Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going to spend a weekend in Swindon, believe me, the 11th-14th September is the oneโ€ฆ..

An entirely free stroller festival centred in Old Town; saunter the eight venues at your leisure and discover a wealth of talent, mostly ฤบocally sourced. Pop some cash in the buckets and help raise some funds as Old Town comes alive with the sound of music!

As usual I’m going to be the judge and jury for this piece, and recommend those who I personally know who will deliver great sets to amaze you. But in no way is it an exhaustive list, for there will be many others and sometimes you have to put your little toe into the waters and find acts unbeknown to you, for the surprise element; an event of exploration! Whatever you do discover you can rest assured, every act is cherrypicked by the Shuffle Team, of Ed Dyer, a promoter who knows his stuff, Jamie Hill of Swindon Link, Kelly Adams, Paul โ€˜Pajโ€™ Jellings, Avril Jellings, Linda Gulliford, and Paul Gemmill, all equally as aware of what makes Wiltshire rock.

Thereโ€™s a printed program, online too; I’m working off that. Given the fantasy scenario of having the whole weekend to attend and choose between the huge lineup, hereโ€™s how I would tackle the mammoth task of maximising my experience…….


Without further ado, then, Thursday 11th of September belongs to The Tuppenny on Devizes Road, and the Hop, literally a hop across the road. A clash already, 7:15 at the Hop, Bathโ€™s spacey indie outfit Aqaba kick off proceedings, while Swindon soul singer Chloe Hepburn is at the Tuppenny at half past; tricky disco to begin, but Chloe has been on my must-see list for a while!

8pm at the Hop, Sebastain and Me is a deffo, but youโ€™ve only a quarter of an hour to drink up and catch the amazing Joli Soul at the Tuppenny. Again, I would be wearing out the traffic lights or flipping a coin. Iโ€™m unaware of all the headliners from there at both fantastic venues, yet the Tuppeny seems more funky soul and jazz while the Hop is indie, so it would be whether I packed my jazz hat or not!


Friday 12th September again is at The Hop, The Vic aptly on Victoria Road, and the Castle on Prospect Hill. Easy picking to begin with, itโ€™s our favourite Marlboroughโ€™s goth duo Deadlight Dance, on at 7:15 at the Castle.

In fact, Iโ€™d feel inclined to stay at the Castle unless Iโ€™m feeling like Dora the Explorer (which is surprisingly common for me!) as after a new one on me, Loophole, the amazing mod/new wave/britop cover band, whoโ€™ve just begun recording originals, Static Moves is on at 8:45, followed by Black Hats, new to me but promising something skanking, and SN Dubstation, who as the name suggest is Swindonโ€™s premier contemporary reggae export. The Hop is mostly folk on Friday, the Vic is indie-punk-rock and the Castle is alternative and reggae. If I was to fancy venturing off to The Vic, it would be at 10pm for Viduals, an emerging indie rock band who play it hard!


Saturday 13th then, when reality checks in, for this is the only day Iโ€™m likely to be able to make it up to Swindon for realz! You can get a bus from Devizes, you know, they run late now!

All guns blazing, The Tuppenny and the Pulpit rule the daytime, from 2pm until dinnertime, and The Hop, The Castle and the Beehive on Prospect Hill take the evening shift.

The great Jim Blair starts at the Pulpit, a new venue to me, but hey, Chippenham singer-songwriter Harmony Asia plays at 3:15 and thatโ€™s simply unmissable in my honest opinion. Oh but oh, Iโ€™ve heard so much good stuff about Swindonโ€™s pop star Kate X, who is on at The Tuppenny at 3:30, and seriously recommend her too!

Shedric and David Corringan at the Pulpit are two Iโ€™d love to see, and Swindonโ€™s answer to Dylan, the incredible Jol Rose is a must-see at 5:30, but dammit, at the Tuppenny has Emma Doupe at 5pm, followed by the freshest indie-pop fellow I simply must touch base with, Weather at 5:45pm. Ed Dyer, what are you putting me through here, or has Swindon got free cloning booths on every street corner now? Weโ€™re a little behind the times in Devizes!!

Saturday evening, and right, and Iโ€™ve made my mind up about how to attack this, though itโ€™s always subject to change. Bit of cheese, sir? At the Castle from 7:15 with Calneโ€™s comedy rock band The Real Cheesemakers is tempting, Gromit, but thereโ€™s a young Melksham band called Between the Lines on at 7pm at The Hop. I cannot lie, these winners of Take the Stage I wanted to play the Music Awards, for while they weren’t nominated, they should have been and I wanted folk to know why. Iโ€™m heading that way and will report on my findings, hopefully bring them to Devizes by hook or by crook!

The Hop continues with lots worth exploring, Iโ€™ve heard particularly good electronica things about The Crystal Wolf Project, there at 9:15, and Iโ€™ve seen headliners Trunk who will ram the place with devoted fans. But look, The Beehive might be my final Saturday resting place. Dulcet Tones at 8pm, then Bristolโ€™s Hannah-Rose Platt; look, just read my album review HERE and youโ€™ll understand this is without doubt a must. And, double-whammy, she is preceded by one of my all time favourite Swindon bands ever, the dark twisted country of Concrete Prairie. Always a must, especially at the Beehive at 9:30pm; save me a quarter of an inch to squeeze into, somewhere near the Tardis.

After that Iโ€™m anyoneโ€™s cheap date! Maybe Iโ€™d check out the Castle, as itโ€™s downhill and looking like hard rock underfoot with Lucky Number Seven coming the most personally recommended, at 9:30pm and followed by Modern Evils.


Then thereโ€™s Sunday 14th September, doesnโ€™t Swindon Shuffle know when to stop?! Wowzers it gets better; The Pulpit, Tuppenny and Beehive are up for your attention. Daytime, 1pm at the Tuppeny for Plummie Racket, stay there for Sienna Wileman and youโ€™ll be glad you did. But pop across to the Pulpit for 2:15 where Devizes is represented by our most excellent blues crooner and kazoo blasting JP Oldfield. I love this guy; Devizes man-hug!

Itโ€™s a Chippenham takeover from then at The Pulpit, Mexican Dave Iโ€™d recommend at 3pm, but M3G is a must and one of my personal favourite singer-songwriters on the local scene right now. Just prior to M3G though, be very tempted to nip back to the Tuppenny at 3:15 when Richard Wileman and Amy Fry do their thing, and thatโ€™s worth its weight in gold. 

Across to the Beehive for the finale to what looks like another unforgettable Shuffle, 6pm, Canuteโ€™s Plastic Army is unmissable, and so too is Joe Kelly & the Royal Pharmacy at 7:30pm.

No forgoing the fringe events, a Shuffle quiz night at the Beehive on Wednesday 10th, the Shuffle Community Ceilidh with The Cowshed Ceilidh Collective Saturday night at Eastcott Community Centre from 7pm, and open vinyl DJ sessions at The Prospect Hospice Book & Music Shop on Victoria Road, each day midday till 4pm.

Then, youโ€™ve only got to wait until the end of January for the Shuffleโ€™s winter version Swinterfest! Swindon Shuffle is a whoโ€™s who of local music, a convention and an institution, a fundraiser like no other, and you wonโ€™t even have to navigate the Magic Roundabout, pinky promise!

Info about Swindon Shuffle and full line-up HERE


Trending……

Something went wrong. Please refresh the page and/or try again.

Female of the Species Return for the Last Time

โ€œMore deadlier than the maleโ€ is my usual corny pun for this, but if supergroup Female of the Species returns to Melksham this September, it looks like the last time Iโ€™ll be able to use itโ€ฆ.

September 2017, when Devizine had merely eight articles published, I previewed a charity fundraising event in Melksham, The Female of the Species, and Iโ€™ve loved it and supported it since. A supergroup composed of the frontwomen of various local bands, they were already in their second year, but after ten years they announced this one will be their lastโ€ฆ.

Julie Moreton from Trowbridgeโ€™s ska and reggae covers band Train to Skaville, formed the supergroup Female of the Species with Nicky Davis from Warminster-based The Reason, Glastonburyโ€™s Julia Greenland from Soulville Express, Fromeโ€™s Claire Perry from Big Mammaโ€™s Banned, and solo artist Charmaigne Andrews, for an annual fundraiser at the Melksham Assembly Rooms; it became a much-loved institution and has raised over an estimated ยฃ25-30K for various local charities chosen annually.

Itโ€™s an incredible amount, but Julie revealed she wasnโ€™t sure of the grand total over the combined years. โ€œWe’ve never really kept a total of what we’ve raised,โ€ she modestly told me, โ€œwe sang a few songs, and someone’s life got a little better is how we think about it.โ€

Their tenth and final time performing the fundraiser as The Female of the Species will be at The Melksham Assembly Hall on Saturday 13th September 2025, and will be raising for Voices, a Bath-based charity supporting survivors and overcomers of domestic abuse and violence to recover and thrive. Tickets usually sell out quickly, you can grab yours HERE.

And youโ€™ll be glad you did, the accumulation of five talented singers from different bands, coming together for a sizzling melting pot of all popโ€™s subgenres, from rock, soul and reggae, blended with some filthy banter is something to behold, a whole lot of fun and dancing. Thereโ€™s always a quality support act too, the likes of Plan of Action, Becky Lawrence and Dylan Smith have all warmed up the audience in previous years, but the girls have called inย Laura Jayne, their first ever support act, who has carved out her own career as a vocalist.

With only months to raise hundreds of thousands of pounds or face potential closure due to the building it leased being beyond economical repair, in 2024 Female of the Species raised funds for Trowbridge preschool Rainbow Early Years. 2013 was for Alzheimerโ€™s Support, and previous years theyโ€™ve supported Mind, Young Melksham, Wiltshire Air Ambulance, and one very close to our hearts here at Devizine, Carmelaโ€™s Stand Up to Muscular Dystrophy.

They received a Civic Award in 2019, a letter from the Queen Consort, and thanks from the Chartered Institute of Fundraising. For a couple of years, with a misinformed council, they made the move to Seend Community Hall, but in 2024 they headlined Melkshamโ€™s Christmas light switch on and are now back at the Assembly Hall. Although, where and why did it all begin?

โ€œI started The Female of the Species because I didn’t like the way women were perceived on the local music scene,โ€ Julie Moreton told us. โ€œOut with Train to Skaville, at a couple of local festivals I noticed I was the only female on the stage, so I went into the green room and asked โ€˜anyone got any girls in the band?โ€™ The reply was, โ€˜we don’t have girls in our band because theyโ€™re unreliable, always gotta find a babysitter!โ€™ At another  festival I asked the same question, this time the reply was, ‘we get a few girlie’s in when we want some backing lyrics done!โ€™ It bugged me for about a year, then I decided to do something about it, spoke to my co-founder Julia Greenland, we booked the Civic Hall, without really knowing what we were doing!โ€

They only ever planned the gig as a one-off in 2014, but went on for ten years. Julie concluded, โ€œthe rest is history,โ€ until hilarious force of nature Claire โ€œBig Mammaโ€ Perry had to butt in with her welcomed thoughts too!

โ€œI joined this crazy bunch after their first year of performing,โ€ Claire  informed me, โ€œwith, I have to admit, some apprehension!!โ€ and continued to explain her reasoning; being โ€œbadly burntโ€ by another woman in a band; I didnโ€™t dare delve deeper! 

โ€œBut after Jules and Julia convinced me,โ€ she continued, โ€œI thought Iโ€™d be mad not to, โ€˜cos it’ll be fun!  I have to say….I’ve never looked back, well, maybe once or twice, to tell the drummer he’s too frigginโ€™ loud, or asleep, or pissed!โ€

โ€œIt’s been hard work every year, to get the time needed to rehearse, as all the band have their own commitments be it musically, or with their own families and lives, but what a privilege itโ€™s been every year to raise not only awareness of our chosen charities, but of course the money  that has helped them all, in whatever way they chose to put it to use.โ€ 

โ€œI think, if I may speak on behalf of all of us, what being in the Female of the Species has done for us, is to firmly secure the respect, admiration, and amazing friendships we have made amongst us all. Every year, we come out, smiling, (teeth & tits!!) to our trusty, and loyal audiences, professional to a fault, to put on, what we hope- will be a great show…but often hiding, or certainly masking, our own sometimes sad or heartbreaking dilemmas!โ€

Claire described how every year one of the members had issues in their personal lives, โ€œwhether that be, broken hearts, broken limbs!โ€ and here I recollected the year Nicky Davis hobbled out with a broken leg, and stunned the audience standing for her solo, but Claire reflected back three years past, when she lost her mum the night before the show.

โ€œTen years at the top of our game, we hope we can raise the rafters on this, our big celebration of music, friendship, and helping decent people, working to help others in chronically under funded charities, and get the place bouncing!! For me, itโ€™s been a blast, boosted my confidence and morale, and it’s made me proud of what a bunch of musos from the West can do, when we put our collective skills in the pot. Over the last ten years we have been The Female of the Species band, we have raised somewhere in the region of 30K for some very deserving people. It’s been a slog, it’s been a grin, but most of all…it’s been a pleasure!โ€

The pleasure has been ours, as we turn the final page, The Female of the Species will become an historical landmark on Wiltshireโ€™s music scene, and I still didnโ€™t get any of their phone numbers. For one last time youโ€™re invited to help them raise the roof of the Melksham Assembly Hall on Saturday 13th September 2025, but you need a ticket from HERE.


Trending…..

Something went wrong. Please refresh the page and/or try again.

Devizes Scooter Rally; Best Yet, Ranking Full Stop!

If there’s been hearsay and ballyhoo about the date clash of two major but individually different events in Devizes this week, I hold my hand up for stirring the pot, yet try to attend both and find fair balance. But at the dawning of them, as magical as the FullTone Festival is, it cannot be argued, Devizes Scooter Rally was the success story this weekendโ€ฆ..

My afternoon was spent, Muck & Dundar piรฑa colada in hand, in the magnificence of FullTone’s mighty stage, Vivaldiโ€™s Four Seasons striking out with the acoustics of the gods, in awe at glitter-faced violinist Katy Smith and the orchestra behind.ย 

It is unquestionably a fantastic event. Though Devizine isn’t my employment, neither a public service, it’s a hobby, its opinions driven by the personal preferences of the authors. As much as I pretend to be classically cultured, there’s another gig I’m impelled by preference to explore; Devizes Scooter Rally.ย 

Handbags and gladrags for a cider guzzling retrospective camping adventure on the future site of FullTone, Park Farm. The scope for expansion for FullTone is available here, even if townsfolk accustomed to a freebie from their deckchair on the small green might whinge, at least the date will not clash and Devizions can enjoy both next year, if they so wished. Yet if the clash must remain, my devotion is towards the Rally, because it’s more my cuppa.

I’m standing upfield with the โ€œColonelโ€ of Devizes Scooter Club Adam Ford and his partner Lauren Gibbs, watching the sun setting across the vast expanse of tents, campers and scooters; neither sure nor fussed over stats, but the site is at least 25% fuller than last year, which was recordbreaking too. They, club members, and volunteers have been here all week, setting up this magnificent spectacle, now feeling the fatigue but maintaining smiles, and the bar staff continue regardless of lost voices and aching feet. The club built the fantastic bar themselves, and once the rally is opened this testament to their conscientiousness never creates a dull moment.

The sound reputation the rally has built, both locally and nationwide has boosted attendance figures, the headlining of Ranking Jnrโ€™s incarnation of The Beat assisted. A bold move to introduce a renowned name, but the Club needs to discuss just how willing they are to expand the rally, the issues it may raise, but in general the consensus seemed to be that in fear of losing the communal and hospitable atmosphere, this yearโ€™s Rally might be as large as they are willing to take it. I like this, for the atmosphere is sublimely buzzing, yet it retains a friendly, family vibe.

The spirit of the attendees, or the overall โ€œvibeโ€ is key to its success, and something no matter how much dosh you throw at the mechanics or promotion of an event, you canโ€™t manufacture. It just happens, via the altruism and motivation of the organisers, presenting an affordable occasion welcoming all. The scooterists flock here from every corner of the country, the locals are now keen to come too, because thereโ€™s no boundaries or prejudices dividing them. It is also, undoubtedly the nostalgia they all love, a merger of youth cultures of yore, and, for the younger attendees, its influence on today. This, and the certitude ska, reggae, and soul is irresistibly danceable, and for the locals, genres something rarely provided here.

Devizes Scooter Rally is top of its own class. Other largescale rallies have debatably lost their communal atmosphere through their expansion, and those at the lower end of the scale do not pack the same powerful punch. Five bands are booked, thereโ€™s lengthy breaks between them filled with the renowned DJ Terry Hendrick, and no one batters an eyelid in botheration. This isnโ€™t exactly a festival even though it might appear so, more a gathering of likeminded, out to party like thereโ€™s no tomorrow! They gather to chat, drink and be merry; thatโ€™s the motto reflected.

The Butterfly Collective, the penultimate Saturday night act seemed far more polished and diverse than last year, and took us on a grand historic musical journey of covers, relevant yet era-spanning and anthemic. What would finalise the live acts was bubbling the anticipation and excitement of the crowds jamming themselves into the marque.

Two-Tone pioneering bands striving towards chart success in the early eighties attempted it in different ways. The Specials upheld politically-motivated teenage anguish, The Bodysnatchers used their frontgirl for feminist awareness, Madness locked into a carefree fairground sound to appease the youngest, but The Beat achieved it by combining musical styles which would change the nature of pop. Punk, ska, soul and reggae, even Latino influences were not off the cards for The Beat. Though, as seemingly mandatory of the Two-Tone style, an Afro-Caribbean toaster was provided, and his unforgettable name was Ranking Roger.

2019 Ranking Roger sadly passed away aged just 56. We heard a heartwarming homage to him in both speech and song from his son Matthew Murphy, aka Ranking Junior, and though subtle not to sombre the mood, it was emotional. The remaining time was spent absolutely and categorically rocking the crowd with a combination of self-penned songs in the skanking fashion of The Beat yet updated with subtle dancehall and obviously classics from the original lineup when the concentration leaned on his father rather than Dave Wakeling. In so much we weren’t treated to tunes like Canโ€™t Get Used to Losing You, but at the height of the party mood, Mirror in the Bathroom, Full Stop, Hands Off…She’s Mine and an updated Stand Down Margaret did more than suffice. 

It was off the scale, a perfect balance of testament to his father and his own progression, akin to Ziggy Marley, a high but deserved accolade. Through his youthfulness was the drive in the show, the same zest and raw energy his father wouldโ€™ve delivered in his prime, and that was simply delicious, respectful and infectious.

Once the steam had lessened and the night bit in, Terry would supply the other end of the musical difference of contemporary scooterists, Northern Soul. So if the soul dancers were persuaded by genre to hover outside while Ranking Junior’s The Beat took on this timeless extravaganza, the dancefloor was now theirs to show off their fancy moves, and they did!

What a fantastic, peaking blinder on our doorstep, I only hope Iโ€™ve done it justice trying to express how bloody marvelous it was, especially the afternoon after the cider I consumed! Devizes Scooter Club, friends and family sure know to throw an unforgettable shindig, and maximum respect to them for the diligence and efforts they put into putting this rally firmly on the map, again. It just gets better each time! 


Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™s good enough for King Alfredโ€ฆ..

The Royal Oak has filled a gap, hosting quality regular music nights under the production of Wiltshire Music Events, but this Saturday was the true test, transforming it into an inaugural carpark-festival, an icing on an already delicious lardy cake, though equally a learning curve.

Programming by Eddie Prestidge, so passionate about spreading word of musicians south of the county, inevitably overbooks, as is his desire to showcase as many as feasible. He called me Friday, delightedly informing me George Wilding was added to the already jammed schedule; but how will he fit him in?! 

Thinking big; quality stage production, security, generous VIP hospitality, two food outlets, and hopeful punters would flood the site. The latter being the only dubious thing about the event. All the right ingredients there, comparable, the price reasonable, certainly got your money’s worth, but to debate only a sprinkling were attracted is opening a Pandora’s box to a general plight of austerity, flooding the festival market, or a combination of the two; every man and his dog are putting them on and there’s only so many individuals can reasonably attend.

Therefore, established festivals may well appeal over the risk of testing a new one, but I was assured here, as I suggested you should be too; Wiltshire Music Events has hosted many great ones in various locations; your money goes on production and ensuring musicians are paid their fair share, something sadly overlooked by other organisers. CrownFest and Salisbury Market Place were the most memorable, plus, whenever The Marley Experience is in the area that’s where I’m gonna be, sir! 

A win-win for me, who was due to attend the fantastic Minety but work and family commitments shadowed this; possibly an argument supporting pub mini-festivals over larger established festivals. Convenience for the middle-aged wrought with unpredictable employment culture or family commitments, above the intense arrangements necessary for a three-day camping extravaganza, such as the beautiful Minety. The mini-festival goer can be spontaneous; it’s Saturday, my only day off, sleeping in a tent is for younger nutters. Iโ€™ve  been otherwise occupied on recent weekends, so, like Peter Pan in spirit but not in body, I’m determined to make up for it this weekend!

There I be, Pewsey, dammit, in an apt Bob Marley tee, watching the grand finale ignoring the timetable; Bird is The Word captured the moment on camera! The Marley Experience professionally captivated and caused the slight crowd to appear larger, with their infectious and irresistible homage to Bob Marley & The Wailers; a matchless show, the band tight, expressive and clearly adoring the limelight of what a decade of dedication has perfected into a sublime tribute act.

But there was magic in the air prior, which opened with Pewsey-own The Little Big Band, and was followed by Rosie Jay and Leon Daye, all of which, due to aforementioned commitments, I missed; and I love Rosie Jay. Though her last single we reviewed was a duet with Salisburyโ€™s award-winning newcomer Lucas Hardy, and on that ground alone I was delighted to catch the end of his superb set. With George Wilding penultimately added, I saw a similarity in Lucas to George’s early years, a natural and unpretentious talent who can engage an audience with a guitar and smile.

Returning from cruising tours, George Wilding doesnโ€™t plan, doesnโ€™t need to, he just charms as usual; if heโ€™s an interactive human jukebox, heโ€™s one of those polished decorative American ones from the fifties. Shout your requests, George knows it, or will give it a try, make it his own, and youโ€™ll love him for it, you wonโ€™t be able to help yourself!

Between those two, then, a basic four-piece setup from Andover with a repertoire of rock classic covers sprinkled with a folk tinge, called The Tipsy Gypsies. Their music commanded Iโ€™d come to the right place. The premise sounds simple, the effect was far from it. They owned the stage with accomplished showmanship, stylised renditions, and a barrelful of fun.

Gypsies tipsy perfect for what would follow, a Somerset Pogues tribute known as The Phogues. Now things were going to really liven up, as, warts, a spilled round of whiskey shots, and all, were divinely caricatured. The Pogues uniquely blended Irish folk with punk, others mimicked it, overshadowing the blueprint. When Phogues return to the originators, you recall why it was copied aplenty; a stern yet fun reminder to the heyday of Shane and bandโ€™s drunken skullduggery, and the music which somehow spawned from it!

Despite being off-season, they told me they had to do โ€œthat song,โ€ and I supposed they did. So, between Streams of Whiskey, Fiesta, Sickbed of Cuchulainn and just about every favourite Pouges song of mine, they drafted in the assistance of unsuspecting Claire Grist, singer and self-proclaimed โ€œright titโ€ of Bird is the Word music promotion, to be Kirsty MacColl, and who made a good job of it. Was their female vocalist absent? No, itโ€™s a gimmick to invite anyone from the audience to take the position, they explained to me, but hey, they didnโ€™t need gimmicks, they did a fine job of bellowing out the beloved Pogues songs far sober than the originals ever did.

Time for a change of direction, as local indie-pop favourites Talk in Code rocked up for a lengthy set of eighties-inspired synth-rock bombs, ate complimentary curry, and lit up the stage with their electric presence. If youโ€™ve come to an event expecting cover bands, Talk in Code donโ€™t go there, but their infectious originals cause you to wonder if youโ€™ve heard them before, on some Now, Thatโ€™s What I Call Music compilation album from 1986. Hereโ€™s the lads in perfect sync, jumping, flaunting their perfection, as ever, doing what they love and engaging any audience from roughneck boater to FullTone Festival punter; they never fail to obtain admiration.

Time pushing on, George Wilding entertained while The Marley Experience prepared, and did their amazing thing, exploding the finale with irresistible reggae vibes. Oak Festival, Pewsey Live, or whatchamacallit, couldโ€™ve been more affordable, by skipping on some of the magic, but they chose to showcase the lot, that paid off to those there, but I suspect, as videos and images emerge, folk not there will be wondering how and why they missed it. They could have overplayed their social media promotion, and a striking poster mightโ€™ve been advantageous, yet I believe thereโ€™s a delicate balance which sees one event sellout and another left threadbare, and itโ€™s debatable what causes this. For what itโ€™s worth, I’ve seen lesser attended first time festivals, much less, and the slight crowdโ€™s merriments made for a population tenfold from the reality!

There was a kebab van, but the delicious waft of curry from a stand, by Tale of Spice on Pewseyโ€™s North Street, twisted my arm. There was little in alternative entertainment, insufficient pub loos, but with concentration on the lineup, this was a welcoming, fun and lively occasion, a showcase of Wiltshire Music Eventsโ€™ quality and varied artists, and petty issues one can shrug off uncaringly when the vibe is this alive. 

Pewsey rocked into the cooling night, possibly later than planned, but no one whined on social media, because this is Pewsey, not Devizes; a carnival village where rather than rant you cannot hear your pin drop, you get your slippers on and join in! 


Trending….

Something went wrong. Please refresh the page and/or try again.

International Reggae Day: Ten Reggae Songs You Might Not Know, But You Doโ€ฆ.

1st July marks International Reggae Day, and I want to jam it with you. Why? Because as something of a reggae connoisseur I cringed when someone once asked me if Eric Clapton or Bob Marley recorded I Shot The Sheriff originally. It didnโ€™t deserve an answer! 

It occurred to me, going on this, old ravers with no idea who Max Romeo was until he sadly passed in April, and the amount of songs wrongly listed as being by Bob on YouTube, that your average Joe Bloggs doesn’t know as much about reggae as they should!

Pop music was born on the American railroad construction where slaves mimicked the overseersโ€™ folk dances for their sarcastic amusement. Simplicity was key and the quadrille, or French square dance was popular, initialising a four beat system which will stick like mud to pop forevermore. But the 1950s changed the template slightly; experiments in jump blues by rock n roll pioneers like Fats Domino, discerningly skipping the last beat, effectively created the offbeat.

The offbeat was the kind of thing the Jamaicans loved, as the radio masts left by American troops became essential to their musical expansion, away from their traditional folk, mento. Already accustomed to jazz, and recording studios on the island creating their own, now the Jamiacans were exposed to rhythm & blues and country music from the States. The studios recorded their own beatbop, jump blues, doo-wap, even country. At Duke Reidโ€™s Treasure Island one ex-boxer producer called Prince Buster was passionate about the shuffle rhythms of axemen like T Bone Walker, and instructed his band to copy this over an offbeat. When Buster cut the rehearsal the guitarist strummed the shuffle backwards to bring it to a stop, and behold Jamaica had their own pop music, ska.

Duke Reid himself never liked ska, and it was up to rival Coxone Dodd at Studio One to popularise the homegrown style with his in-house band The Skatalites, classically trained students of Mary Ignatius Davies, a Sister of Mercy at Kingstonโ€™s Alpha School for wayward boys; yep, a pioneer of reggae was a nun! 

Searching for any gimmick to promote tourism, The Jamaican government exploited their new musical export, sending artists to New York to promote ska, but in the shanty towns the music would become associated with gang culture, the rude boys. An enforced curfew, a blistering hot summer, and the expense of brass sections, all caused the music to mellow, concentrating on vocal harmonies; rock steady, arguably Jamaicaโ€™s most creative musical period.

Ever-progressing, the bass increased as rival sound systems battled it out and awareness of Rastafari grew; reggae spawned from rock steady. Reggae will slowly spread worldwide, but no more felt than in the UK, as record labels producing cheap music intended for the Windrush generation, were also brought by British mods. Though in England, reggae at the time would still be seen as novelty. It would take Chris Blackwell endorsing Bob Marley & The Wailers, subsequently signing artists like Toots & Maytals, and, in competition with Bobโ€™s popularity, Richard Branson sending Johnny Lydon to sign as many emerging reggae singers to Virgin as he could discover, to put reggae into a respected international market.  

Meanwhile Jamaica was moving away from roots reggae, noting instrumental sections where the crowd danced, pioneers like King Tubby and Lee Perry progressed to dub. Techniques in dub were transferred to New York by Jamaican immigrant DJ Kool Herc, who used them in funk and electro mixes to found hip hop. While the world embraced the success of Bob Marley and the Wailers, reggae progression was kingpin to pop in general. From punk and Two-Tone to hip hip, onto the breakbeat rave era, reggae was fundamental in shaping pop music. I believe this is sorely overlooked; one good reason to have International Reggae Day! The second is the very reason why itโ€™s so influential and the reason why I love it so much; the offbeat, which makes you jump, be in ska, dancehall, or all the styles in between, they all work on the simple offbeat, and itโ€™s irresistible!

So, you know a little bit more about the history of reggae, now you need to listen to some! But I reckon, even if you donโ€™t know many reggae songs outside of the Marley classics, you know more than you think you do! Hereโ€™s some examples, some songs you might recognise from the pop songs they influencedโ€ฆโ€ฆ


1: I Shot The Sheriff- Bob Marley & The Wailers.

Obvious first. Blackwell was adamant reggae would inspire the rock aficionados, but when Eric Clapton called Bob, history was made which would seal the deal. Ericโ€™s version was his only US number one, and was inducted into the Grammy Hall of Fame. Nineties kids might also recall Warren G, oh well!

2: Rivers of Babylon – The Melodians. 

Lord producer of music thievery Frank Farian manufactured pop crime in a manner unheard of at the time, but is standard protocol now. Boney M was his first infringement, their 1978 smash hit is one of most popular songs, ever, but the original was recorded eight years previous. A Rastafari prayer, meaningful verses were sacrilegiously altered for the pop version. 

3: The Tide is High – The Paragons

With the silk voice of John Holt, this beautifully crafted 1967 Paragonsโ€™ track was at the beginning of rock steady, but you know it either as a Blondie song or, if you cringe the feeling, by Atomic Kitten in 2002.

4: Kingston Town – Lord Creator

Donโ€™t get me wrong, I loved UB40, but once Red, Red Wine hit number one, they rarely wrote their own songs, rather dug into the reggae back catalogue for covers. Originally recorded by Neil Diamond, Red Red Wine was a popular reggae hit for Tony Tribe. But if many reggae tunes UB40 covered were rare beauties, none so more than Kingston Town by Lord Creator on Clancy Eccles’ Clandisc label in 1970. And donโ€™t get me started on Paris Hilton!  

5: Rudy, A Message to You – Dandy Livingstone

Two-Tone was everything in 1979, in the UK, and The Specials were the kings of it. The original message was sent by British Jamaican Dandy Livingstone in 1967. We canโ€™t argue with this, all the reggae covers were respectfully done at Two-Tone, the Specials version even featured the same trombonist, Rico Rodriguez. Even if Dandy himself didnโ€™t know about it until he saw Top of the Pops, many of his songs were eyed for Two-Tone hits, such as The Bodysnatchersโ€™ Let’s Do Rock Steady

6: Chase The Devil – Max Romeo and The Upsetters 

Max Romeo might be seen as the naughty reggae singer who recorded a song called Wet Dream, but nineties ravers will know this 1976 tune only too well. Just like Two-Tone, the breakbeat house of the nineties homegrown rave scene was hugely dependent on reggae. Where would the Prodigy be without Max Romeo, certainly not in outer space. But hey, SL2 also borrowed from reggae, Jah Screechy’s Walk and Skank became On a Ragga Tip, and I could go on!

7: Reggae Merengue – Tommy McCook & The Supersonics 

This. A calypso riddim over a reggae beat in 1970 became the unlikely sound of London circa 2006, when Lily Allen recorded LDN. Itโ€™s instrumental, Tesco wasnโ€™t mentioned!

8: Cherry Oh Baby – Eric Donaldson 

Winner of the 1971 Jamaica Song Festival, Cherry Oh Baby was by Eric Donaldson with backing by Inner Circle, and produced by Bunny Lee and Tommy Cowan, but you might remember it as a Rolling Stones song five years later, or UB40 in the eighties.

9: Nimrod – The Skatalites

Studio One in-house band, The Skatalites recorded this in 1965, yet in 1998, when big beat was the thing, Justin Robertsonโ€™s Lionrock seemed to have something striking similar in the charts, their only massive hit. Rude Boy Rock was big in FIFA ’99, and in it was also the toaster sample, “this is a new skank, get ready;โ€ it wasnโ€™t a new skank at all, was it? Lionrock, you fibbers, it was thirty-three years old at the time!! 

10: Stalag 17 – Ansell Collins

Okay, you should know Sister Nancyโ€™s Bam Bam, everyone sampled it, Lauryn Hill, Groove Armada, Chris Brown, Kanye West & Rihanna, Beyoncรฉ, and Jay-Z. It is the most sampled reggae song, but the title was taken from a Toots & The Maytals song of the same name and the riddim itself was ripped from this wonder, Ansell Collinsโ€™ Stalag 17, released by Winston Riley’s Techniques record label in 1973.


Yay! I might tag Ansel on the Facebook share, because he sent me a friend request a few years ago, because thatโ€™s the unity of reggae. Without the racially segregated charts of the US, Jamacians could be influenced equally by any genres the radio stations threw at them, and in many ways, reggae can be a bridge between them. We might assume reggae was inspired by American music of black origin, but thereโ€™s plenty of examples where country music also inspired them, so in reverse to our list, Iโ€™ll drop some more reggae below, clearly influenced by countryโ€ฆ. And then we can all celebrate International Reggae Day!

Returning to Kaya Street For Fuller Soul Sessions

In November last year I was mightily impressed with Bristol soul-reggae producer Kaya Street, and reviewed their EP The Soul Sessions, read it here for thereโ€™s no reason to go back through rewriting it, everything I said stands, except for one sectionโ€ฆ.

At the time I praised Kaya Street for the experimental fusions which seemed to switch from four-beat soul and jazz into offbeat reggae, simultaneously evoking sounds of Africa like soukous. I said, โ€œitโ€™s not the ingredients in Kaya Streetโ€™s melting pot which makes it prominently interesting and beguiling, rather the way they stir it, the method in the composition and production.โ€

Despite taking into account albums like Mo Waxโ€™s 1996 Money Markโ€™s Keyboard Repair Kit, which used short fragments and splinters of ideas deliberately juxtaposed to create a kind of musical mosaic, I did make a slight criticism about The Soul Sessions, and that was that they were underdeveloped and tended to end abruptly and far too soon. I stated at the time,  โ€œIf I am to find some niggly, itโ€™s a lack of intro; the songs tend to jerk right in, but I guess itโ€™s because I have the single edits here, and Kaya Streetโ€™s impressive lineup is plentiful to convince me they know the formula to extend and polish.โ€ 

I am glad to hear that has now been amended and extended versions of the radio edits have been uploaded to Spotify. Each tunenow runs at an average five to seven minutes, and sounds complete. Itโ€™s now time to fully ingest the absolute magic of Kaya Street, in which youโ€™re taken in smoother and played out satisfied by more wholesome versions of their interesting and wonderful fusions, and melting pot of influences, and, in turn, the journey is now complete.


Trending….

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation of anxiety andโ€ฆ

Keep reading

The Oak Festival; The Best Thing to Hit Pewsey Sinceโ€ฆ..?!

Yet to witness it myself but heard on the grapevine, the blossoming liveliest place to be in Pewsey at the moment, is, apparently the Royal Oak. Wiltshire Music Events, who brought us CrownFest in Bishops Cannings and sold out Devizes Corn Exchange with The Marley Experience, has been at the forefront of furnishing the pub with gigs from the growing wealth of talent on their books. Tempted to drop by and check it out asap, but if all else fails, Saturday July 5th sees them holding a debut mini-festival, which is double-underlined on my personal calendarโ€ฆโ€ฆ

The Oak Festival is an all dayer boasting seven bands, food and outside bar, but itโ€™s the lineup which will really wow. Three, no, thirty yeses from me, to The Marley Experience headlining, being smitten with Bob Marley & The Wailers since day dot and after much deliberation, these guys recreate their music and vibe with such unprecedented precision itโ€™s unmissable.

Thereโ€™s also a lively Irish folk element to the festival with The Tipsy Gypsies, and Pouges tribute, The Phogues, both Iโ€™ve yet to tick off my must-see list, but they also dive into indie with the blues edge of The Leon Daye Band, and our favourite-most indie-pop masters Talk in Code, who need no introduction here neither further praise; forget sliced bread, theyโ€™re the most electrifying exciting local act we have.

Thereโ€™s two acoustic singer-songwriters too, Lucas Hardy who Iโ€™ve heard only good things about, and Salisburyโ€™s Rosie Jay, who with her poignant writing and exquisitely unique delivery overnight clocked into our all-time hall of fame here at Devizine!

Early bird tickets at an extremely reasonable ยฃ25 are available until 1st Feb, HERE.

Later the price goes up but only slightly, to ยฃ32.50, which, once youโ€™ve seen The Marley Experience, youโ€™ll realise the ticket stub was worth it just to see them alone, and why Iโ€™m all excited about this one!

It could be the best thing to happen in pea island since carnival, since the coronation of Alfred the Great; trust me on this one!!


Two-Tone Icons, The Beat Headline Devizes Scooter Rally 2025

Matthew Murphy, or Ranking Junior, son of the late Roger Charlery, aka Ranking Roger vocalist of eighties Two-Tone ska band, The Beat and new wave collective General Public has settled into the shoes of his father and now fronts a reformation of The Beat, which tours extensively. This includes our blossoming scooter rally in Devizes this coming summerโ€ฆ.

If thereโ€™s two types of scooter rally and scooterist festivals in the UK, the boss events like Skamouth and BSRA nationals, and those locally-based eensy events constituting little more than a beer garden with DJ, showy hairdryers and undercooked hotdogs, Devizes Scooter Clubโ€™s annual rally has sat between the opposing levels, aspiring to better the value of municipal rallies. In its fifth year, Devizes Scooter Rally sets a president above them, striving to create the kind of environment more suitable for those mainstream โ€œbossโ€ events, yet retains the communal atmosphere of smaller events; thatโ€™s its magnitude; it is a blessing to our town to host it.

It does this by staging an impressive, tried and tested lineup in a hospitable and affordable atmosphere. Itโ€™s the Mardi Gras of the club, and members work tirelessly to welcome guests and design the perfect setting. This is not me flattering them, last year I spoke to several guests at the rally, from all over the UK, who stated, (in their own subtle and slightly dribbling way) the reason they love this event is precisely this balance between the electric atmosphere of a local event yet packing the punch of an established larger oneโ€ฆor words to that effect!

Whilst music at the rally has always been first-class, names might not be so recognisable to those outside the scooterist niche. This is set to change, as Birminghamโ€™s The Beat were one of the key bands in the UK ska revival of the late โ€˜70s and โ€˜80s, and managed to crossover to the mainstream. Youโ€™ll all remember Mirror in the Bathroom, Hands off Sheโ€™s Mine, and so many others, my personal favourite, Canโ€™t Get Used to Losing You. Youโ€™ll all be up dancing, and making that essential Full Stop, Iโ€™m sure.

Set for the weekend of 25th-27th July, the rally for 2025 also boasts The return of the Butterfly Collective, Small Faces tribute, Small Fakers, Wardour Street, Cardiffโ€™s The Brew, and DJs of the Soul Pressure sound system, but, thing is, youโ€™ve only a couple of days to get your early bird wristband. Facebook message the Devizes Scooter Club, or call 078088 49965 now!

Goldsteppers at Devizes Scooter Rally 2024

Trending…..

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Keep reading

Something went wrong. Please refresh the page and/or try again.

Swindon’s Silver-Star Teams Up With General Levy to Motivate Swindon!

I’m loving this new tune! Swindon’s upcoming reggae singer/DJ Silver-Star has teamed up with the legendary General Levy for a drum n bass golden nugget called “Put Me Down,” with a video filmed on locations in Swindon and Highworth. The aim is to motivate people and promote Swindon town….

What a grand start for Silver-Star, to team up with Levy, his smooth vocals over the legendary toaster, but there’s more going on here than first meets the eye. Over a ragga-drum n bass roller the two contrast perfectly, but it’s no mindless banger, there’s a sunny side of the street against all odds narrative, encouraged by the brilliantly inspiring accompanying video, set in various locations across the town.

It shows the struggle with everyday issues and holds a message to rise above them, yet it retains a beguiling hook you simply have to bounce to! Eye of a tiger, it’s a local reggae Rocky!!

Do check it out, follow SilverStar on Instagram and, most importantly subscribe to his YouTube channel. I look forward to seeing more from this emerging artist, and wonder if he can top this!!


Trending…..

CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Keep reading

The Soul Sessions from Bristolโ€™s Kaya Street

In 1985 Tenor Saw toasted the lyric, โ€œanother sound is dying,โ€ in Ring the Alarm. It implied his sound was the contemporary champion, yet while it’s true reggae is competitively progressive, this particular tune’s dubplate derived from the Stalag riddim created by Ansel Collins twelve years earlier, as did Sister Nancy’s Bam Bam and numerous others. I appreciate the ethos of dubplates, for a musician to lay down a track and various singers to interpret it, but favour, if you want a true contemporary champion sound, itโ€™s not to regurgitate existing riddims, but to use past influences to create original composition; the more the merrier! I may have opened a Pandora’s box upon receiving The Soul Sessions EP from Bristol’s Kaya Street, but it’s certainly a refreshing and interesting original soundโ€ฆ..

In a promotional shot advertising their latest single Wild Child, getting spun on Daniel Pascoe’s BBC Introducing show, Kaya Street’s main man, Kaya, is shown wearing a Trojan Records logo on his T-shirt, it connotes awareness of their roots. I beg to differ from their accompanying quote, โ€œlike nothing we’ve heard before,โ€ while perhaps not recently, the fusions Kaya Street experimented with here, reggae, soul, and afrobeat, have indeed been tried before, in abundance.

I could cite bands from Misty in Roots to the Clash, and even Bristol’s own Massive Attack. I could point to the logo on the shirt and suggest many discs sought for distribution by Trojan in the sixties experimented in such a manner; take Lord Brynner’s 1966 single Congo War as one of many examples, or even predate this with the notion mento is rooted from African rhythms. Yet, it’s not the ingredients in Kaya Streetโ€™s melting pot which makes it prominently interesting and beguiling, rather the way they stir it, the method in the composition and production. Either that, or I’m an ageing trainspotter beyond the years of all at BBC Introducing!!

The single Wild Child is an enchanting one-drop steppers march, steeped in conscious vocals akin to Marleyโ€™s Get Up Stand Up, denouncing the violent crime epidemic in the UK.

It’s bravely brassy too. In an electric modern world taken for granted, it will wake you up to the roots of reggae, when brass sections ruled the day, something which trends throughout the EP. Iโ€™m more than happy for the EP to flow throughout like this, but, imagine, a pleasant surprise when the second tune, Alfie proves Kaya Street are no one trick pony.

This is positively alive in an uplifting, paced soukous-inspired sound, while the last song Sway sounds more south than east African; funky township jive, reminding me somewhat of Thomas Mapfumo, with such a saxophone solo to rival Hugh Masekelaโ€™s trumpet, least as near as dammit! The penultimate song Be Mine is more commercially western, the offbeat is slight, the theme is romance, the overall vibe is soul, with its silky backing vocals, and again with this consistent concentration of saxophone.

But the best example to highlight my opening point is Low. Low certainly wasnโ€™t my favourite on the EP, to begin with. It starts very lounge jazz, again with the prominent sax and silky vocals, but then subtly and unexpectedly twists into a dubby rockers riddim, so smoothly I had to rewind just to identify when and how this occurred. This alone caused my first impression to alter from, โ€œyeah, this is good,โ€ to โ€œactually, this is a stroke of genius,โ€ and for me to take it back to the beginning and reassess it.

Kaya Streetโ€™s sound, like anything progressive and experimental, is a grower, it creeps up on you. Thereโ€™s narratives to each song Iโ€™ve yet to analyse fully, but the more you listen, the more you detect an element from this vast melting pot of cherry-picked influences, and comprehend the story behind each, and I love it for this!

Being I was digging into the archives to find examples of similar past fusions, a subject I could chew your ears off about, if Brynner’s Congo War is a specimen to skaโ€™s African roots prior to the commercial blossoming of Rasta, as opposed to the more commonly cited jump blues influence, derived from US troops leaving radio masts in Jamaica after the second world war, try The Paragonsโ€™ lesser-known If I Were You for soul train size. Itโ€™s so funky it could be in the Stax catalogue, and is something Be Mine reminded me of; thereโ€™s so much going on here.

Yet as many examples of where and how the melting pot has been stirred, none are apogees; it takes Jamaican born Bronx DJ Kool Herc to reach that climax, when he maintained the procedures of King Tubby and applied it to funk and soul to appease the multiculturalism of New York, and created hip hop. Bristol in the nineties was a kingpin to pioneering a UK hip hop formula, which returned influences full circle and incorporated reggae again. Kaya Street continues this Bristol epoch, reviving it freshly. The Soul Sessions is a revisit, recorded in three sessions in 2012 at Exeterโ€™s Valvetastic Studios, with prolific award-winning producer and musician Jolyon Holroyd.

If I am to find some niggly, itโ€™s a lack of intro; the songs tend to jerk right in, but I guess itโ€™s because I have the single edits here, and Kaya Streetโ€™s impressive lineup is plentiful to convince me they know the formula to extend and polish. It consists of Revelation Roots drummer Dan Salter, bassist Mark Lee from Hot Dub and Kolo, and that gorgeous sax is provided by Ray Beavis of The Clash, Suzy Quatro, and Katrina and the Waves. Kaya himself has previously worked with dub producers The Vibronics and Dubmatix. Herein is an insight to how the influences meld so professionally, so absolutely sublime.

