The Dirty Smooth at Black Jack City

A new rocking power-punch from Malmesbury, Minety and Cirencester based The Dirty Smoothโ€ฆ

As an Eastender who spent most of his adult life in Essex, my dad had exceptional directional sense, once recalling roads in Germany he travelled on a school trip decades later, but put him in Kent and, for some reason, he was lost. Since Iโ€™m an Essex boy living in Wiltshire all my adult life, seems Iโ€™ve replaced Kent for Gloucestershire. You only need to get me near the border, north of Chippenham, west of Wotton Bassett, and Iโ€™ve completely lost my bearings; Iโ€™m fuzzy on the Fossway, air-brained by the Air Balloon Roundabout.

I wonder if itโ€™s this, or simply our countyโ€™s market town live music circuits appear insular at times, that, other than agricultural hip hopper Corky, and Minety Music Festival, a venerable annual event honouring local music, about exhausts my knowledge on the subject; but one thing I do know about music in that area is, The Dirty Smooth rock, absolutely.

This slick, groove-pop-rock four-piece blew my mind with the single Seed to the Spark, a few years ago. A power-pop punch with rhythmic grooves and robust vocal hooks, the type, with its subtle balance of male to female vocals, makes one think someone slapped Deacon Blue in the chops and threatened, “now give us something that really rocks!”

Tomorrow, March 11th, sees them release a new single, Black Jack City, of which I was expecting something along similar lines, which would be no bad thing. But it has a rockier edge, retrospective of soft metal moments, aching of Guns & Roses, yet sounding as fresh and exciting as the previous tune.

A three-minute explosion of drums and guitar driving blues-rock, with added harmonica, apt for impending spring, windows wound down and hitting the road. If this pounder is Paradise City reborn, it comes up for air just once, for a โ€œWhoa!โ€ break, and then just keeps giving.

Itโ€™s Road House in tune, air-kickingly optimistic and titillating. Immediately anthemic, this teaser track from an upcoming album, Running From the Radar, is a tune which drip-dries you to crave more, one reason why The Dirty Smooth are no strangers to the festival circuit, helping set up aforementioned Minety festival, which was shortlisted at the UK Festival Awards for Best New Festival category.

Their debut EP Rise awarded them with sell-out local shows and radio interviews, this truly expands their horizons, and coupled with upcoming North Wiltshire acts, such as Swindon-based Talk in Code, and SexJazz, thereโ€™s a real feel-good factored revitalisation for punchy pop-rock, something we must invite further south of the county, judging on the merit of Black Jack City alone.

Pre-save it on Spotify, or go to a link tree here, and wait to rock out!


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Whatever Happened to Pancake Races in Devizes?

It seems Shrove Tuesday celebrations in Devizes have fallen as flat as aโ€ฆ.well, you get the gagโ€ฆ Traditionally organised by Age Concern Wiltshire, and oftenโ€ฆ

Rowdefest 26 Lineup Reveal!

Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโ€ฆ

REVIEW โ€“ Mark Flanagan Band @ LSBC, Devizes โ€“ Saturday 26th February 2022

Talent to Spare!

Andy Fawthrop

First time up the hill for me this year, having missed the Mike Zito Band last week (too busy running the Winter Beer Festival and listening to The Lost Trades and The Rob Lear Band, since you ask โ€“ but thatโ€™s another story altogether).ย  Good to get back to Long Street Blues Club and its dependably great audience and atmosphere.…..

First up, in the support slot, was Lewis Clark who I last saw here back in October when he supported Jimmy Carpenter.ย  Again Lewis was playing solo, and yet again did nothing but impress with his stripped-back raw and emotional lyrics, accompanied by unfussy guitar work.ย  His lyrics are, as always, personal and intense; his songs simply command attention.ย  His set was greeted with rapturous applause, and rightly so.ย  Lewis was due to play the Sunday afternoon slot at the Southgate on Sunday, where Iโ€™m sure heโ€™ll play to a different but equally appreciative audience.

Then for the main act of the Mark Flanagan Band.ย  Mark is a man whoโ€™s been round the block a couple of times, and nowadays plies his trade (amongst other things) as part of the Jools Holland travelling entourage.ย  In other words, heโ€™s met and played with many of the greats in the music business, which provides him with a wealth of anecdotes and stories with which to regale the audience between numbers.

His trio hit the stage with no big fanfare, and throughout the evening maintained a quiet but purposeful subdued presence.ย  There were no big drum solos, no guitar fireworks, just a steady stream of competently-delivered laid-back blues, funk, boogie-woogie, folk, Cajun, you name it.ย  Mark fronted everything coolly and calmly, switching instruments, styles and anecdotes with consummate ease, even giving his band-mates George and Adam a couple of numbers break whilst he just carried on solo seemingly undisturbed and unflappable.

And we had songs โ€“ proper songs!  Each had its own back-story of course, either who it was about or the situation that had given rise to its inception.  There was some name-dropping โ€“ Clapton, Richards, Harrison โ€“ but it was never gratuitous or intrusive, simply adding colour to a great musical tapestry.  The crowd was won over, there was a two-number encore and we were done.  The amazing thing was that Mark hardly looked to have broken sweat โ€“ one cool performer!

Another 5-star great night of world-class music delivered by Ian Hopkins and his team โ€“ hats off!  And just take a look at the programme still to come during 2022 โ€“ a mouth-watering array of talent.  Get those tickets and get yourself along to Long Street Blues Club!

Future Long Street Blues Club gigs:

Saturday 19th March 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Soft Machine

Saturday 2nd April 2022                                 Malone & Sibun Band

Friday 8th April 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Billy Bremner’s Rockfile (Corn Exchange)

Saturday 9th April 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Carl Palmer’s ELP Legacy (Corn Exchange)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022                      CSN Express (New Rescheduled Date)

Friday 14th October 2022                               Black Sabbitch (Corn Exchange)

Saturday 5th November 2022                       Alastair Greene Band


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Agricultural Appropriation with Monkey Bizzle

There’s no sophomore slump for Monkey Bizzle; prolific in their art, these rural chav-choppers return with a second album, Agricultural Appropriation, only five years andโ€ฆ

Doctor Faustus Sells His Soulโ€ฆ. in Devizes!

Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisonsโ€ฆ

Chandra Finds Heaven on Earth

Usually I just write what I think, but if I had a point-scoring system this new single from Bristol-based indie-pop outfit Chandra would tick everyโ€ฆ

A Gecko in Trowbridge Town Hall

It’s always a warm greeting as you enter Trowbridge Town Hall, even if, like me on this occasion, you’re running late…..

Prior to my arrival I digested the fact I’d likely forgone the supposed support act, Gavin Osborn, but was dammed if I’d miss Gecko, as since reviewing his sublime second album Climbing Frame back in October 2020, I’ve been aching with the understandable desire to see him pull it off live.

Mellowed piano song oozed from the humble hall ahead, oh no, I figured, Gecko has already begun. Such it is that Gavin recently resigned event coordination at the hall to the capable hands of then sound engineer, Kieran Moore, I assumed he was billed as a kind of farewell to his previous position, unmindful I’d emerge from the Hall a Gavin Osborn fan too. Even by the evening’s culmination I was also dubious of suggestions the two were collaborative, or if it was just banter between them.

But it seems a tag-touring-team is a reality, and given I’d mistaken Gavin for Gecko in the vestibule, who could be more apt to work with for the reptilian-named poet-esque singer? For luckily, Gavin was still on the subtle stage, virtually stripped bare of instrumentation save a banjo, microphone, music stand and randomly placed hardback chair.

Yet a guy looking remarkably like photos I’d used of Gecko accompanied him on a piano, tucked away by a side door. After the song I’d made my stealth entrance to was over, the pianist sat behind me. Uncertain glances behind affirmed, if there was a gecko in the room it was undeniably him, giggling at Gavin’s witty prose. I suppose this, coupled with their styles so similar I mistook the pair, should’ve been damming evidence this was more than a headliner and support act thrown in for sentiment, but what can I defend myself with, naivety caused by surviving on powernaps?!

In this, is the delight of the communal venue too. If there’s a stage green room it’s unused every time I visit; awaiting performers merge into the audience. This is no venue for egotistical celebs, and with barely raised stage and modest lighting, it’s a non-gimmick venue which bases solely on performance rather than dazzling affects. Professionalism and proficiency given, if you can hold an audience spellbound with such minimal affects and props.

Both did with bells on, and while I suspected the case with Gecko, Gavin was the surprise element. Akin to Gecko, Gavin is more storyteller than singer, though splices of prominent points were executed through great folky vocals, and highly amusing prose. Unlike Gecko, Gavin’s baseplate is folk, who through exceptionally crafted verse reminded me of the sentimentality of our own folk hero, Jamie R Hawkins.

Perhaps more akin to Beans on Toast, lacking Ozzie tinge, through observational narratives he weaved through subjects with spellbinding accuracy, hinging on familiarisation; I identified with many, particularly the amusing banjo led ditty of an aged fellow sneaking out to gigs while his wife seemed blissfully unaware in her slumber! But with heart-melting twists, Gavin wraps them up amusingly, either echoing retrospective contemplation or hinting at his political stance.

Time for Gecko’s opening song; could be anything less than the hilarious start of his album, Can’t Know all the Songs, which counteracts those who shout requests. Virtually unplugged he executed highlights of the album acoustically, and gave us unheard of tunes too, passing off his lack of backing as witty repartee. Such as pausing the song to switch from singing to kazoo during an amusing and uplifting tale of the Tamworth Two pigs, Butch and Sundance, who escaped their fate at a Malmsbury abattoir in 1998.

On this note it’s appropriate to highlight the major reason Gecko is so utterly entertaining, for not through particular quality of musician, though he is a natural, rather his choice of content and subject is so original, and his method of metaphorically weaving it into a more general point. Who writes a song from the POV of escaping pigs, or a dog sent into space? But better still, who can bend such narrative into a point you identify with? It’s Jonathan Livingston Seagull, in song.

It’s a classic formula attributed to authors rather than songwriters, and Gecko reigns as either, acting with pseudo-confidence, encouraging audience participation to save him hiring a gospel choir, planning out a clichรฉ encore by hiding behind the piano, even submitting profit margin differences between buying his CD here and streaming his music.

I think I put too much emphasis on hip hop in my album review, as his rap-fashion tendency contradicts his indie-pop overall, making it his unique style, part nerdy, part too cool for skool, but through stripped back live performance it is clear his devotion is with the latter, indie-pop acoustic goodness. A fashion with ageless attraction. But whatever pigeonhole you opt for, it’s undeniably entertaining.

If I’ve an only criticism the show was too short, the comeback is both Gavin and Gecko can suck you into their stories so time passes unnoticed, coupled with my late arrival of which I’ve only myself to blame!

Another wonderful evening at Trowbridge Town Hall, building a reputation for introducing a variety of interesting and upcoming acts, affordably; you need to be putting future dates in your diary.


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Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

Who Broke into Joyrobberโ€™s Car?!

Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโ€™sโ€ฆ

Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

Three Crowns and Some People, Like Us

Red level weather warning, they said, only make essential journeys they said, but fail to define the terms of what is essential. Is helping an elderly relative essential, getting to work, or a doctor’s appointment? What about People Like Us playing the Three Crowns, Devizes?!

To those hunting original live music, perhaps not, for this local trio covers is their game, fully aware what will rouse a standard pub crowd, and they do precisely this with such uniqueness and deliver it with such passion, for everyone else it is, totally essential!

To catch Nicky, back on two legs after an injury which I might add, failed to prevent her performing, and behind that faithful scarlet keyboard, Dean at the strings, switching lead to bass guitars, and now skinheaded Pip, (shaved his head fundraising for our Carmela, but seems to like it,) who, even not best postured for delivering vocals, slouched over a cajon, still somehow manages to professionaly grace the moment, is, in the words of the great Yogi Bear, smarter than the average pub covers group.

Putting a finger on why opens a Pandora’s Box, aforementioned drive, skill and professionalism evident in many a covers band. Still, People Like Us submits all these qualities as if a sponge cake, then they add icing. Observing the demographic of the crowd at the Three Crowns holds a clue, every landlord desires a cross section of punter and the repertoire of this trio truly caters for them all.

Short notes I make to jog my gradually degrading memory mystify me this morning, as one simply read, “new song” adding my daughter’s name; she knows it! Silly to have thought it useful at the time, but relevant to my point. Expect a few contemporary among their plethora of pop hits, but an also era-spanning setlist to leave you guessing.

Yep, walked in to an Oasis cover, Adele’s Rolling in the Deep, Snow Patrol’s Chasing Cars, and The Stereophonics’ Dakota particularly adroitly enacted modern indie tearjerkers followed, with eighties electronica power pop such as Together in Electric Dreams, or even The Police’s Every Little Thing She Does is Magic, blended with this balanced collection. Yet with similar dedication Metallica’s Nothing Else Matters got the breathtaking PLus makeover.

Yet I believe, for People Like Us, no decade within the crowd’s indivdual most cherished era is as off the cards as genres are. They will take you back to the seventies with ELO, Fleetwood Mac, even a possible Abba(?!) covers, and with similar assertion slip in nineties britpop and indie anthems too. Tonight saw plenty of this, wonderful was Take Your Mama, by the Scissor Sisters, but particularly captivating was their rendition of the Cranberries’ Zombie, with perhaps a little too “lite” on riotous version of the Kaiser Chiefs’ classic, but Nicky wowed with authority upon covering Alanis Morissette’s You Oughta Know.

Bottom line is, it makes zero odds what the tune they’re covering is pigeonholed as, they add their stamp, and with banter between songs often verging on near tiffs, they represent reality, comfortable being what’s written on their tin; people, just like us.

Zero multiplied by anything is zero, and that should be a landlord’s percentage of doubt in considering booking this trio, if they wish their punters to return home satisfied they had a fantastic night, for that’s precisely how I’m certain the crowd at the Three Crowns last night feel this morning, perhaps with a shadowing hangover!


Trowbridge Town Hall Rides into Spring

At the beginning of the month Devizine covered Trowbridgeโ€™s musical renaissance, highlighting The Village Pump and Town Hallโ€™s dedication to introducing a variety of upcoming local bands and performers. Explaining Sheer Musicโ€™s Kieran Moore had โ€œbig shoes to fill,โ€ taking over as chief event coordinator for the Town Hall from Gavin Osborn. Well, the proof is in the pudding, and that dish has made it off the serving counter and onto our table.….

Not forgoing, the programme is already in full-swing, with Truckstop Honeymoon at the Pump on Friday, (18th) a cider swigginโ€™ scrumpy and western hoedown with The Skimmity Hitchers and our great friends, and the Boot Hill All Stars supporting at the Town Hall on Saturday.     

Boot Hill All Stars

Such is the fashion for live music in Trowbridge, Fridays at the Pump, Saturday at the Town Hall, aside some great happenings at Stallards and Emmanuelโ€™s Yard, comedy and more commercial nights at the Civic. Gecko appears next Saturday at the Town Hall, and all-day Sunday thereโ€™s   fundraising session, Kalefest, a family-orientated mini-festival for some musical equipment for a teenager with a severe brain injury, in which Zone Club, Pete Lambโ€™s Heart Beats and The Relayz play.

Marching on atop this free six-week interactive course of workshops for 16- to 18-year-olds, covering all aspects of the music industry, next month sees a continuation of great bookings, of which we highlighted in the aforementioned preview, here. What weโ€™re here today for is to check in on Kieran, see if he indeed โ€œfilledโ€ those shoes for the ongoing season.

So, just revealed, April and May listings at the Town Hall and Pump, which have equally exciting news, as, perhaps, Mr Moore asks the shopkeeper for a shoehorn. Isle of Manโ€™s recent export to Wiltshire, Becky Lawrence, the musical theatre singer-songwriter who wasted no time fitting into the local circuit, joining established local bands, The Bourbons UK and Clyve and the Soul City Foundation, teams up Bristolian country singer-songwriter Zoe Newton to pinch-punch April at the Pump.

Zoe Newton at Bradford Roots Festival

Whereas, in the name of variety Iโ€™m surprised to see The Town Hall hosting a โ€œrum and reggae nightโ€ on Saturday April 2nd; itโ€™s as if theyโ€™re calling to me! Seriously though, Iโ€™d wager youngsters reading this are asking Siri what the hell a shoehorn is.

But nice surprises flow, as Gavin Osborn himself plays The Pump, Friday 8th, with his band Comment Section. Regulars at Stallardโ€™s, locally-based indie-rockers Riviera Arcade arrive at the Town Hall with Gloucestershireโ€™s electric-punk favourites, Chasing Dolls on Saturday, with (udated) Devizes/Swindon NervEndings headling the show.

NervEndings

Alcopops Recordsโ€™ Croydon duo, The Frauds play the Pump on the 15th, with Ipswichโ€™s experimental indie-pop darlings, Lucky Number 7, while Henry Wacey and Dan Oโ€™Farrell are there on Saturday. Surreal stand-up, Welsh hard rockers The Vega Bodegas are at the Town Hall on the Saturday, with support from Wiltshire-based metal trio newcomers, Last Alvor and self-confessed โ€œdegenerates,โ€ synth-punk noise-makers Benzo Queen.

If that weekend is atypical of what Iโ€™d expect Mr Moore to assign, the following, Saturday 23rd is different. Kieran is no stranger to asking what acts local giggers would like to see via social media, as Brightonโ€™s Chap-Hop legend Professor Elemental comes to the Town Hall, with support from my recommendation, Bristolโ€™s fantastic veganomic ska-punk-folk crazies, Boom Boom Racoon, whoโ€™ve we fondly followed in the past on Devizine.

Boom Boom Racoon

If Iโ€™m excited with boom boom coming soon, while โ€œSunday leagueโ€ songwriter Tom Jenkins finishes off April on Saturday 30th, May is positively booming too. Local soul-hip hop DJ, Mac-Llyod gets the crowd prepped for another of my personal favourites, Bristolโ€™s bouncy boom-bap virtuosos The Scribes, on Saturday 7th May. Aching to encourage these guys a gig more local than Salisburyโ€™s Winchester Gate, Iโ€™m delighted to see this on Trowbridge Town Hallโ€™s listing; theyโ€™re definitely calling to me now!

Pan-European ‘inventive and thrilling’ alt-folk duo, singer-songwriter Tobias Jacob and double-bass playing multi-instrumentalist Lukas Drinkwater play the Pump on Thursday 12th May, whereas Iโ€™m notified Saturday 14thโ€™s do at the Town Hall will be a โ€œpipe and slippers rave,โ€ of which I had to inquire if, as it sounds, itโ€™ll be an old skool DJ rave type thing, and this it was confirmed, โ€œthat’s exactly it.โ€ If theyโ€™re calling me, now theyโ€™re mocking; the feet in my slippers were stomping in mud when you were an itch, whippersnappers! โ€œHoney, whereโ€™s my whistle and white gloves?โ€

Sheffieldโ€™s award-winning finger-style guitarist, Martin Simpson breathes some folk to the Pump on Friday 20th May, while the Town Hall blow cobwebs off with Trowbridgeโ€™s own hardcore metal quartet, Severed Illusions. With nine years under their belts, they opened for Hed PE at the now defaulted Beirkeller in Bristol, and played metal festivalsโ€™ assemblage M2TM. Joined by doomcore fourpiece Eyesnomouth, and Salisburyโ€™s screaming metalcore Next Stop Olympus; thatโ€™s going to go off.

The Lost Trades

From here gigs are pencilled in, June sees Martin Carthy, Jon Amor with Kyla Brox, Hip Route and Billy & The Low Ground feature, but be certain the near-future looks bright and varied for Trowbridgeโ€™s live music scene, particularly as the last gig of May is our beloved folk-harmony trio The Lost Trades on Saturday 28th. Bring in the summer with Graham Steelโ€™s award-winning Phil, Jamie and Tamsin, what more could you ask for?


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Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to banโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesyโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centreโ€ฆ

Against the Grain; Ruzz Guitar at Thirty

South Westโ€™s resident Johnny B Goode, Ruzz Evans celebrates his thirtieth birthday with the release of a live album, Against the Grain. I caught up with him for a quick reminisce, and chinwag about the albumโ€ฆโ€ฆ

As suggested, it was recorded at Fromeโ€™s Cheese & Grain on 19th June 2021, postponed due to lockdown. Such dynamic and regenerating conditions really breath atmosphere into this album, and it captures the mood of a band excited to re-emerge from isolation. Though by now, weโ€™ve come to expect excellence from Ruzz Guitarโ€™s Blues Revue as standard.

Featuring tracks from the band’s previous releases it also includes tracks from Ruzz Guitar’s recent video series โ€œRG Sessions.โ€ It’s uniquely delivered blues, RnB, rock n roll fusion with feelgood big band vibes, often frenzied and danceable, lengthy moments of extraordinarily proficient jamming, yet, like Longing to See You on this album, thereโ€™s always time for a concentrated ballad.

And oh my, if there isnโ€™t Ruzz doing a sublime guitar solo of Louis Armstrongโ€™s Wonderful World, then joking about breaking a fingernail, but the complimenting talent behind the man is second to none. Blues Revue drummer Mike Hoddinott, bassist Richie Blake and Graham Nicholls on rhythm guitar, with a horns section of Michael Gavaghan on sax, Jack Jowers on trumpet and trombonist Will Jones, and special guestsโ€™ incredible vocalist and pianist Pete Gage, who is fast becoming part of the furniture, and breathes real gritty delta blues ambience into the collective, along with sublime harmonica by Jerry Tremaine, who simply wows on Baby, Scratch My Back.

Seriously, this is eight hard-earned pounds well spent. Iโ€™d say itโ€™s better than the previous live album, Live at the Louisiana, we fondly reviewed a couple of years ago; Ruzz agrees, a quietly proud perfectionist, I figure.

But I want to get deeper into the psyche of the frontman, find out what drives him, when and how he first picked up that instrument. Firstly though, on this new release, I had to compliment the aforementioned Wonderful World solo. โ€œThat reaction is what I was aiming for,โ€ he replied, โ€œI wanted to bring something new to the table and challenge myself. I’m really happy that it came across as I wanted!โ€

Just checking this recording at the Cheese & Grain was the first live show they did after lockdown, Ruzz confirmed it was, โ€œwe had done an online set back in August 2020, and one small gig before all the lockdowns came back in heavier. That show was our first, full band show since the Devizes Rugby Club gig in March.โ€ Ah, yes, what a way to go out that was!

Treated of a number of streams during lockdown, I asked if they considered continuing them. โ€œDefinitely. I’ve been trying to think of the right events to live stream to anyone who can’t make it in person (I.e., my international audience). I want the streams to be more than just me sat at home with my guitar all the time,โ€ Ruzz chuckled. โ€œI want it to be as much an experience for people watching the stream as for the people at the live event.โ€

Jogged my memory of a great stream from his garden, and though it was strange at first, seeing musicians in their home, on their sofas, some even with washing on a clotheshorse in the background, some made an effort to avert from the standard; I recalled Jon Amor climbing out onto his roof like a 5th Beatle! Ruzz laughed, โ€œJon had some great ones!โ€

Jon Amor. Image: Nick Padmore

This is Ruzz Guitarโ€™s Blues Revueโ€™s seven album, and out of them thereโ€™s three live ones, including Visual Radio Arts in 2018. Does he think he projects best when live, rather than a studio?

โ€œI love working on music in the studio, but yes, I think this sort of music is best experienced live,โ€ Ruzz answered, though I suspected as much. โ€œIt wasn’t a conscious plan to do three live recordings but I can honestly say that this new one is my favourite by far. I feel the band is playing better than ever. I’m always trying to capture that magic on our recordings, whether it’s in the studio or live.โ€

I wished him a happy birthday and counted it an ideal opportunity to trace his past and discover the very beginnings of Ruzz Guitarโ€™s Blues Revue.

โ€œMy dad and youngest brother play music,โ€ he answered my family connection to music question. โ€œI got my start into live guitar playing through my dad. Back when I was 16, he put a band together to feature me on guitar; I haven’t looked back since!โ€

The first time he picked up a guitar? โ€œWhen I was 15. I had started on bass and drums, around 14, but was shown a George Thorogood DVD and then taken to see him live. After that I decided to learn slide guitar, then Jimmie Vaughan and Brian Setzer came along, and the rest is history.โ€

Ruzz at 20!

I wondered if they commonly had requests for clichรฉ rock n roll hits, imagining drunk punters asking for Heartbreak Hotel or Thatโ€™ll be the Day, but would Ruzz appease such appeals, and in that, did it start out this way. โ€œI have played all of those in various rockabilly bands over the years; great tunes, but maybe not quite right for the current band!โ€

Originals is what you get with Ruzz Guitar, outstanding ones, yet he cites the blues, RnB artists as influences; Dr Feelgood, The Fabulous Thunderbirds. โ€œI try to take from many places,โ€ he laughed, โ€œWilko Johnson, BB King, Reverend Horton Heat, Steve Cropper; to name a few.โ€

Anticipated responses, so I thought Iโ€™d throw a curveball for the finale. I use the urban myth of Hendrix taking his guitar everywhere, to my kids, as a testament to dedication, and how hard you must strive to perfect something, any goal you might have. It was reported Hendrix took it to the toilet. I asked Ruzz what drives that dedication in him, but not before inquiring if he too, took his guitar to the loo!

He chuckled at this, and for the record answered, โ€œI haven’t gone that far!โ€

โ€œIn all honesty I don’t know. It’s just something that’s felt right since I started learning. It’s been the one constant in my life since I was 15. There’s nothing more enjoyable to me than learning more with it, writing my own music and standing up in front of a group of people and taking them on a musical journey with me… it’s just what I was meant to do with my life.โ€

Well, at just thirty heโ€™s certainly achieved it, this album is proof. He signed off with โ€œhope to catch up in Devizes in March!โ€ And thereโ€™s a thing, 12th March the Wiltshire Blues and Soul Club are indeed at the Corn Exchange with Ruzz Guitarโ€™s Blues Revue headlining, which weโ€™ve already previewed, here.

The live performance from the Cheese & Grain can be seen on YouTube for a limited time, here.


And Yes, Ruzz Guitar does feature on our compilation album, all in aid of Julia’s House; please download a copy here

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For Now, Anyway; Gus White’s Debut Album

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Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โ€ฆ

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โ€œlarge unlicenced musicโ€ฆ

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

UB40 Tribute, Johnny2Bad in Devizes for CCTV Fundraiser

Amnesty International investigate, but a song can resonate injustices to the masses with far more impact. When UB40 released Tyler, in 1980, the perversions of the American justice system which jailed Gary Tyler six years previously for a murder he didnโ€™t commit were little known in the UK. Convicted based entirely on the statements of four witnesses who later recanted their testimony, one has to wonder the differences having CCTV technology back then mightโ€™ve had on injustices such as this.

Apt then, that Birminghamโ€™s premier UB40 tribute act, Johnny2Bad are playing The Exchange nightclub on Friday 11th February for a Devizes & District Licensees fundraiser, to raise funds towards supporting our town CCTV. But weโ€™ve already got a CCTV system, havenโ€™t we?

I caught up with Noel Woolrych, controller of the cameras since it began fourteen years ago, to ask him what improvements need to be made. โ€œHow long a list would you like?โ€ he responded, pointing out several areas in need of cameras; blind spots which Iโ€™ve no intention of telling you where they are cos, I know what youโ€™re like! โ€œBut itโ€™s pretty much impossible to get from the Bell to Waddies without going past several cameras,โ€ Noel adds; probably got a few of me staggering home!

Currently upgrading the cameras in Old Swan Yard and putting up a couple more behind the Town Hall, Noel points out โ€œnone of it is original, as it’s been upgraded several times. We respond to requests where there is antisocial behaviour.โ€

Inclined to quip, at least the CCTV is run by a Labour man, heaven help us otherwise, but Noel quickly deflected the political jab, โ€œpolitics has nothing to do with it.ย  I’m just concerned for the safety of all.โ€ And in that, Iโ€™m convinced nothing Orwellian is in operation here, Noel adamant if youโ€™re doing nothing wrong, heโ€™s not interested in spying on you.

โ€œItโ€™s being well supported by the night-time economy,โ€ continues Noel, explaining it recently caught someone smashing a car windscreen, and provided evidence for the knife incident at the Dolphin. โ€œOh, and my conviction rate of those who get to court is only 100%!โ€ he vaunts, though with good reason, and for the coverage to continue keeping us safe and improve, further updates are needed.

Iโ€™m certain booking Johnny2Bad is as a wise move as it is fitting, everyone loves UB40, and this eight-piece ensemble are a world-renowned tribute, endorsed by Ali Campbell himself on a national TV interview. With a wealth of experience beyond the reggae circuit, members of the band have toured with artists such as Sting, Santana and Peter Gabriel, and also reggae legends Jimmy Cliff, Third World, Shaggy, and Maxi Priest, but ultimately, Ali Campbell and the late Astro themselves; there can surely be no higher accolade.

But if thereโ€™s one thing which, for me, puts a tribute act on a pedestal, is when they record original material in the style of those tributed. Iโ€™ve played one of two of their singles, โ€œI love you,โ€ on my radio show, and it magnificently mimics the UB40 sound to the degree without knowing youโ€™d think it was an album track of theirs you mustโ€™ve missed, and theyโ€™ve more tracks promised.

Not one to blag, but Iโ€™m honoured to have their collaboration lockdown single on our compilation album for Juliaโ€™s House, โ€œweโ€™re all in this thing together,โ€ with Big Ship Alliance, another brilliant reggae outfit which also has a Freddie McGregor tribute, plus Robbie Levi, and Stones.

Still, Johnny2Bad are real crowd-pleasers, and youโ€™d be in for a fantastic night of the classic UB40 covers we love. Although Iโ€™d be hoping for some personally favoured UB40s older originals, I wonโ€™t throw toys from my pram if they donโ€™t, as I believe post-Red Red Wine, their concentration on covering reggae classics breathed new life into rare Jamaican singles, which otherwise mightโ€™ve been lost in time. Such as the sublime Lord Creatorโ€™s Kingston Town, and man, if this olโ€™ trainspotter need Google if UB40 ever covered the Slickerโ€™s Johnny Too Bad, Johnny2Bad have answered that for me!

Tickets for Johnny2Bad at The Exchange on Friday 11th February are ยฃ15, and can be found in the various pubs, at Devizes Light & Sound in Sidmouth Streetโ€ฆ. but not in Kingston Town, the place I long to be, if I had the whole world, I would give it away, just to see, the girls at playโ€ฆ. but obviously not via taking advantage of Noelโ€™s CCTV system, for thatโ€™s just to catch criminals!


Trending…..

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโ€ฆ

Talk in Code; Young Loves Dreamers

Set to release their new single โ€˜Young Loves Dreamโ€™ on Friday 11th February across all digital platforms, Talk in Code are rinsing their inimitable and uniformed sound with anthemic pop goodness; itโ€™s to be expectedโ€ฆโ€ฆ

Coincidently, three years and one day ago Devizine reviewed this Swindon indie-pop four-pieceโ€™s album, Resolve, with the retrospective angle of eighties power-pop rock, yet subtle nods to indie shifts through the heady nineties. Though as the band progress through four further singles weโ€™ve seen the latter dwindle and this take on a classic eighties sound coming through more and more.

Though Talk in Code is no tribute, this is progressive, refreshingly contemporary and exclusively perfected, a hi-fidelity ambience where instruments simply meld as flawlessly as those eightiesโ€™ gods of pop. An era of one-hit-wonders, accepted, but those who succeeded beyond this point did so by creating a defining sound, so no youth would confuse their Spandau Ballet with their Human League, and this is precisely where Talk in Code now stand; nowadays we compare their singles with their previous singles rather than cite influences, because their uniqueness is peerless. ย 

The reason why, I consider, the band strive with matchless momentum on the local circuit, having headlined three of Wiltshireโ€™s largest music events last year, the big named bookings of pop-fused Mfor at Lydiard Park, the memorable rock for cancer Concert At The Kings and Swindonโ€™s homegrown talent showcase, the Shuffle. Also, it is why Talk in Code have shared billings with Scouting For Girls, Sophie Ellis-Bextor, Craig David, SAS Band, 10cc and Lindisfarne, why devotees are dubbed โ€œtalkersโ€ and theyโ€™ve accumulated 180,000 Spotify streams, or added to over 700 Spotify playlists.

So, this new single, โ€˜Young Loves Dreamโ€™ is of no exception, it gloriously follows the formula, which is, as suggested, key to their brilliance. It booms straight in, breaks when it needs to and reaches an undefinable bridge, flowing nicely with steady BPMs, and a bright, uplifting vibe. As suggested by the title, itโ€™s romantically themed, exploring the hopefulness of youth; an ode to the potentials of initial infatuation, prior to the twists and turns life throws at you. In that, the mood of the enriching instrumentation reflects the vocals sublimely, and will have you pondering that butterfly moment of early romance, you know the kind of emotion which will make you hug the pillow in their absence, as their scent lingers, or, oh, was that just me?!

Anyway, where was I? Oh yeah, all the previous singles weโ€™ve fondly reviewed can be found on this here Spotify link, and with this progressive new track, will make up part of โ€˜The Big Screen,โ€™ Talk in Codeโ€™s second album, due on Friday 15th April, playing the launch at Swindonโ€™s Level 3, Swindon, on Saturday April 16th 2022.

Just prior, Iโ€™m hopeful we can set up an interview with Chris and the band, one crucial question will be whatโ€™s in a name, as Talk in Codeโ€™s style is never cryptic, you need not untangle painstaking poetic wordplay, it is good, honest pop kept simple, and they do it so well itโ€™s mainstream in the making. Loveโ€™s Young Dream takes this pattern and truly celebrates it, projecting positive evolution for this radical band.


Trending…..

The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ

Devizes Town Band to Head on a Fantastic Journey

For their first outing of the year, Devizes Town Band plan to get all Phileas Fogg and beyond, taking the Corn Exchange on a fantastic journey from the depths of the ocean into space and everything in between, and you could onboard!

Since 1999, when the Alpha Wind Ensemble was formed, and Mike Ward of Bratton Silver Band joined as Musical Director a year later, rehearsals at the Wyvern Club led to the Devizes Town Bandโ€™s formation in 2001, and they gained permission from the Town Council to use the town crest.

The band came to its summit with 2019โ€™s Spring Concert, Greatest Love Themes, which they state was their best to date; subtly complemented with professional audio and lighting. During lockdown the band stayed strong, rehearsing via zoom and vowed to make a monthly video, which can be found on their website.

Over the last few years, theyโ€™ve represented Devizes on the road, appearing at Poulshot Village Hall, Beechingstoke Manor, Avebury Manor, John Coles Park in Chippenham and Swindonโ€™s Town Gardens, and return home to host Remembrance Service at Devizes War Memorial, as well as the celebrated Proms and Children’s Proms at Hillworth Park.

Back together tomorrow, theyโ€™ll be rehearsing music for this magical mystery Fantastic Journey set sail for Sunday 15th May 2022, 2:30pm at the Corn Exchange, Devizes.

Weโ€™ll let you know when tickets are up for grabs!


Trending….

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

Devizine Review of 2021; Marginally Better than 2020!

If we recently reviewed Ian Diddams and friends meeting at the Vaults for their annual festive Jackanory, the first article of 2021 was the very same funny fellow reciting his yarn as a live stream from his mocked garden grotto, and in that, surely displays how far weโ€™ve come from the restrictions of lockdown we entered the year with. Though not without the same notion as last Christmas looming over us, like a dirty black shroud, that it was, perhaps, all too soon, and weโ€™ve not seen the backside of the Covid19 yet.

Summarising, 2021 was marginally better than 2020; there were gung-ho moments of throwing caution to the wind, and there were others to make us stop and ponder the consequences of our actions. Thereโ€™s little doubt the world will never be the same for decades to come; social interaction, shopping, even work practises; but we did get to party on occasions, and when it was good, it was really good.

And if it ended with a Boxing Day brawl, I suspect some wished for the bash-a-sab fest. Even police it seems, who would likely send in The Wealdstone Raider to crowd control a Wealdstone V Whitehawk FC game, if given the assignment. Did I predict this when I said โ€œmake no mistake, thereโ€™s a civil war under our noses, which comes to an apex when blood-thirsty predators triumphantly parade their wrongdoing on a day when most of us struggle out of bed to reach the fridge?โ€

Hardly crystal ball stuff, tensions at their highest for rural Wiltshireโ€™s most contradictory dispute, it was on the cards since day dot; when the county voted in a foxhunting Police Crime Commissioner, whose misadventures in drink driving caused him to pull out at a cost of millions to the taxpayer. A calamity most shrugged off with โ€œoh, ha-ha, those naughty Tories, bless โ€˜em.โ€


Allowed Out to Play

It was May before I set foot in a pub, lockdown eased and live music was back on the agenda, albeit with hefty restrictions; early ending times, remain seated, table service, no mingling outside of โ€œbubbles,โ€ and deffo no dancing or singing. It felt awkward to begin with, not quite the same, but it was a start, and who better to kick off proceedings than the brilliant Daybreakers, gracing the trusty Southgate? One could sense the joy from Cath, Gouldy et al, to be singing to an audience once again, proving their dedication to the cause. A handclap emoji just isnโ€™t the same.

For a while then The Southgate remained the only venue in Devizes providing live music, and we thank Deborah, Dave and all staff for working within the rules to create a safe space to be blessed with music; it was like they were on roller-skates at times, up and down the beer garden, ensuring not a mouth was left dry!  

I also ventured out to the Barge at Honeystreet, to see how they were coping with the boundaries too. And what a show The Boot Hill All Stars put on there, under a spacious marquee, so tempting to get up and dance, but couldnโ€™t; mastered foot-tapping though.

The return to some normality for many in Devizes came in clement early June, when Devizes Lions held a fantastic car show, plus, on the Green. With side stalls aplenty, nervously folk began to socially distanced mingle; it was a breath of fresh air and a testament to what can be safely achieved with forward thinking and dedication.

Image by Nick Padmore

By July I made it out a few times, the idea of Vince Bell teaming with the individual performers of The Lost Trades, Phil, Jamie and Tamsin was too much of an irresistible hoedown of local talent to miss, and a third trip to the trusty Southgate to tick TwoManTing off my must-do list also proved to be a memorable evening.

The beginning of August I ventured to TrowVegas to tick another off said list, catching those Roughcut Rebels with new frontman Finley Trusler. They blasted the Greyhound, and didnโ€™t disappoint. The month shifted gear for many, and things simply blossomed like there never was a lockdown. Back-to-back weekends saw both my favourite largescale of 2021, the single-most amazing festival near Marlborough; MantonFest is a real gem, professionally done with a real communal atmosphere, the type perpetual drizzle couldnโ€™t put a downer on. This event wowed.

Back in Devizes, the events of the year were the weekend which followed, sitting nicely between a stripped back version of DOCAโ€™s International Street Festival sprinkled across town, was of course, The Full Tone Festival. Without the refreshing emergence of folk out of lockdown, this would have still been something for the townโ€™s history books, but being as it was, the opportunity to head back out and enjoy life once again, the timing, the best weather, the whole ambience was electric. The time and work gone into pulling this off was absolutely outstanding, and for which folk of Devizes will forever mark it as a celebration of post lockdown.

Awakenings even drew Andy out of hiding by September, and I was overjoyed to have him back on the team, without putting his bag and coat on the hook, he went out to play, reviewing Devizes Musical Theatreโ€™s Gallery of Rogues, and Devizes Town Bandโ€™s Proms in Hillworth Park. Meanwhile I was delighted to see The Wharf Theatre reopen with a fantastic performance of Jesus Christ Superstar.

September also saw the welcome return of Devizes Comedy at the Corn Exchange, and The Long Street Blues Club, who, kicking off with Creedence Clearwater Review, wasted no time catching up with their rescheduled programme of the most excellent blues nights money can buy. Andy covered these, while I ventured to see Kieran J Mooreโ€™s new digs at Trowbridge Town Hall. After a brilliant street art exhibit from Tom Miller, I went to taste the music there, with a most memorable evening from Onika Venus. I returned to the scene in November, for a great gig from ร…lesund with support from Agata.

Other than a trip to the White Horse Opera and Southgate to see Jon Amorโ€™s King Street Turnaround, Andy pitched a tent at Long Street Blues Club, one time shipped out to the Corn Exchange in late November for Focus, which Andy crowned best gig of the year. I made it out to the Cross Keys in Rowde for The Life of Brian Band, and to the Southgate see Strange Folk again, since their fantastic set on Vinyl Realmโ€™s stage at a Street Festival of yore. But October held my best gig of the year, the reasons manyfold, and Iโ€™m lay them on the lineโ€ฆ.

For the outstanding fundraising efforts of the Civic award-winning local supergroup, The Female of the Species, I hold them all up as my heroines, therefore the chance to see them again at Melkshamโ€™s fantastic Assembly Hall too much to miss, and the fact theyโ€™d chosen this time to raise funds for another of my local heroines, Carmela Chillery-Watson, was almost too much to take! With an electric night of awesome danceable covers and a massive raffle, they raised a staggering ยฃ1,763 for Carmelaโ€™s Therapy Fund.

It will never cease to amaze me the selfless lengths our musicians will go to for fundraising. Even after a year and half of closed hospitality and no bread-and-butter gigs, they continue to offer their precious time to help. While events blossomed late this year, and November saw the return of TITCO, and Devizes Arts Festival added a spellbinding mini-autumn-festival with Ronnie Scottโ€™s Jazz Club, Sally Barker and Motown Gold, Devizine continued also to preview events and do what we had being doing to find content during lockdown. Yeah, we rattled some cages with social and political opinion pieces, tasted some great takeaway tucker, and we reviewed recorded music further afield as well as local, but we had a number of feelgood stories, most memorable being things like our snowman competition in January, but there was a project which highlighted the sterling effort from musicians to fundraise, and it will be something Iโ€™ll never forget.

Image: Gail Foster

So, in April I announced we would be putting together a compilation album, fundraising for Juliaโ€™s House Childrenโ€™s Hospices and by late June it was a thing. It was hard work to put together, but Iโ€™m astounded by the plethora of great bands and artists who took the time to send us a tune for inclusion. Knowing time was precious for artists popping out of lockdown, in need to source bookings and rehearse, I only asked them to provide us with an existing tune to prompt their albums, but some went beyond this, giving us exclusive outtakes such as the brilliant Richard Davis & the Dissidents, or some even recorded new songs, like Blondie & Ska, Tom Harris and Neonian.

I picked a staggering forty-six tracks to bind together, to create a boxset so humongous it would need far too many CDs to make it actual, so due to this and the expense of outlaying, it exists as a download on Bandcamp. Think of it as a teaser for the many great acts weโ€™ve supported and reviewed over the years, and for a tenner, it works out under 5p a tune.

For me this was a momentous achievement, and canโ€™t thank them enough. While Iโ€™ve put it out to the right places, to the Gazette & Herald and Fantasy, and airtime on West Wilts Radioโ€™s fantastic Sounds of Wilderness Show, there is obviously more I need to do to get the message out there, as sales have been slow, unfortunately.

I could fathom a number of reasons for this, but in all, weโ€™ve raised approximately ยฃ177 for Juliaโ€™s House, hoping to reach a ยฃ200 target before we send them the money, still sales have waivered off so significantly I feel I need to send what weโ€™ve had so far. Please help us to up the total if youโ€™ve not already bought this fantastic album. Gloom aside I will say Iโ€™m planning a second volume, and already have a few contributions from incredible acts such as Nick Harper, Onika Venus and Catfish.

Returning to events for the last part of the year, While Andy fondly reviewed Focus, I popped into the Corn Exchange for a quick interview with The Lost Trades, and left to attend a great art show at the Shambles. That weekend the Full-Tone Orchestra played Swindonโ€™s Wyvern, and Iโ€™m grateful to Ian Diddams for his review. This is what we need, people, we cannot cover everything, but if youโ€™ve a few words to say about an event or anything local, please, help to make Devizine a comprehensive community, erm, thing!

Of course, one delightful addition to our team TD Rose has been submitting some lovey features, firstly of ramblings, and more recently she made friends with Wiltshire Museum, and reviewed DOCAโ€™s Winter Festival. Thank you so much Tyg, Iโ€™ve yet to meet, but we need to arrange this for the new year.

Image: Chris Dunn

Towards the end of November Andy remained seated at Long Street, I did the rum bar thing. Such a refreshing addition to Devizes, The Muck & Dundar pulled off a blinder with Bristol DJs, The Allergies. This was one smooth funky night, best for an age, and it was great to shake my greying tailfeathers. Both Andy and I finished off the year with a Boot Hill bash at the Southgate, where hip hop misfits Monkey Bizzle supported, and was shocked by Andyโ€™s positive reaction, being more my cup of cheddar, this was an awesome night too!

Kossoff played Long Street, Andy also went to White Horse Operaโ€™s Winter Concert and other than the hugely successful Tractor & Tinsel Run, weโ€™re back to where we started with an Ian Diddamsโ€™ spoken word showdown the Vaults!


On Stats and Boring Stuff

Our Annual Stats Doubled from Last Year!

Having live music back, no matter the limitations was a breath of fresh air. Prior to it I was still scrambling around in the dark as I was in 2020, hunting for something to write about. But I guess a year of lockdown had given me time to contemplate and improve on the content. This boosted the stats, for if 2020 saw a drop in readership, I hoped to better it, and Iโ€™m pleased to announce we had a record amount, well over doubling the figures of 2020. This is awesome news, and I thank everyone for keeping the faith in us, and continuing to support Devizine.

I keep looking at the bar graph of stats, not believing the skyscraper which is 2021. How much weโ€™ve grown, become a โ€œthingโ€ now. Itโ€™s fantastic and I hope we will continue to entertain you. I must stress though, we donโ€™t harass you to subscribe or any rubbish like this, we keep advertising to a minimum, and nothing should pop up and distract your reading, and we uphold the ethos features should be free to the end user.

Yet we do need to maintain some budget to keep the site going. Thatโ€™s currently around ยฃ60 a year; we fund our own beer money, thank you, weโ€™re not MPs, we have no expense forms! So please consider donating to keep Devizine afloat, please donate when sending us an advert, unless it is fundraising. Iโ€™d really like to build up a small fund to get some charity events off the ground, as I believe the artists should be paid for their time considering their predicament too. So, anything extra will go towards this, and promoting the Juliaโ€™s House album.

What can we expect from Devizine in 2022, you might ask; well, if itโ€™s not brokenโ€ฆ…letโ€™s happily bash on shall we?! Thank you all so much for your support over 2021, the stats show weโ€™re heading in the right direction.


On Food

Said this before, but I take pride in repeating myself; food reviews get an enormous response, yet still eateries seem reluctant to come forward. A food review here will do wonders for your sales, and Iโ€™m not just saying that because Iโ€™m a greedy so-and-so. Places weโ€™ve eaten out or takeaways weโ€™ve had which failed to live up to our expectations have not been mentioned. Iโ€™m no Gordon Ramsey and Iโ€™m not about to publish a slagging off. Iโ€™d rather tell you to your face why Iโ€™m not reviewing it!

During lockdowns the takeaway became essential part of a weekend treat for families with nought else to do, and new establishments opened, while pre-existing ones flourished. In January we praised the Massimosโ€™ Pizza, and the following month saw me queuing halfway down a frozzled Nursteed Road for a rather tasty Greek Gyro from the Cosy Kitchen mobile van; such was the popularity of these mobile units during the bleakest of times.

When things begun to open up in April I went for my first vaccination jab, where they told me not to drive for fifteen minutes. They didnโ€™t say go find a new Indian lunchtime takeaway in the Brittox, but we did, and long should Naan Guru live on!

Not much further into the same month, I tracked down The Feisty Fish, a fish n chips van like no other. They donโ€™t come into town being thereโ€™s chip shops here, but track these guys down for the single best gourmet fish n chips you will ever taste, I tell no lie!

June saw a second IndieDay, organised by InDevizes, and prompted people to get out and shop with a bustling farmerโ€™s market, in which I discovered the rosy cheeked benefits of Lavington’s Rutts Lane Cider, and merrily made my way home on the bus! I also had to mention, unsurprisingly to those who know me, that month, that Plankโ€™s Dairies introduced a new locally-sourced organic milk, yogurt and juice range, in sizable and reusable glass bottles, which has proved hugely popular.

Naturally, without a main stage this year, there was a greater interest in the food market at The Devizes Street Festival in August, and the following month we mentioned Devizes Food & Drink Festivalโ€™s Market, where I was reunited with Rutts!

It was July when we discovered Thai-day Friday, and that was just delicious!

Mildly amusing than most, I offered a Battle of the Best Devizes Breakfast, in November, something we need to follow up on when the kids are back in school, as Round One, The Condado Lounge Vs New Society was a popular post. I bloominโ€™ love food, me, yโ€™know, invite me to your cafรฉ, pub or restaurant and Iโ€™ll give you my honest opinion, except I donโ€™t do eggs or liquorice; yuck!


On Music

If Iโ€™ve already mentioned our awesome 4 Juliaโ€™s House project, and all the artists who contributed are in my good books, we also covered a whole heap of new releases. Plus, we started a Song of the Day, where we post a YouTube link for your pleasure, and generally donโ€™t say much else about it, rather waffle on a tangent! But mostly recorded sound reviews waned when live music reopened, still we strive to continue telling you what we like.

