Song of the Day 15: The Emertarians

Anytime is a good time for some roots reggae, Sunday morning, doublely so.

Enter one of my favourite current reggae bands, from Madrid, the Emertarians.

They always remind me of an occasion, at a festival in Andalusia. I watched this great French reggae band. The slighty rotound frontman looked rather like the late, great Jacob Miller. After the performance I noted he was standing close to me, watching the following act. I went over in hope of telling him how much I enjoyed their music, praying they spoke English.

I momentarily regretted my school French lessons, which I spent making homemade comics out of text books, as he replied with an adamant no upon asking if he spoke English.

All the vocabulary my intoxicated mind could conjour was “tres bien,” so I repeated it perpetually in true Del-Boy fashion!

Otherwise the meeting was the awkward silence of communication breakdown, in which I suspected they thought I was completely nuts. Not so far from the truth.

So, I namedropped Jacob Miller and suddenly we had understanding and mutual respect for the man. My point is, sometimes the Emertarians sing in Spanish and sometimes English, often the Spanish ones more emotive, but reggae has no language barriers, because it’s spiritual meaning and uplifting ambiance is universal. As with the French Jacob Miller-alike, we were on the same song sheet….

Naturally at that conjunction, I rolled a joint.

And that’s my song for the day. Very good. Carry on….


Wiltshire Rural Music to Stream Gigs from Trowbridge Town Hall

Wonderful Trowbridge-based music charity, Wiltshire Rural Music revealed an online programme project, Live at Town Hall, today.

In collaboration with Trowbridge Town Hall, they plan to stream full concerts of our outstanding local musicians, starting in February. I hope to have more information for you, when dates and acts are announced.

Wiltshire Rural Music do an outstanding job supporting and enabling local communities and individuals to realise their musical potentials and fullfilling their ambitions. They provide room hire, give bursaries and work closely with Alzheimer’s Support, taking music into care homes and schools across the county.

More info on the work they do here. Follow them on Facebook for details of the streamed gigs.


Around and Around, and Hitting a High; Kirsty Clinch on Top Form

You can give it to me straight and agree, Iโ€™m old. Though as much as I hold dear the hours browsing record shops for a seven-inch slither of vinyl, the streamโ€™s advantage is manyfold. Perhaps none more than the increased availability and distribution of home-made wares.

Vinyl junkies were restricted to what the music industry decided. While DIY music was around then, it was a needle in an underground haystack, obscured by a lack of prior knowledge of counter culture distribution, and even if you were aware, still they cost post and packaging.

Send a SAE in good faith, and when the musician finally finished his last bong, made it off his scabby sofa to the post office, youโ€™d receive your cassette, only to find out it wasnโ€™t as good as youโ€™d been convinced it was by the crazy fractal advert in a punk-paste zine. Weโ€™ve come a long way, folks.

Local independent, country, singer songwriter, Kirsty Clinch posts on Facebook, one of the many social media platforms she tweaks to promote her music. Her latest single, Around and Around has reached a staggering 2K Spotify streams in just five days, managing to peak at number four in the iTunes country chart. Itโ€™s an achievement made mostly on her own, but does it prove the value of DIY rather than aiming to be signed by a label, can anyone with social media savvy achieve it, or is simply that itโ€™s a great song from an exceptionally talented musician?

Itโ€™s certainly that much. Dreamy and evoking, Around and Around sees the ever-enlightening Kirsty at the ultimate perch in her career, in line for the forthcoming album, it leaves you dripping in anticipation for more. โ€œAround & Around is all about catching your dreams,โ€ she explained, โ€œtaking chances and not getting stuck in ruts; thatโ€™s just what Iโ€™m doing right now.โ€

A smidgen punchier than her previous release, Fit the Shoe, and perhaps even more beguiling than that beauty. To hear it is to engrossed in its pensive narrative, as all classic country should. But its Americana influences are subtle, it never references peripheral subject, as much UK country artists feel impelled to mention boxcars, dustbowls, and things you wouldnโ€™t expect to find in their English suburban hometowns. No, Around and Around, like, Fit the Shoe is romantically topsy-turvy themed, flexible for a wider, international audience and contemporary sounding.

That said, Kirsty is no stranger to authenticity, travelling and performing in Nashville at venues such as the Blue Bird. Aside the clear influence of countryโ€™s leading ladies, the likes of Parton and Wynette and modern folk-rock artists, KT Tunstall and KD Lang spring to mind, Around and Around evoked memories of Kate Bush more than any other tune Iโ€™ve heard of Kirstyโ€™s, in its haunting atmosphere rather than vocal arrangement. I put this to her.

โ€œI donโ€™t get the Kate Bush thing; my voice is not as squeaky!โ€ she laughed, โ€œIโ€™m not a big fan of hers, which is weird as youโ€™re not the first person to say it either. Sheโ€™s huge though and loved for whatโ€™s she does, so I wonโ€™t complain!โ€  I had to explain I meant more the whole ambience of the sound rather than squeakiness of her voice, but we needed to move onto the immediate success of this particular tune, and where she hope it will lead.

โ€œIt wonโ€™t go higher,โ€ Kirsty predicts, and I hope sheโ€™s wrong. โ€œOnly slowly hides away after that, the famous people take over sooner or later! But songs can always come back, so [Iโ€™ve] just got to keep hustling.โ€

I took Kirsty back a couple of years, sitting chatting on the lawn at BromFest, we discussed the hopes of an album then; best things come to those who wait. Aside her nonchalant social media persona, I perceive Kirsty to be a perfectionist on the quiet, certainly shows with these two singles. โ€œYes, I have one more coming out hopefully before May, and then Iโ€™ll drop the 14-track album,โ€ she announced, โ€œThatโ€™s why itโ€™s taken so long, itโ€™s a big one, but for a first timer in online sales, I had to do it to catch up!โ€

Iโ€™m aware Peter Lamb had a hand in this remarkable achievement, so I name-dropped the local legend, โ€œall produced by Pete?โ€

โ€œI did the whole thing in my bedroom studio by myself,โ€ Kirsty replied, adding an angel emoji. โ€œPete added the bass, and then corrected my mixing and mastering mistakes at the end, as I got frustrated on the last bit! So, Iโ€™m pretty proud of it for that reason.โ€

It must be a relief to get an album complete, but the hard work is only halfway there, getting out and promoting it follows. Which part does Kirsty favour, despite psychically getting out and launching is impossible at the moment?

โ€œI like all of the process,โ€ she chuckled. โ€œGigs will come back, Iโ€™m just making the most of the situation and working with what Iโ€™ve got for now, there is always a way around things when youโ€™re creative.โ€

Returning to my opening notion, due to developments in tech and a motivation for independence, a professional sound can be achieved at home. Kirsty furthered that she did the artwork and music video for this track all by herself too, due to lockdown.

โ€œThe album launch is not so essential,โ€ she pondered, โ€œwhen I can promote it just as good online anyway now.โ€ As I said, Kirsty has a sturdy online presence, accomplished at building a YouTube audience, but is that more important to her than an album?

โ€œItโ€™s equal. All my fans are excited for the album! But the social media side of things mean they get to know you more, which is essential for selling music in the first place. Loads of people sell music, the marketing is the part that makes them what to listen to yours.โ€

And her secret?

โ€œGet to know your story etc,โ€ Kirsty elucidated, โ€œand connect with the music; if you just say โ€˜buy my singleโ€™ and thatโ€™s all your social media is about, you wonโ€™t get many results.โ€

For the end of our chat, we dithered and pondered if the angle of this piece should focus on the song or herself. Iโ€™m of the opinion, when the creative open themselves up to releasing art, a part of creator is revealed through it, so practically, theyโ€™re similar. You are the song; the song is you; be one with the song! Itโ€™s why naรฏve teenage fans really believe they know a popstar enough to fall in love with them, and perhaps is augmented with homemade product. There’s a huge connection between the singer and the song, though, I put to Kirsty.

โ€œYah, subscribe to my YouTube channel, and they would have all the details anyway!โ€ I suggest you do, as the interconnection is all-encompassing, the song is awesome, and likewise, so is Kirsty Clinch.


I See Orange Pining For Apollo

If spring saw Swindonโ€™s premier rock trio I See Orange breaking new ground on a US tour, autumn brings with it their first full lengthโ€ฆ

DOCA Awarded National Lottery Grant

Congratulations to Devizes Outdoor Celebratory Arts, who announced yesterday that they’ve been awarded a substantial National Lottery Project Grant from Arts Council Englandโ€ฆ. This isโ€ฆ

Carmela Wins Points of Light Prime Minister Award

A huge congratulations to Carmela and the Chillery-Watson family of Lavington, who knew nothing about the Points of Light awards until Carmela was rewarded with one this week. โ€œWe are absolutely bowled over with pure happiness at this surprise award,โ€ mum Lucy said.

First established in the USA by President George Bush in 1990, UK Points of Light was developed in partnership with the US programme and launched at Downing Street in 2014. Since then, hundreds have been named Points of Light by the Prime Minister, highlighting an enormous array of innovative and inspirational volunteering across the length and breadth of Britain.

Points of Light are outstanding individual volunteers; people making a change in their community, and after her 300km challenge last year, we couldnโ€™t think of anyone more suitable and deserving than our lovable Carmela.

Diagnosed at the age of three with L-CMD, a progressive muscle-wasting disease which weakens every muscle over time, Carmela is now six and has come a colossal way in raising awareness and funds for Muscular Dystrophy, and continues to be an inspiration to us all.

โ€œThank you, Boris,โ€ Carmela said, โ€œthis is awesome news, I canโ€™t believe it, itโ€™s so amazing. Thank you so much.โ€ Although the prime minister is just another celebrity notched on Carmelaโ€™s campaign trail, meeting with the likes of Beverly Knight, Frank Bruno, Jimmy Carr, and even Harry Duke of Sussex. Oh, and not forgetting last September when Wonder Woman actress, Gal Gadot, donated over ยฃ3K to Carmelaโ€™s fund. Face it, between Boris and Gal, I know which one Iโ€™d rather meet!

Itโ€™s a wonder, excuse the pun, if Carmela remembers the morning when she helped me on my milk round at all. I hope so, as it was a pleasure to meet her, Lucy and dad, Darren, and an occasion, Iโ€™ll always hold dear; even if I was a little tired and smelly!

CEO of Muscular Dystrophy UK Catherine Woodhead congratulated Carmela, and added, โ€œeveryone at MDUK is thrilled that Carmelaโ€™s outstanding fundraising efforts for the charity have been recognised by the Prime Minister. To date, Carmela and her family have raised nearly ยฃ50,000 for MDUK.โ€ Which is simply, amazing. Well done Carmela.


Trending……

For A Lifetime, Luke Gittins

Newlywed, what lengths would you want your partner to go to with their wedding speech and gift? A six track EP of the most beautifullyโ€ฆ

What to Do? September in Wiltshire

Nearly September, time to sew those name tags onto school uniforms. Still, loads to entertain you throughout the month. Iโ€™ve exhausted our ever-updating event calendar,โ€ฆ

Hot Juice Project at The Three Crowns

Whoa! What happened last night at the trusty Three Crowns?! What happened last night at the Three Crowns has clearly happened before, and happens mostโ€ฆ


Candidate for Wiltshire Police & Crime Commissioner barred from Volunteering to Administer Lateral Flow Covid Tests

Is it campaign point-scoring, as the authorities seem to presume, or concern for health which encouraged Wiltshire PCC candidate, Mike Rees to volunteer to administer lateral flow tests? Whatever, the bottom line is discouraging anyone from attempting to help out during this crisis is bureaucratic nonsense.

And besides, just a brief chat with Mike recently, throughly convinced me his motives are genuine. He’s an open minded, authentic and down-to-earth guy, with experience in the field and a passion for the role.

Mike explains: “It’s with great surprise and disappointment that I have to let you know that I have been stopped, and apparently barred, from becoming a volunteer in the police effort to combat Covid19.

As a retired police officer I put my name forward for volunteer duties last year when the pandemic struck.

Mike Rees

This month I answered another call to volunteer to administer lateral flow tests to police officers and staff. I had a training session earlier this week and completed the online NHS assessment and passed to certificate my competency for the task.

Today I was expecting to attend a ‘dry run’ session however I’ve now been told I cannot attend as they have to investigate the ‘rules’ as allowing me to volunteer may suggest bias on their part because I’m a candidate for the role of Wiltshire Police Crime Commissioner.

I’m disappointed and dismayed to be denied the opportunity to volunteer to support the police, a force I worked in for 30 years.

I’ve asked for the ‘rules’ to be clarified as I see no possible concerns.

For your information, I do not agree with this decision to bar me from volunteering. 

I’m standing as an independent candidate, not aligned to any political party and volunteering was a personal decision.”

Mike is fast becoming the outside chance of becoming our PCC, and we’re backing him fully here on Devizine after his Malmesbury boxing club recently helped out the homeless, appealing forย  donations of sleeping bags , food and clothes from locals and delivering them to the OpenDoors support agency in Devizes.

Plus, this is, by far, not the first charitable thing Mike has engaged in.


Song of the Day 14: King Hammond Meets Death of Guitar Pop

Great things about ska are many fold, but a topper most one has to be collaboration. Rather than set groups, as with most mainstream music, musicians uniting for projects is common and has always been the ethos of ska and reggae since day dot. Perhaps being the very reason it’s so lively and communal.

Another great thing about our song of the day, where Islington’s ska legend Nick Welsh, aka King Hammond, teams up with that crazy Essex duo Death of Guitar Pop, is the ska style displayed, near enough mimics the jump blues “shuffle” on which ska is originally based.

But history aside, let’s just enjoy this new track for all it’s worth. DoGP are fast rising in rank on the UK ska scene, with a carefree “Nutty Boys” fashion, it’s easy to see why.

And that’s my song for the day. Very good. Carry on….


Join me every Friday night at 10pm on www.bootboyradio.net

Song of the Day 13: Antoine & Owena

Congratulations go to folk duo Antonie & Owena for winning the G.S.M.C award for Best Album this year. Yet it’s not their first award, winning best duo at last year’s GSMC, and others. Here’s Something Out of Nothing, which I think explains all you need to know about how and why they won it!

And that’s my song for the day. Very good. Carry on….


Rise of the Snowmen!

Ladies and gents, this is the moment you’ve waited for…. or maybe not. This isn’t the Greatest Showman, this is the greatest SNOWman! Yes, we held a little snowman competition, and here’s how it went…..

Two things didn’t occur to me upon posting a picture of our snowman on our Facebook page, offering others to do likewise in a competition fashion. Firstly, the colossal response, but I guess Sunday’s snowfall was a golden opportunity to get out of houses and have a little social distanced fun. Alas, now the power of the sun and rain has reduced the white blanket to the odd splatter here and there. We will always have photographic memories of our once proud sculptures, and a carrot on the front lawn. Here comes some now…โ€ฆ

Secondly, how to actually go about judging a snowman competition, never having judged anything of the sort before. I gathered some thoughts to criteria, I Googled and found some rather serious rules from other such competitions.

Jonesy McSnow and Lucy (age 10)

Certain I wasn’t intending to make it half as serious as these, their judgements were much as I anticipated. There are factors to consider. Creativity for starters. Originality, tradition, competence, and dedication are equally important. Size is good, but it’s, as you know, not everything, when building a snowman that is.

Towering over the playpark on Devizes Green, Bally Bongo’s Bob stands at over 6ft 2. By
Archie(8) Blu (4) and a little help by the parents!
This snow Kong at the Henly’s has sacred everyone back inside!
The Russell Family’s got an outie belly button bigger than the average snowman!
The Waterman’s daughter’s first snowman is huge!
Stay back, he’s got a taste for meat, or is that a twig?!
From the tall to the small, it doesn’t matter, he looks happy!
Don’t, don’t, don’t you, forget about me!

Many were divided into age groups, which I figured awkward. Building a snowman is usually a group activity, it’s about families, all ages contribute. Kids run around trying to construct the starting ball, dads get the backbreaking task of rolling it up and taking half the grass and autumn leaves with it, while mums usually stay in the warm sourcing carrots and hats; it’s a communal experience for sure! Okay, Iโ€™m generalising for artistic license and know itโ€™s not really like that, trying to be funny, when really, judging a snowman competition is snow joke (see what I did there?) But making a snowman has no boundaries or conditions, any age, and race and gender, everyone together, getting creative….

Amazing!
Best buddies!
Hide your carrots, there’s a snow bunny about! Pictured with it’s creator; grand job, Faith!
The apple of Pingu’s eye! Well done Willow & Jonah!
Very retro, Kiana!
Shiver me timbers!
Mange tout, Hoffman, you plonker!

He made snow chicks, cats and dogs….

Arrow through the head??!
Great rocket ship, Isacc…. oh, you’ve sledged away!
Shark invasion in Sam’s garden!
And a hoodie in Kev’s yard!
Buddha in Urchfont!
And some lounging about!

But part of the beauty of creating a snowman is the feeling of togetherness. Here is an art where anyone can be the artist, provided theyโ€™re willing to get wet gloves. And in that notion, where some strive to be original, often the traditional method is tried and tested. A good snowman doesnโ€™t need to be carved by Henry Moore with flawless features; he needs a carrot for a nose, he needs two pebbles for eyes, twigs for arms and an old hat and scarf. We live in a traditional county, after all.

Tracey and Sara Whatley did the hard work, the horses reaped the benefits!

Then again, thereโ€™s something striking when creative genius gets to work and original ideas bend the theme. Some can be topical, facemasks a common theme this year, or culture based, whereas some can be funny, others damn-right rude….

The Barter family make use of their brussels sprouts after Christmas!
Zeb’s snowman has a snow booty!
Ol’ broccoli eyes is back; Guardian of the wheelie bins!
Either they tried to put wellies on this snowman, or it ate a small child!
Facemasks on, here comes the foreman tree inspector!
Dog photobomb at the Diskett’s!
Somebody call the snow doctor!
Anyone seen the funnel bit to mum’s vacuum cleaner?!
Take two bottles into the shower? No, I just wash n snow!
Anymore snow coming, I need a friend? Not for you, sprout-face!
Got to look your best when doing a spot of gardening…
Hit and run snowman attack!
Skateboarding on ice is dangerous, but when else can a snowman hit the half-pipe?
I’m all for gender neutral snow people, but this one has lady’s assets and a six-pack!
You’re only ever one jacket away from being a goth!
I thought about making this the winner; they’ve got to win something after all!
Office party, you know how it goes…..
Jimmy Saville goes skiing?

