Song of the Day 15: The Emertarians

Anytime is a good time for some roots reggae, Sunday morning, doublely so.

Enter one of my favourite current reggae bands, from Madrid, the Emertarians.

They always remind me of an occasion, at a festival in Andalusia. I watched this great French reggae band. The slighty rotound frontman looked rather like the late, great Jacob Miller. After the performance I noted he was standing close to me, watching the following act. I went over in hope of telling him how much I enjoyed their music, praying they spoke English.

I momentarily regretted my school French lessons, which I spent making homemade comics out of text books, as he replied with an adamant no upon asking if he spoke English.

All the vocabulary my intoxicated mind could conjour was “tres bien,” so I repeated it perpetually in true Del-Boy fashion!

Otherwise the meeting was the awkward silence of communication breakdown, in which I suspected they thought I was completely nuts. Not so far from the truth.

So, I namedropped Jacob Miller and suddenly we had understanding and mutual respect for the man. My point is, sometimes the Emertarians sing in Spanish and sometimes English, often the Spanish ones more emotive, but reggae has no language barriers, because it’s spiritual meaning and uplifting ambiance is universal. As with the French Jacob Miller-alike, we were on the same song sheet….

Naturally at that conjunction, I rolled a joint.

And that’s my song for the day. Very good. Carry on….


Wiltshire Rural Music to Stream Gigs from Trowbridge Town Hall

Wonderful Trowbridge-based music charity, Wiltshire Rural Music revealed an online programme project, Live at Town Hall, today.

In collaboration with Trowbridge Town Hall, they plan to stream full concerts of our outstanding local musicians, starting in February. I hope to have more information for you, when dates and acts are announced.

Wiltshire Rural Music do an outstanding job supporting and enabling local communities and individuals to realise their musical potentials and fullfilling their ambitions. They provide room hire, give bursaries and work closely with Alzheimer’s Support, taking music into care homes and schools across the county.

More info on the work they do here. Follow them on Facebook for details of the streamed gigs.


Around and Around, and Hitting a High; Kirsty Clinch on Top Form

You can give it to me straight and agree, Iโ€™m old. Though as much as I hold dear the hours browsing record shops for a seven-inch slither of vinyl, the streamโ€™s advantage is manyfold. Perhaps none more than the increased availability and distribution of home-made wares.

Vinyl junkies were restricted to what the music industry decided. While DIY music was around then, it was a needle in an underground haystack, obscured by a lack of prior knowledge of counter culture distribution, and even if you were aware, still they cost post and packaging.

Send a SAE in good faith, and when the musician finally finished his last bong, made it off his scabby sofa to the post office, youโ€™d receive your cassette, only to find out it wasnโ€™t as good as youโ€™d been convinced it was by the crazy fractal advert in a punk-paste zine. Weโ€™ve come a long way, folks.

Local independent, country, singer songwriter, Kirsty Clinch posts on Facebook, one of the many social media platforms she tweaks to promote her music. Her latest single, Around and Around has reached a staggering 2K Spotify streams in just five days, managing to peak at number four in the iTunes country chart. Itโ€™s an achievement made mostly on her own, but does it prove the value of DIY rather than aiming to be signed by a label, can anyone with social media savvy achieve it, or is simply that itโ€™s a great song from an exceptionally talented musician?

Itโ€™s certainly that much. Dreamy and evoking, Around and Around sees the ever-enlightening Kirsty at the ultimate perch in her career, in line for the forthcoming album, it leaves you dripping in anticipation for more. โ€œAround & Around is all about catching your dreams,โ€ she explained, โ€œtaking chances and not getting stuck in ruts; thatโ€™s just what Iโ€™m doing right now.โ€

A smidgen punchier than her previous release, Fit the Shoe, and perhaps even more beguiling than that beauty. To hear it is to engrossed in its pensive narrative, as all classic country should. But its Americana influences are subtle, it never references peripheral subject, as much UK country artists feel impelled to mention boxcars, dustbowls, and things you wouldnโ€™t expect to find in their English suburban hometowns. No, Around and Around, like, Fit the Shoe is romantically topsy-turvy themed, flexible for a wider, international audience and contemporary sounding.

That said, Kirsty is no stranger to authenticity, travelling and performing in Nashville at venues such as the Blue Bird. Aside the clear influence of countryโ€™s leading ladies, the likes of Parton and Wynette and modern folk-rock artists, KT Tunstall and KD Lang spring to mind, Around and Around evoked memories of Kate Bush more than any other tune Iโ€™ve heard of Kirstyโ€™s, in its haunting atmosphere rather than vocal arrangement. I put this to her.

โ€œI donโ€™t get the Kate Bush thing; my voice is not as squeaky!โ€ she laughed, โ€œIโ€™m not a big fan of hers, which is weird as youโ€™re not the first person to say it either. Sheโ€™s huge though and loved for whatโ€™s she does, so I wonโ€™t complain!โ€  I had to explain I meant more the whole ambience of the sound rather than squeakiness of her voice, but we needed to move onto the immediate success of this particular tune, and where she hope it will lead.

โ€œIt wonโ€™t go higher,โ€ Kirsty predicts, and I hope sheโ€™s wrong. โ€œOnly slowly hides away after that, the famous people take over sooner or later! But songs can always come back, so [Iโ€™ve] just got to keep hustling.โ€

I took Kirsty back a couple of years, sitting chatting on the lawn at BromFest, we discussed the hopes of an album then; best things come to those who wait. Aside her nonchalant social media persona, I perceive Kirsty to be a perfectionist on the quiet, certainly shows with these two singles. โ€œYes, I have one more coming out hopefully before May, and then Iโ€™ll drop the 14-track album,โ€ she announced, โ€œThatโ€™s why itโ€™s taken so long, itโ€™s a big one, but for a first timer in online sales, I had to do it to catch up!โ€

Iโ€™m aware Peter Lamb had a hand in this remarkable achievement, so I name-dropped the local legend, โ€œall produced by Pete?โ€

โ€œI did the whole thing in my bedroom studio by myself,โ€ Kirsty replied, adding an angel emoji. โ€œPete added the bass, and then corrected my mixing and mastering mistakes at the end, as I got frustrated on the last bit! So, Iโ€™m pretty proud of it for that reason.โ€

It must be a relief to get an album complete, but the hard work is only halfway there, getting out and promoting it follows. Which part does Kirsty favour, despite psychically getting out and launching is impossible at the moment?

โ€œI like all of the process,โ€ she chuckled. โ€œGigs will come back, Iโ€™m just making the most of the situation and working with what Iโ€™ve got for now, there is always a way around things when youโ€™re creative.โ€

Returning to my opening notion, due to developments in tech and a motivation for independence, a professional sound can be achieved at home. Kirsty furthered that she did the artwork and music video for this track all by herself too, due to lockdown.

โ€œThe album launch is not so essential,โ€ she pondered, โ€œwhen I can promote it just as good online anyway now.โ€ As I said, Kirsty has a sturdy online presence, accomplished at building a YouTube audience, but is that more important to her than an album?

โ€œItโ€™s equal. All my fans are excited for the album! But the social media side of things mean they get to know you more, which is essential for selling music in the first place. Loads of people sell music, the marketing is the part that makes them what to listen to yours.โ€

And her secret?

โ€œGet to know your story etc,โ€ Kirsty elucidated, โ€œand connect with the music; if you just say โ€˜buy my singleโ€™ and thatโ€™s all your social media is about, you wonโ€™t get many results.โ€

For the end of our chat, we dithered and pondered if the angle of this piece should focus on the song or herself. Iโ€™m of the opinion, when the creative open themselves up to releasing art, a part of creator is revealed through it, so practically, theyโ€™re similar. You are the song; the song is you; be one with the song! Itโ€™s why naรฏve teenage fans really believe they know a popstar enough to fall in love with them, and perhaps is augmented with homemade product. There’s a huge connection between the singer and the song, though, I put to Kirsty.

โ€œYah, subscribe to my YouTube channel, and they would have all the details anyway!โ€ I suggest you do, as the interconnection is all-encompassing, the song is awesome, and likewise, so is Kirsty Clinch.


Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s moreโ€ฆ

Carmela Wins Points of Light Prime Minister Award

A huge congratulations to Carmela and the Chillery-Watson family of Lavington, who knew nothing about the Points of Light awards until Carmela was rewarded with one this week. โ€œWe are absolutely bowled over with pure happiness at this surprise award,โ€ mum Lucy said.

First established in the USA by President George Bush in 1990, UK Points of Light was developed in partnership with the US programme and launched at Downing Street in 2014. Since then, hundreds have been named Points of Light by the Prime Minister, highlighting an enormous array of innovative and inspirational volunteering across the length and breadth of Britain.

Points of Light are outstanding individual volunteers; people making a change in their community, and after her 300km challenge last year, we couldnโ€™t think of anyone more suitable and deserving than our lovable Carmela.

Diagnosed at the age of three with L-CMD, a progressive muscle-wasting disease which weakens every muscle over time, Carmela is now six and has come a colossal way in raising awareness and funds for Muscular Dystrophy, and continues to be an inspiration to us all.

โ€œThank you, Boris,โ€ Carmela said, โ€œthis is awesome news, I canโ€™t believe it, itโ€™s so amazing. Thank you so much.โ€ Although the prime minister is just another celebrity notched on Carmelaโ€™s campaign trail, meeting with the likes of Beverly Knight, Frank Bruno, Jimmy Carr, and even Harry Duke of Sussex. Oh, and not forgetting last September when Wonder Woman actress, Gal Gadot, donated over ยฃ3K to Carmelaโ€™s fund. Face it, between Boris and Gal, I know which one Iโ€™d rather meet!

Itโ€™s a wonder, excuse the pun, if Carmela remembers the morning when she helped me on my milk round at all. I hope so, as it was a pleasure to meet her, Lucy and dad, Darren, and an occasion, Iโ€™ll always hold dear; even if I was a little tired and smelly!

CEO of Muscular Dystrophy UK Catherine Woodhead congratulated Carmela, and added, โ€œeveryone at MDUK is thrilled that Carmelaโ€™s outstanding fundraising efforts for the charity have been recognised by the Prime Minister. To date, Carmela and her family have raised nearly ยฃ50,000 for MDUK.โ€ Which is simply, amazing. Well done Carmela.


Trending……

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ


Candidate for Wiltshire Police & Crime Commissioner barred from Volunteering to Administer Lateral Flow Covid Tests

Is it campaign point-scoring, as the authorities seem to presume, or concern for health which encouraged Wiltshire PCC candidate, Mike Rees to volunteer to administer lateral flow tests? Whatever, the bottom line is discouraging anyone from attempting to help out during this crisis is bureaucratic nonsense.

And besides, just a brief chat with Mike recently, throughly convinced me his motives are genuine. He’s an open minded, authentic and down-to-earth guy, with experience in the field and a passion for the role.

Mike explains: “It’s with great surprise and disappointment that I have to let you know that I have been stopped, and apparently barred, from becoming a volunteer in the police effort to combat Covid19.

As a retired police officer I put my name forward for volunteer duties last year when the pandemic struck.

Mike Rees

This month I answered another call to volunteer to administer lateral flow tests to police officers and staff. I had a training session earlier this week and completed the online NHS assessment and passed to certificate my competency for the task.

Today I was expecting to attend a ‘dry run’ session however I’ve now been told I cannot attend as they have to investigate the ‘rules’ as allowing me to volunteer may suggest bias on their part because I’m a candidate for the role of Wiltshire Police Crime Commissioner.

I’m disappointed and dismayed to be denied the opportunity to volunteer to support the police, a force I worked in for 30 years.

I’ve asked for the ‘rules’ to be clarified as I see no possible concerns.

For your information, I do not agree with this decision to bar me from volunteering. 

I’m standing as an independent candidate, not aligned to any political party and volunteering was a personal decision.”

Mike is fast becoming the outside chance of becoming our PCC, and we’re backing him fully here on Devizine after his Malmesbury boxing club recently helped out the homeless, appealing forย  donations of sleeping bags , food and clothes from locals and delivering them to the OpenDoors support agency in Devizes.

Plus, this is, by far, not the first charitable thing Mike has engaged in.


Song of the Day 14: King Hammond Meets Death of Guitar Pop

Great things about ska are many fold, but a topper most one has to be collaboration. Rather than set groups, as with most mainstream music, musicians uniting for projects is common and has always been the ethos of ska and reggae since day dot. Perhaps being the very reason it’s so lively and communal.

Another great thing about our song of the day, where Islington’s ska legend Nick Welsh, aka King Hammond, teams up with that crazy Essex duo Death of Guitar Pop, is the ska style displayed, near enough mimics the jump blues “shuffle” on which ska is originally based.

But history aside, let’s just enjoy this new track for all it’s worth. DoGP are fast rising in rank on the UK ska scene, with a carefree “Nutty Boys” fashion, it’s easy to see why.

And that’s my song for the day. Very good. Carry on….


Join me every Friday night at 10pm on www.bootboyradio.net

Song of the Day 13: Antoine & Owena

Congratulations go to folk duo Antonie & Owena for winning the G.S.M.C award for Best Album this year. Yet it’s not their first award, winning best duo at last year’s GSMC, and others. Here’s Something Out of Nothing, which I think explains all you need to know about how and why they won it!

And that’s my song for the day. Very good. Carry on….


Rise of the Snowmen!

Ladies and gents, this is the moment you’ve waited for…. or maybe not. This isn’t the Greatest Showman, this is the greatest SNOWman! Yes, we held a little snowman competition, and here’s how it went…..

Two things didn’t occur to me upon posting a picture of our snowman on our Facebook page, offering others to do likewise in a competition fashion. Firstly, the colossal response, but I guess Sunday’s snowfall was a golden opportunity to get out of houses and have a little social distanced fun. Alas, now the power of the sun and rain has reduced the white blanket to the odd splatter here and there. We will always have photographic memories of our once proud sculptures, and a carrot on the front lawn. Here comes some now…โ€ฆ

Secondly, how to actually go about judging a snowman competition, never having judged anything of the sort before. I gathered some thoughts to criteria, I Googled and found some rather serious rules from other such competitions.

Jonesy McSnow and Lucy (age 10)

Certain I wasn’t intending to make it half as serious as these, their judgements were much as I anticipated. There are factors to consider. Creativity for starters. Originality, tradition, competence, and dedication are equally important. Size is good, but it’s, as you know, not everything, when building a snowman that is.

Towering over the playpark on Devizes Green, Bally Bongo’s Bob stands at over 6ft 2. By
Archie(8) Blu (4) and a little help by the parents!
This snow Kong at the Henly’s has sacred everyone back inside!
The Russell Family’s got an outie belly button bigger than the average snowman!
The Waterman’s daughter’s first snowman is huge!
Stay back, he’s got a taste for meat, or is that a twig?!
From the tall to the small, it doesn’t matter, he looks happy!
Don’t, don’t, don’t you, forget about me!

Many were divided into age groups, which I figured awkward. Building a snowman is usually a group activity, it’s about families, all ages contribute. Kids run around trying to construct the starting ball, dads get the backbreaking task of rolling it up and taking half the grass and autumn leaves with it, while mums usually stay in the warm sourcing carrots and hats; it’s a communal experience for sure! Okay, Iโ€™m generalising for artistic license and know itโ€™s not really like that, trying to be funny, when really, judging a snowman competition is snow joke (see what I did there?) But making a snowman has no boundaries or conditions, any age, and race and gender, everyone together, getting creative….

Amazing!
Best buddies!
Hide your carrots, there’s a snow bunny about! Pictured with it’s creator; grand job, Faith!
The apple of Pingu’s eye! Well done Willow & Jonah!
Very retro, Kiana!
Shiver me timbers!
Mange tout, Hoffman, you plonker!

He made snow chicks, cats and dogs….

Arrow through the head??!
Great rocket ship, Isacc…. oh, you’ve sledged away!
Shark invasion in Sam’s garden!
And a hoodie in Kev’s yard!
Buddha in Urchfont!
And some lounging about!

But part of the beauty of creating a snowman is the feeling of togetherness. Here is an art where anyone can be the artist, provided theyโ€™re willing to get wet gloves. And in that notion, where some strive to be original, often the traditional method is tried and tested. A good snowman doesnโ€™t need to be carved by Henry Moore with flawless features; he needs a carrot for a nose, he needs two pebbles for eyes, twigs for arms and an old hat and scarf. We live in a traditional county, after all.

Tracey and Sara Whatley did the hard work, the horses reaped the benefits!

Then again, thereโ€™s something striking when creative genius gets to work and original ideas bend the theme. Some can be topical, facemasks a common theme this year, or culture based, whereas some can be funny, others damn-right rude….

The Barter family make use of their brussels sprouts after Christmas!
Zeb’s snowman has a snow booty!
Ol’ broccoli eyes is back; Guardian of the wheelie bins!
Either they tried to put wellies on this snowman, or it ate a small child!
Facemasks on, here comes the foreman tree inspector!
Dog photobomb at the Diskett’s!
Somebody call the snow doctor!
Anyone seen the funnel bit to mum’s vacuum cleaner?!
Take two bottles into the shower? No, I just wash n snow!
Anymore snow coming, I need a friend? Not for you, sprout-face!
Got to look your best when doing a spot of gardening…
Hit and run snowman attack!
Skateboarding on ice is dangerous, but when else can a snowman hit the half-pipe?
I’m all for gender neutral snow people, but this one has lady’s assets and a six-pack!
You’re only ever one jacket away from being a goth!
I thought about making this the winner; they’ve got to win something after all!
Office party, you know how it goes…..
Jimmy Saville goes skiing?

Rudeness I can take, live by it; but at least drag yourself away from Babestation for a few minutes to get out and actually build a snowman, rather than, as some did, Google โ€œrude snowmanโ€ and share the first image which pops up. Sad, but true, spoils it for the kids, of all ages.

Rule Britannia, we shall, we shall never stuff a whole loaf in our mouths at once?
Heavy night, anyone got a paracetamol?
I’ve had enough of this, I’m off to live with the wolves…..
Will you be my friend?
I am robo-snowman!

Can I pick a winner?

Drum rollโ€ฆโ€ฆ Tricky. Iโ€™ve narrowed it down to my ten favourites, and here they are. I apologise, I tried to source a snowman type of prize, but theyโ€™re a tad out of season and this was a spontaneous idea. I think a bit of future planning, for next yearโ€™s snow storm, being the idea was so popular, and we could have prizes. For now, winners can print off my certificate here, and a colour-me-in sheet, if they like that sort of thing! Thank you all so much for letting me see your brilliant snowmen, I loved looking at them all, having a penchant for snowmen, I admit unashamedly!

Oh, and if you do colour them, Iโ€™d love to see your fine colouring skills!

Never over-complicate the objective. Matrim Vaux, age 6 knows less is more with Bill the snow owl.
Leo, age 5, and Hallie, age 2 looking a tad cold, but like they’re having so much fun!
Topical from the Collins family, but he looks awesome!
I just love this picture, Casey, age 6 looks so proud as she strikes a pose, but Archie, age 3, seems distracted by something else happening elsewhere; it’s a guy thing Casey!
By Justina Hams and her seven year-old. Because he’s so smooth and grand looking!
Rob Jobson understated his snowman, saying “it’s the taking part that matters!” No mate, he’s superb in his simplicity!
A team effort from the Lake family, and a grand job made of it!
Marc Spartacus Fleming and Leia (2!) This is Steve the snowman, and he just works!
Are you in competition with your snowman for the best hat, Ava-Mae?! A grand effort, you look proud and so you should be!
Just to put a hat on her snowman wasn’t enough, Alison Sinclair (45!) carved it, and all other features so brilliantly!

Song of the Day 12: Darla Jade

Even portions of expressive contemporary pop, the ambience of post-goth and downtempo electric blues of trip hop makes this Staffordshire singer, Darla Jade really someone to watch. With a haunting uniqueness about her voice and style, there’s shards of Evanescence fused with Beth Orton. It’s somehow individually chartable but would also appease alternative rock or goth aficionados alike.

Subscribe to her YouTube channel, hear her own stamp on Radiohead’s Creep, and realise, her talent is so very special.

And that’s my song for the day. Very good. Carry on….


Song of the Day 11: Dakka Skanks

No video to this one. Do we need visuals? Not when it’s this good; my favourite track of Brighton-based contemporary ska heads, Dakka Skanks.

They’re lively, diverse, lots of fun, and I think we’ll be hearing a lot more from them in the near future.

