Wiltshire Council to spend ยฃ1.1m on digital devices so struggling families can access remote education

Wiltshire Council is allocating ยฃ1.1m of government COVID-19 funding to buy laptops and digital devices for disadvantaged pupils who currently canโ€™t join classmates learning from home.

The decision to allocate the funding to buy around 2,500 devices means these children will be able to access their school lessons from home rather than have to attend school to do so.

Currently pupils who do not have a laptop can attend school alongside children of key workers and vulnerable students. The new approach will help manage school spaces and continue to help prevent COVID-19 transmission.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œIt is essential our children and young people can continue to be taught and have an education in these difficult times as well as being able to maintain links with friends and have face to face contact with their teachers. With the news this week that schools will close we are aware there are families and young people out there who are left without the means to access that education and this is not acceptable.

โ€œBy using our government COVID-19 funding in this way we are ensuring families are not disadvantaged and can join their peers working from home. We will be working with our schools to ensure those children who need devices can access them.

โ€œI know schools have already been receiving many requests for laptops and some are sending children into school as under the new government rules you can attend. By providing additional laptops we will be freeing up those school places for other pupils who need to be in school.

โ€œAcross Wiltshire we have some great charity work happening with many community minded charities offering to recycle second hand laptops so they can be used in schools and I would like to thank them for this extraordinary effort.โ€


During the summer term Wiltshire Council distributedย 1,232 devices provided by the DfE across 138 schools which were designated specifically for disadvantaged and vulnerable children and young people. Currently secondary schools are accessing further allocated devices directly via the DfE and the council is reviewing opportunities to ensure a further reach so children in need have access to the tools for remote learning including tablets, laptops and wifi and data. The DfE has also announced that all primary schools will be able to order laptops and tablets by 15 January and the DfE will contact all primary schools by that date to invite them to order devices.

Wiltshire Council will also be working with schools following the government news that schools, trusts and local authorities can request mobile data increases for disadvantaged children and young people who do not have fixed broadband, if they cannot afford additional data for their devices and are experiencing disruption to their face-to-face education.

Schools are also working with families directly to ensure Free School Meals continues. For those families who are not sure if they are eligible for Free School Meals they can check here.  


Wiltshire Council Ask Gecko For Road-Crossing Song.

Not to make you feel old or anything, but Tufty, the safe road-crossing squirrel turns sixty this year, the Green Cross Code Man is not far behind at 51. Not too long before they’ll need some assistance crossing the road themselves, I don’t doubt!

Popular as retrospection is, Wiltshire Council have rightfully recognised a CJI Tufty makeover might not be best, and the Green Cross Code man is fighting his own conflicting interests between the Sith and Jedi.

How to teach kids to cross the road safely, needs a fresh approach….

They assigned Creative Studios to come up with this little masterpiece of a green cross code safety vid, and I couldn’t think of anyone more apt than the mighty Gecko to produce the song.

Yep, this works on so many levels. “I loved being a part of this project,” Gecko said, “I love the variety that this music life brings.” Well done Gecko, and a great choice by Wiltshire Council.

Just Another Lockdown Festival

JMW Promotions have a free online festival coming this Saturday and Sunday (9th & 10th Jan.)

There’s a lot of names I don’t recognise, which is the best thing about festivals in general, but especially online; local artists without borders. In fact the only performer I have heard of is the brilliant Jess Silk, on Sunday.

Line up looks like this: Just Another Lockdown Festival

Saturday
1pm Sam Draisey
2pm Shotgun Marmalade
3pm Kyle Parsons
4pm BICKERmusic
5pm Harrison Rimmer
6pm Warren Ireland
7pm Brian Stone Music
8pm JollyRoger
9pm Davey Malone

Sunday
1pm ALEX CAVAN MUSIC
2pm michael webster
3pm Have A Go Hero
4pm Doozer McDooze
5pm Sam Tucker?
6pm Maelor Hughes
7pm Ellie Keegan
8pm Brad Dear
9pm Jess Silk

Tune in from the artists Facebook pages which can be found on the event page, or check them out on JMW Promotions or in JMW Promotions Community.

