Enjoy Your New Community Space, Once You’ve Found a Parking Spot!

I’m rapping with Devizes Town Clerk Simon Fisher about the transfer deal from Wiltshire Council to Devizes Town Council, and the future usage of the Market Place; throw me a paddle, why do I get myself into these things? 

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Not one to usually report news items, leave that to the trustworthy local journal, I felt this current local issue doing the rounds on social media does concern Devizine, being we’re an event and entertainment website. The Wiltshire Council’s transfer package to Devizes Council, is close to becoming Devizes’ own Brexit. I’m not taking sides, no sir-ey, not me, not getting involved.

 
Talk of converting the Market Place into a pedestrianised, “vibrant” community and social area is of interest to us, because I feel we need more areas like this, and kind of warm to the idea; in an ideal world.

 
The sad reality is though, while I appreciate any effort to improve sites for entertainment purposes, and this would be also be environmentally sounder than its current usage as a carpark, Devizes simply doesn’t have the capacity, infrastructure and population to support such a proposal. The idea of having a mini-Glastonbury in Devizes town centre all cool and groovy, but really, for much of the time would it really be so? Could we actually do this, or, as the other angle of the debate sharply points out, is dramatically reducing free parking in town going to have a detrimental effect of the businesses there?

 
It’s a melon-twister for sure, I wouldn’t want local businesses of suffer anymore than I’d want the space to become a barren desert left to a posse of drinkers sitting on a bench with a few tinnies. Yet the space, when needed, such as DOCA events, has been used effectively, just as they propose, with great effect, then it returns to a carpark.

 
Rather similar to Glastonbury, which is a vibrant festival of performing arts, a virtual city of revellers, for a week, but returns to be Worthy, a working farm the rest of the year. No one is suggesting you can’t park that cow in that field, as we want it to be Glastonbury Festival every day. As soon as I heard news of this, I despatched a few questions in an email to Town Clerk, Simon Fisher.

 
But opinions fly and fury rages on social media far quicker than media like your truly can relate, obtain a response and publish an article. I awaited a reply before joining any online witch-hunt. Simon did respond with an apology, just as I was wondering if the email to DC had accidently been sent to comic publishers instead, stating he was busy and would answer my questions soon.

 
With itchy fingers, I thought I’d kill some time while I waited for Simon Fisher to respond, by writing a short story. So, you lucky people, I’ve two articles out today; either scroll down for a response to my questions about the transfer from the Town Clerk, or click here to read my short story, which, I must point out, bears no resemblance to this, or any other local issues currently doing the rounds. Best option is to do both.

 
I greeted Simon, hoping he was in a fine fettle and wished him a bleated happy new year, cos I’m nice like that, what more evidence do you need? Well, for starters, I congratulated Devizes Council on this news, as in theory it sounds good. I’m all for keeping local issues between locals.

 
“On the WC article,” I asked Simon, “you’re quoted, ‘a programme that will support local communities to have greater control over services that help shape their towns.’ Yet one complaint on a Facebook group asks, ‘Bringing control of services to the locals?! I don’t think so! Is this really what local people wanted? No!’ So, what is the best procedure, for people who’d like to make suggestions and put their point across to DC?”

 
This didn’t get an answer, so I’ve no idea, email them through their website I guess, maybe I was being bleeding obvious! But along similar lines I asked, “How is DC communicating with the public to obtain the most popular and favourable decisions?”

 
This did receive a reply, bit indirect, but a reply nonetheless, “What is meant by this is that it is the Councillor who have been elected by local residents, who will be making decisions and those Councillors will be better in places to understand local concerns.”

 
Okay-dokey, that’s not incorrect by any means but…… moving swiftly on, “The main concern is the plans for the Market Place,” I probed, “and the ending of car parking. Why is this being done?”

 
“We consulted with the stakeholders,” Mr Fisher explained, “including FSB and the C of C, over changes to parking in the Market Place and they concluded that of the limited options available from Wiltshire Council, the option to have a community space with some exempt chargeable parking was the best option and that is what has been included within the transfer package. During the parking review we conducted a survey (537 people responded) and the option to turn the car park into a pay and display, was the least popular option which was the only way the who are could be retained it as a carpark.”

 
“Aside for environmental reasons,” I asked next, “the space is made available for “community use” when the opportunities to fill it are apparent, DOCA events, May Fair, etc. The remaining time it is perhaps better filled for parking, to make the shops accessible. Such a large community space is great for large events, and of course, Devizine thoroughly supports and encourages this, but a Tuesday morning in February, for example, the area will be barren, surely?”

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“We accept that we will need to put resources into the town centre to ensure the place does not look barren space and that there is plenty going on,” Simon explained, to my satisfaction.

 
“I ask DC, how can a town of Devizes size, make full use of this sizable area, on a daily basis? And what plans do you have in place to insure it’s not just a wasted space?”
“As part of the parking discussion with Wiltshire Council,” Simon continued, “we made that exact point and they have compromised, in that half of the space can be used for non- chargeable parking in the Market Place, which is defined as blue badge holder, motorcycles, taxis, etc. This would allow the moving of the taxi rank, some disabled parking bays and the coach drop off point to create parking spaces in these locations.”

 
I wanted to point my ambiguity on forming an opinion on this, “Don’t get me wrong Simon, in an ideal world this sounds fantastic, I’d like to see a vibrant market area akin to Camden, but the reality is, we are not in a city, and we do not have the population, or infrastructure to support this every day, surely it’d be best to use some of the space, at least, to ease street parking?”

 
“What you are suggesting is what we have now,” Simon responded, well, yeah, if it ain’t broke. But Simon thinks otherwise, “and even with free parking in the town centre, retailing is struggling. We have on average under 70% parking occupancy in the town and free parking is not sufficient to bring people from outside Devizes to do their general shopping and therefore in the most part, there has to be another reason. What we do know is that the busiest visitor day in Devizes is Thursday, when there is no parking in the Market Place. Those market town up and down the country, which are striving attracted visitors are focusing on making their towns interesting and vibrant places to visit and I fear if we don’t try, then we will continue on a downward spiral.”

 
Now, while the latter half of this reply is spot on, try telling me the average is under 70% parking occupancy in the town, when I’ve driven around the centre three times looking for a spot, I double-dare you! I’d wager paid parking has been factored into this statistic, surely? That’s the point of the fury, if people have to pay, they’ll go elsewhere.

 

 

“Furthermore,” I put, “this idea was put by Wiltshire Council as a kind of rose-tinted threat during their process of hiking up parking charges, and extending them to Sundays and all night, for the sole reason to make them extra pocket money; rather than celebrate social events they wanted to burden them by making everyone pay to park during them, true?”

 
“You would need to ask Wiltshire Council that question.”
No way Jose, you can, if you want!

 
“How ironic then,” I battled on, “that they’d suggest such a community-spirited opportunity, and now, it seems, they cannot handle public outcry, they’ve handed the bag to you. Who will be in control of paid carparks, and who gets the revenue under this new plan?”

 
“Wiltshire Council.”

 
I rest my case. “Do you appreciate this sounds like a smokescreen, only to encourage the usage of paid carparks rather than actually bringing the town the opportunity to host community events?” I asked.

 
“Wiltshire Council were clear about this when the put together their parking strategy,” Simon furthered, “in that they wanted a further £95k from parking in Devizes.”
Greedy buggers, maybe reduce traffic wardens, save some pennies that way.

 
“I hope I am wrong on that last point,” I suggested, “but it will be the question burning lips! To me, it sounds like a plan, having more faith in DC than WC to deliver the right choices, and I’d like to wish you every success with it. Anything we can do at Devizine to promote and suggest ideas for this “community space,” just ask. In the meantime, I could add a poll, what people might like to see the space used for; I’m sure there will be some shocking yet atypical Devizes-humour responses!”

 
This time Simon no way Jose’d me, “we are appointing a Town Centre Manager whose job will be to increase the variety of markets and events in the town, working with groups to ensure that there is a lot going on, not only for Devizes residents but also making it an attractive destination of choice for those living in neighbouring towns who are looking for something to do.”

 
Failure to inform us of the proper and effective method to communicate with The Devizes Council, and put our concerns to them, at the beginning of this response, now revealed reasoning; he hit the nail on the head with this last comment; short answer, they don’t seem to want to hear your opinion, they’re appointing a manger to sort it all out for us; sit back and enjoy your new community space people, everything is done for you. You’ll only need to check your parking ticket’s not overdue, and stuff another tenner in the machine to enjoy said space.

 
Very conservative approach, wouldn’t you say what-what?

 

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The GuardFather

This is a work of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

 

Simone Pescatore quivered in the arch-back seat as Ricardo “Roulette” Cleweraro poured a second bourbon into a diamond-cut highball and casually pushed the decanter across the oak desk. “I’ll make you an offer you can’t refuse,” Ricardo sneered, “You see, Simone, we feel that entertainment is going to be a big factor in drawing shoppers into the market towns, honest we do. We’re hoping that you’ll sign a contract agreeing you control the Market Place, Devizes, but we can’t have the public parking freely when we’ve gone to the effort of providing high-cost, paid parking, now can we? Perhaps convince some of your friends in the Guardians to take the blame, eh?”

 
The Guardians reigned over Devizes, that much was true, but to the Consiglio di Wiltshire, they were nothing. Simone only too aware, it was complying or face the consequences. Ricardo sensed his anxiety, “we’re counting on you, Simone.”

 
Anger boiled in Simone, standing, he enraged, with only card left to play. “Now you listen to me, you smooth-talking son-of-a-bitch,” he yelled, “let me lay it on the line for yer and your boss, whoever he is! Consiglio di Wiltshire will never get that deal! I don’t care how many Trow-Vegas guinea chav-greaseball goombahs come out of da woodwork!”

 
Cleweraro smirked, curved his arms over his shoulders and placed his hands behind his head, brewing in confidence, “I’m from Salisbury.”

 
Simone Pescatore, “well, let me tell you something, my Sarum-mick friend, people won’t pay to park, they can’t afford to, not with all da other cuts to public services you’ve made! I’m gonna make so much trouble for you, you won’t know what hit you!”

 
“There are negotiations being made that are going to answer all of your questions and solve all of your problems,” Ricardo continued unperturbed, “That’s all I can tell you right now. If want control you take it, but if you don’t hike up parking charges, the Market Place will be converted into a community space; fiestas, contadino’s mercato, and the odd tumbleweed passing by on a Tuesday afternoon. That’s the deal Consiglio di Wiltshire are willing to make, I suggest you take it.”

 
“Over my dead body!” Pescatore mumbled, hesitantly. He thought of the good people of Devizes, he didn’t care for a turf war, they’d flock to Trow-Vegas to shop, if they cannot park in their own town. A county-town where Consiglio di Wiltshire had conveniently made parking free, in plush multi-stories with minimal empty drug paraphernalia littering, stench of piss, and dank sleeping bags of rough sleepers; victims of the cuts. Bypass such matters with nose in the air, and they had class, superior shops, functioning infrastructure, and a Wagamamas.

 
Devizes cannot compare, with its minor boutiques, charity shops and Chick-O-Land. Yet, if he didn’t agree, Consiglio di Wiltshire would continue controlling this expanse, probably threaten to close more education facilities, devise more ineffective alterations to road layouts with their disorganised Muppets erecting perpetual roadworks, and snatch candy from babies, dancing the floss in gloat.

 
He gulped, pushed into a corner, “okay,” he trembled, “done.”

 
“I am sorry,” Ricardo “Roulette” Cleweraro confessed slyly, “What happened to your council was business. I have much respect for your so-called Devizes Guardians. But your Guardians, their thinking is old-fashioned. You must understand why I had to do that, the Consiglio di Wiltshire family need feeding, second homes, and a yacht or three moored in the Caribbean. Now let’s work through where we go from here.”

 
Simone Pescatore smiled his first smile, awkwardly. “Yeah, let’s talk business, Ricardo. First of all, we’re all done. The Guardians don’t even have that kind of muscle anymore, some fly-kid in the teddy bear racket, local businessman trying muscle in. He’s been gone snitched to the local sausage wrapper, da Gazelle n Herod, blubbing all this, ‘following their parking review last year it was clear that this was never going to be an allowable option’ malarkey.”

 
Ricardo leaned forward in his chair with his hands held out, he was getting somewhere with this two-bit, small-town councillor, minimal threats, if it wasn’t for some shylockbusiness rat. “Yeah, tell me more, don?”

 
Simone stumbles, “Yeah, gives it, ‘the parking review set out two clear choices for the Market Place: it either became a pay and display car park with a premium charge, allowing parking for up to two hours or all parking was to be removed.’ He’s accusing us of betrayal, us, da Guardians, in da rag!”

 
“Sheez, your problemo!” Ricardo waived off the delinquent, “deal with him, stuff his bears with crank n call the cops, or take him out, but make it look like an incidente, capeesh? Perhaps he could try turning right out of Dunkirk Hill or sumthuin’.”

 
“Is no problemo,” Simone assured, “he tows the party line, just worried, as they all will be, about their two-bit businesses; the Godmother’s sick, right? Sick from too much Brexit. The Vizes is a Tory town through and through, they’ll whinge outside Lidl, and post complaints on The Devizes Issue, but they’ll never chase us out of town. We will stop the free parking in the Market Place, spin ‘em a false promise about locating another, fictional place to park free; and you’ll get your readies, but Devizes is ours.”

 
With grave sincerity Ricardo nodded, “don’t fuck me, Simone. Don’t you ever try to fuck me; I’m frigid.”

 
Simone of the Guardians knew a good deal when he saw one, and this wasn’t it, but he’d return to Devizes with some pathetic excuse or other, and the people will buy it. He stood up, kissed Ricardo’s ring, bearing the insignia of the Consiglio di Wiltshire. “I never fucked anybody over in my life that didn’t have it coming to ’em,” he told him, “You got that? All I have in this world is my balls and my word and I don’t break ’em for no one. You understand? That piece of shit up there, Yan Wallo, I never liked him, I never trusted him. For all I know he had me set up and had my friend, the Basil Brush collection tin outside the Brittox News, killed. But that’s history. I’m here, he’s not. You wanna go on with me, you say it. You don’t, then you make a move.”

 

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Claire Perry’s “weekly-round-up” email; with translations (in brackets)

Local MP Claire Perry’s weekly newsletter appeared in my inbox today, I thought I’d decode the complicated jargon of it by inserting basic translations in brackets, so there is no need to worry, our government, apparently, is in full control of the situation.

Welcome! (Tory supporters. Others, just signed up for my newsletter for satirical purposes can kiss my rosy red….)

It was a busy start to the New Year, (although we had a fortnight break, while you all slaved through the festive season, filling shop shelves and delivering goods in your pathetic, minimum waged jobs; insert Nelson Muntz style “ha-ha” here) with Brexit continuing to dominate Parliament and the news (other critical national issues rightfully on hold). (Help! We haven’t got a clue what we’re doing, and Nigel Farage put a slug in my knickers.)

I was of course disappointed by the result on Tuesday evening (someone told me the majority of the population have been disappointed since the day this government got into power, which I find very hard to believe.) Whilst I recognise the concerns of my colleagues (did I say colleagues? I meant backstabbing backbenchers and filthy snowflaking Leftie extremists I’d like to brutally murder) around the complex issue of the backstop in Northern Ireland (whatever that is, I live in Wiltshire don’t you know?) I still believe that leaving with a deal provides the best way (despite originally campaigning to remain) forward to fulfil our duty to deliver the Referendum result whilst also protecting jobs and the economy, (believe it, or I’ll diss you on Twitter) and I will continue supporting the Prime Minister in securing a deal that we can all coalesce around (because through my rose-tinted specs, it’s united the country.)

(You may be surprised to hear that) I voted with the Prime Minister this week, (for the sole reason to protect my job) and will continue to back the Government, because I believe that this is the best way forward to ensure we leave in an orderly way (an orderly way and Brexit goes hand-in-hand doesn’t it?) with a good deal, (despite half the population wanting to crash out and the other not wanting to leave at all) and ensure that the UK has the decent, moderate government it needs to build a country that works for everyone (and I’ve not suffered brown tongue symptoms for no reason.)

We now have a responsibility to work together (to divide and rule) to identify (see if we can’t come up with another desperate Baldrick-style cunning plan) a way forward that can secure the backing of MPs across the House of Commons (so we can have another holiday, I fancy the Seychelles this year, how about you, Butlins again? You’ll be lucky.) In the coming days, there will be meetings taking place between senior representatives (do I have to go?) including the Prime Minister, (she’s so sexy she can turn a girl’s head, and I’m not that way inclined, in fact as a Tory I hate homosexuality, one rule for you, one for me) and groups of MPs who represent the widest possible range of views (honestly, they do) from across Parliament, to reach a consensus and get on with delivering a Brexit that works for everyone (for our personal outside business dealings; bollocks to the rest of you.)

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Help Ease Traffic in Calne

Getting stuck in traffic can be frustrating enough, getting stuck in traffic in Calne is another thing all together! Sorry, sorry people of Calne, it’s cheeky Tuesday, always a tad mischievous on Tuesdays. I didn’t mean it really, I don’t go for town school rivalry, you know all that, “Devizes School, Calne School, fight, fight, fight,” nonsense; just isn’t me.

 

Did that happen here? It did where I came from, we used to sporadically fight with the other secondary school in our town, and annually organise one with the neighbouring town of Braintree. Being there’s only one school in Braintree, and Keith Flint of the Prodigy lived there, I’ve been known to spin a yarn about me fighting him. A bit of research though, revealed Flint didn’t move there until after leaving school; thanks Wikipedia, you’ve ruined my only claim to fame.

 
Anyway, I digress; congestion in our market towns is a twisted firestarter, fact. Calne Labour are campaigning, calling on Wiltshire Council and Calne Town Council to urgently secure funding for an independent traffic study to investigate practical options to address the bottle-neck in Calne and improve traffic flow and air quality in the town centre.

 
In a petition gathering more pace then the flow of traffic down Curzon Street, they state, “A large part of Calne, covering most of the town centre, has been designated an Air Quality Management Area due to pollution levels well in excess of Government limits for Nitrogen Dioxide and Particulates (small particles in the air). Both these pollutants emanate from road traffic and can be very damaging to human health. It has been estimated that this level of pollution contributes to the premature death of nine people in Calne every year.”

 
“Air pollution is exacerbated by traffic congestion, which is a particularly significant issue at the give-and-take system between Oxford Road and Curzon Street. This bottle-neck effectively cuts the town in half during peak periods, with significant delays to journey times.”

 
“Curzon Street’s bottle-neck is bonkers,” I expressed to Tom Morris of Calne Labour, in a manner only I would.

 
Tom agreed, but added, “for pollution it’s worse in New Road, due to HGVs on the A4.”

 
Often infrastructure issues in our market towns can seem impossible to solve, in Devizes we slapped a plaster on a served limb. Please sign this petition and hope some professional advisors can solve the riddle, because getting stuck in traffic is annoying, but considering the environmental and health implications of doing nothing is another.

SIGN THE PETITION HERE

 

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The Dub of Subject A; Writer’s Eyes

On dub experimentation, with Erin Bardwell and Dean Sartain, we review the new Subject A album.

 

Post-it Notes, penicillin, microwave ovens, Coca Cola and dub; all invented by accident. Kingston, Jamaica, 1968, Ruddy Redwood popped into Duke Reid’s Treasure Isle studio to cut a version of The Paragons’ rock steady tune, “On the Beach.” The engineer, Byron Smith accidently omitted the vocals.

 
Principal producer, Bunny Lee noted the enthusiasm of the crowd, as DJ Wassy toasted over the instrumental at Ruddy’s sound system dance. To get the upper-hand over rival Coxsone Dodd, the following day, Bunny instructed his sound engineer, Osbourne Ruddock to record instrumental “versions.”

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In 1989, returning home from the studio, Ruddock was murdered. The assassin made off with his gun and gold chain. The music industry robbed of one of the most pioneering, creative minds ever, known to the world as King Tubby. For his creation, dub, was more than reggae instrumentals. First to vision the mixing desk as an instrument, his techniques such as “rolling the stone,” predate drum & bass by thirty years, his self-built studio with a high-pass filter he termed “the big knob,” produced narrowing sweeps of signals, twenty-five years prior to acid house, and his popularity saw a rise in sound system culture, which DJ Kool Herc would export to New York’s funk audience, creating hip hop.

 
By the eighties dub was both a subgenre of reggae and a remix term across the board of electronic music. Either way it’s wildly experimental, yet I feel while the style of dubstep endures techniques of delays, echoes and reverbs, it’s lost its way somewhat when it comes creativity. Perhaps it’s just me, that I’ve not heard enough. I put it to Erin Bardwell, who agreed, he hasn’t heard enough dubstep to pass judgement.

 
Yet his dub project, Subject A, with ex-skanxter bassist, Dean Sartain, has just released a second album, “Writer’s Eyes.” It’s passionately experimental and uniquely distinctive. My initial reaction was, “it’s like they gave King Tubby a musical to produce!” In citing dub innovators, like Tubby and Perry, who pushed the boundaries, I told Erin, “that’s where this goes; nice one.”

 

“Hey,” he responded, “you get what we were trying to do!”

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Omitting lyrics isn’t apparent on “Writer’s Eyes,” it’s opening track “It’s True,” echoes Sgt Pepper, with haunting female vocals, hardly replicating a skanking dub at all, rather drifting ambient house of The Orb. From the off you know you’re in for a musical journey, and the finale, wittily titled “Penhill Sunrise,” also gives me shivers of Sgt Pepper.

 
The following title tune, responds with the sort of mellowed reggae vibe akin to Swindon’s Great Western Reggae scene, which Erin Bardwell’s Collective revels, in a rock steady/boss style of yore. The vocals and atmosphere of the third tune, “Get Yourself into Light” though is where things take a jazz direction. “Miles Davis?” I put to Erin, if this hasn’t a hint of the evocative vocal of Johnny Cash too.

 
“We have jazz musicians involved for their skills,” Erin stated, “we were trying to create music which is unpredictable, which is what I thought jazz was, originally? With our natural reggae influences in there too.” Which Erin confessed, his hands can’t escape when a keyboard is put in front of him! I like it, as far as other influences are thrown into the melting pot, this doesn’t fundamentally lose reggae. Track four, “Hide Your Face,” upholds this, strictly dub-reggae akin to Augustus Pablo, so too with “Rising Tide.”

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Yet “Road Trip,” is where my comparison to a musical choir stem from, under Nyabinghi drums. Horns then come in for “Nite Life,” replicating the duo’s 2-Tone origins acutely.

 
Bending those horns back to jazz in “Vega’s Strings,” with the deep trip-hop vibe of the Bristol scene; think Massive Attack. “I have lots of influences from soul too,” Erin continued, “and Dean from the Bristol sound. Of course, we always thought 2-Tone was about fusion, so we hope elements of that take on things has creeped into some of the songs.”

 
To magic this, the duo called upon a vast team, including Selecter guitarist, Neol Davies, drummer Matty Bane, Larry Larkin, flutist Heather O’Neill, violinist Rachael Birkin, trumpeter Colin Berry, Rowena Cameron, Harki Popli, Sarah Loveday-Drury on Trombone, Pete OD, Sonya Beale, Martin Bush. Plus, it features voices of Richie Vincent, Katie Cormier and Ray James.

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Towards the end of this epic journey, “The Earth Still Turns while you Sleep,” also mellows with ambient dub/trip-hop, it’s a flavour I noted in “Sleepwalkers,” Project A’s first album. So, how, I pondered does Writer’s Eyes differ from Sleepwalkers?

 
“I think in general Sleepwalkers was more dub-ish, reggae skanked,” Erin considered, “where as this one is a bit more varied. But yeah, what you said too – that’s kind of nailed it.”

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“I’m not sure how it’s different from first album,” Dean expressed, “think it’s the same project.” Some of the songs here, on what they deem parts 3&4, are linked to first album, parts 1&2. “A thread winds through,” Dean continued, “… a continuation.”

 
Hey, I’m no musician, all I know is, if you’re looking for something different, Writer’s Eyes will astound. It’s dreamy, sublime, but with the mixture of aforementioned influences, it’s a melting pot of variety, whist maintaining a one love to reggae.

 

Writer’s Eyes is on Digital Download for £5, CD for £8.

Pop-A-Top Records Website

 

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Resolved to Talk in Code

We take a listen to Swindon’s indie four-piece, Talk in Code’s December album, Resolve, and I question modernism, Uncle Albert style…..

 

Laugh it up daughter of mine; she pops into the kitchen to find me listening to Years and Years. I’m pondering contemporary pop with an eighties style about it, and quiver if it’s left up to them! It seems to be a trend, yet I can’t find much comparable to the album I have to review from Swindon band, Talk in Code. Trying to avoid an Uncle Albert moment, which is too often these days, when I begin to mumble along the lines of “back in the nineteen-eighties……” and my daughter immediately switches off. She doesn’t seem to care that we only had three TV channels.

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Despite my dubiousness surrounding bands self-labelled “indie,” and debates with Sheer Music’s Kieran on what defines the term, there’s something immediately likeable about Talk in Code’s new second album, Resolve; apologises to everyone, I’m impelled to make comparisons to eighties music, it’s an age thing.

 
Because instantly I’m reminded of the great pop-rock outfits of that period, of U2 and particularly, Simple Minds. The opening tune, “Play with Fire” does this, surprising me at how “pop-lite” it is, given my expectations of “indie” is that of the nineties pre-Britpop era with shards of goth and punk. Buoyant and up-tempo, it’s agreeable and pleasant, nothing of the rage or fury of my preconceived ideal.

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Nailing it down to the synths as the root cause for my Uncle Albert moment, the second tune “Keep Safe,” pings Prefab Sprout at me; a cringeworthily comparison, as all the tracks here are acutely written, without nonsensical hotdogs and jumping frogs. Shall we say Alphaville or Orchestral Manoeuvres in the Dark, and be done with it? That said, there’s also subtle echoes of all which indie shifted into through the nineties and naughties, from caressing the clubbing scene, Madchester and Ninja Tune, to groups like The Smashing Pumpkins or a non-psychedelic Spaceman 3.

 
Putting the Rubix cube back in my C5, I’d also make contrasts with what Devizes duo, Larkin are putting out. I like it, for it’s sophisticated pop, it’s modern sparkle, and highly catchy. Perhaps no tune on this album more so than “Oxygen,” which, after a couple of listens sent me to YouTube, wondering if it was a forgotten cover, as it was stuck in my head like classic pop should. Like an intoxicated first snog, felt like Oxygen and I had known each other forever, but we’ve only just met!

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Steady as she goes, Resolve never deviates nor experiments, rather sticks to its working formula; synths and vocals on the following track “So It Goes,” keep the faith in a Simple Minds inspiration, the catchiness not waning, yet the album flows through five more tracks, taking you with it. Quoting influences from Coldplay and The Killers, to Daft Punk and archetypic Britpop groups, this four-piece have fashioned a polished and high quality, anthemic sound.

 
Since 2014, when the self-titled debut album produced by Geoff Swan, (known for his work with Haim, Ed Sheeran and Prides,) captured the attention of the industry; regional BBC Introducing and Q Music, Talk in Code have built a fanbase and are intensely motivated; with this new album, released in December, the professionalism clearly shows.

The good news for Devizes is, vocalist and guitarist; Chris Stevens, bass/synth and programmer; Mark “Titch” Turner, guitar, synth and programmer; Al “Sneds” Sneddon, and drummer and backing vox; Jamie O’Sullivan, will be Talking in Code down the Cellar Bar, as the first in a series of gigs titled Subterranean; Sheer Music’s determination to bring the town some full electric shows, not before Vince Bell supports the incredible Gaz Brookfield on 22nd February.

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Said series of gigs at the Cellar Bar kicks off on March 1st then, with Chippenham indie three-piece, Socket supporting Talk in Code. Tickets are a fiver. If you can’t wait that long to see if I’m truthful about the potential of this proficient beguiling synth-pop indie outfit, and unless you want to travel to the Facebar in Reading, on 14th Feb, you really need to download Resolve.

 
All said and done though, some indolent research reveals Talk in Code do not cite any aforementioned eighties bands as influences, so it must just be me….and maybe Zammo and Danny Kendall. Bet you’re gonna ask Siri who they are aren’t you? Mr Bronson will have you, bloody whippersnappers!

 

Talk in Code website

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Handing over the Cheque….

Not usually one to publish pictures of myself on Devizine, and for the good reason I’m not the most photogenic subject unless it’s a John Carpenter flick, here I am this afternoon handing a cheque for £480 to Chairman, Sue Tovey and Treasurer, Frank Marshall of The Devizes Area Committee for Cancer Research. The money was raised at our birthday bash in November.

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Devizine stands to notify, promote and encourage events in entertainment and the arts within the area of Devizes, it’s surrounding towns and villages, we’re not about hosting them. But last November I decided to hold a little birthday bash for the website, and it grew into the awesome concert of local talent you’ve probably all forgotten about by now!

 
Me though, I’ll never forget, the bits I remember of it, and I am eternally grateful to everyone who helped stage it, from The Devizes Conservative Club, Dean Czerwionka of Dead Kool Promotions to all behind the scenes, and a special thanks to Erin (you know who you are!)

 

Images from Matthew Hennessy and Nick Padmore

 
Thanks to all our fantastic acts too, of course; George Wilding, Jamie R Hawkins, Phil Cooper, Tamsin Quin, Sam Bishop and Finely Trusler of Larkin, Lottie Jenkins Bryony Cox and Gail Foster. Particularly Iggy, Chris and Catherine as the Daybreakers, who not only supplied the PA, but coordinated the technical parts and got everyone dancing by the end of the evening. Heck, if you missed out, here’s our summery of the night.

 
So, I confess, I’m chuffed today as I met the committee members and handed them the cheque. Formed in 2007, to date The Devizes Area Committee for Cancer Research has raised over £267,000 for Cancer Research UK. With a variety of events and sponsors, from simple collections to concerts, tapas evenings and the Autumn fair, to the main events, the annual Stert Country House Collectibles and Car Boot Sale in May and Pink Week in Devizes during October, the committee continues to raise funds, and awareness. I pondered to Frank, if he felt it was ever possible to find a total cure for this terrible disease, and I was surprised by his positive reaction that it would, one day, be found.

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Until that day, we struggle on, almost everyone’s lives have been affected by the diagnosis of a friend or family member, myself personally, the very reason for choosing this worthy charity for our wonderful little party.

 
Next birthday bash though, I’m thinking………

Looking Ahead with Devizes Scooter Club

While it’s that quiet month of January, when all that remains of a festive season are a couple of abandoned coconut creams in an otherwise empty Quality Street tin, a lone Christmas cracker novelty moustache sluggishly gliding under the fridge and a tree dumped in the street with a single streamer dangling, it’s a good opportunity to highlight forthcoming stuff to do, and look forward to summer festivals and extravaganzas.

 
If you’ve not yet discovered the news that Devizes has its very own scooter rally this summer, prearranged by The Devizes Scooter Club, then you’ve been living either on the moon, or Pewsey. But you might be forgiven to assume that an event of this magnitude will render the Scooter Club void of its usual crazy, crazy nights at the Conservative Club; you’d be very much mistaken.

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Not content to sit on their laurels and await the rally in July, they’ve been busy revving engines, and perhaps safe-bet gigs with two nights of returning favourites and also, a new-comer to Devizes. So, it begins; on Saturday February 23rd, tickets for this a mere snip of a fiver in advance, for possibly the most renowned northern soul DJ in the UK, Mr Terry Hendrick, precisely one day under a year from the last time he graced us with his presence, rather splendid two-tone suit and braces.

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Devizine reported a blinding night as thus; “Northern Soul aficionados from far and wide mingled with Devizes natives for an evening of cheongsam dresses, two-tone suits and quality northern soul on the talcum powdered dancefloor of the overflowing Conservative Club last night,” as it was indeed a cracking night, nearly cracked the old knees! Terry Hendrick does not disappoint, with a blend of rare groove and classics for all fans of soul. I suspect it’ll be a heady night with bar staff rushed off their feet!

 
The end of April, Saturday the 27th, also sees a soulful return of a favoured night last year. Bedfordshire’s finest, All That Soul’s reappearance also marks an anniversary of their original visit to our town. At the time I intended to flick between the club and a band at the Southgate, but once I heard these divas sing, I stayed for the duration, wedged in the groove!

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Of all the fantastic nights the Scooter Club have owned, I’m reckoning All That Soul was perhaps the best, of which I described at the time as thus; “I kid you not, they were the soul cover band equivalent of Star Trek’s Borg, in matching frocks; resistance was futile. They assimilated me, half the population of Devizes, and reassigned our honky booties from the bar to the dance floor. With irresistible charisma and panache from the off, they filled the Cons Club with a plethora of chic Motown and Atlantic soul classics.”

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The two most celebrated acts we’ve seen at the Scooter Club are separated by a newcomer to Devizes in March, Saturday March 30th to be precise. The Decatonics change the genre, a nine-piece ska band based in Bournemouth. Formed in 2012, they’re female fronted, loud and proud. See, you can apply as much soul as you like guys, but when it comes an evening to whine up mi waist like I was young again, it’s good to hear a bit of ska has also been included. Look forward to this night; tickets are a tenner.

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I think, after April the Club understandably ween off the Cons Club nights, to work on this forthcoming rally. July really will test them to the limits, with eights acts plus DJs, it’ll be a heady weekend for scooter enthusiasts, but more importantly I feel, an awesome opportunity for locals with a passing interest in the scene to sample the diverse range of music on offer. It’ll all be covered there, from mod, to rock steady and ska to northern soul.

 

Not to mention it’s in Rowde, and you know what we’re like! So, yeah, like groovy, while tickets are available at the Cons Club, Vinyl Realm and Jeffersons for Terry’s night in Feb, wristbands have also gone on sale for the Rally; now that should cheer your otherwise gloomy January night up a bit…. better than a squashed coconut cream.

 

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Chapter Two kicks off this year’s productions at The Wharf

After the sell-out Kidnap in Pantoland, The Wharf Theatre, Devizes are preparing for their first production of the year, Neil Simon’s Chapter Two. Directed by Lewis Cowen it runs from Monday 28th January to Saturday 2nd February, doors at 7.30pm.

 
Novelist George Schneider is still grieving over the death of his wife, Barbara, when his brother Leo sets him up on a date with actress Jennie Malone. Jennie has gone through years of counselling and a messy divorce and neither of them consider themselves ready for a new relationship. However, when the efforts of Leo and Jennie’s best friend Faye, whose marriages are also in trouble, proves unexpectedly successful chaos ensues.

 
This is Neil Simon at his hilarious best, his sparkling dialogue softening the edge of what is, at heart, a serious examination of what it means to lose one’s partner. His semi-autobiographical Chapter Two examines what it truly means to love someone and whether it is possible to find a soulmate more than once in a lifetime.

 
Tickets: (£12/under 16s £10) can be purchased from Ticketsource at: https://www.ticketsource.co.uk/the-wharf-theatre/events

 
or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm or by ringing 03336 663 366.

 
To find out what else is on at the Wharf pick up a new Autumn/Winter brochure which is now available from the Community Hub and Library and many other outlets around Devizes. For further information contact Karen Ellis http://www.publicity@wharftheatre.co.uk

 

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Larkin about at The Cons Club

Photos Used By Kind Permission of Nick Padmore,

(and I didn’t even let him sit on my knee this time)

 

Oh, hello, s’ me, in 2019, not really gotten over 1989 yet, but here nonetheless, reporting on things which happened last year, still. Just a quick one then, we’ve already reviewed the “Live by Night” EP, and we wouldn’t want the boy’s heads to swell excessively, now would we? Needless to say, though, Sam Bishop and Finley Trusler, aka Larkin, did put on a grand show between Christmas and New Year at the Devizes Conservative Club for the launch gig of the aforementioned EP.

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It was an intimate yet ample crowd of family, friends and fans, united in celebration for all these guys have achieved. After an acoustic support, Sam and Finley, accompanied by a fine selection of acquainted musicians, showed professionalism, magnetism and aptitude as they ran through some tunes from their previous album, some covers from the likes of Mumford & Sons and REM, but most importantly, and poignantly, replicating their new tracks from the EP impeccably.

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I said of the EP, when I reviewed it in November, “a natural and positive progression from their debut album, concentrated into three solid and marketable tunes that Sam and Finley should be very proud of.” And deservedly proud they were, as I’d argue it’s their originals which dominated the evening, not the chosen covers, which is how it should be for a duo who strive to improve. 1AM particularly polished, and the encore of Solace in the Dark, debatably the anthem of the previous album, Set You Free, finalising the evening with panache and style.

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It was that good, I suspect most had forgotten their free CD lodged in their pocket until they returned home. I discovered it in the morning, a refreshing present aside the thermal socks and Lynx deodorant sets, of which although I’m grateful for, they can’t hold a note like these guys!

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Well done lads, and all the team involved; I wish you all the best for 2019, when I’m certain Larkin will push new boundaries and entertain crowds even further afield. As it stands though, this gig insured, Devizes loves yer!

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Devizine Awards Results; about blinkin’ time too!

Some might say happy new year, what lovely fireworks.

 
Others might say it’s a farcical pageant for a generation of infantile gurning, self-indulging dunces to rejoice the impending most ambiguous year in our nation’s history by throwing billions of needed money up in smoke. Dreary bloody grouches.

 
So, with sore heads we plunge into 2019, bequeathed by our leadership with nonchalant promises; they know what they’re doing, and an idle request to be united when the shameful reality is, we’ve never been so divided; politically, financially and in opinion of this dodgy fiasco we call Brexit. The only thing which seems to unite us is the notion we cannot accept this pledge from the one person who pledged it, that and, of course, the very fact no unnecessary finances will be thrown at some lavish ceremony for the 2018 Devizine awards; that’s a sure thing!

 
Honestly, not trying to twist your frazzled mind this morning, it is all about as much bull as us leaving the EU, for the whole idea of having a Devizine award ceremony was based purely on a joke, a satirical stab at another local website’s frivolous awards. Then though, right, I find that I can add poll questions to an article, so I did, just for the hell of it, cos I could. Sorry, it won’t happen again.

 

So, thought I’d better post the results, without too much waffling; drum roll, or least foot-tap, please…..

 

Firstly, we asked you to vote for the Best Local Venue/Event Organiser:

The runners up: with 14% of the vote, The Southgate Devizes, and Sheer Music with 22%.

The Winner, with 32% of votes goes to The Devizes Scooter Club.

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Yay, applause! All the best for 2019 to you all.

 

Our Best Local Female Solo Artist:

Runners up, with 6%, Lottie J, and with 24%, Kirsty Clinch.

And congratulations to winner, Tamsin Quin, who stole the show with a staggering 59%!

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Congratulations girls, and wishing you all the best for 2019.

 

Now, the boys; Best Local Male Solo Artist:

Equally pipped, the runners-up both got 15% of the vote, and they’re none other than: Vince Bell and George Wilding.

The winner, with 38%, is Jamie R Hawkins.

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Well done guys, congrats and all that, best wishes for 2019!

 

 

And the results for Best Local Band/Duo of 2018:

Runners-up, The Day Breakers, with 11% and The Reason, with 15%.

But the winner, with 40% of the vote, is: da-da-da-da-da….

People Like Us!

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Well done to all, here’s wishing you a great new year too!

 
Finally, based purely on releases I’ve personally reviewed this year and not on votes, I’d like to announce two more awards, for best local album and EP of 2018. It wasn’t an easy decision, but:

THE BEST LOCAL ALBUM of 2018 can only be, in my opinion: Colour in the Sky by Jon Amor. Reviewed here.

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THE BEST LOCAL EP of 2018, also in my humble opinion, has to be, unquestionably: Soul Sucker by The George Wilding Band. Reviewed here.

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Right that’s that that’s all that then, you don’t want to be reading too much today, well done to all; I’m off to the visit the toaster, see if my stomach can accept solids again. Have a great new year’s day everyblobby, I lurve n wanna snog you all, no, really, I do, tongues an all; pass on my man-flu.

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2018: Year of Devizine!

Blinkin’ buggery, it’s near the end of the first full year on Devizine. I do hope you’ve enjoyed reading it as much as I have creating it. We’ve certainly grown, like a wart on the butt of Wiltshire. Originally some wanted to pop it, comments like “who wrote this crap?” came thick and fast, replaced now by a constant stream of praise and respect; 2018, has the county gone bananas?!

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I’ll never forget the sensation of seeing kids reading my first comic strip, published in my school magazine in 1985, it’s a joy which though you grow immune to, the thrill never completely wanes. I still get a buzz when people come tell me they love reading Devizine, all two of them. So, let’s have a butcher’s hook at what the year bought us.

 
The first article of the year was a preview of Oscar Wilde’s Ideal Husband at the Wharf Theatre. It opened with: “What makes the ideal husband you might ask; what’s that honey, you woke me up? One made of chocolate and praline perhaps, one who can fix the broken drain in just cut-off jeans and still smells like rosewood and patchouli, one who folds his socks in pairs might be adequate; I don’t know, maybe Oscar Wilde has a better answer than me.” Poor Karen Ellis, in charge of promotion at the Wharf, must’ve wondered the heck she’d led herself in to; it was a relationship we’d work on! We continued to preview performances at the Wharf, from Goodnight Mr Tom, to Kidnap in Pantoland, and by autumn they bit the bullet and invited down to review the fantastic Little Shop of Horrors.

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Two days later I previewed Bad Manners tribute act Special Brew at the Devizes Scooter Club, due to happen in April; happy days, the band were tight, the frontman mimicked Buster Bloodvessel with all the outrage and hilarity of the real McCoy, and we reviewed it too. It’s been a great year for the scooter club, Terry Hendrick arriving for super-cool night in Feb, All That Soul and Gimmie Some Lovin’ soul bands to name but a few, but announcing an ambitious Devizes Scooter Rally was the icing, which I dedicated a whole page on Devizine for, and also suggested local acts, The Tribe and Erin Bardwell Collective.

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January, I was still publishing No Surprises Living in Devizes column, despite the joke wearing thin. In “Christmas has Bin and Gone,” I passed comment on the environmentally unfriendly post-Chrimbo tradition of disposing of all the unnecessary packaging, composing my rant from the depths of my wheelie bin which I climbed in to crush said rubbish down, ranting about the Flat Earth Society as I went, for some tenacious link or other. The following No Surprises Living in Devizes, “Aesthetic or Artistic; similar thing isn’t it?” spotlighted the red tape surrounding a Conservation Management Plan for an arts space at the Church of St Mary the Virgin in New Park Street. I questioned the need for arts spaces and we looked at a similar pursuit for an Arts Centre in Calne, under discussion with town councillor Terry Couchman. In Feb the column for once in its pathetic life did actually bring a news item, the plans for Devizes Parkway Station; believe it when you see it!

