Weekly Roundup of Events in Wiltshire: 24th โ€“ 31st August 2022

We canโ€™t wait until roundup Tuesday, when we usually roundup the weekly roundup, itโ€™s the last big summer blowout bank holiday, so weโ€™re simply too excited and thought you might wanna plan early, so here it is, hold on to your horses… or just let them run wild, I’m not worried, just too excited, did I say I was too excited?!

Repetition is fine, but there’s no links here, too time-consuming, so please us this link to our event calendar, and you can grab details and ticket links from there, but you knew that already, I hope. Oh, did I say, repetition is fine?

All quiet on Wednesday 24th, but if youโ€™re eager to get the ball rolling, 41 Fords play the Kilminton Home Guard Club in Warminster, entry by donation, and donโ€™t forget Wednesday s are the regular acoustic jam night down our trusty Southgate in Devizes, and is always a wonderful night.


Thursday 25th then, and Honey Fest kicks off at the Barge on HoneyStreet, and banging out the whole weekend; I believe thereโ€™s a few tickets up for grabs.

Meanwhile, unmissable rock soloist Adam Masterson plays The Tuppenny in Swindon with Jules Hill in support. Bath Forum have The Billy Joel Songbook, and lots of lucky people will be making their way to either Reading Festival or GoatFest; have fun!


Warming up to Friday, the 26th August, when our brilliant Irish folk duo, the Celtic Roots Collective are at the Pelican in Devizes.

Over in the land of chips and ham, thereโ€™s an August Bank Holiday Beer & Cider Festival at the Three Crowns, and ska-punkers Operation77 play The Black Horse, Chippenham.

Illingworth takes on triple gigs this weekend, catch them at Flan Oโ€™Brianโ€™s in Bath on Friday, where Komedia have a night with The Ministry of Burlesqueโ€™s Cabaret; ding dong!

Mod band Peloton plays The Vic, Swindon, and wow, the Cheese & Grain, Frome have Morcheeba, yes, I said Morcheeba; show offs!


Saturday 27th, is the big one. Shall I start it with theโ€ฆ.

Editorโ€™s Pick of Week: The Full Tone Festival, The Green, Devizes

Yep, you probably guessed it, itโ€™s time for the hills of Devizes to come alive with the sound of music. It is the Full Tone Festival Weekend. Hurry and get your ticket, and say hi if you see me wandering around like a lost puppy. Said what needed to be said about this corker, let the show begin.

Over in Devizes Market Place from 9am-1pm thereโ€™s a Mind, Body & Spirit Market. Thereโ€™s free live music all day at the Crown Inn, Bishops Cannings, with 12 Bars Later, Plan of Action, and Itโ€™s Complicated. Later, 12 Bars Later nip across to the Southgate, Devizes!

And where do I even begin elsewhere? Holt Scarecrow Trail begins, itโ€™s Aldbourne Carnival, a Rod Stewart tribute at The Pewsham, Near Chippenham, thereโ€™s a Summer Party at Westbury Cons Club with Wade Merritt and Jay, followed by People Like Us, and the West of England Youth Orchestra perform at Wiltshire Music Centre, Bradford-on-Avon.

A debut performance, at the Gloucester Road Conservative Club in Trowbridge for soul band Dimensions, and thatโ€™s free entry. Kurt Vile & The Violators at Bath Forum, Apollo Ghosts at the Cheese & Grain, Frome, and in Swindon, the wonderful The Daybreakers are live at The Vic, while The Tin Shack Band play the Woodlands Edge. Oh, and The Swiss Chalet has a Harryโ€™s Heroes fundraiser.


Sunday is where things usually start to calm down, but not this weekend. The 28th sees the second day of Full Tone, Great Cheverall Soap Box Derby and Potterne Festival.

Illingworth play The Churchill Arms in West Lavington today, and a young local band to watch out for, Nothing Rhymes With Orange are in support.

Thereโ€™s a mini fest at the Talbot in Calne with Six Oโ€™clock Circus, People Like Us, Wet Frank, End of Story and others.

LodgeFest aptly at Warminsterโ€™s Lodge, an M4 Classic Car & Bike Show in Chippenham, and the Hammervilles have a bank holiday beach party at the Cheese & Grain, Frome.

Swindon is gearing up for the Shuffle next month, but in the meantime, Shades of Seattle plays the Vic, highly recommended Atari Pilot are at the Castle, and for the kids, thereโ€™s always Milkshake live at the Wyvern.


If youโ€™re still standing in Devizes on Monday, 29th August, hereโ€™s what to doโ€ฆ. Black Rat Monday, down The British Lion, with the Celtic Roots Collective and a jam to follow. Or Finley & Mark support The Reason at the Three Crowns; nice either way!

From 5pm Illingworth will be at the Waterfront, Pewsey, and the Beverley May Band play The Milk Churn, Melksham. Itโ€™s the Chippenham River Festival, thereโ€™s a massive line-up for a free music festival across the entire village of Box, it is Box Rocks. The Lost Trades and Dolly Mavies headline a mini-festival at The Lamb Yard in Bradford-on-Avon, and Abba tribute 21st Century ABBA play The Bowl in Town Gardens, Swindon.

Iโ€™m sure thereโ€™s going to be more added as the week goes by, so keep up-to-date with our event calendar. Thatโ€™s the weekend forecast to date, though.

Tuesday 30th and Gently Tender play The Royal Oak in Marlborough, the regular Jazz Knights at Swindonโ€™s Royal Oak has the Kevin Figes Quartet, during the day thereโ€™s a Farmyard Circus at Queenโ€™s Park, and Russell Brand comes to the Wyvern.

Wednesday 31st, look out for the Wind in the Willows at the Corsham Almshouses, and phew, thatโ€™s me done, dusted and ready for a nap; have a great weekend!


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Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

Weekly Roundup of Events in Wiltshire: 17th-24th August 2022

Ah this is more like it, the English summer we know and love! Tad wet, but hereโ€™s what we have to do this week and the last weekend before the big summer blow-out which is the August Bank Holiday.….

Donโ€™t forget, more info and all links for bookings are on our event calendar, where you can also plan ahead, so long as it keeps updating, which Iโ€™m trying my best to, honest!

Thereโ€™s a floral demonstration at Devizes Town Hall on Wednesday 17th August, by the Devizes Flower Club; opens at 7pm, ยฃ5.

Parents head for the Wiltshire Music Centre, Bradford-on-Avon where thereโ€™s a messy art session and a singing day ahead.

Manchesterโ€™s noughties art rock band Everything Everything play the Cheese & Grain, Frome.


Thursday 18th, and again, kids can visit The Musical Zoo at the wonderful Wiltshire Music Centre, Bradford-on-Avon. Three bands at The Beehive, Swindon on Thursday, The Acoustic Buzz 52, Larkham & Hall and Jol Rose. Also, at The Vic the have Monasteries, Creak, Persadian & Chasing Dolls. The Summer Youth Project performance of Legally Blonde is at the Wyvern.


Onto Friday 19th, and itโ€™s the Wine Tasting event at St Maryโ€™s Devizes, previewed here.

If youโ€™re lucky you can still book a fantastic Survival Camp for any young adventurous children who are aged between 10 years old and 12 years old, with the Wild Edge Survival Camp at West Lavington.

Folk duo Fly Yeti Fly are at The Bear Inn, Bradford on Avon, The Beverley May Band at The Kings Arms, Melksham, Hayden Lloyd at Komedia, Bath. @59 play The Wellington in Marlborough.

In Swindon, Judas Rising plays the Vic, while Bobbi Nicholles is at Woodlands Edge.


Saturday 20th, itโ€™s my pick of the week; the Bath Comic & Gaming Festival at Bath Uni. Full of UK based comic artist guests, some film and tv guests and cosplay guests, a dinosaur zone, Stranger Things, Ghostbusters and Star Wars props, and lots of stuff for kids to empty fanboy dadโ€™s wallet! Lord, help me!

Roots and folk at the Southgate Devizes, with Barney Kelly, and the welcome return of Long Street Blues Club with Skinny Molly, I believe is a sell-out. Worth checking though, I might be wrong, as, I sometimes am; I said sometimes!

Dutty Moonshine Big Band play The Barge, HoneyStreet, Emily Barker is at The Pump in Trowbridge, and another successful Pipe & Slippers Rave at Trowbridge Town Hall goes off; I have to see this for myself; dust off the old whistle and white gloves! Oh, and if Sausage & Cider is more your thing, thereโ€™s a Day of it at The Brewery Inn, Seend Cleeve.

Shame Live at Lydiard had to cancel, but People Like Us play The Swiss Chalet, Swindon and Click! are at Woodlands Edge.


Sunday afternoon on the 21st August then, has another Fantasy Radio Lark in Hillworth Park, Devizes, though Iโ€™ve no idea whoโ€™s playing, because they never say. But Chaz Throughgood is at the Southgate.

Itโ€™s the August Jam for the exclusive Wiltshire Blues & Soul Club, in their hiding place at Lacock, while the fantastic Sarah C. Ryan Band play a lazy afternoon at Richard Jefferies Museum, Swindon, and Jim Blackmann plays Komedia, Bath.

And thatโ€™s your weekend over. On Tuesday 23rd Radio Banska play Jazz Knights at The Royal Oak, Swindon, and at this moment in time Iโ€™ve nought else in the week until Thursdayโ€™s opening of HoneyFest at the Barge on HoneyStreet.

But it will be bank holiday next weekend, and thereโ€™s much to be looking into and planning. Weโ€™ll be at The Full Tone Festival on the Green in Devizes, and that one, I promise you, will be awesome, but not the same without you, so get your ticket as soon as possible!

But yeah, same weekend you can find Reading Festival, GoatFest, Potterne Festival, Holt Scarecrow Trail, the Great Cheverall Soap Box Derby, Mini Talbot Fest at The Talbot, Calne, LodgeFest at The Lodge, Warminster, an M4 Classic Car & Bike Show in Chippenham, Chippenham River Festival, a live music festival at the Lamb Yard in Bradford-on-Avon, 21st Century ABBA at The Bowl, Town Gardens, Swindon as well as multitude of smaller gigs at just about every local pub and venue you can mention; and itโ€™s all here on our event calendar, just hope the rain gives it a break!


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St John’s Choir Christmas Concert in Devizes

Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโ€ฆ

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s moreโ€ฆ

Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โ€ฆ

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โ€œlarge unlicenced musicโ€ฆ

Jon Amor in Residency – August 7th 2022 โ€“ The Southgate Inn

By Ian Diddams

After eight months of being other engaged on the first Sunday of each month, with run throughs of self-authored radio plays, Rugby weekends to Edinburgh, and rehearsals for Pirates of Penzance and Macbeth, I finally had a spare slot to come and see Jon Amor in residency at The Southgate Inn, Devizes.

Given this was Jon’s EIGHTH appearance this year at the venue itโ€™s a somewhat daunting task to review him following in the footsteps of Messrs Worrow and Fawthrop .. but here I am in an attempt to not regurgitate the same old cliches and fawning sycophancy.

Errrโ€ฆ ummmโ€ฆ hmmmโ€ฆ ahhhโ€ฆ
So much for that attempt then! So leaving that aside โ€ฆ

Jon – the lanky piece of piss from the Hoax according to Jeff Beck – was as ever at his ease in his manor. Joining him were his constant companions (at least at the Southgate!) the incomparable Jerry Soffe on bass and Tom Gilkes on drums – more of them later. And after a couple of shoulder loosening openers of superb class this monthโ€™s guest โ€ฆ Muddy Manninen of Wishbone Ash, Patsy Gamble and Black Pearl fame. And even with the superb introduction to the gig, the class rose yet again as Muddy strummed his way through the first joint number.

And the evening just got better and better and better. Swapping between themselves on rhythm and lead, Jon and Muddy led us through raucous numbers to classic blues over and over again. And no sooner had it seemed they’d just begun โ€ฆ it was half time and a chance to replenish glasses and take a breather from the heady atmosphere outside in the delightful beer garden of the Southgate.

Soon it was however time for more of the same, and what a second half. How anybody can say they donโ€™t like blues always defeats me and the guys took us all to even more stratospheric delights. Aside from the phenomenal talents of our two strummers, the backing boys shone though. Jerry every bit the standard bassist with t shirt, shorts and trainers had his own moment to shine with sublime solos and interjections, the coolest member of the quartet (well, he IS a basis ๐Ÿ˜Š ). And Tomโ€ฆ wellโ€ฆ BLOODY HELL! I recall the first ever drum solo I saw aged about twelve maybe, at the Chatham Central Halls of the Dutch Swing College Band – the rest of the band left the stage – no doubt to toke and drink up – and the drummer did his thing for several minutes. I was mesmerised. I’ve loved a good drum solo since and I wasnโ€™t disappointed as Tom got his chance to demonstrate his sublime skillset for many minutes until he finally begged for release from his band mates as he tired, to a standing ovation.

A chum I grew up with a million years ago is no mean drummer himself, and runs a recording studio in Southern California now; I sent him a video of Tom’s work and he replied “Heโ€™s a very good drummer. Those little grace notes heโ€™s playing on the hi hat in that last clip is classy.” So there you have it – not only a brilliant drummer but also a Devizine review from San Diego!

All good things eventually come to an and we said farewell to Jon and Muddy and – of course! Tom and Jerry! The connection between all four of them was palpable and the joy palpable. Jon has always come across as a genial easy-going guy of course, but I commented to him afterwards that he looked really happy on set. Broad grins and smiles all round. Muddy was a total delight to see and hear play, true class again. We are so fortunate to be able to draw upon Jon’s circle of friends in the business in this manner, and itโ€™s no small kudos to Dave and Debs at the Southgate for the residency slot and the concept of “And Friends”.

As a final world then, itโ€™s only fair to quote my chum from SoCal once again โ€ฆ

“Itโ€™s a good day when you stumble upon players of this calibre down the pub!”

Isn’t it just?


Jon Amor, Friends, and the Southgate

Jeepers. No one works that hard on a Sunday, surely? Even if your boss shoves a Sunday shift unwillingly on you, you brush as much as you can under the carpet; anything which can wait until Monday, should do. I’ve mentioned it in passing, but not given Jon Amor’s monthly residency at the Southgate full coverage before, because those who know, know anyway.…..

For procrastination isn’t in our Devizes’ blues living legend’s vocabulary, neither is the notion it’s only a free pub gig. Jon Amor and friends blows the Southgate down, every first Sunday of the month. The like you’d happily pay a ticket stub for, and he throughly loves every second of it.

It’s a pub Sunday roast with a difference; you’re the meat. Jon bangs up the heat and cooks like Heston Blumenthal on a promise, usually drafting in a renowned sous chef from his network of astounding bluesmen. On this occasion King Street Turnaround bassist, Jerry Soffe and quickfire drummer Tom Gilkes joined him, along with the single most dexterous keyboardist I’ve had the pleasure to witness, John Baggot.

With more to appease than Devizes blues afictionardos in the middle-aged mosh pit, being footfall decended clockwork from DOCA’s fantastic Picnic in the Park, Jon didn’t concern himself to warm the oven first, sizzling our tender loins with his signature ‘Juggernaut,’ I was assured from start, this was a hip rub with michelin star garnish.

Baggot was the gravy boat, seemingly improv throughout, his sublime skill at the keyboard poured the stock on so thickly, contrails were visible from his hands. Complimenting Jon, Tom and Jerry’s jam, it came together impeccably. We’re looking at the Devizes’ very own juke joint here, the tunes they played through unimportant when you’re going with the flow, the outstanding quality is the only element paramount for mentioning.

See, I’m a world music lover, mightily impressed by DOCA’s ethos of providing our town with these slices of something all together different for these back waters. But due to Dad’s taxi service I rocked up belated enough only to catch the finale of their carnival warmup at Hillworth; beguiling marimba rhythm band, London-based Otto & The Mutapa Calling. Their enchanting tempo breezed through the crowd and trees beyond, contrasting in genre to the familiarity of what was to follow a stone throw away at our Southgate. Yet to palsy-walsyily acquaint with electric blues is to Devizes what Merseybeat is to Liverpool or triphop to Bristol, Jon is the kingpin, and we love it with bells on.

Otto & The Mutapa Calling

The rare occasion timings between events occur in town like this, is fantastic, bit like sauntering between stages at Glastonbury, without the wellies. The sporadic spoils of DOCA or Devizes Arts Festival, Long Street Blues Club or the Wharf truly are blessings to the town when they occur, but the Southgate is that dependable, regular stalwart, something Deborah and Dave should be very proud to have developed.

With such a flowing lineup, it’s never a disappointment, but I recall a day a few years past, when, with glint in her eye, landlady Deborah told me Jon Amor came in and wanted a slot; look how far we’ve come. For if the musical menu is tantalising weekly, this residency is the house special.


Errol Linton at Long Street Blues Club

In a remarkable finale to the season for Long Street Blues Club, London-based The Errol Linton Band presented Devizes with a sublime lively blues blend of delta and RnB, incorporating jazz, funk, reggae and ska too. But if the bandโ€™s proficiency in implementing this melting pot sounds erratic, the perfection was in the precision of switching through subgenres. The result was simply infectious.…..

Itโ€™s rarely mused, given the contemporary influence of Jamaicaโ€™s musical export, that prior to reggae its route lies with the removal of shortwave radio stations provided for American soldiers stationed on the island after WW2. As they disembarked Jamaica they left a blossoming sound system culture, the entrepreneurs of which set up recording studios as supply of US 45s declined.

They pulled from the influences they heard, jump blues particularly, and within these walls is the fabled Duke Reid session with Prince Buster, whereby copying the offbeat experiments of Fats Domino and Barbie Gaye, as was popular on the sound systems, and riding the shuffle beat style of T Bone Walker, a timeout was called and the guitarist ended by running the shuffle backwards, accidently creating โ€œthe ska.โ€

Even less widely known; initially Duke Reid wasnโ€™t in favour of ska, but as the government promoted it for tourism as โ€œJamaicaโ€™s first national sound,โ€ obviously he felt heโ€™d lose out if he didnโ€™t follow the trend. So, pre-ska, and even during its explosion, the Jamaican studios continued to put out as wider variety of sounds as they heard on US Radio, from blues to doowop and even country. This is a necessary backstory to capture the ethos of Errol Linton and his band, as Errol and two-thirds of the band have Jamaican heritage, are keen to emphasis this, and however subtle, everything mentioned gets a nod in their performance.

Errol is also an accomplished artist, creating portraits of his influences gives clear indication of who he is citing, the blues legends, from Sister Rosetta Tharpe to Louis Armstrong and beyond. Yes, the band deviated from blues, to throw down a jazzy number, to increase levels of danceable funk, and with a narrative of Howlinโ€™ Wolf visiting Jamaica, they covered Howlinโ€™ For my Darling with a matchless ska offbeat. Particularly diverse was an original โ€œCountry Girl,โ€ as while maintaining one-drop reggae, the chorus verged onto a dancehall riff. It was right up my street and knocking loudly on my door, but I paused to observe the more blues aficionado regulars enjoying it equally as much as I!

For all the diversity Iโ€™ve noted, and mentioned the pleasure was in how proficiently they switched, even mid-song, this tight arrangement was best at delivering blues, and did so second-to-none. Frontman Errol gliding between vocals and harmonica, cherry-capped pianist Petar Zivkovic lightening on the keys, Lance Rose in porkpie hat, chilled on the upright double bass, perfectionist timekeeper Gary Williams on drums, and guitarist Richey Green presented the funkiest dancing show during play, the combo was spellbinding.

But none of this happened before Devizes-own Adam Woodhouse delivered the textbook support slot. Confident, despite his first outing at this blues appreciation society in which regulars will aim all eyes on you, Adam kicked off with an Elvis rendition of Thatโ€™s Alright Mama, and with top-notch finger picking, continued covers with a remarkable Johnny Cash. Adam, a regular soloist at The Southgate and attendee of their celebrated Wednesday jam session, had some originals of his own, which were executed with panache.

A most memorable evening was had, in which frontman Errol reigned the moment, showing this natural ability accomplished over thirty years, since a busker of Londonโ€™s streets. This is British blues at its finest, individually stylised yet heavily drawing from his roots, a perfect blend to homage his heritage, entertain and packaged in such a non-pretentious manner, you couldnโ€™t dislike it; impossible!

An absolutely blinding night for the Long Street Blues Club, organiser Ian Hopkinsโ€™ smile said it all, as he clarified heโ€™s been trying to book these guys for a while, and made a promise to the crowd theyโ€™d return; you need to be there when it does. The next season starts on 20th August, with anticipated return of Skinny Molly. Worth mentioning though, being weโ€™ve discussed the early stages of Jamaican sound systems and Duke Reidโ€™s Treasure Ilse, competitor Coxsone Dodd over at Studio One gave fame to a majority of reggae artists, yes, including Bob, and another crowned King of Rock Steady, Alton Ellis, that Altonโ€™s son, Troy is on in Hillworth Park around about 3pm today. So, get your sandals on, unless you remain adamant nothing ever happens in Devizes!


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Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

Saddleback Back!

In July 2019, straight after the Devizes Rugby Clubโ€™s Saddleback Festival, they announced July 11th 2020 for their next festival, but we all know the rest of that sad story. Since 2017 the club organised an annual Saddleback, named after Devizes Rugby teamโ€™s nickname, and the event quickly gained an outstanding reputation for bringing some quality acts to Devizes….

If Iโ€™m honest, being they held off during 2021, with tears from the memories of a great local all-dayer in my complimentary beer cup, I thought weโ€™d seen the back of Saddleback. For want of repeating the same gag, coordinator Rick Kibby tells me, โ€œWe thought it was about time we brought the Saddleback Festival back!โ€ And Saturday 18th June, 2022 marks the very day, at Devizes Rugby Club from 2pm, until late.

There was me thinking this cup was an emblem of a long lost Devizes festival!

Originally dedicated to blues, though the tag mightโ€™ve been dropped to allow more scope over the pre-lockdown years, blues is very much the mainstay, which is bound to satisfy Devizes aficionados, as local blues legends Jon Amor & King Street Turnaround, and Ruzz Guitar Blues Revue welcomingly headline; say no more.

The slightly more pop-rock acoustic, though with a definite hint of blues, Joe Hicks is also on the line-up. We love Joe here at Devizine, a true class act, prolific and generally all-round nice guy! Check out his latest offering double A-side, One More Step.

The other acts are new to me, which is all good, bit of well sourced mystery and all that. The drifting acoustic goodness of No Manz Land. Bristolโ€™s big, stomping disco sound of Carolyn McGoldrick, retro-rock with Matt Peach, the beguiling Artic Monkeyโ€™s fashioned Public Eye, and the The Best of Ratcat, of which Iโ€™ve no info on, think of them as the wildcard!

But the real change for Saddleback is the side project, Lottiefest, as while the festival has always had a charity fundraiser base, this is the first time it has incorporated another festival in its title. โ€œLottiefest is in memory of Lottie,โ€ Rick explained, โ€œwho was the daughter of one of our members who suffered from Ataxia, and the Lily Foundation raises funds for the fight against mitochondrial disease.โ€ Lottie Rapson was diagnosed with Friedreichโ€™s Ataxia at the age of 6, and sadly passed away aged just 27 in December last year.

โ€œShe taught us all so many thingsโ€ the blurb on Saddleback Festival website reveals, โ€œto focus on what you can do rather than worry about what you canโ€™t, to see the good in everyone, to make the most of every day and never walk past an opportunity to do something mad!โ€ And it goes onto explaining how much Lottie loved festivals, โ€œoften dragged to bed by her carers in the early hours of the morning.โ€ Therefore Saddleback will be raising for The Lily Foundation and Ataxia UK.

This fitting tribute transcribes into dancing the night away in a club fashion with some carefully selected DJs, Matter, Rappo, Retrospekt, Astral Pipes, who fuse house and intelligent drum n bass into a diversity of dance music, something wholly different from anything weโ€™ve seen at Saddleback before. A welcomed change to shake up the later hours, until 1am.

Thereโ€™s camping on site, ยฃ15 for a tent, ยฃ25 for campervan.

You know, Iโ€™m so glad to see Saddleback on our event calendar again, the 2018 Battle of the Bands contest really bought to my attention the wealth of talent on our local circuit. Iโ€™d just befriended every local musicianโ€™s favourite photographer, Nick Padmore, who introduced me to George Wilding, Jamie R Hawkins, Sally Dobson, Jordan Whatley, Jack Moore and Mike Barham. Then, to have them play at the festival was the icing on the cake, really felt like I started something very worthy; they might disagree!

After that unforgettable year seems there was a little communication breakdown, Devizine was to cover the festival, but I wasnโ€™t informed I was invited! Never mind, as now we are all informed; Iโ€™m telling you now, The Saddleback is back, and itโ€™s going to be an amazing show right here in Devizes town!

Saddleback is on Saturday 18th June, Tickets start at ยฃ30, online here, or from

Devizes Books
Handel House
Sidmouth Street
Devizes
SN10 1LD
Tel โ€“ 01380 725944

Avon Trophies
Wharfside
Devizes
SN10 1EB
Tel โ€“ 01380 724630

The Peppermill
40 St Johnโ€™s Street
Devizes
SN10 1BL
Tel โ€“ 01380 710407

Professional Books
Old Kingdom Hall
Avon Terrace
Devizes
SN10 2BH
Tel โ€“ 01380 820003


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Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโ€ฆ

The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Birdmens Play Long Street

Bird is the Word. If April has seen a surge of memorable rescheduled gigs from Devizesโ€™ Long Street Blues Club, and Iโ€™m content and grateful our roving reporter Andy has taken the arduous task of enjoying and reviewing them, May sees the blues club return to a monthly plan of action, meaning thereโ€™s only one gig, and Iโ€™m itching to attend it myself.….

The lockdown project of a staggering whoโ€™s-who of local blues, Birdmens will play the club on Friday 6th May. The line-up of lead & rhythm guitars Ian Siegal, Jon Amor, Joel Fisk and Dave Doherty, the latter also taking percussion, bassist Rob Barry, both Bob Fridzema and Jonny Henderson on keys and Giles King taking up harmonica, this is truly a force to reckoned with, now prepare for it to be a live show, featuring Ian, Jon, Dave, Rob and Jonny.

Armed only with cheap microphones, phones and varying internet speeds, โ€˜Birdmensโ€™ recorded Lockdown Loaded, an album created in bedrooms and kitchens which thrusts a genuine life-force and verve back into a scene they feel is in need. If blues is having something of a renaissance, itโ€™s not without timeworn formulas and antique following. Akin to the Dohertyโ€™s now defunct Little Geneva, hereโ€™s a supergroup aching to reintroduce that raw and energetic edge back into blues, something sorely missed on an elder and commercialised circuit.

Defined as swampy delta blues, thereโ€™s something retrospectively authentic and underdone about it, a true ethos of blues. Iโ€™m leaving a video here for you to make your own mind up, but itโ€™s won me over. Now everybodyโ€™s heard about the bird!


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Joyrobber Didn’t Want Your Stupid Job Anyway

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Devizes Chamber Choir Christmas Concert

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REVIEW โ€“ Carl Palmerโ€™s ELP Legacy @ LSBC, Devizes โ€“ Saturday 9th April 2022

The Gig of 2022 So Far!

Andy Fawthrop

Following the previous nightโ€™s gig with Billy Bremnerโ€™s Rockfile downstairs at the Corn Exchange, tonight we were promoted upstairs into the main hall. And that was only fitting โ€“ big name, big gig, big crowd, so a big venue required. Last time we were in here was for those other prog-rock legends of the 70s โ€“ Focus. This time the hall was full of people, and the stage was absolutely full of drum-kit โ€“ a massive and meticulously set up piece of equipment, with a pair of huge gongs at the rear.

Emerson, Lake & Palmer, alongside such legends as Cream, were one of the early rock so-called โ€œsupergroupsโ€, and were massive innovators in the world of music. Transcending mere rock labels, they incorporated many other musical forms into their repertoire, particularly jazz and classical.

Carl Palmer has a reputation as a drummerโ€™s drummer. A consummate professional, a brilliant technician and a dynamic showman, he has thrilled listeners and audiences alike for nearly four decades with some of musicโ€™s most memorable bands including Atomic Rooster, The Crazy World Of Arthur Brown, Asia and of course Emerson, Lake & Palmer. To be honest, heโ€™s worked/ played with everyone who is anyone. Along the way his dazzling speed and mastery of the drums, combined with his infectious stage personality, have secured for him a respected place in history as one of rock and rollโ€™s greatest drummers.

Carl is now 72, looking fit and healthy, and is the only one of ELP still living. Sadly we lost both Keith Emerson and Greg Lake in 2016 โ€“ sad losses of talent. To โ€œreplaceโ€ them tonight, in a musical sense at least, we had guitarist/ vocalist Paul Bieltawicz, and on bass and Chapman stick we had Simon Fitzpatrick. Notice there were no keyboards โ€“ everything was reproduced on guitars.

We opened in classic style with โ€œWelcome My Friends To The Show That Never Endsโ€, before being taken through several numbers from the ELP and King Crimson back catalogue. From the first album we had โ€œKnife Edgeโ€ and โ€œLucky Manโ€. From the second album the eponymous โ€œTarkusโ€. There was โ€œTrilogyโ€, โ€œBenny The Bouncerโ€, โ€œHoedownโ€ and โ€œTwenty-First Century Schizoid Manโ€. The musicianship throughout was simply stunning by all three members of the band, each displaying some dizzying skills and dexterity with their instruments. Both Paul and Simon delivered stunning solos. Carl repeatedly stepped out from his drum battery to talk to the audience. He was down to earth, chatty and humorous, building rapport easily.

Carlโ€™s big drum solo came, as it must, like a long-impending storm, and arrived in the midst of the last number โ€œFanfare For The Common Manโ€. To be honest, Iโ€™m not the greatest fan of drum solos because they are so often used to merely let other band members have a bit of a rest, and to keep them sweet since everyone else will have had a solo by then. But absolutely not the case here. Carlโ€™s solo, as we expected it would be, was an absolute tour de force, demonstrating without question what an absolute master this guy is. It was completely stunning, and drew a deserved standing ovation, as the band filed back on stage to close the number out. I think itโ€™s fair to say that this guy really knows his way around a drum kit!

There was still time for a resounding, thumping encore of โ€œNutrockerโ€ and then we were done. An absolutely stunning nightโ€™s entertainment and, for me at least, best gig of 2022 so far! Superb!

Future Long Street Blues Club gigs:

Saturday 16th April 2022 Billy Walton Band
Friday 6th May 2022 Birdmens
Saturday 4th June 2022 Errol Linton Band
Saturday 17 September 2022 CSN Express
Saturday 8th October 2022 Eddie Martin Big Blues Band
Saturday 5th November 2022 Alastair Greene Band


Worried Men at the Southgate

Glad to find time between running Dad’s taxi to nip over to Devizes’ trusty Southgate, for one reason unworthy of explaing here or another, feels like an age since frequenting our favouritemost tavern, and I’m all smiles to return.

Historically efficient, nonetheless, I’m here to find out what the men are worried about; possibly an ironic namesake for Jamie Thyer’s tradtional electric RnB three-piece, a pub trio very worthy of your attention, should you not have come across them on their 28 years on the circuit.

Sure, I’ve seen The Worried Men’s name about a bit of recent, last time listed at Trowbridge’s Pump with our Tamsin in support. Maybe there’s the reason for my assumption it’d have a folk twinge, but you know what they say about assumption.

Marvellously proficient, in a manner vien of classic sixties and seventies rock bands derived via blues rather than folk, The Worried Men seemed not in the least bit worried to me. Rather brewing in deserved confidence, Jamie’s wealth of experience shows as his fingers glide across those strings, governed, it seemed, from the gods. At one point this guitar virtuoso accepts a mug of tea, drinks it mid-song while continuing to make it look like childsplay.

Treated to the perfect balance of originals and self-stamped covers, they weaved between electric blues and psychedelia rock n roll with a clear nod to its roots. So to blend any subgenre fitted sublimely into a firey set, whether Deep Purple’s Smoke on the Water riff, frenzied hints of punk rock, mellowed Flyod-eske moments or reaching further back to rock n roll’s golden era, every experiment in rock history was crafted into their unique style, without the need to metalise. Though Motorhead did get a moment in their repertoire.

What came out the other side was a loud and proud plethora of excellence of which you could only nod your appreciation to, confident you were in the hands of some really experienced long-haired rockers with Cuban heels.

Jamie holds an expression of concentration, occasionally looking up at you through these spellbinding Hendrix fashioned exercursions, as if to ask “is that alright for you?” Like a dentist with his tools stuck in your gum, you feel like responding, “yes, fine, thank you doctor.”

I guess therein lies the beauty of the rather cramped Devizes answer to the 02 arena, virtually perched atop of a band you’d usually witness from a stage distance, makes it an intimate experience, personal. While this may not suit all, The Southgate does it their own way, and they continue to host free gigs you’d happy pay a ticket stub for.

For this, and the clash of similar as The Long Street Blues Club knocking out, I’d suspect, a blinder at the Corn Exchange, last night down the Gate wasn’t as full as it could’ve possibly been for an act so warrent of the highest praise possible. Again, the strive in The Gate to present us with great live music every weekend needs nourishing and respecting, with other local boozers only doing this sporadically, it’s the only dependant offering of entertainment in town, unless of course you keep up with what’s happening via this rather special website, if I do say so myself!

So, if you were in that exclusive club last night, I wager you were as bowlled over by The Worried Men as was I. From moments of intricate guitar picking with amps low, to the frenzied finale where Chuck Berry’s “Bye Bye Johnny,” fused into medley with Muddy Waters’ “Little Red Rooster” with emphasis on the Stones cover, and The Kingsmen’s “Louie Louie,” with an audience participation encouraged encore of Them’s “Gloria,” this surely was an astounding performance to satisfy the craving of rock aficionados from any given generation.

Onwards, next Saturday’s offering at The Southgate also takes on a blues edge, slightly east of us, local blues group Barrelhouse take up the legendary alcove, and take it from me, if you like your entertainment as gritty and vintage as the great Howlin’ Wolf, you’re in for a treat.


REVIEW โ€“ Billy Bremnerโ€™s Rockfile @ LSBC, Devizes โ€“ Friday 8th April 2022

Old Skool

Andy Fawthrop

Another night at Long Street Blues Club but on this particular evening we had an enforced change of venue from the Con Club โ€“ downstairs at the Corn Exchange.  Yes โ€“ in The Bin!

The support act James Oliver and his band was well chosen in terms of style.ย  He played the same sort of stuff as the main act that was to follow.ย  Unfortunately his performance relied more on speed and volume, and self-deprecation of his own Welsh-ness, rather than on any particularly musical ability.ย  His set was very same-y, apart a fairly pleasant and accomplished version of Peter Greenโ€™s โ€œAlbatrossโ€.ย  But otherwise it was all high energy, but low talent.ย  Sorry, but best forgotten.

Then onto the main act.  Not to be confused with namesake feisty former Leeds United midfielder (if you donโ€™t know – ask your dad), Billy Bremner started life as a member of Lulu and the Luvvers (oh โ€“ better ask dad again).  However, he’s best known for being with Nick Lowe, Dave Edmunds and Terry Williams, one quarter of Rockpile, one of the finest bands ever to emerge from the United Kingdom music scene. A fearsomely accomplished guitarist, he has also been an occasional lead vocalist, as well as a great songwriter.  Since the break-up of Rockpile he’s had an illustrious career as a solo performer (four albums), and as a member of the Pretenders (that’s him playing the lead guitar on Back On The Chain Gang).  Heโ€™s also played with Shakin’ Stevens, Carlene Carter, and The Coal Porters.  Most recently heโ€™s worked as a producer and all round living legend in his adopted home, Sweden.

Now aged 75, this is the Farewell Tour for one of Britainโ€™s finest guitarists and, as expected, the evening was dedicated to the music of Dave Edmundsโ€™ Rockpile.ย  The four-piece played two sets, kicking off without introduction or pre-amble.ย  In fact there was extremely little in the way of between-song chat, and little attempt to engage with the audience.ย  Dressed all in black, and rarely cracking a smile, they presented a rather dour stage presence.ย  We had the classics like โ€œI Knew The Bride When She Used To Rock & Rollโ€, โ€œI Hear You Knockingโ€, โ€œCruel To Be Kindโ€ and even Kirsty McCollโ€™s โ€œThereโ€™s A Guy Down The Chip Shopโ€, interspersed with other material.

To be honest, it wasnโ€™t the great performance Iโ€™d been expecting.  It seemed a step down from last time Iโ€™d seen the band a few years back at the Con Club.  It was all rather single-paced, one-dimensional stuff, with little variation to leaven the mixture.  As good old pub-rock, rockabilly, power-pop, it was OK but, frankly, difficult to get too excited about.  It was chunky, but at times it was plodding.  Billyโ€™s vocals sounded rather reedy and thin.  And not at any stage of the night did any of the band actually look as if they were enjoying what they were doing โ€“ more a case of going through the motions.  It was competent, and it was professional, but it just wasnโ€™t engaging or exciting.  It seemed as if the spark had gone.

I canโ€™t say it was a bad gig, because it wasnโ€™t.  But somehow it just never seemed to really take off.  The crowd, being unusually rather small for an LSBC gig, just couldnโ€™t quite generate much atmosphere.  I guess you canโ€™t like every performer and every gig โ€“ and this was just one of those that didnโ€™t click with me.

Future Long Street Blues Club gigs:

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 4th June 2022                                   Errol Linton Band

Saturday 17 September 2022                      CSN Express

Saturday 8th October 2022                            Eddie Martin Big Blues Band

Saturday 5th November 2022                       Alastair Greene Band


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DOCAโ€™s Young Urban Digitals

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Jol Roseโ€™s Ragged Stories

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Vince Bell in the 21st Century!

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REVIEW โ€“ Malone Sibun Band @ LSBC, Devizes โ€“ Saturday 2nd April 2022

Two Stellar Musicians = One Powerhouse Unit

Andy Fawthrop

Another night at Long Street Blues Club โ€“ the gigs are coming thick and fast at the moment, and there are several more big ones in the next couple of weeks too โ€“ feels like weโ€™re gradually catching up with all the time the venues were closed during Covid.

Support act was local favourite Jamie R. Hawkins, tonight divested of his Lost Trades buddies, and going it alone. Hereโ€™s a man comfortable with himself and with getting back to chatting to an home-town audience. Joking that it was almost hard to remember his own songs after the long lay-off and his collaborative work, he then proceeded to deliver a master-class in how to perform as a singer-songwriter. Despite the occasional fluff, his songs remain strong and poignant, delivered with sincerity and a strong voice. Old favourites such as Walking Into Doors, Letโ€™s Put This Thing To Bed, As Big As You and Hey, Whereโ€™d Everybody Go! were dusted off and given a good shaking down. Thereโ€™s not many performers that could get away with singing about divorce, domestic abuse and fair-weather friends, but Jamieโ€™s commentary, wit, and self-deprecating style easily got him through. Great to see him back.

