, and you have a true passion-project worthy of review words. โTranslationsโ by director, Keith Kopp and writer, Laurence Guy is one such project.
From the opening scene where Stef, the main character, performed her poignant poem โWallsโ, my gut was stilled into a contemplative but not wholly comfortable quiet. It was going to be one of those – a film that would take the viewer on a ride through dark, complex emotions. An internal rollercoaster where I knew I would be swirled through loop-the-loops of mental anguish. I wasnโt sure I was ready for this. Whispering, โplease let it have a happy endingโ to myself, I sipped my tea and carried on.
Stef is in her twenties. She writes, talks to herself (who doesnโt?), and hasnโt left her house in a long time (years). Her beloved brother, Liam died whilst travelling with his best friend Evan (Alan Emrys). The story of how this happened is pieced together throughout the film. Stefโs mental health, which wasnโt great before, suffered hugely after his death with agoraphobia now ruling her reality. A few segments into the movie, and after a long absence, Evan arrives at Stefโs Welsh cottage. His presence transformed her walled-in existence. Laughter and chemistry ensued with the pair reminiscing shared childhood and teen memories. But close behind came an open window into the mental torment that gripped both characters. Morgan-Jonesโ portrayal of an acute mental health crisis in Evanโs company was sublime and harrowing. The contradictory nature of desperately wanting help yet vehemently pushing it away and the deep shame that followed gave a true insight into an illnesses of the mind.
Evan, whilst trying to help Stef also gave many clues to his own health problems. These stemmed from his guilt at Liamโs death and his wanting to be invisible; to โsoak into the walls so no one can see meโฆ like a ghostโ. Grief washed over them both and at times the feeling of angst ping-pongs between them with a competitive hue. A game of โwhoโs the most miserable?โ Stef and Evan share grief, mental health challenges and both feel trapped; one indoors and the other behind a camera. I was often left wondering, can the troubled really help the troubled?
I instantly questioned why the movie was in black and white. The answer revealed itself in an early scene which showed a framed picture hanging on Stefโs wall of a barren, lonely tree (seen a number of times during the film). Devoid of colour with all life stripped away, the tree evoked a feeling of isolated fear. I think many of us felt a version of this during the most stringent lockdown weeks of 2020, our own surface-level insight into agoraphobia. Black and white also gives a greater intensity and emotional impact on screen; the viewer needs to look closer for meaning and work harder for understanding. I wasnโt sure at first. I donโt love having to work whilst being entertained and I really did want to see the colour of the delicious sounding curry, but I became convinced that it was 100% the best choice of medium for โTranslationsโ. I would have loved to see colour creep in towards the end during Stefโs transformation but perhaps this would have been too obvious, Iโm no film director.
Other aspects of the movie that caught my attention included the filmโs score. It created a strong ambience throughout and, along with the dialogue, dramatised the emotion and helped to share powerful messages. A slow, heavy beat often preceded a philosophical musing from one of the characters whilst the crescendoing thud-thud-thud staccato made me feel Stefโs anxieties as if they were my own. A stand out visual moment from the film that made me smile was seeing Evan rolling and smoking a cigarette. It made me reflect that despite the number of people who smoke โrolliesโ we hardly ever see the ritualised making of them on screen. Parts of the film that will stay with me are readings of the โWallsโ and the โLine in the Sandโ poems. โWallsโ was performed twice in the movie and in a clever, circular finish, โLine in the Sandโ bought the film to its close. I would love these poem clips to go viral to illustrate what agoraphobia can feel like and to help people feel less alone and more hopeful.
Please go and see this film. You wonโt come away feeling lighter but you will have a glimpse into a mental health challenge that, in its most severe form, affects well over a million people in the UK. Kate Morgan-Jonesโ performance is believable, haunting and impactful. She understands the torment, the struggle and the complexity that accompanies mental health conditions and she shows this in every scene. The film has lingered in my mind and has got me thinking about all those conditions we know about but build walls around. Watch this movie to start breaking down these walls, to transform our ignorance into understanding and to help our neighbours, friends and families feel less alone and โlocked inside (themselves)โ. Please support this film and perhaps then we will begin to see more pictures that educate and give true insight into mental illness. Thank you โTranslationsโ for opening my eyes a little wider.
Written on 24/05/23 by Helen L Edwards @helenledwards4
Awards: Riverside Film Festival 2023 (Audience Choice Award for Best Feature Film, Best Actress, Best Screenplay)
โTranslationsโ tour: Screenings start on the 2nd June in Wales. It reaches The Little Theatre in Bath on the 25th June and the Melksham Film Club on the 30th June
By Ian DiddamsImages by Chris Watkins Ruth Ellis was hanged aged 28 years old, by Albert Pierrepoint the official executioner in the UK, at Hollowayโฆ
A group of local women and their families are gathering together to lay a huge installation of childrenโs clothes outside the office of Justin Tomlinsonโฆ
Explosive new EP from Liddington Hill released tomorrow, Edge of Insanity, begging the question, have they created a whole new subgenre?
As an impressionable Essex teenager coming from a hip hop background, thrust unwillingly into an eerie Wiltshire village like Sam Emerson in the Lost Boys, I endeavoured to align myself with the musical tastes of the natives. Yet, while I pre-gained a penchant for soft metal, the pop charts latest exploitation, I never envisioned lying semi-subconsciously under a fallen Christmas tree with a gang of crusty kids, while the needle stuck on the last notes of the Pouges’ Transmetropolitan, and everyone too drunk on Cinzano to change the record.
Fair to assume The Pouges belted me hard in the bum-fluffed chops, it would be unthinkably embarrassing to show affection for folk music, surely? But this, this was fast and furious, like the punk of a bygone childhood, and turned my preconceptions on its head. Now it’s commonplace, the Celtic punk of Flogging Molly and The Dropkick Murphys are instant likes, but I’ve become immune to their ferociousness; the violent police response to break up parties, and mass of abandoned fires burning across a post-apocalyptic looking Glasto main stage after The Levellers spoke out about not letting the travellers in that year made sure of it.
Yet a want for angry music never extended to grunge by the time it arrived, though I now see it’s worth and power, I was a raver, and felt reggae was the only meaningful source left I’d consider; dance music was blithe and fantastical. So, as I’ve only ever been a window shopper of grunge, I confess dubiousness when Matthew of Liddington Hill emailed me, “it’s a bit grungier.” Not forgoing, it’s been two years since we featured them last, reviewing their debut EP Cow, and if I liked it, which I did, there was always a niggly its songs of traditional Irish shanty and tales of Swindon pub crawls lacked that archetypal anger commonly associated with Celtic punk; they’ve sure made up for that now.
New EP then, out tomorrow (2nd June) called Edge of Insanity, rips a new hole in the fabric of what’s acceptable and very possibly creates a subgenre, for Google searching โCeltic Grungeโ doesn’t amass much more than separate Celtic punk and grunge offerings. The Swindon five-piece ask on their blog, “is Celtic grunge a thing yet?” It is now, well done you, because it works, take it from someone for whom grunge is not usually their cuppa.
With some band changes and maternity leave, Edge of Insanity goes much further up Liddington Hill. Peering down on themes of serial killers and the Aberfan disaster, it takes no prisoners itself, carelessly teetering on the edge, as it suggests on the tin. The Celtic riffs against grunge chords is a match made in heaven and a wonder no one thought of it before, bands like Ferocious Dog only meeting part of the way. It’s this blend staring us in the face which makes it for me, bending my grunge preconceptions of โyeah Nirvana was great, but I’m delving no deeper than the baby on the cover;โ Iโm a Celtic folk hussy, add a slice of it and I’m yours!
Another winner is, beneath the dark and angry dispositions on offer, thereโs historical gospel in the narrative. The opening tune In Rosie’s Room concerns a real mid-19th Century prostitute in gold rush America who tried to steal from a gold mine with her lover. With a hypnotic riff it rings how this EP is going to play out; indignantly dynamic and in your face.
Hold onto your hat though, as itโs about to get real screamy. Keep Hold of your Heart really is a furious thrashed punk expression from the perspective of an inmate in a Sanitorium. Illustrates my point though, usually my toes would curl at this intensity, but given this Celtic roots riff running through it, I can get aboard; it makes The Pouges sound like Brotherhood of Man!
The edge chills off, slightly, Capped in Black is the Aberfan themed song, possibly the ace of spades here, the balance of grunge and Celtic punk is refined and the anger within comes to a dramatic close leaving you aghast at the notion this disaster was allowed to have happened; the effect is achieved.
American serial killer Aileen Wuornos under Liddington Hillโs radar next, the track Maid Of Mayhem is perhaps my personal favourite, retrospectively punk with their new bassist Alannah on first person vocals and making a wonderful job of it, itโs akin to Siouxsie Sioux reworking Springsteenโs Nebraska, on fire!
The 1940s Lipstick Killer, William Heirens is next on the bandโs unglorified hall of serial killer fame with the finale, Lipstick. The band explained, โLiam, for some reason became inspired after reading about a few serial killers and the reasons behind such terrible actions. So he wrote a few songs and we put some together with a couple of other heart-wrenching songs we’d written.โ The grunge element seems to wane in favour of upfront punk rock, as we progress past Keep Hold of your Heart, and Iโm grateful for this. Lipstick polishes this explosive caliginous EP off, suitably akin to The Stooges or even early Ramones, while retaining this Celtic folk riff credited to The Pouges, and for this, plus itโs astounding step up in expression and production, is a yes from me.
In what appears to be a deliberate attempt to smear the campaign of opposition candidate for Wiltshire Police Crime Commissioner, independent Mike Rees, itโฆ
If we spoke only last month about Wiltshire Councilโs threats to prosecute Wiltshire Music Events over posters advertising a Bob Marley tribute event inโฆ
Set to be a busy month in town as The Devizes Arts Festival rolls out their extensive and promising programme, the best way I think to tackle this is week-by-week, highlighting some of those events which really shows off the diversity and quality on offerโฆ..
No sooner than the month kicks off, so does the festival, in tango style, this Friday 2nd June.
The Town Hall hosts one of the most exciting tango bands performing in the UK, Tango Calor.
Doubled-up on Saturday, as polar adventurer and motivational speaker Sue Stockdale presents A Life of Adventure, 1pm at St John’s Church, and versatile opera star Sir Willard White brings his Kymaera Duo to the Corn Exchange in the evening.
Sunday morning they walk the civil war battlefield of Roundway Down, but the fun, I think, really begins at 2pm in the Three Crowns when that most wonderful Americana combo, banjo and guitar, is played out by Texas Tick Fever, who promises some foot-stompinโ good olโ hillbilly adaptations of known tunes. This is just one of two free fringe events on Sunday, the second at 7pm down in the Cellar Bar of The Bear Hotel; my personal pick of the week.
We recently gave Ajay Srivastav one of our song of week features, as his music is a truly unique blend of the kind of acoustic we love from our own live music circuit, but as a British born artist of Indian heritage, his songs, with themes of protest and change, have this subtle Indian tinge, and itโs sublime. Donโt go expecting all-out Bhangra or the sitar plucking of Ravi Shankar, Ajay is decidedly blues and can be offbeat at times, working with legends such as Gregory Isaacs, Jah Wobble and Zakir Hussain. Ajay says of his style, โI just wanted to say my thingโฆ I was tired of listening to other people talking โ I want to be heard, and this is what I have to say. And I hope people understand where Iโm coming from.โ
Yet if from tango to opera and onto the unique blends of Ajay Srivastav displays Devizes Arts Festivalโs diversity, Monday 5th at 8pm in the Town Hall is something completely different. The worldโs most talented living micro-artist, Graham Short will be taking us on the journey of his โLife as a Micro-Artist.โ Now this one really interests me, because as an art college dropout, if I ever was to become an artist Iโd be the sort hanging naked from a swinging cradle splattering random paint onto a canvas! One assignment from my personal hell was a bearded lecturer who demanded I take a black and white photo and recreate it on a grid of one millimetre squares, painting each square with a grayscale of ten; a millimetre, I ask you, the dexterity of gods, not humans!
Well, cut a long story short, I considered the guy to be nuts, as he criticised the tiniest bit of bleed as โuseless!โ See, I can admire those colossal Renaissance paintings in the National Gallery for their sheer scale, and dive into their gorgeous clumps of oil so skillfully placed, but intricate detail simply baffles me, how the nimbleness of a micro-artist can create those miniatures with such calculation is beyond my fathoming. It is one reason when out of work I dare not apply at Cross Manufacturing, as I figured the fiddly attention to the tiniest of detail would be too much for my sausage-fingers! I mean Graham Short is the kind of fellow who engraves Churchill’s ‘We shall fight on the beaches’ speech on the tip of a World War II bullet, for crying out loud, thatโs something to be in awe of.
Aged fifteen Graham Short left school in Birmingham without any qualifications, undergoing a six-year apprenticeship in copper plates and steel dies engraving for printing, but he didnโt take to the printing trade, so, years self-employed as an engraver gained him clients including Gieves & Hawkes of Savile Row, outfitters to the Royal Family; Buckingham Palace, Windsor Castle, Balmoral Sandringham,and 10 Downing Street followed. He engraved business cards for everyone from Richard Attenborough to Za Za Gabor. In recent additions to his blog he discusses aside the easiest metals to work on, gold, platinum and brass, his troubles engraving tablets for the Institute of Cancer Research, saying, โthey are too soft and flake easily;โ I couldnโt even begin to consider the complexities of such, still baffled by the expectancy of the bearded art college lecturer who expected me to paint millimetre squares, the blooming slave driver!
Devizes Arts Festival has a diverse program of events, I rest my case. So, Tuesday, expect a humorous and moving one-man one-act play originally performed by Tom Conti at the Merchant Suite by Onarole Theatre, called Jesus, My Boy!
On Wednesday find classical Welsh, Polish and Belgian influences with the Aglica Trio at the Assembly Room, and cello and guitar duo Clare Deniz and Mihael Majeticโs Dieci Corde at the Town Hall on Thursday 8th, with actor and singer, Lucy Stevens and pianist Elizabeth Marcus at the Assembly Room in the evening with Gertrude Lawrence: A Lovely Way to Spend an Evening.
Weekday finale polishes off with British comedy writer, actor, presenter and performer Marcus Brigstocke at the Corn Exchange, eyes down at 8pm for this Radio 4 comedian, whose talent was noted early in 1996 when he won the BBC New Comedian Award at the Edinburgh Festival, and thatโs enough to digest for one day; we will be back highlighting next week as soon as conceivably possible!
By Florence Lee Images by Kiesha Films โThey promised hardcore shenanigans which never fall below 180 bpmโ SHOX: After seeing Shox in February Iโฆ
Girls, girls, girls, we love them here at Devizine, especially our esteemed all-female local supergroup The Female of the Species. 2024 will be theirโฆ
Two teen Devizes punker bands appear on Trowbridgeโs Pump triple-bill this Saturday, as the search for the Future of Trowbridge reaches its eighth instalment;โฆ
There will be some foot-tapping folky goodness at the wonderful Wiltshire Music Centre in Bradford-on-Avon on Friday. This year’s Bradford Roots Festival may beโฆ
Moving swiftly into June, with bank hols and street festival done and dusted in Devizes town, this weekend is all about arts and organs; let’s see what’s going down in our hood over the next week shall we?
Bearing in mind, this list is never comprehensive and events will come to our attention throughout the week, which is why you need to check in with our updating event calendar HERE, to get ahead of the game and also for more info and links.
Ongoing: Hail the Curious at The Forbidden Carnival in Chippenham. Do check this out, previewed here.
