Officers from Devizes Neighbourhood Policing Team Spreading Awareness on Child Exploitation

A terrible thing happened; I grew up.

Debatable, I know! Doesn’t everyone still hold a penchant for being a kid again? Through rose-tinted specs many of us fondly recall our childhood, and forget how, actually, growing up is psychologically challenging, frustrating at times, even if you had what you’d consider a good childhood. Why oh why some attempt to make it worse for children, is something beyond fathoming.

I hope to get my article about the sate of local playgrounds published later today, for I see it’s Child Exploitation Awareness Day. Partly relevant, I ponder, to our children’s wellbeing, and something often overlooked by the powers that be, the sheer joy and also dexterity and health of our youngest of going to the park.

The National Child Exploitation Awareness Day aims to highlight issues surrounding CE;ย encouraging everyone toย think,ย spot and speak outย against abuse and adopt aย zero toleranceย to adults developing inappropriate relationships with children, or children exploiting and abusing their peers.

Therefore, I’m pleased to hear Devizes Police has acted, and officers from the Neighbourhood Policing Team will be out and about today spreading awareness on Child exploitation.

“If something doesnโ€™t feel right,” they say, “it may not be. Young people can be exploited anywhere and may be most visible in public places.”

If you are concerned about a child, please dial 999 or 101 if itโ€™s not an emergency.

And for my personal opinion section I say it’s seriously counterproductive to adopt the “my dad smacked me and it never did me no harm….” attitude. I have to ask, really? Sure, aside spouting double-negatives, it didn’t make you a tad selfish and ignorant, inconsiderate to those who it may’ve affected?

For the taboo ethos of my youthful era paved the way for a plethora of the utterly sickest offenders ever to grace our planet, and allowed them to sneak under a non-existent radar to become trusted representatives, even renowned celebrities on Children’s television shows.

So, please help promote this awareness with the hastags #HelpingHands #CEADay22

Bathโ€™s Bell Pub Hits Back at 1Star TripAdvisor Review!

The Bell in Bath is an outstanding pub, we know this, you know this, but how theyโ€™ve turned a grumpy cretinโ€™s one star review on TripAdvisor on its head is nothing short of geniusโ€ฆโ€ฆ

Finding your apposite pub is akin to shoe shoppingโ€ฆ. no, hear me out; I can waste time trekking a shopping centre, browse a zillion other stores, but once Iโ€™ve settled on a pair of shoes, which are usually in the first shop I visited because I bloody loathe shopping, there is no compromise, itโ€™s those shoes or Iโ€™m walking barefoot. I never, however, feel driven to go onto ShoeAdvisor and discredit every other pair of shoes simply because they didnโ€™t suit my tastes.

Iโ€™m game finding a suitable pub in Bath, but aware, as with any unfamiliar city, Iโ€™m likely to make a blunder and land in one which just isnโ€™t for me. Familiarity, and want of a pint with a degree of urgency, I know full-well satisfaction will be nigh sauntering along the sunny side of Walcott Street, because for as long as I can remember, the Bell has been that stable institution with my name all over it, and then there is no compromise.

Historically The Bell has been lively, the comfy type for the hedonistic alternative. It sells pizza from a bicycle-themed hut, it hosts craft and artisan markets as well as being an upstanding music venue for musicians and DJs alike, with poetry slams and anything else which might tickle their fancy; itโ€™s simply popular because itโ€™s such a darn lovely place.

Their method to dealing with a bad TripAdvisor review though, tips the wanna-be Jay Raynersโ€™ intentions on their heads. As a badge of honour, they post such reviews on their Facebook page for their customers in the know to belittle and laugh at. On this particular occasion the unhappy couple downgraded them from two stars to one, just for mocking their hypocritical review on their own Facebook page; itโ€™s a social media thread which keeps giving!

They blamed the pub for the City Councilโ€™s lack of parking facilities, seemed to hate that the pub was popular, on its busiest weekend night, and for want of a quiet pub, with music(?) they hunted elsewhere, but their abhorrence of students prevented any success.

Laughable it may be, but it illustrates the danger in trusting opinions cast by unprofessional critics on these pathetic excuses for websites. Take me, for example, craving my pen mightier than my sword, if I wanted to slag off the Bell, or anywhere else, I would, but I donโ€™t, because ultimately the Bell is a blindingly brilliant pub, always has been, and I hope always will be. Might take a fair attempt at slagging off the reviewer though, but to be fair, the reviewer was nice, and I’m sure on another review it would’ve suited me!

The audacity to downgrade a review simply because they laughed it off only increased the hysterical element to their hypocrisy; as they added โ€œto be fair the place was nice, and Iโ€™m sure on another night it wouldโ€™ve suited usโ€ฆI am not slating the place or the people there!โ€ Butโ€ฆ. oh, you still downgraded your already appalling review to the lowest star rating possible? Okay, makes sense if a tavern with padded walls is what youโ€™re after.

They had our very own guitar virtuoso Innes Sibun playing that very same night, for crying out loud; I strongly suggest he swaps his sublime guitar melodies for a cassette of whale song for want of appeasing these imbeciles, or continue unperturbed if not; of which I fancy the latter! Innes himself asked, โ€œwould it help if I offered to do a solo acoustic gig especially for them? I feel really guilty youโ€™re getting slated for providing a night of live music which is what was promised.โ€

For The Bell have far from โ€œtaken it on the chin,โ€ as suggested by the keyboard warrior, with 357 likes, laughing or wowed emojis from the original Facebook post, 140 comments to-date supporting the establishment, and equally blossoming on the latter post telling of the downgrading, rather itโ€™s had quite the opposite effect the critic desired, and their audacity to appear fair-minded has collapsed in a pitiful heap.

Business as usual for the Bell, the Pizza Bike fired its oven and blessed drinkers with sourdough specials, Uncle Boo took to his guitar for some soul and blues grooves, and the staff prepare for a weekend of vinyl DJ sessions, an artisan and pre-loved market, and local country-rock indie from Breakfast Recordsโ€™ Langkamer; much ado about nothing, but then some people can never let it lie. If your head is stuck in TripAdvisor, youโ€™d never get the right shoes for you.

I could send you a packet of corn plasters for your blisters, but next time have faith in me, who gets or wants nothing from this or any other pub or venue, other than their continuation to support local creatives and musicians, and generate the awesome atmosphere in their establishment they always have.


Trending…..

Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

Devizine Music Club: 13th March 2022

Here we are again for a second bout of our music club, providing details of new music from outside our usual confines and stepping out internationally with a spring in our step……

Simon and The Astronauts Debut Album with Rachel Haden

Cambridge/London based writing/recording collective, Simon and The Astronauts have shared a new single I Have a Name, taken from their upcoming self-titled album collaboration with acclaimed US musician Rachel Haden of The Haden Triplets, Jimmy Eat World, Weezer, and Todd Rundgren, Hadestown, due out 22nd April 2022.

The follow up to recent single โ€˜10 League Bootsโ€™, โ€˜I Have a Nameโ€™ finds the collective continuing to flex their melodic, alt-rock muscles. Hadenโ€™s performance is brilliant and defiant, declaring โ€œI donโ€™t care what you think or say, I have a name, just a face on a clouded day but I have a nameโ€ – her vocals delivered with the confidence and authenticity of an artist who has led the way and followed their own path and passion for many years. A key figure in some of the most iconic music created in the last few decades, this is Haden stepping to the front and demanding our attention – with good reason.

Beginning life as a collaboration between songwriters Simon Wells and Ben Hewerdine with producer and musician Chris Pepper following their introduction by Benโ€™s father and Simonโ€™s mentor, the acclaimed English songwriter and record producer Boo Hewerdine, โ€˜Simon and The Astronautsโ€™ have already been creating music together for a number of years.

The trio, along with an impressive list of collaborators, released their debut EP โ€˜The Entertainment Suiteโ€™ in 2019, quickly followed by their debut, self-titled album later that year, spawning the unlikely viral TikTok hit โ€˜Iโ€™m Just A Catโ€™ – currently featured in just under 300,000 posts.

As the trio set about recording their second full-length album, they decided their group was missing something crucial and after some soul-searching reached out with what they thought was ashot-in-the-dark request to a musician and singer they hugely admired – Rachel Haden.

Haden, a founding member of That Dog and The Haden Triplets, respected solo artist and collaborator of artists including Jimmy Eat World, Weezer, Anais Mitchell, Todd Rundgren and many others, reacted positively to the pitch from the guys in the UK, who promptly set about writing an album of songs with Haden and her iconic voice in mind.

Working remotely between Pepperโ€™s studio in Cambridge and Hadenโ€™s base in LA, the group began their international collaboration, writing and recording this fantastic collection of 12 new songs. An ambitious and sonically varied record, this new album effortlessly shifts from the classic alt-rock of โ€˜I Have A Nameโ€™ to the gorgeous balladry of โ€˜Lost In Londonโ€™ all the way to the crushing guitars and cinematic atmospherics of new single โ€˜10 League Boots.โ€™

Featuring additional contributions from LA studios Sea Grass Studios & Spirit Kid Sound, as well as English musician Boo Hewerdine, Swedish multi-instrumentalist Gustaf Ljunggren, lyrics inspired byHadenโ€™s jazz legend father Charlie Haden and the blessing of Weezer frontman Rivers Cuomo tointerpolate their song โ€˜Surf Wax Americaโ€™ – the album is a tribute to the possibilities of the global sharing of ideas. Each track bouncing between countries and continents, heading to its next destination richer and more developed – โ€˜Simon and The Astronautsโ€™ is an unlikely cast of characters hailing from a wide variety of musical backgrounds and traditions – and all the better for it.

โ€˜Simon and The Astronautsโ€™ will be released via the bands own imprint on 22nd April 2022 with the possibility of summer tour dates on the horizon.


Tenja in Dub

Iโ€™ve been loving this steppers riddim with a glorious vocal, kindly sent by Tenja in Dub, for airtime on my Boot Boy Radio show. Tenja is a Paris born reggae producer & vocalist currently based in Norfolk, who settled in Bristol in 2011.He works with a variety of artists across the reggae spectrum and has toured widely across the UK and Europe.

Once lead vocalist for renowned UK Roots Reggae band Dubheart, winners of the 2013 Rototom European Reggae competition, extensiving touring of Europe and shows at major festivals including Rototom, Reggae Sunsplash, Overjam and Summerjam. More recently, Tenja is continuing to focus on his music production and released a few projects as Tenja in dub, and this tune Faith in Love, features Bristolโ€™s sweet and soulful singer-songwriter Rudey Lee. ย 


Landon Lloyd Miller Releases Debut Solo Album

Texan singer-songwriter Landon Llyod Miller, ex-The Wall Chargers vocalist released his debut solo album, Light Shines Through this week.

The album follows recent teaser tracks, Light Is Growing, a song praised by Americana UK as โ€œan uplifting dose of positivity” and Feel It Again, championed by God Is In The TV for its โ€œair of hope and positivity as it barrels along with a spring in its step,โ€ as well as latest single Bluebonnet which arrived with a cinematic video directed by Evan Falbaum.

Taking inspiration from folk songs, murder ballads, country classics, and everything in between, Landon offers a suite of songs influenced by his Texan roots and glued together by his unflinchingly biographical lyricism. A diverse record of confessional piano ballads, cinematic roots rockers, and plenty of troubadour soul, Landon creates an album about vulnerability and strength, hope and darkness; with the ultimate message that light will always shine through. Buy it here.


Atalhos Released New Album A Tentaรงรฃo do Fracasso

Ambitious Brazilian indie rock duo Atalhos released an interesting new album this week, A Tentaรงรฃo do Fracasso. Already receiving warm reviews, the band have been praised by Rolling Stone as โ€œa delight to listen toโ€ฆ reminiscent of The War on Drugsโ€, whereas Prog magazine hailed new album as โ€œlike Caetano Veloso channelling The Dukes of Stratosphearโ€ฆthere are strong flavours of 80s neo-psych in their swirling sound, filtered through layers of tropicalia.โ€

Typical of the recordโ€™s loose and hazy qualities, the album opens with the shimmering six-minute Tierra del Fuego. Featuring dreamy guitar strums, clouds of synth imagery, intoxicating looping beats and evocative melodies, the track was mastered by legendary American producer Greg Calbi (Tame Impala, The War on Drugs, Bon Iver) at Sterling Sound, along with the other 8 tracks that make up their sumptuous latest album.

A work that crosses borders and celebrates the Latin American brotherhood in collaborations, โ€˜A Tentaรงรฃo do Fracassoโ€™ flirts with the psychedelia of the Chileanโ€™s The Holydrug Couple (Ives Sepรบlveda of whom produced the record), the sunshine-kissed South American sounds and the Spanish-flecked vocals of the Argentineโ€™s El Prรญncipe Idiota and Delfina Campos (who both guest on the record).

Blending woozy soundscapes with wistful philosophy, โ€˜A Tentaรงรฃo do Fracassoโ€™ combines the reverb-rinsed touches of 80sโ€™ Springsteen, the gentle grandiosity of Arcade Fire and the day-dreaming guitar pop of Real Estate to create something as touching as it is timeless. Find the album link-tree here.

In support of the release, Atalhos confirms a Europe and UK tour between September to October 2022.


The Return of The Asian Dub Foundation

Asian Dub Foundation play five UK shows in April and proudly released deluxe remastered editions of โ€˜Enemy Of the Enemyโ€™ and โ€˜Tankโ€™ on March 11th through X-Ray records; both albums are released with bonus tracks and will be available on CD and for the first time ever 12โ€ vinyl.

“We’re very happy that X Ray have put together these magnificent packages, the remasters sound crisp and a lot of the subject matter is still relevant, such as the opening lines of “Fortress Europeโ€ exclaims Steve Chandra Savale.

First released in 2003 โ€˜Enemy of the Enemyโ€™ Asian Dub Foundationโ€™s fourth album opens with the lyrically prophetic โ€˜Fortress Europeโ€™; โ€œ2022, a new European order. Robot guards patrolling the border. Cybernetic dogs getting closer and closer. Armoured Cars Immigration Officers.โ€ The album also includes โ€™1000 Mirrorsโ€™, featuring the inimitable Sinead O’Connor, and Ed O’Brien who also played the title track. This new edition includes three bonus tracks: โ€˜Illegal Mindsโ€™ featuring Mark Stewart, plus two remixes by Adrian Sherwood and The Bug.

โ€˜Tankโ€™ their fifth studio album released two years later sees the original twelve tracks joined by three bonus tracks including; โ€œEasy Manโ€™ ft Perry Farrell, plus two remixes by San J and Shiva Sound System.

Asian Dub Foundation are a genre unto themselves. Their unique combination of tough jungle rhythms, dub bass lines and wild guitar overlaid by references to their South Asian roots and militant high-speed rap has established them as one of the best live bands in the world. During their long and productive career Asian Dub Foundation have shared the stage with the likes of

To pre -order / pre save โ€˜Enemy Of the Enemyโ€™ and โ€˜Tankโ€™ go to: https://bit.ly/3tswlVq

Asian play five UK shows in April starting at Trinity in Bristol on Friday 1st  and includes  Earth in London on Friday 15th.

Asian Dub Foundation April UK show

Fri 1st Bristol  Trinity

Fri 8th Manchester  Band On The Wall

Sat 9th Glasgow Studio Warehouse

Fri 15th London  Earth Hackney

Fri 22nd Brighton Chalk


New Single From Jesse Mac Cormack

Montreal songwriter and producer Jesse Mac Cormack has shared his new single โ€œNHFN,โ€ from his upcoming album SOLO. SOLO will be released on April 8th on Secret City Records, and is currently available to pre-order HERE.

โ€œLosing freedom and privileges made me realize how great and important they wereโ€, describes Jesse. โ€œGoing through a hard time in a relationship and looking forward to happiness gave me purpose. It really helped me find what nourished me and made me stronger. Everything wasn’t about passion anymore. I started thinking, taking good decisions for myself, and remembering what I wanted in the first placeโ€.

ย The new track follows the release of lead single โ€œBlue World,โ€ which is similarly brimming with pulsating beats and an expansive palette of sounds that reflect Mac Cormackโ€™s impressive production skills.


The Kooks New EP

Following their sold-out tour across the UK throughout January and February, hereโ€™s a teaser from a forthcoming album, Ten Tracks to Echo in the Dark, due in July, from British indie trailblazers The Kooks; a new EP, Connection in the Dark Pt1, with this song, Jesse James, is out this week.

The video stars model Lottie Moss, half sister of Kate Moss, who said, โ€œIt was so fun to be involved in this, Iโ€™ve never been able to live out my main character dream before so this was really cool for me to do! I have loved The Kooks since I was younger so that made it even more special!โ€

Frontman Luke Pritchard comments on the track and video, โ€œReally excited to release โ€˜Jessie Jamesโ€™, itโ€™s a song about not always trying to prove yourself and losing the ego. We are so thrilled to have the amazing to bring the song to life in her retro future bedroom floating through space, she really elevated the euphoria of the song with her performance!โ€

Listen or buy the EP from this link-tree.


Trending….

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™sโ€ฆ

Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their secondโ€ฆ

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly coolโ€ฆ

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โ€œlarge unlicencedโ€ฆ

Down art’ Barge; Honey Folk Fest June Bank Hols

As if a summery visit to The Barge on Honey Street isnโ€™t like a little festival in itself, two bank holidays next year at our favourite crop-circley-campsite come wharf-pub have been earmarked for festivals. The annual Honey-Fest on August bank holiday, 25th to 29th we knew about and eagerly await details, but the first was surprisingly sprung on me yesterday by event coordinator Skylar. It seems The Barge also have a folk festival on the 2nd to the 6th June bank holiday.…..

Being this is the Barge, think outside the box of archetypal folk festivals, of which it has to be said, can often be disparagingly perceived as a tad frumpy. Personally, my head was first turned from this common misperception surrounding the terminology of folk decades ago when a radical article in a local zine ingeniously titled โ€œmake some folkinโ€™ noise,โ€ predetermined the trend of rave, at the time, was nothing more than a folk epoch. It gave justified argument which made me question my narrow-minded definition of folk, and precisely what we were doing standing in a muddy field gyrating like broken robots all night.

I believe the variety of acts booked at the Bargeโ€™s, while not definable as โ€œrave,โ€ obviously, illustrate perfectly the diversity of the blanket-term โ€œfolk.โ€ For example, our bonkers buddies The Boot Hill All Stars, no strangers to pulling off a blinder at the Barge, are appearing on the Saturday, with their scrumpy & western fashioned fusion of folk-punk and upbeat ska, for that, hereโ€™s a folk festival with wider appeal than your average folk festival-goer, if you catch my crusty drift. So, without further-a-do, letโ€™s have little looky at who else will be there, shall we?

Fusion, now thereโ€™s an appropriate term for it, as Thursday sees Scottish roots singer-songwriter and guitarist, Adam Beattie, who has a lifelong interest in old time jazz and blues, whereas The Odd Beats define their style as โ€œhip shimmying gypsy folk and psychedelia from far-away lands.โ€

3 daft Monkeys, all 4 of ’em!

And if longboat-dwelling Fly Yeti Fly seem to be cropping everywhere on the local circuit these-days with their unique flavour of delicate-but-distinctive folk, Lenny No Strings is billed as a local legend Iโ€™ve not come across before. They both appear on the Friday, with the fiery helter-skelter blend of 3 Daft Monkeys, and Baraka, a unique combination of musicians from Ghana, Senegal, Trinidad, Dominica and Ireland, who each contribute individual styles from reggae and calypso to township jive and harmonica blues. Their unique take on global beats sounds irresistible, and coupled with the fast and furious Balkan of Troyka, this do is taking more โ€œmini-Womad,โ€ vibes than your typical folk fest.

Baraka

Onto Saturday, where wood and strings, finger-style acoustic guitar are capably weaved by Alex Roberts, and our friends Mirko and Bran of the Celtic Roots Collective blend their Irish and Celtic pub favourites. Thereโ€™s DIY dubplate folk with Whistling Treason, and RSVP who spearhead a renaissance of live Bhangra in the UK, with aforementioned Boot Hill All Stars polishing off the evening with corsets, banjo and geetar mayhem.

Boot Hill All Stars

Sunday sees banjo, guitar and ukulele combo with Luna Barge, Bristolโ€™s festival folk Nasty Fish Monger, and Dorset-Somerset fiddle and guitar duo FiddleBack, finished off with character comedy country music from The Devilโ€™s Prefects, who claim they โ€œdo for country music what Scooby Doo did for paranormal investigation.โ€

If weโ€™re citing Hanna Barbera TV cartoons for comparisons, please allow me to throw in a Yogi Bear when I say this all seems smarter than the average folk festival. Tickets weigh in at a ton, a pony for children, but it sure is the finest ensemble of diversity Iโ€™ve seen in a loosely-defined folk festival, and camping for four nights is inclusive.

Celtic Roots Collective, Image: Nick Padmore

With glamping, ample caravan and camper parking, showers, kidโ€™s activities, the pub and restaurant, the Barge on Honey Street is one consistent running mini-festival over the summer months, and a unique experience rather than simple music venue, ergo anytime is a good time to pay it a visit. Live music comes out to play Friday and Saturday nights with tickets priced around a fiver. 12th March sees the eccentric Mobius Loop, aforementioned Celtic Roots Collective are aptly there for St Patrickโ€™s Day on 19th, Unsupervised on All Fools Day, and the Blunder the following weekend, 9th April.

Mobius Loop

The website offers details, the Facebook group Camping at the Barge is a more regularly updated encyclopaedia of all the great things happening in this hipster haven and little pocket of resistance against commercialism, in the Pewsey Vale!


Trending….

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

REVIEW โ€“ Mark Flanagan Band @ LSBC, Devizes โ€“ Saturday 26th February 2022

Talent to Spare!

Andy Fawthrop

First time up the hill for me this year, having missed the Mike Zito Band last week (too busy running the Winter Beer Festival and listening to The Lost Trades and The Rob Lear Band, since you ask โ€“ but thatโ€™s another story altogether).ย  Good to get back to Long Street Blues Club and its dependably great audience and atmosphere.…..

First up, in the support slot, was Lewis Clark who I last saw here back in October when he supported Jimmy Carpenter.ย  Again Lewis was playing solo, and yet again did nothing but impress with his stripped-back raw and emotional lyrics, accompanied by unfussy guitar work.ย  His lyrics are, as always, personal and intense; his songs simply command attention.ย  His set was greeted with rapturous applause, and rightly so.ย  Lewis was due to play the Sunday afternoon slot at the Southgate on Sunday, where Iโ€™m sure heโ€™ll play to a different but equally appreciative audience.

Then for the main act of the Mark Flanagan Band.ย  Mark is a man whoโ€™s been round the block a couple of times, and nowadays plies his trade (amongst other things) as part of the Jools Holland travelling entourage.ย  In other words, heโ€™s met and played with many of the greats in the music business, which provides him with a wealth of anecdotes and stories with which to regale the audience between numbers.

His trio hit the stage with no big fanfare, and throughout the evening maintained a quiet but purposeful subdued presence.ย  There were no big drum solos, no guitar fireworks, just a steady stream of competently-delivered laid-back blues, funk, boogie-woogie, folk, Cajun, you name it.ย  Mark fronted everything coolly and calmly, switching instruments, styles and anecdotes with consummate ease, even giving his band-mates George and Adam a couple of numbers break whilst he just carried on solo seemingly undisturbed and unflappable.

And we had songs โ€“ proper songs!  Each had its own back-story of course, either who it was about or the situation that had given rise to its inception.  There was some name-dropping โ€“ Clapton, Richards, Harrison โ€“ but it was never gratuitous or intrusive, simply adding colour to a great musical tapestry.  The crowd was won over, there was a two-number encore and we were done.  The amazing thing was that Mark hardly looked to have broken sweat โ€“ one cool performer!

Another 5-star great night of world-class music delivered by Ian Hopkins and his team โ€“ hats off!  And just take a look at the programme still to come during 2022 โ€“ a mouth-watering array of talent.  Get those tickets and get yourself along to Long Street Blues Club!

Future Long Street Blues Club gigs:

Saturday 19th March 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Soft Machine

Saturday 2nd April 2022                                 Malone & Sibun Band

Friday 8th April 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Billy Bremner’s Rockfile (Corn Exchange)

Saturday 9th April 2022ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  Carl Palmer’s ELP Legacy (Corn Exchange)

Saturday 16th April 2022                               Billy Walton Band

Friday 6th May 2022                                        Birdmens

Saturday 17 September 2022                      CSN Express (New Rescheduled Date)

Friday 14th October 2022                               Black Sabbitch (Corn Exchange)

Saturday 5th November 2022                       Alastair Greene Band


Trending…..

Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโ€ฆ

The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Marching On, Things to do Next Month, Part 2โ€ฆโ€ฆ

Iโ€™ve gotta do this, now, because with all good intentions I begin a rundown of events happening over a month, it all gets too much, I fear youโ€™ll all be like โ€œsod this for a game of soldiers, Iโ€™m staying at home and watching the entire back catalogue of CSI Miami instead!โ€ So, I divide it into two parts, the second part of which I confess, I usually totally space out on; procrastination is my middle name, after all!

Since our first part, which you can read here, thereโ€™s been more events listed on our event calendar for March, such as details of Devizes Camera Clubโ€™s โ€˜Britainโ€™s Best Landscapes and How to Photograph Themโ€™ speech at Devizes Sports Club on Tuesday 1st March. Or the wonderful news just in, that the New Inn at Winterbourne Monkton are starting up live music every first Friday of the month, and the first one is March 4th with brilliant folk duo Fly Yeti Fly.

So, please donโ€™t take this list as comprehensive, as I say time and time again, do keep checking in on the calendar, bookmark the bugger into your browser!

So midweek midmonth, Tuesday 15th sees the Starlings at the Royal Oak, Swindon, organised by Jazz Knights, whoโ€™ve held regular Tuesday jazz nights at the Oak for over a decade. Wednesday 16th sees another round of Marlboroughโ€™s Merchantโ€™s House Spring Study Series, Painting in Challenging Times being the theme. And Cloggs Musical Theatre kick-off their Addams Family Musical at Chippenhamโ€™s Neeld, and it runs until Saturday 19th, plus a vibrant new solo play by Mark Farrelly at Rondo Theatre, Bath on Wednesday, called Jarman.

Thursday 17th is St Patricks Day, and The Celtic Roots Collective celebrate at the Southgate Devizes. Kathryn Roberts & Sean Lakeman play Pound Arts, Corsham, and the Theatre Royal, Bath has Beautiful: The Carole King Musical running until 26th March, as well as Underwater, a dance theatre show, for babies and their families, running until 19th March. Meanwhile over at Rondo itโ€™s violin and melodeon improvisation and invention in the capable hands of Peter Knight and John Spiers. Or thereโ€™s always Karl Jenkinsโ€™ Adiemus at Abbey Churchyard, Bath.

Friday 18th March

Friday is playtime at Trowbridge Town Hall, with theatre sessions for Pre-Schoolers. And hereโ€™s hoping for some signs of spring by then, as The White Horse Operaโ€™s Spring Concert is Devizes Town Hall.

St Paddyโ€™s Day extends, with Phil Cullen, aka Phil Hore at The Cavalier, Devizes for some Irish music & karaoke, while The Celtic Roots Collective are at The Barge on HoneyStreet.

Funked Up play The Pelican, Devizes and Lucy Farrell plays The Pump, Trowbridge. Boom-bap rap time at The Winchester Gate, Salisbury with The Scribes, and The Undertones, yes, the original Undertones are touring a new album, and theyโ€™re at The Cheese & Grain, Frome. Joshua Burnell Band at Chapel Arts, Bath, or, how weird do you want it? Embers Collective & Stumble Trip Theatre present some Wild Tales for Weird Folk at Rondo Theatre.

Saturday 19th March

Chippenham Museum has an adult creative workshop; Discover Cyanotypes, whereas Devizes Lions has a concert at St Maryโ€™s โ€œRock into Spring,โ€ in aid of MIND with the Steeple Rock Choir and Burbank; grab tickets from Devizes Books.

Itโ€™s the only outing for Long Street Blues Club of the month, and they have Canterbury mid-sixties and seventies psychedelic band Soft Machine. Alex Roberts plays The Southgate, Devizes, Deep Purple come Led Zeppelin tribute, Purple Zeppelin at Melksham Assembly Hall, while itโ€™s STILL St Patricks Day at Trowbridgeโ€™s Pump, with harp guitarist Jonathan Pickard!

Staying in Vegas, itโ€™s a fiddle and guitar duo, the Drystones at Trowbridge Town Hall with support from Luke Desciscio. Amusingly titled Evening Without Kate Bush at Pound Arts, Corsham is not a tribute act rather best described as a chaotic cabaret cult. But if more precise tributes are what you want, try XODUS, a Bob Marley & The Wailers tribute at Chapel Arts, Bath.

Comedy with Tom Houghton at Rondo, Mollys Chambers plays Prestbury Sports Bar, Warminster, and after a Artismis Witches Market at the Cheese & Grain, Gaz Brookfield & The Company of Thieves, say no more.

Sunday wraps the weekend up, as it usually does, and Jean Perrett hosts Nature in Art at Poulshot Village Hall. Mazl & Brokheโ€™s Yiddish Song at the New Inn, Bath, and the Frome Symphony Orchestra at The Cheese & Grain.

The last full week of March starts with a Rock the Tots: Space Show at Pound Arts, Corsham on Monday 21st. Again, Tuesdays are all about jazz hands in Swindon, when Iain Ballamy & Denny Ilett Quartet play Jazz Knights at the Royal Oak in Old Town. Thai Classics with Peter Vaughan at his Kitchen Cookery School on Wednesday 23rd, just piano with An-Ting Chang at Pound Arts, or piano by Anthony Bailey with added clarinet by Daniel King, at the Croft, Hungerford. Or Wasp starts at Rondo Theatre, Bath. Running until 26th, Wasp is a Morgan Lloyd Malcolm interchanging play on abuse, trauma, infertility, mental health and bullying.

On Thursday 24th thereโ€™s Plantation Rum Tasting at The Muck & Dunder, Devizes, highly recommended experimental dub-reggae-ska with Erin Bardwellโ€™s side project Subject A at The Vic, Swindon, Track Dogs at Chapel Arts, Bath, while the Theatre Royal start Rice, running until 26th March, and Wiltshire legends of goth New Model Army play The Cheese & Grain.

Friday 25th March

A wonderful booking again by Trowbridgeโ€™s Pump, theyโ€™ve got Daisy Chapman, and if I had cloning technology, Iโ€™d also like to be at Chapel Arts, Bath, who have Will Lawton and the Alchemists, and rock n rolling at The Pheasant, Chippenham with the Chicken Teddys. The offspin and Green Haze play the Vic, Swindon too.

Saturday 26th March

Thereโ€™s a craft market at Swindon Hub, and itโ€™s the monthly Mini Chefs for ages 6-10 at Vaughanโ€™s Kitchen Cookery School, Devizes, where Tantalising Tarts are on the menu.

Stealth Brewery have an open day in the Sham, and Rockin Em play the Melksham Rock n Roll Club at the Assembly Hall. DJ Culture in Devizes with Jimi Needles at The Muck & Dundar, and northern soul with Terry Hendrick at Devizes Scooter Club. But equally, live music too with Plan of Action at The Southgate and those Truzzy Boys at The Hourglass. CSF Wrestling at the Corn Exchange, Devizes featuring Simon Miller.

Metal in Frome with AC/DC tribute Live/Wire at The Cheese & Grain, and folk all round in Trowbridge with Fly Yeti Fly at the Pump Trowbridge with Tamsin Quin, and Antoine & Owena at Trowbridge Town Hall. The Clones at the Three Brewers, Corsham, while Pound Arts has a theatre screening, Plant Fetish by Chanje Kunda. Josephine at the Egg, Theatre Royal, Bath

Sunday 27th at the Vic, Swindon sees Spolier and Glower double-bill, and The Bone Chapel at The Royal Oak.

Rolling out the final week, The Revlon Girl starts at Wharf Theatre, Devizes on Monday, preview here. This one runs until April 2nd. Tuesday 29th sees Boundless Theatre presenting How to Save the Planet at the Theatre Royal, Bath, and Terry Quinney Quartet as regular Jazz Knights at the Royal Oak, Swindon.

Wednesday 30th and The Merchantโ€™s House, Marlborough continue their Spring Study Series with Arcadian England: an Age of Opulence. The Homecoming at the Theatre Royal, Bath runs until 9th April and Black is the Color of my Voice until 1st April. Also check out In an Endless Garden at Rondo Theatre.

The month finishes off Thursday with An Evening at the Musicals at Trowbridge Town Hall, an immersive shared experience for children 3-8yrs at Theatre Royal, Bath called Squidge, Hannah James & Toby Kuhn play Chapel Arts, and oh, thereโ€™s a pub quiz down the Cavalier, Devizes.

Then itโ€™s April, with lots of great stuff again, with a new play at Swindonโ€™s Shoebox, Billy Bremners Rock Files at as Long Street Blues Club takes the Corn Exchange Friday 9th and again the next day with Carl Palmerโ€™s Emerson, Lake and Palmer Legacy, Vic Fest at The Vic, The Wurzels at the Cheese, Back to Black, the Music of Amy Winehouse at Wharf Theatre, Professor Elemental at Trowbridge Town Hall with Boom Boom Raccoon in support, Easter and, oh, Devizes International Street Festival with The Muck & Dundarโ€™s BORN2RUM Festival on the same day; ye gods, and lots more, I’m so excited, and I just can’t hide it!


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Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

Three Crowns and Some People, Like Us

Red level weather warning, they said, only make essential journeys they said, but fail to define the terms of what is essential. Is helping an elderly relative essential, getting to work, or a doctor’s appointment? What about People Like Us playing the Three Crowns, Devizes?!

To those hunting original live music, perhaps not, for this local trio covers is their game, fully aware what will rouse a standard pub crowd, and they do precisely this with such uniqueness and deliver it with such passion, for everyone else it is, totally essential!

To catch Nicky, back on two legs after an injury which I might add, failed to prevent her performing, and behind that faithful scarlet keyboard, Dean at the strings, switching lead to bass guitars, and now skinheaded Pip, (shaved his head fundraising for our Carmela, but seems to like it,) who, even not best postured for delivering vocals, slouched over a cajon, still somehow manages to professionaly grace the moment, is, in the words of the great Yogi Bear, smarter than the average pub covers group.

Putting a finger on why opens a Pandora’s Box, aforementioned drive, skill and professionalism evident in many a covers band. Still, People Like Us submits all these qualities as if a sponge cake, then they add icing. Observing the demographic of the crowd at the Three Crowns holds a clue, every landlord desires a cross section of punter and the repertoire of this trio truly caters for them all.

Short notes I make to jog my gradually degrading memory mystify me this morning, as one simply read, “new song” adding my daughter’s name; she knows it! Silly to have thought it useful at the time, but relevant to my point. Expect a few contemporary among their plethora of pop hits, but an also era-spanning setlist to leave you guessing.

Yep, walked in to an Oasis cover, Adele’s Rolling in the Deep, Snow Patrol’s Chasing Cars, and The Stereophonics’ Dakota particularly adroitly enacted modern indie tearjerkers followed, with eighties electronica power pop such as Together in Electric Dreams, or even The Police’s Every Little Thing She Does is Magic, blended with this balanced collection. Yet with similar dedication Metallica’s Nothing Else Matters got the breathtaking PLus makeover.

Yet I believe, for People Like Us, no decade within the crowd’s indivdual most cherished era is as off the cards as genres are. They will take you back to the seventies with ELO, Fleetwood Mac, even a possible Abba(?!) covers, and with similar assertion slip in nineties britpop and indie anthems too. Tonight saw plenty of this, wonderful was Take Your Mama, by the Scissor Sisters, but particularly captivating was their rendition of the Cranberries’ Zombie, with perhaps a little too “lite” on riotous version of the Kaiser Chiefs’ classic, but Nicky wowed with authority upon covering Alanis Morissette’s You Oughta Know.

Bottom line is, it makes zero odds what the tune they’re covering is pigeonholed as, they add their stamp, and with banter between songs often verging on near tiffs, they represent reality, comfortable being what’s written on their tin; people, just like us.

Zero multiplied by anything is zero, and that should be a landlord’s percentage of doubt in considering booking this trio, if they wish their punters to return home satisfied they had a fantastic night, for that’s precisely how I’m certain the crowd at the Three Crowns last night feel this morning, perhaps with a shadowing hangover!


Town Hall Ups the Volume for Live Music in Trowbridge

Between the Town Hall, The Village Pump, Stallards, Emmanuelโ€™s Yard, and The Civic, Trowbridgeโ€™s live music scene is having something of a renaissance โ€ฆ…

Next week Sheer Music will announce a new season of lives dates at Trowbridge Town Hall, as Sheerโ€™s chief, Kieran Moore takes over from Gavin Osborn as event coordinator at this blossoming venue. Stating today, โ€œhe leaves me very big shoes to fill!โ€ as a plethora of exciting and experimental bands already adorn the hallโ€™s forthcoming schedule, Kieran is eager to expand this already thriving roster.

This Saturday 12th Feb, the Town Hall sees Bristolโ€™s anti-establishment hardcore punk four-piece Cosmic Ninja take the stage, with Swindonโ€™s one-man Red-Hot Chilli Pepper, Webb in support. Next Saturday our favourite Scrumpy & Western misfits, the Boot Hill All Stars support Dorsetโ€™s back street boozers, the Skimmity Hitchers for a scrumpy swillinโ€™ west country folk hoedown, whereas the following Saturday is the turn of the incredibly whimsical rhyming storyteller Gecko, with an interesting support of Gavin Osborn himself.

Alongside the usual yoga, toddler classes and support groups, theatre, art exhibits, tea dances and films, events at the town hall are comprehensive, and include a free six-week interactive course of workshops for 16- to 18-year-olds, covering all aspects of the music industry, via Wiltshire Music Connect, support from the Arts Council, and hosted by industry professionals, starting on 19th Feb with film music supervisor Matt Biffa, whose scores include the Harry Potter films.

Gecko

But if the end of the month finishes with Sunday fundraising session, Kalefest, a family-orientated mini-festival for some musical equipment for a teenager with a severe brain injury, in which Zone Club, Pete Lambโ€™s Heart Beats and The Relayz play, March just marches on with the same vigour for presenting fantastic acts and events.

All-female DIY post-punkers Slagheap kick off March, on the 5th, with support from Slug Puppie and awesome Salisbury upcoming band, Carsick, already picked up by BBC Radio 6. Followed by our Swindon indie-pop favourites Talk in Code supporting renowned rock band Jamie Thyer & The Worried Men, on the 12th, and folk duo The Drystones on the 19th, similarly Mitchell and Vincent arrive with Antoine & Owena on the 26thMarch, and then we hold our breath for what Kieran has in store afterwards, though Iโ€™m tipped off Bristol boom-bap extraordinaire The Scribes visit in May, which makes me tremendously excited.

Talk in Code

Alternatively, try Stallards Inn, whose Saturdays are reserved for live music, and this Sunday sees a local all-stars line-up of Wade Merritt, Francis Butler, Poppa Shep, Mark Sellwood, The Knitted Moths. Meanwhile, Fridays in Trowbridge is at the Village Pump, along with regular open mic nights, Americana favourites Truckstop Honeymoon appear on 18th February, and Steve Knightley bringing in March, Lucy Farrell on the 18th March, breath-taking Trowbridge-own singer-songwriter Daisy Chapman on the 25th and the already sold-out Fly Yeti Fly gig with Tamsin Quin in support on the 25th.

Daisy Chapman

All this name-dropping can only conclude and confirm the premise of this piece, while Trowbridge had once been criticised as a cultural void, forging ironic label โ€œTrow-Vegas,โ€ itโ€™s rapidly repairing any prior reputation with bells on. Aptly titled Facebook page, Live music in Trowbridge is an asset to updating event calendar of the town.


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The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s allโ€ฆ

Song of the Day 44: Sienna Wileman

Never assume a father posting their daughter’s song on the ol’ book of face is motivated purely by parental pride, and you’ll need to bite lip and humour them.

Learned this lesson once before, when a fellow cartoonist friend, Des, did so, and his daughter, Emma Langford was shortly after awarded theย RTร‰ Radio 1 Folk Award for Best Emerging Artistย in 2018, shortlisted in the category of Best Folk Singer two years later, and was the first person to be awarded The Dolores O’Riordan Music Bursary Award by Limerick County Council!

Besides, this time around the Dad is Swindon’s renowned musican Richard Wileman of Karda Estra, so I expected sonething rather special, but this still knocked me for six.

Sienna Wileman’s accomplished and beautiful single “Petals,” released today is as a chip off the old block as Ziggy Marley is to Bob. Yet through her father’s trademark enchanted ambience there’s also a sense of youthful freshness about it, the accompanying video assists.

It is, in short, a little piece of wonderful, and you can buy/stream it here: https://www.amazon.co.uk/dp/B09QFPQ999/


Manton Fest Reveal 2022 Line-Up

Drizzle couldnโ€™t prevent MantonFest from being one of my fondest memories of last year. Thereโ€™s a real community-feel to this honourable little festival, yet it prevails professionalism aside itโ€™s cheery atmosphere. Enough for me to label it โ€œa gem in Marlboroughโ€™s event calendarโ€ last time; letโ€™s see whatโ€™s in store this year, as organisers announce dates and line-up for 2022โ€ฆ.

Set for Saturday 25th June this time, headlining are seminal rhythm & blues band, Animals & Friends, which boasts original Animals drummer John Steel, and keyboardist Mick Gallagher, who joined The Animals in 1965, replacing Alan Price, and is perhaps best known as a founding member of Ian Dury and the Blockheads.

Returning to MantonFest after a five year gap, Animals & Friends still command great respect internationally amongst their peers, as well as from fans of all ages who instinctively respond so enthusiastically to such pivotal songs from The Animals catalogue such as ‘We Gotta Get Out Of This Place’, ‘Boom Boom’, ‘Don’t Let Me Be Misunderstood’, ‘Baby, Let Me Take You Home’, ‘I Put A Spell On You’ and the bands’ multi-million selling anthem and Number One hit across the world, ‘House of The Rising Sun’.

Also appearing with an astounding rรฉsumรฉ for a tribute act, 1993โ€™s creation of John Mainwaring and John Ford, Jean Genie, has a founding in the very person itโ€™s attributing, Bowie, of course. An original recording artist in his own right, John Mainwaring has been signed by numerous record companies throughout his career, twice with Warner Bros. In the 1980s David Bowie’s world-famous producer Tony Visconti produced some of John’s songs when he was signed to WEA.

Not forgoing work with Jarvis Cocker and Tony Christie, co-writing and recording Beverley Callard’s work-out fitness DVD, John is currently signed to Bucks Music Publishers for his original material, and, more apt for the role, in the late 1990s John was approached by ‘The Spiders from Mars,’ asking if he’d front the band and tour with them. Has to be said, itโ€™s a rare thing for a tribute to have toured and performed with the original artist’s band.

Barrelhouse

Marlboroughโ€™s own and MantonFest favourites, Barrelhouse are returning. With a penchant for vintage blues, I was mightily impressed with Barrelhouse las year, very nearly dropping my hotdog, blending their original material with classic blues covers so you couldnโ€™t see the seam. Promoting a new live CD, theyโ€™re a winner every time.

Another act, another tribute. One which Iโ€™m sure will be welcomed with open arms by the MantonFest crowd, Nottingham-based Beatles tribute band, The Fab4. Formed thirty-two years ago, theyโ€™re renowned for using classic sound equipment, much the same gear as the Beatles, to get that authentic sound, and were the first band invited to play at the Paul McCartney Auditorium at the Liverpool institute of Performing Arts.

Compelling and daring, former Purson singer-songwriter and multi-instrumentalist, from Southend, Rosalie Cunningham is also on the line-up, whose 2019 debut solo album earned a Top 10 placing in the UKโ€™s official independent chart. Along with local acts Dangerous Kitchen, a four-piece rock band, acoustic and electric band covers trio, @59, Adam Ford, Eddie Witcomb and LLoyd Crabb as Kotonic, and Mantonโ€™s very own semi-acoustic blues, jazz and soul crossover group, Skedaddle.

@59

So, yeah, this variety, mostly rock, blues and soul one-dayer shindig, comes highly recommended by yours truly. Gates open at 11am on Saturday 25th June, and advance tickets have just gone online, for ยฃ35 until 15th June, ยฃ40 afterwards. Child tickets are a fiver, under 7โ€™s go free, youth tickets are ยฃ15. This year people can book a plot for a campervan for ยฃ20, or a gazebo pitch for ยฃ10, payable on the day at the gate.

With an assortment of food and drinks stalls, picnics and bring your own booze are still welcomed, in this overall fantastically friendly festie overlooked by the beautiful surroundings of Treacle Brolly near Marlborough, itโ€™s walking distance into town; what more do you want? Well, Iโ€™d like to see Blondie tribute Dirty Harry from last year; see if I can get her phone number this time; epic fail due to cider last attempt!

There she is, see? Shouting out to me, “don’t call me, go home, you’re drunk!”

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Things to Do During Halloween Half Term

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CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Six Reasons to Rock in Market Lavington

Alright yeah, itโ€™s a play on band names and thereโ€™s only really two reasons to rock on Friday 17th October at Market Lavington Community Hall;โ€ฆ

Chippenhamโ€™s Fringe Feb Festival is Back!

An exciting variety of arts and performance events are being offered to Chippenham residents from Friday 11th-13th February. The line-up for this yearโ€™s Fringe Feb festival includes live comedy, dance, theatre and music performances along with a host of interactive fun and entertainment for the whole family to enjoy. There will be events popping up across Chippenham throughout the weekend, from on the high street to local venues and cafรฉs.

Chippenhamโ€™s Fringe Feb Festival has been set up and funded by Chippenham Borough Lands Charity to champion the arts in the town and bring exciting work to Chippenham. There is a wide selection of events to choose from with some completely free and others provided at a special subsidised ticket price.

Laura Graham-May, Arts and Education Officer for CBLC said, โ€œThis is now our third year of the festival following last yearโ€™s Covid safe online event. We’re very excited to be bringing a mixture ofโ€ฏlive arts and performance events to Chippenham people. We hope there is something for everyone to enjoy and brighten up this cold and quiet time of the yearโ€. 

For comedy fans, thereโ€™s an improvised musical from The Bean Spillers,  quick fire comedy from the brilliant Instant Wit, and there are two special Fringe Feb gigs from Chippenham Comedy Club – one for adults, and an afternoon one for kids and families.

Book tickets at the Cause Venue to see โ€˜Cult Figure: Kenneth Williamsโ€™ for an hilarious and engaging evening and then the next afternoon โ€˜The Mary Lou Revueโ€™, an all-singing, all-dancing celebration of Golden Age entertainment featuring the songs of Frank Sinatra, Louis Armstrong, Peggy Lee & others.