Will Lawton

Will Lawton proposed to open a music school, JMW held a lockdown festival in support of musicians, Wiltshire Council asked Gecko for a Road Crossing song and video, and Wiltshire Rural Musicโ€™s announced producing live steams from Trowbridge Town Hall.

Kirsty Clinch announced her music school and book plans, and covered Swindonโ€™s sound system Mid Life Krisisโ€™s live streams. We chatted to The Scribes, announced The Lost Trades Live Stream in Advance of Album Launch, and The Ruzz Guitar Sessions, and Asa Murphy returning to Devizes.

We announced Sheerโ€™s Salem gig, the Dear John Concert Album for War Child, and the bid to help Calne Central. Announced Sheerโ€™s Frank Turner gig at the Cheese & Grain, chatted to Blondie & Ska. Announced Wharf Theatreโ€™s Youth Theatre, Pound Arts Blue Sky Festival, My Dadโ€™s Bigger than Your Dad Festival in tribute to Dave Young. This list goes on, but most enjoyable recently, meeting up with Visual Arts Radio who moved from Frome to Devizes.

We reviewed Terry Edwards Best of Box Set, Ainโ€™t Nobodyโ€™s Business by Ruzz Guitar Blues Revue and Pete Gage, Skates & Wagons, Kirsty Clinch, Small Town Tigers, Django Django, Chole Glover, Araluen and Ariel Posen. Trowbridge DJ and producer Neonian, The Direct Hits, Andy J Williams, Erin Bardwell, Nigel G Lowndes, Mike Clerk, Cutsmith, Timid Deer, and Cult Figures.

Horses of the Gods, Lone Ark & The 18th Parallel, Longcoats, Black Market Dub and The Lost Trades.

Brainiac 5, Sitting Tenants, Stockwell, Storm Jae and Nory, Sam Bishop, Longcoats, The Bakeseys and Elli de Mon.

Liddington Hill, Boom Boom Racoon, Longcoats, Girls Go Ska and Daisy Chapman.

Monkey Bizzle, Webb, The Hawks, Captain Accident & The Disasters, Onika Venus, Death of Guitar Pop, The Burner Band, Mr. B The Gentleman Rhymer, and Scott Lavene.

Spearmint, Captain Rico & The Ghost Band, Sonny Vincent, Freya Beer, Near Jazz Experience, Beans on Toast, Old Habits, and most recently, Paul Lappin! That enough for you?!ย 


On the Social and Political Side

The fate of every nation depended on how their governments dealt with the pandemic, and how the public responded to them. Iโ€™m not here to dwell on international or even national politics, for this is a review of Devizine, what I define loosely as โ€œan entertainment news and events guide,โ€ for the locality of Wiltshire, focussing particularly on our base, Devizes. Yet tenaciously it is linked, undeniably affecting limitations to what we could and couldnโ€™t do. By the very appalling national statistics, despite rolling out vaccinations like no other country, it revealed true horrors of conflicting government decisions, their general disrespect and selfishness for the public theyโ€™re supposed to serve, and the publicโ€™s reaction to them.

Like a blind vacuum, sucking in every government blame game, it never ceases to amaze me keyboard warriors on social media turning culpability onto mainstream media, when their task is purely to report news, and capture the mood of the nation. The mainstream media is ruled by the elite, funding the government, theyโ€™re in bed together, literally. To publicise shortage of goods is informing of a potential issue, they didnโ€™t enforce panic buying, the public did; chicken and egg. Equally, to publish mood change in the majority lost faith in government, is because thereโ€™s a mood change; weโ€™ve lost faith in government.

Iโ€™m not here to say I told you so; Iโ€™ve not lost faith in this government, I had none to start with!

Take the last set of pandemic announcements, made only hours after government-controlled media broke news of Downing Street Christmas parties, best part of twelve months earlier. A day where the public felt betrayed, even those who voted for Bojo and his cronies held their heads in shame and had to confess it was all too much for a government to break rulings it set itself, and party on while the public suffered, and died. The mood was understandably bleak; why should we do what they say when they clearly donโ€™t?

Why, you ask, for crying out loud? To protect ourselves from a global pandemic, numpty! Government announcements are fed counsel from health organisations and medical experts, skewered by bent politics, naturally, but the bullet points are there. It is not the same self-entitled buffoons, theyโ€™re voiceover artists on this occasion; given free reign theyโ€™d have โ€œherd immunity,โ€ against WHO advise.

Can you not see through the wool? The government press released the Downing Street Christmas Party scandal themselves, bang on cue of an announcement, so we would all think precisely that, why should we do what they say when they clearly donโ€™t? If we rebel from their restrictions, weโ€™ve only got ourselves to blame when the virus spreads. The government gets what they always wanted, herd immunity, and theyโ€™ve shifted the blame away from them and onto you, me, and everyone else.

Therefore, we need to take precautions ourselves, be a community, care for others around us. No hard and fast lockdown is needed, if common bloody sense prevailed, but government seem intent to rinse it from our craniums. Weโ€™re not self-service tills, do not robotise us!

We know now how to prevent the virus spreading; keep your distance from others, wear facemasks in public places, follow NHS guidelines in testing and get vaccinated as soon as possible, whether they tell you to or not.

These things should be commonplace, but whenever restrictions ease, like a naughty school-boy triumphantly marching out of detention only to offend again, we forget everything weโ€™ve learned and pay the cost for it. Iโ€™m not preaching like a saint, caged too, I urged for a pint, to lob my facemask into the air, hug, and flaunt the rules when the rules relaxed, at times reflecting if we did the right thing, least if we did it too soon. But itโ€™s done now and we canโ€™t turn the hands of time. If we could, Iโ€™d still be on Castlemorton Common.

Old Skool Rave

In this, one series of articles I was proud of this summer was in reminiscence of my youth, being the thirtieth anniversary of 1991, an explosion for the rave scene. But another similar premise based on news of illegal raves happening in lockdown, was to ask those old skool ravers if theyโ€™d still go raving if there was a similar pandemic in the nineties; with interesting results.

Return of the Rave

And if it sounded like I was defending mainstream media, I wasnโ€™t, only applying a smidgen of sympathy. With Facebook, Twitter et al, media is everyone now; Iโ€™m living proof any idiot can publish a blog and make look it like reputable news! Reason why, I guess, criticising other local outlets always brings hits, the occasion I felt the need to defend Devizes against the sharp eye of local gutter-press Wiltshire Live, proved to be our third most popular article of the year.

Devizes is a great place to live, Tory top-heavy, but thatโ€™s something anyone with an alternative opinion has to unfortunately suck up. Our fourth most popular article this year was in January, breaking the news Tory PCC candidate for Wiltshire, Johnathan Seed, was a bad card. Something as more evidence came to light, namely drink-driving offences, proved to be true, at the time I put my finger on something conflicting in his chat with us, calling anyone who cared to address fox hunting a โ€œtroll,โ€ but requesting we talk on his trespass pledges, blatantly linked to restrict the movement of sabs, the only folk we see actually policing this disgusting and unbelievable smokescreen of trail hunting. Something we covered more recently, suggesting Boxing Day Hunts need better policing.

Moan Iโ€™m bias, yeah, no shit, Sherlock. Do I attempt to hide it like others? Why the hell should I side with anyone butchering wildlife for so-called sport, and in that, why the hell would you?! But hey, I remained impartial during local elections, giving each and every candidate a platform, so there!

Never has a PCC election run with such controversy. Aggravation between sides fired, and we did more than blow the lid off Seedyโ€™s bogus campaign, causing some alarming revelations in local social media bias. Tories back Tories, no matter what theyโ€™ve done wrong, itโ€™s an allegiance to admire, even if you feel itโ€™s malicious. As well as chatting with Lib Dem candidate Liz Webster and independent Mike Rees, we tried a few spoofs: Play the Wiltshire PCC Game, Basil Brush Missing, and upon the Tories hustling in an alternative candidate by stalling the re-election, we ran a short story The Adventures of Police Crime Commissioner Wilko, which was based upon a better received satire, a long-running mock of Wiltshire Council, in The Adventures of Councillor Yellowhead.

At times Mike seemed such a threat to Wiltshireโ€™s Tory totalitarianism, a media attack seemed the best method to deflect people taking the common-sense vote. The first bout came in January, when Mike was barred from volunteering to administer lateral flow Covid tests, the second in July affected me personally as the Devizes Issues Facebook group revealed its fiercely denied bias, by banning me for using a George Orwell quote to express my concern at the taxpayer having to fork four million quid for a re-election which was clearly the Conservative Partyโ€™s fault! Iโ€™m adamant it was justified.

Nineteen-eighty-four was supposed to be a warning, not a fucking self-help guide.

Annoyed, I struck out, naturally, and was begged back, after the full-gone conclusion a Wiltshire majority blindly vote for the blue rosette no matter what! But it was a month after the ban, the smear reached its apex, with all posts about the independent candidate immediately banned and deleted on the popular Facebook group, and anyone complaining were blamed by members for the downfall in Mikeโ€™s success! You canโ€™t make up hypocrisy that nasty.ย 

Tory Devizes Town Councillor Iain Wallis on โ€œthe Devizes Issues.โ€

Itโ€™s not the politics which bothers me as much as the kind of world they envision. Stories of injustice swamped Devizine this year, more than ever before, even our April Foolโ€™s Joke had stark repercussions. 

Every minute an adolescent arm reaches out of a window, unceremoniously handing a bag of fast food to a driver, they nod a thanks, and leave. That seemed to me to be the maximum social interaction of 2020, yet commonplace in modern living, pandemic or not. I recalled going to a Tesco, paid at the pump, masked expressions as I sauntered the aisles, paid at the self-service till and on the way out considered one could live their life in modern times completely unnoticed, months need pass without human contact. My mind meanders if thatโ€™s something young folk actually want, or if theyโ€™ve been robotised, or if itโ€™s an age thing leaving me in a care-home for terminally bewildered.

The best hitting article of the year was again, our April Foolโ€™s Day joke, where this time I misleadingly announced the opening of a McDonalds in Devizes. Maliciously planned, it broke the local internet, and despite suggesting it was All Fools Day in the piece, comments and messages flooded in from headline scanners. In favour of it or not, the debate is such popular the joke was lost on many desperate souls dying for a McFlurry; causing faith, just like Chippenhamโ€™s recent pandemonium for a bucket of battery chicken in gravy, yes, Aldous Huxley was bang-on, many folks do want to live in this commercialised bubble, void of individualism.


On Everything Else

Individualism, free thinking and fair and just causes we stand for here, it is not my fault the many attempts to counteract this seem to come from a conservative ethos, and therefore get criticised for it. Iโ€™m not dead against conservativism, but they seem dead against me, as if weโ€™re supposed to know our place tip our hat and reply, โ€œvery good guvnor, Iโ€™ll bail your shit for a shilling!โ€

My god, how they hate common people who can articulate, thatโ€™sโ€™ why they slash away like Freddy Kruger at the education budget while back the grammar school relaunch. Then keyboard warriors whinge at juvenile delinquency like itโ€™s a new thing and something stringing them up for will somehow solve. Weโ€™re heading into days as dark as the early eighties, perhaps medieval for some, days I remember with a horror in my heart.

The audacious legacy building bashes on with grand and glorious plans, I reported Stonehenge had been saved by the High Court, but they operate above the law and continue to ignore the justice system, plotting to bury a road underneath it, shaking it to ruin, least knocking it of the World Heritage List, for the sake of knocking minutes off commuting times.

I criticised the reality of building a whole new train station miles out of Devizes, against popular opinion, cos Iโ€™ll believe it when I see it, and furthermore, I feel thereโ€™s more pressing issues which looking at. If not our terrible infrastructure, the state of our roads, and the endless chain of bureaucratic nonsense to get the simplest of notions pushed through bumbling pompousness of councillors and apparent do-gooders, itโ€™s the increasing homeless on our streets, the need for Food Banks which the Tories selfishly assume is a good thing, the poverty level submerging a continuous population and the outright condoning of racist, sexist and homophobic acts. Sort them out, and Iโ€™ll gladly stand on Devizes Parkway platform with you, or any other brazen legacy-building pledge you dream up!

Every time Iโ€™m duped, I feel like an idiot, unable to get my message through the red tape. You want a train station, yet I reported the dangerous state of a Wiltshire Council playpark in Rowde, FIVE years ago, and I have to seriously throw my toys out of the pram to get anyone to pay it any attention. In February this year I was delighted, based on my article, Councillor Laura Mayes secured ยฃ20,000 from WC to re-design the playground and she proudly used it to publicise her election pledge.

But still the playpark remains in the same state of disrepair, not a penny pledged has been spent. Whether this is WCโ€™s fault or the Parish Council I donโ€™t know, they got what I suspect they wanted, a successful election result, and my whinging reduced too. Iโ€™ve just lost all faith and interest in continuing to bother with it. You want a train station, huh? Traffic lights at the Black Dog crossroads? A no left turn sign at the top of Dunkirk Hill? Yeah, good luck with that, weโ€™re moving into six years for them to fix a dangerous baseplate of a bouncy chicken in a playpark!

Yet perseverance can pay off; we loved it when Rab Hardie of Duck N Curver broke into Stonehenge to raise awareness of his wish to film a video inside the stone circle, we asked if the Fire & Rescue Service were Cutting Vital Flood Equipment, defended Wiltshire Police from keyboard warriors upset they used a rainbow as their Facebook logo during Pride Month, wished Devizes Lions a happy 50th, supported Joe Brindle on his campaign to save Drews Pond Wood, attended Save Furlong Close protests, added some reflection on the Travellers based in Bromham, praised local artist, Clifton Powell when he was commissioned for English Heritage Exhibition, The African Diaspora in England, had a great time at Breakout, Chippenhamโ€™s Alternative Art Show, congratulated the award-winning British Lion. Crickey, the list goes on; the vast array of subjects weโ€™ve covered, even war memorials which look like bins!

I must be boring you into an early grave, which isnโ€™t the best way to start a new year!

One last thing, we did plenty of spoofs and satirical pieces, too many to name, yet, allโ€™s fair in love and war, and it was a great year; hereโ€™s to 2022! I leave it there before your head explodes!


Jon Amor to Take Up Sunday Residency at The Southgate

Featured images by Nick Padmore

I still remember landlord Deborahโ€™s face aglow some years back, when she told me Devizes blues legend Jon Amor was booked to play The Southgate. Heโ€™s made several appearances since, as solo and as frontman of King Street Turnaround, but today the Southgate announced Jon will take up a Sunday residence at the lively Devizes pub…..

It will be a quieter New Yearโ€™s Eve for the Southgate, there is no music booked and from Monday 3rd to Monday 10th January the pub will be closed. โ€œWeโ€™re keeping it simple on NYE, no live music, believe it or not!โ€ Deborah said. โ€œBut weโ€™re saving the best of the best until Sunday with a mega Blues/Funk/Rock gig to blow away the extended hangovers!โ€

With an awesome line-up on Sunday 2nd, as Jon is joined with Innes Sibun, Pete Gage, Jerry Soffe, and Tom Gilkes, I knew about this little marvel, and it has been up on our calendar for a while now. What I didnโ€™t know is this will build a new house band for the Gate, โ€œyes,โ€ Deborah delights to inform, โ€œJon Amor and friends are taking up residency! Sunday afternoon gigs, first Sunday every month for 2022.โ€

So expect to see King Street Turnaround with Jon and friends on the first Sunday of each month down the Gate, which is some great news!

The future is bright, the future is The Southgate! Reopening on Tuesday 11th Jan, with the absolutely awesome rock covers band Triple JD Band on Saturday 15th! Rock on!

Dave and Deborah at the Southgate

Meanwhile our event calendar is building up with choices for New Yearโ€™s Eve, do check it out for links, and have a great New Year; hopefully might catch you down the Southgate on Sunday, if Iโ€™m allowed out to play by the boss!

Billy Green (solo) @ The Hourglass, Devizes

Devizes Scooter Club NYE Party @ Devizes Cons Club

New Yearโ€™s Eve @ The Vaults

New Yearโ€™s Eve @ Massimos, Devizes

Rip it Up @ The Greyhound, Bromham

Sour Apple @ The Brewery Inn, Seend Cleeve

Six O’clock Circus @ The Talbot, Calne

The Roughcut Rebels NYE bash @ The Churchill Arms, West Lavington

New Yearโ€™s Eve Party @ The Green Dragon, Market Lavington

Illingworth @ the Waterfront Bar, Pewsey

Get Schwithty (Jamie R Hawkins & Phil Cooper) @ The Bear, Marlborough

80s, 90s, 00s NYE Party @ Wellington Arms, Marlborough

Deathproof Audio NYE Party @ the Vic, Swindon

Dubsouls & The Rumble-O’s @ The Bell, Walcott Street, Bath

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Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s allโ€ฆ

Things to Do During Halloween Half Term

The spookiest of half terms is nearly upon us again; kids excited, parents not quite so much! But hey, as well as Halloween, here’s whatโ€ฆ

CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Monkey Bizzle Supports Boot Hill Xmas Bash at The Southgate

Not as greater deal of options for entertainment as recent weekends gone, I still had a double-booked dilemma. As much as nipping to the Sham for Train to Skaville appealed, I can rest assured this gig would go off based on past experience. Similarly, though, whenever those crazy canal-type Boot Hill All Stars are chalked on the Southgateโ€™s board, their unique and often comical frenzy of gypsy-folk-ska is a hoedown not to be missed, despite seeing them plenty before.

I opted for the latter, partially being anything longer than a fortnight without attending the Southgate and I get withdrawal symptoms, but more so because The Boot Hills were supported by Monkey Bizzle, who Iโ€™ve yet to witness live. Aware of this bunch of bananas too, though, after fondly reviewing their debut album Idiot Music, back in July, a fine primer to convince anyone checking them out is a must.

So, it was to be, a rare thing; a single record deck united with conventional instruments awaiting a show at the ever-dependable Southgate Inn, Devizes, and intrigue set in on how some of the, shall we use the term conventional again(?) punters would react to this. Our own reviewer, Andy looked ominously at the addition, even when Monkey Bizzle kicked proceedings off, and I wagered he was pleased to see me, knowing Iโ€™d cover anything more my cup of tea than his. To mark its greatness though, it must be said, aside from not busting into crazy legs and finishing off with a back spin, Andy reported how much he unexpectedly enjoyed it.

Though just like the Southgate, we are limited to suggest anything about both bands in this double-header are anywhere near conventional, and with corsets, props and handmade geetars from recycled produce, the Boot Hills did their own thing, in their own tried and tested way, and itโ€™s something to behold.

But not before Monkey Bizzle set the scene alight with their outrageous brand of rib-tickling hip-hop. In many ways, despite a different pigeonhole, the two bands complement each other with west country folk background similarities; even sharing drummer, Cerys. If The Streets injected something of urban capital life into UK hip-hop witty commentary, and Goldie Looking Chain did likewise for Cardiff, Monkey Bizzle do it for the west country. Though we mayโ€™ve hinted comparable before with the utterly fantastic Corky, while this one-man band offers pastiches of hip-hop classics via an acoustic method, five-piece Monkey Bizzle subtly fuse rock, reggae and ska into original compositions, scratching and rapping over hip-hop beats.

As self-confessed when waxing lyrical, the result is โ€œidiot music, for stupid people,โ€ and โ€œif you think this is stupid, then youโ€™re a fucking idiot,โ€ yet all presented here is tongue-in-cheek. The mocking irony of the egotistical rapper bigging himself up isnโ€™t something entirely new-fangled, neither are pot smoking, blagging mates or akin subjects covered, but Monkey Bizzle boons the concept with an agreeably local touch, and it works so very well.

Was it enough to delight da Southgate posse, hardly being the rock steady crew and all? I believe it was, and kudos to Deborah and Dave for bringing them, something different, to town.

Yet the show was only half-baked, and despite a few sounds hitches and the missing member due to sickness, professional rebels the Boot Hills came on to do what they do best, bring the house down with this insatiable zest for energetic folk rock, as danceable as ska, as cavernous as blues and as west country fun as the Wurzels in Toy Town.

Yes, itโ€™s rude and crude, comically entertaining, with anarchistic, often blasphemous themes where female masturbation references, puking on a night bus and frenzied Dolly Parton and Toots & the Maytals covers come under banjo turmoil goodness. If it sounds like madness, it totally is, but I wouldnโ€™t have it any other way, and it has become something of a personal Christmas treat tradition now; a predictably, but still absolutely fantastic night at the Southgate.

For the Boot Hills, the Xmas party continues next weekend closer to home, at Bradford-on-Avon leading pub venue, The Three Horseshoes. Meanwhile The Southgate hosts Phase Rotate next Saturday, the 18th, followed by Sundayโ€™s unmissable Christmas party with Itโ€™s Complicated. Anything succeeding this will be stuffing Quality Street and cold turkey sandwiches.


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Six Reasons to Rock in Market Lavington

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My Dadโ€™s Bigger Than Your Dad Festival Announces 2022 Date at Swindonโ€™s Old Town Bowl

Swindonโ€™s Old Town Bowl is set to rock out once again, after last yearโ€™s successful fundraising festival, My Dadโ€™s Bigger Than Your Dad.

The popular all-day charity festival in Old Town Gardens will be returning to Swindon on Saturday 16 July 2022, at The Old Town Bowl from midday until 10pm and early bird tickets are now on sale on their website.

This follows the inaugural festival which was held in August in tribute to David Young, the former landlord of The Victoria and 12 Bar who died in early June at Prospect Hospice after a hard-fought battle against cancer.

The August festival, which raised ยฃ12,633 for Prospect Hospice, will once again be supporting the charity.

Keep Calm, this is last year’s flyer!

The line-up of the August event included Kova Me Badd, The Boys from County Hell, and Gaz Brookfield and The Company of Thieves. The line-up of the 2022 event will be released in the next few months.

As well as the music there will be plenty of activities for all the family and food and drink from a variety of locally based vendors, including a licenced bar.

Co-organiser Ed Dyer said, โ€œwe were humbled by the response to the event in 2021 and totally stunned by the amount of money raised for Prospect Hospice, which has made the decision whether to run the event again an easy one! We are really excited to once again be able to put together a music festival in the heart of Old Town and to have the opportunity to make it bigger and better than before.โ€

The festival is now looking for local sponsorship. Any businesses who are interested in supporting the community event should email festival@mydadsbiggerthanyourdad.co.uk

Early Bird Tickets are available now from the website


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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโ€ฆ

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there willโ€ฆ

Survival of the Friendliest with Beans on Toast

Another year, another birthday for Jay McAllister, aptly codenamed Beans on Toast. Staying true to his birthday tradition, heโ€™s opened a new tin, and this one has little sausages of optimism in it.…..

Aptly named, because I like Beans on Toast, as much as I like beans on toast, and I really like beans on toast, for the tastiness in its simplicity. There’s a poignant message here, without overthinking. Nothing on Survival of the Friendliest, his new album released this Wednesday via Bot Music, is indulged with riddles and cryptic clues, the motives are clear and precise.

Just as the title of last year’s album, Knee Deep in Nostalgia, summed up the running theme of parenthood and reminiscing on your own youth, so does this abridge. Survival of the Friendliest is Three Little Birds, or Don’t Worry, Be Happy throughout; in the face of depressing times, the simple but effective prose is not to let problems get you down. The result is indie-folk goodness, with sunny side of the street vibes. Beans on Toast presents a charming premise, and executes it perfectly, leaving you uplifted and smiling no matter what the weather might throw at you.

Beans on Toast

The boundless negativity of social media, political grandstanding, scandal and undesirable news are mentioned, but tossed aside in favour of eternal hope and optimism, peace and possibilities. Itโ€™s filled with environmental references, trees, stones on a beach, endangered species, yet advocates the notion the planet is naturally rejuvenating, and manโ€™s effect can be reversed by the will of human kindness.

Taking its title from Humankind by modern thinker, Rutger Bregman, the bookโ€™s positive philosophies play a pivotal influence in shaping the course of the record. If this Always Look on the Bright Side of Life thought might be this long-established protest singer changing his tune, it suits. The Commons the only exception to the rule, even this track has cheery and carefree undercurrents, through the banjo riff. Written earlier in the year, with old friends Blaine Harrison and Jack Flanagan of the Mystery Jets, Survival of the Friendliest is the wonderful and entertaining ride Iโ€™d expect from Beans.

Delightfully carefree, the opening song, A Beautiful Place sums the premise as well as the album title, Stones is simply stunning, and the conservation theme runs until Tree of the Year. Not Everyone Thinks Weโ€™re Doomed projects the aforementioned faithful sanguinity, so, so cleverly itโ€™ll give you goosebumps.

Even the albumโ€™s love song advocates the allure of marriage, as he charmingly chaunts โ€œLet’s Get Married Again.โ€ Garnished in sentiment perhaps, but thereโ€™s reality driven into his words, โ€œItโ€™s something weโ€™re now going to doโ€ Jay grinned. This is honest song writing, delivered with cheeriness, buoyancy and effervescence, but more importantly it rubs off, leaving you in high spirits; musical Prozac!

Get the album HERE


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I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released atโ€ฆ

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโ€ฆ

Chatting With The Lost Trades

Local newspapers ran with a yarn of snow blizzards, due Saturday, and illustrated the clickbait with scenes of worst weather of yore. The laughable reality was there was a blustery storm which bought five minutes of flurry.

I donโ€™t conscribe to sensationalising, neither need to interview for the emblematic promotion of a new product. The Lost Trades arenโ€™t yet announcing a second album, neither have they memoirs published; there wasnโ€™t a good reason to interview them. They didnโ€™t whet appetites broadcasting a follow-up album when I asked them the standard โ€œwhatโ€™s nextโ€ question, rather spoke about strategies.

I was eager to catch up with them though; havenโ€™t seen them for ages, and they were happy to oblige, because theyโ€™re nice like that! Theyโ€™d finished a soundcheck supporting Focus for a Long Street Blues Club gig at Devizesโ€™ Corn Exchange, which Andy kindly reviewed.

No matter how theyโ€™ve been gigging further afield and stamping a benchmark for folk harmony trios internationally with The Bird, The Book and the Barrel, their feet remain on the ground, and this is, after all, their original stomping ground. Two thirds from Devizes, Jamie R Hawkins and Tamsin Quin, while Phil Cooper is from Trowbridge, the latter of whom casually asked prior to the interview what I could write about them which I havenโ€™t already.

Fair cop, since day dot Devizine followed all three, Tamsin crowdfunding her debut album, Gypsy Blood was our first article in 2017, a review of Philโ€™s Thoughts & Observations closely followed, and I met Jamie slightly later, at the Saddleback Festivalโ€™s Battle of the Bands in 2018.

Tamsin and Jamie at Battle of the Bands, 2018, with George Wilding, Claire, Mike Barham, Jordan Whatley, Jack Moore and Sally Dobson. Image by Nick Padmore

The three musicians closely associated themselves with each other, producing and recording, assisting with gigs and collaborating sporadically, until a natural bond had formed and it made sense to form a trio. The news of The Lost Trades we broke in December 2019, a year of lockdown followed their debut gig at Trowbridgeโ€™s Pump, but a period which has seen them improve tenfold, together, on their already high standard.

Both the name the Lost Trades and the album name, The Bird, The Book and the Barrel derives from their surnames; Cooper is a barrel-maker, Hawkins the bird and Quins were counsels or scribes, hence the book. Figuring a blithe beginning, being my rare organisational skills surprised them with a typed sheet of questions, I thought Iโ€™d ask if Phil minded being referred to as a barrel! He said he didnโ€™t, but do they call him it?

Phil Cooper solo

โ€œFrom now on,โ€ Jamie laughed while Tamsin christened it his new name. Phil retorted โ€œthat makes you Jamie โ€˜the birdโ€™ Hawkins,โ€ and I added I liked a bird with a beard, which isnโ€™t exactly true but it broke the ice, if there was some to break, which there wasnโ€™t, so I donโ€™t know why I mentioned it!

The Trades know me well, in this, I pointed out a milkman is a something of a lost trade, and wondered if they had space for me, perhaps in the corner, with a triangle! Jamie noted I could be a โ€œbottle fourth member!โ€ While they pondered if there were to be any sensible questions, I broadened it with, โ€œor is three the magic number?โ€ 

Phil was first to confirm, the others agreed humbly. Tamsin expanded, โ€œhaving three of us thereโ€™s no scope for two people going against two other people, you know? Itโ€™s always equal.โ€

โ€œYeah, democratically it works really well,โ€ Jamie added. โ€œThereโ€™s always a mediator,โ€ Tammy motioned, โ€œit works well like that.โ€ Phil enhanced, โ€œfrom a harmony point of view, I mean, donโ€™t tell any barbershop quartets this but three is the magic number!โ€ To be honest, Iโ€™m all out of befriending barbershop quartets these days anyway.

I offered it was great to see them back in Devizes, because it was, and I asked them where was the furthest so far, theyโ€™d played. Being, Iโ€™d imagine, the map-man of the trio, Phil called Eastbourne.

But are they booked for many festivals this summer? โ€œYes,โ€ Phil replied, but couldnโ€™t spill the beans. The Lost Trades are getting a lot of bookings, which is understandable. The only characteristic variance I noted seemed to be Tamsin, who once conveyed a slightly anxious persona when performing but is now rightfully brewing with confidence. More importantly, all three seem so at ease with the Tradesโ€™ success, loving the moment, and theyโ€™re bonded even tighter.

This is the point I slipped in the standard โ€œwhatโ€™s next,โ€ and asked, โ€œwhere do you take it from here?โ€

โ€œWell, we have a strategy, you see?โ€ Tamsin whispered, โ€œfirst was getting our name out to our fans, and building up this joint fanbase, which is what weโ€™ve worked on. And now weโ€™re trying to build our name up in the folk world. So, hitting the folk clubs.โ€ And theyโ€™ve been getting blinding reviews from folk magazines. โ€œAnd a lot of radio-play from specialist folk shows as well,โ€ Phil added, โ€œup in Cambridge,โ€ he exampled. Nationally, or even internationally, I queried. โ€œYeah,โ€ Phil answered proudly, โ€œin Canada, and Italy.โ€

I supposed lockdown live streaming helped in this exporting, despite lack of profit. Phil nodded, โ€œit certainly tied us over, when we werenโ€™t able to do anything, and kept us in peopleโ€™s minds.โ€ Tamsin assured, โ€œat this stage in our career itโ€™s not about making money, itโ€™s more about getting our name known and reputation built up.โ€

To prevent it getting too cosy, I had something more challenging up my sleeve. As individuals The Lost Trades are no strangers to diversifying genres and sounds. Phil in particular, who even delves into electronica with a side project called BCC. Yet the Lost Trades is narrow in ethos, like a corporate identity, being strictly a folk trio, even in design of covers and promotional material. Make no mistake, this works, and is a great formula, but I asked how they could future prevent criticism that itโ€™s getting โ€œsamey.โ€ In this I gave the example of the Adele single.

โ€œThe fact thereโ€™s three songwriters in the band, all with different styes, will help keep us fresh,โ€ Phil explained, โ€œand like you say, we do all like to switch and try other things. I think it will happen, but obviously weโ€™ve put this folk package together, and the music is very much modern folk, going to Americana.โ€ I nodded, in theme too, content is modern. Tamsin added โ€œAlso that weโ€™re playing multi-instruments too, which keeps us fresh.โ€

Debut gig at the Pump, Trowbridge

It was perhaps a tricky question, but you only need to listen to The Bird, The Book and the Barrel to note there is room for experimentation within the genre, and The Lost Trades wish to engage this. Phil expressed, โ€œthe folk thing is less about the music and more about how we present ourselves, as a brand, if you like.โ€

On reflection of their earliest songs as the trio, and knowing them as individual performers, I sense each song in style and writing are pitched by one of them to the trio; I could pick out that one was very Jamie, or very Phil, but the lines are blurred on the newer songs, melded so much I cannot pick out whoโ€™s idea or who wrote any particular song; is this what theyโ€™re working towards, complete harmonising? It was the longest question with the shortest answer, they nodded throughout me asking it. โ€œI guess so,โ€ Jamie replied, โ€œthereโ€™s lots of methods and approaches weโ€™ve yet to try out; thatโ€™s another reason why I think weโ€™ll stay fresh.โ€

โ€œOne of the reasons the later stuff is harder to tell is,โ€ Phil expanded, โ€œthe earlier stuff the other two were harmonising with whoever had the lead vocal, but the stuff we did towards the end of the album didnโ€™t have a lead vocal, it was all about the three voices all the way through. We could get samey if we did just that, so weโ€™ll keep the solo voice every now and then, just to keep it interesting.โ€

Lost Trades at the Southgate, Devizes

Tamsin added, โ€œAlso, as weโ€™ve grown together musically, weโ€™re writing songs specifically for the band. We write our own solo songs and ones which we think, oh, this one would sound better as a harmony; we tailor it to be a band song.โ€

Sure, feels like a progression happening naturally, as they work closer together. โ€œIt already did,โ€ Phil said when I suggested this, โ€œwhen working on the album there was two or three songs which didnโ€™t exist until a month before the recording. We put them together really quickly, and yes, they were very much that kinda organic feel.โ€

Mentioning the impending lockdown as they first formed, I wondered if they felt there was positives which came from it. Phil called the album a massive positive, which if youโ€™ve heard it, you can only agree. โ€œThere were songs on there written about what we were going through at the timeโ€ฆ.โ€

Tamsin responded too, โ€œlots of the songs we wrote when we were feeling down about having to cancel the tour, for example โ€˜Winning Daysโ€™ was where Jamie and I were feeling miserable, and Phil said โ€˜right Iโ€™m going to write a song to cheer us up.โ€

โ€œI think, perversely,โ€ Phil added, โ€œthe fact weโ€™d built up friends on our side, and to suddenly have it swept away, we got a massive outpouring of love towards us, and that has probably put us on a run up the ladder, that maybe we wouldnโ€™t have got at that point.โ€    

I beg to differ on this one, sensing this shadow of modesty in them, when really, this massive outpouring of love towards them wouldโ€™ve been inevitable with or without the restrictions of lockdown, because this grouping just works; whether you are folkโ€™s greatest devotee, or not.

For the final question I returned blithe, as I sensed they were busting to get to the stage; โ€œhave you ever been interviewed before with questions as stupid as these ones, and did you expect anything less?!โ€

The one who remained most silent during the interview, Jamie, made a funny noise of which Iโ€™m unsure if it was positive or negative, but it rolled out a belly laugh, Phil pleaded the fifth on it, and Tamsin voiced in the background she thought they were โ€œlovelyโ€ questions, because thatโ€™s our Tammy, Devizes loves her, we love all three; Trowbridge and Devizes finest musical export; I give you The Lost Trades, who I lost; by the time I stopped the record button, they were gone, up on stage, to do what they love, and long may it be so!


Trending….

A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his standโ€ฆ

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young andโ€ฆ

REVIEW โ€“ Antonio Forcione @ LSBC, Devizes โ€“ Saturday 27th November 2021

Italian Jazz Guitarist

Andy Fawthrop

This was the third Long Street Blues Club weekend gig on the bounce for me.ย  Following Gerry Jablonski Band two weeks ago, and the blow-away Focus gig at The Corn Exchange last week, it was back to the familiar surroundings of the Con Club in Long Street for (yet again) something completely different.….

Support act for the evening was Eddie Witcomb, who started off with a lot of nervous chatter before getting stuck in.ย  He played mostly his own material but also hit a cover of Nina Simoneโ€™s โ€œBecause Youโ€™re Mineโ€.ย  His songs were gentle, thoughtful pieces, but definably in the downbeat and miserable categories.ย  Describing himself as a โ€œone song a year manโ€, it was obvious that his songs were a labour of love.ย  Some of them had curious, trail-off endings, leaving the audience confused at times as to when heโ€™d actually finished.ย  Overall his set was entertaining, but low key.ย  I think he needs a few more upbeat numbers to leaven the mix a little, but otherwise great stuff, much appreciated by a large and supportive audience.ย  Chatting afterwards over a pint, Eddie said that he had indeed been nervous, mostly caused by simple lack of gigs over the Lockdown period, but that he was looking forward to getting his various solo and group projects moving again โ€“ which Iโ€™m sure will happen for such a dedicated and talented bloke.

Antonio Forcione, the main act of the evening, is an artist who has been hailed as one of the most charismatic, unconventional guitarists at large in the musical world today.  And with a host of international awards under his belt, this eclectic composer produced two fine sets that had the audience enthralled.  Starting on stage with just himself and his cellist, the very first number was spell-binding and mesmeric.  Then joined by bass and percussion players to fill out this international quartet, he proceeded to produce some truly stunning acoustic music.  It was a mark of the respect with which the audience held him that when he was playing you could hear a pin drop in a very crowded room โ€“ no background chatter, no noise from the bar, perfect listening conditions.

The first set was slightly shortened when Antonio had to do some running repairs on his guitar, before coming out of the blocks in the second half with number after number of beautiful, nuanced playing.ย  Dropping back to occupying the stage solo โ€œto give the band a restโ€, he proved that he is an absolute master of his craft.ย  And then, as the band re-joined, with their sensitive and sympathetic accompaniments, adding layer upon layer of sound, much of it with a laid-back jazz sensibility, creating complex soundscapes, the magic simply continued. ย We had a musical trip around the world, with influences from Spain, Italy, South Africa.ย  It was mesmerising, it was entrancing, and an absolute pleasure to listen to.

Yet again, we were very lucky to be able to listen to an international artist of such standing and musical skill in our little town.  Another great booking by Ian Hopkins.  And another great night out at Long Street Blues Club.

Future Long Street Blues Club gigs:

Saturday 18th December 2021-ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  KOSSOFF…The Band Plays On

Friday 14th January 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Chicago Living Legends

Saturday 5th February 2022                         Tinsley Ellis

Saturday 19th February 2022                       Mike Zito Band

Saturday 26th February 2022                       Mark Flanagan Band

Friday 4th March 2022                                    Black Sabbitch (Corn Exchange, Devizes)

Saturday 19th March 2022                            Soft Machine

Saturday 2nd April 2022                                 Alastair Greene Band

Friday 8th April 2022                                       Billy Bremner’s Rockfile (Devizes Town Hall

Saturday 9th April 2022                                  Carl Palmer’s ELP Legacy (Corn Exchange, Devizes)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  CSN Express (New Rescheduled Date)


Trending…..

FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

The Fulltone goes BIG!

The F.T.O. Big Band at the Wyvern Theatre, Swindon. 21/11/2021

Ian Diddams

The Fulltone Orchestra (a.k.a. FTO) was formed back in 2017, the vision and brainchild of its Musical Director, Anthony Brown. Since then, the orchestra has performed across Wiltshire playing a wide genre of orchestral based music, from iconic movie themes to Bernstein and Gershwin, then Russian composers and The Planets, and most recently a firework extravaganza of classical music (with no actual fireworks folks!).  Then there has been its involvement with โ€œThe Invitation Theatre Companyโ€ (a.k.a. TITCo) with the inaugural, and this yearโ€™s โ€œFulltone Festivalsโ€, and the incredible โ€œJeff Wayneโ€™s Musical version of the War Of The Worldsโ€ reprised in 2019 in Swindonโ€™s Wyvern Theatre.
And of course the amalgamation of choirs in Devizes for the poignant and beautiful โ€œArmed Manโ€ by Karl Jenkins.

For these performances the FTO has fluctuated in size of orchestra depending on requirements โ€“ musicians coming from all over Southern England, and even have included a passing Hungarian cellist. Anthonyโ€™s vision always seeks the next, exciting opportunity and this year has seen the birth of the โ€œFTO Big Bandโ€. Cutting its teeth at the โ€œFulltone Festivalโ€ on August bank holiday weekend 2021, now the FTO took its latest progeny back to the Wyvern for its โ€œBig Band Nightโ€ on Sunday 21st November.

And what a night it was! Five saxophones (also doubling up on clarinet and flute), four trombones, four trumpets, drums, bass, guitar, and keyboards joined by three female and three male voices crooned and smoothed and belted their way through a cornucopia of delights.ย ย  From Benny Goodman, Glenn Miller (who else for a big band night after all?!) to Ella Fitzgerald, Julie Garland and Jackie Wilson numbers. And that was just the first half! The second half kicked off with โ€œThe Pink Pantherโ€ and โ€œBig Spenderโ€ and crooned away deliciously after that with Frank Sinatra, more Judy Garland and even a spot of Marilyn Monroe.

The band, as ever with the FTO, was absolutely spot on. The ever-present Dominic Irving this time left his keyboard and violin at home and whipped out his trumpet (oo err missus!). Louise Cox a persistent FTOer on the drums was her usual impeccable, percussive self. Devizes born and bred Archie Combe tinkled the ivories (I played rugby with his dad yโ€™know!), and Vickie Watson amazed in her juggling of sax, clarinet, and flute throughout the entire show. But its churlish to only mention a few by name, where in fact the entire band were simply amazing. A whole bunch of horns and sax appeal for sure for starters!

And the singers? Wellโ€ฆย  I guess they did all rightโ€ฆย  ๐Ÿ˜‰ย  Truth be told โ€“ of course they were brilliant. Confession time โ€“ for those that donโ€™t already know, these people are my friends, and I am honoured to stand on stages with them often. So you can understandably think now โ€œoh well, sycophancy rules, OKโ€ at this juncture. But โ€“ everything I write here is true. These people WERE amazing tonight. Truly awesome. Jemma Brown with her consummate ease of poignancy in such numbers as โ€œOleโ€™ Devil called Loveโ€ to power in โ€œBig Spenderโ€ and Chris Worthy similarly between โ€œNightingale sang in Berkley Squareโ€ to โ€œReet Petiteโ€. Then of course Sean Andrews, well known for his strength of projection unsurprisingly absolutely creaming โ€œLuck be a Ladyโ€ โ€ฆย  but showing a crooning side with โ€œCome Fly with meโ€. Then thereโ€™s Will Sexton. Well, if youโ€™ve never heard Will you bloody well should. And if you have you will know there are insufficient superlatives available. He calmly, coolly, sang his way through โ€œBlue Moonโ€, broke hearts with โ€œMy Girlโ€ and finished us all off with โ€œCry Me a Riverโ€.

But these were not alone on the stageโ€ฆ  enter stage right Ella Mangham. WHAT A VOICE. Made for this style of music, โ€œBlack Coffeeโ€ and โ€œFascinating Rhythmโ€ held us spell bound. Ella had debuted with the FTO Big Band back in the summer, but tonight saw the first appearance of a super young lady โ€“ Ruby Phipps. Now Sean had clearly bought his fan club with him as we heard when introduced, but Ruby had family and friends travelling from all over โ€“ and no surprise. Sublimely duetting with Jemma on โ€œGet Happyโ€, โ€œOver the Rainbowโ€ and โ€œThe Trolley Songโ€ she lit up the stage with her excellence and grace. Then the whole group appeared as Will completed the evening with โ€“ what else? โ€“ โ€œMy Wayโ€ and joined inโ€ฆ  showing that the FTO Big Band truly did this THEIR way, in style, panache and not a little excellence.

What a night. But thereโ€™s one more person that deserves a HUGE pat on the back. Iโ€™ve mentioned this entire project, from orchestra to big band spin off, is the brainchild of Anthony Brown. But Anthony (a.k.a. O.T but never EVER call him โ€œTonyโ€ !!!) is more than just a M.D. (a.k.a. Musical Director). He is the passion, the life force, the visionary that has produced an orchestra that dares, and now a Band that is truly BIG. He AM da MAN.

So โ€“ if you were there tonight and saw it, how lucky were we? And if you werenโ€™t or think Iโ€™m just a sycophant for my raving review all I can say is โ€“ my eighty-four-year-old mum absolutely loved it. And get a ticket for the next Big Band night and make up your own mind!

Meanwhile โ€“ live music is back. And donโ€™t you forget it!


Click for online Christmas Market!

Trending…..

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโ€ฆ

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its openingโ€ฆ

REVIEW โ€“ Focus @ LSBC, Cornย  Exchange, Devizes โ€“ Saturday 20th November 2021

Best Gig Of The Year In D-Town!

Andy Fawthrop

Second day on the trot in the Corn Exchange for me โ€“ on Friday night it was Motown Gold, with D-Townโ€™s (ahem) young things bopping away to hits from their lifetimeโ€™s soundtrack.ย  But on Saturday night it was something completely different โ€“ a journey into the wilds of 70s Prog Rock, with a side-serving of close-harmony contemporary folk.……

This was a complete change of venue for Long Street Blues Club for one night only, switching from the usual Con Club to a much larger hall and stage, in order to accommodate a more fitting light and sound show for one of the music businessโ€™s most famous bands, as well as to pack in a bigger crowd.ย  And it was a move that was fully justified, as the music-starved hordes of The Vize turned out in their hundreds.

But first things first โ€“ the support act The Lost Trades, consisting of three well-known local singer/ song-writers: Phil Cooper, Tamsin Quin and Jamie R. Hawkins.ย  (See Darrenโ€™s pre-gig interview with them if youโ€™d like to know more about what makes them tick, [coming soon, Ed!]).ย  Iโ€™ve personally seen these guys sing before, many times, both as individual performers and as The Trades, and theyโ€™ve always impressed me.ย  On this occasion, and with a big attentive crowd in front of them, I thought that they absolutely nailed it.

Kicking off with โ€œOnly When We Sing With One Voiceโ€, โ€œRoad of Solid Goldโ€ and โ€œKingdom Fallsโ€ โ€“ all tracks on their latest album โ€“ all three performers looked relaxed and well-rehearsed.  Their multi-voice harmonies were spot on, and their (apparently) effortless swapping around of instruments showcased their collective talent and versatility (including a complete no-panic moment when Jamie broke a guitar string).  The songs were far from being one-dimensional, and instead were nuanced and textured.  As a group, I feel that their song-writing has improved no end, each of them contributing their own ideas, as well as improving the inputs of the others.  Their performance, to my ears at least, is strongest when Jamie takes the lead on vocals and, as they did on their last song, they simply drop all the instruments and just give us the stripped-down acapella harmonies.  All in all a top-notch, consummate performance which I expect will have won them a lot of new friends.  Just superb.

And then, as someone famous once said, for something completely different.ย  And you couldnโ€™t get much more different than veteran Dutch prog-rockers Focus.ย 

Currently in the middle of their 50th anniversary UK Tour (which continues to mid-Dec, then starts again from April 2022), these guys are an absolute institution.  Still touring, still making albums (they are now on their tenth!) and new music, and still bringing crowds to their feet across Europe, Focus blew into D-Town and, with a little musical hocus-pocus, blew us all away.

Fronted by founding member Thijs Van Leer (an imposing figure in long black leather coat) on Hammond organ, flute and (ahem) vocals, the rest of the band were: veteran member Pierre van der Linden on drums, Menno Gootjes on guitar and Udo Pannekeet on 6-string bass.ย  And they seemed to be there on stage in absolutely no time at all, following a rapid changeover from the Trades, almost taking everyone by surprise.ย  Before we knew it we were off with the first number, fittingly called โ€œFocus 1โ€ โ€“ no warm-up, no intro, just straight into it.

And that was the start of a breath-taking two-hour-long set.  Suddenly we were in the midst of progressive rock – heavy chords on the organ, light passages on the flute, with guitar solos, bass solos, drum solos, some wonderful wandering jazzy improv passages, and (of course) those bizarre vocal interludes, scat singing and yodelling.  Most of the set was instrumentals โ€“ these are (in true prog-rock parlance) not just โ€œsongsโ€ in the conventional sense, but rather โ€œpiecesโ€, consisting of different phases, passages, moods.  We were getting very close to Concept Album territory here, but we managed to avoided any such clichรฉ as that.

Of course we got all the big 70s chart hits โ€“ how could they not on an anniversary tour? – โ€œHouse Of The Kingโ€, โ€œSylviaโ€ and a blistering, massively-extended version of โ€œHocus Pocusโ€.ย  But there was plenty of other stuff to enjoy too โ€“ โ€œLe Tangoโ€, โ€œPeace Marchโ€, โ€œAll Hands On Deckโ€, โ€œHamburger Concertoโ€ to name just a few others.ย  The vocals, such as they were, were largely incoherent, incomprehensible noises uttered by Thijs at key moments in the pieces.ย  But it was far from a one-man show, as proved by Thijs when he wandered off stage several times, including once through the audience and into the foyer, as the other musicians took their solos and duets.ย  Mennoโ€™s guitar-playing was stunning, and a real highlight for me, beating the bass and drum solos by a long way.

I have to say that this was the gig of the year for me.  By the end of the night the band not only got a fully-deserved encore, but a full-throttle standing ovation.  As far as Iโ€™m concerned, they knocked it right out of the park.  If you were there, you know exactly what I mean.  And if you werenโ€™t there, you missed the best show in town!

Given what Iโ€™ve said above about The Lost Tradesโ€™ equally superb performance, the whole evening delivered a fantastic nightโ€™s entertainment, and a really strong advertisement for live music in Devizes.