Wednesday 31st:
The regular acoustic jam at The Southgate, Devizes; bring your instrument.
Seas of Mirth at The Bell Inn, Bath and The Rabbitts at Chapel Arts, and Jack & Jordan’s Sketch Show is at the Rondo Theatre.
Zoo Co: Bossy at Pound Arts in Corsham.
Thursday 1st:
Another fabulous booking at The Tuppenny in Swindon where The Blue Highways go back-to-back with one our favourites, Concrete Prairie. Alternatively, Swindon’s mind-blowing guitar virtuoso, Webb is at the Vic, with Them Bloody Kids and Land Captains, which you can also catch at the Pump in Trowbridge on Friday. TJ Klune is in conversation with Bertโs Books at Swindon Arts Centre.
David Gibbs-Family-Jukebox at Pound Arts, Corsham.
SuRieโs Cover Me tour comes to Chapel Arts, Milo Edwards is at the Rondo Theatre, Bath.
Friday 2nd:
The popular open mic night at the Exchange in Devizes, plus it is time for Devizes Arts Festival to open its doors; our editor’s pick of the week. Running until 17th June, today starts off with An Evening of Tango Calor, 8pm at the Assembly Room of the Town Hall. Tickets are ยฃ12, Tango Calor is one of the most exciting tango bands performing in the UK. The trio was started by bandoneon player Mirek Salmon in Bristol in 2016 with jazz pianist and film composer Daan Temmink and Cuban vocal sensation Indira Roman.
Tom Davies & the Bluebirds pull into the Barge on HoneyStreet. As I said Webb is with Them Bloody Kids at the Pump, Trowbridge. Find Illingworth at Brown Street, Salisbury.
Jack Macโs Funk Pac at the Wiltshire Music Centre, Bradford-on-Avon; love the name! Will Dugganโs Iceberg comes to the Rondo Theatre, Bath, while Chapel Arts has Cool Britannia – a ride through the swinging sixties.
Find Cooper’s Creek at The Queens Tap, Swindon, and Enjoy the Silence UK at the Vic.
Saturday 3rd:
Itโs the annual Southern Organ Festival on the Green, Devizes on Saturday and Sunday, and Canon House have a summer fete.
Devizes Arts Festival presents polar adventurer and motivational speaker Sue Stockdale โ A Life of Adventure, 1pm at St John’s Church, and An Evening with Sir Willard White with the Kymaera Duo at the Corn Exchange at 8pm; one of the best-loved and most versatile opera stars of the last 40 years, Sir Willard Whiteโs illustrious career has taken him to the most prestigious opera houses and concert halls throughout the world.
People Like Us are at The Three Crowns, and the 41 Fords at The Southgate; spoiled or choice again Devizes!
The Boot Hill All Stars play The Barge, Honey-Street, Static Moves are The Bear, Marlborough, with Barrelhouse at The Lamb, and the Elcot Festival at Marlborough Town FC.
Great Free Live Music Festival at Lamb Yard in Bradford-on-Avon, with Concrete Prairie and others, see the poster below. LP Swing Orchestraโs 100 Years of Big Band at Wiltshire Music Centre, and Mikey Ace & The Wild Cards in the evening.
Patrick Duff at Rondo Theatre, Bath, The Fleetwood Mac Songbook at Chapel Arts, and Roots Reggae Culture night at the Weston Hub.
Wilkes Academy Under 16s at The Wyvern Theatre, Swindon, We Are What We Overcome at Swindon Arts Centre. Old Friends play the Woodlands Edge, Shepherd’s Pie at The Queens Tap, and Midlife Krisis have Diversify 23 at The Vic; rave on.
Picnic the Park at Alderbury in Salisbury, with Train to Skaville headlining.
Sunday 4th:
Devizes Arts Festival have a Festival Walk across Roundway Down, and two free fringe events, Texas Tick Fever, 2pm at Three Crowns, and one Iโm looking forward to, Ajay Srivastav, 7pm at the Cellar Bar, of the Bear Hotel.
Having said this, itโs also time for the Jon Amor Trio โs monthly residency at The Southgate, and heโs doubling up the guestlist this time around.
It is Calne Pride and Castlefields Park, and a Cherished Vehicle and Family Fun Day, from 11am in the fields at Meadow Farm Nurseries, Langley Burrell, Chippenham.
Kavus Torabi at The Vic, Swindon, with The Blackheart Orchestra at Swindon Arts Centre.
Monday 5th:
Devizes Arts Festival presents Graham Short: My life as a Micro-Artist, 8pm at the Assembly Room. Graham Short is the world’s most talented living micro-artist. His pieces take between three and nine months to make, and the work is so tiny, itโs indiscernible to the naked eye.
The Longplayer Monthly Album Listening Club at The Vic, Swindon.
Airbourne at the Cheese & Grain, Frome.
Tuesday 6th:
Devizes Arts Festival presents Onarole Theatre: Jesus, My Boy! 8pm at the Merchant Suite, Corn Exchange. This is the story of Jesus seen through the eyes of Joseph, an ordinary and down-to-earth man, dismayed about how his image is later portrayed in Christian art work! Both humorous and moving, it is a beautifully-written one-man one-act play originally performed by Tom Conti.
We have weeks of Devizes Arts Festival, so please take a look at our calendar where itโs all listed, and/or their website, and get ahead of the game, some great stuff on offer there.
What with Pride Month and just well, well, being June, we are going to be busy but will try to keep up with all thatโs going on. If you can help pen a preview of review of something, please do, thanks and have a great week!
After an inaugural midweek gig with local legend Andrew Hurst this month, it seems Bromham’s St Nicholas Church could be the unexpected new rural musicโฆ
Spring has sprung! There were two snails on my milk-float this morning, opening โdoing it,โ without shame; absolute filth! โฆ. I should have filmed itโฆ
By Mick Brian.Images by Chris Watkins Media Mention the name of the author โAgatha Christieโ and most people will immediately think of her two mainโฆ
Devizes Street Festival 2023 came to a glorious close in the Market Place yesterday with the unique and dynamic brass, keys and guitar combo, Misha & His Merry Men, a collective of varying musicians on a theme of peace and love, which made for the perfect summary of the event as a whole; our waffle about the first day is HERE.
With new DOCA coordinators Annabel and Ashley at the helm and the barrier set high by their predecessor Loz Samuals, there was no telling how this would go. Maybe thereโs a few lessons learned by the new team, as this is no easy feat to pull off, but backed by the knowledgeable and ever-friendly volunteers I think they made an excellent team and carved a vision of how DOCA events will carry on the traditions set by previous coordinators, from Loz to Ian Hopkins, and of naturally, add their own stamp too.
It was an honour, even if last millisecond planned, to be on the stage to introduce the bands and see the mass of people flooding the Market Place with happy smiles and cheers; Iโve never done anything like this before and though like a rabbit in the spotlights, it gave me an insight into what it feels like for a band to be in front of a colossal crowd; nerve-wracking! So be it for me to say, the opening act on the main stage was also one Devizine had a hand in picking, with a want to introduce a local act amidst the national and international performers across this amazing street festival.
Now, you should note Iโve no intention of continuously getting all Royston Vasey on DOCA, for I fully support and love the fact that rather than hosting just local acts which can be seen on our pub and venue circuit, that they source these outside performers moreso. But I also feel room should be made to bring the crowds one thing specifically Devizes. So, I am hoping this will become an annual thing, when we can suggest a local act which we think has had a particularly good year, and present them on that main stage; not everyone there is able to attend our live music scene across the many pubs and venues.
The proof was in pudding; see the featured photographic evidence. With a fanbase predominantly teenage and unable to attend pubs so easily, the age demographic was so varied, the crowd had amassed to near full capacity. The fanbase stood at the front, the more curious further back, but just to wander through the crowds and see the same look of awe and admiration for a young local band on the pinnacle of greatness, was mind-blowingly epic. Nothing Rhymes With Orange smashed it out of the park, that being the Market Place, and to every surrounding village with an absolutely sublime performance to lodge a firm place in the history of Devizes Street Festival.
Nothing Rhymes With Orange at Devizes Street Festival. Image: Gail Foster
Gaps between bands on stage are so because you need to also focus your eyes on the various street theatre and circus acts happening all around, though slighter, it felt, this year, the quality of them was equal to previous years, and something about small acorns for the new coordinators to ponder through feedback. There will always be those few with a preference to hang around the bar and stage area, so perhaps some lower volume music could be added to entertain them while families explore the side-stalls and circus acts, or at least quarter-of-an-hour prior to the next band coming on, so the area in front of the stage can refill.
Nothing Rhymes With Orange at Devizes Street Festival. Image: Gail Foster
It is certainly how it seemed as crowds waned after NRWOโs spectacular set, regaining the momentum and their attention back to the stage was slighter, which was a tiddly shame, because I donโt know about you but Plymouthโs Cabarats were right up my street and knocking loudly at my door!
My favourite outside band bought in for our entertainment, by a long shot, The Cabarats were solid with the perfect balance of folk and reggae, so downtempo offbeat when building, and layers of uplifting folk once roused, it pushed my every button. If reviews are simply opinion-based, itโs my opinion they supplied the exact ingredients we want and need at the Street Festival, and did with gusto, zest and a unity of tightness musically which simply delighted.
And in a review, of kind, it is impossible to summarise every individual happening at such a special occasion, so I rest my case, I think it was slighter in content this year but only so to break the new DOCA team in gradually, but again, the whole shebang hinges on us bonding and helping out wherever we can, and the massive thanks has to go out to all individual organisations and volunteers which go into making this, annually, the best weekend in Devizes. Look, thereโs a giant woman with a stage of devils and circus acrobats under her skirt where on any normal day you are just waiting for a bus with some hoody eating a Greggs sausage roll; what an utterly fantastic weekend, we love you DOCA!
Wiltshire Councilโs ambitious plans to resurface all the roads in Devizes before the next ice age have been cancelled because rare dinosaur fossils have beenโฆ
November was one crazy month for our friend and researcher from the Regional History Centre at the University of the West of England, Brian Edwards.โฆ
With howling, coarse baritones Nick Fletcher, the main vocalist of Marlboroughโs gothic duo, Deadlight Dance chants, โhere comes the rain, and I love the rain,โฆ
An exodus of musical lovers and, I’d assume, a healthy handful of friends and family, trekked southwards through winter’s final ambush last night, to enjoyโฆ
26th and 27th May 2023 Wharf Theatre, Devizes Performed and written by Lou Cox
Review by Helen Edwards
I will start this review with a trigger warning. The proceeds from this, Lou Coxโs hilarious and devastating show, are being donated to The Grand Appeal, the official Bristol Childrenโs Hospital charity. Whilst the audience laughed loudly at the very funny and clever one liners we also cried our sincerest tears for Lou, for her and partner Jasonโs baby girl, Hattie, and for the mistakes that were made during her delivery….
When I sat down a kind person to my right, noting that I was on my own started chatting to me. She explained that Lou is her daughterโs teacher at Stagecoach Performing Arts and that she is brilliant. My seat neighbour then told me the ending of the play. She did this to protect me. I spent moments during the show, in between laughs, wondering if knowing was a good thing. My conclusion has been that thank goodness I did; I had made a huge assumption from the title of the play that it would be a chuckle-a-minute nodding in recognition kind of thing. But it was so much more.
With knowledge of what was to come, my laughter was a notch quieter but it still erupted unchecked. It just had a different dimension; one of pure admiration that the woman in front of me had found the strength and courage to write, devise and perform this show within a year of her babyโs death.
The stage was simple, a sofa to the left, chair in the middle and a screen behind. It opened with Lou sat in the chair, black leggings on and a pair of pants around her ankles. She proceeded to talk us through top-tips of sanitary protection placement, ensuring that the multi-padded creation would be enough to catch her first period post birth. Her wit was evident from the start; recognition-fuelled laughter came from every woman who had ever had a baby with chuckles from all else. The pace and punchiness of the jokes picked up with Lou, pants discarded now, sharing her experience of the advice that she received whilst pregnant. Judging by the raucous roars in the auditorium there were many identifying with her journey from pregnancy to birth.
Lou described the uncomfortable telling of people that โIโm pregnantโ as akin to shouting, โIโVE HAD SEXโ, the first of many embarrassing personal disclosures that can accompany being an expectant mother. She then ripped through well-intentioned but unsolicited nuggets of advice that she had been given with a sharp, shrewd humour. We were taken on a tour of Lou and Jasonโs comical antics at antenatal hypnotherapy classes, given a blow-by-blow account of morning sickness, told of her migration from โsexyโ to โbigโ pants and the work involved in getting her private area ready for public (midwife) viewing. It was packed with funny anecdotes.
A few lines that stood out in the first half:
โMy biological clock is ticking. Itโs not ticking itโs Big Ben bongingโ
โPerhaps some of us have wizards sleeves down there and the baby will fly out?โ
Whilst teaching a class of year 9โs: โI would simply turn my back on the studentโs mid-sentence to yak my guts up and turn around after like nothing had happened to complete my sentenceโ
And then came the reality of what happened next. The posts that Lou shared on Facebook after giving birth were shown on the screen. We saw hope turn to despair as Hattieโs life support was turned off. Hattie breathed unaided for 36 hours and Lou allowed us to be with her and Jason as they took their baby girl for a walk in the sunshine through a park off St Michaelโs Hill in Bristol. This was where Hattie took her last breaths, five days after her birth, on the 19th May 2022.
The courage that Lou displayed whilst reliving this personal trauma was like nothing Iโd seen on stage before. It was raw, generous and insightful. The entire audience was in tears with many, like me, crying to the point of back racking sobs. If the play was transferred to other theatres I think it could very easily become a catalyst for change. To see the people behind the labouring women in delivery suites and to view the emotional impact of avoidable newborn deaths is an eye opening and heart crushing experience.
Lou explained that the hospital where Hattie was born (not Bristol Childrenโs Hospital) sent a letter that included the line: โThe trust would like to send their sincere apologies for the mistakes that were madeโ. She went on to tell us that an investigation report clarified that Hattie would still be alive if it wasnโt for these mistakes. Lou believes that accountability has been lacking and her anger towards this is evident throughout the latter part of the play. She talked of her post-birth and trauma care; which included receiving a call from a health visitor four days after Hattieโs death to ask how they were getting on with the baby and being told that she didnโt qualify for NHS-funded counselling because she was not suicidal.
Lou told me afterwards that the objective of the show was to raise money to support Bristol Childrenโs hospital. So far sheโs raised over ยฃ21,000 for The Grand Appeal. She was recently asked by the hospital if they could buy 29 new nebulisers, out of the donations. Her face lit up as she told me this with the knowledge that other newborns will benefit from the money raised in Hattieโs memory.
Lou – the final words in your performance were โHattie McConnell you are beyond specialโ. Iโd like to add to that. Iโm sure I speak for all those in the audiences over the weekend when I say: Lou Cox, you are very talented and very special. Thank you for the laughter with your brilliant comic timing and delivery, and thank you for courageously sharing your story.
