Song of the Day 15: The Emertarians

Anytime is a good time for some roots reggae, Sunday morning, doublely so.

Enter one of my favourite current reggae bands, from Madrid, the Emertarians.

They always remind me of an occasion, at a festival in Andalusia. I watched this great French reggae band. The slighty rotound frontman looked rather like the late, great Jacob Miller. After the performance I noted he was standing close to me, watching the following act. I went over in hope of telling him how much I enjoyed their music, praying they spoke English.

I momentarily regretted my school French lessons, which I spent making homemade comics out of text books, as he replied with an adamant no upon asking if he spoke English.

All the vocabulary my intoxicated mind could conjour was “tres bien,” so I repeated it perpetually in true Del-Boy fashion!

Otherwise the meeting was the awkward silence of communication breakdown, in which I suspected they thought I was completely nuts. Not so far from the truth.

So, I namedropped Jacob Miller and suddenly we had understanding and mutual respect for the man. My point is, sometimes the Emertarians sing in Spanish and sometimes English, often the Spanish ones more emotive, but reggae has no language barriers, because it’s spiritual meaning and uplifting ambiance is universal. As with the French Jacob Miller-alike, we were on the same song sheet….

Naturally at that conjunction, I rolled a joint.

And that’s my song for the day. Very good. Carry on….


Wiltshire Rural Music to Stream Gigs from Trowbridge Town Hall

Wonderful Trowbridge-based music charity, Wiltshire Rural Music revealed an online programme project, Live at Town Hall, today.

In collaboration with Trowbridge Town Hall, they plan to stream full concerts of our outstanding local musicians, starting in February. I hope to have more information for you, when dates and acts are announced.

Wiltshire Rural Music do an outstanding job supporting and enabling local communities and individuals to realise their musical potentials and fullfilling their ambitions. They provide room hire, give bursaries and work closely with Alzheimer’s Support, taking music into care homes and schools across the county.

More info on the work they do here. Follow them on Facebook for details of the streamed gigs.


Around and Around, and Hitting a High; Kirsty Clinch on Top Form

You can give it to me straight and agree, Iโ€™m old. Though as much as I hold dear the hours browsing record shops for a seven-inch slither of vinyl, the streamโ€™s advantage is manyfold. Perhaps none more than the increased availability and distribution of home-made wares.

Vinyl junkies were restricted to what the music industry decided. While DIY music was around then, it was a needle in an underground haystack, obscured by a lack of prior knowledge of counter culture distribution, and even if you were aware, still they cost post and packaging.

Send a SAE in good faith, and when the musician finally finished his last bong, made it off his scabby sofa to the post office, youโ€™d receive your cassette, only to find out it wasnโ€™t as good as youโ€™d been convinced it was by the crazy fractal advert in a punk-paste zine. Weโ€™ve come a long way, folks.

Local independent, country, singer songwriter, Kirsty Clinch posts on Facebook, one of the many social media platforms she tweaks to promote her music. Her latest single, Around and Around has reached a staggering 2K Spotify streams in just five days, managing to peak at number four in the iTunes country chart. Itโ€™s an achievement made mostly on her own, but does it prove the value of DIY rather than aiming to be signed by a label, can anyone with social media savvy achieve it, or is simply that itโ€™s a great song from an exceptionally talented musician?

Itโ€™s certainly that much. Dreamy and evoking, Around and Around sees the ever-enlightening Kirsty at the ultimate perch in her career, in line for the forthcoming album, it leaves you dripping in anticipation for more. โ€œAround & Around is all about catching your dreams,โ€ she explained, โ€œtaking chances and not getting stuck in ruts; thatโ€™s just what Iโ€™m doing right now.โ€

A smidgen punchier than her previous release, Fit the Shoe, and perhaps even more beguiling than that beauty. To hear it is to engrossed in its pensive narrative, as all classic country should. But its Americana influences are subtle, it never references peripheral subject, as much UK country artists feel impelled to mention boxcars, dustbowls, and things you wouldnโ€™t expect to find in their English suburban hometowns. No, Around and Around, like, Fit the Shoe is romantically topsy-turvy themed, flexible for a wider, international audience and contemporary sounding.

That said, Kirsty is no stranger to authenticity, travelling and performing in Nashville at venues such as the Blue Bird. Aside the clear influence of countryโ€™s leading ladies, the likes of Parton and Wynette and modern folk-rock artists, KT Tunstall and KD Lang spring to mind, Around and Around evoked memories of Kate Bush more than any other tune Iโ€™ve heard of Kirstyโ€™s, in its haunting atmosphere rather than vocal arrangement. I put this to her.

โ€œI donโ€™t get the Kate Bush thing; my voice is not as squeaky!โ€ she laughed, โ€œIโ€™m not a big fan of hers, which is weird as youโ€™re not the first person to say it either. Sheโ€™s huge though and loved for whatโ€™s she does, so I wonโ€™t complain!โ€  I had to explain I meant more the whole ambience of the sound rather than squeakiness of her voice, but we needed to move onto the immediate success of this particular tune, and where she hope it will lead.

โ€œIt wonโ€™t go higher,โ€ Kirsty predicts, and I hope sheโ€™s wrong. โ€œOnly slowly hides away after that, the famous people take over sooner or later! But songs can always come back, so [Iโ€™ve] just got to keep hustling.โ€

I took Kirsty back a couple of years, sitting chatting on the lawn at BromFest, we discussed the hopes of an album then; best things come to those who wait. Aside her nonchalant social media persona, I perceive Kirsty to be a perfectionist on the quiet, certainly shows with these two singles. โ€œYes, I have one more coming out hopefully before May, and then Iโ€™ll drop the 14-track album,โ€ she announced, โ€œThatโ€™s why itโ€™s taken so long, itโ€™s a big one, but for a first timer in online sales, I had to do it to catch up!โ€

Iโ€™m aware Peter Lamb had a hand in this remarkable achievement, so I name-dropped the local legend, โ€œall produced by Pete?โ€

โ€œI did the whole thing in my bedroom studio by myself,โ€ Kirsty replied, adding an angel emoji. โ€œPete added the bass, and then corrected my mixing and mastering mistakes at the end, as I got frustrated on the last bit! So, Iโ€™m pretty proud of it for that reason.โ€

It must be a relief to get an album complete, but the hard work is only halfway there, getting out and promoting it follows. Which part does Kirsty favour, despite psychically getting out and launching is impossible at the moment?

โ€œI like all of the process,โ€ she chuckled. โ€œGigs will come back, Iโ€™m just making the most of the situation and working with what Iโ€™ve got for now, there is always a way around things when youโ€™re creative.โ€

Returning to my opening notion, due to developments in tech and a motivation for independence, a professional sound can be achieved at home. Kirsty furthered that she did the artwork and music video for this track all by herself too, due to lockdown.

โ€œThe album launch is not so essential,โ€ she pondered, โ€œwhen I can promote it just as good online anyway now.โ€ As I said, Kirsty has a sturdy online presence, accomplished at building a YouTube audience, but is that more important to her than an album?

โ€œItโ€™s equal. All my fans are excited for the album! But the social media side of things mean they get to know you more, which is essential for selling music in the first place. Loads of people sell music, the marketing is the part that makes them what to listen to yours.โ€

And her secret?

โ€œGet to know your story etc,โ€ Kirsty elucidated, โ€œand connect with the music; if you just say โ€˜buy my singleโ€™ and thatโ€™s all your social media is about, you wonโ€™t get many results.โ€

For the end of our chat, we dithered and pondered if the angle of this piece should focus on the song or herself. Iโ€™m of the opinion, when the creative open themselves up to releasing art, a part of creator is revealed through it, so practically, theyโ€™re similar. You are the song; the song is you; be one with the song! Itโ€™s why naรฏve teenage fans really believe they know a popstar enough to fall in love with them, and perhaps is augmented with homemade product. There’s a huge connection between the singer and the song, though, I put to Kirsty.

โ€œYah, subscribe to my YouTube channel, and they would have all the details anyway!โ€ I suggest you do, as the interconnection is all-encompassing, the song is awesome, and likewise, so is Kirsty Clinch.


Shrek at Mac’s Theatre School

“What are you doing in my swamp?!โ€ Shrek asked a horde of fairytale creatures, exiled to his wood by Lord Farquaad in his namesake Dreamworksโ€ฆ

Devizine Launchpad on Sunday

Okay you lovely lot, who are deffo coming The Festival of Discovery this weekend across Devizes, and who, deffo, going to pay us a visitโ€ฆ

Carmela Wins Points of Light Prime Minister Award

A huge congratulations to Carmela and the Chillery-Watson family of Lavington, who knew nothing about the Points of Light awards until Carmela was rewarded with one this week. โ€œWe are absolutely bowled over with pure happiness at this surprise award,โ€ mum Lucy said.

First established in the USA by President George Bush in 1990, UK Points of Light was developed in partnership with the US programme and launched at Downing Street in 2014. Since then, hundreds have been named Points of Light by the Prime Minister, highlighting an enormous array of innovative and inspirational volunteering across the length and breadth of Britain.

Points of Light are outstanding individual volunteers; people making a change in their community, and after her 300km challenge last year, we couldnโ€™t think of anyone more suitable and deserving than our lovable Carmela.

Diagnosed at the age of three with L-CMD, a progressive muscle-wasting disease which weakens every muscle over time, Carmela is now six and has come a colossal way in raising awareness and funds for Muscular Dystrophy, and continues to be an inspiration to us all.

โ€œThank you, Boris,โ€ Carmela said, โ€œthis is awesome news, I canโ€™t believe it, itโ€™s so amazing. Thank you so much.โ€ Although the prime minister is just another celebrity notched on Carmelaโ€™s campaign trail, meeting with the likes of Beverly Knight, Frank Bruno, Jimmy Carr, and even Harry Duke of Sussex. Oh, and not forgetting last September when Wonder Woman actress, Gal Gadot, donated over ยฃ3K to Carmelaโ€™s fund. Face it, between Boris and Gal, I know which one Iโ€™d rather meet!

Itโ€™s a wonder, excuse the pun, if Carmela remembers the morning when she helped me on my milk round at all. I hope so, as it was a pleasure to meet her, Lucy and dad, Darren, and an occasion, Iโ€™ll always hold dear; even if I was a little tired and smelly!

CEO of Muscular Dystrophy UK Catherine Woodhead congratulated Carmela, and added, โ€œeveryone at MDUK is thrilled that Carmelaโ€™s outstanding fundraising efforts for the charity have been recognised by the Prime Minister. To date, Carmela and her family have raised nearly ยฃ50,000 for MDUK.โ€ Which is simply, amazing. Well done Carmela.


Trending……

How High’s The Crammer, Mamma?

A month since the UK came to terms with the consequences of drought, understood the significance of a raindance and why Johnny Cash asked โ€œhowโ€ฆ

Lady Nadeโ€™s New Album, Identity

There’s musical acts which play united on equal pegging, and then there’s those which follow the lead of a virtuoso. Be it guitar, like Hendrix,โ€ฆ

My River, New Single from M3G

Tomorrow, Friday 2nd October, sees a new single from Chippenham indie folk singer-songwriter Meg Hoy, or M3G, and it’s called My Riverโ€ฆ.. If you deemโ€ฆ

Flora Fiora Kicking the Tyres

Chedworth, Gloucestershire; proud village soloist, songwriter and model Flora Fiora is kicking the tyres and smashing windows in with a new single, and itโ€™s aboutโ€ฆ


Candidate for Wiltshire Police & Crime Commissioner barred from Volunteering to Administer Lateral Flow Covid Tests

Is it campaign point-scoring, as the authorities seem to presume, or concern for health which encouraged Wiltshire PCC candidate, Mike Rees to volunteer to administer lateral flow tests? Whatever, the bottom line is discouraging anyone from attempting to help out during this crisis is bureaucratic nonsense.

And besides, just a brief chat with Mike recently, throughly convinced me his motives are genuine. He’s an open minded, authentic and down-to-earth guy, with experience in the field and a passion for the role.

Mike explains: “It’s with great surprise and disappointment that I have to let you know that I have been stopped, and apparently barred, from becoming a volunteer in the police effort to combat Covid19.

As a retired police officer I put my name forward for volunteer duties last year when the pandemic struck.

Mike Rees

This month I answered another call to volunteer to administer lateral flow tests to police officers and staff. I had a training session earlier this week and completed the online NHS assessment and passed to certificate my competency for the task.

Today I was expecting to attend a ‘dry run’ session however I’ve now been told I cannot attend as they have to investigate the ‘rules’ as allowing me to volunteer may suggest bias on their part because I’m a candidate for the role of Wiltshire Police Crime Commissioner.

I’m disappointed and dismayed to be denied the opportunity to volunteer to support the police, a force I worked in for 30 years.

I’ve asked for the ‘rules’ to be clarified as I see no possible concerns.

For your information, I do not agree with this decision to bar me from volunteering. 

I’m standing as an independent candidate, not aligned to any political party and volunteering was a personal decision.”

Mike is fast becoming the outside chance of becoming our PCC, and we’re backing him fully here on Devizine after his Malmesbury boxing club recently helped out the homeless, appealing forย  donations of sleeping bags , food and clothes from locals and delivering them to the OpenDoors support agency in Devizes.

Plus, this is, by far, not the first charitable thing Mike has engaged in.


Song of the Day 14: King Hammond Meets Death of Guitar Pop

Great things about ska are many fold, but a topper most one has to be collaboration. Rather than set groups, as with most mainstream music, musicians uniting for projects is common and has always been the ethos of ska and reggae since day dot. Perhaps being the very reason it’s so lively and communal.

Another great thing about our song of the day, where Islington’s ska legend Nick Welsh, aka King Hammond, teams up with that crazy Essex duo Death of Guitar Pop, is the ska style displayed, near enough mimics the jump blues “shuffle” on which ska is originally based.

But history aside, let’s just enjoy this new track for all it’s worth. DoGP are fast rising in rank on the UK ska scene, with a carefree “Nutty Boys” fashion, it’s easy to see why.

And that’s my song for the day. Very good. Carry on….


Join me every Friday night at 10pm on www.bootboyradio.net

Song of the Day 13: Antoine & Owena

Congratulations go to folk duo Antonie & Owena for winning the G.S.M.C award for Best Album this year. Yet it’s not their first award, winning best duo at last year’s GSMC, and others. Here’s Something Out of Nothing, which I think explains all you need to know about how and why they won it!

And that’s my song for the day. Very good. Carry on….


Rise of the Snowmen!

Ladies and gents, this is the moment you’ve waited for…. or maybe not. This isn’t the Greatest Showman, this is the greatest SNOWman! Yes, we held a little snowman competition, and here’s how it went…..

Two things didn’t occur to me upon posting a picture of our snowman on our Facebook page, offering others to do likewise in a competition fashion. Firstly, the colossal response, but I guess Sunday’s snowfall was a golden opportunity to get out of houses and have a little social distanced fun. Alas, now the power of the sun and rain has reduced the white blanket to the odd splatter here and there. We will always have photographic memories of our once proud sculptures, and a carrot on the front lawn. Here comes some now…โ€ฆ

Secondly, how to actually go about judging a snowman competition, never having judged anything of the sort before. I gathered some thoughts to criteria, I Googled and found some rather serious rules from other such competitions.

Jonesy McSnow and Lucy (age 10)

Certain I wasn’t intending to make it half as serious as these, their judgements were much as I anticipated. There are factors to consider. Creativity for starters. Originality, tradition, competence, and dedication are equally important. Size is good, but it’s, as you know, not everything, when building a snowman that is.

Towering over the playpark on Devizes Green, Bally Bongo’s Bob stands at over 6ft 2. By
Archie(8) Blu (4) and a little help by the parents!
This snow Kong at the Henly’s has sacred everyone back inside!
The Russell Family’s got an outie belly button bigger than the average snowman!
The Waterman’s daughter’s first snowman is huge!
Stay back, he’s got a taste for meat, or is that a twig?!
From the tall to the small, it doesn’t matter, he looks happy!
Don’t, don’t, don’t you, forget about me!

Many were divided into age groups, which I figured awkward. Building a snowman is usually a group activity, it’s about families, all ages contribute. Kids run around trying to construct the starting ball, dads get the backbreaking task of rolling it up and taking half the grass and autumn leaves with it, while mums usually stay in the warm sourcing carrots and hats; it’s a communal experience for sure! Okay, Iโ€™m generalising for artistic license and know itโ€™s not really like that, trying to be funny, when really, judging a snowman competition is snow joke (see what I did there?) But making a snowman has no boundaries or conditions, any age, and race and gender, everyone together, getting creative….

Amazing!
Best buddies!
Hide your carrots, there’s a snow bunny about! Pictured with it’s creator; grand job, Faith!
The apple of Pingu’s eye! Well done Willow & Jonah!
Very retro, Kiana!
Shiver me timbers!
Mange tout, Hoffman, you plonker!

He made snow chicks, cats and dogs….

Arrow through the head??!
Great rocket ship, Isacc…. oh, you’ve sledged away!
Shark invasion in Sam’s garden!
And a hoodie in Kev’s yard!
Buddha in Urchfont!
And some lounging about!

But part of the beauty of creating a snowman is the feeling of togetherness. Here is an art where anyone can be the artist, provided theyโ€™re willing to get wet gloves. And in that notion, where some strive to be original, often the traditional method is tried and tested. A good snowman doesnโ€™t need to be carved by Henry Moore with flawless features; he needs a carrot for a nose, he needs two pebbles for eyes, twigs for arms and an old hat and scarf. We live in a traditional county, after all.

Tracey and Sara Whatley did the hard work, the horses reaped the benefits!

Then again, thereโ€™s something striking when creative genius gets to work and original ideas bend the theme. Some can be topical, facemasks a common theme this year, or culture based, whereas some can be funny, others damn-right rude….

The Barter family make use of their brussels sprouts after Christmas!
Zeb’s snowman has a snow booty!
Ol’ broccoli eyes is back; Guardian of the wheelie bins!
Either they tried to put wellies on this snowman, or it ate a small child!
Facemasks on, here comes the foreman tree inspector!
Dog photobomb at the Diskett’s!
Somebody call the snow doctor!
Anyone seen the funnel bit to mum’s vacuum cleaner?!
Take two bottles into the shower? No, I just wash n snow!
Anymore snow coming, I need a friend? Not for you, sprout-face!
Got to look your best when doing a spot of gardening…
Hit and run snowman attack!
Skateboarding on ice is dangerous, but when else can a snowman hit the half-pipe?
I’m all for gender neutral snow people, but this one has lady’s assets and a six-pack!
You’re only ever one jacket away from being a goth!
I thought about making this the winner; they’ve got to win something after all!
Office party, you know how it goes…..
Jimmy Saville goes skiing?

Rudeness I can take, live by it; but at least drag yourself away from Babestation for a few minutes to get out and actually build a snowman, rather than, as some did, Google โ€œrude snowmanโ€ and share the first image which pops up. Sad, but true, spoils it for the kids, of all ages.

Rule Britannia, we shall, we shall never stuff a whole loaf in our mouths at once?
Heavy night, anyone got a paracetamol?
I’ve had enough of this, I’m off to live with the wolves…..
Will you be my friend?
I am robo-snowman!

Can I pick a winner?

Drum rollโ€ฆโ€ฆ Tricky. Iโ€™ve narrowed it down to my ten favourites, and here they are. I apologise, I tried to source a snowman type of prize, but theyโ€™re a tad out of season and this was a spontaneous idea. I think a bit of future planning, for next yearโ€™s snow storm, being the idea was so popular, and we could have prizes. For now, winners can print off my certificate here, and a colour-me-in sheet, if they like that sort of thing! Thank you all so much for letting me see your brilliant snowmen, I loved looking at them all, having a penchant for snowmen, I admit unashamedly!

Oh, and if you do colour them, Iโ€™d love to see your fine colouring skills!

Never over-complicate the objective. Matrim Vaux, age 6 knows less is more with Bill the snow owl.
Leo, age 5, and Hallie, age 2 looking a tad cold, but like they’re having so much fun!
Topical from the Collins family, but he looks awesome!
I just love this picture, Casey, age 6 looks so proud as she strikes a pose, but Archie, age 3, seems distracted by something else happening elsewhere; it’s a guy thing Casey!
By Justina Hams and her seven year-old. Because he’s so smooth and grand looking!
Rob Jobson understated his snowman, saying “it’s the taking part that matters!” No mate, he’s superb in his simplicity!
A team effort from the Lake family, and a grand job made of it!
Marc Spartacus Fleming and Leia (2!) This is Steve the snowman, and he just works!
Are you in competition with your snowman for the best hat, Ava-Mae?! A grand effort, you look proud and so you should be!
Just to put a hat on her snowman wasn’t enough, Alison Sinclair (45!) carved it, and all other features so brilliantly!

Song of the Day 12: Darla Jade

Even portions of expressive contemporary pop, the ambience of post-goth and downtempo electric blues of trip hop makes this Staffordshire singer, Darla Jade really someone to watch. With a haunting uniqueness about her voice and style, there’s shards of Evanescence fused with Beth Orton. It’s somehow individually chartable but would also appease alternative rock or goth aficionados alike.

Subscribe to her YouTube channel, hear her own stamp on Radiohead’s Creep, and realise, her talent is so very special.

And that’s my song for the day. Very good. Carry on….


Song of the Day 11: Dakka Skanks

No video to this one. Do we need visuals? Not when it’s this good; my favourite track of Brighton-based contemporary ska heads, Dakka Skanks.

They’re lively, diverse, lots of fun, and I think we’ll be hearing a lot more from them in the near future.

If the Duallers have reached a pivotal point akin to the Specials, and Death of Guitar Pop are providing the tongue-in-cheek Madness equivalent, I believe these guys could be The Beat of this era, as there was a band unafraid to experiment.

Dakka Skanks are majorly ska, but throw a lovable but carefree punk attitude, and a wide range of other influences, such as soul, into the melting pot, and concoct something uniquely entertaining.

Very good. Carry on….


Skates and Wagons: Path of Condie

If Iโ€™d one criticism of Britpop, during its heyday, least that which the pop charts threw at us, was, in an era of progressing technological electronica, embedded deep in my psyche, Britpop, to me felt regressive. I argued at the time, if The Beatles were still together, in their prime, theyโ€™d be producing techno or drum n bass, for they were trailblazing, innovative and progressive. Whereas, picking on Oasis, particularly, being they seemed to strive to be a Beatles tribute as far as I could see, were relapsing to a previous generation.

Then the crossover crossed back over. If waning was a heady dawn of the nineties where rock fused electronica on the Madchester scene, towards the end of the decade The Prodigy were advancing with an almost punk slant, and Noel Gallagher was lending his vocals to the Chemical Brothers. To pick the era apart now is futile, no one remembers what the fuck was going on most of the time!

Letโ€™s agree to disagree, put it in the past and note today, retrospection is big business, and thereโ€™s nothing wrong with songs which hark back to the sixties, for it was pioneering but more importantly, divine and inspiring. Particularly when, rather than regenerating cover songs, but acting as a base of inspiration. We see a lot of this; from the sixtyโ€™s British blues scene to bubble-gum pop, but perhaps not produced with as much passion as Skates & Wagons.

Skates & Wagons

They sent me a link to their album, Path of Condie on Boxing Day, so apologies it was put on the backburner but I had Scrabble tiles to lay and Quality Street to puke. The EP I reviewed previously appears to be taken down, and Iโ€™m unsure why. The album, is akin to all I mentioned about the EP, only more so. If regenerating Britpop is tiresome and monotonous to you, you need to check this Oxford duo, because they manage it with the precision, innovation and splendour of classic pop-rock and blues of that sixties period, with bells on.

