Song of the Day 15: The Emertarians

Anytime is a good time for some roots reggae, Sunday morning, doublely so.

Enter one of my favourite current reggae bands, from Madrid, the Emertarians.

They always remind me of an occasion, at a festival in Andalusia. I watched this great French reggae band. The slighty rotound frontman looked rather like the late, great Jacob Miller. After the performance I noted he was standing close to me, watching the following act. I went over in hope of telling him how much I enjoyed their music, praying they spoke English.

I momentarily regretted my school French lessons, which I spent making homemade comics out of text books, as he replied with an adamant no upon asking if he spoke English.

All the vocabulary my intoxicated mind could conjour was “tres bien,” so I repeated it perpetually in true Del-Boy fashion!

Otherwise the meeting was the awkward silence of communication breakdown, in which I suspected they thought I was completely nuts. Not so far from the truth.

So, I namedropped Jacob Miller and suddenly we had understanding and mutual respect for the man. My point is, sometimes the Emertarians sing in Spanish and sometimes English, often the Spanish ones more emotive, but reggae has no language barriers, because it’s spiritual meaning and uplifting ambiance is universal. As with the French Jacob Miller-alike, we were on the same song sheet….

Naturally at that conjunction, I rolled a joint.

And that’s my song for the day. Very good. Carry on….


Wiltshire Rural Music to Stream Gigs from Trowbridge Town Hall

Wonderful Trowbridge-based music charity, Wiltshire Rural Music revealed an online programme project, Live at Town Hall, today.

In collaboration with Trowbridge Town Hall, they plan to stream full concerts of our outstanding local musicians, starting in February. I hope to have more information for you, when dates and acts are announced.

Wiltshire Rural Music do an outstanding job supporting and enabling local communities and individuals to realise their musical potentials and fullfilling their ambitions. They provide room hire, give bursaries and work closely with Alzheimer’s Support, taking music into care homes and schools across the county.

More info on the work they do here. Follow them on Facebook for details of the streamed gigs.


Around and Around, and Hitting a High; Kirsty Clinch on Top Form

You can give it to me straight and agree, I’m old. Though as much as I hold dear the hours browsing record shops for a seven-inch slither of vinyl, the stream’s advantage is manyfold. Perhaps none more than the increased availability and distribution of home-made wares.

Vinyl junkies were restricted to what the music industry decided. While DIY music was around then, it was a needle in an underground haystack, obscured by a lack of prior knowledge of counter culture distribution, and even if you were aware, still they cost post and packaging.

Send a SAE in good faith, and when the musician finally finished his last bong, made it off his scabby sofa to the post office, you’d receive your cassette, only to find out it wasn’t as good as you’d been convinced it was by the crazy fractal advert in a punk-paste zine. We’ve come a long way, folks.

Local independent, country, singer songwriter, Kirsty Clinch posts on Facebook, one of the many social media platforms she tweaks to promote her music. Her latest single, Around and Around has reached a staggering 2K Spotify streams in just five days, managing to peak at number four in the iTunes country chart. It’s an achievement made mostly on her own, but does it prove the value of DIY rather than aiming to be signed by a label, can anyone with social media savvy achieve it, or is simply that it’s a great song from an exceptionally talented musician?

It’s certainly that much. Dreamy and evoking, Around and Around sees the ever-enlightening Kirsty at the ultimate perch in her career, in line for the forthcoming album, it leaves you dripping in anticipation for more. “Around & Around is all about catching your dreams,” she explained, “taking chances and not getting stuck in ruts; that’s just what I’m doing right now.”

A smidgen punchier than her previous release, Fit the Shoe, and perhaps even more beguiling than that beauty. To hear it is to engrossed in its pensive narrative, as all classic country should. But its Americana influences are subtle, it never references peripheral subject, as much UK country artists feel impelled to mention boxcars, dustbowls, and things you wouldn’t expect to find in their English suburban hometowns. No, Around and Around, like, Fit the Shoe is romantically topsy-turvy themed, flexible for a wider, international audience and contemporary sounding.

That said, Kirsty is no stranger to authenticity, travelling and performing in Nashville at venues such as the Blue Bird. Aside the clear influence of country’s leading ladies, the likes of Parton and Wynette and modern folk-rock artists, KT Tunstall and KD Lang spring to mind, Around and Around evoked memories of Kate Bush more than any other tune I’ve heard of Kirsty’s, in its haunting atmosphere rather than vocal arrangement. I put this to her.

“I don’t get the Kate Bush thing; my voice is not as squeaky!” she laughed, “I’m not a big fan of hers, which is weird as you’re not the first person to say it either. She’s huge though and loved for what’s she does, so I won’t complain!”  I had to explain I meant more the whole ambience of the sound rather than squeakiness of her voice, but we needed to move onto the immediate success of this particular tune, and where she hope it will lead.

“It won’t go higher,” Kirsty predicts, and I hope she’s wrong. “Only slowly hides away after that, the famous people take over sooner or later! But songs can always come back, so [I’ve] just got to keep hustling.”

I took Kirsty back a couple of years, sitting chatting on the lawn at BromFest, we discussed the hopes of an album then; best things come to those who wait. Aside her nonchalant social media persona, I perceive Kirsty to be a perfectionist on the quiet, certainly shows with these two singles. “Yes, I have one more coming out hopefully before May, and then I’ll drop the 14-track album,” she announced, “That’s why it’s taken so long, it’s a big one, but for a first timer in online sales, I had to do it to catch up!”

I’m aware Peter Lamb had a hand in this remarkable achievement, so I name-dropped the local legend, “all produced by Pete?”

“I did the whole thing in my bedroom studio by myself,” Kirsty replied, adding an angel emoji. “Pete added the bass, and then corrected my mixing and mastering mistakes at the end, as I got frustrated on the last bit! So, I’m pretty proud of it for that reason.”

It must be a relief to get an album complete, but the hard work is only halfway there, getting out and promoting it follows. Which part does Kirsty favour, despite psychically getting out and launching is impossible at the moment?

“I like all of the process,” she chuckled. “Gigs will come back, I’m just making the most of the situation and working with what I’ve got for now, there is always a way around things when you’re creative.”

Returning to my opening notion, due to developments in tech and a motivation for independence, a professional sound can be achieved at home. Kirsty furthered that she did the artwork and music video for this track all by herself too, due to lockdown.

“The album launch is not so essential,” she pondered, “when I can promote it just as good online anyway now.” As I said, Kirsty has a sturdy online presence, accomplished at building a YouTube audience, but is that more important to her than an album?

“It’s equal. All my fans are excited for the album! But the social media side of things mean they get to know you more, which is essential for selling music in the first place. Loads of people sell music, the marketing is the part that makes them what to listen to yours.”

And her secret?

“Get to know your story etc,” Kirsty elucidated, “and connect with the music; if you just say ‘buy my single’ and that’s all your social media is about, you won’t get many results.”

For the end of our chat, we dithered and pondered if the angle of this piece should focus on the song or herself. I’m of the opinion, when the creative open themselves up to releasing art, a part of creator is revealed through it, so practically, they’re similar. You are the song; the song is you; be one with the song! It’s why naïve teenage fans really believe they know a popstar enough to fall in love with them, and perhaps is augmented with homemade product. There’s a huge connection between the singer and the song, though, I put to Kirsty.

“Yah, subscribe to my YouTube channel, and they would have all the details anyway!” I suggest you do, as the interconnection is all-encompassing, the song is awesome, and likewise, so is Kirsty Clinch.


Poppy Rose, Ready Now….

Not being able to hold a note myself, I tip my hat to any musician in a band. Yet there’s something so much more valiant,…

Carmela Wins Points of Light Prime Minister Award

A huge congratulations to Carmela and the Chillery-Watson family of Lavington, who knew nothing about the Points of Light awards until Carmela was rewarded with one this week. “We are absolutely bowled over with pure happiness at this surprise award,” mum Lucy said.

First established in the USA by President George Bush in 1990, UK Points of Light was developed in partnership with the US programme and launched at Downing Street in 2014. Since then, hundreds have been named Points of Light by the Prime Minister, highlighting an enormous array of innovative and inspirational volunteering across the length and breadth of Britain.

Points of Light are outstanding individual volunteers; people making a change in their community, and after her 300km challenge last year, we couldn’t think of anyone more suitable and deserving than our lovable Carmela.

Diagnosed at the age of three with L-CMD, a progressive muscle-wasting disease which weakens every muscle over time, Carmela is now six and has come a colossal way in raising awareness and funds for Muscular Dystrophy, and continues to be an inspiration to us all.

“Thank you, Boris,” Carmela said, “this is awesome news, I can’t believe it, it’s so amazing. Thank you so much.” Although the prime minister is just another celebrity notched on Carmela’s campaign trail, meeting with the likes of Beverly Knight, Frank Bruno, Jimmy Carr, and even Harry Duke of Sussex. Oh, and not forgetting last September when Wonder Woman actress, Gal Gadot, donated over £3K to Carmela’s fund. Face it, between Boris and Gal, I know which one I’d rather meet!

It’s a wonder, excuse the pun, if Carmela remembers the morning when she helped me on my milk round at all. I hope so, as it was a pleasure to meet her, Lucy and dad, Darren, and an occasion, I’ll always hold dear; even if I was a little tired and smelly!

CEO of Muscular Dystrophy UK Catherine Woodhead congratulated Carmela, and added, “everyone at MDUK is thrilled that Carmela’s outstanding fundraising efforts for the charity have been recognised by the Prime Minister. To date, Carmela and her family have raised nearly £50,000 for MDUK.” Which is simply, amazing. Well done Carmela.


Trending……


Candidate for Wiltshire Police & Crime Commissioner barred from Volunteering to Administer Lateral Flow Covid Tests

Is it campaign point-scoring, as the authorities seem to presume, or concern for health which encouraged Wiltshire PCC candidate, Mike Rees to volunteer to administer lateral flow tests? Whatever, the bottom line is discouraging anyone from attempting to help out during this crisis is bureaucratic nonsense.

And besides, just a brief chat with Mike recently, throughly convinced me his motives are genuine. He’s an open minded, authentic and down-to-earth guy, with experience in the field and a passion for the role.

Mike explains: “It’s with great surprise and disappointment that I have to let you know that I have been stopped, and apparently barred, from becoming a volunteer in the police effort to combat Covid19.

As a retired police officer I put my name forward for volunteer duties last year when the pandemic struck.

Mike Rees

This month I answered another call to volunteer to administer lateral flow tests to police officers and staff. I had a training session earlier this week and completed the online NHS assessment and passed to certificate my competency for the task.

Today I was expecting to attend a ‘dry run’ session however I’ve now been told I cannot attend as they have to investigate the ‘rules’ as allowing me to volunteer may suggest bias on their part because I’m a candidate for the role of Wiltshire Police Crime Commissioner.

I’m disappointed and dismayed to be denied the opportunity to volunteer to support the police, a force I worked in for 30 years.

I’ve asked for the ‘rules’ to be clarified as I see no possible concerns.

For your information, I do not agree with this decision to bar me from volunteering. 

I’m standing as an independent candidate, not aligned to any political party and volunteering was a personal decision.”

Mike is fast becoming the outside chance of becoming our PCC, and we’re backing him fully here on Devizine after his Malmesbury boxing club recently helped out the homeless, appealing for  donations of sleeping bags , food and clothes from locals and delivering them to the OpenDoors support agency in Devizes.

Plus, this is, by far, not the first charitable thing Mike has engaged in.


Song of the Day 14: King Hammond Meets Death of Guitar Pop

Great things about ska are many fold, but a topper most one has to be collaboration. Rather than set groups, as with most mainstream music, musicians uniting for projects is common and has always been the ethos of ska and reggae since day dot. Perhaps being the very reason it’s so lively and communal.

Another great thing about our song of the day, where Islington’s ska legend Nick Welsh, aka King Hammond, teams up with that crazy Essex duo Death of Guitar Pop, is the ska style displayed, near enough mimics the jump blues “shuffle” on which ska is originally based.

But history aside, let’s just enjoy this new track for all it’s worth. DoGP are fast rising in rank on the UK ska scene, with a carefree “Nutty Boys” fashion, it’s easy to see why.

And that’s my song for the day. Very good. Carry on….


Join me every Friday night at 10pm on www.bootboyradio.net

Song of the Day 13: Antoine & Owena

Congratulations go to folk duo Antonie & Owena for winning the G.S.M.C award for Best Album this year. Yet it’s not their first award, winning best duo at last year’s GSMC, and others. Here’s Something Out of Nothing, which I think explains all you need to know about how and why they won it!

And that’s my song for the day. Very good. Carry on….


Rise of the Snowmen!

Ladies and gents, this is the moment you’ve waited for…. or maybe not. This isn’t the Greatest Showman, this is the greatest SNOWman! Yes, we held a little snowman competition, and here’s how it went…..

Two things didn’t occur to me upon posting a picture of our snowman on our Facebook page, offering others to do likewise in a competition fashion. Firstly, the colossal response, but I guess Sunday’s snowfall was a golden opportunity to get out of houses and have a little social distanced fun. Alas, now the power of the sun and rain has reduced the white blanket to the odd splatter here and there. We will always have photographic memories of our once proud sculptures, and a carrot on the front lawn. Here comes some now……

Secondly, how to actually go about judging a snowman competition, never having judged anything of the sort before. I gathered some thoughts to criteria, I Googled and found some rather serious rules from other such competitions.

Jonesy McSnow and Lucy (age 10)

Certain I wasn’t intending to make it half as serious as these, their judgements were much as I anticipated. There are factors to consider. Creativity for starters. Originality, tradition, competence, and dedication are equally important. Size is good, but it’s, as you know, not everything, when building a snowman that is.

Towering over the playpark on Devizes Green, Bally Bongo’s Bob stands at over 6ft 2. By
Archie(8) Blu (4) and a little help by the parents!
This snow Kong at the Henly’s has sacred everyone back inside!
The Russell Family’s got an outie belly button bigger than the average snowman!
The Waterman’s daughter’s first snowman is huge!
Stay back, he’s got a taste for meat, or is that a twig?!
From the tall to the small, it doesn’t matter, he looks happy!
Don’t, don’t, don’t you, forget about me!

Many were divided into age groups, which I figured awkward. Building a snowman is usually a group activity, it’s about families, all ages contribute. Kids run around trying to construct the starting ball, dads get the backbreaking task of rolling it up and taking half the grass and autumn leaves with it, while mums usually stay in the warm sourcing carrots and hats; it’s a communal experience for sure! Okay, I’m generalising for artistic license and know it’s not really like that, trying to be funny, when really, judging a snowman competition is snow joke (see what I did there?) But making a snowman has no boundaries or conditions, any age, and race and gender, everyone together, getting creative….

Amazing!
Best buddies!
Hide your carrots, there’s a snow bunny about! Pictured with it’s creator; grand job, Faith!
The apple of Pingu’s eye! Well done Willow & Jonah!
Very retro, Kiana!
Shiver me timbers!
Mange tout, Hoffman, you plonker!

He made snow chicks, cats and dogs….

Arrow through the head??!
Great rocket ship, Isacc…. oh, you’ve sledged away!
Shark invasion in Sam’s garden!
And a hoodie in Kev’s yard!
Buddha in Urchfont!
And some lounging about!

But part of the beauty of creating a snowman is the feeling of togetherness. Here is an art where anyone can be the artist, provided they’re willing to get wet gloves. And in that notion, where some strive to be original, often the traditional method is tried and tested. A good snowman doesn’t need to be carved by Henry Moore with flawless features; he needs a carrot for a nose, he needs two pebbles for eyes, twigs for arms and an old hat and scarf. We live in a traditional county, after all.

Tracey and Sara Whatley did the hard work, the horses reaped the benefits!

Then again, there’s something striking when creative genius gets to work and original ideas bend the theme. Some can be topical, facemasks a common theme this year, or culture based, whereas some can be funny, others damn-right rude….

The Barter family make use of their brussels sprouts after Christmas!
Zeb’s snowman has a snow booty!
Ol’ broccoli eyes is back; Guardian of the wheelie bins!
Either they tried to put wellies on this snowman, or it ate a small child!
Facemasks on, here comes the foreman tree inspector!
Dog photobomb at the Diskett’s!
Somebody call the snow doctor!
Anyone seen the funnel bit to mum’s vacuum cleaner?!
Take two bottles into the shower? No, I just wash n snow!
Anymore snow coming, I need a friend? Not for you, sprout-face!
Got to look your best when doing a spot of gardening…
Hit and run snowman attack!
Skateboarding on ice is dangerous, but when else can a snowman hit the half-pipe?
I’m all for gender neutral snow people, but this one has lady’s assets and a six-pack!
You’re only ever one jacket away from being a goth!
I thought about making this the winner; they’ve got to win something after all!
Office party, you know how it goes…..
Jimmy Saville goes skiing?

Rudeness I can take, live by it; but at least drag yourself away from Babestation for a few minutes to get out and actually build a snowman, rather than, as some did, Google “rude snowman” and share the first image which pops up. Sad, but true, spoils it for the kids, of all ages.

Rule Britannia, we shall, we shall never stuff a whole loaf in our mouths at once?
Heavy night, anyone got a paracetamol?
I’ve had enough of this, I’m off to live with the wolves…..
Will you be my friend?
I am robo-snowman!

Can I pick a winner?

Drum roll…… Tricky. I’ve narrowed it down to my ten favourites, and here they are. I apologise, I tried to source a snowman type of prize, but they’re a tad out of season and this was a spontaneous idea. I think a bit of future planning, for next year’s snow storm, being the idea was so popular, and we could have prizes. For now, winners can print off my certificate here, and a colour-me-in sheet, if they like that sort of thing! Thank you all so much for letting me see your brilliant snowmen, I loved looking at them all, having a penchant for snowmen, I admit unashamedly!

Oh, and if you do colour them, I’d love to see your fine colouring skills!

Never over-complicate the objective. Matrim Vaux, age 6 knows less is more with Bill the snow owl.
Leo, age 5, and Hallie, age 2 looking a tad cold, but like they’re having so much fun!
Topical from the Collins family, but he looks awesome!
I just love this picture, Casey, age 6 looks so proud as she strikes a pose, but Archie, age 3, seems distracted by something else happening elsewhere; it’s a guy thing Casey!
By Justina Hams and her seven year-old. Because he’s so smooth and grand looking!
Rob Jobson understated his snowman, saying “it’s the taking part that matters!” No mate, he’s superb in his simplicity!
A team effort from the Lake family, and a grand job made of it!
Marc Spartacus Fleming and Leia (2!) This is Steve the snowman, and he just works!
Are you in competition with your snowman for the best hat, Ava-Mae?! A grand effort, you look proud and so you should be!
Just to put a hat on her snowman wasn’t enough, Alison Sinclair (45!) carved it, and all other features so brilliantly!

Song of the Day 12: Darla Jade

Even portions of expressive contemporary pop, the ambience of post-goth and downtempo electric blues of trip hop makes this Staffordshire singer, Darla Jade really someone to watch. With a haunting uniqueness about her voice and style, there’s shards of Evanescence fused with Beth Orton. It’s somehow individually chartable but would also appease alternative rock or goth aficionados alike.

Subscribe to her YouTube channel, hear her own stamp on Radiohead’s Creep, and realise, her talent is so very special.

And that’s my song for the day. Very good. Carry on….