Rudeness I can take, live by it; but at least drag yourself away from Babestation for a few minutes to get out and actually build a snowman, rather than, as some did, Google โ€œrude snowmanโ€ and share the first image which pops up. Sad, but true, spoils it for the kids, of all ages.

Rule Britannia, we shall, we shall never stuff a whole loaf in our mouths at once?
Heavy night, anyone got a paracetamol?
I’ve had enough of this, I’m off to live with the wolves…..
Will you be my friend?
I am robo-snowman!

Can I pick a winner?

Drum rollโ€ฆโ€ฆ Tricky. Iโ€™ve narrowed it down to my ten favourites, and here they are. I apologise, I tried to source a snowman type of prize, but theyโ€™re a tad out of season and this was a spontaneous idea. I think a bit of future planning, for next yearโ€™s snow storm, being the idea was so popular, and we could have prizes. For now, winners can print off my certificate here, and a colour-me-in sheet, if they like that sort of thing! Thank you all so much for letting me see your brilliant snowmen, I loved looking at them all, having a penchant for snowmen, I admit unashamedly!

Oh, and if you do colour them, Iโ€™d love to see your fine colouring skills!

Never over-complicate the objective. Matrim Vaux, age 6 knows less is more with Bill the snow owl.
Leo, age 5, and Hallie, age 2 looking a tad cold, but like they’re having so much fun!
Topical from the Collins family, but he looks awesome!
I just love this picture, Casey, age 6 looks so proud as she strikes a pose, but Archie, age 3, seems distracted by something else happening elsewhere; it’s a guy thing Casey!
By Justina Hams and her seven year-old. Because he’s so smooth and grand looking!
Rob Jobson understated his snowman, saying “it’s the taking part that matters!” No mate, he’s superb in his simplicity!
A team effort from the Lake family, and a grand job made of it!
Marc Spartacus Fleming and Leia (2!) This is Steve the snowman, and he just works!
Are you in competition with your snowman for the best hat, Ava-Mae?! A grand effort, you look proud and so you should be!
Just to put a hat on her snowman wasn’t enough, Alison Sinclair (45!) carved it, and all other features so brilliantly!

Song of the Day 12: Darla Jade

Even portions of expressive contemporary pop, the ambience of post-goth and downtempo electric blues of trip hop makes this Staffordshire singer, Darla Jade really someone to watch. With a haunting uniqueness about her voice and style, there’s shards of Evanescence fused with Beth Orton. It’s somehow individually chartable but would also appease alternative rock or goth aficionados alike.

Subscribe to her YouTube channel, hear her own stamp on Radiohead’s Creep, and realise, her talent is so very special.

And that’s my song for the day. Very good. Carry on….


Song of the Day 11: Dakka Skanks

No video to this one. Do we need visuals? Not when it’s this good; my favourite track of Brighton-based contemporary ska heads, Dakka Skanks.

They’re lively, diverse, lots of fun, and I think we’ll be hearing a lot more from them in the near future.

If the Duallers have reached a pivotal point akin to the Specials, and Death of Guitar Pop are providing the tongue-in-cheek Madness equivalent, I believe these guys could be The Beat of this era, as there was a band unafraid to experiment.

Dakka Skanks are majorly ska, but throw a lovable but carefree punk attitude, and a wide range of other influences, such as soul, into the melting pot, and concoct something uniquely entertaining.

Very good. Carry on….


Skates and Wagons: Path of Condie

If Iโ€™d one criticism of Britpop, during its heyday, least that which the pop charts threw at us, was, in an era of progressing technological electronica, embedded deep in my psyche, Britpop, to me felt regressive. I argued at the time, if The Beatles were still together, in their prime, theyโ€™d be producing techno or drum n bass, for they were trailblazing, innovative and progressive. Whereas, picking on Oasis, particularly, being they seemed to strive to be a Beatles tribute as far as I could see, were relapsing to a previous generation.

Then the crossover crossed back over. If waning was a heady dawn of the nineties where rock fused electronica on the Madchester scene, towards the end of the decade The Prodigy were advancing with an almost punk slant, and Noel Gallagher was lending his vocals to the Chemical Brothers. To pick the era apart now is futile, no one remembers what the fuck was going on most of the time!

Letโ€™s agree to disagree, put it in the past and note today, retrospection is big business, and thereโ€™s nothing wrong with songs which hark back to the sixties, for it was pioneering but more importantly, divine and inspiring. Particularly when, rather than regenerating cover songs, but acting as a base of inspiration. We see a lot of this; from the sixtyโ€™s British blues scene to bubble-gum pop, but perhaps not produced with as much passion as Skates & Wagons.

Skates & Wagons

They sent me a link to their album, Path of Condie on Boxing Day, so apologies it was put on the backburner but I had Scrabble tiles to lay and Quality Street to puke. The EP I reviewed previously appears to be taken down, and Iโ€™m unsure why. The album, is akin to all I mentioned about the EP, only more so. If regenerating Britpop is tiresome and monotonous to you, you need to check this Oxford duo, because they manage it with the precision, innovation and splendour of classic pop-rock and blues of that sixties period, with bells on.

I mean sure, it opens with an interesting approach, Chevron Waltz proves this is going to be no everyday indie-Britpop ride, it is indeed as the name suggests, a waltz. If weโ€™re going to revel in compassions, Iโ€™ll cite The Kinks or Small Faces, The Spencer Davis Group, The Troggs, but predominantly the Beatles, more than Oasis. Plus, weโ€™d need to break it down with the fab-fourโ€™s individual preferences. Opening then is experimental, merging traditional styles of music is certainly McCartney, yet the majority, like Indian Summer rolls smooth, like the later Beatles, Sane Again is anthemically mellowed; very George Harrison.

But this is an album which builds progressively, just like the sixties did. The earlier tunes, initiate sixties pop, and sit at radio-friendly three-to-four-minute timings. Mr Wake Up, for example, explains how itโ€™s going to roll for the time being, beat-based shards of classic pop-rock. But things liven up at Conversation with God, the walt reprise towards the end nuances the album is progressing the entire decade and weโ€™re midway. Waste of the Sky is subtly psychedelia, like the opening to the beatnik period.

Itโ€™s this equidistant section where Skates and Wagons really shine, itโ€™s as if we didnโ€™t need the 1980s, we were fine where we were. Catchy tracks like The Man Who Never Sleeps and All the Love mirror the advancing changes of the middle of the decade, and bring us in line with classic seventies rock bands like Genesis and ELO.

It leaves you dripping for the concentrated, lengthier compositions the trend which followed via Floyd and Hendrix et all, and Skates and Wagons deliver. As Path of Condie develops it builds to more ending with a beautiful eight-minute composition, Yesterday’s Love. Itโ€™s beguiling and timeless splendour, catchy as pop, definitive as classic rock.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement, as opposed to a Britpop throwback band going through archaic motions. Though thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements; scooterists donโ€™t go for that, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


Trending…..

Ruby Darbyshire: God is Offline

Wiltshire singer-songwriter Ruby Darbyshire, youโ€™re most likely familiar with, unless you joined Devizine family readerโ€™s circle today, has a new song on YouTube, one sheโ€™sโ€ฆ

Large It Norm, in Trowbridge!

Yes, we’ve got to praise Trowbridgeโ€™s Old Town Hall like we should, because Fatboy Slim is going to be right there, but not right now;โ€ฆ

Graham Steel Music Awards Online Tomorrow

Join the GSMC on Friday 22nd January at 8pm for a celebration of grassroots music as they present this yearโ€™s GSMC Music Awards Live Online on YouTube, where they will announce the Winners of all 12 categories and will include live and pre recorded music from some of the nominees as well as a look back at the year and celebrate all those people that helped keep the grassroots music scene alive in 2020.

GSMC Music Awards Night will be streamed live from YouTube on Friday 22nd January at 8pm, the link for this is below:


Song the Day 10: Summit 9 Studios

Funkin’ for Devizes. This lockdown project from Tom Harris, Dan and Ross Allen and Rich, Summit 9 Studios has just been given a funky lift with this blinder, Change Change Change, bang on cue for me hunting for a song of the day.

Saucy effort guys, love it!

Very good. Carry on….


Song the Day 9: Emily Lockett

Facebook memories posts a year ago this week we rocked up in the Celler Bar raising money for the Waiblingen Way Fire fund, and makes me stops and think about the years I’ve been smashing out articles on Devizine. So many artists and bands we’ve mentioned, I rarely forget about them, this one I admit I nearly did. Most likely because I didn’t get the opportunity to attend Stoke-on-Trent’s teenage country sensation Emily Lockett’s gig at Dean’s Country Club, then operating at Devizes Cons Club, later at the Cavalier.

So, nice as it is to discover new talent, equally important is to recap. Emily must be nearing her twenties now, and as a musical prodigy from aged 5, her expertise shines through in a matured sense now. This track, Front Porch says it all.

And that’s my song of the day for today.

Very good. Carry on….


Song of the Day 8: Mansion of Snakes

The deeper I delve into Afrobeat the more gorgeous it gets, and I’m discovering bands closer to home. Nubiyan Twist, for example, who are from Oxford rather than the Sudan as it might sound. I’m loving this sound, and got to get a review down of their forthcoming album.

Today though, check Leeds ten-piece behemoth, bone-shaking afrobeat collective, Mansion of Snakes. These devil-funk and cosmic jazzย 
serpents give it their all, and there’s stuff, cool stuff to download as name your price on their Bandcamp page. Say no more.

Have a lovely rest of your day. Very good. Carry on….


Song of the Day 7: Mr Tea & the Minions

Sunday off, broke my promise to post a song of the day, everyday. Allow me to make up for it. Bristol’s Mr Tea & the Minions with a lockdown themed song. See how sublimely they fire a frenzy of folk and Balkan styled ska-punk into festival proportions. I think they’re the hottest bands around these parts, and fondly reviewed the album, Mutiny a while ago. Just a reminder today then, these kids have it.

I made enquiries, wanting to bring them to Devizes. It’s no cheap option and obviously currently off the cards.

The reservation is that just because I’m loving this style, it might too radical for a Devizes audience. So, I’d appreciate some feedback; would you have paid a purple one to see them play in our town?

Fingers crossed, we live for a better day. But I believe lobbying a large Devizes venue to bring contemporary music direct to us, just occasionally, is crucial to the culture diversity we should be delving into.

Have a lovely rest of your day. Very good. Carry on….


โ€œNobody has Wanted to Talk about Hunting, Other than Trolls!โ€ Says PCC Candidate Jonathon Seed

Busy day, chatting to Wiltshire Police Crime Commissioner candidates and The Wilts Hunt Sabs; something is conflictingโ€ฆ

In 2012 five members of the Avon Vale Hunt, including the master huntsman and Wiltshire councillor, Jonathon Seed appeared in court charged with breaching the Hunting Act 2004. Though they all denied the breach before magistrates in Chippenham, Seed made a statement released to the Wiltshire Times, โ€œThis is a private prosecution by the RSPCA and I believe that it has been commenced for political reasons, as their stance against hunting is well known and it is of great significance that Wiltshire Police, after advice from the Crown Prosecution Service, declined to take this case forward. These proceedings are an abuse of the private prosecution system, which needs to be addressed in due course.โ€

And how best to address said abuse? Elect to become Police Crime Commissioner, thatโ€™s how. Perhaps itโ€™s an episode the councillor wishes would disappear, going on the rather defensive attitude he put up when I chatted with him about his campaign this morning. And for whatโ€™s itโ€™s worth, he provided some great ideas and valid points on subjects he attempted to divert me onto, but I was wondering where he actually stood on hunting, being, you know, itโ€™s illegal, and heโ€™s wants to be Police Crime Commissioner, just felt, well, a tad conflicting.

โ€œOkay, so, not about the campaign then,โ€ he started.

But I think it’s relevant. โ€œHunting is illegal,โ€ I pointed to the seemingly obvious, โ€œsurely we would want a PCC who upholds the law?โ€

โ€œAre you suggesting that I wouldnโ€™t want the law upheld?โ€ came Jonathonโ€™s reply. Had to say, far from suggesting anything, the question was built behind the datum the huntsmaster for the Avon Vale hunt appeared in court with allegations he broke the law. And upon experts in the field, Wiltshire Hunt Sabs, who seemed convinced laws had been broken that day. โ€œThe badger sett incident,โ€ they confirmed, โ€œitโ€™s clear evidence they were illegally hunting. Itโ€™s illegal to use terriers underground (the exemption is in relation to birds, which isnโ€™t relevant on a hunt.) There can only be one reason for sending terriers to ground and that is to flush a fox.โ€

โ€œYou were,โ€ I checked, โ€œhuntsmaster for the Avon Vale hunt at the time?โ€

โ€œYou will already know that I was,โ€ Johnathon stated, โ€œthe allegation against me that was unfounded was dropped and is covered in the blog.โ€

Wiltshire Hunt Sabs claimed, โ€œit wasnโ€™t unfounded at all, the current Huntmaster (Stuart Radborne) was found guilty of interfering with the sett. The fact they couldnโ€™t prove hunting act charges is yet more evidence that the law around hunting needs tightening.โ€

โ€œDo you have anything to ask about the campaign,โ€ Johnathon inquired, โ€œor are you just interested in the Avon Vale Hunt?โ€

Yes, I do. So, I asked him, โ€œif successful in the post, would you therefore discourage police to act against hunting offences? I mean, I understand, because they’d be personal friends engaged in something you firmly believe in. Also, would you support a turnaround of the law to allow hunting?โ€

And thus, came the jaw-dropper.

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€ Rather than be labelled a โ€œtroll,โ€ by Tory boss-cop I allowed myself to be side-tracked. Jonathon was keen to lobby government for further funding, โ€œWiltshire is the third poorest funded force per head of population in the country, it needs overhauling and I will work with government to achieve this.โ€

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€

Funds would put more officers in our communities, and offer better support for training and officers and staffโ€™s mental health, and I cannot argue with this, though I pondered why it should be; are we all so better behaved in rural Wiltshire, so we donโ€™t need as much policing as an urban area? I know I am!

โ€œHistoric underfunding of the force will continue to be an issue due to the way the funding formula is weighted towards some areas,โ€ Johnathon explained, โ€œThe current PCC has done nothing to improve the situation and I believe the public deserve a PCC who will lobby the heart of government for better funding.โ€

I overlooked the oxymoron; “heart of government.”

In true Conservative fashion he blamed Labour, because fourteen years isnโ€™t enough to up a budget. โ€œThe formula was created under Blair so naturally favoured labour voting areas,โ€ he reckoned. โ€œGetting the central government funding addressed has to be a priority. Just because we are a rural county doesnโ€™t mean we donโ€™t have sophisticated criminals operating in our towns and villages; domestic abuse, child sexual exploitation, modern day slavery, county drugs lines all affect our communitiesโ€ฆ.โ€

โ€œAnd fox hunters?โ€ I added!

โ€œItโ€™s a shame that without knowing me or talking to me you would assume I would actively seek to have the law overlooked,โ€ Johnathon asserted. โ€œI do not and would not want our police to do this for any crime. The Chief Constable has my full backing to ensure that the law is upheld. There is no picking and choosing who the police โ€˜police.โ€™ Operational policing isnโ€™t the responsibility of the PCC.โ€

On the front seems Johnathon has good policies, but theyโ€™re undoubtably all politically motivated. Do we need a local councillor in the role, or someone who has been actively in the field, policing? I also spoke to independent candidate Mike Rees, passionate about delivering a quality police service for the people. And have to admit, it was akin to chatting to eager musicians when interviewing them. In fact, if thereโ€™s irony in voting for a police candidate suspected of breaking the law, the only similarity is that Mike is in a heavy rock band called โ€œthe Lawless!โ€

He told me of annual fundraising gigs at Level III with a plethora of other bands, which has raised ยฃ13K for his own charity โ€œFatboyโ€™s Cancer Charity,โ€ which aims to bring a smile to children who are suffering from cancer or have other life-threatening illnesses. He was also adamant he loved animals, and aside his respect for traditional aspects of rural life, more needed to be done to enforce the Hunting Act. Mike went as far as telling me heโ€™d like to set up a hedgehog rescue centre in his retirement.

โ€œI know thereโ€™s a difference between what the boss says and what the police see, Iโ€™d like to see a happy workforce, not demoralised.โ€ He expressed a want to improve the service, the relationship between officers and the bosses, and the public, as heโ€™s been on the beat in Swindon, working up through surveillance and CID to counter-terrorism, called in to help during the London bombing. โ€œNo wool pulled over my eyes,โ€ Mike added.

โ€œWeโ€™ve seen year on year increases to the policing precept, yet no tangible changes or improvements to the service the public of Wiltshire receive,โ€ Mike stated, โ€œseems evident to me and the many people who I speak with, that the Police sometimes do not have the resources to deal with many of the basic responsibilities that we expect; and all too often we see the cracks of struggling service delivery being papered over with a slick marketing campaign, or dare I say it, a social media post!โ€

โ€œI know that savings can be made, and I also know how tax-payers money is sometimes squandered by Police managers,โ€ he continued. โ€œA politician who doesnโ€™t understand policing can be told that something is required or best value, and will just accept what they are told. I know whether it is actually nice to have or need to have. Spending needs to be scrutinised very closely and I would look to do that to ensure money is diverted to the right resources and needs.โ€

Though Mike said Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently. To my knowledge, I am the only independent candidate for Wiltshire so his comments are clearly directed to me!โ€ But โ€œthe last thing I want to do is get involved in a continual slanging match with any of the other candidates.โ€ Which is just as well for them, as an amateur boxer, I wouldnโ€™t argue!

Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently.”

