David Grayโ€™s Skellig; Enchantingly Sublime

Music technology bears a burden on the acoustic singer-songwriter, hopefully awaiting a practical gap in the market to sneak into the mainstream. Locked in the adolescent tantrum of the drum machine, pop charts of the late eighties were awash with electronica, hip hop, and the dawn of house, either this, or jean commercials revitalised sixties soul classics. Then, along came a short dreadlocked female singer, clasping her guitar.

Had Tracey Chapman arrived a decade earlier when Joan Armatrading was prevalent, the impact might not have had the same clout. As it was her appearance was exhilarating, a breath of fresh air, but seems sometimes acoustic artists are to pop charts as Christopher Lambert is to Highlander, there can be only one.

In 1998 David Grayโ€™s self-released studio album, White Ladder looked as if it would be no more successful than his previous three. While renowned on the folk scene, Gray didnโ€™t break the mainstream until its ATO re-issue in 2000. Perhaps we could speculate the charts of 98 was held hostage by Britpop, else the reign of rave was at its apex. People looked for something fresh for the millennium, and Grayโ€™s folktronica found that gap.

Folktronica is a strapline, rather than subgenre. A causal grouping for fusing string instruments into electronic music, born at a time of public acceptance in hip hop. It was courageous, but a natural progression, and Gray was atop of the game, appearing in David Kaneโ€™s rom-com This Yearโ€™s Love, which he based a song around its title.

Like an Andy Warhol prediction, the sequel to White Ladder, A New Day at Midnight, failed to obtain the same critical acclaim, despite charting at the top, and whipping Pop Idol runner-up Gareth Gates’s debut album, which is enough for me! Exhaustion in the spotlight saw David Gray rest, and gradually fall into cult status, returning to the folk circuit.

At the millennium I was neither here nor there about David Gray. Yeah, I liked his charted songs, but entangled in denying rave had perished I sought heavier trip hop, or else a model folk formula; the two were strictly separate entities. It wasnโ€™t until a near decade ago, reviewing a self-published book which suggested White Ladder was a revelation of pious significance, that I gave second thought to David Gray, and just how good the album was. Mind you, the flimsy autobiographical plot continued onto how, under hypnosis, the author turned out to be an incarnation of Cleopatra, so it all had to be taken with a pinch!

This is the culprit, the reason Iโ€™ve been knocked for six by his new album, Skellig, released tomorrow (19th Feb 2021.) Naturally I expected it to be pretty awesome, but hadnโ€™t fathomed how awesome. Astounded, on continuous play and taking me on a journey for the best part of this week, I confirm its ambient, acoustic gorgeousness.

If last yearโ€™s twentieth anniversary of White Ladder saw a deluxe edition launched, but a subsequent tour cancelled due to the pandemic, Skellig counteracts; it is simply perfection for isolation, though written prior. The elements of folktronica are even more subtle than previously, with just a hint they set the scene, welcoming a sparser, shared soundscape with the atmospheric songs focussing around six-part vocals with Gray trading his signature gravel for a softer tone; mega-bliss. Though, a sense of shingle develops vocally as the album reaches a conclusion, not at Dylan level, but adjacent.

Skellig takes its name from a formation of precipitous rocky islands off the coast of Co. Kerry, the most westerly point in Ireland. Ravaged by the Atlantic, the seemingly un-inhabitable location of Skellig Michael became an unlikely site of pilgrimage in 600AD for a group of monks, who believed leading such a merciful existence, they would leave the distraction of the human realm to be ultimately closer to God.

Gray asks for no literal translation of the above, nor prescribes any religious allegiance; the story, told to him by a friend, has haunted his imagination ever since: โ€œThe more I contemplated the idea of a small group of people landing on those rocks and establishing a monastic life there, the more overpowered I became by a dizzying sense of awe. How close to God could you possibly wish to get? Life must have been unbelievably hard for them and trying to fathom the deep spiritual conviction that compelled them to escape the mediaeval world led me to acknowledge my own deepest longings to be free of all the endless human noise that we now so readily accept as being such an inescapable part of our day to day lives. Dreams of revelation, dreams of a cleansing purity, dreams of escape. Ideas that I think almost any 21st century person shouldnโ€™t find it too hard to relate to!โ€

A notion which saw Gray gather his team and venture to the Scottish Highlands to live out the creation of the record. In the significant of this backstory, Skellig paints a picture with sound akin to Goghโ€™s Starry Starry Night. You can sense the sea crashing into the rocks of a barren Irish landmass, hear the haunting echo through the draughty halls of a desolate monastery, through multi-layered vocals, delicate Celtic guitar picks and morose piano solos.    

Written astutely and with maturity in comparison to White Ladder, subjects twist dejection into uplifting awe. Carried by a singular baritone guitar, the opening title track bobs on an ocean like a chantey, familiarising you with how itโ€™s going to go down. From there on it free-flows thirteen tracks of blissful enchantment. While listening I noted the songs seemed short, but in checking most weigh over the four-minute mark, proof how engrossing Skellig is. Lost in its splendour it comes to a masterful finale with the graceful, All That We Asked For And More; which sums up the album perfectly. A ten from me!

Image credit: Derrick Santini

Trending…..

Extended Lineup for CrownFest

It was back in October when we revealed CrownFest at The Crown in Bishopโ€™s Cannings was returning this summer, and January when we last mentionedโ€ฆ

Chandra Likely To Go Boom!

Buzzwords, like โ€œturbo,โ€ or โ€œsonicโ€ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoidโ€ฆ

Song of the Day 22: Kiano Taylee

Can you go twice on our Song of the Day feature? No, certainly not, one shot is all, get over it!

Wha? Cabin fever, me? Getting tetchy, perpetual rain the only visible sign of spring, going to need Google maps to locate my local pub if it ever gets back to normal, whatever normal is, been so long, forgotten, might need retraining in how to order a pint… ah, okay, point taken. I’m calm….

Here we go with the brilliant Big Ship Alliance reggae band, who may’ve had a Song of Day before but hey, when you hear this you’ll realise why I’m making the exception to my steadfast iron ruling.

My Life, it’s called, featuring Mitchell Joseph Thompson, and the Alliance introduces us to the incredible Kiano Taylee. At 13, it’s an emotive and sentimental debut single, capturing teenage anguish, bullying and family issues which bear heavy on modern youth. Moving stuff.

Available for download here.

For the record, I was young once too, you know. But, don’t let me get started on my memoirs, it’s a longwinded tale of nothingness but reading the Beano and eating spaghetti hoops. But, that’s my song for the day. Very good. Carry on…..


After 2 Years: Silverlands Playpark Update

August, two years ago I got on my high horse and exposed the dangerously damaged playpark equipment in Rowde‘s Silverlands Road.

Sadly, over this time the main remaining piece of equipment, the climbing frame, was taped off, leaving the children with one “wobbly” bench left in working order.

Also wrapped in red tape was the Rowde Parish Council’s ability to do much about it, being owned by Wiltshire Council. Unfair to hand over such an asset in such a state of dilapidaton, the issue was lost in limbo.

My emails to Wiltshire Council and in particular, Cllr Anna Cuthbert fell on deaf ears. Seemed despite the article recieveing over 3k hits, it was still superficial to bother to reply.

Enough to leave a soul feeling despondent towards any realisation complaints have any effect on the progress of our county council.

But today I’m glad to be able to update it with positive news. After one final push, contacting councillor Laura Mayes, who promised to “look into it,” an agreement has been met, and working with Rowde Parish Council Clerk, Laura has secured over ยฃ20,000 funding from Wiltshire Council to re-design the playground. Please contact her with ideas on what could be included.

So a massive thanks goes to Rowde Parish Council and Cllr Laura Mayes this week for their sterling efforts. Thus proving, over time, a long time abielt, things can be put into action!


Song of the Day 22: Lady Nade

A tad shocked my car fluked its way through its MOT today, first time. Going on the theory good luck is a positive virus, maybe I should get a lottery ticket.

It’s your lucky day too, Song of the Day needs no introduction; Lady Nade, ’nuff said?

And that’s my song for the day. Very good. Carry on…..


Offended by a Rainbow; Assault on Wiltshire Policeโ€™s Temporary LGBT History Month Facebook Logo

To clarify, I like dunking biscuits into my tea, but if itโ€™s not my cup of tea, and someone else wants to dip their biscuit in it, why on Earth would I have a problem? It affects me in no way whatsoever, it has zero consequences to my brew, nada.

If I dunk my biscuit into your tea, however, half drops off and dissolves into your cup, we might have a minor issue; itโ€™s impolite and I shouldโ€™ve asked first. Truth be told, though, this has never manifested, because Iโ€™ve basic manners, and only dunk into my own tea. Ergo, I say; dunk, and let others dunk. Itโ€™s a fair and just modern tenet, tasty too, you should try it sometime.

Since Henry VIIIโ€™s Buggery Act of 1533, of which defines the term as โ€œan unnatural sexual act against the will of God and Man,โ€ the timeline of LGBT history in UK law reads like the genocidal presupposing of a tyrannical third world regime. Wrought with disturbing arrogances, cruel and misconstrued judgements and fatal sentences, its roots lie biblically, a confine we no longer adhere our hearts and souls fully into, anyway. Least we accept the book was drafted over centuries of prejudiced editing by megalomaniac nutcases who couldnโ€™t possibly have known the word of god any more than an amoeba knows the name of the pond it lives on.

As time moves forward, the religious connotations are secreted under political judgement, yet so inherit is our belief in chapters 18 and 20 of Leviticus, โ€œthou shall not lie with a male as with a woman; it is an abomination,โ€ and for the sake of obeying, it will be 328 years after the passing of the Buggery Act, that the death penalty for it was abolished. Hereโ€™s my melon-twister for starters, if law had to be based on the apparent, word of god, what happened, when executing an offender, to deadly sin number five, แฝˆฯฮณฮฎ, or โ€œwrathโ€ to us? And while youโ€™re explaining that one to me, maybe explicate Luke 6:37 too; โ€œdo not judge, and you will not be judged. Do not condemn, and you will not be condemned. Forgive, and you will be forgiven?โ€

Hard to imagine, this would be the way of things until only fifty-four years ago, when despite restrictions The Sexual Offences Act 1967 legalized consensual homosexual acts, privately, and only for over twenty-ones. My own lifetime witnessed this step in the right direction continue. Through the hullabaloo of celebs bravely confessing and campaigning, even during the dawn of AIDS, as Boy George and many others colourfully threw it in their faces, pride to be homosexual was still controversial and a long way from general acceptance. The ingrained discrimination turned from angered hatred to taboo, and the butt of the joke. Dick Emery made his fortune; his angle was awful, but we liked him.

Sticks and stones, not quite as bad as the death penalty, though psychologically damaging, itโ€™s been a rocky road to where we now sit, dunking our biscuits. A gender-neutral era of law, media acceptance and general consensus, where anyone can marry anyone, where the sexual orientation of pop stars is of no significance, and when a character in a prime-time childrenโ€™s cartoon, namely The Loud House, can have two Dads. A notion as brilliant as the colours of a rainbow.

Even to look back as recent as twenty years ago, where Will Young โ€œcame out of the closet,โ€ society has achieved something unthinkable given the history, and for everyone hung, to those necessitating toilet trading, and from those who hid in denial and shame to those queens who wafted it their judicious faces, despite your personal orientation, this is something, in my view to be proud of, and to celebrate.

Yet, when the social media manager of those ordered by government to uphold the law decides to acknowledge this acceptance, on the shortest month of the year marking LGBT History Month, by taking two minutes out of their day to add rainbow colours symbolising Pride, to the backdrop of their Facebook logo, cabin-fevered keyboard warriors gather to accumulate a thread of hatred comments, condemning the decision.

Yep, despite the repulsive and discriminating history, when we finally reach this trailblazing conjunction, Wiltshire Policeโ€™s temporary Facebook profile picture is plagued by self-righteous little Englanders, again shamelessly twisting the narrative of positivity for their own wonky agenda. It comes from the same school of thought which devised โ€œAll Lives Matter.โ€ Regardless of the plight of a cause, they have to have their share of the glory, less launch their toys from their prams.

Given the plight and horrors history exposes on the campaign, you really have an issue with this?

Largely, the feeble excuse for their prejudges was police should be out there, arresting people, as if every officer on the force gathered around one laptop, each clicking one Photoshop option. See here, it took me precisely two minutes to lone extract a rainbow backdrop off Google and paste it onto my logo, and I kind of like it, might keep it, if it annoys.

The other popular justification is in doing this, police are side-tracking and singling out a particular group, precariously extenuating the issue. Hummโ€ฆ only, it seems by bringing it to your personal attention. Wiltshire Police explain their reasoning, โ€œthe rainbow is a symbol of hope. It represents everyone, irrespective of their sex, gender identity, sexual orientation, religion or disability. People are people. All of us need kindness, tolerance and acceptance. Please remember this when you post your comments.โ€

Top answer is, survey says no; โ€œJust accept people for who they are, there is no room for any form of prejudice, but I cannot help but think that highlighting individual groups just widens the gap, instead of building the bridge.โ€ Really? Two “buts;” you like buts?

Think historically, the death penalty denotes the gap started quite wide, awareness and celebration of said cognizance is a bridge building machine. Some need to take a long hard look at themselves, and dunk their custard cream in a fresh new cuppa. Growling at a rainbow like a dog barks at the moon; give me strength!

One can only conclude, even if itโ€™s ingrained and those passing negative opinion genuinely believe theyโ€™re not discriminating, they are. Your archaic notion of abhorrence is regressive, and yet again, unwelcome to general consensus.

If you trust thereโ€™s no need to symbolise this progress, then thereโ€™s no need to pass negative comment. But by the very fact you did, represents a definite need to; snakes and ladders. Because thereโ€™s looming underlining issue, and it lies in your own psyche. Ergo, eradication is teetering, weโ€™ve come a long way; u ok, hun? If the reprehensible repercussions of this episode represent anything, it is not Pride, but shame, and evidently, the sat-nav of equality has not announced we are at our destination, quite yet.

Trending…..

Only The Brave Burn The Midnight Oil

Hurrah, at last! Only The Brave is the debut song from Burn The Midnight Oilโ€™s revised lineup; something Iโ€™ve been anticipating since watching them rehearseโ€ฆ

Dulcet Tones Rock Back to Bassett!

You’re a teenage Tom Cruise, at least you wish you were, but stay with me on this! Your parents are away, you’re home alone withโ€ฆ


Song of the Day 21: Andy J Williams

Ever just float around your favourite social media site with no objective in mind, to unexpectedly find something which pounces on you as utterly brilliant, and wonder why you’ve not heard about it before?

Took a second of watching this to establish it’s one of those rare occasions, and not just a pointless scrolling exercise for your index finger. You know the kind, where you only see your mate’s unappealing dinner, a wonky, windup political opinion, or video of a young prankster posing as a magician hoaxing eye candy on a Florida beach.

Took a further second to confirm it’s not to be confused with senior easy listening giant, Andy Williams, rather an indie-pop Bristol-based singer-songwriter namesake, but with an added middle J, a penchant for a funky riff and eye for a beguiling tune.

Check this cracking danceable video out, where one could ponder if the middle J stands for “Jacko!”

Not that I’m usually one to allow a cracking video convince me, even with dancing stormtroopers. So, you should note, he’s on his third album “Buy all the $tuff,” of which you can, here. I’m reckoning I need a window to review this fully in the near future. For now it came as big as a nice surprise as spotting an unidentified circular yellow object in the sky this morning, for a near halfhour! Amazing.

And that’s my song for the day. Very good. Carry on…..


Glowing in the Dark with Django Django

Drive Doc Emmett Brownโ€™s DeLorean to 1966 and dump the Pet Shop Boys off at Sunset Sounds, see how they get on helping the Beach Boys record Pet Sounds. Think of the marvel of time travelโ€™s possibilities, Pet Shop Boy Sounds; if only it were possible!

But while you ponder what kind of sound might it be, imagine what paradox youโ€™d cause in the wake of your return, what contemporary music wouldโ€™ve warped into; now Iโ€™m twisting your melon, man. Maybe give Django Djangoโ€™s fourth album Glowing in The Dark a try, if youโ€™re incapable of kicking Kraftwerk out of your Tardis at Abbey Roadโ€™s eight-track studio as John, Paul, George and Ringo plan Sgt Pepper, for in essence, the result might be uncannily parallel.

As the track Headrush fades into The Ark, halfway through this genre-bending electronica, youโ€™d be forgiven for aching to hear Soft Cellโ€™s Tainted Love cover for prosperity, but hurry or youโ€™ll be reaching for Pink Floydโ€™s Meddle too. If you think electronica has no avenues left to stride along and come out of the woods unscathed, here is a new journey, which though splices many influences, is perfected in matchlessness.

Equally, if you feel electronica lost its way after new wave, as hit factories seized the era and everything underground which followed for a decade seemed to involve waving glowsticks or making imaginary boxes to mindless and soulless techno while chewing your bottom lip off, then this is your reawakening.

Photo credit: Horacio Bolz

For lyrically, Glowing in the Dark has a rather platitude running theme of escapism. Clichรฉ as leitmotifs vis-ร -vis to despair from constraints of small-town life, or terrain ascending dreams might sound, itโ€™s handled well. Acoustic rock goodness is graced here too, then, the World will Turn is quintessentially The Byrds, at best comparison, and miniature road movie Waking Up hints at T-Rex combining Serge Gainsbourgโ€™s Bonnie and Clyde with Gainsbourgโ€™s daughter Charlotte guest vocalist, just to ascertain. But itโ€™s like Mike Oldfield plucks a funky guitar for the next tune, and Daft Punk will jaw drop at the simplified meticulousness of the danceable title track.

The finale then achieves what the late great Andrew Weatherall set out to do with Primal Screamโ€™s Screamadelica, precisely, oh my god, not, no, not thirty years ago, surely?! Tie a fluorescent French horn to my Zimmer frame and pass my meds, Glowing in the Dark relishes in all which has passed in music technology from the psychedelic nature of space rock, the dreamy accompaniments of acoustic, the bellbottoms of glam, through to new wave and rave, yet somehow, while embracing all familiarities, charges something exclusive and fresh at you.

But I feel now the end is here, all the aforementioned is not why this album is so beguiling and attained, because itโ€™s fair to say such blends have been attempted before, yet its originality is maintained and its splendour achieved by the free-flowing composition; it just, works.

Released 12th February 2021, via Because Music, on limited edition glow-in-the-dark vinyl, standard black vinyl, CD and digital download/streaming on all usual platforms.


Trending….

Kirsty Clinch Lauches Pre-School Music School

Wishing local singer-songwriter Kirsty Clinch only the best of luck today, as she announces a new project; a music school for pre-school age and above, called First Melodies.


As well as private tuition, Kirsty plans to combine published books and a YouTube channel to create a wider audience. Anyone interested should contact the website and subscribe to the channel…. I need not explain further, as it’s covered in this video…

Best of luck Kirsty, we reckon it’s the perfect idea for you.


Five Things of Smalltown Tigers

Being fashionably late for a party with a trio of female Rimini punks, their album, Five Things released in April last year on Area Pirata Records, mightnโ€™t be as bad as it sounds, because post-1973 this music is timeless, recapturing the genreโ€™s very essence and roots; welcome to the world of Smalltown Tigers.

Because, the punk the era was a short-lived explosion which although never toppled the rise of disco and funk, surely stamped its mark on everything which followed in its aftermath, from fashion, tenet and sound. Yet the aggressively modern attack of the first wave of punk rock in the face of hippie culture perpetually allowed itself to be watered down and fused. Just as every popular genre tends to do. Concluded new wave and avant-garde art-punk through to the skater contemporary fusion with metal, or oi ska, itโ€™s warped into many guises. Yeah, theyโ€™ve got edge, but as dicey as the original simplicity of early seventies punk? I think not.

Thatโ€™s where Smalltown Tigers pack their sucker-punch, from the hip of the original garage formula, as if post-punk never happened. ย They cut their teeth playing Ramones songs at squats and beach parties, spreading their love for surfboards and punk rock. Tommy Ramone stated on the lineages of the youth culture, โ€œpunk rock had to come along because the rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock ‘n’ roll.โ€ And from the off of Five things this notion resonates to modern day.

Image: Alex Poni

But it doesnโ€™t allow you time to contemplate any of this, it doesnโ€™t wait for you to come up for air, it doesnโ€™t causally drift in, and it certainly doesnโ€™t stop to excuse itself. It detonates eight under three-minute tunes of punk noise in your face before youโ€™ve time to take cover, and while their energy might leave adolescents jittery and flabbergasted, craving for what they consider a crazy new sound, punk diehards will wink with acknowledgement and welcome its blissful eruption with open arms.

While you wonโ€™t find this mini-album settling down to a ballad, or suddenly branching out to experimentation, as time passes obvious influences of Patti Smith and the Ramones slip into elements of Joan Jett and the B52โ€™s fashioned rockabilly, but remain elusive at best. Mostly of what you have here is no nonsense, high-energy, fuzz box punk rock n roll with a calling to its roots, and in this much, it absolutely rocks my world!

Recorded mostly live in the studio with no overdubs, mixed by analogue master Roberto Villa on 2โ€ tape, and mastered by Detroit garage-punk guru Jim Diamond, these eight songs testify that these girls are no Dolce Vita. Time to forget your Busted and Blink 182s; punk has never been so retro or raw since its incarnation, the opening for Smalltown Tigers is gaping.


Trending Now…..

Rowdefest 26 Lineup Reveal!

Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโ€ฆ

Agricultural Appropriation with Monkey Bizzle

There’s no sophomore slump for Monkey Bizzle; prolific in their art, these rural chav-choppers return with a second album, Agricultural Appropriation, only five years andโ€ฆ

Doctor Faustus Sells His Soulโ€ฆ. in Devizes!

Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisonsโ€ฆ

Song of the Day 20: Darling Boy

Self-taught multi-instrumentalist, singer and actor, Darling Boy, aka Alexander Gold adds reminisces about his game childhood with this video for his new single “Tea Drinkers of the World.” An unusual move for this brand of indie-pop, but a colourful and entertaining 16-bit retro game fashioned video; enjoy.

And that’s my song for the day. Stream it here. Facebook here. Very good. Carry on….


Online Stuff 2 Do This Half Term

Yay! Home Schooling is out for half term, but before itโ€™s replaced with excruciating racket, higgledy-piggledy hullabaloos, and junior revolutionary uprisings, diligent stay-at-home parents teetering on the edge of wine oโ€™clock should note, if the outside activity mountain won’t come to Muhammad, well, Muhammad has to get there online. Hereโ€™s some โ€œlitโ€ bodacious suggies to get him harnessing his cramponsโ€ฆ.

No, Iโ€™ve no idea what that meant either, just hit me with your suggestions, homies, and Iโ€™ll add them here without beef!

Firstly, keep them well fed, and if you’re having difficulty…….

FREE SCHOOL MEALS ELIGIBILITY

Wiltshire Council is urging families who find themselves in difficult circumstances to check if they are also eligible for free school meals and the holiday food funding. Families can find out details of how to apply for free school meals support on the Wiltshire Council website including those families on: -โ€ข Income Supportโ€ข Job Seeker’s Allowance (income-based)โ€ข Employment and Support Allowance (income-related)โ€ข Support under part six of the Immigration and Asylum Act 1999โ€ข The Guarantee element of State Pension Creditโ€ข Child Tax Credit – providing you are NOT entitled to Working Tax Credit and your family’s annual income (as assessed by HMRC) is not more than ยฃ16,190 (as at 6 April 2012)โ€ข Working Tax Credit ‘run-on’ – the payment you may receive for a further four weeks after you stop qualifying for Working Tax Creditโ€ข Universal Credit (provided you have an annual net earned income of no more than ยฃ7,400, as assessed by earnings from up to three of your most recent assessment periods) โ€ข Better2Gether Funding (two year olds only) Universal Credit – if you and your partner are on a low income from work (this usually means a combined income of less than ยฃ15,400 a year after tax)Or if the two year old child: -โ€ข Has a statutory statement of Special Educational Needs (SEN) or an Education, Health and Care Plan.โ€ข Has left local authority care through a Special Guardianship Order, adoption or a Residence Orderโ€ข Is currently a Looked After Child, for example in foster careโ€ข Is in receipt of Disability Living Allowance (DLA)People should apply directly to Wiltshire Council if they are eligible but currently do not have free school meals by using the form on the Council website.

Morrisons Kids Meal and Pizza making Boxes Here!


Creative

Stuff!

Get Cartooning!

Thereโ€™s always cartoon and comic workshops to get creative darlings budding. Enter Beano artist and charismatic comedian Kev F, whose Comic Art Masterclass usually travels the schools and libraries of the country, and ends with some seriously entertained kids each with their own homemade comic. The only need to travel is to grab some paper and pens now Kevโ€™s class is online.

But check here for a number of different creators giving away their artistic secrets in comic workshopsโ€ฆ


The End of the Pier Show

Jonny Fluffypunk presents a brand spanking new show for families, with poetry, puppetry, story, song and a healthy dose of ramshackle anarchy.

Cooking

Stuff!

The Farm Cookery School in Netherstreet

have their popular holiday clubs online, and are available to book NOW! They are only ยฃ10 – ยฃ15 per login and that includes LIVE Tuition as well as a Recipe and Ingredients Guide which will be emailed to you straight away. Just imagine, dinner may be served by your little horrors!

Learning

Stuff!

Family half term activities among online events at Chippenham Museum

Prior to lockdown Wiltshire Museum were really enjoying hosting Curious Kids sessions for under 5โ€™s and their grown-ups. They have adapted sessions to deliver them on zoom. A chance for younger children to have some interaction with people from outside the home and for families to learn, create and play together โ€“ supported by the museum.

February Half term session will focus on Saxon Crafts and will look at weaving jewellery.


STEM Venturi

 February Half Term online coding courses for 7 – 12+ year olds. Also debuting Girls Who Code course…โ€ฆ Lots of coding courses including Minecraft!


Music

Stuff!

Open to all young people aged 12 โ€“ 18s who love to sing, the new Wiltshire Youth Choir (WYC) will take your singing and performance to the next level.
– Learn from inspiring choir leaders with years of professional experience
– Explore music from different genres: musical theatre, pop, classical and more…
– Work towards performances in some of the countyโ€™s top music venues
Join us for our next free virtual Come and Sing workshop on Thursday, 18 February, 10.00 – 12.00 via zoom.

Trending now….

Chandra Finds Heaven on Earth

Usually I just write what I think, but if I had a point-scoring system this new single from Bristol-based indie-pop outfit Chandra would tick everyโ€ฆ

Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

Who Broke into Joyrobberโ€™s Car?!

Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโ€™sโ€ฆ

Song of the Day 19: Macka B

Topical, in view of Mark Little of Bristol Rovers’ social media attack, here’s a year-old message which, idealistically shouldn’t need repeating, but, unfortunately, seems it does.

And who better to deliver it than Wolverhampton’s Christopher MacFarlane, better known to the world as Macka B?

His righteous, yet witty DJ toasting style is often mimicked but never bettered. Since his early days on the Exodus sound system, through the eighties fast-style origination of Fashion Records, of which the late great Smiley Culture bought to mainstream charts, to today’s international recognition, award-winning Macka B never fails to breathe charisma and charm to a subject with intelligent and amusing verse.

The premise of his song is simple, the message is resounding.

And that’s my song for the day. Very good. Carry on….


15 Sensual Songs for Valentines

Here you go, right; the meal was flawless, the wine is taking effect, the candles are in perfect position, the rose petals spread on the duvet, made sure you changed the sheets and hidden your Razzle collection. Now all you need is the perfect valentines evening playlist as the icing on the cake.

One track wrong, just one accidental selection, could prove fatal for getting to final base. At worst youโ€™ll be alone, regretting how that Slipknot track got mixed in there, or which prankster mate added Iron Maidenโ€™s Bring Your Daughter to the Slaughter. At best, mistakes can be made in picking from the plethora of timeless love songs available. One narrative of break-up, something just too damn perverse or slushy, or even a song which reverts your partner back to past lost love, can be dangerous and a waste of your hard-earned cash at the johnny vending machine.ย ย  ย 

Image: Jakob Montrasio

It is with great empathy and consideration I offer you my tuppence on the perfect Valentineโ€™s Day playlist. To begin, you must understand, love songs come in four main categories; the clichรฉ slushy, soppy sort which are so wet theyโ€™re Wet Wet Wet. These are best avoided. The second are the breakup songs, often beautifully crafted nuggets of melancholy, but again, not best for enticement. The third sort, Frankie Says, is the outright filth, centred around the kind of mindless, unattached, no bars held bonking frenzy you have to clean up with a mop and bucket. While at times these are the best of the aforementioned options, what you really need to set the appropriate mood is the fourth category, the songs I deem โ€œsensual.โ€

Sensual songs arouse the neurons, make the hairs on the back of your neck stand up. They neither absolutely call out the knob-fest youโ€™re hoping for, merely hint at it, or relish in slushiness so maudlin it all comes over corny and nauseating. Donโ€™t blame me if everything you do you do it with Bryan Adamsโ€™ songs on repeat, it horribly backfires and all which remains of their presence is a fading odour of Superdrugโ€™s own make Eau de Parfum. Hereโ€™s the list, adhere to it, fool!

1- Try a little Tenderness – Otis Redding

Otis was a magician, indisputably. His effortless vocals are so sublimely sensual, one play of this and womenโ€™s clothes automatically fall off. Guys, if it was good enough for the Ducky, itโ€™s good enough for you; a guaranteed win-win.

2 – Let’s stay together – Al Green

Again, this one is a given. Why do people break up, turn around and make up? Well, itโ€™s for the make-up sex, Al, obviously. Look, we all know make-up sex is the best and stickiest kind of sex, but when setting the mood for the now, never dwell on the possibilities of the future; price of prams these days, prenuptial agreements, stuff like that. Nope, this song pledges nought can possibly go wrong, you are 100% devoted, and that assurance will see knickers on the bedroom floor.

3- Sexual Healing – Marvin Gaye

Marvin with the topper most sex blag, only one under the notion itโ€™s greater for weight-loss than a diet. Here, Motownโ€™s senior figure suggests wellbeing, that sex is good for him emotionally and psychologically. But thereโ€™s cohesion, it is affirmed, heโ€™s no slapper, and only wants to do it with you. Although you guessed this song would be listed, it works a like a charm.

4- Je T’aime…Moi Non-Plus โ€“ The Scamps

Okay, Serge Gainsbourgโ€™s classic obviously needs consideration, but is about as corny as seventies lava lamps, and Jane Birkinโ€™s aching French orgasmic harmonies might be off-putting if youโ€™re still eating pudding or not making quite as good a job as Serge himself. Therefore, try this; this Scamps version is instrumental reggae, and reggae in general, is kinky as. For added effect, should things be going well and your French up-to-scratch, you can have fun arranging your own vocals.

5- Bob Marley & The Wailers – Guava Jelly

So, pandoraโ€™s box opened. If weโ€™re going to do reggae, thereโ€™s so many Bob Marley tunes which are more than apt, picking just one is a minefield. Letโ€™s go demining like Steve, itโ€™s okay, Iโ€™m a professional. For starters Guava Jelly teeters on the edge of reggae, rather deemed closer to rock steady, the pioneering transitory period between ska and reggae. Rock steady is the definitive romantic period of the music of Jamaica, and Bob is one charmer. This particular song is the perfect balance for what Iโ€™m proposing here, itโ€™s connotations of lubrication is pure filth, but its backstory of love is quixotic; precision engineering from the Tuff Gong.

6 – Henry III โ€“ With a Girl Like You

Now, after all I said about rock steady, a word of warning. Donโ€™t, whatever you do go gung-ho and add any old rock steady song to your playlist. Such is the way of bygone eras and particularly in Jamaica, many are not PC by todayโ€™s standards. Often subjects deal with cheating, disintegrations or can be degrading to the fairer sex. Sometimes it helps, if going with rock steady to check covers, take this divine version of The Troggs โ€œWith a Girl Like You,โ€ for example; thisโ€™ll work.

7 – Lorna Bennett – Breakfast in Bed

Now, if youโ€™re only up for covers being the kind you jiggle about underneath, by all means go for the original of Breakfast in Bed, on Dusty Springfieldโ€™s ultimate โ€œDusty in Memphis,โ€ as itโ€™s more than suitable. But if you want a bit of reggae in said jeggae, the UB40 version is not your best option. Lorna Bennett does this with bells on. This is so sexy it should be illegal.

8 – Claude Fontaine – Cry for Another

If itโ€™s sexy reggae you want, but contemporary you fancy, and youโ€™ve taken heed of the importance of French accents weโ€™ve mentioned, hereโ€™s a lesser-known masterpiece by multi-platinum, Grammy award-winning record producer, Lester Mendez, certain to hold the object of your affections mesmerised and putty in your hands. Claude Fontaineโ€™s voice just, just, justโ€ฆ. oh, no, pass the Kleenex.

9- Kingston Town – Lord Creator

Look, I like UB40, I really do. But whence you listen to the original Lord Creator version of this, you wonโ€™t go back. Its subtle idealistic references paint a romantic image of Kingston Jamaica, in contrast to the biting reality itโ€™s often depicted as. Like the notion, any place is beautiful when youโ€™re there, sure to cause a love tidal wave, in your direction. 

10- Swimmer โ€“ Black Star Liner

Now, youโ€™ve done the groundwork and things are moving fast. Unlike technology of the era, owning a pager isnโ€™t going to get to you close enough to the opposite sex to be sneezed on these days, the electronica of the nineties can be your friend. Dance music came of age mid-nineties and no longer concerned itself wholly for standing in a muddy field wearing a dust-mask and gyrating like a broken robot. In fact, local city Bristol took a whopping portion of credit for the downtempo trip hop trend. But, while you know Massive Attack will make it onto this list or itโ€™s not worth publishing, unless you lived it, and I mean, really lived it, I forgive you for not knowing this and the next two sublime nuggets of dreamy dance. Black Star Liner are as if Massive Attack did bhangra for film scores.

11 โ€“ Long as I Can See the Light โ€“ Monkey Mafia

As the finale of Shoot the Boss, an album with enough cutthroat techno and dark ragga to scare the willies out of Moby, Jon Carter places this gorgeous protuberance of uplifting trip hop to bring a lump to your throat, or elsewhere.

12 โ€“Soldissimo – Air (Etienne de Crรฉcy Remix)

Again, the French know saucy. This Air remix by the super discounted Etienne de Crรฉcy is such a barely known, absolute inspiring masterpiece, and when that acoustic guitar breaks in, oh my, eyes will implode, and the bedsheets will need changing.

13 โ€“ Unfinished Sympathy โ€“ Massive Attack  

For me to pick a single song from my misspent youth wouldnโ€™t be easy, until Iโ€™m reminded of this. You know it, you must do, so will your partner. Theyโ€™ll whimper, โ€œI love this song,โ€ ergo, I love you for thinking itโ€™s suitable to reflect your feelings towards me, and bingo; fire in the hole.

14 – Sharing the Night Together- Square One

To take heed of my warning about picking any reggae tune, apply doubly so with soca. Subject matter of most soca is outright filth, if not being about waving your flag about during crop over, itโ€™s generally about waving something more phallic about. Which is great for the rugby clubโ€™s Christmas party, but not so much when wooing. However, thereโ€™s always exceptions to the rule, and when Alison Hinds does it by covering this Dr Hook track, she makes Rhianna sound like Cathy Lesurf by comparison.

15 – Lovely Day โ€“ Bill Withers

Okay, so a few might be new to you, this is good, but letโ€™s end it with a classic. The sunlight hurts his eyes, and something without warning bears heavy on his mind. Yes, it does have slight negativity about it, but the very notion just by looking at your partner, itโ€™s all inconsequential and can all melt away, will guarantee your bedposts will be thumping against the floorboards in no time at all. Have a happy and successful valentineโ€™s day. Best of luck, mucky comrade. Over and out!

And if these fail, something is wrong and you should either try Nina Simone, or consult your GP, just don’t bother me, do I look like Deidre Saunders? Actually, don’t answer that, just keep your mind on the job at hand, else your hand will be the only…..okay, you get the idea….


Trending now…..

Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

Song of the Day 18: The Lost Trades

If you’ve not heard of The Lost Trades before, you must be new to Devizine! Not a problem, we welcome newbies with open arms.

For further information we have a search bar, use it!There are plenty of archived features on The Lost Trades, Phil Cooper, Jamie R Hawkins and Tamsin Quin: enough for Devizine to be an official fan club! These Song of the Day posts are brief and are not intended to be full reviews.

They’re also about introducing you to artists we’ve not, or hardly ever mentioned much of before. Today’s case differs.

I should explain, we’ve followed the individual careers of this local vocal harmony trio since the website’s creation, and they’re three out of many in through doing this, have become personal friends.

Naturally, there’s a danger to the bias of honest criticism in a reviewer befriending the creators; mainstream artists use “enemy” as a term to describe NME journalists.

Although they’re aware I’d be critical if there was ever anything to be critical about, this is also, never a problem, because, simply, the awkward situation never arises.

Partly, I believe, this is because Devizine isn’t a job, it’s a hobby, and if I thought for a second I’ll unjustly slag anyone off for kicks, then the whole objective of it is compromised. Though it’s a delicate balance to provide honest content and maintain relationships with the talented subjects, there’s no reason to wreck a career, and I’d sooner avoid scribbling anything on the matter at all.

The fact if you do search for the Lost Trades or the musicians which make the trio up, you’ll find a fair amount of matter on the subject, can therefore mean only one thing: there never is a problem because they’re genuinely awesome, and this would still be the case even if they hated my guts. Which I’m not ruling out, but suspect it’s unlikely; least I can hope for is they think I’m a headcase. A friendly headcase, but a headcase nonetheless!

Still, it’s a great song, as ever, with a fascinating homemade video fusing Jamie’s enthusiasm for stop motion animation. Get it here.

And that’s my song for the day. Very good. Carry on….


Song of the Day 17: Diana Leoport

What’s Spanish for “diva?” Oh, Google translate aptly says it’s “diva!”

Super sassy Spanish vocalised RnB-pop doesn’t come sexier than Mexican singer Diana Leoport’s debut single. Aching with masses of Latino promise there’s elements of Shakira and Gloria Estefan in this smooth tune. My glasses have steamed up!

Out on all platforms here.

And that’s my song for the day. Very good. Carry on….


Getting Cosy with the Gyros; Greek Pop-up Catering Coming to Devizes & Melksham

For the love of Eros, whatโ€™s the plan for your Valentineโ€™s weekend in this restricted era? Just a language of love suggestion in view of limitations, because Iโ€™ve not tasted a Greek gyro, yet, but boy, the ones at The Cosy Kitchen pop-up takeaway look scrum-diddly-umptious! And word on the street is; theyโ€™re heading our way. Find them at the Wiltshire School of Gymnastics on Friday 12th and The Moonraker Pub, Devizes on the 13th February.

Iโ€™ve been chatting to these SBS winners, finding out how it works and asking them, why Greek. The foremost is simple, just rock up, order and obviously adhere to social distancing measures. They donโ€™t offer pre-orders or deliveries, itโ€™s collection only, โ€œwe find itโ€™s not fair to the people queueing to then stop serving them when theyโ€™ve been waiting, for someone who has called up,โ€ they explained.

The Cosy Kitchen started in 2019, on the events circuit, which is probably what jogged my memory of their popularity at Devizes Food & Drink Festival that year. โ€œIt has been difficult as we have had every event cancelled and I feel most of this year is going to be the same,โ€ they told me, โ€œso we’ve had to adapt to how things are to ensure we’re adhering to guidelines by putting things in place to keep everyone safe, it’s not been easy but all our customers have been amazing!โ€

The Cosy Kitchen at 2019 Devizes Food & Drink Festival

Iโ€™m reckoning itโ€™s great for towns like Devizes, despite awesome Italian, Chinese and Indian restaurants, the choice is mostly limited to these. But why did the Cosy Kitchen decide upon Greek cuisine? I asked if there was a connection.

โ€œWe love Greece,โ€ they added, โ€œit was the first place my partner and I went on holiday and we fell in love with the place, since then we go back a couple times a year, to a little village where we are friends with everyone! We would come home, wanting gyros or Greek food and would drive long distances, and not be 100% happy with it, either not tasting right or the wrong atmosphere. So, we thought, letโ€™s just do it ourselves!โ€

With a chef in the family, a connection to Greek suppliers, and friends who had restaurants (one called The Cosy Corner, influencing the name) to teach them recipes, The Cosy Kitchen was born and it treks Wiltshire towns and villages, bringing them a taste of Greece; whatโ€™s not to like?!

Cyprus is as close to Greece Iโ€™ve been, personally. An island which seems to cater for the majority English tourist by offering, I found tiresomely, chips with every meal. Much to my initial delight, at one point we tried an Australian bar where the owner proudly acclaimed in broad Sydney accent, โ€œtoday weโ€™ve got the Sunday roast.โ€ But to my horror, even this was served with chips!

Due to this, the sustenance experience of my life occurred there, and Iโ€™ve been a fan of Greek food since. Yep, weโ€™re talking the meze, a boundless round of courses until you drop. Honest, Iโ€™m a big eater, but this broke me. Thereโ€™s a photo Iโ€™m not sharing, of me at this conjunction, reddened in face and blotted beyond compare. The waiter noted my faltering and tapped me reassuringly on the shoulder, โ€œnot long to go now!โ€ But it was a big fat fib, as they covered the table in traditional Greek dishes, and Iโ€™m not one to excuse myself. They were all so fine, I had to try at least a bit of each!

The Cosy Kitchen found my recollection amusing, โ€œha-ha! Greeks do not understand portion control!โ€ Which led us nicely onto the details of what a gyro is. Akin to the Turkish kebab, its meat cooked on a vertical rotisserie, typically served wrapped or stuffed in a pita, along with ingredients such as tomato, onion, and tzatziki sauce. โ€œIn Cyprus,โ€ those Cosy Kitchen folk informed, โ€œthey mostly don’t put chips inside their gyros, whereas in Greece they do.โ€ I zoomed in their photos, story checks out, there be chips in there; fortunately, Iโ€™d just had my dinner, still got a tad eager though. But the Cosy Kitchen get only good feedback on their brand of “herby fries,” โ€œpeople just love them!โ€

It all sounds good, and in my mind, Iโ€™m already queuing at the Moonies! But the proof is in the pudding, as they say, of which, incidentally, you can order cheesecake for ยฃ3 a slice, and I think we should report back on how they taste on the day, if youโ€™re not tempted already!


Trending…

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s moreโ€ฆ

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Song of the Day 16: Blondie & Ska

If you came here looking for an original song by upcoming hopefuls, look away. Chippenham’s Blondie & Ska may not be groundbreaking or looking for a mainstream recording contract, a Blondie tribute act who fuse ska and Two-Tone classics into their repertoire, but what they do they do with a barrel load of lively fun. And, in a nutshell, lively carefree fun is the backbone of ska.

Heores of the live stream currently, booking Blondie & Ska for a party or pub gig in the future, and you can gurantee, if fussy music devotees tut, the majority will be up dancing. For this reason enough, I blinking love this duo, but that alone is plentiful. Like their Facebook page for details of future free streams, it’s an entertaining, unpretentious show.

And that’s my song for the day. Very good. Carry on….


Song of the Day 15: The Emertarians

Anytime is a good time for some roots reggae, Sunday morning, doublely so.

Enter one of my favourite current reggae bands, from Madrid, the Emertarians.

They always remind me of an occasion, at a festival in Andalusia. I watched this great French reggae band. The slighty rotound frontman looked rather like the late, great Jacob Miller. After the performance I noted he was standing close to me, watching the following act. I went over in hope of telling him how much I enjoyed their music, praying they spoke English.

I momentarily regretted my school French lessons, which I spent making homemade comics out of text books, as he replied with an adamant no upon asking if he spoke English.

All the vocabulary my intoxicated mind could conjour was “tres bien,” so I repeated it perpetually in true Del-Boy fashion!

Otherwise the meeting was the awkward silence of communication breakdown, in which I suspected they thought I was completely nuts. Not so far from the truth.

So, I namedropped Jacob Miller and suddenly we had understanding and mutual respect for the man. My point is, sometimes the Emertarians sing in Spanish and sometimes English, often the Spanish ones more emotive, but reggae has no language barriers, because it’s spiritual meaning and uplifting ambiance is universal. As with the French Jacob Miller-alike, we were on the same song sheet….

Naturally at that conjunction, I rolled a joint.

And that’s my song for the day. Very good. Carry on….


Wiltshire Rural Music to Stream Gigs from Trowbridge Town Hall

Wonderful Trowbridge-based music charity, Wiltshire Rural Music revealed an online programme project, Live at Town Hall, today.

In collaboration with Trowbridge Town Hall, they plan to stream full concerts of our outstanding local musicians, starting in February. I hope to have more information for you, when dates and acts are announced.

Wiltshire Rural Music do an outstanding job supporting and enabling local communities and individuals to realise their musical potentials and fullfilling their ambitions. They provide room hire, give bursaries and work closely with Alzheimer’s Support, taking music into care homes and schools across the county.

More info on the work they do here. Follow them on Facebook for details of the streamed gigs.


Around and Around, and Hitting a High; Kirsty Clinch on Top Form

You can give it to me straight and agree, Iโ€™m old. Though as much as I hold dear the hours browsing record shops for a seven-inch slither of vinyl, the streamโ€™s advantage is manyfold. Perhaps none more than the increased availability and distribution of home-made wares.

Vinyl junkies were restricted to what the music industry decided. While DIY music was around then, it was a needle in an underground haystack, obscured by a lack of prior knowledge of counter culture distribution, and even if you were aware, still they cost post and packaging.

Send a SAE in good faith, and when the musician finally finished his last bong, made it off his scabby sofa to the post office, youโ€™d receive your cassette, only to find out it wasnโ€™t as good as youโ€™d been convinced it was by the crazy fractal advert in a punk-paste zine. Weโ€™ve come a long way, folks.

Local independent, country, singer songwriter, Kirsty Clinch posts on Facebook, one of the many social media platforms she tweaks to promote her music. Her latest single, Around and Around has reached a staggering 2K Spotify streams in just five days, managing to peak at number four in the iTunes country chart. Itโ€™s an achievement made mostly on her own, but does it prove the value of DIY rather than aiming to be signed by a label, can anyone with social media savvy achieve it, or is simply that itโ€™s a great song from an exceptionally talented musician?

Itโ€™s certainly that much. Dreamy and evoking, Around and Around sees the ever-enlightening Kirsty at the ultimate perch in her career, in line for the forthcoming album, it leaves you dripping in anticipation for more. โ€œAround & Around is all about catching your dreams,โ€ she explained, โ€œtaking chances and not getting stuck in ruts; thatโ€™s just what Iโ€™m doing right now.โ€

A smidgen punchier than her previous release, Fit the Shoe, and perhaps even more beguiling than that beauty. To hear it is to engrossed in its pensive narrative, as all classic country should. But its Americana influences are subtle, it never references peripheral subject, as much UK country artists feel impelled to mention boxcars, dustbowls, and things you wouldnโ€™t expect to find in their English suburban hometowns. No, Around and Around, like, Fit the Shoe is romantically topsy-turvy themed, flexible for a wider, international audience and contemporary sounding.

That said, Kirsty is no stranger to authenticity, travelling and performing in Nashville at venues such as the Blue Bird. Aside the clear influence of countryโ€™s leading ladies, the likes of Parton and Wynette and modern folk-rock artists, KT Tunstall and KD Lang spring to mind, Around and Around evoked memories of Kate Bush more than any other tune Iโ€™ve heard of Kirstyโ€™s, in its haunting atmosphere rather than vocal arrangement. I put this to her.

โ€œI donโ€™t get the Kate Bush thing; my voice is not as squeaky!โ€ she laughed, โ€œIโ€™m not a big fan of hers, which is weird as youโ€™re not the first person to say it either. Sheโ€™s huge though and loved for whatโ€™s she does, so I wonโ€™t complain!โ€  I had to explain I meant more the whole ambience of the sound rather than squeakiness of her voice, but we needed to move onto the immediate success of this particular tune, and where she hope it will lead.

โ€œIt wonโ€™t go higher,โ€ Kirsty predicts, and I hope sheโ€™s wrong. โ€œOnly slowly hides away after that, the famous people take over sooner or later! But songs can always come back, so [Iโ€™ve] just got to keep hustling.โ€

I took Kirsty back a couple of years, sitting chatting on the lawn at BromFest, we discussed the hopes of an album then; best things come to those who wait. Aside her nonchalant social media persona, I perceive Kirsty to be a perfectionist on the quiet, certainly shows with these two singles. โ€œYes, I have one more coming out hopefully before May, and then Iโ€™ll drop the 14-track album,โ€ she announced, โ€œThatโ€™s why itโ€™s taken so long, itโ€™s a big one, but for a first timer in online sales, I had to do it to catch up!โ€

Iโ€™m aware Peter Lamb had a hand in this remarkable achievement, so I name-dropped the local legend, โ€œall produced by Pete?โ€

โ€œI did the whole thing in my bedroom studio by myself,โ€ Kirsty replied, adding an angel emoji. โ€œPete added the bass, and then corrected my mixing and mastering mistakes at the end, as I got frustrated on the last bit! So, Iโ€™m pretty proud of it for that reason.โ€

It must be a relief to get an album complete, but the hard work is only halfway there, getting out and promoting it follows. Which part does Kirsty favour, despite psychically getting out and launching is impossible at the moment?