Song of the Day 11: Dakka Skanks

No video to this one. Do we need visuals? Not when it’s this good; my favourite track of Brighton-based contemporary ska heads, Dakka Skanks.

They’re lively, diverse, lots of fun, and I think we’ll be hearing a lot more from them in the near future.

If the Duallers have reached a pivotal point akin to the Specials, and Death of Guitar Pop are providing the tongue-in-cheek Madness equivalent, I believe these guys could be The Beat of this era, as there was a band unafraid to experiment.

Dakka Skanks are majorly ska, but throw a lovable but carefree punk attitude, and a wide range of other influences, such as soul, into the melting pot, and concoct something uniquely entertaining.

Very good. Carry on….


Skates and Wagons: Path of Condie

If I’d one criticism of Britpop, during its heyday, least that which the pop charts threw at us, was, in an era of progressing technological electronica, embedded deep in my psyche, Britpop, to me felt regressive. I argued at the time, if The Beatles were still together, in their prime, they’d be producing techno or drum n bass, for they were trailblazing, innovative and progressive. Whereas, picking on Oasis, particularly, being they seemed to strive to be a Beatles tribute as far as I could see, were relapsing to a previous generation.

Then the crossover crossed back over. If waning was a heady dawn of the nineties where rock fused electronica on the Madchester scene, towards the end of the decade The Prodigy were advancing with an almost punk slant, and Noel Gallagher was lending his vocals to the Chemical Brothers. To pick the era apart now is futile, no one remembers what the fuck was going on most of the time!

Let’s agree to disagree, put it in the past and note today, retrospection is big business, and there’s nothing wrong with songs which hark back to the sixties, for it was pioneering but more importantly, divine and inspiring. Particularly when, rather than regenerating cover songs, but acting as a base of inspiration. We see a lot of this; from the sixty’s British blues scene to bubble-gum pop, but perhaps not produced with as much passion as Skates & Wagons.

Skates & Wagons

They sent me a link to their album, Path of Condie on Boxing Day, so apologies it was put on the backburner but I had Scrabble tiles to lay and Quality Street to puke. The EP I reviewed previously appears to be taken down, and I’m unsure why. The album, is akin to all I mentioned about the EP, only more so. If regenerating Britpop is tiresome and monotonous to you, you need to check this Oxford duo, because they manage it with the precision, innovation and splendour of classic pop-rock and blues of that sixties period, with bells on.

I mean sure, it opens with an interesting approach, Chevron Waltz proves this is going to be no everyday indie-Britpop ride, it is indeed as the name suggests, a waltz. If we’re going to revel in compassions, I’ll cite The Kinks or Small Faces, The Spencer Davis Group, The Troggs, but predominantly the Beatles, more than Oasis. Plus, we’d need to break it down with the fab-four’s individual preferences. Opening then is experimental, merging traditional styles of music is certainly McCartney, yet the majority, like Indian Summer rolls smooth, like the later Beatles, Sane Again is anthemically mellowed; very George Harrison.

But this is an album which builds progressively, just like the sixties did. The earlier tunes, initiate sixties pop, and sit at radio-friendly three-to-four-minute timings. Mr Wake Up, for example, explains how it’s going to roll for the time being, beat-based shards of classic pop-rock. But things liven up at Conversation with God, the walt reprise towards the end nuances the album is progressing the entire decade and we’re midway. Waste of the Sky is subtly psychedelia, like the opening to the beatnik period.

It’s this equidistant section where Skates and Wagons really shine, it’s as if we didn’t need the 1980s, we were fine where we were. Catchy tracks like The Man Who Never Sleeps and All the Love mirror the advancing changes of the middle of the decade, and bring us in line with classic seventies rock bands like Genesis and ELO.

It leaves you dripping for the concentrated, lengthier compositions the trend which followed via Floyd and Hendrix et all, and Skates and Wagons deliver. As Path of Condie develops it builds to more ending with a beautiful eight-minute composition, Yesterday’s Love. It’s beguiling and timeless splendour, catchy as pop, definitive as classic rock.

If we’ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement, as opposed to a Britpop throwback band going through archaic motions. Though there’s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements; scooterists don’t go for that, and while there’s nothing so “way-out” as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


Trending…..

Graham Steel Music Awards Online Tomorrow

Join the GSMC on Friday 22nd January at 8pm for a celebration of grassroots music as they present this year’s GSMC Music Awards Live Online on YouTube, where they will announce the Winners of all 12 categories and will include live and pre recorded music from some of the nominees as well as a look back at the year and celebrate all those people that helped keep the grassroots music scene alive in 2020.

GSMC Music Awards Night will be streamed live from YouTube on Friday 22nd January at 8pm, the link for this is below:


Song the Day 10: Summit 9 Studios

Funkin’ for Devizes. This lockdown project from Tom Harris, Dan and Ross Allen and Rich, Summit 9 Studios has just been given a funky lift with this blinder, Change Change Change, bang on cue for me hunting for a song of the day.

Saucy effort guys, love it!

Very good. Carry on….


Song the Day 9: Emily Lockett

Facebook memories posts a year ago this week we rocked up in the Celler Bar raising money for the Waiblingen Way Fire fund, and makes me stops and think about the years I’ve been smashing out articles on Devizine. So many artists and bands we’ve mentioned, I rarely forget about them, this one I admit I nearly did. Most likely because I didn’t get the opportunity to attend Stoke-on-Trent’s teenage country sensation Emily Lockett’s gig at Dean’s Country Club, then operating at Devizes Cons Club, later at the Cavalier.

So, nice as it is to discover new talent, equally important is to recap. Emily must be nearing her twenties now, and as a musical prodigy from aged 5, her expertise shines through in a matured sense now. This track, Front Porch says it all.

And that’s my song of the day for today.

Very good. Carry on….


Song of the Day 8: Mansion of Snakes

The deeper I delve into Afrobeat the more gorgeous it gets, and I’m discovering bands closer to home. Nubiyan Twist, for example, who are from Oxford rather than the Sudan as it might sound. I’m loving this sound, and got to get a review down of their forthcoming album.

Today though, check Leeds ten-piece behemoth, bone-shaking afrobeat collective, Mansion of Snakes. These devil-funk and cosmic jazz 
serpents give it their all, and there’s stuff, cool stuff to download as name your price on their Bandcamp page. Say no more.

Have a lovely rest of your day. Very good. Carry on….


Song of the Day 7: Mr Tea & the Minions

Sunday off, broke my promise to post a song of the day, everyday. Allow me to make up for it. Bristol’s Mr Tea & the Minions with a lockdown themed song. See how sublimely they fire a frenzy of folk and Balkan styled ska-punk into festival proportions. I think they’re the hottest bands around these parts, and fondly reviewed the album, Mutiny a while ago. Just a reminder today then, these kids have it.

I made enquiries, wanting to bring them to Devizes. It’s no cheap option and obviously currently off the cards.

The reservation is that just because I’m loving this style, it might too radical for a Devizes audience. So, I’d appreciate some feedback; would you have paid a purple one to see them play in our town?

Fingers crossed, we live for a better day. But I believe lobbying a large Devizes venue to bring contemporary music direct to us, just occasionally, is crucial to the culture diversity we should be delving into.

Have a lovely rest of your day. Very good. Carry on….


“Nobody has Wanted to Talk about Hunting, Other than Trolls!” Says PCC Candidate Jonathon Seed

Busy day, chatting to Wiltshire Police Crime Commissioner candidates and The Wilts Hunt Sabs; something is conflicting…

In 2012 five members of the Avon Vale Hunt, including the master huntsman and Wiltshire councillor, Jonathon Seed appeared in court charged with breaching the Hunting Act 2004. Though they all denied the breach before magistrates in Chippenham, Seed made a statement released to the Wiltshire Times, “This is a private prosecution by the RSPCA and I believe that it has been commenced for political reasons, as their stance against hunting is well known and it is of great significance that Wiltshire Police, after advice from the Crown Prosecution Service, declined to take this case forward. These proceedings are an abuse of the private prosecution system, which needs to be addressed in due course.”

And how best to address said abuse? Elect to become Police Crime Commissioner, that’s how. Perhaps it’s an episode the councillor wishes would disappear, going on the rather defensive attitude he put up when I chatted with him about his campaign this morning. And for what’s it’s worth, he provided some great ideas and valid points on subjects he attempted to divert me onto, but I was wondering where he actually stood on hunting, being, you know, it’s illegal, and he’s wants to be Police Crime Commissioner, just felt, well, a tad conflicting.

“Okay, so, not about the campaign then,” he started.

But I think it’s relevant. “Hunting is illegal,” I pointed to the seemingly obvious, “surely we would want a PCC who upholds the law?”

“Are you suggesting that I wouldn’t want the law upheld?” came Jonathon’s reply. Had to say, far from suggesting anything, the question was built behind the datum the huntsmaster for the Avon Vale hunt appeared in court with allegations he broke the law. And upon experts in the field, Wiltshire Hunt Sabs, who seemed convinced laws had been broken that day. “The badger sett incident,” they confirmed, “it’s clear evidence they were illegally hunting. It’s illegal to use terriers underground (the exemption is in relation to birds, which isn’t relevant on a hunt.) There can only be one reason for sending terriers to ground and that is to flush a fox.”

“You were,” I checked, “huntsmaster for the Avon Vale hunt at the time?”

“You will already know that I was,” Johnathon stated, “the allegation against me that was unfounded was dropped and is covered in the blog.”

Wiltshire Hunt Sabs claimed, “it wasn’t unfounded at all, the current Huntmaster (Stuart Radborne) was found guilty of interfering with the sett. The fact they couldn’t prove hunting act charges is yet more evidence that the law around hunting needs tightening.”

“Do you have anything to ask about the campaign,” Johnathon inquired, “or are you just interested in the Avon Vale Hunt?”

Yes, I do. So, I asked him, “if successful in the post, would you therefore discourage police to act against hunting offences? I mean, I understand, because they’d be personal friends engaged in something you firmly believe in. Also, would you support a turnaround of the law to allow hunting?”

And thus, came the jaw-dropper.

“I have spoken to thousands of people about policing over the last four years,” he said, “residents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.” Rather than be labelled a “troll,” by Tory boss-cop I allowed myself to be side-tracked. Jonathon was keen to lobby government for further funding, “Wiltshire is the third poorest funded force per head of population in the country, it needs overhauling and I will work with government to achieve this.”

“I have spoken to thousands of people about policing over the last four years,” he said, “residents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.”

Funds would put more officers in our communities, and offer better support for training and officers and staff’s mental health, and I cannot argue with this, though I pondered why it should be; are we all so better behaved in rural Wiltshire, so we don’t need as much policing as an urban area? I know I am!

“Historic underfunding of the force will continue to be an issue due to the way the funding formula is weighted towards some areas,” Johnathon explained, “The current PCC has done nothing to improve the situation and I believe the public deserve a PCC who will lobby the heart of government for better funding.”

I overlooked the oxymoron; “heart of government.”

In true Conservative fashion he blamed Labour, because fourteen years isn’t enough to up a budget. “The formula was created under Blair so naturally favoured labour voting areas,” he reckoned. “Getting the central government funding addressed has to be a priority. Just because we are a rural county doesn’t mean we don’t have sophisticated criminals operating in our towns and villages; domestic abuse, child sexual exploitation, modern day slavery, county drugs lines all affect our communities….”

“And fox hunters?” I added!

“It’s a shame that without knowing me or talking to me you would assume I would actively seek to have the law overlooked,” Johnathon asserted. “I do not and would not want our police to do this for any crime. The Chief Constable has my full backing to ensure that the law is upheld. There is no picking and choosing who the police ‘police.’ Operational policing isn’t the responsibility of the PCC.”

On the front seems Johnathon has good policies, but they’re undoubtably all politically motivated. Do we need a local councillor in the role, or someone who has been actively in the field, policing? I also spoke to independent candidate Mike Rees, passionate about delivering a quality police service for the people. And have to admit, it was akin to chatting to eager musicians when interviewing them. In fact, if there’s irony in voting for a police candidate suspected of breaking the law, the only similarity is that Mike is in a heavy rock band called “the Lawless!”

He told me of annual fundraising gigs at Level III with a plethora of other bands, which has raised £13K for his own charity “Fatboy’s Cancer Charity,” which aims to bring a smile to children who are suffering from cancer or have other life-threatening illnesses. He was also adamant he loved animals, and aside his respect for traditional aspects of rural life, more needed to be done to enforce the Hunting Act. Mike went as far as telling me he’d like to set up a hedgehog rescue centre in his retirement.

“I know there’s a difference between what the boss says and what the police see, I’d like to see a happy workforce, not demoralised.” He expressed a want to improve the service, the relationship between officers and the bosses, and the public, as he’s been on the beat in Swindon, working up through surveillance and CID to counter-terrorism, called in to help during the London bombing. “No wool pulled over my eyes,” Mike added.

“We’ve seen year on year increases to the policing precept, yet no tangible changes or improvements to the service the public of Wiltshire receive,” Mike stated, “seems evident to me and the many people who I speak with, that the Police sometimes do not have the resources to deal with many of the basic responsibilities that we expect; and all too often we see the cracks of struggling service delivery being papered over with a slick marketing campaign, or dare I say it, a social media post!”

“I know that savings can be made, and I also know how tax-payers money is sometimes squandered by Police managers,” he continued. “A politician who doesn’t understand policing can be told that something is required or best value, and will just accept what they are told. I know whether it is actually nice to have or need to have. Spending needs to be scrutinised very closely and I would look to do that to ensure money is diverted to the right resources and needs.”

Though Mike said Jonathon Seed was “very critical of Independent Candidates on his Facebook page recently. To my knowledge, I am the only independent candidate for Wiltshire so his comments are clearly directed to me!” But “the last thing I want to do is get involved in a continual slanging match with any of the other candidates.” Which is just as well for them, as an amateur boxer, I wouldn’t argue!

Jonathon Seed was “very critical of Independent Candidates on his Facebook page recently.”

He compared his own campaign budget to Johnathon’s on the precept he doesn’t mind if he doesn’t get the job, estimating Seed has “about £50k to spend on campaigning, I’ve got about £50, and I begrudge paying that! Money is squandered when it should be to improve services.”

The hunting issue will always be a touchy subject in any rural settings with opinions so divided. But the law is the law, and if anyone upholds it, it should be Police Crime Commissioner. Though while Mr Seed’s blogposts call for his innocence, they also state: “Millions of people in this country engage in perfectly legal fishing, hunting and shooting pastimes and should not be demonised and bullied by a small but vocal minority who do not approve of these pastimes,” and “It is utterly irrelevant to the vast majority of the electorate whether or not a political candidate had a lawful interest in country sports along with millions of other law-abiding people.” Left me wondering how defending wild animals under lawful methods, could possibly deemed demonising and bullying.

“If you wanted to ask me something sensible about fox hunting,” Johnathon said, “rather than the usual stuff that has been well rehearsed and I know doesn’t resonate with rural voters, ask me my views on the change to trespass and who it will apply to.”

But I didn’t like to ask, changing rules to trespass blatantly is there to halt operations from protesters. The Wiltshire Hunt Sabs said, “we’d love to know if he still hunts, we haven’t seen him out with the AVH, but there was a rumour he may go out with the Tedworth. I suspect he has paused for the election. It’s interesting he calls concerned members of the public “trolls”. How arrogant do you have to be to think that regular members of the public aren’t interested in his background as a fox hunter!”

I’ll let the hits on this article decide, and leave it there. I’m all for deciding the next Police Crime Commissioner based purely on a doughnut eating contest, might be easier, might even win myself! Then you’d all be buggered!


A View to a Thrill

“The Thrill of Love” at the Wharf Theatre by Ian Diddamsimages by Chris Watkins Media Just over a year ago, the Wharf theatre performed a…

Song of the Day 6: The Simmertones

It’s getting late now and I’ve only just got around to posting our song of the day. Had a piece to write and the obligatory family Scrabble game. Nearly missed the deadline, meaning my promise to post a song each day didn’t quite last a week, but alas, I’m here last minute to seal the deal.

What better then, than the pride of Devon, The Simmertones. They’ve fast made it to a lead name in the UK ska scene, and with their lively shows and crazy ska cover of the Dr Who theme, a personal favourite, it’s easy to see why. A tad more tender, here they are…..

Have a lovely rest of your day. Very good. Carry on….


Choo-Choo; Dreams of Devizes Railway Station

I know what you’re thinking, I’m a naughty boy; why hasn’t Devizine shared news of the survey about the Devizes Park/Gate/Safe-Way railway station proposal yet, the one on the “official” Devizes website? Well, I’ve been deliberating. But before you judge me, I ask you hear me out.

When I took a bus from the Leigh end of Southend-on-Sea to Shoeburyness, at the other end, which I’d estimate being the equivalent of Devizes to Melksham, it cost one pound. The bus was bustling with a wide demographic, it cost the same across the entire city.

Live in a village just two miles out of Devizes and it’s £2.50 for a single on the bus. Given Devizes Parkway would be a similar distance out on the other side of town, I’d wager it’d be much the same price. Let’s take a family of four from their village for a nice day out to London; a tenner to get town, a purple one just to get to this imaginary station for an overpriced train ticket; not including inflation.

Okay, I’m playing devil’s advocate. Everyone wants a station, including me. Back, long before Devizine, and Danny Kruger could pinpoint Devizes on a map, I put a poll on Facebook for my satirical rant column on Index:Wiltshire, asking what, if you could have anything which was once in Devizes but no longer, would you like to see returned. The top answer was unanimously, a railway station. And I agree. I agree with you all, from young and old, fat and thin, from Tory to leftie and beyond, everyone would like to catch a train from Devizes, even if only to escape!

The argument of education, getting students to colleges, and employment, getting them to work, rather than relying on a rural bus service and of course lessening the environmental impact of commuting are, of course, valid and ample justification. The idea it will attract visitors, helping our local businesses and economy is slightly more dubious, an untested valuation. Simply because they can get here doesn’t mean they will, especially if there’s nothing here to entice them. A view of Monument Hill and the Clock Inn Park are nice, but are hardly an exciting hive of activity.

I cannot help but feel, just as Brexit, and these grand and glorious schemes, a futurism-fashioned Festival of Britain, money saved from being in the EU to help the NHS, vaccinations for everyone by March, a high-speed train to gain three and a half minutes off the journey time from London to Birmingham, or a tunnel under Stonehenge to prevent erosion and people from seeing it without paying, the right-wing majority are suffering delusions of grandeur in a country potentially at it’s knees by the time these under-budgeted dreams will become anywhere near reality. I’m sorry to have to see it this way, but the system is crumbling under our feet because our leaders are only in it for themselves.

Oh, need a relevant example? Boris Johnson only proposed this £500m fund to reopen some of the passenger rail services axed in the Beeching review to win seats from Labour prior to the 2019 general election.

To bring it back to local affairs, feels to me like the potential railway station is only on the cards because Danny Kruger wants to get to Westminster quicker, and Hornby enthusiasts are rallying to kiss his ring. And yeah, as I said, it’s a great idea, for all the reasons stated. But given there’s surely far more important things we could spend the money on in this dilapidating town to improve it for everyone, you know what I’d like to see first and foremost? If we have spare cash to build a Lego station, I’d like to see our poorest, our youngest, eldest and people in care being supported.

I don’t want to see homeless being cleared out from camping in the woods so dog walkers can be free to roam and tie poo-bags to trees. I want to see projects being put into reality which would cost far less than a station, give them a hostel. I’d like to see our playparks and green spaces maintained better, youth clubs and facilities reopened, providing activities which kids actually want to go to.