I mean sure, it opens with an interesting approach, Chevron Waltz proves this is going to be no everyday indie-Britpop ride, it is indeed as the name suggests, a waltz. If weโ€™re going to revel in compassions, Iโ€™ll cite The Kinks or Small Faces, The Spencer Davis Group, The Troggs, but predominantly the Beatles, more than Oasis. Plus, weโ€™d need to break it down with the fab-fourโ€™s individual preferences. Opening then is experimental, merging traditional styles of music is certainly McCartney, yet the majority, like Indian Summer rolls smooth, like the later Beatles, Sane Again is anthemically mellowed; very George Harrison.

But this is an album which builds progressively, just like the sixties did. The earlier tunes, initiate sixties pop, and sit at radio-friendly three-to-four-minute timings. Mr Wake Up, for example, explains how itโ€™s going to roll for the time being, beat-based shards of classic pop-rock. But things liven up at Conversation with God, the walt reprise towards the end nuances the album is progressing the entire decade and weโ€™re midway. Waste of the Sky is subtly psychedelia, like the opening to the beatnik period.

Itโ€™s this equidistant section where Skates and Wagons really shine, itโ€™s as if we didnโ€™t need the 1980s, we were fine where we were. Catchy tracks like The Man Who Never Sleeps and All the Love mirror the advancing changes of the middle of the decade, and bring us in line with classic seventies rock bands like Genesis and ELO.

It leaves you dripping for the concentrated, lengthier compositions the trend which followed via Floyd and Hendrix et all, and Skates and Wagons deliver. As Path of Condie develops it builds to more ending with a beautiful eight-minute composition, Yesterday’s Love. Itโ€™s beguiling and timeless splendour, catchy as pop, definitive as classic rock.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement, as opposed to a Britpop throwback band going through archaic motions. Though thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements; scooterists donโ€™t go for that, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


Trending…..

Graham Steel Music Awards Online Tomorrow

Join the GSMC on Friday 22nd January at 8pm for a celebration of grassroots music as they present this yearโ€™s GSMC Music Awards Live Online on YouTube, where they will announce the Winners of all 12 categories and will include live and pre recorded music from some of the nominees as well as a look back at the year and celebrate all those people that helped keep the grassroots music scene alive in 2020.

GSMC Music Awards Night will be streamed live from YouTube on Friday 22nd January at 8pm, the link for this is below:


Song the Day 10: Summit 9 Studios

Funkin’ for Devizes. This lockdown project from Tom Harris, Dan and Ross Allen and Rich, Summit 9 Studios has just been given a funky lift with this blinder, Change Change Change, bang on cue for me hunting for a song of the day.

Saucy effort guys, love it!

Very good. Carry on….


Song the Day 9: Emily Lockett

Facebook memories posts a year ago this week we rocked up in the Celler Bar raising money for the Waiblingen Way Fire fund, and makes me stops and think about the years I’ve been smashing out articles on Devizine. So many artists and bands we’ve mentioned, I rarely forget about them, this one I admit I nearly did. Most likely because I didn’t get the opportunity to attend Stoke-on-Trent’s teenage country sensation Emily Lockett’s gig at Dean’s Country Club, then operating at Devizes Cons Club, later at the Cavalier.

So, nice as it is to discover new talent, equally important is to recap. Emily must be nearing her twenties now, and as a musical prodigy from aged 5, her expertise shines through in a matured sense now. This track, Front Porch says it all.

And that’s my song of the day for today.

Very good. Carry on….


Song of the Day 8: Mansion of Snakes

The deeper I delve into Afrobeat the more gorgeous it gets, and I’m discovering bands closer to home. Nubiyan Twist, for example, who are from Oxford rather than the Sudan as it might sound. I’m loving this sound, and got to get a review down of their forthcoming album.

Today though, check Leeds ten-piece behemoth, bone-shaking afrobeat collective, Mansion of Snakes. These devil-funk and cosmic jazzย 
serpents give it their all, and there’s stuff, cool stuff to download as name your price on their Bandcamp page. Say no more.

Have a lovely rest of your day. Very good. Carry on….


Song of the Day 7: Mr Tea & the Minions

Sunday off, broke my promise to post a song of the day, everyday. Allow me to make up for it. Bristol’s Mr Tea & the Minions with a lockdown themed song. See how sublimely they fire a frenzy of folk and Balkan styled ska-punk into festival proportions. I think they’re the hottest bands around these parts, and fondly reviewed the album, Mutiny a while ago. Just a reminder today then, these kids have it.

I made enquiries, wanting to bring them to Devizes. It’s no cheap option and obviously currently off the cards.

The reservation is that just because I’m loving this style, it might too radical for a Devizes audience. So, I’d appreciate some feedback; would you have paid a purple one to see them play in our town?

Fingers crossed, we live for a better day. But I believe lobbying a large Devizes venue to bring contemporary music direct to us, just occasionally, is crucial to the culture diversity we should be delving into.

Have a lovely rest of your day. Very good. Carry on….


โ€œNobody has Wanted to Talk about Hunting, Other than Trolls!โ€ Says PCC Candidate Jonathon Seed

Busy day, chatting to Wiltshire Police Crime Commissioner candidates and The Wilts Hunt Sabs; something is conflictingโ€ฆ

In 2012 five members of the Avon Vale Hunt, including the master huntsman and Wiltshire councillor, Jonathon Seed appeared in court charged with breaching the Hunting Act 2004. Though they all denied the breach before magistrates in Chippenham, Seed made a statement released to the Wiltshire Times, โ€œThis is a private prosecution by the RSPCA and I believe that it has been commenced for political reasons, as their stance against hunting is well known and it is of great significance that Wiltshire Police, after advice from the Crown Prosecution Service, declined to take this case forward. These proceedings are an abuse of the private prosecution system, which needs to be addressed in due course.โ€

And how best to address said abuse? Elect to become Police Crime Commissioner, thatโ€™s how. Perhaps itโ€™s an episode the councillor wishes would disappear, going on the rather defensive attitude he put up when I chatted with him about his campaign this morning. And for whatโ€™s itโ€™s worth, he provided some great ideas and valid points on subjects he attempted to divert me onto, but I was wondering where he actually stood on hunting, being, you know, itโ€™s illegal, and heโ€™s wants to be Police Crime Commissioner, just felt, well, a tad conflicting.

โ€œOkay, so, not about the campaign then,โ€ he started.

But I think it’s relevant. โ€œHunting is illegal,โ€ I pointed to the seemingly obvious, โ€œsurely we would want a PCC who upholds the law?โ€

โ€œAre you suggesting that I wouldnโ€™t want the law upheld?โ€ came Jonathonโ€™s reply. Had to say, far from suggesting anything, the question was built behind the datum the huntsmaster for the Avon Vale hunt appeared in court with allegations he broke the law. And upon experts in the field, Wiltshire Hunt Sabs, who seemed convinced laws had been broken that day. โ€œThe badger sett incident,โ€ they confirmed, โ€œitโ€™s clear evidence they were illegally hunting. Itโ€™s illegal to use terriers underground (the exemption is in relation to birds, which isnโ€™t relevant on a hunt.) There can only be one reason for sending terriers to ground and that is to flush a fox.โ€

โ€œYou were,โ€ I checked, โ€œhuntsmaster for the Avon Vale hunt at the time?โ€

โ€œYou will already know that I was,โ€ Johnathon stated, โ€œthe allegation against me that was unfounded was dropped and is covered in the blog.โ€

Wiltshire Hunt Sabs claimed, โ€œit wasnโ€™t unfounded at all, the current Huntmaster (Stuart Radborne) was found guilty of interfering with the sett. The fact they couldnโ€™t prove hunting act charges is yet more evidence that the law around hunting needs tightening.โ€

โ€œDo you have anything to ask about the campaign,โ€ Johnathon inquired, โ€œor are you just interested in the Avon Vale Hunt?โ€

Yes, I do. So, I asked him, โ€œif successful in the post, would you therefore discourage police to act against hunting offences? I mean, I understand, because they’d be personal friends engaged in something you firmly believe in. Also, would you support a turnaround of the law to allow hunting?โ€

And thus, came the jaw-dropper.

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€ Rather than be labelled a โ€œtroll,โ€ by Tory boss-cop I allowed myself to be side-tracked. Jonathon was keen to lobby government for further funding, โ€œWiltshire is the third poorest funded force per head of population in the country, it needs overhauling and I will work with government to achieve this.โ€

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€

Funds would put more officers in our communities, and offer better support for training and officers and staffโ€™s mental health, and I cannot argue with this, though I pondered why it should be; are we all so better behaved in rural Wiltshire, so we donโ€™t need as much policing as an urban area? I know I am!

โ€œHistoric underfunding of the force will continue to be an issue due to the way the funding formula is weighted towards some areas,โ€ Johnathon explained, โ€œThe current PCC has done nothing to improve the situation and I believe the public deserve a PCC who will lobby the heart of government for better funding.โ€

I overlooked the oxymoron; “heart of government.”

In true Conservative fashion he blamed Labour, because fourteen years isnโ€™t enough to up a budget. โ€œThe formula was created under Blair so naturally favoured labour voting areas,โ€ he reckoned. โ€œGetting the central government funding addressed has to be a priority. Just because we are a rural county doesnโ€™t mean we donโ€™t have sophisticated criminals operating in our towns and villages; domestic abuse, child sexual exploitation, modern day slavery, county drugs lines all affect our communitiesโ€ฆ.โ€

โ€œAnd fox hunters?โ€ I added!

โ€œItโ€™s a shame that without knowing me or talking to me you would assume I would actively seek to have the law overlooked,โ€ Johnathon asserted. โ€œI do not and would not want our police to do this for any crime. The Chief Constable has my full backing to ensure that the law is upheld. There is no picking and choosing who the police โ€˜police.โ€™ Operational policing isnโ€™t the responsibility of the PCC.โ€

On the front seems Johnathon has good policies, but theyโ€™re undoubtably all politically motivated. Do we need a local councillor in the role, or someone who has been actively in the field, policing? I also spoke to independent candidate Mike Rees, passionate about delivering a quality police service for the people. And have to admit, it was akin to chatting to eager musicians when interviewing them. In fact, if thereโ€™s irony in voting for a police candidate suspected of breaking the law, the only similarity is that Mike is in a heavy rock band called โ€œthe Lawless!โ€

He told me of annual fundraising gigs at Level III with a plethora of other bands, which has raised ยฃ13K for his own charity โ€œFatboyโ€™s Cancer Charity,โ€ which aims to bring a smile to children who are suffering from cancer or have other life-threatening illnesses. He was also adamant he loved animals, and aside his respect for traditional aspects of rural life, more needed to be done to enforce the Hunting Act. Mike went as far as telling me heโ€™d like to set up a hedgehog rescue centre in his retirement.

โ€œI know thereโ€™s a difference between what the boss says and what the police see, Iโ€™d like to see a happy workforce, not demoralised.โ€ He expressed a want to improve the service, the relationship between officers and the bosses, and the public, as heโ€™s been on the beat in Swindon, working up through surveillance and CID to counter-terrorism, called in to help during the London bombing. โ€œNo wool pulled over my eyes,โ€ Mike added.

โ€œWeโ€™ve seen year on year increases to the policing precept, yet no tangible changes or improvements to the service the public of Wiltshire receive,โ€ Mike stated, โ€œseems evident to me and the many people who I speak with, that the Police sometimes do not have the resources to deal with many of the basic responsibilities that we expect; and all too often we see the cracks of struggling service delivery being papered over with a slick marketing campaign, or dare I say it, a social media post!โ€

โ€œI know that savings can be made, and I also know how tax-payers money is sometimes squandered by Police managers,โ€ he continued. โ€œA politician who doesnโ€™t understand policing can be told that something is required or best value, and will just accept what they are told. I know whether it is actually nice to have or need to have. Spending needs to be scrutinised very closely and I would look to do that to ensure money is diverted to the right resources and needs.โ€

Though Mike said Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently. To my knowledge, I am the only independent candidate for Wiltshire so his comments are clearly directed to me!โ€ But โ€œthe last thing I want to do is get involved in a continual slanging match with any of the other candidates.โ€ Which is just as well for them, as an amateur boxer, I wouldnโ€™t argue!

Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently.”

He compared his own campaign budget to Johnathonโ€™s on the precept he doesnโ€™t mind if he doesnโ€™t get the job, estimating Seed has โ€œabout ยฃ50k to spend on campaigning, Iโ€™ve got about ยฃ50, and I begrudge paying that! Money is squandered when it should be to improve services.โ€

The hunting issue will always be a touchy subject in any rural settings with opinions so divided. But the law is the law, and if anyone upholds it, it should be Police Crime Commissioner. Though while Mr Seedโ€™s blogposts call for his innocence, they also state: โ€œMillions of people in this country engage in perfectly legal fishing, hunting and shooting pastimes and should not be demonised and bullied by a small but vocal minority who do not approve of these pastimes,โ€ and โ€œIt is utterly irrelevant to the vast majority of the electorate whether or not a political candidate had a lawful interest in country sports along with millions of other law-abiding people.โ€ Left me wondering how defending wild animals under lawful methods, could possibly deemed demonising and bullying.

โ€œIf you wanted to ask me something sensible about fox hunting,โ€ Johnathon said, โ€œrather than the usual stuff that has been well rehearsed and I know doesnโ€™t resonate with rural voters, ask me my views on the change to trespass and who it will apply to.โ€

But I didnโ€™t like to ask, changing rules to trespass blatantly is there to halt operations from protesters. The Wiltshire Hunt Sabs said, โ€œweโ€™d love to know if he still hunts, we havenโ€™t seen him out with the AVH, but there was a rumour he may go out with the Tedworth. I suspect he has paused for the election. Itโ€™s interesting he calls concerned members of the public โ€œtrollsโ€. How arrogant do you have to be to think that regular members of the public arenโ€™t interested in his background as a fox hunter!โ€

Iโ€™ll let the hits on this article decide, and leave it there. Iโ€™m all for deciding the next Police Crime Commissioner based purely on a doughnut eating contest, might be easier, might even win myself! Then youโ€™d all be buggered!


JP Oldfieldโ€™s Saltwater Gospel

Devizes favourite southern fried gothic-Delta blues one man band, JP Oldfield has an EP released at the end of the week, Saltwater Gospel. Itโ€™s aโ€ฆ

Jess Chiverโ€™s Sunrise Comparison

Iโ€™ve found myself sympathising about post-punk recently, how they scrambled around in the dark somewhat, taking pot shots at reggae, claiming a โ€œnew wave,โ€ orโ€ฆ

Dinosaurs at Jurassic Hillworth Park!

Images: Jess Worrow Ah, for the connotations of US drive-in movie theaters, now in decline over the pond, but embedded as characteristic romantic americana; theโ€ฆ

Song of the Day 6: The Simmertones

It’s getting late now and I’ve only just got around to posting our song of the day. Had a piece to write and the obligatory family Scrabble game. Nearly missed the deadline, meaning my promise to post a song each day didn’t quite last a week, but alas, I’m here last minute to seal the deal.

What better then, than the pride of Devon, The Simmertones. They’ve fast made it to a lead name in the UK ska scene, and with their lively shows and crazy ska cover of the Dr Who theme, a personal favourite, it’s easy to see why. A tad more tender, here they are…..

Have a lovely rest of your day. Very good. Carry on….


Choo-Choo; Dreams of Devizes Railway Station

I know what youโ€™re thinking, Iโ€™m a naughty boy; why hasnโ€™t Devizine shared news of the survey about the Devizes Park/Gate/Safe-Way railway station proposal yet, the one on the โ€œofficialโ€ Devizes website? Well, Iโ€™ve been deliberating. But before you judge me, I ask you hear me out.

When I took a bus from the Leigh end of Southend-on-Sea to Shoeburyness, at the other end, which Iโ€™d estimate being the equivalent of Devizes to Melksham, it cost one pound. The bus was bustling with a wide demographic, it cost the same across the entire city.

Live in a village just two miles out of Devizes and itโ€™s ยฃ2.50 for a single on the bus. Given Devizes Parkway would be a similar distance out on the other side of town, Iโ€™d wager itโ€™d be much the same price. Letโ€™s take a family of four from their village for a nice day out to London; a tenner to get town, a purple one just to get to this imaginary station for an overpriced train ticket; not including inflation.

Okay, Iโ€™m playing devilโ€™s advocate. Everyone wants a station, including me. Back, long before Devizine, and Danny Kruger could pinpoint Devizes on a map, I put a poll on Facebook for my satirical rant column on Index:Wiltshire, asking what, if you could have anything which was once in Devizes but no longer, would you like to see returned. The top answer was unanimously, a railway station. And I agree. I agree with you all, from young and old, fat and thin, from Tory to leftie and beyond, everyone would like to catch a train from Devizes, even if only to escape!

The argument of education, getting students to colleges, and employment, getting them to work, rather than relying on a rural bus service and of course lessening the environmental impact of commuting are, of course, valid and ample justification. The idea it will attract visitors, helping our local businesses and economy is slightly more dubious, an untested valuation. Simply because they can get here doesnโ€™t mean they will, especially if thereโ€™s nothing here to entice them. A view of Monument Hill and the Clock Inn Park are nice, but are hardly an exciting hive of activity.

I cannot help but feel, just as Brexit, and these grand and glorious schemes, a futurism-fashioned Festival of Britain, money saved from being in the EU to help the NHS, vaccinations for everyone by March, a high-speed train to gain three and a half minutes off the journey time from London to Birmingham, or a tunnel under Stonehenge to prevent erosion and people from seeing it without paying, the right-wing majority are suffering delusions of grandeur in a country potentially at itโ€™s knees by the time these under-budgeted dreams will become anywhere near reality. Iโ€™m sorry to have to see it this way, but the system is crumbling under our feet because our leaders are only in it for themselves.

Oh, need a relevant example? Boris Johnson only proposed this ยฃ500m fund to reopen some of the passenger rail services axed in the Beeching review to win seats from Labour prior to the 2019 general election.

To bring it back to local affairs, feels to me like the potential railway station is only on the cards because Danny Kruger wants to get to Westminster quicker, and Hornby enthusiasts are rallying to kiss his ring. And yeah, as I said, itโ€™s a great idea, for all the reasons stated. But given thereโ€™s surely far more important things we could spend the money on in this dilapidating town to improve it for everyone, you know what Iโ€™d like to see first and foremost? If we have spare cash to build a Lego station, Iโ€™d like to see our poorest, our youngest, eldest and people in care being supported.

I donโ€™t want to see homeless being cleared out from camping in the woods so dog walkers can be free to roam and tie poo-bags to trees. I want to see projects being put into reality which would cost far less than a station, give them a hostel. Iโ€™d like to see our playparks and green spaces maintained better, youth clubs and facilities reopened, providing activities which kids actually want to go to.

At the beginning of year, when Melksham got a splashpad, Devizes said yeah, we could that too, but, as I forecast at the time, it was brushed aside. Iโ€™d like to drive on flat local roads, rather than negotiating potholes like itโ€™s a lunar landscape. Iโ€™d like better road planning, infrastructure and affordable public transport, to avoid congestion. I want to park somewhere without taking out a bank loan. I want to see markets and The Shambles bustling with life, smells of street food and music. I want a free-thinking, flatpack and proactive council, funding sporting events and arts, and not idly watching as so-called charities throw folk with learning disabilities out of their homes.

And once we have achieved these, yes, Iโ€™d like a railway station, ta muchly. Not asking for much is it? Tee-hee, yeah, Iโ€™m hearing you, life isnโ€™t so simple, this is Devizes, not Shangri-La. That said, Iโ€™m uncertain if Shangri-La has a railway station, still, it manages, as we have done since Beeching waved his wand, to get by without one. My family of four, twenty quid down just getting to the station, now theyโ€™re looking at train ticket prices. Have you seen train ticket prices recently? Remain calm, but they do often come in triple figure sums. Iโ€™ve seen aeroplane tickets to Barcelona cheaper than a return to Paddington.

The big question is, then, how much will it all cost and who is footing the bill? Did we get this grant, and what was that for? I asked Tamara of Devizes Gateway Railway Station steering group.

โ€œThe Restoring Your Railway grant from the DfT is for the cost of the Strategic Outline Business Case only and is being supplemented by Wiltshire Council,โ€ she informed me. So already weโ€™ve all put some cost into it through our council tax. โ€œThereafter, funding would need to be secured for the rest of the Business Case process (Outline Business Case and Full Business Case) and then for the capital costs to build the station.โ€ Tamara added, โ€œwe are at the beginning of the process, but the fact that we have secure the grant monies from the DfT puts us in a good place. We now need to prove the business case.โ€

From there I was directed to a presentation made to the Devizes Area Board in November, which doesnโ€™t explain where the dosh is coming from. Iโ€™m only opting for a station if they promise I can drive the train! Just once. But more importantly, I honestly look forward to a time, if I make it to 2025 without Thomas the Tank Engine shooting me, when we could smash my piggy bank for a train ticket, I really do, but the bottom line is, it has to be affordable, for all, especially if the public is footing the bill to build the thing.

Answer the survey, with your thoughts, if you wish. But the jury is still out with me. Itโ€™s on the site where a certain member, who shall remain nameless, accused me of spamming when I first launched Devizine, and mysteriously moments later I was in Facebook jail. Of which, such general pettiness is neither here nor there, but I feel worthy of mentioning. I know what youโ€™re thinking, Iโ€™m still such a naughty boy!


Trending….

I See Orange Pining For Apollo

If spring saw Swindonโ€™s premier rock trio I See Orange breaking new ground on a US tour, autumn brings with it their first full lengthโ€ฆ

DOCA Awarded National Lottery Grant

Congratulations to Devizes Outdoor Celebratory Arts, who announced yesterday that they’ve been awarded a substantial National Lottery Project Grant from Arts Council Englandโ€ฆ. This isโ€ฆ

For A Lifetime, Luke Gittins

Newlywed, what lengths would you want your partner to go to with their wedding speech and gift? A six track EP of the most beautifullyโ€ฆ

What to Do? September in Wiltshire

Nearly September, time to sew those name tags onto school uniforms. Still, loads to entertain you throughout the month. Iโ€™ve exhausted our ever-updating event calendar,โ€ฆ

Song of the Day 5: Gecko

Okay, so Iโ€™ll be brief; weโ€™ve mentioned Gecko quite a lot recently and I wouldnโ€™t want him to get big-headed! Can you imagine? That was a joke by the way, because in some light one could describe what Gecko does as rap, and could you imagine, in your wildest dreams Gecko being conceited? Heโ€™s got to be the most unpretentious rapper ever, though thatโ€™s not saying much; narcissistic is the occupational hazard of the average rap star.

If you ainโ€™t got something nice to say, rapperโ€ฆ… Ah, thatโ€™s why Gecko is a breath of fresh air. if you need any more proof of how good he is, hereโ€™s yesterdayโ€™s released video of the title track of his album. Over and out. Have a good rest of the day. Carry onโ€ฆ.

Trending Now…

Hot Juice Project at The Three Crowns

Whoa! What happened last night at the trusty Three Crowns?! What happened last night at the Three Crowns has clearly happened before, and happens mostโ€ฆ

Ruby Darbyshire: God is Offline

Wiltshire singer-songwriter Ruby Darbyshire, youโ€™re most likely familiar with, unless you joined Devizine family readerโ€™s circle today, has a new song on YouTube, one sheโ€™sโ€ฆ

Large It Norm, in Trowbridge!

Yes, we’ve got to praise Trowbridgeโ€™s Old Town Hall like we should, because Fatboy Slim is going to be right there, but not right now;โ€ฆ


Are the Fire & Rescue Service Cutting Vital Flood Equipment?

Concern mounts after a petition was launched claiming vital flood equipment and training is being planned to be moved from fire stations from Chippenham and Trowbridge to Dorset, and Stratton in Swindon. You know me, usually I jumped at the chance to expose a transgression by authority, but on this occasion, as a response from Assistant Chief Fire Officer James Mahoney suggests the service is merely aligning the way in which all stations operate interchangeably, the jury is out on this one. I know right, impartiality; is this the new me?!