If the Duallers have reached a pivotal point akin to the Specials, and Death of Guitar Pop are providing the tongue-in-cheek Madness equivalent, I believe these guys could be The Beat of this era, as there was a band unafraid to experiment.

Dakka Skanks are majorly ska, but throw a lovable but carefree punk attitude, and a wide range of other influences, such as soul, into the melting pot, and concoct something uniquely entertaining.

Very good. Carry on….


Skates and Wagons: Path of Condie

If Iโ€™d one criticism of Britpop, during its heyday, least that which the pop charts threw at us, was, in an era of progressing technological electronica, embedded deep in my psyche, Britpop, to me felt regressive. I argued at the time, if The Beatles were still together, in their prime, theyโ€™d be producing techno or drum n bass, for they were trailblazing, innovative and progressive. Whereas, picking on Oasis, particularly, being they seemed to strive to be a Beatles tribute as far as I could see, were relapsing to a previous generation.

Then the crossover crossed back over. If waning was a heady dawn of the nineties where rock fused electronica on the Madchester scene, towards the end of the decade The Prodigy were advancing with an almost punk slant, and Noel Gallagher was lending his vocals to the Chemical Brothers. To pick the era apart now is futile, no one remembers what the fuck was going on most of the time!

Letโ€™s agree to disagree, put it in the past and note today, retrospection is big business, and thereโ€™s nothing wrong with songs which hark back to the sixties, for it was pioneering but more importantly, divine and inspiring. Particularly when, rather than regenerating cover songs, but acting as a base of inspiration. We see a lot of this; from the sixtyโ€™s British blues scene to bubble-gum pop, but perhaps not produced with as much passion as Skates & Wagons.

Skates & Wagons

They sent me a link to their album, Path of Condie on Boxing Day, so apologies it was put on the backburner but I had Scrabble tiles to lay and Quality Street to puke. The EP I reviewed previously appears to be taken down, and Iโ€™m unsure why. The album, is akin to all I mentioned about the EP, only more so. If regenerating Britpop is tiresome and monotonous to you, you need to check this Oxford duo, because they manage it with the precision, innovation and splendour of classic pop-rock and blues of that sixties period, with bells on.

I mean sure, it opens with an interesting approach, Chevron Waltz proves this is going to be no everyday indie-Britpop ride, it is indeed as the name suggests, a waltz. If weโ€™re going to revel in compassions, Iโ€™ll cite The Kinks or Small Faces, The Spencer Davis Group, The Troggs, but predominantly the Beatles, more than Oasis. Plus, weโ€™d need to break it down with the fab-fourโ€™s individual preferences. Opening then is experimental, merging traditional styles of music is certainly McCartney, yet the majority, like Indian Summer rolls smooth, like the later Beatles, Sane Again is anthemically mellowed; very George Harrison.

But this is an album which builds progressively, just like the sixties did. The earlier tunes, initiate sixties pop, and sit at radio-friendly three-to-four-minute timings. Mr Wake Up, for example, explains how itโ€™s going to roll for the time being, beat-based shards of classic pop-rock. But things liven up at Conversation with God, the walt reprise towards the end nuances the album is progressing the entire decade and weโ€™re midway. Waste of the Sky is subtly psychedelia, like the opening to the beatnik period.

Itโ€™s this equidistant section where Skates and Wagons really shine, itโ€™s as if we didnโ€™t need the 1980s, we were fine where we were. Catchy tracks like The Man Who Never Sleeps and All the Love mirror the advancing changes of the middle of the decade, and bring us in line with classic seventies rock bands like Genesis and ELO.

It leaves you dripping for the concentrated, lengthier compositions the trend which followed via Floyd and Hendrix et all, and Skates and Wagons deliver. As Path of Condie develops it builds to more ending with a beautiful eight-minute composition, Yesterday’s Love. Itโ€™s beguiling and timeless splendour, catchy as pop, definitive as classic rock.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement, as opposed to a Britpop throwback band going through archaic motions. Though thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements; scooterists donโ€™t go for that, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


Trending…..

Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโ€ฆ

Graham Steel Music Awards Online Tomorrow

Join the GSMC on Friday 22nd January at 8pm for a celebration of grassroots music as they present this yearโ€™s GSMC Music Awards Live Online on YouTube, where they will announce the Winners of all 12 categories and will include live and pre recorded music from some of the nominees as well as a look back at the year and celebrate all those people that helped keep the grassroots music scene alive in 2020.

GSMC Music Awards Night will be streamed live from YouTube on Friday 22nd January at 8pm, the link for this is below:


Song the Day 10: Summit 9 Studios

Funkin’ for Devizes. This lockdown project from Tom Harris, Dan and Ross Allen and Rich, Summit 9 Studios has just been given a funky lift with this blinder, Change Change Change, bang on cue for me hunting for a song of the day.

Saucy effort guys, love it!

Very good. Carry on….


Song the Day 9: Emily Lockett

Facebook memories posts a year ago this week we rocked up in the Celler Bar raising money for the Waiblingen Way Fire fund, and makes me stops and think about the years I’ve been smashing out articles on Devizine. So many artists and bands we’ve mentioned, I rarely forget about them, this one I admit I nearly did. Most likely because I didn’t get the opportunity to attend Stoke-on-Trent’s teenage country sensation Emily Lockett’s gig at Dean’s Country Club, then operating at Devizes Cons Club, later at the Cavalier.

So, nice as it is to discover new talent, equally important is to recap. Emily must be nearing her twenties now, and as a musical prodigy from aged 5, her expertise shines through in a matured sense now. This track, Front Porch says it all.

And that’s my song of the day for today.

Very good. Carry on….


Song of the Day 8: Mansion of Snakes

The deeper I delve into Afrobeat the more gorgeous it gets, and I’m discovering bands closer to home. Nubiyan Twist, for example, who are from Oxford rather than the Sudan as it might sound. I’m loving this sound, and got to get a review down of their forthcoming album.

Today though, check Leeds ten-piece behemoth, bone-shaking afrobeat collective, Mansion of Snakes. These devil-funk and cosmic jazzย 
serpents give it their all, and there’s stuff, cool stuff to download as name your price on their Bandcamp page. Say no more.

Have a lovely rest of your day. Very good. Carry on….


Song of the Day 7: Mr Tea & the Minions

Sunday off, broke my promise to post a song of the day, everyday. Allow me to make up for it. Bristol’s Mr Tea & the Minions with a lockdown themed song. See how sublimely they fire a frenzy of folk and Balkan styled ska-punk into festival proportions. I think they’re the hottest bands around these parts, and fondly reviewed the album, Mutiny a while ago. Just a reminder today then, these kids have it.

I made enquiries, wanting to bring them to Devizes. It’s no cheap option and obviously currently off the cards.

The reservation is that just because I’m loving this style, it might too radical for a Devizes audience. So, I’d appreciate some feedback; would you have paid a purple one to see them play in our town?

Fingers crossed, we live for a better day. But I believe lobbying a large Devizes venue to bring contemporary music direct to us, just occasionally, is crucial to the culture diversity we should be delving into.

Have a lovely rest of your day. Very good. Carry on….


โ€œNobody has Wanted to Talk about Hunting, Other than Trolls!โ€ Says PCC Candidate Jonathon Seed

Busy day, chatting to Wiltshire Police Crime Commissioner candidates and The Wilts Hunt Sabs; something is conflictingโ€ฆ

In 2012 five members of the Avon Vale Hunt, including the master huntsman and Wiltshire councillor, Jonathon Seed appeared in court charged with breaching the Hunting Act 2004. Though they all denied the breach before magistrates in Chippenham, Seed made a statement released to the Wiltshire Times, โ€œThis is a private prosecution by the RSPCA and I believe that it has been commenced for political reasons, as their stance against hunting is well known and it is of great significance that Wiltshire Police, after advice from the Crown Prosecution Service, declined to take this case forward. These proceedings are an abuse of the private prosecution system, which needs to be addressed in due course.โ€

And how best to address said abuse? Elect to become Police Crime Commissioner, thatโ€™s how. Perhaps itโ€™s an episode the councillor wishes would disappear, going on the rather defensive attitude he put up when I chatted with him about his campaign this morning. And for whatโ€™s itโ€™s worth, he provided some great ideas and valid points on subjects he attempted to divert me onto, but I was wondering where he actually stood on hunting, being, you know, itโ€™s illegal, and heโ€™s wants to be Police Crime Commissioner, just felt, well, a tad conflicting.

โ€œOkay, so, not about the campaign then,โ€ he started.

But I think it’s relevant. โ€œHunting is illegal,โ€ I pointed to the seemingly obvious, โ€œsurely we would want a PCC who upholds the law?โ€

โ€œAre you suggesting that I wouldnโ€™t want the law upheld?โ€ came Jonathonโ€™s reply. Had to say, far from suggesting anything, the question was built behind the datum the huntsmaster for the Avon Vale hunt appeared in court with allegations he broke the law. And upon experts in the field, Wiltshire Hunt Sabs, who seemed convinced laws had been broken that day. โ€œThe badger sett incident,โ€ they confirmed, โ€œitโ€™s clear evidence they were illegally hunting. Itโ€™s illegal to use terriers underground (the exemption is in relation to birds, which isnโ€™t relevant on a hunt.) There can only be one reason for sending terriers to ground and that is to flush a fox.โ€

โ€œYou were,โ€ I checked, โ€œhuntsmaster for the Avon Vale hunt at the time?โ€

โ€œYou will already know that I was,โ€ Johnathon stated, โ€œthe allegation against me that was unfounded was dropped and is covered in the blog.โ€

Wiltshire Hunt Sabs claimed, โ€œit wasnโ€™t unfounded at all, the current Huntmaster (Stuart Radborne) was found guilty of interfering with the sett. The fact they couldnโ€™t prove hunting act charges is yet more evidence that the law around hunting needs tightening.โ€

โ€œDo you have anything to ask about the campaign,โ€ Johnathon inquired, โ€œor are you just interested in the Avon Vale Hunt?โ€

Yes, I do. So, I asked him, โ€œif successful in the post, would you therefore discourage police to act against hunting offences? I mean, I understand, because they’d be personal friends engaged in something you firmly believe in. Also, would you support a turnaround of the law to allow hunting?โ€

And thus, came the jaw-dropper.

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€ Rather than be labelled a โ€œtroll,โ€ by Tory boss-cop I allowed myself to be side-tracked. Jonathon was keen to lobby government for further funding, โ€œWiltshire is the third poorest funded force per head of population in the country, it needs overhauling and I will work with government to achieve this.โ€

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€

Funds would put more officers in our communities, and offer better support for training and officers and staffโ€™s mental health, and I cannot argue with this, though I pondered why it should be; are we all so better behaved in rural Wiltshire, so we donโ€™t need as much policing as an urban area? I know I am!

โ€œHistoric underfunding of the force will continue to be an issue due to the way the funding formula is weighted towards some areas,โ€ Johnathon explained, โ€œThe current PCC has done nothing to improve the situation and I believe the public deserve a PCC who will lobby the heart of government for better funding.โ€

I overlooked the oxymoron; “heart of government.”

In true Conservative fashion he blamed Labour, because fourteen years isnโ€™t enough to up a budget. โ€œThe formula was created under Blair so naturally favoured labour voting areas,โ€ he reckoned. โ€œGetting the central government funding addressed has to be a priority. Just because we are a rural county doesnโ€™t mean we donโ€™t have sophisticated criminals operating in our towns and villages; domestic abuse, child sexual exploitation, modern day slavery, county drugs lines all affect our communitiesโ€ฆ.โ€

โ€œAnd fox hunters?โ€ I added!

โ€œItโ€™s a shame that without knowing me or talking to me you would assume I would actively seek to have the law overlooked,โ€ Johnathon asserted. โ€œI do not and would not want our police to do this for any crime. The Chief Constable has my full backing to ensure that the law is upheld. There is no picking and choosing who the police โ€˜police.โ€™ Operational policing isnโ€™t the responsibility of the PCC.โ€

On the front seems Johnathon has good policies, but theyโ€™re undoubtably all politically motivated. Do we need a local councillor in the role, or someone who has been actively in the field, policing? I also spoke to independent candidate Mike Rees, passionate about delivering a quality police service for the people. And have to admit, it was akin to chatting to eager musicians when interviewing them. In fact, if thereโ€™s irony in voting for a police candidate suspected of breaking the law, the only similarity is that Mike is in a heavy rock band called โ€œthe Lawless!โ€

He told me of annual fundraising gigs at Level III with a plethora of other bands, which has raised ยฃ13K for his own charity โ€œFatboyโ€™s Cancer Charity,โ€ which aims to bring a smile to children who are suffering from cancer or have other life-threatening illnesses. He was also adamant he loved animals, and aside his respect for traditional aspects of rural life, more needed to be done to enforce the Hunting Act. Mike went as far as telling me heโ€™d like to set up a hedgehog rescue centre in his retirement.

โ€œI know thereโ€™s a difference between what the boss says and what the police see, Iโ€™d like to see a happy workforce, not demoralised.โ€ He expressed a want to improve the service, the relationship between officers and the bosses, and the public, as heโ€™s been on the beat in Swindon, working up through surveillance and CID to counter-terrorism, called in to help during the London bombing. โ€œNo wool pulled over my eyes,โ€ Mike added.

โ€œWeโ€™ve seen year on year increases to the policing precept, yet no tangible changes or improvements to the service the public of Wiltshire receive,โ€ Mike stated, โ€œseems evident to me and the many people who I speak with, that the Police sometimes do not have the resources to deal with many of the basic responsibilities that we expect; and all too often we see the cracks of struggling service delivery being papered over with a slick marketing campaign, or dare I say it, a social media post!โ€

โ€œI know that savings can be made, and I also know how tax-payers money is sometimes squandered by Police managers,โ€ he continued. โ€œA politician who doesnโ€™t understand policing can be told that something is required or best value, and will just accept what they are told. I know whether it is actually nice to have or need to have. Spending needs to be scrutinised very closely and I would look to do that to ensure money is diverted to the right resources and needs.โ€

Though Mike said Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently. To my knowledge, I am the only independent candidate for Wiltshire so his comments are clearly directed to me!โ€ But โ€œthe last thing I want to do is get involved in a continual slanging match with any of the other candidates.โ€ Which is just as well for them, as an amateur boxer, I wouldnโ€™t argue!

Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently.”

He compared his own campaign budget to Johnathonโ€™s on the precept he doesnโ€™t mind if he doesnโ€™t get the job, estimating Seed has โ€œabout ยฃ50k to spend on campaigning, Iโ€™ve got about ยฃ50, and I begrudge paying that! Money is squandered when it should be to improve services.โ€

The hunting issue will always be a touchy subject in any rural settings with opinions so divided. But the law is the law, and if anyone upholds it, it should be Police Crime Commissioner. Though while Mr Seedโ€™s blogposts call for his innocence, they also state: โ€œMillions of people in this country engage in perfectly legal fishing, hunting and shooting pastimes and should not be demonised and bullied by a small but vocal minority who do not approve of these pastimes,โ€ and โ€œIt is utterly irrelevant to the vast majority of the electorate whether or not a political candidate had a lawful interest in country sports along with millions of other law-abiding people.โ€ Left me wondering how defending wild animals under lawful methods, could possibly deemed demonising and bullying.

โ€œIf you wanted to ask me something sensible about fox hunting,โ€ Johnathon said, โ€œrather than the usual stuff that has been well rehearsed and I know doesnโ€™t resonate with rural voters, ask me my views on the change to trespass and who it will apply to.โ€

But I didnโ€™t like to ask, changing rules to trespass blatantly is there to halt operations from protesters. The Wiltshire Hunt Sabs said, โ€œweโ€™d love to know if he still hunts, we havenโ€™t seen him out with the AVH, but there was a rumour he may go out with the Tedworth. I suspect he has paused for the election. Itโ€™s interesting he calls concerned members of the public โ€œtrollsโ€. How arrogant do you have to be to think that regular members of the public arenโ€™t interested in his background as a fox hunter!โ€

Iโ€™ll let the hits on this article decide, and leave it there. Iโ€™m all for deciding the next Police Crime Commissioner based purely on a doughnut eating contest, might be easier, might even win myself! Then youโ€™d all be buggered!


The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

Song of the Day 6: The Simmertones

It’s getting late now and I’ve only just got around to posting our song of the day. Had a piece to write and the obligatory family Scrabble game. Nearly missed the deadline, meaning my promise to post a song each day didn’t quite last a week, but alas, I’m here last minute to seal the deal.

What better then, than the pride of Devon, The Simmertones. They’ve fast made it to a lead name in the UK ska scene, and with their lively shows and crazy ska cover of the Dr Who theme, a personal favourite, it’s easy to see why. A tad more tender, here they are…..

Have a lovely rest of your day. Very good. Carry on….


Choo-Choo; Dreams of Devizes Railway Station

I know what youโ€™re thinking, Iโ€™m a naughty boy; why hasnโ€™t Devizine shared news of the survey about the Devizes Park/Gate/Safe-Way railway station proposal yet, the one on the โ€œofficialโ€ Devizes website? Well, Iโ€™ve been deliberating. But before you judge me, I ask you hear me out.

When I took a bus from the Leigh end of Southend-on-Sea to Shoeburyness, at the other end, which Iโ€™d estimate being the equivalent of Devizes to Melksham, it cost one pound. The bus was bustling with a wide demographic, it cost the same across the entire city.

Live in a village just two miles out of Devizes and itโ€™s ยฃ2.50 for a single on the bus. Given Devizes Parkway would be a similar distance out on the other side of town, Iโ€™d wager itโ€™d be much the same price. Letโ€™s take a family of four from their village for a nice day out to London; a tenner to get town, a purple one just to get to this imaginary station for an overpriced train ticket; not including inflation.

Okay, Iโ€™m playing devilโ€™s advocate. Everyone wants a station, including me. Back, long before Devizine, and Danny Kruger could pinpoint Devizes on a map, I put a poll on Facebook for my satirical rant column on Index:Wiltshire, asking what, if you could have anything which was once in Devizes but no longer, would you like to see returned. The top answer was unanimously, a railway station. And I agree. I agree with you all, from young and old, fat and thin, from Tory to leftie and beyond, everyone would like to catch a train from Devizes, even if only to escape!

The argument of education, getting students to colleges, and employment, getting them to work, rather than relying on a rural bus service and of course lessening the environmental impact of commuting are, of course, valid and ample justification. The idea it will attract visitors, helping our local businesses and economy is slightly more dubious, an untested valuation. Simply because they can get here doesnโ€™t mean they will, especially if thereโ€™s nothing here to entice them. A view of Monument Hill and the Clock Inn Park are nice, but are hardly an exciting hive of activity.

I cannot help but feel, just as Brexit, and these grand and glorious schemes, a futurism-fashioned Festival of Britain, money saved from being in the EU to help the NHS, vaccinations for everyone by March, a high-speed train to gain three and a half minutes off the journey time from London to Birmingham, or a tunnel under Stonehenge to prevent erosion and people from seeing it without paying, the right-wing majority are suffering delusions of grandeur in a country potentially at itโ€™s knees by the time these under-budgeted dreams will become anywhere near reality. Iโ€™m sorry to have to see it this way, but the system is crumbling under our feet because our leaders are only in it for themselves.

Oh, need a relevant example? Boris Johnson only proposed this ยฃ500m fund to reopen some of the passenger rail services axed in the Beeching review to win seats from Labour prior to the 2019 general election.

To bring it back to local affairs, feels to me like the potential railway station is only on the cards because Danny Kruger wants to get to Westminster quicker, and Hornby enthusiasts are rallying to kiss his ring. And yeah, as I said, itโ€™s a great idea, for all the reasons stated. But given thereโ€™s surely far more important things we could spend the money on in this dilapidating town to improve it for everyone, you know what Iโ€™d like to see first and foremost? If we have spare cash to build a Lego station, Iโ€™d like to see our poorest, our youngest, eldest and people in care being supported.

I donโ€™t want to see homeless being cleared out from camping in the woods so dog walkers can be free to roam and tie poo-bags to trees. I want to see projects being put into reality which would cost far less than a station, give them a hostel. Iโ€™d like to see our playparks and green spaces maintained better, youth clubs and facilities reopened, providing activities which kids actually want to go to.

At the beginning of year, when Melksham got a splashpad, Devizes said yeah, we could that too, but, as I forecast at the time, it was brushed aside. Iโ€™d like to drive on flat local roads, rather than negotiating potholes like itโ€™s a lunar landscape. Iโ€™d like better road planning, infrastructure and affordable public transport, to avoid congestion. I want to park somewhere without taking out a bank loan. I want to see markets and The Shambles bustling with life, smells of street food and music. I want a free-thinking, flatpack and proactive council, funding sporting events and arts, and not idly watching as so-called charities throw folk with learning disabilities out of their homes.