At the beginning of year, when Melksham got a splashpad, Devizes said yeah, we could that too, but, as I forecast at the time, it was brushed aside. I’d like to drive on flat local roads, rather than negotiating potholes like it’s a lunar landscape. I’d like better road planning, infrastructure and affordable public transport, to avoid congestion. I want to park somewhere without taking out a bank loan. I want to see markets and The Shambles bustling with life, smells of street food and music. I want a free-thinking, flatpack and proactive council, funding sporting events and arts, and not idly watching as so-called charities throw folk with learning disabilities out of their homes.

And once we have achieved these, yes, I’d like a railway station, ta muchly. Not asking for much is it? Tee-hee, yeah, I’m hearing you, life isn’t so simple, this is Devizes, not Shangri-La. That said, I’m uncertain if Shangri-La has a railway station, still, it manages, as we have done since Beeching waved his wand, to get by without one. My family of four, twenty quid down just getting to the station, now they’re looking at train ticket prices. Have you seen train ticket prices recently? Remain calm, but they do often come in triple figure sums. I’ve seen aeroplane tickets to Barcelona cheaper than a return to Paddington.

The big question is, then, how much will it all cost and who is footing the bill? Did we get this grant, and what was that for? I asked Tamara of Devizes Gateway Railway Station steering group.

“The Restoring Your Railway grant from the DfT is for the cost of the Strategic Outline Business Case only and is being supplemented by Wiltshire Council,” she informed me. So already we’ve all put some cost into it through our council tax. “Thereafter, funding would need to be secured for the rest of the Business Case process (Outline Business Case and Full Business Case) and then for the capital costs to build the station.” Tamara added, “we are at the beginning of the process, but the fact that we have secure the grant monies from the DfT puts us in a good place. We now need to prove the business case.”

From there I was directed to a presentation made to the Devizes Area Board in November, which doesn’t explain where the dosh is coming from. I’m only opting for a station if they promise I can drive the train! Just once. But more importantly, I honestly look forward to a time, if I make it to 2025 without Thomas the Tank Engine shooting me, when we could smash my piggy bank for a train ticket, I really do, but the bottom line is, it has to be affordable, for all, especially if the public is footing the bill to build the thing.

Answer the survey, with your thoughts, if you wish. But the jury is still out with me. It’s on the site where a certain member, who shall remain nameless, accused me of spamming when I first launched Devizine, and mysteriously moments later I was in Facebook jail. Of which, such general pettiness is neither here nor there, but I feel worthy of mentioning. I know what you’re thinking, I’m still such a naughty boy!


Trending….

Song of the Day 5: Gecko

Okay, so I’ll be brief; we’ve mentioned Gecko quite a lot recently and I wouldn’t want him to get big-headed! Can you imagine? That was a joke by the way, because in some light one could describe what Gecko does as rap, and could you imagine, in your wildest dreams Gecko being conceited? He’s got to be the most unpretentious rapper ever, though that’s not saying much; narcissistic is the occupational hazard of the average rap star.

If you ain’t got something nice to say, rapper…… Ah, that’s why Gecko is a breath of fresh air. if you need any more proof of how good he is, here’s yesterday’s released video of the title track of his album. Over and out. Have a good rest of the day. Carry on….

Trending Now…

The Wiltshire Gothic; Deadlight Dance

With howling, coarse baritones Nick Fletcher, the main vocalist of Marlborough’s gothic duo, Deadlight Dance chants, “here comes the rain, and I love the rain,…


Are the Fire & Rescue Service Cutting Vital Flood Equipment?

Concern mounts after a petition was launched claiming vital flood equipment and training is being planned to be moved from fire stations from Chippenham and Trowbridge to Dorset, and Stratton in Swindon. You know me, usually I jumped at the chance to expose a transgression by authority, but on this occasion, as a response from Assistant Chief Fire Officer James Mahoney suggests the service is merely aligning the way in which all stations operate interchangeably, the jury is out on this one. I know right, impartiality; is this the new me?!

Not really. It gets rather technical, and I don’t do technical. The last thing I will do is belittle the fire service for the grand job they do. So, as I’ve been asked to share news of the petition, like a real reporter, I’ll give you the low down from both sides of the argument, and it’s up to if you choose to sign it; righty then?

Becky Montague, who started the petition argues, “members of the public will have to wait an hour to be rescued safely, instead of eight minutes in the River Avon area, because Chief Fire Officer Ben Ansell has decided to remove vital equipment from Chippenham and Trowbridge stations to Dorset, and Stratton in Swindon. This will put the lives at risk of people caught in flooding in an area Mr Ansell knows to be of high risk.”

“Removing equipment and training from the firefighters means that they will respond but be unable to rescue people quickly and with the right tools. Rather than watch people die, they will be forced to carry out dangerous rescues without the vital safety equipment they need.”

“There is no flood risk in Swindon like there is in the Chippenham, Bradford-on-Avon and Trowbridge areas. Mr Ansell will put residents of Wiltshire at risk and put firefighters in danger.”

This sounds like cause for alarm, and I’m grateful for our reader bringing to my attention. They’re concerned and angered, “We don’t distribute emergency equipment based on geography we do it based on risk otherwise we would have a fire station in the middle of Salisbury plain, we don’t do that because there’s no risk there,” they informed, “The flooding risk is in the river Avon area not in Stratton in Swindon. They’re going to put the council tax precept up again this year, what are Wiltshire residents going to get for that, other than the grateful thanks of Dorset residents for part-funding the service that they provide from the fire service?”

However, Assistant Chief Fire Officer James Mahoney had this response; “A strategic review of the technical rescue provision of Dorset & Wiltshire Fire and Rescue Service has been carried out. This considered risk and demand across the whole Service area; evidence from historical incident data; geographical station locations; and neighbouring Service capability. A decision on the placement of these facilities is now being considered internally.”

 “Technical rescue includes technical search, rescue from swift water, rescue from height, bariatric rescue, confined space rescue and large animal rescue capability. There are currently six stations providing differing aspects of technical rescue across the two counties of Dorset and Wiltshire. In addition to these technical rescue stations, all fire stations have initial water safety equipment and training, and a large number of our stations also have wading team capability. The provisions at these six stations are not consistent, and most stations do not provide all of the capabilities listed above. As a combined Service, this is neither effective, efficient or resilient.”

 “Whilst technical rescue is not a funded statutory duty for the Fire and Rescue Service, we recognise the importance of having this capability commensurate with the risks faced within our communities across the whole of Dorset and Wiltshire. We are looking to enhance, not diminish, our capability, allowing us a more strategic approach to the positioning of the key elements of technical rescue – which will also add greater resilience by aligning the way in which all stations operate interchangeably.

 “Staff and representative bodies have been briefed, and given the opportunity to contribute their views throughout and engage in this process, and we will be carrying out public consultation on our draft Community Safety Plan for 2021-25 from 17 February to 13 May 2021.”

If I remember rightly, when our estate flooded some years ago, a fire service came from Yeovil to help, stating Wiltshire forces were preoccupied elsewhere. Understandably, this took some time for them arrive, but had it not been for the fire services to be integrated, it may not have happened at all. On the other hand, the dubious line from the Assistant Chief Fire Officer’s statement, “technical rescue is not a funded statutory duty for the Fire and Rescue Service,” concerns me. What constitutes a technical rescue? And if it’s not a statutory duty, why call yourself Fire and Rescue Service?

And, as the Gazette reports, “Summerham and Seend Wiltshire councillor Jonathon Seed, who is also running for the Police and Crime Commissioner post, has pledged to take the case up with MPs saying the decision is outrageous,” well, something is iffy with it; deffo.

Being a man of the people, who I’d like to hear the views of is an actual local firefighter. Your anonymity will be respected if you contact us; but we need the opinion of the men on the ground. In general, I’m at my tether’s end with bureaucratic nonsense from pen-pushers, and I urge any firefighter concerned to please do let us know.

Here’s the petition, should you decide to sign it: https://www.change.org/p/dorset-wiltshire-fire-authority-stop-the-removal-of-vital-rescue-equipment-from-wiltshire-fire-stations


Let’s Clean up Devizes!

You’ve got to love our CUDS, the Clean up Devizes Squad, hardworking volunteers who make the town look tidy and presentable. Here’s your chance to…

Ashes of Memory; New Single From M3G

The fifth single coming out from Chippenham singer-songwriter M3g on Friday, Ashes of Memory, and if I’ve said in the past what separates Meg from…

Song of the Day 4: Girls Go Ska

Hi, yeah s’me, keeping up the Song of the Day feature like dedication was as word I know the definition of!

No excuses not to, I mean I am of the generation when Roy Castle clasped his trumpet weekly, ready for the signing off of “Record Breakers.” No, it’s not a euthanasim, Google it whippersnappers.

Might also explain my fondness for brass. Brass is class, and a vital element of ska. Yep, four tunes in and I couldn’t resist sharing some ska with you.

It’s a commonly misguided notion that ska is a retrospective cult here in England. It tends to convey a bygone era of Two-Tone records, boots and braces.

Yet today, while said stereotype has a grounding, ska is an international phenomenon, particularly in South America. I did write a piece about this region’s love for ska, and how it’s roots out of Jamaica bare a different tale from our own.

To show you how fresh it can be elsewhere in the world, and it’s not a reminiscence for a
load of overweight balding pensioners as perceived in the UK, here’s all-female bar one Mexican band, Girls Go Ska, who I’m secretly in love with, (so secret they don’t even know themselves….until they use Google translate!) doing an instrumental jam.

Girls and ska; what’s not to like? Have a lovely rest of your day. Very good. Carry on….


  • All Cat’s Eyes for Nothing Rhymes With Orange’s New Single

    Firstly, to clear up any confusion, as I know I was, a little, and I also accept it doesn’t take much these days, Devizes’ finest musical export since The Hoax, Nothing Rhymes With Orange will play a homecoming gig at The Three Crowns on the Friday 24th June, and not as previously advertised on the Saturday….

    Reason being is symbolic of the monumental progress this young band is making nationally; on the Saturday they’re at the third heat of this year’s Pilton Stage party in Glastonbury, the winners of which will go on to share the stage with a major headliner in front of 8,000 people on Worthy Farm in September, that’s all!

    Here at Devizine Towers we’ve got all fingers and toes crossed for the guys, it’s a tough cookie, but we look forward to catching up with them on Friday. If you need confirmation of my claims of their blossoming progress, check out the latest single, Cats Eyes, which they launched today, and you will realise I’m not making this up; shits got real.

    If eyes are a window to the soul, and cats are sly, this bountifully bodacious banger is the wild romantic ride of Born to Run, with an nonchalant and stylised ring of youth. The narrative is elementary though noteworthy, the post-festival blues of confusing mental bedlam over a fleeting romance, and coming to terms with it all when homebound; it’s convincing, I get the inkling they’ve been there.

    Yet it’s the professionalism of a lively style defined here which impresses, having watched these Devizes lads progress from the levels of fun yet amateur punky knockouts like Chow For Now. And it’s all contained within a relatively short space of time whereby each single is a moonwalk to initiating a universal style.

    If the early singles like Chow and Manipulation fuelled a local fanbase of peers, Cats Eyes will play the same part in enthusing the big kahunas of the music industry, and if not, I want an inquiry as to why not. These songs they’ll undoubtedly look back on as stepping stones, yet while there’s a modification to a growing professional trend which sounds to me retrospective eighties indie-pop, the like I hail bands like Talk in Code for reverbating, their rawer punker influences aren’t completely saturated here. It doesn’t feel like selling out, it feels like a natural progression to a permeating and accomplished sound, which will equally not disappoint fans but amass newer ones too.

    If we’ve always been impressed with Nothing Rhymes With Orange’s insatiable ability to energetically harmonise, it’s evident here in abundance too. They’ve mastered the hook, and taking it to a bridge, they detonate the pop formula with indie goodness, something which only gets better each time; Cat’s Eyes makes another positive leap forward.

    The band have been consistently gigging across the South West at festivals and niche music venues since they met in a secondary school, and have been championed by many local radio stations including BBC Introducing who have featured two of their tracks. With a summer tour announced they’ll be playing a range of headline and support gigs right across Wiltshire and on to Hampshire, Bristol, Reading and London. 

    But while it’s great to see them heading out, you know when they arrive back in Devizes, the party is on, and fans will be chanting their lyrics back to them; the highest accolade aside a blinding review from me, naturally!!

    LinkTree HERE


  • Devizes International Street Festival is Cancelled

    I’ll never forget local photographer Gail Foster some years ago, pulling down her camera from a shot, turning to me with an expression of joy, telling me this was “my favourite day in Devizes.” And last year, I was so overwhelmed as I got on stage to introduce the bands, to see smiling faces crammed the entire Market Place and bottlenecked through the Little Brittox, I understood how much the festival meant to us all and how it brings us all together for one weekend…. 

    It rings home for us all, DOCA’s International Street Festival was that one time when the people of this town could gather freely, and it has been loved by us all, and now I’m nearly driven to tears to have to put that in the past tense. Sadly, it looks like that date will pass us by this year, as due to loss of financial support from the Arts Council of England, this year, the festival has been cancelled.

    DOCA have said, “it is with sadness that we announce the cancellation of the International Street Festival 2024 due to loss of funding from the Arts Council. For over twenty years the DOCA team have worked hard to secure funding from the Arts Council England in order to run our extensive programme of community events and keep them free for everyone to enjoy. As a result of the change in the funding landscape nationwide, we will be looking for more local support to enable our other events to go ahead.”

    “The loss of the International Street Festival as part of Devizes’ free cultural event calendar is very upsetting, but here at DOCA we hope that by removing the largest and most expensive event to deliver, we can concentrate time and resources on making Picnic in the Park, Carnival, Confetti Battle and Colour Rush go ahead, whilst also looking ahead to secure funding for the Winter Festival.”

    “Alongside the ACE funding, we have always been very grateful for the community support we receive from our Festival Makers, local businesses, and beyond. We will soon launch new ways for you to support these events – keep an eye on our social media and website over the next few weeks to see how you can help either financially or with your time.”

    My personal gut reaction is one of great annoyance and sadness, knowing how hard everyone worked to stage this colossal event for Devizes. The Arts Council has obviously been cut by the government, and I genuinely fear life in general in this country is being ground down to the commercial level of a third world state where nothing is given with heart.

    Entertainment is going the same way as sport has for the past decade, only those who can afford to have fun will have fun. Staging free community-driven events like this will be confined to history books; they don’t want you to enjoy life unless you pay, even for a day; work, eat, sleep, repeat.

    Yet we seem to have the cash to construct a completely unnecessary and destructive tunnel under Stonehenge, we still find the money for Royal celebrations and a subsidised restaurant in Westminster, to hoist an old oil rig into Weston and put a waterfall on it for a temporary art installation, and we still find the cash to bail out politicians like Michelle Donelan for her slanderous personal Tweets. But we haven’t got the money to feed children during a pandemic, we haven’t got money for state education, healthcare, so we certainly haven’t got the money for a party in a small town; use your head, and show them at the polling booths, it is the only way now, please.

    Sigh, I know, I know, I’m tetchy and a huff. At least the rest of DOCA’s Summer Programme will proceed as planned, but for now, this is blow to the town. You could always express your concerns directly to the supposed Arts Council HERE.


  • Frome Festival Presents a Bumper Programme for All

    From the 5th to the 14th July 2024, Frome Festival plans to up the game of this wonderful and lively town with a bumper programme for all….. 

    In over sixty-one venues across Frome and surrounding villages, Frome Festival is gearing up for its biggest ever programme, with 250 events taking place over 10 days. This year’s theme celebrates 60 years of Roald Dahl’s ‘Charlie & the Chocolate Factory’, featuring artwork by illustrator Sholto Walker depicting Willy Wonka striding down the streets of Frome. To celebrate this theme, five Golden Tickets will be hidden at various Festival events with winners receiving a scrumdiddlyumptious spending spree at Frome’s local chocolatier and café, Choc et al.

    The community arts festival has been a popular fixture in the town since 2001 and aims to offer something for everyone, young and old, including different types of music, theatre, comedy, spoken word, art, dance, film, workshops, children’s events, and food or drink experiences. Expect a dash of Frome’s signature quirkiness!

    Children can enjoy bouldering workshops, comic art masterclasses, science exploration of pondlife, theatre productions, a Willy Wonka Rave, outdoor shows and so much more.

    And Frome Festival is teaming up with the popular Frome Independent Market on Sunday 7th July, taking over their entertainment stages with music, street theatre, and dance.

    Sir Willard White

    Headliners for 2024 include internationally acclaimed bass-baritone, Sir Willard White, Jenny Eclair, Richard Herring, Paul Mason, Old Time Sailors, Swinging at the Cotton Club, Alberta Cross, Raghu Dixit, Peatbog Faeries. Alongside one of Frome’s favourite free events, the Festival Food Feast, returning for a celebration of amazing international street food, live music and entertainment. Sponsored by local Frome company Lilley’s Cider.

    Other highlights include hilarious stand-up comic Jenny Eclair at the Merlin Theatre, the first woman to win the coveted Perrier Award at Edinburgh Festival in 1995 and hasn’t stopped banging on about it since. India’s biggest cultural & musical export, Raghu Dixit is returning to the Cheese & Grain for the Frome Festival after his triumphant debut last year. 

    Jenny Eclair

    The spectacular Swinging at the Cotton Club is a visual and musical feast paying homage to legends such as Duke Ellington, Ella Fitzgerald, and Count Basie with breathtaking dance routines. In the atmospheric setting of Holy Trinity Church, renowned organ virtuoso David Bednall will provide an improvised soundtrack to the classic 1922 horror movie, Nosferatu.

    There’s raucous Old Time Sailors, former economics editor of Newsnight and Channel 4 and a regular Guardian contributor, Paul Mason presenting this year’s Bob Morris Lecture, a keynote speech that is an annual highlight of the Festival programme. Legendary stand-up comic Richard Herring presents his brand-new tour show where he talks bollocks about his recent experience with testicular cancer, at the Cheese & Grain, and Scottish trailblazers Peatbog Faeries also appear at the big Cheese, with a glorious mixture of traditional sounds and dance-floor grooves creating a hypnotic sound that no-one can resist dancing to.

    Tickets go on sale from Sunday 19th May at 10am through www.fromefestival.co.uk 

    BROCHURES detailing all events are available to pick up from the Cheese & Grain, local libraries, information points and many other locations across Frome and the surrounding area. An online version of the brochure is available here.


  • Tonka Bean, Devizes Only Caribbean Cafe & Bar to Close

     Abrilli, sole Director and owner of Tonka Bean Cafe Bar in Devizes announced today, due to “significant changes in personal and financial circumstances due to unfortunately slow and inconsistent trade over the past few months,” the cafe is to close….

    Tonka Bean will cease trading and close its doors on Sunday 26th May 2024. Abrilli thanked her customers and supporters, and said, “I have loved every minute of bringing my Caribbean flavour and vibes to Devizes, our second home, and who knows maybe now was just not the right time.” 

    Just a month short of a year ago I dropped in to see Abrilli’s newly opened Tonka Bean, and publishing the news was one of our highest hitting articles of 2023. There was an air of optimism in the meeting, the idea of bringing Devizes something unique, and huge support for the cafe-bar was felt. It is very sad to hear it will go, I guess in this current economic climate this is a gloomy sign of the times.