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We mentioned Pagan High Priest, Arthur Uther Pendragon’s campaign against English Heritage when they announced entry price to Stonehenge is set to rise in April, and mentioned it again at Solstice. We looked into a growing trend of events where ex-ravers-turned-parents took their offspring to a family friendly rave. We previewed February’s Festival of Winter Ales, a fundraising event for DOCA. This annual event returns on Feb 15th and 16th 2019.

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I visited the home of local artist Clifton Powell ahead of his exhibit at Wine Street Gallery. I was mightily impressed with Clifton’s range of paintings, and was glad to meet him after some years away from the reggae parties he used to host. By December, in a bid to bring Devizes more reggae, I put Clifton, aka Knati P, in touch with Deborah at the Southgate, for a reggae xmas bash I couldn’t actually attend!

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I previewed the Horrible Histories Tour which came to Chippenham’s Neeld. Then, my car broke down on the way to the premiere of Swindon-made film, Follow the Crows. Luckily, I had already seen it at an intimate press screening, so shared Mark O’Donnell’s online review. Later, we reported on its success at the Global Film Award.

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For comic artists I recommended Comics Uncovered in Birmingham, reported on Devizes Town Council taking on the lease for Belvedere Woods, Bentleys Gym attempting to row 1’000’000 metres in under 24hrs for Julia’s House and the Royal Marines charity, previewed a village Abba Tributes trend, and attempted to list good places to visit on valentine’s day, yet hardly any pubs and restaurants bothered to get in touch and let me know what they had planned, like some big secret, or least they didn’t trust old Devizine not to invade their romantic setup!

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After a split for Swindon based ska band The Killertones, we introduced you to the newly formed Day Breakers, and I broke the back off slotting myself into Devizes music scene, at the Saddleback’s Battle of the Bands contest. Meeting Jack Moore, George Wilding, Jamie Hawkins, Sally Dobson and Jordan Whatley, all for the first time. With Mike Barham, Tamsin Quin and Alex Cash this was quite something special, but greater things were afoot for the Saddleback. I previewed the festival, meeting with Mirko and John at the Lion, to discuss the improvements they planned.

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It was also around this time I received the album Thoughts and Observations from Phil Cooper for a brilliant review, and announced the opening of a record shop in town. A historic moment for Devizes High Street shopping and music scene alike, as Vinyl Realm was born. By a snow-filled March, I parked my milk-float outside and sneaked a peek. Talking milk-floats, we ploughed through the snow; who recalls our fun snow maze? And who recalls our spoof secret agent, Shagger Bond, in our photo story, Dr No Free Parking Here? Might’ve had a bee in my bonnet about the Council’s parking fees threat, anyone else?

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Meanwhile I previewed the Devizes Food Festival, the Return of the Moonrakers Comedy Club, with Steve Day, The Beer Festival, “TITCO Does Queen,” and Macs Theatre School gave us a brilliant show, Our House, of which I returned the favour with a well-deserved great review. We featured new albums by guitar soloist Mitch Underwood, Bristol’s Ya Freshness and the Big Boss Band, and checked out Swindon’s Bond girl tribute, Olya & The Bond Girls. There was the time Elvis tribute Paul Larcombe was announced at the Market Laving Music & Comedy Club, and looked at the diverse acts being booked there.
I previewed the Outlaws Orchestras at Devizes CMC, which was unfortunately cancelled. People Like Us performed at the refurbished Bell on the Green, we covered the DOCA campaign to raise funds for fireworks at the confetti battle, the Urban Lions gig to save the Barge, but the most popular article was the rebranding of Francos by Massimo Pipitone, and the amazing food he’s serving there.

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For me the highlight of March though, was venturing out of town to check out Swindon’s Skanxters reunion gig at the Victoria.

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In No Surprises Living in Devizes I visited Joy and Ian’s hedgehog rescue centre in Devizes, to talk about how to spot hedgehogs in need of help. Then I ranted about our inability to drive sensibly. I suggested reducing the speed limit on our dual carriageways; that went down like a bacon sarnie at Ramadan. Straight onto ranting about the deforestation by the Canal & River Trust, which was followed by the release of the second collected volume of the column in eBook format. If you fancied a rant outside the column, I tried to be nice when previewing the Devizes Arts Festival, but with Anne Widdecombe booked, I couldn’t resist being a tad critical.

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I announced a tribute act to the Bootleg Beatles, “the Bootlegged Bootleg Beatles,” playing “a mock version of the Exchange nightclub made out of old shoe boxes and blu-tac in the shed of Liam James, nightclub promoter Ian James’ lesser known looky-likey!” Yep, it was 1st April, and people still bought it! The month was kicked off with some great reviews, Phil Brady’s Save the Barge gig with the Urban Lions, who, in April we’d review their singles, Forward and See Me Rise, Sound Affects who played at my old watering hole, the Lamb in Marlborough, the first night of music at Upstairs at Jacks, where Hayley, Jack Moore and Bryony Cox, appeared, with a finale from George Wilding.
One particularly awesome moment came when local eleven-year old Will Foulstone played piano with The Script.

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I wrote a piece on the importance of Bob Marley being signed for Island Records, but that it was not the be-all-and-end-all of reggae, ahead of Legend, a tribute to Bob Marley & The Wailers playing the Melksham Assembly Hall and Wyvern Theatre. The Legend crew liked the article so much they invited the wife and I along, and wow, any reservations I may have had about tribute acts melted right there, it was a fantastic show.

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Previews in April were The DOCA Street Festival, focussing on the new Colour Rush, James Hurn’s tribute to Hancock’s Half Hour at the Wharf, Avebury Rocks, All That Soul at the Devizes Scooter Club, who were so simply brilliant they’re coming back to Devizes for more this April. We mentioned friendly weekly art group, the Devizes Art Space, featured pop surrealist Si Griffiths.

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I worried about the outbreak of war in No Surprises, what with the incidents in Salisbury, but in the same piece worried for the Council’s open threats to close of Breaside and Oxenwood, amidst a barrage of other rants. However, when I was caught short at the Old Potato Yard and was ripped into with a barrage of obscenities and idle threats, just for using their public loo, I had to lambast the situation. To update, I never did receive an apology, so, effectively, the protest is still active despite laying dormant. More importantly though, it caused me to tire of the whole idea of writing the column, feeling that there was simply enough negative bullshit about, and it wasn’t funny anymore. It was the end to an era. Well, kind of, I did knock up a Royal Wedding special, and a reasoning piece about why I dropped it, naturally, but other than that……

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If signs of spring didn’t brighten me up, Gypsy Blood did. Tamsin Quin’s album release really made a massive impact on our local music scene, and though I missed the launch gig, an intimate afternoon session at Vinyl Realm made a great condolence. Reviews also took the shape of a CD of poetry by Gail Foster.

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May previewed Devizes Well-Being Day, Swindon Shuffle, The Calne Music, Arts and Crafts Extravaganza in a bid by Terry Couchman for an arts space in the town. A Play in a Day, at the Wharf, where children were asked to devise and perform their own play, and Broken Wing, the Searchers at Melksham Assembly Hall, The Civ-Pop Festival at Lynham with Peter Andre, summer events at the Wiltshire Museum, and acting courses at The Shoebox.

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We also featured the new menu at The Cross Keys, Rowde, Kennet & Avon Brewery’s corporate rebranding to Stealth, as part of the Devizes Food Festival, which I absolutely loved. But if one article made us chuckle, it was the Borrill family of Chirton’s Harcourt hamsters, which has to be seen to be believed. The highlight for me though, was at the end of May I claimed how proud and grateful we should be to the Devizes Clean-Up Squad, and suggested we clubbed in and got them a thank you present. In July we ended the campaign, offering the CUDs £300 we raised, which they’ll spend the lot of on pudding at their Christmas party!

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The downside to the month was the moment I tried to big-up the new owners of the Southgate, the point being they were dedicated to bringing live music weekly to Devizes, but due to misinformation, the subject was obscured by one sentence concerning the previous owners. Yeah, that sure backfired, and while the people affected were content with a sincere apology, others thought it’d be amusing to put me on a witch-hunt. A lesson learned, yet you have to admit, the original intention of the article was correct, The Southgate fast becoming a legendary venue for our town.

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The end of May n summer was peeking, and I was thrown some tokens and a glass at OwlFest in Bromham, where I proceeded to try all ciders on show, and try again. This was a great warm up to summer, with Mike Barham, Tamsin Quin, George Wilding, and I was introduced to the hilarious Corky.

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June, I mentioned the opportunity for performance artists at Fest West 2019, Marlborough’s Open Studios, The Loganberry Trust and Wiltshire Freemasons raising awareness of prostate health with checks in Devizes, the modernisation of football pitches at Green Lane, with Bishops Cannings Youth FC, and I had a great day discovering the art of brewing at Rowde’s microbrewery, Devitera.

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Reviews of Welsh alt-rock band Holoson, which opened a new chapter for the Cellar Bar, a new EP from country-rock band The Stories, and The Bluestone Gallery. I did two parts of a three-part series about my favourite dance albums of the nineties; just an excuse to relive my misspent youth. Unfortunately, the computer broke down, leaving the final part lost. We may/may not have made up a story that a graphic artist was employed by Wiltshire Council to depict the future Devizes Market Place.

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July saw Sunday afternoon’s at Hillworth Park with Fantasy Radio, Vince Bell performed with daughter Evie Smith, and Tamsin Quin, followed the next week by People Like Us.
I reviewed Secret Swindon, a marvellous history book by Angela Atkinson, chatted to artist Bryony Cox at her exhibit Upstairs at Jacks, looked at Dean Czerwionka’s Dead Kool Promotions, which expanded to start a “Devizes Family Club,” Jack Moore popping into Vinyl Realm, and a meal at the Moonrakers, with added Kirsty Clinch; cor!

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Previewed school holiday activities at the Wiltshire Museum, Rowde’s “Party in Barn” for a new leisure facility, White Horse Opera’s Magic Flute, which was reviewed by Andy, (more of his valid contributions further on,) PSG Choir’s county tour for Plastic Oceans Foundation, MAC’s future performances of DNA and Blood Brothers, Emily Lockett coming to Devizes CMC, Seend’s Big Breakfast, Moonrakers Comedy Club, and the return of the annual Female of the Species gig in September, which I attended in Melksham and reported about this awesome show, in aid of Young Melksham.

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Highlights of July, undoubtably, The Saddleback Festival, where, not without a few lessons to be learned, the event was total magic, and will hopefully build on the rep to an even better show next year. The following week was the turn of The Devizes Scooter Club, who held a grand barbeque party, with The Day Breakers, Blondie & Ska, and a lesser known DJ! It was fantastic, raising £1333 for the Opportunity Centre; ah, summer days seem so long ago now.

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August, and I started to plan our Birthday Bash, previewed the Taste of Wiltshire at the Farm Cookery School in Bromham, the autumn line-up at the Wharf Theatre, the DOCA street festival and carnival celebrations, which was topped off with an invite to the surreal circus show My Lakita’s Popcorn Machine. But they were topped by Saddleback’s Beaux Gris Gris gig, which was awesome, and I went all squidgy interviewing Californian rock chick Greta!

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August, as well as The Turkish Barbers, I also finally got around to reviewing two EP’s from our own Jamie R Hawkins, and the Larkin single, “Falling.” We were introduced to The Wiltshire Boy, I reminisced about the horror of the school roller-disco, as Melksham Assembly Hall was turned into one. Something a bit different though, was my meeting with local street magician, Raj Bhanot, when he performed a few tricks on unsuspecting punters of Café Nero.

The Street Festival was something special indeed, particularly enjoyed The Carny Villains’ blend of gypsy, Balkan folk and ska, on the big inflatable stage. This was followed by easy-to-make articles of stealing photos of the Devizes and Pewsey carnivals; always a popular post when I don’t write much; must be trying to tell me something!

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September, we previewed the Brick Show at Steam, where I stole to opportunity to recollect my love of Lego, The Day Breakers at Devizes Scooter Club, The McMillian Coffee Mornings in our area, Seend’s Oktoberfest, Trowbridge’s Town Hall Arts celebration of Black History Month and The Smiles Club, Wiltshire’s Operation shoebox, a Devizes-based arm of a group who send much needed Morale boxes out to our military deployed on active duties.

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Reviewed Strange Tales album, “Unknown to Science,” Cracked Machine’s “I, Cosmonaut,” of whom Andy reviewed their night at the Southgate, Nightlights’ “Different Pathway,” and managed to catch part of Vinyl Realm’s Fold takeover, with The Compact Pussycat, their final gig with Jordan Whatley.

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I tried out an e-bike, chatted about environmental issues and Green Drinks events with Sustainable Devizes chairman, John Schofield. October, and I was joined by brilliant writer Andy Fawthrop, who reviewed Joe Hicks at the Three Crowns, and continued to review Malone Sibun Band, Ryan McGarvey and Groundhogs & Del Bromham, all at The Long Street Blues Club, the Sultans of Swingers at The Bell by The Green, and despite I had a chat with Steve Maggiora, Andy reviewed his night at the Cellar Bar too. I’m so grateful for Andy’s great contributions; can’t be in two places at once!

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In November I got all trainspotter with a review of a book called Traction, and pondered the return of the illegal rave, or not. The carnival date was moved, the location of the Scooter Rally changed to Rowde, I amalgamated all Halloween events, for young and old, Poldark met the Wiltshire Boy, or visa-versa. We previewed Hymns for Robots at the Shoebox, Devizes Lions Children in Need collections, Elles Bailey due to appear at the Cellar Bar, and my own birthday bash, which was for me the greatest high-point of the year. We squeezed in suburb performances from Lottie J, Larkin, Phil Cooper, Jamie Hawkins, Tamsin Quin, George Wilding, Sound Affects and the Day Breakers into one boomtastic night, raising over £480 for Cancer Research.

 


I previewed It’s Complicated and Kirsty Clinch’s Christmas party to improve Easterton Village Hall, and finally caught up with It’s Complicated at an unforgettable Southgate Sunday session, with Vince Bell and Tamsin Quin. Hopping onto these Sunday sessions, I also made it down for Sound Affects the following weekend.

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All went rather quiet after the birthday bash, I covered Mike Barham’s new band Nerve Endings, who debuted at the Southgate on our night, so I missed it, also his DevMas night for Julia’s House, and took Kieran Moore for a trip down memory lane highlighting the history of Sheer Music. We even mentioned an all-female Beatles tribute act, The Beatelles.

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As well as Gail Foster’s new book, “Mischievous Spring,” to review, I was overcome with new musical releases, to keep me busy; starting with “Roads Vol 1” by Sunset Service, George Wilding’s “Soul Sucker” EP, Sound Affect’s “Everyday Escapism,” Jon Amor’s brand-new album, “Colour in the Sky,” Phil Cooper and Jamie Hawkins live download album, and, not forgetting Larkin’s EP Live By Night, of which I made to the fantastic launch gig just last night at the Cons Club.

 


I focussed on the spirit of Christmas, mentioning both Jeannette Von Berg, Pam Sloane, the team at Sheep Street Baptist Church, with their Christmas dinner for people alone, and Devizes Opendoor’s fantastic efforts to ensure our homeless and vulnerable get a meal too.

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Meanwhile I deliberated there’s not enough reggae in Wiltshire, ahead of Asa Murphy’s highly anticipated show, “Buddy Holly Lives,” coming to Devizes, I contemplated the fateful day Don McLean claimed “when music died,” and asked, “can music really die?” I even published spoof articles, “Say no to Maria Carey this Christmas; and other festive songs which need to be banned!” and, creating some Devizine Awards, then, realising I could create polls on the site, I made a real voting awards system, the results coming next folks!

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All in all, it’s been a fantastic year for Devizine, I think you’ll agree, we packed as much as we could in. I have to thank everyone who has been involved, our contributors, everyone who I’ve stolen photos from, the musicians and organisers of the birthday bash, and also, to you, for reading it, sharing the articles and spreading the word: Happy New Year, here’s to 2019!

 

 

 

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A Christmas Pressie From Phil Cooper

What’s the betting Phil Cooper gives darn good Christmas presents? He’s just that kind of great guy, isn’t he? Who, when you open it you gasp and proclaim, “omg, I’ve spent my life trekking to the four corners of the world for one of them; where did you get it?” Whereas, undoubtedly, I’ll scoot down the Spar shop three minutes before closing on Xmas Eve praying to the archangel Gabriel that Dereck still has those twelve-pack of Wagon Wheels on offer; jammie ones, mind, nothing but the best.

 
Here’s a fantastic gift from Trowbridge’s premier singer-songwriter; a live album download, on that wonderful Bandcamp site. Recorded at Exeter Phoenix just last month, Phil is accompanied by Devizes own Jamie R Hawkins, and this download has a “name your price,” tag, potentially it’s free unless you’d like to give the team a thoroughly deserved Christmas tip.

 

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This live album features some tunes from this year’s studio album, Thoughts & Observations, (which I reviewed earlier this year, here) such as Road Songs, and Everywhere I Go, and contains other material, some from the 2016 album Things I’ll Never Say, and ones, I dunno, I’ve not heard before!

 
With a second tour of Canada, appearing on the main stage at Trowbridge Festival, he’s also supported Badly Drawn Boy, Mark Chadwick and The Blockheads, the latter being the night before he shook up our birthday bash, I think it’s been one fantastic year for Phil. “This year has been a big one for me,” Phil states, “releasing Thoughts & Observations, and getting an independent distribution deal for the album. Distro deals are excellent for independent artists as they allow you creative control, but also give a wider reach.”

Phil somehow managed to find the time to engage an exciting folktronica side project track, Lullaby by BCC; a different side to Phil, yet this Live album works as a great sample of what to expect attending one of his gigs; it’s moreish. Certainly kept me sane through the driving wind and torrential downpour at work this morning.

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Another highlight he cites is an increased amount of shows with Jamie, “This man is my musical soulmate and getting to play more and more shows with him is magical, hopefully we’ll do even more next year!” is a sentiment I know is mutual as I chatted to Jamie Sunday at the Southgate, while making peek-a-boo faces at his baby daughter, who was too busy time-keeping for Sound Affects with a tambourine to be concerned about my silly faces!

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While I’m on the Southgate, don’t forget the pair will be rocking New Year’s Eve down there, and I’m sure there will be a few surprise guests too. Until then, or the next show you can make it to, this Live at Exeter Phoenix download makes the perfect fill in, and taster of these guy’s fantastic teamwork.

 

Download it here:

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Gail’s Mischievous Spring

Blinkin’ awesome what you can find on YouTube innit? Section of a long-lost cassette beleaguered my mind, though I can’t find a clip the whole album is there, the part I wanted to draw attention to is approximately twenty-six minutes in. It’s a live recording of punk band, The Newtown Neurotics, where breaks are filled with poetry. This one in particular was an awakening in my affections for poetry, a far cry from the stigma enforced by school-teachers slamming a copy of Ted Hughes on your desk. It enlightened an adolescent me, poems can be current and topical, yet still stimulating, shocking, and poignant.

I wanted to mimic this purely punk-paste inclination at our birthday bash, when local poet Gail Foster offered to read some verses, for akin to this recording, Gail sparks a passion for wordsmanship within me, and casts away age-old stigmas. I’m glad to say it went down a treat. Besides, it’s good to befriend a local poet on social media, as insights of their inspiration; on Facebook one day she posted a rant about a stray Amazon package, and I thought, “there’ll be a verse about that by morning.” And there was!

 

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Gail performs her poetry at open mic, on Fantasy Radio, and reading ‘Years of Hurt’ at a service in Salisbury Cathedral an acme. She also self-publishes; that is why we’re here today folks, cross-examining her shiny new anthology; Mischievous Spring. While it seems the traditional method of a book can be outdone by the speed and efficiency of posting on Facebook, I wanted to gauge her thoughts about social media as a platform, and ask her what method she favours.

 
“Facebook and performance,” she states, on one hand, “but not everyone does Facebook, post a poem and it is gone, put it in a book and it’s there for ever; I like books.”

 
“But I’m not up for sitting on my work and waiting months for someone else to publish it. Fuck that. Doing books is also a good way of cataloguing my work.”

 

Gail admits to a short attention span, “I write spontaneously, and then when I have written a lot, I put the good bits in a book. I like to write quickly to make room for the next inspiration.” Yet she concludes they’re equal pegging, “you’re asking me for one method of delivery I prefer to all others; there isn’t one.”

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Rather similar is the content, Gail’s subjects and styles are varied, with the serious sides you expect of poetry; of autumn, of spiritual or natural elements, like snow, hedges, and of Orion, and dejected love. There are emotional annotations, “Years of Hurt,” as a great example, where a football fan takes anguish out on wife after a loss for his team. “Shall I Vote,” contemplates the sacrifice of suffrage against our taken-for-granted rights, and there’s a few astounding muses of war.

 
Breaching seriousness, looser, comical elements are plentiful too; humorous subjects as why Gail likes watching rugby, jarred prepubescent moods, haunting activities, like the 100-metre race at school. Snap, I’m earnestly relating. Arbitrary witticisms also stab your funny bone, of pot noodles, or pickled onion Monster Munch.

 
Politically standing left, the media assault on Corbyn is critiqued, a ridicule of fracking distressed, yet hilarious satirical attacks on Rees-Mogg, Tommy Robinson, and of course Trump, together with a perfect summary to the mess of Brexit, also make up the topical element. Yet no celebrity is taken prisoner; Garth Southgate, and oh, how unfortunate for Elton John. Peter Stringfellow though, meeting St Peter at the Pearly Gates is comic gold.

 
Gail serves her poetry with edge, and honesty; Steven Hawking not safe, adult-themes on why we drink too much, and she opens a world where Mrs Claus retorts to Santa that’s he’s a “bell end.” She flirts with her words, spares nothing to filth, rather playground amusement in articulate muse, revealing a fascination of going commando, as a running theme. “I’m not out to be controversial, or to upset people with the swearing,” Gail notes, “it just comes out like that sometimes. Plus, the more words the better for poetry. And a lot of things rhyme with ‘shit!’”

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Yet while she swiftly moves through a huge range of genres and subjects, this book flows whereas her previous seem more randomly collected. There’re superstitions around number seven, which flows into a clock poem, and into one called “Moment.” Similarly, her affections for druid connections and Gorsedd drift to odes to poet bards, through winter solstice to spring. I pondered if the poems are chronologically placed, as each thought progresses to the next, or just carefully planned.

 
“That was the hardest part, the grouping,” Gail confessed. “Some clearly belonged together, others clearly didn’t belong together. The Gorsedd is chronological. A couple of chapters are alphabetical. There is a seasonal thing going on with the first chapter; that’s a bit vague, isn’t it?!”

 
Perhaps, but it’s a hefty volume, with variants; another reason for its value, there’s something for every mood on offer.

 
“’Ceres’ and ‘The Old Man and The Hill’ are very much beginning and end,” she continued, “seasonal verse are grouped together within chapters, Christmas, winter – Birds of a feather, loosely flocked together! The most difficult thing for me about this book was the combination of serious and spiritual rhymes with sweary, scatological rhymes. That’s part of the reason for the grouping and chapters.”

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Gail is also a keen and creative photographer

“One of my friends told me that the night her partner died she was reading him my poetry. Really lovely touching things like that happen sometimes.” Again, with all Gail’s work, binding the range is the underlying local theme, the feeling you’re never a million miles away from Gail, as she dedicates odes to friends well-known in the area, The Arts Festival, and Wiltshire Air Ambulance; the cherry on the cake to a wonderful collection of poetry. “You should be well-chuffed,” I add.

 
“I’m chuffed about the book, yes,” she replied, “but this time I have no illusions. It might do well, it might not. It is unlikely to make me rich, but then I don’t want to be rich. I’m very grateful to the people who take an interest in my work.” That is the usual labour of love, the bleeding heart of the artist which forces them to continue, and Gail has the bug.

 
This is a wonderful addition to Gail’s portfolio, progressive and entertaining. She finishes by contemplating, “I wish I had done this years ago. But I didn’t, and that is that.”

 
No matter, you’re here now, and Gail’s Mischievous Spring can be found at Devizes Books, and on Amazon.

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Sound Affect Sunday at The Southgate

Another excellent Sunday afternoon session at the Southgate breezed through with the remarkable resonances of Cath and Gouldy, aka Sound Affects; I can see a Sunday pint down the little yellow painted house of music becoming a thing for me.

 
For if you haven’t motivated yourself out of the home for a Friday or Saturday evening, note The Southgate will still entertain you on the weekend’s finale. Not a great deal to say of this gig though, we’ve given a lot of coverage of Sound Affects and their group, The Day Breakers, yet it’s all fully deserved.

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Always able to rouse a crowd of any proportion with just guitar, fiddle and charm, they rambled through their repertoire of classic uplifting, toe-tapping numbers; of retro pop, Irish folk and a small selection of their brilliant original tunes. They’ll try sell you a CD without any pressure, of which I’ve reviewed here, but if you’ve no, nay, never taken heed of previous recommendations about Sound Affects on Devizine, do look out for them in future.

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Always a pleasure to hear you guys, and keep up the good work Deborah and Dave, guarding Southgate from a possible invasion of boring Sundays!

 

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Homeless but not Alone; Christmas at Devizes Opendoors

Ha, and there’s me whinging I’m working right up to Christmas eve; I’d just like to say, Santa hats off to Deputy Coordinator Angie Carpenter and the volunteers at Devizes Opendoors, who will be holding their annual three-course Christmas feast at lunchtime on Christmas Eve at the St Johns Parish Rooms. They will however, also be open on Christmas morning, serving breakfast.

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Anyone who is vulnerable or homeless are very welcome to attend. I’ve seen the great work this team do, when I last visited for an article. I saw the delight on a young lady’s face when she chose a new hat from the selection of donated clothes, I witnessed only gratitude and appreciation from the attendees of the centre, and felt a satisfied community spirit. There was surplus food to take and what didn’t get used was given to the Food Bank. There were showers, clothes and even advise and assistance on hand for those who needed it.

 
It’s an essential time of year when our homeless and people in sheltered accommodation need all the help they can get. It’s cold and miserable out there, guys and gals; stick your head out your window and have a look, imagine sleeping rough in that, and then I hope you’ll join me in wishing Devizes Opendoors a very merry Christmas and wish them well for the New Year, for all the amazing work they do.

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Angie would also like to thank the local branches of Morrisons, M&S, and Lidl for their continued food donations. While we were chatting, I pitched the possibility of Devizine staging an event to raise some money for Opendoors, so watch this space.

Until I get around to sorting something out like this, don’t forget tonight The Invitation Theatre Company have their Christmas Concert at St Johns Church, at 7pm. It’s just £6 a ticket and all proceeds go to Opendoors.

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And if you cannot make this, how about the “Christmas whodunnit,” Murder on The Polar Express, written and read by the ever-amusing Mr Ian Diddams at The Vaults Micropub, Devizes on Tuesday (18th) at 7pm. It’s free but donations are encouraged on the night, which will go towards Opendoors, so here’s your chance to give a small gift to this great charity. Not forgetting our regular contributor Andy Fawthrop, and local poet Gail Foster, who appeared at our birthday bash, will also be offering some “seasonally inappropriate poetry.”

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To find out more about Devizes Opendoors click here!

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There Never Was a Day When Music Died, Buddy

Ahead of Asa Murphy’s highly anticipated show, “Buddy Holly Lives,” coming to Devizes, I contemplate the fateful day Don McLean claimed “when music died,” and ask, can music really die?

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Asa Murphy as Buddy

Huddled under blankets with Dion, on their way to Mason City Municipal Airport, a twenty-two-year-old Charles Holley gazed through the bus window at the sub-zero February night, he was frustrated. He’d only agreed to do this “Winter Dance” tour because, bitter with his resignation, his ex-manager Norman Petty was withholding royalties; he was broke, and had a baby due.

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The tour had been a disaster from the off, the heater on the tour bus kaput, leaving the musicians freezing. The drummer Carl Bunch already hospitalised from frostbite, Jiles Perry Jr, aka The Big Bopper had influenza which was spreading around the group, and Charles, who was known to the world as Buddy, was also concerned, due to an unofficial date at the Surf Ballroom in Clear Lake, that he had no clean suit for the next performance.

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Surf Ballroom owner Carroll Anderson didn’t care, unwillingly agreeing to charter them a plane to avoid the 365-mile journey through towns they’d already played in, he did so, as cheaply as he could. It is said the young pilot Roger Peterson was both unlicensed to fly at night and unaware of the impending snowstorm.

 
Things must have been looking up for the three assigned seats on the plane; Buddy Holly, Richardson and Ritchie Valens, who’d won his seat with the flip of a coin. There was banter at the airport, Buddy kidding “I hope your ol’ bus freezes up!” was retorted with “well, I hope your ol’ plane crashes,” from bass player Waylon Jennings; a jest which would haunt him for the rest of his life.

The rest is history, Don McLean labelled it “the day that music died.” Yet rock n roll’s future was uncertain in any case. As well as this fatal accident, Elvis had joined the army, Jerry Lee Lewis was disgraced on a UK tour when his wife’s passport revealed her to be aged thirteen, likewise Chuck Berry was serving five years for sex with a fourteen-year-old Apache girl, and, irritated with the industry, Little Richard returned to recording gospel. Although the turn of the decade saw Eddie Cochran’s taxi crash near Chippenham, it proved music certainly hadn’t died; extraordinarily prolific, Buddy Holly left a huge back catalogue which would be post-humorously pressed, inspiring a new generation, especially in the UK.

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Buddy Holly, pictured in Salisbury

 
Buddy Holly and his original band, The Crickets had toured the UK the previous year, 1958; closet gigs to us were the Gaumont Theatre in Salisbury, now the Oden Cinema, and the Colston Hall Bristol. These performances were surprisingly unfilled, rock n roll still in its infancy in Britain. It would be bands enthused by rock n roll who’d take it to new levels. Skiffle group, The Quarrymen made amateur recordings of “That’ll be the Day,” later changing their name to the Beatles, inspired by Buddy’s insect band name.

 
Arguably no Buddy, no Beatles, but here’s a tenacious link; no Buddy, no Devizine! My Mum, caught up in Beatlemania, looked to who they cited as their influence, and became a fan of Buddy three years after his death. She met my Dad at an evening class, jokingly recalling, “I only talked to him because he had Buddy-Holly glasses!”

 
I guess my parent’s love of rock n roll rubbed off on me; this maudlin tale, the circumstance Britain saw a gap in the market, repackaged the genre and sold it back to the USA fascinates me! Yet sixties music had to appear in an advert for jeans to be trendy in the eighties, so I did get laughed at for my T-shirt of the Buddy Holly Story Musical in 1989, but I didn’t care. It was the first time I’d been to a West End show, only enhancing my interest in my parent’s music, despite adopting the contemporary youth cultures and music.

 
Now though, we’ve come full circle; imagine my interest when I heard a popular Buddy Holly tribute show is coming to Devizes in April, with its own sad story behind it. Popular Liverpudlian swing singer Asa Murphy stars as Buddy in “Buddy Holly Lives,” a stage show which sold out the Epstein Theatre in Liverpool. Its very name suggests what I express here, the legend may have, but the music didn’t die.

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Asa at Bootle Town Hall

I’d like to think there never was a day when music died; perhaps a few mortally wounded it, such as the day in January 1984 when Pete Waterman asked Mike Stock and Matt Aitken, to work with him at his production company. But music is surely immortal, you can’t kill music, not even if you chuck Britney Spears at it!

 
Anyway…. I digress; spoke to Asa about the forthcoming show, “is it a play about Buddy, or a concert of his music?” I asked.

 
“It’s a mixture of both, eighteen songs with actors as narrators telling the story of Buddy’s Career,” Asa explained, “and a live Band. It’s an interactive show with the audience dancing at the end!”

 
“Naturally,” I responded, “I’d expect nothing less!” But, has he played as Buddy Holly before?

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“No,” he informed, “first time.” Of which I replied with “oh boy,” then apologised for my pitiable pun. Asa certainly looks and sounds the part, the show receiving astounding reviews in Liverpool.

 
Musician, producer and engineer at The Music Workshop, Peter Lamb has organised this exciting event, in celebration and memory of Bruce Hopkins, who sadly passed in November. Asa worked with Bruce back in June, when despite Bruce fighting an aggressive form of prostate cancer, they staged fundraising concerts at the Bear Hotel, for Prostate Cancer UK.

 
Previously the keen musician, retired businessman, founder of Devizes Fine Kitchens and former chairman of Devizes Football Club staged the Patney Picnic summer event in his family’s garden, and over the years raised about £30,000 for charity. Asa explained the importance of this event, “the show is touring the UK in 2019, I promised Bruce we would bring it to Devizes.”

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Buddy Holly Lives will be at The Corn Exchange on Saturday April 6th, tickets are £20 and will be available from Devizes Books next week. “It’s in celebration of Bruce’s life and charity work,” Asa continued, “plus we will be making a donation to a charity of his family’s choice.” Which sentimentally strengthens our theory that, despite the sorrow of loss, there was never a day when “music died.”

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Don’t be alone in Devizes this Christmas

Hey you, just a quick one from me today; busy as a busy thing being busy. In some way or another I’ve reported on this piece of Christmas magic last year, more elaborately, but it’s worth mentioning again, each time Christmas comes around. For yet another year there is no need to be alone on Christmas Day in Devizes, thanks to Jeannette Von Berg, Pam Sloane, the team at Sheep Street Baptist Church and, not forgetting, the kindness of all who commented on Jeannette’s post on The Devizes Issue, offering donations and assistance.

 
It really is touching and in the spirit of the season that they provide a free three-course Christmas dinner from 1pm Christmas Day, where children are welcome and transport can be provided if required.

 
Maybe, being our little site is all about events, music and so forth, that this message will not reach many of those who need to read it, but nevertheless I’m putting this up so it reaches ones who may know of someone left alone. Please, if you do, pass it on, and let’s have a great Christmas for all. If you, or someone you know would like to go, or if you can offer your time to help in any way, telephone Pam Sloane on (01380) 720186 or 07941 161070.

 

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Nothing Complicated at the Southgate

Two birds, one Sunday afternoon stone. Motivate myself out of hibernation, pre-dinner time, to step over the threshold of The Southgate Inn, something long overdue. Also, the perfect opportunity to catch It’s Complicated, who, after a fundraiser in Easterton Saturday night came to the longboat of love to show us how they do it. And now, after mentioning and mentioning this Devizes based band, I finally confirm, they do it very well indeed.

Self-described as “not your standard covers band,” (otherwise they would’ve named themselves “It’s Easy,”) is nothing but exact, as vocalist and keyboardist Jacqueline Sherlock rings out an inimitable cover of Michael Jackson’s Billie Jean while I’m propping up the bar. I take a sip, this is what they promise, it’s what they delivered, with baubles on.

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It’s Complicated with Dereck Head on sax

This place is not Devizes’ answer to an O2 arena, functionally it’s awkward, spacious it’s not, but working with what they’ve got, The Southgate is immediately hospitable, snug and convivial; I’d have expected nothing less. Reason why musicians and bands are queuing up to July to cram themselves in here falls upon Deborah and Dave’s nonchalant and welcoming attitude. If they’ve created a monster with The Southgate, it’s a knobbly-knees and turned-out toes type monster akin to The Gruffalo, rather than anything Dr Frankenstein may’ve stuck electrodes on.

It’s Sunday afternoon and it’s bustling, what they’ve spared not following the grain and converting the Southgate into the standard ostentatious vulgarity of contemporary neon public houses they’ve savoured on atmosphere and a non-stop musical line-up which celebrates everything positive about the local live music scene I’m so often bashing on about. Where other pubs sporadically host live music, you can guarantee Saturday night at the Southgate, Fridays and Sundays following a close second place. Darn it, if even Wednesday night isn’t a family-like acoustic jam down here.

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Tamsin joins in, with seasonal hats

So, this Sunday it’s the turn of It’s Complicated, a band formed a couple of years ago, detached from function band, Friday Feeling. Like a cat at the front door of your new home upon your arrival, they’ve been rehearsing in the Southgate’s skittle alley prior to the new landlords, where they’ve created a unique approach to an assemblage of fantastic cover songs. With flexibly of styles, and wealth of experience, the experimentation has paid off.

 
Jacqueline sublimely singing Etta James, the band taking a reggae twist to the stark modern Gotye anthem, “Someone that I used to Know,” ongoing ambient rock instrumentals akin to Dire Straits, accompanying Dereck Head through jazzy saxophone splendour, and returning after a break to acutely perform a country tune, I think proves this diversity tenfold.

 

But as well as stamping their mark on the covers, drummer and vocalist Tim Watts, vocalist and keyboardist Jacqueline Sherlock, guitarist Tom Evans and bass player Stephen Barron work on their own original material. Acknowledging the homegrown nature of the gig, they played Imber, the tribute to Imber Blacksmith Albie Nash, who doctors diagnosed “a broken heart,” when he passed away, chained to his anvil after the army forced the residents to leave the village.

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Vince Bell with It’s Complicated

And locally rousing this gig was. In the spirit of the scene, the return from a break guested pre-familiarised Vince Bell, who acoustically sang his chef-d’oeuvre, Ship of Fools, and followed it by a humorous attack on the allure of Devizes, with Tim on Cajon. A few more songs from It’s Complicated and another guest, our heroine Tamsin Quin, joined them for a few of her own tunes from Gypsy Blood, an album of which its launch party called in the help of It’s Complicated to replicate the session band from the studio. Not forgetting her sing-along Jungle Book favourite and seasonal Santa Baby.

Being traditionally bands are often of a similar age, a quick chat with Tim I felt it necessary to inquire if guitarist Tom, was any of the band’s progenies, being an age difference between him and the others. “No,” Tim confirmed there was no family connections, “That’s why we’re complicated.” Had to shrug this off, as it never matters, passion for music doesn’t barrier by age, all that counts are the harmonies and there’s nothing complicated there, it worked, and worked fantastic; what an enjoyable afternoon!

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Putting Some Jeggae into Wiltshire Reggae!

“If reggae was the universe, I swear we’d be living in the CMB Cold Spot, a Great Void between filaments.”

 

For a town of its size, Devizes has a vibrant music scene; you know this, I’ve bashed on about it enough already, and with Devizine we’ve explored the venues and promoters attempting to bring that scene diversity.

 
Mentioning no names, a Facebook post spurred a debate I followed with interest. A few months ago, a west country reggae singer argued reggae has no home in Wiltshire, he just never got bookings here. A promoter promptly replied, not for the want of trying, but in their experience, reggae simply doesn’t sell in Wiltshire.

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Reggae Sunsplash; definitely not Devizes!

Really? I played devil’s advocate, agreeably there’s a point; Wiltshire, largely rural and white middle-class doesn’t offer many reggae events at first glance. But whoa there, whoa; Wiltshire is home to Womad, a festival of world music; starter for ten. We also have, few though it seems, but we do have a scene with acts worth mentioning. I think, if you love a genre and dig deep enough, you’ll be able to find what you seek. I know many people in Wiltshire adore reggae, from dancehall to reggae predecessors, ska and rock steady, myself included. So why does it feel excluded, especially in our market towns?

 
I have no convincing argument for my attraction in Caribbean music, by crude urban definition, I’m not a “whigger,” no ambition to be one, not Rasta, and never been to Jamaica, much as I’d like to. What appeals to me is simply the off-beat, Fats Domino’s missing fourth beat which gives reggae that beguiling jump. Reggae is a musical Borg, resistance to skank is futile!

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Fairly well-known reggae artist Wiltshire folk may know; yet he’s not from Devizes!

Growing up during the Two-Tone period obviously had a big effect, and reggae’s influence felt in other pop genres of my youth, through groups like the Police and Blondie. The Windrush generation blessed our shores with their homegrown music, and even though attractive it was to ongoing youth cultures, mods, punks and skinheads, it was still viewed as a novelty to English kids. It was the signing of Bob Marley and the Wailers by Chris Blackwell of Island Records which exported reggae outwards of Jamaica and spread it across the world.

England may’ve had the head start, but this happening woke America. Today reggae has reached every corner of the globe. If UNESCO’s announcement “the reggae music of Jamaica,” has been added to its list of cultural products considered worthy of recognition, just last month doesn’t convince you, there’s a remote part of The Grand Canyon where a Native American tribe called Havasupai believe Bob Marley to be the fulfilment of a prophecy, a deity and reincarnation of the resistance fighter Crazy Horse. They practically live according to his words, yet here in Devizes, England, its virtually impossible to find a venue with a reggae band booked, stretching to hear UB40 on a flipping jukebox!

 
Fully aware of the slim demographic in Devizes, couldn’t expect to replicate a Dub Club as Swindon does at the Afro-Caribbean Centre or Bath’s at St James Vaults, neither would I attempt a conversation about sleng-teng riddim, or define one drops into rockers and steppers; nothing technical here, just wish there could be a bit more reggae. I’m on a mission! And by the term “reggae” I cover all of its branches from ska and rock steady, through to roots and dub, and contemporary dancehall. A common misconception is to presume reggae as exclusively the roots style of latter-day Bob Marely, when it branches to as many, if not more, subgenres as rock.

 
So, where to start? Gutted to have missed the “scaled down” SN Dubstation at the Southgate last week, I’ve made a small dent in my mission by introducing Deborah, who is keen to host reggae and ska within her blossoming array of regular live music nights, to the one Knati P. We’ve featured Knati on Devizine before, as the fine artist Clifton Powell, so I’m glad to announce he’ll be at the Southgate on Christmas Eve for a sound system reggae party. It’ll hark back to the days when Knati held various reggae nights in venues from Pewsey to Calne, and at The Bell on the Green in Devizes… bomboclat, I’m back on fond memory lane again; it’s an age thing.

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I also fully support the new owners of the Cavalier for having Swindon’s ska-punk band Operation 77 on their reopening night. Here’s to more of that, Those Roughcut Rebels will be down there on 21st December, which although play prodigious retro mod rock such as The Kinks and Who, it’s a step in the right direction. We’ve a bundle of great bands who’ll cover this, such as Cover-Up, and The Day Breakers, which appeases me, still need a little reggae though!

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The Day Breakers

The Devizes Scooter Club successfully combines the scooter cultures of mod and skinhead, bringing us the variety of genres under this banner; retro mod rock, soul, and, of course, boss reggae and ska. They’ve given us some great nights, now parted local ska band The Killertones and Bad Manners tribute, Special Brew, being the highlight within my “reggae” banner, while other successful nights have been soul-based.