And sublime is a word Iโ€™ll happily use to sum this up, save me waffling further! The initial project was a limited run of CDs for gigs, now for the first time, they are being remastered and released online. Wild Child was released 1st of November, the rest, I believe, will follow, and you need to be there to hear them when they do; Don Letts is raving about this, so hereโ€™s the socials to follow.

LinkTree . Facebook . Insta .


Trending…..

Something went wrong. Please refresh the page and/or try again.

Assassination in Pewseyโ€ฆDโ€™Ska Assassination!

There was an assassination in Pewsey last night โ€ฆ a ska assassination; pick it up, pick it up, Pewsey!

Like buses, ska bands are around these backwaters, which put me in a dilemma. Safe in the knowledge those Killertones will skank up the Southgate in Devizes, I sought to head east to the vale of Pewsey where Eddie Prestidge’s Wiltshire Music Events hosted a new one on me, at the Bouverie Hall, south west’s own D’Ska Assassins.

Salisbury based Wiltshire Music Events have fast become renowned for putting on events of the highest quality, here they gave us CrownFest, a Devizes Corn Exchange sellout with The Marley Experience and countless pub gigs. In the spire city their Tunnel Rat studio is bringing the best out of upcoming artists, but they also love gigging out in the sticks!

The sum of these parts equates to a gig with my name all over it. You know, or should do by now, how much I love my ska. You’ve got to have eclectic tastes to do a thang like Devizine, but influenced by the pop of my childhood and discovering my dad’s old Bluebeat and Trojan records, my penchant for the offbeat remains paramount.

House-duo Illingworth kicked off the proceedings of this Motor Neurone Disease Association fundraiser, which though may sound unlikely, being mature skinheads mingled with Pewsey’s curious or retrospective aficionados, their unique brand of pop-rock classics mounted to a massive appreciation from the audience. End of the day, most skinheads are aware musical links between reggae and rock are close-knit, and hey, they just love music, period.

Therefore the warm up was complete and refined, John and Joylon did their thing exquisitely as ever, to encourage skinheads to dance to Dolly Parton is one thing, but they pulled great Bowie and Boomtown Rats covers out of their bag of tricks, and everyone loves a finale of Hey Jude no matter how much hair is on their heads.

It was a quick changeover for a seven-piece ska band, which backfired somewhat, as the engineering hadn’t the opportunity to soundcheck. I sighed as adjustments were quickly made, the enthusiasm of the band seemed to wane too, and on the grounds amateurish ska cover bands we get aplenty here, often murdering the sound I love, I feared this could go Pete Tong. They slammed straight into fifth gear with archetypal upbeat Bad Manners and Madness covers and the crowds were aptly enthused. But picky me felt it wasn’t the greatest of its kind I’ve bore witness to, fortunately I was proved wrong rather abruptly.

Seems the name Dโ€™Ska Assassins doesn’t include the assassination of the sound at all, and it felt like the band were merely warming up. All my fears were quashed, three or four songs in, like someone stuck a rocket up their butts. D’Ska Assassins suddenly came alive. Rock steadying the pace a smidgen, here’s my surprise; for a ska cover band to come booming out to such an upbeat intro is unusual, normally they build up and Madness and Bad Manners classics are savoured for a finale. Now concerned they’d played their trump cards too soon, despite a renovated faith D’Ska Assassins had something special; they proved me wrong a second time!

There’s always plenty of upbeat classics in a repertoire of Two-Tone, and D’Ska Assassins, after slowing the pace in the middle of the set, laid down those Specials and The Beat covers thick, fast and accomplished; the latter D’Ska Assassins frontman expressed their joy at supporting at the Cheese and Grain. It was a fairytale ending, with moonstomping in boots and braces, as the crowd didn’t really stop dancing throughout the proceedings. Equating to a brilliant and memorable night. D’Ska Assassins came, saw, and shone like proper job Bobby Dazzlers.ย 

All the typical elements of a decent ska cover band they pulled out of the hat, astutely handling stage banter, especially when the keyboardist nipped out for cigarette halfway through the set, else covered Ranking Roger’s vocal contribution to Stop! But the true magic was their ability to sustain the pace and enjoyment, slipping in a few original pieces, which is rare, and rarer still, sound at best with the slower reggae tunes. Other unusual elements to the D’Ska Assassins show compared to the archetypal Two-Tone cover bands was the strength of the brass with only one, rather sublime female trumpeter, and lead guitar solos akin to Junior Marvin accompanying Bob Marley and the Wailers.

They perfectly balanced all the elements they broke the moulds of, together with those you’d expect from a ska gig, covering those versed classics, encouraging audience participation and wearing Fred Perry shirts, and they produced a frenzied and highly entertaining trouble-free show at the rather welcoming community venue Bouverie Hall.

As for Wiltshire Music Events, you only need to stay tuned here as we’ll blow their trumpets for them, they’re going from strength to strength. Finalise carnival night in Devizes with a trip to the Corn Exchange where they’ll show off their link to Kinisha Morgan-Williams from Manchester, the finest Tina Turner tribute you’re ever likely to see.


What Else is Happening?!

Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quiteโ€ฆ

Keep reading

Something went wrong. Please refresh the page and/or try again.

Devizes Scooter Rally Rules, OK?!

If it’s been a fantastic weekend on Devizes Green with the orchestral Full-Tone Festival, further out of town scooterists, mods, skins and anyone else with a penchant for the merger of such retrospective subcultures gathered for an equally thrilling event, Devizes Scooter Rally 2024, backed by the shack of a soul boss, most turnin’, stormin’, sound o’soulโ€ฆ.

You’ll have to excuse parts omitted and see this as an overall piece, because in trying to juggle both events there were times I was going between them, times I stopped home for my chips, and times when I generally slouched on the sofa contemplating getting my arse in gear! But what I did catch at Devizes Scooter Club’s most prestigious annual do, was off the scale brilliant; I expected no less based on their past rallies.

It might also be a smidgen inequitable on Full-Tone that I spent more time at the Rally. It’s walking distance from home, not having a scooter myself, and such is my right to satisfy what’s more my cuppa; the dirty down jollity of working class revelry! Note, then, despite eclectic tastes required to do this blog, my first music love will forever be ska and consequently reggae; it’s the offbeat, see? It’s that little jump, mek ya wanna skank up da riddim, not forgoing the heavy basslines or class brass. Unfortunately, itโ€™s something we’re rarely blessed with here, so when it is in my neighbourhood, anything and everything else must get put on the backburner. 

And moreover, when we do get ska or reggae around these backwaters, it’s not usually of the quality we’ll see today at the Rally. And there lies my reason for savouring the opportunity against an orchestral happening elsewhere in town, fantastic as it was. The epiphany came with the finale of the Saturday, when London’s Goldsteppers stepped up to the challenge and truly blew me off my little dancing feet.

Band changeovers were quicker than the queue at the bar, which is no fault of the exceptionally hard-working bar staff, rather the given after navigating winding B-roads on a hairdryer on wheels, the punters camp up, and drink, they drink a lot!

After an electric set by Southampton’s Butterfly Collective, who had already raised the level with a varied melting pot of Kinks to Happy Mondays, and finishing on a reggae classic, I arrived back in the tent to be sublimely slotted into my comfort zone by these Gold-stepping Bobby Dazzlers. The beautiful sound of ska, seemingly attentive to original ska and rock steady, an often overlooked linkage between ska and reggae despite being the most creative period in Jamaican recording history, rather than the commonplace Two-Tone cover bands.

Alton Ellis, early Wailers songs and other cherry-picked rarities were given the Goldsteppers makeover, and it was something to behold. I could say this was the best ska band I’ve seen, but I’ve seen Desmond Dekker, Jimmy Cliff et al, so I think they’ll understand and be satisfied when I say this was the perfect and best homage to that golden era of reggae Iโ€™ve witnessed for many a year.

Staying true to the original compositions and delivered with an unmatched tightness, so accomplished were Goldsteppers, their own originals didn’t sound out of place, and were welcomed by the frenzied crowd. The archetypal Pressure Drop from The Maytals, the classics came brassy and bassy, with astute attention to detail, passion and pitched with perfect banter. And while we’re talking brass is class, it should be noted the enthusiastic frontman, who introduced himself to me as Sam, unless I misheard, also blew saxophone with incredible clout; legend! Dammit, if they even, for humorous effect, ska’d up a cover of Wham’s Edge of Heaven and made it sound like Justin Hinds & The Dominoes recorded it in 1964! 

But what Goldsteppers did for reggae greats, headliners on the Friday, All That Soul, did for The Motown and Stax years. I’ve seen this show before, The Scooter Club booked them for a gig some years ago, this time only furthered my conviction that there’s no better homage to sixties classic soul in the UK, currently, than All That Soul. They were divine, on vocals, timing and showmanship, creating a sensation impossible not to savour in awe. Are we on Soul Train in 1969 right now?! No, still in a field near Devizes!

You could say this would suit a function, like a wedding, and many function bands attempt classic soul covers, varying in quality; it only depends on the level of your alcohol intoxication in how enjoyable they are! But not with All That Soul; you could go stone cold sober and come up dancing, because thereโ€™s nothing commonplace about them, neither clichรฉ; it’s a billion levels up from the best function band you could possibly book with any amount of generosity from your bank manager!  

I only caught the end of the Decatonicsโ€™ set, but they sounded bloody awesome too, guess I was caught chatting to all those friendly faces on arrival. Because Devizes Scooter Rally is so communal, so hospitable it borders on one big happy family occasion.

Aside from bringing financial gain to Devizes as scooterists putt-putt off on ride-outs and to explore town, itโ€™s an asset to our locality through being a well-organised and respected event. Our blossoming Scooter Rally is an attraction midway between your average scooter rally, which can often be no more than a local cover band and a bloke flogging hotdogs while enthusiasts chat shop, and an over commercialised large scale and renowned rally which borders festival proportions and consequently losses its edge and appeal.

So, while thereโ€™s space to grow this event, itโ€™s perfect the way it currently is, and damn, itโ€™s one amazingly unforgettable weekend for locals with only a passing interest, as much as it is for all the national aficionados who gathered on the site with the winks of knowledge that theyโ€™ve discovered a secret rally on top of its prime right now.

Devizes Scooter Rally is set to rev into 2025 already, set on the 25th-27th July. Same time, same place next year then? You betcha life, from me, and you really need to experience it too, with me, on the dancefloor, with your boots and braces! We got three million miles to reach the moon, So let’s start getting happy now….


What else is occurring?!

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Keep reading

Something went wrong. Please refresh the page and/or try again.

Award-Winning Devizes Scooter Club Revving for Rally!

Devizes Scooter Club put their braces together and their boots on their feet, for a moonstomping win of the Best Turned-Out Club at the 25th Isle of Wight Lambretta Day. Congratulations also goes to member Gary Chivers for winning best Lambretta tooโ€ฆ.

There’s colossal pride and respect in Devizes Scooter Club, which transforms into motivation in staging their events, and none more grand than the Devizes Scooter Rally, set for 26th-28th July this year at Lower Park Farm; backed by the shack of a soul boss, most turnin’, stormin’ sound o’soul!

To presume a scooter rally is akin to a caravan club, where enthusiasts saunter a field gawking at each other’s hairdryers all day, endlessly waffling about cylinder head nuts, is partially true; your atypical rally could be only this, sprinkled with warm lager and a DJ if you’re lucky. But in just its 4th year Devizes Scooter Rally is not this niche, it’s family-orientated fun for anyone with so much as a passing interest in scooters, enveloping retrospectiveย mod, soul and skinhead cultures.ย 

This thing, I swear, borders festival proportions and ethos, with camping and showers, a busy bar, food, vintage clothes and parts side stalls, and boasts six tried and tested live music acts. And the music doesn’t stop while a band sets up; you’re treated to Terry Hendrick’s Soul Pressure sound system, undoubtedly the UKโ€™s finest Northern soul, boss reggae and ska DJ. Terry showed me a picture once of him hanging out with the late Toots Hibbert, and it didn’t feel too much like gloating!!

We’re lucky to have this on our doorstep, last year I chatted with a young lone mod who rode up from Crediton, and traditionalย skinheads from Manchester. It’s all bringing money to our area, but more importantly it’s a brilliant weekend.

There’s a mixture on the lineup, All That Soul we’ve not seen since a Scooter Club gig of yore, the most entertaining homage to the Motown sound. Similarly with The Dectonics. The Butterfly Collective debuted the rally last year with an engaging set of mod classics and undetectable originals. There’s a wildcard Slade tribute, and Goldsteppers and Skamageddon are new to me, but the latter speaks for itself!

The vital element to this unique and soul-fuelled weekend of boss reggae vibes, talc on the dancefloor and scooter ride-outs is its affordable price tag:

A weekend wristband is ยฃ30.00 includingย camping. Friday and Saturday all-day passes are ยฃ15.00, to camp add ยฃ5. Saturday Day only (10am – 5pm ) is ยฃ5. Accompanied children under 18 go free.

Reason for mentioning it at all is, if you’re thinking, “hey, that might be something I’d enjoy but fear it might be a bit insular and I’d be going home early, crying into my Ed Sheeran CD,”, you won’t be if you give it a try! You’ll find those scooter lot are a frivolous and friendly bunch who not only know how to party, but will welcome you to join them!

So, work it up one time, work it two time, shack it, back it! Devizes Scooter Rally is on, baby love, my baby love! I need you, oh, how I need you, but all you do is treat me bad, break my heart and leave me sad! Don’t Throw your love away, get a wristband HERE.


Trending…..

Ignore Petty Facebook Posts; The Marley Experience Concert in Devizes Is Going Ahead as Planned

In song Bob Marley made no exceptions. He spoke freely in several songs about the powers that be, trying to hush him. The summit of their disapproval led to an assassination attempt in December 1976โ€ฆis his message the reason for a loud minority of locals trying to derail a tribute act gig, I mean, really?!!

On the Survival album he chanted about an โ€œambush in the night, tryin’ to conquer me,โ€ and in the song Keep on Moving he openly told of his heartbreak at having to leave his family to exile in London.

It is not for me to reason why, neither would I dare compare the gravity of his plight with a seemingly petty recent local resistance against the tribute act The Marley Experience coming Devizes Corn Exchange on 13th April, but after complaints to the Council over signage advertising this event, now it seems some people have taken to Facebook to falsely claim the event has been cancelled.

We will not speculate why they have decided to do this, only say the event is most definitely going ahead. Eddie Prestidge of Wiltshire Events, hosting the gig, said, โ€œthis is totally unfounded. Unfortunately this rumour has been posted by some malicious individuals for unknown reasons, but the show will go on. There are still a limited number of tickets available.โ€ย 

Whatever motives those deliberately trying to sabotage this event have, we really don’t care. There are no valid reasons for it. If you don’t want to go, don’t; simples. We’ve been looking forward to this. I’ve seen The Marley Experience before, and as a lifelong fan of Bob Marley and the Wailers, I will tell you, you will not be disappointed. These petty attacks on the event are counterproductive to their intentions, as they only serve us a darn good excuse to continue plugging this gig!

They’re really scraping the bottom of the barrel for pathetic attempts to derail this gig from going ahead, โ€œHave pity on those whose chances grow thinner.โ€ 

Get your tickets from Devizes Books, Sidmouth Street, or online here:

https://wiltshiremusiceventsuk.onestopwebworks.com/event/bob-marley-event/


The Marley Experience Coming to Devizes Corn Exchange

With a Bob Marley and the Wailers biopic finally hitting the flicks this month, One Love; The Movie had its London premiere this week and opens Feb 14th, the reggae legend in general will surely be in the media spotlight and a focal talking point once againโ€ฆ and rightly so.

Devizes this spring will have its own celebration of the king of reggae and the matchless band behind the legend, when, thanks to Eddie Prestidge of Tunnel Rat Studio and Wiltshire Music Events, tribute The Marley Experience pays a welcomed visit to the Corn Exchange on Saturday April 13th.

For me personally, though excited about the movie and now this announcement too, Bob Marley and the Wailers has never waned as my favourite band of all time, and doesn’t really need any such hype. True, reggae is my choicest music, yet the aurora surrounding Bob Marley transcends musical genre. As he spread reggae and his message from Jamaica to an international market, it not only incorporated rock, and enveloped soul, positively uniting all, but developed into a mystical and legendary saga permanently imprinted on society.

From this last paragraph alone you can tell I’ve always been somewhat obsessed with reggae in general and the king of it; I’ll try not to chew your ears off on the subject! Needless to say though, if there’s one act I’ll nitpick and be sceptical about a tribute to, it’s Bob Marley and the Wailers. The Marley Experience played CrownFest last summer, and I stood my ground there, waiting for any slight niggle to unrest my critical response, but it never arrived. The Marley Experience recreated the sound, the ambience and magic of Bob Marley and the Wailers sublimely and was thoroughly entertaining.

The weather at CrownFest last year had a lot to be whining about, the staff of the Crown, the organisation of the event and all of the acts performing there saved the day; The Marley Experience was the icing on the cake. I said of them at the time: โ€œThe Marley Experience was everything I could have wanted and more, truly a dedicated and precise homage to Bob Marley and the Wailers of the highest quality and sublimely executed entertainment. They marched through the classic discography, and saved time for a few lesser known tracks, like Soul Rebel.โ€

Illingworth

It is unfortunate CrownFest takes a break this summer, with the superb crowd pleasers Illingworth in support, this event will surely heal any wound. Tickets not out yet, watch this space, but don’t worry about a thing, put every little thing in your diary for Saturday 13th April aside, because this is going to be more than alright! 

Tickets HERE


Skanking Up The Muck with The Omega Nebula

What an electric and energetic night of dub-fuelled goodness at the Muck & Dundar in Devizes, with Omega Nebula; I need a historical rewind to express how much, and why, I loved it!ย ย ย 

The Omega Nebula is between five to six thousand lightyears away, so I’m glad they came to us, as I was on foot, but it surely was an unmissable night in town. Now, I know you know I know you know I Googled that for the sake of the joke, I’m not professor Brian Cox. But what I can adlib is this: in 1989 Osbourne Ruddock was shot outside his home in Kingston, Jamaica. The gunman made off with his gold chain and gun, but the world lost a music pioneer, known as King Tubby.

King Tubby

What has any of this got to do with the tropical holiday-at-home Devizes rum bar The Muck & Dunder you may well ask to bid I quit waffling! I’m getting to it! For in an interim period between ska and reggae known as rock steady, where brass sections waned in favour of more economical vocal harmonies, Tubby noted people danced to the instrumental breaks. With this simple notion, his sound system and experimental sound engineering techniques created dub.

Tubbyโ€™s echo delays, erratic pitch changes, and techniques like โ€œrolling the stone,โ€ which predates drum n bass by twenty years, became the blueprints of modern pop. His influence on Kool Herc alone is definitive; a Jamaican immigrant to New York, who, fusing it with funk and disco, would create hip hop, the rest cascades from this point. Hence why the dub style of Omega Nebula was so thoroughly accepted and enjoyed by, mostly, conventional millennials last night, rather than the niche subgenre which has, for the past few decades, been recognised as a steady plod and penchant for the crusty hippy types. But, thereโ€™s more to it than this.

Bristol husband and wife duo, Omega Nebula, play to steppers riddims, with all the offbeats, one drops and Tubby’s dub effects, pre-dubstep, yet cherry pick dubstep elements to retain a certain freshness. They turn dubstep on its head with these nostalgic dub traditions; itโ€™s a win-win formula.ย 

See, dancehall may chant โ€œrewindโ€ but reggae rarely looks back, it faces progression headย on, often fiercely competitive to create the next sound. I love reggae for this neverending development, but for me, personally, of a certain age I find it difficult to take dubstep underwing. I’m stuck, groundhog day, in a bygone era whereby the trance-techno fusion of Zion Train and Dreadzone was my final frontier, at least I thought so until last night.

Talking final frontiers, I could suitably review last night at the Muck & Dunder as Mr Spock from Star Trek! โ€œThere’s a sonic pulse coming from the nebula, Captain, transmogrificating into kinetic energy upon interaction with organic life!โ€ That kinetic energy was felt by all in attendance, it didn’t matter if you were the ageing hippy like me, or youthful enough to acknowledge Little Mix as influential! What Omega Nebula has crafted is simple yet incredibly beguiling, as is reggae in general.

Steppers remains the most upbeat of reggae drum patterns, ergo the Muck jumped, the vocals chanted encouragement, like an MC, yet were as beautifully delivered as dancehall greats Sister Nancy or Lady Saw. The result was the whole vibe was energetically stimulating, contemporary throughout with this nod to the traditions of dub; a truly lovely recipe, which made for a truly wonderful occasion.

But the bottom line is the most important, and that being, perhaps Omega Nebula is groundbreaking, or perhaps theyโ€™re simply part of a bigger and blossoming scene in cities like Bristol, neither way matters when you’re an old nutter living in the sticks. Iโ€™m not so far gone that Iโ€™m unaware of Glasgowโ€™s Mungos HiFi or the Gentlemanโ€™s Dub Club from Leeds, but fear Iโ€™d do myself injury clubbing as I once did! Here in Devizes itโ€™s something altogether different, and it was immensely well received. For which, again, we find ourselves saluting the Muck & Dunder, and to James Threlfall for suggesting them, who, incidentally DJโ€™d through to the end, for bringing us such diverse acts in such a hospitable and attractive setting, with piรฑa coladas and rum cocktails to die for; I donโ€™t care if itโ€™s November in Blighty, when in Romeโ€ฆ..!!


Trending…..

Who Are The Eskimo Nebula, Appearing at The Muck?

Okay, clever clogs among us Iโ€™m sure will tell me the Eskimo Nebula is a bipolar double-shell planetary nebula, 6,500 light-years away which is surrounded by gas making it resemble a person’s head surrounded by a parka hood, hence its name. I knew that already and didnโ€™t need you to tell me, or Wikipedia, honest, but Iโ€™m talking closer to home; the Bristol dub duo due to skank up Devizes on the 11th November. Quit the astronomical smalltalk, pass me a piรฑa colada, thereโ€™s a good chap, weโ€™re off to The Muck!

Yo, gotta love the Muck & Dunder, itโ€™s like being on a Caribbean holiday right here in Devizes. I kinda fell out of there scanning the Brittox sulking, oh, it was just a dream, Iโ€™m not maxing relaxing on Mullins Bay. But more to the point, they bring us diversity to our music scene, and I donโ€™t mean a dance troupe. Weโ€™ve seen the likes of The Allergies, The Scribes, and Gardna, weโ€™ve bore witness to sporadic salsa street dancing outbreaks, but, itโ€™s a rum bar, we need reggae.

This one, I believe, is down to our resident Vernon Kay and all-around good guy skateboarder, James Threlfall, who likely wonโ€™t speak to me for weeks after that quip(!) as heโ€™s featured Eskimo Nebula on his BBC Introducing in the West show, and for the record I love Vernon, it was a compliment. Thank you, James, Stuart and Shelly, for bringing them to the Muck, because I hadnโ€™t heard of them, thought I was a nilly know-it–all about reggae, took one listen online and was like, thatโ€™s up my street knocking loudly on my door.


Their agents, Diplomats of Sound, describe them thus: โ€œEskimo Nebula are a husband and wife electronic duo, taking influence from Jamaican and UK sound system culture. Their music is a blend of hard hitting dub, high spirited reggae and powerful bass, all brought together by their own joyfully uplifting and recognisable sound. Multi-instrumentalists Adjua and Dean Forrest, who together fronted eight piece reggae outfit Backbeat Soundsystem on Easy Star Records, have joined forces to pursue their passion for electronic production. Their show is a live/electronic hybrid performance, where you can expect a dynamic fusion of synthesisers, dub sirens, huge bass, live instruments, killer vocals and trippy effects.โ€

โ€œRevered for having a captivating stage presence and for connecting with the audience on a deep level, Esikmo Nebula will leave you inspired, empowered and energised. With continuous support from BBC DJโ€™s including reggae legend David Rodigan on BBC 1Xtra, this exciting new project is speedily on the rise and their live show is not to be missed!โ€

Nuff said, if itโ€™s good enough for good ol’ Rodigan, itโ€™s good enough for me, and as for the rest of you, Iโ€™ll drop some YouTube and links below to convince you to join me, tickets are a brown one, get ’em HERE.


Devizes Scooter Rally 2023

Have rally will travel; seemingly the scooterist’s motto, chatting to various friendly clubs nationwide, and individuals too, such as a dapper lone mod who rode up from Bridport on a three hour trek, while loitering with a pint of Thatchers in a field at Lower Farm on the Whistley Road. Overall, it’s more than fair to say, thanks to Devizes Scooter Club’s valiant and sedulous toil, Devizes is firmly on the map of must-do scooter ralliesโ€ฆ.ย 

It would, without this blossoming national appeal have been a massively lesser affair; scooter culture being niche and though a blanket term retrospectivelyย  incorporating mod, skinhead and punk subcultures, isn’t, perhaps, appealing to enough locally to have successfully created something on this grand scale. Those local aficionados, or even with a passing interest in the scene therefore are truly treated, as Devizes Scooter Rally this weekend was spectacular.

There’s various reasons for saying this; a hospitable atmosphere throughout the event from attendees and organisers, a controlled and diligent attitude to structure, the underlying notion you’re not going to get ripped off at the bar or elsewhere, a donation to The Devizes & District Opportunity Centre, a worthy charity indeed, a calculatedly perfect site design from bar, venue to campsite, a wide variety of side stalls, and an apt music programme of talented bands and DJs, but mostly, it was the combination of them all which made it as fantastic as it was.

41 Fords

I spent the finale late night moments with some of the club’s valid members, as they reviewed an overall of the weekend, discussing rights against possible improvements. And with expandable site potential, just how far the annual rally could blossom before it becomes less congenial. As such they’ve set the date for 2024, 26th-28th July; if you missed this weekend put it in your diary, if you went I’d imagine you already have!

Sharp Class

So, I rocked up to wet my whistle on Friday, eager to catch up with those Trowbridge rockabilly stalwarts, 41 Fords, and witness Brighton’s revitalised mod marvels Sharp Class. Being there was another day to come, and I wanted to see you there Saturday, I knocked up a quick review of it: HERE. Saturday though, I’m on Shanks’s pony and up for a party; which was delivered to me uncompromisingly.

Apologies, too late to catch The Butterfly Collective, but my arrival coincided with the Roughcut Rebels’ set. Haven’t seen them since Mark moved to pastures new, but Jimmy Moore makes for a great frontman stand-in for Finley, and it was business as usual for this locally renowned Britpop mod band who plucked covers, like Wonderwall, otherwise clichรฉ if not delivered by such an enthralling group from their extensive repertoire.ย 

Roughcut Rebels, with added Jimmy Moore!

Next up a rare treat, Cath and Gouldy concentrating rather on wider variated Day Breakers outfit, and folk duo Sound Affects, but to have them back under The Killertones guise both more apt for the occasion and a delightful return to their new-wave-two-tone covers set. It was as whatever guise they operate on, perfected and bewitching, with vast improvements from already proficient young drummer, Katy York.

The Killertones

There was me figuring they’d peaked too soon, after ska classics like Pressure Drop, to speed into uptempo two-tone, like The Specials’ Little Bitch and Rancid’s Timebomb, but a sublime set slid nicely into new wave, particularly adroit being The Chords’ Maybe Tomorrow; dammit if Gouldy didn’t go all Morten Harket on us with an offbeat Take on Me, such a rework finale left the crowd spellbound and me realising how much I’d missed these guys!

With Terry Hendrick’s Soul Pressure on the wheels of steel while the headliners set up, a fashion to see the rally into the wee hours, betwixt it regulars at the rally, the south-coast’s longest established ska ensemble Orange Street ripped the roof off.

Terry Hendrick

I could’ve predicted it such, but it didn’t affect the show’s infectious appeal. At an eight-piece complete with brass section, Orange Street are a highly capable homage to Jamaica’s “first national sound,” which infatuated the youths of sixties Jamaica, and thereafter spread worldwide through era-spanning waves. The second wave most memorable to Britain through Windrush exports appealing to mods; the tsunami known as Two-Tone. And to which the band rightfully nodded to, but also provided original engaging material which fits like a glove into such a set. 

Orange Street

The effect is akin to the attraction of the offbeat backwards shuffle, ska, which Prince Buster accidentally discovered during a recording session at Duke Reid’s studio Treasure Isle, not only reflects in the band name, the studio alongside Coxonne Doddโ€™s Studio One, both located on this legendary Kingston street, the equivalent of Nashvilleโ€™s Music Row for reggae, but also in their performance which kicked off with a interlude of Madness’s Buster tribute, The Prince. Though it wasn’t long before the opening medley flowed neatly into the Specials’ Dog the Dog, and thereafter the whole spectrum of ska UK chart hits from Bad Manners to The Beat.

While other similar bands attempt to fuse later reggae styles, punk, or general electronica, Orange Street remain faithful to the roots and are therefore a premium choice for an event like this, cradled by a culture nostalgically devoted to it too. And in such, the event is so encapsulating there’s a jollity in the air impossible to hide. Coupled with the wider appeal outside the atypical scooter rally, with this extended and blossoming setup which had taken the Scooter Club weeks to set up, this is rather of festival proportions and equally as brilliant. 

It only leads be to heartfeltly thank and congratulate The Devizes Scooter Club for bringing us another astounding event which offers diversity to our local music circuit, a jolly good beano, and also attracts nationwide fans to our areaโ€ฆeven if I’ve been hearing their hairdryers zipping back and forth the dual carriageway all weekend!!


Trending……

FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

Devizes Scooter Rally Revs Up

First day back from my holibobs and though duties are to unpack and cut the flying ant infested grass, twist my arm, I reckon I can squeeze in a trek down the Whistley Road. Usually just a rat trap you take at your own risk, this weekend is home to hundreds of camping scooteristsโ€ฆ.

Devizes Scooter Club’s third Scooter Rally and things are looking exceptionally organised. Post-lockdown they set up here last year, relatively a slighter thing than this weekend, I understand. If you consider this a niche market, Devizes Scooter Rally has a festival feel, scooter enthusiasts have gathered from afar, but not to make it feel insular, Devizes Scooter Club invites locals too, and has laid on a shuttle bus from The Pelican; they certainly pull out the stocks.

There’s an extensive campsite, with showers, and stalls are plentiful from Jamaican food to clothes and scooter essentials. Fish n chips to brownies and parkas to engine oil surround a large marquee for a northern soul to ska disco, dispersed with some live acts.

From the music tent extends a plentiful seating area which flows nicely to the bar; the effect is functional and professionally designed; especially given this unpredictable British summer climate. It’s an impressive sight, dammit if they havenโ€™t even got a pool table in there!

Day one done, this is going to go off tonight too. But for now we were treated to the wildcard, Trowbridge’s finest purveyors of feelgood rockabilly, 41 Fords. They never fail to enthuse the party, and if rockabilly isn’t usually on the agenda at a scooter rally, their infectious assortment of covers always raises a smile and taps a foot.

Headlining is Brighton-based Sharp Class, a young trio of highly accomplished Jam-like aficionados, and with fire in their hearts and an enthusiasm to mimic the mod culture they can effectively slip in a few akin originals between covers of The Jam and Clash, to Spencer Davis and The Kinks and make them not look misplaced. Sharp Class is a show of pure energy, verging on a tribute, though slyly original too, adroitly slipping between the two and hardly coming up for air.

Today’s (Saturday 29th July) lineup doubles the fun, The Butterfly Collective are on at 2pm, with our own The Roughcut Rebels at 6pm, Swindon favourites with added Sound Affects Cath & Gouldy,ย  The Killertones from 7:45pm and the grand finale of one of the finest contemporary ska bands on the circuit, Orange Street. Then, naturally the Soul Pressure sound system, including legendary Northern soul DJ Terry Hendrick takes it to the wee hours, and Saturday all nighter tickets are a snip at ยฃ15, so polish your boots and give me some of that old moonstomping!



Subject A Takes us to Paradise

Whatโ€™s four years between releasing new material?! We fondly reviewed Subject Aโ€™s album Writerโ€™s Eyes back in 2019; theyโ€™ve a new single out this week, and itโ€™s worth the waitโ€ฆ.

The brainchild of Swindonโ€™s finest purveyors of everything offbeat, pianist Erin Bardwell and bassist Dean Sartain, Subject A is the experimental dub project you need to take heed of. This new double A starts with a mellowed and gorgeous electronica dub track, Paradise. Much in the vein of Massive Attack and the nineties Bristol trip hop scene, with the definite nod to reggae, as in what Oxfordโ€™s Zaia are putting out. So, equally as weโ€™re geographically in between Bristol and Oxford, so too is this uniquely Swindon sound!

Starter for ten is the ambience of this aptly named tune, provided through a firm collective of Rachael Birkinโ€™s Viola, Harki Popliโ€™s Tabla (who we know from Will LawtonandtheAlchemists,) and these dreamy vocals and flute of Heather O’Neill; the result is sublime. Add regular drummer Matty Bane to Erinโ€™s keys and Deanโ€™s bass, and all you need to complete the effect is subtle brass, a trumpet, provided by Colin Berry.

The final track is a dub of Paradise, which levels up the reggae tip, reminding me of when the Mad Professor went to work on Massive Attackโ€™s albums. But nestled in-between is an outside chance called The Bottle, a gem of upbeat ska-fuelled dub, perhaps more Mungoโ€™s Hi-Fi than Massive Attack, but most certainly a nod back to their Two-Tone roots; this is the Specials in modern day format, it skanks, itโ€™s irresistibly danceable, and with vocals by Neil Sartain it simply has that floorfiller appeal and shows the diversity of Subject A. Recoded at Earthworm, this is a peach!


Trending…..

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโ€ฆ

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its openingโ€ฆ

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had toโ€ฆ

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathewsโ€ฆ

Onika Venus is Back with a Midnight Remedy

Unbelievably two years have nearly passed since Onika Venus gave me a convenient excuse to poke my nose into what Sheer’s Kieran was doing up at Trowbridge Town Hall. Billed as reggae, arm twisted, I took a listen to the debut album, and have been infatuated since; now, we have a follow-upโ€ฆ..

Because while the term roots is bounded around within reggae music, progression never levels, and retrospection rarely arises, save perhaps within the skinhead/scooter culture. Contemporary reggae strives forward endlessly, millennial slackness dancehall has waned to charter a reunion with RnB, and this is where Onika fills a gap on the UK scene.

Onika Venus at Trowbridge Town Hall 2021

But there was more in the melting pot than met the eye, yes, Onika has a sublime voice, rich with Jamaican heritage, but her marriage to Mark, with a penchant for Americana roots meant the debut album, Everything You Are, stretched back into an association with country music not seen since roots reggae days of yore. Though the album is best described as experimental as opposed to retrospective. Still, those tracks serving a Jamaican offbeat were likely the most memorable.

So, I’m content the follow-up Midnight Remedy, released today (7th July) bursts straight into a reggae riff. Turn it Up is bold and brassy, this element breathing a subtle nod to rock steady. Thumbs up so far for pulling off the tricky sequel, for if it rides this train it wouldnโ€™t be a bad thing.

This rock steady riff does continue for the following tune, Who’s Sleeping in my Bed? Topically, it reminds me of the Dawn Penn classic Are You There? With an air of “nah fuss” jollity within it, this is best classed as sunshine reggae; if someone else is sleeping in her bed, she’s not going to let it rain on her parade.

With a broken love theme, Faded Rose still rides a more tenuous offbeat, but this cleverly placed RnB element, which we saw in the debut album, comes back into play and we’re off, stirring the melting pot, equally as refined as the debut album.

Not long to wait to return to rock steady, though with a chatty dancehall vocal placement, and a one drop riddim, the title track Midnight Remedy, chants on the groove, probably the most beguiling yet, especially when that hammond organ plays it to fade; boss reggae gets some attention and I’m smitten.

Heart in a Bubble carries on from the good work of Midnight Remedy, blossoming romance is a tried and tested subject for the rock steady style, arguably the most creative period of the Jamaican recording industry, and this salutes such output.

Gravity, though, is the most experimental yet. Blues by any criticโ€™s pigeonhole, in mood and sound, offering a welcomed darker side to Onika. The offbeat returns for a topically rainy day blues again with Teardrops, only to be proceeded with Something’s Gonna Break, a ballad with a fair slice of eighties-fashioned stanzas, and sax solo. Save Whitney, vocally superior, though, to said pop hits, this drifts along sublimely.

There’s pressures of lockdown themes, with electronica undertones in an eighties soundclash style, but retaining the silkiness of Onika’s house style, followed by a chugging train-themed soul smoothie, aptly Runaway Train. And the finale sees us back with these hints of eighties power ballad again, but whatever the flava, this is one absolutely beautiful album, soulful and uplifting throughout, truly a welcome return for Onika and her proficient band; melancholic when required, bouncy and joyful otherwise, but always wrapped in this most wonderous rich voice it couldn’t be anything less than a winner!


Trending…..

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™sโ€ฆ

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

Malavita! Maravillosa en Devizes Arts Festival; Ardiendo Afro-Funk Latina!

Images by Gail Foster

I was looking forward to the grand finale of The Devizes Arts Festival with cherries on. Starter for ten; I’m yet to discover a subgenre of Caribbean or South American music I don’t instantly fall in love with, and it’s as rare a-find locally as diamond mines. Ergo, Malavita! marched up to my front door and banged loudly on it. And they didn’t hang around to ask me if I was coming out to play. No problemo when opportunity knocks, I had my dancing shoes on ready!

Upbeat from the off they blessed the Devizes Corn Exchange with their irresistible funky Latino blend, which soothed like reggae, swung like son cubano, bounced like bomba, and perhaps added smidgens of Brazilian samba, even Balkan into this melting pot of wonderful afro-funk.

To assume these guys flew in from Cuba or Puerto Rico would be justified, but on reflection there is definitely something western about the salsa which allows the throwing in of all these ingredients and stirring the pot to come out with a unique take effectively satisfying our western expectations. As in our pop, the vocals were soulful and delightfully expressed, and the subject matter of Malavita’s gorgeous and original repertoire seemed to be a glorified reflection on life’s guidance, thoughts and observations, yet subtle as the demanding danceable rhythms take priority. Story checks out, they’re from Devon, and their sound, their whole persona, is as beautiful as cream teas along the Jurassic Coastlineโ€ฆwith added palm trees for an apt exotic effect!

Malavita at Devizes Arts Festival 2023

Funk at the forefront, I was also reminded somewhat on the livelier bands on the Acid Jazz circuit of the mid-nineties; if the Brand New Heavies added some Latino spice you’d imagine it coming off something like this, for this eight-piece with blazing barefoot brass section, congos, and conventional drums, bass and lead guitar presented itself equally as professional and proficiently.ย 

So proficient in fact, they can encore with their only recognisable cover, Britney Spears’ Toxic, under such an insatiable house-style, such a rework would push-pin me to the dancefloor! And therein is my summary, you see, for Malavita! ruined my original plan to scoot off to the Three Crowns for a momentary glimpse at Pewsey’s rock covers band Humdinger who after nineteen years on the local circuit finally made their Devizes debut, because the sound of Malavita! is the musical equivalent of that tractor beam which pulls the Millennium Falcon into the Death Star, I was stuck on the dancefloor for the duration.

Malavita at Devizes Arts Festival 2023

For want of a less fanboy analogy, Jedi powers could not have prevented me from shaking my tailfeather, resistance was futile, Malavita are irresistibly danceable. That’s not opinion, that’s fact!

Leading me onto the trickier part, for saying how much I loved this, wracking my brain unable to think of something equally as cool as Malavita, was simple, but to suggest reasoning why the Corn Exchange wasn’t at full capacity as it has been with previous Devizes Arts Festival events this year, are manyfold. Possibly due to exhausted funds by the end, as there was so much choice this year, possibly a reflection on the natives personal taste, particularly those Arts Festival stalwarts, but for whatever the reason, they missed a thrilling evening of the single most sublime funky afro-fusion to bless Devizes, and to The Arts Festival organisers I thank you.

For those who were there, seats were empty anyway after quarter of an hour of this gorgeous, soulful sound, and we danced the evening away far too quickly!

Malavita at Devizes Arts Festival 2023

As things stood, it reached its climax at ten, so I was able to sardine myself into the Crowns for a blast of rock covers after all, though with the taste of Lilly’s mango cider retained, I couldn’t shake off how totally awesome Malavita! were, and akin to Harry Belafonte’s Jump In the Line, I don’t imagine I ever will.

Being I don’t recall what I had for breakfast from one day to the next, I might need to correct myself if I searched our archives, but going out on a limb, I’d proclaim this to have been my gig of the year to-date; scorchio! 

For more information about Malavita!


A massive well done and thank you to Devizes Arts Festival, as this year’s comes to a close but has shown diversity and quality throughout; we hold tight for next year! I would also like to thank our writers, Andy, Helen, Ben, and Ian, for their outstanding coverage of this year’s Arts Festival here in good ol’ Devizes, and to Gail Foster for allowing us to pinch her superb photos too!


Trending…..

Boots & Braces Ready For Devizes Scooter Rally 2023?

Long overdue is our annual poking our nose into Devizes Scooter Club, see what peaky blinders theyโ€™re pulling off, including of course, the Devizes Scooter Rally 2023; because no matter what the people say, this sound leads the wayโ€ฆ..

While Iโ€™d half-heartedly shrug at critics giving it scooter rallies can be a niche market, retrospective lager-fuelled skinheads admiring each otherโ€™s hairdryers in an overgrown field while some northern soul DJ spins his 7โ€ rare grooves, this is where Devizes Scooter Rally differs from the status quo. Of course, appeasing the diehards who will trek vast land to amass at such events is crucial, but on its third year, Devizes Scooter Rally never feels insular, rather itโ€™s the genuine article, affordable fun and welcomes curious townsfolk and those who may only have a passing interest in the scene. That’s its beauty, and long shall it be so.

You only have to check the interest when the club ride the carnival parade looking dapper in suits and braces, to note this is more than a retrospective cult; the merger of youth cultures of yore, the mod, the soul boys and skinheads and all inbetween is something impossible for those caught up in to let go off, simply because itโ€™s irresistibly beguiling, and fun. To relish in soul and reggae of yesteryear is valid, as all mainstream pop since relies so heavily on its influence. 

So, weโ€™re talking the weekend of 28th-30th of July, when the club invites all to gather at Lower Park Farm, just off the dual carriageway on Whistley Road, where scooters will be on show, and will ride out no doubt, but thatโ€™s not all. Activities for the children will be added, with food stalls and of course, the bar! And all raising funds for such a wonderful organisation, The Devizes & District Opportunity Centre, our most fantastic pre-school for children with disabilities and learning difficulties.

Expect legendary Northern Soul DJ Terry Hendrick of the Soul Pressure sound system to be spinning tunes between bands, and the bands are, a reunited, I believe, Killertones, the perfect ska outfit of Cath and Gouldy from Sound Affects and the Day Breakers, who are stalwarts on the local scooter scene. Those trusty Roughcut Rebels, who never fail to bring the party with them, as is their era-spanning repertoire of anything from swinging sixties to Britpop.

The other locally-based act is perhaps the wildcard; Trowbridgeโ€™s 41 Fords play with all the vigour of ska, but are decidedly more rockabilly with a dash of scrumpy & western folk. We fondly reviewed their debut album Not Dead Yet, last month. Hereโ€™s a shining example of what I mean about the congenial and welcoming mesh of subgenres youโ€™ll find at Devizes Scooter Rally, see, rude boy? There were no mockers in eras past, theyโ€™d have been fighting each other! Thus the scenes merge and itโ€™s a one love happy aura for everyone to enjoy as, which is ironically the entire ethos of reggae and soul in the first damn place!

And reggae Iโ€™m certain youโ€™ll find there, of the boss variety of yore, predominantly, and of course itโ€™s predecessor ska, which though saw a second generation influx through Two-Tone in the eighties, thrives today on the scene. Now, if you know me, youโ€™ll know Iโ€™m something of an aficionado of this, and seen many a great ska band; Orange Street, named after the location of Duke Reidโ€™s legendary Kingston studio, Studio One, are one of the tightest ska bands Iโ€™ve witnessed, blowing my socks off at the inaugural Devizes Scooter Rally in 2019; having them return is the icing on this cake.

Going in blind for the last two in the line-up, first, Sharp Class, with a corporate identity akin to The Jam causing me to ill-conceive it would be an old bunch of mods knocking out Jam and Merton Parkas covers. Rather this young, fresh-faced London-based trio have a sharp image, hence the name, and original songs grounded in realism and spattered with an English essence. Merging punk and soul into power-pop and Britpop, they claim. Theyโ€™ve recently released a debut album โ€œTales of the Teenage Mind,โ€ and are set to tour Boston this month, but you can say you saw them in Devizes!

And the Butterfly Collective, Southampton based ska, soul and mod covers and originals five-piece, heavily influenced by The Who and the Mod/Rock fraternity including Oasis, Ocean Colour Scene, Kinks, Small Faces and The Hiwatts. They have become a renowned band within the Scooter and music scenes across the U.K. Being The Devizes Scooter Club tend to evaluate their lineup based on past experience touring other rallies, Iโ€™m assured weโ€™re in good hands, and this weekend will deliver a damn fine spectrum of entertainment to get you snapping your braces and skanking up the Whistley Road!

Now, if youโ€™re thinking where the catch might be, itโ€™s only your two-tone trouser suit, with a weekend wristband at just thirty notes and cheaper day options, youโ€™ve got to hand it to Devizes Scooter Club for maximum dedication to making this jumping jiving rally affordable and irresistible.