And once we have achieved these, yes, Iโ€™d like a railway station, ta muchly. Not asking for much is it? Tee-hee, yeah, Iโ€™m hearing you, life isnโ€™t so simple, this is Devizes, not Shangri-La. That said, Iโ€™m uncertain if Shangri-La has a railway station, still, it manages, as we have done since Beeching waved his wand, to get by without one. My family of four, twenty quid down just getting to the station, now theyโ€™re looking at train ticket prices. Have you seen train ticket prices recently? Remain calm, but they do often come in triple figure sums. Iโ€™ve seen aeroplane tickets to Barcelona cheaper than a return to Paddington.

The big question is, then, how much will it all cost and who is footing the bill? Did we get this grant, and what was that for? I asked Tamara of Devizes Gateway Railway Station steering group.

โ€œThe Restoring Your Railway grant from the DfT is for the cost of the Strategic Outline Business Case only and is being supplemented by Wiltshire Council,โ€ she informed me. So already weโ€™ve all put some cost into it through our council tax. โ€œThereafter, funding would need to be secured for the rest of the Business Case process (Outline Business Case and Full Business Case) and then for the capital costs to build the station.โ€ Tamara added, โ€œwe are at the beginning of the process, but the fact that we have secure the grant monies from the DfT puts us in a good place. We now need to prove the business case.โ€

From there I was directed to a presentation made to the Devizes Area Board in November, which doesnโ€™t explain where the dosh is coming from. Iโ€™m only opting for a station if they promise I can drive the train! Just once. But more importantly, I honestly look forward to a time, if I make it to 2025 without Thomas the Tank Engine shooting me, when we could smash my piggy bank for a train ticket, I really do, but the bottom line is, it has to be affordable, for all, especially if the public is footing the bill to build the thing.

Answer the survey, with your thoughts, if you wish. But the jury is still out with me. Itโ€™s on the site where a certain member, who shall remain nameless, accused me of spamming when I first launched Devizine, and mysteriously moments later I was in Facebook jail. Of which, such general pettiness is neither here nor there, but I feel worthy of mentioning. I know what youโ€™re thinking, Iโ€™m still such a naughty boy!


Trending….

DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s allโ€ฆ

Song of the Day 5: Gecko

Okay, so Iโ€™ll be brief; weโ€™ve mentioned Gecko quite a lot recently and I wouldnโ€™t want him to get big-headed! Can you imagine? That was a joke by the way, because in some light one could describe what Gecko does as rap, and could you imagine, in your wildest dreams Gecko being conceited? Heโ€™s got to be the most unpretentious rapper ever, though thatโ€™s not saying much; narcissistic is the occupational hazard of the average rap star.

If you ainโ€™t got something nice to say, rapperโ€ฆ… Ah, thatโ€™s why Gecko is a breath of fresh air. if you need any more proof of how good he is, hereโ€™s yesterdayโ€™s released video of the title track of his album. Over and out. Have a good rest of the day. Carry onโ€ฆ.

Trending Now…

CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Six Reasons to Rock in Market Lavington

Alright yeah, itโ€™s a play on band names and thereโ€™s only really two reasons to rock on Friday 17th October at Market Lavington Community Hall;โ€ฆ


Are the Fire & Rescue Service Cutting Vital Flood Equipment?

Concern mounts after a petition was launched claiming vital flood equipment and training is being planned to be moved from fire stations from Chippenham and Trowbridge to Dorset, and Stratton in Swindon. You know me, usually I jumped at the chance to expose a transgression by authority, but on this occasion, as a response from Assistant Chief Fire Officer James Mahoney suggests the service is merely aligning the way in which all stations operate interchangeably, the jury is out on this one. I know right, impartiality; is this the new me?!

Not really. It gets rather technical, and I donโ€™t do technical. The last thing I will do is belittle the fire service for the grand job they do. So, as Iโ€™ve been asked to share news of the petition, like a real reporter, Iโ€™ll give you the low down from both sides of the argument, and itโ€™s up to if you choose to sign it; righty then?

Becky Montague, who started the petition argues, โ€œmembers of the public will have to wait an hour to be rescued safely, instead of eight minutes in the River Avon area, because Chief Fire Officer Ben Ansell has decided to remove vital equipment from Chippenham and Trowbridge stations to Dorset, and Stratton in Swindon. This will put the lives at risk of people caught in flooding in an area Mr Ansell knows to be of high risk.โ€

โ€œRemoving equipment and training from the firefighters means that they will respond but be unable to rescue people quickly and with the right tools. Rather than watch people die, they will be forced to carry out dangerous rescues without the vital safety equipment they need.โ€

โ€œThere is no flood risk in Swindon like there is in the Chippenham, Bradford-on-Avon and Trowbridge areas. Mr Ansell will put residents of Wiltshire at risk and put firefighters in danger.โ€

This sounds like cause for alarm, and Iโ€™m grateful for our reader bringing to my attention. Theyโ€™re concerned and angered, โ€œWe donโ€™t distribute emergency equipment based on geography we do it based on risk otherwise we would have a fire station in the middle of Salisbury plain, we donโ€™t do that because thereโ€™s no risk there,โ€ they informed, โ€œThe flooding risk is in the river Avon area not in Stratton in Swindon. Theyโ€™re going to put the council tax precept up again this year, what are Wiltshire residents going to get for that, other than the grateful thanks of Dorset residents for part-funding the service that they provide from the fire service?โ€

However, Assistant Chief Fire Officer James Mahoney had this response; โ€œA strategic review of the technical rescue provision of Dorset & Wiltshire Fire and Rescue Service has been carried out. This considered risk and demand across the whole Service area; evidence from historical incident data; geographical station locations; and neighbouring Service capability. A decision on the placement of these facilities is now being considered internally.โ€

 โ€œTechnical rescue includes technical search, rescue from swift water, rescue from height, bariatric rescue, confined space rescue and large animal rescue capability. There are currently six stations providing differing aspects of technical rescue across the two counties of Dorset and Wiltshire. In addition to these technical rescue stations, all fire stations have initial water safety equipment and training, and a large number of our stations also have wading team capability. The provisions at these six stations are not consistent, and most stations do not provide all of the capabilities listed above. As a combined Service, this is neither effective, efficient or resilient.โ€

 โ€œWhilst technical rescue is not a funded statutory duty for the Fire and Rescue Service, we recognise the importance of having this capability commensurate with the risks faced within our communities across the whole of Dorset and Wiltshire. We are looking to enhance, not diminish, our capability, allowing us a more strategic approach to the positioning of the key elements of technical rescue – which will also add greater resilience by aligning the way in which all stations operate interchangeably.

 โ€œStaff and representative bodies have been briefed, and given the opportunity to contribute their views throughout and engage in this process, and we will be carrying out public consultation on our draft Community Safety Plan for 2021-25 from 17 February to 13 May 2021.โ€

If I remember rightly, when our estate flooded some years ago, a fire service came from Yeovil to help, stating Wiltshire forces were preoccupied elsewhere. Understandably, this took some time for them arrive, but had it not been for the fire services to be integrated, it may not have happened at all. On the other hand, the dubious line from the Assistant Chief Fire Officerโ€™s statement, โ€œtechnical rescue is not a funded statutory duty for the Fire and Rescue Service,โ€ concerns me. What constitutes a technical rescue? And if itโ€™s not a statutory duty, why call yourself Fire and Rescue Service?

And, as the Gazette reports, โ€œSummerham and Seend Wiltshire councillor Jonathon Seed, who is also running for the Police and Crime Commissioner post, has pledged to take the case up with MPs saying the decision is outrageous,โ€ well, something is iffy with it; deffo.

Being a man of the people, who Iโ€™d like to hear the views of is an actual local firefighter. Your anonymity will be respected if you contact us; but we need the opinion of the men on the ground. In general, Iโ€™m at my tetherโ€™s end with bureaucratic nonsense from pen-pushers, and I urge any firefighter concerned to please do let us know.

Hereโ€™s the petition, should you decide to sign it: https://www.change.org/p/dorset-wiltshire-fire-authority-stop-the-removal-of-vital-rescue-equipment-from-wiltshire-fire-stations


Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโ€ฆ

Song of the Day 4: Girls Go Ska

Hi, yeah s’me, keeping up the Song of the Day feature like dedication was as word I know the definition of!

No excuses not to, I mean I am of the generation when Roy Castle clasped his trumpet weekly, ready for the signing off of “Record Breakers.” No, it’s not a euthanasim, Google it whippersnappers.

Might also explain my fondness for brass. Brass is class, and a vital element of ska. Yep, four tunes in and I couldn’t resist sharing some ska with you.

It’s a commonly misguided notion that ska is a retrospective cult here in England. It tends to convey a bygone era of Two-Tone records, boots and braces.

Yet today, while said stereotype has a grounding, ska is an international phenomenon, particularly in South America. I did write a piece about this region’s love for ska, and how it’s roots out of Jamaica bare a different tale from our own.

To show you how fresh it can be elsewhere in the world, and it’s not a reminiscence for a
load of overweight balding pensioners as perceived in the UK, here’s all-female bar one Mexican band, Girls Go Ska, who I’m secretly in love with, (so secret they don’t even know themselves….until they use Google translate!) doing an instrumental jam.

Girls and ska; what’s not to like? Have a lovely rest of your day. Very good. Carry on….


  • Rooks; New Single From M3G

    Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes on hold for a moment, because this is a beautiful, epic journeyโ€ฆ.

    M3Gโ€™s seventh release, Rooks, poignantly pulls on the heartstrings when presented by the rise and fall of a romance, rooks often being a slang for cheating someone. It runs into six minutes, and reflecting the heartbreak of the subject, the song rises and falls accordingly. It creates a spellbinding ambience of both hope and worry equally, and is of magical vocal and acoustic guitar composition, with a gentle cajon drum subtly placed.

    Inspired by the likes of Florence Welch and AURORA, Meg was open about her autism in our interview from 2023, and claimed it as the backbone to her creativity. In this, what she creates is completely original, unique, and unequivocally personal. Meg doesnโ€™t just sing, she projects her innermost thoughts and expresses them, angelically. In Rooks, you can literally feel the characterโ€™s heart breaking, causing yours to inevitably go with it.

    The hyphen in the term singer-songwriter has never been so apt with another. Sure, I hear lots of brilliant expressive singers and lots of songwriters who can pen a marvel, but no one merges them so seamlessly and forgoes any fear theyโ€™re exposing too much of their innermost thoughts, dreams or desires. You only need to venture ten seconds into Rooks to observe what I mean, and if Meg constantly strives for improvement, causing me to say this is her best song yet each time, here we go again; this is awe-inspiring, her magnum opus to date.

    Recorded and mixed by Phil Cooper, his genius registers on it, yet still, itโ€™s Just M3G; layering her backing chants over her main vocals like choral had a singular tense, and who even designed the cover. She says working with Phil is โ€œa massive step above my other releases. I am so proud of it.โ€ It is on a next level, Iโ€™m uncertain what she could do to top it, but assured she will, and Iโ€™m certain Rooks will appease her fans and make her find new ones.

    Rooks streams tomorrow, 19th December 2025.

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  • Wiltshire Music Centre Unveils Star-Studded New Season

    Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their classical music talents…..

    Wiltshire Music Centre announces new Spring season with some extraordinary listening experiences on offer in the new year. Wiltshire Music Centre is a unique and contemporary 300-seated concert hall in Bradford on Avon.ย  In the heart of rural Wiltshire, the venue’s built an enviable reputation over the years as a professional concert hall of exceptional quality, rooted in community participation and involvement.ย The Centre also provides a permanent home for local orchestras, choirs and music groups, and works extensively with young people locally through a vibrant and varied Creative Learning Programme in Wiltshire and beyond.

    Since first opening in 1997, Wiltshire Music Centre has been a musical hub, bringing the best in live performances to the area as well as providing a home for local orchestras, choirs and music groups. Recently appointed Executive Director, Sarah Robertson and Artistic Director, Daniel Clark have a renewed commitment to creating a space for people to gather and connect through a shared love of music โ€“ a space to celebrate the past, present and future of music-making and to nurture a spirit of musical curiosity.

    Audiences can look forward to an exceptional lineup of artists, including first-ever WMC appearances by leading pianistย Angela Hewittย (30 Jan 2026), opera virtuosoย Sir Willard Whiteย performing with WMC favouritesย The Brodsky Quartetย (20 Mar 2026),ย BBC Big Bandย (17 Apr 2026) showcasing the musical genius of George Gershwin, international cabaret starย Uteย Lemperย (8 Mar 2026), blues legendย Eric Bibbย (27 Mar 2026) touring his new album, and a WMC debut by theย Neil Cowley Trioย (11 Apr 2026) who bring their inventive show inspired by Baroque genius, J.S Bach, to the Centre. ย Meanwhile,ย Jamie Woonย (8 Apr 2026), British R & B and electronica singer/producer returns to the stage after a 10-year break.

    Classical and jazz season highlights includeย โ€œtrumpeter extraordinaireโ€ย (BBC Music Magazine)ย Matilda Lloydย performing with theย Goldmund Quartetย (7 Feb 2026);ย Nikki Iles and Claire Martinโ€™sย new projectย IG4ย (7 Mar 2026); evocative choral works fromย The Gesualdo Sixย (28 Mar 2026); stunning vocals from the Grammy-nominated British vocal ensembleย VOCES8ย (26 Apr 2026); and exciting new jazz sounds from Jazz FM Instrumentalist of the Yearย Mark Kavumaย (28 Mar 2026) and London-based saxophonistย Camilla Georgeย (22 May 2026), whose music blends Afrofuturism, hip-hop, and jazz.

    For blues, folk, and roots fans, thereโ€™s a packed programme of must-see gigs featuring both established and emerging favourites, including the powerful fatherโ€“daughter duoย Martin and Eliza Carthyย (3 Apr 2026), much-loved folk singerย Cara Dillonย (8 May 2026),ย Jon Bodenโ€™sย projectย The Remnant Kingsย (15 May 2026), andย Josienne Clarkeโ€™sย homage to Sandy Denny of Fairport Convention (6 Mar 2026).

    Families can look forward to a musical retelling ofย Benji Daviesโ€™sย childrenโ€™s bookย The Storm Whaleย withย Music in the Roundย (14 Feb 2026), and the film classicย Wallace & Gromit: The Wrong Trousersย on the big screen with live music performed by WMCโ€™s flagshipย West of England Youth Orchestraย (10 Apr 2026).

    The eclectic programming extends beyond the music alone. Former Royal Harpistย Catrin Finchย (15 Mar 2026) comes to the Centre withย Notes to Self, an evening of music and conservation, while master impressionistย Alistair McGowanย (12 Apr 2026) and sharp-witted comedianย Chris Addisonย (14 Feb 2026) bring comedy and music with their respective shows. There will also be a series of monthly screenings with the newly launched Adventurers Film Club, featuringย Becoming Led Zeppelinย (28 Jan 2026),ย Set the Piano Stool on Fireย (25 Feb 2026) โ€” the acclaimed documentary about legendary pianist Alfred Brendel and his protรฉgรฉ Kit Armstrongโ€”and more.

    Introducing the new season, Daniel Clark says โ€œHere youโ€™ll find a wide-ranging series of concerts from some of the most exciting voices of the past, present and future of music. From great legends of music-making to rising stars, weโ€™re committed to bringing the best music we can to our special venue, and hope youโ€™ll find something that will transport, inspire and delight you.โ€

    Highlights:

    Angela Hewitt:ย one of the worldโ€™s greatest living interpreters of Bachโ€™s music and recipient of the City of Leipzig Bach Medal in 2020 will make her WMC debut. (30 Jan 2026)

    Angela Hewitt London 2016

    Chris Addisonโ€™s Incomplete Guide to Chamber Music:ย Chris Addison brings to life the rich, vibrant โ€“ and sometimes bizarre โ€“ history of classical chamber music. A musical journey from baroque courts and European revolutions to todayโ€™s contemporary composers with some of the UKโ€™s finest musicians and Chrisโ€™ brilliant and original facts and insight. (14 Feb 2026)

    Eric Bibb:ย Three-time Grammy nominee and blues legend with a career spanning over five decades tours brand new album,ย One Mississippiย blending blues, folk, soul, and Americana. (27 Mar 2026)

    Ute Lemper: International cabaret star bringsย her showย telling the storyย of Hollywood legend Marlene Dietrich through songs and stories: from the Berlin Cabaret years to her Burt Bacharach collaborations. (8 Mar 2026)

    Lau Noah: Beautiful, innovative and evocative vocal and guitar harmonies from self-taught Catalan composer and songwriter who has supported Chris Thile, Ben Folds and Jacob Collier on tour over the past two years. (3 May 2026)

    Tickets are now on sale:ย wiltshiremusic.org.uk/


  • Daphne Oram; Devizesโ€™ Unsung Pioneer of Electronic Sound: Part 2

    Daphneโ€™s Family & Childhood Connection to Devizes

    Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the sphere of electronic music and music technology. On the first Thursday of the month The Barbican held a concert commemorating Daphne’s centenary, where sound and music fair access partner, Nonclassical, in partnership with The Oram Trust and Oram Awards played commissioned reimagined works from various contemporary electronic artists, inspired from tapes in Daphne’s archive. This has been released as the album, Vari/ations: An Ode To Oram.

    London university Goldsmiths acquired Daphneโ€™s archive in 2006, bringing her work into the wider public domain, after decades of relative obscurity. ย In the male dominated realm of electronic music, this has presented a better understanding of Daphne as a visionary in the early development of the genre, and in turn inspired female musicians and producers.

    But our story begins rather differently, in the late nineteen-twenties, at Belle Vue House, Devizes, where a much younger Daphne is caught trying to climb inside the family piano! Daphne’s niece Carolyn Scales explained, โ€œshe was asked โ€˜why are you doing that?โ€™ and Daphne replied, she wanted the piano to make a sound between the notes on the keyboard.โ€

    Daphne with brother John

    Iโ€™m grateful to Carolyn for providing some fascinating background into Daphneโ€™s family and childhood in Devizes, something overlooked by the insurmountable information available regarding her work.

    โ€œAll the siblings enjoyed listening to classical music but only Daphne had the ability to create music,โ€ she told me. โ€œIdaโ€™s sisters often joined her to play trios and quartets at Belle Vue House while James did learn to play the cello but was happy to stand aside for more competent players. In his defence Jamesโ€™s fatherโ€™s diaries only mention one musical instrument at their home, a piano declared by a piano tuner as not worthy of tuning. Maybe we underestimate the strength of our Oram artistic genes.โ€

    Daphne at five months, with mother, Ida, brothers Arthur and John

    Daphne Blake Oram was born on the 31st December 1925, to James Oram (1890-1964) and Ida nee Talbot (1887-1972.) โ€œIda ,โ€ Carolyn explained, โ€œwho at heart seems to have been a natural party goer, was plagued by ill health. Daphne was born in Ivy House Nursing Home not because of a fear of losing Daphne but because of Idaโ€™s problems with her legs. In the first photograph of Daphne she is being held by Ida who is sitting in a wicker bath chair with Arthur and John in front of their new home of Belle Vue House.โ€

    โ€œIda was born in Braintree, Essex into a family of drapers,โ€ ย Carolyn said, โ€œwho soon moved to a shop on Maryport Street, Devizes, opposite the top of The Brittox, which they ran from 1888 until 1914. Unfortunately Idaโ€™s father Alfred died in 1896 leaving her mother Alice nee Blake to run the business.โ€ She continued to describe ย Aliceโ€™s six children helping at the shop, and its failure, though ย Ida was in charge of the millinery department, and how later there was a room in Belle Vue House devoted to her hats. Carolyn told of Idaโ€™s painting ย hobby, in watercolours, oils and other mediums.

    Talbot family with parents. Ida on swing with her twin

    Daphneโ€™s father, James, was known in Devizes as โ€œJimโ€ or โ€œJimmy.โ€ He was not Irish but proud of his upbringing off the coast of County Mayo, and โ€œnever lost his soft Irish brogue.โ€ His father Arthur Oram was a farmer and land agent in one of the most deprived parts of rural Ireland, hit hard by the famines of the early 1800s, and as such it was a natural breeding ground for agrarian discontent, later producing some prominent members of the IRA. This caused James to be keenly aware of local injustices.