Then onto the main dish of the evening โ€“ two very professional sets from the four-piece Malone Sibun Band. These guys were last at the club over three years ago (see? โ€“ I told you theeโ€™d been this big two-year hole in live performances!). The guys have a new EP out – โ€œAshes to Dustโ€, and this material was well show-cased throughout.

Marcus Malone (vocals, guitar) and Innes Sibun (guitars) were joined on stage with bass and drums, and delivered a power-heavy performance featuring rock, boogie-woogie, slow blues, fast blues โ€“ you name it. There was even time to drop back into a couple of acoustic numbers. It may be just me, but thereโ€™s something about seeing Innes with an acoustic guitar in his hands that doesnโ€™t quite look right, but I digress. First number in and the band members, clearly enjoying themselves, were soon literally bouncing up and down with enthusiasm.

Thereafter we were treated to the more familiar fare of Innes working his electric guitar, forcing it to give up a whole range of amazing noises through his many solos. There were all the classic gestures โ€“ arm-wheeling, head-banging, gurning โ€“ and we were back in familiar territory. Marcus, meanwhile, held centre stage, a calmer and more purposeful presence with the vocals. The volume and the pace were dialled up, then down for the odd number, then back up again.

We had the obligatory drum and bass solos late on, but these were produced as grand final flourishes, not as extended self-indulgent passages. The crowd were on their feet, and the encore was a formality โ€“ richly deserved after a great eveningโ€™s entertainment.

Future Long Street Blues Club gigs:

Friday 8th April 2022 Billy Bremner’s Rockfile (Corn Exchange)
Saturday 9th April 2022 Carl Palmer’s ELP Legacy (Corn Exchange)
Saturday 16th April 2022 Billy Walton Band
Friday 6th May 2022 Birdmens
Saturday 4th June 2022 Errol Linton Band
Saturday 17 September 2022 CSN Express
Saturday 8th October 2022 Eddie Martin Big Blues Band
Saturday 5th November 2022 Alastair Greene Band


Devizes Gives Wiltshire Blues & Soul Club a Warm Welcome

Since their formation last June, Wiltshire Blues & Soul Club have held jamming sessions at the rather splendid Owl Lodge, tucked away on Bowden Hill, near Lacock. Video teasers on the book of face attracted my eye; membership-schemed freestyle blues within a cosy log cabin setting, firepit et al. But if this rural blues society has been stealthy, it was high time for them to blow the lid on the secret.….

And they pulled it off with bells on, staging a multiple act show at The Corn Exchange, in the bright city lights of Devizes(!); a market town historically marked on the blues map of England.

If the event came off with niggling teething troubles, organisers admitted hosting a show on this scale was a learning curve for them. Yet the exceptional high standard of acts booked guaranteed it infallible to be anything less than the awesome night it was.

Failsafe came in the form of the part rockabilly part big band-edged blues frenzy of headliners, Ruzz Guitar Blues Revue, with that guitar virtuoso frontman you could worry will dehydrate up there for want of extending feverish moments from traditional three-minute hero into Pink Floyd record lengths.

Our homegrown legend, Innes Sibun, who glides electric guitar strings as if the lovechild of Page and Hendrix, in sporadically performing, internationally famed collaboration Innes Sibun Blues Explosion. If this was any kind of detonation as the band name suggests, it was a seriously smooth one. Frontman Patrick Hibbert eased sublimely delivered soulful vocals, while Innes did his matchless thing.

Bristol-based one-man-band and regular favourite at Devizesโ€™ Southgate, Eddie Martin, who perfectly filled gaps between bands with sublime solo renditions of long-lost blues legends, encouraging audience participation, with nuggets of a blues history lesson and witty repartee.

And part co-ordinator of the Wiltshire Blues & Soul Club, Will Blake, who with full band straddled a burgundy grand piano akin to Jerry-Lee Lewis, when I walked into the joint, and delivered some outstanding soul and rock n roll classics with a few originals thrown in. Alluring singer Rosa Gray occasionally complimented this line-up with sassy vocals, perhaps most memorable duetting with Will on Marvin Gaye & Tammi Terrellโ€™s Ainโ€™t No Mountain High Enough.

If, in comparison to the later acts, one debates the repertoire of The Will Blake Band to be wedding requests, it would surely be the one wedding youโ€™ll remember for the rest of your life. Besides, platitude covers added a dimension and awoke the majority elder audience with familiarity; it was a booming flinch creating a buzz of anticipation; this was to be grand night of quality entertainment.

If similar shows fill gaps between bands with recorded sound or second-rate comedians, drafting in the great Eddie Martin proved the club never skipped on quality, even for intervals. A prolific recording artist whose devotion to the old-timey blues of legends like Robert Johnson, Son House and Blind Willie Johnson, Edโ€™s spellbinding solo tribute is unparalleled, and just as all other acts here tonight, wouldโ€™ve made an unforgettable show alone.

In this, one prevention of selling out that vast hall could arguably be the score ticket-stub, but to deliver a lush line-up this rammed costs. Nevertheless, it was adequately filled to begin with, a mature majority able to justify and swallow the cost lessened off gradually as the evening drew late. This left the hall disappointingly bare by the time Ruzz Guitar belted on stage, but those who remained made the most of it and dancing upfront lambasted the decision to provide show styled seating. If Iโ€™m nit-picking criticisms theyโ€™re justified as future considerations, because cost is insignificant when the proficiency of all these acts, combined, was priceless, seating arrangements are hugely debatable, considering the age demographic, and others, well, Iโ€™m certain there was no more. This was a great evening, presenting Wiltshire Blues & Soul Club with potential new members, as jams are planned to kick off again in April; will keep you posted.

Long Street Blues Club proprietors Ian and Liz in attendance proved no rivalry, I conversed with Exchange club owner Ian James, who reminisced on blues gigs of yore, based in town; something I never tire of hearing. These, combined with the likes of Innes and Jon Amor affirms Devizesโ€™ place of the blues map of England, surely? So, there was no local location more apt for this kind of event, and a massive respect to the Wiltshire Blues & Soul Club for taking on the challenge of appeasing local blues aficionados, proud of Devizes, akin to what Coventry means to Two-Tone or Bristol to UK hip hop, least near as dammit for a small town!

I personally think you guys pulled the rabbit from the hat.

It was something I was pondering beforehand, now confirmed my need to relabel after Innes Sibun Blues Explosionโ€™s textbook performance last night, that my terminology โ€œlocal musicโ€ I often overuse. Itโ€™s inapt to refer to the likes of Innes and Jon Amor as local musicians, despite being born here, with the same marker as those rarely venturing outside our local circuit. Last time I was standing beside Innes and Jon, I earwigged their recollections of tours of eastern European countries; these guys are internationally renowned, The Innes Sibun Blues Explosion have been somewhat dormant for over thirty years, likely due to their individual location being so far apart, and this was a reunion gig for them. But where does one draw the line? With folk trio The Lost Tradesโ€™ recent success, they too straddle this borderline now.

Four of the Five original members, Innes Sibun, John Baggot, Patrick Hibbert and also drummer for Ruzz, Mike Hoddinott, reformed for this gig, performing songs from their 1991 album That’s What The Blues Can Do. Coupled with Ruzz, officially endorsed by Gretsch Guitars, who knocked my personal favourite Sweet as Honey out of the park as a grand finale, encored by Will Blake joining them adlibbing on piano, made this evening a notable notch on the history of blues events in town, and a delight to have attended such a memorable occasion.

Where the Wiltshire Blues & Soul Club go from here is anyoneโ€™s guess, but we look forward to prospect they might least match this again rather top it, or even hope it breathes interest into their more humbling jamming sessions at the Owl Lodge. Top marks all round I say; anyone got an ibuprofen?!


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REVIEW โ€“ Mark Flanagan Band @ LSBC, Devizes โ€“ Saturday 26th February 2022

Talent to Spare!

Andy Fawthrop

First time up the hill for me this year, having missed the Mike Zito Band last week (too busy running the Winter Beer Festival and listening to The Lost Trades and The Rob Lear Band, since you ask โ€“ but thatโ€™s another story altogether).ย  Good to get back to Long Street Blues Club and its dependably great audience and atmosphere.…..

First up, in the support slot, was Lewis Clark who I last saw here back in October when he supported Jimmy Carpenter.ย  Again Lewis was playing solo, and yet again did nothing but impress with his stripped-back raw and emotional lyrics, accompanied by unfussy guitar work.ย  His lyrics are, as always, personal and intense; his songs simply command attention.ย  His set was greeted with rapturous applause, and rightly so.ย  Lewis was due to play the Sunday afternoon slot at the Southgate on Sunday, where Iโ€™m sure heโ€™ll play to a different but equally appreciative audience.

Then for the main act of the Mark Flanagan Band.ย  Mark is a man whoโ€™s been round the block a couple of times, and nowadays plies his trade (amongst other things) as part of the Jools Holland travelling entourage.ย  In other words, heโ€™s met and played with many of the greats in the music business, which provides him with a wealth of anecdotes and stories with which to regale the audience between numbers.

His trio hit the stage with no big fanfare, and throughout the evening maintained a quiet but purposeful subdued presence.ย  There were no big drum solos, no guitar fireworks, just a steady stream of competently-delivered laid-back blues, funk, boogie-woogie, folk, Cajun, you name it.ย  Mark fronted everything coolly and calmly, switching instruments, styles and anecdotes with consummate ease, even giving his band-mates George and Adam a couple of numbers break whilst he just carried on solo seemingly undisturbed and unflappable.

And we had songs โ€“ proper songs!  Each had its own back-story of course, either who it was about or the situation that had given rise to its inception.  There was some name-dropping โ€“ Clapton, Richards, Harrison โ€“ but it was never gratuitous or intrusive, simply adding colour to a great musical tapestry.  The crowd was won over, there was a two-number encore and we were done.  The amazing thing was that Mark hardly looked to have broken sweat โ€“ one cool performer!

Another 5-star great night of world-class music delivered by Ian Hopkins and his team โ€“ hats off!  And just take a look at the programme still to come during 2022 โ€“ a mouth-watering array of talent.  Get those tickets and get yourself along to Long Street Blues Club!

Future Long Street Blues Club gigs:

Saturday 19th March 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Soft Machine

Saturday 2nd April 2022                                 Malone & Sibun Band

Friday 8th April 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Billy Bremner’s Rockfile (Corn Exchange)

Saturday 9th April 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Carl Palmer’s ELP Legacy (Corn Exchange)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022                      CSN Express (New Rescheduled Date)

Friday 14th October 2022                               Black Sabbitch (Corn Exchange)

Saturday 5th November 2022                       Alastair Greene Band


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Trowbridge Town Hall Rides into Spring

At the beginning of the month Devizine covered Trowbridgeโ€™s musical renaissance, highlighting The Village Pump and Town Hallโ€™s dedication to introducing a variety of upcoming local bands and performers. Explaining Sheer Musicโ€™s Kieran Moore had โ€œbig shoes to fill,โ€ taking over as chief event coordinator for the Town Hall from Gavin Osborn. Well, the proof is in the pudding, and that dish has made it off the serving counter and onto our table.….

Not forgoing, the programme is already in full-swing, with Truckstop Honeymoon at the Pump on Friday, (18th) a cider swigginโ€™ scrumpy and western hoedown with The Skimmity Hitchers and our great friends, and the Boot Hill All Stars supporting at the Town Hall on Saturday.     

Boot Hill All Stars

Such is the fashion for live music in Trowbridge, Fridays at the Pump, Saturday at the Town Hall, aside some great happenings at Stallards and Emmanuelโ€™s Yard, comedy and more commercial nights at the Civic. Gecko appears next Saturday at the Town Hall, and all-day Sunday thereโ€™s   fundraising session, Kalefest, a family-orientated mini-festival for some musical equipment for a teenager with a severe brain injury, in which Zone Club, Pete Lambโ€™s Heart Beats and The Relayz play.

Marching on atop this free six-week interactive course of workshops for 16- to 18-year-olds, covering all aspects of the music industry, next month sees a continuation of great bookings, of which we highlighted in the aforementioned preview, here. What weโ€™re here today for is to check in on Kieran, see if he indeed โ€œfilledโ€ those shoes for the ongoing season.

So, just revealed, April and May listings at the Town Hall and Pump, which have equally exciting news, as, perhaps, Mr Moore asks the shopkeeper for a shoehorn. Isle of Manโ€™s recent export to Wiltshire, Becky Lawrence, the musical theatre singer-songwriter who wasted no time fitting into the local circuit, joining established local bands, The Bourbons UK and Clyve and the Soul City Foundation, teams up Bristolian country singer-songwriter Zoe Newton to pinch-punch April at the Pump.

Zoe Newton at Bradford Roots Festival

Whereas, in the name of variety Iโ€™m surprised to see The Town Hall hosting a โ€œrum and reggae nightโ€ on Saturday April 2nd; itโ€™s as if theyโ€™re calling to me! Seriously though, Iโ€™d wager youngsters reading this are asking Siri what the hell a shoehorn is.

But nice surprises flow, as Gavin Osborn himself plays The Pump, Friday 8th, with his band Comment Section. Regulars at Stallardโ€™s, locally-based indie-rockers Riviera Arcade arrive at the Town Hall with Gloucestershireโ€™s electric-punk favourites, Chasing Dolls on Saturday, with (udated) Devizes/Swindon NervEndings headling the show.

NervEndings

Alcopops Recordsโ€™ Croydon duo, The Frauds play the Pump on the 15th, with Ipswichโ€™s experimental indie-pop darlings, Lucky Number 7, while Henry Wacey and Dan Oโ€™Farrell are there on Saturday. Surreal stand-up, Welsh hard rockers The Vega Bodegas are at the Town Hall on the Saturday, with support from Wiltshire-based metal trio newcomers, Last Alvor and self-confessed โ€œdegenerates,โ€ synth-punk noise-makers Benzo Queen.

If that weekend is atypical of what Iโ€™d expect Mr Moore to assign, the following, Saturday 23rd is different. Kieran is no stranger to asking what acts local giggers would like to see via social media, as Brightonโ€™s Chap-Hop legend Professor Elemental comes to the Town Hall, with support from my recommendation, Bristolโ€™s fantastic veganomic ska-punk-folk crazies, Boom Boom Racoon, whoโ€™ve we fondly followed in the past on Devizine.

Boom Boom Racoon

If Iโ€™m excited with boom boom coming soon, while โ€œSunday leagueโ€ songwriter Tom Jenkins finishes off April on Saturday 30th, May is positively booming too. Local soul-hip hop DJ, Mac-Llyod gets the crowd prepped for another of my personal favourites, Bristolโ€™s bouncy boom-bap virtuosos The Scribes, on Saturday 7th May. Aching to encourage these guys a gig more local than Salisburyโ€™s Winchester Gate, Iโ€™m delighted to see this on Trowbridge Town Hallโ€™s listing; theyโ€™re definitely calling to me now!

Pan-European ‘inventive and thrilling’ alt-folk duo, singer-songwriter Tobias Jacob and double-bass playing multi-instrumentalist Lukas Drinkwater play the Pump on Thursday 12th May, whereas Iโ€™m notified Saturday 14thโ€™s do at the Town Hall will be a โ€œpipe and slippers rave,โ€ of which I had to inquire if, as it sounds, itโ€™ll be an old skool DJ rave type thing, and this it was confirmed, โ€œthat’s exactly it.โ€ If theyโ€™re calling me, now theyโ€™re mocking; the feet in my slippers were stomping in mud when you were an itch, whippersnappers! โ€œHoney, whereโ€™s my whistle and white gloves?โ€

Sheffieldโ€™s award-winning finger-style guitarist, Martin Simpson breathes some folk to the Pump on Friday 20th May, while the Town Hall blow cobwebs off with Trowbridgeโ€™s own hardcore metal quartet, Severed Illusions. With nine years under their belts, they opened for Hed PE at the now defaulted Beirkeller in Bristol, and played metal festivalsโ€™ assemblage M2TM. Joined by doomcore fourpiece Eyesnomouth, and Salisburyโ€™s screaming metalcore Next Stop Olympus; thatโ€™s going to go off.

The Lost Trades

From here gigs are pencilled in, June sees Martin Carthy, Jon Amor with Kyla Brox, Hip Route and Billy & The Low Ground feature, but be certain the near-future looks bright and varied for Trowbridgeโ€™s live music scene, particularly as the last gig of May is our beloved folk-harmony trio The Lost Trades on Saturday 28th. Bring in the summer with Graham Steelโ€™s award-winning Phil, Jamie and Tamsin, what more could you ask for?


Trending….

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across theโ€ฆ

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, thereโ€ฆ

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catchโ€ฆ

Devizine 4 Juliaโ€™s House; Volume 2 in the Pipeline, Need Your Help!

Iโ€™m delighted to transfer ยฃ186.46 over to Juliaโ€™s House Childrenโ€™s Hospices today, the proceeds to-date of our compilation album; well, I call it an album, but itโ€™s one mahoosive boxset really, a staggering forty-six tracks from local artists and others worldwide whoโ€™ve featured somewhere on Devizine in the past.

If youโ€™ve not heard this absolutely stunning Miss World of music before, a virtual Now, Thatโ€™s What I Call Devizine Music, sheโ€™s here for your viewing pleasure, please download your copy, exclusive on Bandcamp, as I feel this site offers the best deal to artists. Once you buy it, it stores in your account cloud, and you have unlimited downloads, so you can put it onto various devices.

Unlike a fundraising event, here is something which will stay in the domain, something you can download whenever you like, and weโ€™ll continue to build a little stash and send it over to this wonderful registered charity once it builds up again. If Iโ€™m honest, Iโ€™ve been waiting for it to total to a nice round ยฃ200 before sending, but attention on the project has waned recently, and itโ€™s been a while.

There are ways I could prompt folk towards it, a poster or flyer campaign would be handy, but I figure, as lots of bands and musicians expressed an interest to be included, after its release, time is nigh to start plotting a second volume.

As we penned all the acts onto an army surplus bag for the front cover, as many students in my era did just this, I thought weโ€™d do similar this time. So, see our old school desk below, eerily free of graffiti? It is aching for me to inscribe your band name or logo onto it, with chewed biro.

You should note we have three tunes for volume 2 already, from Nick Harper, yes, I said Nick Harper, the wonderful Onika Venus, and Marlborough rockers, Catfish. But we need you onboard too. I envision it being entirely new artists, so if you contributed a track to volume one, I sincerely thank you, but unless youโ€™re absolutely bursting with enthusiasm to forward a second song, letโ€™s try to compile a whole new set of artists.

What got to me last time, was the unexpected amount of work Iโ€™d set myself. There was me, at the beginning, thinking Iโ€™d just be bobbing about, enjoying the ride, while our contributing artists did all the hard labour!

It occurred to me at the time, Iโ€™d likely raise better funds riding through town in a bathtub full of cold baked beans, and while Iโ€™ve certainly not scrubbed the idea, I would like this compilation project to build into a series, really prompting and promoting the best of the music we feature on Devizine, and giving the good folk out there a sampler of what great music there is, as well as raising funds for such a brilliant charity; itโ€™s a double-whammy. Ergo, sending us a song will put you straight onto the good list!

So, I ask, if you want to contribute a song, please bear with, and Iโ€™ll be back in touch as soon as possible, but last time I was inundated. Streamlined, thatโ€™s the key here, so Iโ€™ve set out some guidelines to contributing below.

Firstly, we NEED original songs, NO COVERS, not even Chas & Dave ones, as copyright is a minefield. You must own the rights to the song, or have permission from everyone who owns the rights to it, and you MUST TELL ME THIS, see the form at the bottom.

Secondly, please remember this is a childrenโ€™s charity, and while Juliaโ€™s House has been accepting of all the styles and content, really, I donโ€™t want songs with unsuitable themes, or constant bad language. Willing to accept the odd naughty word, and extreme content should be avoided, thanks.

Thirdly, any genre is fine; I want to get a real cross-section of sounds, no pigeonholing. While some chose to record an exclusive song, and that was great, all I ask is for an album track or outtake not currently doing the rounds, but youโ€™re free to choose whatever one suits you best.

Fourthly, there is NO DEADLINE set as of yet, but I will email you once one is decided; please do not wait for the deadline if you can help it; last time I got confused where I stood on so many promised contributions, and it doesnโ€™t take a lot of confuse me.

And, oh fifthly, if that’s not already too much to take in already?! Please ensure you include how you’d like the song to be listed, i.e. Name of Artist and Song. Sounds rather obvious, but also, if I don’t know you already, send some links to websites, social media, and a short bio too!

You can copy and paste this passage below into an email, fill in the dotty bits, and send it to me at devizine@hotmail.com โ€“ attach a WAV file format of the song youโ€™d like me to add, and wait patiently for a reply; I look forward to hearing your song; you flipping superstar, you!

I, (FULL NAME) confirm Iโ€™m the full copyright holder of the track (ENTER SONG NAME) or that I have contacted any other parties which holds rights to the track and have gained their permission also. 

I hereby grant Darren Worrow of Devizine, my permission to use it as part of the 4 Juliaโ€™s House Volume 2 compilation album, fundraising for Juliaโ€™s House. Registered Charity Number 1067125. I also agree to allow clips of the track to be used for promotional purposes of the album mentioned above only.

In turn, Darren Worrow and Juliaโ€™s House maintain the artist of the track reserves all rights to the track, and it is only used in conjunction with the aforementioned album.

(If you have PRS details, Tunecode or ISWC, please add them.)


Trending…….

Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโ€ฆ

A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his standโ€ฆ

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young andโ€ฆ

Against the Grain; Ruzz Guitar at Thirty

South Westโ€™s resident Johnny B Goode, Ruzz Evans celebrates his thirtieth birthday with the release of a live album, Against the Grain. I caught up with him for a quick reminisce, and chinwag about the albumโ€ฆโ€ฆ

As suggested, it was recorded at Fromeโ€™s Cheese & Grain on 19th June 2021, postponed due to lockdown. Such dynamic and regenerating conditions really breath atmosphere into this album, and it captures the mood of a band excited to re-emerge from isolation. Though by now, weโ€™ve come to expect excellence from Ruzz Guitarโ€™s Blues Revue as standard.

Featuring tracks from the band’s previous releases it also includes tracks from Ruzz Guitar’s recent video series โ€œRG Sessions.โ€ It’s uniquely delivered blues, RnB, rock n roll fusion with feelgood big band vibes, often frenzied and danceable, lengthy moments of extraordinarily proficient jamming, yet, like Longing to See You on this album, thereโ€™s always time for a concentrated ballad.

And oh my, if there isnโ€™t Ruzz doing a sublime guitar solo of Louis Armstrongโ€™s Wonderful World, then joking about breaking a fingernail, but the complimenting talent behind the man is second to none. Blues Revue drummer Mike Hoddinott, bassist Richie Blake and Graham Nicholls on rhythm guitar, with a horns section of Michael Gavaghan on sax, Jack Jowers on trumpet and trombonist Will Jones, and special guestsโ€™ incredible vocalist and pianist Pete Gage, who is fast becoming part of the furniture, and breathes real gritty delta blues ambience into the collective, along with sublime harmonica by Jerry Tremaine, who simply wows on Baby, Scratch My Back.

Seriously, this is eight hard-earned pounds well spent. Iโ€™d say itโ€™s better than the previous live album, Live at the Louisiana, we fondly reviewed a couple of years ago; Ruzz agrees, a quietly proud perfectionist, I figure.

But I want to get deeper into the psyche of the frontman, find out what drives him, when and how he first picked up that instrument. Firstly though, on this new release, I had to compliment the aforementioned Wonderful World solo. โ€œThat reaction is what I was aiming for,โ€ he replied, โ€œI wanted to bring something new to the table and challenge myself. I’m really happy that it came across as I wanted!โ€

Just checking this recording at the Cheese & Grain was the first live show they did after lockdown, Ruzz confirmed it was, โ€œwe had done an online set back in August 2020, and one small gig before all the lockdowns came back in heavier. That show was our first, full band show since the Devizes Rugby Club gig in March.โ€ Ah, yes, what a way to go out that was!

Treated of a number of streams during lockdown, I asked if they considered continuing them. โ€œDefinitely. I’ve been trying to think of the right events to live stream to anyone who can’t make it in person (I.e., my international audience). I want the streams to be more than just me sat at home with my guitar all the time,โ€ Ruzz chuckled. โ€œI want it to be as much an experience for people watching the stream as for the people at the live event.โ€

Jogged my memory of a great stream from his garden, and though it was strange at first, seeing musicians in their home, on their sofas, some even with washing on a clotheshorse in the background, some made an effort to avert from the standard; I recalled Jon Amor climbing out onto his roof like a 5th Beatle! Ruzz laughed, โ€œJon had some great ones!โ€

Jon Amor. Image: Nick Padmore

This is Ruzz Guitarโ€™s Blues Revueโ€™s seven album, and out of them thereโ€™s three live ones, including Visual Radio Arts in 2018. Does he think he projects best when live, rather than a studio?

โ€œI love working on music in the studio, but yes, I think this sort of music is best experienced live,โ€ Ruzz answered, though I suspected as much. โ€œIt wasn’t a conscious plan to do three live recordings but I can honestly say that this new one is my favourite by far. I feel the band is playing better than ever. I’m always trying to capture that magic on our recordings, whether it’s in the studio or live.โ€

I wished him a happy birthday and counted it an ideal opportunity to trace his past and discover the very beginnings of Ruzz Guitarโ€™s Blues Revue.

โ€œMy dad and youngest brother play music,โ€ he answered my family connection to music question. โ€œI got my start into live guitar playing through my dad. Back when I was 16, he put a band together to feature me on guitar; I haven’t looked back since!โ€

The first time he picked up a guitar? โ€œWhen I was 15. I had started on bass and drums, around 14, but was shown a George Thorogood DVD and then taken to see him live. After that I decided to learn slide guitar, then Jimmie Vaughan and Brian Setzer came along, and the rest is history.โ€

Ruzz at 20!

I wondered if they commonly had requests for clichรฉ rock n roll hits, imagining drunk punters asking for Heartbreak Hotel or Thatโ€™ll be the Day, but would Ruzz appease such appeals, and in that, did it start out this way. โ€œI have played all of those in various rockabilly bands over the years; great tunes, but maybe not quite right for the current band!โ€

Originals is what you get with Ruzz Guitar, outstanding ones, yet he cites the blues, RnB artists as influences; Dr Feelgood, The Fabulous Thunderbirds. โ€œI try to take from many places,โ€ he laughed, โ€œWilko Johnson, BB King, Reverend Horton Heat, Steve Cropper; to name a few.โ€

Anticipated responses, so I thought Iโ€™d throw a curveball for the finale. I use the urban myth of Hendrix taking his guitar everywhere, to my kids, as a testament to dedication, and how hard you must strive to perfect something, any goal you might have. It was reported Hendrix took it to the toilet. I asked Ruzz what drives that dedication in him, but not before inquiring if he too, took his guitar to the loo!

He chuckled at this, and for the record answered, โ€œI haven’t gone that far!โ€

โ€œIn all honesty I don’t know. It’s just something that’s felt right since I started learning. It’s been the one constant in my life since I was 15. There’s nothing more enjoyable to me than learning more with it, writing my own music and standing up in front of a group of people and taking them on a musical journey with me… it’s just what I was meant to do with my life.โ€

Well, at just thirty heโ€™s certainly achieved it, this album is proof. He signed off with โ€œhope to catch up in Devizes in March!โ€ And thereโ€™s a thing, 12th March the Wiltshire Blues and Soul Club are indeed at the Corn Exchange with Ruzz Guitarโ€™s Blues Revue headlining, which weโ€™ve already previewed, here.

The live performance from the Cheese & Grain can be seen on YouTube for a limited time, here.


And Yes, Ruzz Guitar does feature on our compilation album, all in aid of Julia’s House; please download a copy here

Trending…..

Manton Fest Reveal 2022 Line-Up

Drizzle couldnโ€™t prevent MantonFest from being one of my fondest memories of last year. Thereโ€™s a real community-feel to this honourable little festival, yet it prevails professionalism aside itโ€™s cheery atmosphere. Enough for me to label it โ€œa gem in Marlboroughโ€™s event calendarโ€ last time; letโ€™s see whatโ€™s in store this year, as organisers announce dates and line-up for 2022โ€ฆ.

Set for Saturday 25th June this time, headlining are seminal rhythm & blues band, Animals & Friends, which boasts original Animals drummer John Steel, and keyboardist Mick Gallagher, who joined The Animals in 1965, replacing Alan Price, and is perhaps best known as a founding member of Ian Dury and the Blockheads.

Returning to MantonFest after a five year gap, Animals & Friends still command great respect internationally amongst their peers, as well as from fans of all ages who instinctively respond so enthusiastically to such pivotal songs from The Animals catalogue such as ‘We Gotta Get Out Of This Place’, ‘Boom Boom’, ‘Don’t Let Me Be Misunderstood’, ‘Baby, Let Me Take You Home’, ‘I Put A Spell On You’ and the bands’ multi-million selling anthem and Number One hit across the world, ‘House of The Rising Sun’.

Also appearing with an astounding rรฉsumรฉ for a tribute act, 1993โ€™s creation of John Mainwaring and John Ford, Jean Genie, has a founding in the very person itโ€™s attributing, Bowie, of course. An original recording artist in his own right, John Mainwaring has been signed by numerous record companies throughout his career, twice with Warner Bros. In the 1980s David Bowie’s world-famous producer Tony Visconti produced some of John’s songs when he was signed to WEA.

Not forgoing work with Jarvis Cocker and Tony Christie, co-writing and recording Beverley Callard’s work-out fitness DVD, John is currently signed to Bucks Music Publishers for his original material, and, more apt for the role, in the late 1990s John was approached by ‘The Spiders from Mars,’ asking if he’d front the band and tour with them. Has to be said, itโ€™s a rare thing for a tribute to have toured and performed with the original artist’s band.

Barrelhouse

Marlboroughโ€™s own and MantonFest favourites, Barrelhouse are returning. With a penchant for vintage blues, I was mightily impressed with Barrelhouse las year, very nearly dropping my hotdog, blending their original material with classic blues covers so you couldnโ€™t see the seam. Promoting a new live CD, theyโ€™re a winner every time.

Another act, another tribute. One which Iโ€™m sure will be welcomed with open arms by the MantonFest crowd, Nottingham-based Beatles tribute band, The Fab4. Formed thirty-two years ago, theyโ€™re renowned for using classic sound equipment, much the same gear as the Beatles, to get that authentic sound, and were the first band invited to play at the Paul McCartney Auditorium at the Liverpool institute of Performing Arts.

Compelling and daring, former Purson singer-songwriter and multi-instrumentalist, from Southend, Rosalie Cunningham is also on the line-up, whose 2019 debut solo album earned a Top 10 placing in the UKโ€™s official independent chart. Along with local acts Dangerous Kitchen, a four-piece rock band, acoustic and electric band covers trio, @59, Adam Ford, Eddie Witcomb and LLoyd Crabb as Kotonic, and Mantonโ€™s very own semi-acoustic blues, jazz and soul crossover group, Skedaddle.

@59

So, yeah, this variety, mostly rock, blues and soul one-dayer shindig, comes highly recommended by yours truly. Gates open at 11am on Saturday 25th June, and advance tickets have just gone online, for ยฃ35 until 15th June, ยฃ40 afterwards. Child tickets are a fiver, under 7โ€™s go free, youth tickets are ยฃ15. This year people can book a plot for a campervan for ยฃ20, or a gazebo pitch for ยฃ10, payable on the day at the gate.

With an assortment of food and drinks stalls, picnics and bring your own booze are still welcomed, in this overall fantastically friendly festie overlooked by the beautiful surroundings of Treacle Brolly near Marlborough, itโ€™s walking distance into town; what more do you want? Well, Iโ€™d like to see Blondie tribute Dirty Harry from last year; see if I can get her phone number this time; epic fail due to cider last attempt!

There she is, see? Shouting out to me, “don’t call me, go home, you’re drunk!”

Trending…..

FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

Rock n Roll Lives; in Melksham!

Found myself in the Sham last night, hail hailing rock n roll at the Assembly Hall, something Iโ€™ve been meaning to witness for ages; and Iโ€™m pleased to report, they do it with bells onโ€ฆโ€ฆ

Passing through Swindonโ€™s GWR works prior to the Steam Museum, I perchance to natter to an aged engineer prepping a locomotive for display. He frustrated his vocation was fading, and with no apprenticeship, the knowledge would be a lost trade. Art is different from a trade; it lives beyond the creatorsโ€™ years naturally; it is only hope it inspires enough to attract devotees from future generations.

Creative types rarely contemplate this, tending to live for the moment. Rock n Roll was perhaps the first youth culture to transcend social and political barriers into mainstream. Generations of segregation had worn-out the connection of railroad slaves, mimicking four-beat folk of their masters, and white youths of the 1950s reunited it by blending blues into country, much to the outrage of traditionists. But would those early, wide-eyed rock n rollers have stopped to consider seventy years later their voices would still be ringing out, their fashion would be epitomised and their dances displayed with such enthusiasm, in a market town hall in South-West England?!

Geoff and his wife proudly sit on the door of the Melksham Assembly Hall and welcome me. They have been the backbone of The Melksham Rock N Roll Club since its formation, twenty years ago. Recently two clubs opened in Bristol, he expressed, but prior heโ€™s had free reign of the niche market for a few years. Coupled with winterโ€™s chill and the resistance to head back out post-lockdown, he shrugs, unruffled attendance is slightly down. I pulled up a chair for a chat of all things Buddy Holly to Shakinโ€™ Stevens, then popped inside to see for myself.

Despite his reservations and taking into account the hall is wonderfully spacious, it feels suitably packed in there, if this is an evening of lesser ticket sales it certainly doesnโ€™t show. Devotees of rock n roll have come from afar to attend; Geoff cites members trek from Bristol, and even as far as Essex.

The closest we have here in the โ€˜Vizes is the Long Street Blues Club, which while spectacular can be a library-like appreciation society; I was shushed in there while thanking Ian for inviting me! Here appreciation is displayed rather differently, events aptly referred to as โ€œdances,โ€ while hold factors akin to many clubs, a live band, DJ and a raffle, the most astounding part was the dancing. There was no way I dare step onto that dancefloor to be showed up, as matured and authentically attired regulars would put upcoming generations to shame with their astounding moves! Trade in your gym membership, come here instead for a rock n roll workout!

With poodle skirts whirling around refined gents in double-breasted Chesterfields and winklepickers, itโ€™s an impressive spectacle. I was interested to observe the age demographic, concerned, like the steam engineer, for his disappearing trade. Iโ€™d spoken to Geoff about diversity, for what is considered โ€œrock n rollโ€ is altered by later age-groups, through Zeppelin to punk. But acceptance of progression felt like a no-go zone; this was traditional, fifties fashioned rock n roll, like it or lump it.

I thoroughly enjoyed the band, hailing from various locations from Hungerford to the Cotswolds, this five-piece ensemble called Haneyโ€™s Big House had the classic arrangement; bona-fide frontman on lead, bassist, drummer, harmonica and an outstanding upright double-bass player. It proficiently spelled rock n roll to me, they played their own awesome compositions, and relished in covering Bill Haley and Chuck Berry, to name a few. Yet conversing outside, nick-picking gossip circulated it was too blues, whilst others suggested too rockabilly.

True, but the band donโ€™t hide this blues influence on their own website, and inside the crowd danced on seemingly unconcerned. I huffed at a minority of grouches, they revelled in nights of yore through rose-tinted specs, when unfortunately, that era has passed. Haneyโ€™s Big House made for an excellent evening, seemed to love the spotlight and were a perfect match for a rock n roll club.

Akin to the contemporary scooter scene, subgenres have to merge back into one another in hope of survival, as Northern Soul mods meet ska-led skinheads, so rockabilly, RnB and blues should be accepted as fair game by fundamentalist rock n rollers, otherwise the scene risks fragmentation over time.

A heartfelt concern, because Iโ€™m with Joan Jett, loving rock n roll, put it every time on the jukebox baby; I grew up listening to Elvis, Buddy et al, via parents. Thereโ€™s nothing like the authenticity of original rock n roll, with an epoch to match, The Melksham Rock N Roll Club is an institution upholding this ethos and they do so with matchless effort.

It was a brilliant evening of beguiling retrospection and long may it continue for another twenty years plus. My demographic observations came up trumps, while a palpable majority were retirement age diehards, a sprinkling was younger, equally excited about the scene. Though that number has to be upped, so I urge anyone affectionate of old timey rock n roll, try this affordable club for size; itโ€™s reelinโ€™ and a rockinโ€™ to the point age is just a number, folk of all ages twirling the night away; absolutely wonderful!

Next dance is Saturday 26th February with Jive Street….

Stay updated via their Facebook page.


Check out other forthcoming events at Melksham Assembly Hall Here, from Abba and Carpenters tributes to Madness and Led Zeppelin…and erm, “ladies” nights!


Trending……

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโ€ฆ

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its openingโ€ฆ

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had toโ€ฆ

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathewsโ€ฆ

Devizine Review of 2021; Marginally Better than 2020!

If we recently reviewed Ian Diddams and friends meeting at the Vaults for their annual festive Jackanory, the first article of 2021 was the very same funny fellow reciting his yarn as a live stream from his mocked garden grotto, and in that, surely displays how far weโ€™ve come from the restrictions of lockdown we entered the year with. Though not without the same notion as last Christmas looming over us, like a dirty black shroud, that it was, perhaps, all too soon, and weโ€™ve not seen the backside of the Covid19 yet.

Summarising, 2021 was marginally better than 2020; there were gung-ho moments of throwing caution to the wind, and there were others to make us stop and ponder the consequences of our actions. Thereโ€™s little doubt the world will never be the same for decades to come; social interaction, shopping, even work practises; but we did get to party on occasions, and when it was good, it was really good.