Not really. It gets rather technical, and I donโ€™t do technical. The last thing I will do is belittle the fire service for the grand job they do. So, as Iโ€™ve been asked to share news of the petition, like a real reporter, Iโ€™ll give you the low down from both sides of the argument, and itโ€™s up to if you choose to sign it; righty then?

Becky Montague, who started the petition argues, โ€œmembers of the public will have to wait an hour to be rescued safely, instead of eight minutes in the River Avon area, because Chief Fire Officer Ben Ansell has decided to remove vital equipment from Chippenham and Trowbridge stations to Dorset, and Stratton in Swindon. This will put the lives at risk of people caught in flooding in an area Mr Ansell knows to be of high risk.โ€

โ€œRemoving equipment and training from the firefighters means that they will respond but be unable to rescue people quickly and with the right tools. Rather than watch people die, they will be forced to carry out dangerous rescues without the vital safety equipment they need.โ€

โ€œThere is no flood risk in Swindon like there is in the Chippenham, Bradford-on-Avon and Trowbridge areas. Mr Ansell will put residents of Wiltshire at risk and put firefighters in danger.โ€

This sounds like cause for alarm, and Iโ€™m grateful for our reader bringing to my attention. Theyโ€™re concerned and angered, โ€œWe donโ€™t distribute emergency equipment based on geography we do it based on risk otherwise we would have a fire station in the middle of Salisbury plain, we donโ€™t do that because thereโ€™s no risk there,โ€ they informed, โ€œThe flooding risk is in the river Avon area not in Stratton in Swindon. Theyโ€™re going to put the council tax precept up again this year, what are Wiltshire residents going to get for that, other than the grateful thanks of Dorset residents for part-funding the service that they provide from the fire service?โ€

However, Assistant Chief Fire Officer James Mahoney had this response; โ€œA strategic review of the technical rescue provision of Dorset & Wiltshire Fire and Rescue Service has been carried out. This considered risk and demand across the whole Service area; evidence from historical incident data; geographical station locations; and neighbouring Service capability. A decision on the placement of these facilities is now being considered internally.โ€

 โ€œTechnical rescue includes technical search, rescue from swift water, rescue from height, bariatric rescue, confined space rescue and large animal rescue capability. There are currently six stations providing differing aspects of technical rescue across the two counties of Dorset and Wiltshire. In addition to these technical rescue stations, all fire stations have initial water safety equipment and training, and a large number of our stations also have wading team capability. The provisions at these six stations are not consistent, and most stations do not provide all of the capabilities listed above. As a combined Service, this is neither effective, efficient or resilient.โ€

 โ€œWhilst technical rescue is not a funded statutory duty for the Fire and Rescue Service, we recognise the importance of having this capability commensurate with the risks faced within our communities across the whole of Dorset and Wiltshire. We are looking to enhance, not diminish, our capability, allowing us a more strategic approach to the positioning of the key elements of technical rescue – which will also add greater resilience by aligning the way in which all stations operate interchangeably.

 โ€œStaff and representative bodies have been briefed, and given the opportunity to contribute their views throughout and engage in this process, and we will be carrying out public consultation on our draft Community Safety Plan for 2021-25 from 17 February to 13 May 2021.โ€

If I remember rightly, when our estate flooded some years ago, a fire service came from Yeovil to help, stating Wiltshire forces were preoccupied elsewhere. Understandably, this took some time for them arrive, but had it not been for the fire services to be integrated, it may not have happened at all. On the other hand, the dubious line from the Assistant Chief Fire Officerโ€™s statement, โ€œtechnical rescue is not a funded statutory duty for the Fire and Rescue Service,โ€ concerns me. What constitutes a technical rescue? And if itโ€™s not a statutory duty, why call yourself Fire and Rescue Service?

And, as the Gazette reports, โ€œSummerham and Seend Wiltshire councillor Jonathon Seed, who is also running for the Police and Crime Commissioner post, has pledged to take the case up with MPs saying the decision is outrageous,โ€ well, something is iffy with it; deffo.

Being a man of the people, who Iโ€™d like to hear the views of is an actual local firefighter. Your anonymity will be respected if you contact us; but we need the opinion of the men on the ground. In general, Iโ€™m at my tetherโ€™s end with bureaucratic nonsense from pen-pushers, and I urge any firefighter concerned to please do let us know.

Hereโ€™s the petition, should you decide to sign it: https://www.change.org/p/dorset-wiltshire-fire-authority-stop-the-removal-of-vital-rescue-equipment-from-wiltshire-fire-stations


JAZZ โ€“ Our Local Guide

Andy Fawthrop All That Jazz โ€“ Nice! D-Town certainly punches above its weight when it comes to providing a vibrant and varied music scene.ย  Itโ€ฆ

Song of the Day 4: Girls Go Ska

Hi, yeah s’me, keeping up the Song of the Day feature like dedication was as word I know the definition of!

No excuses not to, I mean I am of the generation when Roy Castle clasped his trumpet weekly, ready for the signing off of “Record Breakers.” No, it’s not a euthanasim, Google it whippersnappers.

Might also explain my fondness for brass. Brass is class, and a vital element of ska. Yep, four tunes in and I couldn’t resist sharing some ska with you.

It’s a commonly misguided notion that ska is a retrospective cult here in England. It tends to convey a bygone era of Two-Tone records, boots and braces.

Yet today, while said stereotype has a grounding, ska is an international phenomenon, particularly in South America. I did write a piece about this region’s love for ska, and how it’s roots out of Jamaica bare a different tale from our own.

To show you how fresh it can be elsewhere in the world, and it’s not a reminiscence for a
load of overweight balding pensioners as perceived in the UK, here’s all-female bar one Mexican band, Girls Go Ska, who I’m secretly in love with, (so secret they don’t even know themselves….until they use Google translate!) doing an instrumental jam.

Girls and ska; what’s not to like? Have a lovely rest of your day. Very good. Carry on….


  • Captain Accidentโ€™s Sayonara Paranoia

    After five years, a new album drops tomorrow (Friday 23rd October) from southwest Welsh reggae outfit, Captain Accident & the Disasters, and itโ€™s worth the waitโ€ฆ.

    Using the word โ€œreggaeโ€ as a blanket term for pop music of Jamaican origin, rather than a particular subgenre of roots reggae commonly associated with Bob Marley at his peak, as it currently stands for Caucasians, there seems to be two distinct followings in the UK; that of the retrospective scooteristโ€™s adoration of reggaeโ€™s original template, ska, which inspired the Two-Tone movement, and the more progressive dub to dancehall counterculturists and punks favour.

    I view it as unfortunate that the bridge between them is often overlooked, as it was the most creative period in Jamaican recording history. Yet Captain Accidentโ€™s previous album Bad Press relished in the smooth rock steady style which took ska on its journey to reggae in the late nineteen sixties. A particularly hot summer of โ€˜67 and the government curfew in Jamaica are held responsible for the shift, where it was the tempo mellowed and brass gave way to vocal harmonies.

    The relics of rock steadyโ€™s ballad concept remains in subgenres such as โ€˜loverโ€™s rock,โ€™ and thereโ€™s as plenty of hints to this in Sayonara Paranoia as there was with Bad Press. But this time around the melting pot is far more welcoming to all of reggaeโ€™s subgenres; Sayonara Paranoia not only draws from and encompasses them all, but seemingly creates some new ones on its magical journey. The press release suggests โ€œSayonara Paranoia is an album of contrasts,โ€ and youโ€™re in for a pleasant surprise from the off.

    It opens with a lead single released last February, Slither on the Dashboard, recounting the day a family pet snake escaped into Captain Accidentโ€™s car while he was driving it to a new home in the Welsh Valleys! If its subject perfectly illustrates frontman Adamโ€™s pseudonym, a nickname earned through a lifetime of spectacular clumsiness rather than a carefully crafted stage persona, our surprise is the track is decidedly upbeat ska with nods to Two-Toneโ€™s association with punk. If you must look towards Northern Soul for a tune about a snake, forget Al Wilson, because this one skanks almighty and breaks like a real slithering reptile!

    So we establish, Captain Accidentโ€™s namesake is a self-deprecating streak that occasionally finds its way into the music, but never at the expense of sincerity. Songs immediately following revert back to the uplifting chill of rock steady; wonderful vocal harmonising songs like Rise and Fall are signature Captain Accident, and Baby Slow Down comes in with that cool Jacob Miller feel.

    Itโ€™s a ten song long flow which you donโ€™t want to stop, as influences into a collection of songs exploring resilience, love, heartbreak, anxiety and hope ripple through the eardrums blissfully. Yet, I have to take hold during the fourth song, because if this album stretches into ska, rock and punk territory while maintaining the Captainโ€™s classic and loved fashion, where does To The Sun fit?! It has the kind of completely unique riff I cannot define; elements of dancehall blend into a punky reggae which reminds me of the sleng teng riddim of Prince Jammyโ€™s electronic takeover of reggae, but still this song is refreshingly experimental, completely original, and that riff, oh that riff is so addictive it sticks!

    From this point I accept Iโ€™m in for an adventure, with the Captain leading the mission; where are we going Capt?! The gorgeousness of sunshine love songs follows for a further two tracks, and then he confirms the destination; weโ€™re upbeat ska again with Mission to Mars.

    But if instrumentation and vocals are only the physical aspects, the conscious theme of Me & My Friends proves a spiritual skill in songwriting, and could be compared with Marelyโ€™s So Much Trouble in the World. โ€œLife gives you plenty to write about if youโ€™re paying attention,โ€ Captain Accident said of the album. โ€œSometimes those stories are about love, heartbreak or the things that weigh on your mind, and every now and then something completely ridiculous happensโ€”like accidentally letting a snake loose in your car. Reggae will always be at the heart of what I do, but Iโ€™ve never wanted to put boundaries around the music. The rock and punk records I grew up with are just as important to me, and I think this album reflects that. I canโ€™t wait to get back out on the road with the band and share these songs with everyone.โ€

    Sayonara Paranoia was written, recorded and produced entirely by Captain Accident, reflecting a deeply personal and independent approach to making music. Yet this song is followed again by Pick up the Slack, which, as it might sound, is full steam train chugging ska again to appease the boots and braces crews!

    The moment Suggs of Madness joined the band on stage should be an indicator to, not only Captain Accident & The Disastersโ€™ steadily built reputation as an energetic live act, but also the sense of spontaneity and musical community within the UK reggae and ska scenes. They appeared at Boomtown Fair, Isle of Wight Festival, Wilderness Festival, Bestival, Cornbury Festival, Mucky Weekender and Rototom Sunsplash, one of the worldโ€™s largest reggae festivals. They shared stages with the likes of Aswad, Steel Pulse, The Abyssinians, Alborosie, The Selecter, Julian Marley, and The Beat.

    Until we meet, the treasure of this new album is that no matter the diversity and experimentation, the Captain and his band invites the listener to his table and entertains them with the same divine quality no matter which direction their distinctive ship faces. And this is accomplished with a defining recognisable overall style whereby soaring twin-guitar harmonies warm the cockles, rather than the traditional horn section, the riffs drift across reggae like itโ€™s given, and the vocalโ€™s smooth like John Holt suddenly fell deeply in love.

    If this is about as high an accolade as one could get within reggae circles, donโ€™t assume I flatter; Captain Accident & The Disasters supported Toots and the Maytals at a gig in Wales, and the late Toots Hibbert took them on tour. They completed three full UK tours supporting the reggae pioneers; when you hear this album, you realise why that happened.

    A UK tour follows the release of the album, details HERE. Socials below.

    Linktree: http://www.linktree.com/captainaccident

    Facebook: http://www.facebook.com/captainaccident

    Inatagram: http://www.instagram.com/captainaccident


  • Cephid; Electronic Music Producer and Town Crier Partnership in Devizes

    Well, what else is there to oyez about? Congratulations must go to our Devizes Town Crier, Charlotte Howard-Macdonald, again today, as Brian Mathew MP tabled a motion in the House of Commons celebrating her achievement of winning the 73rd National Town Crier Championship in Rye, only two months after taking up the role…

    Recognised as our first woman to serve as Town Crier for Devizes, Charlotte said, โ€œthis is a first; a speechless Town Crier! Thank you so much, Brian, for this wonderful and completely unexpected recognition, and to the MPs who have added their support. Seeing my name in a parliamentary motion is quite surreal!โ€

    But whoa there, all this talk of female town criers, isnโ€™t there any room to celebrate the guys too?! Charlotteโ€™s husband Moray MacDonald is an outstanding producer of electronic music who creates the most wonderful soundscapes under the pseudonym Cephid. I first met the Lavington-based couple upon reviewing Cephidโ€™s album Sparks in the Darkness three years ago.

    Moray cut his teeth touring with progressive rock and metal artists such as That Joe Payne, Godsticks, Kim Seviour and Ghost Community, more recently he remixed for OMD. Of Sparks in the Darkness I said at the time, โ€œgorgeous complex structures and intense electronic textures,โ€ making comparisons to everything from the Doctor Who theme, through to Kraftwerk, The Art of Noise, Yello and American electro outfit Newcleus, explaining โ€œCephid encompasses these, yet is ultra-modern, uses tech as orchestral, and is as fresh as the Buxton spring; like Jean Michel Jarre came after dubstep, as if 808 State created Tubular Bells!โ€

    Forward wind to February last year, Moray finally staged the album at Bathโ€™s Rondo Theatre, and I had to make a beeline. It was a breathtaking show, to see the album played out live added to the magnificence of this achievement and made it all seem real. The added bonus was to see the laser harp Moray created at seventeen, but had never used publicly until that gig. And after this monumental occasion, the audience were invited to try the homemade electronic instrument themselves.

    The gig caused me to contemplate the progression of electronics in music, and how we take it for granted. Though Devizes is a blues town, of conventional analogue instruments, Moray informed me of the townโ€™s little known influence on the development of electronic music by the way of Daphne Oram, a pioneer of electronic sound who was born in the town. On her centenary I ran a series of articles about Daphneโ€™s life, focusing on her largely unrecorded early years in Devizes.

    Why am I reminding you of all this now, you might ask?! Well, thereโ€™s the thing. Tickets have just gone on sale, for Cephid is coming to St Maryโ€™s Devizes, for a one off electronic concert on 28th November, and yes, he will bring his laser harp. Moray is supported by Richard Anthony Bean, an electronic music composer and producer from Exeter; be there!

    With Devizesโ€™ historic connection and affliction to the blues, it can be a challenge to introduce other genres of music to our town, although there is an audience here accepting diversity, of people who worship the eighties electronic scenes from hip hop to synth-based new romantic and new wave to gothic, and the ravers which followed, and from here stems the concept that technology is so commonplace in music we no longer see the seams.

    These are the people I need to entice, because please, oh hear ye! Believe me when I tell you this show is incredible, and unlike anything else youโ€™ve seen in Devizes before!

    Tickets are HERE, or at Devizes Books.


  • Devizes; a Place for Festival, or Negativity?

    On the Festival of Discovery, other political discoveries, and is the Crammer full yet?! No to the latter, but local Facebook groups are full โ€ฆ.of negativity!

    I’m in no place to review the Festival of Discovery which happened last weekend in Devizes, being Devizine was asked to contribute, and because of that contribution, I didn’t catch the amazing variety of goings on, being sentry at my post, save for a pasty break. But I think there’s positive and negative things to be said about it, plus a few points which require a degree of balanced clarification.…

    Oh, for the forked tongues of keyboard warriors; those vocal minorities disgruntled by attempts to bring free community-driven festivities to town, when a majority braved the minor drop in temperature, just as everyone does for the far more inclement Christmas festival. While we still live in a democracy, sorry killjoys, but we’re duty bound to go with those who made the effort and thoroughly enjoyed it.

    Starter for ten thousand, let’s clear this one up immediately. Yeah, you’re bang on the money, it would’ve been lovely to have had this happen during summer. One comment read, โ€œWhy have it in October with all the beautiful weather we have had this summer!!โ€ Iโ€™ll take it as a question easily answered, even if there was no question mark.

    For those stating the bleeding obvious, in order to slam DOCA, and largely from a Conservative twonktank, please note, it is all about the money. The Street Festival doesn’t come cheap, and was cancelled in May 2024, during the final and brutal Conservative cut of Arts Council funding, on which DOCA relied on.

    Fortunately, since the political party which, let’s not forget, were hosting cocaine orgies at 10 Downing Street, and fornicating like Emperor Caligula on a stag do in Thailand, while forty thousand of our most vulnerable perished in care homes, was obliterated, Labour has been a smidgen more generous towards the arts. Creative director Loz made a triumphant return to Devizes, got me on the blower only a month ago, to ask if I’d like to host an area dedicated to young talented musicians, for this festival she was rushing to announce.

    Naturally, despite not being able to tick neither โ€œyoungโ€ nor โ€œtalentedโ€ boxes, I jumped at the opportunity. It took a lot of last minute organisation, as it did for the other dedicated volunteers of DOCA, who worked tirelessly to put this event on; shame on you if you favoured nitpicking on Facebook instead of attending it.

    I wasn’t on traffic duty. I did my bit, with Simon, the best grand prix pit stop sound engineer, and Mr Ian James powering us up, and it was flipping amazing! Every singer-songwriter I could think of in the right age bracket turned up, seemingly not stuck in traffic neither flown in by helicopter Shirley Bassey style, gave it their 120%, and showed the few who bothered to turn out that local music is safe in gen z hands.

    Having already lavished on the popular Confetti Battle and Colour Rush, I reasoned with Loz that what’s left in the kitty could’ve been put into bringing a spectacular Winter Festival and Lantern Parade. To which Loz shrugged and replied, โ€œyeah, you’d think so, wouldn’t you?โ€ Such it was revealed to me, the grant given has an expiry date prior to Christmas, and if it wasn’t spent it would be lost. So, it really was a case of, does DOCA put in the overtime and seriously get on the case of a celebration with an extremely short window of organisation schedule, or would Devizes have an ordinary weekend of shopping and dog walking?

    So, rather than sitting picking their noses, we had the Festival of Discovery, and what did we discover?! Who’d have flunked bringing such a wonderful festival to Devizes would result in a plethora of harsh online criticism?! Did we even know of their existence before this weekend, or were they discouraging โ€œbots?โ€ Devizes used to be such aโ€ฆMatter of factually, Mr Grumpy lived in Crosspatch Cottage, actually located in Happyland, and I’ll leave this there.

    Could’ve caused less of a stir if traffic was delayed due to a woman-beating Reform conference. The result of a family of ducks crossing a road in Devizes is traffic chaos; do we shoot the duck?! Actually, with the bitterness posted on the usual suspect Facebook groups, don’t answer that.

    Congestion was a suggestion, and a valid point, it was slightly more chaotic than normal and that was unfortunate, for which DOCA apologised and took action, reopening the Market Place on Sunday. There may have been overlookings in signage of road closures, if so it could’ve been because of the lack of time to get this festival organised; a lesson learned, but which didn’t deserve the verbal punishment it received, from those unwilling to volunteer their help, I should add.

    But, please save me the spiel about not knowing this well-advertised event was occurring, for I’ll only retort like a Specsavers advert and say, โ€œyou should’ve gone to Devizine!โ€ I wouldnโ€™t rely on the Gazelle & Herod telling you about an event, unless Martin Kemp, the Queen Consort, or Nigel Farage is attending it.

    Oh, and by the way, it was DOCA who addressed the traffic issue and acted accordingly, not councillors, despite what one certain Mr Wallis might tell you. Though the same Conservative councillor waffled on his Facebook page speaking highly of the event for the illusion of balanced popular opinion, but trundled past the festival looking like his shoes were more important. This was the very same killjoy Devizes Conservative town councillor who once suggested the street festival wasn’t โ€œdiverseโ€ enough, despite it was so obviously the most diverse event Devizes has ever seen!

    Whereas two councillors, one independent and another a Guardian, stopped by to praise my attempt to engage and stage young people. A third was the hopeful and right choice, Guardian candidate for Devizes East, Rosemary McDonald, who did likewise, and when she did, those Masters of the Tory Universe shamefully laid in waiting for her, like snipers at the gate.

    Today the same councillor, Wallis, one which others earmark as some kind of arch- nemesis of Devizine, whereas I’d rather it be simply that whenever there’s trouble at mill, he’s grinding it, is showcasing their Devizes East candidate for the by-election, Laura Ayling. Apparently Laura is single handedly going to tackle antisocial behaviour in the Market Place, and is seen shaking the firm militant hand of none other than Dirty Harry PCC Wilko, right there, on the spot.

    You have to chuckle if this is the spinning point for the desperate Conservatives, being the Devizes Guardians have already written to Wilko on the subject, requesting a larger police presence. Odd how, hey presto, as soon as the prospective Conservative candidate steps in, the apparently apolitical PCC too busy to reply to Guardians, who boasts of shooting people on his Faceache page, around the same time Wallis tried to encourage me to interview him because Iโ€™d find heโ€™s actually a โ€˜reasonable guy,โ€™ manages to suddenly find the time to majestically ride into town like Clint Eastwood for a photo opportunity.

    The antisocial behaviour in the Market Place isn’t a political matter, it’s as it says, a social one, directed at Devizes police to keep the peace. It is unfortunately going to occur whoever sits in the seats, and however many officers they can throw at it. Therefore no political party is to blame, and no party can resolve it any better than another, in my honest opinion. But, it’s clear from this outrageous Facebook post, those trusty Tories will make it a core of their battleground, and play is going to get dirty. Their hypocrisy reaches its peak today, when I will thoughtfully let you in on a secret; Mr Wallis made an official complaint to the town council, because Rosemary was photographed in Sidmouth Street! Oh the outrage!!

    Rosemary came to Sidmouth Street partially because I invited her to, begging your pardon sir, being that rightfully addressing youth issues in Devizes is part of her campaign, and core to one of our objectives, of which you saw the results of in the very street this weekend; thank you for coming, and I hope you missed the part where I sang with the legend who is Ruby! Devizes Market Place, Devizes in general, isn’t a battleground, and Sidmouth Street isnโ€™t the trenchline, Rosemary does, surprisingly, have a right to walk down it, just as we have the right to throw a party there.

    Ha! And others even rallied in the comments sections to try and blame DOCA for this rise in anti-social behaviour, without any reason or logic, because once you publish your rant, no matter how valid your point, these threads of negativity spiral out of control. Hereโ€™s two classic quotes, for example: โ€œAnd a woman outside Boots openly peed on the pavement!!!โ€ And โ€œTrump could of organised better and it would of been the best best ever event!โ€

    It’s a shame the original comments made from traders who directly benefited from the Festival of Discovery at the weekend were overshadowed by those who claimed they unfortunately didn’t, but it is the negative which pushes the circus into the big-top. The ignoramus absurdity that Trump should work for DOCA, and then heโ€™d put a stop to people peeing outside Boots, is why weโ€™re in the shit we are in, surely?! Brittox of Trump, letโ€™s rename it now, save him the bother when he arrives.

    Yes, there were huge gaps in happenings in the Market Place, space is required for safety of some of those acrobatic and circus shows, but the remaining gaps were supposed to be filledโ€ฆ. by you! You! The ones, it seems, who opted to cry on Facebook instead. Is this the way of things now, or was this just an unfortunate isolated incident? Because I’m concerned.

    This event was so well-organised and staged so many amazing features it should have attracted thousands. The fact it didn’t left me wondering why, and wobbled my head with many thoughts.

    I thought about the Reclaim The Streets parties in the nineties, where anarchist eco campaigners took dumpsters and blocked streets, resulting in one giant rave, and no disgruntled whingers. I tried to imagine it happening in Devizes, and what the result would have been. We had no Facebook to bark at then, but even if Devizes was a Conservative safe-seat, still, I refuse to believe its population were ever party poopers, before this terrible today where the flag flies half mast.