Jess Silk (Image credit: Olver Gray)

Best of luck to JMW and all artists for the weekender, there will be a PayPal bucket linked, please support the artists, you know the drill. I’ll defo be popping in as and when and hoping to hook up with some new talent defo. Might even don my festival jester’s hat, put my cider in a squashy cardboard cup and take a piss behind the sofa!


Latest Posts

Will Lawton’s Rhythm Practice

Local music therapist Will Lawton plans to open a Music Therapy practice in early 2021, based at The Pound Arts Centre in Corsham. The service will help develop a positive change in the well-being of individuals of all ages through the creative use of music, facilitated by trained music therapists. Can you help Will reach his target?

In total, ยฃ8500 is required in order to equip a room with high quality music instruments and equipment. ยฃ6000 of this target has already been pledged by the council and a school, leaving an outstanding balance of ยฃ2500. This final balance must be found in order to unlock the rest of the grant funding to bring this project to life.

Donate here, thank you


A Devizes County Councillor, a Trowbridge Carpark, and the Other Half of the Truth Revealed!

โ€œIt’s not all that glitter is gold,โ€ Bob Marley sung, โ€œhalf the story has never been told.โ€ Okay, he was referring to 400 years of institutionalised slave trading on an international and industrial scale, whereas weโ€™re on about a Trowbridge multistorey carparkโ€ฆ.. And anyway, the story is there for all to see; Wiltshire Council meetingsโ€ฆ

Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiff drink to do such, our beloved Somerset soul singer says she’s swapping ice-cold cocktails for ice-cold baths. There must be warmer ways to promote a January single?! Sober is thatโ€ฆ

@The Southgate

Massimoโ€™s; Locale Pizza Paradiso

Talking Pizza today, why? Why not?

Who remembers BTโ€™s friends & family scheme in the nineties, reducing call charges for five selected favourite phone numbers? If you didnโ€™t submit your favs, BT would select them on your behalf based on calls to the number you made the most. Mine, living in Swindon at the time, Iโ€™ll confess, went: 1. my mum and dad, 2. my best mate, and 3. Dominoโ€™s Pizza. Four mayโ€™ve been a girlfriend, itโ€™s dubious but not impossible!

Some years later I moved to Marlborough, where given Ask, Pizza Express and so many others operate today, you couldnโ€™t get a pizza for love nor money. Enter the incredible, if slightly hazardous, Fronkie Fritzheimer, a legend in his own time. From his own kitchen and later progressing to working out of the football club, a move only the fire brigade grumbled about, he serviced Marlboroughโ€™s pizza lovers with, darn it, some of the most heavenly pizzas to have blessed my lips.

Fronkie on the move in the late 90s.

I posted on a Marlborough Facebook group, to see if bods recall his presence, or if I dreamed it, and much to my delight, while Fronkie moved to pastures new some years ago, his memory is stamped as firmly in Marlboroughโ€™s cultural history as the Earl of Cardigan. From an A4 photocopied leaflet weโ€™d regularly phone our order, and some weeks after his arrival, the delivery operative arrived at our door with complimentary desserts. โ€œBetween you and the rugby club,โ€ they thanked us without jest, โ€œare our best customers yet!โ€ We were honoured, proud we ate as much pizza as an entire rugby club!

My case study justified; trust, I know a good pizza when I see/smell or taste one, from a distance of anything up to three hundred yards. With Fronkie fertig, me now living in the Vizes, and Dominoโ€™s, face it, is an acquired taste, there was a social media much ado about nothing concerning news of Pizza Express closing in town, which left me wondering why. I am sorry to hear the news for the sake of the staff, but with mixed reviews in the comments, some moaning of the loss is bemusing to me, and Iโ€™d wager to anyone else who has sampled a Massimo pizza.