โ€œI like all of the process,โ€ she chuckled. โ€œGigs will come back, Iโ€™m just making the most of the situation and working with what Iโ€™ve got for now, there is always a way around things when youโ€™re creative.โ€

Returning to my opening notion, due to developments in tech and a motivation for independence, a professional sound can be achieved at home. Kirsty furthered that she did the artwork and music video for this track all by herself too, due to lockdown.

โ€œThe album launch is not so essential,โ€ she pondered, โ€œwhen I can promote it just as good online anyway now.โ€ As I said, Kirsty has a sturdy online presence, accomplished at building a YouTube audience, but is that more important to her than an album?

โ€œItโ€™s equal. All my fans are excited for the album! But the social media side of things mean they get to know you more, which is essential for selling music in the first place. Loads of people sell music, the marketing is the part that makes them what to listen to yours.โ€

And her secret?

โ€œGet to know your story etc,โ€ Kirsty elucidated, โ€œand connect with the music; if you just say โ€˜buy my singleโ€™ and thatโ€™s all your social media is about, you wonโ€™t get many results.โ€

For the end of our chat, we dithered and pondered if the angle of this piece should focus on the song or herself. Iโ€™m of the opinion, when the creative open themselves up to releasing art, a part of creator is revealed through it, so practically, theyโ€™re similar. You are the song; the song is you; be one with the song! Itโ€™s why naรฏve teenage fans really believe they know a popstar enough to fall in love with them, and perhaps is augmented with homemade product. There’s a huge connection between the singer and the song, though, I put to Kirsty.

โ€œYah, subscribe to my YouTube channel, and they would have all the details anyway!โ€ I suggest you do, as the interconnection is all-encompassing, the song is awesome, and likewise, so is Kirsty Clinch.


Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Carmela Wins Points of Light Prime Minister Award

A huge congratulations to Carmela and the Chillery-Watson family of Lavington, who knew nothing about the Points of Light awards until Carmela was rewarded with one this week. โ€œWe are absolutely bowled over with pure happiness at this surprise award,โ€ mum Lucy said.

First established in the USA by President George Bush in 1990, UK Points of Light was developed in partnership with the US programme and launched at Downing Street in 2014. Since then, hundreds have been named Points of Light by the Prime Minister, highlighting an enormous array of innovative and inspirational volunteering across the length and breadth of Britain.

Points of Light are outstanding individual volunteers; people making a change in their community, and after her 300km challenge last year, we couldnโ€™t think of anyone more suitable and deserving than our lovable Carmela.

Diagnosed at the age of three with L-CMD, a progressive muscle-wasting disease which weakens every muscle over time, Carmela is now six and has come a colossal way in raising awareness and funds for Muscular Dystrophy, and continues to be an inspiration to us all.

โ€œThank you, Boris,โ€ Carmela said, โ€œthis is awesome news, I canโ€™t believe it, itโ€™s so amazing. Thank you so much.โ€ Although the prime minister is just another celebrity notched on Carmelaโ€™s campaign trail, meeting with the likes of Beverly Knight, Frank Bruno, Jimmy Carr, and even Harry Duke of Sussex. Oh, and not forgetting last September when Wonder Woman actress, Gal Gadot, donated over ยฃ3K to Carmelaโ€™s fund. Face it, between Boris and Gal, I know which one Iโ€™d rather meet!

Itโ€™s a wonder, excuse the pun, if Carmela remembers the morning when she helped me on my milk round at all. I hope so, as it was a pleasure to meet her, Lucy and dad, Darren, and an occasion, Iโ€™ll always hold dear; even if I was a little tired and smelly!

CEO of Muscular Dystrophy UK Catherine Woodhead congratulated Carmela, and added, โ€œeveryone at MDUK is thrilled that Carmelaโ€™s outstanding fundraising efforts for the charity have been recognised by the Prime Minister. To date, Carmela and her family have raised nearly ยฃ50,000 for MDUK.โ€ Which is simply, amazing. Well done Carmela.


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Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโ€ฆ

The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ


Candidate for Wiltshire Police & Crime Commissioner barred from Volunteering to Administer Lateral Flow Covid Tests

Is it campaign point-scoring, as the authorities seem to presume, or concern for health which encouraged Wiltshire PCC candidate, Mike Rees to volunteer to administer lateral flow tests? Whatever, the bottom line is discouraging anyone from attempting to help out during this crisis is bureaucratic nonsense.

And besides, just a brief chat with Mike recently, throughly convinced me his motives are genuine. He’s an open minded, authentic and down-to-earth guy, with experience in the field and a passion for the role.

Mike explains: “It’s with great surprise and disappointment that I have to let you know that I have been stopped, and apparently barred, from becoming a volunteer in the police effort to combat Covid19.

As a retired police officer I put my name forward for volunteer duties last year when the pandemic struck.

Mike Rees

This month I answered another call to volunteer to administer lateral flow tests to police officers and staff. I had a training session earlier this week and completed the online NHS assessment and passed to certificate my competency for the task.

Today I was expecting to attend a ‘dry run’ session however I’ve now been told I cannot attend as they have to investigate the ‘rules’ as allowing me to volunteer may suggest bias on their part because I’m a candidate for the role of Wiltshire Police Crime Commissioner.

I’m disappointed and dismayed to be denied the opportunity to volunteer to support the police, a force I worked in for 30 years.

I’ve asked for the ‘rules’ to be clarified as I see no possible concerns.

For your information, I do not agree with this decision to bar me from volunteering. 

I’m standing as an independent candidate, not aligned to any political party and volunteering was a personal decision.”

Mike is fast becoming the outside chance of becoming our PCC, and we’re backing him fully here on Devizine after his Malmesbury boxing club recently helped out the homeless, appealing forย  donations of sleeping bags , food and clothes from locals and delivering them to the OpenDoors support agency in Devizes.

Plus, this is, by far, not the first charitable thing Mike has engaged in.


Song of the Day 14: King Hammond Meets Death of Guitar Pop

Great things about ska are many fold, but a topper most one has to be collaboration. Rather than set groups, as with most mainstream music, musicians uniting for projects is common and has always been the ethos of ska and reggae since day dot. Perhaps being the very reason it’s so lively and communal.

Another great thing about our song of the day, where Islington’s ska legend Nick Welsh, aka King Hammond, teams up with that crazy Essex duo Death of Guitar Pop, is the ska style displayed, near enough mimics the jump blues “shuffle” on which ska is originally based.

But history aside, let’s just enjoy this new track for all it’s worth. DoGP are fast rising in rank on the UK ska scene, with a carefree “Nutty Boys” fashion, it’s easy to see why.

And that’s my song for the day. Very good. Carry on….


Join me every Friday night at 10pm on www.bootboyradio.net

Song of the Day 13: Antoine & Owena

Congratulations go to folk duo Antonie & Owena for winning the G.S.M.C award for Best Album this year. Yet it’s not their first award, winning best duo at last year’s GSMC, and others. Here’s Something Out of Nothing, which I think explains all you need to know about how and why they won it!

And that’s my song for the day. Very good. Carry on….


Rise of the Snowmen!

Ladies and gents, this is the moment you’ve waited for…. or maybe not. This isn’t the Greatest Showman, this is the greatest SNOWman! Yes, we held a little snowman competition, and here’s how it went…..

Two things didn’t occur to me upon posting a picture of our snowman on our Facebook page, offering others to do likewise in a competition fashion. Firstly, the colossal response, but I guess Sunday’s snowfall was a golden opportunity to get out of houses and have a little social distanced fun. Alas, now the power of the sun and rain has reduced the white blanket to the odd splatter here and there. We will always have photographic memories of our once proud sculptures, and a carrot on the front lawn. Here comes some now…โ€ฆ

Secondly, how to actually go about judging a snowman competition, never having judged anything of the sort before. I gathered some thoughts to criteria, I Googled and found some rather serious rules from other such competitions.

Jonesy McSnow and Lucy (age 10)

Certain I wasn’t intending to make it half as serious as these, their judgements were much as I anticipated. There are factors to consider. Creativity for starters. Originality, tradition, competence, and dedication are equally important. Size is good, but it’s, as you know, not everything, when building a snowman that is.

Towering over the playpark on Devizes Green, Bally Bongo’s Bob stands at over 6ft 2. By
Archie(8) Blu (4) and a little help by the parents!
This snow Kong at the Henly’s has sacred everyone back inside!
The Russell Family’s got an outie belly button bigger than the average snowman!
The Waterman’s daughter’s first snowman is huge!
Stay back, he’s got a taste for meat, or is that a twig?!
From the tall to the small, it doesn’t matter, he looks happy!
Don’t, don’t, don’t you, forget about me!

Many were divided into age groups, which I figured awkward. Building a snowman is usually a group activity, it’s about families, all ages contribute. Kids run around trying to construct the starting ball, dads get the backbreaking task of rolling it up and taking half the grass and autumn leaves with it, while mums usually stay in the warm sourcing carrots and hats; it’s a communal experience for sure! Okay, Iโ€™m generalising for artistic license and know itโ€™s not really like that, trying to be funny, when really, judging a snowman competition is snow joke (see what I did there?) But making a snowman has no boundaries or conditions, any age, and race and gender, everyone together, getting creative….

Amazing!
Best buddies!
Hide your carrots, there’s a snow bunny about! Pictured with it’s creator; grand job, Faith!
The apple of Pingu’s eye! Well done Willow & Jonah!
Very retro, Kiana!
Shiver me timbers!
Mange tout, Hoffman, you plonker!

He made snow chicks, cats and dogs….

Arrow through the head??!
Great rocket ship, Isacc…. oh, you’ve sledged away!
Shark invasion in Sam’s garden!
And a hoodie in Kev’s yard!
Buddha in Urchfont!
And some lounging about!

But part of the beauty of creating a snowman is the feeling of togetherness. Here is an art where anyone can be the artist, provided theyโ€™re willing to get wet gloves. And in that notion, where some strive to be original, often the traditional method is tried and tested. A good snowman doesnโ€™t need to be carved by Henry Moore with flawless features; he needs a carrot for a nose, he needs two pebbles for eyes, twigs for arms and an old hat and scarf. We live in a traditional county, after all.

Tracey and Sara Whatley did the hard work, the horses reaped the benefits!

Then again, thereโ€™s something striking when creative genius gets to work and original ideas bend the theme. Some can be topical, facemasks a common theme this year, or culture based, whereas some can be funny, others damn-right rude….

The Barter family make use of their brussels sprouts after Christmas!
Zeb’s snowman has a snow booty!
Ol’ broccoli eyes is back; Guardian of the wheelie bins!
Either they tried to put wellies on this snowman, or it ate a small child!
Facemasks on, here comes the foreman tree inspector!
Dog photobomb at the Diskett’s!
Somebody call the snow doctor!
Anyone seen the funnel bit to mum’s vacuum cleaner?!
Take two bottles into the shower? No, I just wash n snow!
Anymore snow coming, I need a friend? Not for you, sprout-face!
Got to look your best when doing a spot of gardening…
Hit and run snowman attack!
Skateboarding on ice is dangerous, but when else can a snowman hit the half-pipe?
I’m all for gender neutral snow people, but this one has lady’s assets and a six-pack!
You’re only ever one jacket away from being a goth!
I thought about making this the winner; they’ve got to win something after all!
Office party, you know how it goes…..
Jimmy Saville goes skiing?

Rudeness I can take, live by it; but at least drag yourself away from Babestation for a few minutes to get out and actually build a snowman, rather than, as some did, Google โ€œrude snowmanโ€ and share the first image which pops up. Sad, but true, spoils it for the kids, of all ages.

Rule Britannia, we shall, we shall never stuff a whole loaf in our mouths at once?
Heavy night, anyone got a paracetamol?
I’ve had enough of this, I’m off to live with the wolves…..
Will you be my friend?
I am robo-snowman!

Can I pick a winner?

Drum rollโ€ฆโ€ฆ Tricky. Iโ€™ve narrowed it down to my ten favourites, and here they are. I apologise, I tried to source a snowman type of prize, but theyโ€™re a tad out of season and this was a spontaneous idea. I think a bit of future planning, for next yearโ€™s snow storm, being the idea was so popular, and we could have prizes. For now, winners can print off my certificate here, and a colour-me-in sheet, if they like that sort of thing! Thank you all so much for letting me see your brilliant snowmen, I loved looking at them all, having a penchant for snowmen, I admit unashamedly!

Oh, and if you do colour them, Iโ€™d love to see your fine colouring skills!

Never over-complicate the objective. Matrim Vaux, age 6 knows less is more with Bill the snow owl.
Leo, age 5, and Hallie, age 2 looking a tad cold, but like they’re having so much fun!
Topical from the Collins family, but he looks awesome!
I just love this picture, Casey, age 6 looks so proud as she strikes a pose, but Archie, age 3, seems distracted by something else happening elsewhere; it’s a guy thing Casey!
By Justina Hams and her seven year-old. Because he’s so smooth and grand looking!
Rob Jobson understated his snowman, saying “it’s the taking part that matters!” No mate, he’s superb in his simplicity!
A team effort from the Lake family, and a grand job made of it!
Marc Spartacus Fleming and Leia (2!) This is Steve the snowman, and he just works!
Are you in competition with your snowman for the best hat, Ava-Mae?! A grand effort, you look proud and so you should be!
Just to put a hat on her snowman wasn’t enough, Alison Sinclair (45!) carved it, and all other features so brilliantly!

Song of the Day 12: Darla Jade

Even portions of expressive contemporary pop, the ambience of post-goth and downtempo electric blues of trip hop makes this Staffordshire singer, Darla Jade really someone to watch. With a haunting uniqueness about her voice and style, there’s shards of Evanescence fused with Beth Orton. It’s somehow individually chartable but would also appease alternative rock or goth aficionados alike.

Subscribe to her YouTube channel, hear her own stamp on Radiohead’s Creep, and realise, her talent is so very special.

And that’s my song for the day. Very good. Carry on….


Song of the Day 11: Dakka Skanks

No video to this one. Do we need visuals? Not when it’s this good; my favourite track of Brighton-based contemporary ska heads, Dakka Skanks.

They’re lively, diverse, lots of fun, and I think we’ll be hearing a lot more from them in the near future.

If the Duallers have reached a pivotal point akin to the Specials, and Death of Guitar Pop are providing the tongue-in-cheek Madness equivalent, I believe these guys could be The Beat of this era, as there was a band unafraid to experiment.

Dakka Skanks are majorly ska, but throw a lovable but carefree punk attitude, and a wide range of other influences, such as soul, into the melting pot, and concoct something uniquely entertaining.

Very good. Carry on….


Skates and Wagons: Path of Condie

If Iโ€™d one criticism of Britpop, during its heyday, least that which the pop charts threw at us, was, in an era of progressing technological electronica, embedded deep in my psyche, Britpop, to me felt regressive. I argued at the time, if The Beatles were still together, in their prime, theyโ€™d be producing techno or drum n bass, for they were trailblazing, innovative and progressive. Whereas, picking on Oasis, particularly, being they seemed to strive to be a Beatles tribute as far as I could see, were relapsing to a previous generation.

Then the crossover crossed back over. If waning was a heady dawn of the nineties where rock fused electronica on the Madchester scene, towards the end of the decade The Prodigy were advancing with an almost punk slant, and Noel Gallagher was lending his vocals to the Chemical Brothers. To pick the era apart now is futile, no one remembers what the fuck was going on most of the time!

Letโ€™s agree to disagree, put it in the past and note today, retrospection is big business, and thereโ€™s nothing wrong with songs which hark back to the sixties, for it was pioneering but more importantly, divine and inspiring. Particularly when, rather than regenerating cover songs, but acting as a base of inspiration. We see a lot of this; from the sixtyโ€™s British blues scene to bubble-gum pop, but perhaps not produced with as much passion as Skates & Wagons.

Skates & Wagons

They sent me a link to their album, Path of Condie on Boxing Day, so apologies it was put on the backburner but I had Scrabble tiles to lay and Quality Street to puke. The EP I reviewed previously appears to be taken down, and Iโ€™m unsure why. The album, is akin to all I mentioned about the EP, only more so. If regenerating Britpop is tiresome and monotonous to you, you need to check this Oxford duo, because they manage it with the precision, innovation and splendour of classic pop-rock and blues of that sixties period, with bells on.

I mean sure, it opens with an interesting approach, Chevron Waltz proves this is going to be no everyday indie-Britpop ride, it is indeed as the name suggests, a waltz. If weโ€™re going to revel in compassions, Iโ€™ll cite The Kinks or Small Faces, The Spencer Davis Group, The Troggs, but predominantly the Beatles, more than Oasis. Plus, weโ€™d need to break it down with the fab-fourโ€™s individual preferences. Opening then is experimental, merging traditional styles of music is certainly McCartney, yet the majority, like Indian Summer rolls smooth, like the later Beatles, Sane Again is anthemically mellowed; very George Harrison.

But this is an album which builds progressively, just like the sixties did. The earlier tunes, initiate sixties pop, and sit at radio-friendly three-to-four-minute timings. Mr Wake Up, for example, explains how itโ€™s going to roll for the time being, beat-based shards of classic pop-rock. But things liven up at Conversation with God, the walt reprise towards the end nuances the album is progressing the entire decade and weโ€™re midway. Waste of the Sky is subtly psychedelia, like the opening to the beatnik period.

Itโ€™s this equidistant section where Skates and Wagons really shine, itโ€™s as if we didnโ€™t need the 1980s, we were fine where we were. Catchy tracks like The Man Who Never Sleeps and All the Love mirror the advancing changes of the middle of the decade, and bring us in line with classic seventies rock bands like Genesis and ELO.

It leaves you dripping for the concentrated, lengthier compositions the trend which followed via Floyd and Hendrix et all, and Skates and Wagons deliver. As Path of Condie develops it builds to more ending with a beautiful eight-minute composition, Yesterday’s Love. Itโ€™s beguiling and timeless splendour, catchy as pop, definitive as classic rock.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement, as opposed to a Britpop throwback band going through archaic motions. Though thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements; scooterists donโ€™t go for that, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


Trending…..

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

Graham Steel Music Awards Online Tomorrow

Join the GSMC on Friday 22nd January at 8pm for a celebration of grassroots music as they present this yearโ€™s GSMC Music Awards Live Online on YouTube, where they will announce the Winners of all 12 categories and will include live and pre recorded music from some of the nominees as well as a look back at the year and celebrate all those people that helped keep the grassroots music scene alive in 2020.

GSMC Music Awards Night will be streamed live from YouTube on Friday 22nd January at 8pm, the link for this is below:


Song the Day 10: Summit 9 Studios

Funkin’ for Devizes. This lockdown project from Tom Harris, Dan and Ross Allen and Rich, Summit 9 Studios has just been given a funky lift with this blinder, Change Change Change, bang on cue for me hunting for a song of the day.

Saucy effort guys, love it!

Very good. Carry on….


Song the Day 9: Emily Lockett

Facebook memories posts a year ago this week we rocked up in the Celler Bar raising money for the Waiblingen Way Fire fund, and makes me stops and think about the years I’ve been smashing out articles on Devizine. So many artists and bands we’ve mentioned, I rarely forget about them, this one I admit I nearly did. Most likely because I didn’t get the opportunity to attend Stoke-on-Trent’s teenage country sensation Emily Lockett’s gig at Dean’s Country Club, then operating at Devizes Cons Club, later at the Cavalier.

So, nice as it is to discover new talent, equally important is to recap. Emily must be nearing her twenties now, and as a musical prodigy from aged 5, her expertise shines through in a matured sense now. This track, Front Porch says it all.

And that’s my song of the day for today.

Very good. Carry on….


Song of the Day 8: Mansion of Snakes

The deeper I delve into Afrobeat the more gorgeous it gets, and I’m discovering bands closer to home. Nubiyan Twist, for example, who are from Oxford rather than the Sudan as it might sound. I’m loving this sound, and got to get a review down of their forthcoming album.

Today though, check Leeds ten-piece behemoth, bone-shaking afrobeat collective, Mansion of Snakes. These devil-funk and cosmic jazzย 
serpents give it their all, and there’s stuff, cool stuff to download as name your price on their Bandcamp page. Say no more.

Have a lovely rest of your day. Very good. Carry on….


Song of the Day 7: Mr Tea & the Minions

Sunday off, broke my promise to post a song of the day, everyday. Allow me to make up for it. Bristol’s Mr Tea & the Minions with a lockdown themed song. See how sublimely they fire a frenzy of folk and Balkan styled ska-punk into festival proportions. I think they’re the hottest bands around these parts, and fondly reviewed the album, Mutiny a while ago. Just a reminder today then, these kids have it.

I made enquiries, wanting to bring them to Devizes. It’s no cheap option and obviously currently off the cards.

The reservation is that just because I’m loving this style, it might too radical for a Devizes audience. So, I’d appreciate some feedback; would you have paid a purple one to see them play in our town?

Fingers crossed, we live for a better day. But I believe lobbying a large Devizes venue to bring contemporary music direct to us, just occasionally, is crucial to the culture diversity we should be delving into.

Have a lovely rest of your day. Very good. Carry on….


โ€œNobody has Wanted to Talk about Hunting, Other than Trolls!โ€ Says PCC Candidate Jonathon Seed

Busy day, chatting to Wiltshire Police Crime Commissioner candidates and The Wilts Hunt Sabs; something is conflictingโ€ฆ

In 2012 five members of the Avon Vale Hunt, including the master huntsman and Wiltshire councillor, Jonathon Seed appeared in court charged with breaching the Hunting Act 2004. Though they all denied the breach before magistrates in Chippenham, Seed made a statement released to the Wiltshire Times, โ€œThis is a private prosecution by the RSPCA and I believe that it has been commenced for political reasons, as their stance against hunting is well known and it is of great significance that Wiltshire Police, after advice from the Crown Prosecution Service, declined to take this case forward. These proceedings are an abuse of the private prosecution system, which needs to be addressed in due course.โ€

And how best to address said abuse? Elect to become Police Crime Commissioner, thatโ€™s how. Perhaps itโ€™s an episode the councillor wishes would disappear, going on the rather defensive attitude he put up when I chatted with him about his campaign this morning. And for whatโ€™s itโ€™s worth, he provided some great ideas and valid points on subjects he attempted to divert me onto, but I was wondering where he actually stood on hunting, being, you know, itโ€™s illegal, and heโ€™s wants to be Police Crime Commissioner, just felt, well, a tad conflicting.

โ€œOkay, so, not about the campaign then,โ€ he started.

But I think it’s relevant. โ€œHunting is illegal,โ€ I pointed to the seemingly obvious, โ€œsurely we would want a PCC who upholds the law?โ€

โ€œAre you suggesting that I wouldnโ€™t want the law upheld?โ€ came Jonathonโ€™s reply. Had to say, far from suggesting anything, the question was built behind the datum the huntsmaster for the Avon Vale hunt appeared in court with allegations he broke the law. And upon experts in the field, Wiltshire Hunt Sabs, who seemed convinced laws had been broken that day. โ€œThe badger sett incident,โ€ they confirmed, โ€œitโ€™s clear evidence they were illegally hunting. Itโ€™s illegal to use terriers underground (the exemption is in relation to birds, which isnโ€™t relevant on a hunt.) There can only be one reason for sending terriers to ground and that is to flush a fox.โ€

โ€œYou were,โ€ I checked, โ€œhuntsmaster for the Avon Vale hunt at the time?โ€

โ€œYou will already know that I was,โ€ Johnathon stated, โ€œthe allegation against me that was unfounded was dropped and is covered in the blog.โ€

Wiltshire Hunt Sabs claimed, โ€œit wasnโ€™t unfounded at all, the current Huntmaster (Stuart Radborne) was found guilty of interfering with the sett. The fact they couldnโ€™t prove hunting act charges is yet more evidence that the law around hunting needs tightening.โ€

โ€œDo you have anything to ask about the campaign,โ€ Johnathon inquired, โ€œor are you just interested in the Avon Vale Hunt?โ€

Yes, I do. So, I asked him, โ€œif successful in the post, would you therefore discourage police to act against hunting offences? I mean, I understand, because they’d be personal friends engaged in something you firmly believe in. Also, would you support a turnaround of the law to allow hunting?โ€

And thus, came the jaw-dropper.

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€ Rather than be labelled a โ€œtroll,โ€ by Tory boss-cop I allowed myself to be side-tracked. Jonathon was keen to lobby government for further funding, โ€œWiltshire is the third poorest funded force per head of population in the country, it needs overhauling and I will work with government to achieve this.โ€

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€

Funds would put more officers in our communities, and offer better support for training and officers and staffโ€™s mental health, and I cannot argue with this, though I pondered why it should be; are we all so better behaved in rural Wiltshire, so we donโ€™t need as much policing as an urban area? I know I am!

โ€œHistoric underfunding of the force will continue to be an issue due to the way the funding formula is weighted towards some areas,โ€ Johnathon explained, โ€œThe current PCC has done nothing to improve the situation and I believe the public deserve a PCC who will lobby the heart of government for better funding.โ€

I overlooked the oxymoron; “heart of government.”

In true Conservative fashion he blamed Labour, because fourteen years isnโ€™t enough to up a budget. โ€œThe formula was created under Blair so naturally favoured labour voting areas,โ€ he reckoned. โ€œGetting the central government funding addressed has to be a priority. Just because we are a rural county doesnโ€™t mean we donโ€™t have sophisticated criminals operating in our towns and villages; domestic abuse, child sexual exploitation, modern day slavery, county drugs lines all affect our communitiesโ€ฆ.โ€

โ€œAnd fox hunters?โ€ I added!

โ€œItโ€™s a shame that without knowing me or talking to me you would assume I would actively seek to have the law overlooked,โ€ Johnathon asserted. โ€œI do not and would not want our police to do this for any crime. The Chief Constable has my full backing to ensure that the law is upheld. There is no picking and choosing who the police โ€˜police.โ€™ Operational policing isnโ€™t the responsibility of the PCC.โ€

On the front seems Johnathon has good policies, but theyโ€™re undoubtably all politically motivated. Do we need a local councillor in the role, or someone who has been actively in the field, policing? I also spoke to independent candidate Mike Rees, passionate about delivering a quality police service for the people. And have to admit, it was akin to chatting to eager musicians when interviewing them. In fact, if thereโ€™s irony in voting for a police candidate suspected of breaking the law, the only similarity is that Mike is in a heavy rock band called โ€œthe Lawless!โ€

He told me of annual fundraising gigs at Level III with a plethora of other bands, which has raised ยฃ13K for his own charity โ€œFatboyโ€™s Cancer Charity,โ€ which aims to bring a smile to children who are suffering from cancer or have other life-threatening illnesses. He was also adamant he loved animals, and aside his respect for traditional aspects of rural life, more needed to be done to enforce the Hunting Act. Mike went as far as telling me heโ€™d like to set up a hedgehog rescue centre in his retirement.

โ€œI know thereโ€™s a difference between what the boss says and what the police see, Iโ€™d like to see a happy workforce, not demoralised.โ€ He expressed a want to improve the service, the relationship between officers and the bosses, and the public, as heโ€™s been on the beat in Swindon, working up through surveillance and CID to counter-terrorism, called in to help during the London bombing. โ€œNo wool pulled over my eyes,โ€ Mike added.

โ€œWeโ€™ve seen year on year increases to the policing precept, yet no tangible changes or improvements to the service the public of Wiltshire receive,โ€ Mike stated, โ€œseems evident to me and the many people who I speak with, that the Police sometimes do not have the resources to deal with many of the basic responsibilities that we expect; and all too often we see the cracks of struggling service delivery being papered over with a slick marketing campaign, or dare I say it, a social media post!โ€

โ€œI know that savings can be made, and I also know how tax-payers money is sometimes squandered by Police managers,โ€ he continued. โ€œA politician who doesnโ€™t understand policing can be told that something is required or best value, and will just accept what they are told. I know whether it is actually nice to have or need to have. Spending needs to be scrutinised very closely and I would look to do that to ensure money is diverted to the right resources and needs.โ€

Though Mike said Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently. To my knowledge, I am the only independent candidate for Wiltshire so his comments are clearly directed to me!โ€ But โ€œthe last thing I want to do is get involved in a continual slanging match with any of the other candidates.โ€ Which is just as well for them, as an amateur boxer, I wouldnโ€™t argue!

Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently.”

He compared his own campaign budget to Johnathonโ€™s on the precept he doesnโ€™t mind if he doesnโ€™t get the job, estimating Seed has โ€œabout ยฃ50k to spend on campaigning, Iโ€™ve got about ยฃ50, and I begrudge paying that! Money is squandered when it should be to improve services.โ€

The hunting issue will always be a touchy subject in any rural settings with opinions so divided. But the law is the law, and if anyone upholds it, it should be Police Crime Commissioner. Though while Mr Seedโ€™s blogposts call for his innocence, they also state: โ€œMillions of people in this country engage in perfectly legal fishing, hunting and shooting pastimes and should not be demonised and bullied by a small but vocal minority who do not approve of these pastimes,โ€ and โ€œIt is utterly irrelevant to the vast majority of the electorate whether or not a political candidate had a lawful interest in country sports along with millions of other law-abiding people.โ€ Left me wondering how defending wild animals under lawful methods, could possibly deemed demonising and bullying.

โ€œIf you wanted to ask me something sensible about fox hunting,โ€ Johnathon said, โ€œrather than the usual stuff that has been well rehearsed and I know doesnโ€™t resonate with rural voters, ask me my views on the change to trespass and who it will apply to.โ€

But I didnโ€™t like to ask, changing rules to trespass blatantly is there to halt operations from protesters. The Wiltshire Hunt Sabs said, โ€œweโ€™d love to know if he still hunts, we havenโ€™t seen him out with the AVH, but there was a rumour he may go out with the Tedworth. I suspect he has paused for the election. Itโ€™s interesting he calls concerned members of the public โ€œtrollsโ€. How arrogant do you have to be to think that regular members of the public arenโ€™t interested in his background as a fox hunter!โ€

Iโ€™ll let the hits on this article decide, and leave it there. Iโ€™m all for deciding the next Police Crime Commissioner based purely on a doughnut eating contest, might be easier, might even win myself! Then youโ€™d all be buggered!


The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s allโ€ฆ

CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Song of the Day 6: The Simmertones

It’s getting late now and I’ve only just got around to posting our song of the day. Had a piece to write and the obligatory family Scrabble game. Nearly missed the deadline, meaning my promise to post a song each day didn’t quite last a week, but alas, I’m here last minute to seal the deal.

What better then, than the pride of Devon, The Simmertones. They’ve fast made it to a lead name in the UK ska scene, and with their lively shows and crazy ska cover of the Dr Who theme, a personal favourite, it’s easy to see why. A tad more tender, here they are…..

Have a lovely rest of your day. Very good. Carry on….


Choo-Choo; Dreams of Devizes Railway Station

I know what youโ€™re thinking, Iโ€™m a naughty boy; why hasnโ€™t Devizine shared news of the survey about the Devizes Park/Gate/Safe-Way railway station proposal yet, the one on the โ€œofficialโ€ Devizes website? Well, Iโ€™ve been deliberating. But before you judge me, I ask you hear me out.

When I took a bus from the Leigh end of Southend-on-Sea to Shoeburyness, at the other end, which Iโ€™d estimate being the equivalent of Devizes to Melksham, it cost one pound. The bus was bustling with a wide demographic, it cost the same across the entire city.

Live in a village just two miles out of Devizes and itโ€™s ยฃ2.50 for a single on the bus. Given Devizes Parkway would be a similar distance out on the other side of town, Iโ€™d wager itโ€™d be much the same price. Letโ€™s take a family of four from their village for a nice day out to London; a tenner to get town, a purple one just to get to this imaginary station for an overpriced train ticket; not including inflation.

Okay, Iโ€™m playing devilโ€™s advocate. Everyone wants a station, including me. Back, long before Devizine, and Danny Kruger could pinpoint Devizes on a map, I put a poll on Facebook for my satirical rant column on Index:Wiltshire, asking what, if you could have anything which was once in Devizes but no longer, would you like to see returned. The top answer was unanimously, a railway station. And I agree. I agree with you all, from young and old, fat and thin, from Tory to leftie and beyond, everyone would like to catch a train from Devizes, even if only to escape!

The argument of education, getting students to colleges, and employment, getting them to work, rather than relying on a rural bus service and of course lessening the environmental impact of commuting are, of course, valid and ample justification. The idea it will attract visitors, helping our local businesses and economy is slightly more dubious, an untested valuation. Simply because they can get here doesnโ€™t mean they will, especially if thereโ€™s nothing here to entice them. A view of Monument Hill and the Clock Inn Park are nice, but are hardly an exciting hive of activity.

I cannot help but feel, just as Brexit, and these grand and glorious schemes, a futurism-fashioned Festival of Britain, money saved from being in the EU to help the NHS, vaccinations for everyone by March, a high-speed train to gain three and a half minutes off the journey time from London to Birmingham, or a tunnel under Stonehenge to prevent erosion and people from seeing it without paying, the right-wing majority are suffering delusions of grandeur in a country potentially at itโ€™s knees by the time these under-budgeted dreams will become anywhere near reality. Iโ€™m sorry to have to see it this way, but the system is crumbling under our feet because our leaders are only in it for themselves.

Oh, need a relevant example? Boris Johnson only proposed this ยฃ500m fund to reopen some of the passenger rail services axed in the Beeching review to win seats from Labour prior to the 2019 general election.

To bring it back to local affairs, feels to me like the potential railway station is only on the cards because Danny Kruger wants to get to Westminster quicker, and Hornby enthusiasts are rallying to kiss his ring. And yeah, as I said, itโ€™s a great idea, for all the reasons stated. But given thereโ€™s surely far more important things we could spend the money on in this dilapidating town to improve it for everyone, you know what Iโ€™d like to see first and foremost? If we have spare cash to build a Lego station, Iโ€™d like to see our poorest, our youngest, eldest and people in care being supported.

I donโ€™t want to see homeless being cleared out from camping in the woods so dog walkers can be free to roam and tie poo-bags to trees. I want to see projects being put into reality which would cost far less than a station, give them a hostel. Iโ€™d like to see our playparks and green spaces maintained better, youth clubs and facilities reopened, providing activities which kids actually want to go to.

At the beginning of year, when Melksham got a splashpad, Devizes said yeah, we could that too, but, as I forecast at the time, it was brushed aside. Iโ€™d like to drive on flat local roads, rather than negotiating potholes like itโ€™s a lunar landscape. Iโ€™d like better road planning, infrastructure and affordable public transport, to avoid congestion. I want to park somewhere without taking out a bank loan. I want to see markets and The Shambles bustling with life, smells of street food and music. I want a free-thinking, flatpack and proactive council, funding sporting events and arts, and not idly watching as so-called charities throw folk with learning disabilities out of their homes.

And once we have achieved these, yes, Iโ€™d like a railway station, ta muchly. Not asking for much is it? Tee-hee, yeah, Iโ€™m hearing you, life isnโ€™t so simple, this is Devizes, not Shangri-La. That said, Iโ€™m uncertain if Shangri-La has a railway station, still, it manages, as we have done since Beeching waved his wand, to get by without one. My family of four, twenty quid down just getting to the station, now theyโ€™re looking at train ticket prices. Have you seen train ticket prices recently? Remain calm, but they do often come in triple figure sums. Iโ€™ve seen aeroplane tickets to Barcelona cheaper than a return to Paddington.

The big question is, then, how much will it all cost and who is footing the bill? Did we get this grant, and what was that for? I asked Tamara of Devizes Gateway Railway Station steering group.

โ€œThe Restoring Your Railway grant from the DfT is for the cost of the Strategic Outline Business Case only and is being supplemented by Wiltshire Council,โ€ she informed me. So already weโ€™ve all put some cost into it through our council tax. โ€œThereafter, funding would need to be secured for the rest of the Business Case process (Outline Business Case and Full Business Case) and then for the capital costs to build the station.โ€ Tamara added, โ€œwe are at the beginning of the process, but the fact that we have secure the grant monies from the DfT puts us in a good place. We now need to prove the business case.โ€

From there I was directed to a presentation made to the Devizes Area Board in November, which doesnโ€™t explain where the dosh is coming from. Iโ€™m only opting for a station if they promise I can drive the train! Just once. But more importantly, I honestly look forward to a time, if I make it to 2025 without Thomas the Tank Engine shooting me, when we could smash my piggy bank for a train ticket, I really do, but the bottom line is, it has to be affordable, for all, especially if the public is footing the bill to build the thing.

Answer the survey, with your thoughts, if you wish. But the jury is still out with me. Itโ€™s on the site where a certain member, who shall remain nameless, accused me of spamming when I first launched Devizine, and mysteriously moments later I was in Facebook jail. Of which, such general pettiness is neither here nor there, but I feel worthy of mentioning. I know what youโ€™re thinking, Iโ€™m still such a naughty boy!


Trending….

Six Reasons to Rock in Market Lavington

Alright yeah, itโ€™s a play on band names and thereโ€™s only really two reasons to rock on Friday 17th October at Market Lavington Community Hall;โ€ฆ

Song of the Day 5: Gecko

Okay, so Iโ€™ll be brief; weโ€™ve mentioned Gecko quite a lot recently and I wouldnโ€™t want him to get big-headed! Can you imagine? That was a joke by the way, because in some light one could describe what Gecko does as rap, and could you imagine, in your wildest dreams Gecko being conceited? Heโ€™s got to be the most unpretentious rapper ever, though thatโ€™s not saying much; narcissistic is the occupational hazard of the average rap star.

If you ainโ€™t got something nice to say, rapperโ€ฆ… Ah, thatโ€™s why Gecko is a breath of fresh air. if you need any more proof of how good he is, hereโ€™s yesterdayโ€™s released video of the title track of his album. Over and out. Have a good rest of the day. Carry onโ€ฆ.

Trending Now…

Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโ€ฆ

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there willโ€ฆ


Are the Fire & Rescue Service Cutting Vital Flood Equipment?

Concern mounts after a petition was launched claiming vital flood equipment and training is being planned to be moved from fire stations from Chippenham and Trowbridge to Dorset, and Stratton in Swindon. You know me, usually I jumped at the chance to expose a transgression by authority, but on this occasion, as a response from Assistant Chief Fire Officer James Mahoney suggests the service is merely aligning the way in which all stations operate interchangeably, the jury is out on this one. I know right, impartiality; is this the new me?!

Not really. It gets rather technical, and I donโ€™t do technical. The last thing I will do is belittle the fire service for the grand job they do. So, as Iโ€™ve been asked to share news of the petition, like a real reporter, Iโ€™ll give you the low down from both sides of the argument, and itโ€™s up to if you choose to sign it; righty then?

Becky Montague, who started the petition argues, โ€œmembers of the public will have to wait an hour to be rescued safely, instead of eight minutes in the River Avon area, because Chief Fire Officer Ben Ansell has decided to remove vital equipment from Chippenham and Trowbridge stations to Dorset, and Stratton in Swindon. This will put the lives at risk of people caught in flooding in an area Mr Ansell knows to be of high risk.โ€

โ€œRemoving equipment and training from the firefighters means that they will respond but be unable to rescue people quickly and with the right tools. Rather than watch people die, they will be forced to carry out dangerous rescues without the vital safety equipment they need.โ€

โ€œThere is no flood risk in Swindon like there is in the Chippenham, Bradford-on-Avon and Trowbridge areas. Mr Ansell will put residents of Wiltshire at risk and put firefighters in danger.โ€

This sounds like cause for alarm, and Iโ€™m grateful for our reader bringing to my attention. Theyโ€™re concerned and angered, โ€œWe donโ€™t distribute emergency equipment based on geography we do it based on risk otherwise we would have a fire station in the middle of Salisbury plain, we donโ€™t do that because thereโ€™s no risk there,โ€ they informed, โ€œThe flooding risk is in the river Avon area not in Stratton in Swindon. Theyโ€™re going to put the council tax precept up again this year, what are Wiltshire residents going to get for that, other than the grateful thanks of Dorset residents for part-funding the service that they provide from the fire service?โ€

However, Assistant Chief Fire Officer James Mahoney had this response; โ€œA strategic review of the technical rescue provision of Dorset & Wiltshire Fire and Rescue Service has been carried out. This considered risk and demand across the whole Service area; evidence from historical incident data; geographical station locations; and neighbouring Service capability. A decision on the placement of these facilities is now being considered internally.โ€

 โ€œTechnical rescue includes technical search, rescue from swift water, rescue from height, bariatric rescue, confined space rescue and large animal rescue capability. There are currently six stations providing differing aspects of technical rescue across the two counties of Dorset and Wiltshire. In addition to these technical rescue stations, all fire stations have initial water safety equipment and training, and a large number of our stations also have wading team capability. The provisions at these six stations are not consistent, and most stations do not provide all of the capabilities listed above. As a combined Service, this is neither effective, efficient or resilient.โ€

 โ€œWhilst technical rescue is not a funded statutory duty for the Fire and Rescue Service, we recognise the importance of having this capability commensurate with the risks faced within our communities across the whole of Dorset and Wiltshire. We are looking to enhance, not diminish, our capability, allowing us a more strategic approach to the positioning of the key elements of technical rescue – which will also add greater resilience by aligning the way in which all stations operate interchangeably.

 โ€œStaff and representative bodies have been briefed, and given the opportunity to contribute their views throughout and engage in this process, and we will be carrying out public consultation on our draft Community Safety Plan for 2021-25 from 17 February to 13 May 2021.โ€

If I remember rightly, when our estate flooded some years ago, a fire service came from Yeovil to help, stating Wiltshire forces were preoccupied elsewhere. Understandably, this took some time for them arrive, but had it not been for the fire services to be integrated, it may not have happened at all. On the other hand, the dubious line from the Assistant Chief Fire Officerโ€™s statement, โ€œtechnical rescue is not a funded statutory duty for the Fire and Rescue Service,โ€ concerns me. What constitutes a technical rescue? And if itโ€™s not a statutory duty, why call yourself Fire and Rescue Service?

And, as the Gazette reports, โ€œSummerham and Seend Wiltshire councillor Jonathon Seed, who is also running for the Police and Crime Commissioner post, has pledged to take the case up with MPs saying the decision is outrageous,โ€ well, something is iffy with it; deffo.

Being a man of the people, who Iโ€™d like to hear the views of is an actual local firefighter. Your anonymity will be respected if you contact us; but we need the opinion of the men on the ground. In general, Iโ€™m at my tetherโ€™s end with bureaucratic nonsense from pen-pushers, and I urge any firefighter concerned to please do let us know.

Hereโ€™s the petition, should you decide to sign it: https://www.change.org/p/dorset-wiltshire-fire-authority-stop-the-removal-of-vital-rescue-equipment-from-wiltshire-fire-stations


Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Song of the Day 4: Girls Go Ska

Hi, yeah s’me, keeping up the Song of the Day feature like dedication was as word I know the definition of!

No excuses not to, I mean I am of the generation when Roy Castle clasped his trumpet weekly, ready for the signing off of “Record Breakers.” No, it’s not a euthanasim, Google it whippersnappers.

Might also explain my fondness for brass. Brass is class, and a vital element of ska. Yep, four tunes in and I couldn’t resist sharing some ska with you.

It’s a commonly misguided notion that ska is a retrospective cult here in England. It tends to convey a bygone era of Two-Tone records, boots and braces.

Yet today, while said stereotype has a grounding, ska is an international phenomenon, particularly in South America. I did write a piece about this region’s love for ska, and how it’s roots out of Jamaica bare a different tale from our own.

To show you how fresh it can be elsewhere in the world, and it’s not a reminiscence for a
load of overweight balding pensioners as perceived in the UK, here’s all-female bar one Mexican band, Girls Go Ska, who I’m secretly in love with, (so secret they don’t even know themselves….until they use Google translate!) doing an instrumental jam.

Girls and ska; what’s not to like? Have a lovely rest of your day. Very good. Carry on….


  • โ€œUnderdog: The Other Other Brontรซโ€ at the Rondo Theatre, Larkhall, Bath, March 25th-28th 2026

    by Ian Diddams

    images by Richard Fletcher

    How many Brontรซ sisters can you name? Which books did the sisters write between them? Can you name them?

    Did you get that there were three sisters? That wrote seven books? You may have thought of โ€œJane Eyreโ€ and โ€œWuthering Heightsโ€, but what about โ€œAgnes Greyโ€? Or โ€œThe Tenant of Wildfell Hallโ€. You may have recalled Charlotte and Emily Brontรซโ€ฆ

    But what about Anne Brontรซ? Author of those two last named novels? Does she, or they, feature on your literary radar?

    Congratulations if they do โ€“ you are an English Literature graduate at least, or one of those weird people that know loads of usually useless knowledge that people want to have on their pub quiz team that then drop you like a stone once the winnings are divvied up, and you wander home alone, smelling vaguely of stale BO and loneliness.

    So, step forward the other other Brontรซ, Anne. The one everybody forgets if they ever knew of her to start with. And is embraced by Sarah Gordonโ€™s play performed this week at the Rondo Theatre, Larkhall, Bath by the โ€œin houseโ€ theatre company, RTC.

    Anne, as per the above, is the centre of this play, but in many ways its really about the fractious, loving, abusive, and caring, relationship between her and Charlotte as we see Anne systematically abused firstly in her efforts to be a governess, and when finally escaping the oppression of service, receiving little better from her eldest sister… while Anne eventually becomes the worldโ€™s first feminist writer.

    The story covers a simple timeline of the Brontรซ sisters adulthood, with appearances of drunken brother Branwell, though there is a little poetic licence over some chronology to help the flow of the narrative. I have to throw that in for the three of you reading this that are actually internationally renowned experts on the Brontรซs and may otherwise think I missed it. So there. I didnโ€™t. For everybody else โ€“ its not important and the story works well as a result. I blame Branwellโ€™s booze befuddled brainโ€ฆ

    Anyโ€™ow โ€“ as they may say in West Yorkshire โ€“ their basic history is on Wikipedia so I wonโ€™t reproduce it here. Suffice to say all three Brontรซs in their own way produced magnificent works that have stood the test of time, and Kate Bushโ€™s singing, before Anne and Emily succumbed to tuberculosis following Branwellโ€™s previous demise. The water in Haworth has a lot to answer for.

    Charlotte died of complications in pregnancy โ€“ maybe she didnโ€™t drink the water. None of them made the age of forty, and the younger two barely thirty at best. Tragedy had also struck the other two totally unknown sisters – Elizabeth who had died aged ten, and Maria aged eleven.

    โ€œUnderdogโ€ is a quite superb piece of writing; Sarah Gordon has lifted a passingly interesting family history and created a vibrant soap opera (in the best possible way!) about three siblings all destined for greatness, with hugely differing personalities. Of their love and support for each other; their internecine rivalries; their differences. Anne, at first demure then latterly strong and quietly confident, Emily, abrupt yet watchful, and Charlotte โ€“ a domineering bully that gaslit her sisters, particularly Anne and most definitely herself. Charlotte opens the show with a 4th wall monologue about pious men looking down on women, but is portrayed as being no better herself.

    The three leads are mesmeric. Their characterisation is sublime, magnificent. Josie Mae-Ross plays Charlotte, Naomi Miller, Emily, and Alana Wright, Anne. The three bond so well on stage, with amazing chemistry, they really feel like three sisters. Itโ€™s a line heavy play for the three of them, as well as the portrayal of their characters on top and they are on stage for pretty much the entire two hours that the play runs for. Chapeau all round.

    Branwell is played by Natalie Prescott, swapping her natural North Cheshire vowels for West Yorkshire ones and crossing the Pennines to do so. Thereโ€™s a suitably gruesome reminder of the results of TB and Natalie captures Branwellโ€™s self-destructive insouciance to a tee. Natalie also partakes in various ensemble roles along with the other members of the cast Antonia White, Jade Wright, Sarah Horrex and Sophie Kerr. Their slickness between several cameo style roles each is commendable, and peaks with a brilliant scene of literary critics discussing the sistersโ€™ works in deprecating terms. No spoilers here but the show is worth seeing just for this one particular ninety second scene.

    Youโ€™ll have noticed I am sure eight female names for eight cast members โ€“ yes dear reader, itโ€™s an all-female cast โ€“ as befits a play about the worldโ€™s first feminist writer. This is all pulled together by director Helen Taylor with great vision and pace. The set is wonderfully simple doing just enough to set the scene and allow the actors to deliver in an uncluttered space.

    Tech as ever at the Rondo is delivered as excellently as ever by Alex Latham, and the costumes are simply perfect โ€“ take a bow, as is often the way, Chrissy Fryers. The original music for the show is provided by the maestro that is Moray Macdonald and all of these creatives are more than ably supported by producer Yvonne Paulley, Stage Management Lylou Sharp and Olivia Lynch with publicity and poster design by Meg Robertson and Cate Nunn respectively.

    You donโ€™t have to be a Brontรซ fanboy or fangirl to enjoy this show. It has a quality that live theatre brings that watching a screen just doesnโ€™t haveโ€ฆ the immediacy of the action, the intimacy of the space, the direct connection with the cast, and it has this in spades. It is simply one of the best pieces of theatre I have ever seen, and I am fortunate enough to watch a lot of quite excellent theatre that is well worthy of the highest praise.