    โ€œIn 1961, when James took us to see where he was born,โ€ Carolyn expressed, โ€œhe told us he was upset that he was not allowed to go to school with his friends. They were Catholic and he was a Protestant and to highlight the differences James and his siblings had to travel to school in Newport by pony and trap, rather than walk to the local school.โ€

    โ€œI feel sure that our father John was correct in saying that if James had stayed in Ireland he would have become a renowned barrister. Unfortunately, just as James left school there was a change in the familyโ€™s fortunes as The Congested Districts Board on behalf of the British Government were, quite rightly buying estates and redistributing the land among farmers living on tenanted, uneconomic smallholdings.โ€

    Therefore, instead of attending university at sixteen James travelled to Devizes, to help his uncle (by marriage,) Alfred Hinxman, the manager of the Devizes branch of a Salisbury coal merchant.ย  James lived in Devizes for the rest his life, managing the coal merchant until his retirement. Overseeing the distribution of coal in the southwest during the Second World War, James was so horrified by the profiteering he didnโ€™t take a penny for his efforts and received a MBE.

    James Oram, Devizes Mayor

    โ€œJames soon became a trusted member of the community,โ€ Carolyn said, โ€œactive in its civic life, as a magistrate and a school governor. This included being Mayor of Devizes during The Abdication and coronation of George VI.โ€

    โ€œJames also successfully became involved in many businesses including The Devizes Brick and Tile Co. Somehow James also found time for his interest in local history and was a member of various local societies. He could have become wealthy but instead gave away his excess income after ensuring that his family lived in a comfortable style. Every Sunday dinner during the depression of the 1930s they would discuss the families that the brickworks supported, carefully working out if they would have the money to feed their children. The discussion would end by choosing someone who was struggling to hire to cut the Belle Vue House lawn during the following week.โ€

    The Devizes Brick and Tile Co. Photograph by HR Edmonds

    Jamesโ€™ generous nature rubbed off on his children.ย  Daphne actively supported composersโ€™ rights to royalties while she was a Trustee of The Performing Rights Society in the 1970s. ย โ€œIn particular,โ€ Carolyn noted, โ€œDaphne helped to set up the PRS Membersโ€™ Fund that continues to support those registered with the PRS and their families when they are in need of financial help. During the 1980s Daphne arranged Christmas hampers for these families.โ€

    Before Daphne was born the family lived in rooms above the coal merchantโ€™s office at 7 High Street, Devizes. James wanted Belle Vue House, empty at the time but out of his price range, until theย  state of dilapidation dropped far enough, which was just as Daphne was being born. The house would have been at the end of Belle Vue Road, now replaced by Waiblingen Way housing estate.ย 

    Retired designer Paul Bryant, who still resides locally told me he grew up close to Belle Vue House, and recalled her returning to the family home and, โ€œthe excitement that was generated when she was awarded grants from the Gulbenkian Foundation.โ€ Paul expressed โ€œit is heartening to see the ancient horse chestnut tree, then at the end of the Oram’s garden, still surviving in Waiblingen Way.โ€ Meanwhile, local musician Peter Easton has written in request for a blue plaque to be erected in Daphneโ€™s honour.

    Daphne, with the grass roller at Belle Vue House, Devizes

    Carolyn explained how the siblingโ€™s engineering abilities can also be traced to the Oram side of the family. โ€œTheir great uncle John had designed machinery to make barrels for Rockefellerโ€™s oil, and their uncle Arthur oversaw many civil engineering projects in the Indus Valley, now in Pakistan.โ€

    โ€œArthur, aged 9 and John, aged 5 were to share a bedroom with an adjoining dressing room that James agreed they would turn into a workshop,โ€ Carolyn said. โ€œThey had already started their own tool kits and Arthur was delighted when James added a foot controlled fret saw.โ€

    In a letter to John dated April 2003, Arthur wrote it would be the 77th anniversary of their move from the High Street to Belle Vue House: โ€œEvery 20th April was the day of an annual fair on the Green, and Hitlerโ€™s birthday. That one in 1926 was a very special wet Tuesday for us. Our mother was taken the half-mile in a big closed Bath Chair drawn by a man holding the long handle in front, because of her illness with a bad knee. She was helped into their old oak bed in the drawing room, on the right of the door towards the fireplace. In that room there was placed, near the door, the old radio that our mother had bought some years before from proceeds of her Barbola work, with its two bright emitter valves and six volt battery, from which we had news through the general strike of 1926.โ€

    โ€œLater the workshop became home to Johnโ€™s lathe and of great interest to Daphne. John told me that he was sometimes very mean to Daphne when she came to the workshop. At first she had to stay outside the open door and be silent, if she passed that test she was allowed to stand just inside the door for a while before coming closer to John and even helping when possible. John taught Daphne to use a lathe and she had one of his old lathes at Tower Folly, albeit by then worn and no longer a precision tool. John also admitted to teasing Daphne over his Meccano set that she wanted to play with. Daphne had to watch John make, say a crane ,then he would tighten all the nuts and bolts before walking away leaving Daphne to dismantle his work.โ€

    Daphne visits her parents in Devizes

    Carolyn said, โ€œthere were three main early influences on Arthur, John and Daphne namely their father James, mother Ida and their home which gave them space to both work together and follow their own particular interests.โ€

    Iโ€™m eternally grateful to Carolyn Scales, Daphne’s niece, for a fascinating insight into Daphneโ€™s early years and family life, and for the photographs too. It seems her curious childhood nature was focused on what makes music, and her engineering skills were honed early, enhanced by her intrigue and not being allowed to assist by her elder brothers. This led her to create ย the Oramics Machine, her early synthesiser, built in the 1960s, but lost after her death. We should concentrate our efforts on Daphneโ€™s work ย in the third part, and how it shaped modern music……

    All images are taken with permission from the personal collection of Carolyn Scales with thanks. ยฉ2025 Carolyn Scales. Please ask permission before use.


  • Burning the Midday Oil at The Muck

    Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre in Uganda, with a little help from talented friendsโ€ฆ.

    Years back as soloist singer-songwriter One Trick Pony, Chrissy organised annual fundraising gigs at the Southgate around Christmas time, but now tuned up a notch with her incredible Americana band Burn the Midnight Oil behind her it was a high noon lock up and load for a Sunday afternoon hoedown at the Muck and Dunder rum bar in Devizes. The better half, Mrs Devizine, has been asking me to take her somewhere tropical, so given such an opportunity, we bused it to The Brittox.

    With Burn The Midnight Oil rightfully grasping the top slot with the same intensity as me holding my pineapple vase of piรฑa colada, all kicked off at half-two with Gary Hewitt-Long performing a rare acoustic set. New to the game, and while I obviously cannot condone a satirical song aimed at a certain rogue local councillor, Gary was unnecessarily bashful, as he acoustically played out some great originals to warm the crowd!

    Perhaps it was the crowd which, understandably nerved him; it sure was building, as Martin Rea sauntered through them, sporting a fashionable bum bag and dishing out raffle tickets.

    A Wiltshire duo new to me, One Plus One may offer sums even I can handle in name, but their performance was delightful. A proficient and lovable pop cover duo to please any event, One Plus One is guitarist Dave, and Emily on vocals, confident to take on an Amy Winehouse cover or two and come up trumps. Chapel Roan’s Pink Pony Club also got a superb makeover, and they polished it off with the seasonal Fairytale of New York; why not?

    Maybe only because our modest local folk legend Vince Bell, who followed, also planned to finalise his sublime set with the UK’s best loved Christmas song, with his wife Lisa as Kirsty MacColl. Though more musical theatre, no stranger to the limelight, Lisa nailed it, and the handsome, pretty, and the queens of New Devizes City crowd never minded the doubled up cover and sang the chorus.

    Vince also offered Chrissy the accompanying chair for a spellbinding middle duet they supposed they should record, and they should. But beginning his set with his divine self-penned melancholic earworms, garnished in percussive rhythm guitar mastery akin to flamenco, and raising the spirit with the more spritely Spiderman Pajamas, Vince is a local treasure and never fails to charm.


    Exactly a year after we first interviewed the original lineup, Burn The Midnight Oil came bursting on and delivered their awesome set with unified passion and precision, seemingly lapping up every minute. You’d be excused for assuming this band has been playing together for decades despite it being less than a year in the new format.

    They appeased the audience with a taste of what they’ve been working on, looked fantabulous, and, most importantly, put 210% into their show. Yet it was arguably the sum of all these parts and the community festive spirit, which made it the wonderful afternoon it was.


  • Daphne Oram; Devizesโ€™ Unsung Pioneer of Electronic Sound

    Part 1: An Introduction

    March 1936: newlywed French telecommunications engineer Pierre Schaeffer relocates to Paris from Strasbourg and finds work in radio broadcasting. He embarks on early radiophonic experiments. Fifteen years of his research, his inventions of various electronic instruments, and collaborations with Pierre Henry would lead them to found Groupe de Recherche de Musique Concrรจte. Musique concrรจte would be the root of the utilisation of modified recorded sound through audio signal processing and tape techniques.

    Across the channel, itโ€™s the St. Clementโ€™s Fair in Devizes. The town hall is decorated with a foliage of oranges and lemons, and the โ€œBells of St Clementโ€™sโ€ was recited with handbells to declare the fair open. Devizes Congregationsts arranged a small eisteddfod, which would be the origins of todayโ€™s Devizes Eisteddfod, founded ten years later to raise funds for the Congregational Church, opposite Wadworthโ€™s Brewery.

    The connection? Well, two cups were awarded by the minister Rev. W.S.H Hallett; one for Ruth Mead for a vocal solo, and the second to eleven-year-old Daphne Oram, for a pianoforte solo. The daughter of James and Ida Oram, Daphne was educated at Sherborne School for Girls in Dorset, where she was tutored in piano and musical composition.

    Daphne Oram as a young girl dressed as Alice in Wonderland with family, for the Devizes Carnival: Source Wiltshire Museum

    At seventeen Daphne moved to Kent, turned down a place at the Royal College of Music, to become a junior sound engineer at the BBC, where she would โ€œshadowโ€ concerts with a pre-recorded version, allowing the broadcast to continue despite interference or blackouts due to air raids.

    Throughout the 1940s Daphne devoted herself to the pioneering of electronic sound, labouring into the night composing various pieces, most far too avant-garde for the traditionalist BBC bosses to consider publishing. Promoted to music studio manager after a decade, she eventually convinced the BBC to the benefits of electronic music and musique concrรฉte for use in programming; particularly for The BBC Third Programme, replaced by BBC Radio 3. By 1957 they caved, and Daphne was appointed the original co-director of The BBC Radiophonic Workshop with Senior Studio Manager Desmond Briscoe.

    Their early efforts were for radio: radiophonic poems, effects for prevalent sci-fi serials like Quatermass and The Pit, and comedy sounds for The Goon Show. Yet Daphneโ€™s motivation remained in electronic music production, and she resigned in 1959 to freelance.

    Daphne Oram was way ahead of her time, a visionary frustrated with the direction The Radiophonic Workshop was heading, because electronic music was still in its infancy, especially the acceptance of it. The workshop continued without her and eventually branched into music, as television took over.

    A trainee assistant studio manager called Delia Derbyshire joined the workshop, creating numerous scores and effects for television programmes. Most notably in 1963, when Derbyshire electronically modified Ron Grainerโ€™s Doctor Who theme, hailed as the pinnacle moment in the advancement of electronic music in Britain. Though, BBC bureaucracy as it was, Delia was never credited on-screen for it until twelve years after her passing, in a 2013 fiftieth anniversary special, The Day of the Doctor. Her work has since been acknowledged and revered, whilst Daphne Oram remains a relatively unsung heroine in the development of electronic music.

    Image: Daphne Oram

    Futurist Luigi Russolo argues in a 1913 letter to composer Francesco Pratella, a manifesto referred to as The Art of Noises, that the ear will become accustomed to noises of urbanisation and industrial soundscapes, and thus mankind will develop a new sonic palette as technology progresses. A fascinating and accurate theory into the evolution of sound, in which Russolo encouraged musicians to listen to city sounds, which will putatively be the cymatics of future music.

    I find myself reasoning if this explains why electronic music today is most popular in urban environments rather than rural. Due to music famed promoter Mel Bush, Devizes retains an affection for the blues, using authentic analogue instruments. Producers of electronic music are rare here. If you want dance music, which greater acquires the usage of technology than rock, blues, or folk, you may need to head towards Bristol, Swindon, or Salisbury.

    But coming from a more urban background and growing up in the eighties and nineties, personally Iโ€™ve never outcasted electronics in music. Even if a musician is using analogue methods to create music, they will at the least use the internet to promote them. With eclectic tastes, I also love electronica, hip hop, dub, and dance music, and I love to explore the origins of it. So, this research project has me fascinated, the life and work of Daphne Oram, and her growing up in Devizes. I wondered how she became involved.

    A graphical sound technique where shapes etched into filmstrips are read by photo-electric cells and transformed into for various parameters of sound is called Oramics, after its creator Daphne Oram at her Oramics Studios in Kent. She expressed hope that her work on Oramics would โ€œplant seeds that would mature in the 21st century.โ€ Her legacy is commemorated in the annual Oram Awards, and the 2022 BBC Masterbrand Sonic, was internally known as “Daphne,” but still in her hometown sheโ€™s not widely known, neither are her early years spent in Devizes well documented.

    This month, Daphne would have celebrated her one-hundredth birthday. So, join me in an exploration of her life and work in a series of articles. We will talk with Daphneโ€™s niece, Carolyn Scales, about her early years in Devizes, explore her work further, and talk with a local producer of electronic music about her legacy and the impact her work has on them. Because one thing is certain, without Daphne Oram music today would sound vastly different, at least it would in the UK, and during the boom of pop, as you should be aware, Britain led the way. I believe that it is worth commemorating and honouring her here in her birthplace, Devizes.


  • Wiltshire Council โ€œUpdateโ€ on Northgate Street Lane Closure

    Yesterday Wiltshire Council published an โ€œupdateโ€ on the lane closure on Northgate Street in Devizes as the fire which caused it reaches its first anniversary. Only, it’s more a โ€œreminderโ€ than an โ€œupdate!โ€

    It begins, โ€œthe fire, in November 2024, caused significant damage to the Grade II-listed property and since then the council has had to install a single lane closure to keep people safe. The council recognises the inconvenience this is causing and is committed to reopening the road as soon as possible.โ€ย Yeah, knew that bit already.

    It continued justifiable, stating โ€œthe council has no legal powers to compel the building owner to take further action.โ€ Then the Deputy Leader of Wiltshire Council, Mel Jacob, said how frustrating it all was, and how they were โ€œkeen to get the road reopened as soon as we can.โ€ Knew that bit as well.

    Fair enough, red tape and all that baloney I get, but the remainder of the information simply says what an inconvenience it’s been, and its impact on the community; who knew that bit?!

    ย It suggests they’re in talks, but pledges โ€œmore positive news on the road early in the new year.โ€ If the word โ€œupdateโ€ needs replacing with โ€œreminder,โ€ the word โ€œmoreโ€ here should be swapped out for โ€œsome,โ€ for as of yet it seems there isn’t any news about it at all, let alone โ€œpositiveโ€ news; just some chatting, possibly over tea and cake. Youโ€™ve got a new bus shelter, be happy!

    But hey, even if I cannot confirm about the tea and cake, it’s 14 sleeps until Santa, so let’s keep our glasses half-full, and hope he miraculously brings a resolution in his sack. For there’s been a few advantages, such as free town centre parking for the most daring and cheeky!

    And think of it this way, the serious risk of turning right into Station Road from the mini-roundabout has been lessened by its more consistent usage; it seems now the occasional driver coming from the town direction acknowledges it as a roundabout, actually observes and obeys that technical hitch in the highway code known to others as โ€œthe right of way!โ€

    Before all this a right turn there was a white-knuckle ride only for the daredevil stuntman or those on the school run; there were more bumps there than on the road to Potterne.

    But one roundabout up into town, immortalised as โ€œThe Brewery Roundabout,โ€ has been a fascinating study into levels of human kindness in Devizes. As whilst drivers can exit the Market Place there, there’s no traffic crossing the roundabout in which to allow them their right of way. At peak times this can be challenging and a smidgen annoying. My last count of human kindness, as traffic flows at a snail’s pace from the congested New Park Street, was a fantastic new record of eighteen inconsiderate to one thoughtful driver!

    Those in the know about levels of human kindness in Devizes will nip down the Station Road junction from the Market Place, if they wish to ever exit the town westward, and being this road is narrow with parking spaces, it’s become a two-way rat run, whereby the 20mph limit is considered only for “snowflakes.”ย 

    All of which could’ve been avoided if there was a thing called โ€œplanning,โ€ whereby Station Road couldโ€™ve been reduced to one way coming out of the Market Place, and the single lane from the Brewery roundabout was used for coming into the Market Place. But no worries, because Wiltshire Council are talking about it. It’s not progress, is it? It’s more like poking a dead dog with a stick, hoping it might get up and run.


  • 7 Hills Spring Festival Comes to Trowbridge

    Is it time to start thinking about spring? I think so! Bath music promoters 7 Hills are moving their annual spring festival from the city to Trowbridgeโ€™s Old Town Hall. If youโ€™re already buzzing for the 2026 festival season to arrive, check this March offeringโ€ฆ..

    7 Hills regularly organise music events at The Night Jar in Bath, a glorious bar upstairs at the Bath Pizza Company, part of the hip Green Park Brasserie close to the railway station. Many gigs there have a โ€œpay if canโ€ policy, and present the likes of Luke De-Sciscio, Elles Bailey and Steve Cradock of Ocean Colour Scene. Their festivals are also usually held in Bath, but this coming year a spring one comes to Trowbridge.

    Chris Hoar of Courting Ghosts explained he, โ€œreached out to them initially to say I was planning a festival in the newly renovated Old Town Hall, just to check it didn’t clash with them, and Matt said let’s do it together in Trowbridge as a spring festival.โ€

    Concrete Prairie

    Itโ€™s an all day folk-rock festival, happening on Saturday 21st March, tickets are on sale now at ยฃ39.50. Thereโ€™s a number of acts new to me on the lineup, which is good; The Delines, Our Man In The Field, Joseph Arthur, Hannah White, Leander Morales Music, Chris Greenhalgh, Bluebeard and the Desperate Hours and Biff Country. Some to tick off my must see list, like AQABA, and others which I will never tire of witnessing, particularly Concrete Prairie, Thieves, Fly Yeti Fly and Matt Owens, with Chrisโ€™s band Courting Ghosts, of course!

    Courting Ghosts

    Following an extensive and transformative refurbishment, the historic Old Town Hall will host this inaugural 7 Hills Spring Festival, a landmark cultural event marking a renewed era of artistic ambition for the region. Conceived as a celebration of world-class songwriting and contemporary creative excellence, the festival assembles an exceptional line-up of internationally esteemed performers and compelling new voices.

    The Delines headline, widely regarded as one of the most evocative and accomplished bands of their generation. Praised for their cinematic soul, lush arrangements and profoundly humane storytelling, critics have called The Delines โ€œone of the finest Americana acts working todayโ€ and hailed their work as โ€œexquisite, elegant and utterly transportive.โ€ Their appearance at 7 Hills Spring Festival promises a rare opportunity to witness a band consistently described as โ€œamong the very best songwriters and performers on either side of the Atlantic.โ€

    They are joined by Our Man in the Field, whose transatlantic Americana and increasingly acclaimed live performances have captured audiences across Europe and beyond; the distinguished American singer-songwriter Joseph Arthur, celebrated for his poetic intensity; Matt Owens & The DVP, whose dynamic blend of modern folk, rock, and richly crafted lyricism promises one of the nightโ€™s most electrifying sets; and multiple AMA UK Award Winner,ย  Hannah White, widely recognised as one of Britainโ€™s most profound contemporary songwriters. Rounding out the bill are Courting Ghosts, an emerging band whose growing reputation reflects a bold and distinctive artistic voice.

    Fly Yeti Fly

    Showcasing newly enhanced performance spaces, architectural restoration, and a revitalised artistic vision, the renewed Old Town Hall stands as a major cultural milestone. 7 Hills Spring Festival will not merely highlight the buildingโ€™s transformation, but also usher in a bold new chapter for Trowbridgeโ€™s cultural landscape.

    With the absence of Bradford Roots Festival this coming year, usually in Feb at The Wiltshire Music Centre, I think I can pad it out until then; maybe go into hibernation until March!