He compared his own campaign budget to Johnathonโ€™s on the precept he doesnโ€™t mind if he doesnโ€™t get the job, estimating Seed has โ€œabout ยฃ50k to spend on campaigning, Iโ€™ve got about ยฃ50, and I begrudge paying that! Money is squandered when it should be to improve services.โ€

The hunting issue will always be a touchy subject in any rural settings with opinions so divided. But the law is the law, and if anyone upholds it, it should be Police Crime Commissioner. Though while Mr Seedโ€™s blogposts call for his innocence, they also state: โ€œMillions of people in this country engage in perfectly legal fishing, hunting and shooting pastimes and should not be demonised and bullied by a small but vocal minority who do not approve of these pastimes,โ€ and โ€œIt is utterly irrelevant to the vast majority of the electorate whether or not a political candidate had a lawful interest in country sports along with millions of other law-abiding people.โ€ Left me wondering how defending wild animals under lawful methods, could possibly deemed demonising and bullying.

โ€œIf you wanted to ask me something sensible about fox hunting,โ€ Johnathon said, โ€œrather than the usual stuff that has been well rehearsed and I know doesnโ€™t resonate with rural voters, ask me my views on the change to trespass and who it will apply to.โ€

But I didnโ€™t like to ask, changing rules to trespass blatantly is there to halt operations from protesters. The Wiltshire Hunt Sabs said, โ€œweโ€™d love to know if he still hunts, we havenโ€™t seen him out with the AVH, but there was a rumour he may go out with the Tedworth. I suspect he has paused for the election. Itโ€™s interesting he calls concerned members of the public โ€œtrollsโ€. How arrogant do you have to be to think that regular members of the public arenโ€™t interested in his background as a fox hunter!โ€

Iโ€™ll let the hits on this article decide, and leave it there. Iโ€™m all for deciding the next Police Crime Commissioner based purely on a doughnut eating contest, might be easier, might even win myself! Then youโ€™d all be buggered!


JAZZ โ€“ Our Local Guide

Andy Fawthrop All That Jazz โ€“ Nice! D-Town certainly punches above its weight when it comes to providing a vibrant and varied music scene.ย  Itโ€ฆ

An Apology to Councillor Wallis

I would like to apologise to Devizes Town Councillor Iain Wallis for incorrect quotes in a spoof article concerning a BBC Wiltshire video we criticisedโ€ฆ

Jurassic Hillworth Park!

You know, there’s umpteen articles, studies, and even a six and half minute YouTube video explaining that Steven Spielberg’s 1993 family sci-fi movie Jurassic Parkโ€ฆ

Jol Rose For Tomorrow

New single from Swindonโ€™s finest Americana singer-songwriter Jol Rose, the kind of artist whoโ€™ll finish a song and leave a jammed pub in such aweโ€ฆ

Song of the Day 6: The Simmertones

It’s getting late now and I’ve only just got around to posting our song of the day. Had a piece to write and the obligatory family Scrabble game. Nearly missed the deadline, meaning my promise to post a song each day didn’t quite last a week, but alas, I’m here last minute to seal the deal.

What better then, than the pride of Devon, The Simmertones. They’ve fast made it to a lead name in the UK ska scene, and with their lively shows and crazy ska cover of the Dr Who theme, a personal favourite, it’s easy to see why. A tad more tender, here they are…..

Have a lovely rest of your day. Very good. Carry on….


Choo-Choo; Dreams of Devizes Railway Station

I know what youโ€™re thinking, Iโ€™m a naughty boy; why hasnโ€™t Devizine shared news of the survey about the Devizes Park/Gate/Safe-Way railway station proposal yet, the one on the โ€œofficialโ€ Devizes website? Well, Iโ€™ve been deliberating. But before you judge me, I ask you hear me out.

When I took a bus from the Leigh end of Southend-on-Sea to Shoeburyness, at the other end, which Iโ€™d estimate being the equivalent of Devizes to Melksham, it cost one pound. The bus was bustling with a wide demographic, it cost the same across the entire city.

Live in a village just two miles out of Devizes and itโ€™s ยฃ2.50 for a single on the bus. Given Devizes Parkway would be a similar distance out on the other side of town, Iโ€™d wager itโ€™d be much the same price. Letโ€™s take a family of four from their village for a nice day out to London; a tenner to get town, a purple one just to get to this imaginary station for an overpriced train ticket; not including inflation.

Okay, Iโ€™m playing devilโ€™s advocate. Everyone wants a station, including me. Back, long before Devizine, and Danny Kruger could pinpoint Devizes on a map, I put a poll on Facebook for my satirical rant column on Index:Wiltshire, asking what, if you could have anything which was once in Devizes but no longer, would you like to see returned. The top answer was unanimously, a railway station. And I agree. I agree with you all, from young and old, fat and thin, from Tory to leftie and beyond, everyone would like to catch a train from Devizes, even if only to escape!

The argument of education, getting students to colleges, and employment, getting them to work, rather than relying on a rural bus service and of course lessening the environmental impact of commuting are, of course, valid and ample justification. The idea it will attract visitors, helping our local businesses and economy is slightly more dubious, an untested valuation. Simply because they can get here doesnโ€™t mean they will, especially if thereโ€™s nothing here to entice them. A view of Monument Hill and the Clock Inn Park are nice, but are hardly an exciting hive of activity.

I cannot help but feel, just as Brexit, and these grand and glorious schemes, a futurism-fashioned Festival of Britain, money saved from being in the EU to help the NHS, vaccinations for everyone by March, a high-speed train to gain three and a half minutes off the journey time from London to Birmingham, or a tunnel under Stonehenge to prevent erosion and people from seeing it without paying, the right-wing majority are suffering delusions of grandeur in a country potentially at itโ€™s knees by the time these under-budgeted dreams will become anywhere near reality. Iโ€™m sorry to have to see it this way, but the system is crumbling under our feet because our leaders are only in it for themselves.

Oh, need a relevant example? Boris Johnson only proposed this ยฃ500m fund to reopen some of the passenger rail services axed in the Beeching review to win seats from Labour prior to the 2019 general election.

To bring it back to local affairs, feels to me like the potential railway station is only on the cards because Danny Kruger wants to get to Westminster quicker, and Hornby enthusiasts are rallying to kiss his ring. And yeah, as I said, itโ€™s a great idea, for all the reasons stated. But given thereโ€™s surely far more important things we could spend the money on in this dilapidating town to improve it for everyone, you know what Iโ€™d like to see first and foremost? If we have spare cash to build a Lego station, Iโ€™d like to see our poorest, our youngest, eldest and people in care being supported.

I donโ€™t want to see homeless being cleared out from camping in the woods so dog walkers can be free to roam and tie poo-bags to trees. I want to see projects being put into reality which would cost far less than a station, give them a hostel. Iโ€™d like to see our playparks and green spaces maintained better, youth clubs and facilities reopened, providing activities which kids actually want to go to.

At the beginning of year, when Melksham got a splashpad, Devizes said yeah, we could that too, but, as I forecast at the time, it was brushed aside. Iโ€™d like to drive on flat local roads, rather than negotiating potholes like itโ€™s a lunar landscape. Iโ€™d like better road planning, infrastructure and affordable public transport, to avoid congestion. I want to park somewhere without taking out a bank loan. I want to see markets and The Shambles bustling with life, smells of street food and music. I want a free-thinking, flatpack and proactive council, funding sporting events and arts, and not idly watching as so-called charities throw folk with learning disabilities out of their homes.

And once we have achieved these, yes, Iโ€™d like a railway station, ta muchly. Not asking for much is it? Tee-hee, yeah, Iโ€™m hearing you, life isnโ€™t so simple, this is Devizes, not Shangri-La. That said, Iโ€™m uncertain if Shangri-La has a railway station, still, it manages, as we have done since Beeching waved his wand, to get by without one. My family of four, twenty quid down just getting to the station, now theyโ€™re looking at train ticket prices. Have you seen train ticket prices recently? Remain calm, but they do often come in triple figure sums. Iโ€™ve seen aeroplane tickets to Barcelona cheaper than a return to Paddington.

The big question is, then, how much will it all cost and who is footing the bill? Did we get this grant, and what was that for? I asked Tamara of Devizes Gateway Railway Station steering group.

โ€œThe Restoring Your Railway grant from the DfT is for the cost of the Strategic Outline Business Case only and is being supplemented by Wiltshire Council,โ€ she informed me. So already weโ€™ve all put some cost into it through our council tax. โ€œThereafter, funding would need to be secured for the rest of the Business Case process (Outline Business Case and Full Business Case) and then for the capital costs to build the station.โ€ Tamara added, โ€œwe are at the beginning of the process, but the fact that we have secure the grant monies from the DfT puts us in a good place. We now need to prove the business case.โ€

From there I was directed to a presentation made to the Devizes Area Board in November, which doesnโ€™t explain where the dosh is coming from. Iโ€™m only opting for a station if they promise I can drive the train! Just once. But more importantly, I honestly look forward to a time, if I make it to 2025 without Thomas the Tank Engine shooting me, when we could smash my piggy bank for a train ticket, I really do, but the bottom line is, it has to be affordable, for all, especially if the public is footing the bill to build the thing.

Answer the survey, with your thoughts, if you wish. But the jury is still out with me. Itโ€™s on the site where a certain member, who shall remain nameless, accused me of spamming when I first launched Devizine, and mysteriously moments later I was in Facebook jail. Of which, such general pettiness is neither here nor there, but I feel worthy of mentioning. I know what youโ€™re thinking, Iโ€™m still such a naughty boy!


Trending….

My Reflection on the Fate of Carnivals

It’s Saturday morning on the 13th July 1985, and there’s a dilemma brewing in my household I’m indifferent with. I’m twelve, aware I should doโ€ฆ

Song of the Day 5: Gecko

Okay, so Iโ€™ll be brief; weโ€™ve mentioned Gecko quite a lot recently and I wouldnโ€™t want him to get big-headed! Can you imagine? That was a joke by the way, because in some light one could describe what Gecko does as rap, and could you imagine, in your wildest dreams Gecko being conceited? Heโ€™s got to be the most unpretentious rapper ever, though thatโ€™s not saying much; narcissistic is the occupational hazard of the average rap star.

If you ainโ€™t got something nice to say, rapperโ€ฆ… Ah, thatโ€™s why Gecko is a breath of fresh air. if you need any more proof of how good he is, hereโ€™s yesterdayโ€™s released video of the title track of his album. Over and out. Have a good rest of the day. Carry onโ€ฆ.

Trending Now…

Jamsters Festival at The Southgate

January last year, The Southgate Inn Devizes announced Jamsters, a monthly Friday night platform for loose groupings and associations created at their regular jam sessionsโ€ฆ


Are the Fire & Rescue Service Cutting Vital Flood Equipment?

Concern mounts after a petition was launched claiming vital flood equipment and training is being planned to be moved from fire stations from Chippenham and Trowbridge to Dorset, and Stratton in Swindon. You know me, usually I jumped at the chance to expose a transgression by authority, but on this occasion, as a response from Assistant Chief Fire Officer James Mahoney suggests the service is merely aligning the way in which all stations operate interchangeably, the jury is out on this one. I know right, impartiality; is this the new me?!

Not really. It gets rather technical, and I donโ€™t do technical. The last thing I will do is belittle the fire service for the grand job they do. So, as Iโ€™ve been asked to share news of the petition, like a real reporter, Iโ€™ll give you the low down from both sides of the argument, and itโ€™s up to if you choose to sign it; righty then?

Becky Montague, who started the petition argues, โ€œmembers of the public will have to wait an hour to be rescued safely, instead of eight minutes in the River Avon area, because Chief Fire Officer Ben Ansell has decided to remove vital equipment from Chippenham and Trowbridge stations to Dorset, and Stratton in Swindon. This will put the lives at risk of people caught in flooding in an area Mr Ansell knows to be of high risk.โ€

โ€œRemoving equipment and training from the firefighters means that they will respond but be unable to rescue people quickly and with the right tools. Rather than watch people die, they will be forced to carry out dangerous rescues without the vital safety equipment they need.โ€

โ€œThere is no flood risk in Swindon like there is in the Chippenham, Bradford-on-Avon and Trowbridge areas. Mr Ansell will put residents of Wiltshire at risk and put firefighters in danger.โ€

This sounds like cause for alarm, and Iโ€™m grateful for our reader bringing to my attention. Theyโ€™re concerned and angered, โ€œWe donโ€™t distribute emergency equipment based on geography we do it based on risk otherwise we would have a fire station in the middle of Salisbury plain, we donโ€™t do that because thereโ€™s no risk there,โ€ they informed, โ€œThe flooding risk is in the river Avon area not in Stratton in Swindon. Theyโ€™re going to put the council tax precept up again this year, what are Wiltshire residents going to get for that, other than the grateful thanks of Dorset residents for part-funding the service that they provide from the fire service?โ€

However, Assistant Chief Fire Officer James Mahoney had this response; โ€œA strategic review of the technical rescue provision of Dorset & Wiltshire Fire and Rescue Service has been carried out. This considered risk and demand across the whole Service area; evidence from historical incident data; geographical station locations; and neighbouring Service capability. A decision on the placement of these facilities is now being considered internally.โ€

 โ€œTechnical rescue includes technical search, rescue from swift water, rescue from height, bariatric rescue, confined space rescue and large animal rescue capability. There are currently six stations providing differing aspects of technical rescue across the two counties of Dorset and Wiltshire. In addition to these technical rescue stations, all fire stations have initial water safety equipment and training, and a large number of our stations also have wading team capability. The provisions at these six stations are not consistent, and most stations do not provide all of the capabilities listed above. As a combined Service, this is neither effective, efficient or resilient.โ€

 โ€œWhilst technical rescue is not a funded statutory duty for the Fire and Rescue Service, we recognise the importance of having this capability commensurate with the risks faced within our communities across the whole of Dorset and Wiltshire. We are looking to enhance, not diminish, our capability, allowing us a more strategic approach to the positioning of the key elements of technical rescue – which will also add greater resilience by aligning the way in which all stations operate interchangeably.

 โ€œStaff and representative bodies have been briefed, and given the opportunity to contribute their views throughout and engage in this process, and we will be carrying out public consultation on our draft Community Safety Plan for 2021-25 from 17 February to 13 May 2021.โ€

If I remember rightly, when our estate flooded some years ago, a fire service came from Yeovil to help, stating Wiltshire forces were preoccupied elsewhere. Understandably, this took some time for them arrive, but had it not been for the fire services to be integrated, it may not have happened at all. On the other hand, the dubious line from the Assistant Chief Fire Officerโ€™s statement, โ€œtechnical rescue is not a funded statutory duty for the Fire and Rescue Service,โ€ concerns me. What constitutes a technical rescue? And if itโ€™s not a statutory duty, why call yourself Fire and Rescue Service?

And, as the Gazette reports, โ€œSummerham and Seend Wiltshire councillor Jonathon Seed, who is also running for the Police and Crime Commissioner post, has pledged to take the case up with MPs saying the decision is outrageous,โ€ well, something is iffy with it; deffo.

Being a man of the people, who Iโ€™d like to hear the views of is an actual local firefighter. Your anonymity will be respected if you contact us; but we need the opinion of the men on the ground. In general, Iโ€™m at my tetherโ€™s end with bureaucratic nonsense from pen-pushers, and I urge any firefighter concerned to please do let us know.

Hereโ€™s the petition, should you decide to sign it: https://www.change.org/p/dorset-wiltshire-fire-authority-stop-the-removal-of-vital-rescue-equipment-from-wiltshire-fire-stations


Deadlight Dance New Single & Video

New single from our gothic duo Deadlight Dance, taken from Marchโ€™s album Vox Populiโ€ฆ. Second tune on the album, a ballad to the poisonous evergreenโ€ฆ

Brian on FullTone Festival

Our regular historian and Visiting Research Fellow of The Regional History Centre, UWE Bristol, Brian Edwards takes some time to sketch the FullTone Orchestra aheadโ€ฆ

The Grand Return of CrownFest

The first week into July, and two local festivals of five ticked off! CrownFest went down a hit with those who attended this fantastic reputationโ€ฆ

An Update on our Postcard Criticism

Earlier today I published an opinion piece on the postcard sent by someone at Devizes Town Council to the Department for Culture, Media and Sport,โ€ฆ

Song of the Day 4: Girls Go Ska

Hi, yeah s’me, keeping up the Song of the Day feature like dedication was as word I know the definition of!

No excuses not to, I mean I am of the generation when Roy Castle clasped his trumpet weekly, ready for the signing off of “Record Breakers.” No, it’s not a euthanasim, Google it whippersnappers.

Might also explain my fondness for brass. Brass is class, and a vital element of ska. Yep, four tunes in and I couldn’t resist sharing some ska with you.

It’s a commonly misguided notion that ska is a retrospective cult here in England. It tends to convey a bygone era of Two-Tone records, boots and braces.

Yet today, while said stereotype has a grounding, ska is an international phenomenon, particularly in South America. I did write a piece about this region’s love for ska, and how it’s roots out of Jamaica bare a different tale from our own.

To show you how fresh it can be elsewhere in the world, and it’s not a reminiscence for a
load of overweight balding pensioners as perceived in the UK, here’s all-female bar one Mexican band, Girls Go Ska, who I’m secretly in love with, (so secret they don’t even know themselves….until they use Google translate!) doing an instrumental jam.

Girls and ska; what’s not to like? Have a lovely rest of your day. Very good. Carry on….


  • 3 Daft Monkeys Jumping on The Barge at Honeystreet

    I can be sent an album, review it because I love it, and put the artists atop of my cognitive must-see list. Although the list will grow as time progresses, Iโ€™m the elephant with a knotted trunk, awaiting some legendary local venue to announce, yeah, weโ€™ve got these guys comingโ€ฆโ€ฆ 

    In this case the legendary venue is the most apt for this act locally, it is the worshipped Barge on Honeystreet, and the band are the cider-infused Cornish scrumpy & western choir with a message to breakneck Balkan beats, 3 Daft Monkeys; Iโ€™m jumping on this bed and if I hit my head Iโ€™m waiting for no mama to call the doctorโ€ฆ..