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There is ska-aplenty at next July’s Scooter Rally, particularly looking forward to Essex band The Start and South Coast’s Orange Street. It is with great pride Devizes Scooter Club took heed of my suggestions and have booked Swindon bands, The Tribe, with their own unique spin, but especially the traditional rock steady outfit, The Erin Bardwell Collective.

 
Here we go then, I could produce a list of great local bands within our blanket, well worthy of booking, so promoters of market towns, book them and let’s spread our larger town’s and city’s diversity to rural Wiltshire, especially old Devizes, pleeeaaassee; don’t make me beg, it’s not pretty.

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Erin Bardwell Collective

Aforementioned Erin Bardwell Collective, with Sandra Glindon’s smooth rock steady vocals and former Skanxters keyboardist Erin goes as red, for they’re, along with the brilliant SN Dubstation, the backbone of our nearest large town Swindon’s Great Western Reggae. If the Skanxters pushed Swindon’s two-tone scene way into the nineties, and occasionally reunite, covers band, The Skandals are also well worthy of a mention, being they boast Skanxter’s frontman Carl Humphreys and saxophonist Nina Gale. Erin also takes on ambient dub under the duo Subject A, with another Ex-Skanxter, Dean Sartain.

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Still, even in Swindon, their Reggae Garden Festival at Old Gardens was cancelled this year without good reason.

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Continuing on the ska tip though, we will always have Trowbridge and Melksham’s finest Train to Skaville, who since 2011 have built a tasty reputation, cramming pubs throughout the West Country. Along with vocalist Jules Morton’s contribution to charity fundraising, all-girl supergroup The Female of the Species, these guys need a gig in Devizes, and I’ll eat my trilby if it ain’t so.

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All hail the Urban Lions, whose Facebook profile reveal “We are outernational,” they still provide the social network with a page called Wiltshire Music Network, so no use trying to hide it, this great, traditionally roots, dub reggae outfit could well be from our county. perhaps it’s our lack of reggae-cred which leads them to this secrecy? They may well hunt me down for revealing this, but if they come yielding their sublime reggae vibes I’m not about to worry!

 
Those crazy kids, Brother From Another define themselves as funk and soul function band, based in Wiltshire, available for parties, weddings & private events. Yet they’re not adverse to practise some reggae, and when they craftily and harmlessly “ignored do not enter signs and climbed on top of Silbury Hill to play…” the Gazette and Herald gladly defined them as “reggae.” For fuddy-duddies who’ll view this as promotional stunt as unacceptable, it’s another nail in the coffin for reggae’s acceptability around these parts; well done to the Tory rag for this. Yet Brother From Another makes a great booking, akin to Devizes All Funked Up, expect funky soul over reggae; great, yeah, love a bit of that in my eclectic tastes, still not reggae though, dread.

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Naturally, those prepared to travel over the borderline, Bristol will provide you with reggae in abundance, from the Strictly Rockers retro fashion of Ya Freshness and the Big Boss Band to The Bristol Reggae Orchestra, a collective of 25 local musicians, drawing musical influences from reggae, ska, jazz and classical music. Those liberal Fromans also have it good, The Cheese & Grain hosting many a varied night, bought us Toots & The Maytals about as close to Wiltshire as you’re going to get. The other direction sees Oxfordshire’s 2Tone All Ska’s doing the two-tone cover scene. Still, as good as these elements are, reggae’s ley-lines across Wiltshire are still, more than a tad, void.

 
There is, surprisingly, a Facebook group called Reggae Wiltshire, albeit it only has 192 members. Perhaps, if you love reggae you can join this group, and liven’ up itself. It offers some great links to reggae tunes and facts, but lacks, unsurprisingly, in event details. Admin, Maurice Menghini does DJ current RnB with the reggae twist, and has hosted nights at The Exchange, but through no fault of its own, it defines my argument that Wiltshire doesn’t have enough reggae, and no, I’m not moving to Kingston before you reply with your sarcastic comment; I love Devizes for its aforementioned vibrant music scene, just wish someone would take heed of this article and show some One Love sunshine music to our dreary downs!

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Say no to Maria Carey this Christmas; and other festive songs which need to be banned!

 

Now science has proved every man is a rapist, and that any man so much as accidentally sneezing on a woman constitutes sexual harassment, I’m glad to read delicate philanthropists have found time between solving all the disturbing issues in the world to call for a ban on the Christmas song “It’s Cold Outside.”

 

We’ve all known the concept of the song advocates rape for some time, as, if the female character really wanted to be in the man’s apartment and sex was consented, she’d be enraged and screaming, “get off of me, you crazy bastard,” or words to that effect. Being no such words of distress or fear are uttered by the female character in the song is neither here nor there; liberal extremists, who taint everyday liberal’s name, have seen this as thoughtcrime and a thoughtcrime it clearly is.

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Jesus; “be more sensitive to the increasingly diverse population at schools.”

The assumption she is somewhat nervous, has slim doubts about her 1940’s reputation, (something lost in today’s world) and the man is attempting to comfort her with terribly unconvincing excuses is pathetic and far from intended humorous prose. The implication he has topped her drink with a tipple of extra whiskey, as in a rather outdated joke, is plainly false. He has, in fact, slipped some Rohypnol into her glass and is about to brutally assault her, once the drug kicks in; that much is obvious.

 

 

So, in the manner of this shocking enlightenment, I thought I’d dive deeper into some other classic Christmas songs to see if there’s anything swaying far from political correctness in those too, and I think you’ll be surprised by the result. There is a world of filth, crime and insurgency projected in these songs and I, for one, will not stand idly by waiting for something appalling to occur as a result.

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Not as pure as the driven snow; this snowman received 12 hail Marys for confessing to the filth in his mind after meeting the Cheeky Girls

While some damaging associations are obvious; the Pouges and Kirsty McCoy’s Fairy-tale of New York referencing anal sex taken as red, (“Happy Christmas your arse, I pray God it’s our last,”) some are harder to spot but read between the lines and you will be shocked by the real meanings lurking behind a charade of Christmas cheer, perpetrated by disgusting, heathen musicians.

“Christmas time, Mistletoe and wine, Children singing Christian rhyme.” What does this suggest, for example? Mistletoe traditionally used for obtaining a kiss, a kiss being a precursor to sex, and Cliff starts bashing on about children. This has obvious connotations of child sexual abuse and needs to be banned straight away.

Take Mariah Carey singing “all I want for Christmas is you.” No matter how often she pesters me, I’m not going to cave into her demands and I don’t think you should either. People are not possessions, you can ask Santa for a Scalextric, a new bike, or even a Tamagotchi, but you shouldn’t ask for a person. What kind of message does this teach our children? It’s simple, Mariah is condoning human trafficking and therefore this song should also be banned.

In a world where children are inspired by all of the reindeers in Father Christmas’s fleet, Rudolph the Red Nosed Reindeer is not projecting a constructive sentiment, in fact it’s pure prejudice. Laughing and name-calling at others misfortunes is not how we’d favour to raise our children, so why accept this song?

Santa Claus is Coming to Town, deliberately labels children and sections them off unfairly. Not forgoing rural kids who don’t live in towns being exempt from Santa’s visit, it proceeds to suggest Santa has a list of who has been “naughty or nice.” How anyone could presume the role of judge and jury, without taking on board the child’s social and economic background, the influence of their peers and issues arising from the autistic spectrum is quite honestly beyond me. This song is simply derogatory and borderline fatal to a child’s welfare.

Dreams are based on events in real life, a confused amalgamation of thoughts and happenings throughout your day. Being there’s no one alive who recalls it ever snowing on Christmas day, Bing Crosby must’ve been referencing some other meaning of a White Christmas and it’s highly likely, given the notorious celebrity misuse of drugs that ol’ Bing was advocating the use of cocaine in his timeless Christmas classic.

Seems innocent Aled Jones isn’t so innocent either. Who has ever heard anyone else claim they’re “walking in the air,” who blatantly hasn’t been sniffing some illegal substance? Seems Aled’s been at Bing’s nosebag.

“Have Yourself A Merry Little Christmas, Make the Yuletide gay…..” you see, here is everything wrong about Christmas songs, and quite often it’s these peculiar, liberal sexual practises which offends my delicate right-wing agenda. Chestnuts roasting on an open fire is a well-known ethanium for a sadomasochist fetishism, obviously. The Ronnette’s Sleigh Ride is blatantly a lesbian sexual position, and Noddy Holder thinks it’s perfectly acceptable to yell “it’s Christmas,” when antisocial behaviour such as shouting is unquestionably negative.

 

So come all ye faithful, placing a ban on these songs is overdue and needs to be addressed by our government straight away, in my opinion. Many other Christmas hits should’ve been analysed closer at the time, as nearly all have these derogatory or damaging connotations and require immediate sanctioning, except Shakin’ Stevens’ “Merry Christmas Everyone,” of which in its content I can find nothing of an offensive nature, yet still feel it should be banned anyway, because it’s shite.

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Christmas stocking of shite; shake off elsewhere, bloody weirdo 

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LIONS CLUB OF DEVIZES – SANTA ON TOUR 2018

SANTA’S SLEIGH ROUTES: Here is the latest, updated list of dates and routes of LIONS CLUB OF DEVIZES – SANTA ON TOUR 2018; Look out for him around your way!

 
Saturday 1st December Salisbury St (Avon Road end), Mayenne Place, Dundas Close, Caen Hill Gardens, Avon Road, Park View.

 
Monday 3rd December Bellevue Road, Waiblingen Way, Avon Terrace, Rotherstone Commercial Road, Victoria Road.

 
Tuesday 4th December Marlborough Close, Wellington Drive, Ernle Drive, Gandy Way, Nash Meadow, Corn Croft Lane, Leigh Wood Lane and cul-de-sacs off, Ferozeshah Road and cul-de-sacs off.

 
Wednesday 5th December Horton Av, Davies Drive & all cul de sacs, Anzio Road and all cul de sacs, Naughton Av, Marina Close, Wyvern Cl, Hopgood Cl, Waterside Park, Canal Way, Cygnet Close, Kingfisher Drive, Hillier Road cul-de-sacs.

 
Thursday 6th December Quakers Road, Keepers Road, Palmer Road, Coopers Road, Golden Road, Roundway Park, Parkfield, Flaxmill Park, Moonrakers.

 
Friday 7th December Coombe Walk, White Horse Way, Harebell Way & cul-de-sacs off, Torino Close, Proudman Road, Matilda Way, Maud Close & Charter Close.

 
Saturday 8th December Stockwell Road, Brickham Road, Spitalcroft Road, Meadow Drive, Dowse Road, Wadworth Road.

 
Monday 10th December Kemp Close, Elizabeth Drive and cul-de-sacs, Oamaru Way and all roads off, The Patchway and cul-de-sacs off.

 
Tuesday 11thth December Wick Lane, Wickfield, Orchard Close, Tintern Road, Downlands Road, Woodland Way, Fruitfields Close.

 
Wednesday 12th December Longcroft Avenue, Brickley Lane (Meadow Drive to Eastleigh Road), Eastleigh Road , Pines Road, Forty Acres Road, Kingsley Road & Gardens, Roseland Avenue, Longcroft Road, Bricksteed Avenue.

 
Thursday 13th December Hillworth Road, West View Cres, John Rennie Close, Adlam Close, Pinetum Close, The Moorlands, Cornwall Cresc, Hartmoor Road to Queens Road, Queens Road.

 
Friday 14th December Pans Lane, Sarum Drive, Festival Close, Walden Lodge Close, Green Lane, Greenfield Road, Lawrence Close, Addington Close, Mill Close and Kempsfield.

 
Saturday 15th December Lidl supermarket.

 
Monday 17th December Marshall Road, Reeves Road, Ferguson Road, Byron Road and cul de sacs off, Thomas Wyatt Road & cul de sacs, Awdrey Road, Eyles Road, Newman Road.

 
Tuesday 18th December Chivers Road and all roads off, Alan Cobham Road and all roads off, Teasel Close.

 
Wednesday 19th December Brickley Lane from Eastleigh Road, Cromwell Road, Waylands, Shackleton Road, Elm Tree Close, Elm Tree Gardens, Nursteed Close, Gables Close, Caird Lawns, Nursteed Park, Eastleigh Road from Nursteed Road to Eastleigh Close.

 
Thursday 20th December ( Brittox during daytime) The Breach, Broadleas Crescent, Broadleas Close, Broadleas Park, Broadleas Road.

 
Saturday 22nd December Morrisons

Oh bugger, it’s December, again. Here’s what’s happening over the Yule…

Oh bugger, it’s December, again. Tis the season to be…. yeah, yeah, not yet eh? I’m just not feeling all tinselly at the moment, you? I’ll try, really, I will…… After Devizes had a great light switch on last night, I suppose I should get things rolling; here’s some stocking fillers for your diary, yet only a selection of what’s to be doing this month. Check Devizine regularly for updates, as and when they come in, unless you wanna be left in the dark, on your lonesome, crying into your eggnog. Oh yeah, local New Year’s Eve events are listed here, so plan your diary with us!

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So, trigger-happy fingers resting on the house lights, waiting to outdo the neighbour? Ready to slain other shoppers for a Fingerlings Dino? If your feeling festive already, on Saturday 1st: It’s Melksham’s turn to switch on their lights, and after I’d recommend you go see Big Mama and her Banned at the Pilot.

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It’s Free Entry for a Wiltshire Air Ambulance fundraiser at the Cross Keys, Rowde with Cover-Up, the new name for great local band, Eazilyled. Or if you fancy a reggae intro to the season, a pared down version of Swindon’s finest, SN Dubstation, Little & Large are at The Southgate, Devizes. There’s Chicken Teddys at The Crown Devizes, who’d I’d have thought could’ve changed their name to Turkey Teddys just for this month, you know, might motivate me into the spirit of things!

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Lucky for Calne, they got George Wilding at the London Road Inn, or I’d admit the Aldbourne Oompah Loompahz Band at The Blue Boar sounds fun and Christmassy. Trowbridge have a great line-up at the Pump, in aid of Dorothy House with the Stonegallows, Steam Shed and Bryony McGinty.

 

SANTA’S SLEIGH ROUTES: Here is the latest, updated list of dates and routes of LIONS CLUB OF DEVIZES – SANTA ON TOUR 2018; Look out for him around your way!

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Daytime Sunday the 2nd sees a Santa Fun Run in aid of Wiltshire Air Ambulance at Lydiard Park, and a Country Music Showcase at H2O Swindon, with Rick Jordan, Will Brown, Jamie R Hawkins, Josh Beddis & Mike McCoy.

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Closer to home, why not pop in to the Ann Swan Studios in Rowde? The astounding botanical artist has a Christmas Shopping Day. Continuing on the art theme, the wonderful landscape artist Bryony Cox starts her exhibit at the Vaults in Devizes. It runs until 16th.

 
Wed 5th – 7th West Lavington Village Hall have Wreath Making workshops. The Bootleg Beatles are at Bath Forum, but if staying in Devizes it’s got to be the regular Acoustic Jam Night at The Southgate.

 

Thurs 6th: A real UK comedy circuit favourite for over 20 years, Pierre Hollins is headlining the Moonrakers Comedy Club at The Cellar Bar, Devizes. He’s supported the likes of Lenny Henry and Rory Bremner. Dripping with sarcasm and dry wit, Andy Gleeks from Northern Ireland by way of Buckinghamshire, supports and Ed Parnell is the master of ceremonies. Tickets £10 from: The Bear Hotel, Devizes Books, The British Lion, The Southgate Inn, The Vaults, and on-line at We Got Tickets.

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Meanwhile, after 39 years and still counting, The Blues Band take the Melksham Assembly Hall.

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Friday 7th: Both Southbroom St James Academy and Nursteed School have their Christmas Fayres. It’s the Wharf Theatre’s opening night of the amusing-sounding pantomime whodunnit, Kidnap in Pantoland, which runs till 15th December.

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Great local band, Nightlights play the Southgate, while a Kasabian Tribute, Kazabian play the Melksham Assembly Hall. But yes, they’ve topped it at Neeld in Chippenham, where Dreadzone will be live, unless you fancy some Bad Manners, who are at Salisbury City Hall. For a cheaper night though, I’d recommend The Three Horseshoes at Bradford On Avon, who have those outrageous Boothill All-Stars.

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On Saturday 8th Easterton raise funds for their Village Hall with a “Christmas Mingle & Jingle,” with It’s Complicated and Kirsty Clinch. The Worton & Marston Village Hall have a Christmas Bazaar (more info call: 726 658,) and it’s The Finlay Foundation’s Christmas Craft & Gift Fair at Corn Exchange, Devizes.

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Now, musically, spoiled for choice in Vizes: The Southgate Inn have Liz ‘n’ Stix, while The Black Swan has Fraser Tilley and Vince Bell. That said, it’s Sheer Music’s Sensational return to Devizes at The Cellar Bar, with Sam Russo and Jamie R Hawkins.

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If you thought he’d be busy, you’re mistaken; there will be a visit from Father Christmas at The Bear Hotel on Sunday 9th. Breakfast or afternoon tea with ol’ Santa, with festive activities, delicious food, story time and a gift, all for £17.50. Booking is essential.

 
It’s Complicated again, this time down The Southgate, or The Ultimate Garth Brooks Experience at Devizes Ameripolitan Music Club. Melksham Assembly Hall go “Through the Decades” with Buddy Holly & Roy Orbison. And an Open Jam Session at The Jenny Wren, Calne polishes the weekend off.

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Wednesday 12th Sheer Music Presents Undead Raisins at the Vic, Swindon. But you can always rely on The Southgate if stuck in Devizes, for another acoustic jam night.

 
The Vaults have a Devizes Festive Food Night on Thurs 13th. £20 will get you a Christmas share platter to start; Devil on horseback, Pigs in blanket, Leek and stilton tartlet with walnuts. Roulade of Parma ham with roasted red peppers on Bruschetta, Orange and spice chicken skewers. Main meal is venison and berries, cooked with Stealth Brew Co beer, of course Malcom, of course. Served with dumplings, creamed dauphinois potatoes and winter veg. with a selection of hearty bread, vegetarian and vegan options available, price including a pint of cask beer, a small glass of wine, gin & tonic, or soft drink, and mincemeat tart served with Chantilly cream for pudding at a snippet of £2.00.

 

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Unusually quiet on Friday’s in Devizes, yet the 14th we hear Sound Affects will be at The Lamb, and the Roughcut Rebels at the Southgate. Up the 80s Christmas Party at Melksham Assembly Hall, 2 Tone All-Ska’s at Level III and a Swindon Dub Club Christmas special at the Afro Caribbean Centre. Dreamwave @ 3 Horseshoes, Bradford on Avon, Big Mama’s Banned Live @ Hare & Hounds Corsham.

 
Saturday 15th, ooh, he’s making his list, checking it twice. Father Christmas will be at The Market Lavington Village Hall, as from 10:30 – 11:30 there’s a Christmas Crafts party for children. £6 per child, in aid of Muscular Dystrophy UK.

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Panto alert, it’s behind you: The Shoebox Theatre, Swindon, start production of The Elves and the Shoemaker, which runs until 23rd. Meanwhile, the Invitation Theatre Company have an Annual Christmas Concert at St Johns Church, Devizes. The Downtown Daddyo’s rock the Melksham Rock ‘n’ Roll Club, Scratchy Black Cat are at The Southgate Inn.

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The Blunders are 3 Horseshoes, Bradford on Avon. There’s comedy with Gary Delaney’s Gagster’s Paradise at the Neeld, Chippenham.

 
Sun 16th: The Day Breakers play the Southgate, Cantaloop play 3 Horseshoes, Bradford on Avon, and it’s the last ever gig, apparently, for 2 Sick Monkeys at Level III Swindon.

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Tuesday 18th: be at The Vaults, Devizes, where Ian Diddams reads his Christmas whodunnit, Murder on The Polar Express. With Devizine guest writers, Andy Fawthrop and Gail Foster offering seasonally inappropriate poetry. Donations on the night which will go towards Devizes Opendoors.

 

 
Wednesday 19th: White Horse Opera’s Christmas Concert in St John’s Church, will be an evening of stunning music in a gorgeous setting, with Mulled wine, mince pies and a chance to sing along to your favourite carols. Tickets from Devizes Books or http://www.ticketsource.co.uk/whitehorseopera

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Thursday 20th and Friday 21st is Melksham Assembly Hall’s Christmas Pantomime, Cinderella, by Daisy Chain Productions. 2:30pm and 7:30pm. Child £5, Adult £10, Family Ticket (Admits 4) £25. Available from Melksham Assembly Hall (01225 709887), Melksham TIC or online.

 

 
Saturday 22nd is Yule ~ Fire Dragon Ceremony around the stones of Avebury. The Long Street Blues Club, Devizes Remember Joe Cocker, the Rockin’ Bandits are at The Southgate and People Like Us are “getting ready for Xmas” at The Three Crowns. But whoa there, Mike Barham’s DEVMAS! is at The Cellar Bar, FREE Entry, featuring: The Compact Pussycat, Sunset Service, The Real Cheesmakers, and Nerve Endings. All for Julia’s House.

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On Sunday 23rd there’s Devizes Family Club’s Children’s Christmas Disco at The Devizes Cons Club, in association with Vinyl Realm. 7:30-9:30, £3 in aid of the Devizes Opportunity Centre. Helena at The Southgate.

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Christmas Eve is a Monday then? Who knew? Kept that one quiet, didn’t you? Typical.

 

 
Keep the kids active, there’s a football fun day for ages 5-16 years with Inclusion Coaching. 10-2pm at Green Lane Playing Fields Devizes: exclusive MATCH ATTAX Football Festival! A present for all! Nonstop football! Just £18!

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If you’re exhausted just thinking about that, adults could wander down the Southgate, where rumour has it, there’ll be some reggae, compliments of mi bredrin, Knatti P.
Then, well, Santa comes, if you’ve been good; make your own entertainment, all is quiet, save for the sound of scrabble tiles and Grandad snoring on the sofa still wearing his cracker hat. Then another big riot, with Mick Jogger and the Stones Experience at Market Lavington Music & Comedy Club on Friday 28th.

 

 
Saturday 29th, when you can still taste the cold turkey sandwiches, Larkin have their EP launch party; not to be missed Larkin fans, you’ll get a copy of the EP to take home with you, all for £3. More details here, when we reviewed the EP.

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I’ve also got Carpet, plus The Hound on the Mountain listed at The Southgate, Devizes; they never stop providing great music, do they?! I expect they’ve got a new year line-up too? Oh yes, indeedy.

 

 

So, we’ve finally got here: NEW YEARS EVE 2018/19!!

 
Yes so, they’ve a party, with Jamie Hawkins & Phil Cooper: NYE 2018 at The Southgate, while Larkin are at The Moonrakers and Sugar Motown is at The Three Crowns. There’s New Year’s Eve at Bromham Social Centre, with Forklift Truck and a disco. But, but, but, Craig Charles Funk and Soul NYE is happening again at Meca, in Swindon, get tickets like yesterday for that one. Staying in town though, the Devizes Scooter Club New Year’s Eve Party is going to be a blinder, with DJ Des, covering music from 1960’s to present Day, Tickets £12 from the Cons Club or the scooter club.

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That’s that which is that then, 2018 at its very end, bring on 2019. If I missed your event out, that is, and I’ve said this before, but no one listens, you didn’t tell me about it! I will update this later in the month, so ping those events at me, it’s okay, I probably won’t come and spoil it for you, don’t worry! But if you don’t tell me, don’t moan at me that I missed it. You’d be surprised by the amount of times this actually happens; bar humbug!

 

Also, I can’t be adding links to all these events on one article, what do you think I ain’t got something else to be doing? You can find more info on the all, on our Calendar, so go there, with bells on.

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DevMas Coming to Devizes!

As festive season reaches fever pitch on Saturday 22nd December, The Cellar Bar @ The Bear Hotel in Devizes will host a Christmas bash like no other. Four bands, terrible compulsory jumpers, and more festivity than you can shake an elf at.

 
the quadruple of bands, The Compact Pussycat, Nerve Endings, Sunset Service and The Real Cheesemakers will entertain you from 7pm, and donations will be taken for Julia’s House Hospice as an Xmas gift from Wiltshire’s music scene.

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Cellar Bar, with added fairy-lights!

DevMas (a brand-new term combined from the ancient Wiltshire slang “Devvie Town” and…. well, Christmas, of course…) will take-over The Cellar Bar beneath Devizes’ iconic Bear Hotel on the final Saturday before Christmas, giving weary shoppers and the hardcore party seekers that final chance to get themselves their exciting musical fix before being buried in wrapping paper and left-over vegetables!

 
Co-organiser, who we know very well, Mr Mike Barham, vocalist and guitarist in Devizes rock group Nerve Endings, explained the inception of the one-off event as “initially just a group of friends wanting to put on a Christmas show, but it became much more than that! Our group had their debut at The Southgate during October and weren’t planning on doing any more shows this year, rather focus on recording and writing to get things rolling properly.”

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Nerve Endings at the Southgate

“Then we decided it was so close to Christmas, and Wiltshire has such a ridiculous variety and scope to its music scene, that we wanted to celebrate that and the people who make it possible with their support and generosity. So, the best way we could think of to say thank you was with a free entry show on the last Saturday before the big festive day!”

 
“It’s an opportunity for everyone that supports those first musical steps, share our stories and passion with others, to be in one place and share the festive spirit whilst being bombarded by new material from four bands who all bring their own unique flavour to the Christmas table!”

 
“Also, it’s a chance to celebrate The Cellar Bar, which has long stood as one of our stand-out venues in Devizes. So many incredible acts have graced this venue, and it remains almost like a bastion of musical endeavour. It’s charming, intimate and a great spot to grow talent in this little town, so to me it was the ideal place to have this event.”

 
“AND it means we can give back to the community by raising money for Julia’s House, who do incredible work at their new Devizes hospice site. Aside from the religious connections, Christmas should be about embracing those around you, whether that’s in the community or those in need, so we are trying to do both. It may just be a gesture, but if we can raise a smile on kids face at Julia’s House over Christmas, it’s worth all the battering of ear drums and tired limbs of our acts!”

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Luke Bartels

Luke Bartels, who operates the Cellar Bar on behalf of Wadworth Brewery, said: “Using the Cellar Bar to its full potential is a dream of mine. When my family was asked to take on the Bear Hotel, we came to look at the space and immediately I knew it had potential.”

 
“It’s like The Cavern or some of the other iconic small venues round the country, and having a showcase of the local talent on show here for Christmas is the best way to give back and let everyone know the space is here to be used and harbour all the developing talent in the area. It’s a cradle of life for music!”

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Julia’s House is an award-winning children’s hospice in Dorset and Wiltshire, dedicated to bringing comfort and care to families across the two counties. Each family they support is unique and so is the care they provide. When a family finds out that their child has a very serious medical condition, which is life-limiting or life-threatening, their world falls apart. Julia’s House exists to help these children and their families, with practical and emotional support, tailoring their care to the needs of each individual child and their family.

 
The new respite centre in Devizes has been warmly received by the local community, and DevMas hopes to add to that local support from the musical community that is so prevalent in the small Wiltshire town.

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Alex Gowans of The Compact Pussycat

So, the bands: The Compact Pussycat, who have taken the Wiltshire scene by storm since their debut earlier in 2018, and expanded like a funky, fuzzy rash across the South West within a few months. Now rocking as a tight, dancy three piece these dashing young men will be firing out brand new tracks guaranteed to have you tapping your feet (other involuntary body motions are available) throughout the evening.

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Jack Moore of The Compact Pussycat, at Vinyl Realm

The Real Cheesemakers almost need no introduction in certain circles, their hilarious yet pulsating tunes have seen them team up with legendary Chap-Hop star Professor Elemental and build an avid local following of cheesy fans. The self-proclaimed, “purveyors of the finest nonsense and Wallop of Cods in a musical format,” these fine fellows will deliver tales of epic squid vs whale battles, plastic free living and the odd reference to dairy products that rhyme with “tea”. These chaps bring the mirth factor to DevMas Day.

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The Real Cheesemakers

Sunset Service are a cut above your average alt-country rock band, in fact they are one of the finest groups in their field. The five-piece from across the south west have been churning out their charming yet chunky sound across the area and are now coming home for Christmas (take that Chris Rea!) Amidst the other chaotic and comedic elements of the other groups on the bill, Sunset Service may actually be the most mature and refined act of the night!

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Sunset Service

Nerve Endings are a three-piece rock outfit from Devizes, newly formed and hurled into the crucible of live performance in early October to thunderous reception. Drawing influences from Biffy Clyro, Rage Against the Machine, Father John Misty and many other diverse sources, these three-combine swaying, anthemic sections with all out aural warfare to hammer home their sound.

 
Yet if you’ve been reading Devizine biblically, which I know you do, you’d have heard of all these great acts already and have to agree prior to basting the turkey, it’s something pretty cool to be doing during yule. You don’t even have to write it on your list to Santa, because entry to this gig is FREE!

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Adding some Colour in The Sky to an otherwise bleak day, with Jon Amor…

I’ll come clean, resisting the urge to write a piece for Devizine for the past few days, being toothache is depressing me and fear if I do start writing I’m going to take my stress out on the subject. Had some awesome new music to review recently from our local heroes, been so positive, because it’s been thoroughly deserved. Much as I’d like to break that chain, yearn to be overly critical and lambast some poor soul for little reason, I unwittingly refrained. If you’ve nothing nice to say Worrow; no sorry, doesn’t wash with me.

 
Then, Devizes numero uno and worldwide blues legend, Jon Amor, only goes and pings over the highly anticipated album, Colour in the Sky. Released digitally tomorrow (28th Nov) on his website, and he hopes on iTunes, Jon signs off his message: “good luck at the dentist!” Grrr, I’m gonna listen to this right now! Oh…. why can’t teeth be more like Mr Amor; there’s zilch to be critical about here, and certainly no pain inflicted?

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From blast off, Colour in the Sky confirms what all local musicians state; he’s Captain Numero Uno alright. Though opening tune, Faith Reborn is a rocket, it’s quite what I expected, definitive frenetic electric blues. However, the missile proceeds into something else, something which scales Mount Marvellous and shoots high into the orangey glow of tremendous troposphere, and the pain killers haven’t even kicked in yet.

 
Diversity ensues, while Elephant slides equably into the room, up-tempo Illuminous Girl reminds me of the catchy, amusing teaser we had of this album last month, with Elvis-Costello-fashioned, Red Telephone, which, chronologically, you’ll wait until closer to the end for, but this is funkier, even more potent.

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The rocket blasts over Andalusia, with a flamenco, Latino track, reminiscent of Santana at his coolest, across the Southern States with rolling rhythm and blues, to New Orleans, with a smooth, big band jazz number to make Nina Simone blush, and crash-lands up my path, banging on my front door. I’m left gobsmacked by track seven, only halfway through this twelve-track musical marathon, darn it’s uplifting; toothache, what toothache?

 
When The Weather Turns Cold, (as it has) has a stirring country riff, February Tree mellows agreeably, aforementioned Red Telephone is quirky pop-rock, Scandinavia stalwarts fans, and the finale Sentiels is lovably sentimental, concluding my pondering; even the toughest-to-please Jon Amor fan will be blown off their feet with Colour in the Sky.

So, short of time, as it’s released tomorrow, I’ve taken a long scan over this album, and it’s expectedly a keeper. Some months ago I was standing outside the Devizes Sports Club my first unofficial meeting with Jon, when he supported Beaux Gris Gris & The Apocalypse, he promised me a preview of this and I’ve admit I’ve hyped it up in my mind since; it does not disappoint.

 
I just hope the dentist tomorrow is equally professional, but I doubt it.

 

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The Sound Affects of Escapism, Everyday

No online Dropbox with Sound Affects, aptly titled Everyday Escapism was manually dropped through my letterbox last week and I’ve listened to it daily since.

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The musky aroma of a wood burner. It’s aimlessly staring through the window of a gypsy caravan on a drizzling spring morning music, clasping a warm cup of tea in a chipped mug. Could be your mind is slightly hazed from a blinding night down the boozer, as you ponder raindrops trickling down the pane. Maybe the lively Day Breakers played, brazenly blasting their celebrated covers; you were in the midst of it all, dancing, but now, well, it’s taken its toll. Who’d thought you’d still be listening to two members of the band, Iggy Gould and Catherine York, on this fragile morning after?

 
It’s a glass of red wine on an oak coffee table music; an evening with a newfound love, cuddling closely. For while you take caution choosing acoustic music for such a date, being there’s often a negative atmosphere about such tunes, and the last thing you want to project is the singer’s depressive besought about being dumped, or how terrible the world may seem to them. Allow me to suggest a CD from Sound Affects to suit the mood; Everyday Escapism.

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No online Dropbox here, aptly titled Everyday Escapism was manually dropped through my letterbox last week and I’ve listened to it daily since; it’s trundling along in a milk-float music, in the wee hours of a cool November morning too, it seems.

 
Nick Drake could do this, no, not deliver milk, create positive acoustic sounds I mean, Cat Stevens and George Harrison in lighter temperaments too. And if neck hairs stand on end when Elbow throw those curtains wide, the sensation rises in Everyday Escapism, not in one gloriously memorable chorus, but as a consistent flow throughout the entire eleven original tunes.

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Iggy brings Guitar and banjo to the show, Cath predominantly violin and viola, with flute and ukulele also, together breathing authenticity into these Irish folk influenced tunes of mellowness; soothing but not lax, nor mushy. The writing is above adequate, nothing here to riddle a fragile mind, yet sublime enough to inspire and move you. It’s clear Iggy and Cath have poured heart and soul into this, and it shows. It’s the duo’s second album, Retrospective arriving in 2017, and Everyday Escapism is this year’s offering. There’s links to download from iTunes on the site, hard copies can be obtained at their live performances.

 
Iggy and Cath show their flexibility here, while able to entertain an energetic crowd, here’s something personnel and reassuringly tranquil. A wonderful, ain’t-no-mountain-high-enough track, Million Miles kicks off the set, an ambient acoustic melody with the added emotion of Cath’s violin and occasion distant vocals blesses your ears and lets you know how the album is going to go down.

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Yet there’s no single tune I could pick out as a favourite, as it flows so nicely, it doesn’t distract from the ethos, doesn’t attempt to cram diverse styles, chuck experimental effects or borrow a repetitive sample, yet it never bores, rather leaves you yearning for more. Even tunes which may seem bleak by their very title, like Say Goodbye or Nothing Left to Lose, have uplifting perspectives to them, and nothing here is going to dampen your spirits, and I like that in an acoustic album.

 
Of course, Nick Drake might’ve made a good milkman, who’s to say.

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Penny Lane, Wootton Bassett

Did you know Wiltshire boasts the UK’s only female Beatles tribute? Couldn’t let this be, so had a chat with manager Roger, so far failed to hold the ladies’ hands though!

 

Royal Wootton Bassett musician, Roger Mepstead promotes tribute acts. In the past we’ve mentioned Olya & The Bond Girls, and we love Sophia Bovell as Sugar Motown, also on the books are the Abbaholics, Dire Straits tribute The Sultans of Swing and a Carpenters one too. But I’m here to mention to The Beatelles, an all-female Beatles tribute act, because it certainly defines Roger’s ethos of creating tributes with a difference and here’s a quirky group of ladies having a whole lot of fun.

 
“They love every minute of it,” Roger confirmed, “strange thing is that they sing them all in the original key of each song.”

 
“Surely that’s not “strange;” that’s a good thing?!” I responded.

 
Roger chuckled, “I meant the Beatles sang rather high!”

The Facebook page for Beatelles boasts they’re the only female Beatles tribute in the UK; story checks out with some Google action, despite others elsewhere. “there’s one in Belgium and one in New York,” Roger clarified, though they hardly look old enough to have witness Beatlemania first hand. I wonder if the Beatelles did, but I’m too much of a gent to ask a lady’s age!

 
Jane, Carolyn, Trudie, Linda and Sara cover the Beatles catalogue over the era’s changes with sass, comical charm, but talented precision too. “Between two sets,” Roger explained, “we’ve split the songs between performance songs, first half, and studio songs second half. If you remember, they stopped performing because they couldn’t hear themselves play; screaming girls, etc.” Blinking cheek I reckon, sorry but I don’t remember, but my mum would; she was one of the screaming girls!

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As our debate for the worth of the tribute act continues, I reckon adding twists (and shouts…sorry!) like this are idiosyncratic, and fun; I love, love them do! You can catch the girls at the Phoenix Bar in Wotton Bassett on the 30th November.

 

The Beatelles website

 

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Soul Sucker

I am a bit, yeah, but I’m talking more about the debut EP from George’s band, Wilding…

 

Images by Nick Padmore

 

It was all going swimmingly in the wee hours of this morning, until I backed the milk float into a ditch. Wedged firmly in the bracken which now resembled a milk bottle tree, wheel-spinning, I sat slanted at the helm like a scene from the sixties Batman series with my head in my hands, soul in the dark; what a sucker.

 
Prior I was bobbing along, minding my own and all was fine and dandy. To add to my general satisfaction I’d Soul Sucker, the debut EP from George Wilding’s band Wilding ringing proficient vibes through my headphones and blessing my ears with its unique and curious composition.

 
Out today, I confirm it’s a foursome of awesome you’d expect from Mr Wilding, yet perhaps too fresh in my mind to make an exhaustive analysis; but here’s my best attempt; better, one hopes, then my reversing skills today.

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Everything about it detonates with George Wilding; his exclusive angle and unusual enchanting bearing, yet rings competent backing and expertise meticulousness the like we’ve been building to with Lunatic and Being Ragdolian. With a rearward melody at the introduction, Mouth Wide Open instigated pondering of post-punk, Siouxsie and the Banshees, but with a smoothed contemporary Velvet Underground developing and moving into a riff distinctly Stereophonics in fashion, with its everyday references to smoking at the bus stop, yet always, unquestionably, George Wilding.

 
The Other Side of Fence, dramatically and wittily lounges through like that Lazy, Lazy River with drunken swagger. Like Jim Morrison sliding over to the next Whiskey Bar, or finger-snappy, easy listening curve of Paul’s When I’m Sixty-Four while surrounded in Sgt Pepper’s psychedelic twirls and soundscapes, it’s equally refreshing and boldly different; blinkin’ marvellous.

 

Though maybe less experimental and free flowing then it’s previous neighbouring tracks, Slip Away is archetypical Wilding on form, current but nodding at nostalgia with the potential to plod into becoming a sozzled man-bonding, swaying-in-the-pub type anthem.

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A delicate acoustic guitar riff, under ambient soundscape introduces the mellowed finale, Dirty Dream Balloon polishes this EP with a dreamy porcelain-doll-ballad, and, as is the rest, an experience beyond confines of “local music,” and into its own autonomous realm; in a word; it’s gorgeous.

 
It’s if Lou Reed could hold a note, its if psychedelia met Britpop, it’s a crumbly Flake chocolate bar spreading across your beatnik mum’s Meerabai sofa throw, no matter how much you try brush it off with unsteady hand, you cannot escape that its visible; this timeless EP will stain your music collection forevermore with a benchmark of creative genius.

 

Out today across all platforms: Bandcamp —– Spofity —– Amazon

 

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It’s 1AM, and what are Larkin going to do?

Release a new EP called Live by Night, that’s what; and I’ve had an exclusive listen, so there!

 

Images by Nick Padmore and Matthew Hennessy

 

Upgraded from Dad’s cast-off mono record player, in the early eighties our Amstrad Hi-Fi was the stuff of Star Trek, with a record deck drawer openable by the press of a hoary button, when compact disc was an itch in its Daddy’s pants. Ten-out-ten for innovative design Amstrad, zero for effectiveness; unfortunately, by 1984 a notch developed in the runner, causing the needle to bounce off during the interminable process of retraction, triggering permanent damage to any vinyl that dared enter; still want my money back Alan Sugar, sir!

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Can’t believe I found a photo of it online; look at that beauty!

I recollect praying it wouldn’t occur to Howard Jones’ 12″ Album; loved that disc with its shiny red cover, ruler and a 12″ Howard Jones looking up. Yet, twas a silly name, being all albums measured twelve inches. I could’ve risked leaving the drawer open as the record spun, the danger being if someone ran into the room smashing into it; doomed if I did, likewise if I didn’t.

 
Unsure why this memory shoved its way to my anterior cortex while listening to Live by Night, the title track of Larkin’s new EP, which is ready for pre-order and to be released December. Only after listening to the first tune 1AM, still chatting online with singer Sam Bishop, I despatched my approval; 1AM is highly addictive, very catchy. Sam replied, Live by Night was his personal favourite, which I found interesting, to my ear it’s the most eighties influenced of this trio-track beauty.

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On retrospect, Howard Jones may seem too commercial a comparison, yet, who knows, youth may find it necessary to Google this lost-in-time pop star. I guess, there’s a portion of new wave synth-pop stimulus, particularly in this one tune; picked apart though, there’s numerous influences I could cite. Teenage son sauntered into kitchen while listening, to drop off a collection of plates littering his room; he considered it was more “indie” than previous Larkin tracks. I see where that comes from, and agree, but don’t get me started again on indie; as Larkin is independently produced by Martin Spencer at Potterne’s Badger Set recording studio, therefore according to my antiquated usage of the term, it’ll always be indie.

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In a past review of the debut album, Set You Free, I likened Sam & Finely to Simon & Garfunkel, which aside their drive for perfect harmony, I withdraw this comparison for Live by Night. Whatever influences I could allude, all are subtle, which I think why Howard Jones cropped up, he developed a certain style from synth-pop, commercial though it maybe it was instantly recognisable, and I believe Larkin do similar. Like a signature Set You Free was merely developing, Live by Night stamps a definitive unique and wholly original method to the future sound of Larkin, and it’s amazingly exclusive.

 
Amazing enough for me to steer away from associating this to other local-sourced music, as I did with the debut album, and more towards what the contemporary big boys of the music industry are producing. I accept, I may be past it, but my daughter teases my ears with her Now albums on car journeys, so fully aware what pops, and I categorically believe Larkin need a fat contract and to be racing up the national download chart with this.

 
From the three tunes then, Falling is one, which, released as a single, I reviewed in the summer. I said of it: “Sam’s droning vocals perfectly echo the adolescent despair, the surging heartache of the theme, over an atmospheric soundscape and sublime but subtle drumbeats.” I think this quote is suitable for the other tracks also, a running theme of youthful quixotic confusion of relationships; despair, heartbreak and misperceptions meddled into the acute song writing.