    You could do far worse than blow a whole fifteen quid, cheaper than a pizza and a pint, on a ticket to this wonderful show this week. I even urge you not to miss it.

    Tickets from https://rondotheatre.co.uk/underdog-the-other-other-bronte and the show runs Wednesday 25th March to Saturday 28th March.

    And you may recall I said something about the water in Haworthโ€ฆ? Itโ€™s actually trueโ€ฆ.

  • 7 Hills to Trowbridgeโ€™s Old Town Hall

    To clear up any confusion, Trowbridgeโ€™s old town hall is no longer the town hall, but The Old Town Hall. I have no idea, nor care to know if there’s a new town hall; that’s irrelevant. Whilst still owned by the council, it was refurbished and reopened as a charity funded arts centre and cultural hub last Octoberโ€ฆ..

    I met a great bloke there called Tom, he used to run Bath’s venue Moles, now he’s steering events at this glorious grade II listed building, originally opened in 1889 to commemorate Queen Victoria’s Golden Jubilee. It is an utterly stunning space of Victorian splendour with acoustics from the heavens; nice to note it’s in good hands.

    In equal splendour was the reason I’m here, for the 10 Hills Spring Music Festival. Congrats if you spotted the deliberate mistake, there were only ever seven hills; I’m rounding it up as if it’s a score out of ten, perhaps I should add an extra hill or five onto that for good measure!

    If forced to find a nick-picking fault with this event, I could suggest a lack of chairs inside the hall, considering the higher end of the age demographic in attendance. But the concentration was on the music, an elaborate concert-festival, and the quality and quantity of this was absolutely mindblowing, if not particularly diverse.

    7 Hills regularly organise music events at The Night Jar in Bath, including an annual festival. Chris Hoar of Courting Ghosts explained he, โ€œreached out to them initially to say I was planning a festival in the newly renovated Old Town Hall, just to check it didnโ€™t clash with them, and Matt said letโ€™s do it together in Trowbridge as a spring festival.โ€ And here we are finally in spring, I’ve been looking forward to this.

    Americana, folk-rock was the order of the day, everything uniformed to the influences of Courting Ghosts. So if you wanted to go looking for a dance tent, this wasn’t for you. But the standard of music was sublime throughout the day and into the evening, and that’s what made 7 Hills so spectacular.

    Best festival of the year I could jest, because it’s my first, still, I believe I’m going to be hard pressed to find a lineup as good as this, and the craziest element was, while I knew most of the local acts booked for the afternoon, I was in the dark about the later ones, but far from disappointed.

    Jess Chivers

    Perhaps the only one I saw to deviate from Americana was Jess Chivers, who delivered a great set on an acoustic stage adjacent to the main one, as this had subtle elements of punk. This second stage assured consistent entertainment whilst bands prepped on the main stage. I believe because I needed sustenance I missed Phil Cooper’s set, drafted in due to a cancellation, and a few others before my arrival, but Leander Morales polished off the acoustic stage with an energetic and poignant set.

    Thieves

    Sadly I missed Fly Yeti Fly, meeting Darren on the stairs as I came in. Love this duo too, they remind me of Christopher Atkins and Brooke Shields in the Blue Lagoon! My arrival, I hoped, would be timed for Concrete Prairie, as it was, lovable bluegrass collective Thieves were doing their wonderful thing on the second stage, while the prairie tuned on the main, under the stained glassed lancet; confirming I’m going to love this event.

    Concrete Prairie

    Make no mistake, Concrete Prairie was on fire, I expected no less. Undeniably the liveliest set at the festival, they gave us the classics from their 2022 self titled debut album, finishing on their magnum-opus, the incredible crescendo-hugging Devil Dealt The Deck, but between them blessed our ears with some new songs from their forthcoming album. While Joe set no date for its release, the songs came across livelier than the sombre mood of the debut album. Theyโ€™re perfectionists, providing me with faith there will be no sophomore slump.

    The band were incomplete too, Phil Cooper taking bass, and original fiddler in the band, Georgia, filling in for her replacement. Still they rocked it, and Iโ€™d have been content if I had to go home straight after them!

    Courting Ghosts

    Obviously with Chris Hoar at the helm, Courting Ghosts would play, and I could imagine no other following the Prairie, even if their overall mood is more sombre; this is music for the soul. Counting Ghosts surely set the mood for the remaining acts, this smooth Americania with influences from both country folk and jazzy soul. They gifted us a new song, to be the title track of their next EP, Baby, I Bleed for you, and sparks flew.

    Orla

    Everything chronologically from now on would be new to me, but all of it flying miles above my expectations. A great example came from the acoustic stage immediately after the Ghosts. Orla is a young singer-songwriter from Bath, and clearly one to watch. With crystal vocals she gave us some divine originals, including a particularly poignant one called Mouthwash, and made Crowded Houseโ€™s principal her own.

    Matt Owens & The Delusional Vanity Project

    Former Noah and the Whale, Matt Owens & The Delusional Vanity Project followed with a dynamite set. As evening set in a professional precedence, I figured this was going to get continuously better. Multiple AMA UK Award winner Hannah White, the best yet, intertwined devout stage presence with a heartfelt singalong, she captivated, projecting her pure lyricism like dripping honey. I especially liked the tune with the reggae offbeat, but overall, I left wondering if, or how it could possibly get any better.

    Hannah White

    If Iโ€™m now a Hannah White fan, and all presented before us was of a quality so high it would be impossible to fault, it should be no negative reflection in comparison to suggest something here wasnโ€™t entirely my cuppa. No doubt, any Ohio artist signed by Peter Gabriel is going to be of an excellent standard, and soloist and loop pedal god,ย Joseph Arthur certainly is, it was just the bar was set so high by Hannah it levelled off here somewhat.

    ย Joseph Arthur

    So, despite the highest of qualities, I wondered now if, for my personal tastes, anything could possibly top Hannah, and casted a preconceiving critical eye over Our Man in The Field as they set up. They certainly had an impressive ensemble, seven piece with an upright bassist, organist and everything. The lead guitarist had something of a Bill Wyman debonair, while the frontman presented himself as a funky truckstop dweller. Grasping tight to my newfound adoration of Hannah, this would be interesting, if nothing more.

    Thatโ€™s when the vibe hits you best, when itโ€™s a surprise! Our Man in The Field has the perfect Americana balance, components of country, but with such soulful jazzy swagger, they had me off-guard and now totally hooked, the first to entrance me wholly. Our Man in The Field is sublimely captivating.

    Our Man in The Field

    Shit, I realise now I shouldโ€™ve put more trust in Chrisโ€™s knowledge! He has presented a lineup which, despite me thinking at numerous intervals, heโ€™s not going to top this, he somehow did! I made up my mind then, I had to witness the final act even if an asteroid hit The Shires shopping centre.

    The Delines, self-labelled as โ€œretro country soulโ€ from Portland, Oregon headlined. With everything previous so hyped in the hamster wheel of my mind, it mattered not if this suited me, I could leave now, more than content. I couldnโ€™t leave. I imagined myself off the lines, driving one of those poetic American roads, planning to stop off to drink my soul away at a roadside bar, but when you walk in a band playing in a back room is so inspiring you figure life is too short as they blissfully cure your blues.ย 

    The Delines

    This was gorgeous. Utterly brilliantly steady, smooth with no need to fire up, just drifting with narratives akin to Guthrie, jazzy and soulful as Springsteenโ€™s early recordings and the Asbury Park scene, on a Gil Scott-Heron level, and topped with the honest banter of a band in their prime; there was no need for them to apologise for Trump, thereโ€™s two bridges between us, they can break the political one, but cannot ever do the same to the creative arts one. I wished my friend Chrissy could see this, this is what her band Burn the Midnight Oil should attain to, this was blended bliss, American music without borders.

    Impossible for me to compare what Queen Victoria’s Golden Jubilee was like at Trowbridge Town Hall with the events now being run at it, but 7 Hills felt like it couldโ€™ve matched it, even without cherries cooked in flaming brandy, and the range of community events at the venue breathes positive new light into Trowbridge town centre.ย 



  • Wiltshire Hunt Sabs Stolen Drone Footage Reveals a Beaufont Hunt Kill

    Retrieved footage from a stolen drone of the Wiltshire Hunt Saboteurs reveals the Beaufont Hunt making a fox kill earlier this month, and itโ€™s undeniable evidence of their despicable crimes against our wildlifeโ€ฆ.

    The Wiltshire Hunt Saboteurs have exposed The Beaufort Hunt numerous times, recording a kill on the Fosse Way in November 2025, on the Dukeโ€™s Badminton Estate in December, and another at Cranmore Farm, Shipton Moyne, in January this year.

    This distressing footage was recorded earlier this month at Commonwood Farm, Luckington. It clearly shows a fox hiding the hedgerow, the hounds doubling to the exact spot where a field rider was waiting, and dragging the terrified fox from the edge of the hedge, tearing it apart. The fox is then killed in front of hunters, who do nothing to stop the attack.

    If this sickens you, the next part of the process is utterly terrible; the cover-up. Whilst they bag the remains of the fox, their terrierโ€‘men and hunt supporters surround the drone, waiting for it to land, in an attempt to steal it, while the sabs rush to protect it. This is now common practice added into their โ€œtraditional country sport.โ€

    The Police were called, and an officer from the Roads Policing Unit took the drone. “He just took it,” The Sabs explained, “he didn’t say what powers and didn’t give a receipt, hence we call it a theft.” Meanwhile, many of the terrier-men, with “registration plates deliberately muddied out,” realising they too were being recorded, fled. Police engaged with the leader, but not with the sabs. A rural crime officer viewed the footage on the drone controller, and another officer from Chippenham Response also attended.

    The Rural Police Unit seized the drone containing vital evidence, but did nothing to stop the hunt, or locate the remains of the fox, disposed of in a bin bag, according to the sabs. The drone was returned to Wiltshire Hunt Sabs, following a weekโ€‘long campaign exposing the circumstances of its seizure. The evidence has now been posted to their social media platforms.

    This leaves me with little faith the new laws will do anything to stop this, if police do not act on them. Because, there was me thinking the objective of the police is to prevent crime, not just punish after a crime is committed? I asked the Wiltshire Hunt Sabs how they feel about these new rules regarding trial hunts, and if they think it will really make a difference?

    โ€œItโ€™s hard to say without knowing what the government will implement,โ€ a spokesperson told me. โ€œAny improvement is welcomed but this is our only opportunity to get rid of the loopholes – and the government must make sure it doesnโ€™t introduce new ones.โ€

    โ€œThe Hunt Saboteurs Association has produced a brilliant booklet detailing the key changes needed to ensure an effective ban on hunting wildlife with proper sentencing deterrents. Currently the Hunting Act allows only for a fine, which isnโ€™t a deterrent or punishment for fox hunters with deep pockets. Landowners and hunt management also need to be held accountable more often too; they are supportive of their law-breaking hunt staff. Trail hunting needs to be banned; it isnโ€™t an activity in itself, it simply exists only as a legal defence. Reckless clauses will certainly hurt them as every defence comes down to โ€œooops, it was an accident!โ€ Itโ€™s nigh on impossible to prove intent – as you canโ€™t hop into anyoneโ€™s mind, even though everyone knows when fox hunters hunt or kill foxes, itโ€™s 100% intentional.โ€

    The continuous scroll of comments on The Wiltshire Hunt Saboteursโ€™ social media posts show the overwhelming support for the organisation’s attempts to prevent this criminal activity, their anger this continues, and criticisms of the seemingly inactions of the Police. Myself? I call the Beaufont Hunt something which rhymes with hunt.

    You can follow Wiltshire Hunt Sabs HERE and support their work HERE.


  • Extended Lineup for CrownFest

    It was back in October when we revealed CrownFest at The Crown in Bishopโ€™s Cannings was returning this summer, and January when we last mentioned it, because the organisers Stone Circle announced that its proceeds will be donated to Wiltshire Hope & Harmonyโ€™s Dementia Choir. I like to tease you during those cold winter months, and get us looking forward to warmer days coming…..

    Now the time is nearly upon us; frosty starts but some glorious sunshine brings a sigh of relief, as spring has sprung. Time to remind ourselves of some of the local festivals on our horizon, but this isnโ€™t about simply regurgitating what weโ€™ve already said about CrownFest, because thereโ€™s been a few updates since, worthy of your attentionโ€ฆ..

    What is new, is that the music will be presented over two stages rather than the single stage. Acoustic acts will be in the marquee, while bigger bands will be soundchecking and warming up on the main stage. This is great news, for continuous entertainment, and youโ€™d have to wonder otherwise, just how theyโ€™d squeeze so many acts into just one day.

    And, before I waffle too far, that one day is the 4th July 2026; closer than you might think!

    Tickets available HERE. A standard adult is only ยฃ32, children are ยฃ10, and thereโ€™s a ยฃ75 family bundle option too.

    So, what Iโ€™ve already told you: Kinishaโ€™s renowned Simply the Best Tina Turner Tribute and Adam & The Ants tribute Ant Trouble headline, closely followed by Wiltshireโ€™s premier indie-pop favourites and winners of six Wiltshire Music Awards, Talk in Code. Purveyors of Irish & Celtic folk The Publicans will also be playing, along with Salisburyโ€™s rock cover band Innovator, rock covers band Tipsy Gypsies, the one and only George Wilding, Mother Ukes, and the blooming marvelous Lucas Hardy.

    And if all that isnโ€™t already enough, what you might not have noticed, is some fantastic additional acts recently added. Firstly, the sublime Ruby Darbyshire is now on the lineup, who is worth the ticket price alone! Young Calne singer-songwriter, Braydon Lee, is a name on everyoneโ€™s lips right now, we fondly reviewed his latest single, and heโ€™s coming too. Eighteen-year-old singer-songwriter, guitarist and pianist Dylan Bratley also made the team; a new name to us but Iโ€™ve just checked out his rather cool Noah Kahan cover on TikTok, looking forward to hearing him live.

    Lastly, is an upcoming Salisbury sixth form band, organiser Eddie Prestidge likened to Nothing Rhymes With Orange, called Five Nights at Adyans. The Salisbury Journal recently mentioned them playing Wiltshire Creativeโ€™s โ€œGlow with the Flowโ€ event for young musicians at Salisbury Art Centre. They revealed โ€œthe band is composed of four boys, Jasper Hill, Owen Morgan, Thomas Clark, and Toby Allen, who are all currently in Lower Sixth at Bishop Wordsworthโ€™s school, and have been friends since they were in Year Seven. The influence behind their name is a play on the famous video game โ€œFive Nights at Freddyโ€™sโ€, combined with the influence from their classmate called Adyan, whom they often bring up on stage.โ€ย 

    This kind of leaves me wondering what Adyan does, if heโ€™s like a young Bez from the Happy Mondays, and if he will show up at CrownFest! Adyan or no Adyan, CrownFest is getting better and better, the latest poster unusually puts the lesser-known acts above the headliners, showing a real dedication to upcoming performers, and thatโ€™s a great look! All roads lead to Bishops Cannings this coming 4th July…. get on one of them!


  • Vox Populi: New Album From Deadlight Dance

    The difference between punk and goth is that as a punk you reject society, as a goth society rejects you. Being society lives mostly online today, that’s probably why my spam filter assumes proposals from exiled middle eastern princes to deposit bitcoin into my bank, and machines to extend oneโ€™s manhood are of interest to a regional entertainment blog, but a local goth duo’s new album should be hidden in a spam folder.

    Algorithms now pressure me into having to rush this out, despite noting on social media, Deadlight Dance are releasing their third album, Vox Populi tomorrow (Friday 20th March), which they launched at The White Bear in Devizes last Sunday. Have Nick and Tim got in the humph with me?!

    They are Eurythmics-covering retro goths after all, who seem to be dealing with the apocalypse with new songs and a spot of gardening. I’ve always been nice about what they do and thought the feeling was mutual! Not at all; seems after a quick Facebook message, the glitch is real, and the email was discovered; and just like the issues Nick and Tim describe, โ€œthe populist rhetoric, the age of the oligarch where the rapid development of A.I. and deepfakery is upending reality, and โ€˜straight-talkingโ€™ chancers who claim to represent the majority are stoking the smouldering embers of fascism,โ€ these are the depressing first world problems which need addressing, and with them in mind, isnโ€™t it overdue to rekindle the era of the goth spirit?

    Recorded as usual at Mooncalf Studio with legendary purple-bearded producer Nick Beere, it feels at times as if Deadlight Dance are canvassing for compassion as humanity gears up to vote for the collapse of civilised society. โ€œItโ€™s dark,โ€ agrees Nick Fletcher, โ€œbut there is hope there. You donโ€™t talk about these things unless you want to do something about it.โ€

    โ€œLight and shade,โ€ says his partner in sound, Tim Emery. โ€œHopefully thereโ€™s something forย everyone. For some people, everything will be for them.โ€

    With all edgy synths blazing, Gloss opens Vox Populi, dramatically and attacking the beauty industry, its harmful lies and unrealistic standards in an era most pop stars are encouraging them. We reviewed this as a single last October, where I vowed to shave my eyebrows off and draw them back on with a Sharpie. The exploitative nature of the cosmetics industry, the first deep and eerie original song of eight, which speak of algorithmic existences; gaslighting by the elite, the paradox of โ€˜humaneโ€™ food production, identities and the preconceptions that can shape them, the corporatisation of the militaryโ€ฆ and gardening.

    โ€œThere are some important horticultural and botanical references,โ€ says Nick, reassuringly. The poisonous evergreen shrub Daphne odora, being an example, as the second tune, a poignant plodding shoegazer and followed by a surprisingly jocund ballad which gracefully reminds of the playful moments of The Cure.

    Red Flags warns of danger, but takes no prisoners, Lachrymal is as dismayed as Fields of the Nephilim, Glass Walls is uptempo, furious and robust by design, an enclosed space frameless and seamless, but perhaps not maximising natural light, for thatโ€™s simply not goth!

    The Theatre of Absurd thuds us back into the dark, with anticipatory anxiety and New Order beats. Followed by the first of two cover songs, Eurythmicsโ€™ Sweet Dreams. Deadlight Dance comforts you here with familiarity and reminiscence, but stamp their own authoritative pounce on this, and the second, Princeโ€™s When You Were Mine, both of which feature guest vocalist Sian and drummer Mike Dymond, the latter of whom first played with Nick and Tim when they were sixth formers.

    Thereโ€™s an underlying retro sensation with all that Deadlight Dance produces, that not all electronica was lost to Stock Aitken Waterman, and neither will it be with smug grinned Simon Cowell. And something wholly satisfying that post punk artists of yore inspired Nick and Tim to form a band, and, acne replaced by wrinkles, thirty years later, amidst a global pandemic and a growing whirlwind of social and political chaos, they felt that the time was right to continue the journey. But what is more, is that younger punk bands, like those gravitating towards DIY labels like Sketchbook, are continuing the theme, and, I reckon, would take Deadlight Dance with similar respect to the aforementioned post-punk artists who inspired Nick and Tim. At least they should if or when they hear this album.

    While there is always a coherent thought process behind them all, their previous releases, 2024โ€™s acoustic covers album The Wiltshire Gothic, and the literature-themed EP Chapter & Verse of the same year, held a running theme more rigidly. The dystopian or unnerving observations of the modern era subjects behind Vox Populi is subtler, and this feels like the fashion of their debut Beyond Reverence, only with the natural progression, experience and diligence of those three years. And it shows, this is a most excellent album, once again.

    Vox Populi is released worldwide to stream, and own as a CD, vinyl LP and download,ย through Ray Records on Friday 20th March. Check out details on their website HERE.


  • Kate X: Swindonโ€™s Best Kept Secret

    Youโ€™re young, stars in your eyes, and you live in Swindon; you are not alone, but you are, unfortunately, up against Kate X! Kate is independently producing contemporary pop RnB of international quality, and sheโ€™s riding it. Kate X should, and I hope and strongly predict she will be, a global success storyโ€ฆ..

    James Threlfall spins her tunes on BBC Introducing, comparing her with Sabrina Carpenter and Zara Larson, and I respect his professional judgement. Her singles No Tears and Touch have amassed over nine thousand streams on Spotify and her latest, fifth single, For One Night had over a thousand plays in the four days after its recent release.ย ย 

    Itโ€™s easy to understand why once youโ€™ve listened. Every element to a viable contemporary pop song is evident in Kate Xโ€™s tunes. Theyโ€™re sassy without being coarse, her mezzo-soprano vocals perfectly fit pop, and Kate has a natural flair for bringing acute hooks to the bridge. For One Night, in particular, has that driving RnB bassline, but as a collection, all of Kate Xโ€™s singles to date make for an impressive portfolio.

    Iโ€™ve been hooked on Touch since Peggy-Sue Ford introduced it to me on her Donโ€™t Stop the Music show on Swindon 105.5 last year, and it hasnโ€™t left my head yet! For One Night clearly shows a natural progression, with a familiar and timeless clandestine lover theme, akin to Dusty Springfieldโ€™s popular cover choice Breakfast in Bed, but a contemporary soul feel more Beyonce than Kylie.ย ย ย 

    She has 670 monthly listeners on Spotify, which for a local indie artist is impressive. She might suggest she can be the object of her desireโ€™s โ€œbest kept secret,โ€ but in my opinion, she should no longer be secret to mainstream media and a worldwide fanbase.ย ย 

    Okay, so there are occasions, and more often than not, when an aspiring wannabe’s judgement obscures the probable reality that theyโ€™re the needle in the haystack and unlikely to progress to stardom in the competitive music business. And someone has the unfortunate task of tying their feet back to the floor. It’s sad, but a common stipulation, and often manipulated by television talent shows for ratings. But when I listen to Kate X’s tunes, compare them to what the mainstream is putting out, and consider she’s independently creating and marketing, this is clearly not the case here. Kate has something really rather special, which is on par with the mainstream commercial output.

    All it takes is for word to spread, and maybe some crossed fingers and toes, but Kate X seems determined, and unquestionably has the potential to be the next big pop star.

    Kate, your songs are simply brilliant, remain steadfast to your goal, mentally prepare for setbacks, obviously, but I reckon, judging on this latest single, youโ€™ve got it in the pocket girl! And we wish you all best of luck with this positively facing journey.ย Follow her journey on Instagram, TikTok, or Facebook.


  • Shedricโ€™s Misadventures of Theodore Thump

    Just who is Theodore Thump? A wise pet rabbit? The mysterious sixth Beach Boy? This album newly released from Shedric, Swindon soloist and groovist of Thud, reveals nothing, but makes for a diverse and interesting listenโ€ฆ.

    The Misadventures of Theodore Thump was unwittingly released unto the cosmos earlier this month, and through title and cover art you might preconceive some psychedelic surreal nonsensical comedy akin to the Bonzo Dog Doo-Dah Band, and in a way thereโ€™s sombre and subtle nods to this direction, but thereโ€™s more than meets the eye to this masterwork of audio art.

    With wailing guitar it opens unexpectedly, plodding cosmic blues fashion. This swaps to a drifting jazzy folk with smooth Nick Drake styled vocals for the second song, and back to cosmic wah-wah for the intro and chorus for the third, while it settles for a jazz piano core. Still, fusions know no bounds here. Immediately Iโ€™ve the notion that this melting pot isnโ€™t by chance, and the experimentation is purposeful, played out by a genius of many influences and with the ability to cherry-pick and compose them in such a way you are on the edge of your seat, captivated, intrigued, and thoroughly entertained.

    It may all have been done before, but unlike this. Four tunes into this seven track marvel, Rosalie is a two-minute ethereal drumbeat and piano instrumental. Drifting lounge style, Scum is contradictory from subject to sound, whereas Lock & Key drives melodically classic RnB, Robert Palmer, and is likely the most commercially viable on this most excellent album. Thereโ€™s a finale, wonderfully written of feelgood sentiment.

    Shedric said, โ€œThe Misadventures of Theodore Thump has taken me an insane amount of time to make. The levels of procrastination have been almost as epic as the hours spent at my kitchen table mixing and tweaking.โ€ The dedication and effort shows. It has the experimental quality of Sgt Pepper or Pet Sounds, the coolness of Bookends, its jazzy elements range from Blue Note to prototypical Mark’s Keyboard Repair. At times itโ€™s blues, at others itโ€™s folk, but it always leaves you guessing, and certainly is one to dive into, discovering more intricate details you might have previously missed before; marvellous!


  • Chandra Likely To Go Boom!

    Buzzwords, like โ€œturbo,โ€ or โ€œsonicโ€ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoid them, but you cannot call Chandraโ€™s releases just plain indie-pop; theyโ€™re turbo-charged sonic boom spearheaded empowerments of synergy indie-pop songs which prolifically arrive with an explosive boom! And, coincidentally, Boom is the new oneโ€ฆ..

    Seriously, thereโ€™s a glorious feelgood summer energy to this. You’d have to be having a really bad day to find fault with it. Love the bongo intro, and the subtle, tongue-in-cheek doowop backing, and the guitar riff bridge sits perfectly amidst the positive vibes the subject evokes in the singer.ย ย 

    โ€œThis song is a bit of a departure from the norm,โ€ lovable showman Chandra says, โ€œover the past two and half years we’ve never once written a song about love. We’ve always written about topics such as inclusivity, tolerance, compassion, faith and self confidence, but the one thing that ties it all together is we want to write songs that are upbeat, hopeful and empowering. We hope that this song does exactly that.โ€

    Observation double underlined, and box triple ticked.

    โ€œBoom is a very spiritual song about love,โ€ Bristolโ€™s power indie-pop virtuoso continues, โ€œsoul-mates and the miracle of finding that special someone in a vast universe full of empty space. It may take a moment; it may take a lifetime, but when you find that special person who makes you whole, the explosion is as powerful as the Big Bang. And yes… sometimes it’s really scary to open yourself up to the possibility of being hurt, especially if you’ve experienced something bad previously; something is coming, everything will be alright.โ€

    And thatโ€™s about as reassuring as the nature of the song too!ย  Boom launches into the universe on Friday 20th March. Thereโ€™s a BOOM Single Launch Party on Saturday 28th March, at The Queen’s Head in Box. Doors 7.30pm.

    Find all stuff you need to know about Chandra HERE


  • Marlborough School of Languages to Hold Second Fiesta

    Itโ€™s always nice to hear when an inaugural local event is successful, especially one as unique and original as Marlborough School of Languagesโ€™ annual Fiesta. Triple so when being bilingual to me means I can switch between English and gibberish!

    Marlborough School of Languages offers a range of services to suit language development at any age and stage, in small groups or one-to-one at their school on Marlborough High Street, and online. With regular Spanish, English, French and Italian lessons, bespoke workshops, exciting conversation, film, food and book clubs and sociable cultural drinks evenings, last year founder Maria Gonzalez decided to create their first language summer festival; conveniently the school abbreviates to SOL, the personification of the Sun in ancient Rome!

    ย โ€œWe are beyond excited to be launching the second edition of our Languages’ Summer School: Fiesta 2026,โ€ Maria explained. โ€œLast year we wanted to end the summer term with a special event that would inspire our students to continue their learning journey with us in September, and create something appealing for potential new learners.โ€

    โ€œDespite the heatwave, we delivered 15 hours of Spanish, Italian and EFL lessons, served five wonderful meals at La Bobina, The Marlborough Pub and at our High Street premises, and organised five afternoon activities, including Chinese calligraphy and a wine tasting led by some of the areaโ€™s most talented professionals from Thames Valley Wines.โ€

    This yearโ€™s Marlborough School of Languages Fiesta will take place on the 6th to 10th of July. Building on last yearโ€™s success, Fiesta 2026 promises another vibrant celebration of language, culture and community.

    Guests can look forward to a programme of engaging Spanish, Italian and EFL sessions in the morning, delicious meals shared in great company, at the best Marlborough High Street eateries, and a selection of inspiring afternoon activities led by talented local professionals.

    Above all, Fiesta is designed to bring people together in a relaxed, friendly atmosphere where learning, conversation and cultural discovery go hand in hand.

    Tutors in both Italian, Claudia Marin and Spanish, Maria Gonzalez along with English as a foreign language tutor Matt Gow, will take classes from 9:00 am to 12 pm, followed by lunch, and workshops in the afternoon. Some details still need confirming at this stage, but they anticipate the paella making workshops will be back, and there will be a theatre workshop where the three language groups will each prepare and perform the same short play in their respective languages.ย 

    For further details go to the Marlborough School of Languages website HERE.


  • Palooza Invited Back to Fatboy Slim’s All Back to Minehead 2026

    Right here, right now in Devizes, Palooza spawned and has become the fast-growing house music event brand in Wiltshire. They’ve beenย invited backย to perform atย Fatboy Slimโ€™s All Back To Minehead 2026, following a standout appearance at last yearโ€™s event. The highly anticipated festival takes placeย 6โ€“9 November 2026ย and brings together some of the biggest names in dance music for a full weekend of music, energy and unforgettable moments…..

    Joining an exceptional lineup that includesย DJ EZ, Erol Alkan, Horse Meat Disco, Simon Pegg, Sarah Story, Darren Emerson, Eats Everything, Kirollus, Olive F, Woody Cook, Elliot Schooling, Liam Palmer, Krafty Kuts, Dr Banana, Arielle Freeย and many more, Palooza will once again bring its signature blend ofย house, classics, anthems and underground soundsย to the iconic Minehead weekender.

    Known for itsย high-energy dancefloors and community-driven atmosphere, Palooza has built a strong reputation on the UKโ€™s underground scene, making its return to All Back To Minehead a significant milestone for the brand. The invitation back to the lineup reflects the impact of last yearโ€™s performance and the growing recognition of Paloozaโ€™s unique sound and vibe.

    โ€œWeโ€™re buzzing to be invited back,โ€ said Greg Spencer from Palooza. โ€œLast year was incredible, and to return alongside such a huge lineup is a real honour. Weโ€™re bringing even more energy this time.โ€

    All Back To Minehead continues to be one of the UKโ€™s most celebrated dance music weekends, combining world-class DJs with a unique holiday atmosphere and a packed schedule of activities across the resort.

    For full lineup details, tickets and event information, visit:
    ๐Ÿ‘‰ย www.allbacktominehead.com


Song of the Day 3: Harmony

Look, right, I’m not at the top yet, but it’s in clear sight. A round number, of the half century kind, awaits me atop the hill, and there’s no stopping the ride to get off.

I guess reaching these milestone ages causes you to analyse your life somewhat, and if there’s one thing I do know in all my years, it’s that I’ve told some colossal pork pies. Some real stinkers. I don’t know why, other than occupational hazard as a journalist, I’ve no excuses, not one which will wash with you clever lot.

Whether it be for the prestige, the glory, or, sometimes just for the sheer hell of it, just because the golden opportunity arose and I couldn’t stop myself, they just slipped out.

I’m not proud, just saying, you know, get it off my chest. Not compulsively, though, I’d go as far to say the majority of what I say is true.

Why do people say, “I’ll be honest with you…” ? Well duh, I sincerely hope you do anyway, it should go without saying. But the phrase immediately raises the alarm; I’m guessing a whopper is on its way. I never use that phrase on principle. The principle I don’t trust myself to keep to it.

See, what with the whopper, the real damaging kind of fib. I consider my track record on that quite good, I tend to lie to big myself up, but not to put others down. I tend to lie to make light of a situation, rather than darken the notion. I tend not to lie to anyone I trust not to lie to me, and I’ve seen too many of them backfire anyway, so, I’m done with lies, filled my quota but retain decency in not being overly destructive with them; quantity not quality!

And anyway, I don’t lie here, cos I trust you all, I really do. This isnt a tabloid, this is me. Clearly you get what you see, which might be a waffling clown but, hey.

So, Harmony, from Chippenham, on the subject of liars; she’s not singing about me, no sir, not when I say with all the honesty left in me, this young singer-songwriter I’ve discovered via Sheer music, has got something really special. And even if I was lying, which I’m not, I’ve shared the video, to prove it.

And that’s Song of the Day, for the third day. It’s become a popular feature, overnight, honest.

Should you choose to believe that!

Have a lovely rest of your day. Very good. Carry on….

Ain’t Nobody’s Business but Ruzz Guitar and Pete Gageโ€™s

Iโ€™ve said it before, said lots of what Iโ€™m going to say before, in fact, but I reserve the right to say it again. And you canโ€™t blame me, itโ€™s this Groundhog Day thing, this exasperating lockdown. I perpetually revert my mind back to the last night of live music I attended, Ruzz Guitar Blues Revue at Devizes Sports Club with Peter Gage, Jon Amor and Innes Sibun. How I suspected walls could come crashing down, but didnโ€™t want accept it, neither at the time acknowledge it would be so soon. Still, optimistically, what a blinding night; least we went out with a bang.

I mean, I know and Iโ€™m eternally grateful to everyone who acted to do what they could immediately after the first lockdown, the afternoon sessions at the Southgate, and our own outing for Devizes;IndieDay, but as good as they were, as Ray Charles said, the night time is the right time. Ode to the gig, the gathering and the celebration, how we miss it so. Are you with me? You are, right?

Faced with the unwelcome likelihood of the first anniversary of the occasion coming around and still, no live music, I have to ponder how far to the light at the end of this gloomy tunnel. And to rub salt into the wound, Ruzz has released a new track, featuring the very same blues legend Peter Gage! But as far as salt goes, upon hearing this tune Iโ€™m like a halophile (a salt-loving organism; look it up, people) living on the back of a saltwater crocodile, basking at the shore of the Dead Sea.

A cover of Jimmy Witherspoon’s tune Ain’t Nobody’s Business, Ruzz explains, โ€œwe’ve taken the B.B. King and Freddie King versions, mashed them together and added an RGBR flavour into the mix! Weโ€™ve been working hard on this track since Christmas and we’re all very excited to release it.โ€

And so, they should be, itโ€™s sublime, as ever. Habitually, I favour Ruzz and the Blues Revue when they work up a frenzy, but this is smooth, this is blues, the kind of blues you need contemplating the anniversary of the gig ban, and if you attended, it will remind you of it too. If not, it doesnโ€™t matter, it just breezes over you, as all virtuous blues should.

I mean, right, the guy was from The Sloane Squares, headhunted by Shadows bassist Jet Harris upon them supporting Hendrix, and thatโ€™s just the beginning of his extensive profession. Peteโ€™s proficient vocals, gives it that edge of aforementioned BB King influence, the arrangement and tightness of this collaboration are like the chimes of seamless bellringing, hereโ€™s the Blues Revue on top form, adding guests of calibre and concluding as perfection; quid well spent.


Latest Reads….

Stonehenge or Bust; Duck n Cuvver Scale the Fence!

The last thing Robert Hardie wants is to be portrayed as villainous, or condoning mass trespass, though he accepts some might interpret breaking over the fence at Stonehenge as such. Chatting to this veteran on the phone this morning, he described the exhilaration and sensation of wellbeing, wandering between Wiltshireโ€™s legendary stone pillars, but expressed he doesnโ€™t wish to encourage others to follow his example, only to raise awareness of his crusade.

Frustration with English Heritage was the prime motive for taking the leap, displayed in his video doing the rounds on social media. But one half of Salisbury folk-rock indie duo, Duck n Cuvver has been fundraising for over three years to be able to shoot the final part of a music video inside the stone circle. โ€œInitially,โ€ he said, โ€œEnglish Heritage said it would cost ยฃ750, then they suddenly upped it to ยฃ4,500.โ€ I asked Rob if they gave an explanation, a breakdown of what the costs involved to them would be. He replied they hadnโ€™t.

My musing wandered over the occasion two years ago when local reggae band, Brother from Another pulled a publicity stunt recording themselves atop Silbury Hill, to wide criticism, but how The Lost Trades recently played around Avebury stone circle without trouble. Rob and Ian cannot call a compromise though, being the subject of the song, Henge of Stone, is as it says on the tin. As he explained to the Salisbury Journal back in 2019, โ€œThis video will make history โ€“ singing about Stonehenge in Stonehenge.โ€

Clearly enthusiastic about covering our ancient local landmarks as song themes, Rob told me heโ€™d written about Avebury too, and how he played them to the solstice crowd there. This part of our conversation ended with him reciting a few verses in song, and expressing the feeling of joy as the crowds sang them back to him.

While he didnโ€™t rule out this was a publicity stunt too, we discussed the necessities of the project. Rather than being a colossal movie production, with the atypical entourage, trailers and crew, all thatโ€™s needed is his partner in crime, Ian Lawes, and possibly the accompanying musicians, Chris Lawes, Jamez Williams, Louis Sellers and Paul Loveridge, a cameraman and a few instruments. The mechanics of shooting the footage would be simple, itโ€™s unplugged, being thereโ€™s no electricity on site, and Rob explained how mats would be provided to protect the grass. Besides, if EHโ€™s concerns were for the welfare of the site theyโ€™d simply say no, surely, not put a price on it.

Thereโ€™s therefore no justice, in my mind, really, on the exceptionally high price tag. Only to assume English Heritage is out to profit. Contemplating on recent outcries concerning activities around Stonehenge; the solstice parking debacle, closing for winter solstice and of course the tunnel, which we mutually dismissed as ludicrous on the grounds excavating there would obviously turn up some ancient findings and archaeological digs, and protection rights would whack the project way over budget, it feels the quango run agency is not the best method to protect our heritage sites, if the conservative ethos is revenue driven rather than insuring itโ€™s splendour is for all to enjoy and savour. As Rob points out in the film, โ€œStonehenge belongs to fucking us!โ€

Ah, story checks out; even English Heritage states similar on their website, if not quite so sweary! โ€œThe monument remained in private ownership until 1918 when Cecil Chubb, a local man who had purchased Stonehenge from the Atrobus family at an auction three years previously, gave it to the nation. Thereafter, the duty to conserve the monument fell to the state, today a role performed on its behalf by English Heritage.โ€ Itโ€™s basically one extortionate babysitter, calling the shots.

I enjoyed chatting with Rob, even if my plan to record the dialogue backfired due to my poor tech skills! I apologise to him for this improv article.

Iโ€™m surprised to not have previously heard of Duck n Cuvver, we tend to get vague coverage of the Salisbury area; something I need to work on. We did rap about our mutual friend, the pianist prodigy, young Will Foulstone, among other things.

The duo are sound as a pound, though, real quality folk rock come indie sound, the song is cracking, proper job. Which is why theyโ€™ve supported the likes of the Kaiser Chiefs and The Feeling, and recently performed at the National Armed Forces Day. Ardent about his music, this veteran explained his service inspired the band name, and continued to express his passion for this particular song, something which has been evolving over five years, and it shows. He described it as a โ€œcelebration of life,โ€ dedicated to a friend who passed away, from cancer.

Both members of the duo are good, charitable folk, and if Rob did climb the fence at Stonehenge recently, note he lives within the restricted range of it to constitute it being his daily exercise. From our phone call alone, I could tell theyโ€™re not the sort to abuse the trust, if it was given to them, to perform at Stonehenge, thatโ€™d be a magical moment, and, well, we could do with a magical moment right now. So, if you can help fund their campaign, youโ€™ll find a link to do so here.

I’ll pop the song which is kicking up all the fuss below, and leave with a thanks for the natter, Rob, and I wish you all the best with the crusade; Stonehenge or bust!

    


Song of the Day 2: The Big Ship Alliance and Johnny2Bad, featuring Robbie Levi and Stones

Newly-formed just a year ago, this Birmingham-based seven piece reggae band, Big Ship Alliance started out as possibly the only tribute act to reggae legend Freddie McGregor, but on track to record their own material they’ve teamed up with the outstanding UB40 tribute act, Johnny2Bad for this gorgeous topical debut single.

Featuring Robbie Levi and Stones, aside from my love of all things reggae, the song’s positive message of togetherness and unification during this era of the pandemic makes it more than apt for my second “song of the day” post. Though I did say I wasn’t intending to write anything like a review on this feature, just let you enjoy the tunes, and this is kinda heading a little bit “reviewy.” Probably cos it’s such a nice tune.

I also promised not to waffle; but I’m here now. Something about having your cake and eating it goes in rather appropriately at this point!

More so than being my song of the day, I believe this should be, as the Big Ship Alliance say themselves, “the anthem for 2021!”

Determined to make this feature a goer, as of yesterday’s pledge to add a song each day, ingeniously titled “song of the day.” I know, right, it scares me at times, I’ll be honest!

So, enjoy this fantastic tune, let the good vibes roll and have a great rest of the day. Same time tomorrow then?

Very good. Carry on….

Song of the Day 1: Atari Pilot

Irregularly I share a music video to our Facebook page with the status “song of the day,” or week, or whenever, as if it’s a daily occurrence. When the reality is it’s a big, fat fib on my part, it’s only when I happen to find such a video and can be arsed to share it. What-cha gonna do, sue me?

So, just in case your lawyer says you have a case, I thought I’d streamline this sporadic idea for 2021, make it an actual feature on the site rather than a Facebook post, and show off that I know what long words like “sporadic” mean.

Little more gone into it than this, you should be used to it by now. I’m not going to review them, just embed them here for your own appraisal and entertainment purposes. Potentially, it’ll be a groundbreakingily breif post, a simple but effective phenomenon, and something I can do without missing the Simpsons.

The challenge is consistency; whether I actually stick to the idea or, like others, it’ll be a flash in the pan. Who knows, this could be the start of something beautiful, this could be the thing they’re talking about in decades to come. A holographic Ken Bruce could be asking “what was the very first Devizine Song of the Day” in a Pop Master 200 years from now.

And you can answer it with who I bestow this honour, Atari Pilot. They’ll be revelling in the triumph of the hour if it wasn’t lockdown, I bet.

History in the making then, the only issue I foresee is I over-waffle any old crap, which is, incidentally, not what’s happening now and rarely does here; I had to explain myself, didn’t I?

Okay, I get message; here it is then, enjoy the tune, enjoy the rest of your evening. Good job, carry on.


  • โ€œUnderdog: The Other Other Brontรซโ€ at the Rondo Theatre, Larkhall, Bath, March 25th-28th 2026

    by Ian Diddams

    images by Richard Fletcher

    How many Brontรซ sisters can you name? Which books did the sisters write between them? Can you name them?

    Did you get that there were three sisters? That wrote seven books? You may have thought of โ€œJane Eyreโ€ and โ€œWuthering Heightsโ€, but what about โ€œAgnes Greyโ€? Or โ€œThe Tenant of Wildfell Hallโ€. You may have recalled Charlotte and Emily Brontรซโ€ฆ

    But what about Anne Brontรซ? Author of those two last named novels? Does she, or they, feature on your literary radar?

    Congratulations if they do โ€“ you are an English Literature graduate at least, or one of those weird people that know loads of usually useless knowledge that people want to have on their pub quiz team that then drop you like a stone once the winnings are divvied up, and you wander home alone, smelling vaguely of stale BO and loneliness.

    So, step forward the other other Brontรซ, Anne. The one everybody forgets if they ever knew of her to start with. And is embraced by Sarah Gordonโ€™s play performed this week at the Rondo Theatre, Larkhall, Bath by the โ€œin houseโ€ theatre company, RTC.

    Anne, as per the above, is the centre of this play, but in many ways its really about the fractious, loving, abusive, and caring, relationship between her and Charlotte as we see Anne systematically abused firstly in her efforts to be a governess, and when finally escaping the oppression of service, receiving little better from her eldest sister… while Anne eventually becomes the worldโ€™s first feminist writer.

    The story covers a simple timeline of the Brontรซ sisters adulthood, with appearances of drunken brother Branwell, though there is a little poetic licence over some chronology to help the flow of the narrative. I have to throw that in for the three of you reading this that are actually internationally renowned experts on the Brontรซs and may otherwise think I missed it. So there. I didnโ€™t. For everybody else โ€“ its not important and the story works well as a result. I blame Branwellโ€™s booze befuddled brainโ€ฆ

    Anyโ€™ow โ€“ as they may say in West Yorkshire โ€“ their basic history is on Wikipedia so I wonโ€™t reproduce it here. Suffice to say all three Brontรซs in their own way produced magnificent works that have stood the test of time, and Kate Bushโ€™s singing, before Anne and Emily succumbed to tuberculosis following Branwellโ€™s previous demise. The water in Haworth has a lot to answer for.

    Charlotte died of complications in pregnancy โ€“ maybe she didnโ€™t drink the water. None of them made the age of forty, and the younger two barely thirty at best. Tragedy had also struck the other two totally unknown sisters – Elizabeth who had died aged ten, and Maria aged eleven.

    โ€œUnderdogโ€ is a quite superb piece of writing; Sarah Gordon has lifted a passingly interesting family history and created a vibrant soap opera (in the best possible way!) about three siblings all destined for greatness, with hugely differing personalities. Of their love and support for each other; their internecine rivalries; their differences. Anne, at first demure then latterly strong and quietly confident, Emily, abrupt yet watchful, and Charlotte โ€“ a domineering bully that gaslit her sisters, particularly Anne and most definitely herself. Charlotte opens the show with a 4th wall monologue about pious men looking down on women, but is portrayed as being no better herself.

    The three leads are mesmeric. Their characterisation is sublime, magnificent. Josie Mae-Ross plays Charlotte, Naomi Miller, Emily, and Alana Wright, Anne. The three bond so well on stage, with amazing chemistry, they really feel like three sisters. Itโ€™s a line heavy play for the three of them, as well as the portrayal of their characters on top and they are on stage for pretty much the entire two hours that the play runs for. Chapeau all round.

    Branwell is played by Natalie Prescott, swapping her natural North Cheshire vowels for West Yorkshire ones and crossing the Pennines to do so. Thereโ€™s a suitably gruesome reminder of the results of TB and Natalie captures Branwellโ€™s self-destructive insouciance to a tee. Natalie also partakes in various ensemble roles along with the other members of the cast Antonia White, Jade Wright, Sarah Horrex and Sophie Kerr. Their slickness between several cameo style roles each is commendable, and peaks with a brilliant scene of literary critics discussing the sistersโ€™ works in deprecating terms. No spoilers here but the show is worth seeing just for this one particular ninety second scene.

    Youโ€™ll have noticed I am sure eight female names for eight cast members โ€“ yes dear reader, itโ€™s an all-female cast โ€“ as befits a play about the worldโ€™s first feminist writer. This is all pulled together by director Helen Taylor with great vision and pace. The set is wonderfully simple doing just enough to set the scene and allow the actors to deliver in an uncluttered space.

    Tech as ever at the Rondo is delivered as excellently as ever by Alex Latham, and the costumes are simply perfect โ€“ take a bow, as is often the way, Chrissy Fryers. The original music for the show is provided by the maestro that is Moray Macdonald and all of these creatives are more than ably supported by producer Yvonne Paulley, Stage Management Lylou Sharp and Olivia Lynch with publicity and poster design by Meg Robertson and Cate Nunn respectively.

    You donโ€™t have to be a Brontรซ fanboy or fangirl to enjoy this show. It has a quality that live theatre brings that watching a screen just doesnโ€™t haveโ€ฆ the immediacy of the action, the intimacy of the space, the direct connection with the cast, and it has this in spades. It is simply one of the best pieces of theatre I have ever seen, and I am fortunate enough to watch a lot of quite excellent theatre that is well worthy of the highest praise.

    You could do far worse than blow a whole fifteen quid, cheaper than a pizza and a pint, on a ticket to this wonderful show this week. I even urge you not to miss it.

    Tickets from https://rondotheatre.co.uk/underdog-the-other-other-bronte and the show runs Wednesday 25th March to Saturday 28th March.

    And you may recall I said something about the water in Haworthโ€ฆ? Itโ€™s actually trueโ€ฆ.

  • 7 Hills to Trowbridgeโ€™s Old Town Hall

    To clear up any confusion, Trowbridgeโ€™s old town hall is no longer the town hall, but The Old Town Hall. I have no idea, nor care to know if there’s a new town hall; that’s irrelevant. Whilst still owned by the council, it was refurbished and reopened as a charity funded arts centre and cultural hub last Octoberโ€ฆ..

    I met a great bloke there called Tom, he used to run Bath’s venue Moles, now he’s steering events at this glorious grade II listed building, originally opened in 1889 to commemorate Queen Victoria’s Golden Jubilee. It is an utterly stunning space of Victorian splendour with acoustics from the heavens; nice to note it’s in good hands.

    In equal splendour was the reason I’m here, for the 10 Hills Spring Music Festival. Congrats if you spotted the deliberate mistake, there were only ever seven hills; I’m rounding it up as if it’s a score out of ten, perhaps I should add an extra hill or five onto that for good measure!

    If forced to find a nick-picking fault with this event, I could suggest a lack of chairs inside the hall, considering the higher end of the age demographic in attendance. But the concentration was on the music, an elaborate concert-festival, and the quality and quantity of this was absolutely mindblowing, if not particularly diverse.

    7 Hills regularly organise music events at The Night Jar in Bath, including an annual festival. Chris Hoar of Courting Ghosts explained he, โ€œreached out to them initially to say I was planning a festival in the newly renovated Old Town Hall, just to check it didnโ€™t clash with them, and Matt said letโ€™s do it together in Trowbridge as a spring festival.โ€ And here we are finally in spring, I’ve been looking forward to this.

    Americana, folk-rock was the order of the day, everything uniformed to the influences of Courting Ghosts. So if you wanted to go looking for a dance tent, this wasn’t for you. But the standard of music was sublime throughout the day and into the evening, and that’s what made 7 Hills so spectacular.