    Even in this modern era of Trumpconomics, Bristol sound systems simply hang speakers out of a window, and the community outside gathers to party like there’s no tomorrow, likely because there isn’t. There’s often even an elderly lady rocking with her zimmer-frame. Why are we so stuck in mud here in Devizes? It’s a brilliant little town, where they ironically hashtag #nothingeverhappensindevizes – I hope the users of this gag-tag aren’t the same ones crying like spoiled babies, because some people here thought it’d be nice to throw a random bash in October. Oktoberfest, anyone? It’s a thing elsewhere!

    Then I gave consideration to Street Festivals of yore, how we all gathered to enjoy ourselves, and worry last weekend illustrates how times are unfortunately changing; you canโ€™t give away a festival in Devizes. I remember with fondness how I got up on stage at the last one, to introduce Nothing Rythmes with Orange, to a sea of people covering the entire Market Place and cramming down the Little Brittox to get in; what an incredible effort from the good people of Devizes. Thereโ€™s a photo Iโ€™ll drop below; ask yourself, are you there, and if so, did you attend this weekend, and if not, why not? Genuine inquiry.

    Iโ€™m aware and appreciate the sterling efforts made by so many, including Councillor Ian Hopkins, who freely created the Street Festival, and remember what Loz brought to the table. A blaze of colour and curiosity, a natural development of the unusual, especially here in Devizes. I gave consideration to the Ceres/Ruth Pierce display, her parting gift to Devizes, which held everyone spellbound, even the drinkers who took the day as the piss-up they dubbed Black Rat Monday, stopped and watched in awe! Where was Lucy and Wilko to save us from those black rats back then, eh?! Back then, we coped with the extra traffic, we didnโ€™t require ten kazillion Facebook posts to remind us it was happening, we just made our way there, and celebrated all that is good about living and loving our town.

    Loz and everyone contributing their time to DOCA, deserve the key to Devizes city, for the wonderful events they have driven, not the verbal criticism they so poorly often receive. It really makes me worry about the bigger picture, the terrifying thought that this rise of the far right will see the demonisation and degradation of arts throughout the country, not just Devizes. They seem to hate anything which challenges their regressive social restrictions or questions the insular society in which they wish to live under, and that just happens to be pretty much all interesting art and creativity.

    Someone even had the audacity to redden about those brilliant Hydropunk neighbours of ours, pointing to the defunct hosepipe ban as a source of their anger, like a hundred litres of water is going impact the global water shortage; did they fail to observe the absolute thrills on the faces of our youngest residents as they flocked to play with the hydro apparatus, or did they simply not care for want of ranting?

    Two other horrifying comments on the thread, abhorrent about this weekendโ€™s festival, suggests the struggle is real: โ€œStop public funding for “Arts” there are much more important things to spend public money on!โ€ where I wonder what else this person thinks the Arts Council funding should grant other than arts, or are they more simply seriously misinformed about how DOCA is funded, (through this grant and public donations,) and one other which puts an opinion quite bluntly; โ€œThis crap has to stop!โ€ Find that guy sulking in the kitchen at parties!

    But to assume misinformation is root to the outcry doesnโ€™t excuse an ex-town-councillor exiled to Rowde Parish Council, Chris Greenwood, for he knows precisely what he means, and it was this monstrosity of evil: โ€œI have always been concerned by the wholesale lack of transparency and accountability from DOCA. They appear to be the one organisation that has the ability to close down roads in the Town Centre almost at random. Iโ€™m led to believe that DOCA is considering a rebranding exercise, as the Arts Council have apparently indicated that Devizes doesnโ€™t possess a broad enough spectrum, from which to extract an audience – either pedestrian or vehicular. One of the new names having been considered is โ€œRaking In The Moneyโ€ which does seem rather apt, as the Arts Council have stumped up a few hundred thousand over the years, until tightening the screws after the Flying Fiasco a few years ago! A significant chunk of the proceeds also have a history of being distributed well outside our Borough, rather than supporting local performers.โ€

    Oh hi there Chris, your stab at humour is hardly on a Billy Connolly level. Did you come and see the eighteen local young performers I staged on behalf of DOCA this weekend? Because I certainly didnโ€™t see you wobble past in your Crocs at all. Did you notice local musicians John E Wright, Del-Boy Jepson and Sarah Tarry in the Brittox? And given that, who made you Judge Judy on such matters?! You misinformed Professor of Penistry!

    I trust I can go out on a limb here, as heโ€™s unlikely to have read this far, and remind our readers that this is the despicable Mr Toad and Wallis bumchum who falsely claimed bird flu killed the freezing cold malnourished swan on the Crammer, so they could cull all the pigeons and gulls, and who banned me from his petty Facebook page for suggesting a police officer who was an active member of a hunting criminal ring who stupidly filmed themselves actually killing a fox, was a conflict of interest!

    Are you therefore going to believe the absolute filthy pig swill which spews from these verminโ€™s mouths?! Or are you going to say, you know what, I might forget the petty nonsense from grandstanders and political pointscorers, and enjoy the time I have left on this godforsaken planet?! The Festival of Discovery was brilliant, with the potential to thrill the whole town, if they bothered to show their disgruntled mugs!

  • โ€œShakespeare’s Green-Eyed Monsterโ€ on tour, Central Wiltshire October 17th-24th 2026.

    by Ian Diddams
    images by Gill Morrell and Penny Clegg

    How all the other passions fleet to air,
    As doubtful thoughts and rash embraced
    despair,
    And shuddโ€™ring fear, and green-eyed jealousy
    – Merchant of Venice, Act 3 Scene 2,
    William Shakespeare

    O, beware, my lord, of jealousy;
    It is the green-eyed monster which doth mock
    The meat it feeds on; that cuckold lives in bliss
    Who, certain of his fate, loves not his wronger;
    But, O, what damned minutes tells he o’er
    Who dotes, yet doubts, suspects, yet strongly loves!
    – Othello, Act 3 Scene 3,
    William Shakespeare

    Thus says firstly Portia, but more specifically Iago to Othello, in the eponymous play, ostensibly to warn against jealousy, but in fact manipulating Othelloโ€™s insecurities in his Machiavellian scheming. And thus this โ€œShakespeare Liveโ€ autumn touring production gains its show name, as director and deviser Gill Morrell has creatively and carefully curated a number of Shakespeare scene, with the common theme of jealousy. Most Shakespearian plays performed by community theatre groups typically have a few actors multi-roling in generally supporting character roles, but here Gill has taken a cast of nine all multi-roling performers across twenty-three pieces, taken from from a mixture of twenty-six plays from Shakespeareโ€™s tally of thirty-eight!

    The focus on โ€œjealousyโ€ understandably means the tragedies and historical plays are well represented, but even so ten comedies are included in this collection. As Gill says herself โ€œJealousy turns out to be a prime motivation for conflict in love, families and politicsโ€. And how we see these examples from โ€œOthelloโ€, โ€œKing Learโ€ and โ€œHamletโ€ segue smoothly with โ€œA Midsummer Nightโ€™s Dreamโ€, โ€œTwelfth Nightโ€ and โ€œMuch Ado about Nothingโ€.

    It would become a litany of names and characters to list everybody and each of their roles which would bore everybody, so I shall desist here other to say the cast of Hero Fancett, Penny Clegg, Sarah Horrex, Liz Hollis, Jeremy Reece Iain Lowe, Roger Hames, Jim McCauley and Charmian Norman Taylor between them portray two full ensembles and a mind boggling sixty-seven characters, with not a little panache, style and vigour.

    All of the above were more than excellently supported by stage management of Connor Palmer, James Dennis, Graham Paton and Ellen Read; tech by โ€“ who else?! โ€“ Alex Latham; music by โ€“ who else ?! โ€“ Laurie Parnell; costumes by Hermione Skrine.

    Of course, to learn who plays which parts, in which extracts from which plays there is a very simple solutionโ€ฆ to get yourself to a show during this Wiltshire tour

    Marden House Centre, Calne – Weds 21 Oct
    The Town Hall , Corsham -Thurs 22 Oct
    The Merlin Theatre, Frome -Fri 23 Oct
    The Cause, Chippenham – Sat 24 Oct

    Tickets from https://www.ticketsource.com/ShakespeareLive


  • Shrek at Mac’s Theatre School

    “What are you doing in my swamp?!โ€ Shrek asked a horde of fairytale creatures, exiled to his wood by Lord Farquaad in his namesake Dreamworks 2001 award winning film. Everyone loves that ogre, which began as a fairytale parody, but, even if as banter, his name has become an eponym embedded into popular cultureโ€ฆ.

    In this case, though, Shrek is either Mac’s Theatre School students Harry Yandall or Cameron Nash, Lord Farquard is Amelia Mascall or Zoe Miller, and the swamp is Devizes School! Yes, Mac’s is bringing Shrek The Musical to Devizes from 28th to 31st October…I’m a donkey on the edge!!

    In its tenth year, the troupe at Mac’s Theatre School has achieved notable success, winning Eisteddfod medals and taking home glowing reviews for their ambitious musicals like The Addams Family and Our House; and not just from us!

    They auditioned and performed on the main stages of Disneyland Paris, but it’s the audience who also benefit from their specialised workshops hosted by West End professionals, and high production standards, utilising professional sound technicians, lighting designers, and a live backing band. Mac’s provides inclusive, affordable weekly training in acting, singing, and dancing for children aged 4 to 16, but the standard of their performances will amaze you!

    The other main roles go to Lily Ancrum or Isla Poirot as Fiona, Jacob Marsh, or Immy Foster as the unforgettable Donkey. We wish the whole cast the very best of luck!

    Shrek the Musical is a Tony Award-winning stage adaptation of the original 2001 DreamWorks animated film, featuring music by Jeanine Tesori and a book and lyrics by David Lindsay-Abaire. It expands the beloved movie into a full two-act theatrical production with 17 original songs, diving deeper into the backstories of Shrek and Fiona.

    Tickets for the shows are available HERE, or at Devizes Books. While it’s unconfirmed if they’ll have parfaits, I guarantee you, those Mac’s kids are amazing, and you’re in for an entertaining evening!


  • Devizine Launchpad on Sunday

    Okay you lovely lot, who are deffo coming The Festival of Discovery this weekend across Devizes, and who, deffo, going to pay us a visit at Albion Place, yesterday I highlighted all the wonderful acts we have performing on Saturday, but we do it all again on Sunday too…..

    So here’s what we have lined up on Sunday, and it is equally as amazing as Saturday, so don’t over do it the day the before, and find us, same time, from 11:30 until 5:30pm at Albion Place in Sidmouth Street. Here’s who we have playing for us; ooh, I’m so excited and couldn’t hide it even if I wanted too!

    Read about Saturday HERE, otherwise, read on about Sunday below….

    11:30: Tamsin Antignani

    From Devizes and performing as Tamsin Rose, at fifteen Tamsin already has built an impressive portfolio both as a singer-songwriter and guitarist, and acting. Tamsin attends Stagecoach, and has performed in numerous stage shows and musicals, including the poignant lead as Anne Frank for the Wharf Theatre.

    Instagram


    12:05: Lois Millington

    Lois is from Devizes, currently studying at Sixth Form near Winchester. Lois is our youngest writer for Devizine, ever! She also performs at open mics.


    12:40: Indigo Avenue

    Indigo Avenue is a duo consisting of Rufus Townsend and โ€ฆโ€ฆ.. Rufus is Trowbridge based, and the guitarist for Devizes-own riot grrrl band Steatopygous, who have recently toured with The Pumpโ€™s Sketchbook Records.

    Instagram


    13:30: Alfie Crinion

    Alife is sixteen, and a singer-songwriter from Warminster who has already taken on stages in Warminster, Frome and Trowbridge. He busks in Bath regularly, sharing his original music and covers with the world. His original music follows a blend of indie rock, with RnB and chill guitar music.

    This summer Alfie was invited on stage by frontman of the Kooks, Luke Pritchard, to play guitar with the band in front of thousands of people during their set at the Boardmasters Festival in Cornwall.

    Instagram


    14:20: Orla and Jack

    Orla is a singer-songwriter from Bath, and she brings with her Jack Hughes, as an acoustic duo who have been performing together for a few years in various bands. Orla played Womadโ€™s launchpod stage, and I met her first at Courting Ghostโ€™s Three Trees Festival at Trowbridge Town Hall.

    In our review of this brilliant festival I called her performance โ€œclearly one to watch. With crystal vocals she gave us some divine originals, including a particularly poignant one called Mouthwash, and made Crowded Houseโ€™s principal her own.โ€

    Instagram


    15:05: Seren Alyssa

    Seren is a folk singer-songwriter from Warminster with a voice you wonโ€™t forget.

    Seren performs a mixture of original songs and covers. โ€œMy favourite covers to perform are Fast Car by Tracy Chapman, Unwritten by Natasha Bedingfield, and Black Star by Radiohead,โ€ she tells me. โ€œI first started performing in May 2024, and since then I have performed at CorFest 2025, Swinterfest, and have supported Irish folk musicians in Salisbury including The Henry Girls, Daoirรญ Farrell, and Tim Eady and Mike McGoldrick. I am inspired by a mix of artists/musicians and genres such as folk, indie, pop, indie rock, and jazz.โ€

    Seren regularly performs with Meg Hoy, who performed as our headliner on Saturday.

    Instagram


    15:50: Poppy Rose

    Poppy Rose is a singer-songwriter, guitarist, and vocal coach from Bath, known for original acoustic pop. Weโ€™ve been reviewing her recordings for a few years now, but Iโ€™ve not had the pleasure of meeting her in person, until now. James of BBC Introducing in the West played her newly released and completely unique EP, Let’s Go Swimming.

    Poppy also sings at functions such as weddings.

    Website


    16:40: Ruby Darbyshire

    Ruby is a Scottish born singer-songwriter and multi-instrumentalist currently residing in Bradford on Avon. Ruby is likely no stranger to Devizes, regularly playing our venues and festivals here, as well as busking with bagpipes.

    Ruby grew up playing music anywhere she could. From her first performance at the Edinburgh fringe festival, to Celtic connections and many folk festivals around Scotland, Ruby’s background created the best foundation for her ongoing career in music.

    Her second EP released in August 2025 has created a stir. Her debut single Caller Unknown, with help from Tim Burgess of the Charlatans and produced by Freddie Cowan of The Vaccines, was first played on BBC6. Rubyโ€™s other music has found its way into Celtic music radio, Radio X, BBC introducing South West, BBC Bristol, Cornwall and Devon as well as Bath Radio and Radio Wilts and many local radio live lounge sessions. Awarded the Best Female Solo Artists at the 2025 Wiltshire Music Awards and Second Place Instrumentalist as a Highland Piper, opening the awards event as the special guest.

    Website


  • Devizine Launchpad at DOCAโ€™s Festival of Discovery

    So, youโ€™re joining us at Albion Place on Sidmouth Street in Devizes this weekend, right?! Donโ€™t say Iโ€™ve not told you about it once itโ€™s over!! Thereโ€™s so much going on for this Festival of Discovery and DOCA have worked tirelessly to provide an amazing FREE weekend, but Iโ€™m here to tell you a little bit more about who we have playing in the Devizine Launchpad areaโ€ฆ.

    You can download the program HERE and find some amazing things going on throughout all three zones; amazing things Iโ€™ll likely miss because Iโ€™ll be with sound engineer Simon Stockley, Ian James of Light & Sound, and these amazing young and talented singers, songwriters and musicians:

    I’ll start with Saturday and bring you news of Sunday tomorrow…..

    Saturday 17th October

    11:30: Stan Jenkins

    Stan is a thirteen year old singer-songwriter and guitarist from Trowbrigde. A student of Bath & Wiltshire branch of The Rock Project, Stan joined the Trowbridge Town Hall Youth Board and with friend Oliver Clark recently sold out Trowbrigeโ€™s Old Town Hall organising a teen open mic evening.

    I’ve not seen Stan perform myself yet, so get here early and let’s kick this off together in style!

    https://www.tiktok.com/@stanj.music

    @stanj.music

    forgot to post anything from the open mic night #backtoit #music #bass #drums

    โ™ฌ original sound – Stan Music

    12:05: Sienna Wileman 

    Sienna is a singer-songwriter and actor from Swindon. She began writing and performing aged ten, and released her debut single Petals in 2022 at fourteen. Her style is dark folk-rock to pop, with progressive accompaniments. Sienna vocalised for AuralCandy, and is inspired by her father, Richard Wileman of Karda Estra. Sienna is currently studying at BA Musical Theatre in Winchester.

    Though I’ve not yet met Sienna in person, we’ve been covering her singles for a few years, and she contributed to the second 4 Julia’s House compilation album with Petals.

    Instagram


    12:45: Braydon Lee

    Braydon Lee Jones is a fifteen year old solo acoustic singer-songwriter from Calne, and is rapidly becoming one of the South West’s most exciting young artists. Despite performing live for just over a year, his incredible stage presence has already landed him on major stages like the Bristol Harbour Festival and the Phoenix Festival in Cirencester. Blending a diverse mix of well-loved covers with a growing catalogue of country-infused original material, Braydon-Lee brings a fresh, high-energy performance that appeals to music lovers of all ages.

    It has been a massive breakthrough year for the young artist, who was recently featured on BBC Introducing in the West and is currently shortlisted in the Top 5 for three separate awards, including Best Male Artist, Best Newcomer, and Best Original Track for his hit single, Endless Summer.

    Unfortunately I missed Braydon at CrownFest this summer, but I did catch him for the first time at FullTone Festival a couple of years ago!

    LinkTree


    13:35: Jodie Lauren

    Jodie is twenty-three, a Cheltenham UGC travel creator, musician and vlogger.

    With over 103k followers on Tiktok, Jodie creates aesthetic content to showcase hotels/airbnb brands in a natural and relatable light. Sheโ€™s worked for Tiktok Live, and has experience in social media marketing. Jodie also regularly busks and brings her own spin to popular covers.

    That’s where I first saw Jodie, busking in the Devizes Brittox!

    LinkTree


    14:25: Ed Dowdeswell

    Ed Dowdeswell, a level 3 music student, is an emerging grassroots singer-songwriter and musician based in Devizes. The stepson of Jamie R Hawkins of The Lost Trades, heโ€™s learned from one of the best. Ed also fronts Chippenham band Olympiad.

    Ed is often found at open mics, I first saw him at The Fold’s open mic in Devizes.

    Instagram


    15:15: Rosie Jay

    Rosie Jay is an indie folk-rock-alternative professional singer-songwriter from Salisbury, currently studying music at Bath Uni. Rosie writes her original music and creates haunting and memorable lyrics and riffs that capture the world around her, creating a captivating experience for the audience an evening of walking in her shoes. She won two Wiltshire Music Awards last year, runner-up in a third!

    So impressed with Rosie’s singles, we become friends a few years ago, and I first saw her performing at The Crown in Bishop’s Cannings.

    Instagram


    16:05: Emelia Houchin

    Emelia is a singer-songwriter from Marlborough, currently studying for GCSE’s. With a passion for storytelling through song and performance, Emelia’s last performance at MantonFest blew me away, along with everyone else watching!

    Emelia is a regular at MantonFest and RamsFest and also enjoys musical theatre, performing in school performances, and has previously performed professionally at the Watermill Theatre in Newbury.

    Instagram


    16:50: M3g

    Meg Hoy, or M3g, is an original singer-songwriter of indie-folk from Chippenham. With numerous local appearances from The Pump to Swindon Shuffle to Minety and Chippenham Folk Festival, her self-penned songs are uniquely poignant experiences. Influenced by artists like Florence Welch and AURORA, she has been performing live since age 14 and has built a notable local presence, including winning The Neeldโ€™s battle of the bands, and opening for Frank Turner at the Bristol O2 Academy. Her music is celebrated for its emotionally transparent, unique lyrics, which she roots deeply in her personal experiences and her autism.

    I first met Meg when my daughter Jess was doing work experience with Devizine, and she interviewed Meg. We’ve been friends since, and no matter how many times I’ve seen her perform, she always takes my breath away.

    Instagram


    I’m so pleased Meg is headlining our Saturday, and everyone else who is playing; I’m more excited then they are! But, we’ve another day on Sunday, same time same place, and don’t think for a second I’ve put all my eggs in one basket, because Sunday is going to blow your mind; I’ll be back tomorrow to highlight who’s coming on Sunday!

  • Delaying the Inevitable with Lou Trigg

    Wowzers, it was four years ago since we last mentioned local singer-songwriter and musician Lou Trigg, when we reviewed her single to come out of Potterneโ€™s Badger Set studio, Flowers. Itโ€™s a good time to catch up, because Lou is releasing a three track EP called Delaying the Inevitable, this Friday (16th October,) where the finale is a second part to Flowersโ€ฆ.

    At the time I called Flowers, โ€œa chorale delicacy,โ€ which โ€œtrickles along sublimely,โ€ and there’s been no change of style since, only a huge development in the narratives, and Louโ€™s ability to express them. All these songs are equally angelic and orchestrally ambient anti-ballads, which, with subtle piano, angelic backing chants, acoustic guitar and the occasional moody drum, perfectly balances the distinctive and euphoric desperation in Louโ€™s voice.

    This time around Lou recorded them herself at Mudlark Sound Studios outside Bath, and Martin Spencer mastered them at The Badger Set. Thereโ€™s three tunes, subtle folktronica, complete, quite short, yet songs with that kind of ambience which leaves me wondering what magic someone like William Orbit would make of them.

    You (Her) has a slight electronic buzz but is deeply poignant. It takes the โ€˜talking to the other womanโ€™ narrative of Jolene to the next level. I mean, we never know if Jolene acts on the obsessions of the storytellerโ€™s partner, itโ€™s all in the assumption, but here, the broken-hearted narrator sends the cheater directly to the third party, dejected but with a warning of his negative characteristics. Itโ€™s a moody break-up song where, even when thereโ€™s sadness, thereโ€™s something magically and satisfyingly uplifting in this beautiful song. This tenet flows through the three tunes.

    Home has the hook and commercial viability, and drifts so wonderfully youโ€™ll believe youโ€™ve known this song all your life. The differences here being it seems more communal, and any doubts in the relationship seem subjective, that the object of her desires is metaphorically as comforting as home, when they choose to be. โ€œItโ€™s a song about your birthday wish,โ€ Lou described, โ€œthat every birthday, you wish for the same thing and will, until you get it, what you once had.โ€ 

    The second part of Flowers is a melodic conclusion to the past ballad, and slightly more folk-inspired, with only a delicate and perfectly placed electronic click. It ventures to a dark denouement, capturing the mood of a victim of an emotionally abusive relationship and impels the listener to mourn, or at least take sorrowful heed. โ€œIt ends the story I began to tell,โ€ Lou explained, โ€œunfortunately, it didnโ€™t have the best ending, but I decided to share my story, as many women will have gone through similar. I thought it was an important story to finish.โ€

    Thereโ€™s an honest melancholic passion driving these songs, reaching out to the spellbound listener. Lou stresses this closure of Flowers โ€œrelays a dark time in my life,โ€ and every sublime beat is a tear the listener feels on their own cheek. It really is on an Adele level of emotional expression. But the magic here is also lying heavily on the distinction of Louโ€™s powerfully unique vocal range, and the musical compositions reflecting them. And for these elements included, and so cleverly combined, these three beautifully poignant songs match what Adele left the world.

    Now I know at this exceptionally high accolade of a comparison youโ€™ll cry, โ€˜oh you, with your saccharine flattery,โ€™ and assume that Lou must have some really posh biscuits in her biscuit barrel Iโ€™ve got my eye on! But Iโ€™ll tell you now, that bloke with the lovely smile, Mr Threlfall, has been spinning Home on BBC Introducing in the West last week, and Lou knocked these songs for a six at Komediaโ€™s Electric Bar last night. So, just you wait until Friday, check them out for yourself, and youโ€™ll realise thereโ€™s more than a packet of M&S All Butter Scottish Shortbread at stake here!