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After an alarm sound, which might annoy if it wasn’t for the simple fact 1AM is a brilliant song and possibly my favourite of the three, lyrics echo through, “it’s one AM, it’s one AM, now what are we gonna do?” Contemplating a trivial argument which blossoms out of control in the wee hours sustaining apprehension, my middle-age mind might suggest, “go to bed, sleep on it; all seem better in the morning.” But this resonance worry, tribulation, returns me to a juvenile condition, a time when romantic uncertainty and anxiety preoccupy the conscience; hope ex-girlfriends aren’t reading this, sniggering “you twat!”

 
So, despite struggling to find an angle we’ve not previously covered for Larkin, I’ve managed to chew your ears off long enough about how fantastic this is, a natural and positive progression from their debut album, concentrated into three solid and marketable tunes that Sam and Finely should be very proud of. You can pre-order on iTunes (here), or wait until its release day for the CD, but take heed, this is not something you want to miss; feels like the making of something special.

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Something special you can help the boys celebrate between Christmas and New Year, similarly as they did last year with the album launch, the EP launch will be the Devizes Conservative Club on Saturday 29th December. For just a fiver, Larkin will be backed by a seven-piece band, and it promises surprises such as support from the boy’s close friend and musician, Julien Biddulph. CD versions of the new EP will be on sale, but any ticket bought will include a free copy; yay, beats a cold turkey sandwich any day.

 
Reserve your tickets now, by select “going” on the Facebook event and comment how many tickets you need. Alternatively, email: larkinbanduk@gmail.com

 

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Sheer History

With Sheer Music returning to Devizes on 8th December at the Cellar Bar with Sam Russo and support by Jamie R Hawkins, I hassle creator Kieran J Moore for a quick chat about Sheer Music’s history.

 

A lone drunken straggler wandered into our ring of barely free-standing friends amidst the temporary city of tents which was a Glastonbury of yore. We welcomed him, he stayed chatting garbage for the remainder of the night until the point he passed his contempt for “ravers.” My friend Steve leaned into him and informed, “but mate, we are ravers.”

 
Oblivious to our attire, that which could’ve been described as “crusty raver,” the rave music playing on an old beatbox, and our constant consumption of “rave accessories,” he looked somewhat perplexed, “are you?!” We confirmed verbally, being visual aids escaped him and he nodded, bided us a good morning and got a shift on. This vague occurrence always tickles me, that, post Madchester and prior to the re-crossover bands, there was a youth culture clash between “rave” and “indie.”

 
Never violent like mods and rockers, just separate scenes where never the twain would meet; ravers too consumed in their own gathering to even recognise indie as a “thing.” Indie kids had a blossoming following with discontent to faceless electronic bleeps, which, looking back I can appreciate.

 
It’s a running joke I share with Kieran J Moore, the creator of Sheer Music, as I label his nights, “indie,” because, well, because I’m old, I guess, and I’m using the term in an archaic fashion, unsure if it’s obsolete. For what begun as a term for songs from independent record labels, transformed into a genre, a precursor to Britpop, in which the music industry were only to keen to commercialise, as they did with ever other youth culture. But, would Kieran describe his events as indie?

 
“Indie as independent,” he confirms, “but not just Oasis-style bands. We were never really that. Locally we were driven by the local support bands, and nationally, by what we were offered.” And long had it thrived at the Fold in the Lamb, now reaching beyond Devizes and into Trowbridge and Swindon, where Kieran has been concentrating his efforts recently.

 

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Image by Gail Foster

Okay; let’s get my facts straight, I asked him if,  “Sheer started off at gigs in the Fold and how long ago that was.”

 
“Sheer started at the Devizes football club in 2004,” Kieran corrects me, “we hired the room, and paid a damage deposit, which we lost, after the then Chairman’s son broke the mirror in the gents. However, 300 people turned up, and I knew I was on to something.”

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Image: Nick Padmore

Can he remember who played? Of course, “The Septiks, Minion Race and Quarterblind. We then moved to The Cavalier, followed by Bell by The Green, where we did a majority of our shows in town. When Paul left The Bell, we moved to the Lamb, under previous owner, Ailsa. Then Sally came along and gave the venue a face-lift and I gave it a permanent PA.”

 
Thus, the Fold was born, “it was what the Lamb needed,” I note, my favourite watering-hole, “I recollect a few bands in the bar before that, but not often.” In between times, Kieran hosted Battle of the bands for Devizes Arts Festival, and joined their committee in 2006. But around that time, he began promoting further afield, at Moles and in Swindon, with the occasional foray in Salisbury.

 

Today Sheer Music and it’s self-titled community of local musicians, the GigFam,   promotes prolifically across the county; Swindon’s Victoria and Level III, Trowbridge’s Town Hall Arts and Village Pump, Komedia in Bath proving popular venues. “We’ve done nigh on 400 gigs in Wiltshire in 15 years,” Kieran proudly tells me.

“Biggest names” I inquire, “in a nutshell?!”

 
“Frank Turner, Vaccines and The Foals,” he replied.

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Sam Russo

So, is Sheer striding back into Devizes like a hungry cowboy runaway, I jest to him! “Well, I never went away… I just had my gigs cancelled. So wasn’t through a lack of trying.” Water under the bridge, it’s great to hear about the return of Sheer Music, “has been a while?”

 
“August, wasn’t it?” Kieran replied. I don’t know, what do I look like, a what’s-on website?! Nevertheless, for a fiver it’s a Christmas warm-up party, set for The Cellar Bar on Saturday December the 8th, when renowned Haverhill singer-songwriter and novelist, Sam Russo appears with an acoustic set.

 
“Sam Russo will be known to many Frank Turner fans, from his support slots over the years,” Kieran explains, “or his critically acclaimed album Storm, released on Specialist Subject Records. Sheer teamer, Dan Buckingham put me on to him awhile back, with the awesome song, Crayfish Tails and I was hooked.”

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Jamie R Hawkins. Image by Nick Padmore

Support for the show comes from Devizes hero, Jamie R Hawkins; nuff said.

 

http://www.sheermusic.co.uk/
Facebook Event Info.

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It’s Complicated and Kirsty Clinch bid to improve Village Hall with Christmas Party

Easter in Christmasterton…. No, hold on, I meant Christmas in Easterton; it’s not complicated, yet, in a way, it is. Have I lost you with the first sentence? It’s okay, I’ll be brief and let you get on with your tea.

 
The sleepy village of Easterton, squashed between Lavington and Urchfont are to get an awakening when accomplished Devizes four-piece band, It’s Complicated arrive on December 8th for a night of festive fun, in aid of making vital improvements to the Village Hall, at the erm, well, the Village Hall itself!

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On departing popular function band, Friday Feeling, drummer and vocalist Tim Watts, vocalist and keyboardist Jacqueline Sherlock, and guitarist Tom Evans, formed It’s Complicated in 2017 in a bid to experiment with a more unique approach to classic pop songs. With a diverse repertoire ranging from Led Zeppelin to Michael Jackson, and bass player, Stephen Barron added to the trio, they’ve come along way in a just a couple of short years and have now begun writing their own original material, which has been well received live and on radio plays. Backing Tamsin Quin on her album launch at the Cellar Bar, appearing at Farringdon’s FollyFest, as well as gigs at the Southgate and The Royal Oak in Easterton, it’s hardly complicated at all; they’re one to watch.

Tickets are £15, includes a tasty supper, and can be purchased in advance by calling Moira on 01380 818094 or David on 01380 812527, who promise to “mingle &jingle in style!”

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But whoa, hold on to your tinsel, if you wanted a little extra in the stocking, expect tiny package of wonderful, Kirsty Clinch to also perform. Princess of YouTube, Kirsty picked up a guitar aged seven and begged her mum for singing lessons. Now a twenty-something with an inimitable angle on country rock, acoustic and pop, her natural ability to entertain will beam a glittery sprinkle to this already exciting function; that I guarantee!

Facebook Event Page

 

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Why I Don’t Write “No Surprises Living in Devizes” Anymore

Gil Scott-Heron chanted “the revolution will not be televised,” bloody right too, it’ll all be on Facebook no doubt. Videos captioned “what the BBC aren’t showing us,” go viral, even if it’s a link to a BBC video. I should stick to posting my all-time favourite album covers and annoying others by nominating them to do likewise. C’mon it’ll be fun, oh yeah, and China are committing mass genocide BTW, or is that just Western propaganda? No one knows for sure, The Beano being the only trustworthy journal. Still, I like “Dare” by the Human League, how about you? Yesh, u too? First world problem vacuumed.

 
If you get a friend request from me, don’t accept; no scam, I’m just unfriendly, apparently. Selfish, some say; just doing my job, lady. It’s a sign of the times.

 
Is there an app to tell us we live in a false economy of unachievable dreams and aspirations? Or should it be just common bleeding sense? They never even put a warning label on the country, something to consider at least? Warning: Ticking Timebomb, do not touch.

 
While our leaders guide us down this ever-decreasing circle of doom, we seem to either accept it blindly like it was a Facebook friend request from a Natalie Portman look-alike after no strings fun, as we joyfully click on her outside link, or else we shake our snowflake heads and share an opposing thread; look at the glorious JC’S charity shop sandals; sure someone will assume he’s being antipatriotic wearing those, while okaying Theresa, as she shows off the diamonds on the souls of her shoes, got a poppy on though. To organise a protest is to promote it on Facebook anyway, hmm; click “interested” to show you’re against the regime, but to start painting a placard is a step too far.

 
Soz, didn’t respond to your revolt event Watt Tyler, I dunno why, but my phone was on airplane mode; the chance of me being able to afford the petrol to make it to a fucking airport is slim, let alone go anywhere on one. Universal Credit, what’s universal about it other than we all go hungry?

 
We’ve succumbed if we wanted to or not, sterling crashing on the stock market and prices for basics going through the roof doesn’t seem to put people off the idea of barricading ourselves in, provided we get our country back so Tommy Robinson and his mates can spurt racist bullshit without fear of persecution, so we can take our borders back, and other bookshops too, and we will build Auschwitz on England’s green and pleasant land. Oh, quit nit-picking, you silly re-moaner; don’t you care about Britain? No, course not, that’s why we moan, dipshit.

 

 

Brexit had a point worthy of discussing in my opinion, but caging ourselves in with ferocious, selfish beasts wasn’t part of it, do I look like Steve Irwin? The NHS will be a fleeting illusion by the time they’ve savaged us and we need more than a plaster. Young conservatives got pissed at your expense last month and scrawled their intentions for our health service on their shirts, and we ignored it, else think oh, that’s disgraceful, but only get as far as sharing on our fucking Facebook page; come the revolution and I might add it to Instagram too, amidst pouting teenage girl selfies with nothing better to do, cos there is nothing better to do.

 

 

No point hiding the fact May was laughing in our reedy, sore faces; she’s fucking dancing the dancing queen; young and sweet, I ask you? That’s wasn’t a dance, it was a gloat; one step away from opening the palm of her hand revealing grain for us to squabble over the spoils, while she jangles her jewellery like Jimmy Saville entering Broadmoor; he was a Tory, wasn’t he? She’s no Beyoncé, it’s going to bite her in her shakin’ booty very soon, her screw-loose cabinet looking more like MFI than Harrods, may as well stuff our opinions on Brexit, throw away this divide and rule trap, unite and get these bastards off their seats.

 
How far can the pompous English be pushed? If this was another country, another era, there’d be a civil uprising.

 
Every move she attempts to bust I shudder another foreign nurse or doctor is packing up and heading for the Chunnel; can you blame them? The only Doctor left will be our liberal incarnation of Dr Who, and come March 2019 and she’ll probably be cited as an ex-Russian spy who mysteriously kicked the bucket from a bottle of Odour le Novichok. BBC act all leftie for entertainment but it’s an Orwellian future with Newsnight; England will prevail.

 
Got to get a Russian nerve agent in your town just to be able to park for free.
Ha, and if you thought I’d stopped the No Surprises column, there’s a surprise for you; it’s been stuck at the traffic lights in Tory heaven. Maybe this column has nicotine in it, I’m trying to give it up, but on a bad day, just gotta write a whinge for you to laugh at; go on, giggle at my anger, sadists. Chuckle at my anguish, titter at my troubles, nobody gives a toss anymore; back to square one. I’ll be honest, it’s the closure of this column, as it’s supposed to be satire and nothing is fucking funny anymore.

 
Life is getting so hard even stinging nettles deliberately grow where there’s no doc leaves.

 
We don’t need another rant, another sarcastic bastard. We made more of a fuss because roadworks made us ten minutes late then we did when Wiltshire Council threatened to close our education facilities. I observed the posts, shouting, swearing and blaming Amanda Attwood, as if she’s the high priest of all matters Devizes infrastructure. She kicked you off, nobody’s fault but yours, toys too pricey to throw out of prams these days.
So, you take to the multitude of other local Facebook groups to shout and curse her name, as if your world has crumbled around you. As if you’ve some God given right to hurl abuse at people in the group she created, as if as creator of a group of over 1000 she has now ceased all prerogatives over it. Else you start a new local group, call it “the issues with the issues with the issues of the Devizes Issue;” you could do that waiting in the traffic.

 
Ah yes, you can see it now, unfolding before you, billions will request to join a place where you can type “big jobs,” and not be punished. Though they don’t join, cos they’ve joined thirty similar others already, and the group fades into obscurity unless you can find the next viral meme of Boris Johnson popping a letter into the eyelet of a burka before Teeder does.

 
Whitehead smirks; “Attwood takes the shit for me ha-ha.” It’s the new blame culture trickling down from Whitehall to Devizes Tory Hub.

 
Some donkey actually commented on one of the killion posts about road works in Devizes that Claire Perry should step in; They. Actually. Said. That. She doesn’t care if her actions cause earthquakes, you think she gives a sausage sandwich if you are half hour late for work?

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Thing is, I reckon we enjoy other’s pain and tribulations, makes us feel better about ourselves. We long for our therapist to stop beating about the bush when we unload our deepest psychological worries, we yearn for them to reply, “no, sorry, nothing I can do for you pal, you’re fucking mental.” My mum pays for someone to tell her off if she eats too much, yeah, “fat club” she calls it, Slimming World to you and me. “Can’t eat that cake,” she gives it, “they’ll tell me off.” She pays for that shit. I laugh at her misfortune, under my breath. Then I help her out, as any good son would; I take the cake, ha-ha.

 
I’m so evil now too, the wind of change drifting me with it; Brexit/remain do what the fuck you like, you will anyway; that’s democracy not powerful media persuasion, subtly painted on the side of a big red bus. I just lounge and watch Spongebob Squarescrotum, trying not to contemplate our fate. Couldn’t care less anymore, I’m numb, about anything. Used to put milk in after brewing my tea, now I just chuck it in before the hot water. You can quote me on Facebook saying how I like my tea, the rest, I’ll sue your ass.

 
Meanwhile another overpriced pub shuts, the social hub now virtual; “Joe Blogs likes this;” he doesn’t have to put his hand in his pocket for the next round. Teenagers ask “okay Siri, what is meant by the term ‘round’ in a social environment?”

 
Nobody got the spare cash for a plastic lollipop, let alone a round of drinks. You’ve uncultured yourself, well done you, abandoned uniqueness, succumbed to Spoons and now you can drink twelve pints for the cost of ten in pub with character; ten pints hardly touches the sides, is there a Europe tribute down the bin? Yeah, the Final Countdown, da-da-da-da-da.

 
Oh, the irony, we’re heading somewhere but it ain’t Venus, it’s a penis, with the face of Jacob Reese-Mog, the Andrew Ridgley of xenophobic politicians, with a protective army of brainwashed twats who thought Romper Stomper was about a soft play centre. The Willy of the people, heart on your sleeve? He’s one big wizard’s sleeve.

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And while we’re on sleeves, why not get a tattoo? The whole fucking sleeve and try not to think how others are sleeping rough. Daddy will buy you that Fiat Punto, you’ve got to stick a shitley rendered eyeball motif on your bicep. Flex it whenever you see a foreigner applying for a job you wouldn’t stand to do anyway. Bloody homeless camping in a graveyard, do they know no shame? Might have done prior to clearing them out of the woods so we can all hang dog poo bags from trees there.

 
And breathe, thank the heavens for small mercies, that that brazen wanker has written his final shite No Surprises column, cos it’s not funny anymore, any subject he could cover is so damn dark and disturbing it satirises itself; The president of America, look at him. I rest my case.

 

Devizine Awards 2018

Shamelessly stealing an idea from posh-rural-girls-with-nothing-better-to-spend-their-corporate-MD-husband’s-salary-on website, Shitty Stilettoes, or whatchamacallit, has to be the lowest of lows for Devizine.

No, put those pecans down, we’re not going into the overpriced cupcake business, but hey, they have awards, awards people, awards! What a fun idea it’d be to have awards too; of the understanding we have no shame at Devizine Towers and it’s something we pride ourselves on.

So, allow me to present the nominating period of the Devizine Awards 2018, whereby winners receive absolutely bugger all other than the fame, (soz, typo; I meant shame) prestige (soz again; pretzel) and perhaps a sheet of sneezed on toilet tissue, should I manage to muster some up; give me a minute…. Achooooo!

There you go. Now who wouldn’t want to win one of these splendid trophies which exists purely as an image online, in only 72 dpi?

Categories then, that’s what I need. How about best place to barf up kebab on a Friday night? Most idyllic location to jettison your unnecessary McDonald’s waste packaging from the window of your dropped down Fiat Punto? Admit it, you’ve got the t-shirt on this one.

Best place to lose your shit? Being a good lad, I don’t even know what losing one’s shit actually means, but lots of cool kids say it. Best place to get stuck in traffic so you’ve an excuse for being late for work? This one speaks for itself.

Oo, now, this’ll be fun; most annoying Wiltshire Councillor? I’m not talking about the councillor who simply has the most condescending laugh, or likes to use business jargon such as “moving forward then,” to mean “I know I’m guilty but I really think we should change the subject,” I mean the most stuck-up, obnoxious arsehole who couldn’t give a finger of fudge about the issues in debate, like closing education facilities, introducing extortionate parking charges or the general dilapidation of our roads.

Biggest waste of space in Wiltshire; open to interpretation this one, could be a heritage site, a recreational area, or perhaps your flatmate Kevin who still hasn’t picked up his plate off the carpet from last night and now it’s crawling with ants.

There’s so many we could do, the gym with the stinkiest trainers? Biggest parking Muppet; not looking for the occasional Gonzo parked on a bus lane to get chips, but the real Big Bird of parking Muppetery. We need photos people, photos I say. Worst local website for news and what’s on…. hold on, no scrub that one, in fact, yeah, bad idea all round really.

Tell you what, let’s do this thang, now I’m running low on gags, and do it properly, with some standardised categories but applied to the local scene. You should know our area by now, from Swindon, Marlborough to Bath, incorporating Chips and Ham, Trow-Vegas, the Sham, and naturally, Divided. l throw open the voting process, seriously, please cast ONE vote per category.

Please add your own answer, if they’re not here; it’s Sunday, my brain smells of wee, and I’ve doubtlessly missed loads. Oh and deadline is next Sunday 25th November, so get voting!

Okay, done deciding? Let’s round this up next Sunday, or whenever I get round to it! Talk to you then, when I’ll announce the winners and runners-up in an online black tie-dye ceremony! Hey, now that’s a good idea, a Facebook ceremony; what’d you think?

 

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Service at Sunset

Bugs me having to take a poster off Devizine. No, I’m not Mary Whitehouse, thank you, just cos I got the same hairdo. Not for censorship purposes, just the cancelation of next Friday’s Sunset Service gig down the Lamb, Devizes. Not wishing to go into reasons, I do wish both parties effected a silver lining on their clouds. Anyhoo, I’ve only gone and blagged the Sunset Service’s spanking new EP download, “Roads Vol1” to account what we’d be missing, cos I’m nice like that; you don’t have to thank me.

 
Sunset Service, five guys, namely: Phil Eaton on lead vocals, harmonica and guitar, Ash Hulbert, lead guitar, James Lloyd on guitar and keys, Andrew James on bass and drummer Olly Bray, have produced a debut worthy of our attention. Four original tracks are on offer here, though the band describe themselves as “alt-country rock,” tracks are diverse.

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While it opens with “Wasted Time,” an up-tempo blast of rock which borders the genre alt-country, and the second track “Take it Easy,” slows the pace with some emotional harmonica and unquestionably respires a country-inspired sagacity, the third tune “One Fine Day” wastes no time in projecting a vibrant blues riff. “Rescue Me” polishes the EP off with the defining blend of previous tunes.

 
There’s fair writing skill, but mostly just an enjoyable listen, which despite its given label, doesn’t lend to the archetypal phoney “country” template. I guess what I’m attempting to explain is that Sunset Service do not ramble off cultural references like they leapt straight out of a freight train heading for Tennessee, save one where Phil refers to “good ol’ boys,” but there’s no indication they’re drinking whisky and rye. Yep, there’s something acutely British about the writing and the vocals which retains its feet firmly on the floor. “Keeping it real,” they call it in hip hop, ironically though sometimes, and being the guys are from Swindon, with a couple originally from Devizes, it does just that.

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Think, if The Flying Burrito Brothers met The Strokes; for while a twang of guitar strings fits snug, there’s a slant of britpop, of Keane, or The Killers. Not overlooking we’ve this retrospective blues edge harking back to Cream or Hendrix. This is quality stuff which we’re clearly missing out on. This side of Christmas the band want to find a replacement booking in Devizes, so promoters get rallying, and everyone else, check out the EP here:

 

Spotify: https://open.spotify.com/album/4wdIG3KnaEvVfawC8ALzDS
Apple:
https://itunes.apple.com/gb/album/id1441028038
Amazon:
https://www.amazon.co.uk/Roads-Vol-1-Sunset-Service/dp/B07K4GL5HF/

Facebook: https://www.facebook.com/SunsetServiceUK/

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Where was that Big Mike? He’s Got a Nerve…Ending.

Yeah so, I’ve blown my own horn, reviewed my own night, but it doesn’t happen every day! And what of the big man, Mike Barham, I hear you cry; could’ve asked him to play. I did, alright, and he’d loved to have come down and blasted his splendid noise, but that Deborah of the Southgate nabbed him first; typical.

As if the Southgate ain’t putting on some blinding music every Saturday night, often Fridays too, and even on a Wednesday night when they all sit around “acoustic jamming,” they call it, getting bladdered I calls it, on a Wednesday, do they have no shame? Honestly, they’ve a gig list booked into next year which reads like a local musician hall of fame, and Mike would’ve struggled to get his gert big size twenty in the door again for a while.

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So, no hard feelings I say, I don’t do hard feelings, especially when the secret headliner announced was to be Nerve Endings. Yeah, I know right, who them then? I’ll tell you who shall I, only Mike Barham and buddies, that’s who; Mike Barham supports Mike Barham, what a nerve. I popped over a question to him; “oi Barham, what’s what then, with them then?”

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“Hey buddy,” he gives it, “Mike here! Yeah totally new venture, new tracks, so would love to have a chat about it.” They’ve got Melksham’s Rob McKelvey on bass and vocal, and the awesome drummer Luke Bartels who, if you recall, we’ve mentioned on the exceptionally loud and proud Cellar Bar gig by his Welsh band Holoson in June. Now in my book that sounds like a dream team, and feedback has been very positive; here’s a Facebook video link to show off, and it sounds as we’d expect, flipping awesome.

 
Are they to gig again before Santa does his rounds, they’ve surely made his good list? I’m officially sworn to secrecy at the moment, a few days should tell but word on the grapevine is that their debut gig at the Southgate might not be the first and only show of 2018. Thank cripes for that, thought I’d missed out just because I was at some fancy-pansy online magazine’s birthday bash.

Yep, funny cos it’s true; Devizine wishes Mike, Luke and Rob all the best with this new project.

https://www.facebook.com/Nerve-Endings-295159981332912/

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Lions in Clown’s Clothing….

Devizes Lions: BBC CHILDREN IN NEED STREET COLLECTION

The Devizes Lions, no, not the lions who escaped the circus to invade the School canteen in 1980 or whenever, (showing your age now,) but the Lions Club, who organise and participate in many brilliant community activities, and with the support of the local community have raised many thousands of pounds to help support local people and various charities, yes, those Lions!

Now, where was I? Oh yes, The Devizes Lions will be out in the Brittox with their buckets and dressed as clowns on Thursday 15th November to encourage people to donate to the BBC Children in Need appeal. Please show them your support!

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Birthday Bash Bashed; how our night went down on the, ermm, night….

Photos by Matthew Hennessy @ Hennessyimages

And Nick Padmore  @ NickPadmore Photography

 

Mark Hamill couldn’t identify with the change in Luke Skywalker that the writers of The Last Jedi made. I diverge; alone in isolation Luke’s character would’ve altered. Although I’m no Jedi Master, and don’t habitually drink green alien milk, not directly from the teat anyways, visions of me scrambling in dirt, spitting, “this is not going to go the way you planned,” did come to my paranoid mind Saturday afternoon.

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Nevertheless, I stepped up to the stage at the Cons Club in Devizes to kick proceedings off. Tad nervous, behind a mic not my comfort zone, but from the first note of Lottie J’s keys, and as her sublime voice rang through the hall, I was more like Hannibal of the A-Team, rubbing his hands; I love it when a plan comes together. At just 15 Lottie J has the matured soulful voice of a professional singer twice her age, with a talent for song writing to boot. It was around about a year ago I saw her play at Times Square in Devizes, and it made one of our early articles on Devizine. She wowed then, she’s improved tenfold.

 

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That’s the key to all which went down at the Cons Club last night, our humble birthday bash, for all the acts which played have been featured, least mentioned fondly here, at the very beginnings. It was this which I think made the night special, personally, but for others, and to my surprise, it was the collaborations and team work which banded this event in glory. Not that I should write a review for my own event really, bit cheeky, just consider this a method of letting you know how it went, my thoughts on the night, and an opportunity for highlighting the amazing line-up for those who couldn’t attend, and of course, thanking them.

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Because I’m truly grateful and totally overwhelmed by everyone who played Saturday night, I’m honoured that they gathered, performed amazingly, and stayed to support the cause, join in other’s sets, and generally get pissed with me! Take drunkenness as red, the surprise collaborations took my breath away, Lottie arranging to sing “Day Dream Believer,” with the following act, Sam Bishop and Finely Trusler, aka; Larkin. Despite the duo never meeting Lottie before, it was touching and functioned. But it was the method which would continue, as Jamie R Hawkins took to the stage early to add some Cajon drum to their set, which would’ve been amazing without it. Such then was the ethos of the evening, musicians, yeah, I know, you can see free on the local pub circuit, but amalgamated to complement each other’s acts is a rarity they enjoy as much as we enjoy to see, thus creating a real “scene.”

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Our brilliant poet, Gail Foster, read a couple of sonnets while Phil Cooper and Jamie set up. I’d imagined Gail having more time in the spotlight, her verses worked through chatter and gave us the desired belly-laughs, but with McLaren F1 styled changeover times, Jamie was blasting with passion my favourite original, “As Big a Man as Me,” with Phil now on Cajon. Sharing the set with Phil, solo, then duetting, and then jumping on the Cajon while Phil shook it up, with stylishness, and shakers.

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There was a feeling in the air it couldn’t get any better, but surprise number two arrived when Cath and Gouldy requested to play a few numbers as their original songs’ duo, Sound Affects. We were treated to an unscheduled set; how could I refuse? They hooked up here at while I was home selecting my least smeggy shirt, at five, to supply the PA, despite not planned to play as the Day Breakers until the finale, but also worked tirelessly with the other acts, their respective mountain of equipment, and my complete idiocy when it came to anything technical; I’m glad I didn’t refuse. I owe them so many thanks it’s hard to calculate, Gouldy even dropping my drunken ass off home on his way out of the Vizes.

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If we were as tight as Roy Chubby Brown in skinny jeans for time, sliding in an additional act was a done deal, Tamsin not feeling so good agreed to cut her stint short. But our Tammy was up next, showing no signs of ailment when it came to performing, she did what she always does; it was absolutely terrific, as ever, and I wish her well.

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Before I knew what was what, I insisted Gail read another couple of verses, the latter poignant remembrance themed which stunned the audience to silence. If you could momentarily hear a pin drop, imagine what happened when the incredible George Wilding did his thing? “It’s on the setlist,” he pointed his finger at his scraggily scrap of paper when I recounted his cover of “Be my Baby” at Bromfest in the summer. I insisted they play what they will, unlike some pub gigs, their original songs were encouraged at my show, but when George does a cover, he makes it his own with a natural flare he keeps on his hip.

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The night went from strength to strength, George’s set closing with a gorgeous slow number duet with Bryony Cox, one surprise I was aware of. I’m so sorry to the pair, pressed for time and shown so much dedication and patience, the Day Breakers edged on their chairs.

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I leaned into violinist Catherine York, whispered “I want you to blow the roof off,” and like greyhounds out the starting trap, they sprung on stage to do just that; dancers flooded the floor amidst a bombardment of hugs and celebrations from all.

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I’m still at ten thousand feet at just how great our acts were, but also the contributions behind the scenes from so many, I hereby attempt to mention now. For if Devizine is rather like Luke Skywalker, lonely, just me sat at a computer typing this crap, this night was Rey arriving on the island, ding-dong, lightsabre in hand, it made everything I do, and my contributors do too, a solid, a reality, and I thank you all from the bottom of my heart.

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I’d like to thank Dean Czerwionka of Dead Kool Country Promotions for organising this shebang, Cath and Gouldy for not only the use of the PA and sound arrangements throughout the night, but for playing as Sound Affects and to the remaining Day Breakers.

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I’d like to thank Tamsin Quin, her family, but in particular, Erin for collecting extra money in a bucket; you were brill! To Lottie J, and Dad Russell, I’d like to thank for kicking off our show, Sam and Finely of Larkin, Phil Cooper, Jamie R Hawkins, George Wilding and Bryony Cox, for making the night with awesome sets. To Gail Foster for her poetry interludes, thank you. To Matthew Hennessy and Nick Padmore for photography seen here. To Joy Padmore, truly a joy to have on the door. To Carol and all the staff of The Conservative Club; thanks for having us!

 

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To Beverley and The Harcourt Hammies for the cake, my patient and understanding wife Sharon for taking the entire day making a great buffet. To Sue Davis of BBC Wiltshire, the Devizes CUDS, to everyone who came along, and to Resul of the Turkish Barbers in Snuff Street who gave me an emergency trim!

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Feedback has been awesome, seems everyone enjoyed the show. I’ve seen some comments proclaiming how much talent we have here in Devizes on account of the great acts who came to play. I’d like to point out, they were hand-selected for their excellence and surely are a shining representation of the musical talent we have in this area, but are by no means the be-all-and-end-all of the scene I’ve discovered through Devizine, this ongoing exploration of all things local and lively.

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I raised a glass to the ones we let down, couldn’t squeeze in, ones pre-booked elsewhere, to the upcoming names, and the greats, to all the brilliant venues and event organisations we have here from the Scooter Club, Long St Blues, to the Owl, from the Southgate and Crown to the Cellar Bar, from the Saddleback to the Wharf, and from the Arts Festival to DOCA, and more, Devizes really is a little haven for quality entertainment, and while I appreciate Ian Diddam’s hashtag #nothingeverhappensindevizes is nothing more than unsubtle irony, Devizine continues to highlight the nonsense in anyone who dare take it seriously.

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So, we strive on, with no real desire to coordinate events, still Saturday was a lesson learned, and I now feel the pain of the event organisers I chat with, but still feeling I’d like to do it all again nonetheless. Still at ten thousand feet and a tad scraggly around the edges from this amazing birthday bash, I can tell you we raised on the door, approximately £366 for Cancer Research, but we still have to add online ticket sales so a grand total will be with us shortly.

 

Thank you all, I blinking love you x

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Elles Bailey: Girl Who Owned the Blues

Mirko posted about his forthcoming gig at the Sport Club on Facebook, other dates at Coulsdon and Conford have sold out, and commented “I’d really like to get a sold out in Devizes too!” Thing is, if you’d all been listening to the album I’ve been listening to for the past fortnight, it would sell out in five minutes. If local hero Jon Amor’s infectious influence on a vibrant blues scene for our market town is anything to go by, Elles Bailey will astound.

 
Remember when “soft metal” was all the rage, and you heard the intro to Bon Jovi’s Wanted Dead or Alive? There was something ye olde Americana about it, something authentic; you could hear the wind whistling through a tumbleweed, but as the song progressed it tended to lose its way. Something about the intro to Wildfire reminded me of it, yet that authenticity never, for a second, wanes here, and Elles Bailey is actually, from Bristol.

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In the nineties Bristol contributed to the electronic scene with a particularly unique blues element, I mention Massive Attack and Portishead to Elles, but she doesn’t cite an influence from them. “I didn’t listen at all as I was growing up,” she informs, but I suspected as much, “I love Bonnie Raitt, Joe Cocker and The Band though!”

 
“Ha-ha,” I jest, “not about to do a “Cher” corny dance number then? To which I rightfully receive no reply! For “Wildfire” is gorgeously mature, if I sum it up as; it blends blues and country, people might respond, “yeah right; that’s been done 60 years ago, it’s called rock n roll!” I’d favour it bridges a gap between the two; weaving blues roots, electric blues and country, with contemporary superiority and originality, but authenticity too, rather than simply, a “blend.” Generally, though, it’s blues, other times it nods to country, but only teeters on the edge of rock n roll. I asked Elles if this was fair portrayal, she replied, “Yeah I’d say that’s a pretty good comparison! I like to dance on the edge of blues, roots, soul and country – add a smidge of rock and that’s what gives you Elles Bailey.”

 
Still, there’s a wonderful smoky style to Elles voice, Bonnie Tyler too easy-a-comparison, because when its country, the acute composition and ingenious writing style is akin to Dolly, while her blues components are as blistering as the idols it pays tribute to; Howlin’ Wolf in particular.

It’s often questioned how a singer obtains their raspy or smoky vocals, and if its dangerous on the vocal chords. Some joke they record as soon as they wake up, others suggest smoking a packet of Camel cigarettes, but Elles’ website reveals a story behind hers of being in hospital as a kid. The blues then took Elles at an early age, and it shows, for this is truly polished and earnest music. This is one fiery blues chick with edge, but with sublime professionalism.

 
This is no quick sample of her music, I count eighteen tracks on the deluxe edition of her debut album Wildfire (Sept 1st 2017) she snapped over to me, which after a listen you feel emotionally exhausted but beholden, like you’ve just returned from a trip to Texas. Like a classic Springsteen album, subsequently you feel like you know the boss personally, as if he’s poured every last detail of his life, his transitory thoughts and sincere sentiment into it.

 
Wildfire received rave reviews, achieved no.2 in the iTunes blues Charts. Subject matter is often the rises and pitfalls of romance, or related, although not cliché, the standard template of cowboy references, boxcars and highway shoot-outs are rare, but Elles regularly travels to Nashville, the album tracked in Blackbird studios Tennessee. Produced by Brad Nowell, ‘Wildfire’ assembled a host of Nashville’s finest, including Grammy Award winning guitarist Brent Mason and three-time ‘Musician Hall of Famer’ Bobby Wood. Blended together back in the UK with the likes of Jonny Henderson (Robyn Ford, Matt Schofield) on Hammond organ and Joe Wilkins on blistering guitar, the result is a unique trans-Atlantic coming together of styles.

 
There’re no standalone tracks here; all are breath-taking and powerful, even acoustic ones. “Same Flame” packs said punch, and is particularly catchy, downtempo “Leiper’s Fork” is staunchly inspiring as Tammy Wynette, and “Time’s a Healer” drifts like Pink Floyd. I hear The Doors, Taylor Swift, but predominantly I hear that dependable old blues of Muddy Waters and the aforementioned Howlin’ Wolf, who’s self-titled tribute song Elles knocks out of the park. I tell her a story I’d once read about him in a recording studio in London, when he gave a quick word to a bunch of young hopefuls recording in the next studio. After said advice the group came out with the style which defined them, and thus the Rolling Stones ensued. Elles loved the story, how we’d both loved to have been a fly on that wall!

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So, Elles is to present a stripped-down version of the songs on offer with Wildfire, “and some new songs and old songs, so a kinda different show,” she explains, on a hefty “Stripped back trio” tour she’s appearing at The Devizes Sports Club on Friday November 30th – you’d be a hound dog to miss out on this one.

 

Tickets available now at Devizes Books, Avon Trophies, Devizes Sports Club or of course, MPL Guitars UK. You can reserve your tickets via txt to be picked up on the door on 07760482453.

Facebook Event Page Here 

Elles Bailey Website

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Hymns for Robots in a Shoebox

Hymns for Robots by Noctium Theatre is defined as devised/ expressionist theatre, and it’s at The Shoebox Theatre in Swindon this weekend.

 
In a small attic, packed in hundreds of cereal boxes, lies the life’s work of Delia Derbyshire – the unsung genius behind the Doctor Who theme tune and trailblazer of electronic music. Join Noctium as they explore this fascinating tale of the mother of modern music. Using strange sounds and weird wobbulations, Noctium brings you a sonic experience your ears won’t believe.

 
Hymns for Robots mixes Noctium’s unique heightened performance style with analogue and digital music to bring you an extraordinary life that was almost forgotten.

 
Suitable for ages 14+. Contains strong language and references to sex.

 

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***** “Constantly engaging and charming. Hymns for Robots is something that shouldn’t be missed.” – Broadway Baby**** “Quirky, offbeat and stylish” – Fringe Guru

 

 

Friday 9th – Saturday 10th November, 7.30pm. Cost: £10

Book Here

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Birthday Bash, Birthday Bash….

Alrighty then, not to blow my own trumpet, it’s time to mention our Birthday Bash again; case you forgot! Concern that it’ll be just me, crying into a packet of pickled onion Monster Munch, and Dean trying to pinch one is waning, as attention for our little party grows evermore, like a zit.

 
While I’ve asked nicely if The Gazette & Herald would be so kind as to give it mention, being it’s for charity, and I’d thought that’d bury a hatchet, it seems I’m talking to a brick wall, so I’m relying on word of mouth, and Facebook of course; you know what to do, sharing is caring!

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Oh, in addition, Sue Davis is going to ring me without inkling how grumpy I can be Saturday mornings, to allow my Dorset tones to ring over BBC Wiltshire radio-waves; I shall be live at 9:45ish. And of course, a special thanks goes to DJ Emma D, on the ones and twos at Fantasy Radio, who’s already given the bash a plug. While I’m unsure if she’d appreciate the tag DJ Emma D, I think it suits; make it a “thing!”

 
The best thing about it, this birthday bash I mean, other than we’re raising some Wonga for Cancer Research, is that all the acts playing were featured, or least fondly mentioned, back in the early days of Devizine, that long, long year ago.

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There was one which hasn’t been mentioned, the wildcard, Dirt Road Diary, but unfortunately, they had to cancel. Suggested by Dean, as we’re in conjunction with Dead Kool Country Promotions, which basically equates to Dean doing all the hard bits while I sprout gobbledygook and take control of insuring the drinks behind the bar are suitable for you; I’m nice like that.

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I’ll be honest with you, (as you know I always am!) I had deliberations about a country band playing our gig, as it’s not to everyone’s tastes, until I downloaded their EP, “Our Country,” released Spring 2018. You can download it here from their website, free; it has that tender slice of rock, like Tom Petty & The Heartbreakers, particularly tracks like “Kiss Tomorrow Goodbye.”

 
While I’ve no plans to don a ten-gallon hat and rustle in cattle with a lasso, I love it, there’s a great many references to Americana, box-cars, highways, etc, which may seem cliched given Dirt Road Diary are from Calne, but its authenticity overrides this notion and it drives a convincing country vibe. “The EP’s been receiving great reviews,” lead guitarist Mark Allen tells me, “culminating with us being nominated for the BCMAs people’s choice award to be announced during the awards ceremony on the 24th November.” I don’t do hard feelings, and I wish Dirt Road Diary all the best with this and future ventures.

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Our Country certainly convinced me to change my mind about Dirt Road playing, plus it would’ve given certainty to the times here that I’ve mentioned the ethos the Devizes Country Music Club, recently renamed Devizes Ameripolitan Music Club, likely for the very reason that it is not as one might at first suppose; line dancing is just a slither of the scope on offer, and the club plays host to some experimental and interesting bands. Dean Czerwionka has also recently launched The Devizes Family Club, also operating out of the Cons Club, so as one busy guy, I’m extremely grateful for his time on our birthday bash project.

 
So, are we one act missing I hear you screech, am I down to ten men? Not likely pal, is the answer, as the wonderful Jamie R Hawkins has been on the warmup bench for the whole season, unsure if trips to Switzerland for his recording his new EP might disable his availability to join us, but I’m delighted to announce, he can do it! Adding Jamie to our bustling line-up of local talent really is the icing on the birthday cake.

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Have no concerns, we do have cake, a black forest gateau should arrive, made by the Harcourt Hamsters of Chirton, and kindly donated by Beverly Borrill; I kid you not, check out our hammie feature story from earlier this year!

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Not forgetting Matthew Hennessy of Hennessyimages, who is our official photographer; as official photographer for DOCA and The Wharf Theatre too, provided he doesn’t upskirt me on the dancefloor, we’re delighted to have him.

 
With Dean, Matthew and Bev done, there’s so many others to thank, Carol and the Cons Club staff, of course, but especially Pete of our brilliant record shop and musical hub, Vinyl Realm, who’ve stepped in last minute to provide the PA, and hopefully operate too, as it’s way over my head.

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Most of all though, let’s thank the stars of the show, as no matter if I get my haircut for the special occasion or not, it’s not about me, it’s about the wealth of talented musicians who have kindly agreed to play for nothing but the love of their craft. Lottie J from Swindon you may well know; only fifteen with such a mature, soulful voice and keen writing ability. She’s one to watch, so get there at 6:30pm as she’s opening our show.

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Our Devizes lads, Sam and Finley, aka Larkin are next up, you got to love ‘em; we’ve been following their progress through the brilliant Set You Free debut album to their new EP. After this then, I treat you to the masterful song-writing of that porkpie-hat-wearing Trowbridge living legend Phil Cooper, who sent me his album “Thoughts and Observations of…” to review many moons ago. Phil’s been working closely with our recent addition Mr Jamie R Hawkins, they bounce off each other nicely and so, I think we should extend Phil’s slot, slide said Jamie in and let them play in whatever formation they wish to; it’s a win-win.