    Tickets HERE.


  • St John’s Choir Christmas Concert in Devizes

    Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th December at 7.30pm…..

    The spectacular, and oldest church in Devizes, St Johnโ€™s Church has a Christmas Concert on Friday with All proceeds go to Juliaโ€™s House and St John’s Church.

    Tickets are ยฃ10 for adults, free for accompanied children. Tickets are available via Ticketsource, Devizes Books, or by scanning the QR code in the poster below.


  • Devizes Assize Court Saved; A New Home for Wiltshire Museum

    This afternoon I find myself contemplating what the future holds for historical discovery and learning for all ages, fun and educational exhibits and events in Wiltshire; and it looks positive! Devizes is blessed to have Wiltshire Museum already, but the future looks even better, the future isโ€ฆ. Assizes!

    Wiltshire Museum announced today, The National Lottery Heritage Fund has awarded ยฃ8.5 million towards the ยฃ14.8 million Assizes for Devizes project to transform the derelict Assize Court building into a spectacular new home for the Museum. Derelict for decades, the once huge court house of architectural distinction, on the Heritage At Risk register, The Assize Court has been a sour issue for too long, and in its current condition is sadly an eyesore. The project will restore its historic features, and breathe new life into the building; Wiltshire Museum and in turn, Devizes will thrive.

    Since 1874 The Wiltshire Museum has been delighting visitors at Long Street in Devizes, and is home to nationally important designated collections, including stunning treasures from the Stonehenge and Avebury World Heritage Site landscape. It also hosts many exhibits, educational events and lectures for all ages, childrenโ€™s craft workshops and so much more.ย 

    Director of Wiltshire Museum David Dawson said, “we are delighted that the Heritage Fund has demonstrated its confidence in our plans to transform the former Devizes Assize Court into the new home for a reimagined Wiltshire Museum. At last we will be able to give the museumโ€™s internationally significant collections a fitting home, while rescuing an important at-risk listed building and providing a focal point for town centre renewal. We are grateful to National Lottery players, our loyal members and our other funders, existing and future, for their commitment and support.โ€

    Peter Troughton, CVO CBE, Chair of Devizes Assize Court Trust, which initially saved the building by purchasing it in 2018 with the support of generous donors, said, โ€œthe National Lottery Heritage Fund award to the Wiltshire Museum is fantastic news! It will transform the museum, save the historic Assize Court building and give the people of Devizes a community hub like no other. It will be an enormous help to the campaign to achieve the vision for the award-winning museum, already supported by the town, Wiltshire County Council and leading charitable foundations.โ€

    Read More HERE


  • For Now, Anyway; Gus White’s Debut Album

    Featured Image: Barbora Mrazkova

    My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s more than worth a quick mentionโ€ฆ..

    Gus White is a respected folk musician, record producer, festival organiser, and community maker with a deep love for the rooted and the heartfelt. His production credits are the string that ties together an emerging scene that refers to itself as Third Wave Folk, involving a collective of artists which record with Gus at his Wiltshire studio. This includes microtonal and genre-fluid rising-star Maddie Ashman, folk singer Minna, and UK folk-charting artist Ann Liu Cannon. The latter is our connection, fondly reviewing Ann Liuโ€™s album Clever Rabbits back in July.ย 

    Though, in the short wintery month this album has been simmering itโ€™s made number twenty-six on the Official Folk Album Charts, making Gus rightfully charting too. An initial listen from yours truly and I can understand why. I do declare it as instant as Douwe Egbertsโ€™ Pure Gold, only in rapture rather than coffee! Itโ€™s chock full of cool vibes, that breezy feelgood Sunday morning acoustic which is too darn soothing itโ€™s impossible to criticise. As for Gusโ€™s barista skills, Iโ€™ve no confirmation, but going on his music, I could take a wild guess heโ€™s a tea fellow.ย 

    Eleven songs strong, put the kettle on yourself, and allow Gus to get on doing his sublime thing! Thereโ€™s no rise and fall, the melodies flow like the Iguazu Falls. If I pick out individual elements into Gusโ€™s melting pot, like the doo-wop-ish structure of middle-track Terrible Things, the bluesy guitar picking in the following song, Head Held High, or jazz drum percolate in Please, Forgive Me, theyโ€™re all so subtly placed. If Gus defines it Third Wave Folk, thatโ€™s what it is; a composition borrowing from Americana and English folk, but neither whole; a gorgeous cherrypick from both. It has the universal folk-rock feel of Goerge Harrison and Cat Stevens, and is equally as uplifting.

    Though some themes are negative, the overall ambience is pessimistic; if youโ€™ve a bad day, so what? Watch the rain trickle down the window outside with that lukewarm brew in a slightly stained chipped mug, listen to this and contemplate, life goes on, youโ€™re rising above it.

    If the penultimate song on For Now, Anyway, After So Long is rinsed in a dejected romantic memory, Gus carries it as skilled as Tom Petty, and the final song Still Learning lifts the spirit one final time like a contemporary Dr Hook, with that beguiling cheerful chorus. It departs your ears leaving you aching for more; a beautifully and skilled production from someone who comes across as a modest genius tea-drinker. Gus produced, mixed and mastered For Now, Anyway, a defining statement as a songwriter and a prime example of his meticulous production work.ย 

    Image: Jeremey Prout

    Authentic too; recorded in 2021, with a live band of friends and local musicians, Gus White approached this stunning album like any other project, stating he was โ€œtrying to capture the magic, and the essence, of the song in a single live performance, in the way real instruments and human voices blend when left to their own devices.โ€

    Gus, also a member of folk band Dead Pages, is co-organiser of Late Spring Folk Festival, which celebrated its third iteration this summer at Dummer Down Brewery near Micheldever, since forming at a Wiltshire pub venue. This yearโ€™s is Saturday 23rd May. If he showcases this album there itโ€™s worth the reasonable ticket stub alone.

    For Now, Anyway is out now on Man Made Tigers. Available to buy on CD & vinyl exclusively from Sound Knowledge in Marlborough and is available across streaming platforms. Donโ€™t procrastinate like me, as Iโ€™m sorry I did now Iโ€™ve heard it.


Song of the Day 3: Harmony

Look, right, I’m not at the top yet, but it’s in clear sight. A round number, of the half century kind, awaits me atop the hill, and there’s no stopping the ride to get off.

I guess reaching these milestone ages causes you to analyse your life somewhat, and if there’s one thing I do know in all my years, it’s that I’ve told some colossal pork pies. Some real stinkers. I don’t know why, other than occupational hazard as a journalist, I’ve no excuses, not one which will wash with you clever lot.

Whether it be for the prestige, the glory, or, sometimes just for the sheer hell of it, just because the golden opportunity arose and I couldn’t stop myself, they just slipped out.

I’m not proud, just saying, you know, get it off my chest. Not compulsively, though, I’d go as far to say the majority of what I say is true.

Why do people say, “I’ll be honest with you…” ? Well duh, I sincerely hope you do anyway, it should go without saying. But the phrase immediately raises the alarm; I’m guessing a whopper is on its way. I never use that phrase on principle. The principle I don’t trust myself to keep to it.

See, what with the whopper, the real damaging kind of fib. I consider my track record on that quite good, I tend to lie to big myself up, but not to put others down. I tend to lie to make light of a situation, rather than darken the notion. I tend not to lie to anyone I trust not to lie to me, and I’ve seen too many of them backfire anyway, so, I’m done with lies, filled my quota but retain decency in not being overly destructive with them; quantity not quality!

And anyway, I don’t lie here, cos I trust you all, I really do. This isnt a tabloid, this is me. Clearly you get what you see, which might be a waffling clown but, hey.

So, Harmony, from Chippenham, on the subject of liars; she’s not singing about me, no sir, not when I say with all the honesty left in me, this young singer-songwriter I’ve discovered via Sheer music, has got something really special. And even if I was lying, which I’m not, I’ve shared the video, to prove it.

And that’s Song of the Day, for the third day. It’s become a popular feature, overnight, honest.

Should you choose to believe that!

Have a lovely rest of your day. Very good. Carry on….

Ain’t Nobody’s Business but Ruzz Guitar and Pete Gageโ€™s

Iโ€™ve said it before, said lots of what Iโ€™m going to say before, in fact, but I reserve the right to say it again. And you canโ€™t blame me, itโ€™s this Groundhog Day thing, this exasperating lockdown. I perpetually revert my mind back to the last night of live music I attended, Ruzz Guitar Blues Revue at Devizes Sports Club with Peter Gage, Jon Amor and Innes Sibun. How I suspected walls could come crashing down, but didnโ€™t want accept it, neither at the time acknowledge it would be so soon. Still, optimistically, what a blinding night; least we went out with a bang.

I mean, I know and Iโ€™m eternally grateful to everyone who acted to do what they could immediately after the first lockdown, the afternoon sessions at the Southgate, and our own outing for Devizes;IndieDay, but as good as they were, as Ray Charles said, the night time is the right time. Ode to the gig, the gathering and the celebration, how we miss it so. Are you with me? You are, right?

Faced with the unwelcome likelihood of the first anniversary of the occasion coming around and still, no live music, I have to ponder how far to the light at the end of this gloomy tunnel. And to rub salt into the wound, Ruzz has released a new track, featuring the very same blues legend Peter Gage! But as far as salt goes, upon hearing this tune Iโ€™m like a halophile (a salt-loving organism; look it up, people) living on the back of a saltwater crocodile, basking at the shore of the Dead Sea.

A cover of Jimmy Witherspoon’s tune Ain’t Nobody’s Business, Ruzz explains, โ€œwe’ve taken the B.B. King and Freddie King versions, mashed them together and added an RGBR flavour into the mix! Weโ€™ve been working hard on this track since Christmas and we’re all very excited to release it.โ€

And so, they should be, itโ€™s sublime, as ever. Habitually, I favour Ruzz and the Blues Revue when they work up a frenzy, but this is smooth, this is blues, the kind of blues you need contemplating the anniversary of the gig ban, and if you attended, it will remind you of it too. If not, it doesnโ€™t matter, it just breezes over you, as all virtuous blues should.

I mean, right, the guy was from The Sloane Squares, headhunted by Shadows bassist Jet Harris upon them supporting Hendrix, and thatโ€™s just the beginning of his extensive profession. Peteโ€™s proficient vocals, gives it that edge of aforementioned BB King influence, the arrangement and tightness of this collaboration are like the chimes of seamless bellringing, hereโ€™s the Blues Revue on top form, adding guests of calibre and concluding as perfection; quid well spent.


Latest Reads….

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t thatโ€ฆ

Stonehenge or Bust; Duck n Cuvver Scale the Fence!

The last thing Robert Hardie wants is to be portrayed as villainous, or condoning mass trespass, though he accepts some might interpret breaking over the fence at Stonehenge as such. Chatting to this veteran on the phone this morning, he described the exhilaration and sensation of wellbeing, wandering between Wiltshireโ€™s legendary stone pillars, but expressed he doesnโ€™t wish to encourage others to follow his example, only to raise awareness of his crusade.

Frustration with English Heritage was the prime motive for taking the leap, displayed in his video doing the rounds on social media. But one half of Salisbury folk-rock indie duo, Duck n Cuvver has been fundraising for over three years to be able to shoot the final part of a music video inside the stone circle. โ€œInitially,โ€ he said, โ€œEnglish Heritage said it would cost ยฃ750, then they suddenly upped it to ยฃ4,500.โ€ I asked Rob if they gave an explanation, a breakdown of what the costs involved to them would be. He replied they hadnโ€™t.

My musing wandered over the occasion two years ago when local reggae band, Brother from Another pulled a publicity stunt recording themselves atop Silbury Hill, to wide criticism, but how The Lost Trades recently played around Avebury stone circle without trouble. Rob and Ian cannot call a compromise though, being the subject of the song, Henge of Stone, is as it says on the tin. As he explained to the Salisbury Journal back in 2019, โ€œThis video will make history โ€“ singing about Stonehenge in Stonehenge.โ€

Clearly enthusiastic about covering our ancient local landmarks as song themes, Rob told me heโ€™d written about Avebury too, and how he played them to the solstice crowd there. This part of our conversation ended with him reciting a few verses in song, and expressing the feeling of joy as the crowds sang them back to him.

While he didnโ€™t rule out this was a publicity stunt too, we discussed the necessities of the project. Rather than being a colossal movie production, with the atypical entourage, trailers and crew, all thatโ€™s needed is his partner in crime, Ian Lawes, and possibly the accompanying musicians, Chris Lawes, Jamez Williams, Louis Sellers and Paul Loveridge, a cameraman and a few instruments. The mechanics of shooting the footage would be simple, itโ€™s unplugged, being thereโ€™s no electricity on site, and Rob explained how mats would be provided to protect the grass. Besides, if EHโ€™s concerns were for the welfare of the site theyโ€™d simply say no, surely, not put a price on it.

Thereโ€™s therefore no justice, in my mind, really, on the exceptionally high price tag. Only to assume English Heritage is out to profit. Contemplating on recent outcries concerning activities around Stonehenge; the solstice parking debacle, closing for winter solstice and of course the tunnel, which we mutually dismissed as ludicrous on the grounds excavating there would obviously turn up some ancient findings and archaeological digs, and protection rights would whack the project way over budget, it feels the quango run agency is not the best method to protect our heritage sites, if the conservative ethos is revenue driven rather than insuring itโ€™s splendour is for all to enjoy and savour. As Rob points out in the film, โ€œStonehenge belongs to fucking us!โ€

Ah, story checks out; even English Heritage states similar on their website, if not quite so sweary! โ€œThe monument remained in private ownership until 1918 when Cecil Chubb, a local man who had purchased Stonehenge from the Atrobus family at an auction three years previously, gave it to the nation. Thereafter, the duty to conserve the monument fell to the state, today a role performed on its behalf by English Heritage.โ€ Itโ€™s basically one extortionate babysitter, calling the shots.

I enjoyed chatting with Rob, even if my plan to record the dialogue backfired due to my poor tech skills! I apologise to him for this improv article.

Iโ€™m surprised to not have previously heard of Duck n Cuvver, we tend to get vague coverage of the Salisbury area; something I need to work on. We did rap about our mutual friend, the pianist prodigy, young Will Foulstone, among other things.

The duo are sound as a pound, though, real quality folk rock come indie sound, the song is cracking, proper job. Which is why theyโ€™ve supported the likes of the Kaiser Chiefs and The Feeling, and recently performed at the National Armed Forces Day. Ardent about his music, this veteran explained his service inspired the band name, and continued to express his passion for this particular song, something which has been evolving over five years, and it shows. He described it as a โ€œcelebration of life,โ€ dedicated to a friend who passed away, from cancer.

Both members of the duo are good, charitable folk, and if Rob did climb the fence at Stonehenge recently, note he lives within the restricted range of it to constitute it being his daily exercise. From our phone call alone, I could tell theyโ€™re not the sort to abuse the trust, if it was given to them, to perform at Stonehenge, thatโ€™d be a magical moment, and, well, we could do with a magical moment right now. So, if you can help fund their campaign, youโ€™ll find a link to do so here.

I’ll pop the song which is kicking up all the fuss below, and leave with a thanks for the natter, Rob, and I wish you all the best with the crusade; Stonehenge or bust!

    


Song of the Day 2: The Big Ship Alliance and Johnny2Bad, featuring Robbie Levi and Stones

Newly-formed just a year ago, this Birmingham-based seven piece reggae band, Big Ship Alliance started out as possibly the only tribute act to reggae legend Freddie McGregor, but on track to record their own material they’ve teamed up with the outstanding UB40 tribute act, Johnny2Bad for this gorgeous topical debut single.

Featuring Robbie Levi and Stones, aside from my love of all things reggae, the song’s positive message of togetherness and unification during this era of the pandemic makes it more than apt for my second “song of the day” post. Though I did say I wasn’t intending to write anything like a review on this feature, just let you enjoy the tunes, and this is kinda heading a little bit “reviewy.” Probably cos it’s such a nice tune.

I also promised not to waffle; but I’m here now. Something about having your cake and eating it goes in rather appropriately at this point!

More so than being my song of the day, I believe this should be, as the Big Ship Alliance say themselves, “the anthem for 2021!”

Determined to make this feature a goer, as of yesterday’s pledge to add a song each day, ingeniously titled “song of the day.” I know, right, it scares me at times, I’ll be honest!

So, enjoy this fantastic tune, let the good vibes roll and have a great rest of the day. Same time tomorrow then?

Very good. Carry on….

Song of the Day 1: Atari Pilot

Irregularly I share a music video to our Facebook page with the status “song of the day,” or week, or whenever, as if it’s a daily occurrence. When the reality is it’s a big, fat fib on my part, it’s only when I happen to find such a video and can be arsed to share it. What-cha gonna do, sue me?

So, just in case your lawyer says you have a case, I thought I’d streamline this sporadic idea for 2021, make it an actual feature on the site rather than a Facebook post, and show off that I know what long words like “sporadic” mean.

Little more gone into it than this, you should be used to it by now. I’m not going to review them, just embed them here for your own appraisal and entertainment purposes. Potentially, it’ll be a groundbreakingily breif post, a simple but effective phenomenon, and something I can do without missing the Simpsons.

The challenge is consistency; whether I actually stick to the idea or, like others, it’ll be a flash in the pan. Who knows, this could be the start of something beautiful, this could be the thing they’re talking about in decades to come. A holographic Ken Bruce could be asking “what was the very first Devizine Song of the Day” in a Pop Master 200 years from now.

And you can answer it with who I bestow this honour, Atari Pilot. They’ll be revelling in the triumph of the hour if it wasn’t lockdown, I bet.

History in the making then, the only issue I foresee is I over-waffle any old crap, which is, incidentally, not what’s happening now and rarely does here; I had to explain myself, didn’t I?

Okay, I get message; here it is then, enjoy the tune, enjoy the rest of your evening. Good job, carry on.


  • Rooks; New Single From M3G

    Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes on hold for a moment, because this is a beautiful, epic journeyโ€ฆ.

    M3Gโ€™s seventh release, Rooks, poignantly pulls on the heartstrings when presented by the rise and fall of a romance, rooks often being a slang for cheating someone. It runs into six minutes, and reflecting the heartbreak of the subject, the song rises and falls accordingly. It creates a spellbinding ambience of both hope and worry equally, and is of magical vocal and acoustic guitar composition, with a gentle cajon drum subtly placed.

    Inspired by the likes of Florence Welch and AURORA, Meg was open about her autism in our interview from 2023, and claimed it as the backbone to her creativity. In this, what she creates is completely original, unique, and unequivocally personal. Meg doesnโ€™t just sing, she projects her innermost thoughts and expresses them, angelically. In Rooks, you can literally feel the characterโ€™s heart breaking, causing yours to inevitably go with it.

    The hyphen in the term singer-songwriter has never been so apt with another. Sure, I hear lots of brilliant expressive singers and lots of songwriters who can pen a marvel, but no one merges them so seamlessly and forgoes any fear theyโ€™re exposing too much of their innermost thoughts, dreams or desires. You only need to venture ten seconds into Rooks to observe what I mean, and if Meg constantly strives for improvement, causing me to say this is her best song yet each time, here we go again; this is awe-inspiring, her magnum opus to date.

    Recorded and mixed by Phil Cooper, his genius registers on it, yet still, itโ€™s Just M3G; layering her backing chants over her main vocals like choral had a singular tense, and who even designed the cover. She says working with Phil is โ€œa massive step above my other releases. I am so proud of it.โ€ It is on a next level, Iโ€™m uncertain what she could do to top it, but assured she will, and Iโ€™m certain Rooks will appease her fans and make her find new ones.

    Rooks streams tomorrow, 19th December 2025.

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  • Wiltshire Music Centre Unveils Star-Studded New Season

    Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their classical music talents…..

    Wiltshire Music Centre announces new Spring season with some extraordinary listening experiences on offer in the new year. Wiltshire Music Centre is a unique and contemporary 300-seated concert hall in Bradford on Avon.ย  In the heart of rural Wiltshire, the venue’s built an enviable reputation over the years as a professional concert hall of exceptional quality, rooted in community participation and involvement.ย The Centre also provides a permanent home for local orchestras, choirs and music groups, and works extensively with young people locally through a vibrant and varied Creative Learning Programme in Wiltshire and beyond.

    Since first opening in 1997, Wiltshire Music Centre has been a musical hub, bringing the best in live performances to the area as well as providing a home for local orchestras, choirs and music groups. Recently appointed Executive Director, Sarah Robertson and Artistic Director, Daniel Clark have a renewed commitment to creating a space for people to gather and connect through a shared love of music โ€“ a space to celebrate the past, present and future of music-making and to nurture a spirit of musical curiosity.