Prior to skanking up Whistley Road, the clubโ€™s base at The Cavalier in Devizes sees Slade tribute Sladest on May 13th, and following the rally, Bristolโ€™s big boss sound of Ya Freshness and the erm, aptly titled Big Boss Band will make their Devizes debut on Saturday September 9th. Self-styled rude boy Ya Freshness has worked with two-toneโ€™s best, from the likes of Neville Staple, and made groundbreaking original work with Bristolโ€™s retrospective reggae greats through his label Strictly Rockers. If you recall my radio show on Boot Boy Radio, those shout-outs were by this absolute legend.

Then, on 28th October itโ€™s the mandatory skalloween night at the Cavy, with ska band Skamageddon, and the club see of 2023 with a NYE party. Though as I said, thereโ€™s a welcoming atmosphere for those with a passing interest, local scooter enthusiasts should contact the club for ride-outs, social get-togethers and beanos to other rallies and clubs are organised. So get up on your feet, put your braces together and boots on your feet, and give me some of that old moonstomping!   


Trending……

Age of the Liar; The Burner Band

Okay, so it’s been a little over two years since I fondly reviewed the debut album, Signs & Wonders, from Leeds’ alt-country come Americana outfit, The Burner Band, when I labelled it “foot-tapping bluegrass fun” with, unusually, added elements of punk. This new seven track album Age of the Liar takes a massive step forward in poignancy…..

This said, I cannot now recall how we became acquainted, but lucky for us we did. Because while, Age of the Liar kicks off pretty much where Signs & Wonders left us, and waits for no man with insatiable foot-tapping bluegrass, there’s an underlying notion intelligent prose is at work here, as the lyrics, concerning the unquestionable loyalty to militancy rides this track like a trooper.

If the opener came as no surprise to me, the second track, Living in Fear certainly did, as while continuing the Americana roots forefront, it rides an offbeat like reggae, lowering the tempo, and taking an ecological topic, a “state of the world today,” it’s akin to the subject matter of punk and reggae too.

The mechanics of Living in Fear is also a hint towards the title track seven tunes in, which positively beams back reggae’s influence over punk; if the Clash did Americana, this is what it would probably sound like. Greatly overlooked in today’s mainstream, the social and political commentary of the era, once a prominent feature in both punk and reggae is put on the line here, satirically mocking the ludicrously of misinformation and propaganda of right-wing leaders, be it Trump or Bojo, it could go either way.

Throughout the album the desperation of contemporary issues is a running theme, even if it best works with these two offbeat songs. Dark and Lonesome Street takes us back to what the Burners do best, still as the title suggests there’s darker undertones. Even if the immediately lovable Hot Dog King has a rockabilly swing, the carefree mood isn’t all it seems, relaying a true story of New York hot dog vendor Dan Rossi, who fought against unjust licencing laws.

I love this concept, that the Burner Band aren’t afraid to explore and break confines of subgenre and pigeonholing, and it blends pleasantly on the ear. There’s elements of early Springsteen on the Asbury Park scene, often breezing into soul and blues, but never straying from the country backbeat.

This is truly is a modern take on roots and Americana, at times the definitive article, twangy geetars, or referencing American culture, but teetering the edge, there’s so many nods to a British roots scene, the punk, rockabilly and reggae movements of the early eighties, even down to the three-minute hero ideal, no tune tries to rule the album, all staying at the statutory running time. If the debut album touched on these influences too, it was subtle at best, this time the balance is perfected.

Social commentary continues to cover prejudices, immigration, stereotyping disabilities, yet no matter how complex the subject, tracks like Big Hole don’t baffle you in riddles, the messages are simple and direct, creating a beguiling and enjoyable ride with poignancy. I’ve yet to dive deeper into this, but suspect as I do more backstory and hidden gems will jump out at me, but I’m overdue mentioning it, as it came out the end of March, so presenting it to now is a honour; great foot-stomping stuff with the perfect balance of contemporary thoughtful prose and subject matter; yee-ha, it’s a keeper!

WebsiteFacebookBandcamp


Bopping Up Alfredโ€™s Tower; A New Chippenham Band Stronghold

See, Iโ€™m not sure olโ€™ Alfred the Great wouldโ€™ve approved of the whopping gurt folly erected in his name near Bruton. He was there to rally Saxon troops for the Battle of Edington, and if youโ€™re planning to go kick some Viking butt you need to be inconspicuous, not have a hundred-and-sixty-foot redbrick tower sticking out like a sore thumb. He might well have liked this though, a new Wiltshire four-piece named after the tower; because good tunes can be a real morale boost when going into battleโ€ฆโ€ฆ

And good tunes they are, though the group cite from Chippenham on their Bandcamp page, substantial mileage from the Stourhead estate where Alfredโ€™s Tower is situated. Perhaps itโ€™s the connotations of Alfred being the founder of English liberty, as these four tracks they sent us have a Brit โ€œmodโ€ tinge, and mods are patriotic at best. I didnโ€™t like to ask, through fear of coming across all history teacher, and Iโ€™m all out of leather elbow patches for my Tweed jacket. The important part is thereโ€™s some beguiling original songs on offer here, uplifting in a manner Paul Weller, at his most optimistic.

Parachute Baby is a prime example, itโ€™s sauntering along on the sunny side of the street of a crazy world, where only the attention of the object of his desires matters to this character, and itโ€™s got that apt harmonica riff to lighten the darkest of moods. Though, if itโ€™s got it, Roy Orbison style, switching to the next tune, Nothing Good and weโ€™re foot-tapping on an offbeat, bouncy one-drop reggae melody, which counteracts the more dejected romantic theme; Iโ€™m smitten.

Though weโ€™re getting ahead of ourselves now, for these two tracks are forthcoming, the first one out around Christmas time and the latter in the new year, but their Bandcamp page has two other songs equally worthy of your attention. This World is their inaugural release, and while uplifting too, itโ€™s tender and mellowed. With a soulful piano intro, itโ€™s certainly anthemic, with an allowance to note the astute writing, and showy in Alfredโ€™s Towerโ€™s potential.

It is however in the amalgamation of all these tunes which displays their diversity, an EP is a necessity, I feel. The second released single, So Long, is soulful again, along similar lines to This World, but balancing a poignant electric blues element, akin to a meld of The Who at their smoothest and Pink Floyd does pop. And perhaps thereโ€™s a clue to the chosen name in this; itโ€™s a tower of variety, influences wise, reaching for the skies in uplifting narratives, strengthened by some skilfully executed original designs. Catchy within a rock classic formula, oh yeah, if this is foundational, the construction of Alfredโ€™s Tower is one to watch. Like โ€˜em up on Facebook for updates on said progress. We NEED to see them live!


Trending….

Clock Radio Turf Out The Maniacs

The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

Thieves Debut EP

Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

Weekly Roundup of Events in Wiltshire: 19th- 26th Oct 2022

Hereโ€™s our weekly summary of things to do over the coming week. It saves you surfing every individual event calendar, and saves me waffling on about some unrelated rubbish, which I admit I have a tendency to do, but in the words of the great philosopher, KC, and, of course, his Sunshine Band; thatโ€™s the way, uh-huh uh-huh, I like itโ€ฆ… oh, Iโ€™m doing it again arenโ€™t I?!

Onwards, not forgetting further details and links can be found on our event calendar, itโ€™s too time consuming adding them a second time, and besides, there you can scroll away until your heartโ€™s content, planning future weekends.


Best way to kick off live music early is Swindonโ€™s experimental dub duo, Subject A, are at The Bell on Walcott Street, Bath, on Wednesday 19th; consider it highly recommended. Meanwhile, Beth Nielsen Chapman plays The Cheese & Grain, Frome.


Thursday 20th sees a Very Hungry Caterpillar, on show at Neeld Hall, Chippenham.

Mr Love & Justice are at The Beehive, Swindon, Hannah Sanders & Ben Savage at Chapel Arts, Bath. But the link to Faustus at Salisbury Arts Centre seems to be broken, unsure if thatโ€™s still going ahead.


Friday 21st and Trowbridgeโ€™s Pump is the place to be, Matt Owens of Noah & The Whale headlines, with the amazing Concrete Prairie in support.

The magical Lady Nade plays Pound Arts, Corsham, The Little Unsaid at Chapel Arts, Bath.

Hatepenny at The Three Horseshoes, Bradford-on-Avon, The Reservoir Hogs at The Old Ham Tree, Holt. And in Marlborough youโ€™ll find @59 at The Wellington, and the incredibly good fun, Dr Zebos Wheezy Club at The Bear.

That just leaves me with the tributes, Queen tribute, Majesty at Melksham Assembly Hall, while Fleetwood Bac are at The Cheese & Grain, Frome.

Devizes, I have got nothing at all for this Friday, unless you know different? When near-on every known pub in town put live music on last Friday night, with a guaranteed crowd-puller from Longcroft at the Corn Exchange too! This town isnโ€™t a competition, guys, please try to coordinate, through us, if you like, but it works better for you all if we do. Rant over!


Swiftly onto Saturday 22nd, itโ€™s Trowbridge Carnival, plus Lego Club at Chippenham Museum, free and at 3-4pm every Saturday; everything is awesome!

Thereโ€™s an evening of Irish classics with Asa Murphy and Shenanigans at the Devizes Corn Exchange, and the unmissable Eddie Martin Band is back for some blues at The Southgate.

Daz n Chave at Neeld Community & Arts Centre, Chippenham sounds a laugh, and thereโ€™s a Melksham Rock n Roll Club dance this week, with Glenn Darren & The Krewkats.

Full-Tone Orchestra presents their Symphonie Fantastique at Marlborough College, and if you check the quote on the poster, yes, I said that! Itโ€™s always nice to be quoted, on the rare occasion I say something nice, that is!

Sheer are down the Trowbridge Town Hall, putting on Lucky Number 7 and the Lindup Brothers, with promising local teen band Boston Green in support. Meanwhile The Forgetting Curve play The Three Horseshoes, Bradford-on-Avon. A tribute to Pearl Jam at The Vic, Swindon, Earl Ham, and Tundra plays The Woodlandโ€™s Edge.

But if you want to boss the night away with some serious skanking, I cannot recommend Bristolโ€™s legendary ska and reggae skinhead, Ya Freshness, of Strictly Rockers Records enough, who is with his Big Boss Band at Odd Down Football Club in Bath. Fiver a shot for a cracking knees up. In fact, what the heck, letโ€™s make this one Editorโ€™s Pick of The Week!

For a mellower experience in Bath, try The Tom Petty Legacy at Chapel Arts.

The Grief Opera, Love Goes On at St Andrewโ€™s, Chippenham, Shift Social presents I Was Born in the Wrong Decade at Salisbury Arts Centre, and a Vintage Bazaar is followed by Moments of Pleasure, The Music of Kate Bush, at The Cheese & Grain, Frome.


Halloween Scavenger Hunt at Hillworth Park on Sunday 23rd October, PSG Choir hold an autumn concert at Devizes Town Hall, and the Chas Thorogood Trio play an afternoon session at the Southgate.

Kavus Torabi, Richard Wileman & Amy Fry at The Vic, Swindon, Richard and Amy appear on our Juliaโ€™s House compilation album, show them your support if possible. Always in for a great night with the Joh Amor Band, who play The Three Horseshoes, Bradford-on-Avon. And oh, CSF wrestling at the Cheese & Grain finishes our weekend off.


Got nothing through the weekdays Iโ€™m afraid, but lots of updating to the calendar still to do, so check in from time to time. That is, of course, until Wednesday, the 26th, when White Horse Opera presents Lโ€™elisir Dโ€™amore at Lavington School, which is running until 29th October, and also running on the same dates, Female Transport at the Rondo Theatre, Bath.

And thatโ€™s your lot for this week, can I go now?!


Trending…..

You; Lucas Hardy Teams With Rosie Jay

One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

Two-Tone Icons, The Beat Coming to Swindon and Frome

With Ranking Junior now taking centre stage, the mighty Beat will be heading on tour, taking Swindon, Bournemouth, Leeds, and Hull to get audiences dancing to some of the most famous ska and reggae tracks ever written.….

Ah yes, did a song called “Stand Down Margaret,” if memory serves me well; perhaps a change of name and a little history repeating, fingers crossed.

One of the key bands in the UK ska revival of the late โ€˜70s and โ€˜80s, The Beat still bring the near-perfect balance of pop melodies and taut rhythms that made them stars and won them worldwide acclaim.

Based in Birmingham, The Beat released their Smokey cover debut single โ€œTears of a Clownโ€ through The Specialsโ€™ 2-Tone label in 1979. The single went Top Ten in the UK and they soon struck a deal with Arista to distribute on their own Go Feet label.

Their debut studio album โ€˜Just Canโ€™t Stopโ€™ went Gold in England, and included the now-cult single โ€œMirror In The Bathroomโ€. The bandโ€™s ferocious live performances and clever blend of personal and political lyrics continue to make them stars to this day, and theyโ€™ll be diving into their back catalogue at these new year shows.

And they’re skanking up Swindon on Saturday January 7th, at Meca, tickets are up for grabs now. Also at the Cheese & Grain Frome on March 4th, which is (hint) close to my birthday! Tickets here.


Proper Job; Devizes Beer & Cider Festival is Back!

If I said of the Full Tone Festival, last year, “and in the history of events in Devizes, the magnitude of what The Full-Tone Orchestra achieved yesterday will forever be imprinted,”  it was for two reasons; that it was, and also, aside their free gig in the Market Place, it was inaugural. Still, there’s a number of annual events well established in town, already historically imprinted.

One firm favourite, The Devizes Beer & Cider Festival returned post-lockdown, yesterday, for it’s 21st anniversary, a day which can be best described as monumental, if more expected to be than first timers, like FullTone.

I’ve been to a few drinks festivals, where you can choose from top to bottom, left or right, from the displayed kegs, work your way through the lot and return home a tad tipsy. Not so here, unless you’re Oliver Reed. There was just too many to choose from, and I’m only a cider drinker, beer drinkers would’ve needed Norris McWhirter on standby for a Guinness World Record.

You will need to join Devies branch of the beer trainspotters club CAMRA for some detailed analysis of indivdual brands on offer, I took the pin-in-a-map system and came out on top with such a variety of appley tipples I couldn’t begin to list, unless you have all day? Which you might have, being it’s Sunday, and if you attended, you’re probably not feeling motivated to cut the grass!

The main concentration here should, I believe, be focussed not in review of the contents of my souvenir glass, but in sincere thanks to the volunteers who had this huge beer hall running like clockwork.There must have been a pile of socks around the back, because they sure worked them off, and like robots with charisma programming as standard, they served proper job.

The most common verbal appraisals to Devizes Wharfside being transformed into a beer top-heavy festival, on the day, was, like Christmas day after the Grinch, ones of sheer delight that said monumental occasion has been returned to them after the triple year break.

But it’s far from Devizions just loitering, downing this vast selection and singing the event’s praises. Rather than hoist in hired food vans of varying quality, Devizes Rotary took care of the nosh, superbly. With standard barbecue favourites and king sized woks of meat or vegetable chilli, and the ice cream van was busy too.

Busy is an operative word for the event as a whole. Rapping with organiser Don Jones, I was informed attendance figures were very much governed on how much beer they had to sell. Yet by the end, the approximate 1,700 strong crowd prioritised drinking that colossal beer tent dry, and should you be new to town, welcome to Devizes!

It must take experienced organisers to estimate so precisely how much a crowd of this size will drink without too much waste or predicted riot if underestimated. I have trouble guessing how much pasta to plop into the pan when cooking for four!

Anyhoo, rain didn’t rear its ugly mug, and under shaded skies of tolerable temperature, surrounded by deck chair city, sat the main attraction aside the beer tent, ah, some musical entertainment; twist my arm why don’t you?! Atop transport company Garrbutts’ trailer the stage was set for a host of locally-sourced acts. Devizes CAMRA made a wise move to bring in local music aficionados, Ben and his partner Victoria to arrange the entertainment. Being their first time coordinating they knocked it out of the park, or at least, the wharf!

Devizes Town Band opened. I rolled up to Tom Harris and Claire’s rather sea shanty set, inspired by the neighbouring canal I gather, giving it Chicken on a Raft, and other joyful sing-a-longs, they never fail to please.

Followed quickly by Devizes favourite, unpretentious singer-songwriter Vince Bell, who’s intelligently crafted songs and guitar skills shines with every tune. Not content with showing his spellbinding aptitude with self-penned songs rich in emotion and often topically local, he covered David Gray’s Babylon, and proved talent is hereditary, when his, also all-singing (for Devizes Musical Theatre) partner, Lisa’s daughter, Evie, joined him for a homely enchanting tune, Lisa’s kitchen. The finale was the icing, his audience participation unofficial Devizes theme, which if you know, you know!

New to me, Warminster’s Dr Zebo’s Wheezy Club was up next, proving the timelessness of classic olde timey Americana. They were a highly skilled trio, guitarist, double-bass and fiddle authenticity breathed life in 1920s swing, tango, and a touch of bluegrass. Something different and welcomed, Tom Waits covers and revised banned rarities, shockingly more effective than it sounds.

With the only warning from “voice of Devizes,” compere Ian Diddams, we were next whisked away to Irish taverns with popular flute and guitar combo, The Celtic Roots Collective, who never fail to engage an audience with isometric Irish folk dance, and seem to me to improve tenfold with every day that passes.

Headlining was the rock classic covers band, Triple JD, from Chippenham, yet a welcomed and regular feature of Devizes’ Southgate’s never-ending musical rota. Cover bands aplenty and available for hire, but if you want something mindblowingly above average, Triple JD put the overtime in. Even dropped from four-piece to three on this occasion, sublime covers of Cream, Deep Purple et al, came thick, fast and acutely delivered with unsurpassed accuracy. But it’s the plethora of Hendrix classics which both dominate the set, and astound; any band who can do that without offending the legend is a cut far above the rest, and Triple JD really push the boundaries of what a cover band should produce.

And so came the end of a hugely successful and highly entertaining day here in Devizes, putting The Beer & Cider Festival firmly back on the event calendar, where it so obviously belongs. It’s affordable, enjoyable through variety, and it’s already historically bookmarked, yesterday served only to reaffirm it.

It’s not really a reggae crowd,”  Nick Newman professed to me, “so, we’re just going to play some Bob Marley and popular tunes.” But if the finale was the wildcard, it proved though a show of heavy dubplates might be niche, everybody loves reggae and it moves the crowd like nothing else.

Dancing broke out across the Wharf as Knati P and Nick Razah did their sound system ting. Knati toasting the crowd, a majority perhaps unaware of “rewind” Jamaican DJ methods, but nevertheless feeling the vibes of a set akin to a breif history of everything that’s great about reggae, from Marley to Millie Small, from Two-Tone to contemporary subgenres, like Groove Amarda. In this they showcased the diversity of a misunderstood genre around these backwaters; causing me to uncaringly spill my cider down my t-shirt in gyrating to the Wailers inaugural ska hit, Simmer Down!

And on that point, it surely clarifies my point about Ben and Victoria’s devotion to bring as larger quality and variety to the music program as the selection of beers and ciders, in what was the perfect denouement to a wonderful evening; in my honest opinion, naturally!


Errol Linton at Long Street Blues Club

In a remarkable finale to the season for Long Street Blues Club, London-based The Errol Linton Band presented Devizes with a sublime lively blues blend of delta and RnB, incorporating jazz, funk, reggae and ska too. But if the bandโ€™s proficiency in implementing this melting pot sounds erratic, the perfection was in the precision of switching through subgenres. The result was simply infectious.…..

Itโ€™s rarely mused, given the contemporary influence of Jamaicaโ€™s musical export, that prior to reggae its route lies with the removal of shortwave radio stations provided for American soldiers stationed on the island after WW2. As they disembarked Jamaica they left a blossoming sound system culture, the entrepreneurs of which set up recording studios as supply of US 45s declined.

They pulled from the influences they heard, jump blues particularly, and within these walls is the fabled Duke Reid session with Prince Buster, whereby copying the offbeat experiments of Fats Domino and Barbie Gaye, as was popular on the sound systems, and riding the shuffle beat style of T Bone Walker, a timeout was called and the guitarist ended by running the shuffle backwards, accidently creating โ€œthe ska.โ€

Even less widely known; initially Duke Reid wasnโ€™t in favour of ska, but as the government promoted it for tourism as โ€œJamaicaโ€™s first national sound,โ€ obviously he felt heโ€™d lose out if he didnโ€™t follow the trend. So, pre-ska, and even during its explosion, the Jamaican studios continued to put out as wider variety of sounds as they heard on US Radio, from blues to doowop and even country. This is a necessary backstory to capture the ethos of Errol Linton and his band, as Errol and two-thirds of the band have Jamaican heritage, are keen to emphasis this, and however subtle, everything mentioned gets a nod in their performance.

Errol is also an accomplished artist, creating portraits of his influences gives clear indication of who he is citing, the blues legends, from Sister Rosetta Tharpe to Louis Armstrong and beyond. Yes, the band deviated from blues, to throw down a jazzy number, to increase levels of danceable funk, and with a narrative of Howlinโ€™ Wolf visiting Jamaica, they covered Howlinโ€™ For my Darling with a matchless ska offbeat. Particularly diverse was an original โ€œCountry Girl,โ€ as while maintaining one-drop reggae, the chorus verged onto a dancehall riff. It was right up my street and knocking loudly on my door, but I paused to observe the more blues aficionado regulars enjoying it equally as much as I!

For all the diversity Iโ€™ve noted, and mentioned the pleasure was in how proficiently they switched, even mid-song, this tight arrangement was best at delivering blues, and did so second-to-none. Frontman Errol gliding between vocals and harmonica, cherry-capped pianist Petar Zivkovic lightening on the keys, Lance Rose in porkpie hat, chilled on the upright double bass, perfectionist timekeeper Gary Williams on drums, and guitarist Richey Green presented the funkiest dancing show during play, the combo was spellbinding.

But none of this happened before Devizes-own Adam Woodhouse delivered the textbook support slot. Confident, despite his first outing at this blues appreciation society in which regulars will aim all eyes on you, Adam kicked off with an Elvis rendition of Thatโ€™s Alright Mama, and with top-notch finger picking, continued covers with a remarkable Johnny Cash. Adam, a regular soloist at The Southgate and attendee of their celebrated Wednesday jam session, had some originals of his own, which were executed with panache.

A most memorable evening was had, in which frontman Errol reigned the moment, showing this natural ability accomplished over thirty years, since a busker of Londonโ€™s streets. This is British blues at its finest, individually stylised yet heavily drawing from his roots, a perfect blend to homage his heritage, entertain and packaged in such a non-pretentious manner, you couldnโ€™t dislike it; impossible!

An absolutely blinding night for the Long Street Blues Club, organiser Ian Hopkinsโ€™ smile said it all, as he clarified heโ€™s been trying to book these guys for a while, and made a promise to the crowd theyโ€™d return; you need to be there when it does. The next season starts on 20th August, with anticipated return of Skinny Molly. Worth mentioning though, being weโ€™ve discussed the early stages of Jamaican sound systems and Duke Reidโ€™s Treasure Ilse, competitor Coxsone Dodd over at Studio One gave fame to a majority of reggae artists, yes, including Bob, and another crowned King of Rock Steady, Alton Ellis, that Altonโ€™s son, Troy is on in Hillworth Park around about 3pm today. So, get your sandals on, unless you remain adamant nothing ever happens in Devizes!


Trending….

Bands At The Bridge

Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

Phil Cooper is Playing Solitaire

Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo albumโ€ฆ

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local townโ€™s live music scenes, what better way to return to Devizes than a visit to theโ€ฆ

Marching On, Things to do Next Month, Part 1……

I bloominโ€™ love March, usually, but as we show this month the door, and with such a mild winter, do not get over excited; while temperatures improve slightly, except it’ll be a wet one. A day of snow predicted Thursday, March kicks in better, but worsens by the second week, with a forecast 15-22 days of perpetual rain, hopefully clearing at the end, from Thursday 24th.

To add a degree of optimism to all this, thereโ€™s a truckload of things to do over the first month of so-called spring, thereโ€™s hope we can see less events being cancelled and life in the great outdoors taking steps towards the positive. Still, I advise to check ahead before venturing out, via the links provided; our ever-updating event calendar doesnโ€™t update that quickly to include cancelations, and I canโ€™t be held responsible for such cancelations or failure of organisers to refund tickets. Also, itโ€™s a minefield adding links to these events, so find them all on the calendar, ta muchly.

And do not take this as comprehensive, the calendar is being updated all the time, this is just some advance highlights and all things Iโ€™d do, if I had cloning technologyโ€ฆโ€ฆ

Given all Iโ€™ve said about the weather, it doesnโ€™t seem too bad for Bathโ€™s Big Sleepout on Friday 4th in Alice Park; hats off to Julian House and all doing it, raising vital funds and awareness for people forced to sleep-out every night.

Prior, live rock, electronica and folk from novelist, playwright and stand-up comedian Grant Sharkey, with ecologist Thomas Haynes and Bristol the Badger, aka Grasslands, on Wednesday 2nd, at that little coffee shop Baristocats, on Commercial Road Swindon. While Thursday sees one half of Show of Hands, Steve Knightly, at Trowbridgeโ€™s Pump, and the other, Phil Beer kicking off his So Much to Choose From tour at Corshamโ€™s Pound Arts. Meanwhile, it’s a three-way guitar showdown at Chapel Arts in Bath with Daryl Kellie, Will McNicol and David Mead, and the Apricity Theatre group bring a Greenhouse of emerging artists out of lockdown to the Rondo Theatre.

WEEK 1

Friday 4th

To week one, then; starting Friday 4th, for parents and babies, Pound Arts has Swings & Roundabouts by the Filskit Theatre, who are inviting the bum wipers, bedtime boppers and owners of tiny humans, to join actor, musician, and mummy, Sophie Ross, for a brand-new comedy musical. A nappy change in the evening though, with dark, gut-wrenching adult stand-up from Bobby Mair, on his Cockroach tour.

The Exchange, Devizes pushes up the Tempo with a drum n bass night, while for a more hip-hop/reggae related evening, try DJ Nicewun & Mac Lloyd at The Village Pump. For something lighter, Alan Titchmarsh is at the Theatre Royal, Bath!

If you are in Bath, though, and into folk, try internationally renowned Faustus at Chapel Arts, who also come to Marlborough folk Roots the next week, Friday11th, or The Rondo, where Cindy Stratton and Marius Frank, ZBella, menโ€™s choir Sasspafellas and upcoming singer/songwriter Ellie Frank headline an evening of entertainment raising money for the refugee charity UNHCR.

Closer to home, our good friends Bran and Mirko, as The Celtic Roots Collective bring some Irish roots to Seend Community Centre, from 7pm, which is free or donations. Also look out for one-man mechanical alt-blues band, Funke and the Two-Tone Baby at the Winchester Gate, Salisbury, a tribute to Nightwash, Knightwish, at the Vic, Swindon, or Coyote Kings at the Village Inn. Oh, and the Fillers play the Cheese & Grain, Frome.

Saturday 5th

Saturday, and the Wharf Theatre, Devizes has the award-winning theatre company White Cobra, presenting Bette & Joan, i.e., Bette Davis and Joan Crawford, in danger of becoming has-beens but get an opportunity to appear together in a new film, if the arch-rivals donโ€™t clash.

Swindonโ€™s original band with bluesy intent, Thud come to The Southgate, while the Bearโ€™s Cellar Bar reopens with free entry to a 70s-80s Disco with DJ Andy Saunders.

Itโ€™s happy third birthday to Melkshamโ€™s The Hiding Place, and The Carpenters Experience, which speaks for itself, at the Assembly Hall.

Trowbridge Town Hall get post-punk DIY vibes with a triple billing of Slagheap, Slug Puppie and Carsick, while Chippenhamโ€™s Neeld have Amen Cornerโ€™s Andy Fairweather Low & the Low Riders, and The Cuban Brothers take The Cheese & Grain, but when in Frome, local punkers One Chord Wonders play the Sun. In complete contrast, Pound Arts has critical acclaimed folk and Americana, with Ida Wenรธe & Samantha Whates.

Back to the arts, Rondo Theatre, Bath have Charlotte Palmer in an hilarious and moving one woman show, sometimes angry exploration of women over 50, who find themselves overlooked, ignored, disregarded, in short becoming The Invisible Woman, and Theatre Royalโ€™s Egg have The Dark, Peut-Etrรช Theatre which merges vibrant physicality with live music to create captivating and energetic performances for the whole family. It is even accessible for blind and visually impaired children through integrated audio description and touch tours.

Sunday 6th

Jon Amorโ€™s first Sunday of the month residency at the Southgate, Devizes is the place to be, promising guest Jonny Henderson. But allow me to also recommend Bathโ€™s Yiddish folk collective, Chai For All, who celebrate International Womenโ€™s Day at the Grapes.

Week 2

The Theatre Royal, Bath starts Willy Russelโ€™s musical Blood Brothers on Tuesday 8th and running until Saturday, while the Ustinov Studio has an epic cycle of short plays exploring the personal and political effect of war on modern life, called Shoot/Get Treasure/Repeat running from Thursday to Saturday.

But for a locally themed performance, try the Theatre screening of Naming The View at Pound Arts, Corsham, on Thursday. Naming the View takes its inspiration from Shakespeareโ€™s much-loved comedy, The Taming of the Shrew, yet itโ€™s setting is Seend.

Meanwhile, Chapel Arts, Bath has three days on the trot of acoustic folk with Chris Wood on Wednesday, Nick Hart on Thursday, and The Lost Trades play Friday.

Friday 11th

Aforementioned internationally renowned folk with Faustus at Marlborough Folk Roots club, and thereโ€™s open mic night at Trowbridgeโ€™s Pump, the third heat for amateur musicians of Take The Stage at Chippenhamโ€™s Neeld, and ancient ballads promise to be awoken, poems given the tunes theyโ€™ve long deserved with Salt House, Scotlandโ€™s foremost performers; Jenny Sturgeon, Ewan MacPherson and Lauren MacColl at Pound Arts.

Iโ€™d recommend the experimental jazz-fusion of SexJazz, at Swindonโ€™s Beehive for a Harbour Project FUNdraiser, funding art sessions for Swindon refugees and asylum seekers. Also, the Relayaz Band at Bradford-on-Avonโ€™s Boathouse, or for Thin Lizzy fans, as I know thereโ€™s a few, Limehouse Lizzy play The Cheese & Grain.

But Devizes best of luck wishes go out to our Full Tone Orchestra, who present Gilbert & Sullivan Pirates of Penzance at Bath Abbey; glorious!

Saturday 12th

Saturday is a whopper, spoiled for choice you are! The most excellently unique Bristol-based Two-Tone punk meets Sierra Leonean percussion duo, Two Man Ting return to The Southgate, Devizes. Meanwhile the Corn Exchange opens its doors to the Lacock-based Wiltshire Soul & Blues Club with a blues extravaganza headlining Ruzz Guitar Blues Revue, and thereโ€™s a rock n roll night at the Conservative Club, fundraising for Kennet Gateway Club with Mickey Ace and the Wildcards and DJ.

With support by the awesome Train to Skaville, boot boys need to get to Melksham, where Madness tribute Complete Madness take the Assembly Hall one step beyond. Meanwhile our indie-pop heroes, Talk in Code support for The Worried Men at Trowbridge Town Hall. The Dunwells play The Croft, Hungerford.

The Roving Crows play Chapel Arts, Bath, masters of euro-trance, Transglobal Underground at The Cheese & Grain, Frome, and thereโ€™s a Party & The Pavilion at Minety Rugby Club, featuring a number of bands, including our friends The Dirty Smooth.

Deep Purple, Rainbow and Whitesnake tributes rolled into one at the Vic, Swindon, with Rising from the Deep, meanwhile, Room 101 take the Castle, and Mean as Custard, Loaded Dice and Six Oโ€™clock Circus have a free band-off at Level III, fundraising for Swindon homeless charity the Moonlight Express Project. Oh, and MECA have a Sausage & Cider Fest; two of my favourite things!

But if gigs donโ€™t tickle your fancy, thereโ€™s some excellent family theatre too; Saturday and Sunday at the Theatre Royal, is the place to find The Super Greedy Caterpillar, and Pound Arts in Corsham have Zoo Co Theatre coming in, presenting Messy, where you can meet Daisy. Sheโ€™s got a messy brain and a messy bedroom, which makes it very difficult to look after her class hamster Mr Twiggy! A magical visual story, complete with original music, puppets, tap dancing and even a trip to the moon!

Messy is performed by a deaf and hearing cast with Sign Supported English, created in partnership with ADHD Foundation, where all performances are Relaxed, without loud noises and lights left on, and it is followed by a free workshop afterwards.

Saturday at Pound Arts also sees ENG-ER-LAND by Hannah Kumari and WoLab, a football-themed play set in 97, with 13-year-old Lizzie, obsessed with the beautiful game.

Sunday 13th and I got nothing, yet, except CSF Wrestling at The Cheese & Grain, but thatโ€™s why you need to keep checking into our bulging event calendar, as more comes in all the time. So much, Iโ€™m leaving it there, through fear of repetitive strain injury of my typing fingees. Either that, or itโ€™ll be the middle of April before you finish reading it. But donโ€™t, whatever you do, think for a second thereโ€™s nought to do in Wiltshire, and weโ€™ll finish off the rest of March in a few days, give you time to digest this lot first!


Trending……………..

Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโ€ฆ

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ€™ Shambles opened their second branch,โ€ฆ

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over theโ€ฆ

Trowbridge Town Hall Rides into Spring

At the beginning of the month Devizine covered Trowbridgeโ€™s musical renaissance, highlighting The Village Pump and Town Hallโ€™s dedication to introducing a variety of upcoming local bands and performers. Explaining Sheer Musicโ€™s Kieran Moore had โ€œbig shoes to fill,โ€ taking over as chief event coordinator for the Town Hall from Gavin Osborn. Well, the proof is in the pudding, and that dish has made it off the serving counter and onto our table.….

Not forgoing, the programme is already in full-swing, with Truckstop Honeymoon at the Pump on Friday, (18th) a cider swigginโ€™ scrumpy and western hoedown with The Skimmity Hitchers and our great friends, and the Boot Hill All Stars supporting at the Town Hall on Saturday.     

Boot Hill All Stars

Such is the fashion for live music in Trowbridge, Fridays at the Pump, Saturday at the Town Hall, aside some great happenings at Stallards and Emmanuelโ€™s Yard, comedy and more commercial nights at the Civic. Gecko appears next Saturday at the Town Hall, and all-day Sunday thereโ€™s   fundraising session, Kalefest, a family-orientated mini-festival for some musical equipment for a teenager with a severe brain injury, in which Zone Club, Pete Lambโ€™s Heart Beats and The Relayz play.

Marching on atop this free six-week interactive course of workshops for 16- to 18-year-olds, covering all aspects of the music industry, next month sees a continuation of great bookings, of which we highlighted in the aforementioned preview, here. What weโ€™re here today for is to check in on Kieran, see if he indeed โ€œfilledโ€ those shoes for the ongoing season.

So, just revealed, April and May listings at the Town Hall and Pump, which have equally exciting news, as, perhaps, Mr Moore asks the shopkeeper for a shoehorn. Isle of Manโ€™s recent export to Wiltshire, Becky Lawrence, the musical theatre singer-songwriter who wasted no time fitting into the local circuit, joining established local bands, The Bourbons UK and Clyve and the Soul City Foundation, teams up Bristolian country singer-songwriter Zoe Newton to pinch-punch April at the Pump.

Zoe Newton at Bradford Roots Festival

Whereas, in the name of variety Iโ€™m surprised to see The Town Hall hosting a โ€œrum and reggae nightโ€ on Saturday April 2nd; itโ€™s as if theyโ€™re calling to me! Seriously though, Iโ€™d wager youngsters reading this are asking Siri what the hell a shoehorn is.

But nice surprises flow, as Gavin Osborn himself plays The Pump, Friday 8th, with his band Comment Section. Regulars at Stallardโ€™s, locally-based indie-rockers Riviera Arcade arrive at the Town Hall with Gloucestershireโ€™s electric-punk favourites, Chasing Dolls on Saturday, with (udated) Devizes/Swindon NervEndings headling the show.

NervEndings

Alcopops Recordsโ€™ Croydon duo, The Frauds play the Pump on the 15th, with Ipswichโ€™s experimental indie-pop darlings, Lucky Number 7, while Henry Wacey and Dan Oโ€™Farrell are there on Saturday. Surreal stand-up, Welsh hard rockers The Vega Bodegas are at the Town Hall on the Saturday, with support from Wiltshire-based metal trio newcomers, Last Alvor and self-confessed โ€œdegenerates,โ€ synth-punk noise-makers Benzo Queen.

If that weekend is atypical of what Iโ€™d expect Mr Moore to assign, the following, Saturday 23rd is different. Kieran is no stranger to asking what acts local giggers would like to see via social media, as Brightonโ€™s Chap-Hop legend Professor Elemental comes to the Town Hall, with support from my recommendation, Bristolโ€™s fantastic veganomic ska-punk-folk crazies, Boom Boom Racoon, whoโ€™ve we fondly followed in the past on Devizine.

Boom Boom Racoon

If Iโ€™m excited with boom boom coming soon, while โ€œSunday leagueโ€ songwriter Tom Jenkins finishes off April on Saturday 30th, May is positively booming too. Local soul-hip hop DJ, Mac-Llyod gets the crowd prepped for another of my personal favourites, Bristolโ€™s bouncy boom-bap virtuosos The Scribes, on Saturday 7th May. Aching to encourage these guys a gig more local than Salisburyโ€™s Winchester Gate, Iโ€™m delighted to see this on Trowbridge Town Hallโ€™s listing; theyโ€™re definitely calling to me now!

Pan-European ‘inventive and thrilling’ alt-folk duo, singer-songwriter Tobias Jacob and double-bass playing multi-instrumentalist Lukas Drinkwater play the Pump on Thursday 12th May, whereas Iโ€™m notified Saturday 14thโ€™s do at the Town Hall will be a โ€œpipe and slippers rave,โ€ of which I had to inquire if, as it sounds, itโ€™ll be an old skool DJ rave type thing, and this it was confirmed, โ€œthat’s exactly it.โ€ If theyโ€™re calling me, now theyโ€™re mocking; the feet in my slippers were stomping in mud when you were an itch, whippersnappers! โ€œHoney, whereโ€™s my whistle and white gloves?โ€

Sheffieldโ€™s award-winning finger-style guitarist, Martin Simpson breathes some folk to the Pump on Friday 20th May, while the Town Hall blow cobwebs off with Trowbridgeโ€™s own hardcore metal quartet, Severed Illusions. With nine years under their belts, they opened for Hed PE at the now defaulted Beirkeller in Bristol, and played metal festivalsโ€™ assemblage M2TM. Joined by doomcore fourpiece Eyesnomouth, and Salisburyโ€™s screaming metalcore Next Stop Olympus; thatโ€™s going to go off.

The Lost Trades

From here gigs are pencilled in, June sees Martin Carthy, Jon Amor with Kyla Brox, Hip Route and Billy & The Low Ground feature, but be certain the near-future looks bright and varied for Trowbridgeโ€™s live music scene, particularly as the last gig of May is our beloved folk-harmony trio The Lost Trades on Saturday 28th. Bring in the summer with Graham Steelโ€™s award-winning Phil, Jamie and Tamsin, what more could you ask for?


Trending….

Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals,โ€ฆ

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK.โ€ฆ

Devizine 4 Juliaโ€™s House; Volume 2 in the Pipeline, Need Your Help!

Iโ€™m delighted to transfer ยฃ186.46 over to Juliaโ€™s House Childrenโ€™s Hospices today, the proceeds to-date of our compilation album; well, I call it an album, but itโ€™s one mahoosive boxset really, a staggering forty-six tracks from local artists and others worldwide whoโ€™ve featured somewhere on Devizine in the past.

If youโ€™ve not heard this absolutely stunning Miss World of music before, a virtual Now, Thatโ€™s What I Call Devizine Music, sheโ€™s here for your viewing pleasure, please download your copy, exclusive on Bandcamp, as I feel this site offers the best deal to artists. Once you buy it, it stores in your account cloud, and you have unlimited downloads, so you can put it onto various devices.

Unlike a fundraising event, here is something which will stay in the domain, something you can download whenever you like, and weโ€™ll continue to build a little stash and send it over to this wonderful registered charity once it builds up again. If Iโ€™m honest, Iโ€™ve been waiting for it to total to a nice round ยฃ200 before sending, but attention on the project has waned recently, and itโ€™s been a while.

There are ways I could prompt folk towards it, a poster or flyer campaign would be handy, but I figure, as lots of bands and musicians expressed an interest to be included, after its release, time is nigh to start plotting a second volume.

As we penned all the acts onto an army surplus bag for the front cover, as many students in my era did just this, I thought weโ€™d do similar this time. So, see our old school desk below, eerily free of graffiti? It is aching for me to inscribe your band name or logo onto it, with chewed biro.

You should note we have three tunes for volume 2 already, from Nick Harper, yes, I said Nick Harper, the wonderful Onika Venus, and Marlborough rockers, Catfish. But we need you onboard too. I envision it being entirely new artists, so if you contributed a track to volume one, I sincerely thank you, but unless youโ€™re absolutely bursting with enthusiasm to forward a second song, letโ€™s try to compile a whole new set of artists.

What got to me last time, was the unexpected amount of work Iโ€™d set myself. There was me, at the beginning, thinking Iโ€™d just be bobbing about, enjoying the ride, while our contributing artists did all the hard labour!

It occurred to me at the time, Iโ€™d likely raise better funds riding through town in a bathtub full of cold baked beans, and while Iโ€™ve certainly not scrubbed the idea, I would like this compilation project to build into a series, really prompting and promoting the best of the music we feature on Devizine, and giving the good folk out there a sampler of what great music there is, as well as raising funds for such a brilliant charity; itโ€™s a double-whammy. Ergo, sending us a song will put you straight onto the good list!

So, I ask, if you want to contribute a song, please bear with, and Iโ€™ll be back in touch as soon as possible, but last time I was inundated. Streamlined, thatโ€™s the key here, so Iโ€™ve set out some guidelines to contributing below.

Firstly, we NEED original songs, NO COVERS, not even Chas & Dave ones, as copyright is a minefield. You must own the rights to the song, or have permission from everyone who owns the rights to it, and you MUST TELL ME THIS, see the form at the bottom.

Secondly, please remember this is a childrenโ€™s charity, and while Juliaโ€™s House has been accepting of all the styles and content, really, I donโ€™t want songs with unsuitable themes, or constant bad language. Willing to accept the odd naughty word, and extreme content should be avoided, thanks.

Thirdly, any genre is fine; I want to get a real cross-section of sounds, no pigeonholing. While some chose to record an exclusive song, and that was great, all I ask is for an album track or outtake not currently doing the rounds, but youโ€™re free to choose whatever one suits you best.

Fourthly, there is NO DEADLINE set as of yet, but I will email you once one is decided; please do not wait for the deadline if you can help it; last time I got confused where I stood on so many promised contributions, and it doesnโ€™t take a lot of confuse me.

And, oh fifthly, if that’s not already too much to take in already?! Please ensure you include how you’d like the song to be listed, i.e. Name of Artist and Song. Sounds rather obvious, but also, if I don’t know you already, send some links to websites, social media, and a short bio too!

You can copy and paste this passage below into an email, fill in the dotty bits, and send it to me at devizine@hotmail.com โ€“ attach a WAV file format of the song youโ€™d like me to add, and wait patiently for a reply; I look forward to hearing your song; you flipping superstar, you!

I, (FULL NAME) confirm Iโ€™m the full copyright holder of the track (ENTER SONG NAME) or that I have contacted any other parties which holds rights to the track and have gained their permission also. 

I hereby grant Darren Worrow of Devizine, my permission to use it as part of the 4 Juliaโ€™s House Volume 2 compilation album, fundraising for Juliaโ€™s House. Registered Charity Number 1067125. I also agree to allow clips of the track to be used for promotional purposes of the album mentioned above only.

In turn, Darren Worrow and Juliaโ€™s House maintain the artist of the track reserves all rights to the track, and it is only used in conjunction with the aforementioned album.

(If you have PRS details, Tunecode or ISWC, please add them.)


Trending…….

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trioโ€ฆ

๐€ ๐๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐Œ๐ž๐š๐ง๐ข๐ง๐ : ๐…๐ฎ๐ฅ๐ฅ๐ญ๐จ๐ง๐ž ๐Ž๐ซ๐œ๐ก๐ž๐ฌ๐ญ๐ซ๐š ๐š๐ญ ๐“๐ž๐ฐ๐ค๐ž๐ฌ๐›๐ฎ๐ซ๐ฒ ๐€๐›๐›๐ž๐ฒ

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Dovesโ€ฆ

Hells Bells! AC/DC tribute in Devizes

With our roads being the state theyโ€™re in, is it any wonder on the 5th April Hells Bells, rated as the UKโ€™s top AC/DC tribute,โ€ฆ

Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There mightโ€ฆ

Johnny2Bad Returned to Devizes for UB40 Extravaganza

Crime detecting asset or invasion of privacy opinions aside, The CCTV fundraiser at The Exchange nightclub in the basement of Devizes Corn Exchange went off with a reggae boom last night, when UB40 tribute Johnny2Bad paid a visit, and you know me, on the rare occasion reggae comes to town I want in on it!

We covered the reason for the campaign in a preview post, concentration should focus on the visiting band today, who were fantastic. Aside witticisms of โ€œthe Binโ€ too, for though itโ€™s been a while since I descended those stairs, (and the first time sober!) the dรฉcor is updated and comfy, the crowd and staff hospitable, the drinks affordable for a nightclub, but most importantly, it retains its aged amphitheatre setup, functional, with seating boxing in a dancefloor and the bar rearward across the back wall; it works.