And if it ended with a Boxing Day brawl, I suspect some wished for the bash-a-sab fest. Even police it seems, who would likely send in The Wealdstone Raider to crowd control a Wealdstone V Whitehawk FC game, if given the assignment. Did I predict this when I said โ€œmake no mistake, thereโ€™s a civil war under our noses, which comes to an apex when blood-thirsty predators triumphantly parade their wrongdoing on a day when most of us struggle out of bed to reach the fridge?โ€

Hardly crystal ball stuff, tensions at their highest for rural Wiltshireโ€™s most contradictory dispute, it was on the cards since day dot; when the county voted in a foxhunting Police Crime Commissioner, whose misadventures in drink driving caused him to pull out at a cost of millions to the taxpayer. A calamity most shrugged off with โ€œoh, ha-ha, those naughty Tories, bless โ€˜em.โ€


Allowed Out to Play

It was May before I set foot in a pub, lockdown eased and live music was back on the agenda, albeit with hefty restrictions; early ending times, remain seated, table service, no mingling outside of โ€œbubbles,โ€ and deffo no dancing or singing. It felt awkward to begin with, not quite the same, but it was a start, and who better to kick off proceedings than the brilliant Daybreakers, gracing the trusty Southgate? One could sense the joy from Cath, Gouldy et al, to be singing to an audience once again, proving their dedication to the cause. A handclap emoji just isnโ€™t the same.

For a while then The Southgate remained the only venue in Devizes providing live music, and we thank Deborah, Dave and all staff for working within the rules to create a safe space to be blessed with music; it was like they were on roller-skates at times, up and down the beer garden, ensuring not a mouth was left dry!  

I also ventured out to the Barge at Honeystreet, to see how they were coping with the boundaries too. And what a show The Boot Hill All Stars put on there, under a spacious marquee, so tempting to get up and dance, but couldnโ€™t; mastered foot-tapping though.

The return to some normality for many in Devizes came in clement early June, when Devizes Lions held a fantastic car show, plus, on the Green. With side stalls aplenty, nervously folk began to socially distanced mingle; it was a breath of fresh air and a testament to what can be safely achieved with forward thinking and dedication.

Image by Nick Padmore

By July I made it out a few times, the idea of Vince Bell teaming with the individual performers of The Lost Trades, Phil, Jamie and Tamsin was too much of an irresistible hoedown of local talent to miss, and a third trip to the trusty Southgate to tick TwoManTing off my must-do list also proved to be a memorable evening.

The beginning of August I ventured to TrowVegas to tick another off said list, catching those Roughcut Rebels with new frontman Finley Trusler. They blasted the Greyhound, and didnโ€™t disappoint. The month shifted gear for many, and things simply blossomed like there never was a lockdown. Back-to-back weekends saw both my favourite largescale of 2021, the single-most amazing festival near Marlborough; MantonFest is a real gem, professionally done with a real communal atmosphere, the type perpetual drizzle couldnโ€™t put a downer on. This event wowed.

Back in Devizes, the events of the year were the weekend which followed, sitting nicely between a stripped back version of DOCAโ€™s International Street Festival sprinkled across town, was of course, The Full Tone Festival. Without the refreshing emergence of folk out of lockdown, this would have still been something for the townโ€™s history books, but being as it was, the opportunity to head back out and enjoy life once again, the timing, the best weather, the whole ambience was electric. The time and work gone into pulling this off was absolutely outstanding, and for which folk of Devizes will forever mark it as a celebration of post lockdown.

Awakenings even drew Andy out of hiding by September, and I was overjoyed to have him back on the team, without putting his bag and coat on the hook, he went out to play, reviewing Devizes Musical Theatreโ€™s Gallery of Rogues, and Devizes Town Bandโ€™s Proms in Hillworth Park. Meanwhile I was delighted to see The Wharf Theatre reopen with a fantastic performance of Jesus Christ Superstar.

September also saw the welcome return of Devizes Comedy at the Corn Exchange, and The Long Street Blues Club, who, kicking off with Creedence Clearwater Review, wasted no time catching up with their rescheduled programme of the most excellent blues nights money can buy. Andy covered these, while I ventured to see Kieran J Mooreโ€™s new digs at Trowbridge Town Hall. After a brilliant street art exhibit from Tom Miller, I went to taste the music there, with a most memorable evening from Onika Venus. I returned to the scene in November, for a great gig from ร…lesund with support from Agata.

Other than a trip to the White Horse Opera and Southgate to see Jon Amorโ€™s King Street Turnaround, Andy pitched a tent at Long Street Blues Club, one time shipped out to the Corn Exchange in late November for Focus, which Andy crowned best gig of the year. I made it out to the Cross Keys in Rowde for The Life of Brian Band, and to the Southgate see Strange Folk again, since their fantastic set on Vinyl Realmโ€™s stage at a Street Festival of yore. But October held my best gig of the year, the reasons manyfold, and Iโ€™m lay them on the lineโ€ฆ.

For the outstanding fundraising efforts of the Civic award-winning local supergroup, The Female of the Species, I hold them all up as my heroines, therefore the chance to see them again at Melkshamโ€™s fantastic Assembly Hall too much to miss, and the fact theyโ€™d chosen this time to raise funds for another of my local heroines, Carmela Chillery-Watson, was almost too much to take! With an electric night of awesome danceable covers and a massive raffle, they raised a staggering ยฃ1,763 for Carmelaโ€™s Therapy Fund.

It will never cease to amaze me the selfless lengths our musicians will go to for fundraising. Even after a year and half of closed hospitality and no bread-and-butter gigs, they continue to offer their precious time to help. While events blossomed late this year, and November saw the return of TITCO, and Devizes Arts Festival added a spellbinding mini-autumn-festival with Ronnie Scottโ€™s Jazz Club, Sally Barker and Motown Gold, Devizine continued also to preview events and do what we had being doing to find content during lockdown. Yeah, we rattled some cages with social and political opinion pieces, tasted some great takeaway tucker, and we reviewed recorded music further afield as well as local, but we had a number of feelgood stories, most memorable being things like our snowman competition in January, but there was a project which highlighted the sterling effort from musicians to fundraise, and it will be something Iโ€™ll never forget.

Image: Gail Foster

So, in April I announced we would be putting together a compilation album, fundraising for Juliaโ€™s House Childrenโ€™s Hospices and by late June it was a thing. It was hard work to put together, but Iโ€™m astounded by the plethora of great bands and artists who took the time to send us a tune for inclusion. Knowing time was precious for artists popping out of lockdown, in need to source bookings and rehearse, I only asked them to provide us with an existing tune to prompt their albums, but some went beyond this, giving us exclusive outtakes such as the brilliant Richard Davis & the Dissidents, or some even recorded new songs, like Blondie & Ska, Tom Harris and Neonian.

I picked a staggering forty-six tracks to bind together, to create a boxset so humongous it would need far too many CDs to make it actual, so due to this and the expense of outlaying, it exists as a download on Bandcamp. Think of it as a teaser for the many great acts weโ€™ve supported and reviewed over the years, and for a tenner, it works out under 5p a tune.

For me this was a momentous achievement, and canโ€™t thank them enough. While Iโ€™ve put it out to the right places, to the Gazette & Herald and Fantasy, and airtime on West Wilts Radioโ€™s fantastic Sounds of Wilderness Show, there is obviously more I need to do to get the message out there, as sales have been slow, unfortunately.

I could fathom a number of reasons for this, but in all, weโ€™ve raised approximately ยฃ177 for Juliaโ€™s House, hoping to reach a ยฃ200 target before we send them the money, still sales have waivered off so significantly I feel I need to send what weโ€™ve had so far. Please help us to up the total if youโ€™ve not already bought this fantastic album. Gloom aside I will say Iโ€™m planning a second volume, and already have a few contributions from incredible acts such as Nick Harper, Onika Venus and Catfish.

Returning to events for the last part of the year, While Andy fondly reviewed Focus, I popped into the Corn Exchange for a quick interview with The Lost Trades, and left to attend a great art show at the Shambles. That weekend the Full-Tone Orchestra played Swindonโ€™s Wyvern, and Iโ€™m grateful to Ian Diddams for his review. This is what we need, people, we cannot cover everything, but if youโ€™ve a few words to say about an event or anything local, please, help to make Devizine a comprehensive community, erm, thing!

Of course, one delightful addition to our team TD Rose has been submitting some lovey features, firstly of ramblings, and more recently she made friends with Wiltshire Museum, and reviewed DOCAโ€™s Winter Festival. Thank you so much Tyg, Iโ€™ve yet to meet, but we need to arrange this for the new year.

Image: Chris Dunn

Towards the end of November Andy remained seated at Long Street, I did the rum bar thing. Such a refreshing addition to Devizes, The Muck & Dundar pulled off a blinder with Bristol DJs, The Allergies. This was one smooth funky night, best for an age, and it was great to shake my greying tailfeathers. Both Andy and I finished off the year with a Boot Hill bash at the Southgate, where hip hop misfits Monkey Bizzle supported, and was shocked by Andyโ€™s positive reaction, being more my cup of cheddar, this was an awesome night too!

Kossoff played Long Street, Andy also went to White Horse Operaโ€™s Winter Concert and other than the hugely successful Tractor & Tinsel Run, weโ€™re back to where we started with an Ian Diddamsโ€™ spoken word showdown the Vaults!


On Stats and Boring Stuff

Our Annual Stats Doubled from Last Year!

Having live music back, no matter the limitations was a breath of fresh air. Prior to it I was still scrambling around in the dark as I was in 2020, hunting for something to write about. But I guess a year of lockdown had given me time to contemplate and improve on the content. This boosted the stats, for if 2020 saw a drop in readership, I hoped to better it, and Iโ€™m pleased to announce we had a record amount, well over doubling the figures of 2020. This is awesome news, and I thank everyone for keeping the faith in us, and continuing to support Devizine.

I keep looking at the bar graph of stats, not believing the skyscraper which is 2021. How much weโ€™ve grown, become a โ€œthingโ€ now. Itโ€™s fantastic and I hope we will continue to entertain you. I must stress though, we donโ€™t harass you to subscribe or any rubbish like this, we keep advertising to a minimum, and nothing should pop up and distract your reading, and we uphold the ethos features should be free to the end user.

Yet we do need to maintain some budget to keep the site going. Thatโ€™s currently around ยฃ60 a year; we fund our own beer money, thank you, weโ€™re not MPs, we have no expense forms! So please consider donating to keep Devizine afloat, please donate when sending us an advert, unless it is fundraising. Iโ€™d really like to build up a small fund to get some charity events off the ground, as I believe the artists should be paid for their time considering their predicament too. So, anything extra will go towards this, and promoting the Juliaโ€™s House album.

What can we expect from Devizine in 2022, you might ask; well, if itโ€™s not brokenโ€ฆ…letโ€™s happily bash on shall we?! Thank you all so much for your support over 2021, the stats show weโ€™re heading in the right direction.


On Food

Said this before, but I take pride in repeating myself; food reviews get an enormous response, yet still eateries seem reluctant to come forward. A food review here will do wonders for your sales, and Iโ€™m not just saying that because Iโ€™m a greedy so-and-so. Places weโ€™ve eaten out or takeaways weโ€™ve had which failed to live up to our expectations have not been mentioned. Iโ€™m no Gordon Ramsey and Iโ€™m not about to publish a slagging off. Iโ€™d rather tell you to your face why Iโ€™m not reviewing it!

During lockdowns the takeaway became essential part of a weekend treat for families with nought else to do, and new establishments opened, while pre-existing ones flourished. In January we praised the Massimosโ€™ Pizza, and the following month saw me queuing halfway down a frozzled Nursteed Road for a rather tasty Greek Gyro from the Cosy Kitchen mobile van; such was the popularity of these mobile units during the bleakest of times.

When things begun to open up in April I went for my first vaccination jab, where they told me not to drive for fifteen minutes. They didnโ€™t say go find a new Indian lunchtime takeaway in the Brittox, but we did, and long should Naan Guru live on!

Not much further into the same month, I tracked down The Feisty Fish, a fish n chips van like no other. They donโ€™t come into town being thereโ€™s chip shops here, but track these guys down for the single best gourmet fish n chips you will ever taste, I tell no lie!

June saw a second IndieDay, organised by InDevizes, and prompted people to get out and shop with a bustling farmerโ€™s market, in which I discovered the rosy cheeked benefits of Lavington’s Rutts Lane Cider, and merrily made my way home on the bus! I also had to mention, unsurprisingly to those who know me, that month, that Plankโ€™s Dairies introduced a new locally-sourced organic milk, yogurt and juice range, in sizable and reusable glass bottles, which has proved hugely popular.

Naturally, without a main stage this year, there was a greater interest in the food market at The Devizes Street Festival in August, and the following month we mentioned Devizes Food & Drink Festivalโ€™s Market, where I was reunited with Rutts!

It was July when we discovered Thai-day Friday, and that was just delicious!

Mildly amusing than most, I offered a Battle of the Best Devizes Breakfast, in November, something we need to follow up on when the kids are back in school, as Round One, The Condado Lounge Vs New Society was a popular post. I bloominโ€™ love food, me, yโ€™know, invite me to your cafรฉ, pub or restaurant and Iโ€™ll give you my honest opinion, except I donโ€™t do eggs or liquorice; yuck!


On Music

If Iโ€™ve already mentioned our awesome 4 Juliaโ€™s House project, and all the artists who contributed are in my good books, we also covered a whole heap of new releases. Plus, we started a Song of the Day, where we post a YouTube link for your pleasure, and generally donโ€™t say much else about it, rather waffle on a tangent! But mostly recorded sound reviews waned when live music reopened, still we strive to continue telling you what we like.

Will Lawton

Will Lawton proposed to open a music school, JMW held a lockdown festival in support of musicians, Wiltshire Council asked Gecko for a Road Crossing song and video, and Wiltshire Rural Musicโ€™s announced producing live steams from Trowbridge Town Hall.

Kirsty Clinch announced her music school and book plans, and covered Swindonโ€™s sound system Mid Life Krisisโ€™s live streams. We chatted to The Scribes, announced The Lost Trades Live Stream in Advance of Album Launch, and The Ruzz Guitar Sessions, and Asa Murphy returning to Devizes.

We announced Sheerโ€™s Salem gig, the Dear John Concert Album for War Child, and the bid to help Calne Central. Announced Sheerโ€™s Frank Turner gig at the Cheese & Grain, chatted to Blondie & Ska. Announced Wharf Theatreโ€™s Youth Theatre, Pound Arts Blue Sky Festival, My Dadโ€™s Bigger than Your Dad Festival in tribute to Dave Young. This list goes on, but most enjoyable recently, meeting up with Visual Arts Radio who moved from Frome to Devizes.

We reviewed Terry Edwards Best of Box Set, Ainโ€™t Nobodyโ€™s Business by Ruzz Guitar Blues Revue and Pete Gage, Skates & Wagons, Kirsty Clinch, Small Town Tigers, Django Django, Chole Glover, Araluen and Ariel Posen. Trowbridge DJ and producer Neonian, The Direct Hits, Andy J Williams, Erin Bardwell, Nigel G Lowndes, Mike Clerk, Cutsmith, Timid Deer, and Cult Figures.

Horses of the Gods, Lone Ark & The 18th Parallel, Longcoats, Black Market Dub and The Lost Trades.

Brainiac 5, Sitting Tenants, Stockwell, Storm Jae and Nory, Sam Bishop, Longcoats, The Bakeseys and Elli de Mon.

Liddington Hill, Boom Boom Racoon, Longcoats, Girls Go Ska and Daisy Chapman.

Monkey Bizzle, Webb, The Hawks, Captain Accident & The Disasters, Onika Venus, Death of Guitar Pop, The Burner Band, Mr. B The Gentleman Rhymer, and Scott Lavene.

Spearmint, Captain Rico & The Ghost Band, Sonny Vincent, Freya Beer, Near Jazz Experience, Beans on Toast, Old Habits, and most recently, Paul Lappin! That enough for you?!ย 


On the Social and Political Side

The fate of every nation depended on how their governments dealt with the pandemic, and how the public responded to them. Iโ€™m not here to dwell on international or even national politics, for this is a review of Devizine, what I define loosely as โ€œan entertainment news and events guide,โ€ for the locality of Wiltshire, focussing particularly on our base, Devizes. Yet tenaciously it is linked, undeniably affecting limitations to what we could and couldnโ€™t do. By the very appalling national statistics, despite rolling out vaccinations like no other country, it revealed true horrors of conflicting government decisions, their general disrespect and selfishness for the public theyโ€™re supposed to serve, and the publicโ€™s reaction to them.

Like a blind vacuum, sucking in every government blame game, it never ceases to amaze me keyboard warriors on social media turning culpability onto mainstream media, when their task is purely to report news, and capture the mood of the nation. The mainstream media is ruled by the elite, funding the government, theyโ€™re in bed together, literally. To publicise shortage of goods is informing of a potential issue, they didnโ€™t enforce panic buying, the public did; chicken and egg. Equally, to publish mood change in the majority lost faith in government, is because thereโ€™s a mood change; weโ€™ve lost faith in government.

Iโ€™m not here to say I told you so; Iโ€™ve not lost faith in this government, I had none to start with!

Take the last set of pandemic announcements, made only hours after government-controlled media broke news of Downing Street Christmas parties, best part of twelve months earlier. A day where the public felt betrayed, even those who voted for Bojo and his cronies held their heads in shame and had to confess it was all too much for a government to break rulings it set itself, and party on while the public suffered, and died. The mood was understandably bleak; why should we do what they say when they clearly donโ€™t?

Why, you ask, for crying out loud? To protect ourselves from a global pandemic, numpty! Government announcements are fed counsel from health organisations and medical experts, skewered by bent politics, naturally, but the bullet points are there. It is not the same self-entitled buffoons, theyโ€™re voiceover artists on this occasion; given free reign theyโ€™d have โ€œherd immunity,โ€ against WHO advise.

Can you not see through the wool? The government press released the Downing Street Christmas Party scandal themselves, bang on cue of an announcement, so we would all think precisely that, why should we do what they say when they clearly donโ€™t? If we rebel from their restrictions, weโ€™ve only got ourselves to blame when the virus spreads. The government gets what they always wanted, herd immunity, and theyโ€™ve shifted the blame away from them and onto you, me, and everyone else.

Therefore, we need to take precautions ourselves, be a community, care for others around us. No hard and fast lockdown is needed, if common bloody sense prevailed, but government seem intent to rinse it from our craniums. Weโ€™re not self-service tills, do not robotise us!

We know now how to prevent the virus spreading; keep your distance from others, wear facemasks in public places, follow NHS guidelines in testing and get vaccinated as soon as possible, whether they tell you to or not.

These things should be commonplace, but whenever restrictions ease, like a naughty school-boy triumphantly marching out of detention only to offend again, we forget everything weโ€™ve learned and pay the cost for it. Iโ€™m not preaching like a saint, caged too, I urged for a pint, to lob my facemask into the air, hug, and flaunt the rules when the rules relaxed, at times reflecting if we did the right thing, least if we did it too soon. But itโ€™s done now and we canโ€™t turn the hands of time. If we could, Iโ€™d still be on Castlemorton Common.

Old Skool Rave

In this, one series of articles I was proud of this summer was in reminiscence of my youth, being the thirtieth anniversary of 1991, an explosion for the rave scene. But another similar premise based on news of illegal raves happening in lockdown, was to ask those old skool ravers if theyโ€™d still go raving if there was a similar pandemic in the nineties; with interesting results.

Return of the Rave

And if it sounded like I was defending mainstream media, I wasnโ€™t, only applying a smidgen of sympathy. With Facebook, Twitter et al, media is everyone now; Iโ€™m living proof any idiot can publish a blog and make look it like reputable news! Reason why, I guess, criticising other local outlets always brings hits, the occasion I felt the need to defend Devizes against the sharp eye of local gutter-press Wiltshire Live, proved to be our third most popular article of the year.

Devizes is a great place to live, Tory top-heavy, but thatโ€™s something anyone with an alternative opinion has to unfortunately suck up. Our fourth most popular article this year was in January, breaking the news Tory PCC candidate for Wiltshire, Johnathan Seed, was a bad card. Something as more evidence came to light, namely drink-driving offences, proved to be true, at the time I put my finger on something conflicting in his chat with us, calling anyone who cared to address fox hunting a โ€œtroll,โ€ but requesting we talk on his trespass pledges, blatantly linked to restrict the movement of sabs, the only folk we see actually policing this disgusting and unbelievable smokescreen of trail hunting. Something we covered more recently, suggesting Boxing Day Hunts need better policing.

Moan Iโ€™m bias, yeah, no shit, Sherlock. Do I attempt to hide it like others? Why the hell should I side with anyone butchering wildlife for so-called sport, and in that, why the hell would you?! But hey, I remained impartial during local elections, giving each and every candidate a platform, so there!

Never has a PCC election run with such controversy. Aggravation between sides fired, and we did more than blow the lid off Seedyโ€™s bogus campaign, causing some alarming revelations in local social media bias. Tories back Tories, no matter what theyโ€™ve done wrong, itโ€™s an allegiance to admire, even if you feel itโ€™s malicious. As well as chatting with Lib Dem candidate Liz Webster and independent Mike Rees, we tried a few spoofs: Play the Wiltshire PCC Game, Basil Brush Missing, and upon the Tories hustling in an alternative candidate by stalling the re-election, we ran a short story The Adventures of Police Crime Commissioner Wilko, which was based upon a better received satire, a long-running mock of Wiltshire Council, in The Adventures of Councillor Yellowhead.

At times Mike seemed such a threat to Wiltshireโ€™s Tory totalitarianism, a media attack seemed the best method to deflect people taking the common-sense vote. The first bout came in January, when Mike was barred from volunteering to administer lateral flow Covid tests, the second in July affected me personally as the Devizes Issues Facebook group revealed its fiercely denied bias, by banning me for using a George Orwell quote to express my concern at the taxpayer having to fork four million quid for a re-election which was clearly the Conservative Partyโ€™s fault! Iโ€™m adamant it was justified.

Nineteen-eighty-four was supposed to be a warning, not a fucking self-help guide.

Annoyed, I struck out, naturally, and was begged back, after the full-gone conclusion a Wiltshire majority blindly vote for the blue rosette no matter what! But it was a month after the ban, the smear reached its apex, with all posts about the independent candidate immediately banned and deleted on the popular Facebook group, and anyone complaining were blamed by members for the downfall in Mikeโ€™s success! You canโ€™t make up hypocrisy that nasty.ย 

Tory Devizes Town Councillor Iain Wallis on โ€œthe Devizes Issues.โ€

Itโ€™s not the politics which bothers me as much as the kind of world they envision. Stories of injustice swamped Devizine this year, more than ever before, even our April Foolโ€™s Joke had stark repercussions. 

Every minute an adolescent arm reaches out of a window, unceremoniously handing a bag of fast food to a driver, they nod a thanks, and leave. That seemed to me to be the maximum social interaction of 2020, yet commonplace in modern living, pandemic or not. I recalled going to a Tesco, paid at the pump, masked expressions as I sauntered the aisles, paid at the self-service till and on the way out considered one could live their life in modern times completely unnoticed, months need pass without human contact. My mind meanders if thatโ€™s something young folk actually want, or if theyโ€™ve been robotised, or if itโ€™s an age thing leaving me in a care-home for terminally bewildered.

The best hitting article of the year was again, our April Foolโ€™s Day joke, where this time I misleadingly announced the opening of a McDonalds in Devizes. Maliciously planned, it broke the local internet, and despite suggesting it was All Fools Day in the piece, comments and messages flooded in from headline scanners. In favour of it or not, the debate is such popular the joke was lost on many desperate souls dying for a McFlurry; causing faith, just like Chippenhamโ€™s recent pandemonium for a bucket of battery chicken in gravy, yes, Aldous Huxley was bang-on, many folks do want to live in this commercialised bubble, void of individualism.


On Everything Else

Individualism, free thinking and fair and just causes we stand for here, it is not my fault the many attempts to counteract this seem to come from a conservative ethos, and therefore get criticised for it. Iโ€™m not dead against conservativism, but they seem dead against me, as if weโ€™re supposed to know our place tip our hat and reply, โ€œvery good guvnor, Iโ€™ll bail your shit for a shilling!โ€

My god, how they hate common people who can articulate, thatโ€™sโ€™ why they slash away like Freddy Kruger at the education budget while back the grammar school relaunch. Then keyboard warriors whinge at juvenile delinquency like itโ€™s a new thing and something stringing them up for will somehow solve. Weโ€™re heading into days as dark as the early eighties, perhaps medieval for some, days I remember with a horror in my heart.

The audacious legacy building bashes on with grand and glorious plans, I reported Stonehenge had been saved by the High Court, but they operate above the law and continue to ignore the justice system, plotting to bury a road underneath it, shaking it to ruin, least knocking it of the World Heritage List, for the sake of knocking minutes off commuting times.

I criticised the reality of building a whole new train station miles out of Devizes, against popular opinion, cos Iโ€™ll believe it when I see it, and furthermore, I feel thereโ€™s more pressing issues which looking at. If not our terrible infrastructure, the state of our roads, and the endless chain of bureaucratic nonsense to get the simplest of notions pushed through bumbling pompousness of councillors and apparent do-gooders, itโ€™s the increasing homeless on our streets, the need for Food Banks which the Tories selfishly assume is a good thing, the poverty level submerging a continuous population and the outright condoning of racist, sexist and homophobic acts. Sort them out, and Iโ€™ll gladly stand on Devizes Parkway platform with you, or any other brazen legacy-building pledge you dream up!

Every time Iโ€™m duped, I feel like an idiot, unable to get my message through the red tape. You want a train station, yet I reported the dangerous state of a Wiltshire Council playpark in Rowde, FIVE years ago, and I have to seriously throw my toys out of the pram to get anyone to pay it any attention. In February this year I was delighted, based on my article, Councillor Laura Mayes secured ยฃ20,000 from WC to re-design the playground and she proudly used it to publicise her election pledge.

But still the playpark remains in the same state of disrepair, not a penny pledged has been spent. Whether this is WCโ€™s fault or the Parish Council I donโ€™t know, they got what I suspect they wanted, a successful election result, and my whinging reduced too. Iโ€™ve just lost all faith and interest in continuing to bother with it. You want a train station, huh? Traffic lights at the Black Dog crossroads? A no left turn sign at the top of Dunkirk Hill? Yeah, good luck with that, weโ€™re moving into six years for them to fix a dangerous baseplate of a bouncy chicken in a playpark!

Yet perseverance can pay off; we loved it when Rab Hardie of Duck N Curver broke into Stonehenge to raise awareness of his wish to film a video inside the stone circle, we asked if the Fire & Rescue Service were Cutting Vital Flood Equipment, defended Wiltshire Police from keyboard warriors upset they used a rainbow as their Facebook logo during Pride Month, wished Devizes Lions a happy 50th, supported Joe Brindle on his campaign to save Drews Pond Wood, attended Save Furlong Close protests, added some reflection on the Travellers based in Bromham, praised local artist, Clifton Powell when he was commissioned for English Heritage Exhibition, The African Diaspora in England, had a great time at Breakout, Chippenhamโ€™s Alternative Art Show, congratulated the award-winning British Lion. Crickey, the list goes on; the vast array of subjects weโ€™ve covered, even war memorials which look like bins!

I must be boring you into an early grave, which isnโ€™t the best way to start a new year!

One last thing, we did plenty of spoofs and satirical pieces, too many to name, yet, allโ€™s fair in love and war, and it was a great year; hereโ€™s to 2022! I leave it there before your head explodes!


Jon Amor to Take Up Sunday Residency at The Southgate

Featured images by Nick Padmore

I still remember landlord Deborahโ€™s face aglow some years back, when she told me Devizes blues legend Jon Amor was booked to play The Southgate. Heโ€™s made several appearances since, as solo and as frontman of King Street Turnaround, but today the Southgate announced Jon will take up a Sunday residence at the lively Devizes pub…..

It will be a quieter New Yearโ€™s Eve for the Southgate, there is no music booked and from Monday 3rd to Monday 10th January the pub will be closed. โ€œWeโ€™re keeping it simple on NYE, no live music, believe it or not!โ€ Deborah said. โ€œBut weโ€™re saving the best of the best until Sunday with a mega Blues/Funk/Rock gig to blow away the extended hangovers!โ€

With an awesome line-up on Sunday 2nd, as Jon is joined with Innes Sibun, Pete Gage, Jerry Soffe, and Tom Gilkes, I knew about this little marvel, and it has been up on our calendar for a while now. What I didnโ€™t know is this will build a new house band for the Gate, โ€œyes,โ€ Deborah delights to inform, โ€œJon Amor and friends are taking up residency! Sunday afternoon gigs, first Sunday every month for 2022.โ€

So expect to see King Street Turnaround with Jon and friends on the first Sunday of each month down the Gate, which is some great news!

The future is bright, the future is The Southgate! Reopening on Tuesday 11th Jan, with the absolutely awesome rock covers band Triple JD Band on Saturday 15th! Rock on!

Dave and Deborah at the Southgate

Meanwhile our event calendar is building up with choices for New Yearโ€™s Eve, do check it out for links, and have a great New Year; hopefully might catch you down the Southgate on Sunday, if Iโ€™m allowed out to play by the boss!

Billy Green (solo) @ The Hourglass, Devizes

Devizes Scooter Club NYE Party @ Devizes Cons Club

New Yearโ€™s Eve @ The Vaults

New Yearโ€™s Eve @ Massimos, Devizes

Rip it Up @ The Greyhound, Bromham

Sour Apple @ The Brewery Inn, Seend Cleeve

Six O’clock Circus @ The Talbot, Calne

The Roughcut Rebels NYE bash @ The Churchill Arms, West Lavington

New Yearโ€™s Eve Party @ The Green Dragon, Market Lavington

Illingworth @ the Waterfront Bar, Pewsey

Get Schwithty (Jamie R Hawkins & Phil Cooper) @ The Bear, Marlborough

80s, 90s, 00s NYE Party @ Wellington Arms, Marlborough

Deathproof Audio NYE Party @ the Vic, Swindon

Dubsouls & The Rumble-O’s @ The Bell, Walcott Street, Bath

Trending….

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™sโ€ฆ

REVIEW โ€“ Kossoff โ€“ The Band Plays On @ LSBC, Devizes โ€“ Saturday 18th December 2021

Free At Last!

Andy Fawthrop

And so we came to the last LSBC offering of 2021, marking the half-way stage on the current season of concerts.ย  Itโ€™s been a packed programme recently, but no-oneโ€™s complaining about that!

Last nightโ€™s offering was as good as a double-header as far as I was concerned.

Drafted in at relatively short notice as the support act was local legend Jon Amor, a man Iโ€™ve seen many a time as the head-liner.ย  He bounced onto the stage brandishing an acoustic guitar, and looking full of beans.ย  It seemed strange and unusual not to see him backed up with one or other of his bands, particular King Street Turnaround, as I last saw him at the Southgate recently.ย  But there was no stopping him as he confidently blew through several songs, and at one time wandering out in to the audience to sing acapella before returning to the stage to finish the song.ย  It takes guts and panache to pull that sort of thing off, but it worked wonderfully.ย  Highlight song for me this time, as often before, was โ€œAnother Stitch In Your Party Dressโ€.ย  It was a great short set โ€“ chipper, upbeat, confident.ย  Great to see Jon in such great form.

Main act was Terry Slesserโ€™s 5-piece Kossoff โ€“ The Band Plays On, who produced two confident and polished sets.ย  They were last at LSBC back in May 2019, which I remember as one of the highlight gigs of that year.ย  I wonโ€™t bang on about Free/ Bad Company/ Back Street Crawler being the soundtrack to my musical upbringing in the late 60s/ early 70s butโ€ฆ.butโ€ฆwell, they just were.ย  And, yet again, it was soooo good to hear some of their songs knocked out with precision, love and energy.ย  Slesser, taking lead vocals, is no Paul Rodgers in either looks or voice, but he certainly makes up for it in passion and delivery.ย  His command of the band and his easy connection with the audience were winning features.ย  And the band, again no look-alikes, were terrific when it came to that lovely sludgy, driving Andy Fraser bass and that Paul Kossoff squealing lead guitar.

They kicked off with Freeโ€™s โ€œFire and Waterโ€, a stonking opener which immediately put down an early marker of intent.  Iโ€™ve said before that these guys are no mere โ€œtributeโ€ band, content to slog through a greatest-hits set and take the money.  This was much more about โ€œhomageโ€ to some truly gifted musicians and song-writers, nicely capturing the sound and the feel of the early 70s, with Slesserโ€™s personal recollections of Paul Kossoff interspersing the songs.  And the song selection itself was interesting and respectful, delivering some of the lesser-known numbers, such as โ€œLong Way Down To The Topโ€ and โ€œAll The Girls Are Crazyโ€ (Back Street Crawler), โ€œWalk In My Shadowโ€, and โ€œIโ€™ll Be Creepingโ€ (Free).  And there was the more subtle, non-rocking stuff, such as โ€œBe My Friendโ€, proving that the band (like all the great rock bands) were not just one-trick ponies, but capable of writing tender and thoughtful lyrics.

Of course there was the usual leavening of stonking hits โ€“ โ€œThe Stealerโ€, โ€œMy Brother Jakeโ€ and (inevitably) โ€œAll Right Nowโ€ โ€“ which all went down a storm.  And, just as Free themselves used to do back in the day, delivering their well-deserved encore that thumping blues classic โ€œThe Hunterโ€.

Great entertainment, and a great night out.  Another great booking by Ian Hopkins. 

Future Long Street Blues Club gigs:

Friday 14th January 2022                               Chicago Living Legends

Saturday 5th February 2022                         Tinsley Ellis

Saturday 19th February 2022                       Mike Zito Band

Saturday 26th February 2022                       Mark Flanagan Band

Friday 4th March 2022                                    Black Sabbitch (Corn Exchange, Devizes)

Saturday 19th March 2022                            Soft Machine

Saturday 2nd April 2022                                 Alastair Greene Band

Friday 8th April 2022                                       Billy Bremner’s Rockfile (Devizes Town Hall

Saturday 9th April 2022                                  Carl Palmer’s ELP Legacy (Corn Exchange, Devizes)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  CSN Express (New Rescheduled Date)


Trending….

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

REVIEW โ€“ Antonio Forcione @ LSBC, Devizes โ€“ Saturday 27th November 2021

Italian Jazz Guitarist

Andy Fawthrop

This was the third Long Street Blues Club weekend gig on the bounce for me.ย  Following Gerry Jablonski Band two weeks ago, and the blow-away Focus gig at The Corn Exchange last week, it was back to the familiar surroundings of the Con Club in Long Street for (yet again) something completely different.….

Support act for the evening was Eddie Witcomb, who started off with a lot of nervous chatter before getting stuck in.ย  He played mostly his own material but also hit a cover of Nina Simoneโ€™s โ€œBecause Youโ€™re Mineโ€.ย  His songs were gentle, thoughtful pieces, but definably in the downbeat and miserable categories.ย  Describing himself as a โ€œone song a year manโ€, it was obvious that his songs were a labour of love.ย  Some of them had curious, trail-off endings, leaving the audience confused at times as to when heโ€™d actually finished.ย  Overall his set was entertaining, but low key.ย  I think he needs a few more upbeat numbers to leaven the mix a little, but otherwise great stuff, much appreciated by a large and supportive audience.ย  Chatting afterwards over a pint, Eddie said that he had indeed been nervous, mostly caused by simple lack of gigs over the Lockdown period, but that he was looking forward to getting his various solo and group projects moving again โ€“ which Iโ€™m sure will happen for such a dedicated and talented bloke.

Antonio Forcione, the main act of the evening, is an artist who has been hailed as one of the most charismatic, unconventional guitarists at large in the musical world today.  And with a host of international awards under his belt, this eclectic composer produced two fine sets that had the audience enthralled.  Starting on stage with just himself and his cellist, the very first number was spell-binding and mesmeric.  Then joined by bass and percussion players to fill out this international quartet, he proceeded to produce some truly stunning acoustic music.  It was a mark of the respect with which the audience held him that when he was playing you could hear a pin drop in a very crowded room โ€“ no background chatter, no noise from the bar, perfect listening conditions.

The first set was slightly shortened when Antonio had to do some running repairs on his guitar, before coming out of the blocks in the second half with number after number of beautiful, nuanced playing.ย  Dropping back to occupying the stage solo โ€œto give the band a restโ€, he proved that he is an absolute master of his craft.ย  And then, as the band re-joined, with their sensitive and sympathetic accompaniments, adding layer upon layer of sound, much of it with a laid-back jazz sensibility, creating complex soundscapes, the magic simply continued. ย We had a musical trip around the world, with influences from Spain, Italy, South Africa.ย  It was mesmerising, it was entrancing, and an absolute pleasure to listen to.

Yet again, we were very lucky to be able to listen to an international artist of such standing and musical skill in our little town.  Another great booking by Ian Hopkins.  And another great night out at Long Street Blues Club.

Future Long Street Blues Club gigs:

Saturday 18th December 2021-ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  KOSSOFF…The Band Plays On

Friday 14th January 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Chicago Living Legends

Saturday 5th February 2022                         Tinsley Ellis

Saturday 19th February 2022                       Mike Zito Band

Saturday 26th February 2022                       Mark Flanagan Band

Friday 4th March 2022                                    Black Sabbitch (Corn Exchange, Devizes)

Saturday 19th March 2022                            Soft Machine

Saturday 2nd April 2022                                 Alastair Greene Band

Friday 8th April 2022                                       Billy Bremner’s Rockfile (Devizes Town Hall

Saturday 9th April 2022                                  Carl Palmer’s ELP Legacy (Corn Exchange, Devizes)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  CSN Express (New Rescheduled Date)


Trending…..

REVIEW โ€“ Focus @ LSBC, Cornย  Exchange, Devizes โ€“ Saturday 20th November 2021

Best Gig Of The Year In D-Town!

Andy Fawthrop

Second day on the trot in the Corn Exchange for me โ€“ on Friday night it was Motown Gold, with D-Townโ€™s (ahem) young things bopping away to hits from their lifetimeโ€™s soundtrack.ย  But on Saturday night it was something completely different โ€“ a journey into the wilds of 70s Prog Rock, with a side-serving of close-harmony contemporary folk.……

This was a complete change of venue for Long Street Blues Club for one night only, switching from the usual Con Club to a much larger hall and stage, in order to accommodate a more fitting light and sound show for one of the music businessโ€™s most famous bands, as well as to pack in a bigger crowd.ย  And it was a move that was fully justified, as the music-starved hordes of The Vize turned out in their hundreds.

But first things first โ€“ the support act The Lost Trades, consisting of three well-known local singer/ song-writers: Phil Cooper, Tamsin Quin and Jamie R. Hawkins.ย  (See Darrenโ€™s pre-gig interview with them if youโ€™d like to know more about what makes them tick, [coming soon, Ed!]).ย  Iโ€™ve personally seen these guys sing before, many times, both as individual performers and as The Trades, and theyโ€™ve always impressed me.ย  On this occasion, and with a big attentive crowd in front of them, I thought that they absolutely nailed it.