Future Long Street Blues Club gigs:

Saturday 27th November 2021 ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Antonio Forcione Quartet

Saturday 18th December 2021-ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  KOSSOFF…The Band Plays On

Friday 14th January 2022                               Chicago Living Legends

Saturday 5th February 2022                         Tinsley Ellis

Saturday 19th February 2022                       Mike Zito Band

Saturday 26th February 2022                       Mark Flanagan Band

Friday 4th March 2022                                    Black Sabbitch (Corn Exchange, Devizes)

Saturday 19th March 2022                            Soft Machine

Saturday 2nd April 2022                                 Alastair Greene Band

Friday 8th April 2022                                       Billy Bremner’s Rockfile (Devizes Town Hall

Saturday 9th April 2022                                  Carl Palmer’s ELP Legacy (Corn Exchange, Devizes)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  CSN Express (New Rescheduled Date)


Trending…..

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had toโ€ฆ

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathewsโ€ฆ

Devizes Arts Festivalโ€™s Soulful Finale

Featured image by Gail Foster

Youโ€™d be forgiven for assuming Iโ€™m reviewing a greyhound race with this introduction, for akin to snapping open the starting traps, it was a fraction of second after Motown Gold played the inaugural bar of The Temptationsโ€™ My Girl at the Devizes Corn Exchange Friday evening, that the first punter broke the dancefloor barrier, and a surfeit of dancers followed his lead.

Usually a summer occasion, Devizes Arts Festival succeeded lockdownโ€™s gap year with this arts festival โ€œlite,โ€ consisting of three main events and a sprinkling of free fringe ones across the town; weโ€™ve never had a November this good. The interim mini-festival came to a soulful finale with six-piece function band Motown Gold, who professionally and passionately delivered some classic soul covers.

Image: Gail Foster

Since day dot Devizes Arts Festival have inundated us with quality original acts, from music, dance, comedy, talks and so much more. To stage a covers function band might well be faced with some reproach, from those who didnโ€™t attend and see the speed the mature audience jumped the dancefloor; call Norris McWhirter, I think weโ€™ve a world record on our hands!

Ha, itโ€™s as if many havenโ€™t had the opportunity to shake their tailfeathers for a year or more, which they havenโ€™t, ergo Devizes Arts Festival in all actual fact, perfectly picked their grand finale, because despite the creativity of originally crafted music, sometimes we all need to throw caution to the wind and dance our cares away to classics we know and cherish.

Image: Andy Fawthrop

The standard model of bassist and lead guitar, drums, keys and one saxophonist, with a female and male singer accepted, because they delivered the songs with wow-factor, onus largely on the magnificent vocal range of both, but in turn the glitzy professionalism and tightness of the bandโ€™s bonding. To book Motown Gold for your wedding would end in one heck of a memorable occasion, being a cut sky-high above the average.

Image: Andy Fawthrop

That said, for authenticity of the Motown sound, it was absent of various elements. Backing singers wouldโ€™ve done wonders, an upfront brass section too, for the saxophonist sounded a smidgen lost without the celebrated trumpeters of Motownโ€™s in-house band, The Funk Brothers. And if it failed to fulfil my โ€œbrass-is-classโ€ precept, the one missing component most important is the tambourine of Jack Ashford. Forget modern metronome methods, the tambourine man was the time-keeper in this era of yore, so if you crave authenticity, the tambourine is crucial within a classic soul tribute.

Image: Gail Foster

Entering trainspotting mode, Iโ€™d also noted not every song was Motown, rather the band selected a wide-ranging repertoire from Stax to eighties RnB, such as Rufus & Chaka Khan, Sister Sledge, et all. But each one a danceable favourite, and executed with faultless precision, it really didn’t matter one, or even half an iota. So much so, my carping is trivial, Iโ€™ll put my handbag away.

Image: Andy Fawthrop

The essence is the pleasing performance, the joyful spirit of the crowd, the lights and eras-spanning retrospection, and it undoubtedly set the Corn Exchange alight with an unforgettable ambience, resulting in a brilliant finale to Devizes Arts Festivalโ€™s interim mini-festival, and leaves our jawbone firmly on the floor in anticipation for what they have in store for summer 2022. Though I hinted, they were giving away no secrets yet!

Devizes Arts Festival Team. Image by Gail Foster

If thereโ€™s one thing, we all need right now, itโ€™s a good olโ€™ carefree, soul shakedown party. The proof was in the pudding, a grand night was had, the perfect end to what has been a gratefully welcomed Arts Festival for the town. One which Devizine needs to wrap up with a concluding article encompassing all the events into one feature, but right now, Iโ€™m still imagining myself doing watusi like my little Lucy, with the memory of a great night out-out!

Image: Gail Foster

REVIEW โ€“ Sally Barker @ Town Hall, Devizes โ€“ Saturday 13th November 2021

Joni & Sandy at Devizes Arts Festival

Andy Fawthrop

The Devizes Arts Festival continues!ย  Following Thursday nightโ€™s bash at The Corn Exchange with Ronnie Scottโ€™s Jazz Club, it was time for my second event in DAFโ€™s mini-programme.ย  This meant a change of both venue and of genre โ€“ this time it was folk music at The Town Hall.….

Sally Barker has been around the folk scene for decades, working solo, in duets and various collaborations/ groups (The Poozies, the reformed Fotheringay, The Sandy Denny Project).  She has toured extensively, and played as support act to most of the UKโ€™s folk aristocracy at one time or another (Steeleye Span, Gordon Giltrap, Roy Harper, Richard Thompson, Taj Mahal, Richard Digance, Fairport Convention, Bob Dylan, Robert Plant).  More recently, in โ€˜The Voice UK’, she was Tom Jones’ finalist on the BBC TV programme in 2014, reducing Sir Tom, and viewers alike, to tears with her flawless performances.

Her focus for much of this time was on singing her own material, but in more recent years (for a variety of reasons), she has tended to focus on playing and interpreting the songs of both Joni Mitchell and Sandy Denny.

And thus it was we got the show entitled โ€œJoni, Sandy and meโ€, wherein Sally gave us many of the songs of those two fabulous (but very different) famous female artistes.ย  Sally herself summed up the distinction between the styles of the two songwriters early on her show.ย  Denny, she said, tended to use โ€œclosed lyricsโ€ and โ€œsubterfugeโ€ (where you had to look carefully beneath the obvious words to find out what she was really saying), whereas Mitchell was much more like a painter (where the use of bold colours and images made the meaning much clearer).

Aside from the between-song commentary on the style and historical background of the two singers, Sally illustrated what she was saying by singing the songs themselves.  I was impressed by the way she switched easily between Joni and Sandy, her voice conveying just the right level of emotion, vulnerability and fragility in each song.  Some numbers were delivered (to my ears at least) as straight and faithful copies of the songs as I remembered them, whereas others were subjected to much more in the way of re-interpretation.  Either way, it worked for me โ€“ Dandy and Joni are two of my favourite artists, and there was absolutely nothing here to spoil it for me.

For this show (compared to the recent WHO offering in the same room) the lighting was much better, highlighting the artist on stage and dimming the background for the audience.  The sound, good when it was working, suffered a number of glitches which were annoying.  The room was at best two-thirds full, and I canโ€™t help thinking that it might have been sold out if there been a little bit more in the way of advertising by DAF.  But thatโ€™s a minor quibble โ€“ overall an enjoyable and well-received performance. 

Devizes Arts Festival continues for the next week, with a large range of events, including several fringe (free!) events at various venues around the town.ย  See www.devizesartsfestival.org.uk/ for further details and booking information.ย  Of particular note will be a rousing finale dance night with Motown Gold this coming Friday 19th November.ย  Some tickets still available.


Trending….

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™sโ€ฆ

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

REVIEW โ€“ Gerry Jablonski @ LSBC, Devizes โ€“ Saturday 13th November 2021

Rock & Blues Is Alive & Well

Andy Fawthrop

Up the road again for the first of a string of Long Street Blues gigs during November.  You spend ages waiting for a gig to come along, then three come all at once.  Added to the musical offerings of Devizes Arts Festival and TITCo these past few days, and itโ€™s been a musically busy week in D-Town where, as everybody knows full well by now, nothing ever happens……

Support act for the evening was local favourite Tom Harris, playing mostly his own material, but throwing in the odd cover to leaven the mix.  I particularly liked his rendition of โ€œWith A Little Help From My Friendsโ€.  Tomโ€™s songs are intense and enthusiastic, yet infectious and winning.  He chatted and sang his way through his set, winning over his audience.

Tom Harris; best shirt on!

Main act for the evening, having made it all the way from Aberdeen (by way of Hartlepool) was the powerful and energetic quartet The Gerry Jablonski Band.  Consisting of Gerry himself on guitar and vocals, Pete Narojczyk on harmonica, Lewis Fraser on drums and Grigor Leslie on bass, the band set off at furious pace, letting us know early on that they werenโ€™t here to pussyfoot around.  They knew what they were about, they were loud, they were confident and they seemed determined to pack in plenty of songs.

Through two strong sets, there was the minimum of chat, but just enough to engage the audience.  The music was rough and muscular, but with plenty of hooks and melodies.  Early on we had a number called โ€œKossโ€, written in memory of Freeโ€™s Paul Kossoff, and the lyrics managed to cleverly name-check many of the bandโ€™s greatest hits.  The bass was thumping, the harmonica was squealing and howling and, driven by Gerryโ€™s imperative and rapid lead guitar, the band were on a mission.

Much as I loved it, I was just beginning to think at the end of the first set that perhaps some numbers were a little samey.  But then the band came out in the second set and proved me quite wrong, with quieter numbers, more light and shade, more subtlety.  A highlight was one short number sung by โ€“ shock! horror! โ€“ Lewis Fraser the drummer, accompanied only by some (for once) quiet reflective guitar from Gerry.  Most of the heavy lifting in the sets was, as you might expect, by Gerry himself.  There was a look and feel of the younger Marriott to me about his demeanour.  Overall the band worked hard as a unit and fully deserved their raucous encore.

Future Long Street Blues Club gigs:

Saturday 20th November 2021                   Focus (Corn Exchange, Devizes)

Yay! The Lost Trades as support at this one, I’m told (Ed.)

Saturday 27th November 2021                   Antonio Forcione Quartet

Saturday 18th December 2021-                  KOSSOFF…The Band Plays On

Friday 14th January 2022                               Chicago Living Legends

Saturday 5th February 2022                         Tinsley Ellis

Saturday 19th February 2022                       Mike Zito Band

Saturday 26th February 2022                       Mark Flanagan Band

Friday 4th March 2022                                    Black Sabbitch (Corn Exchange, Devizes)

Saturday 19th March 2022                            Soft Machine

Saturday 2nd April 2022                                 Alastair Greene Band

Friday 8th April 2022                                       Billy Bremner’s Rockfile (Devizes Town Hall

Saturday 9th April 2022                                  Carl Palmer’s ELP Legacy (Corn Exchange, Devizes)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022                      CSN Express (New Rescheduled Date)


Gift ideas and Christmas Fayres HERE

Trending…..

Seend to get Jazzy!

If Iโ€™ve been bragging about trekking to Trow-Vegas this weekend for musical indulgence, next weekend you donโ€™t even need to journey that far to get a dosage, just that direction…..

Halfway house, the lovely village of Seend, with its wonderful Community Centre on the Green hosts a roaring twenties jazz party, next Saturday (20th November.) ย And what was an ยฃ11 ticket stub is free, if you share and tag your friends in this here Facebook post. Each friend tagged will gain you an entry into the prize draw – the more friends tagged, the greater the chance of winning (Terms and conditions apply.)

A Bristol-based ragtime jazz band, Trip For Biscuits, with Charlie Minty offering a Charleston dance workshop, this roaring evening will transport you back to the 1920’s, an era of speakeasies, prohibition and feather boas, and DJ Meaze will then be on hand to keep the party going until late.

Fancy Dress is also encouraged to get everyone in the mood, and 1920’s Cocktails and Nibbles will be available to purchase on the evening. Tickets are here. “Awl, applesauce!”ย 


Trending…..

Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

ร…lesund and Agata at Trowbridge Town Hall

With Andy gig-galivanting the Vizes this weekend, I trekked to neighbouring Trowbridge, to find mesmerising and enriching vibes at the Town Hall, via ร…lesund and Agata; hold my hat, thereโ€™s a good fellowโ€ฆโ€ฆ

Just as Jim Crow segregation laws spawned juke-joints, the twentieth century is littered with examples of mainstream music venues unable to stay in touch, and consequently underground scenes progressing and pushing musical boundaries. Itโ€™s true for the Mods, frequenting coffee bars when pubs closed early and refused to play jazz, for beatnik outlawed psychedelia, and from Jamaican sound systems to bless ghettos of New York with hip hop.

Late eighties and early nineties Bristol reflected a different party from the paisley clubs of London. Leftover reggae sound systems merged dub back into hip hop, and a subversive scene of downtempo โ€œtrip hopโ€ was innate, swamping rave chillout tents, and imaged by supplementary graffiti artists. If worldwide recognition for Banksy puts Bristol on the art map, I deliberate the music clearly rubbed off on a new generation, subsequently resulting in Bristolโ€™s paramount cultural scene today.

I ponder this while a youthful Bristol-based four-piece fill Trowbridge Town Hall with blissful ambience. The band is Agata, based upon the Polish-born singer-songwriterโ€™s name, and theyโ€™re only the support act, apparently! Iโ€™d blue-in-face argue this gig is a double-biller, not only from Agataโ€™s proficiency to perform, but similarities to the headline, ร…lesund, complimented them perfectly.

Itโ€™s spellbindingly mellow, even if the sound is stripped of yesteryearโ€™s trip hop beats it maintains shards of electronicaโ€™s downtempo mellifluousness, of Massive Attack, and is governed with emotively powerful female vocals, riding me back to Portishead on a drizzly Glastonbury stage of yore. Drums prominent on these wholly and uniquely original pieces, bass and lead guitars sprinkle over the electronica soundscape, caressing Agataโ€™s delicate but emotive and elegant voice. I love Salisbury’s Timid Deer for all the same reasoning.

Gavin Osborn, the town hallโ€™s music and performance programmer is Bristolian, ergo heโ€™s bringing a taste of the city to Trowbridge, which itself has a blossoming post lockdown gig map. Yet if the mass appeal of Gary Kemp deejaying eightiesโ€™ dancefloor fillers at the reopened Civic this weekend wasnโ€™t your cup of tea, make your Trow-Vegas sojourn the Pump or Town Hall. Thereโ€™s a continuous programme of exhibitions, arts and music at the Town Hall and musicians queue orderly for bookings at the Pump.

With music performances set in a characteristic yet intimate setting, gigs are a convivial experience here, one easy to interact with the bands, and you come away feeling part of it rather than a face in the crowd. Agata though would make for a perfect Sunday festival act, and have played Larmer Tree, Dot-to-Dot and Simple Things.

Currently touring a lockdown inspired EP โ€œA Thread in the Dark,โ€ ร…lesund likewise, but the similarities donโ€™t end there. Again, a Bristol-based four-piece creatively pasting natural soundscapes into a mellowed original repertoire, with upfront drums, female vocalist on keys, and bass and lead guitars adjoining them. The main difference is only a hint more professionalism than Agata, a tad more powerful voice commands, and more prominence on that mystifying Celtic folk-rock of say, Florence and the Machine.

Alba Torriset fronts the band, explained to me the Norwegian namesake is rooted to her fatherโ€™s side. She cites Florence as a major influence, alongside Bat for Lashes, but she was eager to indicate Kate Bush to me too, as I nodded approvingly, thinking the same, and pointed to the preponderance of drums akin to Running Up That Hill. Also, her ability to use her voice as a musical instrument, results in a striking performance, as her naturally emotive soothing vocals carries you aboard her journey, equally as Kate Bush could.

On this particular occasion, in the usual drummerโ€™s absence, an apt replacement was found, and boy did she give it her all, causing me to reason she must belong to a more hard-hitting rock band, later confirmed by sound technician Kieran J Moore. And in turn, this was a spellbinding performance. Hypnotically pleasing it cradled their new lockdown inspired songs, as Alba expressed her solace to the tranquillity of the moment, in the absence of industry and traffic she focused on the birdsong, and her writing reflected this, a song called Dawn Chorus particularly inspired from the notion, enthused with subtle birdsong samples in the background.

So yes, yes indeed, a memorable and most enjoyable evening at the Trowbridge Hall; both ร…lesund and Agata less hip hop than predecessor Bristol scene acts like Massive Attack, less gothic than All About Eve, and less retrospective dejection than The Stranglerโ€™s Golden Brown, or 10CCโ€™s Not in Love, but equally capsulating, emotive and euphoric; just with an uplifting contemporary method, gaging and merging aforementioned influences, future-beautiful. If either of these bands play near you, youโ€™d be a fool to miss them.

As for the Town Hall, next Saturday (20th Nov) night proves not to be so laidback, as another Bristol-based band, IDestroy plans to bring a riotous, all-female party-punk live show to Trowbridge. Kid Carpet, Larkhall, Katherine Priddy all lead up to the new year, when 22nd January sees Gaz Brookfield booked, and comโ€™ ere, thereโ€™s moreโ€ฆโ€ฆ


Trending…..

Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

REVIEW โ€“ Ronnie Scottโ€™s Jazz Club On Tour @ Corn Exchange, Devizes โ€“ Thursday 11th November 2021

Jazz Is Back In Town!

Andy Fawthrop

Yay!ย  The Devizes Arts Festival is back in business, albeit in truncated format for this year, and kicked off public proceedings with a real bang last night in The Corn Exchange.

Despite being massively well served for all forms of live music in D-Town generally, jazz has been somewhat under-represented of late.ย  I certainly remember going to regular jazz gigs a few years ago, just next door in the Bearโ€™s Cellar Bar, but thereโ€™s been nothing much since.

But that was all put to rights last night as The Ronnie Scottโ€™s Jazz Club On Tour rolled into town.ย  This proved to be exactly what it said on the tin – direct from the world-famous jazz club founded by the eponymous Ronnie Scott in the late 1950s Londonโ€™s Soho, this was a live touring version of what generally happens โ€œliveโ€ in the club itself.ย  We were treated to what can only be described as a multi-media presentation, combining a world class live jazz quintet alongside rare archive photos and video footage.ย  We were taken on a guided verbal and musical tour of the history of this great cultural institution. ย Set amongst the dive bars and jazz juke joints of Soho, we heard of the desperate hand-to-mouth finances of the early years, the frequent police raids, and the various scrapes with gangsters (including the Krays, who were rumoured to have taken Ronnie and Pete โ€œfor a little driveโ€!)

Our โ€œMCโ€ for the evening, playing the role of compere, raconteur and sax soloist Ronnie Scott was the near-lookalike (and birthday boy) Alex Garnett.ย  He perfectly conveyed the seedy, dubious and wise-cracking humour of the man, combined with a clear love of the music, and appreciation of the skills of his fellow musicians.ย  On upright bass we had the dapper Sam Burgess, on piano the grinning James Pearson, and on drums the highly-accomplished Shaney Forbes.ย  Completing the line-up was vocalist Natalie Williams, who brought some real sparkle and show-biz pizzazz to proceedings.ย  Whether tackling numbers from the Great American Songbook, other jazz standards, or simply scat-singing, Natalie absolutely lit up the room with her enthusiastic personality and powerful vocals.

The band looked very comfortable on stage with one another, compact and tight when required, but giving one another just the right amount of space for the various solos.ย  I was particularly impressed with Shaney Forbesโ€™ drum solo in the first half.ย  The material chosen was eclectic, featuring forays into the back catalogue of Sarah Vaughn (โ€œSassyโ€), Chet Baker, Ella Fitzgerald, Chick Corea, Duke Ellington, Nina Simone, and many others.

If the aim was to convey โ€œthe feelโ€ of what it was like in the early days of an evening in Ronnie Scottโ€™s Club, then the quintet certainly succeeded.  A near-packed house was treated to a great eveningโ€™s entertainment, and lapped it all up.  A rousing call for an encore was the least they deserved.  A really great night out.  Letโ€™s hope someone in town now picks up the jazz baton again!

Devizes Arts Festival continues for the next week, with a large range of events, including several fringe (free!) events at various venues around the town.ย  See www.devizesartsfestival.org.uk/ for further details and booking information.ย  Of particular note are An Evening With Sally Barker (featuring the songs of Joni Mitchell and Sandy Denny) at The Town Hall tomorrow (Saturday) 13th November, and a rousing finale dance night with Motown Gold next Friday 19th November.ย  Some tickets for both are still available.


Trending….

You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo albumโ€ฆ

Ride & Oasis Member โ€œAndy Bellโ€ Brings his Space Station tour to Trowbridge

Not only am I old skool enough to recall DJ Sonique singing whilst on the wheels of steel, Iโ€™m even so aged to confuse this musician-come-DJ with the namesake of the Erasure frontman. But Sheer promoter, Kieran J Moore is excited with the announcement the frontman of legendary Oxford “showgaze” pioneers, Ride, also called Andy Bell is coming to our county town.

โ€œThis is huge deal for me,โ€ self-confessed massive fan of shoegaze and Ride, Kieran, explained, โ€œso being able to bring this Independent Venue Week to a new and very cool venue in our County Town is special.โ€ The reasoning for me bringing up Sonique is that on this Space Station tour, Andy deejays with live guitar, something I must say, is completely original to me.

Rideโ€™s album “Nowhere” will often jostle for top spot in the all-time-shoegaze lists with “Loveless” by My Bloody Valentine. But you may also know him from late 90s indie outfit Hurricane #1 or latterly as the Oasis bassist, joining them for their last four studio albums and finally Liam Gallagher’s post-Oasis band, Beady Eye. He’s also appeared live with Pink Floyd, The Creation, Talk Talk, and The Brian Jonestown Massacre, and has appeared on record as guitarist for Andrew Weatherall, and recently as bass player for Du Blonde. Wherever you know him from, heโ€™s a big figure in the industry, one of Oxford’s finest alumni and a noted figurehead of a scene.

Lockdown project, Andy Bell Space Station started in 2020, when Andy had a residency at Lo-Fi, a coffee shop in Crouch End, where he lives. As a way of reaching people with some form of live music, Andy started streaming performances from the empty coffee shop, playing electric guitar along with reworked versions of backing tracks from his various musical worlds, the backing tracks are deconstructed and extended in a way that makes them easy to improvise over; something Iโ€™d be both intrigued and impressed to see for myself.

Andy Bell will be performing his Andy Bell Space Station, at Trowbridge Town Hall on Sunday 6th February 2022, as part of a national campaign called, Independent Venue Week. Set at the end of January every year, the week-long campaign is designed to raise the profile and support independent venues during a period that is traditionally quite quiet.

โ€œThis is often done with underplays,โ€ Kieran explained, โ€œwhere a larger artist than would traditionally play a venue, goes in to give the venue a killer experience. This is also hand in hand with making the events really affordable and accessible.โ€

Tickets for our Andy Bell Space Station show go on sale this Monday, 15th November via WeGotTickets, priced a paltry ยฃ8, and in the spirit of things these gigs are all age too!


Trending…..

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to theโ€ฆ

Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโ€ฆ

REVIEW โ€“ TITCOโ€™s Switch The Lights Back On! @ The Wharf Theatre, Devizes โ€“ Tuesday 9th November 2021

TITCO Hit the Ground Running

Andy Fawthrop

Thatโ€™s it โ€“ the set is now complete!ย  Back in August we had the Fulltone Orchestra striking up once again after a long enforced lay-off.ย  In September Devizes Musical Theatre shyly peeked out from behind the showbiz curtain.ย  October saw White Horse Opera step out onto the stage, and now, in November, TITCO have finally switched on the lights back on!ย  And what a delight it was to have them back, completing the fantastic range of local music offerings based in D-Town.

Switched from the earlier venue of St Maryโ€™s to the, perhaps more suitable, surroundings of the Wharf Theatre, TITCO hit the stage with their presentation โ€œSwitch The Lights Back Onโ€.ย  From Chris Worthyโ€™s opening number of โ€œWilkommenโ€ from Cabaret, right through to the closing ensemble rendition of The Proclaimersโ€™ โ€œOver And Done Withโ€ we had a fast-paced and thoroughly enjoyable evening.

The two-hour programme included songs from Cabaret, Cats, Jesus Chris Superstar, Sunset Boulevard, School of Rock, Joseph, Spamalot, Billy Elliot, Les Miserables, Hamilton, Once, Everybodyโ€™s Talking About Jamie, and Sunshine on Leith.ย  The numbers chosen were not always the usual ones from those shows, not always the obvious biggest โ€œhitsโ€ that one would normally think of, but great songs nevertheless.ย  The items chosen, and the sequence of those songs, nicely showcased the individual talents of the cast members, giving most of them at least one solo, with duets and ensemble numbers.ย  It certainly worked for me.

The staging was simple and sparse, allowing the music to do all the talking.ย  Dressed all in black, with little in the way of colour or props to distract the eye, the songs were completely to the front.ย  Musical accompaniment was understated, but absolutely spot-on, provided by Dominic Irving on keyboard, Lou Hewitt on bass, and Becky Nottingham on percussion.ย  And in front of them, although itโ€™s always a little unfair to single out particular individuals, the stars of the night (for me at least) were Chris Worthy, Mari Webster, Matt Dauncey and Jemma Brown.ย  But there were strong performances all round.ย  And I also have to give a special mention to our local Fulltone Orchestra musical arranger and baton-wielder, Anthony Brown.ย  Iโ€™m so used to seeing him from the back conducting his orchestra, that Iโ€™d almost forgotten what he looked like, and that he has a wonderful voice!ย  Respect!

The showโ€™s finale consisted of three songs from โ€œSunshine On Leithโ€, the musical by Stephen Greenhorn, based on the music of The Proclaimers, a fitting trailer for the full-length production which will take place at St Maryโ€™s, Devizes next June 2022.

Overall, this was a thoroughly enjoyable show.ย  Full disclosure โ€“ Iโ€™m not the greatest fan of musicals โ€“ but even I couldnโ€™t help but warmly applaud this splendid show.ย  And I was in good company โ€“ the audience throughout was loud and enthusiastic in their well-deserved rounds of applause.

The show runs through to Saturday 13th November, and I have absolutely no hesitation in recommending that you get along and see it.ย  There are still a few tickets left (but not many!) โ€“ I guarantee that you wonโ€™t be disappointed, and that youโ€™ll have a great night out.ย  Trust me!


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Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

Spoiled Rotten in Devizes this November with Devizes Arts Festival, The Wharf Theatre, Long Street, TITCO, DOCA and more!

Spoiled Rotten in Devizes this November you are. In what is usually a quiet month leading up to yule, the easing of lockdown has detonated the month, opening it up as anyoneโ€™s game. Itโ€™s just so good to see a chockful event calendar for the whole county, and so many event organisers making a Rocky Balboa style comeback.

Dave and Deborah at the Southgate

Aside our dependable Southgate, whoโ€™ve led the way for events in Devizes, and continue to provide top notch live music every weekend, free I might add, itโ€™s exciting to see the Cavalier, The Muck & Dundar, and even the Condado Lounge in the running.

There are some big guns coming out too, as we welcome back the Wharf Theatre, who hosted The Paul Simon Story last weekend, and the return of the Invitation Theatre Company from Tuesday (9th) to Saturday (13th) this coming week. The Long Street Blues Club are back in force with three gigs this month, the Gerry Jablonski Band Saturday 13th, Force on the 20th, which is such a whopper itโ€™s coming out of The Corn Exchange rather than usual Cons Club, and the Antonio Forcione Quartet on the 27th.

If itโ€™s sounding good so far, weโ€™ve not even touched on Devizes Eisteddfod from Thursday 18th to Saturday 20th, The Lawrence Art Societyโ€™s exhibition at the Town Hall from 25th to the 27th, and of course DOCA bring the Winter Festival and lantern parade on the 26th.

With all that Iโ€™ve mentioned it would be understandable to have overlooked the icing on the cake; Devizes Arts Festival surprisingly pops up to host some awesome events this month, when itโ€™s usually confined to more summery months. Despite weโ€™ve outlined the individual gigs lined up at the Arts Festival, back when it was announced in August, such has lockdown caused much jiggery-pokery with the dates of such things, and not forgoing Iโ€™d suspect the Arts Festival got itchy fingers and simply couldnโ€™t wait until summertime to present us with some amazing performances, these things need reminders, so here I am!

Though the opening gig, Thursdayโ€™s Ronnie Scottโ€™s All Stars Jazz Club Tour has sold out, tickets for the others are on the table awaiting your attention, plus, of course thereโ€™s free fringe events across town too. Letโ€™s have another look at whatโ€™s on offer here, to wet your appetite shall we?

Under the banner, โ€œthe show must go on,โ€ the Arts Festival are delighted to welcome Sally Barker to Devizes, on the 13th. In this new show โ€˜Sandy, Joni & Meโ€™ she will bring some of the songs of both Joni Mitchell and Sandy Denny to the stage, exploring the singer/songwriter legacy that was forged in the early โ€™70s.

Veteran folk-blues singer/songwriter Sally Barker became Tom Jonesโ€™ finalist on The Voice UK 2014 after reducing her mentor, and many watching the TV, to tears with her performances. Sally has toured with Sir Tom, Bob Dylan and Robert Plant amongst others. Radio 2 DJ Chris Evans said, โ€œSally changes the atmosphere in a room when she sings.โ€

And Friday 19th is Motown Gold time at the Corn Exchange. Dust off your dancing shoes for a fabulous evening from a fantastic band. Motown Gold celebrate the finest songs from the timeless Motown and Classic Soul era, which kind of speaks for itself.

As for free Fringe events, The Muck & Dundar have loop pedal guru Arif Najak bringing laid-back reggae sounds on Friday 12th. Sunday 14th is at New Society, where youโ€™ll find Bristolโ€™s dynamic jazz vocalist Lucy Moon, performing energetic swing and classic swing-era tunes to liven up your Sunday lunchtime. Booking is essential for this one, contact New Society to reserve your table.

Thereโ€™s a couple more fringe events before the Arts Festivalโ€™s grand Motown finale; South Walesโ€™s Big Sky are at The Crown on Wednesday 17th, with roots rock infused with touches of blues, country and psychedelia, they are known for being one of the few bands containing brothers who have not yet had an on-stage altercation! And Thursday 18th sees Mark Harrison at the Three Crowns. An original and interesting songwriter, a stunning guitarist, and a master storyteller.

It is, in all my years of running Devizine, the biggest November Iโ€™ve ever seen! But the Devizes Arts Festival doesnโ€™t stop there, this is just filling a gap. I asked artistic director Margaret Bryant if there will be something in the pipeline for a summer arts festival too, and she replied โ€œyes, weโ€™re already planning 2022!โ€

But let’s not get ahead of ourselves here, just look forward to November; get your Devizes Arts Festival tickets here, for all other gigs and events, see our event calendar for links and info; see you out and about, folks!


Trending…..

Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, thisโ€ฆ

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. Theโ€ฆ

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trioโ€ฆ

How Common is โ€œSpikingโ€ in Wiltshire?

We’re talking with Wiltshire Police about spiking in the area, how common it is, how to best prevent being a victim of it, and what to do if you suspect you’ve been “spiked.”

Thereโ€™s been a truckload of media coverage of โ€œspikingโ€ nationally, with a notion towards a trend of using needles rather than the more common practises of topping up a drink or dropping a drug into a drink. If anything, itโ€™s made me realise how totally out of touch I am with modern clubbing. While it mayโ€™ve been a while since I got my groove thang on, which I feel imperative to add I can still cut-a-rug as good as any twentysomething, clubbing was a religion in my younger years, and I retain, just about, fond memories of carefree dancing the night away; but you donโ€™t want to hear about that!

Therefore, Iโ€™m saddened and literally sickened to hear stories in the press of youngsters whoโ€™d rather stay in than risk being spiked, and those whoโ€™ve been victims. So, Iโ€™ve called upon Wiltshire Police, to find out how common this appalling trend is in the county, what people can do to both prevent it, and what action they should take if they suspect theyโ€™ve been spiked.

Wiltshire Police told me, โ€œThis issue has caused a lot of interest recently and we are keen as a Force to make sure the story is being told correctly and the actual picture in Wiltshire is being shown.โ€ Still, Iโ€™d like to think cases in our county are low, and figures for the past three years in Wiltshire, supplied by Wiltshire Policeโ€™s Business Intelligence Unit show while twelve incidents were reported in 2019, this was reduced to eight incidents in 2020, which I suppose lockdown had an effect, because unfortunately, this year another twelve incidents have been reported. Police are keen to point out, these figures include instances where spiking may be mentioned in the summary of the incident but may not later be confirmed, and they relate to drink spiking, not needle spiking.

Yet this leaves me pondering incidents which go unreported, and Iโ€™m alarmed to read the charity Talk To FRANK website suggesting โ€œwhile the aim may be to incapacitate someone enough to rob or sexually assault them, sometimes it is just intended as a joke โ€“ a bad joke as it is very dangerous.โ€

Beggarโ€™s belief someone would do this as a prank, and in turn, I must say, Iโ€™ve had trouble angling this article. Firstly, if youโ€™re a regular reader youโ€™ll be aware I attempt sprinkling humour into my words, but thereโ€™s nothing funny to this issue. Secondly, I originally thought Iโ€™d have something concrete to say to anyone considering spiking another person, but I changed my mind; I have nothing to say to you which youโ€™d probably take heed of, and I could legally publish.

The concentration has to be on sending a message to potential victims, which could be anyone. Iโ€™d like to advise you not to let these nasty bastards spoil your fun, but at the same time I implore you to stay safe.

Watch your drink at all times, remain within a group of trusted friends, and if you believe youโ€™ve been spiked, try not to panic, but find support from friends. I accept this is easier said than done, the drugs these idiots use can be seriously intoxicating, things are going to get wobbly, so much more than having too many drinks, which should act as the indicator something is amiss, especially if youโ€™ve taken account of how much youโ€™ve drunk.

You may question whatโ€™s happening, where you are, even who you are, commonly used drugs like ketamine and Rohypnol are seriously debilitating, so getting help urgently is paramount. Wiltshire Police say, โ€œwe would encourage anyone who believes they have been the victim of spiking or have witnessed it to contact us on 101. Any reports of spiking will be investigated and taken seriously.โ€ Details of prevention on Wiltshire Policeโ€™s website can be found here, please read it.

FRANK gives tips to stay safe: Plan your night out, including your journey there and back. Make sure the venue you are going to is licensed โ€“ venues are required to take steps to ensure the safety of their customers. When going to a pub, club or party avoid going alone. Friends can look out for one another. Stay aware of whatโ€™s going on around you and keep away from situations you donโ€™t feel comfortable with. Think very carefully about whether you should leave a pub, club or party with someone youโ€™ve just met, and make sure your mobile phone has plenty of charge in it before you leave home and keep your mobile safe.

Iโ€™m pleased to read nightclubs like The Chapel in Salisbury and Tree Swindon freely distribute โ€œbottle stoppers,โ€ but contacting another two local nightclubs, I received no response when asking them what theyโ€™re doing to prevent such incidents. While I know itโ€™s not an easy issue, I urge them to reconsider policies such as no glass on dancefloors, hoping they can provide a plastic alternative. ย ย 

Wiltshire Police have launched Project Vigilant, with operations being carried out on a frequent basis to proactively prevent violence and sexual offences. You can read more about Project Vigilant on the Wiltshire Police website. A Wiltshire Police spokesperson said: โ€œWe continue to work closely with licensed premises and our partners across the county through initiatives like Project Vigilant to ensure everything is being done to spot the signs of predatory behaviour.โ€

FRANK continues onto how to avoid drink spiking, suggesting always buy your own drink and watch it being poured. Don’t accept drinks from strangers. Never leave your drink unattended while you dance or go to the toilet. Don’t drink or taste anyone else’s drink. Throw your drink away if you think it tastes odd.

There is also an initiative led by Wiltshire Council called Ask For Angela, which the Police supports. The scheme helps people who are on a date or who have met someone at a venue and feel unsafe get help from bar staff. Anyone who feels unsafe in such a situation can get help from bar staff by simply asking to speak to “Angela.โ€ ย Staff will then assist the person in leaving the venue discreetly and getting home or to a place of safety. This could mean taking the distressed person out of sight, calling for a taxi and making sure they get home okay or even asking the person causing distress to leave the venue if appropriate. Details about this are here.

To conclude, Iโ€™d just like to reaffirm my appeal you stay safe by taking heed of the advice, because although the media are focussing on needle spiking, spiking your drink is far more common and easier to execute. Prof Adam Winstock from the Global Drugs Survey says it would be difficult to inject someone with drugs in a night out situation, โ€œneedles have to be inserted with a level of care – and that’s when you’ve got the patient sitting in front of you with skin and no clothes. The idea these things can be randomly given through clothes in a club is just not that likely.โ€ But not impossible, and dropping a pill into a drink, well, this is far simpler, so go out and have fun, but be aware, please.


Trending…..

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Dovesโ€ฆ

Hells Bells! AC/DC tribute in Devizes

With our roads being the state theyโ€™re in, is it any wonder on the 5th April Hells Bells, rated as the UKโ€™s top AC/DC tribute,โ€ฆ

Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There mightโ€ฆ

Geckoโ€™s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for aโ€ฆ

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโ€ฆ

REVIEW โ€“ Climax Blues Band @ Long Street Blues Club, Devizes โ€“ Saturday 30th October 2021

New Music For Old Favourites

by Andy Fawthrop

Another trip up the hill to the Con Club for the latest pop-up session of Long Street Blues Club, and another great night with a busy and enthusiastic audience.

Support act for the night was Bristol-based Damian Arketta, a new name for me, but Iโ€™m always happy to listen to new talent.  Damian played a lot of his own stuff, which I found generally unremarkable, and a rather awkward cover of Heard It Thruโ€™ The Grapevine.  To be honest I found his singing style a little strident and shouty, and there was nothing special in his playing โ€“ no subtlety or nuance.  To me the applause sounded polite and supportive, rather than genuinely enthusiastic, but Iโ€™m aware that views may differ.  Thinking that I was perhaps being a little harsh on the guy, I asked around a bit and found a somewhat Marmite response โ€“ some folks thought he was really good, whilst others (like me) were far less enthusiastic.  Overall, however, you simply canโ€™t like everyone, and Iโ€™ll just say that he didnโ€™t really float my boat.

Main act for the night were the legendary Climax Blues Band.ย  The band were originally formed way back in 1968 by Colin Cooper who led the band with Pete Haycock through great success and recognition through the 1970s and 1980s.ย  The current 6-piece line-up, however, are a different set of guys now, but thatโ€™s not to say they donโ€™t have plenty of track record between them.

George Glover has been on the keyboards since 1981, Lester Hunton on guitar since 1986, and Roy Adams (drums) and Neil Simpson (bass) joined the band on a permanent basis around 1990.  The current line-up was completed by Graham Dee on vocals, and Chris โ€˜Beebeโ€™ Aldridge on saxes.

Why am I telling you all this?ย  Well there was much chat from frontman Graham Dee about the journey the band was undertaking in trying to blend the music from their historic roots, the material theyโ€™ve inherited, with the songs theyโ€™re writing and delivering today, the completely new material.ย  The band, quite rightly, want to move forward and to develop.ย  And the result, to my mind, was a complete success.ย  They delivered two good long sets of blended soulful, boogie-woogie, funky, bluesy music.ย  There was also a jazzy feel at times, as the musicians took their solos, then blending easily back into the groove.ย  The band looked and sounded comfortable, giving the music the space to breathe.ย  Deeโ€™s gravelly vocals, combined with Alridgeโ€™s seductive sax notes, added superb subtlety and tone to the driving rhythm section.

Dee was a terrific frontman, looking and sounding the part of the bandโ€™s MC, coaxing and encouraging all the musicians in turn as they took flight.  His rapport with the audience was spot-on โ€“ confidential, cheeky, honest, down-to-earth.  And, yes, he did mention from time to time that the band had a new album out (Hands Of Time)!  He also led the audience in a great call-and-response treatment of โ€œItโ€™s A Family Affairโ€ โ€“ exhausting, but great fun.  It was infectious, it was engaging, it was a great performance

Overall another great night at the club โ€“ great value to listen to world-class musicians in our own back yard.  Well done to Ian Hopkins and his team!  And thereโ€™s loads more good stuff in the pipeline too โ€“ see the listings below.

So โ€“ you know what youโ€™ve got to do โ€“ get out there and support live music!

Future Long Street Blues Club gigs:

Saturday 13th November 2021                   Gerry Jablonski Band

Saturday 20th November 2021                   Focus (Corn Exchange, Devizes)

Saturday 27th November 2021                   Antonio Forcione Quartet

Saturday 18th December 2021-                  KOSSOFF…The Band Plays On

Friday 14th January 2022                               Chicago Living Legends

Saturday 5th February 2022                         Tinsley Ellis

Saturday 19th February 2022                       Mike Zito Band

Saturday 26th February 2022                       Mark Flanagan Band

Friday 4th March 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Black Sabbitch (Corn Exchange)

Saturday 19th March 2022                            Soft Machine

Saturday 2nd April 2022                                 Alastair Greene Band

Friday 8th April 2022                                       Billy Bremner’s Rockfile (Devizes Town Hall

Saturday 9th April 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Carl Palmer’s ELP Legacy (Corn Exchange)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  CSN Express (New Rescheduled Date)


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Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โ€ฆ

Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Marketโ€ฆ

Itโ€™s Beginning to Look a DOCA Like Christmas

Devizes Outdoor Celebratory Arts are in the thick of planning for the Lantern Parade and Winter Festival, set to take place at the Market Place on Friday the 26th and Saturday 27th of November, but it looks doubtful the usual mass-gathering to see Santa Claus switching on the Christmas lights will be possible this year.

Divided in opinion on controlling the pandemic and vaccinations we may be, but Iโ€™m certain, though disappointed, it would be an understandable move to spread the festival out for safety reasons, as it did so well with the townโ€™s celebrated International Street Festival in the summer. Not forgoing, weโ€™ll all agree, the last person we need to test positive at this time of year, is Santa!

โ€œTraditionally Devizes Lantern Parade,โ€ DOCA announced, โ€œa huge magical community event comes to our streets on the last Friday of November, it is usually part of the Town Councils Light Switch on.  Things may be a little different this year.โ€

 But, letโ€™s look forward for the positives; posters are going up around town this coming week, lantern making workshops in schools and at the Wiltshire Museum will take place on the 7th and 21st of November, and DOCA is gearing up to present the town with a wonderful parade and market. โ€œWe can confirm that we will have an amazing festive market,โ€ they delight to inform, โ€œwith carefully selected sellers and makers bringing unique gifts, tasty food, and drinks to our Market Place.โ€

โ€œThe Makeryโ€ in the Corn Exchange will hold independent crafter stalls on both days, where youโ€™ll find beautiful handmade gifts. Fantasy Radio will be playing festival tunes in the Market Place, Devizes Town Band will bring class brass to the Market Place, from 6-7pm each evening, with fireworks straight afterwards, and the highlight lantern parade starting off at 6:30pm.

There is a revised route for the parade, DOCA advises checking maps on lampposts around the town. Collect your lanterns from St. Johnโ€™s Church between 5pm until 6pm. Leave unwanted lanterns under the Christmas Tree in the Market Place for recycling.

Other first-time things to look out for include the Air Giants, outside the Corn Exchange and the Town Hall at 5:30pm and 8:30pm. Amazing gentle giants, Triffid and Luma are huge illuminated, emotionally expressive, soft robotic creatures. โ€œYou may think the wind is blowing them, but they can actually sense you and will interact with you as you approach them,โ€ DOCA claim. This I have to see for myself; who knows, by the end of the evening weโ€™ll be best buddies and probably stop off for a pint at the British!

Also look out for Ghost Caribou; part caribou, part spirit, roam a mystical world after dark. That being outside the Mayflower on Long Street at 5:30pm and 7:10pm, and theyโ€™ll go walkabout along the High Street and Long Street afterwards. Join them as they clear a space to perform their other-worldly ceremony, with music, song and shadow puppets they tell stories of lost homes, impossible migrations and seeds of hope before continuing the journey into their hauntingly beautiful dream-world of the night.

Spooky! Hope to catch you there, with mulled wine and mittens! Find out more, HERE.


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The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic ofโ€ฆ

Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisonersโ€ฆ..โ€ฆ

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because theyโ€ฆ

REVIEW โ€“ White Horse Operaโ€™s Top Of The Ops @Town Hall, Devizes โ€“ Friday 29th October 2021

Love Potions & Family Curses

by Andy Fawthrop

Another sign that things are slowly getting back to normal was the re-emergence on Friday night of the rarely-seen, but very talented, White Horse Opera with their first post-Covid presentation of the dodgily-titled show โ€œTop Of The Opsโ€ in the splendid surroundings of Devizes Town Hall.  I think the title was meant to be a play on words involving the word โ€œoperaโ€, but never mind.

The two-hour-plus show featured excerpts from two comic operas โ€“ Donizettiโ€™s โ€œLโ€™Elisir Dโ€™Amoreโ€ (the Elixir of Love) and Gilbert & Sullivanโ€™s โ€œRuddigoreโ€, together with several other pieces.ย  The purpose in selecting these two particular operas was to highlight the fact that the company are planning to perform them both in full in 2022 โ€“ the Donizetti next October, and the G&S as a bookable touring production for local venues from Spring onwards.

But on Friday night (also reprised on Saturday night), the emphasis was on presenting a rich selection of items, and to get singing once more in front of a paying audience.ย  We kicked off with guest tenor Carlos Alonso leading the charge into the Donizetti, with strong support from in-house principals Lisa House and Stephen Grimshaw.ย  And before we reached the interval we had highlights from Mozart, Saint-Saens, Bizet, Gounod, and Borodin amongst others.ย  Paula Boyagis and Barbara Gompels were the stand-out performers here.

The Town Hall is a splendid venue for this sort of music, with its high ceiling, great acoustics, and plush formal decoration.  The only minor problem is the chandelier-based lighting, which makes it difficult to dim the lights in the audience whilst leaving the action on stage well-illuminated.  But this is a tiny quibble when compared to the overall glory of the historic surroundings.

On to the second half, which took more of a sideways step in its selection of items.  A particular highlight for me was Lewis Cowenโ€™s rendition of Tom Lehrerโ€™s โ€œMasochism Tangoโ€, which I discovered I was still nearly word-perfect on, but thatโ€™s just my particular perversion.  We also had pieces from Flanders & Swann, Kismet, West Side Story, and Little Shop of Horrors.  But the key pieces were from Gilbert & Sullivanโ€™s fantastical comic opera โ€œRuddigoreโ€, a particular favourite of mine.  This featured some nice solos from Chrissie Higgs and Jess Phillips, but with strong and fulsome support from the whole company.  Pianist Tony James, the sole musician, was impeccable in providing bright and upbeat accompaniment.

So by the end of the evening we were all au fait (and very well-acquainted!) with such musical technical terms as glissando (sliding from one note to another) and colatura (elaborate ornamentation).  Iโ€™m no expert, and couldnโ€™t carry a tune if you gave me a large bucket, but I know what I like when I hear it, and I definitely liked all of tonightโ€™s performance.  Not only did it sound good, but it was obvious that the performers were enjoying themselves, and the packed audience certainly appreciated it.  Great night out & amazingly good value for a tenner!

Future WHO events:

18th December                                 Faurรฉ ‘s Requiem/ Christmas Concert7.30pm St John’s Church Devizes

Sat 8th Jan 2022                               Top of the Ops                                   7.30pm West Lavington Village Hall

Spring 2022                                        Ruddigore                                           7.30pm Venues TBA

26th, 28th & 29th Oct 2022          L’elisir d’amore                                 7.30pm Lavington School

More information on WHO is available at www.whitehorseopera.co.uk


Trending….

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this yearโ€ฆ

The Life of Brian, in Rowde

So, itโ€™s finally come to pass, beginning to look a lot like autumn and a Halloween weekend crammed with events I feel I should attend conflict against the general drizzle looming outside. Having a soaking every morning at work Iโ€™m dubious to continue past summery wanders up the hill to Devizes, coupled with my newfound knowledge itโ€™s actually easier to get to the Sham from Rowde via public transport and I really felt like a cider or five.

While I appreciate the killons (thatโ€™s a zillon zillions) of invitations I get per weekend, I opted for the easy route and headed for The Cross Keys in Rowde, a local I neglect in pursuit of trekking the county gig hunting, yet which holds many fond memories, including my own wedding reception!

A grand open-plan Waddies, The Keys served the village community with historically a mixed bunch of landlords, some, it must be said, far more dedicated to the task than others. Given an interior paint job complete with retro movie and rock n roll stencils the new owners have recreated the friendly and down-to-earth welcoming atmosphere. They boast a new chef and the continuation of an affordable Sunday carvery, the legacy of the previous owner.

But Iโ€™m not here on chance, or for a roast potato; the Rowde landmark opens itself back up for a live music event, and Iโ€™ve not heard of the billed โ€œLife of Brian Band.โ€ Promising pop-rock from the sixties to the noughties and boasting the frontman, conveniently called Brian to avoid any Monty Python quips, as a former guitarist for Kate Bush. Okay, Iโ€™m game.

Usual wobbly photo from yours truly; always the mark of a good night!

Took a while to kick off, as best things to come to those who wait, plus with their usual drummer absent, Jim from Rowde band Eazilyled made an outstanding adlib performance between this couple of, shall we say, matured and proficient gents, on lead and bass guitars. Eventually cracking open with The Temptationsโ€™ My Girl, and following with a plethora of well-defined Beatles, Rolling Stones and Kinks classics, including a wonderfully delivered Waterloo Sunset, Brain and his bass player skilfully executed a grand show of anthemic rock n roll and blues pop covers.