Though with a wide-range of disco classics, resident DJ Flash (no, not the NYC grandmaster one!) appeased the wide-spanning demographic of the audience, many regulars while others reggae devotes here for the particular show, anticipation was focussed on the Birmingham band Johnny2Bad, who bounced on stage close to ten oโ€™clock and didnโ€™t pause for breath.

The tribute act scene is vast and blossoming into a mass market, some pub venues pledge allegiance and rarely book original acts. Yet you take the rough with the smooth, I find when theyโ€™re bad, theyโ€™re excruciatingly bad, but when theyโ€™re good youโ€™re in for a blinding night of retrospection, and they drive punters to the bar. Research paramount for event coordinators, picking badly will tarnish all tribute acts with the same brush, for the individual.

There was a couple down the Bin last night who travelled up from Portsmouth, and while I donโ€™t doubt, they liked UB40, he wasnโ€™t wearing a UB40 T-shirt, he was wearing a Johnny2Bad one. Keen to cast an exceptional appraisal of the band to me prior to their performance, any engagement mentioning the band theyโ€™re attributing didnโ€™t get such a positive response; he was here to see Johnny2Bad, rather than a UB40 tribute act, and the relevance of this point is evident in said performance.

For Johnny2Bad waiver in and out of a tribute to UB40 and staging a show within their own right, yet it blends so utterly perfectly. At times, such as the sublime mimicking of โ€œIf it Happens Again,โ€ and Holtโ€™s โ€œHomely Girl,โ€ the first real glimpses of a UB40 tribute, it shone in acknowledgement to the reggae virtuosos, whereas in other moments you were not mistaken this was also a band within their own right.

And what a band; the refined entertainment value was exceptional, as this blending left you guessing what was next. I put it to frontman Mitch Thomson, rather than simply drone out a setlist of UB40 hits, they added elements, such as visual banter or reprises of other songs, such as Marleyโ€™s Small Axe at the beginning, and Mungo Jerryโ€™s in the Summertime, to make it exciting. He agreed, suggesting they liked to make a show of it.

And Mitch is indeed a showman, rather than resembling Ali Campbell visually, though at times his voice captured that forced Brummie-patois fusion perfectly, he was his own man, lively and confident, amusing and alluring to the fairer sex! The proficiency of the band complimented this, tight-knit and adroitly professional they blessed the Exchange with the soulful sound of roots reggae which inspired UB40, occasionally subtle drifts into a more contemporary dancehall style, but majorly readapting the known classics.

I also wanted to gage Mitch about differences they experience when playing in their hometown, being UB40 is pride of Birmingham and respected above all things there. Are they driven to cover rarer, album tracks, for example when playing to a crowd of serious UB40 aficionados? Mitch was keen to express he liked UB40โ€™s older, and often slower repertoire, but while it made little difference if they were in their mutual hometown as UB40, or not, they aimed to play to the crowd. And in this case, as Iโ€™m sure many others too, the crowd would demand the hits, which, post Red, Red Wine, are, it has to be said, mostly covers of reggae classic themselves.

Though Johnny2Bad slipped in some Iโ€™d consider lesser hits, such as One in Ten, with every tune they did it was of such exceptional quality, you know what, none of these technicalities really matter in the scheme of things. Mitch expressed shows as far away as Holland and Germany were incredibly well received, suggesting they โ€œshowed us up,โ€ assuming he meant either Brits in general, or Brummies.

If I had reservations about the band name, taken from the Slickersโ€™ 1970 Jamaican hit โ€œJohnny Too Bad,โ€ a personification of a Kingston rude boy gangster referenced in The Harder They Come, movie, although UB40 did cover it, many others did too, and UB40โ€™s version was never a hit. Perhaps thatโ€™s the point in picking a rarer cover as namesake, because while Johnny2Bad are in essence a tribute act, thereโ€™s something of their own merit inclusive, and that part is equal to the overall excellence of their act; either that or Iโ€™m overthinking it, and they just liked the name!

Importantly, they bought the show with them, and torn down the house; a remarkable achievement from an accomplished act, tribute or not. Fourth wall breaking moments, such as the singer dropping offstage to sing among the crowd clichรฉ, perhaps, but for the brass section to do likewise was something else. How often are you on the Exchangeโ€™s dancefloor, or any dancefloor come to think of it, with a trombonist playing next to you?! For me, as a reggae-ska lover who knows brass is class, that was the icing on the cake of a thrilling and professionally entertaining show.

As Iโ€™ve discovered through Legend, the Bob Marley tribute, and more recently, the Blondie tribute Dirty Harry, and now these guys, their excellence will turn any preconceptions of tribute acts on their heads; Johnny2Bad is an unmissable show; if it happens again you need to be there!


Yes, Johnny2Bad feature on our compilation album in collaboration with Big Ship Alliance, and all funds go to Julia’s House Children’s Hospices; click here to buy it!

Trending……

Geckoโ€™s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for aโ€ฆ

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโ€ฆ

Results of Salisbury Music Awards

All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โ€ฆ

UB40 Tribute, Johnny2Bad in Devizes for CCTV Fundraiser

Amnesty International investigate, but a song can resonate injustices to the masses with far more impact. When UB40 released Tyler, in 1980, the perversions of the American justice system which jailed Gary Tyler six years previously for a murder he didnโ€™t commit were little known in the UK. Convicted based entirely on the statements of four witnesses who later recanted their testimony, one has to wonder the differences having CCTV technology back then mightโ€™ve had on injustices such as this.

Apt then, that Birminghamโ€™s premier UB40 tribute act, Johnny2Bad are playing The Exchange nightclub on Friday 11th February for a Devizes & District Licensees fundraiser, to raise funds towards supporting our town CCTV. But weโ€™ve already got a CCTV system, havenโ€™t we?

I caught up with Noel Woolrych, controller of the cameras since it began fourteen years ago, to ask him what improvements need to be made. โ€œHow long a list would you like?โ€ he responded, pointing out several areas in need of cameras; blind spots which Iโ€™ve no intention of telling you where they are cos, I know what youโ€™re like! โ€œBut itโ€™s pretty much impossible to get from the Bell to Waddies without going past several cameras,โ€ Noel adds; probably got a few of me staggering home!

Currently upgrading the cameras in Old Swan Yard and putting up a couple more behind the Town Hall, Noel points out โ€œnone of it is original, as it’s been upgraded several times. We respond to requests where there is antisocial behaviour.โ€

Inclined to quip, at least the CCTV is run by a Labour man, heaven help us otherwise, but Noel quickly deflected the political jab, โ€œpolitics has nothing to do with it.ย  I’m just concerned for the safety of all.โ€ And in that, Iโ€™m convinced nothing Orwellian is in operation here, Noel adamant if youโ€™re doing nothing wrong, heโ€™s not interested in spying on you.

โ€œItโ€™s being well supported by the night-time economy,โ€ continues Noel, explaining it recently caught someone smashing a car windscreen, and provided evidence for the knife incident at the Dolphin. โ€œOh, and my conviction rate of those who get to court is only 100%!โ€ he vaunts, though with good reason, and for the coverage to continue keeping us safe and improve, further updates are needed.

Iโ€™m certain booking Johnny2Bad is as a wise move as it is fitting, everyone loves UB40, and this eight-piece ensemble are a world-renowned tribute, endorsed by Ali Campbell himself on a national TV interview. With a wealth of experience beyond the reggae circuit, members of the band have toured with artists such as Sting, Santana and Peter Gabriel, and also reggae legends Jimmy Cliff, Third World, Shaggy, and Maxi Priest, but ultimately, Ali Campbell and the late Astro themselves; there can surely be no higher accolade.

But if thereโ€™s one thing which, for me, puts a tribute act on a pedestal, is when they record original material in the style of those tributed. Iโ€™ve played one of two of their singles, โ€œI love you,โ€ on my radio show, and it magnificently mimics the UB40 sound to the degree without knowing youโ€™d think it was an album track of theirs you mustโ€™ve missed, and theyโ€™ve more tracks promised.

Not one to blag, but Iโ€™m honoured to have their collaboration lockdown single on our compilation album for Juliaโ€™s House, โ€œweโ€™re all in this thing together,โ€ with Big Ship Alliance, another brilliant reggae outfit which also has a Freddie McGregor tribute, plus Robbie Levi, and Stones.

Still, Johnny2Bad are real crowd-pleasers, and youโ€™d be in for a fantastic night of the classic UB40 covers we love. Although Iโ€™d be hoping for some personally favoured UB40s older originals, I wonโ€™t throw toys from my pram if they donโ€™t, as I believe post-Red Red Wine, their concentration on covering reggae classics breathed new life into rare Jamaican singles, which otherwise mightโ€™ve been lost in time. Such as the sublime Lord Creatorโ€™s Kingston Town, and man, if this olโ€™ trainspotter need Google if UB40 ever covered the Slickerโ€™s Johnny Too Bad, Johnny2Bad have answered that for me!

Tickets for Johnny2Bad at The Exchange on Friday 11th February are ยฃ15, and can be found in the various pubs, at Devizes Light & Sound in Sidmouth Streetโ€ฆ. but not in Kingston Town, the place I long to be, if I had the whole world, I would give it away, just to see, the girls at playโ€ฆ. but obviously not via taking advantage of Noelโ€™s CCTV system, for thatโ€™s just to catch criminals!


Trending…..

Static Moves at The Three Crowns Devizes

Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at The Marketโ€ฆ

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic ofโ€ฆ

Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisonersโ€ฆ..โ€ฆ

Bath Reggae Festival Ticketholders Still Await Refund

Ticketholders for the hugely publicised Bath Reggae Festival still awaiting a refund after the festival was cancelled in August last year are getting understandably disgruntled, as the organisers are reportedly unresponsive to emails and messages….  

Like many others, I jumped on this when first announced in November 2020. With a real community feel to their reggae scene, and Fairfield House, where Emperor Haile Selassie I spent five years in exile, what location in the southwest could be more apt to hold a reggae festival than Bath?

Wowed but slightly dubious when I saw the inaugural festival announce their line-up later in the month, for a first-time festival it seemed too good to be true. Legends of reggae were billed; Maxi Priest, Aswad, Big Mountain, Dawn Penn, Hollie Cook, Sister Nancy and more. Due to Covid restrictions the event was postponed from June to August, but over 2,000 reggae fans were disappointed to learn, due to the organisers being unable to source port-a-loos, the festival at Kensington Meadows in the city was again called off.

Spokesperson for event organisers, VIP Productions, Jack Wilkinson told the BBC at the time, โ€œthere has been a mention of September but again that can’t be guaranteed.โ€ VIP put out a plea on their Facebook page, encouraging ticketholders to retain their tickets as they would be honoured once a future date was arranged, but promised a full refund if not. This was the last post published on their Facebook page in August, as punters rally to inquire to their refund, and receive no response.

Some managed to obtain a part-reimbursement from their bank or PayPal, but Iโ€™ve yet to find anyone who actually received a refund direct from the organisers. I emailed the festivalโ€™s website and the messaged VIP Productions, to no reply either, but since discovered, according to the .gov site, the company dissolved in October. VIP also presented another similar reggae festival, same month, in Huddersfield, called Sunup, of which I can find no evidence of it happening either. Going on this, Iโ€™m sad to say, I wouldnโ€™t hold out much hope, guys.

I would not go as far to suggest the whole shebang was a scam; the festival industry is not a swindlersโ€™ market, as it is not enormously profit-making. An event of this scale takes hard work, dedication, experience and a huge pot of funds long before stages are erected, and folk are downing cider and chewing on falafels. Admin, marketing, council permissions and insurance are just some of the mountains of red tape you need to get through just to get your foot on the first run of the ladder, therefore thereโ€™s far easier methods of defrauding people.

Just one day prior to the event in August, Somerset Live reported VIP were โ€œcriticised for their last-minute approach and lacking basic information in the application, making it โ€˜extremely difficultโ€™ for Bath and North East Somerset Council.โ€ Somerset Live also spoke to a senior environmental health officer, Sara Chiffers, who expressed concerns, โ€œweโ€™ve had extensive dialogue with the organisers about elements of the event management plan that were unclear, contradictory.โ€

This would suggest my initial hesitancy was justified; perhaps their intentions were honourable, but they tried to run before they could walk. For to have one of these big names booked would have been enough for an inaugural festival, as you need to start small and build. You cannot run off looking at Glastonbury, Reading or Bestival, these are well established with generations of experience, if they book Bowie, or Bruce Springsteen itโ€™s because they know they can, they know tickets will cover it. Festival organising is a massive risk, and fundamental organisers get an event co-ordinator with experience. But to fail over a trivial aspect like toilets is, aptly, a bit shit!

More so it looks bad, creating a riff between punter and organisers in general, and right now, this is the last thing the hospitality industry needs. I know of one festival organisation shut up shop because they depended on advance ticket sales to host the next event. An honourable, trustworthy little festival, and while Iโ€™d rather advocate folk entrust such organisers, stories like this are bound to create understandable uncertainty.   

My advice would have to be, in order for the festival scene to thrive and especially for new-comers to become established, folk have to put their trust in events and buy tickets in advance. Yet I urge punters to use their noodle, be wary of festivals promising too much at one time, especially the first time, or events which may have sister operations elsewhere in the UK under a similar banner. But it is detrimental for the future of festivals that organisers remain faithful to their customers, that they insure thereโ€™s reserves for refunds should it fail, and that they keep in communication with the ticketholders in such an occasion, as it is not only the customers you are bothering, but other event organisers too; common decency really, isn’t it?


Trending…..

RowdeFest 2025!

Okay, I canโ€™t keep the secret any longer or Iโ€™ll pop! While all the hard work is being organised by a lovely committee, because theyโ€ฆ

Events This Weekend; January Into February!

If weโ€™re nearly out of the prolonged gloom of January, note itโ€™s still winter but weโ€™ve climatised and are ready to party. February this yearโ€ฆ

Devizine Review of 2021; Marginally Better than 2020!

If we recently reviewed Ian Diddams and friends meeting at the Vaults for their annual festive Jackanory, the first article of 2021 was the very same funny fellow reciting his yarn as a live stream from his mocked garden grotto, and in that, surely displays how far weโ€™ve come from the restrictions of lockdown we entered the year with. Though not without the same notion as last Christmas looming over us, like a dirty black shroud, that it was, perhaps, all too soon, and weโ€™ve not seen the backside of the Covid19 yet.

Summarising, 2021 was marginally better than 2020; there were gung-ho moments of throwing caution to the wind, and there were others to make us stop and ponder the consequences of our actions. Thereโ€™s little doubt the world will never be the same for decades to come; social interaction, shopping, even work practises; but we did get to party on occasions, and when it was good, it was really good.

And if it ended with a Boxing Day brawl, I suspect some wished for the bash-a-sab fest. Even police it seems, who would likely send in The Wealdstone Raider to crowd control a Wealdstone V Whitehawk FC game, if given the assignment. Did I predict this when I said โ€œmake no mistake, thereโ€™s a civil war under our noses, which comes to an apex when blood-thirsty predators triumphantly parade their wrongdoing on a day when most of us struggle out of bed to reach the fridge?โ€

Hardly crystal ball stuff, tensions at their highest for rural Wiltshireโ€™s most contradictory dispute, it was on the cards since day dot; when the county voted in a foxhunting Police Crime Commissioner, whose misadventures in drink driving caused him to pull out at a cost of millions to the taxpayer. A calamity most shrugged off with โ€œoh, ha-ha, those naughty Tories, bless โ€˜em.โ€


Allowed Out to Play

It was May before I set foot in a pub, lockdown eased and live music was back on the agenda, albeit with hefty restrictions; early ending times, remain seated, table service, no mingling outside of โ€œbubbles,โ€ and deffo no dancing or singing. It felt awkward to begin with, not quite the same, but it was a start, and who better to kick off proceedings than the brilliant Daybreakers, gracing the trusty Southgate? One could sense the joy from Cath, Gouldy et al, to be singing to an audience once again, proving their dedication to the cause. A handclap emoji just isnโ€™t the same.

For a while then The Southgate remained the only venue in Devizes providing live music, and we thank Deborah, Dave and all staff for working within the rules to create a safe space to be blessed with music; it was like they were on roller-skates at times, up and down the beer garden, ensuring not a mouth was left dry!  

I also ventured out to the Barge at Honeystreet, to see how they were coping with the boundaries too. And what a show The Boot Hill All Stars put on there, under a spacious marquee, so tempting to get up and dance, but couldnโ€™t; mastered foot-tapping though.

The return to some normality for many in Devizes came in clement early June, when Devizes Lions held a fantastic car show, plus, on the Green. With side stalls aplenty, nervously folk began to socially distanced mingle; it was a breath of fresh air and a testament to what can be safely achieved with forward thinking and dedication.

Image by Nick Padmore

By July I made it out a few times, the idea of Vince Bell teaming with the individual performers of The Lost Trades, Phil, Jamie and Tamsin was too much of an irresistible hoedown of local talent to miss, and a third trip to the trusty Southgate to tick TwoManTing off my must-do list also proved to be a memorable evening.

The beginning of August I ventured to TrowVegas to tick another off said list, catching those Roughcut Rebels with new frontman Finley Trusler. They blasted the Greyhound, and didnโ€™t disappoint. The month shifted gear for many, and things simply blossomed like there never was a lockdown. Back-to-back weekends saw both my favourite largescale of 2021, the single-most amazing festival near Marlborough; MantonFest is a real gem, professionally done with a real communal atmosphere, the type perpetual drizzle couldnโ€™t put a downer on. This event wowed.

Back in Devizes, the events of the year were the weekend which followed, sitting nicely between a stripped back version of DOCAโ€™s International Street Festival sprinkled across town, was of course, The Full Tone Festival. Without the refreshing emergence of folk out of lockdown, this would have still been something for the townโ€™s history books, but being as it was, the opportunity to head back out and enjoy life once again, the timing, the best weather, the whole ambience was electric. The time and work gone into pulling this off was absolutely outstanding, and for which folk of Devizes will forever mark it as a celebration of post lockdown.

Awakenings even drew Andy out of hiding by September, and I was overjoyed to have him back on the team, without putting his bag and coat on the hook, he went out to play, reviewing Devizes Musical Theatreโ€™s Gallery of Rogues, and Devizes Town Bandโ€™s Proms in Hillworth Park. Meanwhile I was delighted to see The Wharf Theatre reopen with a fantastic performance of Jesus Christ Superstar.

September also saw the welcome return of Devizes Comedy at the Corn Exchange, and The Long Street Blues Club, who, kicking off with Creedence Clearwater Review, wasted no time catching up with their rescheduled programme of the most excellent blues nights money can buy. Andy covered these, while I ventured to see Kieran J Mooreโ€™s new digs at Trowbridge Town Hall. After a brilliant street art exhibit from Tom Miller, I went to taste the music there, with a most memorable evening from Onika Venus. I returned to the scene in November, for a great gig from ร…lesund with support from Agata.

Other than a trip to the White Horse Opera and Southgate to see Jon Amorโ€™s King Street Turnaround, Andy pitched a tent at Long Street Blues Club, one time shipped out to the Corn Exchange in late November for Focus, which Andy crowned best gig of the year. I made it out to the Cross Keys in Rowde for The Life of Brian Band, and to the Southgate see Strange Folk again, since their fantastic set on Vinyl Realmโ€™s stage at a Street Festival of yore. But October held my best gig of the year, the reasons manyfold, and Iโ€™m lay them on the lineโ€ฆ.

For the outstanding fundraising efforts of the Civic award-winning local supergroup, The Female of the Species, I hold them all up as my heroines, therefore the chance to see them again at Melkshamโ€™s fantastic Assembly Hall too much to miss, and the fact theyโ€™d chosen this time to raise funds for another of my local heroines, Carmela Chillery-Watson, was almost too much to take! With an electric night of awesome danceable covers and a massive raffle, they raised a staggering ยฃ1,763 for Carmelaโ€™s Therapy Fund.

It will never cease to amaze me the selfless lengths our musicians will go to for fundraising. Even after a year and half of closed hospitality and no bread-and-butter gigs, they continue to offer their precious time to help. While events blossomed late this year, and November saw the return of TITCO, and Devizes Arts Festival added a spellbinding mini-autumn-festival with Ronnie Scottโ€™s Jazz Club, Sally Barker and Motown Gold, Devizine continued also to preview events and do what we had being doing to find content during lockdown. Yeah, we rattled some cages with social and political opinion pieces, tasted some great takeaway tucker, and we reviewed recorded music further afield as well as local, but we had a number of feelgood stories, most memorable being things like our snowman competition in January, but there was a project which highlighted the sterling effort from musicians to fundraise, and it will be something Iโ€™ll never forget.

Image: Gail Foster

So, in April I announced we would be putting together a compilation album, fundraising for Juliaโ€™s House Childrenโ€™s Hospices and by late June it was a thing. It was hard work to put together, but Iโ€™m astounded by the plethora of great bands and artists who took the time to send us a tune for inclusion. Knowing time was precious for artists popping out of lockdown, in need to source bookings and rehearse, I only asked them to provide us with an existing tune to prompt their albums, but some went beyond this, giving us exclusive outtakes such as the brilliant Richard Davis & the Dissidents, or some even recorded new songs, like Blondie & Ska, Tom Harris and Neonian.

I picked a staggering forty-six tracks to bind together, to create a boxset so humongous it would need far too many CDs to make it actual, so due to this and the expense of outlaying, it exists as a download on Bandcamp. Think of it as a teaser for the many great acts weโ€™ve supported and reviewed over the years, and for a tenner, it works out under 5p a tune.

For me this was a momentous achievement, and canโ€™t thank them enough. While Iโ€™ve put it out to the right places, to the Gazette & Herald and Fantasy, and airtime on West Wilts Radioโ€™s fantastic Sounds of Wilderness Show, there is obviously more I need to do to get the message out there, as sales have been slow, unfortunately.

I could fathom a number of reasons for this, but in all, weโ€™ve raised approximately ยฃ177 for Juliaโ€™s House, hoping to reach a ยฃ200 target before we send them the money, still sales have waivered off so significantly I feel I need to send what weโ€™ve had so far. Please help us to up the total if youโ€™ve not already bought this fantastic album. Gloom aside I will say Iโ€™m planning a second volume, and already have a few contributions from incredible acts such as Nick Harper, Onika Venus and Catfish.

Returning to events for the last part of the year, While Andy fondly reviewed Focus, I popped into the Corn Exchange for a quick interview with The Lost Trades, and left to attend a great art show at the Shambles. That weekend the Full-Tone Orchestra played Swindonโ€™s Wyvern, and Iโ€™m grateful to Ian Diddams for his review. This is what we need, people, we cannot cover everything, but if youโ€™ve a few words to say about an event or anything local, please, help to make Devizine a comprehensive community, erm, thing!

Of course, one delightful addition to our team TD Rose has been submitting some lovey features, firstly of ramblings, and more recently she made friends with Wiltshire Museum, and reviewed DOCAโ€™s Winter Festival. Thank you so much Tyg, Iโ€™ve yet to meet, but we need to arrange this for the new year.

Image: Chris Dunn

Towards the end of November Andy remained seated at Long Street, I did the rum bar thing. Such a refreshing addition to Devizes, The Muck & Dundar pulled off a blinder with Bristol DJs, The Allergies. This was one smooth funky night, best for an age, and it was great to shake my greying tailfeathers. Both Andy and I finished off the year with a Boot Hill bash at the Southgate, where hip hop misfits Monkey Bizzle supported, and was shocked by Andyโ€™s positive reaction, being more my cup of cheddar, this was an awesome night too!

Kossoff played Long Street, Andy also went to White Horse Operaโ€™s Winter Concert and other than the hugely successful Tractor & Tinsel Run, weโ€™re back to where we started with an Ian Diddamsโ€™ spoken word showdown the Vaults!


On Stats and Boring Stuff

Our Annual Stats Doubled from Last Year!

Having live music back, no matter the limitations was a breath of fresh air. Prior to it I was still scrambling around in the dark as I was in 2020, hunting for something to write about. But I guess a year of lockdown had given me time to contemplate and improve on the content. This boosted the stats, for if 2020 saw a drop in readership, I hoped to better it, and Iโ€™m pleased to announce we had a record amount, well over doubling the figures of 2020. This is awesome news, and I thank everyone for keeping the faith in us, and continuing to support Devizine.

I keep looking at the bar graph of stats, not believing the skyscraper which is 2021. How much weโ€™ve grown, become a โ€œthingโ€ now. Itโ€™s fantastic and I hope we will continue to entertain you. I must stress though, we donโ€™t harass you to subscribe or any rubbish like this, we keep advertising to a minimum, and nothing should pop up and distract your reading, and we uphold the ethos features should be free to the end user.

Yet we do need to maintain some budget to keep the site going. Thatโ€™s currently around ยฃ60 a year; we fund our own beer money, thank you, weโ€™re not MPs, we have no expense forms! So please consider donating to keep Devizine afloat, please donate when sending us an advert, unless it is fundraising. Iโ€™d really like to build up a small fund to get some charity events off the ground, as I believe the artists should be paid for their time considering their predicament too. So, anything extra will go towards this, and promoting the Juliaโ€™s House album.

What can we expect from Devizine in 2022, you might ask; well, if itโ€™s not brokenโ€ฆ…letโ€™s happily bash on shall we?! Thank you all so much for your support over 2021, the stats show weโ€™re heading in the right direction.


On Food

Said this before, but I take pride in repeating myself; food reviews get an enormous response, yet still eateries seem reluctant to come forward. A food review here will do wonders for your sales, and Iโ€™m not just saying that because Iโ€™m a greedy so-and-so. Places weโ€™ve eaten out or takeaways weโ€™ve had which failed to live up to our expectations have not been mentioned. Iโ€™m no Gordon Ramsey and Iโ€™m not about to publish a slagging off. Iโ€™d rather tell you to your face why Iโ€™m not reviewing it!

During lockdowns the takeaway became essential part of a weekend treat for families with nought else to do, and new establishments opened, while pre-existing ones flourished. In January we praised the Massimosโ€™ Pizza, and the following month saw me queuing halfway down a frozzled Nursteed Road for a rather tasty Greek Gyro from the Cosy Kitchen mobile van; such was the popularity of these mobile units during the bleakest of times.

When things begun to open up in April I went for my first vaccination jab, where they told me not to drive for fifteen minutes. They didnโ€™t say go find a new Indian lunchtime takeaway in the Brittox, but we did, and long should Naan Guru live on!

Not much further into the same month, I tracked down The Feisty Fish, a fish n chips van like no other. They donโ€™t come into town being thereโ€™s chip shops here, but track these guys down for the single best gourmet fish n chips you will ever taste, I tell no lie!

June saw a second IndieDay, organised by InDevizes, and prompted people to get out and shop with a bustling farmerโ€™s market, in which I discovered the rosy cheeked benefits of Lavington’s Rutts Lane Cider, and merrily made my way home on the bus! I also had to mention, unsurprisingly to those who know me, that month, that Plankโ€™s Dairies introduced a new locally-sourced organic milk, yogurt and juice range, in sizable and reusable glass bottles, which has proved hugely popular.

Naturally, without a main stage this year, there was a greater interest in the food market at The Devizes Street Festival in August, and the following month we mentioned Devizes Food & Drink Festivalโ€™s Market, where I was reunited with Rutts!

It was July when we discovered Thai-day Friday, and that was just delicious!

Mildly amusing than most, I offered a Battle of the Best Devizes Breakfast, in November, something we need to follow up on when the kids are back in school, as Round One, The Condado Lounge Vs New Society was a popular post. I bloominโ€™ love food, me, yโ€™know, invite me to your cafรฉ, pub or restaurant and Iโ€™ll give you my honest opinion, except I donโ€™t do eggs or liquorice; yuck!


On Music

If Iโ€™ve already mentioned our awesome 4 Juliaโ€™s House project, and all the artists who contributed are in my good books, we also covered a whole heap of new releases. Plus, we started a Song of the Day, where we post a YouTube link for your pleasure, and generally donโ€™t say much else about it, rather waffle on a tangent! But mostly recorded sound reviews waned when live music reopened, still we strive to continue telling you what we like.

Will Lawton

Will Lawton proposed to open a music school, JMW held a lockdown festival in support of musicians, Wiltshire Council asked Gecko for a Road Crossing song and video, and Wiltshire Rural Musicโ€™s announced producing live steams from Trowbridge Town Hall.

Kirsty Clinch announced her music school and book plans, and covered Swindonโ€™s sound system Mid Life Krisisโ€™s live streams. We chatted to The Scribes, announced The Lost Trades Live Stream in Advance of Album Launch, and The Ruzz Guitar Sessions, and Asa Murphy returning to Devizes.

We announced Sheerโ€™s Salem gig, the Dear John Concert Album for War Child, and the bid to help Calne Central. Announced Sheerโ€™s Frank Turner gig at the Cheese & Grain, chatted to Blondie & Ska. Announced Wharf Theatreโ€™s Youth Theatre, Pound Arts Blue Sky Festival, My Dadโ€™s Bigger than Your Dad Festival in tribute to Dave Young. This list goes on, but most enjoyable recently, meeting up with Visual Arts Radio who moved from Frome to Devizes.

We reviewed Terry Edwards Best of Box Set, Ainโ€™t Nobodyโ€™s Business by Ruzz Guitar Blues Revue and Pete Gage, Skates & Wagons, Kirsty Clinch, Small Town Tigers, Django Django, Chole Glover, Araluen and Ariel Posen. Trowbridge DJ and producer Neonian, The Direct Hits, Andy J Williams, Erin Bardwell, Nigel G Lowndes, Mike Clerk, Cutsmith, Timid Deer, and Cult Figures.

Horses of the Gods, Lone Ark & The 18th Parallel, Longcoats, Black Market Dub and The Lost Trades.

Brainiac 5, Sitting Tenants, Stockwell, Storm Jae and Nory, Sam Bishop, Longcoats, The Bakeseys and Elli de Mon.

Liddington Hill, Boom Boom Racoon, Longcoats, Girls Go Ska and Daisy Chapman.

Monkey Bizzle, Webb, The Hawks, Captain Accident & The Disasters, Onika Venus, Death of Guitar Pop, The Burner Band, Mr. B The Gentleman Rhymer, and Scott Lavene.

Spearmint, Captain Rico & The Ghost Band, Sonny Vincent, Freya Beer, Near Jazz Experience, Beans on Toast, Old Habits, and most recently, Paul Lappin! That enough for you?!ย 


On the Social and Political Side

The fate of every nation depended on how their governments dealt with the pandemic, and how the public responded to them. Iโ€™m not here to dwell on international or even national politics, for this is a review of Devizine, what I define loosely as โ€œan entertainment news and events guide,โ€ for the locality of Wiltshire, focussing particularly on our base, Devizes. Yet tenaciously it is linked, undeniably affecting limitations to what we could and couldnโ€™t do. By the very appalling national statistics, despite rolling out vaccinations like no other country, it revealed true horrors of conflicting government decisions, their general disrespect and selfishness for the public theyโ€™re supposed to serve, and the publicโ€™s reaction to them.

Like a blind vacuum, sucking in every government blame game, it never ceases to amaze me keyboard warriors on social media turning culpability onto mainstream media, when their task is purely to report news, and capture the mood of the nation. The mainstream media is ruled by the elite, funding the government, theyโ€™re in bed together, literally. To publicise shortage of goods is informing of a potential issue, they didnโ€™t enforce panic buying, the public did; chicken and egg. Equally, to publish mood change in the majority lost faith in government, is because thereโ€™s a mood change; weโ€™ve lost faith in government.

Iโ€™m not here to say I told you so; Iโ€™ve not lost faith in this government, I had none to start with!

Take the last set of pandemic announcements, made only hours after government-controlled media broke news of Downing Street Christmas parties, best part of twelve months earlier. A day where the public felt betrayed, even those who voted for Bojo and his cronies held their heads in shame and had to confess it was all too much for a government to break rulings it set itself, and party on while the public suffered, and died. The mood was understandably bleak; why should we do what they say when they clearly donโ€™t?

Why, you ask, for crying out loud? To protect ourselves from a global pandemic, numpty! Government announcements are fed counsel from health organisations and medical experts, skewered by bent politics, naturally, but the bullet points are there. It is not the same self-entitled buffoons, theyโ€™re voiceover artists on this occasion; given free reign theyโ€™d have โ€œherd immunity,โ€ against WHO advise.

Can you not see through the wool? The government press released the Downing Street Christmas Party scandal themselves, bang on cue of an announcement, so we would all think precisely that, why should we do what they say when they clearly donโ€™t? If we rebel from their restrictions, weโ€™ve only got ourselves to blame when the virus spreads. The government gets what they always wanted, herd immunity, and theyโ€™ve shifted the blame away from them and onto you, me, and everyone else.

Therefore, we need to take precautions ourselves, be a community, care for others around us. No hard and fast lockdown is needed, if common bloody sense prevailed, but government seem intent to rinse it from our craniums. Weโ€™re not self-service tills, do not robotise us!

We know now how to prevent the virus spreading; keep your distance from others, wear facemasks in public places, follow NHS guidelines in testing and get vaccinated as soon as possible, whether they tell you to or not.

These things should be commonplace, but whenever restrictions ease, like a naughty school-boy triumphantly marching out of detention only to offend again, we forget everything weโ€™ve learned and pay the cost for it. Iโ€™m not preaching like a saint, caged too, I urged for a pint, to lob my facemask into the air, hug, and flaunt the rules when the rules relaxed, at times reflecting if we did the right thing, least if we did it too soon. But itโ€™s done now and we canโ€™t turn the hands of time. If we could, Iโ€™d still be on Castlemorton Common.

Old Skool Rave

In this, one series of articles I was proud of this summer was in reminiscence of my youth, being the thirtieth anniversary of 1991, an explosion for the rave scene. But another similar premise based on news of illegal raves happening in lockdown, was to ask those old skool ravers if theyโ€™d still go raving if there was a similar pandemic in the nineties; with interesting results.

Return of the Rave

And if it sounded like I was defending mainstream media, I wasnโ€™t, only applying a smidgen of sympathy. With Facebook, Twitter et al, media is everyone now; Iโ€™m living proof any idiot can publish a blog and make look it like reputable news! Reason why, I guess, criticising other local outlets always brings hits, the occasion I felt the need to defend Devizes against the sharp eye of local gutter-press Wiltshire Live, proved to be our third most popular article of the year.

Devizes is a great place to live, Tory top-heavy, but thatโ€™s something anyone with an alternative opinion has to unfortunately suck up. Our fourth most popular article this year was in January, breaking the news Tory PCC candidate for Wiltshire, Johnathan Seed, was a bad card. Something as more evidence came to light, namely drink-driving offences, proved to be true, at the time I put my finger on something conflicting in his chat with us, calling anyone who cared to address fox hunting a โ€œtroll,โ€ but requesting we talk on his trespass pledges, blatantly linked to restrict the movement of sabs, the only folk we see actually policing this disgusting and unbelievable smokescreen of trail hunting. Something we covered more recently, suggesting Boxing Day Hunts need better policing.

Moan Iโ€™m bias, yeah, no shit, Sherlock. Do I attempt to hide it like others? Why the hell should I side with anyone butchering wildlife for so-called sport, and in that, why the hell would you?! But hey, I remained impartial during local elections, giving each and every candidate a platform, so there!

Never has a PCC election run with such controversy. Aggravation between sides fired, and we did more than blow the lid off Seedyโ€™s bogus campaign, causing some alarming revelations in local social media bias. Tories back Tories, no matter what theyโ€™ve done wrong, itโ€™s an allegiance to admire, even if you feel itโ€™s malicious. As well as chatting with Lib Dem candidate Liz Webster and independent Mike Rees, we tried a few spoofs: Play the Wiltshire PCC Game, Basil Brush Missing, and upon the Tories hustling in an alternative candidate by stalling the re-election, we ran a short story The Adventures of Police Crime Commissioner Wilko, which was based upon a better received satire, a long-running mock of Wiltshire Council, in The Adventures of Councillor Yellowhead.

At times Mike seemed such a threat to Wiltshireโ€™s Tory totalitarianism, a media attack seemed the best method to deflect people taking the common-sense vote. The first bout came in January, when Mike was barred from volunteering to administer lateral flow Covid tests, the second in July affected me personally as the Devizes Issues Facebook group revealed its fiercely denied bias, by banning me for using a George Orwell quote to express my concern at the taxpayer having to fork four million quid for a re-election which was clearly the Conservative Partyโ€™s fault! Iโ€™m adamant it was justified.

Nineteen-eighty-four was supposed to be a warning, not a fucking self-help guide.

Annoyed, I struck out, naturally, and was begged back, after the full-gone conclusion a Wiltshire majority blindly vote for the blue rosette no matter what! But it was a month after the ban, the smear reached its apex, with all posts about the independent candidate immediately banned and deleted on the popular Facebook group, and anyone complaining were blamed by members for the downfall in Mikeโ€™s success! You canโ€™t make up hypocrisy that nasty.ย 

Tory Devizes Town Councillor Iain Wallis on โ€œthe Devizes Issues.โ€

Itโ€™s not the politics which bothers me as much as the kind of world they envision. Stories of injustice swamped Devizine this year, more than ever before, even our April Foolโ€™s Joke had stark repercussions. 

Every minute an adolescent arm reaches out of a window, unceremoniously handing a bag of fast food to a driver, they nod a thanks, and leave. That seemed to me to be the maximum social interaction of 2020, yet commonplace in modern living, pandemic or not. I recalled going to a Tesco, paid at the pump, masked expressions as I sauntered the aisles, paid at the self-service till and on the way out considered one could live their life in modern times completely unnoticed, months need pass without human contact. My mind meanders if thatโ€™s something young folk actually want, or if theyโ€™ve been robotised, or if itโ€™s an age thing leaving me in a care-home for terminally bewildered.

The best hitting article of the year was again, our April Foolโ€™s Day joke, where this time I misleadingly announced the opening of a McDonalds in Devizes. Maliciously planned, it broke the local internet, and despite suggesting it was All Fools Day in the piece, comments and messages flooded in from headline scanners. In favour of it or not, the debate is such popular the joke was lost on many desperate souls dying for a McFlurry; causing faith, just like Chippenhamโ€™s recent pandemonium for a bucket of battery chicken in gravy, yes, Aldous Huxley was bang-on, many folks do want to live in this commercialised bubble, void of individualism.


On Everything Else

Individualism, free thinking and fair and just causes we stand for here, it is not my fault the many attempts to counteract this seem to come from a conservative ethos, and therefore get criticised for it. Iโ€™m not dead against conservativism, but they seem dead against me, as if weโ€™re supposed to know our place tip our hat and reply, โ€œvery good guvnor, Iโ€™ll bail your shit for a shilling!โ€

My god, how they hate common people who can articulate, thatโ€™sโ€™ why they slash away like Freddy Kruger at the education budget while back the grammar school relaunch. Then keyboard warriors whinge at juvenile delinquency like itโ€™s a new thing and something stringing them up for will somehow solve. Weโ€™re heading into days as dark as the early eighties, perhaps medieval for some, days I remember with a horror in my heart.

The audacious legacy building bashes on with grand and glorious plans, I reported Stonehenge had been saved by the High Court, but they operate above the law and continue to ignore the justice system, plotting to bury a road underneath it, shaking it to ruin, least knocking it of the World Heritage List, for the sake of knocking minutes off commuting times.

I criticised the reality of building a whole new train station miles out of Devizes, against popular opinion, cos Iโ€™ll believe it when I see it, and furthermore, I feel thereโ€™s more pressing issues which looking at. If not our terrible infrastructure, the state of our roads, and the endless chain of bureaucratic nonsense to get the simplest of notions pushed through bumbling pompousness of councillors and apparent do-gooders, itโ€™s the increasing homeless on our streets, the need for Food Banks which the Tories selfishly assume is a good thing, the poverty level submerging a continuous population and the outright condoning of racist, sexist and homophobic acts. Sort them out, and Iโ€™ll gladly stand on Devizes Parkway platform with you, or any other brazen legacy-building pledge you dream up!

Every time Iโ€™m duped, I feel like an idiot, unable to get my message through the red tape. You want a train station, yet I reported the dangerous state of a Wiltshire Council playpark in Rowde, FIVE years ago, and I have to seriously throw my toys out of the pram to get anyone to pay it any attention. In February this year I was delighted, based on my article, Councillor Laura Mayes secured ยฃ20,000 from WC to re-design the playground and she proudly used it to publicise her election pledge.

But still the playpark remains in the same state of disrepair, not a penny pledged has been spent. Whether this is WCโ€™s fault or the Parish Council I donโ€™t know, they got what I suspect they wanted, a successful election result, and my whinging reduced too. Iโ€™ve just lost all faith and interest in continuing to bother with it. You want a train station, huh? Traffic lights at the Black Dog crossroads? A no left turn sign at the top of Dunkirk Hill? Yeah, good luck with that, weโ€™re moving into six years for them to fix a dangerous baseplate of a bouncy chicken in a playpark!

Yet perseverance can pay off; we loved it when Rab Hardie of Duck N Curver broke into Stonehenge to raise awareness of his wish to film a video inside the stone circle, we asked if the Fire & Rescue Service were Cutting Vital Flood Equipment, defended Wiltshire Police from keyboard warriors upset they used a rainbow as their Facebook logo during Pride Month, wished Devizes Lions a happy 50th, supported Joe Brindle on his campaign to save Drews Pond Wood, attended Save Furlong Close protests, added some reflection on the Travellers based in Bromham, praised local artist, Clifton Powell when he was commissioned for English Heritage Exhibition, The African Diaspora in England, had a great time at Breakout, Chippenhamโ€™s Alternative Art Show, congratulated the award-winning British Lion. Crickey, the list goes on; the vast array of subjects weโ€™ve covered, even war memorials which look like bins!

I must be boring you into an early grave, which isnโ€™t the best way to start a new year!

One last thing, we did plenty of spoofs and satirical pieces, too many to name, yet, allโ€™s fair in love and war, and it was a great year; hereโ€™s to 2022! I leave it there before your head explodes!


Onika Venus Smooths Trowbridge Town Hall

A truly wonderful night was had at Trowbridge Town Hall with soul-reggae artist Onika Venus and bandโ€ฆ.

Agreed, you may have to sift through wildly nerdy debates over Kirkby and Buscemaโ€™s cross-hatching, or season 12 of the Fourth Dr Who against season 13, but one great thing about socialising in the comics industry, unlike the mainstream music one, is level-pegging. The fact everyone gets paid peanuts no matter if youโ€™re inking for Dark Horse or small pressing under a broken photocopier, means no snobby hierarchy, and this compares to local music circuits too, something I wrongly didn’t expect it to be like last night.

The arrogance and haughtiness of the pop star is historically documented. If I go above my station, it usually ends in disappointment, because Iโ€™m not wearing a Rolling Stone stage pass. I check ahead this weekend, because Onika Venus responded with gratitude when we reviewed her wonderful album, and on the strength of it alone, I made Trowbridge Town Hall my mecca for my eveningโ€™s intake of quality music. The message simple; make door-staff aware to allow me backstage if you would like to say hi. ย 

Now Iโ€™m sitting in a modest room of the Town Hall, with a slight crowd of approximately forty, rather than the grand ballroom and mass gathering I was expecting, and husband half of the duo, Mark Venus comes to thank me for the review, joking, โ€œitโ€™s okay, Iโ€™ve cleared your backstage pass!โ€

Why my assumptions? Not alone the prestigious connotations of โ€œTrowbridge Town Hall,โ€ but the sheer quality of Onika Venusโ€™s album, Everything You Are. Her rich, beautiful vocals commands superiority, as if sheโ€™s pre-famed internationally, rather than the veracity; sheโ€™s upcoming, gigging together for the best part of twelve years on their local music scene around Bristol and the Forest of Dean, fans of which travelled to attend in support.

Reason enough to cry her name from the hilltops, which I intend to do, because last night was absolutely fantastic, and if everyone knows Macy Grey, Erykah Badu, or even Ariana Grande heaven help, everyone should know the music of Onika Venus.

I could ponder why until the cows come home, and conclude imminent attention aside, thereโ€™s a unique crossover with this singing duo making it tricky to pigeonhole. Husband Mark very much has the style of acoustic country or easy listening, a passionate James Taylor quality, whereas Jamaican-born Onika belts out a naturally sublime soulful voice where reggae is ascertained.

In a world where traditionally, husband and wife duos are unified in style, from Abba to Sonny & Cher, or Johnny Cash and June Carter, this blend is welcomingly unique, and I have to say, works so, so well. Critics should also take heed this little-known fact, historically as well as blues and RnB, country music bears a huge influence on the Jamaican recording industry pre the era of their homegrown radio stations, where folk would hear the sounds of US stations.

I discussed this with the pair, Mark acknowledged Onikaโ€™s mother back in JA sung country songs. In turn this also revealed, like many Jamaican musicians, music is in her blood. For while soulful, thereโ€™s nothing diva about Onika, coming across reserved and shy. Reflecting in the passion of her voice, on stage she shines like a beacon, with the joyfulness of female reggae artists of yore, particularly that of Marcia Griffiths, who always held an esteemed cheerfulness in her sound.

So, amidst this modest audience, accompanied by her husband Mark on acoustic guitar, and two other members, a percussionist on snared cocktail cajon and multi-instrumental brass player, they played out tunes from their album with a perfection spectators held in awe, then took a break.

This was not before the brilliant oddity of a comical support act, namely Big Tom, a friendly Londoner with a warming smile and penchant for original music hall. Whom covered the age-old bawdy parody of the nursey rhyme, โ€œOh Dear What Can the Matter Be,โ€ where seven old ladies were locked in the lavatory. This took me back to the cockney songs my own nan would sing, and I told him so within this surprisingly communal and outgoing environment.

It also gave the opportunity, said environment, to chat with Onika and Mark, the latter suggesting his eclectic influences included mod revival and two-tone ska as well as country-rock. This came to an apex in the second half of the show, whence after playing a few more songs from the album, and introducing us to some new songs theyโ€™ve been working on for a follow-up, the four-piece burst into a lively finale of reggae classics. From Dandy Livingstone to the more obvious Toots and Marley, this medley gave the crowd the incentive to dance, making for a celebratory and memorable culmination.