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Tamsin follows Phil and Jamie, Devizine’s middle name is Tamsin-Quin-Fan-Club, our first ever article was about her crowdfunding project for an album, which came to fruition as Gypsy Blood, so it wouldn’t be the same without her here.

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I’m also so delighted George agreed to come too, when I first met photographer Nick Padmore, he tipped me off about George Wilding, even prepared I was in awe of his natural ability, and I’d sing his praises to the moon and back, but they’ve probably heard of him there already. I have asked the amazing young painter, Miss Bryony Cox, who is also known for her love of singing, if she would like to join George for a song or two, appearing together in the past has proved to be a wonderful combination; not sure how far we got with this idea but I guess it’ll turn out whichever way on the night.

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And what an awesome night it’s due to be, with Swindon’s The Day Breakers as a finale; Cath and Gouldy, who now also gig as duo Sound Affects, I first discovered through the Devizes Scooter Club as the then Killertones, with their awesome brand of classic covers we can all have a dance at the end; honestly, I insist. Dean has even offered, unofficially, to show us how to dance the floss – another good reason not to miss it.

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Of course, I might be persuaded to say a few words of gratitude, alcohol levels permitting, but you know I’m not best in the spotlight; has to be a very dull spotlight, 20watt or less. We do, however have the brilliant Devizes poet Gail Foster, to entertain us with some witty verses during any tuning and downtime from the acts, so a massive thank you also, to our Gail.

 
A few have asked if they can bring children, whilst I confess, I’ve not arranged provisions or entertainment specifically for the kids, of course they are welcome, and free for under 16s. Who am I to deny kid’s entrance, after all I’m a big kid anyway?! There will be balloons, provided by Cancer Research, and maybe, if I get the time, or someone else could bring some pens and paper, I’d be more than happy to spend as much time as I can on the night, doing some doodles with them.

 
Any other questions or queries you may have, do send them as I’m not an event organiser and probably have overlooked a number of things.

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All I need now is you, oh and a buffet, which I’m working on, but no guarantees; if anyone would like to take this on, with the promise of free advertising on Devizine, I’d be enterally grateful if you get in touch asap. So please make sure you’ve had your dinner early, as it kicks off at 6:30pm, on Saturday, 10th November, and please come and enjoy yourself!

 
Tickets are £10, all proceeds, save a beer each for our acts, will go to the Devizes branch of Cancer Research. Get ticket at the club, at Vinyl Realm, online here, or message me if you’d like to reserve some, but there will be some on the door. Anyone on the guest list are welcome to donate to the charity if they so wish to do so, at the door.

Tickets Online Here

Let me know your coming on Facebook!

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There’s a Kidnap… In Pantoland!

No, not some kid’s pap in Poundland, there’s been a kidnap in Pantoland, or at least there will be if the Wharf Theatre have anything to do with it. Me, I’m trying to imagine: “he’s behind you!…..Oh, he was behind you, now he’s bartering for your ransom demand.”

Still,  The Wharf Theatre Group ask, “what better way to start the Christmas Season and get into the festive spirit than by taking the family to the Wharf Theatre to discover all the songs, jokes and slapstick fun you would expect from the magical world of panto?”

“Come and cheer, boo and generally join in as you help discover ‘who-done-it’ in this pantomime adventure featuring all of your favourite fairy-tale characters,” my money is on Buttons, never trusted that guy, always the quiet ones.

“Together you can catch the culprit and rescue Snow White, Sleeping Beauty & Cinderella who have all been taken hostage by someone in Pantoland. Help Detectives Maverick and Chirpy investigate the case with a little help from the goodies, including wacky washer woman Widow Twanky and silly servant Buttons. And remember to keep a look out for the baddies – Captain Hook, the Evil Queen, the Wicked Stepmother & the Wicked Fairy are hiding out at their club house, working on their alibis!”

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I confess, I’ve a little crush on the Wharf Theatre since the fantastic Little Shop of Horrors performance and it sounds to me like The Wharf’s spin on pantomime will be highly entertaining family fun! Tickets £12/under 16s £10, can be purchased from Ticketsource at:

https://www.ticketsource.co.uk/the-wharf-theatre/events

or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm or by ringing 03336 663 366. To find out what else is on at the Wharf pick up a new Autumn/Winter brochure which is now available from the Community Hub and Library and many other outlets around Devizes.

Wharf Theatre, Wharfside, Devizes, SN10 1EB

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The Return of the local Rave

Remember, Remember the fifth of November; or do you, I mean really? Or do you just watch the pretty colours of fireworks in the air? Throw away bygone connotations of restoring a Catholic monarch to the throne, I always consider the Gunpowder Plot of 1605 principally as a plan to blow up the House of Parliament, that’s enough for me to ponder if its failure is something, I should celebrate at all.

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So, The Gazette reports “an illegal rave which saw hundreds of people descend on a village near Devizes caused traffic chaos and left a huge clean up job of debris including needles, cannisters and balloons used for taking nitrous oxide,” on Thursday, when it estimated 500 revellers turned up at Pear Tree Hill, near Great Cheverell, Saturday night.

 
I always read such news articles with one eye squinting, knowing full well my youth, filled with personal involvement in such matters, recognised similar bulletins as complete hearsay and gossip-spreading scare stories, far beyond the realities of the actual events. The early nineties, the era of countless raves and mass illegal gatherings in the UK came to its apex when 40,000 ravers descended on Castlemorton Common near Malvern, in the May of 1992. So, let’s get the scale of Saturday night in perspective shall we, with its estimated 500 bods? That would’ve been deemed a “garden party” to ravers in the nineties.

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“Two men were arrested on drug and theft charge,” the Gazette continues, failing to compare this with an evening in a city, where I’d wager police would consider it a quiet night.

 
On with the next line, “A farmer who rents the land from the MOD said: There were cars all over the place blocking the lane. At one point an ambulance tried to go up but couldn’t get through. The mess that has been left is dreadful. There are needles and cannisters obviously used for taking drugs.” Let me just read a smidgen between these lines, it’s a farmer, the poor bloke has just had 500 kids arrive in his field to party, and you expect him to report an unbiased opinion, you expect him not to embroider to get his point across and release his frustration?

 
I fully sympathise with this farmer, and anyone this gathering may have affected, as I would’ve done back in the days when I was a teenage dirtbag on the hunt for escapism and adventure. I’d also like to state that a massive quantity of respect was then given, back in days of yore, for the land we partied on, and the even the neighbours. Contrary to popular belief, we would tidy up party sites, we would take care not to offend residents, and we would least attempt to communicate with police and allow access to emergency services. We were not savage; just bored kids celebrating our youth.

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We weren’t even politically motivated, until the government endeavoured to stamp it out. But what they tried to stop only spread the fashion further afield, across Europe. Now, though, has it returned to bite them in the arse; very few in the age group defined in the Gazette’s report would’ve been raving in 1991?

 
I quiver pondering how true this report is, but if it is and if a mess is being left, abandoned rubbish and general acts of social vandalism are being carried out under this banner of “rave”, I ask the hedonists in attendance, if we are to see a return to the nineties rave scene, please read up on it, see how it was done back then; yeah, it was anarchistic but we respected the land and others, our only mission was to party, not wreak havoc.

 
Organisers, take bin bags, encourage people to be considerate, don’t play the disorder card as it’ll only enrage them and they’ll try halting the party, then it turns nasty, which I know is far from your original intention, and a horrifying situation for partygoers to be in.

 
Sgt Pete Foster said: “We were initially alerted to this incident by officers patrolling the area, as opposed to a call from members of the public. By this time, in excess of 100 vehicles and 400 people were at the scene for what was clearly a pre-planned event, therefore it would have required significant police resources to disperse the crowd, diverting those officers away from a number of serious incidents across the county.”

 
“A risk assessment was carried out which determined there was a low immediate impact on the local community and a decision was therefore taken not to move the crowd on and instead, monitor the situation throughout the night. Two people were subsequently arrested.”

 
“We understand the inconvenience and negative impact this incident has had on those living nearby and we would encourage landowners to ensure their land is secure to help prevent incidents of this nature taking place in future.” This was precisely the attitude of police prior to the Criminal Justice Act, which allowed us a chance to go raving. For some I understand it may not be the correct approach, that acts such as these should be curbed, and if it grows then I’m certain it will, just as before. I’d like to congratulate the police for the right attitude. For if you resist, the matter will blossom out of control.

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Yet, who is to be surprised when, just as before, the government are financially crippling young people, tyrannising the poorest and slashing resources with economic depression, like cuts to services, raising stealth taxes and budgets targeting the underprivileged? Is it any wonder popular revolt and acts of anarchy will rise under times of such pressures? Find me a historical example when rebellion didn’t occur under similar circumstances, I dare you.

 
If the Government wants to control this before it gets out of hand, I’d suggest it ceases its oppressive insolence, reasons we rejected society was because we felt we were ignored, this should be measured. Build a positive reputation, a bond between officials and the youth, and for crying out loud, listen to them, it is their future. Remember, Remember the fifth of November.

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Malone Sibun Band @ Long Street Blues Club

Once again the club was absolutely packed out with punters come to see some of the best entertainment on offer in D-Town. It’s so good to see the club back on a roll.

Tonight’s support act was Thompson Smurthwaite – what a great name! – who had absolutely no trouble whatever in capturing the audience’s attention. Looking a little like Seasick Steve to the casual observer, the guy rolled out some wonderful harmonica blues. On his Facebook page he writes “I was found by the blues in my teens, sang them in my 20’s, met them in my 30’s, wrote them ever since. Harmonica was my first instrument and still in love” and this perfectly sums the guy up. Fully deserved the roaring applause.

Then onto the main act, which was served up in two separate large portions. The first helping had the protagonists – Devizes own supreme axeman Innes Sibun and Detroit-born Marcus Malone and the other musicians – all seated at the front of the stage, playing some beautiful laid-back stuff, thoughtful, melodic but definitely bluesy. This was music to draw you right in and make you feel good.

After the break the second helping was probably more what people might have been expecting, with a full-rip set of high-energy, explosive numbers. It was loud and proud, and the crowd lapped it up. This was a blues/ rock collaboration working in top gear.

So – yet another great night at Long Street Blues Club. Next up on 17th November is Lightning Willie and His All-Star US Band – another cracker by the looks of it!

 

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Back by Popular Demand, The Wiltshire Boy Continues Solo Campaign

“By popular demand I was asked to switch on the London road traffic lights,” announced our intrepid hero, The Wiltshire Boy. Part in the huge response to his one-man campaign against the roadwork lights there, seems dredging up old news and opening  healing wounds will not stop him on his earnest crusade, neither will the minor oversight that the traffic lights are not due to be switched on yet.

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“I must be in the wrong month, I reckon, as no one showed up; but it was still a special occasion!” he gladfully explained, “I will try again next month!”

“What about the traffic lights to the roadworks, were they on?” I felt it vital to ask, as some lights, any lights there would least gain this video some clout, and they certainly seem to grab social media attention; can’t begin to imagine why.

“I didn’t really look mate, the new ones were all covered up,” The Wiltshire Boy responded, “I just tried to find traffic lights I could look sexy next to….”

Though it may/may not have worked, and sound effects may/may not have been added, The Wiltshire Boy nearly lost the faith of his work companions, and their friendship hangs in the balance over an idol promise of cake.

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Oi, you going to “like” the Wiltshire Boy Facebook page, or what? Poldark does.

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Welsh Soul Band gave Scooter Club some Lovin’

A risky situation arose as James took to the stage at the Devizes Conservative Club last night, one slight jump from Welsh soul band, Gimme Some Lovin’s huge lead singer and he would’ve smashed his head on the ceiling. You couldn’t have slipped a sheet of paper between them. “We can’t wait to blow the roof off Devizes Scooter Club!” they wrote on their Facebook page prior to the gig, might’ve been for the best if they took it literally!

 
Pleased to say such incident didn’t occur, and the band’s presence was felt, large as their frontman, they blasted an excellent evening of classic soul covers at us, and metaphorically yeah, the roof blew off.

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Another quality and successful night for the Devizes Scooter Club then. Their singers swapping lead gave the show great range. James has the robust soulful vocals to carry off an awesome rendition of Little Help from my Friends, Joe Cocker style, and even make a grand job of Otis Redding’s Try a Little Tenderness, a challenge for the most accomplished vocalist. Two female singers, Jo StClaire and Eve Taylor, gave Gimme Some Lovin’ another couple of perfect dimensions, chatting outside to a friendly Jo, she informed me she’d only been with the band a month; a most welcomed addition with an awesome voice.

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The group were just as enthusiastic to be in our town as we were for them to be here, and they channelled that fervour into their show. Highlights for me had to be the introduction to the second half when the brass section and bass player impressively carried off Peter Gunn, and the remaining band returned to slide into Knock on Wood, and Mustang Sally followed this. I do not recall, however, hearing Gimme Some Lovin’ by the Spencer Davis group, after our preview spurted on about their namesake tune; not to worry, I was probably busy….at the bar.

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I have to say, unsure what the warm-up DJ was thinking, treating the place like a children’s birthday party in 1987, sure he played a sprinkling of archetypical but standard two-tone hits such as Bad Manners, but bouncing behind the decks waving his hands in the air like he was Fatboy Slim on a bank holiday Brighton beach whilst Tiffany and a plethora of corny eighties pop trash spun from his speakers, I had to shiver; was this a Halloween joke? Certainly, quite horrific, I sucked my lip and prayed for a good main act, and Gimme Some Lovin’ certainly provided that, a massive well done and thanks to them.

 
Trilbies off one again to The Devizes Scooter Club for a lively, welcoming and brilliant night of live soul music, something which despite its popularity here at the club, Devizes seems to lack elsewhere.

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Little Shopping at the Wharf Theatre

All images used with kind permission of Matthew Hennessy

 

Back to the Future has to be on my top ten list of greatest films of all time, and I bet you’re all dying for me to explain my reasoning, aren’t cha? No, what’d you mean, no? Going to tell you anyway….

In an era when sci-fi meant spaceships flying around shooting at each other, Marty and the Doc came along in a multi-genre blockbuster; it was cool action/adventure, coming of age rom-com, even spaghetti western in further episodes. But quintessentially, it was sci-fi, sci-fi you could watch with your parents without them questioning “are we still on the same planet as before?” or “why is that brown hairy beast piloting a spaceship when it can’t even talk?” and so such dribble.

Ever since Elliot befriended a long-necked rubber alien with a light-pen finger, breaking the boundaries of sci-fi was common in the eighties, plots as wide as two nerds generating the perfect female from a dolly and government computer system, to a group of university dropouts who create parapsychological equipment to trap ghosts. But there was one movie you rarely see on reruns, again sci-fi with a difference; having universal appeal, perhaps crossing genre with musicals was the reason for it not being quite so memorable.

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Despite critical acclaim on release, The Little Shop of Horrors tends to be rather lost in time, captivating a cult following. Seems the appearances of either Rick Moranis or Steve Martin couldn’t maintain mainstream attention as decades passed. But I loved it for its surreal horror-com come doo-wop musical mesh; it’s kind of Day of the Triffids meets West Side Story, with laughs, unbelievably. In fact, while its roots are from Roger Corman’s low-budget 1960 film, this movie is based on its off-Broadway musical adaption by composer Alan Menken and writer Howard Ashman.

But it’s been so long since I’ve seen it, I nudged myself whilst sitting in awe at Devizes’ wonderful Wharf Theatre on its opening night yesterday, I’d forgotten quite how it ends. It does conclude, for the record, in a fashion akin to its bizarre entirety, rejecting the confounds of stereotypical musicals with slushy happy endings, (unlike the film which, last minute, abandoned the musical’s ending for a gladder one) and perhaps with a moral that accidental fame can expose your darkest secrets, or maybe not, but I’ll say no more spoilers; You. Must. See. This.

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One of the longest running productions at the Wharf, you’ve got until next Saturday, 3rd November before it is history you’ll regret not bearing witness to. The Little Shop of Horrors is everything you dreamed it would be, and more. Aside the astute acting, fitting choreography and sublime musical accompaniment, which you should take as red from the quality benchmark of the Wharf’s previous productions, one thing which bugged me prior was how they’d recreate the more complex elements of the movie, being it’s an ever-growing, soul singing, jive talking Venus Flytrap from outer space, is all.

I’ll let you in now, it does not disappoint, it amazes. Hereward Newton-Edward’s masterful puppetry breathes life into Audrey 2, Samuel Phillis providing its bellowing soul voice, and with it a tidal wave of belly-laughs. Not that the only giggles to be had here are from the plant itself, the comical brilliance of side-characters such as the wino, played by Phil Greenaway, and the rounded main characters make for some highly amusing moments. Convincingly portrayed and so superbly acted, particularly Emma Holmes as Aubrey and Matt Dauncey as Jewish florist, Mr Mushnik; if I’d met these performers back stage I’d have expected them to be just as their characters, even consider showing Johnathon West an issue with a chipped tooth of mine (he plays Orin Scrivello, the tormenter dentist boyfriend of Audrey, you see?!)

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A flashback to Ghostbusters, where the bemused ‘key-master’ stumbles across ‘gatekeeper’ Sigourney Weaver, reminds me there could be only one Rick Moranis, a relatively unsung hero of eighties US comedy, perfectly cast as the scrawny geek protagonist here, possibly inimitable. It’s a role Chris Underwood, after twenty previous performances at The Wharf, slips under his belt with an astounding performance.

This dazzling show is sewn together with the chorus trio of Lou Cox, Laura Deacon and Georgia Elson, playing snidely, fifties bubble-gum-blowing schoolgirls who just seem to be hanging around the Little Shop to narrate a doo-wop song out of any situation arising, and masterfully too.

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The director Emily Holmes, production team, band, and its cast, this united performance, and the Wharf Theatre in general is an asset to our little town, already bustling with a variety of quality entertainment, and overflowing with talent. Why bother forking out a king’s ransom for a West-End show when this is on your doorstep? Even the drinks here are cheaper than in pubs!

Prior to the play starting my attention was drawn to a small cat who’d wandered into the contemporarily decorated foyer, indisputably without ticket, and the longboats moored outside; thespian pomposity has no home here; the Wharf Theatre is genuine, welcoming and has been sourcing actors and production teams locally since 1947. So, if like me, you’ve been missing out on our theatrical gem, this performance is the ideal time to check it out. Already popular and selling out fast, there’s no reason to flatter this show, I’m only, like a Catchphrase contestant, saying what I saw.

 

Book Here!

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Reaction to Wiltshire Traction

Waiting in the bushes by the railings of the train station my adolescent friends and I would crouch. Timed to perfection, upon seeing the train coming under the bridge, we’d start running.

Our eighties equivalent of electronic ticket gates was a lengthy leg, wrapped in dark grey trousers. Said leg was attached to a stout, greying moustached Scotsman, who, from his ticket office would suspend it to reach the wooden planked wall at the other end of the corridor leading to the platforms, infectively creating an impenetrable barrier.

If judged just right, we could enter the station at speed, skid on our knees under the protruding leg, pretend we didn’t hear his aggressive howl nor see his waving fist, pray he didn’t take up chase, scamper down those cast iron stairs onto the platform, and board the train to Chelmsford seconds before the whistle was blown!

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There it is, the train station at Witham; very little has changed save the digital clocks, you can even see the road bridge in the background we used to hide by!

Looking back the risk was hardly worth the reward; Chelmsford hardly a utopian paradise, yet it was our nearest larger town and had amenities above our own; namely a cinema and Wimpy bar.

We lived around trains, marvelled at their abilities and played by the line; the highly dangerous “chicken,” or at less extreme times laying slow worms on the track and betting sweets on which one would make it off before the train crossed; it was our sadistic version of pooh-sticks. But our obsession with trains was entirely practical, unlike my elder brother, who for a short chapter in his life paid pennies, actually paid, not for a ticket to travel rather for a “platform” ticket in which he and his nerdy, anorak-clad mates would stand writing train numbers in a book; God, how I laughed then, still do today.

Trainspotting was real, unsure if it still is, until Stroud’s Amberley Publishing kindly sent me a book to review titled Wiltshire Traction by Mark Jamieson. To buy a copy would confirm.

I confess I was intrigued by the prospect of reading a history of Wiltshire’s railways, being while home of the GWR plant in Swindon, anyone from our area under the age of Dr Richard Beeching’s act of axing several main lines in the sixties, doesn’t share similar fond but mischievous railway memories as mine above.

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Trains; choo-choo!

So, there’s me expecting an informative history of the railways here, from days of steam to date; my ignorance at the term “Traction” in its title. For what it’s worth it begins as such, a brief explanation of Wiltshire’s landscape, agricultural and industrial trades in an extract taken from Bradshaw’s 1861 Handbook of Great Britain and Ireland. The introduction then mentions the existing main lines, and GWR works, but only breezes over past lines before rambling headlong into some serious train-spotter jargon about major freight operators and where they operate.

This is the fashion this photo-book continues on, ergo I’d wager the series, which are all ingeniously titled “[enter county name] Traction,” are much the same. With no text hereafter the two-page introduction, save a complex blurb detailing traction models, serial numbers and which line it ran on, to which a train obsessed fruit bat might view the series as a biblical, the rest of us would remain baffled and mind-numbingly bored with at the passing of the second or third photo.

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More trains!

If you’ve only a passing interest in trains, as I, or you’re thinking “hey, maybe trainspotting might be a worthy hobby perusing,” I guarantee this book will put you off. You’d surely have to be a dedicated enthusiast to be entertained by this, but if you are, well then, buy Wiltshire Traction.

Perhaps I’m over-reacting but I’d like to have seen some narrative, what the trains meant to Wiltshire folk, how the Beeching Act affected their lives, what it’d have been like working at the GWR; all queries which could be answered with a visit to Steam in Swindon I suppose, yet this is a local book about trains I’d be hoping for, not an endless stream of similar photos of dirty trodden engines scooting through our green and pleasant land.

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And yeah, you guessed it. I don’t know what else I expected from a book about trains.

All said and done, needles are in the haystacks (an endless stream of traction engines running on lines images) as in between the barrage of train-spotter’s wet dreams, there are a few photos which caught my attention; one of the Intercity 125 in it’s glorious retro colours, the D818 Glory being scrapped at Swindon’s works, a class 08 overhaul also at the factory, and the new Hitachi-built class 800 units at Swindon station, but that about wraps it up for fear of donning an anorak; you, though, might like it.

Wiltshire Traction by Mark Jamieson

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Ryan McGarvey @ Long Street Blues Club; Review

Andy Fawthrop

 

Once more to the Conservative Club in Long Street for another offering from Long Street Blues Club. On Saturday night it was Ryan McGarvey.

 
Support act Phil Cooper was first up. This local singer/ songwriter gave us a number of self-penned songs, very much based on his own experience and feelings. Phil writes some good songs, is a fine guitarist and a strong vocalist. But his inter-song banter is what probably lets him down a little – he comes across as a little desperate and needy at times. I mean it’s okay to mention the fact that you have CDs for sale perhaps once, towards the end of your set, but not between every song! Still, the crowd seemed to appreciate what he did. And, musically, the guy done well!

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Then on to the main man, Ryan McGarvey, described in the media as “a star on the rise”. Ryan is said to tour constantly, and it was obvious from the very start that his power trio were a well-drilled, well-practised unit. His dynamic guitar playing style, screaming and wailing at times, lyrical and crooning at others, was a joy to listen to. With drummer and bass laying down some supportive bluesy, occasionally heavy, grooves the band built up the numbers in layers of sound.

 
But Ryan was not afraid to take the stage alone either. Whilst his two mates sloped off for a quick cuppa, Ryan provided some laid-back, haunting stuff that captivated the audience. This simpler, more stripped-back material demonstrated that Ryan is not just a one-trick pony, and these were a few of my favourite moments of the evening.

 

But then we were back to the power trio for the run in to the end of the set and the encore. Bits of virtuoso playing, bits of self-indulgence, together with some old-fashioned show-boating with the guitar seemingly playing itself on the floor. And it all went down a storm with the packed audience.

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Another great night at Long Street Blues Club. Next up on 3rd November is the Malone Sibun Band – another one not to miss!

 

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Review: Sultans of Swingers @ The Bell By The Green

Andy Fawthrop

 

Thursday night is not a traditionally busy night on the musical calendar in Devizes, so it was a rare treat to have somewhere different to fall into this week. I’m not normally a great fan of tribute bands to be honest, but Dire Straits are a particular favourite of mine, so I thought I’d give it a go – a sort of Private Investigation if you like.

 
Just as a generalisation (and bear with me on this one) – my belief is that a tribute band needs to look like their heroes (preferred, but not absolutely necessary) and to sound like them (absolutely vital). Otherwise, what’s the point? Sultans of Swingers didn’t really do either in my opinion. To misquote Eric Morecambe – they played all the right notes, in the right order. But beyond that, the magic wasn’t really there. So much of Dire Straits’ original distinctive sound depended on Knopfler’s vocals and on the lead guitar riffs, but these guys just didn’t cut it on that basis. “Money For Nothing” was a shadow of its glorious self, and played at a tempo way too slow. “Twisting By The Pool”, as another example, instead of being upbeat and exciting, with a sense of fun, was a bit low on revs. And “Heavy Fuel” was heavy work. You’ll have gathered by now that I didn’t really enjoy this performance. Just far too plodding and pedestrian for my taste. And I wasn’t alone – several people that I spoke to at the bar agreed with me.

 
Having said that, there was a good crowd, a good atmosphere and a lot of love in the room. So plenty of other people were clearly enjoying it. But not my cup of tea, I’m afraid.

 
I could have concluded that it was “Money For Nothing” but that would be a bit unfair, as the gig was actually free entry. And thumbs up to The Bell By The Green for getting that big back room open, and filled with live music. Another good Devizes venue. Let’s hope that there’s plenty more to come where that came from.

 

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Poldark Not Worthy Meeting the Wiltshire Boy

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See, I got to chase up that Wiltshire Boy for an article these days, now he’s hob-knobbing with celebrities and superstars like Poldark, and erm, Poldark. Those hedges won’t cut themselves yer know Wiltshire Boy…… blardy get arn wif it yer ganderflanker ewe.

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Busy hedge cutting at home and along comes Ross Poldark and says “I love your beard! Are you #thewiltshireboy? I follow your Facebook page ‘The Wiltshire Boy’ !!!! Any chance of a selfie with you????”

I said “I am a little busy pal but you seem like a nice guy so why not, the hedge-cutting can wait!!

So, now his moment in the spotlight is done and dusted, when can we expect more, I mean where is The Wiltshire Boy now? Hard at it?

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I’m starting a JustGiving page to ‘clear my 6-month bar tab, please give to this fantastic charity, this is so close to my heart, and means so much to me, THANKYOU !! and please give generously, big love.

So go on, give The Wiltshire Boy a “like” on his Facebook page: https://www.facebook.com/ollycoles78/ – after all, it’s hardly likely to make him more big headed than is he right now. I dunno, Poldark, whoever next, Peter bleedin’ Dinklage? A few more pints and there’ll be game in the throne.

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Devizine’s Handy guide to Halloween Happenings…..

The end of harvest means we’re moving into the murkier season; Halloween, the over-commercialised American-Gaelic festival of Samhain, a liminal crossover to the Otherworld, and its Christianised appropriation, where evil Aos Sí spirits, the souls of the dead and fairies pass to our realm in the dead of night, to bob for apples and bang on doors yelling “trick or treat,” slapped in cheap face-paint from Wilkos.

 
Appease the Aos Sí, miscellanies of pagan gods, nature spirits, and snotty-nosed brats to safeguard your livestock during winter, by handing them all of your space-dust covered Freddos, while cursing Spielberg for making ET and reviving our forefather’s sacred but mysterious festival, submerged in Yankee hogwash.

 
Complain endlessly, “we never had all this hallo-bloody-ween when we were kids,” suffering repetitive strain injury from mistakenly carving pumpkin; evil spirits will not infiltrate your premises if you place a pumpkin at your door, they’re all about turnips I’m afraid. All you will get is the snotty-nosed kid variety, which by the end you’d have favoured the evil spirits.

 
Note how the youngest thank you, while their experienced elders only thrust out their sausage-fingers in expectance and increase their productivity with haste and the manners of piglets. Ask a kid these days if they’d like to bob for apples and they’ll be expecting an iPhone.

 
Attempt a trick rather than a treat and receive a confused expression. But beware the cold and exhausted, politically correct father hiding in the bushes, or grinning with insane parental pride from the bottom of your path; yes, the trick part went out with flared trousers, just hand over the fucking Haribo, snowflake.

 
It doesn’t matter if the imp is inappropriately dressed in a non-horrific character onesie, never criticise or a Millennial parent will video you on his Android and seethe through finely-trimmed beard, “hey, don’t burden my son with your gender stereotypes, he idolises Upsy Daisy; you got issues mate!”

 
Stay in and watch the Michael Jackson Thriller Video on YouTube at your peril, for the rest of you sensible somebodies, here’s a guide to spooky-type happenings, and what’s to be doing for Halloween in the shire. But don’t be a zombie about it, check through now as tickets to some events are being booked swiftly.

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Thursday 18th October

The Halloween Ice Rink @ Whitehall Garden Centre, Lacock

Unsure what connection ice-skating has to Halloween, the ghost of Jackson Haines? But Whitehall has their ice rink set to go from Thursday and it runs up to Halloween night on the 31st. Sessions run on the hour every hour, each session runs for 45 minutes. £5.99, tickets include skate hire. All children must be accompanied and supervised by an adult at all times. Arrive at least 15 minutes prior to your skate session starting.
Book here: https://www.whitehallgardencentre.co.uk/shop/customer-events/groupid/2874/day/18/month/10/year/2018.html

Wednesday 24th October

Longleat House Ghost Tours

This a spine-chilling tour of Longleat House starts here and continues every day until 4th November. A ghoulish guide will take you through unseen cellars, eerie attics and dark corridors, all whilst sharing haunting tales of Longleat’s legendary past. It’s long been rumoured that the Grey Lady, Lady Louisa Carteret – wife of the 2nd Viscount, still wonders the House in search for her murdered lover.

 
You’ll hear all about Longleat’s ghostly residents but be careful not to disturb the dead… Who knows what might happen if you do – this tour isn’t for the faint hearted, join them if you dare!
https://www.longleat.co.uk/whats-on/longleat-house-ghost-tours?utm_source=FB_Gum&utm_campaign=ghost_tours

Friday 26th October

Little Shop of Horrors at Wharf Theatre, Devizes

Running until 3rd November this beauty has a tenacious link to Halloween far more than ice skating. Expect a review from me shortly after the opening night, as despite not being a lover of musicals in general, I adore this one! It’s a deviously delicious sci-fi smash, and one of the longest running off-Broadway shows. Little Shop of Horrors’ charmingly tongue in cheek comedy has devoured the hearts of theatre goers for over 30 years.

 

The meek floral assistant Seymour Krelborn stumbles across a new breed of plant he names ‘Audrey II’ after his co-worker crush. This foul-mouthed, R&B-singing carnivore promises unending fame and fortune to the down and out Krelborn, as long as he keeps feeding it, blood.

 

Buy tickets from the Devizes Community Hub and Library, Sheep Street, Devizes | Box Office Telephone 0333 666 3366 or online from: https://www.ticketsource.co.uk/the-wharf-theatre

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Halloween Party @ The White Hart Atworth

Formed from the band El-Nino, the brilliant four-piece, Plan of Action will be playing a mix of alternative, rock and indie music. Fancy dress is encouraged!

Halloween Ghost Train @ Swindon & Cricklade Railway

Continues on Saturday, same times, 6:00pm – 8:45pm Take a ghoulish train ride, now that does sound like spooky fun! Here: http://www.swindon-cricklade-railway.org/events.php#top

Saturday 27th October

The Very Scary Worton Monster Trail at Worton Village Hall

It’s a family friendly monster-themed scarecrow trail, running Sunday too. Come and wander around the village to find the monsters malingering in the gardens and try to guess who they are. Prizes will be given for the most correct guesses drawn at random. It’s £2 per person entry fee, and the trail starts from the Village Hall, running from 11am – 4pm.

 
I do hope they take the monsters down prior to my milk round in the wee hours, last year I got a nasty shock when I bumped into Mike Wazowski hiding around a corner in Mill Head!

 

Incredible Comic Shop’s Halloween Comic-Fest

Lots of spooky comics will be available for free at The Incredible Comic Shop, Brunel Shopping Arcade, Swindon on this day, and they will be holding a Halloween costume competition.

Kids Halloween Disco at the Wyvern Club, Devizes

With DJ Holz Stone, there will be games; hook a skull, tombola, fancy dress competition, and hotdogs and burgers on sale. £1 entry; all welcome 3:30-5:30pm.

 

Halloween Karaoke @ The Pelican, Devizes

Right up Krazee Devil’s street is Halloween; all in the name. From 8pm-1am, optional fancy dress Halloween party and karaoke, promises to be one hell of a night’s entertainment.

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Family Halloween Party @ The Owl, Bromham

5-8pm. Fun & Games, Spooky Bingo, fancy dress competition, free tickets for pumpkin raffle and hotdogs for a quid – all free too. If you pick up a ticket from the Sports & Social Club beforehand, it’ll guarantee a child goody bag.

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Dracula- the Panto! @ The Neeld, Chippenham

There’s a vampire behind you! Gothic meets slapstick in this fun-packed show which promises to have the whole family screaming with laughter. It’s become a true family favourite all over the country; full of irresistibly scary fun in true panto style, telling the tale of the infamous vampire as you have never seen it before. Only the Dame and a song sheet stand between the naughty Count and world domination…..

 
Two actors will take you on a hilarious journey, performing a bewildering series of costume changes to bring you countless characters including the frolicsome Dame and the naughty Count himself plus great songs to boot including the fiendish favourites ‘Bat out of Hell’ ‘Bad Moon Rising’ and ‘In the Midnight Hour’. One night only, standard tickets are £10 from here: http://www.neeld.co.uk/whats-on/dracula-the-panto/

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Halloween Gig with Dusk Til’ Dawn @ London Road Inn, Calne

Halloween fancy dress gig. Fancy dress recommend but not required.

 

Family Halloween Party @ Forest Community Centre, Melksham

Halloween disco. Free entry, fancy dress is optional.

 

Swindon Halloween Urban Party @ H2O, Fleet Street Swindon

DJ Bamzy, Dj Nemz and DJ Santo$, brings you “the best urban party of the year.” 10pm-3am, entry £5 all night, ladies free b4 midnight.

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Disco Undead III: The Final Chapter @ Basement 45, Bristol

Jim’ll Paint It hosts conclusion to a gruesome Disco Undead saga. Featuring two rooms of monstrous party music from disco, bassline and breaks to jungle, DnB and beyond. Bust out your best Halloween fancy dress for maximum respect and cheaper entry. The best dressed ghoul will bag themselves a prize bundle. Featuring VHS Hea, Kanji Kinetic, City Guys, Matt Ma G, Hurtdeer, Dr Muck, Edd Harris, Si Lindley, Rastey, Ray Von, Crazy Eyez, and Burns Unit. £6 advanced (includes fee) / £7 on the door / £6 in fancy dress. Tickets available from Skiddle: https://goo.gl/9eDr9w

Sunday 28th October

Halloween Spooktacular Fun Mile, by Brighter Futures GWH, Swindon @ Coate Water

Trick or treat yourselves to a Fun Mile for Brighter Futures at Coate Water. Whether you run, jog or walk, (I know what’d I’d choose) this event is open to all ages. Show your scarily good costumes, frightfully delightful pumpkin carvings and ghoulish guesses in the challenges in store for you. You will be rewarded with a medal at the finishing line followed by themed refreshments.

By taking part in our Spooktacular event, you can support any ward or department within Great Western Hospital that is special to you. You will be helping the doctors and nurses to fund new equipment and training, right through to ensuring that the environment is welcoming and comfortable for patients and loved ones.

Halloween Spooktacular is a great, fun-filled morning for you, your family and friends and the chance to join other people who care about their local NHS hospital. All we ask of you is that you aim high and raise as much as you can for this most worthy cause.
Entry: Adults – £7. Children 16 and under – £5. Under 5’s – free. All children must be accompanied by a paying adult to take part. To sign up: www.entrycentral.com/spooktacular

Monday 29th October

Pumpkin Carving @ Hillworth Park

Sessions beginning at 11am, 1pm, and 3pm, book early for this by calling 01380 721288. It’s £2.50 per child and they get a drink and spooky biscuit included. Not sure how a biscuit can be spooky, unless it’s six years out of date like the ones I often find lurking at the bottom of my biscuit barrel, but there you go!

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Tuesday 30th October

Halloween Holiday Activities @ Wiltshire Museum, Devizes

Continues into Wednesday, with two sessions per day, at 11am-12:30pm and 1:30-3pm the museum will be looking at Spiders, Witches & Potions! Book early. Suitable for age 11 and under, but ages 8 and must be accompanied. And it’s only £5 per child. Book here:

http://www.wiltshiremuseum.org.uk/?fbclid=IwAR1-r81BuNOHWlokUpDPva1ARlTRxft95fNxpYAnWQdZ4jSRO6fW7QBlegw&event-category=childrens-and-holiday-activities

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Halloween Feast @ The Methuen Arms, Corsham

Allow local magician Chris Hiscock to dazzle you with his amazing “TRICKS” while you dine; the taster menu is £25 per person, set to be full of surprises! Booking is essential; contact for availability: 01249 717060 methuen@butcombepubs.com

Wednesday 31st October: Halloween Night

Halloween at the Park @ Hillworth Park, Devizes

5:30-7:30, I know this event is Free, but what happens there is a mystery, which is no bad thing this time of year. It does come with a warning, whatever does happen will not be for the faint-hearted!

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The Crown at Bishops Cannings Halloween Treat, Tarot & Psychic Supper

Taking the tarot readings will be Mystic Ruth, who has been a Psychic for over 30 years, is well-known and respected and has appeared on TV and Radio, http://www.mysticruth.co.uk. Mystic Ruth will be joined by a guest Medium, Amanda Scrannage, www.facebook.com/spirtualmedium for those who would like a mediumship reading. The cost is £25.00 per person, which includes a 15-minute reading either Tarot or Mediumship and a 2-course meal. To book a reading please call 01380-860218 or email Thecrowninnbishopscannings@gmail.com

 

Halloween Spooktacular! @ The Water Meadow, Melksham

4-5:30pm, tickets £3 per child. Games, buffet, fancy dress competition and creepy cocktails on arrival.

Devilish Dine & Disco, The Crossing @ The Brunel, Swindon

4 – 6pm; a fang-tastic family disco, fiendish food offers to enjoy at our spooky dining area, face-painting, a fancy-dress competition and giveaways. Tickets £3 per child and can be purchased their offices, located next door to Something Different on the upper level of The Plaza or via the Facebook page https://www.facebook.com/TheBrunelSwindon

Friday 2nd November

Halloween Quiz & Quesadilla Night @ Times Square, Devizes

Tickets £5, does what it says on the tin; a spooky quiz night with deliciously filled quesadilla. Starts at 8pm.

 

BOO!

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Cracked Machine at the Southgate – Review

Andy Fawthrop

 

Yet another night of musical offerings in Devizes on Saturday. The venue of choice this time was The Southgate to catch up with the band Cracked Machine – a new one on me.

 
I knew we were in for a loud night when I realised I could actually hear them as I walked up Long Street. Inside the pub itself was a wall of sound, and I wondered if this had been such a good idea after all. There was a small, but obviously appreciative audience gathered, and I decided to persist. I was glad I did because after sipping a couple of pints and listening through a few numbers, I began to tune into their sound. They were billed as electro/ psychedelic and that turned out to be pretty accurate.

 

Loud – yes, but not without some structure and melody. Vocals were in pretty short supply, but the band began to put together some interesting musical structures. Apart from the standard set-up of lead, bass and drums, there was some great use of keyboards and loop tapes featuring spoken word. We were off on a journey somewhere, travelling sometimes at speed, sometimes floating. Tracks built up with more and more layers of sound, using different patterns and textures. And then there’d be a cut to some driving rock rhythms, before settling back to some space-age sounds. All a bit retro, but enjoyable all the same.

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Hang on! I thought – I’ve been here somewhere, sometime before. This stuff sounds both new, and kinda familiar. I couldn’t quite figure it out. I was still wondering as I reached home. Heading for the shelves of CDs, my hand was inevitably drawn to that long-neglected Hawkwind album. Ah! – mystery solved!

 
If you’ve not been keeping up to speed lately, you need to know that in the last six months since Dave and Deborah took over The Southgate, music has been put very much to the fore. Apart from regular music jam nights on Wednesdays, there’s usually free music on Fridays, Saturdays and Sundays. Head over to their Facebook page to see what’s on. With Hop Back cask ales (and occasional guests) on tap at only £3/ pint, it’s rapidly becoming a regular and worthwhile musical haunt.

 

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Can You Help with Christmas Shoeboxes for our Troops?

Get this, right, I’ve never, ever, in all my years, which aren’t as many as you may think, worked on Christmas Day. I despise the idea of working right up to the day, or even in the in-betweeny bit, and if I was to have to, the only thing I’d want is to do is get back home to my family, or prior to having a family, the pub!

 
For tis the season to be jolly, to be with the ones you love, Noddy said so, and to all who do go out to work on that special day, for reasons of goodwill and to help others have a great Christmas, takes a lot of doing that we should be grateful for; there I’ve said my piece. Try to imagine though, if after working that day you couldn’t even get home, double-trouble; can’t imagine what that’s like.

 
Now, where was I? Ah yes, the point. The Smiles Club, Wiltshire’s Operation shoebox is a Devizes-based arm of a group who send much needed Morale boxes out to our military deployed on active duties. They are in desperate need of items to go in the Christmas Shoeboxes for our troops. If you are able to donate anything Christmas related, from decorations, Christmas cake, puddings, mince pies, Christmas presents, sweets, chocolates, wrapping paper and, of course shoeboxes it would be greatly appreciated. You can even send a Christmas card.

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Recently the group’s organiser Amanda Wood-Woolley received a direct request from a Major, deployed in Estonia, one of the biggest locations the group send boxes to, with 800 troops, humbly requesting that no boxes are posted after 23rd November as mail is not getting through as quickly as they would like.