    Delaying the Inevitable, is out this Friday (16th October.) Here’s Lou’s Spotify, follow and pre-save!


    Trending…..

    Jurassic Hillworth Park!

    You know, there’s umpteen articles, studies, and even a six and half minute YouTube video explaining that Steven Spielberg’s 1993 family sci-fi movie Jurassic Parkโ€ฆ

    Keep reading

    Jol Rose For Tomorrow

    New single from Swindonโ€™s finest Americana singer-songwriter Jol Rose, the kind of artist whoโ€™ll finish a song and leave a jammed pub in such aweโ€ฆ

    Keep reading

    Something went wrong. Please refresh the page and/or try again.

  • What Iโ€™ve Been Missing, a New Talk in Code Single

    Whatโ€™s that? What have we been missing? Well, itโ€™s been a while since the last Talk in Code single, and thereโ€™s one coming our way on Friday (16th October,) so thatโ€™s a good startโ€ฆ.

    Ah, those gorgeous guys could turn a straight manโ€™s head, with their bridging the gap between eighties new wave electronica and nineties indie pop, dancing around it clad in Adidas, and generally creating timeless anthems; and this one is another high impact tune, with upbeat euphoric ambience, racing choruses and rousing hooks.ย 

    What Iโ€™ve Been Missing fits their lovable trademark style, and is particularly reminiscent of the memorable eighties power pop of Go West, Duran Duran, or Deacon Blue. In equal measure it corresponds to contemporary indie trends from the likes of the 1975, The Killers, Two Door Cinema Club, Fickle Friends, Years & Years, and Keane. Unarguably another earworm their fans will be singing straight back to them.

    What Iโ€™ve Been Missing, is to be released on Friday 16th October 2026 via Regent Street Records. Aligned to their discography, this substantive and dynamic track also has thoughtful prose of romantic circumstance. With a narrative of conflict between approach and avoidance, and its denouement, frontman Chris Stevens uses the hyperbolic idiom, โ€œWhere have you been all my life?!โ€ to define it. In the final discovery of a soulmate, he expresses, โ€œweโ€™ve all got that little something or someone, that missing piece in our lives. Or is it that we just crave more, all too often?โ€

    “Imagine finding a person who you really click with,โ€ guitarist Alastair Sneddon furthers, โ€œall the anxieties about getting into a new relationship are there, close to the surface, waiting to burst out. It’s exciting, you know the person is going to fill that space that you have been feeling is empty, but it’s just difficult to say out loud; this is that internal monologue.”

    If the theme is a sentimental catharsis, the release of emotion rests, and is delivered by the infectious soundscape their devoted fanbase adore them for. Chris expresses it as a โ€œretro-infused, euphoric indiepop banger which will have you dancing round the house in no time!โ€

    What Iโ€™ve Been Missing was recorded at The Pines Studio, Berkshire.

    Talk in Code took home six awards at the 2025 Wiltshire Music Awards, including Best Original Band, and Best Original Song. They have 1 million+ streams, 3 million views, and 35 radio ‘A’-list adds. They signed to London’s Regent Street Records, with active sync representation via Big Hug Music Group and Play Equals Sync.

    Their recording and performing history details three albums, and a constant variety of gigs, festival appearances, and tours, where they appropriate their surroundings and thrill audiences. Talk in Codeโ€™s momentum progresses, sharing stages with Ash, Sleeper, Years & Years, The Feeling and Scouting for Girls across Victorious Festival, The Great Escape, Godney Gathering, Jurassic Fields, and performing at iconic venues such as The Cheese & Grain, Frome, The Horn, St Albans and The Fleece, Bristol.

    Despite substantial growth, their loyalty to their supporters, dubbed โ€œtalkers,โ€ remains paramount in all their activities. Putting โ€œfan community first,โ€ Talk in Code has acquired an unparalleled fanbase and ingenious merchandising, through an active WhatsApp fan group to a unique Lego-inspired loyalty reward scheme.

    What Iโ€™ve Been Missing is released on Friday 16th October, across all streaming platforms. Talk in Code have an instore session planned with HMV Swindon and later that evening of Saturday October 17th, they will be playing a hometown single release show at The Victoria, Swindon.

    And believe me, you may have seen Talk in Code before, they get around a bit, but the best place to see Talk in Code, Talkers will tell you, is at their home-ground in The Vic, Swindon. With support From Bluebeard and the Desperate Hours, it’ll be a great night!


    Trending……

    Something went wrong. Please refresh the page and/or try again.

  • Devizes Retailers Unite and Wiltshire Council Revise Roadwork Plans

    People power in Devizes! Due to pressure from Devizes retailers and councillors, Wiltshire Council today revised their plans for essential cable works in Devizes, originally set to commence during the busiest Christmas periodโ€ฆ.

    Retailers were informed the works were planned from 12th October until 18th December, covering The Brittox, Little Brittox, Wine Street, Long Street, Morris Lane and The Shambles. Making it clear they were not against the works happening, just the poor timing, which, with stop-go traffic controls, threatened to lessen footfall during the crucial Christmas shopping period, Ida McConnell of Devizes Retail & Independents rallied local retailers and councillors to ask Wiltshire Council to consider postponing the work. And it was successful.

    Wiltshire Council posted an update, stating theyโ€™ve โ€œworked closely with Scottish and Southern Electricity Networks, to agree a revised programme of works in Devizes that significantly reduces disruption and protects the townโ€™s important festive trading period.โ€

    This included a promise the current works would be completed by 21st November, that any remaining work has been pushed back until January, and access to shops and businesses will be maintained throughout. They also stated work on Little Brittox will take place between 5pm and 11pm to avoid normal trading hours, and activity on Thursday market days will be reduced between 9am and 3pm.

    After an initial โ€œwhoohoo!โ€ Ida said,โ€œThe original letter was initiated by us at the request of Justina from The Healthy Life Company, and Faye from Fayeโ€™s, with support from Jodie at The Gourmet Brownie Kitchen, three local retailers,โ€ and she thanked them. Ida also thanked all town and county councillors who โ€œworked together to get the issues addressed.โ€

    And herein lies the secret as to how this happened so effectively. Ida said, โ€œthis was a team effort from local councillors from different political persuasions,โ€ giving special praise to Devizes South Cllr Maria Hoult, Devizes North Cllr Ian Hopkins, and Devizes East Cllr Jonathan Hunter, as well as the two hundred people who signed the letter to the council.

    In a time where local Conservatives are abusing the Government-enforced waste food recycling and three weekly bin collections change to fiercely rally their candidate for the Milford by-election, Laura Jones, hoping it will topple the Lib Dem led county council, this joint effort should illustrate exactly why any need to topple them should be taken with a pinch of salt. On this issue, as with many others to date, the newly led Wiltshire Council clearly listened, and responded positively.

    Yet Devizes town councillor Iain Wallis is seemingly expanding his โ€˜localโ€™ boundary to include campaigning in Salisbury, and said, โ€œvote Conservative in Salisbury Milford and they will no longer be running the council. A vote for anyone else will allow them to continue.โ€ But we could only speculate how the outcome on this issue might have differed coming from a Conservative led Wiltshire Council, and, more worryingly, what lengths they would be prepared to go to in order to secure this win; would they jump in bed with Reform?! 

    In their desperation to regain control, this nightmare scenario is more likely than we might imagine, and then theyโ€™d be too busy singing the National Anthem, like every council meeting is the World Cup Final, to have sorted this so quickly!

    Local issues are more effectively resolved when councillors disregard any national party affiliation and work together with the public; this success story proves it. Compared to the previous Conservative led Wiltshire Council, the Lib Dem new guys have only just got their foot in the door, and things are already looking better. They deserve to be given a chance in my opinion.

    Meanwhile, not to overly poison this good news story, the success of our local indie shops during the Christmas build up no longer can be governed by, or blamed, on roadworks; only on and by you, shopper! This ballyhoo would be a completely and utterly pointless waste of time if you then go and shop online anyway! We must support our local businesses and do a Christmas shop here, in Devizes.


Song of the Day 3: Harmony

Look, right, I’m not at the top yet, but it’s in clear sight. A round number, of the half century kind, awaits me atop the hill, and there’s no stopping the ride to get off.

I guess reaching these milestone ages causes you to analyse your life somewhat, and if there’s one thing I do know in all my years, it’s that I’ve told some colossal pork pies. Some real stinkers. I don’t know why, other than occupational hazard as a journalist, I’ve no excuses, not one which will wash with you clever lot.

Whether it be for the prestige, the glory, or, sometimes just for the sheer hell of it, just because the golden opportunity arose and I couldn’t stop myself, they just slipped out.

I’m not proud, just saying, you know, get it off my chest. Not compulsively, though, I’d go as far to say the majority of what I say is true.

Why do people say, “I’ll be honest with you…” ? Well duh, I sincerely hope you do anyway, it should go without saying. But the phrase immediately raises the alarm; I’m guessing a whopper is on its way. I never use that phrase on principle. The principle I don’t trust myself to keep to it.

See, what with the whopper, the real damaging kind of fib. I consider my track record on that quite good, I tend to lie to big myself up, but not to put others down. I tend to lie to make light of a situation, rather than darken the notion. I tend not to lie to anyone I trust not to lie to me, and I’ve seen too many of them backfire anyway, so, I’m done with lies, filled my quota but retain decency in not being overly destructive with them; quantity not quality!

And anyway, I don’t lie here, cos I trust you all, I really do. This isnt a tabloid, this is me. Clearly you get what you see, which might be a waffling clown but, hey.

So, Harmony, from Chippenham, on the subject of liars; she’s not singing about me, no sir, not when I say with all the honesty left in me, this young singer-songwriter I’ve discovered via Sheer music, has got something really special. And even if I was lying, which I’m not, I’ve shared the video, to prove it.

And that’s Song of the Day, for the third day. It’s become a popular feature, overnight, honest.

Should you choose to believe that!

Have a lovely rest of your day. Very good. Carry on….

Ain’t Nobody’s Business but Ruzz Guitar and Pete Gageโ€™s

Iโ€™ve said it before, said lots of what Iโ€™m going to say before, in fact, but I reserve the right to say it again. And you canโ€™t blame me, itโ€™s this Groundhog Day thing, this exasperating lockdown. I perpetually revert my mind back to the last night of live music I attended, Ruzz Guitar Blues Revue at Devizes Sports Club with Peter Gage, Jon Amor and Innes Sibun. How I suspected walls could come crashing down, but didnโ€™t want accept it, neither at the time acknowledge it would be so soon. Still, optimistically, what a blinding night; least we went out with a bang.

I mean, I know and Iโ€™m eternally grateful to everyone who acted to do what they could immediately after the first lockdown, the afternoon sessions at the Southgate, and our own outing for Devizes;IndieDay, but as good as they were, as Ray Charles said, the night time is the right time. Ode to the gig, the gathering and the celebration, how we miss it so. Are you with me? You are, right?

Faced with the unwelcome likelihood of the first anniversary of the occasion coming around and still, no live music, I have to ponder how far to the light at the end of this gloomy tunnel. And to rub salt into the wound, Ruzz has released a new track, featuring the very same blues legend Peter Gage! But as far as salt goes, upon hearing this tune Iโ€™m like a halophile (a salt-loving organism; look it up, people) living on the back of a saltwater crocodile, basking at the shore of the Dead Sea.

A cover of Jimmy Witherspoon’s tune Ain’t Nobody’s Business, Ruzz explains, โ€œwe’ve taken the B.B. King and Freddie King versions, mashed them together and added an RGBR flavour into the mix! Weโ€™ve been working hard on this track since Christmas and we’re all very excited to release it.โ€

And so, they should be, itโ€™s sublime, as ever. Habitually, I favour Ruzz and the Blues Revue when they work up a frenzy, but this is smooth, this is blues, the kind of blues you need contemplating the anniversary of the gig ban, and if you attended, it will remind you of it too. If not, it doesnโ€™t matter, it just breezes over you, as all virtuous blues should.

I mean, right, the guy was from The Sloane Squares, headhunted by Shadows bassist Jet Harris upon them supporting Hendrix, and thatโ€™s just the beginning of his extensive profession. Peteโ€™s proficient vocals, gives it that edge of aforementioned BB King influence, the arrangement and tightness of this collaboration are like the chimes of seamless bellringing, hereโ€™s the Blues Revue on top form, adding guests of calibre and concluding as perfection; quid well spent.


Latest Reads….

Jamsters Festival at The Southgate

January last year, The Southgate Inn Devizes announced Jamsters, a monthly Friday night platform for loose groupings and associations createdโ€ฆ

Stonehenge or Bust; Duck n Cuvver Scale the Fence!

The last thing Robert Hardie wants is to be portrayed as villainous, or condoning mass trespass, though he accepts some might interpret breaking over the fence at Stonehenge as such. Chatting to this veteran on the phone this morning, he described the exhilaration and sensation of wellbeing, wandering between Wiltshireโ€™s legendary stone pillars, but expressed he doesnโ€™t wish to encourage others to follow his example, only to raise awareness of his crusade.

Frustration with English Heritage was the prime motive for taking the leap, displayed in his video doing the rounds on social media. But one half of Salisbury folk-rock indie duo, Duck n Cuvver has been fundraising for over three years to be able to shoot the final part of a music video inside the stone circle. โ€œInitially,โ€ he said, โ€œEnglish Heritage said it would cost ยฃ750, then they suddenly upped it to ยฃ4,500.โ€ I asked Rob if they gave an explanation, a breakdown of what the costs involved to them would be. He replied they hadnโ€™t.

My musing wandered over the occasion two years ago when local reggae band, Brother from Another pulled a publicity stunt recording themselves atop Silbury Hill, to wide criticism, but how The Lost Trades recently played around Avebury stone circle without trouble. Rob and Ian cannot call a compromise though, being the subject of the song, Henge of Stone, is as it says on the tin. As he explained to the Salisbury Journal back in 2019, โ€œThis video will make history โ€“ singing about Stonehenge in Stonehenge.โ€

Clearly enthusiastic about covering our ancient local landmarks as song themes, Rob told me heโ€™d written about Avebury too, and how he played them to the solstice crowd there. This part of our conversation ended with him reciting a few verses in song, and expressing the feeling of joy as the crowds sang them back to him.

While he didnโ€™t rule out this was a publicity stunt too, we discussed the necessities of the project. Rather than being a colossal movie production, with the atypical entourage, trailers and crew, all thatโ€™s needed is his partner in crime, Ian Lawes, and possibly the accompanying musicians, Chris Lawes, Jamez Williams, Louis Sellers and Paul Loveridge, a cameraman and a few instruments. The mechanics of shooting the footage would be simple, itโ€™s unplugged, being thereโ€™s no electricity on site, and Rob explained how mats would be provided to protect the grass. Besides, if EHโ€™s concerns were for the welfare of the site theyโ€™d simply say no, surely, not put a price on it.

Thereโ€™s therefore no justice, in my mind, really, on the exceptionally high price tag. Only to assume English Heritage is out to profit. Contemplating on recent outcries concerning activities around Stonehenge; the solstice parking debacle, closing for winter solstice and of course the tunnel, which we mutually dismissed as ludicrous on the grounds excavating there would obviously turn up some ancient findings and archaeological digs, and protection rights would whack the project way over budget, it feels the quango run agency is not the best method to protect our heritage sites, if the conservative ethos is revenue driven rather than insuring itโ€™s splendour is for all to enjoy and savour. As Rob points out in the film, โ€œStonehenge belongs to fucking us!โ€

Ah, story checks out; even English Heritage states similar on their website, if not quite so sweary! โ€œThe monument remained in private ownership until 1918 when Cecil Chubb, a local man who had purchased Stonehenge from the Atrobus family at an auction three years previously, gave it to the nation. Thereafter, the duty to conserve the monument fell to the state, today a role performed on its behalf by English Heritage.โ€ Itโ€™s basically one extortionate babysitter, calling the shots.

I enjoyed chatting with Rob, even if my plan to record the dialogue backfired due to my poor tech skills! I apologise to him for this improv article.

Iโ€™m surprised to not have previously heard of Duck n Cuvver, we tend to get vague coverage of the Salisbury area; something I need to work on. We did rap about our mutual friend, the pianist prodigy, young Will Foulstone, among other things.

The duo are sound as a pound, though, real quality folk rock come indie sound, the song is cracking, proper job. Which is why theyโ€™ve supported the likes of the Kaiser Chiefs and The Feeling, and recently performed at the National Armed Forces Day. Ardent about his music, this veteran explained his service inspired the band name, and continued to express his passion for this particular song, something which has been evolving over five years, and it shows. He described it as a โ€œcelebration of life,โ€ dedicated to a friend who passed away, from cancer.

Both members of the duo are good, charitable folk, and if Rob did climb the fence at Stonehenge recently, note he lives within the restricted range of it to constitute it being his daily exercise. From our phone call alone, I could tell theyโ€™re not the sort to abuse the trust, if it was given to them, to perform at Stonehenge, thatโ€™d be a magical moment, and, well, we could do with a magical moment right now. So, if you can help fund their campaign, youโ€™ll find a link to do so here.

I’ll pop the song which is kicking up all the fuss below, and leave with a thanks for the natter, Rob, and I wish you all the best with the crusade; Stonehenge or bust!

    


Song of the Day 2: The Big Ship Alliance and Johnny2Bad, featuring Robbie Levi and Stones

Newly-formed just a year ago, this Birmingham-based seven piece reggae band, Big Ship Alliance started out as possibly the only tribute act to reggae legend Freddie McGregor, but on track to record their own material they’ve teamed up with the outstanding UB40 tribute act, Johnny2Bad for this gorgeous topical debut single.

Featuring Robbie Levi and Stones, aside from my love of all things reggae, the song’s positive message of togetherness and unification during this era of the pandemic makes it more than apt for my second “song of the day” post. Though I did say I wasn’t intending to write anything like a review on this feature, just let you enjoy the tunes, and this is kinda heading a little bit “reviewy.” Probably cos it’s such a nice tune.

I also promised not to waffle; but I’m here now. Something about having your cake and eating it goes in rather appropriately at this point!

More so than being my song of the day, I believe this should be, as the Big Ship Alliance say themselves, “the anthem for 2021!”

Determined to make this feature a goer, as of yesterday’s pledge to add a song each day, ingeniously titled “song of the day.” I know, right, it scares me at times, I’ll be honest!

So, enjoy this fantastic tune, let the good vibes roll and have a great rest of the day. Same time tomorrow then?

Very good. Carry on….

Song of the Day 1: Atari Pilot

Irregularly I share a music video to our Facebook page with the status “song of the day,” or week, or whenever, as if it’s a daily occurrence. When the reality is it’s a big, fat fib on my part, it’s only when I happen to find such a video and can be arsed to share it. What-cha gonna do, sue me?

So, just in case your lawyer says you have a case, I thought I’d streamline this sporadic idea for 2021, make it an actual feature on the site rather than a Facebook post, and show off that I know what long words like “sporadic” mean.

Little more gone into it than this, you should be used to it by now. I’m not going to review them, just embed them here for your own appraisal and entertainment purposes. Potentially, it’ll be a groundbreakingily breif post, a simple but effective phenomenon, and something I can do without missing the Simpsons.

The challenge is consistency; whether I actually stick to the idea or, like others, it’ll be a flash in the pan. Who knows, this could be the start of something beautiful, this could be the thing they’re talking about in decades to come. A holographic Ken Bruce could be asking “what was the very first Devizine Song of the Day” in a Pop Master 200 years from now.

And you can answer it with who I bestow this honour, Atari Pilot. They’ll be revelling in the triumph of the hour if it wasn’t lockdown, I bet.

History in the making then, the only issue I foresee is I over-waffle any old crap, which is, incidentally, not what’s happening now and rarely does here; I had to explain myself, didn’t I?

Okay, I get message; here it is then, enjoy the tune, enjoy the rest of your evening. Good job, carry on.


  • Captain Accidentโ€™s Sayonara Paranoia

    After five years, a new album drops tomorrow (Friday 23rd October) from southwest Welsh reggae outfit, Captain Accident & the Disasters, and itโ€™s worth the waitโ€ฆ.

    Using the word โ€œreggaeโ€ as a blanket term for pop music of Jamaican origin, rather than a particular subgenre of roots reggae commonly associated with Bob Marley at his peak, as it currently stands for Caucasians, there seems to be two distinct followings in the UK; that of the retrospective scooteristโ€™s adoration of reggaeโ€™s original template, ska, which inspired the Two-Tone movement, and the more progressive dub to dancehall counterculturists and punks favour.

    I view it as unfortunate that the bridge between them is often overlooked, as it was the most creative period in Jamaican recording history. Yet Captain Accidentโ€™s previous album Bad Press relished in the smooth rock steady style which took ska on its journey to reggae in the late nineteen sixties. A particularly hot summer of โ€˜67 and the government curfew in Jamaica are held responsible for the shift, where it was the tempo mellowed and brass gave way to vocal harmonies.

    The relics of rock steadyโ€™s ballad concept remains in subgenres such as โ€˜loverโ€™s rock,โ€™ and thereโ€™s as plenty of hints to this in Sayonara Paranoia as there was with Bad Press. But this time around the melting pot is far more welcoming to all of reggaeโ€™s subgenres; Sayonara Paranoia not only draws from and encompasses them all, but seemingly creates some new ones on its magical journey. The press release suggests โ€œSayonara Paranoia is an album of contrasts,โ€ and youโ€™re in for a pleasant surprise from the off.

    It opens with a lead single released last February, Slither on the Dashboard, recounting the day a family pet snake escaped into Captain Accidentโ€™s car while he was driving it to a new home in the Welsh Valleys! If its subject perfectly illustrates frontman Adamโ€™s pseudonym, a nickname earned through a lifetime of spectacular clumsiness rather than a carefully crafted stage persona, our surprise is the track is decidedly upbeat ska with nods to Two-Toneโ€™s association with punk. If you must look towards Northern Soul for a tune about a snake, forget Al Wilson, because this one skanks almighty and breaks like a real slithering reptile!

    So we establish, Captain Accidentโ€™s namesake is a self-deprecating streak that occasionally finds its way into the music, but never at the expense of sincerity. Songs immediately following revert back to the uplifting chill of rock steady; wonderful vocal harmonising songs like Rise and Fall are signature Captain Accident, and Baby Slow Down comes in with that cool Jacob Miller feel.

    Itโ€™s a ten song long flow which you donโ€™t want to stop, as influences into a collection of songs exploring resilience, love, heartbreak, anxiety and hope ripple through the eardrums blissfully. Yet, I have to take hold during the fourth song, because if this album stretches into ska, rock and punk territory while maintaining the Captainโ€™s classic and loved fashion, where does To The Sun fit?! It has the kind of completely unique riff I cannot define; elements of dancehall blend into a punky reggae which reminds me of the sleng teng riddim of Prince Jammyโ€™s electronic takeover of reggae, but still this song is refreshingly experimental, completely original, and that riff, oh that riff is so addictive it sticks!

    From this point I accept Iโ€™m in for an adventure, with the Captain leading the mission; where are we going Capt?! The gorgeousness of sunshine love songs follows for a further two tracks, and then he confirms the destination; weโ€™re upbeat ska again with Mission to Mars.

    But if instrumentation and vocals are only the physical aspects, the conscious theme of Me & My Friends proves a spiritual skill in songwriting, and could be compared with Marelyโ€™s So Much Trouble in the World. โ€œLife gives you plenty to write about if youโ€™re paying attention,โ€ Captain Accident said of the album. โ€œSometimes those stories are about love, heartbreak or the things that weigh on your mind, and every now and then something completely ridiculous happensโ€”like accidentally letting a snake loose in your car. Reggae will always be at the heart of what I do, but Iโ€™ve never wanted to put boundaries around the music. The rock and punk records I grew up with are just as important to me, and I think this album reflects that. I canโ€™t wait to get back out on the road with the band and share these songs with everyone.โ€

    Sayonara Paranoia was written, recorded and produced entirely by Captain Accident, reflecting a deeply personal and independent approach to making music. Yet this song is followed again by Pick up the Slack, which, as it might sound, is full steam train chugging ska again to appease the boots and braces crews!