The first Kamikaze moth of the year dive-bombed my face the other morning. Forget blossoming trees and tulips, that’s a milkmanโs sure sign of springโฆbecauseโฆ
The Liberal Democratโs are today celebrating a historic election win in the heart of Marlborough, in the first contested Town Council election for thirteen yearsโฆ.โฆ
After a larger quantity of social media teasers than previous years, Devizes Arts Festival has today revealed their full line-up for 2024. Better take aโฆ
Hereโs whatโs happening over the coming week in the wilds of Wiltshire, hold onto your hats! Everything listed here is on our event calendar; goโฆ
Image: Czampal Iโm laughing, not at the Glasto lineup, but the incalculable comments of negativity it has encouraged in Facebookland. It should be said though,โฆ
Ian Diddams Written by Jonathan LarsonPresented by Maple Theatre Company It’s always hard reviewing a show that one has seen multiple times before, performed byโฆ
In true Royston Vasey style, unfortunately due to time and resources we donโt review international music as we did during lockdown, choosing to focus moreโฆ
On International Womenโs Day a group of women from the Swindon community decided to organise a clothes memorial for the over 11,500 Palestinian children killedโฆ
Wowzers! Huge congratulations and a colossal thanks to young Chloe Boyle from Devizes, who is planning to spend the night of April 5th sleeping outsideโฆ
First time for me in the barn venue, itโs a great space. Alex is no stranger to this place, and it feels like a really relaxed gig among friends. Alex played a good bit of material from his most recent release for us, Meridians and superpowers, the title track among the very best. And a mix of older songs and the odd cover.ย
I love One More Miracle, inspired by terrorist legislation changes a little way back and how Jesus, should he of come back at that time, could have been mistaken for a terrorist.. as usual some deeper thinking with wry humour infused to keep it positive and the lyrics flowing.
โHe said he couldnโt walk on water, I said he should learn to surf like me..!?โ Understated and reflective as we have come to expect.
Hacking back to the wild – about the peregrine falcon, words reflecting on the beauty and majesty of wild birds of prey.
Love too strong, a sincere note of adulation to his wife. Sharing such a heartfelt song whilst his muse is in the room is a wonderfully inclusive thing to offer the rest of us, and always feels special somehow.
I have highlighted but a few of the wonderful songs in this set, enough for any curious mind to look into this incredible musician, an artist I share with many looking for music thatโs meaningful and well considered.ย
Gorgeous harmonious three piece tonight, Fly Yeti Fly, with a cello alongside. Relatively new to me, but well known in the folk scene, and playing some great venues. A light hearted and delicate touch with the audience, some great songs with a running thread of nostalgia and positivity.ย
They sang songs about his dad, his old man a hippy soul, who they quipped if he had visited Honeystreet would most likely never of left, and Blue yonder – a fun ode to the thoughts of our dogsโฆ rousing and I think accurate musing in the mindset of dogs and their wanderlust and passion for adventure and new friends. Something reflected in the lives of many folk fans I think.
Songs of mischievous mermaids luring Cornish choir boys to the icy depths in an incredibly harmonious manner โฆ
Firewood – about the harder aspects of life on the cut. The cold and the worries of being iced in.
Thankfully most of us will not experience tough times on the water, that result in burning our furniture for warmth.
But it makes for a bloody good folk song.
I could ramble on about this lovely band, but this is just a snapshot of a good evenings live music, a fix of the kind of music that helps balance all our daily concerns and strife with some free thinking and perspective often with an historical context. Surely thatโs a definition of the folk tradition? And one pleasingly well upheld by these artists and this well established venue. Thank you all.
If I can, which I think is best after one too many visits to the Stealth bar, sum today in Devizes up in a word, the word would be “balanced.” Perfectly balancedโฆ.
DOCA smashed day one of the 2023 street festival, the sun shone and a brilliant day was had on the Green. We see our town turned into a festival of colour, circus, street theatre, music and dance annually and it never fails to impress and inspire, we’re accustomed to how great this event is. Today in particular, though, managed to pitch that perfect balance in supplying enough for everyone of all ages.
Myself, I bussed it in to find brass nutters Tuba Libres in their civvies busking in the Brittox, making for a grand teaser. The remaining wander to the Green buzzed with anticipation as Devizes was already bustling.
Enter the Green to see folk preparing to be Pac-Man while kids dressed as chaser ghosts and other dads were hit with sponge hammers purely for popping their heads from holes, and other curious video game related shenanigans, but in reality. If there is one thing to distract gamer kids from screens, this was it, and it worked, and it highlighted my point about the perfect balance as others gathered between the willows of a sustainable architectural stroke of genius to hear fantastic upbeat folk duo, Bonnie and Pete encapsulate the audience as Manchester-based Good Habits; they simply charmed and were so apt for chilling in the sanctuary.
With a witty finale folk-disco medley of Those Were the Days and I Will Survive, which worked a billion and one times better than it might sound, Good Habits habitually joined the crowds, while Sustainable Devizes took the mic for a environmental chat, and I sauntered around the site.
Behind us trapeze equipment was proudy erected, but rather than wait for the performance at the end of the day, was being used as a trapeze workshop where revellers queued to give it their best shot. Ten out of ten for interaction, obviously I’d have given it a go, but a food van operated with a virtual queue, and if the mobile device was to vibarate while I was up there my cheeseburger would’ve gone to waste; priorities, see?!
Tuck options aplenty, I confess to a rather splendid cake from the Devizes for Ukraine stall, who had a lovely selection of pastries and cakes you’re unlikely to have seen before.
Jealous because I forgot my sunhat, Welsh-queer mesh dancers plodded to ambient a soundscape, eerily building to a high energy folk dance, here presenting the wild card and receiving mixed verbal reviews from the crowd; certainly had impact.
I say wildcard, I mean, look, there’s a tricycle ridden around by a giant octopus, while its tabletop presents two aquabatic fish-dancers; this isn’t the usual day out in Devizes. But amidst the bizarre Lucid Acid’s Cat Sith was perhaps the most mesmerising, taking the pantomime horse to a whole new level. If it was a botheration to distract my eyes from the genius method of making this acrobatic puppetry appear genuinely feline, it was only to note the toddler next to me completely captivated by it, and my vision circled the crowd to note every person young and old watching in awe.
Miraculous changed into eighties keep fit attire The Tuba Libres blasted their brass at the Willow Sanctuary, and cockney sounding upbeat folk collective The Great Malarkey were as the name suggests, great with a two-tone twist, only to be followed by a spectacular display on the trapeze and now we await day two, which, by the time you read this it will be underway, in the Market Place this time; get your crocs!
Marlborough’s darkwave-goth duo, Deadlight Dance push their boundaries to new limits with their second single, Innocent Beginnings this week, and itโs a corker of goth perilous poignancyโฆ..
Echoes of Human League synth prowess rain from this sombre tune, with foreboding warning vocals of Joy Division, yet the theme is environmental, something though historically consistent in pop, generally, surprisingly overlooked by the alternative subgenre of post-punk gothic of the eighties. Youโd have thought with the stereotypical gloomy disposition of the genre, climate change was a missed opportunity for electronica, and/or post-punk goth subject matter; though maybe you know different, Iโm no expert.
While it has been done, eighties misconceptions of the subject often obscure the severity of the topic, and place them subtly irreverent by todayโs standards. Best I can conjure from memory is The Pixiesโ track Monkey Gone to Heaven, of which the context of pollution and the depleting ozone layer is missed amidst the screeching vocals of Black Francis, A Forest by the Cure, which always felt more Little Red Riding Hood than eco-warrior, Talking Headsโ (Nothing but) The Flowers which is all too satirical art-pop, experimentally awash with soukous, for some bizarre reason, and even to endure ten minutes of Giorio Moroderโs less-inspiring disco synth moment in Cerroneโs Supernature only to discover elements of environmental concerns conclude with humankind obliterated by some kind of โcreature from below!โ
It makes this single of an interesting composition, sounding so retrospective; precision with environmental subject matter came much later than this track imitates, therefore musical trends had changed by the time itโs more astutely covered. Ethereal nineties and noughties alternative rock certainly made full use of the topic, from Mors Syphilitica to All About Eve, but Innocent Beginnings, asis Deadlightโs design, it seems, is to recreate the sound of alternative eighties, leaving you pondering if Joy Division were at their peak now, climate change would have been the theme of Atmosphere, and might have come out sounding akin to this. Not forgoing, environmental groups would clasp hold of it, rather than just the creators of Stranger Things!ย ย
Though, having said all of the gloomy irreversible theme of Innocent Beginnings which basically suggests itโs all too late to do something about it now, the video is contradictorily recorded in the setting of the pretty village of Aldbourne; hardly the dystopian landscape of a post-apocalyptic earth wrecked by our own hand! And in turn, makes me come over all Greta Thunberg and contemplate at least if we try, we can say we tried; put that in your pipe and smoke it, Nick Fletcher and Tim Emery of Deadlight Dance! Damn good track though, guys, and produced by Nick Beere at Mooncalf Studios, we look forward to hearing more from these guys.
Newly formed and locally based collective Palooza hosted their opening night at The Exchange nightclub in Devizes yesterday, offering house music with universal appeal andโฆ
Salisbury-based event organisation Wiltshire Music Events has been ordered to remove posters advertising the Marley Experience gig at the Devizes Corn Exchange on 13th April,โฆ
The fifth single coming out from Chippenham singer-songwriter M3g on Friday, Ashes of Memory, and if Iโve said in the past what separates Meg fromโฆ
Swindonโs sonic indie popsters Atari Pilot are a prolific bunch, and have a new single out called The Rules Never Changeโฆ. And, they donโt. Thereโsโฆ
Members of Swindon Palestine Solidarity made themselves heard at the Labour Party fundraising dinner, where Jess Phillips MP was the guest of honour, protesting atโฆ
If Lidl Shoes, April’s blast from our aspiring homegrown four-piece indie-punkers, Nothing Rhymes With Orange certainty raised the rafters with energetic enthusiasm, I held subtle solicitude, despite the amusing name, it did only a smidgen to progress the band any further than their mind-blowing debut EP Midsummer. By contrast today’s new single, Butterflies, is a Neil Armstrong sized leap in the maturing direction they need to be heading to attain a mass appeal.
With an infatuation theme, the band express a continuation of narrative relating to Lidl Shoes, yet while maintaining their archetypal jab of youthfulness, Butterflies ventures into a pensive mood, it’s dreamier, swapping guitar distortion and resounding choruses for a softer emotional sound. Don’t run off with Coldplay connotations, it remains punchy enough to warrant influences they cite, like Arctic Monkeys, The Killers and The Wombats, and it lies equally as beguiling as their most celebrated tune to-date, Manipulation.
If the chorus of Manipulation is hailed back at them by fans, Butterflies is clearly in the making to evoke the same effect. It’s instantly loveable, their best work so far, proving as I said since day dot, Nothing Rhymes With Orange are going places.
Nothing Rhymes With Orange Image: Gail Foster
With this interesting development, I wonder how their predominantly teenage fanbase have responded to this, as they will mature in-line with the band, and should, in theory, relate. Idolised acts of teenage years always rely on this familiarity with the path their fanbase are personally on, and their songs become stories of their own life. Butterflies identifies definitively, calls out to them, it’s an anthem, I tell you!
Frontman guitarist Elijah Easton, drummer Lui Venables, guitarist Fin Anderson-Farquhar and bassist Sam Briggs have cracked it again, furthering a natural development in their sound, and in conglomeration have penned another standout masterpiece; you’d be a fool to yourself for failing to make it down to the mainstage of Devizes Street Festival on Sunday by 2:30pm, where we should join in celebration at the remarkable achievement this young Devizes-based band has made, amidst the selection of international acts on show.
Swindon indie popsters Talk in Code return tomorrow (1st March) with a new single, Something Of Nothing โฆ..hold tight to your Deely-Boppers, things are aboutโฆ
Think early nineties dance-indie crossover and the Madchester circuit might understandably spring to mind. Yet Pop Will Eat Itself were Brunmies, The Shamen were Scots,โฆ
I trouble procrastinating upon being gifted a previously released CD from an artist for review, unfortunately they land on the backburner, prioritising upcoming news items.โฆ
Ian Diddams Regular readers of Devizine may be well accustomed to hearing the name โVince Bellโ. For those less frequent readers or those that haveโฆ
Bit Wintery, innit? Calendars are going forward, weather is going backwards! Hereโs whatโs happening over the coming week in the wilds of Wiltshire, hold ontoโฆ
Hey, teacher! Leave those sausage rolls alone. Hereโs whatโs happening over the coming week in the wilds of Wiltshire, hold onto your hats, there beโฆ
I’ve a mildly interesting word origin urban myth to bore you with before we begin on an opinion piece about the latest petty squabbling at Devizes Town Council, which, beggar belief, causes no consequence or botheration to proceedings of the town’s affairs, but stands to illustrate how pathetic and time wasting it’s all become; a council supposed to diplomatically decide necessary changes to better improve facilities in a town yet cannot even concur which hall to hold meetings in without toys being thrown from prams; so, back ofthe class, pay attention!
Word of the day is “text,” as in a body of words most commonly used in “text message.” Obviously, there’s a derivation from the term textiles, but how it came to be was pre-industrial revolution when weavers worked outside as the cloth was too large to manage in small houses. Being outside, they got to hear the word on the street, a bygone equivalent of taxi drivers and hairdressers! As public opinion mattered to early politicians they would gage and take notes from the weavers as they cast their opinion on current affairs, to take to parliament. The annotations, words from textiles, ergo, came to pass text would mean any body of words.
But it illustrates a point, as to read the recent lone ramblings of one rouge councillor’s renownedly biassed Facebook group, that Devizes Town Council aims to bar the public from attending meetings by switching back to a meeting room though historically used and deemed by a majority of councillors more suitable from another used only recently to insure social distancing during the pandemic, that really, upstanding politicians and councillors alike both want and need to gage public opinion, therefore, logically would encourage public interaction.
The Marketplace this weekend might be for street festival, but next Saturday, 27th May, is a bit of a letdown by comparison as the Devizes Town Council have their roadshow, unless they intend to break into a cover of Wonderwall, which is, fortunately, unlikely! But it is a regular occurence, the purpose of which is for the public to meet the councillors and pour out their concerns to them. In turn, it goes to prove the majority of councillors welcome public opinion. Which begs the question, why go to all that trouble, if this rant is genuine and to be believed, that the council doesn’t care for public interest?! It simply doesn’t make sense.
Two other town councillors have independently taken to other local Facebook groups to elucidate the reasons for the room switch, but being like many members of the public who dared to offer a differing opinion to the admin and town councillor of the page that the rant was posted on, the Devizes Issues, their pledge lies separate from the original post and they are unable to comment upon it. This leaves the admin, again, with the final say on the matter there, that other councillors are according to him, switching rooms in order to bar the public from attending meetings.
Longstanding councillor and former mayor Judy Rose was the one who proposed the move from the Town Hall Assembly Room back to the Council Chamber. “The reasons for wishing to return there have been suggested by a Conservative Cllr, Iain Wallis, is in order to keep the public out,” she explained, “I can state clearly that this proposal has nothing to do with keeping the public out, nor the spurious idea of โreturning homeโ.”
She continued to outline the reasons for the move,”the acoustics of the Assembly Room are poor for the spoken word, even with mics. At our last Council meeting, an invited speaker used the mic, but still remained inaudible to many of us, and frequently, the same thing happens with councillor’s contributions. The arrangement of tables facing each other does not, at times, make for co-operative, civilised debate or behaviour.”
The public have always been able to attend meetings in the Council Chamber since the Town Hall was built. Prior to Covid, the meetings were moved to the Assembly Room when a larger contingent of the public was expected, a move which was relatively easy to anticipate from the contents of the agenda.
Judy expressed, “the public never have, nor will they ever be excluded from meetings, save under GDPR for certain exempt items concerning staff matters and commercial information about the properties owned by the Town Council. To suggest otherwise is completely mistaken, and to imply such a hidden agenda is not constructive and indeed very unhelpful in aiding the knowledge and understanding of how the Town Council operates.”