Pizza Express closing is not the end of the world, as overpriced as the mighty Dominos anyway, unless with the latter you take out an offer, where youโ€™re bundled with a pot of watery coleslaw or barely-cooked fries which droop like an impotent greasy baboonโ€™s todger! Iโ€™ve moved on from Dominoโ€™s, as you can see by my unpolished comparison, Iโ€™ve matured.

No, no, no; Massimos will cost you no more, but it is a house of quality, and I guarantee youโ€™ll taste the difference, heck, youโ€™ll smell the difference through the box! If it wasnโ€™t such a generous portion and the sort of taste you have to savour, making it filling, Iโ€™d probably have eaten the box too.

You Beauty!

Look, see here, this is no advertorial, theyโ€™ve no idea Iโ€™m writing this, much to their surprise. Buying local and all that aside, Massimo makes one tasty, fresh pizza, with topping to die for and even the crust is moreish. Heโ€™s undoubtedly stolen my homegrown crown from Fronkie. And lockdown is not stopping them, takeaway is available. Itโ€™s a crying shame thereโ€™s a ristorante left unopened until a better day, a day I was waiting for until I wrote a review for them, but sadly seems weโ€™ve lost the immediate opportunity once more.

So, think this not as a review, do I look like, Jay Rayner? Actually, donโ€™t answer that. Just saying, I love a Massimoโ€™s pizza, the family does, Iโ€™d wager Devizions-in-know do. Treat yourself, thereโ€™s a full menu to takeaway, the lasagne, ah, the lasagne, speaks for itself. You can call them 01380 724007, message them on Facebook, or, thereโ€™s a little bell at the door in Swan Yard, just ring it when theyโ€™re open, 5-8:30pm. Theyโ€™re fantastically welcoming and will bring you takeaway Ring Donuts, Nutella Donuts, Cartoccio with sweet Ricotta filled, Nutella Croissants, any two for three quidโ€ฆ whoa, I apologise; getting a tad over-excited. But, right, the guy won the coveted Gold Star for 2020 for his own Napoletano sauce; how much more convincing do you need?!

hot dang!

@ The Southgate

Devizine in Lockdown, again.

Here’s our deal, as I see it given new lockdown restrictions.

We have an annual reach of approximately 50K, over 80% of which are local. Whatever Devizine can do to help you, we will, but you must let me know about what you’re doing and engaged in for me to promote it. I’m unable to spend every moment on social media sourcing your stories.

Advertise your business, school, charity, online event, FREE for lockdown duration. Just send me details. This is available for small local businesses and at the editor’s discretion. We can put adverts on all published articles. We can cover your activities in articles and features, and we will share these across social media.

If you are engaged in any supportive projects, notify me so we can spread the word.

If you’re in creative arts, music, art, sports, and fundraising, whether crowdfunding, help in promoting live streams, recordings, online exhibitions and any other projects, we can and will help.

Please consider, if you can, making a donation to help the site keep running and improving.This you can do at http://www.devizine.com/about

You can email devizine@hotmail.com or message the Facebook page, you can tweet @devizine1 – Together we can pull through this.

Here we go again.

Thanks, Darren.

Oh, an important note I forgot to add, thanks to the edit function here! Please, if I fail to respond to emails and messages, feel free to nudge me. Things do sometimes get missed and I’d dread you to think I’m ignoring you! I don’t view it as impolite to ask if I remembered to do this or that, ask the wife, I can be forgetful!! ๐Ÿ™‚

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

The Curious Case of the Christmas Carrot

Twas down in the cellar of the Vaults where poets meeting to recite verses of yule and a celebrated story-time with Ian Diddams, had become somewhat of a seasonal ritual in old Devizes. Alas it was not to be this time around amidst the many cancelled traditions, but like many events, an adequate substitute has been provided. You may have to source your own beverages, but you can spend an hour with Ian in his garden grotto as he recites an entertaining and hilarious parable, from the comfort of your own armchair, or loo; whichever you deem more suitable.