    It seems the further west country you trek, across thar cider border, the crazier folk meshed danceable energy embellishes, with carefree counter-culture vibes. But, slightly eastwards to us thereโ€™s the remaining outpost of sanity, rejecting todayโ€™s mangled status quo and botched mainstream society. For those in agreement, The Barge is a temple, and a wharfside campsite, holding a spiritual synergy of its own making, and perhaps a few crop circles.

    If Iโ€™m going to see 3 Daft Monkeys on my doorstep, there isnโ€™t a better place to do so. So, Saturday 26th September marks the occasion, owner Lenny No Strings supports. Lenny and his team have continued the authentic nonconformist vibe of the place, and transformed The Barge into the kind of place weโ€™d have wanted it to be back in the nineties, with a homely festival vibe.

    Itโ€™s been two years since I fondly reviewed Information Camouflage, 3 Daft Monkeyโ€™s 2024 album, and Iโ€™m delighted for the possibility of finally catching them live. At the time they described their latest release as โ€œa rich, life-affirming tapestry that masterfully blends world folk inspirations with wild punk-infused energy and modern storytelling,โ€ and I could only agree. I said Information Camouflage called to me, as I โ€œyearn for the alternative, the quirky and curious counterculture,โ€ and it bears such hallmarks. I made reference to its melting pot, citing punk, ska, gypsy folk and bonkers west country underground. I hailed its frenzied fiddles, frivolous beats, poignant messages and its dreamy psychedelic vaudeville.

    I also said at the time; โ€œall this album has done, other than entertain me highly, is confirm that, if they were playing a festival Iโ€™m at, and my mates wanted to go do something different, Iโ€™d be saying โ€œsee you later,โ€ and making haste for the stage 3 Daft Monkeys are on!โ€ But unfortunately that didnโ€™t happen, Iโ€™m not getting any younger, so I hope to be there.

    I mean, I could scribe a few words about this event, probably I will, because thatโ€™s standard issue with me now, like a lost little diarist. But donโ€™t leave me lonely there, waiting for me to tell you what you missed! Tickets are HERE. 


  • โ€œPlayhouse Creaturesโ€ at The Wharf Theatre, Devizes, October 8th-10th – A preview

    by Ian Diddams

    images by Simon Hoy

    This tragi-comic play, set in 1660s London, focuses on the first English actresses allowed on stage after the Restoration. It explores the lives, struggles and camaraderie of five women navigating a male-dominated world, dealing with sexual exploitation, ageing, and the fight for artistic freedom. Bawdily funny yet profound, Playhouse Creatures explores the pitilessness of ageism and the need for economic independence. The play highlights the harsh realities of the early theatre scene, where actresses were often seen as ‘animals’ or ‘creatures’, rather than respected professionals. [ 3rd Third Theatre ]

    While April de Angelisโ€™ play is โ€“ as above โ€“ set in the second half of the seventeenth century, and there are mentions to historical events of that period โ€“ the beheading of Charles I, Charles II, the plague, the Great Fire of London โ€“ as well as references to the contemporary theatre still of Shakespeare – nonetheless the real messages and contexts of its story are universal throughout time, including the present day. Its really about the patriarchal oppression of the female of the species, and only somebody that is living in a cave could fail to recognise that these womenโ€™s struggles are reflected in issues facing women almost four hundred years later than the playโ€™s timeline. And then within those broadest of divisions, are portrayed further social demographics between the women of the storyโ€ฆ of class differences.

    Some of the characters are actual historical figures, others a melange of types, none more so than the nominative deterministically named Doll Common. Played by Louise Peak, she represents the working class and is an everywoman โ€“ cleaner, dresser, messenger et al

    Elizabeth Farleigh, played by Sophie Kerr, is a societally acceptable woman, somewhat disdainfully interacting with those she sees as beneath her social position. However, she falls from grace and ends up as one of the under-class she previously showed open contempt for. Mary Betteton, delivered by Wendy Dophiede, is the matriarch of these women โ€“ a long-standing actress of note and phenomenal palmarรจs, whose husband ran the theatre they performed inโ€ฆ and who fell from her pedestal when replaced by younger, prettier actresses.

    Nell Gwynn, portrayed by Grace Sheridan, probably the most well known today of the characters portrayed is a rags to riches story of commoner to leading actress and eventually a kept woman by King Charles II, while Rebecca Marshall, represented by Freddie Underwood, uses her connections as an actress to socially climb by marrying an Earlโ€ฆ to end up shunned by society as she is first tricked by a man, and then accused of a heinous crime.

    Five women, all under the control of men, trying to escape their lotโ€ฆ and all in differing ways ending up still oppressed by the patriarchy whether they rose, fell or trod water in life

    Five women, five stories, loosely intertwined. โ€œPlayhouse Creaturesโ€ is so much more than just five timelines though. It is funny, shocking, dramatic, poignant. These five actors and director Debby Wilkinson have together brought a black box performance to life, in the debut performance by new kid on the block, โ€œ3rd Third Theatreโ€.

    You can catch this rather super production in a few weeks time at

    The Wharf Theatre, Devizes between October 8th and 10th, tickets available from https://www.ticketsource.com/the-wharf-theatre/playhouse-creatures/e-jpykpl

  • Halloween Firewalk for Wiltshire & Bath Air Ambulance

    Would you dare to join Wiltshire & Bath Air Ambulance at their airbase on Friday 30 October 2026 for an unforgettable Firewalk Challenge?

    Feel the buzz, face your fears, and experience the ultimate adrenaline rush as you walk barefoot across hot embers beneath the autumn night sky – all while supporting Wiltshire & Bath Air Ambulance’s lifesaving work…..

    Firewalk 2026


    This spooky season, Wiltshire & Bath Air Ambulance say “weโ€™re turning up the heat, and asks you to join them at their airbase for an unforgettable Firewalk Challenge. Feel the buzz, face your fears, and experience the ultimate adrenaline rush as you walk barefoot across hot embers beneath the autumn night sky – all while supporting our lifesaving work.

    The embers will glow a vivid red, with temperatures often reaching approximately 1,200 degrees Fahrenheit.

    Firewalking isnโ€™t about fitness – itโ€™s about mindset. With expert guidance and a powerful group atmosphere, youโ€™ll build courage, confidence and belief before taking those unforgettable steps across the coals. There is no training required!

    Sign up fee:

    • Adult: ยฃ35
    • Child: ยฃ25 (12-16 years)
    • Team of 4: ยฃ120

    Why not get your colleagues or friends together and take on the challenge as a team?

    They ask every participant to pledge to raise a minimum of ยฃ100. As a charity, Wiltshire & Bath Air Ambulance receive no government funding and rely heavily on the generosity of community and events like this to continue delivering their vital services across Wiltshire, Bath and beyond. They will provide fundraising tips, ideas and support to help you smash your target!

    Be Brave! Sign up HERE


  • Ruby Darbyshire’s Freeman Tribute at Ilfracombe Festival

    If it’s not unusual for Wiltshire singer-songwriter Ruby Darbyshire to break out the bagpipes at a gig, it’s often for a solo stint of piping. Yet Ruby continues to experiment with ways she can merge piping into her music, and this, recorded last weekend at Ilfracombe Maritime Festival, shows Ruby at her best, backed with a band playing a tribute to the victim of the worst miscarriage of justice in British history, Clive Freeman….

    It was sent to us via Ruby herself, and we love it. Please like and share this video, it is outstanding. It explains why we support this artist as much as we do, hope to see her performing here soon, and wished we were in Ilfracombe last weekend! This is a watch party, I’ll say no more!


  • โ€œPink Mistโ€ at The Mission Theatre, Bath, September 9th-12th

    by Ian Diddams

    images by Mike Stevens

    This week marks 25 years since 9/11 (11 September 2001), when the world awoke to the news that Al Qaeda hijackers had flown two commercial airliners into the Twin Towers, causing their collapse and a devastating loss of life. In 2006, British troops were deployed to Helmand Province; these years saw some of the heaviest combat and the highest UK casualties. UK combat operations formally ended in 2014, having had a very real human cost for the UK with 457 British service personnel killed, more than 600 serious casualties and thousands of medical evacuations. (Kitty Muffet โ€“ Director).

    โ€œPink Mistโ€ by Owen Sheers portrays the experiences of three young men from Bristol, and the women in their lives, who sign up to the British Army aged in their teens in 2008 and are deployed in Afghanistan. Its content, though fictional, is drawn through Sheerโ€™s interviews with actual military veterans that served there, for a previous play โ€œThe Two Worlds of Charlie F.โ€ It delivers an, at times, harrowing story of three boys going to war, three boys in war, and three boys coming home from war, broken, damaged โ€ฆ or draped in a flag. While three women, girlfriend, mother and wife with young child become equally scarred through concerns, worry and grief. โ€œBoysโ€ and โ€œWomenโ€ โ€“ two sides of the same coin. We live in a patriarchal society but itโ€™s the matriarchs that are its glue and carry the burdens, and โ€œPink Mistโ€ amply demonstrates this as the women pick up the pieces.

    The story was originally written and recorded for BBC Radio 4, and broadcast as five, fifteen-minute episodes in 2012, then adapted into a verse-drama book in 2013, winning the โ€œWales Book of the Yearโ€ award in 2014. Subsequently it was again adapted as a stage play which premiered in 2015 at Bristol Old Vic. As such as a stage play it is not โ€œactionโ€ heavy yet director Kitty Muffet has created some powerful non-active interaction; tableaus and frozen positions from characters not involved in a scene or dialogue. Some of these tableaus last for multiple minutes โ€“ the opening scene is at least ten minutes during which the only speech โ€“ bar a minimal very few lines โ€“ is given by Arthur played by Jonathan Taft. During that monologue there is movement from characters directly involved in the story when mentioned, but otherwise all sit perfectly still until it is their own time to strut and fret their hour upon the stage. All actors remain on stage throughout the entire play in this powerful manner.

    The book also won the 2018 โ€œWilfred Owen Poetry Awardโ€, extremely fitting as the play evokes connections with that poetโ€™s own WW1 works โ€“ as the three lads sign up, gung-ho and crying โ€œWho wants to play warโ€ and desperate for action, we surely recall immediately โ€œDulce et Decorum estโ€, and the pals battalions of 1914.

    It would be remiss to give any more of the plot away as its strength and its impacts come as each new layer of the story is revealed, so I urge you to go and see it this week at the Mission Theatre, Bath, performed by โ€œNext Stageโ€.

    The boys Arthur, Taff and Hads are played respectively by Jonathan Taft, a Next Stage stalwart, Arthur Williams, in his first appearance since school, and James Hacker, in his second Next Stage production. All three excellently convey the youthful exuberance and naiveness when signing up, then the shocking appreciation of the realities of war, and then the consequences of their own involvement.

    No less excellent are the women in their lives picking up the pieces after initial worries, arguments and concernsโ€ฆ Arthurโ€™s girlfriend played by Perrine Maillot, another long-standing Next Stage performer, Hadโ€™s devoted mother Sarah, wonderfully performed by Tania Lyons and demonstrating all her stage craft and experience, and Taffโ€™s young wife Lisa played by Poppy Morris in her stage debut โ€ฆ Poppy has set her own bar extremely high right at the start of what must be a stunning acting career.

    This is Kitty Muffetโ€™s directorial debut with Next Stage and as mentioned above already has created something very special with this dialogue heavy and precise actioned piece, including some clever choreography especially in the opening monologue by Arthur. She is aided and abetted by Andrew Muffet as Stage Manager, and tech crew Hannah Johnson, Jamie Woodington and Kris Nuttal. Music provided by Bill Whelan.

    Amongst all the wonderful prose, and delivery there are snippets of realisation oneselfโ€ฆ the use of colour descriptions throughout the playโ€ฆ blue, green, red, black, roseโ€ฆ and pink. And if you donโ€™t know the meaning of the playโ€™s title before you see this, you will learn it well before the end. Then there is the juxtaposition of two types of โ€œfriendly fireโ€ โ€“ one war, one domestic.

    This is not to be missed. Take a hanky, Have a stiff drink afterwards.

    You may well need both.

    โ€œPink Mistโ€ is performed at The Mission Theatre, September 9th-12th at 7.30pm, with a matinee at 2pm on Saturday 12th.

    In addition, there is a Q&A with the author and playwright, Owen Sheers, at The Mission Theatre between the matinee and evening shows. Held at 4.15pm in the theatre, entry is ยฃ5, all of which goes to the charities being supported by this show, the Royal British Legion and the Royal British Veterans Enterprise, supporting those affected by the Afghanistan conflict and by conflicts past and future.

    Tickets are available from https://www.missiontheatre.co.uk/tickets?category=1.+Pink+Mist

  • I See Orange Pining For Apollo

    If spring saw Swindonโ€™s premier rock trio I See Orange breaking new ground on a US tour, autumn brings with it their first full length album, Pining For Apollo; prepareโ€ฆ

    I See Orange come at you loud and proud. Itโ€™s driving rock versus edgy grunge, but unafraid to test the boundaries of either subgenre as they form foundations into commercial rooms fit for The Cranberries or The Cardigans. Yet they never abandon their idiosyncratic image of dolls and gore, nor their distorted power chords and dark focussed themes of apathy and alienation with sassy overtones. Pining For Apollo was released yesterday, and proves this, professionally.

    I See Orange match with a chemistry every band must envy. Formed in 2022 when frontgirl Giselle, originally a folk-pop singer-songwriter moved here from Mexico, and an impromptu rehearsal session with Cameron and Charlie established potential magic. Inspired by nineties and millennial alt-rock, they add their own unique post-grunge flavour.

    Recorded at Western Audio Studios, produced, mixed and mastered by Claire Sutton, rolling drums kick us into Pining For Apollo, a minute until the full force of I See Orange hits you in the face, and shakes your bones. Thirteen solid tracks of dynamite follow, and, unlike the rising and falling template of grunge, I See Orange rarely comes up for air. Velvet Scars is a downtempo exception to this rule, leisurely it rolls out like the penultimate moodsetter on a setlist.  

    Thereโ€™s all the recent singles weโ€™ve previously fondly reviewed, Mental Rot, La Bruja, and my personal fave, the playful anthem Doll Guts. With them and between them the songs are stylised, carving a definitive methodology. The band say โ€œIt is the introduction of our music and our band to the world. Thereโ€™s nothing we love more than making music together and these songs are a compilation of our passion, effort, hope and pining for our dreams to materialise and become our reality.โ€

    Feebleness is a prime example. Three tunes in, it breathes fresh air into I See Orange while retaining their common theme of doubt, debility and inferiority complex. Then the haunting La Bruja follows, subtly confident when hexed. The album as a whole is dark mien, erotic at times, it contrasts winsome with macabre and through adroit unification musically it swathes them all into an electric blast of sublime and fulfilling rock.

    If the eleventh and twelfth tracks project with grunge fury, the finale offers something more delicate indie-folk with commercial viability. Nice, but I want I See Orange breaking new audiences gradually by not losing their edge, rather than falling through a mercantile pothole, because this album is a fantastic showcase to be savoured by a majority. ย ย ย ย 

    Stream & Download โ€˜Pining For Apolloโ€™ by I See Orange.


    Trending….

    Mantonfest Magic Multiplies

    Mantonfest, the longstanding gem on Marlborough’s event calendar, finalised for another fantastic year last night, with metal-driven mayhem, as the sounds of AC/DC ripped acrossโ€ฆ

    Keep reading

    George Wilding Feeding His Head

    Featured Image: Helen Polarpix As if itโ€™s not hot enough, Aveburyโ€™s finest musical export George Wilding is bounding back with another new single, Feed Yourโ€ฆ

    Keep reading

    Something went wrong. Please refresh the page and/or try again.

  • DOCA Awarded National Lottery Grant

    Congratulations to Devizes Outdoor Celebratory Arts, who announced yesterday that they’ve been awarded a substantial National Lottery Project Grant from Arts Council Englandโ€ฆ.

    This is amazing news for everyone in Devizes, on the day of their carnival, which in recent years required Devizes Town Council to subside it after years of Arts Council cuts prevented DOCA’s most elaborate free events from going ahead.

    Could we see a return of the beloved street festival? DOCA say they will launch โ€˜A Season of Discovery,โ€™ a brand-new summer and autumn programme of festivals, live music, workshops and performance across Devizes and the surrounding area.

    When I think back over the years at all the fantastic events DOCA has produced for us, this news gives me hope we can recapture the spirit of them once more. Carnival, today, tomorrow, who knows?!


  • Chippenham MP Sarah Gibson Reflects on Shayne Hambakachere Case

    Looking at the evidence presented by the media on the Shayne Hambakachere case in Chippenham, unless there is something weโ€™re not being told Iโ€™m of the opinion there has been a serious miscarriage of justice. I spoke to Chippenham MP Sarah Gibson about this terrible outcomeโ€ฆ..

    Shayne Hambakachere was a 16-year-old aspiring bricklayer and a pupil at Hardenhuish School, who tragically died after being fatally stabbed on 31st of January 2026. Shane had met the attacker in an alleyway near London Road, to settle a dispute over stolen cannabis.

    Unarmed at the time, Shane sadly passed away the following day at Southmead Hospital in Bristol. A 16-year-old boy, 15 at the time of the incident, cannot be named for legal reasons.  He stood trial at Bristol Crown Court. The court heard that the defendant filmed the confrontation on his mobile phone, capturing footage of Shayne trying to back away when the weapon was produced.

    Yet, at the trial on the 20th August, the jury found the defendant not guilty of both murder and manslaughter. The defendant argued that he acted in self-defence, claiming he brandished the knife to scare Shayne away because he feared he was about to be attacked.