Though there was nothing ground-breaking going on here, it was a rousing and professional sporadic pub band clearly and nostalgically loving every minute of the spotlight. That makes it for me, the sheer expression of bliss and fun, particularly from the bassist. It gives the impression theyโ€™re in their element, and they were, rocking out. The couple bouncing off each other with slight banter and dexterous guitarwork, with drummer Jim challenged to improv the next moves from this refined double act, blessed the Cross Keys with an exhilarant evening; hereโ€™s hoping for more.

Arguably the noughties where underrepresented, but I donโ€™t believe this mattered one iota to the punters, as Beatles and Stones works for every generation. Plus, alongside we had guaranteed crowd-pleasers from Cream, Free, even the Travelling Wilburys, at times soul with Wilson Pickett and Sam & Dave covers, an especially adroit couple of flashes of the Policeโ€™s Roxanne and Message in a Bottle, and some memorable moments with the Whoโ€™s Squeeze Box and Tom Pettyโ€™s Learning to Fly. What they did they do with charm, professionalism and enjoyment, and one canโ€™t ask for more than this.

A blessing to know the Cross Keys is on top form, and Iโ€™d welcome more live music nights, encourage Paul, the landlord to get in touch with some recommendations, if he so wishes. Because while one might trek to towns and cities in want of live music, our villages need some love and attention too, saving stranded people some taxi fees or steps on their FitBits!


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REVIEW โ€“ Jack Grace Band @ The Southgate, Devizes โ€“ Sunday 24th October 2021

Another Cracking Show

by Andy Fawthrop

It was February 2020, pre-pandemic, pre-Lockdown, that the New York-based Jack Grace Band last performed at The Southgate.ย  I remember that show as being a cracking night out, so I wasnโ€™t going to miss a second bite at this rather luscious cherry.ย  Jack is on a short UK tour, before heading back to the US for a few more gigs.

With an eye on the weather forecast, Dave & Debs had moved the gig indoors โ€“ a smaller space to see the band, but a much better intimate atmosphere.  Getting back to old times almost.

Appearing previously as a trio, this time the โ€œbandโ€ consisted of only one other musician, drummer Ian Griffith.ย  Yet this didnโ€™t appear to slow Jack down one little bit.ย  We got two great sets, packed with songs, stories and great audience banter.ย  The songs were punchy, often short and to the point, with witty whip-smart lyrics and some spot-on guitar picking.ย  Each one was introduced with the story behind it, often featuring booze, love, women and the life as a musician.ย  The music was full of hooks, foot-tapping riffs and catchy lyrics.ย  We even had audience participation, with Jack managing to poke fun at what he referred to as Britainโ€™s โ€œwarmโ€ beer.ย  But weโ€™ll let him off that little insult.

https://fb.watch/8TLBXzgiFv/

Jack is not just a song-writer and a musician, heโ€™s also a born raconteur and a great all-round entertainer.  Using harmonica, guitar and vocals he was able to quickly conjure up vivid pictures of past scenarios, memories, jokes and his occasional brushes with fame.  Only one number in and the audience were completely onside.  This was what live music is all about โ€“ a man who wants to play and get close to his audience, and a crowd who were absolutely out to enjoy themselves whilst having a few beers.  Great gig.

Future gigs at The Southgate:

  • Friday 29th October โ€“ Grizzly Rhys Morgan 9pm
  • Saturday 30th October โ€“ Celtic Roots Collective
  • Fri/ Sat/ Sun 29th โ€“ 31st October โ€“ Beer & Cider Festival

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Discovering Swindon Story Shed

With Dad’s taxi on call in Swindon and a few hours to kill whilst her majesty is at the flicks, it was fortunate local authorโ€ฆ

The Rise of Winter Festivals

Once upon a time it seemed to me, that folk would grin and bear the winter weather for the sake of a Christmas lights switchingโ€ฆ

In Retrospect With Gary Martian

So yeah, not only has Cracked Machine and Clock Radio drummer Gary Martin added a letter A to his name to make it sound moreโ€ฆ

Barry Reviews Strange Folk at The Southgate!

Well, what can I say? They might lose a couple of brownie points for the singer continuously referring to me as โ€œBarry,โ€ but Somerset-Hampshire psych-folk rock four-piece, Strange Folk, who graced Devizesโ€™ Southgateโ€™s little magic box last night can afford to!

Aside an acoustic set in Crewkerne, it was their first electric gig post-lockdown, and the first time theyโ€™d played at Devizes answer to the O2, though some may cast their minds back to a brighter sunny day when they showed us what theyโ€™re made of at Pete & Jackie of Vinyl Realmโ€™s alternative stage at DOCAโ€™s street festival. It was on the grounds of this outstanding performance which summon me to the Gate, not forgoing the awe-inspiring tune they sent us for the Juliaโ€™s House compilation. Which, in turn wouldโ€™ve substituted any lost gold stars for the Barry banter!

A small price to pay to ensure they played Glitter the very song they kindly contributed, a request which took them by surprise, being recorded during lockdown, they were unprepared, and hadnโ€™t yet played it live. Still, as was the entire gig, they made a grand job of it, and Iโ€™m about explain why.

Itโ€™s David Setterfieldโ€™s sublime electric and acoustic guitarwork coupled with the awe-inspiring power of Annaliseโ€™s voice, which bounds their sound beyond the confounds of the usual gothic-folk rock genre. So soulfully captivating is this voice, and is the gifted guitar, at times thereโ€™s a natural nod to electric blues, particularly of the late psychedelic sixties sort. In fact, I was praising them to someone, Bran Kerdhynen, I believe, one half of the Celtic Roots Collective, by suggesting they remind me of โ€œWhite Rabbit,โ€ which they indeed later covered, along with the other Jefferson Airplane anthem โ€œSomebody to Love.โ€

If I could think of no other cover so apt for their particular and inimitable sound, covers of T-Rexโ€™s 20th Century Boy, Gold Dust Woman by Fleetwood Mac, and the Stones at their most enchanting with Gimmie Shelter, also fit the bill perfectly. Tainted Love being perhaps the outside chance, but very much based on Soft Cellโ€™s version, Iโ€™ll give them that too, for the goth perspective.

Similarly, though, as I said about Freyโ€™s Beerโ€™s Beast album a few days ago, the professional finish and hauntingly alluring female voice, rather than the gritty vocals common with said genre, despite not being the black hair dyed and leather friendship bands type, I devoured, because Strange Folk sweep the arena of All About Eve, into System of a Down and Blind Melon, to blend Fairport Convention with Jethro Tull and Hendrix. And I was born out of time, loving to have hitchhiked to San Francisco with a flower in my hair.

Yet at times covers at the Gate last night felt pushed, as to appease a perceived audience, compared to their own original compositions; they were the icing on the cake and truly ushered you away on a petite mind-trip. The coupling of David and Annalise would be bare without the proficient bassist, Ian and drummer, Steve tucked in the back of the skittle ally, and they rocked through their own songs more so. For future reference, unlike many a pub gig, originals are encouraged here.

Talking of here, it was lovely to be back at the Southgate after gallivanting somewhat to bring news of other venues in our rural precinct, for while they do exist, for me, just like Norm Peterson and Cliff Clavin, sometimes you wanna go where everybody knows your name, except, it seems for the lead singer on this occasion! I mean, Barry, for crying out loud; do I really look like a Barry to you?! Rhetorical, you donโ€™t have to answer that.

The canopies over the beer garden have become locally legendary, a testament in our town, to upholding live music throughout this era, and Deborah and Dave have created this haven, where youโ€™ll see no drunken squabbles and feel no bad vibes.

Nice to hear their communal acoustic jams have respawned on Wednesday evenings, and next Saturday is the time for The Blind Lemon Experience, Billy and the Low Ground following on the 23rd October.

Meanwhile Strange Folk have three singles, an EP from 2014 called Hollow Part 1, and a debut promo EP from 2004, which are very worthy of your attention. Around our way again at B-O-Aโ€™s Three Horseshoes for Halloween, their sound is a gorgeous gothic-folk crossover professional enough to captivate even those with a passing interest in the genre.

ย 


REVIEW โ€“ Jimmy Carpenter โ€“ Long Street Blues Club โ€“ Saturday 2nd October 2021

Long, slow sax in the evening

Andy Fawthrop

I think weโ€™re all partial to some casual sax when itโ€™s on offer, so it didnโ€™t take much persuasion to get me back up Long Street to the Con Club for the next date of Long Street Blues Clubโ€™s winter season.ย  Tonight it was the turn of Las Vegas-based Jimmy Carpenter and his band, and the Devizes date was the first night of their UK tour…..

But first things first.ย  Acoustic support act for the night was Lewis Clark, shorn of his Essentials for the evening โ€“ just the man, his voice and his guitar.ย  Lewis played mostly his own material, and a lot of the songs were new.ย  These were often raw in emotion, but still strong on melody, with some intricate guitar playing and soaring vocal work.ย  He did play one cover โ€“ John Martynโ€™s I Donโ€™t Wanna Know, and a damned fine job he made of it too.ย  Lewis is a talented guy, and the crowd clearly appreciated it as a great start to the eveningโ€™s entertainment.

Then it was onto the main man โ€“ Jimmy Carpenter.ย  The man came highly recommended on the back of his new album (Soul Doctor) and his Blues Foundation 2021 award for Best Instrumentalist.ย  The guy is a saxophonist, singer-songwriter, and arranger and has been in the music business for over 35 years โ€“ and it showed.ย  I was new to the guyโ€™s music, but was totally won over by the end of the night.

The 5-piece band played two 50-minute sets and it was the mark of how darned good it was that it seemed to slip by in half that time.ย  Jimmy was in total control of his band (including a bassist brought in at the last minute due to a possible Covid scare) and, after a few numbers, in control of the crowd.ย  The sets featured several original tracks from the album, including a really superb rendition of the eponymous Soul Doctor, together with a seamless leavening of carefully selected covers.ย  Just as I was beginning to think of comparisons โ€“ Van Morrison, Southside Johnny, Junior Walker โ€“ up came the latterโ€™s Shotgun.ย  We also journeyed through Peter Greenโ€™s Need Your Love So Bad, Otis Clayโ€™s Trying To Live My Life Without You, the Rolling Stonesโ€™ Shine A Light, Freddy Kingโ€™s Surf Monkey and Eddie Hintonโ€™s (of Muscle Shoals fame) Yeah Man.ย 

All of this was played with enormous panache and great energy, effortlessly working through Memphis soul, boogie-woogie, rock & roll, and blues.  And not content with blowing some wicked sax and putting out a great line in gravelly vocals, the man kept flipping over to lead guitar โ€œjust for a restโ€.  What a performer!  Needless to say the crowd lapped it up.

Great nightโ€™s entertainment, and what good quality live music is all about!ย  Best sax Iโ€™ve had in ages!

Future Long Street Blues Club gigs:

  • Saturday 30th October โ€“ Climax Blues Band (at Devizes Town Hall)
  • Saturday 20th November โ€“ Focus (at Devizes Corn Exchange)
  • Saturday 27th November โ€“ Antonio Forcione Quartet
  • Saturday 18th December โ€“ Kossoff: The Band Plays On
  • Friday 14th January 2022 โ€“ Chicago Blues Allstars

WIN 2 FREE TICKETS HERE!

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Christmas Greetings From Devizine!

Here’s our Christmas video Greeting, ho-ho-ho! Filmed on location at DOCA Winter Festival, Devizes, 2024 by Jess Worrow. Merry Christmas everyone!

The Evolution of Kirsty Clinch

“The only thing disappointing about Kirsty Clinchโ€™s Evolution is, it ends.”

Itโ€™s a generation X thing, Iโ€™m suggesting, which levels me to downloading an album as the last port of call to actually โ€œowningโ€ something anywhere near physical, against this era of streaming music, sourly missing the fondness of holding a piece of vinyl for all its crackles and jumps. Because owning an album was like a piece of treasure, the cherished keepsake sense you donโ€™t get with streaming, and in review today is exactly the sort of album to be such a cherished keepsake.

Nevertheless, Wiltshireโ€™s adorable country-pop virtuoso, Kirsty Clinch has mastered the art of marketing, and with a drive to succeed, knows precisely through social media, how to gain and keep engaged a modern audience, equally to her exceptional gift as a musician and singer-songwriter. Yes, you couldโ€™ve guessed it, her new album Evolution is a masterpiece. The finale of which being aptly a tune called Social Media, which expertly reflects on the image one projects online against the hidden imperfections of reality.

But the ingenuity of marketing is a miniscule element as to why Kirsty manages to reach the fourth position in the iTunes charts in under a few short weeks of releasing her debut album, against the much larger reason that this is the sort of music which doesnโ€™t require pigeonholing, because whatever the angle of your personal taste, youโ€™ll emerge from it thinking; you know what, I like country-pop now.

So, I bite the bullet, stream it on Spotify, like a fledgling, mottled boss, ignoring the invasion of adverts for the sake of hearing an album Iโ€™ve held in high anticipation, since she mentioned it to me quite a while ago. If itโ€™s taken time, itโ€™s primarily Kirsty being a perfectionist, and it shows. Nothing here will disappoint or make me doubt the faultlessness of the composition of this album, and in turn, Kirstyโ€™s talent, her picture-perfect balance, in such a way, itโ€™s impossible not to love.

Around and Aroundโ€™s modest drum makes this song an irresistible introduction, if the astute song writing, complimented by Kirstyโ€™s rich and warming voice, doesnโ€™t, oh but it does. Waterโ€™s Running Low continues the quality, confirming youโ€™re in for a beautiful journey, ten tracks strong.

Fit The Shoe, the single weโ€™ve fondly mentioned prior, is hauntingly divine, like William Orbitโ€™s production of Madonnaโ€™s Frozen, with a theme of who the cap fits, which is followed by the title track, again, wonderful. Uplifting is the keyword throughout, maintain the balance of sombre yet jubilance. I am Winning, a song of faith in your accomplishments, being a grand example, it drifts over you, as if itโ€™s always been in your life.

Previously thereโ€™s always been an obviously and well played out taste of countryโ€™s female giants clearly influenced in Kirstyโ€™s songs, of Tammy or Dolly, but here, now, this is wholly Kirsty, it sounds freshly awakened to the junction whereby one day, not far away, reviewers will cite her influence on newer folk artists; that much I’m certain. 

Perhaps the memorable, yet not as quirky as the title suggests, No Cornflakes makes me sigh, are we past the halfway mark already? The only thing disappointing about Kirsty Clinchโ€™s Evolution is, it ends.

But not before I Am Me, a rejected romance theme, breaths the most heart-warming narrative of all, with a trialling drumbeat imposing you to realise her style is contemporary, rather than the genreโ€™s archetypal nostalgia. And three more tunes which never faulters the experience, the catchiest of them being Down, and it ends with the aforementioned Social Media.

In this finale you get the confirmation behind the stunning, echoing voice lies honesty in the song writing, from the heart and soul. And thatโ€™s itโ€™s worth, in a nutshell, you feel as if youโ€™re getting a little piece of this performer, who is the whole deal, plus one. Self-managed, produced, save the odd tip and mastering from Pete Lamb, marketed, Kirsty even drew the cover illustration. She puts the young students of her newly opened music school before that of promoting this album, she surely shines, and if you heard her previous songs, seen her perform live, youโ€™ll remain convinced this album, is Kirsty indeed evolving into a shooting star you cannot ignore.


Trending….

Chapters, New Single From Kirsty Clinch

Okay, so, Iโ€™m aย  little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning Iโ€™ve not yet mentioned Kirsty Clinchโ€™s newโ€ฆ

Devizes Writers Group Win Silver Award

Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group… At the National Community Radio Awards held in Cardiff on 16th November Together!, theโ€ฆ

Pumpkins & Poppies with Devizes Town Band

In six weeks, the historic Devizes Town Band will be performing at their first indoor concert for two years!

On Sunday 31st October, Devizes Town Band are thrilled to be bringing to you a very special โ€˜Poppyโ€™ Concert supporting the Royal British Legion; โ€œPumpkins and Poppiesโ€

An afternoon of beautiful and entertaining music, to celebrate on Halloweโ€™en being able to perform again and to remember those who served, those who live with the consequences of conflict and those who paid the ultimate price. The concert will be held in the Corn Exchange, Devizes. Doors open at 2pm and the performance will start at 2:30pm.

All seats will be socially distanced and the building is fully air conditioned. Tickets are ยฃ10 each and available online via the link below from today!

You can also get them from the lovely Jo at Devizes Books. We Will Remember Them. Come along to our concert and remember them too….


Win 2 Tickets; Click Here!

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Hansel & Gretel: Panto at the Wharf!

Images: Chris Watkins Media It was lovely to spend Sunday afternoon at Devizesโ€™ Wharf Theatre, to see how this yearโ€™s pantomime Hansel & Gretel, isโ€ฆ

No Worries; Worried Men at The Pump

Long overdue a visit to the Pump in Trowbridge, Jamie Thyer, frontman of the Worried Men twisted my arm Friday night and there I was,โ€ฆ

Ian Siegal at Long Street Blues Club

Devizes is often spoiled for choice when it comes to live music. Swindon folk ensemble SGO at the Gate would’ve been an excellent decision forโ€ฆ

Wiltshire Music Centre Announces New Joint Leadership

Wiltshire Music Centre is delighted to announce the new appointments ofย Danielย Clark as Artistic Director, andย Sarahย Robertson as Executive Director.ย Danielย andย Sarahย join Wiltshire Music Centre in a new co-leadershipโ€ฆ

REVIEW โ€“ Creedence Clearwater Review โ€“ Long Street Blues Club โ€“ Saturday 18th September 2021

Up Around The Blues Club

By Andy Fawthrop

Well, itโ€™d been a long old time but finally โ€“ finally! โ€“ we were back after 18 months to Long Street Blues Club, hosted by The Con Club.ย  The original artists for this gig had been the USA-based Billy Walton Band but, once one or two other dates on their European tour had been cancelled due to Covid restrictions, found that the tour as a whole had become unviable.ย  Hopefully theyโ€™ll be re-scheduled for 2022.

Which left Ian Hopkins needing to scrabble round fairly quickly in order to fill this date for tickets already sold โ€“ and what a great job he did at such short notice.  He found two very competent acts to step in, and the gig could go ahead, even if not quite as originally planned.

Kevin Brown

Support for the evening came from an old mate of mine, Kevin Brown.ย  He of the oil-can guitar, the blues slide guitar and, when playing on the local pub and festival circuit, Shackdusters fame.ย  This was his first appearance at the club, playing solo.ย  His laid-back, humorous, self-deprecating style quickly won over a large audience, who listened in rapt attention. Kevin writes his own material, based on his life experiences, so that the man and the music blend almost seamlessly. His JJ Cale tribute number was particularly impressive.ย  A very winning performance, which elicited fulsome and well-deserved applause – so letโ€™s hope heโ€™s invited back in the future.

The main act, Creedence Clearwater Revival arrived with a โ€œshowโ€ โ€“ a pre-programmed set, introduced by, and intercut with documentary voice recordings by members of the original band.ย  Early on the band explained โ€“ if explanation it was โ€“ that their rhythm guitarist โ€œcouldnโ€™t make itโ€, so they were doing the show as a trio.ย  An odd start, but then they got on with ticking the hits off the list โ€“ Up Around The Bend, Rocking All Over The World, Heard It Thruโ€™ The Grapevine, Midnight Special, Because Youโ€™re Mine, As Long As I Can See The Light, Bad Moon Rising, Born On The Bayou, Proud Mary, Have You Ever Seen The Rain.ย  The show โ€“ delivered as two fifty-minute sets โ€“ was performed with confidence and aplomb.ย  By the end we had singalongs and quite a few folks up dancing at the front.

And yet. And yetโ€ฆ..and yet it left me rather un-moved.  I grew up with the music of CCR and John Fogerty, so Iโ€™d like to think Iโ€™m a bit of a fan of their material.  So I was surprised to find the show rather unexciting.  The band were professional and competent and captured, to some extent, the โ€œfeelโ€ of CCRโ€™s bayou-based sound. Yet somehow, something of the original CCRโ€™s drive and energy was missing.  It felt a bit โ€œCCR-by-numbersโ€ if you get what I mean? I thought perhaps I was being a bit super-critical, so I consulted a few people whose musical opinions I respect (as well as a few whose musical opinions I donโ€™t respect) and there seemed to be a clear consensus โ€“ it was OK: the band were good, but not great.  My own acid test on these things is โ€“ would I pay money to go and see them again?  Sadly, my answer would be in the negative.  It felt a bit one-dimensional. There wasnโ€™t a whole lot of audience engagement.  Theyโ€™d come to play a show, and they played it.  Job done. No criticism whatsoever of the great job done by Ian, but not every band can float your boat, can it?

Future Long Street Blues Club gigs:

  • Saturday 2nd October โ€“ Jimmy Carpenter
  • Saturday 30th October โ€“ Climax Blues Band (at Devizes Town Hall)
  • Saturday 20th November โ€“ Focus (at Devizes Corn Exchange)
  • Saturday 27th November โ€“ Antonio Forcione Quartet
  • Saturday 18th December โ€“ Kossoff: The Band Plays On
  • Friday 14th January 2022 โ€“ Chicago Blues Allstars

WIN 2 Free TICKETS HERE

Trending….

What’s Happening During November in Devizes?

Remember, remember, weโ€™re moving into November; leaves, loads of โ€˜em! Being as we are no longer doing weekly roundups, hereโ€™s some highlights of events inโ€ฆ

YEA Devizes: DOCA New Youth Project

Devizes Outdoor Celebratory Arts announced their upcoming project, YEA Devizes today. Made possible by a grant from National Grid Electricity Transmissionโ€™s Community Grant Programme, theโ€ฆ

Help Choose a Charity For A Fundraising Music Event in Devizes….

A prestigious live music gig is being planned for Devizes. Top secret, if I spill anymore beans about it they’d be forced to shoot me, and I know you wouldn’t want that…..would you?

I thought not, not even if they just skimmed my kneecap with a spud-gun?

But what you can help the organisers decide is, what local non-profit charity would you want this event to fundraise for, should it go ahead?

I’ve added some worthy charities, but you can add your own if you wish. Please give us your feedback asap, takes a second, thank you! And yes, I’ll tell you all about when the time comes, just, like push me, man!

REVIEW: Devizes Town Band โ€“ Proms in Hillworth Park โ€“Sunday 12th September 2021

Sun Shining & All Is Well with The World

Andy Fawthrop

Does anybody else feel like things are starting to roll again?ย  I mean like โ€œnormalโ€? โ€“ not the โ€œnew normalโ€, not the โ€œold normalโ€, but just โ€œnormalโ€?ย  Just me then?!

After snuggling up with the BBC on Saturday night to witness the old โ€œlast night of the Promsโ€, with a cup of warm Horlicks and a packet of McVities digestives, and remembering that this was what itโ€™s always been like at this time of year, I came over all nostalgic.ย  You know what I mean โ€“ the slide into Crimbo & the New Year via โ€œputting the clocks backโ€, Halloween, Gunpowder Plot (and Thanksgiving if youโ€™re of a Yankee persuasion).ย  And the โ€œit must be Autumn because Strictlyโ€™s started up againโ€.ย  Yeah โ€“ all that.ย  Soon be snow on the ground, blah, blah, blahโ€ฆ

Well, Sunday in Hillworth Park proved that thereโ€™s still a bit of life left in the old Summer yet, and itโ€™s not quite time to pull out the long-johns and big coat.ย  A large group of D-Town citizens turned out with camping chairs and picnic blankets to be royally entertained by Fantasy Radio (broadcasting live), the talented young singer Chloe Jordan, and the massed might of the Devizes Town Band, with their version of Proms In The Park.ย  Children played, dogs scampered around, people ate ice-creams and queued for the loos.ย  This was England!ย  This was Summer!ย  All good traditional stuff.

Chloe Jordan

We were treated to a wonderfully varied programme of songs and music, ably MCโ€™d by Mark Jones of Fantasy Radio 97FM, and under the direction of the enthusiastic Sharon Lindo.ย  There were great solos from Jim Keenahan and Bruce MacDonald, ensemble and orchestral pieces, and of course the traditional rousing coda of Sailorโ€™s Hornpipe, Rule Britannia, Jerusalem (beautifully rendered by Chloe), and the National Anthem.ย  We had everything โ€“ clapping, singing, dancing, flag-waving โ€“ from the enthusiastic crowd.ย  If anyone was feeling a little blue after months of Lockdown, no-one had told the hundreds of people who were out to enjoy themselves.ย  And they rewarded the performers with a pretty darned good ovation at the end.ย  Perhaps we ought to ask the Town Council to build us a bandstand?ย  Just a thought. (Yes Andy, I suggested this too; Ed!)

A really cracking way to spend a Sunday afternoon!

Next Devizes Town Band concert – Sunday 31st October in the Corn Exchange

Future Events in Hillworth Park: Party In The Park โ€“ Fantasy Radio โ€“ 2pm to 5pm 19th September 2021


WIN! Two tickets to Gary in Punderland @ The Corn Exchange

Trending…..

The Mist; New Single from Meg

Chippenhamโ€™s young folk singer-songwriter Meg, or M3G if you want to get numeric, will release her 6th single The Mist on Friday 18th October, andโ€ฆ

Some Reasons Why I Enjoyed Jesus Christ Superstar at The Wharf

One reason why I enjoyed Jesus Christ Superstar at Devizes Wharf Theatre yesterday evening, is similar to why I like sci-fi and fantasy genres.

No, hear me out, long winded it maybe, but thereโ€™s a point! With sci-fi you can take an earth-bound concept, and moving it from its usual perimeters, see it for what it truly is, without being predetermined via propaganda or personal opinion. Example; racism. Take a green coloured race of aliens fighting with a blue race, and from outside looking in you can see how completely meaningless and rash it is.

Jesus Christ Superstar throws out preconceptions of this renowned Easter story, bought about by biblical re-enactments and more commonly accepted adaptions. In essence, itโ€™s a rock opera, opera is tragedy, and rock music is modernised, least it was when Tim Rice and Andrew Llyod Webber created it.

I often wonder what it was like for Michael Jackson, in the limo to the show, mobbed by obsessive devotees throwing themselves unashamedly at him. In a way, the tragic desolation and isolation of fame is more the subject in question, rather than the biblical Easter story. Just like our sci-fi scenario, it never suggests a religious connection, never states definitively that Jesus is the son of God. It takes the story out of the usual context and reconnects the dots.

The set is deliberately void, mostly of black backdrop, and props are minimal. Rather than a school playโ€™s amateurishly painted scene, the darkness leaves the setting to your imagination. While Nazareth and Rome are mentioned, thereโ€™s no depiction of it. The concentration is flowed into the characters and music. For Jesus here is unlike another representation; in fact, Iโ€™d argue Brian from Monty Pythonโ€™s โ€œLife ofโ€ is closer! Played convincingly by Jordan Overton, if this was intentional, I found Jesus actually quite irritating. Far from blasphemous given the circumstances, for here heโ€™s unforgiving, frustrated at the mounting iconic hysteria surrounding him. Probably more likely how it would be, especially in the modern era.

If Jordan made a grand job of it, more so did the surrounding characters, for Judas is Jerry if Jesus is Tom, the tension between the two the narrative. Arguably Peter Assiratiโ€™s performance is passionately executed greater, the focus on his despair is equal pegging, as Judas feels overexposure will be Jesusโ€™s ruin. Like washed up rock stars or actors in the modern era, we know from tragedies like Marylin Monroe, to Whitney and Kurt Cobain, the feeling is real. In a way then, the lines between protagonist and antagonist are blurred, another reason why I liked this piece of musical theatre.

More general is the third reason; the Wharf is such a splendid asset to Devizes. This historic shoebox theatre central to town is so welcoming, if the doormat was curled at the edge staff would lie over it so you donโ€™t trip. Chat in the auditorium is not of condescending theatre-goers and thespians, rather an almost family ambience with an age demographic to match. As with most venues, lockdown flogged this theatre, kicking it while it was down. Those who can, bearing in mind ticket stubs here are far more reasonably priced than city playhouses, are dutybound to help it to its feet. I witnessed said devotion firmly in place already, as Jesus Christ Superstar plays to a full house.

The fourth reason I enjoyed it is simply the surprise element. I went in critical, didnโ€™t expect to actually like it, given the theme tuneโ€™s school playground variant of yore, set to ridicule it with Yamahas and dustbin lids, was wedged in my mind. Anyone younger will have to ask Alexa about this; Iโ€™ve exposed my age enough already!

I tip my hat to the performances of additional characters, Pete Winterton casted perfectly for the seventies-fashioned game show host version of Herod, breathing one humorous element to the tragedy, at least! Francis Holmes as Caiaphas made for the textbook managerial role and convincingly bellowed his solo with professionalism.

Emma Holmes and Chris Smithโ€™s recitals of Simon and Peter, respectively, being especially poignant. None so much though as Mary Magdalene, played by Cassy Swann, who, with her astute expressions of woe and loyalty, her superior voice commanded the stage above all else. In this, full credit has also to be awarded to Victoria Warren, music director, and the band, Jennifer Cardno, Bob Ball, Claire Borovac and John Joy, for limited to a four-piece, amalgamated the show to epic and euphoric proportions.

You should note, if you go see this, at the time, amidst the hullabaloo surrounding its controversial subject, it took the best part of decade to alter from rock opera album to the stage in London, and only because of its success in the USA. True music fans will recognise this more as an album of music than a play, ergo the dynamics of elaborate stage effects are deliberately stripped back, the opening of Jesus Christ Superstar rightfully displays the band playing the overture prior to actors taking their stance. But go see it you should; decide quick and seize a ticket post haste. Itโ€™s only running at the Wharf Theatre until this Saturday, the 18th September, and last time I checked, tickets are up for grabs weekdays, Saturday is sold out.

Please buy our compilation album of local music, all proceeds go to Julia’s House, thank you!
WIN 2 tickets to Gary in Punderland @ Devizes Corn Exchange by clicking on the poster!

Trending……

Autumn-Winter Comedy in Devizes

Comedy in Devizes is a rare thing, unless you count visitors turning right at the Shaneโ€™s Castle junction, reading opinions on the Devizes Issues (butโ€ฆ

Forestry Operations Due to Start at West Woods

Featured Photo: Forestry England/Crown copyright Planned timber harvesting is set to begin at popular walking destination, West Woods, from the end of September until Marchโ€ฆ

A Gallery of Rogues: Devizes Musical Theatre is Back!

A Gallery of Rogues, huh? Can’t be, they look okay to me; it’s always the quiet one. I’m just pleased to hear the Devizes Musical Theatre is back and coming to a Market Lavington Community Hall near you!

Presenting a complete performance of “Trial by Jury,” W.S Gilbert and Arthur Sullivan together witha collection of other ditties, performed by members of the cast, and directed by Laura Deacon and Susan Braunton.

On the 21st October 1965, Devizes Musical Theatre (formerly named ‘Devizes Light Operatic Society’)ย  was born. A society committed to the arts, with an emphasis on fun, team work and a love for all things musical. Since, ‘DMT’ has grown into the talented, passionate and friendly society that it is today.

The society performs two full-scale productions each year with a number of concerts and showcases alongside these. In two sections; youth (‘DMT Footlights’) or adult, aged 8 or 80 they have something for you! On stage, behind the scenes or front of house alike, they are always keen to welcome new people.

Rehearsals began in a back garden and they’re now ready to bring you a large slice of G&S, followed by a pot pourri of songs. A light-hearted evening’s entertainment for all the family, on 11th September. Doors at 7:30pm, ยฃ7 payable on the door. Or email chairman@devizesmusicaltheatre.co.uk to reserve your tickets.


Trending….

Swindon Gets Shuffling!

Despite the population of Devizes throwing confetti and paint at each other in their most celebrated annual ritual, I believe I picked the right weekendโ€ฆ

The Juggernaut Delivers Back at The Southgate

If there’s been welcomed stand-ins for the monthly Jon Amor Trio residency at the Southgate in Devizes recently, Ruzz Evans and Eddie Martin, Jon โ€œtheโ€ฆ

Deadlight Dance New EP Chapter & Verse

Marlborough gothic duo Deadlight Dance are due to release an EP of new material. Itโ€™s called Chapter & Verse and itโ€™ll be out on Rayโ€ฆ

Whatโ€™s Happening in September?

Thatโ€™s it, one big blowout of a bank holiday weekend and August is kaput. Nights drawing in, the fall will be here before you can say โ€œwas that it, summer?โ€ Given last years blazing heatwave, while we were couped up, this summerโ€™s been comparatively damp, you couldโ€™ve have made it up. There were lots of great things to do, and that doesnโ€™t show signs of slowing through next month.

So, check in and scroll down to see whatโ€™s happening this bank holiday, whereโ€™s thereโ€™s more than enough just in Devizes alone to keep us busy. Awesome, firstly, to see Swindonโ€™s indie-pop stars, Talk in Code will join our favourite Daydream Runaways, for the first Friday night of music down at The Southgate. Then the town goes festival crazy, for three solid days! Full-Tone Festival hits the Green, Saturday and Sunday, and Monday you have to get down to the Market Place for our wonderful, Devizes Street Festival and the Colour Rush.

September 2021Once youโ€™ve gotten over that, September then, hereโ€™s the highlights:

Running now until the 4th, Four artists exhibit at Trowbridge Town Hall. A selection of 2D and 3D works by local artists Deborah Clement, Sonja Kuratle, Jennie Quigley and Jane Scrivener.

It was in August 1979 that arguably Swindon’s greatest-ever band, XTC, released their first commercially successful album, 42 years on, original drummer Terry Chambers pays tribute as EXTC, at Swindonโ€™s Victoria on Thursday 2nd.

Following night, Friday 3rd, the Pink Floyd-Fleetwood Mac double-tribute act, Pink Mac will stand on the same stage, at the Vic, while The Wiltshire Blues & Soul Club presents an evening with Sloe Train at Owl Lodge in Lacock, and Corshamโ€™s Pound Arts has comedy with the brilliantly titled โ€œRescheduled Rescheduled Rescheduled Time Show Tour 2021โ€ by Rob Auton.

Burbage celebrates their the 24th Beer, Cider and Music Festival, with Humdinger and Kova me Badd.

Saturday 4th and thereโ€™s a Greatest Showman Sing-a-Long with the Twilight Cinema at Hillworth Park, yet it will be loud down Devizes Southgate, with a welcome return of NervEndings, Fangs & The Tyrants sound equally as loud, theyโ€™re at Swindonโ€™s Vic. For a more chilled evening, Cara Dillon plays the Neeld. An extraordinary, captivating Irish singer Mojo magazine claims to be โ€œquite possibly the worldโ€™s most beautiful female voice.โ€

It is also good to see the Melksham Assembly Hall back in the biz, they have Travelling Wilbury tribute, The Unravelling Wilburys! And thereโ€™s a unique blend of melodic folk-pop blowing out from Trowbridge Town Hall as Bristol band Sugarmoon come to town.

One to overshadow the lot, is The Concert at the Kings at All Cannings, happening over the weekend. Great line-up for Rock against Cancer, as ever, with Billy Ocean headlining Saturday and 10CC on Sunday, albeit they seem completely unresponsive to messages from us. While I accept the strength of booked acts alone means they need no local press presence, itโ€™s a shame they wonโ€™t care to respond; it would be great to cover this.

Ah well, Sunday rocks anyway, with an incredible booking by The Southgate, mind-blowingly awesome US blues outfit of Well-Hung Heart, with a local twist, Beaux Gris Gris & The Apocalypse play. Not to be missed. Westwards, Schtumm presents Will Lawton & The Alchemists with support by Hazir at the Queens Head, Box, and north, Syteria play the Vic, with Adam & The Hellcats and Awakening Savannah.

Oh, and The Lions Clubs of Trowbridge & Westbury have their White Horse Classic & Vintage Vehicle Show on Sunday 5th too!

Second weekend of September and things just get better, from Thursday to Sunday, the place to be is Swindon. The free roaming festival is back, with a line-up across too many venues to list, see the poster. The Swindon Shuffle is truly a testament to local music, everyone who is anyone will be there, in the words of Zaphod Beeblebrox.

Itโ€™s time for Jesus Christ Superstar to magically appear in Devizes, as the Wharf Theatre showcases the retro musical, opening Friday 10th, running until 18th.

A hidden gem in the heart of the Wylye valley, the Vintage Nostalgia Festival begins too, running until Sunday at Stockton Park, near Warminster. Sarah Mai Rhythm & Blues Band, Great Scott, Shana Mai and the Mayhems all headline, with those crazy The Ukey D’ukes and our favourites The Roughcut Rebels also play. Lucky if youโ€™re off to the Tangled Roots Festival in Radstock, all sold out.

Closer to home though, Saturday 11th sees the Stert Country House Car Boot Sale, for Cancer Research, the Corsham Street Fair, Women in Rock at the Neeld and The Rock Orchestra by Candlelight at Swindonโ€™s MECA. Eddie Martinโ€™s solo album launch, Birdcage Sessions, at the Southgate, Devizes and the awesome Will Lawton and the Alchemists are at Trowbridge Town Hall. Two Tone All Skaโ€™s play Chippenhamโ€™s Consti Club.

Staying in Trowbridge, Rockhoppaz at the Park for an Alzheimerโ€™s Support Gig on Sunday 12th. Meanwhile itโ€™s Hillworth Proms in the Park with Devizes Town Band, and the incredible homegrown guitar virtuoso, Innes Sibun is at The Southgate. ย 

Third weeks into September, find some jazz with Emma Harris & Graham Dent Duo at Il Ponte Ristorante Italiano, in Bradford-on-Avon. By Thursday 16th, The Derellas play the Vic, and a welcomed reopening of the the Seend Community Centre sees our good friends Celtic Roots Collective play on Friday 17th.

Also Friday, in Swindon, Road Trip play The Vic, and Hawkwind, yes, Hawkwind at MECA!

Itโ€™s Dauntsey Academy Scarecrow Trail and thereโ€™s a Happy Circus in aid of Nursteed School in Devizes on Saturday 18th, and the welcomed return of Devizes Long Street Blues Club, with the Billy Walton Band. People Like Us are playing The Churchill Arms in West Lavington, ELO Beatles Beyond at Melksham Assembly Hall, and the amazing Onika Venus is at Trowbridge Town Hall.

Sunday 19th sees the Rock The Rec for Macmillan Cancer Support, free fundraiser at Calne Recreation Club.

On Thursday 23rd Antoine & Owena support the The Lost Trades at Komedia, Bath, Steve Knightley plays the Neeld, and thereโ€™s โ€˜An autobiographical journey of a deaf person trapped in a hearing worldโ€™ calledLouder Is Not Always Clearer at Pound Arts.

Tom Odell is at Marlborough College Memorial Hall on Friday 24th, and Fossil Fools play the Vic in Swindon.

Sat 25th sees the opening of the Devizes Food & Drink Festival, with the market. A Full Preview of everything happening at HERE. The HooDoos do The Southgate.

Meanwhile, Melksham Rock n Roll Club presents Johnnie Fox & The Hunters, Juice Menace play Trowbridge Town Hall. Wildwood Kin at Christ Church, Old Town, Swindon, and, this will go off; Talk in Code, The Dirty Smooth & The Vooz at the Vic, while tributes to Katy Perry vs Taylor Swift @ MECA.

Award for the most interesting thing to do this Saturday goes to Pound Arts. Sh!t Theatre Drink Rum with Expats is a production which contains distressing themes, images covering topics including migration and political assassination, plus a dog onstage; make of that what you will!

By the end of the month things look a little sportier, with bookworms, Sunday 26th is The Hullavington Full Marathon & 10K, travel author and TV presenter Simon Reeve talks at Dauntseys on Wednesday 29th, Thursday sees the opening of Marlborough Literature Festival.

But this list is by no means exhaustive, stuff to do is coming in all the time, making it near impossible to keep up, you need to regularly check our event calendar. Help me to help you by letting me know of your events, and if youโ€™ve the time, write us a preview or review, I canโ€™t be everywhere at once, and sometimes get so overloaded I just want to slouch on the sofa watching Netflix!

Have a good September!


Trending….

The Lost Trades September Tour Comes to Pound Arts

Trowbridge-Devizes finest musical export for a decade or two, acoustic folk vocal harmony trio, The Lost Trades, step out for a nationwide tour this September. The closest they come to home is Pound Arts inโ€ฆ

Fulltone Confirmed For 2025 in Devizes

The Fulltone Orchestra has confirmed today that their annual festival will take place on The Green in Devizes from 25th โ€“ 27th July 2025โ€ฆ. โ€œItโ€™s hard to believe that exactly one month ago, we wereโ€ฆ

The Light at the End of The Bottle of Dog

The Light at the End of The World is a fourteen tracks strong album which scores a goal directly from the kick-off with the aptly titled opener Letโ€™s Go. Released at the beginning of theโ€ฆ

Get ‘Lifted’ by Chandra

Chandra, Hindu God of the Moon, with his own NASA X-ray observatory named after him, and also frontman of a self-named friendly Bristol-based four-piece pop-punk band Iโ€™ve recently been introduced to; busy guy, I haveโ€ฆ

Top of the Ops; White Horse Opera are Thrilled to be Back

White Horse Opera are thrilled to be back rehearsing for their forthcoming concert. They will be singing in a wonderful Gala Concert Devizes Town Hall on Friday 29th & Saturday 30th October at 7.30pm

A blend of Operatic Favourites and well known Songs from the Shows with Guest Tenor Carlos Alonso to thrill you with his amazing arias.

Tickets only ยฃ10 from Devizes Books 01380-725944 or online at www.ticketsource.co.uk/whitehorseopera

Is Devizes Ready for The Full-Tone Festival?!

Amidst the controversial decision by Emily Eavis to headline Jay-Z at Glastonbury Festival in 2008, in which included Noel Gallagher throwing his toys from his pram, while UK press went on a bender about an imagined ethos of exactly what Glasto is, and what it should be presenting, I read an American article hitting back with the headline โ€œis Glastonbury big enough for Jay Z?โ€

One has to ponder if the author who penned such piffle in retaliation had ever seen Glastonbury, let alone been, and had any inkling what it means to so many people. On this basis I thought of, but then rejected, this headline to be โ€œis Devizes big enough for the Full-Tone Orchestra?!โ€

Organiser and better half of the composer, Jemma Brown tells me the capacity of the Green is 3,000 but next weekendโ€™s (28th-29th August) event is restricted to half, โ€œso everyone feels safe.โ€ But, itโ€™s not a question of โ€œis Devizes big enough for the Full-Tone Orchestra,โ€ rather our fortunate premise, the Full-Tone Orchestra is now a part of Devizes, no less than the brewery or canal. Theyโ€™ve ventured to other local towns, Marlborough College, Swindonโ€™s Wyvern, to present their eclectic genre orchestra, but Devizes is home sweet home, and 95% of shows have been based here.

Here’s the biting point, and something Iโ€™ve come to understand better, staging such an event like this is not pocket money. Yes, Full-Tone successfully crowdfunded to put on a free show in the Market Place in 2019, but this is not an avenue any event organiser can slog and expect to come up trumps each time.

For an entertainment package as stupendous as Full-Tone to be in our humble dwelling, it needs and deserves our support, and while a majority will tell you so on the street, ears to the ground unearth some rather inexcusable and inappropriate notions. Firstly, you cannot expect anyone to provide you a free show annually, just because they did once before, and secondly, itโ€™s an โ€œerm,โ€ to the idea Full-Tone is some kind of commercial enterprise gaining only to profit. โ€œItโ€™s just not why weโ€™re doing it,โ€ Jemma pledges, โ€œweโ€™re doing it to bring an orchestra into the centre of Devizes and for the love of all things music!โ€

At this conjunction, just one weekend away from the show, you have to ask yourself, would the same level of display as 2019โ€™s Market Place not become tiresomely samey after a while? Full-Tone wish to expand on the experience, to progress and make it better. โ€œThe sound and lighting will be fabulous and to do that we have to pay good dollar!โ€ Jemma tells me, and to do such, ticket sales is the only option.

Phew, glad I got that off my chest! Can we all be friends again? Anyone putting on any event right now needs our backing and deserves a medal, in my honest opinion. Anyone organising an event must worry itโ€™s either going to go two ways, overloaded with a cabin-fevered raging mob or fail to impress enough to drag apprehensive troops out from their lockdown shelters, as if the hospitality industry isnโ€™t it in enough deep water. My chat with Jemma today went onto me mentioning a time I was juggling the attention of three gigs in Devizes in one night; a time we took live music for granted, and looking back now, well, you go figure.

Least we can be sure, unlike Emily Eavis and her longing to update her fatherโ€™s institution, Noel Gallagher wonโ€™t be on a wobbler because an upcoming US hip hop star is upstaging him! 28th-29th August sees the sixty-piece Full-Tone Orchestra present a very local affair, not only their all-encompassing themes, from big band and film scores to euphoric dance anthems, but Pete Lambโ€™s Heartbeats, jazz singer Archie Combe and The Red Bandits on Sunday.

Itโ€™s been some years since I sat in Rowde School after school hours. No, not like a kid in detention, rather to see the orchestra rehearsing the Star Wars theme. I believe Jemma was encouraging me to direct my satirical rant column from Index;Wiltshire, No Surprises Living in Devizes to more positive pastures, which kind of went totally against the concept of the column. But it was running fast out of ammo, because, underneath it all, Devizes is a great town and I love living here.

Hence, Devizine was born, a sort of counter-strike against all the negativity I once brushed Devizes with. So, if you want to blame someone, Jemma is also an accessory! The icing on that cake will be a Devizes rendezvous on the Green; hope to see you there!

Tickets Here.


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Local Book Review: Dadโ€™s New Dress

Spent most of Pride month, and the following month too (what? Iโ€™m a slow reader and a busy chap!) reading an apt book, given toโ€ฆ

Some Days with Paul Lappin

Paul’s self-made cover to his latest single, Some Days depicts a fellow sitting under a tree pondering life, while an autumn zephyr blows leaves aroundโ€ฆ

Imberbus is running this Saturday !

Following on from last monthโ€™s email, this is a final reminder that yearโ€™s Imberbus service will be running this coming Saturday โ€“ 17th August 2024.โ€ฆ

Marlborough, I’ve Seen Your Pants

โ€œWe can’t stop here. This is Tory country,โ€ I chuckled while fiercely yanking the handbrake, as if Dr Gonzo was in the car. We canโ€ฆ

Local Supergroup Fundraising Event for Superhero Carmela

Hereโ€™s the thing, did you realise Monday marked the second anniversary of when Wonder Woman joined me on my milk round?! Yeah, true, and we raised some wonga for her alter-ego Carmelaโ€™s fund and fight against muscular dystrophy. And now Carmela is not only a tiny best friend of mine, but huge inspiration to us all and something of celeb now too.

Star of her own fun childrenโ€™s book you can buy in Devizes Books to raise funds for her campaign, as well as hobnobbing with the stars, Iโ€™m delighted this evening to hear, some other of my favourite girls are reforming their supergroup to raise some funds in her name too.

Pre-lockdown, girl members of six bands annually joined for a fundraising one-off gig, and it was always something explosive, fun and a darn awesome night. Nicky Davis from Warminster based People Like Us and The Reason, Glastonburyโ€™s Julia Greenland from Soulville Express & Delta Swing, Fromeโ€™s Claire Perry from Big Mamma Banned & The Misfitz, solo artist Charmaigne Andrews from Melksham, and Julie Moreton from Trowbridgeโ€™s Train to Skaville and Jules & The Odd Men, will come together once again, at the Melksham Assembly on 16th October, for a show not to be missed.

This, for me, is all too much to take in, girls, girls, girls, Iโ€™m not sure I can control myself. The Female of the Species raised just over ยฃ3,000 in 2018 for the fantastic youth community project, Young Melksham, and for all their efforts, they were selected for a Community Civic Award.

This time all of your pennies from the tenner tickets will go to Carmelaโ€™s Fight Against Muscular Dystrophy, and those tickets are here.

Support will come from Melksham rock, blues and alternative covers and original band Plan of Action. Seriously folks, put this is your diary.


Roughcut Rebels Hit Trowbridge

If I was ever to be privileged to interview Bruce Springsteen, which I doubt I would be, Iโ€™d like to ask him of his thoughts now heโ€™s 71, of penning a song called Growinโ€™ Up at the tender age of 23. Similarly, Iโ€™d probe Pete Townshend, only a year young than the Boss, over lyrics of My Generation, which go, โ€œhope I die before I get old!โ€

Yet, despite its title, I view My Generation to be less about a specific generation, and more about the attitudes of youth, and with this in mind, it could easily be placed into any subsequent generation. The Oasis cover aside, for this opens another Pandoraโ€™s Box Iโ€™m not willing to go down (Iโ€™ve a gig to review here,) itโ€™s fair to say, akin to any song of the โ€œmodโ€ genre, itโ€™s timeless.

To believe the โ€œmodโ€ is wrapped in sixties nostalgia is only partly factual, Londonโ€™s emerging mod-girl sweetheart, Emily Capell sports a beehive hairstyle, but often sing-raps, like Kate Nash, and collaborates with Dreadzone. Similarly, the age demographic of Devizes-based mod cover band, The Roughcut Rebels spans generations, particularly now young Finley Trusler fronts it; still, he stands, belting out a vigorous and eloquent cover of My Generation.