    Best festival of the year I could jest, because it’s my first, still, I believe I’m going to be hard pressed to find a lineup as good as this, and the craziest element was, while I knew most of the local acts booked for the afternoon, I was in the dark about the later ones, but far from disappointed.

    Jess Chivers

    Perhaps the only one I saw to deviate from Americana was Jess Chivers, who delivered a great set on an acoustic stage adjacent to the main one, as this had subtle elements of punk. This second stage assured consistent entertainment whilst bands prepped on the main stage. I believe because I needed sustenance I missed Phil Cooper’s set, drafted in due to a cancellation, and a few others before my arrival, but Leander Morales polished off the acoustic stage with an energetic and poignant set.

    Thieves

    Sadly I missed Fly Yeti Fly, meeting Darren on the stairs as I came in. Love this duo too, they remind me of Christopher Atkins and Brooke Shields in the Blue Lagoon! My arrival, I hoped, would be timed for Concrete Prairie, as it was, lovable bluegrass collective Thieves were doing their wonderful thing on the second stage, while the prairie tuned on the main, under the stained glassed lancet; confirming I’m going to love this event.

    Concrete Prairie

    Make no mistake, Concrete Prairie was on fire, I expected no less. Undeniably the liveliest set at the festival, they gave us the classics from their 2022 self titled debut album, finishing on their magnum-opus, the incredible crescendo-hugging Devil Dealt The Deck, but between them blessed our ears with some new songs from their forthcoming album. While Joe set no date for its release, the songs came across livelier than the sombre mood of the debut album. Theyโ€™re perfectionists, providing me with faith there will be no sophomore slump.

    The band were incomplete too, Phil Cooper taking bass, and original fiddler in the band, Georgia, filling in for her replacement. Still they rocked it, and Iโ€™d have been content if I had to go home straight after them!

    Courting Ghosts

    Obviously with Chris Hoar at the helm, Courting Ghosts would play, and I could imagine no other following the Prairie, even if their overall mood is more sombre; this is music for the soul. Counting Ghosts surely set the mood for the remaining acts, this smooth Americania with influences from both country folk and jazzy soul. They gifted us a new song, to be the title track of their next EP, Baby, I Bleed for you, and sparks flew.

    Orla

    Everything chronologically from now on would be new to me, but all of it flying miles above my expectations. A great example came from the acoustic stage immediately after the Ghosts. Orla is a young singer-songwriter from Bath, and clearly one to watch. With crystal vocals she gave us some divine originals, including a particularly poignant one called Mouthwash, and made Crowded Houseโ€™s principal her own.

    Matt Owens & The Delusional Vanity Project

    Former Noah and the Whale, Matt Owens & The Delusional Vanity Project followed with a dynamite set. As evening set in a professional precedence, I figured this was going to get continuously better. Multiple AMA UK Award winner Hannah White, the best yet, intertwined devout stage presence with a heartfelt singalong, she captivated, projecting her pure lyricism like dripping honey. I especially liked the tune with the reggae offbeat, but overall, I left wondering if, or how it could possibly get any better.

    Hannah White

    If Iโ€™m now a Hannah White fan, and all presented before us was of a quality so high it would be impossible to fault, it should be no negative reflection in comparison to suggest something here wasnโ€™t entirely my cuppa. No doubt, any Ohio artist signed by Peter Gabriel is going to be of an excellent standard, and soloist and loop pedal god,ย Joseph Arthur certainly is, it was just the bar was set so high by Hannah it levelled off here somewhat.

    ย Joseph Arthur

    So, despite the highest of qualities, I wondered now if, for my personal tastes, anything could possibly top Hannah, and casted a preconceiving critical eye over Our Man in The Field as they set up. They certainly had an impressive ensemble, seven piece with an upright bassist, organist and everything. The lead guitarist had something of a Bill Wyman debonair, while the frontman presented himself as a funky truckstop dweller. Grasping tight to my newfound adoration of Hannah, this would be interesting, if nothing more.

    Thatโ€™s when the vibe hits you best, when itโ€™s a surprise! Our Man in The Field has the perfect Americana balance, components of country, but with such soulful jazzy swagger, they had me off-guard and now totally hooked, the first to entrance me wholly. Our Man in The Field is sublimely captivating.

    Our Man in The Field

    Shit, I realise now I shouldโ€™ve put more trust in Chrisโ€™s knowledge! He has presented a lineup which, despite me thinking at numerous intervals, heโ€™s not going to top this, he somehow did! I made up my mind then, I had to witness the final act even if an asteroid hit The Shires shopping centre.

    The Delines, self-labelled as โ€œretro country soulโ€ from Portland, Oregon headlined. With everything previous so hyped in the hamster wheel of my mind, it mattered not if this suited me, I could leave now, more than content. I couldnโ€™t leave. I imagined myself off the lines, driving one of those poetic American roads, planning to stop off to drink my soul away at a roadside bar, but when you walk in a band playing in a back room is so inspiring you figure life is too short as they blissfully cure your blues.ย 

    The Delines

    This was gorgeous. Utterly brilliantly steady, smooth with no need to fire up, just drifting with narratives akin to Guthrie, jazzy and soulful as Springsteenโ€™s early recordings and the Asbury Park scene, on a Gil Scott-Heron level, and topped with the honest banter of a band in their prime; there was no need for them to apologise for Trump, thereโ€™s two bridges between us, they can break the political one, but cannot ever do the same to the creative arts one. I wished my friend Chrissy could see this, this is what her band Burn the Midnight Oil should attain to, this was blended bliss, American music without borders.

    Impossible for me to compare what Queen Victoria’s Golden Jubilee was like at Trowbridge Town Hall with the events now being run at it, but 7 Hills felt like it couldโ€™ve matched it, even without cherries cooked in flaming brandy, and the range of community events at the venue breathes positive new light into Trowbridge town centre.ย 



  • Wiltshire Hunt Sabs Stolen Drone Footage Reveals a Beaufont Hunt Kill

    Retrieved footage from a stolen drone of the Wiltshire Hunt Saboteurs reveals the Beaufont Hunt making a fox kill earlier this month, and itโ€™s undeniable evidence of their despicable crimes against our wildlifeโ€ฆ.

    The Wiltshire Hunt Saboteurs have exposed The Beaufort Hunt numerous times, recording a kill on the Fosse Way in November 2025, on the Dukeโ€™s Badminton Estate in December, and another at Cranmore Farm, Shipton Moyne, in January this year.

    This distressing footage was recorded earlier this month at Commonwood Farm, Luckington. It clearly shows a fox hiding the hedgerow, the hounds doubling to the exact spot where a field rider was waiting, and dragging the terrified fox from the edge of the hedge, tearing it apart. The fox is then killed in front of hunters, who do nothing to stop the attack.

    If this sickens you, the next part of the process is utterly terrible; the cover-up. Whilst they bag the remains of the fox, their terrierโ€‘men and hunt supporters surround the drone, waiting for it to land, in an attempt to steal it, while the sabs rush to protect it. This is now common practice added into their โ€œtraditional country sport.โ€

    The Police were called, and an officer from the Roads Policing Unit took the drone. “He just took it,” The Sabs explained, “he didn’t say what powers and didn’t give a receipt, hence we call it a theft.” Meanwhile, many of the terrier-men, with “registration plates deliberately muddied out,” realising they too were being recorded, fled. Police engaged with the leader, but not with the sabs. A rural crime officer viewed the footage on the drone controller, and another officer from Chippenham Response also attended.

    The Rural Police Unit seized the drone containing vital evidence, but did nothing to stop the hunt, or locate the remains of the fox, disposed of in a bin bag, according to the sabs. The drone was returned to Wiltshire Hunt Sabs, following a weekโ€‘long campaign exposing the circumstances of its seizure. The evidence has now been posted to their social media platforms.

    This leaves me with little faith the new laws will do anything to stop this, if police do not act on them. Because, there was me thinking the objective of the police is to prevent crime, not just punish after a crime is committed? I asked the Wiltshire Hunt Sabs how they feel about these new rules regarding trial hunts, and if they think it will really make a difference?

    โ€œItโ€™s hard to say without knowing what the government will implement,โ€ a spokesperson told me. โ€œAny improvement is welcomed but this is our only opportunity to get rid of the loopholes – and the government must make sure it doesnโ€™t introduce new ones.โ€

    โ€œThe Hunt Saboteurs Association has produced a brilliant booklet detailing the key changes needed to ensure an effective ban on hunting wildlife with proper sentencing deterrents. Currently the Hunting Act allows only for a fine, which isnโ€™t a deterrent or punishment for fox hunters with deep pockets. Landowners and hunt management also need to be held accountable more often too; they are supportive of their law-breaking hunt staff. Trail hunting needs to be banned; it isnโ€™t an activity in itself, it simply exists only as a legal defence. Reckless clauses will certainly hurt them as every defence comes down to โ€œooops, it was an accident!โ€ Itโ€™s nigh on impossible to prove intent – as you canโ€™t hop into anyoneโ€™s mind, even though everyone knows when fox hunters hunt or kill foxes, itโ€™s 100% intentional.โ€

    The continuous scroll of comments on The Wiltshire Hunt Saboteursโ€™ social media posts show the overwhelming support for the organisation’s attempts to prevent this criminal activity, their anger this continues, and criticisms of the seemingly inactions of the Police. Myself? I call the Beaufont Hunt something which rhymes with hunt.

    You can follow Wiltshire Hunt Sabs HERE and support their work HERE.


  • Extended Lineup for CrownFest

    It was back in October when we revealed CrownFest at The Crown in Bishopโ€™s Cannings was returning this summer, and January when we last mentioned it, because the organisers Stone Circle announced that its proceeds will be donated to Wiltshire Hope & Harmonyโ€™s Dementia Choir. I like to tease you during those cold winter months, and get us looking forward to warmer days coming…..

    Now the time is nearly upon us; frosty starts but some glorious sunshine brings a sigh of relief, as spring has sprung. Time to remind ourselves of some of the local festivals on our horizon, but this isnโ€™t about simply regurgitating what weโ€™ve already said about CrownFest, because thereโ€™s been a few updates since, worthy of your attentionโ€ฆ..

    What is new, is that the music will be presented over two stages rather than the single stage. Acoustic acts will be in the marquee, while bigger bands will be soundchecking and warming up on the main stage. This is great news, for continuous entertainment, and youโ€™d have to wonder otherwise, just how theyโ€™d squeeze so many acts into just one day.

    And, before I waffle too far, that one day is the 4th July 2026; closer than you might think!

    Tickets available HERE. A standard adult is only ยฃ32, children are ยฃ10, and thereโ€™s a ยฃ75 family bundle option too.

    So, what Iโ€™ve already told you: Kinishaโ€™s renowned Simply the Best Tina Turner Tribute and Adam & The Ants tribute Ant Trouble headline, closely followed by Wiltshireโ€™s premier indie-pop favourites and winners of six Wiltshire Music Awards, Talk in Code. Purveyors of Irish & Celtic folk The Publicans will also be playing, along with Salisburyโ€™s rock cover band Innovator, rock covers band Tipsy Gypsies, the one and only George Wilding, Mother Ukes, and the blooming marvelous Lucas Hardy.

    And if all that isnโ€™t already enough, what you might not have noticed, is some fantastic additional acts recently added. Firstly, the sublime Ruby Darbyshire is now on the lineup, who is worth the ticket price alone! Young Calne singer-songwriter, Braydon Lee, is a name on everyoneโ€™s lips right now, we fondly reviewed his latest single, and heโ€™s coming too. Eighteen-year-old singer-songwriter, guitarist and pianist Dylan Bratley also made the team; a new name to us but Iโ€™ve just checked out his rather cool Noah Kahan cover on TikTok, looking forward to hearing him live.

    Lastly, is an upcoming Salisbury sixth form band, organiser Eddie Prestidge likened to Nothing Rhymes With Orange, called Five Nights at Adyans. The Salisbury Journal recently mentioned them playing Wiltshire Creativeโ€™s โ€œGlow with the Flowโ€ event for young musicians at Salisbury Art Centre. They revealed โ€œthe band is composed of four boys, Jasper Hill, Owen Morgan, Thomas Clark, and Toby Allen, who are all currently in Lower Sixth at Bishop Wordsworthโ€™s school, and have been friends since they were in Year Seven. The influence behind their name is a play on the famous video game โ€œFive Nights at Freddyโ€™sโ€, combined with the influence from their classmate called Adyan, whom they often bring up on stage.โ€ย 

    This kind of leaves me wondering what Adyan does, if heโ€™s like a young Bez from the Happy Mondays, and if he will show up at CrownFest! Adyan or no Adyan, CrownFest is getting better and better, the latest poster unusually puts the lesser-known acts above the headliners, showing a real dedication to upcoming performers, and thatโ€™s a great look! All roads lead to Bishops Cannings this coming 4th July…. get on one of them!


  • Vox Populi: New Album From Deadlight Dance

    The difference between punk and goth is that as a punk you reject society, as a goth society rejects you. Being society lives mostly online today, that’s probably why my spam filter assumes proposals from exiled middle eastern princes to deposit bitcoin into my bank, and machines to extend oneโ€™s manhood are of interest to a regional entertainment blog, but a local goth duo’s new album should be hidden in a spam folder.

    Algorithms now pressure me into having to rush this out, despite noting on social media, Deadlight Dance are releasing their third album, Vox Populi tomorrow (Friday 20th March), which they launched at The White Bear in Devizes last Sunday. Have Nick and Tim got in the humph with me?!

    They are Eurythmics-covering retro goths after all, who seem to be dealing with the apocalypse with new songs and a spot of gardening. I’ve always been nice about what they do and thought the feeling was mutual! Not at all; seems after a quick Facebook message, the glitch is real, and the email was discovered; and just like the issues Nick and Tim describe, โ€œthe populist rhetoric, the age of the oligarch where the rapid development of A.I. and deepfakery is upending reality, and โ€˜straight-talkingโ€™ chancers who claim to represent the majority are stoking the smouldering embers of fascism,โ€ these are the depressing first world problems which need addressing, and with them in mind, isnโ€™t it overdue to rekindle the era of the goth spirit?

    Recorded as usual at Mooncalf Studio with legendary purple-bearded producer Nick Beere, it feels at times as if Deadlight Dance are canvassing for compassion as humanity gears up to vote for the collapse of civilised society. โ€œItโ€™s dark,โ€ agrees Nick Fletcher, โ€œbut there is hope there. You donโ€™t talk about these things unless you want to do something about it.โ€

    โ€œLight and shade,โ€ says his partner in sound, Tim Emery. โ€œHopefully thereโ€™s something forย everyone. For some people, everything will be for them.โ€

    With all edgy synths blazing, Gloss opens Vox Populi, dramatically and attacking the beauty industry, its harmful lies and unrealistic standards in an era most pop stars are encouraging them. We reviewed this as a single last October, where I vowed to shave my eyebrows off and draw them back on with a Sharpie. The exploitative nature of the cosmetics industry, the first deep and eerie original song of eight, which speak of algorithmic existences; gaslighting by the elite, the paradox of โ€˜humaneโ€™ food production, identities and the preconceptions that can shape them, the corporatisation of the militaryโ€ฆ and gardening.

    โ€œThere are some important horticultural and botanical references,โ€ says Nick, reassuringly. The poisonous evergreen shrub Daphne odora, being an example, as the second tune, a poignant plodding shoegazer and followed by a surprisingly jocund ballad which gracefully reminds of the playful moments of The Cure.

    Red Flags warns of danger, but takes no prisoners, Lachrymal is as dismayed as Fields of the Nephilim, Glass Walls is uptempo, furious and robust by design, an enclosed space frameless and seamless, but perhaps not maximising natural light, for thatโ€™s simply not goth!

    The Theatre of Absurd thuds us back into the dark, with anticipatory anxiety and New Order beats. Followed by the first of two cover songs, Eurythmicsโ€™ Sweet Dreams. Deadlight Dance comforts you here with familiarity and reminiscence, but stamp their own authoritative pounce on this, and the second, Princeโ€™s When You Were Mine, both of which feature guest vocalist Sian and drummer Mike Dymond, the latter of whom first played with Nick and Tim when they were sixth formers.

    Thereโ€™s an underlying retro sensation with all that Deadlight Dance produces, that not all electronica was lost to Stock Aitken Waterman, and neither will it be with smug grinned Simon Cowell. And something wholly satisfying that post punk artists of yore inspired Nick and Tim to form a band, and, acne replaced by wrinkles, thirty years later, amidst a global pandemic and a growing whirlwind of social and political chaos, they felt that the time was right to continue the journey. But what is more, is that younger punk bands, like those gravitating towards DIY labels like Sketchbook, are continuing the theme, and, I reckon, would take Deadlight Dance with similar respect to the aforementioned post-punk artists who inspired Nick and Tim. At least they should if or when they hear this album.

    While there is always a coherent thought process behind them all, their previous releases, 2024โ€™s acoustic covers album The Wiltshire Gothic, and the literature-themed EP Chapter & Verse of the same year, held a running theme more rigidly. The dystopian or unnerving observations of the modern era subjects behind Vox Populi is subtler, and this feels like the fashion of their debut Beyond Reverence, only with the natural progression, experience and diligence of those three years. And it shows, this is a most excellent album, once again.

    Vox Populi is released worldwide to stream, and own as a CD, vinyl LP and download,ย through Ray Records on Friday 20th March. Check out details on their website HERE.


  • Kate X: Swindonโ€™s Best Kept Secret

    Youโ€™re young, stars in your eyes, and you live in Swindon; you are not alone, but you are, unfortunately, up against Kate X! Kate is independently producing contemporary pop RnB of international quality, and sheโ€™s riding it. Kate X should, and I hope and strongly predict she will be, a global success storyโ€ฆ..

    James Threlfall spins her tunes on BBC Introducing, comparing her with Sabrina Carpenter and Zara Larson, and I respect his professional judgement. Her singles No Tears and Touch have amassed over nine thousand streams on Spotify and her latest, fifth single, For One Night had over a thousand plays in the four days after its recent release.ย ย 

    Itโ€™s easy to understand why once youโ€™ve listened. Every element to a viable contemporary pop song is evident in Kate Xโ€™s tunes. Theyโ€™re sassy without being coarse, her mezzo-soprano vocals perfectly fit pop, and Kate has a natural flair for bringing acute hooks to the bridge. For One Night, in particular, has that driving RnB bassline, but as a collection, all of Kate Xโ€™s singles to date make for an impressive portfolio.

    Iโ€™ve been hooked on Touch since Peggy-Sue Ford introduced it to me on her Donโ€™t Stop the Music show on Swindon 105.5 last year, and it hasnโ€™t left my head yet! For One Night clearly shows a natural progression, with a familiar and timeless clandestine lover theme, akin to Dusty Springfieldโ€™s popular cover choice Breakfast in Bed, but a contemporary soul feel more Beyonce than Kylie.ย ย ย 

    She has 670 monthly listeners on Spotify, which for a local indie artist is impressive. She might suggest she can be the object of her desireโ€™s โ€œbest kept secret,โ€ but in my opinion, she should no longer be secret to mainstream media and a worldwide fanbase.ย ย 

    Okay, so there are occasions, and more often than not, when an aspiring wannabe’s judgement obscures the probable reality that theyโ€™re the needle in the haystack and unlikely to progress to stardom in the competitive music business. And someone has the unfortunate task of tying their feet back to the floor. It’s sad, but a common stipulation, and often manipulated by television talent shows for ratings. But when I listen to Kate X’s tunes, compare them to what the mainstream is putting out, and consider she’s independently creating and marketing, this is clearly not the case here. Kate has something really rather special, which is on par with the mainstream commercial output.

    All it takes is for word to spread, and maybe some crossed fingers and toes, but Kate X seems determined, and unquestionably has the potential to be the next big pop star.

    Kate, your songs are simply brilliant, remain steadfast to your goal, mentally prepare for setbacks, obviously, but I reckon, judging on this latest single, youโ€™ve got it in the pocket girl! And we wish you all best of luck with this positively facing journey.ย Follow her journey on Instagram, TikTok, or Facebook.


  • Shedricโ€™s Misadventures of Theodore Thump

    Just who is Theodore Thump? A wise pet rabbit? The mysterious sixth Beach Boy? This album newly released from Shedric, Swindon soloist and groovist of Thud, reveals nothing, but makes for a diverse and interesting listenโ€ฆ.

    The Misadventures of Theodore Thump was unwittingly released unto the cosmos earlier this month, and through title and cover art you might preconceive some psychedelic surreal nonsensical comedy akin to the Bonzo Dog Doo-Dah Band, and in a way thereโ€™s sombre and subtle nods to this direction, but thereโ€™s more than meets the eye to this masterwork of audio art.

    With wailing guitar it opens unexpectedly, plodding cosmic blues fashion. This swaps to a drifting jazzy folk with smooth Nick Drake styled vocals for the second song, and back to cosmic wah-wah for the intro and chorus for the third, while it settles for a jazz piano core. Still, fusions know no bounds here. Immediately Iโ€™ve the notion that this melting pot isnโ€™t by chance, and the experimentation is purposeful, played out by a genius of many influences and with the ability to cherry-pick and compose them in such a way you are on the edge of your seat, captivated, intrigued, and thoroughly entertained.

    It may all have been done before, but unlike this. Four tunes into this seven track marvel, Rosalie is a two-minute ethereal drumbeat and piano instrumental. Drifting lounge style, Scum is contradictory from subject to sound, whereas Lock & Key drives melodically classic RnB, Robert Palmer, and is likely the most commercially viable on this most excellent album. Thereโ€™s a finale, wonderfully written of feelgood sentiment.

    Shedric said, โ€œThe Misadventures of Theodore Thump has taken me an insane amount of time to make. The levels of procrastination have been almost as epic as the hours spent at my kitchen table mixing and tweaking.โ€ The dedication and effort shows. It has the experimental quality of Sgt Pepper or Pet Sounds, the coolness of Bookends, its jazzy elements range from Blue Note to prototypical Mark’s Keyboard Repair. At times itโ€™s blues, at others itโ€™s folk, but it always leaves you guessing, and certainly is one to dive into, discovering more intricate details you might have previously missed before; marvellous!


  • Chandra Likely To Go Boom!

    Buzzwords, like โ€œturbo,โ€ or โ€œsonicโ€ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoid them, but you cannot call Chandraโ€™s releases just plain indie-pop; theyโ€™re turbo-charged sonic boom spearheaded empowerments of synergy indie-pop songs which prolifically arrive with an explosive boom! And, coincidentally, Boom is the new oneโ€ฆ..

    Seriously, thereโ€™s a glorious feelgood summer energy to this. You’d have to be having a really bad day to find fault with it. Love the bongo intro, and the subtle, tongue-in-cheek doowop backing, and the guitar riff bridge sits perfectly amidst the positive vibes the subject evokes in the singer.ย ย 

    โ€œThis song is a bit of a departure from the norm,โ€ lovable showman Chandra says, โ€œover the past two and half years we’ve never once written a song about love. We’ve always written about topics such as inclusivity, tolerance, compassion, faith and self confidence, but the one thing that ties it all together is we want to write songs that are upbeat, hopeful and empowering. We hope that this song does exactly that.โ€

    Observation double underlined, and box triple ticked.

    โ€œBoom is a very spiritual song about love,โ€ Bristolโ€™s power indie-pop virtuoso continues, โ€œsoul-mates and the miracle of finding that special someone in a vast universe full of empty space. It may take a moment; it may take a lifetime, but when you find that special person who makes you whole, the explosion is as powerful as the Big Bang. And yes… sometimes it’s really scary to open yourself up to the possibility of being hurt, especially if you’ve experienced something bad previously; something is coming, everything will be alright.โ€

    And thatโ€™s about as reassuring as the nature of the song too!ย  Boom launches into the universe on Friday 20th March. Thereโ€™s a BOOM Single Launch Party on Saturday 28th March, at The Queen’s Head in Box. Doors 7.30pm.

    Find all stuff you need to know about Chandra HERE


  • Marlborough School of Languages to Hold Second Fiesta

    Itโ€™s always nice to hear when an inaugural local event is successful, especially one as unique and original as Marlborough School of Languagesโ€™ annual Fiesta. Triple so when being bilingual to me means I can switch between English and gibberish!

    Marlborough School of Languages offers a range of services to suit language development at any age and stage, in small groups or one-to-one at their school on Marlborough High Street, and online. With regular Spanish, English, French and Italian lessons, bespoke workshops, exciting conversation, film, food and book clubs and sociable cultural drinks evenings, last year founder Maria Gonzalez decided to create their first language summer festival; conveniently the school abbreviates to SOL, the personification of the Sun in ancient Rome!

    ย โ€œWe are beyond excited to be launching the second edition of our Languages’ Summer School: Fiesta 2026,โ€ Maria explained. โ€œLast year we wanted to end the summer term with a special event that would inspire our students to continue their learning journey with us in September, and create something appealing for potential new learners.โ€

    โ€œDespite the heatwave, we delivered 15 hours of Spanish, Italian and EFL lessons, served five wonderful meals at La Bobina, The Marlborough Pub and at our High Street premises, and organised five afternoon activities, including Chinese calligraphy and a wine tasting led by some of the areaโ€™s most talented professionals from Thames Valley Wines.โ€

    This yearโ€™s Marlborough School of Languages Fiesta will take place on the 6th to 10th of July. Building on last yearโ€™s success, Fiesta 2026 promises another vibrant celebration of language, culture and community.

    Guests can look forward to a programme of engaging Spanish, Italian and EFL sessions in the morning, delicious meals shared in great company, at the best Marlborough High Street eateries, and a selection of inspiring afternoon activities led by talented local professionals.

    Above all, Fiesta is designed to bring people together in a relaxed, friendly atmosphere where learning, conversation and cultural discovery go hand in hand.

    Tutors in both Italian, Claudia Marin and Spanish, Maria Gonzalez along with English as a foreign language tutor Matt Gow, will take classes from 9:00 am to 12 pm, followed by lunch, and workshops in the afternoon. Some details still need confirming at this stage, but they anticipate the paella making workshops will be back, and there will be a theatre workshop where the three language groups will each prepare and perform the same short play in their respective languages.ย 

    For further details go to the Marlborough School of Languages website HERE.


  • Palooza Invited Back to Fatboy Slim’s All Back to Minehead 2026

    Right here, right now in Devizes, Palooza spawned and has become the fast-growing house music event brand in Wiltshire. They’ve beenย invited backย to perform atย Fatboy Slimโ€™s All Back To Minehead 2026, following a standout appearance at last yearโ€™s event. The highly anticipated festival takes placeย 6โ€“9 November 2026ย and brings together some of the biggest names in dance music for a full weekend of music, energy and unforgettable moments…..

    Joining an exceptional lineup that includesย DJ EZ, Erol Alkan, Horse Meat Disco, Simon Pegg, Sarah Story, Darren Emerson, Eats Everything, Kirollus, Olive F, Woody Cook, Elliot Schooling, Liam Palmer, Krafty Kuts, Dr Banana, Arielle Freeย and many more, Palooza will once again bring its signature blend ofย house, classics, anthems and underground soundsย to the iconic Minehead weekender.

    Known for itsย high-energy dancefloors and community-driven atmosphere, Palooza has built a strong reputation on the UKโ€™s underground scene, making its return to All Back To Minehead a significant milestone for the brand. The invitation back to the lineup reflects the impact of last yearโ€™s performance and the growing recognition of Paloozaโ€™s unique sound and vibe.

    โ€œWeโ€™re buzzing to be invited back,โ€ said Greg Spencer from Palooza. โ€œLast year was incredible, and to return alongside such a huge lineup is a real honour. Weโ€™re bringing even more energy this time.โ€

    All Back To Minehead continues to be one of the UKโ€™s most celebrated dance music weekends, combining world-class DJs with a unique holiday atmosphere and a packed schedule of activities across the resort.

    For full lineup details, tickets and event information, visit:
    ๐Ÿ‘‰ย www.allbacktominehead.com


Big Bath Sleep-Out: At Home

Avoid the irony, sadly this year Bathโ€™s annual big sleep-out event in Alice Park cannot be for obvious reasons. But homelessness during a lockdown is no joke. Julian House and Bath Boules Charitable Trust lay down a more local gauntlet, inviting you to join in with a sleep-out in your garden, on your balcony or your kitchen floor, sticking to your household/social bubble.

Itโ€™s okay, calm down, itโ€™s not until 5th March, when hopefully weather will be more clement, a reality homeless donโ€™t get. So, to stand up against homelessness, challenge yourself to sleep out for just one night at home and help raise vital funds and awareness for men and women forced to do so every night.

Last year they provided life-changing support to over 1,400 vulnerable individuals who were experiencing, or at risk of, homelessness across Bath, Bristol, and the South West. Itโ€™s a grim realisation, that without support like this, the life expectancy of a long-term homeless person is just 45 years. By sleeping out, you can change that.

On top of everyday challenges, the on-going impact of Coronavirus has had a devastating effect on the men, women, and children in care. Collectively you can help provide the lifesaving services and support they so desperately need right now.

More details here



Devizes Scooter Rally; Best Yet, Ranking Full Stop!

If there’s been hearsay and ballyhoo about the date clash of two major but individually different events in Devizes this week, I hold my hand up for stirring the pot, yet try to attend both and find fair balance. But at the dawning of them, as magical as the FullTone Festival is, it cannot beโ€ฆ

FullTone Gets Underway With Devizes Music Academy Showcase and Something About Jamie

Devizes annual orchestral festival, FullTone got underway yesterday afternoon with a showcase of local talent from Devizes Music Academy,ย  and finalised Friday night with their recent musical Thereโ€™s Something About Jamieโ€ฆ. If today the stage is filled with the sixty-plus piece FullTone Orchestra and guest singers, Friday night was all about Jamie ….or something aboutโ€ฆ

Static Moves Crawling Back With Debut Single

In a way itโ€™s more intriguing when a cover band sends an original song than one already producing originals. For if original bands can sometimes be critical of the desire of pub venues to value cover bands over them, yeah, your average cover band is heeding the call for their bread and butter, but areโ€ฆ

Salisbury Musicians Record Fundraising Single in Memory of Thom Belk

A feast of Salisbury musicians have recorded the single Edge of Reason, a powerful tribute to the irreplaceable Thomโ€ฏBelk, a champion of Salisburyโ€™s music scene who sadly passed away at the end of 2023…. โ€œThomโ€™s passion for local talent lit up this city, and this song is our way of keeping that flame burning bright,โ€โ€ฆ

Devizes Food & Drink Festival Programme of Events Released

Devizes Food & Drink Festival launched their 2025 programme of events today. Running from Saturday 20th to the 28th September, the Box Office opens online and at Devizes Books on August 11th; can you wait that long or is your tummy rumbling already?! The free Street Food and Artisan Marketย will take place in the Devizesโ€ฆ

Schools Out For Summer: Here’s Some Things to Do in Wiltshire!

Schools out for summer, yelled a man called Alice, but that was in 1972. We’re about what you can do THIS school summer holiday with those little munchkins; here’s what we’ve found… Please note as soon as we publish this we’ll be bombarded with events we have missed; at least that’s what usually happens! So,โ€ฆ

Devizes Dilemma: FullTone or Scooter Rally?!

Contemplated headlining this โ€œClash of the Titans,โ€ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes can peacefully contain two major events on the same weekend, and, potentially, everyone comes up smiling because they attract different target audiences. But if the practicalities and ethos of both eventsโ€ฆ

Goodbye to The Beanery but Hollychocs Lives On

Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its opening in Poulshot, near Devizesโ€ฆ. Founded by award-winning chocolatier Holly Garner, Hollychocs has become a much-loved fixture in the local community, known not just for its handcrafted chocolates but for creatingโ€ฆ

PREVIEW :โ€œGlasshouseโ€ at The Mission Theatre, Bath, July 21st 2025.

by Ian Diddamsimages by Sandcastle Productions A very new addition to Bath based theatre companies, Sandcastles Productions brings their self penned piece of theatre to The Mission Theatre next week. Playwright Charlie McGuire describes โ€œGlass Houseโ€ as a mix of โ€œTwelve Angry Menโ€ with the defendant in the room, regarding some human beings that areโ€ฆ

Very Terry Edwards

The word โ€œvery,โ€ rarely an adjective, as in โ€œit happened in this very house,โ€ or โ€œthis is very Terry Edwards,โ€ but commonly worthlessly used as an adverb, as in โ€œitโ€™s very cold today,โ€ or โ€œthis is the very best of Terry Edwards.โ€ While the album simplifies it to the ambiguous โ€œVery Terry Edwards,โ€ itโ€™s BandCamp page suggests, โ€œThe Very Best of Very Terry Edwards,โ€ which though itโ€™s exactly what it is, itโ€™s also one adverb enough for the most lenient of proof-readerโ€™s red line. Yet, if the usage of very is erm, very worthless, it is the only thing on this album which is.

The multi-instrumentalist, best known for trumpet, flugelhorn, saxophone, guitar and keys, marked his sixtieth birthday last September releasing this three-CD best-of box set, and while I shouldโ€™ve mentioned it last month, between putting batteries in toys and stuffing myself with pigs in blankets things got tardy. Right now, though, I can think of no better outstanding project to kick off our music reviews for 2021. Reason only partly because it ticks all my personal favourite genre boxes, more so because of the range of said genres is far greater than run-of-the-mill best of compilations.

We need to assess Terryโ€™s biography to understand the reason for this variety. Funky punk and second-gen ska most obvious, as from 1980 he was a founding member of Two-Tone signed band The Higsons, after graduating with a degree in music. But around that time Terry also produced and played on the Yeah Jazzโ€™s debut album, of whom, despite the name, were particularly folk-rock.

Terry in 1984

From here the vastness of Terryโ€™s repertoire blossoms, as session musician for a huge range of acts, from Madness to Nick Cave, PJ Harvey and The Jesus and Mary Chain to, particularly notable, The Blockheads. As well as his solo material, with his band The Scapegoats and a stint with dark punk-blues outfit Gallon Drunk, itโ€™s understandable collating this in one reminiscent anthology is a mammoth task and a melting pot. Which is just what youโ€™re getting for your money, a very, as the grammatical disorderly title suggests, worthy melting pot.

โ€œWhen the earliest recording here was made the 18-year-old me couldnโ€™t comprehend being 60,โ€ Terry explained, โ€œyet here I am presenting a triple album containing 60 titles recorded between 1979 and 2020, through thick and thin.โ€ Therefore, it must be more tongue-in-cheek than Iโ€™d suspect Roger Daltreyโ€™s notion now of My Generationโ€™s lyrics that for the opening track he opted for The Higsonsโ€™ โ€œWe Will Never Grow Old.โ€

โ€œYouโ€™d expect an overview of my career to have some odd bedfellows and more than its share of quirks and foibles,โ€ he continued, โ€œbut itโ€™s been compiled to flow musically rather than have a chronological narrative.โ€

That said, the first four tunes from his original band follow, with all their fervent rawness. Terry covered his tracks though, โ€œI immediately break my own rules by starting with The Higsonsโ€™ earliest release and debut single, but redeem myself by following up with the most recent recordings; two ballads recorded with Paul Cuddeford (Ian Hunter, Holy Holy) in February 2020. There is more method than madness; groups of songs which follow a theme or genre are found together regardless of when theyโ€™re from.โ€ Indeed, weโ€™re then treated to three tunes in a matured, mellowing jazz and blues, the latter of which with the vocally perfected Erika Stucky.

Then weโ€™re into rock with The Wolfhounds, and a guitar-twanging Christmas blues song with Robyn Hitchcock, plodding jazz with Knife & Fork, post-punk Big Joan, avant-garde jazz with Spleen and rockabilly styled New York New York. While mostly jazz-related, this first disc graduates through genres with finesse.

Terry is like Georgie Fame with a Mohican, but whatever avenue is explored, you can guarantee quality. The second CD starts with a bang, upbeat mod-jazz with The Scapegoats. Thereโ€™re more known covers here, sublimely executed Herbie Hancockโ€™s Watermelon Man, a superb solo rendition of The Cureโ€™s Friday Iโ€™m in Love, as if Robert Smith wore a Fred Perry, and a hard-rock electronica version of Johnny Kiddโ€™s Shakin all Over with the haunting vocals of Lisa Ronson. Even find an orchestral film score, and a piano solo of the knees-up capitalโ€™s favourite, May Itโ€™s Because Iโ€™m a Londoner.

Yet if both the quantity and quality on offer here is so vast to make me waffle, it doesnโ€™t waiver for the final disc, rather itโ€™s my favourite. A BBC session outtake of a jazzy Voodoo Chile, with altered title to โ€œChild.โ€ Dunno, canโ€™t be a typo, the dedication to attributing to Hendrixโ€™s masterpiece is no easy feat, lest it be known Terry manages it with awesomeness dexterity, with a saxophone!

If the last CD continues with on a jazz tip for two tunes, weโ€™re transported to ska via John Holtโ€™s Ali Baba by Lee Thompsonโ€™s Ska Orchestra and other sundry members of Madness, and Totally Wired by Terryโ€™s โ€œSka All Stars,โ€ and more ska-jazz with Rhoda Dakar. Post-punk follows, featuring The Nightingales with Vic Goddard, Snuff, Glen Matlock and Gallon Drunk. Perhaps my favourite parts being the shouty cover of The Human Leaguesโ€™ โ€œDonโ€™t you Want Me Baby,โ€ by Serious Drinking, and the general dilapidation of seriousness with new wave tunes mirroring the unsubtlety of Ian Dury & The Blockheads.

Hereโ€™s a jam-packed box-set brimming with variety which flows suitably and makes a definitive portfolio of a particularly prolific and proficient musician. For many itโ€™ll hold fond memories, for younger, who think Kate Nash created the cockney chat-rap, or jazz wasnโ€™t the same until Jamie Cullum came along, itโ€™s a history lesson theyโ€™ll never forget!

This 60th birthday, 60 track-strong celebration spans over four decades. A triple CD clamshell boxset with 24-page booklet, but more importantly they say, โ€œVery Terry Edwards is a birthday present to himself as much as anything else,โ€ giving it the impression youโ€™re on a personal journey, like a child sitting on their grandpaโ€™s lap while he recites memoirs, blinking exciting ones!

Buy from Rough Trade: ยฃ15.99 or BandCamp: ยฃ15 or ยฃ8 digital.


“The Motherโ€ at The Mission Theatre, Bath, July 16th-19th 2025.

by Ian Diddamsimages by Ian Diddams, Next Stage Theatre Company and Mike Stevens Florian Zeller is a contemporary French playwright and screenwriter, who received critical acclaim for his films, โ€œThe Fatherโ€ and โ€œThe Sonโ€ in the early 2020s. The films were both adapted from his stage plays of the same name, and it will notโ€ฆ

Right Here, Right Now; Fatboy Slim Tribute at Salisbury Fundraiser

A smidgen fuddled over a tribute to a DJ, but Fatboy Slim is no ordinary DJ, heโ€™s a superstar, constructing hits from samples and remixes, rams Brighton beach and is loved for larginโ€™ it. So, when Salisbury Live and The Sounds of Salisbury radio get together for a live summer extravaganza at the cityโ€™s Victoriaโ€ฆ

Park Farm; Mantonfest Came to Devizes!

The first Park Farm Festival happened Saturday, it was fabulouso, and in some way Mantonfest came to Devizes; conveniently for me as I had to unfortunately miss Marlborough’s gem a fortnight agoโ€ฆ.. Weather and festival organisers aren’t besties. Organisers quiveringly check forecasts months prior, usual concern being moisture. Daytime at the inaugural Park Farm Festivalโ€ฆ

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathews for the tip off! Her debut album  Clever Rabbits was released today, and itโ€™s a mustโ€ฆโ€ฆ. Brit Award winning Paul McCartney and Tom Jones producer Ethan Jones spotted Ann Liuโ€ฆ

Striking Photographic Portrait Exhibition Celebrates Five Years of Impactful Creative Workย with Older People at Wiltshire Music Centre

If youโ€™ve popped into Wiltshire Music Centre recently; for a concert, workshop, screening orย even a meeting, you might have noticedโ€ฏchanges in the foyer: recorded music, the cafe-barย open at peak times during the day, and currently, a strikingโ€ฏphotographic exhibition of black and white portraitsโ€ฆ.. The โ€˜Men in Conversationโ€™ exhibition presents portraits of members of the Trowbridgeโ€ฆ

Wendy James Tour Coming to Fromeโ€™s Cheese & Grain

Photo credit: David Leigh Dodd Pioneers of the indie-rock sound which would lead us into the nineties, Transvision Vamp lead singer Wendy James has announced a UK tour in October in support of her recently released tenth solo album The Shape of History, which includes Fromeโ€™s Cheese & Grainโ€ฆ.. Wendy will be accompanied on tourโ€ฆ

โ€œlove you, byeโ€ at Ustinov Studio, Bath, July 7th-10th 2025.

By Ian DiddamsImages by Luke Ashley Tame of Acadia Creative Around 2 million women are victims of violence perpetrated by men every year, thatโ€™s 3,000 offences recorded every single day. A year ago, Uncaged Theatre brought their work in progress production โ€œFaithโ€ to the Rondo Theatre. Its review can be found here. A year laterโ€ฆ

Henry Aldridge and Son to Move Into Devizes Old Town Hall

Family run premier auctioneers of antiques and collector’s items, Henry Aldridge and Son announced a move into The Old Town Hall on Wine Street, Devizes; a move which will see them return to their rootsโ€ฆ.. Alan Aldridge started Henry Aldridge and Son from the first floor of The Old Town Hall thirty-five years ago. Theyโ€™reโ€ฆ

โ€œMuch Ado About Nothingโ€ at Cleeve House, Seend, July 7th-12th 2025.

By Ian DiddamsImages by Ian Diddams and Shakespeare Live Is it post watershed? Then I shall beginโ€ฆ  The etymology of the word โ€œNothingโ€ is quiteโ€ฆ  interestingโ€ฆ aside from meaning โ€œzeroโ€ such as is today, historically it has had other meanings and pronunciations including โ€œnoting,โ€ the writing down of musical notesโ€ฆ  and in Shakespeareโ€™s era itโ€ฆ

Wiltshire Council to spend ยฃ1.1m on digital devices so struggling families can access remote education

Wiltshire Council is allocating ยฃ1.1m of government COVID-19 funding to buy laptops and digital devices for disadvantaged pupils who currently canโ€™t join classmates learning from home.

The decision to allocate the funding to buy around 2,500 devices means these children will be able to access their school lessons from home rather than have to attend school to do so.

Currently pupils who do not have a laptop can attend school alongside children of key workers and vulnerable students. The new approach will help manage school spaces and continue to help prevent COVID-19 transmission.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œIt is essential our children and young people can continue to be taught and have an education in these difficult times as well as being able to maintain links with friends and have face to face contact with their teachers. With the news this week that schools will close we are aware there are families and young people out there who are left without the means to access that education and this is not acceptable.

โ€œBy using our government COVID-19 funding in this way we are ensuring families are not disadvantaged and can join their peers working from home. We will be working with our schools to ensure those children who need devices can access them.

โ€œI know schools have already been receiving many requests for laptops and some are sending children into school as under the new government rules you can attend. By providing additional laptops we will be freeing up those school places for other pupils who need to be in school.

โ€œAcross Wiltshire we have some great charity work happening with many community minded charities offering to recycle second hand laptops so they can be used in schools and I would like to thank them for this extraordinary effort.โ€


During the summer term Wiltshire Council distributedย 1,232 devices provided by the DfE across 138 schools which were designated specifically for disadvantaged and vulnerable children and young people. Currently secondary schools are accessing further allocated devices directly via the DfE and the council is reviewing opportunities to ensure a further reach so children in need have access to the tools for remote learning including tablets, laptops and wifi and data. The DfE has also announced that all primary schools will be able to order laptops and tablets by 15 January and the DfE will contact all primary schools by that date to invite them to order devices.

Wiltshire Council will also be working with schools following the government news that schools, trusts and local authorities can request mobile data increases for disadvantaged children and young people who do not have fixed broadband, if they cannot afford additional data for their devices and are experiencing disruption to their face-to-face education.

Schools are also working with families directly to ensure Free School Meals continues. For those families who are not sure if they are eligible for Free School Meals they can check here.  


Wiltshire Council Ask Gecko For Road-Crossing Song.

Not to make you feel old or anything, but Tufty, the safe road-crossing squirrel turns sixty this year, the Green Cross Code Man is not far behind at 51. Not too long before they’ll need some assistance crossing the road themselves, I don’t doubt!

Popular as retrospection is, Wiltshire Council have rightfully recognised a CJI Tufty makeover might not be best, and the Green Cross Code man is fighting his own conflicting interests between the Sith and Jedi.

How to teach kids to cross the road safely, needs a fresh approach….

They assigned Creative Studios to come up with this little masterpiece of a green cross code safety vid, and I couldn’t think of anyone more apt than the mighty Gecko to produce the song.

Yep, this works on so many levels. “I loved being a part of this project,” Gecko said, “I love the variety that this music life brings.” Well done Gecko, and a great choice by Wiltshire Council.

Just Another Lockdown Festival

JMW Promotions have a free online festival coming this Saturday and Sunday (9th & 10th Jan.)

There’s a lot of names I don’t recognise, which is the best thing about festivals in general, but especially online; local artists without borders. In fact the only performer I have heard of is the brilliant Jess Silk, on Sunday.

Line up looks like this: Just Another Lockdown Festival

Saturday
1pm Sam Draisey
2pm Shotgun Marmalade
3pm Kyle Parsons
4pm BICKERmusic
5pm Harrison Rimmer
6pm Warren Ireland
7pm Brian Stone Music
8pm JollyRoger
9pm Davey Malone

Sunday
1pm ALEX CAVAN MUSIC
2pm michael webster
3pm Have A Go Hero
4pm Doozer McDooze
5pm Sam Tucker?
6pm Maelor Hughes
7pm Ellie Keegan
8pm Brad Dear
9pm Jess Silk

Tune in from the artists Facebook pages which can be found on the event page, or check them out on JMW Promotions or in JMW Promotions Community.

Jess Silk (Image credit: Olver Gray)

Best of luck to JMW and all artists for the weekender, there will be a PayPal bucket linked, please support the artists, you know the drill. I’ll defo be popping in as and when and hoping to hook up with some new talent defo. Might even don my festival jester’s hat, put my cider in a squashy cardboard cup and take a piss behind the sofa!


Latest Posts

Will Lawton’s Rhythm Practice

Local music therapist Will Lawton plans to open a Music Therapy practice in early 2021, based at The Pound Arts Centre in Corsham. The service will help develop a positive change in the well-being of individuals of all ages through the creative use of music, facilitated by trained music therapists. Can you help Will reach his target?

In total, ยฃ8500 is required in order to equip a room with high quality music instruments and equipment. ยฃ6000 of this target has already been pledged by the council and a school, leaving an outstanding balance of ยฃ2500. This final balance must be found in order to unlock the rest of the grant funding to bring this project to life.

Donate here, thank you


Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™s good enough for King Alfredโ€ฆ.. The Royal Oak has filled a gap, hosting quality regular music nights under the production of Wiltshire Music Events, but this Saturday was the trueโ€ฆ

No Surprises Living in Devizes: Juneโ€™s Hypermasculinity Speeding Solar Farming Rave Sinkhole

Harold Wilson said, โ€œa week in politics is a long time.โ€ Lesser within local politics, but weโ€™ve a month to lambast, so no messing aboutโ€ฆ. okay, maybe a little. With the promise to reduce satire to this monthly causerie, Iโ€™ve been biting my lip till soreโ€ฆ Calne Councillors for Rape campaign, Potterne Hates Solar, toโ€ฆ

@The Southgate

Massimoโ€™s; Locale Pizza Paradiso

Talking Pizza today, why? Why not?

Who remembers BTโ€™s friends & family scheme in the nineties, reducing call charges for five selected favourite phone numbers? If you didnโ€™t submit your favs, BT would select them on your behalf based on calls to the number you made the most. Mine, living in Swindon at the time, Iโ€™ll confess, went: 1. my mum and dad, 2. my best mate, and 3. Dominoโ€™s Pizza. Four mayโ€™ve been a girlfriend, itโ€™s dubious but not impossible!

Some years later I moved to Marlborough, where given Ask, Pizza Express and so many others operate today, you couldnโ€™t get a pizza for love nor money. Enter the incredible, if slightly hazardous, Fronkie Fritzheimer, a legend in his own time. From his own kitchen and later progressing to working out of the football club, a move only the fire brigade grumbled about, he serviced Marlboroughโ€™s pizza lovers with, darn it, some of the most heavenly pizzas to have blessed my lips.

Fronkie on the move in the late 90s.

I posted on a Marlborough Facebook group, to see if bods recall his presence, or if I dreamed it, and much to my delight, while Fronkie moved to pastures new some years ago, his memory is stamped as firmly in Marlboroughโ€™s cultural history as the Earl of Cardigan. From an A4 photocopied leaflet weโ€™d regularly phone our order, and some weeks after his arrival, the delivery operative arrived at our door with complimentary desserts. โ€œBetween you and the rugby club,โ€ they thanked us without jest, โ€œare our best customers yet!โ€ We were honoured, proud we ate as much pizza as an entire rugby club!