Chippenham performer Florence Espeut-Nickless brings her hard hitting monologue, โ€˜Destinyโ€™ back to her home town for one night only at The Neeld Community & Arts Centre. For a 14+ audience, follow the story of a teenage girl growing up in a rural Wiltshire Council estate after a big night out takes a turn for the worst.

โ€˜Mama Gโ€™s Storytimeโ€™ at the Yelde Hall, is a show that will make the whole family laugh, love and think. Combining panto and the art of storytelling, this all singing, partial-dancing extravaganza is filled with stories about being who you want and loving who you are!

Boogie along and clean up the streets of Chippenham with the โ€˜Disco Litter Queensโ€™ and help โ€˜The Dance We Madeโ€™ dancers create some new moves and watch a performance come together on the high street and then on YouTube. Expect the unexpected watching โ€˜A real fictionโ€™, a hyperactive mix of dance, theatre, meme and pop culture and โ€˜Chippenham youโ€™re under a vestโ€™ with the โ€˜Fashion Policeโ€™ who will be rolling out the red carpet ready for the best cat walk, hop, skip and a jump!

Travel back in time at Wiltshire & Swindon History Centre with an evening of little seen silent film of the county dating back from the 1930โ€™s to the 1980โ€™s, accompanied by evocative live traditional west country music and song. You might also like to join the Chippenham Museum team for the premiere of its latest โ€˜Museum Jukeboxโ€™ piece where you can experience their latest exhibition through the music of John Noble, local saxophonist, composer and teacher.

Chippenhamโ€™s brilliant Knatty Knitters will be back again this year bringing their knitting magic to a town centre window with some surprises to look out for and a festival in Chippenham would simply not be complete without The Chippenham Town Morris Men in attendance. They have been dancing in the town and surrounding villages since 1978 and will be back by The Buttercross on Saturday lunchtime. The fantastic Chippenham Rock Choir will follow them, providing you with entertainment and classic pop songs to enjoy. There may be more to watch โ€“ so pop along and see who might be there!

You can view the work of local artists and crafters by visiting the latest Chippenham Craft Market at King Alfred Hall and blow away the winter blues with a โ€œSweet Soul Music Singalongโ€ workshop with Chippenham Allsorts Community Choir.

There will be music to enjoy throughout the day in Grounded cafรฉ and you can put your music knowledge to the test by taking part in โ€œThe Lyric Walkโ€ around Chippenham. Hidden in the main streets of Chippenham will be 29 snatches of lyrics, from across the decade. Will you be able to find the most lyrics and win ยฃ50 worth of vouchers?!

Pop the 11th-13th February into your diary and get ready to be entertained in Chippenham. Visitย  www.chippenhamfringe.co.uk for more information and to book tickets.


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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

Soultimate; The Piaggio Soul Combination

Hey you, with the comb in your back pocket, imagine if the Brand New Heavies were signed by Motown in 1964, and you’d be a smidgen near the awesome sound of the Piaggio Soul Combination. Sprinkle some talc on the dancefloor and I’ll give you lowdown on their scorcher of a new album, Soultimate, released on the 28th January on Area Pirata Recordsโ€ฆโ€ฆ.

From the Supremes-a-like opening bars of track one, Hang On, also the preceding single, you’ll be wishing you were in knee-high white boots and chequered mini skirt, I know I was! By name and nature, itโ€™s so You Keep Me Hanging on, it might as well be a sequel. Yet despite itโ€™s obvious retrospection, thereโ€™s something remarkably fresh and electrifying about it, reminding me of 1985, when Diana Ross detonated pop progression with the number one single, Chain Reaction.

But if Soultimate begins with the Kiss (keep it simple, stupid) ethos of the classic beguiling soul-pop Motown sound, there’s more in store as the album progresses; it gets far more complex than Motownโ€™s manufactured sound, exploring mod culture from all aspects. Itโ€™s a glorious, uplifting start, though, projecting the happy-go-lucky atmosphere it carries throughout, and will force you to do the Watutsi; I know I did!

Consider mod subcultureโ€™s conception to be uniquely working-class British, while youthful cohorts at the time mayโ€™ve thought it something entirely innovative, hence the name, rather it cherrypicked existing principles, fashion and music from elsewhere. The music descended from Afro-American R&B, jazz and the ska sound from Jamaica, whereas the fashion arrived via Italy, from zoot suits to scooters.

Maybe this is payback, because The Piaggio Soul Combination hail from Pisa, Tuscany, where long-standing mod Marco โ€˜Piaggioโ€™ Piaggesi combined the best singers and musicians of the local Latin-soul scene, including the breath-taking vocals of Lakeetra Knowles, who features as lead on the majority of tracks.

Second tune in is a quirky, beguiling nod to aforementioned contemporary scooter culture, with a subterranean piano riff, youโ€™ll be doing the nose-holding finale of the Swim dance; I know I was!

Image: Letizia Reynaud

From here, maintaining its catchiness, it graduates through Motown to a rawer, Stax sound, yet never without usage of the nu-jazztronica elements to keep it fresh; polyrhythms of tasty basslines, organ, groove-laden guitars and a tight horn-section. Five tracks in and things go up a Latino notch, with Se Llama Boogaloo, an irresistible son montuno number, definitely the most diverse song on the album, making it perhaps the standout.

As each element comes to the forefront, it tends to add to the overall sound of the subsequent tunes, and while a Motown influenced mainstay returns, thereโ€™s still evidence of the boogaloo and nu-jazz, Hitman being a prime example, where things nod to nineties Acid Jazz, hence my Brand New Heavies citation earlier.

Towards the end, Blindman and the instrumental Dome Slow in particular, tends off towards an electronic blues influences, preserving a continuous upbeat sixtiesโ€™ mod vibe. Like beehive sporting Emily Capell, her niche being London pseudo-rap fashion amidst similar retrospection, with this melting pot of variation, the Piaggio Soul Combination wouldnโ€™t suffer the โ€œDuffy effect,โ€ the noughties retrospective Welsh singer who failed to maintain her overnight success. For this is The Piaggio Soul Combinationโ€™s third album since 2017, though their debut for Area Pirata, and itโ€™s a sparkly upbeat, highly danceable modern soul classic.

Within a burgeon reimaging of Northern Soul and scooter scenes of yore, the time is right for this entertaining collective, yet regardless of movements, the solid soul grooves laid here are era-spanning and tricky to pinpoint, best just do the funky chicken across your kitchen; I know I did, couldnโ€™t help myself!


Trending…..

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโ€ฆ

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there willโ€ฆ

I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released atโ€ฆ

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Bristolโ€™s The Scribes Signed With Stimulus

If the brilliant evening with The Allergies at Devizesโ€™ Muck & Dundar this month did anything more than cause me to dance my socks off, it also made me evaluate the risk of bringing hip hop acts to our often-insular market town. The Allergies certainly rocked the rum bar, deejaying funky hip hop beats, and drew a crowd, but I ponder the reaction to the boom-bap rap of the countryโ€™s upcoming trio, Bristol-based The Scribes. I would be interested on your views on this, I mean, would you buy a ticket for a hip-hop-based evening with The Scribes?

Have no doubts, weโ€™ve been bigginโ€™ up these lyrical geniuses for some time, but December sees them reaching a dizzy new height, of which we must congratulate them for. Fresh off the back of their forty-date summer tour, The Scribes are pleased to announce the groupโ€™s official signing with the incredible Stimulus Management Agency.

The Scribes at Salisbury’s Winchester Gate

The festival favourites will be joining a star-studded roster full of the biggest names in hip hop including, Busta Rhymes, DJ Premier, Ghostface Killah, Jadakiss, KRS One, Megan Thee Stallion, Method Man, Mos Def, Nas, Pete Rock, Public Enemy, Redman, Slick Rick, Snoop Dogg, Timbaland, Wu Tang Clan and others. Thereโ€™s even some I, an aging old skooler know on there, never really getting over It Takes a Nation of Millions to Hold Us Back.

The Scribes will be part of the agencyโ€™s growing UK contingent alongside British hip hop legends Skinnyman, Rodney P, Dj Skitz and Klashnekoff. So this is not only great news for The Scribes themselves but UK Hip Hop universally.

A huge post-covid summer saw the act grace stages across the full length of the UK and further cement their reputation as a must-see act, with standout performances at Latitude Festival and The Great Estate drawing huge crowds to witness The Scribesโ€™ critically acclaimed live show.

Signing with Stimulus is a clear sign that even bigger things are on the way for The Scribes, with a new tour kicking off on January 29th to celebrate the release of โ€œThe Totem Trilogy Part 2โ€ EP, produced by Vice Beats and featuring US legends Dizzy Dustin (Ugly Duckling) and Akil The MC (Jurassic 5) that will take the group around the UK yet again.

Kevin of Stimulus Management said, โ€œStimulus is an exciting new talent booking agency and music management company covering a wide range of genres from Hip-Hop, R&B and Jazz to Reggae and Electronic music. We have an extensive roster of international musicians, vocalists, DJ’s and Celebrities for commercial or private events. We think The Scribes are a great addition to our UK Rap artists, we love their live show and they add something a bit different and special to our roster.โ€ Yes, so do we at Devizine, and ask, you the reader, isnโ€™t it time to welcome them to The Vizes?


Trending…

Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโ€ฆ

A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his standโ€ฆ

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young andโ€ฆ

Stormtrooper in a Teacup at Devizes Town Council

A Saturday afternoon, Iโ€™m trying to watch the new Boba Fett Star Wars series here, and whatโ€™s more important, I ask you; me being fair and impartial about a Handforth-Parish-Council-Zoom-meeting style squabble between Devizes Town Councillors, or the fate of the Tusken Raiders now the Huttโ€™s legacy has concluded on Tatooine?!

Itโ€™s rhetorical, full gone conclusion, yet being without endorsement I was quoted in local rag The Gazelle & Herod, I feel about as moderately involved as Salacious was in Return of the Jedi (heโ€™s the giggling jester gremlin who lives in the folds of Jabbaโ€™s flab.)

To quote Obi-Wan, โ€œI felt a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced. I fear something terrible has happened!โ€ No shit, Jedi; Devizes Town Council are trying to stop councillors posting so much as an amusing meme on social media, or least thatโ€™s the talk on social media, initiated by a town councillor!

Between North Ward Conservative Iain Wallis stating his case within the confines of his own Facebook group, Devizes Issues, Iโ€™m also chatting with East Ward Conservative Johnathan Hunter, in a kinda east coast/north side stand off. Iโ€™ve told them both what they need is a nice, Labour speaker to settle the score, but neither rose to the bait; typical Tories!

To begin I took Iainโ€™s opinion as red, supporting his gallant efforts to project the happenings within DTC, as other councillors donโ€™t use social media with quite the same efficiency. But Johnathan, concerned the local rag went to town with a one-sided scoop, โ€œa half-story without the full facts and presented them in a way which couldnโ€™t be further from the truth,โ€ claimed, โ€œthe last thing anyone wants are restrictions in free speech or any type of so-called gagging, which would be absolutely unacceptable as well as plainly ridiculous.โ€

Yeah, thatโ€™s what I was going with, ridiculous. Ridiculouso, because while theyโ€™re squabbling between themselves over usage of social media, one has to ponder if theyโ€™re dealing with the issues theyโ€™re supposed to be dealing with; my nan would say โ€œIโ€™ll bash yer bleedinโ€™ โ€˜eads together,โ€ cos she resolved conflicts that way, thatโ€™s why there were never conflicts in the family.

Jonathan continued, he โ€œwould never oppose the use of social media. No one wants draconian restrictions or censorship; however, no single person should control the narrative. Iain provides excellent updates and info on social media, but is selective with rules and posts. Iโ€™m not a Guardian but there are some good people who want good stuff for the town. I think with social media groups there should be a more open approach and less controlling if counter views donโ€™t suit a particular narrative.โ€

So, according to Johnathan, no one objected to a deadlock on social media usage, rather suggested it was controlled with equality for all councillors, and this has been blown out of proportion. โ€œTotally blown!โ€ he responded.

Devizes Town Council proudly announces on its website: In March 2020 the Council was re-accredited with a Quality Gold Award – which it has held since 2015 – demonstrating it delivers its services in a way which is at the forefront of best practice by achieving an excellent standard in community governance, community leadership and performance management.

Ah, thatโ€™s nice, but what of it, if the public doesnโ€™t know what services it actually delivers? Where can you find out whatโ€™s happening at DTC?

Thereโ€™s a website, with PDFs of minutes. Can I get the minutes of the meeting involving this outcry? โ€œThe 2017 policy is on the council website,โ€ Johnathan tells me, โ€œBut as the proposals havenโ€™t been approved, they are not in the public domain.โ€ Itโ€™s a far slower process than despatching a Tweet, and besides, youโ€™ve got to go find it, rather than it splash in your face via your phone.

I told Iain, โ€œFolk don’t come (to meetings) as I suspect they believe they’ll succumb to hours of โ€˜article 234 on the agenda, Reg Smith wants to erect a weathercock on his shed…. type stuff. Ergo, we need a summary, which is exactly what you do, and most would be in favour of that, logically.โ€

โ€œThere is definitely a place for an officially DTC line and it should be on their Facebook page,โ€ Iain replied. โ€œDTC social media presence has improved significantly since the new community engagement manager took up her post.โ€ Though compare Devizes Town Councilโ€™s Facebook pageโ€™s 1,073 likes, and 123 followers on Twitter, with Devizes Issuesโ€™ 14K members, understandable Mr Wallisโ€™ posts there have tenfold the clout of DTC posting on its own page.

What they need is to take a leaf from Iainโ€™s book, create a flourishing “group” rather than a “page” as it’s more open to discussion, and anyone can contribute. Then, and only then, can DTC say please keep social media posts about council matters on the DTC group. Jonathan agrees, โ€œit needs to be improved.โ€

Hopeful if done it would put an end to the pettiness? Yeah, right. Iain gives me a โ€˜howeverโ€™; โ€œI think there is also the case for individual councillors to speak. We are not one council and we are not all bound to think and speak in the same way. We are bound by democratically made decisions but we donโ€™t have to like them. We should be able to engage with the public and give our own views separately to the councilโ€™s official position.โ€

Totally agree with Iain on this one, though on their own platform rather than one they have created for โ€œgeneral purpose.โ€ As the dispute of the impartiality of Devizes Issues is never-ending, it is up to the individual to note he controls that particular powerful Facebook page, and what is published are not agreements made by the entire council; akin to national media, who knows what to believe anymore?

Jonathanโ€™s key concern is that, โ€œan article has been written in the G&H and also posted by Iain, grossly exaggerating potential proposals and is therefore misinforming the public by using headlines like gagging order. The draft policy hasnโ€™t even been debated and agreed in the relevant committee in Council.โ€

In a heartfelt counter-article placed on other local Facebook groups, which Johnathan says heโ€™s โ€œnot allowed to share elsewhere,โ€ he calls thereโ€™s โ€œnever been any intention to restrict debate, free speech or social media interaction – itโ€™s crucial to have an ongoing conversation within the community and for the community.โ€

โ€œWhat a sound social media policy would look like is one when no single individual controls the narrative, and/or censors free speech claiming that it doesnโ€™t fit into the rules as it doesnโ€™t suit a particular narrative. Many organisations are reviewing their social guidelines to also move forward with the times, especially in a world of misinformation.โ€

Newly elected in May last year, what we know of him is his hard-working community projects particularly during lockdown, in planning and committee responsibilities, his focus on building better provision for young people, and involvement in Greening Projects. โ€œHowever,โ€ he states, โ€œI am not involved in any schemes to restrict free speech, censorship or that crass term โ€˜gagging order.โ€™โ€

What we have here is a storm in a teacup, intended to belittle parts of the council by other sides. In my honest opinion, the argument is crass and misinforming, but not reflective of the good and hard work councillors are really doing behind the scenes.

Though those behind-the-scenes points need to be publicised impartially better than it is, and folk need to be made aware what theyโ€™re reading is the view of one councillor only when taking information from the Devizes Issues. Weโ€™ve covered the bias there in the past, my conclusion is, intentional or unintentional there is, despite denial from admin. It came to apex when I myself was banned for proposing it was wrong for the taxpayer to fork out the millions for the PCC re-election, and I stand by that notion as proof of censorship.

Same here I confess, if you were to suggest Supreme Chancellor Palpatine was right to manipulate the battle of Geonosis to escalate the Clone Wars, Iโ€™d have you banned, outright!

But in the Star Wars universe one councillor would saunter into The Mos Eisley cantina, and with one bout of laser gun battle would solve the problem, and thatโ€™s not usually the way it works in Devizes. โ€œDevizes town council meetings actually sound that bit more exciting than I projected here,โ€ I added to Iainโ€™s musings on the episode, โ€œdo we bring our own weapons or are they provided?โ€ It got two laughing emojis, which was all I was after, really, I donโ€™t expect this to be solved anytime soon.

Might as well go for all three trilogies in one, and send yourself to a galaxy far far away than wait for a conclusion to this!


Trending….

Can you Help Teddy?

What better way to start the new year off than helping a doggie with a hole in his heart? Teddy the golden cockapoo, and owner Hannah Knowles from Tidworth are raising money to help towards Teddyโ€™s two heart operations.

โ€œTeddy is a with a vibrant personality that lights up our lives,โ€ Hannah said. โ€œWe recently lost two dogs this year and decided we were ready for a new troublemaker in the house to give her new sister Ke Ke some company. They bonded instantly and havenโ€™t left each other alone since. The vet thought she had a heart murmur until she went for a check-up scan and discovered she had a pulmonic stenosis and Patent ductus arteriosus (PDA). In short this means she has a hole in her heart and needs a balloon in her artery, this will require two heart surgeries when she reaches 4 kilos. These operations will cost a total of ยฃ8000 and its money that a normal working family does not have.โ€

โ€œWe have hope for teddy and there is a 95% chance she will live a normal doggy life after. She has bonded with her new sister Ke Ke and we canโ€™t imagine their lives without each other. Any donation is appreciated and we thank you from the bottom of our hearts.โ€

Hannah has set up a GoFundMe page, here, if you can, please donate. Thank you!


Trending……

FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

Jon Amor to Take Up Sunday Residency at The Southgate

Featured images by Nick Padmore

I still remember landlord Deborahโ€™s face aglow some years back, when she told me Devizes blues legend Jon Amor was booked to play The Southgate. Heโ€™s made several appearances since, as solo and as frontman of King Street Turnaround, but today the Southgate announced Jon will take up a Sunday residence at the lively Devizes pub…..

It will be a quieter New Yearโ€™s Eve for the Southgate, there is no music booked and from Monday 3rd to Monday 10th January the pub will be closed. โ€œWeโ€™re keeping it simple on NYE, no live music, believe it or not!โ€ Deborah said. โ€œBut weโ€™re saving the best of the best until Sunday with a mega Blues/Funk/Rock gig to blow away the extended hangovers!โ€

With an awesome line-up on Sunday 2nd, as Jon is joined with Innes Sibun, Pete Gage, Jerry Soffe, and Tom Gilkes, I knew about this little marvel, and it has been up on our calendar for a while now. What I didnโ€™t know is this will build a new house band for the Gate, โ€œyes,โ€ Deborah delights to inform, โ€œJon Amor and friends are taking up residency! Sunday afternoon gigs, first Sunday every month for 2022.โ€

So expect to see King Street Turnaround with Jon and friends on the first Sunday of each month down the Gate, which is some great news!

The future is bright, the future is The Southgate! Reopening on Tuesday 11th Jan, with the absolutely awesome rock covers band Triple JD Band on Saturday 15th! Rock on!

Dave and Deborah at the Southgate

Meanwhile our event calendar is building up with choices for New Yearโ€™s Eve, do check it out for links, and have a great New Year; hopefully might catch you down the Southgate on Sunday, if Iโ€™m allowed out to play by the boss!

Billy Green (solo) @ The Hourglass, Devizes

Devizes Scooter Club NYE Party @ Devizes Cons Club

New Yearโ€™s Eve @ The Vaults

New Yearโ€™s Eve @ Massimos, Devizes

Rip it Up @ The Greyhound, Bromham

Sour Apple @ The Brewery Inn, Seend Cleeve

Six O’clock Circus @ The Talbot, Calne

The Roughcut Rebels NYE bash @ The Churchill Arms, West Lavington

New Yearโ€™s Eve Party @ The Green Dragon, Market Lavington

Illingworth @ the Waterfront Bar, Pewsey

Get Schwithty (Jamie R Hawkins & Phil Cooper) @ The Bear, Marlborough

80s, 90s, 00s NYE Party @ Wellington Arms, Marlborough

Deathproof Audio NYE Party @ the Vic, Swindon

Dubsouls & The Rumble-O’s @ The Bell, Walcott Street, Bath

Trending….

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโ€ฆ

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its openingโ€ฆ

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had toโ€ฆ

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathewsโ€ฆ

Tributes Pour in for Bradford-on-Avon Musician Tom Rockliffe

Image by Richard Clarke (c) richardclarkephotos

Described as a โ€œlocal enigma,โ€ Bradford-on-Avon pays tribute to local legend, Tom Rockliffe today, who sadly passed away. Tom was celebrated for his rootsy blues and west country folk, delivered with humour and modesty.

Yet Tom was so much more than this, a stable presence on the local music scene, he hosted open mic nights at Bradfordโ€™s Canal Tavern and The Swan Hotel, lent his hand at a number of locally based events, including Fringe BoA, The Bradford Roots Festival and The Village Pump Folk Festival.

Long-term friend and work associate, Kev Kyte told us, โ€œTom Rockliffe was one of lifeโ€™s true one-offs.โ€

โ€œI first knew him when I was 22, and he was 47,โ€ Kev continues, โ€œwhen I started work for a family firm which built narrowboats. Tom and I were the two boatbuilders, the only other people working there being the couple who owned it.โ€

โ€œDespite my youth, Tom accepted me as an equal, without question. This is rarely the case in engineering. Tom was a man who was passionate in all he did, and all he believed in. He believed in fairness and hope to all who deserved as such.โ€

โ€œDuring the time we worked together, he often commented how the general public looked at us welder fabricators- a skilled trade, however with us often wearing scruffy, burned clothing- as โ€˜tramps with tape measures.โ€™ I often smile, thinking of that wry observation.โ€

โ€œTom was hugely passionate about music, another thing that made our friendship transcend that of merely colleagues. A man who walked and hitchhiked many, many miles in the sixties and seventies to some of the most vital, well-known gigs and festivals, he was especially proud of having been at the first ‘Pilton festival’, Glastonbury as it’s now known.โ€

โ€œHe was in his element when recalling seeing Led Zeppelin, The Stones, Hendrix, etc. His passion was contagious. Tom became very important in the local music scene, playing extensively as a solo guitar player and singer, performing covers and his own music, such as his best-known number, โ€˜The Tortoise Song.โ€™ He organised and helped organise many festivals and open mic nights, proudly championing his fellow musicians.โ€

โ€œTom played at my fatherโ€™s 70th birthday,โ€ Kev explained, โ€œand also my wedding, as the sole performer at each. A fantastic raconteur as well as musician, he went down extremely well at both. I will miss my old friend very much, a man who truly made a difference in so many peopleโ€™s lives, and always for the better.โ€

Ade Ibanez shared a picture from the early days of the Canal Tavern, and said of Tom, โ€œhe did more than anyone can say for local music and musicians. So much has developed from what he started.โ€ And heartfelt tributes poured in on the Live Music in Bradford-on-Avon Facebook page, including the Swan Hotel.

Renowned local band, The Boot Hill All Stars added, โ€œTom – you were definitely one of the good guys. A music scene is nothing without those enthusiastic people at the grass roots getting things off the ground and giving people their first opportunities.โ€ And band member Mick, who also runs the monthly show Sounds of the Wilderness on West Wilts Radio plans to pay tribute to Tom on the coming show.


Trending….

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™sโ€ฆ

Wiltshire Blues & Soul Club Brings Blues Royalty to Devizes

If local media are reporting tomorrowโ€™s arrival of the Duchess of Cornwall to Devizes, here to browse Wiltshire Museumโ€™s Ravilious Downland Man exhibition, and erm, wave and stuff, here at Devizine weโ€™d rather do cartwheels over the breaking news of Wiltshire Blues & Soul Clubโ€™s spring time ball, which promises to bring local blues royalty to the Corn Exchange.

The celebrated monthly Wiltshire Blues & Soul Club jams at Lacockโ€™s Owl Lodge remains unticked on my to-do-list, work restricting Sunday evening outings, but Iโ€™ve heard only good things. Stepping up their game, yesterday the club announced a rather spectacular one-off event at Devizes Corn Exchange, set for Saturday 12th March 2022.

A band Devizine will never cease praising, the incredible Ruzz Guitar Blues Revue headline the evening, and if thatโ€™s not enough to break your purse out, our homegrown Innes Sibun Blues Explosion also get top billing. International award-winning one man band, Eddie Martin also plays, and Bromhamโ€™s honky-tonk 12-bar guy, Will Blake, brings his fantastic band too, part of which includes special guest, Bristolโ€™s finest singer, saxophonist and flautist, Rosa Gray.

Such a fabulous line-up, itโ€™s a win-win. Every booking is an act we’ve highly recommended in the past, and it’s my birthday too; glad rags on I say; mine’s a cider, cheers.

Though as the name suggests, the Wiltshire Blues & Soul Club is indeed a club, and members get first dibs when tickets go on sale Friday, exclusively to them. If and when tickets go on general release, I will let you know, but Wiltshire Blues & Soul Club appear a tad unresponsive to social media messages, so to publish this inviting preview hereโ€™s hoping theyโ€™ll give us the lowdown closer to the time, probably too busy getting their mojo working!

Here’s their Facebook page, seems the best contact method, 12th December is their next jam session at the Owl Lodge, itโ€™s a snip at six quid entry, and comes across as a wonderful eveningโ€™s entertainment.  


Trending….

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

The Fulltone goes BIG!

The F.T.O. Big Band at the Wyvern Theatre, Swindon. 21/11/2021

Ian Diddams

The Fulltone Orchestra (a.k.a. FTO) was formed back in 2017, the vision and brainchild of its Musical Director, Anthony Brown. Since then, the orchestra has performed across Wiltshire playing a wide genre of orchestral based music, from iconic movie themes to Bernstein and Gershwin, then Russian composers and The Planets, and most recently a firework extravaganza of classical music (with no actual fireworks folks!).  Then there has been its involvement with โ€œThe Invitation Theatre Companyโ€ (a.k.a. TITCo) with the inaugural, and this yearโ€™s โ€œFulltone Festivalsโ€, and the incredible โ€œJeff Wayneโ€™s Musical version of the War Of The Worldsโ€ reprised in 2019 in Swindonโ€™s Wyvern Theatre.
And of course the amalgamation of choirs in Devizes for the poignant and beautiful โ€œArmed Manโ€ by Karl Jenkins.

For these performances the FTO has fluctuated in size of orchestra depending on requirements โ€“ musicians coming from all over Southern England, and even have included a passing Hungarian cellist. Anthonyโ€™s vision always seeks the next, exciting opportunity and this year has seen the birth of the โ€œFTO Big Bandโ€. Cutting its teeth at the โ€œFulltone Festivalโ€ on August bank holiday weekend 2021, now the FTO took its latest progeny back to the Wyvern for its โ€œBig Band Nightโ€ on Sunday 21st November.

And what a night it was! Five saxophones (also doubling up on clarinet and flute), four trombones, four trumpets, drums, bass, guitar, and keyboards joined by three female and three male voices crooned and smoothed and belted their way through a cornucopia of delights.ย ย  From Benny Goodman, Glenn Miller (who else for a big band night after all?!) to Ella Fitzgerald, Julie Garland and Jackie Wilson numbers. And that was just the first half! The second half kicked off with โ€œThe Pink Pantherโ€ and โ€œBig Spenderโ€ and crooned away deliciously after that with Frank Sinatra, more Judy Garland and even a spot of Marilyn Monroe.

The band, as ever with the FTO, was absolutely spot on. The ever-present Dominic Irving this time left his keyboard and violin at home and whipped out his trumpet (oo err missus!). Louise Cox a persistent FTOer on the drums was her usual impeccable, percussive self. Devizes born and bred Archie Combe tinkled the ivories (I played rugby with his dad yโ€™know!), and Vickie Watson amazed in her juggling of sax, clarinet, and flute throughout the entire show. But its churlish to only mention a few by name, where in fact the entire band were simply amazing. A whole bunch of horns and sax appeal for sure for starters!

And the singers? Wellโ€ฆย  I guess they did all rightโ€ฆย  ๐Ÿ˜‰ย  Truth be told โ€“ of course they were brilliant. Confession time โ€“ for those that donโ€™t already know, these people are my friends, and I am honoured to stand on stages with them often. So you can understandably think now โ€œoh well, sycophancy rules, OKโ€ at this juncture. But โ€“ everything I write here is true. These people WERE amazing tonight. Truly awesome. Jemma Brown with her consummate ease of poignancy in such numbers as โ€œOleโ€™ Devil called Loveโ€ to power in โ€œBig Spenderโ€ and Chris Worthy similarly between โ€œNightingale sang in Berkley Squareโ€ to โ€œReet Petiteโ€. Then of course Sean Andrews, well known for his strength of projection unsurprisingly absolutely creaming โ€œLuck be a Ladyโ€ โ€ฆย  but showing a crooning side with โ€œCome Fly with meโ€. Then thereโ€™s Will Sexton. Well, if youโ€™ve never heard Will you bloody well should. And if you have you will know there are insufficient superlatives available. He calmly, coolly, sang his way through โ€œBlue Moonโ€, broke hearts with โ€œMy Girlโ€ and finished us all off with โ€œCry Me a Riverโ€.

But these were not alone on the stageโ€ฆ  enter stage right Ella Mangham. WHAT A VOICE. Made for this style of music, โ€œBlack Coffeeโ€ and โ€œFascinating Rhythmโ€ held us spell bound. Ella had debuted with the FTO Big Band back in the summer, but tonight saw the first appearance of a super young lady โ€“ Ruby Phipps. Now Sean had clearly bought his fan club with him as we heard when introduced, but Ruby had family and friends travelling from all over โ€“ and no surprise. Sublimely duetting with Jemma on โ€œGet Happyโ€, โ€œOver the Rainbowโ€ and โ€œThe Trolley Songโ€ she lit up the stage with her excellence and grace. Then the whole group appeared as Will completed the evening with โ€“ what else? โ€“ โ€œMy Wayโ€ and joined inโ€ฆ  showing that the FTO Big Band truly did this THEIR way, in style, panache and not a little excellence.

What a night. But thereโ€™s one more person that deserves a HUGE pat on the back. Iโ€™ve mentioned this entire project, from orchestra to big band spin off, is the brainchild of Anthony Brown. But Anthony (a.k.a. O.T but never EVER call him โ€œTonyโ€ !!!) is more than just a M.D. (a.k.a. Musical Director). He is the passion, the life force, the visionary that has produced an orchestra that dares, and now a Band that is truly BIG. He AM da MAN.

So โ€“ if you were there tonight and saw it, how lucky were we? And if you werenโ€™t or think Iโ€™m just a sycophant for my raving review all I can say is โ€“ my eighty-four-year-old mum absolutely loved it. And get a ticket for the next Big Band night and make up your own mind!

Meanwhile โ€“ live music is back. And donโ€™t you forget it!


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Devizes Arts Festivalโ€™s Soulful Finale

Featured image by Gail Foster

Youโ€™d be forgiven for assuming Iโ€™m reviewing a greyhound race with this introduction, for akin to snapping open the starting traps, it was a fraction of second after Motown Gold played the inaugural bar of The Temptationsโ€™ My Girl at the Devizes Corn Exchange Friday evening, that the first punter broke the dancefloor barrier, and a surfeit of dancers followed his lead.

Usually a summer occasion, Devizes Arts Festival succeeded lockdownโ€™s gap year with this arts festival โ€œlite,โ€ consisting of three main events and a sprinkling of free fringe ones across the town; weโ€™ve never had a November this good. The interim mini-festival came to a soulful finale with six-piece function band Motown Gold, who professionally and passionately delivered some classic soul covers.

Image: Gail Foster

Since day dot Devizes Arts Festival have inundated us with quality original acts, from music, dance, comedy, talks and so much more. To stage a covers function band might well be faced with some reproach, from those who didnโ€™t attend and see the speed the mature audience jumped the dancefloor; call Norris McWhirter, I think weโ€™ve a world record on our hands!

Ha, itโ€™s as if many havenโ€™t had the opportunity to shake their tailfeathers for a year or more, which they havenโ€™t, ergo Devizes Arts Festival in all actual fact, perfectly picked their grand finale, because despite the creativity of originally crafted music, sometimes we all need to throw caution to the wind and dance our cares away to classics we know and cherish.

Image: Andy Fawthrop

The standard model of bassist and lead guitar, drums, keys and one saxophonist, with a female and male singer accepted, because they delivered the songs with wow-factor, onus largely on the magnificent vocal range of both, but in turn the glitzy professionalism and tightness of the bandโ€™s bonding. To book Motown Gold for your wedding would end in one heck of a memorable occasion, being a cut sky-high above the average.

Image: Andy Fawthrop

That said, for authenticity of the Motown sound, it was absent of various elements. Backing singers wouldโ€™ve done wonders, an upfront brass section too, for the saxophonist sounded a smidgen lost without the celebrated trumpeters of Motownโ€™s in-house band, The Funk Brothers. And if it failed to fulfil my โ€œbrass-is-classโ€ precept, the one missing component most important is the tambourine of Jack Ashford. Forget modern metronome methods, the tambourine man was the time-keeper in this era of yore, so if you crave authenticity, the tambourine is crucial within a classic soul tribute.

Image: Gail Foster

Entering trainspotting mode, Iโ€™d also noted not every song was Motown, rather the band selected a wide-ranging repertoire from Stax to eighties RnB, such as Rufus & Chaka Khan, Sister Sledge, et all. But each one a danceable favourite, and executed with faultless precision, it really didn’t matter one, or even half an iota. So much so, my carping is trivial, Iโ€™ll put my handbag away.

Image: Andy Fawthrop

The essence is the pleasing performance, the joyful spirit of the crowd, the lights and eras-spanning retrospection, and it undoubtedly set the Corn Exchange alight with an unforgettable ambience, resulting in a brilliant finale to Devizes Arts Festivalโ€™s interim mini-festival, and leaves our jawbone firmly on the floor in anticipation for what they have in store for summer 2022. Though I hinted, they were giving away no secrets yet!

Devizes Arts Festival Team. Image by Gail Foster

If thereโ€™s one thing, we all need right now, itโ€™s a good olโ€™ carefree, soul shakedown party. The proof was in the pudding, a grand night was had, the perfect end to what has been a gratefully welcomed Arts Festival for the town. One which Devizine needs to wrap up with a concluding article encompassing all the events into one feature, but right now, Iโ€™m still imagining myself doing watusi like my little Lucy, with the memory of a great night out-out!

Image: Gail Foster

A Grumpy Old Git Guide to The Future of Television

Not that Iโ€™m the ideal candidate to provide an assessment on modern trends in television, being it infuriates me as much as it entertains me. Therefore, as I can do grumpy, please accept Iโ€™ve titled this a โ€œgrumpy old git guide,โ€ and act accordingly; i.e., donโ€™t read this if you wholeheartedly adore every program every television company has ever unashamedly lobbed in your direction, but continue if youโ€™ve ever considered they couldโ€™ve done something a tad better. If I submit Strictly Come Dancing, I believe youโ€™ll wish to read on.

In fairness, it would be unfair to rant on Strictly, being Iโ€™ve watched more Dale Wintertonโ€™s Supermarket Sweep than it, and that equates best in seconds; write about what you know, they say. The bare fact remains, for decades television changed little, save graphical improvements via technology, better presenting skills, and the axing of Crossroads in 1988.

But research, which, though limited, I do do, I note ITV revived this unbelievably dire soap in 2001, and this, in a large part, is symbolic of my first concern. The fact an entire board sat around a table and not one of them thought reviving Crossroads was imprudent, and for want of a more abrasive word, a fucking dumb-ass idea, least they never bravely stood up and said so; twats. The typicality of this coincides with my imagining, that it must be the twentieth anniversary of the day Hollywood officially ran out of ideas.

For here is an era where decisions to control the pandemic slammed the final nail in the coffin for cinemas, crucified going out in general, yet massive advances in home technology was needed, but clearly, and proudly too, an accomplice to the murder. We had no choice but to cave.

There’s an element of self-harm in the movie business, technology governed, it seems. CGI is so overwhelmingly dazzling, having a plot doesn’t appear to be important. But herald in a new era, where we take computer graphics ability to project anything a director could possibly dream onto the screen, as red, and weโ€™ll demand narrative; least thatโ€™s the future I hoping, but doubting.

One website suggested TVs of the future will be paper thin, to match the plotlines of the content on them, Iโ€™m guessing.

They scramble, clutch straws, despite a blossoming movement of self-publishing, where incredible authors bypass publishers yet are invisible to movie studios. There are millions of new and ingenious plotlines, if you hunt past big publishing houses only content to unleash Stacy Solomonโ€™s ghost-written autobiography, or another infamous disreputable celeb. Too much like effort when money can be raked in with the frightful rehash. Yep, the only conclusion the misers arrive at, is to trash the reputation of a known classic with a remake. And young, naive to the original, and elders revelled in retrospection, amass.

Up to 1937 approximately 750 artists drew over 2 million sketches for Disneyโ€™s first full-length cartoon, Snow White and the Seven Dwarfs. The film contains more than 250,000 separate pictures, and in June this year, the company announced it would produce a live-action remake, ergo, the monumental task, not to mention the writerโ€™s cramp, of these incredible and unrecognised artists will be binned to a lost archive, forever. That, to me, is a crying shame. And what is above this sacrilege, billions will flock to its side.

So, I’ve discovered the future of visual entertainment, far later than everyone else, and it’s not movies. If you think Devizine is lacking content recently, itโ€™s because Iโ€™m going through a lethargic phase, succumbing to television; if you canโ€™t beat โ€™em, join โ€˜em. Iโ€™ve begun the compulsory mind-numbing practice of modern television viewing, hopeful this era, where despite 999 channels, 99% of it is total crap; Babestation to QVC Shopping, whatever is next? The Tree Channel, the Paint Drying Channel, thereโ€™s simply too much choice of shite, the needle in the haystack must be somewhere.

I firmly believe what is next under threat, now cinemas have taken a hit, is the television channel as we know it. Streaming is the new method, and if it leaves one man standing it will be a channel deigned personally to suit you, through recommendations based on previous watching habits. My issue with this is the โ€œseries,โ€ a trend hardly original, as like me Iโ€™d imagine you grew up with an unmissable series; Trumpton, The Magic Roundabout, I could revel on.

My complaint with this trend, is unlike a movie, no longer does anything ever conclude, unless ratings plummet. A perpetual cycle of endless hour episodes, which, like soap operas of yore, demand you watch tele indefinitely. They glue you to the sofa like nothing before; a success Dallas, Eastenders and Home & Away could’ve only dreamed of. Just how much fucking TV does Cobra Kai, expect me to have to watch, just to find out what happened to the doughnut Danny Larusso kicked the arse of?

I canโ€™t watch that much TV, least dedicate myself to one particular series, no one can, I cry, surely? But of course, they do, they must do. Begging the question, just how much TV do others endure, and in turn, when do they hoover, wash the dishes, etc. I’m gonna need a Fasttrack to Domino’s Pizza if I’m to complete one of these drawn-out series.

What is more, you’ve no outside conversation unless you’re up to date with series eight hundred of Game of Thrones, unless you’re obsessed by some tacky Korean sci-fi series, as if Phillip K Dick was never born. Discuss the current political crisis and you only anger, mention Squid Game and you’re in with the in crowd, despite the uncanny similarities. Why watch Squid Game, when we’ve already got our fair share of cephalopod invertebrates, mostly single-celled, playing games with our lives and projecting their ink sacks over a majority, in our government?

And the bottom line is, no matter what you select on your big screen, work-from-home Dadโ€™s playing catchup on the PC, mum is gossiping on Facebook, son lives inside a Minecraft realm, and with the attention span of a goldfish, daughter flicks furiously through trending homemade disasters on Tick-Tok; no one is actually watching the dammed TV! Maybe the reason why plotlines are inconsequential.

So, my bittersweet honeymoon with the modern TV series begun a few years ago, when they stretched the plot of Westworld to its death. The 1973 movie with Yul Brynner, where a western theme parkโ€™s robots malfunction had a plot which took director Michael Crichton under an hour-and-half to conclude, and while exceptionally well produced and enjoyable at first, the series dragged on like a conversation with Uncle Albert. I endured it through season one, but by the end, knowing the synopsis anyway, I grew tiresome of the trifling twists and turns. It never came to a natural finale, concluding I only continued to watch it for the nudie bits.

If Westworld put me off the whole shebang of the seemingly endless series, Manifest reinforced this notion. Intrigued by extra-terrestrial themes since ET, it came with a mystery one couldnโ€™t help but be eager to know the reasoning for a planeโ€™s disappearance and reappearance some years later. It was clear as time went on, though I suspected alien abduction, and many clues suggested thus, it wouldn’t explain itself until an insurmountable number of episodes, which by the first few my patience worn as thin as my diminishing fringe.

It was when the family randomly picked a series called Resident Alien, my enthusiasm elevated to the stars. Finally, here was something which engaged the whole family, laughing, at sci-fi, together, like Futurama had never been created. The difference here though, I assess, is we started at the premiere, so impatiently await the second series, rather than others where I tend to play catchup and maybe, I fear, itโ€™s not the series itself, but me, and my viewing habits, bad viewing habits. Because while my daughter can effectively โ€œbingeโ€ watch, I begin the process in good faith and promptly abandon the idea, like being forced against my will to run a marathon; Iโ€™d be cool with it for the first twenty metres, then Iโ€™m out by the sight of the first pub I pass.

Destined to find the right series to engage my dwarfed attention span, I tried Peaky Blinders, but peaked too soon; aborted on episode one. Engaging the Trekkie within, I assimilated myself into Star Trek Discovery at warp speed, and it managed to boldly go where no modern TV series had gone before, resistance to the entire three seasons was successful, though it reduced me to tears, to watch a promising retro series dwindle to some future so sadly farfetched and predicable, a little piece of Dilithium popped into my mouth and went back down.

Herein lies my newfound faith in TV, at the dawn of a family decision to get the Disney+ app, Iโ€™d begun The Crown just a week prior, gulp and confess Iโ€™m loving it. Rich in British history, portrayed ingeniously and eloquently, debatably accurate as it maybe, itโ€™s nearly converted me, once antimonarchist into an ardent royalist; I said nearly, and only from my respect of the eleventh doctor, Matt Smith and by a fascination with secretly snogging lead actress, Claire Foy wrapped in nothing but a Union Jack on the grasslands of Sandringham; have I got a crush on the Queen now? How devilishly patriotic of me.

But with access to Star Warsโ€™ Mandalorian, you see, I sworn to myself Iโ€™d finish the first series before starting this, but the greatest of temptations perverted the promise, a Jedi mind-trick no doubt, and now Iโ€™m in galaxy far, far away, with baby Yoda(!), as well as part of Buckingham Palaceโ€™s furniture. Thatโ€™s why Iโ€™m writing this now, proud to be balancing two series at once, which I fully intend to complete both, even if I brain haemorrhage; as if men really could multitask. 

Though itโ€™ll be hard to confuse the two, the lives of our royal family are similarly as far away from my own as that of the Mandalorian. It seems to me, whenever times get hard for the royals, which inevitably they do, I’ll admit there’s some real tough decisions and stressful situations, larger and more concerning than anything I’d ever have to overcome, at least they can, as they tend to do, ride across their vast green and pleasant private land on a gallant white stud. The economic equivalent for me would be to hire a pig and bare-back ride it in circles around the back garden, which simply doesn’t have quite the same impact.

Television is the convenient escapism for vegetables, unlike the internet being a reality-driven fingertip encyclopaedia for prospective nerds, and for this reason the merger of the two will undoubtedly change them both. Whether Hollywood steps up its game, the TV series trend continues, nothing can alter the DIY ethos of the very thing which threatens them both. For I really fear none of this makes one iota when considering the affluence of homemade videos, and how this attracts the youth more than the definitive CGI explosion, which is old hat by comparison. And thatโ€™s something I simply donโ€™t get, Iโ€™m afraid, something so far-flung from my expectations of normal and decent viewing.

Hey, donโ€™t get me wrong, Iโ€™m a self-publisher, always been washed up on the banks of an underworld of DIY creativity, be it vanity, I donโ€™t know why, but I genuinely understand the desire of every kid to be a โ€œYouTuber,โ€ I just donโ€™t get the content. Tick-Tok is no-manโ€™s-land for anyone over twenty, yet a glimpse of what they do appears on YouTube and Facebook, enough for me to shudder at its true horror. It saddens me when an amazing band are live streaming, playing the music they worked so hard to create, to an audience of six, meanwhile some brat is streaming his screen playing Grand Theft Auto, consisting of running around a city as a female avatar, punching random strangers in the street, to an audience of 99K+. Philosophical argument aside, Iโ€™d play devilโ€™s advocate and suggest perhaps itโ€™s better them act violently virtually than really, but more so, my mind boggles, why the bloody hell would anyone want to watch someone play a videogame, when the whole concept of videogames are a universe away from watching TV, rather about immersing oneself into the game?

That said, Minecraft YouTubers have made a mint, advising gameplay to younger disciples, and some do it in such a way itโ€™s as entertaining as a TV presenter, Graham Norton at the very least. And if itโ€™s not this, itโ€™s titillating trending videos on sites like Tick-Tock, a phishing so-called magician turned prankster, with an abundance of micro-bikini-clad girls, more bikini-clad girls swapping their outfits in the street without exposing themselves, or where the latest trend seems to be young girls wearing a baggy tee, which is a t-shirt to you and I, and over a backdrop of bass, suddenly pulling their top tight around their stomach and boobs. If you ask why, I really havenโ€™t a clue, but hundreds upon hundreds of girls are queuing to get hits for their lightly covered tits; would you even know about it if was your kid? Whop-bang, Iโ€™m suddenly aged and completely out of touch with modern viewing, perplexed and mystified, other than to assume itโ€™s the lowest common denominator of soft porn.

And that is the terror of the future of television, endless blipverts of insane youngsters doing whatever they feel like, and videoing it, incriminating themselves via peer pressure.

A mile away from sending your toddler off the shed roof to obtain ยฃ250 from Harry Hill, for thatโ€™d be relatively sane compared to some of the complete codswallop I see passing my social media newsfeed every second of everyday. It leaves me suspended in an era Iโ€™m lost with, and with great worry, this reality piffle is the future of television, rather than an extended series of fictional mush. Bring back Crossroads, for fuckโ€™s sake; all is forgiven!