    The moment Suggs of Madness joined the band on stage should be an indicator to, not only Captain Accident & The Disastersโ€™ steadily built reputation as an energetic live act, but also the sense of spontaneity and musical community within the UK reggae and ska scenes. They appeared at Boomtown Fair, Isle of Wight Festival, Wilderness Festival, Bestival, Cornbury Festival, Mucky Weekender and Rototom Sunsplash, one of the worldโ€™s largest reggae festivals. They shared stages with the likes of Aswad, Steel Pulse, The Abyssinians, Alborosie, The Selecter, Julian Marley, and The Beat.

    Until we meet, the treasure of this new album is that no matter the diversity and experimentation, the Captain and his band invites the listener to his table and entertains them with the same divine quality no matter which direction their distinctive ship faces. And this is accomplished with a defining recognisable overall style whereby soaring twin-guitar harmonies warm the cockles, rather than the traditional horn section, the riffs drift across reggae like itโ€™s given, and the vocalโ€™s smooth like John Holt suddenly fell deeply in love.

    If this is about as high an accolade as one could get within reggae circles, donโ€™t assume I flatter; Captain Accident & The Disasters supported Toots and the Maytals at a gig in Wales, and the late Toots Hibbert took them on tour. They completed three full UK tours supporting the reggae pioneers; when you hear this album, you realise why that happened.

    A UK tour follows the release of the album, details HERE. Socials below.

    Linktree: http://www.linktree.com/captainaccident

    Facebook: http://www.facebook.com/captainaccident

    Inatagram: http://www.instagram.com/captainaccident


  • Cephid; Electronic Music Producer and Town Crier Partnership in Devizes

    Well, what else is there to oyez about? Congratulations must go to our Devizes Town Crier, Charlotte Howard-Macdonald, again today, as Brian Mathew MP tabled a motion in the House of Commons celebrating her achievement of winning the 73rd National Town Crier Championship in Rye, only two months after taking up the role…

    Recognised as our first woman to serve as Town Crier for Devizes, Charlotte said, โ€œthis is a first; a speechless Town Crier! Thank you so much, Brian, for this wonderful and completely unexpected recognition, and to the MPs who have added their support. Seeing my name in a parliamentary motion is quite surreal!โ€

    But whoa there, all this talk of female town criers, isnโ€™t there any room to celebrate the guys too?! Charlotteโ€™s husband Moray MacDonald is an outstanding producer of electronic music who creates the most wonderful soundscapes under the pseudonym Cephid. I first met the Lavington-based couple upon reviewing Cephidโ€™s album Sparks in the Darkness three years ago.

    Moray cut his teeth touring with progressive rock and metal artists such as That Joe Payne, Godsticks, Kim Seviour and Ghost Community, more recently he remixed for OMD. Of Sparks in the Darkness I said at the time, โ€œgorgeous complex structures and intense electronic textures,โ€ making comparisons to everything from the Doctor Who theme, through to Kraftwerk, The Art of Noise, Yello and American electro outfit Newcleus, explaining โ€œCephid encompasses these, yet is ultra-modern, uses tech as orchestral, and is as fresh as the Buxton spring; like Jean Michel Jarre came after dubstep, as if 808 State created Tubular Bells!โ€

    Forward wind to February last year, Moray finally staged the album at Bathโ€™s Rondo Theatre, and I had to make a beeline. It was a breathtaking show, to see the album played out live added to the magnificence of this achievement and made it all seem real. The added bonus was to see the laser harp Moray created at seventeen, but had never used publicly until that gig. And after this monumental occasion, the audience were invited to try the homemade electronic instrument themselves.

    The gig caused me to contemplate the progression of electronics in music, and how we take it for granted. Though Devizes is a blues town, of conventional analogue instruments, Moray informed me of the townโ€™s little known influence on the development of electronic music by the way of Daphne Oram, a pioneer of electronic sound who was born in the town. On her centenary I ran a series of articles about Daphneโ€™s life, focusing on her largely unrecorded early years in Devizes.

    Why am I reminding you of all this now, you might ask?! Well, thereโ€™s the thing. Tickets have just gone on sale, for Cephid is coming to St Maryโ€™s Devizes, for a one off electronic concert on 28th November, and yes, he will bring his laser harp. Moray is supported by Richard Anthony Bean, an electronic music composer and producer from Exeter; be there!

    With Devizesโ€™ historic connection and affliction to the blues, it can be a challenge to introduce other genres of music to our town, although there is an audience here accepting diversity, of people who worship the eighties electronic scenes from hip hop to synth-based new romantic and new wave to gothic, and the ravers which followed, and from here stems the concept that technology is so commonplace in music we no longer see the seams.

    These are the people I need to entice, because please, oh hear ye! Believe me when I tell you this show is incredible, and unlike anything else youโ€™ve seen in Devizes before!

    Tickets are HERE, or at Devizes Books.


  • Devizes; a Place for Festival, or Negativity?

    On the Festival of Discovery, other political discoveries, and is the Crammer full yet?! No to the latter, but local Facebook groups are full โ€ฆ.of negativity!

    I’m in no place to review the Festival of Discovery which happened last weekend in Devizes, being Devizine was asked to contribute, and because of that contribution, I didn’t catch the amazing variety of goings on, being sentry at my post, save for a pasty break. But I think there’s positive and negative things to be said about it, plus a few points which require a degree of balanced clarification.…

    Oh, for the forked tongues of keyboard warriors; those vocal minorities disgruntled by attempts to bring free community-driven festivities to town, when a majority braved the minor drop in temperature, just as everyone does for the far more inclement Christmas festival. While we still live in a democracy, sorry killjoys, but we’re duty bound to go with those who made the effort and thoroughly enjoyed it.

    Starter for ten thousand, let’s clear this one up immediately. Yeah, you’re bang on the money, it would’ve been lovely to have had this happen during summer. One comment read, โ€œWhy have it in October with all the beautiful weather we have had this summer!!โ€ Iโ€™ll take it as a question easily answered, even if there was no question mark.

    For those stating the bleeding obvious, in order to slam DOCA, and largely from a Conservative twonktank, please note, it is all about the money. The Street Festival doesn’t come cheap, and was cancelled in May 2024, during the final and brutal Conservative cut of Arts Council funding, on which DOCA relied on.

    Fortunately, since the political party which, let’s not forget, were hosting cocaine orgies at 10 Downing Street, and fornicating like Emperor Caligula on a stag do in Thailand, while forty thousand of our most vulnerable perished in care homes, was obliterated, Labour has been a smidgen more generous towards the arts. Creative director Loz made a triumphant return to Devizes, got me on the blower only a month ago, to ask if I’d like to host an area dedicated to young talented musicians, for this festival she was rushing to announce.

    Naturally, despite not being able to tick neither โ€œyoungโ€ nor โ€œtalentedโ€ boxes, I jumped at the opportunity. It took a lot of last minute organisation, as it did for the other dedicated volunteers of DOCA, who worked tirelessly to put this event on; shame on you if you favoured nitpicking on Facebook instead of attending it.

    I wasn’t on traffic duty. I did my bit, with Simon, the best grand prix pit stop sound engineer, and Mr Ian James powering us up, and it was flipping amazing! Every singer-songwriter I could think of in the right age bracket turned up, seemingly not stuck in traffic neither flown in by helicopter Shirley Bassey style, gave it their 120%, and showed the few who bothered to turn out that local music is safe in gen z hands.

    Having already lavished on the popular Confetti Battle and Colour Rush, I reasoned with Loz that what’s left in the kitty could’ve been put into bringing a spectacular Winter Festival and Lantern Parade. To which Loz shrugged and replied, โ€œyeah, you’d think so, wouldn’t you?โ€ Such it was revealed to me, the grant given has an expiry date prior to Christmas, and if it wasn’t spent it would be lost. So, it really was a case of, does DOCA put in the overtime and seriously get on the case of a celebration with an extremely short window of organisation schedule, or would Devizes have an ordinary weekend of shopping and dog walking?

    So, rather than sitting picking their noses, we had the Festival of Discovery, and what did we discover?! Who’d have flunked bringing such a wonderful festival to Devizes would result in a plethora of harsh online criticism?! Did we even know of their existence before this weekend, or were they discouraging โ€œbots?โ€ Devizes used to be such aโ€ฆMatter of factually, Mr Grumpy lived in Crosspatch Cottage, actually located in Happyland, and I’ll leave this there.

    Could’ve caused less of a stir if traffic was delayed due to a woman-beating Reform conference. The result of a family of ducks crossing a road in Devizes is traffic chaos; do we shoot the duck?! Actually, with the bitterness posted on the usual suspect Facebook groups, don’t answer that.

    Congestion was a suggestion, and a valid point, it was slightly more chaotic than normal and that was unfortunate, for which DOCA apologised and took action, reopening the Market Place on Sunday. There may have been overlookings in signage of road closures, if so it could’ve been because of the lack of time to get this festival organised; a lesson learned, but which didn’t deserve the verbal punishment it received, from those unwilling to volunteer their help, I should add.

    But, please save me the spiel about not knowing this well-advertised event was occurring, for I’ll only retort like a Specsavers advert and say, โ€œyou should’ve gone to Devizine!โ€ I wouldnโ€™t rely on the Gazelle & Herod telling you about an event, unless Martin Kemp, the Queen Consort, or Nigel Farage is attending it.

    Oh, and by the way, it was DOCA who addressed the traffic issue and acted accordingly, not councillors, despite what one certain Mr Wallis might tell you. Though the same Conservative councillor waffled on his Facebook page speaking highly of the event for the illusion of balanced popular opinion, but trundled past the festival looking like his shoes were more important. This was the very same killjoy Devizes Conservative town councillor who once suggested the street festival wasn’t โ€œdiverseโ€ enough, despite it was so obviously the most diverse event Devizes has ever seen!

    Whereas two councillors, one independent and another a Guardian, stopped by to praise my attempt to engage and stage young people. A third was the hopeful and right choice, Guardian candidate for Devizes East, Rosemary McDonald, who did likewise, and when she did, those Masters of the Tory Universe shamefully laid in waiting for her, like snipers at the gate.

    Today the same councillor, Wallis, one which others earmark as some kind of arch- nemesis of Devizine, whereas I’d rather it be simply that whenever there’s trouble at mill, he’s grinding it, is showcasing their Devizes East candidate for the by-election, Laura Ayling. Apparently Laura is single handedly going to tackle antisocial behaviour in the Market Place, and is seen shaking the firm militant hand of none other than Dirty Harry PCC Wilko, right there, on the spot.

    You have to chuckle if this is the spinning point for the desperate Conservatives, being the Devizes Guardians have already written to Wilko on the subject, requesting a larger police presence. Odd how, hey presto, as soon as the prospective Conservative candidate steps in, the apparently apolitical PCC too busy to reply to Guardians, who boasts of shooting people on his Faceache page, around the same time Wallis tried to encourage me to interview him because Iโ€™d find heโ€™s actually a โ€˜reasonable guy,โ€™ manages to suddenly find the time to majestically ride into town like Clint Eastwood for a photo opportunity.

    The antisocial behaviour in the Market Place isn’t a political matter, it’s as it says, a social one, directed at Devizes police to keep the peace. It is unfortunately going to occur whoever sits in the seats, and however many officers they can throw at it. Therefore no political party is to blame, and no party can resolve it any better than another, in my honest opinion. But, it’s clear from this outrageous Facebook post, those trusty Tories will make it a core of their battleground, and play is going to get dirty. Their hypocrisy reaches its peak today, when I will thoughtfully let you in on a secret; Mr Wallis made an official complaint to the town council, because Rosemary was photographed in Sidmouth Street! Oh the outrage!!

    Rosemary came to Sidmouth Street partially because I invited her to, begging your pardon sir, being that rightfully addressing youth issues in Devizes is part of her campaign, and core to one of our objectives, of which you saw the results of in the very street this weekend; thank you for coming, and I hope you missed the part where I sang with the legend who is Ruby! Devizes Market Place, Devizes in general, isn’t a battleground, and Sidmouth Street isnโ€™t the trenchline, Rosemary does, surprisingly, have a right to walk down it, just as we have the right to throw a party there.

    Ha! And others even rallied in the comments sections to try and blame DOCA for this rise in anti-social behaviour, without any reason or logic, because once you publish your rant, no matter how valid your point, these threads of negativity spiral out of control. Hereโ€™s two classic quotes, for example: โ€œAnd a woman outside Boots openly peed on the pavement!!!โ€ And โ€œTrump could of organised better and it would of been the best best ever event!โ€

    It’s a shame the original comments made from traders who directly benefited from the Festival of Discovery at the weekend were overshadowed by those who claimed they unfortunately didn’t, but it is the negative which pushes the circus into the big-top. The ignoramus absurdity that Trump should work for DOCA, and then heโ€™d put a stop to people peeing outside Boots, is why weโ€™re in the shit we are in, surely?! Brittox of Trump, letโ€™s rename it now, save him the bother when he arrives.

    Yes, there were huge gaps in happenings in the Market Place, space is required for safety of some of those acrobatic and circus shows, but the remaining gaps were supposed to be filledโ€ฆ. by you! You! The ones, it seems, who opted to cry on Facebook instead. Is this the way of things now, or was this just an unfortunate isolated incident? Because I’m concerned.

    This event was so well-organised and staged so many amazing features it should have attracted thousands. The fact it didn’t left me wondering why, and wobbled my head with many thoughts.

    I thought about the Reclaim The Streets parties in the nineties, where anarchist eco campaigners took dumpsters and blocked streets, resulting in one giant rave, and no disgruntled whingers. I tried to imagine it happening in Devizes, and what the result would have been. We had no Facebook to bark at then, but even if Devizes was a Conservative safe-seat, still, I refuse to believe its population were ever party poopers, before this terrible today where the flag flies half mast.

    Even in this modern era of Trumpconomics, Bristol sound systems simply hang speakers out of a window, and the community outside gathers to party like there’s no tomorrow, likely because there isn’t. There’s often even an elderly lady rocking with her zimmer-frame. Why are we so stuck in mud here in Devizes? It’s a brilliant little town, where they ironically hashtag #nothingeverhappensindevizes – I hope the users of this gag-tag aren’t the same ones crying like spoiled babies, because some people here thought it’d be nice to throw a random bash in October. Oktoberfest, anyone? It’s a thing elsewhere!

    Then I gave consideration to Street Festivals of yore, how we all gathered to enjoy ourselves, and worry last weekend illustrates how times are unfortunately changing; you canโ€™t give away a festival in Devizes. I remember with fondness how I got up on stage at the last one, to introduce Nothing Rythmes with Orange, to a sea of people covering the entire Market Place and cramming down the Little Brittox to get in; what an incredible effort from the good people of Devizes. Thereโ€™s a photo Iโ€™ll drop below; ask yourself, are you there, and if so, did you attend this weekend, and if not, why not? Genuine inquiry.

    Iโ€™m aware and appreciate the sterling efforts made by so many, including Councillor Ian Hopkins, who freely created the Street Festival, and remember what Loz brought to the table. A blaze of colour and curiosity, a natural development of the unusual, especially here in Devizes. I gave consideration to the Ceres/Ruth Pierce display, her parting gift to Devizes, which held everyone spellbound, even the drinkers who took the day as the piss-up they dubbed Black Rat Monday, stopped and watched in awe! Where was Lucy and Wilko to save us from those black rats back then, eh?! Back then, we coped with the extra traffic, we didnโ€™t require ten kazillion Facebook posts to remind us it was happening, we just made our way there, and celebrated all that is good about living and loving our town.

    Loz and everyone contributing their time to DOCA, deserve the key to Devizes city, for the wonderful events they have driven, not the verbal criticism they so poorly often receive. It really makes me worry about the bigger picture, the terrifying thought that this rise of the far right will see the demonisation and degradation of arts throughout the country, not just Devizes. They seem to hate anything which challenges their regressive social restrictions or questions the insular society in which they wish to live under, and that just happens to be pretty much all interesting art and creativity.

    Someone even had the audacity to redden about those brilliant Hydropunk neighbours of ours, pointing to the defunct hosepipe ban as a source of their anger, like a hundred litres of water is going impact the global water shortage; did they fail to observe the absolute thrills on the faces of our youngest residents as they flocked to play with the hydro apparatus, or did they simply not care for want of ranting?

    Two other horrifying comments on the thread, abhorrent about this weekendโ€™s festival, suggests the struggle is real: โ€œStop public funding for “Arts” there are much more important things to spend public money on!โ€ where I wonder what else this person thinks the Arts Council funding should grant other than arts, or are they more simply seriously misinformed about how DOCA is funded, (through this grant and public donations,) and one other which puts an opinion quite bluntly; โ€œThis crap has to stop!โ€ Find that guy sulking in the kitchen at parties!

    But to assume misinformation is root to the outcry doesnโ€™t excuse an ex-town-councillor exiled to Rowde Parish Council, Chris Greenwood, for he knows precisely what he means, and it was this monstrosity of evil: โ€œI have always been concerned by the wholesale lack of transparency and accountability from DOCA. They appear to be the one organisation that has the ability to close down roads in the Town Centre almost at random. Iโ€™m led to believe that DOCA is considering a rebranding exercise, as the Arts Council have apparently indicated that Devizes doesnโ€™t possess a broad enough spectrum, from which to extract an audience – either pedestrian or vehicular. One of the new names having been considered is โ€œRaking In The Moneyโ€ which does seem rather apt, as the Arts Council have stumped up a few hundred thousand over the years, until tightening the screws after the Flying Fiasco a few years ago! A significant chunk of the proceeds also have a history of being distributed well outside our Borough, rather than supporting local performers.โ€

    Oh hi there Chris, your stab at humour is hardly on a Billy Connolly level. Did you come and see the eighteen local young performers I staged on behalf of DOCA this weekend? Because I certainly didnโ€™t see you wobble past in your Crocs at all. Did you notice local musicians John E Wright, Del-Boy Jepson and Sarah Tarry in the Brittox? And given that, who made you Judge Judy on such matters?! You misinformed Professor of Penistry!

    I trust I can go out on a limb here, as heโ€™s unlikely to have read this far, and remind our readers that this is the despicable Mr Toad and Wallis bumchum who falsely claimed bird flu killed the freezing cold malnourished swan on the Crammer, so they could cull all the pigeons and gulls, and who banned me from his petty Facebook page for suggesting a police officer who was an active member of a hunting criminal ring who stupidly filmed themselves actually killing a fox, was a conflict of interest!

    Are you therefore going to believe the absolute filthy pig swill which spews from these verminโ€™s mouths?! Or are you going to say, you know what, I might forget the petty nonsense from grandstanders and political pointscorers, and enjoy the time I have left on this godforsaken planet?! The Festival of Discovery was brilliant, with the potential to thrill the whole town, if they bothered to show their disgruntled mugs!

  • โ€œShakespeare’s Green-Eyed Monsterโ€ on tour, Central Wiltshire October 17th-24th 2026.

    by Ian Diddams
    images by Gill Morrell and Penny Clegg

    How all the other passions fleet to air,
    As doubtful thoughts and rash embraced
    despair,
    And shuddโ€™ring fear, and green-eyed jealousy
    – Merchant of Venice, Act 3 Scene 2,
    William Shakespeare

    O, beware, my lord, of jealousy;
    It is the green-eyed monster which doth mock
    The meat it feeds on; that cuckold lives in bliss
    Who, certain of his fate, loves not his wronger;
    But, O, what damned minutes tells he o’er
    Who dotes, yet doubts, suspects, yet strongly loves!
    – Othello, Act 3 Scene 3,
    William Shakespeare

    Thus says firstly Portia, but more specifically Iago to Othello, in the eponymous play, ostensibly to warn against jealousy, but in fact manipulating Othelloโ€™s insecurities in his Machiavellian scheming. And thus this โ€œShakespeare Liveโ€ autumn touring production gains its show name, as director and deviser Gill Morrell has creatively and carefully curated a number of Shakespeare scene, with the common theme of jealousy. Most Shakespearian plays performed by community theatre groups typically have a few actors multi-roling in generally supporting character roles, but here Gill has taken a cast of nine all multi-roling performers across twenty-three pieces, taken from from a mixture of twenty-six plays from Shakespeareโ€™s tally of thirty-eight!

    The focus on โ€œjealousyโ€ understandably means the tragedies and historical plays are well represented, but even so ten comedies are included in this collection. As Gill says herself โ€œJealousy turns out to be a prime motivation for conflict in love, families and politicsโ€. And how we see these examples from โ€œOthelloโ€, โ€œKing Learโ€ and โ€œHamletโ€ segue smoothly with โ€œA Midsummer Nightโ€™s Dreamโ€, โ€œTwelfth Nightโ€ and โ€œMuch Ado about Nothingโ€.

    It would become a litany of names and characters to list everybody and each of their roles which would bore everybody, so I shall desist here other to say the cast of Hero Fancett, Penny Clegg, Sarah Horrex, Liz Hollis, Jeremy Reece Iain Lowe, Roger Hames, Jim McCauley and Charmian Norman Taylor between them portray two full ensembles and a mind boggling sixty-seven characters, with not a little panache, style and vigour.

    All of the above were more than excellently supported by stage management of Connor Palmer, James Dennis, Graham Paton and Ellen Read; tech by โ€“ who else?! โ€“ Alex Latham; music by โ€“ who else ?! โ€“ Laurie Parnell; costumes by Hermione Skrine.

    Of course, to learn who plays which parts, in which extracts from which plays there is a very simple solutionโ€ฆ to get yourself to a show during this Wiltshire tour

    Marden House Centre, Calne – Weds 21 Oct
    The Town Hall , Corsham -Thurs 22 Oct
    The Merlin Theatre, Frome -Fri 23 Oct
    The Cause, Chippenham – Sat 24 Oct

    Tickets from https://www.ticketsource.com/ShakespeareLive


  • Shrek at Mac’s Theatre School

    “What are you doing in my swamp?!โ€ Shrek asked a horde of fairytale creatures, exiled to his wood by Lord Farquaad in his namesake Dreamworks 2001 award winning film. Everyone loves that ogre, which began as a fairytale parody, but, even if as banter, his name has become an eponym embedded into popular cultureโ€ฆ.

    In this case, though, Shrek is either Mac’s Theatre School students Harry Yandall or Cameron Nash, Lord Farquard is Amelia Mascall or Zoe Miller, and the swamp is Devizes School! Yes, Mac’s is bringing Shrek The Musical to Devizes from 28th to 31st October…I’m a donkey on the edge!!

    In its tenth year, the troupe at Mac’s Theatre School has achieved notable success, winning Eisteddfod medals and taking home glowing reviews for their ambitious musicals like The Addams Family and Our House; and not just from us!

    They auditioned and performed on the main stages of Disneyland Paris, but it’s the audience who also benefit from their specialised workshops hosted by West End professionals, and high production standards, utilising professional sound technicians, lighting designers, and a live backing band. Mac’s provides inclusive, affordable weekly training in acting, singing, and dancing for children aged 4 to 16, but the standard of their performances will amaze you!

    The other main roles go to Lily Ancrum or Isla Poirot as Fiona, Jacob Marsh, or Immy Foster as the unforgettable Donkey. We wish the whole cast the very best of luck!

    Shrek the Musical is a Tony Award-winning stage adaptation of the original 2001 DreamWorks animated film, featuring music by Jeanine Tesori and a book and lyrics by David Lindsay-Abaire. It expands the beloved movie into a full two-act theatrical production with 17 original songs, diving deeper into the backstories of Shrek and Fiona.