My case study justified; trust, I know a good pizza when I see/smell or taste one, from a distance of anything up to three hundred yards. With Fronkie fertig, me now living in the Vizes, and Dominoโ€™s, face it, is an acquired taste, there was a social media much ado about nothing concerning news of Pizza Express closing in town, which left me wondering why. I am sorry to hear the news for the sake of the staff, but with mixed reviews in the comments, some moaning of the loss is bemusing to me, and Iโ€™d wager to anyone else who has sampled a Massimo pizza.

Pizza Express closing is not the end of the world, as overpriced as the mighty Dominos anyway, unless with the latter you take out an offer, where youโ€™re bundled with a pot of watery coleslaw or barely-cooked fries which droop like an impotent greasy baboonโ€™s todger! Iโ€™ve moved on from Dominoโ€™s, as you can see by my unpolished comparison, Iโ€™ve matured.

No, no, no; Massimos will cost you no more, but it is a house of quality, and I guarantee youโ€™ll taste the difference, heck, youโ€™ll smell the difference through the box! If it wasnโ€™t such a generous portion and the sort of taste you have to savour, making it filling, Iโ€™d probably have eaten the box too.

You Beauty!

Look, see here, this is no advertorial, theyโ€™ve no idea Iโ€™m writing this, much to their surprise. Buying local and all that aside, Massimo makes one tasty, fresh pizza, with topping to die for and even the crust is moreish. Heโ€™s undoubtedly stolen my homegrown crown from Fronkie. And lockdown is not stopping them, takeaway is available. Itโ€™s a crying shame thereโ€™s a ristorante left unopened until a better day, a day I was waiting for until I wrote a review for them, but sadly seems weโ€™ve lost the immediate opportunity once more.

So, think this not as a review, do I look like, Jay Rayner? Actually, donโ€™t answer that. Just saying, I love a Massimoโ€™s pizza, the family does, Iโ€™d wager Devizions-in-know do. Treat yourself, thereโ€™s a full menu to takeaway, the lasagne, ah, the lasagne, speaks for itself. You can call them 01380 724007, message them on Facebook, or, thereโ€™s a little bell at the door in Swan Yard, just ring it when theyโ€™re open, 5-8:30pm. Theyโ€™re fantastically welcoming and will bring you takeaway Ring Donuts, Nutella Donuts, Cartoccio with sweet Ricotta filled, Nutella Croissants, any two for three quidโ€ฆ whoa, I apologise; getting a tad over-excited. But, right, the guy won the coveted Gold Star for 2020 for his own Napoletano sauce; how much more convincing do you need?!

hot dang!

@ The Southgate

Devizine in Lockdown, again.

Here’s our deal, as I see it given new lockdown restrictions.

We have an annual reach of approximately 50K, over 80% of which are local. Whatever Devizine can do to help you, we will, but you must let me know about what you’re doing and engaged in for me to promote it. I’m unable to spend every moment on social media sourcing your stories.

Advertise your business, school, charity, online event, FREE for lockdown duration. Just send me details. This is available for small local businesses and at the editor’s discretion. We can put adverts on all published articles. We can cover your activities in articles and features, and we will share these across social media.

If you are engaged in any supportive projects, notify me so we can spread the word.

If you’re in creative arts, music, art, sports, and fundraising, whether crowdfunding, help in promoting live streams, recordings, online exhibitions and any other projects, we can and will help.

Please consider, if you can, making a donation to help the site keep running and improving.This you can do at http://www.devizine.com/about

You can email devizine@hotmail.com or message the Facebook page, you can tweet @devizine1 – Together we can pull through this.

Here we go again.

Thanks, Darren.

Oh, an important note I forgot to add, thanks to the edit function here! Please, if I fail to respond to emails and messages, feel free to nudge me. Things do sometimes get missed and I’d dread you to think I’m ignoring you! I don’t view it as impolite to ask if I remembered to do this or that, ask the wife, I can be forgetful!! ๐Ÿ™‚

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

The Curious Case of the Christmas Carrot

Twas down in the cellar of the Vaults where poets meeting to recite verses of yule and a celebrated story-time with Ian Diddams, had become somewhat of a seasonal ritual in old Devizes. Alas it was not to be this time around amidst the many cancelled traditions, but like many events, an adequate substitute has been provided. You may have to source your own beverages, but you can spend an hour with Ian in his garden grotto as he recites an entertaining and hilarious parable, from the comfort of your own armchair, or loo; whichever you deem more suitable.

Unsure how I missed this satirical chronical disguised as a fable to make Arthur Conan Doyle blush. I guess with seasonal celebrations my online time has been sporadic, but Christmas isnโ€™t over just yet, or is it? Whatever; I suspect, unless youโ€™re a Devizes resident with a penthouse on Baker Street, youโ€™ll never personally identify with cultural references in any other Sherlock Holmes mystery in quite the same way.  

A faultless fable delivered effortlessly, save the continuity of one shady depiction of a local character, the toothless milkman from Rowde. Didds should take heed, my inkling I know the very person ridiculed and will confirm theyโ€™re far too young to know what, or who, โ€œa milk snatcherโ€ is. Honestly, Iโ€™m cut between being honoured and contemplating the cheek of it all!

I present the video herewith for your own perusal and entertainment, if, like me, you were too busy stuffing turkey and/or Quality Street and putting batteries in toys over the season to have taken notice of it. It is worthy of your time, the story intermitted by poetry outbursts by Gail Foster, who not only tends to slip-in (fnarr fnarr) occasional filthy subject matter, but also knowing the particular aforementioned troubled character scorned, could have tried to step in to stop him, but didnโ€™t.

Most importantly, Ian always requests charitable donations as a way of applause for his efforts, and this time focusses on our earnest homeless charity Devizes Opendoors. You can donate here, please. You know weโ€™ve visited Opendoors and seen first-hand the great work they do.


Chris TT Live at Trowbridge Town Hall 2017

Catching up with more stuff on a quiet(ish) Sunday, this got pushed towards the bottom, Iโ€™ve no valid excuses. Taking you back to April 2017, Brightonโ€™s misfit leftist comic poet-acoustic performer performed at Trowbridgeโ€™s Town Hall for Sheer Music. It would be a gig on his last ever tour. After twenty years Chris announced he was giving up his music career, and finalised it with an autumn farewell concert in London.

The recording was released on Chrisโ€™ Bandcamp page at the beginning of the month. Itโ€™s a pay-what-you-like and he waivers all fees to the Music Venue Trust.

Since 2014 the registered charity MVT, was setup to protect the UK live music network by focussing its support on grassroots venues, but since lockdown itโ€™s understandably become essential. Grassroots venues play a crucial role, nurturing local talent, providing a platform for artists to build their careers and develop their music and their performance skills. We need them back; we need them open. Hearing this album helps you to understand why, makes you remember what youโ€™re missing.

Itโ€™s easy to hear the influence of upcoming artists like Gecko, as Chris weaves unrelated subjects like an observational stand-up comedian, and also, with the same comical timing. His guitar picking is quality and together it makes for a highly entertaining show. Stabs at the establishment come thick and fast, songs randomly seriatim through motorways, anti-hunt rants, gorilla gardening, his own self-worth and musical talent, even a jab at Trowbridgeโ€™s political demographic in Love me, Iโ€™m Liberal. Thereโ€™s a beautifully played out winter portrayal, Tunguska, and more intelligently drafted thoughts to boot.

This is folk upfront, with woven narrative and amusing rudiments, chronicles the now, and highlights the passion of the simplest gig, man with thoughts and guitar.    

On the night he was supported by Phil Cooper, and Kyle D Evans, the show recorded by Bromhamโ€™s Owlโ€™s soundman Gareth Nicholas. Makes me wish I was bobbing about on the scene at the time, but Devizine was a year behind in the making. Still, albums got a picture of Trowbridge on it, any monies you can give helps a charity, but most of all, this is just the enjoyable and proficient performance weโ€™ve come to expect from Sheer.


ScreamLiteโ€™s New Hero Sounds for NHS Charities Together

Perhaps one of the biggest surprises in music reviews for me this year was Typhoidmaryโ€™s Death Trans back in October. Genre-wise, everything about it suggested it wasnโ€™t going to be my cup of tea, but realigning myself, I delved deeper into its emotive and distressing ambiance, and found fondness in its exquisitely dark portrayals, as it progressed thrash metal, gave it a newfound edge of sentiment.

It was released by Gloucester-based unprejudiced universal rock, metal, punk and folk label ScreamLite Records. And now theyโ€™ve sent us news of a colossal compilation album which will drop on their Bandcamp page as soon as Big Ben hits midnight on New Yearโ€™s Eve, likely making it the first new release of 2021. Better say a few words about it now, then. Constructing words into comprehendible sentences is tricky enough for me at the best of times, let alone New Yearโ€™s Eve.

While itโ€™s going to be one long runaway review to critique it track by track, being itโ€™s a mahoosive 65 tracks strong, itโ€™s worth mentioning some key facts about New Hero Sounds. Most importantly this album will be a varied range of the genres and styles on offer at Scream Lite, and their friends, being as itโ€™s 50% made up of artists signed to the label, and the other half independently contributed from upcoming artists under parallel genres. Thus, making it the perfect sampler to open you up to the world of contemporary punk, nu-metal and folk-punk. Though, there’s much more on offer here and certainly too much to pigeonhole.

PLUS, as well as introducing you to a truckload of upcoming talent, thereโ€™s a worthy cause it fundraises for. ScreamLite Recordsโ€™ Director Chris Bowen said, โ€œwe’ve all had a tough year, and we decided we should give something back to the frontline NHS staff that have been tirelessly working this year to keep us safe and well.โ€ New Hero Sounds is a charity album in aid of the NHS Charities Together, and all artists have contributed freely.

Broadminded with one eye focused on variability is what youโ€™re going to need to take this one on, even my eclectic self was bowed by the assortment on offer here. MadaMercy gets as trip hoppy as Morcheeba, yet is a rare genre on offer. In addition to an aforementioned Typhoidmary track, ScreamLiteโ€™s roster offers nu-metal and punk, such as Stolen Dead Music, or Burning Memories, which can be in your face at times, but at others smoother, like the Clay Gods and Foxpalmer, both of which I enjoyed. Taking the rough with the smooth thereโ€™s something for everyone with a taste for indie; which is nice.

Giving credit to upfront festival boom of Venture, the flamenco folk style of Cut Throat Francis, acoustic rockabilly of Joshua Kinghorn, and the delicate angelic vocals of Forgotten Garden. Thereโ€™s eighties electronica indie with Conal Kelly, post-punk with Jack Lois Cooper, and Gypsy Pistoleros are described as โ€œflameco sleaze glamโ€ revealing multi-genre in just one tune. But, thereโ€™s too much to sum this compilation up easily; a Now Thatโ€™s What I Call Music for misfits, but for a good cause too.

Hereโ€™s the track listing with links, then, so you can make up your own mind and follow the ones you likeโ€ฆ..once youโ€™ve sampled them from this crazy and full compilation, which is coming on New Year’s Even, here, remember?!

https://screamliterecords.bandcamp.com/album/various-artists-new-hero-sounds

1. Jonah Matranga: Everyday Angels (OG Home Demo)

Written, Performed & Recorded at home by Jonah Matranga

http://www.jonahmatranga.com https://jonahmatranga.bandcamp.com/

2. Spice & The Readies: Sway A Little Closer

Written & Performed by Tom Spice, Becky Doyle, Tomasz Williams & Jack Quance

Recorded at University Of Gloucestershire

https://www.facebook.com/tomspicemusic

3. Clayton Blizzard: Sad Music Is Uplifting

Written & Performed by Clayton Blizzard

Taken from One, Two, Three, Home

https://claytonblizzard.bandcamp.com/

4. Chris Webb: Blind

Written by Chris Webb

Performed by Chris Webb & Jack Cookson

Taken from Bungalow

http://www.chriswebbmusic.co.uk http://www.chriswebb.bandcamp.com

5. Venture: This Oneโ€™s For You

Written & Performed by Lucy Burrows, Miles Burrows, Thom Mutch, Josh Fairhurst & Mike

Hargreaves

Recorded at Jaraf House Studios & Released by ScreamLite Records SCLRRCDS003

Taken from This Oneโ€™s For You

https://www.facebook.com/VentureMusicOfficial

https://screamliterecords.bandcamp.com/track/venture-this-ones-for-you

6. 1 In Five: Evolve

Written & Performed by 1 In Five

Taken from Evolve

https://www.1infive.com/ https://1infive.bandcamp.com/

7. Grandmother Corn: Brighton Mule Blues EXCLUSIVE

Written & Performed by Grandmother Corn

Recorded at Haukivuori, Finland

https://www.facebook.com/grandmothercorn/ https://grandmothercorn.bandcamp.com/

8. Alien Stash Tin: The Man In The Tin Foil Hat

Written & Performed by Jon Wisbey, Jon Gould, AJ Pearse & Bruce Morgan

Taken from Bonfire Of The Sanities EP

Recorded at Attic Attack Studios, Bristol

https://www.facebook.com/alienstashtin https://alienstashtin1.bandcamp.com/

9. Anhfren: Nefoedd Un Uffern Lall

Written & Performed by Anhfren

Published by Rhys Mwyn Publishing

Released on Anhfren Records, 1985

10. Stolen Dead Music: Raison Dโ€™Etre

Written & Performed by Jimi Trimmer, Issak Patterson, Lewis Patterson & Keith Halpenny

Recorded at Heart Studios, Gateshead & Released by ScreamLite Records SCLRRCDS011

Taken from Raison Dโ€™Etre

https://www.facebook.com/realStolenDeadMusic

https://screamliterecords.bandcamp.com/album/stolen-dead-music-raison-detre

11. GagReflex: Facedown

Written & Performed by Stuart Hawkins & Seb Goffe

Taken from What We Owe To Each Other

https://www.facebook.com/gagreflexmusic https://gagreflex.bandcamp.com/

12. Grief Ritual: Dysphoria

Written & Performed by Grief Ritual

Taken from Moments Of Suffering

https://www.facebook.com/griefritual https://griefritualmusic.bandcamp.com/

13. Panic Switch: Lethal Intent

Written & Performed by Panic Switch

Taken from Lethal Intent

https://panicswitchofficial.com/ https://www.facebook.com/officialpanicswitch

14. Alkanes: Death Or Glory

Written & Performed by Alkanes

Taken from Death Or Glory

https://www.facebook.com/Alkanesband

15. Lemonade Kid: Deep Velvet Red EXCLUSIVE

Written by Dom Lack, Performed by Dom Lack & Jarrod Jones

Recorded in Shrewsbury & Rushden

https://www.facebook.com/LemonadeKidMusic https://lemonadekid.bandcamp.com/

16. Timid Deer: The Shallows

Written by Naomi Henstridge & Tim Milne, Performed by Naomi Henstridge, Tim Milne, Tom Laws,

Matt Jackson & Jason Allen

Taken from Melodies Of The Nocturnal Pt. 1

https://www.facebook.com/TimidDeerBand https://timiddeer.bandcamp.com/

17. Forgotten Garden: Broken Pieces (Natural Mix) EXCLUSIVE

Written & Performed by Danny Elliot & Ines Dias Rebelo

Recorded at Braeriach Studios, Grantown On Spey

https://www.facebook.com/ForgottenGardenBand

https://screamliterecords.bandcamp.com/album/forgotten-garden-broken-pieces

18. Jack Louis Cooper: Bite Too Big

Written & Performed by Jack Louis Cooper

Taken from A Slow But Sure Corner

https://www.facebook.com/jacklouiscoopermusic

19. Roger Gomez: I Will Call Heaven Home

Written & Performed by Roger Gomez

Taken from Behind Cloud Nine

Recorded at Soundfield Studios, Perth, Australia

https://www.facebook.com/rogergomezmusic

20. The Twitchers: Nothing In Particular

Written & Recorded by The Twitchers

Recorded at White Beart Studios, Manchester

https://www.facebook.com/TheTwitchers

21. Mr. Bewlay: Her Name Is Juniper

Written & Performed by Mr. Bewlay

Taken from Her Name Is Juniper

https://www.facebook.com/mrbewlay

22. MadaMercy: Animosity

Written & Performed by MadaMercy

23. Down Not Out: Wild

Written & Performed by Jo Oliver, Char Lewis, James Maxwell & Ryan Stewart

Recorded at Sound Shack Studios, Cheltenham & Release by ScreamLite Records SCLRPEP006

Taken from Worse For Wear

https://downnotout.co.uk/ https://screamliterecords.bandcamp.com/album/down-not-out-worsefor-wear

24. Lightblue: Far Gone

Written & Performed by Lightblue

Recorded at The Ranch Production House, Southampton

Taken from Paradise Lost

https://www.facebook.com/lightbluecru

25. Curse You Damn Kids: Breadline

Written & Performed by Chris Bowen, Annie Kelleher, Hallam Crafer, Jenny Ollerenshaw & Ross

Ollerenshaw

Recorded at Dockside Studios, Bristol & Released by ScreamLite Records SCLRPEP001

Taken from Sorta Like An Epiphany

https://screamliterecords.bandcamp.com/album/curse-you-damn-kids-sorta-like-an-epiphany

26. Blacklist: The Replacer

Written & Performed by Saul Blease, Elliott Tottle & Joe Webb

Recorded at Factory Studios, Bristol

Taken from

https://www.facebook.com/blacklistukband

27. Homer Junior: Short Term, No Anchor

Written & Performed by Jack Higgins, Thomas Muddle & Sam Roberts

Taken from Short Term, No Anchor

https://www.facebook.com/homerjrband https://homerjrband.bandcamp.com/

28. Franklin Mint: Gretaโ€™s Sweater

Written & Performed by Franklin Mint

Taken from Bristle

https://www.facebook.com/franklinmintband https://franklinmint.bandcamp.com/

29. Me & Munich: Toxic Wings

Written & Performed by Jan Petersen, Marco Bรธgehรธj & John Nicholas Marx Oโ€™Sullivan

Recorded at Output Lydstudie, Denmark & Released by ScreamLite Records SCLRREP005

Taken from Knives Of The Sun EP

https://www.facebook.com/meandmunichband

https://screamliterecords.bandcamp.com/album/me-munich-knives-of-the-sun

30. Midnight In England: Two Hands

Written & Performed by James Chuster, Sam Caswell-Midwinter, Daniel Lowen-Grey & Sam Morgan

Taken from Real Cinema

https://www.facebook.com/MidnightinEngland

31. Borrowed Body & Abstract Man: Smokescreen EXCLUSIVE

Written by Niall Hill & Tom Johnstone, Performed by Niall Hill, Tom Johnstone & Phil Howell

https://screamliterecords.bandcamp.com/album/borrowed-body-the-rising-sea

32. Lightleaver: Close To You

Written & Performed by Emma Saxon

Taken from Close To You

33. Tom Spice: Lifeโ€™s Breath EXCLUSIVE

Written & Performed by Tom Spice

https://www.facebook.com/tomspicemusic

34. Marie Virginie Pierre: I Will Try Again (This Christmas)

Written & Performed by Marie Virginie Pierre

35. Joe Buckingham: Jamesโ€™ Song EXCLUSIVE

Written by Joe Buckingham & James Holliday, Performed by Joe Buckingham

36. Howlinโ€™ Anton Bleak: His Mistressโ€™s Voice

Written by Howlinโ€™ Anton Bleak, Performed by Howlinโ€™ Anton Bleak, AP Clarke & โ€œBelterโ€ Jim Lacey

Released ScreamLite Records SCLRRA004

Taken from Stranger Country

https://www.facebook.com/howlinanton

https://screamliterecords.bandcamp.com/album/howlin-anton-bleak-stranger-country

37. The Slow Pianos: In The Right Place (Featuring Petravita)

Written & Performed by Oliver Weikert & Brandon Landis

Taken from In The Right Place

https://slowpianos.bandcamp.com/ https://www.facebook.com/PetravitaMusic

https://petravita.bandcamp.com/

38. Greengage: I Wanna Be Near Trees

Written & Performed by David-Gwyn Jones

Taken from I Wanna Be Near Trees

GKXpGnlL4

39. Grownuplife: Donโ€™t Look Back In Manga

Written & Performed by Charlie Baxter

https://www.facebook.com/charliebaxtermusic https://grownuplife.bandcamp.com/

40. Cut Throat Francis: Iโ€™m Not Ready

Written & Performed by Cut Throat Francis

Recorded at Stage 2 Studios, Bath & Released by ScreamLite Records SCLRFEP002

Taken from Ghosts (Extended Edition)

https://www.facebook.com/cutthroatfrancis

https://screamliterecords.bandcamp.com/album/cut-throat-francis-ghosts-extended-edition

41. Longcoats: October

Written by Ollie C Shape & Performed by Ollie C Shape, Arthur Foulstone, Norton Robey & Kane

Pollastrone

Recorded at Riverbank Studios, Chippenham & Released by Wise Monkey Music

Taken from October

https://www.facebook.com/longcoatsband https://longcoatsband.bandcamp.com/

42. The More You Know: Bridging The Gap (Featuring Sakura Mei-Sasaki Spice) EXCLUSIVE

Written & Performed by Chris Bowen, Claire Mitchell-Brown, Julio Da Mata, Jo Oliver & David

Richards. Additional Piano written & performed by Sakura Mei-Sasaki Spice

Recorded at University Of Gloucestershire Studios, Engineered, Mixed & Mastered by Tom Spice

https://www.facebook.com/tmykband

43. Around7: Breakthrough

Written & Performed by Around7

Produced at Strait Up Studios, Dundee

Taken from Breakthrough

https://www.facebook.com/Around7UK

44. Burning Memories: Ignition

Written by Annie Kelleher, Performed by Annie Kelleher, Hallam Crafer & Nick Holder

Recorded at Stage 2 Studios, Bath & Released by ScreamLite Records SCLRRCDS001

Taken from Ignition

https://screamliterecords.bandcamp.com/album/burning-memories-ignition

45. Typhoidmary: bobbi EXCLUSIVE

Written & Performed by Mary Lovatt

https://www.facebook.com/typhoidmaryuk https://typhoidmary.bandcamp.com/

46. Slow Down World: Promised Land

Written & Performed by June Stevenson, James Dishart, Twig Mayhew, Olly Peters & Woody

Woodson

Recorded at PMC, Plymouth

Taken from Promised Land

https://www.facebook.com/SlowDownWorld https://slowdownworld.bandcamp.com/

47. Zobb: Scrapheap Generation

Written & Performed by Jon Wisbey, Nick Hurley & Brice Herve

Recorded at Lโ€™Abri Dโ€™Argen, Bristol

Taken from Scrapheap Generation

https://www.facebook.com/zobb.punk

48. Clay Gods: Cabin Fever

Written by Gavin Jones, Performed by Gavin Jones, Tom Saunders, Charles Paxford & Max

Ganderton

Recorded at 340 Studios, Cheltenham & Released by ScreamLite Records SCLRRCDS004

Taken from Cabin Fever/Looking For Jerusalem

https://screamliterecords.bandcamp.com/album/clay-gods-cabin-fever-looking-for-jerusalem

49. All To No Avail: The Call

Written & Performed by All To No Avail

Taken from The Call

https://www.facebook.com/AllToNoAvailOfficial/

50. Bleak: Ebb & Flow

Written & Performed by Howlinโ€™ Anton Bleak, Rachel Woodworth & Yvonne Okoduwa

Released by ScreamLite Records SCLRRA002

Taken from Dig Two Graves

https://www.facebook.com/BleakBlues https://screamliterecords.bandcamp.com/album/bleakdig-two-graves

51. George Royale & The Snowflake Band: Thatโ€™s When The Tears Start Rolling Down

Written & Performed by George Royale & The Snowflake Band

52. Holding Tides: Paraffin

Written & Performed by Chris Bowen, Annie Kelleher, Hallam Crafer, Ben Dalton & Rob Blake

Recorded at Dockside Studios, Bristol & Released by ScreamLite Records SCLRREP001

Taken from Last Of The Small Town Heroes

https://screamliterecords.bandcamp.com/album/holding-tides-last-of-the-small-town-hereos

53. Das Speculoos: Crowdsurfer (grimALKin Mix)

Written & Performed by Das Speculoos

Taken from Crowdsurfer

https://dasspeculoos.bandcamp.com/

54. NFU: In The Details

Written & Performed by Jeremy Pitcoff, Dan De Filippo, Rob Masterson & Frank Dโ€™Agostino

Recorded at Suffolk Recording Studio, New York & Released by ScreamLite Records SCLRREP003

Taken from Treason

https://www.facebook.com/NYNFU https://screamliterecords.bandcamp.com/album/nfu-treason

55. Foxpalmer: Forever EXCLUSIVE

Written by Fern McNulty, Performed by Fern McNulty, Mat Dal Pos, Andy Payne & Pauline

https://www.facebook.com/foxpalmer.band

https://screamliterecords.bandcamp.com/album/foxpalmer-locked-in-memory

56. Darklight Horizon: Oxide EXCLUSIVE

Written & Performed by V. Celso, R.C. Paxford, J. Waterman & J. Twinning

https://www.facebook.com/DarklightHorizon

57. William Mawer: Take Me To A Time

Written by William Mawer, Performed by William Mawer, Jazzy Lily Heath, Ryan Nicklin, Ed

Livingstone & Dominic Watton

Recorded at University Of Gloucestershire Studios

Taken from Take Me To A Time

https://willmawer.bandcamp.com/

58. Joshua Kinghorn: Party Queen

Written & Performed by Joshua Kinghorn

Recorded at University Of Gloucestershire Studios & Released by ScreamLite Records SCLRFEP003

Taken from Bits & Pieces

https://screamliterecords.bandcamp.com/album/joshua-kinghorn-bits-pieces

59. Gypsy Pistoleros: Soho Daze, Just Another Friday Night

Written & Performed by Gypsy Pistoleros

Taken from The Mescalito Vampires

http://www.gypsypistoleros.com/ https://www.facebook.com/GPistoleros

60. Connor Begley: Comedown

Written & Performed by Connor Begley

Recorded at University Of Gloucestershire Studios

61. EllJay Goldstone: Putting On That Smile

Written & Performed by EllJay Goldstone

Recorded at University Of Gloucestershire Studios & Released by ScreamLite Records SCLRFEP001

Taken from Long Time Coming

https://screamliterecords.bandcamp.com/album/elljay-goldstone-long-time-coming

62. Chameleon: Itโ€™s Not Quite Me Now

Written & Performed by Chameleon

Recorded at Platform Studios, Reading

Taken from What Are We Waiting For?

https://www.facebook.com/bandchameleon https://bandchameleon.bandcamp.com/

63. Conal Kelly: In My Head

Written & Performed by Conal Kelly

Taken from In My Head

https://www.facebook.com/conalkellymusic

64. Spoons & Saucepans: Sing With Thanks

Written by Ceinwen E. Cariad Haydon & David Gwyn-Jones, Performed by Spoons & Saucepans

Taken from Sing With Thanks

65. Afterlite: Below The Lights (Reprise)

Written & Performed by Luke Beesley

Recorded at Ruby Studios, Bristol & Released by ScreamLite Records SCLRMA001

Taken from Eden Abandon

https://screamliterecords.bandcamp.com/album/afterlite-eden-ab

Human Traffic; Richard Davies & The Dissidents

Gaining rave reviews and a new European audience, particularly in Spain, I confess Iโ€™m a little late for the party. How can I excuse myself, turkey-stuffing, abundance of toy packaging, putting batteries in gadgets and other Christmassy eggnog shenanigans? Nevertheless, Bucketfull of Brains Records released this album, Human Traffic by Wiltshire-based Richard Davies & The Dissidents back in June. Iโ€™ve only just caught wind of its timeless rock n roll splendour, anthemic and emotive, and Iโ€™m letting you guys know, if you didnโ€™t already.

Not to be confused with a movie about welsh clubbers, Human Traffic is pure road-driving rock. Maintaining a regressive, tried-and-tested rock formulae it never strides into experimentation but rides the eternal recipe with bells on. Iโ€™m getting UK-Americana crossover, the classic smooth eighties rockers, of Steve Winwood, Springsteen in all his Darkness/Born in the USA glory, Traveling Wilburys and particularly, Tom Petty & the Heartbreakers.

Thereโ€™s also a subtle hint of English punk, Heartbeat Smile exemplifies this though upbeat and jubilant, one cannot ignore a rawness of the Clash. My valuation overall comes to a head with Way of The Wild, probably the most beguiling, but this ten-track strong album rarely comes up for air, and never diverts off its chosen path. Ergo, if confident, driving, ageless rocking out is what you want, itโ€™s double-strength concentrate.

If clichรฉ abound doesnโ€™t matter, lyrical subjects matches the music, with long road to hearts, wild ways, getting under oneโ€™s skin etc. Yet maintaining the fashion is good, and they do it so, so well; it worked for Clapton, et all. This is why I think you, you with your black band t-shirt in the loft and memories of friendship bracelets up the arm, will love this album, perhaps even more than me. Because it flows, doesnโ€™t jolt metal unexpectedly at you, or push an unwanted genre down your throat with that one oddity, tentative track.

Thereโ€™s deffo something moreish about this, we want guitarist Richard Davies front and centre again, after years as a collaborator, gun for hire and band member, most notably with London bands The Snakes and Tiny Monroe, this is debut as lead vocalist and principal songwriter, but his background paid off. Also, the perfect band-gel of these โ€œdissidents,โ€ the backing of Daviesโ€™ friends, drummer Chris Cannon of Mega City Four and The Snakes, and bassist Tim Emery of Case Hardin and Last Great Dreamers, of whom Iโ€™ve not met since our schooldays. Fortuitously, itโ€™s nice to be reviewing something inspiring with a local connection, thatโ€™s the principal reason for blogging here.

โ€œRecording this album was something that Iโ€™d always wanted to do but never really got round to doing until now,โ€ Richard explained. โ€œSome of the songs are about me, some of them are about other people, but they all capture reality as I see it. I wanted to record an album that was about real life and with all the highs and lows that go with itโ€.

Richard began his career playing guitar for indie band Tiny Monroe in the 90s, recording several singles, an EP and an album for London Records, touring with The Pretenders, Radiohead and Suede and appearing at the Glastonbury, Reading and T in the Park festivals along the way. Following this, Richard recorded three albums with The Snakes: Songs From The Satellites, Sometime Soon and The Last Days of Rockโ€˜nโ€™Roll , as the band became major players on the UK Americana scene, picking up mainstream national airplay from the likes of Bob Harris and Mark Lamarr.

Fox Hunters Ignore Restrictions For Boxing Day Hunts

You’d be excused for thinking COVID19 restrictions would mean a peaceful Boxing day in Britain’s countryside. Unfortunately while townsfolk and villagers might not have seen them blatantly displaying their pomposity and cruelty with the usual parade through the streets, some still shamelessly ignored the regulations and went ahead and hunted anyway.

The Country Alliance website doesn’t hold its head in shame, freely admitting with pride hunts occured up and down the country, stating “activities on Boxing Day remained much the same as they have done all season.”

Wiltshire Hunt Sabs said, “many hunts have had to cancel their planned meets, and Boxing Day parades through village or town centres as a result of Covid.ย 

Many of them simply decided to make alternative meets away from the usual crowds of cap doffing sycophants, including the Avon Vale.”

Though there’s some light at the end of the tunnel, Swedish billionaire and owner of H&M Stefan Persson, who owns Ramsbury Estates covering 19,000 acres across Wiltshire and Hampshire stopped allowing hunts on the estates at the beginning of the month.

The sabs agree the land upon which hunts are allowed to meet is becoming somewhat smaller, “thanks not just to Covid but also because of the leaked webinars which has seen many landowners withdraw permission for hunts to hunt on their land.”

The landowner of Crown Estate still permits hunts on its land. Recently sabs from Wiltshire and Bath sabbed a meet of the Avon Vale Hunt. The sabs claim “a subsequent assault by the Huntmaster and his friend on two sabs,” occured during the day, as they walked along a public footpath across a field.

The sickening loopholes must be closed, and police should act, as the trail hunt is proved to be a โ€œsmokescreenโ€ for illegal hunting. We live in the country, we know it happens, the Countryside Alliance has little to do with any other rural issue, else it would focus also on rural poverty, racism and social isolation due to the pandemic which elderly folk are suffering in our villages, least spare a thought for them over the season of goodwill.

But no, they have to risk virus spreading to fulfil their passion for bloodsport, and in attacking anyone who might be offended by it, surely proving their barbarism, yes? But with a clown prime minster who’s only response to the issue being it gives him a boner, what chance does the fox have, really?

Another twisted Boxing day in the countryside …

Short Story: A Christmas Incident on the Motorway

Hereโ€™s a short story which I wrote all on my own for Christmas, such a brave boy. Iโ€™d also like to take this opportunity, before the drinks start flowing and I lose the capacity for words, to wish you all a very merry Christmas!

The young officer sighed as he scanned the scene. Alone at junction eight of the M3, he called for backup. โ€œTwo car collision,โ€ he dolefully reported over his radio, โ€œrequesting backup.โ€

PC Waite didn’t need this; he was an hour short of shift completion. Sixty minutes of peace he longed for, and then he could go home. Home, where his wife would be prepping tomorrow’s feast. Home where his two children were excited about Santa Claus paying them a visit. Home, away from his duties, from all the hassle, for two whole days he needn’t worry about other peopleโ€™s problems.

He worked the motorway patrol, usually with a partner, but Callum called in sick; skivalitis. He was instructed to continue, but should a situation arise he should immediately call for assistance. Such a thing did, “bloody typical,” he vexed as he slid his finger over the mouthpiece of his radio to mute it and avoid detection of his annoyance from HQ. He approached the first car, a small Volkswagen over-decorated in tinsel, fairy lights and bells. He clocked the driver at a mere ten miles an hour, with the window rolled down. He had observed the elderly male leaning out and peering down at the road below, as if he was frantically looking for something.

Even at this slow speed the multitude of bells attached chimed. Just when PC Waite considered pulling him over, as driving so slowly, without due care and attention was a twofold offense and dangerous, but lesser so than the distraction to other drivers caused by the bells ringing. However, as he pulled out, a, what can only be described as sleek, black, personalised, custom-built heavily armoured tactical assault vehicle hurtled up behind him, lost a wheel for want of braking, and crashed into the rear of the Volkswagen.

If PC Waite hadn’t seen such an oddity in all his years as an officer, which were few, the icing on the cake was the third vehicle, a clown car of all things, of which the assault vehicle appeared to be in pursuit of. This car though, had raced off.

The old gent in the Volkswagen looked dazed and confused, still frantically searching for something, now checking the glovebox. “Please sir,” Gavin tapped on his window, “take your hand out of the glovebox and put them where I can see them.”

“Oh,” the aged driver stumbled on his words, “I….I’m erm, I’m sorry, officer. I was, well, I was looking for my, erm, something. I erm, yes, that man in the black, erm, car, he’s a maniac! He crashed into me!”

“Yes,” Gavin replied dutifully, “I observed the incident. But I must conclude, you were driving extremely slowly, under ten miles an hour on a motorway, sir, I should inform you is highly dangerous, and against the law.”

“I was, looking….”

“Yes, you told me,” Gavin interrupted, “can I ask exactly what it was that you were looking for?”

“I’d erm, rather not say.” The man added embarrassed to his emotions, on top of the flustered he already displayed. “It’s, erm, rather personal.”

“I see,” Gavin replied, looking over the exterior of the car in astonishment. “Furthermore, you realise the masses of tinsel, fairy lights and bells you have attached to your vehicle is extremely distracting to other road users?”

“But,” the odd fellow pointed out, “it’s Christmas.” At this point he looked up at Gavin as if to plea his innocence. Recognition suddenly struck the driver, “Gavin? Gavin, is that you?”

PC Waite did not recognise the suspect and raised an eyebrow. The driver continued; excitement glowed in his tone. “Well, your dad told me you joined the force, well I never, you’ve grown up so fast.” The driver noted the policeman’s confusion. “I’m his brother, William!”

Gavin gasped, “Uncle Billy?!”

“Yes,” the man smiled. Gavin couldn’t believe it; he hadn’t heard of his uncle for so long, not since the operation. Yet he knew he must act professional. “Please, sir, stay in your vehicle, I need to check on the others involved in the incident. In the meantime, erm, William, I suggest you consider telling me what it is you’ve lost, on the motorway, as it may harm your defence if you later rely on something you didn’t inform me of at the time, okay?”

“It’s kind of hard to say,” the officer’s uncle confessed, and with a deep embarrassment he looked soberly at his own lap.

Gavin turned on his foot, knowing this would take some paperwork. He had heard rumour about the nature of his uncleโ€™s painful operation, but never wished to believe it. Evidence would suggest his older brother was not lying. He approached the second vehicle and crunched something underfoot, nearby its rear door. He lifted his boot and observed yolk, with confusion. “An egg?”

The driver of the unknown personalised assault vehicle sat at his steering wheel dressed in a tight black bodysuit, cloak and facemask. At least he observed COVID-19 regulations, Gavin figured. Though when he put his head through the driver’s window, he was sent reeling backwards by his sense of smell.

There was a funk about this mysterious chap which owned a universe by itself. It was a pungent stink of body odour which overpowered the junior officer. The man inside detected the issue by facial expression alone.

โ€œPart asbestos, part nomex,โ€ the driver said in an irritated, husky tone.

โ€œExcuse me?โ€ PC Waite queried.

โ€œThe reason for me smelling,โ€ the fellow expanded. โ€œMy costume is polyester-based, part asbestos, part nomex covered body-armour; a little body odour is normal. If you had to run around chasing bad guys with as much ferocity and exertion as me, wearing this getup, you would smell equally as bad.โ€

โ€œI see,โ€ PC Waite snorted, although he didnโ€™t.

โ€œWhatever it is you want, officer, I must inform you that you have allowed a principal criminal mind get away,” the man spoke in a deep tone.

“Were you alone in the vehicle at the time of the impact?” Gavin asked, as he thought he saw a strange character dressed in a red waistcoat, green tights and a yellow cloak flee the scene.

โ€œMy assistant was with me,” the driver explained with a sigh, โ€œweโ€™ve been through this so many times in the past; some say he flew away; others suggest he laid an egg.โ€

Gavin looked perplexed, though it might explain why there was indeed an egg under his boot. “He is a bird,” the stranger elucidated, “you see?”

After much deliberation Gavin responded. “I think I see what is going on here. I am in touch with modern culture, you know.โ€

“In which case,” the driver retorted, “allow me to fix my wheel and attend to capturing the assailant, which, if you were a better policeman, you would be assisting me with.”

“Please wait, sir,” Gavin insisted, “I need to report back to my base.”

“I only talk to chief commissioner Gordon,” the driver informed Gavin.

PC Waite moved away from the vehicle, and called in on his radio. The voice was his direct superior. “Ah, PC Waite, any progress down there? I mean, have you established the cause of the crash?”

“Yes sir. But you’re not going to believe me.”

His chief replied, “try me.”

“Very well sir,” Gavin explained, “jingle bells.”

There was a momentary pause, “jingle bells, are you sure, jingleโ€ฆ?” The chief sounded astonished.

โ€œAll the way,โ€ Gavin added nervously.

The voice over the radio sounded part alarmed, part concerned. โ€œI am sending backup, PC Waite, are there any dangers on the scene your fellow officers should be made aware of?โ€

He didnโ€™t want to, but Gavin replied, โ€œBatman smells.โ€

โ€œI see,โ€ came the reply, โ€œany witnesses?โ€

โ€œRobin, flew away, or he laid an egg,โ€ PC Waite replied. โ€œCanโ€™t be sure at this early stage, sir.โ€

โ€œAnd the condition of the vehicles?โ€

โ€œThe Batmobile lost a wheel,โ€ Gavin sighed with embarrassment.

โ€œAnd anyone else involved?โ€

โ€œThe Joker, sir, but he got away.โ€

The sound of his chief scratching his head with worry concerned the young officer. After a cold silence his radio spoke once more. โ€œI think you should relieve yourself of your duty with immediate effect, PC Waite. Either you are under a lot of stress, or your idea of work banter is beyond what is expected of an officer of the law. Is there anything youโ€™d like to inform me about the incident, I mean, what about the other person involved?โ€

Gavin sighed and took a deep breath, โ€œitโ€™s my Uncle Billy, sir, I erm, I believe heโ€™s somehow managed to lose his willy, on the motorway.โ€

Vegan for Life, not just for Christmas!

Thinking of going vegan? Maybe after your turkey and pigs in blankets?! I have a chat about the possibilities, lifestyle and, you know me, a number of silly tangents, with Wiltshire foodie blogger Jill; to see if she can convert me! ย 

I dissented my daughterโ€™s culinary request on peculiar grounds; two everyday objects, sausages and bacon, when the latter is wrapped around the other, are, for some outlandish reason, a treat retained for Christmas dinner only, and to have them on our mid-December roast dinner would spoil the magic of the imminent feast. But once served, I ate โ€˜em anyway!

An oddity, why certain things, like Brussel sprouts are attributed only to Christmas dinner and eating them at any other time is like swearing at a vicar. Absorbed by the explicit naming of pigs in blankets too, like a hog-roast or rabbit stew, and unlike venison or beef, they donโ€™t attempt to disguise the notion youโ€™re munching on dead animal. Rather celebrate pride in the fact.

Such is my allure for something in blankets, if not pigs, I was intrigued by a recipe for a vegan alternative on a local based website, Especially Vegan. The siteโ€™s creator, Jill, uses parsnips wrapped in vegan bacon. I quiver at meat alternatives, but love a good parsnip; becoming vegetarian is something although I consider pursuing, I never attain. I blame pigs in blankets; oh, the smell of bacon cooking, chicken and numerous other dishes of godโ€™s creatures great and small.

Roasted Butternut-Squash Skin & Seeds

However much I preach about environmental issues, I find the idea we all must go vegan the hardest pill to swallow. On principle I agree, but the reality, the golden aura of a roasted chicken, just overrides my carnal appetite and I cave helplessly like the carnivorous beast I am. If it was going to happen, youโ€™d have thought my years working at a butcher, skinning rabbits and watching turkeys meeting their maker might have dissuaded me.

Can Jill help? Especially Vegan is a fantastic website, chockful of hints, tips and recipes. Can Jill convince someone as thick skinned as me to turn vegan? No, not really, sheโ€™s not the pushy type. โ€œThatโ€™s the thing,โ€ she explained, โ€œI am not trying to change your mind. I would like a happier world, you know, world peace,โ€ she laughed.

โ€œI am not trying to change your mind. I would like a happier world, you know, world peace.”

Rather stereotypical of vegans, they rarely preach or thrust their ideas down your throat. Perhaps this is the undoing, I need the direct approach, a seven-foot skinhead vegan to order me to give up   hotdog-stuffed pizza, or else!

I put it to Jill I could meet her halfway, reduce my meat allowance by 50%. Environmentally if everyone did, weโ€™d reduce carbon emissions from 18% to 9%. โ€œI feel we should all make our own choices about what we eat,โ€ Jill clarified, โ€œbut obviously, the more those choices are based on the environment and health and, for me personally, animal welfare, the better.โ€ A dislike of meat-eating is perhaps the most common reason, Jill wrote a post on the blog explaining why she became a vegan; โ€œin recent years itโ€™s more about health for a lot of people. For me it’s always been about animals.โ€ I was still keen to gage her on her feelings about the environmental impact of not turning vegan.

Vegan Couscous & Halloumi Salad

โ€œAbsolutely,โ€ she replied, โ€œit has a big influence now. But not when I ‘turned’ back in the nineties! I feel any reason that people eat less meat is a good thing. It is fact now, regardless of what the meat industry says, less meat will help the planet. But there are other things we could all do that will also help.โ€ Jill continued on recycling and the supermarkets cutting down on packaging. โ€œI also know that cost is a big factor.  When low-income families can buy cheaper meat due to the way it is farmed, they may have no choice.  I think the government should make well-bred and cared for animal meat affordable for all.โ€

But if you know the methods, I figured, most of the recipes on Especially Vegan wouldnโ€™t break the bank. It was Jillโ€™s husband who came up with the idea for Especially Vegan, in May, and the blog was launched in August. โ€œSo,โ€ Jill enlightened, โ€œitโ€™s still quite small but growing weekly.โ€

Jill still cooks meat for her friends and family, โ€œthat’s their choice,โ€ and was keen to point out her blog is not just for vegans. โ€œI take the meat, etc, out of recipes I like, so there’s no reason why people can’t add meat to my recipes. The hope is that they will try it my way. So, try parsnips but with your bacon!โ€

“There’s no reason why people can’t add meat to my recipes. The hope is that they will try it my way….”

Jill was direct when I asked if she felt thereโ€™s a lot of misguided information, “meat propaganda” which ridicules or gives incorrect facts about vegans? โ€œYes, I do. I havenโ€™t researched it fully myself because I do not preach about being vegan, my choice!ย  However, I do belong to some Facebook groups and see posts about industry starting rumours about vegans and it being a dreadful, non-healthy diet.ย  I am pleased to say, I have thrived on it for over twenty-two years and have never taken a supplement, which is another area for misguided influence from the drug companies who sell supplements.โ€

I did read the blogpost on her not taking vitamin supplements; it’s necessity to is a given stereotype, isnโ€™t it? โ€œYes, a stereotype!โ€ Jill replied, โ€œhowever, not everyone can absorb vitamins naturally and do need help. But, not just vegans. There are a couple of things that are a little more difficult to obtain as a vegan. B12 – I get from marmite and fortified cereals and milks. And the new one is Vitamin D.ย  Which can be an issue, but if you are careful and research your dietary needs well, then it can be overcome. However, I am not saying there is not a need, but that need could be for anyone whose body needs it, non-vegans too!โ€

Vegan Date & Nut Chocolates

If I was going to consider this, is it a good idea to dip my toe in the water, you know, try being a vegetarian first, or diving right in to vegan?

โ€œWay back when,โ€ Jill elucidated, โ€œI didn’t really know much about veganism, so vegetarianism was the way for me.ย  It was only later as I learnt more about vegetarianism that veganism crept into what I was reading. No internet to hand back then, like it is today.ย  And cheese was the hardest for me to give up when I turned vegan. I think with all the info there is today, and you are really sure itโ€™s what you want, then, yeah, head straight in.ย  But otherwise, take it slow.ย  If itโ€™s your end goal, the importance is getting there, not how fast you get there.โ€ Meat was Jillโ€™s favourite thing on her plate, growing up, and said she couldnโ€™t stand vegetables. Internet or not, though, I wasnโ€™t put off by Icelandโ€™s chicken tikka lasagne; itโ€™s surely too late for me!

“Cheese was the hardest for me to give up when I turned vegan.”

The internet is an information minefield. I typed into Google: “do we need to go vegan to…” intending to add โ€œenvironment,โ€ but a more popular choice suggestion freaked me out. It was “…to get into heaven?!” Seems people use the word of god to encourage their own opinion on it. Thereโ€™s some shocking stuff suggesting you’re on your way to hell for not eating meat! But equally thereโ€™s many who say, and I’d agree, if I wasnโ€™t an atheist, you’d be a higher tier in heaven for not eating God’s creatures.

โ€œSay no more!โ€ Jill agreed, even as a bellringer, โ€œI have to honestly say, what a load of rubbish. But that’s what happens with everything, there will always be people out there who say stuff like that. Iโ€™m sat here with a G & T so I must be heading downwards, surely; but it is vegan!โ€

The Especially Vegan website has hosted events and cookery courses, and offers a free tapas recipe eBook on signup. I asked Jill what was next, if a paperback was an option. โ€œI will try to grow it and, yes, would love to have some books in print, also looking to develop a YouTube channel, but for now, I will just keep developing and adding recipes to the blog. It would be lovely to have friendly people subscribe as that’s an incentive to keep going.โ€

Our chat drifted on tangents hereafter, ending with me waffling. I cannot believe I bought up the subject of Douglas Adamsโ€™ ironic โ€œAmegluan Cow,โ€ with a vegan; an animal which wants to be eaten. Served live it offers the diners its rump or its organs, and theyโ€™re horrified, save for the alien Zaphod Beeblebrox, who offered to Arthur Dent that he would gladly eat a creature which didnโ€™t want to be eaten. Furthermore, the Ameglian Cow added many vegetables were “very clear” on the point of not wanting to be eaten!

Mind you, Jill bought up a horrible scene in The Waking Dead, where they ate a horse, likened it to Tesco’s burgers, and suggested she hoped she never meets an Ameglian Cow.

But she was an endearing and interesting person to chat with, and Especially Vegan is a well-written, personal styled foodie blog, you should check it out. I noted my sad hypocrisy, given the horsemeat refraction, as I wouldnโ€™t eat nice and fluffy animals. But perhaps my hypocrisy is my reason for an interest in veganism.

Jill mentioned how horrified she was by shark catching fishermen who put big hooks through live dogsโ€™ jaws. She can be horrified, but I’m a hypocrite for being equally horrified, does she think?

โ€œNo,โ€ she replied, โ€œjust the way we are.โ€ See, a genuinely nice person, and she left pondering her next recipe post, orange zest cake. Nice, in my mind I’m there already!


The Scribes about to go Stir Crazy

I decided some time ago to construct our westward boundary at Bath, as far as events are concerned. Reason being, Bristol is so vast in culture there’s not enough hours I can dedicate to comprehensively cover it. We do however review and feature Bristol acts, because it’s impossible to ignore the wealth of talent, burgeoning since the nineties downbeat triphop era.