    Audiences can look forward to an exceptional lineup of artists, including first-ever WMC appearances by leading pianistย Angela Hewittย (30 Jan 2026), opera virtuosoย Sir Willard Whiteย performing with WMC favouritesย The Brodsky Quartetย (20 Mar 2026),ย BBC Big Bandย (17 Apr 2026) showcasing the musical genius of George Gershwin, international cabaret starย Uteย Lemperย (8 Mar 2026), blues legendย Eric Bibbย (27 Mar 2026) touring his new album, and a WMC debut by theย Neil Cowley Trioย (11 Apr 2026) who bring their inventive show inspired by Baroque genius, J.S Bach, to the Centre. ย Meanwhile,ย Jamie Woonย (8 Apr 2026), British R & B and electronica singer/producer returns to the stage after a 10-year break.

    Classical and jazz season highlights includeย โ€œtrumpeter extraordinaireโ€ย (BBC Music Magazine)ย Matilda Lloydย performing with theย Goldmund Quartetย (7 Feb 2026);ย Nikki Iles and Claire Martinโ€™sย new projectย IG4ย (7 Mar 2026); evocative choral works fromย The Gesualdo Sixย (28 Mar 2026); stunning vocals from the Grammy-nominated British vocal ensembleย VOCES8ย (26 Apr 2026); and exciting new jazz sounds from Jazz FM Instrumentalist of the Yearย Mark Kavumaย (28 Mar 2026) and London-based saxophonistย Camilla Georgeย (22 May 2026), whose music blends Afrofuturism, hip-hop, and jazz.

    For blues, folk, and roots fans, thereโ€™s a packed programme of must-see gigs featuring both established and emerging favourites, including the powerful fatherโ€“daughter duoย Martin and Eliza Carthyย (3 Apr 2026), much-loved folk singerย Cara Dillonย (8 May 2026),ย Jon Bodenโ€™sย projectย The Remnant Kingsย (15 May 2026), andย Josienne Clarkeโ€™sย homage to Sandy Denny of Fairport Convention (6 Mar 2026).

    Families can look forward to a musical retelling ofย Benji Daviesโ€™sย childrenโ€™s bookย The Storm Whaleย withย Music in the Roundย (14 Feb 2026), and the film classicย Wallace & Gromit: The Wrong Trousersย on the big screen with live music performed by WMCโ€™s flagshipย West of England Youth Orchestraย (10 Apr 2026).

    The eclectic programming extends beyond the music alone. Former Royal Harpistย Catrin Finchย (15 Mar 2026) comes to the Centre withย Notes to Self, an evening of music and conservation, while master impressionistย Alistair McGowanย (12 Apr 2026) and sharp-witted comedianย Chris Addisonย (14 Feb 2026) bring comedy and music with their respective shows. There will also be a series of monthly screenings with the newly launched Adventurers Film Club, featuringย Becoming Led Zeppelinย (28 Jan 2026),ย Set the Piano Stool on Fireย (25 Feb 2026) โ€” the acclaimed documentary about legendary pianist Alfred Brendel and his protรฉgรฉ Kit Armstrongโ€”and more.

    Introducing the new season, Daniel Clark says โ€œHere youโ€™ll find a wide-ranging series of concerts from some of the most exciting voices of the past, present and future of music. From great legends of music-making to rising stars, weโ€™re committed to bringing the best music we can to our special venue, and hope youโ€™ll find something that will transport, inspire and delight you.โ€

    Highlights:

    Angela Hewitt:ย one of the worldโ€™s greatest living interpreters of Bachโ€™s music and recipient of the City of Leipzig Bach Medal in 2020 will make her WMC debut. (30 Jan 2026)

    Angela Hewitt London 2016

    Chris Addisonโ€™s Incomplete Guide to Chamber Music:ย Chris Addison brings to life the rich, vibrant โ€“ and sometimes bizarre โ€“ history of classical chamber music. A musical journey from baroque courts and European revolutions to todayโ€™s contemporary composers with some of the UKโ€™s finest musicians and Chrisโ€™ brilliant and original facts and insight. (14 Feb 2026)

    Eric Bibb:ย Three-time Grammy nominee and blues legend with a career spanning over five decades tours brand new album,ย One Mississippiย blending blues, folk, soul, and Americana. (27 Mar 2026)

    Ute Lemper: International cabaret star bringsย her showย telling the storyย of Hollywood legend Marlene Dietrich through songs and stories: from the Berlin Cabaret years to her Burt Bacharach collaborations. (8 Mar 2026)

    Lau Noah: Beautiful, innovative and evocative vocal and guitar harmonies from self-taught Catalan composer and songwriter who has supported Chris Thile, Ben Folds and Jacob Collier on tour over the past two years. (3 May 2026)

    Tickets are now on sale:ย wiltshiremusic.org.uk/


  • Daphne Oram; Devizesโ€™ Unsung Pioneer of Electronic Sound: Part 2

    Daphneโ€™s Family & Childhood Connection to Devizes

    Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the sphere of electronic music and music technology. On the first Thursday of the month The Barbican held a concert commemorating Daphne’s centenary, where sound and music fair access partner, Nonclassical, in partnership with The Oram Trust and Oram Awards played commissioned reimagined works from various contemporary electronic artists, inspired from tapes in Daphne’s archive. This has been released as the album, Vari/ations: An Ode To Oram.

    London university Goldsmiths acquired Daphneโ€™s archive in 2006, bringing her work into the wider public domain, after decades of relative obscurity. ย In the male dominated realm of electronic music, this has presented a better understanding of Daphne as a visionary in the early development of the genre, and in turn inspired female musicians and producers.

    But our story begins rather differently, in the late nineteen-twenties, at Belle Vue House, Devizes, where a much younger Daphne is caught trying to climb inside the family piano! Daphne’s niece Carolyn Scales explained, โ€œshe was asked โ€˜why are you doing that?โ€™ and Daphne replied, she wanted the piano to make a sound between the notes on the keyboard.โ€

    Daphne with brother John

    Iโ€™m grateful to Carolyn for providing some fascinating background into Daphneโ€™s family and childhood in Devizes, something overlooked by the insurmountable information available regarding her work.

    โ€œAll the siblings enjoyed listening to classical music but only Daphne had the ability to create music,โ€ she told me. โ€œIdaโ€™s sisters often joined her to play trios and quartets at Belle Vue House while James did learn to play the cello but was happy to stand aside for more competent players. In his defence Jamesโ€™s fatherโ€™s diaries only mention one musical instrument at their home, a piano declared by a piano tuner as not worthy of tuning. Maybe we underestimate the strength of our Oram artistic genes.โ€

    Daphne at five months, with mother, Ida, brothers Arthur and John

    Daphne Blake Oram was born on the 31st December 1925, to James Oram (1890-1964) and Ida nee Talbot (1887-1972.) โ€œIda ,โ€ Carolyn explained, โ€œwho at heart seems to have been a natural party goer, was plagued by ill health. Daphne was born in Ivy House Nursing Home not because of a fear of losing Daphne but because of Idaโ€™s problems with her legs. In the first photograph of Daphne she is being held by Ida who is sitting in a wicker bath chair with Arthur and John in front of their new home of Belle Vue House.โ€

    โ€œIda was born in Braintree, Essex into a family of drapers,โ€ ย Carolyn said, โ€œwho soon moved to a shop on Maryport Street, Devizes, opposite the top of The Brittox, which they ran from 1888 until 1914. Unfortunately Idaโ€™s father Alfred died in 1896 leaving her mother Alice nee Blake to run the business.โ€ She continued to describe ย Aliceโ€™s six children helping at the shop, and its failure, though ย Ida was in charge of the millinery department, and how later there was a room in Belle Vue House devoted to her hats. Carolyn told of Idaโ€™s painting ย hobby, in watercolours, oils and other mediums.

    Talbot family with parents. Ida on swing with her twin

    Daphneโ€™s father, James, was known in Devizes as โ€œJimโ€ or โ€œJimmy.โ€ He was not Irish but proud of his upbringing off the coast of County Mayo, and โ€œnever lost his soft Irish brogue.โ€ His father Arthur Oram was a farmer and land agent in one of the most deprived parts of rural Ireland, hit hard by the famines of the early 1800s, and as such it was a natural breeding ground for agrarian discontent, later producing some prominent members of the IRA. This caused James to be keenly aware of local injustices.

    โ€œIn 1961, when James took us to see where he was born,โ€ Carolyn expressed, โ€œhe told us he was upset that he was not allowed to go to school with his friends. They were Catholic and he was a Protestant and to highlight the differences James and his siblings had to travel to school in Newport by pony and trap, rather than walk to the local school.โ€

    โ€œI feel sure that our father John was correct in saying that if James had stayed in Ireland he would have become a renowned barrister. Unfortunately, just as James left school there was a change in the familyโ€™s fortunes as The Congested Districts Board on behalf of the British Government were, quite rightly buying estates and redistributing the land among farmers living on tenanted, uneconomic smallholdings.โ€

    Therefore, instead of attending university at sixteen James travelled to Devizes, to help his uncle (by marriage,) Alfred Hinxman, the manager of the Devizes branch of a Salisbury coal merchant.ย  James lived in Devizes for the rest his life, managing the coal merchant until his retirement. Overseeing the distribution of coal in the southwest during the Second World War, James was so horrified by the profiteering he didnโ€™t take a penny for his efforts and received a MBE.

    James Oram, Devizes Mayor

    โ€œJames soon became a trusted member of the community,โ€ Carolyn said, โ€œactive in its civic life, as a magistrate and a school governor. This included being Mayor of Devizes during The Abdication and coronation of George VI.โ€

    โ€œJames also successfully became involved in many businesses including The Devizes Brick and Tile Co. Somehow James also found time for his interest in local history and was a member of various local societies. He could have become wealthy but instead gave away his excess income after ensuring that his family lived in a comfortable style. Every Sunday dinner during the depression of the 1930s they would discuss the families that the brickworks supported, carefully working out if they would have the money to feed their children. The discussion would end by choosing someone who was struggling to hire to cut the Belle Vue House lawn during the following week.โ€

    The Devizes Brick and Tile Co. Photograph by HR Edmonds

    Jamesโ€™ generous nature rubbed off on his children.ย  Daphne actively supported composersโ€™ rights to royalties while she was a Trustee of The Performing Rights Society in the 1970s. ย โ€œIn particular,โ€ Carolyn noted, โ€œDaphne helped to set up the PRS Membersโ€™ Fund that continues to support those registered with the PRS and their families when they are in need of financial help. During the 1980s Daphne arranged Christmas hampers for these families.โ€

    Before Daphne was born the family lived in rooms above the coal merchantโ€™s office at 7 High Street, Devizes. James wanted Belle Vue House, empty at the time but out of his price range, until theย  state of dilapidation dropped far enough, which was just as Daphne was being born. The house would have been at the end of Belle Vue Road, now replaced by Waiblingen Way housing estate.ย 

    Retired designer Paul Bryant, who still resides locally told me he grew up close to Belle Vue House, and recalled her returning to the family home and, โ€œthe excitement that was generated when she was awarded grants from the Gulbenkian Foundation.โ€ Paul expressed โ€œit is heartening to see the ancient horse chestnut tree, then at the end of the Oram’s garden, still surviving in Waiblingen Way.โ€ Meanwhile, local musician Peter Easton has written in request for a blue plaque to be erected in Daphneโ€™s honour.

    Daphne, with the grass roller at Belle Vue House, Devizes

    Carolyn explained how the siblingโ€™s engineering abilities can also be traced to the Oram side of the family. โ€œTheir great uncle John had designed machinery to make barrels for Rockefellerโ€™s oil, and their uncle Arthur oversaw many civil engineering projects in the Indus Valley, now in Pakistan.โ€

    โ€œArthur, aged 9 and John, aged 5 were to share a bedroom with an adjoining dressing room that James agreed they would turn into a workshop,โ€ Carolyn said. โ€œThey had already started their own tool kits and Arthur was delighted when James added a foot controlled fret saw.โ€

    In a letter to John dated April 2003, Arthur wrote it would be the 77th anniversary of their move from the High Street to Belle Vue House: โ€œEvery 20th April was the day of an annual fair on the Green, and Hitlerโ€™s birthday. That one in 1926 was a very special wet Tuesday for us. Our mother was taken the half-mile in a big closed Bath Chair drawn by a man holding the long handle in front, because of her illness with a bad knee. She was helped into their old oak bed in the drawing room, on the right of the door towards the fireplace. In that room there was placed, near the door, the old radio that our mother had bought some years before from proceeds of her Barbola work, with its two bright emitter valves and six volt battery, from which we had news through the general strike of 1926.โ€

    โ€œLater the workshop became home to Johnโ€™s lathe and of great interest to Daphne. John told me that he was sometimes very mean to Daphne when she came to the workshop. At first she had to stay outside the open door and be silent, if she passed that test she was allowed to stand just inside the door for a while before coming closer to John and even helping when possible. John taught Daphne to use a lathe and she had one of his old lathes at Tower Folly, albeit by then worn and no longer a precision tool. John also admitted to teasing Daphne over his Meccano set that she wanted to play with. Daphne had to watch John make, say a crane ,then he would tighten all the nuts and bolts before walking away leaving Daphne to dismantle his work.โ€

    Daphne visits her parents in Devizes

    Carolyn said, โ€œthere were three main early influences on Arthur, John and Daphne namely their father James, mother Ida and their home which gave them space to both work together and follow their own particular interests.โ€

    Iโ€™m eternally grateful to Carolyn Scales, Daphne’s niece, for a fascinating insight into Daphneโ€™s early years and family life, and for the photographs too. It seems her curious childhood nature was focused on what makes music, and her engineering skills were honed early, enhanced by her intrigue and not being allowed to assist by her elder brothers. This led her to create ย the Oramics Machine, her early synthesiser, built in the 1960s, but lost after her death. We should concentrate our efforts on Daphneโ€™s work ย in the third part, and how it shaped modern music……

    All images are taken with permission from the personal collection of Carolyn Scales with thanks. ยฉ2025 Carolyn Scales. Please ask permission before use.


  • Burning the Midday Oil at The Muck

    Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre in Uganda, with a little help from talented friendsโ€ฆ.

    Years back as soloist singer-songwriter One Trick Pony, Chrissy organised annual fundraising gigs at the Southgate around Christmas time, but now tuned up a notch with her incredible Americana band Burn the Midnight Oil behind her it was a high noon lock up and load for a Sunday afternoon hoedown at the Muck and Dunder rum bar in Devizes. The better half, Mrs Devizine, has been asking me to take her somewhere tropical, so given such an opportunity, we bused it to The Brittox.

    With Burn The Midnight Oil rightfully grasping the top slot with the same intensity as me holding my pineapple vase of piรฑa colada, all kicked off at half-two with Gary Hewitt-Long performing a rare acoustic set. New to the game, and while I obviously cannot condone a satirical song aimed at a certain rogue local councillor, Gary was unnecessarily bashful, as he acoustically played out some great originals to warm the crowd!

    Perhaps it was the crowd which, understandably nerved him; it sure was building, as Martin Rea sauntered through them, sporting a fashionable bum bag and dishing out raffle tickets.

    A Wiltshire duo new to me, One Plus One may offer sums even I can handle in name, but their performance was delightful. A proficient and lovable pop cover duo to please any event, One Plus One is guitarist Dave, and Emily on vocals, confident to take on an Amy Winehouse cover or two and come up trumps. Chapel Roan’s Pink Pony Club also got a superb makeover, and they polished it off with the seasonal Fairytale of New York; why not?

    Maybe only because our modest local folk legend Vince Bell, who followed, also planned to finalise his sublime set with the UK’s best loved Christmas song, with his wife Lisa as Kirsty MacColl. Though more musical theatre, no stranger to the limelight, Lisa nailed it, and the handsome, pretty, and the queens of New Devizes City crowd never minded the doubled up cover and sang the chorus.

    Vince also offered Chrissy the accompanying chair for a spellbinding middle duet they supposed they should record, and they should. But beginning his set with his divine self-penned melancholic earworms, garnished in percussive rhythm guitar mastery akin to flamenco, and raising the spirit with the more spritely Spiderman Pajamas, Vince is a local treasure and never fails to charm.


    Exactly a year after we first interviewed the original lineup, Burn The Midnight Oil came bursting on and delivered their awesome set with unified passion and precision, seemingly lapping up every minute. You’d be excused for assuming this band has been playing together for decades despite it being less than a year in the new format.

    They appeased the audience with a taste of what they’ve been working on, looked fantabulous, and, most importantly, put 210% into their show. Yet it was arguably the sum of all these parts and the community festive spirit, which made it the wonderful afternoon it was.


  • Daphne Oram; Devizesโ€™ Unsung Pioneer of Electronic Sound

    Part 1: An Introduction

    March 1936: newlywed French telecommunications engineer Pierre Schaeffer relocates to Paris from Strasbourg and finds work in radio broadcasting. He embarks on early radiophonic experiments. Fifteen years of his research, his inventions of various electronic instruments, and collaborations with Pierre Henry would lead them to found Groupe de Recherche de Musique Concrรจte. Musique concrรจte would be the root of the utilisation of modified recorded sound through audio signal processing and tape techniques.

    Across the channel, itโ€™s the St. Clementโ€™s Fair in Devizes. The town hall is decorated with a foliage of oranges and lemons, and the โ€œBells of St Clementโ€™sโ€ was recited with handbells to declare the fair open. Devizes Congregationsts arranged a small eisteddfod, which would be the origins of todayโ€™s Devizes Eisteddfod, founded ten years later to raise funds for the Congregational Church, opposite Wadworthโ€™s Brewery.

    The connection? Well, two cups were awarded by the minister Rev. W.S.H Hallett; one for Ruth Mead for a vocal solo, and the second to eleven-year-old Daphne Oram, for a pianoforte solo. The daughter of James and Ida Oram, Daphne was educated at Sherborne School for Girls in Dorset, where she was tutored in piano and musical composition.

    Daphne Oram as a young girl dressed as Alice in Wonderland with family, for the Devizes Carnival: Source Wiltshire Museum

    At seventeen Daphne moved to Kent, turned down a place at the Royal College of Music, to become a junior sound engineer at the BBC, where she would โ€œshadowโ€ concerts with a pre-recorded version, allowing the broadcast to continue despite interference or blackouts due to air raids.

    Throughout the 1940s Daphne devoted herself to the pioneering of electronic sound, labouring into the night composing various pieces, most far too avant-garde for the traditionalist BBC bosses to consider publishing. Promoted to music studio manager after a decade, she eventually convinced the BBC to the benefits of electronic music and musique concrรฉte for use in programming; particularly for The BBC Third Programme, replaced by BBC Radio 3. By 1957 they caved, and Daphne was appointed the original co-director of The BBC Radiophonic Workshop with Senior Studio Manager Desmond Briscoe.

    Their early efforts were for radio: radiophonic poems, effects for prevalent sci-fi serials like Quatermass and The Pit, and comedy sounds for The Goon Show. Yet Daphneโ€™s motivation remained in electronic music production, and she resigned in 1959 to freelance.

    Daphne Oram was way ahead of her time, a visionary frustrated with the direction The Radiophonic Workshop was heading, because electronic music was still in its infancy, especially the acceptance of it. The workshop continued without her and eventually branched into music, as television took over.

    A trainee assistant studio manager called Delia Derbyshire joined the workshop, creating numerous scores and effects for television programmes. Most notably in 1963, when Derbyshire electronically modified Ron Grainerโ€™s Doctor Who theme, hailed as the pinnacle moment in the advancement of electronic music in Britain. Though, BBC bureaucracy as it was, Delia was never credited on-screen for it until twelve years after her passing, in a 2013 fiftieth anniversary special, The Day of the Doctor. Her work has since been acknowledged and revered, whilst Daphne Oram remains a relatively unsung heroine in the development of electronic music.

    Image: Daphne Oram

    Futurist Luigi Russolo argues in a 1913 letter to composer Francesco Pratella, a manifesto referred to as The Art of Noises, that the ear will become accustomed to noises of urbanisation and industrial soundscapes, and thus mankind will develop a new sonic palette as technology progresses. A fascinating and accurate theory into the evolution of sound, in which Russolo encouraged musicians to listen to city sounds, which will putatively be the cymatics of future music.