    I asked Sarah Gibson if she felt an inquiry to the trial should be opened. โ€œShayneโ€™s death was an appalling tragedy which has had a profound impact on his family, friends and the wider Chippenham community,โ€ Sarah explained. โ€œI appreciate that the outcome of the trial has caused considerable confusion and concern locally.โ€

    โ€œI met with Shayneโ€™s family following his death and have remained in contact with them. When I met with the family, I made a commitment that I would not make public comments about Shayne, or pursue action specifically in his name, without an express request from them to do so. I believe very strongly that any decision about whether they want me to become involved following the conclusion of the trial must come from Shayneโ€™s family.โ€

    โ€œIf Shayneโ€™s family ask me to support them, raise questions on their behalf or help them seek further information from the relevant authorities, I will of course do everything appropriate within my role as their Member of Parliament to assist them.โ€

    โ€œFor the same reason, I am not currently calling for a public inquiry into Shayneโ€™s case. Any such step would need careful consideration and, above all, I would want to understand and respect the wishes of his family rather than make that call on their behalf.โ€

    This is completely understandable, and my heart goes out to Shayneโ€™s family at this terrible time. I also respect the court decision, if there may have been evidence not disclosed to the public. But, Sarah reflects my wider sentiments about the wider implications, in her last paragraph to me. โ€œThat being said,โ€ she continued, โ€œthere are wider issues raised by this case which require serious attention. I was particularly concerned by what was said during the trial about the influence of gang culture, county lines and social media content involving knives, guns and drugs on young people.โ€

    โ€œI am actively working with organisations across the constituency on harmful online content and its impact, particularly on boys and young men. We need to understand how children can become exposed to this material, how we intervene before that exposure escalates, and what more schools, families, social media companies, communities and government can do to protect young people.โ€

    Stopping to consider when Nigel Farage used the phrase โ€œpure cold rageโ€ in June, to describe how he thought the public should react to police actions during the Henry Nowak case, who was similarly stabbed in Southampton, the lines I cannot help reading between, when considering why Reform are not irresponsibly encouraging the same public outcry with this case.

    Face the basic fact, Shayne was tragically killedโ€ฆ over a bag of plants. Only vengeful people supporting a clear and irrelevant racial narrative want a reaction of “cold hard rage,” to any murder case, but careful consideration of its reasoning should be welcomed, for the purpose of preventing other similar incidents. 

    Plants which could be controlled if decriminalised. Plants which rarely cause any significant damage, and the only damage they might, is surely caused by their legal status, and consequently their connection to harder drugs and other related crime, through the black market theyโ€™ve been assigned into. The war on drugs debate is nonsensical and irrelevant now, as it never worked. You can point the finger at โ€œharmful online content,โ€ or โ€œgang cultureโ€ when the facts are this happened in an alley, not online, and this appears to be two individuals, not gangs.

    Of course, the family of Shayneโ€™s wishes should be respected, but the caseโ€™s wider implications must surely be considered, and acted upon. It may be radical, but I believe it is long overdue to review our laws on recreational cannabis use. For if it was decriminalised, the prices could be fairer, without any need to steal it, and this alleyway confrontation, this senseless murder, would not have happened. Many crimes would not have happened.

    Legalise it, tax it, and spend the profits on drug misuse education, but to continue to fight against it, by tightening the laws of its prohibition clearly isnโ€™t working, as this terrible incident proves. I thank Sarah for her time, but I worry this issue will be brushed under the carpet and shamefully, allowed to reoccur. There’s words, let us see actions, via open and honest debate, not shrouded by the misconceptions of cannabis use.


  • Wiltshire Music Awards Announce Ceremony Lineup, Excruciatingly AIย 

    With an AI-powered poster so excruciating I cannot bring myself to show it here, this yearโ€™s Wiltshire Music Awards announce the lineup for their ceremony. Should we judge a book by its cover?! The event looks great, but the AI epidemic has infected this, and is so cringeworthy it doesnโ€™t invite attention, which is a shame when the tagline reads โ€œinspiring Wiltshireโ€ฆ..โ€

    I canโ€™t look at it for too long at a time; itโ€™s got an Oscar on it! Why has it got an Oscar on it?! Isnโ€™t suggesting itโ€™s the most prestigious awards in the film industry raising expectations somewhat?! Itโ€™s on Saturday 14th November, at The Melksham Assembly Hall, not Hollywood. Oscars may/may not be presented at the ceremony, that is unconfirmed.

    What is confirmed is raising the bar several notches over the marketing; some top local acts, with an odd opening presentation. If you see me there and Iโ€™m sporting a cresting scumbucketed shirt and misted glasses, itโ€™s because thereโ€™s a burlesque chair dance introduction! Begging the question, what burlesque has to do with musicians in Wiltshire winning awards, but when you get to my age you canโ€™t be picky.

    What I do love about it is Talk in Code, 5 Nights at Adyans, Ruby Darbyshire and Fly Yeti Fly are on the roster, and The Syvertones will be entertaining during the break. Some great acts which truly represent the local music scene.

    And thereโ€™s an after party with the Unpredictables, DJ Alex, and some random chap who remains unnamed on the poster! Tickets are ยฃ12.50 from HERE.ย I cannot abide by this AI pandemic any longer. I will joke about it, and encourage organisers not to use it; but while it is unwelcome here, perhaps we should compromise when it’s a great event, supporting local musicians.

    Update: poster changed, due to my whingeing too much time on my hands ramt!


  • Howard Barkerโ€™s Scenes from an Execution Coming to Wharf Theatre

    The Wharf Theatre production presents an electrifying confrontation between artistic truth and political authority, with a content warning! Howard Barkerโ€™s Scenes from an Execution is coming to the Wharf Theatre, Devizes. Gripping psychological drama; theyโ€™ve got it coveredโ€ฆ..

    Directed by Jax Brady, Howard Barkerโ€™s 1984 BBC Radio 3 drama, Scenes from an Execution will be running from 21st to the 26th September. Iโ€™ll be reviewing it here before its release, but itโ€™s okay, Iโ€™ve been executed loads of times before, piece of cake!

    What is the price of telling the truth? What happens when art refuses to serve power?

    In Howard Barker’s provocative drama, audiences are transported to Renaissance Venice in the aftermath of a military victory. Celebrated painter Galactia is commissioned to create a grand work commemorating the state’s triumph. But instead of crafting a monument to glory, she paints the brutal reality of war, exposing bloodshed, suffering, and human cost.

    What follows is an explosive battle between an uncompromising artist and the forces determined to control her vision.

    Part political thriller, part psychological drama, Scenes from an Execution remains one of the most powerful explorations of censorship, creativity, and resistance ever written for the stage. Barker’s razor-sharp dialogue and fearless storytelling challenge audiences to ask whether art exists to comfort, to celebrate, or to confront. This production brings renewed urgency to a play whose themes resonate as strongly today as ever.

    Rich with dark wit, intellectual intensity, and emotional power, Scenes from an Execution invites audiences into a world where beauty and violence collide, and where the act of creation becomes an act of rebellion.

    Critically acclaimed since its premiere in 1990, Barker’s modern classic continues to captivate audiences with its bold examination of art’s role in society and the enduring tension between freedom of expression and political control. This in-house production from The Wharf brings you high-quality drama at its best. With a very adaptable and capable cast of six actors, playing 20 roles, the Wharf brings you gripping psychological drama from well-loved Wiltshire actors.

    According to material from the University of Waterloo’s production archive, Barker wrote the play in part as a response to contemporary politics, particularly Margaret Thatcher’s aggressive response to Argentina during the Falklands War. The historical story allowed him to examine modern concerns about war, nationalism, and the use of art to support political agendas.

    The play also reflects Barker’s wider theatrical philosophy. He was interested in creating drama that challenges audiences rather than reassuring them. Galactia’s refusal to glorify war embodies Barker’s belief that art should provoke thought and reveal difficult truths instead of reinforcing official narratives.

    The Wharf advises us to, โ€œprepare for a theatrical experience that is challenging, unforgettable, and profoundly relevant.โ€ And it comes with a Content Warning: Recommended for ages 14+. Contains mature themes including war, violence, political oppression, misogyny, references to sexual violence, and emotional distress. Viewer discretion is advised.

    Wharf Theatre, Devizes

    21st โ€“ 26th September 7.30pm

    Tickets ยฃ20 including booking fee (discount available for Wharf Members) Booking Link


    Trending….

    Something went wrong. Please refresh the page and/or try again.

Song of the Day 3: Harmony

Look, right, I’m not at the top yet, but it’s in clear sight. A round number, of the half century kind, awaits me atop the hill, and there’s no stopping the ride to get off.

I guess reaching these milestone ages causes you to analyse your life somewhat, and if there’s one thing I do know in all my years, it’s that I’ve told some colossal pork pies. Some real stinkers. I don’t know why, other than occupational hazard as a journalist, I’ve no excuses, not one which will wash with you clever lot.

Whether it be for the prestige, the glory, or, sometimes just for the sheer hell of it, just because the golden opportunity arose and I couldn’t stop myself, they just slipped out.

I’m not proud, just saying, you know, get it off my chest. Not compulsively, though, I’d go as far to say the majority of what I say is true.

Why do people say, “I’ll be honest with you…” ? Well duh, I sincerely hope you do anyway, it should go without saying. But the phrase immediately raises the alarm; I’m guessing a whopper is on its way. I never use that phrase on principle. The principle I don’t trust myself to keep to it.

See, what with the whopper, the real damaging kind of fib. I consider my track record on that quite good, I tend to lie to big myself up, but not to put others down. I tend to lie to make light of a situation, rather than darken the notion. I tend not to lie to anyone I trust not to lie to me, and I’ve seen too many of them backfire anyway, so, I’m done with lies, filled my quota but retain decency in not being overly destructive with them; quantity not quality!

And anyway, I don’t lie here, cos I trust you all, I really do. This isnt a tabloid, this is me. Clearly you get what you see, which might be a waffling clown but, hey.

So, Harmony, from Chippenham, on the subject of liars; she’s not singing about me, no sir, not when I say with all the honesty left in me, this young singer-songwriter I’ve discovered via Sheer music, has got something really special. And even if I was lying, which I’m not, I’ve shared the video, to prove it.

And that’s Song of the Day, for the third day. It’s become a popular feature, overnight, honest.

Should you choose to believe that!

Have a lovely rest of your day. Very good. Carry on….

Ain’t Nobody’s Business but Ruzz Guitar and Pete Gageโ€™s

Iโ€™ve said it before, said lots of what Iโ€™m going to say before, in fact, but I reserve the right to say it again. And you canโ€™t blame me, itโ€™s this Groundhog Day thing, this exasperating lockdown. I perpetually revert my mind back to the last night of live music I attended, Ruzz Guitar Blues Revue at Devizes Sports Club with Peter Gage, Jon Amor and Innes Sibun. How I suspected walls could come crashing down, but didnโ€™t want accept it, neither at the time acknowledge it would be so soon. Still, optimistically, what a blinding night; least we went out with a bang.

I mean, I know and Iโ€™m eternally grateful to everyone who acted to do what they could immediately after the first lockdown, the afternoon sessions at the Southgate, and our own outing for Devizes;IndieDay, but as good as they were, as Ray Charles said, the night time is the right time. Ode to the gig, the gathering and the celebration, how we miss it so. Are you with me? You are, right?

Faced with the unwelcome likelihood of the first anniversary of the occasion coming around and still, no live music, I have to ponder how far to the light at the end of this gloomy tunnel. And to rub salt into the wound, Ruzz has released a new track, featuring the very same blues legend Peter Gage! But as far as salt goes, upon hearing this tune Iโ€™m like a halophile (a salt-loving organism; look it up, people) living on the back of a saltwater crocodile, basking at the shore of the Dead Sea.

A cover of Jimmy Witherspoon’s tune Ain’t Nobody’s Business, Ruzz explains, โ€œwe’ve taken the B.B. King and Freddie King versions, mashed them together and added an RGBR flavour into the mix! Weโ€™ve been working hard on this track since Christmas and we’re all very excited to release it.โ€

And so, they should be, itโ€™s sublime, as ever. Habitually, I favour Ruzz and the Blues Revue when they work up a frenzy, but this is smooth, this is blues, the kind of blues you need contemplating the anniversary of the gig ban, and if you attended, it will remind you of it too. If not, it doesnโ€™t matter, it just breezes over you, as all virtuous blues should.

I mean, right, the guy was from The Sloane Squares, headhunted by Shadows bassist Jet Harris upon them supporting Hendrix, and thatโ€™s just the beginning of his extensive profession. Peteโ€™s proficient vocals, gives it that edge of aforementioned BB King influence, the arrangement and tightness of this collaboration are like the chimes of seamless bellringing, hereโ€™s the Blues Revue on top form, adding guests of calibre and concluding as perfection; quid well spent.


Latest Reads….

Stonehenge or Bust; Duck n Cuvver Scale the Fence!

The last thing Robert Hardie wants is to be portrayed as villainous, or condoning mass trespass, though he accepts some might interpret breaking over the fence at Stonehenge as such. Chatting to this veteran on the phone this morning, he described the exhilaration and sensation of wellbeing, wandering between Wiltshireโ€™s legendary stone pillars, but expressed he doesnโ€™t wish to encourage others to follow his example, only to raise awareness of his crusade.

Frustration with English Heritage was the prime motive for taking the leap, displayed in his video doing the rounds on social media. But one half of Salisbury folk-rock indie duo, Duck n Cuvver has been fundraising for over three years to be able to shoot the final part of a music video inside the stone circle. โ€œInitially,โ€ he said, โ€œEnglish Heritage said it would cost ยฃ750, then they suddenly upped it to ยฃ4,500.โ€ I asked Rob if they gave an explanation, a breakdown of what the costs involved to them would be. He replied they hadnโ€™t.

My musing wandered over the occasion two years ago when local reggae band, Brother from Another pulled a publicity stunt recording themselves atop Silbury Hill, to wide criticism, but how The Lost Trades recently played around Avebury stone circle without trouble. Rob and Ian cannot call a compromise though, being the subject of the song, Henge of Stone, is as it says on the tin. As he explained to the Salisbury Journal back in 2019, โ€œThis video will make history โ€“ singing about Stonehenge in Stonehenge.โ€

Clearly enthusiastic about covering our ancient local landmarks as song themes, Rob told me heโ€™d written about Avebury too, and how he played them to the solstice crowd there. This part of our conversation ended with him reciting a few verses in song, and expressing the feeling of joy as the crowds sang them back to him.

While he didnโ€™t rule out this was a publicity stunt too, we discussed the necessities of the project. Rather than being a colossal movie production, with the atypical entourage, trailers and crew, all thatโ€™s needed is his partner in crime, Ian Lawes, and possibly the accompanying musicians, Chris Lawes, Jamez Williams, Louis Sellers and Paul Loveridge, a cameraman and a few instruments. The mechanics of shooting the footage would be simple, itโ€™s unplugged, being thereโ€™s no electricity on site, and Rob explained how mats would be provided to protect the grass. Besides, if EHโ€™s concerns were for the welfare of the site theyโ€™d simply say no, surely, not put a price on it.

Thereโ€™s therefore no justice, in my mind, really, on the exceptionally high price tag. Only to assume English Heritage is out to profit. Contemplating on recent outcries concerning activities around Stonehenge; the solstice parking debacle, closing for winter solstice and of course the tunnel, which we mutually dismissed as ludicrous on the grounds excavating there would obviously turn up some ancient findings and archaeological digs, and protection rights would whack the project way over budget, it feels the quango run agency is not the best method to protect our heritage sites, if the conservative ethos is revenue driven rather than insuring itโ€™s splendour is for all to enjoy and savour. As Rob points out in the film, โ€œStonehenge belongs to fucking us!โ€

Ah, story checks out; even English Heritage states similar on their website, if not quite so sweary! โ€œThe monument remained in private ownership until 1918 when Cecil Chubb, a local man who had purchased Stonehenge from the Atrobus family at an auction three years previously, gave it to the nation. Thereafter, the duty to conserve the monument fell to the state, today a role performed on its behalf by English Heritage.โ€ Itโ€™s basically one extortionate babysitter, calling the shots.

I enjoyed chatting with Rob, even if my plan to record the dialogue backfired due to my poor tech skills! I apologise to him for this improv article.

Iโ€™m surprised to not have previously heard of Duck n Cuvver, we tend to get vague coverage of the Salisbury area; something I need to work on. We did rap about our mutual friend, the pianist prodigy, young Will Foulstone, among other things.

The duo are sound as a pound, though, real quality folk rock come indie sound, the song is cracking, proper job. Which is why theyโ€™ve supported the likes of the Kaiser Chiefs and The Feeling, and recently performed at the National Armed Forces Day. Ardent about his music, this veteran explained his service inspired the band name, and continued to express his passion for this particular song, something which has been evolving over five years, and it shows. He described it as a โ€œcelebration of life,โ€ dedicated to a friend who passed away, from cancer.

Both members of the duo are good, charitable folk, and if Rob did climb the fence at Stonehenge recently, note he lives within the restricted range of it to constitute it being his daily exercise. From our phone call alone, I could tell theyโ€™re not the sort to abuse the trust, if it was given to them, to perform at Stonehenge, thatโ€™d be a magical moment, and, well, we could do with a magical moment right now. So, if you can help fund their campaign, youโ€™ll find a link to do so here.

I’ll pop the song which is kicking up all the fuss below, and leave with a thanks for the natter, Rob, and I wish you all the best with the crusade; Stonehenge or bust!

    


Song of the Day 2: The Big Ship Alliance and Johnny2Bad, featuring Robbie Levi and Stones

Newly-formed just a year ago, this Birmingham-based seven piece reggae band, Big Ship Alliance started out as possibly the only tribute act to reggae legend Freddie McGregor, but on track to record their own material they’ve teamed up with the outstanding UB40 tribute act, Johnny2Bad for this gorgeous topical debut single.

Featuring Robbie Levi and Stones, aside from my love of all things reggae, the song’s positive message of togetherness and unification during this era of the pandemic makes it more than apt for my second “song of the day” post. Though I did say I wasn’t intending to write anything like a review on this feature, just let you enjoy the tunes, and this is kinda heading a little bit “reviewy.” Probably cos it’s such a nice tune.

I also promised not to waffle; but I’m here now. Something about having your cake and eating it goes in rather appropriately at this point!

More so than being my song of the day, I believe this should be, as the Big Ship Alliance say themselves, “the anthem for 2021!”

Determined to make this feature a goer, as of yesterday’s pledge to add a song each day, ingeniously titled “song of the day.” I know, right, it scares me at times, I’ll be honest!

So, enjoy this fantastic tune, let the good vibes roll and have a great rest of the day. Same time tomorrow then?

Very good. Carry on….