Unsure how I missed this satirical chronical disguised as a fable to make Arthur Conan Doyle blush. I guess with seasonal celebrations my online time has been sporadic, but Christmas isnโ€™t over just yet, or is it? Whatever; I suspect, unless youโ€™re a Devizes resident with a penthouse on Baker Street, youโ€™ll never personally identify with cultural references in any other Sherlock Holmes mystery in quite the same way.  

A faultless fable delivered effortlessly, save the continuity of one shady depiction of a local character, the toothless milkman from Rowde. Didds should take heed, my inkling I know the very person ridiculed and will confirm theyโ€™re far too young to know what, or who, โ€œa milk snatcherโ€ is. Honestly, Iโ€™m cut between being honoured and contemplating the cheek of it all!

I present the video herewith for your own perusal and entertainment, if, like me, you were too busy stuffing turkey and/or Quality Street and putting batteries in toys over the season to have taken notice of it. It is worthy of your time, the story intermitted by poetry outbursts by Gail Foster, who not only tends to slip-in (fnarr fnarr) occasional filthy subject matter, but also knowing the particular aforementioned troubled character scorned, could have tried to step in to stop him, but didnโ€™t.

Most importantly, Ian always requests charitable donations as a way of applause for his efforts, and this time focusses on our earnest homeless charity Devizes Opendoors. You can donate here, please. You know weโ€™ve visited Opendoors and seen first-hand the great work they do.


Chris TT Live at Trowbridge Town Hall 2017

Catching up with more stuff on a quiet(ish) Sunday, this got pushed towards the bottom, Iโ€™ve no valid excuses. Taking you back to April 2017, Brightonโ€™s misfit leftist comic poet-acoustic performer performed at Trowbridgeโ€™s Town Hall for Sheer Music. It would be a gig on his last ever tour. After twenty years Chris announced he was giving up his music career, and finalised it with an autumn farewell concert in London.

The recording was released on Chrisโ€™ Bandcamp page at the beginning of the month. Itโ€™s a pay-what-you-like and he waivers all fees to the Music Venue Trust.

Since 2014 the registered charity MVT, was setup to protect the UK live music network by focussing its support on grassroots venues, but since lockdown itโ€™s understandably become essential. Grassroots venues play a crucial role, nurturing local talent, providing a platform for artists to build their careers and develop their music and their performance skills. We need them back; we need them open. Hearing this album helps you to understand why, makes you remember what youโ€™re missing.

Itโ€™s easy to hear the influence of upcoming artists like Gecko, as Chris weaves unrelated subjects like an observational stand-up comedian, and also, with the same comical timing. His guitar picking is quality and together it makes for a highly entertaining show. Stabs at the establishment come thick and fast, songs randomly seriatim through motorways, anti-hunt rants, gorilla gardening, his own self-worth and musical talent, even a jab at Trowbridgeโ€™s political demographic in Love me, Iโ€™m Liberal. Thereโ€™s a beautifully played out winter portrayal, Tunguska, and more intelligently drafted thoughts to boot.

This is folk upfront, with woven narrative and amusing rudiments, chronicles the now, and highlights the passion of the simplest gig, man with thoughts and guitar.    

On the night he was supported by Phil Cooper, and Kyle D Evans, the show recorded by Bromhamโ€™s Owlโ€™s soundman Gareth Nicholas. Makes me wish I was bobbing about on the scene at the time, but Devizine was a year behind in the making. Still, albums got a picture of Trowbridge on it, any monies you can give helps a charity, but most of all, this is just the enjoyable and proficient performance weโ€™ve come to expect from Sheer.


ScreamLiteโ€™s New Hero Sounds for NHS Charities Together

Perhaps one of the biggest surprises in music reviews for me this year was Typhoidmaryโ€™s Death Trans back in October. Genre-wise, everything about it suggested it wasnโ€™t going to be my cup of tea, but realigning myself, I delved deeper into its emotive and distressing ambiance, and found fondness in its exquisitely dark portrayals, as it progressed thrash metal, gave it a newfound edge of sentiment.