    I find myself reasoning if this explains why electronic music today is most popular in urban environments rather than rural. Due to music famed promoter Mel Bush, Devizes retains an affection for the blues, using authentic analogue instruments. Producers of electronic music are rare here. If you want dance music, which greater acquires the usage of technology than rock, blues, or folk, you may need to head towards Bristol, Swindon, or Salisbury.

    But coming from a more urban background and growing up in the eighties and nineties, personally Iโ€™ve never outcasted electronics in music. Even if a musician is using analogue methods to create music, they will at the least use the internet to promote them. With eclectic tastes, I also love electronica, hip hop, dub, and dance music, and I love to explore the origins of it. So, this research project has me fascinated, the life and work of Daphne Oram, and her growing up in Devizes. I wondered how she became involved.

    A graphical sound technique where shapes etched into filmstrips are read by photo-electric cells and transformed into for various parameters of sound is called Oramics, after its creator Daphne Oram at her Oramics Studios in Kent. She expressed hope that her work on Oramics would โ€œplant seeds that would mature in the 21st century.โ€ Her legacy is commemorated in the annual Oram Awards, and the 2022 BBC Masterbrand Sonic, was internally known as “Daphne,” but still in her hometown sheโ€™s not widely known, neither are her early years spent in Devizes well documented.

    This month, Daphne would have celebrated her one-hundredth birthday. So, join me in an exploration of her life and work in a series of articles. We will talk with Daphneโ€™s niece, Carolyn Scales, about her early years in Devizes, explore her work further, and talk with a local producer of electronic music about her legacy and the impact her work has on them. Because one thing is certain, without Daphne Oram music today would sound vastly different, at least it would in the UK, and during the boom of pop, as you should be aware, Britain led the way. I believe that it is worth commemorating and honouring her here in her birthplace, Devizes.


  • Wiltshire Council โ€œUpdateโ€ on Northgate Street Lane Closure

    Yesterday Wiltshire Council published an โ€œupdateโ€ on the lane closure on Northgate Street in Devizes as the fire which caused it reaches its first anniversary. Only, it’s more a โ€œreminderโ€ than an โ€œupdate!โ€

    It begins, โ€œthe fire, in November 2024, caused significant damage to the Grade II-listed property and since then the council has had to install a single lane closure to keep people safe. The council recognises the inconvenience this is causing and is committed to reopening the road as soon as possible.โ€ย Yeah, knew that bit already.

    It continued justifiable, stating โ€œthe council has no legal powers to compel the building owner to take further action.โ€ Then the Deputy Leader of Wiltshire Council, Mel Jacob, said how frustrating it all was, and how they were โ€œkeen to get the road reopened as soon as we can.โ€ Knew that bit as well.

    Fair enough, red tape and all that baloney I get, but the remainder of the information simply says what an inconvenience it’s been, and its impact on the community; who knew that bit?!

    ย It suggests they’re in talks, but pledges โ€œmore positive news on the road early in the new year.โ€ If the word โ€œupdateโ€ needs replacing with โ€œreminder,โ€ the word โ€œmoreโ€ here should be swapped out for โ€œsome,โ€ for as of yet it seems there isn’t any news about it at all, let alone โ€œpositiveโ€ news; just some chatting, possibly over tea and cake. Youโ€™ve got a new bus shelter, be happy!

    But hey, even if I cannot confirm about the tea and cake, it’s 14 sleeps until Santa, so let’s keep our glasses half-full, and hope he miraculously brings a resolution in his sack. For there’s been a few advantages, such as free town centre parking for the most daring and cheeky!

    And think of it this way, the serious risk of turning right into Station Road from the mini-roundabout has been lessened by its more consistent usage; it seems now the occasional driver coming from the town direction acknowledges it as a roundabout, actually observes and obeys that technical hitch in the highway code known to others as โ€œthe right of way!โ€

    Before all this a right turn there was a white-knuckle ride only for the daredevil stuntman or those on the school run; there were more bumps there than on the road to Potterne.

    But one roundabout up into town, immortalised as โ€œThe Brewery Roundabout,โ€ has been a fascinating study into levels of human kindness in Devizes. As whilst drivers can exit the Market Place there, there’s no traffic crossing the roundabout in which to allow them their right of way. At peak times this can be challenging and a smidgen annoying. My last count of human kindness, as traffic flows at a snail’s pace from the congested New Park Street, was a fantastic new record of eighteen inconsiderate to one thoughtful driver!

    Those in the know about levels of human kindness in Devizes will nip down the Station Road junction from the Market Place, if they wish to ever exit the town westward, and being this road is narrow with parking spaces, it’s become a two-way rat run, whereby the 20mph limit is considered only for “snowflakes.”ย 

    All of which could’ve been avoided if there was a thing called โ€œplanning,โ€ whereby Station Road couldโ€™ve been reduced to one way coming out of the Market Place, and the single lane from the Brewery roundabout was used for coming into the Market Place. But no worries, because Wiltshire Council are talking about it. It’s not progress, is it? It’s more like poking a dead dog with a stick, hoping it might get up and run.


  • 7 Hills Spring Festival Comes to Trowbridge

    Is it time to start thinking about spring? I think so! Bath music promoters 7 Hills are moving their annual spring festival from the city to Trowbridgeโ€™s Old Town Hall. If youโ€™re already buzzing for the 2026 festival season to arrive, check this March offeringโ€ฆ..

    7 Hills regularly organise music events at The Night Jar in Bath, a glorious bar upstairs at the Bath Pizza Company, part of the hip Green Park Brasserie close to the railway station. Many gigs there have a โ€œpay if canโ€ policy, and present the likes of Luke De-Sciscio, Elles Bailey and Steve Cradock of Ocean Colour Scene. Their festivals are also usually held in Bath, but this coming year a spring one comes to Trowbridge.

    Chris Hoar of Courting Ghosts explained he, โ€œreached out to them initially to say I was planning a festival in the newly renovated Old Town Hall, just to check it didn’t clash with them, and Matt said let’s do it together in Trowbridge as a spring festival.โ€

    Concrete Prairie

    Itโ€™s an all day folk-rock festival, happening on Saturday 21st March, tickets are on sale now at ยฃ39.50. Thereโ€™s a number of acts new to me on the lineup, which is good; The Delines, Our Man In The Field, Joseph Arthur, Hannah White, Leander Morales Music, Chris Greenhalgh, Bluebeard and the Desperate Hours and Biff Country. Some to tick off my must see list, like AQABA, and others which I will never tire of witnessing, particularly Concrete Prairie, Thieves, Fly Yeti Fly and Matt Owens, with Chrisโ€™s band Courting Ghosts, of course!

    Courting Ghosts

    Following an extensive and transformative refurbishment, the historic Old Town Hall will host this inaugural 7 Hills Spring Festival, a landmark cultural event marking a renewed era of artistic ambition for the region. Conceived as a celebration of world-class songwriting and contemporary creative excellence, the festival assembles an exceptional line-up of internationally esteemed performers and compelling new voices.

    The Delines headline, widely regarded as one of the most evocative and accomplished bands of their generation. Praised for their cinematic soul, lush arrangements and profoundly humane storytelling, critics have called The Delines โ€œone of the finest Americana acts working todayโ€ and hailed their work as โ€œexquisite, elegant and utterly transportive.โ€ Their appearance at 7 Hills Spring Festival promises a rare opportunity to witness a band consistently described as โ€œamong the very best songwriters and performers on either side of the Atlantic.โ€

    They are joined by Our Man in the Field, whose transatlantic Americana and increasingly acclaimed live performances have captured audiences across Europe and beyond; the distinguished American singer-songwriter Joseph Arthur, celebrated for his poetic intensity; Matt Owens & The DVP, whose dynamic blend of modern folk, rock, and richly crafted lyricism promises one of the nightโ€™s most electrifying sets; and multiple AMA UK Award Winner,ย  Hannah White, widely recognised as one of Britainโ€™s most profound contemporary songwriters. Rounding out the bill are Courting Ghosts, an emerging band whose growing reputation reflects a bold and distinctive artistic voice.

    Fly Yeti Fly

    Showcasing newly enhanced performance spaces, architectural restoration, and a revitalised artistic vision, the renewed Old Town Hall stands as a major cultural milestone. 7 Hills Spring Festival will not merely highlight the buildingโ€™s transformation, but also usher in a bold new chapter for Trowbridgeโ€™s cultural landscape.

    With the absence of Bradford Roots Festival this coming year, usually in Feb at The Wiltshire Music Centre, I think I can pad it out until then; maybe go into hibernation until March!

    Tickets HERE.


  • St John’s Choir Christmas Concert in Devizes

    Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th December at 7.30pm…..

    The spectacular, and oldest church in Devizes, St Johnโ€™s Church has a Christmas Concert on Friday with All proceeds go to Juliaโ€™s House and St John’s Church.

    Tickets are ยฃ10 for adults, free for accompanied children. Tickets are available via Ticketsource, Devizes Books, or by scanning the QR code in the poster below.


  • Devizes Assize Court Saved; A New Home for Wiltshire Museum

    This afternoon I find myself contemplating what the future holds for historical discovery and learning for all ages, fun and educational exhibits and events in Wiltshire; and it looks positive! Devizes is blessed to have Wiltshire Museum already, but the future looks even better, the future isโ€ฆ. Assizes!

    Wiltshire Museum announced today, The National Lottery Heritage Fund has awarded ยฃ8.5 million towards the ยฃ14.8 million Assizes for Devizes project to transform the derelict Assize Court building into a spectacular new home for the Museum. Derelict for decades, the once huge court house of architectural distinction, on the Heritage At Risk register, The Assize Court has been a sour issue for too long, and in its current condition is sadly an eyesore. The project will restore its historic features, and breathe new life into the building; Wiltshire Museum and in turn, Devizes will thrive.

    Since 1874 The Wiltshire Museum has been delighting visitors at Long Street in Devizes, and is home to nationally important designated collections, including stunning treasures from the Stonehenge and Avebury World Heritage Site landscape. It also hosts many exhibits, educational events and lectures for all ages, childrenโ€™s craft workshops and so much more.ย 

    Director of Wiltshire Museum David Dawson said, “we are delighted that the Heritage Fund has demonstrated its confidence in our plans to transform the former Devizes Assize Court into the new home for a reimagined Wiltshire Museum. At last we will be able to give the museumโ€™s internationally significant collections a fitting home, while rescuing an important at-risk listed building and providing a focal point for town centre renewal. We are grateful to National Lottery players, our loyal members and our other funders, existing and future, for their commitment and support.โ€

    Peter Troughton, CVO CBE, Chair of Devizes Assize Court Trust, which initially saved the building by purchasing it in 2018 with the support of generous donors, said, โ€œthe National Lottery Heritage Fund award to the Wiltshire Museum is fantastic news! It will transform the museum, save the historic Assize Court building and give the people of Devizes a community hub like no other. It will be an enormous help to the campaign to achieve the vision for the award-winning museum, already supported by the town, Wiltshire County Council and leading charitable foundations.โ€

    Read More HERE


  • For Now, Anyway; Gus White’s Debut Album

    Featured Image: Barbora Mrazkova

    My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s more than worth a quick mentionโ€ฆ..

    Gus White is a respected folk musician, record producer, festival organiser, and community maker with a deep love for the rooted and the heartfelt. His production credits are the string that ties together an emerging scene that refers to itself as Third Wave Folk, involving a collective of artists which record with Gus at his Wiltshire studio. This includes microtonal and genre-fluid rising-star Maddie Ashman, folk singer Minna, and UK folk-charting artist Ann Liu Cannon. The latter is our connection, fondly reviewing Ann Liuโ€™s album Clever Rabbits back in July.ย 

    Though, in the short wintery month this album has been simmering itโ€™s made number twenty-six on the Official Folk Album Charts, making Gus rightfully charting too. An initial listen from yours truly and I can understand why. I do declare it as instant as Douwe Egbertsโ€™ Pure Gold, only in rapture rather than coffee! Itโ€™s chock full of cool vibes, that breezy feelgood Sunday morning acoustic which is too darn soothing itโ€™s impossible to criticise. As for Gusโ€™s barista skills, Iโ€™ve no confirmation, but going on his music, I could take a wild guess heโ€™s a tea fellow.ย 

    Eleven songs strong, put the kettle on yourself, and allow Gus to get on doing his sublime thing! Thereโ€™s no rise and fall, the melodies flow like the Iguazu Falls. If I pick out individual elements into Gusโ€™s melting pot, like the doo-wop-ish structure of middle-track Terrible Things, the bluesy guitar picking in the following song, Head Held High, or jazz drum percolate in Please, Forgive Me, theyโ€™re all so subtly placed. If Gus defines it Third Wave Folk, thatโ€™s what it is; a composition borrowing from Americana and English folk, but neither whole; a gorgeous cherrypick from both. It has the universal folk-rock feel of Goerge Harrison and Cat Stevens, and is equally as uplifting.

    Though some themes are negative, the overall ambience is pessimistic; if youโ€™ve a bad day, so what? Watch the rain trickle down the window outside with that lukewarm brew in a slightly stained chipped mug, listen to this and contemplate, life goes on, youโ€™re rising above it.

    If the penultimate song on For Now, Anyway, After So Long is rinsed in a dejected romantic memory, Gus carries it as skilled as Tom Petty, and the final song Still Learning lifts the spirit one final time like a contemporary Dr Hook, with that beguiling cheerful chorus. It departs your ears leaving you aching for more; a beautifully and skilled production from someone who comes across as a modest genius tea-drinker. Gus produced, mixed and mastered For Now, Anyway, a defining statement as a songwriter and a prime example of his meticulous production work.ย 

    Image: Jeremey Prout

    Authentic too; recorded in 2021, with a live band of friends and local musicians, Gus White approached this stunning album like any other project, stating he was โ€œtrying to capture the magic, and the essence, of the song in a single live performance, in the way real instruments and human voices blend when left to their own devices.โ€

    Gus, also a member of folk band Dead Pages, is co-organiser of Late Spring Folk Festival, which celebrated its third iteration this summer at Dummer Down Brewery near Micheldever, since forming at a Wiltshire pub venue. This yearโ€™s is Saturday 23rd May. If he showcases this album there itโ€™s worth the reasonable ticket stub alone.

    For Now, Anyway is out now on Man Made Tigers. Available to buy on CD & vinyl exclusively from Sound Knowledge in Marlborough and is available across streaming platforms. Donโ€™t procrastinate like me, as Iโ€™m sorry I did now Iโ€™ve heard it.


Big Bath Sleep-Out: At Home

Avoid the irony, sadly this year Bathโ€™s annual big sleep-out event in Alice Park cannot be for obvious reasons. But homelessness during a lockdown is no joke. Julian House and Bath Boules Charitable Trust lay down a more local gauntlet, inviting you to join in with a sleep-out in your garden, on your balcony or your kitchen floor, sticking to your household/social bubble.

Itโ€™s okay, calm down, itโ€™s not until 5th March, when hopefully weather will be more clement, a reality homeless donโ€™t get. So, to stand up against homelessness, challenge yourself to sleep out for just one night at home and help raise vital funds and awareness for men and women forced to do so every night.

Last year they provided life-changing support to over 1,400 vulnerable individuals who were experiencing, or at risk of, homelessness across Bath, Bristol, and the South West. Itโ€™s a grim realisation, that without support like this, the life expectancy of a long-term homeless person is just 45 years. By sleeping out, you can change that.

On top of everyday challenges, the on-going impact of Coronavirus has had a devastating effect on the men, women, and children in care. Collectively you can help provide the lifesaving services and support they so desperately need right now.

More details here



Crowned Lightbringer: New EP From Ruby Darbyshire

If I was bowled over backwards by Rubyโ€™s teaser single last week, its title, Crowned Lightbringer, now also belongs to this five-track EP, released today, and as you might guess, youโ€™re in for a treatโ€ฆ.. Thereโ€™s so much incredible time, effort and adroitness pouring out of this itโ€™s actually scary how talented Ruby Darbyshire isโ€ฆ

Find Out The Winners of Wiltshire Music Awards

Results of the public vote have been put to our expert panel of seven judges in our inaugural Wiltshire Music Awards, and now the judges have decided. I bet you’re wondering who has won and who the runners-up are, aren’t you? Well, I’m not going to tell youโ€ฆ.yet! Ah, clickbait of ye gods; beat thatโ€ฆ

Swindon Palestine Solidarity Host Summer Fete

Swindon Palestine Solidarity will be hosting a summer fete on Saturday 23rd August, at 12.30pm – 3.30pm. They need volunteers from 11am – 4 pm. at The Broadgreen Community Centre, Salisbury St, Swindon SN1 2AN…. Bring the family to float a boat for Gaza, send a postcard to Gaza, or play ring toss, ball toss,โ€ฆ

Stranglers Frontman Hugh Cornwell Coming To Cheese & Grain

Image: John Kisch Legendary songwriter and original Stranglers frontman Hugh Cornwell has announced a run of UK dates this November, accompanied by special guests The Courettes, and it includes Fromeโ€™s Cheese & Grain on Saturday 15thโ€ฆ.. Golden Brown, Strange Little Girl, Always The Sun… sound familiar? All big hits, all great songs, all penned andโ€ฆ

Talk in Code Announces New Single; More Than Friends

Atmospherically anthemic and reinforced with that infectious rhythmic groove weโ€™ve come to love Talk in Code for, More Than Friends is chockfull of it, and itโ€™s their latest single, to be released on Friday 22nd August 2025 via Regent Street Recordsโ€ฆ. Even if youโ€™re accounted for now, happily married and matured like a fine wine,โ€ฆ

“Glasshouse” at The Mission Theatre, Bath, July 21st 2025

by Mick Brian With Sandcastles Productions marking its debut production with Charlie McGuireโ€™s original play Glass House, the cast and crew behind this production are clearly anything but inexperienced as the piece delivers its thrills and emotional beats at every turn. What Glass Houseย ultimately delivers is a play packed with fascinating questions about the nature ofโ€ฆ

Female of the Species Return for the Last Time

โ€œMore deadlier than the maleโ€ is my usual corny pun for this, but if supergroup Female of the Species returns to Melksham this September, it looks like the last time Iโ€™ll be able to use itโ€ฆ. September 2017, when Devizine had merely eight articles published, I previewed a charity fundraising event in Melksham, The Femaleโ€ฆ

Crowned Lightbringer; New Single From Ruby Darbyshire

Ruby, Ruby, Ruby! So good the Kaiser Chiefs wrote a song about her, or if not, at least brilliant enough to silence the most rowdy venue into an utter state of jawdropping awe! A video of a new tune, a metaphorical sea shanty, Crowned Lightbringer teasing us for a forthcoming EP, is out todayโ€ฆ.. Aโ€ฆ

Very Terry Edwards

The word โ€œvery,โ€ rarely an adjective, as in โ€œit happened in this very house,โ€ or โ€œthis is very Terry Edwards,โ€ but commonly worthlessly used as an adverb, as in โ€œitโ€™s very cold today,โ€ or โ€œthis is the very best of Terry Edwards.โ€ While the album simplifies it to the ambiguous โ€œVery Terry Edwards,โ€ itโ€™s BandCamp page suggests, โ€œThe Very Best of Very Terry Edwards,โ€ which though itโ€™s exactly what it is, itโ€™s also one adverb enough for the most lenient of proof-readerโ€™s red line. Yet, if the usage of very is erm, very worthless, it is the only thing on this album which is.

The multi-instrumentalist, best known for trumpet, flugelhorn, saxophone, guitar and keys, marked his sixtieth birthday last September releasing this three-CD best-of box set, and while I shouldโ€™ve mentioned it last month, between putting batteries in toys and stuffing myself with pigs in blankets things got tardy. Right now, though, I can think of no better outstanding project to kick off our music reviews for 2021. Reason only partly because it ticks all my personal favourite genre boxes, more so because of the range of said genres is far greater than run-of-the-mill best of compilations.

We need to assess Terryโ€™s biography to understand the reason for this variety. Funky punk and second-gen ska most obvious, as from 1980 he was a founding member of Two-Tone signed band The Higsons, after graduating with a degree in music. But around that time Terry also produced and played on the Yeah Jazzโ€™s debut album, of whom, despite the name, were particularly folk-rock.

Terry in 1984

From here the vastness of Terryโ€™s repertoire blossoms, as session musician for a huge range of acts, from Madness to Nick Cave, PJ Harvey and The Jesus and Mary Chain to, particularly notable, The Blockheads. As well as his solo material, with his band The Scapegoats and a stint with dark punk-blues outfit Gallon Drunk, itโ€™s understandable collating this in one reminiscent anthology is a mammoth task and a melting pot. Which is just what youโ€™re getting for your money, a very, as the grammatical disorderly title suggests, worthy melting pot.