Song of the Day 1: Atari Pilot

Irregularly I share a music video to our Facebook page with the status “song of the day,” or week, or whenever, as if it’s a daily occurrence. When the reality is it’s a big, fat fib on my part, it’s only when I happen to find such a video and can be arsed to share it. What-cha gonna do, sue me?

So, just in case your lawyer says you have a case, I thought I’d streamline this sporadic idea for 2021, make it an actual feature on the site rather than a Facebook post, and show off that I know what long words like “sporadic” mean.

Little more gone into it than this, you should be used to it by now. I’m not going to review them, just embed them here for your own appraisal and entertainment purposes. Potentially, it’ll be a groundbreakingily breif post, a simple but effective phenomenon, and something I can do without missing the Simpsons.

The challenge is consistency; whether I actually stick to the idea or, like others, it’ll be a flash in the pan. Who knows, this could be the start of something beautiful, this could be the thing they’re talking about in decades to come. A holographic Ken Bruce could be asking “what was the very first Devizine Song of the Day” in a Pop Master 200 years from now.

And you can answer it with who I bestow this honour, Atari Pilot. They’ll be revelling in the triumph of the hour if it wasn’t lockdown, I bet.

History in the making then, the only issue I foresee is I over-waffle any old crap, which is, incidentally, not what’s happening now and rarely does here; I had to explain myself, didn’t I?

Okay, I get message; here it is then, enjoy the tune, enjoy the rest of your evening. Good job, carry on.


  • 3 Daft Monkeys Jumping on The Barge at Honeystreet

    I can be sent an album, review it because I love it, and put the artists atop of my cognitive must-see list. Although the list will grow as time progresses, Iโ€™m the elephant with a knotted trunk, awaiting some legendary local venue to announce, yeah, weโ€™ve got these guys comingโ€ฆโ€ฆ 

    In this case the legendary venue is the most apt for this act locally, it is the worshipped Barge on Honeystreet, and the band are the cider-infused Cornish scrumpy & western choir with a message to breakneck Balkan beats, 3 Daft Monkeys; Iโ€™m jumping on this bed and if I hit my head Iโ€™m waiting for no mama to call the doctorโ€ฆ..

    It seems the further west country you trek, across thar cider border, the crazier folk meshed danceable energy embellishes, with carefree counter-culture vibes. But, slightly eastwards to us thereโ€™s the remaining outpost of sanity, rejecting todayโ€™s mangled status quo and botched mainstream society. For those in agreement, The Barge is a temple, and a wharfside campsite, holding a spiritual synergy of its own making, and perhaps a few crop circles.

    If Iโ€™m going to see 3 Daft Monkeys on my doorstep, there isnโ€™t a better place to do so. So, Saturday 26th September marks the occasion, owner Lenny No Strings supports. Lenny and his team have continued the authentic nonconformist vibe of the place, and transformed The Barge into the kind of place weโ€™d have wanted it to be back in the nineties, with a homely festival vibe.

    Itโ€™s been two years since I fondly reviewed Information Camouflage, 3 Daft Monkeyโ€™s 2024 album, and Iโ€™m delighted for the possibility of finally catching them live. At the time they described their latest release as โ€œa rich, life-affirming tapestry that masterfully blends world folk inspirations with wild punk-infused energy and modern storytelling,โ€ and I could only agree. I said Information Camouflage called to me, as I โ€œyearn for the alternative, the quirky and curious counterculture,โ€ and it bears such hallmarks. I made reference to its melting pot, citing punk, ska, gypsy folk and bonkers west country underground. I hailed its frenzied fiddles, frivolous beats, poignant messages and its dreamy psychedelic vaudeville.

    I also said at the time; โ€œall this album has done, other than entertain me highly, is confirm that, if they were playing a festival Iโ€™m at, and my mates wanted to go do something different, Iโ€™d be saying โ€œsee you later,โ€ and making haste for the stage 3 Daft Monkeys are on!โ€ But unfortunately that didnโ€™t happen, Iโ€™m not getting any younger, so I hope to be there.

    I mean, I could scribe a few words about this event, probably I will, because thatโ€™s standard issue with me now, like a lost little diarist. But donโ€™t leave me lonely there, waiting for me to tell you what you missed! Tickets are HERE. 


  • โ€œPlayhouse Creaturesโ€ at The Wharf Theatre, Devizes, October 8th-10th – A preview

    by Ian Diddams

    images by Simon Hoy

    This tragi-comic play, set in 1660s London, focuses on the first English actresses allowed on stage after the Restoration. It explores the lives, struggles and camaraderie of five women navigating a male-dominated world, dealing with sexual exploitation, ageing, and the fight for artistic freedom. Bawdily funny yet profound, Playhouse Creatures explores the pitilessness of ageism and the need for economic independence. The play highlights the harsh realities of the early theatre scene, where actresses were often seen as ‘animals’ or ‘creatures’, rather than respected professionals. [ 3rd Third Theatre ]

    While April de Angelisโ€™ play is โ€“ as above โ€“ set in the second half of the seventeenth century, and there are mentions to historical events of that period โ€“ the beheading of Charles I, Charles II, the plague, the Great Fire of London โ€“ as well as references to the contemporary theatre still of Shakespeare – nonetheless the real messages and contexts of its story are universal throughout time, including the present day. Its really about the patriarchal oppression of the female of the species, and only somebody that is living in a cave could fail to recognise that these womenโ€™s struggles are reflected in issues facing women almost four hundred years later than the playโ€™s timeline. And then within those broadest of divisions, are portrayed further social demographics between the women of the storyโ€ฆ of class differences.

    Some of the characters are actual historical figures, others a melange of types, none more so than the nominative deterministically named Doll Common. Played by Louise Peak, she represents the working class and is an everywoman โ€“ cleaner, dresser, messenger et al

    Elizabeth Farleigh, played by Sophie Kerr, is a societally acceptable woman, somewhat disdainfully interacting with those she sees as beneath her social position. However, she falls from grace and ends up as one of the under-class she previously showed open contempt for. Mary Betteton, delivered by Wendy Dophiede, is the matriarch of these women โ€“ a long-standing actress of note and phenomenal palmarรจs, whose husband ran the theatre they performed inโ€ฆ and who fell from her pedestal when replaced by younger, prettier actresses.

    Nell Gwynn, portrayed by Grace Sheridan, probably the most well known today of the characters portrayed is a rags to riches story of commoner to leading actress and eventually a kept woman by King Charles II, while Rebecca Marshall, represented by Freddie Underwood, uses her connections as an actress to socially climb by marrying an Earlโ€ฆ to end up shunned by society as she is first tricked by a man, and then accused of a heinous crime.

    Five women, all under the control of men, trying to escape their lotโ€ฆ and all in differing ways ending up still oppressed by the patriarchy whether they rose, fell or trod water in life

    Five women, five stories, loosely intertwined. โ€œPlayhouse Creaturesโ€ is so much more than just five timelines though. It is funny, shocking, dramatic, poignant. These five actors and director Debby Wilkinson have together brought a black box performance to life, in the debut performance by new kid on the block, โ€œ3rd Third Theatreโ€.

    You can catch this rather super production in a few weeks time at

    The Wharf Theatre, Devizes between October 8th and 10th, tickets available from https://www.ticketsource.com/the-wharf-theatre/playhouse-creatures/e-jpykpl

  • Halloween Firewalk for Wiltshire & Bath Air Ambulance

    Would you dare to join Wiltshire & Bath Air Ambulance at their airbase on Friday 30 October 2026 for an unforgettable Firewalk Challenge?

    Feel the buzz, face your fears, and experience the ultimate adrenaline rush as you walk barefoot across hot embers beneath the autumn night sky – all while supporting Wiltshire & Bath Air Ambulance’s lifesaving work…..

    Firewalk 2026


    This spooky season, Wiltshire & Bath Air Ambulance say “weโ€™re turning up the heat, and asks you to join them at their airbase for an unforgettable Firewalk Challenge. Feel the buzz, face your fears, and experience the ultimate adrenaline rush as you walk barefoot across hot embers beneath the autumn night sky – all while supporting our lifesaving work.

    The embers will glow a vivid red, with temperatures often reaching approximately 1,200 degrees Fahrenheit.

    Firewalking isnโ€™t about fitness – itโ€™s about mindset. With expert guidance and a powerful group atmosphere, youโ€™ll build courage, confidence and belief before taking those unforgettable steps across the coals. There is no training required!

    Sign up fee:

    • Adult: ยฃ35
    • Child: ยฃ25 (12-16 years)
    • Team of 4: ยฃ120

    Why not get your colleagues or friends together and take on the challenge as a team?

    They ask every participant to pledge to raise a minimum of ยฃ100. As a charity, Wiltshire & Bath Air Ambulance receive no government funding and rely heavily on the generosity of community and events like this to continue delivering their vital services across Wiltshire, Bath and beyond. They will provide fundraising tips, ideas and support to help you smash your target!

    Be Brave! Sign up HERE


  • Ruby Darbyshire’s Freeman Tribute at Ilfracombe Festival

    If it’s not unusual for Wiltshire singer-songwriter Ruby Darbyshire to break out the bagpipes at a gig, it’s often for a solo stint of piping. Yet Ruby continues to experiment with ways she can merge piping into her music, and this, recorded last weekend at Ilfracombe Maritime Festival, shows Ruby at her best, backed with a band playing a tribute to the victim of the worst miscarriage of justice in British history, Clive Freeman….

    It was sent to us via Ruby herself, and we love it. Please like and share this video, it is outstanding. It explains why we support this artist as much as we do, hope to see her performing here soon, and wished we were in Ilfracombe last weekend! This is a watch party, I’ll say no more!


  • โ€œPink Mistโ€ at The Mission Theatre, Bath, September 9th-12th

    by Ian Diddams

    images by Mike Stevens

    This week marks 25 years since 9/11 (11 September 2001), when the world awoke to the news that Al Qaeda hijackers had flown two commercial airliners into the Twin Towers, causing their collapse and a devastating loss of life. In 2006, British troops were deployed to Helmand Province; these years saw some of the heaviest combat and the highest UK casualties. UK combat operations formally ended in 2014, having had a very real human cost for the UK with 457 British service personnel killed, more than 600 serious casualties and thousands of medical evacuations. (Kitty Muffet โ€“ Director).

    โ€œPink Mistโ€ by Owen Sheers portrays the experiences of three young men from Bristol, and the women in their lives, who sign up to the British Army aged in their teens in 2008 and are deployed in Afghanistan. Its content, though fictional, is drawn through Sheerโ€™s interviews with actual military veterans that served there, for a previous play โ€œThe Two Worlds of Charlie F.โ€ It delivers an, at times, harrowing story of three boys going to war, three boys in war, and three boys coming home from war, broken, damaged โ€ฆ or draped in a flag. While three women, girlfriend, mother and wife with young child become equally scarred through concerns, worry and grief. โ€œBoysโ€ and โ€œWomenโ€ โ€“ two sides of the same coin. We live in a patriarchal society but itโ€™s the matriarchs that are its glue and carry the burdens, and โ€œPink Mistโ€ amply demonstrates this as the women pick up the pieces.

    The story was originally written and recorded for BBC Radio 4, and broadcast as five, fifteen-minute episodes in 2012, then adapted into a verse-drama book in 2013, winning the โ€œWales Book of the Yearโ€ award in 2014. Subsequently it was again adapted as a stage play which premiered in 2015 at Bristol Old Vic. As such as a stage play it is not โ€œactionโ€ heavy yet director Kitty Muffet has created some powerful non-active interaction; tableaus and frozen positions from characters not involved in a scene or dialogue. Some of these tableaus last for multiple minutes โ€“ the opening scene is at least ten minutes during which the only speech โ€“ bar a minimal very few lines โ€“ is given by Arthur played by Jonathan Taft. During that monologue there is movement from characters directly involved in the story when mentioned, but otherwise all sit perfectly still until it is their own time to strut and fret their hour upon the stage. All actors remain on stage throughout the entire play in this powerful manner.

    The book also won the 2018 โ€œWilfred Owen Poetry Awardโ€, extremely fitting as the play evokes connections with that poetโ€™s own WW1 works โ€“ as the three lads sign up, gung-ho and crying โ€œWho wants to play warโ€ and desperate for action, we surely recall immediately โ€œDulce et Decorum estโ€, and the pals battalions of 1914.

    It would be remiss to give any more of the plot away as its strength and its impacts come as each new layer of the story is revealed, so I urge you to go and see it this week at the Mission Theatre, Bath, performed by โ€œNext Stageโ€.

    The boys Arthur, Taff and Hads are played respectively by Jonathan Taft, a Next Stage stalwart, Arthur Williams, in his first appearance since school, and James Hacker, in his second Next Stage production. All three excellently convey the youthful exuberance and naiveness when signing up, then the shocking appreciation of the realities of war, and then the consequences of their own involvement.

    No less excellent are the women in their lives picking up the pieces after initial worries, arguments and concernsโ€ฆ Arthurโ€™s girlfriend played by Perrine Maillot, another long-standing Next Stage performer, Hadโ€™s devoted mother Sarah, wonderfully performed by Tania Lyons and demonstrating all her stage craft and experience, and Taffโ€™s young wife Lisa played by Poppy Morris in her stage debut โ€ฆ Poppy has set her own bar extremely high right at the start of what must be a stunning acting career.

    This is Kitty Muffetโ€™s directorial debut with Next Stage and as mentioned above already has created something very special with this dialogue heavy and precise actioned piece, including some clever choreography especially in the opening monologue by Arthur. She is aided and abetted by Andrew Muffet as Stage Manager, and tech crew Hannah Johnson, Jamie Woodington and Kris Nuttal. Music provided by Bill Whelan.

    Amongst all the wonderful prose, and delivery there are snippets of realisation oneselfโ€ฆ the use of colour descriptions throughout the playโ€ฆ blue, green, red, black, roseโ€ฆ and pink. And if you donโ€™t know the meaning of the playโ€™s title before you see this, you will learn it well before the end. Then there is the juxtaposition of two types of โ€œfriendly fireโ€ โ€“ one war, one domestic.

    This is not to be missed. Take a hanky, Have a stiff drink afterwards.

    You may well need both.

    โ€œPink Mistโ€ is performed at The Mission Theatre, September 9th-12th at 7.30pm, with a matinee at 2pm on Saturday 12th.

    In addition, there is a Q&A with the author and playwright, Owen Sheers, at The Mission Theatre between the matinee and evening shows. Held at 4.15pm in the theatre, entry is ยฃ5, all of which goes to the charities being supported by this show, the Royal British Legion and the Royal British Veterans Enterprise, supporting those affected by the Afghanistan conflict and by conflicts past and future.

    Tickets are available from https://www.missiontheatre.co.uk/tickets?category=1.+Pink+Mist

  • I See Orange Pining For Apollo

    If spring saw Swindonโ€™s premier rock trio I See Orange breaking new ground on a US tour, autumn brings with it their first full length album, Pining For Apollo; prepareโ€ฆ

    I See Orange come at you loud and proud. Itโ€™s driving rock versus edgy grunge, but unafraid to test the boundaries of either subgenre as they form foundations into commercial rooms fit for The Cranberries or The Cardigans. Yet they never abandon their idiosyncratic image of dolls and gore, nor their distorted power chords and dark focussed themes of apathy and alienation with sassy overtones. Pining For Apollo was released yesterday, and proves this, professionally.

    I See Orange match with a chemistry every band must envy. Formed in 2022 when frontgirl Giselle, originally a folk-pop singer-songwriter moved here from Mexico, and an impromptu rehearsal session with Cameron and Charlie established potential magic. Inspired by nineties and millennial alt-rock, they add their own unique post-grunge flavour.

    Recorded at Western Audio Studios, produced, mixed and mastered by Claire Sutton, rolling drums kick us into Pining For Apollo, a minute until the full force of I See Orange hits you in the face, and shakes your bones. Thirteen solid tracks of dynamite follow, and, unlike the rising and falling template of grunge, I See Orange rarely comes up for air. Velvet Scars is a downtempo exception to this rule, leisurely it rolls out like the penultimate moodsetter on a setlist.  

    Thereโ€™s all the recent singles weโ€™ve previously fondly reviewed, Mental Rot, La Bruja, and my personal fave, the playful anthem Doll Guts. With them and between them the songs are stylised, carving a definitive methodology. The band say โ€œIt is the introduction of our music and our band to the world. Thereโ€™s nothing we love more than making music together and these songs are a compilation of our passion, effort, hope and pining for our dreams to materialise and become our reality.โ€

    Feebleness is a prime example. Three tunes in, it breathes fresh air into I See Orange while retaining their common theme of doubt, debility and inferiority complex. Then the haunting La Bruja follows, subtly confident when hexed. The album as a whole is dark mien, erotic at times, it contrasts winsome with macabre and through adroit unification musically it swathes them all into an electric blast of sublime and fulfilling rock.

    If the eleventh and twelfth tracks project with grunge fury, the finale offers something more delicate indie-folk with commercial viability. Nice, but I want I See Orange breaking new audiences gradually by not losing their edge, rather than falling through a mercantile pothole, because this album is a fantastic showcase to be savoured by a majority. ย ย ย ย 

    Stream & Download โ€˜Pining For Apolloโ€™ by I See Orange.


    Trending….

    Pride Where Pride is Needed

    Pride month finds me wondering if Pride events are actually needed more in our smaller market towns where awareness and acceptance is perhaps lesser thanโ€ฆ

    Keep reading

    Something went wrong. Please refresh the page and/or try again.

  • DOCA Awarded National Lottery Grant

    Congratulations to Devizes Outdoor Celebratory Arts, who announced yesterday that they’ve been awarded a substantial National Lottery Project Grant from Arts Council Englandโ€ฆ.

    This is amazing news for everyone in Devizes, on the day of their carnival, which in recent years required Devizes Town Council to subside it after years of Arts Council cuts prevented DOCA’s most elaborate free events from going ahead.

    Could we see a return of the beloved street festival? DOCA say they will launch โ€˜A Season of Discovery,โ€™ a brand-new summer and autumn programme of festivals, live music, workshops and performance across Devizes and the surrounding area.