    Tickets for the shows are available HERE, or at Devizes Books. While it’s unconfirmed if they’ll have parfaits, I guarantee you, those Mac’s kids are amazing, and you’re in for an entertaining evening!


  • Devizine Launchpad on Sunday

    Okay you lovely lot, who are deffo coming The Festival of Discovery this weekend across Devizes, and who, deffo, going to pay us a visit at Albion Place, yesterday I highlighted all the wonderful acts we have performing on Saturday, but we do it all again on Sunday too…..

    So here’s what we have lined up on Sunday, and it is equally as amazing as Saturday, so don’t over do it the day the before, and find us, same time, from 11:30 until 5:30pm at Albion Place in Sidmouth Street. Here’s who we have playing for us; ooh, I’m so excited and couldn’t hide it even if I wanted too!

    Read about Saturday HERE, otherwise, read on about Sunday below….

    11:30: Tamsin Antignani

    From Devizes and performing as Tamsin Rose, at fifteen Tamsin already has built an impressive portfolio both as a singer-songwriter and guitarist, and acting. Tamsin attends Stagecoach, and has performed in numerous stage shows and musicals, including the poignant lead as Anne Frank for the Wharf Theatre.

    Instagram


    12:05: Lois Millington

    Lois is from Devizes, currently studying at Sixth Form near Winchester. Lois is our youngest writer for Devizine, ever! She also performs at open mics.


    12:40: Indigo Avenue

    Indigo Avenue is a duo consisting of Rufus Townsend and โ€ฆโ€ฆ.. Rufus is Trowbridge based, and the guitarist for Devizes-own riot grrrl band Steatopygous, who have recently toured with The Pumpโ€™s Sketchbook Records.

    Instagram


    13:30: Alfie Crinion

    Alife is sixteen, and a singer-songwriter from Warminster who has already taken on stages in Warminster, Frome and Trowbridge. He busks in Bath regularly, sharing his original music and covers with the world. His original music follows a blend of indie rock, with RnB and chill guitar music.

    This summer Alfie was invited on stage by frontman of the Kooks, Luke Pritchard, to play guitar with the band in front of thousands of people during their set at the Boardmasters Festival in Cornwall.

    Instagram


    14:20: Orla and Jack

    Orla is a singer-songwriter from Bath, and she brings with her Jack Hughes, as an acoustic duo who have been performing together for a few years in various bands. Orla played Womadโ€™s launchpod stage, and I met her first at Courting Ghostโ€™s Three Trees Festival at Trowbridge Town Hall.

    In our review of this brilliant festival I called her performance โ€œclearly one to watch. With crystal vocals she gave us some divine originals, including a particularly poignant one called Mouthwash, and made Crowded Houseโ€™s principal her own.โ€

    Instagram


    15:05: Seren Alyssa

    Seren is a folk singer-songwriter from Warminster with a voice you wonโ€™t forget.

    Seren performs a mixture of original songs and covers. โ€œMy favourite covers to perform are Fast Car by Tracy Chapman, Unwritten by Natasha Bedingfield, and Black Star by Radiohead,โ€ she tells me. โ€œI first started performing in May 2024, and since then I have performed at CorFest 2025, Swinterfest, and have supported Irish folk musicians in Salisbury including The Henry Girls, Daoirรญ Farrell, and Tim Eady and Mike McGoldrick. I am inspired by a mix of artists/musicians and genres such as folk, indie, pop, indie rock, and jazz.โ€

    Seren regularly performs with Meg Hoy, who performed as our headliner on Saturday.

    Instagram


    15:50: Poppy Rose

    Poppy Rose is a singer-songwriter, guitarist, and vocal coach from Bath, known for original acoustic pop. Weโ€™ve been reviewing her recordings for a few years now, but Iโ€™ve not had the pleasure of meeting her in person, until now. James of BBC Introducing in the West played her newly released and completely unique EP, Let’s Go Swimming.

    Poppy also sings at functions such as weddings.

    Website


    16:40: Ruby Darbyshire

    Ruby is a Scottish born singer-songwriter and multi-instrumentalist currently residing in Bradford on Avon. Ruby is likely no stranger to Devizes, regularly playing our venues and festivals here, as well as busking with bagpipes.

    Ruby grew up playing music anywhere she could. From her first performance at the Edinburgh fringe festival, to Celtic connections and many folk festivals around Scotland, Ruby’s background created the best foundation for her ongoing career in music.

    Her second EP released in August 2025 has created a stir. Her debut single Caller Unknown, with help from Tim Burgess of the Charlatans and produced by Freddie Cowan of The Vaccines, was first played on BBC6. Rubyโ€™s other music has found its way into Celtic music radio, Radio X, BBC introducing South West, BBC Bristol, Cornwall and Devon as well as Bath Radio and Radio Wilts and many local radio live lounge sessions. Awarded the Best Female Solo Artists at the 2025 Wiltshire Music Awards and Second Place Instrumentalist as a Highland Piper, opening the awards event as the special guest.

    Website


  • Devizine Launchpad at DOCAโ€™s Festival of Discovery

    So, youโ€™re joining us at Albion Place on Sidmouth Street in Devizes this weekend, right?! Donโ€™t say Iโ€™ve not told you about it once itโ€™s over!! Thereโ€™s so much going on for this Festival of Discovery and DOCA have worked tirelessly to provide an amazing FREE weekend, but Iโ€™m here to tell you a little bit more about who we have playing in the Devizine Launchpad areaโ€ฆ.

    You can download the program HERE and find some amazing things going on throughout all three zones; amazing things Iโ€™ll likely miss because Iโ€™ll be with sound engineer Simon Stockley, Ian James of Light & Sound, and these amazing young and talented singers, songwriters and musicians:

    I’ll start with Saturday and bring you news of Sunday tomorrow…..

    Saturday 17th October

    11:30: Stan Jenkins

    Stan is a thirteen year old singer-songwriter and guitarist from Trowbrigde. A student of Bath & Wiltshire branch of The Rock Project, Stan joined the Trowbridge Town Hall Youth Board and with friend Oliver Clark recently sold out Trowbrigeโ€™s Old Town Hall organising a teen open mic evening.

    I’ve not seen Stan perform myself yet, so get here early and let’s kick this off together in style!

    https://www.tiktok.com/@stanj.music

    @stanj.music

    forgot to post anything from the open mic night #backtoit #music #bass #drums

    โ™ฌ original sound – Stan Music

    12:05: Sienna Wileman 

    Sienna is a singer-songwriter and actor from Swindon. She began writing and performing aged ten, and released her debut single Petals in 2022 at fourteen. Her style is dark folk-rock to pop, with progressive accompaniments. Sienna vocalised for AuralCandy, and is inspired by her father, Richard Wileman of Karda Estra. Sienna is currently studying at BA Musical Theatre in Winchester.

    Though I’ve not yet met Sienna in person, we’ve been covering her singles for a few years, and she contributed to the second 4 Julia’s House compilation album with Petals.

    Instagram


    12:45: Braydon Lee

    Braydon Lee Jones is a fifteen year old solo acoustic singer-songwriter from Calne, and is rapidly becoming one of the South West’s most exciting young artists. Despite performing live for just over a year, his incredible stage presence has already landed him on major stages like the Bristol Harbour Festival and the Phoenix Festival in Cirencester. Blending a diverse mix of well-loved covers with a growing catalogue of country-infused original material, Braydon-Lee brings a fresh, high-energy performance that appeals to music lovers of all ages.

    It has been a massive breakthrough year for the young artist, who was recently featured on BBC Introducing in the West and is currently shortlisted in the Top 5 for three separate awards, including Best Male Artist, Best Newcomer, and Best Original Track for his hit single, Endless Summer.

    Unfortunately I missed Braydon at CrownFest this summer, but I did catch him for the first time at FullTone Festival a couple of years ago!

    LinkTree


    13:35: Jodie Lauren

    Jodie is twenty-three, a Cheltenham UGC travel creator, musician and vlogger.

    With over 103k followers on Tiktok, Jodie creates aesthetic content to showcase hotels/airbnb brands in a natural and relatable light. Sheโ€™s worked for Tiktok Live, and has experience in social media marketing. Jodie also regularly busks and brings her own spin to popular covers.

    That’s where I first saw Jodie, busking in the Devizes Brittox!

    LinkTree


    14:25: Ed Dowdeswell

    Ed Dowdeswell, a level 3 music student, is an emerging grassroots singer-songwriter and musician based in Devizes. The stepson of Jamie R Hawkins of The Lost Trades, heโ€™s learned from one of the best. Ed also fronts Chippenham band Olympiad.

    Ed is often found at open mics, I first saw him at The Fold’s open mic in Devizes.

    Instagram


    15:15: Rosie Jay

    Rosie Jay is an indie folk-rock-alternative professional singer-songwriter from Salisbury, currently studying music at Bath Uni. Rosie writes her original music and creates haunting and memorable lyrics and riffs that capture the world around her, creating a captivating experience for the audience an evening of walking in her shoes. She won two Wiltshire Music Awards last year, runner-up in a third!

    So impressed with Rosie’s singles, we become friends a few years ago, and I first saw her performing at The Crown in Bishop’s Cannings.

    Instagram


    16:05: Emelia Houchin

    Emelia is a singer-songwriter from Marlborough, currently studying for GCSE’s. With a passion for storytelling through song and performance, Emelia’s last performance at MantonFest blew me away, along with everyone else watching!

    Emelia is a regular at MantonFest and RamsFest and also enjoys musical theatre, performing in school performances, and has previously performed professionally at the Watermill Theatre in Newbury.

    Instagram


    16:50: M3g

    Meg Hoy, or M3g, is an original singer-songwriter of indie-folk from Chippenham. With numerous local appearances from The Pump to Swindon Shuffle to Minety and Chippenham Folk Festival, her self-penned songs are uniquely poignant experiences. Influenced by artists like Florence Welch and AURORA, she has been performing live since age 14 and has built a notable local presence, including winning The Neeldโ€™s battle of the bands, and opening for Frank Turner at the Bristol O2 Academy. Her music is celebrated for its emotionally transparent, unique lyrics, which she roots deeply in her personal experiences and her autism.

    I first met Meg when my daughter Jess was doing work experience with Devizine, and she interviewed Meg. We’ve been friends since, and no matter how many times I’ve seen her perform, she always takes my breath away.

    Instagram


    I’m so pleased Meg is headlining our Saturday, and everyone else who is playing; I’m more excited then they are! But, we’ve another day on Sunday, same time same place, and don’t think for a second I’ve put all my eggs in one basket, because Sunday is going to blow your mind; I’ll be back tomorrow to highlight who’s coming on Sunday!

  • Delaying the Inevitable with Lou Trigg

    Wowzers, it was four years ago since we last mentioned local singer-songwriter and musician Lou Trigg, when we reviewed her single to come out of Potterneโ€™s Badger Set studio, Flowers. Itโ€™s a good time to catch up, because Lou is releasing a three track EP called Delaying the Inevitable, this Friday (16th October,) where the finale is a second part to Flowersโ€ฆ.

    At the time I called Flowers, โ€œa chorale delicacy,โ€ which โ€œtrickles along sublimely,โ€ and there’s been no change of style since, only a huge development in the narratives, and Louโ€™s ability to express them. All these songs are equally angelic and orchestrally ambient anti-ballads, which, with subtle piano, angelic backing chants, acoustic guitar and the occasional moody drum, perfectly balances the distinctive and euphoric desperation in Louโ€™s voice.

    This time around Lou recorded them herself at Mudlark Sound Studios outside Bath, and Martin Spencer mastered them at The Badger Set. Thereโ€™s three tunes, subtle folktronica, complete, quite short, yet songs with that kind of ambience which leaves me wondering what magic someone like William Orbit would make of them.

    You (Her) has a slight electronic buzz but is deeply poignant. It takes the โ€˜talking to the other womanโ€™ narrative of Jolene to the next level. I mean, we never know if Jolene acts on the obsessions of the storytellerโ€™s partner, itโ€™s all in the assumption, but here, the broken-hearted narrator sends the cheater directly to the third party, dejected but with a warning of his negative characteristics. Itโ€™s a moody break-up song where, even when thereโ€™s sadness, thereโ€™s something magically and satisfyingly uplifting in this beautiful song. This tenet flows through the three tunes.

    Home has the hook and commercial viability, and drifts so wonderfully youโ€™ll believe youโ€™ve known this song all your life. The differences here being it seems more communal, and any doubts in the relationship seem subjective, that the object of her desires is metaphorically as comforting as home, when they choose to be. โ€œItโ€™s a song about your birthday wish,โ€ Lou described, โ€œthat every birthday, you wish for the same thing and will, until you get it, what you once had.โ€ 

    The second part of Flowers is a melodic conclusion to the past ballad, and slightly more folk-inspired, with only a delicate and perfectly placed electronic click. It ventures to a dark denouement, capturing the mood of a victim of an emotionally abusive relationship and impels the listener to mourn, or at least take sorrowful heed. โ€œIt ends the story I began to tell,โ€ Lou explained, โ€œunfortunately, it didnโ€™t have the best ending, but I decided to share my story, as many women will have gone through similar. I thought it was an important story to finish.โ€

    Thereโ€™s an honest melancholic passion driving these songs, reaching out to the spellbound listener. Lou stresses this closure of Flowers โ€œrelays a dark time in my life,โ€ and every sublime beat is a tear the listener feels on their own cheek. It really is on an Adele level of emotional expression. But the magic here is also lying heavily on the distinction of Louโ€™s powerfully unique vocal range, and the musical compositions reflecting them. And for these elements included, and so cleverly combined, these three beautifully poignant songs match what Adele left the world.

    Now I know at this exceptionally high accolade of a comparison youโ€™ll cry, โ€˜oh you, with your saccharine flattery,โ€™ and assume that Lou must have some really posh biscuits in her biscuit barrel Iโ€™ve got my eye on! But Iโ€™ll tell you now, that bloke with the lovely smile, Mr Threlfall, has been spinning Home on BBC Introducing in the West last week, and Lou knocked these songs for a six at Komediaโ€™s Electric Bar last night. So, just you wait until Friday, check them out for yourself, and youโ€™ll realise thereโ€™s more than a packet of M&S All Butter Scottish Shortbread at stake here!

    Delaying the Inevitable, is out this Friday (16th October.) Here’s Lou’s Spotify, follow and pre-save!


    Trending…..

    Something went wrong. Please refresh the page and/or try again.

  • What Iโ€™ve Been Missing, a New Talk in Code Single

    Whatโ€™s that? What have we been missing? Well, itโ€™s been a while since the last Talk in Code single, and thereโ€™s one coming our way on Friday (16th October,) so thatโ€™s a good startโ€ฆ.

    Ah, those gorgeous guys could turn a straight manโ€™s head, with their bridging the gap between eighties new wave electronica and nineties indie pop, dancing around it clad in Adidas, and generally creating timeless anthems; and this one is another high impact tune, with upbeat euphoric ambience, racing choruses and rousing hooks.ย 

    What Iโ€™ve Been Missing fits their lovable trademark style, and is particularly reminiscent of the memorable eighties power pop of Go West, Duran Duran, or Deacon Blue. In equal measure it corresponds to contemporary indie trends from the likes of the 1975, The Killers, Two Door Cinema Club, Fickle Friends, Years & Years, and Keane. Unarguably another earworm their fans will be singing straight back to them.

    What Iโ€™ve Been Missing, is to be released on Friday 16th October 2026 via Regent Street Records. Aligned to their discography, this substantive and dynamic track also has thoughtful prose of romantic circumstance. With a narrative of conflict between approach and avoidance, and its denouement, frontman Chris Stevens uses the hyperbolic idiom, โ€œWhere have you been all my life?!โ€ to define it. In the final discovery of a soulmate, he expresses, โ€œweโ€™ve all got that little something or someone, that missing piece in our lives. Or is it that we just crave more, all too often?โ€

    “Imagine finding a person who you really click with,โ€ guitarist Alastair Sneddon furthers, โ€œall the anxieties about getting into a new relationship are there, close to the surface, waiting to burst out. It’s exciting, you know the person is going to fill that space that you have been feeling is empty, but it’s just difficult to say out loud; this is that internal monologue.”

    If the theme is a sentimental catharsis, the release of emotion rests, and is delivered by the infectious soundscape their devoted fanbase adore them for. Chris expresses it as a โ€œretro-infused, euphoric indiepop banger which will have you dancing round the house in no time!โ€

    What Iโ€™ve Been Missing was recorded at The Pines Studio, Berkshire.

    Talk in Code took home six awards at the 2025 Wiltshire Music Awards, including Best Original Band, and Best Original Song. They have 1 million+ streams, 3 million views, and 35 radio ‘A’-list adds. They signed to London’s Regent Street Records, with active sync representation via Big Hug Music Group and Play Equals Sync.

    Their recording and performing history details three albums, and a constant variety of gigs, festival appearances, and tours, where they appropriate their surroundings and thrill audiences. Talk in Codeโ€™s momentum progresses, sharing stages with Ash, Sleeper, Years & Years, The Feeling and Scouting for Girls across Victorious Festival, The Great Escape, Godney Gathering, Jurassic Fields, and performing at iconic venues such as The Cheese & Grain, Frome, The Horn, St Albans and The Fleece, Bristol.

    Despite substantial growth, their loyalty to their supporters, dubbed โ€œtalkers,โ€ remains paramount in all their activities. Putting โ€œfan community first,โ€ Talk in Code has acquired an unparalleled fanbase and ingenious merchandising, through an active WhatsApp fan group to a unique Lego-inspired loyalty reward scheme.

    What Iโ€™ve Been Missing is released on Friday 16th October, across all streaming platforms. Talk in Code have an instore session planned with HMV Swindon and later that evening of Saturday October 17th, they will be playing a hometown single release show at The Victoria, Swindon.

    And believe me, you may have seen Talk in Code before, they get around a bit, but the best place to see Talk in Code, Talkers will tell you, is at their home-ground in The Vic, Swindon. With support From Bluebeard and the Desperate Hours, it’ll be a great night!


    Trending……

    Something went wrong. Please refresh the page and/or try again.

  • Devizes Retailers Unite and Wiltshire Council Revise Roadwork Plans

    People power in Devizes! Due to pressure from Devizes retailers and councillors, Wiltshire Council today revised their plans for essential cable works in Devizes, originally set to commence during the busiest Christmas periodโ€ฆ.

    Retailers were informed the works were planned from 12th October until 18th December, covering The Brittox, Little Brittox, Wine Street, Long Street, Morris Lane and The Shambles. Making it clear they were not against the works happening, just the poor timing, which, with stop-go traffic controls, threatened to lessen footfall during the crucial Christmas shopping period, Ida McConnell of Devizes Retail & Independents rallied local retailers and councillors to ask Wiltshire Council to consider postponing the work. And it was successful.

    Wiltshire Council posted an update, stating theyโ€™ve โ€œworked closely with Scottish and Southern Electricity Networks, to agree a revised programme of works in Devizes that significantly reduces disruption and protects the townโ€™s important festive trading period.โ€

    This included a promise the current works would be completed by 21st November, that any remaining work has been pushed back until January, and access to shops and businesses will be maintained throughout. They also stated work on Little Brittox will take place between 5pm and 11pm to avoid normal trading hours, and activity on Thursday market days will be reduced between 9am and 3pm.

    After an initial โ€œwhoohoo!โ€ Ida said,โ€œThe original letter was initiated by us at the request of Justina from The Healthy Life Company, and Faye from Fayeโ€™s, with support from Jodie at The Gourmet Brownie Kitchen, three local retailers,โ€ and she thanked them. Ida also thanked all town and county councillors who โ€œworked together to get the issues addressed.โ€

    And herein lies the secret as to how this happened so effectively. Ida said, โ€œthis was a team effort from local councillors from different political persuasions,โ€ giving special praise to Devizes South Cllr Maria Hoult, Devizes North Cllr Ian Hopkins, and Devizes East Cllr Jonathan Hunter, as well as the two hundred people who signed the letter to the council.

    In a time where local Conservatives are abusing the Government-enforced waste food recycling and three weekly bin collections change to fiercely rally their candidate for the Milford by-election, Laura Jones, hoping it will topple the Lib Dem led county council, this joint effort should illustrate exactly why any need to topple them should be taken with a pinch of salt. On this issue, as with many others to date, the newly led Wiltshire Council clearly listened, and responded positively.

    Yet Devizes town councillor Iain Wallis is seemingly expanding his โ€˜localโ€™ boundary to include campaigning in Salisbury, and said, โ€œvote Conservative in Salisbury Milford and they will no longer be running the council. A vote for anyone else will allow them to continue.โ€ But we could only speculate how the outcome on this issue might have differed coming from a Conservative led Wiltshire Council, and, more worryingly, what lengths they would be prepared to go to in order to secure this win; would they jump in bed with Reform?! 

    In their desperation to regain control, this nightmare scenario is more likely than we might imagine, and then theyโ€™d be too busy singing the National Anthem, like every council meeting is the World Cup Final, to have sorted this so quickly!

    Local issues are more effectively resolved when councillors disregard any national party affiliation and work together with the public; this success story proves it. Compared to the previous Conservative led Wiltshire Council, the Lib Dem new guys have only just got their foot in the door, and things are already looking better. They deserve to be given a chance in my opinion.

    Meanwhile, not to overly poison this good news story, the success of our local indie shops during the Christmas build up no longer can be governed by, or blamed, on roadworks; only on and by you, shopper! This ballyhoo would be a completely and utterly pointless waste of time if you then go and shop online anyway! We must support our local businesses and do a Christmas shop here, in Devizes.


Big Bath Sleep-Out: At Home

Avoid the irony, sadly this year Bathโ€™s annual big sleep-out event in Alice Park cannot be for obvious reasons. But homelessness during a lockdown is no joke. Julian House and Bath Boules Charitable Trust lay down a more local gauntlet, inviting you to join in with a sleep-out in your garden, on your balcony or your kitchen floor, sticking to your household/social bubble.

Itโ€™s okay, calm down, itโ€™s not until 5th March, when hopefully weather will be more clement, a reality homeless donโ€™t get. So, to stand up against homelessness, challenge yourself to sleep out for just one night at home and help raise vital funds and awareness for men and women forced to do so every night.

Last year they provided life-changing support to over 1,400 vulnerable individuals who were experiencing, or at risk of, homelessness across Bath, Bristol, and the South West. Itโ€™s a grim realisation, that without support like this, the life expectancy of a long-term homeless person is just 45 years. By sleeping out, you can change that.

On top of everyday challenges, the on-going impact of Coronavirus has had a devastating effect on the men, women, and children in care. Collectively you can help provide the lifesaving services and support they so desperately need right now.

More details here



Devizes’ Sammi Evans Features on Innereyefull Dub

If I was pleased to hear the vocals of Devizes singer-songwriter Sammi Evans would feature on a single, I was even more delighted when I asked Sammi if it was an electronic dance track, and she replied โ€œitโ€™s reggae!โ€ Well now, this is really pushing my buttonsโ€ฆ.. West London producer Andy Kent founded Innereyefull inโ€ฆ

Looking Back At Devizes Arts Festival 2026

Featured Image: Gail Foster. Features extracts from reviews by Andy Fawthrop, Ian Diddams and Madelaine Blake. Does it ever stop?! The weekend is upon us again. I think I might need to skip this one, not getting any younger, and besides I did enough laughing, dancing and meeting interesting people over the past fortnight, thanksโ€ฆ

Phil Beer to Perform at The Pump on Friday 4th December!