But if this felt essential given Onikaโ€™s origins, it certainly wasnโ€™t pushy, and with equal joy Onika sang the songs which blessed reggae into international recognition as she did their own compositions. Yet it is in those originally penned songs where this band all gleam, the album is a must-have. I adhere to this notion so much, Iโ€™ve a CD of said album to give away, see below.

For now, though, know this was a wonderful evening, with Sheer Musicโ€™s Kieran at his beloved control tower, Trowbridge Town Hall intends to break barriers and offer a variety of events for all in a relaxed and friendly atmosphere. Not forgoing, Onika and her band were astounding.

WIN A CD OF EVERYTHING YOU ARE!

So, if you want a copy of Everything you Are by Onika Venus, itโ€™s on Bandcamp, or you could win one (if you live in the Devizes area so I can deliver it!) Please ensure youโ€™ve liked our Facebook page, and Onikaโ€™s too. But Iโ€™m not making it that easy, you will have to give me, via Facebook comment, a great example of where country music influenced reggae, post a YouTube link to the song, and letโ€™s get educating! Winner will be the one who picks my favourite example, by chance!


WIN 2 TICKETS HERE!

Trending….

Everything You Are, Onika Venus

You remember being given some coursework, when back in higher education, with various objectives and your task was to choose one to complete? Not really wanting to do it, you go to the student at the top of the class, and ask them what theyโ€™ve done. They reply, โ€œah, not much,โ€ and this gives you the cue to do absolutely nothing. Then, on the day of handing it in, theyโ€™ve unexpectedly produced the single-most awesome project, covering all the objectives in one ingenious combination, and you stand there with zilch, except a jaw hanging and an implausible excuse, which you made up on the bus coming in?!

Iโ€™d imagine Onika Venus to be just like that. Now Bristol-based, Jamaican-born Onika plays Trowbridge Town Hall on September 18th, so, given reggae is cited as an influence, I thought Iโ€™d check out her debut solo album, Everything You Are, which was released back in March.

The title track was chosen as Songsmithโ€™s Song of the Year 2020, and itโ€™s easy to hear why. Iโ€™ve not been this blown away by a female vocalist since discovering Minneapolisโ€™s Mayyadda.

Immediately this pushed my buttons, but if this opening title tune is decidedly acoustic blues, with a distant harmonica resounding in the background, thereโ€™s a truckload more going on than the first impressions here.

The premise from the beginning is as simple as, Onika Venus has the prevailing soulful voice to carry whatever genre is thrown into the melting pot, and drizzle it over you like hot sauce. It only leaves you pondering how far she will take it. The second tune I pigeonholed as RnB pop, a contemporary Macy Gray or Erykah Badu, aiming for chart success. When Iโ€™m Broken carries this concept to a higher height, and is simply, the model formula of popular music every song should aim for.

Yet, three songs in and here comes the Caribbean influence. Friday Love has a clear mento feel, itโ€™s immediately beguiling, a good-time chugging song in the face the despondent romance theme. This will occur again towards the middle the album with Whoโ€™s Been loving You. Again, with Shotgun thereโ€™s similar appeal, perhaps the most definable as โ€œroots reggae,โ€ and, for me, theyโ€™re the favoured sections.

But it swaps back to the mainstay for track four, steady soul with an orchestrated ambience; Everything has its Season, is the ideal equilibrium to bless that heavenly voice and compose this euphoric moment of bliss. After a surprising modern dancehall intro, weโ€™re back to an acoustic guitar riff for the poignant The Storm, using sax to mitigate jazz. I Need You, though, has kick-ass funk, Ike & Tina Turner in their prime.

With only three tunes to go, just when you think influences have been exhausted, thereโ€™s a duet with a male voice, supplied by husband, Mark, Mary, sounds classic Americana, as if Joe Cocker just walked into the studio and said, why donโ€™t you try this?!

To keep you guessing what the last couple of tunes will hold, yeah, folk is strapped onto soul, Reaper Man aches of Aretha Franklin, but by this point you just know Onika Venus can carry this off with bells on. Raising the bar of comparisons is justified, believe me. For when itโ€™s funky Iโ€™d give you Randy Crawford, Chaka Khan, and when it levels with acoustic and folk, her voice dishes out notions of reggae heroines, of Phyllis Dillon or Marcia Griffiths, and the gospel finale, yeah, Aretha will be justified, if not Sister Rosetta Tharpe; it is this magnificent.

Yet, unlike all these aforementioned legends, the style here is not monocultured, neither does it jerk from genre to genre without consistency and flow. Onika Venus gives volumes to the eclecticism, and it moulds efficaciously into one melting pot, beautifully. Prior to this solo launch, in a band called Slyde, her voice customised their breakbeat, techno and house style, to great effect, and I can well believe it. The flexibility of her skill is captured here, Iโ€™d imagine as comprehensively as she chooses personally, and just as the student who bursts in effortlessly, with the homework complete and to an exceptional standard, Onika Venus makes this look easy!


Win 2 free tickets here!

Trending….

Discovering Swindon Story Shed

With Dad’s taxi on call in Swindon and a few hours to kill whilst her majesty is at the flicks, it was fortunate local authorโ€ฆ

The Rise of Winter Festivals

Once upon a time it seemed to me, that folk would grin and bear the winter weather for the sake of a Christmas lights switchingโ€ฆ

Showcase of Reggae Perfection; Lone Ark meets the 18th Parallel

Just as Afrika Bambaataa was โ€œlooking for the perfect beat,โ€ Iโ€™m one whoโ€™s seldom content with the direction reggae has shifted to in the modern era, and long to discover something more akin to the finale of its golden age, when Marley chanted his songs of freedom to a liberated Zimbabwe, Jah Shaka shook the rafters and Linton Kwesi Johnson poetically versed an English insurgence.

Alongside international acts such as Spanish The Emeterians, or Hollie Cook closer to us, Switzerlandโ€™s Fruits Records is that rare outpost still defending the ethos of that militant period in reggae, and if Iโ€™ve used the term โ€œreggae perfection,โ€ to define their wonderful outpourings before, this one takes the phrase to a whole new dizzy height.

Out tomorrow, 3rd September, Showcase Vol1, cannot be compared with any other reggae album Iโ€™ve heard of recent; it simply wouldnโ€™t be fair on the others. Iโ€™d better pitch this against classics; Bob Marley & The Wailersโ€™ Survival, Burning Spearโ€™s Marcus Garvey, Black Uhuruโ€™s Guess Who’s Coming to Dinner, and a particular favourite of mine, Misty in Roots, Live at the Counter Eurovision 79, in order to rank it equitably, fi true.

Probably the most respected and sought-after producer of the European reggae scene of the last decade, Roberto Sรกnchez takes his place behind the microphone to deliver a new album as a singer under pseudonym Lone Ark, and is backed by Fruitsโ€™ in-house band, The 18th Parallel, and itโ€™s quite simply, a sublime combination.

Sublime because it honours the Jamaican roots reggae tradition, with bells on. To put in perspective these six tracks, with dubplate counterparts, is to accept Iโ€™m sent so much music they occasionally get played more than once, but Showcase has been on repeat for the last month, and it still makes me tingle with delight, and militantly march while washing up the dishes!

It just has all the elements of said reggae perfection, heavy bass, divine one-drops, scorching riddims and well-penned lyrics of righteousness. The creativity of the sound engineer and the musicians is freely expressed, and the melody is tight, allowing all elements to flow in an amalgamation which sizzles under the grill.

Without being preachy or spiritual, thereโ€™s balanced virtue in the words. Starting revolutionary in citing youth, with the rousing line of Defend; โ€œthe rights of our brothers and sisters who cannot defend themselves,โ€ through the yin-yang revelation in the solid Snake in the Grass. Side B, however, starts with Build an Ark, talks of family values in everyday activities, and โ€œGet You,2 projects positivity to defeat oppression, akin to One Love. And in a summary, it creates a tenet comparable to the words of Marley, along with the sound of Sly & Robbie at their peak of Black Uhuru. And Iโ€™m sorry, but you cannot beat that.

This album is a treasure, all reggae fans need in their lives.


Check out my reggae and ska show, every Friday from 10pm GMT

Trending….

In Retrospect With Gary Martian

So yeah, not only has Cracked Machine and Clock Radio drummer Gary Martin added a letter A to his name to make it sound moreโ€ฆ

Christmas Greetings From Devizine!

Here’s our Christmas video Greeting, ho-ho-ho! Filmed on location at DOCA Winter Festival, Devizes, 2024 by Jess Worrow. Merry Christmas everyone!

No Bad Press for Captain Accident & The Disasters

Top marks and a gold star for this album, released tomorrow, Friday 20th August; Bad Press, of which youโ€™ll hear no such thing as bad press from me, and Iโ€™d be interested in how anyone could find an angle to do such. Yet if the title is subtle irony, more so is the band name, Captain Accident & The Disasters.

From the band name alone itโ€™s understandable for one to perceive their output as comical or zany, but far from it. Here is some sublime, concentrated reggae and rock steady, bouncy and carefree, yes, but astutely written, covering some acute themes as well as the general tenet of rock steady; forlorn or unabridged romance. Neither am I willing to accept the talent here is any way an accident, and the band is anything but a disaster!

Twenty seconds into Bad Press is all you need to realise why David Rodigan speaks so highly of Cardiffโ€™s Captain Accident & The Disasters, and they were invited back to tour with legends Toots & the Maytals after their 2016 UK tour, as the official full-tour support in 2017 and again in 2018. Which they did, and Captain Accident was asked to join the band onstage to perform Monkey Man on guitar. If it wasnโ€™t for lockdown and the tragic passing of Toots Hibbert last year, they would have been on the European tour that year also.

Other than the wonderful sunshine reggae vibe, thereโ€™s not a great deal else going on in Bad Press, yet thereโ€™s no need to be. The band stick to the tried and tested formula, the mellow plod of traditional one-drop reggae, occasionally more steppers upbeat with only subtle ska or dub elements coming through. Note importantly, they do this with bells on. It doesnโ€™t attempt to swerve off with experimentation. All tracks flow with precision and a highly polished sound produced with traditional instruments. At no time will Bad Press replicate a previous tune through dubplate principles, neither will a dancehall DJ toast over it, or a drum n bass riff be thrust unexpectedly at you; good, honest and exceptionally beautiful roots, rock reggae is what you get.

If themes reflect lovers rock or rock steady on occasion, itโ€™s nicely done, and in others, where more sombre subject matter arises thereโ€™s no militancy, rather the longstanding carefree reggae ethos of not worrying, dancing reservations away, as every little thing will be alright. Neither does Rasta etiquettes or such biblical or cultural references come into play, making this reggae for the masses as well as aficionados. Itโ€™s just, ah, tingly, and apt for all!

Despite the bandโ€™s output, three previous albums being self-produced, their beguiling festival friendly sound has rocketed their success with a national fan-base growing by the day. I fully believe Bad Press will seal the deal.

Ten songs strong, I couldnโ€™t pick a favourite. As I believe I said, it flows, blessing your ears with inspirational sound. In Redemption Song familiarities the content of the opening tune casts an eye on Armageddon, but pessimism doesnโ€™t deject or depress you, and the title, โ€œNot the End of the World,โ€ says it all. The aforementioned carefree attitude carries over with the catchy โ€œBest Shoes,โ€ the upbeat melody cutting to plod as Captain Accident aptly quotes Marley, โ€œwhen the music hits you, you feel no pain.โ€

And such is unswaying general premise throughout, returning to one-drop for the beautiful โ€œPlaying Field,โ€ which truly showcases the writing skill on righteousness and equality. Swapping back to the common hopeless romantic theme, โ€œWings,โ€ will melt you, like the referenced wings of Icarus. Followed by the most ska-ish, the buoyant โ€œMiami Incorporating.โ€

There is nothing here to rightfully label this with bad press, perhaps the blithest tune being the โ€œDark n Stormy,โ€ with a rum subject, thereโ€™s a real Caribbean feel, yet the most interestingly intertwined is the rock-inspired guitar previous song, โ€œPuttinโ€™ Up a Fight,โ€ because it clarifies this โ€œreggae for all,โ€ notion Iโ€™ve attempted to convey. I hope this comes across, especially in these local parts where the genre is often misunderstood and misrepresented. If your knowledge of reggae doesnโ€™t extend much past Bob Marley & The Wailers in their international prime, you will love this. Yet, for bods like me, a humongous enthusiast, it fills me with a glorious passion that the traditional aspects of reggae will never be lost in a sea of dancehall, reggaeton and dubstep.

Ah, they’re all worthy, to me, but aside, reggae got soul, and you NEED this album in your life!


Trending…..

Chapters, New Single From Kirsty Clinch

Okay, so, Iโ€™m aย  little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning Iโ€™ve not yet mentioned Kirsty Clinchโ€™s newโ€ฆ

Today is Bandcamp Friday, Best Day to Bag Our 4Juliaโ€™s House Compilation

As the headline suggests, itโ€™s Bandcamp Friday, August 6, 2021, when the music platform waivers its fees, from midnight-to-midnight Pacific Time. Thereโ€™s no better time to buy our awesome fundraising compilation album as an average 93% of your tenner will go to Juliaโ€™s House Childrenโ€™s Hospice.

Bandcamp Friday has been operating since March of 2020, on the first Friday of every month. Bandcamp is a wonderful site, it doesnโ€™t prioritise signed artists, but level pegs all musicians. They waivered their shares to help support the many artists who have seen their livelihoods disrupted by the pandemic. You can explore Bandcamp forever, finding your favourite artists, local music, or do as I like do sometimes, and venture off for a musical journey beyond your usual haunts. You can trek to a country and find all manner of musical styles youโ€™ve never heard before, safe in the knowledge, unlike streaming sites, it is fair trade for the artists.

Streaming sites offer a pittance of revenue share to the artist, they have to get millions of listens to make the price of sausage roll, whereas Bandcamp is a buying service, where merchandising can be added too. This is why I chose the site to launch our compilation album. Money comes straight over to us when you buy, and weโ€™ve currently raised over ยฃ150 for Juliaโ€™s House, please help us to raise this bar.

Besides, itโ€™s a cracking album, where if youโ€™re in the local area, name your favourite local artist, and I thereโ€™s a high chance theyโ€™ll be on it, and I guarantee youโ€™ll discover some new ones too. 46 full length songs of various genres, thoughtfully placed in sections according to those genres, to create a soundscape encompassing everything thatโ€™s amazing about both our local music scene, and beyond, artists weโ€™ve featured on Devizine in the past.

In fact, I call it an album, but a โ€œboxsetโ€ would be a more appropriate term if it was a physical product. Unfortunately, it is only as a download, as to make it an album would take over 5 CDS, and the expense of producing a product is too much to risk taking any profits made for the charity. I would be keen to hear from a business willing to sponsor the production of a small run of CDs, but as it is, download it is. Thereโ€™s a good thing with download, your purchase is stored in a cloud, so youโ€™ll never lose it as you have unlimited downloads of it. You can transfer it from one devise to another, you could burn it onto your own CD, if you wished.

It will never fail to amaze me, just how many musicians rallied to donate a song to this project, and Iโ€™m forever grateful to them all. Artists you should branch out to, and buy some of their albums and singles, as Iโ€™ve handpicked these fantastic people, so you can be rest-assured of their quality and talent.

For detailed track listing click here, but hereโ€™s the lowdown of who youโ€™ll be hearing on this musical journey of over three hours, in order of appearence: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Wilding, Barrelhouse, Richard Davies & The Dissidents, Tom Harris, Will Lawton โ€“ Evanescence, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Nigel G. Lowndes, Kier Cronin, Sam Bishop, Mr Love & Justice, Barmy Park, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, Cosmic Shuffling, Blondie & Ska,The Birth of Bonoyster, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Meru Michael, Cutsmith, The Tremor Tones, Big Ship Alliance, Feat Johnny2Bad, Robbie Levi & Stones, Urban Lions, Neonian, First Born Losers.


Song of the Day 41: Captain Accident & Disasters

Meaning to bring back this simple and quick feature for a while now, and what better opportunity than a new tune from Cardiff’s reggae virtuosoes Captain Accident and the Disasters?

Nice mellow rock steady number this one, with a sombre theme and contrasting clown in the video. Bring on those happy, happy clowns, for a band who supported Toots and the Maytals on their 2016 UK tour, who Toots Hibbert liked so much to invite them back to do the same for the follow two tours, it could only be more talent than “accident.”

And that’s my song of the day!! Very good, carry on…..


Hotting up for August 2021: Things to Do Across Wiltshire and Beyond

If July saw the gradual return to normality, and cautiously events crawled back with a welcomed but awkward feeling, while it may be hugely debatable if weโ€™re doing the right thing, or not, August is warming up to be stonker. Events of all types are flung up each day, itโ€™s hard to keep track and up-to-date, nevertheless I try.

Fingers crossed it doesnโ€™t go Pete Tong. Such a divided issue with good arguments on each side, Iโ€™m not about to start ranting for either, but I salute everyone organising events, at great risk to themselves financially. All I will say is, it is vital for the success of any event and the continuation of them in general, that we still apply certain rules, restrictions set by the organisers, and adopt the necessary etiquette when attending them. We know what the precautions are, theyโ€™re second nature now. The government passed the buck, it is up to us, each and everyone of us to think for ourselves, respect otherโ€™s decisions on how to act, but I appeal, act responsibly and long may this continue.

Without further-a-do then, hereโ€™s what weโ€™ve found on Devizine for August. Itโ€™s far easier to knock this article up with providing too many links, they can be found at the event calendar, and for family events throughout the school holidays, check here; but please do check for updates, itโ€™s never an exhaustive thing, new events are being added. Said that bit before, but it is even more vital to check ahead, to ensure events are going ahead as planned, and what restrictions might be in place at them individually. Have a great August, stay safe.

Week 1:

Kicking off on Monday August 2nd with the +5 Holiday Club at The Farm Cookery School. Tuesday 3rd and running until Thursday 5th August, RW Football School Summer Football Camp are at Green Lane, Devizes, ages 6-11.

Wednesday August 4th, then. Chippenham Museum host a Childrenโ€™s Art Walk. Take a walk, through Monkton Park for this fun arty session. You will receive a pack with pencils, crayons and plenty of paper and join local artist Kirsty Jones to explore the wonderful setting of the park.2pm โ€“ 3pm. ยฃ4 per child. Recommended age 6 and above, all children must be accompanied. Meet at the town bridge entrance to Monkton Park. Thereโ€™s also the +8 Holiday Club @ The Farm Cookery School.

Wednesday also sees the first Junior Actors with Lucia, for school years 6-9, for the Youth Theatre Summer Workshop at the Wharf Theatre, Devizes.

Thursday 5th and the Summer Kidโ€™s Art Club at Wiltshire Scrapstore starts on Bowden Hill, Lacock. Sessions from 10:30 am โ€“ 12:00 pm, run every Thursday and Friday through August.

Our first August festival starts Thursday, Wickham Festival in Hampshire, where Van the Man headlines, and the Love Summer Festival at Plympton, Devon starts Friday.

Thereโ€™s an interesting-sounding new family musical written and produced by Mel Lawman staged at Bathโ€™s Forum on Friday 6th -Saturday 7th Miss Red. Devizes folk support this, because our homegrown talented twelve-year-old, Jessica Self from Centre Stage Academy of Dance in Devizes and Stagecoach Trowbridge is in the cast, playing Daisy Blewitt. We wish you all the best, Jessica.

Friday 6th also sees the Salisbury Comedy Festival start, Black Sabbath tribute, Supernaut play the Vic in Swindon, and HoneyStreetโ€™s Barge will be kicking as the Mid Life Krisis Collective head down there.

On Saturday 7th time for Sheer Music to put aside their lockdown TV presenting skills and get on with what they do best, hosting gigs. And what a way to start, itโ€™s Frank Turner at the Cheese & Grain. Also, catch the amazing Kevin Brown the Southgate, Devizes, and those mods, The Roughcut Rebels play the Greyhound in Trowbridge.

The wonderful Strange Folk are at The Three Horseshoes in Bradford on Avon. Concord Drive, Transfer Window and Man in Vest play Swindonโ€™s Vic, Jive Talkinโ€™ perform the Bee Gees at Chippenhamโ€™s Neeld Hall and itโ€™s The Bath Festival Finale Weekend, where McFly headline.

For Sunday chilling, on the 8th, get down to the Queens Head in Box where Schtumm presents The Lost Trades with support from Lee Broderick, alternatively the Neeld play The Rod Stewart Songbook.

Week 2:

Monday 9th August thereโ€™s a +8 Holiday Club, The Farm Cookery School and +11 on Tuesday.

Wednesday sees another Youth Theatre Summer Workshop, at Devizes, the Wharf Theatre, check their website for details. Chippenham Museum also hosts a Writing & Performance Workshop with performer Ruth Hill, for ages 8 and above. More Summer Kidโ€™s Art Club at Wiltshire Scrapstore on Thursday and Friday, and The Cake Lady takes The Farm Cookery Schoolโ€™s +8 Holiday Club.

Friday night, Iโ€™ve got Stop Stop playing Swindonโ€™s Vic, and thatโ€™s it so far.

Saturday 14th, Cobbs at Hungerford have a charity Emergency Service Day, should be fun for the little ones. For the grownups, cider fest at the Civic in Trowbridge with the Mangled Wurzels.

Lewis Clark is at The Southgate, Devizes, Shepardโ€™s Pie at Wanboroughโ€™s The Harrow, and Webb, formally known as Ryan Webb has this EP launch party at Swindonโ€™s Vic, with Broken Empire and Land Captains in support. Hope to get a copy of this for reviewing, some clog in the pipeline at the moment. But hey, itโ€™s also Buckfest at Marlborough The Roebuck where the loud and proud Humdigger headline.

Bedpost, Transfer Window and Pool play the Vic in Swindon on Sunday.

Week 3:

+11 Holiday Club at The Farm Cookery School on Monday 16th, and the RW Football School are in Melksham. Suitable for ages 6+, Pound Arts welcome Scratchworks Theatre Companyโ€™s joyful and mischievous show to Corsham Almshouses, for an outdoor performance of The Grimm Sisters.

A welcomed return of events at Melksham Assembly Hall on Thursday 19th, with Neil Sands Bringing Back the Good Times; olโ€™ time favourite show tunes from the 40s, 50s & 60s and a heart-warming tribute to Dame Vera Lynn.

Friday 20th and Jack Deeโ€™s new show, Warm Up is at Chippenhamโ€™s Neeld Hall. Iโ€™ve nothing else for Friday night yet, but Saturday21st, woah, festival time!

First up, is where I plan to be, Mantonfest, near Marlborough, with Blondie tribute Dirty Harry, Dr Feelgood, Barrelhouse, Richard Davies & The Dissidents and many more. Over the downs, OakStock at Pewseyโ€™s Royal Oak is another safe bet; Amy Winehouse, Rag n Bone Man tributes, alongside the brilliant Illingsworth.

Meanwhile the rescheduled Bath Reggae Festival takes place, with Maxi Priest, Aswad, Big Mountain, Dawn Penn, Hollie Cook and more. Anneโ€Marie, Dizzee Rascal and Clean Bandit headline Live at Lydiard 2021.

Howlinโ€™ Mat plays The Southgate, Devizes, while Sex Pistolโ€™s tribute Pretty Vacant are at Swindonโ€™s Vic, with support by The Half Wits and Subject Ex.

Week 4:

Monday 23rd August is +8 Holiday Club at The Farm Cookery School, and Tuesday is11+.From Tuesday until Thursday, The RW Football School Summer Football Camp returns to Green Lane, Devizes, for ages 6-11.

Chippenham Museum has a one-hour workshop to create your own simple mini scrap book inspired by their latest exhibition on Wednesday, for ages 6+.

Thursday and Friday itโ€™s Summer Kidโ€™s Art Club at Wiltshire Scrapstore. And Thursday 26th August sees an Olympic Gold Medallist, Alex Danson running a Hockey Masterclass at Devizes Hockey Club. Open to all hockey players aged 11-18 โ€“ you donโ€™t have to be a member of DHC.

All weekender at The Barge on Honeystreet, when Honey Fest kicks off Thursday, with a grand local line-up, including The Lost Trades, The Blunders, and Chicken Shed Zeppelin, to name but a few.

The Southgate is the place to head towards on Friday in Devizes, where my personal indie-pop favourites, (not that I should have favourites) Daydream Runaways are booked in. Also, the highly anticipated FullTone Festival returns to Devizes Green, all weekend, with the Full Tone Orchestra and Pete Lambโ€™s Heartbeats appearing Sunday.

A theatrical outdoor re-telling of Kenneth Grahameโ€™s classic, Wind in the Willows on Saturday 28th August at Corshamโ€™s Pound Arts. And Sunday, a Magical show where beautiful Princesses become Pop Stars, Pop Princesses comes to Wyvern Theatre, Swindon.

Meanwhile, itโ€™s the welcomed Triple JD Band at The Southgate, Devizes and HarrowFest at Wanboroughโ€™s The Harrow, featuring Jamie R Hawkins, The Blind Lemon Experience and moreโ€ฆ


Idiot Music, is the Monkeyโ€™s Bizzle

This is isnโ€™t the favoured way to start a review, but this is idiot music for stupid people, if you think this is stupid then youโ€™re a fucking idiot, and thatโ€™s a quote, from the opening title tack, which ends on, โ€œoh, there it is, up my bum; can I eat it now?โ€

If Goldie Looking Chain is all too millennial, but hip hop, for you, should be served with massive chunks of deadpan sauce, west country tongue-in-cheek sarcasm and general silliness, Monkey Bizzleโ€™s debut album, Idiot Music might just be the thing to pick off the menu.ย ย ย 

Through the Pythonesque nature of Idiot Music though, wailing guitars, proficient drumming (from Cerys of the Boot Hill All Stars), and substantial dope beats means this is far from amateurish, and will rock the festival circuit. In fact, the Somerset five-piece sold out the album launch party at The Barge on Honeystreet a fortnight ago; I see why. This drips with Scrumpy & Western charm, like Gloucestershireโ€™s Corky, Wurzels meets the Streets, the elements of โ€œagriculturalโ€ hip hop make this apt for our local crusty scene. Yet with wider appeal, it is, simply, parental advisory fun.

Primates tend to be a running theme, a particularly danceable funky signature tune named Monkey Funk, a King Kong themed rap, another including David Attenborough samples. There are also drug references aplenty, the reggae-inspired Heavy, or Doves (Methylenedioxymethamphetamine) needs no explaining, but in it, it mocks the chav culture in such a way you mayโ€™ve thought only Goldie Looking Chain could. Something itโ€™ll inevitably be compared to, but more so than the humour drafting this side of the Seven, what makes this so appealing is its nod of respect to hip hop rather than mocking it, is greater than that of Goldie Looking Chain, in a similar way thereโ€™s was with Beastie Boy satirists Morris Minor and the Majors, if you get as old skool as I!

One thingโ€™s for sure, Monkey Bizzle isnโ€™t to be taken seriously, but for the most part itโ€™s listenable to as a hip hop album rather than pure novelty too, unique rappers Skoob and James make this so, especially as the album trickles on, both CU Next Tuesday and Ha Ha Ha being particularly entertaining, Oi Mate ripples with The Streets’, Give Me My Lighter Back but under a ska riff.

Nothing here is going to become next summerโ€™s banging anthem on Radio Oneโ€™s Big Weekender, an honour theyโ€™re clearly not bothered by or striding towards. To face facts, what you get is a full album of highly entertaining flip-flop and amusing lyrics of daring themes, wrapped by gifted musicians only playing the fools. And for which, Idiot Music has got my name all over it!


Girls Go Ska; Frente al Mar!

Rude girls grito! Far from home perhaps, but so, so worth mentioning for tropical vibes of rock steady and ska in a fashion proportionately youโ€™ll find hard to come by around these parts, itโ€™s my beloved all-girl-bar-one Mexican ska band, Girls Go Ska with a bran-new album Frente al Mar. Girls and ska, whatโ€™s not to like?!

From the off, the title track simply melts, mellowly, and builds in tempo, but is never overdramatic; โ€œcoolโ€ is the operative word; fresco! If Iโ€™ve put them on a pedestal before, theyโ€™ve now put another couple of pedestals atop it. Often steady paced for the genre, it proves ska, while upbeat doesnโ€™t have to be full of macho-bravura skinheads, or a frenzied rancour attack against dogmatic tyranny itโ€™s often misperceived here through the eightiesโ€™ second-generation Two-Tone scene, and within the dominate contemporary ska-punk internationally. Iโ€™ve made this point in the past when penning a more general piece about ska and reggae in South America, in which Girls Go Ska were featured.

Girls go Ska

Frente al Mar is breezy, bright and fun, light-hearted and beguiling. It roots the genre to its original Jamaican ethos, as a carefree dance music. Though, thereโ€™s a large chunk of assumption with those observations, as my Spanish isnโ€™t up to scratch, so my presumption rests on the design, the album name, which translates to the seaside, basically, and mood of the vocals; if theyโ€™re singing about anything other than romantic themes and enjoying oneself dancing on a tropical beach, like making political statement, it certainly doesnโ€™t sound that way! You just have to enjoy the professionality and untroubled vibe this album breezes in your direction, itโ€™s gorgeous, and it absolutely skanks!

Packaged femininely in loud pink and decorated with cute shลjo manga, rather than our typecast black and white chequered trade identity with Walt Jabsco splashed all over, Frente al Mar provides an alternative to norm, but is no way attributes the โ€œfairer sex,โ€ rather riot grrrl kick-ass in tenet, gender-neutral in sound. Not that punk comes into play; throughout itโ€™s steadfast traditional ska sound, one should credit Studio One rather than Two-Tone, or even Reel Big Fish for, thereโ€™s also sprinklings of Latino sound traditional to Mexico, of ranchera, norteรฑo and their contemporary offshoots, but are subtle and likely naturally occurring.

Imagine, if your English mind will adapt, Gloria Estefan performing ska, and youโ€™re nearer to the mark than The Specials. But no, eight sublimely flowing tunes is what you get, a sun-kissed blessing on the ear, in the style of brass-based rock steady and good olโ€™ ska. While pukka boys, Death of Guitar Pop are currently returning the welcomed Nutty-Boys-esque frivolous and fairground ska home for lads, further afield, here comes the girls.

Meanwhile here in my hometown of Devizes, the newly opened rum bar, The Muck & Dundar has been a roaring success, proving a taste of the tropical is welcomed, ergo, taken out of its context and origins, Frente al Mar would make the perfect soundtrack to it. Me? I’m smitten, with a little crush!


Trending….

Devizes Writers Group Win Silver Award

Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group… At the National Community Radio Awards held in Cardiff on 16th November Together!, theโ€ฆ

Hansel & Gretel: Panto at the Wharf!

Images: Chris Watkins Media It was lovely to spend Sunday afternoon at Devizesโ€™ Wharf Theatre, to see how this yearโ€™s pantomime Hansel & Gretel, isโ€ฆ

No Worries; Worried Men at The Pump

Long overdue a visit to the Pump in Trowbridge, Jamie Thyer, frontman of the Worried Men twisted my arm Friday night and there I was,โ€ฆ

Ian Siegal at Long Street Blues Club

Devizes is often spoiled for choice when it comes to live music. Swindon folk ensemble SGO at the Gate would’ve been an excellent decision forโ€ฆ

Was a TwoManTing at the Southgate

Managed to make it somewhere between out and Micky Flanaganโ€™s out-out last night. In other words, I didnโ€™t change out of my manky khaki shorts Iโ€™d been gardening in, but still got a pint or so down โ€œthe Gate.โ€ Iโ€™ve been aching to witness the duo, TwoManTing for myself, Captain Obvious; yes, TwoManTing is a duo, you canโ€™t make it up.

Appearing at the Devizes trusty Southgate a few times previously, itโ€™s been something Iโ€™ve been meaning to catch-up with, being their appellation sounds all rather reggae, my favourite cup of tea. My residual curiosity though, how can a duo make reggae, something you surely need a gang for; a bassist, a drummer, brass section et all?

Two Man Ting

Answer revealed, the โ€œtingโ€ part might be misconceiving to our preconceived notion the phonologic is Jamaican patois. The Bristol-based duo consists of English guitarist Jon Lewis, who has a clear penchant for Two-Tone and punk inclinations of yore, and Jah-man Aggrey, a Sierra Leonean percussionist. They met playing together as part of dance band, Le Cod Afrique, at venues such as Montreux Jazz Festival and WOMAD, formed the duo in 2004, and make for an interesting and highly entertaining two-man show.

Something of a surprise then, and a rarity around these backwaters, to hear maringa, demonstrative folk of Sierra Leone, perhaps catered more to our tastes via Jon, but essentially the same ballpark, acoustic guitar and percussion. Somewhere between calypso but with the Latino twinge of rhumba, best pigeonholed, their sound is motivating and beguiling, and achieved with originality. In fact, to my surprise most of their compositions were their own creations, save the sublimely executed known cover of The Clashโ€™s Guns of Brixton, Jonโ€™s clear punk inspiration showing forth.

They told thereโ€™s a Clash cover on each album, of which theyโ€™ve produced three. Story checks out; Armagideon Time on their first album Legacy, which I could quibble is actually a Coxsoneโ€™s Studio One cover by the Clash, aforementioned Guns of Brixton on 2015โ€™s Say What? and something of a rarity from Combat Rock, the poet Allen Ginsbergโ€™s duet with Strummer, Ghetto Defendant, which can be found on their most up-to-date album, 2019โ€™s Rhymes With Orange.

But this punk influence is sure subtle, the mainstay of their enticing sound is the acoustic maringa, palm wine music traditional throughout West Africa, at least for the start of the show. The most poignant moment for me was Jah-man attributing his homelandโ€™s natural glory, rather than that which people tend to ask him about, the civil conflicts and war, in a chorus which went, โ€œwhy not ask me aboutโ€ฆ.โ€

Jah-man and George hanging out after the gig

As the performance progressed the fashion modernised, live loops upped the tempo, and it became highly danceable afro-pop, in the style of soukous, more spouge than cariso in delivery; how apt for the current heatwave! At times lost in the music, it was easy to throw-off the notion the wonderful sound was reverberating from just two guys, rather than an eight-piece band, reason enough for BBC 6Musicโ€™s Lauren Laverne to say of TwoManTing, โ€œbrilliant โ€“ if you want a bit of early summer, then get this into your ear-holes!โ€

Today they can be caught at Salisburyโ€™s Winchester Gate, but appreciation again to The Southgate for supplying Devizes with something diverse and entertaining. Next Saturday at โ€œthe Gate,โ€ Rockport Blues appear, for a night of blues, rock and soul classics, starting at 7:30pm.


Trending….

Wiltshire Music Centre Announces New Joint Leadership

Wiltshire Music Centre is delighted to announce the new appointments ofย Danielย Clark as Artistic Director, andย Sarahย Robertson as Executive Director.ย Danielย andย Sarahย join Wiltshire Music Centre in a new co-leadershipโ€ฆ

What’s Happening During November in Devizes?

Remember, remember, weโ€™re moving into November; leaves, loads of โ€˜em! Being as we are no longer doing weekly roundups, hereโ€™s some highlights of events inโ€ฆ

International Reggae Day; 10 Reggae Facts You May/May Not Know!

Ya mon, today, July 1st marks International Reggae Day, so put pan sum a dat irie muzik an git skanking. To help celebrate hereโ€™s some interesting facts about Jamaciaโ€™s national sound you may/may not have heard before, depending how up pon da scene you is.

1: Bob Marley &The Wailers Were Fired as Support Act for Sly & The Family Stone

Debatably, Bob Marley & The Wailers were booted off the 1973 Sly & The Family Stone US tour for upstaging them. It was early days for the band internationally, and they had fire in their heart and motivation to succeed. Meanwhile, Sly and The Family Stone were at the top of their game, the peak of their career, and it was largely reported the funk misfits were too intoxicated to play well. The Wailers were fired after the first four or five shows with Sly and The Family Stone, leaving much dispute to the reason. Me, I can read between the lines and itโ€™s blatantly obvious why!

2: One of the Most Influential Figures of Reggae, was a Nun

Aside the obvious Bob Marely, one of the single most influential figures in the history of reggae was Sister Mary Ignatius Davies. A Sister of Mercy, Mary Ignatius Davies was an inspirational music teacher at Kingstonโ€™s Alpha Boys School. Prominent in the advances of ska and reggae, her music tuition at this “school for wayward boys” influenced many of the pioneers of ska, including Coxsone Doddโ€™s Studio One legendary inhouse band, The Skatalites, many who would later make up the Wailers backing band for Bob Marley. ย 

3: Desmond Dekker Was Turned Down by Major Recording Producers

One of the greatest figures of reggae has to be Desmond Dekker, famed for the 1969 Pyramid song, The Israelites with his backing band, The Aces. Indeed, Desmond was prominent throughout the ska and rock steady periods too, and it was Dekker who encouraged a young Bob Marley, workmate in a welding factory, to approach Jimmy Cliff, which sparked his success. But if Desmond Dekker is celebrated for his smooth vocals, we should note he failed his own auditions at both the most dominant Jamaican studios, Coxsone Doddโ€™s Studio One and Duke Reidโ€™s Treasure Isle, in 1961. Resulting in working for the lesser Leslie Kong’s Beverley’s record label later that year.

4: Red, Red Wine Was Written and Originally Performed by Neil Diamond

Think any of any reggae single to be most asked at a standard family disco in the UK, and Iโ€™ll guarantee it will be UB40โ€™s 1983 version of Red, Red Wine. A number 1 hit for UB40, it sparked a new path for them in recreating and covering older reggae tunes. But while the song had indeed been a boss reggae hit for Tony Tribe, reaching only 46 on the UK chart in 1969, it was in fact written and originally recorded by Neil Diamond in 1967, included on Diamond’s second studio album, Just for You; a fact that even UB40 was unaware of at the time of releasing the song!

5: The Ethos of Hip Hop Came from Reggae

Okay, I might get shot via a drive-by for this one, but itโ€™s an often-obscured fact that the originator of hip hop, the Bronxโ€™s DJ Kool Herc was a Jamaican immigrant to New York, who despite moving with his family at just twelve years old, he grew up around Kingstonโ€™s dance hall sound system parties and wanted to bring the ethos to New York. Indeed, he did, as the bloc-party can be easily compared with the Jamaican sound system parties of the fifties and sixties. The only difference was, New Yorkers favoured the currently trending funk music, like James Brown, and Herc was quick to pick up on what the people wanted and adapt to the genre. But still, the ethos is comparable to reggae far more than soul.

6: Aswad are the Backing Band on Bob Marleyโ€™s Jamming

There are many facts I could throw at you about Marleyโ€™s second stay in England during 1977, while for his protection he was encouraged to flee Jamacia after a shooting incident. Firstly, that Punky Reggae Party was inspired by Don Letts introducing him to the punk movement, especially the Clash, it wasnโ€™t recorded until he returned to Jamaica, at Joe Gibbs studio. The B-side was recorded in London though, with Aswad as backing. And I bet you thought the pinnacle of their career wasnโ€™t until 1988 when they scored a UK number one with โ€œDon’t Turn Around?โ€

7: Naomi Campbell Appeared in Marelyโ€™s Is This Love Video

Another fact about Marleyโ€™s stay in England was the music video for 1978โ€™s Is This Love, produced and shot at the Keskidee Arts Centre in London. Itโ€™s a wonderful film in which Bob parties with the children of the centre, but watch out for the little girl sleeping, who Marley covers up with a blanket; itโ€™s supermodel Naomi Campbell, at only seven years old!

8: Johnny Rotten Flooded the UK Market with Reggae

Richard Branson too, for he created Virginโ€™s short-lived reggae subsidy in 1978, Front Line, by sending Johnny Lydon of the Sex Pistols to Jamacia to sign as many artists as he could in reaction of Chris Blackwellโ€™s Island Records success with Bob Marley & The Wailers. Rotten came back with contracts from U-Roy, The Mighty Diamonds, Keith Hudson, Johnny Clarke, Peter Tosh, I Roy, Prince Far I, Big Youth, Prince Hammer, Tappa Zukie, Sly Dunbar, and The Twinkle Brothers, to name but a few.

9: Toots & The Maytals Narrowly Missed Being Bigger Than Bob Marley & The Wailers

At a time when reggae was seen as a โ€œnoveltyโ€ music outside of Jamacia, resident Chris Blackwell, owner of Island Records wanted to bring a reggae band to the international stage in a similar light to a rock band. For this he toyed between signing either The Maytals or The Wailers. Though he didnโ€™t want to deal with the young, rude boys which were the Wailers, he figured he would take his chances, as Toots & The Maytals sung too gospel for a white audience to accept. Together with the notion Marely was mixed-raced, he signed The Wailers first and advanced them money to make their debut album, Catch a Fire. While he quickly signed the Maytals soon after, he concentrated his efforts mainly on Bob, dividing him from Pete Tosh and Bunny Wailer, and it was in competition with Toots which concerned Marley the most.

10:  Mark Lamarr Stopped Shabba Ranks from Becoming Reggaeโ€™s Next International Reggae Superstar

By 1992 Dancehall was fast becoming acceptable on an international level, and the king was due to be Shabba Ranks. He had gained popularity partulcarly in the USA, where he secured a contract with Epic Records, and won a Grammy Award for Best Reggae Album. How a shadow was cast during his appearance on Channel 4โ€™s The Word, when Mark Lamarr probed him for his opinion on Buju Bantonโ€™s controversial homophobic song Boom Bye Bye, which advocated the shooting of gays.

Live on TV, grasping a bible, Shabba called for the โ€œcrucifixion of homosexuals,โ€ claiming it to be the โ€œword of God.โ€ Lamarr retorted, โ€œThat’s absolute crap and you know it!โ€ Shabba may have been unaware just how grave his comments were, where in Jamacia such values are lesser thought of at the time, but it had serious consequences for him, and sent dancehall music back a decade in advancing to a popular international music. Immediately Ranks was dropped from a Bobby Brown concert, and despite making a formal apology, Sony released him from his contract three years later.

OUT NOW! Various Artists 4 Julia’s House

As a nipper Iโ€™d spend days, entire school holidays, making mixtapes as if I worked for Now, Thatโ€™s What I Call Music! In the era before hi-fi, Iโ€™d sit holding a microphone to the radioโ€™s speaker, adventurously attempting to anticipate when Tony Blackburn was going to talk over the tune, and just when In the Air Tonight peaked with Philโ€™s crashing drums, my dad would shout up the stairs that my tea was ready; eternally caught on tape, at least until my Walkman screwed up the cassette.

Crude to look back, even when I advanced to tape-to-tape, I discovered if I pressed the pause button very slowly on the recording cassette deck, it would slide into the next song, and with a second of grinding squeal Howard Jones glided into Yazoo!! Always the DJ, just never with the tech! Rest assured; this doesnโ€™t happen on this, our Various Artists compilation album, 4 Juliaโ€™s House. And oh, have I got some news about that?!

Huh? Yes, I have, and here it isโ€ฆ. ย 

We did it! Thanks once again to all our fabulous contributing artists, our third instalment of detailed sleeve notes will follow shortly, but for now, I couldnโ€™t wait another day, therefore, Iโ€™ve released it half a day early, this afternoon!

Now all that needs to happen is to get promoting it, and you can help by sharing news of this on your social media pages, thank you. Bloggers and media please get in touch, and help me raise some funds for Juliaโ€™s House.

Iโ€™ve embedded a player, in which you should be able to get a full try before you buy, I believe you get three listens before itโ€™ll default and tell you to buy it. I hope you enjoy, it has been a mission and half, but one Iโ€™d gladly do again.

Please note: there are many artists giving it, โ€œoh no, I was going to send you a track!โ€ Fear not, there is still time, as Iโ€™ll causally start collecting tunes for a volume 2, and when the time is ready and we have enough songs, we will do it. It might be for another charity, Iโ€™d personally like to do another raising funds for The Devizes & District Opportunity Centre, but thatโ€™s unconfirmed as of yet.

You know, sometimes I think I could raise more money with less effort by trekking down through the Market Place in a bath of cold baked beans, but I wanted to bring you a treasured item comprising of so many great artists weโ€™ve featured, or will be featuring in the near future on Devizine. Never before has all these artists been on one huge album like this, and look, even if you donโ€™t care for a particular tune, thereโ€™s 46 of them, check my maths as I pride myself on being exceptionally rubbish at it, but I make that 22p a track, and all for such a worthy cause!


Click for info on Julia’s House

โ€œWe are so grateful to Devizine and all of the local artists who are taking part in the charity album to raise funds for Juliaโ€™s House. We donโ€™t receive any government funding for the care we give to families in Wiltshire, so the support we receive from our local community is so important.โ€

Claudia Hickin, Community Fundraiser at Juliaโ€™s House

Devizine Proudly Presents Various Artists 4 Juliaโ€™s House; Hereโ€™s the Track Listing!

Sleeve Notes for our Album 4 Juliaโ€™s House

Here it is, the moment youโ€™ve all been waiting for, I hope! The track listing and details of all our wonderful songs presented on our forthcoming album, Various Artists 4 Juliaโ€™s House. Read on in aweโ€ฆ.

Pre-order album on Bandcamp here!