    When I think back over the years at all the fantastic events DOCA has produced for us, this news gives me hope we can recapture the spirit of them once more. Carnival, today, tomorrow, who knows?!


  • Chippenham MP Sarah Gibson Reflects on Shayne Hambakachere Case

    Looking at the evidence presented by the media on the Shayne Hambakachere case in Chippenham, unless there is something weโ€™re not being told Iโ€™m of the opinion there has been a serious miscarriage of justice. I spoke to Chippenham MP Sarah Gibson about this terrible outcomeโ€ฆ..

    Shayne Hambakachere was a 16-year-old aspiring bricklayer and a pupil at Hardenhuish School, who tragically died after being fatally stabbed on 31st of January 2026. Shane had met the attacker in an alleyway near London Road, to settle a dispute over stolen cannabis.

    Unarmed at the time, Shane sadly passed away the following day at Southmead Hospital in Bristol. A 16-year-old boy, 15 at the time of the incident, cannot be named for legal reasons.  He stood trial at Bristol Crown Court. The court heard that the defendant filmed the confrontation on his mobile phone, capturing footage of Shayne trying to back away when the weapon was produced.

    Yet, at the trial on the 20th August, the jury found the defendant not guilty of both murder and manslaughter. The defendant argued that he acted in self-defence, claiming he brandished the knife to scare Shayne away because he feared he was about to be attacked.

    I asked Sarah Gibson if she felt an inquiry to the trial should be opened. โ€œShayneโ€™s death was an appalling tragedy which has had a profound impact on his family, friends and the wider Chippenham community,โ€ Sarah explained. โ€œI appreciate that the outcome of the trial has caused considerable confusion and concern locally.โ€

    โ€œI met with Shayneโ€™s family following his death and have remained in contact with them. When I met with the family, I made a commitment that I would not make public comments about Shayne, or pursue action specifically in his name, without an express request from them to do so. I believe very strongly that any decision about whether they want me to become involved following the conclusion of the trial must come from Shayneโ€™s family.โ€

    โ€œIf Shayneโ€™s family ask me to support them, raise questions on their behalf or help them seek further information from the relevant authorities, I will of course do everything appropriate within my role as their Member of Parliament to assist them.โ€

    โ€œFor the same reason, I am not currently calling for a public inquiry into Shayneโ€™s case. Any such step would need careful consideration and, above all, I would want to understand and respect the wishes of his family rather than make that call on their behalf.โ€

    This is completely understandable, and my heart goes out to Shayneโ€™s family at this terrible time. I also respect the court decision, if there may have been evidence not disclosed to the public. But, Sarah reflects my wider sentiments about the wider implications, in her last paragraph to me. โ€œThat being said,โ€ she continued, โ€œthere are wider issues raised by this case which require serious attention. I was particularly concerned by what was said during the trial about the influence of gang culture, county lines and social media content involving knives, guns and drugs on young people.โ€

    โ€œI am actively working with organisations across the constituency on harmful online content and its impact, particularly on boys and young men. We need to understand how children can become exposed to this material, how we intervene before that exposure escalates, and what more schools, families, social media companies, communities and government can do to protect young people.โ€

    Stopping to consider when Nigel Farage used the phrase โ€œpure cold rageโ€ in June, to describe how he thought the public should react to police actions during the Henry Nowak case, who was similarly stabbed in Southampton, the lines I cannot help reading between, when considering why Reform are not irresponsibly encouraging the same public outcry with this case.

    Face the basic fact, Shayne was tragically killedโ€ฆ over a bag of plants. Only vengeful people supporting a clear and irrelevant racial narrative want a reaction of “cold hard rage,” to any murder case, but careful consideration of its reasoning should be welcomed, for the purpose of preventing other similar incidents. 

    Plants which could be controlled if decriminalised. Plants which rarely cause any significant damage, and the only damage they might, is surely caused by their legal status, and consequently their connection to harder drugs and other related crime, through the black market theyโ€™ve been assigned into. The war on drugs debate is nonsensical and irrelevant now, as it never worked. You can point the finger at โ€œharmful online content,โ€ or โ€œgang cultureโ€ when the facts are this happened in an alley, not online, and this appears to be two individuals, not gangs.

    Of course, the family of Shayneโ€™s wishes should be respected, but the caseโ€™s wider implications must surely be considered, and acted upon. It may be radical, but I believe it is long overdue to review our laws on recreational cannabis use. For if it was decriminalised, the prices could be fairer, without any need to steal it, and this alleyway confrontation, this senseless murder, would not have happened. Many crimes would not have happened.

    Legalise it, tax it, and spend the profits on drug misuse education, but to continue to fight against it, by tightening the laws of its prohibition clearly isnโ€™t working, as this terrible incident proves. I thank Sarah for her time, but I worry this issue will be brushed under the carpet and shamefully, allowed to reoccur. There’s words, let us see actions, via open and honest debate, not shrouded by the misconceptions of cannabis use.


  • Wiltshire Music Awards Announce Ceremony Lineup, Excruciatingly AIย 

    With an AI-powered poster so excruciating I cannot bring myself to show it here, this yearโ€™s Wiltshire Music Awards announce the lineup for their ceremony. Should we judge a book by its cover?! The event looks great, but the AI epidemic has infected this, and is so cringeworthy it doesnโ€™t invite attention, which is a shame when the tagline reads โ€œinspiring Wiltshireโ€ฆ..โ€

    I canโ€™t look at it for too long at a time; itโ€™s got an Oscar on it! Why has it got an Oscar on it?! Isnโ€™t suggesting itโ€™s the most prestigious awards in the film industry raising expectations somewhat?! Itโ€™s on Saturday 14th November, at The Melksham Assembly Hall, not Hollywood. Oscars may/may not be presented at the ceremony, that is unconfirmed.

    What is confirmed is raising the bar several notches over the marketing; some top local acts, with an odd opening presentation. If you see me there and Iโ€™m sporting a cresting scumbucketed shirt and misted glasses, itโ€™s because thereโ€™s a burlesque chair dance introduction! Begging the question, what burlesque has to do with musicians in Wiltshire winning awards, but when you get to my age you canโ€™t be picky.

    What I do love about it is Talk in Code, 5 Nights at Adyans, Ruby Darbyshire and Fly Yeti Fly are on the roster, and The Syvertones will be entertaining during the break. Some great acts which truly represent the local music scene.

    And thereโ€™s an after party with the Unpredictables, DJ Alex, and some random chap who remains unnamed on the poster! Tickets are ยฃ12.50 from HERE.ย I cannot abide by this AI pandemic any longer. I will joke about it, and encourage organisers not to use it; but while it is unwelcome here, perhaps we should compromise when it’s a great event, supporting local musicians.

    Update: poster changed, due to my whingeing too much time on my hands ramt!


  • Howard Barkerโ€™s Scenes from an Execution Coming to Wharf Theatre

    The Wharf Theatre production presents an electrifying confrontation between artistic truth and political authority, with a content warning! Howard Barkerโ€™s Scenes from an Execution is coming to the Wharf Theatre, Devizes. Gripping psychological drama; theyโ€™ve got it coveredโ€ฆ..

    Directed by Jax Brady, Howard Barkerโ€™s 1984 BBC Radio 3 drama, Scenes from an Execution will be running from 21st to the 26th September. Iโ€™ll be reviewing it here before its release, but itโ€™s okay, Iโ€™ve been executed loads of times before, piece of cake!

    What is the price of telling the truth? What happens when art refuses to serve power?

    In Howard Barker’s provocative drama, audiences are transported to Renaissance Venice in the aftermath of a military victory. Celebrated painter Galactia is commissioned to create a grand work commemorating the state’s triumph. But instead of crafting a monument to glory, she paints the brutal reality of war, exposing bloodshed, suffering, and human cost.

    What follows is an explosive battle between an uncompromising artist and the forces determined to control her vision.

    Part political thriller, part psychological drama, Scenes from an Execution remains one of the most powerful explorations of censorship, creativity, and resistance ever written for the stage. Barker’s razor-sharp dialogue and fearless storytelling challenge audiences to ask whether art exists to comfort, to celebrate, or to confront. This production brings renewed urgency to a play whose themes resonate as strongly today as ever.

    Rich with dark wit, intellectual intensity, and emotional power, Scenes from an Execution invites audiences into a world where beauty and violence collide, and where the act of creation becomes an act of rebellion.

    Critically acclaimed since its premiere in 1990, Barker’s modern classic continues to captivate audiences with its bold examination of art’s role in society and the enduring tension between freedom of expression and political control. This in-house production from The Wharf brings you high-quality drama at its best. With a very adaptable and capable cast of six actors, playing 20 roles, the Wharf brings you gripping psychological drama from well-loved Wiltshire actors.

    According to material from the University of Waterloo’s production archive, Barker wrote the play in part as a response to contemporary politics, particularly Margaret Thatcher’s aggressive response to Argentina during the Falklands War. The historical story allowed him to examine modern concerns about war, nationalism, and the use of art to support political agendas.

    The play also reflects Barker’s wider theatrical philosophy. He was interested in creating drama that challenges audiences rather than reassuring them. Galactia’s refusal to glorify war embodies Barker’s belief that art should provoke thought and reveal difficult truths instead of reinforcing official narratives.

    The Wharf advises us to, โ€œprepare for a theatrical experience that is challenging, unforgettable, and profoundly relevant.โ€ And it comes with a Content Warning: Recommended for ages 14+. Contains mature themes including war, violence, political oppression, misogyny, references to sexual violence, and emotional distress. Viewer discretion is advised.

    Wharf Theatre, Devizes

    21st โ€“ 26th September 7.30pm

    Tickets ยฃ20 including booking fee (discount available for Wharf Members) Booking Link


    Trending….

    Something went wrong. Please refresh the page and/or try again.

Big Bath Sleep-Out: At Home

Avoid the irony, sadly this year Bathโ€™s annual big sleep-out event in Alice Park cannot be for obvious reasons. But homelessness during a lockdown is no joke. Julian House and Bath Boules Charitable Trust lay down a more local gauntlet, inviting you to join in with a sleep-out in your garden, on your balcony or your kitchen floor, sticking to your household/social bubble.

Itโ€™s okay, calm down, itโ€™s not until 5th March, when hopefully weather will be more clement, a reality homeless donโ€™t get. So, to stand up against homelessness, challenge yourself to sleep out for just one night at home and help raise vital funds and awareness for men and women forced to do so every night.

Last year they provided life-changing support to over 1,400 vulnerable individuals who were experiencing, or at risk of, homelessness across Bath, Bristol, and the South West. Itโ€™s a grim realisation, that without support like this, the life expectancy of a long-term homeless person is just 45 years. By sleeping out, you can change that.

On top of everyday challenges, the on-going impact of Coronavirus has had a devastating effect on the men, women, and children in care. Collectively you can help provide the lifesaving services and support they so desperately need right now.

More details here



Chatting with Ruby Darbyshire

There’s the story of one newfound fan who, after her performance, asked Ruby how many copies of her CDs she had, bought the lot and distributed them freely throughout the audience! Ruby Darbyshire has that effect, seemingly wherever she goesโ€ฆโ€ฆ Iโ€™m thrilled Ruby is playing RowdeFest on 30th May. On 21st June she supports Chantelโ€ฆ

Sheer Music Announce Devizes Gig Frank Turner Bootleg Cassette

Itโ€™s 2006, and the charts are awash with what will become known as landfill indie. Somewhere in backwater Townsville UK, an already road worn veteran is making their furtive steps into a solo career that, unbeknown to them, will have a major and lasting impact on the UK music sceneโ€ฆ..ย ย  Frank Turner is already famousโ€ฆ

Shindig Festival Goes Ahead, with Bob Vylan

After months of speculation, controversy, and local media bias, The Shindig Festival at Malmesbury’s Charton Park has been given the green lightโ€ฆ.. Despite Newsquest flogging this dead horse, last week Wiltshire Police said they have no concerns about Bob Vylan playing at the music festival. Regardless of the decision of the law, the South Cotswoldโ€ฆ

Wife Cooks Husband in Devizes!

A wife cooked her husband on Thursday evening in Devizes. I watched the whole thing unfold, but would have politely passed off any offering of a plate, in favour of my funky KitKat Chunky (three for a quid at Derek’s Deals!) What do you know? Iโ€™m way too much like Kenneth for my own liking,โ€ฆ

Can You Fill Your Music Festival Quota, in Devizes?

What was once counterculture hedonism is now as mainstream as a package holiday. In the UK music festivals are fashionable, approved and plentiful. Ten years ago I might have added โ€œprofitableโ€ to those observations, but with the market flooded, โ€œriskyโ€ might be a more suitable word. For the punter though, it means options, but ifโ€ฆ

New Devizes Mayor; Congratulations, Vanessa!

Three short years ago, we first spoke with Vanessa Tanner, campaigning in the Devizes Town Council by-election for Devizes East. In those few minutes, I knew Vanessa was the person for the role, and we congratulated her for winning her seat for Devizes Guardians. Today, we congratulate her for becoming the new Mayor of Devizesโ€ฆ.โ€ฆ

Should Wiltshire Council Fly the Pride Flag?

Wiltshire Council will discuss granting itself permission to fly the Pride Progress flag outside County Hall and other Wiltshire Council offices during Pride Month. The proposal raises the usual heated online debate. The question is, should Wiltshire Council be allowed to fly the Pride Flag? Save them the effort of a lengthy and costly meeting,โ€ฆ

Former Lavington School Students Reunite for Cancer Research’s Race for Life

They might appear like sticks of broccoli on their featured image, with no logical explanation as to why, but they actually are two former students of Lavington School, who are reuniting to enter Cancer Research’s Race for Life in Salisbury on 21st Juneโ€ฆ.. Lauren Mesquita and Jess Worrow pledge to complete the 5k run raisingโ€ฆ

No Election Here; What Did Wiltshire Councillors Do on Election Day?!

No jumping bandwagon election articles from us this week; we’ve had no election here, move along if that’s what you came here looking for! But, what were our Wiltshire Councillors up to on election day, instead of temptingly campaigning with a bag of peanut M&Ms outside polling stations, or nervously twitching in their seats?! Weโ€ฆ

Very Terry Edwards

The word โ€œvery,โ€ rarely an adjective, as in โ€œit happened in this very house,โ€ or โ€œthis is very Terry Edwards,โ€ but commonly worthlessly used as an adverb, as in โ€œitโ€™s very cold today,โ€ or โ€œthis is the very best of Terry Edwards.โ€ While the album simplifies it to the ambiguous โ€œVery Terry Edwards,โ€ itโ€™s BandCamp page suggests, โ€œThe Very Best of Very Terry Edwards,โ€ which though itโ€™s exactly what it is, itโ€™s also one adverb enough for the most lenient of proof-readerโ€™s red line. Yet, if the usage of very is erm, very worthless, it is the only thing on this album which is.

The multi-instrumentalist, best known for trumpet, flugelhorn, saxophone, guitar and keys, marked his sixtieth birthday last September releasing this three-CD best-of box set, and while I shouldโ€™ve mentioned it last month, between putting batteries in toys and stuffing myself with pigs in blankets things got tardy. Right now, though, I can think of no better outstanding project to kick off our music reviews for 2021. Reason only partly because it ticks all my personal favourite genre boxes, more so because of the range of said genres is far greater than run-of-the-mill best of compilations.

We need to assess Terryโ€™s biography to understand the reason for this variety. Funky punk and second-gen ska most obvious, as from 1980 he was a founding member of Two-Tone signed band The Higsons, after graduating with a degree in music. But around that time Terry also produced and played on the Yeah Jazzโ€™s debut album, of whom, despite the name, were particularly folk-rock.

Terry in 1984

From here the vastness of Terryโ€™s repertoire blossoms, as session musician for a huge range of acts, from Madness to Nick Cave, PJ Harvey and The Jesus and Mary Chain to, particularly notable, The Blockheads. As well as his solo material, with his band The Scapegoats and a stint with dark punk-blues outfit Gallon Drunk, itโ€™s understandable collating this in one reminiscent anthology is a mammoth task and a melting pot. Which is just what youโ€™re getting for your money, a very, as the grammatical disorderly title suggests, worthy melting pot.

โ€œWhen the earliest recording here was made the 18-year-old me couldnโ€™t comprehend being 60,โ€ Terry explained, โ€œyet here I am presenting a triple album containing 60 titles recorded between 1979 and 2020, through thick and thin.โ€ Therefore, it must be more tongue-in-cheek than Iโ€™d suspect Roger Daltreyโ€™s notion now of My Generationโ€™s lyrics that for the opening track he opted for The Higsonsโ€™ โ€œWe Will Never Grow Old.โ€

โ€œYouโ€™d expect an overview of my career to have some odd bedfellows and more than its share of quirks and foibles,โ€ he continued, โ€œbut itโ€™s been compiled to flow musically rather than have a chronological narrative.โ€

That said, the first four tunes from his original band follow, with all their fervent rawness. Terry covered his tracks though, โ€œI immediately break my own rules by starting with The Higsonsโ€™ earliest release and debut single, but redeem myself by following up with the most recent recordings; two ballads recorded with Paul Cuddeford (Ian Hunter, Holy Holy) in February 2020. There is more method than madness; groups of songs which follow a theme or genre are found together regardless of when theyโ€™re from.โ€ Indeed, weโ€™re then treated to three tunes in a matured, mellowing jazz and blues, the latter of which with the vocally perfected Erika Stucky.

Then weโ€™re into rock with The Wolfhounds, and a guitar-twanging Christmas blues song with Robyn Hitchcock, plodding jazz with Knife & Fork, post-punk Big Joan, avant-garde jazz with Spleen and rockabilly styled New York New York. While mostly jazz-related, this first disc graduates through genres with finesse.

Terry is like Georgie Fame with a Mohican, but whatever avenue is explored, you can guarantee quality. The second CD starts with a bang, upbeat mod-jazz with The Scapegoats. Thereโ€™re more known covers here, sublimely executed Herbie Hancockโ€™s Watermelon Man, a superb solo rendition of The Cureโ€™s Friday Iโ€™m in Love, as if Robert Smith wore a Fred Perry, and a hard-rock electronica version of Johnny Kiddโ€™s Shakin all Over with the haunting vocals of Lisa Ronson. Even find an orchestral film score, and a piano solo of the knees-up capitalโ€™s favourite, May Itโ€™s Because Iโ€™m a Londoner.