Kicking off with โ€œOnly When We Sing With One Voiceโ€, โ€œRoad of Solid Goldโ€ and โ€œKingdom Fallsโ€ โ€“ all tracks on their latest album โ€“ all three performers looked relaxed and well-rehearsed.  Their multi-voice harmonies were spot on, and their (apparently) effortless swapping around of instruments showcased their collective talent and versatility (including a complete no-panic moment when Jamie broke a guitar string).  The songs were far from being one-dimensional, and instead were nuanced and textured.  As a group, I feel that their song-writing has improved no end, each of them contributing their own ideas, as well as improving the inputs of the others.  Their performance, to my ears at least, is strongest when Jamie takes the lead on vocals and, as they did on their last song, they simply drop all the instruments and just give us the stripped-down acapella harmonies.  All in all a top-notch, consummate performance which I expect will have won them a lot of new friends.  Just superb.

And then, as someone famous once said, for something completely different.ย  And you couldnโ€™t get much more different than veteran Dutch prog-rockers Focus.ย 

Currently in the middle of their 50th anniversary UK Tour (which continues to mid-Dec, then starts again from April 2022), these guys are an absolute institution.  Still touring, still making albums (they are now on their tenth!) and new music, and still bringing crowds to their feet across Europe, Focus blew into D-Town and, with a little musical hocus-pocus, blew us all away.

Fronted by founding member Thijs Van Leer (an imposing figure in long black leather coat) on Hammond organ, flute and (ahem) vocals, the rest of the band were: veteran member Pierre van der Linden on drums, Menno Gootjes on guitar and Udo Pannekeet on 6-string bass.ย  And they seemed to be there on stage in absolutely no time at all, following a rapid changeover from the Trades, almost taking everyone by surprise.ย  Before we knew it we were off with the first number, fittingly called โ€œFocus 1โ€ โ€“ no warm-up, no intro, just straight into it.

And that was the start of a breath-taking two-hour-long set.  Suddenly we were in the midst of progressive rock – heavy chords on the organ, light passages on the flute, with guitar solos, bass solos, drum solos, some wonderful wandering jazzy improv passages, and (of course) those bizarre vocal interludes, scat singing and yodelling.  Most of the set was instrumentals โ€“ these are (in true prog-rock parlance) not just โ€œsongsโ€ in the conventional sense, but rather โ€œpiecesโ€, consisting of different phases, passages, moods.  We were getting very close to Concept Album territory here, but we managed to avoided any such clichรฉ as that.

Of course we got all the big 70s chart hits โ€“ how could they not on an anniversary tour? – โ€œHouse Of The Kingโ€, โ€œSylviaโ€ and a blistering, massively-extended version of โ€œHocus Pocusโ€.ย  But there was plenty of other stuff to enjoy too โ€“ โ€œLe Tangoโ€, โ€œPeace Marchโ€, โ€œAll Hands On Deckโ€, โ€œHamburger Concertoโ€ to name just a few others.ย  The vocals, such as they were, were largely incoherent, incomprehensible noises uttered by Thijs at key moments in the pieces.ย  But it was far from a one-man show, as proved by Thijs when he wandered off stage several times, including once through the audience and into the foyer, as the other musicians took their solos and duets.ย  Mennoโ€™s guitar-playing was stunning, and a real highlight for me, beating the bass and drum solos by a long way.

I have to say that this was the gig of the year for me.  By the end of the night the band not only got a fully-deserved encore, but a full-throttle standing ovation.  As far as Iโ€™m concerned, they knocked it right out of the park.  If you were there, you know exactly what I mean.  And if you werenโ€™t there, you missed the best show in town!

Given what Iโ€™ve said above about The Lost Tradesโ€™ equally superb performance, the whole evening delivered a fantastic nightโ€™s entertainment, and a really strong advertisement for live music in Devizes.


Future Long Street Blues Club gigs:

Saturday 27th November 2021 ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Antonio Forcione Quartet

Saturday 18th December 2021-ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  KOSSOFF…The Band Plays On

Friday 14th January 2022                               Chicago Living Legends

Saturday 5th February 2022                         Tinsley Ellis

Saturday 19th February 2022                       Mike Zito Band

Saturday 26th February 2022                       Mark Flanagan Band

Friday 4th March 2022                                    Black Sabbitch (Corn Exchange, Devizes)

Saturday 19th March 2022                            Soft Machine

Saturday 2nd April 2022                                 Alastair Greene Band

Friday 8th April 2022                                       Billy Bremner’s Rockfile (Devizes Town Hall

Saturday 9th April 2022                                  Carl Palmer’s ELP Legacy (Corn Exchange, Devizes)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  CSN Express (New Rescheduled Date)


Trending…..

Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

REVIEW โ€“ Climax Blues Band @ Long Street Blues Club, Devizes โ€“ Saturday 30th October 2021

New Music For Old Favourites

by Andy Fawthrop

Another trip up the hill to the Con Club for the latest pop-up session of Long Street Blues Club, and another great night with a busy and enthusiastic audience.

Support act for the night was Bristol-based Damian Arketta, a new name for me, but Iโ€™m always happy to listen to new talent.  Damian played a lot of his own stuff, which I found generally unremarkable, and a rather awkward cover of Heard It Thruโ€™ The Grapevine.  To be honest I found his singing style a little strident and shouty, and there was nothing special in his playing โ€“ no subtlety or nuance.  To me the applause sounded polite and supportive, rather than genuinely enthusiastic, but Iโ€™m aware that views may differ.  Thinking that I was perhaps being a little harsh on the guy, I asked around a bit and found a somewhat Marmite response โ€“ some folks thought he was really good, whilst others (like me) were far less enthusiastic.  Overall, however, you simply canโ€™t like everyone, and Iโ€™ll just say that he didnโ€™t really float my boat.

Main act for the night were the legendary Climax Blues Band.ย  The band were originally formed way back in 1968 by Colin Cooper who led the band with Pete Haycock through great success and recognition through the 1970s and 1980s.ย  The current 6-piece line-up, however, are a different set of guys now, but thatโ€™s not to say they donโ€™t have plenty of track record between them.

George Glover has been on the keyboards since 1981, Lester Hunton on guitar since 1986, and Roy Adams (drums) and Neil Simpson (bass) joined the band on a permanent basis around 1990.  The current line-up was completed by Graham Dee on vocals, and Chris โ€˜Beebeโ€™ Aldridge on saxes.

Why am I telling you all this?ย  Well there was much chat from frontman Graham Dee about the journey the band was undertaking in trying to blend the music from their historic roots, the material theyโ€™ve inherited, with the songs theyโ€™re writing and delivering today, the completely new material.ย  The band, quite rightly, want to move forward and to develop.ย  And the result, to my mind, was a complete success.ย  They delivered two good long sets of blended soulful, boogie-woogie, funky, bluesy music.ย  There was also a jazzy feel at times, as the musicians took their solos, then blending easily back into the groove.ย  The band looked and sounded comfortable, giving the music the space to breathe.ย  Deeโ€™s gravelly vocals, combined with Alridgeโ€™s seductive sax notes, added superb subtlety and tone to the driving rhythm section.

Dee was a terrific frontman, looking and sounding the part of the bandโ€™s MC, coaxing and encouraging all the musicians in turn as they took flight.  His rapport with the audience was spot-on โ€“ confidential, cheeky, honest, down-to-earth.  And, yes, he did mention from time to time that the band had a new album out (Hands Of Time)!  He also led the audience in a great call-and-response treatment of โ€œItโ€™s A Family Affairโ€ โ€“ exhausting, but great fun.  It was infectious, it was engaging, it was a great performance

Overall another great night at the club โ€“ great value to listen to world-class musicians in our own back yard.  Well done to Ian Hopkins and his team!  And thereโ€™s loads more good stuff in the pipeline too โ€“ see the listings below.

So โ€“ you know what youโ€™ve got to do โ€“ get out there and support live music!

Future Long Street Blues Club gigs:

Saturday 13th November 2021                   Gerry Jablonski Band

Saturday 20th November 2021                   Focus (Corn Exchange, Devizes)

Saturday 27th November 2021                   Antonio Forcione Quartet

Saturday 18th December 2021-                  KOSSOFF…The Band Plays On

Friday 14th January 2022                               Chicago Living Legends

Saturday 5th February 2022                         Tinsley Ellis

Saturday 19th February 2022                       Mike Zito Band

Saturday 26th February 2022                       Mark Flanagan Band

Friday 4th March 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Black Sabbitch (Corn Exchange)

Saturday 19th March 2022                            Soft Machine

Saturday 2nd April 2022                                 Alastair Greene Band

Friday 8th April 2022                                       Billy Bremner’s Rockfile (Devizes Town Hall

Saturday 9th April 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Carl Palmer’s ELP Legacy (Corn Exchange)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  CSN Express (New Rescheduled Date)


Trending…….

Barry Reviews Strange Folk at The Southgate!

Well, what can I say? They might lose a couple of brownie points for the singer continuously referring to me as โ€œBarry,โ€ but Somerset-Hampshire psych-folk rock four-piece, Strange Folk, who graced Devizesโ€™ Southgateโ€™s little magic box last night can afford to!

Aside an acoustic set in Crewkerne, it was their first electric gig post-lockdown, and the first time theyโ€™d played at Devizes answer to the O2, though some may cast their minds back to a brighter sunny day when they showed us what theyโ€™re made of at Pete & Jackie of Vinyl Realmโ€™s alternative stage at DOCAโ€™s street festival. It was on the grounds of this outstanding performance which summon me to the Gate, not forgoing the awe-inspiring tune they sent us for the Juliaโ€™s House compilation. Which, in turn wouldโ€™ve substituted any lost gold stars for the Barry banter!

A small price to pay to ensure they played Glitter the very song they kindly contributed, a request which took them by surprise, being recorded during lockdown, they were unprepared, and hadnโ€™t yet played it live. Still, as was the entire gig, they made a grand job of it, and Iโ€™m about explain why.

Itโ€™s David Setterfieldโ€™s sublime electric and acoustic guitarwork coupled with the awe-inspiring power of Annaliseโ€™s voice, which bounds their sound beyond the confounds of the usual gothic-folk rock genre. So soulfully captivating is this voice, and is the gifted guitar, at times thereโ€™s a natural nod to electric blues, particularly of the late psychedelic sixties sort. In fact, I was praising them to someone, Bran Kerdhynen, I believe, one half of the Celtic Roots Collective, by suggesting they remind me of โ€œWhite Rabbit,โ€ which they indeed later covered, along with the other Jefferson Airplane anthem โ€œSomebody to Love.โ€

If I could think of no other cover so apt for their particular and inimitable sound, covers of T-Rexโ€™s 20th Century Boy, Gold Dust Woman by Fleetwood Mac, and the Stones at their most enchanting with Gimmie Shelter, also fit the bill perfectly. Tainted Love being perhaps the outside chance, but very much based on Soft Cellโ€™s version, Iโ€™ll give them that too, for the goth perspective.

Similarly, though, as I said about Freyโ€™s Beerโ€™s Beast album a few days ago, the professional finish and hauntingly alluring female voice, rather than the gritty vocals common with said genre, despite not being the black hair dyed and leather friendship bands type, I devoured, because Strange Folk sweep the arena of All About Eve, into System of a Down and Blind Melon, to blend Fairport Convention with Jethro Tull and Hendrix. And I was born out of time, loving to have hitchhiked to San Francisco with a flower in my hair.

Yet at times covers at the Gate last night felt pushed, as to appease a perceived audience, compared to their own original compositions; they were the icing on the cake and truly ushered you away on a petite mind-trip. The coupling of David and Annalise would be bare without the proficient bassist, Ian and drummer, Steve tucked in the back of the skittle ally, and they rocked through their own songs more so. For future reference, unlike many a pub gig, originals are encouraged here.

Talking of here, it was lovely to be back at the Southgate after gallivanting somewhat to bring news of other venues in our rural precinct, for while they do exist, for me, just like Norm Peterson and Cliff Clavin, sometimes you wanna go where everybody knows your name, except, it seems for the lead singer on this occasion! I mean, Barry, for crying out loud; do I really look like a Barry to you?! Rhetorical, you donโ€™t have to answer that.

The canopies over the beer garden have become locally legendary, a testament in our town, to upholding live music throughout this era, and Deborah and Dave have created this haven, where youโ€™ll see no drunken squabbles and feel no bad vibes.

Nice to hear their communal acoustic jams have respawned on Wednesday evenings, and next Saturday is the time for The Blind Lemon Experience, Billy and the Low Ground following on the 23rd October.

Meanwhile Strange Folk have three singles, an EP from 2014 called Hollow Part 1, and a debut promo EP from 2004, which are very worthy of your attention. Around our way again at B-O-Aโ€™s Three Horseshoes for Halloween, their sound is a gorgeous gothic-folk crossover professional enough to captivate even those with a passing interest in the genre.


REVIEW โ€“ Jimmy Carpenter โ€“ Long Street Blues Club โ€“ Saturday 2nd October 2021

Long, slow sax in the evening

Andy Fawthrop

I think weโ€™re all partial to some casual sax when itโ€™s on offer, so it didnโ€™t take much persuasion to get me back up Long Street to the Con Club for the next date of Long Street Blues Clubโ€™s winter season.ย  Tonight it was the turn of Las Vegas-based Jimmy Carpenter and his band, and the Devizes date was the first night of their UK tour…..

But first things first.ย  Acoustic support act for the night was Lewis Clark, shorn of his Essentials for the evening โ€“ just the man, his voice and his guitar.ย  Lewis played mostly his own material, and a lot of the songs were new.ย  These were often raw in emotion, but still strong on melody, with some intricate guitar playing and soaring vocal work.ย  He did play one cover โ€“ John Martynโ€™s I Donโ€™t Wanna Know, and a damned fine job he made of it too.ย  Lewis is a talented guy, and the crowd clearly appreciated it as a great start to the eveningโ€™s entertainment.

Then it was onto the main man โ€“ Jimmy Carpenter.ย  The man came highly recommended on the back of his new album (Soul Doctor) and his Blues Foundation 2021 award for Best Instrumentalist.ย  The guy is a saxophonist, singer-songwriter, and arranger and has been in the music business for over 35 years โ€“ and it showed.ย  I was new to the guyโ€™s music, but was totally won over by the end of the night.

The 5-piece band played two 50-minute sets and it was the mark of how darned good it was that it seemed to slip by in half that time.ย  Jimmy was in total control of his band (including a bassist brought in at the last minute due to a possible Covid scare) and, after a few numbers, in control of the crowd.ย  The sets featured several original tracks from the album, including a really superb rendition of the eponymous Soul Doctor, together with a seamless leavening of carefully selected covers.ย  Just as I was beginning to think of comparisons โ€“ Van Morrison, Southside Johnny, Junior Walker โ€“ up came the latterโ€™s Shotgun.ย  We also journeyed through Peter Greenโ€™s Need Your Love So Bad, Otis Clayโ€™s Trying To Live My Life Without You, the Rolling Stonesโ€™ Shine A Light, Freddy Kingโ€™s Surf Monkey and Eddie Hintonโ€™s (of Muscle Shoals fame) Yeah Man.ย 

All of this was played with enormous panache and great energy, effortlessly working through Memphis soul, boogie-woogie, rock & roll, and blues.  And not content with blowing some wicked sax and putting out a great line in gravelly vocals, the man kept flipping over to lead guitar โ€œjust for a restโ€.  What a performer!  Needless to say the crowd lapped it up.

Great nightโ€™s entertainment, and what good quality live music is all about!ย  Best sax Iโ€™ve had in ages!

Future Long Street Blues Club gigs:

  • Saturday 30th October โ€“ Climax Blues Band (at Devizes Town Hall)
  • Saturday 20th November โ€“ Focus (at Devizes Corn Exchange)
  • Saturday 27th November โ€“ Antonio Forcione Quartet
  • Saturday 18th December โ€“ Kossoff: The Band Plays On
  • Friday 14th January 2022 โ€“ Chicago Blues Allstars

WIN 2 FREE TICKETS HERE!

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You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo albumโ€ฆ

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to theโ€ฆ

Onika Venus Smooths Trowbridge Town Hall

A truly wonderful night was had at Trowbridge Town Hall with soul-reggae artist Onika Venus and bandโ€ฆ.

Agreed, you may have to sift through wildly nerdy debates over Kirkby and Buscemaโ€™s cross-hatching, or season 12 of the Fourth Dr Who against season 13, but one great thing about socialising in the comics industry, unlike the mainstream music one, is level-pegging. The fact everyone gets paid peanuts no matter if youโ€™re inking for Dark Horse or small pressing under a broken photocopier, means no snobby hierarchy, and this compares to local music circuits too, something I wrongly didn’t expect it to be like last night.

The arrogance and haughtiness of the pop star is historically documented. If I go above my station, it usually ends in disappointment, because Iโ€™m not wearing a Rolling Stone stage pass. I check ahead this weekend, because Onika Venus responded with gratitude when we reviewed her wonderful album, and on the strength of it alone, I made Trowbridge Town Hall my mecca for my eveningโ€™s intake of quality music. The message simple; make door-staff aware to allow me backstage if you would like to say hi. ย 

Now Iโ€™m sitting in a modest room of the Town Hall, with a slight crowd of approximately forty, rather than the grand ballroom and mass gathering I was expecting, and husband half of the duo, Mark Venus comes to thank me for the review, joking, โ€œitโ€™s okay, Iโ€™ve cleared your backstage pass!โ€

Why my assumptions? Not alone the prestigious connotations of โ€œTrowbridge Town Hall,โ€ but the sheer quality of Onika Venusโ€™s album, Everything You Are. Her rich, beautiful vocals commands superiority, as if sheโ€™s pre-famed internationally, rather than the veracity; sheโ€™s upcoming, gigging together for the best part of twelve years on their local music scene around Bristol and the Forest of Dean, fans of which travelled to attend in support.

Reason enough to cry her name from the hilltops, which I intend to do, because last night was absolutely fantastic, and if everyone knows Macy Grey, Erykah Badu, or even Ariana Grande heaven help, everyone should know the music of Onika Venus.

I could ponder why until the cows come home, and conclude imminent attention aside, thereโ€™s a unique crossover with this singing duo making it tricky to pigeonhole. Husband Mark very much has the style of acoustic country or easy listening, a passionate James Taylor quality, whereas Jamaican-born Onika belts out a naturally sublime soulful voice where reggae is ascertained.

In a world where traditionally, husband and wife duos are unified in style, from Abba to Sonny & Cher, or Johnny Cash and June Carter, this blend is welcomingly unique, and I have to say, works so, so well. Critics should also take heed this little-known fact, historically as well as blues and RnB, country music bears a huge influence on the Jamaican recording industry pre the era of their homegrown radio stations, where folk would hear the sounds of US stations.

I discussed this with the pair, Mark acknowledged Onikaโ€™s mother back in JA sung country songs. In turn this also revealed, like many Jamaican musicians, music is in her blood. For while soulful, thereโ€™s nothing diva about Onika, coming across reserved and shy. Reflecting in the passion of her voice, on stage she shines like a beacon, with the joyfulness of female reggae artists of yore, particularly that of Marcia Griffiths, who always held an esteemed cheerfulness in her sound.

So, amidst this modest audience, accompanied by her husband Mark on acoustic guitar, and two other members, a percussionist on snared cocktail cajon and multi-instrumental brass player, they played out tunes from their album with a perfection spectators held in awe, then took a break.

This was not before the brilliant oddity of a comical support act, namely Big Tom, a friendly Londoner with a warming smile and penchant for original music hall. Whom covered the age-old bawdy parody of the nursey rhyme, โ€œOh Dear What Can the Matter Be,โ€ where seven old ladies were locked in the lavatory. This took me back to the cockney songs my own nan would sing, and I told him so within this surprisingly communal and outgoing environment.

It also gave the opportunity, said environment, to chat with Onika and Mark, the latter suggesting his eclectic influences included mod revival and two-tone ska as well as country-rock. This came to an apex in the second half of the show, whence after playing a few more songs from the album, and introducing us to some new songs theyโ€™ve been working on for a follow-up, the four-piece burst into a lively finale of reggae classics. From Dandy Livingstone to the more obvious Toots and Marley, this medley gave the crowd the incentive to dance, making for a celebratory and memorable culmination.

But if this felt essential given Onikaโ€™s origins, it certainly wasnโ€™t pushy, and with equal joy Onika sang the songs which blessed reggae into international recognition as she did their own compositions. Yet it is in those originally penned songs where this band all gleam, the album is a must-have. I adhere to this notion so much, Iโ€™ve a CD of said album to give away, see below.

For now, though, know this was a wonderful evening, with Sheer Musicโ€™s Kieran at his beloved control tower, Trowbridge Town Hall intends to break barriers and offer a variety of events for all in a relaxed and friendly atmosphere. Not forgoing, Onika and her band were astounding.

WIN A CD OF EVERYTHING YOU ARE!

So, if you want a copy of Everything you Are by Onika Venus, itโ€™s on Bandcamp, or you could win one (if you live in the Devizes area so I can deliver it!) Please ensure youโ€™ve liked our Facebook page, and Onikaโ€™s too. But Iโ€™m not making it that easy, you will have to give me, via Facebook comment, a great example of where country music influenced reggae, post a YouTube link to the song, and letโ€™s get educating! Winner will be the one who picks my favourite example, by chance!


WIN 2 TICKETS HERE!

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Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโ€ฆ

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

REVIEW โ€“ Creedence Clearwater Review โ€“ Long Street Blues Club โ€“ Saturday 18th September 2021

Up Around The Blues Club

By Andy Fawthrop

Well, itโ€™d been a long old time but finally โ€“ finally! โ€“ we were back after 18 months to Long Street Blues Club, hosted by The Con Club.ย  The original artists for this gig had been the USA-based Billy Walton Band but, once one or two other dates on their European tour had been cancelled due to Covid restrictions, found that the tour as a whole had become unviable.ย  Hopefully theyโ€™ll be re-scheduled for 2022.

Which left Ian Hopkins needing to scrabble round fairly quickly in order to fill this date for tickets already sold โ€“ and what a great job he did at such short notice.  He found two very competent acts to step in, and the gig could go ahead, even if not quite as originally planned.

Kevin Brown

Support for the evening came from an old mate of mine, Kevin Brown.ย  He of the oil-can guitar, the blues slide guitar and, when playing on the local pub and festival circuit, Shackdusters fame.ย  This was his first appearance at the club, playing solo.ย  His laid-back, humorous, self-deprecating style quickly won over a large audience, who listened in rapt attention. Kevin writes his own material, based on his life experiences, so that the man and the music blend almost seamlessly. His JJ Cale tribute number was particularly impressive.ย  A very winning performance, which elicited fulsome and well-deserved applause – so letโ€™s hope heโ€™s invited back in the future.

The main act, Creedence Clearwater Revival arrived with a โ€œshowโ€ โ€“ a pre-programmed set, introduced by, and intercut with documentary voice recordings by members of the original band.ย  Early on the band explained โ€“ if explanation it was โ€“ that their rhythm guitarist โ€œcouldnโ€™t make itโ€, so they were doing the show as a trio.ย  An odd start, but then they got on with ticking the hits off the list โ€“ Up Around The Bend, Rocking All Over The World, Heard It Thruโ€™ The Grapevine, Midnight Special, Because Youโ€™re Mine, As Long As I Can See The Light, Bad Moon Rising, Born On The Bayou, Proud Mary, Have You Ever Seen The Rain.ย  The show โ€“ delivered as two fifty-minute sets โ€“ was performed with confidence and aplomb.ย  By the end we had singalongs and quite a few folks up dancing at the front.

And yet. And yetโ€ฆ..and yet it left me rather un-moved.  I grew up with the music of CCR and John Fogerty, so Iโ€™d like to think Iโ€™m a bit of a fan of their material.  So I was surprised to find the show rather unexciting.  The band were professional and competent and captured, to some extent, the โ€œfeelโ€ of CCRโ€™s bayou-based sound. Yet somehow, something of the original CCRโ€™s drive and energy was missing.  It felt a bit โ€œCCR-by-numbersโ€ if you get what I mean? I thought perhaps I was being a bit super-critical, so I consulted a few people whose musical opinions I respect (as well as a few whose musical opinions I donโ€™t respect) and there seemed to be a clear consensus โ€“ it was OK: the band were good, but not great.  My own acid test on these things is โ€“ would I pay money to go and see them again?  Sadly, my answer would be in the negative.  It felt a bit one-dimensional. There wasnโ€™t a whole lot of audience engagement.  Theyโ€™d come to play a show, and they played it.  Job done. No criticism whatsoever of the great job done by Ian, but not every band can float your boat, can it?

Future Long Street Blues Club gigs:

  • Saturday 2nd October โ€“ Jimmy Carpenter
  • Saturday 30th October โ€“ Climax Blues Band (at Devizes Town Hall)
  • Saturday 20th November โ€“ Focus (at Devizes Corn Exchange)
  • Saturday 27th November โ€“ Antonio Forcione Quartet
  • Saturday 18th December โ€“ Kossoff: The Band Plays On
  • Friday 14th January 2022 โ€“ Chicago Blues Allstars

WIN 2 Free TICKETS HERE

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Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, thisโ€ฆ

Whatโ€™s Happening in September?

Thatโ€™s it, one big blowout of a bank holiday weekend and August is kaput. Nights drawing in, the fall will be here before you can say โ€œwas that it, summer?โ€ Given last years blazing heatwave, while we were couped up, this summerโ€™s been comparatively damp, you couldโ€™ve have made it up. There were lots of great things to do, and that doesnโ€™t show signs of slowing through next month.

So, check in and scroll down to see whatโ€™s happening this bank holiday, whereโ€™s thereโ€™s more than enough just in Devizes alone to keep us busy. Awesome, firstly, to see Swindonโ€™s indie-pop stars, Talk in Code will join our favourite Daydream Runaways, for the first Friday night of music down at The Southgate. Then the town goes festival crazy, for three solid days! Full-Tone Festival hits the Green, Saturday and Sunday, and Monday you have to get down to the Market Place for our wonderful, Devizes Street Festival and the Colour Rush.

September 2021Once youโ€™ve gotten over that, September then, hereโ€™s the highlights:

Running now until the 4th, Four artists exhibit at Trowbridge Town Hall. A selection of 2D and 3D works by local artists Deborah Clement, Sonja Kuratle, Jennie Quigley and Jane Scrivener.

It was in August 1979 that arguably Swindon’s greatest-ever band, XTC, released their first commercially successful album, 42 years on, original drummer Terry Chambers pays tribute as EXTC, at Swindonโ€™s Victoria on Thursday 2nd.

Following night, Friday 3rd, the Pink Floyd-Fleetwood Mac double-tribute act, Pink Mac will stand on the same stage, at the Vic, while The Wiltshire Blues & Soul Club presents an evening with Sloe Train at Owl Lodge in Lacock, and Corshamโ€™s Pound Arts has comedy with the brilliantly titled โ€œRescheduled Rescheduled Rescheduled Time Show Tour 2021โ€ by Rob Auton.

Burbage celebrates their the 24th Beer, Cider and Music Festival, with Humdinger and Kova me Badd.

Saturday 4th and thereโ€™s a Greatest Showman Sing-a-Long with the Twilight Cinema at Hillworth Park, yet it will be loud down Devizes Southgate, with a welcome return of NervEndings, Fangs & The Tyrants sound equally as loud, theyโ€™re at Swindonโ€™s Vic. For a more chilled evening, Cara Dillon plays the Neeld. An extraordinary, captivating Irish singer Mojo magazine claims to be โ€œquite possibly the worldโ€™s most beautiful female voice.โ€

It is also good to see the Melksham Assembly Hall back in the biz, they have Travelling Wilbury tribute, The Unravelling Wilburys! And thereโ€™s a unique blend of melodic folk-pop blowing out from Trowbridge Town Hall as Bristol band Sugarmoon come to town.

One to overshadow the lot, is The Concert at the Kings at All Cannings, happening over the weekend. Great line-up for Rock against Cancer, as ever, with Billy Ocean headlining Saturday and 10CC on Sunday, albeit they seem completely unresponsive to messages from us. While I accept the strength of booked acts alone means they need no local press presence, itโ€™s a shame they wonโ€™t care to respond; it would be great to cover this.

Ah well, Sunday rocks anyway, with an incredible booking by The Southgate, mind-blowingly awesome US blues outfit of Well-Hung Heart, with a local twist, Beaux Gris Gris & The Apocalypse play. Not to be missed. Westwards, Schtumm presents Will Lawton & The Alchemists with support by Hazir at the Queens Head, Box, and north, Syteria play the Vic, with Adam & The Hellcats and Awakening Savannah.

Oh, and The Lions Clubs of Trowbridge & Westbury have their White Horse Classic & Vintage Vehicle Show on Sunday 5th too!

Second weekend of September and things just get better, from Thursday to Sunday, the place to be is Swindon. The free roaming festival is back, with a line-up across too many venues to list, see the poster. The Swindon Shuffle is truly a testament to local music, everyone who is anyone will be there, in the words of Zaphod Beeblebrox.

Itโ€™s time for Jesus Christ Superstar to magically appear in Devizes, as the Wharf Theatre showcases the retro musical, opening Friday 10th, running until 18th.

A hidden gem in the heart of the Wylye valley, the Vintage Nostalgia Festival begins too, running until Sunday at Stockton Park, near Warminster. Sarah Mai Rhythm & Blues Band, Great Scott, Shana Mai and the Mayhems all headline, with those crazy The Ukey D’ukes and our favourites The Roughcut Rebels also play. Lucky if youโ€™re off to the Tangled Roots Festival in Radstock, all sold out.

Closer to home though, Saturday 11th sees the Stert Country House Car Boot Sale, for Cancer Research, the Corsham Street Fair, Women in Rock at the Neeld and The Rock Orchestra by Candlelight at Swindonโ€™s MECA. Eddie Martinโ€™s solo album launch, Birdcage Sessions, at the Southgate, Devizes and the awesome Will Lawton and the Alchemists are at Trowbridge Town Hall. Two Tone All Skaโ€™s play Chippenhamโ€™s Consti Club.

Staying in Trowbridge, Rockhoppaz at the Park for an Alzheimerโ€™s Support Gig on Sunday 12th. Meanwhile itโ€™s Hillworth Proms in the Park with Devizes Town Band, and the incredible homegrown guitar virtuoso, Innes Sibun is at The Southgate. ย 

Third weeks into September, find some jazz with Emma Harris & Graham Dent Duo at Il Ponte Ristorante Italiano, in Bradford-on-Avon. By Thursday 16th, The Derellas play the Vic, and a welcomed reopening of the the Seend Community Centre sees our good friends Celtic Roots Collective play on Friday 17th.

Also Friday, in Swindon, Road Trip play The Vic, and Hawkwind, yes, Hawkwind at MECA!

Itโ€™s Dauntsey Academy Scarecrow Trail and thereโ€™s a Happy Circus in aid of Nursteed School in Devizes on Saturday 18th, and the welcomed return of Devizes Long Street Blues Club, with the Billy Walton Band. People Like Us are playing The Churchill Arms in West Lavington, ELO Beatles Beyond at Melksham Assembly Hall, and the amazing Onika Venus is at Trowbridge Town Hall.

Sunday 19th sees the Rock The Rec for Macmillan Cancer Support, free fundraiser at Calne Recreation Club.

On Thursday 23rd Antoine & Owena support the The Lost Trades at Komedia, Bath, Steve Knightley plays the Neeld, and thereโ€™s โ€˜An autobiographical journey of a deaf person trapped in a hearing worldโ€™ calledLouder Is Not Always Clearer at Pound Arts.

Tom Odell is at Marlborough College Memorial Hall on Friday 24th, and Fossil Fools play the Vic in Swindon.

Sat 25th sees the opening of the Devizes Food & Drink Festival, with the market. A Full Preview of everything happening at HERE. The HooDoos do The Southgate.

Meanwhile, Melksham Rock n Roll Club presents Johnnie Fox & The Hunters, Juice Menace play Trowbridge Town Hall. Wildwood Kin at Christ Church, Old Town, Swindon, and, this will go off; Talk in Code, The Dirty Smooth & The Vooz at the Vic, while tributes to Katy Perry vs Taylor Swift @ MECA.

Award for the most interesting thing to do this Saturday goes to Pound Arts. Sh!t Theatre Drink Rum with Expats is a production which contains distressing themes, images covering topics including migration and political assassination, plus a dog onstage; make of that what you will!

By the end of the month things look a little sportier, with bookworms, Sunday 26th is The Hullavington Full Marathon & 10K, travel author and TV presenter Simon Reeve talks at Dauntseys on Wednesday 29th, Thursday sees the opening of Marlborough Literature Festival.

But this list is by no means exhaustive, stuff to do is coming in all the time, making it near impossible to keep up, you need to regularly check our event calendar. Help me to help you by letting me know of your events, and if youโ€™ve the time, write us a preview or review, I canโ€™t be everywhere at once, and sometimes get so overloaded I just want to slouch on the sofa watching Netflix!

Have a good September!


Trending….

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. The public will be asked to vote, and the award ceremonyโ€ฆ

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trio residency at The Southgate. But beyond doubt my favourite youngโ€ฆ

Take Our Wiltshire Pothole or Moon Crater Quiz Challenge!!

Can You Find The Wiltshire Potholes From The Moon Craters?! Now, at Devizine Towers we are far too mature and sensible to mock Wiltshire Councilโ€™s sterling efforts to repair our road defects by jumping onโ€ฆ

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Doves art installation…. The entire concert was breathtaking, divided into twoโ€ฆ

Hells Bells! AC/DC tribute in Devizes

With our roads being the state theyโ€™re in, is it any wonder on the 5th April Hells Bells, rated as the UKโ€™s top AC/DC tribute, are taking the highway to hell, via Devizes Corn Exchange?!โ€ฆ

Soupchick to Take Over The Hillworth Park Cafe

Weโ€™re delighted to hear Anya & Marc of the fantastically tasty Soupchick in the Devizes Shambles are to take over the cafe at Hillworth Park. โ€œWe are excitedly expanding by taking on that little gemโ€ฆ

Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There might be some scientific theory for this, equally there may not.โ€ฆ

Roughcut Rebels Hit Trowbridge

If I was ever to be privileged to interview Bruce Springsteen, which I doubt I would be, Iโ€™d like to ask him of his thoughts now heโ€™s 71, of penning a song called Growinโ€™ Up at the tender age of 23. Similarly, Iโ€™d probe Pete Townshend, only a year young than the Boss, over lyrics of My Generation, which go, โ€œhope I die before I get old!โ€

Yet, despite its title, I view My Generation to be less about a specific generation, and more about the attitudes of youth, and with this in mind, it could easily be placed into any subsequent generation. The Oasis cover aside, for this opens another Pandoraโ€™s Box Iโ€™m not willing to go down (Iโ€™ve a gig to review here,) itโ€™s fair to say, akin to any song of the โ€œmodโ€ genre, itโ€™s timeless.

To believe the โ€œmodโ€ is wrapped in sixties nostalgia is only partly factual, Londonโ€™s emerging mod-girl sweetheart, Emily Capell sports a beehive hairstyle, but often sing-raps, like Kate Nash, and collaborates with Dreadzone. Similarly, the age demographic of Devizes-based mod cover band, The Roughcut Rebels spans generations, particularly now young Finley Trusler fronts it; still, he stands, belting out a vigorous and eloquent cover of My Generation.

Itโ€™s my reasoning for trekking to Trow-Vegas, keen to finally scrub โ€œmust see Finley fronting the Roughcutsโ€ off my to-do-list. He got the job with two gigs before lockdown, thankfully bookings are returning for the band. For through his musical journey, started in the Devizes School boy band 98 Reasons, which branched off to duo Larkin with Sam Bishop, and still works with cousin, Harvey, as the Truzzy Boys, his cool demeanour stage presence and exceptional talent has to been celebrated. Query being, how would this fair with a proficient, yet older mod cover band?

The answer; very well indeed, thanks for asking. I jested with Fin outside the pub, asked him if he had to learn the songs senior to him, and he replied โ€œnot really.โ€ This, and their dynamic performance, of course, proved my โ€œmod is timelessโ€ theory. In an explosive manner and highly entertaining show, they rocked Mortimer Streetโ€™s The Greyhound, and could do the same for any given venue.

Think of the eras the term encompasses, from The Beatles, Stones, Kinks and Spencer Davis through to The Jam and Purple Hearts, onto Ocean Colour Scene, The Stone Roses, to Britpop, Oasis and Blur, and modern times like Jake Buggโ€™s Lightning Bolt, The Roughcut Rebels got them all covered, and, loving every minute of it, they took the slight crowd with them.

To blend A Hard Dayโ€™s Night into a set with A Town Called Malice, swiftly move onto Park Life, or The Day We Caught The Train, and return with the Kingsmenโ€™s Louie Louie, displays their ability and keenness to incorporate and fuse epochs, and they do it with certain ease. Grant Blackmanโ€™s expert drumming and John Burnโ€™s bass played upfront gives it oomph, while Mark Slade adds the succulent and memorable rhythms, topped by Finelyโ€™s accomplished vocals, accompanying guitar or else showy tambourine timekeeping like a young Jagger giving it Jumpinโ€™ Jack Flash. Roughcut, huh? Yeah, they are a cut far above the average cover band on the circuit.

As for the venue, The Greyhound, I like it, in the shadow of The Pump, a long-bar town pub unexpectedly clean and tidy, with hospitable staff and drinks cheap as chips. Without so much as a blackboard, it couldโ€™ve done with promoting its live music event, as a regular told me he was unaware of it and only popped in because he heard the music. Consequently, the crowd was slight, and all-male (ladies, if you want to bag yourself a drunken Trow-Vegas native in a cheap polo shirt, this place is for you) but through the excellence of the Rebelโ€™s music, all were up dancing.

Hereโ€™s a great local covers band which will pull in an age-spanning crowd to your pub, and spur them to spend at your bar; because thereโ€™s an anthem or ten for all generations, and itโ€™s lively, accomplished and entertaining.


Trending…..

Geckoโ€™s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for aโ€ฆ

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโ€ฆ

Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โ€ฆ

Ronnie Scottโ€™s in Devizes? Devizes Arts Festival Returns for November

Have you missed our wonderful annual Arts Festival, Devizions; too hungry for it to return to wait for next summer? I know I have. Never fear, Devizes Arts Festival offers an interim while we wait for 2022, under the motto, โ€œThe Show Must Go On.โ€ Three fantastic musical events at the Corn Exchange and Town Hall over the month of November; and theyโ€™re tasty, very, very tasty.

For starters, a taster of Londonโ€™s legendary Ronnie Scottโ€™s Jazz Club is coming to Devizes on the 11th. Celebrating 60-years since the founding of one of the worldโ€™s most iconic music venues, the Ronnie Scottโ€™s All Stars take to the road to celebrate the โ€˜Ronnie Scottโ€™s Storyโ€™.