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Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

And the Winner of our Gary Delaney Competition isโ€ฆ.

And there we have it, our competition to win two tickets to Gary Delaney at the Corn Exchange has come to closing date for entries; donโ€™t say I didnโ€™t warn you, cos I did.

I must say I was disappointed more people didn’t respond, somewhat more than the standard of the one liner jokes! I sent the one liner jokes to Gary himself, and asked him to judge. It makes us look bad, Devizes, honest it does. Given the strength of the quality of the jokes, he is going to think heโ€™s in for an easy ride!

Iโ€™m horrified to inform you; Garyโ€™s response was a shocker. Mr Lee Bennett, sir, Gary duly points out your entry may not have been entirely from your own catalogue of wit. Be honest now, Lee, how do you plead to the crime of property theft?! You donโ€™t need to reply, youโ€™ve been tried and convicted already, as Gary wrote that the winner is โ€œyourโ€ joke, โ€œfor having the chutzpah to submit my old jokes into a joke competition in order to win tickets to see me perform new ones!โ€

Well done, mate, you won on default, supposing Iโ€™d didnโ€™t stress the joke had to be original, because, you know, thought thatโ€™d be obvious. Whoever did write the masterpiece though, it did make me chuckle;

My mate had a penis extensionโ€ฆ

Now his house looks really stupid

And thatโ€™s the best medicine. See you all at Gary Delaneyโ€™s gig in May; tickets are still up for grabs but selling like hot cakes: https://www.ticketsource.co.uk/devizes-comedy

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Local Bands Ramp Up the Volume on Bradford-on-Avonโ€™s Skatepark Campaign

Bradford on Avon Gig Will Help Raise Funds for New Skate Park

A three-band fundraising gig to help fund a new skate park in Bradford on Avon, Sk8er Noize – Get on Board, is announced for Friday 22 October at the townโ€™s St Margaretโ€™s Hall. Promising to raise the roof as well as a cash contribution towards the park, the night of music and dancing will be headlined by fast-and-furious local legends, The Boot Hill All Stars, supported by popular rock covers band Pseudocrem, plus singer and guitarist Neil Ryles opening the show. Doors and bar open 7.30pm. Tickets are ยฃ5 and available from The Wiltshire Music Centre.

The new skate park is designed by Maverick Industries, creators of some of the best and most progressive parks in the UK and using input from local skaters and young people. It will cost around ยฃ280,000 and Bradford on Avon Town Council have set aside ยฃ100,000 for the venture. The pot of additional publicly raised cash currently stands at around ยฃ30,000 and the gig hopes to add a chunk to that.

The state-of-the-art facility will replace the skate park which was demolished after being vandalised and falling into disrepair. In 2018 the young people of Bradford on Avon began campaigning for a safe and inclusive space to skate board as well as for BMX and scooter riders of all ages and abilities. The new park, finally agreed in 2020, will be at the same site as the previous one, forming part of a redevelopment of the whole Poulton Park site.

The event is organised by local parents, including Mick Stanger who plays guitar and electric mandolin with The Boot Hill All Stars, who have played everywhere from Glastonbury, Boomtown and Camp Bestival to Bradfordโ€™s very own Three Horseshoes pub. โ€œFrom the first song they get the whole crowd up dancing, whooping and getting on down. By the time they bow out with a breakneck Jolene, they’re practically hollering from the rafters.โ€ (Ollie Hulme, Wells May Fayre).ย 

Mick said: โ€œWe always like to support local causes where we can, and are really excited to play our part in the Skate Park project – maybe youโ€™ll see some of us learning to skate on it in a few yearsโ€™ time!โ€ย  Mickโ€™s daughter Beth, aged 12, said: โ€œI’m really excited by the plans for a skate park, it’s been a long time since we had somewhere to skate and it will be great for the local community. I love the idea of a fundraising gig, especially since it gives a spotlight to local bands.โ€

Boot Hill All Stars

Vocalist Neil Ryles will start the night off with your favourite indie covers followed by classic rock and pop from Pseudocrem, made up of local parents and 15-year-old guitar prodigy Alex Maidment.


Win 2 Free Tickets HERE

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You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo albumโ€ฆ

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to theโ€ฆ

Local Happenings for October 2021

Unlike the enviably of the weather, events donโ€™t seem to be cooling down this fall. Thereโ€™s lots of great things happening over the month of October, find something local, and save fighting for petrol, so much going on around and about, remember to keep checking Devizineโ€™s event calendar, as itโ€™s constantly updating, but hereโ€™s some highlights. 

The month kicks off on a Friday, when Humdinger play The Barge Inn, Honey Street for a Woodborough Primary School Fundraiser. Itโ€™ll be an evening of Irish folk down Devizesโ€™ Southgate, where The Celtic Roots Collective will be, and Saints of Sin play Swindonโ€™s Vic.

Saturday 2nd, our superheroine Carmela Chillery-Watsonโ€™s mum, Lucy has written a childrenโ€™s book staring her daughter and pet dog Tinker, with all proceeds going to Muscular Dystrophy UK. Theyโ€™ll be signing at Devizes Books from 10:30am. Carmela is making a big splash in the celeb world, winning awards, TV appearances and meeting royalty and of course, David Beckham too! We can all be inspired by her zest, fundraise towards muscular dystrophy, and have fun too, I will talk more about this when a bit further down, when we get to the appropriate, exciting weekend.  

October at The Post-Modern Gallery, on Swindonโ€™s Theatre Square, sees an irresistible exhibition for punks, general music or art aficionados, and devotees of the curious and unusual, The Great Rock N Roll Swindon. Running from the 2nd โ€“ 10th.

Meanwhile, at The Wharf Theatre, James Hurn brings to life three classic epis, odes from the much-loved radio series, The Navy Lark, which ran for 1959-1977 which originally featured Leslie Phillips, Dennis Price, Ronnie Barker and Jon Pertwee.

Devizes Long Street Blues Club have Jimmy Carpenter, Half Way House play Seend Community Centre. Catfish Creek with support from Finley Trusler & Mark Jones play the Coate Mini Music Festival at The New Inn, Coate, and Tool Shed play Swindonโ€™s Vic.

And if thatโ€™s not enough for one weekend, Jon Amor plays with King Street Turnaround at the Bell in Bath from 1pm, promising to make it home to the Southgate by 5pm on Sunday 3rd.

The second week in is Marlborough Mop Fair, starting Friday 8th, and again the following weekend, as is the tradition. The Lonely Road Band & Hamsters from Hell are live at The Vic on the Friday. Saturday 9th sees Retrospective Vol 2 @ MECA, an old skool RnB night with Mr M at the Exchange in Devizes, staying there Iโ€™d thoroughly recommend Strange Folk at The Southgate, and tickets are already flying off the shelf for the first Devizes Scooter Club night at the Cons Club with The Killertones.

Around and about, got to recommend the wonderful indie-popper, Longcoats, with a free gig at Bathโ€™s Devonshire Arms, on the Saturday, and Led in Zeppelin at Swindonโ€™s Vic, which I think explains itself! Yet, while weโ€™re on the fabulous Vic, the brilliant dub project of Erin Bardwell, Subject A will be live, with DJs in support on Sunday 10th, and this will be amazing.

During the week, find The Waterboys playing Swindonโ€™s MECA on Wednesday 13th, and a welcomed return of Marlborough Folk Roots club, who have While and Matthews. Thursday 14th sees the Sultans of Swingers at The Dumb Post in Bremhill.

Another Marlborough Mop Fair weekend upon us, Friday 15th is a lot about Sheer Music, who present Jon Gomm at Emmanuel’s Yard, Trowbridge with support from the lovely Lost Trades. Ian Rayney is at Seend Community Centre, An Evening with Froch & Groves at MECA, and Abstraction Engine with Lunatics Lost are live at The Vic, Swindon.

Saturday 16th is filled with wonderful choice, The Full Tone Orchestra give a classical fireworks concert at Marlborough College, thereโ€™s Just Like That! The Tommy Cooper Show at The Wharf Devizes, and Asa Murphy returns to the Corn Exchange with a variety show including comedian Lennie Anderson and singer Sandy Collins.

General silliness abounds, and in a hip-hop style, at The Old Road Tavern in Chippenham, where local comedy musicians The Real Cheesemakers go head-to-head with Brightonโ€™s chap-hop star Professor Elemental, hosted by Chippenhamโ€™s own Edinburgh Fringe favourite, Will Hodgson; this will be a great crack.

Sheer Music Presents moves over to Swindon, to present outrageous punker girl band, Salem at the Vic.

But I will be in the Sham for sure, where the all-female supergroup, Female of the Species give their annual, unmissable fundraising gig. Something of a local legend this event, receiving a community Civic Award and raising so much money, having a great laugh with a seriously awesome line-up of singers from a plethora of local bands, and this year, as I hinted at prior, is raising money for another hero friend of mine, Carmela Chillery-Watson.

Swindonโ€™s MECA has Raver Tots on Sunday 17th, where you take your child raving! But for want of a quieter event, thereโ€™s an illustrated talk by Tim Craven at Marlborough Town Hall about cartoonist Norman Thelwell on Wednesday.

Saturday 23rd, then, three band extravaganza Bradford-on-Avonโ€™s Three Horseshoes with Pussycat, The Dirty Johnsonโ€™s and Kiss me, Killer. The Civic in Trowbridge have Mercury, the Queen Tribute but overall, all seems much quieter than last weekend. Of course, gigs will come flooding in soon Iโ€™m sure, so check into our event calendar for updates. You can be sure of those dependable venues, such as The Southgate, The Vic, Horseshoes, Pound Arts and Trowbridge Town Hall will be adding events as we go along, or maybe Iโ€™ve got some serious updating to do!

Monday 25th sees the opening of Glorious! The true story of Florence Foster Jenkins at the Wharf Theatre, Devizes which runs until 30th October. Friday 29th From The Jam play MECA, and White Horse Opera are back in full force with A Night at The Ops at Devizes Town Hall.

Saturday 30th sees Devizes Lions Autumn Fair at the Corn Exchange. Billy Bremnerโ€™s Rockfile at the Long Street Blues Club, and being Halloween, thereโ€™s sure to be some spooky parties going on, try the Three Horseshoes in Bradford-on-Avon, where Strange Folk offer a Halloween Extravaganza, or Swindonโ€™s Swiss Chalet which has Train to Skaville, The DayBreakers and The Hip Replacements.

Have a great Octoberfest, donโ€™t let the bastards grind you down, if you need fuel, just post on your local Facebook group that some other nearby petrol station has fuel, and your path to the pump will be free! Oh, last Sunday of the month, check below, Devizes Town Band at the Corn Exchange, so much to do, it never stops!


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Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโ€ฆ

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

Remembering Sinclairโ€™s ZX Spectrum

Okay, given the news of the sad passing of Sir Clive Sinclair last week, guaranteed youโ€™ll see lots of photos of him in his scarf, peddling to charge his C5, the innovative electric car of the future. Like few of his inventions, mini televisions included, the C5 flopped, simply because it was way ahead of its time. His successful inventions were too. Sir Clive Sinclair was way ahead of time, period.

If thereโ€™s one invention, Iโ€™ll fondly remember him for, though, itโ€™s not the C5 but can only be the rubber-keyed ZX Spectrum, or โ€œSpeccy,โ€ as we dubbed it. Sinclair never sat on a creation; his pocket calculator was only the beginning. To understand the importance of his work is to understand the era. It was a time of great technological advances in home entertainment, the like we take for granted today.

Computers, yeah, we knew of them, but to have one in every home was the stuff of science fiction. Personal computers had made it to schools, yet IT was a far cry from how itโ€™s taught today. Picture it: a nervous beatnik throwback teacher, big black-rimmed specs, big perm, big beard, complete with leather elbow patches on his tweed jacket. He acknowledges this is the future, as he stands next to a shiny new BBC Model B and hoards of pupils gather around it, yet heโ€™s had no training, and he doesnโ€™t really know what the heck it does any more than they do.

To have gained the slightest teaching about computers at primary school in the early eighties was to be the most bolshy kid, who managed to push his way to the front of the over-excited class. I didnโ€™t tick that box, shy and reserved I loitered towards the back of the crowd, interested if confused, I considered myself lucky to have just seen the thing from a distance, through the pigtails of a petite girl standing in front of me.

No, if I was ever going to get to grips with the computer, Iโ€™d need to have one at home. Yet the ZX80 and ZX81 were the stuff of the seventies, a naff era void of motivation to progress technologically for working class families; a time when the teas-made and electric blanket were cutting edge. Here, in the technological revolution of 1982, what we needed, what we must have, was a home computer, and my dad finally caved into our merciless campaign of perpetually chanting, โ€œcan we have a spectrum, dad, can we have a spectrum?โ€

The pitch was successful on the grounds we appealed it would be a communal thing; it would help my dad by filing his bills, finances and address book, the possibilities were endless; it would, change our lives forever. Christmas 1982 was like no other, the joint present was hooked up to the television set, after major muddles, frustrating cries from my father and annoyed reactions from my mum who realised her favourite television shows were off the cards until the trend had passed.

Mum was first to breech the covenant, hiding in the kitchen prepping Brussel sprouts. She came to the early conclusion it was the devilโ€™s work, if Crossroads was to be missed. My father persevered, and after sweat and tears we finally had a grey screen on our television with the copyright text, โ€œ1982 Sinclair Research Ltd,โ€ mysteriously running along the bottom. We had, as a family, entered the computer age, all 48K of it, our wants and dreams had been fulfilled, but what to do next and why we needed to do it, was a gaping mystery.

Hard to imagine now, given operating systems like Windows are common knowledge and upon booting up a new PC, youโ€™re off applying apps and downloading programs, but we didnโ€™t have a clue what to do, and the lone copyright message offered no help. A big orange book came with it, and my dad tilted his glasses and begun to at least attempt to understand it, while my brother and I were far too excited.

The problem was, to get it to do anything, anything at all, was to understand its own brand of Basic, which the book elucidated was a โ€œcomputer language.โ€ A bead of perspiration dripped from my dadโ€™s brow at the thought of having to comprehend a whole new language prior to us kids getting bored with this rather expensive Christmas present.

A command prompt was where we started. Under instruction of the book, dad apprehensively trembled and pushed a key, typing a 1. Before the hour was done, he had got the computer to have captured โ€œ10: PRINT โ€œHELLO,โ€ followed by a second command, โ€œ20: GOTO 10.โ€ And we looked at each other perplexed. When were we going to get to shoot aliens?

You see, dad had bought us kids two games of our choosing. Mine being a Pac-Man pastiche called โ€œHaunted Hedges,โ€ whereas my brother was nearly as bonkers about โ€œHorace,โ€ as he would be Lara Croft in the decade which followed, and his choice was one where โ€œHorace Goes Skiing.โ€ Young-โ€˜uns should note, games those days were on cassette, and dad was some way away from attaching the cassette recorder to the Spectrum. Rather, he insisted above our pleas, we did things by the book and attempt to understand how to work the now blasted thing prior to blasting aliens.

Time was of the essence; the Morcombe & Wise Christmas Special would be airing soon, and Mum would consider human existence was doomed if he didnโ€™t manage to rewire the television back to the aerial and tune it in again. He digested the next page of the book, and confidently pressed the R key, for the function RUN. Like magic the tele changed to list the word โ€œhelloโ€ all the way down the screen. We gaped in awe at his success, whatever exactly it was. โ€œLook!โ€ he cried in jubilation and misunderstanding the computer was merely following the prompt of his command, his first computer program, โ€œitโ€™s saying hello to us!!โ€

As 1982 turned into 1983 my father had grasped the immensity of the task, his desire to have the computer do the things which he wanted it to do, to file and store an address book, set bill payment reminders, and the kind of stuff weโ€™d do in a second on our mobile phones today, was too difficult a chore. Wrought with complications and complexities at learning a whole new trick, a language to unify human and computer, he spaced out on it and gave up. The ZX Spectrum was abandoned for parents, he sighed all the way to Radio Rentals, hired a second TV, put the old one upstairs and reluctantly passed the computer to us kids, to play games; the sole thing we really wanted it for in the first place.

The key to this was, that cartridges for the Atari 2600 we had prior were expensive, to buy a new game was a rare treat. The revolution of having games on cassette tape made them affordable, and we could collect them in abundance. This bought about a youth culture; Speccy was the first video game movement. You could swap games, tape-to-tape copy them, and if and when the damn tape loaded without crashing, the half-hour wait of white noise would fulfil you with the joy of a new game.

And there was a plethora of games of varying quality, but all shaped the formulas of games today even if they didnโ€™t reflect the same graphics, speed and game play. You have Sonic the Hedgehog, we had Sabre Wulf, you had Tekken, we had Way of the Exploding Fist, you have Super Mario Odyssey, we had Donkey Kong, you have Little Big Planet, we had Bubble Bobble, you have Grand Theft Auto, we had Back 2 Skool, and you have Minecraft, and erm, okay you got me there, we were still on Legoโ€ฆ. But you get the idea.

Speccy was a youth culture of video games, magazines on the subject flew off shelves, kids would hang outside a computer shack in our town, boasting how they solved Jet Set Willy, despite it being impossible without โ€œpokes,โ€ (cheats.) You could go there for advice, if stuck in Valhalla, or Spy Hunter didnโ€™t load. This was the first social network for gamers. Comprehend, though, online gaming was reduced to asking your mum if your mate Adam can come into play, and only permitted if he took his muddy trainers off at the door.

Educating through it was limited, but it introduced me to the terminology, to basic programming and how to create simple BIT graphics and it made me realise the wealth of maths, even if I was shit at it. I knew what a modem was, something way beyond reach, but least I was aware two computers could be linked via a telephone line. Fascinated by an article predicting one day many computers could be linked into a network, only on the example of a virtual classroom, so we wouldnโ€™t have to go to school. I never fathomed this would happen in my lifetime, never considered the interactive whiteboard, the mobile phone app, and especially virtual reality.

As with all devises, the ZX Spectrum waned against upcoming videogame consoles, as the eighties came to a close focus was on Segaโ€™s Megadrive and a 48K rubber-keyed processer, less powerful than a Tamagotchi would never stay standing. Not without a fight it was slayed, but every devise has its day.

Personally, the magic of both computers and videogames was replaced by raves, pubs, and hopelessly chasing girls. I bought a PlayStation when the price came down, it just collected dust. Bit of a hippy, I shunned technology for a while, forgetting everything Iโ€™d learned to the point of when discussing the idea of photocopying my first comic, and my flatmate, who was the editor of a Swindon music zine earlier in the nineties, suggested โ€œno, print will be dead, it will all be on the wobbly web one day,โ€ I hadnโ€™t a clue what she was dribbling about.  

The thing is, this era, where the TV streams off Netflix yet no oneโ€™s really watching, as Iโ€™m updating my blog, the wife is paying a bill on her iPad, my daughterโ€™s sharing photos on her Insta and my son is logged into a Minecraft server with twenty other mates, what Sir Clive Sinclair achieved maybe lost in time, but I feel is gravely underestimated. His name should be up there with Charles Baggage, Alan Turing, Bill Gates and Tim Berners-Lee. Without his vision of home computers, life would be very different today.

Sinclair should be remembered as a visionary, pioneer and innovator, a concept designer like Apple, as today itโ€™s hard to imagine a life without home computing, even if itโ€™s updating your status to post a picture of some cute, fluffy cats. Letโ€™s not dwell on images of him in a failed electric vehicle, he was more than that, and besides, one day our laughing at the C5 will return to bite us in the ass!

Pumpkins & Poppies with Devizes Town Band

In six weeks, the historic Devizes Town Band will be performing at their first indoor concert for two years!

On Sunday 31st October, Devizes Town Band are thrilled to be bringing to you a very special โ€˜Poppyโ€™ Concert supporting the Royal British Legion; โ€œPumpkins and Poppiesโ€

An afternoon of beautiful and entertaining music, to celebrate on Halloweโ€™en being able to perform again and to remember those who served, those who live with the consequences of conflict and those who paid the ultimate price. The concert will be held in the Corn Exchange, Devizes. Doors open at 2pm and the performance will start at 2:30pm.

All seats will be socially distanced and the building is fully air conditioned. Tickets are ยฃ10 each and available online via the link below from today!

You can also get them from the lovely Jo at Devizes Books. We Will Remember Them. Come along to our concert and remember them too….


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Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, thisโ€ฆ

Eric Ravilious: Downland Man

Unique exhibition to open at Wiltshire Museum

Featured Image: The Westbury White Horse ยฉ Towner Eastbourne

Finally opening at Wiltshire Museum on 25 September 2021 is Eric Ravilious: Downland Man, something we previewed on Devizine in October 2019, but, sadly, lockdown prevented.

This major exhibition explores for the first time the celebrated artistโ€™s lifelong fascination for the chalk hills of southern England, particularly Wiltshire and Sussex.

The exhibition will feature more than 20 works borrowed from national collections and private collectors, including iconic watercolours such as The Westbury Horse and The Wilmington Giant, alongside other rarely-seen works.ย  The exhibition is supported by the Weston Loan Programme with Art Fund.ย  Created by the Garfield Weston Foundation and Art Fund, the Weston Loan Programme is the first ever UK-wide funding scheme to enable smaller and local authority museums to borrow works of art and artefacts from national collections.

Central to the exhibition are several of Raviliousโ€™s best-loved watercolours of chalk figures made in 1939 in preparation for a childrenโ€™s book, Downland Man.  The book was never completed, and for many years the prototype or โ€˜dummyโ€™ made by Ravilious was believed lost.  When it resurfaced in 2012 this precious item was bought at auction by Wiltshire Museum.  It will be included in the exhibition alongside some of the artistโ€™s watercolours, aerial photographs, annotated Ordnance Survey maps, postcards and books that relate to the Ravilious works on show – material drawn largely from Wiltshire Museumโ€™s own collection.

The exhibition will offer a new view of Eric Ravilious (1903-42) as a chronicler of the landscape he knew better than any other.ย  From his student days until the last year of his life, Ravilious returned again and again to the Downs, inspired particularly by the relationship between landscape and people.ย  Watercolours and wood engravings included in the exhibition show dew ponds and farmyards, a cement works and a field roller, modern military fortifications and ancient monuments.ย 

Eric Ravilious: Downland Man is curated by James Russell, previously curator of the 2015 blockbuster Ravilious at Dulwich Picture Gallery. He said โ€˜I studied History at Cambridge and Iโ€™m always intrigued by the social and cultural context of artistsโ€™ work.  When it comes to downland history and archaeology Wiltshire Museum has an unrivalled collection, making this exhibition a unique opportunity to shed new light on Ravilious โ€“ an artist who is well-known these days but still little understood. With watercolours such as โ€˜Chalk Pathsโ€™ and โ€˜The Vale of the White Horseโ€™ on display, visitors are in for a treat.โ€™

Heather Ault, Exhibitions Officer said: โ€˜This is a wonderful opportunity for Wiltshire Museum to exhibit such beautiful works by Ravilious.ย  The exhibition will be an absolute delightโ€™.

Sophia Weston, Trustee of the Garfield Weston Foundation, said: โ€œWe are delighted that the Weston Loan Programme has been able to support the display of these important works by Eric Ravilious in Wiltshire โ€“ an area of the country which repeatedly inspired this much-loved artist. The exhibition will bring his evocative landscapes to new audiences and shed light on material little-known by the public.โ€

Eric Ravilious: Downland Man opens at Wiltshire Museum on Saturday 25 September and closes on 30 January 2022.ย  Tickets can be pre-booked online at https://www.wiltshiremuseum.org.uk/prebooktickets/.

The exhibition ends on 30 January 2022.


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Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. Theโ€ฆ

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trioโ€ฆ

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Dovesโ€ฆ

Hells Bells! AC/DC tribute in Devizes

With our roads being the state theyโ€™re in, is it any wonder on the 5th April Hells Bells, rated as the UKโ€™s top AC/DC tribute,โ€ฆ

Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There mightโ€ฆ

Help Choose a Charity For A Fundraising Music Event in Devizes….

A prestigious live music gig is being planned for Devizes. Top secret, if I spill anymore beans about it they’d be forced to shoot me, and I know you wouldn’t want that…..would you?

I thought not, not even if they just skimmed my kneecap with a spud-gun?

But what you can help the organisers decide is, what local non-profit charity would you want this event to fundraise for, should it go ahead?

I’ve added some worthy charities, but you can add your own if you wish. Please give us your feedback asap, takes a second, thank you! And yes, I’ll tell you all about when the time comes, just, like push me, man!

Absolutely Pukka; Death of Guitar Pop

Itโ€™s top marks for the Death of Guitar Pop duo, Silky and Top Kat, for their new album, Pukka Sounds, from me; did you expect anything less?!

In 1976 Bunny Wailer titled his debut solo album, โ€œBlackheart Man,โ€ that being a Jamaican version of the bogeyman. Perhaps he likened the mysteriousness of Rastafarians to this childhood fable, for prior to the Kingston trend, which we associate so closely with reggae, the Rastas were rural hermits, seen as dangerous outsiders. The sound of the time of the Wailersโ€™ early development was ska, and had little to do with religious or political thinking. It was a dance, untroubled and carefree.

Yet by the second wave of ska, initiated by Coventryโ€™s Two-Tone Records, groups like the Specials bought about a political stance to ska too. After a tinkering second of piano, sounding like the beginning of a Who rock opera, Pukka Sounds explodes, rightfully quoting their influences, โ€œwe play Two-Tone Records, Trojan Records.โ€ Yet for me, the crucial line of โ€œWhen the Ska Calls,โ€ is โ€œitโ€™s the nuttiest of feelings,โ€ a clear reference to Madness.

If mod and second gen ska was the concluding inclination of pop, prior to the hit factories churning out their monotonous formula, I was slightly too young to appreciate the solemn concepts bands like The Specials and Jam put forward. Merely a wee school kid, couldnโ€™t relate to the teenage anguish of dogmatic student rants, or Terry Hallโ€™s and exasperations at his sister. I thought the Jam were singing, โ€œeating trifles,โ€ rather than โ€œEton Rifles,โ€ as in, โ€œgreat trifle, mum!โ€ โ€œThank you, Paul, I made your favourite flavourโ€ฆ. glue.โ€

But the underground youth culture had been breached; Bad Manners, The Piranhas, The Beat, Fun Boy Three, and especially Madness aimed at the charts. โ€œWalking home and squashing snails,โ€ was more relevant to me and my mates, than โ€œbands donโ€™t play no more,โ€ ergo the resounding and lasting success of Madness above all others of the era.

It is of no bad thing then, the most appropriate comparison to Death of Guitar Pop can only be Madness, for their fairground sound was not just universally appealing, but reflected more on the original ethos of ska, as a carefree dance music. Death of Guitar Pop mimic this tenet, with bells, horns and chequered trilbies on.

Iโ€™m struggling then, to find anything serious about Pukka Sounds, and thatโ€™s its charm. Silky begins the second tune in with lounge style vocals, which has to be taken with a pinch of salt. Tongue-in-cheeks all the way through, Iโ€™d give Death of Guitar Pop takes Madnessโ€™s wittiest lateral to a whole new level, with tunes like Fell off the back of a Lorry, their jaunty Essex-boy humour is exposed, and comes over highly entertaining.

Perhaps the best track, for nodding to influences beyond Madness is The Death of Guitar Pop Shuffle, with the legendary Nick Welsh, aka King Hammond, for hereโ€™s a tune which recognises skaโ€™s origins from the shuffle subgenre of RnB, the likes of T-Bone Walker and Fats Domino, replicated but reversed by Prince Buster at a Duke Reid recording sessions, to create โ€œJamaciaโ€™s first nation sound.โ€   

Nods also go to reggae though, the pedigree โ€œboss soundโ€ distributed by Trojan in sixties England, which appeased the skinhead culture. I tip my hat to them for the track, For Alys, as a concentrated downtempo number without their comical toasting; their own The Return of The Los Palmas 7?

Bobby Dazzler, a Pukka Ballad, too, both challenging an anthemic hopeless romantic theme, naturally beer-driven last song ballads.

But, at best, Guitar Pop reveal in these beguiling ska and upbeat boss tunes with comical, carefree leitmotifs and nonsensical fun, like Captain Melvin’s Reggae Party Bus, and a cover of ska-punk band, Rancid’s Junkie Man, the aforementioned exactness to the ethos of Madness being the reason these guys have rocketed to the top of their game, in just three albums.

The array of ska nuttiness is reborn here, and the party doesnโ€™t wait for those held up in the kitchen, the album marches, the sax on The Velvet Drum particularly evoking memories of Lee Thompson flying over rooftops.  

For anyone with deliberations British ska is mislaid, home only to withering skinheads of a lost epoch, this deluxe edition of Pukka Sounds is eighteen original tracks strong, released yesterday, and it places England firmly back on the ska map amidst a universal scene. But more than this, their charisma is a beacon calling out to others, who may only have a passing interest in the movement. I urge, if you shrug at my consistent praise of ska, youโ€™ve not tried Death of Guitar Pop, and really, you should. Then come back and tell me you didnโ€™t least tap your toes, all the way to Southend pier and back, geeza!

Why? Need you ask why? Because, ska is the bollocks….


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Geckoโ€™s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for aโ€ฆ

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโ€ฆ

Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โ€ฆ

Full-Tone Orchestra Give It Whatโ€™s For!

As the norm now is phones held high above the crowds, as us elders once did with lighters, they capture the moment on film. But Iโ€™m neglecting the trend to record wobbly, intoxicated videos, as they never do justice to the sound. There is no local event in which this is truer than yesterdayโ€™s Full-Tone Festival, because thereโ€™s simply no sound quite as immense and impacting as a full orchestra, despite my juvenile perceptions of it, of which I contemplate exactly how Full-Tone has turned this on its headโ€ฆโ€ฆ

If what Pete Tong did with his Heritage Orchestra was clever, it wasnโ€™t entirely original. As a nipper Iโ€™d laugh at my dad, when heโ€™d play his โ€œHooked on Classicsโ€ long player. Snickered because futurism had gone audio in the early eighties, rendering the mere word โ€œorchestraโ€ lame in our adolescent minds.

Though classical purists got their knickers in a twist that ELO arranger Louis Clark was conducting the Royal Philharmonic Orchestra using a LinnDrum drum machine, it reintroduced classical music to a new generation. And when they released โ€œHooked on Rock Classics,โ€ into the series, dad was well and truly off on one; thank heavens we hadnโ€™t progressed to a cassette deck in the Ford Cortina yet!

But if I laughed at him, misunderstanding the richness of classical music in an era of synth, post-punk electronica, I had a dirty secret of my own. Upstairs us kids had a record deck of our own, on which I would slip on a 1978 Geoff Love album, โ€œClose Encounters of The Third Kind and Other Disco Galactic Themes,โ€ which, as the title suggests, Loveโ€™s orchestra breathed disco into John Williams movie scores. I was consciously side-stepping the datum, this was also created by an orchestra, for want of my own Star Wars-fevered fascination with all things sci-fi.

In reminiscing about the album, as I roughly fell out of bed this morning, it progressed to thinking of the obsession the characters had with the shape of Crook Countyโ€™s Devilโ€™s Tower in Spielbergโ€™s Close Encounters of The Third Kind, enough to sculpt it out mashed potato. For I suspect folk of Devizes will awaken this morning with a similar subconscious obsession for an irregular arch shape, rather like the photo below!

Like the character Roy Neary, have you the discomforting desire to make a return to the site of this strange shape, like an unwarranted pilgrimage?! If so, you were an attendee of The Full-Tone Festival yesterday, and itโ€™s perfectly natural and understanding to have been captivated by its shear magnificence. And in the history of events in Devizes, the magnitude of what The Full-Tone Orchestra achieved yesterday will forever be imprinted.

Yeah, I know, right, it came with a price-tag, one which objectors were not discouraged from doing as they threatened, and pitching chairs on the Little Green opposite to admire the happening from afar. Unfortunately, while you could hear it tingling as far away as Morrisons carpark, if you did this you did not get the full capacity or benefit of said magnificence. The acoustics up close to the funnelled stage was something extraordinary, with superior pyrotechnics the lasers and light show was professional standard and truly, locally unique. This competence alone, fairly showed where your money had been wisely spent.

It was a vast evolutionally step from the free event in the Market Place a couple of years ago. If the all-positive feedback from the crowds wasnโ€™t enough to convince you, the delighted expression of artistic director, Jemma Brown said it all. I caught up with her for a brief word, where we discussed the logistics of the actual orchestra, explaining to me there were some sixty-five musicians onstage at any one time, ninety-five operating over the weekend, some of who played the entire shebang, while others swapped on a rota. A monumental operation, which as a punter appeared to function like clockwork.

I did, back in the spring, not include this event in a piece highlighting local festivals hopefully going ahead, and this bought an objection online which I justified under my definition of the word โ€œfestivalโ€ being an event with multiple happenings by a variety of artists and performers, ergo making this more concert than festival, and I stick by my justification. Although, while it was one โ€œactโ€ said act was manyfold, bringing in a wealth of musicians, plus side stalls were adequate to warrant this of festival proportions, and today, Sunday, the show will host some other acts, including Pete Lambโ€™s Heartbeats, jazz singer Archie Combe and The Red Bandits. So, yeah, all that is debatable, but one thing for sure, whatever you want to pigeonhole this event as, thereโ€™s no denying, it was fantastic.

Beginning with classical, they marched through Gershwin, Holst et all with unrivalled passion, and swiftly moved onto iconic movie themes, which despite my aforementioned adoration for eighties sci-fi, I found the Jurassic Park theme the most poignant, its ambience hung in the air as the chitchat and everyday goings-on sustained, like a T-Rex invasion was looming on Devizes Green!

Eighties classic pop arrived around dinnertime, I returned to the scene to shudder at Rick Astleyโ€™s Never Gonna Give You Up, though while this may not be my idea of eighties classic pop, given the diverse age demographic I digest many here didnโ€™t live through it, and such a hit was defensible because of this! But tracks by Bowie, Blondie and Toto were welcomed, particularly Chris Underwoodโ€™s vocals on Ultravoxโ€™s Vienna.

If the eighties section bought about eagerness of post-lockdown dancers, the crowd flocked to the stage for the finale as dusk set in over a warm evening. Time for our Pete Tong and the Heritage Orchestra contrast, as the stage blew the sky high and hands were raised for this explosive climax of their hailed dance and club classics. And yes, if you picked me out of the darkness, I was giving it some like I was twenty again, with a bunch of twenty-somethings who were never there to witness the rave revolution first-hand, which was remarkable, if something of a tribulation these, what were considered at the time, throw-away tunes in the natural passage of progression, age has become me and these are now โ€œclassicsโ€ too!

Ah, well, you canโ€™t stop the hands of time, just enjoy it while it lasts, and you can still get tickets on the door for today’s Fulltone Music Festival, on a first come, first served basis, just head on over to the entrance, by the traffic lights on Nursteed Road.

The Full-Tone orchestra really raised the bar of local events last night, if you missed it, thereโ€™s still time to catch up. And, Iโ€™d advise, if you did attend yesterday, have baked potatoes rather than mash today!


Please click here and buy our wonderful compilation album of local music, in aid of Julia’s House

Trending…..

Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Marketโ€ฆ

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic ofโ€ฆ

Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisonersโ€ฆ..โ€ฆ

Whatโ€™s Happening in September?

Thatโ€™s it, one big blowout of a bank holiday weekend and August is kaput. Nights drawing in, the fall will be here before you can say โ€œwas that it, summer?โ€ Given last years blazing heatwave, while we were couped up, this summerโ€™s been comparatively damp, you couldโ€™ve have made it up. There were lots of great things to do, and that doesnโ€™t show signs of slowing through next month.

So, check in and scroll down to see whatโ€™s happening this bank holiday, whereโ€™s thereโ€™s more than enough just in Devizes alone to keep us busy. Awesome, firstly, to see Swindonโ€™s indie-pop stars, Talk in Code will join our favourite Daydream Runaways, for the first Friday night of music down at The Southgate. Then the town goes festival crazy, for three solid days! Full-Tone Festival hits the Green, Saturday and Sunday, and Monday you have to get down to the Market Place for our wonderful, Devizes Street Festival and the Colour Rush.

September 2021Once youโ€™ve gotten over that, September then, hereโ€™s the highlights:

Running now until the 4th, Four artists exhibit at Trowbridge Town Hall. A selection of 2D and 3D works by local artists Deborah Clement, Sonja Kuratle, Jennie Quigley and Jane Scrivener.

It was in August 1979 that arguably Swindon’s greatest-ever band, XTC, released their first commercially successful album, 42 years on, original drummer Terry Chambers pays tribute as EXTC, at Swindonโ€™s Victoria on Thursday 2nd.

Following night, Friday 3rd, the Pink Floyd-Fleetwood Mac double-tribute act, Pink Mac will stand on the same stage, at the Vic, while The Wiltshire Blues & Soul Club presents an evening with Sloe Train at Owl Lodge in Lacock, and Corshamโ€™s Pound Arts has comedy with the brilliantly titled โ€œRescheduled Rescheduled Rescheduled Time Show Tour 2021โ€ by Rob Auton.

Burbage celebrates their the 24th Beer, Cider and Music Festival, with Humdinger and Kova me Badd.

Saturday 4th and thereโ€™s a Greatest Showman Sing-a-Long with the Twilight Cinema at Hillworth Park, yet it will be loud down Devizes Southgate, with a welcome return of NervEndings, Fangs & The Tyrants sound equally as loud, theyโ€™re at Swindonโ€™s Vic. For a more chilled evening, Cara Dillon plays the Neeld. An extraordinary, captivating Irish singer Mojo magazine claims to be โ€œquite possibly the worldโ€™s most beautiful female voice.โ€

It is also good to see the Melksham Assembly Hall back in the biz, they have Travelling Wilbury tribute, The Unravelling Wilburys! And thereโ€™s a unique blend of melodic folk-pop blowing out from Trowbridge Town Hall as Bristol band Sugarmoon come to town.

One to overshadow the lot, is The Concert at the Kings at All Cannings, happening over the weekend. Great line-up for Rock against Cancer, as ever, with Billy Ocean headlining Saturday and 10CC on Sunday, albeit they seem completely unresponsive to messages from us. While I accept the strength of booked acts alone means they need no local press presence, itโ€™s a shame they wonโ€™t care to respond; it would be great to cover this.

Ah well, Sunday rocks anyway, with an incredible booking by The Southgate, mind-blowingly awesome US blues outfit of Well-Hung Heart, with a local twist, Beaux Gris Gris & The Apocalypse play. Not to be missed. Westwards, Schtumm presents Will Lawton & The Alchemists with support by Hazir at the Queens Head, Box, and north, Syteria play the Vic, with Adam & The Hellcats and Awakening Savannah.

Oh, and The Lions Clubs of Trowbridge & Westbury have their White Horse Classic & Vintage Vehicle Show on Sunday 5th too!

Second weekend of September and things just get better, from Thursday to Sunday, the place to be is Swindon. The free roaming festival is back, with a line-up across too many venues to list, see the poster. The Swindon Shuffle is truly a testament to local music, everyone who is anyone will be there, in the words of Zaphod Beeblebrox.

Itโ€™s time for Jesus Christ Superstar to magically appear in Devizes, as the Wharf Theatre showcases the retro musical, opening Friday 10th, running until 18th.

A hidden gem in the heart of the Wylye valley, the Vintage Nostalgia Festival begins too, running until Sunday at Stockton Park, near Warminster. Sarah Mai Rhythm & Blues Band, Great Scott, Shana Mai and the Mayhems all headline, with those crazy The Ukey D’ukes and our favourites The Roughcut Rebels also play. Lucky if youโ€™re off to the Tangled Roots Festival in Radstock, all sold out.

Closer to home though, Saturday 11th sees the Stert Country House Car Boot Sale, for Cancer Research, the Corsham Street Fair, Women in Rock at the Neeld and The Rock Orchestra by Candlelight at Swindonโ€™s MECA. Eddie Martinโ€™s solo album launch, Birdcage Sessions, at the Southgate, Devizes and the awesome Will Lawton and the Alchemists are at Trowbridge Town Hall. Two Tone All Skaโ€™s play Chippenhamโ€™s Consti Club.

Staying in Trowbridge, Rockhoppaz at the Park for an Alzheimerโ€™s Support Gig on Sunday 12th. Meanwhile itโ€™s Hillworth Proms in the Park with Devizes Town Band, and the incredible homegrown guitar virtuoso, Innes Sibun is at The Southgate. ย 

Third weeks into September, find some jazz with Emma Harris & Graham Dent Duo at Il Ponte Ristorante Italiano, in Bradford-on-Avon. By Thursday 16th, The Derellas play the Vic, and a welcomed reopening of the the Seend Community Centre sees our good friends Celtic Roots Collective play on Friday 17th.

Also Friday, in Swindon, Road Trip play The Vic, and Hawkwind, yes, Hawkwind at MECA!

Itโ€™s Dauntsey Academy Scarecrow Trail and thereโ€™s a Happy Circus in aid of Nursteed School in Devizes on Saturday 18th, and the welcomed return of Devizes Long Street Blues Club, with the Billy Walton Band. People Like Us are playing The Churchill Arms in West Lavington, ELO Beatles Beyond at Melksham Assembly Hall, and the amazing Onika Venus is at Trowbridge Town Hall.

Sunday 19th sees the Rock The Rec for Macmillan Cancer Support, free fundraiser at Calne Recreation Club.

On Thursday 23rd Antoine & Owena support the The Lost Trades at Komedia, Bath, Steve Knightley plays the Neeld, and thereโ€™s โ€˜An autobiographical journey of a deaf person trapped in a hearing worldโ€™ calledLouder Is Not Always Clearer at Pound Arts.

Tom Odell is at Marlborough College Memorial Hall on Friday 24th, and Fossil Fools play the Vic in Swindon.

Sat 25th sees the opening of the Devizes Food & Drink Festival, with the market. A Full Preview of everything happening at HERE. The HooDoos do The Southgate.

Meanwhile, Melksham Rock n Roll Club presents Johnnie Fox & The Hunters, Juice Menace play Trowbridge Town Hall. Wildwood Kin at Christ Church, Old Town, Swindon, and, this will go off; Talk in Code, The Dirty Smooth & The Vooz at the Vic, while tributes to Katy Perry vs Taylor Swift @ MECA.

Award for the most interesting thing to do this Saturday goes to Pound Arts. Sh!t Theatre Drink Rum with Expats is a production which contains distressing themes, images covering topics including migration and political assassination, plus a dog onstage; make of that what you will!

By the end of the month things look a little sportier, with bookworms, Sunday 26th is The Hullavington Full Marathon & 10K, travel author and TV presenter Simon Reeve talks at Dauntseys on Wednesday 29th, Thursday sees the opening of Marlborough Literature Festival.

But this list is by no means exhaustive, stuff to do is coming in all the time, making it near impossible to keep up, you need to regularly check our event calendar. Help me to help you by letting me know of your events, and if youโ€™ve the time, write us a preview or review, I canโ€™t be everywhere at once, and sometimes get so overloaded I just want to slouch on the sofa watching Netflix!

Have a good September!


Trending….

Just a Little New Single From Sam Bishopย 

โ€œThis song speaks to anyone who’s ever felt like they weren’t quite enough for someone, yet still held out hope for just a hint of validation,โ€ Sam Bishop explained to me about his latest release,โ€ฆ

SwinterFest Broke Me Out of Hibernation!

Like a hedgehog poking his nose out of the bracken, just a few hours on the Sunday at Swinterfest was enough to cure me of my hibernation, which seems to lengthen with each year andโ€ฆ

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because they showered me with biscuits Iโ€™ve been doing the easy bitsโ€ฆ

An Insight into Devizes New Youth Centre Project

I caught up with an excited Jonathan Hunter, leader of Devizes Town Councilโ€™s independent party The Guardians, and local loyal youth worker Steve Dewar to rap about an imminent youth centre coming to Sidmouth Streetโ€ฆ

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this year looks positively booming with music events. This weekend alone looksโ€ฆ

Bradford-on-Avon Green Man Festival Returns In May

Experience the Bradford on Avon Green Man Festival, a vibrant, family-friendly community gathering featuring traditional dance, music, song, and folklore throughout the town centre on Saturday 10th May 2025 (9.30am to 6pm). And the bestโ€ฆ

Help DOCA Brighten up Devizes; An Art Project for all Ages….

Devizes Outdoor Celebratory Arts are asking budding crafters and artists to help brighten up the town.

“Devizes is usually festooned with hanging baskets at this time of year,” they point out, “but they have been a bit absent since Covid struck and we miss them and all the colour they bring to the town. It got us thinking! We would like to create something equally colourful to decorate the streets of Devizes at our events, and weโ€™d love your help to do this.”

There are two ways you can do thisโ€ฆ 

Make flowers: They are asking anyone of any age to make flowers, so they can make beautiful garlands to drape over the barriers. You can make them out of anything, any size big or small, and DOCA will assemble them.

Materials that can stand getting wet and donโ€™t take too long to dry are the best, old carrier bags, sweet wrappers, used foil wrapping paper, coffee wrappers whatever you can find. We know we have a talented bunch of folk in Devizes and weโ€™d love to see what you come up with for this project. You can drop off your flowers at the Kingfisher Cafรฉ on Devizes Wharf. Please try and avoid their busy lunch time periods. 

Draw pictures: DOCA invites children of 8 years or under to draw pictures of circus characters, performers or other festival or DOCA related things. They will pick out the best artwork and work with a graphic designer to make a montage which will be printed on gauzes to decorate the dull barriers  they use to divide up their events. Please send images as Jpegs.  

DOCA need your work to be sent in digital format, so you can scan it or take a picture and send it. The email to send your artwork to is docadevizes@gmail.com

More information here.


Please include your name and the age of the artistย and even a photo of them holding the work and they’ll share it on their social media… I’d love to see them too!


Football Fever; How are we Celebrating?

Everyone has their own ways and methods of supporting England in the Euro finals; hanging flags and bunting, drinking far too much lager and intending to be comatose by 8pm, having loud fun, causing chaos and trashing the place, as is the British way (!), forgetting thereโ€™s this silly little deadly pandemic thing, etc. Will it come back to haunt us? Perhaps, but right now the country is gripped with football fever.

Some have decided to use it to political point score, Iโ€™m trying my upmost to ignore the gammonites and hypocritical ministers. Some MPs have gone into hiding as they donโ€™t like the gestures of equality, and Richard Branson has gone into space; itโ€™s the gift that keeps giving!