Itโ€™s my reasoning for trekking to Trow-Vegas, keen to finally scrub โ€œmust see Finley fronting the Roughcutsโ€ off my to-do-list. He got the job with two gigs before lockdown, thankfully bookings are returning for the band. For through his musical journey, started in the Devizes School boy band 98 Reasons, which branched off to duo Larkin with Sam Bishop, and still works with cousin, Harvey, as the Truzzy Boys, his cool demeanour stage presence and exceptional talent has to been celebrated. Query being, how would this fair with a proficient, yet older mod cover band?

The answer; very well indeed, thanks for asking. I jested with Fin outside the pub, asked him if he had to learn the songs senior to him, and he replied โ€œnot really.โ€ This, and their dynamic performance, of course, proved my โ€œmod is timelessโ€ theory. In an explosive manner and highly entertaining show, they rocked Mortimer Streetโ€™s The Greyhound, and could do the same for any given venue.

Think of the eras the term encompasses, from The Beatles, Stones, Kinks and Spencer Davis through to The Jam and Purple Hearts, onto Ocean Colour Scene, The Stone Roses, to Britpop, Oasis and Blur, and modern times like Jake Buggโ€™s Lightning Bolt, The Roughcut Rebels got them all covered, and, loving every minute of it, they took the slight crowd with them.

To blend A Hard Dayโ€™s Night into a set with A Town Called Malice, swiftly move onto Park Life, or The Day We Caught The Train, and return with the Kingsmenโ€™s Louie Louie, displays their ability and keenness to incorporate and fuse epochs, and they do it with certain ease. Grant Blackmanโ€™s expert drumming and John Burnโ€™s bass played upfront gives it oomph, while Mark Slade adds the succulent and memorable rhythms, topped by Finelyโ€™s accomplished vocals, accompanying guitar or else showy tambourine timekeeping like a young Jagger giving it Jumpinโ€™ Jack Flash. Roughcut, huh? Yeah, they are a cut far above the average cover band on the circuit.

As for the venue, The Greyhound, I like it, in the shadow of The Pump, a long-bar town pub unexpectedly clean and tidy, with hospitable staff and drinks cheap as chips. Without so much as a blackboard, it couldโ€™ve done with promoting its live music event, as a regular told me he was unaware of it and only popped in because he heard the music. Consequently, the crowd was slight, and all-male (ladies, if you want to bag yourself a drunken Trow-Vegas native in a cheap polo shirt, this place is for you) but through the excellence of the Rebelโ€™s music, all were up dancing.

Hereโ€™s a great local covers band which will pull in an age-spanning crowd to your pub, and spur them to spend at your bar; because thereโ€™s an anthem or ten for all generations, and itโ€™s lively, accomplished and entertaining.


Trending…..

Ruzz Up The Gate!

I was intending to start this along the lines of โ€œyou don’t need me to provide another reason why I love The Southgate,โ€ but thisโ€ฆ

Sing Another Love Song with Rosie Jay

Second impressive single from young Salisbury singer-songwriter Rosie Jay is released today. Sing Another Love Song; a sound of the summerโ€ฆ.. Her debut breakup trackโ€ฆ

Cotswold Water Park to be Renamed

Here’s a prime example as to why I could never be a councillor….. Cotswold District Council will vote on changing the name of Cotswold Waterโ€ฆ

Ronnie Scottโ€™s in Devizes? Devizes Arts Festival Returns for November

Have you missed our wonderful annual Arts Festival, Devizions; too hungry for it to return to wait for next summer? I know I have. Never fear, Devizes Arts Festival offers an interim while we wait for 2022, under the motto, โ€œThe Show Must Go On.โ€ Three fantastic musical events at the Corn Exchange and Town Hall over the month of November; and theyโ€™re tasty, very, very tasty.

For starters, a taster of Londonโ€™s legendary Ronnie Scottโ€™s Jazz Club is coming to Devizes on the 11th. Celebrating 60-years since the founding of one of the worldโ€™s most iconic music venues, the Ronnie Scottโ€™s All Stars take to the road to celebrate the โ€˜Ronnie Scottโ€™s Storyโ€™.

Direct from Londonโ€™s world-famous jazz club and combining world class live jazz alongside rare archive photos and video footage, The Ronnie Scottโ€™s All Stars, take you on a guided, musical tour of this music institution. Set amongst the dive bars and jazz juke joints of Londonโ€™s Soho, we hear about the desperate hand-to-mouth finances of the early years and the frequent police raids.

Hear how Ronnieโ€™s became neutral ground within rival gang territory and their scrapes with gangsters including the Krays who were rumoured to have taken Ronnie and Pete โ€œfor a little driveโ€! Life at Ronnieโ€™s is evocatively re-imagined through tales of the clubโ€™s past visitors, from pop stars, film stars and politicians to comedians and royalty, but above all, the musicians.

But thatโ€™s not all, The Arts Festival are delighted to welcome Sally Barker to Devizes, on the 13th November. In this new show โ€˜Sandy, Joni & Meโ€™ she will bring some of the songs of both Joni Mitchell and Sandy Denny to the stage, exploring the singer/songwriter legacy that was forged in the early โ€™70s.

Veteran folk-blues singer/songwriter Sally Barker became Tom Jonesโ€™ finalist on The Voice UK 2014 after reducing her mentor, and many watching the TV, to tears with her performances. Sally has toured with Sir Tom, Bob Dylan and Robert Plant amongst others. Radio 2 DJ Chris Evans said, โ€œSally changes the atmosphere in a room when she sings.โ€

And Friday 19th November is Motown Gold time at the Corn Exchange. Dust off your dancing shoes for a fabulous evening from a fantastic band. Motown Gold celebrate the finest songs from the timeless Motown and Classic Soul era, which kind of speaks for itself.

Online tickets are not yet up on the Arts Festival Website, but will be available from Devizes Books. Events are ยฃ21 for Ronnie Scottโ€™s, ยฃ16 for Sally Barker and ยฃ18 for the Motown evening. To keep in touch with them, get onto their mailing list.

And you could look the part on the evenings, as The Show Must Go On facemask, and similar tote bags, T-shirts, badges, note books and more are available from www.theatresupportfund.co.uk which supports the NHSCovid19 Appeal, the Theatre Support Fund, the Fleabag Support Fund and Acting for Others. There’s currently 20% of all merchandise.

Devizine would like to welcome back The Devizes Arts Festival, and wish the team the very best for these great events.


Today is Bandcamp Friday, Best Day to Bag Our 4Juliaโ€™s House Compilation

As the headline suggests, itโ€™s Bandcamp Friday, August 6, 2021, when the music platform waivers its fees, from midnight-to-midnight Pacific Time. Thereโ€™s no better time to buy our awesome fundraising compilation album as an average 93% of your tenner will go to Juliaโ€™s House Childrenโ€™s Hospice.

Bandcamp Friday has been operating since March of 2020, on the first Friday of every month. Bandcamp is a wonderful site, it doesnโ€™t prioritise signed artists, but level pegs all musicians. They waivered their shares to help support the many artists who have seen their livelihoods disrupted by the pandemic. You can explore Bandcamp forever, finding your favourite artists, local music, or do as I like do sometimes, and venture off for a musical journey beyond your usual haunts. You can trek to a country and find all manner of musical styles youโ€™ve never heard before, safe in the knowledge, unlike streaming sites, it is fair trade for the artists.

Streaming sites offer a pittance of revenue share to the artist, they have to get millions of listens to make the price of sausage roll, whereas Bandcamp is a buying service, where merchandising can be added too. This is why I chose the site to launch our compilation album. Money comes straight over to us when you buy, and weโ€™ve currently raised over ยฃ150 for Juliaโ€™s House, please help us to raise this bar.

Besides, itโ€™s a cracking album, where if youโ€™re in the local area, name your favourite local artist, and I thereโ€™s a high chance theyโ€™ll be on it, and I guarantee youโ€™ll discover some new ones too. 46 full length songs of various genres, thoughtfully placed in sections according to those genres, to create a soundscape encompassing everything thatโ€™s amazing about both our local music scene, and beyond, artists weโ€™ve featured on Devizine in the past.

In fact, I call it an album, but a โ€œboxsetโ€ would be a more appropriate term if it was a physical product. Unfortunately, it is only as a download, as to make it an album would take over 5 CDS, and the expense of producing a product is too much to risk taking any profits made for the charity. I would be keen to hear from a business willing to sponsor the production of a small run of CDs, but as it is, download it is. Thereโ€™s a good thing with download, your purchase is stored in a cloud, so youโ€™ll never lose it as you have unlimited downloads of it. You can transfer it from one devise to another, you could burn it onto your own CD, if you wished.

It will never fail to amaze me, just how many musicians rallied to donate a song to this project, and Iโ€™m forever grateful to them all. Artists you should branch out to, and buy some of their albums and singles, as Iโ€™ve handpicked these fantastic people, so you can be rest-assured of their quality and talent.

For detailed track listing click here, but hereโ€™s the lowdown of who youโ€™ll be hearing on this musical journey of over three hours, in order of appearence: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Wilding, Barrelhouse, Richard Davies & The Dissidents, Tom Harris, Will Lawton โ€“ Evanescence, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Nigel G. Lowndes, Kier Cronin, Sam Bishop, Mr Love & Justice, Barmy Park, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, Cosmic Shuffling, Blondie & Ska,The Birth of Bonoyster, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Meru Michael, Cutsmith, The Tremor Tones, Big Ship Alliance, Feat Johnny2Bad, Robbie Levi & Stones, Urban Lions, Neonian, First Born Losers.


Disenchanted Webb

Swindonโ€™s one-man red-hot chilli pepper, Webb is about to blow your mind, speakers and pants off with his new EP Disenchanted; Iโ€™ve heard it, and live to tell the taleโ€ฆ.

First impressions last, and Iโ€™m having one of those mornings. Perpetual drizzle, darker mornings conspicuously drawing nearer, and other trivial irritations which I canโ€™t quite put my finger on, are building to a generally low-spirited mood. Tedious has the eighties pop mix Iโ€™m listening to become, even nostalgia cannot help me. I stop for a break, knowing Iโ€™ve got Ryan Webbโ€™s new EP Disenchanted to review, which promises to mark the emergence of WEBBโ€™s new, heavier direction. This is displayed by the forename being dropped, saving as Webb.

I consider playing the Lost Trades, for their folky calmness will do wonders for my wellbeing, and I suspect Disenchanted might have the opposite effect. Though I acknowledge it will be of high quality, Ryanโ€™s sound has always been substantial, heavy rock or metal isnโ€™t my bag, and Iโ€™m usually highly critical of it. Donโ€™t do it, I deliberate, last thing they need is for me to be set to whinge mode. But I did anyway, and given all algorithms, I worried this could head south rather quickly.

The five track EP includes the previously released track โ€œDONโ€™T!โ€, which we reviewed in May last year. I didnโ€™t headcount the tracks but noted, after a while, Iโ€™d heard the one playing before; itโ€™s gone around on repeat unnoticed, Iโ€™ve been sucked in, and it surpassed my preconceptions by a country mile. Ha, turns out it did suit the mood after all, in fact, it fitted all too well, and is, essentially a magnificent piece of music.

Now, given all Iโ€™ve said, about heavy rock not being my cup of tea, and this is something rather special even to me, if you are partial to the heavier weight of rock, itโ€™s got your name all over it.

So, now Iโ€™ve awarded my mind the task of figuring out why it works so well. And to do this is to honestly unravel why I maintain qualms about metal. Donโ€™t get me wrong, after the hip hop boom in the eighties became somewhat tiresome, like many I looked towards the soft metal genre for solace; I was shot in the heart too, just like Bon Jovi, longed for crazy, crazy nights, and if Heart sang how can I get you alone one more time when all they had to do was ask me, Iโ€™d be content. And as student years rolled in, I lost myself in the classics. Noting if it was compulsory for every soft metal band to sound like Jimmy Page, which while this is no bad thing, the vocal trend over time seemed to metamorphize into a hackneyed caricature of the voice of Satan. My qualm begins here, you donโ€™t know if Satan actually sounds like that, all coarse and demonic, he could have a camp voice for all you know!

There it is, the negativity, the hellish themes of death and destruction, and the long hair; I donโ€™t want to bring my, or anyone elseโ€™s daughter to the slaughter, if you donโ€™t mind. Even if itโ€™s tongue-in-cheek, times when I want to push the extensive fringes of metallers from their foreheads so they might see the beauty in life, the positives. Nu-metal, I say, feels like a long stretch to the elements I favour, the frenzied driving passion of Zeppelin, of The Ace of Spades, even Black Sabbathโ€™s Paranoid Iโ€™ll give you.

And hereโ€™s where Disenchanted fits; contemporary with nods to the classics, the vocals more on Page than Beelzebub, and Webb can hold a note like a tenor, while sublime drums roll over it blissfully. This fits because it’s precisely the opposite of mindless headbanging for headbanging sake, it’s composed and constructed with clarity and a truckload of talent.

The reason the EP rolled on unnoticed is because it captures all that is positive, all the elements I appreciate of the genre. Webb says, โ€œIโ€™m really excited about Disenchanted. Itโ€™s an EP that I am really proud of, and I feel that now I have found the right direction for my music,โ€ and proud he should be, for in technical jargon, Disenchanted can be summed as oomph; here, have a bit of that.

It amplifies a quote from my review of the single, โ€œa one-man red-hot chilli pepper.โ€ Ryan wrote, produced, sang, wailed his guitar, recorded and mixed this track in his studio. The only collaborators being Dave Collins on Don’t, the mastering engineer for Metallicaโ€™s last album, and Pete Maher who mastered the whole EP; heโ€™s mastered the Rolling Stones and the Killers to name but a few.

Within seven seconds it pounds, the stunning lead single Concrete Beds; oh, those rolling drums, proficient howling guitars and Webbโ€™s mighty soulful vocals; it rocks. Disenchanted demonstrates the multi-instrumental talent that makes him unique.

Thereโ€™s acute narrative to boot, Concrete Beds aptly homelessness themed, Iโ€™m Standing Here erotically scorching, the third track though, Secrets is a haunting ambient caution to bottling up, and debatably the most poignant on the EP. When Darkness Falls lifts the tempo once more, and is heavy, but Iโ€™m still engrossed, then the finale, Donโ€™t rips you a new arsehole, the riff beguiling, the considerable power and passion launched into this is exceptional.

The test of good โ€œdrivingโ€ rock is just that, your footโ€™s tension on the accelerator is judge and jury, and Disenchanted will have your pedal to the metal. Itโ€™s unleashed to the world next Saturday, the 14th August, and tickets are now available for the launch show at The Vic, Swindon.

CD pre-orders are available directly from WEBBโ€™s online store: https://www.webbofficial.com/product/disenchanted-pre-order

You can also pre-save/pre-add to your favourite music platform https://ditto.fm/disenchanted

I suggest you do, then hold on tight to the nearest thing nailed down.


Hotting up for August 2021: Things to Do Across Wiltshire and Beyond

If July saw the gradual return to normality, and cautiously events crawled back with a welcomed but awkward feeling, while it may be hugely debatable if weโ€™re doing the right thing, or not, August is warming up to be stonker. Events of all types are flung up each day, itโ€™s hard to keep track and up-to-date, nevertheless I try.

Fingers crossed it doesnโ€™t go Pete Tong. Such a divided issue with good arguments on each side, Iโ€™m not about to start ranting for either, but I salute everyone organising events, at great risk to themselves financially. All I will say is, it is vital for the success of any event and the continuation of them in general, that we still apply certain rules, restrictions set by the organisers, and adopt the necessary etiquette when attending them. We know what the precautions are, theyโ€™re second nature now. The government passed the buck, it is up to us, each and everyone of us to think for ourselves, respect otherโ€™s decisions on how to act, but I appeal, act responsibly and long may this continue.

Without further-a-do then, hereโ€™s what weโ€™ve found on Devizine for August. Itโ€™s far easier to knock this article up with providing too many links, they can be found at the event calendar, and for family events throughout the school holidays, check here; but please do check for updates, itโ€™s never an exhaustive thing, new events are being added. Said that bit before, but it is even more vital to check ahead, to ensure events are going ahead as planned, and what restrictions might be in place at them individually. Have a great August, stay safe.

Week 1:

Kicking off on Monday August 2nd with the +5 Holiday Club at The Farm Cookery School. Tuesday 3rd and running until Thursday 5th August, RW Football School Summer Football Camp are at Green Lane, Devizes, ages 6-11.

Wednesday August 4th, then. Chippenham Museum host a Childrenโ€™s Art Walk. Take a walk, through Monkton Park for this fun arty session. You will receive a pack with pencils, crayons and plenty of paper and join local artist Kirsty Jones to explore the wonderful setting of the park.2pm โ€“ 3pm. ยฃ4 per child. Recommended age 6 and above, all children must be accompanied. Meet at the town bridge entrance to Monkton Park. Thereโ€™s also the +8 Holiday Club @ The Farm Cookery School.

Wednesday also sees the first Junior Actors with Lucia, for school years 6-9, for the Youth Theatre Summer Workshop at the Wharf Theatre, Devizes.

Thursday 5th and the Summer Kidโ€™s Art Club at Wiltshire Scrapstore starts on Bowden Hill, Lacock. Sessions from 10:30 am โ€“ 12:00 pm, run every Thursday and Friday through August.

Our first August festival starts Thursday, Wickham Festival in Hampshire, where Van the Man headlines, and the Love Summer Festival at Plympton, Devon starts Friday.

Thereโ€™s an interesting-sounding new family musical written and produced by Mel Lawman staged at Bathโ€™s Forum on Friday 6th -Saturday 7th Miss Red. Devizes folk support this, because our homegrown talented twelve-year-old, Jessica Self from Centre Stage Academy of Dance in Devizes and Stagecoach Trowbridge is in the cast, playing Daisy Blewitt. We wish you all the best, Jessica.

Friday 6th also sees the Salisbury Comedy Festival start, Black Sabbath tribute, Supernaut play the Vic in Swindon, and HoneyStreetโ€™s Barge will be kicking as the Mid Life Krisis Collective head down there.

On Saturday 7th time for Sheer Music to put aside their lockdown TV presenting skills and get on with what they do best, hosting gigs. And what a way to start, itโ€™s Frank Turner at the Cheese & Grain. Also, catch the amazing Kevin Brown the Southgate, Devizes, and those mods, The Roughcut Rebels play the Greyhound in Trowbridge.

The wonderful Strange Folk are at The Three Horseshoes in Bradford on Avon. Concord Drive, Transfer Window and Man in Vest play Swindonโ€™s Vic, Jive Talkinโ€™ perform the Bee Gees at Chippenhamโ€™s Neeld Hall and itโ€™s The Bath Festival Finale Weekend, where McFly headline.

For Sunday chilling, on the 8th, get down to the Queens Head in Box where Schtumm presents The Lost Trades with support from Lee Broderick, alternatively the Neeld play The Rod Stewart Songbook.

Week 2:

Monday 9th August thereโ€™s a +8 Holiday Club, The Farm Cookery School and +11 on Tuesday.

Wednesday sees another Youth Theatre Summer Workshop, at Devizes, the Wharf Theatre, check their website for details. Chippenham Museum also hosts a Writing & Performance Workshop with performer Ruth Hill, for ages 8 and above. More Summer Kidโ€™s Art Club at Wiltshire Scrapstore on Thursday and Friday, and The Cake Lady takes The Farm Cookery Schoolโ€™s +8 Holiday Club.

Friday night, Iโ€™ve got Stop Stop playing Swindonโ€™s Vic, and thatโ€™s it so far.

Saturday 14th, Cobbs at Hungerford have a charity Emergency Service Day, should be fun for the little ones. For the grownups, cider fest at the Civic in Trowbridge with the Mangled Wurzels.

Lewis Clark is at The Southgate, Devizes, Shepardโ€™s Pie at Wanboroughโ€™s The Harrow, and Webb, formally known as Ryan Webb has this EP launch party at Swindonโ€™s Vic, with Broken Empire and Land Captains in support. Hope to get a copy of this for reviewing, some clog in the pipeline at the moment. But hey, itโ€™s also Buckfest at Marlborough The Roebuck where the loud and proud Humdigger headline.

Bedpost, Transfer Window and Pool play the Vic in Swindon on Sunday.

Week 3:

+11 Holiday Club at The Farm Cookery School on Monday 16th, and the RW Football School are in Melksham. Suitable for ages 6+, Pound Arts welcome Scratchworks Theatre Companyโ€™s joyful and mischievous show to Corsham Almshouses, for an outdoor performance of The Grimm Sisters.

A welcomed return of events at Melksham Assembly Hall on Thursday 19th, with Neil Sands Bringing Back the Good Times; olโ€™ time favourite show tunes from the 40s, 50s & 60s and a heart-warming tribute to Dame Vera Lynn.

Friday 20th and Jack Deeโ€™s new show, Warm Up is at Chippenhamโ€™s Neeld Hall. Iโ€™ve nothing else for Friday night yet, but Saturday21st, woah, festival time!

First up, is where I plan to be, Mantonfest, near Marlborough, with Blondie tribute Dirty Harry, Dr Feelgood, Barrelhouse, Richard Davies & The Dissidents and many more. Over the downs, OakStock at Pewseyโ€™s Royal Oak is another safe bet; Amy Winehouse, Rag n Bone Man tributes, alongside the brilliant Illingsworth.

Meanwhile the rescheduled Bath Reggae Festival takes place, with Maxi Priest, Aswad, Big Mountain, Dawn Penn, Hollie Cook and more. Anneโ€Marie, Dizzee Rascal and Clean Bandit headline Live at Lydiard 2021.

Howlinโ€™ Mat plays The Southgate, Devizes, while Sex Pistolโ€™s tribute Pretty Vacant are at Swindonโ€™s Vic, with support by The Half Wits and Subject Ex.

Week 4:

Monday 23rd August is +8 Holiday Club at The Farm Cookery School, and Tuesday is11+.From Tuesday until Thursday, The RW Football School Summer Football Camp returns to Green Lane, Devizes, for ages 6-11.

Chippenham Museum has a one-hour workshop to create your own simple mini scrap book inspired by their latest exhibition on Wednesday, for ages 6+.

Thursday and Friday itโ€™s Summer Kidโ€™s Art Club at Wiltshire Scrapstore. And Thursday 26th August sees an Olympic Gold Medallist, Alex Danson running a Hockey Masterclass at Devizes Hockey Club. Open to all hockey players aged 11-18 โ€“ you donโ€™t have to be a member of DHC.

All weekender at The Barge on Honeystreet, when Honey Fest kicks off Thursday, with a grand local line-up, including The Lost Trades, The Blunders, and Chicken Shed Zeppelin, to name but a few.

The Southgate is the place to head towards on Friday in Devizes, where my personal indie-pop favourites, (not that I should have favourites) Daydream Runaways are booked in. Also, the highly anticipated FullTone Festival returns to Devizes Green, all weekend, with the Full Tone Orchestra and Pete Lambโ€™s Heartbeats appearing Sunday.

A theatrical outdoor re-telling of Kenneth Grahameโ€™s classic, Wind in the Willows on Saturday 28th August at Corshamโ€™s Pound Arts. And Sunday, a Magical show where beautiful Princesses become Pop Stars, Pop Princesses comes to Wyvern Theatre, Swindon.

Meanwhile, itโ€™s the welcomed Triple JD Band at The Southgate, Devizes and HarrowFest at Wanboroughโ€™s The Harrow, featuring Jamie R Hawkins, The Blind Lemon Experience and moreโ€ฆ


Longcoats Get Dancing

Opps, near-on delayed a month due to the amount of work involved with promoting our Juliaโ€™s House album, other stuff going on, and generally slacking off in my garden with my belly hanging over my khaki shorts, Iโ€™ve a backlist of music to tell you about, hopefully, before you visualise me slacking off in the garden with my belly hanging over my khaki shorts.

To begin, Bathโ€™s indie-pop favs, Longcoats have an official new bassist, Will Vickery. The band claim he was โ€œa stray man we found on the street and august-rush style he could just hear the music and play it.โ€ Proof in the pudding, Iโ€™ll double-bet ya youโ€™ll going to love their new belter, โ€œGet Dancing,โ€ which is, incidentally just what we all need right now.

Will Vickery

Probably why itโ€™s blossoming attention and airtime from the likes of BBC Bristol, Target, Soho Radio, Sheppey FM, New Yorkโ€™s New Visions Radio Network, and even Australiaโ€™s Valley FM, and seeing them bookings at Moles, Brightonโ€™s Pipeline, and supporting The Rift at Swindonโ€™s Rolleston.

Just as Pretty in Pink did, which incidentally Longcoats kindly donated to our aforementioned and plugged charity fundraising compilation, (which Iโ€™m not going to shut up about until you buy it) Get Dancing is symbolic of the bandโ€™s ability to compose such a beguiling and catchy riff it feels like itโ€™s always been in your life after just one listen.

Itโ€™s lively, carefree, resides bopping over hopeless romantically conversing, as it says on the tin, encouraging to dance in both sound and theme. And with that, I should take heed, stop writing how great it is and just add the Spotify link so you can hear it for yourself and I can revert back to the building mountain of new music Iโ€™ve yet to explore. But rest assured, this one is a keeper, and perhaps true to the word; I should get dancing if Iโ€™m ever going to work off this belly hanging over my khaki shorts!


Was a TwoManTing at the Southgate

Managed to make it somewhere between out and Micky Flanaganโ€™s out-out last night. In other words, I didnโ€™t change out of my manky khaki shorts Iโ€™d been gardening in, but still got a pint or so down โ€œthe Gate.โ€ Iโ€™ve been aching to witness the duo, TwoManTing for myself, Captain Obvious; yes, TwoManTing is a duo, you canโ€™t make it up.

Appearing at the Devizes trusty Southgate a few times previously, itโ€™s been something Iโ€™ve been meaning to catch-up with, being their appellation sounds all rather reggae, my favourite cup of tea. My residual curiosity though, how can a duo make reggae, something you surely need a gang for; a bassist, a drummer, brass section et all?

Two Man Ting

Answer revealed, the โ€œtingโ€ part might be misconceiving to our preconceived notion the phonologic is Jamaican patois. The Bristol-based duo consists of English guitarist Jon Lewis, who has a clear penchant for Two-Tone and punk inclinations of yore, and Jah-man Aggrey, a Sierra Leonean percussionist. They met playing together as part of dance band, Le Cod Afrique, at venues such as Montreux Jazz Festival and WOMAD, formed the duo in 2004, and make for an interesting and highly entertaining two-man show.

Something of a surprise then, and a rarity around these backwaters, to hear maringa, demonstrative folk of Sierra Leone, perhaps catered more to our tastes via Jon, but essentially the same ballpark, acoustic guitar and percussion. Somewhere between calypso but with the Latino twinge of rhumba, best pigeonholed, their sound is motivating and beguiling, and achieved with originality. In fact, to my surprise most of their compositions were their own creations, save the sublimely executed known cover of The Clashโ€™s Guns of Brixton, Jonโ€™s clear punk inspiration showing forth.

They told thereโ€™s a Clash cover on each album, of which theyโ€™ve produced three. Story checks out; Armagideon Time on their first album Legacy, which I could quibble is actually a Coxsoneโ€™s Studio One cover by the Clash, aforementioned Guns of Brixton on 2015โ€™s Say What? and something of a rarity from Combat Rock, the poet Allen Ginsbergโ€™s duet with Strummer, Ghetto Defendant, which can be found on their most up-to-date album, 2019โ€™s Rhymes With Orange.

But this punk influence is sure subtle, the mainstay of their enticing sound is the acoustic maringa, palm wine music traditional throughout West Africa, at least for the start of the show. The most poignant moment for me was Jah-man attributing his homelandโ€™s natural glory, rather than that which people tend to ask him about, the civil conflicts and war, in a chorus which went, โ€œwhy not ask me aboutโ€ฆ.โ€

Jah-man and George hanging out after the gig

As the performance progressed the fashion modernised, live loops upped the tempo, and it became highly danceable afro-pop, in the style of soukous, more spouge than cariso in delivery; how apt for the current heatwave! At times lost in the music, it was easy to throw-off the notion the wonderful sound was reverberating from just two guys, rather than an eight-piece band, reason enough for BBC 6Musicโ€™s Lauren Laverne to say of TwoManTing, โ€œbrilliant โ€“ if you want a bit of early summer, then get this into your ear-holes!โ€

Today they can be caught at Salisburyโ€™s Winchester Gate, but appreciation again to The Southgate for supplying Devizes with something diverse and entertaining. Next Saturday at โ€œthe Gate,โ€ Rockport Blues appear, for a night of blues, rock and soul classics, starting at 7:30pm.


Trending….

Devizes Scooter Rally Rules, OK?!

If it’s been a fantastic weekend on Devizes Green with the orchestral Full-Tone Festival, further out of town scooterists, mods, skins and anyone else withโ€ฆ

The Next Season at the Wharf Theatre

Featured image byย Chris Watkins Autumn, finish your ice lolly, as we need to to start thinking about it! Our wonderful, one and only, theatre inโ€ฆ

A Detonation at the Southgate with Vince, Tamsin, Phil and Jamie

Could it be, I wonder this Sunday morning after a grand evening at our dependable Southgate, that being couped up and unable to play to a live audience for what feels like a decade, has planted fire in the bellies of musicians and a drive to return to the spotlight in an explosively intense and mind-blowing manner?

Image by Nick Padmore

It certainly felt this way with the Boot Hill All Stars giving it their all, last weekend at Honey Street’s Barge, and again, last night where a โ€œPlus Friends,โ€ gig took place at the Gate, in the blaze of glory local folk have come to expect from the homegrown talented musicians involved.

Image by Nick Padmore

As far from a band name as a desperate attempt to rehash a once-trendy US sitcom, Plus Friends is the banner for a looser formulation, Iโ€™m assuming, to temporarily disassociate the trio of Phil Cooper, Jamie R Hawkins and Tamsin Quin from their Lost Trades Americana branding and allow themselves the freedom to adlib and play in unison their separate songs as solo artists, generally rock out, and perhaps throw in a cover at will, as they did with a finale of Talking Headsโ€™ Road to Nowhere. Though covers were scarce, the crowd know these guys only too well, and their original penned songs.

Plus, and, most importantly where the โ€œplusโ€ part falls neatly into place, to add a fourth member in par rather than โ€œsupport,โ€ that being the modest acoustic local legend, Vince Bell. Not forgoing this allowance also saw Jamieโ€™s eldest son occasionally join them on percussion, adding to the overall โ€œfamilyโ€ nature of the homecoming gig.

Image by Nick Padmore

And that’s precisely how it felt for punters and performers alike, a true community recovering from isolation the best way they know how. โ€œThis is how it should be,โ€ delighted photographer Nick Padmore told me at the end. Because while the Southgate’s dedication to bringing variety, and artists who might well be unbeknown to Devizes is most welcomed, nothing raises the roof quite like Vince belting out his satirical prose about his hometown and the crowds joyously joining in with the โ€œand you ain’t ever leaving!โ€ chorus.

Image by Nick Padmore

It hallmarks everything great about this splendid occasion, and a true Devizes-fashioned return of live music with homegrown talent abound.

But it’s not just the brilliance of Vince, Tammy, Jamie and birthday-boy Phil, to perform with bells on, which made the evening, rather the friendly assembly of local live music aficionados too, with their meeting of the โ€œsame olโ€™ facesโ€ not fully grouped since lockdown begun. And, in turn, the Southgate to accommodate them so welcomingly within current regulations.

Image by Nick Padmore

Thereโ€™s a streamlined table service, its dedicated staff have the efficiency of McDonaldโ€™s, and the genuine friendliness of Disneyland. Though such comparisons should end there, for The Southgate is far from the mechanism of commercialism, rather a rustic haven for those seeking a โ€œrealโ€ West Country pub experience, and within it, creating a free music venue that performers are queuing to play.

Itโ€™s without doubt the sum of all these parts made it so many chose our Southgate over Gareth’s squad on the tele-box, a brief โ€œfootballs coming homeโ€ chant raised by Jamie being the only reference to the Euros necessary. No, weโ€™re happy here, thank you. Content to hear the welcoming homely vocals of Tamsin Quin, the passionately executed sentimental writings of Jamie as he rings out solo classics such as his tribute to his dad, the rockier side to Phil Cooper as he selects a tune from his solo lockdown album, These Revelation Games and the beautifully arranged understated lyrics of Vince as they so eloquently weave a tapestry of narrative. And as my opening presumption noted, they delivered it with such Jack-in-the-box passion, what once would have been a pretty standard gig down the Gate was more akin to a Phoenix rising from the ashes. Oh yes, more of that, please!

Image by Nick Padmore

And our wish is granted, as The Southgateโ€™s gig calendar is building as if 2020 never happened; next Saturday, 10th July sees Swindonโ€™s premier ska covers band The Skandals, with ex-Skanxter Carl Humphries returning as frontman. Sunday is the turn of Essexโ€™s finest Americana roots band, Jamie Williams & The Roots Collective.

One weekend after is all you need to wait until reggae duo Jon Lewis & Jah-man Aggrey, TwoManTing, on Saturday 17th, Rockport Blues on 24th, and Blind River Scareโ€™s Tim Manning rocks up on the final Saturday of July. The dates are booked into August too, with Kevin Brown on the 7th and the brilliant Strange Folk on the 9th October, but you can bet your bottom dollar dates in-between these will crop up very soon, check the event guide as I attempt to keep ahead and update it without getting too frustrated with cancelations, or the Southgateโ€™s Facebook page, where the spirit of live music lives on, as proved last night.

Update: check the board, not the Facebook!

All Images used with kind permission of Nick Padmore


Our compilation album is out now and raising money for Julia’s House Children’s Hospices; click to download your copy!
Got your ticket to MantonFest yet? Hurry up, I need a lift!

The Daybreakers @ The Southgate: OMG, a Live Music Review!

Shock, horror OMG and other unsuitable internet abbreviations, yes it happened. Like mutated survivors emerging from their underground lair in some post-apocalyptic movie, to snuffle fresh air once again, tonight couldโ€™ve been any other night two years ago, but with renewed captivation I sat in a beer garden, an actual beer garden, with a real pint of scrumpy, while the incredible Daybreakers played music. Yes, real, live music, which received not one applause emoji, but real applause, the like of human hands clapping and everything; how surreal.

I donโ€™t ask for much these days, but let me tell you, it was both a relief and joy to feel somewhere back to normal, and I couldnโ€™t think of a more appropriate band to be there for the occasion.

Of course, Itโ€™s our trusty Southgate, the Devizes O2 arena. A rustic watering hole of sociability, hospitality and scraggy dogs. Fingers and toes crossed future Saturday nights will look like this, as blues-rock Leon Daye Band arrive next week, followed by Trevor Babajack Steger on 12th June and Jon Amorโ€™s King St Turnaround on 19th.

Life isnโ€™t fully repaired, expect table service, adhere to etiquette, remain seated wherever possible, and wear masks while moving around, but it is an awesome beginning. Iโ€™ve returned home, loaded up Word to pen a citation, but while it was booting, I worried; itโ€™s been so long since Iโ€™ve knocked up live music review, is it like riding a bike?

Ah, bollocks. I was never much cop at either, anyway.

Unlike me, the professionalism of Gouldy, Cath and those Daybreakers, who lost no grip on their skills, played a blinder, seemingly thoroughly loving every minute of it. I arrived to hear the Jamโ€™s Start, which was good start, ba-boom, and they continued through their plethora of wonderful era-spanning covers, from the Cure to The Levellers and OMD to the Specials, and so on; even adding their original song, I think they called The Wait. The masses of optimism in the cool air came to an apex when those Daybreakers burst into Dexyโ€™s Come on Eileen just as it once, always did. And the wildcard, thrown in at the last moment, was a beautiful rendition of Ah-Haโ€™s Take on Me, believe it or not, yet as they have a tendency to do, they smashed it out of the park.

Hats off to them, and of course, Dave, Deborah and staff at the Gate. With their newfound roles of waiters and waitresses, Iโ€™m guessing not in the original job description, they catered to everyone promptly, with their charm and wit, and Iโ€™d imagine a smile under their facemasks. Hereโ€™s to many more perfect gigs at the Southgate.


Trending…..

A Perfect Picnic in the Park

A perfect sunny(ish) Sunday at Hillworth Park in Devizes, if not to overcome one’s fear of public speaking while dressed in a giraffe onesie andโ€ฆ

The Pleasure was all Minety!

Broke my Minety Music Festival cherry, and it was gurt lush! When it comes to live music and festivals, I initially set a high bar.โ€ฆ

DOCA Picnicing in the Park!

With the unfortunate cancellation of Devizes International Street Festival this year due to Arts Council cuts, all eyes are on our wonderful Hillworth Park nextโ€ฆ

Michelle Gonelan Makes History

Last political rant from me for a while, given all that happened today, pinky promise! Hitler shot himself, then, as requested, he was doused inโ€ฆ

Hoping for a Summer of Local Music Festivals

Presented a punter-based cautionary piece on the hopeful move forward for live music this year, and how chancy it all is at this stage. If the playground remains uneven, I never intended the article to be pessimistic, though it mayโ€™ve been perceived that way. I just advised applying caution may be necessary prior to a compulsory detonation of over-excitement.

The other side of the coin of this vicious circle is that, without ticket sales there will be no show. While many organisers have cancelled their regular events, some keep their fingers and toes crossed, others are trying to work through it, and are dowsing a silver lining to this cloud with a summer of festivals planned.

Letโ€™s hope and pray it pays off. Festival websites report that it is, and tickets are selling fast, which agreed, could be a sales pitch. So, you’re left to risk the call, and snap up tickets, especially for the most popular ones. I have faith most festivals will refund you if it either goes Pete Tong, or Pete Tong is booked to DJ, or else ask to retain your ticket for another year, because they organise festivals, and festivals are all about openness and sharing. Booking agents on the other hand, might be another story.

Personally, I’ve done gone got the festival t-shirt many moons ago, and the jester’s hat too, come to think about it; I can bide my time from power-napping in a spinning canvas pyramid, paying over the odds for a baggie of basil, and sliding headlong into a ditch of piss. For many though, particularly younger generations, festivals are essential, and vital, for their wonderful feeling of togetherness. For the music industry it’s crucial to maintain this notion; ignore my aged rant, there is no ditch of piss, not really, not in this clean-cut era!

Letโ€™s run through the locally based choicest ones, which sound too good to miss… but remember to check the individual planned conditions of entry, some will ask you to provide evidence of licensed vaccination or negative PCR test within the previous 48 hour period.

June


11th โ€“ 13th: Kite Festival

Kirtlington Park, Oxfordshire

Born from a Kickstarter campaign in January 2020, but cancelled for the obvious reasons, itโ€™s this festivalโ€™s maiden voyage this year. KITE aims to combine incredible music and breakthrough ideas in a unique programme of live performances and interactive discussions. โ€œWe wanted to bring together contemporary and legendary performers, thinkers, writers and public figures from the world of music, politics, business, technology and the arts and give you the opportunity to engage with the people who are influencing the way we live.โ€

Cultural icon Grace Jones, multi-Grammy-Award winning jazz singer Gregory Porter and gospel legend Mavis Staples were set to lead the music programme for the original date last year, we wait in anticipation to hear the line-up now, as Kite announce theyโ€™re working on their 2021 programme. Sign up for their newsletter for updates.


18th-20th: Bigfoot Festival

Ragely Hall, Warwickshire

Another first outing cancelled last year sees its debut this June. Just the map is enticing enough, with a boating lake and woodland and all that stuff. Local breweries and bands, who share the stages with a great line up, including Primal Scream, Fat White Family, Hot Chip Megamix, Maribou State (DJ) Baxter Dury and Dinosaur Pile-Up. Thereโ€™s also an intersting wellbeing programme with hip hop yoga, boxercise, Let’s Talk About Sex Meditation & Mindfulness, and biscuits & burpees; Iโ€™ll just have the biscuits, thank you! Find Bigfoot here.


July


2nd โ€“ 4th: Minety Music Festival

Hornbury Hill, Malmesbury

Fourth outing for this popular do. A community non-profit triple day extravaganza, run entirely by volunteers which raised funds for the Wiltshire Air Ambulance, and local schools and charities last year. Guaranteed excellent music, a great, wide range of food and a well-stocked house Bar, Gin & Prosecco Bar and Cocktail Tiki Bar! There will also be a range of FREE activities in the Kidzone, including rock climbing wall, rock climbing digi-wall, an inflatable slide and assault course, bouncy castles, circus skills workshops and kids craft workshops, plus many more activities.

Line-up includes, Dr & The Medics, Space, Jesus Jones, Dreadzone, Crikey Minogue & Six Packs, a Ministry of Samba workshop, and a great local roster of Devizine favourites The Tribe, Talk In Code, The Dirty Smooth, A’La-Ska, Navajo Dogs, Sloe Train and Plucking Different. This is going to be a brilliant one, make sure thereโ€™s room in your backpack to sneak me in! Info Here.

Should get you in the mood…..

8th-10th: 2000trees Festival

Withington, Cheltenham

A largely rock and indie festival, 2000trees has a good reputation and won awards. This year sees Jimmy Eat World headline, with Thrice, Creeper, The Amazons, Dinosaur Pile-Up, The Menzingers, The Get Up Kids and many more to make me feel old!  Tickets & info Here.

9th-11th: โ€“ Cornbury Festival

Great Tew, Oxfordshire

Still in the planning stages, this ever-growing festival in the most beautiful Oxfordshire Cotswold location think itโ€™s enough just to announce on headline act, yeah, but it is Bryan Adams; show offs! Should be good though. Info here.


22nd-25th Womad (?)

Charlton Park, Malmesbury

Still hopeful, Womad are holding off announcing acts, but you know, I know, we all know itโ€™ll be the crรจme de la crรจme of world music on our doorstep, if all goes well, theyโ€™ve secured the date and tickets are here.


31st Mfor 2021

Lydiard Park, Swindon

A family orientated, affordable, one day pop-tastic festival I’ve only heard good things about, could be just the thing to introduce kids to festivals. And with Craig David, Rudimental, Ella Henderson, Phats & Small, Mark Hill (Original Artful Dodger), Lindy Layton on the line-up, itโ€™s easy to see how this party is going to go down. I believe local acts will also be on agenda, certain our friends Talk in Code feature. Thereโ€™s even an over 18 Friday night special additional event, with Five, S Club, Liberty X, Baby and Rozalla; everybody is freeeee, to feeeel gooood, apparently. Info & Tickets.


August


5th-8th: Wickham Festival

Fareham, Hampshire

New one on me this, but The Wickham Festival is an annual four-dayer of music and arts. Boasting three stages, and rated as one of the safest, most relaxed and family-friendly festivals in the UK, Wickham was voted ‘Best UK Festival, cap. under 15000’ at the Live UK Music Business Awards in October 2015; so, they know their stuff; I mean, theyโ€™ve got Van the man, and The Waterboys. Note also, Devizine favs, Beans on Toast, Gaz Brookfield, Tankus the Henge along with Nick Parker on the agenda; sweet! Tickets & Info Here.


6th: Love Summer Festival Devon: SOLD OUT.


7th- 8th: The Bath Festival Finale Weekend

And what a finale it is, Saturday; McFly, Scouting For Girls, Orla Gartland, Lauren Hibberd, George Pelham, Josh Gray, Novacub, Dessie Magee and Luna Lake. Sunday; UB40 featuring Ali Campbell & Astro, Billy Ocean, Fun Lovin’ Criminals, Seth Lakeman, Bloco B, Hannah Grace, Casey Lowry, Port Erin Life, and Life In Mono, with more to be announced… Tickets HERE.


21st: Mantonfest

Manton, Marlborough

Any closer than this and itโ€™ll be in your back garden! But thatโ€™s not the sole reason to grab a ticket for MantonFest! Just thirty notes for adults, a tenner for teenagers, and a fiver for kids, but thatโ€™s not the only other reason. Reports on this family, broad ranging charity fundraising annual do has never been negative, and weโ€™re glad to hear itโ€™s back for 2021. Number one Blondie tribute Dirty Harry headline, along with Dr. Feelgood, Ex-Men (five members of original 60’s bands), Barrelhouse, Jo Martin with his band, Devizine favs Richard Davies and The Dissidents, Josie and the Outlaw and homegrown Skeddadle. We previewed it last year before shit hit the fan; tickets bought in 2020 are valid for 2021. Mantonfest say, โ€œwe may have to introduce some anti-covid restrictions. These will be announced nearer the time and will be in line with the latest developments and best practice;โ€ letโ€™s hope this goes off this time. Tickets & Info here.


21st: Live at Lydiard

Lydiard Park, Swindon

Anneโ€Marie, Sean Kingston, Roman Kemp [DJ set] Artful Dodger, Chaney, Fabian Darcy on the line-up over four stages for this day festival at Lydiard, with a dance tent, boutique cocktail bar and food court. Info & Tickets here.


21st: Bath Reggae Festival

Now pushed back to August bank holiday, this is the maiden voyage for the Bath Reggae Festival, and we bless them with the best of luck. With a line-up this supreme though, Iโ€™d imagine itโ€™ll sell itself. Legends Maxi Priest, Aswad, Big Mountain, Dawn Penn, and The Slits solo extraordinaire Hollie Cook, Laid Back and lovers rocker Wayne Wonder, this is a must for reggae fans. Tickets & info here.


September


4th-5th: Concert at the Kings

All Cannings, Devizes

For locals little more can be said about how awesome this ground-breaking festival raising staggering funds for cancer research is. Since 2012 it has bought international headline acts to the sleepy village outside Devizes; legendary fables and the fondest memories have been had there. No difference this time around, save for some social distancing. Billy Ocean, 10CC, Steve Harley & Cockney Rebel, Sweet, Strawbs, Lindisfarne and Devizine favs Talk in Code, with more to be announced; twist your arm anymore, sir? No; no need to! Tickets & Info here.


9th-12th: Swindon Shuffle

Venues across Swindon

A later date for this annual extravaganza of local live music, spread across Swindonโ€™s premiere venues and hugely supportive of original homegrown talent, this is weekend to head for the railway town. Since 2007 the Shuffle raises funds for MIND, and is largely free to attend. Ah, thereโ€™s plenty time to arrange a line-up, which is underway, but you can guarantee a truckload of our local favourites will be there, somewhere! Info.


10th-12th: Vintage Nostalgia Festival

Stockton Park, Near Warminster

The mature place to glamp this summer if you want to get retro; classic cars is the concentrate, but thereโ€™s no shortage of great bands from rockabilly, doo-wop, blues to mod skiffle, boogie woogie jazz and beyond. Sarah Mai Rhythm & Blues Band, “Great Scott,” Shana Mai and the Mayhems, The Bandits, Junco Shakers,The Flaming Feathers, The Harlem Rhythm Cats, Little Dave & The Sunshine Sessions, The Rough Cut Rebels, Riley K, The Ukey D’ukes and loads more. Info & Tickets Here.


You know, this one could be for me, rather than trying to look youthful clutching onto a marquee pole for dear life while a hoard of sugared-up teeny-boppers check Instagram amidst a soundtrack of dubstep! But look, I reckon thereโ€™s something for everyone here, but if I did miss yours, let me know, for a squashy cup of cider at the festie bar, I must just add your do here too!


โ€‹

Trending….

MantonFest Magic, Again

With the danceable penultimate act attracting a packed crowd, I observed a young teenager, who, on spotting a disregarded beer bottle, picked it up andโ€ฆ

Devizes Arts Festival Rules, OK?!

Alas, it’s been a long week since the Devizes Arts Festival called time. It feels a little like when my Dad would take the Christmasโ€ฆ

The Return of Local Live Music; should I add a question mark?

โ€œBut I’m bidin’ my time

‘Cause that’s the kinda guy I’m

While other folks grow dizzy

I keep busy

Bidin’ my time,โ€

George Gershwin

Itโ€™s important, I think, not to get over-excited, but I understand and expect a major outbreak of momentary bipolar disorder from myself and many others when we look somewhere over the rainbow at the prospect of events restarting, and live music in particular.

How the next few months pan out will be crucial to this concept of returning to normality, and we all play the part of Sarah Connor in Terminator 2; Judgement Day, when she said, โ€œthe unknown future rolls toward us. I face it, for the first time, with a sense of hope.โ€ Hereafter the bit about a Terminator learning the value of human life is inconsequential to our particular occasion, but maybe has some relevance. We have to hold it down, guys, we have to be like little Fonzies here, and as Samuel L Jackson will ask you, Yolanda, whatโ€™s Fonzie like?

If we charge this thing it could backfire. It was heart-breaking and annoying too, running through our event calendar deleting everything, and despite the concern Iโ€™m going to be a busy bee updating it when events actually start happening, Iโ€™m like George Gershwin, biding his time. This said, you should note month-to-month the event calendar is far from void, thereโ€™s lots of live streams, online events and popup kitchens to check out; do not abandon it. But, and this a big but, bigger than the butt of Rod Stewart and Jennifer Lopezโ€™s lovechild, we should keep in mind the word of the day is possibilities, and nothing should be set in concrete yet.