โ€œMr Phil Beer needs no introduction to anyone,โ€ says a spokesperson for The Pump in Trowbridge, our grassroots venue kicking up turf on Rolling Stone Magazine last week! Regardless of their mainstream coverage, thankfully The Pump hasnโ€™t forgotten our grassroots media, and let us into their secret, announced only today. One half of the legendaryโ€ฆ

Award-Winning Circus Cortex BizZzar Comes to Devizes This July

Get ready for an unforgettable family day out as Circus Cortex BizZzar brings its award-winning Big Top spectacular to Devizes from 9โ€“12 July 2026….. Performing at The Green, Southbroom Road, Devizes, SN10 1LL, this thrilling production promises four days of world-class live entertainment for all ages. Featuring an exceptional cast of international performers, Circus Cortexโ€ฆ

Who are you most looking forward to seeing at CrownFest?

CrownFest at The Crown in Bishops Cannings is making a fantastic comeback this July with a stellar lineup, particularly supporting local acts, begging the question, who are you most looking forward to seeing there? It’s not as easy an answer as it might sound, and hey, I’m not intending to answer it myself; I’ve gotโ€ฆ

โ€œDon’t Drive to Stonehengeโ€ Advises English Heritage!

Summer Solstice in Wiltshire; it’s a crowd-puller, but even forty years after the Battle of the Beanfield and decades of attempted commercialisation, it remains a tourism the authorities clearly don’t appreciateโ€ฆ.. Wiltshire Police and English Heritage have ganged up on social media to warn revellers not to drive to Stonehenge or Avebury for this year’sโ€ฆ

Nothing Seems as Sweet as the Start; NRWO as Devizes Arts Festival’s Finale

All Images: ยฉGail Foster If last Saturday’s Celtic punk band quipped if the Devizes Corn Exchange was a bingo hall, and Milton Jones jested โ€œit’s great to be here, in the past,โ€ it took a band with roots to the town to introduce Devizes Arts Festival to a next generation, and, predictably, Nothing Rhymes withโ€ฆ

Sketch and Explore: The Art of Embracing Imperfection

by Maddie Blake On Wednesday 10th of June at Devizes Arts Festival, we had the pleasure of a โ€˜Sketch and Exploreโ€™ workshop lead by Karen George, a contemporary artist. Karen is based near Bath, in the UK, and specialises in semi-abstract and contemporary painting of landscape and seascapes in acrylic and mixed media. This informalโ€ฆ

Milton Jones; Deadpan in Devizes

Mock the Weekโ€™s recurring panellist and Radio 4 comedian Milton Jones stood on the stage of Devizes Corn Exchange on Friday, with the setter, โ€œitโ€™s great to be here, in the past!โ€ And thereafter, everything which came from his mouth was utterly hilarious. Thank you Devizes Arts Festival, a fine chortling choice; Iโ€™m still chucklingโ€ฆ

Very Terry Edwards

The word โ€œvery,โ€ rarely an adjective, as in โ€œit happened in this very house,โ€ or โ€œthis is very Terry Edwards,โ€ but commonly worthlessly used as an adverb, as in โ€œitโ€™s very cold today,โ€ or โ€œthis is the very best of Terry Edwards.โ€ While the album simplifies it to the ambiguous โ€œVery Terry Edwards,โ€ itโ€™s BandCamp page suggests, โ€œThe Very Best of Very Terry Edwards,โ€ which though itโ€™s exactly what it is, itโ€™s also one adverb enough for the most lenient of proof-readerโ€™s red line. Yet, if the usage of very is erm, very worthless, it is the only thing on this album which is.

The multi-instrumentalist, best known for trumpet, flugelhorn, saxophone, guitar and keys, marked his sixtieth birthday last September releasing this three-CD best-of box set, and while I shouldโ€™ve mentioned it last month, between putting batteries in toys and stuffing myself with pigs in blankets things got tardy. Right now, though, I can think of no better outstanding project to kick off our music reviews for 2021. Reason only partly because it ticks all my personal favourite genre boxes, more so because of the range of said genres is far greater than run-of-the-mill best of compilations.

We need to assess Terryโ€™s biography to understand the reason for this variety. Funky punk and second-gen ska most obvious, as from 1980 he was a founding member of Two-Tone signed band The Higsons, after graduating with a degree in music. But around that time Terry also produced and played on the Yeah Jazzโ€™s debut album, of whom, despite the name, were particularly folk-rock.

Terry in 1984

From here the vastness of Terryโ€™s repertoire blossoms, as session musician for a huge range of acts, from Madness to Nick Cave, PJ Harvey and The Jesus and Mary Chain to, particularly notable, The Blockheads. As well as his solo material, with his band The Scapegoats and a stint with dark punk-blues outfit Gallon Drunk, itโ€™s understandable collating this in one reminiscent anthology is a mammoth task and a melting pot. Which is just what youโ€™re getting for your money, a very, as the grammatical disorderly title suggests, worthy melting pot.

โ€œWhen the earliest recording here was made the 18-year-old me couldnโ€™t comprehend being 60,โ€ Terry explained, โ€œyet here I am presenting a triple album containing 60 titles recorded between 1979 and 2020, through thick and thin.โ€ Therefore, it must be more tongue-in-cheek than Iโ€™d suspect Roger Daltreyโ€™s notion now of My Generationโ€™s lyrics that for the opening track he opted for The Higsonsโ€™ โ€œWe Will Never Grow Old.โ€

โ€œYouโ€™d expect an overview of my career to have some odd bedfellows and more than its share of quirks and foibles,โ€ he continued, โ€œbut itโ€™s been compiled to flow musically rather than have a chronological narrative.โ€

That said, the first four tunes from his original band follow, with all their fervent rawness. Terry covered his tracks though, โ€œI immediately break my own rules by starting with The Higsonsโ€™ earliest release and debut single, but redeem myself by following up with the most recent recordings; two ballads recorded with Paul Cuddeford (Ian Hunter, Holy Holy) in February 2020. There is more method than madness; groups of songs which follow a theme or genre are found together regardless of when theyโ€™re from.โ€ Indeed, weโ€™re then treated to three tunes in a matured, mellowing jazz and blues, the latter of which with the vocally perfected Erika Stucky.

Then weโ€™re into rock with The Wolfhounds, and a guitar-twanging Christmas blues song with Robyn Hitchcock, plodding jazz with Knife & Fork, post-punk Big Joan, avant-garde jazz with Spleen and rockabilly styled New York New York. While mostly jazz-related, this first disc graduates through genres with finesse.

Terry is like Georgie Fame with a Mohican, but whatever avenue is explored, you can guarantee quality. The second CD starts with a bang, upbeat mod-jazz with The Scapegoats. Thereโ€™re more known covers here, sublimely executed Herbie Hancockโ€™s Watermelon Man, a superb solo rendition of The Cureโ€™s Friday Iโ€™m in Love, as if Robert Smith wore a Fred Perry, and a hard-rock electronica version of Johnny Kiddโ€™s Shakin all Over with the haunting vocals of Lisa Ronson. Even find an orchestral film score, and a piano solo of the knees-up capitalโ€™s favourite, May Itโ€™s Because Iโ€™m a Londoner.

Yet if both the quantity and quality on offer here is so vast to make me waffle, it doesnโ€™t waiver for the final disc, rather itโ€™s my favourite. A BBC session outtake of a jazzy Voodoo Chile, with altered title to โ€œChild.โ€ Dunno, canโ€™t be a typo, the dedication to attributing to Hendrixโ€™s masterpiece is no easy feat, lest it be known Terry manages it with awesomeness dexterity, with a saxophone!

If the last CD continues with on a jazz tip for two tunes, weโ€™re transported to ska via John Holtโ€™s Ali Baba by Lee Thompsonโ€™s Ska Orchestra and other sundry members of Madness, and Totally Wired by Terryโ€™s โ€œSka All Stars,โ€ and more ska-jazz with Rhoda Dakar. Post-punk follows, featuring The Nightingales with Vic Goddard, Snuff, Glen Matlock and Gallon Drunk. Perhaps my favourite parts being the shouty cover of The Human Leaguesโ€™ โ€œDonโ€™t you Want Me Baby,โ€ by Serious Drinking, and the general dilapidation of seriousness with new wave tunes mirroring the unsubtlety of Ian Dury & The Blockheads.

Hereโ€™s a jam-packed box-set brimming with variety which flows suitably and makes a definitive portfolio of a particularly prolific and proficient musician. For many itโ€™ll hold fond memories, for younger, who think Kate Nash created the cockney chat-rap, or jazz wasnโ€™t the same until Jamie Cullum came along, itโ€™s a history lesson theyโ€™ll never forget!

This 60th birthday, 60 track-strong celebration spans over four decades. A triple CD clamshell boxset with 24-page booklet, but more importantly they say, โ€œVery Terry Edwards is a birthday present to himself as much as anything else,โ€ giving it the impression youโ€™re on a personal journey, like a child sitting on their grandpaโ€™s lap while he recites memoirs, blinking exciting ones!

Buy from Rough Trade: ยฃ15.99 or BandCamp: ยฃ15 or ยฃ8 digital.


Letโ€™s Go Swimming with Poppy Rose

Two years ago we fondly reviewed Iโ€™m Ready Now, a debut EP from Bathโ€™s Poppy Rose. I praised her unique take, her thoughtful prose and intelligent metaphors, but it was a collection of songs each with separate thoughts. Poppyโ€™s new EP, Letโ€™s Go Swimming is on another level, has a singular theme throughout, and aโ€ฆ

Wiltshire & Bath Air Ambulance’s Summer Behind-the-Scenes Tour

Join the Wiltshire & Barh Air Ambulance team on one of their behind-the-scenes tours of the Charity’s airbase at Semington on Thursday the 9th Julyโ€ฆ. By joining you will gain an insight into how they run this extraordinary lifesaving service.  The Wiltshire & Bath Air Ambulance will be opening the doors to the airbase toโ€ฆ

Swindon Travel Hub Brings Cruise & Holiday Show to the County Ground

Holidaymakers from across Swindon & Wiltshire are being invited to attend one of the region’s newest travel events this summer as Swindon Travel Hub hosts its inaugural Cruise & Holiday Show at the County Ground on Sunday 5th July 2026….. Taking place in the Legends Lounge at Swindon Town Football Club’s County Ground, the free-to-attendโ€ฆ

HOT OFF THE PRESS โ€“ JP Oldfield to release new EP this Autumn

by Ian Diddamsimage by JP Oldfield Rising Devizes star and promoter at โ€œThe Foldโ€, JP Oldfield last Friday revealed the information he is to release a new six track EP on September 26th this year. Those privy to this revelation at โ€œThe Foldโ€ last Friday also heard five of the tracks off that EP andโ€ฆ

Devizes Town Council’s Oversight on Pride Flag Corrected Today

A lot has happened since last week’s article on the decline of local Pride events. Not all of it has been positive, but I’m pleased to say in Devizes, it isโ€ฆ. If Essex has seen Prides banned by Reform-run councils, Chippenham Pride released their full program of events, but have you noticed?! What happened inโ€ฆ

Wiltshire Council to spend ยฃ1.1m on digital devices so struggling families can access remote education

Wiltshire Council is allocating ยฃ1.1m of government COVID-19 funding to buy laptops and digital devices for disadvantaged pupils who currently canโ€™t join classmates learning from home.

The decision to allocate the funding to buy around 2,500 devices means these children will be able to access their school lessons from home rather than have to attend school to do so.

Currently pupils who do not have a laptop can attend school alongside children of key workers and vulnerable students. The new approach will help manage school spaces and continue to help prevent COVID-19 transmission.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œIt is essential our children and young people can continue to be taught and have an education in these difficult times as well as being able to maintain links with friends and have face to face contact with their teachers. With the news this week that schools will close we are aware there are families and young people out there who are left without the means to access that education and this is not acceptable.

โ€œBy using our government COVID-19 funding in this way we are ensuring families are not disadvantaged and can join their peers working from home. We will be working with our schools to ensure those children who need devices can access them.

โ€œI know schools have already been receiving many requests for laptops and some are sending children into school as under the new government rules you can attend. By providing additional laptops we will be freeing up those school places for other pupils who need to be in school.

โ€œAcross Wiltshire we have some great charity work happening with many community minded charities offering to recycle second hand laptops so they can be used in schools and I would like to thank them for this extraordinary effort.โ€


During the summer term Wiltshire Council distributedย 1,232 devices provided by the DfE across 138 schools which were designated specifically for disadvantaged and vulnerable children and young people. Currently secondary schools are accessing further allocated devices directly via the DfE and the council is reviewing opportunities to ensure a further reach so children in need have access to the tools for remote learning including tablets, laptops and wifi and data. The DfE has also announced that all primary schools will be able to order laptops and tablets by 15 January and the DfE will contact all primary schools by that date to invite them to order devices.

Wiltshire Council will also be working with schools following the government news that schools, trusts and local authorities can request mobile data increases for disadvantaged children and young people who do not have fixed broadband, if they cannot afford additional data for their devices and are experiencing disruption to their face-to-face education.

Schools are also working with families directly to ensure Free School Meals continues. For those families who are not sure if they are eligible for Free School Meals they can check here.  


Wiltshire Council Ask Gecko For Road-Crossing Song.

Not to make you feel old or anything, but Tufty, the safe road-crossing squirrel turns sixty this year, the Green Cross Code Man is not far behind at 51. Not too long before they’ll need some assistance crossing the road themselves, I don’t doubt!

Popular as retrospection is, Wiltshire Council have rightfully recognised a CJI Tufty makeover might not be best, and the Green Cross Code man is fighting his own conflicting interests between the Sith and Jedi.

How to teach kids to cross the road safely, needs a fresh approach….

They assigned Creative Studios to come up with this little masterpiece of a green cross code safety vid, and I couldn’t think of anyone more apt than the mighty Gecko to produce the song.

Yep, this works on so many levels. “I loved being a part of this project,” Gecko said, “I love the variety that this music life brings.” Well done Gecko, and a great choice by Wiltshire Council.

Just Another Lockdown Festival

JMW Promotions have a free online festival coming this Saturday and Sunday (9th & 10th Jan.)

There’s a lot of names I don’t recognise, which is the best thing about festivals in general, but especially online; local artists without borders. In fact the only performer I have heard of is the brilliant Jess Silk, on Sunday.

Line up looks like this: Just Another Lockdown Festival

Saturday
1pm Sam Draisey
2pm Shotgun Marmalade
3pm Kyle Parsons
4pm BICKERmusic
5pm Harrison Rimmer
6pm Warren Ireland
7pm Brian Stone Music
8pm JollyRoger
9pm Davey Malone

Sunday
1pm ALEX CAVAN MUSIC
2pm michael webster
3pm Have A Go Hero
4pm Doozer McDooze
5pm Sam Tucker?
6pm Maelor Hughes
7pm Ellie Keegan
8pm Brad Dear
9pm Jess Silk

Tune in from the artists Facebook pages which can be found on the event page, or check them out on JMW Promotions or in JMW Promotions Community.

Jess Silk (Image credit: Olver Gray)

Best of luck to JMW and all artists for the weekender, there will be a PayPal bucket linked, please support the artists, you know the drill. I’ll defo be popping in as and when and hoping to hook up with some new talent defo. Might even don my festival jester’s hat, put my cider in a squashy cardboard cup and take a piss behind the sofa!


Latest Posts

Will Lawton’s Rhythm Practice

Local music therapist Will Lawton plans to open a Music Therapy practice in early 2021, based at The Pound Arts Centre in Corsham. The service will help develop a positive change in the well-being of individuals of all ages through the creative use of music, facilitated by trained music therapists. Can you help Will reach his target?

In total, ยฃ8500 is required in order to equip a room with high quality music instruments and equipment. ยฃ6000 of this target has already been pledged by the council and a school, leaving an outstanding balance of ยฃ2500. This final balance must be found in order to unlock the rest of the grant funding to bring this project to life.

Donate here, thank you


โ€œHowzat? The Six Sixes Ball Mysteryโ€ by Graham Lloyd, Town Hall, DAF 2027

by Ian Diddams images courtesy of Devizes Arts Festival, Ian Diddams and Graham Lloyd When one considers cricketing controversies, one maybe thinks of World Series Cricket, the โ€œRebel Toursโ€ to South Africa during apartheid in the 1980s, Bombay bookmakers, Mike Gatting & Shakoor Rana, chucking, Mankading, the Trevor Chappell underarm incident, Somerset declaration of 1979,โ€ฆ

Manning Lifeboats, In Devizes!

Manning the lifeboats with Devizes Arts Festival in landlocked Devizes last night, and I didnโ€™t even get a sticker. I did shake a tailfeather out of my system, more importantly. For if all-originals London-based Celtic folk-punker five-piece Man the Lifeboats seemed to have no visible relevance to their marine namesake, they certainly knew how toโ€ฆ

@The Southgate

Massimoโ€™s; Locale Pizza Paradiso

Talking Pizza today, why? Why not?

Who remembers BTโ€™s friends & family scheme in the nineties, reducing call charges for five selected favourite phone numbers? If you didnโ€™t submit your favs, BT would select them on your behalf based on calls to the number you made the most. Mine, living in Swindon at the time, Iโ€™ll confess, went: 1. my mum and dad, 2. my best mate, and 3. Dominoโ€™s Pizza. Four mayโ€™ve been a girlfriend, itโ€™s dubious but not impossible!

Some years later I moved to Marlborough, where given Ask, Pizza Express and so many others operate today, you couldnโ€™t get a pizza for love nor money. Enter the incredible, if slightly hazardous, Fronkie Fritzheimer, a legend in his own time. From his own kitchen and later progressing to working out of the football club, a move only the fire brigade grumbled about, he serviced Marlboroughโ€™s pizza lovers with, darn it, some of the most heavenly pizzas to have blessed my lips.

Fronkie on the move in the late 90s.

I posted on a Marlborough Facebook group, to see if bods recall his presence, or if I dreamed it, and much to my delight, while Fronkie moved to pastures new some years ago, his memory is stamped as firmly in Marlboroughโ€™s cultural history as the Earl of Cardigan. From an A4 photocopied leaflet weโ€™d regularly phone our order, and some weeks after his arrival, the delivery operative arrived at our door with complimentary desserts. โ€œBetween you and the rugby club,โ€ they thanked us without jest, โ€œare our best customers yet!โ€ We were honoured, proud we ate as much pizza as an entire rugby club!

My case study justified; trust, I know a good pizza when I see/smell or taste one, from a distance of anything up to three hundred yards. With Fronkie fertig, me now living in the Vizes, and Dominoโ€™s, face it, is an acquired taste, there was a social media much ado about nothing concerning news of Pizza Express closing in town, which left me wondering why. I am sorry to hear the news for the sake of the staff, but with mixed reviews in the comments, some moaning of the loss is bemusing to me, and Iโ€™d wager to anyone else who has sampled a Massimo pizza.

Pizza Express closing is not the end of the world, as overpriced as the mighty Dominos anyway, unless with the latter you take out an offer, where youโ€™re bundled with a pot of watery coleslaw or barely-cooked fries which droop like an impotent greasy baboonโ€™s todger! Iโ€™ve moved on from Dominoโ€™s, as you can see by my unpolished comparison, Iโ€™ve matured.

No, no, no; Massimos will cost you no more, but it is a house of quality, and I guarantee youโ€™ll taste the difference, heck, youโ€™ll smell the difference through the box! If it wasnโ€™t such a generous portion and the sort of taste you have to savour, making it filling, Iโ€™d probably have eaten the box too.

You Beauty!

Look, see here, this is no advertorial, theyโ€™ve no idea Iโ€™m writing this, much to their surprise. Buying local and all that aside, Massimo makes one tasty, fresh pizza, with topping to die for and even the crust is moreish. Heโ€™s undoubtedly stolen my homegrown crown from Fronkie. And lockdown is not stopping them, takeaway is available. Itโ€™s a crying shame thereโ€™s a ristorante left unopened until a better day, a day I was waiting for until I wrote a review for them, but sadly seems weโ€™ve lost the immediate opportunity once more.

So, think this not as a review, do I look like, Jay Rayner? Actually, donโ€™t answer that. Just saying, I love a Massimoโ€™s pizza, the family does, Iโ€™d wager Devizions-in-know do. Treat yourself, thereโ€™s a full menu to takeaway, the lasagne, ah, the lasagne, speaks for itself. You can call them 01380 724007, message them on Facebook, or, thereโ€™s a little bell at the door in Swan Yard, just ring it when theyโ€™re open, 5-8:30pm. Theyโ€™re fantastically welcoming and will bring you takeaway Ring Donuts, Nutella Donuts, Cartoccio with sweet Ricotta filled, Nutella Croissants, any two for three quidโ€ฆ whoa, I apologise; getting a tad over-excited. But, right, the guy won the coveted Gold Star for 2020 for his own Napoletano sauce; how much more convincing do you need?!

hot dang!

@ The Southgate

Devizine in Lockdown, again.

Here’s our deal, as I see it given new lockdown restrictions.

We have an annual reach of approximately 50K, over 80% of which are local. Whatever Devizine can do to help you, we will, but you must let me know about what you’re doing and engaged in for me to promote it. I’m unable to spend every moment on social media sourcing your stories.

Advertise your business, school, charity, online event, FREE for lockdown duration. Just send me details. This is available for small local businesses and at the editor’s discretion. We can put adverts on all published articles. We can cover your activities in articles and features, and we will share these across social media.

If you are engaged in any supportive projects, notify me so we can spread the word.

If you’re in creative arts, music, art, sports, and fundraising, whether crowdfunding, help in promoting live streams, recordings, online exhibitions and any other projects, we can and will help.

Please consider, if you can, making a donation to help the site keep running and improving.This you can do at http://www.devizine.com/about

You can email devizine@hotmail.com or message the Facebook page, you can tweet @devizine1 – Together we can pull through this.

Here we go again.

Thanks, Darren.

Oh, an important note I forgot to add, thanks to the edit function here! Please, if I fail to respond to emails and messages, feel free to nudge me. Things do sometimes get missed and I’d dread you to think I’m ignoring you! I don’t view it as impolite to ask if I remembered to do this or that, ask the wife, I can be forgetful!! ๐Ÿ™‚

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

The Curious Case of the Christmas Carrot

Twas down in the cellar of the Vaults where poets meeting to recite verses of yule and a celebrated story-time with Ian Diddams, had become somewhat of a seasonal ritual in old Devizes. Alas it was not to be this time around amidst the many cancelled traditions, but like many events, an adequate substitute has been provided. You may have to source your own beverages, but you can spend an hour with Ian in his garden grotto as he recites an entertaining and hilarious parable, from the comfort of your own armchair, or loo; whichever you deem more suitable.

Unsure how I missed this satirical chronical disguised as a fable to make Arthur Conan Doyle blush. I guess with seasonal celebrations my online time has been sporadic, but Christmas isnโ€™t over just yet, or is it? Whatever; I suspect, unless youโ€™re a Devizes resident with a penthouse on Baker Street, youโ€™ll never personally identify with cultural references in any other Sherlock Holmes mystery in quite the same way.  

A faultless fable delivered effortlessly, save the continuity of one shady depiction of a local character, the toothless milkman from Rowde. Didds should take heed, my inkling I know the very person ridiculed and will confirm theyโ€™re far too young to know what, or who, โ€œa milk snatcherโ€ is. Honestly, Iโ€™m cut between being honoured and contemplating the cheek of it all!

I present the video herewith for your own perusal and entertainment, if, like me, you were too busy stuffing turkey and/or Quality Street and putting batteries in toys over the season to have taken notice of it. It is worthy of your time, the story intermitted by poetry outbursts by Gail Foster, who not only tends to slip-in (fnarr fnarr) occasional filthy subject matter, but also knowing the particular aforementioned troubled character scorned, could have tried to step in to stop him, but didnโ€™t.

Most importantly, Ian always requests charitable donations as a way of applause for his efforts, and this time focusses on our earnest homeless charity Devizes Opendoors. You can donate here, please. You know weโ€™ve visited Opendoors and seen first-hand the great work they do.