Released: 29th June 2021

1. Pete Lamb & Cliff Hall – Julie

2. King Dukes – Dying Man

3. Erin Bardwell โ€“ (Like the Reflection on) The Liffey view

4. Timid Deer โ€“ The Shallows

5. Duck n Cuvver – Henge of Stone

6. Strange Folk โ€“ Glitter

7. Strange Tales โ€“ Entropy

8. Paul Lappin โ€“ Broken Record

9. Billy Green 3 – I Should be Moved

10. Jon Veale – Flick the Switch

11. Wilding โ€“ Falling Dream

12. Barrelhouse โ€“ Mainline Voodoo

13. Richard Davis & The Dissidents โ€“ Higher Station

14. Tom Harris โ€“ Ebb & Flow

15. Will Lawton โ€“ Evanescence

16. Jamie Williams & The Roots Collective โ€“ Dreams Can Come True

17. Kirsty Clinch – Stay With Us

18. Richard Wileman โ€“ Pilot

19. Nigel G. Lowndes โ€“ Who?

20. Kier Cronin โ€“ Crying

21. Sam Bishop โ€“ Wild Heart (Live Acoustic)

22. Mr Love & Justice โ€“ The Other Side of Here

23. Barmy Park โ€“ Oakfield Road

24. The Truzzy Boys – Summer Time

25. Daydream Runaways โ€“ Light the Spark

26. Talk in Code โ€“ Talk Like That

27. Longcoats โ€“ Pretty in Pink

28. Atari Pilot – When We Were Children

29. Andy J Williams โ€“ Post Nup

30. The Dirty Smooth โ€“ Seed to the Spark

31. SexJazz – Metallic Blue

32. Ruzz Guitar Blues Revue โ€“ Hammer Down

33. The Boot Hill All Stars โ€“ Monkey in the Hold

34. Mr Tea & The Minions โ€“ Mutiny

35. Cosmic Shuffling – Night in Palermo

36. Boom Boom Bang Bang โ€“ Blondie & Ska

37. The Birth of Bonoyster – The Way I Like to Be

38. The Oyster – No Love No Law

39. The Two Man Travelling Medicine Show โ€“ Ghosts

40. Julie Meikle and Mel Reeves โ€“ This Time

41. Cutsmith – Osorio

42. The Tremor Tones โ€“ Donโ€™t Darken my Door

43. Big Ship Alliance โ€“ All in this Thing Together

44. Neonian – Bubblejet

45. First Born Losers โ€“ Ground Loop

Iโ€™ll tell you what though, kids. This has been a lot more work than I originally anticipated! Yeah, I figured, just collect some tunes, let the artists do all the hard work and take the credit! But no, mate, wasnโ€™t like that at all. The most important part for me, is ensuring the artists are properly thanked, so, just like those Now, Thatโ€™s What I Call Music albums, I wanted to write up a full track listing with sleeve notes and links. Please support the artists you like on the album by checking them out, following and liking on social media and buying their music.

But to list all 45 tunes in one article will blow the attention span of the most avid reader, and if, like me, you’ve the attention span of a goldfish, find below the first twenty, and then the next 25 will follow as soon as my writerโ€™s cramp ceases! Just putting them onto the bag was tedious enough, but worth the effort.


To all the artists below, message me if links are incorrect or broken, or if there’s any changes to the details you’d like me to edit, thanks, you blooming superstars.

1- Pete Lamb & Cliff Hall โ€“ Julie

Not so much that Julie is similar to Julia, there could be no song more apt to start the album. Something of a local musical legend is Pete Lamb, owner of The Music Workshop, producing and recording local, national and international artists. His career in music stretches back to the sixties, creating such groups as The Colette Cassin Quintet and Pete Lambโ€™s Heartbeats. Yet it is also his aid to local music which makes him a prominent figure, Kieran J Moore tells how Pete lent him equipment for the first Sheer Music gigs.

Pete Lamb

A wonderful rock n roll ballad with a poignant backstory, Julie was written in remembrance of Peteโ€™s daughter who passed away in 2004 to Non-Hodgkinโ€™s Lymphoma. It was featured on an album for the charity Hope for Tomorrow. The song also features Cliff Hall, keyboardist with the Shadows for many years, playing piano and strings.

Cliff Hall

2 – The King Dukes – Dying Man

Formed in Bristol in April 2019, a merger of a variety of local bands, including Crippled Black Phoenix, Screaminโ€™ Miss Jackson and the John E. Vistic Experience, The King Dukes combine said talent and experience to create a unique, authentic sound, dipped in a heritage reuniting contemporary slices of British RnB with a dollop of Memphis soul.

Dying Man is a prime example, taken from the album Numb Tongues which we fondly reviewed back in the October of 2019. The brilliance of which hasnโ€™t waned for me yet, and isnโ€™t likely to.

The King Dukes

3- Erin Bardwell โ€“ (Like the Reflection on) The Liffey

One cannot chat about reggae in Swindon without Erinโ€™s name popping up. Keyboardist in the former ska-revival band, The Skanxters during the nineties, Erin now operates under various guises; the rock steady outfit Erin Bardwell Collective chiefly, experimental dub project Subject A with Dean Sartain, and The Man on the Bridge with ex-Hotknives Dave Clifton, to name but a few.

(Like the Reflection on) The Liffey is an eloquently emotive tune, staunch to the ethos of reggae, yet profoundly unique to appeal further. It is taken from the album Interval, one of two solo ventures for Erin during lockdown.

Erin Bardwell

4 – Timid Deer โ€“ The Shallows

My new favourite thing, after noting Timid Deer supported the Lost Trades debut gig at Trowbridgeโ€™s Pump. Though self-labelled indie, I was surprised how electronica they are, with a nod to the ninetyโ€™s downtempo scene of bands like Morcheeba and Portishead, hold the trip hop element. This Salisbury five-piece consisting of vocalist Naomi Henstridge, keyboardist Tim Milne, Tom Laws on double bass, guitarist Matt Jackson and drummers Chris and Jason Allen have created such an uplifting euphoric sound, hairs stand tall on the back of your neck.   

Taken from the 2019 album Melodies for the Nocturnal Pt. 1, Iโ€™m so pleased to present this.

Naomi Henstridge


5- Duck n Cuvver – Henge of Stone

Yes, enthralled to have the song frontman Robert Hardie of Duck n Cuvver refers to as โ€œhis baby.โ€ This is Salisbury Celtic roots rock band so aching to film part of their video for Henge of Stone inside Stonehenge, theyโ€™ve campaigned for the funds to do it, ending with Rab breaking into the monument to promote the campaign!

With references to the importance of solstice and the pilgrimage to Stonehenge, what other song could be so locally linked?

Duck & Curver

6 – Strange Folk โ€“ Glitter

A dark west country folk band in the realm of a beatnik time of yore, with a serious slice of gothic too, Strange Folk came to my attention playing the Vinyl Realm stage at the Devizes Street Festival. Hailing from Hertfordshire, band members also now reside in Somerset, Strange Folk is comprised of four songwriters; vocalist Annalise Spurr, guitarist David Setterfield, Ian Prangnell on bass and backing vocals, and drummer Steve Birkett. Glitter features cello by Helen Robertson, and is a name-your-price gift to fans during lockdown, a wonderful teaser which if you like, and I canโ€™t see why you wouldnโ€™t, you should try the 2014 mini-album Hollow, part one.

Strange Folk

7 – Strange Tales โ€“ Entropy

With singer Sally Dobson on the Wiltshire acoustic circuit and the synth/drum programming of Paul Sloots, who resides in West Sussex, catching this duo, Strange Tales live would be a rare opportunity not to be missed. Though their brilliance in melodic, bass and synth-driven goth-punk is captured in the 2018 album Unknown to Science, in which our track Entropy is taken.

Their songs relate baroque cautionary tales drawn from the murkier corners of the human psyche, while retaining a pop sensibility and stripped-down, punk-rock approach. Fans of the darker side of eighties electronica, of Joy Division and Depeche Mode will love this. You can buy this album at Vinyl Realm in Devizes.

Strange Tales; Paul Sloots & Sally Dobson

8- Paul Lappin โ€“ Broken Record

Imagine George Harrison present on the Britpop scene, and youโ€™re somewhere lost in Lappinโ€™s world. Paul hails from Swindon originally, but resides mostly in the Occitanie region of the south of France, where he wrote and recorded the mind-blowingly brilliant album The Boy Who Wants to Fly, released in October 2020. Our chosen track, Broken Record was a single just prior, in August, and features Lee Alder โ€“ bass guitar, electric guitar, Robert Brian โ€“ drums, Jon Buckett โ€“ Hammond organ, electric guitar, Paul Lappin โ€“ vocals, synths, Lee Moulding โ€“ percussion, Harki Popli โ€“ table.

Music & lyrics by Paul Lappin ยฉ2020. Recorded at Earthworm Recording Studio, Swindon. Produced & Mixed by Jon Buckett. Mastered by Pete Maher.

Paul Lappin

9- Billy Green 3 – I Should be Moved

Now Devizes-based, Bill Green was a genuine Geordie Britpop article, co-creating the local band Still during those heady nineties. Today his band on the circuit, Billy Green 3 consists also of Harvey Schorah and Neil Hopkins, whoโ€™s talents can be witnessed in the awesome album this track comes from, also titled Still. Mastered and produced by Martin Spencer and Matt Clements at Potterneโ€™s Badger Set studio in 2020, itโ€™s wonderfully captures the remnants of the eighties scooter scene in reflected in Britpop.

I’m sure you can buy the album at Vinyl Realm, Devizes; I would if I were you.

Billy Green 3

10- Jon Veale – Flick the Switch

Marlborough guitar tutor, singer-songwriter and bassist of local covers band Humdinger, Jon Vealeโ€™s single, Flick the Switch, also illuminated Potterneโ€™s Badger Set studio in August of 2020, and it immediately hits you square in the chops, despite the drums were recorded prior to lockdown, by legend Woody from Bastille, and Jon waited tolerantly for the first lockdown to end before getting Paul Stagg into Martin Spencerโ€™s studio to record the vocals. Glad to have featured it then, even more pleased Jon contributed it to this album.

Jon Veale

11- Wilding โ€“ Falling Dream

What can be said which hasnโ€™t about Aveburyโ€™s exceptionally talented singer-songwriter George Wilding? A true legend in the making. Now residing in Bristol, George has the backing of some superb musicians to create the force to be reckoned with, Wilding. Perry Sangha assists with writing, as well electric guitar, loads more electric guitars, acoustic guitar, organ and weird synth things. Bassist James Barlow also handles backing vocals and cous cous. Daniel Roe is on drums.

The debut EP, Soul Sucker knocked me for six back in November 2018, as did this here latest single recorded at the elusive Dangerous Dave’s Den, mixed and mastered by Dan Roe, during October last year.

Wilding

12 – Barrelhouse โ€“ Mainline Voodoo

One good thing about preparing this album is to hear bands Iโ€™ve seen the names of, kicking around, and added to our event guide many times over, but Iโ€™ve never had the opportunity to see at a gig. Marlborough-based Barrelhouse is one, and after hearing Mainline Voodoo, Iโ€™m intending to make a beeline to a gig. Favourites over at their local festival, MantonFest, headlined Marlboroughโ€™s 2019 Christmas Lights Switch-On, and right up my street!

Formed in early 2014, Barrelhouse offer vintage blues and rock classics, heavily influenced by the golden age of Chicago Blues and the early pioneers of the British blues scene, staying true to the essence that made these tunes great and adding their own style of hard-edge groove. Overjoyed to feature Mainline Voodoo, title track from their 2020 album, which broke into the UKโ€™s national Blues Top 40.

Barrelhouse

13 – Richard Davis & The Dissidents โ€“ Higher Station (R. Davies)

Absolutely bowled over, I am, to have Swindonโ€™s road-driving rock band with a hint of punk, Richard Davis & The Dissidents send is this exclusive outtake from the Human Traffic album, out now on Bucketfull of Brains. We reviewed it back in December. Recorded at Mooncalf Studios. Produced by Richard Davies, Nick Beere and Tim Emery. If the outtake is this amazing, imagine the album!

Richard Davis & The Dissidents

14 – Tom Harris โ€“ Ebb & Flow

Lockdown mayโ€™ve delayed new material from Devizes-based progressive-metal five-piece Kinasis, but frontman Tom Harris has sent us something solo, and entirely different. Ebb & Flow is an exclusive track made for this album, a delicate and beautiful strings journey; enjoy.

Tom Harris

15 – Will Lawton & The Alchemists โ€“ Evanescence

Wiltshire singer-songwriter, pianist and music therapist Will Lawton, here with his group The Alchemists. A weave of many progressive influences from jazz to folk, Will recently surprised me by telling me drum n bass is among them too. The latest album ‘Salt of the Earth, Vol. 1 (Lockdown)’, is a collection of original poems embedded in meditative piano and ambient soundscapes. But weโ€™ve taken this spellbinding tune from the previous release, Abbey House Session.

Will Lawton

16- Jamie Williams & The Roots Collective โ€“ Dreams Can Come True

Hailing from Essex but prevalent on our local live music circuit, with some amazing performances at Devizesโ€™ Southgate, Jamie Williams & The Roots Collective offer us this uplifting country-rock/roots anthem, which, after one listen, will see you singing the chorus, guaranteed. It is the finale to their superb 2020 album, Do What you Love.

Jamie Williams & The Roots Collective rocking the Southgate last year

17 – Kirsty Clinch – Stay With Us

If weโ€™ve been massively impressed with Wiltshireโ€™s country sensation, Kirsty Clinchโ€™s new country-pop singles Fit the Shoe, Around and Around, and most recently, Waters Running Low and anticipating her forthcoming album, itโ€™s when we get the golden opportunity to catch her live which is really heart-warming. This older track, recorded at Pete Lambโ€™s Music Workshop, exemplifies everything amazing about her acoustic live performances, her voice just melts my soul every listen.

Kirsty Clinch


18- Richard Wileman โ€“ Pilot

Incredibly prolific, Swindonโ€™s composer Richard Wileman is known for his pre-symphonic rock band Karda Estra. Idols of the Flesh is his latest offering from a discography of sixteen albums, which we reviewed. Along a similar, blissful ethos Richard Wileman served up Arcana in September this year, where this track is taken from. While maintaining a certain ambiance, his own named productions are more conventional than Karda Estra, more attributed to the standard model of popular music, yet with experimental divine folk and prog-rock, think Mike Oldfield, and youโ€™re part-way there.


19 – Nigel G. Lowndes โ€“ Who?

Bristolโ€™s Nigel G Lowndes is a one-man variety show. Vaudeville at times, tongue-in-cheek loungeroom art-punk meets country folk; think if Talking Heads met Johnny Cash. Who? is the unreleased 11th track from his album Hello Mystery, we reviewed in March, and weโ€™re glad to present it here.

Nigel G Lowndes

20 – Kier Cronin โ€“ Crying

Unsolicited this one was sent, and I love it for its rockabilly reel although a Google search defines this Swindon based singer songwriter as indie/alternative. Obsessed with the music and the joy of writing, Kier told me, โ€œI once had a dream Bruce Springsteen told me to give it upโ€ฆ So, this one’s for you Bruce!โ€ Crying was released as a single in March, also check out his EP of last year called One.


Sentences Iโ€™d Like to Hear the End of, with the Bakesys

No matter the subject, a lesson is only as interesting as the teacher teaching it. Johnny Ball did the impossible, he made maths fun! Likewise, but more modern, Terry Dearyโ€™s books and subsequent CBBC show, Horrible Histories made whatโ€™s often perceived as a dull subject by pupils, somehow entertaining, amusing even. If Deary was my history teacher, rather than a thick-rimmed speccy, bearded beatnik with leather elbow patches on his tweed jacket, well, I might just have taken heed of their wisdoms.

Equally, if you want to teach history to a bunch of scooterist skinheads, consider employing The Bakesys, for they are a skanking Horrible Histories, at least for this new album, released last Thursday called Sentences Iโ€™d Like to Hear the End of.

Stu, Kevin & Bakesy onstage at Newbury College in December 1990!

Something of an elusive band despite twenty years presence on the UK ska scene, the early stages of The Bakesys reflected heavily on punk inspirations, such as the Buzzcocks, crossed with later developments of a definite Two-Tone influence. Sentences Iโ€™d Like to Hear the End of takes it to whole other level. Akin to what On-U Sound did for dub in the nineties, sprinkling in a counter culture punk ethos, The Bakesys do for ska. Itโ€™s more upbeat than the usual plod of dub, but strewn with samples, heavy basslines, and drum machine loops, it has its elements.

From another angle though, as Dreadzone meld such influences into the electronic dance scene, thereโ€™s a contemporary sound, a mesh of offbeat influences with the Bakesys, more in line with the current ska scene. The flood of brass and chugging rhythms confirms its allegiance to authentic 1960โ€™s Jamaican ska. What comes out the end is unique beguiling buoyancy, and itโ€™s absolutely addictive.

Yet weโ€™re only scraping the surface of why, the theme of the album is the kingpin here. Reflecting the era of its influences, subjects are historic affairs based in the sixties. The opening title track raps of Christine Keeler and the Profumo Affair. Get Your Moonboots on is on Apollo 11โ€™s moon landing, and the third, most haunting tune, You are Leaving the American Sector takes newsreels of the Berlin Wall. One Iโ€™ve been playing endlessly the single of on my Friday night Boot Boy radio show.

Atomic Invasion explores the Cold War, yet, as with Keeler, this sublime set of songs often concentrates more on the personalities than facts of the events. The Space Race is up next, with a nod to Yuri Gagarinโ€™s luminary. Then itโ€™s the Cuban Missile Crisis with the numerous failed attempts to assassinate Fidel Castro, Cassius Clayโ€™s rise to heavyweight champion of the world, and Robert F. Kennedyโ€™s assignation.

Despite these often-dark subjects, itโ€™s surprisingly upbeat, as if, like I said, The Bakeseys are the funky relief history teacher, and your class is about get moon stomping! The last three tracks offers dub versions of the most poignant tunes on offer here, yet the album as a complete concept is nothing short of brilliant.

The third CD album released on Bandcamp, and quite the best place to start if youโ€™re unaware of them. Keyboardist Kevin Flowerdew, has self-published the ska sceneโ€™s definitive zine, Do The Dog Skazine for many decades, which has released this under its label namesake, Do the Dog Music, so he certainly knows what makes a great sound; which this does with bells on.

Mark, Stu & Bakesy backstage at the Epplehaus, Tubingen during The Bakesysโ€™ June 1992 German tour.

Tribute Acts Going the Extra Mile; Blondie & Ska

One surprise track contributed for our forthcoming compilation album for Juliaโ€™s House, (yes, itโ€™s going sluggish but well, thanks for asking!) comes from Chippenhamโ€™s part-Blondie-tribute-part-ska-covers duo, Blondie & Ska. Itโ€™s a solid, rock steady original, with the added bonus it sounds as if it couldโ€™ve been an album track from Parallel Lines, Plastic Letters or another Blondie album at the peak of their game.  

Itโ€™s given me the opportunity to have a chat with Dave Lewis, one half of the duo, on how they started doing what they do, pondering if you just wake up one morning and think, I know, Iโ€™m going to be tribute act. If Blondie & Ska actually see themselves wholly as a Blondie tribute act at all, given they not only record original songs, but in a unique slant, perform classic Two-Tone songs from the same period. But most importantly, answering some conundrums Iโ€™ve had since hearing a tune with a similar concept by UB40 tribute Johnny2Bad, about tribute acts going the extra mile and recording tracks in the fashion of their inspiration. I mean, is it deliberate that it sounds akin, or simply natural method given the music is based around imitating the act?

Certainly, Blondie & Ska wasnโ€™t formed on a whim. For a decade prior to forming the duo, Lorraine and Dave were both co-members of various bands on the same circuit. The idea, Dave explained, โ€œoccurred over a number of phases,โ€ and expressed, as a mod, his love for The Beat. Anxious not to live up to expectations of his idols, Dave continued, โ€œplaying ska, was one of those things, because you love it so much, you donโ€™t want to go that direction, but when we kind of got dragged into it, there was no stopping us, because the more we did it, the more we loved doing it, and there was no reason to be nervous!โ€

In the band as well, was Steve Edge, who co-wrote our song. โ€œSteve and I used to write back in the nineties,โ€ Dave explained, chuffed to be reunited to write this track specifically for us. โ€œAnd we performed as an originals band,โ€ he enthusiastically continued.

After the originals band, Dave joined his drummer and played in a local blues band called No Ties, which Lorraine also started in, while Dave concentrated on a secondary band aptly named Band Two, which Lorraine would later join. It was there where Dave suggested the concept of Blondie & Ska to Lorraine, in 2013. โ€œShe replied, hum, I fancy having a go at that,โ€ Dave revealed. โ€œIt took about six months to get rehearsed. We did our first gig, and thought, why didnโ€™t we do this before?โ€ Theyโ€™ve been performing weekly as a duo act from Landโ€™s End to Barnsley since, clocking up hundreds or appearances together.

I moved onto the question, given recording originals and this mixture of lateral ska tunes added to the Blondie tribute, if they even classed themselves at โ€˜tribute actโ€™ in the same light as the run-of-the-mill ones. โ€œItโ€™s weird one,โ€ he admitted, โ€œI kind of call it that Blondie and ska sound. Whatever we tend to do, people say I didnโ€™t expect it to be like that, but thatโ€™s way things are. If Iโ€™m going to do something, we want to do it in a different way.โ€ Itโ€™s also practical, using pre-recorded sections such as drums and horns, Blondie & Ska can accommodate the smallest of venues, unlike a large ska band with a horn section. โ€œThe other thing which is difficult, with signature bands, is itโ€™s hard work keeping the bands together,โ€ Dave observed, a notorious hindrance with ska bands in particular.  

Dubious it would work at first, during lockdowns alternate Saturdays have seen regular blossoming live streams from Blondie & Ska. โ€œWe had over 10 thousand viewers on one,โ€ Dave delighted, โ€œwhich is bonkers! I think it was just a sign of the time, everyone was just at their computer!โ€ For your attention, next one is tonight at 8pm (Saturday 22nd May) on Facebook, HERE. โ€œIf people donโ€™t know us,โ€ Dave suggested, โ€œitโ€™s always a nice test. Weโ€™ve been surprised by the positive feedback.โ€

Thereโ€™s the thing with Blondie & Ska, and I put it to Dave without trying to cause offence, that though itโ€™s unique, nothing theyโ€™re doing is particularly ground-breaking. Theyโ€™ve no stars in their eyes, but the niche is theyโ€™re two musicians having a whole lot of fun, doing what they love doing. And this is what comes across, and why it sounds so good. โ€œAbsolutely,โ€ he agreed, suggesting the original blues band was tiresome. โ€œI wasnโ€™t really up for anything after that, and later wanted to get back into the action. Weโ€™re doing it now because we enjoy doing it. The Blondie & Ska stuff, you know, the more we play, the more people ask, and more bookings we get in ska clubs, and our repertoire is pushed in that direction.โ€ I laughed, so prolific was the Jamaican record industry during the ska era, thereโ€™s always going to be one trainspotter, like me (!) who comes up and asks for some obscure Coxsone rarity!

But in turn, thatโ€™s precisely the ethos of both ska, and seemingly Blondieโ€™s music. Aside the political unrest occasionally portrayed in the Two-Tone ska revival of the eighties, the memorable songs come from a carefree perceptive of jollity, and like Madness and Bad Manners, ska is eternally dance music, from the very roots. Likewise, Blondie rarely, if at all, socially commented about anything more than romance.

Dave was so enthusiastic to chat about the reasoning and history behind Blondie & Ska, about the technicalities of recreating the perfect tribute sound, and appeasing the aficionados, we couldโ€™ve chatted forever, but I feel you need to witness them in the arena they love, rather than waffle some!

An interesting story surrounding the chosen name for the duo we finished on, as while setting up for an early gig, the organiser summed up the sound on the blackboard by chalking up โ€œBlondie & Ska,โ€ under the premise a lot of blond girls and a lot of male ska fans had turned up. โ€œI was standing there, looking at the name on the poster,โ€ Dave explained. โ€œLorraine was saying, can you just get on and set up, cos weโ€™ve got to be playing in an hour?! I said, but look at the name on the poster, and she was going, no, get on with what youโ€™re supposed to be doing!โ€ But Dave approached the guy, knowing him through many past gigs, to ask him if he could use it. โ€œThe girls danced to the Blondie songs, and the guys danced to the ska,โ€ he noted. Story checks out, the mix works. Tune into their live streams to find out for yourself, or hereโ€™s hoping to catch them at a real gig soon.


Trending…..

YEA Devizes: DOCA New Youth Project

Devizes Outdoor Celebratory Arts announced their upcoming project, YEA Devizes today. Made possible by a grant from National Grid Electricity Transmissionโ€™s Community Grant Programme, theโ€ฆ

The Mist; New Single from Meg

Chippenhamโ€™s young folk singer-songwriter Meg, or M3G if you want to get numeric, will release her 6th single The Mist on Friday 18th October, andโ€ฆ

Black Market Dubs Elton

On 6th February 1989 an unidentified lone gunman in Kingston, Jamaica killed Osbourne Ruddock. He made off with his gold chain and licensed gun, the music industry lost a pioneer often under-represented in history. The likely reason for this obscurity, he was not a musician, rather a producer and sound engineer who begun his career fixing disgraced radios.

Better known to the world as King Tubby, during his sound system dances of the mid-sixties he noted the crowd favoured the instrumental sections of the song. This rock steady era was dominated by vocal harmony groups, but with a handful of others, including Lee Scratch Perry and Bunny Striker Lee, Tubby set about extending the instrumental sections, cutting the mid-range, dropping the basslines and limiting the vocals with echo delays.

King Tubby

He had created “dub,” more technique than genre, it revolutionised music way beyond reggae and is the mainstay formula of all pop since hip hop; today, we take the remix for granted.

But aside the pioneering techniques we owe Tubby for, dub has too developed into a reconised genre and given us subgenres, from drum and bass to dubstep and dembow.

Still the origins were remixes of rock steady and reggae songs, and from the most unsuspecting area to find dub thriving that ethos, Nashville, Tennessee, Nate Bridges uses the techniques rather to reimagine pop, rock, even film or TV soundtracks, or anything which takes his fancy, under the guise Black Market.

The magic of Black Market is they retain the offbeat formula of reggae, while being versions of four-beat tunes. The strapline goes “what would happen if The Beach Boys had The Wailers as their backing band instead of The Wrecking Crew? What if David Bowie spent the summer of 1975 in Kingston, Jamaica with King Tubby instead of Philidelphia? Michael Jackson meets Scratch Perry? These questions are the basic thesis of Black Market.”

While few of these mainstream sources could easily be converted, such as the Clash, the magic is when Nate and friends takes something wholly non-reggae and breathes an air of dub to it. The Beach Boys album first attracted me to this, but with every new release he never fails to take it to the next step.

The latest release from this prolthic genius is Elton John classics, and I felt it’s long overdue to mention him. This is, without doubt, utterly sublimely executed and would appeal to reggae lovers and fans of the subjects being reimagined alike; hearing is believing.

While we’ve had the astounding recordings of the Easy Star Allstars, when they dubbed classic albums, Dark Side of the Moon, Sgt Peppers and “Radiodread,” they pride themselves in originally recreating the music without samples, Black Market are the purveyors of sampling, the kingpin is the lifting of the original and placing it in a reggae setting.

Find the Michael Jackson Thriller album dubbed, Bowie, Tempations, Talking Heads and Twin Peaks, Batman and Ghostbusters soundtracks among others, and all name your price on Bandcamp.

Astounded by pinning a ska riff to Michael Jackson’s Billie Jean, Nate told me it was the only way to accomplish the track to such standard he requires, the predominantly downtempo of dub simply didn’t fit the bill. This made me contemplate the complexities of what he’s dealing with, when opposed to simply remixing a tune. And it’s this which makes Black Market such a fascinating project which leaves you wondering what’s next on his agenda, and if there’s anything which he wouldn’t rise to the challenge of dubbing. I’d like to throw Mozart at him!


Reggae Perfection; Winds of Matterhorn

Again, we find ourselves in the most unsuspecting part of the world to find the perfect reggae sound, Switzerland. Fruits Records release Winds of Matterhorn at the end of this month, 30th April.

Rather than the unanimous Rastafarian camp, Jamaciaโ€™s hills of Wareika, Swiss-Italian trombonist Mattbrass and producer Jackayouth have taken inspiration from the eminent mountain in the Alps for this four-track instrumental EP. Unlike the progressive nature of the Jamaican music industry, Fruits Records, as ever, find their penchant in a more classic sound. The tried-and-tested formula of roots reggae may be deemed old hat on the island of reggaeโ€™s origin, but no one can refute the global influence of Bob Marley and the Wailers, and the consequential epoch which followed.

The mechanics of the profound effect reggaeโ€™s golden era has had on music as a whole is inconsequential here, because there is no fusion or experimental divergence. You will not hear rock or soulโ€™s pastiches of the formula, thereโ€™s no preaching vocals, you will only hear a crisp and refined approach to the true sound. This is reggae at its finest, a driving riddim, occasional wail of an electric guitar, heavy bassline and saturated in sublime horns.

To emphasise these classic elements of reggae are evidently profound, each tune is singularly named after the four classic elements; earth, air, fire and water.  

Earth is marching one-drop reggae, the kind youโ€™ll identify with the later works Bob Marley & The Wailers, such as the 1979 album Survival. But Air is no lighter, thereโ€™s a real deep, roots feel to it, a plodding bassline fills said air, but throughout thereโ€™s this continuation of a tight horn section, managed to perfection. Fire has more upbeat jollity about it, so much so it near-verges on the classic ska of the unrivalled Skatalites. Water brings it back around, with that proud one-drop march.

This is the traditions of reggae, elsewhere at its very best, the only thing it lacks is the vocal affirmation to Rastafari, or anything else uniquely indigenous to JA, rather a structured salute to the sound, as if it was performed by Mozart or Beethoven. Thereโ€™s the nutshell, if Beethoven went to sister Mary Ignatius Daviesโ€™ class at Kingstonโ€™s Alpha Cottage School, with Don Drummond, Rico Rodriguez, Roland Alphonso et all, his symphonies might end up sounding something like this; it is that accomplished.

Top marks, as if they not done it before on Devizine, and I’ve still not gotten fully over how awesome Wonderland of Green was!


Trending…

Autumn-Winter Comedy in Devizes

Comedy in Devizes is a rare thing, unless you count visitors turning right at the Shaneโ€™s Castle junction, reading opinions on the Devizes Issues (butโ€ฆ

Osorio With Cutsmith

After fondly reviewing the single Falling from ReToneโ€™s homegrown drum n bass label SubRat last May, the Pewsey-based vocalist featured, Cutsmith, who also runs the label, has his debut single under the name out in a manner of days, and Iโ€™ll whisper to you now, itโ€™s outstandingly good.

On a musical journey due to be released on SubRat, Osorio returns Cutsmith to his Canarian roots. Principally itโ€™s hip hop, yet with a meshed element of west country acoustic guitar, but chiefly and precisely why itโ€™s so mesmeric, is that Latino tinge. Iโ€™m damned if this, aside the missing wailing electric guitar, wouldnโ€™t look out of place on Carlos Santanaโ€™s classic 1999 album Supernatural.

Yet that said, the practise of a Latino hip/trip hop blend influencing modern reggae should not be cited via the mainstream, but pioneered in the nineties by artists like Ky Mani, and what Jus Right is putting out now. Osorio would mould nicely with these, rather than reggaeton, which is something I admit still needs to find a place in my affections. Yet Cutsmith is not Wyclef Jean, hence thereโ€™s something definitely local when he slips neatly from song to rap, and itโ€™s smoothly accomplished, brewing with confidence.

In theme, but, and this is a big but, not in style, thereโ€™s something like Totally Tropical about it too! When, you know, they sang โ€œweโ€™re going to Barbados,โ€ in as much as thereโ€™s a homesick notion to Osorio, excepting of his love of the British festival and music scene, but partly wishes to soak up some exotic sunshine and ambience. Can’t say I blame him really!

The very reason Iโ€™m tipping this so much, is because the subject works so incredibly well with the sound. As well as itโ€™s fresh and exciting, the prospect of Wiltshire-based hip hop is something we so desperately need more of.

If Cutsmithโ€™s relationship with Devizine got off to a shaky start when playing a White Bear Sunday session, where our writer Andy was critical that while good, it wasnโ€™t his cup of tea, itโ€™s been fully mended now. I spoke personally to Cutsmith at the time, who took it in good stead, and I said it was a shame it wasnโ€™t me at the Bear at that weekend. Opinion is all we can cast, and while trying to be fair I do ask for honesty, itโ€™s not worth the effort if flattery is all the reader gets. Oh, woe is the subjective nature of casting a review, as for the areas Andy was critical of, are the precise same reasons why Iโ€™ve got lots of time for Cutsmithโ€™s music.

A case of differing tastes and perhaps a generational thing. But whatever, this debut single proves it today; itโ€™s a grand job, I love it, and Iโ€™d like to see Cutsmith working on an EP or album as the potential is overwhelming.


Erin Bardwell Gets Organised

A new album released yesterday from Swindonโ€™s premier reggae keyboardist and producer Erin Bardwell made me contemplate a section of Henri Charriรจreโ€™s book Papillon. The autobiographical account of a fellow no prison or penal colony can seem to keep incarcerated. Thereโ€™s a point where Papillon deliberately causes a disturbance in order to be put in solitary confinement. He claims he prefers it to the regular cells, because away from the other inmates, alone in pitch darkness he can reimagine, practically hallucinate and relive his better days.

For the concept of the album and accompanying film Get Organised is largely reminiscing and reflecting on his past. Possibly, I suspect, due to age becoming, the fact this marks a thirtieth anniversary of the formation of his heyday two-tone band, The Skanxters, but largely due to lockdown.

Myself, lockdown has been parttime. Iโ€™ve worked throughout, galivanting through the villages, meeting early morning risers, and itโ€™s all been much the same as it ever was, just cannot nip tโ€™ pub, or see family living out of the area. Which is frustrating at times, but I accept itโ€™s not as bad as those shielding and self-isolating; that wouldโ€™ve driven me insane my now. Itโ€™s common in isolation to consider oneโ€™s life and recollect, but Erin does it over a reggae beat; and I approve!

Weโ€™ve been here before; this is not Erinโ€™s first reflection of lockdown. Pre-pandemic he directed a collective who were pushing new boundaries in rock steady. But April last year saw the solo release of Interval, a deeply personal reflection and mind-blowingly cavernous concept album, diving into the psyche and exploring past events; scarce formula for reggae.

Erin Bardwell

Yet Erinโ€™s style is such; relished in unconformity, individualism and freethinking, factors which make it so utterly unique itโ€™s hard to compare. Itโ€™s this standout signature which Erin stamps on all projects, be them solo, as the Collective, or side projects such as the experimental dub of Subject A with Dean Sartain, or The Man on the Bridge project with ex-Hotknives Dave Clifton, which defines the very sound of reggae in Swindon and puts it on the skanking map. If there was a skanking map, which I wish there was!

Whereas Intervalโ€™s morose mood merged styles through experimentation, some often out of the confines of reggae, be they jazz, ambient and space rock, Get Organised will wash better with the matured skinheads, scooterists and Two-Tone aficionados, for it sits with more golden era reggae, particularly of the sixties Trojan โ€œbossโ€ reggae epoch. They tend to know what they like, and favour tradition over risky and radical progressions.

In this notion too itโ€™s sprightlier and more optimistic than Interval, a result of vaccinations and this โ€œroadmapโ€ out of lockdown, perhaps; The Erin Bardwell Trio booked for a gig at Swindonโ€™s Victoria on 1st July. Though at times thereโ€™s still the thoughtful prose Erin is fashioned for, reflecting the effect of lockdown. The lyrics of Eight Oโ€™clock, for example, which notes despite the usually lively nightlife at this time, the town is quiet.

The Erin Bardwell Collective

Theyโ€™re all sublimely crafted pieces, the title trackโ€™s mellow riff nods to Lee Scratch Perryโ€™s middling Upsetters period with something akin to a tune like Dollar in the Teeth. And in that, we have to consider the great producers of rockers reggae for comparisons, rather than the artists. Aforementioned Perry, but of Niney the Observer, of Harry J too, and Get Organised subtly delves into dub, so I guess King Tubby also. Yet the opening tune reminded me of the earlier, legendary producer Duke Reid.

Erin has the proficiency to cherry-pick elements from reggaeโ€™s rich history, effectively merge them and retain this said signature style. The Savoy Ballroom has the expertise keys of Jackie Mittoo, with the vaudeville toytown sound of Madness. That said has opened another Pandoraโ€™s box, as Two-Tone also has a significant influence on Get Organised, naturally. The grand finale We Put on that Show is reflective of the era, along the lines of the steady plod of Do Nothing rather than the frenzied ska of Little Bitch, if weโ€™re going to make a Specials contrast, which I think is apt.

Equally, youโ€™re going to love this if, like me, you cite the debut album Signing Off, as UB40โ€™s magnum opus rather than their following pop covers, or just if youโ€™re looking for something different from the norm.

These recollections are visualised in a half-hour video, making it more poignant. Itโ€™s a scrapbook film, with homemade clips of The Skanxters setting up or driving to a gig, footage Iโ€™d expect to have been largely unseen until now. Thereโ€™s also a montage of memoirs chronicling Erinโ€™s career, as the camera pans across gig posters, bus tickets, vinyl and press cuttings. Though far from documentary, the sound plays out the album, the material an aid to the songs, and a fascinating art project to accompany it.

 โ€œA second solo album wasn’t really part of the plan,โ€ Erin explains, โ€œbut with the current climate as it is, I still found myself coming up with music and songs. These tunes started following a theme, that led to a film idea, and the sounds and visuals grew together influencing each other.โ€

The point in the early nineties, when the Skanxters were the pride of Swindonโ€™s two-tone scene is captured well, and while those on the circuit, or even living locally then, will love recognising the many memoirs, anyone into the scene at the time will thoroughly enjoy this outing. Overall, though, Erin continues to break boundaries, and this album is a blessing and pleasure to listen to, alone from its narrative and meaning, as all good reggae should.


Trending……

Forestry Operations Due to Start at West Woods

Featured Photo: Forestry England/Crown copyright Planned timber harvesting is set to begin at popular walking destination, West Woods, from the end of September until Marchโ€ฆ

Swindon Gets Shuffling!

Despite the population of Devizes throwing confetti and paint at each other in their most celebrated annual ritual, I believe I picked the right weekendโ€ฆ

The Juggernaut Delivers Back at The Southgate

If there’s been welcomed stand-ins for the monthly Jon Amor Trio residency at the Southgate in Devizes recently, Ruzz Evans and Eddie Martin, Jon โ€œtheโ€ฆ

Deadlight Dance New EP Chapter & Verse

Marlborough gothic duo Deadlight Dance are due to release an EP of new material. Itโ€™s called Chapter & Verse and itโ€™ll be out on Rayโ€ฆ

Song of the Day 29: Bunny Wailer 1947-2021

Photo Credit: Redferns/Gem

I know, this feature is supposed to be for new music, promoting new and upcoming bands and artists. But here’s a notion, without the pioneers of many sounds their music would sound very different. So perhaps, when we lose a legend, we could also use it to pay tribute to them.

Sound like a plan?

Righty then, suitable for the agenda is the sad news today of the passing of the last of the three original Wailers, Neville O’Riley Livingston, aka Bunny Wailer. The red, gold and green flag flies at halfmast today, blessings to his family and friends.

And that’s my song of the day.


Song of the Day 26: The Maitree Express

Reggae and ska’s association with trains tracks back to its very roots, that beguiling chugging offbeat replicates engine noise, ergo subject matter and band names suit.

Here’s hoping if Devizes does ever get a station, more reggae bands will stop here and bring their sunshine music. Prime example; I’d sure make a beeline for this Bath-Bristol seven-piece locomotive, with their lively blend of dub, ska and soul.
Failing that, I’m trekking, have roots, will travel.

Offering an exciting live show, the Maitree Express has been in the recording studio and the effect projects onto wax; proof here, in the pudding.

Wait, did someone say pudding? My work here is done, that’s my song for the day. Very good. Carry on…..


Song of the Day 22: Kiano Taylee

Can you go twice on our Song of the Day feature? No, certainly not, one shot is all, get over it!

Wha? Cabin fever, me? Getting tetchy, perpetual rain the only visible sign of spring, going to need Google maps to locate my local pub if it ever gets back to normal, whatever normal is, been so long, forgotten, might need retraining in how to order a pint… ah, okay, point taken. I’m calm….

Here we go with the brilliant Big Ship Alliance reggae band, who may’ve had a Song of Day before but hey, when you hear this you’ll realise why I’m making the exception to my steadfast iron ruling.

My Life, it’s called, featuring Mitchell Joseph Thompson, and the Alliance introduces us to the incredible Kiano Taylee. At 13, it’s an emotive and sentimental debut single, capturing teenage anguish, bullying and family issues which bear heavy on modern youth. Moving stuff.

Available for download here.

For the record, I was young once too, you know. But, don’t let me get started on my memoirs, it’s a longwinded tale of nothingness but reading the Beano and eating spaghetti hoops. But, that’s my song for the day. Very good. Carry on…..


Song of the Day 19: Macka B

Topical, in view of Mark Little of Bristol Rovers’ social media attack, here’s a year-old message which, idealistically shouldn’t need repeating, but, unfortunately, seems it does.

And who better to deliver it than Wolverhampton’s Christopher MacFarlane, better known to the world as Macka B?

His righteous, yet witty DJ toasting style is often mimicked but never bettered. Since his early days on the Exodus sound system, through the eighties fast-style origination of Fashion Records, of which the late great Smiley Culture bought to mainstream charts, to today’s international recognition, award-winning Macka B never fails to breathe charisma and charm to a subject with intelligent and amusing verse.

The premise of his song is simple, the message is resounding.

And that’s my song for the day. Very good. Carry on….


Song of the Day 15: The Emertarians

Anytime is a good time for some roots reggae, Sunday morning, doublely so.

Enter one of my favourite current reggae bands, from Madrid, the Emertarians.

They always remind me of an occasion, at a festival in Andalusia. I watched this great French reggae band. The slighty rotound frontman looked rather like the late, great Jacob Miller. After the performance I noted he was standing close to me, watching the following act. I went over in hope of telling him how much I enjoyed their music, praying they spoke English.

I momentarily regretted my school French lessons, which I spent making homemade comics out of text books, as he replied with an adamant no upon asking if he spoke English.

All the vocabulary my intoxicated mind could conjour was “tres bien,” so I repeated it perpetually in true Del-Boy fashion!

Otherwise the meeting was the awkward silence of communication breakdown, in which I suspected they thought I was completely nuts. Not so far from the truth.

So, I namedropped Jacob Miller and suddenly we had understanding and mutual respect for the man. My point is, sometimes the Emertarians sing in Spanish and sometimes English, often the Spanish ones more emotive, but reggae has no language barriers, because it’s spiritual meaning and uplifting ambiance is universal. As with the French Jacob Miller-alike, we were on the same song sheet….

Naturally at that conjunction, I rolled a joint.

And that’s my song for the day. Very good. Carry on….


Song of the Day 2: The Big Ship Alliance and Johnny2Bad, featuring Robbie Levi and Stones

Newly-formed just a year ago, this Birmingham-based seven piece reggae band, Big Ship Alliance started out as possibly the only tribute act to reggae legend Freddie McGregor, but on track to record their own material they’ve teamed up with the outstanding UB40 tribute act, Johnny2Bad for this gorgeous topical debut single.

Featuring Robbie Levi and Stones, aside from my love of all things reggae, the song’s positive message of togetherness and unification during this era of the pandemic makes it more than apt for my second “song of the day” post. Though I did say I wasn’t intending to write anything like a review on this feature, just let you enjoy the tunes, and this is kinda heading a little bit “reviewy.” Probably cos it’s such a nice tune.

I also promised not to waffle; but I’m here now. Something about having your cake and eating it goes in rather appropriately at this point!

More so than being my song of the day, I believe this should be, as the Big Ship Alliance say themselves, “the anthem for 2021!”

Determined to make this feature a goer, as of yesterday’s pledge to add a song each day, ingeniously titled “song of the day.” I know, right, it scares me at times, I’ll be honest!

So, enjoy this fantastic tune, let the good vibes roll and have a great rest of the day. Same time tomorrow then?

Very good. Carry on….

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

808 Delavega; Contemporary Dancehall, Swiss Style.

Not to be confused with Howard Rosen and Jerry Gordonโ€™s American jazz and blues record label of the same name, Evidence Music is a prolific contemporary reggae label with their recording studio in Geneva, Switzerland, but franchising and presenting many upcoming Jamaican artists. Ergo, while Iโ€™ve mentioned before the Swiss valuing archaic origins of reggae, with ska, rock steady and roots subgenres through labels like the fantastic Fruits Records, Helvetia also has a penchant for modern styles of Jamaicaโ€™s musical outpourings.

A decade prior to Bob Marley & The Wailers playing Zurich as part of their final Uprising tour, the presence of reggae was oven ready, in the seventies popular Swiss band Rumpelstilz produced Kiosk, with a definite reggae influence. Nowadays, the international market blends their own brand and traditions into reggae, and the Swiss are of no exception. Local artists Dodo and Jo Elle perform in the native tongue, and Zurichโ€™s Rote Fabrik club plays a key role in promoting reggae.

Still though, back across the ocean reggae is never stagnant and rarely dabbles in retrospection. Itโ€™s progressive. I look now to Wellington Smart, aka selector Freddy Krugerโ€™s Boot Boy Radio show after my own, to hear the latest trends via his label, Drop Di Bass and what I do hear is similar to Evidence Musicโ€™s DJ and producer 808 Delavega, on his self-titled debut album.

In tune with said progression, weโ€™ve come along way from the nineties divide between dancehall and lovers, through the millennial cross-over inclination to include dancehall toasting in US RnB and hip-hop tracks, and we find ourselves today with a sound almost void of offbeat and one-drop riddims antiquatedly associated with the reggae of Marleyโ€™s heyday. An era where Damien Marleyโ€™s anthological dancehall is more important than his fatherโ€™s. 808 Delavega embraces this, he’s passionate about hip-hop as well as dancehall, and founded Derrick Sound in the 2000s.