But how are we celebrating around these parts? Who has an original, unique or creative project to share, peaceful even?! Do let us know and I might, just add them here! I said โ€œmight.โ€ I donโ€™t want any images of you puking up in the shape of the St Georgeโ€™s flag, thanks. Neither do I want you messaging me after 8pm! Anyhoo, here’s what I’ve found so far…..


Well, Bath’s Da Fuchaman & His Fire Blaze Band are on fire with this song, Kick the ball – Football Is Coming Home (England football song)


Devizes mini-roundabouts have been given a St George’s Cross makeover, by an unknown street/piss artist, (delete as appropriate!) but whoever you are, Red Cross Code Man, good on you, just remember to stop, look and listen.


Devizes poet Gail Foster has an amusing Gareth Southgate sonnet for you, at least it turns her attentions away from Danny Kruger!


The Southgate Inn, Devizes has temporarily changed its name to the Gareth Southgate Inn!


Rowde Parish Councillor John Dalley has decided to reembark on a fundraising mission he did a decade ago, travelling the country on motorbike visiting all 92 football league clubs of England. Thinking bigger, John wants to visit every club in the UK this time. We wish you all the best, John, and we should report more fully on your amazing efforts in due course.

John Dalley, on the road ten years ago.

Salisbury Cathedral admire the detail of their beautiful stained glass windows, noting the Three Lions based in the west window. The vibrant shield dates back to the 1260s and represents Henry IIIโ€™s coat of arms.


Royston Bolwell says his daughter said, โ€œItaly will win,” as they make the best pizza! I’m not sure about the patriotism, but I like the idea. I told my daughter we’d get a Massimos if Italy win!

Talking Massimos, they’re ready for the European Cup with some apt looking cookies.


Request-artist Jim’ll Paint It painted football coming home with a bucket of vindaloo to find his wife in bed with another sport, as requested by fan Louis Simmons. Which isn’t local I know, but I liked it so much!


There’s a campaign to rename London “Sterlingrad” if England win the euros! You may think it’s a joke, because it probably is, but it’s got near on 3,000 signatures too date!


And a great song from Neville and Sugary Staple, from the Specials: The Lions Roar!


And finally, a message for the England squad from some of the kids at Tyrone Ming’s Academy, Bristol. Lets not forget Tyrone first played for Chippenham.

Wishing the England squad all the best of luck from Devizine!


Oh yeah, and Mickety McSpangle of the Boot Hill All Stars and Sounds of the Wilderness show on West Wilts Radio, wanted me to show off his “massive facking cake” he, or his better half has been busy making; you ledge, mate! Something to be very proud of…


Trending….

Gull Able

Ah, hope you enjoy my new Sunday series, something a little different….

To Be Continued………

OUT NOW! Various Artists 4 Julia’s House

As a nipper Iโ€™d spend days, entire school holidays, making mixtapes as if I worked for Now, Thatโ€™s What I Call Music! In the era before hi-fi, Iโ€™d sit holding a microphone to the radioโ€™s speaker, adventurously attempting to anticipate when Tony Blackburn was going to talk over the tune, and just when In the Air Tonight peaked with Philโ€™s crashing drums, my dad would shout up the stairs that my tea was ready; eternally caught on tape, at least until my Walkman screwed up the cassette.

Crude to look back, even when I advanced to tape-to-tape, I discovered if I pressed the pause button very slowly on the recording cassette deck, it would slide into the next song, and with a second of grinding squeal Howard Jones glided into Yazoo!! Always the DJ, just never with the tech! Rest assured; this doesnโ€™t happen on this, our Various Artists compilation album, 4 Juliaโ€™s House. And oh, have I got some news about that?!

Huh? Yes, I have, and here it isโ€ฆ. ย 

We did it! Thanks once again to all our fabulous contributing artists, our third instalment of detailed sleeve notes will follow shortly, but for now, I couldnโ€™t wait another day, therefore, Iโ€™ve released it half a day early, this afternoon!

Now all that needs to happen is to get promoting it, and you can help by sharing news of this on your social media pages, thank you. Bloggers and media please get in touch, and help me raise some funds for Juliaโ€™s House.

Iโ€™ve embedded a player, in which you should be able to get a full try before you buy, I believe you get three listens before itโ€™ll default and tell you to buy it. I hope you enjoy, it has been a mission and half, but one Iโ€™d gladly do again.

Please note: there are many artists giving it, โ€œoh no, I was going to send you a track!โ€ Fear not, there is still time, as Iโ€™ll causally start collecting tunes for a volume 2, and when the time is ready and we have enough songs, we will do it. It might be for another charity, Iโ€™d personally like to do another raising funds for The Devizes & District Opportunity Centre, but thatโ€™s unconfirmed as of yet.

You know, sometimes I think I could raise more money with less effort by trekking down through the Market Place in a bath of cold baked beans, but I wanted to bring you a treasured item comprising of so many great artists weโ€™ve featured, or will be featuring in the near future on Devizine. Never before has all these artists been on one huge album like this, and look, even if you donโ€™t care for a particular tune, thereโ€™s 46 of them, check my maths as I pride myself on being exceptionally rubbish at it, but I make that 22p a track, and all for such a worthy cause!


Click for info on Julia’s House

โ€œWe are so grateful to Devizine and all of the local artists who are taking part in the charity album to raise funds for Juliaโ€™s House. We donโ€™t receive any government funding for the care we give to families in Wiltshire, so the support we receive from our local community is so important.โ€

Claudia Hickin, Community Fundraiser at Juliaโ€™s House

Various Artists 4 Juliaโ€™s House; Hereโ€™s More of the Tracks!

I have been a busy bee, trying to get the truckload of info we need to cover to get a full perspective on just how great this album is and all the fabulous artists and bands have thankfully got behind it. So, find below another bout of the extensive track listings with a brief bio and links to the artists. Iโ€™m dividing it into three sections, this is the second, the final piece of the puzzle will be here shortly. It would be simply too much information to digest if were all the tracks in one article, and I really need you to check out the acts you like the sound of, like them up on social media, send them love, and buy their music, as theyโ€™ve so generously given to this worthy project.

Through reading blogposts and case studies on the Juliaโ€™s House website, itโ€™s only becoming clear how outstanding the charity is, and how much amazing and often heart-breaking work they do. I was honoured to meet with Claudia Hickin, Community Fundraiser at Juliaโ€™s House, who said, โ€œwe are so grateful to Devizine and all of the local artists who are taking part in the charity album to raise funds for Juliaโ€™s House. We donโ€™t receive any government funding for the care we give to families in Wiltshire, so the support we receive from our local community is so important.โ€

Stuart Whant of the band Barrelhouse also turned up, and Gazette & Herald reporter Kirsten Robertson, who should be penning an article this coming week, which is our official release date; finally, as of Tuesday 29th June, it should be live and ready to download. You can, by the way, pre-order it, as many have already done, and weโ€™ve raised around about ยฃ75 already, and itโ€™s not even out yet! But we still need you to not only buy, but share your shopping hoard with the world, let them know they need this album in their life, to help save other lives.

Aware you cannot sample the songs, probably due to something Iโ€™ve messed up in the BandCamp settings, I put together a YouTube video, which took an age, but has a clip of every song on the album.

Thereโ€™s also a change, as we welcome Urban Lions late to the party. Entirely my fault, juggling conversing to so many musicians in different chat windows I lost track waffling about cover versions and Rupert Bear to recall where we were in asking them to donate a tune. Corrected now, track 44 will be Urban Lions – We Say I. Our most amazing Big Ship Alliance track, All in this Thing Together, shouldโ€™ve also added the info it features Johnny2Bad, Robbie Levi & Stones too, so Iโ€™ve corrected this. More on those tunes in the next instalment, when we detail the finale of the track listing; not enough hours in the day! Hereโ€™s 21 to 33, and Iโ€™m going to have a little lie down!

21. Sam Bishop โ€“ Wild Heart (Live Acoustic)

Member of Devizes School boy band, 98 Reasons in the noughties, Sam partnered with another bandmate, Finley Trusler to create the popular Larkin duo. Now heโ€™s studying music at Winchester, and releasing solo singles and the recent EP Lost Promises. This really shows experimentation into some amazing vocal arrangements, and weโ€™re delighted to have a live acoustic version of one track, Wild Heart.

https://www.facebook.com/sambishopmusician/


22. Mr Love & Justice โ€“ The Other Side of Here

Steve Cox is frontman of this Swindon-based 21st Century Anglicana, acoustic guitar-driven folk/pop collective. A contemporary English take on the west coast cross-over sound of the late 1960s, Mr Love & Justice are a Swindon-based, fronted by singer/songwriter Steve Cox. Since 1992, theyโ€™ve four albums under their belts and handful of EPs. This track is an out-take from the 2003 album Homeground, available as a download only single from the forthcoming album Memory Box, and itโ€™s wonderful.

https://mrloveandjustice.com/the-homepage


23. Barmy Park โ€“ Oakfield Road

Southampton-based five-piece mod band, Barmy Park, consists of bassist Paul Smith, Chris White on lead guitar, Martin Ford on keys, drummer Terry Goulding and guitarist and lead vocals Jeff Worrow. Yes, you read that right, another one with the palindrome surname Worrow, and yes, somewhere along the line we are related; thatโ€™s how I got to hear about this awesome band!

https://barmypark.bandcamp.com/


24. The Truzzy Boys – Summer Time

One half of this cousin duo weโ€™ve already mentioned, Finley Trusler partnered with Sam Bishop to form Larkin from the ashes of their school boyband 98 Reasons. Finely now partners with Harvey Trusler to form this beguiling, usually covers duo The Truzzy Boys. Like many live bands, during lockdown the boys worked on some singles, releasing this one in March 2020, and Not the One more recently. Finely also recently joined fantastic local mod group, The Roughcut Rebels, as frontman; no doubt to lower the groupโ€™s age demographic!


25. Daydream Runaways โ€“ Light the Spark

Daydream Runaways

Hereโ€™s a shining example of why I love doing Devizine; Iโ€™ve tracked the progress of this promising young indie-pop band since day dot, and like a fine wine, they get better with age! Hailing half from Swindon, half from Devizes, Daydream Runaways restored my faith in the genre, with a feelgood eighties sound, they rock. They raised the roof at our fundraising gig in Devizes Cellar bar, after a tragic fire devastated some local residents. They rocked Vinyl Realmโ€™s second stage at our townโ€™s street festival, and theyโ€™ve continued to wow with every single release, compiling them onto an EP called Dreamlands. Iโ€™m proud to offer you this revamped version of their debut single, Light the Spark. June sees the release of a new track, Curtains.


26. Talk in Code โ€“ Talk Like That

It was January 2019 when I reviewed Resolve, and album of indie-pop by Swindon band Talk in Code, and akin to Daydream Runaways, theyโ€™ve gone from strength to strength since. Locally theyโ€™ve created a huge fanbase, they call โ€œtalkers,โ€ and festival bookings have been widespread. Talk Like That was released in January last year, and was the beginnings of this crisp eighties pop-rock style weโ€™ve now come to love them for. Last month saw the release of Face to Face.


27. Longcoats โ€“ Pretty in Pink

Longcoats

More indie-pop with an eighties twist, from Bathโ€™s latest sensation, Longcoats. Hereโ€™s their penultimate single, Pretty in Pink, and it rocks. We reviewed it, we love it here at Devizine, in fact, weโ€™ve loved their sound since we joined frontman Ollieโ€™s Facebook group The Indie Network in May last year. Another young band going from strength to strength.


28. Atari Pilot – When We Were Children

Wrapping up our upcoming indie-pop bands section, sonically, Swindonโ€™s Atari Pilot are massively prolific. I discovered them early last year, and reviewed Wrong Captain, been loving their sound since. Supporting Talk in Code recently at Swindonโ€™s Level III, thereโ€™s a community of comparable bands on the same circuit, the aforementioned Daydreamers and Longcoats, creating a great, flourishing scene. Iโ€™m delighted to be able to create a compilation with all of them featured.


29. Andy J Williams โ€“ Post Nup

During lockdown I kicked off an idea which caught on, save a concentrated review where I tend of waffle off on a tangent, I could quickly turnaround a Song of the Day post, on my phone usually. This allows me to find new artists to plug, and a funky track called Something to Believe in, by Bristolโ€™s Andy J Williams had me hook, line and sinker, leading to a full review of his album Buy all the $tuff!


30. The Dirty Smooth โ€“ Seed to the Spark

Did everyone know Malmsburyโ€™s The Dirty Smooth, except me, I asked back in November last year, when they sent me this absolutely blinding track for a mention. Since their debut single six years ago, The Dirty Smooth are no strangers to the festival circuit, gaining a reputation for playing original, anthemic pop songs. On top of numerous live appearances, they helped organise the Minety Music Festival in 2017. Shortlisted at the UK Festival Awards it has become a well-established festival, hosting acts like Toploader, Republica and Chesney Hawkes. Over the past two years, but setback by lockdown, theyโ€™ve been working towards a forthcoming album, Running From The Radar.


31. SexJazz – Metallic Blue

Image by Justin Smythe

What can I say? The name grabbed me, right off the poster for this Septemberโ€™s Swindon Shuffle. Additional information on this alternative electronica/funky-punk, highly-fluorescently branded Swindon outfit Facebook page reads, โ€œDon’t worry, it will be alright. Kind Regards, SexJazz.โ€ The latest single in their prolific discography is titled, โ€œTime is a Twat,โ€ so Iโ€™ll leave it up to you to decide how seriously they take themselves. This, Metallic Blue, is a dynamite tune, completely original, in-your-face and addictive.


32. Ruzz Guitar Blues Revue โ€“ Hammer Down

Ah, it wouldnโ€™t be a complete compilation without Ruzz Guitar and his Blues Revue. Bristol-based rock n roll like youโ€™ve never heard before, Iโ€™m not having a 50th birthday party unless I can book these guys! Frenzied rock n roll fused blues with panache, extended from what would usually exhaust a musician in over three-minutes, to epic proportions, probably the reason with heโ€™s endorsed by Gretsch Guitars and worked with legends. This track is taken from a wholly instrumental album, aptly called โ€œThe Instrumental Sounds Of…โ€ and itโ€™s wonderful with bells on and a double-bass.


33. The Boot Hill All Stars โ€“ Monkey in the Hold

Ah, those crazy Boot Hill All Stars from Frome, favourites of the west country festival circuit for over 12 years, present this frenzied ska-related riff over their scrumpy & western style. As writing this Iโ€™ve returned from The Barge at Honeystreet where they blew the roof off the marquee. So pleased to be able to blast a track of theirs in your general direction, but youโ€™ll have to provide your own feather dusters and girdles.

 


And thatโ€™s quite enough to digest for one Sunday; Iโ€™ll get to last 13 tracks as soon as my sausage-fingers will allow, hopefully by Tuesday, when the album is launched.


Song of the Day 40: Dry White Bones

Venturing over to the Barge tonight to catch crazy corsets and getars shenanigans with the Boot Hill All Stars. So, to get me in the mood, supporting act Dry White Bones gets our song of the day…. yee-ha!

And that’s my song of the day!! Very good, carry on…..


Thirty Years a Raver: Part 5: The Final Frontier

โ€œIf you’re hanging on to a rising balloon, you’re presented with a difficult decision – let go before it’s too late or hang on and keep getting higher, posing the question: how long can you keep a grip on the rope? They’re selling hippie wigs in Woolworth’s, man. The greatest decade in the history of mankind is over. And as Presuming Ed here has so consistently pointed out, we have failed to paint it black.โ€

Danny from Withnail and I.

I could read back on last weekโ€™s part of this series; definitely donning my designer rose-tinted specs. For it was our rave honeymoon, and we had not a care in the world. We partied, that was it. Ignoring the government ousted their iron lady, the first war for oil had escalated from Operation Desert Shield, and tensions were raging in Northern Ireland, we partied. We partied until the cows come home, and if they did come home, to find twenty thousand madcap ravers gyrating in their field, well, weโ€™d have worked around them, and carried on the party.

If I recounted the incident at the Banbury rave, with the careless driver taking heed of a crusty and significantly slowing down, someone on a Facebook group, DOCU FREE PARTY ERA 1990-1994 – WERE YOU THERE? reminded me of a tragic 1991 rave on Roundway Hill, near to my now hometown of Devizes. A young girl was seriously injured when a car run her over as she laid in long grass. An aide-memoire, not everything that glitters is gold.

Myself, I didnโ€™t attend it. So myopic, my vision extended no further than my own perception of the movement, naรฏvely assuming because I saw no issue, I could freely wheel-off my illicit activities to my old folks, and theyโ€™d be content. Unfortunately, they didnโ€™t see it the same way, family tensions reached a peak, so I steered clear of the party that particular weekend; mates filled me in on the upsetting details.

To push aside the parties, and think back to 1991 with clarity, it was a terrible year for me. I went into it with a girlfriend, a part-time job and place in art college. By the end of it I was filled with teenage anguish, lost girlfriend, job and was kicked out of college. The only truly fond memories were the parties, but Autumn was settling, raves continued, but as winter fell it waned.

A party on New Yearโ€™s Eve would, in later years be my only winter cert, the rest fell into hibernation. But Iโ€™m struggling to recall what I did for it in 1991. We awaited 1992, assuming it will be the same, but bigger, better, and at the beginning, youโ€™d have been fooled into thinking it would be so. 1992 vastly differed.

Schemes to detect and prevent raves had stepped up a notch, as police waivered serious crime to focus on averting people having illegal fun. They put their foot down at the prospect of Hungerford common being invaded, but as sure as the Belthane came, the only thing they achieved was to move the party north, to Lechlade.

Just as today, life in the Cotswold gateway was filled with conservative thinkers and powerful politicians, bombarded with complaints as the quarry was conquered and the party went on for days. For us, inside the compound, it was a magical moment, proof of strength in numbers. The media pounced more than ever, but, like all other things, be they current affairs, our own personal issues, none of it mattered.

In fact, I, and I donโ€™t think many others did either, contemplate the significance of the next bank holiday bash on Castlemorton common, near Malvern in Worcestershire, until the point we climbed a hillside and looked down on how much it had grown. An estimated forty thousand, so they reckoned. A fear shuddered over me; they were not going to let us get away with this.

Only now, as they bashed the idea of the Criminal Justice Act around parliament in Castlemortonโ€™s aftermath, did we become political, fighting for the right to party. But for the large-scale rave, it was the last. The government smashed the last nail in its coffin, and quashed an upcoming generation of rebellious, potential travelling folk.

You see, raves were organised by sound systems, and folk from all walks of life flocked to attend, but whenever something went wrong at an illegal rave, the travellers took the blame from the media. At Romseyโ€™s regular Torpedo Town not long after Castlemorton, the police were not playing ball, and consequently there was an aura of anarchy in the air. Under instruction, they set up road blocks, which ravers simply parked alongside and walked to the site. This moved the commotion from the site to the town, and ITV News invited everyone to join in, including troublemakers, who torched a rubbish incinerator.

Outright, TV news teams blamed the travellers, and only a small report without apology followed some weeks later when they arrested two men from Birmingham, who had homes, and were not really defined as โ€œravers,โ€ or โ€œtravellersโ€ at all.

Many sound systems jumped the sinking ship, trekking across Europe and further, which, in turn, spread the culture, but for us, we were just kids, I donโ€™t think I even had a passport! But life did get better, I passed my driving test fortunately the week before Castlemorton, and Iโ€™d eventually flee the family nest. But as my facilities to attend raves improved, the free party scene drowned in its own popularity.

The problem for authorities, was despite killing the physical party, they couldnโ€™t cure the bug; the desire to carry on regardless. We only had to source other avenues. The first was the pay-rave, large-scale organised events saw a sudden influx.

By the end of the year 92, not one for the officialness the epoch had become with pay raves, one on our doorstep seemed viable, a nice, easy ticket to see in 1993 seemed like a good idea. Fantazia had a good rep, but little did we know it had been swallowed by big businessmen. At Littlecote House they promised free parking, but made us cough up a fiver; should have been a clue. A number of broken promises let it down, but if disillusioning the punters, they aimed for, dumping the contents of the port-a-loos on a farmerโ€™s track nearby was a step too far.

Why did it matter to anyone other than the farmer? Because it projected bad on the scene, via media, it cast a shadow over our moral standards, all of us. Did Littlecote ever host another rave?

For the most part, though, the pay raves dedicated loyally to the raver. The scene grew stronger for this, against the businessman capitalising on the trend, those pay events with morals could erect stages and effects which took on concert and festival proportions, and was largely responsible for the compatible atmosphere of todayโ€™s festival scene.

But for the demise of the freedom, the self-determination of do-it-yourself counterculture and autonomy of the society it created within it, we paid the cost.

For the record, while any specific event can not be singled out, many illegal events were indeed well, if not better, organised than the pay ones, they were policed in their own special way, i.e.; one respected the travellers for being on their site, or the sound systems for their efforts, else risk an almost mediaeval punishment.

And for what it is worth, there was always an effort to clean up afterwards. Hard to imagine, after a heady night, these illegal ravers were handed bin bags, and they got onto the task without persuasion or wages, rather for the genuine want to return the land to how it was before their arrival, but it did. I can assure you; this didnโ€™t happen at pay raves.

Other avenues worthy of exploring was Glastonbury, bunk the fence and you were in a whole new world, a city of tents, but it took some years for the Eavis family to accept an incursion of ravers, with their electronic bleeps. Prior to a time when The Prodigy would headline, ravers were a lost entity at the festival, wandering miles with only the rumour of an apt party to hand. Being they too had driven the travellers off with riotous consequences, a rave remained a rumour, and most made do standing outside a stall selling blankets, marching to their small sound system.

As we progressed through the nineties, smaller localised raves would break out. These were great, communal and friendly, and local police, while casting a beady eye, bypassed the Justice Bill rulings, acknowledging making a fuss about them was far more destructive than effective.

The safest bet to party though, was the club. Prepared to travel some distance to go clubbing, weโ€™d eventually explore London and Brighton, but for the beginnings we stayed closer. The UFO Club at Longleatโ€™s Berkley Suite would be a fluorescent trancey techno ball, Swindonโ€™s Brunel Rooms presented hardcore, with a side order of house, whereas the hall of Golddiggers in Chippenham blew full-on hardcore out of the arena and into the carpark, and it was free with a little flyer.

It was in that same carpark, in conversation with an unknown straggler I had an epiphany. We asked him if he was having a good night, but he was negative. โ€œIโ€™m not going back in there,โ€ he whined, โ€œitโ€™s all that jungle music.โ€

It occurred to me then, the hardcore was splitting. The solemn shadowy drum n bass was dividing from the merry hi-hats, crashing pianos and squeaky female vocals of what the younger raver deemed โ€œhappy hardcore.โ€ If it tended to be racially motivated, or just socially, I couldnโ€™t pick a side, appreciating them both for their dividing differences. Now considered a more mature raver, we shipped into the steady house and let the factions pull apart into the thousands of subgenres electronic music now finds itself with.

As we come to our final part of the series next week, Iโ€™m contemplating the effect and impact the free rave scene had, but lest we remember, for us it was over, and whatever avenue we did explore to satisfy our craving, it would never be the same.


Trending…

Discovering Swindon Story Shed

With Dad’s taxi on call in Swindon and a few hours to kill whilst her majesty is at the flicks, it was fortunate local authorโ€ฆ

The Rise of Winter Festivals

Once upon a time it seemed to me, that folk would grin and bear the winter weather for the sake of a Christmas lights switchingโ€ฆ

After-Thoughts of Indieday

I’m glad to hear Indie Day was a great success, read the brilliant overview by Kirsten.

As I need my beauty sleep after work, I rocked up in the afternoon unfortunately as it was all winding down, so it’s unfair for me to assees it.

But I think the event is difficult to assess visually as we tend to think of an event happening in one place, whereas the idea here is to wander the fantastic array of independent shops we have in Devizes. Ergo the event will never look as crowded as a festival, as folk are dispersed throughout town; hopefully in the shops!

I was disappointed by unannounced changes in the performance times, as I arrived an hour too late to catch the brilliant Will Foulstone. But I am pleased to hear the piano will stay in the Shambles for free usage. This is exactly the sort of thing The Shambles needs.

The only method of measuring the success of the day is via the footfall and sales of the shop owners, and I hope they did well. Yet the most important point, I think, is that using independent shops is not for a special day, rather we consider shopping in them every day.

Taking it for granted is damaging, we’d be sorry to see any of them have to close. Yet lockdown has strengthened the position of internet shopping, and without overheads the price war obviously is one-sided.

I only need to think of the reaction of people from out of our area, say builders working on houses, or tourists who take photos of me on my way home when either see an old fashioned milk float drive past, to know how privileged we are to live in an area where traditions die harder than other parts of the country.

There are times, I confess, where some traditions are unwelcome in today’s society where we now see the bigger picture, or methods have changed for the better. There is no need to hunt foxes, any more than a need to send children to work in mines or up chimneys, for example. There’s many elements which are questionable about continuing traditions, our anarchic attitudes towards others, be they from other ethnic backgrounds or ways of life, and our failure to integrate new technologies to aid us, or failure to understand political corruption. But the concept of wandering a high street, the bell above the shop door ringing, and a welcoming smile isn’t one of them.

The high street must look to methods of retaining the reality of real life shopping by providing what folk want, be it cafe culture, bustling markets, which is precisely what Devizes captures so well. Compare and contrast this with the dull experience of a large town shopping mall. I can think of nothing more mundane than wandering through these samey monstrosities of mass commercialism, there’s no individualism, there’s nothing unique or inspiring. Precisely why they have to slap names on them, like “village” or “park” to make them appealing. They’re not villages or parks, call a spade a spade; they’re shopping centres!

Anyway, I bagged me some local scrumpy, from Lavington’s Rutts Lane Cider stall at the Farmer’s Market, so there’s no need for me to be negative! Though, if you find typos here this morning, you know who to blame!

Went to IndieDay, shopped local, came back home with the loot….

I am a Rutts Lane Cider drinker, it soothes all me troubles away, Ooh arrh, ooh arrh ay, Ooh arrh, ooh arrh ay!

Long live the traditional shops of Devizes, I say, but only if we support them will our saying be worth their weight. Well done to the organisers of this great day.


Devizine Proudly Presents Various Artists 4 Juliaโ€™s House; Hereโ€™s the Track Listing!

Sleeve Notes for our Album 4 Juliaโ€™s House

Here it is, the moment youโ€™ve all been waiting for, I hope! The track listing and details of all our wonderful songs presented on our forthcoming album, Various Artists 4 Juliaโ€™s House. Read on in aweโ€ฆ.

Pre-order album on Bandcamp here!

Released: 29th June 2021

1. Pete Lamb & Cliff Hall – Julie

2. King Dukes – Dying Man

3. Erin Bardwell โ€“ (Like the Reflection on) The Liffey view

4. Timid Deer โ€“ The Shallows

5. Duck n Cuvver – Henge of Stone

6. Strange Folk โ€“ Glitter

7. Strange Tales โ€“ Entropy

8. Paul Lappin โ€“ Broken Record

9. Billy Green 3 – I Should be Moved

10. Jon Veale – Flick the Switch

11. Wilding โ€“ Falling Dream

12. Barrelhouse โ€“ Mainline Voodoo

13. Richard Davis & The Dissidents โ€“ Higher Station

14. Tom Harris โ€“ Ebb & Flow

15. Will Lawton โ€“ Evanescence

16. Jamie Williams & The Roots Collective โ€“ Dreams Can Come True

17. Kirsty Clinch – Stay With Us

18. Richard Wileman โ€“ Pilot

19. Nigel G. Lowndes โ€“ Who?

20. Kier Cronin โ€“ Crying

21. Sam Bishop โ€“ Wild Heart (Live Acoustic)

22. Mr Love & Justice โ€“ The Other Side of Here

23. Barmy Park โ€“ Oakfield Road

24. The Truzzy Boys – Summer Time

25. Daydream Runaways โ€“ Light the Spark

26. Talk in Code โ€“ Talk Like That

27. Longcoats โ€“ Pretty in Pink

28. Atari Pilot – When We Were Children

29. Andy J Williams โ€“ Post Nup

30. The Dirty Smooth โ€“ Seed to the Spark

31. SexJazz – Metallic Blue

32. Ruzz Guitar Blues Revue โ€“ Hammer Down

33. The Boot Hill All Stars โ€“ Monkey in the Hold

34. Mr Tea & The Minions โ€“ Mutiny

35. Cosmic Shuffling – Night in Palermo

36. Boom Boom Bang Bang โ€“ Blondie & Ska

37. The Birth of Bonoyster – The Way I Like to Be

38. The Oyster – No Love No Law

39. The Two Man Travelling Medicine Show โ€“ Ghosts

40. Julie Meikle and Mel Reeves โ€“ This Time

41. Cutsmith – Osorio

42. The Tremor Tones โ€“ Donโ€™t Darken my Door

43. Big Ship Alliance โ€“ All in this Thing Together

44. Neonian – Bubblejet

45. First Born Losers โ€“ Ground Loop

Iโ€™ll tell you what though, kids. This has been a lot more work than I originally anticipated! Yeah, I figured, just collect some tunes, let the artists do all the hard work and take the credit! But no, mate, wasnโ€™t like that at all. The most important part for me, is ensuring the artists are properly thanked, so, just like those Now, Thatโ€™s What I Call Music albums, I wanted to write up a full track listing with sleeve notes and links. Please support the artists you like on the album by checking them out, following and liking on social media and buying their music.

But to list all 45 tunes in one article will blow the attention span of the most avid reader, and if, like me, you’ve the attention span of a goldfish, find below the first twenty, and then the next 25 will follow as soon as my writerโ€™s cramp ceases! Just putting them onto the bag was tedious enough, but worth the effort.


To all the artists below, message me if links are incorrect or broken, or if there’s any changes to the details you’d like me to edit, thanks, you blooming superstars.

1- Pete Lamb & Cliff Hall โ€“ Julie

Not so much that Julie is similar to Julia, there could be no song more apt to start the album. Something of a local musical legend is Pete Lamb, owner of The Music Workshop, producing and recording local, national and international artists. His career in music stretches back to the sixties, creating such groups as The Colette Cassin Quintet and Pete Lambโ€™s Heartbeats. Yet it is also his aid to local music which makes him a prominent figure, Kieran J Moore tells how Pete lent him equipment for the first Sheer Music gigs.

Pete Lamb

A wonderful rock n roll ballad with a poignant backstory, Julie was written in remembrance of Peteโ€™s daughter who passed away in 2004 to Non-Hodgkinโ€™s Lymphoma. It was featured on an album for the charity Hope for Tomorrow. The song also features Cliff Hall, keyboardist with the Shadows for many years, playing piano and strings.

Cliff Hall

2 – The King Dukes – Dying Man

Formed in Bristol in April 2019, a merger of a variety of local bands, including Crippled Black Phoenix, Screaminโ€™ Miss Jackson and the John E. Vistic Experience, The King Dukes combine said talent and experience to create a unique, authentic sound, dipped in a heritage reuniting contemporary slices of British RnB with a dollop of Memphis soul.

Dying Man is a prime example, taken from the album Numb Tongues which we fondly reviewed back in the October of 2019. The brilliance of which hasnโ€™t waned for me yet, and isnโ€™t likely to.

The King Dukes

3- Erin Bardwell โ€“ (Like the Reflection on) The Liffey

One cannot chat about reggae in Swindon without Erinโ€™s name popping up. Keyboardist in the former ska-revival band, The Skanxters during the nineties, Erin now operates under various guises; the rock steady outfit Erin Bardwell Collective chiefly, experimental dub project Subject A with Dean Sartain, and The Man on the Bridge with ex-Hotknives Dave Clifton, to name but a few.

(Like the Reflection on) The Liffey is an eloquently emotive tune, staunch to the ethos of reggae, yet profoundly unique to appeal further. It is taken from the album Interval, one of two solo ventures for Erin during lockdown.

Erin Bardwell

4 – Timid Deer โ€“ The Shallows

My new favourite thing, after noting Timid Deer supported the Lost Trades debut gig at Trowbridgeโ€™s Pump. Though self-labelled indie, I was surprised how electronica they are, with a nod to the ninetyโ€™s downtempo scene of bands like Morcheeba and Portishead, hold the trip hop element. This Salisbury five-piece consisting of vocalist Naomi Henstridge, keyboardist Tim Milne, Tom Laws on double bass, guitarist Matt Jackson and drummers Chris and Jason Allen have created such an uplifting euphoric sound, hairs stand tall on the back of your neck.   

Taken from the 2019 album Melodies for the Nocturnal Pt. 1, Iโ€™m so pleased to present this.

Naomi Henstridge


5- Duck n Cuvver – Henge of Stone

Yes, enthralled to have the song frontman Robert Hardie of Duck n Cuvver refers to as โ€œhis baby.โ€ This is Salisbury Celtic roots rock band so aching to film part of their video for Henge of Stone inside Stonehenge, theyโ€™ve campaigned for the funds to do it, ending with Rab breaking into the monument to promote the campaign!

With references to the importance of solstice and the pilgrimage to Stonehenge, what other song could be so locally linked?

Duck & Curver

6 – Strange Folk โ€“ Glitter

A dark west country folk band in the realm of a beatnik time of yore, with a serious slice of gothic too, Strange Folk came to my attention playing the Vinyl Realm stage at the Devizes Street Festival. Hailing from Hertfordshire, band members also now reside in Somerset, Strange Folk is comprised of four songwriters; vocalist Annalise Spurr, guitarist David Setterfield, Ian Prangnell on bass and backing vocals, and drummer Steve Birkett. Glitter features cello by Helen Robertson, and is a name-your-price gift to fans during lockdown, a wonderful teaser which if you like, and I canโ€™t see why you wouldnโ€™t, you should try the 2014 mini-album Hollow, part one.

Strange Folk

7 – Strange Tales โ€“ Entropy

With singer Sally Dobson on the Wiltshire acoustic circuit and the synth/drum programming of Paul Sloots, who resides in West Sussex, catching this duo, Strange Tales live would be a rare opportunity not to be missed. Though their brilliance in melodic, bass and synth-driven goth-punk is captured in the 2018 album Unknown to Science, in which our track Entropy is taken.

Their songs relate baroque cautionary tales drawn from the murkier corners of the human psyche, while retaining a pop sensibility and stripped-down, punk-rock approach. Fans of the darker side of eighties electronica, of Joy Division and Depeche Mode will love this. You can buy this album at Vinyl Realm in Devizes.

Strange Tales; Paul Sloots & Sally Dobson

8- Paul Lappin โ€“ Broken Record

Imagine George Harrison present on the Britpop scene, and youโ€™re somewhere lost in Lappinโ€™s world. Paul hails from Swindon originally, but resides mostly in the Occitanie region of the south of France, where he wrote and recorded the mind-blowingly brilliant album The Boy Who Wants to Fly, released in October 2020. Our chosen track, Broken Record was a single just prior, in August, and features Lee Alder โ€“ bass guitar, electric guitar, Robert Brian โ€“ drums, Jon Buckett โ€“ Hammond organ, electric guitar, Paul Lappin โ€“ vocals, synths, Lee Moulding โ€“ percussion, Harki Popli โ€“ table.

Music & lyrics by Paul Lappin ยฉ2020. Recorded at Earthworm Recording Studio, Swindon. Produced & Mixed by Jon Buckett. Mastered by Pete Maher.

Paul Lappin

9- Billy Green 3 – I Should be Moved

Now Devizes-based, Bill Green was a genuine Geordie Britpop article, co-creating the local band Still during those heady nineties. Today his band on the circuit, Billy Green 3 consists also of Harvey Schorah and Neil Hopkins, whoโ€™s talents can be witnessed in the awesome album this track comes from, also titled Still. Mastered and produced by Martin Spencer and Matt Clements at Potterneโ€™s Badger Set studio in 2020, itโ€™s wonderfully captures the remnants of the eighties scooter scene in reflected in Britpop.

I’m sure you can buy the album at Vinyl Realm, Devizes; I would if I were you.

Billy Green 3

10- Jon Veale – Flick the Switch

Marlborough guitar tutor, singer-songwriter and bassist of local covers band Humdinger, Jon Vealeโ€™s single, Flick the Switch, also illuminated Potterneโ€™s Badger Set studio in August of 2020, and it immediately hits you square in the chops, despite the drums were recorded prior to lockdown, by legend Woody from Bastille, and Jon waited tolerantly for the first lockdown to end before getting Paul Stagg into Martin Spencerโ€™s studio to record the vocals. Glad to have featured it then, even more pleased Jon contributed it to this album.

Jon Veale

11- Wilding โ€“ Falling Dream

What can be said which hasnโ€™t about Aveburyโ€™s exceptionally talented singer-songwriter George Wilding? A true legend in the making. Now residing in Bristol, George has the backing of some superb musicians to create the force to be reckoned with, Wilding. Perry Sangha assists with writing, as well electric guitar, loads more electric guitars, acoustic guitar, organ and weird synth things. Bassist James Barlow also handles backing vocals and cous cous. Daniel Roe is on drums.

The debut EP, Soul Sucker knocked me for six back in November 2018, as did this here latest single recorded at the elusive Dangerous Dave’s Den, mixed and mastered by Dan Roe, during October last year.

Wilding

12 – Barrelhouse โ€“ Mainline Voodoo

One good thing about preparing this album is to hear bands Iโ€™ve seen the names of, kicking around, and added to our event guide many times over, but Iโ€™ve never had the opportunity to see at a gig. Marlborough-based Barrelhouse is one, and after hearing Mainline Voodoo, Iโ€™m intending to make a beeline to a gig. Favourites over at their local festival, MantonFest, headlined Marlboroughโ€™s 2019 Christmas Lights Switch-On, and right up my street!

Formed in early 2014, Barrelhouse offer vintage blues and rock classics, heavily influenced by the golden age of Chicago Blues and the early pioneers of the British blues scene, staying true to the essence that made these tunes great and adding their own style of hard-edge groove. Overjoyed to feature Mainline Voodoo, title track from their 2020 album, which broke into the UKโ€™s national Blues Top 40.

Barrelhouse

13 – Richard Davis & The Dissidents โ€“ Higher Station (R. Davies)

Absolutely bowled over, I am, to have Swindonโ€™s road-driving rock band with a hint of punk, Richard Davis & The Dissidents send is this exclusive outtake from the Human Traffic album, out now on Bucketfull of Brains. We reviewed it back in December. Recorded at Mooncalf Studios. Produced by Richard Davies, Nick Beere and Tim Emery. If the outtake is this amazing, imagine the album!

Richard Davis & The Dissidents

14 – Tom Harris โ€“ Ebb & Flow

Lockdown mayโ€™ve delayed new material from Devizes-based progressive-metal five-piece Kinasis, but frontman Tom Harris has sent us something solo, and entirely different. Ebb & Flow is an exclusive track made for this album, a delicate and beautiful strings journey; enjoy.

Tom Harris

15 – Will Lawton & The Alchemists โ€“ Evanescence

Wiltshire singer-songwriter, pianist and music therapist Will Lawton, here with his group The Alchemists. A weave of many progressive influences from jazz to folk, Will recently surprised me by telling me drum n bass is among them too. The latest album ‘Salt of the Earth, Vol. 1 (Lockdown)’, is a collection of original poems embedded in meditative piano and ambient soundscapes. But weโ€™ve taken this spellbinding tune from the previous release, Abbey House Session.

Will Lawton

16- Jamie Williams & The Roots Collective โ€“ Dreams Can Come True

Hailing from Essex but prevalent on our local live music circuit, with some amazing performances at Devizesโ€™ Southgate, Jamie Williams & The Roots Collective offer us this uplifting country-rock/roots anthem, which, after one listen, will see you singing the chorus, guaranteed. It is the finale to their superb 2020 album, Do What you Love.

Jamie Williams & The Roots Collective rocking the Southgate last year

17 – Kirsty Clinch – Stay With Us

If weโ€™ve been massively impressed with Wiltshireโ€™s country sensation, Kirsty Clinchโ€™s new country-pop singles Fit the Shoe, Around and Around, and most recently, Waters Running Low and anticipating her forthcoming album, itโ€™s when we get the golden opportunity to catch her live which is really heart-warming. This older track, recorded at Pete Lambโ€™s Music Workshop, exemplifies everything amazing about her acoustic live performances, her voice just melts my soul every listen.

Kirsty Clinch


18- Richard Wileman โ€“ Pilot

Incredibly prolific, Swindonโ€™s composer Richard Wileman is known for his pre-symphonic rock band Karda Estra. Idols of the Flesh is his latest offering from a discography of sixteen albums, which we reviewed. Along a similar, blissful ethos Richard Wileman served up Arcana in September this year, where this track is taken from. While maintaining a certain ambiance, his own named productions are more conventional than Karda Estra, more attributed to the standard model of popular music, yet with experimental divine folk and prog-rock, think Mike Oldfield, and youโ€™re part-way there.


19 – Nigel G. Lowndes โ€“ Who?

Bristolโ€™s Nigel G Lowndes is a one-man variety show. Vaudeville at times, tongue-in-cheek loungeroom art-punk meets country folk; think if Talking Heads met Johnny Cash. Who? is the unreleased 11th track from his album Hello Mystery, we reviewed in March, and weโ€™re glad to present it here.

Nigel G Lowndes

20 – Kier Cronin โ€“ Crying

Unsolicited this one was sent, and I love it for its rockabilly reel although a Google search defines this Swindon based singer songwriter as indie/alternative. Obsessed with the music and the joy of writing, Kier told me, โ€œI once had a dream Bruce Springsteen told me to give it upโ€ฆ So, this one’s for you Bruce!โ€ Crying was released as a single in March, also check out his EP of last year called One.


Thirty Years a Raver; Part 1: Planet Rock & Tooth Extractions!

New short series of articles exploring rave culture thirty years on, from a personal perspectiveโ€ฆ.

In the early eighties my nan and grandad stood at the head of the hall, preparing from requests they adlib a speech for their surprise anniversary party. My grandad did the standard honours, thanking everyone for coming, excusing any clumsiness with his words by suggesting, โ€œweโ€™re still at ten thousand feet with the surprise.โ€ At this point my nanโ€™s sister interrupted with astute cockney humour; โ€œbit like your wedding night, eh, Carrie?!โ€

โ€œNo,โ€ my Nan causally retorted, โ€œthere were bombs on our wedding night!โ€

Itโ€™s a sentiment which will live with me forever, how anyone can pass off bombs during their wedding, in jest. Most people nowadays get irate if rains on their special day. Because, whenever my grandparents spoke of the war and living in the east-end during the blitz, it was a joyous transcript, never revealing horrors we know happened. I ponder my own memories of youth, wonder if itโ€™s the same rose-tinted specs, or if the era really was as utterly fantastic as my memory of it is.

And in this much, thereโ€™s a thing; nothing we did was particularly new-fangled. Tribally, ancient folk gathered to celebrate and hypnotically dance to drum beats, and the occurrence never trended or waivered. Though it maybe debatable, I think, with the introduction of computer technology in music, designer chemicals and enough chewing gum to keep Wrigleyโ€™s in business, we partied harder, faster and longer than any previous youth culture did, and probably ever will in the future!

We made party a way of life. We did not think politically until they came for us. Our only concerns were where the next party would be and if weโ€™d have enough cash for some petrol and necessities. Our only motivation was the joyous unification of a tribal-like movement, or in other words, a fuck-off legendary party. Our only philosophies were how beautiful said unification was, and how we could promote it to the world. Yet, unbeknown at the time, the latter was most likely our downfall. No one makes some fucking noise anymore.

Often referred to as “you remember, the one with the haystacks!”

I do recall the fabled week of the second bank holiday of May 1992, how we gathered at a common in Malvern. I also recollect wandering up a hillside on the first morning, observing how large the event had grown, and I remember thinking to myself, nice as it was, they were never going to let us live this one down, they were going to have to attempt to put a stop to it, politically.

So, Iโ€™m drafting a series of articles exploring the time, from a personal interpretation, hoping to conclude, itโ€™s a bit of both; rose-tinted specs, and the most explosive period of counter-culture hedonism ever. Individual because events and accounts vary vastly from person-to-person; how, where and why they โ€œgot into,โ€ the sybaritic nineties trend of rave. Lots of memoirs I do read or see, like the most successful, Justin Kerriganโ€™s 1999 film Human Traffic, are set in an urban environment. Unlike these, we spent our youth in the Wiltshire countryside, and this I feel is a major contributing factor which differs our story from most, especially prior to passing my driving test!  Thumbs out, โ€œyou going to the party, mate?โ€

Iโ€™m doing it now because of the significance of the anniversary. Thirty years ago, I class my โ€œpersonal summer of love.โ€ It was 1991, I was eighteen, standing in an unidentified field somewhere in the Oxfordshire Cotswolds, gyrating like a robot through the morning mist, eyes large as saucers, and a jawbone tremor you could break a walnut with. Imagine, not alone, but with countless likeminded others. In fact, Iโ€™d lost my mates an uncalculatable time ago, which mattered not one iota. How did I get here? Why did I go there? Where the bloody hell was I anyway? To reflect back with any hope of clarity is not only to understand the epoch and the time, but the mindset, and for this we need to go back further, much further.

I put my pre-initiation to becoming a โ€œraver,โ€ into two significant recollections. The first was in the spring of 1984, in my Dadโ€™s Ford Cortina, heading for the Asda at the Chelmer Village outside Chelmsford. Growing up in Essex had one advantage to my friends in the west country, we had pirate radio, and I mean pirates. Anchored off the East Anglia coast were the legendary Radio Caroline, where BBC Radio headhunted many DJs, but who appeased their fanbase by continuing playing sixties and seventies songs, and its sister, the short-lived Laser 558, which toppled Carolineโ€™s listeners by using American DJs which played a continuous mix of contemporary tunes.

Hard to imagine at the time we considered having a cassette deck in a car radio as something only for the gods. In fact, I went to edit that last sentence to call it a car stereo, but reflecting back it wasnโ€™t even stereo, just the one speaker below the dashboard! Reason why my brother and I would screech requests from the backseats for my Dad to turn it up. On this occasion we were particularly demanding, as there was a song, Iโ€™d never heard the like of ever before. Sure, Giorgio Moroder and Pete Bellotteโ€™s I Feel Love was timeworn, and we existed amidst the dawn of new romantic, the electronic eighties pop in Britain was governed by the experimental post-punks. They either got with the program or fell into obscurity, whinging about how Adam Ant sold out.

Nope, I hadnโ€™t a Scooby-Doo what a Roland TR-808 was, but I knew what I liked. I wasnโ€™t aware of Factory Records, but I knew what Blue Monday was, and I knew liking Duran Duran might make me more attractive to the opposite sex. But this American song was wildly different, it was like ultramodern sonic funk, it was Planet Rock by Afrika Bambaataa & The Soul Sonic Force. I figured aside the Dr Who theme, this was the sound of the future, this was space-age, flying cars type stuff. And for the best part, I was right. Little did I know Iโ€™d be standing in a cold west country field seven years later, gnashing my teeth to electronic beats which made this sound old-hat.