Still the local rag seems more gung-ho than me, which is odd until you figure theyโ€™ve staff to pay, advertisers to appease and content must be attractive. As I write this, they announce the headline โ€œFulltone Festival will be back in town this summer!โ€ as Iโ€™m sure youโ€™ll all be happy to hear this news, planning to go ahead on the 28th and 29th August, as am I, but I worry for the word โ€œwillโ€ in this piece of clickbait, because right now can we really say will?

Look, my olโ€™ mucker, I donโ€™t want to pop your bubble of optimism, Iโ€™m just playing the realist. Tomorrow sees schools and higher education heading back out; how strict testing will be, given pupils will test themselves in some circumstances, the same pupils who created the user-name โ€œreconnecting,โ€ so teachers would think theyโ€™re having connection issues with their online class! The R-rating hinges on this moment and its success, ergo the rest of this so-called roadmap does.

The second part of this giant step, on the 29th March includes the use of outdoor swimming pools, for example, but pubs wonโ€™t reopen until step 2 on April 12th. How are fifty-plus bods dribbling into a swimming pool safer than a socially distanced pint in your local? Thereโ€™s inconsistences and flaws, to be expected, the further the pitch extends, but the wording is all made up of โ€œwe hope,โ€ and โ€œthe government will look to continue easing limits,โ€ there is no โ€œWill,โ€ therefore no media outlet should be using the word, unless mass hysteria is what they want.

The COVID-19 Response – Spring 2021 (Summary) on Gov.UK is quite clear, โ€œin implementing this plan we will be guided by data, not dates, so that we do not risk a surge in infections that would put unsustainable pressure on the NHS. For that reason, all the dates in the roadmap are indicative and subject to change.โ€ Yet bands are getting bookings, events are being arranged, money is being pumped into thin ice. The Victoria in Swindon is planning a comeback with Ion Maiden, Iron Maiden tribute on 14th May, but The Tuppenny arenโ€™t announcing yet. Bradford-on-Avonโ€™s Three Horseshoes havenโ€™t added anything on Facebook until 7th August, when the brilliant Strange Folk are booked, whereas same band are the only thing to be listed at Devizes Southgate on 9th October.

But can you rely on the Fakebook as a source? Southgate landlady Deborah has been “quietly booking up bands,” with seventeen in the pipeline to date, starting from 22nd May. “This year,” she explained, “weโ€™re concentrating almost entirely on just one gig per week. The earliest gigs will be outside with early evening start and finish times, but we hope to get back to our pre-COVID timings as soon as possible.”

The Long Street Blues Club state โ€œthere is light at the end of the tunnel,โ€ aiming to restart their program on Saturday 18th September with the popular Billy Walton Band. This is brilliant news, but here, I believe is where the boundary lies, the smaller pub and club gigs. The idea of large-scale concerts and festivals, and upholding conditions are simply incalculable, for some.

Devizes Scooter Club have sadly cancelled their brilliant rally, as organiser Adam Ford said after making the decision in February, โ€œeven if it were allowed to proceed, we feel it will not be possible to host any event to the standard we would want to, and that attendees deserve.โ€ There’s a similar feeling at Devizes CAMRA who have cancelled the Beer Festival. This is, sad but true, the exact logical response we should respect from those in the responsibility of organising events, well done to them both.

One should follow the lead of the Eavis family, experts in, quite literally, their field. If Glasto says no, then you, as an organiser should perhaps take heed. Meanwhile, Lydiard Park in Swindon is set for MFor 2021 is set as early as 31st July, and tickets are 50% sold. They remain adamant theyโ€™ve not the massive structure and organisation as Glasto, and will proceed with social distancing measures in operation. What I am questioning with these events still on the agenda, will we need proof of vaccination, as weโ€™re a long way from vaccinating the country? Unless you imagine an evening with only over-70s going to watch Craig David, itโ€™s a melon twister.

Talking with Kieran J Moore of Sheer Music, he stated, โ€œthe proof question hasn’t been answered by the Music Venue Trust yet, so there is no guidance or anything for the venues to base their decisions on. We can’t do gigs until May either, so still plenty of time for the working outs to begin.โ€ Sheer has something in pipeline in Frome at the end of June, but isnโ€™t really resurfacing until the highly anticipated Jon Gomm gig with support from The Lost Trades at Trowbridgeโ€™s Emmanuelโ€™s Yard on the 15th October.

Satisfied that their safety measures conformed to the government regulations last Summer, the Southgate will do the same this time around. “Government guidelines have not yet been published,” Deborah said. “Unless we are required to do so, we have no intention whatsoever of  demanding proof of vaccination.”

Loz of Devizes Outdoor Celebratory Arts, who give us the unforgettable carnival, street festival and winter ales events, among others is looking forward to coming back โ€œto help us make amazing things happen in the future.โ€ She said, โ€œI’ve spent every spare minute searching for and writing funding applications to ensure DOCA can relaunch at the end of this crazy blip in our history. I’m currently working on an Arts Council Cultural Recovery Bid; it’s a lot of work and I am supported by our fantastic Trustees whenever I have a question I stall on.โ€

But still, carnival in Devizes hangs in the ropes. But this is how it has to be, unfortunately. Believe me, I am adamant my next gig will not be when a kindly lady wheels her Bontempi organ into my care home to recite Bridge over Troubled Water, all Iโ€™m urging people to do is keep things in perspective and not raise their hopes, or more-so, let their guard down, just yet.


Trending…

Talk in Code are All In for New Single

Swindon indie pop virtuosos Talk in Code released their brand new single, All In, Yesterday, via Regent Street Records. And We. Love. Talk in Codeโ€ฆ

Yasmin Lacey Live Stream Tonight

Nottingham has never been so soulful since Yasmin Lacey came onto the scene.

But for Yasmin it’s been too long since playing live. “I’ve been missing playing with my band so much, and being able to meet and interact with you all after shows. So, this is the next best thing,” she expresses on announcing a live stream tonight.

Tickets are ยฃ7 from Bandcamp, here. A chatroom will be open where Yasmin encourages you to engage with.


Song of the Day 16: Blondie & Ska

If you came here looking for an original song by upcoming hopefuls, look away. Chippenham’s Blondie & Ska may not be groundbreaking or looking for a mainstream recording contract, a Blondie tribute act who fuse ska and Two-Tone classics into their repertoire, but what they do they do with a barrel load of lively fun. And, in a nutshell, lively carefree fun is the backbone of ska.

Heores of the live stream currently, booking Blondie & Ska for a party or pub gig in the future, and you can gurantee, if fussy music devotees tut, the majority will be up dancing. For this reason enough, I blinking love this duo, but that alone is plentiful. Like their Facebook page for details of future free streams, it’s an entertaining, unpretentious show.

And that’s my song for the day. Very good. Carry on….


Tankus the Hengeโ€™s Luna Park

Londonโ€™s Tankus the Hengeโ€™s third studio album is released today (4th Dec.) Tis a quixotic rockโ€™nโ€™roll fable, a utopian realm of wonderment with ingenious prose and the composition of a variety performanceโ€ฆ.

Picked on this new release to scribe a few words about based upon Devizes Arts Festival organiser Margaret Bryantโ€™s thrilled expression when she leaked booking Tankus the Henge for the 2020 line-up, that sadly never was. Yet, sadder is the reality of the era, where so other many events didnโ€™t happen either, and the decline of live music venues. Such is the subject of this inimitable London-based groupโ€™s Luna Park, an album out today.

If the pandemic has been a catalyst for music production, and often the theme too, from all Iโ€™ve heard it generally focuses on the virus itself. Although Luna Park centres around the decline of music venues, an allegory for what is happening on Londonโ€™s Denmark Street and all across the UK, one should note while it may resonate of lockdown fever, it was actually recorded during the winter of 2019.

Though nothing comes across melancholic with Tankus, itโ€™s all clouts of glam-rock and funk wrapped in a showy, big top magnificence. They describe their sound as โ€œfive-wheeled, funk fuelled, open top, custom paint job, rock โ€˜nโ€™ roll jalopy that comes careering around the corner on a tranquil summerโ€™s day, ruining the silence and disturbing the bats.โ€ While rock n rolling songs blast, thereโ€™s refined moments, as with The only Thing that Passes Here is Time, but it’s gawdy big band fashioned horn-blowing. Picking it apart thereโ€™s so much on offer here, like a variety performance in one album, and for this, despite Iโ€™m grinch for glam, itโ€™s ingeniously composed and addictive.

Glitterlung, is borderline downtempo โ€œPortisheadโ€ triphop, for example, while the incredible Susie Sidewinder comes across as if Lloyd Cole and the Commotions wrote Sgt Pepper. Of course, it relies heavily on the glam side of rock n roll, but thereโ€™s rudiments of everything; Deacon Blue to Zappa is showing a bit shoulder here. Each influence it throws into the melting pot is taken with a pinch and is wholly fun. Particularly noted for the amusing element, Staying on the Side of the Dirt was the tune which swayed me, itโ€™s terribly Dennis Waterman theme tune fun, and I mean this is a good way! Chas n Dave are legends, given electric guitars and told to work with Noddy Holder, you might get something along similar lines.

During listening I pondered if this rock opera, and decided more on rock circus. I usually reserve that fairground comparison for the two-tone sound of groups akin to Madness, but it applies here too. Itโ€™s not a concept album as such, more a vision. A fantasy of a realm where creativity is celebrated and live music thrives. A place where venue closures are a thing of the past, and corporate gentrification is a non-entity. A refuge from greed and capitalism, and the salvation of independent music, free thought and good-times, packaged in dark, wry satire with a neon glow.

Speaking about the underlying themes at play, frontman Jaz Delorean said, โ€œI donโ€™t think the public knows the entire truth when it comes to the hardships and thin margins of running a venue, and most of the time we donโ€™t want them to. They go out to have a good time and forget about life for a while. Thousands of people work all hours to keep venues, and festivals alive, and at the moment all of it is under threat. The ripples will be felt in every household eventuallyโ€ฆ We learned and started honing our skill in Denmark Street, in clubs like 12 Bar Club and Alleycat, both of which have closed. Jamboree, Passing Clouds, The Peel, 14 Bacon Street, Madame Jojoโ€™s. All these venues were haunts of ours and are now closed permanently too.  We need to support these small venues so much more.โ€

Yet Luna Park is more then the sum of its parts, thereโ€™s gorgeous portrayals and the well-grafted, thoughtful characters of a novel, in disordered or decisive situations. If anything twisted my opinion on flares and glitter itโ€™d be this very entertaining scrapbook of sounds.

https://www.tankusthehenge.com


Shake a Leg this Christmas in Swindon with The Tribe, Showhawk Duo, and Brother From Another

With the beguling blend of hip hop and reggae, Swindon’s pride The Tribe are a force to be reckoned with. Always a lively show, they team up with a most original act you’ll see this millennium, the Showhawk Duo. Recreating rave classics acoustically, yes you read that right, they’re super amazingly awesome.

And not stopping there, local purveyors of funky reggae, the ever-entertaing Brother From Another are also invited to the Christmas Shake a Leg party at Swindon’s Meca.

It โ€™s been a crazy year to say the least and we all need a good olโ€™ knees up so weโ€™d like to invite you to the Shake A Leg Christmas Party on 12th December.

This could be just what you need to liven up this terrible year.

Full production for the show; Amber Audio & Patch are providing sound, IC Lighting will be bringing the stage to life with a lighting show and OT Films will be streaming the event live.

Adhering to restrictions, thereโ€™s a limited capacity and table service for the show. Tables of up to five are ยฃ33. Over 18’s only.

Gigs Continue at the Southgate with a Bonza Line-up for November

Remember around this time of year, how the UKโ€™s terrestrial television stations would wind down quality of their schedules in order to accrual a superior agenda for Christmas? Well, the near-only dependable live music venue in Devizes we have left is showing no sign of copying the idea. Abiding by restrictions and regulations, Dave and Deborah at The Southgate Inn on Potterne Road continue to bring us the very best of local music, and show no sign of letting up for November.

Maintaining Wednesdayโ€™s consistent Acoustic Jam evenings, and on top of regular Fridayโ€™s Ukelele Group, thereโ€™s something for all tastes during the lead up to the big C. Letโ€™s run through them, but remember most gigs are early, from 4-6 or 7pm, and to adhere to the social distancing rules, and respect others at all times. Booking a table is recommended, particularly for the more popular gigs, and boy, thereโ€™s plenty of them upcoming. Call them on 01380 722872 or send them a Facebook message to let them know youโ€™re coming!

This Saturday, 31st, we see the return of Swindonโ€™s Navajo Dogs. Theyโ€™ve not played since lockdown, and say they canโ€™t wait to blow the cobwebs off, with their own-brand of punky, blues-rock, and as they say, โ€œsome face melting guitar solos!โ€

On Sunday, the local family band Skedaddle are in the house, with their popular singalong covers.

Next Sunday, the 8th November, is bound to be awesome as what The Southgate brand their house band pay a visit for some unforgettable funky blues. Local legend Jon Amor, Jerry Soffe, Tom Gilkes and Evan Newman make up King Street Turnaround

Saturday 14th and itโ€™s time for Mirko and Bran, aka, The Celtic Roots Collective. The wonderful duo you should all know by now for their blend of Irish and Celtic folk and rock.

The Sunday, 15th, sees Bristol-based regular original folk, soul and bluesman, Lewis Clark, who appears solo rather than with his full band, The Essentials, focusing on new original material written during lockdown.

Saturday 21st has the combination of Mantonโ€™s own Ed Witcomb, of the aforementioned Skedaddle, & Marlboroughโ€™s talented Nick Beere, promising magical mellow blues, catchy guitar riffs, and a combination of chilled acoustic covers and original material.

More blues on the Sunday 22nd, and why not? Bare blues with rural roots, delivered via slide guitar, harp and stomp-box with energy and passion. The Gate welcome back Trevor Babajack Steger.

Saturday 28th Iโ€™ve defo bookmarked, when Swindonโ€™s two-tone ska darlings, The Skandals skank the Gate. Since the split with frontman Mark Colton, the lively band welcome back their original lead, ex-Skanxter Carl Humphries. Playing as selection of two-tone ska covers, is always welcome.

The Southgate are keen to point out at this stage, gigs do depend on changing covid regulations and should things alter, larger and louder bands might have to sadly be cancelled. Fingers crossed, as Bite the Hand are due to arrive on the last Sunday of November, the 29th. Like many, itโ€™ll be these crazy metal-headsโ€™ first gig since lockdown. Bite The Hand perform fast and furious punk and metal, self-penned reasoning is โ€œto try and offer audiences something less vanilla. Itโ€™s the kick in the teeth youโ€™ve always wanted, the dirty habit you just gotta have.โ€

Personally, as well as wishing Dave a happy belated birthday for yesterday, I just wanted to thank them and their team for continuing to work through this period safely and provide Devizes with such a great line-up of free entertainment from their hospitable and welcoming, best pub in Wiltshire!


The Return of Wilding; Falling Dreams

It doesnโ€™t hang about, it doesnโ€™t drift dreamily as some previous tracks on the Soul Sucker debut EP, unbelievably near-on a couple of years ago, but it is unmistakably Wilding, this beguiling new tune from George Wilding, back with his band after lockdown. As a frustrating era for all creative groups, it feels as if with โ€œFalling Dreamsโ€ they concentrated all their het-up energy, impetus and vigour, directed it into a trunk, padlocked it for a few months, then smashed the deadbolt and channelled it direct into an adroit three-and-half minute explosion.

Excellence is a watermark of Bristolโ€™s Wilding, what initially began as a backing band for our homemade favourite lead singer, George Wildingโ€™s prodigious young solo career, I expected no less. Though, while itโ€™s not excessively upbeat it rocks steady, but Falling Down is a grower, appeal increases with every listen. It fits their self-penned label, psychedelic Britpop, but what is more, unlike Hendrix and Joplin itโ€™s not psychedelia lost in time, similarly with Britpop darlings Oasis or Blur, which are somehow suspended in nineties nostalgia, a more apt comparison would be the Doors, a band with jazz and classically trained elements, and wild frontman poet, their sound is timeless.

Processed with VSCO with p5 preset

If Soul Sucker received regular rotation on BBC Radio 2 from Graham Norton and burgeoning interest from major labels, here is a natural progression and a multi-layered detonation, compacted into one song. Writer and frontman George, multi-instrumentalist Perry Sangha, bassist James Barlow and drummer Dan Roe have shattered expectations and produced something here to refine their style. If this is a glimmer of what is to come, you had better watch out.

Why? Because, as I said to George, thereโ€™s so much good music being released during this troubled time for musicians, if they can get some writing and production out to help fill the shortfall, itโ€™s all good. โ€œI suppose thatโ€™s been the upside,โ€ he replied, โ€œeverybody has so much time on their hands to create.โ€

The theme of Falling Dreams is ambiguously defined, as any strong songwriter should allow audience interpretation. To me it feels bitterly like a broken romance theme, but George jests, โ€œthey’re usually about girls, but ‘Falling Dreams’ is just about being fucking cool,โ€ adding, โ€œit’s about me…โ€ Herein requires some prior knowledge to his character to fully appreciate, as far from egotistical, Georgeโ€™s charisma lies with tongue-in-cheek witticisms shadowing a selfless good egg. But yeah, he is fucking cool too! They all are, this song verifies it.

To see what I mean, hold out for its release this Friday, 23rd October. If youโ€™re used to George providing entertaining covers on our pub circuit and his sublimely succulent solo EPโ€™s of dreamy indie, this will be a wonderful surprise, but as I said, its skill and catchiness is neither unexpected or unmistakable.


The Revelation Games of Phil Cooper

Crouching beside me at our IndieDay outing last month, one third of our local folk trio, The Lost Trades, Tamsin Quin explained sheโ€™s slowly working toward her second album but a lot of time is spent concentrating on progressing the Lost Trades. I supposed here is an advantage to DIY projects, as if The Lost Trades were signed to contract itโ€™d likely be an order to focus entirely on the group.

In pop weโ€™ve seen the pressure put on bands to collaborate equitably, and the result usually causes a split in the end. Major record companies in tough competition donโ€™t do enough to discourage this. Note drama sells in Simon Cowellโ€™s โ€˜show-me-how-easy-it-is-to-manufacture-a-pop-starโ€™ dressed-up karaoke television show, and hear the boos as he obstinately and impassively divides a prearranged group. He sells the tears of the rejected and the tension as young friends split. You could blame Yoko Ono, if you must, but bands breaking up is, sadly, no new thing.

Hence the accord and friendship between unsigned bands is a delightful contradiction to the harsh realities of the music industry, and I sense an unequalled unity in The Lost Trades, and deep respect for each otherโ€™s solo work. Cue another third, Phil Cooper, the binding, organised element of the Lost Trades, and his new solo album, These Revelation Games due for release by Infinite Hive on 30th October. Itโ€™s great, Iโ€™d expect no less, and Philโ€™s fanbase too, but itโ€™s varied content would also serve as a taster for newcomers to his repertoire.

Historically itโ€™s been over a couple of years since he sent me his Thoughts & Observations album to review, which does what it says on the tin, largely acoustic-based annotations and judgements. But I focus on a particular night down the Southgate when Phil was accompanied by his Slight Band. Man, he was on fire, loudly and proudly rocking our legendary live music tavern with unsurpassed esteem and passion. ย Make no mistake, These Revelation Games contains many a track comparable with Thoughts & Observations, theyโ€™re observational and sometimes quirkily humoured. But this new solo album takes no prisoners, and blasts its doors clean off their hinges from the off. ย 

Yeah, while so the opening tune, House of Mirrors explodes rock, and dare I say it, has that impact of the sixties Batman theme, it shouts the riff at you, second up Phil returns us to the mellowed aural breeze weโ€™re more accustomed to with his recorded material. So, itโ€™s a mixed bag of astutely written and perfectly executed songs with Philโ€™s joyful aura and defining style.

Eleven songs heavy, the early tunes creep us slowly back to the up-tempo as it progresses. Without a Sound particularly adroitly manages to raise that notion, and Keep Your Hands on the Wheel is a prime example of how Phil ingeniously twists metaphors of the simplest of everyday things. Leading us onto the quirkiest song, I am a Radio. Akin to Robots on the Lost Trades EP, Phil makes a heartfelt connection to an inanimate object, yet here using sound effects to create the idea his voice is operating on shortwave. Itโ€™s by far the most interesting and experimental, also absorbing his electronica work under the title BCC.

For marvellously prolific and diversified is our Phil, performing as solo, as The Slight Band, his electronica side-project, or what itโ€™s now concentrated on, the outstanding folk harmonies of The Lost Trades with Jamie R Hawkins and Tamsin Quin, Phil never slacks off or confines himself to one sound. โ€œI wasn’t planning a new album this year,โ€ Phil expressed, โ€œbut then, all plans for 2020 went out the window six months ago. So, I spent my time in lockdown writing and recording a whole load of songs that explored influences I’ve never explored before.โ€ Therefore, as a solo album, bought about by lockdown, donโ€™t expect it to remain in one place.

It rocks without reference to this folk avenue, for sure, but stretches to every corner of rock. There are surprisingly heavy guitar riffs. Fervent ballads like the particularly adroit Into the Void, whisking Lennon-like. And thereโ€™s ardent electric blues, Changing Times perhaps best example of the latter. It polishes the experience off with a Clapton-fashioned smooth blues finale called The Horseman Rides Tonight.

With a plethora of new music being produced, lockdown it seems did have one benefit, and These Revelation Games in a varied taster of a concentrated Phil Cooper at his peak. I look forward to the progression of the Lost Trades, but love this aforementioned freedom to produce solo work too. I mentioned my chat with Tamsin to Phil, about the time and effort dedicated to the Lost Trades, but the joy of the flexibility of freely venturing off to work solo, thoroughly supported by the other members of the trio. โ€œYou’re far from the band in the Commitments film,โ€ I noted!

โ€œYeah,โ€ Phil responded, โ€œhaving a record label release it has helped keep the balance between solo and Lost Trades stuff. The Lost Trades has always been built on mutual respect for each other’s work, so we’ll always support each other.โ€ Which kinda wraps it up aptly, the ethos of the trio is like this album, nice. Nice one Phil, nice one, son!

Details on Phil Cooper and These Revelation Games, here.


Our IndieDay at Brogans!

Images by Gail Foster

Coming from Essex where shopping is religion, youโ€™d think Iโ€™d be impartial to the duty. But no. To be bluntly honest, as I believe I mostly am, I find nothing entertaining or enjoyable in sauntering a continuous stream of mundane chain stores aimlessly, other than to spend money I havenโ€™t got on crap I didnโ€™t want or need in the first place. Blessed we are then, in Devizes, with an array of original, charming and interesting independent shops, which make shopping endurable for whinging cronies like me! An ethos celebrated, kind of, this Saturday by the group Devizes Retailers and Independents who, in order to return commerce to our wonderful and lively town, held an โ€œIndieDay.โ€

MP Danny Kruger opened the event, I missed that, loads of shops got involved and opened their doors to a festivity-fashioned celebration, missed that too. Donkeys and more, I missed. Far better for me to contribute by loitering outside Brogans cafรฉ, munching on a bacon roll and taking credit for Mike J Barhamโ€™s hard work!

I arrived late, The Devizes Rotary Club arrived long before to lend us a grand gazebo, and Mike too, he set up a PA, he managed the PA, he hosted the event with his charming and entertaining charisma, and everyone came up to me and thanked me; result!

Honestly, as Iโ€™ve said, I have to give a massive thanks to everyone involved for making it such a special day, and in this day and age it was indeed even greater. Mike Barham for one, aforementioned contributions, but two, for rocking both the opening and finale with a plethora of his own work, such as the lively Bowserโ€™s Castle, and thoughtful prose through downtempo blues, to the thundering satire of a west-country-styled Top Gun theme, Danger Zone! The guy is a one-man machine, the best of the best, of the best.

So yes, breakfast to a late lunchtime at Brogans got lively, as people filled the plot outside and the carpark, in the sunshine. It was something until late last night I feared would fail, with gapping gaps between the confirmed acts. Sadly, and for various reasons, Archie Combe and Tom Harris had to cancel, and our opening act, Pewsey singer-songwriter, Cutsmith was also unable to attend. The worry took me until 10pm when I unleashed a masterplan; Tamsin Quin cropped up on the book of face, to thank me for reviewing the new Lost Trades single, and so, whammy, I dispatched note of my concern and asked nicely if she would be able to grace us with her presence, and naturally, sing us a song or three.

I highly suspect theyโ€™re secretly superheroes, Tamsin, Jamie and Phil, and if not, they certainly saved my skin, more than once before. Tamsin dragged Jamie R Hawkins along, and as their alter-egos with no need for superhero costumes, they did it again. Thank you both so, so much. Tamsin gave it her all, which needs no surprise, her confidence and professionalism doesnโ€™t preside her charming grace and skill to entertain. Jamie accompanied her brilliantly on cajon, claiming to be โ€œgetting into it now!โ€ after just two songs in.

Then Cath and Gouldy rocked up on their way to the Southgate, to play as their folk duo Sound Affects, which was, as ever, blindingly awesome. All originals and finishing on Mr Blue Sky and Come on Eileen covers, it was superb. So, a massive thanks to them.

The finale then, was rocked by Mr Michael J Barham, which Iโ€™ve said already, but needs another mention. Thanks to everyone who turned up and made it really special day, including our photographers, Ruth, Nick and Gail, writer Andy and all the supporters. Thanks to Brogans for having us, I trust we behaved, least it couldโ€™ve been worse, believe me! Itโ€™s times like this which make Devizine feel more than me clonking on a keyboard, and rather a thing of community, of spirit and substance. Though now Iโ€™m back clonking, vainly bigging up our own gig, which I justify by noting itโ€™s not about me, or my bacon roll, and more about the good folk who regularly contribute to make this website function, the musicians, writers and photographers, and supporters. Hereโ€™s to more, I want more!

This is not an act of vanity, but a condition Gail set forth in order for me to get permission to use them! Thanks Gail, it takes a highly skilled photographer to capture me smiling!

Bristol Hip Hop Group, The Scribes Coming to Salisbury

Described by The Evening Herald as, โ€œraw and exciting, honest and sensitive, a soulful brand of rap,โ€ Bristolโ€™s trailblazing hip hop outfit, The Scribes play Salisburyโ€™s The Winchester Gate, on Saturday September the 12th.

The Winchester Gate is a community pub just on the out skirts of Salisbury city centre which heralds live music, particularly supporting reggae and hip-hop culture. The event is free, The Scribe planning to begin at 7pm.

The Scribes are a multi-award-winning hip hop trio, whose unique blend of beatboxing, off-the-cuff freestyling and genre-spanning music has created a critically acclaimed live show quite unlike any other on the scene today, with appeal ranging far beyond traditional hip hop fare.

The Scribes at BeCider Festival

They have consistently proven to be an impressive and engaging live act with 2019 festival appearances at Glastonbury, Wilderness Festival, Shambala, Boomtown Fair, Bearded Theory, to name but a few, and have toured extensively across the UK and onto Europe.

The Scribes are also proud winners of both the Exposure Music Award’s “Best UK Urban Act” and the EatMusic Radio Award’s “Best Live Act”, and have provided original music for BBC and Channel 4 television, as well as being featured regularly on both national and local radio and media including BBC 1Xtra and BBC Radio 1 Introducing.

Hotly tipped as one to watch, The Scribes have shared stages with the likes of Macklemore, Wu Tang Clan, Dizzee Rascal, Kelis, Rag N Bone Man, Example, Lethal Bizzle, The Wailers, Jurassic 5, Sugarhill Gang, KRS One, De La Soul, MF Doom, and Souls Of Mischief, and are steadily establishing a growing following across the continent to add to their already significant fan base at home.

Check out their new EP, The Totem Trilogy Part 1 here.


Two Man Ting Bring Sunshine to the Southgate Today

Winding up their โ€œmini tour,โ€ after last nightโ€™s gig at Salisburyโ€™s Winchester Gate, world/reggae duo, Two Man Ting appear at Devizes Southgate for an afternoon session from 4 to 6pm.

Midlands Jon Lewis and Sierra Leonian Jah-Man Aggrey, are a branch of world dance collective Le Cod Afrique, who play a cheerful combination of multicultural roots-pop. A welcome addition to the Southgateโ€™s continuing mission to provide a diverse range of live music to Devizes; and a grand job theyโ€™re making of it!

With Aggreyโ€™s bright, chatty vocals and bongos, and Lewisโ€™s acoustic guitar picking, this promises to be something great and wholly different around these waters. Theyโ€™ve done the festival scene from Womad and Glasto to the Montreux Jazz Festival & Glastonbury, and their acclaimed album “Legacy” has been much featured on BBC Radio 3 & BBC 6 Music.

Should be a good ‘un!

Devizineโ€™s IndieDay Outing!

Well blow me down, cover me in peri-peri sauce and call me Natisha if weโ€™ve had a Devizine event recently. Understandable all things considered. Annoying though, being I passed on the idea of holding a second birthday bash last autumn thinking weโ€™d host or co-host something better in the summer.

Crystal ball smashed, see? Face bothered? Yeah, a bit, yโ€™ know. Hits to the website has taken a blow, yet that informs me just how many people were using it as a whatโ€™s on guide in times prior to lockdown. And anyhoo, for me itโ€™s a hobby, like trainspotting, just without the trainsโ€ฆ.and spots. I still don an anorak for formal appearances! For businesses and performers alike though, itโ€™s been a rough ride.

What was waffling about before a class 55 diesel locomotive chugged past me? Oh yeah, events. Well, you may/may not be aware town centre will be alive on Saturday, 5th September, when the Devizes Retailers and Independents group hold their Indie Day, celebrating our array of independent shops and cafes. Thereโ€™s fun to be had, shopping and eating and stuff, with lots of prizes to be won, etc. Original idea was to have buskers around and about, but I believe thatโ€™s not so easy to do with current restrictions.

So, we plan to be in presence, centred in the rear garden of Brogans in the Brittox, purveyors of a fine breakfast, nice tea or coffee and scrumptious lunches and cakes. In which we will have some live acoustic music running throughout the day from, I dunno, 10ish till 3ish; that sound good?

Check dis out; Vegan Jaffa Cake style cake @ Brogans, say no more!

Rather hastily put together at short notice, due to getting approval on our proposal to observe social distancing, so if you come along, itโ€™s essential you abide by them. We will track and trace, advise you to wear a facemask if wandering outside of your โ€œbubble,โ€ and Brogans has measures already in place too.

I think itโ€™s important, the day as a whole, being local business have been hit hard by the lockdown. Yet equally is our side-stall, gigs were the bread and butter for musicians, sadly missed by the punter, desperately reducing performerโ€™s revenue. That said, the budget Iโ€™m working on is zero and Iโ€™m asking the acts to come for the love of it. I sincerely hope if you come along, you can show your appreciation when I badger you with a bucket, thank you.

I also encourage them to bring their wares, CDs and any merchandise they have for sale on the table; and this goes for anyone passing by also, who may have a creation for sale. Make sure you drop past by 3pm to pick up any earning. Any earnings are 100% yours, I might get my arm twisted if your offer me a bacon butty, other than that Iโ€™m asking for nothing!

Said tip bucket will be shared between all participating performers at the end. Shutdown is around 3pm, giving us time to finish up and head to the Southgate where the amazing Absolute Beginners will play from 4pm, and Iโ€™m getting a round in for all the performers. Thatโ€™s the plan anyway, subject to change as ever. In fact, Iโ€™m delighted to say Cath and Gouldy of Absolute Beginners are pencilled in to drop by around 1pm, before the gig at the Gate, so you can see for yourself how damn good they are.

Everything is in pencil at the moment, just wanted you to give you plenty of notice before you start planning a shopping trip to the Greenbridge retail park, or anything wildly hedonistic like that. Colour pencil though, rainbow; on the cards we have the one-man army, Mr Mike J Barham, whoโ€™s kindly to offered to setup a small PA while I rub my stubble, and pretend I know the technicalities heโ€™s referring to.

Also, hopefully dropping by will be our brilliant Tom Harris of the Lockdown Lizards, Pewseyโ€™s finest Cutsmith, and London-based Archie Combe, a classically trained jazz pianist, composer and musical director. Iโ€™ve not given them timeslots as of yet, but weโ€™ll play it by ear, which will be a beautiful thing given the wealth of talent. There might be room for one more, if youโ€™re up for it, let me know, or just drop by with a guitar on the day and Iโ€™ll try fit you in; canโ€™t be any vaguer than that! But vague is my middle name (actually, itโ€™s Lee, but cโ€™est la vie, Lee.)

So yes, it only leaves you to browse past and enjoy the day. Danny Kruger is coming, and if he can make it so can you; donโ€™t believe the hype! Let us know you’re coming on the book of Face.


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Jamie Williams and the Roots Collective Do What They Love, at The Southgate

Heโ€™s a fast learner, that Keanu Reeves; think how he progressed to โ€œthe chosen oneโ€ in little over an hour and half, while his superiors barely advanced at all; comes with the chosen one job, I suppose. Think cat scene, for example, where this novice presumed dรฉjร  vu, but twas a glitch in the Matrix.

Had a touch of dรฉjร  vu myself on Sunday, chatting with Essexโ€™s Jamie Williams and the Roots Collective; alas Iโ€™m not the chosen one, until itโ€™s time to do the washing up. Barefacedly had to check my own website, suspecting theyโ€™d been mentioned before. And I was right, Andy wrote a part-review back in July; I was briefly there too. Blame it on a glitch, rather than memory loss; this is 2020, glitches in the Matrix are abundant.

Regulars at the Southgate in Devizes, Jamie Williams and the Roots Collective are as the name suggests, but donโ€™t do run of the mill. Cowboy hats and chequered shirts held a clue, but arrive excepting unadulterated county & western and youโ€™ll get nipped. While thereโ€™re clear Americana influences, hereโ€™s an exclusive sound unafraid to experiment.

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Jamieโ€™s abrasive vocals are gritty and resolute, perfect for this overall country-blues sound, but it progressively rocks like Springsteen or Petty, rather than attempts to banjo twang back to bluegrass. It also boundlessly exploits other folk and roots influences, with a plethora of instruments and expertise to merge them into this melting pot. And in this essence, they are an agreeable rock band, appealing to commonalities; but do it remarkably, with upbeat riffs, tested but original material, and passion.

Not forgoing, I still need to be careful, and it was but a whistle-stop to the Gate, to wet my whistle. As current live music restrictions being the way they are, itโ€™s unfair to use a gig review as a base for an actโ€™s entirety. For starters, theyโ€™re missing bassist Jake Milligan, and drums deemed too loud to bring, James โ€œthe hogโ€ Bacon made do with a cajon and bongos. The remaining two, Jamie and Dave Milligan, cramped in the doorway of the skittle ally with acoustic and electric guitar, respectively. Which, in a way, proves this bandโ€™s aforementioned adaptability and desire to experiment. The proof is the pudding though, and battling through the restrictions of the era, they came up with a chef-d’oeuvre.

jamie

Professionally, they scorched out a great sound nonetheless, mostly original, but a rather fitting Knockinโ€™ on Heavenโ€™s Door, with Jamieโ€™s grinding vocals apt for a later Dylan classic. But this downtempo cover was the exception to the rule, their originals upbeat and driving.

To pitch a fair review, though, is to take a listen to their latest album, Do What You Love. The cover of which is unlike your clichรฉ Americana tribute too; highly graphical splashes of colour akin more to pop, or a branding of fizzy drink. The songs match, a popular formula of cleverly crafted nuggets intertwining these wide-spanning influences. One track they did live from their album was accompanied with an explanation the recorded version used a brass section and even a DJ scratching, yet they made do with Jake joining James for a hit on the bongos.

dowhatyoulove

They certainly enjoy what they do, and appear relaxed in the spotlight. This doesnโ€™t make them tongue-in-cheek, like, say Californian Watsky & Mody, who blend hip hop into bluegrass for jokes. Rather Jamie Williams & The Roots Collective has evenly balanced said collectiveโ€™s influences and conjured this celebrated, danceable and fun sound, flexible for a standard function, like a wedding party but would also liven up the day at a mini-festival.

As an album though it encompasses all Iโ€™ve said above, thereโ€™s cool tunes like Lazy Day, the orchestrated reprise If I met my Hero, and rather gorgeously executed ballad, Held in Your Glow, but also frenetic tunes, driving down the A12 with the windows open music, Red Hot and Raunchy being a grand, light-hearted example but Iโ€™m A Stone as my favourite, with its clever pastiches of Dylan and The Rolling Stones, it rocks.

You need not visit the Oracle, waiting with spoon-bending broods, Keanu Reeves, for her to tell you Jamie Williams & The Roots Collective are not some โ€œchosenโ€ livid teenagers trailblazing a new sound and striving for the spotlight, but a collective of passionate and talented musicians loving every minute of performing, and this comes across as highly entertaining.


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Open Music Venues, or Do They Hate Art?

The Smart Eโ€™s โ€œSesameโ€™s Treetโ€ bleeped through the hills of a west country location in 1991. There was an air of delight and mirth when someone pointed to the ridge yonder. โ€œLook,โ€ they chuckled, โ€œthe pigs are dancing!โ€ Story checked out, I turned my head to witness a couple of police officers jumping and waving their arms, mocking the fashion of a dancing raver. Imitation we never took to heart, ravers were tongue-in-cheek about their chosen music; repetitive beats over a childrenโ€™s tv theme was comical nostalgia, and not supposed to be taken seriously. As for the police, seemed as individuals observing, they saw the simple truth that there was no harm in what we were doing. Yet there was always hate in the establishment they took orders from, and we were months away from being grounded by force.

rave

Hysterical measures by a desperate conservative government, who failed to see the value we held for something they couldnโ€™t understand, an electronic art movement, principally, a modern folk music.

Authoritarians detest art, least the progression of art, seems to me. And it has been plaguing my mind of recent. Freedom of expression, they fear, encourages liberation, unrest and consequently, rebellion. Munich, 1937; Third Reich leaders combined two opposing art exhibitions into one, the โ€œGreat German Art Exhibition.โ€ The first hall featured art which Hitler considered suitable, orthodox and representational, lots of flaxen folk gallantly posed like Roman deity sculptures, and local idyllic rural sceneries.

great german art ex

The second displayed what Hitler deemed โ€œdegenerate art,โ€ contemporary, progressive and mostly abstract. But they ensured it was demoted, through exhibiting it callously, with disorder, and bestowing dissuading labels on it, describing โ€œthe sick brains of those who wielded the brush or pencil.โ€ Hitler pushed stringent boundaries onto German artists, because he figured art was key to the rise of Nazism and his vision for the future.

Damn, he hated the Bauhaus. Forced the art school to close in 1933. Their angular designs which would herald the most efficient revolution of modernist architecture, were deemed communist intellectualism by the Nazi regime; give them an archaic Spalato Porta Greek arch, or be shot!

bauhaus

I see humour as my art, my aim is to make you laugh, whenever possible. In a week where a keyboard warrior reported me to Facebook for an ironic slate at Boris Johnson, yet a grammatically atrocious meme, stating they need not pay for a holiday, when purchase of a dinghy from Argos will see them put up in a hotel, is hailed as hilarious, I receive a message of eternal doom for the grassroots music industry, from a professional musician.

Gone, it seems, are the days of eighties โ€œalternative comedyโ€ of the Footlights, of Ben Elton and Rick Mayell scornfully ridiculing Thatcherism. Gone is the echoing mantra of Joe Strummer demanding โ€œa riot of our own.โ€ Today the art of comedy, and music, barely touches political matter, and never takes risks. Humour is subjective, as is all art, I accept this, but art enriches our lives, provides joy and entertainment, and should never be curbed or censored. Yet we find a consistent urge by blossoming traditionalists to dampen the spirit of artists.

The Trump administration eliminated the budget for the National Endowment for the Arts. An annual $150 million is a devastating blow to the industry, yet hardly major cost-cutting as it weighs in at only 0.004 percent of the federal budget. Akin to the ethos of the โ€œGreat German Art Exhibition,โ€ history is peppered with examples of right-wing philosophy opposing art. The Stalinists enforced stringent principles of style and content, to ensure it served the purposes of state leadership, methodically executing the Soviet Unionโ€™s Ukrainian folk poets, according to the composer and pianist, Dmitri Shostakovich. Just as Chileโ€™s coup of 1973, when Augusto Pinochet tortured and exiled muralists. Singer, Vรญctor Jara was murdered, his body presented publicly as a warning to others.

grassroots

In the UK, the reopening of lockdown restrictions despite the pandemic still mounting, where it seems perfectly acceptable to travel to foreign lands on a luxury holiday and return without quarantine, where we are encouraged to shop till we drop and eat out in restaurants to save the food industry, and itโ€™s commonly accepted our children will be used as lab rats in a herd immunity experiment, a government, who letโ€™s face it, should have imposed a lockdown sooner, as was the example of every other developed nation worldwide, rather than fail to attend meetings with the World Health Organisation, and use unreliable companies to supply software and PPE to help combat the virus, simply because they are mates of theirs, will not allow us to have a sing-song in a pub.

Now, at first, I accepted the possible threat, but in light of recent lessening of restrictions, I fail to comprehend the logic in this, in continuing the restrictions on art and music. Given the historical facts surrounding the authoritarianโ€™s apparent hatred of art, I am beginning to fear the virus is a being used as a convenient excuse to suppress and suspend creativity. Oi, loony leftie, shut up, stay in your home and watch the celebrity Pointless special.

banksy

I suggested, didnโ€™t I, art is subjective? If Hitler liked the conventional, representative of Renaissance tradition, it was his prerogative, but there was no need to kill everyone simply because he couldnโ€™t draw horses very well. Since the invention of photography can duplicate precise imagery, artists seek expression, inimitability and design according to their own mind. If it constitutes liberal or reformist ideals, why should it be devalued by opposing attitudes? The problem arises when oppression is enforced, freedom will return the fire, and will be back, refreshed, to bite them on the bum!

Just as the Jamaican JLP party of the right, battled burgeoning Rastafarians into the Wareika Hills in the 1950s, and labelled them โ€œBlackheart Men,โ€ or bogeymen, yet the surge of reggae and the popularity of Bob Marley today sees Rastas accepted in Jamaican society for the tourism it attracts, The Battle of the Beanfield in 1985 did nothing to control travellers in the UK. Less than a decade later the free party scene metamorphized into a rave generation which saw youths rally to support them. You cannot curb progressive movements in any art without risking a wave of rebellion. Ironically, the very thing theyโ€™re trying to prevent.

Basq

Weโ€™ve seen a return of the rave, police fearing a riot if they try to prevent them, but they reflect nothing of the magnitude of the nineties, yet. Unless grassroots music venues and pubs who were regularly supplying live music are reopened, even if that means social distancing measures are in place, it is inevitable you will open a gapping underground and future generations will strike back. This does nothing for the values conservatives uphold, or their vision of a totalitarian future, but furthermore severely punishes every professional in the arts industry from rock star to sound engineer, every prospering new performer in an era formerly to lockdown, I see equivalent to those swinging sixties; a time I suspect most baby boomers of tory ethos hold dear. An era where every youth was in a band, and focused on music rather than belligerent misdoings.

Yet still, gammons, I believe is the modern terminology, if the left is snowflake, persist in whinging about how youths have no respect, how they were flaunting rules in the park, gathering, conspiring, they so suspect, against them. What if they are, though probably just socialising as they likely once did in their younger years, what if theyโ€™ve some masterplan to overthrow this Tory charade; they surprised by this? How egocentrically imprudent, how selfishly insular. This is peopleโ€™s livelihoods they are toiling with. As Bob Marley once said, โ€œa hungry man is an angry man.โ€

bob

 

 

Ben Borrill Takes A Little Time

Bobbing around the St Johnโ€™s corner of Long Street, trying to act important, and sober, I had a message for Ben Borrill, Pete was looking for him, he was on next; ah, gave me something to do. It was the fantastic Devizes Street Festival, made that much more fantastic by Vinyl Realm organising a second stage, showcasing local talent. You mustโ€™ve heard about it, even if you werenโ€™t there, Iโ€™ve harked on about it enough!

Mission accomplished, he was loitering the doorway, and equably replied with an โ€œoh, okay.โ€ Thereโ€™s a casual air around Ben, perhaps the most altruistic and modest musician, and, oh, skateboarder too, on the local circuit. It was this way when I first met him during an acoustic jam at The Southgate. Yet thereโ€™s a magnetic sparkle when he performs, which captivates. Other than friendship, itโ€™s probably the plausible reason he supports Daydream Runaways recurrently.

Image by Nick Padmore

I never held out for something recorded from Ben, content as he seems to roam the local circuit performing live, yet with the current climate surrounding gigs, time and effort is channelled into getting studio time down, for everyone. Sometimes this transmits the talents of a live performer, occasionally not, and I happily report itโ€™s far from the latter.

Groovy, in a word; thereโ€™s something pleasantly sixties Merseybeat-come-beatnik about Ben Borrillโ€™s debut single, Take a Little Time; not in a tacky tribute kind of clichรฉ but in a nonchalant, progressive way. Particularly in the intro, the reference of seasonal change, shifting leaves and blossom of a fading spring, balances into romantic ditty, and spanning just over two minutes too; itโ€™s short but sweet.

While it doesnโ€™t go off down a completely psychedelic sixties formula, itโ€™s no Mammas & Papas, the riffs do lean heavily on all thatโ€™s golden about that golden era, of Kinks or Hollies, with a fresh tinge of modern acoustic. Hereโ€™s a smooth ride into an intelligently grafted, but easy-going song, reflecting Benโ€™s charismatic and breezy attitude. It is, blinking marvellous, and leaves you yearning for moreโ€ฆ jump to it Ben, equably Iโ€™d imagine he would reply with an โ€œoh, okay!โ€ Spotify link here.


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Sam Bishop and the Fallen Sky

Ex-Devizes boyband and half of Larkin, Sam Bishop is away studying music in Winchester. He posts about his latest single, Fallen Sky with the thought, โ€œI really do think this is the best song Iโ€™ve ever made.โ€ You do always say that, Sam, tee-hee, but itโ€™s no bad thing! I think it was legendary underground cartoonist, Hunt Emerson, who once told me, โ€œnever put anything out youโ€™re not confident to say itโ€™s the best thing youโ€™ve ever done.โ€ It suggests Sam is always striving for better, but the proof is the pudding, and this is a Michelin star sundae. Yeah, I believe youโ€™re deffo right with this one.

Itโ€™s got that dark, moody ambience, backed with a deep bassline, sonic piano and ticking drumbeats, as if William Orbit took boyband to dubstep. This compliments Samโ€™s humming vocals to a tee, as it characterises dejected teenage anguish and echoes the passion in early romantic interactions. While itโ€™s a bromide subject at the best of times, Sam rests on it well, as was a time when we wanted Phil Collins to have a broken heart, so his reflection on it would be so powerfully crushing and relevant to our own life!

I feel old ears will nod in memory, but Samโ€™s defining style speaks volumes to younger generations. This is heartfelt stuff, as ever with Sam, but this time, in particular, the production on Fallen Sky envelopes that atmosphere so brilliantly.

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You know what Iโ€™d like to hear? And call me old-fashioned if you will, Iโ€™ve been called worse, but Iโ€™d like an amalgamation of songs filling a complete narrative, as the parable ends like an open-ended short story, leaving you wondering the next decision Samโ€™s character in the song will take. Like a chick-flick plot, he sings, โ€œdoes it feel like itโ€™s the end of our lives?โ€ While this is great, Iโ€™m left yearning to know if they get back together or not, so, just a suggestion, but an intertwined set of songs spanning a complete fictional relationship, like, dare I say it, a concept album. This may not be the modern way to go with distribution I know, but here is Sam Bishop at his best, and a development worthwhile expanding.

Yeah, alright, I hear you, Iโ€™m old, yeah, thanks a million! Check this Fallen Sky out here.


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The Big Yellow Bus Rocks The Gazebo

Two things former humble truck driver Gerry Watkins is a natural at, plucking an ingenious idea and putting it into action, and putting on a gig to fund it. In 2017 Gerry raised four-grand to buy a double-decker bus, which he converted into a homeless shelter in Cirencester. Since heโ€™s launched a similar plan in Swindon, and continues to raise funds for this amazing homeless project. The Big Yellow Bus project is innovative but simple, and Gerry works tirelessly to keep it running.

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With live music teetering on return, it still maybe a while before some venues are ready to reopen, despite yesterdayโ€™s sudden given date of August 1st. The following weekend, 7&8th, sees a grand restart for The Big Yellow Bus, to get funds rolling once again. The Tavern Inn in Kembleplays host to this glorious two-day mini festival, which is free, with collection buckets for the Big Yellow Bus doing the rounds.

Music plans to kick off at 7pm on Friday 7th August with our good friends, Absolute Beginners. I know, like most, Cath, Gouldy and the gang will be itching to get back to live music. While thereโ€™s still a few gaps in the line-up to confirm, The Roughcut Rebels will be a welcomed act, introducing their new frontman, the one and only Finley Trusler; an awesome unification we look forward to hearing. Mick O Toole is also on Fridayโ€™s header.