It was released by Gloucester-based unprejudiced universal rock, metal, punk and folk label ScreamLite Records. And now theyโ€™ve sent us news of a colossal compilation album which will drop on their Bandcamp page as soon as Big Ben hits midnight on New Yearโ€™s Eve, likely making it the first new release of 2021. Better say a few words about it now, then. Constructing words into comprehendible sentences is tricky enough for me at the best of times, let alone New Yearโ€™s Eve.

While itโ€™s going to be one long runaway review to critique it track by track, being itโ€™s a mahoosive 65 tracks strong, itโ€™s worth mentioning some key facts about New Hero Sounds. Most importantly this album will be a varied range of the genres and styles on offer at Scream Lite, and their friends, being as itโ€™s 50% made up of artists signed to the label, and the other half independently contributed from upcoming artists under parallel genres. Thus, making it the perfect sampler to open you up to the world of contemporary punk, nu-metal and folk-punk. Though, there’s much more on offer here and certainly too much to pigeonhole.

PLUS, as well as introducing you to a truckload of upcoming talent, thereโ€™s a worthy cause it fundraises for. ScreamLite Recordsโ€™ Director Chris Bowen said, โ€œwe’ve all had a tough year, and we decided we should give something back to the frontline NHS staff that have been tirelessly working this year to keep us safe and well.โ€ New Hero Sounds is a charity album in aid of the NHS Charities Together, and all artists have contributed freely.

Broadminded with one eye focused on variability is what youโ€™re going to need to take this one on, even my eclectic self was bowed by the assortment on offer here. MadaMercy gets as trip hoppy as Morcheeba, yet is a rare genre on offer. In addition to an aforementioned Typhoidmary track, ScreamLiteโ€™s roster offers nu-metal and punk, such as Stolen Dead Music, or Burning Memories, which can be in your face at times, but at others smoother, like the Clay Gods and Foxpalmer, both of which I enjoyed. Taking the rough with the smooth thereโ€™s something for everyone with a taste for indie; which is nice.

Giving credit to upfront festival boom of Venture, the flamenco folk style of Cut Throat Francis, acoustic rockabilly of Joshua Kinghorn, and the delicate angelic vocals of Forgotten Garden. Thereโ€™s eighties electronica indie with Conal Kelly, post-punk with Jack Lois Cooper, and Gypsy Pistoleros are described as โ€œflameco sleaze glamโ€ revealing multi-genre in just one tune. But, thereโ€™s too much to sum this compilation up easily; a Now Thatโ€™s What I Call Music for misfits, but for a good cause too.

Hereโ€™s the track listing with links, then, so you can make up your own mind and follow the ones you likeโ€ฆ..once youโ€™ve sampled them from this crazy and full compilation, which is coming on New Year’s Even, here, remember?!

https://screamliterecords.bandcamp.com/album/various-artists-new-hero-sounds

1. Jonah Matranga: Everyday Angels (OG Home Demo)

Written, Performed & Recorded at home by Jonah Matranga

http://www.jonahmatranga.com https://jonahmatranga.bandcamp.com/

2. Spice & The Readies: Sway A Little Closer

Written & Performed by Tom Spice, Becky Doyle, Tomasz Williams & Jack Quance

Recorded at University Of Gloucestershire

https://www.facebook.com/tomspicemusic

3. Clayton Blizzard: Sad Music Is Uplifting

Written & Performed by Clayton Blizzard

Taken from One, Two, Three, Home

https://claytonblizzard.bandcamp.com/

4. Chris Webb: Blind

Written by Chris Webb

Performed by Chris Webb & Jack Cookson

Taken from Bungalow

http://www.chriswebbmusic.co.uk http://www.chriswebb.bandcamp.com

5. Venture: This Oneโ€™s For You

Written & Performed by Lucy Burrows, Miles Burrows, Thom Mutch, Josh Fairhurst & Mike