Guardian leader Jonathan Hunter also expressed his concerns, “this move is not about excluding any members of the public; itโs about promoting a more positive and cohesive environment. Councillors do not want to exclude members of the public and to suggest that this is the case is completely false.”
“Whilst the super-sized venues of the Corn Exchange and Assembly Room were appropriate for Covid protocols, the Assembly Room has become a venue that promotes distance between councillors and the public. Regular difficulties with communication and, at times, an adversarial and confrontational atmosphere all make the Assembly room a poor choice environment and a venue that isnโt fit for purpose. Councillors should be working together, and the environment should be positive, focused, and non confrontational.”
“Members of the public that were also present last night were asked for their views. Their conclusions were that the Assembly Room was confrontational. In an attempt to sway opinion, it was unfortunate that one or two councillors stated that the public would be sat behind the backs of councillors within the council chamber in future meetings, even though the room layout hasnโt been set up for future meetings. Councillors do not want to have their backs towards members of the public.”
Devizes Guardians, along with the Labour councillor, the Independent councillor and the newly elected Mayor all voted in favour. Three Conservative councillors abstained. The proposal was approved with a majority vote. But with these facts obscured from the more popular Facebook group the readers are faced with a one-sided evaluation of the issue and will likely believe what’s said because no one has come forward to challenge it; ministry of truth type stuff.
The very fact this has happened, and is of no rare occasion, implies more generally, that these accusations made against opposing councillors are in fact, nothing more than the power tripping ramblings of a particular councillor who’s only intentions are to belittle their fellow councillors and create the illusion he is the superhero of hour here to bound in wearing his spandex and restore public access to council meetings; is it a bird? Is it a plane?!
Yet, being a majority of residents, and councillors have been banned from the group, and/or are silenced by comments deleted, alternatively implies otherwise.
Now, I stand accused myself of “bullying and harrassing” this councillor, by none other than him, on an occasion where he posted a request for people to advertise upcoming events consequently causing a number of people to mention that Devizine was a good place to find such information. I didn’t encourage them to do this, and have no access to the group yet sonehow this constituted “bullying.”
Every comment which stated this simple fact was deleted, and many were banned from the group. Suggesting there appears to be a personal vendetta against us, when really, as we cover discrepancies and problematic issues arising from local politics, it so unduly seems to be near every time such a happening occurs within Devizes Town Council it seems the same councillor is at the heart of the squabble. This doesn’t mean we have deliberately targeted anyone in particular, and we certainly haven’t bullied or harassed anyone.
I could go out on a whim and suppose, on this occasion the councillor in question is right, and all the other town councillors intend to bar the public from meetings, but unfortunately for him, there’s simply no logical explanation as to why they would want to do this, and furthermore, if it is the truth, has he never read The Boy Who Cried Wolf?!
Ask yourself this question, who would you believe, the individual town councillor who has lied, maliciously exaggerated and skewered facts, censored anyone opposing him then plays the victim, or a majority of councillors simply motivated by the notion of doing what’s best for our town?
Just remember all this come local council elections, boi, I did say pay attention; it’s petty, I know, but makes one wonder how they fair on bigger issues when they throw their toys out of pram over what room to hold a meeting in to solve said bigger issues! Mind you, if I was mayor the council would be Playboy bunnies and meetings would held in a hotub, so no one’s perfect!
Swindon’s acoustic Celtic folk duo Canute’s Plastic Army played the Southgate in Devizes last Saturday; though firmly on my never-ending must-see-list, even just the name alone is enticing, until cloning technology is readily affordable and can be found in Lidl next to the Portable Car Air Compressors and 30-in-1 Screwdriver Sets, I cannot be everywhere at the same time!
To rub salt into said wound, they’ve a new single out this week, Anglo Saxon Song, with the passionate vocals of Anish Harrison harking beautiful Celtic song and intricately subtleย guitar work of Neil Mercer, here’s a taste of something different for you; timeless, enchanting, and hanging around Avebury at solstice type stuff, and it drips with authenticity and charm.
Their first EP, Building Walls, was released in summer 2017 on Secret Chord Records. Find some interesting previous singles on Bandcamp, for a quid a piece, and then you, like, me will be aiming not to miss them next time around!
West-side in the Lavingtons last night, tumbleweeds could’ve blown along the High Street as an army of highway operatives rode into the village withโฆ
Featured image by LoraDore After an impressive forty-five years of Guiding in Worton, through Brownies, Guides, Young Leadership, and as the Unit Leader thereโฆ
Hereโs whatโs happening over the coming week in the wilds of Wiltshire, hold onto your hats, letโs lots to get throughโฆ.. Everything listed hereโฆ
This Saturday sees Bristol’s Hip Hop phenonium, The Scribes bringing their Boombox show to The Pump, Trowbridge, and will be the group’s only performanceโฆ
OMG, OMG, another bank holiday weekend coming up, whoโs excited, who’s coming out to play?! Hereโs what weโve found this week, find the info and links, and for planning ahead, here, on our event calendar. No prizes for guessing Editorโs Pick of the Week this week!
Obviously more stuff will be added to our event calendar as and when it comes to our attention, this is not comprehensive, so do check in later in the week, and let us know what we missed, we charge one cupcake to add an event, but it must be a chocolate one!
Donโt forget to check out Hail the Curious, the debut exhibit at The Forbidden Carnival in Chippenham, running until 30th June.
Wednesday 24th:
Regular acoustic jam at The Southgate in Devizes.
Skimpy & The Triniti Band at The Bell Inn, Bath, where Little Shop of Horrors runs until Saturday at The Rondo Theatre.
Emmanuel Sonubiโs Emancipated at Swindon Arts Centre, and Gretchen Peters at The Wyvern Theatre, Swindon.
The Mead Community Primary School presents Forever Treasure Island at Wiltshire Music Centre, Bradford on Avon.
Pierre Novellie and Huge Davies, Comedy Previews at Pound Arts in Corsham.
Thursday 25th:
Shindig Festival opens its doors, have a great weekend to all at Shindig, you lucky lot; have a boogie for me!
Open Mic at Stallards in Trowbridge.
Lady Maisery at Pound Arts, Corsham.
The Soap Girls play The Vic in Swindon, I say, ding-dong! Reverend Ferriday is at The Tuppenny, Jen Bristerโs The Optimist at Swindon Arts Centre, and itโs all soul at The Wyvern Theatre with the Luther show.
Octopus Dream Theatre presents I Love You, Mum, I Promise I Wonโt Die at The Merlin Theatre, Frome.
Friday 26th:
Lou Coxโs n o holds barred one-woman show, Having a Baby and the S**t They Donโt Tell You, at The Wharf Theatre, Devizes for Friday and Saturday; highly recommended from us, but not for the faint hearted!
Meanwhile, 12 Bars Later make a welcomed return to The Three Crowns, Devizes, with the incredible Mark Coltonโs solo show at The Pelican.
John Wattersonโs celebrated tribute to Jake Thackray, An Evening Without Jake Thackray comes to The Bouverie Hall in Pewsey. Billy & Louie at The Castle & Ball, Marlborough.
Running until the 29th, itโs the opening of Chippenham Folk Festival, while the fantastic Triple JD Band plays The Old Road Tavern.
Find Castro at The Wheatsheaf, Calne.
The most amazing young soul singer Iโve heard for an era or four, Franki Soul is at Trowbridge Town Hall. While Fly Yeti Fly have a double-bill at The Pump with Alex Roberts and Graeme Ross.
The Karport Collective are the Seven Stars, Winsley, Bradford-on-Avon; fantastic these guys are. Dervish, legends of the Irish folk scene at Wiltshire Music Centre.
Break Cover are at Brown Street in Salisbury.
Tapped at the Theatre Royal, Bath, and The Lynne and McCartney Story Theatre Show at Chapel Arts.
We Were Promised Honey at Pound Arts, Corsham.
Here Come The Crows at The Vic in Swindon, while Rosie Jonesโ Triple Threat is at Swindon Arts Centre, and The Roy Orbison Experience comes to The Wyvern Theatre.
Ultimate Coldplay at The Cheese & Grain, Frome, and The Urban Voodoo Machine at The Tree House.
Saturday 27th:
You know it has to be Editorโs Pick of the Week, The Devizes International Street Festival is free, itโs the best weekend in Devizes, and it starts on the Green on Saturday and continues on the Sunday in the Market Place; see you there!
Street Festival after parties, then, find Jonah Hitchens Band at the Southgate, Devizes, Ben Borrill plays at The Moonrakers, andย Gerry Jablonski Band plays at the Long Street Blues Club. The Snuff Box has an International Craft Beer Festival, and The Exchange hosts guest DJ, Castro.
Direct from the Pump, Fly Yeti Fly, Alex Roberts and Graeme Ross fly over to The Barge on HoneyStreet, while the Chaos Brothers are at The Lamb in Marlborough.
Be Like Will & Band Of Pilgrims are at The Pump in Trowbridge.
End of Story at The Talbot, Calne, while Band-X play The Wheatsheaf.
A fundraiser for Swindonโs Ukrainian community at Swindon Hub, Rave Against The Regime at The Vic, The Black Hole Sons at the New Inn, Walk Right Back at The Wyvern Theatre, and Tom Davisโ Work in Progress at Swindon Arts Centre.
Ma Bessie and her Pigfoot Band at Chapel Arts, Bath, with You Are The Sun at Theatre Royal, running until 29th May, and A Shining Intimacy at The Egg.
Triple JD are at the Sun in Frome, the Cheese & Grain have Lindisfarne while The Burning Hell are at The Tree House.
Sunday 28th:
Devizes International Street Festival continues, in the Market Place this time, too much to mention here, but do look out for our homegrown upcoming talent Nothing Rhymes With Orange on the main stage at 2:30pm.
The Barge, Honey-Street are Celebrating 50 years of Dark Side of the Moon with Atom Heart Floyd.
Jon Amor Trio at The New Inn, Bath, Jolie Blon at The Bell Inn.
Last Call at The Vic, Swindon.
Fromeโs Spring Vegan Fair at the Cheese & Grain.
Monday 29th:
Bank holiday goodness then, arty kids will be pottery painting at Hilworth Park, find Kate and The Unpredictables at The Three Crowns, Devizes.
Swindonโs famous duck race, see poster below.
Mono at the Cheese & Grain, Tryani Collective at The Bell in Bath.
Tuesday 30th I got nought, unless you know better; always tell us if weโve missed something! Mind you, I think thatโs enough for one week, have a day off, stay home and make beans on toast; you can add a little chilli powder to fully clear your system if you so choose! Have a great weekend, stop me and give me grief if you spot me at the Street Festival, I donโt biteโฆ..not on the nipple at any rate!
As part of the global Kidical Mass movement, this event combined a family-friendly cycle ride with aย protest, calling for safe streets for everyone. The rideโฆ
On Saturday, people from across Swindon came to Swindon Palestine Solidarityโs charity dinner to raise funds for Medical Aid Palestine and raise awareness of theโฆ
To international acclaim on the folk circuit, weโve loved to follow the progress of the Lost Trades since day dot, when Phil Cooper enthusiastically toldโฆ
A third instalment of space rock swirls and cosmic heavy duty guitar riffs was unleashed in January from our homegrown purveyors of psychedelia, Cracked Machine.โฆ
For eight years on the trot, minus the lockdown year no one needs reminding of, local all-female supergroup, The Female of the Species have performed a one-off gig raising funds for various local charities; 2023 is no different as they announce this year’s will be on 21st October at Seend Community Hallโฆ.
It’s an amalgamation made in heaven. Five frontwomen of various local bands join in celebration, which is the sum of all their individual talent and a whole lot more. Nicky Davis from People Like Us and The Reason, Julia Greenland from Soulville Express & Delta Swing, Claire Perry from Big Mamma’s Banned & The Misfitz, Charmaigne Andrews from Siren, and Julie Moreton from Train to Skaville and Jules & The Odd Men make the line up, and if you’ve seen these any of these girls in action solo or with their own bands, you’ll know they’re all 100% dynamite; imagine this times five, forget the maths, the result is greater than 500%, an atomic detonation of wonderful!
I’ll see your examples of legends upstaging each other when on the same stage at the same time, as it’s fair to wonder how on earth something so right like Mike Jagger and David Bowie recording Dancing in the Street could’ve gone so utterly wrong, but raise you my assurance this is not the same ballpark here. The girls of Female of the Species work together in unison, back each other’s solos with such gusto, skill and friendship, it’s a sight to behold.
From Teen Talk to Young Melksham, and even once for Carmelaโs Fight Against Muscular Dystrophy, Female of the Species must have raised tens of thousands of pounds by now, and received a civic award three years ago. Last year was a Halloween theme, this time the girls cover “the MTV years.” And will raise funds for Alzheimers Support.
I mean, yeah, it’s an assortment of sing-a-long covers, but with the adjoining of so much talent, it’s the unmissable cover show bursting with energy and fun you must see for yourself; the likes you only know if you know. Because of this ever growing need to know basis, it will sell out super fast, so….
The Female of the Species throw absolutely everything they have at this annual event. With great support acts and on stage banter, it’s something to behold. Here at Devizine we congratulate and thank the girls and all involved in this annual event which has become as special on our local event calendar as Christmas day!
Feeel the melody that’s in the (Devizes) air! If the nineties house clubbing revival is whatโs happening elsewhere around the nation, we have to admit,โฆ
Hey you, Feb already, hereโs whatโs happening over the coming week in the wilds of Wiltshireโฆโฆ Everything listed here is on our event calendar; goโฆ
Perhaps best known as the frontman of Afro Celt Sound System, the Belgium-based artist N’Faly Kouyatรฉ will be hitting the road for nine intimate showsโฆ
The Importance of Being Earnest is rather like a newfound interest in jazz, you must โunlearnโ the four-beat pop you’re accustomed to, to fully appreciateโฆ
Hey frozen duckling, hereโs whatโs happening over the coming week in the wilds of Wiltshireโฆโฆ Everything listed here is on our event calendar; go thereโฆ
Finally crawled out of my Hobbit-hole this weekend after a shilly-shallying period of making do with BGT on the telebox, and what better way to kick my sorry-ass back into gear than to finally pop my Cheese and Grain cherry?
Hold your gasp, I know, mate, inspecting the South West’s flagship venue was still surprisingly on my Devizine roadshow to-do-list, and a little tour of Frome’s back streets on a Saturday night with a former resident to direct me off the tourist track was also on the cards. For I’ve mindfully put Frome, particularly the Cheese, on a pedestal, and was eager to see if it lived up to expectations.
Firstly, the invite was for a sellout night with eighties premier Scottish rockers, Big Country, of whom I could only cite one hit from memory, conveniently self-titled, but if far from their biggest fan, the support came from another eighties band, who had minor chart success with a post-punk synth type style, Spear of Destiny, and I’d never heard of them. Neither, I confess, were my cuppa, but the opportunity to cross the border and see Frome in all its heavenly glory was my motivation.
Frome conveys a happening liberal, alternative arty and counterculture reputation, its hipster value far outweighing any Wiltshire market town, something which has developed fairly recently, and can be likened to Somerset’s own Brighton, pebbly beach converts to cobbled streets, and the Cheese effectively their Pavilion. But should we bow in envy at its proud accomplishments? Perhaps.
Our initial pitstop was a necessity burrito calling, placing me with pleasant first impressions. As a train pulled into Frome Station and people offloaded, we took to a renovated hanger nearby, called the Station, where various street food outlets surrounded an alternative art gallery. It was no issue Burrito Boi was the only one open, as per guide’s recommendation, it was what we were here for.