Yet if both the quantity and quality on offer here is so vast to make me waffle, it doesnโ€™t waiver for the final disc, rather itโ€™s my favourite. A BBC session outtake of a jazzy Voodoo Chile, with altered title to โ€œChild.โ€ Dunno, canโ€™t be a typo, the dedication to attributing to Hendrixโ€™s masterpiece is no easy feat, lest it be known Terry manages it with awesomeness dexterity, with a saxophone!

If the last CD continues with on a jazz tip for two tunes, weโ€™re transported to ska via John Holtโ€™s Ali Baba by Lee Thompsonโ€™s Ska Orchestra and other sundry members of Madness, and Totally Wired by Terryโ€™s โ€œSka All Stars,โ€ and more ska-jazz with Rhoda Dakar. Post-punk follows, featuring The Nightingales with Vic Goddard, Snuff, Glen Matlock and Gallon Drunk. Perhaps my favourite parts being the shouty cover of The Human Leaguesโ€™ โ€œDonโ€™t you Want Me Baby,โ€ by Serious Drinking, and the general dilapidation of seriousness with new wave tunes mirroring the unsubtlety of Ian Dury & The Blockheads.

Hereโ€™s a jam-packed box-set brimming with variety which flows suitably and makes a definitive portfolio of a particularly prolific and proficient musician. For many itโ€™ll hold fond memories, for younger, who think Kate Nash created the cockney chat-rap, or jazz wasnโ€™t the same until Jamie Cullum came along, itโ€™s a history lesson theyโ€™ll never forget!

This 60th birthday, 60 track-strong celebration spans over four decades. A triple CD clamshell boxset with 24-page booklet, but more importantly they say, โ€œVery Terry Edwards is a birthday present to himself as much as anything else,โ€ giving it the impression youโ€™re on a personal journey, like a child sitting on their grandpaโ€™s lap while he recites memoirs, blinking exciting ones!

Buy from Rough Trade: ยฃ15.99 or BandCamp: ยฃ15 or ยฃ8 digital.


M3G, De-Anchored

At the end of last year Chippenham singer-songwriter M3G released the single Rooks. I felt it set her bar at a whole new higher level. Iโ€™m glad to report the follow up single, De-Anchored, is equally angelic, and was released todayโ€ฆ.. It might not raise the bar much from Rooks, but it maintains the sameโ€ฆ

The UKโ€™s Biggest Festivalโ€ฆ. at Trowbridgeโ€™s Pump?

Yes, you did read this correctly! As lovely as our premier grassroots venue, The Pump in Trowbridge is, you might be stretched to imagine it hosting the UKโ€™s biggest festival without at least someone squishing your toes! Without any appropriate safety footwear, allow me to explainโ€ฆ..ย ย  The Music Venue Trust and The National Lottery haveโ€ฆ

Ready for RowdeFest?

Not long now, for Rowdefest! Which, as the name suggests, is in Rowde, near Devizes, on Saturday 30th May, and is a free, community spirited family mini-festival with the ethos and atmosphere of a festival and village fete combined; what more could you possibly ask for?! Well, I’ve got some exciting details to reveal, someโ€ฆ

Nothing Orange; Arts Festival Brings Home Devizes Phenomenon

Four years ago I witnessed a Gen Z phenomenon in Devizes. With a certain indie punk zest and intelligent songwriting, Devizes School band Nothing Rhymes With Orange built a local following I once compared to Beatlemania. Staging their own gigs and recording original songs, they harnessed appeal from a dedicated fanbase. By the summer ofโ€ฆ

Shrink Your Head; Controversial Faith Healing Lecture in Devizes?!

Spiritual doctor, El Souessi, a prominent speaker for the Bruno Groening Circle of Friends, is coming to Devizesโ€™ Wyvern Club on the 10th May to lecture on the teachings of controversial faith healer Bruno Groening. Make of it what you will, but from my angle it sounds suspiciousโ€ฆ. While we’re happy to promote local eventsโ€ฆ

Voting Now Open for Wiltshire Music Awards

Your Vote, Your Voice, Your Future, goes the slogan to encourage the public to side with a particular political party based on lies they each cast, when all of them will probably make the country more of a mess than it already is, anyway. We’re not doing this now, not here, not todayโ€ฆ. We’re hereโ€ฆ

Time to Be Thinking About CrownFest 2026

Not just a pretty spiral church, there’s plenty for Bishop’s Cannings to be proud about. Evidence with the personal touch recently defeated a brazen landgrab, conveying a parish council dedicated to its community. Likewise, The Crown is the community hub which seems to bounce back whatever the oddsโ€ฆ. A minority of pitchfork and torch wieldingโ€ฆ

Wiltshire Council to spend ยฃ1.1m on digital devices so struggling families can access remote education

Wiltshire Council is allocating ยฃ1.1m of government COVID-19 funding to buy laptops and digital devices for disadvantaged pupils who currently canโ€™t join classmates learning from home.

The decision to allocate the funding to buy around 2,500 devices means these children will be able to access their school lessons from home rather than have to attend school to do so.

Currently pupils who do not have a laptop can attend school alongside children of key workers and vulnerable students. The new approach will help manage school spaces and continue to help prevent COVID-19 transmission.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œIt is essential our children and young people can continue to be taught and have an education in these difficult times as well as being able to maintain links with friends and have face to face contact with their teachers. With the news this week that schools will close we are aware there are families and young people out there who are left without the means to access that education and this is not acceptable.

โ€œBy using our government COVID-19 funding in this way we are ensuring families are not disadvantaged and can join their peers working from home. We will be working with our schools to ensure those children who need devices can access them.

โ€œI know schools have already been receiving many requests for laptops and some are sending children into school as under the new government rules you can attend. By providing additional laptops we will be freeing up those school places for other pupils who need to be in school.

โ€œAcross Wiltshire we have some great charity work happening with many community minded charities offering to recycle second hand laptops so they can be used in schools and I would like to thank them for this extraordinary effort.โ€


During the summer term Wiltshire Council distributedย 1,232 devices provided by the DfE across 138 schools which were designated specifically for disadvantaged and vulnerable children and young people. Currently secondary schools are accessing further allocated devices directly via the DfE and the council is reviewing opportunities to ensure a further reach so children in need have access to the tools for remote learning including tablets, laptops and wifi and data. The DfE has also announced that all primary schools will be able to order laptops and tablets by 15 January and the DfE will contact all primary schools by that date to invite them to order devices.

Wiltshire Council will also be working with schools following the government news that schools, trusts and local authorities can request mobile data increases for disadvantaged children and young people who do not have fixed broadband, if they cannot afford additional data for their devices and are experiencing disruption to their face-to-face education.

Schools are also working with families directly to ensure Free School Meals continues. For those families who are not sure if they are eligible for Free School Meals they can check here.  


Wiltshire Council Ask Gecko For Road-Crossing Song.

Not to make you feel old or anything, but Tufty, the safe road-crossing squirrel turns sixty this year, the Green Cross Code Man is not far behind at 51. Not too long before they’ll need some assistance crossing the road themselves, I don’t doubt!

Popular as retrospection is, Wiltshire Council have rightfully recognised a CJI Tufty makeover might not be best, and the Green Cross Code man is fighting his own conflicting interests between the Sith and Jedi.

How to teach kids to cross the road safely, needs a fresh approach….

They assigned Creative Studios to come up with this little masterpiece of a green cross code safety vid, and I couldn’t think of anyone more apt than the mighty Gecko to produce the song.

Yep, this works on so many levels. “I loved being a part of this project,” Gecko said, “I love the variety that this music life brings.” Well done Gecko, and a great choice by Wiltshire Council.

Just Another Lockdown Festival

JMW Promotions have a free online festival coming this Saturday and Sunday (9th & 10th Jan.)

There’s a lot of names I don’t recognise, which is the best thing about festivals in general, but especially online; local artists without borders. In fact the only performer I have heard of is the brilliant Jess Silk, on Sunday.

Line up looks like this: Just Another Lockdown Festival

Saturday
1pm Sam Draisey
2pm Shotgun Marmalade
3pm Kyle Parsons
4pm BICKERmusic
5pm Harrison Rimmer
6pm Warren Ireland
7pm Brian Stone Music
8pm JollyRoger
9pm Davey Malone

Sunday
1pm ALEX CAVAN MUSIC
2pm michael webster
3pm Have A Go Hero
4pm Doozer McDooze
5pm Sam Tucker?
6pm Maelor Hughes
7pm Ellie Keegan
8pm Brad Dear
9pm Jess Silk

Tune in from the artists Facebook pages which can be found on the event page, or check them out on JMW Promotions or in JMW Promotions Community.

Jess Silk (Image credit: Olver Gray)

Best of luck to JMW and all artists for the weekender, there will be a PayPal bucket linked, please support the artists, you know the drill. I’ll defo be popping in as and when and hoping to hook up with some new talent defo. Might even don my festival jester’s hat, put my cider in a squashy cardboard cup and take a piss behind the sofa!


Latest Posts

Will Lawton’s Rhythm Practice

Local music therapist Will Lawton plans to open a Music Therapy practice in early 2021, based at The Pound Arts Centre in Corsham. The service will help develop a positive change in the well-being of individuals of all ages through the creative use of music, facilitated by trained music therapists. Can you help Will reach his target?

In total, ยฃ8500 is required in order to equip a room with high quality music instruments and equipment. ยฃ6000 of this target has already been pledged by the council and a school, leaving an outstanding balance of ยฃ2500. This final balance must be found in order to unlock the rest of the grant funding to bring this project to life.

Donate here, thank you


Live Music in Devizes, Anyone? Meg & Seren at The Fold

Friday afternoon at The Lamb, tucked away behind the Town Hall in our market town, with my aim to introduce two aspiring local singer-songwriters who haven’t played in Devizes before, and present them at The Fold, a venue once renowned and hopeful to recreate its former reputation. I was anxious about the prospect. Their magnificentโ€ฆ

Vinyl Realm Settles Into New Home

A median haul of vinyl can weigh in, but thereโ€™s no longer a trek down Northgate Street for record collectors and musicians alike. Vinyl Realm has settled into their new location on Devizes High Street and shopping there is a much more spacious and airy experience โ€ฆ.. Much as I loved the idea of aโ€ฆ

Wiltshire Music Awards 2026 Announces New Venue, New Date, and Rebrand

The Wiltshire Music Awards is proud to announce an exciting new direction for its 2026 event, marking a bold evolution for one of the countyโ€™s anticipated celebrations of musical talentโ€ฆ.. Due to unforeseen circumstances surrounding the closure of the previously proposed venue, the Wiltshire Music Awards will no longer be associated with The Kingston Group.โ€ฆ

@The Southgate

Massimoโ€™s; Locale Pizza Paradiso

Talking Pizza today, why? Why not?

Who remembers BTโ€™s friends & family scheme in the nineties, reducing call charges for five selected favourite phone numbers? If you didnโ€™t submit your favs, BT would select them on your behalf based on calls to the number you made the most. Mine, living in Swindon at the time, Iโ€™ll confess, went: 1. my mum and dad, 2. my best mate, and 3. Dominoโ€™s Pizza. Four mayโ€™ve been a girlfriend, itโ€™s dubious but not impossible!

Some years later I moved to Marlborough, where given Ask, Pizza Express and so many others operate today, you couldnโ€™t get a pizza for love nor money. Enter the incredible, if slightly hazardous, Fronkie Fritzheimer, a legend in his own time. From his own kitchen and later progressing to working out of the football club, a move only the fire brigade grumbled about, he serviced Marlboroughโ€™s pizza lovers with, darn it, some of the most heavenly pizzas to have blessed my lips.

Fronkie on the move in the late 90s.

I posted on a Marlborough Facebook group, to see if bods recall his presence, or if I dreamed it, and much to my delight, while Fronkie moved to pastures new some years ago, his memory is stamped as firmly in Marlboroughโ€™s cultural history as the Earl of Cardigan. From an A4 photocopied leaflet weโ€™d regularly phone our order, and some weeks after his arrival, the delivery operative arrived at our door with complimentary desserts. โ€œBetween you and the rugby club,โ€ they thanked us without jest, โ€œare our best customers yet!โ€ We were honoured, proud we ate as much pizza as an entire rugby club!

My case study justified; trust, I know a good pizza when I see/smell or taste one, from a distance of anything up to three hundred yards. With Fronkie fertig, me now living in the Vizes, and Dominoโ€™s, face it, is an acquired taste, there was a social media much ado about nothing concerning news of Pizza Express closing in town, which left me wondering why. I am sorry to hear the news for the sake of the staff, but with mixed reviews in the comments, some moaning of the loss is bemusing to me, and Iโ€™d wager to anyone else who has sampled a Massimo pizza.

Pizza Express closing is not the end of the world, as overpriced as the mighty Dominos anyway, unless with the latter you take out an offer, where youโ€™re bundled with a pot of watery coleslaw or barely-cooked fries which droop like an impotent greasy baboonโ€™s todger! Iโ€™ve moved on from Dominoโ€™s, as you can see by my unpolished comparison, Iโ€™ve matured.

No, no, no; Massimos will cost you no more, but it is a house of quality, and I guarantee youโ€™ll taste the difference, heck, youโ€™ll smell the difference through the box! If it wasnโ€™t such a generous portion and the sort of taste you have to savour, making it filling, Iโ€™d probably have eaten the box too.

You Beauty!

Look, see here, this is no advertorial, theyโ€™ve no idea Iโ€™m writing this, much to their surprise. Buying local and all that aside, Massimo makes one tasty, fresh pizza, with topping to die for and even the crust is moreish. Heโ€™s undoubtedly stolen my homegrown crown from Fronkie. And lockdown is not stopping them, takeaway is available. Itโ€™s a crying shame thereโ€™s a ristorante left unopened until a better day, a day I was waiting for until I wrote a review for them, but sadly seems weโ€™ve lost the immediate opportunity once more.

So, think this not as a review, do I look like, Jay Rayner? Actually, donโ€™t answer that. Just saying, I love a Massimoโ€™s pizza, the family does, Iโ€™d wager Devizions-in-know do. Treat yourself, thereโ€™s a full menu to takeaway, the lasagne, ah, the lasagne, speaks for itself. You can call them 01380 724007, message them on Facebook, or, thereโ€™s a little bell at the door in Swan Yard, just ring it when theyโ€™re open, 5-8:30pm. Theyโ€™re fantastically welcoming and will bring you takeaway Ring Donuts, Nutella Donuts, Cartoccio with sweet Ricotta filled, Nutella Croissants, any two for three quidโ€ฆ whoa, I apologise; getting a tad over-excited. But, right, the guy won the coveted Gold Star for 2020 for his own Napoletano sauce; how much more convincing do you need?!

hot dang!

@ The Southgate

Devizine in Lockdown, again.

Here’s our deal, as I see it given new lockdown restrictions.

We have an annual reach of approximately 50K, over 80% of which are local. Whatever Devizine can do to help you, we will, but you must let me know about what you’re doing and engaged in for me to promote it. I’m unable to spend every moment on social media sourcing your stories.

Advertise your business, school, charity, online event, FREE for lockdown duration. Just send me details. This is available for small local businesses and at the editor’s discretion. We can put adverts on all published articles. We can cover your activities in articles and features, and we will share these across social media.

If you are engaged in any supportive projects, notify me so we can spread the word.

If you’re in creative arts, music, art, sports, and fundraising, whether crowdfunding, help in promoting live streams, recordings, online exhibitions and any other projects, we can and will help.

Please consider, if you can, making a donation to help the site keep running and improving.This you can do at http://www.devizine.com/about

You can email devizine@hotmail.com or message the Facebook page, you can tweet @devizine1 – Together we can pull through this.

Here we go again.

Thanks, Darren.

Oh, an important note I forgot to add, thanks to the edit function here! Please, if I fail to respond to emails and messages, feel free to nudge me. Things do sometimes get missed and I’d dread you to think I’m ignoring you! I don’t view it as impolite to ask if I remembered to do this or that, ask the wife, I can be forgetful!! ๐Ÿ™‚

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

The Curious Case of the Christmas Carrot

Twas down in the cellar of the Vaults where poets meeting to recite verses of yule and a celebrated story-time with Ian Diddams, had become somewhat of a seasonal ritual in old Devizes. Alas it was not to be this time around amidst the many cancelled traditions, but like many events, an adequate substitute has been provided. You may have to source your own beverages, but you can spend an hour with Ian in his garden grotto as he recites an entertaining and hilarious parable, from the comfort of your own armchair, or loo; whichever you deem more suitable.

Unsure how I missed this satirical chronical disguised as a fable to make Arthur Conan Doyle blush. I guess with seasonal celebrations my online time has been sporadic, but Christmas isnโ€™t over just yet, or is it? Whatever; I suspect, unless youโ€™re a Devizes resident with a penthouse on Baker Street, youโ€™ll never personally identify with cultural references in any other Sherlock Holmes mystery in quite the same way.  

A faultless fable delivered effortlessly, save the continuity of one shady depiction of a local character, the toothless milkman from Rowde. Didds should take heed, my inkling I know the very person ridiculed and will confirm theyโ€™re far too young to know what, or who, โ€œa milk snatcherโ€ is. Honestly, Iโ€™m cut between being honoured and contemplating the cheek of it all!

I present the video herewith for your own perusal and entertainment, if, like me, you were too busy stuffing turkey and/or Quality Street and putting batteries in toys over the season to have taken notice of it. It is worthy of your time, the story intermitted by poetry outbursts by Gail Foster, who not only tends to slip-in (fnarr fnarr) occasional filthy subject matter, but also knowing the particular aforementioned troubled character scorned, could have tried to step in to stop him, but didnโ€™t.

Most importantly, Ian always requests charitable donations as a way of applause for his efforts, and this time focusses on our earnest homeless charity Devizes Opendoors. You can donate here, please. You know weโ€™ve visited Opendoors and seen first-hand the great work they do.