With Nicolas Maรฎtre and Nicolas Meury of Little Lion Sound, Derrick Sound was the mainstay for the formation of the Evidence Music label and it fast become Switzerlandโ€™s leading urban label. There the team involve themselves in a multitude of projects, 808 Delavega produces popular Jamaican artists such as Sizzla, Capleton, Morgan Heritage and Danitsa. Reflecting back on his excursions to Jamaica, he focussed on the innovative subgenres of afrobeat and trap to produce this fresh debut, and itโ€™s certainly that.

Iโ€™m not going to suggest this is for everyone, our retrospective preconceptions of reggae persist, Iโ€™m suggesting forward-thinking youth, maybe already partly allied via current pop trends in dancehall which seen Sean Paul featured on a Little Mix track, et all. But in essence this is diverse, experimental, and underground, pulling the boundaries of RnB grind and dancehall even tighter. There can even be intros here which ring of eighties electro and electronica, and relics of garage house; imagine David Morales producing dancehall and youโ€™re somewhere in the light of this interesting blend. How I think this works so well is the splinters of afro-beat, a beguiling genre Iโ€™m personally hot under the collar about.

Always held a penchant for dancehall too, though accepting the sparseness of the beats and uncompromising patois can sound alien to European and American audiences. 808 Delavega plays this down. The jargon is not misconstrued, and once the beat kicks in youโ€™ll hear nothing of the of scarcity of millennial dancehall, but riddims which ride along smoothly, like RnB. Dancehall artists established and upcoming feature, yet even when legendary Beenie Man toasts on the subject of election violence, it adopts this ambiently slick tenet. It may be rather glossy but this breaths wide-appeal, beyond reggae aficionados.

Charly Black offers possibly the sparsest track, Eesah perhaps the most sensual. Throughout though it never frenzies and takes it mellowly and euphorically. So yeah, I like it (despite it makes mi waistline feel old!) for its innovativeness, and freshness.

808 Delavega album backlinks

Rocking Steady For Some Cosmic Shuffling?

Righty, a pop quiz question prior to todayโ€™s review, if youโ€™re game? Look at the three people pictured below, which one of them influenced reggae music the most, A, B or C?

Answer: A. Did you guess right? Probably, because you know me well enough to know it was a trick question! C is Jamaican National team footballer, Allan โ€œSkillโ€ Cole, though as a close friend of Bob Marley he became the Wailers tour manager and was credited in co-writing some songs. And B is just Brad Pitt with a Bob Marley makeover for a biopic which has yet to see the light of day!

On the other hand, A is Sister of Mercy, Sister Mary Ignatius Davies, a teacher of Kingstonโ€™s vocational residential school, Alpha Cottage School, a school for โ€œwayward boys.โ€ A devotee of blues and jazz, she operated a sound system at the school and tutored many of Jamaicaโ€™s most influential musicians. As a musical mentor for graduates she dubbed โ€œthe old boys,โ€ would later make up the backbone of The Skatalites, producer Coxsone Doddโ€™s inhouse band which shaped the very foundation of ska at Studio One.

The Skatalites in 1964

Here is the unrivalled benchmark of Jamaican music, as well as a plethora of instrumental ska classics, just like Booker T & the MGs were the inhouse band of Stax, The Skatalites backed more memorable singles from too many singers to sensibly name here, yes, including Bob Marley.

To suggest a ska band isnโ€™t as good as Studio Oneโ€™s Skatalites is not an insult, rather a compliment to even be mentioned in the same sentence. Itโ€™d be the rock equivalent of saying that guitarist isnโ€™t as good as Jimi Hendrix. For all intents and purposes, Cosmic Shuffling are not a new Skatalites, but to find anyone to come close nowadays, you need not look further than Switzerland; yeah, you read that right.

Ska in Switzerland usually abbreviates Square Kilometre Array, the forefront organisation of fundamental science, with a mahoosive universe-scoping telescope. Yet Iโ€™ve discovered some stars of my own, creating some sublime ska music. While Skaladdin are strictly ska-punk, and the amazing Sir Jay & The Skatanauts are majorly jazz-inspired, there is a scene blossoming. Geneva based combo Cosmic Shuffling are ones to watch. With a penchant and dedication to the authentic golden age of Jamaican sounds, Cosmic Shuffling deserve a comparison to Skatalites more than anyone else I could roll off, even to note, theyโ€™re Fruits Recordโ€™s inhouse band.

After a few scorching singles on Fruits Records, Cosmic Shuffling release an album, Magic Rocket Ship, tomorrow, 13th November. Nine tracks strong, this is mega-ska bliss. Without the usual ethos of speed being the essence, this lends perhaps closer to rock steady, but prevalent horns give it that initial changeover between styles, when ska was slowing, due to curfew in Jamaica and a particularly sweltering summer. Rock Steady mayโ€™ve been short-lived but was reggaeโ€™s blueprint, skaโ€™s successor and arguably the most creative period of Jamaican recorded music history.

If youโ€™ve even a slight fondness for traditional ska and reggae, I cannot recommend this enough. At one point I felt the English lyrics slightly quirky, with wonky connotations perhaps lost in translation, albeit with a tune stimulated from a Dr Seuss character, namely The Cat in the Hat, I guess seriousness is not on the agenda. Neither are vocals wholly on show here, but the โ€œtightnessโ€ of the band, making the composition of every tune simply divine. I canโ€™t fault it, only jump and twist to it like it was going out of fashion! Which, by the way, in my world, it never will.

Magic Rocket Ship is both a tribute to Jamaican music and a breakthrough into the innovative world of the sextet. Recorded in the aesthetics of sixties sound; ribbon microphones, magnetic tapes and analogue saturation, by extraordinary Spanish producer Roberto Sรกnchez, itโ€™s a delight to listen to. From itโ€™s opening vocal title track, which doubles up as an explanation to the band name, to the fantastic instrumental up-tempo finale Eastern Ska, every tune is a banger.

Perhaps with Anne Bonny as the most subject worthy, Short Break the most romantically inducing, and Night In Palermo being the most sublimely jazzy, itโ€™s clear with Magic Rocket Ship vocalist Leo Mohr, with Loรฏc Moret on drums, backing vocals and percussion, Mathias Liengme on piano, organ, backing vocals, percussion, Basile Rickli on alto saxophone, backing vocals, Anthony Dietrich Buclin on trombone, backing vocals and bassist Primo Viviani. With guest guitarists Roberto Sรกnchez, Josu Santamaria and Tom Brunt, Gregor Vidic on tenor saxophone, William Jacquemet on trombone and trumpeters Thomas Florin, and Ludovic Lagana, Cosmic Shuffling have set a new benchmark, mimicking those legendary Skatalites, without the help of a nun. At least, I donโ€™t believe there was a nun involved!


Tune into my show on http://www.bootboyradio.co.uk every Friday night, 10pm GMT till midnight

Shake a Leg this Christmas in Swindon with The Tribe, Showhawk Duo, and Brother From Another

With the beguling blend of hip hop and reggae, Swindon’s pride The Tribe are a force to be reckoned with. Always a lively show, they team up with a most original act you’ll see this millennium, the Showhawk Duo. Recreating rave classics acoustically, yes you read that right, they’re super amazingly awesome.

And not stopping there, local purveyors of funky reggae, the ever-entertaing Brother From Another are also invited to the Christmas Shake a Leg party at Swindon’s Meca.

It โ€™s been a crazy year to say the least and we all need a good olโ€™ knees up so weโ€™d like to invite you to the Shake A Leg Christmas Party on 12th December.

This could be just what you need to liven up this terrible year.

Full production for the show; Amber Audio & Patch are providing sound, IC Lighting will be bringing the stage to life with a lighting show and OT Films will be streaming the event live.

Adhering to restrictions, thereโ€™s a limited capacity and table service for the show. Tables of up to five are ยฃ33. Over 18’s only.

Tuareggae; Bombino is the African Hendrix

In conventional record shops of yore, albeit some survived, youโ€™d find the mainstream alphabetically presented, and itโ€™d be a dare on to yourself to venture to separate genres. They were usually labelled thus; Reggae, Classical, Easy Listening, and World, perhaps Blues too. While some conveniently slip into a standardised genre, others must have had grey areas. But, surely the most diverse was โ€œWorld,โ€ as if every remaining country in the world except the one you live in, and probs America, sounds the same, and furthermore, youโ€™d be some kind of beatnik pseudoscientist weirdo to even contemplate browsing there.

Itโ€™s all so vague, and without the music industry pushing, a minefield of guestimation. I was fairly young when I figured thereโ€™s a world of music weโ€™re not exposed to, pop was the tip of an iceberg. I dipped my head under, but it was freezing with typecasts, impossible to know where to search to find something affable.

Today, and thank goodness, the internet is a universal reference library, there are no excuses for not thinking outside your geographical sphere. But with anything foreign to your ears, you need to unlearn your ingrained judgements, and listen with an open mind. Rarely something comes along so exclusive and diverse, but with a familiar element to comfort you.

On November 27th Partisan Records will release, Niger-born Tuareg guitar virtuoso Bombinoโ€™s first live album as a solo artist, Live in Amsterdam. Iโ€™ve had this unique marvel on play for a while now, and if youโ€™re put off by the presumption any African music never relates to our rock music, this could be the introduction to a world outside said sphere.

The ingenious part of this album, other than the atmospheric quality of a live performance, and Bombinoโ€™s sublime proficiently with a guitar, is the rich musical palette. It rings with genres youโ€™re accustomed to, shards of funky soul and reggae, which often come into play in African music, but the man, I swear to you now, is the African Jimi Hendrix, so bluesy rock is prominent.

Tuareggae is his self-penned, totally unique genre to define it. The โ€œTuarโ€ part derives from his own people, the Tuareg people, a Berber ethnic confederation of nomadic pastoralists, which populate the Sahara in a vast area stretching from far southwestern Libya to southern Algeria, Niger, Mali and Burkina Faso. So, what we have here is principally a fusion of these accepted European and American genres with this brand of North African folk.

Just as a bhangra-pop hybrid now appeases western ears, Bombino has something which will placate any preconditioned aversion of African musical styles. In fact, the untrained ear might liken it something Eastern, or middle eastern at least, as it is spoken in Bombinoโ€™s native tongue. Note though, his on-the-record fans includes Keith Richards, Stevie Wonder, and Robert Plant, and if itโ€™s good enough for themโ€ฆ…

This album will not only challenge your presumptions, itโ€™ll do so while drifting you on gorgeous a journey of musical greatness akin to any known bluesman. Bombino knows precisely what buttons to press to evoke a mood, it can drift down a river at times, it can explode into up-tempo funk, but its ambience is awe-inspiring throughout.

Recorded in November of 2019, while Bombino and his band were touring behind his acclaimed latest studio album Deran. Live In Amsterdam is dedicated to the loving memory of long time Bombino rhythm guitarist and vocalist Illias Mohamed Alhassane, who sadly and suddenly passed away in September. The recording, then, features Illias in his final performance with his โ€˜brothersโ€™ in Bombinoโ€™s band. Yet, you need no background, not really, if youโ€™re looking for something different, but with shards of something familiar, if you like either blues, reggae, rock or funk, or if you want to be taken on a musical journey beyond your usual perimeters, Bombino is your newfound gem. You donโ€™t have to thank me, but you will; Iโ€™m here all week.


Bionic Rats, Alive in Dublin

A superb new live album from Dublin’s finest ska-reggae outfit, The Bionic Rats….

Thereโ€™s some wonky logic in the character Jimmy Rabbitteโ€™s bemusing outburst in The Commitments film, โ€œThe Irish are the blacks of Europe. And Dubliners are the blacks of Ireland. And the Northside Dubliners are the blacks of Dublin. So, say it once and say it loud, I’m black and I’m proud!โ€ Persecuted before the slave trade, there are some intelligible contrasts between the oppressed races.

Still, the thought of Dublin conjures rock legends to outsiders of every decade, be it from Thin Lizzy to Skid Row and U2 to The Script. Diverse as any city though, if you thought the idea of music of black origin was the stuff of films, think again.

Far from a retrospective regression going through the motions of a bygone Two-Tone era, The Bionic Rats are an exciting, energetic reggae and ska six-piece from Dublin with a building collection of original and stimulating material. Even their band name, I suspect, is taken from a Black Ark tune, Lee Scratch Perryโ€™s renowned studio. Yesterday they released a dynamic album doing their thing where they do it best, on stage, in their home city.

In a conclusively roots reggae inspired track, Red Gold and Green, frontman, Del Bionic lays down a chorus not so far fled from the Commitments quote, โ€œreggae is talking about the things I bear witness to, on and off the Liffey quays. Iโ€™m not Jamaican, Dublin born and bred, I don’t wanna be a natty dread,” Though a bulk of the material here is upbeat ska, if it relates to a modern ska era, it borrows extensively from Two-Tone, particularly for itโ€™s no bullshit attitude and social commentary. A component definingly reggae, or correlated to any plight of poverty and societal righteousness in general. It rings out the enduring message, reggae is universal.

Reggae often takes on board regional folk roots, be it influenced by, or using traditional instruments of that area, the recent surge in Balkan ska for example. Yet, the only local element the Bionic Rats take is said Irish bitter repartee and attitude within their subject matter.

Their sound is beguiling and directed towards the very origins of Jamaican pop music, and skanks to any highest region! The very reason why theyโ€™re a force to be reckoned with, internationally, having shared the stage with their mentors, Madness, Bad Manners, Horace Andy, Israel Vibration, Johnny Clarke and their aforementioned namesake, Lee ‘Scratch’ Perry, also opening for Damien Dempsey and Imelda May. A hit with the crowds at the One Love Festival in Sussex, London International Ska Festival, theyโ€™ve made the frontpage of eminent Do The Dog Skazine, Doc Marten’s used their song Dear John for an online campaign and they continue to skank the crowd at Dublinโ€™s longest running reggae night โ€˜The Sunday Skankโ€™ in the Temple Bar.

Ironically the 2009 debut album was titled Return of The Bionic Rats, and since three more albums have followed. The good news is, wonderful as their studio albums are, we can all now pretend weโ€™re in the crowd of a Sunday Skank with this beauty of a recorded live show, and boy, do they give it some.

The premise is simple, as it is with ska. Lyrics often minor compared to offbeats and horns. Subject matter slight; between girls, lust, dancing, record buying and being rude, the Rats offer sentiments on prejudges, tyranny and oppression, but seldom will romance be on the cards. You may not be enchanted by The Bionic Rats, who describe this release as โ€œperfectly capturing The Bionic Rats in all their sloppy greatness,โ€ but your waistline will get a darn good workout.

While weโ€™re tempted by the simplicity of the upbeat ska sound in danceable tracks like Annie Oakes, the sweary Bad Garda and the particularly well grafted tale of obsessive record buying, Hooked on 45s, thereโ€™s roots, like aforementioned Red, Gold & Green, and rock steady numbers such as prejudice themed Dear John. Thereโ€™s no end of expected banter and comical themes, such as the English Beat sounding Girl with Big Hands. Then thereโ€™s that contemporary third-gen fashioned ska-reggae but wrapped in a no-bars-held cussing, of which titles speak for themselves; Twisted Little Bitter Little Fuckers, for example.

Such is the expected acrimonious nature of an Irish ska band; lap it up, itโ€™s refined rudeness. Done too, with experience, The Bionic Rats rose from the ashes of Dublin-based reggae band, King Sativa, who were active on the scene from 1998 until their breakup in 2005. Their guitarist Graham Birney, and drummer Anthony Kenny moved over to the Bionic Rats. Like them, or not, Iโ€™m convinced they probably donโ€™t give a toss, but going on this superb live album, you certainly canโ€™t ignore them.

Alive in Dublin, out now, here.

Singer, Del Bionic also does a live streaming set every Sunday from Facebook at 9pm (GMT) well worth tuning in to: https://www.facebook.com/thebionicratspage/live/


Adverts and Stuff

Join me every Friday night from 10pm to midnight GMT for a fun two hours of ska, reggae and anything goes!

Island Bop with Shuffle & Bang

San Diego, California, 2018, King Pops Horn and son, Korey Kingston began on a musical partnership, merging Koreyโ€™s deep vested love for dub and reggae with his fatherโ€™s tenure as a decorated traditional jazz singer.

Gathering a gang of musicians with resumes including savvy veterans from The Aggrolites, Rhythm Doctors, Suedehead, Brian Setzer Orchestra, The Original Wailers, Stevie Wonder and a pianist who plays organ for the San Diego Padres baseball team, they formed Shuffle & Bang.

Over multiple recording sessions taking two years, this unique musical journey culminated in an accomplished album, Island Bop. Pirates Press Records, partnered with the bandโ€™s own Jetsetter Records are ready to deliver this gem to the world on 6th November; everything about it suggests itโ€™s right up my street and banging loudly on my door.

And it is, and it is loud. Dressed as a classic Blue Note jazz album, with indistinct band-in-action photo and simple capitalised font running down the left side, it comes exceptionally close to capturing the elegance of an era of definitive jazz and soul. Yet it drifts wildly between genres, a surprise to know whatโ€™s coming next in many ways, but often, perhaps, constituting a Jack-of-all-trades.

I mean this in the nicest way possible, to hit the benchmarks of such legendary epochs, to come close to all the variety of influences represented here in one shebang, from Blue Note to Stax and Studio One, is quite near impossible. You got to hand it to them for trying. For all it is worth, it is accomplished, highly polished and grand. Itโ€™s exceedingly entertaining and highly danceable, to boot! Just donโ€™t let the cover art allow to run off with the idea youโ€™ve stumbled upon a new Marvin Gayeโ€™s Whatโ€™s Going on.

At all times, no matter what subgenre itโ€™s mimicking, itโ€™s brash but not slapdash, flamboyant and proud. Thereโ€™s minimal subtly of soul, delicately tight riffs of ska, and to cast it overall is to say it is akin to big band, as itโ€™s in your face and wonโ€™t let you escape, even if you wanted to, which, you probably wouldnโ€™t. Big Band does jump blues, ska, soul, and even by the end, dub reggae.

Yep, you heard it right; it ticks all the boxes. The opening song is a deep acapella with a booming Teddy Pendergrass fashioned soul voice, whereas the second sets the running theme as this big band panache. Taking the jazz end of a classic ska sound, the third tune dragged me onto the dancefloor, or my kitchen lino to be more precise; yep, Iโ€™m reviewing while washing the dishes again!

Switching back to Cab Calloway big band groove for a fifth song, it is perhaps the next which is most interesting to date, Naima maintains a big band style but serves it with a rock steady riff. Quickly as it does it, it shifts again, onto a shuffle rhythm with some killer horns, more Louis Jordan than T-Bone Walker.

Within the thirteen strong songs, the whole album is showy and that makes it rather magnificently inimitable, and because of this running big band ethos incorporating all the various styles, at no time does it jerk into an alternative genre, shudder the goalposts, rather surprisingly, they flow all rather splendidly.

It gets unpremeditated and rides the Ratpack train, with beguiling vocal gorgeousness, When I Take My Sugar to Tea, particularly, or a take of traditional ska like the Skatalites, but the next tune might again return to up-tempo swing. Given our Louis Jordan reference, the only recognisable cover is his Tympany Fiveโ€™s Let the Good Times Roll, at least you think it is, until the end song.

If you figured this cover might act as a grand finale, prepare, because after a drum and cymbal interlude, the groove suddenly and without warning dubs. Yep, true dat; with a deep rolling bass and reverbs akin to King Tubby, and perhaps melodica to impersonate Augustus Pablo, we are treated to a divine dub of the Gorillazโ€™s Clint Eastwood. Although theyโ€™re calling it Drum Song.

The culmination forces you to hardly recognise the style at the beginning of the album, and to return to it might make you think, no, I want to go listen to some Sly & Robbie now instead. However, Island Bop will rest accustomed in a jazz, blues, soul or reggae record collection, and you will return to its gorgeous portrayals. For all its swapping and merging, yes, Island Bop is hard to pin down, but for eclectic jazz and soul fans, its refreshingly experimental and a damn good groove!


Man on the Bridge: Erin Bardwell teams up with ex-Hotknives Dave Clifton

Local reggae a rarity around these backwaters, but when it does rise you can trust Pop-A-Top Records is a watermark of quality. Since prolific Swindon Skanxter keyboardist, Erin Bardwellโ€™s amazing solo album, Interval, heโ€™s rubbed his unique style into a collaboration with Hotknives co-founder, Dave Clifton on this sublime project called The Man on the Bridge.

A double-A EP was out in April, followed this week by a six-track album A Million Miles. There are chilled echoes of rocksteady and traditional boss reggae blended with slight roots and dressed with a garnish of Bardwellโ€™s inimitable take on the genre. Naturally, thereโ€™s a splinter of Two-Tone reggae too, which works on so many levels.

Dave Clifton

The Hotknives are best known for their live albums, but did release one studio album The Way Things Are. Formed in Horsham, back in 1982, they principally play ska. Guitarist Dave Clifton was among the original line-up. He left in 1993, but with a slimmer roster the band still perform today.

Opening tune to A Million Miles, Donโ€™t Blame Me, is immediately likeable rocksteady, and wouldnโ€™t look out of place on a classic Trojan Tighten Up compilation. Looking over the Land plods securely, resonances Erinโ€™s band the Erin Bardwell Collective and is just simply beguiling.

Erin Bardwell

Just Dreaming though dubs, is as at sounds, dreamy, using flute, by another ex-Hotknives, Paul Mumford of Too Many Crooks, it connotes that eastern dub vibe of Augustus Pablo. Yet with Believe we return to chugging boss, with sublime horns, also by Mumford, and Daveโ€™s picking guitar riff. The guest vocal is a refreshing change, provided by Pat Powell of the Melbourne Ska Orchestra. Proof, as Iโ€™ve said, ska is an international thing, and the Melbourne Ska Orchestra are pushing boundaries on the other side of the world.

Title track, A Million Miles again deviates, fusing a slight English folk influence, it reflects memories and cites Dave and Ansell Collins and the Oโ€™Jays in a theme of a lost romance. Never Say Never raps up the journey you donโ€™t want to end, with a plonking fairground twist; as if Madness worked with UB40. With Erinโ€™s dream team, Drummer Pete O’Driscoll, Pete Fitzsimmons on bass, except Looking Over The Land where long term friend from The Skanxters, Vinny Hill features, weโ€™re in capable hands, and this is a memorable collaboration producing a superb and varied mellow reggae vibe. You need this right now!


The Bighead!

“The Truth is Hard to Find celebrates their unique but retrospective style with a passion for pop-reggae, an uplifting beat, chugging ska riff and beguiling two-tone vocal harmonies….”

Far from what the name suggests, and common generalisation of the genre, I found Northamptonโ€™s six-piece reggae/ska band, The Bighead, not in the slightest egotistical and very approachable! Thus, Iโ€™ll be spinning their tunes on Ska-ing West Country on Friday, and for the foreseeable future.

That said in this era where a plethora of bands like the Dualers and Death of Guitar Pop have breathed renewed energy and a fresh approach to the UK two-tone scene, which otherwise risked falling into a diehard cult of seniors on Lambrettas who spent their pension on a pair of cherry Doc Martins!

Though nothing with Bighead is as the frenzied ska blended with delinquent-filled punk of yore. They tend to flow maturely, with rocksteady and roots reggae, while attire the fashion akin to the two-tone era. Iโ€™ve no issue there, through the furious ska thrashings of The Specials, the downtempo Ghost Town is likely cited foremostly, and on the island of origination, the short rocksteady age between ska and reggae was undoubtedly the most creative musical period in Jamaican history.

Seems while previous decades hugged youth cultures which devoted to a sole variety of Jamaican music, newly formed bands, like Bighead in 2008 by Da Costa, follow a similar ethos as what we discussed when Trevor Evansโ€™ Barbdwire came to Devizes Arts Festival. They select the benefits and choosiest elements of ska, rocksteady and all subgenres of reggae, and fuse them with sublime results.

Thereโ€™s a plentiful gap to fill, and itโ€™s all trilbies and shades for Bighead. Their May single, The Truth is Hard to Find celebrates their unique but retrospective style with a passion for pop-reggae, an uplifting beat, chugging ska riff and beguiling two-tone vocal harmonies, signifying an optimistic new era for the old genre. In contrast, the other two brilliant tunes Da Costa kindly emailed me, Step Up and Try Me Again, rely on roots reggae and doo-wop rocksteady respectively.

The Bighead are no strangers to the festival and club circuit, have headlined and supported original 2-Tone acts such as the Beat, The Selector, Bad Manners and a 2013 show with Madness. Theyโ€™ve played over Europe and are regulars on the Berlin Reggae scene.

So, polish your boots, snap on your braces and follow Bighead; not that I should really be flattering a band who are already self-confessed big heads!


Adverts & Stuff!

Tune in Friday nights from 10pm till midnight; some nutters gave me a radio show!

The Scribes: Totem Trilogy

Getting snowed under here at Devizine Towers, but speedily need to push this to top priority, ahead of tonightโ€™s (Saturday 12th) gig at Salisburyโ€™s Winchester Gate from Bristol hip hop outfit, The Scribes. I whopped up a quick preview of the event, but as I pressed publish an email popped up with their latest EP The Totem Trilogy Part 1, made in collaboration with Chicago raised producer Astro Snare. Should fans of UK hip hop hear it, theyโ€™d be planning to head to the Gate for this free gig, by hook or by crook.

The Scribes are a multi-award-winning hip hop three piece based in Bristol consisting of lyricist/multi-instrumentalist Ill Literate, rapper Jonny Steele and beatboxer Maestro Lacey. In 2013 they signed with US label Kamikazi Airlines, co-owned by Dizzy Dustin of legendary hip hop act Ugly Duckling and released two albums, The Sky Is Falling and The Scribes Present Ill Literature worldwide to critical acclaim, garnering the group a sponsorship deal with ethical clothing company THTC, alongside artists such as Ed Sheeran and Foreign Beggars.

By 2016 they had signed with Reel Me Records, releasing a sonically challenging 16-track album which thrived on a perfected blend of poignant lyricism, A Story All About How, and the apocalyptic concept album, Mr Teatime & The End Of The World, winner of the UndergroundHH.com โ€œConcept Album of The Yearโ€ award. Last year The Scribes received global recognition, upon releasing Quill Equipped Villainy, featuring Akil the MC from Jurassic 5, TrueMendous and Leon Rhymes from Too Many Tโ€™s.

My personal affection for the genre though, goes back to the old skool. Prepped by Kraftwerkโ€™s influence on eighties electronica, rolled with Giorgio Moroder and Pete Bellotteโ€™s production on Donna Summerโ€™s I Feel Love, and still nothing equipped me for the eureka moment I first heard Afrika Bambaataaโ€™s Planet Rock, on a journey to Asda in my Dadโ€™s Cortina! Only lingering in the underground less than a year, the US hip hop and breakdancing movement swept the UK, and it was inevitable weโ€™d develop our own brand.

As hip hop spread through the States it distorted to hackneyed fashion far from the original blithe ethos of revelry. Pretentious bling, hoes and pimping oneโ€™s ride, and of course gangland rivalry were never on the original agenda. While some during the later eighties, like De La Soul and A Tribe Called Quest, strived away from this tenet, recapturing hippy, carefree roots, the east-coast/west coast rivalry and vehement bravura dominated and hallmarked the modern preconception of hip hop.

Meanwhile, by a method akin to rock n roll some twenty years prior, the place to hunt for creative and innovative progression of the genre was neither east nor west coast, but here in the UK.

Because hip hop was never supposed to be uniform, shaped by urban multiculturism itโ€™s naturally a melting-pot of genres and an experimentation in fusion, always has been. Given Caribbean roots and common affection for reggae, itโ€™s inevitable those influences would have a profound effect on UK hip hop.

Full-circle in actual fact, considering pioneer of the genre, Kool Herc was a young Jamaican NY immigrant with a sound system, who altered from dub to disco and funk as residents didnโ€™t favour reggae. And, in a nutshell, and to wrap up my waffling, thatโ€™s precisely why I love this EP; itโ€™s like The Scribes dipped a colander into said melting pot, and extracted only the very best ingredients.

Itโ€™s a non-commercial, bundle of heavy beats not relying on a single subgenre. Opening with Iโ€™m Back, for example, fresh, dripping with early east coast scratching and rapping. Yet Mighty Mighty follows, leaning on dub akin to Roots Manuva with brass, subs and a contemporary dogmatic theme comparable to Silent Eclipse, albeit this was divergent towards John Majorโ€™s government (apologies for my archaic comparisons, itโ€™s an age thing!)

By the third tune weโ€™re back to nonchalant fun with Rock This; Iโ€™m in awe, this is lyrically composed with a witty genius parallel to the Fu-Schnickens. Heart Breaks though swaps back to east coast; sublime rap harmony with a R&B slant, pensive piano chops and soaring strings with a definitive Bristol angle, as if a Tribe Called Quest came out of St Pauls!

Keep Bouncing ends the ride, and Iโ€™m left pondering Dizzee Rascalโ€™s influence, yet tougher, as Rodney P, this is fresh, possibly the most marketable sound given todayโ€™s impact on the scene. The Totem Trilogy Part 1 is the first of a 3 EP series featuring the stunning artwork of renowned illustrator Chris Malbon. The absolutely gorgeous cover designs of the 3 EPs will link together to form one image of the titular totem. With guest vocals from both AstroSnare himself and founding father of the UK hip hop scene MC Duke, here, clearly, is something imminent, a rise of The Scribes, a method grasping an evolution for UK hip hop, yet firmly aware of its roots and unafraid to exploit them.

http://www.quillequipped.com

http://www.facebook.com/scribesmusic

http://www.instagram.com/thescribes

A Modern Reggae Classic: Wonderland of Green

On first hearing Wonderland of Green, I was like, yeah, thatโ€™s as sweet as a sugarcane field. But itโ€™s moreish; every listen it approves all elements, everything I love about reggae, and why I love it.

Fruits Records may be based in Switzerland, but their dedication to authentic Jamaican roots reggae is paramount. This latest release featuring the Silvertones is a prime example, a sublimely balanced one-drop riddim with all the hallmarks of reggaeโ€™s golden era; the roots sound of the seventies, Black Ark, the legendary studio of Lee “Scratch” Perry, and the Roots Radics rub-a-dub riddims of the early eighties. These traditional styles echo through this 7โ€ EP; the heavy bass, the offbeat guitar riff, and the traditional female backing vocals as passed into mainstream by the Wailersโ€™ I-Threes.

Yet it also pounds contemporary at you too, fresh sounding, with a version, Living In A Wonderland, toasted by Burro Banton, an incredibly gritty-voiced DJ popular in the late eighties and nineties dancehalls of Jamaica. Even the subject matter of Wonderland of Green is timeless, as it suggests, itโ€™s earthy and ecological, a tenet inherent in Rastafarians long before it became trendy.

The band behind the riddim is the 18th Parallel. Produced, composed and arranged by Antonin Chatelain, Lรฉo Marin and Mathias Liengme, and recorded at Genevaโ€™s Bridge Studio by Liengme. Thereโ€™s an instrumental on the flipside, and an extra killer dub mix by French wizard Westfinga, who retains the retrospective ethos using the traditional dub values set by King Tubby.

Burro Banton

But what makes it so thoroughly beguiling is the vocals by The Silvertones. A legendary vocal harmony trio from the early ska era, originally, Keith Coley, and Gilmore Grant, with Delroy Denton joining early in their career. Delroyโ€™s individual baritone and guitar skills saw him quickly become the frontman. Though he migrated to the States and was replaced by Joel โ€œKushโ€ Brown.

Though the only remaining member is Keith, who takes lead, thatโ€™s just technicalities, as the modern line up rests with Norris Knight and Nathan Skyers on harmonies, both of whom have solo careers in their own right.

Westfinga & The 18th Parallel’s Wonderland of Dub

Recording at Coxsone Doddโ€™s Studio One, they interestingly triumphed in Jamaica with their debut single, a ska re-creation of Brook Bentonโ€™s โ€œTrue Confession,โ€ a track producer Duke Reid would also have the early Wailers record, but the Silvertones is indisputably more poignant. They also recorded under guises The Gold Tones, The Admirals, but most popularly as The Valentines, prevalent with the skinheadโ€™s ska revival era was a tune called โ€œBlam Blam Fever,โ€ denouncing the rude boyโ€™s gun culture.

The Silvertones

Through the late sixties they enjoyed success recording for Reidโ€™s Treasure Isle label and Clancy Eccles, as vocal harmonies became more significant during the rock steady era. Yet their dominant period was the early seventies when they stepped into the converted carport which was Black Ark.

The eccentric amplifier genius, Lee โ€œScratchโ€ Perry is renowned for getting the best out of any artist, he shaped the way we view Bob Marley & The Wailers. With penchant for outlandish, heavyweight psychedelic sound testing, he was the experimentalist who would pave the way for dub pioneers like King Tubby.

Historically then, Wonderland of Green slips right in as if itโ€™s been there all along, but prominent now with its environmental subject matter, itโ€™s gorgeous. I look forward to blasting it on my Boot Boy Radio show this Friday, maybe blending versions together, even if theyโ€™re live from the Skinhead Reunion, and whoโ€™s punters would favour boss reggae!

Wonderland of Green is newly released this week, as download, or on regular black wax 7โ€ vinyl and on a beautiful limited and numbered picture sleeve edition with opaque dark green vinyl; how apt!

Streaming: http://hyperurl.co/wonderlandofgreen

Vinyl records: https://fruitsrecords.bandcamp.com/album/wonderland-of-green


Adverts and Stuff!

Check me out Friday nights from 10pm on Boot Boy Radio!

Two Man Ting Bring Sunshine to the Southgate Today

Winding up their โ€œmini tour,โ€ after last nightโ€™s gig at Salisburyโ€™s Winchester Gate, world/reggae duo, Two Man Ting appear at Devizes Southgate for an afternoon session from 4 to 6pm.

Midlands Jon Lewis and Sierra Leonian Jah-Man Aggrey, are a branch of world dance collective Le Cod Afrique, who play a cheerful combination of multicultural roots-pop. A welcome addition to the Southgateโ€™s continuing mission to provide a diverse range of live music to Devizes; and a grand job theyโ€™re making of it!

With Aggreyโ€™s bright, chatty vocals and bongos, and Lewisโ€™s acoustic guitar picking, this promises to be something great and wholly different around these waters. Theyโ€™ve done the festival scene from Womad and Glasto to the Montreux Jazz Festival & Glastonbury, and their acclaimed album “Legacy” has been much featured on BBC Radio 3 & BBC 6 Music.

Should be a good ‘un!

From The Specials; Neville Staple Band in Lockdown

Photos by John Coles
Artwork by Sugary Staple

If last yearโ€™s fortieth anniversary of Two-Tone Records saw an upsurge of interest in this homegrown second-generation ska, it shows no sign of flawing anytime soon. Perhaps you could attribute parallels to the social and political climate of our era, or debate intransigent devotees are reliving their youth, but Iโ€™d argue itโ€™s simply an irresistible sound.

One thing our eighties counterparts didnโ€™t have to contend with was the Covid19 pandemic, and musicians of every genre are reflecting on it. Ska is of no exception, weโ€™ve seen many contemporary performers releasing new material on the subject, but here we have a legend doing his thing, topically.

139302

The Neville Staple Band releases this timely single, Lockdown. A dynamic modern-sounding reggae track, yet encompassing all the goodness of the Two-Tone era of yore. Understandable, original rude boy Neville Staple is conversant with this, a founder member and co-frontman of The Specials, Fun Boy Three and Special Beat. Those influences shine through here. Thereโ€™s something very Fun Boy Three about this tune, with a slice of poetically-driven Linton Kwesi Johnson to its feel.

As true as the song suggests, in lockdown Dr Neville Staple has teamed up with wife Sugary Staple, to pump out this relevant single, commonly reflecting on the feeling of many concerning the virus and staying safe. โ€œSugary came up with the idea to write a song about the lockdown,โ€ Neville explains, โ€œwhich, at first, was a very fast-stomping ska track. We then realised that it was too fun and happy a tune for the theme. Most of us have been quite down about the whole virus thing, so we decided to take it on a more sweet but moody 2Tone reggae route, in a similar vein to ‘Ghost Town’, with some music we had worked on previously with Sledge [Steve Armstrong.]โ€

697423

While I detect echoes of Ghost Town, this tune also breathes originality and present-day freshness, confirming progression of the genre rather than a frequently supposed nostalgia. Being a local site, some may recall his visit to Melkshamโ€™s ParkFest last year, where an unfortunately damp evening didnโ€™t stop the revelling, and Neville stole the show with an assortment of Two-Tone classics. I was backstage with the wonderful support band Train to Skaville. A chance meeting with Neville, when he popped out of his tent for pizza, humourlessly failed to engage long enough to explain who I was, and ended with him pointing at his pizza-box and saying โ€œyeah, Iโ€™m going off to eat this.โ€ I shouldโ€™ve known better than to harass a legend when their pizza is chilling in drizzle! I nodded my approval, knowing Iโ€™d have done the same thing.

Neville was awarded an honorary doctorate from Arden University last year. With a tour, and so many international shows and festivals postponed, the couple decided to do a lot of extra charity work as well as new song writing. DJ recordings for people sick in hospitals or in isolation, personally dedicated to them, was just the start. Sugary and Neville wanted to highlight the work of Zoeโ€™s Place, a charity run for terminally ill babies and toddlers. As ambassadors for this charity, Sugary expressed, โ€œcharities like these really do suffer at a time like this, as the focus is on other things. But the work they do at Zoeโ€™s Place is like one of a kind and so very special. They step in when families really do need the support, providing 24-hour high quality, one-to-one palliative, respite and end-of-life care for children aged 0-5 years. A heart-breaking time for anyone involved. We must not lose a charity like this – it is too important and so we will be supporting this, along with other charities we are patrons or ambassadors to, with this single.โ€ And the duo dedicates this song to all those who have been affected by Covid-19.

817546

Shared to our Boot Boy Radio DJs, you can expect we will be spinning in for the foreseeable future, but you can get it here:

7″ vinyl order https://bit.ly/2NeeoUA

Spotify https://open.spotify.com/album/1s2wuLNQ3q4wsvq7tOUfVh

iTunes https://music.apple.com/gb/album/lockdown-single/1515072018

Amazon https://www.amazon.com/Lockdown/dp/B0894K4G1Q


SPECIAL NOTICE – FROM THE SPECIALS, NEVILLE STAPLE & SUGARY:

A MESSAGE TO YOU..! The Legendary Neville Staple (Dr), Sugary Staple & the Band, need your help please.

Can you wonderful people please donate just ยฃ3 towards this project (which will also get you 2 signed exclusives pics), or any random amount, or check out the mega exclusive vinyl 45ย & CD gift set offersย (these are going really well, and are extremely rare limited edition items, so grab them while you can). You just click this link and choose your reward, to then register your donation.

https://www.kickstarter.com/projects/fromthespecials/lockdown-ska-2020-from-the-specials-neville-staple-and-sugary/ย  ย 


If you like a bit of ska and reggae, catch me on www.bootboyradio.co.uk Fridays from 10pm GMT till midnight!

skaingwestcountry


Adverts & Stuff!

covidcampInDevizes-Logo-e1585760867966

superheroholdclub

asam2

International Ska! Hugo Lobo teams up with Lynval Golding and Val Douglas

If I penned an all-purpose article a week or so ago, about ska in South America being as prospering now as it once was in England, I follow it up with this grand example….

Argentinaโ€™s Dancing Mood trumpeter and producer Hugo Lobo made history this week, releasing โ€œFire Fire,โ€ a skanking upbeat cover of a Wailers rarity, by calling in international troops. Throughout this prolific career, Hugo endeavours to encourage legendarily collaborations, exalting the international genre and keeping the flame of Ska and Rocksteady alive.

Dancing Mood staggeringly sold over 200,000 albums. Hugo Lobo presented his debut solo album ‘Ska is the Way’ in 2017. This renowned trumpeter not only performed and produced for many of the south American ska and reggae bands I mentioned in my previous piece, but transcends to international acclaim, working with Rico Rodriguez, Janet Kay, The Skatalites, Doreen Shaffer, and Dennis Bovell. With Jerry Dammers, Hugo paid tribute to Rico Rodriguez in 2015 at the London International Ska Festival.

In a transcendental meeting, three generations of ska artists from the corners of the planet combined to recreate this 1968 musical nugget from the Wailersโ€™ homemade label โ€œWailโ€™n Soulโ€™m,โ€ where Peter Tosh leads. Jamaican-born British rhythm guitarist and vocalist Lynval Golding, of the Specials and who later founded the Fun Boy Three with Terry Hall and Neville Staple, is central to the single, yet he always is central to something ska! Lynval appeared on Glastoโ€™s Pyramid Stage with Terry Hall backing Lily Allen, and the Park Stage where Blur frontman Damon Albarn and beatboxer Shlomo knocked out Dandy Livingstoneโ€™s โ€œMessage to You Rudy,โ€ a popular cover for the Specials.

hugoLynval
Lynval Golding

With a generation-spanning rรฉsumรฉ, Lynval Golding continues with current group, Pama International, undoubtedly the UKโ€™s most celebrated contemporary ska outfit who we were the first new band in thirty years to sign to Trojan Records. Yet through this huge portfolio, Hugo Lobo proudly announces his presentation is Lynval Golding’s first solo material.

hugo2
Lynval with Jerry Dammers and Jools Holland

If thatโ€™s not enough to whet your appetite, Hugo also called upon the current bassist of The Skatalites, Val Douglas to add to the enthralling sound. Check the bass on Bob Marleyโ€™s โ€œWake Up and Liveโ€ if you want a shining example of Valโ€™s talent. Though Val is a multi-instrumentalist, arranger, composer and producer, working with just about any reggae legend you could name; Toots & The Maytals, Lee “Scratch” Perry, Ernest Ranglin, The Abyssinians, Delroy Wilson, Dennis Brown, Ken Boothe, Lloyd Charmers, as well as contemporary ska artists the New York Ska Jazz Ensemble.

hugo3val
Val Douglas

All this considered, it could go one of two ways, overloaded with ego and fighting for centre stage as would many legends of other genres, or simply a sublime sound. Bear in mind this is SKA, collaborations are more frequent and common than rock and pop, and unlike the often-pugnacious insolence of ska bands, thereโ€™s never anything narcissistic about legendary collaborations. Glad to announce itโ€™s the latter of the two ways, this sound leads the way. It holds all the catchiness we expect from ska, it heralds tradition but sounds fresh and innovative; the hallmark of the scene I love.


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

Adverts & Stuff!

skaingwestcountry
Catch me Fridays at 10pm to Midnight for a west country humoured ska, reggae and anything goes show!

covidcamp

InDevizes-Logo-e1585760867966

South American Ska

Discovering a thriving ska scene in South America is like England in 1979โ€ฆโ€ฆ

Studio 1โ€™s architect, composer and guitarist, Ernest Ranglin proclaimed while the US R&Bโ€™s shuffle offbeat being replicated by Jamaicans in their early recording studios went โ€œchink-ka,โ€ their own crafted pop, ska, went โ€œka-chink.โ€ Theorised this simple flip of shuffle took place during Duke Reidโ€™s Prince Buster recording session mid-1959, added with Busterโ€™s desire to include traditional Jamaican drumming, created the defining ska sound.

orange street prince buster
Prince Buster’s block party on Orange Street

Coinciding with the islandโ€™s celebration of independence in 1962, the explosion of ska was eminent and two years later the sound found its way out of Jamaica, when Byron Lee & the Dragonaires, Prince Buster, Eric “Monty” Morris, and Jimmy Cliff played the New York World’s Fair. But if Jamaicaโ€™s government revelled in the glory of the creation of a homegrown pop, behind the scenes, Kingstonโ€™s downtown was using it as signature to a culture of hooliganism, known as The Rude Boys, and thwarted it. Through curfew and a particularly sweltering summer of 67, horns were lessened, tempo was mellowed and reggaeโ€™s blueprint, rock steady, had formed.

world-fair
World’s Fair, New York 1964

Forward wind fifty-five years and Jamaican ska pioneer, Stranger Cole launched album โ€œMore Life,โ€ yet itโ€™s released by Liquidator Music, a label dedicated to the classic Jamaican rhythms, but based in Madrid. Perhaps in similar light to Busterโ€™s innovation, Jamaica doesnโ€™t revel in retrospection and strives to progress; the last place in the world youโ€™re likely to hear ska these days, is in Jamaica itself. Modern dancehall trends can be attributed closer to the folk music of mento.

stranger cole

But the design was set, and to satisfy the musical taste of Windrush immigrants in England, Bluebeat, and later, Trojan Records set to cheaply import the sounds of home. It was a combination of their offspring taking their records to parties, and the affordable price tag which appealed to the white kids in Britain. Thus, the second wave of ska spawned in the UK. By the late seventies the formation of Two-Tone records in Coventry saw English youths mimicking the sound.

bluebeat

Similarly, though, this has become today somewhat of a cult. Given the task of producing a radio show last year, for ska-based internet station, Boot Boy Radio, while aware of American dominated โ€œthird gen ska,โ€ that there were few contemporary bands here, such as the Dualers, and Madness and The Specials still appeased the diehard fans, I never fathomed the spread of ska worldwide. The fact Liquidator Music is Spanish, it is clear, ska has a profound effect internationally, and in no place more than Latin America. Yet while Englandโ€™s second wave is largely attributed to the worldwide distribution of ska, and waves the Union Jack patriotically at it, the sound of ska music spread to Jamaicaโ€™s neighbours significantly prior.

spouge

Caribbean islands created their own pop music. Barbados had spouge, cited as โ€œBajan ska,โ€ despite a completely different rhythm section more attributed to calypso. Columbia likewise saw a surge in cumbia during the early sixties, a genre derived from cumbรฉ; โ€œa dance of African origin.โ€

dos aaa

In South America though, ska was fused with their own sounds of samba, and particularly upcoming rock โ€˜nโ€™ roll inspired genres such as โ€œiรช-iรช-iรช,โ€ via Brazilian musical television show, Jovem Guarda. Os Aaalucinantesโ€™ 1964 album Festa Do Bolinha predates Englandโ€™s embrace of ska, the same year, in fact, as Byron Lee & the Dragonaires, et all playing the New York World’s Fair. At this point in time, through Bluebeat, English youth were only just discovering a love for Jamaican music, and Lee Gopthal wouldnโ€™t found Trojan Records for another four years. This mesh of fusions gave birth to a creative period in Brazil, vocal harmony groups like Renato E Seus Blue Caps, and The Fevers followed suit, blending US bubble-gum pop with jazzy offbeat rhythms. It did not borrow from Englandโ€™s mods; it followed a similar pattern.