Burritto Boi, you boss!
Even with a view of the gigantic B&M sign, your gaze is ever-easily diverted from commercialisation in Frome, it’s colourfully aesthetic. We met a chatty musician type, of the acoustic punk covers band Raggedy Men, a Frome band, it was told, which rarely gigs further than they can effectively crawl home from, amidst folk gathered alfresco on benches, under a casual reggae beat! Burrito Boi’s bar and eatery wasn’t exactly cheap, but damn, that was one tasty burrito, as worthy of your attention as any beef and rice wrap can possibly be.
And there it is with a general nutshell of Frome, like Italy, to suggest it’s cool and hip is no fib, but whatever you do is hefty on the wallet; shrug, sign of the times.
The ticket stub for The Cheese and Grain tonight stood at a sizable thirty-five notes, a pint has reached the inevitable fiver as standard, but dammit, it bears its wires as to where your dollar goes, and you have to hand it to the place, it’s the kind of wonderful to leave you contemplating if every town needs a Cheese and Grain.
While immersed in an adequate free overnight car park, one vocal regular with khaki shorts and floppy pink and silver mohican informed me she had never seen it so full, only to be further confirmed Big Country attained a devoted fanbase in meeting a couple who’d travelled from London, and delighted to shock us that there’s “nothing quite like this in the capital.”
Such is the reputation of this big cheese, the kind of venue to host the Foo Fighters, or a spontaneous pitstop for Sir Paul McCartney to drop in for a gig on his way to Glasto, and frequently too, The Pretenders graced this grand hall last Friday. It is a comparable rural answer to a city venue, such as Bristol’s O2. Though you may find a ticket stub at a smidgen less at the latter, supposing because it has a larger capacity, the further fuel and parking fees will far tipple over the price for the Cheese.
So, if you like your live music bold and with celebrity or legendary status, The Cheese and Grain is the choicest thirty-five minute drive away, as it’s the only venue here so majestically respected to host such big names. As at an eight hundred capacity, the mechanics of any larger venue are unavoidably bound by regulations, to make you feel like herded cattle, at the Cheese you’re relatively of the organic free-range variety. The hall is a huge open space with a grand purpose-built stage and marvellous acoustics, as the sound reverberates like a bass bin, the effect is awesome. But the surroundings are equally appeasing, the outside area is bustling, with an aroma of freshly-cooked pizza; it is, just, nice.
The slim age demographic inside reflected the double bill of acts popularised in the eighties, and thus an older crowd appeared spaciously divided, so late comers were standing watching beyond the fire doors for want not to be ageing sardines, and thus I felt little atmosphere developing. Both bands accomplished yet hardly groundbreaking now, and with little knowledge of their works for me it lacked the retrospective appeal it clearly did for the fans; I was a tender thirteen in 1983, and favoured Grandmaster Flash!
Though I will say, if a post-punk support felt unmatched for the aficionados of this harder rock band, even if of the same era, Spear of Destiny where equally as great, expressively vocal and perhaps closer to the general rock sound of Big Country than I’d bargained they would be.
Big Country though, were only partially the real McCoy. With former Skids original frontman Stuart Adamson passed away in 2001, Simon Hough made for a great alternative, as they worked through their magnum opus album, The Crossing, on its forty anniversary. As for the fans, well, they lapped it up.
Of course, on another evening, with a different line-up I’m gathering The Cheese & Grain converts to suit the punters, ergo given when Ruzz Guitar plays there, or when Dreadzone pays a visit, the crowd will relate appropriately to the tenet of the act. See, to me, June 16th-17th’s Frome ska and reggae weekender has my name all over it, and you should browse their website or our event calendar to find something to fill your boots too, because I know you will!
With the pull of acts to play the Cheese, such as Big Country far greater than our humble blog, it’s futile to provide you with a detailed analysis of them, as also as suggested, I appreciate they played well to the fans but it wasn’t my cuppa. I ask myself, would I have preferred to be in one of our cosier, grassroots venues, backing an upcoming act, like at The Pump, or down the trusty Southgate back in Devizes? Actually, being not one to chase the big names, yeah, I believe I would have.
With that box ticked then, it was decided to do a bunk; I was keen to see what else was on offer in Frome on an typical night. Yet, it was surprisingly quiet elsewhere, as if the Cheese has the gravitational pull of Jupiter and anything else surrounding it was merely a moon.
I didn’t think at this point to check the sister venue, the Tree House, who had a Muse tribute, rather we sauntered the town, mostly upwards cobbly streets. While told to avoid The Blue Boar, and some class and glass fronted wine bar, Eight Stony Street, which looked city-like and not within the character of the town, we wandered through the partial club-bar 32 Bath Street, which catered for a younger, perhaps less affluent, and with drum n bass playing out, young at heart, I loved it there!
Of course, the busiest was a taste of home, Wadworth’s grand George Hotel, and we passed by The Sun, which appeared welcoming, and had some locally sourced live music on, to the cobbled legendary Lamb & Fountain, which I was told was the best pub in town. Yet it was an acquired taste, uniquely appropriate, akin to said Southgate, or Swindon’s Beehive, it has its independent feel which wouldn’t change on request, a local of locals, it was sawdust-on-the-floor welcoming. Nought Wetherspoons about any of them!
I left feeling sometimes, perhaps, less is more. Clearly Frome attracts more lively characters, bohemians and oddities than any neighbouring towns, but overloaded with options of things to do, I fear, aside the outside pull of The Cheese, if it has the population to sustain them all, as the biggest niggler was, unlike cities like Brighton, the streets felt comparatively void of activity.
Maybe we could attribute this to being a weekend before a bank holiday, or a general sign of these hard times which all towns are experiencing. I don’t know, just felt, though it was an adventurous evening exploring a town I know little about, and only had time to scratch the surface of, while Frome has this city-sized event programme feel to it, it only weighs in approximately eight thousand larger in population to Devizes, and less than half the size of Chippenham.
I’m kinda thinking, if I lived there, with all this on my doorstep, would I simply take it for granted and rarely engage as much as I assume I would? And would my wallet allow me to?
Ah, it’s debatable for sure, but take Devizes on a Saturday night, where options are comparably limited, at least plenty will gather at what beauties we do have, I’d wager great nights were had, as ever, at the Three Crowns and The Southgate. So even without a regular Cheese and Grain on our doorstep, we make do with what we do have, and use them more regularly. And on those special occasions like next week’s Street Festival, Devizes will put on the amazingly colourful parade we know it to be, and all will join and rejoice there, freely.
Or I could just be on a grumpy Sunday rant cos you can’t get a burrito that tasty for love nor money in Devizes; you decide, but yeah, Frome, don’t go changing just to please me!
Devizes-based chocolate engineer Holly Garner, 2023 Chocolate Champion for the Southwest, has launched her new chocolate classes for the first half of 2024โฆโฆ From learningโฆ
Tuesday before Christmas Iโm in New Society. I gazed across to a table by the window, recalling an optimistic response from local Labour candidate Rachaelโฆ
Fashionably late for the party, apologies, the fellow Iโm not sure if he minds me calling โthe Mike Oldfield of Swindon,โ though itโs meant asโฆ
Hey you, had one of those weeks so far, and need to blow off some steam?! I know I have, but you donโt need me to get started on my problems, you need to hear about all the events happening this coming week in Wiltshire; hereโs what weโve found, but thereโs always more to come, so info on these, links and further updates can be found on our Event Calendar.
Itโs about this time when you really need to be looking over next month too and planning ahead. So much going on in June, from Pride to Devizes Arts Festival and, and, and, well, just have a sneaky peak HERE.
Ongoing: do check out Si Griffithโs new gallery The Forbidden Carnival in Chippenham. Thereโs an exhibit currently running until the end of June, and it is amazing; see the poster below, and review HERE.
Wednesday 17th: the regular acoustic jam at The Southgate, Devizes. Also, a piano lunchtime recital from Helen Farrar at Pound Arts in Corsham.
The Tight Lipped Combo at The Bell Inn, Bath, and Tiff Stevensonโs Sexy Brain at the Rondo Theatre.
Opening at Swindon Arts Centre and running until 20th May the TinkCo Theatre Group presents Calendar Girls. And Kate Rusby is at the Cheese & Grain in Frome.
Thursday 18th: And The Drystones play The Pump in Trowbridge, with a Comedy Network night at the Civic.
Happy Place at the Rondo Theatre in Bath.
Ghosts of This Town play The Vic in Swindon, Somerset Velvet & James Turner at The Tuppenny, and Luluโs For the Record is at The Wyvern Theatre.
Jon Royon is a Corsham based potter who took up pottery 5 years ago after taking classes at The Pound, and you can meet him at the Pound in Corsham, and itโs free. In the evening thereโs a National Theatre live screening of David Harewood (Homeland) and Zachary Quinto (Star Trek) playing feuding political rivals in James Grahamโs (Sherwood) multiple award-winning new drama, Best of Enemies, set in 1968 America, as two men fight to become the next president. This is also showing at the Merlin Theatre in Frome.
Friday 19th: The Reason, are at The Three Crowns in Devizes, and that is never a bad thing! Sarumโs Lot are at The Barge on Honey-Street.
Thereโs funky jazz and soul from the Shilts at the Civic in Trowbridge.
The Mark Harrison Band at The Rondo Theatre, Bath.
2 Sick Monkeys headline The Vic in Swindon, with Borrowed Time, The Liabilities and Room 10, while The Music of Meatloaf can be found at The Wyvern Theatre with Hits Out of Hell.
George Eggโs Set Menu at Pound Arts, Corsham. The South play the Cheese & Grain in Frome, with A Band Called Malice at The Tree House.
Saturday 20th: Find a 75-minute chaotic journey through the minds of two dudes; Jack & Jordan at The Wharf Theatre, Devizes, Lazy Dog Comedy comes to Devizes Con Club, and some edgy folk from Cauteโs Plastic Army at the Southgate.
The Travis Waltons at Heartwork at The Pump, Trowbridge, the wonderful Strange Folk play Stallards, and Martyโs Fake Family at the Wiltshire Yeoman.
The Hi Fiโs at Melksham Rock โnโ Roll Club, Triple JD Band at The Constitutional Club in Chippenham.
Homer at The Bakerโs Arms, Swindon, The Roughcut Rebels at the Swiss Chalet, Faux Fighters at The Vic, Tim Vineโs Breeep! at The Wyvern Theatre.
The Archive of Dread at Rondo Theatre, Bath, with Blurt at The Bell Inn, and Ricky Cool and the In Crowd at Chapel Arts.
Mara Simpson at Pound Arts, Corsham.
But Iโm seriously thinking of crossing the border for our Editorโs Pick of the Week, Big Country playing the Cheese & Grain, with Spear of Destiny in support, amazeballs! Meanwhile Muse tribute Muze plays the Tree House.
Sunday 21st: you can find the Madhatterโs Wedding Fayre at Devizes Corn Exchange from 11am-3pm. From 5pm in Devizes, find the Eddie Martin Trio at the Southgate.
Jaywalkers at The Bell Inn, Bath.
All for the kids at Swindon Arts Centre with Grooving with Pirates, and Pop Princesses at The Wyvern Theatre.
Illyria presents Robin Hood in an open air performance at the Merlin Theatre, Frome.
Monday 22nd:
Pasha Finn & The Ellipsis at The Bell Inn, Bath, and Monday also kicks off SparkFest at the Mission Theatre, running until 27th May, thereโs lots going on there.
Tuesday 23rd:
War of The Worlds at Swindon Arts Centre, Liโl Jim at The Bell Inn in Bath, and an Exhibition on screen at Pound Arts in Corsham, called Tokyo Stories.
And thatโs all folks. Big weekend next time, bank holiday again, and Devizes Street Festival with so much other great stuff going on itโs going to take me until next week to type it all out here! Have a good one, big love, Darren.
Bristolโs fine purveyors of idiosyncratic folk-raving, Ushti Baba, who if youโre in Devizes you might recall played Street Festival in 2022, have a new singleโฆ..โฆ
With an album review in the pipeline for Dad which includes vocals from Sienna, our Swindon princess of melancholic poignancy has a new single, Timeslipsโฆ..โฆ
Our favourite loud Brit-popping local Geordie and gang are back with a second album. Theyโre calling it Gazelles, after the previously released single opener Endlessโฆ
Featured Image: FullTone Festival, Devizes 2023 by Gail Foster Onwards with our look through all the big local events and festivals coming our way inโฆ
The Tedworth Hunt intend to stage a meeting in Pewsey this Boxing Day, despite not making an application to the Parish Councilโฆ.. Their usual meetingโฆ
Suh Gen Z? U might think U is well dank two-footing pensionerโs doors for TikTok followers, n U might think U snatched the kiki, vibing n vaping through a Taylor Swift concert, polishing off a whole bag of Haribo, U total ledge. But I have wig for U about your so-called โboomerโ parents; your slang is wonky at best, mate, they ainโt boomers at all, theyโre more likely the wicked, jilted generation X, and it might just be fact that in a time of yore, before you were a twinkle in your daddyโs dilated pupils, they secretly partied harder, faster and longer in an hour than you will ever hope to achieve throughout your entire life…..
Big yikes, tho, donโt get salty, Iโm not out to diss U, so donโt ghost me, Iโm here to give you the tea on how to find out if your parents were what we deemed in the nineties as โravers.โ
Now, U might assume you know what this entails, but I can assure you, soz, but you have absolutely no clue at all. To rave in the nineties wasnโt clubbing in soft play centres covered in neon glow sticks and daring to drink six Primes, like it might be today. Raving back then was mostly illegal, multitudes gathering in fields and disused warehouses across the UK, all of which wouldnโt pass modern health and safety regulations; but this is only the tip of the iceberg, the rest will knock you the fuck out like you is Chris Rock at the Grammys, and these facts are Will Smith.
Yep, they might be dictating and demanding now, stamping their control over you, preaching right from wrong, and bigging up their own behaviour by comparison, but I ask, how well do you really know them, what secrets might they be hiding about their own misspent youth? Were your parents party to this outrageous trend? Did they gyrate like broken robots with eyes the size of saucers, masticating the shit out of a Wrigleyโs Juicy Fruit?
Here are some tell-tale signs to help you discover if, in some long-forgotten past, your parents made some fucking noise, and if they secretly, knew the score (you may need to Google these archaic expressions):
1: Ask Your Grandparents
Grandparents might hold several clues but may not think it wise to let you in on them. Try asking them about what time your parents would get home after going out on a Friday evening. If they answer โusually around 1 or 2am,โ you are off the hook. If they answer โsometime on Tuesday evening, and then they slept until Thursday,โ then it’s a reason for suspicion.
If fortunate enough your grandparents still live in the same house as they did when your parent in question was young, go to their former bedroom and carefully peel back the wallpaper. Should you discover hundreds of blue smears, that will be blu-tac remains, and it’s very possible they adorned their walls with a thing called “flyers.” These were basically adverts for forthcoming raves. It was the carbon footprint fire insurance write-off done thing at the time, though collecting flyers doesn’t constitute they actually attended raves, it could’ve been a bluff to look cool and gain a shag, but it’s a good starting clue. Take some wallpaper paste to avoid detection.
2: Check for Jawbone Structure and Oral Hygiene
If you think it likely your grandparents would’ve taught good oral hygiene, yet your dad’s teeth looks like someone threw a grenade into Wookey Hole, chances are he was gurning his face off in a field somewhere, long before you were an itch in his โbaggies,โ and this is the aftermath.