I went out and loaded myself with American electro and early hip hop, discovering Grandmaster Melle Mel, Hashim, Newcleus et all, and we nagged Dad for a video recorder. My parents couldnโ€™t see the point to recording TV, or hiring a VHS cassette, but the latter soon become a family weekend activity. We hired National Lampoons Vacation the first weekend, but prior to that, my brother rented the movie Beat Street, and everything, the Bronx culture, the graffiti, the breakdancing, the rapping, all fell into place.  

Before I knew what was what, we were breaking in the school playground to commercialised versions, Break Machineโ€™s Street Dance, Ollie & Jerryโ€™s Breakin’… There’s No Stopping Us and Hey, you The Rock Steady Crew. Well, I say breakdancing, but that was a showy skilful fad for flexible kids. As a shy, cumbersome one, surrounded by puppy-fat I ticked none of those boxes and made do with โ€œbody popping.โ€ This was far simpler, just had to join hands with the kids in the circle either side of you and do a kind of connected wave. That will impress the fairer sex, we must have figured, least I donโ€™t know why else we did it, but we did, and less said about it the better.

Just like our school playground….. or maybe not!

The second significant recollection as a pre-cursor to becoming a โ€œraver,โ€ was a trip to the dentist. I needed my four remaining milk teeth extracted. For this, unlike today where you stay awake, numbed but perceptible to the dentist tensioning a foot to the side of the chair while he wrenches into your gum full force, they put me to sleep using gas. The nurse held my hand and told me to count to ten, I remember feeling uneasy as the gas took effect, it felt strange, it was the first time I was high; destined to be a โ€œraver,โ€ Iโ€™ll leave it up to your imagination if it was the last!

Do come again next Sunday, for the second part; might actually get on to the party stuff by then!


Trending….

In Retrospect With Gary Martian

So yeah, not only has Cracked Machine and Clock Radio drummer Gary Martin added a letter A to his name to make it sound moreโ€ฆ

Christmas Greetings From Devizine!

Here’s our Christmas video Greeting, ho-ho-ho! Filmed on location at DOCA Winter Festival, Devizes, 2024 by Jess Worrow. Merry Christmas everyone!

Can You Help Calne Central Youth & Community Centre Raise Funds to Keep it Going?

Calne in Tune stated their activities in 2013. In 2015 a handful of Musicians, Artists & Crafters at Calne in Tune decided they needed a Music Arts & Crafts Centre in Calne to collaborate in creative activities and encourage the young and people of all ages and abilities in the wider Calne area.

They looked for an appropriate space and found that all Youth Centres were gradually getting closed down. They were not meeting the needs and interest of the young people of today. There were no central Community Centres where they could fully operate from, to provide a broad range of Facilities and Services, 24/7.

They decided the centre of Calne needed a Youth & Community Centre where any Community Group could operate cheaply, spreading the costs. Community facilities were far too divided and too expensive for each group to be able to get premises of their own, only to use a couple of days a week.

They first looked at the old Priestley Grove Youth Centre and put in a bid to take it over, repair and refurbish it themselves (many of our members are in the building trades) and set it up as a Music, Arts & Crafts based Youth & Community Centre. The plan was rejected by Wiltshire Council at the time.

Not going to give up, in 2020 the opportunity became available to hire the old FM Furniture store at 20 Church Street, Calne. They approached the developers (Stibbard Properties) about the possibility of renting the building while plans were being considered for its development (it is now up for sale.)

Andrew Stibbard was in the process of getting development permissions and agreed to allow them to hire it on a 3-month rolling basis at temporary advantageous rent, with an option to purchase at an advantageous price.

They moved in over February 2020, installed donated furniture, music and computer equipment and opened to the public by the end of the month. They called it Calne Central Music; Arts & Crafts based Youth & Community Centre.

โ€œWe first kicked off with the Music, Arts and Crafts activities and used the Centre as a base from which to go out to our various Music, Arts and Crafts Venues around Calne Town and across Wiltshire,โ€ explains organiser Terry Couchman.

โ€œWe set up an Arts & Crafts Window Display and decided to include Trade Crafts in our Brief. Our walls and shelves were prepared for Artwork and Crafted good of all kinds and we fitted out a Music Practice Room and a Performance Space.โ€

โ€œWe, at last, had somewhere where we could encourage local people of all ages and abilities (and disabilities) to engage in any creative and recreational activities. We were also able supplement our Calne in Tune and Calne Community Hub volunteers with further Community Volunteers to help run the place as an integrated Youth & Community Centre. Slowly people began to come through our doors, just as the Covid Lockdown started.โ€

Calne in Tune now works with Community Service Charity โ€˜Heart of the Communityโ€™. This is an organisation which brings individual volunteers & community groups together to run Calne Central and provide the wider Community Service.

โ€œWe are now a ‘Community Hub’,โ€ Terry continues, โ€œsupporting any group that wants to join us in the building itself, use our facilities to promote itself, or provide equipment and volunteer assistance for their events and activities.โ€

โ€œGiving Birth is painful enough without the challenges, frustrations, and stresses of feeling trapped and restricted in our movements. Part of our commitment was towards encouraging people who are variously disabled, those with mental health challenges, the lonely, isolated, and disaffected.โ€

โ€œWe knew from years of common experience how important Music, Arts and Crafts (of all kinds) benefit people naturally and therapeutically. Sharing these experiences together proved even more beneficial. That remains our main focus for trying to meet all community needs.โ€

โ€œWe decided that that we were doing was far too important to simply shut down for the duration of the emergency. With the help of increasing numbers of Volunteers and the involvement of Calne Menโ€™s Shed, Calne Community Hub and others, we opened fully, 6 days a week 10-6 and provided access every evening and all weekend for Creative and Essential Community Support activities.โ€

โ€œOur Volunteer group grew and through the painful process of any birth, we established enough support to spread the load a little. With the encouragement and funding from Calne Town Council, Wiltshire Council, Wiltshire Community Foundation, and other generous donors, we remained open, including throughout two lockdowns.โ€

โ€œWe continued to provide our usual Music Arts & Craft Exhibitions & Showcases when we could. People can still come in to practice as individuals and we expanded our Community Activities to include service like the 24/7 Community Fridge & Larder and the Community Cafรฉ.โ€

โ€œWe also dedicated ourselves to re-cycling, taking in disused Bikes, Microwaves, Kettles, Irons, Computers TVโ€™s, DVDโ€™s CD, Books, even the odd fridge, washing machine and furniture, to refurbish and sell on at affordable prices.โ€

โ€œThe Bicycle sales and services became a major income generator, and we became popular for kids to pop in to get their biked made safe and do small repairs for free. This was another valid reason for us remaining open throughout lockdowns.โ€

Not everyone was happy though and there was to be more pain to come. There have been a small number of โ€œpetty jealousies, bogus complaints and unfair criticismsโ€ of the volunteers and the fact the Centre remained โ€˜legitimatelyโ€™ open.

Some of these were personally abusive and slanderous. Terry said, โ€œwe survived all this though, and we are still open and have just enough to get us through to July this year. We will be seeking more Funding but we hope that we can now start to generate a bit more income for ourselves as we come out of lockdown.โ€

โ€œAs I keep reminding people, in terms of our community facilities. โ€˜Use it or Lose It (Donโ€™t Abuse It)โ€™. That was our mantra since the beginning.โ€

A Youth & Community Centreโ€™s only has a chance in the long-term is when people work together, as a team, in inclusive and diverse ways that are ‘Enabling and Empowering’ for all. People need to speak up for what they need and then seek to protect what they have for everyoneโ€™s benefit.

โ€œThere is no room for Superior Egos within Community Services,โ€ Terry continued, โ€œwe all make an important contribution, according to our skills, means, interests and the time available outside our family and work lives.โ€

โ€œWeโ€™ve demonstrated that working together, appreciating each contribution, with mutual tolerance and understanding, is the only way to succeed and grow, without getting too big for our boots.โ€

Part of providing a Youth & Community Space is to ensure it remains safe, adaptable and accessible, with enough volunteer contribution and assistance from the members of the community that use it and benefits from it. โ€œThere is no room for those who would seek to undermine, disrupt or in any way distress those who provide the services or use them. Such actions will be (and must be) confronted.โ€

They now need to review the first year of operation and find ways to fund it through the rest of the year. Meanwhile, there is an opportunity to buy the current building at a very advantaged price.

Terry said, โ€œwe know we can renovate the building ourselves. We will be conducting a survey of all our members, volunteers and users looking an option for the purchase of the building.โ€

The fundraising effort can be found on Facebook here; please donโ€™t let Calne lose this important facility.


Trending……

Chapters, New Single From Kirsty Clinch

Okay, so, Iโ€™m aย  little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning Iโ€™ve not yet mentioned Kirsty Clinchโ€™s newโ€ฆ

Meet the Wiltshire Council Election Candidates

Or at least the ones either valiant or crazy enough to stomach appearing on Devizine!

I did, didnโ€™t I, promise not to edit or โ€œopen my big cake hole,โ€ rather offer any candidate two paragraphs on why the heck we should vote for them, and leave it at that?

No bias, no political grandstanding, no wonky opinion, and, take heed politicians/councillors; Iโ€™m a man of my word! The only editing Iโ€™ve had to undertake is the obvious grammar and spelling mistakes. Honestly, itโ€™s been like a primary school teacherโ€™s weekend!

I was informed there were hundreds of wanna-be councillors and it was suggested Iโ€™d be inundated. But to-date, only these guys braved the wrath. But, if youโ€™re a councillor thinking, well blow me down with a manifesto attached to feather, attached to a brick, that filthy commoner stuck to his promise and refrained from insulting and mocking candidates, and I missed my chance; the beauty of online blogging is I can add you, if you so wish. Just drop me line on devizine@hotmail.com and youโ€™re in the club. Thereโ€™s no badge or plastic club wallet though, try to control your tantrum at this.

By the way, I postal voted, so Iโ€™m way past caring!

While Iโ€™m here though, and before I tangent or lower the tone, Iโ€™d like to wish all candidates the very best of luck, and being so popular it scares me, be thankful Iโ€™m not running as an ultramodern monster raving loony candidate, or a conservative, as itโ€™s better known. Apologies, couldnโ€™t resist one quick satirical stab; somebody stop me!


Margaret Green: Green Party Candidate for Devizes Rural West

Looking for a challenge in my third retirementโ€ฆ What should I do??? I know, drive Wiltshire to meet a zero carbon future by 2030 ๐Ÿ˜‰ become a Wiltshire Councillorโ€ฆ

Something to keep me busy when not out with the horses or importing French saddles (Brexit has been interesting)โ€ฆ

I have lived Wiltshire since retiring from the MOD in 2009, and am proud to have called our beautiful town of Devizes home for the last 5 years. Since moving to Devizes, Iโ€™ve become involved with Sustainable Devizes, the Wiltshire Climate Alliance, and the Green Party. All organisations committed to delivering a better future for local residents.

My highest priority is to ensure that Wiltshire Council delivers a sustainable local plan that provides safe, warm affordable homes for all citizens, while preserving the character of the area.

The Green Party never tell their councillors how to vote. So, I can be an independent voice for Devizes Rural West, putting residents and not party politics first.

I have loved working with you and for you, finding out what matters to you, looking for solutions to local problems and working to make this area better for everyone in the community. Thatโ€™s why Iโ€™m standing for election.
I would be honoured to be your representative on Wiltshire Council and get even more done for you as your councillor. For more information on Green Party policies, see our Manifesto here:
https://campaigns.greenparty.org.uk/manifesto/


Alan Coxon: Independent Candidate for Pewsey, Milton Lilborne, Easton Royal, and Wootton Rivers.

I am excited to be standing for election as your Independent candidate
for the Pewsey area for Wiltshire council.

I’m not tied by party policies and party politics, I will be your voice,
not the party representative. I know I can offer you something
different, a real voice in local government.

Iโ€™m not going to make false promises, but I do have a raft of policies.
The policies are extensive and so available on my website,
https://www.alan-coxon.com/ and there is more information about me and
why I am the choice for you.

Formerly on the Parish Council I have made a real impact preserving
local services. I have a lot of experience in Local Government to add
to my wide life and employment experience.

Be the change.


Lisa Kinnaird: Liberal Democrats Candidate for Urchfont and Bishops Cannings

Well, itโ€™s not all about me!  In voting for a Liberal Democrat Candidate, you will be supporting our Plan for Wiltshire. I am fully behind the Plan and would love the opportunity to reset and transform the way Wiltshire is run and how services are delivered. The Conservatives have governed nationally now for 11 years, and have led Wiltshire council since its creation in 2009.  In that period, we have seen a decline in all areas of our public services.  Itโ€™s hard to think of any that have improved and this managed decline directly impacts our lives here in Wiltshire.  We donโ€™t need to shrug and accept this. As a Liberal Democrat councillor, I would deliver on our promise to run our council more openly and with greater direct engagement with communities.  Our plan recognises our commitment to the environment with practical steps to reduce CO2 rather than abstract and distant targets. For our villages I would campaign to create safe (e)cycling and routes linking our villages to Devizes so all ages can โ€œget to townโ€ without a car. 

Briefly about me.  I was a hairdresser, then worked in Social Care then switched again to become secondary school teacher!  I moved to Urchfont as an Army family 20 years; all 3 of my Children have gone to our local state schools.  I ran a local youth club, helped with the rights of way group and now a local environment group.  I plant hedges and trees, walk my dog, have always campaigned against racism and inequality, shout at Andrew Marr and get upset at a corruption and old boysโ€™ networks.  We deserve more honesty, integrity and compassion from our representatives at all levels and I put myself forward to represent our community to try and be exactly that.  Iโ€™d have a huge amount to learn, but I would genuinely do my best for my community and Wiltshire.

https://www.facebook.com/LisaKinnairdUrchfontBishopsC

David Kinnaird: Liberal Democrats Candidate for Devizes North

Well โ€“ as a Lib Dem Candidate Iโ€™d echo the views set out by Lisa Kinnaird above.  I wonโ€™t repeat the Lib Dem manifesto again.

About me – I served 15 years in the Army leaving as a Major in 2000, and it was in my final 3 years of service that we moved to Urchfont.  Since then, I have worked and lead in technology and property companies in London, the USA and India and outside the Army have had to work hard to understand how business works.  Unsurprisingly my interests mirror Lisaโ€™s and I have been involved in all of her voluntary and campaigning activities โ€“ but was also a School Governor of our local Primary School.   I feel grounded and happy in Wiltshire but want to see better public services and equality of access for all of us.

Iโ€™d have a huge amount to learn again about local government, but if elected would bring wide experience and dedication to the post.  I hope you can put your trust in me.

https://www.planforwiltshire.org.uk/theplan

https://devizeslibdems.org.uk/en/

Iain Wallis: Conservative Candidate for Devizes North

I have lived in Devizes most of my life and have always felt incredibly lucky to live here. Having been interested in local issues for many years I went to a town council organised โ€˜consultationโ€™ event in 2014 and couldnโ€™t believe how little the councillors there actually wanted to listen to the views of the town. They had their plan and werenโ€™t going to budge; the consultation was little more than lip service to those who had even discovered the session was being run. As a result, many of those there, who I spoke to and thought had great ideas, never came back as they couldnโ€™t see the point if they werenโ€™t going to be heard.

At that point I decided that what was needed was someone who wanted to listen to the town and work with others but was also stubborn enough not to be pushed around by an old guard who were comfortable with things as they were. I believe I am that person and that I can help others from across the town get their voice heard, especially those who say to me that the council donโ€™t want to hear from them as itโ€™s even more important that they have a voice. I recognise that not everyone will always agree with my view, my politics, or my actions, but I hope they recognise that I will always be prepared to take action and justify them with honesty and integrity. No one should want to be a councillor to say they are a councillor; they should do it because they want to make a difference – however corny that may sound.

https://www.facebook.com/Iain-Wallis-for-Devizes-North-101007508522736

Noel Woolrych: Labour Candidate for Devizes East

Why should you vote for me? For 30 years I’ve been working behind the scenes to get a new hospital and to restore a rail link to the Town (I’m one of the DDP Directors committed to delivering this by 2025). Potholes (enough said!) Green issues – I’m one of the few people who have actually converted their houses to near Zero carbon. I want to do more. Homeless issues, fly tipping, I could give you a wish list as long as your arm.

https://www.facebook.com/noelwoolrych.devizeseast

 Angelika Davey: Liberal Democrats Candidate for Devizes East

Although I’ve been living in Devizes East since 1988 you may not have heard of me because unlike my political opponents I cannot boast of any involvement in political or social local issues. I have not been a mayor or even a councillor, because raising a family and starting my own business has taken all my time. As a self-employed teacher my working times change every time a student leaves and a new student wants lessons. But in recent months this has changed as most of my new students learn via my online courses – and I now have more time.

And I want to use this time best by serving Devizes East residents.

I am concerned about our green spaces and as a teacher I am very interested in education and youth services. But most of all I will work for you. If you raise any issues with me, I will get back to you. Whether it’s something I can do or not, or if it’s taking longer than anticipated – you will get replies from me!

I love living in Devizes and I want the best for all of us!

https://www.facebook.com/DevizesEast

Laura Mayes: Conservative Candidate for Bromham, Rowde & Roundway

I am Laura Mayes, the Conservative candidate for Bromham, Rowde & Roundway for the Wiltshire Council elections on 6th May.  I have been the Wiltshire Councillor for Roundway for 12 years and am the only candidate who lives in the constituency so have a real vested interest in doing my best for residents.  I look forward to adding Bromham and Rowde to my patch after the boundary change.  I have built a reputation for acting quickly to solve local issues and getting results – I donโ€™t give up easily!  In addition to representing Roundway residents, I have been supporting Rowde Parish Council for the last year, including securing ยฃ20,000 to improve the playground at Silverlands.  I have also been attending Bromham Parish Council meetings – I am up to date with the road, drainage, planning and broadband issues so will be able to hit the ground running after the election.

I have worked hard for the last 12 years to make improvements to our area, and if you elect me, I will continue to support residents.  As one resident said, โ€œYouโ€™re doing a great job Laura – you make things happens.  The world needs more you!โ€

https://www.facebook.com/Laura4Roundway

Mark Mangham: Liberal Democrats Candidate for Bromham, Rowde & Roundway

I am new to politics but have been driven to stand because of the poor performance of Wilshire council.  I am a former soldier, a defence consultant and treasurer of the friends of Erlestoke prison charity. I volunteered for Love Devizes during the pandemic.  The last month has been really illuminating talking to people on the doorstep and I canโ€™t wait to be able to make a difference if lucky enough to be elected. I hope to talk to you personally before May 6th.

Furlong Close should be a great example of how a village has taken a vulnerable community to its heart.  Instead, itโ€™s under threat of closure and is not yet safe and the Council have been dragged kicking and screaming to perform a U-turn by a small group of parents of vulnerable residents.  That alone is a scandal and in lockdown has caused stress and anxiety in a community who actually needed proactive support. They have been briefed against and only very recently when 43,000 people signed a petition taken seriously.

In certain areas in Roundway there is about to be a major traffic nightmare with the new estate and no extra access or provision – and those who live on London Road have it pretty bad already.  People in Rowde are about to get triple the congestion at the new super school – and planning are dragging their feet on making the access safe and sensible.  The speed limit is far too high and three deaths in an accident appears to have made no difference.

Wilts County Council led by the LibDems made a commitment on climate change in 2019 – but only when sensible conservatives rebelled – I fear my opponent was not one of them.  It is time to make sure the council helps to put the environment at the heart of policy.  Reducing pollution levels from unnecessary traffic queues would be a start!

Finally, local youth have been let down with the collapse in youth services; Braeside was saved by a campaign led by ordinary people – and central government funding and bans priorities in the county council have had a terrible impact on people badly affected by the pandemic.

Listening to people and taking action will be my aim – I look forward to be lucky enough to be able to get going!

https://www.facebook.com/MarkManghamBRR

Black Market Dubs Elton

On 6th February 1989 an unidentified lone gunman in Kingston, Jamaica killed Osbourne Ruddock. He made off with his gold chain and licensed gun, the music industry lost a pioneer often under-represented in history. The likely reason for this obscurity, he was not a musician, rather a producer and sound engineer who begun his career fixing disgraced radios.

Better known to the world as King Tubby, during his sound system dances of the mid-sixties he noted the crowd favoured the instrumental sections of the song. This rock steady era was dominated by vocal harmony groups, but with a handful of others, including Lee Scratch Perry and Bunny Striker Lee, Tubby set about extending the instrumental sections, cutting the mid-range, dropping the basslines and limiting the vocals with echo delays.

King Tubby

He had created “dub,” more technique than genre, it revolutionised music way beyond reggae and is the mainstay formula of all pop since hip hop; today, we take the remix for granted.

But aside the pioneering techniques we owe Tubby for, dub has too developed into a reconised genre and given us subgenres, from drum and bass to dubstep and dembow.

Still the origins were remixes of rock steady and reggae songs, and from the most unsuspecting area to find dub thriving that ethos, Nashville, Tennessee, Nate Bridges uses the techniques rather to reimagine pop, rock, even film or TV soundtracks, or anything which takes his fancy, under the guise Black Market.

The magic of Black Market is they retain the offbeat formula of reggae, while being versions of four-beat tunes. The strapline goes “what would happen if The Beach Boys had The Wailers as their backing band instead of The Wrecking Crew? What if David Bowie spent the summer of 1975 in Kingston, Jamaica with King Tubby instead of Philidelphia? Michael Jackson meets Scratch Perry? These questions are the basic thesis of Black Market.”

While few of these mainstream sources could easily be converted, such as the Clash, the magic is when Nate and friends takes something wholly non-reggae and breathes an air of dub to it. The Beach Boys album first attracted me to this, but with every new release he never fails to take it to the next step.

The latest release from this prolthic genius is Elton John classics, and I felt it’s long overdue to mention him. This is, without doubt, utterly sublimely executed and would appeal to reggae lovers and fans of the subjects being reimagined alike; hearing is believing.

While we’ve had the astounding recordings of the Easy Star Allstars, when they dubbed classic albums, Dark Side of the Moon, Sgt Peppers and “Radiodread,” they pride themselves in originally recreating the music without samples, Black Market are the purveyors of sampling, the kingpin is the lifting of the original and placing it in a reggae setting.

Find the Michael Jackson Thriller album dubbed, Bowie, Tempations, Talking Heads and Twin Peaks, Batman and Ghostbusters soundtracks among others, and all name your price on Bandcamp.

Astounded by pinning a ska riff to Michael Jackson’s Billie Jean, Nate told me it was the only way to accomplish the track to such standard he requires, the predominantly downtempo of dub simply didn’t fit the bill. This made me contemplate the complexities of what he’s dealing with, when opposed to simply remixing a tune. And it’s this which makes Black Market such a fascinating project which leaves you wondering what’s next on his agenda, and if there’s anything which he wouldn’t rise to the challenge of dubbing. I’d like to throw Mozart at him!


Chapter Five: The Adventures of Councillor Yellowhead: The Case of the Pam-Dimensional Pothole

Chapter Five: in which, at a loss-end, our intrepid hero has no other choice but to go for a pint in a local Weatherforksโ€ฆโ€ฆ

There was no divinely erotic dream of imbibing on one of the many lactating teats of a larvae queen with the head of Margaret Thatcher in a sado-masochistic pupae dungeon this time for Councillor Yellowhead. In his uneasy slumber he envisioned nothing other than a dark void of aloneness, a dreaded solitude.

He awoke aware the feeling remained. Prior to opening his eyes, he smelt the wet dog hair, the woodburning smoke, patchouli oil, burning cannabis leaf and the body odour of female hippy elders. The concept he would awake from the nightmare and things would be back the way they once were had shattered. He focussed on Briggs, standing over his sickbed, grinning.

Trainee councillor Grant Briggs was shirtless, his body tanned and nipples pierced. He wore the slight headdress of a native American brave, torn denim shorts, and little else. โ€œLike, hey dude,โ€ he purred in a rougher tone, with a broken accent, โ€œyouโ€™ve been, like, out for some time!โ€

Yellowhead sat up in alarm, observing his whereabouts. He was in a tipi; a few hammocks lie circular around the edges and the middle was warmed by a firepit where kettles hung from branches above it. Topless old ladies cared for folk on the hammocks, both their beaded necklaces and breasts flopping over their faces as they tended to their needs. โ€œAm I in hell?โ€ he whimpered.

โ€œYouโ€™re in the natural healing tipi,โ€ Briggs proudly informed, โ€œI recommend the Buddhist head massage, itโ€™s boss!โ€

 โ€œHow long have I been, out?โ€

โ€œA few days,โ€ Briggs replied, โ€œto be honest, I kind of lost track.โ€

Yellowhead let out a deep sigh of dread. โ€œWhat has happened, Briggs? Has the whole world gone as mad as the March hare?โ€

Briggs stuck a hand pipe to his lips and inhaled. โ€œI have a theory, man.โ€

โ€œWhat happened to the days when you called me sir?โ€ Yellowhead asked, โ€œrather than man?โ€

Briggs exhaled, filling the area with smoke. โ€œItโ€™s a good theoryโ€ฆโ€ฆโ€

Another sigh, deeper this time, Yellowhead regretfully requested more information about it. โ€œOut with then, if you must.โ€

Briggs waited a moment, for effect, then said boldly, โ€œI think, that wasnโ€™t a pothole at all, rather a porthole, a porthole to another dimensionโ€ฆ…โ€ The last word hung in air akin to a Labour Party manifesto presented to the Chipping Norton Town Council.

Yellowhead snarled, โ€œreally, is that the best you can do? I strongly suggest you give up the funny-fags, remember you are a trainee councillor, and as such you have certain obligations to adhere to good old conservative philosophy, for the sake of your county, your country, and the Queen!โ€

โ€œLike, seriously,โ€ Briggs continued unperturbed, โ€œthe multi-verse theory has relevance with many renowned scientists. A bubble of dimensions, billions upon billions of them, each with a decisive tangent which branches from each other at every possible decision ever made. Suppose, for a moment, here is a universe in which Miltshire has adopted a more, shall we say, leftist ideology, a more freethinking ethos, for the people rather than capitalism, a socialist haven!โ€

โ€œIn which case I stick to my original query,โ€ Yellowhead groaned, โ€œam I in hell?โ€       

โ€œNo, man,โ€ Briggs responded, โ€œquite the opposite. Thereโ€™s a lot to be said about life here, dude. Iโ€™ve been, like, living it, experiencing it first-hand.โ€

โ€œIโ€™d feel for you,โ€ Yellowhead sighed, โ€œif I was in any way concerned for your welfare or sanity.โ€

โ€œThe pace of life may be significantly slower here,โ€ Briggs continued his pitch, โ€œbut surprisingly, society functions effectively and fairly. Small communities such as towns have no national political party affiliation, rather than an elected council theyโ€™re run by a diverse independent group; local volunteers, willing to share their time and expertise to really make a difference. The words โ€˜manifestoโ€™ and โ€˜marketing campaignโ€™ have no meaning here. There are no constraints of a party doctrine, decisions are made without a concern of retaining power. They call it a flatpack democracy, sir.โ€

โ€œQuite,โ€ Yellowhead snarled his discontent, โ€œand akin to anything sold in a flatpack, most of the screws and washers are missing. Does anyone here know what a bathtub is? What these wet dreamers need, Briggs, is Jeremy Clarkson, in a Range rover, with a shooting rifle and unlimited champagne to pop their grotesque bubble.โ€ He swung his legs off the hammock and placed them firmly on the ground.

A nurse waddled over, her breasts and beads swaying. โ€œYou cannot go anywhere, delirious like that; you need rest.โ€

โ€œWhat I need is a pint of bitter,โ€ Yellowhead asserted, โ€œat the local Weatherforks; the Sulk Mercilessly is the closet, I believe. I hold faith the tacky establishments of Sir Timothy Martian will at least hold the final outpost of jingoistic indoctrinated knuckle-draggers who conceal their ill-educated grammatical errors by memes and typing with caps-lock on. There I will build a Boris army, and march to County Hall to take back what is rightfully ours!โ€

Briggs corrected him in an anxious whisper. โ€œSir,โ€ he murmured.

โ€œWhat is it now, Briggs?โ€

โ€œItโ€™s like, County Hall, man.โ€

โ€œWhat about it?โ€

โ€œWell,โ€ Briggs slurred.

โ€œOut with it!โ€ Yellowhead snapped, โ€œI havenโ€™t got all day, Briggs. If all hope in you is truly lost, I must lone defend the righteousness and decency of conservatism, and for which I need a militia!โ€

Briggs closed his eyes and declared, โ€œthere is no County Hall, dude. I travelled to Trow Vegas via our van. While a Miltshire Council exists, only in an online sense, it serves the independent group I aforementioned, with, erm, well, rather insignificant and trivial issues, recycling collections, public sawdust toilet locations and so forth. Where County Hall is located in our dimension, an ecologicalย ย ย  dome exists here, housing thousands of plant species within an enclosure emulating a rainforest biome.โ€

โ€œI refuse to except such an eyesore could ever exist in Trow Vegas, unless I see it with my own eyes, Briggs,โ€ Yellowhead responded with tenacity. โ€œIโ€™m not even going to inquire as to the fate of Nandos.โ€ With that, Yellowhead marched out of the tipi and headed off in the direction of the Sulk Mercilessly. Unwillingly but supposing itโ€™s for the best, Briggs followed behind him.

The doors of the public house burst off, as Yellowhead bounded inside yelling, โ€œCOME, my worthy purists, and hide no longer! Your new leader is here to reclaim this disgraced town from its depths of depravity and sin! Together thou shall build an army of virtue and morality, on Englandโ€™s green and pleasant land, we will restore faith in traditionist and capitalist conception, for the good of the county, the Queen and humble Prime Minster, Sir Boris Johnson. Still more majestic shalt thou rise, More dreadful from each Johnny foreignerโ€™s stroke, Rule, Britannia! Britannia rule the waves Britons never, never, never will be slaves, Rule, Britannia! Britannia rule the waves, Britons never, never, never will be slaves!โ€

A scrawny hippy cleaning tables looked up in shock, โ€œBoris who?โ€

โ€œWasnโ€™t there a famous clown called Boris Johnson?โ€ the only punter in the establishment thought out loud.

โ€œThe prime minister!โ€ Yellowhead asserted, โ€œSir Borisโ€ฆ.โ€

โ€œLike, sorry to have to correct you, pal,โ€ the hippy replied, โ€œGreta Thumberger is the prime minister of Britain, deffo. Now, if youโ€™d like to take a seat, the special today is a vegan emerald dal.โ€

โ€œI demand British beef!โ€ Yellowhead irately ordered, while Briggs facepalmed behind him.

โ€œThey wonโ€™t sell meat, sir,โ€ Briggs said, โ€œno one does here.โ€

Backtracking the discussion to a point his mind originally refused to allow his ears to fully register, Yellowhead looked aghast at Briggs, โ€œdid, did, did he just say, Greta Thumberger is the prime minster of Britain?โ€

โ€œSteady yourself,โ€ Briggs replied.

The chief councillor felt faint once more, perching a hand on the nearest table. โ€œDid you keep Noraโ€™s cyanide pill, Briggs?โ€

โ€œIt seems a liberal system is nationwide, at the very least, sir,โ€ Briggs explained, โ€œhere, Greta was born in Surrey, and became prime minister aged thirteen.โ€

โ€œAnd a damn fine one she is too,โ€ remarked the hippy employee, โ€œour boss is friends with her, great woman, makes sure we all get our national living wage and all branches adhere to the global minimum labour standard.โ€

โ€œNational living what now?!โ€ Yellowhead outraged, โ€œLeftie piffle! You mean to tell me such is this wretched gangrene economic and socialist revolution, you all accept the same wage, despite I might be in a managerial position of power and responsibility, and you, you, plebs clean tables in a bar?!โ€

โ€œHey man!โ€ the employee stressed, โ€œwe work together, no one is any better than anyone else, no clean table, nowhere nice for the dude in a managerial position of power and responsibility to eat his lunch!โ€

โ€œOn an equal national wage,โ€ Briggs informed his boss, โ€œeveryone is content, everyone does a job they like, least donโ€™t mind, and thereโ€™s no hierocracy, so thereโ€™s no revolution needed, thereโ€™s no contempt or jealousy for someone higher up the ladder, because to them, there is no ladder.โ€

Yellowhead took his time to look around. The pub dรฉcor was well worn, antique without the phoney standard kitsch traditional model Weatherforks is renowned for. Briggs thought it was quaint, Yellowhead wouldnโ€™t confess, but as a traditionalist, he felt it the only genuine place he had seen since falling into the pothole. Then, he noted a Guardian newspaper on the oak table, and any hope he would feel at home here vanished.ย 

โ€œWell, dreadlock my pubes and call me Billy Ocean!โ€ Yellowhead exclaimed, getting further and further irate. โ€œJust what the blazers is going on in here? I thought this would be the place, I really thought, if thereโ€™s anywhere in this crazy perdition left with decent, conservative morals, it would be here. But you tell me ecowarrior snowflake Greta Thumberger is prime minister, she gives you all the same petty wage, from plate-washer to managing director, and youโ€™re all happy with that, and, itโ€™s no wonder, really, isnโ€™t it? Itโ€™s no wonder at all when youโ€™re filling your headโ€ฆ.โ€ The chief councillor repeatedly beat the newspaper with his index finger, โ€œโ€ฆ. with this sadistic liberalistic permissiveness and radicalised exuberant balderdash!โ€

โ€œStand back,โ€ advised Briggs to the worker.

But Yellowhead defused. โ€œFine! I will take my campaign elsewhere! Weatherforks indeed, weathercocks more like!โ€

Briggs called his boss back; in hope he might respond well. โ€œMan, youโ€™re gonna like, have to get on groovy train and like, yeah, like dig it pretty soon, man. This is, like the way it is here, and thatโ€™s, like, that!โ€

Yellowhead turned on his foot and pointed a stern finger at his senior. โ€œI will never, ever accept it, you feeble-minded, incoherent jester!โ€

โ€œWhere will you go? No one can, like, help you, man.โ€

Yellowhead held his breath, โ€œI will bite my bottom lip, as I never thought Iโ€™d ever suggest such a desperate concept as this, never dreamed Iโ€™d be in such a dreadful position to do so, but the time is nigh, I swallow my pride, forget my deliberations and call to order the single most desperate cause of action a county councillor could, ever! I will call for a meeting, and I will listen to the others!โ€

Briggs laughed, โ€œis that it?! Who with? Yourself, Yellowhead?!โ€

โ€œNo, traitor!โ€ Yellowhead nodded, โ€œwith the Davizes Town Council!โ€

โ€œNo!โ€ Briggs cried, โ€œhow could you stoop so low?โ€

โ€œI am and I will!โ€ Yellowhead asserted. โ€œI will face the music, head-on, I will seek council with the ones no one dares do business with, the Guardians of the Galaxy!โ€ And with that closing statement, councillor Yellowhead stormed out of the Sulk Mercilessly.โ€

โ€œMan,โ€ Briggs sighed, โ€œI think theyโ€™re just the Davizes Guardians, rather than, like, the, you know, guardians of the, as you said, galaxy!โ€ 

โ€œBad karma,โ€ added the Weatherforks worker, handing Briggs a joint.


Will our intrepid hero survive a face-to-face with the Davizes Town Council? Is there any hope for his trusty sidekick, or has he been fully brainwashed by leftie terrorists? Will this story ever truly end, because youโ€™ve the washing to do? Find out next Sunday in what we can only hope and pray will be our finale episode of The Adventures of Councillor Yellowhead: The Case of the Pam-Dimensional Pothole!


Trending….

Devizes Writers Group Win Silver Award

Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group… At the National Community Radio Awards held in Cardiff on 16th November Together!, theโ€ฆ

Hansel & Gretel: Panto at the Wharf!

Images: Chris Watkins Media It was lovely to spend Sunday afternoon at Devizesโ€™ Wharf Theatre, to see how this yearโ€™s pantomime Hansel & Gretel, isโ€ฆ

No Worries; Worried Men at The Pump

Long overdue a visit to the Pump in Trowbridge, Jamie Thyer, frontman of the Worried Men twisted my arm Friday night and there I was,โ€ฆ

Ian Siegal at Long Street Blues Club

Devizes is often spoiled for choice when it comes to live music. Swindon folk ensemble SGO at the Gate would’ve been an excellent decision forโ€ฆ

Song of the Day 35: The Jamestown Brothers

With tracks for the charity compilation album coming in thick n fast, time for me to take a break, sit with the family to watch the Jumanji rework, again. Hum, Ruby Roundhouse….But before my mind wanders too much, here’s my song of the day.

It has no video, best guessing it doesn’t matter, you’ll feel preoccupied with footstomping and guzzling cider from a plastic gallon container. Americana meets west country folk, scrumpy & western, this is nothing but a carefree enjoyable bop, done with bells on.

Looks from here like they’re a staggering nine-piece, suspect fibbers about being brothers, but two seconds into this beauty and even that won’t matter, even if you did bring ya mama, who’d probably just complain about her feet the whole way through.

Go give em a Facebook like, for more info on the shindigs you’ll hear them pluck their geetars at, and based on this tune alone, you know it’s going to go off.

And that’s my song of the day!! Very good, carry on….


Devizine to Release Various Artists Compilation, 4 Juliaโ€™s House

If it’s been a quiet week here at Devizine Towers, itโ€™s not because we remain in the perpetual Groundhog Day of lockdown, things are beginning to open up and folk are gathering to take advantage. Time will tell if we’ve made the right move, and fingers are crossed, but we surely have to attempt to emerge from his global hibernation. Rather, I’ve been away for the week, playing the grandad role on the single most tranquil UK holiday camp getaway ever!

Don’t get me wrong, even with restrictions, itโ€™s been lovely nonetheless. Now, Iโ€™m back, back like a bad smell on your shoe rack, and if you think I’ve been lazing around watching paint dry, youโ€™re not totally wrong. But I do have an exciting announcement, which has kept me out of trouble for the last fortnight.

The announcement might be something more suitable for lockdown, but despite, I’m feeling this blossoming project is definitely heading in the right direction. We’ve 24 tracks kindly contributed already for a compilation album of local or music related to Devizine, however tenacious, subjects we’ve reviewed or covered in the past, or we simply love! Binding them together and hopefully presenting them as soon as feasible on one chunky download album via the most brilliant website, Bandcamp.

It’ll be a cross-genre extravaganza of music, and you’ve not even heard the best bit about it. To explain that bit I need to first stress my eternal gratitude and thanks to the wonderful artists already freely contributed a song for this, and those planning to. Now, where was I? Oh yeah, the really, really good bit; get this, all proceeds, 100% of them will go to Julia’s House.

Tree Image by Wolfgang Hasselman

Juliaโ€™s House is not a typical childrenโ€™s hospice. They provide practical and emotional support for families caring for a child with a life-limiting or life-threatening condition, providing frequent and regular support in their own homes, in the community or at our hospices across Dorset and Wiltshire.

Devizine asks musicians and bands, be they locally based or otherwise, to send us an original song for us to add the already bulging track list, if youโ€™ve one to spare. Iโ€™m fully aware the pressure is already on artists at this time, but Iโ€™m not asking you to create a tune especially, or give away something which is currently selling well. It could be pre-released from an album or an older single you have; just something in your archives, you wouldnโ€™t mind allowing us to use.

Iโ€™m being harassed about a deadline, we should set one, although I firmly detest the word deadline! Let’s pencil in 15th May, so if youโ€™ve a song you’d like to throw at us, please do send a WAV file if possible, mp3 if not, by then. Send via We Transfer or Google Drive to: devizine@hotmail.com

But don’t despair if you cannot make the gig. With the popularity of this project to date, I’m looking in my crystal ball and predicting a volume two on the cards.

Only thing I will ask you to bear in mind, if thinking of contributing, is that this is for a children’s charity, and while I’m not expecting The Wheels on the Bus, please avoid swearing like sailor. No NWA tribute acts, please!

It gives me great delight to tell you we have many fantastic songs already sent to us, a mahoosive thanks to everyone who’s bunged us a tune, and so many others who have promised to, shortly. A full track listing with details and links will follow nearer to launchpad day, but for now, I’m excited to let you know local legend Pete Lamb provides an apt title track, Julia, (actually it’s Julie, but who’s splitting hairs, I’m renaming it!) for which he’s teamed up Cliff Hall, pianist for The Shadows; a glorious benchmark to open with.

Other artists featuring, to date are The King Dukes, Erin Bardwell, Mr Tea & The Minions, Talk in Code, Timid Deer, Kirsty Clinch, Duck n Cuvver, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Will Lawton, Jamie Williams & The Roots Collective, Sam Bishop, Mr Love & Justice, The Truzzy Boys, Longcoats, Atari Pilot, Andy J Williams, Cutsmith, The Oyster, The Birth of Bonoyster, The Two Man Travelling Medicine Show and Richard Wileman.

UPDATE:

Wow, as of Monday 19th May, we now have a staggering 37 tracks contributed. The list now looks like this: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Will Lawton, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Kier Cronin, Sam Bishop, Mr Love & Justice, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, The Oyster, Nigel G. Lowndes, The Birth of Bonoyster, Revival, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Cutsmith, Big Ship Alliance and Knati P.

And thereโ€™s more in the pipeline, hopefully creating a hefty genre-busting mega-box set!! So, please be part of it if you can, and bung us your song! More the merrier. Thank you! Oh, I love it when a plan comes together.


Trending…..

Wiltshire Music Centre Announces New Joint Leadership

Wiltshire Music Centre is delighted to announce the new appointments ofย Danielย Clark as Artistic Director, andย Sarahย Robertson as Executive Director.ย Danielย andย Sarahย join Wiltshire Music Centre in a new co-leadershipโ€ฆ

What’s Happening During November in Devizes?

Remember, remember, weโ€™re moving into November; leaves, loads of โ€˜em! Being as we are no longer doing weekly roundups, hereโ€™s some highlights of events inโ€ฆ

Asa is Back in Devizes

Give or take a week, it’s been two years since Devizes Corn Exchange reverberated rock n roll when Liverpool’s entertainer Asa Murphy presented his Buddy Holly tribute show. An amazing fundraising night, in dedication to local music hero Bruce Hopkins, the show had perfect renditions of Buddy’s songs wrapped in a simple narrative to set the scenes, and by the end, Age Concern need not be called as young and old, the audience danced in the aisles!

Deja-vu on many preview pieces we wrote about this time last year, including announcing Asa set to return without the Buddy specs in April with a variety performance and handpicked guest appearances.

Obviously and sadly, it couldn’t be, but I’m pleased to now re-announce the Corn Exchange is booked for this show on October 16th, and will feature the original lineup; superb sixties singer,ย Sandy Collins and Lennie Anderson, an excellent comic.
Tickets are on sale at Devizes Books, which you can call to secure your seats until the shop is bookshop is open again for business.

For more details you could check last year’s preview, by clicking here; saves me writing it all again, but don’t look directly at the old date, look around that date and concentrate your mind on October 16th 2021! Oh, and I hope to see you there!


The Ruzz Guitar Sessions; Going to the City

Driving home through Devizes last week, itโ€™s only 10pm but I contemplate, it could be three in the morning itโ€™s deathly silent. Our once lively little market town, like everywhere else, has lost a sparkle due to the pandemic; hope it can rekindle is all that is left. And now, the Facebook memories fires a bittersweet reminder at me, for even if you paint only a rose-tinted view of your life on the social media giant, a memory still pops up which is kind of sad on reflection.

Musically, blues is apt.

Thought was fairly stable that evening proved wrong. That memory was a wobbly video of the absolutely blinding night when Ruzz Guitar’s Blues Revue blew, or blue, perhaps, the roof off the Sports Club, aided by a supergroup of Innes Sibun, Jon Amor and Pete Gage. It was in a word, treasured. The sadness being, at the time it was only speculation it could be the final night of live music, and I didnโ€™t want or care to digest that notion at the time, but it was; way to go out with style, though!

Now weโ€™ve come around to the anniversary of that moment, with a prospective reopening light at the end of tunnel, primarily being only a possibility. Yet the world turns on its axis, and music has, like so many other arts, been forced to change methods of distribution. The live stream, the Zoom recording session, and, for an extremely short summer stint, an afternoon solo session in a socially distanced pub when we were disillusioned into believing the virus was on its way out, have become the norm.

As many others, Ruzz Guitar has adapted, and a Facebook group called the RG Sessions aims to launch a new style of assemblies, producing the exceptionally high-quality electric blues weโ€™ve come to expect from the Blues Revue. You can buy them a virtual pint, and you can grab this gorgeous name-your-price single, which features all the musicians as on that fateful night. And in a way, itโ€™s so good it near makes up for the depressing notion of this live music loss.

With the expert gritty vocals of keyboardist Pete Gage, โ€œIf You’re Going To The City,โ€ also features our homegrown guitarists Innes Sibun and Jon Amor, with Ruzzโ€™s proficient Blues Revue members, drummer Mike Hoddinott, bassist Richie Blake and Michael Gavaghan on sax. And with that said, I donโ€™t feel the need to review it, take it as red, theyโ€™re the ingredients for perfection.

After the previous spellbinding single with Peter, Ainโ€™t Nobodyโ€™s Business, we live in hope this faultless coupling will be retained for more of the same. But what surprises these Sessions will magically pull from their sleeves next will keep us guessing; Iโ€™d advise you follow the page for updates.


YEA Devizes: DOCA New Youth Project

Devizes Outdoor Celebratory Arts announced their upcoming project, YEA Devizes today. Made possible by a grant from National Grid Electricity Transmissionโ€™s Community Grant Programme, theโ€ฆ

The Mist; New Single from Meg

Chippenhamโ€™s young folk singer-songwriter Meg, or M3G if you want to get numeric, will release her 6th single The Mist on Friday 18th October, andโ€ฆ

The Return of Local Live Music; should I add a question mark?

โ€œBut I’m bidin’ my time

‘Cause that’s the kinda guy I’m

While other folks grow dizzy

I keep busy

Bidin’ my time,โ€

George Gershwin

Itโ€™s important, I think, not to get over-excited, but I understand and expect a major outbreak of momentary bipolar disorder from myself and many others when we look somewhere over the rainbow at the prospect of events restarting, and live music in particular.

How the next few months pan out will be crucial to this concept of returning to normality, and we all play the part of Sarah Connor in Terminator 2; Judgement Day, when she said, โ€œthe unknown future rolls toward us. I face it, for the first time, with a sense of hope.โ€ Hereafter the bit about a Terminator learning the value of human life is inconsequential to our particular occasion, but maybe has some relevance. We have to hold it down, guys, we have to be like little Fonzies here, and as Samuel L Jackson will ask you, Yolanda, whatโ€™s Fonzie like?