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Saturday 8th though is an all-dayer. Paul Cooper (Martin Mucklowe) from the twice BAFTA award-winning BBC tv series, This Country, will be opening up the event at midday. Shaun Peter Smith will be the Compรจre for the day, as Miss Lucy Luscious Lips, heโ€™s certain to add a little bit of glamour and sparkle. Thereโ€™s a number of faces I know to this busy line-up, and plenty new to me.

An interesting Opening at midday, Ascenda are a four-piece, playing smooth music with a rock edge and thoughtful, theatrical vocals. Their current collection of songs ‘Celeste,’ forms a love story that explores conflicts; solitude versus companionship, and spirituality versus practicality.

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Acenda (image by Eric Hobson Photography)

Cath, Gouldy and the gang return as The Day Breakers at 1pm, with their irresistible blend of Celtic and mod-rock covers, itโ€™s guaranteed to go off! Swindonโ€™s all-girl rock and pop covers band, Bimbo follow at 2pm. Dirty and filthy punk is promised to followed with The Useless Eaters, a band who accurately recreate the iconic sound of late 70โ€™s British and American punk.

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Six Lives Left

Cirencesterโ€™s masters of high-energy classic eighties rock covers, Loaded Dice are on at 4pm, followed by a mesh of Britpop, new wave and ska with SkAโ€™D Hearts at 6pm. Era-spanning soul follows with Joli and The Souls, and rock restarts in style with Six Lives Left. Sticking with six as the magic number, the finale will be from Calneโ€™s fantastic misfits of Britpop and new wave, Six O Clock Circus, who are always up for a party!

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Joili & The Souls

Yeah, itโ€™s all slightly out of our usual jurisdiction, but with a line up like this, all for such a great cause, and with limited events these lockdown days, this is highly recommended and worth the effort. Kemble Railway Station is right opposite The Tavern Inn so itโ€™s easy to find.

Note, putting such an event on so early after lockdown will not be without expected guidelines, everyone must abide by. Gerry urges social distancing and that you respect those around you. โ€œThis is all done so you can enjoy yourself and have a great time watching and dancing to great live bands and performers, thank you for all your support and together we can have a great time.โ€ I’m sure they will, Gerry. If anyone is heading off from Devizes, gimmie a lift, pal, because this sounds unmissable!

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Talk in Code Taste the Sun

Back in January 2019, I was dead impressed with Talk in Codeโ€™s debut album Resolve, and labelled it โ€œsophisticated pop with modern sparkle.โ€ I offered the track โ€œOxygen,โ€ as best example of how, like classic pop anthems should, its instantaneous catchiness gets stuck in your head. To compare and contrast that favourite from the album with the upcoming release from this Swindon indie-pop four-piece, itโ€™s clear theyโ€™ve come an incredibly long way to enhancing and refining that fashion.

Reflecting back, Resolve has the definite โ€œindieโ€ sound of the nineties, only dipping a toe in the pool of eighties synth-pop. I felt this coming, each track they release sounds more like an iconic mid-eighties sugary hit, and Taste the Sun dives right in. It supplements my โ€œsophisticated pop with modern sparkleโ€ label much more.

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Recorded just before lockdown at Studio 91 in Newbury, the band define the theme as โ€œabout waking up and smelling the coffee, a feeling that change is coming and the relief when that change is made for the greater good.โ€ Nothing wrong with that inspiring concept, but perhaps nothing original; writing style they stick to a model template, but the sound is invigorating. In a word, itโ€™s refreshing, like the zest of a sparkling iced fruit drink on a humid holiday afternoon, it encompasses all that is glorious about pop. Blooming with good time, summery vibes, Taste the Sun is the sort of lively โ€œWhamโ€ anthem a younger you wouldโ€™ve retained from a holiday camp disco, and evermore evoke a fond memory of a fleeting romance.

That said in the best manner possible. Talk in Code is a well-oiled machine, refining that classic sound for a new generation and, most importantly, extracting and binning any clichรฉ or cringeworthy elements. You know the sort, listen to any eighties pop now and wince at a particularly ill-thought out component, be it a castoff sample, badly grafted rap or, worse still, a โ€œtalkyโ€ part; โ€œI thought I told you, Michael, Iโ€™m a lover not a fighter!โ€

Yet I find similar with todayโ€™s pop, and hold my daughter accountable! โ€œWhy they doing that bit?โ€ I grumpily whinge. โ€œWhat bit?โ€ she retorts. Itโ€™s like a repetitive synthesised single word, or randomly placed high-hat making me shudder. Talk in Code use the acuteness of โ€œindieโ€ to eliminate said pop crime, use pop for catchiness and throw something back at you with universal appeal. Itโ€™s true, I concern myself at the prospect of taking my daughter to a pop festival, be it Iโ€™m cowering at her modern taste, or sheโ€™s dragging me away from something I like the sound of. Talk in Code is something we could both agree is great, and throughout reviewing their singles, Taste the Summer is perhaps the prime example of this notion.

Released on Monday 27th July, on digital download at http://www.talkincode.co.uk and on iTunes, Spotify, Amazon Music and all digital platforms. Go on, you have a listen, and I challenge you to find something bad to say about this sparkling, uplifting nugget of pop; because I canโ€™t!


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Jamie at The Southgate; first live music review for a while!

Has lockdown made us appreciate the simpler things in life we once took for granted? Even if, itโ€™s pathetic to lose your shit over the lessening of restrictions and go on an all-out bonkers spree of drunken foolishness, playing into the mediaโ€™s hands creating a drama from a crisis. It is understandable isolated folk fear the idea of venturing to pubs when carefully selected images of hordes of pissheads scrapping outside some chavvy chain bar are spread across social media, just as a few weeks ago a trip to the beach wouldโ€™ve been scorned at.

For me, a relative good, aging boy, whoโ€™s been looking forward to the prospect of an unpretentious pint down the Southgate all morning at work, to return home and regrettably check Facebook to notice a local post claiming sixty-plus youths were last night causing havoc in town, and extend the horror to hear similar events occurred in the Sham too, itโ€™s discouraging. Will I be held up as a hooligan, because I desire life to return to a time when going to the pub was normality?

Itโ€™s a matter of being selective. If it was up to me, Iโ€™d encourage a mass boycott of Bojoโ€™s philistine bum-chum, Tim Martinโ€™s shamelessly uncultured shithouses, but each to their own. They lead by example, a bad one. If you want to pour your hard-earned pounds into the pocket of this billionaire who treated his staff with such utter disrespect, perhaps youโ€™re the kind of insensible sociopath who enjoys a punch-up. Not me, I went to the Southgate for an afternoon pint and report back a decidedly lack of hooliganism from rampaging shirtless knob-jockeys; donโ€™t believe the hype.

Going to this pub was safer than shopping, and the delightful experience it always was, if not more being itโ€™s been a while.

I actually got what I anticipated all along; a warm welcome, orderly queuing for the bar, a bottle or two of hand sanitiser and a slight gathering observing social distancing, able to contain their excitement at being let off their leash. But what is more, some breezy live music; what Iโ€™ve been holding out for. Yay! Iโ€™m not writing to slag off some corporate monopoly, but wanted to compare and contrast, plus get the rant off my chest. Rather it is, our first live music review for seemingly eons, and who better to grace the step of the Southgateโ€™s garden than Jamie R Hawkins? Okay, I know Iโ€™m asking too many questions in this piece, but that was rhetorical.

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Perched in the doorway of the skittle alley, slighter of beard and longer of locks, Jamie was every bit the icing on the cake. Predictable, could be said, but welcoming to see the many faces admiring over his ambiance of acoustic goodness. In faith too, of the gradual phase-in for live music, the session wasnโ€™t intended to be long; just a few songs from 4-6pm. Enough though to get a taste, and Jamie looked to be enjoying it as much as the crowd.

There were some new ones, Walking into Doors (?) one I arrived for, one perhaps called โ€œSpeechless.โ€ Jamie did one cover, Simon & Garfunkelโ€™s Cecelia, and went through some of his benchmarks, the wonderful Capacity to Change, the remarkably sentimental Not Going Anywhere, and being it was a family affair, the ukulele-driven โ€œWelcome to the Family,โ€ aimed at his restless toddler in her pushchair. Yes, an intimate setting, but with words crafted so beautifully and perceptible as Jamieโ€™s, one cannot see the relevance in your own life.

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It was also a notable notion that Jamie was the last person to perform at our splendid Southgate, prior to the lockdown, so fitting he set the ball rolling in reopening. Though, with the unification with Phil Cooper and Tamsin Quin as The Lost Trades, a band formed in just enough time to play a debut, Jamie and the gang are really gathering acclaim further afield. They are promised at the Gate, but again, we have to be patience; this was a teaser under certain restrictions. A band, a late night outside may not be feasible for this humbling pub, yet, but time will tell.

Here then, was a lovely teaser afternoon, and proof above all media hype surrounding this ease of restrictions, that it can be done sensibly and responsibly, and the Southgate is on top of the movement towards normality; when it does, itโ€™ll be something wonderful. Has lockdown made us appreciate the simpler things in life we once took for granted? Not really, itโ€™s always been this good.


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NervEndings For The People

More clout than Ocean Colour Scene Iโ€™d expected after hearing frontman Mike Barhamโ€™s prior thrashing solo releases and drummer Luke Bartels previous band, but more roaring blues than Reef was an angle I didnโ€™t see coming when I first checked our local purveyors of loud, NervEndings.

Weโ€™re countless gigs in now, the band, with bassist and secondary vocalist Rob McKelvey, still tight and raucous. Iโ€™m glad thereโ€™s a six-track album doing the rounds on the streaming sites, as by way of a meanderingly drunken tรชte-ร -tรชte with Luke down the Gate, an album in the pipeline was one of the random topics breezed over, but so was the debatable aggression levels between Welsh and English badgers too, so I only held hope itโ€™d see the light!

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โ€œFor The Peopleโ€theyโ€™re calling it, then, out last week. Itโ€™s got the kick I now predicted, with that surprising blues element to boot, particularly in the opening track, Infectious Groove. Yet the Muddy Puddles single weโ€™ve reviewed in the past follows, and sets the ball really rolling; it takes no prisoners, yet, for its catchiness, contains a slither of something very sixties; imagine pre-Zeppelin metal.

Emo, to audaciously use an unfamiliar genre, Iโ€™d best describe Colour Blind; smoother, drifting indie rock. And in that, Fighting Medicine is more as Iโ€™d supposed, guitar riff rocking like a driving song and Mikeโ€™s brainy lyrics, with added profanity to describe the drunken hooligan spoiling for a rumble. You know the bloke, thereโ€™s always one.

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With themes of non-pretentious indie, Chin up continues this ethos, forget the attempts to conform to expectances, itโ€™s a be-yourself song. Best, in my humble opinion, though, is Dark Dance; as it says on the tin, teetering on crashing punk, itโ€™s upbeat and danceable, in a throwing-your-head mosh-pit kind of way, which isnโ€™t my way, usually, but it reaches a bridge of mellow romance-themed splendour. Hereโ€™s Jimi Hendrix covering Blurโ€™s Song Two, as the blues is retained in all these contemporary rock tunes, and for a dude indifferent to the clichรฉ indie sound, it works on my level too.

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Nicely done, and, double-whammy, Mike has forced upon me this streaming inclination which defies all my generation stood for when collecting music. Our parents called us by name when shouting up the stairs to turn the music down, not โ€œAlexa!โ€ Ah, it needed to be done and Iโ€™m grateful, in a sense. โ€œSend me a download or something,โ€ I pleaded, โ€œI donโ€™t understand this Spotty-Fly thing!โ€ But it only met with the reply, โ€œitโ€™s on all the streaming sitesโ€ฆ.โ€ Iโ€™m of the generation who tried to turn over the first CD they got, to listen to the B-side, and only just got the hang of downloading. Now Iโ€™m causally informed downloadingโ€™s sooo millennial.

I dunno, all moving too fast it; seems so unphysical, not to have a record collection, rather a playlist. You canโ€™t skin up on a Deezer playlist. At least downloading had a file, nearer, somewhat, to owning a record. But Iโ€™ve persevered and found the Spotify app on my PC more user friendly; I didnโ€™t harass my daughter for assistance once, as I regularly do with the phone.

So, cheers, Mike. Hopefully this will help me surpass the โ€œnoobโ€ label my son has tied to me, which, Iโ€™m told is a word for both a novice and an insult in one. Honestly, I feel like my grandad, who, when he came over once, stood staring at our new LCD television and asked, โ€œwhereโ€™s your tele?!โ€ For the People needs to include the older people too, as I reckon many would either love it, or give this trio a ruddy good clip around the ear, which is maybe what they deserve for being so damn good; they’d have me talking emoji next.


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Jon Amor is Cooking

Last time I saw Jon Amor he was queuing for Sainsburys. Sign of the times I suppose, wouldโ€™ve much preferred to say we were in a pub or hall, and Jon was doing his thing. Capers, was what, he explained, he went in for. Those Mediterranean pickled berries, I figured; Jon is as epicure with his tucker as he is with his music. A new single, Peppercorn, expands the hypothesis; heโ€™s cooking alright.

A contemporary blues performer with an established diverse repertoire, I was surprised upon reviewing his 2018 album, Colour in the Sky, of a distinctive and quirky fashion akin to late-seventies pop-rock in the more beguiling tracks; a drainpipe-suited Elvis Costello, of type, and songs as good to match. Iโ€™m thinking of the tracks Red Telephone and Illuminous Girl in particular, they donโ€™t follow the archetypical modern bluesman manner, theyโ€™re upbeat, zany and define a certain panache emerging with Jon. Iโ€™m pleased to say Peppercorn doesnโ€™t just correspond with this notion, but expands upon it.

Accompanied by video of crazy antics around his home, presumably recorded over his many entertaining lockdown live streams, with not only a rather perfected Ministry of Silly Walks tribute in snappy blue winkle-pickers, but an amusing puppet sequence to scream Sledgehammer at you. This is a quirky, catchy little tongue-in-cheek number. From Shanks & Bigfootโ€™s Sweet Like Chocolate to, more appropriately, The Soul Leadersโ€™ boss reggae classic, Pour on the Sauce, food innuendo is no new thing in music; Louis Jordan nailed it in the thirties. Still with his demarcated and inimitable stylishness, hereโ€™s Jonโ€™s own take on it.

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With a little slide-guitar intro, after thirty seconds itโ€™s having it; immediately enticing and definingly why Jon Amor sets the local live music bar high. Though he is, the hybrid between man-about-Devizes-town and blues legend. At a quid from Bandcamp, this shiny example of why is a winning dish.


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A Cracked Machine at the Gates of Keras

Don my headphones, chillax with a cider, and prepare my eardrums for a new album from our local purveyors of space-rock goodness; Cracked Machine is a wild rideโ€ฆ.

There are few occasions when mellowed music truly suspends me in the moment, when it just exists in the air like oxygen and totally incarcerates and engulfs my psyche. Jah Shaka and ambient house rascals the Orb both achieved this a couple of dusks at Glastonbury, but the same with likewise happenings, I confess I was intoxicated on matter maturity caused me to long leave in my past!

The issue for any reborn psychedelic-head is pondering the notion, will it ever be the same again, will music and art tease my perception to quite the same degree. The sorry answer is no, unless your intransigent mate slips something in your drink. Yet itโ€™s not all despair, with a sound as rich and absorbing as Cracked Machine, itโ€™s doable without drugtaking shenanigans.

They proved this at the most fantastic day in Devizes last year, which was that bit more fantastic, when what was intended to be a bolt-on feature became the highlight of DOCAโ€™s Street Festival. Funded and arranged by Pete and Jacki of Vinyl Realm, the second stage highlighted everything positive about local music; a historic occasion weโ€™ll be harking on for some time yet. I nipped away briefly after Daydream Runaways stole the early part of the day. But where the lively indie-pop newcomers had roused the audience, I returned to witness a hypnotised crowd and a mesmerising ambience distilling the blistering summer air. Smalltalk was numbed, as if the area was suspended in time. A doubletake to confirm we were still perpendicular, sitting in deckchairs or slouching against a wall on the corner of Long Street and St Johns and not slipped through a time vortex to a Hawkwind set at a 1970 free-party love-in. I was beyond mesmerised, but not surprised.

For this is how it was with their impressive 2017 debut album, I, Cosmonaut, the soundscapes just drifted through me, as I causally drafted the review, reminding me of a smoky haze of yore, giggling in a mateโ€™s bedroom, listening to Hawkwindโ€™s Masters of Universe. Youth of my era though, were subjected to electronic transformation in music, which would soon engulf us. Rave culture cut our space-rock honeymoon short, though, Spaceman 3 were a precursor to the ambient house movement of the Orb, Aphex Twin and KLF, others changed their style, like Fromeโ€™s Ozric Tentacles merging into Eat Static, and a perpetually changing line-up for Hawkwind appeased the older rock diehards.

I love I, Cosmonaut, it manages to subtly borrow from electronica and trance, only enough to make it contemporary, but keep it from being classed as anything else other than space-rock. I felt their second album, The Call of the Void avoided this slice of Tangerine Dream, and submerged itself totally in the hard rock edge; bloody headbangers! Therefore, itโ€™s a refreshing notion to note newly released Gates of Keras bonds the two albums and sits between them perfectly.

Again, thereโ€™s little to scrutinise as it rarely changes, it meanders, trundles me to a world beyond wordplay, as these completely instrumental tracks roll into one another, gorgeously. A Deep Purple styled heavy bass guitar may kick it off, yet the opening track Cold Iron Light takes me to the flipside of Floydโ€™s Meddle, with seven and half minutes of crashing drums and rolling guitar riffs. Temple of Zaum continues on theme, Ozrics-inspired funkier bassline, and weโ€™re off on the drifting journey, splicing subtle influences. The Woods Demon, for example, stands out for particularly smooth almost Latino guitar riff, making it my personal fave. Yet Move 37 is heavier, upbeat, like the second album. Low Winter Sun is sublime blues-inspired, imagine Led Zeppelin created Satisfaction rather than the Stones, if you will.

Recorded back in November, this is eight lengthy soundscapes of pure bliss, and will guarantee you a safe trip. A signature album for a lonely lockdown of dark, yet emersed in a time of Tolkien-esque vibes and mandelbrot set fractal posters. If this was released in the mid-seventies-to early-eighties every spotty teenager would be inking their army surplus school bag with a biro-version of Cracked Machineโ€™s logo. As it is, age taking its toll and all, I have no idea if this still happens, but doubt it. None of that matters, here is a matured era of the genre, only with a glimpse of how it once was. Nicely done.

Paul Lappin; Awake in the Dark

โ€œLying Awake in the Dark,โ€ the new single from Swindonโ€™s indie soloist Paul Lappin, drives a breezier and more melodic sound than previous singles, taking me to something Jamie R Hawkins or Phil Cooper might conjure. As his third single to discover on Bandcamp since the upbeat โ€œLife Was Good,โ€ near on a year ago, hereโ€™s an indie-pop rock artist Iโ€™ve just discovered, worthy of lots of attention.

Though our friend Dave Franklin, over at Dancing About Architecture got there first, describing Paulโ€™s sound thus, โ€œit bridges a gap between the sweeter sounds of the pre-Britpop era and todayโ€™s indie creations. This is an infusion of past and present, a blend of indie, rock and pop which is at turns melodic, euphoric and soulful but always honest, relevant, reflective and passionately in love with life.โ€

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Thereโ€™s a positively determine, tried and tested formula at work here, which may break no new ground, yet is beguiling nonetheless, and needs no experimentation. While the first two singles prompt me to suggest, though proficient, itโ€™s all quite contemporary indie-pop, joyous and optimistic, Lappin reflects on the more melancholic theme a lost love with โ€œLying Awake in the Dark,โ€ and to be honest, it suits. Backed by partial exerts of female vocals, provided harmoniously by Emily Sykes, whispering through the melody, the composition is exquisite.

Paul spent some time in rural isolation in France, polishing his song-writing skills, along with painting and sketching. Winning a song-writing competition with his debut single, the aforementioned โ€œLife Was Good,โ€ the story starts here. No stranger to this self-isolation era then, Paul says, โ€œit feels familiar, all be it under very different circumstances. But now Iโ€™m confined to my parentsโ€™ house in England, where Iโ€™ll continue to draw, paint, and write songs. Might as well make the most of it.โ€ Paul strives towards an album release shortly; something to watch out for from him, his handful of backing performers and Swindonโ€™s celebrated Earthworm Studios.

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Thereโ€™s a kind of rueful honesty and openness about Paulโ€™s building discography, the sort after attending just the single gig Iโ€™d imagine you retire with the content notion you know this guy,ย  hence my comparison to our Jamie or Phil. Tracks are downloadable for a mere quid, for example; there’s no fleecing here. It wouldnโ€™t surprise me to hear the cover art is a self-portrait, here you get the whole package of a person. It is, though, a watermark of a great acoustic musician, and Paul fits that bill.


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Mr B & The Wolf come out of The Mist

On our promise, via The Indie Network Facebook group, and generally a growing cognisant inside me, for Devizine to musically venture outside our local area, geographically, here we go with a starter for ten. Though itโ€™s no new thing, in the past weโ€™ve mentioned many, from Cosmic Rays in Shropshire, to Mayyadda from Minnesota; I invite this pandemic to officially crash our bordersโ€ฆ.

One request recently came from one Vince Henry, whoโ€™s digitally-adapted Facebook profile pic makes Doug Bradley in his Pinhead guise from the Hellraiser films look like a bedtime Care Bear, and led me to assume the band he manages, Mr B & The Wolf was about to unleash some thrash death metal or psychobilly peculiarity unwillingly into my aging eardrums. I prepped myself accordingly, one ear in the headphone, paracetamol within reach, but I was pleasantly surprised.

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As a function band based in my motherland, Essex, Mr B, and his wolf too, are lively, true, but present a flowing range from blues-based rock and Americana to โ€œthrowbackโ€ pop and soul, and do it with the finesse of a contemporary Fleetwood Mac. Itโ€™s a zephyr blowing your locks, the single Iโ€™ve been sent, Out of the Mist archetypal of the bandโ€™s bravura. I liked it and now have the album, LazyDay to give a fuller appraisal.

With echoes of driving rock Mr B and the Wolf keep a balance, thereโ€™s no tearing off metal as I preconceived, no angry underscores, rather a commercially viable equilibrium of uplifting rock radio stations cannot excuse for not spinning. Second tune, Rise Up, a great example of this breezy and enriching chic. Yet in the acceptance lies an aching sensation eighties power ballad bands, like Huey Lewis and the News shouldโ€™ve been striving for a sound more like Mr B & The Wolf.

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Three tunes in then, and Crazy Town strips the style back to a deeper blues riff, vocally gritty, vocalist Dean Baker handles it very well indeed. Out of the Mist combines the two and stands out, for both catchiness and composition. Chestnut subject matter, yeah, but it doesnโ€™t sway me when itโ€™s performed so well.

What we find here is a bonded, proficient band with stains of all rock has produced before but boy, do they know how to wear it well. They being, Ben Pellicci on lead and backing vocals, Jason Bird on bass and backing vocals, George Wallis on rhythm, and Jason Chown on Drums; unconfirmed which one is the wolf!

Phoenix ballads us to the finale, harmoniously and mellowly. I couldnโ€™t go as far to compare it with the way Morrison would direct the Doors through an audience-mesmerising voyage, but it does equate the great soft metal bands of yoreโ€™s more magically rousing moments. I nod to Heart and of course, Bon Jovi, but they’d be knocking on the doors of Floyd or Cream, see if they’re coming out to play.

The finale though, belts back the blues riff and takes us full circle. In conclusion then, Mr B & The Wolf certainly donโ€™t drift from blues-rock formulae, though itโ€™s a damn fine established blueprint anyway, and this Chelmsford band do it with style. LazyDay would refrain you from road rage in traffic and compel you to turn it up when you hit the open road, Mr B & The Wolf would be a gig youโ€™d return from with fond memories.


Mr B & The Wolf Website

BandCamp for the album (ยฃ3.50)

Find Mr B & The Wolf on Spotify

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Donโ€™t, Ryan!

Okay I confess, in my last article I did, didnโ€™t I, state there was a trend of indie music taming to mass appeal? And yeah, I suggested this is no bad thing. There will, however be exceptions to the rule, and rock will, and should always retain its hard edge; we have room for all here. Swindonโ€™s Ryan Webb, for instance, whoโ€™s just dropped a new single, โ€œDonโ€™t,โ€ takes no prisoners.

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This is militantly metal, with spikes. It rocks with edge, it doesnโ€™t hang around with an ambient intro, stop for a melodic break, the bridge is reached in seconds, the rolling guitar riff perpetually quivering your bones. A one-man red-hot chilli pepper, Ryan wrote, produced, sang, wailed his guitar, recorded and mixed the track in his studio. The only collaborator being Dave Collins, the mastering engineer for Metallicaโ€™s last album, who mastered this too.

It must be said, this not the template of Ryan Webb, who quotes influences ranging from Pink Floyd, Joe Satriani, and Zeppellin, to Coldplay, Muse, and Kings of Leon. He has the range encompassing any rock avenue, and projects all with comfort and competence.

โ€œDonโ€™tโ€ though, whoa there Ryan, Iโ€™m inclined to put my frayed denim jacket over my AC-DC t-shirt and head-bang my way to the highway from hell, and Iโ€™m not usually one for all that; havenโ€™t even got an army surplus bag with badly grafted pictures of Eddie the Head and Megadeath logos!

So yeah, if I like it, you iron maidens will love it! What is more, the track is โ€œa plea to anyone contemplating suicide to take a step back and see that they have a lot going on for them in the world. Even when times are really bad, itโ€™s important to talk to those around you.โ€

Ryan has chosen All Call Signs as the beneficiary for any sales from the single. All Call Signs is a UK organisation set up by two veteran soldiers, Dan Arnold and SJ James, in order to help other vets/serving military personnel who may be finding life difficult. They have also created an app which helps locate those reported missing and in need of urgent support.


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Indie Networking and Long Coats

If social media is the rearguard in musicโ€™s battle against the Coronavirus lockdown, thereโ€™s plenty of battalions networking at this last stand, and physical location is no issue. A virtual realm is borderless, and for this reason, while Devizine is concentrated on content local to Wiltshire, there are many avenues worthy to waiver the rule for. So, expect us to cover some bands and artists without borders, ones Iโ€™ll connect with through social media, such as the Facebook group Iโ€™m here to mention, as is the groupโ€™s tenet.

That said, Ollie Sharp is a young performer from within our geographical catchment, Bath, who recently set up said Facebook group for indie music, called, aptly, The Indie Network. Its welcoming and dynamic attitude is gaining attention. I joined, they cast a thread of introductions; made me feel old! Funny cos itโ€™s true, pipsqueaks by comparison. Young enough to have to Google my antiquated phraseology, like cassette tapes and Danny Kendal. Some poor guy confessed he was older, at 43, at which he faced compassionate reassurances such as, โ€œitโ€™s only a number.โ€ I knew then to keep my gob shtum, so I stated I was โ€œold enough to know better, too old to care.โ€ Least itโ€™d do no good for our Kieran from Sheer Music, who also joined, to grass me up as an old skool raver, historical to those barely an itch!

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Though weโ€™ve jested before about the era of yore where never the twain would indie kids and ravers mingle, Mr Moore and I, and come to the conclusion Iโ€™m exempt on account of my eclectic taste. Let it be known now, I like the sound of Ollieโ€™s recently formed band The Longcoats, and itโ€™s just the sort of thing which allows Kieran to win the genre argument! Itโ€™s breezy, placid indie, acceptable on a larger scale than predecessors, much least my aging preconceptions, bit like what our Daydream Runaways and Talk in Code are putting out; and I like them. I even refer to them as โ€œour,โ€ see, like a northern working-class family. Shoot, pass my Smiths tee Mr Moore, Iโ€™m an indie kid! (kid used here in its most unlikely definition.)

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Anyway, I digress. Weโ€™ve reached the part of the show where the artist mumbles โ€œis this codger going to actually review my single?โ€ Apologies for my Uncle Albert moment, ha, there was me thinking Boris had made arbitrary tangents trendy. Thereโ€™s no telling some, heโ€™s a bastard. However, weโ€™ll never get going if I branch into politics.

โ€œUsed to Being Usedโ€ is the single I was sent, the earlier one of two on their Bandcamp page. It follows a blueprint of indie-pop, thereโ€™s a trudging guitar riff, a theme of dejected ardour, yet itโ€™s done with skill, catchiness and promising aptitude. The latter single, Drag, which came out in March takes a similar tempo, and cool attitude; there is no need to be angry in an era which accepts the genre, so ever with edge but only enough, The Longcoats create a beguiling and entertaining sound to appeal wide.

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Last year guitarist Arthur Foulstone and drummer Kane Pollastrone added to frontman Sharpโ€™s lone act, which bridged the gap between band and solo artist. The final piece of the puzzle came upon recruiting permanent bassist Norton Robey. With the assistance of producer Jack Daffin, The Longcoats have created a defining sound which is appealing and instantly recognisable.

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There is nothing about this Bath four-piece indie-pop-rock band here, Iโ€™ll be honest, which will act as their magnum opus, but an auspicious start dripping with potential. Hereโ€™s one to watch, with their debut EP โ€˜Octoberโ€™ in the pipeline, hereโ€™s hoping itโ€™ll reach us before the month of its namesake.

But itโ€™s not so much about the individual band here which maketh this article, rather the conscious efforts to unite and network, thus creating a scene. Even through this era of wishing for a live gig, the networks thrive, perhaps even more so. Ollie also created Wise Monkey Music, a multi-media music and events promotion company based in the Southwest, of which we look forward to hearing more of; attention, the like Facebook group The Indie Network is likely to bring. They even let this aging raver in, dammit; though my white gloves and whistle must be in a box in the loft somewhere, itโ€™s a deceased stereotype, of which Iโ€™m glad.

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I do find though, as someone who glued and photocopied zine after zine, aside the mass media driven pop tripe, the underground thrives as it ever did, the internet only creates an easy route in. Just like the bands of the now, such as The Longcoats and others rapidly joining the group, whatโ€™s not to like about it?

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Talking Gravity, and other things, with Daydream Runaways

With some images used by Nick Padmore

How professional of me to create a to-do-list of outstanding subjects for articles, but then spoil said professionalism by dithering to the Daydream Runaways boys about the nineties rave-indie divide and becoming a grandad. The sensible members of the band promptly left the group chat, save guitarist Cameron Bianchi who stayed to endure my inane waffling up as far as the Madchester scene.

Prior to this though we had a great heart-to-heart early in the week, but if the title of this article is misleading, I should add the subject of Sir Isaac Newton never came up, rather Gravity is their latest single, hot off the streaming sites yesterday. Itโ€™s quality, as expected, going on their three previous releases, blinding reviews and an appearance on BBC Wiltshire.

It does indeed, as the press release states, โ€œdeliver on their brand of retro-modern indie rock,โ€ but while maintaining an emerging signature panache, it pushes firmer towards a heavy rock division. A hasty grinding atmospheric intro with a pause, then the spiralling sonic guitar takes no prisoners. If the last tune, Closing the Line bore topical sentiment with a theme of the townโ€™s Honda Plant closing, Gravity is perhaps more general, but even more powerful. This imminent Swindon-Devizes four-piece really have dug into an emotional slant with Gravity.

The combination of Ben Heathcoteโ€™s idiosyncratic vocals, said sonic guitars and class production value, this belts across as a rock anthem to not only scare The Darkness but fight a Foo. They say it comes from โ€œa time of turbulence and explores the burden of life’s toughest decisions.โ€ If I predicted the air of gloom surrounding the era would produce some intensely expressive songs, here is the all the proof you need, if indeed itโ€™s a product of the pandemic. Iโ€™m going to find out.

So, Iโ€™m wondering, if the recording was done at a distance, or prior to the lockdown. Drummer, Brad Kinsey informed, โ€œit was done in February, in Swindon, with an engineer from Westbury.โ€

I explained my reasoning, โ€œit sounds heavy, rather darker than usual. So, I wondered if it was a result of the lockdown. Is there a drive to take it that route, I mean slightly darker and heavier, or is just the mood of this particular track?โ€

Cameron replied โ€œI think it was just the mood of the track. Everything kind of centres around the experience Benโ€™s lyrics are speaking about. In fact, Benโ€™s probably the best person to about the story behind the song. But we definitely made a conscious effort to push ourselves on this on to do the song justice.โ€

It certainly does. โ€œIt doesnโ€™t hang around,โ€ I pointed out, โ€œand the vocals are more powerful than before. Seems like a natural progression, a maturity. Not that Iโ€™m calling you immature, you understand?!โ€

Bradley responded, โ€œnah, I get that. I think we gained confidence and are more unified about this sound.โ€

Cameron interjected, โ€œI think itโ€™s important to all of us to keep pushing ourselves with each release and not churn out the same number. Iโ€™m not saying weโ€™re the Beatles or anything, but you know give it some time. Weโ€™re still young!โ€

Bradley bantered, โ€œare you, Cam?!โ€

Cameron added, โ€œwell, some of us are still young…โ€ Laughing emojis are added, but Iโ€™m getting paranoid.

โ€œOkay,โ€ I opposed, โ€œspring chickens; donโ€™t rub it in!โ€ But even with any such change, such as the edgier component of Gravity, thereโ€™s a distinct signature maintained in all their tunes and this, I feel, sets them apart from many a local band. I could have guessed it was them before knowing it. โ€œIs that important,โ€ I questioned, โ€œto be instantly recognisable?โ€

Cameron said, โ€œI think it helps that Ben has got a very distinctive and powerful voice. I suppose weโ€™re starting to find our sound as well. Ben & Nath wanted to go a bit heavier with this track but Iโ€™m not a massive fan of heavy guitar. So, I opted for a more chimney yet overdriven guitar style that suits me, but also packs a punch. Plus, I got to flex my inner Graham Coxon/Jonny Greenwood with the effects heavy solo part!โ€

Brad covered this shot too, โ€œI would say so, yeah. Itโ€™s good to build a sonic trademark, all the greats have that! Itโ€™s a good thing when people can still recognise you, even when you change things. Shows that youโ€™re using that style but without losing the integrity of what you are.โ€

At this early stage, Daydream Runaways call a good compromise between them, witnessed when they tuned for our Waiblingen Way Fire fundraiser. โ€œThereโ€™s always going to be differing opinions,โ€ I pondered, โ€œBit like marriage!โ€

Cameron replied, โ€œno relationship comes without some disagreements, a band included. But weโ€™re all good at finding a compromise, which is good!โ€
Throughout the interview Iโ€™m concerned if I should bring the idea of a possible album up, as when we did the fundraiser I asked, and it met with varying opinions between them. However, with the topic running on compromise, itโ€™s now or never! โ€œI wasnโ€™t sure, though wanting to ask, if I should bring it up again!โ€

Cameron delegated, โ€œBradley…over to you on the album talk!โ€

I interjected with the proposal before he did, โ€œI think you should, but accept I’m not thinking about current climate in the music industry, rather an old fashioned ideal.โ€

Bradley answered, โ€œthere was a plan. However, the coronavirus has impacted that. Not going to say itโ€™s completely gone but weโ€™ll wait and see what happens. You canโ€™t really make any plans at the moment.โ€

Cameron expressed, โ€œitโ€™s not a matter of if but a matter of when is probably all weโ€™ll say for now!โ€

Brad added, โ€œIโ€™d say doing an album is all dependent on what genre youโ€™re doing. Rock music fans are still very defiant and keeping the album alive. So maybe with this Gravity sound weโ€™ll go down that route.โ€

It did bring us onto these strange times, and my deliberations on whatโ€™s the best approach for artists on how to continue, continues. โ€œWhat’s best for musicians,โ€ I asked them for their tuppence, โ€œthe live stream is simply not the same as a gig, and while charging for it is a bit cheeky, itโ€™s difficult to know where to go to get some revenue for the work you put it. In short, must be a bitch. Let’s not say the word again!โ€

I couldnโ€™t argue with Bradโ€™s comment, โ€œsome bands I follow have rejected the idea and directed people to supporting more pressing causes.โ€

Meanwhile, Cam elucidated his feelings about the lockdown. โ€œWhilst you really miss that immediate response from a crowd, and the fact youโ€™re in a room where you can play loud and really get into it, theyโ€™re still fun to do! We were lucky enough to do one right before the lockdown was enforced. Probably one of the first bands to do it, then Chris Martin came along after with his solidarity sessions. We still havenโ€™t forgiven him for that!โ€

โ€œSpringsteen did one! But not before you!โ€ I supplemented.
Bradley was proud to say, โ€œwe were the first UK band to do a self-isolation livestream. There, I said it; Let the feud with Chris Martin begin!โ€

The topic continued for a while, this dilemma between fan etiquette and revenue for artists. But I wanted to notify how much I enjoyed theirs, โ€œyeah, good it was too. Saw that! Right now, I guess, it’s all we have. That’s the point I cleared with Kieran at Sheer. Itโ€™s never going to be the best plan. I think it’s time to get down and write some killer songs, agree?โ€

Cameron agreed with a feel-good quote, โ€œdefinitely, but now is also the time to look out for each other, even though weโ€™re all apart. If we can reach out to people with our music or it helps them get through their day, then thatโ€™s amazing.โ€

Bradley approved too, โ€œyeah, and thereโ€™s never been a better time to write. Technologyโ€™s made it so accessible now to bounce ideas. Who knows, we could even release a song in lockdown without even meeting up.โ€

It always amazed a younger me, that Paul Simon could collaborate with the South African musicians on Graceland, back in the late eighties, and it sounded like they were playing in harmony in the same studio. It is possible to edit parts and stitch together. Must bugger up the flow of it though, make it sound mechanical or manufactured.โ€

Bradley replied, โ€œwell, if the band records the parts individually themselves and lays off the editing itโ€™s possible to get that organic feel. I wouldnโ€™t be surprise if we start seeing artists jump on this idea and release original tracks.โ€

It was at this point Ben Heathcote joined us. โ€œIt seems like the boys have covered the questions quite well! As Cam said, Gravity comes from a place of uncertainty and pain from circumstances and the decisions triggered from them. A crossroad of the mind. And yeah, lockdown wise weโ€™re hoping it makes people see the value in their freedom before and hopefully will bring out further support when pubs, clubs and entertainment reopen.โ€

I see Benโ€™s clarification reflected in the cover art too. With a kind of โ€œstairway to heaven concept,โ€ an impressionist character is looking lost, pondering which road to take. Itโ€™s apt for the song.โ€

Ben welcomed this, โ€œyou got it. And again, the artwork is something were really proud of. Provided by ezra.mae.art. We also enjoyed working with Reloopaudio on the production, a friend who we will be working with again. We love this song and we’ve loved the whole creation, writing and everything about it. It’s nice to have developed it from the live sound too.โ€
For Benโ€™s benefit, we found ourselves back on the subject of Gravityโ€™s edgier side, โ€œI think it will please the hardcore indie fans, and those which come from a heavy rock side, which is good, thereโ€™s a majority of them locally.โ€

Ben replied, โ€œas you mentioned earlier, with the style sounding fresh, but still us. This is something I’ve always been hot on since the band formed. I’ve never wanted us to be doing the same thing every time. The aim was, and continues to be; to write and produce fresh sounds with hints of varying styles that is still recognisable as us, allowing it to not be boring or repetitive; kind of inspired by many of our favourite artists who keep developing their sound.โ€

I take off my hat to this, โ€œI might come across pop or soul-ish but I had my day, and do still listen to bands like Zeppelin and Floyd etc. I think Gravity will be boss with that crowd.โ€ With which I asked for their influences, and if they mutual.

Ben reacted, โ€œIโ€™d say our choices are not miles apart, but to pin a group favourite would be impossible as we all have our firm favourite influences.โ€

Cam agreed, โ€œyeah, I donโ€™t think there was a particular band or artist that inspired the track as such but we all agreed what the sound was we were aiming for. Making sure that each of us brought our own thing to it.โ€

Laughing emojis made a reappearance, when I teased, โ€œEd Sheeran it is then!โ€

Keen to take it back, Brad nods at my sixties psychedelic citations, โ€œFloyd and Zeppelin are timeless though. Prefect example of bands that pushed themselves overtime.โ€ And the Daydream Runaways can relate to that with this progressive new release.

Ben said, โ€œI think before we produced the track, we all knew in our head how it should sound.โ€ Itโ€™s definitely a belter. I thank them for their time, with one last question before we headed into our tangent about the rave-indie divide of the nineties! Where do the Daydreamers see themselves in five years?

Ben suggested in five yearsโ€™ time he would like them to have a steady schedule, โ€œplaying to crowds who know our words, filling sold out venues as well as intimate gigs, which we can always remember.โ€

Cameron felt theyโ€™d have โ€œan album or two under our belt, playing to crowds in our favourite venues. Having a slot on The John Peel Stage at Glastonbury is a bit of a dream of mine!โ€ Ah, thereโ€™s the source of my waffling, started with seeing Oasis at Glasto but, unbeknown to me at the time, I paid them little attention.

Daydream Runaways though, worthy of your attention, hereโ€™s the Spotify link to Gravity, like them up on the book of face, and cross your fingers and toes weโ€™ll be seeing them live soon, if not the John Peel Stage at Glastonbury!


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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The New Local Blues

Had a nice chat with Sheer Musicโ€™s Kieran about acts, live streaming, future plans, and gardening this weekโ€ฆ what am I on about? Itโ€™s always nice to chat with Mr Mooreโ€ฆ.

If the beginnings of Devizine was a learning curve in which I realised Iโ€™d bitten off more than I could chew, one might be mistaken to think now we mustโ€™ve covered every musical talent in Devizes, if not Wiltshire. Not so, as a post from Kieran J Moore of Sheer Music incited me to shudder. Why have I not heard the name Joe Edwards before?

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Joe Edwards

Name does ring a bell, must have posted about the cancelled album launch at the Wharf which wouldโ€™ve happened this week. Well-travelled, Joe has been touring through Europe as a drummer for Australian band The Wishing Well, plus his debut solo album Keep on Running was mixed in Nashville and mastered in New Jersey with Grammy nominee Kim Rosen; might explain it, and if I have encountered the name I had no idea how renowned and awesome he is.

Hoisted in the help of Kieran for this then, to insure Iโ€™m bought up to date; there is a new cool in Devizes, and Iโ€™m going to prompt him about it. The initial message on any chat window these days is enquiring of wellbeing, understandably. Mr Moore is positively beaming, โ€œ[Iโ€™m] getting so much done and achieved,โ€ he explained.

I replied with a question, โ€œLike the gardening?!โ€

A boundless list of household chores followed which included, โ€œhow to programme moving head lights, learned how to live stream, learned how to record and edit videos.โ€ Bless, thatโ€™s our Kieran, dedicated to fetching us the best live music and promoting local artists, no matter what the era brings us; you have to tip your hat to the man. Seeking permissions to release sets Sheer recorded from 2012-14 and bootleg them onto Bandcamp being the latest venture.

What of the live stream though? My Virtual Festival started with good intentions, but there’s been so much of it it’s hard to keep up, some may not be appreciative my sharing of their stream; itโ€™s a close call. In these frustrating times, I asked Mr M if he felt โ€œpeople are going to get bored with the live stream.โ€ I often feel it doesnโ€™t make up for the real thing and enforces my sadness that weโ€™re missing out on live music. Yeah, I know, right; then I apologised for my despondent attitude.

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Itโ€™s a close call because artists earning from a live stream is problematic. Some have found methods of a pay-per-view stream, but many rely on a PayPal donation option. While I sympathise with the artists, also I ponder if charging for a live stream is justified when Wi-Fi can drop out, be overloaded, etc. โ€œSo,โ€ Kieran added, โ€œlive streams have become a necessary evil, in the sense that everyone is doing them, and it’s really difficult to earn from them. Let’s be clear, live streams will never replace the real thing. No need to go into detail, we all know why, it just wonโ€™t.โ€

He believes they have a place in the future, though, after lockdown has ended. โ€œYou’d be a dolt not to recognise it! Whilst it may be difficult and lacking for most of us, these streams have enabled many people who wouldn’t usually be present, be it social anxiety, disability, or a myriad of other reasons, be able to take part and fell part of something.โ€

I gave mention to a stream-festival by Swindon Shuffle, it doesnโ€™t have to be geographically grounded, organisers said people attended as far away as Mexico, and this increases the fandom of the performers to international levels.

In these few short weeks, weโ€™ve seen musicians getting more creative with the concept, nice to see Benji & Hibbs sitting around a fire rather than indoors,Jon Amor climbed onto his roof last night, and Phil Cooper is getting tech with green screens for a Lost Trades stream on 1st May. โ€œA lot of people have invested in the technology,โ€ Kieran expressed, โ€œso why would it stop after? It’s just daft, of course it wonโ€™t. Also, the reality is that venues won’t be back and open before 2021. The possibilities are currently being peddled by MVT,โ€ He continued, โ€œand itโ€™s being taken seriously.โ€

I felt the need to apologise for my grumpiness, it had been a long day at the diary. I would, however, like to see artists getting some releases out rather than live stream, but accept thatโ€™s not easy either, for a band, with social distancing. Talking blues though, surely some the most poignant music, particularly blues, comes from feelings of isolation, depression and disappointment; from teenage anguish or working on the chain gang! The lockdown should deliver some interesting content.

โ€œBe prepared for an avalanche of Coronavirus and lockdown blues songs,โ€ Kieran suggested, and yep, seen a few emerging myself and played the โ€œCorona Bluesโ€ by The Ragamuffin All-stars on my radio show last week.

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Little Geneva

Talking local blues, though, on top of Joe Edwards, who after a listen to Iโ€™m liking to a raw George Harrison or Clapton, what else has Kieran got for me? โ€œJon Amor likens Joe to JJ Cale, which is nice,โ€ he compliments. โ€œThen we have Little Geneva, who actually do covers, but theyโ€™re so obscure, people donโ€™t know them. I actually like that slant.โ€ Ticked that box some time ago, Little Geneva playing the Cellar Bar was knockout, and Iโ€™ve nothing but praise for their authentic blues sound.

This said, Little Geneva have since recruited female singer Mariam Maz to add to their already talented gang, and this I have to witness.

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Will Blake

โ€œThen we have Will Blake in Bromham, a honky-tonk 12-bar type of guy,โ€ but Iโ€™ve recently bookmarked Will too, sharing this soul cover multi-instrumentalistโ€™s Isolation Sessions, which see him on piano in the middle of a Bromham field giving us a marvellous rendition of Man in the Mirror et all.

And finally, Kieran aims one I donโ€™t know at me, a โ€œswampy and dirtyโ€ contemporary Trowbridge four-piece, Sober Son. This is hard-hitting rock and one to watch. Looking to the future, where I predict an aching aftermath for concerts and gigs, many might frivolously suggest we have the party of parties, but Kieran is a doer. Can I spill the beans on his โ€œoverall idea?โ€ โ€œSay it’s currently Sheer’s intention to host an event!โ€ he informs, yeah, will do.

Hosting a โ€œDevizes Music Festivalโ€ is said idea, when the lock down is over, and to do a multi-stage bill, across the whole venue. Kieranโ€™s dream team would consist of Jon Amor, Sober Son, Little Geneva, Joe Edwards, Will Blake and The Lost Trades, โ€œetc.โ€ Iโ€™m saying no more, not to get over-excited too soon, weโ€™ve a long way to go with the lockdown; I could be a pensioner by then and only wishing to listen to Pat Boone!

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Ah bugger, back to the now; do like the Sheer Music Facebook page, currently dedicated to bringing you the best local live streams, โ€œthe necessary evil.โ€ But most importantly is the notion Iโ€™ve said before and will no doubt say again, unless you want to pop the bubbles of musicianโ€™s aspirations and see them pushing supermarket trollies, itโ€™s vital you check out local artists and buy their music, be it from Bandcamp, streaming sites, their sites or send Vinyl Realm a message, as they stock a selection of local music too.


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Phil Cooper is Without a Sound

Surprising title, Phil Cooper is not usually without a sound. Trowbridge’s prolific singer-songwriter subtlety reflects, I believe, on the silence of the lockdown in a new single born today. Subtlety is the key to many of his works, there’s a wonder in this one in particular if there’s undertones of a political statement, or if it’s a simple love and togetherness theme. I like it when it’s open to interpretation.

Yet if there’s something unsurprisingly catchy about Phil’s Easter egg single Without a Sound, I’m uncertain if he’d be flattered with my Elvis Costello comparison, but that’s what I picked it out of it, and you might be surprised by this.

Though comparing isn’t necessary now, Phil have stamped his own unique mark onto music and this one retains that personal fashion.

However you choose to look at it, it’s a gradual step in the right direction for Phil. With the Lost Trades obviously on hold for the time being, it’s a welcomed surprise and while we look forward to the vocal harmonies with Tamsin and Jamie, ah, this single will fill the gap perfectly.

As with Tamsin’s first rate live stream last night for the Swindon Shuffle virtual festival, it’s still good to see this trio working apart as well as together.

But dont take it from me, give it a listen!

The Lost Trades; Debut at the Village Pump

By Helen Robertson

Images by Abbie Asadi

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On a rainy Friday night in Trowbridge, I followed the directions from the bar staff at the Lamb Inn- past the pool table and out the back โ€“ to the Village Pump, a quirky, intimate performance space that was already packed. And there was cake, lots of cake.