Remember, donโt ask why, but the jawbone structure of Johnny Bravo and the teeth of Gollum is your gateway to enlightenment on the issue; I think it best you follow further instructions as your Dad sounds like the kind of right cheesy quaver who were dubbed โthe white gloveโ brigade. Again, it was a thing at the time.
3: Blowdry your Hair and other Audio Clues
More simply, blowdry your hair. If they start dancing to the sound of the hairdryer it’s time to prepare for the worst; it sounds like they were officially on a โpukka one,โ at more than one point in their life.
Attend a football match or other sporting event, should the refereeโs whistle evoke blissful memories and your parents respond thus: โwhistle posse!โ you should be concerned.
4: Shout Outs
Shout out โI’ll take your brain to another dimension,โ from the top of the stairs, and repeat three times. If they reply, โwhat the devil are you on about now, foolish child?โ then youโre back in the safe zone. If, however, in a glorious screech of reminiscence they respond, โpay close attention!โ Then it’s a pretty safe bet Iโm afraid.
Alternatively, you could try the rave mantra, โtop one, nice one,โ and they should respond with โget sorted!โ If that doesn’t trigger them nothing is likely to, and you can be safe in the knowledge they probably listened to boy bands in the nineties, the sad acts.
5: Search for Photographic Evidence and Pop Music Knowledge
Time for some research. You should note your parents are not of your generation who feel the need to photographically document every second of their lives on social media. In fact, pulling out a camera at a rave would be seriously frowned upon, so a decade gap of photographs in the famโs archive of your parents might hold a clue. If all you find are the odd snap of a family occasion, where your parent can be seen snoozing on a sun-lounger in the background with a grin like the Cheshire Cat, or a photograph of them standing next to their XR3i or 3.0 Capri turbo, you should be wary.
Give your parents a pop quiz starting off with chart hits of the eighties, then the nineties. If they come up all chicken dinner with the eighties questions but fail like Joey Essex on Mastermind on the nineties ones, it’s because ravers forgot all about pop hits and chart positions when they first reached for the skies and got mullered at a rave party, fact.
6: Suspicious Purchases
If your mum neglects to buy you the bitesize GCSE maths book you’ve been asking for, but instead gets you a pair of Technics and a mixer, something is definitely amiss, and there’s a likelihood they want you to be the life and soul to a hopeful resurrection of the trend. Say โno, I’m not Carl Cox, I only want to pass my exams.โ
7: The Obvious Final Exam
Only attempt this if your parents have scored high in all the above tests, and never, I repeat never question why; there are some skeletons in closets you really donโt want to uncover. For this final exam you will need a packet of M&Ms, favourably of the plain old chocolate variety. Take the sweets out of their packet, place them in a money bag and offer one to your old folks. The correct response from the average parent should be something along the lines of, โoh, no thank you, itโs very kind, but you eat them my love.โ
However, should your mum or dad respond with a sniff, and a โna, sorted mate!โ itโs pretty much concrete that your parents have had equal if not more โrave accessoriesโ than Bez of the Happy Mondays, (Google him and prepare yo bad self.)
The bottom line is to never worry too much about it, okay so your parents were hardcore, but you do not need counselling, itโs not biggie, really; just ensure they are comfortable and never throw out any of these things pictured below. They are called cassette tapes, and they might be the only fragments left of a long-forgotten youth culture very sentimental to them. You should note, the times were vastly different from today, we had an economic recession and were dictated to with an iron fist, by the last desperate attempts of a failing conservative government, but at least we didnโt have Ed Sheeran. You cannot judge your parents by the order of things today, this is not Minority bloody Report.
Samuel Beckettโs existential work is performed in the round this week in Bathโs Mission Theatre, by the Playing Up Theatre Company…..
โGive them enough rope and theyโll hang themselvesโ โฆ. Beckettโs rope is superbly used by the company to great aplomb as it happens. Gogo (Matt Nation) and Didi (Darian Nelson), have no rope to do so whilst wanting to, while Lucky (Sam Fynn) and Pozzo (Jack Strawbridge) do have rope but no suicidal tendencies. Godot naturally never appears although his messenger (Scarlett Nation) delivers his tardy apologies.
These five perform on a traditionally sparse set, with cunning use of lighting for the tree, accompanied by two large rocks and two entrances to frame the action. Heavy winter clothing sets the season. Sophie Brookesโ direction does the rest, ably supported by Richard Chiversโ tech.
โGodotโ is fundamentally a five-person, two-hour โmonologueโ. Itโs word heavy, with little flow โ โNothing happens, nobody comes, nobody goesโ. It has challenging scenes of slavery and abuse. Large parts of it are difficult to fathom. But the company provides a phenomenally slick production that avoids turgidity. This is community theatre at its very finest โ professional qualities abounding. All characterisation is stunning, the gibbering loon of Lucky especially โ disturbingly – so.
โGodotโ ran until Saturday 13th May. The only question you needed to ask is โShall we go?โ. But now like our eponymous heroesโฆ donโt moveโฆ
Featured Image: Colin Rayner Photography It wonโt be long before the only Quality Street left in the tin are empty wrappers and those toffee pennies noโฆ
By T.B.D and D Rose for Devizine.The author can be reached at housetyg@gmail.com This month the historic Cooper Tires factory in Melksham which began theโฆ
If The Southgate is Devizesโ finest and most reliable pub music venue, it’s usually favoured by an adult crowd. Yet it’s without doubt that Nothingโฆ
Something I was trying to skive off doing this year, being time consuming, is a local Christmas shopping piece, but then this terrible roadworks situationโฆ
I’m enjoy Monday’s stream from the wonderful Visual Radio Arts, recorded right here in Devizes. They’ve been hosting some great shows recently, from Richard Wilemanโฆ
Friday night saw the launch of an entirely new musical experience from good old Devizes Townโฆ โThe Four Sopranosโ….
Attendees at the full house in the Town Hall may well have been familiar with those in the quartet alreadyโฆ Jemma Brown, Terรฉsa Isaacson, Lucia Pupilli and Tabitha Cox. Yet whilst they certainly have historical and ongoing connections with โThe Invitation Theatre Companyโ and โThe Fulltone Orchestraโ, nonetheless โThe Four Sopranosโ are a separate entity in their own right; four friends coming together to perform something presented a little differently for audiences to enjoy. As Lucia says, โWe have worked on the harmonies collaboratively, we didnโt want to just take them off the shelf and let people hear what they might have heard before, itโs been a fantastic way of working, but is also hard work โ but it means our sound is absolutely oursโ. And I can confirm it absolutely is.
Doing what their name says on the tin, โThe Four Sopranosโ were exactly thatโฆ four talented and musically excellent sopranos, delivering a widespread program of harmonic song, from opera, stage, film and popular music, sung in harmony โ as per the above!
So what of the show? The foursome started with a couple of crowd favourites โ two numbers from โLes Misโ; โI dreamed a Dreamโ and โStarsโ. It is true there were some nerves showing โ but understandably. A new venture, a new idea, a new approachโฆ but with these two songs under their belt a noticeable lifting of confidence, a collective โwhatโs going on โ letโs get over itโ so to speak was evident. And the rest of the show delivered with verve, panache and oozed with the talent before us.
The Musical Theatre genre continued with โSomewhere over the rainbowโ and โYouโll never Walk aloneโ. Followed by a change into a more classical and operatic tone with solos and duets, Terรฉsa with Gounodโs arrangement of Ave Maria, Lucia โ a fluent Italian speaker in her own right โ with O Mio Babbino Caro by Puccini. And โSullโariaโ by Mozart performed by Lucia and Tabitha plus Delibeโs โFlower duetโ. Our quartet finished off a whirlwind first half with numbers from โPhantom of the Operaโ and โMy Fair Ladyโ.
Photo by Gail of Devizes
The second half followed in similar veinโฆ I wonโt bore you any further with lists of songs performed and if you want to find out what they were youโd best get to one of their gigs! I will add that Tabitha and Jemma also performed solos โ with โNever Enoughโ from โThe Greatest Showmanโ and โShe Used to be Mineโ from โWaitressโ respectively. Other than those two, needless to say it was just more high class, perfectly delivered songs from film and musical theatre including the breath-taking four voice rendition of Adeleโs โSkyfallโ.
It would be remiss of me to not say that the eveningโs performance was accompanied by the hugely talented pianist (and all-round musical virtuoso!) Dominic Irving, whose ivory tinkling was sublime in itself. And making a rare appearance for him of facing the audience rather than with his back to them, Anthony Brown charmed as the eveningโs ringmaster.
So there we had it โ a whistle-stop tour of music from multiple genres, in a beautiful building, created uniquely by four maestros of their art. What more do you want? Well, for a startโฆ chances to see more of them thatโs what!
You can catch all four next Friday night as it is, in Cheltenham Town Hall, including reprising โSkyfallโ and โSomewhere over the rainbowโ – amongst many other wonderful pieces of music including the phenomenal choral piece โSymphonic Adiemusโ by Karl Jenkins; see the link at the bottom for ticketsโฆ and keep an eye on the Facebook page for โThe Four Sopranosโ for more dates and news in the future of course.
From tiny acorns do mighty oaks growโฆ or words to that effect. And on Friday evening we saw one such acorn plantedโฆ.
So yeah, I thought Iโd be funny by commenting โcanโt waitโ on Chippenhamโs upcoming folk singer-songwriter Megโs Facebook post announcing her latest single, because, youโฆ
Featured Image: Colin Rayner Photography If Iโve recently been singing the praises of arts diversity in Bradford-on-Avon, centred around the Wiltshire Music Centre and notโฆ
To look around our beautiful landscapes youโd be understanding of visitors who assume itโs a barren outback with nothing going on, but we know different;โฆ
Cyclists of all abilities are invited to ride with our inspirational fundraiser, Carmela Chillery-Watson on their very own Wonder Wheels Cycling Challenge 100km around Wiltshire.…
Carmela, who has LMNA congenital muscular dystrophy, a very rare, progressive muscle-wasting condition which affects just one in a million children around the world, relentlessly continues to raise awareness and vital funds for the cause. She is, in short, the most inspiring person I’ve ever had the pleasure to meet, and has fast become an instantly loveable public figure through her sheer determination and drive to highlight the condition of muscular dystrophy.
The condition is likely, in time, to affect Carmelaโs heart and lungs and is also very likely to be life-limiting. Some children with this condition do not survive their childhood or teenage years, while some, with the help of specialist intervention, live into adulthood. However, there is no cure; Carmelaโs family is intent on raising funds to help further research into treatments and a cure, to help children affected, including Carmela, to enjoy a longer life.
Itโs completely free to get involved in the Wonder Wheels Cycling Challenge, but Carmela asks you to try to raise at least ยฃ150 in sponsorship, this could help improve the efficiency of clinical trials, meaning they can reach more people and get results quicker.
If you’re thinking, whoa, Nellie, 100K is too much, there are other ways to Join Carmelaโs Wonder Wheels Cycling Challenge. You can join in on the 2nd July by doing a 10k at Daunstey School, starting at 9am where they have a track suitable for bikes and wheelchairs.
You could also do your own 100Km, or 10km a day if the full distance is too much, at a more suitable date and route, any time in July and set up your own JustGiving page linked to Carmela’s Charity Research Fund.
To register for any of the options click here to sign up, this will take you through to a registration page so that you can support Carmela and research into LMNA congenital muscular dystrophy.
If you can, please join the Wonder Wheels Cycling Challenge, and make a real difference for children affected by LMNA congenital muscular dystrophy. If it all sounds far too energetic for you, I know, I hear you, there are other ways to support the cause.
Recently Carmela has set up a Muscular Dystrophy Buddy Bear campaign, where you can sponsor a teddy bear for a child with muscular dystrophy. Speaking from experience, Carmela explains how she was scared and crying at all the hospital appointments and tests, and first discovering she had muscular dystrophy, so Buddy Bear aims to provide comfort for younger children in a similar situation.
Registration is still open to sign up for Wiltshire Wonder Wheels, and closes on 1st June 2023. Entries for 100km across Wiltshire are closed but 100km and 10km around Dauntsey’s athletic track are still open: 250 laps for 100km or 25 laps for 10km. There is no age limit or restrictions on abilities, even wheelchairs and adapted bikes.
Okay, the kingโs bank holiday is over, put your bunting away itโs turning into soggy mush now! Onwards to whatโs happening across Wiltshire this coming weekโฆ..
As usual, find info and links on our event calendar HERE. But do check in on the calendar throughout the week as updates will be added when they come in, and are not included here. Itโs the conflict between getting this out there as early as possible for tickets to ticketed events, and balancing this with the smaller venues who will sporadically put up a social media post on Thursday night! So, itโs not comprehensive, just a guide, check a check on the calendar.
Ongoing, lucky you if you have a ticket for the Railway Children at the Wharf Theatre, which is nearly sold out, and running until Saturday. We reviewed it here.
Also find a review HERE for Hail the Curious alternative art exhibit at the newly opened Forbidden Carnival in Chippenham, go see this!
Wednesday 10th, and thereโs the usual Acoustic Jam at The Southgate, Devizes.
Anu Vaidyanthanโs BC:AD – (before children, after diapers) at the Rondo Theatre, Bath. Hang Massive at the Cheese & Grain, Frome.
Broken Robot Production Presents Britainโs Got Talent finalist, Magical Bones at Swindon Arts Centre, and Tony Blackburn brings his Sound of the Sixties to The Wyvern Theatre.
Thursday 11th Spare Snare with Ravetank at The Pump in Trowbridge.
Mark Simmonsโ Quip off the Mark at Rondo Theatre, Bath.
Modern Evils & Cosmic Ninja at The Vic in Swindon, Good Habits at the Tuppeny, with Johannes Radebeโs Freedom Unleased at The Wyvern Theatre.
Friday 12th sees The Four Sopranos at Devizes Town Hall, and The Unpredictables at the Condado Lounge. SynthCity plays the Bear in Marlborough.
Bath Festival starts Friday, running until 21st May, lots to see and do there. Rock the Tots are at the Rondo Theatre with some One Hit Wonders.
ZZ Topped at The Vic in Swindon, Suzie Ruffell at Swindon Arts Centre.
Gary Davis BBC Sounds of the Eighties at the Cheese & Grain, Frome.
Saturday 13th is the annual Stert Country House car boot sale near Devizes, for Cancer Research. Rock Hoppaz at The Three Crowns, Devizes that evening, The Duskers at The Southgate, Ben Borrill is at the Moonrakers, and Slade tribute Sladest at the Cavalier for a Devizes Scooter Club night.ย
Static Moves play The Barge on Honey-Street, Trash Panda at The Lamb, Marlborough, @59 play the Bear.
Scott Doonicanโs Bar-Stewards Sons of Val Doonican is at The Pump, Trowbridge; long since sold out Iโm afraid; youโve got to keep scrolling through our event calendar, and be quick!
The Green Man Festival in Bradford-on-Avon, free, see poster below.
Simon Munneryโs Trials & Tribulations is at Rondo Theatre, Bath
Alasdair Beckett-King at Swindon Arts Centre.
XSLF at the Tree House in Frome, Eric Bibb at The Cheese & Grain.
Sunday 14th sees Avebury Artisans Market, and a Wellbeing Nature Day at West Lavington, and Jack Grace Band is at the Southgate, Devizes from 5pm.
Monday 15th I have nought, nada, let me know if something crops up!