So, Bristol hip hop outfit, The Scribes gained a mention recently when they played Salisbury’s Winchester Gate, and consequently they sent their EP The Totem Trilogy pt1 which I fell hand-over-heels about.

In a little under four hours time, The Scribes are going to unleash a new tune, Stir Crazy on YouTube, a link I’ll embed below, and encourage you to return here when it goes live. There’s not a second to lose, You. Need. To. Hear. This. Because If UK hip hip is taken with a pinch of salt over the pond, The Scribes will be the ones they cannot ignore.I’ve given justified praise of the Totem Trilogy, but Stir Crazy goes beyond what constitutes good local sounds, and I’d tip The Scribes to be the international breakthrough act of the decade.

Released on Get Down Records, Stir Crazy is a collaboration between Finland’s own boom bap beatsmith extraordinaire J-Boom and The Scribes.

This forthcoming track, which I’ve sneakily previewed is, without doubt, seriously dope, in the hip hop jargon, and emotivly powerful without! There’s an air of the Fu-Schnickens about the techniques of The Scribes, experimental and diverse adaptations abound in their lyrical play on, not just words, but sounds and emotions.


The Fu-Schnickens could amusingly deal out classic Warner Brothers’ cartoon characters as if Mel Blanc was Schoolly D, and in turn tracks like Visions (20-20) were nervingly concerning, borderline frightening. Stir Crazy adopts this tenet with bells on. It’s uncompromisingily edgy, and as unsettling as a musical Stephen King’s Shining.

Dealing with psychosis under lockdown this wrecks a schizophrenic nightmare, and is as psychologically disturbing as its theme, the way the rappers roll their vocals to suit the mood is as Edvard Munch used colour. Hence why I’m saying forget the southwest connection, I’m tipping them the best hip hop act I’ve heard since Pubic Enemy.

Anyway, I’ll drop the link here, and add some pasted details from the press release. Soz, but I gotta hit the hay. If I can sleep after watching that video!

The single will be available exclusively through The Get Down Records bandcamp page from December the 11thย as a digital download (With instrumental) and as a limited edition double A-Side transparent 7โ€ vinyl with second collaboration track โ€œHaunted House Partyโ€. The video for โ€œStir Crazyโ€ will then be launched a week later on December the 18thย before the single is made available on all online streaming services/retailers from the 15thย of January.

“Stir Crazy” showcases J-Boom’s trademark MPC production at it’s effortless finest, pairing a haunting piano loop with hard hitting drums to create a moody, atmospheric soundscape fitting for these strange times. The incisive vocals, provided by The Scribes alongside dark alter-ego Mr Teatime, talk candidly about the feelings of isolation and helplessness brought on by the various lockdowns of 2020, documenting the artist’s creation of an imaginary friend who goes on to take over his mind.

The accompanying music video, with clothing provided by The Scribes’ sponsors Aekor Apparel and Bones Clothing, is a strikingly bleak visual telling the story of the track across a day in the life of The Scribes. The sinister presence of Mr Teatime gives the video an edgy b-movie horror feel, perfectly suiting the vibe of the project as whole.

Together the release provides a perfect and entertaining summary of the year 2020 and the claustrophobic environment that the world has suffered throughout the year and is certain to find fans both in the hip hop scene and beyond.

Chilly Gonzales Vs Toddla T with Jarvis Cocker; A Very Chilly Christmas Mixtape

Following the release of Chillyโ€™s new album โ€˜A Very Chilly Christmasโ€™, platinum selling UK producer Toddla T has put his very own spin on the record, The Coldest Crimbo out today (16th Dec.) Featuring help from friends Nadia Rose, Serocee, Coco and Deli OneFourz, and even Jarvis Cocker features, Toddla T and Chilly Gonzales delight with this tongue-in-cheek hip hop โ€œvery festive mixtape.โ€

Itโ€™s an amusing quarter-of-an-hour of naughtiness seasonal rap, like a nativity gone bad. Chilly Gonzales may revisit old carols and the new pop standards on his album, but it wouldnโ€™t be Christmas without friends and family, so Gonzo has assembled his gang to celebrate the holidays in his playful and intimate style.

A Very Chilly Christmas Special gives old-school TV Christmas variety shows a 2020 makeover. โ€œSanta Claus, like all of us, has had a challenging year,โ€ Chilly says, โ€œand has decided to go to therapy.โ€

A very chilly christmas special, with guests Feist, Jarvis Cocker and more, streams December 23. Details and ticketsย here.ย 

808 Delavega; Contemporary Dancehall, Swiss Style.

Not to be confused with Howard Rosen and Jerry Gordonโ€™s American jazz and blues record label of the same name, Evidence Music is a prolific contemporary reggae label with their recording studio in Geneva, Switzerland, but franchising and presenting many upcoming Jamaican artists. Ergo, while Iโ€™ve mentioned before the Swiss valuing archaic origins of reggae, with ska, rock steady and roots subgenres through labels like the fantastic Fruits Records, Helvetia also has a penchant for modern styles of Jamaicaโ€™s musical outpourings.

A decade prior to Bob Marley & The Wailers playing Zurich as part of their final Uprising tour, the presence of reggae was oven ready, in the seventies popular Swiss band Rumpelstilz produced Kiosk, with a definite reggae influence. Nowadays, the international market blends their own brand and traditions into reggae, and the Swiss are of no exception. Local artists Dodo and Jo Elle perform in the native tongue, and Zurichโ€™s Rote Fabrik club plays a key role in promoting reggae.

Still though, back across the ocean reggae is never stagnant and rarely dabbles in retrospection. Itโ€™s progressive. I look now to Wellington Smart, aka selector Freddy Krugerโ€™s Boot Boy Radio show after my own, to hear the latest trends via his label, Drop Di Bass and what I do hear is similar to Evidence Musicโ€™s DJ and producer 808 Delavega, on his self-titled debut album.

In tune with said progression, weโ€™ve come along way from the nineties divide between dancehall and lovers, through the millennial cross-over inclination to include dancehall toasting in US RnB and hip-hop tracks, and we find ourselves today with a sound almost void of offbeat and one-drop riddims antiquatedly associated with the reggae of Marleyโ€™s heyday. An era where Damien Marleyโ€™s anthological dancehall is more important than his fatherโ€™s. 808 Delavega embraces this, he’s passionate about hip-hop as well as dancehall, and founded Derrick Sound in the 2000s.

With Nicolas Maรฎtre and Nicolas Meury of Little Lion Sound, Derrick Sound was the mainstay for the formation of the Evidence Music label and it fast become Switzerlandโ€™s leading urban label. There the team involve themselves in a multitude of projects, 808 Delavega produces popular Jamaican artists such as Sizzla, Capleton, Morgan Heritage and Danitsa. Reflecting back on his excursions to Jamaica, he focussed on the innovative subgenres of afrobeat and trap to produce this fresh debut, and itโ€™s certainly that.

Iโ€™m not going to suggest this is for everyone, our retrospective preconceptions of reggae persist, Iโ€™m suggesting forward-thinking youth, maybe already partly allied via current pop trends in dancehall which seen Sean Paul featured on a Little Mix track, et all. But in essence this is diverse, experimental, and underground, pulling the boundaries of RnB grind and dancehall even tighter. There can even be intros here which ring of eighties electro and electronica, and relics of garage house; imagine David Morales producing dancehall and youโ€™re somewhere in the light of this interesting blend. How I think this works so well is the splinters of afro-beat, a beguiling genre Iโ€™m personally hot under the collar about.

Always held a penchant for dancehall too, though accepting the sparseness of the beats and uncompromising patois can sound alien to European and American audiences. 808 Delavega plays this down. The jargon is not misconstrued, and once the beat kicks in youโ€™ll hear nothing of the of scarcity of millennial dancehall, but riddims which ride along smoothly, like RnB. Dancehall artists established and upcoming feature, yet even when legendary Beenie Man toasts on the subject of election violence, it adopts this ambiently slick tenet. It may be rather glossy but this breaths wide-appeal, beyond reggae aficionados.

Charly Black offers possibly the sparsest track, Eesah perhaps the most sensual. Throughout though it never frenzies and takes it mellowly and euphorically. So yeah, I like it (despite it makes mi waistline feel old!) for its innovativeness, and freshness.

808 Delavega album backlinks

Sound Affects Find the Ley Lines

Make no mistake, we love Swindon folk-rock duo Sound Affects here at Devizine. Ergo Iโ€™m prepped with some fond words and in high expectations prior to listening to their new album out today (13th Dec) Ley Lines. Itโ€™s been over two years since reviewing Everyday Escapism, their previous nugget of wonderful. And if I praised them for the honest folk songs then, Ley Lines is an immense enhancement for acute subject matter, and is lyrically grafted with more passionate prose. The result is sublime, as I anticipated, but that smidgen more.

From the off Gouldy and Cath compose with significance, and these eleven tunes donโ€™t simply drift over you aimlessly with acoustic goodness, though they have that. They stand as testaments to the tenet of injustices of modern social and political issues. Upon faced with the political reformist opening song, One Man Army, you know thereโ€™s an aim to reinforce the lost ethos of political standing in a song, as is the direct influences they often cover as their band, The Daybreakers; of power-pop, new wave post-punk, eighties garage and mod. Though as a duo, Sound Affects are strictly folk-rock, only maintaining the ethos of their inspirations in lyrics.

The second tune projects like a musical of an Alan Bleasdale play, thereโ€™s certain bitterness in the broken dreams and prewritten fate of folk in the decay of modern poverty, and Gouldy nails it akin to Ken Loach, with No Means to Pay. What follows is a Kafkaesque, revolutionary dream, but if you felt this is all liberal point-scoring, King for a Day has more acquitted associations similar to the drifting and euphoric sounds of Everyday Escapism.

Windmills drifts similarly, gorgeously, and is naturally Edenic. While shards of the aforementioned bitterness are subtle now, replaced with an idyllic moment, you consider if theyโ€™re losing the edginess of the opening tunes. Then Cathโ€™s flute takes us back to a tender era with Giving Something Back, and Gouldy sings, perhaps the most simplistic chorus, but genius song here, it opens a clear nod to his love for the narrative of Irish folk; itโ€™s a working-class ideology, and you can effectively visualise the labours leaving for home on a dark winterโ€™s eve, with the backdrop of a cold red-bricked factory. Thereโ€™s something acutely Levellers, but a sprinkling of Springsteenโ€™s Nebraska about it.

Typically, romance with a twist is a not forgotten subject, but played well, in Say it to my Face, and it returns with ponderings of conspiracy and dogmatic hierarchy. Unanswered Questions has overtones of a missing girl, without mentioning the McCann family, thereโ€™s connotations of a similar tragedy, and itโ€™s heartbreakingly candid. Yet throughout any dejection in theme, Sound Affects always ascertain a joyful euphoria through the sublimeness and effortlessness of their sound; acoustic guitar and flute, fiddle; tried and tested formula to hold a pub gig spellbound, as they recurrently do.

Together what you have is a numinously uplifting, wandering and softened euphoric album which drifts on rancorous and sometimes acrimonious subjects many modern musicians might steer away from. Itโ€™s folk alright, but with a bygone bite and righteous morals. More importantly, itโ€™s so damn good, itโ€™s essential.

Skates & Wagons EP

Fashionably late for the party, this Oxford duoโ€™s self-titled debut EP was released on White Label Records at the beginning of the month; what can I say for an excuse? Glad to catch up though, as Skates & Wagons are well worth it.

Thereโ€™s retrospective grandeur on offer here; even down to the bracketed song titles, as was common at the time, of these four diligently composed tunes of sixties-fashioned mod psych-pop. Itโ€™s as if weโ€™d not progressed from the era of The Kinks or Small Faces, The Spencer Davis Group and The Troggs at all. And to hear this makes one wonder if it was ever progress anyway.

Yeah, the dawn of the beatnik epoch, developed from the blues and soul inspired pop of Merseybeat is formulated, tried and tested, and anyone who mimics it is dependant on the only element left to ensure it’s respectable, the quality. Skates & Wagons set such a benchmark, taking a big chunk of the influence from this aforementioned style, but with a fresh approach rather than a shoddy and aged tribute, paling by comparison to its original.

Weโ€™ve seen this youthful blast of retrospection recently with the awesome blues detonation of Little Geneva, least to suggest this is more the pop of the fab decade, it also expands to classic electric rock, and is immediately beguiling via its wonderful musings. Skates & Wagons have long established themselves on the live circuit in Oxfordshire and beyond, but the EP is something precured over time like a fine wine. Initially they started working on it as far back as 2011, and completed it earlier in 2020, a testament to that old adage, you canโ€™t rush art.

Opening borderline glam, Just Because you Can (Doesnโ€™t Mean you Should) is possibly the most progressive, early Genesis fashioned, and vocally thereโ€™s harmony parallel to Gabriel and Collins. Itโ€™s as if Skates & Wagons regress through time as it goes on. Spin my Wheels is decidedly backdated in sound from the opening song, mid-Kinks period of their โ€˜66 album, Face-to-Face.

A nuanced approach to sixties-indebted structures, all four songs drip with instant fascination, as if you mayโ€™ve heard them on a classic radio show. The third tune is perhaps the most sublime, Tender (is the Night) is affectionate acoustic guitar-led emotive mellowness, to slip into a Who rock opera unnoticed. Itโ€™s an epic, seasonal-spanning romance themed masterpiece.

Yet, the final tune, Law As I Am True plays-out with the thump of pre-psychedelia sixties pop, but itโ€™s got the kick of how The Jam re-enacted the sound, and itโ€™s catchy because thereโ€™s subtle hints and swirls of the imminent next move to flower-power. Together hereโ€™s four memorable tunes which would have undoubtedly sailed to the Top of the Pops during that golden era, yet somehow completely original and uniquely fitting for the now.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement. Though I caution them, thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


Fairy-Tale of New Park Street; And Better Local Christmas Songs!

It was Christmas Eve moi lover, outside Carpet Right, an old man without facemask said to me, won’t be seeing another one, and then he yelled a song, Shaky Stevenโ€™s Merry Christmas Everyone, I turned my face away, and puked all over youโ€ฆโ€ฆ

Okay, Iโ€™ll hold my hands up, thatโ€™s all Iโ€™ve got when it comes to writing a Christmas song. Time to call in the pros, because without venues many of our local musicians are so bored, theyโ€™ve produced some great Christmas songs! As ever Iโ€™ll list them alphabetically, not to prove I know my a, b, c, but because whenever I do these โ€œlistyโ€ type articles some of you assume itโ€™s a top ten countdown. This isnโ€™t Top of the Pops, but we do have some nice tunes for you:


Ben Borrill – (untitled?)

Colm McCarthy – Christmas Time – 2020 Remix

Gecko – Last Christmas’ sung by a sad bird

Illingworth – Yes It’s Christmas!ย 

Peloton – Father Christmas Won’t Be Long

Pete Lamb & Colette Cassin – I Remember Christmas

Sound Affects – Taking Back Christmas

Splat the Rat – 2020 you Arse (Ho Ho its Xmas)

Will Lawton – Have Yourself A Merry Little Christmas

Did we miss you out? I’m sorry, tell me quick and I can add it!


The Monkey with no Bum!

No, looks to me like, from the front cover picture, the monkey does indeed have a bum, albeit it quite small and the motion lines suggest itโ€™s shrinking. No matter the outcome of the debate, it cannot be good news for this monkey called Charlie. I could ask the author Asa Murphy why, but we donโ€™t need spoilers. All you need to know is Charlie has either no bum or an incredibly shrinking bum, and thatโ€™s plenty of background, cos, kids like the word bum, and I donโ€™t blame them. I like the word bum, and intend to use it as much as possible here today.

If this Liverpudlian now childrenโ€™s authorโ€™s name rings a bell, itโ€™s because he loves Devizes and in honour of our late local fundraising musician, Bruce Hopkins, he staged his most prestigious performance at the Corn Exchange, a self-penned musical about the life of Buddy Holly.

Asa just glows with the charm and entertaining charisma of a one-man Ratpack. With sell-out shows at Ronnie Scotts, topping the bill at the famous Liverpool Empire, he also has a decade under his belt with a popular BBC Radio show up in Liverpool. Last year he turned to writing, the intention being stage musicals, of which heโ€™s crafted three shows, Buddy Holly Lives, Mack The Knife and Irish Annies.

But if you think changing from musical writer to childrenโ€™s author is tenacious, think again. Asa plans to launch a childrenโ€™s musical from his debut book, and will be at the Corn Exchangein 2021. For now, though itโ€™s self-published book (Murphy-World Books,) that tale of monkey with no bum, and was taken from a story Asa told to his nephew, and continued to tell to my own children. โ€œI wanted them to be aware that in my eyes,โ€ Asa explains, โ€œthey were perfect in every way. The story developed into an idea that I felt all children should hear, so I sat down and wrote the story with the dream of it being turned into a childrenโ€™s illustrated book.โ€

I asked Asa if there was more to come, whether Charlie might be back, with or without his bum! โ€œItโ€™ll be a series of five books, all featuring Charlie the Monkey, and with valuable lessons for children.โ€ Might make a great Christmas pressie for the young ones, or anyone, I like saying bum, and I think, if weโ€™re honest with ourselves, we all do!

You can buy it here, or itโ€™s now stocked at Devizes Books for ยฃ6.99.

Tankus the Hengeโ€™s Luna Park

Londonโ€™s Tankus the Hengeโ€™s third studio album is released today (4th Dec.) Tis a quixotic rockโ€™nโ€™roll fable, a utopian realm of wonderment with ingenious prose and the composition of a variety performanceโ€ฆ.

Picked on this new release to scribe a few words about based upon Devizes Arts Festival organiser Margaret Bryantโ€™s thrilled expression when she leaked booking Tankus the Henge for the 2020 line-up, that sadly never was. Yet, sadder is the reality of the era, where so other many events didnโ€™t happen either, and the decline of live music venues. Such is the subject of this inimitable London-based groupโ€™s Luna Park, an album out today.

If the pandemic has been a catalyst for music production, and often the theme too, from all Iโ€™ve heard it generally focuses on the virus itself. Although Luna Park centres around the decline of music venues, an allegory for what is happening on Londonโ€™s Denmark Street and all across the UK, one should note while it may resonate of lockdown fever, it was actually recorded during the winter of 2019.

Though nothing comes across melancholic with Tankus, itโ€™s all clouts of glam-rock and funk wrapped in a showy, big top magnificence. They describe their sound as โ€œfive-wheeled, funk fuelled, open top, custom paint job, rock โ€˜nโ€™ roll jalopy that comes careering around the corner on a tranquil summerโ€™s day, ruining the silence and disturbing the bats.โ€ While rock n rolling songs blast, thereโ€™s refined moments, as with The only Thing that Passes Here is Time, but it’s gawdy big band fashioned horn-blowing. Picking it apart thereโ€™s so much on offer here, like a variety performance in one album, and for this, despite Iโ€™m grinch for glam, itโ€™s ingeniously composed and addictive.

Glitterlung, is borderline downtempo โ€œPortisheadโ€ triphop, for example, while the incredible Susie Sidewinder comes across as if Lloyd Cole and the Commotions wrote Sgt Pepper. Of course, it relies heavily on the glam side of rock n roll, but thereโ€™s rudiments of everything; Deacon Blue to Zappa is showing a bit shoulder here. Each influence it throws into the melting pot is taken with a pinch and is wholly fun. Particularly noted for the amusing element, Staying on the Side of the Dirt was the tune which swayed me, itโ€™s terribly Dennis Waterman theme tune fun, and I mean this is a good way! Chas n Dave are legends, given electric guitars and told to work with Noddy Holder, you might get something along similar lines.

During listening I pondered if this rock opera, and decided more on rock circus. I usually reserve that fairground comparison for the two-tone sound of groups akin to Madness, but it applies here too. Itโ€™s not a concept album as such, more a vision. A fantasy of a realm where creativity is celebrated and live music thrives. A place where venue closures are a thing of the past, and corporate gentrification is a non-entity. A refuge from greed and capitalism, and the salvation of independent music, free thought and good-times, packaged in dark, wry satire with a neon glow.

Speaking about the underlying themes at play, frontman Jaz Delorean said, โ€œI donโ€™t think the public knows the entire truth when it comes to the hardships and thin margins of running a venue, and most of the time we donโ€™t want them to. They go out to have a good time and forget about life for a while. Thousands of people work all hours to keep venues, and festivals alive, and at the moment all of it is under threat. The ripples will be felt in every household eventuallyโ€ฆ We learned and started honing our skill in Denmark Street, in clubs like 12 Bar Club and Alleycat, both of which have closed. Jamboree, Passing Clouds, The Peel, 14 Bacon Street, Madame Jojoโ€™s. All these venues were haunts of ours and are now closed permanently too.  We need to support these small venues so much more.โ€

Yet Luna Park is more then the sum of its parts, thereโ€™s gorgeous portrayals and the well-grafted, thoughtful characters of a novel, in disordered or decisive situations. If anything twisted my opinion on flares and glitter itโ€™d be this very entertaining scrapbook of sounds.

https://www.tankusthehenge.com


Small Wonders Art Auction in aid of Arts Together

It was one of my most memorable days following a story for Devizine, when I attended an Arts Together workshop in a sheltered accommodation hall in Bowerhill, last February with the artist Clifton Powell. I found out these sessions meant so much more than โ€œart therapyโ€ to the folk there, and it was delightful to talk to them about what they were doing. You can read about it here, and the amazing work this charity does locally.

This Christmas, Arts Together are hoping to raise up to ยฃ5,000, to enable them to continue supporting isolated and lonely older people in the community. Several of the thirteen accomplished artists who help, and many others, have donated artwork for an online auction. The auction is currently running and will last until 13th December.

You can take a look all the beautiful paintings, prints, photographs, ceramics and crafts on show, and make your bid to own one, by clicking here and browsing the images. All the proceeds are going to Arts Together to help them continue our support for older people during this winter.

If you are an artist and would like to donate a piece of small artwork, Arts Together would be delighted to add it to the online auction. Plus, alongside your work they will add a link to your ownโ€ฏwebsite and social media.

Please give this some attention if you can, such a brilliant charity, plus you could bag yourself a piece of fine original art for Christmas. Here’s a look at some of the variety of offer:

Leaping Frog from Roy Evans
Small Salt-Glazed Jug by Lexa Laurence
Beetle by Clifton Powell
Christmas in Snowdonia II by Penny Leaver-Green
Storm Warning by Jeff Pigott

Adverts and Stuff!



The Tiers of a Clown

Wiltshire Council outlined what the new restrictions mean for us yesterday. I have copied and pasted it for your reference. Although some parts were accidentally deleted so I had to fill them in, as best as I remembered it reading. Apologies for any slight inaccuracies, but it’s Monday, alright?

The actual report can be found here: https://www.wiltshire.gov.uk/news/wiltshire-covid-high-category but, yeah, it was basically this, or very similar:

The Wiltshire Council local totalitarian area has been confirmed to be in the Government’s Tier 2 ‘let’s get high’ category, which will replace national put a pillow on your fridge day on 2 December.

This is a different Tier that the county was in prior to the current national restrictions and it means that from 2nd December:

โ€ข People must not socialise with anyone they do not like or who is not in bubble wrap, in any indoor sitting area, whether wrapped at home or in a public place.

โ€ข People must also not socialisitate group sex, with people or gnomes, outside, including in a garden in outer space.

โ€ข Businesses and emus can remain open in a COVID secure manner, other than those which are closed by law, bankruptcy or eighties electronica band Blancmange.

โ€ข Pubs in cars must close, unless they are operating as restaurants which sell sausage rolls.

โ€ข Hospitality venues can only serve alcohol with substantial meals or drug deals to politicians. A Scotch egg is not a substantial meal unless you are Nicola Sturgeon, but vodka jelly is.

โ€ข Hospitality businesses selling food or drink for consumption on their premises are required to serve table tennis players only. In premises which sell alcohol, they need to close between 11pm and 5am as those are past covid’s bedtime, with some exemptions to large chain businesses who’ve slipped Bojo ten grand, and stop taking orders over 10p.

โ€ข Education settings remain open because kids are rocking through the herd immunity scheme.

โ€ข Council services such as leisure centres, libraries, deporting Jamaicans and throwing disabled residents out of their homes will be able to open their doors again.

โ€ข Weddings, funerals and conservative tainset enthusiasts can go ahead with restrictions on numbers of attendees – 15 people can attend wedding ceremonies and receptions, 30 people can attend funeral ceremonies, and 200 conservative train enthusiasts can attend meetings about making a Lego station on the Lydeway.

โ€ข Outdoor street markets will be able to sell full a range of cheese, not just cheddar, provided they only shout their pitches in a non-chav accent.

โ€ข Places of worship, except those for pagans and druids remain open, but people must not attend, or socialise inside them to have sex with goats, unless there’s a legal exemption or bonafide fetish exemption card.

Earlier in the week, the Prime Minister Bojo the clown waffled about something or other, partly in Latin, partly in gibberish; thought you might like to know we love the ground he wobbles on, and if he shot his load onto his thighs Wiltshire  council would gladly lick it off.

This week, the Government also confirmed that regardless of Tier, three wise men can form a Christmas bauble between 23rd to the 27th December. Once this bauble has been formed, it can be changed at Whitehall Garden Centre only.

Cllr Phil “poppa” Yellowhead, furher of Wiltshire Council, said:

“It is disappointing, I had the Urch-funk crew rocking up for a Christmas sesh, but surprising, that we find ourselves in a Tier higher than before, being we’re all filthy rich, least I am. We have been planning for such an eventuality with plastic Paw Patrol characters and we want to reassure residents and businesses that we have no idea how to get through this.

COVID-19 is still very prevalent and will be here for as long as Christmas Only Fools & Horses specials, so I advise everyone to keep social distancing, listen to Cliff Richard, have a good hand shandy, wear a mask or reindeer boob jumper, and self-masturbate when required to do so. If we maintain that behaviour and everyone plays the fart game, then there’s no reason why we can’t move the entire county to the Scilly Isles in the lowest Tier, and then eventually get to the other side of this with only Brexit left to wreck the economy.

Anyone can access the Wiltshire Well-hung mo-fo Hub who may be struggling to find prawn crackers during this convenient time to enforce total control. This may include those who are self-masturbating and don’t have a support network, 3G, or fluffy bras around them or know where to get help and disco lights. Let’s rock this lockdown and have a jolly good time, for Father Christmas was born on this faithful day, or close to it.”


Top Twenty Local Music CDs For Christmas

Bag yourself some of our recommended long players for your friends, family or even yourself this Christmas and help a local musical talent.

Look at him, Grumpus Maximus, slouching on his sofa-throne investigating the inside of his y-fronts with one hand and clasping a tinnie with the other. Heโ€™ll need Google maps to find his local watering hole when things return to normal, and if he has to endure Kirstie Allsopp for one more half-hour episode heโ€™ll threaten to relocate to his shed for the yule. What do you get for someone like pops this Christmas, or anyone whoโ€™s lost the will of independent thought due to the modest inability to enjoy the odd fellow and guitar down their pub of choice, for that matter?

How about this suggestion; buy a CD from a local hero? Because not only will you cheer the old bugger up enough for him to consider shaving once a week, but youโ€™ll be putting your hard-earned shekels into the hands of a local independent creative sort, who, without revenue from standing in a draughty pub alcove singing the blues, really needs some pocket money right now.

Itโ€™s not my idea, I say let them scavenge for dead flies on their filthy windowsills while insanely mumbling a ditty about minute pixies invading grassroot venues. Thanks to our reader, George for this suggestion. Of course, this is the 21st century, or so Iโ€™ve been informed, and nowadays next to nothing is physical. Much as we find the online format or download accessible, you canโ€™t wrap an online stream up with a pretty bow and put it under your tree. So, our list is restricted to the ones putting out a CD copy; thatโ€™s a compact disc to youngsters, or even, dare I say it, vinyl, you know, some archaic listening format.

But how, ye cry. Iโ€™m going to provide links where I can, but another shot is your local indie record store; for if they care one iota for music, theyโ€™ll stock a range of locally sourced sounds. If they donโ€™t tell them to, without swearing.

Hereโ€™s an ideal template to use: โ€œthe brilliant, one and only Vinyl Realm Music Store in old Devizes town stocks many local artist discs, so I suggest if you want to be half as good as them, youโ€™d consider it.โ€ And that, is one good place to start; open the yellow door on Northgate Street, turn to your right and by the window thereโ€™s a stand with some local outpourings on. If you get lost ask one of the owners, they bite but not hard. I know, shopping is beneath you, be aware they have an online service and will deliver, cos theyโ€™re nice like that.

Am I waffling now? I tend to tangent, like to, did you come here for that, or are you looking for some music options? Very well, sit quietly, or stand noisily if you like, and I shall beginโ€ฆ. hopefully before Boxing Day. But oi, bear in mind this isnโ€™t a top twenty countdown, I just used that as the title for clickbait. Iโ€™ve not put these in any kind of hierarchy or rank, just listed alphabetical by artist name, to prove I know my A, B, C!

Billy Green 3: Still

Released at the beginning of this year, Devizes post-Britpop trio produce a beguiling sound that couldโ€™ve come straight from indieโ€™s finest hour. Itโ€™s scooterist, with a taste of mod and soul, but itโ€™s passionately scribed and delivered proudly. Review. Buy@ Vinyl Realm.

Chris Tweedie: Reflections

Affectionately reviewed at the beginning of the month, Melksham-based monarch of chill, Chris Tweedie has produced a mind-blowing album. If you like Mike Oldfield, Crosby, Stills and Nash, or George Harrison, you need to check this one out. Review. Buy.

Cracked Machine: Gates of Keras

Hometown space-rock has never been so good. This is the outfitโ€™s second album, and its journey of spacey rock like no other. Fans of Pink Floyd or the Ozrics will relive every minute of their misspent youth and clamber to the loft to find their fractural posters and chillum! Review. Buy.

Erin Bardwell: Interval

This year, without his Collective, Swindonโ€™s rock steady keyboard virtuoso blessed us with this unique lockdown inspired bundle of distant memories over sparse two-tone and reggae beats. If you think this genre can be samey, youโ€™ve not heard Erin Bardwell. This album is one of a kind. Review. Buy.

George Wilding: Being Ragdollian

Let the arguments begin, this 2013 EP is the definitive George Wilding. One not to collate tracks to an album, the EP may only contain three songs, but their brilliance makes up for at least ten mediocre ones. You can grab this at Vinyl Realm.

Joe Edwards: Keep on Running

Whilst itโ€™s had glowing international reviews, locally I feel this is severely unacquainted. Though I did say at the time of review Iโ€™ll be hard pressed to find another โ€˜album of the year,โ€™ back in May, this still stands. This is melancholic Americana played out with utter perfection, and I will never tire of its authentic and sublime stories. Review. Buy.

Jon Amor: Colour in the Sky

Though we fondly reviewed Jonโ€™s latest album just yesterday, like I said, thatโ€™s one which is only on download at the moment. Take his 2018 masterpiece of quirky electric blues as red, red as his telephone; this is the must-have album for every fan of local music. You can buy this in Devizes Books as well as Vinyl Realm, or you can buy online. Hereโ€™s a review from all those heavenly years ago, when Devizine was funny.

The King Dukes: Numb Tongues

Out in 2018, if you like your music with a taste of old-timey soul and blues, The King Dukes of Bristol do this with bells on. Numb Tongues is lively and memorable. Review. Buy.

Little Geneva: Eel Pie

Freshly produced and lively sixties mod-blues-rock done supremely, Little Geneva are Bristol-based but the Docherty brothers have the Devizes connection, enough to debut this down the Bear’s Cellar Bar a few years ago, and boy, was it a sweaty and memorable night! Buy.

Mr Love & Justice: Watchword

Mr Love himself, Swindonโ€™s Steve Coxโ€™s 2009 album is a must, a classic, even though I havenโ€™t reviewed it, because itโ€™s dated, its gorgeous acoustic goodness extends beyond atypical country-rock sounds and branches into many genres, even bhangra at one point. You can find this in Vinyl Realm for a mere fiver.

Mr Tea & The Minions: Mutiny!

Oh my, this chunk of energetic Balkan-ska influenced Bristol folk is breathtakingly good. I reviewed it last year, havenโ€™t gotten over it yet! Review. Buy.

Paul Lappin: The Boy Who Wants to Fly

Breezy Britpop acoustics shine throughout this ingeniously written debut from Swindonโ€™s Paul Lappin. Highly recommended and all-round good vibes. Review. Buy.

Phil Cooper: These Revelation Games

Trow-Vegas legend, Phil Cooper really gives it some with his latest offering, rocking out the lockdown. Review. Buy.

Ruzz Guitarโ€™s Blues Revue: Live at the Louisiana

No list would be complete without a bit of Ruzz Guitar and the gang; guitar by name and nature. This album captures his skill where he does it best, live. Rock n roll the night away as if you were there; this is a must have album for blues and rock n roll fans. Review. Buy.

Sound Effects: Everyday Escapism

Self-penned Irish-fashioned folk at itโ€™s most divine, Swindon duo Cath and Gouldy classic here. This is sweet and thought-provoking. Review. Buy.

Strange Tales: Unknown to Science

Iโ€™m unsure how old this is, but I do recall Pewsey singer Sally Dobson running back to her car to get me a copy at the long-lost Saddleback Festival. With Paul Sloots, Strange Tales are a wonderful if occasional electronica gothic-rock duo, and Unknown to Science is a spookily glorious album. Review. Buy or at Vinyl Realm.

Talk in Code: Resolve

True, Swindonโ€™s darlings of indie-pop have come along way since this 2018 album, fashioned closer each time to retrospective eighties electronica, Resolve stands as a testament to their dedication, but more importantly highlights their roots in indie-rock. Review. Buy.

Tamsin Quin: Gypsy Blood

Man-about-Devizes, surely, youโ€™ve a copy of this already? Tamsin Quinโ€™s debut 2018 debut album is something kinda wonderful, eight self-penned nuggets of goodness introduces you to the now one third of the Lost Trades and personifies anything that was awesome about our local music circuit. A local classic. Review. Available in Vinyl Realm, or online.

The Lost Trades: EP

When three of our most loved local musicians officially bonded, debuting at the Pump just prior to lockdown, it was clear all their talents combined into this one project and could only ever be a winner. We highly anticipate the debut album, but for now, this five track EP will whisk you to a better era of folk harmonies. All original songs, thereโ€™s a taste of Phil, Jamie and Tamsinโ€™s song writing talents, though each track wouldnโ€™t look out of place on the Oh Brother Where Art Thou? soundtrack. Review. Buy.

Ya Freshness & the Big Boss Band: Knockout

Boots and braces time, get skanking to the loud and proud ska sound of Ya Freshness and the Big Boss Band. This is joyful, fun and chockful of ska and rock steady riddims from 2018. We eagerly await a new double-album promised from these Bristol misfits of ska, but for now, this is great. Review. Buy.


No way is this list exhaustive; Iโ€™ve basically run this off adlib and will no doubt suddenly think, โ€œoh bugger, I forget this or that.โ€ But Iโ€™ve nailed it down to twenty, which was tricky. Do feel free to add a comment on something I might have overlooked, and apologises if I did. Remember, it should be available as physical copy. This is an interactive article!

Message my advice line if youโ€™re still in the dark for a pressie for Dad. Helpful hint, look through his old records. If you see one of a pig floating above Battersea power station, or a plain black album with a spectrum shining through a triangle, try Cracked Machine. If you see lots of black and white chequered patterns or a naked girlโ€™s torso with Tighten Up written across her abdomen, try Erin Bardwell or Ya Freshness. And if you see a rather splendidly busty woman carrying a hosepipe and various decorating equipment, try The Lost Trades; best of luck!


Jon Amorโ€™s Remote Control

Pop is pop for a reason. Without sounding like a government soundbite, what I mean is, pop, as in the music, is popular for good reason; the catchiness often in the simplicity, which consequently sells. And if it sells, itโ€™s pop, regardless of the many subgenres and youth cultures which an era carries pop along, itโ€™s always continued this ethos. Itโ€™s only a particular โ€œgenreโ€ for the time being. I use the term as loosely, then, as it should be used. Feel free to shudder at modern commercialisation, but thatโ€™s been building for decades and you shouldnโ€™t let it put you off; youโ€™ll miss something special because you preconceive its popularity is a hallmark from a polluted industrial mechanism.

The above annotation I write because I donโ€™t want you to run off with the idea, Iโ€™m talking contemporary chart hits when I use the term pop. Out of the assortment Devizesโ€™ legendary bluesman Jon Amor offered on his last major album two years ago, Colour in the Sky, I tended to cherry-pick those deviating from his traditional electric blues style, and they promptly became the standout tracks, Illuminous Girl and Red Telephone. He need not appease his devotees; they follow this modification with bells on. Because, fundamentally itโ€™s more โ€œpop,โ€ in so much as itโ€™s appealing for this beguiling ease.

This transitory, perhaps, shift for Jon was stamped on the last single, the incredibly addictive Peppercorn, a lively upbeat and Elvis Costello fashioned rock, without the leftist post-punk political angle of yore. Now the single has been followed up with an album, Remote Control, impulsively launched without the need for the usual pe-hype. All the tunes follow the aforementioned style of Peppercorn, the penultimate track on the collection. Dammit, this is good, but you knew it would be.

News of it literally arrived via Facebook post yesterday, โ€œthis year,โ€ Jon posted, โ€œIโ€™ve been spending a lot of my weekends recording some songs, and I appear to have made an album.โ€ And as if by magic, today (27th November) itโ€™s a thing. So, was it as spontaneous as it sounds, a result of lockdown?

โ€œI suppose initially it was the result of lockdown,โ€ Jon replied, โ€œyeah, I was working all week and had nothing to do at weekends!โ€ If there’s only one good thing to come out of all this, I noted, thinking Erin Bardwellโ€™s Interval album in particular, is that artists have had the time to write and create, and there’s good material flowing from all genres. Then I waffled some similarities in a piece I was reading about the great plague, where it modernised and revolutionized both folk and classical music, possibly gave birth to the renaissance.  

โ€œI think a lot of people embraced the spare time and the isolation and turned it into a positive,โ€ Jon added. โ€œNow Iโ€™m picturing video conference calls and zoom quizzes in the 1600s…โ€

While Jon is clearly experimenting, dabbling this more pop sound with Remote Control, itโ€™s also temptingly raw and punchy. There are some retrospective glances, the opening tune Song and Dance is a catchy three-minute Merseybeat blast, whereas If a Million is demarcated Curtis Mayfield funk. 03 57961 (Thatโ€™s my Number) bounces like a quirky ZZ Top, whereas Robot Skin follows, using the guitar like white noise, overridden with a Gecko styled rap.

Iโ€™m intrigued now, wondering where this will take me next, and even if Next plays out the downbeat trip-hop style, akin to Portishead meeting Costello, it remains definitively Jon Amor. Just a Bomb booms power pop, with a singable chorus after just the one listen. Weโ€™re one track down before Peppercorn, youโ€™d be mistaken by the title that this is locally-themed, Moonraker, is Bowie spacey and maybe a reference to the Bond movie rather than a Devizes pond fable.

Image by Nick Padmore

The finale rings with everything weโ€™ve suggested at the start, this is poptastic for catchiness. Do Bop-Bop is staunchly irresistible. Exotic bongos, Californian beatnik surfer goodness; ideal daydream for wintertime locked down in England!

In conclusion, I need not convince Jonโ€™s lifetime fans, they will buy it and love the fact they have. For others, this is an interesting progression with great prose, itโ€™s joyful and quirky and explores styles without selling-out or shifting the central pivot point, which is Jon Amor, da man rocks! All the above basically adds up to; this is highly entertaining on the ears and persuasive on the feet to tap.

     


Beans on Toast Knee Deep in Nostalgia

If growing up in Witham meant Braintree appeared to be Shelbyville to our Springfield, I should go no further. The Prodigy are undoubtedly Essexโ€™s finest musical export in the last three decades, next to Colchesterโ€™s Blur, and what did Witham give us? Olly Murs, thatโ€™s who.

Though if Jay McAllisterโ€™s hometown evokes my own childhood memories, his forthcoming album, Knee Deep in Nostalgia will for all. Itโ€™s released, as all his annual studios albums are, on his birthday, the 1st December. Yet whereas Braintreeโ€™s Prodigy were sovereigns of progression, thereโ€™s nothing particularly ground-breaking about Jay, from the same Essex community, whoโ€™s tongue-in-cheek stage name, Beans on Toast suggests. But it makes up for it in highly entertaining folk songs which doesnโ€™t take themselves too seriously.

As with Frank Turner, who incidentally guested on and produced previous Beans on Toast albums, I jumped on the chance to review this on the endorsement from Sheer Musicโ€™s Kieran Moore, and just as before, perhaps more so, he didnโ€™t let me down. For as a folk singer-songwriter Iโ€™d evaluate Beans on Toast isnโ€™t Tammy Wynette, or Willie Nelson, of whom he takes a nod to in a song on this album, but he is the best thing at least since the sliced bread in his namesake. He is Beans on Toast, indefinitely, and I love beans on toast. you can add cheese, you can add little sausages, but as it remains, none matter, simplicity is key; just beans, on two slices of toast, it works.

Aptly, just as the dish, his style is simple but effective and immediately likable. He drafts songs from the heart, served with a side-order of cheeky Essex humour, the reason why heโ€™s played every Glasto since his first, and Boomtown, recorded with and shared the stage with many legends, recorded in Kansas with Truckstop Honeymoon, opened for Kate Nash and Flogging Molly, and aforementioned Turner on his sell-out Wembley show. Why havenโ€™t I cottoned on about his brilliance before? Itโ€™s an age thing; old dog, new tricks. But that, in a nutshell, is the theme for this album, as the name suggests, but not without both sentimental and humorous prose.

For this whippersnapper contemplates his looming fortieth, which, if I get the honour of you reading this, Jay, Iโ€™ll confirm it gets no better. And with it reminisces his past. One concerning the thrills and pitfalls of gigging in Camden, but most poignant are those which go back to childhood; being frightened on Halloween, inspirational teachers, family discos at a village hall, and one which ingeniously sums up the whole shebang of daydreaming about the past.

Knee Deep in Nostalgia isnโ€™t going to wow you with technological advances in sound, it isnโ€™t going to whisk you to a fantasy world. Iโ€™d even say thereโ€™s sometimes clichรฉ with the subject matter, but when done itโ€™s done uniquely, insightfully reflective. Thereโ€™s ingeniously uncensored meagre material here, offering a range aside the general theme of nostalgia, particularly the upbeat and carefree Coincidence, which rings almost on a level of Madness for fairground joy.

The gem is precisely in its simplicity, Beans on Toast reflects and rebounds onto the listener, acknowledging their own life in his words. You may have known a crazy Australian dude, as depicted here, you may giggle at your own fondness for Finderโ€™s Crispy Pancakes, or when the streetlights coming on was a signal to go home, and the other everyday juvenile cultural references. And for this, and more, I bloody love this album.

There is a particular nugget which knocked me head-over-heels, and itโ€™s when Beans on Toast get sentimental. Reminiscing often spawns from watching your own children, and interacting with their joy and innocence at discovering the world again. Tricky to pinpoint why having kids is overwhelmingly fantastic, being they poo on your hand, launch their dinner in your face, cost you a kingโ€™s ransom, belittle you and grow to ignore your every word, but with a simple leitmotif Beans on Toast nails it. Again, even when semimetal, nothing is psychologically challenging, itโ€™s just the premise of The Album of the Day, which touches the heartstrings; sharing a moment with his daughter, as with alongside other memorable doings, he temps her musical taste with choices from his record collection. It sounds sickly, but I promise you, as I did earlier, this guy can pull it off with bells on.

That said, kids grow, and the fragile years, when theyโ€™d take heed and listen to Bob Marley, Dire Straits, Paul Simon, or whoever inspired you, are too short. Theyโ€™ll find their own way, and you have to allow them to, as your house turns into a bass funnel and you metamorphize into your own misunderstanding parents; itโ€™s unavoidable no matter how you might think when they were inspired by your likes, and in this, is the brilliance of the song.

I mean my offspring, they donโ€™t even like beans on toast, right, which I think is abnormal; all kids like beans, it should be enforced! Such should this album. And it comes with an accompanying album, The Unforeseeable Future, which I could only speculate about, as the title suggests, as they didnโ€™t send that. On the basis of this one though, Iโ€™m musically smitten.

Knee Deep in Nostalgia is out on 1st December; Pre-order it here.


You Do You, George

A message goes ping from that George Wilding, heโ€™s got a new single out since when we reviewed his band Wildingโ€™s last outing. Are they building up to an EP? I asked, and got the reply, this is a solo one. Then, nought, despite saying if you send it, Iโ€™ll bless it with some words. Thatโ€™s our George, never too hot on a press release, and if I criticise myself for being a technophobe, Iโ€™m Zuckerberg by comparison! So, I gotta go find it on these blasted streaming sites, but you know, and he does too, Iโ€™m going to, even if Dave Franklyn got in before me with a super review. Blinking Loreal; he’s worth it!

I take the chance not to read anything Dave has written prior to scribing something myself, if itโ€™s on the same subject. Such an expert with words, my penmanship pales in contrast. Still, I got to say a little something, George being such a popular charismatic and approachable guy, aside his natural flare and virtuosity, musically. ย ย ย ย ย 

Encouragement and reassurance for a falling star, practically rather than spiritually, seems to be the subject for You Do You, a delicate resonance in such a fashion only George could execute. Perhaps the most melancholic yet, opposed to the bouncy country acoustic of some of his earlier classic bombasts, it contains no skilfully-placed vulgarity, itโ€™s mellowed, inspired and stunning. Itโ€™s crying out for an emotional upsurge, yet whispered with sincerity, the key to a great song, and George nails it, unsurprisingly.

The kind if performed live it would suspend the whole venue in awe, as if time suddenly stopped and nothing mattered other than counselling this lone girl. Everything moral spells this character needs help, yet by natural testosterone, perhaps her beauty distracts; a perpetual cycle of bad karma. Like any truly-written masterpiece, thereโ€™s obviously a private connection with the author, yet the listener identifies by conjuring a similarity to a particular own experience, in this case be it a girl, your mind locates the ideal suspect. Yeah, I know that chick, you contemplate, least one too close for comfort!

Every need then, to check it out for yourself. George Wildingโ€™s You Do You is out now, across all streaming platforms.

https://open.spotify.com/embed/album/3PQr8HIQjtQBv6f9WsC7hb


Tunnel Rat Refurb their Studio for Social Distancing Recordings

Unaware of their sound until now, but Iโ€™ve heard only good things about South Wiltshire duo Illingworth. Via this video you can hear their worth, a wonderfully executed rock power ballad, โ€œSing it.โ€ High time to review their September debut album New Normal based on this, me thinks, but for now weโ€™re here to mention the recording studio, as thatโ€™s what the video is promoting.

In a friendly, rural setting Tunnel Rat Studios is based in Haxton, near Salisbury, and only opened last year, but since had clients such as professional opera singer, Deborah Mansi, singer-songwriters Paige Dobson and Emma Burton, as well as aforementioned Illingworth. The news is though, they have just had a major refurb. โ€œIs this to enable better social distancing measures?โ€ I asked engineer and producer Eddie Prestige, one half of studioโ€™s pair, with Jolyon Dixon, each of whom have over thirty years proven experience in the industry.

โ€œYes,โ€ he replied, โ€œit was mainly for social distancing measures. However, we have upgraded our equipment too.โ€

Tunnel Rat Studios can now offer fantastic quality recording in a larger, covid19 secure environment, with experienced professional engineers and session musicians available in house to help. There are separate performance and engineering rooms, with full line of sight between the two.

Their comfortable live room is plenty big enough for up to four people to play together. The control room, which can record up to sixteen channels of audio simultaneously, and have high-end outboard equipment, like the Manley Voxbox channel strip, and itโ€™s accessed by a separate door. Containing a 2020 iMac, running Logic pro X with many of the latest software instruments and first-rate plug-ins, including Waves bundles and Celemony Melodyne studio 5, a Black Lion audio analogue to digital converters, mind-print DTC channel, and Kemper profiling amplifier, and Peluso 2247le (Tube U47 clone) Lauten audio Clarion (FET Condenser) microphones. There are a matched pair of Miktek C5 (small diaphragm condensers) and 2 MXL Lundahl edition R77 ribbon mics. They also have all the usual dynamic mics like shure SM57 (x2) shure SM91 (x2), and for monitoring they use genelec 8020 speakers and Event Opals.

Now, you see, that technical jargon is all double-Dutch to me, sounds good though and Iโ€™m certain if youโ€™re a musician into getting sound production perfection, considering Tunnel Rat might be an option, they promise itโ€™ll be an affordable one. Theyโ€™ve even a unique Christmas gift package, a voucher for the aspiring singer or musician, offering studio time vouchers from as little as ยฃ125, valid for a whole year from purchase. Each voucher entitles the recipient to studio time at Tunnel Rat, and they encourage you to get in touch for more details or to discuss any special requirements you may have.

Here is their website.


Shiine Weekender Festival 2021

Imagine, a festival. Right now, imagining Joe Bloggs from the down the road clonking the ivory and singing a ditty down your local is wishful thinking. Itโ€™s hard to envisage an autumn a year away, and I accept, not ideal to invest in a ticket until you are sure this fiasco is blown over. However, if we donโ€™t least assume it will have and buy advance tickets for events, there will be nought sorted for when we can and are itching to go out.