    Abrilli invites all to join them over the next fortnight, for great coffee and drinks, as they clear their stock. Regular opening hours apply. We wish her and the staff at Tonka Bean all the best for the future.


  • Weekly Roundup of Events in Wiltshire: 15th-21st May 2024

    Here’s what we’ve found to do in the wilds of Wiltshire this coming week…

    Everything listed here is on our event calendar; go there for links and more info. It may be updated, so check in later in the week.

    Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here. 

    The Thrill of Love is currently running at the Wharf Theatre until Saturday, here’s a review.


    Wednesday 15th

    Acoustic Jam at The Southgate, Devizes.

    Patsy Gamble Jazz Trio at St Nicholas Church in Bromham, preview here.

    Jonathan Leibovitz at the Wiltshire Music Centre, Bradford-on-Avon.

    Mohamed Errebbaa at the Bell, Bath

    Memory Cinema at Swindon Arts Centre, for those suffering with dementia and their carers, screening The Lavender Hill Mob (U). Latin funk jazz with Starlings at Jazz Knights in The Royal Oak, Swindon.


    Thursday 16th

    Royal Wootton Bassett Carnival & Fun Fair starts and finishes at the weekend.

    Courting Ghosts at The Tuppenny, Swindon. Rusty Goat’s Poetry All-Stars at Twigs Community Gardens. Memory Sing at Swindon Arts Centre. Pete Allen’s Jazz Band at Swindon Arts Centre. Antiques and a Little Bit of Nonsense at The Wyvern Theatre.


    Friday 17th

    Full On Fridays at the Exchange, Devizes, with DJ Stevie MC.

    Medium Nikki Kitt is at Melksham Assembly Hall .

    Mosquito at the Aldbourne Social Club.

    Pat Sharp Party Night at the Civic, Trowbridge.

    Ion Maiden at The Vic, Swindon. Simplicity at the Queen’s Tap. Ashley Blaker at Swindon Arts Centre. Julian Clary – A Fistful Of Clary at The Wyvern Theatre.

    Ruzz Guitar Trio at The Three Horseshoes, Bradford-on-Avon. Karport Collective at The Boathouse.

    Bath International Music Festival begins today, running until 26th May. Bootleg Bee Gees at Chapel Arts. Daliso Chaponda’s Feed this Black Man Again at The Rondo Theatre, Bath.

    Dutty Moonshine DJ Set at The Tree House, Frome.

    The Chilled Out Motorhome and Camper Weekender in Cirencester opens.


    Saturday 18th

    Devizes Vegan Market at The Market Place from 10am-3pm. Mynt Image Craft Fair in the Corn Exchange. The Dirt Road Band at Long Street Blues Club. Canute’s Plastic Army at The Southgate, Ed’s pick of the week this one. Adam Woodhouse at The Three Crowns. Caztro is in the mix at the Exchange.

    White Horse Soapbox Derby in Westbury.

    Mosaic Dogs at The Lamb, Trowbridge.

    Talk in Code at The Kings Arms, Amesbury.

    Rachel Newton at Pound Arts, Corsham.

    Black Wendy at The Three Horseshoes, Bradford-on-Avon. Vocal Works Gospel Choir – live at 21 at the Wiltshire Music Centre.

    Shelf is at the Rondo Theatre, Bath, with a kids version, then teenage men version. Roxy Magic at Chapel Arts.

    The Bowie Experience at The Vic, Swindon. Awakening Savannah at The Queen’s Tap. 

    The Soul Strutters at the Woodlands Edge. Drew Bryant at the New Inn. The Blackheart Orchestra at Swindon Arts Centre. eMotion Dance Competition at The Wyvern Theatre.

    Frome Memorial Theatre Open Day followed by Jive Talkin’. John Lydon is at the Cheese & Grain. ZZ Toppd at the Tree House.


    Sunday 19th

    The Hoodoos at The Southgate, Devizes from 5pm.

    Open Mic at the Red Lion, Lacock.

    Shot by Both Sides at The Three Horseshoes, Bradford-on-Avon.

    Eddie Martin at the Bell, Bath.

    Lee Hurst – Sweet Sorted Lovely at Swindon Arts Centre.

    The Frome International Climate Film Festival at the Cheese & Grain.


    Monday 20th

    Tony Remy, James Morton & Anders Olinder at the Bell, Bath.

    Steeleye Span at The Wyvern Theatre, Swindon.


    Tuesday 21st

    Let’s Walk – Caen Hill & Jubilee Wood

    Crazy Bird Comedy Night at The Piggy Bank Micropub, Calne.

    Gareth Williams Trio for Jazz Knights at The Royal Oak, Swindon.

    Ash Mandrake & Jenny Bliss at the Bell, Bath.


    And that’s all we’ve got for now; fill your boots! Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed.

    Do check ahead with our every-changing events diary

    Shindig Festival at Dillington Park begins next week, the last Shindig festival, have a good one from me.Also find upcoming Chippenham Folk Festival 24th-27th May. Love Saves the Day in Bristol. Beer and Cider Festival at Swindon & Cricklade Railway. Cursus Festival 2024 Dorset. Chris Moyles 90s Hangover Festival at Swindon Town FC. 

    In Devizes Nothing Rhymes With Orange makes a homecoming at The Three Crowns on Friday 24th. And isn’t it high time you snapped up some tickets for the Devizes Arts Festival at the end of the month running into June? 

    Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

    Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

    Have a good week!


  • Poppy Rose, Ready Now….

    Not being able to hold a note myself, I tip my hat to any musician in a band. Yet there’s something so much more valiant, rudimentary, and intrinsically honest about the solo singer-songwriter, the personal touch of an acoustic performer; as the title of her debut album suggests, Poppy Rose has this…..

    The key to a good singer-songwriter lies in the proximity of thoughts between the artist and their audience, and how they relate. If done well, the listener feels they know a little something about the singer. I’ve never met Poppy. I came across her music via a Facebook chat. But I’ve come away after one sitting of her new album, I’m Ready Now, thinking that I know her, and that’s the goal rather than the benchmark of an amazing acoustic singer-songwriter….. 

    The album opens with No In Between, elucidating Poppy doesn’t do moderation, she is an all-or-nothing girl, and we’re off, getting to know the innermost thoughts of this twenty-five-year-old creative soul from Bath. 

    It’s thoughtfully played out prose, with intelligent metaphors which build throughout the ten tracks, but more importantly, it’s dreamily unique and divinely expressed. The metaphors of the intimacy in the second tune are rinsed in personal observations, the third tune, more dejected in romantic theme; Fool is her first single released from the album. If these are characters in her narrative they appear to bear her own crosses and devotions equally, either this or Poppy can write classic fiction akin to Jane Austen!

    Similar to what Chippenham’s Meg is putting out in both content and delivery, it’s first-hand folk, idiosyncratic reflection, and we love what Meg is putting out, it’s impossible not too, in my honest opinion. The confusion, trickery and learning of it within the game of love never wanes with age, but there’s something coming of age in Poppy’s subjects, perhaps none more so than The Wrong One, which even states her naivety in the words. If you’re not young (like me!) you still relate, because you lived it, and survived to tell the tale, though, Poppy tells it expressively in haunting songs, and it’s something to behold.

    Poppy poses in Resolution Records in Bath, looking deservedly chuffed! You can find limited edition gold glitter cassettes of “I’m Ready Now” in there!

    Five tunes in and we’ve swapped guitar for piano, complimenting her heart-clenching and soulful vocals better may be debatable, either instrument works, but piano always rewards it a more europic ambience, as the songs tend to sit in the more dejected moods of Poppy. Seven songs in now, Fragile suggests this honesty, the title track following this lifts the pessimism.…slightly, but whatever the mood, Poppy sets it sublimely and evocatively.

    If ‘body shaming’ is a Gen Z construct, it is so only by modern terminology. If you think mocking people for their body shape or size is a new thing you’ll be sadly mistaken. But it is something highlighted as harassment far less abstract and taboo nowadays, and dealing with such bullying inspires Poppy’s penultimate song on I’m Ready Now. I Love my Body is a poignant reflection of wellbeing, a calling to anyone suffering misgivings about themselves physically. Whilst still a solitary deliberation, this track is perhaps the standout as it contains a universal message.

    What surprises me most is Spotify has this tune, I Love my Body, listed as a previous single, dated 2019. I know I’m not so good at maths, but if this places Poppy aged twenty when she wrote this, she is truly a prodigy. As I said at the beginning, I don’t know Poppy, but to express such a sentiment and deliver it so profoundly as a message to others at any young age, is nothing short of magical.

    So to not leave us downhearted, Poppy’s final tune, Joy, is brimful of romantic optimism, including a geographical reference akin to Springsteen’s The River. This album is homemade lemonade, moreish, yet in recording one’s thoughts so young I believe, and hope we’re only skimming the surface of what is to come from this skilled wordsmith and performer. Have a listen, see what you think, because I’m blown away!

    Find Poppy’s Music on Facebook or Instagram

    LinkTree HERE


  • Help DOCA Win Funding for the Confetti Battle

    From carnival to the Winter Festival, DOCA stages so many great events in Devizes, most of them for free, but the most unique is the Confetti Battle. This year it’s coupled again with the Colour Rush, on Saturday 14th September. TicketSource are offering £1,000 to help fund a winning community event, all you have to do is click on this link, and vote for DOCA….

    Devizes Confetti Battle has been happening since 1955, it is free to attend but not free to put on. People of all ages come and participate in a mock battle, throwing tons of confetti at each other, leading to a firework finale. It’s a lot of fun!

    There are a lot of costs that come with this event. The cost of road closures and the big clean up afterwards. DOCA would use the money to help buy confetti supplies. It’s hard to get the event funded as it isn’t a traditional art or heritage event so this award would be a great help.

    So, please click on this LINK to vote for them, it will take you seconds and costs nothing, ta!


  • White Horse Opera Mathieson Trust Fundraiser with Anup Biswas

    White Horse Opera members, Soprano Barbara Gompels, Mezzo Soprano Paula Boyagis, Tenor Carlos Alonso together with pianist Tony James join forces with international cellist Anup Biswas for a special musical concert to raise money for the Mathieson Trust in Kolkata India which celebrates its  30th Anniversary…

    The evening will take place on 15th June at Market Lavington Community Hall starting at 6pm with a home cooked Indian meal followed by a range of musical delights from opera to songs from the shows.

    The Mathieson Music Trust The Mathieson Mission School was established in 1994, by Maestro Anup Kumar Biswas, it is a registered charity and was set up in memory of his guru, Father Theodore Mathieson, an Anglican priest from England. Father Mathieson of the Oxford Mission dedicated his entire life to the poor children of Bengal. After Mathieson’s death in 1994, Mr Biswas became his torchbearer, aiming to emulate his work and morals by helping children from the poorest families.

    Mr Biswas wanted to give the opportunities he received through Father Mathieson’s generosity, to other children coming from impoverished backgrounds like his own. For 30 years, Mr Biswas has singlehandedly fundraised globally for the trust through concerts, classes, workshops, and other such events. Some key performances were in the presence of the late Queen Elizabeth II of England and King Charles III; the venues Mr Biswas has performed in range from the Royal Albert Hall (UK), The Carnegie Hall (USA), Commonwealth Institute (UK) and the Bayreuth Opera House (Germany) to name a few. The funds raised from these events have paid for the construction of the school buildings and their maintenance, resources, and teaching of the children. 

    White Horse Opera warmly invite you to join them in celebrating the anniversary of The Mathieson Music Trust and all its accomplishments in the last 30 years .

    Donations will be gratefully accepted on the night but tickets are needed for numbers for catering purposes, they are available from  Devizes Books. For more information on White Horse Opera, Here.


  • “The Thrill of Love” at The Wharf Theatre, Devizes, May 13th-18th 2024

    By Ian Diddams
    Images by Chris Watkins

    Ruth Ellis was hanged aged 28 years old, by Albert Pierrepoint the official executioner in the UK, at Holloway prison on July 13th 1955. Her trial had taken a little over just one day – the jury took only twenty-three minutes to find her guilty. She made no defence of her own actions though there is much to indicate she was at least coerced into shooting David Blakely and was likely acting under duress and was certainly easily influenced. Court investigations found her not to be insane – again there are indications that this was not as clear cut a scenario.

    Her story is portrayed in “The Thrill of Love”, by Amanda Whittington, showing soon at The Wharf Theatre.



    This is not an easy play to watch.  Its subject matter is of course an indication of that, but it’s the underlying stories that the plot reveals and hints at that are the disturbing aspects.  The sexual, physical and psychological abuse by multiple men throughout her life, from her childhood right up until her execution. Her low self-esteem, desperation for attention, acceptance, and love. Clearly self-delusional, gas lighting herself, a neurotic personality,Ruth Ellis was doomed from a young age and the play brings all of these into a stark expose of life in Britain at the time. As her character opines she was “never part of society”.



    Debby Wilkinson, Director of this quite superb piece of theatre, explained that it
    has been a challenge to bring together, not just because of the subject matter
    itself, but that as a historical record in many ways it is vital to reflect the
    truth. Debby and the cast spent the first three weeks of rehearsal immersing
    themselves into their characters, motivations and the social mores surrounding
    that time, before starting to build the show. Their intensive preparation has clearly worked to perfection. All the characters are wholly believable, whether they be the real life characters of Ruth Ellis and Vickie Martin, or the fictional ones designed to reflect aspects of the work relationships and public thought.

    Freddie Underwood plays Ruth Ellis. Hers is a staggering portrayal. From bumptious party queen, to mentally downtrodden and crushed, spurned, and beaten lover, Freddie encapsulates the vast array of emotions and reactions to perfection,sometimes just mere seconds apart as scenes develop. Words do not do justice to the depth of her skill. On top of that, she also has nine costume changes in the two hours of the show, one even onstage as she transforms from Ruth Ellis to prisoner.

    Vickie Martin, Ellis’ friend, is played by Jessica Whiley. Carefree party girl
    with a plan, Jess’s characterisation is spot on.  Entering cat-walk model like, to dancing with Ruth, her coquettishness shines through, lithely and gracefully. Jess also doubles up as prison warder and prosecution barrister. The relationship between Ellis and Martin is strong – catty, then supportive, then loving, then bitchy. Both actors excel at this relationship. Their scene where Ellis “teaches” Martin to flirt provocatively with the Gentlemen’s Club’s patrons is also cleverly choreographed and performed; they are both so childlike – whilst existing on the sleazier edges of life.

    Overseeing them both is Sylvia Shaw, the Court Club’s manageress.  The Court Club is central to the entire play –its is where we are introduced to all the women characters, the club where they work. Mari Webster plays Sylvia, again to perfection. While Martin is coquettish and bright, Ellis focussed yet vulnerable, Sylvia has been there, done that, got the badge. She runs a tight ship, knows the score but is sliding into her fifties with a drink problem and failing health. She is also a mother hen to the girls in her club albeit one with a hard edge …  though it is revealed that this is really a trait of self-protection.

    The final female part is that of Doris Judd, the char. Mitzi Baehr (who you
    may even recognise from some TV appearances) is the calm, collected, caring big sister character that will have nothing to do with the real business of the
    club, but delights in supporting those that work there.  From cups of tea to sympathy, to post abortion care and a few plainly put admonishments, Doris is, if not the power behind the throne, certainly the grease that smooths the paths of their lives. She loses her husband over her all night devotion to the club, to Sylvia and to Ruth in particular.



    That leaves D.I. Jack Gale, representing in many ways, the folks that vociferously opposed Ellis’ sentence and execution. He gets the conviction – but knows it isn’t the full truth, and he is fighting for that truth the entire time, despite the accused’s own blocks to his attempts. He is a decent man, dedicated to his job, to finding the truth. Sean Andrews finds Gale’s inner turmoil and even angst, amongst a sardonic turn of phrase. “London’s a market – and this [The Court Club] is the trading floor” he almost shrugs …  before later spending hours going over and over notes, papers, cuttings, photographs of evidence. Sean completes this quintet of superb actors.

    The set is a simple one yet effective. The “Court Club” – then later the “Little
    Club” that Ruth ends up running – with tables, chairs, a record player, a bar.
    Stage left and right empty for police cell, interrogation room, the street, a bedsit. Downstage for a crematorium. Costumes are a delight – aside from Ruth’s dazzling array everything is fitting for the period. Lighting is at times quite brilliant – the last we see of Ruth, hidden in shadow except for a blinding almost halo like shine of her blond hair is a stunning visual.


    And surrounding all of this is Billie Holiday’s voice  a soundtrack of her singing washing in, over, around the scenes.


    Ultimately, it’s a play about loss.


    Of dignity. Of husbands. Of lovers. Of hope.

    Of life.

    “The Thrill of Love” plays at the Wharf Theatre, Devizes, from May 13th
    to 18th at 1930 every night.

    Tickets are available from the Wharf website at https://www.wharftheatre.co.uk/show/the-thrill-of-love, or from Devizes Library.


  • Weekly Roundup of Events in Wiltshire: 8th-14th May 2024

    It’s beginning to look a lot more like spring now; you are officially cleared to go outside! Here’s what we’ve found to do outside, in the wilds of Wiltshire this coming week…

    Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.

    Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here. 


    Wednesday 8th

    Acoustic Jam at The Southgate, Devizes

    Trowbridge Job Fair.

    Nick Helm’s Super Fun Good Time Show at The Rondo Theatre, Bath. O. Love & The Affair at the Bell, Bath. Nurse Georgie Carroll: Sista Flo 2.0 at Komedia.

    Big Jam Session at The Vic, Swindon. And the Swindon Festival Of Literature opens with Anne-Marie O’Dwyer at Swindon Arts Centre,  and Jessica Fostekew: Mettle.


    Thursday 9th

    Devizes Film Club at the Wharf Theatre, screening The Quiet Girl.

    Comedy Loft 9 at the Civic, Trowbridge.

    Hannah Sanders & Ben Savage at Pound Arts, Corsham.

    The TigerFace Show at The Rondo Theatre, Bath. Hayseed Dixie and The Zipheads at Komedia.

    Butcombe Festival Of Laughs At The White Hart, Wroughton. Coopers Creek at The Beehive, Swindon. Swindon Festival Of Literature: Elizabeth Oldfield and Mark Rutterford at Swindon Arts Centre, followed by The Metamorphosis at Swindon Arts Centre.


    Friday 10th

    People Like Us at The Condado Lounge, Devizes. Palooza are back at the Exchange nightclub, great night of house music, great vibe, last time. 

    The Future Sound of Trowbridge #9 at The Pump, with FLAM and Artoid. TrowFest at Trowbridge RFC. 

    Miss Kill at the Old Road Tavern, Chippenham.

    Counter’s Creek at Pound Arts, Corsham.

    Warming up for the Green Man Festival on Saturday, I Smell Burning at The Three Horseshoes, Bradford-on-Avon. The Full Motley at The Boathouse. Lindisfarne at Wiltshire Music Centre.

    Benji Kirkpatrick at Chapel Arts, Bath. My Secret Sister at The Rondo Theatre. Craig Charles Funk & Soul House Party at Komedia.

    Jordan Red, Webb and Boss Cass at The Vic, Swindon. Peloton at the Queen’s Tap.

    Swindon Festival Of Literature at Swindon Arts Centre –has Marcus Du Sautoy, Hilary Bradt, and Felice Hardy.