Tuesday 16th is Poetika 111, The Great Outdoors at The Winchester Gate in Salisbury,
Anton De Beke & Friends at The Wyvern Theatre, Swindon, and the Pretenders, yes, I said The Pretenders, at the Cheese & Grain; wowzers, every town needs a cheese and some grain, donโt they?!
Looking forward for needy speedy timely ticket takers, Thursday sees folk dance fusion at the Pump with The Drystones, and Lulu come to Swindon, Jack & Jordanโs Sketch Show at the Wharf in Devizes on Saturday 20th, and Lazy Dog comedy comes to the Devizes Cons Club, Big Country at The Cheese & Grain. So much more going on, all you gotta do is keep scrolling, and have a great week.
How did you celebrate your seventeenth birthday? Did you pop up to Glasgow to accompany The Charlatans, on bagpipes, at the historic Barrowlands ballroom, andโฆ
Photographs by Simon Folkard Astronomical winter starts on the 22nd December, yโ know, but the Met Office uses a meteorological definition of seasons, making theโฆ
Wiltshire-based charity, Wicked Weather Watch (WWW), is looking to expand its innovative approach to climate education with their upcoming Big Give Christmas Challenge campaign….. Theโฆ
Everything to do in Wiltshire this coming week, right in one handy listing, you know the drill, jump to it, preferably before putting your Christmasโฆ
Director Freddie Underwood and the cast of The Railway Children absolutely smashed it last night at Devizes’ Wharf Theatre, and that’s coming from someone who doubted it would be their cuppaโฆ..
Said doubt derived from the social expectations and restrictions of my own childhood; aware of the Railway Children film, it just wouldn’t have done to have watched something I’d deem “girly,” and outdated (the film from 1970;) imagine the teasing from my elder brother, and I’d dread to think what would’ve transpired if my school friends found out! Though, at a younger age I relished in children’s period drama, of Enid Blyton, The Velveteen Rabbit, and archaic representations in The Beano comic where teachers still wore mortarboards. But by the grand age of ten plus, there were expectations of me to rather indulge in “boy’s stuff;” The A-Team, Monkey Magic, and a series with a talking car!
Coincidentally, much of the context of the Railway Children deals with social expectations and reputation, yet in a far stricter Edwardian era in which the book was written and set. A fairly affluent London family is uprooted to Yorkshire when the father is unexpectedly taken away by his employers at the Foreign Office. While the mother deals alone with the grief, the social etiquette of keeping the reasons secret from the children only shrouds the affair in mystery. Dealing with newfound poverty and cultural differences between London and the North, the mother and particularly the three children take a few hard-knocked lessons in the mannerisms of the working class.
Yet it is in the misadventures the children engage in, willfully upstanding by all modern reasoning, which the emotional roller coaster evokes the most prevalence and where lessons are sorely learned, yet in turn, sees their father acquitted from the accusations of spying. Not only dealing with the social ethics of the rich/poor and north/south divides, the two eldest children also contend with the issues of coming of age without a father figure.
But its beauty lies not from the genius plot, rather its point of view taken from a children’s innocence perspective. In this, the three children are the only ones allowed to break the fourth wall, as their excitable narration is so cleverly blended with the happenings. It all makes for a highly emotional ambience and thought-provoking mood. With minimal props or effects, the flow feels as imaginative as in the mind of a child. Of course, this couldnโt be carried off with such precision without the need of some top class acting, and herein is the icing on the cake.
The side characters are played enchantingly, Mari Webster as the emotional mother, the kind hearted well-to-do nature of Wharf boss John Winterton as the old gentleman, and the bubbling pomposity of Jon Lewthwaite as the doctor are all played superbly, but it’s within the comical hard-knock mannerisms of station master Perks and the amusing bumbling of the Russian exile Mr Szezcpansky which this play really shines, played with certain skill by Debby Wilkinson and Ellie Mayes respectively.
The play hinges rather on the three protagonists, the children, and, for me, this made it the breathtaking experience it was, plentiful to revert any preconceived doubts on their head and go for broke that this is the best performance I’ve seen at our wonderful Wharf Theatre so far.
Both the eldest child, Bobbie, and middle boy Peter, played immaculately by fifteen year old Katy Pattinson and twelve year old Poppi Lamb-Hughes, just oozes delight and believability by their dedication to the parts and the divine proficiency in which they carry this off. It is with such utter conviction I had to duck back into my car straight afterwards, because as such talented actors it would be impossible to imagine these two as anything but the Edwardian children they were portraying. Ergo, the chance to meet and witness them chatting as usual twenty-first century kids I feared would’ve broken their perfected illusion!
If Bobbie and Peter deal with the conflict of expectations versus growing up and their confusions between what’s right and wrong while everything they expect praise for seems to be returned with reprimand, and equally, anything they seem to do right is hastily turned on its head by the misunderstanding of working class etiquette, the absolute icing on this performance’s cake is without doubt the comical element of the far more carefree youngest child, Phyllis. Influenced by both older brother and sister, she plays the two against each other, and charms all with gusto, wit, and risk taking, just as the typical youngest sibling tends to do!
The mechanics of the part of Phyllis is where this play could have taken a nose-dive, for this surely needs a certain something, a sheer sparkle. And that star is fourteen year old Jessica Self. Simply put, Jessica’s acting ability is sublime, of West-End/Broadway level already. She cam charm when charm is needed, evoke emotion and amuse at the drop of a cue.
Since returning last night I’ve been pondering two possibilities, the first being this part was made for her, but I’m tendering towards the latter possibility, that Jess has the natural skill to become whatever character she is given. I gave thought to the best movie actors, of Dustin Hoffman, of Tom Hanks; how you cannot imagine the persona of the real Tom Hanks through the character he’s playing in each and every film he becomes. I similarly cannot imagine Jessica as being anything like the cheeky girl of Phyllis, rather an imminent actress of boundless talent.
This combination of genius plot, perfect direction and the wonderful acting of particularly Katy, Poppi and Jessica, makes this a delightful, thought-provoking marvel. But you need to hurry as this is near sold out, as expected and deserved.
Another landmark performance at our wonderfully welcoming and devoted little theatre, the pride of arts in Devizes. And if it’s the family oriented ethos you love about it, note it is director Freddie Underwood’s eighth production here, the first time she’s directing her husband Chris, who plays the Father, and of whom she fell in love with during a performance together at the Wharf, and their nine year old daughter Gigi, who is named after said play, and appears in the Railway Children as the child of the station master, Perks; I mean, unless you’ve a grandad you could find a walk-on for to make it a hattrick, you cannot get much more family-felt than that!
Virtual bouquets thrown, then, to all involved with this fantastic show from someone who, if they had Steven Crowder’s “Change My Mind” Campus Sign meme template in the eighties may’ve added “The Railway Children is soppy girly mush!” As you did change my mind, with bells on!
In strict contrast to the synopsis and setting of the Railway Children, the upcoming Girls Like That is the next production I’m advising is unmissable, my preview here. Find all forthcoming events at the Wharf Theatre on our event guide and at their website.
Long Street Blues Clubs’ offering for the coronation weekend.. Kyla Broxโฆ..
The bunting is still up for those keen to celebrate, personally I was looking forward to this gig as the crowning moment in my Saturday, and I was not disappointed!
Opening up proceedings the ever-excellent and irrepressible Tom Harris. Tom has โWritten hundreds of songs and released none,โ he quips before launching into a great set with lots of original songs.
Three Word Slogans, my personal favourite, a genius political anthem.ย Should be released digitally come local election time, such is this song’s genius.ย
An observational rhyme on the hollow meaningless billboard contradictions of the (I agree with him!) broken political systemโฆ
Classic blues material frankly but delivered in Tom’s moderately manic and good humoured manner. With a disclaimer that it wasnโt necessarily aimed at conservatives..! (Editor’s note, you are in the Conservative Club, after all!) A local gem you are only likely to enjoy by getting out to pubs and venues like this.
Kyla Brox,ย the main event, I wanted to see this lady for a good while; friends had advised me this was an essential gig for me.
Iโve had the album Pain and Glory for some time, and my anticipation of what that record would indicate with regard to a live experience was not wrong.
Kyla attests her incredible voice and total embodiment of soulful blues to singing in her father’s band from twelve years of age;
no surprise, you donโt just learn to embody soulful blues to this standard, it seems to me like that would require those musically enriched genes and history.
Proudly sharing a little of her family and musical history in passing on stage, you realise very quickly this phenomenal voice has been nurtured over a lifetime, not forced and it shows in the stunning, natural way she sings from the heart.
I feel like I am a little late to the party here, my first time seeing this band live, a good few old friends in tonight by the looks.
Hats off too, to her sensational band, painting the scene for the stars’ vocals.
Superb musicians all.
An outstanding gig, I was enthralled from start to finish, โ Queen of the UK blues sceneโ as Iโve read elsewhere, not an overused moniker for a coronation day gig, a reflection of the musicianship on display.
Absolutely bowled over and will be making sure to see her again.
Thank you to Long Street Blues Club for continuing to bring the best bands from across the blues scene to Devizes.
Alongside fellow artist Rae Melody from Chippenham, and dressed as a clown, Warminster artist Sarah Christie greets the curious and art lovers at the door of the newly opened Forbidden Carnival, long-time aspiration of homegrown Wiltshire alternative artist Si Griffiths. Inspiration strikes and she excitedly elucidates a blossoming idea on the topic of circus….. I went in, they had cake…...
I also found great conversation with Bristol-based artist Jimmer Willmott, who was proudly loitering around his own canvas, capturing an exceptionally dilapidated caravan, graffitied and amusingly adorned with a โfor saleโ sign. The opening night of the show, Hail The Curious has my mind pondering, being we were taught art history in movements, what exactly is the movement of now, and if there is one, is this it, alive, well and driven to Chippenham by the enduring and prolific force which is Si Griffiths and his associates?
Wikipedia labels it โcontemporary art,โ and denotes itโs not to be confused with โmodern art.โ It describes it as a movement, in โa globally influenced, culturally diverse, and technologically advancing world,โ with a โdynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries already well underway in the 20th century.โ In layman’s terms itโs a blank canvas void of rules, something the Dadaists conceptualised over a century ago so hardly ground-breaking. Yet also, as a concept shrouded in pastiche and often satire, it is indulging outside influences akin to what we see in all media, from music sampling to reworking of classic films.
Though it is, akin to modern art, postmodernism, or pop art, a rather ineffective name, which will one day suffer from not being contemporary at all, as โpopโ art is hardly as โpopularโ today as it was when conceived in the mid fifties. Agreeably though, itโs a basis of what I see here, as I browse diverse methods and subjects the only thing combining them is curiosity and alternative thought, the mood varies intensely from the fantastical forbidding worries of Montague Tott and the poignancy of Mike Longโs โOne Million Poppies,โ to the brain-curdling comix art of Guts and comical outlandishness of David Russel Talbot, carried off in Victorian book illustration style. It is an anthology of craziness, a feast for your eyes, sir.
So, what is great about the here and now, and firmly accounted for in Forbidden Carnival is the overwhelming notion that art defends itself from the onslaught of technology by being of a level of creativity and method artificial intelligence cannot contend with. Because AI needs the outside command prompt, whereas Sarahโs lightbulb moment, or Jimmer enthusiastically expressing his thoughts when he painstakingly painted each line of said caravan, are organically composed command prompts induced by abstract observation, a challenge pop art never had to contend with. With the exact prompts, AI could recreate anything Warholโs Factory knocked out, on a Samsung phone in seconds and still plaster you with adverts while doing it.
Thereโs two ways to overcome this battle between the infinite monkey theorem and so-called artificial intelligence; revert back to a period of realism and paint a pragmatic portrait or landscape, which duly seems to be a backpedalling trend around these backwaters and something commented on amidst this gallery of divine curiosity, or face the challenge head on, as is exactly what we see here.
Here, all the artists are independently devising a new wave of incorporating cultural influences, the bizarre and surreal, graffiti, circus and carny lifestyle, comic book art and anything else they deem appropriate to throw into the melting pot, in a manner so far unseen.
In this I partially take back my rather inept observation in my preview of this show, pigeonholing Sarah Christieโs work โfeminine Litchensteinesque,โ as I see now thereโs far more layers to her work than preconceived, as while Litchenstienโs blagged comic panels could be reconstructed by AI, Sarahโs work though similarly inspired by comic-book art couldnโt, as they offer originality and sly humour; one lady viewer giggled at the term โmansplainingโ on one of her works, and in earshot, with my penchant for ironic overstatement I suggested my daughter had to explain the meaning of the slang!
Now, see, you cannot induce conversation like this with a throwaway AI image, anymore than you can gaze outward and zoom your eye in to pick out hidden details of anything on display here; hold on, there’s a mysterious pair of eyes in the window of Jimmer’s caravan, I could’ve seen this picture on social media a thousand times at not picked it out! I give particular reference to the mind-blowing cubist graffiti work of Miller, his Clokhous piece had me induced for an indefinite time, just gazing into it, picking it out the chosen angles and discovering their subject from the delineating separate image glued onto it, thinking why Pablo Picasso never thought of doing that!
If you want to browse antique shops for a pretty local landscape, you go do that, this is not for you. But should you wish to divulge into a realm of bizarre, of unexplored territory which dips your little toe into familiar waters, than chucks you straight into the deep end with a swirling splash of artistic outpouring, colour and the wary amusement of a meld of ghost train and hall of mirrors, then this circus big top of art is for you, and you only need to get yourself to Chippenhamโs market place to do so. Open Saturdays and Sundays, 10-3pm, and also by appointment.
Intriguing and divergent is my two word summary of the latest exhibition at Devizes’ Wiltshire Museum, from one who grew up with first-hand second Worldโฆ
Devizes celebrated rum bar, The Muck & Dundar are hosting a dub reggae night with Omega Nebula on Saturday, and received this weekโs prestigious awardโฆ
This week the organiser proudly presented a cheque for a whopping ยฃ9537.75 to Prospect Hospice staff. The third year of My Dadโs Bigger Than Yourโฆ
Contemporary folk rock in the UK tends to come in three formats which never the twain shall meet, usually. Firstly you’ve got your acoustic goodnessโฆ
If our ground-breaking heroes of boom bap, the Scribes bring the noise during live performances and bless any venue with crowd-pleasing positive vibes, yet areโฆ
Snotty nose, change of weather, otherwise Iโd have dragged my sorry ass down to Underground, formerly Level III in Swindon for last weekendโs Children inโฆ
Chansonnier Yorkshireman Jake Thackray is paid tribute in Pewseyโs Bouverie Hall on May 26th by fellow Yorkshireman John Watterson, aka โFake Thackrayโฆโฆโ
An adopted YorkshiremanJohn Watterson, grew up on the Isle of Man, which is where he first met Jake Thackray in 1975. Recalling the performance at his local folk club, which John explains, โhad the audience in stitches,โ chatted with a very modest and self-deprecating Jake at the interval, describing him as โa big man and a huge talent, clearly embarrassed by the standing ovation, Jake preferred to have a pint at the bar with the punters and didnโt really see what the fuss was about.โ
Influenced by the likes of Jaques Brel and Georges Brassens, Thackray wrote and performed unique folk songs recognisably rooted in the English countryside, at times painfully funny, yet often sad, tragic, rude, irreverent, and incisive, and all these things at the same time. His performances in folk clubs led to appearances on The Frost Report, Braden’s Week and That’s Life. In nearly thirty years of performing he made over 1,000 radio and TV appearances ranging from a topical song in magazine programmes to broadcasts of live concerts on both radio and television. His EMI catalogue produced seven albums between 1967 and 1991.