While festivals, for me, are something of a past reality, I just know Iโ€™m going to aching to get out as much as feasible. So, we have to tip our hats at those ambitious organisers trying to arrange bonza events on the hope things will return to relative normal. Hereโ€™s a blinding example, the Shiine On Weekender at Butlins Minehead. Itโ€™s not due until November 2021, when if it hasnโ€™t blown over by then, I think weโ€™ll be clinically insane! Check out the knockout line up.

The festival returns for itโ€™s sixth year, with Feeder, Cast, Peter Hook & The Light, The Coral, Black Grape, Glasvegas and The Bluetones all headlining. Plus 808 State, Asian Dub Foundation, Sice Boo & The Radleys, Nedโ€™s Acoustic Dustbin, Jim Bob, Chameleons, The Pigeon Detectives, Milltown Brothers, Neville Staple Band, and more. Ding dong, I say, tickets are on sale now.

The rest of this piece Iโ€™m copy and pasting direct from the press release, save a bit of typing! Go knock yourselves out.

Staking its place as a stalwart of the UKโ€™s Winter festival scene, the Shiiine On Weekender returns for its sixth instalment on the 12th, 13th and 14th November 2021 and boasts an unbeatable crop of indie and dance as always.

Taking over Butlinโ€™s Minehead Arena for a long-weekend escape of music and mayhem, the fest will be hosting a trio of legendary headline acts of the highest order…

Getting the festival underway in style, Friday night headliners FEEDER will see dynamic duo Grant Nicholas & Taka Hirose blasting through over 20 years of hits, from โ€˜Buck Rogersโ€™ to โ€˜Just A Dayโ€™ and airing cuts from their revitalised comeback LP of 2019: โ€˜Tallulahโ€™. Marking the 25th anniversary of their seminal โ€˜All Changeโ€™ album, Saturday night will see CAST top the bill with their electrifying live show to remind us just why they were crowned โ€˜The Who of the 90sโ€™; expect a healthy dose of classics in a confirmed Greatest Hits set too. PLUS, closing-out the Shiiine On Weekender with a Sunday showdown of pure substance: PETER HOOK & THE LIGHT will bring a set brim-full of Joy Division and New Orderโ€™s very finest moments.

Giving plenty of reasons to get down the front early, there will be superior supporting sets across the weekend from some long-established festival heroes. Merseyside psych-pop sorcerers THE CORAL (Friday), Shaun Ryderโ€™s rabble-rousers BLACK GRAPE, plus a long overdue return from Scottish shoegazers GLASVEGAS (Sunday), will throw down the gauntlet to the headliners each night.

And of course, the mainstage is just the tip of the iceberg. Revealing its full and complete billing today, the Shiiine On Weekender will pack the holiday park with incendiary indie acts from all eras….

Thereโ€™ll be sets by Brit-Pop powerhouses like THE BLUETONES who will be arriving for an all-guns blazing greatest hits slot; PLUS, a Shiiine On 2021 festival exclusive set from SICE BOO & THE RADLEYS, which will see Sice reunited with the Boo Radleys rhythm section Tim Brown and Rob Cieka to โ€˜Wake Up, Boo!โ€™ and their many dormant classics at long last. There will also be sets from The Seahorsesโ€™ CHRIS HELME, JAMES ATKIN (of EMF), REPUBLICA, BENTLEY RHYTHM ACE, MOLLY

HALF HEAD, THE CLONE ROSES, and THE SPACE MONKEYS will all be flying the flag for that seminal era of British music.

Elsewhere, 21st Century alternative torchbearers like HUMANIST, THE PIGEON DETECTIVES and GOLDIE LOOKINโ€™ CHAIN will be showcasing their own tried-and-tested modern festival anthems.

Showing the kids how itโ€™s done, vintage indie veterans including: CHAMELEONS, NEDโ€™S ACOUSTIC DUSTBIN, JIM BOB (of Carter The Unstoppable Sex Machine), THE MILLTOWN BROTHERS, and the JAMES TAYLOR QUARTET will be bringing timeless tunes and experience to the fest.

And with a packed programme of music day and night, the entertainment wonโ€™t stop when the mainstage lights go up. Throwing their doors open from 10pm – 4 am, the Shiiine On Weekenderโ€™s Centre Stage and Reds Stage promises to be the-place-to-be for top tunes late into the night. Full live sets from proven party starters inc. Acid House innovators 808 STATE, original rude boy NEVILLE STAPLE BAND (ex-The Specials), plus an unmissable closing party set from Electronic/Dub overlords: ASIAN DUB FOUNDATION. In addition, late-night slots from ALISON LIMERICK, DUB PISTOLS, SHADES OF RHYTHM, SUNSCREEM, plus DJ sets from SLIPMATT, JON DASILVA (Hacienda), RHODA DAKAR (Bodysnatchers), radio legends STEVE LAMACQ (BBC 6 Music) and CLINT BOON (XS Manchester / Inspiral Carpets) will ensure thereโ€™s good reason to keep the candles burning at both ends.

Announcing nearly 80 artists and performers today, the Shiiine On Weekender can also confirm a huge array of new and established acts who will also be making tracks for the seaside resort come this November. Across the weekend, look out for: ELECTRIC SOFT PARADE, DEJA VEGA, TOM HINGLEY, MARTIN BLUNT, ANDY BUSH, HOLY APES, MATT McMANAMON, THE WALTONES, SECTION 25, THE CHESTERFIELDS, MIDWAY STILL, THE CLAUSE, THE SHAKES, PSYCHO COMEDY, DERMO, DJ MILF, PHIL SMITH, LEO STANLEY, SHADER, UKE2, OASIS (UK), TAM COYLE, DIRTY LACES, CUT GLASS KINGS, THE ROOM IN THE WOOD, THE JACQUES, CROSS WIRES, THE IDLE HANDS, THE MALAKITES, GOOD MIXER, TRAPPSY, DAN FULHAM, WELSH LEE,  LEE HOWE,  DJ STARKEY, DAVID DUTTON, MISFIT MAN, ALEX LIPINSKI, NIRVANALOT, and STEVE ADJ; all of whom will be making the festival’s sixth edition its biggest and best yet.

Itโ€™s not all just about the bands either. The Shiiine On Weekender will also be throwing one big holiday park house-party to rival the best, crammed end-to-end with even more entertainment inducing: CLUB NIGHTS, POOL PARTIES, LIVE COMEDY, CINEMA SCREENINGS, a SOCIAL RECLUSE EXHIBITION and much, much more. 

TICKET DETAILS

Taking place 12th, 13th, 14th November 2021, tickets and packages for the SHIIINE ON WEEKENDER 2021 at Butlinโ€™s Minehead Arena, Somerset are on sale now. All packages include 3 nightsโ€™ accommodation on-site at the Butlin’s Minehead Holiday Resort. (A deposit scheme is also available for customers who wish to pay by instalments.)

PURCHASE TICKETS HERE:

EXCLUSIVE EARLY BIRD DISCOUNT

** PLUS, early bird customers who use the promo code NCB10 will also be offered a discounted rate. This is an 18+ event only. For more T&Cs please visit the website.


1/2 Dove – 1/2 Pigeon with Micko and the Mellotronics

Had to chuckle to myself, trying to find this album stored on my phone I kept thinking about Mike & The Mechanics! Just, No, leave it; nothing of the sort, Londonโ€™s Micko and the Mellotronics debuted last year with the single The Finger, the accompanying album 1/2 Dove – 1/2 Pigeon is due for release Friday (27th November.)

Weโ€™ve come so far since Televisionโ€™s Marquee Moon, neo-avant-garde anarchism comes across cleaner this decade. You Killed My Father, now you must die, is a tune lesser aggressively executed than you might imagine from the lyrics. Thereโ€™s a fairground, vaudeville style to Micko & The Mellotronics, wrapped in wryness, at times; which you donโ€™t get with Sonic Youth, but unpredictably often spawned cringeworthy from the Velvet Underground.

Melancholic free, though; thereโ€™s nothing retrospective on offer, this is post art-punk, a distant cry from Talking Heads, feistier, it floors the vox, elevates to high-fidelity and fires on all four cylinders. At times it shadows Pulp, and at others Blur creeps in, but throughout, itโ€™s fresh and exhilarant. Welcome to the eccentric and individual biosphere of Micko Westmoreland, actor and creative, hitherto renowned for solo releases and material as The Bowling Green.

The Mellotronics initially began playing out as a three-piece with founding member Nick Mackay (drums) and the enigmatic addition of Vicky Carroll (band โ€œwicket keeperโ€ and bass player). In 2018, the band were joined by revolutionary guitarist Jon Klein (Siouxsie & the Banshees/Specimen, and founder of the iconic Batcave club) who also adds his flare to their upcoming debut.

A stellar array of special guest musicians feature too, including The Specialsโ€™ bassist Horace Panter (a friend & collaborator who has worked with Micko on an annual charity record alongside Rat Scabies for the last 7 years), horn impresario Terry Edwards (PJ Harvey/Madness/Nick Cave) and alternative violinist in excelsis Dylan Bates (Waiting On Dwarfs/Penge Triangle), plus the late Monty Python/The Rutles/Bonzos great: Neil Innes. Early videos for featured singles โ€˜The Fingerโ€™ and โ€˜Noisy Neighboursโ€™, have also seen the band working with actors Paul Putner (Little Britain) and Susy Kane (The I.T. Crowd, Gavin & Stacey) respectively.

ยฝ Dove – ยฝ Pigeon is elated trialling, chockful of historical and philosophical references, palpably paranoid of a modern apocalypse and merged in citations to pop-culture, at times rocking, others a tad unnerving. But while power-driven guitar impediments contribute to the discomforting moments, off-kilter horns counteract it with this sardonic glee.

Contradictory this arrangement puts your defences up, akin to walking into a modern art gallery not knowing what to expect. I wanted at times not to like it, as tracks like The Fear does what it says on the tin, but Good Friend is having-it joyously and bought me around. If I remain undecided itโ€™s due to my own personal preference, and have to tip my hat at the ingeniousness of the writing and composition. It took me some adjusting to fully appreciate, yet I feel those leaning harder to post-punk rock and emo-indie will take Micko & The Mellotronics as new idols.

This is especially true of the next single released from it, Psychedelic Shirt. A coming of age theme, eighties set, when the culturally cool was at loggerheads with Thatcherite careerism, and tribalism was rife on the dancefloors of the local disco. Micko sums his notions, โ€œPsychedelic Shirt tells the story of venturing to an out of hours school disco in a dishevelled scout hut in Leeds. Where Top Man flick heads had seized upon my newly procured paisley shirt and sought about destroying it. Iโ€™d taken it off because I was too hot, left it on a peg in the boyโ€™s loos. Later, I found the article, โ€˜mopped up in the fluid, screwed up in a ballโ€™ on the lino floor as the songโ€™s lyrics state. I was forced to make a choice between victimhood or empowerment but left contemplating shades somewhere in betweenโ€ฆโ€

Itโ€™s one slick album, razor-edged rockโ€™nโ€™roll meets avant-garde pop-art meets satirical Edgar Allan Poe short story, but in a cracker of fun.

PRE-ORDER HERE: Facebook: Twitter:


Youโ€™ve Been Mangoed; With Mango Thomas!

Vast developments in the later days of breakbeat house saw a split in the blossoming rave scene. Techno-heads being directed away from the newfound UK sound found solace in a subgenre dubbed โ€œhappy hardcore,โ€ whereas the trialling occurred in the dawn of drum and bass, or โ€œjungleโ€ as it was known at the time. Yet it was still underground and reserved for the party. No one considered a concept album, myself included, until I heard A Guy Called Geraldโ€™s Black Secret Technology. I bought it on a memory tip-off, I loved the late eighties acid house anthem Voodoo Ray. It was like splinters of drum n bass over an ambient soundscape, and wasnโ€™t for everyone, but while I was still gulping about it, Goldie released Timeless and the rest is history.

Creative outpourings too radical or experimental for the time are commonplace, and perhaps our necessity to pigeonhole excludes Manchesterโ€™s Mango Thomas. He emailed with a list of rejections from specific music blogs and radio shows, being if one part did, the rest of his new EP โ€œGoes De,โ€ out today (22nd Nov) didnโ€™t fit their restrictive agenda. Thereโ€™s part of me which says I donโ€™t blame them, this is a hard pill to swallow, juxtaposed randomly at breakneck speed, itโ€™s a roller-coaster alright; you have no control where itโ€™ll take you.

Mango Thomas throws every conceivable psychedelic genre of yore into a breakcore melting pot, and pours you a jug; if you take a sip you might as well down the whole thing, for it works fast, itโ€™s a trip and youโ€™re in it for the duration. You have to be, if only to wonder whatโ€™s coming next. And in that, it has to be one the most interesting things Iโ€™ll review here for a while. Yeah, it uses contemporary breakcore, but at times nods back to drum n bass of yore, but it funks too, it rocks, unexpectedly, and if you thought you could be shocked no more, it even mellowly bhangras at the finale, as if Ravi Shankar wandered in.

There are so many elements to contemplate in this hedonistic frenzy of chaos, yet with crashing hi-hats, stripped down rhythms, sonic belters, echoes and reverbs, it primarily relies on dub techniques absorbing industrial metal and hardcore. Imagine an alternative universe where the Mad Professor is remixing Bootsy Collins, but in this realm Bootsy actually fronts a thrash metal band, and Frank Zappa peers over the mixing board putting his tuppence in; something like that, but more bonkers.

Picking it apart, at times youโ€™ll contemplate Mango Thomasโ€™ location and hear shards of the Madchester scene, other points will wobble you over to the Butthole Surfers, for if it is industrial hardcore skater, itโ€™s done tongue-in-cheek. But it doesnโ€™t come over dejected, as such a genre archetypically does, rather showy and egotistical like a funkmaster general. The man himself explains the effect will leave you โ€œmangoed,โ€ Iโ€™ve a tendency to agree.

Itโ€™s four major tracks with reprises and clippits between, often Bonzo Dog Doo-Dah Band fashioned, bizarre, amusing or deliberately belligerent to the mainstream, in true counter culture fashion. Do I like it, though, thatโ€™s what you want to know, isnโ€™t it? Damn you and your demands, fuck, I donโ€™t know. Itโ€™s always going to be something you have to be in the mood for, certainly not drifting Sunday afternoon music to take a snooze to after a roastie. A younger me would lap it up, as it twists so unexpectedly. Any psychedelia gone before doesnโ€™t touch it for cross-genre experimentation, and for that, in my artier moods, I give it full points. A sensible somebody as Iโ€™d prefer to strive for might suggest itโ€™s too far out there. But it entertained me for sure, so it has its place.

Can I suggest you throw caution to the wind, listen and see how long you can bear to hold out for? If you like Tim Burton, Zappa or Lee Scratch Perry youโ€™ll be partly prepared. Try though, as the finale is something quite astounding and as an erratic mishmash it mirrors A Guy Called Geraldโ€™s Black Secret Technology for pushing new boundaries, but it mirrors Sgt Peppers, the Doughnut in Granny’s Greenhouse and Bitches Brew too.


Arcana & Idols of the Flesh: Ambience and Chamber-Prog with Swindon Composer Richard Wileman

One portion my nostalgia rarely serves, and thatโ€™s my once veneration for spacey sounds, apexed through the ambient house movement in the nineties, but not comprehensively; we always had Sgt Pepper, Pink Floyd and Hendrixโ€™s intro to Electric Ladyland. Iโ€™ve long detached myself from adolescent experimentation of non-licit medications, lying lone in a dark bedroom chillaxing to mood music, and moved onto a full house of commotional kids; progress they call it.

Incredibly prolific, Swindonโ€™s composer Richard Wileman might yet stir the memories, if these headphones drown out the sound of a nearby X-Box tournament. Best known for his pre-symphonic rock band Karda Estra, there is nothing vertical or frenetic about his musical approach. Idols of the Flesh is his latest offering from a discography of sixteen albums. Yet far from my preconceptions of layers of decelerated techno, as was The Orb or KLF, or psychedelic space-rock moments of my elders, which our own Cracked Machine continue the splendour of, Richardโ€™s sounds with Karda Estra bases more orchestrally, neo-classical, as if the opening of a thriller movie. Though, so intense is this sound you need no images to provoke you.

Idols of the Flesh is dark and deeply surreal, with swirls of cosmic and gothic hauntings which drifts the listener on a voyage of bliss. Nirvana is tricky to pinpoint in my household, but with my ears suctioned to my headphones I jumped out of my skin upon a tap on the shoulder, daughter offering me some sweets! Momentarily snapped back in the room as if Iโ€™d surfaced from a hypnotistโ€™s invocation, but aching to fall backwards into it once again.

Agreeably, this is not headbanging driving music, neither does it build like Leftfield for those anticipating beats to start rolling after a ten-minute intro, it simply drifts as a soundscape, perhaps coming to its apex at the eloquently medieval church organed Church of Flesh, one of two named tunes out of the six on offer, the others given part numbers. Then, with running water, the final part echoes a distant chant of female vocals as if a wind blowing across a sea for another eleven minutes, itโ€™s stirring, incredibly emotive and perfected.

Along a similar, blissful ethos Richard Wileman served up Arcana in September this year, a third album this time under his own name. While maintaining a certain ambiance, itโ€™s more conventional than his Karda Estra, more attributed to the standard model of popular music. Itโ€™s an eerie and spectral resonance, though, with occasional vocals which meander on divine folk and prog-rock; contemporary hippy vibes, rather than timeworn psychedelia. Released on Kavus Torabi’s Believers Roast label, a sprinkling of Byrds and Mamas & Papas ring through with an unmistakable likeness to a homemade Mike Oldfield. When vocals come into effect, with one guest singer Sienna Wileman, itโ€™s astutely drafted and beguiling.

Select anything from the bulging discographies of Karda Estra or Richard Wileman and youโ€™re onto a mood-setting journey, composed with expertise and passion. If ambient house is lost in a bygone era, this is reforming the balance of atmospheric compositions with modernism, so mesmeric it remains without the need for intoxication. Now, where did I stash my old chillum?! Probably in a dusty box in the loft with my Pete Loveday comics and some Mandelbrot fractal postcardsโ€ฆ.



Rowde Villagers Rally in Support of Residential Centre Facility

Stop the closure of HFT in Rowde

Sign the Petition here.

It was a wonderfully professional-looking cake, we bought for a birthday of yore, from the residents of the nearby facility for adults with learning disabilities, now known as HFT Rowde. Making this a tricky piece to balance. While one doesnโ€™t want to criticise a charity, as villagers and townsfolk of Devizes rally to get a decision to close the facility by the central office of the charity HFT overturned, thereโ€™s a notion this is not in the best interest of the residents.

HFT divisional director Emma Bagley explained they have, โ€œbeen supporting people at our residential, day and supported living services at Rowde, which is a campus site, for many years.โ€ It has, in fact, been running the facility for only five out of twenty-eight years it has been active. Furlong Close was first opened in 1992 as Care (Cottage and Rural Enterprises Ltd,) which was pioneered by Peter Forbes in the sixties. The site endorsed an โ€œindependent livingโ€ model, revolutionary at the time, consisting of four purpose-built bungalows, each with two associated one-bed flats and it was made possible by a generous ยฃ1.25m gift from Birminghamโ€™s the Dofra Masonic Lodge.

The director outlined, โ€œit has long been recognised that campus sites (group homes clustered together in the same site and usually sharing staff and some facilities) do not offer the best outcomes for most people. Our regulator, CQC, and Wiltshire Council do not support this model of care and a campus style site would not be registered by CQC, should a provider propose to set one up now.โ€ Causing me to ponder, in which case, why did they take it over in the first place, if itโ€™s so unsuitable?

Some background notes provided by a relative of one of the residents considered of the โ€œairy, spacious, and homelyโ€ purpose-built homes, made to accommodate wheelchair users, and each with private outdoor space as well as free access to the grounds, โ€œdemonstrated the Gold Standard of what care for learning disabled adults should look like. That vision stands today, but is being systematically destroyed by regulation and drastic underspending on adult social care over many years and governments.โ€ Irrefutably, the grounds are idyllic in a desirable location, with a central hall for social events, and a horticulture workshop, chicken runs, an orchard and even a sheep grazing area. Rumoured in the village, HFT attempted to sell part of the land some years ago. Herein lies my understandable concern, and if you mess with anyone who made me a cake, you mess with me!

Itโ€™s as if HFT perceive the site as โ€œCraggy Island,โ€ some barren garrison cut off from the mainland. Yet villagers know as well as the excellent facilities used by residents, for day service users and training purposes, Rowde is not far from town, and the residents of Furlong Close are known and liked in the village. They are welcomed here and valued, often taking jobs in pubs and cafes, or cutting the churchyard grass. This is not an isolated, campus style residential care home, rather it is home, which many residents have lived in since it was built.

HFT expressed, โ€œHFT and Wiltshire Council are committed to finding services that follow best practice and support people to live as independently as possible in smaller, community-based settings where people have more independence, choice and control over their lives.โ€ Now, I ask you, is there anything Iโ€™ve outlined about life in Furlong close which would make you consider it not meeting these conditions?

Furlong Close, Rowde; yeah, doesn’t fit the “model.” Looks kind of nice to me.

โ€œFor this reason,โ€ they continue, despite the grey area outlined, โ€œwe have made the decision to close our service at Rowde. The targeted closure date is the end of June 2021 after a careful transition process has taken place to support people to find new support. However, this is dependent on all of the people living at Rowde successfully moving to their new homes. Wiltshire Council and other out of county commissioners will be consulting with the people supported at Furlong Close to conduct a detailed assessment of their individual needs, to secure them a new home and/or support in line with their assessed needs and best interests.โ€ Consulting, yes, consulting is good. Did anyone think to consult the actual people living there, you know, prior to the decision being made? Might’ve been a thoughtful option.

HFT make a point in saying, theyโ€™re โ€œworking closely with local authorities to support the ongoing assessment process. In addition to this we are closely monitoring the impact of the closure on the health and wellbeing of individuals.โ€ Described akin to livestock here, the bombshell was delivered to residents, their family, and staff in the form of a letter, dated October 13th, preceded by some phone calls. Could they pinpoint Rowde on a map?

I apologise if I am slamming a charity doing great work with disabilities, their website glosses a firm and assertively caring approach, though my comments asking why on their Facebook page were promptly deleted, but I cannot see it another way. It is cruel and inhumane, a content and settled community of extremely vulnerable learning-disabled adults, some elderly and suffering from underlying health problems and dementia, are being turfed out of their homes to be relocated at the cost of the Council; something is fishy here. Is HFT a charity, or a business with an eye on a right good earner for WC?

Iโ€™ve had a similar issue with an eminent charity when I wanted to donate profits from a forthcoming book project. I was told I had to guarantee them a fixed donation or I would be liable for the rest, under the guise they have a corporate identity to uphold. I expressed concern the book would not raise the thousands they asked for, and I left feeling uneasy and upset, being more like a business deal than fundraising. Villager Mandy Humphreys has initiated a petition to get this decision overturned. She says โ€œitโ€™s very hard in this climate to effectively protest, no marches allowed, no properly public council meetings.โ€

I put my suspicions to Mandy, โ€œit seems to me, HFT may be non-profit making, perhaps not, but itโ€™s almost as if itโ€™s a โ€˜business in disguise,โ€™ they use a charity status to their advantage, as do public schools who collect as a charity then run a simple outreach program and get a better tax deal.โ€

โ€œExactly,โ€ was the short answer, others I have spoken to rebuked it, thus it becomes political. Perhaps Iโ€™m reading too much into this, and need to focus on the issue in hand.

โ€œMy question is,โ€ Mandy sustained, โ€œif HFT think this is in the best interests of the residents, then why are they not closing all their campus-based centres? The residents are really upset, some have lived there since it opened and were told that it was their home for as long as they needed it. Just awful.โ€

And it is too, I ponder, as I receive a friendly โ€œmorningโ€ from a passing villager off for his morning walk, in which it would seem he counts every step he takes. He is resident at Furlong Close. He takes the same route every day, he is pleasant, always stops to talk. Though I fear putting him off his count if I chat, he takes a mental note of the number and initiates the conversation! He continues on his way. He seems content, appears happy. Please, please, sign this petition, whatever the reasoning, and while it is not for me to criticise those decisions made from professionals, something about this whole affair feels inhumane and ill-thought out regardless of if cruelty was the intention, or profit is on the agenda or not.

Dirty and Smooth Seed to the Spark

That moment after a message from a local band, when you click on their Facebook page to find eleven friends already โ€œlikeโ€ them, and not one of them told you! Yeah, Iโ€™m talking, but I ainโ€™t saying anything new; does everyone know Malmsburyโ€™s The Dirty Smooth, except me?!

If not, you should. Since their debut single five years ago, The Dirty Smooth are no strangers to the festival circuit, gaining a reputation for playing original, anthemic pop songs. On top of numerous live appearances, they helped organise the Minety Music Festival in 2017. Shortlisted at the UK Festival Awards it has become a well-established festival, hosting acts like Toploader, Republica and Chesney Hawkes. Over the past two years, but setback by lockdown, theyโ€™ve been working towards a forthcoming album, Running From The Radar, due to be released in February. Theyโ€™ve a very worthy teaser from it, a single you should check out, Seed To The Spark; itโ€™s certainly convinced me.

With a sonic booming bass intro, itโ€™s as it suggests on the tin; dirty. Yet itโ€™s got that perfect pop blend in melody, which draws in many influences. Central vocal hooks of eighties rock, punky attitude, but beguiling backing female vocals and funky rhythmic grooves of soul-related pop, ah, the smooth part. Iโ€™m left thinking if Simple Minds met Deacon Blue, or Roxette. Though Iโ€™m contemplating they met today, for nothing is left completely to retrospection with The Dirty Smooth, thereโ€™s vibrant freshness to the sound too. Thing is, itโ€™s aching with confidence and undoubtedly brewing with potential. The ingredients are all there and being unified by some musical Michelin star chefs, who clearly love their cuisine.

Few local bands aim for the stadium sound, knowing a pub circuit is more workable. Here, as with Swindonโ€™s Talk in Code, is something which needs some big stage festival airing, it has that range, it has that wide appeal. As with the apt band name, Dirty and Smooth righty word their single, you get the sensation this is far from their opus-magnum, for if it is just a seed to a spark youโ€™ll want to be there when that bomb drops.


Rocking Steady For Some Cosmic Shuffling?

Righty, a pop quiz question prior to todayโ€™s review, if youโ€™re game? Look at the three people pictured below, which one of them influenced reggae music the most, A, B or C?

Answer: A. Did you guess right? Probably, because you know me well enough to know it was a trick question! C is Jamaican National team footballer, Allan โ€œSkillโ€ Cole, though as a close friend of Bob Marley he became the Wailers tour manager and was credited in co-writing some songs. And B is just Brad Pitt with a Bob Marley makeover for a biopic which has yet to see the light of day!

On the other hand, A is Sister of Mercy, Sister Mary Ignatius Davies, a teacher of Kingstonโ€™s vocational residential school, Alpha Cottage School, a school for โ€œwayward boys.โ€ A devotee of blues and jazz, she operated a sound system at the school and tutored many of Jamaicaโ€™s most influential musicians. As a musical mentor for graduates she dubbed โ€œthe old boys,โ€ would later make up the backbone of The Skatalites, producer Coxsone Doddโ€™s inhouse band which shaped the very foundation of ska at Studio One.

The Skatalites in 1964

Here is the unrivalled benchmark of Jamaican music, as well as a plethora of instrumental ska classics, just like Booker T & the MGs were the inhouse band of Stax, The Skatalites backed more memorable singles from too many singers to sensibly name here, yes, including Bob Marley.

To suggest a ska band isnโ€™t as good as Studio Oneโ€™s Skatalites is not an insult, rather a compliment to even be mentioned in the same sentence. Itโ€™d be the rock equivalent of saying that guitarist isnโ€™t as good as Jimi Hendrix. For all intents and purposes, Cosmic Shuffling are not a new Skatalites, but to find anyone to come close nowadays, you need not look further than Switzerland; yeah, you read that right.

Ska in Switzerland usually abbreviates Square Kilometre Array, the forefront organisation of fundamental science, with a mahoosive universe-scoping telescope. Yet Iโ€™ve discovered some stars of my own, creating some sublime ska music. While Skaladdin are strictly ska-punk, and the amazing Sir Jay & The Skatanauts are majorly jazz-inspired, there is a scene blossoming. Geneva based combo Cosmic Shuffling are ones to watch. With a penchant and dedication to the authentic golden age of Jamaican sounds, Cosmic Shuffling deserve a comparison to Skatalites more than anyone else I could roll off, even to note, theyโ€™re Fruits Recordโ€™s inhouse band.

After a few scorching singles on Fruits Records, Cosmic Shuffling release an album, Magic Rocket Ship, tomorrow, 13th November. Nine tracks strong, this is mega-ska bliss. Without the usual ethos of speed being the essence, this lends perhaps closer to rock steady, but prevalent horns give it that initial changeover between styles, when ska was slowing, due to curfew in Jamaica and a particularly sweltering summer. Rock Steady mayโ€™ve been short-lived but was reggaeโ€™s blueprint, skaโ€™s successor and arguably the most creative period of Jamaican recorded music history.

If youโ€™ve even a slight fondness for traditional ska and reggae, I cannot recommend this enough. At one point I felt the English lyrics slightly quirky, with wonky connotations perhaps lost in translation, albeit with a tune stimulated from a Dr Seuss character, namely The Cat in the Hat, I guess seriousness is not on the agenda. Neither are vocals wholly on show here, but the โ€œtightnessโ€ of the band, making the composition of every tune simply divine. I canโ€™t fault it, only jump and twist to it like it was going out of fashion! Which, by the way, in my world, it never will.

Magic Rocket Ship is both a tribute to Jamaican music and a breakthrough into the innovative world of the sextet. Recorded in the aesthetics of sixties sound; ribbon microphones, magnetic tapes and analogue saturation, by extraordinary Spanish producer Roberto Sรกnchez, itโ€™s a delight to listen to. From itโ€™s opening vocal title track, which doubles up as an explanation to the band name, to the fantastic instrumental up-tempo finale Eastern Ska, every tune is a banger.

Perhaps with Anne Bonny as the most subject worthy, Short Break the most romantically inducing, and Night In Palermo being the most sublimely jazzy, itโ€™s clear with Magic Rocket Ship vocalist Leo Mohr, with Loรฏc Moret on drums, backing vocals and percussion, Mathias Liengme on piano, organ, backing vocals, percussion, Basile Rickli on alto saxophone, backing vocals, Anthony Dietrich Buclin on trombone, backing vocals and bassist Primo Viviani. With guest guitarists Roberto Sรกnchez, Josu Santamaria and Tom Brunt, Gregor Vidic on tenor saxophone, William Jacquemet on trombone and trumpeters Thomas Florin, and Ludovic Lagana, Cosmic Shuffling have set a new benchmark, mimicking those legendary Skatalites, without the help of a nun. At least, I donโ€™t believe there was a nun involved!


Tune into my show on http://www.bootboyradio.co.uk every Friday night, 10pm GMT till midnight

Shake a Leg this Christmas in Swindon with The Tribe, Showhawk Duo, and Brother From Another

With the beguling blend of hip hop and reggae, Swindon’s pride The Tribe are a force to be reckoned with. Always a lively show, they team up with a most original act you’ll see this millennium, the Showhawk Duo. Recreating rave classics acoustically, yes you read that right, they’re super amazingly awesome.

And not stopping there, local purveyors of funky reggae, the ever-entertaing Brother From Another are also invited to the Christmas Shake a Leg party at Swindon’s Meca.

It โ€™s been a crazy year to say the least and we all need a good olโ€™ knees up so weโ€™d like to invite you to the Shake A Leg Christmas Party on 12th December.

This could be just what you need to liven up this terrible year.

Full production for the show; Amber Audio & Patch are providing sound, IC Lighting will be bringing the stage to life with a lighting show and OT Films will be streaming the event live.

Adhering to restrictions, thereโ€™s a limited capacity and table service for the show. Tables of up to five are ยฃ33. Over 18’s only.

Frank Turner and Jon Snodgrass; Still Buddies

Ten years ago, Frank Turner and Jon Snodgrass recorded an album that became a cult favourite among fans: โ€˜Buddiesโ€™. Here comes the long awaited follow up…

Right, Iโ€™m gonna try. Without Google, it goes: Hartnell, the guy with the black combover, Pertwee, Baker, Davidson, Sylvester McMonkey Mcbean…I think, Bernie Ecclestone, wee David Tennant, Matt Smith and erm, Forrest Whitaker.

Somewhere near close, I reckon. But when Davros, least the guy who played him, leaned over a table at a comic con and asked me what my favourite Dr Who episode was, Iโ€™m like, wha? I dunno, pal, you want me, what, to roll off an exact series and episode number like an overweight geek in a Buffy tee? I can barely recall all the actors, or what I just ate.

Similar to another occasion when a fanboy’s jaw hit the deck at a comic con upon my confession, I hadnโ€™t read Maus. I have now, for the record, thinking my life might depend on it, but at the time, no, I hadnโ€™t. Iโ€™m not Denis Gifford for crying out loud into a Millennium Falcon, Iโ€™m not intending to draft a history of comics. I was only there to punt my stoner comic, for want of a next meal. Still, I get narked by the expectance Iโ€™m supposed to know everything about everything, to have read every piece of literature in the developed world, to have listened to every album, and seen every film, because I write reviews. Especially being Iโ€™m partial to occupying a hefty percentage of my time daydreaming through a closed window.

Still I worry Sheer Musicโ€™s Kieran will kill me, or least tell big Mikey Barham, whoโ€™ll hunt me down, if I say Iโ€™ve a Frank Turner album to review, and this is the first time I have listened to him. Itโ€™s nothing personal, Frank, just an oversight on my part, I could apologise, but Davros takes priority.  Fact is prog-rock is not my bag, I slipped headphones on with only minimal caution, being Mr Moore hasnโ€™t failed me yet. Prolific Hampshire punk and folk singer, Frank Turner begun as vocalist for post-hardcore band Million Dead, and pursued an acoustic solo career in 2005, after the bandโ€™s breakup, accompanied by The Sleeping Souls, his backing band.

Apparently, a decade past saw Frank team up with Missouri-born alternative-country musician, Jon Snodgrass of the Armchair Martian, Scorpios, and Drag the River bands to drink whisky and record Buddies, a 10โ€ split album that became a cult favourite among fans. Written in four hours, recorded the following day, itโ€™s an experimental project proved popular and now followed up with โ€œBuddies II: Still Buddies,โ€ out this Friday 13th November.

Under similar premise as the original, the sequel was written in just one day, albeit via the internet due to lockdown. Iโ€™m going in blind, but informed they were able to flesh out the album with more time on their hands, and recruited the aid of Descendents/ALL drummer Stephen Egerton and Todd Beene of Lucero, Chuck Ragan and Glossary, on pedal steel. Blind is good though, as I was pleasantly surprised, completely unexpectedly entertained. For itโ€™s more podcast than album, they chat like a comical zoom meeting and bounce off each other while adlibbing their next song.

A musical Whose Line is it Anyway, where straight-man Frank, akin to Ernie Wise replaces Eric for Cheech or Chong, Jon sounding like the Californian beatnik, the guys amusingly chinwag on all manner of random subjects: having children, their travels across the States, and name-checking other songwriter โ€œbuddiesโ€ like they did on the original, but with lockdown prose. Musically it contrasts they desired genres, getting heavy and thrash at times via Frankโ€™s ideas, or country with Jonโ€™s, who often attempts to slip in a kazoo! Yet the opening tune, a parody theme tune sounding uncannily like Randy Newmanโ€™s Toy Story โ€œYouโ€™ve got a Friend in Me,โ€ is decidedly novelty ska-punk, and thereโ€™s a promise of a third Buddies album with the prospectus of an even funnier marine theme.

Frank explains, โ€œlockdown has been such a blow to the music industry, and such a drag that we were all looking for things to do. Jon and I have been buddies a long time, and I noticed the 10-year anniversary of our collaborative album was coming up. Technology is such that we were able to reprise the writing method remotely, and indeed it turns out we’ve got a lot better at it in the intervening decade. I’m really, really proud of the record.โ€

And Snodgrass adds, โ€œBUDDIES II was somehow even more fun to make. It even sounds better too! Frank mixed it & we enlisted Todd Beene & Stephen Egerton. So yeah, 2 more buddies. Itโ€™s twice as good, imo. I canโ€™t wait until 2030! Itโ€™s gonna be three times better & weโ€™re gonna do it at sea!!โ€

If improv Facebook feeds from novice jokers are becoming tiresome in these times, I believe many of the more memorable will become a testament to era, and Buddies is perhaps the best Iโ€™ve heard, but as an album itโ€™s not what Turner fans might expect, but will be delighted by the variance. It entertained me, that is, Iโ€™m not about to be die-hard fandom, but it placed both Frank and Jon on ones not to be missed out again.

Out on Xtra Mile Recordings this cheerful reflection is out on Friday 13thย  November. If unlucky for some, itโ€™s certainly not for Frank Turner fans. Oh, and Patrick Trouton was Doctor with the black hair, and I canโ€™t imagine how I ever forgot about Peter Capaldi.


Who Remembers our First Birthday Bash?

Proof you donโ€™t know whatโ€™s around the next corner, I put off doing a second birthday bash last year as weโ€™d run a few fundraising events, in favour for doing a mahossive one this year. As it stands any third birthday celebration for Devizine would constitute me, with a cup of tea, sitting at the computer. Two years ago, though, to the day, our birthday bash was monumental, personally, as it made Devizine feel actual, a real โ€œthing,โ€ so much more than me, with a cup of tea, sitting at the computer!

Still, I can reminisce and remember how so many of us come together at Devizes Conservative Club, made it such a fantastic night, and raised close to four-hundred smackers for the Devizes branch of Cancer Research. But it was down to a Facebook messenger chat with Dean Czerwionka, who now organises Devizes Family Club at The Cavalier. If memory serves me right, unusually, I was unable to draft anything, suffering a hangover. Rapping with da man, I merely suggested the possibility of putting on a charity event, and before I knew what was what, tickets were being sold online.

Such was the nature of the evening, throughout. Dean and Cons Club staff worked hard to make it such a great event. Those fantastic Daybreakers arrived early despite being the grand finale, and set up the system, organised the other acts. My wife prepared a buffet and son helped arrange it on the table. Ben Borrillโ€™s mum Beverly, who had told me about her famous hamsters but neglected to tell me of her musically talented son, made a Black Forest gateau. Local poet Gail Foster entertained intervals between acts. Matthew Hennessy and Nick Padmore snapped the photos and Nickโ€™s wife Joy made an effective bouncer on door duty! Even Resul of the Turkish Barbers gave me a free trim, and Tamsin Quinโ€™s niece Erin rounded up everyoneโ€™s loose change for the bucket collection. All the while I swanned around talking toilet, propping up the bar and taking all the credit!

It should be bought to attention, now time has passed and any argument could be condensed to water under the bridge, that it wasnโ€™t really Devizineโ€™s birthday at all! I started it back in the September the previous year, it just took us a while to sort it out and get news out there. In that, it taught me a hell of a lot about putting an event on, all of which I now haveโ€ฆ. erm, forgotten.

But it makes me proud to look back at our acts. Lottie J was only fifteen at the time, is now a star, off to music school, and producing some amazing pop. She jammed with the next act, the sadly disbanded Larkin, despite never having met. Sam Bishop of Larkin is studying music in Winchester, and has produced some great singles, solo, and with a new band. Martin of The Badger Set tipped me off he has something new up his sleeve. Then musical partner, Finely Trusler has since worked on solo projects, with his cousin as the duo The Truzzy Boys and now donned a Fred Perry and fronts the ever-awesome Roughcut Rebels.

We had, of course, our darlings, The Lost Trades, collaborating with each other, long before they were the Lost Trades. Jamie joined after an eleventh-hour cancelation, which I was overjoyed to have fit him in. Tamsin wasnโ€™t feeling so good, but still performed to her usual higher than high standard anyway. Cutting her slot short, as things became quite a squeeze, Phil Cooper followed and really shook the place up. Still performing solo, but ever helping each other out, as The Lost Trades theyโ€™ve set a precedence on a national scale despite debuting just a week prior to lockdown.

Everyoneโ€™s favourite, George followed, with added Bryony Cox for a few numbers. After a move to Bristol, Mr Wilding set up a highly accomplished namesake band, Wilding, of which talents are boundless. Bryony continues working as a fine artist, with a penchant for landscapes.

Aching to get on and get everyone dancing, The Daybreakers did their lively covers thing. A change in line-up, they continue to do so today, composing their first original song recently. Yet really, theyโ€™re no strangers to writing and composing, Gouldy and Cath as an original duo are Sound Affects, and they sneaked in a slot at our Birthday Bash too.

It really was a great night in the end, if there was an end, I cannot recall, and Iโ€™m eternally grateful to everyone for their help, particularly proud to hear how much theyโ€™ve progressed and how far weโ€™ve all come. Itโ€™s a crying shame we cannot yet replicate it, but I sure would like to when we reach that better day. So, look at for our fourth birthday bash, all things well by that time. Hereโ€™s some photos to get me teary-eyed.

Devizes Town Band Comes to You for Remembrance

Had everything gone to plan, Devizes Town Band would have been taking their places right now, to perform another sell-out Poppy Concert, raising funds for the Royal British Legion’s Poppy Appeal.

Sadly, that was not to be.

We are in a second lockdown, so things are slightly differentโ€ฆ

โ€ฆ As you can’t go to them, they’ll come to you!

Sit back and enjoy their latest video; a compilation of a recordings from their last rehearsal in the Wyvern Club and other pieces! Due to the social distancing restrictions on space, some of their musicians joined in via Zoom. Which I always marvel at the harmony of without timekeeping together in one place.

Our wonderful town band are still collecting funds for the Poppy Appeal; they would be very grateful if you would click on the link provided below to make your donation. The band give a huge thank you!

We Will Remember Them.

https://fb.watch/1FmaUORIFr/

Would you Rave Through Covid?

In view of recent illegal raves in Wigan and Bristol, I’ve a theoretical question which is twisting my melon, making me contemplate my past, my attitude at the time weighed against my moral judgement of adulthood.

My art college gave me an ultimatum, return at the end of the summer break having redone three pieces, and on their merit my application for the second year of the course will be based. My young life hinged on this challenge. But what was on my mind as I walked out of the meeting? Iโ€™ll tell you, it was, where this weekendโ€™s party would be.

It was the summer of 1991, the peak(y blinder) of my rave honeymoon, partying was not a treat, it was a necessity, a way of life. If we had this pandemic, and consequent lockdown restrictions, would it have stopped me from going raving? Thatโ€™s the conundrum sliding a wedge between the hypocrisy of my matured moral standards if I fancied following sheep and bleating on social media about youth attending recent events, and my own prerogative and carefree attitude during that era. I quiver at deciding if I should therefore blame todayโ€™s youth for their ignorance toward these modern boundaries, be they for safety or a judicious excuse for control.

And if I did throw caution to the wind, as I suspect the most likely, would it be possible to adhere to social distancing measures, given our brand of intoxication caused the type of enhanced euphoria one simply had to share? Effusive embraces were routine, sharing of accessories from hand-to-hand and mouth-to-mouth commonly accepted, hugging random strangers all part of the joyous moment.

Of course, itโ€™s hindsight, and our generation should thank our lucky stars we didnโ€™t have something along these lines to prevent us. Still, unresolved, I called to help opinions of members of a Facebook group, โ€œDOCU: FREE PARTY ERA 1990-1994 – WERE YOU THERE?โ€ Taking as red by its very title, affiliates were indeed there, when rave culture was at its peak in the UK, and by their want to join the group, might just be capable of recalling at least fragments of it!

In contradiction to my rampant hugging observation, one member figured social distancing was possible at a rave, provided there were no marquees. โ€œBecause free festivals and outdoor free raves never had singular big stages,โ€ they pointed out, โ€œthere was always plenty of space.โ€

The overall consensus was, 79% said yes, they do think they would have still attended raves in spite of the pandemic, against 14% saying no, and 7% unsure. I requested thoughts rather than stats, and thus where grey areas and interesting points occur. I stated shouting โ€œfuck yeah!โ€ wasnโ€™t really supplying constructive assessment, but many, I guess, are still partying too hard! Palpable comments flooded in, such as โ€œIโ€™d have given no fucks and partied on regardless,โ€ โ€œIโ€™d have dropped everything an jumped in a motor if was going to Bristol party on Saturday but Iโ€™m sitting here feeling gutted, reading reports on news of what Iโ€™ve missed; Iโ€™m 56 by the way!โ€ and โ€œI wouldnโ€™t of given a flying fuck,โ€ which balanced against frankness I secretly wanted to hear, like, โ€œto be honest, in 1991 I donโ€™t think anything would have stopped me going out.โ€

Pop Quiz: where were you heading if you had one of these?

Some thoughtful estimations came with a twist or satirical stab, like โ€œbut hey, send ya kids to school, thatโ€™s fine!โ€ and โ€œIโ€™ve seen three covid deaths; all had underline health issues. With that in mind I wouldโ€™ve stayed at home until it was safe, however, it seems there are a few laws that pushed through that are total designed to stop the dance. If these total draconian laws arenโ€™t removed after covid then I will be at the base of Nelsonโ€™s Column with 40k ready to fucking roll and dance, as this total gets my wick!โ€ And therein lies a common accord, bringing the restrictions, or punishments into question, rather than prevention of spreading a virus. โ€œDo I blame the kids? No. Do I think less of them for raving? No. Do I worry about them spreading covid? Yes. Do I think covid is a real issue? Yes. Do I think that the Tories are using it to their full advantage? Yes.โ€

By the early ninetiesโ€™ businesses sought profit from legal raves, be clubs or outdoor events, but rave rose from the ashes of the free festival scene, its fundamental roots was illegal, many faced persecution from the law and anger towards authorities are imbedded eternally. Itโ€™s fathomable to question the motives of lockdowns. โ€œAs it was right in the middle of the Criminal justice act and freedom to party marches,โ€ one said, โ€œIโ€™d likely have been full blown cospirytard and thought it all to be another way for the cops and government to stop us having a good time, would have gone anyway, stuck my fingers up and hoped it was fake, or that the amount of chemicals in my system killed Covid before it killed me!โ€

โ€œThey are not anti-rave laws,โ€ one protested, โ€œthey are anti-people rules, temporary measures, as none of them have passed through a white paper in parliament so cannot be ratified by the Lords, ergo, NOT A LAW!โ€

Hunt Emerson shows us one method of social distancing; you need this comic in your life…https://largecow.com/

Others calmly suggested similar, without the need of caps-lock. โ€œSeems to me they were brought in to stop raves, but had the benefit of also stopping other social gatherings with >6 people. Nothing the Tories do is ‘the will of the people’ – they just get on with shafting us whether we like it or not.โ€ Adding, โ€œmy comment was only trying to express what a minefield this topic is, and that it is okay to have what might appear to be contradictory views because the whole thing is a mess.โ€ I know, thatโ€™s why Iโ€™m raising it; always spoiling for a rumble! But letโ€™s not forget here, no one is condoning the actions of the modern kids raving through a pandemic, merely pondering what they themselves might have done under the circumstances.

Ah, social distancing circa; 1991

And there were moments of conformed clarity, โ€œlives are at risk here – the kids going to lockdown raves might not get any symptoms, but they could easily pass it on to somebody else who dies or suffers long-term damage. Kids will be kids and their thoughts are probably not with the greater good. I even understand that they just want to hang out with their mates and have a good time… but I still worry about what will come of their actions, and part of me thinks they could just hold off having 700-strong raves in warehouses for a little while.โ€

And others in denial, โ€œI wouldโ€™ve carried on going to free parties regardless of some non-existent virus!โ€ Or completely oblivious, โ€œI was tripping so much I doubt Iโ€™d have noticed, just presumed it was Sunday or bank holiday for 3 months!โ€

Some brilliantly imbalanced professionally considered thoughts with fond reminiscences, โ€œwe were the lucky generation. Would I have partied back then with Covid? Most certainly. I feel sorry for my teenage daughter and generation who arenโ€™t able to know what freedom to party was all about. Hell, they canโ€™t even have normal rights if passage anymore. We need to be careful, as there will be a generation growing up scared to go out into the world. Itโ€™s happening already. Working in mental health, Iโ€™m seeing already what could happen to a whole generation if this carries on for too long. My fear is, it will.โ€

And โ€œafter being locked indoors for months, young people are going stir crazy and I don’t blame them. At 22 I didn’t need to shield anyone and really only thought of my needs. My 50-year-old self however is sensible and won’t even go to the pub.โ€

So, the general mood was either, โ€œI would like to think my younger self would be wise enough to not do raves in a pandemic, but I doubt I would have been. So, can neither applaud them or condemn them,โ€ or โ€œI would go, but I have never been very responsible.โ€ With the added notion, โ€œit’s very difficult for me to say whether that might have changed if someone I knew or loved died of the virus.โ€

….or maybe not….