Hargreaves

Recorded at Jaraf House Studios & Released by ScreamLite Records SCLRRCDS003

Taken from This Oneโ€™s For You

https://www.facebook.com/VentureMusicOfficial

https://screamliterecords.bandcamp.com/track/venture-this-ones-for-you

6. 1 In Five: Evolve

Written & Performed by 1 In Five

Taken from Evolve

https://www.1infive.com/ https://1infive.bandcamp.com/

7. Grandmother Corn: Brighton Mule Blues EXCLUSIVE

Written & Performed by Grandmother Corn

Recorded at Haukivuori, Finland

https://www.facebook.com/grandmothercorn/ https://grandmothercorn.bandcamp.com/

8. Alien Stash Tin: The Man In The Tin Foil Hat

Written & Performed by Jon Wisbey, Jon Gould, AJ Pearse & Bruce Morgan

Taken from Bonfire Of The Sanities EP

Recorded at Attic Attack Studios, Bristol

https://www.facebook.com/alienstashtin https://alienstashtin1.bandcamp.com/

9. Anhfren: Nefoedd Un Uffern Lall

Written & Performed by Anhfren

Published by Rhys Mwyn Publishing

Released on Anhfren Records, 1985

10. Stolen Dead Music: Raison Dโ€™Etre

Written & Performed by Jimi Trimmer, Issak Patterson, Lewis Patterson & Keith Halpenny

Recorded at Heart Studios, Gateshead & Released by ScreamLite Records SCLRRCDS011

Taken from Raison Dโ€™Etre

https://www.facebook.com/realStolenDeadMusic

https://screamliterecords.bandcamp.com/album/stolen-dead-music-raison-detre

11. GagReflex: Facedown

Written & Performed by Stuart Hawkins & Seb Goffe

Taken from What We Owe To Each Other

https://www.facebook.com/gagreflexmusic https://gagreflex.bandcamp.com/

12. Grief Ritual: Dysphoria

Written & Performed by Grief Ritual

Taken from Moments Of Suffering

https://www.facebook.com/griefritual https://griefritualmusic.bandcamp.com/

13. Panic Switch: Lethal Intent

Written & Performed by Panic Switch

Taken from Lethal Intent

https://panicswitchofficial.com/ https://www.facebook.com/officialpanicswitch

14. Alkanes: Death Or Glory

Written & Performed by Alkanes

Taken from Death Or Glory

https://www.facebook.com/Alkanesband

15. Lemonade Kid: Deep Velvet Red EXCLUSIVE

Written by Dom Lack, Performed by Dom Lack & Jarrod Jones

Recorded in Shrewsbury & Rushden

https://www.facebook.com/LemonadeKidMusic https://lemonadekid.bandcamp.com/

16. Timid Deer: The Shallows

Written by Naomi Henstridge & Tim Milne, Performed by Naomi Henstridge, Tim Milne, Tom Laws,

Matt Jackson & Jason Allen

Taken from Melodies Of The Nocturnal Pt. 1

https://www.facebook.com/TimidDeerBand https://timiddeer.bandcamp.com/

17. Forgotten Garden: Broken Pieces (Natural Mix) EXCLUSIVE

Written & Performed by Danny Elliot & Ines Dias Rebelo

Recorded at Braeriach Studios, Grantown On Spey

https://www.facebook.com/ForgottenGardenBand

https://screamliterecords.bandcamp.com/album/forgotten-garden-broken-pieces

18. Jack Louis Cooper: Bite Too Big

Written & Performed by Jack Louis Cooper

Taken from A Slow But Sure Corner

https://www.facebook.com/jacklouiscoopermusic

19. Roger Gomez: I Will Call Heaven Home

Written & Performed by Roger Gomez

Taken from Behind Cloud Nine

Recorded at Soundfield Studios, Perth, Australia

https://www.facebook.com/rogergomezmusic

20. The Twitchers: Nothing In Particular

Written & Recorded by The Twitchers

Recorded at White Beart Studios, Manchester

https://www.facebook.com/TheTwitchers

21. Mr. Bewlay: Her Name Is Juniper

Written & Performed by Mr. Bewlay

Taken from Her Name Is Juniper

https://www.facebook.com/mrbewlay

22. MadaMercy: Animosity

Written & Performed by MadaMercy

23. Down Not Out: Wild

Written & Performed by Jo Oliver, Char Lewis, James Maxwell & Ryan Stewart

Recorded at Sound Shack Studios, Cheltenham & Release by ScreamLite Records SCLRPEP006