If we charge this thing it could backfire. It was heart-breaking and annoying too, running through our event calendar deleting everything, and despite the concern Iโ€™m going to be a busy bee updating it when events actually start happening, Iโ€™m like George Gershwin, biding his time. This said, you should note month-to-month the event calendar is far from void, thereโ€™s lots of live streams, online events and popup kitchens to check out; do not abandon it. But, and this a big but, bigger than the butt of Rod Stewart and Jennifer Lopezโ€™s lovechild, we should keep in mind the word of the day is possibilities, and nothing should be set in concrete yet.

Still the local rag seems more gung-ho than me, which is odd until you figure theyโ€™ve staff to pay, advertisers to appease and content must be attractive. As I write this, they announce the headline โ€œFulltone Festival will be back in town this summer!โ€ as Iโ€™m sure youโ€™ll all be happy to hear this news, planning to go ahead on the 28th and 29th August, as am I, but I worry for the word โ€œwillโ€ in this piece of clickbait, because right now can we really say will?

Look, my olโ€™ mucker, I donโ€™t want to pop your bubble of optimism, Iโ€™m just playing the realist. Tomorrow sees schools and higher education heading back out; how strict testing will be, given pupils will test themselves in some circumstances, the same pupils who created the user-name โ€œreconnecting,โ€ so teachers would think theyโ€™re having connection issues with their online class! The R-rating hinges on this moment and its success, ergo the rest of this so-called roadmap does.

The second part of this giant step, on the 29th March includes the use of outdoor swimming pools, for example, but pubs wonโ€™t reopen until step 2 on April 12th. How are fifty-plus bods dribbling into a swimming pool safer than a socially distanced pint in your local? Thereโ€™s inconsistences and flaws, to be expected, the further the pitch extends, but the wording is all made up of โ€œwe hope,โ€ and โ€œthe government will look to continue easing limits,โ€ there is no โ€œWill,โ€ therefore no media outlet should be using the word, unless mass hysteria is what they want.

The COVID-19 Response – Spring 2021 (Summary) on Gov.UK is quite clear, โ€œin implementing this plan we will be guided by data, not dates, so that we do not risk a surge in infections that would put unsustainable pressure on the NHS. For that reason, all the dates in the roadmap are indicative and subject to change.โ€ Yet bands are getting bookings, events are being arranged, money is being pumped into thin ice. The Victoria in Swindon is planning a comeback with Ion Maiden, Iron Maiden tribute on 14th May, but The Tuppenny arenโ€™t announcing yet. Bradford-on-Avonโ€™s Three Horseshoes havenโ€™t added anything on Facebook until 7th August, when the brilliant Strange Folk are booked, whereas same band are the only thing to be listed at Devizes Southgate on 9th October.

But can you rely on the Fakebook as a source? Southgate landlady Deborah has been “quietly booking up bands,” with seventeen in the pipeline to date, starting from 22nd May. “This year,” she explained, “weโ€™re concentrating almost entirely on just one gig per week. The earliest gigs will be outside with early evening start and finish times, but we hope to get back to our pre-COVID timings as soon as possible.”

The Long Street Blues Club state โ€œthere is light at the end of the tunnel,โ€ aiming to restart their program on Saturday 18th September with the popular Billy Walton Band. This is brilliant news, but here, I believe is where the boundary lies, the smaller pub and club gigs. The idea of large-scale concerts and festivals, and upholding conditions are simply incalculable, for some.

Devizes Scooter Club have sadly cancelled their brilliant rally, as organiser Adam Ford said after making the decision in February, โ€œeven if it were allowed to proceed, we feel it will not be possible to host any event to the standard we would want to, and that attendees deserve.โ€ There’s a similar feeling at Devizes CAMRA who have cancelled the Beer Festival. This is, sad but true, the exact logical response we should respect from those in the responsibility of organising events, well done to them both.

One should follow the lead of the Eavis family, experts in, quite literally, their field. If Glasto says no, then you, as an organiser should perhaps take heed. Meanwhile, Lydiard Park in Swindon is set for MFor 2021 is set as early as 31st July, and tickets are 50% sold. They remain adamant theyโ€™ve not the massive structure and organisation as Glasto, and will proceed with social distancing measures in operation. What I am questioning with these events still on the agenda, will we need proof of vaccination, as weโ€™re a long way from vaccinating the country? Unless you imagine an evening with only over-70s going to watch Craig David, itโ€™s a melon twister.

Talking with Kieran J Moore of Sheer Music, he stated, โ€œthe proof question hasn’t been answered by the Music Venue Trust yet, so there is no guidance or anything for the venues to base their decisions on. We can’t do gigs until May either, so still plenty of time for the working outs to begin.โ€ Sheer has something in pipeline in Frome at the end of June, but isnโ€™t really resurfacing until the highly anticipated Jon Gomm gig with support from The Lost Trades at Trowbridgeโ€™s Emmanuelโ€™s Yard on the 15th October.

Satisfied that their safety measures conformed to the government regulations last Summer, the Southgate will do the same this time around. “Government guidelines have not yet been published,” Deborah said. “Unless we are required to do so, we have no intention whatsoever of  demanding proof of vaccination.”

Loz of Devizes Outdoor Celebratory Arts, who give us the unforgettable carnival, street festival and winter ales events, among others is looking forward to coming back โ€œto help us make amazing things happen in the future.โ€ She said, โ€œI’ve spent every spare minute searching for and writing funding applications to ensure DOCA can relaunch at the end of this crazy blip in our history. I’m currently working on an Arts Council Cultural Recovery Bid; it’s a lot of work and I am supported by our fantastic Trustees whenever I have a question I stall on.โ€

But still, carnival in Devizes hangs in the ropes. But this is how it has to be, unfortunately. Believe me, I am adamant my next gig will not be when a kindly lady wheels her Bontempi organ into my care home to recite Bridge over Troubled Water, all Iโ€™m urging people to do is keep things in perspective and not raise their hopes, or more-so, let their guard down, just yet.


Trending…

Autumn-Winter Comedy in Devizes

Comedy in Devizes is a rare thing, unless you count visitors turning right at the Shaneโ€™s Castle junction, reading opinions on the Devizes Issues (butโ€ฆ

Basil Brush Missing

Much loved television presenter and comedian, Sir Basil Brush is reported missing and not been seen for four days. His family and friends are deeply concerned for his welfare, following recent claims the superstar was feeling โ€œanxious and suicidal.โ€ They call for anyone with any idea of his whereabouts to contact them or the police with information, not matter how minor.

Basil’s last known whereabouts, pictured with Wiltshire PCC candidate Johnathon Seed

Above is a photograph of Basilโ€™s last known location, recently invited to the Wiltshire village of Bromham, for โ€œa nice cup of tea and biscuits,โ€ by local police crime commissioner candidate, Johnathon Seed. Mr Seed said he was saddened to hear of his disappearance, he was a bubbly character, full of life and who loved the thrill of the chase. โ€œHe made his way west,โ€ Mr Seed informed, โ€œI believe he said he was heading for Chippenham. So, I replied tally-ho, and off he went. I havenโ€™t seen him since.โ€

A spokesman for Wiltshire Police said, โ€œit is entirely possible, this news story is a spoof, created to mock the beloved field sport pastimes of the conservative candidate. I should point out Mr Seed has never been convicted of any illegal activity involving hunting, despite his association with various local hunts groups, his vigorous campaign to legalise it, and oh, the photos of him in full huntsman uniform amidst a group of hounds, carrying a slaughtered fox.โ€

โ€œIf this story turns out to be a hoax,โ€ they went on to say, โ€œit is a terrible waste of police time, in organising a search team for Sir Brush, and we have one thing to say to the perpetrator of the scoop; Ha-Ha-Ha! Boom! Boom!โ€


Amusing as it may be, hunting is no laughing matter. Support your local hunt sab groups. Our one today shared news of this terrible incident, where a Cornish hunter’s hounds killed a domestic cat, and he threw it over the neighbour’s fence. What a friendly country gent….


Trending….

Forestry Operations Due to Start at West Woods

Featured Photo: Forestry England/Crown copyright Planned timber harvesting is set to begin at popular walking destination, West Woods, from the end of September until Marchโ€ฆ

Swindon Gets Shuffling!

Despite the population of Devizes throwing confetti and paint at each other in their most celebrated annual ritual, I believe I picked the right weekendโ€ฆ

The Juggernaut Delivers Back at The Southgate

If there’s been welcomed stand-ins for the monthly Jon Amor Trio residency at the Southgate in Devizes recently, Ruzz Evans and Eddie Martin, Jon โ€œtheโ€ฆ

Happy 50th Anniversary Devizes Lions!

Join me in thanking and congratulating The Devizes Lions in celebrating fifty years of serving the community.

Two members of DEVIZES LIONS Club have together amassed over 100 years of voluntary service to the local community. This milestone has been reached during the year in which the Club marks the 50th anniversary of its founding.

Soon after the Club formed in 1970 David Bousfield joined, and John Hurley did so a few months later. Over the years they have helped to organise many Lionsโ€™ events, including assisting individuals and groups in need of practical or financial help as well as organising large scale events such as Gymkhanas and the May and Christmas Fayres

David was President of the Club in 1984 and again in 2014. Like many of the Lions, David is well known in other fields. He is a solicitor with Wansbroughs in Devizes and has lived in Potterne for many years, he is a former trustee of the Wiltshire Community Foundation and governor of Devizes School. A keen sportsman, he was previously a county hockey player and remains a keen golfer.

John was President of the Club in 1977, and now lives in New Park Street. He was Engineer & Surveyor to the former Devizes Rural District Council and then Kennet District Council. With his late wife Beryl he was active in the establishment of the Wharf Theatre and they were also leading figures in the Wiltshire family history scene, transcribing and publishing many records and giving talks over much of the country.

Both John and David remain active Club members preparing for the restart of the Clubโ€™s public activities and its next 50 years helping local individuals, families and groups in need of support.


Song of the Day 15: The Emertarians

Anytime is a good time for some roots reggae, Sunday morning, doublely so.

Enter one of my favourite current reggae bands, from Madrid, the Emertarians.

They always remind me of an occasion, at a festival in Andalusia. I watched this great French reggae band. The slighty rotound frontman looked rather like the late, great Jacob Miller. After the performance I noted he was standing close to me, watching the following act. I went over in hope of telling him how much I enjoyed their music, praying they spoke English.

I momentarily regretted my school French lessons, which I spent making homemade comics out of text books, as he replied with an adamant no upon asking if he spoke English.

All the vocabulary my intoxicated mind could conjour was “tres bien,” so I repeated it perpetually in true Del-Boy fashion!

Otherwise the meeting was the awkward silence of communication breakdown, in which I suspected they thought I was completely nuts. Not so far from the truth.

So, I namedropped Jacob Miller and suddenly we had understanding and mutual respect for the man. My point is, sometimes the Emertarians sing in Spanish and sometimes English, often the Spanish ones more emotive, but reggae has no language barriers, because it’s spiritual meaning and uplifting ambiance is universal. As with the French Jacob Miller-alike, we were on the same song sheet….

Naturally at that conjunction, I rolled a joint.

And that’s my song for the day. Very good. Carry on….


Song of the Day 8: Mansion of Snakes

The deeper I delve into Afrobeat the more gorgeous it gets, and I’m discovering bands closer to home. Nubiyan Twist, for example, who are from Oxford rather than the Sudan as it might sound. I’m loving this sound, and got to get a review down of their forthcoming album.

Today though, check Leeds ten-piece behemoth, bone-shaking afrobeat collective, Mansion of Snakes. These devil-funk and cosmic jazzย 
serpents give it their all, and there’s stuff, cool stuff to download as name your price on their Bandcamp page. Say no more.

Have a lovely rest of your day. Very good. Carry on….


Song of the Day 2: The Big Ship Alliance and Johnny2Bad, featuring Robbie Levi and Stones

Newly-formed just a year ago, this Birmingham-based seven piece reggae band, Big Ship Alliance started out as possibly the only tribute act to reggae legend Freddie McGregor, but on track to record their own material they’ve teamed up with the outstanding UB40 tribute act, Johnny2Bad for this gorgeous topical debut single.

Featuring Robbie Levi and Stones, aside from my love of all things reggae, the song’s positive message of togetherness and unification during this era of the pandemic makes it more than apt for my second “song of the day” post. Though I did say I wasn’t intending to write anything like a review on this feature, just let you enjoy the tunes, and this is kinda heading a little bit “reviewy.” Probably cos it’s such a nice tune.

I also promised not to waffle; but I’m here now. Something about having your cake and eating it goes in rather appropriately at this point!

More so than being my song of the day, I believe this should be, as the Big Ship Alliance say themselves, “the anthem for 2021!”

Determined to make this feature a goer, as of yesterday’s pledge to add a song each day, ingeniously titled “song of the day.” I know, right, it scares me at times, I’ll be honest!

So, enjoy this fantastic tune, let the good vibes roll and have a great rest of the day. Same time tomorrow then?

Very good. Carry on….

Wiltshire Council Ask Gecko For Road-Crossing Song.

Not to make you feel old or anything, but Tufty, the safe road-crossing squirrel turns sixty this year, the Green Cross Code Man is not far behind at 51. Not too long before they’ll need some assistance crossing the road themselves, I don’t doubt!

Popular as retrospection is, Wiltshire Council have rightfully recognised a CJI Tufty makeover might not be best, and the Green Cross Code man is fighting his own conflicting interests between the Sith and Jedi.

How to teach kids to cross the road safely, needs a fresh approach….

They assigned Creative Studios to come up with this little masterpiece of a green cross code safety vid, and I couldn’t think of anyone more apt than the mighty Gecko to produce the song.

Yep, this works on so many levels. “I loved being a part of this project,” Gecko said, “I love the variety that this music life brings.” Well done Gecko, and a great choice by Wiltshire Council.

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

The Scribes about to go Stir Crazy

I decided some time ago to construct our westward boundary at Bath, as far as events are concerned. Reason being, Bristol is so vast in culture there’s not enough hours I can dedicate to comprehensively cover it. We do however review and feature Bristol acts, because it’s impossible to ignore the wealth of talent, burgeoning since the nineties downbeat triphop era.

So, Bristol hip hop outfit, The Scribes gained a mention recently when they played Salisbury’s Winchester Gate, and consequently they sent their EP The Totem Trilogy pt1 which I fell hand-over-heels about.

In a little under four hours time, The Scribes are going to unleash a new tune, Stir Crazy on YouTube, a link I’ll embed below, and encourage you to return here when it goes live. There’s not a second to lose, You. Need. To. Hear. This. Because If UK hip hip is taken with a pinch of salt over the pond, The Scribes will be the ones they cannot ignore.I’ve given justified praise of the Totem Trilogy, but Stir Crazy goes beyond what constitutes good local sounds, and I’d tip The Scribes to be the international breakthrough act of the decade.

Released on Get Down Records, Stir Crazy is a collaboration between Finland’s own boom bap beatsmith extraordinaire J-Boom and The Scribes.

This forthcoming track, which I’ve sneakily previewed is, without doubt, seriously dope, in the hip hop jargon, and emotivly powerful without! There’s an air of the Fu-Schnickens about the techniques of The Scribes, experimental and diverse adaptations abound in their lyrical play on, not just words, but sounds and emotions.


The Fu-Schnickens could amusingly deal out classic Warner Brothers’ cartoon characters as if Mel Blanc was Schoolly D, and in turn tracks like Visions (20-20) were nervingly concerning, borderline frightening. Stir Crazy adopts this tenet with bells on. It’s uncompromisingily edgy, and as unsettling as a musical Stephen King’s Shining.

Dealing with psychosis under lockdown this wrecks a schizophrenic nightmare, and is as psychologically disturbing as its theme, the way the rappers roll their vocals to suit the mood is as Edvard Munch used colour. Hence why I’m saying forget the southwest connection, I’m tipping them the best hip hop act I’ve heard since Pubic Enemy.

Anyway, I’ll drop the link here, and add some pasted details from the press release. Soz, but I gotta hit the hay. If I can sleep after watching that video!

The single will be available exclusively through The Get Down Records bandcamp page from December the 11thย as a digital download (With instrumental) and as a limited edition double A-Side transparent 7โ€ vinyl with second collaboration track โ€œHaunted House Partyโ€. The video for โ€œStir Crazyโ€ will then be launched a week later on December the 18thย before the single is made available on all online streaming services/retailers from the 15thย of January.

“Stir Crazy” showcases J-Boom’s trademark MPC production at it’s effortless finest, pairing a haunting piano loop with hard hitting drums to create a moody, atmospheric soundscape fitting for these strange times. The incisive vocals, provided by The Scribes alongside dark alter-ego Mr Teatime, talk candidly about the feelings of isolation and helplessness brought on by the various lockdowns of 2020, documenting the artist’s creation of an imaginary friend who goes on to take over his mind.

The accompanying music video, with clothing provided by The Scribes’ sponsors Aekor Apparel and Bones Clothing, is a strikingly bleak visual telling the story of the track across a day in the life of The Scribes. The sinister presence of Mr Teatime gives the video an edgy b-movie horror feel, perfectly suiting the vibe of the project as whole.

Together the release provides a perfect and entertaining summary of the year 2020 and the claustrophobic environment that the world has suffered throughout the year and is certain to find fans both in the hip hop scene and beyond.

Bionic Rats, Alive in Dublin

A superb new live album from Dublin’s finest ska-reggae outfit, The Bionic Rats….

Thereโ€™s some wonky logic in the character Jimmy Rabbitteโ€™s bemusing outburst in The Commitments film, โ€œThe Irish are the blacks of Europe. And Dubliners are the blacks of Ireland. And the Northside Dubliners are the blacks of Dublin. So, say it once and say it loud, I’m black and I’m proud!โ€ Persecuted before the slave trade, there are some intelligible contrasts between the oppressed races.

Still, the thought of Dublin conjures rock legends to outsiders of every decade, be it from Thin Lizzy to Skid Row and U2 to The Script. Diverse as any city though, if you thought the idea of music of black origin was the stuff of films, think again.

Far from a retrospective regression going through the motions of a bygone Two-Tone era, The Bionic Rats are an exciting, energetic reggae and ska six-piece from Dublin with a building collection of original and stimulating material. Even their band name, I suspect, is taken from a Black Ark tune, Lee Scratch Perryโ€™s renowned studio. Yesterday they released a dynamic album doing their thing where they do it best, on stage, in their home city.

In a conclusively roots reggae inspired track, Red Gold and Green, frontman, Del Bionic lays down a chorus not so far fled from the Commitments quote, โ€œreggae is talking about the things I bear witness to, on and off the Liffey quays. Iโ€™m not Jamaican, Dublin born and bred, I don’t wanna be a natty dread,” Though a bulk of the material here is upbeat ska, if it relates to a modern ska era, it borrows extensively from Two-Tone, particularly for itโ€™s no bullshit attitude and social commentary. A component definingly reggae, or correlated to any plight of poverty and societal righteousness in general. It rings out the enduring message, reggae is universal.

Reggae often takes on board regional folk roots, be it influenced by, or using traditional instruments of that area, the recent surge in Balkan ska for example. Yet, the only local element the Bionic Rats take is said Irish bitter repartee and attitude within their subject matter.

Their sound is beguiling and directed towards the very origins of Jamaican pop music, and skanks to any highest region! The very reason why theyโ€™re a force to be reckoned with, internationally, having shared the stage with their mentors, Madness, Bad Manners, Horace Andy, Israel Vibration, Johnny Clarke and their aforementioned namesake, Lee ‘Scratch’ Perry, also opening for Damien Dempsey and Imelda May. A hit with the crowds at the One Love Festival in Sussex, London International Ska Festival, theyโ€™ve made the frontpage of eminent Do The Dog Skazine, Doc Marten’s used their song Dear John for an online campaign and they continue to skank the crowd at Dublinโ€™s longest running reggae night โ€˜The Sunday Skankโ€™ in the Temple Bar.

Ironically the 2009 debut album was titled Return of The Bionic Rats, and since three more albums have followed. The good news is, wonderful as their studio albums are, we can all now pretend weโ€™re in the crowd of a Sunday Skank with this beauty of a recorded live show, and boy, do they give it some.

The premise is simple, as it is with ska. Lyrics often minor compared to offbeats and horns. Subject matter slight; between girls, lust, dancing, record buying and being rude, the Rats offer sentiments on prejudges, tyranny and oppression, but seldom will romance be on the cards. You may not be enchanted by The Bionic Rats, who describe this release as โ€œperfectly capturing The Bionic Rats in all their sloppy greatness,โ€ but your waistline will get a darn good workout.

While weโ€™re tempted by the simplicity of the upbeat ska sound in danceable tracks like Annie Oakes, the sweary Bad Garda and the particularly well grafted tale of obsessive record buying, Hooked on 45s, thereโ€™s roots, like aforementioned Red, Gold & Green, and rock steady numbers such as prejudice themed Dear John. Thereโ€™s no end of expected banter and comical themes, such as the English Beat sounding Girl with Big Hands. Then thereโ€™s that contemporary third-gen fashioned ska-reggae but wrapped in a no-bars-held cussing, of which titles speak for themselves; Twisted Little Bitter Little Fuckers, for example.

Such is the expected acrimonious nature of an Irish ska band; lap it up, itโ€™s refined rudeness. Done too, with experience, The Bionic Rats rose from the ashes of Dublin-based reggae band, King Sativa, who were active on the scene from 1998 until their breakup in 2005. Their guitarist Graham Birney, and drummer Anthony Kenny moved over to the Bionic Rats. Like them, or not, Iโ€™m convinced they probably donโ€™t give a toss, but going on this superb live album, you certainly canโ€™t ignore them.

Alive in Dublin, out now, here.

Singer, Del Bionic also does a live streaming set every Sunday from Facebook at 9pm (GMT) well worth tuning in to: https://www.facebook.com/thebionicratspage/live/


Adverts and Stuff

Join me every Friday night from 10pm to midnight GMT for a fun two hours of ska, reggae and anything goes!

Important Update From Wharf Theatre

Following the Prime Ministerโ€™s announcement Devizes’ Wharf Theatre has been forced to postpone their production of Adam and the Gurglewinkย which was due to open later this month. They have now rescheduled the show for the 18th and 19th December.

Suitable for adults and children this delightful and original pre-Christmas show tells the story of Adam, played by Karl Montgomery-Williams, who is planning to run away when he stumbles across The Gurglewink, a childhood toy who has come to life in the attic.  Reality blurs as Adam is whisked away to meet Rainbow girl who challenges him to a dangerous quest to travel to the end of the rainbow for a cup of magical golden dust..  Rainbow Towns survival depends on Adams ability to keep goingโ€ฆ..

In addition theย December production ofย The Grimm Talesย has been postponed to the New Year and they will be contacting customers to arrange transfer of tickets.ย  Please continue to monitor the website for the latest details.

The Wharf were delighted to have been awarded the COVID-19 industry standard โ€˜Good to Goโ€™ certification by Visit England and they are therefore hugely disappointed to have to re-schedule shows. ย 

However they remain determined to re-open as soon as possible and send strength and solidarity to everyone across the industry who is working tirelessly to bring theatre back.ย  Finally they want to thank the amazing community for your continued support.

30 tickets are available for each performance, in line with current guidelines.ย  They can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm

ย Whilst social distancing restrictions remain in place please continue to refer to the website for the latest details.


Very Brave or Very Stupid; End of Story

Very brave or very stupid, to suggest five-piece band End of Story are terrible, more so if I tell you theyโ€™re a bus journey away in Calne! Terrible is as terrible does, Forrest; a complimentary adjective in punk, like the magnificence of being spat on by Sid Vicious, itโ€™s a term of endearment.

For End of Story are the localist epithet of skate-punk, they do it well and as it should be done. Their new EP of four original tracks titled thus, Very Brave or Very Stupid is terrible, if terrible means awesome. Itโ€™s raw, angry, energetically entertaining; the very blueprint of punk.

Through the passage of time, generations warped the tenure of the house of punk, and new subgenres evolved, their attributes far-flung from the roots. No wonder why Iโ€™m particularly picky about the genre, tending to steer away from modern takes. Be they aiming commercially, like power-pop, like Blink 182, or excessively overkill it, like skatecore. Principally I guess itโ€™s predominantly youthful American, and I tick neither box.

I reserve my right to appreciate from afar, though, especially when procured with an amusing take, Back to the Future references, fancying your girlfriendโ€™s mum, for examples. Or if thereโ€™s a clever narrative like Avril Lavigneโ€™s Sk8er Boi. I even allowed myself to be dragged to a Bowling for Soup gig at Bristolโ€™s 02 by my son, albeit a taxi service. I gulp and confess, didn’t stage dive, but it was alright. But, and this is a big but, my erroneous dejection; canโ€™t help but feel itโ€™s lost its raw way from my first love, Ramones, Pistols, Buzzcocks, et all.

Precisely why I find End of Story refreshing, skate-punk it may be, but with full beams blasting into original punk, shining the way, reminding me of Welsh punkers, Sally & Kev Records and punk-paste zines of yore. The four tunes are archetype skate-punk subjects, Sweet Sticky Kiss of Mary Jane the only stoner ballad, the others theme on disjected romance and broken promises. But itโ€™s catchy with boundless rage, and as garage as punk should be.

Nosebleed perhaps the loudest, Shattered Earth perhaps the most interestingly grafted, and the finale, Itโ€™s not Him, perhaps the most commercially viable within the confounds of skater punk, but all equally beguiling. Top effort guys, highly enthralling, and itโ€™s out today. Punkers, check it out:

https://music.apple.com/gb/artist/end-of-story/1535986645


Devizes Winter Festival

The weekend traditionally for Devizes Lantern Parade, 27th-28th November, there promises to be a huge magical community event this year, because of circumstances beyond their control, DOCA are doing things a little differently, and invites you to be apart of the Devizes Winter Festival. There are plenty of things to do, see, and get involved in.

FOR YOUR ENTERTAINMENT
For your delight, they will have roaming performers and an amazing walking trail for you to visit, suitable for all ages.

Projector Boom Bikes by Sound Intervention

Dan Fox will be bringing his amazing projector bikes which will fill the streets with music and light. Interact with all the strange and familiar creatures the bikes project onto the buildings of Devizes.
Location: Leaving from the yard of the Black Swan
Appearing: Friday 27th 17.00 -17.45, 18.30-19.15 &
20.15-21.00 Saturday 28th – 16.45- 17.30 & 18.00-19.00

Celestial Sound Cloud by Pif Paf

Dance and wave and the Sound Cloud will react to you to create a unique conversation in sound and light. Donโ€™t be shy, itโ€™s your chance to be the conductor to create beautiful harmonies and make light patterns like youโ€™ve never seen before. Access to the SoundCloud will be managed by volunteers for your safety.
Location: Wiltshire Museumโ€™s garden, Long Street, SN10 1NS. Access through the rear car park
Times: Friday 27th – 16:00 โ€“ 21:00, Saturday 28th – 16:00 โ€“ 19:00

The Bell Orchestra by Beautiful Creatures

This amazing supersize instrument is waiting for you to come and play. Created by Beautiful Creatures Theatre who will invite you to experiment with these giant illuminated chimes. Come and enjoy some safe togetherness and make some beautiful music in this lovely Devizes square. Suitable for all ages and abilities
Location: The Chequers Garden, High Street, SN10 1AT
Times: Friday 27th 16:30 โ€“ 18:30 & 19:00 โ€“ 21:00

Devizes Town Band

Devizes Town Band will bring the sound of festive tunes that you know and love to the Market Place.
Saturday Morning โ€“ times to be announced soon

Virtual light switch on by Father Christmas From his home

Like most of us Father Christmas is having a trickier year than usual! To make sure everyone is safe he wonโ€™t be appearing in person at the Light Switch on this year but heโ€™ll do it from his home.
Heโ€™s asking children to write to him, to help you he has sent us a letter template which you can pick up from the Shambles Market between the 31st of October and the 14th of November. If you want him to write back youโ€™ll need to tick the box on the back of the letter and post it into the red letterbox in the Shambles by 4pm on the 16th of November. All the letters will be sent to Father Christmas who will be reading out a selection on You Tube at 7pm on the 27th along with a tour of his house and workshop. Heโ€™ll also write back to you, your letters will be ready for collection on Saturday the 5th and 12th of December between 9am and 12 noon from the Shambles.
The YouTube channel address is http://bit.ly/DevizesSanta

FOR YOUR SHOPPING NEEDS

Doca have selected the best traders in the area, offering a host of fantastic flavours, amazing tipples, beautiful handmade gifts and more. Explore the expanded festive markets in safety over 3 days at your leisure. Please view trading times below.

Friday 27th
Market Place 4 – 9pm
Corn Exchange  2.30 – 8:30pm
The Shambles 10:00am – 8:30pm
Town Hall 2.30 – 8:30pm

Saturday 28th
Market Place 10am – 7pm
Corn Exchange 10am – 7pm
Town Hall 10am – 7pm

Sunday 29th
Market Place 10am – 2pm
Town Hall 10am- 2pm

BE APART OF THE MAGIC  with Window Wanderland

Doca have invited homes, venues and shops to get creative through this Internationally known event, and hope it will become a new tradition in Devizes. Look on the Window Wanderland website or follow the link from ours for more information.
http://www.windowwanderland.com/event/devizes-2020/
Times: 17:30 to 21:00 each night.

Shambles Festive Makeover

With your help DOCA are attempting to transform the Shambles, the roof will be decked with baubles made by the community. Check their website for details for dates and opening times.
docadevizes.org.uk/make-a-bauble-for-the-shambles-installation

HELPING TO KEEP YOU SAFE

Attendees and audiences will be required to follow safety measure. Please ensure you use our track and trace system, scan the QR code in all venues and register using your smartphone
Use hand sanitizer provided
Wear a mask at all times
Maintain a safe distance from people
Bring your own cups for drinks and help the environment too

For more information on Devizes Winter Festival please visit the DOCA website https://www.docadevizes.org.uk/winter-festival/

“We Cannot Let our Young People go Hungry;” those locally rallying the call to #endchildfoodpoverty

Time is against me to get this out with haste, forgive me that I donโ€™t to go on one of my usual longwinded rants, I know you love them, plus, you know Iโ€™m aching to do so!  

Suffice it to say weโ€™re all horrified and angered by this government-voting-down-free-school-meals fiasco and Marcus Rashfordโ€™s righteous campaign. Itโ€™s been suggested by HuffPost, MPs have a bee in their bonnet about being called โ€œscumโ€ by Angela Rayner! Something about sticks and stones; letโ€™s not dwell, but have a local honourโ€™s list of who is here to counteract this appalling decision from the scum, sorry, I meant kindly government, and help out anyway they can.

Marcus Rashford asks one thing of us in a Tweet; sign the petition.

Nationally thereโ€™s many independent establishments rallying to offer what they can, and after the bad card the lockdown dealt them, their generosity should be awarded; a massive thank you to everyone offering their services. Least we can do is compile a list of local places, who, if you are struggling to put food on the table this bank holiday or Christmas break, can help.

If I missed you, please message us and miss you we will no longer! Bless you all.

Update: Wiltshire Council are on the case!

Press release from WC, and it’s good news…..

Free meals for vulnerable children in Wiltshire during school holidays

Wiltshireโ€™s vulnerable children will benefit from free meals during October half-term after Wiltshire Council agreed to ensure families struggling with food poverty in the county are supported.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œWe know that many families are feeling the financial pressure during the COVID-19 pandemic, and we want to do all we can to support them.
โ€œWe want to ensure that children do not go hungry during these school holidays and want to ensure that Wiltshire families know that they will be supported during these difficult times by putting these measures in place. Therefore the council will be funding free meals during the October half term. This will be reviewed throughout the pandemic and we will continue to make sure that any child and family who needs help gets it. As we have done throughout, we will continue to work with our partners in the community and voluntary sector to make sure the needs of our residents are met at this unprecedented time. The work of our community groups has been, and continues to be, amazing and I must thank them for their tremendous support throughout the pandemic.

โ€œIf you are entitled to free school meals or universal credit and struggling to pay for food over half term, please contact the Wiltshire Wellbeing Hub for support.

โ€œEveryone in Wiltshire needs to play their part to help prevent the spread of COVID-19.

โ€œWe ask that people regularly wash hands, maintain social distancing and wear face coverings where appropriate. This is the best way to keep us all safe as much as possible, and helps to prevent the spread of the virus.”

For more information on how to claim, please contact the Wiltshire Wellbeing Hub Team on wellbeinghub@wiltshire.gov.uk or call 0300 003 4576. The team is available Monday to Friday between 9am-5pm.

Devizes

The Gourmet Kitchen Brownie in Poulshot is offering free packed lunches. Please message their Facebook page for more information.

The Cavalier on Eastleigh Road are offering a free lunch pack, (sandwich, drink, piece of fruit and a bag of crisps to takeaway) available to collect from the pub for any child, during half term from 26th October. If you are in need of a packed lunch or know someone who might, please send them a message or call on 01380 725193

The Eastleigh Road Fish n Chip Shop is also offering free sausage and chips to school age children this half term, on Wednesday 28th between 4.15 -5PM.

The Raintree Indian Restaurant on New Park Street has taken the initiative too, during this half term week from Monday 26th to Friday 30th Oct.

For this special occasion, they will be open from 1:00 pm – 2:00 pm for collection of a lunchpack everyday.

For every child, the lunch pack will include one chicken curry and pilau rice, one juice and a piece of fruit.

Parents or guardians, feel free to call them on 01380 725649, or send them a Facebook message, to request your free lunch pack. You can call between 5:00pm- 8:00pm everyday for the next day order. A massive thanks goes to the Raintree, who are really going the extra mile; “as a parent,” they say, “if you are going through difficulty during this hard time, please feel free to order one extra meal for yourself as well. No question will be asked.”

Please note, they won’t be able to take any order for the same day collection. Every order needs to be placed the day before during the mentioned time above.

Pearce Electrical Contractors in New Park Street, have decided as a business to support Marcus Rashford’s movement. In partnership with Biddles Cafe in the Shambles, they will be providing a warm bacon roll and hot drink to any child that usually receives a free school meal throughout half term free of charge, No questions asked. These will be available until 2pm each day Monday, Tuesday, Thursday and Friday.

Potterne

The George & Dragon are providing free lunches and hot food over half term. Collection from the Pub for any child,

If you would like a pack lunch or a hot meal this half term for your child/children then please donโ€™t be afraid to phone or text to book in their meal.

Available every day, collection times between 12pm-1pm

Phone ๐Ÿ“ž 01380 722139
Text 07814182252

Seend

Wednesday, Thursday and Friday, the Brewery Inn at Seend Cleeve will have packed lunches made up ready to collect from 12 noon, offering a free school lunch during half term to those that our eligible. Please message them in confidence to make arrangements.

Melksham

The Future of Football organisation. From Monday next week Future of Football FC will be providing free takeaway packed lunches for those in the Melksham area, available for collection from Bowerhill Sports Field. Starting this Monday with 50 lunches and if the demand is there, we will up numbers for Tuesday and so on. Simply turn up at Bowerhill Sports Field and collect between 11.00am and 12.30pm. There is a GoFundMe page here to donate.

Marlborough

In Marlborough, a Facebook group has been set up, Love Marlborough Kids Meals.  A community initiative to make sure all Marlborough children have access to free meals during the current crisis. No fuss, no forms, no referrals. Just meals for kids who need them. Please like the page for more information. There are details of places taking part, including Sue Brady Catering operating in conjunction with the Town Hall. Meals are being distributed at St Marys Church hall on Silverless St.

Pewsey

If you’re in Pewsey and need support of any kind, from food to help with shopping and library services, there’s a community website which can help.

https://pcca.org.uk/

The PCCA says, “we have stepped up to fill a gap that government should provide and will be offering school meals through the school holidays. If you would like to offer time or donations please sign up at pcca.org.uk or phone 01672487022.
If you are a family who needs help you can call us confidentially or email meals@pcca.org.uk

Pewsey Spar shop say, โ€œWe will be providing a lunch for any child in need from Monday October 26 to Friday 30. Just pop instore with your child/children and we will give them a lunch. There is no shame in asking for help and accepting a helping hand. We, as always, are there for you.โ€

The Little Lunch Box in Pewsey High Street is also offering help. โ€œWith many children not receiving free school meals during the holidays we would love to help. If you are affected and finding it difficult during this time, please feel free to get in contact totally confidential, no judgement. Weโ€™re all in this together, no child should go hungry and  irrespective of the Free School Meals for half term decision โ€“ if you run out of food or necessities, or times are just tough, please donโ€™t let you or your kids go to sleep on an empty stomach.

Donโ€™t be afraid or embarrassed to send us a private message. We will do anything we can to help. It may simply be a case of dropping off a food parcel and leaving. No one has to know and where others are concerned, it never happened.โ€   Phone: 01672 564901

The Woodbridge Inn are also providing lunches, see the poster.

Upavon

Contact the Ship if you require a free packed lunch for kids in Upavon.

Calne

There’s a Facebook group called Calne Town Dinners. Any volunteers who has cooked too much food and can supply you with a meal are encouraged to donate to the needy, for any reason.

Corsham

If you normally get a free meal at school, please visit to the cafe at Pound Arts with your adult, and they’ll give you a healthy meal for free. No need to buy anything. No questions asked.

Tasty Bites Sandwich shop on the High Street says, “if your child is normally entitled to a free school meal then bring them in,” and theyโ€™ll give you a free lunch bag for your child during half term.

Salisbury

Popeyes in Estcourt Road are offering free kids meals to those who need it. These are available:- For collection only- Between 4-6pm- Any kids meal option on the menu- Until Sunday 1st November 2020. You will also be able to choose:- Pot of beans OR- Side salad- Either Orange OR Apple & Blackcurrant fruit shoot (instead of a can of fizzy drink – if you wish). If ordering by phone, please just quote free kids meal. If ordering in person, please just show this message (taken from their Facebook page) when placing your order. Not available online.

Chisldon

The Patriots Arms is offering a free lunch pack available to collect from the pub for any child. The lunch pack is made up of a sandwich, drink, piece of fruit and a bag of crisps. Please message or call Sunny on 07807 037231 or Sanjay on 07587 694373 

Swindon

Mazzaโ€™s Munchies has teamed up with G Waste and Your Sport Swindon to offer free lunch packs for any children who are in need of food. Please message them if you can to arrange collection or simply turn up at our snack van at B&Q Swindon, Great Western Way.


Not just businesses helping out…

Another interesting angle to this Iโ€™ve just been informed about, is that out in the villages some people have been posting on their village Facebook pages, inviting any needy over to their home for lunch. For me, this proves undoubtedly, they are not doing this to promote a business, only to help in a time and issue the government are callously snubbing.

Potterne

Anna Villette in Potterne contacted us to say she had done just this, posted on Potterneโ€™s village Facebook group for people in need to message her, where they could be invited over for tea as their guest, with her own children. How utterly selfless and decent is that? Well done and thank you, Anna. If youโ€™re in Potterne and do wish to contact Anna, please message the page and I will pass on her phone number. She is even willing to put portions in a plastic tub to takeaway if preferred. โ€œI knew I was hoarding those tubs for a reason,โ€ she told me!

Devizes

If anyone in any other villages or in towns are thinking of doing similar, and wish us spread word, do let me know! KJ Jeffreys in Devizes is also willing to help.

Trowbridge

Caroline Jackson (click name to email) is planning to cook Spaghetti Penne Pasta on Monday for families in need in Trowbridge. Please could parents let Caroline know how many meals they would like & their address. She plans to deliver on Monday afternoon between 3-5pm.

Barred from his own local!

Thatโ€™s all Iโ€™ve found so far, going to get this article up and running as time is short, but please, if youโ€™ve a service to offer youโ€™d like to me to list, contact Devizine and letโ€™s get as comprehensible list as possible. Half term is upon us, but this could extend to Christmas holidays too.

Here, Danny Kruger, MP for Devizes, admits he doesn’t read your emails, “These citizens send abusive emails which, they may like to know, I never read: my team just delete them without bothering to show me.” You have to admire his honesty if nothing else.


Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities!

Bangles not required, entertain your saucepans over the half-term with some Egyptian themed art and craft activities at Wiltshire Museum in Devizes, which is linked to their current Out of Egypt exhibition.

Tuesday 27 October and Wednesday 28 October you could find out about the Ancient Egyptians through their artefacts? Find out about mummification then create a mummy mask, a golden amulet and hieroglyphic bookmark to take home. Finish your session with the chance to see some of the amazing real artefacts from the Out of Egypt Exhibition.

The museum ensures it is Covid-secure, by putting a number of measures in place; details on their website.

And on Thursday 29 October – 2pm, you can zoom like an Egyptian with a digital event for curious kids. The Museum are offering Curious Kids the chance to engage with the museum and get creative as a family, via Zoom!  The session will also be inspired by their โ€œOut of Egyptโ€ Exhibition from Hampshire Cultural Trust.

Ideal for children ages 2 to 5 (including reception aged children) the session will last 30 minutes and will be broken up into short sections, to focus on your interaction, rather than attention to the screen.

Other craft activities you can do yourself with advice via videos created by local artist, Emma Kerr, is to make your own Egyptian mask using household items such as milk-bottles or from natural ingredients. Visit the website for more craft ideas for all the family.

Details and booking from the website. General entry to the Museum:

โ€ข             Thursday, Friday and Saturday – 10am to 4pm (closed 1pm to 2pm)

โ€ข             OPEN Sunday 25 October and Sunday 1 November – 11am to 3pm.

Pre-book to ensure entry, as they are continuing to limit numbers.

The exhibition, featuring genuine Egyptian artefacts, including scarabs and mummified animals, mummy masks and wrappings, shabti (a figurine found in many ancient Egyptian tombs) figures and jewellery, Out of Egypt closes on November 1st.


Todayย Devizes for Europeย launched โ€œSay #YES2ARealDealโ€ campaign.

Formerly local remain group Devizes for the EU has moved forward, changing it’s name to Devizes for Europe, and laid plans for action to avoid a no deal. Here’s their details from their press release…


Now that the UK has left the European Union, we need to take action to secure our future relations with Europe and avoid a catastrophic โ€˜no dealโ€™ crash-out. 

The UK has entered the final phase of negotiations with the EU. Talks are not just about trade, critically important though that is. They cover everything: security, food standards, health, education, employment, research โ€“ and, yes, even fish.

The risk is that the talks could break down. That would mean โ€˜no dealโ€™ โ€“ another catastrophe on top of the continuing nightmare of COVID-19. The electorate was promised a great โ€œoven readyโ€ deal but there is little sign of it so far.  

Our โ€˜#YES2ARealDealโ€™ pledge on our new website will use your signature to urge Danny Kruger and other Wiltshire MPs [Note 1] to confirm their commitment to the deal they promised in order to avoid a national catastrophe and the break up of the United Kingdom.

The Real Deal needs to include:

โ€ข Todayโ€™s high food, labour and environment standards
โ€ข
โ€ข Tariff-free trade to and from Europe
โ€ข
โ€ข Visa-less travel in Europe
โ€ข
โ€ข Europeโ€™s education and apprenticeship schemes
โ€ข
โ€ข Enhanced security through EuroPol
โ€ข
โ€ข European partnerships for research and medicines
โ€ข
Such a deal would keep the UK strong โ€“ and United.

โ€œA โ€˜no dealโ€™ risks dissolution of the Union.  Nobody voted for that. Time is of the essence. The transition period runs out at the end of this year. If by then the UK and the EU have not agreed terms for their shared future, there will be a โ€˜no dealโ€™ catastrophe. Itโ€™s high time to make our voices heard!โ€ said Kate Freeman, Chair of Devizes for Europe.

โ€œLorry parks will not just transform Kent but using emergency powers 28 other lorry parks across England could be built to cope with border trading chaos after Brexit. 

โ€œWe can expect delays of food and medicines, increased prices, and complicated travel to and from the continent.  All this at a time when the governmentโ€™s energies should be focused on COVID-19 not to mention the climate change crisis.

โ€œI urge everyone to sign the pledge to urge Danny Kruger and other Wiltshire MPs to do the same.โ€

Best Breakfast in Swindon?

So, on my Jack Jones I’ve time to kill this morning in that great western railway  megatropolis (least it is to us bumpkins, hanging onto a thread of Tory promise a train might one day stop in our backwaters.)

While I’m familiar with an antique Swindon of twenty-five years gone, and pockets of it remain surpringly unchanged, I’m alien to the contemporary choice of cafes and such. Still the objective is stomach-governed; get a decent breakie in me.

Thank heavens for the internet, innit tho? Gone is a time when a stranger would need swan around, hunting for a place to eat. One doesn’t recommend appearing like a tourist in Gorse Hill, I left my green wellies and Barbour jacket back at argh farmhouse. But tis where my intellectually far superior phone instructed me to head towards upon searching “best breakfast in Swindon.”

So, is The Butcher’s Cafe on Cricklade Road in that hill of gorse, the best breakfast in town? How the hell should I know, unless I trek the entire urban landscape stopping at each and every eatery? ….it’s a thought though. Something I’d be quite capable and motivated to attempt…let’s change the subject shall we? What the heck is a “gorse” anyway?

Away with such trivia and progessing to the nitty gritty. No doubt, The Butcher’s Cafe could justifiably call claim to hold the crown for best breakfast in Swindon, but it didn’t boast. It is, in it’s very essence, a no-frills, affordable home-cooked gaff, an ethos which wins my approval. I don’t need my baked beans served in a heart-shaped side-bowl and my cup of rosey on a doily. I need an English breakfast to be substantial, tasty and served with only a smile and ketchup. And that’s how it was.

Ticked nearly all my fussy boxes, yes sirey. As the name suggests it’s situated neighbouring a butchers, ergo sourcing those darn tasty sausages and bacon should come as no surprise, but the remaining ingredients were also cooked to perfection. It was in a word, scrumptious.

Where the egg would’ve fitted, if I’d wanted one, I’ve no idea!

Okay, nit-picking; I favour fresh tomatoes as apposed to tinned, and accept a slice of black pudding is reserved for north of the Watford gap and swanky folk in the south. Other than this, and that my no egg request wasn’t offered an alternative, a personal benchmark of greatness, it was a decent dish of quality and quantity; making the Butcher’s Cafe a very worthy gaff indeed.

It serves home cooked lunches and snacks, and it’s certainly not going to break the bank. Three quid for a smaller breakie, but you know me, large was ยฃ6.25 inclusive of what you don’t see in the photo was the perfectly toasted toast which arrived a split second later, and a mug of tea.

All round a nice, simple cafe with great service. Plucked out of the top ratings on TripAdvisor, there’s one who decided an autication over usage of the toilet, when they claimed staff mumbled their breath about customers using “their” facilities, was worthily of losing a whole four stars over. I figured I’d test the water, needed to point Percy at the porcelain anyways. Was courteously guided to the little boy’s room without issue; you can’t believe everything you read; amateurs, probably own a cafe up the road!