Yet punters aside, thereโ€™s no party if thereโ€™s no one to organise it. Perhaps irresponsibly, the ten grand fine dissuaded organisers, rather than spreading a virus.  โ€œFines might have made me think twice about trying to put anything on,โ€ one suggested. Back then, least post-Criminal Justice Act, police had powers to confiscate the PA, hence their point. โ€œLosing your rig is one thing, getting stung for ten grand, is quite another.โ€ Though another pointed out inflation, โ€œa 10k fine in 2020 wouldโ€™ve probably been about 2k in 1990 so the risk wouldโ€™ve been different.โ€

Specifically, a shareware notion was given, โ€œat RTS, Stop the City, CJB, police asked โ€˜who owns the rig?โ€ The crowd reply they all do. A ten grand fine could be met if everyone put a percentage in. โ€œFight them at their own game…. with smarty pants on.โ€

Whereas an owner of a sound system professed more consideration, โ€œas to whether I would have run a rave this year – no. Iโ€™ve chosen not to go to any events this year, although I think Bath and Branwen were โ€˜acceptableโ€™ – they were outside of the main lockdown periods, they were outside, so ventilated, and people were able to social distance. I don’t think that Halloween or NYE indoor parties are a good idea, and in fact are pretty irresponsible in the current times and situation. But as was said, to lambast them could be hypocritical. We were all young once, and our irresponsibility levels probably exceeded what we like to think they would be looking back with our rose tints on.โ€

Another who begun their party outside Perth in the mid-seventies, proudly still going, โ€œbasically if thereโ€™s a party going on, weโ€™re in the van, rig loaded,โ€ still offered caution. โ€œNow weโ€™re in a whole different kettle of sardines. I know of too many deaths of this pandemic, so I ainโ€™t partying anywhere indoors and, deffo keeping my distance if I do go anywhere, and wearing a mask. So those that went to the party at Yate, itโ€™s only your loved ones youโ€™re gonna hurt.โ€

In conclusion, maturity develops responsibly, we didnโ€™t allow time for it in youth. Yet, thereโ€™s a notion these regulations are implemented deceitfully and with a tyrannical agenda. The point of suspending events and pubs whoโ€™ve gone to great lengths to ensure safety, when schools and universities remain open, despite the improved technology of providing online tuition, feels draconian to many, and consequently a backlash is a nature course.

Thereโ€™s two ways of reacting to a pandemic. The archetypal social order of medieval Europe completely disintegrated during the Black Death. People felt death was inevitable, but had a unique way of handling it. Some desperately sought refuge, others braved the disease, laughed in its face, and partied. They cossetted themselves in the finer aspects of life, alcohol, music and, of course, disorderly parties, causing a flourishing new era of music and art, like the virelai, ballade, and rondeau.

Anyone got any Veras? The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel

One member of the group pointed out, โ€œno one stopped partying during the 2000/2001 flu epidemic in the UK. The virus was ‘only’ killing old people and the medically vulnerable. Most people didn’t know it was happening. 22,000 people died in a very short period in the UK.โ€ They also believed there was a pandemic going on during Woodstock Festival. Though this proved to be a slightly ambiguous urban myth by Reuters factchecker, who states, โ€œWoodstock took place months after the first season of the Hong Kong flu had ended in the United States. Although there was to be a second wave in the U.S. the following winter, it is misleading to say it happened in the middle of a pandemic.โ€

and then this happened in someone’s back garden…. Castlemorton 1992.

What is clear though, no generation can be blamed for irresponsibly in youth, and the need to party is naturally paramount. Whether or not it is correct to do so under these conditions is debatable, but while you are, for many, the show must go on. Question is, can you blame them, if you once liked to blow your whistle and wave your hands in the air, like, I dunno, you just didnโ€™t care?

Tuareggae; Bombino is the African Hendrix

In conventional record shops of yore, albeit some survived, youโ€™d find the mainstream alphabetically presented, and itโ€™d be a dare on to yourself to venture to separate genres. They were usually labelled thus; Reggae, Classical, Easy Listening, and World, perhaps Blues too. While some conveniently slip into a standardised genre, others must have had grey areas. But, surely the most diverse was โ€œWorld,โ€ as if every remaining country in the world except the one you live in, and probs America, sounds the same, and furthermore, youโ€™d be some kind of beatnik pseudoscientist weirdo to even contemplate browsing there.

Itโ€™s all so vague, and without the music industry pushing, a minefield of guestimation. I was fairly young when I figured thereโ€™s a world of music weโ€™re not exposed to, pop was the tip of an iceberg. I dipped my head under, but it was freezing with typecasts, impossible to know where to search to find something affable.

Today, and thank goodness, the internet is a universal reference library, there are no excuses for not thinking outside your geographical sphere. But with anything foreign to your ears, you need to unlearn your ingrained judgements, and listen with an open mind. Rarely something comes along so exclusive and diverse, but with a familiar element to comfort you.

On November 27th Partisan Records will release, Niger-born Tuareg guitar virtuoso Bombinoโ€™s first live album as a solo artist, Live in Amsterdam. Iโ€™ve had this unique marvel on play for a while now, and if youโ€™re put off by the presumption any African music never relates to our rock music, this could be the introduction to a world outside said sphere.

The ingenious part of this album, other than the atmospheric quality of a live performance, and Bombinoโ€™s sublime proficiently with a guitar, is the rich musical palette. It rings with genres youโ€™re accustomed to, shards of funky soul and reggae, which often come into play in African music, but the man, I swear to you now, is the African Jimi Hendrix, so bluesy rock is prominent.

Tuareggae is his self-penned, totally unique genre to define it. The โ€œTuarโ€ part derives from his own people, the Tuareg people, a Berber ethnic confederation of nomadic pastoralists, which populate the Sahara in a vast area stretching from far southwestern Libya to southern Algeria, Niger, Mali and Burkina Faso. So, what we have here is principally a fusion of these accepted European and American genres with this brand of North African folk.

Just as a bhangra-pop hybrid now appeases western ears, Bombino has something which will placate any preconditioned aversion of African musical styles. In fact, the untrained ear might liken it something Eastern, or middle eastern at least, as it is spoken in Bombinoโ€™s native tongue. Note though, his on-the-record fans includes Keith Richards, Stevie Wonder, and Robert Plant, and if itโ€™s good enough for themโ€ฆ…

This album will not only challenge your presumptions, itโ€™ll do so while drifting you on gorgeous a journey of musical greatness akin to any known bluesman. Bombino knows precisely what buttons to press to evoke a mood, it can drift down a river at times, it can explode into up-tempo funk, but its ambience is awe-inspiring throughout.

Recorded in November of 2019, while Bombino and his band were touring behind his acclaimed latest studio album Deran. Live In Amsterdam is dedicated to the loving memory of long time Bombino rhythm guitarist and vocalist Illias Mohamed Alhassane, who sadly and suddenly passed away in September. The recording, then, features Illias in his final performance with his โ€˜brothersโ€™ in Bombinoโ€™s band. Yet, you need no background, not really, if youโ€™re looking for something different, but with shards of something familiar, if you like either blues, reggae, rock or funk, or if you want to be taken on a musical journey beyond your usual perimeters, Bombino is your newfound gem. You donโ€™t have to thank me, but you will; Iโ€™m here all week.


Chris Tweedieโ€™s Reflections

With over three decades experience writing music and composing songs, Melksham-based Chris Tweedie acknowledges on his website he can sing, but disparages his ability to limitations, inquiring of other singers for possible collaborations. While timorousness is common when self-assessing the worth of your own output, especially for musicians, thereโ€™s an argument that no one can express your own words better than you. While the many whoโ€™ve taken on songs of Dylan, who letโ€™s face it, isnโ€™t the most accomplished vocalist, may well have manufactured a better sound, but lack the sincerity and emotion of the written word coming from its author. ย ย ย ย ย 

First impressions last, Iโ€™m only a few songs into Reflections, his debut album released yesterday, (6th Nov) and Iโ€™m drifting into its gorgeous portrayals, meditative and knowing his notion is modesty. The vocals are apt for this wandering, sublimely ambient twelve uniformed tunes. And anyway, Tracy Whatleyโ€™s beautifully grafted vocals with a country twinge feature on the one tune, Virtuous Circle, and the title tune is an instrumental finale to make Mike Oldfield blush. The rest are self-penned and executed with vocals, mellowly with acoustic goodness, reminding me of the posthumous Nick Drake.

With poetic thoughtful prose, these are exceptionally well-written songs, performed with passion and produced under the ever-proficient Martin Spencer at the Badger Set Studio. His website and the CD inlay has text of said lyrics, to pick one entirely at random; โ€œYou are the thousand winds that blow, You are the diamond glints on snow, You are sunlight on ripened grain, You are the gentle autumn rain,โ€ taken from You are the Stars, are not the exception, theyโ€™re all this serenely stunning.

Itโ€™s Sunday sunrise music, sitting by a stretch of water, and we all need this once in a while. The album cover of such a scene sums it up in one image.

The relaxed attitude hardly drifts to anything of a negative narrative, perhaps with the exception of Slow Down, which suggests oneโ€™s life is moving too fast. The majority on offer is uplifting, perhaps reaching the apex at the seventh song, aforementioned You are the Stars, which is enriching, period.

โ€œThere are various musical influences that come through in my music,โ€ Chris says, citing rock, pop, country and folk. โ€œThe direction this mix has taken my songs is still fairly mainstream with a leaning towards the West Coast path and an element of Americana in places.โ€ I certainly agree, thereโ€™s hints of the Byrds, of Crosby, Stills and Nash, but majorly its definingly English, think George Harrison, not to hype but to compare the style of. Thereโ€™s experimentation at work here, but the experience shines through, Chris Tweedie could chill out Donald Duck!

Buy Chris Tweedie’s Reflections here


Bionic Rats, Alive in Dublin

A superb new live album from Dublin’s finest ska-reggae outfit, The Bionic Rats….

Thereโ€™s some wonky logic in the character Jimmy Rabbitteโ€™s bemusing outburst in The Commitments film, โ€œThe Irish are the blacks of Europe. And Dubliners are the blacks of Ireland. And the Northside Dubliners are the blacks of Dublin. So, say it once and say it loud, I’m black and I’m proud!โ€ Persecuted before the slave trade, there are some intelligible contrasts between the oppressed races.

Still, the thought of Dublin conjures rock legends to outsiders of every decade, be it from Thin Lizzy to Skid Row and U2 to The Script. Diverse as any city though, if you thought the idea of music of black origin was the stuff of films, think again.

Far from a retrospective regression going through the motions of a bygone Two-Tone era, The Bionic Rats are an exciting, energetic reggae and ska six-piece from Dublin with a building collection of original and stimulating material. Even their band name, I suspect, is taken from a Black Ark tune, Lee Scratch Perryโ€™s renowned studio. Yesterday they released a dynamic album doing their thing where they do it best, on stage, in their home city.

In a conclusively roots reggae inspired track, Red Gold and Green, frontman, Del Bionic lays down a chorus not so far fled from the Commitments quote, โ€œreggae is talking about the things I bear witness to, on and off the Liffey quays. Iโ€™m not Jamaican, Dublin born and bred, I don’t wanna be a natty dread,” Though a bulk of the material here is upbeat ska, if it relates to a modern ska era, it borrows extensively from Two-Tone, particularly for itโ€™s no bullshit attitude and social commentary. A component definingly reggae, or correlated to any plight of poverty and societal righteousness in general. It rings out the enduring message, reggae is universal.

Reggae often takes on board regional folk roots, be it influenced by, or using traditional instruments of that area, the recent surge in Balkan ska for example. Yet, the only local element the Bionic Rats take is said Irish bitter repartee and attitude within their subject matter.

Their sound is beguiling and directed towards the very origins of Jamaican pop music, and skanks to any highest region! The very reason why theyโ€™re a force to be reckoned with, internationally, having shared the stage with their mentors, Madness, Bad Manners, Horace Andy, Israel Vibration, Johnny Clarke and their aforementioned namesake, Lee ‘Scratch’ Perry, also opening for Damien Dempsey and Imelda May. A hit with the crowds at the One Love Festival in Sussex, London International Ska Festival, theyโ€™ve made the frontpage of eminent Do The Dog Skazine, Doc Marten’s used their song Dear John for an online campaign and they continue to skank the crowd at Dublinโ€™s longest running reggae night โ€˜The Sunday Skankโ€™ in the Temple Bar.

Ironically the 2009 debut album was titled Return of The Bionic Rats, and since three more albums have followed. The good news is, wonderful as their studio albums are, we can all now pretend weโ€™re in the crowd of a Sunday Skank with this beauty of a recorded live show, and boy, do they give it some.

The premise is simple, as it is with ska. Lyrics often minor compared to offbeats and horns. Subject matter slight; between girls, lust, dancing, record buying and being rude, the Rats offer sentiments on prejudges, tyranny and oppression, but seldom will romance be on the cards. You may not be enchanted by The Bionic Rats, who describe this release as โ€œperfectly capturing The Bionic Rats in all their sloppy greatness,โ€ but your waistline will get a darn good workout.

While weโ€™re tempted by the simplicity of the upbeat ska sound in danceable tracks like Annie Oakes, the sweary Bad Garda and the particularly well grafted tale of obsessive record buying, Hooked on 45s, thereโ€™s roots, like aforementioned Red, Gold & Green, and rock steady numbers such as prejudice themed Dear John. Thereโ€™s no end of expected banter and comical themes, such as the English Beat sounding Girl with Big Hands. Then thereโ€™s that contemporary third-gen fashioned ska-reggae but wrapped in a no-bars-held cussing, of which titles speak for themselves; Twisted Little Bitter Little Fuckers, for example.

Such is the expected acrimonious nature of an Irish ska band; lap it up, itโ€™s refined rudeness. Done too, with experience, The Bionic Rats rose from the ashes of Dublin-based reggae band, King Sativa, who were active on the scene from 1998 until their breakup in 2005. Their guitarist Graham Birney, and drummer Anthony Kenny moved over to the Bionic Rats. Like them, or not, Iโ€™m convinced they probably donโ€™t give a toss, but going on this superb live album, you certainly canโ€™t ignore them.

Alive in Dublin, out now, here.

Singer, Del Bionic also does a live streaming set every Sunday from Facebook at 9pm (GMT) well worth tuning in to: https://www.facebook.com/thebionicratspage/live/


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Join me every Friday night from 10pm to midnight GMT for a fun two hours of ska, reggae and anything goes!

My Darling Clementineโ€™s Country Darkness

My Darling Clementine’s new album Country Darkness vividly reimagines twelve hidden gems from the Elvis Costello repertoire, in the duetโ€™s definitive, dark country-soul fashion with original Attractions keyboardist, Steve Nieve.

As a ska DJ youโ€™d be forgiven for assuming the Two-Tone 7โ€ rarity, I Canโ€™t Stand up from Falling Down, would be my introduction Elvis Costello & The Attractions. Rather embarrassingly, the one-shot liable recording which was given away at his gigs was not, rather the one true comedic genius of Hi-Di-Hi was. Sue Pollard stood flustered but ever-spontaneous with odd shoes behind the stage at Live Aid. Interviewer Mark Ellen asked her if sheโ€™d seen Elvis. An expression of shock overcome her, as Ellen expanded with the performers surname. โ€œOh, I thought you meant Presley, I was gonna say, poor thing, resurrected!โ€

I found this amusing a kid, as most of her witticisms were. Yet, I didnโ€™t know much about the man in question. Like a DC Thompson artist unable to sign his comic pages, I never knew who did R. White’s Secret Lemonade Drinker Elvis impersonation; Costelloโ€™s father, and young Elvis, or then plain olโ€™ Declan, as backing. Was it this which swayed Stiff Recordsโ€™ Jake Riviera to suggest he used Elvis as a forename?

However it did come to pass, if his renowned namesake is the king of rock n roll, Costello surpassed him in at least one avenue, diversity. Beginnings as a new wave punk Buddy Holly, Costello stretched beyond pigeonholes and always strived to cross the streams, and country music was a mainstay. Take the derisive warning on his 1981 country covers album Almost Blue; โ€œthis album contains country and western music, and may cause offence to narrow minded listeners!โ€

As new wave as you thought he was, an American country ensemble residing in England, Clover, would attend his backing for the debut album. Members later joined Huey Lewis and the News and the Doobie Brothers. Costello would go onto record many a country cover and use the genre as a blueprint for his own song writing. His obvious love of country is bought to an apex by a new release today, 6th November, from My Darling Clementine, of which Royal College of Music dropout, Steve Nieve joins with familiar husband-wife pairing, Michael Weston King and Lou Dalgleish to vividly reimagine twelve hidden gems from the Elvis Costello repertoire, in the duetโ€™s definitive, dark country-soul fashion.

But for want of prior knowledge of the songs, note, Steve Nieve dropped out of college in 1977, to join the Attractions as pianist. The man was there when Costello released his first major hit single, โ€œWatching the Detectives.โ€ Why is he called Nieve, pronounced naรฏve? Youโ€™d have to have asked Ian Dury.

While the first single released from Country Darkness, The Crooked Line is taken from the album, Secret, Profane & Sugarcane, Costelloโ€™s later folksy-era, the adaption is surprisingly electric and upbeat, a tantalising precedent for an album typically leaning more toward country, even if the track being revised is not originally inspired from Costelloโ€™s country passion. This intricate then is interesting, while My Clementine has judiciously measured the retrospective repertoire, taken on hidden gems throughout Costelloโ€™s career, including tracks from his Imposters and Attractions eras, solo efforts and his collaborations with the likes of Paul McCartney and Emmylou Harris, it doesnโ€™t mean all tracks were selected because of their closeness to country.

While his Heart Shaped Bruise from the Imposters album Delivery Man, for example, is acoustic goodness the country tinge is slight, the Darling Clementine version leans heavier on the genre, is more gothic americana, outlaw folk. Whereas That Day is Done almost rings gospel on the original, thereโ€™s something definitively Nashville about this version. In such, you need not be a fan of Elvis Costello to relish the country splendour on offer here, rather a Tammy Wynette devotee.

The album is sublime, without doubt, akin to an artist stripping back to accentuate the attention of song-writing ability, the nimble expertise of narrative which flows through a country legend, like Wynetteโ€™s or Partonโ€™s, can be seen, full-colour within Costelloโ€™s writing. Yet through the eyes of another, there is even more scope for alternative angles and interpretation.

โ€œMaking these recordings took me back to my 19-year-old-self,โ€ Michael Weston King explained, โ€œout buying a copy of โ€˜Almost Blueโ€™ during my lunch hour. It was Elvis and Steveโ€™s making of that album which set me, and I think many others of my generation, off along a country path to discover more about this form of music previously only viewed with suspicion. For me it became something of a pilgrimage, a vocation, even a โ€˜career.โ€™ So, this feels like the completing of a musical circle of sorts; to record a selection of some of mine and Louโ€™s favourite EC country songs with the added thrill of performing them with Steveโ€.

Steve Nieve

The award-winning partnership of King and the awe-inspiring vocals of his wife, Lou Dalgleish is prevalent, theyโ€™ve scored four albums previously, co- written a stage play/audio book with best-selling crime writer Mark Billingham, played over 800 shows worldwide, and collaborated with a wide variety of major artists including Graham Parker, Kinky Friedman, The Brodsky Quartet, and Jim Lauderdale. Their harmonies reflect the strength of this rรฉsumรฉ, making this a win-win for country music fans and Elvis Costello fans alike.

The Country Darkness album compiles all the tracks featured across a set of three EPs, released over the last year, with a bonus track called Powerless, of which I can find no reference to the original. To web-search Elvis Costello Powerless is to find recent articles plugging his latest album, in which he offers โ€œI was trying to make a rockโ€™nโ€™roll sound that wasnโ€™t like anything Iโ€™d done before,โ€ and comments how he was โ€œpowerlessโ€ to prevent his young children viewing the horrors of news broadcasts. Yet they paint the picture of the once new wave, angry performer who rampaged through his youth, sardonically mocking imperialistic politicians, despotic fascists and firing expressive verses at punk fashionistas, as a now suave jazz and country music raconteur. But here with My Darling Clementine, the country side to Costello is bought to a western American mountainy summit.

My Darling Clementineโ€™s Country Darkness will be available on CD and digitally on 6th November 2020, via Fretsore Records. https://mydarlingclementinemusic.co.uk/store/


Important Update From Wharf Theatre

Following the Prime Ministerโ€™s announcement Devizes’ Wharf Theatre has been forced to postpone their production of Adam and the Gurglewinkย which was due to open later this month. They have now rescheduled the show for the 18th and 19th December.

Suitable for adults and children this delightful and original pre-Christmas show tells the story of Adam, played by Karl Montgomery-Williams, who is planning to run away when he stumbles across The Gurglewink, a childhood toy who has come to life in the attic.  Reality blurs as Adam is whisked away to meet Rainbow girl who challenges him to a dangerous quest to travel to the end of the rainbow for a cup of magical golden dust..  Rainbow Towns survival depends on Adams ability to keep goingโ€ฆ..

In addition theย December production ofย The Grimm Talesย has been postponed to the New Year and they will be contacting customers to arrange transfer of tickets.ย  Please continue to monitor the website for the latest details.

The Wharf were delighted to have been awarded the COVID-19 industry standard โ€˜Good to Goโ€™ certification by Visit England and they are therefore hugely disappointed to have to re-schedule shows. ย 

However they remain determined to re-open as soon as possible and send strength and solidarity to everyone across the industry who is working tirelessly to bring theatre back.ย  Finally they want to thank the amazing community for your continued support.

30 tickets are available for each performance, in line with current guidelines.ย  They can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm

ย Whilst social distancing restrictions remain in place please continue to refer to the website for the latest details.


Dreamlands; New EP from Daydream Runaways

In fairness to you readers, Iโ€™ll come clean, the new EP from Daydream Runaways, Dreamlands, is a collection of three pre-released singles, Fairytale Scene, Light the Spark, and the latest, Crazy Stupid Love. Each of which if you click on, youโ€™ll see Iโ€™ve reviewed already, here on Devizine.

So, what do those demanding guys want from me this time?! Except to say I canโ€™t praise the band or these songs enough. Making the opportunity to announce the release imperative, suppose, but forgive me for not running back over the same notions in said reviews.

So, I figured Iโ€™d catch up with them, harass them for few more questions I overlooked when we interviewed them last. Notably, when Cameron Bianchi enlightened us that, โ€œwe brought back two older songs and reworked them, as they fit really well next to the lead single Crazy Stupid Love.โ€

Ah, cool ,this progressive young band have reworked them. I supposed itโ€™s good to have the singles on one EP. โ€œAnd those three are among our oldest songs so it felt right to release them,โ€ Cameron continued. โ€œThen Brad had an opportunity to record us for his Final Year Project at Uni and an EP seemed like a great project to take on.โ€

Out on the 13th November, the releaseโ€™s title I was asked to keep it under my hat, for a โ€˜guess the name of the EPโ€™ competition was to be announced. The title got me to pondering the name Daydream Runaways. So, I asked them how they came about it.

Frontman Ben Heathcote replied, โ€œCameron came in with the name suggestion after numerous discussions and almost instantly we knew that was it. It seemed to describe us and have a connection immediately to our sound. We all daydream and get lost running away in our minds, our dreamsโ€ฆโ€

Cameron added, โ€œWe spent quite a while trying to work out a name that suited us, actually. We were looking for something that sounded hopeful and had a sense of escapism about it. Ben remembers that I brought it to a practice one evening, I think Iโ€™d been reeling off loads of names that the boys didnโ€™t love. Then one day my fiancรฉe had been playing lots of Ben Howard and he used those two words in a few of his songs and I just liked the way the sounded when merged together.โ€

Shame, I adopted the guesstimation Cameron was the sort of kid at school who would rather stare out of the window daydreaming than pay attention to the lesson. โ€œI know I was!โ€ he confessed, โ€œprocrastination is my second favourite hobby…next to playing guitar!โ€

An apt name it is though, it relates to the bandโ€™s brand of dreamy, nostalgic and acceptable indie-rock, which has found them glowing reviews elsewhere. James Threlfall of BBC Introducing in the West, said of Fairytale Scene, โ€œI’ve had the pleasure of seeing this band absolutely smash it live.โ€ Theyโ€™re favourites on Sue Davisโ€™ show on Wiltshire Sound, but I was drawn in particular to a quote by Dave Franklyn on his Dancing About Architecture website, a man who does similar to what we do here, only better. He said Crazy Stupid Love, โ€œhas got that great Alt-USA feel to it; Fountains of Wayne style and early 00โ€™s vibe.โ€

Coincidently I mentioned Fountains of Wayne yesterday when pondering the new EP from End of the World, Calneโ€™s skater-punk five-piece. Hereโ€™s where I tip my hat to Freewheelinโ€™ Franklyn, always able to view another angle. For in the way of comparisons, I spent nearly all my effort reminiscing classic eighties bands such as Simple Minds, perhaps U2. I wrote paragraph upon paragraph suggesting the Daydream Runaways songs would slip neatly into a John Hughes coming-of-age movie, when really, I needed only to rewind twenty years; itโ€™s an age thing.

I asked them for their thoughts on this comparison to noughties US bands, all a bit skater punk. As all I know of Fountain of Youth is the one tune, and while the Daydreamerโ€™s material has a coming-of-age type content, I couldn’t imagine them knocking out something as quirky as a song about fancying their girlfriendโ€™s mum.

Nathaniel Heathcote confirmed, โ€œyeah, itโ€™s definitely reminiscent of skater punk, very 2000s with baggy jeans, spiky hair and a skateboard in hand!โ€

Cameron also clarified, โ€œitโ€™s kind of a weird blend of Indie meets Country meets 00s rock. Not that it started out that way. I think I was trying to write a riff like The Smithโ€™s Girl Afraid.โ€ Ah, mention of a band I know! Heaven help me, are we due a noughties comeback, I pondered, I guess itโ€™s time, despite Iโ€™m still living in 1991.

โ€œThey seem to be!โ€ Cameron figured, โ€œI was listening to Machine Gun Kelly the other day and his sound is very 00s. We obviously inspired himโ€ฆโ€

From here I teased about the possibility of getting a rapper in, if thatโ€™s the case. But Daydream Runaways has spent their few years really nailing a uniformed style, I hoped I wasnโ€™t rocking the boat. Thereโ€™s a question developing in that though, how far theyโ€™re willing to diversify?!

Cameron admitted, โ€œBen has floated that idea about actually, we always say we donโ€™t want to write the same song twice or be bound to one genre. And I think that comes across in our music. It helps that each of our individual musical influences are quite different so that makes the song writing process quite fun and the songs are always a bit unexpected.โ€

โ€œThis is something we differ on in my opinion,โ€ Ben interjected, โ€œCam enjoys the idea of a more consistent sound and style that is familiar, whereas I strive for an ever changing/evolving sound, dipping into varying genres.โ€

โ€œSo,โ€ Cameron replied, “I think we balance each other out?โ€

Ben Heathcote got deep, โ€œthe world canโ€™t exist without Ying and Yang.โ€

But I often rock their boat, probing their thoughts of an album, and they have differing opinions on it, but Iโ€™m always impressed how they stabilise it mutually; I do hope itโ€™s a solid band, as this EP rocks and I always look forward to hearing some new from them. They even went as portentous to hint at an albumโ€™s possibility, but rather concentrate on the idea of a sequential set of songs on a running theme. There you go, Mr Franklyn, I surmise theyโ€™ll be writing the next soundtrack to a John Hughes rework!

If so, I get first dibs on the actress playing Molly Ringwaldโ€™s part, but probably not, though with this blinding new EP, it is fair to assume itโ€™s only just the beginnings for The Daydream Runaways. The peak will be unimaginably awesome.


Very Brave or Very Stupid; End of Story

Very brave or very stupid, to suggest five-piece band End of Story are terrible, more so if I tell you theyโ€™re a bus journey away in Calne! Terrible is as terrible does, Forrest; a complimentary adjective in punk, like the magnificence of being spat on by Sid Vicious, itโ€™s a term of endearment.

For End of Story are the localist epithet of skate-punk, they do it well and as it should be done. Their new EP of four original tracks titled thus, Very Brave or Very Stupid is terrible, if terrible means awesome. Itโ€™s raw, angry, energetically entertaining; the very blueprint of punk.

Through the passage of time, generations warped the tenure of the house of punk, and new subgenres evolved, their attributes far-flung from the roots. No wonder why Iโ€™m particularly picky about the genre, tending to steer away from modern takes. Be they aiming commercially, like power-pop, like Blink 182, or excessively overkill it, like skatecore. Principally I guess itโ€™s predominantly youthful American, and I tick neither box.

I reserve my right to appreciate from afar, though, especially when procured with an amusing take, Back to the Future references, fancying your girlfriendโ€™s mum, for examples. Or if thereโ€™s a clever narrative like Avril Lavigneโ€™s Sk8er Boi. I even allowed myself to be dragged to a Bowling for Soup gig at Bristolโ€™s 02 by my son, albeit a taxi service. I gulp and confess, didn’t stage dive, but it was alright. But, and this is a big but, my erroneous dejection; canโ€™t help but feel itโ€™s lost its raw way from my first love, Ramones, Pistols, Buzzcocks, et all.

Precisely why I find End of Story refreshing, skate-punk it may be, but with full beams blasting into original punk, shining the way, reminding me of Welsh punkers, Sally & Kev Records and punk-paste zines of yore. The four tunes are archetype skate-punk subjects, Sweet Sticky Kiss of Mary Jane the only stoner ballad, the others theme on disjected romance and broken promises. But itโ€™s catchy with boundless rage, and as garage as punk should be.

Nosebleed perhaps the loudest, Shattered Earth perhaps the most interestingly grafted, and the finale, Itโ€™s not Him, perhaps the most commercially viable within the confounds of skater punk, but all equally beguiling. Top effort guys, highly enthralling, and itโ€™s out today. Punkers, check it out:

https://music.apple.com/gb/artist/end-of-story/1535986645


Devizine Christmas Shopping Challenge!

Too early to even mention the big C? Yes, I accept, but needs must with four weeks of lockdown at our door. The gauntlet laid, the challenge: to seek out Christmas shopping items suggested by our Facebook readers within a two-hour limit, including an obligatory breakfast, by shopping in Devizes, using independent shops as much as possible. Can it be done, will I get a soaking, will I remain relatively sane?!

A Tuesday morning in earliest November, Iโ€™m confident and at a steady pace. Itโ€™s overcast but dry, the sun attempts to peak through, and surprisingly, there appears to be no rush or panic buying with three days prior to the lockdown sequel. Is there any point to all this, one may ask? Yeah, I said I was going to do it, despite my general loathing of shopping (retail therapy is an oxymoron to me.) We still have three days, and fingers crossed all will reopen next month. I did make a point of asking the relative shops about their online presence too. All is not lost, Devizes is a wonderful little place to shop, but million dollar question, can you get everything you want there?

This list then, lets have a look. I have only six items suggested, therefore added something of my own. Got to look after number one after all. So, added to the list is a new jumper, and a cuddly elephant; note Iโ€™m a grandad now, itโ€™s not for me!

Items on the list as follows: Clair Goodwin Figes wants a spatula spurtle, of which I had to Google. Jenny Moore wants a tagine, yep, that too. Ema Waterman wants an electric whisk, or, failing that a bottle of whiskey. I guess with enough whiskey inside you an electric whisk is unnecessary. There seems to be a running theme of kitchen utensils here, but I was prewarned popping into Ma Cuisine and scooping the whole bundle in one would be frowned upon.

Other, non utensil items were a Galileo thermometer for Leannie Cherry, a specific album for Catherine York, Nine Below Zeroโ€™s Don’t Point Your Finger, and Teri Stout wanted some gouache paints; I hope youโ€™re all on the good list ladies.

Result, I think, was fair. Did I manage it in two hours? Well, I didnโ€™t get a parking ticket, letโ€™s put it that way. Inclusive of laps around town trying to find a parking place, I was dusted well within the time limit, and survived to tell the tale.

First port of call I figured was easy, Teriโ€™s gouache; thereโ€™s an artistโ€™s shop in St Johns near the Vaults. Yeah, I govern my way around by pub names. In fact, as I do, I fail to notice changes to our shop fronts, and found a nice-looking tearoom come Chinese restaurant called the Mayflower. Though it was closed, I was like, oh, never seen that before. Much was the nature of my start to the challenge, as what I figured would be easy, was not. The artist suppliers kaput, who knew? A picture framer and dรฉcor supplier, Original Glory stood in its place. Not so original as its namesake, as it used to be an artistโ€™s shop, and had been for as long as I can recall. They were however friendly and recommended Devizes Books.

Itโ€™s plastic gloves on at Handell House, and Jo there to great me. I could spend eons in this cathedral of all thingโ€™s literature and art. Devizes Books is wonderful, always has been. Alas they only sold watercolours and pastels. I was diverted to WH Smith, in which doubtful about as it broke the rules, and anyway, they only had watercolours and acrylic paint. Sorry Teri, item one; failed.

Down Maryport Street I marched unperturbed of my failure. I spotted an electric whisk in Mainlys, Ema, that shop which has got everything hardware and a whole lot more; I took a snap through the window.

Detour Clothing was the destination to fulfil my own want of a new jumper. The only menโ€™s clothes shop in Devizes has been on scene for twenty-four years, once situated down Swan Yard. The thing is, and I put it to the chatty shop owner, people drift by assuming as itโ€™s breached a gap in the market, it must be pricey. โ€œWe get more tourists than young local people come in,โ€ she explained. When really, prices are reasonable, thereโ€™s jumpers on racks, a steal at ยฃ15. The notion you need to travel afar to obtain new threads, guys, is proven wrong by this great little store.

Now, I did promise myself a breakie, I love a bit of New Society, you know that, and was recommended Brogans and Soup Chick in the Shambles. Time pushing on, Iโ€™m heading for the back of the Shambles for a sample of soup, but it was closed. โ€œPeople shutting up early,โ€ said a trader, โ€œbefore lockdown.โ€ A sign of the times, perhaps. Maybe they were simply out of croutons.ย 

Biddles it was, a warming and hospitable alcove of the Shambles, after the draft of the doors. Biddles supplied me with a mug of tea and a tasty bacon roll, cooked just how I like it, all in for ยฃ2.50. Youโ€™ll not get that in Costa. Iโ€™m not one for delicate aโ€™ la carte when it comes to breakfast, I want good honest grub at a steal, job done at Biddles.

Refreshed, Iโ€™m on my way to sort Cathโ€™s request out; rather like Highlander, there can be only one. Vinyl Realm, under their new roof in Northgate Street is just how you remember a record shop being. I dragged my daughter in just last week, flicked through vinyl and told her thatโ€™s how we made a Spotify playlist back in my day. Pete brushed his hand over his record deck, for people to use and try before they buy. โ€œKids come in and play the vinyl on here,โ€ he smiled in reminiscence, โ€œjust how we did.โ€

They sold a copy of Don’t Point Your Finger not so long ago, but assured me they had other albums by Nine Below Zero; so, I half-met the agenda. Thing is though, Iโ€™m in there now, browsing, and could be some time. What Pete and Jackie donโ€™t know about music you could write on the back of a matchbox, with space for diagrams. And theyโ€™ll happily chat about it till the cows on a Pink Floyd album come home. Man, I noticed an original Atlantic 7โ€ of Wilsonโ€™s Picketโ€™s In the Midnight Hour, for a mere fiver. But I spent my pearl on local band Mr Love & Justiceโ€™s 2009 CD, Watchworld. Pete and Jackie are dedicated to our local music scene and will sell unsigned bands’ wares in abundance.

But thereโ€™s more to the activities happening here in the yellow gem on Northgate Street. Pete showed me out back of his new digs, where I was greeted by a wall of sound, and a guitar lay on a desk ready for new strings. Whether itโ€™s instruments or simply a band t-shirt, Vinyl Realm got it down, and PA hire to a vintage hi-fi, it fits any bill. What is more, lockdown is no worries, Pete explained he was still busy during the last one, as they have a website, ordering service and will deliver what you need if you ask them.

Time ticking Iโ€™m hopping out of there and down the Market Place. The Ginnel, that little pathway of ever-changing indie boutiques and tea rooms is a must. Tea Inc is bustling, but Iโ€™m on for a cuddly elephant here, I can feel it in my bones. Handmade gift shops are plentiful in town, Beezes is a beauty. Next door an extension for children, Little Bโ€™s is simply delightful, lots of crochet and knitted cuddlies, wooden toys and books await you there; a cute little elephant awaited me. For less than ยฃ13, heโ€™s a steal and would warm any childโ€™s heart. I took his mugshot on the desk; he deserves a loving home. Beezes set up a website last lockdown and so will continue to trade, they warmly informed.

But Iโ€™m still in the dark with all the kitchen utensils from the demanding girls! Oh, and Leannieโ€™s Galileo thermometer; please, canโ€™t I just go home now?

What the heck, Ma Cuisine it is. Never been in there before, but itโ€™s a maze of kitchen goodies stacked to the ceiling. A small chain based in Bath, itโ€™s glorious. I sauntered the aisles, assured Iโ€™d find them all here. Amidst spatulas a-plenty I couldnโ€™t see a spurtle, but nothing was โ€œman-labelledโ€ and I confess, I didnโ€™t have a Scooby-Doo what it looked like! Trouble is, I felt like a mere peasant in the Queenโ€™s chamber, and scared for my monthโ€™s pay, to knock so much as a kettle off the shelf, I made a sharp exit.

Gloomy outlook, I failed, I spent too much time lapping up my bacon roll and gassing in the Realm. Iโ€™m homebound, grab some teabags from Iceland which is what I came out for. Thereโ€™s the very misconception though; residents nip to town to grab a necessity, save a big shop for a larger town. But walking through Devizes is a delight, and though we mayโ€™ve not made the outlandish requests on the list precisely, thereโ€™s plenty to purchase here, and little need to venture elsewhere.

Example, and hole-in-one. On my trek to Iceland I pass through the Little Brittox. There, at number 3, is the Giving Tree. What a wonderful name for a gift shop, and so, as name suggests it, I give it a last go. Whoop bang wallop! No, I didnโ€™t smash anything. The lady inside sprung to order when I told her the nature of my visit. I noted a fine wood spatula, that will have to do Clair!

A tagine, for Jenny, yep, right above it, she told me. I tried my luck and inquired about the Galileo thermometer for Leannie. โ€œYes,โ€ came the reply, and she hurried to fetch this wonderful workable charm. Placed together it was the perfect ending; result! Three in one, done, thanks to The Giving Tree. And yep, just like the others, they trade online, and you wonโ€™t find customer service like this at a sprawling blot on the landscape retail park.

Even the name gets my goat up, honestly, โ€œRetail Park,โ€ โ€œShopping Village,โ€ doesnโ€™t fool me, call a spade a spade, itโ€™s a shopping centre, nothing like a park or a village at all. You’ve been had by the name alone, how can you trust them further? Ak! Shop local!


Carmela’s Superhero Salvation Army Toy Appeal

Massive shout out to People Like Us member, Pip Phillips for getting his head shaved on Sunday in aid of Carmela’s Stand Up to Muscular Dystrophy. I told him he needs to join a ska band with his new skinhead look!

For those who don’t know Carmela, she has a very rare progressive muscle wasting disease which weakens all skeletal muscles, weakens the respiratory system and cardiac issues occur, and receives care from Julia’s House Children’s Hospice twice a week. You may recall the day I did my milk round in my Spiderman onesie August last year, when I was delighted Carmela came to help dressed as Wonder Woman.

Her love for Wonder Woman has become somewhat of a running theme in the fundraising effort, Wonder Woman actress Gal Gadot recently donated over three thousand pounds when Carmela walked her own mini marathon in place of her father Darren, who was intending to run the London Marathon.

Superhero is apt though, to describe Carmela, she is a little fighter, determined with her physical exercise to stay as mobile and strong for as long as possible. More to the point though, I can vouch for her charm, youโ€™ll never meet a more inspirational girl than six-year-old Carmela and everyone immediately warms to her natural magnetism.

The tables have turned for this venture though, as her determination is to put smiles on otherโ€™s faces this Christmas. November is a time when Carmela usually raises money for her cure campaign with Muscular Dystrophy UK. But she asked to help children have presents for Christmas, as she saw a TV programme about vulnerable families and wants to help.

So, Carmela will be taking part in a virtual 4-week physical challenge with http://www.superheroseries.co.uk called Winter Wonder Wheels, Race Around The World, and instead of asking for sponsorship she is asking for at least ยฃ5 unwrapped gifts for any aged child sent to her home address so they can take them to The Salvation Army, as one trip at the end of her event. Please privately message Carmela on her page for address. Precisely why we love Carmela! If you want to get involved, here is the Facebook event page.


Johnny Lloydโ€™s Cheap Medication

Coming from a more Tribe Called Quest angle than Johnny Lloyd, Dan White, Jim Cratchley and Miguel Demeloโ€™s three-year stint under the banner Tribes, Iโ€™m trying to like Johnnyโ€™s new solo album Cheap Medication, but thereโ€™s no hope in forcing me to commit to say itโ€™s more than mediocre. Soz, intent to say something, certain many readers will disagree with me.

Iโ€™ve had nothing but praise for the โ€œindieโ€ Iโ€™ve been sent recently, thereโ€™s been some great stuff, particularly on our local scene. Thereโ€™s only a tenacious local link, being Johnny is going out with Swindonโ€™s nineties teen heartthrob Billie Piper. This isnโ€™t Hello magazine, though, least not the last time I checked.

The bulk of Cheap Medication is produced to a high standard, to be expected, but feels overall pretentious. Affluent celebrity blues amidst tunes like Oh Lord are unidentifiable to us commoners, ballads to his newfound love are somewhat conceited and wishy-washy. The tempo drags, sentiments are middling. Though Johnny has a key to winding emotion in his vocals and tunes, like Better Weather, which drifts like Radiohead, dreamy like Spiritualized. Not that Iโ€™m too keen on them, truth be told! Guess you could summarize, itโ€™s not for me. Or am I just having a bad hair day?

I like the cover, given the brilliant Gecko used a photo from his childhood for his recent outing, a kid Johnny proudly shows off his Batman uniform in a Christmassy regular looking home. I like this approach, especially from someone already in the spotlight. Perhaps thereโ€™s more meaning in the image of a once proud superhero, from this rock luminary than there is hidden in the songs, or theyโ€™re too intricately hidden.

Tabloids quote smitten Johnny declaring he was lost before he met Billie, and in so much as hope and love, this album is personal and openly frank, though through the often too private bulk I couldnโ€™t identify with where it wanted to take me. Itโ€™s like that infatuated associate who speaks of nothing else.  

In this World carries the twangy guitar of a country classic, acoustical goodness presides with Based on Real Life, an upbeat Simon & Garfunkel-eske tune, downbeat Heaven Up Here comes over all Morcheeba; credit where itโ€™s due, itโ€™s not all dull. There was one magical nugget, an uplifting track called Suze which breezes akin to Harry Nilssonโ€™s Everybody’s Talking, so who knows, it might grow on me if I gave it time, but Iโ€™ve got to push on with lots more to review. For indie aficionados and leaden adolescents, this may agree with you; itโ€™s out now, give it try.


MeTooMpls โ€“ Various Artists (album review by Dave Franklin)

Even up until about a year ago I was bemoaning the fact that, despite the way the world was turning, music still seemed to lack any political bite or social messaging, had forgotten what a great platform it had in favour of serving itself, was about the โ€œmeโ€ rather that the โ€œus.โ€ Where was the [โ€ฆ]

MeTooMpls โ€“ Various Artists (album review)

Longcoats in October EP

Further to their couple of singles since forming last year, Longcoats, Bathโ€™s self -proclaimed indie pop โ€œfor nerds,โ€ four-piece, released a four-track EP last week, pertinently titled The October EP. As launched at Moles last week. Not that thereโ€™s an EP in any other month, named after that month, and uncertain if there will be. Letโ€™s move on and give it a listen, shall we? As I fondly plugged the singles within a piece centred around their frontman, Ollie Sharpโ€™s social networking group, The Indie Network.

As said groupโ€™s name suggests, Longcoats are the youthful embodiment of gratifyingly saccharine indie, if indie is a genre rather than a favoured shortening of the word independent. Darn, too vague, sweetie? Okay, by saccharine I didnโ€™t mean cloy, thereโ€™s nothing bubble-gum pop on offer here. I meant sentimental in themes, and the title track, October is the perfect example, with its hopeful romantic chronicle. The chiming backing vocals also arm it with amiability and all-round nice vibes.

But while thereโ€™s no fear of Longcoats going all Rage Against the Machine on us, itโ€™s not drippy either, and Iโ€™d argue their own โ€œnerdโ€ label diminishes itโ€™s worth, even if tongue-in-cheek. It comes over agreeable and congenial, and thatโ€™s coming from an indie window-shopper. Thatโ€™s good though, isnโ€™t it? Good it will satisfy non-devotees of the genre too.

The majority of indie jilted the rougher elements of its underground origins long ago, leaving any bitterness behind in hope to impress a mainstream, ergo I stand by my Longcoats are the embodiment of gratifyingly saccharine indie statement, just donโ€™t take it as a negative in any hardy hooligan fantasy your ego might invoke. Find your yang rather than yin.

Last year guitarist Arthur Foulstone and drummer Kane Pollastrone added to frontman Sharpโ€™s lone act, which bridged the gap between band and solo artist. The final piece of the puzzle came upon recruiting permanent bassist Norton Robey. With the assistance of producer Jack Daffin, Longcoats have created a beguiling and entertaining, instantly recognisable sound to wide appeal.

Prior to the title track the two singles start the EP off, thereโ€™s a trudging guitar riffin Used to Being Used, a blueprint of indie-pop with its theme of dejected ardour, yet itโ€™s done with skill, catchiness and promising aptitude. The latter single, Drag, which came out in March takes a similar tempo, and cool attitude. But I think they left the best to last.

Plasticine is a beautiful song, taking an arbitrary metaphor like a heart of plasticine, itโ€™s a tune of hope. In a nutshell it wraps up the direction of the EP, flowing and uniformed, subtle but uncommercial. Yeah, itโ€™s a nice debut from we young band we look forward to hearing more of.


Americana maverick Jim White returns with Misfitโ€™s Jubilee

Going in blind, crucify me if you will, but Iโ€™m unfamiliar with Americana maverick Jim White. Additionally, Iโ€™m streamlining due to the backlog and giving this one listen prior to reviewing. Yet, even if my analysis isnโ€™t as exhaustive as other fervent bloggers, Iโ€™m bloody loving his latest album Misfitโ€™s Jubilee.

Itโ€™s precisely what it says on the tin, a discarded rusty old tin in a desert somewhere. An upbeat roll in a haystack of psychedelic Southern Americana, and a festivity of folk-driven geriatric observation. Yet thereโ€™s his trademark, apparently; dark trippy twist of narrative in the depths. Jim White muses US politics, divided state ethos, and national stereotypes. Subjects range from a dope smuggling teenager to Big Foot, and he does it with the professionalism of quart-century experience, and self-confessed โ€œhole of sickness, depression and poverty.โ€

Multiple-instrumentalist, singer-songwriter, Jim, works this personal arse-whipping outing with only the tangibly cohesive musicianship of his long-time drummer Marlon Patton, trusted Belgian sidemen Geert Hellings on guitar and banjo, and Nicolas Rombouts on keys. Recorded primarily at Studio Caporal in Antwerp, it features new songs, plus some older-penned ones, only now surfaced. Put out on Loose Records, it’s out now. To me itโ€™s all new, but Iโ€™m contemplating Neil Young jamming with the Pixies as its mind-blowing cogitates flow over my psyche like waves of a resilient dustbowl.

Ruminations are somewhat curtain-twitching but contemporary, and it hardly ceases its brainy grip on the necks of proletarian American orthodox devotees, but does so with the fashion of a perpetual parade of agitated and cynical characters, but oh, joyfully, and with a heartfelt sonic agenda.

The sound is toe-tappingly memorable, maintains upbeat jovial generation X indie-folk-rock, yet smells of vintage. If some moody piano rings out, as it does with The Sum of What Weโ€™ve Been, a zephyr of buoyant guitar riff repairs it. There were times when I figured itโ€™d mellowed, like Mystery of You, but it was just building the track. And for that, it rocks!

Through ever-thickening material, straggly kitsch metaphors and uncensored outpourings, itโ€™s perhaps the twanging guitars juxtaposed with samples from authentic US police chases which makes my reasoning for citing the tune, Highway of Lost Hats as the peak of Misfitโ€™s Jubilee. Thereโ€™s rib-tickling Hollywood narrative, adroitly directed at the carefree insolence in defence of US counter culture of yore. Herein is its niche, a bombast of the direction his nation heads, and comparison of what it could be. It is Born in the USA times a billion, itโ€™s Guthrie partnering with Lou Reed, for a new era.

The finale defines this, an earnest and heartfelt speech, reflecting on quotes from George Washington, poet Emma Lazarus and even Jesus, but after the contemplative, it slides into a fading McDonalds order. Such a nimbly placed, sombre scrutiny, is the conclusion of the Divided States of America, as itdumps you in cold silence gasping for air.

Iโ€™m going to have to dive deeper into this impressive torrent of melodic genius, as I figure itโ€™ll be some time before I fully unpick it, and its gist is sussed; thatโ€™s when you get the notion, itโ€™s value for your hard-earned pennies.