    New Purple Celebration – The Music of Prince at the Cheese & Grain, Frome. Gary Stringer of Reef at The Tree House.


    Saturday 11th

    The Stert Country House Collectables and Car Boot Sale in aid of Cancer Research at Stert near Devizes. Kirris Riviere & The Delta Du Bruit at The Southgate. 

    Five Lanes Summer Fete in Worton. The Unpredictables at Potterne Social Club.

    The Famous Hangover Sessions atThe New Lamb Inn, Marlborough. Open Mic at The Barge on HoneyStreet.

    Marty’s Fake Family at Gloucester Road Club, Trowbridge. Rural France, Ravetank, Clock Radio and Fela Dekota all at The Pump.

    The Fureys at The Neeld, Chippenham.

    Bradford on Avon Green Man Festival, Preview HERE. Also find Strange Folk at The Three Horseshoes. Be Like Will at The Boathouse.

    Westbury Food & Drink Festival

    ‘The Mystery Guest Tour Featuring Lady Nade, Daisy Chute, and Izzue Yardley at Pound Arts, Corsham.

    Talk in Code at The Castle, Swindon with KGB and The Racket. Here Comes the Crows at the Queen’s Tap. Rush Hour at the Woodlands Edge. Faux Fighters at The Vic. Swindon Festival Of Literature at Swindon Arts Centre has Tony Hawks and a Flash Fiction Slam!

    A rally for Palestine in Bath. Sherlock’s Excellent Adventure at The Rondo Theatre. Ma Bessie and her Pigfoot Band at Chapel Arts.

    Kings of Lyon and The UK-Strokes at the Cheese & Grain, Frome.


    Sunday 12th

    Devizes Lions Sponsored Walk. Jack Grace at The Southgate, from 5pm.

    Open Mic at the Red Lion, Lacock.

    Melksham Record Fair at Melksham Assembly Hall.

    The Ultimate Commitments and Blues Brothers Experience at The Neeld, Chippenham.

    Mustard Allegro at The Three Horseshoes, Bradford-on-Avon. Cantamus Chamber Choir Chichester Psalms at Wiltshire Music Centre.

    Schtumm presents AQABA at The Queen’s Head in Box. Mambo Jambo at the Bell, Bath.

    Legacy at The Kings Arms, Old Town, Swindon. Swindon Festival Of Literature has a Children & Families Day at Swindon Arts Centre, and the Festival Finale.

    Tellison at The Tree House, Frome.


    Monday 13th

    The Thrill of Love opens at the Wharf Theatre, Devizes. Preview HERE. It runs until 18th May.

    Rock The Tots: Movies at Pound Arts, Corsham.

    Jack Grace at the Bell, Bath.

    Teenage Sequence at The Tree House, Frome.


    Tuesday 14th

    The Black Feathers at The Piggy Bank Micropub, Calne.

    Pale Blue Eyes at the Tree House, Frome.


    And that’s all we’ve got for now. Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed.

    Snap up tickets time: we recommend on Wednesday 15th, the Patsy Gamble Jazz Trio in Bromham, preview HERE. Jonathan Leibovitz at Wiltshire Music Centre.

    And the weekend sees Bath International Music Festival begin, The Chilled Out Motorhome and Camper Weekender in Cirencester, Devizes Vegan Market at The Market Place, Dirt Road Band at Long Street Blues Club, with Ruby Darbyshire in support, and Canute’s Plastic Army are at The Southgate. White Horse Soapbox Derby, Westbury and Talk in Code make their debut at The Kings Arms, Amesbury. John Lydon, yes, John Lydon is at the Cheese & Grain, and there’s lots more on our event calendar to boot!

    Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

    Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

    Have a good week, and don’t forget, the Devizes Arts Festival box office is open and waiting for you!


Song of the Day 3: Harmony

Look, right, I’m not at the top yet, but it’s in clear sight. A round number, of the half century kind, awaits me atop the hill, and there’s no stopping the ride to get off.

I guess reaching these milestone ages causes you to analyse your life somewhat, and if there’s one thing I do know in all my years, it’s that I’ve told some colossal pork pies. Some real stinkers. I don’t know why, other than occupational hazard as a journalist, I’ve no excuses, not one which will wash with you clever lot.

Whether it be for the prestige, the glory, or, sometimes just for the sheer hell of it, just because the golden opportunity arose and I couldn’t stop myself, they just slipped out.

I’m not proud, just saying, you know, get it off my chest. Not compulsively, though, I’d go as far to say the majority of what I say is true.

Why do people say, “I’ll be honest with you…” ? Well duh, I sincerely hope you do anyway, it should go without saying. But the phrase immediately raises the alarm; I’m guessing a whopper is on its way. I never use that phrase on principle. The principle I don’t trust myself to keep to it.

See, what with the whopper, the real damaging kind of fib. I consider my track record on that quite good, I tend to lie to big myself up, but not to put others down. I tend to lie to make light of a situation, rather than darken the notion. I tend not to lie to anyone I trust not to lie to me, and I’ve seen too many of them backfire anyway, so, I’m done with lies, filled my quota but retain decency in not being overly destructive with them; quantity not quality!

And anyway, I don’t lie here, cos I trust you all, I really do. This isnt a tabloid, this is me. Clearly you get what you see, which might be a waffling clown but, hey.

So, Harmony, from Chippenham, on the subject of liars; she’s not singing about me, no sir, not when I say with all the honesty left in me, this young singer-songwriter I’ve discovered via Sheer music, has got something really special. And even if I was lying, which I’m not, I’ve shared the video, to prove it.

And that’s Song of the Day, for the third day. It’s become a popular feature, overnight, honest.

Should you choose to believe that!

Have a lovely rest of your day. Very good. Carry on….

Ain’t Nobody’s Business but Ruzz Guitar and Pete Gage’s

I’ve said it before, said lots of what I’m going to say before, in fact, but I reserve the right to say it again. And you can’t blame me, it’s this Groundhog Day thing, this exasperating lockdown. I perpetually revert my mind back to the last night of live music I attended, Ruzz Guitar Blues Revue at Devizes Sports Club with Peter Gage, Jon Amor and Innes Sibun. How I suspected walls could come crashing down, but didn’t want accept it, neither at the time acknowledge it would be so soon. Still, optimistically, what a blinding night; least we went out with a bang.

I mean, I know and I’m eternally grateful to everyone who acted to do what they could immediately after the first lockdown, the afternoon sessions at the Southgate, and our own outing for Devizes;IndieDay, but as good as they were, as Ray Charles said, the night time is the right time. Ode to the gig, the gathering and the celebration, how we miss it so. Are you with me? You are, right?

Faced with the unwelcome likelihood of the first anniversary of the occasion coming around and still, no live music, I have to ponder how far to the light at the end of this gloomy tunnel. And to rub salt into the wound, Ruzz has released a new track, featuring the very same blues legend Peter Gage! But as far as salt goes, upon hearing this tune I’m like a halophile (a salt-loving organism; look it up, people) living on the back of a saltwater crocodile, basking at the shore of the Dead Sea.

A cover of Jimmy Witherspoon’s tune Ain’t Nobody’s Business, Ruzz explains, “we’ve taken the B.B. King and Freddie King versions, mashed them together and added an RGBR flavour into the mix! We’ve been working hard on this track since Christmas and we’re all very excited to release it.”

And so, they should be, it’s sublime, as ever. Habitually, I favour Ruzz and the Blues Revue when they work up a frenzy, but this is smooth, this is blues, the kind of blues you need contemplating the anniversary of the gig ban, and if you attended, it will remind you of it too. If not, it doesn’t matter, it just breezes over you, as all virtuous blues should.

I mean, right, the guy was from The Sloane Squares, headhunted by Shadows bassist Jet Harris upon them supporting Hendrix, and that’s just the beginning of his extensive profession. Pete’s proficient vocals, gives it that edge of aforementioned BB King influence, the arrangement and tightness of this collaboration are like the chimes of seamless bellringing, here’s the Blues Revue on top form, adding guests of calibre and concluding as perfection; quid well spent.


Latest Reads….

Stonehenge or Bust; Duck n Cuvver Scale the Fence!

The last thing Robert Hardie wants is to be portrayed as villainous, or condoning mass trespass, though he accepts some might interpret breaking over the fence at Stonehenge as such. Chatting to this veteran on the phone this morning, he described the exhilaration and sensation of wellbeing, wandering between Wiltshire’s legendary stone pillars, but expressed he doesn’t wish to encourage others to follow his example, only to raise awareness of his crusade.

Frustration with English Heritage was the prime motive for taking the leap, displayed in his video doing the rounds on social media. But one half of Salisbury folk-rock indie duo, Duck n Cuvver has been fundraising for over three years to be able to shoot the final part of a music video inside the stone circle. “Initially,” he said, “English Heritage said it would cost £750, then they suddenly upped it to £4,500.” I asked Rob if they gave an explanation, a breakdown of what the costs involved to them would be. He replied they hadn’t.

My musing wandered over the occasion two years ago when local reggae band, Brother from Another pulled a publicity stunt recording themselves atop Silbury Hill, to wide criticism, but how The Lost Trades recently played around Avebury stone circle without trouble. Rob and Ian cannot call a compromise though, being the subject of the song, Henge of Stone, is as it says on the tin. As he explained to the Salisbury Journal back in 2019, “This video will make history – singing about Stonehenge in Stonehenge.”

Clearly enthusiastic about covering our ancient local landmarks as song themes, Rob told me he’d written about Avebury too, and how he played them to the solstice crowd there. This part of our conversation ended with him reciting a few verses in song, and expressing the feeling of joy as the crowds sang them back to him.

While he didn’t rule out this was a publicity stunt too, we discussed the necessities of the project. Rather than being a colossal movie production, with the atypical entourage, trailers and crew, all that’s needed is his partner in crime, Ian Lawes, and possibly the accompanying musicians, Chris Lawes, Jamez Williams, Louis Sellers and Paul Loveridge, a cameraman and a few instruments. The mechanics of shooting the footage would be simple, it’s unplugged, being there’s no electricity on site, and Rob explained how mats would be provided to protect the grass. Besides, if EH’s concerns were for the welfare of the site they’d simply say no, surely, not put a price on it.

There’s therefore no justice, in my mind, really, on the exceptionally high price tag. Only to assume English Heritage is out to profit. Contemplating on recent outcries concerning activities around Stonehenge; the solstice parking debacle, closing for winter solstice and of course the tunnel, which we mutually dismissed as ludicrous on the grounds excavating there would obviously turn up some ancient findings and archaeological digs, and protection rights would whack the project way over budget, it feels the quango run agency is not the best method to protect our heritage sites, if the conservative ethos is revenue driven rather than insuring it’s splendour is for all to enjoy and savour. As Rob points out in the film, “Stonehenge belongs to fucking us!”

Ah, story checks out; even English Heritage states similar on their website, if not quite so sweary! “The monument remained in private ownership until 1918 when Cecil Chubb, a local man who had purchased Stonehenge from the Atrobus family at an auction three years previously, gave it to the nation. Thereafter, the duty to conserve the monument fell to the state, today a role performed on its behalf by English Heritage.” It’s basically one extortionate babysitter, calling the shots.

I enjoyed chatting with Rob, even if my plan to record the dialogue backfired due to my poor tech skills! I apologise to him for this improv article.

I’m surprised to not have previously heard of Duck n Cuvver, we tend to get vague coverage of the Salisbury area; something I need to work on. We did rap about our mutual friend, the pianist prodigy, young Will Foulstone, among other things.

The duo are sound as a pound, though, real quality folk rock come indie sound, the song is cracking, proper job. Which is why they’ve supported the likes of the Kaiser Chiefs and The Feeling, and recently performed at the National Armed Forces Day. Ardent about his music, this veteran explained his service inspired the band name, and continued to express his passion for this particular song, something which has been evolving over five years, and it shows. He described it as a “celebration of life,” dedicated to a friend who passed away, from cancer.

Both members of the duo are good, charitable folk, and if Rob did climb the fence at Stonehenge recently, note he lives within the restricted range of it to constitute it being his daily exercise. From our phone call alone, I could tell they’re not the sort to abuse the trust, if it was given to them, to perform at Stonehenge, that’d be a magical moment, and, well, we could do with a magical moment right now. So, if you can help fund their campaign, you’ll find a link to do so here.

I’ll pop the song which is kicking up all the fuss below, and leave with a thanks for the natter, Rob, and I wish you all the best with the crusade; Stonehenge or bust!

    


Song of the Day 2: The Big Ship Alliance and Johnny2Bad, featuring Robbie Levi and Stones

Newly-formed just a year ago, this Birmingham-based seven piece reggae band, Big Ship Alliance started out as possibly the only tribute act to reggae legend Freddie McGregor, but on track to record their own material they’ve teamed up with the outstanding UB40 tribute act, Johnny2Bad for this gorgeous topical debut single.

Featuring Robbie Levi and Stones, aside from my love of all things reggae, the song’s positive message of togetherness and unification during this era of the pandemic makes it more than apt for my second “song of the day” post. Though I did say I wasn’t intending to write anything like a review on this feature, just let you enjoy the tunes, and this is kinda heading a little bit “reviewy.” Probably cos it’s such a nice tune.

I also promised not to waffle; but I’m here now. Something about having your cake and eating it goes in rather appropriately at this point!

More so than being my song of the day, I believe this should be, as the Big Ship Alliance say themselves, “the anthem for 2021!”

Determined to make this feature a goer, as of yesterday’s pledge to add a song each day, ingeniously titled “song of the day.” I know, right, it scares me at times, I’ll be honest!

So, enjoy this fantastic tune, let the good vibes roll and have a great rest of the day. Same time tomorrow then?

Very good. Carry on….

Song of the Day 1: Atari Pilot

Irregularly I share a music video to our Facebook page with the status “song of the day,” or week, or whenever, as if it’s a daily occurrence. When the reality is it’s a big, fat fib on my part, it’s only when I happen to find such a video and can be arsed to share it. What-cha gonna do, sue me?

So, just in case your lawyer says you have a case, I thought I’d streamline this sporadic idea for 2021, make it an actual feature on the site rather than a Facebook post, and show off that I know what long words like “sporadic” mean.

Little more gone into it than this, you should be used to it by now. I’m not going to review them, just embed them here for your own appraisal and entertainment purposes. Potentially, it’ll be a groundbreakingily breif post, a simple but effective phenomenon, and something I can do without missing the Simpsons.

The challenge is consistency; whether I actually stick to the idea or, like others, it’ll be a flash in the pan. Who knows, this could be the start of something beautiful, this could be the thing they’re talking about in decades to come. A holographic Ken Bruce could be asking “what was the very first Devizine Song of the Day” in a Pop Master 200 years from now.

And you can answer it with who I bestow this honour, Atari Pilot. They’ll be revelling in the triumph of the hour if it wasn’t lockdown, I bet.

History in the making then, the only issue I foresee is I over-waffle any old crap, which is, incidentally, not what’s happening now and rarely does here; I had to explain myself, didn’t I?

Okay, I get message; here it is then, enjoy the tune, enjoy the rest of your evening. Good job, carry on.


  • All Cat’s Eyes for Nothing Rhymes With Orange’s New Single

    Firstly, to clear up any confusion, as I know I was, a little, and I also accept it doesn’t take much these days, Devizes’ finest musical export since The Hoax, Nothing Rhymes With Orange will play a homecoming gig at The Three Crowns on the Friday 24th June, and not as previously advertised on the Saturday….

    Reason being is symbolic of the monumental progress this young band is making nationally; on the Saturday they’re at the third heat of this year’s Pilton Stage party in Glastonbury, the winners of which will go on to share the stage with a major headliner in front of 8,000 people on Worthy Farm in September, that’s all!

    Here at Devizine Towers we’ve got all fingers and toes crossed for the guys, it’s a tough cookie, but we look forward to catching up with them on Friday. If you need confirmation of my claims of their blossoming progress, check out the latest single, Cats Eyes, which they launched today, and you will realise I’m not making this up; shits got real.

    If eyes are a window to the soul, and cats are sly, this bountifully bodacious banger is the wild romantic ride of Born to Run, with an nonchalant and stylised ring of youth. The narrative is elementary though noteworthy, the post-festival blues of confusing mental bedlam over a fleeting romance, and coming to terms with it all when homebound; it’s convincing, I get the inkling they’ve been there.

    Yet it’s the professionalism of a lively style defined here which impresses, having watched these Devizes lads progress from the levels of fun yet amateur punky knockouts like Chow For Now. And it’s all contained within a relatively short space of time whereby each single is a moonwalk to initiating a universal style.

    If the early singles like Chow and Manipulation fuelled a local fanbase of peers, Cats Eyes will play the same part in enthusing the big kahunas of the music industry, and if not, I want an inquiry as to why not. These songs they’ll undoubtedly look back on as stepping stones, yet while there’s a modification to a growing professional trend which sounds to me retrospective eighties indie-pop, the like I hail bands like Talk in Code for reverbating, their rawer punker influences aren’t completely saturated here. It doesn’t feel like selling out, it feels like a natural progression to a permeating and accomplished sound, which will equally not disappoint fans but amass newer ones too.

    If we’ve always been impressed with Nothing Rhymes With Orange’s insatiable ability to energetically harmonise, it’s evident here in abundance too. They’ve mastered the hook, and taking it to a bridge, they detonate the pop formula with indie goodness, something which only gets better each time; Cat’s Eyes makes another positive leap forward.

    The band have been consistently gigging across the South West at festivals and niche music venues since they met in a secondary school, and have been championed by many local radio stations including BBC Introducing who have featured two of their tracks. With a summer tour announced they’ll be playing a range of headline and support gigs right across Wiltshire and on to Hampshire, Bristol, Reading and London. 

    But while it’s great to see them heading out, you know when they arrive back in Devizes, the party is on, and fans will be chanting their lyrics back to them; the highest accolade aside a blinding review from me, naturally!!

    LinkTree HERE


  • Devizes International Street Festival is Cancelled

    I’ll never forget local photographer Gail Foster some years ago, pulling down her camera from a shot, turning to me with an expression of joy, telling me this was “my favourite day in Devizes.” And last year, I was so overwhelmed as I got on stage to introduce the bands, to see smiling faces crammed the entire Market Place and bottlenecked through the Little Brittox, I understood how much the festival meant to us all and how it brings us all together for one weekend…. 

    It rings home for us all, DOCA’s International Street Festival was that one time when the people of this town could gather freely, and it has been loved by us all, and now I’m nearly driven to tears to have to put that in the past tense. Sadly, it looks like that date will pass us by this year, as due to loss of financial support from the Arts Council of England, this year, the festival has been cancelled.

    DOCA have said, “it is with sadness that we announce the cancellation of the International Street Festival 2024 due to loss of funding from the Arts Council. For over twenty years the DOCA team have worked hard to secure funding from the Arts Council England in order to run our extensive programme of community events and keep them free for everyone to enjoy. As a result of the change in the funding landscape nationwide, we will be looking for more local support to enable our other events to go ahead.”

    “The loss of the International Street Festival as part of Devizes’ free cultural event calendar is very upsetting, but here at DOCA we hope that by removing the largest and most expensive event to deliver, we can concentrate time and resources on making Picnic in the Park, Carnival, Confetti Battle and Colour Rush go ahead, whilst also looking ahead to secure funding for the Winter Festival.”