Direct from Londonโ€™s world-famous jazz club and combining world class live jazz alongside rare archive photos and video footage, The Ronnie Scottโ€™s All Stars, take you on a guided, musical tour of this music institution. Set amongst the dive bars and jazz juke joints of Londonโ€™s Soho, we hear about the desperate hand-to-mouth finances of the early years and the frequent police raids.

Hear how Ronnieโ€™s became neutral ground within rival gang territory and their scrapes with gangsters including the Krays who were rumoured to have taken Ronnie and Pete โ€œfor a little driveโ€! Life at Ronnieโ€™s is evocatively re-imagined through tales of the clubโ€™s past visitors, from pop stars, film stars and politicians to comedians and royalty, but above all, the musicians.

But thatโ€™s not all, The Arts Festival are delighted to welcome Sally Barker to Devizes, on the 13th November. In this new show โ€˜Sandy, Joni & Meโ€™ she will bring some of the songs of both Joni Mitchell and Sandy Denny to the stage, exploring the singer/songwriter legacy that was forged in the early โ€™70s.

Veteran folk-blues singer/songwriter Sally Barker became Tom Jonesโ€™ finalist on The Voice UK 2014 after reducing her mentor, and many watching the TV, to tears with her performances. Sally has toured with Sir Tom, Bob Dylan and Robert Plant amongst others. Radio 2 DJ Chris Evans said, โ€œSally changes the atmosphere in a room when she sings.โ€

And Friday 19th November is Motown Gold time at the Corn Exchange. Dust off your dancing shoes for a fabulous evening from a fantastic band. Motown Gold celebrate the finest songs from the timeless Motown and Classic Soul era, which kind of speaks for itself.

Online tickets are not yet up on the Arts Festival Website, but will be available from Devizes Books. Events are ยฃ21 for Ronnie Scottโ€™s, ยฃ16 for Sally Barker and ยฃ18 for the Motown evening. To keep in touch with them, get onto their mailing list.

And you could look the part on the evenings, as The Show Must Go On facemask, and similar tote bags, T-shirts, badges, note books and more are available from www.theatresupportfund.co.uk which supports the NHSCovid19 Appeal, the Theatre Support Fund, the Fleabag Support Fund and Acting for Others. There’s currently 20% of all merchandise.

Devizine would like to welcome back The Devizes Arts Festival, and wish the team the very best for these great events.


Today is Bandcamp Friday, Best Day to Bag Our 4Juliaโ€™s House Compilation

As the headline suggests, itโ€™s Bandcamp Friday, August 6, 2021, when the music platform waivers its fees, from midnight-to-midnight Pacific Time. Thereโ€™s no better time to buy our awesome fundraising compilation album as an average 93% of your tenner will go to Juliaโ€™s House Childrenโ€™s Hospice.

Bandcamp Friday has been operating since March of 2020, on the first Friday of every month. Bandcamp is a wonderful site, it doesnโ€™t prioritise signed artists, but level pegs all musicians. They waivered their shares to help support the many artists who have seen their livelihoods disrupted by the pandemic. You can explore Bandcamp forever, finding your favourite artists, local music, or do as I like do sometimes, and venture off for a musical journey beyond your usual haunts. You can trek to a country and find all manner of musical styles youโ€™ve never heard before, safe in the knowledge, unlike streaming sites, it is fair trade for the artists.

Streaming sites offer a pittance of revenue share to the artist, they have to get millions of listens to make the price of sausage roll, whereas Bandcamp is a buying service, where merchandising can be added too. This is why I chose the site to launch our compilation album. Money comes straight over to us when you buy, and weโ€™ve currently raised over ยฃ150 for Juliaโ€™s House, please help us to raise this bar.

Besides, itโ€™s a cracking album, where if youโ€™re in the local area, name your favourite local artist, and I thereโ€™s a high chance theyโ€™ll be on it, and I guarantee youโ€™ll discover some new ones too. 46 full length songs of various genres, thoughtfully placed in sections according to those genres, to create a soundscape encompassing everything thatโ€™s amazing about both our local music scene, and beyond, artists weโ€™ve featured on Devizine in the past.

In fact, I call it an album, but a โ€œboxsetโ€ would be a more appropriate term if it was a physical product. Unfortunately, it is only as a download, as to make it an album would take over 5 CDS, and the expense of producing a product is too much to risk taking any profits made for the charity. I would be keen to hear from a business willing to sponsor the production of a small run of CDs, but as it is, download it is. Thereโ€™s a good thing with download, your purchase is stored in a cloud, so youโ€™ll never lose it as you have unlimited downloads of it. You can transfer it from one devise to another, you could burn it onto your own CD, if you wished.

It will never fail to amaze me, just how many musicians rallied to donate a song to this project, and Iโ€™m forever grateful to them all. Artists you should branch out to, and buy some of their albums and singles, as Iโ€™ve handpicked these fantastic people, so you can be rest-assured of their quality and talent.

For detailed track listing click here, but hereโ€™s the lowdown of who youโ€™ll be hearing on this musical journey of over three hours, in order of appearence: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Wilding, Barrelhouse, Richard Davies & The Dissidents, Tom Harris, Will Lawton โ€“ Evanescence, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Nigel G. Lowndes, Kier Cronin, Sam Bishop, Mr Love & Justice, Barmy Park, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, Cosmic Shuffling, Blondie & Ska,The Birth of Bonoyster, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Meru Michael, Cutsmith, The Tremor Tones, Big Ship Alliance, Feat Johnny2Bad, Robbie Levi & Stones, Urban Lions, Neonian, First Born Losers.


Hotting up for August 2021: Things to Do Across Wiltshire and Beyond

If July saw the gradual return to normality, and cautiously events crawled back with a welcomed but awkward feeling, while it may be hugely debatable if weโ€™re doing the right thing, or not, August is warming up to be stonker. Events of all types are flung up each day, itโ€™s hard to keep track and up-to-date, nevertheless I try.

Fingers crossed it doesnโ€™t go Pete Tong. Such a divided issue with good arguments on each side, Iโ€™m not about to start ranting for either, but I salute everyone organising events, at great risk to themselves financially. All I will say is, it is vital for the success of any event and the continuation of them in general, that we still apply certain rules, restrictions set by the organisers, and adopt the necessary etiquette when attending them. We know what the precautions are, theyโ€™re second nature now. The government passed the buck, it is up to us, each and everyone of us to think for ourselves, respect otherโ€™s decisions on how to act, but I appeal, act responsibly and long may this continue.

Without further-a-do then, hereโ€™s what weโ€™ve found on Devizine for August. Itโ€™s far easier to knock this article up with providing too many links, they can be found at the event calendar, and for family events throughout the school holidays, check here; but please do check for updates, itโ€™s never an exhaustive thing, new events are being added. Said that bit before, but it is even more vital to check ahead, to ensure events are going ahead as planned, and what restrictions might be in place at them individually. Have a great August, stay safe.

Week 1:

Kicking off on Monday August 2nd with the +5 Holiday Club at The Farm Cookery School. Tuesday 3rd and running until Thursday 5th August, RW Football School Summer Football Camp are at Green Lane, Devizes, ages 6-11.

Wednesday August 4th, then. Chippenham Museum host a Childrenโ€™s Art Walk. Take a walk, through Monkton Park for this fun arty session. You will receive a pack with pencils, crayons and plenty of paper and join local artist Kirsty Jones to explore the wonderful setting of the park.2pm โ€“ 3pm. ยฃ4 per child. Recommended age 6 and above, all children must be accompanied. Meet at the town bridge entrance to Monkton Park. Thereโ€™s also the +8 Holiday Club @ The Farm Cookery School.

Wednesday also sees the first Junior Actors with Lucia, for school years 6-9, for the Youth Theatre Summer Workshop at the Wharf Theatre, Devizes.

Thursday 5th and the Summer Kidโ€™s Art Club at Wiltshire Scrapstore starts on Bowden Hill, Lacock. Sessions from 10:30 am โ€“ 12:00 pm, run every Thursday and Friday through August.

Our first August festival starts Thursday, Wickham Festival in Hampshire, where Van the Man headlines, and the Love Summer Festival at Plympton, Devon starts Friday.

Thereโ€™s an interesting-sounding new family musical written and produced by Mel Lawman staged at Bathโ€™s Forum on Friday 6th -Saturday 7th Miss Red. Devizes folk support this, because our homegrown talented twelve-year-old, Jessica Self from Centre Stage Academy of Dance in Devizes and Stagecoach Trowbridge is in the cast, playing Daisy Blewitt. We wish you all the best, Jessica.

Friday 6th also sees the Salisbury Comedy Festival start, Black Sabbath tribute, Supernaut play the Vic in Swindon, and HoneyStreetโ€™s Barge will be kicking as the Mid Life Krisis Collective head down there.

On Saturday 7th time for Sheer Music to put aside their lockdown TV presenting skills and get on with what they do best, hosting gigs. And what a way to start, itโ€™s Frank Turner at the Cheese & Grain. Also, catch the amazing Kevin Brown the Southgate, Devizes, and those mods, The Roughcut Rebels play the Greyhound in Trowbridge.

The wonderful Strange Folk are at The Three Horseshoes in Bradford on Avon. Concord Drive, Transfer Window and Man in Vest play Swindonโ€™s Vic, Jive Talkinโ€™ perform the Bee Gees at Chippenhamโ€™s Neeld Hall and itโ€™s The Bath Festival Finale Weekend, where McFly headline.

For Sunday chilling, on the 8th, get down to the Queens Head in Box where Schtumm presents The Lost Trades with support from Lee Broderick, alternatively the Neeld play The Rod Stewart Songbook.

Week 2:

Monday 9th August thereโ€™s a +8 Holiday Club, The Farm Cookery School and +11 on Tuesday.

Wednesday sees another Youth Theatre Summer Workshop, at Devizes, the Wharf Theatre, check their website for details. Chippenham Museum also hosts a Writing & Performance Workshop with performer Ruth Hill, for ages 8 and above. More Summer Kidโ€™s Art Club at Wiltshire Scrapstore on Thursday and Friday, and The Cake Lady takes The Farm Cookery Schoolโ€™s +8 Holiday Club.

Friday night, Iโ€™ve got Stop Stop playing Swindonโ€™s Vic, and thatโ€™s it so far.

Saturday 14th, Cobbs at Hungerford have a charity Emergency Service Day, should be fun for the little ones. For the grownups, cider fest at the Civic in Trowbridge with the Mangled Wurzels.

Lewis Clark is at The Southgate, Devizes, Shepardโ€™s Pie at Wanboroughโ€™s The Harrow, and Webb, formally known as Ryan Webb has this EP launch party at Swindonโ€™s Vic, with Broken Empire and Land Captains in support. Hope to get a copy of this for reviewing, some clog in the pipeline at the moment. But hey, itโ€™s also Buckfest at Marlborough The Roebuck where the loud and proud Humdigger headline.

Bedpost, Transfer Window and Pool play the Vic in Swindon on Sunday.

Week 3:

+11 Holiday Club at The Farm Cookery School on Monday 16th, and the RW Football School are in Melksham. Suitable for ages 6+, Pound Arts welcome Scratchworks Theatre Companyโ€™s joyful and mischievous show to Corsham Almshouses, for an outdoor performance of The Grimm Sisters.

A welcomed return of events at Melksham Assembly Hall on Thursday 19th, with Neil Sands Bringing Back the Good Times; olโ€™ time favourite show tunes from the 40s, 50s & 60s and a heart-warming tribute to Dame Vera Lynn.

Friday 20th and Jack Deeโ€™s new show, Warm Up is at Chippenhamโ€™s Neeld Hall. Iโ€™ve nothing else for Friday night yet, but Saturday21st, woah, festival time!

First up, is where I plan to be, Mantonfest, near Marlborough, with Blondie tribute Dirty Harry, Dr Feelgood, Barrelhouse, Richard Davies & The Dissidents and many more. Over the downs, OakStock at Pewseyโ€™s Royal Oak is another safe bet; Amy Winehouse, Rag n Bone Man tributes, alongside the brilliant Illingsworth.

Meanwhile the rescheduled Bath Reggae Festival takes place, with Maxi Priest, Aswad, Big Mountain, Dawn Penn, Hollie Cook and more. Anneโ€Marie, Dizzee Rascal and Clean Bandit headline Live at Lydiard 2021.

Howlinโ€™ Mat plays The Southgate, Devizes, while Sex Pistolโ€™s tribute Pretty Vacant are at Swindonโ€™s Vic, with support by The Half Wits and Subject Ex.

Week 4:

Monday 23rd August is +8 Holiday Club at The Farm Cookery School, and Tuesday is11+.From Tuesday until Thursday, The RW Football School Summer Football Camp returns to Green Lane, Devizes, for ages 6-11.

Chippenham Museum has a one-hour workshop to create your own simple mini scrap book inspired by their latest exhibition on Wednesday, for ages 6+.

Thursday and Friday itโ€™s Summer Kidโ€™s Art Club at Wiltshire Scrapstore. And Thursday 26th August sees an Olympic Gold Medallist, Alex Danson running a Hockey Masterclass at Devizes Hockey Club. Open to all hockey players aged 11-18 โ€“ you donโ€™t have to be a member of DHC.

All weekender at The Barge on Honeystreet, when Honey Fest kicks off Thursday, with a grand local line-up, including The Lost Trades, The Blunders, and Chicken Shed Zeppelin, to name but a few.

The Southgate is the place to head towards on Friday in Devizes, where my personal indie-pop favourites, (not that I should have favourites) Daydream Runaways are booked in. Also, the highly anticipated FullTone Festival returns to Devizes Green, all weekend, with the Full Tone Orchestra and Pete Lambโ€™s Heartbeats appearing Sunday.

A theatrical outdoor re-telling of Kenneth Grahameโ€™s classic, Wind in the Willows on Saturday 28th August at Corshamโ€™s Pound Arts. And Sunday, a Magical show where beautiful Princesses become Pop Stars, Pop Princesses comes to Wyvern Theatre, Swindon.

Meanwhile, itโ€™s the welcomed Triple JD Band at The Southgate, Devizes and HarrowFest at Wanboroughโ€™s The Harrow, featuring Jamie R Hawkins, The Blind Lemon Experience and moreโ€ฆ


OUT NOW! Various Artists 4 Julia’s House

As a nipper Iโ€™d spend days, entire school holidays, making mixtapes as if I worked for Now, Thatโ€™s What I Call Music! In the era before hi-fi, Iโ€™d sit holding a microphone to the radioโ€™s speaker, adventurously attempting to anticipate when Tony Blackburn was going to talk over the tune, and just when In the Air Tonight peaked with Philโ€™s crashing drums, my dad would shout up the stairs that my tea was ready; eternally caught on tape, at least until my Walkman screwed up the cassette.

Crude to look back, even when I advanced to tape-to-tape, I discovered if I pressed the pause button very slowly on the recording cassette deck, it would slide into the next song, and with a second of grinding squeal Howard Jones glided into Yazoo!! Always the DJ, just never with the tech! Rest assured; this doesnโ€™t happen on this, our Various Artists compilation album, 4 Juliaโ€™s House. And oh, have I got some news about that?!

Huh? Yes, I have, and here it isโ€ฆ. ย 

We did it! Thanks once again to all our fabulous contributing artists, our third instalment of detailed sleeve notes will follow shortly, but for now, I couldnโ€™t wait another day, therefore, Iโ€™ve released it half a day early, this afternoon!

Now all that needs to happen is to get promoting it, and you can help by sharing news of this on your social media pages, thank you. Bloggers and media please get in touch, and help me raise some funds for Juliaโ€™s House.

Iโ€™ve embedded a player, in which you should be able to get a full try before you buy, I believe you get three listens before itโ€™ll default and tell you to buy it. I hope you enjoy, it has been a mission and half, but one Iโ€™d gladly do again.

Please note: there are many artists giving it, โ€œoh no, I was going to send you a track!โ€ Fear not, there is still time, as Iโ€™ll causally start collecting tunes for a volume 2, and when the time is ready and we have enough songs, we will do it. It might be for another charity, Iโ€™d personally like to do another raising funds for The Devizes & District Opportunity Centre, but thatโ€™s unconfirmed as of yet.

You know, sometimes I think I could raise more money with less effort by trekking down through the Market Place in a bath of cold baked beans, but I wanted to bring you a treasured item comprising of so many great artists weโ€™ve featured, or will be featuring in the near future on Devizine. Never before has all these artists been on one huge album like this, and look, even if you donโ€™t care for a particular tune, thereโ€™s 46 of them, check my maths as I pride myself on being exceptionally rubbish at it, but I make that 22p a track, and all for such a worthy cause!


Click for info on Julia’s House

โ€œWe are so grateful to Devizine and all of the local artists who are taking part in the charity album to raise funds for Juliaโ€™s House. We donโ€™t receive any government funding for the care we give to families in Wiltshire, so the support we receive from our local community is so important.โ€

Claudia Hickin, Community Fundraiser at Juliaโ€™s House

Countin the Blues, Punkishly, with Elli de Mon

Well, that certainly took the serrated edge off Alanis Morissetteโ€™s Jagged Little Pill. Imagine an episode where you are Doctor Who. Youโ€™ve landed the Tardis nearby a juke joint, deep in 1920s Mississippi. A bunch of wild railroad convicts wonโ€™t let you out unless your assistant plays them some songs. Trouble is, your assistant is Siouxsie Sioux. You pray to the timelords of Gallifrey she wonโ€™t corrupt continuity, by introducing punk fifty years too early. Just when you think she might have found middle-ground, Ravi Shanker drops in to join the jam!

The score could be provided by Italian multi-instrumentalist and soloist Elli De Mon, who’s forthcoming album, out 18th June, Countin the Blues is packaged like a delta blues album of yore; sepia photo of Elli, guitar between legs, and graphics to match. It weighs in well with sound too, a twangy guitar opening, but it jerks between tradition and modern. Reimaging ten female vocalist, vintage blues rarities from the 1920s, Countin the Blues varies between adhering to the original, or converting it into kick-ass contemporary punk. This works, exceptionally well under the skilled labour of Elli, primarily because those songs are as raw and filthy as punk could be or has ever been.

This album should put Elli de Mon on the UK map, as sheโ€™s been thrilling blues audiences across Europe with this unique take on the blues for best part of decade. A prolific one-woman-band, releasing six albums since 2014, she breezes through vox, rezophonic and lapsteel guitars, organ, drums, dilruba, and even an outplaced sitar, on this magnificent album.

Primordial blues being a major influence, during pregnancy Elli penned, Countinโ€™ The Blues: Indomitable Women, a book about the women blues artists of the twenties. Published in 2020, it mustโ€™ve been a natural progression for her to decide to record the songs she wrote of, in tribute to these great women. Itโ€™s a win-win for documentation of songs which has been forgotten by most. The only tune Iโ€™d heard of was Memphis Minniโ€™s When The Levee Breaks, as many would know it from the Led Zeppelin adaptation.

Kicking in, as I said, twangy guitar introduces us, but seconds later Elliโ€™s version Ma Raineyโ€™s Prove It On Me Blues electrifies. One could shrug at this conjunction, pop-punk has the T-shirt on this, if Alanis Morissette coined it, Sheryl Crow and Shania Twain commercialised it. Yet thereโ€™s a definite rawness here, a dusky garage punk nod. This notion drags you in, darkened by the second track, Bessie Smithโ€™s Blue Spirit Blues; eloquently macabre, and the theme continues for a further two tunes until Lucille Boganโ€™s Shave โ€˜Em Dry pounces on you like a seventies punk anthem.

Proving drugs and music went hand-in-hand since day dot, the overlooked iconoclast Victoria Spivey recorded Dope Head Blues in 1928, yet Elli implements a beatnik lysergic aura to it, by adding a sitar; hence the Ravi Shanker connection mentioned in my Doctor Who visualisation!

Just when you consider reeling in your assistant Siouxsie Sioux, with your extended scarf (because Dr Who will eternally be Tom Baker in any of my imaginary scenarios) dragging her to the crossroads in hope the devil, or Davros even, is up for purchasing a soul, weโ€™re back on the agenda, less Sgt Pepper, and more traditioned twangy acoustic guitar blues is aired now more than previous songs.

Image by S. Carollo

With the sublime acoustics of Elizabeth Cottenโ€™s Freight Train, it feels as if Elli figured it had all gone too far the other way, and returned her salutes the queens of the blues by traditional method. ย This acoustic trend continues for four amazing tunes, ingulfing the aforementioned When The Levee Breaks. In my scenario Doctor Who would be effectively saved, these last few tunes would adhere to the angry railroad convictsโ€™ expectations. But just as you assume the clichรฉ happy ending is near, thereโ€™s a vinyl only bonus track, Geeshie Wileyโ€™s Last Kind Words Blues, which slivers back into psychedelia sitar, and the Doctor is doomed, to be continued next week!

This album is a treasure, if not for the tremendous tributes to historical blues standards, or the adaptions of unearthed rarities returned to modern times through punk rock, but for the overwhelming effort of this Italian multi-skilled virtuoso who accompanied herself on nearly every instrument, and arranged the whole album in a new key, to align to her personal punkish style.

And Elli, if you read this, I wonder, and Iโ€™d imagine you do too, what the mother of the blues, Ma Rainey and the other subjects youโ€™ve so wonderfully recaptured here would think of it all? It may well take some time for them to get their head around musicโ€™s progression, but Iโ€™m certain you should be proud as theyโ€™d nod their approval.


Song of the Day 37: Beaux Gris Gris & The Apocalypse

At least I think it’s number 37, sorta spaced on the song of the day for a while there.

So what better time to reintroduce this quick feature where I generally waffle some crap and share a music video then when our friends Beaux Gris Gris & The Apocalypse knock out an awesomely catchy rock n roll belter like this one?

Any objections and I’m not listening to ya, look; it’s even got a blink-and-you’ll-miss-it clip of them at our lovely Cellar Bar; nice!

And that’s my song of the day!! Very good, carry on…..


Song of the Day 35: The Jamestown Brothers

With tracks for the charity compilation album coming in thick n fast, time for me to take a break, sit with the family to watch the Jumanji rework, again. Hum, Ruby Roundhouse….But before my mind wanders too much, here’s my song of the day.

It has no video, best guessing it doesn’t matter, you’ll feel preoccupied with footstomping and guzzling cider from a plastic gallon container. Americana meets west country folk, scrumpy & western, this is nothing but a carefree enjoyable bop, done with bells on.

Looks from here like they’re a staggering nine-piece, suspect fibbers about being brothers, but two seconds into this beauty and even that won’t matter, even if you did bring ya mama, who’d probably just complain about her feet the whole way through.

Go give em a Facebook like, for more info on the shindigs you’ll hear them pluck their geetars at, and based on this tune alone, you know it’s going to go off.

And that’s my song of the day!! Very good, carry on….


Song of the Day 34: Jon Amor

Here’s a thing, did you know the Michael and Janet Jackson duet “Scream,” is cited as the world’s most expensive music video, totaling a cost of $7 million? And Wacko dished the cash out of his own pocket?

Despite critical acclaim at the time, reaching number 3 in the UK pop charts, and the retaliatory nature of the song against the tabloid assault on Michael after sexual abuse accusations, I thought, and always will think, it was a bit shit, to be perfectly frank!

Look, I mean, okay, bit harsh were the allegations, so MJ thinks, I know, I’ll bag myself a B-movie spaceship, take my sister off the planet, buy us both matching knobbly jumpers, dance about in zero g, and cough up seven million dollars for someone to film it, that’ll convince the fans I’m not a complete fruitcake.

They didn’t even save enough pennies to get it filmed in technicolor. Input sad face emoji.

Compare and contrast to Devizes-own Jon Amor, who, with just the creativity of Lucianne Worthy, a big chunk of inspiration from Jim Henson and some snazzy blue loafers, pulls off this absolute beauty for the track Rider from the latest album Remote Control.

Smashed it, guys, and it’s in colour too. Proof you don’t gotta do a Wacko Jacko and push the boat out as far as Mars to accomplish something all together entertaining.

And that’s my song of the day!! Very good, carry on….


The Ruzz Guitar Sessions; Going to the City

Driving home through Devizes last week, itโ€™s only 10pm but I contemplate, it could be three in the morning itโ€™s deathly silent. Our once lively little market town, like everywhere else, has lost a sparkle due to the pandemic; hope it can rekindle is all that is left. And now, the Facebook memories fires a bittersweet reminder at me, for even if you paint only a rose-tinted view of your life on the social media giant, a memory still pops up which is kind of sad on reflection.

Musically, blues is apt.

Thought was fairly stable that evening proved wrong. That memory was a wobbly video of the absolutely blinding night when Ruzz Guitar’s Blues Revue blew, or blue, perhaps, the roof off the Sports Club, aided by a supergroup of Innes Sibun, Jon Amor and Pete Gage. It was in a word, treasured. The sadness being, at the time it was only speculation it could be the final night of live music, and I didnโ€™t want or care to digest that notion at the time, but it was; way to go out with style, though!

Now weโ€™ve come around to the anniversary of that moment, with a prospective reopening light at the end of tunnel, primarily being only a possibility. Yet the world turns on its axis, and music has, like so many other arts, been forced to change methods of distribution. The live stream, the Zoom recording session, and, for an extremely short summer stint, an afternoon solo session in a socially distanced pub when we were disillusioned into believing the virus was on its way out, have become the norm.

As many others, Ruzz Guitar has adapted, and a Facebook group called the RG Sessions aims to launch a new style of assemblies, producing the exceptionally high-quality electric blues weโ€™ve come to expect from the Blues Revue. You can buy them a virtual pint, and you can grab this gorgeous name-your-price single, which features all the musicians as on that fateful night. And in a way, itโ€™s so good it near makes up for the depressing notion of this live music loss.

With the expert gritty vocals of keyboardist Pete Gage, โ€œIf You’re Going To The City,โ€ also features our homegrown guitarists Innes Sibun and Jon Amor, with Ruzzโ€™s proficient Blues Revue members, drummer Mike Hoddinott, bassist Richie Blake and Michael Gavaghan on sax. And with that said, I donโ€™t feel the need to review it, take it as red, theyโ€™re the ingredients for perfection.

After the previous spellbinding single with Peter, Ainโ€™t Nobodyโ€™s Business, we live in hope this faultless coupling will be retained for more of the same. But what surprises these Sessions will magically pull from their sleeves next will keep us guessing; Iโ€™d advise you follow the page for updates.


Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Marketโ€ฆ

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic ofโ€ฆ

Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisonersโ€ฆ..โ€ฆ

Make Headway for Ariel Posen

Try this: think of some tunes of the decade you were born, songs which you like but donโ€™t know why, songs which, for some reason, ring alarm bells at you as characteristic of the era. Your taste screams no, you shouldnโ€™t like these, but you do. Then check the year they charted. I wager many of them were in the year you were born, the previous or following.

I remember liking, at the time, and Iโ€™m not proud but in the name of science Iโ€™m going to confess, Brotherhood of Manโ€™s Save All Your Kisses for Me! Oh, while weโ€™re there, Abbaโ€™s Dancing Queen too! Thing is, I know why. They were in the charts in 1976, when I was three, the sort of excruciating pop mush anthems a toddler graduates to after the Wheels on the Bus. However, I cannot put my finger on why Iโ€™m engrossed with glam rock songs, such as Gary Glitterโ€™s Iโ€™m the Leader of the Gang, The Sweetโ€™s Blockbuster and Sladeโ€™s Cum Feel the Noise, when the genre makes me generally quiver.

Any doubt I was born in the 70s cleared up with this family photo; I’m the baby!

Why flower-power sold out and hippies took to wearing kipper ties and platform shoes with goldfish in the heel is beyond my understanding of youth culture vicissitudes. Still, when I hear the aforementioned glam rock screeches, they stir something vague inside, indications of a life obscured by cognition. Coincidence they all charted in 1973, the year I was born? Or could the sounds around you, as a baby, implant permanent scars?! If so, Iโ€™ll be dammed, deeply archived Little Jimmy Osmondโ€™s Long-Haired Lover From Liverpool!

Though you should never condemn an entire decade for its pop chart. Given youโ€™ll throw Sonia, Jason & Kylie, even Blacklace at me, and tell me to shaddup my face. Despite the lack of technological advances of the seventies when compared with the eighties, there was numerous classics. Iโ€™m drawn to the cherished saxophone riff of Gerry Raffertyโ€™s Baker Street, but surprised to note, it broke my theory and wasnโ€™t until โ€˜78.

The research was stirred by Canadian singer-songwriter, Ariel Posenโ€™s forthcoming album, โ€˜Headway,โ€™ released on 5th March. Oh, yeah, I am coming to an eventual music review, excuse my waffle. Thereโ€™s something retrospectively seventies about it, my mind sees a Ronco record label revolving on the turntable of a seventyโ€™s mahogany music centre. A quick flick through the tracks suggested motives not to like this are manyfold. Yet, akin to why I cannot put my finger on why I like those glam tunes of my birth year, Iโ€™m finding it tricky to reason with this too, but I do like it, a lot.

With magnificent guitar riffs which nods subtly to country and heartland rock & roll, combined with smooth, blue-eyed soul vocals, thereโ€™s something very Springsteenโ€™s Darkness on the Edge of Town, or Tom Pettyโ€™s Full Moon Fever about this potential electrified Americana rock classic.

The harmonious and tenderly sensual soul of Coming Back, against the folksy- blues guitar picking of the single Heart by Heart suggests thereโ€™s a vast melting pot, but Posen meticulously stirs it into one seriously chilled groove, David Soul styled, which will leave you causally drifting through till the end. Hence my reasons for pondering my little science experiment while listening. Again, comparisons to seventies music, hereโ€™s an album to listen to complete, afar from youthful trend of flicking through Spotify playlists like time is against them.

Upon first impressions I was dubious about a Springsteen comparison, contemplating the subjects are generally of romance, and perhaps simpler than the Bossโ€™s interweaved wordplay, yet again humbler Beatlesโ€™ pop formulas clearly influence it greatly too. Harder listening conjured a progressive prose of evolution in life, love, and all points in between. Theyโ€™re poignant and beguiling, combined, you just have to dive a little deeper.

Two years in production, Posen began recording Headway in December 2019, a week after wrapping up an international tour in support of his acclaimed debut, How Long; the effort shows. The gigs received standing ovations, and Rolling Stone dubbed him โ€œa modern-day guitar hero.โ€ Music Radar listed him as a fan voted top 10 rock guitarist of the year, and the Western Canadian Music Awards nominated him for Breakout Artist of the Year.

So, yeah, this is worthy of your attention, and if I attempt to lambast the seventies again, remind me of the current sate of my lockdown coiffure; Iโ€™ve got the big hair of a middle-aged Caucasian from 1976. Iโ€™m going out on my Raleigh Chopper now, mum, call me when my mince in gravy is ready!

Artic Roll for pudding? Hunky dory!

Pre-order Headway HERE


Trending….

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because theyโ€ฆ

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this yearโ€ฆ

Song of the Day 28: Kevin Brown

Launched today, ‘Square Peg in a Round Hole.’ How’s that for efficiency? I know, I’m not usually this quick off the mark, must be something in the water!

But yeah, but no, though; you’ve got to hear this beauty of blues-folk from Kevin Brown, it’ll take you away with it, and we all need to get away; who’s been living in their Jimmy-jams for months?!

A song inspired by, Kevin explains, “people living on the edges of society, in and around Bath in the mid 80โ€™s… people who don’t quite fit in.”

We’ve chosen some stunning photographs by Steven A Chandler for the montage – they really capture the mood of the track.” And emotive it is. I’ll use the term emotive rather than ‘moody,’ if you don’t mind, Kevin, as it has a subtle uplifting hint, and it’s simply gorgeous.

Subscribe to the man’s YouTube channel, here. I’ve stressed this before, and reinforcing it by subscribing to as many as I find. It’s crucial for all musical artists that you do, gives them possible revenue, if they get to a certain amount of subscribers, but they do a LOT of them to get there. Whereas, a “YouTuber” podcasting a hoard of bling and clothes, or playing Minecraft while chatting nonsense, can elevate to stardom in a matter of milliseconds. Such is the way of modern life.

Anyhoo, that’s my song for the day, very good, carry on…


Ain’t Nobody’s Business but Ruzz Guitar and Pete Gageโ€™s

Iโ€™ve said it before, said lots of what Iโ€™m going to say before, in fact, but I reserve the right to say it again. And you canโ€™t blame me, itโ€™s this Groundhog Day thing, this exasperating lockdown. I perpetually revert my mind back to the last night of live music I attended, Ruzz Guitar Blues Revue at Devizes Sports Club with Peter Gage, Jon Amor and Innes Sibun. How I suspected walls could come crashing down, but didnโ€™t want accept it, neither at the time acknowledge it would be so soon. Still, optimistically, what a blinding night; least we went out with a bang.

I mean, I know and Iโ€™m eternally grateful to everyone who acted to do what they could immediately after the first lockdown, the afternoon sessions at the Southgate, and our own outing for Devizes;IndieDay, but as good as they were, as Ray Charles said, the night time is the right time. Ode to the gig, the gathering and the celebration, how we miss it so. Are you with me? You are, right?

Faced with the unwelcome likelihood of the first anniversary of the occasion coming around and still, no live music, I have to ponder how far to the light at the end of this gloomy tunnel. And to rub salt into the wound, Ruzz has released a new track, featuring the very same blues legend Peter Gage! But as far as salt goes, upon hearing this tune Iโ€™m like a halophile (a salt-loving organism; look it up, people) living on the back of a saltwater crocodile, basking at the shore of the Dead Sea.

A cover of Jimmy Witherspoon’s tune Ain’t Nobody’s Business, Ruzz explains, โ€œwe’ve taken the B.B. King and Freddie King versions, mashed them together and added an RGBR flavour into the mix! Weโ€™ve been working hard on this track since Christmas and we’re all very excited to release it.โ€

And so, they should be, itโ€™s sublime, as ever. Habitually, I favour Ruzz and the Blues Revue when they work up a frenzy, but this is smooth, this is blues, the kind of blues you need contemplating the anniversary of the gig ban, and if you attended, it will remind you of it too. If not, it doesnโ€™t matter, it just breezes over you, as all virtuous blues should.

I mean, right, the guy was from The Sloane Squares, headhunted by Shadows bassist Jet Harris upon them supporting Hendrix, and thatโ€™s just the beginning of his extensive profession. Peteโ€™s proficient vocals, gives it that edge of aforementioned BB King influence, the arrangement and tightness of this collaboration are like the chimes of seamless bellringing, hereโ€™s the Blues Revue on top form, adding guests of calibre and concluding as perfection; quid well spent.


Latest Reads….

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

Jon Amorโ€™s Remote Control

Pop is pop for a reason. Without sounding like a government soundbite, what I mean is, pop, as in the music, is popular for good reason; the catchiness often in the simplicity, which consequently sells. And if it sells, itโ€™s pop, regardless of the many subgenres and youth cultures which an era carries pop along, itโ€™s always continued this ethos. Itโ€™s only a particular โ€œgenreโ€ for the time being. I use the term as loosely, then, as it should be used. Feel free to shudder at modern commercialisation, but thatโ€™s been building for decades and you shouldnโ€™t let it put you off; youโ€™ll miss something special because you preconceive its popularity is a hallmark from a polluted industrial mechanism.

The above annotation I write because I donโ€™t want you to run off with the idea, Iโ€™m talking contemporary chart hits when I use the term pop. Out of the assortment Devizesโ€™ legendary bluesman Jon Amor offered on his last major album two years ago, Colour in the Sky, I tended to cherry-pick those deviating from his traditional electric blues style, and they promptly became the standout tracks, Illuminous Girl and Red Telephone. He need not appease his devotees; they follow this modification with bells on. Because, fundamentally itโ€™s more โ€œpop,โ€ in so much as itโ€™s appealing for this beguiling ease.

This transitory, perhaps, shift for Jon was stamped on the last single, the incredibly addictive Peppercorn, a lively upbeat and Elvis Costello fashioned rock, without the leftist post-punk political angle of yore. Now the single has been followed up with an album, Remote Control, impulsively launched without the need for the usual pe-hype. All the tunes follow the aforementioned style of Peppercorn, the penultimate track on the collection. Dammit, this is good, but you knew it would be.

News of it literally arrived via Facebook post yesterday, โ€œthis year,โ€ Jon posted, โ€œIโ€™ve been spending a lot of my weekends recording some songs, and I appear to have made an album.โ€ And as if by magic, today (27th November) itโ€™s a thing. So, was it as spontaneous as it sounds, a result of lockdown?

โ€œI suppose initially it was the result of lockdown,โ€ Jon replied, โ€œyeah, I was working all week and had nothing to do at weekends!โ€ If there’s only one good thing to come out of all this, I noted, thinking Erin Bardwellโ€™s Interval album in particular, is that artists have had the time to write and create, and there’s good material flowing from all genres. Then I waffled some similarities in a piece I was reading about the great plague, where it modernised and revolutionized both folk and classical music, possibly gave birth to the renaissance.  

โ€œI think a lot of people embraced the spare time and the isolation and turned it into a positive,โ€ Jon added. โ€œNow Iโ€™m picturing video conference calls and zoom quizzes in the 1600s…โ€

While Jon is clearly experimenting, dabbling this more pop sound with Remote Control, itโ€™s also temptingly raw and punchy. There are some retrospective glances, the opening tune Song and Dance is a catchy three-minute Merseybeat blast, whereas If a Million is demarcated Curtis Mayfield funk. 03 57961 (Thatโ€™s my Number) bounces like a quirky ZZ Top, whereas Robot Skin follows, using the guitar like white noise, overridden with a Gecko styled rap.

Iโ€™m intrigued now, wondering where this will take me next, and even if Next plays out the downbeat trip-hop style, akin to Portishead meeting Costello, it remains definitively Jon Amor. Just a Bomb booms power pop, with a singable chorus after just the one listen. Weโ€™re one track down before Peppercorn, youโ€™d be mistaken by the title that this is locally-themed, Moonraker, is Bowie spacey and maybe a reference to the Bond movie rather than a Devizes pond fable.

Image by Nick Padmore

The finale rings with everything weโ€™ve suggested at the start, this is poptastic for catchiness. Do Bop-Bop is staunchly irresistible. Exotic bongos, Californian beatnik surfer goodness; ideal daydream for wintertime locked down in England!

In conclusion, I need not convince Jonโ€™s lifetime fans, they will buy it and love the fact they have. For others, this is an interesting progression with great prose, itโ€™s joyful and quirky and explores styles without selling-out or shifting the central pivot point, which is Jon Amor, da man rocks! All the above basically adds up to; this is highly entertaining on the ears and persuasive on the feet to tap.