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So, the group, who operate all year long and have featured on local BBC for the Royal Wedding, aim to compete their mission by November, the final sending date is between 20th-23th at the latest. Anyone interested and with items to go into Christmas boxes, please them know when you would like them collecting, there’s a Facebook group to join with stacks of information how to help, ideas on what to get and even some heartfelt thank-you-notes from the troops. Amanda invites you to send her a personal message on Facebook, should you not wish to join the group, or you are not on Facebook, her email is: awoolley532@gmail.com

 

Smiles Club
https://m.facebook.com/groups/751490818369849

 

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Scooter Rally moved to Rowde

With wristband tickets planning to be on sale by the end of October, there’s no stopping for the Devizes Scooter Club in arranging the first (I believe it’s the first unless anyone can correct me) Devizes Scooter Rally, in July 2019. Although there is one major change, it’s location.

Club organiser, Adam Ford announced the new yesterday that the prestigious and highly anticipated event is to be moved to Sands Lane playing fields in Rowde. At present every other detail remains the same, the bands, prices and camping options, the whole shebang.

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“Main reason for change is the area,” Adam informed me, “it was looking a bit tight for space over at Coate, and we’ve a lot of people enquiring about space for Camper vans, etc.” It is hoped that with the greater area to work with, families wishing to attend will not be crammed in with other punters and further camping possibilities will become available.

 
“We’re really excited now,” Adam said, “and it’s full steam ahead.” Added addition to the new space will be options for a bar hoping to challenge pub prices, making it cheaper for the attendees, The Scooter Club are dedicated to making this as affordable as they can, without compromising on the quality of acts and happenings; the free camping option with a full wristband also being an acme to this ethos.

 
With continuing events at the Conservative Club, next up being Welsh soul band Gimmie Some Lovin’ on 27th October, the Scooter Club continue to adjust minor rudiments to improve and expand this forthcoming extravaganza; but this one in particular I thought would be of interest. For more details of the bands, etc, we’ve dedicated a whole page to the event, which can be seen here. Yeah okay, clever clogs, I’ve not changed the venue info on there yet, gimmie a chance will yer? Only got one pair of hands!

 

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Maggiora Plays The Bear – And Wins!

Following on from our preview (see here,) Andy reviews last night at the Cellar Bar.

Andy Fawthrop

 

There’s a very talented musician, singer and song-writer walking round Devizes this morning who ought to be feeling pretty damned pleased with himself after performing such a great show in the Cellar Bear last night, and making a lot of new friends in the process.

 
That guy is Steve Maggiora, and last night he played his only UK gig whilst travelling through the country back to his home in the USA. He was aided and abetted by local favourites Jon Amor on guitar, and Mark Barrett on drums. Together these guys formed an impromptu “Steve Maggiora Trio” for one night only, and yet it was like listening to a well-oiled, well-drilled band that had been together for years.

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Steve, rightly, commanded centre stage, playing some great riffs on keyboard, and filling out every song with powerful, soulful vocals. The energy he generated was exciting and stimulating, his voice hitting both light and shade perfectly. To his left Mark Barrett, as ever, provided supportive no-nonsense simple but driving rhythms on drums. His style is restrained and sympathetic in a way that he manages to make look effortless. And over to Steve’s right Jon Amor, local hero of this parish, poured out some of his very best guitar work. At times he was on fire, laying down some really hot bluesy licks. Each musician was on top form, a master of his craft, and commanded huge respect from the others, but together the combination was irresistible, and they delivered some really stunning numbers. It was a warm, rich, complex sound that drew you in and gave you a big wet sloppy kiss. And it was so obvious that these three guys loved playing together and were enjoying every minute of it. Their enthusiasm was infectious and the packed crowd absolutely lapped it up.

 
Playing a mix of his own songs and covers of some great classics, Steve had the crowd eating out of his hand right from the start. After absolutely nailing “Ain’t No Sunshine When She’s Gone”, the guys later came round to absolutely kick the living daylights out of “Knocking On Heaven’s Door”. The crowd loved it and sang along, creating an absolutely superb and enthusiastic atmosphere.

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Probably one of the best local gigs I’ve ever been to. I’d love to see the guy again, and hopefully we’ll manage to get him back in Devizes one of these days. High-calibre entertainment indeed.

 
The Cellar Bar at The Bear Hotel is a great venue for music at the best of times, but last night it was hard to imagine anywhere better to serve up such sumptuous musical fare. If you’ve not been before, get yourself along one of these Friday nights!

 

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DOCA Change Carnival Date

DOCA (Devizes Outdoor Celebratory Arts) closed its AGM with some exciting news.

Loz Samuels Artistic Director said, “after much consideration our Board of Trustees have decided to move some of the dates of our annual program. They are small changes but we believe it will enable many more people to become involved in our events. The times of all events will remain the same, just the dates will change with the exception of Picnic in the Park (18th Aug) and the International Street Festival (25th/26th Aug).

We will move Carnival to earlier in the year, the current date means that Schools are on holiday so miss out on the opportunity of working on their entries during term time. The new date for 2019 will be the weekend of the 13th of July 2019, we are yet to decide on a Saturday or Sunday and are now consulting with other event organisers in the area to avoid clashes. We have chosen this date after some consultation with teaching staff and believe it doesn’t clash with other major local events and isn’t too close to the end of term. We hope to create a program of support helping schools who want to be involved but need advice or help with making costumes and floats in the future. We hope to see school entries increase and the enthusiasm for Carnival start to grow enabling it to grow in size and spectacle.

Carnival has traditionally been our final event during the Festival Fortnight but this change will mean we now have the final Saturday free. We have decided to move the Colour Rush and Confetti Battle to 31st August 2019 making it our finale event. Changing this unique event to a Saturday should mean that more people can experience it as they will not working, we hope to get more runners signing up for our Colourful 5k run in 2019 than ever before.

Loz Samuels Said “I believe the Confetti Battle should have National significance, it’s an amazing event and is growing each year, the introduction of the Colour Rush has made the atmosphere even better and we want it to continue to grow and become more spectacular, I hope our audiences and participants will get behind these changes and take the opportunity to get involved. We are very keen to hear from any groups or individuals that may want to become more actively involved in Carnival to discuss how we can work with them.”

See the DOCA website for details:

http://www.docadevizes.org.uk

or call 07500786541 for more information.

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Teenage Country Sensation Emily Lockett coming to Devizes

 

Arriving at seventeen is a crossroads between childhood and adulthood where most of us dangle in limbo, at a loss to where the path will lead.

At the same age I didn’t know what was what, Stoke-on-Trent’s singer/songwriter Emily Lockett is busy working on her second EP, to feature three tracks already recorded; “Nice Eyes,” “Feel Love” and “Where We Left Off.” These two releases follow her 2016 album “Reflections of Me.”

With a stunningly graceful voice and the poignant song writing ability of a musician twice her age, seems this country-pop-folk artist, recently awarded British Country Airplay “Artiste of the Year 2018” in the people’s vote, has a flying start to a career in music. “I started learning to play the guitar at the age of about 5 and started writing songs when I was 12,” she explains on her website.

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So, if you thought the recently renamed Devizes Amerpolitain Club was a handful of line-dancing fogies, perhaps it’s time to rethink your preconception, as Dean Czerwionka constantly pushes the boundaries of the genre and brings a wealth of youthful talent to our town, Emily is playing at the Conservative Club this Sunday; it’s her first headline gig and blatantly, she’s one to watch.

“If you like Taylor Swift’s early work with an Avril Lavigne vibe then I’ll be right up your street,” she tells. But don’t let comparisons judge, check out the videos added here and see what I mean yourself.

Currently studying an Artist Development BTEC Level 4 at Access to Music in Manchester, Emily began on the talent show circuit at her tender age, her song “Reflection of Me” was highly commended in 2017 in the national Song Academy Young Songwriter competition, a fashion repeated this following year. It was performed live on BBC Radio Stoke, and a mountain of other local radio shows; deserves a warm, Devizes welcome, wouldn’t you say?

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https://www.emilylockett.co.uk

https://m.soundcloud.com/emilylockettmusic

https://open.spotify.com/artist/5jTBTukmcJaAfea5tj1I8x…

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A Night At The Opera!

 

The White Horse Opera’s Magic Flute, Reviewed by Andy Fawthrop

 

No – not a night with the Marx Brothers or a Queen concert, but an actual night at the opera! And in Devizes too – well it was Lavington School actually (no passport required) – to see the wonderful White Horse Opera’s 2018 production of Mozart’s most-loved opera The Magic Flute.

 
This two-act opera is a classic tale of good and evil, of love and loss, serpents, fairies, magical queens, spirits, sorcerers, castles, magic flutes and….well, you get the picture. Just the normal, classic stuff of your average opera.

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And this production was bang on. Well sung, well acted and well (musically) played by a dedicated (and very talented) company of amateurs, this was an extremely enjoyable night. By singing in English, using modern dress and a minimalist set, the team made the story accessible and easy to follow for a non-opera buff like myself. Mozart’s music, as ever, is light and lyrical. The libretto is straight-forward, eschewing the usual long miserable and repetitive arias so favoured by some composers, so things move along quite briskly.

 
Particular shout-outs last night:

 
• to Matthew Bawden who, playing the lead role of Tamino, had only taken up and rehearsed the role within the last ten days or so when his predecessor had to drop out due to unforeseen circumstances. He sang and acted well, betraying no sign whatsoever of being short of practice;

 
• to Barbara Gompels, playing the Queen of the Night, (not for the first time in her career) for her pitch-perfect delivery of some of Mozart’s most demanding soprano parts;
• to Chrissie Higgs for not only shuffling around the stage playing a shambling old lady in one of the chorus parts (frighteningly convincing!) but for the fact that she directed the whole production;

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But, to be honest, I didn’t spot any weak links at all – either in the cast or in the orchestra. A fine all-round production.

 
White Horse Opera is based in Devizes and was founded back in 1990. It produces both static and touring versions of many classic operas. It’s supported through sponsorship, fund-raising events and by ‘Friends’ of the Company. It’s all done on a voluntary, amateur basis – which makes it worthy of everyone’s support. It’s yet another jewel in Devizes’ crown.

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This production has its last two performances tomorrow (Friday) and on Saturday, for which there are still just a few tickets left. So, if you haven’t already done so, make plans to get yourself out to Lavington and have yourself a great night out! And – reviewer’s tip here – get yourself one of the padded seats!

 

White Horse Opera Website

 

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A Chat with Steve Maggiora

You know what I reckon? Devizes is in for a treat next Friday 12th, courtesy of the Cellar Bar, when Orange County multi-talented musician Steve Maggiora visits for an exclusive trio gig with Jon Amor and Mark Barrett. I reckon, no, I now know this because I’m listening, as I write, to his emotional rock ballads I’ve found online, and it’s good ol’ high quality easy-on-the-ear US rock, akin to Springsteen or Tom Petty.

As I wrote, the third track of his album, “When I get you Alone,” marched on with a funky intro; oh, there’s a clear soul and jazzy, Herbie Hancock fashioned influence thrown in too, methinks.

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Darn, I’ve got to alter my notes; it’s feel-good pop rock, but as Springsteen did with his early Asbury Park circuit work, there’s a clear funky soul spur thrown in, perhaps more than that, a larger sprinkling of a sound reminiscent of Curtis Mayfield seems to intensify as it progresses. With the only cover track on the album being a funky upbeat Don’t Know Why, Nora Jones rendition, Steve graces this contemporary pop sound and mate, I kid you not, it’s groovetastic with a blues nod.

Leaves me pondering who’d he’d cite as his influences. I’d have to badger the man himself as he wakes up in Dublin this morning! Phew, “I love your comparisons!” Steve told me, “Some of my major influences lately are Tom Petty, Marc Broussard, Allen Stone, Robert Jon & The Wreck.”

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Passionately, despite about to head out from an airport to his air B&B, Steve continues, “As far as this new record, Hearts & Scars goes, my producer, Jon O’Brien, and I were referencing Fleetwood Mac, Dawes, and Tom Petty for the overall sound of the record.” But, no mimicking, it’s a uniquely creative sound; what was his thought process during its creation?

“The intention of this record was to get myself back to song writing that is honest, and maybe not the easiest to put into words. Songs of love, loss, loneliness – which is can be a beautiful and/or tragic thing depending on what your perspective is. My 2016 record, which we will also be performing cuts off of – I’ll have both records for sale at the show – touched on that a bit with songs like ‘Middle Of Night’ and ‘Only’, however was focused more towards the funky/sexy/sexually driven tunes such as ‘When I Get You Alone’, ‘Freak In The Sheets’, and ‘You Know You Want It (Cause It’s Big)’, which have all been great crowd pleasers over the last few years. For “Hearts & Scars” though, I really wanted to embrace the harder things to say, in a still groovy way that I hope will resonate with people.”

I hope so too, on one listen I’m harking back to Marvin Gaye, mixed with aforementioned rock icons, Fleetwood Mac and Petty. I’m glad to get this opportunity to chat with him, as Steve is a workhorse, prolifically recording and endlessly touring, but we seem to have the only gig listed on his website, in England. “Is that right,” I asked him, “has Devizes got an exclusive show, and if so, how did this come about?” Over a gig in London or Bristol or wherever, where, judging by the highly polished and universally appealing quality of his sound, he’d go down a storm.

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“Yes, the Devizes gig will be a one-off,” Steve explains, “which I’m very much looking forward to! I was on tour earlier in September with Beaux Gris Gris & The Apocalypse, [who appeared at the Sports Club, if you cast your mind back to our review] which is where I first met and got to play with Jon Amor and Mark Barrett. After meeting Mirko through them during the time we were in Devizes, he offered a night for us to do a trio. The reason for only the one show is that I’m currently in between tours – having started with Beaux Gris Gris & The Apocalypse from September, I continued with one of my main bands, Robert Jon & The Wreck from 18 Oct-19 Nov across mainland Europe, followed by a private event in the Philippines, and then two shows in Tokyo at the end of November before heading back to the US.” You see where I was going when I said “workhorse” now, eh?

“I had originally planned to do a solo tour across UK and EU in between tours,” he continued, “however that did not pan out as it would have been too expensive to fly out band members from the US and hard to book a solo act for a first run; hence why I’m so excited for 12 Oct!”

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I’m digging it man, totals. It’s tagged at just £8 on the door; jot in your diary, for Steve considers this his “first true non-work vacation I’ve taken as an adult,” so it should be the informal relaxed gig we’ve come to expect from The Cellar Bar and Mirko.

“It’s really nice to unplug for a bit and jet set,” Steve finished on, “Music is a truly wonderful thing, an international language,” he expresses, “and truly brings people together. Having met Jon for the first time here in the UK just a few weeks ago, Mark a few weeks before that in the US, it’s been incredible getting to share the stage with them on this last tour, and I’m very much looking forward to sharing the stage with them again!”

Steve’s Website

 

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Groundhogs & Del Bromham Review

by Andy Fawthrop

The local joke runs that “nothineverhappensinDevizes” but recently it’s become increasingly difficult to decide where one should spend one’s time and hard-earned pennies in this town on a Saturday night. There’s usually music of one sort or another in several venues around the town.

Last night was a bit easier – simply because of the quality bill on display at Long Street Blues Club. Wandering into the Conservative Club we knew we’d made the right choice. The place was pretty packed, with all the seats and tables near the front completely full well before the show started. So we had a great atmosphere going in the room before the bands even started.

First up were Ken Pustelnik’s Groundhogs. Originally formed way, way back in 1963 in the middle of Britain’s first music explosion, the band has morphed its way through many line-up changes during several decades before fetching up here in our lil’ old town. Ken himself, originally the drummer from the classic early line-up, now fronts the band and has surrounded himself with some great young musicians. Although only a relatively new line-up, you’d never know – the band was tight, forceful, driving dynamic. From the very first number, we knew we were in for a great set. Superb guitar licks, a thumping rhythm section and sparse vocals, interspersed with some wonderful improvisation sections – what more could you want? This was blues/ rock at its very best, and the crowd absolutely loved it.

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After the break, came Del Bromham’s Blue Devils and the quality, unbelievably, went up yet one more notch. Del was a founder member of 70s legends Stray, and there’s a lot of the back catalogue still in the set. Like the Groundhogs, Del’s band has been through many changes over the years, and again the lead man has pulled together a superb younger line-up around him. The drive and the energy of every number were plain to see. Catchy guitar riffs, supported by tight drumming and bass lines and we were off on another blues and rock odyssey. Two things gave this band the slight edge for us – the inclusion of some hot keyboard work, which just added an extra dimension to the sound, and secondly the infectious bantering style of Del himself. Once again the crowd was engaged and in full support. We did not see one single person leaving early!

Both bands played a superb set, and were terrific value for money. Didn’t catch the engineer’s name but have to say that the sound quality throughout the gig was spot on.

We’ve been to several sessions of the Long Street Blues Club now and not been to a bad one yet. The quality of the acts booked by Ian Hopkins and his crew is top-notch, and we’re very lucky to have a team so dedicated to bringing bands of such high calibre to our little town. Last year the Club was quite near the edge financially, but thankfully ticket sales have picked up again this year. Really glad to hear it!

You can get tickets for these gigs from various outlets in town or, if not sold out, on the door. The club also does a discount deal in the form of season tickets for 5 or 6 gigs. The best thing you can do to support live music in our town is to get along to one or more of these gigs and see what we’re talking about – you won’t be disappointed. Have a look on Facebook for upcoming gigs through to December.

If you’ve yet to venture up to the far end of Long Street then don’t worry – you won’t get a nose bleed! The Con Club is accessible and open to members and non-members alike. They’re very friendly and they don’t bite!

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Gimme me Some Tickets!

“We’ve got a two-hour set and every single song is one which everyone knows. You can’t beat the classics,” James, Frontman of Gimme Some Lovin’ reassures me, ahead of their appearance at Devizes Scooter Club.

The 1970s and 80s were not kind to Carmarthenshire’s largest town, Llanelli. Dependant on the coal mines for tin production, it felt the fate of their closure and fell into economic decline.

If Wales isn’t a breeding ground for raw musical talent enough, when hard times befall an area it’s affiliated with a rousing in the creative. I wondered if this was a driving force behind the Llanelli-based soul covers band, Gimme Some Lovin’ so I figured I’d catch a few words with frontman James, prior to their gig at The Devizes Scooter Club on Saturday October 27th.

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But as it turned out, Llanelli is just a base. “If I’m honest,” he replied, “we’re from all over the place. I’m from Cardiff, the guitarist is from the vale, and the brass guys are from Swansea. It’s a big demographic too; from late 20’s to those with bus passes.” While I’m not quite eligible for a bus pass, yet, that’s brilliant news for the Scooter Club, who are quickly building a reputation in Devizes for putting on high quality events, which despite its retrospective ethos, surprisingly attracts a wide age group too.

Gratitude to the Scooter Club, for sourcing recent acts such as the dazzling All That Soul; it reassures when a billing arrives in our town which we may not have heard of. This said, Gimme Some Lovin’ can sell out a show in Wales, as they have next weekend in Cardiff, and as James proudly states, “We had a near-capacity crowd for the Monmouth Festival (5000+.) We sell out the Neon in Newport every year with our Christmas show too.”

So, with status assured, what’s in a name? I denoted the Spencer Davis Group’s classic single in our chat, a song which they wrote and arranged in just half-hour, and recorded the following day, under pressure from Blackwell for a hit. Its attraction, though, is in its simplicity, surely? “Is it a silly question to ask,” I asked James regardless, “if you’re going to play The Spencer Davis Group?!”

“How could we not?!” he replied, yet it was only an inbetweener question to probe James about what we can expect on the 27th. “It’s very much a classic soul set,” he continued, “I’d say that we’re very much like the Commitments; classic soul with a modern edge. I think our front-line vocalists take us a little further away from the originals too, as they’ve all got massive, unique voices that seem to elevate the tracks, especially live!”

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The more the enthusiastic frontman eludes the details the more eager I am to catch this band at the Cons Club. James, a songwriter himself gasps at the idea the Spencer Davis Group could knock out their namesake single in such a short time, “sometimes the best ones just fall out. I can’t say I’ve ever managed anything in half an hour though!” But it’s unlikely we’ll hear any original material, “We tend to stick to covers,” James expressed, “We’ve been considering getting some original tracks in there but, with so many great songs to pick from, it’s impossible to decide what to drop!”

While the trend for original compositions on the local live music scene is a constant deliberation between artist and promoter, the Scooter Club know their crowd, and this closing statement from James: “We’ve got a two-hour set and every single song is one which everyone knows. You can’t beat the classics,” is so pertinent it’s easy to visualise this night being a soul stonker for Devizes.

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I’m smitten; the Club will be so glad if you made it too! Tenner tickets to Gimme Some Lovin’ are at usual outlets, The Cons Club and Vinyl Realm, and even Jeffersons where you can fill your soul with the best breakfast in town (the things I say for an extra sausage know no bounds) While there’s a price given on the door at £13, seizing an advance ticket is advisable, even if your name is Spencer or Davis.

Gimme Some Lovin’ on Facebook

Devizes Scooter Club on Facebook

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Joe Hicks at The Three Crowns

By Andy Fawthrop

Sunday afternoons in Devizes can often be a bit of a dead slot as far as musical entertainment is concerned, so hats off to The Three Crowns in Maryport Street for introducing some great laid-back live music sessions. Following several successful sessions in their very pleasant courtyard over the Summer, the music has now moved inside to the bar as the temperatures start to drop.

But there was no lack of warmth yesterday when Joe Hicks took to the mike. We dropped in for a couple of pints to catch his sets and were not disappointed. Delivering a seamless mixture of self-penned songs with a wide range of covers, Joe has a winning personal style. His infectious engagement with a supportive and vocal audience made for a great afternoon’s entertainment. Having only briefly caught part of his sets previously, it was great to just relax with a drink and give the guy a proper listen. Accompanied by some laid-back and sympathetic drumming, Joe’s guitar work was first class. He’s got a great voice too, which he used to great effect.

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We loved his ability to vary his approach, texturing his vocals to suit the song. Whilst some singer/ songwriters come across as a little single-dimensional after a few songs, this was not a trap Mr. Hicks fell into.
Great atmosphere – really enjoyed the gig and made us want to go see him again.

If you’ve not been to The Three Crowns, and you’ve not heard Joe Hicks before, then both come highly recommended.

More on Joe Hicks

 

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Sisters Doing it for Young Melksham

I still argue today, that it wasn’t the end of the despondent era in UK music, where attempts to push underground rave culture and indie music to the mainstream caved into this “cool Britannia” era of patriotic bubble-gum pop, or a backlash to its plethora of conventional, clean-cut boy bands which heralded the success of the Spice Girls, rather where prior single-sexed bands conformed to a uniform of style and fashion, The Spice Girls where individuals; kind of like a league of superheroes each with divergent powers. Female fans debated which one they’d like to be, why males debated which one they’d like to be with.

 

For all-girl groups were nothing new, take The Supremes as an example, and their slogan, “girl power,” was blatantly stolen from a feminist US punk zine. I contemplate this individuality as I sit in the Melksham Assembly Room observing five women, from bands of varying genres, sing covers with faith, a sense of inimitability and a whole lot of fun. There was something uniquely different about them all, but their similarity to the Spice Girls ended there, thankfully.

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When, after some great support acts, Jules Morton excused a break in the performances with “while they get the right knickers on,” it was obviously going to be an evening girls governed, not so much in song selection, as Pink Floyd’s Another Brick in the Wall, and If you Let me Stay by Terrence Trent Darby hardly define ground-breaking moments in femininity, although Joan Armatrading’s Drop the Pilot and The Look by Roxette arguably do, but their refined execution which had just as much sprinkling of girly attitude as their pink feathered microphone stands.

 

Notwithstanding it was predominantly girls who’ve gathered on the dance floor at the opening of The Female of the Species annual charity gig at Melksham’s Assembly Hall last night, although husbands and boyfriends soon succumbed.

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Variety then is what the punters got, it’s what they were expecting after five consecutive years of this charity fundraising extravaganza. There was an insatiable atmosphere of diversity and timely professionalism which blew this high roof. A moment for all the girls to proudly take back to their respective bands, safe in the knowledge they raised a grand sum for Young Melksham, a worthy local youth community project.

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While Nicky Davis of the Reason, and People Like Us, gave the evening that contemporary pop-rock element, Julia Greenland from Soulville Express bought some classic soul, and while solo artist Charmaigne Andrews added a pinch of punk-rock, Jules Moreton of Train to Skaville, and her saxophonist Karen Potter ska’d it up. If that’s not a melting pot of variety enough for you, Frome’s Claire Perry of Big Mama’s Banned had a variety all of her own, with a natural wit to bind them; taking on the slow jazzy Alison Moyet number, That ol’ Devil Called Love was not taken lightly, but accomplished sublimely.

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Like Spice Girls, I tried to pick a favourite, but this time based on quality of their voices and performances! This was becoming increasing difficult as each one took centre stage, and through an assortment of classic pop songs they meandered, Julia taking my breath away superbly covering Stevie Wonder’s I Wish, Charmaigne belting out Seven Nation Army, Jules Dropping the Pilot, and Nicky exploding from behind her keyboards to execute an absolutely amazing rendition of Heard it Through the Grapevine, I couldn’t single one out.

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Clickbait for me on YouTube was a video promising a duet of Madness by Prince Buster AND Suggs a while ago, taken from the Jools Holland show I believe. But it only disappointed as there was a clear friction between both legends; Buster looked incensed at this guy who’d made a more worldwide renowned career from his songs, and even named his band after one of them, while Suggs, who was clearly upstaged by his idol and knew it, wore an expression that uncentre in the spotlight was not a place he was used to being in. Despite these girls last night all coming from varying local bands there was never the feeling of competition or envy, rather a mutual respect and love, in which they harmonised each other’s songs. This transpired with a breath-takingly exclusive show, combining each’s own talents as, not just a sample of their work with their bands, but an unstoppable amalgamation of female aptitude.

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I was stood outside with a member of the backing band, and Jules and Julia, while he expressed to me the infrequency of rehearsals, being they were all dedicated to other bands, the backing band itself a consolidation, but you’ve had hardly noticed at the show. A fantastic night of which you should attend next years. Annually it’s for a different charity each time, but after this, their sixth go, equally all as awesome. Hats off to all involved.

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Pressure at Trowbridge Town Hall Arts

For a second year, Trowbridge’s Town Hall Arts will open its doors to the public to celebrate Black History Month.

 
This year the Black History Month Celebration will be a tribute to the legacy of the Windrush Generation. It is 70 years since the arrival of the HTM Empire Windrush which was carrying more than 1,000 migrants from the Caribbean who were invited to come to help rebuild war-battered Britain.

 
The free event will start on Saturday 6th October at 12.00 pm with the opening of the exhibition ‘Wiltshire Remembers the Windrush Generation.’ This exhibition consists of eight panels reflecting the story of those who came decades ago to this county: stories of leaving their birth-place, their integration and their identity. This project has been designed by the Wiltshire and Swindon History Centre.

Traditional Caribbean food will be served from 12.30 pm and people can enjoy live music. There will be a crèche and activities for children will also be available and two drumming workshops.

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During the afternoon, the popular female Quadrille dance group ‘JANUKA’ will be performing and encouraging the audience to participate in a dancing workshop. They will be travelling from South East London especially for the event.

 
At 2.00 pm there will be the screening of the classic film ‘Pressure’ (1975) by Trinidad-born director Horace Ové. ‘Pressure’ is considered the first feature-length fiction film by a black director in Britain and the first British film with an all-black cast.

 
Set in Ladbroke Grove, West London, an area with a large Caribbean population since the 1950s, the film shows the spirit of the 1970s through the life of Anthony, a black teenager born in Britain of parents from Trinidad and his struggles to find his way and identity in a white-dominated society. The film is suitable for anyone over 15 years old.

 
In addition, two short films will be shown prior to the screening of ‘Pressure’: ‘Hairitage’ (2016) directed by Aisha Sanyang-Meek, and ‘Beneath the Surface’ (2017) directed by Yero Timi-Biu. These short films directed for two talented young women, explore different aspects of black struggles from a contemporary point of view.

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Seats are limited so those wanting to see the films should book tickets in advance online at http://www.trowbridgearts.com, in person at Town Hall Arts, Market Street, Trowbridge or by phone on 01225 774306. There is no charge for the tickets.

 
This Black History Month celebration has been made possible with funds from Heritage Lottery Fund and it is supported by the Film Hub South West through the BFI Audience Network. This organisation has made it possible to run a third season of the multicultural community project ‘Getting Together Through Films’ in October and November 2018 and January 2019.

 
The Celebration has been organised by a partnership between Wiltshire and Swindon History Centre, West Wiltshire Multi Faith Forum and Town Hall Arts.

 

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Survey: Make Some Noise – help shape the future of accessible music making — The Arts in Wiltshire

Calling all Music Educators, Music Makers, and Music Retailers. Earlier this year, Youth Music entered into a partnership with Creative United (who run Take it Away), OHMI, Drake Music, and OpenUp Music to work together bring more adapted and specialist musical instruments into the mainstream. One of the first things we’re working on is a piece of research […]

via Survey: Make Some Noise – help shape the future of accessible music making — The Arts in Wiltshire

Devizes Scooter Club Donate BBQ Day Funds to The Opportunity Centre

Trilbies off once again to the Devizes Scooter Club, who vroomed their hairdryers down to the Devizes & District Opportunity Centre Friday to donate a grand total of £1333, raised from their hugely successful Charity BBQ day in July at the Conservative Club. The Day-Breakers played, along with Blondie & Ska from Chippenham. There was plenty to do for all ages and the sun shone down on us all. Oh, bring back the summer!

Charity BBQ day. Images by Ruth Wordley

The Devizes & District Opportunity Centre, a small independent local charity with over 30 years’ experience of working to promote the overall development of young children with disabilities and difficulties, opens a world of opportunities for children and their families through high quality early years education, therapeutic care and ongoing support.

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First hand I’ve seen the wonder, delight and care this organisation, and the super heroic staff bring to Devizes and we should be truly grateful for the hard work they put in.

 
Meanwhile the Scooter Club zoom on, with a nine-piece soul band, Gimmie Some Lovin’ on Saturday October 27th at the Conservative Club. Tickets are £10, on sale through the club and Jeffersons. Then their monthly music nights continue with The Brightoners on 24th November. Aside from this though, if you’ve a scooter, or just wish to attend ride-outs and meetings, join them on Facebook.

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Pewsey Carnival Photo Gallery

It’s been a few too many years now since I attended Pewsey Carnival, at one time the largest and most renowned carnival in Wiltshire; I wonder if it’s still as madcap and brilliant as it once was? Ever wondered the same? I mean, howling winds, raining cats and dogs this year; surely they wouldn’t have all……..

If you thought like this, you’re not from Pewsey! Do these excellent images by James Kellar answer your questions?!  Thank you very much for allowing us to publish them James!

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One third of a review, Folded

Glad I popped into The Lamb for a pint now; Vinyl Realm’s maiden voyage into live music evenings, for as I suspected, The Compact Pussycat rocked.

 

What? Devizine is free, so no, you can’t ask for your money back; a third of a review is all I’ve got in me today, be bloody grateful. I’m here for the love people, but duty calls elsewhere and I’m too old (and scared) to call a sicky.

I ask you; that couple from Vinyl Realm, arranging their first evening of live music…on a Friday; did it with full knowledge I was unlikely to attend I wager! Egg on your faces Pete and Jacki, ha- if only for a pint, I made it anyway, with a grump-on to boot.

As much as it’d thrill me, because of fatigue and this off arrangement, to be highly critical of the evening in the function room of the Lamb, hereafter known to those in the know as The Fold, I couldn’t if I tried.

For what do I find on arrival at my old watering hole? A steady crowd gathering with anticipation, the opening act loitering in the beer garden, but a buzz and welcoming atmosphere about the tavern that they were in for a good night. Yeah, cheers then! I’m not bitter, honest.

Still, I was keen to check out Calne’s Compact Pussycat, as just like this fraction of a review my experience of them is fragmented. I.e.; I’ve seen both drummer Jack Moore and front man Jordan Whatley performing as solo artists but never as their group.

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So, think of this as a three-way fold, all you’re getting is the opening third, The Compact Pussycat; deal with it. And my deepest apologies to Pewsey’s middle act, acoustic heroine, Sally Dobson, of whom I had to nip out from and attempt at least ten of my forty winks; even if she’s always so nice and chatty to me, assisting me in my quest to prevent my eyelids from crashing downwards.

Same goes for the headline act, The Cracked Machine, notwithstanding both have recently been under Devizine’s spotlight with blindingly justified album reviews, and of whom I’ve no doubt would’ve put in an outstanding shift at the Fold. Feedback of it has been above excellent.

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Sally Dobson

With the notion the only critical element to Oliver Stone’s biopic of The Doors being Jim Morrison was portrayed as far too serious; yes, responded the surviving members of the band, he was that nuts, but in a good-humoured way the film simply didn’t convey, I enjoyed Jordan’s performance immensely. For he brews in confidence, an attitude of a gothic band of yore, the stage presence of Jim Morrison with said charismatic madcap wit, and the passion of an upcoming demi-god of our local music scene.

Glad I popped in for a pint now, as I suspected The Compact Pussycat rocked, with a stylised and showy performance. It’s a mellowed blues rock of skill which caused Sally concern of how to follow. “Do a lot of floor work,” I suggested, omitting the option of breakdancing for fear of a slap, as Jordan is never motionless in his grand performance. Judge for yourself with my blurry images, he’s either standing on stool, observing the posters on the wall, if not mostly on his knees with passion in his vocals.

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So, you’ve got a fairly good picture of the brilliant night at the Fold hosted by Vinyl Realm, if only a third of it. Here’s to the planned future events there and hope I’ll get a Saturday off work for one of them at least!

So, despite my personal situation, live music in Devizes is predominantly on Saturdays, therefore I’d reason the arrangement is welcomed. And as to the Compact Pussycat with their ironic, I feel, name, as nothing was compact neither Pussycat about them; they’re a lion in the hall of local music, hats off to them.

 

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Don’t go Dutch…go Bavarian!

By Zoe MacMillan

 

Saturday 29th September sees the village of Seend embrace the vibrancy and culture of Germany as we say goodbye to September & embrace October, with the annual Oktoberfest celebrations.

Last year’s games were such a success that there’s sure to be more of the same this year too with traditional Bavarian games & competitions to help you build up an appetite for our authentic German supper and a variety of German beers to wet your whistle.

And if that wasn’t even to keep you entertained it’s an opportunity to get your ‘Herr’ done (I’m sorry, not sorry for exploiting the opportunity for a cheap gag) release your inner Frau und Freuline, Damen und Herron and get yourself togged up in your lederhosen and Wenches finest (not obligatory, but great fun!) In an attempt to support European relations, we will Finnish up with a good ol’ English knees up and disco.

This is a ticketed event. Tickets are £12.50 to include supper and can be purchased from the Seend Post Office & Community Centre. The evening starts at 19.30. I’ll be there…question is, will you?

Facebook Event Page

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Nightlights on a Different Pathway

There’re smooth, emotive vocals from the off with this debut EP from Devizes own Nightlights, “Different Pathway” which prompted memories of Simple Minds, and a solid melody which made me think of Tom Petty’s Heartbreakers.

 
Another homemade band so far escaped me. Just how many others of you are out there I’ve still to stumble on? Devizine is just as much a learning curve for me as it is for you, which is nothing but a good thing. Ben and Cam jump to my defence though, explaining “We’ve only been together as a whole band for just over a year now, and have been working hard to craft our sound and practice for gigs.”

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For a work-in-progress only stretching a year, Nightlights sound prodigious and tightly polished. There was me thinking this was going to be a run-of-the-mill pub circuit band. And, what’s in a name? I felt Night Lights a tad clichéd, besides not particularly apt coming from a town hardly Blackpool Illuminations, where it’s a tall order to ask the county council to bung on a street light of an evening.

 
Still, I can’t blame twenty-somethings Ben, Nath, James, Tristan and Cam who make up this enthusiastic band, for council spending cutbacks, with the undeniably wonky logic of which switching street lights on when it gets light seems passable. I could ask if they fancy a job at county hall, they seem to have their heads screwed on. Rather though, I inquired if they think their matured sound marries up to my Tom Petty comparison, with nods to an eighties rock vibe, such as U2 and level 42, etc. I mean, what are these guy’s influences for producing such an astoundingly solid debut EP?

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“I think Tom Petty is a fair comparison for Free & Sunshine,” they reply, “not sure if any of us really listen him to be honest, so it could just be something we picked up!” I approve this, for between the three tunes “Sunshine” is perhaps the closest, a country-rock riff. “Free,” however comes over blues inspired; be them Rolling Stones me thinks.

 
“Our influences are quite varied,” Cam expressed, “A few of us are into Blues and Classic Rock, so Clapton, Pink Floyd, Led Zeppelin, The Beatles, The Rolling Stones and Knopfler.” This holds no surprises on hearing these tunes, as even though I state one signals blues while the other country-rock, there’s a definite style with Nightlights which bind them. What followed in our chat did surprise, “Then some of us have more modern influences,” he continued, “like Blur, Gorillaz, Bloc Party. Then there’s other bands and artists like Prince, Tool and Iron Maiden.”

 
Maybe my aging ears erroneous, as I hear Blur possibly, but as far as what’s coming across my speaker, there’s nothing too progressive or “dancey” as Gorillaz, and nothing too heavy for Maiden. These are just three enjoyable, evocative, grooving driving tunes performed fervently and with style. “Yeah,” they explain, “it’s a weird one really. I think we try to take inspiration from the past and move forward with it.” I reckon that works; here’s a sound with the professionalism of old fifty-something rockers, but a fresh breezy approach of youth. Impressive.

 
“It all mixes into a musical bucket,” Ben laughed, “and comes out nicely.”

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It neither tinkers with interminable intros or soundscapes for twenty minutes at the close, there’s no special effects, disco synths or samples from a sci-fi movie, just unadulterated rock. Don’t take my word for it, have a listen and I think you’ll agree Night Lights is one to keep an eye on. As while these tunes are fantastically accomplished, it’s an early crease and, I think their magnum opus is yet to come. As with the bands I’ve justifiably compared them too, who rely on that single, signature tune of magnificence, I think it’s only a matter of time before Night Lights trigger that one tune, and you want to be around when it does. Until that moment, Different Pathway is an excellent debut.

 
You can hear with this Soundcloud link; or Spotify link; it’s digital download only, from iTunes and online sources, and they told me, “We usually have copies of it at our gigs where we accept donations for it.”

 

You can catch them at The Churchill Arms West Lavington on 6th October and at The Black Swan in Devizes with Luke Clements-Mitchell on the 20th October. Like their Facebook page for further updates.

 

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Macmillan, who is he and why does he love coffee so much?

Macmillan, it’s a support charity, helping people from the moment they get that dreaded message. It’s a helping hand if everyone’s worst nightmare comes true; Macmillan are there to help them through it. Fit, unhealthy, smokers, non-smokers, binge drinkers to tee-total, cancer doesn’t care, it can devastate anyone’s life.

Friday 28th of September and beyond, some on the 27th, others flowing over to Saturday, all these sperate coffee morning, on a mass scale. You’ve seen the adverts, many have got involved.

Me, I thought it’d be nice to mention it, and let you know the local places taking part. So, I put a post on local groups at the ol’ book of face, encouraging those participating to let me know, so I could compile a comprehensive list here on Devizine.

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I then went over to the website where you can check who is taking part in your area, to see if there was any I may have missed. Boy, was I shocked, that filtered for SN10 results came up with a staggering 5,008 different events; that’s a lot of coffee.

Too much for me I’m afraid, I’m a tea kinda guy and so much as a coffee flavoured chocolate turns my nose up. But what’s in a name? There’s tea and, and, yeah; cake, to twist any arm. The charity even provides a start-up kit with cake recipes. Schools, community halls, pubs and perhaps a coffee shop or three are rallying to the cause.

So, given I’ve no intention of listing them all, here’s the ones who replied to the post, alphabetically so there’s no arguments, cake throwing and crying over spilt latte; but do check the website here, where there’s details of all events taking place. All listed below are believed to be on 28th unless otherwise stated.

The Barge at Seend
Bewitched Beauty Salon in New Park Street Devizes
Bulkington Village Hall (29th)
Charlton Baker in Snuff Street
Ferndale Dental Clinic, Estcourt Street Devizes
Nursteed Primary School
Seend Community Centre
Three Crowns, Devizes (27th)
Times Square, Market Place, Devizes
Wiltshire Museum, Long Street Devizes

But it’s not just organisations taking part, some do a coffee morning in their own homes,  as Nazile Matthews pointed out, it’s all round to her mum’s at 1 Longcroft Avenue, Devizes. Put the kettle on Nazile’s mum, and the best of luck with all these super fundraising coffee mornings.

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Day Breakers at The Scooter Club

Scooter enthusiasts will descend on Woolacombe this weekend for an annual rally. Back in Devizes our own Scooter Club host their monthly do at the Cons Club on Saturday night (22nd Sept), with the brilliant Day Breakers from Swindon.

Let’s be honest here, it’s no walk in the park for them, attracting scooterists with a highly regarded rally on at the same time. This said The Devizes Scooter Club has fast built a reputation in town for hosting some quality and very worthy events, ideal to attract anyone with a passing interest in soul, reggae, ska and mod music of yore.

Also, they’ve actively supported and raised funds for The Devizes & District Opportunity Centre with two free fun days.

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The Day Breakers at the Scooter Club’s charity BBQ this summer. Image by Ruth Wordley.

Notwithstanding the repertoire of The Day Breakers doesn’t just confine itself to the genres of the Scooter Club, but expands to include a diverse range of retrospective anthems; Dexys, The Cure, Echo and the Bunnymen, to name but a few, and also have an element of folk-rock and Irish classics from The Pouges and The Levellers, for example.

Together their blend creates a buzzing atmosphere. I’m delighted to announce them appearing at our Birthday Bash event in November, that’s how passionate I am about these guys. You may also have seen the band’s duo act of Cath and Gouldy under the pseudonym Sound Affects, also prolifically gigging locally.

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So, perhaps it’s the ideal opportunity for you to throw caution to the wind, and give it the sociable Scooter Club events a go; help them fill the large venue, as it’ll only attain said buzzing atmosphere if we, Devizes bohemians support it! Don’t arrive at the break of day though, what’s in a name? Doors will open at 7:30pm…I think! Tickets are a tenner, expected to be on the door or in advance at the club, Jeffersons and Vinyl Realm.

Facebook Event Page

 

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Beaux Gris Gris on the Saddleback

Just three points between them saw the Saddlebacks lose over Walcot this Saturday, but by the evening the Sports Club came up trumps as the polished sound of electric blues blessed wall to wall; Beaux Gris Gris & The Apocalypse came to rock, and did with a passion. Not before local blues legend Jon Amor eased the crowd in with his own entertaining, and often amusing compositions, one such inspired by shenanigans of his youth in Devizes, “Just Another Stitch in You Party Dress.”