On learning of Jakeโs passing in 2002, John decided that the songs were too good not to be kept alive, so he set about learning more of them. Performing them at a memorial evening in Monmouth, and John is currently researching and writing a biography on Jake with the help of members of the Thackray family. This is where tribute act really takes on a favoured notion of true homage, his appreciation and love of Jake Thackray’s music reflects in this show he has toured with Fairport Convention nation-wide tour, and has performed twenty shows at the Edinburgh Fringe. He has also been delighted to support Ralph McTell, Richard Digance, Vin Garbutt and many more of his music heroes.
Tickets are ยฃ12.50, and include a light supper in the interval. Available from Around the World, Woottons and the newsagent in Pewsey (cash only please) Or call 07876 230 540.
Residents from communities across Swindon are organising another show of solidarity with the people of Palestine….. They are inviting everyone to join them at 2pmโฆ
Steve Vick International (SVI), a leading innovator in pipeline engineering solutions, is thrilled to announce the renewal of their sponsorship agreement with the Wiltshire Musicโฆ
Boo! Weโve got everything to do in Wiltshire this coming week, leading us into Halloween and the end of the monthโฆ..as we always doโฆ.boo! Itโsโฆ
Creators of original music who may psychologically build a hierarchy with them atop, tribute acts on the bottom and cover bands hovering somewhere between, tendโฆ
4Youth (South West) are pleased to announce the beginning of a 2.5 year street-based youth work project based in Devizes, Wiltshire on Monday and Thursdayโฆ
Gliding through October at colossal speed, with temporary bursts of cold spells hinting winter at us, and some, some I repeat, faintly whispering the Cโฆ
A quick one from me today, offering our congratulations to our new writer, Helen Edwards from Devizes, who read out her poem โMotherhood,โ on BBC Wiltshire this week on James Thomasโs Upload show. โIt was fun,โ she told us, โexcept my phone started ringing!โ
Listen here from the BBC website, or Soundcloud link, here. I love writing, but poems, hum, something about bacon, not to mention Iโm an absolute bag of nerves on radio! The article on the Bournemouth Writing Festival Helen mentioned is here too, and this one worked both ways, also inspiring Helen to write. Well done you, and we look forward to hearing some more soon!ย ย
Escaping the Vizes for a second week on the trot, I found myself back down Trowbridgeโs lovable Pump, but if last week it was all comedy hip hop, kazumpet and washtub bass, tonight was going to be a smidgen more seriousโฆ. Understandably concerned Iโm going to be part of the furniture at Wiltshireโs finest alternativeโฆ
Everything is awesome upon hearing that Devizes Library is hoping to start a regular Lego Club, and they are asking folk to donate unwanted Lego to the causeโฆ.. I understand and fully sympathise, itโs a tall order for any Lego fan of any age; parting with Lego is like taking a limb! But I absolutelyโฆ
Lucky For Some Andy Fawthrop We donโt believe in all that Friday The 13th unlucky malarkey, do we?ย Still it was unusual to be at Long Street on a Friday night, rather than the usual Saturday, but sometimes you just have to go with the flow when the big names like this are on tour.ย โฆ
Devizes Town Councillors voted unanimously to adopt a Single-Use Plastic Policy and appointed Councillor Vanessa Tanner as the Plastic Free Champion for the town, at a planning committee on Tuesdayโฆ.. The policy includes measures to reduce the amount of plastic used in the town, starting with the Town Council buildings. Officers and Councillors will workโฆ
An early and rarely-performed play, ‘Two Gentlemen of Verona’ has feisty heroines, lovelorn & bickering young men, dictatorial parents, foolish suitors, cross-dressing, letters galore, wild outlaws, witty servants, a big fight, and a lugubrious clown with a dog, and Shakespeare Live are touring Wiltshire with it, So buyeth thy ticket f’r the p’rf’rmance…. Shakespeare Live,โฆ
Here I am again, like Huey Lewisโฆ..with the news. No national headlines though, no, thatโs all too depressing, just the lowdown on things to do this coming week across our gurt lush county of agricultural rolling downs, neolithic monuments, and a seemingly endless succession of Greggs bakeriesโฆ.. Okay my little sausage and bean melts, pleaseโฆ
If my Saturday’s entertainment at The Pump was decidedly offbeat and a tad bizarre, what with chap-hop, pith helmets and vintage jazz played through a washtub and kazoo, back in Devizes vast crowds turned up at Long Street Blues Club for something altogether more traditional, east coast US rock, of the highest gradeโฆ.. While, yes,โฆ
Every weekend there’s a dilemma on what to do, but one thing for sure, I’ve been busting to get back down The Pump like an ale tester needs a wee breakโฆ. Far from the name-dropping star-studded spacious venue of hipsters, The Pump is a renovated shack in Trowbridge blessed by vintage instruments as dรฉcor, andโฆ
30 Years of The White Horse Opera Andy Fawthrop Such a pleasure to see White Horse Opera back in the saddle again after their illness-affected production of Donizettiโs โLโElisir dโAmourโ at Lavington School last October had to be part-abandoned.ย Tonight the cast were all dressed up in their finery and, I have to say, scrubbedโฆ
With a wide selection of family-friendly and retro board games, RPGs such as Magic the Gathering, Warhammer and Pokรฉmon,ย and serving tea, coffee, cakes and, oh, pick n mix too, Retro Relics games cafe opens to the public tomorrow, Saturday 7th October, in Woodlands Yard, Market Lavingtonโฆ.. By the power of Grayskull, Lavington will have itsโฆ
Wednesday, song of the week time, and itโs some smooth jazz from Bristolโs finest purveyors of looping rhythms and upside down chickens, Snazzback. Stokes Croft Sleep Clinic is from the forthcoming album Ruins Everything, and it gorgeously trickles over halfway, building layers until the evocative vocals of Tlk meld to complete the effect. So incredibly cool Iโm horizontal!
Wiltshire Council are asking public transport users, residents, businesses and visitors in the county to take part in a public transport review, to help shapeโฆ
Righty-oh, no time for messing about, weโve lots to get throughโฆ. What have I become?!! Thereโs always time for messing around. Hereโs a snapshot ofโฆ
Devizes teenagers from Wiltshire Army Cadets recently gave up their Saturday morning to help with a community gardening project on Windsor Drive in Devizes….. Theโฆ
Featured Image: Gail Foster If the most popular band to come out of Devizes recently, Nothing Rhymes With Orange are really gathering pace and attentionโฆ
The Winter Solstice at either Stonehenge or Avebury remains one of the most awaited Pagan celebrations of the year, with thousands of visitors gathering toโฆ
Long overdue is our annual poking our nose into Devizes Scooter Club, see what peaky blinders theyโre pulling off, including of course, the Devizes Scooter Rally 2023; because no matter what the people say, this sound leads the wayโฆ..
While Iโd half-heartedly shrug at critics giving it scooter rallies can be a niche market, retrospective lager-fuelled skinheads admiring each otherโs hairdryers in an overgrown field while some northern soul DJ spins his 7โ rare grooves, this is where Devizes Scooter Rally differs from the status quo. Of course, appeasing the diehards who will trek vast land to amass at such events is crucial, but on its third year, Devizes Scooter Rally never feels insular, rather itโs the genuine article, affordable fun and welcomes curious townsfolk and those who may only have a passing interest in the scene. That’s its beauty, and long shall it be so.
You only have to check the interest when the club ride the carnival parade looking dapper in suits and braces, to note this is more than a retrospective cult; the merger of youth cultures of yore, the mod, the soul boys and skinheads and all inbetween is something impossible for those caught up in to let go off, simply because itโs irresistibly beguiling, and fun. To relish in soul and reggae of yesteryear is valid, as all mainstream pop since relies so heavily on its influence.
So, weโre talking the weekend of 28th-30th of July, when the club invites all to gather at Lower Park Farm, just off the dual carriageway on Whistley Road, where scooters will be on show, and will ride out no doubt, but thatโs not all. Activities for the children will be added, with food stalls and of course, the bar! And all raising funds for such a wonderful organisation, The Devizes & District Opportunity Centre, our most fantastic pre-school for children with disabilities and learning difficulties.
Expect legendary Northern Soul DJ Terry Hendrick of the Soul Pressure sound system to be spinning tunes between bands, and the bands are, a reunited, I believe, Killertones, the perfect ska outfit of Cath and Gouldy from Sound Affects and the Day Breakers, who are stalwarts on the local scooter scene. Those trusty Roughcut Rebels, who never fail to bring the party with them, as is their era-spanning repertoire of anything from swinging sixties to Britpop.
The other locally-based act is perhaps the wildcard; Trowbridgeโs 41 Fords play with all the vigour of ska, but are decidedly more rockabilly with a dash of scrumpy & western folk. We fondly reviewed their debut album Not Dead Yet, last month. Hereโs a shining example of what I mean about the congenial and welcoming mesh of subgenres youโll find at Devizes Scooter Rally, see, rude boy? There were no mockers in eras past, theyโd have been fighting each other! Thus the scenes merge and itโs a one love happy aura for everyone to enjoy as, which is ironically the entire ethos of reggae and soul in the first damn place!
And reggae Iโm certain youโll find there, of the boss variety of yore, predominantly, and of course itโs predecessor ska, which though saw a second generation influx through Two-Tone in the eighties, thrives today on the scene. Now, if you know me, youโll know Iโm something of an aficionado of this, and seen many a great ska band; Orange Street, named after the location of Duke Reidโs legendary Kingston studio, Studio One, are one of the tightest ska bands Iโve witnessed, blowing my socks off at the inaugural Devizes Scooter Rally in 2019; having them return is the icing on this cake.
Going in blind for the last two in the line-up, first, Sharp Class, with a corporate identity akin to The Jam causing me to ill-conceive it would be an old bunch of mods knocking out Jam and Merton Parkas covers. Rather this young, fresh-faced London-based trio have a sharp image, hence the name, and original songs grounded in realism and spattered with an English essence. Merging punk and soul into power-pop and Britpop, they claim. Theyโve recently released a debut album โTales of the Teenage Mind,โ and are set to tour Boston this month, but you can say you saw them in Devizes!
And the Butterfly Collective, Southampton based ska, soul and mod covers and originals five-piece, heavily influenced by The Who and the Mod/Rock fraternity including Oasis, Ocean Colour Scene, Kinks, Small Faces and The Hiwatts. They have become a renowned band within the Scooter and music scenes across the U.K. Being The Devizes Scooter Club tend to evaluate their lineup based on past experience touring other rallies, Iโm assured weโre in good hands, and this weekend will deliver a damn fine spectrum of entertainment to get you snapping your braces and skanking up the Whistley Road!
Now, if youโre thinking where the catch might be, itโs only your two-tone trouser suit, with a weekend wristband at just thirty notes and cheaper day options, youโve got to hand it to Devizes Scooter Club for maximum dedication to making this jumping jiving rally affordable and irresistible.
Prior to skanking up Whistley Road, the clubโs base at The Cavalier in Devizes sees Slade tribute Sladest on May 13th, and following the rally, Bristolโs big boss sound of Ya Freshness and the erm, aptly titled Big Boss Band will make their Devizes debut on Saturday September 9th. Self-styled rude boy Ya Freshness has worked with two-toneโs best, from the likes of Neville Staple, and made groundbreaking original work with Bristolโs retrospective reggae greats through his label Strictly Rockers. If you recall my radio show on Boot Boy Radio, those shout-outs were by this absolute legend.
Then, on 28th October itโs the mandatory skalloween night at the Cavy, with ska band Skamageddon, and the club see of 2023 with a NYE party. Though as I said, thereโs a welcoming atmosphere for those with a passing interest, local scooter enthusiasts should contact the club for ride-outs, social get-togethers and beanos to other rallies and clubs are organised. So get up on your feet, put your braces together and boots on your feet, and give me some of that old moonstomping!
The Future Smiths, a new community-driven organisation set up to advance entrepreneurship and innovation, is proud to announce an exciting initiative aimed at aspiring entrepreneursโฆ
Saturday 4th November Underground, 73 Commercial Road, Swindon, SN1 5NX Swindon’s biggest indie pop Talk In Code are working alongside Underground, based on Commercial Road in Swindon, ourโฆ
Since the recent byelection for Devizes East, Guardian Vanessa Tanner was welcomed to The Town Council this month; Guardians of the Galaxy ensemble, or, maybe just Guardians of the Devizes, but you get the general gist!
โNot everyone would stand in an election,โ Vanessa said, which is a good start because I wouldnโt want to; I could sit in one, maybe slouch a bit and snooze until it was time to hit the pub, but thatโs about it!
Apologies, ignore my silly edits to bulk this out; Vanessa continued, โby putting yourself forward as a representative for your community, you may open yourself up for criticism along with praise. We are hard-wired to remember the bad over the good so for your own self-preservation, you need to develop a tough skin and constantly remind yourself why it is important.โ
โSo why was it important for me to stand as a candidate in the recent by-election? I wanted to really engage in Devizes and be part of the community. Iโm not a local born and bred, but Devizes has become my home and I love living here. Shortly after moving in, I met a group of people who are passionate about ensuring this little part of England remains beautiful and thriving. Those people are The Devizes Guardians. Each one of them with a story to tell about why they wanted to become Town Councillors.โ
โMy story is simple. I want to represent the people in my local area, to bring issues to the table and hopefully find solutions. Also, Iโm already involved in a number of community groups, (Sustainable Devizes, CUDS, Devizes in Bloom, Dorothy House) so I wanted to represent them on the Town Council, to ensure their voices are heard. All that remains now is to do what I promised to do. Be a decent, honest and effective Councillor. Roll on the next couple of years.โ
Roll on indeed, in our pre-election interview, well, I called it an interview, was more of a nice chinwag, I genuinely came away positively knowing Vanessa would make the perfect town councillor. Leader of the Guardians Jonathan Hunter commented, โwe are grateful for the magnificent support shown by constituents in East Ward, along with the superb encouragement from those across the wider community who supported Vanessa Tannerโs positive election campaign.โ
โIt was a hard fought campaign between the Conservatives, Labour and Devizes Guardians but despite lacking the resources of a national party, Vanessa won the election with an impressive 44% of the vote. The postal vote was incredibly strong, as was the strength of support for Vanessa on the doorstep.โ
It was a testament to what can be achieved; though for the Guardians to have lost this seat, it still would not have tipped the balance to a Conservative majority. Local councils do not need persuasion from national political parties. They should be about what is best for the town. The Guardians are a conglomerate of independents. Jonathan touched on this point too, noting, โresidents expressed their dissatisfaction with national and county politics and were keen to back an energetic and community-focused candidate from a party that champions local issues and campaigns for a better deal for Devizes and the local community.โ
โDevizes Guardians recognise the selfless public service from former Devizes Guardian and Town Councillor, the late Jane Burton, whose sad passing triggered this by-election.
Standing in an election isnโt an easy decision and I would like to thank the other candidates for their efforts and support.โ
Okay, clever clogs among us Iโm sure will tell me the Eskimo Nebula is a bipolar double-shell planetary nebula, 6,500 light-years away which is surroundedโฆ
According to the confines of youth cultures of yore, I shouldnโt like Marlborough-based duo Deadlight Danceโs debut album, Beyond Reverence, as while attempts to fitโฆ
By Ian Diddams Three women meet at university in 1983. Mixed backgrounds, sexual preferences, dreams. From early reticence, to friendship, to love. Sharing despair, hope,โฆ
Chippenhamโs folk singer-songwriter Meg gets our early song of the week this week, and The Cycle is only her debut single…. Iโve spoken twice toโฆ