     


Tuareggae; Bombino is the African Hendrix

In conventional record shops of yore, albeit some survived, youโ€™d find the mainstream alphabetically presented, and itโ€™d be a dare on to yourself to venture to separate genres. They were usually labelled thus; Reggae, Classical, Easy Listening, and World, perhaps Blues too. While some conveniently slip into a standardised genre, others must have had grey areas. But, surely the most diverse was โ€œWorld,โ€ as if every remaining country in the world except the one you live in, and probs America, sounds the same, and furthermore, youโ€™d be some kind of beatnik pseudoscientist weirdo to even contemplate browsing there.

Itโ€™s all so vague, and without the music industry pushing, a minefield of guestimation. I was fairly young when I figured thereโ€™s a world of music weโ€™re not exposed to, pop was the tip of an iceberg. I dipped my head under, but it was freezing with typecasts, impossible to know where to search to find something affable.

Today, and thank goodness, the internet is a universal reference library, there are no excuses for not thinking outside your geographical sphere. But with anything foreign to your ears, you need to unlearn your ingrained judgements, and listen with an open mind. Rarely something comes along so exclusive and diverse, but with a familiar element to comfort you.

On November 27th Partisan Records will release, Niger-born Tuareg guitar virtuoso Bombinoโ€™s first live album as a solo artist, Live in Amsterdam. Iโ€™ve had this unique marvel on play for a while now, and if youโ€™re put off by the presumption any African music never relates to our rock music, this could be the introduction to a world outside said sphere.

The ingenious part of this album, other than the atmospheric quality of a live performance, and Bombinoโ€™s sublime proficiently with a guitar, is the rich musical palette. It rings with genres youโ€™re accustomed to, shards of funky soul and reggae, which often come into play in African music, but the man, I swear to you now, is the African Jimi Hendrix, so bluesy rock is prominent.

Tuareggae is his self-penned, totally unique genre to define it. The โ€œTuarโ€ part derives from his own people, the Tuareg people, a Berber ethnic confederation of nomadic pastoralists, which populate the Sahara in a vast area stretching from far southwestern Libya to southern Algeria, Niger, Mali and Burkina Faso. So, what we have here is principally a fusion of these accepted European and American genres with this brand of North African folk.

Just as a bhangra-pop hybrid now appeases western ears, Bombino has something which will placate any preconditioned aversion of African musical styles. In fact, the untrained ear might liken it something Eastern, or middle eastern at least, as it is spoken in Bombinoโ€™s native tongue. Note though, his on-the-record fans includes Keith Richards, Stevie Wonder, and Robert Plant, and if itโ€™s good enough for themโ€ฆ…

This album will not only challenge your presumptions, itโ€™ll do so while drifting you on gorgeous a journey of musical greatness akin to any known bluesman. Bombino knows precisely what buttons to press to evoke a mood, it can drift down a river at times, it can explode into up-tempo funk, but its ambience is awe-inspiring throughout.

Recorded in November of 2019, while Bombino and his band were touring behind his acclaimed latest studio album Deran. Live In Amsterdam is dedicated to the loving memory of long time Bombino rhythm guitarist and vocalist Illias Mohamed Alhassane, who sadly and suddenly passed away in September. The recording, then, features Illias in his final performance with his โ€˜brothersโ€™ in Bombinoโ€™s band. Yet, you need no background, not really, if youโ€™re looking for something different, but with shards of something familiar, if you like either blues, reggae, rock or funk, or if you want to be taken on a musical journey beyond your usual perimeters, Bombino is your newfound gem. You donโ€™t have to thank me, but you will; Iโ€™m here all week.


Island Bop with Shuffle & Bang

San Diego, California, 2018, King Pops Horn and son, Korey Kingston began on a musical partnership, merging Koreyโ€™s deep vested love for dub and reggae with his fatherโ€™s tenure as a decorated traditional jazz singer.

Gathering a gang of musicians with resumes including savvy veterans from The Aggrolites, Rhythm Doctors, Suedehead, Brian Setzer Orchestra, The Original Wailers, Stevie Wonder and a pianist who plays organ for the San Diego Padres baseball team, they formed Shuffle & Bang.

Over multiple recording sessions taking two years, this unique musical journey culminated in an accomplished album, Island Bop. Pirates Press Records, partnered with the bandโ€™s own Jetsetter Records are ready to deliver this gem to the world on 6th November; everything about it suggests itโ€™s right up my street and banging loudly on my door.

And it is, and it is loud. Dressed as a classic Blue Note jazz album, with indistinct band-in-action photo and simple capitalised font running down the left side, it comes exceptionally close to capturing the elegance of an era of definitive jazz and soul. Yet it drifts wildly between genres, a surprise to know whatโ€™s coming next in many ways, but often, perhaps, constituting a Jack-of-all-trades.

I mean this in the nicest way possible, to hit the benchmarks of such legendary epochs, to come close to all the variety of influences represented here in one shebang, from Blue Note to Stax and Studio One, is quite near impossible. You got to hand it to them for trying. For all it is worth, it is accomplished, highly polished and grand. Itโ€™s exceedingly entertaining and highly danceable, to boot! Just donโ€™t let the cover art allow to run off with the idea youโ€™ve stumbled upon a new Marvin Gayeโ€™s Whatโ€™s Going on.

At all times, no matter what subgenre itโ€™s mimicking, itโ€™s brash but not slapdash, flamboyant and proud. Thereโ€™s minimal subtly of soul, delicately tight riffs of ska, and to cast it overall is to say it is akin to big band, as itโ€™s in your face and wonโ€™t let you escape, even if you wanted to, which, you probably wouldnโ€™t. Big Band does jump blues, ska, soul, and even by the end, dub reggae.

Yep, you heard it right; it ticks all the boxes. The opening song is a deep acapella with a booming Teddy Pendergrass fashioned soul voice, whereas the second sets the running theme as this big band panache. Taking the jazz end of a classic ska sound, the third tune dragged me onto the dancefloor, or my kitchen lino to be more precise; yep, Iโ€™m reviewing while washing the dishes again!

Switching back to Cab Calloway big band groove for a fifth song, it is perhaps the next which is most interesting to date, Naima maintains a big band style but serves it with a rock steady riff. Quickly as it does it, it shifts again, onto a shuffle rhythm with some killer horns, more Louis Jordan than T-Bone Walker.

Within the thirteen strong songs, the whole album is showy and that makes it rather magnificently inimitable, and because of this running big band ethos incorporating all the various styles, at no time does it jerk into an alternative genre, shudder the goalposts, rather surprisingly, they flow all rather splendidly.

It gets unpremeditated and rides the Ratpack train, with beguiling vocal gorgeousness, When I Take My Sugar to Tea, particularly, or a take of traditional ska like the Skatalites, but the next tune might again return to up-tempo swing. Given our Louis Jordan reference, the only recognisable cover is his Tympany Fiveโ€™s Let the Good Times Roll, at least you think it is, until the end song.

If you figured this cover might act as a grand finale, prepare, because after a drum and cymbal interlude, the groove suddenly and without warning dubs. Yep, true dat; with a deep rolling bass and reverbs akin to King Tubby, and perhaps melodica to impersonate Augustus Pablo, we are treated to a divine dub of the Gorillazโ€™s Clint Eastwood. Although theyโ€™re calling it Drum Song.

The culmination forces you to hardly recognise the style at the beginning of the album, and to return to it might make you think, no, I want to go listen to some Sly & Robbie now instead. However, Island Bop will rest accustomed in a jazz, blues, soul or reggae record collection, and you will return to its gorgeous portrayals. For all its swapping and merging, yes, Island Bop is hard to pin down, but for eclectic jazz and soul fans, its refreshingly experimental and a damn good groove!


The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, While Washing Up!

Who says men can’t multitask? I’m washing up and reviewing this forthcoming musical extravaganza…..

Ruling in my household, being the better-half does the majority of cooking, I therefore wash-up. And on sporadic occasions I cook, I still do the washing up. I know what youโ€™re thinking; under the thumb, Worrow. I beg to differ, family are watching some revamped eighties game show; squeamishly sickening the first time around, or else a bronze lady of all teeth and earrings, in a buttery summer dress is assisting affluent chavs to relocate to a Mediterranean costa.

Meanwhile, Iโ€™m preparing my chore. First task is not to clear the drainer of previously cleaned utensils, that comes after I Bluetooth my phone to the soundbar. Firmly of the belief washing up should be done to music, and such a law should be implemented nationally.

Those completed, time to fill the sink with hot water and Fairy. Cheaper varieties a no-brainer, you use twice as much for the same effect. Much like my choice of music, others donโ€™t have the same clout. For retrospective genres, such as rock n roll, today largely consists of wishy-washy tributes and anodyne honours of a once dicey outrageous bravura. Else thereโ€™s a disturbing scene fusing techno with swing to revamp classics which really donโ€™t need or desire the wonky attention.

Let me be the first, I suspect, to compare Ruzz Guitarโ€™s Blues Revue to Fairy washing-up liquid. But if you want the job of recreating the true spirit of bygone blues styles done properly, accept no substitute. Add equal amount of Fairy as needed with a cheaper alternative and youโ€™ve got an Ibiza foam party in your kitchen.

Iโ€™ve got an advance copy of their instrumental album, โ€˜The Instrumental Sounds Ofโ€ฆโ€™ not due for release until 6th December, but ready for pre-order; I strongly suggest you do. Because hereโ€™s a Bristol-based rockabilly/blues trio, with three-piece horn section, who encompass everything once rousing and electrifying about musical styles ranging from jazz to rock n roll, originally, and with a benchmark of contemporary quality.

While Ruzzโ€™s singing is passable, the guitar is his true calling; Gretsch agrees and endorses this, if you donโ€™t take someone chained to the kitchen sinkโ€™s word for it. In genres such as these, where one imagines and perceives the vocals to hold a deep Mississippi accent, to hear his Bristol enunciation is novel, but unusual. Ruzz Guitarโ€™s Blues Revue have the astounding ability to stretch a song to the proportions of a space-rock band like Pink Floyd, but retain the frenzy of traditional rock n roll, which would once be over within three minutes. At that point, though, itโ€™s nice to simmer it with occasional vocals, but itโ€™s not their forte.

Here then, is what they do best; concentrated instrumentals, a collection of musical styles, based within the blues, that have influenced Ruzz throughout his career. A project Ruzz has been wanting to do, and lockdown has provided the time. Iโ€™m strutting across the kitchen, shoving plates and utensils roughly back in the cupboards they belong in, while contemplating how I didnโ€™t fully appreciate my dadโ€™s obsession with the Shadows. For their instrumental goodness mayโ€™ve gone over my adolescent head, at the time. But this is a blinding upbeat opening tune, Hold Fast, with remnants of The Shadows’ slide-guitar. Yet itโ€™s blaring horns make it like Hank, et al were in a big band.

Now to the main task, wrist-deep in foamy water Iโ€™m timely scrubbing with brillo-pad, like the ivory of a boogie-woogie piano. Swing Thing maintains big band, but slides neatly into swing. Itโ€™s spectacularly captivating.

Three tunes in and itโ€™s mellowed to a sax ballad with Hawaiian guitar riff. Longing to See You drifts, as I causally dip dinner plates into their foam bath, and caress them as if theyโ€™re sun-kissed skin of a beautiful seรฑorita! The Instrumentals Of album strides jazzily, continuing with a slight nod to that tropical guitar on the fourth track. But this is shrewdly quirky and experimental, Ruffled Up is as if Miles Davis joined a big band.

So many influences but so meshed itโ€™s hard to pick it apart and balance washed up items on the draining board. Men can multitask, believe it. Now Iโ€™m striding, Clint Eastwood style, to obtain a tea towel dumped on the breadbin like it was a six shooter. Duel at High Noon is as perceived by title; Ennio Morricone influenced Shadows.

Heating up back at the sink with some fiery jump blues to make Louis Jordan blush. Jump In does what it says on the tin; I’m doing Chuck Berry legs, rattling those pots and pans like glam rock never happened.

Mambo takes a hit next, Ruzz-style, added funk. Spag Mambo is like Starsky & Hutch doing the Charleston on a Cuban vacation. Gotta go barehand; Iโ€™d look stupid doing jazz hands with marigolds, but Swing G-String is swing firing on all cylinders. Dishes done; I’m jitterbugging the sides down, soggy J-cloth in hand.

Opportunity to clear waste from the plug hole, never an appealing part of the process, nevertheless Iโ€™m cool; Soulful Blues made it so. Itโ€™s equably soul-blues, Ruby Turner could drop vocals, but it never strays from its ethos, yet saunters wonderfully between the variety of jazz and blues from 1940 to 60. Thereโ€™s one more tune, but the job is completed.

Hammer Down polishes with dirty, deep Mississippi jump blues with a clunky rock n roll double bass. Like the rest of this sublime album, it’s irresistible and beguiling. It can’t end early; have to extend the task for five minutes. The floor may look wooden, but itโ€™s lino really; ask Turbo B, or any break-dancer the value of lino; the kitchen is my dancefloor. Time to watusi with broom; the Mrs will be delighted. Even bending to get every last fallen crumb into the dustpan was a pleasure with this album playing in the background; blooming marvellous stuff.

Click to pre-order; gorgeous Christmas pressie!

Jamie Williams and the Roots Collective Do What They Love, at The Southgate

Heโ€™s a fast learner, that Keanu Reeves; think how he progressed to โ€œthe chosen oneโ€ in little over an hour and half, while his superiors barely advanced at all; comes with the chosen one job, I suppose. Think cat scene, for example, where this novice presumed dรฉjร  vu, but twas a glitch in the Matrix.

Had a touch of dรฉjร  vu myself on Sunday, chatting with Essexโ€™s Jamie Williams and the Roots Collective; alas Iโ€™m not the chosen one, until itโ€™s time to do the washing up. Barefacedly had to check my own website, suspecting theyโ€™d been mentioned before. And I was right, Andy wrote a part-review back in July; I was briefly there too. Blame it on a glitch, rather than memory loss; this is 2020, glitches in the Matrix are abundant.

Regulars at the Southgate in Devizes, Jamie Williams and the Roots Collective are as the name suggests, but donโ€™t do run of the mill. Cowboy hats and chequered shirts held a clue, but arrive excepting unadulterated county & western and youโ€™ll get nipped. While thereโ€™re clear Americana influences, hereโ€™s an exclusive sound unafraid to experiment.

20200816_1734461456463698776563761.jpg

Jamieโ€™s abrasive vocals are gritty and resolute, perfect for this overall country-blues sound, but it progressively rocks like Springsteen or Petty, rather than attempts to banjo twang back to bluegrass. It also boundlessly exploits other folk and roots influences, with a plethora of instruments and expertise to merge them into this melting pot. And in this essence, they are an agreeable rock band, appealing to commonalities; but do it remarkably, with upbeat riffs, tested but original material, and passion.

Not forgoing, I still need to be careful, and it was but a whistle-stop to the Gate, to wet my whistle. As current live music restrictions being the way they are, itโ€™s unfair to use a gig review as a base for an actโ€™s entirety. For starters, theyโ€™re missing bassist Jake Milligan, and drums deemed too loud to bring, James โ€œthe hogโ€ Bacon made do with a cajon and bongos. The remaining two, Jamie and Dave Milligan, cramped in the doorway of the skittle ally with acoustic and electric guitar, respectively. Which, in a way, proves this bandโ€™s aforementioned adaptability and desire to experiment. The proof is the pudding though, and battling through the restrictions of the era, they came up with a chef-d’oeuvre.

jamie

Professionally, they scorched out a great sound nonetheless, mostly original, but a rather fitting Knockinโ€™ on Heavenโ€™s Door, with Jamieโ€™s grinding vocals apt for a later Dylan classic. But this downtempo cover was the exception to the rule, their originals upbeat and driving.

To pitch a fair review, though, is to take a listen to their latest album, Do What You Love. The cover of which is unlike your clichรฉ Americana tribute too; highly graphical splashes of colour akin more to pop, or a branding of fizzy drink. The songs match, a popular formula of cleverly crafted nuggets intertwining these wide-spanning influences. One track they did live from their album was accompanied with an explanation the recorded version used a brass section and even a DJ scratching, yet they made do with Jake joining James for a hit on the bongos.

dowhatyoulove

They certainly enjoy what they do, and appear relaxed in the spotlight. This doesnโ€™t make them tongue-in-cheek, like, say Californian Watsky & Mody, who blend hip hop into bluegrass for jokes. Rather Jamie Williams & The Roots Collective has evenly balanced said collectiveโ€™s influences and conjured this celebrated, danceable and fun sound, flexible for a standard function, like a wedding party but would also liven up the day at a mini-festival.

As an album though it encompasses all Iโ€™ve said above, thereโ€™s cool tunes like Lazy Day, the orchestrated reprise If I met my Hero, and rather gorgeously executed ballad, Held in Your Glow, but also frenetic tunes, driving down the A12 with the windows open music, Red Hot and Raunchy being a grand, light-hearted example but Iโ€™m A Stone as my favourite, with its clever pastiches of Dylan and The Rolling Stones, it rocks.

You need not visit the Oracle, waiting with spoon-bending broods, Keanu Reeves, for her to tell you Jamie Williams & The Roots Collective are not some โ€œchosenโ€ livid teenagers trailblazing a new sound and striving for the spotlight, but a collective of passionate and talented musicians loving every minute of performing, and this comes across as highly entertaining.


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NervEndings For The People

More clout than Ocean Colour Scene Iโ€™d expected after hearing frontman Mike Barhamโ€™s prior thrashing solo releases and drummer Luke Bartels previous band, but more roaring blues than Reef was an angle I didnโ€™t see coming when I first checked our local purveyors of loud, NervEndings.

Weโ€™re countless gigs in now, the band, with bassist and secondary vocalist Rob McKelvey, still tight and raucous. Iโ€™m glad thereโ€™s a six-track album doing the rounds on the streaming sites, as by way of a meanderingly drunken tรชte-ร -tรชte with Luke down the Gate, an album in the pipeline was one of the random topics breezed over, but so was the debatable aggression levels between Welsh and English badgers too, so I only held hope itโ€™d see the light!

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โ€œFor The Peopleโ€theyโ€™re calling it, then, out last week. Itโ€™s got the kick I now predicted, with that surprising blues element to boot, particularly in the opening track, Infectious Groove. Yet the Muddy Puddles single weโ€™ve reviewed in the past follows, and sets the ball really rolling; it takes no prisoners, yet, for its catchiness, contains a slither of something very sixties; imagine pre-Zeppelin metal.

Emo, to audaciously use an unfamiliar genre, Iโ€™d best describe Colour Blind; smoother, drifting indie rock. And in that, Fighting Medicine is more as Iโ€™d supposed, guitar riff rocking like a driving song and Mikeโ€™s brainy lyrics, with added profanity to describe the drunken hooligan spoiling for a rumble. You know the bloke, thereโ€™s always one.

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With themes of non-pretentious indie, Chin up continues this ethos, forget the attempts to conform to expectances, itโ€™s a be-yourself song. Best, in my humble opinion, though, is Dark Dance; as it says on the tin, teetering on crashing punk, itโ€™s upbeat and danceable, in a throwing-your-head mosh-pit kind of way, which isnโ€™t my way, usually, but it reaches a bridge of mellow romance-themed splendour. Hereโ€™s Jimi Hendrix covering Blurโ€™s Song Two, as the blues is retained in all these contemporary rock tunes, and for a dude indifferent to the clichรฉ indie sound, it works on my level too.

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Nicely done, and, double-whammy, Mike has forced upon me this streaming inclination which defies all my generation stood for when collecting music. Our parents called us by name when shouting up the stairs to turn the music down, not โ€œAlexa!โ€ Ah, it needed to be done and Iโ€™m grateful, in a sense. โ€œSend me a download or something,โ€ I pleaded, โ€œI donโ€™t understand this Spotty-Fly thing!โ€ But it only met with the reply, โ€œitโ€™s on all the streaming sitesโ€ฆ.โ€ Iโ€™m of the generation who tried to turn over the first CD they got, to listen to the B-side, and only just got the hang of downloading. Now Iโ€™m causally informed downloadingโ€™s sooo millennial.

I dunno, all moving too fast it; seems so unphysical, not to have a record collection, rather a playlist. You canโ€™t skin up on a Deezer playlist. At least downloading had a file, nearer, somewhat, to owning a record. But Iโ€™ve persevered and found the Spotify app on my PC more user friendly; I didnโ€™t harass my daughter for assistance once, as I regularly do with the phone.

So, cheers, Mike. Hopefully this will help me surpass the โ€œnoobโ€ label my son has tied to me, which, Iโ€™m told is a word for both a novice and an insult in one. Honestly, I feel like my grandad, who, when he came over once, stood staring at our new LCD television and asked, โ€œwhereโ€™s your tele?!โ€ For the People needs to include the older people too, as I reckon many would either love it, or give this trio a ruddy good clip around the ear, which is maybe what they deserve for being so damn good; they’d have me talking emoji next.


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Jon Amor is Cooking

Last time I saw Jon Amor he was queuing for Sainsburys. Sign of the times I suppose, wouldโ€™ve much preferred to say we were in a pub or hall, and Jon was doing his thing. Capers, was what, he explained, he went in for. Those Mediterranean pickled berries, I figured; Jon is as epicure with his tucker as he is with his music. A new single, Peppercorn, expands the hypothesis; heโ€™s cooking alright.

A contemporary blues performer with an established diverse repertoire, I was surprised upon reviewing his 2018 album, Colour in the Sky, of a distinctive and quirky fashion akin to late-seventies pop-rock in the more beguiling tracks; a drainpipe-suited Elvis Costello, of type, and songs as good to match. Iโ€™m thinking of the tracks Red Telephone and Illuminous Girl in particular, they donโ€™t follow the archetypical modern bluesman manner, theyโ€™re upbeat, zany and define a certain panache emerging with Jon. Iโ€™m pleased to say Peppercorn doesnโ€™t just correspond with this notion, but expands upon it.

Accompanied by video of crazy antics around his home, presumably recorded over his many entertaining lockdown live streams, with not only a rather perfected Ministry of Silly Walks tribute in snappy blue winkle-pickers, but an amusing puppet sequence to scream Sledgehammer at you. This is a quirky, catchy little tongue-in-cheek number. From Shanks & Bigfootโ€™s Sweet Like Chocolate to, more appropriately, The Soul Leadersโ€™ boss reggae classic, Pour on the Sauce, food innuendo is no new thing in music; Louis Jordan nailed it in the thirties. Still with his demarcated and inimitable stylishness, hereโ€™s Jonโ€™s own take on it.

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With a little slide-guitar intro, after thirty seconds itโ€™s having it; immediately enticing and definingly why Jon Amor sets the local live music bar high. Though he is, the hybrid between man-about-Devizes-town and blues legend. At a quid from Bandcamp, this shiny example of why is a winning dish.


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Mr B & The Wolf come out of The Mist

On our promise, via The Indie Network Facebook group, and generally a growing cognisant inside me, for Devizine to musically venture outside our local area, geographically, here we go with a starter for ten. Though itโ€™s no new thing, in the past weโ€™ve mentioned many, from Cosmic Rays in Shropshire, to Mayyadda from Minnesota; I invite this pandemic to officially crash our bordersโ€ฆ.

One request recently came from one Vince Henry, whoโ€™s digitally-adapted Facebook profile pic makes Doug Bradley in his Pinhead guise from the Hellraiser films look like a bedtime Care Bear, and led me to assume the band he manages, Mr B & The Wolf was about to unleash some thrash death metal or psychobilly peculiarity unwillingly into my aging eardrums. I prepped myself accordingly, one ear in the headphone, paracetamol within reach, but I was pleasantly surprised.

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As a function band based in my motherland, Essex, Mr B, and his wolf too, are lively, true, but present a flowing range from blues-based rock and Americana to โ€œthrowbackโ€ pop and soul, and do it with the finesse of a contemporary Fleetwood Mac. Itโ€™s a zephyr blowing your locks, the single Iโ€™ve been sent, Out of the Mist archetypal of the bandโ€™s bravura. I liked it and now have the album, LazyDay to give a fuller appraisal.

With echoes of driving rock Mr B and the Wolf keep a balance, thereโ€™s no tearing off metal as I preconceived, no angry underscores, rather a commercially viable equilibrium of uplifting rock radio stations cannot excuse for not spinning. Second tune, Rise Up, a great example of this breezy and enriching chic. Yet in the acceptance lies an aching sensation eighties power ballad bands, like Huey Lewis and the News shouldโ€™ve been striving for a sound more like Mr B & The Wolf.

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Three tunes in then, and Crazy Town strips the style back to a deeper blues riff, vocally gritty, vocalist Dean Baker handles it very well indeed. Out of the Mist combines the two and stands out, for both catchiness and composition. Chestnut subject matter, yeah, but it doesnโ€™t sway me when itโ€™s performed so well.

What we find here is a bonded, proficient band with stains of all rock has produced before but boy, do they know how to wear it well. They being, Ben Pellicci on lead and backing vocals, Jason Bird on bass and backing vocals, George Wallis on rhythm, and Jason Chown on Drums; unconfirmed which one is the wolf!

Phoenix ballads us to the finale, harmoniously and mellowly. I couldnโ€™t go as far to compare it with the way Morrison would direct the Doors through an audience-mesmerising voyage, but it does equate the great soft metal bands of yoreโ€™s more magically rousing moments. I nod to Heart and of course, Bon Jovi, but they’d be knocking on the doors of Floyd or Cream, see if they’re coming out to play.

The finale though, belts back the blues riff and takes us full circle. In conclusion then, Mr B & The Wolf certainly donโ€™t drift from blues-rock formulae, though itโ€™s a damn fine established blueprint anyway, and this Chelmsford band do it with style. LazyDay would refrain you from road rage in traffic and compel you to turn it up when you hit the open road, Mr B & The Wolf would be a gig youโ€™d return from with fond memories.


Mr B & The Wolf Website

BandCamp for the album (ยฃ3.50)

Find Mr B & The Wolf on Spotify

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Keep on Running with Joe Edwards

Joe Edwards has his debut solo album, Keep on Running released this week, here’s my tuppence on it…..

Under the โ€œwrite what you know,โ€ philosophy, if Iโ€™ve been critical in the past regarding local Country-fashioned artists using cultural references alien to their natural environment, i.e. a band from Wotton Bassett crooning about boxcars and wranglers, I have to waive the argument in the case of Keep on Running, the debut solo album by Joe Edwards, of Devizes. Not because Joe is well-travelled to apt locations and it was recorded and produced at Henhouse Studios in Nashville, though he is and it was, or itโ€™s so authentic itโ€™s more authentic than the authentic stuff, but because, in a word, itโ€™s so absolutely gorgeous.

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Iโ€™m going to be hard-pressed to find a different album of the year, as if this was a new Bob Dylan release the headline would be โ€œDylan Back on Form.โ€ But it isnโ€™t, and if one can rebuke Dylan as eaten by wealth and the machine he once repelled against, here, with freshness, is Highway 61 really revisited. The characters here can be akin to Dylanโ€™s, questioning romance, bittersweet with humanityโ€™s cruelty. Keep on Running never faulters nor diverts from its mellow method, if the tempo raises itโ€™s only slight, and if it slips a toe under the door of rock, shards of both folk and blues roots are methodically preserved with finesse.

“…if this was a new Bob Dylan release the headline would be โ€œDylan Back on Form.โ€

When preacher Casey picks up hitchhiking Tom Joad, recently paroled from the McAlester pen in the Grapes of Wrath, Steinbeck paints a picture with his words so immaculately precise youโ€™re in that pickup with them, sensing the raw sting of the dustbowl and the smell of the dying cornfields of Oklahoma. With every banjo riff, or twangy guitar, Joe paints a similarly genuine image of the Southern American states.

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The writing is sublime, acute blues. Characters are often despondent, impecunious and dejected. Yet this is not Springsteenโ€™s Nebraska, somewhere theyโ€™re thrown a curveball and the air of melancholy is introverted, altered to positivity in the face of all things terrible. You may be riding their train of pessimism, yet itโ€™s not discouraging on the ear, rather selfless muse executed with such passion thereโ€™s an air uplifting, best compared with Tom Pettyโ€™s โ€œFree Falling.โ€

You sense a running theme; yes, life is shit but Iโ€™m dammed if Iโ€™m going to let it piss on my chips. A feeling Joe nurtures as the album continues, reaching an apex with a track called โ€œDonโ€™t Let the Bastards Get you Down,โ€ and continuing to the title track. Hereafter you understand the metaphor to โ€œKeep on Running.โ€ If not, the cover is a meek lino-cut akin to labelling of a Jack Daniels bottle, with a road heading off to the mountains, just to make sure.

“Yet this is not Springsteenโ€™s Nebraska, somewhere theyโ€™re thrown a curveball and the air of melancholy is introverted, altered to positivity in the face of all things terrible.”

After the title track, thereโ€™s a road ballad in true Americana style, the venerable symbolism for changing your life, which is never a negative notion. If the finale then spells the most adroit blues tune, โ€œMine oh Mine,โ€ the beginnings, โ€œBethโ€™s Songโ€ and โ€œCross the Lineโ€ herald the better country-inspired ones, but between them, an insolvent blues tune, โ€œCapital Blues,โ€ as a beguiling teaser for whatโ€™s to come. In contrast the achingly poignant, โ€œGamblerโ€ is perhaps the most accomplished bluegrass, filled by a tormented soul pouring his heart out for want of an extra six dollars.

It flows so incredibly well, George Harrison well, though, like a concept album of the 1970s itโ€™s a single unit to be heard complete. This doesnโ€™t prove a problem; youโ€™re engaged throughout and wouldnโ€™t dare press pause.

Nothing is tentative about Keep on Running; you get the sense Joe is deliberate in where he wants to take you. Despite remaining faithful to the formulae set by Guthrie and continued by Dylan, Segar and Lynyrd Skynyrd, where nothing is experimental, nothing is clichรฉ either. One listen and youโ€™ve entered a grimy western saloon, biker citizens pause shooting pool to glare, and a cowgirl in daisy dukes and a red chequered shirt tied at the waist welcomes you, piercingly.

“It flows so incredibly well, George Harrison well.”

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There is no in-your-face blast of sound, it traipses mellowly, and Joe executes his vocals with a whisper, as though heโ€™s pouring a heartfelt secret to you alone, and for that youโ€™re honoured; you should be. This is sweltering Sunday morning music, preferably slouching in a rocking chair on the veranda of a log cabin, sipping whiskey and rye, plucking a banjo. Though the least I can do right now is watch Oh Brother Where Art Thou!

Keep on Running is available now, here, and on Joeโ€™s Bandcamp page, here.


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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The New Local Blues

Had a nice chat with Sheer Musicโ€™s Kieran about acts, live streaming, future plans, and gardening this weekโ€ฆ what am I on about? Itโ€™s always nice to chat with Mr Mooreโ€ฆ.

If the beginnings of Devizine was a learning curve in which I realised Iโ€™d bitten off more than I could chew, one might be mistaken to think now we mustโ€™ve covered every musical talent in Devizes, if not Wiltshire. Not so, as a post from Kieran J Moore of Sheer Music incited me to shudder. Why have I not heard the name Joe Edwards before?

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Joe Edwards

Name does ring a bell, must have posted about the cancelled album launch at the Wharf which wouldโ€™ve happened this week. Well-travelled, Joe has been touring through Europe as a drummer for Australian band The Wishing Well, plus his debut solo album Keep on Running was mixed in Nashville and mastered in New Jersey with Grammy nominee Kim Rosen; might explain it, and if I have encountered the name I had no idea how renowned and awesome he is.

Hoisted in the help of Kieran for this then, to insure Iโ€™m bought up to date; there is a new cool in Devizes, and Iโ€™m going to prompt him about it. The initial message on any chat window these days is enquiring of wellbeing, understandably. Mr Moore is positively beaming, โ€œ[Iโ€™m] getting so much done and achieved,โ€ he explained.

I replied with a question, โ€œLike the gardening?!โ€

A boundless list of household chores followed which included, โ€œhow to programme moving head lights, learned how to live stream, learned how to record and edit videos.โ€ Bless, thatโ€™s our Kieran, dedicated to fetching us the best live music and promoting local artists, no matter what the era brings us; you have to tip your hat to the man. Seeking permissions to release sets Sheer recorded from 2012-14 and bootleg them onto Bandcamp being the latest venture.

What of the live stream though? My Virtual Festival started with good intentions, but there’s been so much of it it’s hard to keep up, some may not be appreciative my sharing of their stream; itโ€™s a close call. In these frustrating times, I asked Mr M if he felt โ€œpeople are going to get bored with the live stream.โ€ I often feel it doesnโ€™t make up for the real thing and enforces my sadness that weโ€™re missing out on live music. Yeah, I know, right; then I apologised for my despondent attitude.

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Itโ€™s a close call because artists earning from a live stream is problematic. Some have found methods of a pay-per-view stream, but many rely on a PayPal donation option. While I sympathise with the artists, also I ponder if charging for a live stream is justified when Wi-Fi can drop out, be overloaded, etc. โ€œSo,โ€ Kieran added, โ€œlive streams have become a necessary evil, in the sense that everyone is doing them, and it’s really difficult to earn from them. Let’s be clear, live streams will never replace the real thing. No need to go into detail, we all know why, it just wonโ€™t.โ€

He believes they have a place in the future, though, after lockdown has ended. โ€œYou’d be a dolt not to recognise it! Whilst it may be difficult and lacking for most of us, these streams have enabled many people who wouldn’t usually be present, be it social anxiety, disability, or a myriad of other reasons, be able to take part and fell part of something.โ€

I gave mention to a stream-festival by Swindon Shuffle, it doesnโ€™t have to be geographically grounded, organisers said people attended as far away as Mexico, and this increases the fandom of the performers to international levels.

In these few short weeks, weโ€™ve seen musicians getting more creative with the concept, nice to see Benji & Hibbs sitting around a fire rather than indoors,Jon Amor climbed onto his roof last night, and Phil Cooper is getting tech with green screens for a Lost Trades stream on 1st May. โ€œA lot of people have invested in the technology,โ€ Kieran expressed, โ€œso why would it stop after? It’s just daft, of course it wonโ€™t. Also, the reality is that venues won’t be back and open before 2021. The possibilities are currently being peddled by MVT,โ€ He continued, โ€œand itโ€™s being taken seriously.โ€

I felt the need to apologise for my grumpiness, it had been a long day at the diary. I would, however, like to see artists getting some releases out rather than live stream, but accept thatโ€™s not easy either, for a band, with social distancing. Talking blues though, surely some the most poignant music, particularly blues, comes from feelings of isolation, depression and disappointment; from teenage anguish or working on the chain gang! The lockdown should deliver some interesting content.

โ€œBe prepared for an avalanche of Coronavirus and lockdown blues songs,โ€ Kieran suggested, and yep, seen a few emerging myself and played the โ€œCorona Bluesโ€ by The Ragamuffin All-stars on my radio show last week.

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Little Geneva

Talking local blues, though, on top of Joe Edwards, who after a listen to Iโ€™m liking to a raw George Harrison or Clapton, what else has Kieran got for me? โ€œJon Amor likens Joe to JJ Cale, which is nice,โ€ he compliments. โ€œThen we have Little Geneva, who actually do covers, but theyโ€™re so obscure, people donโ€™t know them. I actually like that slant.โ€ Ticked that box some time ago, Little Geneva playing the Cellar Bar was knockout, and Iโ€™ve nothing but praise for their authentic blues sound.

This said, Little Geneva have since recruited female singer Mariam Maz to add to their already talented gang, and this I have to witness.

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Will Blake

โ€œThen we have Will Blake in Bromham, a honky-tonk 12-bar type of guy,โ€ but Iโ€™ve recently bookmarked Will too, sharing this soul cover multi-instrumentalistโ€™s Isolation Sessions, which see him on piano in the middle of a Bromham field giving us a marvellous rendition of Man in the Mirror et all.

And finally, Kieran aims one I donโ€™t know at me, a โ€œswampy and dirtyโ€ contemporary Trowbridge four-piece, Sober Son. This is hard-hitting rock and one to watch. Looking to the future, where I predict an aching aftermath for concerts and gigs, many might frivolously suggest we have the party of parties, but Kieran is a doer. Can I spill the beans on his โ€œoverall idea?โ€ โ€œSay it’s currently Sheer’s intention to host an event!โ€ he informs, yeah, will do.

Hosting a โ€œDevizes Music Festivalโ€ is said idea, when the lock down is over, and to do a multi-stage bill, across the whole venue. Kieranโ€™s dream team would consist of Jon Amor, Sober Son, Little Geneva, Joe Edwards, Will Blake and The Lost Trades, โ€œetc.โ€ Iโ€™m saying no more, not to get over-excited too soon, weโ€™ve a long way to go with the lockdown; I could be a pensioner by then and only wishing to listen to Pat Boone!

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Ah bugger, back to the now; do like the Sheer Music Facebook page, currently dedicated to bringing you the best local live streams, โ€œthe necessary evil.โ€ But most importantly is the notion Iโ€™ve said before and will no doubt say again, unless you want to pop the bubbles of musicianโ€™s aspirations and see them pushing supermarket trollies, itโ€™s vital you check out local artists and buy their music, be it from Bandcamp, streaming sites, their sites or send Vinyl Realm a message, as they stock a selection of local music too.


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Blues at the Sports Club got my Mojo Working

If I divide rock music into three favoured eras; its birth from rhythm and blues to form rock n roll, psychedelia moulding it back to wailing blues, and second gen mod or new wave from the eighties, and anything post these I donโ€™t care for so much, be it heavy, soft or Nu-metal, I paused for thought last night, observing these three pillars firmly personified at this most fantastic jam at the Devizes Sports Club. And what is more, itโ€™s fused, together in one great monster of a performance, which, in a word, was spellbinding.

Impelled to duck out the Cavy early, as while I figured our writer Andy would be in attendance, and be willing to put some words into action, I had to see this for myself. It was as I predicted in our preview, no musician singled out, no-one-on-one-off exhibition, rather a humongous blues jam amalgamating the exceptional talents of all present. Already underway on my arrival, our guitar heroes Ruzz Evans, representing the rock n roll in my three-pillar theory, with his classy suit and quiff, Innes Sibun on the psychedelia with that long hair and wailing guitar, and Jon Amor in his trademark drainpipes and sneakers. To boot, not only is Ruzzโ€™s backing band present on bass, drums and horns, thereโ€™s the legend who is Peter Gage causally making the keys look like Childโ€™s play.