Taken from Worse For Wear

https://downnotout.co.uk/ https://screamliterecords.bandcamp.com/album/down-not-out-worsefor-wear

24. Lightblue: Far Gone

Written & Performed by Lightblue

Recorded at The Ranch Production House, Southampton

Taken from Paradise Lost

https://www.facebook.com/lightbluecru

25. Curse You Damn Kids: Breadline

Written & Performed by Chris Bowen, Annie Kelleher, Hallam Crafer, Jenny Ollerenshaw & Ross

Ollerenshaw

Recorded at Dockside Studios, Bristol & Released by ScreamLite Records SCLRPEP001

Taken from Sorta Like An Epiphany

https://screamliterecords.bandcamp.com/album/curse-you-damn-kids-sorta-like-an-epiphany

26. Blacklist: The Replacer

Written & Performed by Saul Blease, Elliott Tottle & Joe Webb

Recorded at Factory Studios, Bristol

Taken from

https://www.facebook.com/blacklistukband

27. Homer Junior: Short Term, No Anchor

Written & Performed by Jack Higgins, Thomas Muddle & Sam Roberts

Taken from Short Term, No Anchor

https://www.facebook.com/homerjrband https://homerjrband.bandcamp.com/

28. Franklin Mint: Gretaโ€™s Sweater

Written & Performed by Franklin Mint

Taken from Bristle

https://www.facebook.com/franklinmintband https://franklinmint.bandcamp.com/

29. Me & Munich: Toxic Wings

Written & Performed by Jan Petersen, Marco Bรธgehรธj & John Nicholas Marx Oโ€™Sullivan

Recorded at Output Lydstudie, Denmark & Released by ScreamLite Records SCLRREP005

Taken from Knives Of The Sun EP

https://www.facebook.com/meandmunichband

https://screamliterecords.bandcamp.com/album/me-munich-knives-of-the-sun

30. Midnight In England: Two Hands

Written & Performed by James Chuster, Sam Caswell-Midwinter, Daniel Lowen-Grey & Sam Morgan

Taken from Real Cinema

https://www.facebook.com/MidnightinEngland

31. Borrowed Body & Abstract Man: Smokescreen EXCLUSIVE

Written by Niall Hill & Tom Johnstone, Performed by Niall Hill, Tom Johnstone & Phil Howell

https://screamliterecords.bandcamp.com/album/borrowed-body-the-rising-sea

32. Lightleaver: Close To You

Written & Performed by Emma Saxon

Taken from Close To You

33. Tom Spice: Lifeโ€™s Breath EXCLUSIVE

Written & Performed by Tom Spice

https://www.facebook.com/tomspicemusic

34. Marie Virginie Pierre: I Will Try Again (This Christmas)

Written & Performed by Marie Virginie Pierre

35. Joe Buckingham: Jamesโ€™ Song EXCLUSIVE

Written by Joe Buckingham & James Holliday, Performed by Joe Buckingham

36. Howlinโ€™ Anton Bleak: His Mistressโ€™s Voice

Written by Howlinโ€™ Anton Bleak, Performed by Howlinโ€™ Anton Bleak, AP Clarke & โ€œBelterโ€ Jim Lacey

Released ScreamLite Records SCLRRA004

Taken from Stranger Country

https://www.facebook.com/howlinanton

https://screamliterecords.bandcamp.com/album/howlin-anton-bleak-stranger-country

37. The Slow Pianos: In The Right Place (Featuring Petravita)

Written & Performed by Oliver Weikert & Brandon Landis

Taken from In The Right Place

https://slowpianos.bandcamp.com/ https://www.facebook.com/PetravitaMusic

https://petravita.bandcamp.com/

38. Greengage: I Wanna Be Near Trees

Written & Performed by David-Gwyn Jones

Taken from I Wanna Be Near Trees

GKXpGnlL4

39. Grownuplife: Donโ€™t Look Back In Manga

Written & Performed by Charlie Baxter

https://www.facebook.com/charliebaxtermusic https://grownuplife.bandcamp.com/

40. Cut Throat Francis: Iโ€™m Not Ready

Written & Performed by Cut Throat Francis

Recorded at Stage 2 Studios, Bath & Released by ScreamLite Records SCLRFEP002

Taken from Ghosts (Extended Edition)