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There was tight professionalism and even balance for a band only formed a year ago, with members spread across the pond. Smiling in an airy back room, dynamic front girl, Greta Valenti clarified she grew up in Louisiana, hence the New Orleans blues label, but now lives in California. “That’s how it all started,” she begun, “because Robin wanted to do a blues project, so I said only if it’s in a Louisiana style.”

Guitarist and UK British Blues Hall of Fame inductee, Robin Davey of The Hoax, who had worked with Greta in the band Well Hung Heart, has dual citizenship, now residing in California. “Technically,” Greta informed, there’s four Americans and one British in the band.”

Already smitten with her iridescent azure bob and striking accent, I was keen to ask Greta how they overcome the distance. “Well, the first time we started writing songs it was just me, Ali, and Robin,” she explained, “just doing recordings with our phones and sending them over to Bob Fridzema, and Mark [Barrett.]” I shrugged, yep; so easy now with the internet. But Greta continued, “we had one practise before we went on tour. This time though, we flew Mark over to California to do a couple of shows over there and, yeah, now we’re here!” Opening their new tour only for a night in Devizes though, as this morning saw them land in Holland for the Breda Barst Festival.

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Not hanging around, the tour is promoting their debut album; “Don’t let the Bastards Drag you Down,” surprisingly released just, “a couple of days ago,” Greta smiled. “Yeah, and we’ll go from there, we needed the album so people know who we are, as we’ve just put out a video for Heartbreaker.”

The only reference I came into the interview with though, was the video of the title track, which, to me, heralded an evident country inspiration to their blues panache. So, I was surprised on asking Greta the band’s influences that Motown popped up. She stumbled on this question, but without pretention, more pride in her band, she replied, “umm, this question is always hard; everything, I dunno, everyone here, our band!” Still struggling she murmured, “Nick Cave meets Louisiana Blues meets, ermm, gypsy and a little bit of Motown soul.” The third song into the set, I could sense the soul influence, with a sprinkling of swing too, divergent from the punk attitude I preconceived; still, it was kick-ass!

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We continued to discuss, how when it came down to blue’s level, all these genres blend effortlessly, as it is, after all, the root of all of them. For some reason I babbled a bit about friends arguing over ska and metal, but with this in mind, mentioning how Fats Domino would’ve influenced both, it’s all one and the same thing at base level; Greta agreed. Here then is why we need to throw off preconceptions about blues as a genre, and Beaux Gris Gris are a prime example, breaking that down and redefining blues with nods to its contemporary offshoots, and bringing those genres crashing back to blues, stylishly. For no matter what offshoots this band referenced, it always returned to raw and spirited electric blues.

There was clearly a connection akin to Ray Manzarek and John Densmore of the Doors, with (drummer from the Hoax,) Mark Barrett, and Bob Fridzema (of King King and Joanne Shaw Taylor) on keys, as members subjugated entrancing and convoluted instrumental breaks. Vocally Greta and Ali mimicked this, stripping down a track, Thrill Me to the minimum and spellbinding the crowd.

 

Meanwhile Robin broke the fourth wall by stepping into the dancers with sublime guitar solos, at one point gathering chairs for the few still sitting to be moved closer to the action. Irish-American singer-songwriter in her own right, Ali Coyle shone on bass guitar and support vocals, and binding the team together for this awesome show, Greta has the kick-ass attitude of Gwen Stefani but the style and grace of Lulu, and a powerful vocal range to prompt me to think of Aretha Franklin performing Rock Steady.

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Still, the punchy title track, which was performed with grace last, I had to ask, I mean, not paranoid or anything, just to elucidate, “who are the bastards, or is that a too obvious question?!”

“Well,” Greta considered her answer, “I think we all have our own bastards, in America there’s probably a particular bastard, an orange-coloured bastard.” I assured her he’s not predominantly liked here either. An interruption broke our chain of thought, I tried to clarify, it wasn’t a direct link to Trump, rather more general. “We just felt like it’s a way a lot of people feel at this time, in a lot of different places. But if it’s not those bastards, it’s your boss at work, or, you know.”

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So, who’s writing? “A lot of the songs I write the melodies and lyrics, Ali wrote one she bought into the group, others we wrote together, Robin wrote Bastards.” So, like the composition of the band, it’s an amalgamation. It’s this shareware ethos which bonds the band and gave us this unforgettable performance. The encore of which saw Jon Amor invited back, concluding with a mutually respectful guitar-off for want of a better term, against Davey.

 
While I chatted to John about the prospects of another Saddleback, which was confirmed for next summer, I was keen to ask organiser Mirko, if this was part of a series of smaller “Saddleback Presents” nights, of which he confirmed another is due in November. If this then, is the only the beginning of autumn for Saddleback events, it’s going to be a most welcomed stormy fall.

 

Follow Beaux Gris Gris on Facebook

 

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The Cracked Machine Works

Watching a program on TV, set in the 1990s, the other day I noted a poster for Pink Floyd’s “The Division Bell,” on the wall of the teenage protagonist. If it wasn’t for that, it’s an album I’d have long forgotten.

Without Waters (who had strong words to say of it) but tipped to be a return to traditional Floyd, I never got on with this release of vacuous glib, despite its popularity. Maybe after 14 albums the band just went through the motions for avarice, Gilmour sang like he didn’t give a toss.

In 1994, with trance and ambient house forerunning The Division Bell was the final nail in the coffin for mainstream prog-rock, a detachment indeed. Farcical to call it thus, mundane rock would’ve been apt. For example, The Ozric Tentacles were Frome guys actually progressing the genre, but in underground circles it was techno offspring, Eat Static which really pulled advances in music.

Times had changed by 94, never dreaming I’d be here in 2018 listening once again to space-rock like a Hawkwind throwback. But here in our humble Devizes is a band which had so far escaped my attention. It’s a sound worthy of attention though, for Cracked Machine’s debut album released on PsyKa Records in May, “I, Cosmonaut,” is the album I’d have wanted to hear when I clicked play on that Division Bell CD.

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Whaa, I hear you cry, wait just a cotton-picking minute here. Yes, I did say that. As they play the Lamb’s Fold next Friday (21st September,) I wanted to check this album out, despite knowing Pete and Jacki of Vinyl Realm wouldn’t muck about with Sheer Music’s treasure, still I was left surprised and overwhelmed at how good this band are.

Self-described as “an exciting four-piece band who weave together hypnotic grooves, infectious riffs and layers of sonic texture to create compelling and original soundscapes,” Cracked Machine was formed in 2015 by skilled musicians, and it shows. Introducing then, Bill Denton on guitar, Chris Sutton on bass, Clive Noyes on keys/vocals and Blazej Gradziel on drums, Friday night at the Lamb is set to sooth, with support from Sally Dobson aka the Salamander and The Compact Pussycat too.

From the off, the opening track, “Twin Suns Rising,” akin to a fantasy book’s introduction, lets you know what to expect. Lucid free flowing rock, restful and spellbinding.

Ingeniously composed, aforementioned Floyd springs to mind, from the slant of “Echoes” from the “Meddle” album. Despite this comparison, these otherworldly sounds are contemporary rather than archaic, or retrospective of a psychedelic era of heavy Hawkwind, Tolkienesque interpretations, hand-made bongs and Gilbert Shelton comix, but with a pinch of trance, replacing Tangerine Dream synths with sublime space-rock guitar riffs and solid basslines, it takes you on a journey few albums do these days.

There’s even a spoken sample akin to ambient house opening “Svetlana,” but again with wailing guitar it’s mellow driving rock for a twilight ride. Again, with the final song, “Transorbital,” shards of dance music’s side of mellow repaid me a call, almost the trip-hop of Nightmares on Wax, least The Orb’s trance method. But by the time it’s done, the wailing guitar riff returns you it’s space-rock predominance, gorgeously.

We wait until the 4th tune, the title track, for vocals but it doesn’t matter, it’s the soundscapes which you’ll blanket you and submerge you into pillows of fluffy ambiance. While there’s these clear influences of prog rock classics, the Ozric and Cream, to name but a few, it’s undeniably unique and a double thumbs-up from me. You can get it at Vinyl Realm, even on vinyl, naturally!

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www. facebook.com/crackedmachineband

https://psyka.bandcamp.com/album/i – cosmonaut

www.psyka- records.com

 

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Riding Along on an E-Bike, Baby!

I try out an e-bike, chat about environmental issues and Green Drinks events with Sustainable Devizes chairman, John Schofield.

 

Firstly, a massive shout out to Jenny Dalton and the other members of the Seend Pork Pie Cycling Club, who, pie-fuelled, are zooming through the Deloitte Ride Across Britain, again! Last social media post saw them on day 4, from Ludlow to Haydock. In a couple of words; “bugger that,” perhaps adding “for a laugh,” for good measure.

 
As I’ve harked on previously, cycling is simply not my cup of tea; a cup of tea, maybe a bourbon biscuit is much more my cup of tea. An attempt to cycle the couple of miles to work a few years ago confirmed my loathing and total handicap for the pastime, when the handlebars collapsed on me.

 
This followed an episode where I struggled to cycle the steep track to the Caen Hill Lock carpark, only mounting the darn thing upon arriving at a break in the bushes, so people wouldn’t see me pushing it with an expression of failure smeared across my sad and exhausted mug. I just haven’t got what it takes; fact. I got as far down the canal as Foxhangers but, stuff the fox, I was the one hanging. An elderly couple breezed past me, the gent telling his wife, “we’ve done eight thousand miles this morning, maybe we should stop for a quick break?” Go on, geroff with yer!

 
Never say never though; the chairman of Sustainable Devizes stands at my front door in his Lycra, missing one bicycle. John Schofield has cycled from Bromham this clement afternoon, to let me try his e-bike; I did warn him past experience on this mode of transport was as wobbly as my balance.

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So, I’m taking a quick trip around my estate, passing by the house and yelling, “this is so much easier!” Because it is; I could, at a push, make it to work, and back, alive, perhaps even further. “E-bikes are great at flattening out the hills!” John told me. So, if a slob like me can push extreme boundaries, just think what you could do with an e-bike; save the environment, not forgetting zipping past all those frustrated drivers, wedged in traffic in Devizes; the only movement they make is their fingers across phones, tapping out a whinging post for Facebook.

 
How apt under current traffic conditions in town, for the first in this season’s talks from Sustainable Devizes, on October 17th, on the subject of how to convert a bicycle into an e-bike. “Basically, it’s a bicycle with an added electric motor and battery,” John explained, and for all intents and purposes it resembles an average bike, the water bottle replaced with a battery and a neatly hidden motor at the pedals. “Legally the motor should only be activated when you pedal, so it gives assistance,” he continued, averting my fear it’d zoom away like a jet-ski! “Also, the motor must cut out when you reach 25kph,” as if I would contemplate that speed!

 
As it’s still a bike, you don’t need a license or insurance. But the million-dollar question is cost. After browsing a website and noting to buy an e-bike weighs in over 3 grand, John stressed it’s around £400 for a conversion kit.

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We moved onto my own electric work vehicle, my trusty milk float. I was keen to ask, without getting overly political, “if a vehicle in the 1970s can be electric, shouldn’t they all be by now?” Does John think it’s oil industry backhanders preventing the growth of this, and many other greener solutions? “It is interesting that even after Tesla showed the world how to make great electric cars,” he replied, “the main manufacturers really haven’t got on with it. There has to be some pressure on them from the oil industry.”

 
Like many green issues, they don’t get the funding, something is amiss.

 

 

The bottom line, I feel, is the need to obliterate the concept that environmental issues are a bunch of whinging tree-huggers making a whole lot of fuss, and except change is overdue. I ask you what has a scientist to gain from lying, his pursuit only to discover how and why things function? A two-part question, the latter half being, now consider what a politician, hell bent on elevation up the ranks and wealth, has for lying? Beggar’s belief, it really is!

 
Still, knee-deep in water middle-Americans adopt the ethos it’s God punishing them for electing a Muslim president, and good old Trump will don a cloak, wear his underpants on the outside and save the day. It is no hoax, you blithering idiot. It’s not a paranoid hippy trip-out. Sustainable Devizes is not a registered charity, not a company out for financial expansion, least simply a social committee of likeminded individuals keen for change.

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Electric cars and bikes just one of the many issues they discuss. “The previous chairman did petition the council for more charging points,” John explains, “Some of the members have written to various supermarkets to try to get them to put in charging points.” For I feel batteries running out is a point many worry about with electric vehicles. For John’s trusty bike though, with a range of 25+ miles, the battery has never run out, and if it did, he’d just cycle it home!

 
I sigh, wondering if I’m only preaching to the converted here, pondering if anyone who needs to change their ways will read thus far. For John has organised a regular social happening, aside from the Sustainable group, called “Green Drinks.” It’s basically a less formal pub beano where anyone with so much as a passing interest in environmental issues can meet and chat. “Green Drinks is more about socialising with people who either work in environmental fields, or who just care about the environment. It’s nice sometimes not to feel that the meeting has to be organising some way of changing the world,” John clarified.

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“Such events happen in towns all over the world,” (http://www.greendrinks.org/) “So I thought I’d see if anyone in Devizes was up for it.” The first meet saw five turn up at the Vaults, discussing a range of topics from the political situation, to how to cope with slugs attacking your vegetables. John is aiming for the first Wednesday of every month, although this subject to change as it may clash with meetings from Sustainable Devizes.

 
For now, the next green shindig will be at the Vaults starting at 7:30pm on Wednesday 3rd October; all welcome, just look for the Green Drinks flag!

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For info on Sustainable Devizes and details of upcoming events Click Here.

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Strange Tales which are Unknown to Science

One of the older kids, super-cool, least I thought at the time; now I’d label him as a poser! With lengthy-hanging fringe, he’d habitually flick back with the frills of his cuff, he’d slide rather than walk, in winkle-picker pixie boots. On the eve of breakdancing, when I was duty bound to be attired in whatever my mum chose, normally hand-me-down stay-press and Fred Perry shirts, this kid was one step ahead; a “new romantic.” Like the pensive look of Simon Le-Bon, it was a trend I fell short a few years from.

He gave my brother a mix tape, while I marvelled at the computer-generated sound of electro from the US, this cassette was filled with synth-pop, and with it I realised there was already a definite electronic sound the UK charts only simmered over. Thanks to Ministry of Sound eighties compilations for the reminder, I realise I was “into it” all the time, as the pop of the era nestled it, prior to selling electronica out to the hit factories later in the decade.

Electronic music in its infancy heralded a new realm, which old rockers despised and punk groups tuned into or else fell into obscurity. Say what they liked about Adam Ant, he was filling his dandy purse and they weren’t. But why burp all this up now? Well, for nostalgic purposes this Strange Tales CD, “Unknown to Science” is outstanding. Its opening track, “Strange Tales Theme,” flew me back there, nicely. I kept it in my jean’s back pocket right through the Saddleback Festival, after singer Sally Dobson handed it to me. No matter how many ales I sunk, I remembered to take it out of my pocket before I sat down; I’m glad I protected it.

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It’s lived on the CD player in my kitchen since, a review overdue, but its brilliance took me by surprise. Few months prior Sally sent me a track, “Not a Witch,” to add to our online Now spoof of local music. While I liked it, I have to admit it was a tad gothic for my taste. Whilst I’d approach Joy Division in the eighties, to dye my hair black and apply eyeliner would’ve been a substantial number of steps too far. Once relocated to Wiltshire in 87, I noticed a trend we didn’t have in Essex; the goth-look. To me the corridors of St Johns looked like the school scenes in Uncle Buck.

I found by default I had to worship Robert Smith if I wanted to get off with Marlborough girls sozzled on Cinzano, but venturing further wasn’t for me, and I alienated myself away from fields with anything Nephilim in, veered clear of Sisters of Mercy, in case they bite. It just felt so gloomy and miserable.

Glad to say by subject matter Not A Witch is the most gothic fashioned on the album, other tunes of melodic, bass and synth-driven sounds were more satisfying to my ear, more upbeat, prompting memories of Depeche Mode, The Human League and the plethora of eighties pop bands on the aforementioned “hair-flicking” cool kid’s mixtape. If you send me back to 1985 I could add a track like “Entropy” onto it unnoticed, it bounds with retrospective indulgence.

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“Unknown to Science” then is a keeper on my shelf; overflowing with baroque ardour, admonitory narrative inspired by the darker crooks of essence, but absorbent of pop, with tracks like the catchy “Human Forest” and beguiling “Nanobots,” and utilitarian punk, like “Wolf Eyes,” rather than overtly gothic like “Not a Witch.” The band describe it thus; “musical curiosities from the darker side of the street,” it only swerves close to being gothic, and if any comparison needs to be made, I’d tinker on Yazoo.

While it’s a tall order to assume Sally’s vocals to be as commanding as Moyet, they caress the band’s élan and balance the nature of Strange Tales powerfully and stunningly. Fronted by Wiltshire’s Sally Dobson on synth/drum programming as well as aforesaid vocals, reinforced by the characteristic basslines of Paul Sloots, resident of West Sussex and veteran of the Crawley music scene, they’re now joined by guitarist Lea Truckle.

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On speaking with Sally, who locally regularly gigs acoustically, I was curious which she preferred, solo or as Strange Tales. Indirectly she explained that due to location of its members, Strange Tales was a rarity. I am however keen to hear them perform live as a three-piece, as “Unknown to Science,” is a worthy treasure and dissimilar to our current local scene. Give it and try and I’ll guarantee you’ll feel the same way, even if you were absent from the era of lengthy-hanging fringes, frills on cuffs and pixie boots.

You can pick a copy up at Vinyl Realm, or for more info check their website here.

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Lego & Steam

The week before the end of the school holidays and it was time for the attack to commence. A Lego spaceship was poised over Lego town, lasers set to kill. The suburban metropolis I’d taken all holiday to create was about to meet its annual apocalypse. Dad called it to action; “tidy up your bricks, now!”

At the start of the summer break each year I’d plan my town. Sadly, I actually drew up blueprints of the road layout, considered the geographical position of essential services such as the train and fire station and strategically designed its infrastructure; no slapdash, nothing left to chance. It was Sim City before Sim City. It was in fact, also Minecraft, Roblox and at times like this, Grand Theft Auto.

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To say I loved Lego was an understatement; it’s was beyond a toy, it was the outlet for creative juices to flow, it was a magical realm where I could play out all my imaginings, it was, in short, whatever I wanted it to be.

My Dad saved up for a holiday in Denmark because of this obsession; no Legoland in Windsor back then. He drove to Brighton to stop my pleas to visit the Lego Show, and spent a small fortune so that I may have two humongous boxes of bricks, a train, and much more. But it seemed I wasn’t alone, it took him some convincing when I became the Dad that he should surrender the boxes so his grandkids (and I) could play with them.

His argument, it was something they could play with when they came to visit flawed upon arriving; he sat up for what must have been weeks, constructing the train, the garage et-all, so, he claimed, it was ready for when they came; he wasn’t fooling anyone.

Seems those inventive bricks are adored by all who connect them, Top Gear presenter James May made an actual house with them, Bugatti recently made a real working car too, and I’m glad my children now love them, building on the collection I passed down. If they ask me to help I’m down on the carpet before you can say Ole Kirk Christiansen du er en gud.

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Seems my Lego licence has expired slightly and I’m now building illegally. You could call the Lego police, but their police station is in bits in a box somewhere…. 

What astounds me as a grownup is their business acumen. Their ideas hidden from competition with military precision, their marketing second-to-none, and in all my years of buying Lego models never once, ever, has the product been faulty or missing a single tiny piece. Lego is flawless.

But if I thought I was an obsessive, I hadn’t seen anything until I visited the Steam Museum’s Lego show a few years back. There were “adults” there who paled my interest in Lego by comparison. They built a wide variety of awesome models, some pitched their own compatible ingenious inventions, or sold collections the like you’ve never seen.

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But the outing was a double-whammy, for you get to explore the brilliant interactive museum of the GWR; where curators worked the factories, only too pleased to elucidate their fascinating memories. In fact, I think my son, six at the time, enjoyed the museum more than the Lego, least if not, just as much.

This is Swindon at its absolute pinnacle, for kids from ages 1 to 101.

Make no mistake this experience wasn’t cheap but if you have even so less as a passing interest in Lego, it’s worth every penny. It’s coming back; the 2018 Great Western Brick Show at Steam is on October 6th and 7th, 10am-5pm. You know everything there will be awesome, and if you’ll ever help Emmet find the piece of resistance, it’s there.

 

Click for the Great Western Brick Show website

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Quality Home-Cooked Pub Grub in Rowde

Must’ve been months ago now, when I dropped into The Cross Keys in Rowde for a feature on the theme of how village pubs need to be the hub of the community, and how landlady Kelly was planning, and so-far achieving that.

 
I confess I only browsed the menu then, propping up the bar and chatting with Kelly, therefore I only passed comment on how appetising it looked. Now, as a family birthday treat, of which I had no intentions of writing a review about (got have some time off eh?!) I’m glad to post an update, simply because it was, as I suspected at the time, so good.

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Seated in the bar area, as the Saturday night bookings filled the restaurant area, was no bad thing; the football was on, my daughter’s ideal viewing, Man City (yeah, I know, I can’t expect her to transfer to West Ham on the best of seasons let alone now.) Also, the bar area is, as we wished for, the hub of our village, inviting and friendly.

 
Save it to say, in the past when chef Rob Philpot run that kitchen like clockwork, producing the best pub grub I’ve tasted, the Cross Keys has a reputation to uphold. It’s a rep that has waned at times, but risen like a phoenix out of the ashes again. If high standard home-cooked pub grub is what you favour, that is what you’re going to get, in ample quantity.

 
The better half had a burger, homecooked and stacked with onion rings it made me ponder if I’d made the right choice with the lasagne. Lo-and-behold though, the lasagne was also a homemade beauty. In a deep dish using mozzarella as opposed to some felonious pubs which use cheddar, it was positively oozing with flavour, with garlic bread toasted to perfection.

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I don’t why I needed to order sweet potato fries and onion rings as a side order, because even though they were fresh and homemade too, I couldn’t finish them. One of my Gran’s annotations, “Yer eyes are bigger than your belly,” is most apt on this occasion, despite the confusion in taking it literally as a child.

 
Talking of kids, my daughter was catered for, chips swapped for a jacket potato as she required, and it was plentiful. She reported it as tasty, and it only ended in a clean plate, allowing room for a sundae, naturally. Pudding would’ve been dangerous for me though, I was close to exploding and half a bowl full of sweet potato chips still peered deviously at me, inviting me to pick at them as pudding. they were sweet enough, but imaginings of Mr Creosote from Monty Python’s Meaning of Life haunted me.

 
If this is what the everyday menu is like, it leaves positive dreams of the renowned Sunday carvery . I’ve been recommended the pizzas here too, but we’d had pizza the previous night; spoiled rotten I am.

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Kelly herself was assisting Dan in the kitchen, but popped all smiles only to notice it was me, and as so often happens these days, her expression changed to “please, be nice!” I don’t know why people do this, I know I’ve built a character which tells it as it is, for if I didn’t it’d get boring and unreliable, but especially I don’t know why when they’ve nothing to fear, as the commitment they put in, prior to realising it’s that nasty bloke who writes that darn website, is excellent! I gave her a thumbs-up across the bar and the smiles promptly returned.

 
The menu may be standard pub dishes, but there’s been no corners cut to bring to a level of high standards, price-wise is also standard but with quality as generous as this, we left a couple of pints down, content and intending to return. As for Kelly and her welcoming staff, they seem to enjoy breathing life into these walls, which only comes as a valid bonus.

 

Cross Keys, Rowde: booking recommended; click here

 

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Mahoosive Carnival Photo Gallery

Images used by permission of Gail Foster

 

Here it is then, none of my inconsequential ramblings, just some lovely photos of Saturday’s carnival procession, which sadly spells the close to the annual Devizes Outdoor Celebratory Art’s fortnight of festivities. I think I speak for all when I congratulate and thank everyone involved, and as I said to the mayor, it just seems to get better every year.

 
A mahoosive thanks too, to shutterbug Gail Foster who sent us these pics. As a poet Gail’s words often accurately depict life here in Devizes, sometimes caricatures it, but with equal dedication her photographs capture the scene wonderfully.

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A Little Look at What’s Happening in September…… Part One!

“Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty.”

Oh, do one Wordsworth; we’re due for another heatwave till November; it’s as true as I sit here in my khaki summer shorts…. read it in the Sunday Express. Autumn ain’t arrived yet I tells you, summer is having a laugh.

 
Talking of having a laugh, we kick this month off with The Moonrakers Comedy Night at the Cellar Bar on Thursday (6th) Check out the preview for it here. Same day Festival Number 6 begins in Wales, see, festival, still summer!

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Friday 7th sees the opening of a new season at The Wharf Theatre, Devizes, with The Johnny Cash Story.

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Also, there be stuff happening in Poulshot, ‘Between You and Me’, is an evening of words, songs, comedy and audience participation, with ‘the Bard of Barnsley’ Ian McMillan and Luke Carver Goss. Ian McMillan is a poet, journalist, playwright, and broadcaster. He is known for his strong and distinctive Barnsley accent, and his incisive, friendly interview style on programmes such as “The Verb”. A frequent national TV and Radio star, Ian is including Poulshot as part of his UK Tour.

 
Goatfest kicks off Friday for the weekend. No, you don’t need to bring a goat, it’s called that cos it’s at Goatacre, Dumbo. Acts include Jenny Bracey, The Chaos Brothers, The Shadow Monkeys, Leon Daye, Six O’clock Circus, The Ukey Dukes, Spidasense, Ruff Diamond, Manhattan Nights, Clark & The Kryptonites, Mick O’Toole and Catholic Action. There’s camping available, book here.

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English-American songwriters Jack Rose and Dom Sky are Govardo, they started writing songs while living in rural India, inspiring a fresh sound rooted in classic finger style guitar and harmonies with soaring vocals and a unique falsetto; catch them at the Pounds Arts, Corsham.

 
If it’s a bit of upbeat reggae and ska you’re after, get down the Vic in Swindon where the SN Dubstation will skank you till you drop. Failing that, Bon Jovi tribute Wrong Jovi is live at the Swiss Chalet. You’ll be lucky to get tickets for this one but Garbage play St Phillips Gate in Bristol too.

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Saturday 8th the park will be glowing at Longleat. Here in town, you can catch country legend Zenne for an afternoon in Vinyl Realm, until she plays the Ragged Old Flag in Calne.

 
The legendary Long Street Blues Club kicks off its 11th season in style, with Hamilton Loomis. Alternatively, Sunset Service are live at The Southgate.

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Hamilton Loomis

There’s a Summer BBQ (see!) in Easterton, the Melksham Assembly Rooms have Fleetwood Bac tribute band. The Triple JD Band are at Three Horseshoes, Bradford, and Mike Vernon & The Mighty Combo @ Market Lavington Community Hall.

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Over in Swindon, check The Roughcut Rebels at the Brown Jack, and there’s Swindon Dub Club at the Afro Caribbean Centre….. or if dub isn’t your thang, how about the Frome Cheese Show?

 
Sunday 9th starts the legendary carnival period in Pewsey with the Carnival Light Switch On and a Band Concert. If you want bands though, Devizes Town Band are at Hillworth for the Proms in the Park.

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Over in Bromham, it’s a free food fest; Taste Wiltshire 2018; preview here. Run it all of at The Nationwide New Swindon Half Marathon; not for me, if you’re in Swindon I’d only run as far as the Kings, where Gouldy and Caff (aka Sound Affects) are performing. The The at St Phillips Gate, Bristol though; cool.

 
Skip to Wednesday 12th as with every Wednesday there’s an Acoustic Jam Night at The Southgate, Devizes. Carnival Whist Drive @ Hillcott. Murder On The Orient Express (12A) @ Marlborough Town Hall.

 
Thursday 13th and those Sheer Music lot Presents Crazy Arm with 2 Sick Monkeys at the Vic, Swindon.

 
Friday 14th is the start of Sky Safari, Longlet’s Balloon Festival which continues all weekend. In town, The Astral Ponies & The Bone Chapel come highly recommended, at The Cellar Bar. But spoiled for choice, I’ve got The Roughcut Rebels at the Lamb, Devizes, but also Sheer Music are at the Fold with Nick Parker, Olivia Awbrey & Mike Barham.

 
Melksham Assembly Hall has Voodoo Room, a tribute to the music of Hendrix, Clapton & Cream. Or check out, Big Country with The Chaos Brothers as support @ Swindon Meca. The Urban Lions @ Golden Lion, Bristol.

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If you love your comics, Saturday 15th is for you; get to The International Comic Expo, Birmingham. Or maybe just pick up a book at Rowde Village Hall’s Second-Hand Book Sale; 2pm-4pm, Entrance Fee 20p!

 
Pewsey Carnival Duck Race, and Four-Legged Event is a sight to be seen though!

 
Saddleback are back at Devizes Sports Club, with the incredible Beaux Gris Gris & The Apocalypse; preview here. There’s the return of the Under 16s Disco @ The Exchange too.

 
Just out of town, Indecision play The Owl, Bromham, and it’s The Seend Summer Ball.

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Marlborough goes mod, with Peloton live at The Lamb. While The Village Pump in Trowbridge hosts Sheer Music’s Jacob & Drinkwater with our Tamsin Quin.

 
Further out, it’s the Berwick St John Country Fayre, The Big Thirst at Bradford on Avon, and the wonderful People Like Us can be seen at The Messenger in Swindon.

 
Polish your Saturday off with a Bath Moonlight Walk for Dorothy House.
Let’s mention Sunday 16th then my dinner will be ready! Pewsey is the officially the place to be: The Great Pewsey Bake Off, Pewsey Flower & Produce Showcase and the Feast Tea at Bouverie Hall.

 
That is unless you’re up for The Foxtrot 5 Road Race at Boughton Gifford, or getting down to some country, as Angels With Dirty Faces are playing the Devizes CMC down the Cons Club.

 
I don’t know about you, but I can’t stand my angels with nice clean faces.

 

 

Check out our event calendar for more details and links to these fantastic events, and if you think that’s about enough, you’ve not seen how the second half of September hots up……… TO BE CONTINUED……………….

 

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Wiltshire Boy Takes One-Man Protest to County Hall…..

Proper job; welcomed return of The Wiltshire Boy sees our intrepid Swampy-in-Harris-Tweed taking his protest to the highest officials, County Hall in Trowbridge. Have no concern; our heroic dissident’s solo campaign about the roadworks in Devizes will be heard…. save one minor hiccup.

wiltsboyheaderdevAll afternoon I was raising awareness at ‘County Hall’ for the suffering commuters in Devizes, but I don’t think any councillors work on a Saturday, damn it.

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Like The Wiltshire Boy? Then like his Facebook page dammit!

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Nipped into the Turkish Barbers on Snuff Street

Hello there, a quick one from me today; I know you like a quick one. It is Friday and not a moment to spare. Just here to say I nipped into that Turkish Barbers on Snuff Street today and came out transformed into a movie star… well, kind of.

 
Not one for beauty and all that malarkey, and noting there’s little they could do with this old worn face, (face it,) they still made an amazing effort with the Barnet Fair. I began to worry about the traffic warden as that barber took his time to ensure I was pampered like Pamela Anderson prior to the set of Baywatch. Just when I thought he’d finished, I was content, he’d reach for another implement and trim a tad more until perfected. He even took a tiny flamethrower to my greying sideburns and scorched those final touches, much to the interest of some children observing.

 
“Whoa!” one yelped, “he’s going to set that man on fire!”

 
I tried to remain calm, attempted a brave, yeah, it’s all cool, expression, but inside I was like, “I know right; somebuddy call Fireman Sam, or Desmond Dekker, or someone; me ears are alight!”

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I wondered if I could dazzle any passing traffic warden that may have been perusing my motor with my awesome shiny hairdo? Unlikely, but it was a grand effort. Upon getting up, looking like I was ready for the TV interview of my life, I pondered that maybe he’d mistaken me for Robbie Williams or something, and that he’d want paying in gold bullion, perhaps he’d misunderstood that I came in for a trim, not the full works; but na, £9.50; cheers mate, keep the change…anyone who can make this codger look good needs a fine recommendation on  Devizine!

 
I kid you not, know the difference from an advertorial and a recommendation, this is a recommendation, great hairdo, great price, top service, and not a traffic warden in sight; get away from my car you scruffy-haired do-gooder!

 

Turkish Barber Facebook Page, give it a like.

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Another Seend Breakfast!

By Zoe McMillan

 

Another Seend breakfast …well, that’s music to our ears indeed!!!

Don’t miss our finale…this coming Saturday (1st Sept) sees the last Seend breakfast of the season and you’d be crazy to miss out.

You don’t just get service with a smile, you get entertainment too as the volunteers pull together to put on another feast for the senses with their delightful reparté and impeccable service.

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The real stars of the show, however, is the locally sourced produce that makes our plates sing and our eyes bigger than our bellies. So, if music really is the food of love and you fancy a feast for your soul on Saturday breakfasts are served between 8.30 and 10.30am…be there, with bells on. I know I will be!

 

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Big Inflatable Stage!

Images used with permission of Gail Foster

And an assortment of others, thank you to all!

 

Did you see that, a big inflatable stage, wasn’t it something else?

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No, it was a big inflatable stage, pretty cool though; much like the rest of the Bank Holiday Monday, when the belated sun finally put its hat on and people gathered in the market place of Devizes for the all-round most awesome show you’ll catch this year in our humbling abode; DOCA’s Street Festival, or as others have nicknamed it to the point of selling T-shirts embodied with the slogan, “Black Rat Monday.”

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Call it what you will, as it was a street festival of divine magnitude, and yeah, those British Lion mob did sell copious amounts of Black Rat cider, while at the other end of the monument, The Stealth Brewery rushed around to supply their own brews of ale; everybody was happy. That then is it, in a word; happy.

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As a smokescreen to pry us away from the idea Wiltshire Council are out to fleece us for parking charges, their suggestion the Market Place could be a daily bustling hub of festivities and lively market was met with much scepticism this year. We’re not the country bumpkins they take us for, we know it wouldn’t be like that in reality; this isn’t Camden, Brighton or Las bleedin’ Vegas, not even Trow; this is Devizes after all.

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For one summer weekend though, let us have such an occasion, and when we do, make it something special. DOCA, the volunteers, the side stalls, the acts and everyone working behind the scenes to put this event on must be praised to the highest heights. However, it’s not just all these hard-working crew, but also hats off to you, and your mate, and his mate’s mate. For what makes the Street Festival the Street Festival is the crowd, and everyone came out to ring the bells.

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It truly was magical, to the point you have to take a second every now and then to check your surroundings, confirm in your mind that you’re still in Devizes. “Yeah, there’s the bus stop where I’m normally standing waiting for the 49 in the rain,” or “there’s the empty bay where I usually park, to nip out for a Greggs sausage and bean melt and hide back in my car to stuff it down my fat gullet.”

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Here is something they can never take away, never quash with overpriced parking fees; blinking futile money-grabbers. Raising the daily tariffs is one thing, but to tax our fun, I shudder to think of the audacity.

 

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It will never work, let’s not make it work; no bank holiday parking charges; by Christmas Light Switch on, it could be reality. If we protest, if we come up with a solution like throwing the traffic warden in a bath of cold baked beans, or even start a charity fund to ensure those who need to park can afford to; because what DOCA put on yesterday means more than just a bit of fun, it means we are capable of binding, and overcoming, and celebrating all that is good about Devizes…..yeah, okay sorry, still a tad wobbly, yeah. Huh? I dunno, only about four Black Rats and three off Stealth!

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So, where was I? Big inflatable stage, surrounded by stuff, stuff going on everywhere, like a mini corner of Glasto. I can’t be going through it all, I’d imagine most of you went, don’t make me type every last detail of it; I’ve nicked a montage of photos, as everyone who I usually nick photos off were there, and everyone else filmed it on phones.

 
From miming Pinto Y outside the Town Hall, Jack Mac’s Funk Pack kicking off the main stage and the dancing frenzy of Ramshakalicious, to Swindon’s Sweet Stall, the Wiltshire Museum stand, the Scrapstore table, and the chance for kids to present a show on BBC Wiltshire Radio, there was so much going on you barely had time to stop for a crocodile burger.

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And didn’t the Didds do well, standing proud up there, he introduced three of the finest acts to complete the extravaganza? Firstly the 12-piece Bristol band Matuki, with a funky Afrobeat fused with urban jazz with wobbly psychedelic edges, were fantastic. Seems DOCA are dedicated to bring us our own little Womad of world music and fusions we don’t normally get here. The best thing about which is, the crowd loved it.

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All set then for the Carny Villains to follow, also Bristol-based and on the circuit for over ten years, these guys where bonkers. Bonkers in a good way, in ska-in-the air way. Flabbergasted I was impelled to gate-crash the Town Hall VIP zone, to snatch a quick word with them. “What do you even call that?” I pondered aloud, “gypsy -ska?”

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“Yeah,” one supposed, although seemingly not content to confine their sound to any label, “with a bit of swing thrown in.” As the double bass guy swanned in I noted, was he trying to mount that thing? The others laughed. What an awesome blinding show, lively, the icing on the cake for me.

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Upon their departure even more brass came on stage. “Brass is class,” I told my son and my lift home! Poor kid, stayed sober and tended to shrug my comment off. True as I sit here typing crap though, brass is class; if Don Drummond and others proved that, the Carny Villains keep the faith and the following act, The Destroyers, well they threw the kitchen sink at it too.

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Dammit though if a hurdy-gurdy, and tubas weren’t arriving on stage. A nod to quality, I dunno, like Balkan, even Greek folk, lively, a tad brash, crazy, what they deem Mega-Folk! I thought they were going to start spinning plates on spikes. Just as dancey as the previous, these Birmingham rogues and misfits surfed a tidal wave of horns, fiddles and guitars to produce a totally inimitable sound.

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What a fine finale, three ensembles of variance, what a grand and glorious day.

THANK YOU DOCA!

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All That Soul; Nothing Else Needed

Saturday night dilemma; keen to catch Calne’s The Compact Pussycat at the Southgate, but as eclectic as my musical tastes may be, primarily I’m a soul man, and couldn’t resist The Devizes Scooter Club’s highly anticipated All That Soul night.

So, coming to them, on a dusty road, a good idea sparked… because I’ve a truckload (!); on the premise All That Soul are merely a covers band bookable for weddings and such functions, I imagined they’d only be yay-good, so I’d skip between the two…simples. My apologies to Jordan, Jack and the other compact pussy-cats, but from the moment Bedfordshire band All That Soul stepped onto the stage at the Cons Club the music changed, the plan was rearranged, and I didn’t dance somewhere else.

I kid you not, they were the soul cover band equivalent of Star Trek’s Borg, in matching frocks; resistance was futile. They assimilated me, half the population of Devizes, and reassigned our honky booties from the bar to the dance floor. With irresistible charisma and panache from the off, they filled the Cons Club with a plethora of chic Motown and Atlantic soul classics.

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Start of the show, a sixties Motown tribute

The backing band played tight, never missing a beat, as three sublime divas harmonised vocals to mimic any or all of the powerful soul singers of yore. From Dancing in the Street to Jimmy Mack, personal fav For Once in My Life, and an unrehearsed adaption of Stevie Wonder’s Happy Birthday to appease a birthday guest, they owned them all, most aptly singing a rendition of Aretha Franklin’s Say a Little Prayer; no simple feat.

It was now clear any deliberations they are a run-of-the-mill wedding band was very much mistaken, and images from Adam Sandler’s comedy were cast aside. You’ll always remember your wedding function but if you invited All That Soul, no guest would ever forget it either.

They knocked it out of the park, returning for a second half now attired in beautiful disco garb, they continued with 70s funk and soul anthems to flood the dance floor again. Anyone who can replicate Lady Marmalade with such precision and soul will take your breath away. Go on, you try it, preferably in your car with the windows wound up; I know you have!

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One costume change later and it’s all that funky disco

Quashing my thoughts of disappearing to the Southgate, safe in the knowledge the band there will return to town soon, I was unable to pull myself away from their superb show. Despite their professionalism, it never once felt like the band were going through the motions mundanely, it never felt engineered, but produced an electric atmosphere of joyful dedication to their labour, genuinely lapping up every nonstop second.

The surging crowd of all ages adored this attitude, welcomed them with open arms as they dazzled us with a simply fantastic show. Nothing else was needed tonight, as the customary raffle sat unmanned till the end. It proves the Devizes Scooter Club is far from a bunch of middle-aged devotees standing around discussing Lambretta parts, but a serious contender for promoting musical extravaganzas with a taste for the alternative to the norm here.

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Colonel of the Scooter Club Adam Ford gets a hug, while Lauren sorts out the delayed raffle. (He’s in doghouse now!)

As you’re most probably aware I delight in designing the posters for the club. For this one a low-res logo was sent to me which by using would’ve pixelated the image when reproduced. I took a while to replicate it then, tricky to get a gold effect on my program. I’m glad I persevered as it was symbolic, All That Soul’s performance was nothing less than pure gold.

 

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Circus Noir, With Popcorn

What’s going on in that big black tent on the Green in Devizes? The circus is in town, circus noir – if there was never such a genre, there is now.

There’s popcorn scattered over the black stage along with broken manakin limbs. A gaunt Italian chap in briefs is awkwardly navigating a double-headed unicycle contraption, of sorts, while an acrobat tinkles on a piano with a sewing machine on top; not your standard performance in Devizes by any stretch of the imagination.

If it’s DOCA’s aim to present us with the bizarre for the fortnight of festivities, it’s scored high with My Lakita’s Popcorn Machine.

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There is a popcorn machine popping while the clown-like guy plays dead next to it and the acrobats examine him with discontent. The relevance of the popcorn machine ends there, but the relevance of any element in this show to another is vague and in question. If there is theatrical narrative it’s little more than the three girls tussling over the affections of the clown-like guy, or else scrapping him.

Acutely executed acrobatics are choreographed as mock fighting sequences, the single most marvellous hair-pulling you’re ever likely to see. At one point it results in one girl balancing the other upside down on her head…while taking a slap in the face from the girl atop, naturally.

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If Marcel Duchamp did circus, it may have looked a little like this; it’s black Eurotrash comedy, Cabaret Voltaire, avant-garde acrobatics and quirky surreal clowning, but with precision timing it’s hilarious.