    “Alongside the ACE funding, we have always been very grateful for the community support we receive from our Festival Makers, local businesses, and beyond. We will soon launch new ways for you to support these events – keep an eye on our social media and website over the next few weeks to see how you can help either financially or with your time.”

    My personal gut reaction is one of great annoyance and sadness, knowing how hard everyone worked to stage this colossal event for Devizes. The Arts Council has obviously been cut by the government, and I genuinely fear life in general in this country is being ground down to the commercial level of a third world state where nothing is given with heart.

    Entertainment is going the same way as sport has for the past decade, only those who can afford to have fun will have fun. Staging free community-driven events like this will be confined to history books; they don’t want you to enjoy life unless you pay, even for a day; work, eat, sleep, repeat.

    Yet we seem to have the cash to construct a completely unnecessary and destructive tunnel under Stonehenge, we still find the money for Royal celebrations and a subsidised restaurant in Westminster, to hoist an old oil rig into Weston and put a waterfall on it for a temporary art installation, and we still find the cash to bail out politicians like Michelle Donelan for her slanderous personal Tweets. But we haven’t got the money to feed children during a pandemic, we haven’t got money for state education, healthcare, so we certainly haven’t got the money for a party in a small town; use your head, and show them at the polling booths, it is the only way now, please.

    Sigh, I know, I know, I’m tetchy and a huff. At least the rest of DOCA’s Summer Programme will proceed as planned, but for now, this is blow to the town. You could always express your concerns directly to the supposed Arts Council HERE.


  • Frome Festival Presents a Bumper Programme for All

    From the 5th to the 14th July 2024, Frome Festival plans to up the game of this wonderful and lively town with a bumper programme for all….. 

    In over sixty-one venues across Frome and surrounding villages, Frome Festival is gearing up for its biggest ever programme, with 250 events taking place over 10 days. This year’s theme celebrates 60 years of Roald Dahl’s ‘Charlie & the Chocolate Factory’, featuring artwork by illustrator Sholto Walker depicting Willy Wonka striding down the streets of Frome. To celebrate this theme, five Golden Tickets will be hidden at various Festival events with winners receiving a scrumdiddlyumptious spending spree at Frome’s local chocolatier and café, Choc et al.

    The community arts festival has been a popular fixture in the town since 2001 and aims to offer something for everyone, young and old, including different types of music, theatre, comedy, spoken word, art, dance, film, workshops, children’s events, and food or drink experiences. Expect a dash of Frome’s signature quirkiness!

    Children can enjoy bouldering workshops, comic art masterclasses, science exploration of pondlife, theatre productions, a Willy Wonka Rave, outdoor shows and so much more.

    And Frome Festival is teaming up with the popular Frome Independent Market on Sunday 7th July, taking over their entertainment stages with music, street theatre, and dance.

    Sir Willard White

    Headliners for 2024 include internationally acclaimed bass-baritone, Sir Willard White, Jenny Eclair, Richard Herring, Paul Mason, Old Time Sailors, Swinging at the Cotton Club, Alberta Cross, Raghu Dixit, Peatbog Faeries. Alongside one of Frome’s favourite free events, the Festival Food Feast, returning for a celebration of amazing international street food, live music and entertainment. Sponsored by local Frome company Lilley’s Cider.

    Other highlights include hilarious stand-up comic Jenny Eclair at the Merlin Theatre, the first woman to win the coveted Perrier Award at Edinburgh Festival in 1995 and hasn’t stopped banging on about it since. India’s biggest cultural & musical export, Raghu Dixit is returning to the Cheese & Grain for the Frome Festival after his triumphant debut last year. 

    Jenny Eclair

    The spectacular Swinging at the Cotton Club is a visual and musical feast paying homage to legends such as Duke Ellington, Ella Fitzgerald, and Count Basie with breathtaking dance routines. In the atmospheric setting of Holy Trinity Church, renowned organ virtuoso David Bednall will provide an improvised soundtrack to the classic 1922 horror movie, Nosferatu.

    There’s raucous Old Time Sailors, former economics editor of Newsnight and Channel 4 and a regular Guardian contributor, Paul Mason presenting this year’s Bob Morris Lecture, a keynote speech that is an annual highlight of the Festival programme. Legendary stand-up comic Richard Herring presents his brand-new tour show where he talks bollocks about his recent experience with testicular cancer, at the Cheese & Grain, and Scottish trailblazers Peatbog Faeries also appear at the big Cheese, with a glorious mixture of traditional sounds and dance-floor grooves creating a hypnotic sound that no-one can resist dancing to.

    Tickets go on sale from Sunday 19th May at 10am through www.fromefestival.co.uk 

    BROCHURES detailing all events are available to pick up from the Cheese & Grain, local libraries, information points and many other locations across Frome and the surrounding area. An online version of the brochure is available here.


  • Tonka Bean, Devizes Only Caribbean Cafe & Bar to Close

     Abrilli, sole Director and owner of Tonka Bean Cafe Bar in Devizes announced today, due to “significant changes in personal and financial circumstances due to unfortunately slow and inconsistent trade over the past few months,” the cafe is to close….

    Tonka Bean will cease trading and close its doors on Sunday 26th May 2024. Abrilli thanked her customers and supporters, and said, “I have loved every minute of bringing my Caribbean flavour and vibes to Devizes, our second home, and who knows maybe now was just not the right time.” 

    Just a month short of a year ago I dropped in to see Abrilli’s newly opened Tonka Bean, and publishing the news was one of our highest hitting articles of 2023. There was an air of optimism in the meeting, the idea of bringing Devizes something unique, and huge support for the cafe-bar was felt. It is very sad to hear it will go, I guess in this current economic climate this is a gloomy sign of the times.

    Abrilli invites all to join them over the next fortnight, for great coffee and drinks, as they clear their stock. Regular opening hours apply. We wish her and the staff at Tonka Bean all the best for the future.


  • Weekly Roundup of Events in Wiltshire: 15th-21st May 2024

    Here’s what we’ve found to do in the wilds of Wiltshire this coming week…

    Everything listed here is on our event calendar; go there for links and more info. It may be updated, so check in later in the week.

    Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here. 

    The Thrill of Love is currently running at the Wharf Theatre until Saturday, here’s a review.


    Wednesday 15th

    Acoustic Jam at The Southgate, Devizes.

    Patsy Gamble Jazz Trio at St Nicholas Church in Bromham, preview here.

    Jonathan Leibovitz at the Wiltshire Music Centre, Bradford-on-Avon.

    Mohamed Errebbaa at the Bell, Bath

    Memory Cinema at Swindon Arts Centre, for those suffering with dementia and their carers, screening The Lavender Hill Mob (U). Latin funk jazz with Starlings at Jazz Knights in The Royal Oak, Swindon.


    Thursday 16th

    Royal Wootton Bassett Carnival & Fun Fair starts and finishes at the weekend.

    Courting Ghosts at The Tuppenny, Swindon. Rusty Goat’s Poetry All-Stars at Twigs Community Gardens. Memory Sing at Swindon Arts Centre. Pete Allen’s Jazz Band at Swindon Arts Centre. Antiques and a Little Bit of Nonsense at The Wyvern Theatre.


    Friday 17th

    Full On Fridays at the Exchange, Devizes, with DJ Stevie MC.

    Medium Nikki Kitt is at Melksham Assembly Hall .

    Mosquito at the Aldbourne Social Club.

    Pat Sharp Party Night at the Civic, Trowbridge.

    Ion Maiden at The Vic, Swindon. Simplicity at the Queen’s Tap. Ashley Blaker at Swindon Arts Centre. Julian Clary – A Fistful Of Clary at The Wyvern Theatre.

    Ruzz Guitar Trio at The Three Horseshoes, Bradford-on-Avon. Karport Collective at The Boathouse.

    Bath International Music Festival begins today, running until 26th May. Bootleg Bee Gees at Chapel Arts. Daliso Chaponda’s Feed this Black Man Again at The Rondo Theatre, Bath.

    Dutty Moonshine DJ Set at The Tree House, Frome.

    The Chilled Out Motorhome and Camper Weekender in Cirencester opens.


    Saturday 18th

    Devizes Vegan Market at The Market Place from 10am-3pm. Mynt Image Craft Fair in the Corn Exchange. The Dirt Road Band at Long Street Blues Club. Canute’s Plastic Army at The Southgate, Ed’s pick of the week this one. Adam Woodhouse at The Three Crowns. Caztro is in the mix at the Exchange.

    White Horse Soapbox Derby in Westbury.

    Mosaic Dogs at The Lamb, Trowbridge.

    Talk in Code at The Kings Arms, Amesbury.

    Rachel Newton at Pound Arts, Corsham.

    Black Wendy at The Three Horseshoes, Bradford-on-Avon. Vocal Works Gospel Choir – live at 21 at the Wiltshire Music Centre.

    Shelf is at the Rondo Theatre, Bath, with a kids version, then teenage men version. Roxy Magic at Chapel Arts.

    The Bowie Experience at The Vic, Swindon. Awakening Savannah at The Queen’s Tap. 

    The Soul Strutters at the Woodlands Edge. Drew Bryant at the New Inn. The Blackheart Orchestra at Swindon Arts Centre. eMotion Dance Competition at The Wyvern Theatre.

    Frome Memorial Theatre Open Day followed by Jive Talkin’. John Lydon is at the Cheese & Grain. ZZ Toppd at the Tree House.


    Sunday 19th

    The Hoodoos at The Southgate, Devizes from 5pm.

    Open Mic at the Red Lion, Lacock.

    Shot by Both Sides at The Three Horseshoes, Bradford-on-Avon.

    Eddie Martin at the Bell, Bath.

    Lee Hurst – Sweet Sorted Lovely at Swindon Arts Centre.

    The Frome International Climate Film Festival at the Cheese & Grain.


    Monday 20th

    Tony Remy, James Morton & Anders Olinder at the Bell, Bath.

    Steeleye Span at The Wyvern Theatre, Swindon.


    Tuesday 21st

    Let’s Walk – Caen Hill & Jubilee Wood

    Crazy Bird Comedy Night at The Piggy Bank Micropub, Calne.

    Gareth Williams Trio for Jazz Knights at The Royal Oak, Swindon.

    Ash Mandrake & Jenny Bliss at the Bell, Bath.


    And that’s all we’ve got for now; fill your boots! Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed.

    Do check ahead with our every-changing events diary

    Shindig Festival at Dillington Park begins next week, the last Shindig festival, have a good one from me.Also find upcoming Chippenham Folk Festival 24th-27th May. Love Saves the Day in Bristol. Beer and Cider Festival at Swindon & Cricklade Railway. Cursus Festival 2024 Dorset. Chris Moyles 90s Hangover Festival at Swindon Town FC. 

    In Devizes Nothing Rhymes With Orange makes a homecoming at The Three Crowns on Friday 24th. And isn’t it high time you snapped up some tickets for the Devizes Arts Festival at the end of the month running into June? 

    Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

    Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

    Have a good week!


  • Poppy Rose, Ready Now….

    Not being able to hold a note myself, I tip my hat to any musician in a band. Yet there’s something so much more valiant, rudimentary, and intrinsically honest about the solo singer-songwriter, the personal touch of an acoustic performer; as the title of her debut album suggests, Poppy Rose has this…..

    The key to a good singer-songwriter lies in the proximity of thoughts between the artist and their audience, and how they relate. If done well, the listener feels they know a little something about the singer. I’ve never met Poppy. I came across her music via a Facebook chat. But I’ve come away after one sitting of her new album, I’m Ready Now, thinking that I know her, and that’s the goal rather than the benchmark of an amazing acoustic singer-songwriter….. 

    The album opens with No In Between, elucidating Poppy doesn’t do moderation, she is an all-or-nothing girl, and we’re off, getting to know the innermost thoughts of this twenty-five-year-old creative soul from Bath. 

    It’s thoughtfully played out prose, with intelligent metaphors which build throughout the ten tracks, but more importantly, it’s dreamily unique and divinely expressed. The metaphors of the intimacy in the second tune are rinsed in personal observations, the third tune, more dejected in romantic theme; Fool is her first single released from the album. If these are characters in her narrative they appear to bear her own crosses and devotions equally, either this or Poppy can write classic fiction akin to Jane Austen!

    Similar to what Chippenham’s Meg is putting out in both content and delivery, it’s first-hand folk, idiosyncratic reflection, and we love what Meg is putting out, it’s impossible not too, in my honest opinion. The confusion, trickery and learning of it within the game of love never wanes with age, but there’s something coming of age in Poppy’s subjects, perhaps none more so than The Wrong One, which even states her naivety in the words. If you’re not young (like me!) you still relate, because you lived it, and survived to tell the tale, though, Poppy tells it expressively in haunting songs, and it’s something to behold.

    Poppy poses in Resolution Records in Bath, looking deservedly chuffed! You can find limited edition gold glitter cassettes of “I’m Ready Now” in there!

    Five tunes in and we’ve swapped guitar for piano, complimenting her heart-clenching and soulful vocals better may be debatable, either instrument works, but piano always rewards it a more europic ambience, as the songs tend to sit in the more dejected moods of Poppy. Seven songs in now, Fragile suggests this honesty, the title track following this lifts the pessimism.…slightly, but whatever the mood, Poppy sets it sublimely and evocatively.

    If ‘body shaming’ is a Gen Z construct, it is so only by modern terminology. If you think mocking people for their body shape or size is a new thing you’ll be sadly mistaken. But it is something highlighted as harassment far less abstract and taboo nowadays, and dealing with such bullying inspires Poppy’s penultimate song on I’m Ready Now. I Love my Body is a poignant reflection of wellbeing, a calling to anyone suffering misgivings about themselves physically. Whilst still a solitary deliberation, this track is perhaps the standout as it contains a universal message.

    What surprises me most is Spotify has this tune, I Love my Body, listed as a previous single, dated 2019. I know I’m not so good at maths, but if this places Poppy aged twenty when she wrote this, she is truly a prodigy. As I said at the beginning, I don’t know Poppy, but to express such a sentiment and deliver it so profoundly as a message to others at any young age, is nothing short of magical.

    So to not leave us downhearted, Poppy’s final tune, Joy, is brimful of romantic optimism, including a geographical reference akin to Springsteen’s The River. This album is homemade lemonade, moreish, yet in recording one’s thoughts so young I believe, and hope we’re only skimming the surface of what is to come from this skilled wordsmith and performer. Have a listen, see what you think, because I’m blown away!

    Find Poppy’s Music on Facebook or Instagram

    LinkTree HERE


  • Help DOCA Win Funding for the Confetti Battle

    From carnival to the Winter Festival, DOCA stages so many great events in Devizes, most of them for free, but the most unique is the Confetti Battle. This year it’s coupled again with the Colour Rush, on Saturday 14th September. TicketSource are offering £1,000 to help fund a winning community event, all you have to do is click on this link, and vote for DOCA….

    Devizes Confetti Battle has been happening since 1955, it is free to attend but not free to put on. People of all ages come and participate in a mock battle, throwing tons of confetti at each other, leading to a firework finale. It’s a lot of fun!

    There are a lot of costs that come with this event. The cost of road closures and the big clean up afterwards. DOCA would use the money to help buy confetti supplies. It’s hard to get the event funded as it isn’t a traditional art or heritage event so this award would be a great help.

    So, please click on this LINK to vote for them, it will take you seconds and costs nothing, ta!


  • White Horse Opera Mathieson Trust Fundraiser with Anup Biswas

    White Horse Opera members, Soprano Barbara Gompels, Mezzo Soprano Paula Boyagis, Tenor Carlos Alonso together with pianist Tony James join forces with international cellist Anup Biswas for a special musical concert to raise money for the Mathieson Trust in Kolkata India which celebrates its  30th Anniversary…

    The evening will take place on 15th June at Market Lavington Community Hall starting at 6pm with a home cooked Indian meal followed by a range of musical delights from opera to songs from the shows.

    The Mathieson Music Trust The Mathieson Mission School was established in 1994, by Maestro Anup Kumar Biswas, it is a registered charity and was set up in memory of his guru, Father Theodore Mathieson, an Anglican priest from England. Father Mathieson of the Oxford Mission dedicated his entire life to the poor children of Bengal. After Mathieson’s death in 1994, Mr Biswas became his torchbearer, aiming to emulate his work and morals by helping children from the poorest families.

    Mr Biswas wanted to give the opportunities he received through Father Mathieson’s generosity, to other children coming from impoverished backgrounds like his own. For 30 years, Mr Biswas has singlehandedly fundraised globally for the trust through concerts, classes, workshops, and other such events. Some key performances were in the presence of the late Queen Elizabeth II of England and King Charles III; the venues Mr Biswas has performed in range from the Royal Albert Hall (UK), The Carnegie Hall (USA), Commonwealth Institute (UK) and the Bayreuth Opera House (Germany) to name a few. The funds raised from these events have paid for the construction of the school buildings and their maintenance, resources, and teaching of the children. 

    White Horse Opera warmly invite you to join them in celebrating the anniversary of The Mathieson Music Trust and all its accomplishments in the last 30 years .

    Donations will be gratefully accepted on the night but tickets are needed for numbers for catering purposes, they are available from  Devizes Books. For more information on White Horse Opera, Here.


  • “The Thrill of Love” at The Wharf Theatre, Devizes, May 13th-18th 2024

    By Ian Diddams
    Images by Chris Watkins

    Ruth Ellis was hanged aged 28 years old, by Albert Pierrepoint the official executioner in the UK, at Holloway prison on July 13th 1955. Her trial had taken a little over just one day – the jury took only twenty-three minutes to find her guilty. She made no defence of her own actions though there is much to indicate she was at least coerced into shooting David Blakely and was likely acting under duress and was certainly easily influenced. Court investigations found her not to be insane – again there are indications that this was not as clear cut a scenario.

    Her story is portrayed in “The Thrill of Love”, by Amanda Whittington, showing soon at The Wharf Theatre.



    This is not an easy play to watch.  Its subject matter is of course an indication of that, but it’s the underlying stories that the plot reveals and hints at that are the disturbing aspects.  The sexual, physical and psychological abuse by multiple men throughout her life, from her childhood right up until her execution. Her low self-esteem, desperation for attention, acceptance, and love. Clearly self-delusional, gas lighting herself, a neurotic personality,Ruth Ellis was doomed from a young age and the play brings all of these into a stark expose of life in Britain at the time. As her character opines she was “never part of society”.



    Debby Wilkinson, Director of this quite superb piece of theatre, explained that it
    has been a challenge to bring together, not just because of the subject matter
    itself, but that as a historical record in many ways it is vital to reflect the
    truth. Debby and the cast spent the first three weeks of rehearsal immersing
    themselves into their characters, motivations and the social mores surrounding
    that time, before starting to build the show. Their intensive preparation has clearly worked to perfection. All the characters are wholly believable, whether they be the real life characters of Ruth Ellis and Vickie Martin, or the fictional ones designed to reflect aspects of the work relationships and public thought.

    Freddie Underwood plays Ruth Ellis. Hers is a staggering portrayal. From bumptious party queen, to mentally downtrodden and crushed, spurned, and beaten lover, Freddie encapsulates the vast array of emotions and reactions to perfection,sometimes just mere seconds apart as scenes develop. Words do not do justice to the depth of her skill. On top of that, she also has nine costume changes in the two hours of the show, one even onstage as she transforms from Ruth Ellis to prisoner.