For the record, they knew not of my intended appraisal, so to treat me like royalty, but they was aware I was no regular, and still service was spot on. Also, a gorse is a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa. See? My smarty-pants phone told me that, I’m not David Bellamy but I know a gorgeous breakfast when I see one!


Floating Record Shop Moored on Kennet & Avon

Jiggin’ in thar riggin’! Ahoy vinyl-buyin’ landlubbers, a record shop has been sighted floatin’ off arh local shores ‘n be due t’ dock along th’ Kennet & Avon canal o’er th’ next few weeks, ye hath been warned!

Argh, shiver me timbers, I did say a record shop, fer Th’ Record Deck be such, jus’ as I did see it wif me very own eyes; a floatin’ record shop, argh, on a barge, o’ all thin’s. Wha’ they can nah do these days, eh?

No, I nart be ganderflankin’ yer, moi lover, these pirate purveyors o’ vinyl ‘ave cited our waterways as thar last port o’ call afore winter sets in.

Th’ Record Deck opens on dry weekends ‘n at festivals ‘n events on UK canals ‘n rivers, tradin’ in vinyl ‘n sometimes recitin’ a sea shanty or two. Tomorrow they plan t’ stop at Hungerford lock. By Sunday 11th, they’ll moor at th’ legendary Barge in HoneyStreet, ‘n will drop anchor in th’ Vizes on Friday 16th ‘n stay fer th’ weekend. Tharn it be bound fer Bradford on Avon and Bath.

‘Tis okay, I plan t’ board them at some point, ‘n hopefully see whart they be up to, or least see them ‘n thar bloomin marvellous idea off! I will report moi findings back to arh captain’s table.

Go follow thar WordPress site or like th’ Facebook page fer more details!

Drive-In Harvest Festival!

If the words “Drive In” conjours romantic images of fifties’ American youth, waking up little Suzie before her reputation is shot, we live in a changing era where inventive ideas to celebrate will overcome the restrictions. But here, I’d wager, is one you’ve not heard of before: a drive-in harvest festival!

This Sunday, October 4th the Wellsprings Benefice, a community that worships together across the five churches of Bulkington, Potterne, Poulshot, Seend and Worton & Marston, have a drive-in harvest festival at Five Lanes Farm. Starting at 11am.

The event will also be available on Zoom, if you are unable to attend. What an ingenious idea, and we wish them all the best.

More information here: https://www.wellspringsbenefice.co.uk

DOCA’s Window Wanderland

As part of their new Winter Festival, DOCA are inviting our local community to create something special in their windows to show just what an amazingly creative place Devizes is. Window Wonderland is a Covid-sade way to connect people, transforming streets into magical outdoor galleries.

DOCA invite anyone with a window to create a display which will become part of a programme of events over a weekend which they hope will light up Devizes. Over the weekend you will be able to pick up a map or download online.

Follow the trail of windows into Devizes Town Centre where youโ€™ll find seasonal markets both indoors and out, selling beautiful artisan gifts, delicious food and drink, light installations and walkabout performers, a warm welcome and plenty of smiles.

TAKE PART
To take part and register your own window for this event follow the link to the Windon Wanderland website. Everyone that registers a Window will be added to our event map. You will be reminded of when to display your window and keep your light on!

Take part and register your window: https://www.windowwanderland.com/event/devizes-2020/

WALK THE TRAIL


You will be able to download a map from the DOCA website, the Facebook event, or pick one up from The Shambles over the weekend.

Windows will be displayed between 27th โ€“ 29th November from 5:30pm to 9pm.

Window Inspiration


Devizes is putting on a Window Wanderland and you want to take part? Wanderful! Welcome aboard.

Taking part is FREE and everyone is welcome. You can use the windows of your flat, house, business, school, nursery, car, camper van, shopโ€ฆ


It doesnโ€™t even have to windows, you can also use your front door, the front of your house, your front gardenโ€ฆ
Visit our website for ideas, FAQs and some top tips:

Devizes Window Wanderland


113 Mile walk to London To Help Free Angel & Maya

We’ve covered Tanya Borg’s ongoing campaign in the past, now she is taking a 113-mile walk to London. For five, long, earth-shattering years, Tanya Borg has fought in vain to be reunited with her beautiful daughters Angel and Maya. Maya will be turning 9 on the 24th October, the 5th birthday without celebrating, seeing or speaking to her Mother.

In 2015, Angel, then 15, and Maya, then 3, were snatched by their father under the guise of a short holiday to Tunisia to see their grandmother. Instead, they were whisked across the border to Libya and have been held against their will and away from their mother, friends and family.

Despite judges in both the UK and Libya granting in Tanyaโ€™s favour and their father jailed for non-compliance of court orders in the UK, the girlsโ€™ grandmother has kept them secretly locked away, with Tanya not even having spoken to โ€˜her babiesโ€™ for over a year.

With the British Embassy in Libya closing in 2015, Tanya has been given no assistance in her plight from the UK Government. Police have refused to reopen the case, meaning Interpol are not involved.

On 23rd October, 2020, Tanya will be setting off on foot from her home in Wiltshire to walk 113 miles โ€“ across five days – to 10 Downing Street in London, to help raise awareness of her fight – and deliver a petition asking Prime Minister Boris Johnson for political assistance. In 2009, then Prime Minister Gordon Brown intervened in a similar case, speaking personally to Libyaโ€™s leader Muammar Gaddafi to help reunite six-year-old Nadia Fawzi with mother Sarah Taylor after her abduction by her father.

Although now a different political sphere, Tanya and her family are imploring Boris Johnson โ€“ a new father himself โ€“ to similarly intervene and attempt to help them, also. Please, if you can, support Tanyaโ€™s walk and Go Fund Me Appeal. All donations will be spent locating her daughtersโ€™ whereabouts in Libya and on solicitor fees, in her attempts to finally bring Angel and Maya home.


Atmospheric Country Goodness Fits Kirstyโ€™s Shoes.

Subscribe on YouTube to local independent country, singer-songwriter Kirsty Clinch and youโ€™ll receive a selection of wonderful pop-driven covers with a country feel, lots of chat videos where she explains her thought processes and announces news, provides advise and even beauty tips. Catch Kirsty live and sheโ€™s unplugged, expressing the same dedication to her music but as an acoustic performer. Either way, she is a pleasure to hear, a smooth silky voice and accomplished guitarist.

It is also the very reason Iโ€™ve been in anticipation of this debut single, to hear which way Kirsty will take it, lean more on her matured live acoustic sets, perhaps, or the pop-inspired subtlety of her videos. Iโ€™m pleased to say, Fit the Shoe balances both equally. Though far from bubble-gum, it uses a sublime bassline behind her country guitar-picking to create a wonderful and emotive sound. This is contemporary country, combining popโ€™s ambient-influence of William Orbit and blending it with the vocal range and narrative of classic Dolly Parton, enough to make Madonna blush.

Yet thereโ€™s another side to Kirsty, a fervently astute entrepreneur with clear direction on how to market a vocation through projecting the perfect appeal and disposition. Yet none of these reasons, I suspect are the sole reason why Fit the Shoe, is shooting up the streaming sites after being released only today, rather an amalgamation of them all, but mostly, because itโ€™s gorgeous and immediately lovable.

Our fiery redhead instinctively knows where the goal is, shoots and next thing you know the net is pulsating with the shock. โ€œMy main goal is to touch the hearts of many though my art and spread awareness that a positive attitude leads to better paths,โ€ she explains. โ€œI already achieved my first goal by travelling and performing in Nashville at venues such as the BlueBird.โ€ Nashville is something Kirsty regularly brings into conversation, who wouldnโ€™t. But itโ€™s here, in collaboration with Peter Lamb, providing bass and mastering, in the atmospheric splendour of this single that we see a true star shining.  

โ€œAs an independent artist,โ€ Kirsty Clinch speaks her motivation, โ€œyou must have 100% faith in yourself and your worth, you must work hard to gain all your goals and dreams you desire and I have a lot of energy to still give to the world, so I’m going hard or I’m going home.โ€

Stick this on your playlist and freeze in awe.

Man on the Bridge: Erin Bardwell teams up with ex-Hotknives Dave Clifton

Local reggae a rarity around these backwaters, but when it does rise you can trust Pop-A-Top Records is a watermark of quality. Since prolific Swindon Skanxter keyboardist, Erin Bardwellโ€™s amazing solo album, Interval, heโ€™s rubbed his unique style into a collaboration with Hotknives co-founder, Dave Clifton on this sublime project called The Man on the Bridge.

A double-A EP was out in April, followed this week by a six-track album A Million Miles. There are chilled echoes of rocksteady and traditional boss reggae blended with slight roots and dressed with a garnish of Bardwellโ€™s inimitable take on the genre. Naturally, thereโ€™s a splinter of Two-Tone reggae too, which works on so many levels.

Dave Clifton

The Hotknives are best known for their live albums, but did release one studio album The Way Things Are. Formed in Horsham, back in 1982, they principally play ska. Guitarist Dave Clifton was among the original line-up. He left in 1993, but with a slimmer roster the band still perform today.

Opening tune to A Million Miles, Donโ€™t Blame Me, is immediately likeable rocksteady, and wouldnโ€™t look out of place on a classic Trojan Tighten Up compilation. Looking over the Land plods securely, resonances Erinโ€™s band the Erin Bardwell Collective and is just simply beguiling.

Erin Bardwell

Just Dreaming though dubs, is as at sounds, dreamy, using flute, by another ex-Hotknives, Paul Mumford of Too Many Crooks, it connotes that eastern dub vibe of Augustus Pablo. Yet with Believe we return to chugging boss, with sublime horns, also by Mumford, and Daveโ€™s picking guitar riff. The guest vocal is a refreshing change, provided by Pat Powell of the Melbourne Ska Orchestra. Proof, as Iโ€™ve said, ska is an international thing, and the Melbourne Ska Orchestra are pushing boundaries on the other side of the world.

Title track, A Million Miles again deviates, fusing a slight English folk influence, it reflects memories and cites Dave and Ansell Collins and the Oโ€™Jays in a theme of a lost romance. Never Say Never raps up the journey you donโ€™t want to end, with a plonking fairground twist; as if Madness worked with UB40. With Erinโ€™s dream team, Drummer Pete O’Driscoll, Pete Fitzsimmons on bass, except Looking Over The Land where long term friend from The Skanxters, Vinny Hill features, weโ€™re in capable hands, and this is a memorable collaboration producing a superb and varied mellow reggae vibe. You need this right now!


Ros Hewittโ€™s Glass Art Open Studio

Stained glass and mixed-media artist, Ros Hewitt takes stained glass to contemporary levels. Using fused and sandblasted glass techniques, her designs are refreshingly modern and graphically stunning. She opens her studio in Great Bedwyn on Saturday 24th & Sunday 25th October. 11am-5pm.

Working as a graphic designer in the field of scientific illustration, it was a quirk of fate which embarked Ros on a new artistic career in stained glass, initially while living in Sydney, Australia. On returning to the UK, she took a course in traditional stained-glass painting with Paul San Casciani, (author of The Technique of Traditional Stained Glass) in Oxford.

Ros has been using her lockdown time experimenting with capturing air bubbles within glass, and reflecting on her residence in Wiltshire, she has a new collection of bestselling Wessex White Horses, painted and fired onto glass.

Thereโ€™s also a collection of acrylic paintings of local bird life, something that has long been a favourite subject; professional scientific illustrator graduate, see? As I said! Yes, I did!

Might be the perfect opportunity to buy some lovely, local, artisan gifts for Christmas, they really are quite special. No appointment is necessary to see the artists’ work, and you can meet Ros, discuss techniques, equipment and discover her inspiration.

Due to Covid-19, all visitors are required to use anti-bac gel provided, wear a mask, and enter the small studio one at a time. Parents/guardians can enter with their children. For details: ย http://ros.glass/index.html Email: ros@ros.glass Phone: 01672 871 025. Location: Ros Hewitt Glass Studio, Great Bedwyn, SN8 3LT


Crusader Vouchers to the Rescue!

Is it a bird? Is it a plane? Nope, just shopping Iโ€™m afraid, but a marvellous idea to help small businesses locally!

With a striking superhero comic-book themed corporate identity, a small group of marketing agents from Westbury have donned cloaks and set up a voucher system in support of our local high streets.

Claire Rowlands runs Fundraising in the Community, a local company dedicated to supporting businesses in Wiltshire, whilst helping schools, groups, charities and organisations raise funds. They plan to launch Crusader Vouchers as a subsidiary to FITC Media. As it sounds, itโ€™s a voucher-based concept akin to the website Groupon, but for local small businesses, the ones hit hardest by the lockdown.

Fundraising in the Community is a quality, professional service that offers a unique platform with a tailored audience to help drive prospective new business through the doors of local companies; whilst helping schools, charities, clubs and organisations within the community fundraise for their good causes.

Their voucher idea launches this October, and asks you to โ€œput on your mask, grab your vouchers, support local businesses and bag yourself the best deals in town!โ€ They have a website, but the majority of action is via Facebook, so like their page, where youโ€™ll be able to access monthly vouchers for independent shops and small businesses throughout the South West.

These crusaders of independent shopping say, โ€œthe offers that we provide are free for everyone to enjoy, no catches, just straight forward vouchers to take advantage of each month for local small businesses and independent businesses. Due to Covid-19 our businesses need us more than ever so we’re appealing to you to put your mask on, grab your vouchers, buy local and bag yourself the best deals in town!โ€

Since the successful IndieDay in Devizes, Iโ€™ve noticed many similar schemes in local towns but hereโ€™s something truly original but like any new scheme, itโ€™ll only work if people get behind it. So please do, everyone loves a voucher!


The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?!

On the day the governmentโ€™s chief scientific adviser Sir Patrick Vallance predicts 50,000 new coronavirus cases a day by mid-October in the UK, leading to over 200 deaths per day a month after, still the rules are being flouted, and we shamelessly play the blame game, because weโ€™re encouraged to grass up our friends and neighbours by a government who arenโ€™t playing by the rules themselves.

Two days into the facemask covering law, my eagerness to grab some Derickโ€™s Deals saw me headlong into the Spar shop without a facemask, I confess. Weโ€™ve now had two months to get used to it, and for me, like all of us, itโ€™s become routine, a habit. It is also, because not wearing one in indoor public places meets a ยฃ100 fine. A fine Danny Kruger needs cough up, if a local university student whose party got uncontrollably out of hand faces a ยฃ10,000 fine.  

Oops a daisy, and other timid posh-boy idioms for Iโ€™m pretending to care, our local MP was pictured on the train without his mask. For the entire London to Hungerford journey it didnโ€™t cross his mind, bless. Because, as he explained, he forgot, the train carriage was empty. Obviously not empty enough for someone to snap a photo, though, to which his reaction, according to Wiltshire 999โ€™s was, โ€œIf the person had reminded me rather than taking a photo and posting it on social media, I would of course have put on my mask then and there. I do apologise for my mistake.โ€

He said this, in a country with standards and decorum so high most are uncomfortable pointing out minor transgressions, like not wearing a facemask, in case the perpetrator is exempt. They may be suffering a medical condition or severe anxiety, and be subject to enough harassment from so-called do-gooders. Last time I did bag me some Derickโ€™s Deals there was a facemask dissident in the shop, did I growl at them? No, I have basic manners. ย ย 

He said this, working for, as I said, a government who encourage us to report such misdoings, precisely what the photographer did. Itโ€™s not under the control of the photographer if a social media witch hunt ensues. ย 

Predictably, Priti Patel said sheโ€™d dog in her neighbours, as if living next door to the home secretary wouldnโ€™t be traumatic enough. Boris waffled, as he does, something about only grassing if itโ€™s an โ€œanimal house,โ€ party complete with a hot tub. Uncertainly looms if he referred to the National Lampoons movie, or animals really need to be present at the party. If so, this leaves David Cameronโ€™s idea of fun questionable, if he was still around of course.

Oh, but he is, magically popping up like the shopkeeper in Mr Benn this week to tell us all his forbidding austerity cuts prepared the UK for the pandemic, despite we were the single most unprepared nation in the developed world, and are consequently reaping what we sowed. Just what the NHS needed, cuts, keeps the staff on their toes, doesnโ€™t it? The ones still alive that is.

What an absolute crock-of-shit, of which, unfortunately, Danny Krugerโ€™s blatant flouting of the regulations is trivial, but relevant to the undeniable feeling building in this country, that itโ€™s one rule for them and another for us. Given Dannyโ€™s last newsletter to his constituents reads, โ€œI detest the rule of six, the compulsory facemasks, the Covid marshals and the snooping on your neighbours (not that weโ€™re doing that in Wiltshire, Iโ€™m glad to say,โ€ it doesnโ€™t look as if wearing his mask is top priority for him, which is a shame, I bet heโ€™s got a really fancy one.

Though I suspect the issue will fall into the archives after the social media assault mellows. Heโ€™s conservative, so every conservative will defend him, and those not will sneer. We make political point scoring out of a deadly pandemic, then wonder why weโ€™re suffering the worst.     

Iโ€™ll confess, I found myself disagreeing with left-wing rags, painting a picture of a stressed and exhausted Prime Minister, forecasting the end of both his teether and reign. Aching to show him in a bad light, selective photography; the guy had more getaways than Judith Chalmers, missing vital Cobra meetings about an impending pandemic. Having financial difficulties, now he is; Earth calling Boris.

Do you ever get the uneasy feeling our Prime Minister is rubbing his hands together behind closed doors, sniggering like an insane Bond villain? Logical steps are indisputable; itโ€™s unavoidable if we ease restrictions, more cases will occur. Yet daily it feels more like an ingenious trap. Conservatives crave traditionalism, whether the public feel rudiments maybe outdated, oppressive and intolerant or not.

A Matrix red pill revelation, are they using the pandemic to maintain control, make their prejudicial vision a reality, Morpheus, and as an excuse when it goes economically tits up on their watch? The tranquillity of the initial lockdown trashed as they encourage us to shop our neighbours, because thatโ€™s how their own backstabbing agenda functions. Face facts, itโ€™s up the swanny because day-to-day they move the goalposts and confuse all, abuse their own loopholes and encourage every cluster of the public to blame another while nipping out for a Nandos. Ha, there was me thinking the buck stopped at the top.

Hancockโ€™s Half Hour has never been so dreary, as the health secretary blathers โ€œfollow Covid rules or they will get tougher.โ€ Surely a case of do as we say and not as we do?

Clamping down on the reappearance of illegal gatherings; theyโ€™ve craved this since illegal gathering begun, yet freedom to jet around the world is fine and dandy. Pubs shut early, like the good olโ€™ days, because drinking at 10pm rather than 11 makes a massive difference. Places of worship get special attention, unless youโ€™re a pagan. Then consider this exemption for hunting and shooting wildlife from the rule of six regulation, symbolic of this notion theyโ€™re using Covid19 as an excuse to return us to an era of yore, tally ho. Exemption depends solely on Borisโ€™s personal preference.ย 

If you want your hobby or interest exempt from the rule of six, be like Carphone Warehouse co-founder David Ross and slip Boris ยฃ15,000 for a winter break in the Caribbean. Or is it coincidence the guy owns two grouse moor estates? This bothers me, enough to warrant contacting our local hunt sab group. What did they say? Thatโ€™s for next time, folks, stay tuned; Iโ€™ve waffled enough over something trivial; politician is a stressful occupation, I wouldnโ€™t want it. Forgiveness is a virtue; apology accepted, Danny, get your wallet out and letโ€™s move on with the next inconsistent contradiction from our leaders.


Emma Langford Sowing Acorns

If Iโ€™m majorly disappointed by all the planned events and gigs this year done gone cancelled, probably the biggest of all was when I badgered Devizes Arts Festival into booking Limerickโ€™s folk singer-songwriter Emma Langford. It didnโ€™t take much convincing, just a song or two, and if you hear her new album Sowing Acorns, released yesterday, I guarantee your arm will be twisted too.

Sowing Acorns is everything Iโ€™d expect and much more. A spellbinding composition of intelligent lyrics reflecting on past, a place or observation, Emmaโ€™s mellifluous vocals and enchanting folk melodies. A magnum opus for this award-winning emerging artist who Iโ€™ve followed the progress of for many years.

Itโ€™s an album which will transport you to an Irish coastal path, a gentle zephyr as you peer out to the ocean. Port Na bPรบcaรญ perhaps the prime example, with its chilling cello merging into the drifting poetic title track. Itโ€™s a whisk of untamed Andrea Corr blending Clannad to Mari Boine, yet somehow completely inimitable. Yet thereโ€™s astute honesty within these pieces of musical jigsaw, tales of family woe or enriching scrutiny of a lifecycle. Thereโ€™s enough going on here to pull to pieces and discover alternative angles with each listen, but allowing it to drift over you is recommended, like waves upon said ocean.

But while Sowing Acorns opens acapella and drifts into traditional acoustic folk, it doesnโ€™t rest, rather merges styles, and by the time you get to Ready Oh some nine tracks in, thereโ€™s a blithe soul pop feel, teetering do-wop, similarly the Latino marketable feel of Goodbye Hawaii. Towards the end it returns to the thoughtful prose of Emmaโ€™s sublime acoustic and feelgood Irish charm, and it ends with an ambient trance remix of the title track by Avro Party. But each and every segment, every journey this album takes you on, darker or uplifting, is expressively awe-inspiring, as if Emma pushed everything she has into this release; the definitive Emma Langford.

It is, in a word, utterly gorgeous, a definite contender for album of my year, and one Iโ€™ll be submerged in its mesmerising portrayals for a long time yet.

Click to download from Bandcamp

Hew Miller; Does Something!

When I started Devizine it was an exploration, knowing next to nought about local performers and artists. Nowadays I consider venturing further afield, figuring Iโ€™ve successfully mapped our region of musical talent. But whenever I do, I find an area of unchartered territory, a Devizes resident lurking undetected in a dusty shed. Literally this month, itโ€™s Hew Miller, a singer-songwriter, multi-instrumentalist, producer and mix engineer living among us.

Upon hearing his uplifting and breezy pop-rock latest release, Let’s Do Something (but nothing at all) I figured, Iโ€™m going to hassle this guy for an article and expose any inhibitions he might have about his talent, as itโ€™s common for an artist to shy away from shameless self-promotion. I warned him what we do here, and how scrupulous we are. He replied heโ€™s a reader but โ€œthe reason you haven’t heard of me is that I’ve been pretty backwards in coming forwards!โ€

None of that matters, you see, backwards or forwards is all the same to me because I never know which way I’m going. Itโ€™s not so much about allowing me to spread wild gossip about him, rather I haven’t seen Hew listed for a gig locally either. Does he like playing live?

โ€œI haven’t played live for quite a long time. I tend to focus on writing, producing and recording,โ€ he explained.

Hew Miller

Hew has three singles released on Bandcamp, the earliest, Upside Down World (We’re fine in here) was this April. Itโ€™s a stomping Peter-Gabriel-fashioned pop-rock observation on the tranquillity of lockdown. And in the middle, itโ€™s not over yet, causally breezes with equal skill, a trumpet and quirky romantic reflexion. That one was released in July, but youโ€™ve only got to listen to the competence in song writing and production to assume Hewโ€™s must have been making music long before that.

โ€œI played in bands when I was younger but then moved down to Devizes for work and never found the time or musicians to start up a band,โ€ he tells. Hewโ€™s been in the Vizes since 2002, moved from Nottingham.

โ€œI’ve been a recording and mix engineer mainly as a hobby for many years; it was an underground thing but I’ve been wanting to get more exposure for my own music and to expand on the producing, mixing and mastering sides.โ€ Hence his nom-de-plume, Hew, โ€œbecause there are loads Matthew Millers and the name has already been taken on Spotify.โ€

Ah, story checked out. I found a Hungarian one on Bandcamp, among others, who by his profile pic, bears an uncanny resemblance to Elvis Presley. ย โ€œDefinitely not me!โ€ he expressed, as did the rest of our chat retain a witty and light-hearted angle. Flicking through his Facebook page I paused on an image of an amazingly plush tree-house styled studio, and given heโ€™s called his studio Dusty Shed Studios, I figured this was it. โ€œNo,โ€ he owed up, โ€œI wish…. I went there for a weekend! Mine is less grand…. it literally is a shed!โ€

โ€œIt was in the middle of a fields away from everyone. No-one to complain about the volume of the drums,โ€ Hew enlightened, but I changed the subject, fearing it might get like a Monty Python sketch continuing discussing his shed! โ€œYes,โ€ he agreed, โ€œwell when I was young, we lived in a cardboard boxโ€ฆโ€

On the subject of boxes, Let’s Do Something was recorded at Real World Studio in Box, and his own studio, said Dusty Shed. โ€œIโ€™m open for mixing/mastering and recording projects,โ€ He informed. Hew works a DIY ethos, all instruments and production are his own. I like this, freedom of creativity an all; judging by these singles, he knows his way around those buttons and switches.

โ€œYou said you were in some bands back in Nottingham,โ€ I asked, trying to unearth a possible heady past of thrashing metal or punk, โ€œwhat kind of genres?โ€

โ€œYes,โ€ he replied, โ€œI guess it hasn’t changed that much; its indie pop/rock.โ€ No juicy gossip there then, I thought Iโ€™d inquire about Hewโ€™s influences. โ€œThey range from David Bowie to Peter Gabriel, David Sylvian to The Psychedelic Furs to The BareNakedLadies.โ€ Hew seems at ease with where he is with his music, a quiet hidden gem, and as the tranquillity of lockdown subject of his first single, Upside Down World, might suggest, heโ€™s happy mixing and producing in his dusty shed; itโ€™s a guy thing!

Just as lockdown tore down borders of what weโ€™ll feature here, Hew found it a rather fruitful period, โ€œas everyone is getting into playing music,โ€ and continued to say about some tunes heโ€™s mixed for some American rappers and another international artist, โ€œwhich I probably wouldn’t have done without lockdown. Hopefully we can now get back to some normality and live music can flourish with more musicians.โ€

True, for his easy-going amiable sound would be great for a Sunday session at the White Bear, or an afternoon in the Southgateโ€™s garden, but even if we cannot prise Hew from his dusty shed, you should check out his discography. On Bandcamp, here. And his latest, Let’s Do Something (but nothing at all) is released on the streaming services on 25th September.


Blank Pages of an Atari Pilot

This extensive belter of eighties-fashioned high-fidelity pop waits for no man, a sonic blast opens it, and the riff wouldnโ€™t sound alien appearing in a John Hughes coming-of-age eighties movie. Visualise Jud, Molly, Emilio et all, dancing around a school library to this latest track from Swindonโ€™s Atari Pilot.

After our glorious appraisal of their previous single Right Crew, Wrong Captain in July, they reckon Iโ€™m going to be fair on them again, but really, thereโ€™s nothing to dislike about Blank Pages. A review in which they quoted me suggesting, โ€œthis sound is fresh, kind of straddling a bridge between space-rock and danceable indie.โ€ Here though, save the strong bassline, the space-rock element is lessened and retrospective synth-pop chimes in a racing beat, twisting this into a real grower on the ears.

Press release aptly cites โ€œeverything from Springsteen to Daft punk, Kathleen Edwards to Love,โ€ as influences. As if Daft Punk would work with Springsteen, but if they did, Iโ€™d imagine something rather like this. And that alone, makes for an interesting sound, again akin to what Talk in Code are putting out locally, perhaps more so for this single. While we could hinge on an inglorious comeback from an eighties pop star and be thoroughly disappointed by their timeworn platitude and fame induced narcissistic attitude, nostalgia has never been so energetic and fresh when itโ€™s channelled as an influence rather than comeback or tacky tribute act.

Thereโ€™s a backstory about Atari Pilot, I may have mentioned before but worth reminding. After their debut album โ€œNavigation of The World by Soundโ€ in 2011, a long hiatus took in a serious cancer battle for Onze. But getting a second chance at life gave him the inspiration to get back to writing, and Atari Pilot reformed in 2018 with an acoustic set at the Swindon Shuffle. Reforming the band was actually planned from his hospital bed.

With this in mind, Onze describes the thinking behind this great song, โ€œBlank Pages, like the other songs for the struggle, were inspired by being diagnosed with and recovering from cancer. The songs reflect the highs and lows of life and the struggles we are faced with and have to overcome to reach where we want to be.โ€

Thereโ€™s a heartening theme of struggle in the face of change, โ€œitโ€™s also about trying to recognise that we canโ€™t escape ourselves, and asks whether we can use our history and baggage to fire a brighter future,โ€ Onze explains.

Itโ€™s a DIY production, recorded and mixed in Onzeโ€™s home studio by using Logic Pro X, but sounds stunningly professional. Atari Pilot are Onze (vox,) Paj (bass,) Frosty (guitar) and drummer Andy, and we look forward to hearing more from them. I even managed to review this one without mentioning retro-gaming:


The Bighead!

“The Truth is Hard to Find celebrates their unique but retrospective style with a passion for pop-reggae, an uplifting beat, chugging ska riff and beguiling two-tone vocal harmonies….”

Far from what the name suggests, and common generalisation of the genre, I found Northamptonโ€™s six-piece reggae/ska band, The Bighead, not in the slightest egotistical and very approachable! Thus, Iโ€™ll be spinning their tunes on Ska-ing West Country on Friday, and for the foreseeable future.

That said in this era where a plethora of bands like the Dualers and Death of Guitar Pop have breathed renewed energy and a fresh approach to the UK two-tone scene, which otherwise risked falling into a diehard cult of seniors on Lambrettas who spent their pension on a pair of cherry Doc Martins!

Though nothing with Bighead is as the frenzied ska blended with delinquent-filled punk of yore. They tend to flow maturely, with rocksteady and roots reggae, while attire the fashion akin to the two-tone era. Iโ€™ve no issue there, through the furious ska thrashings of The Specials, the downtempo Ghost Town is likely cited foremostly, and on the island of origination, the short rocksteady age between ska and reggae was undoubtedly the most creative musical period in Jamaican history.

Seems while previous decades hugged youth cultures which devoted to a sole variety of Jamaican music, newly formed bands, like Bighead in 2008 by Da Costa, follow a similar ethos as what we discussed when Trevor Evansโ€™ Barbdwire came to Devizes Arts Festival. They select the benefits and choosiest elements of ska, rocksteady and all subgenres of reggae, and fuse them with sublime results.

Thereโ€™s a plentiful gap to fill, and itโ€™s all trilbies and shades for Bighead. Their May single, The Truth is Hard to Find celebrates their unique but retrospective style with a passion for pop-reggae, an uplifting beat, chugging ska riff and beguiling two-tone vocal harmonies, signifying an optimistic new era for the old genre. In contrast, the other two brilliant tunes Da Costa kindly emailed me, Step Up and Try Me Again, rely on roots reggae and doo-wop rocksteady respectively.

The Bighead are no strangers to the festival and club circuit, have headlined and supported original 2-Tone acts such as the Beat, The Selector, Bad Manners and a 2013 show with Madness. Theyโ€™ve played over Europe and are regulars on the Berlin Reggae scene.

So, polish your boots, snap on your braces and follow Bighead; not that I should really be flattering a band who are already self-confessed big heads!


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Tune in Friday nights from 10pm till midnight; some nutters gave me a radio show!

The Return of the Wharf Theatre

Word on the towpath is our wonderful theatre, the only theatre in Devizes, The Wharf Theatre is preparing for curtains up in October, starting with an amateur production of My Mother Said I Never Should.

Since being forced to close in March the team have been working tirelessly to keep East Wiltshireโ€™s best loved and only theatre afloat. There was a time, in June, when the future looked rather bleak for the little theatre. After the renovation three years ago, surplus funds were already low, then lockdown happened. The Gazette reported it may have to close due to a ยฃ30,000 shortfall in income. Celebrity patron Christopher Biggins praised and promoted a campaign, at the time they hoped to reopen for 2021. So good news is, weโ€™re some months earlier you can enjoy the Wharf productions once again.

While itโ€™s great news for entertainment in town, be aware and be quick to book. Only thirty tickets are available for each performance, in line with current guidelines. They can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm

Last yearsโ€™ Chair, Oli Beech says: โ€œBreak out the bottles, the phoenix of theatre does rise from the ashes and soars high above Devizes! Our dear little theatre is back in the black after a close encounter with disaster! The call went out and boy, was it answered. Weโ€™ve had donations pouring in, generous members and locals passing the hats around, bake sale proceeds, even an overwhelming donation of ยฃ10,000. We are so thankful to everyone who has helped us either financially or with their many words of support and encouragementโ€ฆ.โ€

During their enforced closure the team hosted three costume sales to raise further funds; completely updated their website and launched a YouTube channel to keep people entertained with specially filmed monologues and some short behind the scene films.

The Wharf also welcome a new Artistic Director, Debby Wilkinson. โ€œRestrictions are beginning to lift but with social distancing still very much in place,โ€ Debby said, โ€œanything we do in the theatre itself will be limited. However, we are very proud to launch the first three plays of our Autumn/Winter season.โ€

Whilst social distancing restrictions remain in place please continue to refer to their website for the latest details. But Iโ€™m happy to announce the new performances will be:

My Mother Said I Never Should

Friday 16th and Saturday 17th October 2020ย 7.30pm each evening

Written by Charlotte Keatley and Directed by Debby Wilkinson       

This rehearsed reading is scheduled to run on October 16th and 17th.   First performed in 1987, this play breaks with convention in that it doesnโ€™t follow a linear timeline.  The text is now studied for both GCSE and A level and tells the stories of four women throughout several periods of their lives. It explores the relationships between mothers and daughters along the themes of independence and secrets. It is a poignant bittersweet story of love, jealousy and the price of freedom through the immense social changes of the 20th century.                   Copyright: this amateur production is presented by arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd concordtheatricals.co.uk


 Tickets: ยฃ10/ยฃ8 concessions.

Adam and the Gurglewink

Friday 13th and Saturday 14th November

7.30pm each evening with a 2.30pm Saturday Matinee

Written and Directed by Helen Langford

Three rehearsed readings of an original play by the Wharfโ€™s own Helen Langford.   Adam is planning to run away when he stumbles across The Gurglewink, a childhood toy who has come to life in the attic.  They form a reluctant friendship where reality blurs and magic happen. They meet Rainbowgirl who challenges Adam to a dangerous quest which will depend on his ability to keep going when things are not always what they seem.

Suitable for children 6-12 years and their parents. Tickets:/ ยฃ8/ยฃ6 concessions


Collected Grimm Tales

Monday 14th to Saturday 19th December       7.30pm each evening with a 2.30pm Saturday Matinee

By: The Brothers Grimm     Directed by: Debby Wilkinson

Familiar and lesser known stories are brought to the stage using a physical and non-natural style of performance.  These stories journey into the warped world of imagination.  We will meet Hansel and Gretel, Ashputtel, Rumpelstiltskin and others, performed by a small adult cast, on a simple set.  The audience will need to use their imagination and fully embrace the living power of theatre. Suitable for children and adults.

Copyright: this amateur production is presented by arrangement with Concord Theatricals Ltd. On behalf of Samuel French Ltd concordtheatricals.co.ukย  Adaptor Carol Ann Duffy Dramatised by Tim Supple and the Young Vic Co.ย ย Tickets: ยฃ14/ยฃ12 concessions

The Scribes: Totem Trilogy

Getting snowed under here at Devizine Towers, but speedily need to push this to top priority, ahead of tonightโ€™s (Saturday 12th) gig at Salisburyโ€™s Winchester Gate from Bristol hip hop outfit, The Scribes. I whopped up a quick preview of the event, but as I pressed publish an email popped up with their latest EP The Totem Trilogy Part 1, made in collaboration with Chicago raised producer Astro Snare. Should fans of UK hip hop hear it, theyโ€™d be planning to head to the Gate for this free gig, by hook or by crook.

The Scribes are a multi-award-winning hip hop three piece based in Bristol consisting of lyricist/multi-instrumentalist Ill Literate, rapper Jonny Steele and beatboxer Maestro Lacey. In 2013 they signed with US label Kamikazi Airlines, co-owned by Dizzy Dustin of legendary hip hop act Ugly Duckling and released two albums, The Sky Is Falling and The Scribes Present Ill Literature worldwide to critical acclaim, garnering the group a sponsorship deal with ethical clothing company THTC, alongside artists such as Ed Sheeran and Foreign Beggars.

By 2016 they had signed with Reel Me Records, releasing a sonically challenging 16-track album which thrived on a perfected blend of poignant lyricism, A Story All About How, and the apocalyptic concept album, Mr Teatime & The End Of The World, winner of the UndergroundHH.com โ€œConcept Album of The Yearโ€ award. Last year The Scribes received global recognition, upon releasing Quill Equipped Villainy, featuring Akil the MC from Jurassic 5, TrueMendous and Leon Rhymes from Too Many Tโ€™s.

My personal affection for the genre though, goes back to the old skool. Prepped by Kraftwerkโ€™s influence on eighties electronica, rolled with Giorgio Moroder and Pete Bellotteโ€™s production on Donna Summerโ€™s I Feel Love, and still nothing equipped me for the eureka moment I first heard Afrika Bambaataaโ€™s Planet Rock, on a journey to Asda in my Dadโ€™s Cortina! Only lingering in the underground less than a year, the US hip hop and breakdancing movement swept the UK, and it was inevitable weโ€™d develop our own brand.

As hip hop spread through the States it distorted to hackneyed fashion far from the original blithe ethos of revelry. Pretentious bling, hoes and pimping oneโ€™s ride, and of course gangland rivalry were never on the original agenda. While some during the later eighties, like De La Soul and A Tribe Called Quest, strived away from this tenet, recapturing hippy, carefree roots, the east-coast/west coast rivalry and vehement bravura dominated and hallmarked the modern preconception of hip hop.

Meanwhile, by a method akin to rock n roll some twenty years prior, the place to hunt for creative and innovative progression of the genre was neither east nor west coast, but here in the UK.

Because hip hop was never supposed to be uniform, shaped by urban multiculturism itโ€™s naturally a melting-pot of genres and an experimentation in fusion, always has been. Given Caribbean roots and common affection for reggae, itโ€™s inevitable those influences would have a profound effect on UK hip hop.

Full-circle in actual fact, considering pioneer of the genre, Kool Herc was a young Jamaican NY immigrant with a sound system, who altered from dub to disco and funk as residents didnโ€™t favour reggae. And, in a nutshell, and to wrap up my waffling, thatโ€™s precisely why I love this EP; itโ€™s like The Scribes dipped a colander into said melting pot, and extracted only the very best ingredients.

Itโ€™s a non-commercial, bundle of heavy beats not relying on a single subgenre. Opening with Iโ€™m Back, for example, fresh, dripping with early east coast scratching and rapping. Yet Mighty Mighty follows, leaning on dub akin to Roots Manuva with brass, subs and a contemporary dogmatic theme comparable to Silent Eclipse, albeit this was divergent towards John Majorโ€™s government (apologies for my archaic comparisons, itโ€™s an age thing!)

By the third tune weโ€™re back to nonchalant fun with Rock This; Iโ€™m in awe, this is lyrically composed with a witty genius parallel to the Fu-Schnickens. Heart Breaks though swaps back to east coast; sublime rap harmony with a R&B slant, pensive piano chops and soaring strings with a definitive Bristol angle, as if a Tribe Called Quest came out of St Pauls!

Keep Bouncing ends the ride, and Iโ€™m left pondering Dizzee Rascalโ€™s influence, yet tougher, as Rodney P, this is fresh, possibly the most marketable sound given todayโ€™s impact on the scene. The Totem Trilogy Part 1 is the first of a 3 EP series featuring the stunning artwork of renowned illustrator Chris Malbon. The absolutely gorgeous cover designs of the 3 EPs will link together to form one image of the titular totem. With guest vocals from both AstroSnare himself and founding father of the UK hip hop scene MC Duke, here, clearly, is something imminent, a rise of The Scribes, a method grasping an evolution for UK hip hop, yet firmly aware of its roots and unafraid to exploit them.

http://www.quillequipped.com

http://www.facebook.com/scribesmusic

http://www.instagram.com/thescribes

Can you Help Lucie with her Haircut Fundraiser for the Little Princess Trust?

Most girls want wireless Mpow headphones, an iPhone 11, a Himalayan salt lamp, or something like that for their fifteenth birthday. Maybe Lucie Green of Devizes does too, but in an awesome act of kindness, her focus is on having twenty inches of her hair cut off to donate to the Little Princess Trust.

The Little Princess Trust is an amazing charity which provides real hair wigs for children suffering from hair loss. When a child loses their hair to cancer or another condition, the Little Princess Trust provide a free, real hair wig to help restore their confidence and identity.

They also fund research and say, โ€œwe won’t stop until the research that we fund ends childhood cancer forever. Promise.โ€ Though the Trust relies solely on the efforts of enthusiastic community fundraisers, and receive no formal funding.

Can we help her raise money for this worthy cause? Even the smallest donation is greatly appreciated, and all the money will go towards the cost of making a wig, which can be up to ยฃ500.

You can donate via Just Giving, Here.

Wishing you the very best of luck, Lucie. Maybe we could get a before and after picture?! For more information on the Little Princess Trust: www.littleprincesses.org.uk

A Modern Reggae Classic: Wonderland of Green

On first hearing Wonderland of Green, I was like, yeah, thatโ€™s as sweet as a sugarcane field. But itโ€™s moreish; every listen it approves all elements, everything I love about reggae, and why I love it.

Fruits Records may be based in Switzerland, but their dedication to authentic Jamaican roots reggae is paramount. This latest release featuring the Silvertones is a prime example, a sublimely balanced one-drop riddim with all the hallmarks of reggaeโ€™s golden era; the roots sound of the seventies, Black Ark, the legendary studio of Lee “Scratch” Perry, and the Roots Radics rub-a-dub riddims of the early eighties. These traditional styles echo through this 7โ€ EP; the heavy bass, the offbeat guitar riff, and the traditional female backing vocals as passed into mainstream by the Wailersโ€™ I-Threes.

Yet it also pounds contemporary at you too, fresh sounding, with a version, Living In A Wonderland, toasted by Burro Banton, an incredibly gritty-voiced DJ popular in the late eighties and nineties dancehalls of Jamaica. Even the subject matter of Wonderland of Green is timeless, as it suggests, itโ€™s earthy and ecological, a tenet inherent in Rastafarians long before it became trendy.

The band behind the riddim is the 18th Parallel. Produced, composed and arranged by Antonin Chatelain, Lรฉo Marin and Mathias Liengme, and recorded at Genevaโ€™s Bridge Studio by Liengme. Thereโ€™s an instrumental on the flipside, and an extra killer dub mix by French wizard Westfinga, who retains the retrospective ethos using the traditional dub values set by King Tubby.

Burro Banton

But what makes it so thoroughly beguiling is the vocals by The Silvertones. A legendary vocal harmony trio from the early ska era, originally, Keith Coley, and Gilmore Grant, with Delroy Denton joining early in their career. Delroyโ€™s individual baritone and guitar skills saw him quickly become the frontman. Though he migrated to the States and was replaced by Joel โ€œKushโ€ Brown.

Though the only remaining member is Keith, who takes lead, thatโ€™s just technicalities, as the modern line up rests with Norris Knight and Nathan Skyers on harmonies, both of whom have solo careers in their own right.

Westfinga & The 18th Parallel’s Wonderland of Dub

Recording at Coxsone Doddโ€™s Studio One, they interestingly triumphed in Jamaica with their debut single, a ska re-creation of Brook Bentonโ€™s โ€œTrue Confession,โ€ a track producer Duke Reid would also have the early Wailers record, but the Silvertones is indisputably more poignant. They also recorded under guises The Gold Tones, The Admirals, but most popularly as The Valentines, prevalent with the skinheadโ€™s ska revival era was a tune called โ€œBlam Blam Fever,โ€ denouncing the rude boyโ€™s gun culture.

The Silvertones

Through the late sixties they enjoyed success recording for Reidโ€™s Treasure Isle label and Clancy Eccles, as vocal harmonies became more significant during the rock steady era. Yet their dominant period was the early seventies when they stepped into the converted carport which was Black Ark.

The eccentric amplifier genius, Lee โ€œScratchโ€ Perry is renowned for getting the best out of any artist, he shaped the way we view Bob Marley & The Wailers. With penchant for outlandish, heavyweight psychedelic sound testing, he was the experimentalist who would pave the way for dub pioneers like King Tubby.

Historically then, Wonderland of Green slips right in as if itโ€™s been there all along, but prominent now with its environmental subject matter, itโ€™s gorgeous. I look forward to blasting it on my Boot Boy Radio show this Friday, maybe blending versions together, even if theyโ€™re live from the Skinhead Reunion, and whoโ€™s punters would favour boss reggae!

Wonderland of Green is newly released this week, as download, or on regular black wax 7โ€ vinyl and on a beautiful limited and numbered picture sleeve edition with opaque dark green vinyl; how apt!

Streaming: http://hyperurl.co/wonderlandofgreen

Vinyl records: https://fruitsrecords.bandcamp.com/album/wonderland-of-green


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Our IndieDay at Brogans!

Images by Gail Foster

Coming from Essex where shopping is religion, youโ€™d think Iโ€™d be impartial to the duty. But no. To be bluntly honest, as I believe I mostly am, I find nothing entertaining or enjoyable in sauntering a continuous stream of mundane chain stores aimlessly, other than to spend money I havenโ€™t got on crap I didnโ€™t want or need in the first place. Blessed we are then, in Devizes, with an array of original, charming and interesting independent shops, which make shopping endurable for whinging cronies like me! An ethos celebrated, kind of, this Saturday by the group Devizes Retailers and Independents who, in order to return commerce to our wonderful and lively town, held an โ€œIndieDay.โ€

MP Danny Kruger opened the event, I missed that, loads of shops got involved and opened their doors to a festivity-fashioned celebration, missed that too. Donkeys and more, I missed. Far better for me to contribute by loitering outside Brogans cafรฉ, munching on a bacon roll and taking credit for Mike J Barhamโ€™s hard work!

I arrived late, The Devizes Rotary Club arrived long before to lend us a grand gazebo, and Mike too, he set up a PA, he managed the PA, he hosted the event with his charming and entertaining charisma, and everyone came up to me and thanked me; result!

Honestly, as Iโ€™ve said, I have to give a massive thanks to everyone involved for making it such a special day, and in this day and age it was indeed even greater. Mike Barham for one, aforementioned contributions, but two, for rocking both the opening and finale with a plethora of his own work, such as the lively Bowserโ€™s Castle, and thoughtful prose through downtempo blues, to the thundering satire of a west-country-styled Top Gun theme, Danger Zone! The guy is a one-man machine, the best of the best, of the best.