Las Cuatro Monedas a Go Go
Las Cuatro Monedas

Similarly, in Venezuela, Las Cuatro Monedas introduced ska and reggae as early as 1963, with their debut album, โ€œLas Cuatro Monedas a Go Go.โ€ Through maestro arranger and composer, Hugo Blanco they won the 1969 Song Festival in Barcelona, and continued until 1981, when over here The Specials were only just releasing โ€œGhost Town.โ€ Desorden Pรบblico is Venezuelaโ€™s most renowned ska band, formed in the eighties. When frontman Horacio Blanco was still at school, he wrote โ€œParalytic Politicians,โ€ an angry, anti-Hugo Chavez anthem which his fans still yell for. Although Chavez died in 2013, his protรฉgรฉ Nicolas Maduro has descended the country into political and economic crisis; one example where South American ska is equally, if not more, dogmatically defending justice as Two-Tone here in the UK.

Desorden Publico
Desorden Pรบblico

Chile trended towards cumbia through tropical orchestra Sonora Palacios in the sixties, therefore ska didnโ€™t fully surface until the third-gen bands of the nineties. Even today though, Latin enthused bands such as Cholomandinga and reggae is favoured through bands like Gondwana. The modern melting pot is universal and extensive though, Iโ€™ve got a lovely cover of Ghost Town by Argentine cumbia band Fantasma, who cite themselves as being the first to develop a cumbia rap. And when upcoming, all-female Mexican ska band, Girls Go Ska sent me some tunes to play, a cover of the Jamโ€™s David Watts was one of them.

girlsgoska
Girls Go Ska

Allโ€™s fair in love and war; undoubtedly the Two-Tone era of England has had a profound effect on the worldwide contemporary ska scene, so did their revolutionary principles. Peru commonly cites its scene commenced in the mid-eighties, when punk and second-gen underground rock bands emerged in Lima. Edwin Zcuelaโ€™s band, Zcuela Crrada differed by having a saxophonist, and adopted a sound which bordered ska. Azincope and Refugio were quick to follow, not to the taste of the rock-based crowd who classed it commercialised pop. Psicosis came about in 88, the band to initiate the term โ€œska bandโ€ in Peru, taking steps to eradicate the preconception. They won a recording contract through a radio contest, the jury expressed concern; the band were radicals within a pseudo-movement with libertarian ideas, and so the band refused to record.

rlamovida
Zcuela Crrada

With influences from the Basque ska-punk band, Kortatu, Breakfast continued the rebellious nature with ska in Peru, but discarded their discography. It will take us into the nineties to start to find orchestral flairs, when Carnaval Patetico and Barrio Pamara emerged, bringing with them the countryโ€™s belated by comparison, second wave. Odd to see how punk gave ska a leg-up in this legacy, but the melting pot is bottomless.

Where some bands, such as Swiss Sir Jay & The Skatanauts, favour pouring jazz into their style, akin to how the Skatalites formed the backbone of Studio 1 through attending Kingstonโ€™s Alpha Cottage School, others, such as the States bands like The Dance Hall Crashers prefer to fuse punk influences, Big Reel Fish takes Americana to ska, and one has to agree the tension of teenage anguish felt by eighties skinheads equalled that of latter punk-rock.

dance hall crashers
The Dance Hall Crashers

The rulebook is borderless and limitless, to the point there is no longer a rulebook, through an online generation one can teeter on the edge of this rabbit hole, or go diving deeper. If I said previously, Two-Tone is a cult in England, in South America ska is thriving. Some subgenres bear little relevance to the sounds and ethos of original Jamaican ska. Other than the usage of horns to sperate them from punk or rockabilly, off-shoots of skacore and skabilly tangent along their own path. Oi bands prime example, where a largely neo-Nazi tenet cannot possibly relate to an afro-Caribbean origin.

Again, the folk of a nation mergers with the sound, and there can create an interesting blend, such as the Balkan states, where the Antwerp Gipsy Ska Orchestra and Dubioza Kolekiv carve their own influences into ska. Which, in turn, has spurred a folk-ska scene in Bristol and the Southwest, bands like The Carny Villains, Mr Tea & The Minions and Mad Apple Circus, who add swing to the combination, and folk-rock bands such as The Boot Hill Allstars, confident to meld ska into the dynamic festival circuit. South America typifies this too.

Mr Tea & The Minions

Modern murga, a widespread musical theatre performed in Montevideo, Uruguay and Argentina hugs ska through carnival. Argentinaโ€™s scene is as widespread and varied as the UK or USA, in fact it was former Boot Boy presenter, Mariano Goldenstein, frontman of The Sombrero Club who led me to the rabbit hole. If the name of this Argentinean band signifies Mexican, one should note, The Sombrero Club was a Jamaican nightclub on the famous โ€˜Four Roadsโ€™ intersection of Molynes and Waltham Park Roads in St. Andrew.

Sombrero club
Byron Lee @ The Sombrero Club

Journalist Mel Cooke recalls in a 2005 article for the Jamaica Gleaner, โ€œalthough it carried a Mexican name, the senors and senoritas who stepped inside the Sombrero nightclub did it in true Jamaican style. It was an audience that demanded a certain quality of entertainment and, in the height of the band era the cream of the cream played there. โ€œIt was one of the premier dance halls for bands, live music,โ€ says Jasper Adams, a regular at The Sombrero. โ€œIf you capture the image of the dance hall in London at the time, you get an idea of what it was like.โ€

sombereo club 2
Note the Wailers, bottom of the billing!

After the demise of the Bournmouthe in East Kingston, in a bygone era, The Sombrero was the place to catch ska legends, Toots and the Maytals, Tommy McCook and the Supersonics and Byron Lee and the Dragonaires. There could be no name more apt for Argentinaโ€™s Sombrero Club, for within a thriving scene which mimics England in the grip of Two-Tone, their proficient and authentic sound is akin to our Specials or Madness.

The Sombrero Club

It is, however, through Marcos Mossi of the Buena Onda Reggae Club from Sao Paulo, perhaps a lesser known band outside Brazil, who have really spurred my interest in South American ska, through their sublime blend of mellowed jazz-ska and reggae, and through it I realise Iโ€™m still teetering on the edge of the rabbit hole. Aside the aforementioned bands, Iโ€™m only just discovering Brazilโ€™s Firebug, Argentinaโ€™s Los Fabulosos Cadillacs, Los Calzones Rotos, Los Autรฉnticos Decadentes, Karamelo Santo, Cienfuegos, Satellite Kingston, Dancing Mood, Staya Staya, Los Intocables, and Ska Beat City, Cultura Profรฉtica from Puerto Rico and Peruโ€™s Vieja Skina. Pondering if the list will ever end.

Bunena Onda Reggae Club

One thing this highlights, while ska is international now, with vibrant scenes from Montreal to Melbourne, Latin America holds the key to a spirit akin to how it was when I opened my Christmas present in 1980 to find Madness long player, Absolutely.

 


Tune into my show on http://www.bootboyradio.co.uk – Friday nights from 10pm till Midnight GMT, where we play an international selection of ska, reggae, rock steady, soul and funk, RnB, shuffle and jazz, anything related which takes my fancy, actually!


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

Urban Lions Champion the Sound

Back at the Lionheart Studios, our local reggae forerunners Urban Lions have rinsed an alternative style for the single from their forthcoming debut LP,ย  itโ€™s out today, and a sound system killer.

Some tunes launch themselves at me, instant like, Champion Sound is a grower, creeps up on me after a couple of listens. This doesnโ€™t make them any worse, just sometimes thereโ€™s an innovative modification in style which takes ears some adapting to. Unlike Urban Lionsโ€™ steppa dub tunes weโ€™ve reviewed in the past, ‘See Me Rise’ and ‘Forward to The Sound’, this one partially retains the fashion, but the riddim nods heavily to dancehall.

Rather akin to when Dreadzone released Once Upon a Time in 2005 and I confessed Iโ€™d lost track of their progress somewhat. Upon first listen and expecting the loops of nineties charged techno-dub crossed with creative sampling, I was like, oh, itโ€™s got a dancehall edge. Yet I think Champion Soundโ€™s direction is justified, particularly around these waters where what little reggae we receive is archetypical, what weโ€™d consider โ€œtraditional one-drop reggae,โ€ as when Bob Marley and the Wailers ruled the day. Elsewhere reggae has moved on, dramatically. Full points to those Urban Lions for pushing us up to date!

latest lions publcity shot
Publicity shot by Siobhan Boyle Photography

Unacquainted, the sparse beats of raw dancehall can feel alien to us aging country bumpkins, vocally lending closer from Jamaicaโ€™s folk music, mento, than the ska sound which belched this preconceived model at us through the punk and skinhead cultures. Yet contemporary pop wouldnโ€™t be the same without it. Splicing brief toasting solos into a pop tune, like Little Mix featuring Sean Paul; such a clichรฉ since The Soup Dragons gave Junior Reid an indie platform in 1990. With that thought in mind, isnโ€™t it overdue to give dancehall its fuller affirmation, to start to mould an independent inspiration from? You donโ€™t need answer that; yes, it is!

Yet Urban Lions donโ€™t overkill the angle, retaining their style, and not considering hiring a dancehall rapper to guest or some such puerile concept, gives it a unique edge and something which feels more like home than attending a Top Cat V Capleton soundclash in Rae Town, Kingston. Yeah, itโ€™s exceptional and affable; love it and can vision it lifting a festival marque or ten this summer. For the more outdated crusty-heads, thereโ€™s a melodica dub cut on the flip akin to Augustus Pablo, which rocks, rockers style.

Champion Sound will be up on all the online stores today and limited edition dubplates can be cut to order.

Bandcamp Link Here, just a couple of quid digital


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


Adverts & All That Malarkey

lanternfemale2019opendoorxdevmasKnKY-logo-No-Reading-2018-1024x184cavychristmasdiscregpewnyesouthgaterevmarch14newadvertad

Choo-Choo, Train to Skaville Supported Neville Staple at Parkfest!

Some years back I was told a ska band played the previous night in the village across the dual carriageway. Being an aficionado of the genre, I was disappointed to hear Iโ€™d missed it; good enough reason we now have Devizine so you need not be like me and can hear of events before they happen!

Informed the band was called Train to Skaville worsened matters; such a great name, taken from the 1967 single of Jamaicaโ€™s harmony group, The Ethiopians. The launchpad for a UK tour when it hit our charts, the songโ€™s riff has been applied to many later songs, including Toots & The Maytalโ€™s 54-46 and heralded the concept of the chugging train sound used in a plethora of later ska and reggae songs.

Despite ensuring Iโ€™d added all their local gigs to the event guide here since day dot, and befriended singer Jules Morton as part of the all-female fundraising supergroup, The Female of the Species, the must-see box on my perpetually cumulative to-do-list remained unticked, until last night. Unfortunate weather clouded sanguinity early on when I ventured over to Melksham for the opening of Party in the Park. An evening dubbed โ€œParkfest,โ€ separated from the main event happening today, as what once may have been a welcoming gig, has spawned its own identity; the main event builds on universal pop appeal, Parkfest has a more matured feel.

IMG_2760

It was in chatting with Bruce Burry, event coordinator at the Assembly Rooms, which revealed this forthcoming grand line-up of ska. I was taken aback, Party in the Park is Bruceโ€™s baby, and boy, does he take care of it. Impressive and vast is the setup at King George V park, professional is the stage, sound and effects. Iโ€™d heard of it before, but when Bruce uttered the name Neville Staple, my heart whacked into hyperdrive. Some months on, I was kindly invited backstage, as the support, none other than my burning-box-to-be-ticked band, Train to Skaville, prepared and tuned. Attempting optimism, my mutterings that once they took the stage the drizzle would cease met with sullenness, but guys, I was right, wasnโ€™t I?! Call me Michael Fish.

 

Naturally, headline act, the original rude-boy, formerly of The Specials and who later formed Fun Boy Three with Terry Hall and Lynval Golding, Neville Staple excelled with sleekness and anticipated competence. His combo group, The Neville Staple band has become the stuff of legend amidst the ska scene since 2004. Again, akin to our review of Trevor Evanโ€™s Bardbwire at Devizes Arts Festival last month, Nevilleโ€™s outfit merges two-tone and punky reggae back into its precursor ska, for this explosive melting pot, prevalently fermented the anniversary of Two-Tone Records, the Coventry record label which spurred a scene and both aforementioned artists played a pivotal role in.

IMG_2767

However, this was not before Neville and friends ran through some Specials classics, and if classics are the given thing in this retrospective amalgamation, Train to Skaville knocked it out of King George Park, prior to this fabled performance. For the headline act was grand, this should be taken as red, and despite my pedestal I popped Train to Skaville onto, they surely flew above all expectations.

For blending 007 (Shanty Town) into The Tide is High, as a teaser, the burgeoning crowd began to yearn for their start time, as gratis was handed to DJ setup, Fun Boy Two, Train to Skaville stepped up to an audience clearly familiar with the panache of this local band.

Train to Skaville have been on the circuit for eight years, albeit it a number of roster variations through their time, partly the reason, Jules told me, for not putting down any original material. This if-it-ainโ€™t-broke attitude fitting, for the majority of ska followers just want to hear the anthems. While this is done timelessly by many-a-cover-band, Train to Skaville sit atop this standard, their unique style, singerโ€™s Tim Crossโ€™s witty repartee and entire bandโ€™s expertise reeks of good-time ska and explodes with party atmosphere.

IMG_2756

For what seems to be a rare thing, a ska band from the Trowbridge/Melksham area, they set the bar high, and through Israelites, Too Much Pressure, and Rancidโ€™s Timebomb to name but a few, they launched back on stage, slowing for reggae and rock steady classics, Hurt so Good and Is This Love, and detonating the finale by slipping back into ska with Prince Busterโ€™s Madness, followed by Madness, Selector and Bad Manners hits and a sublime versions of Tears of a Clown.

Yet this train doesnโ€™t seem to call at Devizes, and if word of the group of friends from Devizes I was delighted to meet there, Vince Bell, Tamsin Quin and significant other halves, isnโ€™t enough to convince you I donโ€™t know what is! The last train pulled out of our town in 1966 and I canโ€™t wait for the Devizes Parkway project to become a reality, the angle of this piece is simply that someone needs to book this lively band in our town, we canโ€™t let the Sham take all the spotlight! Theyโ€™ve rammed pubs, gigged The Cheese & Grain, supported Neville a couple of times previous, and become hot favourites westward, we just need to stop them buffering at Seend!

 

As for Party in the Park, the main event kicks off this afternoon, a more pop-feel, theyโ€™ve some awesome local legends, including Indecision, Kirsty Clinch, Burbank, Forklift Truck, along with a fire-show, unicorns, fairground and food and drink stalls, topped off with a Take That Tribute. You can get a ticket on the gate, this an affordable event and the pride of the Sham.

IMG_2769


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


 

Adverts & All That Malarkey!

spidermilkmanmelkpartysaddlebrattonartwildingcellaeknatinewadvertadcavifestvinylrealmurbanbarge65217389_1310844582401986_2449299795982942208_ofemale2019

Reggae, Reggae, Reggae, inโ€ฆ. Devizes Arts Festival?! Barbdwire Bring a Taste of Coventry to Town

All Photos used with kind permission of Gail Foster

 

feat2

From a talk by CBE award-winning English foreign correspondent and BBC News world affairs editor, John Simpson, to the Sub-Organist at Durham Cathedral, Francesca Massey, the Devizes Arts Festival has kicked off this week, better than Tottenham. Their showcase, more varied than ever before, truly caters for all; you just need to either research, or hear me bashing on to find something suitable for you.

Personally, my time came Saturday, when the Corn Exchange was blessed with sweet, sweet reggae music! You know I love thee, local music scene, but my ongoing quest to encourage more reggae in these backwaters came to an apex last night.

5

Perhaps a hard sell in Devizes, yet a genre Iโ€™ll push until the wheels fall off. Yep, said wheels wonโ€™t last to shove Devizes into the streets of downtown Kingston Jamaica, but our great hall was lively and the modest audience appreciative of what Coventry based Barbdwire delivered.

Without doubt Barbdwire could produce a โ€œbeginners guide to reggae,โ€ without watering down or succumbing to commercialisation. For all sub-genres were presented to us last night, with tremendous panache and sublime competence.

4

I often wonder how irritated Ziggy Marley gets when interviews adopt the clichรฉ angle of his father, recollecting him once stating, โ€œreggae is not a one-man-music, itโ€™s a people music.โ€ An apt quote for Barbdwire, the band a varied bunch. While originator and drummer, Trevor Evans, the former Specials roadie-once drummer, characteristically oozes a reggae archetypal, bassist Chellyโ€™s persona rings out dub and the proficient trombonist has Two-Tone band written all over him, trumpeter John Pudge, clearly the youngest, doesnโ€™t appear represent any reggae stereotype.

feat

I snatched a quick tรชte-ร -tรชte with John, attired in a T-shirt embossed with โ€œRoots, Rock, Reggae,โ€ I was keen on querying his t-shirt gainsays against his instrument choice, brass sections being generally considered ska-related. We discussed how Barbdwire play to the audience; their ability to pull any of reggaeโ€™s subgenres out of their hat makes the band flexible, supporting The Specials, as their next gig, or Holli Cook, as they did last week.

3

But centre of attention last night in Devizes, this band were an epiphany for some residents and a universal accreditation for those reggae lovers. In our preview I said, โ€œ(Two-Tone) may have challenged punk with chicness akin to mod, but today, these subcultures are inconsequential, we can bundle it all into one retrospective burlesque, select whatever element of any we care to, and fuse them without pretence or offense; one reason why a group like Barbโ€™d Wire is fresh and electrifying.โ€

 

Well, while reproducing their album Time Has Comeโ€™s originals did just that, their choice of covers was equally extensive. From ska favourites like Baba Brookโ€™s version of Herbie Hancockโ€™s Watermelon Man and the Wailerโ€™s debut hit Simmer Down, they also exposed the audience to roots, with Max Romeoโ€™s Chase the Devil, Horace Andyโ€™s Skylarking, renowned for his later work with Massive Attack, and even dub, akin to its master King Tubby.

2

There were versions of reggae classics, like Uptown Top Ranking, and all harmonised by the beautifully melodic and confident vocals of Cherelle Harding, a singer who could roll on a lovers tune with the finesse of Phillis Dillon to convert without haste to toast a stepperโ€™s riddim, at one point verging on dancehall with a wonderfully luminous interpretation of Sister Nancyโ€™s Bam-Bam.

Make no mistake, this diversity was not delivered reggae-lite, rather an expertise and rounded acknowledgement to the many faces of Jamaicaโ€™s music export, and delivered to us adhering to all the positivity and joyfulness the genre celebrates. As an apt example, they gathered outside to meet and greet, where they were applauded with respect vowed to add our town to their tour map; something Iโ€™ll hold against them, as this was an outstanding performance!

6

Long live the Devizes Arts Festival then, hopeful theyโ€™ll consider the evening a success and plan in, as they are already planning 2020, something else reggae-related. Following on, this week sees Strange Face at The Bear today (Sunday) where the Adventures with a Lost Nick Drake Recording takes place.

Monday and Christian Garrick & John Etheridge presents Strings on Fire at The Exchange. Tuesday is The Shakespeare Smackdown, and Wednesday String Sisters are at St Andrews Church.

An Audience with Bob Flowerdew at the Town Hall, also Wednesday, and Thursday, Atila Sings the Nat King Cole Story at the Town Hall. Oh, and next Saturday has a whole host of FREE fringe events across town. Check the website for booking details, but hurry, Fridayโ€™s Moscow Drug Club event is sold out. If cancelations occur find posts on the Arts Festival Facebook page, and Iโ€™ll promise to share them as soon as I spot them; have a great festival!

Reggae Inna Cellar, with Razah and Knati P

 

Can’t review your own gig, numb-nuts; see this as a reflection on our blinding reggae night down the Cellar Bar…โ€ฆโ€ฆ..ย 

 

Relying on public transport, our neighbouring Marlborough seems like a million miles away, a gamble you won’t be stuck in Avebury wandering the stones talking to some starry-eyed American beatnik about the wonders of crop circles.

But I thought it an idea to invite the very best Marlborough has to offer, in the genre I love the most, to our own cobble-stoned Cellar Bar last night. And boy, did it go off.

I arrived as early as my dinner would settle, to find a wall of speakers and a sound system in various stages of construction.

Ingrained, we are, of live music, one punter inquired when the band was going to play. This is sound system culture, a history richer than disco, a Jamaican ethos of music for the masses, stretching back seventy years beyond the ska sound of the sixties, to days of dub reggae, inspiring the bloc-parties of hip hop in the Bronx, and naturally, the free rave scene of the nineties.

The sound system pioneered not just techniques in amplification, but musical progression in ways the band or solo musician could never.

So, we are here, in 2019, if Devizes embraces tradition it sure took this surprise under its wing, as the Cellar Bar began to fill with our few reggae aficionados, hippies, old scooter boys, youthful passers-by and embraced a unity of all which only reggae can do.

You can sum this up with popular slogan and Marely anthem, One Love. Precisely what Razah, Knati P and crew blessed us with, giving up their time to play in aid of the homeless charity, Devizes Opendoors, under our banner of Devizine, and of which I’m forever in their debt for.

IMG_2742
Another bass-wobbly image by Devizine; except no substitute

A huge thanks goes out to the crew, painter and mentor, Knati P who brings the party with him, Nick, aka Razah, who technically made this work wonders, and gave me a few tips on playing on a big sound system, despite it looking like a confusing series of knobs, dials and lights to me!

I gave them a break and did a blast with my amateurish computer mix, as the crowds were yet to cotton on. Yep, should’ve publicised it better with posters, save relying on the followers of Devizine, yet Devizes should’ve heard of it by now, no excuses; help me to help you, sharing is caring, and word of mouth does wonders. Despite, as our first couple of gigs had no budget, and not wishing to dip into charity funds, was therefore experimental to see the power of the site and who pays attention to it; kind of worked, kind of didn’t. A few bods telling me they just passed by and heard the sweet music. Another notch in the idea of taking Devizine to the printers. Anyhoo, for future reference that.

With my mix from early ska to upbeat dub-ska over and done with, the professionals took control. In a blink the place was bustling. Beginning with popular reggae tunes and blending slowly towards a contemporary upbeat, jungle-like sound, only to finish where we started with Prince Buster’s One Step Beyond; that’s ska, people, please keep up!

IMG_2743
Christ on a bike; where are my photographers in my hour of need, huh?

No one shirked in the bottom seating area, even the dust on the old beams was jumping. Proof, I feel, reggae has a market here, fruitful and valid. Ergo, if you want to attract a crowd to your pub venue, with something differing from the norm, get in quick and book this Skanga sound system, the Knati P and friends reggae show, before someone else takes heed! My mission to force Devizes to be reggae-friendly has raised the bar, Knati, Nick and crew did an astounding job of convincing me.

A blinding, joyful atmosphere which needed no bouncer-presence; 99.9% here to party, as it should be. Mate, whoever you were to be so cheeky to ask bar-staff for a table knife, posing as a crew member with the task of taking the flags down, Iโ€™m not impressed with shadowing the good reputation growing in Devizes for our guests, who played for the love. You were only caught down the street anyway, with the spoils of a Bob Marley flag that you can buy online for ยฃ3.20; Iโ€™m not the local newspaper, and will refer to you publicly as a fucking knob-jockey.

Delighted to announce then, combined with last week we raised ยฃ225 for Devizes Opendoors, who work to provide homeless and people in sheltered accommodation comfort in a cooked breakie, takeaway lunch, wash and donated clothes, books, and importantly, a social environment with needed help and advice. The way things of going these days, this is the cold reality in our affluent town. Though minor compared with cities and larger towns, itโ€™s real and itโ€™s happening.

knati

Bugger me sideward with a barge-pole if I say I love reviewing my own gigs, Iโ€™m not here to boast, as itโ€™s not about me. See this then as a diary-like blogpost, and tip for who I think needs greater attention on our scene. Thank you, for all the effort youโ€™ve put in, to the attendees, Luke and staff at the Cellar Bar. Thanks to the previous Saturdayโ€™s acts; The Roughcut Rebels, The Hound on the Mountain, Gail Foster and those Truzzy Boys (hope you had a grand night at the Cons Club.) And a massive respect and one love to this weekโ€™s crew, particularly Sam, and to Razah and Knati P, who you can catch 8th June at a regular spot in the Wellington Arms, Marlborough, for the Queenโ€™s Birthday Party. Whether the Queen will be there to skank the night away is yet unconfirmed but highly likely.

queensparty

We will prompt and notify you of future events from these guys, Devizine owes them big time. Meanwhile, I think thereโ€™s so much going on during the summer, time to concentrate on those. We are NOT an event organiser, we aim to promote those who do, but Devizine Presents does help me understand what organisers are up against. Not to say l wonโ€™t put something else on later in the year though, aiming to highlight our blossoming music scene and all that sail in her!

 

Adverts & All That General Malarkey!

owlfestBarbdwireonceupontimededicoatmikericernie0941596001555518913_all stars flyergruffalohauntedpost
skaingsheep

reggaealf
Make Devizes Reggae-Friendly with Devizine!

Barbโ€™d Wire and Corn Exchanging; Reggae Finds a Home at Devizes Arts Festival

Never content with what contemporary music thrust down our throats, even as a youngster, the easiest and sneakiest place to hunt for origins was Dadโ€™s record collection. It would be years before he discovered the shortfall of vinyl and confronted me. Sixties Merseybeat and blues-pop standard, I recall the intriguing moment I unearthed a shabby cover of a girlโ€™s naked torso, โ€œTighten Up Vol 2โ€ was inscribed on her abdomen in lipstick. So, when he did, I inquired why he bought this, Trojan Record. More concerned where his Pink Floyd gatefold had vanished to, he half-heartedly explained, โ€œit was something different,โ€ as if he didnโ€™t wish to divulge too much, โ€œand cheap.โ€

bradtu

The estate of Bob Marley is still argued over, he never understood how to handle the royalties of rock star. Other than a BMW he had no extravagance, the house on Hope Road a gift from Blackwell, in which he lobbed a single mattress in the corner of a bedroom. What you see of the Jamaican music industry in the movie, โ€œThe Harder they Come,โ€ is staunchly realistic; peanuts a too expensive commodity to compare to payments made to singers and musicians.

Poor wages triggered a prolific industry, hundreds of hopefuls jammed Orange Street awaiting to be ripped off. Trojan Records was founded the year after Bluebeat dissolved, 1968. The reasoning both English labels sourced Jamaican music was originally to supply the Windrush generation with the sounds of home, it is doubtful either realised the legacy they would leave. The underpaid nobodies singing on these records meant Bluebeat and Trojan could lower the price tag when compared to what upstarts like Bowie or Clapton would require, and price was everything for white British kids attempting to amass vinyl for house parties; as my father summed up.

bard5twotone logo

Though the attraction mayโ€™ve been the price, the enticement of these records came when the needle hit the groove; these rhythms were insatiably beguiling and exotic. I felt that ambiance too, and fell head over heels. But my palette had been preconditioned without comprehending it. Slightly too young to have immersed in the youth cultures of the late seventies, the sound bequest our pop charts.

Whether it was Blondie or the Police, or Madness, The Beat, or Piranhas, the charts of pre electronica eighties was inspired by the two youth cultures of punk and skinhead, and until the day I discovered a Bluebeat 7โ€ of Prince Busterโ€™s Madness, exposing Suggs and his Nutty Boyโ€™s embodiment, I had no idea. Jerry Dammersโ€™ Two Tone Records only had six years, an insecure contract with a get-out clause after one single, saw the acts achieve acclaim and jump ship.

Barbdwire

bard3

But if we celebrated Trojanโ€™s fiftieth last year, we must do the same for Two-Toneโ€™s fortieth, as it engraved its hometown, Coventry, as firmly on the ska map as Kingston. Within its short run Two Tone defined an era and reintroduced the roots of the dub reggae scene that punk spurred to white British youth; ska. The nonchalant rudimentary street-styled design of Two-Toneโ€™s corporate identity is today considered standard ska practise; Dave Storeyโ€™s chequered monochrome background with Walt Jabsco, a character based upon a Peter Tosh image.

bard4tosh

It may have challenged punk with chicness akin to mod, but today, these subcultures are inconsequential, we can bundle it all into one retrospective burlesque, select whatever element of any of them and fuse them without pretence or offense; one reason why a group like Barbโ€™d Wire is fresh and electrifying.

Though hailing from Two Toneโ€™s home, Coventry, drummer and vocalist, Trevor Evans, a.k.a. ET Rockers, having begun his sparkling career as roadie turned DJ for The Specials, and with a brass section arrangement by Jon Pudge, ska is only an element of Barbโ€™d Wireโ€™s sound. Guitarist Ryan Every, Fingers Aitken on bass, and Mark Bigz Smith commanding the keys, blend influences as far and wide as punk to orchestral and blues into a melting pot of reggae. Fronted by the spiralling, gospel-inspired vocals of Cherelle Harding, their unique sound drives a heavy dub bassline, while not divulging on its preconditioned instrumental ethos. What weโ€™re left with is a genuinely contemporary reggae lattice landing the group as firm favourites on the dynamic Coventry scene and festival circuit such as Skamouth.

 

While tracks like Duppy Town and Et Rockers Up Town, on their 2017 debut album, Time Has Come, rely on dub, a stepperโ€™s riddim thrives throughout, but incorporates aforementioned influences. The only recognisable cover, for example, is the classic Latino-inspired Rockfort Rock of which the Skatalites perfected a ska-rhumba amalgamation. Produced by Roger Lomas, who also handles Bad Manners and The Selecter, again, Barbโ€™d Wire pride themselves with Two-Tone influences, yet unlike the standard ska cover band youโ€™re likely to get on our local scene, who all have their place in maintaining a clandestine but welcomed scene here, Barbโ€™d Wire will be a fresh and welcomed gig, when they arrive at Devizes Corn Exchange on Saturday 1st June as a feature of Devizes Arts Festival.

bard2

For me, and any reggae/ska/soul aficionado, this is simply unmissable, but for the Arts Festival it may be a risky move, breaking their typical booking in search for newer audiences. While organ recitals, poetry slams and theatre noir have their place, we owe it to ourselves to support this event in hope it will spur future events at the festival of an alternative and contemporary genre. That is why youโ€™ll see our Devizine logo proudly on the posters for this particular appearance, as though we plan to bring you more in-depth previews and reviews of this yearโ€™s stunning line-up, Iโ€™m most excited about this one!

 

Saturday 1st June: Tickets available now, ยฃ18

 

Adverts & All That!

borntorumgrandepresents1reggaenightost18th0036273001555519004_outdoor training poster 20190941596001555518913_all stars flyerericernieartsbarndancevinylrealmopendoorquiza4poster[3646]aveburyrocksskaingsheeponceupontimehauntedpost

Decatonics to take Devizes to Skaville!

Designing the posters for the Devizes Scooter Club came to the peak of absurdity with this one for the latest event on the 30th March, and I feel I may need tone down the experimentation a tad. Still, I think it stands out from the run-the-mill event poster; in the words of Mike the Cool Person, โ€œI never stand on convention, it never stood on me.โ€

decontonicposter

But I cannot deny, with a bombardment of highly anticipated local gigs this coming month, Iโ€™m looking forward to this one perhaps, the most. Weโ€™ve seen a few Northern Soul and Motown nights of recent from the Scooter Club, and while my eclectic taste appreciates these along with the plethora of other gigs lined up on my calendar, you still canโ€™t, in my opinion, beat a bit of ska.

This will reflect well against the forthcoming Scooter Rally, as while a weekend-long event will provide scope for the club to parade all relevant genres, thereโ€™s a truckload of ska to be heard. Orange Street headlining will be one to watch, while Swindonโ€™s The Tribe mesh ska with hip hop beats, and other local outfit The Erin Bardwell Collective will simmer in some rock steady. Essexโ€™s finest, The Start are not averse to playing ska, and Iโ€™m sure, given the nature of the event that the Day Breakers will blast a two-tone classic or three. Of course, Bad Manners tribute Special Brew take as red.

Confident in the statement international third-gen ska is regenerating the old Two-Tone scene here in England, is evident in the success of groups like the Dualers. Call it clichรฉ, say yeah, diehard skins donโ€™t know when to give it up, but thereโ€™s something in that joyous offbeat which makes you want to jump and skank.

dec4

So put your braces together, your boots on your feet, and allow me to introduce this prodigious booking, Dorsetโ€™s eight-piece ska band, The Decatonics. It promises to be a blinding night at the Devizes Conservative Club. The band, formed in 2012 have indeed supported the aforementioned Dualers, along with The Skatelites, The Neville Staple Band and Bad Manners.

An established 8-piece female-fronted ska band, The Decatonics are constructed of bassist Rowan, two Steves, one on keys and the other on drums, an energetic backline and powerful horn section of Mike on tenor sax, Harry on trumpet and alto sax, and Ian on trombone. Theyโ€™re fronted by two adept vocalists who compliment one another; Shaun, also on lead guitar and Sally, who Iโ€™ve been chatting with. I started by asking her how long theyโ€™d been together and if the members were the same original line-up.

โ€œThe bass and I, and the lead brass, are original, with our drummer being with us for five years,โ€ she explained, โ€œbut as with any large band, changes are inevitable along the way.โ€

dec2

โ€œIs it all covers, or have you any original songs recorded?โ€ I asked Sally.

โ€œWe do just cover songs,โ€ she sustained, โ€œbut try and give our own little flair, and being female-fronted we get to play a more diverse set than your standard ska covers band.โ€ No issue there, in retrospective glory, cover songs make the night at the Scooter Club. Not forgoing, Sally mentioned that since 2017, The Decatonics have been part of a Specialised Project, recording tracks for a CD. I saw my opening, boasted of my newfound show on Boot Boy Radio and blagged two tunes to play on the show next week!

The first song a Trojan hit in the UK, Bob & Maricaโ€™s up-tempo Pied Piper, proves their ability to sprinkle a joyous contemporary ska riff to a boss reggae classic, but the second hoists up that skill, with a concentrated ska adaption of the Jamโ€™s Standards.

dec3

The Decatonics draw influences from both original Jamaican ska, bluebeat, and its new-wave Two-Tone, but also from successors rock steady and reggae. They even accommodate soul in the melting pot, bringing a vibrant live show which has built up a great reputation with the entire mod/scooter scene rather than just ska aficionados. Do not expect third generation punk experimentation, but a suitable English ska sound popularised by Madness and The Beat.

With a strong following through regular pub and club gigs, and festivals such as the Big One Weekender Festival, Dorset Volksfest, The Dorset Steam Fair and Teddy Rocks under their belt, Iโ€™m certain theyโ€™ll transport their astounding party atmosphere to our already lively Devizes Scooter Club nights.

dec1

Tickets are a tenner, by messaging the Devizes Scooter Club Facebook page, from Vinyl Realm, Jefferson’s Cafรฉ, or from the Devizes Cons Club direct. As usual there will be a raffle, and I believe itโ€™s me warming up the crowd on the wheels of steel, like a musical fluffer; but donโ€™t let that put you off! The club ascertain everyone is welcome, not just members. Think of this as an opportunity to taste what you might bear witness to at the forthcoming Rally in July, oh and to have a good knees-up too!

 

Adverts & All That!

stonemountainSpring concert POSTER 2019. C.inddlittle genevapostjamieowlfamilydiscoknati6thbuddyhollylivesmade in dageborntorumonceupontimeScooterRallyposterNovvinylrealmstove1bootboy

Devizes Scooter Clubโ€™s Grand BBQ

All images used with kind permission of Ruth Wordly

@ MoongypZy Creative Photography

 

bbq1

If last weekend in Devizes belonged to rockers, as the Sports Club shook by the awesome Saddleback Festival, it was small mercies for the Mods this Saturday as Devizes Scooter Club hosted a more moderately proportioned charity BBQ day, which wasn’t without equal summer fun and frolics.

The corner of Hillworth Road and Long Street became a haven for scooter enthusiasts, whoโ€™d travelled from far and wide, and local lovers of soul, reggae and ska who gathered outside the Conservative Club to raise some funds for the Devizes and District Opportunity Centre.

bbq2

How much was raised at this tender morning moment (at the time of writing this on Sunday) is unconfirmed, majority of organisers I’d wager are taking a fully-earned rest, if not nursing a sore head!

bbq3

I’ll let you know the grand total as soon as I get some feedback, but cake stall helper Paula told me she’d sold twice as many as last year’s family fun day, as husband Andy, whose task it was to man the barbeque looked vacantly into space through sheer tiredness. โ€œI reckon he’ll be flipping burgers in his sleep,โ€ I imagined.

bbq6

The bar and garden packed out by lunchtime, extending to the car park, which converted into a showroom of lamberttas and vespas, with an added parts stall. As enthusiasts admired each other’s “hairdryers,” their families enjoyed the plethora of side stalls, the hall of bouncy things (castle and a Gladiators-styled battle arena) and the quality music.

Contrary to their name, Swindon’s Daybreakers turned up early afternoon. Thank heavens I figured, lesson learned that day; a cider breakfast does no good when attempting to operate a mixer. Thanks to Tony who danced around me doing all the technical wizardry and gave our musical show a voice.

bbq7

By 2pm The Daybreakers were off, with no one willing to stop them they revved through a glut of benchmark early 80s pop, the likes of the Specials and Dexy, to sublime renditions of crusty rock, such as the Levellers. Wherever Cath, Gouldy and gang land there’s guaranteed to be a blinding show and today was no exception.

bbq4

An awesome team effort blessed the event with an uncompromising community spirit. From face-painted kids guessing names of teddies, shooting footballs and munching cake, to adults estimating the weight of a ham, shooting down beers and munching burgers, a village fete atmosphere ensued with a retrospective, hedonistic angle, as opposed to being all vicars and teacakes on the lawn.

By late afternoon Chippenham duo, Blondie & Ska had pitched inside and began their dazzling show; a precise Blondie tribute meshed with other two-tone classics in a style as if Debbie Harry would’ve covered them. They made a fantastic sound for just a duo and relished every minute despite fatigue setting in with the punters, who tended to loiter outside to begin with.

bbq10

With most exhausted from the day’s affairs already, it took a while for the show to push the audience into gear, hangers-on remained in the shadows of the garden to begin with, or those with families retired home with worn-out youngsters. I thought it a shame the club could’ve shown how we welcome acts as good as Blondie & Ska, but the thought abruptly ceased as the evening took hold and sweltering members graced that dance floor.

I offered a rock steady break for the band, but dancers yearned for some Northern Soul, so that’s what I did. Then Blondie & Ska continued and took us to into to the close. If you need more of these guys, or if you missed this thoroughly enjoyable show, I strongly advise you check out future gigs on their website. Closest to us, is The Wroughton Club on August 11th, The Royal Oak Corsham the day after, and the Gladstone Road Club in Chippenham on October 27th.

bbq5

As for the Daybreakers, well theyโ€™re never to be missed. Catch them again for an afternoon in Devizes, when theyโ€™ll be at Vinyl Realm on August 4th, and check their Facebook page for an extensive gig guide.

Back to the BBQ Day though, it was in observing the quantity of people gathered, and their enjoyment of the day which gave me both enormous optimism for a very successful Scooter Rally next summer, and a pride in our small town’s Scooter Club, where everyone contributed a gallant effort to ensure a grand day out was had by all, most laboured until they dropped, notwithstanding, some money was raised for our preschool for children with disabilities and learning difficulties. So full steam ahead for the Scooter Club now, as tickets for a brilliant sounding, soultastic Motown-eske band, All That Soul, are now on sale at the Cons Club, Jeffersons and Vinyl Realm.

bbq9

Advertisements

stove1dnafemalespecies2018Magic Flute flyer A5 2018.inddbluestonepartyinbarnherecomesgirlsposterscootrallythumbnail_Knockout-Album-Cover_AW_V2devizinead1newlogo

The Great Western Reggae Soundclash

Trains have an emblematic relationship with reggae and its predecessor ska.

 

The chugging offbeat imitating a steam engine has been a running theme throughout its history. From choo-choo vocals of the Ethiopianโ€™s classic โ€œTrain to Skaville,โ€ to Keith & Texโ€™s rock steady anthem, โ€œStop that Train,โ€ and The Wailerโ€™s song of the same title, reggae is awash with train themes; itโ€™s only apt thereโ€™s such thing as โ€œGreat Western Reggae,โ€ and a substantial scene in the historic railway town of Swindon.

 

Pop-a-Top Records is Swindonโ€™s label dedicated to its reggae homebrew. Itโ€™s headed by the ex-Skanxter, Erin Bardwell and his Collective whoโ€™ve just released โ€œGreat Western Reggae Soundclash,โ€a double-album which serves as a prodigious sampler for Pop-a-Topโ€™s Great Western Reggae style.

 

erin

In those ravey daze, the Skanxters were a local archaic blessing, harking to an era when life was less Altern 8 and more, well, Specials. I fondly recall heady nights following the Skanxters, at the Queenโ€™s Tap, The Vic, and the Lamb in Marlborough, and remember the disheartening revelation a gig at Level III in 98 would be their last. I reminisce how, during their comical, โ€œIโ€™ll never know (who nicked my bike),โ€ lead singer Andy Paton would ask the dodgiest looking audience member, โ€œOi, was it you?โ€ and how once I was selected for the honour!

Skanxters1992.JPG

Imagine my delight at catching up with Erin, who played keyboards in the band and hasnโ€™t stopped since. โ€œNot all the artists (on Pop-a-Top) are from Swindon,โ€ Erin explained, โ€œbut most are, or have links to it.โ€ With countless projects under his belt, such as dub production duo Subject Aโ€™s โ€œSleepwalkersโ€ release with ex-Skanxter bass player Dean Sartain, and nostalgic two-tone reunion gigs for the Skanxters, Erin is exceptionally prolific.

 

Though meticulous effort has been refined into โ€œGreat Western Reggae Soundclash,โ€ and while not astoundingly lyrical, despite the opening track โ€œRock Steady Rub,โ€ with vocals parallel to Johnny Cash popping into Studio One, GWR concentrates more-so on keyboards akin to Jackie Mitto.

 

The Collective glide steadily through a plethora of traditional rock steady, which while wouldn’t sound out of place on a Trojan โ€œTighten Upโ€ compilation, also has a sprinkle of reflections on Swindon. Again, in the aforementioned running train theme, the tongue-in-cheek “Night Bus to Highworth,” and a nod to Edith New, the Swindonian suffragette first to campaign in an aggressive manner.

erin4

Fans of Jamaican music in Britain tend to separate into two trends, echoing dub and skinhead ska; the transitional stage is often overlooked. When really, developed through hard times in 1960s Kingston, where curfews set by the government to curb “rude boy” culture, it consequently mellowed the mood for the following era, and was Jamaica’s most creative period musically.

 

To hark back to this rock steady/boss reggae period is tried and tested in this album, a rarity left to groups like New York’s Frightnrs, who in turn add a little New Yorker panache to their sound. The Eric Bardwell Collective do similar, plus, while fundamentally inspired by rock steady they’re not afraid to explore techniques usually saved for ska or reggae, from chugging choo-choo vocals to nyabinghi drums and one drops, the tune โ€œWhy Why,โ€ being a grand example of this, and along with both male and female vocals, the latter supplied by Dominican-born Sandra Bell, it makes the sound wholly unique and excitingly refreshing.

Erin Solarise

With rich history including backing reggae star Dennis Bovell, and a trip to Jamaica in 2003, to record at Byron Leeโ€™s legendary Dynamic Sounds with Studio One engineer Sylvan Morris, Erin Bardwell has the contacts to add a plethora of talent to feature within the Collective. On this release youโ€™ll find Selecter Guitarist Neol Davies, drummer Matty Bane of the Neville Staple Band, Pat Powell of the Melbourne Ska Orchestra alongside Swindonโ€™s finest line-up, such as, among others, horns from the SN Dubstation.

 

Thereโ€™s much here to impress and delight the reggae enthusiasts, my personal favourite being โ€œChange,โ€ where the Byron Lee influences shine, reminding of the frequently sampled piano riff of โ€œMy Conversation,โ€ by the Uniques. Although thereโ€™s equally as much inspiration external to reggae, at times the soundscape took me to contemplate early Pink Floyd, Syd Barrett days, and a sprinkling of Sgt Pepper towards the albumโ€™s close. So, I figure thereโ€™s as much here to enjoy for the occasional reggae listener.

erin3

Thereโ€™s an album launch at the Thomas Hughes Memorial Hall in Uffington on December 1st, the Erin Bardwell Collective are also live at The Castle in Swindon on Friday 8th and Zed Alley in Bristol 15th December. If thatโ€™s too close to the big C, Iโ€™d highly recommend you keep warm and treat yourself to an early yule pressie; grab yourself a CD or download of this outstanding local riddim redeemer here at Bandcamp.

 

For more info on Erin Bardwell Collective and the Top-a-Pop label, click here.

 

2017-10-page-001
Advertisementย 

new white space van
Advertisment