    Vickie Martin, Ellis’ friend, is played by Jessica Whiley. Carefree party girl
    with a plan, Jess’s characterisation is spot on.  Entering cat-walk model like, to dancing with Ruth, her coquettishness shines through, lithely and gracefully. Jess also doubles up as prison warder and prosecution barrister. The relationship between Ellis and Martin is strong – catty, then supportive, then loving, then bitchy. Both actors excel at this relationship. Their scene where Ellis “teaches” Martin to flirt provocatively with the Gentlemen’s Club’s patrons is also cleverly choreographed and performed; they are both so childlike – whilst existing on the sleazier edges of life.

    Overseeing them both is Sylvia Shaw, the Court Club’s manageress.  The Court Club is central to the entire play –its is where we are introduced to all the women characters, the club where they work. Mari Webster plays Sylvia, again to perfection. While Martin is coquettish and bright, Ellis focussed yet vulnerable, Sylvia has been there, done that, got the badge. She runs a tight ship, knows the score but is sliding into her fifties with a drink problem and failing health. She is also a mother hen to the girls in her club albeit one with a hard edge …  though it is revealed that this is really a trait of self-protection.

    The final female part is that of Doris Judd, the char. Mitzi Baehr (who you
    may even recognise from some TV appearances) is the calm, collected, caring big sister character that will have nothing to do with the real business of the
    club, but delights in supporting those that work there.  From cups of tea to sympathy, to post abortion care and a few plainly put admonishments, Doris is, if not the power behind the throne, certainly the grease that smooths the paths of their lives. She loses her husband over her all night devotion to the club, to Sylvia and to Ruth in particular.



    That leaves D.I. Jack Gale, representing in many ways, the folks that vociferously opposed Ellis’ sentence and execution. He gets the conviction – but knows it isn’t the full truth, and he is fighting for that truth the entire time, despite the accused’s own blocks to his attempts. He is a decent man, dedicated to his job, to finding the truth. Sean Andrews finds Gale’s inner turmoil and even angst, amongst a sardonic turn of phrase. “London’s a market – and this [The Court Club] is the trading floor” he almost shrugs …  before later spending hours going over and over notes, papers, cuttings, photographs of evidence. Sean completes this quintet of superb actors.

    The set is a simple one yet effective. The “Court Club” – then later the “Little
    Club” that Ruth ends up running – with tables, chairs, a record player, a bar.
    Stage left and right empty for police cell, interrogation room, the street, a bedsit. Downstage for a crematorium. Costumes are a delight – aside from Ruth’s dazzling array everything is fitting for the period. Lighting is at times quite brilliant – the last we see of Ruth, hidden in shadow except for a blinding almost halo like shine of her blond hair is a stunning visual.


    And surrounding all of this is Billie Holiday’s voice  a soundtrack of her singing washing in, over, around the scenes.


    Ultimately, it’s a play about loss.


    Of dignity. Of husbands. Of lovers. Of hope.

    Of life.

    “The Thrill of Love” plays at the Wharf Theatre, Devizes, from May 13th
    to 18th at 1930 every night.

    Tickets are available from the Wharf website at https://www.wharftheatre.co.uk/show/the-thrill-of-love, or from Devizes Library.


  • Weekly Roundup of Events in Wiltshire: 8th-14th May 2024

    It’s beginning to look a lot more like spring now; you are officially cleared to go outside! Here’s what we’ve found to do outside, in the wilds of Wiltshire this coming week…

    Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week.

    Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here. 


    Wednesday 8th

    Acoustic Jam at The Southgate, Devizes

    Trowbridge Job Fair.

    Nick Helm’s Super Fun Good Time Show at The Rondo Theatre, Bath. O. Love & The Affair at the Bell, Bath. Nurse Georgie Carroll: Sista Flo 2.0 at Komedia.

    Big Jam Session at The Vic, Swindon. And the Swindon Festival Of Literature opens with Anne-Marie O’Dwyer at Swindon Arts Centre,  and Jessica Fostekew: Mettle.


    Thursday 9th

    Devizes Film Club at the Wharf Theatre, screening The Quiet Girl.

    Comedy Loft 9 at the Civic, Trowbridge.

    Hannah Sanders & Ben Savage at Pound Arts, Corsham.

    The TigerFace Show at The Rondo Theatre, Bath. Hayseed Dixie and The Zipheads at Komedia.

    Butcombe Festival Of Laughs At The White Hart, Wroughton. Coopers Creek at The Beehive, Swindon. Swindon Festival Of Literature: Elizabeth Oldfield and Mark Rutterford at Swindon Arts Centre, followed by The Metamorphosis at Swindon Arts Centre.


    Friday 10th

    People Like Us at The Condado Lounge, Devizes. Palooza are back at the Exchange nightclub, great night of house music, great vibe, last time. 

    The Future Sound of Trowbridge #9 at The Pump, with FLAM and Artoid. TrowFest at Trowbridge RFC. 

    Miss Kill at the Old Road Tavern, Chippenham.

    Counter’s Creek at Pound Arts, Corsham.

    Warming up for the Green Man Festival on Saturday, I Smell Burning at The Three Horseshoes, Bradford-on-Avon. The Full Motley at The Boathouse. Lindisfarne at Wiltshire Music Centre.

    Benji Kirkpatrick at Chapel Arts, Bath. My Secret Sister at The Rondo Theatre. Craig Charles Funk & Soul House Party at Komedia.

    Jordan Red, Webb and Boss Cass at The Vic, Swindon. Peloton at the Queen’s Tap.

    Swindon Festival Of Literature at Swindon Arts Centre –has Marcus Du Sautoy, Hilary Bradt, and Felice Hardy.

    New Purple Celebration – The Music of Prince at the Cheese & Grain, Frome. Gary Stringer of Reef at The Tree House.


    Saturday 11th

    The Stert Country House Collectables and Car Boot Sale in aid of Cancer Research at Stert near Devizes. Kirris Riviere & The Delta Du Bruit at The Southgate. 

    Five Lanes Summer Fete in Worton. The Unpredictables at Potterne Social Club.

    The Famous Hangover Sessions atThe New Lamb Inn, Marlborough. Open Mic at The Barge on HoneyStreet.

    Marty’s Fake Family at Gloucester Road Club, Trowbridge. Rural France, Ravetank, Clock Radio and Fela Dekota all at The Pump.

    The Fureys at The Neeld, Chippenham.

    Bradford on Avon Green Man Festival, Preview HERE. Also find Strange Folk at The Three Horseshoes. Be Like Will at The Boathouse.

    Westbury Food & Drink Festival

    ‘The Mystery Guest Tour Featuring Lady Nade, Daisy Chute, and Izzue Yardley at Pound Arts, Corsham.

    Talk in Code at The Castle, Swindon with KGB and The Racket. Here Comes the Crows at the Queen’s Tap. Rush Hour at the Woodlands Edge. Faux Fighters at The Vic. Swindon Festival Of Literature at Swindon Arts Centre has Tony Hawks and a Flash Fiction Slam!

    A rally for Palestine in Bath. Sherlock’s Excellent Adventure at The Rondo Theatre. Ma Bessie and her Pigfoot Band at Chapel Arts.

    Kings of Lyon and The UK-Strokes at the Cheese & Grain, Frome.


    Sunday 12th

    Devizes Lions Sponsored Walk. Jack Grace at The Southgate, from 5pm.

    Open Mic at the Red Lion, Lacock.

    Melksham Record Fair at Melksham Assembly Hall.

    The Ultimate Commitments and Blues Brothers Experience at The Neeld, Chippenham.

    Mustard Allegro at The Three Horseshoes, Bradford-on-Avon. Cantamus Chamber Choir Chichester Psalms at Wiltshire Music Centre.

    Schtumm presents AQABA at The Queen’s Head in Box. Mambo Jambo at the Bell, Bath.

    Legacy at The Kings Arms, Old Town, Swindon. Swindon Festival Of Literature has a Children & Families Day at Swindon Arts Centre, and the Festival Finale.

    Tellison at The Tree House, Frome.


    Monday 13th

    The Thrill of Love opens at the Wharf Theatre, Devizes. Preview HERE. It runs until 18th May.

    Rock The Tots: Movies at Pound Arts, Corsham.

    Jack Grace at the Bell, Bath.

    Teenage Sequence at The Tree House, Frome.


    Tuesday 14th

    The Black Feathers at The Piggy Bank Micropub, Calne.

    Pale Blue Eyes at the Tree House, Frome.


    And that’s all we’ve got for now. Events listed here are subject to change, we are not responsible for cancellations, errors or postponements in anything listed.

    Snap up tickets time: we recommend on Wednesday 15th, the Patsy Gamble Jazz Trio in Bromham, preview HERE. Jonathan Leibovitz at Wiltshire Music Centre.

    And the weekend sees Bath International Music Festival begin, The Chilled Out Motorhome and Camper Weekender in Cirencester, Devizes Vegan Market at The Market Place, Dirt Road Band at Long Street Blues Club, with Ruby Darbyshire in support, and Canute’s Plastic Army are at The Southgate. White Horse Soapbox Derby, Westbury and Talk in Code make their debut at The Kings Arms, Amesbury. John Lydon, yes, John Lydon is at the Cheese & Grain, and there’s lots more on our event calendar to boot!

    Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

    Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

    Have a good week, and don’t forget, the Devizes Arts Festival box office is open and waiting for you!


Big Bath Sleep-Out: At Home

Avoid the irony, sadly this year Bath’s annual big sleep-out event in Alice Park cannot be for obvious reasons. But homelessness during a lockdown is no joke. Julian House and Bath Boules Charitable Trust lay down a more local gauntlet, inviting you to join in with a sleep-out in your garden, on your balcony or your kitchen floor, sticking to your household/social bubble.

It’s okay, calm down, it’s not until 5th March, when hopefully weather will be more clement, a reality homeless don’t get. So, to stand up against homelessness, challenge yourself to sleep out for just one night at home and help raise vital funds and awareness for men and women forced to do so every night.

Last year they provided life-changing support to over 1,400 vulnerable individuals who were experiencing, or at risk of, homelessness across Bath, Bristol, and the South West. It’s a grim realisation, that without support like this, the life expectancy of a long-term homeless person is just 45 years. By sleeping out, you can change that.

On top of everyday challenges, the on-going impact of Coronavirus has had a devastating effect on the men, women, and children in care. Collectively you can help provide the lifesaving services and support they so desperately need right now.

More details here



Errol Linton Band at Long Street Blues Club, Devizes

London-based Errol Linton and band made a welcomed return to Devizes’ Long Street Blues Club last night. In June I was surprised to label it my personal best night at Long Street. Catching them again equally did not disappoint, despite knowing what I was letting my mojo in for….. If Flo’s recent review of the…

Gaz Brookfield to Release More Tickets For Sold Out Show in West Lavington

Breaking news, and it’s not often I get to say that here! As part of Gaz Brookfield’s Almost All Village Hall Tour, which kicked off last night in Kidderminster, he arrives at West Lavington Village Hall this coming Friday, the 16th Feb. It is likely that you know this already, hence why it’s sold out.…

Ska Icons The Beat Announce February Show at The Cheese and Grain

With Ranking Junior now taking centre stage, Two-Tone ska icons The Beat will be coming to Frome’s Cheese & Grain on 24th February as they look to energise audiences with some of the most famous ska and reggae tracks ever written…. One of the key bands in the UK ska revival of the late ‘70s…

Devizes Youth Action Group’s First Club Night

by Florence Lee. Images by Gail Foster. On Friday, I was lucky enough to have seen the four local bands at the youth gig set up by Devizes Youth Action Group to give under-18 bands the opportunity to perform and show off their talent at the Devizes Corn Exchange….. Bella Donna were the first band…

The Turnaround; New Album from The Jon Amor Trio

Devizes is a blues town, fact. I’ve dubbed its origins as “The Mel Bush Effect,” in the past; via Long Street Blues Club and down to The Southgate, the tradition continues and the label sticks. Music promoter Mel Bush would later go onto be a prominent organiser of some of the country’s most memorable concerts,…

Mantonfest 2024

Images: Gail Foster Whilst festivals around us come and go Mantonfest has been a constant of the Wiltshire music calendar since 2009….. The 29th of June 2024 will once again see the Manton Water Meadow, near Marlborough transformed into a festival field providing an affordable family friendly music picnic by day and a more traditional…

Weekly Roundup of Events in Wiltshire: 7th -13th February 2024

Hey you lovely lot, bit warm for Feb, innit? I wouldn’t do anything too daring, like break out your mankini yet, I expect there will be at least one more wintery blast to come. Here’s what’s happening over the coming week in the wilds of Wiltshire…… Everything listed here is on our event calendar; go…

Swindon Palestine Solidarity Hold Charity Dinner

On Saturday, people from across Swindon came to Swindon Palestine Solidarity’s charity dinner to raise funds for Medical Aid Palestine and raise awareness of the reality of life in Gaza…… Over 150 guests and 30 volunteers listened, often with tears in their eyes, as the guest speaker, Palestinian journalist Ahmed Alnaouq explained how over 21…

The Lost Trades to Release Live Album

To international acclaim on the folk circuit, we’ve loved to follow the progress of the Lost Trades since day dot, when Phil Cooper enthusiastically told me about the vocal harmony trio union of our three singer-songwriters, with Jamie R Hawkins and Tamsin Quin, one heady night down the Southgate. Then, if memory serves me right,…

Very Terry Edwards

The word “very,” rarely an adjective, as in “it happened in this very house,” or “this is very Terry Edwards,” but commonly worthlessly used as an adverb, as in “it’s very cold today,” or “this is the very best of Terry Edwards.” While the album simplifies it to the ambiguous “Very Terry Edwards,” it’s BandCamp page suggests, “The Very Best of Very Terry Edwards,” which though it’s exactly what it is, it’s also one adverb enough for the most lenient of proof-reader’s red line. Yet, if the usage of very is erm, very worthless, it is the only thing on this album which is.

The multi-instrumentalist, best known for trumpet, flugelhorn, saxophone, guitar and keys, marked his sixtieth birthday last September releasing this three-CD best-of box set, and while I should’ve mentioned it last month, between putting batteries in toys and stuffing myself with pigs in blankets things got tardy. Right now, though, I can think of no better outstanding project to kick off our music reviews for 2021. Reason only partly because it ticks all my personal favourite genre boxes, more so because of the range of said genres is far greater than run-of-the-mill best of compilations.

We need to assess Terry’s biography to understand the reason for this variety. Funky punk and second-gen ska most obvious, as from 1980 he was a founding member of Two-Tone signed band The Higsons, after graduating with a degree in music. But around that time Terry also produced and played on the Yeah Jazz’s debut album, of whom, despite the name, were particularly folk-rock.

Terry in 1984

From here the vastness of Terry’s repertoire blossoms, as session musician for a huge range of acts, from Madness to Nick Cave, PJ Harvey and The Jesus and Mary Chain to, particularly notable, The Blockheads. As well as his solo material, with his band The Scapegoats and a stint with dark punk-blues outfit Gallon Drunk, it’s understandable collating this in one reminiscent anthology is a mammoth task and a melting pot. Which is just what you’re getting for your money, a very, as the grammatical disorderly title suggests, worthy melting pot.

“When the earliest recording here was made the 18-year-old me couldn’t comprehend being 60,” Terry explained, “yet here I am presenting a triple album containing 60 titles recorded between 1979 and 2020, through thick and thin.” Therefore, it must be more tongue-in-cheek than I’d suspect Roger Daltrey’s notion now of My Generation’s lyrics that for the opening track he opted for The Higsons’ “We Will Never Grow Old.”

“You’d expect an overview of my career to have some odd bedfellows and more than its share of quirks and foibles,” he continued, “but it’s been compiled to flow musically rather than have a chronological narrative.”

That said, the first four tunes from his original band follow, with all their fervent rawness. Terry covered his tracks though, “I immediately break my own rules by starting with The Higsons’ earliest release and debut single, but redeem myself by following up with the most recent recordings; two ballads recorded with Paul Cuddeford (Ian Hunter, Holy Holy) in February 2020. There is more method than madness; groups of songs which follow a theme or genre are found together regardless of when they’re from.” Indeed, we’re then treated to three tunes in a matured, mellowing jazz and blues, the latter of which with the vocally perfected Erika Stucky.

Then we’re into rock with The Wolfhounds, and a guitar-twanging Christmas blues song with Robyn Hitchcock, plodding jazz with Knife & Fork, post-punk Big Joan, avant-garde jazz with Spleen and rockabilly styled New York New York. While mostly jazz-related, this first disc graduates through genres with finesse.

Terry is like Georgie Fame with a Mohican, but whatever avenue is explored, you can guarantee quality. The second CD starts with a bang, upbeat mod-jazz with The Scapegoats. There’re more known covers here, sublimely executed Herbie Hancock’s Watermelon Man, a superb solo rendition of The Cure’s Friday I’m in Love, as if Robert Smith wore a Fred Perry, and a hard-rock electronica version of Johnny Kidd’s Shakin all Over with the haunting vocals of Lisa Ronson. Even find an orchestral film score, and a piano solo of the knees-up capital’s favourite, May It’s Because I’m a Londoner.

Yet if both the quantity and quality on offer here is so vast to make me waffle, it doesn’t waiver for the final disc, rather it’s my favourite. A BBC session outtake of a jazzy Voodoo Chile, with altered title to “Child.” Dunno, can’t be a typo, the dedication to attributing to Hendrix’s masterpiece is no easy feat, lest it be known Terry manages it with awesomeness dexterity, with a saxophone!

If the last CD continues with on a jazz tip for two tunes, we’re transported to ska via John Holt’s Ali Baba by Lee Thompson’s Ska Orchestra and other sundry members of Madness, and Totally Wired by Terry’s “Ska All Stars,” and more ska-jazz with Rhoda Dakar. Post-punk follows, featuring The Nightingales with Vic Goddard, Snuff, Glen Matlock and Gallon Drunk. Perhaps my favourite parts being the shouty cover of The Human Leagues’ “Don’t you Want Me Baby,” by Serious Drinking, and the general dilapidation of seriousness with new wave tunes mirroring the unsubtlety of Ian Dury & The Blockheads.

Here’s a jam-packed box-set brimming with variety which flows suitably and makes a definitive portfolio of a particularly prolific and proficient musician. For many it’ll hold fond memories, for younger, who think Kate Nash created the cockney chat-rap, or jazz wasn’t the same until Jamie Cullum came along, it’s a history lesson they’ll never forget!

This 60th birthday, 60 track-strong celebration spans over four decades. A triple CD clamshell boxset with 24-page booklet, but more importantly they say, “Very Terry Edwards is a birthday present to himself as much as anything else,” giving it the impression you’re on a personal journey, like a child sitting on their grandpa’s lap while he recites memoirs, blinking exciting ones!

Buy from Rough Trade: £15.99 or BandCamp: £15 or £8 digital.