So yes, breakfast to a late lunchtime at Brogans got lively, as people filled the plot outside and the carpark, in the sunshine. It was something until late last night I feared would fail, with gapping gaps between the confirmed acts. Sadly, and for various reasons, Archie Combe and Tom Harris had to cancel, and our opening act, Pewsey singer-songwriter, Cutsmith was also unable to attend. The worry took me until 10pm when I unleashed a masterplan; Tamsin Quin cropped up on the book of face, to thank me for reviewing the new Lost Trades single, and so, whammy, I dispatched note of my concern and asked nicely if she would be able to grace us with her presence, and naturally, sing us a song or three.

I highly suspect theyโ€™re secretly superheroes, Tamsin, Jamie and Phil, and if not, they certainly saved my skin, more than once before. Tamsin dragged Jamie R Hawkins along, and as their alter-egos with no need for superhero costumes, they did it again. Thank you both so, so much. Tamsin gave it her all, which needs no surprise, her confidence and professionalism doesnโ€™t preside her charming grace and skill to entertain. Jamie accompanied her brilliantly on cajon, claiming to be โ€œgetting into it now!โ€ after just two songs in.

Then Cath and Gouldy rocked up on their way to the Southgate, to play as their folk duo Sound Affects, which was, as ever, blindingly awesome. All originals and finishing on Mr Blue Sky and Come on Eileen covers, it was superb. So, a massive thanks to them.

The finale then, was rocked by Mr Michael J Barham, which Iโ€™ve said already, but needs another mention. Thanks to everyone who turned up and made it really special day, including our photographers, Ruth, Nick and Gail, writer Andy and all the supporters. Thanks to Brogans for having us, I trust we behaved, least it couldโ€™ve been worse, believe me! Itโ€™s times like this which make Devizine feel more than me clonking on a keyboard, and rather a thing of community, of spirit and substance. Though now Iโ€™m back clonking, vainly bigging up our own gig, which I justify by noting itโ€™s not about me, or my bacon roll, and more about the good folk who regularly contribute to make this website function, the musicians, writers and photographers, and supporters. Hereโ€™s to more, I want more!

This is not an act of vanity, but a condition Gail set forth in order for me to get permission to use them! Thanks Gail, it takes a highly skilled photographer to capture me smiling!

Bristol Hip Hop Group, The Scribes Coming to Salisbury

Described by The Evening Herald as, โ€œraw and exciting, honest and sensitive, a soulful brand of rap,โ€ Bristolโ€™s trailblazing hip hop outfit, The Scribes play Salisburyโ€™s The Winchester Gate, on Saturday September the 12th.

The Winchester Gate is a community pub just on the out skirts of Salisbury city centre which heralds live music, particularly supporting reggae and hip-hop culture. The event is free, The Scribe planning to begin at 7pm.

The Scribes are a multi-award-winning hip hop trio, whose unique blend of beatboxing, off-the-cuff freestyling and genre-spanning music has created a critically acclaimed live show quite unlike any other on the scene today, with appeal ranging far beyond traditional hip hop fare.

The Scribes at BeCider Festival

They have consistently proven to be an impressive and engaging live act with 2019 festival appearances at Glastonbury, Wilderness Festival, Shambala, Boomtown Fair, Bearded Theory, to name but a few, and have toured extensively across the UK and onto Europe.

The Scribes are also proud winners of both the Exposure Music Award’s “Best UK Urban Act” and the EatMusic Radio Award’s “Best Live Act”, and have provided original music for BBC and Channel 4 television, as well as being featured regularly on both national and local radio and media including BBC 1Xtra and BBC Radio 1 Introducing.

Hotly tipped as one to watch, The Scribes have shared stages with the likes of Macklemore, Wu Tang Clan, Dizzee Rascal, Kelis, Rag N Bone Man, Example, Lethal Bizzle, The Wailers, Jurassic 5, Sugarhill Gang, KRS One, De La Soul, MF Doom, and Souls Of Mischief, and are steadily establishing a growing following across the continent to add to their already significant fan base at home.

Check out their new EP, The Totem Trilogy Part 1 here.


Two Man Ting Bring Sunshine to the Southgate Today

Winding up their โ€œmini tour,โ€ after last nightโ€™s gig at Salisburyโ€™s Winchester Gate, world/reggae duo, Two Man Ting appear at Devizes Southgate for an afternoon session from 4 to 6pm.

Midlands Jon Lewis and Sierra Leonian Jah-Man Aggrey, are a branch of world dance collective Le Cod Afrique, who play a cheerful combination of multicultural roots-pop. A welcome addition to the Southgateโ€™s continuing mission to provide a diverse range of live music to Devizes; and a grand job theyโ€™re making of it!

With Aggreyโ€™s bright, chatty vocals and bongos, and Lewisโ€™s acoustic guitar picking, this promises to be something great and wholly different around these waters. Theyโ€™ve done the festival scene from Womad and Glasto to the Montreux Jazz Festival & Glastonbury, and their acclaimed album “Legacy” has been much featured on BBC Radio 3 & BBC 6 Music.

Should be a good ‘un!

Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine

Daniel Jae Webb reports for Wiltshire 999s that the organiser of the house party, in Wick Lane, Devizes on Friday night, has been issued a ยฃ10,000 fine by Wiltshire Police, for ignoring a police warning.

Officers were called to the house and requested the party was be shut down in line with COVID-19 regulations, and claims their pleas were ignored. A spokesperson for Wiltshire Police said, (which Iโ€™ve had to amend the basic grammar of, like a primary school teacher): โ€œAs we continue to navigate through the COVID pandemic, we all have to take personal responsibility for our actions and adhere to the regulations.โ€

โ€œDespite a warning, the organiser allowed the gathering of 80-100 people to continue, which is in clear breach of the current restrictions. Which states that โ€˜no gathering of more than 30 people may take place indoors, which would constitute a rave, if it were outdoors; amplified music, at night and due to loudness, duration and time it would likely cause significant distress to locals.โ€

Partygoers were dispersed and the hefty fine was issued. Itโ€™s a substantial amount for anyone to digest, the website stated, โ€œthere is no discretion given to set a lower amount.โ€ Job done police, story dusted and archived. In my opinion, though, Iโ€™m afraid it feels far from over and arguably raises a number of questions.

I feel impelled ask then, firstly, was it shut down for safety reasons, due to the pandemic, or as the Wiltshire Police spokesman clearly states here, โ€œamplified music at night would likely cause significant distress to locals?โ€

I cannot help but agree in this era of the pandemic we all must consider the risks and act accordingly, but the environment must be attained for people to want to do this, and take action appropriately, rather than feel they are being forced by law. Yes, the organiser and everyone who attended was putting their own health and the health of others at risk, and were foolish to do so. And when the officers attempted to engage with the group, they should have taken heed. Yet they should have wanted to do this of their own free will.

The harder the law, the more likely the rebellion toward it, though it may be important for the law to be enforced, an unaffordable fine such as this is draconian. Itโ€™s likely to have an adverse effect from the youth, who understandably see their lives disrupted in the same manner as everyone else, yet with no clear indication of ideas are being pitched to support them.

Weโ€™re casting our children out into the riskiest easing of lockdown ruling since it began, by returning them to school and college, and though you may deem it necessary, can you not also see they must feel like lab rats?

From all ancient philosophies and all of history we see a continuous pattern; people wishing to gather and celebrate is ingrained in our psyche and culture. And letโ€™s face it, the conservative ethos set to stamp out partying long before this pandemic.

The breakup of the trend of the free festival scene in the eighties, only constituted a bigger problem to attempt to outlaw, the raves in the nineties. Retrospective youth cultures we can reflect back on now, and realise and agree the occurrences of these events were not only ground-breaking for artistic progression, and memorable for the attendees, but in reality, harmless fun.

Regulating and eventual normalising of the Criminal Justice Bill, saw something far worse; a political and social rejection of society, and a fight between police and people; a disgruntled conflict.

The psychological effect of lockdown is only just beginning to be felt, as we venture away from it. You feel isolation for the elderly was difficult, how was it for our younger generation who, by the illusion of timespan, six months feels far longer? The need in younger people to party must be recognised, as Iโ€™d imagine older generations reflect upon their youth misdoings. Rather weโ€™re stamping our authority around and closing individual cases with a pat on the back and a job well done. We should, as a society in the dawn of change, be considering how we can arrange and organise celebratory events and parties sensibly and safely.

We have managed to adopt and implement new systems for shopping, for eating out, travel, and all other activities older generations wish to engage in, we should now focus on ways to keep the younger satisfied too. I donโ€™t profess to have the answers, but believe by thinking together, and frankly, giving a hoot about our entire population, we can work out methods to accomplish it. Furthermore, if ideas were suggested and implemented so parties could go ahead safely, the need and want to break the law will surely lessen.

Break up the party, yes indeed, as weโ€™re far from out of the water, but chuck people a paddle. They need a release; they need party and celebrate now more than ever in these trying times. If not, issue 10k fines to all who break the regulations; every grandad who forgets and leans over you in a supermarket, every businessman internationally jetting around the world, anyone, I dunno, who felt like driving across the country during lockdown to visit a castle, perhaps?

The Lost Trades on Cloud 9

New song from our local purveyors of the perfect folk vocal harmony trio, The Lost Trades. Out for another Bandcamp Day, today, Friday, where the website drops itโ€™s fees and gives the artists 100% royalties; and darn it, if this isnโ€™t worth a quid when it constitutes a mere quarter-cup of coffee from a posh cafรฉ these days, I dunno what is.

The origin of the idiom, cloud nine is largely debated. Explanations relating the US Weather Bureau of the 1950s denoting fluffy cumulonimbus type clouds, or the penultimate stage of the progress to enlightenment for a Bodhisattva, are mostly debunked. But who needs a debate when youโ€™re in a definite state of blissful contentment anyway?!

All you need know is this tune will land you on said cloud as if you were the monkey-god Sun Wukong on a mission. We are blessed with all the hallmarks of a Lost Trades signature tune; the calming tingle of xylophone, the gentle sway of acoustic guitar, the heavenly vocal harmonies, and uplifting lyrics to boot.

As Pink Floyd, around the Meddle era, after a bout of heavy space rock, when it suddenly drifts into thoughtful acoustic mega-bliss, this song just drifts akin, without need of heaviness, of Simon & Garfunkel, perhaps, meandering along a river on a gondola, thinking; hey man, letโ€™s, like, sing; and itโ€™s gorgeous, as we mayโ€™ve come to expect from this Trowbridge-Devizes trio. I wonder if weโ€™re looking at a track from the highly anticipated album, yet, even if no, itโ€™s the perfect display of progression for the newly-formed trio, whoโ€™s exceptional solo careers combine to create just as the title suggests; sitting on cloud nine.

With Tamsin advancing with her album, and Phil some way in front, teasing us with a cover design for his, titled Revelation, itโ€™s clear the solo side projects will continue, but as a trio they bounce perfectly off each other, though itโ€™s hardly a shove, more mooch. ย Download it here.


Devizineโ€™s IndieDay Outing!

Well blow me down, cover me in peri-peri sauce and call me Natisha if weโ€™ve had a Devizine event recently. Understandable all things considered. Annoying though, being I passed on the idea of holding a second birthday bash last autumn thinking weโ€™d host or co-host something better in the summer.

Crystal ball smashed, see? Face bothered? Yeah, a bit, yโ€™ know. Hits to the website has taken a blow, yet that informs me just how many people were using it as a whatโ€™s on guide in times prior to lockdown. And anyhoo, for me itโ€™s a hobby, like trainspotting, just without the trainsโ€ฆ.and spots. I still don an anorak for formal appearances! For businesses and performers alike though, itโ€™s been a rough ride.

What was waffling about before a class 55 diesel locomotive chugged past me? Oh yeah, events. Well, you may/may not be aware town centre will be alive on Saturday, 5th September, when the Devizes Retailers and Independents group hold their Indie Day, celebrating our array of independent shops and cafes. Thereโ€™s fun to be had, shopping and eating and stuff, with lots of prizes to be won, etc. Original idea was to have buskers around and about, but I believe thatโ€™s not so easy to do with current restrictions.

So, we plan to be in presence, centred in the rear garden of Brogans in the Brittox, purveyors of a fine breakfast, nice tea or coffee and scrumptious lunches and cakes. In which we will have some live acoustic music running throughout the day from, I dunno, 10ish till 3ish; that sound good?

Check dis out; Vegan Jaffa Cake style cake @ Brogans, say no more!

Rather hastily put together at short notice, due to getting approval on our proposal to observe social distancing, so if you come along, itโ€™s essential you abide by them. We will track and trace, advise you to wear a facemask if wandering outside of your โ€œbubble,โ€ and Brogans has measures already in place too.

I think itโ€™s important, the day as a whole, being local business have been hit hard by the lockdown. Yet equally is our side-stall, gigs were the bread and butter for musicians, sadly missed by the punter, desperately reducing performerโ€™s revenue. That said, the budget Iโ€™m working on is zero and Iโ€™m asking the acts to come for the love of it. I sincerely hope if you come along, you can show your appreciation when I badger you with a bucket, thank you.

I also encourage them to bring their wares, CDs and any merchandise they have for sale on the table; and this goes for anyone passing by also, who may have a creation for sale. Make sure you drop past by 3pm to pick up any earning. Any earnings are 100% yours, I might get my arm twisted if your offer me a bacon butty, other than that Iโ€™m asking for nothing!

Said tip bucket will be shared between all participating performers at the end. Shutdown is around 3pm, giving us time to finish up and head to the Southgate where the amazing Absolute Beginners will play from 4pm, and Iโ€™m getting a round in for all the performers. Thatโ€™s the plan anyway, subject to change as ever. In fact, Iโ€™m delighted to say Cath and Gouldy of Absolute Beginners are pencilled in to drop by around 1pm, before the gig at the Gate, so you can see for yourself how damn good they are.

Everything is in pencil at the moment, just wanted you to give you plenty of notice before you start planning a shopping trip to the Greenbridge retail park, or anything wildly hedonistic like that. Colour pencil though, rainbow; on the cards we have the one-man army, Mr Mike J Barham, whoโ€™s kindly to offered to setup a small PA while I rub my stubble, and pretend I know the technicalities heโ€™s referring to.

Also, hopefully dropping by will be our brilliant Tom Harris of the Lockdown Lizards, Pewseyโ€™s finest Cutsmith, and London-based Archie Combe, a classically trained jazz pianist, composer and musical director. Iโ€™ve not given them timeslots as of yet, but weโ€™ll play it by ear, which will be a beautiful thing given the wealth of talent. There might be room for one more, if youโ€™re up for it, let me know, or just drop by with a guitar on the day and Iโ€™ll try fit you in; canโ€™t be any vaguer than that! But vague is my middle name (actually, itโ€™s Lee, but cโ€™est la vie, Lee.)

So yes, it only leaves you to browse past and enjoy the day. Danny Kruger is coming, and if he can make it so can you; donโ€™t believe the hype! Let us know you’re coming on the book of Face.


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Jon Veale Flicks the Switch

How long does it take to take to put together a single, and how much longer during the lockdown?

I dunno; donโ€™t ask me, I just write about this stuff, and donโ€™t make a great job of that! I suppose youโ€™ve got pull in all the elements, yโ€™ know, paste together drums and vocals and stuff like that, and yโ€™ know; okay, Iโ€™ve no idea what Iโ€™m talking about. But they do down at Potterneโ€™s Badger Set.

Marlborough guitar tutor, singer-songwriter and bassist of local covers band Humdinger, Jon Vealeโ€™s single, โ€œFlick the Switch,โ€ is flicked on tonight. As the name suggests it immediately hits you square in the chops, despite the drums were recorded prior to lockdown, by legend Woody from Bastille, and Jon waited tolerantly for lockdown to end before getting Paul Stagg into Martin Spencerโ€™s studio to record the vocals.

Jon Veale

Patience paid off, with a speedy vocal harmony intro, this song packs a steady rock punch, yet none too metal. It appeals wide, as a driving, rolling-stone-themed belter, and Paulโ€™s vocals are stimulating, reminding me of a grinding Jamie R Hawkins. Yet, for what itโ€™s worth, itโ€™s the composition which makes this a winner; a couple of listens is all it takes to be singing the chorus, allowing the drums and guitar combo to wash over you like a warm wave crashing on a tropical beach, or, something like that, (apologies, I need a holiday.)

As well as this supportive team, the distribution through Emu Records, Jon also thanks Christine Hurkett who has produced โ€œan insaneโ€ lyric video and cover for the song. โ€œIn case youโ€™re wondering what did I do on this song,โ€ he jokes, โ€œI wrote the music, the lyrics and played all the guitars!โ€

Iโ€™m intrigued to hear more now, for if this was a track on an album itโ€™d be a title track, unless Jon has something else up his sleeve, there’s already a previous tune featuring the vocals of our Sam Bishop on the iTunes link, so yeah, I dunno, donโ€™t ask me, I just write this stuff!

Spotify Link

iTunes Link


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Bill Greenโ€™s Still Lost Demos

Spent a recent evening flicking through old zines I contributed cartoons to, relishing in my own nostalgia. Not egotistically admiring the artwork, or even laughing, rather cringe at most of it. More so because every publication has a backstory; where I was, what the hell I was up to, and thinking, if at all, at the time. Itโ€™s like Granโ€™s photo album, to me. But I guess reminiscing is symbolic of this pandemic year, nought else happening.

With that in mind, Bill Green of local self-titled Britpop trio Billy Green 3 has a great story to tell, ending with a retrospective release on the streaming platforms. He met Simon Hunt at a party, they liked each otherโ€™s jumpers, shared a love of music from the Beatles to the Stone Roses, and hung out on the guest list with Chesterโ€™s indie rock band, Mansun on their โ€™96 tour.

Billyโ€™s mate John โ€˜Jimmyโ€™ Burns โ€œsimply wanted to be in a band and dressed well.โ€  Never having played their instruments before, let alone in a band, one night they decided to form one with another of Billyโ€™s friends, Mark Molloy. โ€œWeโ€ Bill explained, โ€œjumped about to โ€˜The Jamโ€™ and had often spent nights drumming along on bars and tables.โ€

With Mark on drums, Simon on Vox, Jimmy on bass and Billy on guitar, Still was forming. Yet I guess Bill was reminiscing this foundation when deciding upon a name for his debut album as the trio, back in January, which we cordially reviewed, here.

โ€œIโ€™d written a few songs,โ€ Bill continued, โ€œso we set up second-hand instruments in Marston Village Hall, and banged out a few tunes, no covers mind.โ€ย  He had been DJing the โ€˜Vroom!โ€™ Club, at the Corn Exchange. โ€œIan James was kind enough to put us on that Christmas and New Yearโ€™s, and people actually came to watch, a band was born.โ€

Still played the local circuit and even had a dalliance with Virgin Records, having spent a day travelling around London knocking on doors and dodging receptionists and PAs. They booked studio time with Pete Lambโ€™s studio in Potterne, followed by more studio time at Holt Studios, where a personnel change saw Andy Phillips join on drums and later, James Ennis on guitar.

As a five-piece they played into early 1999, before calling it a day and believing the recordings were lost. Simon Hunt recently unearthed the cassette, much to Billโ€™s delight, and the demos have been remastered โ€œand tidied up a bit,โ€ with the help of Danny Wise. Returned to Bill, who has enthusiastically released it as an album called Destruction at the beginning of the month. โ€œAnd here they are,โ€ he excitedly called, โ€œas a permanent record of the biggest indie band ever from Devizesโ€ฆ. called Still!โ€

โ€œI’m just shocked that Marston has, or had a village hall,โ€ I expressed.

โ€œRubble when we finished playing!โ€ Billy kidded, possibly.

These are raw demos, but brilliantly echo a time of yore when Britpop was in the making and a newfound generation of garage bands were spawning like a wart on the bottom of commercialised pop. What is great about this album, aside the backstory, is it represents all those early influences of the scene and mergers in a way we might today take for granted, but were, in essence, different scenes and youth cultures divided by decades, at the time. Yes, these may have been bought together by his more defined recent album, Still, but this is essential history for fans of that album, as it opens the casing and shows the very workings of it. Similarly, it works more generally than that, as an insight for fans of the genre.

For if influences of Britpopโ€™s โ€˜big fourโ€™ are represented here, in the jaunty attitude of Blur, the maladroit studiousness of Pulp, the euphoric ballads of Oasis, and the brashness of Suede, thereโ€™s also arty punk rock and psychedelic reprises, like Elasticaโ€™s affection for Wire, even the Beatles.

There are echoes of Britpop inspirations, โ€˜Respect Nowโ€™ feels like itโ€™s drawn from the genreโ€™s eighties influences; the Jam, up to the Stone Roses. Yet tracks like โ€˜Happier Nowโ€™ ring drum-based upbeat riffs, but slating postpunk vocals, and the sobering drone of The Smiths. Whereas, โ€˜Pale Impression, Manโ€™ is closer indie enthused from post-punk gothic, rather the end of the era anthems, like the track โ€˜Catch,โ€™ which rings Suede or The Verve.

โ€˜Lady Leisureโ€™ just rocks, simple; this was produced at Pete Lambโ€™s, along with the other first bout of garage-style rock, โ€˜Happier Nowโ€™, and โ€˜Superstars,โ€™ the latter savouring the sound of the Kinks. Perhaps the most poignant are two the love ballads, which along with โ€˜Catchโ€™ were recorded at Holt. Bill informed me, โ€œโ€˜Gav4Safโ€™ was a fledging love song written for a friendโ€™s wedding.โ€ But the beautifully crafted โ€˜LoveSongโ€™ is a missing piece of Oasis, and as a stand-out ballad is the only track rightfully to be reworked for Billy Green 3โ€™s modern album Still. The finale is the title track, with a sublime rolling bass guitar, Who-like.

ย โ€œWe hope there are some people who will listen and remember those heady days as fondly as we do,โ€ Bill expressed, โ€œitโ€™s basically demos but such good memories!โ€ It may help, but is not, I reckon, essential. I reason, quite regularly, that finding the early recordings of any artist is often more worthy than the celebrated later releases, when eagerness overrides rawness and economical recording sessions. They brought out the original enthusiasm, the roots to greatness. I favour โ€˜The Wild, Innocent and E-Street Shuffleโ€™ rather than Springsteenโ€™s โ€˜Born in the USA,โ€™ for example. Even delve into bootlegs of Steel Mill, where despite the boss not being frontman, you can hear a distant echo of genius harking from the background. โ€˜Destructionโ€™ is out now, as well as the single, โ€˜Catch,โ€™ across the streaming sites, (Spotify) a notable antiquity of the local music scene.


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Jamie Williams and the Roots Collective Do What They Love, at The Southgate

Heโ€™s a fast learner, that Keanu Reeves; think how he progressed to โ€œthe chosen oneโ€ in little over an hour and half, while his superiors barely advanced at all; comes with the chosen one job, I suppose. Think cat scene, for example, where this novice presumed dรฉjร  vu, but twas a glitch in the Matrix.

Had a touch of dรฉjร  vu myself on Sunday, chatting with Essexโ€™s Jamie Williams and the Roots Collective; alas Iโ€™m not the chosen one, until itโ€™s time to do the washing up. Barefacedly had to check my own website, suspecting theyโ€™d been mentioned before. And I was right, Andy wrote a part-review back in July; I was briefly there too. Blame it on a glitch, rather than memory loss; this is 2020, glitches in the Matrix are abundant.

Regulars at the Southgate in Devizes, Jamie Williams and the Roots Collective are as the name suggests, but donโ€™t do run of the mill. Cowboy hats and chequered shirts held a clue, but arrive excepting unadulterated county & western and youโ€™ll get nipped. While thereโ€™re clear Americana influences, hereโ€™s an exclusive sound unafraid to experiment.

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Jamieโ€™s abrasive vocals are gritty and resolute, perfect for this overall country-blues sound, but it progressively rocks like Springsteen or Petty, rather than attempts to banjo twang back to bluegrass. It also boundlessly exploits other folk and roots influences, with a plethora of instruments and expertise to merge them into this melting pot. And in this essence, they are an agreeable rock band, appealing to commonalities; but do it remarkably, with upbeat riffs, tested but original material, and passion.

Not forgoing, I still need to be careful, and it was but a whistle-stop to the Gate, to wet my whistle. As current live music restrictions being the way they are, itโ€™s unfair to use a gig review as a base for an actโ€™s entirety. For starters, theyโ€™re missing bassist Jake Milligan, and drums deemed too loud to bring, James โ€œthe hogโ€ Bacon made do with a cajon and bongos. The remaining two, Jamie and Dave Milligan, cramped in the doorway of the skittle ally with acoustic and electric guitar, respectively. Which, in a way, proves this bandโ€™s aforementioned adaptability and desire to experiment. The proof is the pudding though, and battling through the restrictions of the era, they came up with a chef-d’oeuvre.

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Professionally, they scorched out a great sound nonetheless, mostly original, but a rather fitting Knockinโ€™ on Heavenโ€™s Door, with Jamieโ€™s grinding vocals apt for a later Dylan classic. But this downtempo cover was the exception to the rule, their originals upbeat and driving.

To pitch a fair review, though, is to take a listen to their latest album, Do What You Love. The cover of which is unlike your clichรฉ Americana tribute too; highly graphical splashes of colour akin more to pop, or a branding of fizzy drink. The songs match, a popular formula of cleverly crafted nuggets intertwining these wide-spanning influences. One track they did live from their album was accompanied with an explanation the recorded version used a brass section and even a DJ scratching, yet they made do with Jake joining James for a hit on the bongos.

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They certainly enjoy what they do, and appear relaxed in the spotlight. This doesnโ€™t make them tongue-in-cheek, like, say Californian Watsky & Mody, who blend hip hop into bluegrass for jokes. Rather Jamie Williams & The Roots Collective has evenly balanced said collectiveโ€™s influences and conjured this celebrated, danceable and fun sound, flexible for a standard function, like a wedding party but would also liven up the day at a mini-festival.

As an album though it encompasses all Iโ€™ve said above, thereโ€™s cool tunes like Lazy Day, the orchestrated reprise If I met my Hero, and rather gorgeously executed ballad, Held in Your Glow, but also frenetic tunes, driving down the A12 with the windows open music, Red Hot and Raunchy being a grand, light-hearted example but Iโ€™m A Stone as my favourite, with its clever pastiches of Dylan and The Rolling Stones, it rocks.

You need not visit the Oracle, waiting with spoon-bending broods, Keanu Reeves, for her to tell you Jamie Williams & The Roots Collective are not some โ€œchosenโ€ livid teenagers trailblazing a new sound and striving for the spotlight, but a collective of passionate and talented musicians loving every minute of performing, and this comes across as highly entertaining.


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Open Music Venues, or Do They Hate Art?

The Smart Eโ€™s โ€œSesameโ€™s Treetโ€ bleeped through the hills of a west country location in 1991. There was an air of delight and mirth when someone pointed to the ridge yonder. โ€œLook,โ€ they chuckled, โ€œthe pigs are dancing!โ€ Story checked out, I turned my head to witness a couple of police officers jumping and waving their arms, mocking the fashion of a dancing raver. Imitation we never took to heart, ravers were tongue-in-cheek about their chosen music; repetitive beats over a childrenโ€™s tv theme was comical nostalgia, and not supposed to be taken seriously. As for the police, seemed as individuals observing, they saw the simple truth that there was no harm in what we were doing. Yet there was always hate in the establishment they took orders from, and we were months away from being grounded by force.

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Hysterical measures by a desperate conservative government, who failed to see the value we held for something they couldnโ€™t understand, an electronic art movement, principally, a modern folk music.

Authoritarians detest art, least the progression of art, seems to me. And it has been plaguing my mind of recent. Freedom of expression, they fear, encourages liberation, unrest and consequently, rebellion. Munich, 1937; Third Reich leaders combined two opposing art exhibitions into one, the โ€œGreat German Art Exhibition.โ€ The first hall featured art which Hitler considered suitable, orthodox and representational, lots of flaxen folk gallantly posed like Roman deity sculptures, and local idyllic rural sceneries.

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The second displayed what Hitler deemed โ€œdegenerate art,โ€ contemporary, progressive and mostly abstract. But they ensured it was demoted, through exhibiting it callously, with disorder, and bestowing dissuading labels on it, describing โ€œthe sick brains of those who wielded the brush or pencil.โ€ Hitler pushed stringent boundaries onto German artists, because he figured art was key to the rise of Nazism and his vision for the future.

Damn, he hated the Bauhaus. Forced the art school to close in 1933. Their angular designs which would herald the most efficient revolution of modernist architecture, were deemed communist intellectualism by the Nazi regime; give them an archaic Spalato Porta Greek arch, or be shot!

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I see humour as my art, my aim is to make you laugh, whenever possible. In a week where a keyboard warrior reported me to Facebook for an ironic slate at Boris Johnson, yet a grammatically atrocious meme, stating they need not pay for a holiday, when purchase of a dinghy from Argos will see them put up in a hotel, is hailed as hilarious, I receive a message of eternal doom for the grassroots music industry, from a professional musician.

Gone, it seems, are the days of eighties โ€œalternative comedyโ€ of the Footlights, of Ben Elton and Rick Mayell scornfully ridiculing Thatcherism. Gone is the echoing mantra of Joe Strummer demanding โ€œa riot of our own.โ€ Today the art of comedy, and music, barely touches political matter, and never takes risks. Humour is subjective, as is all art, I accept this, but art enriches our lives, provides joy and entertainment, and should never be curbed or censored. Yet we find a consistent urge by blossoming traditionalists to dampen the spirit of artists.

The Trump administration eliminated the budget for the National Endowment for the Arts. An annual $150 million is a devastating blow to the industry, yet hardly major cost-cutting as it weighs in at only 0.004 percent of the federal budget. Akin to the ethos of the โ€œGreat German Art Exhibition,โ€ history is peppered with examples of right-wing philosophy opposing art. The Stalinists enforced stringent principles of style and content, to ensure it served the purposes of state leadership, methodically executing the Soviet Unionโ€™s Ukrainian folk poets, according to the composer and pianist, Dmitri Shostakovich. Just as Chileโ€™s coup of 1973, when Augusto Pinochet tortured and exiled muralists. Singer, Vรญctor Jara was murdered, his body presented publicly as a warning to others.

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In the UK, the reopening of lockdown restrictions despite the pandemic still mounting, where it seems perfectly acceptable to travel to foreign lands on a luxury holiday and return without quarantine, where we are encouraged to shop till we drop and eat out in restaurants to save the food industry, and itโ€™s commonly accepted our children will be used as lab rats in a herd immunity experiment, a government, who letโ€™s face it, should have imposed a lockdown sooner, as was the example of every other developed nation worldwide, rather than fail to attend meetings with the World Health Organisation, and use unreliable companies to supply software and PPE to help combat the virus, simply because they are mates of theirs, will not allow us to have a sing-song in a pub.

Now, at first, I accepted the possible threat, but in light of recent lessening of restrictions, I fail to comprehend the logic in this, in continuing the restrictions on art and music. Given the historical facts surrounding the authoritarianโ€™s apparent hatred of art, I am beginning to fear the virus is a being used as a convenient excuse to suppress and suspend creativity. Oi, loony leftie, shut up, stay in your home and watch the celebrity Pointless special.

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I suggested, didnโ€™t I, art is subjective? If Hitler liked the conventional, representative of Renaissance tradition, it was his prerogative, but there was no need to kill everyone simply because he couldnโ€™t draw horses very well. Since the invention of photography can duplicate precise imagery, artists seek expression, inimitability and design according to their own mind. If it constitutes liberal or reformist ideals, why should it be devalued by opposing attitudes? The problem arises when oppression is enforced, freedom will return the fire, and will be back, refreshed, to bite them on the bum!

Just as the Jamaican JLP party of the right, battled burgeoning Rastafarians into the Wareika Hills in the 1950s, and labelled them โ€œBlackheart Men,โ€ or bogeymen, yet the surge of reggae and the popularity of Bob Marley today sees Rastas accepted in Jamaican society for the tourism it attracts, The Battle of the Beanfield in 1985 did nothing to control travellers in the UK. Less than a decade later the free party scene metamorphized into a rave generation which saw youths rally to support them. You cannot curb progressive movements in any art without risking a wave of rebellion. Ironically, the very thing theyโ€™re trying to prevent.

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Weโ€™ve seen a return of the rave, police fearing a riot if they try to prevent them, but they reflect nothing of the magnitude of the nineties, yet. Unless grassroots music venues and pubs who were regularly supplying live music are reopened, even if that means social distancing measures are in place, it is inevitable you will open a gapping underground and future generations will strike back. This does nothing for the values conservatives uphold, or their vision of a totalitarian future, but furthermore severely punishes every professional in the arts industry from rock star to sound engineer, every prospering new performer in an era formerly to lockdown, I see equivalent to those swinging sixties; a time I suspect most baby boomers of tory ethos hold dear. An era where every youth was in a band, and focused on music rather than belligerent misdoings.

Yet still, gammons, I believe is the modern terminology, if the left is snowflake, persist in whinging about how youths have no respect, how they were flaunting rules in the park, gathering, conspiring, they so suspect, against them. What if they are, though probably just socialising as they likely once did in their younger years, what if theyโ€™ve some masterplan to overthrow this Tory charade; they surprised by this? How egocentrically imprudent, how selfishly insular. This is peopleโ€™s livelihoods they are toiling with. As Bob Marley once said, โ€œa hungry man is an angry man.โ€

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Online Auction for All Cannings

All Cannings Pre-School are holding an auction for the summer! It includes tickets for days out and experiences, plus vouchers and gifts.

There will be a post for each item in the auction, with an image and description. Bidders will comment on the post with their maximum bid, hopefully increasing it to beat others over the weekend! All to raise essential funds for All Cannings Preschool. A very big thank you to everyone who has donated items for the auction.

https://m.facebook.com/events/627158707860654

Round Up: 13th August 2020

Hi all, back with our regular updates. Though we are still some way to returning to normal, the event calendar is looking a little healthier as events are being added. Please note some events listed may have been cancelled and Iโ€™ve just not noticed, so check the links before planning anything.

 

The first Devizes Wide Community Yard Sale will be underway on Sunday, here is what itโ€™s all about: https://devizine.com/2020/07/28/devizes-wide-community-yard-sale-what-a-great-idea/

 

Weโ€™re continuing to support Tanya Borgโ€™s campaign to get her children back, please sign the petition. Though weโ€™ve good news that Danny Kruger has agreed to meet Tanya: https://devizine.com/2020/08/08/tanya-continues-her-campaign-promised-meeting-with-danny-kruger/

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And you may have seen our hero, Wayne Cherry walking through town, hereโ€™s why: ย https://devizine.com/2020/08/04/hero-wayne-cherry-back-in-action/

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Last time I was allowed out to play, I made haste for the Southgate where the Lost Trades played, and I give you some words on this, and review their debut EP: https://devizine.com/2020/07/30/three-times-better-the-lost-trades-the-southgate/

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This week we reviewed Paul Lappinโ€™s new single, Broken Record: https://devizine.com/2020/08/09/paul-lappins-broken-record/

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And a nice tune from Bath producer JAY, featuring Ben Keatt, called Sunset Remedy: https://devizine.com/2020/08/08/sunset-remedy-with-jay/

And Atari Pilotโ€™s Right Crew, Wrong Captain: https://devizine.com/2020/07/26/atari-pilots-right-crew-wrong-captain/

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For fun, I did a piece on the Worst Pop Crimes of the Mid-Eighties: https://devizine.com/2020/08/02/worst-pop-crimes-of-the-mid-eighties/

And had a little satirical slate at WCโ€™s seagull survey: https://devizine.com/2020/08/08/sign-the-seagull-survey-bob/

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There a continuous online Bath art exhibition in aid of Childrenโ€™s Hospice south west: https://www.artgallerysw.co.uk/bath-art-expo/

 

And on Fri 14th August, Mad Dog Mcrea online live stream from Bathโ€™s Komedia, and the Beat stream from Birmingham. Find links on the event calendar.

In Swindon, thereโ€™s an outdoor Amy Winehouse tribute at the Ridge.

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Sat 15th:

Devizes: Eddie Martin Band @ Southgate from 4pm.

Seend: Paranormal Investigation @ Old Bell

Amesbury: Eddie George Live at The New Inn

Swindon: Sophia & the Soul Brothers at the Cotswold Water Ski Park

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Sun 16th

Devizes Wide Community Yard Sale

Park Yoga @ Hillworth Pk

Jamie Williams & the Roots Collective @ Southgate

Bath: Two Tunnels Race

Kevin Brownโ€™s Shackdusters Live at The Queens Head, Box

Swindon: Bandit & B2D Present: The Acoustic Sessions @ The Vic: with Mike Barham, Jordy Pearce & Jade Coral Feast. This is free entry, doors at 7pm.

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Tues 18th

Devizes: Vinyl Realm have a Vinyl Listening Session at the Literary & Scientific Institute

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And thatโ€™s the week. Iโ€™m delighted to say, Iโ€™ve worked on a proposal for live acoustic music at Devizes Indie Day on 5th September which has been pitched to relevant councils. Hopefully we will get permission to do this, and as soon as I know, you will too; if you keep in touch with www.devizine.com

 

Other things to look forward to: The Concert at The Kings has been cancelled this year, but check out some small, social distanced gigs at the Kings Arms in All Cannings: Los Pacaminos with Paul Young is sold out, but tickets are available for 23rd August with the Sloe Train Blues Band: https://www.ticketsource.co.uk/concertsatthekingsarmsltd1

 

On that same Sunday, 23rd August, The Lost Trades play the Queenโ€™s Head in Box, tickets here: https://www.eventbrite.co.uk/e/schtumm-presents-the-lost-trades-tickets-115953571253

You should note, and Iโ€™m completely upset about this, but Facebook has decided Devizine is a spam site and has blocked our URL. I am trying to rectify this, but to be honest, Iโ€™d get better luck finding alien life in the universe. For now, do as I am doing, try not to depend on notifications from us via Facebook, and go direct to the site, or follow us on Twitter, LinkedIn and Instagram. We plod on.

 

 

Paul Lappinโ€™s Broken Record

A cracker of a single from Swindonโ€™s Paul Lappin this week, a Britpop echoing of Norwegian Wood, perhaps, but tougher than that which belongs on Rubber Soul. Broken Record is an immediate like, especially the way it opens as crackling vinyl and the finale repeats the final line into a fade, as if it was indeed, a broken record.

Shrewdly written, the venerable subject of a passionate breakup metaphors the title, โ€œignore the voice of reason, leave the key and close the door, do you think youโ€™re ready, to become unsteady, like a broken record, you have heard it all before.โ€ Paul does this frankly, with appetite and it plays out as a darn good, timeless track.

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Itโ€™s head-spinning rock, intelligent indie. Harki Popli on tabla drum and Jon Buckettโ€™s subtle Hammond organ most certainly attributes to my imaginings of a late-Beatles vibe. Yet if this is a tried and tested formula, as I believe Iโ€™ve said before about Paulโ€™s music, he does it with bells on.

For less than a chocolate bar, download this track from Bandcamp, it doesnโ€™t disappoint.


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Sign the Seagull Survey, Bob!

Sign away and get your say in how we slay the seagulls, even though thereโ€™s no such thing as seagulls, so they cannot be any causing trouble, here, or at sea. Gulls, Wiltshire Council, without reading National Geographic, could possibly mean. Love or hate them, they donโ€™t taste particularly nice, even with a thousand island dressing, that much we can all agree on. And they can be annoying blighters, taking gluttonous touristโ€™s chips to, you know, survive and stuff like that. Unlike other wild animals which have the common decency to ask politely.

They squawk too, donโ€™t they? Bloody annoying when youโ€™re trying having a lie-in, pondering if Waitrose is lowering its class demographic these days. Dogs bark all night, owls hoot, cows moo, ravers have parties, but none poo on your Audi, keep them. So, if youโ€™re enraged by our relatively low by comparison to coastal areas, increasing seagull population, fill in the survey and you could win a holiday for two to Southend-on-Sea.

Other innocent birds are exempt, even Tory supporters and other pests. Still, let’s bring those gulls in line with the fox and badgers of yore, tally-ho! Pests are pests, but can be subjective, I mean, Iโ€™m none too keen on wasps, and councillors who fail to respond to peopleโ€™s enquiries, such as, is it possible to fix a swing in a park, stuff like that.

Glad theyโ€™re in charge of Wiltshire and not New South Wales, you know, with scorpions and black widows; a gull’s nip on the bottom might not seem so bad then. Read between the lines, one councillor woke up one morning with gull poo on their nice car and bingo, they’re going to convince you we need to punish them all! Next week, who knows, a hoodie might try to nick their hubcaps and all teenagers will be shot.

You know me, Iโ€™m impartial, but maybe we should stop pigeonholing and cull all pests. Talking of pigeonholes, how come weโ€™re fine with pigeons, who outnumber the seagulls and are generally ranked higher in most lists of bird pests? They backhanding the council or what?! You can bet your bottom dollar those pigeons have signed, takes the pressure off them!

Sunset Remedy with JAY

Is it still fashionable to be late for a party, or are we conversant enough to realise this refined art is solely perpetrated by egocentrics pretending to be too popular to be punctual? Rather, Iโ€™m am obsolete slob who can only apologise to Jay and Wise Monkey for my delay in reviewing his debut single featuring the vocals of Ben Keatt, but what excuse can I give? Hereโ€™s where fatherhood comes in handy, being too candid to be vain, least I can blame it on my kids and their perpetual school holiday! That said, Iโ€™ve gained some experience on Minecraft and, if I really try, I can do more than two keep-me-upsies.

Sunset Remedy is the track, released last Friday. Jay, Bathโ€™s first external artist of Wise Monkey Music is a producer and instrumentalist, defined as โ€œa bright shining light in the future of DIY and Bedroom Pop,โ€ and I can only but agree. In the fashion of the classic neighbouring Bristol downtempo sound of Massive Attack and Portishead, it came as a surprise to note the soulfulness beats of this sublime track, as it melodically traipses with funky guitar, poignant lyrics and an uplifting air.

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If Pink Floyd came after Morcheeba, they might have sounded a little something like this; neo-soul, the kind of song you wish was physical matter, so you could pluck it out and give it a cuddle! Itโ€™s breezing with nu cool, with a melancholic plod and would blend between tracks on Blue Lines unnoticed, save for perhaps this backdrop guitar riff, providing scope of multi-genre appeasement. Benโ€™s vocals are breathtakingly touching and accompanies the earnest lyrics and smooth beats perfectly. Yeah, this is a nonchalant chef-d’oeuvre, crossing indie pigeonholes and one Iโ€™m going to be playing until I hear more from Jay.

And don’t run away with the idea I’m singing it’s praises simply because of the delay in getting to reviewing it! So not me. You trust I speak my fractured mind, and anyway, time is an illusion to this aging hippy. If punctuality was money I’d be happily broke; procrastination rules, ok. No, I urge you grab this beauty, and show some love to Jay’s Facebook page.


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Tanya Continues her Campaign; Promised Meeting with Danny Kruger

The protest at Downing Street due to happen today has been postponed, but Tanya Borg has been working tirelessly to raise awareness of her campaign since we reported on it, a fortnight ago. So, a quick update on its progress and how you can help this Pewsey mum fight to get her children home.

Tanyaโ€™s two daughters, Angel and Maya were abducted by their father five years ago, and taken to Libya to live with his family. After being granted full custody in both nations, Tanya travelled to Libya to rescue them, but Tanya explains when they tried to get away, they were bundled in a car and driven away. She hasnโ€™t seen or had contact with them since.

Iโ€™m glad to have received a reply from our email to Danny Kruger on the issue. He stated โ€œI share your concern for the awful and distressing position of this family. Please be reassured I am in contact with Ms Borg and with the Foreign Office, and of course I share your belief that the British government should do everything it can on behalf of British citizens.โ€

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Although Tanya expressed, she has had a reply from Danny, forwarding the response from the African representative, โ€œitโ€™s the same response I got two years ago saying they canโ€™t help, but also that Danny Kruger can offer me a meeting.โ€

A glimmer of hope must go a long way for anyone involved in such a heart-breaking situation, as Tanya awaits a date for this meeting, โ€œbut it could be interesting,โ€ she says.

Meanwhile there is an important petition you can sign, here. Please do.

Here is the Go Fund Me Link, if you can help.

There is also a tee-spring hoody, and tote bag with printed logos of the campaign, and all the money raised will go to the fund, here. Join the Facebook group for further updates, here.


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Hero Wayne Cherry Back in Action!

You may recall hero, Wayne Cherry of Rowde, standing for a hundred hours in remembrance at the top of the Brittox in Devizes during November 2018, to honour those lost in the First World War.

For this yearโ€™s 75th VE day celebrations, self-isolating never stopped Wayne, he pledged to stand in his garden for 75 hours, raising ยฃ1,272 for the NHS fund.

Now Wayne is back, and he has decided to raise funds for SSAFA the Armed Forces charity, for VJ Day in August by completing a 75-mile trek around the Devizes area.

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Under the banner, โ€œNot Forgotten,โ€ Wayne explains his reasoning, โ€œtreatment of allied prisoners of war by the hands of the Japanese army in Asia during WW2 was without question, barbaric. Those who survived struggled to come to terms with their experience and many would never talk about it. 15 August 2020 is the 75th anniversary of the end of the war in Asia and one that I shall be marking with respect.โ€

I asked Wayne how many days he planned to take over it. โ€œI will have to start on Friday 7th,โ€ he replied, โ€œlooking to average ten miles a day, which in reality is a push with a knee replacement and diagnosed with Polymyalgia Rheumatica, which is painful hips and shoulders.โ€ The walk will end on Friday 14th August. โ€œI just grit my teeth and get on with it,โ€ he continued, โ€œnothing compared to those who have paid the ultimate price for the freedom we enjoy today.โ€

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Wayne will start his route each day leaving from Wadworths 10am. He will head towards the Market Place on Northgate St, through the Little Brittox, along the High St following Long St, to Southbroom Rd, and continuing onto Sidmouth St to Maryport St, through the Brittox, and back through the Little Brittox into the Market Place, up to Snuff St, along to New Park St and finally, heading back towards Wadworths. Thatโ€™s approximately a 2-mile circuit, 5 times a day.

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โ€œIt would be very much appreciated,โ€ Wayne expressed, โ€œif anyone would like to accompany me for as little or as long as you wish, I will be carrying a collection bucket each day for anyone who may wish to make a donation.โ€ Alternatively, if you join his Facebook group, here, you can follow and support him, and find bank details, if you would like to contribute this way.

Iโ€™d like to take this opportunity to wish Wayne the very best with his astounding effort, and congratulate him on the amazing fundraising he has done to date already. I know the people of Devizes and the surrounding area will rally to support him, as they have done in the past. Go Wayne Cherry, you are an inspiration to us all.


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