This was the first gig for The Lost Trades but most people seemed to know the Wiltshire-based singer songwriters, Jamie R Hawkins, Phil Cooper and Tamsin Quin, pretty well as they mingled in the breaks between support acts Vince Bell and newcomers Timid Deer.

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Tamsin confessed she was nervous, hoping the new three-part harmony adventure would start well. She neednโ€™t have worried. The sell-out crowd were on their side right from the start.

 
Swapping instruments and lead vocals throughout the night, The Lost Trades shared their stories and songs with the relaxed ease of seasoned performers. There are three distinct styles to the songs but an obvious pleasure in playing together binds the music into a cohesive set. Itโ€™s folky, funny and full on harmony.

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ย Iโ€™m glad Phil took the time to introduce his original, the Groom of the Stools โ€“ a little context went a long way to explaining this rollicking, foot stomping number where โ€œevery day I take a look at the Crown jewelsโ€. Google it, trust me itโ€™s that job that youโ€™ve never dreamed about.

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ย About halfway through the set Tamsin debuted Hope Cove, a very personal song for a friend about holidays in Devon. Loaded with emotion the absolute strength of the trio, the balance of harmonies, was on display. These three voices create a beautiful rich sound, layered and textured.

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ย My favourite song wasnโ€™t an original โ€“ sorry guys โ€“ but a traditional American spiritual, Down in the River to Pray. The harmonies, wow. Just wow. As it soared and rolled around me, Iโ€™m not ashamed to say I might have had something in my eyeโ€ฆ.

 
The Village Pump is a cracking venue, home to the local folk club and a regular open mic night. I was told a group of friends started the folk club there in 1973 in a barn at the back of the pub. Performances were staged from a wagon and there are nods to this on the walls with horse paraphernalia hanging with tubas, French horns, guitars and pipes from a church organ. Upstairs in the balcony thereโ€™s plush red tiered seating from a now-closed local movie theatre. Great acoustics, a welcoming vibe and drinks on tap from the Lamb Inn, itโ€™s just the place to showcase local talent.

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Shout out to Jamieโ€™s fiancรฉ Janey for the cakes โ€“ a vote saw the chocolate cake coming out the clear winner with the consolation prize going to Tamsinโ€™s flapjacks. I tried a few, for research purposes. Perhaps more than a few. Yum!

 
The encore was a swinging country version of Talking Headsโ€™ Road to Nowhere. Iโ€™m picking this is far from the truth for the trio. The Lost Trades are out on a Spring tour now with a handful of gigs around Wiltshire as well as trips to far flung places including London, Stratford on Avon and Exeter between now and the end of April. Details are on their website along with the chance to join the mailing list for early bird benefits.

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ยฉ 2017-2020 Devizine (Helen Robertson)
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Blues at the Sports Club got my Mojo Working

If I divide rock music into three favoured eras; its birth from rhythm and blues to form rock n roll, psychedelia moulding it back to wailing blues, and second gen mod or new wave from the eighties, and anything post these I donโ€™t care for so much, be it heavy, soft or Nu-metal, I paused for thought last night, observing these three pillars firmly personified at this most fantastic jam at the Devizes Sports Club. And what is more, itโ€™s fused, together in one great monster of a performance, which, in a word, was spellbinding.

Impelled to duck out the Cavy early, as while I figured our writer Andy would be in attendance, and be willing to put some words into action, I had to see this for myself. It was as I predicted in our preview, no musician singled out, no-one-on-one-off exhibition, rather a humongous blues jam amalgamating the exceptional talents of all present. Already underway on my arrival, our guitar heroes Ruzz Evans, representing the rock n roll in my three-pillar theory, with his classy suit and quiff, Innes Sibun on the psychedelia with that long hair and wailing guitar, and Jon Amor in his trademark drainpipes and sneakers. To boot, not only is Ruzzโ€™s backing band present on bass, drums and horns, thereโ€™s the legend who is Peter Gage causally making the keys look like Childโ€™s play.

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Afterwards I made a beeline for Ruzz, inquiring how one goes about creating this wonderful amalgamation and how rehearsed it needed to be. There was no rehearsal, he explained, itโ€™s based on specific templates in which the musicians observe each otherโ€™s changes and improv takes control. This takes a wealth of experience and talent, as Ruzz continued to get technical it showed both his obsession with his craft, and my incompetence in such matters. I shouldโ€™ve recorded his explanation for a quote, as the jargon pursued and Iโ€™d drunk far too much! (Note dodgy photographs as proof!)

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Again, the slight topic of conversation that was passed around the club related to the current virus situation. Naturally people are concerned, yet it didnโ€™t stop this venue filling sufficiently with our blues aficionados, matured or otherwise. I figured if times do go terribly wrong in the coming days, this could potentially be my last night out for a while, and if so, or even if not, Iโ€™m out to party. This event satisfied that ideal, but I knew it would, it said so on the tin.

It was good to bump into singer-songwriter Joe Hicks, where we expressed concern for the decline and postponing of events and its effect on organisers and musicians alike. He had, as I suggested, already an album up his sleeve. Perhaps the coming month will see musicians take to recording studios as the bread and butter of gigs phases out. Itโ€™s a sad thought, but absently unnecessary tonight, as the power of live music blessed the hall in a way which should make Devizes proud.

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Staggeringly as ever, Innes was on lead when I got there, taking the audience on one of his magical journeys, only for Ruzz to be frontman for one of my favourites of his tunes, Sweet as Honey. After a short break it was Jonโ€™s turn, picking Juggernaut to blast us with, ever so proficiently. Then, was it a Billy Price song which Peter Gage so skilfully but causally covered with the honky tonk of Howlinโ€™ Wolf, The Price I Paid for Loving You? I dunno, no expert, but Iโ€™d lost the will to keep track, allowing the blessed music to flow over me.

With a hypnotic guitar-off, if thatโ€™s the appropriate terminology, between Ruzz and Innes, sections provided for all musicians to show off, including the drum solo of drum solos and the most amazing bass guitar solo too, it was one heck of a brilliant blend of electric blues Iโ€™ve bared witness to.

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If my only criticism was pondering if the sound could contain this monster of supergroups, and that a semi-circle barrier between the musicians and audience had naturally formed, with the blues preservation society of Devizes merely wobbling on their feet, the sound system took the strain adequately, and after not too long the movers penetrated the semi-circle and all round dancing ensued. Otherwise, this gig was perfection on all levels, my blessings to all involved. If there is, gloomily, to be no Saddleback Festival this year, last night thoroughly made up for it and leaves me pondering what will be next from this fantastic venue.


ยฉ 2017-2020 Devizine (Darren Worrow)
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REVIEW โ€“ Lewis Clark & The Essentials @ The Southgate, Devizes โ€“Friday 13th March 2020

No Pigeon-Holes

Andy Fawthrop

Friday had been a not-so-great day, with lots of news about C**, pitched battles in the aisles of Morrisons over the last few toilet-rolls, and the cancellation of many sporting and other events. How to react to this desperate situation? Well it was obvious – go to the pub for a few beers and to listen to some live music.

It was The Southgateโ€™s landlady Debsโ€™ birthday week-end, so some great music (as always) was promised. And it all kicked off on Friday night with locals Lewis Clark & The Essentials. Although the band had played this venue before, Iโ€™d managed to miss them last time out, so wasnโ€™t quite sure what to expect. Iโ€™d been told that they were wonderfully hard to pigeon-hole, but that they were an acoustic based band, blending folk, soul, and blues.

Lewisโ€™ band on this occasion consisted of the man himself on vocals and guitar, accompanied by upright bass and keyboards, and they had just kicked off their first number when I got there. I was with friends and so started the evening by chatting to them, but the chat soon died away as we all relaxed and really began to listen to this very talented performer. This was no mere pub background music. None of us wanted to ignore what was clearly some very fine music.

The first thing that struck me was Lewisโ€™ incredible voice. His range, delivery and vocal style were completely arresting and mesmerising. Coupled with some wonderful jazz-like phrasing, his vocals absolutely carried the night. The effortless musicianship of the band supported Lewisโ€™ songs through a whole range of musical styles and influences โ€“ folk, jazz, blues, latin, roots, soul โ€“ sometimes within the same song. The result was a spell-binding fusion of melodies, haunting lyrics, and an eclectic and varied performance.

The trio produced two superb sets of original music, and still managed to work in a few covers, to which they lent their own fresh interpretation. Stand-outs among the latter were a mash-up of Led Zeppelinโ€™s โ€œWhole Lotta Loveโ€ with the Guess Whoโ€™s โ€œAmerican Womanโ€, and later on Freeโ€™s โ€œAll Right Nowโ€, which all received a damned good seeing-to.

In total, it was tour de force performance โ€“ lyrical, multi-influenced, impossible to pigeon-hole, and thoroughly entertaining.

And, yes, after self-medicating with beer, I did wash my wash hands at appropriate times during the evening.

Future gigs at The Southgate:

โ€ข Saturday 14th March Lightninโ€™ Hobos
โ€ข Saturday 21st March Eddie Witcomb
โ€ข Sunday 22nd March Vince Bell
โ€ข Saturday 28th March Mark Smallman Band
โ€ข Sunday 29th March Gary Hall


ยฉ 2017-2020 Devizine (Andy Fawthrop)
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Phil Jinder Dewhurst at the White Bear

You know youโ€™re stockpiling years when you decide staying in for your birthday is the choicest option. I did, finally, haul my birthday-cake belly off the sofa on Sunday, driven by lingering desire, or an essence of ritual, which put up a fierce battle against my indolence; Iโ€™m glad it won.

Though the anticipated birthday banter and celebratory sacraments were scarce, as the White Bear was held captive by an extraordinarily acute and enthralling sound. An artist I thought Andy had reviewed for a past Sunday session here at this snug tavern, but searching came up with no reference to it, Phil Dewhurst, known as Jinder was mysterious to me as either. Yet he weaves intricate and personal storytelling as an introduction to each song, so you leave feeling you know a little about the musician.

If itโ€™s a Springsteen-esque clichรฉ, Phil summarises well, each song illustrated with an explanation to his thoughts and inspiration while writing it. No matter if itโ€™s fashioned with poetic riddle, once youโ€™ve a background to it stimulus you comprehend. And his writing is well crafted, eloquent and precise.

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While the songs were melodic and mellowing, few with a melancholic theme, Phil conducts his prose against the cynical, and his songs breath an air of positivity over pessimism. There was a running leitmotif of keeping on the sunny side of the street against all odds, and for such, I compare him again to Springsteen, for his wild romantic style. Never was the subject quixotic, pragmatism showed his true colours as he poured his emotion fluently into his songs, attached to acoustic guitar so you couldnโ€™t see the join, through proficient use of the loop peddle he created a beautiful soundscape, like a one-man Pink Floyd.

And it was when to come back with the following verse which really impressed me, Jinder has professionalism in his timing and a natural flare, making this afternoon a notable and entertaining affair.

See, I observe the loop pedal operation with a certain fascination, particularly under the command of the multi-instrumentalist, previous referencing Chris James Marr from a Sheer gig, or when the Arts Festival introduced Devizes to She Robot last summer, but it never ceases to amaze me when a man like Jinder can weave such intense resonances with just an acoustic guitar. The instrumental sections penetrated the mind and drifted from person to person; he clearly knows what heโ€™s doing there, wincing an electric guitar sound or bashing a beat on the side of it.

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Big โ€œbutโ€ here though, it was the crux when he let off the pedal, the songs of simplicity; man, and guitar, ah, the acoustic really showed his true expertise. Iโ€™d recommend and welcome a Phil Jinder Dewhurst gig to all mature aficionados of rock. And marvellously prolific is he, a West Country based international touring musician, Jinder has released ten critically acclaimed albums for five different labels, including Sony BMG and Universal, had top 40 singles with ‘Overthinkers Anonymous’ and ‘Keep Me In Your Heart’, the latter of which has been successfully covered by many other artists and features in 2019’s international smash hit movie ‘Fishermen’s Friends’.

Through the delicacy of lo-fi folk-noir to the crank but pleasing blues tune he charmed the humble audience with personal anecdotes of woe, or uplifting inspirational moments, he expressed his passion for his art, that of friends in collaboration, and he pitched his landmark album The Silver Age with accounts of its orchestration. Iโ€™d like to hear that, yet as solo he has a force of his own, and was the perfect finale to a weekend.


ยฉ 2017-2020 Devizine (Darren Worrow)
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Baby, we were Born 2 Rum!

Received a substantial golden handshake when Anchor Foods closed the Swindon site in 2000, by the following week I was maxing-relaxing on Long Bay near Sam Lordโ€™s castle in Barbados, sipping the local beer, Banks. Upon my second influx at the beach bar, a conversant gent questioned why I drank beer, โ€œmek ya belly get big,โ€ he advised.

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โ€œWhat do you recommend?โ€ I inquired. He suggested I gave this local lad a dollar, I did, and before I knew what was what, he had ascended a palm tree with a machete and used it to knock off a coconut. With a thud it hit the sand, the top was severed, the remaining part handed to the barman who filled it with a generous dosage of Mount Gay white. Iโ€™ve been a rum drinker since.

You canโ€™t get white Mount Gay for love nor money in the UK, so I made a beeline for the Muck & Dunderโ€™s mobile rum bar at the Devizes Scooter Rally to ask them. Iโ€™d been chatting online with Stu and Shelly, listing their Born 2 Rum event at the Wyvern Club in Devizes. Sad to have missed it, what with the now defunct SN Dubstation playing. I donโ€™t intend to make the same mistake this year, as the Muck & Dunder plan to do it again, with bells on, same place, on 23rd May.

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What these kids donโ€™t know about rum you could write on the back of a matchbox, with space for diagrams. Itโ€™s a borderline obsession which sees them travel the Caribbean searching to increase their collection, and they call that work! Since 2018 theyโ€™ve been a welcomed sight at our food festival, fetes and events, providing fabulous insight on their passion, often bringing an exotic musical accompaniment, and generally providing the joyous ambience youโ€™d expect from drinking rum, as well as the rum itself of course!

You can guarantee theyโ€™re sorting through their collection right now in anticipation, claiming to bring us over forty varieties of rum, some locally brewed rum-ale, with all the added cocktail ingredients they so expertly concoct. Tickets are a tenner and on sale now. It includes a Rum Punch on arrival, and a Rum Map (with tasting notes.) Doors open at 7pm, last entry at 9pm, event closes at 11pm. Strictly over 18’s. There promises to be beer, soft drinks and food available from the club.

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As of last year, WierdyShit spins some tunes. Not come across this DJ before, so Iโ€™m intrigued. One thing is for certain though, the most innovative and exciting band to come out of Swindon for a decade or so, The Tribe, will be playing a live set. This year sees a new release from the Tribe with Shakka and Chunkz, yet their debut album Tribal Wave is three years old. If hip hop is usually tricky to reproduce live, The Tribe are a firm favourite on the contemporary festival scene, with a plethora of bookings, and Iโ€™d speculate their live performances are the greater priority for them; and take it from me, they rock.

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First time I came across The Tribe was Calnefest some years ago, where Iโ€™d returned to my car, taking a break from overheating in the Wilber the Wiltshire Air Ambulance Bear suit! Some fine bands played, but I chose my timing badly to leave the site. This funky, hip hop sound I was appreciating from afar, contemplating heading back it was so good. But when it unexpectedly split to an offbeat ska, the crowds exploded and I hotfooted it back to see what the deal was. Hereโ€™s where The Tribe excel, embracing the original hip hop ethos of a fusion of styles, they encompass localised preferred genres, of rock, gypsy-folk-ska, then blend it with funk, rap and dancehall reggae. Itโ€™s frenzied, stylised, unique and invigorating, and has to be seen and heard to be believed. So, grab a ticket to Born 2 Rum!


ยฉ 2017-2020 Devizine (Darren Worrow)
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Jamie, Tamsin, Phil, Vince and Ed Too; Five Go Adventuring to The Southgate

โ€œNorm!โ€ โ€“ brilliant, wasnโ€™t he? A kind of anti-hero pre-Homer Simpson. Part of the furniture in Samโ€™s Bar and despite him being an average guy, when he walked in the whole place lit up. It defined the lyric of the Cheers theme song, โ€œwhere everybody knows your name, and theyโ€™re always glad you came.โ€

If I awakened from my hibernation Saturday night to attend the wonderful Festival of Winter Ales, such was the arrangement of tables in the Corn Exchange, it felt like the sort of event you appeared at with a posse of friends. For Billy-no-mates here, Iโ€™m kind of scanning the horizon for people to hassle with my company. So, I nipped out towards the end, knowing what I was doing; I had a calling.

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There is a place in Devizes akin to Samโ€™s Bar in Cheers, I could visit anytime, but itโ€™s been a while and knowing whatโ€™s occurring there, resistance is futile. It takes a few minutes in the winter wind to turn the corner and get the Southgate in my sights, but Iโ€™m immediately assimilated into the Borg collective upon hearing her song. While the Southgate strives to bring us a variety of live music acts, regular as clockwork, freely, and from varying locations, Tamsin Quinโ€™s distinctive voice summons me, the very essence of her hometown. Itโ€™s like returning for a homemade roast dinner, or a New Jersey resident going to see Springsteen.

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Thereโ€™s enthusiastic talk between them, about the amalgamation to be, The Lost Trades, yet the trio arenโ€™t leaking any secrets until their debut at the Village Pump. Gate as welcoming as ever, Jamie R Hawkins billed for tonight, โ€œwith friends.โ€ You know this is a local circumstance, sharing of the limelight a must, with flare and passion for the venue and crowd, it reflects into their performances. Phil Cooper is like Clark Griswold, if Jamie and Tamsin are Rusty and Audrey, but Vince Bell is also in attendance, so I donโ€™t know where it leaves him! I mean this in so much as Phil is the organised one, with a setlist scheduled, heโ€™s professional in all aspects of the game, providing order to their show. Jamie is sauntering and socialising, before being beckoned to the now legendary red-carpet makeshift stage, โ€œoh, is it my turn?!โ€

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At that conjunction youโ€™d expect a song come over muddled, but Jamie, like the others, just rolls into it and knocks out the perfect rendition of his own classic, โ€œAs Big as You.โ€ Yep, Iโ€™m in my comfort zone, with or without an easy chair.

Through all their subtle differences, the trio work, period. As weโ€™ve said here, The Lost Trades will be a natural progression from the sporadic and less formal amalgamations. Phil is thrilled, nodding and telling me how well the harmonies work, and itโ€™s unusual to have a boy-girl-boy harmony trio. The conversation progressing onto Simon & Garfunkel citing the Everly Brothers as the unsurpassed vocal harmony. In this line of chat, you can sense Philโ€™s passion and love for what he does, and with every performance it shows. If anything, that is the symmetry within this triangle, Tamsin and Jamie sport the same proficiency and appetite.

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Iโ€™ll go as far as illustrating this point: later in the evening, after each performer took their turn until Clarkโ€™s schedule ran out and the punters craved more, improv covers streamed. Landlady Deborah handed Phil a drum and his eyes lit up like a kid with a new X-Box; โ€œoh yes!โ€ he thrilled, and joined Jamie with it, strumming. There are no prizes for guessing the improv would take over, once drinks were flowing, and with the gang helping one another out. There are subtle hints as to how the Lost Trades will sound, and itโ€™s simply awesome.

For now, though, theyโ€™re still three separate performers with an intimate ethos, and Vince is equally involved, rather than treated like a prodigal son. Thatโ€™s the spirit in a nutshell; be it George, Kirsty, or others, itโ€™s a family affair to make Sister Sledge envious. Thatโ€™s precisely why Devizine celebrates this little circuit. In a sentence, itโ€™s guaranteed to be an awesome night, and thus it was, with a very special added surprise.

There is nought negative I could say about it. Between acts, if there was a confusion who was up next, the crowd ardently called for โ€œEdโ€ to take another. I didnโ€™t like to inquire, something I missed? If another singer was present, I didnโ€™t see him, just a ten-year-old sitting on a stool amidst the regulars. Ed did take the stage, the very same; no one nicked his stool.

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If the near future of our local music scene is the progression of these talented adults, we just glimpsed the future beyond. Ed took up his acoustic guitar, played an Oasis cover superbly, and effortlessly raised the roof. What a surprise and absolute gem, reflecting in all Iโ€™ve said about the family atmosphere. I chanced my luck and caught a quick chat with Ed, who came across mature and at ease. Oasis songs his comfort zone, for now, he expressed, it was his first time performing to an audience, it did not show. To get an entire pub singing along, no easy feat, well done Ed; you owned it.


ยฉ 2017-2020 Devizine (Darren Worrow)
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Mad March: Things to Do. Part 1…

Huzzah, hurrah, hurray, whoop, bravo, hoot, shout, shriek, hosanna, alleluia and other synonyms for expressions of delight which Iโ€™ve shamelessly purloined from Wordโ€™s dictionary. Do I care? Itโ€™s March, time of the Mad March Hare, spring springing, birds a-singing in the blossoming treetops; after such a damp winter itโ€™s refreshing to look forward to the April showers season!

Why do we even call them April showers when they tend to carry through from March to June?! Nevertheless, itโ€™s warmer rain, with momentary lapses of sunshine, those little teasers of spring; donโ€™t blink you might miss them. Still, just like a bear, Iโ€™m awakening from my hibernation, and heading downstream for a salmon supper!

In celebration of the feast, hereโ€™s some choosiest stuff to do over the coming month, as fished from our event calendar. The list is by no means comprehensive, you know the score by now, itโ€™s updated (nearly) every day, so do try to keep up. Facebook is a good idea, if you do that, our page pumps posts out like Dwayne Johnson on a promise. Also, consider signing up for a weekly email, I donโ€™t spam you, just once a week bulletin of what weโ€™ve done and whatโ€™s to come.

First fortnight in March then, here it comes; the second half will followโ€ฆ… I say that, then like a goldfish itโ€™s a notion thatโ€™s gone in three seconds! Also, I canโ€™t provide the links, but itโ€™s all listed on our home page with links; itโ€™ll take till April to do that, computer running at the speed of snail and all!

Devizes: First of the month is Sunday, nice way to ease into it. Georgina, Landlady of the White Bear, is running the London Marathon for Dorothy House, so thereโ€™s a pub quiz at 6:30pm to fundraise; ยฃ2.50 per person, max. 6 people on a team. Great Scott! St James Church hosts the monthly Devizes Silver Screen Film Club; Back to the Future showing this month. A great social meeting for our elders, and Driving Miss Daisy can provide transport.

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If youโ€™re looking for something wilder, The Three Horseshoes in Bradford on Avon is the place to head, where those Back-Wood Redeemers will be twisting those dark country and blues riffs into their splendid frenzy. Highly recommended from Devizine, tell them we sent you!

PSG has their regular Monday โ€œDevizes session of Pop Soul & Gospel Choir,โ€ at the Parish Rooms on Long Street, from 8pm until 9:30pm. Incredibly welcoming, PSG currently expect between 25 and 30 members on a Monday, and inform us โ€œit’s a fantastic sound!โ€ Join them for a fantastic start to your week!

Tuesday 3rd then, and itโ€™s Devizes Film Club at the Town Hall. The Farewell (PG) from China, 2019. Director: Lulu Wang. To western eyes, this film has a curious plot but it becomes understandable in the telling. Billi has left China aged six, to be brought up in New York. Twenty-four years later, she is called back to attend a wedding that has been arranged purely to conceal from her grandmother that she is dying of lung cancer. Such kindly subterfuge is apparently common practice but Billi finds it hard to accept. She sees again many family members and it is her gradual reacquaintance with her Chinese heritage that provides this compelling, spiky exploration of family duty. A heartfelt, funny, emotional and rewarding film. The screenplay and production are wonderful, prompting The Irish Critic to call it the Best Film of the Year.

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Edgelarks

Wednesday is the regular acoustic jam at the Southgate. Marlboroughโ€™s folk-roots club has Edgelarks at the Town Hall; duo Phillip Henry and Hannah Martin combine exquisite folk with influences as diverse as the blues and Indian classical slide guitar, to create a sound that is โ€œsubtle, atmospheric and bravely originalโ€ (The Guardian.) Alternatively, one of the most romantic operas ever written, La Bohรจme is showing at Bath Forum.

Even if not for the weather, Thursday 5th should get heated. Extinction Rebellion Devizes and Marlborough debate with MP Danny Kruger at St Maryโ€™s Devizes.

Friday night in Devizes looks loud; hard-edged vintage blues with Barrelhouse at the Southgate will yowl like the Howlinโ€™ Wolf. To contend, AC/DC tribute, Hellโ€™s Bells play the Exchange, but want for a local, loud, classic rock cover-band, the awesome Homer play The Crown at Bishopโ€™s Canningโ€™s, and youโ€™ll probably hear them from the Market Place!

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Buddy Holly and The Cricketers

Lighter rock n roll tributes come from Melkshamโ€™s Assembly Hall, where youโ€™ll find Buddy Holly and The Cricketers. Or Bath Forum has Elvis show, The King is Back, and Johnny Walker presents Sounds Of The 70s at Swindonโ€™s Wyvern Theatre.

The 7th, first Saturday of the month then, here it is: A songwriter genuinely literate, sometimes almost literary, Ian Parker is an original craftsman. Expressed through a distinctive bitter-sweet vocal delivery, Ian’s songs hold nothing back. His ability and willingness to share with his audience, naked honesty and genuine emotion, is what sets him apart, and The Long Street Blues Club welcomes him and his band back. Meanwhile, a little more light-hearted, Teachers Pet Rock Show comes to The Cavalier Community Hall. If youโ€™ve seen School of Rock, expect an East/West Midlands styled tribute, promising to be a โ€œgut busting, face melting glorious rock show that’s suitable for all ages!โ€

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Thereโ€™s acoustic fingerpicking, electric guitar thumping rhythms, harmonica and a loop pedal at the Southgate with Jon Pollard, while Marlboroughโ€™s Lamb has the high-energy classic rock covers band, The Electric Troubadours. Down tโ€™other end of that enlarged High Street, The Wellington has its Welly-Fest; check their Facebook page as thereโ€™s stuff going on the whole month long. Comes to ahead for reggae fans though, on Saturdayย  when our friends Razah and Knati P bring their sound system; oh yes.

Tributes in Trow-Vegas with Abbamania at The Civic. Whereas itโ€™s a Britpop tribute double-header at the Melksham Assembly Hall with Oasis Maybe and Ultimate Stone Roses, and always worth catching, The Blue Rose Band play The Talbot Inn, Calne.

Would you Adam & Eve it, Sunday March 8th is my birthday? Thank you, itโ€™s just a number. Not spoiled for choice as Iโ€™ve only one gig listed at the moment, but I do love the White Bear, where Phil Jinder Dewhurst continues their regular Sunday Sessions. Talking Sunday sessions, Swindon promoters Songs of Praise do similar at The Tuppenny, find the Richard Wileman & the Amy Fry Experience there this Sunday 8th.

Week 2

Second week of March then, then weโ€™re done and you go vacuum the hallway, or whatever else is outstanding; never ends, does it? Extinction Rebellion Devizes and Marlborough holds workshop โ€œRoots of a Regenerative Culture,โ€ Monday 7pm at The Barge on Honey Street. This training demystifies how to make everything we do regenerative and, as such, it is the key to understanding how to build resilience within ourselves and our communities.

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Tuesday 10th there be a Quiz Night at The Vaults, Devizes in aid of Opendoors. And the Devizes Film Club has a Mexican movie, The Chambermaid (15) at the Town Hall. Director Lila Avilรฉsโ€™ first film quietly pulses with life in a multi-storey luxury hotel in Mexico. We see the engrossing work of a young, single mother trying her best to be promoted by thorough work, and to study in what spare time she is allowed. There is no life-saving Hollywood romance, just the drudgery of her daily work, problems with her fellow workers and managers and her efforts to improve her life. Cartol acts with sublime understanding of her role. With persistence and wry humour, she rearranges her tasks for variety, wickedly teases the window-cleaners, goes to evening classes and reads Jonathan Livingston Seagull. A subtle gem of a film, beautifully shot against the boring and colourless back-rooms, lush guest-rooms and the stunning city views.

Wednesday 11th at Marlboroughโ€™s Merchants House Michael Hart presents โ€œProtestantism and the English Character.โ€ While one of the most intriguing and exciting collaborations on todayโ€™s folk scene, Peter Knight, legendary violinist and ex-Bellowhead member John Spiers brings an evening of improvisation and invention of mysterious tunes to Pound Arts in Corsham. In Devizes, itโ€™s time again for the acoustic jam at the trusty Southgate.

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Blossoms

Blossoms play the Bath Forum on Thursday 12th, revealing their new album, Foolish Loving Spaces. They explain, โ€œThe album is a pure celebration of love in all of its splendid and baffling guises, toying with the so-called sins of lust and forbidden infatuation. Itโ€™s inspired by a summer spent listening to โ€˜Stop Making Senseโ€™, โ€˜The Joshua Treeโ€™ & โ€˜Screamadelicaโ€™.โ€ If youโ€™re in Swindon though, head for The Tuppenny, where the awesome Jake Martin and Jess Silk perform acoustic. Acoustic, made for Thursday, eh? If you disagree, check out the Winchester Gate, Salisbury where top Ramones tribute, The Ramonas are guaranteed to liven it up.

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The Lost Trades

Friday is the night when the county finally gets ready for the debut gig of super-group The Lost Trades. Highly anticipated amalgamation of our good friends, Phil Cooper, Jamie R Hawkins and Tamsin Quin. We wish you the very best of luck, guys. Theyโ€™ll be supported by Timid Deer and Vince Bell at Trowbridgeโ€™s Village Pump.

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Meanwhile, keeping Kalm โ€˜nโ€™ Kind in Devizes, thereโ€™s a Restorative Yoga class with Kim Pierpoint, a Fundraising Quiz Evening for Opendoors at 7.30. Philippa and Declan Morgan are running the quiz at Wiltshire Museum. Tickets ยฃ10, including nibbles and a glass of wine. Reserve your ticket online and pay on the door! https://devizesopendoors.yapsody.com/event/index/533176/quiz-evening

On my never-ending list to do is get to โ€œPelly,โ€ kudos for putting on live music gigs, guys, just got work early in the mornings! Drew Bryant is live at The Pelican Inn on Friday, Lewis Clark & The Essentials with folk, soul, and blues at The Southgate, and thereโ€™s a Queen tribute called The Bohemians at the Corn Exchange. Comedy Night at Bradfordโ€™s Boat House with Jake Lambert, and the amazing Frank Turner plays Bath Forum.

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Lewis Clark & The Essentials

Tuesday is St Patrickโ€™s Day, but Devizesโ€™ Cavalier canโ€™t wait, and present a St Patrickโ€™s theme weekend with those brilliant Day Breakers in the Community Hall on Saturday 14th. On the other side, three-piece rock originals, the Lightninโ€™ Hobos play The Southgate, and if youโ€™re not spoiled for choice this Saturday, I donโ€™t know when you will be, as the one and only Pete Gage plays with Innes Sibun and Jon Amor, all backed by Ruzz Guitar Revue at the Sports Club, corrrrr, thatโ€™ll be awesome.

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Extinction Rebellion Devizes and Marlborough are back at the The Barge, Honeystreet for a gathering, where the evening presents a stripped back, 3-piece version of Troyka Bristol, Troyka Mala. They play a stormy mixture of traditional and original songs and rhythms from the former Yugoslavia and the Balkans with brushes of Klezmer and the Middle East; intrigued? I am.

Powerhouse Gospel Choir play Melksham Assembly Hall while Jon Hopkins is at Bath Forum. For something more off planet, stoner rock and electro art-punk are promised at the Three Horseshoes, Bradford on Avon, with Head Noise, Conspiracy of Chaplains and The Forgetting Curve.

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Thatโ€™s about all, we will follow this up with the final fortnight of March, when I get around to it. I do, though wish Iโ€™d stop promising these things! One thing you can depend on, Saturday in Swindon will rock with Splat The Rat at The Merlin on Drove Road, unfortunately, I cannot recommend Talk In Codeโ€™s new single Talk Like That enough, see our review. Note, the launch party is at the Castle on this particular Saturday, the 14th, and I canโ€™t think of a better way to finish this lengthy roundup off!


ยฉ 2017-2020 Devizine (Darren Worrow)
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Hold Tight, March Brings Rโ€™nโ€™B Showcase at the Sports Club

Ah, hold tight, two preview pieces from me tonight; Iโ€™m an unstoppable steam train of broadcasts, choo-choo! Yet, Iโ€™m not sure this needs an introduction, not because weโ€™ve been running the poster for it a while now, but if youโ€™re in the know regarding Devizes links to blues then the line up at the Rโ€™nโ€™B Bar at The Sports Club on Saturday 14th March will appeal no end, and youโ€™ve probably snapped the tenner tickets already. If youโ€™re new to said scene, then this gig would act as the ideal taster; digest thisโ€ฆโ€ฆ

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Legendary bluesman Peter Gage, former frontman of The Jet Harris Band, member of Dr Feelgood who blew the roof off Long Street with Dave Raeburn, Paul Hartshorn and Pete Lowrey as The Pink Tornados in December, will headline. But come here, thereโ€™s more. The guitar maestro Iโ€™ve been raving about, Mr Ruzz Guitar and his Blues Revue will also be there, his trio backing, or blessing these otherwise solo performances. I swear his guitar is like a phaser in Star Trek, set to stun, and Iโ€™m still speechless after his performance at the Gate a number of moons ago.

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While Ruzz is Bristol based, and Peter resides in the west country too, both Devizes links to the contemporary blues scene also show up to do their thing. Innes Sibun, who we featured partnered with Marcus Malone as the Malone Sibun Band on the night they allowed me to roam free at the Long Street Blues Club, and be astounded by the quality of goings-on there. And of course, Jon Amor who is regularly featured here as, well, heโ€™s regularly here, but more-so, because his talent is unsurpassed. Though Iโ€™m sure, as when such heroes meet, there will be a communal feeling and weโ€™ll be treated to some improv and guitar-showdowns, rather than a balanced one-off-next-one-on scenario; least Iโ€™m hoping.

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All in all, this event is like pulling four bells in a row on the fruity; need I say more? See you there. Oh, nearly forgot, slow down, man; tickets on door or in advance from Sports Club.

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ยฉ 2017-2020 Devizine (Darren Worrow)
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REVIEW โ€“ King Street Turnaround @ The Southgate, Devizes โ€“Saturday 22nd February 2020

The Juggernaut Rolls Back Into Town

Andy Fawthrop

There had been some concern that this gig might not go ahead after Jon Amor was forced to cancel Thursday nightโ€™s outing to The Beehive in Swindon due to illness. But fortunately for us, and thanks to the amazing healing properties of Lemsip, Jonโ€™s latest home-town gig went ahead as planned. And even being a bit under the weather, Jon was on good form.

King Street Turnaround is one of Jonโ€™s latest band outings, formed at the end of last year, and features Jerry Soffe on bass, Evan Newman on keyboards and Tom Gilkes behind the drums. And what an outfit it is. The band rolled into the Southgate and blew us all away.

What did we get? We got soul, funk, blues, boogie-woogie and rock. This was high-octane stuff, delivered with confidence and panache. We got some great solos from each member of the band, including the always-expected wizardry from Jonโ€™s squealing lead guitar. How he manages to squeeze some of those sounds from that one guitar is simply amazing.

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And we got tight, driving rhythms that gave a solid platform to some great improvisation work. We got a band that could dial it up, then dial it down, then back up to eleven again. We got a dance-floor packed with people having a good time. We got very little time wasted on inter-song chat, just lots and lots of music that spoke for itself. It was hot, it was sweaty, it was great.

Highlight of the night for me was the band getting in the groove to deliver a fearsomely good performance of โ€œJuggernautโ€. Itโ€™s got to that point with me now that if Jon doesnโ€™t play this monster of a song, I almost feel short-changed!

Are we allowed to say that it was shit-hot? Can we say that? Yes โ€“ it was shit-hot!

Yet another belting gig from Mr Amor and friends, and yet another inspired booking by Debs and Dave at The Southgate. Live music at its very best.

Future gigs at The Southgate:

โ€ข Friday 28th February The Shudders
โ€ข Saturday 29th Feb Plus Friends
โ€ข Friday 6th March Barrelhouse
โ€ข Saturday 7th March Jon Pollard
โ€ข Friday 13th March Lewis Clark & The Essentials
โ€ข Saturday 14th March Lightninโ€™ Hobos


ยฉ 2017-2020 Devizine (Andy Fawthrop)
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George Wilding; Sunday Session @ The White Bear

Marc singing off the same song sheet as me, when he explains he encourages original material from the performers at his Sunday sessions at the White Bear in Devizes, yet covers which the artist โ€œmake their ownโ€ are always crowd pleasers. Who could be more apt than George Wilding?

Yeah, car troubles caused his slight delay, but the fireplace was warming, the denizen atmosphere matched. Convivial and geniality are prevalent at this earliest of Devizes inns, still going strong; I do like the White Bear. Last time I was here, George Wilding coincidently blessed the alcove, while others such as Wade Merrit, Andrew Bazeley, Vince Bell, Jon Walsh, Ian Oโ€™Regan, and Cutsmith have all graced the sessions, to name but a few; Iโ€™ve just been a bit rubbish in attending. Though our man Andy has been there to review most, I see why. Itโ€™s a comfortable and welcoming central pub.

Andy was there, to breath a sigh of relief upon seeing me; Iโ€™ll delegated myself to write a little something and he knows it. Though thereโ€™s not a great deal to say, especially nothing negative; I didnโ€™t even snap a photo through nattering. If youโ€™ve not heard how unsurpassed Georgeโ€™s every performance is then youโ€™re both new to Devizine and to the area. In a peak cap he breezed through sublime covers and proficient originals like it was childโ€™s play, and maintains his audience with genuine and sincere affability.

Hidden between Simon & Garfunkel, The Animals and even Abba classics, he slipped a refined version of his own My Backwards Head, doing as he always does, brilliantly. With right here, and naturally, The Southgate adding end-of-weekend live music too, Sunday afternoon in Devizes has never been so good. If the value of a pub is the sum of its landlords and its atmosphere, Marc and Georgie have done wonders. Itโ€™s Wadworth but with its own stamp. Sunday sessions continue for a while, check our event calendar of their Facebook page. Sunday roasts are also popular here; Mark tells me about plans to open some outside space, but while itโ€™s February, weโ€™re here, nice and warm.


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REVIEW โ€“ Navajo Dogs @ The Southgate, Devizes โ€“Saturday 8th February 2020

Pub Rock Is Alive and Well

Andy Fawthrop

After the previous nightโ€™s superb gig with The Arnie Cottrell Tendency (see other review elsewhere in Devizine), it was back to The Southgate for something completely different. From gentle Americana on a Friday to straight-up pub-rock on a Saturday night. Part of me was concerned that the night just couldnโ€™t be as good, but I neednโ€™t have worried. Different music genre, different vibe, but still excellent.

Navajo Dogs, formed in 2016, are a local blues-influenced rock band. Consisting of Simon Hansen on vocals, Tom Evans on lead guitar, Kieran McLaughlin on rhythm guitar/ vocals, Jonny Wallhouse on drums/ vocals and Graham Hill on bass, these guys are one solid entertainment unit. The music is loud and uncompromising, the performances are hot, sweaty, sweary and in your face.

Covering a wide range of pop/ rock/ blues classics, outstanding numbers for me were Hot Chocolateโ€™s โ€œEveryoneโ€™s A Winnerโ€, Freeโ€™s โ€œFire and Waterโ€, Princeโ€™s โ€œPurple Rainโ€, The Kinksโ€™ โ€œYou Really Got Meโ€ and Sam The Shamโ€™s โ€œWoolly Bullyโ€, but there were plenty more. The dance-floor was full all night long, and the crowd clearly appreciated their no-nonsense, no-apologies style. This was 4-star leaded, full cream, full fat pub-rock. It was thumping, steady, rocking and totally infectious. Great vocals, nice guitar work.

Two superb gigs on two consecutive nights. This is what live music is all about.

Future gigs at The Southgate:

โ€ข Friday 14th February Trevor Babajack Steger
โ€ข Saturday 15th February Mike Barham
โ€ข Friday 21st February Kent Duchaine
โ€ข Sunday 23rd February CRC
โ€ข Friday 28th February The Shudders


ยฉ 2017-2020 Devizine (Andy Fawthrop)
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REVIEW โ€“ Arnie Cottrell Tendency @ The Southgate, Devizes โ€“Friday 7th February 2020

Live Music At Its Very Best

Andy Fawthrop

Friday night is music night, so where else to go other than the ever-welcoming Southgate? Once again Dave and Deb had found a wonderful band to fill the pub…..

I managed to miss the very start of the gig, but then stayed to catch the rest of it, and was still sitting there at nearly midnight.

What had been originally billed as The Velvet Doonicans had morphed into The Arnie Cottrell Tendency. Same people, same band. Whatever. Whoever. Either way Arnie Cottrell, Rick Foote and Graham Bushell played a simply superb gig. Featuring upright bass, acoustic and steel guitars, mandolin, and shared vocals blending into double and triple harmonies, the trio produced music that was magical, melting, melodic and absolutely mesmerising. This was Americana at its best.

The guys were clearly confident and comfortable with their music and with each other, and produced some stunning versions of Dylanโ€™s โ€œGirl From The North Countryโ€, Joni Mitchellโ€™s โ€œWoodstockโ€, and The Bandโ€™s โ€œUp On Cripple Creekโ€. Every song was easy on the ear, relaxed and understated, delivered with panache and some wonderful self-deprecating good humour.

Song after song was wheeled out, and I dearly wanted to go home and get my head down for the night, but there was no way I was leaving whilst these guys were still playing. Such superb musicianship just drew you in. It was warm, lovely, embracing, mesmerising and โ€“ well โ€“ brilliant. No other word for it.

Yet another reminder that itโ€™s absolutely worth getting your arse in gear, going out into the night and supporting live music venues like the Southgate.

Future gigs at The Southgate:

โ€ข Friday 14th February Trevor Babajack Steger
โ€ข Saturday 15th February Mike Barham
โ€ข Friday 21st February Kent Duchaine
โ€ข Sunday 23rd February CRC
โ€ข Friday 28th February The Shudders


ยฉ 2017-2020 Devizine (Andy Fawthrop)
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REVIEW โ€“ Jack Grace Band @ The Southgate, Devizes โ€“ Saturday 1st February 2020

Live Music At Its Very Best

Andy Fawthrop

It was Saturday night, which could mean only one thing โ€“ free live music at The Southgate!

Jack Grace was a figure new to me, so thought I better give him a good old listen โ€“ be rude not to. And so pleased that I made the effort to go and see him.

Jackโ€™s band is described as delivering โ€œCountry Rock with a Latin Twangโ€ and that was certainly much in evidence. The trio were already operating at full blast when I walked in, and rarely if ever let the tempo and the excitement level drop. The pub was full, the dance-floor crowded, and the band were cooking. They gave us two superb sets of music that was loud, exciting and great to listen to.

We got lots of styles โ€“ country, country/ rock, R&B, boogie-woogie, rock nโ€™ roll, and little bit of vaudeville, all delivered with some panache, confident playing and a good deal of humour. There were musical nods in there to Tom Waits, Led Zeppelin, The Doors, Johnny Cash, and many others. Jack and his band seem to be constantly on the road, and their playing reflected a close understanding, driving rhythms as tight as a nut, and some very assured vocals and guitar playing. Yet this didnโ€™t mean any kind of complacency or just running through the numbers. The band were not afraid to experiment, and to completely let rip at times. And the crowd absolutely loved it.

To me, this is what live music is all about โ€“ musicians who want to deliver a great show, and a crowd that really wants to listen. A completely belting gig, and a fabulous live band.

Future gigs at The Southgate:

โ€ข Friday 7th February Velvet Doonicans
โ€ข Saturday 8th February Navajo Dogs
โ€ข Friday 14th February Trevor Babajack Steger
โ€ข Saturday 15th February Mike Barham
โ€ข Friday 21st February Kent Duchaine
โ€ข Sunday 23rd February CRC
โ€ข Friday 28th February The Shudders

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ยฉ 2017-2019 Devizine (Andy Fawthrop)
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A Skandal in Marlborough

Broke my hibernation last night to trek across the downs and catch Swindonโ€™s Skandals play the Lamb in Marlborough; well worth the effortโ€ฆโ€ฆ

โ€œSome proper drum and bass,โ€ yelled frontman of The Skandals, Mark Colton during the break of a Bad Mannersโ€™ Special Brew cover, โ€œnot like the shit the kids listen to today!โ€ In essence thereโ€™s the summary of The Skandalsโ€™ ethos, yet with the catchiness of the simple offbeat of ska, youโ€™ll commonly find every generation up dancing together. So, while the attitude is to appease the elder, skinhead, mods and scooterists, I think youโ€™ll find generations too young to personally recall the days of yore a band like The Skandals arrest, still love it.

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This was certainly true in Marlboroughโ€™s Lamb last night, as this Swindon ska cover band came to skank, with bells on. It was a squeeze in the crowd, with the aforementioned varied demographic, but none can resist the surge of retrospective ska. Limited to saxophonist Nina as the brass section, and without keyboards, this six-piece still manage to capture the spirit of the era and throw it back in your face loud and proud. Iโ€™d wager this comes from experience; the band boasting not just Nina, but both guitarists Jase and Mark, who previously played with Swindonโ€™s legendary Skanxters, and in turn this event brings fond memories to my old watering hole, as those Skanxters skanked here during their nineties reign.

Though frontman Mark also heads a new wave punk cover band, The Rotten Aces, among other projects such as Thin Lizzy tribute, The Lizzy Legacy. This punker angle showed through the playlist, as adroit but only subtly โ€˜skaโ€™dโ€™ covers of โ€œEcho Beachโ€ and the Toy Dollโ€™s bonkers arrangement of โ€œNellie the Elephant,โ€ echoed between the more archetypal tunes of Madness, The Specials, Bad Manners, et all. I wanted to quiz Mark on what he favours, but when they stated they were taking a ten-minute break, it was far more punctual than most bands!

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Pigeonholing I havenโ€™t time for, and in a hedonistic moment it matters not. Example; they covered Rancidโ€™s Time Bomb, pioneers of the ska-punk crossover that the international third-gen ska-heads thrive on. Yet the Skandals didnโ€™t venture over this border, delivering predominantly eighties Two-Tone they were obviously inspired by, and giving the audience diminutive verbal notations as to why, amidst the usual banter. They were lively, fun and entertaining; everything a ska band should be, and would guarantee to liven up your venue or pub. Specials covers Rat Race, Rich Girl, Little Bitch and their version of Tootโ€™s Monkey Man being the nimblest.

It may be a timeworn formula for a ska band to cover classics like Baggy Trousers, Lip Up Fatty and Mirror in the Bathroom, but like fish n chips, itโ€™s clichรฉ because it never fails to thrill an audience, and The Skandals do it superbly. Interestingly, they added northern soul anthem โ€œTainted Love,โ€ reggaeโ€™s โ€œPressure Dropโ€ and โ€œChase the Devil,โ€ into the melting pot, and choosing โ€œFood for Thought,โ€ as their UB40 cover is a wise move; anything post-Red Red Wine and itโ€™s a cover band covering a cover band!

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While Devizes has a thriving music scene, other than sporadic gigs from the scooter club, the pub circuit lacks ska and reggae, and you all know how I feel about that. If the mountain wonโ€™t come to Muhammad. It was a delight to pay a visit to Marlboroughโ€™s Lamb again, despite remining in Wadworthshire, itโ€™s working formula stands the test of time. โ€œWeโ€™re quite lucky in Marlborough,โ€ a regular informed me, rattling off the Bearโ€™s backroom, The Wellington and Royal Oak as fond live music venues, as well as the Lamb. Yes, I nodded my acknowledgment, but when ska comes to town thatโ€™s where youโ€™ll find me! โ€œLet me tell about Sally Brownโ€ฆโ€ฆโ€


ยฉ 2017-2019 Devizine (Darren Worrow)
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REVIEW โ€“ Jon Walsh @ The White Bear, Devizes โ€“ Sunday 27th January 2020

Mr Versatility

Andy Fawthrop

Having got a couple of hours to spare before the eveningโ€™s Rockfiles gig at Long Street Blues Club (see elsewhere), I thought Iโ€™d pop into the White Bear for a couple of looseners, and to see Jon Walsh, a performer new to me.

Using both acoustic and resonator guitars, Jon clearly had an extensive repertoire of songs. His material varied from old 1920s and 1930s blues standards such as โ€œCrossroadsโ€ and โ€œWalking Bluesโ€ through to fairly contemporary pop songs e.g. โ€œWalking In Memphisโ€. In each of his two sets he was joined on vocals by his partner Terie, who lent some bluesy and jazzy phrasing to several classics such as โ€œCrazyโ€, โ€œIโ€™d Rather Go Blindโ€ and โ€œValerieโ€. There was clearly some musical chemistry between these two, and they obviously enjoyed working together.

Jon put in an extremely versatile performance, including a nice smattering of his own original songs. Nice crowd, and nice atmosphere.

Canโ€™t think why Iโ€™ve not come across Jon before, but shall certainly be happy to listen to him again.

Future Sunday Sessions at The White Bear:

โ€ข 16th February George Wilding

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ยฉ 2017-2019 Devizine (Andy Fawthrop)
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