Thirty Years of Creative Writing in Devizes

The Devizes Writers’ Group celebrates its 30th anniversary in 2024. What started as a small group of people writing a set piece once a month has grown to a membership so large the Group has split into three, some still doing set pieces, others aiming for publication with books, poetry and plays in the pipeline….…

Wormwood; Cracked Machine’s New Album

A third instalment of space rock swirls and cosmic heavy duty guitar riffs was unleashed in January from our homegrown purveyors of psychedelia, Cracked Machine. Plug in and prepare for takeoff, Wormwood continues on their already stunning discography of celestial shenanigans…. Pretty much where we left off with the Gates of Keras, Wormwood offers that…

The Worried Men Take the Pump

And Morpheus said unto Neo, “unfortunately, no one can be told what the Matrix is. You have to see it for yourself.” Funny cos, I kinda feel similar about The Worried Men! So much so, it’s worth forgoing my weekend cider ration to drive down to the Pump to catch them… Fast becoming our flagship…

The Marley Experience Coming to Devizes Corn Exchange

With a Bob Marley and the Wailers biopic finally hitting the flicks this month, One Love; The Movie had its London premiere this week and opens Feb 14th, the reggae legend in general will surely be in the media spotlight and a focal talking point once again… and rightly so. Devizes this spring will have…

Devizes’ First Palooza DJ House Event at Exchange Nightclub

Feeel the melody that’s in the (Devizes) air! If the nineties house clubbing revival is what’s happening elsewhere around the nation, we have to admit, sadly it’s been a smidgen scarce in Devizes. That’s set to change, Greg Spencer from Palooza gladly informs us Devizes is on the verge of a groundbreaking shift in its…

Weekly Roundup of Events in Wiltshire: 31st January -6th February 2024

Hey you, Feb already, here’s what’s happening over the coming week in the wilds of Wiltshire…… Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week. Oh, and accept no…

N’Faly Kouyaté (Afro-Celt Sound System) Tour Includes Wiltshire Music Centre

Perhaps best known as the frontman of Afro Celt Sound System, the Belgium-based artist N’Faly Kouyaté will be hitting the road for nine intimate shows with his new solo project.  Beginning at Southampton’s Turner Sims on 8th February, the tour will include Bradford-on-Avon’s Wiltshire Music Centre on the 11th February…. N’Faly Kouyaté’s UK tour will…

Broken Shadows; New Novel from Wiltshire Author Sorrel Pitts

I arrived in a Wiltshire village aged fourteen from suburban Essex, anxious this was my new home. While my parents awaited keys from the estate agent, they sent my elder brother and I to the shop for milk. Wandering the lane an elderly gent wished us the customary “mornin’.” It left me bewildered; why was…

Daisy Chapman Took Flight

Okay, so, if I praised the Bradford Roots Festival last weekend and claimed to have had a fantastic time, it’s all as true as Harrison Ford retelling Daisy Ridley about the Force, with one embarrassing hiccup! Finally, for a brief moment between closing fire doors I met Trowbridge-based singer-songwriter extraordinaire, Daisy Chapman. She was going…

The Importance of Being Earnest at the Wharf Theatre, Devizes

The Importance of Being Earnest is rather like a newfound interest in jazz, you must “unlearn” the four-beat pop you’re accustomed to, to fully appreciate it. You have to rewind, temporarily forget Rick Mayall and Ade Edmondson, forgo all farcical comedy from The Goon Show to Charlie Chaplin, and leave your Tardis in late Victorian…

Wiltshire Council to spend £1.1m on digital devices so struggling families can access remote education

Wiltshire Council is allocating £1.1m of government COVID-19 funding to buy laptops and digital devices for disadvantaged pupils who currently can’t join classmates learning from home.

The decision to allocate the funding to buy around 2,500 devices means these children will be able to access their school lessons from home rather than have to attend school to do so.

Currently pupils who do not have a laptop can attend school alongside children of key workers and vulnerable students. The new approach will help manage school spaces and continue to help prevent COVID-19 transmission.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: “It is essential our children and young people can continue to be taught and have an education in these difficult times as well as being able to maintain links with friends and have face to face contact with their teachers. With the news this week that schools will close we are aware there are families and young people out there who are left without the means to access that education and this is not acceptable.

“By using our government COVID-19 funding in this way we are ensuring families are not disadvantaged and can join their peers working from home. We will be working with our schools to ensure those children who need devices can access them.

“I know schools have already been receiving many requests for laptops and some are sending children into school as under the new government rules you can attend. By providing additional laptops we will be freeing up those school places for other pupils who need to be in school.

“Across Wiltshire we have some great charity work happening with many community minded charities offering to recycle second hand laptops so they can be used in schools and I would like to thank them for this extraordinary effort.”


During the summer term Wiltshire Council distributed 1,232 devices provided by the DfE across 138 schools which were designated specifically for disadvantaged and vulnerable children and young people. Currently secondary schools are accessing further allocated devices directly via the DfE and the council is reviewing opportunities to ensure a further reach so children in need have access to the tools for remote learning including tablets, laptops and wifi and data. The DfE has also announced that all primary schools will be able to order laptops and tablets by 15 January and the DfE will contact all primary schools by that date to invite them to order devices.

Wiltshire Council will also be working with schools following the government news that schools, trusts and local authorities can request mobile data increases for disadvantaged children and young people who do not have fixed broadband, if they cannot afford additional data for their devices and are experiencing disruption to their face-to-face education.

Schools are also working with families directly to ensure Free School Meals continues. For those families who are not sure if they are eligible for Free School Meals they can check here.  


Wiltshire Council Ask Gecko For Road-Crossing Song.

Not to make you feel old or anything, but Tufty, the safe road-crossing squirrel turns sixty this year, the Green Cross Code Man is not far behind at 51. Not too long before they’ll need some assistance crossing the road themselves, I don’t doubt!

Popular as retrospection is, Wiltshire Council have rightfully recognised a CJI Tufty makeover might not be best, and the Green Cross Code man is fighting his own conflicting interests between the Sith and Jedi.

How to teach kids to cross the road safely, needs a fresh approach….

They assigned Creative Studios to come up with this little masterpiece of a green cross code safety vid, and I couldn’t think of anyone more apt than the mighty Gecko to produce the song.

Yep, this works on so many levels. “I loved being a part of this project,” Gecko said, “I love the variety that this music life brings.” Well done Gecko, and a great choice by Wiltshire Council.

Just Another Lockdown Festival

JMW Promotions have a free online festival coming this Saturday and Sunday (9th & 10th Jan.)

There’s a lot of names I don’t recognise, which is the best thing about festivals in general, but especially online; local artists without borders. In fact the only performer I have heard of is the brilliant Jess Silk, on Sunday.

Line up looks like this: Just Another Lockdown Festival

Saturday
1pm Sam Draisey
2pm Shotgun Marmalade
3pm Kyle Parsons
4pm BICKERmusic
5pm Harrison Rimmer
6pm Warren Ireland
7pm Brian Stone Music
8pm JollyRoger
9pm Davey Malone

Sunday
1pm ALEX CAVAN MUSIC
2pm michael webster
3pm Have A Go Hero
4pm Doozer McDooze
5pm Sam Tucker?
6pm Maelor Hughes
7pm Ellie Keegan
8pm Brad Dear
9pm Jess Silk

Tune in from the artists Facebook pages which can be found on the event page, or check them out on JMW Promotions or in JMW Promotions Community.

Jess Silk (Image credit: Olver Gray)

Best of luck to JMW and all artists for the weekender, there will be a PayPal bucket linked, please support the artists, you know the drill. I’ll defo be popping in as and when and hoping to hook up with some new talent defo. Might even don my festival jester’s hat, put my cider in a squashy cardboard cup and take a piss behind the sofa!


Latest Posts

Will Lawton’s Rhythm Practice

Local music therapist Will Lawton plans to open a Music Therapy practice in early 2021, based at The Pound Arts Centre in Corsham. The service will help develop a positive change in the well-being of individuals of all ages through the creative use of music, facilitated by trained music therapists. Can you help Will reach his target?

In total, £8500 is required in order to equip a room with high quality music instruments and equipment. £6000 of this target has already been pledged by the council and a school, leaving an outstanding balance of £2500. This final balance must be found in order to unlock the rest of the grant funding to bring this project to life.

Donate here, thank you


New Nothing Rhymes With Orange Single

Friday is over, I’m a day late to the party, but there’s a new single from Devizes-own Nothing Rhymes With Orange, and you’ve not heard anything like this from the boys before….. Starter for ten, Friday is Over sounds four-five notches more professional than anything which went before, a result of 91 Studios in Newbury…

Weekly Roundup of Events in Wiltshire: 24th- 30th January 2024

Hey frozen duckling, here’s what’s happening over the coming week in the wilds of Wiltshire…… Everything listed here is on our event calendar; go there for links and more info. It may be updated with even more things to do than listed here, so check in later in the week. Ongoing until 17th February, two…

Lost Dildo in Quakers Walk Needs Reuniting with Owner!

If you go down to Quakers Walk today, you’d better go in disguise… and perhaps an open mind…. Who’d thought sharing a post about Devizes Town Council’s honest pledge to “reduce plastic waste and create a sustainable future,” would unearth such a remarkable and comical find as this ….a lost neck massager in Quakers Walk?…

@The Southgate

Massimo’s; Locale Pizza Paradiso

Talking Pizza today, why? Why not?

Who remembers BT’s friends & family scheme in the nineties, reducing call charges for five selected favourite phone numbers? If you didn’t submit your favs, BT would select them on your behalf based on calls to the number you made the most. Mine, living in Swindon at the time, I’ll confess, went: 1. my mum and dad, 2. my best mate, and 3. Domino’s Pizza. Four may’ve been a girlfriend, it’s dubious but not impossible!

Some years later I moved to Marlborough, where given Ask, Pizza Express and so many others operate today, you couldn’t get a pizza for love nor money. Enter the incredible, if slightly hazardous, Fronkie Fritzheimer, a legend in his own time. From his own kitchen and later progressing to working out of the football club, a move only the fire brigade grumbled about, he serviced Marlborough’s pizza lovers with, darn it, some of the most heavenly pizzas to have blessed my lips.

Fronkie on the move in the late 90s.

I posted on a Marlborough Facebook group, to see if bods recall his presence, or if I dreamed it, and much to my delight, while Fronkie moved to pastures new some years ago, his memory is stamped as firmly in Marlborough’s cultural history as the Earl of Cardigan. From an A4 photocopied leaflet we’d regularly phone our order, and some weeks after his arrival, the delivery operative arrived at our door with complimentary desserts. “Between you and the rugby club,” they thanked us without jest, “are our best customers yet!” We were honoured, proud we ate as much pizza as an entire rugby club!

My case study justified; trust, I know a good pizza when I see/smell or taste one, from a distance of anything up to three hundred yards. With Fronkie fertig, me now living in the Vizes, and Domino’s, face it, is an acquired taste, there was a social media much ado about nothing concerning news of Pizza Express closing in town, which left me wondering why. I am sorry to hear the news for the sake of the staff, but with mixed reviews in the comments, some moaning of the loss is bemusing to me, and I’d wager to anyone else who has sampled a Massimo pizza.

Pizza Express closing is not the end of the world, as overpriced as the mighty Dominos anyway, unless with the latter you take out an offer, where you’re bundled with a pot of watery coleslaw or barely-cooked fries which droop like an impotent greasy baboon’s todger! I’ve moved on from Domino’s, as you can see by my unpolished comparison, I’ve matured.

No, no, no; Massimos will cost you no more, but it is a house of quality, and I guarantee you’ll taste the difference, heck, you’ll smell the difference through the box! If it wasn’t such a generous portion and the sort of taste you have to savour, making it filling, I’d probably have eaten the box too.

You Beauty!

Look, see here, this is no advertorial, they’ve no idea I’m writing this, much to their surprise. Buying local and all that aside, Massimo makes one tasty, fresh pizza, with topping to die for and even the crust is moreish. He’s undoubtedly stolen my homegrown crown from Fronkie. And lockdown is not stopping them, takeaway is available. It’s a crying shame there’s a ristorante left unopened until a better day, a day I was waiting for until I wrote a review for them, but sadly seems we’ve lost the immediate opportunity once more.

So, think this not as a review, do I look like, Jay Rayner? Actually, don’t answer that. Just saying, I love a Massimo’s pizza, the family does, I’d wager Devizions-in-know do. Treat yourself, there’s a full menu to takeaway, the lasagne, ah, the lasagne, speaks for itself. You can call them 01380 724007, message them on Facebook, or, there’s a little bell at the door in Swan Yard, just ring it when they’re open, 5-8:30pm. They’re fantastically welcoming and will bring you takeaway Ring Donuts, Nutella Donuts, Cartoccio with sweet Ricotta filled, Nutella Croissants, any two for three quid… whoa, I apologise; getting a tad over-excited. But, right, the guy won the coveted Gold Star for 2020 for his own Napoletano sauce; how much more convincing do you need?!

hot dang!

@ The Southgate

Devizine in Lockdown, again.

Here’s our deal, as I see it given new lockdown restrictions.

We have an annual reach of approximately 50K, over 80% of which are local. Whatever Devizine can do to help you, we will, but you must let me know about what you’re doing and engaged in for me to promote it. I’m unable to spend every moment on social media sourcing your stories.

Advertise your business, school, charity, online event, FREE for lockdown duration. Just send me details. This is available for small local businesses and at the editor’s discretion. We can put adverts on all published articles. We can cover your activities in articles and features, and we will share these across social media.

If you are engaged in any supportive projects, notify me so we can spread the word.

If you’re in creative arts, music, art, sports, and fundraising, whether crowdfunding, help in promoting live streams, recordings, online exhibitions and any other projects, we can and will help.

Please consider, if you can, making a donation to help the site keep running and improving.This you can do at http://www.devizine.com/about

You can email devizine@hotmail.com or message the Facebook page, you can tweet @devizine1 – Together we can pull through this.

Here we go again.

Thanks, Darren.

Oh, an important note I forgot to add, thanks to the edit function here! Please, if I fail to respond to emails and messages, feel free to nudge me. Things do sometimes get missed and I’d dread you to think I’m ignoring you! I don’t view it as impolite to ask if I remembered to do this or that, ask the wife, I can be forgetful!! 🙂

Devizine’s Review of 2020; You Can’t Polish a Turd!

On Social and Political Matters……

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farage’s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitler’s fiancé; yeah, him.

He tweeted “Christmas is cancelled. Thank you, China.” It magically contains every element of the utter diabolical, infuriating and catastrophic year we’ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Year’s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back it’s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. I’d wager it’s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as it’s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what we’ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farage’s audacious Tweet, being it’s relatively simple to generate in a lab, inconclusively originated at Wuhan’s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought it’d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the body’s gender, rather than change the body to suit the mind’s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Here’s an article on Devizine which never saw the light of day. Said that Truth in Science’s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isn’t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, there’s no apologies I’m afraid, if I rattled yours, it just means you’re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. I’m too comfortable to reside against the grain, everyone’s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats that’s your own lookout, least someone should raise the alarm; you’d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why we’re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, you’re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizine…. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris “get Brexit done” tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, it’s offensive. Offensive to Jim Henson’s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted it’d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Times…

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, it’s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; it’s the tragedy which occupied the planet. But let’s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasn’t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, I’m all over it, Pal! A project long swept under the carpet, replaced with the delusion we’ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-term… would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecision’s Alzheimer’s Support Chinese New Year celebration, to name but a few, I’m unaware if they survived or not.

March


On Music……

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasn’t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Opera’s Spring Concert, Neeld Hall’s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris O’Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandal’s at Marlborough’s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because they’re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured it’d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindon’s “Static” Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runaways’ live version of Light the Spark and Talk in Code’s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishop’s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3’s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Green’s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Rays’ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooper’s Without a Sound, TheTruzzy Boys’ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runaways’ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving they’re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewsey’s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Music’s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasn’t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandi’s flip-flop, they present a show to make ‘em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joe’s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindon’s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizes’ Cracked Machine’s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindon’s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinch’s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasn’t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrill’s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bath’s Long Coats, and JAY’s Sunset Remedy. Swindon’s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Veale’s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essex’s Mr B & The Wolf, Limerick’s Emma Langford, London’s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I don’t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Band’s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay I’ll change the record, if you pardon the pun, but not until I’ve mentioned The Instrumental Sounds Of Ruzz Guitar’s Blues Revue, naturally, Sound Affects’ album Ley Lines, Tunnel Rat refurbing their studio, and Bristol’s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; “tiers” this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and I’ll shut up about it.


On Arts…..

Bugger, I’m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think we’re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindon’s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewitt’s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a children’s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Food…

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughan’s Chinese New Year dinner party in aid of Alzheimer’s Support and with music from Indecision, we covered DOCA’s Festival of Winter Ales, and looked forward to the Muck & Dunder’s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujay’s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, they’re extremely popular posts. Sadly, our while self-explanatory article, “We Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,” did quite well, at third most popular, the earlier “Eat Out to Help Out, Locally, Independently,” was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, I’m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Future….

As well as an opportunity to review what we’ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a what’s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just don’t hug it, for fuck’s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You may’ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something I’ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, I’d need contributors, a sales department, I’d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, I’ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, “Eat Out to Help Out, Locally, Independently,” was our highest hitting of all, whereas “We Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,” came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Where’s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The World’s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articles……

I was right though, articles about lockdown or how we’re coping were gratefully received, and during this time, a needed assurance we weren’t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising £750 to support the Devizes Mayor’s Charities, DOCA Announce Next Year’s Carnival & Street Festival Dates, DOCA’s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with £10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldn’t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Music’s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. I’ve been waffling enough already to get into how I feel personally; been writing this “summary” for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyone’s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucie’s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Julia’s House Gameathon, Devizes for Europe launching “Say #YES2ARealDeal” campaign, and of course, our superheroine Carmella’s ongoing campaigns.

November


In conclusion….

It has, in conclusion, been a hectic year, without the need for live music reviews, though some might’ve been nice! Here’s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Father’s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although they’ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldn’t do it as I saw able to, but it needs work and I’ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, I’m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what I’m trying to do and supply me with the news, what you’re doing, creating or getting narked about, else I don’t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. I’m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until we’re queuing for bread or waging war on France like the good old days, namely the dark ages, let’s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

The Curious Case of the Christmas Carrot

Twas down in the cellar of the Vaults where poets meeting to recite verses of yule and a celebrated story-time with Ian Diddams, had become somewhat of a seasonal ritual in old Devizes. Alas it was not to be this time around amidst the many cancelled traditions, but like many events, an adequate substitute has been provided. You may have to source your own beverages, but you can spend an hour with Ian in his garden grotto as he recites an entertaining and hilarious parable, from the comfort of your own armchair, or loo; whichever you deem more suitable.

Unsure how I missed this satirical chronical disguised as a fable to make Arthur Conan Doyle blush. I guess with seasonal celebrations my online time has been sporadic, but Christmas isn’t over just yet, or is it? Whatever; I suspect, unless you’re a Devizes resident with a penthouse on Baker Street, you’ll never personally identify with cultural references in any other Sherlock Holmes mystery in quite the same way.  

A faultless fable delivered effortlessly, save the continuity of one shady depiction of a local character, the toothless milkman from Rowde. Didds should take heed, my inkling I know the very person ridiculed and will confirm they’re far too young to know what, or who, “a milk snatcher” is. Honestly, I’m cut between being honoured and contemplating the cheek of it all!

I present the video herewith for your own perusal and entertainment, if, like me, you were too busy stuffing turkey and/or Quality Street and putting batteries in toys over the season to have taken notice of it. It is worthy of your time, the story intermitted by poetry outbursts by Gail Foster, who not only tends to slip-in (fnarr fnarr) occasional filthy subject matter, but also knowing the particular aforementioned troubled character scorned, could have tried to step in to stop him, but didn’t.

Most importantly, Ian always requests charitable donations as a way of applause for his efforts, and this time focusses on our earnest homeless charity Devizes Opendoors. You can donate here, please. You know we’ve visited Opendoors and seen first-hand the great work they do.