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Afterwards I made a beeline for Ruzz, inquiring how one goes about creating this wonderful amalgamation and how rehearsed it needed to be. There was no rehearsal, he explained, itโ€™s based on specific templates in which the musicians observe each otherโ€™s changes and improv takes control. This takes a wealth of experience and talent, as Ruzz continued to get technical it showed both his obsession with his craft, and my incompetence in such matters. I shouldโ€™ve recorded his explanation for a quote, as the jargon pursued and Iโ€™d drunk far too much! (Note dodgy photographs as proof!)

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Again, the slight topic of conversation that was passed around the club related to the current virus situation. Naturally people are concerned, yet it didnโ€™t stop this venue filling sufficiently with our blues aficionados, matured or otherwise. I figured if times do go terribly wrong in the coming days, this could potentially be my last night out for a while, and if so, or even if not, Iโ€™m out to party. This event satisfied that ideal, but I knew it would, it said so on the tin.

It was good to bump into singer-songwriter Joe Hicks, where we expressed concern for the decline and postponing of events and its effect on organisers and musicians alike. He had, as I suggested, already an album up his sleeve. Perhaps the coming month will see musicians take to recording studios as the bread and butter of gigs phases out. Itโ€™s a sad thought, but absently unnecessary tonight, as the power of live music blessed the hall in a way which should make Devizes proud.

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Staggeringly as ever, Innes was on lead when I got there, taking the audience on one of his magical journeys, only for Ruzz to be frontman for one of my favourites of his tunes, Sweet as Honey. After a short break it was Jonโ€™s turn, picking Juggernaut to blast us with, ever so proficiently. Then, was it a Billy Price song which Peter Gage so skilfully but causally covered with the honky tonk of Howlinโ€™ Wolf, The Price I Paid for Loving You? I dunno, no expert, but Iโ€™d lost the will to keep track, allowing the blessed music to flow over me.

With a hypnotic guitar-off, if thatโ€™s the appropriate terminology, between Ruzz and Innes, sections provided for all musicians to show off, including the drum solo of drum solos and the most amazing bass guitar solo too, it was one heck of a brilliant blend of electric blues Iโ€™ve bared witness to.

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If my only criticism was pondering if the sound could contain this monster of supergroups, and that a semi-circle barrier between the musicians and audience had naturally formed, with the blues preservation society of Devizes merely wobbling on their feet, the sound system took the strain adequately, and after not too long the movers penetrated the semi-circle and all round dancing ensued. Otherwise, this gig was perfection on all levels, my blessings to all involved. If there is, gloomily, to be no Saddleback Festival this year, last night thoroughly made up for it and leaves me pondering what will be next from this fantastic venue.


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Hold Tight, March Brings Rโ€™nโ€™B Showcase at the Sports Club

Ah, hold tight, two preview pieces from me tonight; Iโ€™m an unstoppable steam train of broadcasts, choo-choo! Yet, Iโ€™m not sure this needs an introduction, not because weโ€™ve been running the poster for it a while now, but if youโ€™re in the know regarding Devizes links to blues then the line up at the Rโ€™nโ€™B Bar at The Sports Club on Saturday 14th March will appeal no end, and youโ€™ve probably snapped the tenner tickets already. If youโ€™re new to said scene, then this gig would act as the ideal taster; digest thisโ€ฆโ€ฆ

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Legendary bluesman Peter Gage, former frontman of The Jet Harris Band, member of Dr Feelgood who blew the roof off Long Street with Dave Raeburn, Paul Hartshorn and Pete Lowrey as The Pink Tornados in December, will headline. But come here, thereโ€™s more. The guitar maestro Iโ€™ve been raving about, Mr Ruzz Guitar and his Blues Revue will also be there, his trio backing, or blessing these otherwise solo performances. I swear his guitar is like a phaser in Star Trek, set to stun, and Iโ€™m still speechless after his performance at the Gate a number of moons ago.

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While Ruzz is Bristol based, and Peter resides in the west country too, both Devizes links to the contemporary blues scene also show up to do their thing. Innes Sibun, who we featured partnered with Marcus Malone as the Malone Sibun Band on the night they allowed me to roam free at the Long Street Blues Club, and be astounded by the quality of goings-on there. And of course, Jon Amor who is regularly featured here as, well, heโ€™s regularly here, but more-so, because his talent is unsurpassed. Though Iโ€™m sure, as when such heroes meet, there will be a communal feeling and weโ€™ll be treated to some improv and guitar-showdowns, rather than a balanced one-off-next-one-on scenario; least Iโ€™m hoping.

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All in all, this event is like pulling four bells in a row on the fruity; need I say more? See you there. Oh, nearly forgot, slow down, man; tickets on door or in advance from Sports Club.

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ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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REVIEW; Long Street Blues Club Weekender

January Blues Banished!

Andy Fawthrop

Two days up at the Con Club this week for Long Street Blues Clubโ€™s โ€œBeat The January Bluesโ€ Week-ender.

On Saturday night we had a packed room to listen to Liam Ward & Malcolm Thorne (support) and the Kirk Fletcher band.

Ward & Thorne, who are new names to me, were a delight. Their set was clean, fresh, quirky and entertaining. Featuring guitar, vocals and some deft touches on harmonica, these two produced a wonderful set of originals which were laid-back and nicely bluesy. I particularly liked their song โ€œYou Are My Medicineโ€. Iโ€™d be happy to go and see these guys again.

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Then a single extended set from the main star Kirk Fletcher and his band. Kirk hails from California and is ex-lead guitarist with the Fabulous Thunderbirds. Heโ€™s had some great reviews on this tour so far. Ian Hopkins reports that Innes Sibun said he was amazing when he shared a bill with him last year, and Joe Bonamassa rates him as one of the worldโ€™s best guitarists. Well, I didnโ€™t know anything about all that, so I could only judge on what I saw and heard.

Kirk himself was obviously up at the front with some snarling guitar work, but there was plenty of featured keyboards too. It took a few numbers to really get the room warmed up, but once the trio hit their stride, the band were really cooking and in their groove. We had guitar solos aplenty, the band providing a solid platform of driving rhythms. There was minimal chat from the stage, and the guys delivered number after number, hardly pausing for breath. The playing was always technically superb, and at times inspired, and the crowd lapped it up, but (for me at least) it didnโ€™t carry that magic spark of real excitement. Donโ€™t get me wrong โ€“ I really enjoyed the gig, but it didnโ€™t quite hit my hot-spot.

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Then just 24 hours later, on Sunday night we had Thompson Smurthwaite (support) and Billy Bremnerโ€™s Rockfiles. A slightly smaller crowd this time, but still a great atmosphere.

Thompson Smurthwaite is starting to become a regular in these here parts. Having played support here at the Club a few months ago, Thompson has also recently played slots at The White Bear and The Southgate. It was good to see him back with a large audience again. He was relaxed and confident, joking with the audience, whacking out some great tunes from guitar, harmonica (his โ€œMississippi saxophoneโ€) and stomp-box. The guy put such heart and soul into his performance. Great entertainment.

Then on to the second main act of the week-end. Billy Bremner was one of the founding members of Dave Edmundsโ€™ Rockpile along with Nick Lowe, and produced some great music during the seventies. Prior to this particular outfit he has had a long track record in session work and a member of Lulu’s backing band the Bruvers. Then a season as guitarist with The Pretenders during the recording of On The Chain Gang – he has always been the guitarist to go to. Billy now resides in Sweden and his touring is carefully rationed so the Club were delighted to be one of a few carefully selected club dates on this UK tour.

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Rockfiles are probably the polar musical opposite to Kirk Fletcher. Whilst the latter was focussed on originality, improvisation and exploration, Rockfiles were just as firmly set on reproducing classic hits of the seventies and eighties. The songs were short, snappy, catchy pop/rock classics. The four-piece hit the stage running, sharing the vocals between them, and never let up for the whole of their 75-minute set. This was Old Skool retro and nostalgia at its very best. And the hits just kept on coming, including โ€œI Knew The Bride When She Used to Rock & Rollโ€, โ€œThree-time Loserโ€, โ€œCruel To Be Kindโ€, โ€œI Hear You Knockingโ€ and many, many more. The inter-song chat was absolutely minimal, so they could pack more in. The music wasnโ€™t complex, but it was solid, thumping good stuff, and difficult not to enjoy. Absolutely no blues were involved in the making of their performance.

Overall a great weekend of music โ€“ four great acts, four different styles, but all enjoyable and great value for money. There was something there for everybody. Devizes is so lucky to have access to so much great live music.

Future 2020 gigs at Long Street Blues Club:

โ€ข Saturday 7th March Ian Parker Band
โ€ข Saturday 4th April Mike Zito Band
โ€ข Saturday 18th April Mark Flanagan Band
โ€ข Saturday 30th May Antonio Forcione Quartet


ยฉ 2017-2019 Devizine (Andy Fawthrop)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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REVIEW โ€“ Pink Torpedoes @ Long Street Blues Club, Devizes โ€“ Saturday 28th December 2019

For One Night Only

Andy Fawthrop

Only a week after John Coughlanโ€™s Quoโ€™s rousing set, it was back up to Long Street Blues Club for another great gig. If you needed the Christmas blues blowing away, this was the gig to do it.

Support act for the night was Jamie R Hawkins, aided and abetted by his sometime collaborator Phil Cooper. I suppose you could say that this was two thirds of the newly-formed Lost Trades, but weโ€™ll have to wait until later to hear their new songs. This set was Jamie and Phil classics from their back catalogues, taking it in turn to take centre stage with mic and guitar, then to drop back onto cajon to provide backing beats and vocals. Of the two, Jamieโ€™s presence and performance is the stronger, and his songs stand up much better. And it was great to hear Jamie belting out his rather non-PC โ€œHope You Have A Bloody Good Christmasโ€, with enthusiastic audience participation, to finish up with.

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Then an amazing, raucous almost two-hour set from the The Pink Torpedoes. Fronted by ex Dr Feelgood Pete Gage, backed up by former Hoax drummer Dave Raeburn, with guitarist Paul Hartshorn and bassist Pete Lowrey, this four-piece really delivered the goods in this one-off gig.

Keeping the chat to an absolute minimum, the boys launched straight in and played their way through an enormous song-book of rock, blues, R&B, boogie-woogie โ€“ you name it. Sounding as tight and professional as if they were gigging every night of the week, the set was full of excitement, raw power and incendiary licks. Pete, on vocals, harmonica and keyboards was the dominating presence up front, but the rest of the band absolutely played their parts.

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At times there was a definite โ€œfeel-goodโ€ factor in the room, and the dance-floor filled up number by number. There was no tin, but if there had been a tin it would have said โ€œopen with care โ€“ raw, undiluted and powerfulโ€. And the band did exactly what that tin would have said. Stevie Ray Vaughnโ€™s โ€œPride and Joyโ€, Muddy Watersโ€™ โ€œHoochie-Coochie Manโ€, Little Richardโ€™s โ€œLucilleโ€, Bob Troupโ€™s โ€œRoute 66โ€ and Albert Kingโ€™s/ The Doorsโ€™ โ€œRoadhouse Bluesโ€ all came tumbling out, one after the other. This was R&B at its very best.

And it was clear that the band thoroughly enjoyed their outing playing together again โ€“ the smiles and the laughs, and the audience rapport were great to see.

Another amazingly good gig, another bargain nightโ€™s entertainment at Long Street Blues.

Future 2020 gigs at Long Street Blues Club:

โ€ข Saturday 25th January Kirk Fletcher (Fabulous Thunderbirds)
โ€ข Sunday 26th January Billy Bremnerโ€™s Rockpiles
โ€ข Saturday 7th March Ian Parker Band
โ€ข Saturday 4th April Mike Zito Band
โ€ข Saturday 18th April Mark Flanagan Band
โ€ข Saturday 30th May Antonio Forcione Quartet


ยฉ 2017-2019 Devizine (Andy Fawthrop)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Live Album at the Louisiana with Ruzz Guitar’s Blues Revue

A cheetah can achieve motorway speeds, but not long enough to get off the slip road; worthless trivia, unless youโ€™re an antelope. I like to think cheetahs listen to rock n roll; no, hear me out. Akin to this feline fact, those RnB and rock n roll classics are one short burst of energy. Fortunately for the artists the 78rpm record lasted a maximum of five minutes, and for radio play theyโ€™d cut it to little over three, any longer they surely risk congestive heart failure.

As the era passed to late sixties, psychedelia stretched recorded music to live and extended dimensions Little Richard could never maintain. Mellowing tendency matured rock, but arguably robbed its dynamism. Ah, come the eighties twelve inch single and the mega-mix, prompting the question; why didnโ€™t Glenn Close choose the Jive Bunny to boil?

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Image byย 
Jerry Tremaine Photography

Rare then it is, to hear a frenzied traditional rock n roll sound encompass ten minutes; welcome to Ruzz Evansโ€™ world. Embodiment of Johnny B Goode, Ruzz can pick guitar like heโ€™s ringing a bell, for an astounding period too. Due for release on 10th February, but available for pre-order from December 1st, Iโ€™ve been adoring this album recorded live at the Louisiana in Ruzzโ€™s hometown of Bristol.

Forgive me for sustaining the rock n roll pigeonhole, for Ruzz has the quiff and is photographed in a teddy boy drape jacket. With backing from an incredible band including drummer Mike Hoddinott and upright bassist Joe Allen, the panache of Ruzz Guitar’s Blues Revue straddles rock and its namesake blues. Since 2016, when they added an awesome horn trio to the roster, we can add big band jazz to their style. Thatโ€™s my thoughts while absorbed in this, of what Miles Davis did to jazz, or Pink Floyd to prog rock, Ruzz does to traditional rhythm and blues come rock n roll; the result is breath-taking.

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Bearing in mind his voice isnโ€™t growling Tennessean, yet neither was Gene Vincentโ€™s, rather quirky Bristolian, the vocals are sporadic, instruments reign. Thereโ€™s an amusing conclusion to โ€œUnder Your Spell,โ€ where 10 minutes of detonating electric blues is broken by a genuinely surprised thank you from Ruzz in said accent. This often amuses me, pondering, no, thank you, mate, I just clapped, youโ€™ve just held me spellbound for ten minutes, the pleasure is all mine!

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In this instance Iโ€™m not even there, merely listening on my headphones, but still entranced. While theyโ€™re Bristol based Ruzz and his Guitar’s Blues Revue are no strangers here, and you can catch them at the Southgate (Nov 30th), White Swan Trowbridge (tonight 9th Nov) at the R&B bar in March at Devizes Sports Club. Iโ€™m quivering, ashamed after hearing this that Iโ€™ve not caught them live yet; an offence I will rectify, you would too if you hear this.

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Live at the Louisiana explodes from the off; the two, Hold It and Baby Please Come Home, for starters envelope all Iโ€™ve said, lively jump blues come big band rock n roll. Catchy, youโ€™ll be lindy hopping before your first sip. Yet if Movin On groovily notches to allegro moderato, Back Home to Stay boogie-woogies again, and Sleepwalk is as dreamy as it suggests. The last two tunes, Sweet as Honey and the aforementioned Under You Spell embrace all weโ€™ve so far said, making this release, I reckon, a treasure; fantastic!

With two self-released studios albums already under their big rockabilly buckles, and opening for Dr Feelgood, The BlockHeads, Kirk Fletcher and Bill Kirchen and Darrel Higham, theyโ€™re stamping an authority of quality worldwide. Ruzz has been honoured by being officially endorsed by Gretsch Guitars, and thatโ€™s what I perceive of him, the kind of obsessive guy who will turn any conversation to his labour of love, but when itโ€™s this proficient, you cannot help but take heed. Iโ€™m off to find out what they can do in the studio, but with such a formula I think this live album captures the spirit perfectly.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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REVIEW โ€“ Big Dez Blues Band @ Long Street Blues Club, Devizes โ€“ Saturday 2nd November 2019

Nearly Got My Mojo Working

Andy Fawthrop

Your intrepid reporter had been on the sick/ injured list for most of the past week, and only received his clearance to enter the field of play at the 11th hour after a very late fitness check. Having felt ill, and having suffered the misery of watching England fail to win the RU World Cup, I was feeling pretty low. So what sort of music did I need to fit my mood? Of course there was only one place to head for, and that was Long Street Blues Club.

Not as large an audience as some gigs, but still a very respectable showing. Playing support were acoustic blues guitar duo Mojo Hand, who entertained with a whole string of classic blues covers, including Crossroads, Smokestack Lightninโ€™, Letโ€™s Work Together, Little Red Rooster, Walkinโ€™ Blues and the eponymous Got My Mojo Working. This was all classic blues stuff from across the spectrum from Chicago right down to the Delta, played straight-up, undiluted and with little fuss and not much chat. Good set from a great pair of musicians.

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The main act were Paris-based Big Dez Blues Band, an extremely tight, competent blues outfit. Of course it was a big notch up on the volume front from the support act, but all the better for that. A great four-piece of drums, bass and twin guitars, this was full-fat, leaded R&B. Both vocals and lead-guitar parts were shared, adding more depth and dimension to the set, which consisted of both originals and covers, again delivered with minimal inter-song chat. The accent was on letting the music do all the talking, and it spoke well. The sound was clean and uncluttered, and the audience certainly warmed to it. The joint was certainly jumping.

Unfortunately, lack of match fitness (and alcohol) on my part led to major fatigue and I didnโ€™t quite make it to the end of the gig, and I had to retire from the field of play. However I certainly felt Iโ€™d had my moneyโ€™s-worth, and wandered off happily to my bed.

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Upcoming gigs at Long Street Blues Club are:

โ€ข Friday 8th Nov Ian Siegal Unplugged
โ€ข Saturday 30th Nov Gerry Jablonski Band
โ€ข Saturday 21st December John Coughlanโ€™s Quo (support from George Wilding)
โ€ข Saturday 28th December Pink Torpedoes


ยฉ 2017-2019 Devizine (Andy Fawthrop)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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REVIEW โ€“ Jon Amor @ Long Street Blues Club, Devizes

Triumphant Home-Town Gig

Andy Fawthrop

I think itโ€™s fair to say that both Jon, and a lot of the audience last night, had been looking forward to this gig for quite a long while. No surprise then that a packed room was there to witness one of the gigs of the year.

Support act was Thomas Smurthwaite, an artist Iโ€™d not seen before. But it didnโ€™t take the guy long to impress me and the rest of the room. An imposing, grizzled and bearded figure, he seemed slightly dwarfed by all the equipment set up on stage around him. But sound-wise he punched well above his weight with voice, guitar, harmonica and stomp-box. His set was confident, laid-back and bluesy. In a short 30-minute set he won the crowd over, finishing with a great singalong version of Janis Joplinโ€™s โ€œOh Lord, Wonโ€™t You Buy Me a Mercedes-Benz?โ€

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Then on with the main act, and the reason we were all there. Jon, stick-thin and suavely suited & booted, was there to tour his latest album โ€œColour In The Skyโ€, and he was joined on stage by an impressive band of old friends and great musicians โ€“ Jonny Henderson on keyboards, Mark Barrett on drums, with Little Genevaโ€™s Dave Doherty on guitar, and brother Chris Doherty on bass.

From the first number, โ€œFaith Rebornโ€ we were in for a treat. Thereafter Jon picked his way through several numbers from the new album, carefully interspersed with many favourites from his back catalogue of albums and bands. The rhythm section, as you might have expected, was solid and strong, laying down a great platform for Jon to let rip with some great solos. The keyboards added that bit of extra depth and texture to the songs. And they were proper songs too, not just excuses for long rambling improvisations, with clear beginnings and endings, Jonโ€™s vocals stringing it all together. This gave the band plenty of opportunity to show off different styles, moving from rocky to bluesy and back again.

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Jon was on great form, clearly relaxed, laughing and joking with the crowd between numbers. There was no doubt that this was a home-town gig, and there was plenty of love in the room. And deservedly so. Jon is a world-class artist, and deserves it for the crowd to let him know it.

Highlight of the night for me was โ€œJuggernautโ€. This was the first time Iโ€™d heard it played in full-band format, and it was worth waiting for โ€“ heavy, driving, and really solid โ€“ a real classic.

Absolutely great gig, wonderful night out.

If you havenโ€™t yet bought Jon Amorโ€™s album โ€œColour In The Skyโ€, you need to get a copy!

And if you havenโ€™t yet made it to Long Street Blues Club (at The Conservative Club), itโ€™s time you made the effort โ€“ world-class blues & rock entertainment in a great atmosphere at an absolute bargain price. Tickets for future gigs from Devizes Books, Sound Knowledge (Marlborough) and from the club itself.

Upcoming gigs at Long Street Blues Club are:

โ€ข Saturday 2nd Nov Big Dez Blues Band
โ€ข Friday 8th Nov Ian Siegal Unplugged
โ€ข Saturday 30th Nov Gerry Jablonski Band
โ€ข Saturday 21st December John Coughlanโ€™s Quo (support from George Wilding)
โ€ข Saturday 28th December Pink Torpedoes


ยฉ 2017-2019 Devizine (Andy Fawthrop)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Numb Tongues, Kings and Dukes

If you like your soul and blues with an authentic vintage feel, look no further than this new Bristol group, The King Dukes….ย 

 

If Bristol wasnโ€™t the birthplace of a โ€œnew coolโ€ through electronic blues in the nineties, with the likes of Massive Attack and Portishead, it certainly led the way. I have to take a deep breath, fetch my pipe and slippers; this is a new era of anti-pop, an era of retrospective tendency, where traditional instruments override our technological desire of the pre-millennium. An era where technology is used only to market, allowing sounds to hark back to a time before drum loops, rap, and the DJ as king.

The king is dead, long live this exciting renovation, and long live The King Dukes. Iโ€™m honoured to give you the low-down, about their new journey. Formed in Bristol in April, a merger of a variety of local bands, including Crippled Black Phoenix, Screaminโ€™ Miss Jackson and the John E. Vistic Experience, The King Dukes combine said talent and experience to create a unique, authentic sound, dipped in a heritage reuniting contemporary slices of British RnB with a dollop of Memphis soul.

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Set to unleash their debut album โ€˜Numb Tonguesโ€™ on October 25th, Iโ€™ve had a listen or ten, and can plainly see why itโ€™s been picked up by UK label, Paratone, as well as French label QSounds Recording. Chatting to guitarist and frontman, Marc Griffiths, I asked him whatโ€™s in a name, predicting it might relate to Duke Ellington. While pondering he sent a YouTube link of a track not on the album. This song, titled King Cyrille, is Hammond organ boss reggae, akin to Harry Jโ€™s Allstars. Itโ€™ a tribute to West Bromwich Albion player Cyrille Regis. โ€œThe team used to come out to Liquidator,โ€ he explained, โ€œitโ€™s in conjunction with West Brom, for their podcast, so we did something similar.โ€ Momentarily contemplating the name possibly nods more to Duke Reid, Marc cleared it up, informing me they had a residency at the Old Duke in Bristol, โ€œbut thatโ€™s named after Duke Ellington.โ€

I can see why, aside this one-off tune, Numb Tongues is not only dependent on a classic RnB sound, thereโ€™s sprinkles of jazz, blues, yet formulated like Stax or dare I say it, Motown. It rolls out in a manner able to slip its tunes into a set of old-time soul unnoticed. Caril-Anne, for example, is up-tempo soul, beguiling through that recipe of yore, simplicity. Kid Gloves is another lively number, foot-stomping soul with a subtle nod to rockabilly akin to The Big Bopper. This one reminded me of Jack and Elwood Blues marching back and forth.

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But if this four-beat soul formula rings through tracks like I Gotta Go, and Gone, Gone, Gone is stepping, handclapping doo-wop reliant, Rub You The Right Way hooks into a blues riff taking me to Howlinโ€™ Wolf, and True, True, True nods to bebop. This one has a sublime vocal by April Jackson, who holds a note like Etta James. Generally, the vocals are as polished as the aforementioned soul legends, yet grittily Caucasian, like Jim Morrisonโ€™s finest hour.

As a whole thereโ€™s much going on here, but whether thereโ€™s echoing vocals like the ballad, Dying Man, with a breezy jazz-come Otis Redding passion, or, like Marlo Cooper, itโ€™s a blast of instrumental groove, comparable to Stax session musicians Booker T & the MGโ€™s, itโ€™s all stylised and flows superbly. In fact, it was mention of an Otis Redding post on their Facebook page which got Marc and I chatting; glad I did now.

With Marc and April, thereโ€™s drummer Dan Clibery, bassist Mandrake Fantastico, Henry Slim owning that Hammond Organ and Harmonica, and a fiery three-piece brass section with Joss Murray on Trumpet, Rebecca Sneddon on Tenor Sax and Sarah Loveday-Drury handling the Trombone.

Together theyโ€™re a force to be reckoned with. Throwing modern recording techniques aside and using methods for a fifties-sixties sounding album, such as recording a section with multiple instruments all at one time, and playing period-specific instruments, The King Dukes have captured perfectly this raw, vintage backline on โ€˜Numb Tongues.โ€™

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Weโ€™ve seen a similar blueprint around our way with the brilliant Little Geneva, and if this is the trend then Iโ€™m in, hook, line and sinker. Although, naturally, those olโ€™ time classic soul songs never wane in appreciation, sometimes looking further afield to the rare grooves, like Northern Soul aficionados, often the tunes never make equal approval in production and quality. Numb Tongues meet this notion in middle; The King Dukes deliver fresh material with honours, and if heard in 1965 would surely be considered classics.

You can pre-save a copy of Numb Tongues here, thereโ€™s an album launch on December 7th at the LeftBank in Bristol; Iโ€™m keen to hear of anyone willing to bring these guys local for a gig. As you know Devizine doesnโ€™t usually cover Bristol, too much going on and not enough hours in the day, but when itโ€™s this goodโ€ฆโ€ฆ.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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The Malone-Sibun Band and Joe Hicks at the Long Street Blues Club

A cracking night for our blues club last night, which I managed to finally appear at!

After publishing a run of awesome reviews from our man Andy, and with a flimsy hunch he wasnโ€™t going to make it Saturday night (though he did,) I figured it high time and a good opportunity to break my Long Street Blues Club cherry; canโ€™t let him have all the fun.

If I only popped my head around the door towards the end on a previous occasion, it was plentiful to note in our preview of their new season that, โ€œthereโ€™s a lack of background noise at Long Street, the audience donโ€™t chitter-chatter through the act like the backroom of a pub, itโ€™s a fully entrancing appreciation society.โ€ In fact, upon entry I was thanking Ian Hopkins the organiser, only to be shushed by a member. Who shushes at a gig? At least one in a hall chockful of blues aficionados captivated by the music, thatโ€™s who!

After pondering out loud, feasibly too loudly for this attendee, if this blues club needs a review at all, being itโ€™s marked with exceptionally high-regard on our music scene and the hall of the Cons Club is bustling, I took heed of Ianโ€™s reply, โ€œany publicity is good publicity,โ€ and tiptoed to the bar as if in a Christian Science Reading Room.

With family ties to Devizes, weโ€™ve mentioned the support act on Devizine in the past, and it was good to finally meet him, even better to hear him perform live. Newbury-based answer to David Gray, Joe Hicks is wonderful, simple as. At ease with his surroundings he chats enough only to tune and give a modest synopsis of the following song, or to praise Livewired, for his last gig at the Electric Bear in Bath. He delivers his original songs with appetite but no strain, and aptitude which he makes look like childโ€™s play. Among others, we were treated to his new single, Swim and another spellbinding comfort song called Rest Your Head. Mildly dreamy rather than sombre, his chants sublime, making a perfect cover of Fleetwood Macโ€™s Everywhere so apt for a finale.

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Now for the main act, you know how levels of cool range? I mean, thereโ€™s that mate in the pub with the amusing party-trick, heโ€™s pretty cool, right, but compared to someone like Hendrix, heโ€™s a total nerd. Smoothly Detroitโ€™s Marcus Malone frontstages, oozing cool from his gaze to his fingertips like the lovechild of aforementioned Hendrix and Lenny Kravitz. His talent replicates his persona, and combined with a tight band, and Devizes-own electric blues guitar-legend, Innes Sibun, this is loud, proud and quite simply, mesmerising.

I realise now, witnessing the brilliant Beaux Gris & The Apocalypse, and Mr Amor, I was only a fraction engulfed into my epiphany of contemporary blues, the Malone Sibun Band completes it. Innes may appear more like that air-guitar playing headbanger at school who was asking for bullies to pick on him, drawing metal band logos on his army surplus bag in biro and all, but this guy wows and visually loves that heโ€™s wowing, probably sighting a said school tormenter in the crowd, rocking out! The quality of this duo, this collective, is second-to-none, and their music takes no prisoners.

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It was rock, harking back to times of yore, when the blues influence was prevalent, yet more refined than psychedelic sixties, edging more towards traditional Delta or jump-blues than even Cream and Hendrix did. In contrast it was gritty, persistent and never waived from its ethos. Whether leisurelier tempo or all-out detonation, it was not experimental, rather a tried and tested formula. It neither clichรฉd or borrowed from previous works, it never waited for you to compare it, it was entirely unique, and it was full on in your face. There was no sing-a-long section, popular covers, there was no idle chatter; they came, they saw, they blasted their labour and treasured every minute of it.

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I was left entranced, my jaw hanging low and my mind whisked away, as said noise restrictions of the club crumbled, and its preconceived barriers collapsed, there was no associating the Long Street Blues Club to a library any longer. In all, this club may attract an older majority, but if youโ€™re thinking fuddy-duddies youโ€™d better think again! Next up, Jon Amor, his full band, on the 12th October, but youโ€™d have known that if your read our preview! Yep, in it I did speculate The Long Street Blues is โ€œsimply addictive. Hook line and sinker,โ€ I feared, โ€œtheyโ€™d have me in the palm of their hands.โ€ Itโ€™s confirmed now.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any im ages or text is forbidden.


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The Twelfth Season of Long Street Blues Club

With the dependability our gallant roving reporter, Andy will attend The Long Street Blues Club and send us a review to make me jealous, I ponder if Iโ€™ll ever make have to make it down there. Thing is, the Club which is about to launch into its incredible twelfth season at the Devizes Conservative Club this Saturday, is simply addictive. Hook line and sinker, theyโ€™d have me in the palm of their hands.

Yet thereโ€™s good reason to succumb, I did pop my head around the door once, to find a hall chockful of blues aficionados captivated by the act. This is nothing rare, thereโ€™s a lack of background noise at Long Street, the audience donโ€™t chitter-chatter through the act like the backroom of a pub, itโ€™s a fully entrancing appreciation society.

Enough said to state, these guys know their blues, claiming for their opening night on Saturday 21st September with the merger of two forces of nature Marcus Malone and Innes Sibun, โ€œweโ€™ve been inundated with requests to get them back.โ€ Coveted by Motown records, Detroit-born Marcus worked on demos with some of the biggest names in the business, before being moved to LA by Ike Turnerโ€™s management team and signing with United Artists Records.

He opened for Bob Seger and Iggy Pop, now adding BB King at the Albert Hall to his impressive rรฉsumรฉ. Marcus has written, produced and recorded seven albums on the Redline Music Label since relocating to the UK, the magnum opus being โ€œA Better Man.โ€ In all, it was hearing BB King which inspired the twelve-year-old Innes Sibun to pick a guitar. Legendary producer Mike Vernon produced his first band, Blues Explosionโ€™s debut album. By 1993 he joined Robert Plant’s band for his “Fate of nations” tour, spurring a prolific musical career.

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Joe Hicks

Iโ€™m glad to hear incredible Newbury singer-songwriter, Joe Hicks will be supporting, blending his pop, blues and folk influences which Linda Serck at BBC Introducing critiques as โ€œabsolutely smashing it!โ€

If I needed to bio these musicians, youโ€™ve not been indoctrinated into the contemporary blues scene, something Mr Hopkins and his crew will be able to help you with. But the name of the second night at Long Street needs no introduction. You can source blues on an international market, as they do, but Saturday 12th October is owned by the man who put Devizes on that map, Jon Amor.

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Jon, image by Nick Padmore

He brings the group; Mark Barrett of the Hoax, the Doherty Brothers, whoโ€™ve been enjoying a successful run as the band I canโ€™t get enough of, Little Geneva, and keyboard genius Johnny Henderson. The Jon Amor Band, out to promote the critically-acclaimed album Colour in the Sky, will be a homecoming gig after his national tour, and you can rest assured theyโ€™ll be on top form.

 
Like Jumping Jack Flash, the blues club steps on the gas with a duo of gigs within a week. Saturday 2nd November Larry Miller bandโ€™s bassist Derek White joins the Cinelli Brothers, a project born form of a common passion for the electric Chicago and Texas blues from the sixties. It comprises of brothers Marco and Alessandro, Music Republic Magazine nominated Marco Cinelli as Best Guitar Player of 2018.

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The following Friday, 8th November the club presents a solo, unplugged show from Ian Siegal, who Mojo credited as โ€œone of the most gifted singers & writers in contemporary blues,โ€ and Long Street claim itโ€™s โ€œsimply a must.โ€ The date unfortunately squashes a huge blues-related clash in our bustling town, with Chippenhamโ€™s Triple JD Rock Band playing the Southgate, The London Philharmonic Skiffle Orchestra at The Wharf Theatre, and the highly-anticipated arrival of Georgie Fame as a special Devizes Arts Festival evening at The Corn Exchange. While itโ€™s clear, Devizes has an appetite for the blues, and the choice we have of live music is astounding for a town our size, this is one overloading Friday night. I only hope the best for all these great bookings, and that we have the capacity to fill them.

But business as usual for the Long Street Blues Club, it has a truly dedicated following, and this seasonโ€™s line-up of shows confirm itโ€™s standing as a benchmark for our countyโ€™s blues scene.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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REVIEW โ€“Watermelon Slim โ€“ 28th June 2019 @ Long Street Blues Club, Devizes

A Fruitful Night

Andy Fawthrop

Final gig of the current season at Long Street Blues Club, and we went out with a bang with two great acts.

First up was local bluesman Andrew Bazeley. Having made this style of music his life-long hobby, Iโ€™d go so far as to say that what this guy doesnโ€™t know about Delta Blues just ainโ€™t worth knowing. He lives and breathes this stuff, and this is reflected in his playing โ€“ soulful, bluesy, stripped-back, atmospheric. His introductions and between-song patter are a delight for anyone who wants to know something about the songs theyโ€™re listening to โ€“ informative without being preachy. He told me before the gig that he was nervous, but it didnโ€™t show one little bit. And afterwards said that it was probably the biggest audience heโ€™d ever played to. No worries โ€“ the boy done good.

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Then the main act. Two sets of howling, rasping blues from the trio fronted by Watermelon Slim. We started off, very unusually, with the main man introducing his band โ€“ before a note had even been played! But after that it was down to business. Slim himself alternated between playing his guitar lap-style on a table and his trusty harmonica, but always ably supported by solid drums and bass. The vocals were howling and husky-voiced, the playing effortless. The banter was self-mocking (โ€œalmost 50 years nowโ€), drawling and laconic, betraying the manโ€™s Deep South origins. Frequently Slim came off stage and into the front of the crowd to let his howling harmonica do the talking. And he talked a lot, and with laid-back humour. At times the performance felt a little hammy and hackneyed, pushing all the usual Iโ€™m-a-great-bluesman buttons but โ€“ hey โ€“ he IS a great bluesman, so whoโ€™s complaining? The audience certainly werenโ€™t, lapping up both the chat and the music.

The start of the second set was my highlight โ€“ leaving his buddies backstage for a while, his opening number featured just acapella voice and that screaming harmonica โ€“ absolutely sublime.

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It was a great finish to the current season, and Iโ€™m already looking forward to the next one. Ian Hopkins was very happy to discuss his forward booking plans and mentioned a few names, but I wonโ€™t steal his thunder until the new season is announced in full later in the year.

Great club, great venue, great artists and superb entertainment. A real advert for live music in our town.

 

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Devizes Nights: At the Southgate, Jon Amor, One and All

Images by Nick Padmore

In that year of the breakdancing fad waning my brother went off and bought Born in the USA, and we became Boss fans overnight. So, he nipped out and bought Nebraska too, and we were like, โ€œoh…โ€

It took some time for my infantile mind, accustomed to pop, to appreciate acoustic, but as I listened to those dark portrayals, I saw the worth of the simplicity of just a person, a guitar and maybe a harmonica for good measure. I understood now, if a musician can strip back his music to the bear minimum and still captivate, they were among the most highly accomplished.

As Jon strummed the most popular song on his Colour in the Sky album, Red Telephone, singing โ€œwhy donโ€™t you call me on red telephone,โ€ then adding โ€œitโ€™s 01380โ€ฆโ€ it produced a belly-laugh. I doubted it would elsewhere, being the audience recognised it as their own area code. I then considered if I need review this gig at all.

For Jon Amor is to Devizes as Springsteen is to New Jersey. He was among natives last night and with stripped back versions, some amusing covers and local banter, all knew what theyโ€™d come for. Do I really need to elucidate his excellence on a website with a commonly Devizes demographic?

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Do I need to outline how great the evening was and what great company we were in, being over the last year and half, the Southgate has become widely known as Devizes haven for live music and friendly, grassroots atmosphere? Itโ€™s rough and ready, it makes do with what it has, but the Southgate is, simply, the best pub in town for music, through dependability. You can scroll through Devizine to see whatโ€™s going on locally, donโ€™t let me put you off that, but if youโ€™re ever stuck for something to do, you need not, just head down there, because nearly every Friday and Sunday, and defo each Saturday youโ€™ll find a cracking band or solo artist doing their thing without regulations, without pretence.

During the week itโ€™s either quiz night or an acoustic jam Wednesday, we know what Deborah and Dave have blessed us with, need I really go on? It is Sunday, for crying out loud! I left only a two-word note on my phone for this review, โ€œWord Up,โ€ a reminder that Jon did a comical cover of. The rest of the time was spent catching up with friends amassed for Mr Amor, for free, as that is the ethos of the Southgate. So, do I really need to review this evening, when everyone who is anyone in Devizes attended, even both Devizineโ€™s roving reporters? Maybe I could delegate the task to Andy?!

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Do I even need to whip out my littleโ€ฆ (wait for it) โ€ฆ camera, when our own Nick Padmore is stood at the front with his sizable lens? Ack, I suspect youโ€™re thinking now, lazy bugger; probably hungover. But truth be told, after walking uphill to town from my village for the past few weekends, I couldnโ€™t face it this time, so I drove. Proof with the cracking combination of Jon Amor and the Southgate, with this blaggerโ€™s addition it was free, and so many gathered to chew the ears off, I needed not to intoxicate myself to have a blinding night. Shit, does this imply Iโ€™m mature? Bugger, I need to make up for lost time and have a Sunday afternoon drinkie. Thatโ€™s me out of here, and no doubt unconscious on the sofa right after dinner!