โ€œWhen the earliest recording here was made the 18-year-old me couldnโ€™t comprehend being 60,โ€ Terry explained, โ€œyet here I am presenting a triple album containing 60 titles recorded between 1979 and 2020, through thick and thin.โ€ Therefore, it must be more tongue-in-cheek than Iโ€™d suspect Roger Daltreyโ€™s notion now of My Generationโ€™s lyrics that for the opening track he opted for The Higsonsโ€™ โ€œWe Will Never Grow Old.โ€

โ€œYouโ€™d expect an overview of my career to have some odd bedfellows and more than its share of quirks and foibles,โ€ he continued, โ€œbut itโ€™s been compiled to flow musically rather than have a chronological narrative.โ€

That said, the first four tunes from his original band follow, with all their fervent rawness. Terry covered his tracks though, โ€œI immediately break my own rules by starting with The Higsonsโ€™ earliest release and debut single, but redeem myself by following up with the most recent recordings; two ballads recorded with Paul Cuddeford (Ian Hunter, Holy Holy) in February 2020. There is more method than madness; groups of songs which follow a theme or genre are found together regardless of when theyโ€™re from.โ€ Indeed, weโ€™re then treated to three tunes in a matured, mellowing jazz and blues, the latter of which with the vocally perfected Erika Stucky.

Then weโ€™re into rock with The Wolfhounds, and a guitar-twanging Christmas blues song with Robyn Hitchcock, plodding jazz with Knife & Fork, post-punk Big Joan, avant-garde jazz with Spleen and rockabilly styled New York New York. While mostly jazz-related, this first disc graduates through genres with finesse.

Terry is like Georgie Fame with a Mohican, but whatever avenue is explored, you can guarantee quality. The second CD starts with a bang, upbeat mod-jazz with The Scapegoats. Thereโ€™re more known covers here, sublimely executed Herbie Hancockโ€™s Watermelon Man, a superb solo rendition of The Cureโ€™s Friday Iโ€™m in Love, as if Robert Smith wore a Fred Perry, and a hard-rock electronica version of Johnny Kiddโ€™s Shakin all Over with the haunting vocals of Lisa Ronson. Even find an orchestral film score, and a piano solo of the knees-up capitalโ€™s favourite, May Itโ€™s Because Iโ€™m a Londoner.

Yet if both the quantity and quality on offer here is so vast to make me waffle, it doesnโ€™t waiver for the final disc, rather itโ€™s my favourite. A BBC session outtake of a jazzy Voodoo Chile, with altered title to โ€œChild.โ€ Dunno, canโ€™t be a typo, the dedication to attributing to Hendrixโ€™s masterpiece is no easy feat, lest it be known Terry manages it with awesomeness dexterity, with a saxophone!

If the last CD continues with on a jazz tip for two tunes, weโ€™re transported to ska via John Holtโ€™s Ali Baba by Lee Thompsonโ€™s Ska Orchestra and other sundry members of Madness, and Totally Wired by Terryโ€™s โ€œSka All Stars,โ€ and more ska-jazz with Rhoda Dakar. Post-punk follows, featuring The Nightingales with Vic Goddard, Snuff, Glen Matlock and Gallon Drunk. Perhaps my favourite parts being the shouty cover of The Human Leaguesโ€™ โ€œDonโ€™t you Want Me Baby,โ€ by Serious Drinking, and the general dilapidation of seriousness with new wave tunes mirroring the unsubtlety of Ian Dury & The Blockheads.

Hereโ€™s a jam-packed box-set brimming with variety which flows suitably and makes a definitive portfolio of a particularly prolific and proficient musician. For many itโ€™ll hold fond memories, for younger, who think Kate Nash created the cockney chat-rap, or jazz wasnโ€™t the same until Jamie Cullum came along, itโ€™s a history lesson theyโ€™ll never forget!

This 60th birthday, 60 track-strong celebration spans over four decades. A triple CD clamshell boxset with 24-page booklet, but more importantly they say, โ€œVery Terry Edwards is a birthday present to himself as much as anything else,โ€ giving it the impression youโ€™re on a personal journey, like a child sitting on their grandpaโ€™s lap while he recites memoirs, blinking exciting ones!

Buy from Rough Trade: ยฃ15.99 or BandCamp: ยฃ15 or ยฃ8 digital.


Wiltshire Music Centre Announces First New Season Under New Leadership

Wiltshire Music announces a new season for Autumn Winter: and the first under the new leadership of Daniel Clark, Artistic Director and Sarah Robertson, Executive Directorโ€ฆ. Since first opening in 1997, Wiltshire Music Centre has been a musical hub, bringing the best in live performances to the area as well as providing a home forโ€ฆ

Announcing The Top Ten Nominees of Wiltshire Music Awards 2025

Yeah, I hear you! An update on our inaugural Wiltshire Music Awards is overdue. So my partner on this monumental project and the guy doing all the work while I take the credit, Eddie Prestidge of Wiltshire Music Events, has taken off his shoes and socks and provided a top ten shortlist for each categoryโ€ฆ.drumโ€ฆ

Devizes Rising Star Jess Self in Final for West End Kids

If youโ€™ve seen Jess Self performing at the Wharf Theatre, singing at the FullTone Festival or elsewhere Iโ€™m certain youโ€™ll agree with us; Jess has that star quality which lights up the stageโ€ฆ.. At 13 Jess won Vernon Kayโ€™s Talent Nation, studied performing arts at Trowbridgeโ€™s Stagecoach and has appeared in many productions including Devizesโ€ฆ

FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited to cover Devizes Scooter Rally, Trowbridge Festival and My Dad’s Bigger Than Your Dad festival in Swindon as well! I either need cloning technology or more people willing to write forโ€ฆ

Devizes Scooter Rally; Best Yet, Ranking Full Stop!

If there’s been hearsay and ballyhoo about the date clash of two major but individually different events in Devizes this week, I hold my hand up for stirring the pot, yet try to attend both and find fair balance. But at the dawning of them, as magical as the FullTone Festival is, it cannot beโ€ฆ

FullTone Gets Underway With Devizes Music Academy Showcase and Something About Jamie

Devizes annual orchestral festival, FullTone got underway yesterday afternoon with a showcase of local talent from Devizes Music Academy,ย  and finalised Friday night with their recent musical Thereโ€™s Something About Jamieโ€ฆ. If today the stage is filled with the sixty-plus piece FullTone Orchestra and guest singers, Friday night was all about Jamie ….or something aboutโ€ฆ

Static Moves Crawling Back With Debut Single

In a way itโ€™s more intriguing when a cover band sends an original song than one already producing originals. For if original bands can sometimes be critical of the desire of pub venues to value cover bands over them, yeah, your average cover band is heeding the call for their bread and butter, but areโ€ฆ

Salisbury Musicians Record Fundraising Single in Memory of Thom Belk

A feast of Salisbury musicians have recorded the single Edge of Reason, a powerful tribute to the irreplaceable Thomโ€ฏBelk, a champion of Salisburyโ€™s music scene who sadly passed away at the end of 2023…. โ€œThomโ€™s passion for local talent lit up this city, and this song is our way of keeping that flame burning bright,โ€โ€ฆ

Devizes Food & Drink Festival Programme of Events Released

Devizes Food & Drink Festival launched their 2025 programme of events today. Running from Saturday 20th to the 28th September, the Box Office opens online and at Devizes Books on August 11th; can you wait that long or is your tummy rumbling already?! The free Street Food and Artisan Marketย will take place in the Devizesโ€ฆ

Wiltshire Council to spend ยฃ1.1m on digital devices so struggling families can access remote education

Wiltshire Council is allocating ยฃ1.1m of government COVID-19 funding to buy laptops and digital devices for disadvantaged pupils who currently canโ€™t join classmates learning from home.

The decision to allocate the funding to buy around 2,500 devices means these children will be able to access their school lessons from home rather than have to attend school to do so.

Currently pupils who do not have a laptop can attend school alongside children of key workers and vulnerable students. The new approach will help manage school spaces and continue to help prevent COVID-19 transmission.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œIt is essential our children and young people can continue to be taught and have an education in these difficult times as well as being able to maintain links with friends and have face to face contact with their teachers. With the news this week that schools will close we are aware there are families and young people out there who are left without the means to access that education and this is not acceptable.

โ€œBy using our government COVID-19 funding in this way we are ensuring families are not disadvantaged and can join their peers working from home. We will be working with our schools to ensure those children who need devices can access them.

โ€œI know schools have already been receiving many requests for laptops and some are sending children into school as under the new government rules you can attend. By providing additional laptops we will be freeing up those school places for other pupils who need to be in school.

โ€œAcross Wiltshire we have some great charity work happening with many community minded charities offering to recycle second hand laptops so they can be used in schools and I would like to thank them for this extraordinary effort.โ€


During the summer term Wiltshire Council distributedย 1,232 devices provided by the DfE across 138 schools which were designated specifically for disadvantaged and vulnerable children and young people. Currently secondary schools are accessing further allocated devices directly via the DfE and the council is reviewing opportunities to ensure a further reach so children in need have access to the tools for remote learning including tablets, laptops and wifi and data. The DfE has also announced that all primary schools will be able to order laptops and tablets by 15 January and the DfE will contact all primary schools by that date to invite them to order devices.

Wiltshire Council will also be working with schools following the government news that schools, trusts and local authorities can request mobile data increases for disadvantaged children and young people who do not have fixed broadband, if they cannot afford additional data for their devices and are experiencing disruption to their face-to-face education.

Schools are also working with families directly to ensure Free School Meals continues. For those families who are not sure if they are eligible for Free School Meals they can check here.  


Wiltshire Council Ask Gecko For Road-Crossing Song.

Not to make you feel old or anything, but Tufty, the safe road-crossing squirrel turns sixty this year, the Green Cross Code Man is not far behind at 51. Not too long before they’ll need some assistance crossing the road themselves, I don’t doubt!

Popular as retrospection is, Wiltshire Council have rightfully recognised a CJI Tufty makeover might not be best, and the Green Cross Code man is fighting his own conflicting interests between the Sith and Jedi.

How to teach kids to cross the road safely, needs a fresh approach….

They assigned Creative Studios to come up with this little masterpiece of a green cross code safety vid, and I couldn’t think of anyone more apt than the mighty Gecko to produce the song.

Yep, this works on so many levels. “I loved being a part of this project,” Gecko said, “I love the variety that this music life brings.” Well done Gecko, and a great choice by Wiltshire Council.

Just Another Lockdown Festival

JMW Promotions have a free online festival coming this Saturday and Sunday (9th & 10th Jan.)

There’s a lot of names I don’t recognise, which is the best thing about festivals in general, but especially online; local artists without borders. In fact the only performer I have heard of is the brilliant Jess Silk, on Sunday.

Line up looks like this: Just Another Lockdown Festival

Saturday
1pm Sam Draisey
2pm Shotgun Marmalade
3pm Kyle Parsons
4pm BICKERmusic
5pm Harrison Rimmer
6pm Warren Ireland
7pm Brian Stone Music
8pm JollyRoger
9pm Davey Malone

Sunday
1pm ALEX CAVAN MUSIC
2pm michael webster
3pm Have A Go Hero
4pm Doozer McDooze
5pm Sam Tucker?
6pm Maelor Hughes
7pm Ellie Keegan
8pm Brad Dear
9pm Jess Silk

Tune in from the artists Facebook pages which can be found on the event page, or check them out on JMW Promotions or in JMW Promotions Community.

Jess Silk (Image credit: Olver Gray)

Best of luck to JMW and all artists for the weekender, there will be a PayPal bucket linked, please support the artists, you know the drill. I’ll defo be popping in as and when and hoping to hook up with some new talent defo. Might even don my festival jester’s hat, put my cider in a squashy cardboard cup and take a piss behind the sofa!


Latest Posts

Will Lawton’s Rhythm Practice

Local music therapist Will Lawton plans to open a Music Therapy practice in early 2021, based at The Pound Arts Centre in Corsham. The service will help develop a positive change in the well-being of individuals of all ages through the creative use of music, facilitated by trained music therapists. Can you help Will reach his target?

In total, ยฃ8500 is required in order to equip a room with high quality music instruments and equipment. ยฃ6000 of this target has already been pledged by the council and a school, leaving an outstanding balance of ยฃ2500. This final balance must be found in order to unlock the rest of the grant funding to bring this project to life.

Donate here, thank you


Schools Out For Summer: Here’s Some Things to Do in Wiltshire!

Schools out for summer, yelled a man called Alice, but that was in 1972. We’re about what you can do THIS school summer holiday with those little munchkins; here’s what we’ve found… Please note as soon as we publish this we’ll be bombarded with events we have missed; at least that’s what usually happens! So,โ€ฆ

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes can peacefully contain two major events on the same weekend, and, potentially, everyone comes up smiling because they attract different target audiences. But if the practicalities and ethos of both eventsโ€ฆ

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its opening in Poulshot, near Devizesโ€ฆ. Founded by award-winning chocolatier Holly Garner, Hollychocs has become a much-loved fixture in the local community, known not just for its handcrafted chocolates but for creatingโ€ฆ

@The Southgate

Massimoโ€™s; Locale Pizza Paradiso

Talking Pizza today, why? Why not?

Who remembers BTโ€™s friends & family scheme in the nineties, reducing call charges for five selected favourite phone numbers? If you didnโ€™t submit your favs, BT would select them on your behalf based on calls to the number you made the most. Mine, living in Swindon at the time, Iโ€™ll confess, went: 1. my mum and dad, 2. my best mate, and 3. Dominoโ€™s Pizza. Four mayโ€™ve been a girlfriend, itโ€™s dubious but not impossible!

Some years later I moved to Marlborough, where given Ask, Pizza Express and so many others operate today, you couldnโ€™t get a pizza for love nor money. Enter the incredible, if slightly hazardous, Fronkie Fritzheimer, a legend in his own time. From his own kitchen and later progressing to working out of the football club, a move only the fire brigade grumbled about, he serviced Marlboroughโ€™s pizza lovers with, darn it, some of the most heavenly pizzas to have blessed my lips.

Fronkie on the move in the late 90s.

I posted on a Marlborough Facebook group, to see if bods recall his presence, or if I dreamed it, and much to my delight, while Fronkie moved to pastures new some years ago, his memory is stamped as firmly in Marlboroughโ€™s cultural history as the Earl of Cardigan. From an A4 photocopied leaflet weโ€™d regularly phone our order, and some weeks after his arrival, the delivery operative arrived at our door with complimentary desserts. โ€œBetween you and the rugby club,โ€ they thanked us without jest, โ€œare our best customers yet!โ€ We were honoured, proud we ate as much pizza as an entire rugby club!

My case study justified; trust, I know a good pizza when I see/smell or taste one, from a distance of anything up to three hundred yards. With Fronkie fertig, me now living in the Vizes, and Dominoโ€™s, face it, is an acquired taste, there was a social media much ado about nothing concerning news of Pizza Express closing in town, which left me wondering why. I am sorry to hear the news for the sake of the staff, but with mixed reviews in the comments, some moaning of the loss is bemusing to me, and Iโ€™d wager to anyone else who has sampled a Massimo pizza.

Pizza Express closing is not the end of the world, as overpriced as the mighty Dominos anyway, unless with the latter you take out an offer, where youโ€™re bundled with a pot of watery coleslaw or barely-cooked fries which droop like an impotent greasy baboonโ€™s todger! Iโ€™ve moved on from Dominoโ€™s, as you can see by my unpolished comparison, Iโ€™ve matured.

No, no, no; Massimos will cost you no more, but it is a house of quality, and I guarantee youโ€™ll taste the difference, heck, youโ€™ll smell the difference through the box! If it wasnโ€™t such a generous portion and the sort of taste you have to savour, making it filling, Iโ€™d probably have eaten the box too.

You Beauty!

Look, see here, this is no advertorial, theyโ€™ve no idea Iโ€™m writing this, much to their surprise. Buying local and all that aside, Massimo makes one tasty, fresh pizza, with topping to die for and even the crust is moreish. Heโ€™s undoubtedly stolen my homegrown crown from Fronkie. And lockdown is not stopping them, takeaway is available. Itโ€™s a crying shame thereโ€™s a ristorante left unopened until a better day, a day I was waiting for until I wrote a review for them, but sadly seems weโ€™ve lost the immediate opportunity once more.

So, think this not as a review, do I look like, Jay Rayner? Actually, donโ€™t answer that. Just saying, I love a Massimoโ€™s pizza, the family does, Iโ€™d wager Devizions-in-know do. Treat yourself, thereโ€™s a full menu to takeaway, the lasagne, ah, the lasagne, speaks for itself. You can call them 01380 724007, message them on Facebook, or, thereโ€™s a little bell at the door in Swan Yard, just ring it when theyโ€™re open, 5-8:30pm. Theyโ€™re fantastically welcoming and will bring you takeaway Ring Donuts, Nutella Donuts, Cartoccio with sweet Ricotta filled, Nutella Croissants, any two for three quidโ€ฆ whoa, I apologise; getting a tad over-excited. But, right, the guy won the coveted Gold Star for 2020 for his own Napoletano sauce; how much more convincing do you need?!

hot dang!

@ The Southgate

Devizine in Lockdown, again.

Here’s our deal, as I see it given new lockdown restrictions.

We have an annual reach of approximately 50K, over 80% of which are local. Whatever Devizine can do to help you, we will, but you must let me know about what you’re doing and engaged in for me to promote it. I’m unable to spend every moment on social media sourcing your stories.

Advertise your business, school, charity, online event, FREE for lockdown duration. Just send me details. This is available for small local businesses and at the editor’s discretion. We can put adverts on all published articles. We can cover your activities in articles and features, and we will share these across social media.

If you are engaged in any supportive projects, notify me so we can spread the word.

If you’re in creative arts, music, art, sports, and fundraising, whether crowdfunding, help in promoting live streams, recordings, online exhibitions and any other projects, we can and will help.

Please consider, if you can, making a donation to help the site keep running and improving.This you can do at http://www.devizine.com/about

You can email devizine@hotmail.com or message the Facebook page, you can tweet @devizine1 – Together we can pull through this.

Here we go again.

Thanks, Darren.

Oh, an important note I forgot to add, thanks to the edit function here! Please, if I fail to respond to emails and messages, feel free to nudge me. Things do sometimes get missed and I’d dread you to think I’m ignoring you! I don’t view it as impolite to ask if I remembered to do this or that, ask the wife, I can be forgetful!! ๐Ÿ™‚

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

The Curious Case of the Christmas Carrot

Twas down in the cellar of the Vaults where poets meeting to recite verses of yule and a celebrated story-time with Ian Diddams, had become somewhat of a seasonal ritual in old Devizes. Alas it was not to be this time around amidst the many cancelled traditions, but like many events, an adequate substitute has been provided. You may have to source your own beverages, but you can spend an hour with Ian in his garden grotto as he recites an entertaining and hilarious parable, from the comfort of your own armchair, or loo; whichever you deem more suitable.

Unsure how I missed this satirical chronical disguised as a fable to make Arthur Conan Doyle blush. I guess with seasonal celebrations my online time has been sporadic, but Christmas isnโ€™t over just yet, or is it? Whatever; I suspect, unless youโ€™re a Devizes resident with a penthouse on Baker Street, youโ€™ll never personally identify with cultural references in any other Sherlock Holmes mystery in quite the same way.  

A faultless fable delivered effortlessly, save the continuity of one shady depiction of a local character, the toothless milkman from Rowde. Didds should take heed, my inkling I know the very person ridiculed and will confirm theyโ€™re far too young to know what, or who, โ€œa milk snatcherโ€ is. Honestly, Iโ€™m cut between being honoured and contemplating the cheek of it all!

I present the video herewith for your own perusal and entertainment, if, like me, you were too busy stuffing turkey and/or Quality Street and putting batteries in toys over the season to have taken notice of it. It is worthy of your time, the story intermitted by poetry outbursts by Gail Foster, who not only tends to slip-in (fnarr fnarr) occasional filthy subject matter, but also knowing the particular aforementioned troubled character scorned, could have tried to step in to stop him, but didnโ€™t.

Most importantly, Ian always requests charitable donations as a way of applause for his efforts, and this time focusses on our earnest homeless charity Devizes Opendoors. You can donate here, please. You know weโ€™ve visited Opendoors and seen first-hand the great work they do.