Closest definition is circus but with all cliché abandoned along with smiles, jollity and neon. This is dark, often violent slapstick like a Tex Avery cartoon of yore. The performers look blankly at you, then whirl amazing ragdoll acrobatics. The man is the only to break the fourth wall, with a childlike innocence and spoof operatic; an electric guitar thrown in for good measure.

In short, this show is uniquely tremendous and unlike anything you’ll see, especially here in Devizes. If you relish nonsensical, Pythonesque humour, crave alternative acrobatics you have to go see it. If not, and you’re only heading inside the tent because of the rain, you’ll be in for a shock. I was left aghast, pondering did I enjoy that, I think I did…or did I? Yeah, no, defo, I did!

Running until Monday 27th August only, tickets are £12, £10 concessions, for a 7:30 start: Book here.

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Falling: Larkin’s Brand-New Single

Purple Ronnie said Pisceans only sleep with people they love, but fall in love too easily; he’s the only astrologer I have a smidgen of faith in; I can identify with that. Spent much of my youth obsessing despite knowing it wasn’t mutual.

I checked both Sam and Finlay’s Facebook profile to see if they’re Pisces too, but not so; never thought I’d say it but, Purple Ronnie you failed me; where’s Russell Grant in my hour of need?

Intrigued, as falling for someone when they’re not taking it as seriously is the subject of “Falling,” the boy’s new single as Larkin. Released tomorrow (Saturday 25th Aug) I’ve had the pleasure of letting it grow on me for the last few days, and glad to report it has, lots.

Sam’s droning vocals perfectly echo the adolescent despair, the surging heartache of the theme, over an atmospheric soundscape and sublime but subtle drumbeats.

While there’s something very Coldplay’s “Viva La Visa” about it, Larkin have quickly established a definitive and unique sound, and this is a natural progression from last year’s album Set You Free, challenging even the better tracks on it.

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They may have youth on their side but this has appeal for all ages, a mature pop sound of now; Larkin have accomplished a worthy single headed for greatness. But as good as it is I still don’t think they’ve reached their magnum opus and that Falling is only the beginning of something far greater to come, I really do.

Is Simon and Garfunkel a clichéd comparison I ponder? Their sound maybe slightly lost in time but Larkin’s vocal harmonies match, and I reckon it’s only a matter of time before they draft a song with the power of The Boxer. Then boom, a contemporary Paul and Art.

For now, Falling is an excellent track in line with anything record companies are aiming to chart with; powerful, evocative and catchy.

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Talking of catchy, you can catchy them at The Owl in Bromham on Saturday; see what I did there? I know right. At the Barge in Bradford on Avon on Sunday, and at the Moonrakers in Devizes on October 20th. Oh and hey, I’m delighted to say the Larkin boys will be playing our little birthday bash on November the 10th, nearly forgot to plug my own do then!

Pre-order the single Falling on iTunes here, or else check in with the boys on Facebook!

Oh yep, watch this space; I’ll edit this post with the video to the single as soon as it comes in!

 

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Wiltshire Boy Takes Protest to Mass

 

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Took the protest to another town today for Devizes traffic, gave a speech in a cathedral to the people about traffic lights, then rested like a boss….

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Like the Wiltshire Boy Facebook Page Now(ish.)

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Welcome The Adventures of The Wiltshire Boy

Okay, I’ve enlisted very serious reporter, The Wiltshire Boy, to Devizine; hopefully for a column as regular as dog poo bags tied to trees on the Green. He’s out there in the field (in more way than one) tackling, literally, the real issues affecting Devizes. So please give a right good proper job welcome to him, and please spare a “like” for his Facebook page (here.)

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So I decide to take action about the traffic lights in Devizes by holding a one man peaceful protest stood in a drain with a Bollard on my head all night, only to find out the traffic lights have gone, damn it.

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The Taste of Wiltshire

 

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Take my word for it when I say I know a tasty lookin’ burger when I see one, and this is a tasty looking burger. The photo has been sent to me by the Farm Cookery School in Bromham; just the photo mind, right before lunchtime too; what are they trying to do me?!

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Trying to nudge me to plug their food and drink festival, TASTE WILTSHIRE 2018 no doubt; does look good though and free too! On Sunday 9th September, from 10am – 4pm, The Farm Cookery School, Bromham, will be joined by a wide variety of fabulous Wiltshire food and drink producers, showcasing their finest wares.

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You could be looking forward to an array of food to see and taste as well as a selection of wine, beer and spirits. Also, cookery demonstrations from local chefs and caterers, including one from well-known food writer and chef, Lisa Markwell, Food Editor of the Sunday Times (see, that’s the kind of job I need Lisa!)

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For children there’ll be an interactive learning room, to challenge their imaginations whilst experiencing and tasting new things. You’ll never need to ram fishfingers and smiley faces in the oven again after that.

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Taste Wiltshire sounds great, a stunning location just outside Devizes with lots of easy parking, and it’s totally FREE; yay! They firmly state not to bring a picnic, “No need, as there will be food GALORE!” Darren Likes This!

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For more details, Taste Wiltshire Website

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1st Birthday Bash for Devizine; got a few mates coming over if you’re up for it?

I sat with my kindle, reading back my half-finished book about this time last year. A finale to my sci-fi comedy White Space Van Man. I shook my head, being I’d been preoccupied and sporadically writing it with gaps of a week or so at a time, the continuity was wonky and the personalities of its characters had altered. I knew it needed an overhaul but to be honest my heart wasn’t in it.

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Got to get a plug in wherever I can these days!

I was spending a lot of time at the Royal Hospital for Neuro-disability in Putney, or driving to-and-fro to work early next morning. My Dad was there, after stem cell treatment for myeloma he’d suffered a serious stroke, leaving him completely paralysed and unable to talk. Feeding a yoghurt like a baby to your once very logical and loving father kind of puts your mind off writing comedy.

My column, No Surprises Living in Devizes was equally coming undone. There’s only so much negative satirical shit one can write about Devizes; the conclusion is it’s actually a wonderful place.

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It had labelled me as a whinger, “Mr No Fun,” a young lady named me when commenting on a post. Many failed to see I was playing a character, a kind of reverse Alf Garnett, that is what satire and supposed to be taken with a pinch of salt. I’m a nice guy really, no, really.

The direction of it had changed too, when I went at it hammer and tongs, hits went through the roof, but in polling the direction people wanted it to go, most replied “why can’t you be nice for a change?” Course, they were right. I’d learned now that life is too short to be moaning.

So, despite positive thinking not being the ethos of the column, I found myself reviewing local musicians, authors and theatrical productions, stuff like that. Darren likes this, even if you didn’t!

At the time I noticed posts on one of the zillions of local Facebook groups complaining there was no central online resource for what’s on in Devizes. Now not being one to sit watching tele, and unable to concentrate on writing a book, I figured I’d do just that. And here we are with Devizine – ta-rah!

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Start as you mean to go on; for the original header I nicked a photo off of Gail Foster!

It’s grown into so much more than I originally intended, and now, just a year on…. Well, it’s alright innit? Worthy of a little birthday bash don’t you think?

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In order to do this, I’ve enlisted Dean Czerwionka of Dead Kool Promotions and The Devizes Family Club. He’s done all the hard bits and I’ve watched him; fair though eh? So please join us, and a few of my friends who might just be persuaded to give us a song or two; George Wilding, Phil Cooper, Tamsin Quin, the Larkin boys Sam and Finlay, Lottie Jenkins, Dirt Road Diary, and the Day Breakers.

 

I know right, mega-fantastic line-up!

To be honest, I asked so many others, and due to timing, sadly I had to let them down, I have to thank everyone who offered to play, it literally became a festival line-up. I cannot run before I can walk, and should this be successful then I’m up for doing it all again, with cake.

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Now I know tickets for a birthday party is asking a bit much, but at just a tenner a piece you’ll get only the very best of our live local music scene, some of the wonderful people I’ve been bashing on about on Devizine. So, I look forward to meeting you all on November 10th, and please note we’re not taking your cash, stuffing it in our ears and singing na-na na-na-na; all proceeds, including artists fees are being donated to Devizes Cancer Research. In the light of how this story started, and in memory of my dear ol’ pops, I think you’ll agree it’s apt.

Thank you all for your continued support with Devizine, it really has been a blast; a blast which has until now mostly been myself practising my one finger typing; now though, it’s gonna be a fantablous evening which wouldn’t be the same if you weren’t there!

Tickets Here

Facebook Event Page Here

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Roller-Disco at Melksham Brings Back Memories for Me; Not Such Fond Ones!

I’ll confess, a shiver ran through my spine when I saw a tweet from the Melksham Assembly Hall in association with Melksham Town FC. Like a jagged splinter from deep within my memories rising to pierce my brain…… but I’d wager for others the return of roller disco would appeal!

 
On Friday 31st August the Assembly Hall will transform into a roller disco; three sessions, 2:30 – 4:30PM and 5 -7PM are open to everyone, but 7:30-9:30PM is adults only (18+.) £4 entry if you’ve got your own wheels, but skates can be provided for a £6:50 all-in.

 
Not for yours truly, I like to keep my feet on the ground thank you. It was considered a “treat,” a “treat” they had the audacity to call it; the last PE lesson before Christmas holidays at my school was the welcomed roller disco…welcomed by my peers; I feared it like a nightshift in Hades, or Haydens, whichever is worst.

 
Pretend for a moment kids didn’t have wheelies, you know the ones in their soles which you have no idea are there, until they majestically glide across the function room to grab the last chicken nugget before you can lay your greedy mits on it?

 
Back in the 1980s us kids had nought like that, closest invention; roller boots. As the name suggests, they were boots with roller wheels and stoppers; ALL the cool kids had them, and wore them with pride at the PE roller disco. Not being one for this activity it was just for my parents not to invest in such new-fangled accessories, but to hand me 1970s death-traps on wheels; solid, weighty metal slabs with squeaky unaligned wheels soldered on, and leather straps you could tie precariously over your school shoes; stoppers were for losers in 1978.

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Super-Cool

You have to understand, it wasn’t about roller-skating, it was a fashion parade, a contest of coolness, and with these items strapped to my shoes I was about as cool as Satan’s vindaloo served in a Venus hot tub. I was the catwalk equivalent of Susan Boyle in a shell suit.

 
Like shopping trolley wheels strapped onto a hippopotamus I hugged the wall, wobbling and praying to Simon Le Bon it’d end soon, as the beautiful ones spun and pirouette their cares away to the sound of the Village People.

 
At the edges of the dance few drips and fatties like me sporadically clung to the wall, or dangerously protruding gym equipment. The further you went into the spiralling interweave of dancing kids the faster it got, until you hit the epicentre; a benchmark of all that was cool, the ultimate level of cool you could obtain. For me, on the outside looking in it was impenetrable, a blurred place I’d never go, held no desire to go, thus, alas, would never attain that level of cool.

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Definitely Not Me

Until a girl with pigtails, dippy-boppers and legwarmers thick enough to wrap an elephant’s thigh snug, zipped up to me and took my hand. I pleaded for her to stop, her experience on wheels knew no bounds, but in a Hunchback/Esmerelda scenario, I believe she had a tinsy crush on me, and was determined to indoctrinate me to the central zone’s cool gang, regardless of my total petrified state, and the skating ability of a Dodo sitting it’s Harvard entry exam.

 
But momentarily my fear ceased, with her delicate hand in my sausage fingers it seemed anything was possible, as she guided my unstable frame closer. We picked up speed at an alarming rate, but as I felt the warmth of her hand, and noted the strips of varnish crossing her half-chewed fingernails, an overwhelming sensation of control balanced my karma. She smiled at me, everything around us paled by comparison; it was just her and I, sashaying through dreamland in rapture, and as the disco ball above reflected in the metal strap of her dental brace, she sparkled, then let go of my hand.

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Now central in the sports hall and unaided, travelling at speeds inadvisable for a chubby preteen on metal slabs with shopping trolley wheels, I failed to negotiate, even attempt to negotiate the bend in which everyone else glided through with ease. Fear returned and direction was left to fate.

 
Fate saw it that I should stay in a straight line, knocking smaller children aside and flattening the smallest of them. That is, until something solid would break the momentum. It was the wall of the sports hall which broke the accelerated display, my nose and my pride. It was also the last time I got to hold my sweetheart’s hand; probably for the best, she was preggers by 15.

 
So, yeah not for me I’m afraid, but the return of roller discos are a thing now; don’t mind me, you go on and have fun!

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The Fortnight of Festivities in Devizes, and other things…..

If there’s one thing I’ve learned about staging events since starting Devizine it’s that there’s more arranging than meets the eye. A lot of people wishing to put on small gigs and parties fall into this trap, you need to fill out a book the size of Lord of the Rings just to allow three mice to sing in a shoebox. It’s around this time of year we should bear this in mind, and tip our hats to all the organisers of DOCA, who labour endlessly to present us with an awesome fortnight of festival fun, most of it for free.

 
So, here’s what we know at Devizine Towers, some stuff we don’t, and some stuff completely unrelated. Firstly, there’s a printed full programme of events available for a mere two quid, find one and buy it. There’s so much I could say, but I’ve been asked to direct you to the programme, which is a fair shout as the money goes to supporting DOCA, and thankfully saves me some typing too! I type a lot these days, mostly with one finger.

 
DOCA kicks off on Sunday with Party in the Park, as usual in Hillworth Park. From midday until 5:30 there will be Real Ales at the CAMRA bar, bouncy slides and entertainment, and free craft workshops. This year DOCA invite all ages to join in working towards World War I installations, making paper cranes and poppies. The craft tent also will be making bees and butterflies, to bring with you to the carnival procession. All materials are provided, and completely free, but donations are greatly appreciated.

 
Live music comes from King Sized Slim, who replaces Ben & Sy in the printed programme. Fat roots boogie, and heavyweight acoustics, Toby Barelli has a reputation as a powerful performer. His punchy phrasing a rhythmical delivery, convert his vocals into an additional percussion instrument. There are elements of reggae, rap, American Indian and African beats and soul.

 
Acoustic duo Kelly Pullen and Alana Turnbull, known as KO, produce top quality hypnotic folk pop with masterful harmonies. It is said that each performance is full of smiles, stories and great songs, their soaring harmonies will make your hairs stand up, and their melodies will bring a lump to your throat.

 
Double nominees in the British Blues Awards, close-harmony, semi-acoustic piano-led wonder, Mumbo-Jumbo; three top Midlands singer/songwriters who produce an ‘Eclectic Acoustic’ sound that is all their own.

 
And lastly, but by no means leastly, Bristol’s brilliantly named Peanut Shuffle Club, eccentric sweet early jazz, designed for dancing. Led by the female vocals of Elly Hopkins and spirited gypsy guitar of Jay Singh, Peanut Shuffle Club breathe their own exuberant energy into hits from the 30s and 40s.

 
The park hosts a cafe serving snacks and hot drinks and has fully accessible toilet facilities, so bring a picnic, relax with great music, chilled-out family entertainment and welcome the start of the festival fortnight in style.

 
Here, read our preview article from back way back in April, it’ll inform you and lighten my load: but needless to say, you can rest Monday, but Tuesday it’s the ticket-only event, PanGottic presents ‘Long Shot,’ at the Corn Exchange.

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Wednesday (22nd) is the Skittles Night at the Wyvern Club, and the Quiz Night at Southbroom School. Friday on the Green, a raw, anarchic and highly skilled My!Laika bring Popcorn Machine, and it’ll be showing through the festival, up until 27th August.

 
The blurb goes something along these lines; “In a post-apocalyptic universe, My!Laika unites four international artists who share an absurd and often Dadaistic sense of humour. The winners of the JTCE prize 2010 leave the realm of pure circus and venture into performance and music, creating a turbulent collage that has little in common with the current cliché which is circus. Their skills create bizarre theatrical situations and provoke a chaos of feelings; making audiences laugh when they should really cry and cry when they expect to laugh.”

 
The tag’s £12 for this, but have no fear, I know it all sounds a tad bizarre, but yours truly will be at the opening night, probably have to rub shoulders with real journalists, which isn’t as much fun as you may think, and I’ll have a full report on it for you to deicide first thing Saturday morning…ish…ly… or, at some point, promise. Friday though, if you’re not attending this; Wilton Sleeper are live at The Southgate Inn, free, and the Three Crowns has a Beer & Cider Festival.

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DOCA rest Saturday 25th, but that’s no excuse for you: the afternoon sees Drew Bryant live in Vinyl Realm, and the evening grab a ticket fast for the Devizes Scooter Club have All That Soul at the Cons Club. If that’s not your thing, escape the town and get down to Larkin at The Owl, Bromham.

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Now, let’s move onto Sunday the 26th, bank holiday, you know the score, you’ve done it before…. I’ll bet; it’s the Street Festival, on the Green and it continues at The Market Place on the Monday; consult the programme please, don’t let me get in trouble for telling you anymore! I will say I’m looking forward to some Balkan ska, or have I said too much already?

 
Don’t forget to look out for Dik and Adam, the Clowns of Coulrophobia, who have their own 75-minute show on the Tuesday at the Wharf, with slapstick, mime, puppetry, a LOT of cardboard and “disappointing” nudity.

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We should also make you aware, there’s many a side stall and things occurring around the town, as well as the Market Place, I understand a cosier, local acoustic gathering will be happening at Vinyl Ream. That the Stealth Brew stand will be in full operation, and that’s about all I’ve got on this front to date, but DOCA do have a ticketed after party for the street festival, details on the site.

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Other things are plentiful in town during the week, on Wednesday 29th the ongoing Summer Holiday Activities at Wiltshire Museum, where the theme is Pirates and the Sea. The Vaults has a Tapas Night, and never forget every Wednesday is Acoustic Jam Night at The Southgate, Devizes. Though, it is Confetti Battle and Colour Rush, if you like that sort of thing!

 
Also, completely unassociated with DOCA, Thursday 30th is the Mayor’s a Baby Show…… sorry, typo; The Mayor’s Baby Show (let’s see how many are still reading this!) Town Hall, 10am – 12:30. And it’s Open Mic down the Cellar Bar.

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Friday (30th,) as if you’ve not had enough already, there’s Music on the Canal down at the Wharf, a DOCA event in association with the Kennet & Avon Canal Trust; from 6:30- 10 there’s live music and a bar, stalls and food.

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That’s it, end of August! 1st September is a Saturday, and it’s Carnival! Which you could polish off with RedRoss At the Southgate Inn, or celebrate the opening of the Devizes Family Club at our Conservative Club with The George Formby Experience and Jayne Darling. Will it ever end you cry? Are you sorry you commented on social media or moaned to the man at the till in Icelands that “nothing ever happens in Devizes?”

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Sunday 2nd September and DOCA’s fine fortnight of shows may come to an end; but the Devizes Town Band will play the Children’s Proms the Park at Hillworth!

 
For a small town like Devizes, I think this proves we are well and truly, still alive and kicking!

DOCA

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Feed me Seymour! Quick Peek at The Wharf Theatre’s Forthcoming Performances.

A cross between Day of the Triffids and The Sound of Music, if that’s conceivable, the musical of the 1960 black comedy movie, Little Shop of Horrors twisted my aversion of musicals in 1986, when I saw the Frank Oz’s film adaption with Rick Moranis as Seymour, and Steve Martin as the psychotic dentist Orin; there’s always an exception to the rule. With doo-wop rock ‘n’ roll panache, and surreal comedy, it was my epiphany that musicals didn’t have to be all My Fair Lady and Oklahoma!

 

Glad to see it front page of Devizes treasure, The Wharf Theatre’s programme of events for the Autumn and Winter; so let’s preview it and see what other interesting performances they’ve got in store for us shall we? Why? Because if it’s good enough for Biggins, it’s good enough for me!

 

The Little Shop of Horrors has been through Broadway and West End since 1982 and won several awards. When a mild-mannered florist stumbles across a new breed of plant he names “Audrey,” after his fantasy relationship with a co-worker, the Venus flytrap fashioned flower tempts the florist into bringing him human blood and grows to colossal proportions with world domination in mind. It’s fantastical fairy-tale fun with a dash of Monty Python humour and brilliant retrospective soul and rock n roll songs. Directed by Emily Holmes with musical direction from Naomi Ibbetson, it runs at the Wharf from Friday 26th October until Saturday 3rd November, tickets £12, £10 for concessions, and has to be something more than worthwhile while the autumn evenings draw in.

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Musically there’s three other treats on offer at The Wharf, 7th September sees The Johnny Cash Story following a successful run at The Edinburgh Fringe. Those who’ve seen “Walk the Line,” or is a fan of Cash will know his biography is astounding, and it’d great to see acclaimed performer Jamie Rodden’s rendition of him and his songs.

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Similarly, Canadian folk-pop innovator Joni Mitchel gets a Story, showing on 6th October, it’s another Edinburgh Fringe sell-out. Why even bother going all the way to Scotland if the Wharf is going to bring us their hit shows?! I’d be going in blind here though, for as much as I love her timeless songs, I know nothing about her life, only that she stayed on the edge of the sixties beatnik scene, despite writing the eras anthems, Big Yellow Taxi and Both Sides Now.

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With eccentric humour, crazy costumes and high-energy world roots music, The London Philharmonic Skiffle Orchestra takes the matinee of 16th November and proves to be a riot of clownery and wacky Kenny Everett styled madness.

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Plays this season are Alan Ayckbourn’s eerie thriller, Snake in the Grass; a twisting tale of murder, and blackmail, with a healthy dose of Ayckbourn’s black comedy. It runs from 24th-29th September. And Neil Simon’s anti rom-com Chapter Two, running from 29th January to 2nd Feb 2019. Directed by Lewis Cowan it promises to be of “sparkling dialogue softening the edge of what it is at heart, a serious examination of what it means to lose ones partner through either death or divorce.”

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More customary, Shakespeare Live appears at the Wharf on October 4th, with This Rough Magic. Director Gill Morrell and cast take Prospero through a selection of Shakespeare plays and poems.

Hold on though, I know what you’re thinking; you’ve missed a month, the big C! How about Kidnap in Pantoland as an alternative to a standard pantomime this year, sounds intriguing? Yeah, that’s what I was thinking. Running the 7th to 15th December, this is a who-done-it pantomime as detectives are called in to investigate the mysterious case of the kidnap of Snow White, Cinderella and Sleeping Beauty, and no pantomime or fairy-tale character is exempt from suspicion.

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All-in-all a grand program of events to see us into 2019 by my reckoning, but, but “Feed me Seymour!” –say no more, it’s not a movie I’ve seen for many moons, but just the thought of that scene of the bad-boy, Elvis styled dentist bursting into his waiting room with a rancorous rock n roll number, and viscously twisting the head off a dolly held by a scared little girl just tickles my funny-bone  every time; is this normal? Little Shop of Horrors is a must!

 

More details and to grab your tickets: Click Here!

 

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Say the Magic Word, to Raj Bhanot

So, I’m at Café Nero in the Brittox of Devizes when the young lad I’m sitting with presses my shoulder as if there was a button on it, and two red balls dispense from my upper arm; this isn’t going to be an ordinary afternoon tea.

 
I’m chatting to Raj Bhanot, aka the Magic Word Magician. The best part of writing Devizine is encountering local talented people, usually they’re musicians, so for a change I was keen to meet this aspiring street magician.

 

We spoke of TV magicians from my youth, the obvious Paul Daniels, of whom Raj acclaimed as “absolute legend.” Comparing Paul to the American showman David Copperfield, the variance being while Daniels had the gab, the witticisms and charisma, you never joked with Copperfield; it was serious magic, if not a little outdated nowadays.

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“Dynamo must be an easy comparison to make with you,” I asked Raj, “where do you differ?” Maybe all those Paul Daniels magic tricks you could buy in the eighties did paid off, I guessed his answer, or perhaps it’s simple to see the difference between them upon watching his promotional videos.

 
While Dynamo adopts David Blaine’s style of extending Copperfield’s sombre and mysterious bravura, Raj is keen to add humour and charisma to street magic, more akin to Daniels. This makes this captivating young magician far more bookable for corporate events, weddings and other functions, which is where Raj obtains most of his work. “I wouldn’t book Dynamo,” I told him, for whether it’s clever editing, or just his persona, it’s kind of weird how he just wanders away like that, whereas you’d immediately welcome Raj at your function.

 
Blogging on his website, Raj makes convincing argument why a “close-up magician,” makes a great addition for a corporate event; “team retreats are all about building trust. That conviction takes work to build up, but once it’s in place it becomes an invaluable asset to your company. Bringing in a skilled close-up magician for corporate retreats reinforces that trust exercise. When faced with some dizzying sleight of hand, every non-magician is on equal footing—unlike the boardroom where the boss is the boss. In other words, having the opportunity to watch your manager get bamboozled outside a business setting is perfect for breaking down status barriers.”

I think weddings speak for themselves, my hour spent with Raj was absolutely entertaining, his magic sublimely executed with gusto and fun.

 

The couple of foam balls are now on the table, he instructs me to pick one and squeeze it my hand. He copies me with the other ball, but upon opening his hand the ball has disappeared and when I open mine, I’ve both the balls; then we have a little joke about checking my balls, cheeky so-and-so, I know I’m getting no younger!

 
“Is it all sleight of hand?” I ask him, and he explains it is mostly; there’s a finite amount of systems which can be applied to many tricks, but that’s all his revealing.

 

“Does it get annoying when people ask the cliché question?” I inquire. He nodded, “if people ask me how it’s done, I tell them ‘easily!” He enlightened how he will repeat the trick and slow it down, but still confuse the person.

Enthusiastic about street magic, Raj would consider, and has done shows, often using a large screen to show the close-up nature of his tricks. He proudly told me of his first experiences of performing, at the talent show at Devizes School, and we moved onto how his father and grandad would play-off card tricks with each other, and a fascinated young Raj picked up the knack and wished to make a professional career from it.

 
Indeed, it has, at a young age he’s being booked through several agents and the website is gaining attention from London to Bristol, even trekking North to cities like Hull. “I don’t get so much work locally though,” he stated, perhaps Devizes could wake up to the talented youngsters we have here, and we passed mention of mutual friend, the juggling unicyclist Arthur Plumb, as a for instance.

 
In fact, the punters of Café Nero were surprised when the approachable magician sauntered up to them with a pack of cards in hand. The whole coffee shop applauded this random performance, the like normally refined to city pubs, and a young lad bravely approached our table to ask if he could see a trick, Raj only too happy to oblige.

 

After the interview I popped to Icelands to pick up some tucker for tonight, where the lady in front of me groaned, “nothing ever happens in Devizes,” and the man on the till agreed. Hold on a cotton-picking minute I thought, I’ve just be bedazzled by some quality magic a few doors down; we really need to show youths like Raj, Arthur and all the brilliant musicians I meet our esteem and acknowledgment.

 
For at just a year ago, Raj passed the ultimate magician’s exam, and performing before the crème-de-la-crème of illusionists, he’s now proudly a member of the Magic Circle. So, although Raj couldn’t magic a chocolate brownie from the counter to our table, I was mightily impressed and honoured to meet him!

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Click like magic for Raj’s Website!

 

Please, check out the dodgy videos we made, or better try the more professional shoot I’ve posted, like his Facebook page, check out his website and, well, you’d be crazy not to book him for your event or function.

 

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To The Bitter End and beyond, with Jamie R Hawkins

Images used with permission of Nick Padmore Photography

A local singer/songwriter posts a video laying on his bed with his knees up, cradling his baby daughter as he sings a ditty, “welcome to the family.” It’s an abundance of heart-warming sentiments alone, a blissful moment of parental pride enough, as she watches him and listens intently, without the ending, where she holds out her arm to mimic her Dad strumming on the ukulele.

 
The singer is Jamie R Hawkins, whose song “as Big as You,” touched me personally. Yanking on my heartstrings it recalls a memory which covets the childhood desire to be as momentous and “big” as one’s father, and ponders if the steps needed by adulthood to attain that goal are reachable. It bought a tear to my eye, having lost my Dad last October, I had to stop to collect myself.

 

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Because while his customary acoustic folk-rock is filled with kitchen-sink and commonplace themes, through observations and ruminations of personal experience, Jamie’s adroit writing hoists him above his peers and has the ability to drive emotional responses of the everyman’s problems.

 
There’s nothing so complicated to riddle the mind, there is no political standpoint, but a flow of ingenious social commentary and unambiguous authenticities. Particularly when “Capacity to Change” opens with “Denial,” which rinses the fluffy sentiments and inane metaphors of your average love song, and moves swiftly on to the title track, which coveys a bit like counselling, but brut honesty reproaches with the brilliant Come Undone. It’s here where you really begin to pick at the lyrics, cleverly intertwined observations, palling Robbie Williams’ Angels by comparison.

 

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The two EPs he sent me to review are so overdue, it’s gotten a bit embarrassing. Sorry mate, I’ve only poor excuses, save I’d been meaning to, but every time I listen I find something new in them; that’s Jamie’s music, it grows on you.

 
Prolifically gigging, it’s easy to see Jamie playing in a pub somewhere locally, but in that environment it’s even easier, I feel, to chat, mosey around and not take in the absolute brilliance of his lyrics. This is why I strongly advise, if you buy just one CD of a singer doing the rounds locally, make it a Jamie Hawkins one.

 
So, the aforementioned Capacity to Change was released in 2016, and there’s a latter, “The Bitter End,” recorded the subsequent year. Jamie is very much a DIY man, both recordings are raw and as homemade as your nan’s apple pies, and you recollect how good they tasted? I wanted to ask him if he had a formula for writing, so at Saddleback he explained it’s not as ordered as that, it just flows; the sign of a great writer, not that I would know!

 

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There’s a thing, I’m finding it difficult to govern the words necessary here, to do Jamie’s song writing justice, you just have to listen! The stirring craving of tobacco addiction is defined significantly in “Nicotine,” the unpretentious, darker side resolves of performing artists behind the curtains bolts the door of honesty wide in “The Show of Me,” and “The Bitter End,” conjures the ideal speech for a step-child you know you’d never articulate under the pressure of the moment, but is a glorious sentiment nonetheless.

 
The deeper you dig with both these EPs, but particularly the matured and definite Bitter End, undoubtedly the better of the two, and proof Jamie continues to progress, the more you uncover about the man, about the human condition, and perhaps, yourself.

 

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So while he may knock out a blinding cover in the pub where you see him, take the time to heed the astounding wordsmanship of Jamie R Hawkins, and with the combination of skilled guitar and gruff vocals, know he’s capable of doing what the most accomplished and renowned musicians, from Guthire to Springsteen did, as Paul Simon can, and many other greats that have trod in those shoes, they evoke emotion on a personal level, identify the mood and moment locally, and bring to it a story that fits.

 
I kid you not, Jamie has that skill level, pushing new benchmarks and pride in our local music scene, nip down to Vinyl Realm, or buy these EPs online here.

 

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Beaux Gris Gris in Devizes

Punchy Louisiana blues folk-soul will ensure Devizes doesn’t forget the Saddleback now their awesome festival for 2018 is the stuff of  legend.

 

Presenting what will hopefully be a series of cosier autumn and winter events at the Sports Club, Saddleback Music Presents begins on 15th September by bringing us New Orleans inspired the Beaux Gris Gris (pronounced \ˈbō\ \ˈgrē-(ˌ)grē\  – no, I’m still none the wiser either) & The Apocalypse.

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Newly formed in 2017 by Louisiana-born-and-raised musician, Greta Valenti  of Well Hung Heart, and UK British Blues Hall of Fame inductee, local Robin Davey of The Hoax, DVL, as well as Well Hung Heart, it’s seems it’s an UK-USA extension of this group by adding the Hoax’s drummer Mark Barrett, keyboardist of King King and for Joanne Shaw Taylor, Bob Fridzema, and blended with Irish-American singer-songwriter, Ali Coyle on Bass.

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Beaux Gris Gris and The Apocalypse released a four-track EP, The Appetizer in 2017 and since March there’s a breezy, dirty-swamp blues track, the like of Garbage or Beth Hart, ingeniously titled, “Don’t Let the Bastards Drag you Down,” – man, I’ve been there.

 

So, yeah, Sunday isn’t it, take a Sunday-kinda listen, and I’m sure you’ll agree it’s grand of them to add Devizes onto their UK Tour, despite they should’ve known better, having performed down the Cellar Bar last year, and sold out, and for a tenner a ticket, can’t go wrong. Tickets out now from the Sports Club.

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Jack Moore and more, at Vinyl Realm

Nip out to Icelands for some chips, love? Don’t mind if I do, perchance to go via Vinyl Realm and catch an hour and half of Calne’s Compact Pussycat drummer Jack Moore, who acoustically performs in his own right, blinking brilliantly I might add.

 

Now the Lamb’s Fold venue has been highjacked by Pete and Jacki of Devizes’ proud record shop, there was some deliberation if these cosy afternoon sessions in the shop will continue. My tuppence is if they can they should, as if you’re having a quiet Saturday evening in, you can still catch some tunes. Yeah, it’s an age thing.

 

So drizzly rain splattered the window as a handful of punters gathered to witness an unplugged Moore causally strum, chat, knock out some great covers and some of his own compositions.

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A slice of Frank Turner, David Gray’s Sail Away, Pulp’s Disco 2000 and a perfect adaption of Lou Reed’s Perfect Day, Jack has a charm and charismatic talent to guarantee entertainment. Best cover I reckon though, Buzzcocks Ever Fallen in Love, memorable for me as opposed to Jack’s Queens of The Stone Age finale of which I had to inquire of, much to Jack’s surprise; I didn’t touch the sides of rock in the 90s mate, the decade was one almighty rave! Young-uns eh?

 

Still, it’s in Jack’s own songs where he really comes alive; a jazzy ballad inspired by the cartoon Finding Nemo, or what could’ve been a novelty tune when Jack explained it was influenced by a trip to Sammy’s Kebabs in Calne, but turned out to be love song; I’m informed they’re good kebabs. But out of his own songs one from his digital album, Inside the Machine, which really shone. Download the album here for just £3.

 

Jack is keen and a talent to watch, be it as a quart of The Compact Pussycat or solo. He’s at ease with his guitar, taps and strums intently, and similar to flamenco, it ends with a jiggle and foot-stamp.

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As to Vinyl Realm, well long may it live to celebrate our local live scene as well as a haven for all things musical. It’s with coincidence that their first night down next door’s Lamb, on 21st September will be supported by The Compact Pussycat, and the wonderful Sally Dobson, aka the Salamander, who I’ve more news to bring you of very soon. The headline to this evening is the experimental ambient rock four-piece band from Devizes, Cracked Machine, who have a digital Ozrics feel about them and their album I, Cosmonaut can be checked out on Bandcamp here. Tickets for this gig are, of course, at Vinyl Realm but at the snip of a fiver are selling like a Pink Floyd reunion.

 
I’ve clicked on this link to hear a quick listen so I can define their style, but the while writing I note I’m still listening to it. Cracked Machine really draws you in, convincing me this’ll be an outstanding night!

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Pete and Jacki are back at the Lamb with subsequent gigs throughout the remaining year, on the 19th October with Steve Cox, Dace Beach and Dan O’Farrell, on 23rd November with Illustrations, Christopher Wynn and Sunset Service, both priced at a fiver too. The 14th with Sound Affects, Will Lawton & Weasel Howelett and Common Confusion maybe raised to a mere £7, but with added mulled wine and minced pies! Get away, I don’t wanna even be thinking about the giant C word yet!

 

Now, I really must get off to buy those chips, curly fries or wedges, what’d you reckon?

 

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Kirsty and The Moonrakers

It’s been quieter than Bjork in a tyre shop on Devizine this week. Apologises, I’ve had the rarity of relatives visiting. To show them how we do it Devizes style, I placed the Moonrakers Bar & Grill on a pedestal and booked a family meal. Two reasons; one, I believe it’s a cut above at a fair price, and two, I’ve been keen to catch a certain young lady sing.

An estimated year or so has passed since we’ve eaten at the aesthetically-pleasing Wadworth flagship, I recall delightful fish platters on boards, and quality stacked burgers worthy of the fair steal. The menu now seemed more standardised though, geared to emblematic “pub grub.” Still the prices reflected this, I’ve no gripe.

We were shown a table, least pointed out a table; it was averagely busy but hardly bursting from the rafters. Still, just a hassle to staff we seemed to be, while we slogged the lengthy wait for tucker without compliant. I’m content with a wait, but young offspring tired and tummies rumbled.

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Great Food, Click to book!

A game of “tag” had to suffice, on a lawn large enough for a swing, climbing frame or something, anything, to keep little ones amused. If you welcome families, a super kid’s menu is only part; a facility to prevent boredom is but a small bonus to ask. Failing this, an activity pack wouldn’t go amiss; you know, a booklet of colouring-in, word search and accompanying set of pencils, something to amuse little minds…like mine!

Staff eventually made it to the table to regretfully inform us of a lack of burgers, some twenty minutes after ordering. Compromised with chicken and bacon burgers, only for it then to become apparent there was no bacon either. So, a promised bacon burger turned into a dry chicken breast in an untoasted bun.

I pondered if there’s ever a need to be burger-less with a couple of butchers in town; any gripes I hold with the alternative through previous employment aside, I know for a fact one phone call would’ve rectified it and the finest burgers this side of Barnard Star would’ve been dispatched in minutes, had they have checked stock.

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Moonraker; if it’s good enough for Roger Moore it’s good enough for me.

Didn’t bother me, I ordered scampi, which although wasn’t filling for me, Gluttonous Maximus, would’ve been apt for people not crowned Roman Emperor of overeating. The macaroni cheese dish was also welcomed. Don’t get me wrong, it was good, nothing really dazzled though, which is what I wished for as I explained the amusing fable of the pub’s folklore namesake to my sister-in-law. I wanted Devizes to wow so I picked the Moonrakers, but it was only just teetering above adequate, tasty, but visually standard and wobbled the pedestal slightly. The chef was welcoming and apologetic for the wait, but overall, for the remaining staff it felt as if the left hand didn’t know what the right was doing at times.

My daughter, conditioned by Harvester, suggested a free salad bowl to pass her time! There’s me pondering it’d be a challenge for this place should a chain like this move in. But things turned around afterwards; salad bah, one thing you’ll never get in a Harvester is the mahoosive consolidation of fine local music, this time around in a tiny dose; the gorgeous Kirsty Clinch.

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Kirsty breezed through covers and own compositions with the professionalism of a musician four times her senior, with the only help from a desk fan, which she used to cool herself and play a game of “everybody, check my striking red tresses blustering in the tender zephyr,” while I was preoccupied with the superlative course of the meal, pudding.

Oh Kirsty, she oozes with confidence, loves her performances, but it’s okay, because we love them too. It was a pleasure to clasp a quick tête-à-tête with her afterwards, about a forthcoming DIY album we really need to keep both eyes on. Adding live local music to your meal is the icing on this delicious cake; Kirsty steadied the pedestal, confirmation the Moonrakers is fantastic, and should these trivial nigglies be ironed, I’m positive The Moonrakers could be the super-amazingly fantastic I sooo wanted it to be.

This Saturday it’s the turn of the Hybrid Hero; a one-man acoustic army of popular rock and pop covers from across the eras, who may resemble Mike Barham, or may not, depending on what angle you view him from, I suspect mostly a worm’s-eye view. I’d eat my chips before he arrives.

 

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Take Me Away From Country Roads: Dead Kool Seeks New, Family Ground

You have to tip your Stetson to Dean Czerwionka of Dead Kool Promotions, which usually concentrates on promoting county music, for the launch of a sister event organisation he’s named “Devizes Family Club.” It does what it says on the tin.

 
Whist in the past Dean sought variety within the Country Music genre, the new year will see a surfeit of tribute acts from many pop genres and eras. To be hosted at the Conservative Club, tickets are being sold a year in advance; “people are going crazy for the new family club,” Dean delightfully exclaimed.

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My suspicions arose when Dean introduced a Sixties Tribute show to the Cons Club a few months ago, then he was banging on about a George Formby one too, justifying it to me as a “homecoming.” Layering me with fascinating trivia, the like of at seven years old Formby came to Bishops Cannings, as a stable boy and apprentice jockey. There you go, bet you didn’t know that? Mind, he probably didn’t stay long I jested; not much eye-candy to be spotted through cleaning windows in Bishops Cannings!

 

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It was next year’s booking of Pink tribute Zoe Alexander which shocked me to hassle him. “You diversifying?” I probed.

 
“I am diversifying Darren,” Dean explained, “but Country is my roots. I want to bring more genres for the families at affordable prices.” Tickets for the majority of events will be capped at a fiver for adults, with bigger bands between £10-12, but under 16’s  will always be free, which is indeed value, being a handful are aimed to appeal to youngsters, such as Little Mix and Katy Perry tributes as well as the aforementioned Pink. He added, “my daughters wanted PINK!”

 
Really though, there’s no need for Dean to roll excuses at me, it’s a great idea to have a wider range of events at the club and introduce it to the next generation. Then I spoiled it all by kidding, “your daughters will sell more tickets than you!” He didn’t respond to that one.

 
So, with Formby launching off the series of events on the first of September, The Spirit of Cher ends that month. Dean couldn’t resist though, a quick snatch back to country with a Garth Brooks tribute on 9th December.

 

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Then it’s full steam ahead for the next year with Meatloaf, Carpenters, Elvis tributes, and even a Rocky Horror act, to name but a few.

 
Recently added to the list has to be my Thin-Lizzy-obsessed supervisors doing; Black Rose are due to appear on 6th September 2019. Now, if there’s anything worth knowing about Thin Lizzy, and a zillion things you didn’t need to know about Thin Lizzy, my supervisor will tell you, if you wanted to know them or not! Even if you start a conversation contemplating, “he could never find a link to waffle on about Phil Lynott with this subject,” he will, in seconds, find an avenue.

 

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With that in mind, if anyone knows the best tribute act to Thin Lizzy, he will. This reassures me this flood of tribute acts will be of sound quality; touchy subject with tributes, and Dean is supplying something for everyone.

 
Grand of Dean also, to take on other’s suggestions; let’s see if he succumbs to my Five Star pitch! Not that I know of any Five Star tribute acts, must be one…. surely? Tell me there is?! (Younger people please take caution if Googling Five Star and wear appropriate ear defenders.)

 
Seriously though, Devizine wishes all the best of luck to Devizes Family Club, not forgetting The Dead Kool Promotions will continue to bring country music to Devizes and Calne too. Dean assures me, it’ll be, “like the good old days, I had growing up going to the working men’s clubs with my parents.” Though cannot confirm if that’s a real memory or one infused from Peter Kay.

 

 

For event details and more info, Here.

For Devizes Family Club Facebook page, Here.

 

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