Yet one thing you can be sure of, you need not feel sorrow if you missed it, The Southgate, check it out on our event guide, will continue to bring us many a grand and memorable night with Devizes written all over it, even if the enormity of Jon Amor is rare, youโ€™ll never not be entertained by brilliantly sourced live music. Amen.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


 

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REVIEW โ€“Skinny Molly โ€“ 21st June 2019 @ Long Street Blues Club, Devizes

Sweet Home Devizes

Andy Fawthrop

Just when you think the current season is over at Long Street Blues Club, Ian Hopkins sneakily adds a couple more gigs.

First up on tonightโ€™s Friday gig, playing support, was local troubadour Vince Bell who delivered his usual thoughtful and well-polished set. Vince doesnโ€™t always play the most cheerful or upbeat songs but, as he remarked later, he tends to go with the flow of whatever mood heโ€™s in at the time. The audience didnโ€™t give too much of a toss about that, judging by the well-deserved applause he received.

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Then Skinny Molly, a Tennessee-based four-piece, hit the stage to thunderous applause and got straight down to work. From the very first minute we were in rock territory, with heavy driving bass and drums, fronted by a pair of hot guitarists who meant business. This was loud-and-proud, take-no-prisoners rock and roll. And the guys looked the part too โ€“ plenty of black leather, hats, long hair, tattoos. Sounded like a rock band, looked like a rock band. All boxes ticked.

A couple of numbers in and the band hit Steve Earleโ€™s Copperhead Road at full speed, an absolutely belting version of this great song, quickly followed by the bandโ€™s own If You Donโ€™t Care, complete with squealing guitar solo. The crowd was getting warmed up now and we knew we were in for something special. The Devil In The Bottle served up all the standard licks, followed by a stunningly good version of Freeโ€™s Wishing Well.

Only after this did the band rein it in a bit to draw breath and to indulge in a little chat and audience participation. But then we got lots of good stuff about โ€œthe lookโ€ and how their wanderings around Devizes earlier in the day had gone down with some of the locals. Sainsbury and Poundland will never be the same again.

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But then we were back to the music โ€“ including Sweet Home Alabama (what else from the children of Lynyrd Skynyrd??) which turned into a bonkers dance-floor-filler. Following rapturous applause we got a double-number encore, culminating in (what else?) Freebird, which morphed into a belting long jam of a number before everyone retired to a darkened room to have a quiet lie-down.

Great band, great gig.

Tickets still available for next Fridayโ€™s gig at Long Street Blues Club โ€“ Watermelon Slim, one of the blues greats.

 


ยฉ 2017-2019 Devizine (Darren Worrow/Andy Fawthrop)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


 

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The Band Plays On: Kossoff @ Long Street Blues Club

At Last โ€“ Iโ€™m All Right Now…..

ย By Andy Fawthrop

 

Iโ€™d been waiting for this gig for quite a while. Bearing in mind my general antipathy towards โ€œtributeโ€ bands, I was feeling both excited and apprehensive. Being of, letโ€™s say, โ€œa certain ageโ€, Free (and later Bad Company) had been my go-to rock bands whilst I was still learning how to grow facial hair, and what girls were for. Just hoping they werenโ€™t going to spoil my memoriesโ€ฆ.

The late Paul Kossoff, erstwhile guitar genius behind that 60s/ 70s band Free, was the inspiration behind tonightโ€™s particular line-up. Itโ€™s now over forty years since Koss, one of Britainโ€™s finest guitarists tragically passed away at the tender age of only 25 in 1976. The break-up of Free had been, in part, due to Paulโ€™s ongoing battle with drugs. Only when Paul Rodgers and Simon Kirke had gone off to the US to form the highly-successful Bad Company, did Paul come to his senses enough to form his short-lived band Back Street Crawler.

Terry Slesser – the voice of that critically acclaimed band, and a close friend of Koss, is now keeping alive the memory and the music of one of the greatest British Blues guitarists. Sless chose the guitarist John Buckton, of whom Simon Kirke said “If Free were to reform, John would be my first choice as guitarist ” to play this series of special dates reviving for the first time since the 70s the catalogue of Back Street Crawler songs, as well as favourite Free numbers.

And a packed Long Street Blues Club was very much the beneficiary. The night was opened with great local support act Jamie R Hawkins (sounding superb with such a great sound system at his disposal, and doing his third gig of the day!). Then two fabulous sets from the main band.

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The big advantage here was that Sless was actually a friend of Koss, and played with him back in the day, so the sets were liberally interspersed with genuine stories and anecdotes. This immediately lifted us out of the โ€œtribute bandโ€ category, and into the realm of genuine homage. The focus was very much on early, rather than late, Free material. Whilst there was certainly time and space for such later classics as All Right Now (how could there not be??), Wishing Well and My Brother Jake, the emphasis was very much on the earlier more bluesy material with which Free originally gained their massive following. It was a real treat to hear Iโ€™m A Mover, Woman, Songs of Yesterday, Iโ€™ll Be Creeping and the stunning encore (as Free themselves used to do) of The Hunter.

 

All of this delivered with confidence and panache. But no room for anything over-polished โ€“ it was all down and dirty, reproducing that thick, squidgy bass sound, wandering round every number like a prowling wild-cat, superb screaming guitar solos and some spot-on vocals โ€“ a fruity, solid noise. Could have been in the room and all that. Nostalgia certainly โ€“ been good if Sless hadnโ€™t kept mentioning โ€œ50 years agoโ€ thanks very much! โ€“ but this material stood up to the test of time with some ease. Somehow the band managed to reproduce the sound of Free and Back Street Crawler with some accuracy, whilst still delivering it all in a fresh and full-on way.

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It goes without saying that they brought the house down. Ian Hopkins mentioned in his introduction that the band had been one of the more expensive heโ€™d managed to bring to Devizes, but from this punter anyway it was a solid thumbs-up โ€“ definitely worth it! Off home happy and heading for the Free CDs on the shelf!

Another great night at Long Street Blues Club and looking forward to the next season already.

 

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Back on the Saddle!

Tipsy suggestions to those Saddlebackers at their gurt lush day festival at Devizes Sports Ground were poo-pooed from the off! With this yearโ€™s line up rolling out across social media, itโ€™s easy to see they took my expansive notions as nonsensical dribble. A dance tent; yeah, right, circus and performing arts acts; get outta town, even a reggae stage is not to be. Feasibly, they know what they like!

With seemingly no plans to overinflate or cater for revellers outside their chosen target audience, this yearโ€™s Saddleback Festival drives surely on quality not quantity, and if good olโ€™ rock and blues music is what you want, and face it, itโ€™s the most desirable around these backwaters, then it looks like Saddleback return to deliver.

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Deliver they intend to, on 20th July, at a busy time with The Full Tone Orchestra promising a free event on the Green and Melkshamโ€™s Party in the Park on the same date, Devizes Carnival, Trowbridgeโ€™s Once Upon a Time in West Fest and the Swindon Shuffle the weekend prior, the Beer Festival and Devizesโ€™ first scooter rally at the beginning of the month, perhaps itโ€™s a reasonable move for Saddleback to stick with the working formula of previous years.

No extra acoustic stage for local acts has been announced, like the โ€œbolt-onโ€ last year. While being just that, it was at least a presence for them. Itโ€™s all focus on whoโ€™s performing main stage then, and tribute acts seem to feature predominantly. The longest running, full-time professional tribute to Led Zeppelin, Whole Lotta Led headline; and we all like a lotta Led.

Significant changes to their original line-up from 1996, six years ago, has seen considerable progress with the Whole Lotta Ledโ€™s customary two- and half-hour shows, receiving international acclamation from Zeppelin fans. With over 1,300 shows under the belts, theyโ€™ve performed Stairway to Heaven more than any other band in the world, interestingly, including Led Zeppelin!

To truly dedicated fans who witnessed the real McCoy at their prime, Whole Lotta Led avoid wigs, costumes, and look-alike paraphernalia to focus on recreating the music to an astonishing level of accuracy. Theyโ€™ve recreated some of Led Zeppelinโ€™s legendary live shows; 2001 they performed the โ€˜Bath Festivalโ€™ set, in 2003 staged the โ€˜Earlโ€™s Courtโ€™ tour, in 2005 they recreated Zepโ€™s last shows in England with the โ€˜Knebworthโ€™ set, performed the live CD โ€˜How The West Was Wonโ€™ in 2006 and in 2008 they completed the โ€˜2007 O2 Reunion Showโ€™ tour.

In a similar fashion, Creedence Clearwater Review are the UKโ€™s premier tribute to Creedence Clearwater Revival, capturing the feel, sound and atmosphere of the short-lived late sixties American band. With audience involvement, singalongs and plenty of rousing choruses the Review promise an authentic and power packed tribute to the Creedence legacy, sticking as closely to the album tracks as possible. Thereโ€™s also a nod to John Fogertyโ€™s solo career in the show.

To concentrate on original acts, most are Bristol-based, like Elles Bailey is that wonderful hard-blues chick weโ€™ve covered on Devizine before. With a prolific and authentic blend of country and blues, Elles is the UK dynamite on the scene.

The second name to continually popup locally is Ruzz Evans, who since 2014, with drummer Mike Hoddinott and Joe Allen on upright bass make up Ruzzโ€™s Guitar Blues Revue. The trio house a powerful, soul-injected mesh of Blues, R’n’B and Rock’n’Roll of retrospective energy. The opportunities to open for some class acts, from Rockabillyโ€™s the Delta Bombers and the Rhythm Shakers from Vegas to Dr Feelgood and The Blockheads. Plus, the newly released studio album, Burn Out, which features Pete Gage from Dr Feelgoodโ€™s band, certainly shows enthusiasm, skill and passion; this one is going to get lively.

 

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Also booked is four-piece blues/funk outfit, The Will Edmunds Band, who perform interpretations of classics from the likes of Robert Johnson, BB King, Albert King and The Meters. Their sound promises to be tight and fresh, yet retaining old-school mojo!

And thatโ€™s what weโ€™ve been told so far. No mention of Jon Amor; surely, heโ€™ll drop in, wouldโ€™ve thought? Ah, one step ahead of you. The Friday before , 19th July, heโ€™s at the pre-festival event at the Sports Club, where for a tenner youโ€™ll get Saddleback favourites Innes Sibun and Jon, with Mike Hoddinott of Ruzzโ€™s Guitar Blues Revue and whatโ€™s worth the entire weekend price-tag in my humble opinion, for all itโ€™s worth, the awesome UK-USA blues conglomerate, Beaux Gris Gris who weโ€™ve reviewed a night of before.

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A further tenner means you can camp for the weekend, from 5.00pm Friday 19th July, with campers asked to leave the site by 10.30am on Sunday 21st July. It may be whacking the total from ยฃ25, for a main ticket, to ยฃ45 for the whole shebang, and in all honesty the mods may have it cheaper than the rockers this year, the Scooter Rally tallying to ยฃ25 for the whole weekend with free camping, but a considerable donation of Saddleback is off to chosen charities Juliaโ€™s House and Care If, and going on the sturdy and reliable security, strategic setup and organisation that went into last yearโ€™s event, together with an awesome line-up, Saddleback will not go unnoticed, even if promotion of it seems somewhat lessened this year.

 

Here’s last year’s snaps to get you in the mood; all images by Nick Padmore

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Little Geneva take the Cellar Bar hostage for the Night

Little concern, Little Geneva fulfil expectations down the little Cellar Bar last nightโ€ฆโ€ฆ

 

 

Awoke this morning and, on BBC Breakfast, witness middle-aged folk pulling themselves through an underground tunnel on a wheeled tea-tray, replicating the great escape on its anniversary. Unless you were there, or youโ€™re Dr Who, youโ€™ve no hope of comprehending the ambience of a smoky cavernous club at the eve of the early sixties British blues detonation any more than understanding the anxiety and fear to be levering through tunnel Harry to escape the prisoner of war camp.

 
Retrospective is big business, Hollywood ran out of ideas a decade ago, but replication is often forged and not without clichรฉ. Yes, you could succumb to the paisley tribute act scene, or pay a kingโ€™s ransom for a blues legend in concert, but itโ€™ll not capture the spirit of the era, or the artist in their prime. As generations roll genres gain acceptability, and the contemporary blues scene, though thriving, tends to centre around matured audiences, weary of intoxicating themselves and reluctant to shake a tail feather.

 
Yet if I squinted my eyes in the Cellar Bar last night, and allowed the music to flow through me, Iโ€™d be forgiven for pondering what itโ€™d have been like to wander into a squalid nightclub in 1963 to hear The Animals, Kinks or Faces at their early stages, considering this is a close as Iโ€™m going to get.

 
I nod in appreciation that Little Geneva has simulated this, without cheesy or elderly representation. For this Bristol-based band with roots in Devizes arenโ€™t here for pretence, this debut night is not passรฉ, or deliberately treated with โ€œtribute,โ€ it is just a young band stripping back a sound to its raw roots, and thoroughly enjoying the attention it fashioned.

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It was the most crowded Iโ€™ve ever seen the Bear Hotelโ€™s dungeon-bar, Sheer Musicโ€™s sell-out show breathes life into the promoterโ€™s quest to retake its hometown, after successfully branching to larger towns over hill yonder. Itโ€™s like punk never happened down there, like The Who time-travelled and waltzed in, spontaneously agreeing to perform. From its off, the band chilled the expectancy in the atmosphere with a smooth vocal and percussion mallet drum solo, akin to Jim Morrisonโ€™s spellbinding moments, which hypnotised crowds of acid-tripping hippies.

 

 
Yet this had not occurred before, armed with just acoustic guitar, Jon Amor done his thing, and done his thing as proficient as to be expected by locals. The Devizes legend as support, soothing blues, acoustically covering songs from his latest album, Colour in the Sky, with residential witticisms like obtaining a 1am chicken burger from the Market Place. It is always an honour to witness Jon, as a New Jersey residentโ€™s admiration for a Springsteen gig.

 

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This was raw, energetic blues-rock at its best, Little Geneva not covering known songs, least no classic immediately recognisable, just celebrating work done on their album, Eel Pie, in this explosive launch party; an awesome night, making the high bar prices at the Bear inconsequential, itโ€™s a bucolic, rustic cavern of quality.

 

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If anything, I find myself reflecting on my father, for the sixties was his era, and common banter in our family that he was in an amateur band. Mocked by my mother claiming โ€œthey were rubbish anyway,โ€ and my fatherโ€™s shunning, suggesting, โ€œeveryone was in a band back then, it was just a trend,โ€ itโ€™s only now occurring to me if it really meant something more to him, hanging up his guitar to dedicate his time to being โ€œDad.โ€

 

 

Something I can only speculate, wishing Iโ€™d have had the opportunity to question him about his feeling towards it. Yet, it reflects the trend today, least I find locally, whereby twenty-somethings are taking to an instrument purely for the love, absent of my generationโ€™s slouch into technology-driven repetitive beats. If thereโ€™s a growing trend for this, Little Geneva perhaps hold the belt now, and hold it under the influence of all which went before, but not in a contemptuous, plagiarising or cheesy method, but a renewed, lively manner.

 

 

So, if you missed this last night, Iโ€™d thoroughly recommend you track them down: April 14th for Record Store Day at Sound Knowledge, Marlborough, April 18th at club Thirty-8, also in Marlborough, and April 15th at St James Wine Vaults, Bath.

 

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Hot Blues on a Cold Night

Kyla Brox Band โ€“ Saturday 2nd March @ Long Street Blues Club, Devizes

Andy Fawthrop

 

Back up the road to the Con Club for Long Street Blues Clubโ€™s latest presentation โ€“ The Kyla Brox Band. And it was definitely worth the hike.

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Yet again Ian Hopkins had managed to get one of Britainโ€™s top blues & soul bands in front of a Devizes audience on a Saturday night, and the crowd lapped it up. Winner of the 2018 UK Blues Challenge, Kylaโ€™s reputation preceded her. And we were not to be disappointed -an outstanding performer with an incredible pair of lungs on her, knocking out some soulful, smoky and gritty lyrics. Her voice covered all the bases, from the cool, sexy drawl, belting through the mid-range rock chick style, to the high-end screaming wail of soulful pain. And the band behind her were as tight as a tourniquet.

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The three-piece featured the fluent guitar work of Paul Farr, some inspired bass playing by Danny Blomeley and tight drumming by Mark Warburton. Farr, in particular, impressed with some of his inspired solos, drawing wild applause from the crowd.

The absolute highlight for me was the final number in the first set โ€“ one of the best versions Iโ€™ve ever heard of the classic Etta James song โ€œIโ€™d Rather Go Blindโ€, with Kyla pulling out all the stops to press every emotional button. To say that she completely nailed this number would be something of an under-statement โ€“ worth the entrance money on its own. The material throughout varied from up-tempo, high-energy blues through to low and slow, crooning soul, and it was great to hear these different textures through the two sets. The bandโ€™s ability to turn up the burners, and then cool right down, number after number really demonstrated their versatility. k2

The only time I felt that the band put a slight foot wrong was the choice of Leonard Cohenโ€™s โ€œHallelujahโ€ for the first encore โ€“ can this song that has been one of the most-ever covered pieces still having anything else left to give? – the answer, sadly, was a No from me. Fortunately there was a great up-tempo number to finish the evening off, and the minor damage was thus quickly repaired.

All-in-all another beltingly good gig, and a great night out.

Next gigs coming up @ Long Street Blues:

โ€ข Saturday 6th April Billy Walton Band – electric blues & Memphis soul
โ€ข Saturday 4th May Shemekia Copeland โ€“ passionate Americana roots & soul
โ€ข Friday 10th May Tom C Walker โ€“ young virtuoso guitarist
โ€ข Saturday 25th May Kossoffโ€ฆThe Band Plays On โ€“ fine, high-calibre tribute band

 

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New Band, Old Roots: Little Geneva

If Devizes folk have a love of blues, with a slash to rock, and all this I find a beautiful thing; Long Street Blues Club, the origins of Saddleback and of course our own legend Jon Amor, there have been occasions when a portion of visiting bands I take with a pinch. Thereโ€™s clichรฉ, whereas roots of blues are strictly raw, these convey the conventional, an earnest shot to commercialise to a middle-aged tolerable market, which in a way is fine and dandy, thereโ€™s clearly a thirst for it and historically such progress is natural.

 
You see where Iโ€™m coming from? At a time, Elvis was unacceptable, was edgy, now the rock n roll audience is pensioner age, consider it classic. Marlboroughโ€™s popular Jazz Festival fills with hoity-toity yet the rags of Scott Joplin at the time of their conception could only be heard in bawdy New York brothels. Similarly, I hear a once subversive, outrageous noise of nineties rave as a childrenโ€™s TV cartoon theme tune.

 
From the crashing drums and thrumming guitar opening blast of โ€œKey to Love,โ€ thereโ€™s no doubt barriers have been stripped back. Echoes of raw energy from a time of yore rip through you, its two and a half minutes of screeching harmonica and growling vocals place you in 1967, under a blanket at an LA love-in. Little Geneva maybe newly constructed, but resonance images of The Animals, of Steppenwolf and the Stones with a truly proficient edge.

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Putting my point to them, they agreed, โ€œwe feel very similar to you mate, very similar indeed… which is why we made those recordings, and, in the stripped back/vintage way we did.โ€

https://www.youtube.com/watch?v=9Puot90J18o

This EP satisfies retrospective mod-culture and beatniks more-so than contemporary indie fans, Iโ€™d say; imagine punk didnโ€™t happen. โ€œAll Your Loveโ€ slides you into the smooth classical/jazz stimulus of The Doors, yet โ€œYer Bluesโ€ harks the blues which wouldโ€™ve inspired these aforementioned legends. โ€œSomeday After a While,โ€ again breezy melancholic blues sound of Cream or The Animals. Five tracks on this EP, but from the first note I was hooked.

 

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Bristol-based, Little Geneva, name coined from a Muddy Waters track, only formed on the eve before 2019, conceived during a conversation between the Doherty brothers, Dave and Chris. Partisans of the UK contemporary blues scene for over a decade, they felt a need to get back on stage together, as part of a truly great live band; thus, Little Geneva spawned. Once the seed was sown, recruiting additional members didnโ€™t prove a problem.

 
Chris, 32, and Dave Doherty, 36; both gifted guitarists, holding players such as B.B King, Albert King, Jimi Hendrix and Eric Clapton in high regard, headhunted Rags Russell, 32, (vocals/harmonica) who fronts the youthful and energetic band with an emotive and soulful vocal style. Zak Ranyard, 27, (bass guitar) and Simon Small, 33, (drums) provide the rhythm sectionโ€™s high level of energy and power, driving the band.

 
Having completed this blinding EP, the band is set to record their first album at the beginning of March, as they look for clubs and festivals dates across Europe. But the bestest part of it all, the album launch gig is based right here, in Devizes. I had to ask them, the connection.

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You may know already, you see thatโ€™s where Devizine differs from being our townโ€™s Time Out magazine, itโ€™s a learning curve for me. Thereโ€™s history behind this band, as individuals, Little Geneva members have opened shows for Ray Davies (The Kinks), John Fogerty (Creedence Clearwater Revival), Mud Morganfield and Lynyrd Skynyrd. Also sharing festival bills with The Red Devils, Jimmie Vaughan, The Hoax, B.B King and many others. But three members of the band began their musical relationship in Devizes, back in 2004. Chris, Simon and Dave went to Lavington Comprehensive.

 

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โ€œWe all lived in Devizes at the time our first band formed,โ€ explained Dave, โ€œand we were quickly recruited by other older stalwarts of the scene. We helped create a thriving music scene at The Bell by The Green around this time and it was, for a time, a great little scene.โ€

 
โ€œThey go right back to the beginning of Sheer,โ€ Sheerโ€™s creator Kieran Moore informed, โ€œCheck out a band called Hitchmo; that’s where it started.โ€

 
โ€œThat early band came to an end around 2008,โ€ Dave continued, โ€œand the three of us went our separate ways, musically speaking. We all met other musicians, worked with other producers in different genres and countries. Chris now lives in Cornwall, as does Zak. Rags lives in Bristol, as did I when I met him. Simon and I now live in Devizes, where we feel rooted. Bristol is the hub of our activities; it’s obviously a more connected place than Devizes. Devizes is our home though, and all three of want to come back here for our first show, and smash it out of the park!โ€

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Itโ€™s Little Genevaโ€™s deep respect for, and knowledge of what made those early British blues recordings so energised, and exhilarating, coupled with the soulful spirit with which all members express themselves, that will make an unmissable launch date at The Cellar Bar on Saturday 23rd March. Initial reaction to this retrospective goodness was wow, great booking Kieran, but I see now, whatโ€™s news to me is a reunion, to a degree, for Sheer and aforementioned scene; indisputably making the gig even more poignant than simply this absolutely rocking sound.

 

I shit you not, it’s like being bought up with Neil Sedaka and suddenly discovering The Faces. Oh, and if you need more convincing, Jon Amor supportsโ€ฆ. supports, I know, right!

Website www.littlegenevaband.co.uk
Email: bookings@littlegenevaband.co.uk

Facebook Event Page

 

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Kent Duchaine โ€“ Sunday 27th January @ The Southgate Inn

By Andy Fawthrop

“Great Lazy Sunday Entertainment!”

Dave & Debbie have done a really great job in putting The Southgate back on the Devizes musical map since they took over the pub last year, booking a wide range of great acts from Friday nights through to Sunday afternoons. These gigs are all free entry and, with a comfortable & welcoming environment and all beers at only ยฃ3 a pint, itโ€™s a no-brainer to get oneโ€™s arse up there to enjoy the musical fare on offer. Sunday afternoons in particular have become one of my favourites – a view obviously shared by the local cognoscenti โ€“ for the place was again packed with happy customers.

This Sunday last we were treated to a fabulous session from Kent Duchaine, a man described by Mike Harding as โ€œa legend in his own lunchtime and a REAL bluesmanโ€. I use the word โ€œtreatโ€ advisedly, as the man turned out to be one helluva all-round entertainer. Not only did he play some wonderful stripped-back delta blues on his 1934 National Steel guitar Leadbessie, he also connected absolutely with his audience. Every break between songs, every intro, every outro, the man was talking, talking, talking about his life, his travels, his experiences, his deep love of the blues, the music he loved, the blues players he had met an known. And not without a good dose of self-deprecating humour. It was an education just listening to the man. Fascinating. And what a voice! The guy obviously gargles with lumps of granite in his throat! Whether talking or singing, to hear him, (and to look at him) I guess youโ€™d say heโ€™s โ€œwell lived-inโ€, and a well-travelled troubadour.

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Lots of Leadbelly, Muddy Waters, and all the rest of the great bluesmen, just flowed out of him all afternoon. Kent spoke and sang; Leadbessie drawled and crooned. The punters lapped it up.

Absolutely perfect laid-back blues for a lazy Sunday afternoon. Perfect entertainment.

If youโ€™ve not been up The Southgate lately, time you checked it out!

Next gigs coming up @ The Southgate:

โ€ข Saturday 2nd February Drew Bryant
โ€ข Friday 8th February Clock Radio + The Jelas Live
โ€ข Saturday 9th February Tim Manning
โ€ข Friday 15th February Fake Walnut Dash
โ€ข Saturday 16th February Guilty Pleasure

 

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Rick Estrin & The Wildcats โ€“ Saturday 26th January @ Long Street Blues Club, Conservative Club, Devizes

By Andy Fawthrop

 

Back to the top of the hill to The Conservative Club aka Long Street Blues Club to catch the last date of the UK tour by Californian band Rick Estrin & The Wildcats.

The advance billing was impressive, and the short UK tour had had several sold-out dates. Not sure this gig was technically sold out, but it was certainly pretty rammed in there.

Ian Hopkins had written: โ€œOverflowing with talent and bursting with bravado, Rick Estrin & The Nightcats have created one of the bluesโ€™ most instantly recognizable sounds and no-holds-barred styles. With the world-class talents of harmonica master, songwriter and vocalist Rick Estrin, guitar wunderkind Chris โ€œKidโ€ Andersen, keyboard wizard Lorenzo Farrell and dynamic drummer Alex Pettersen, Rick Estrin & The Nightcats serve up sharp and incisive original blues and gritty roadhouse rock โ€˜nโ€™ roll.โ€

So there was much to look forward to, and a lot to live up to. The room was packed and buzzing with anticipation. The crowd were royally entertained by local singer/ songwriter Joe Hicks (always good value for money), and suitably warmed up. Finally, after what seemed a longer gap than usual, the band took to the stage and belted out the first number.

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Estrin himself cut an impressive figure at the front โ€“ smartly dressed and coiffed, leaning into the mike, and delivering a high-energy performance. Within minutes there was the trademark howling harmonica, backed by driving keyboards and rhythm section. The band were always tight and well-drilled when the songs needed it, but not afraid to cut loose in the breaks either. Think growling, witty, street-smart vocals โ€“ often reduced to almost a gravelly whisper, occasionally a haunting drawl โ€“ then lashing back out into a full-force vocal delivery. The band itself dropped the sound back at times allowing Estrin to strut his stuff and to paint his pictures, but then returned in full force, producing a wonderful dirty, muddy noise of driving California blues. Yet this was far from being a one-dimensional blues band โ€“ we had some great jazzy/ improve passages, and a longish monologue from Estrin himself at one point. Technically impressive, laid-back, grooving and absolutely whip-smart stuff.

And the crowd โ€“ not surprisingly – absolutely loved it. As did I – another great night at Long Street Blues. If I had one minor criticism it was that the set was (compared to many bands Iโ€™ve seen at the venue) relatively short โ€“ just over the hour. I think we could all have done with a bit more!

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The bandโ€™s latest album is Groovin’ In Greaseland, which I think Iโ€™ll be checking out shortly. https://rickestrin.com/

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Adding some Colour in The Sky to an otherwise bleak day, with Jon Amorโ€ฆ

Iโ€™ll come clean, resisting the urge to write a piece for Devizine for the past few days, being toothache is depressing me and fear if I do start writing Iโ€™m going to take my stress out on the subject. Had some awesome new music to review recently from our local heroes, been so positive, because itโ€™s been thoroughly deserved. Much as Iโ€™d like to break that chain, yearn to be overly critical and lambast some poor soul for little reason, I unwittingly refrained. If youโ€™ve nothing nice to say Worrow; no sorry, doesnโ€™t wash with me.

 
Then, Devizes numero uno and worldwide blues legend, Jon Amor, only goes and pings over the highly anticipated album, Colour in the Sky. Released digitally tomorrow (28th Nov) on his website, and he hopes on iTunes, Jon signs off his message: โ€œgood luck at the dentist!โ€ Grrr, Iโ€™m gonna listen to this right now! Ohโ€ฆ. why canโ€™t teeth be more like Mr Amor; thereโ€™s zilch to be critical about here, and certainly no pain inflicted?

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From blast off, Colour in the Sky confirms what all local musicians state; heโ€™s Captain Numero Uno alright. Though opening tune, Faith Reborn is a rocket, itโ€™s quite what I expected, definitive frenetic electric blues. However, the missile proceeds into something else, something which scales Mount Marvellous and shoots high into the orangey glow of tremendous troposphere, and the pain killers havenโ€™t even kicked in yet.

 
Diversity ensues, while Elephant slides equably into the room, up-tempo Illuminous Girl reminds me of the catchy, amusing teaser we had of this album last month, with Elvis-Costello-fashioned, Red Telephone, which, chronologically, youโ€™ll wait until closer to the end for, but this is funkier, even more potent.

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The rocket blasts over Andalusia, with a flamenco, Latino track, reminiscent of Santana at his coolest, across the Southern States with rolling rhythm and blues, to New Orleans, with a smooth, big band jazz number to make Nina Simone blush, and crash-lands up my path, banging on my front door. Iโ€™m left gobsmacked by track seven, only halfway through this twelve-track musical marathon, darn itโ€™s uplifting; toothache, what toothache?

 
When The Weather Turns Cold, (as it has) has a stirring country riff, February Tree mellows agreeably, aforementioned Red Telephone is quirky pop-rock, Scandinavia stalwarts fans, and the finale Sentiels is lovably sentimental, concluding my pondering; even the toughest-to-please Jon Amor fan will be blown off their feet with Colour in the Sky.

So, short of time, as itโ€™s released tomorrow, Iโ€™ve taken a long scan over this album, and itโ€™s expectedly a keeper. Some months ago I was standing outside the Devizes Sports Club my first unofficial meeting with Jon, when he supported Beaux Gris Gris & The Apocalypse, he promised me a preview of this and Iโ€™ve admit Iโ€™ve hyped it up in my mind since; it does not disappoint.

 
I just hope the dentist tomorrow is equally professional, but I doubt it.

 

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Saddle Up! Devizes Most Prestigious Festival Steps Up Their Game

Your creative sorts usually appreciate music, but, stereotypically, entertainment for โ€œsporty-typesโ€ would rather be waving fists and hurling abuse at a team projected to them via a widescreen TV, seemingly oblivious; television is a one-way communication devise. Itโ€™s not until someone puts โ€œEye of the Tiger,โ€ on a jukebox, or Bonnie Tyler croaks sheโ€™s holding out for a hero, that they get all sweaty, and start flexing biceps in a dance comprising of getting friends in a headlock and rubbing knuckles atop their cranium.

 
It couldnโ€™t be further from the truth for the Devizes Sports Club, and anyway, my generalising just a witticism in hope the ladyโ€™s rugby team might fulfil my daydream and chase me down the street! The Sports Club, enthusiastic for the remaining month before their Saddleback Festival, are serious about presenting the town with an exciting and professionally organised festival.

 

Itโ€™s the music festivalโ€™s second innings, after the sun-drenched blues event last year, and theyโ€™re determined to up their gameโ€ฆ..not a lot, no point in running before they can walk, but enough to make this, in my opinion, our most anticipated event of the year.

 
For starters, theyโ€™ve dropped the โ€œbluesโ€ tag from its title, making it less specialised. While the concentration on blues music still sturdy, itโ€™ll be joined predominantly with rock, acoustic and folk.

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Certain other moves are to be introduced, Iโ€™m at the British Lion, having a pint with organiser, Mirko Pangrazzi, to find out what they might be.

 
I suggest they could drop the โ€œmusicโ€ label too, add a comedy tent, or possibly street theatre. Mirko considers, but stops at the idea of a โ€œdanceโ€ tent. Their chosen genres equate to a family-styled event. A mass of fledgling โ€œraversโ€ descending brings its own issues.

 
Thereโ€™s an air about the conversation which leads me to believe the organisers value quality over quantity, with no intentions of expanding to Glasto proportions. We laugh as Mirko recalls people last year leaving, only to return with chairs in which they would switch the angle of to face their chosen stage; that is sooo Devizes and surely associates this family ethos.

 

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Jon Amor

Mirko is keen to show me a list of activities theyโ€™ve organised for children; a fun bus, inflatables, face painting, a bungee run, Striker game, slot machines and of course, a sweet stall, to name but a few. Plus, it goes without saying itโ€™s at a sports club with abundant space to kick a football till you drop.

 
For hereโ€™s a thing, Iโ€™m convinced no one is to get fleeced at Saddleback, the food stalls enter freely, organisers only asking for a donation to chosen charities; Juliaโ€™s House, Wiltshire Air Ambulance and others, while punters get value with a wealth of talented acts for a reasonable twenty-five quid, and their kids under 13, well, they get in for FREE and for 13-17 itโ€™s just a fiver.

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Mirko introduces me to John, a newcomer to the committee but with a wealth of experience on the festival scene. What John doesnโ€™t know about coordinating a festival could be written on the back of a matchbox, with diagrams, pie charts and a few dirty doodles on the bottom.

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Mollie Marriott

Having worked on littler-known events like, say, Glastonbury and Boomtown, John is a welcomed asset to provide a fully professional team, determined to make this work wonders. Thereโ€™s more than meets the eye to arranging such an event, a note others need take heed of in these clichรฉ days of any Tom, Dick, Harry, or Harryโ€™s pet dog attempting to hold one. Theyโ€™re delighted to have halted construction plans for a new pipeline running through the site, due bang on the 14th July when Saddleback takes place. For when music promoter Mirko and Sports Club owner Rick get going on a project, theyโ€™re the sort who work tirelessly to make it the very best they can.

 
It didnโ€™t matter of the success of last yearโ€™s, though Mirko was pleased with the result, theyโ€™ve assigned themselves to this ongoing project and intend to make it an annual event.

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Marcus Bonfanti

So, the second major change is camping. People will be able to set up a tent this year, from Friday to Sunday, for a tenner, or just fifteen smackers to bring their campervan on site. This will add an extra dimension to the ambience, with visitors able to mingle with locals. Add this to the real ale and cider bars, prosecco, Pimms, wines, soft drinks, and craft beer from Devitera, merge it with a wide assortment of food stalls, such as Happy Hog Catering, Asian cuisine, obligatory barbeque and a tea/coffee and crepe bus, I think theyโ€™re building the perfect recipe for a blinding day which will go down in Devizes history and will firmly put our town on the festival map.

 
Notwithstanding an unforgettable line-up, with blues singer, songwriter and guitarist, Marcus Bonfanti, rockers Bad Touch, ballad-esque pop-rockette, Mollie Marriott, daughter of Small Faces and Humble Pie singer and guitarist Steve Marriott, Devizes-own blues/alternate rock deities The Jon Amor Band, Bradfordโ€™s legendary John Verity, Blues/Rock guitarist Innes Sibun and Aveburyโ€™s own George Wilding.

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George Wilding

If you need further proof of the authenticity of my recommendation, bear in mind it was a great thing when George Wilding won his place at the festival at the Battle of the Bands earlier this year and said heโ€™d do it, if the other contestants could have the opportunity to play too. But itโ€™s an even greater thing when Rick and Mirko took heed, and before we knew what was what, a third โ€œacousticโ€ stage was added, introducing local heroes and heroines Mike Barham, Jamie R Hawkins, Alex Cash, Sally Dobson and Clare, who was coincidently serving at the British Lion at the time!

 
She smiled when we chatted, not realising who I was she said, โ€œbut Iโ€™ve known you for years!โ€ That is whatโ€™s special about Devizes, that is what Saddleback will adhere, and that is also whatโ€™ll make Saddleback a knockout.

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So, donโ€™t miss out, leave a comment on a local Facebook group, giving it, โ€œwhats that wonderful music I can hear from my garden?โ€ – thereโ€™s tickets on the gate, or in advance, here.

 

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Female of the Species, boil ska, soul and blues influences to simmer Melksham for the Air Ambulance

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Deadlier than the male, The Female of the Species is an amalgamation of female musicians from various local bands who team up to host charity gigs; whatโ€™s not to like?

 
Nicky Davis from Warminster based People Like Us and The Reason, Glastonburyโ€™s Julia Greenland from Soulville Express & Delta Swing, Fromeโ€™s Claire Perry from Big Mamma & The Misfitz, solo artist Charmaigne Andrews from Melksham, and Julie Moreton from Trowbridgeโ€™s Train to Skaville and Jules & The Odd Men, form the supergroup again for โ€œLive on the Night,โ€ at the Melksham Assembly Rooms on Saturday 30th September.

 
Seriously not to be missed; Beginning by showcasing two young performers; James Dempsey and Laura Jane Burt, giving them stage time and experience. The show then continues with People Like Us. The finale, Female of the Species sure to be the icing on the cake. Blending their influences in a mash-up of reggae and ska, soul and Motown, blues and rock, how on Earth do they govern what genre is coming next?

 
I thought Iโ€™d hassle Jules of Train to Skaville for an answer. โ€œEach of the girls chooses three or four songs from their bandโ€™s set list,โ€ explained the self-confessed rude-girl, โ€œand then we add in the stuff we sing together.โ€

 
The Female of the Species first formed for a one-off gig at the Civic Hall, Trowbridge in 2014 for the Hope Centre in Southwick, a charity for adults with learning difficulties,ย  โ€œbut it was so successful,โ€ Jules continued, โ€œwe had no choice but to do it all againโ€ฆ.and again.โ€

 

 

 

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This news nugget keeps getting better though, as this year theyโ€™re fund-raising for the Wiltshire Air Ambulance. The previous appearance at the Assembly Hall in Melksham, back in 2015 raised ยฃ2,920 in aid of WILTSHIRE M.I.N.D Mental Health Charity. The founding gig at The Hope Nature Centre in Southwick in 2014 I previously mentioned, raised an amazing ยฃ3,395.

 
While the next Train to Skaville is boarding from the White Swan, Trowbridge, Big Mama and the Misfitz only coming as close to us as The Fox and Hounds in Colerne on 4th November and the next People Like Us gig being a longer bus journey to Bath, at the Westgate on 22nd, hereโ€™s something in easy reach and all for the greatest cause. Tickets at just a tenner can be snatched from the Assembly Rooms or online here.