https://www.facebook.com/cutthroatfrancis

https://screamliterecords.bandcamp.com/album/cut-throat-francis-ghosts-extended-edition

41. Longcoats: October

Written by Ollie C Shape & Performed by Ollie C Shape, Arthur Foulstone, Norton Robey & Kane

Pollastrone

Recorded at Riverbank Studios, Chippenham & Released by Wise Monkey Music

Taken from October

https://www.facebook.com/longcoatsband https://longcoatsband.bandcamp.com/

42. The More You Know: Bridging The Gap (Featuring Sakura Mei-Sasaki Spice) EXCLUSIVE

Written & Performed by Chris Bowen, Claire Mitchell-Brown, Julio Da Mata, Jo Oliver & David

Richards. Additional Piano written & performed by Sakura Mei-Sasaki Spice

Recorded at University Of Gloucestershire Studios, Engineered, Mixed & Mastered by Tom Spice

https://www.facebook.com/tmykband

43. Around7: Breakthrough

Written & Performed by Around7

Produced at Strait Up Studios, Dundee

Taken from Breakthrough

https://www.facebook.com/Around7UK

44. Burning Memories: Ignition

Written by Annie Kelleher, Performed by Annie Kelleher, Hallam Crafer & Nick Holder

Recorded at Stage 2 Studios, Bath & Released by ScreamLite Records SCLRRCDS001

Taken from Ignition

https://screamliterecords.bandcamp.com/album/burning-memories-ignition

45. Typhoidmary: bobbi EXCLUSIVE

Written & Performed by Mary Lovatt

https://www.facebook.com/typhoidmaryuk https://typhoidmary.bandcamp.com/

46. Slow Down World: Promised Land

Written & Performed by June Stevenson, James Dishart, Twig Mayhew, Olly Peters & Woody

Woodson

Recorded at PMC, Plymouth

Taken from Promised Land

https://www.facebook.com/SlowDownWorld https://slowdownworld.bandcamp.com/

47. Zobb: Scrapheap Generation

Written & Performed by Jon Wisbey, Nick Hurley & Brice Herve

Recorded at Lโ€™Abri Dโ€™Argen, Bristol

Taken from Scrapheap Generation

https://www.facebook.com/zobb.punk

48. Clay Gods: Cabin Fever

Written by Gavin Jones, Performed by Gavin Jones, Tom Saunders, Charles Paxford & Max

Ganderton

Recorded at 340 Studios, Cheltenham & Released by ScreamLite Records SCLRRCDS004

Taken from Cabin Fever/Looking For Jerusalem

https://screamliterecords.bandcamp.com/album/clay-gods-cabin-fever-looking-for-jerusalem

49. All To No Avail: The Call

Written & Performed by All To No Avail

Taken from The Call

https://www.facebook.com/AllToNoAvailOfficial/

50. Bleak: Ebb & Flow

Written & Performed by Howlinโ€™ Anton Bleak, Rachel Woodworth & Yvonne Okoduwa

Released by ScreamLite Records SCLRRA002

Taken from Dig Two Graves

https://www.facebook.com/BleakBlues https://screamliterecords.bandcamp.com/album/bleakdig-two-graves

51. George Royale & The Snowflake Band: Thatโ€™s When The Tears Start Rolling Down

Written & Performed by George Royale & The Snowflake Band

52. Holding Tides: Paraffin

Written & Performed by Chris Bowen, Annie Kelleher, Hallam Crafer, Ben Dalton & Rob Blake

Recorded at Dockside Studios, Bristol & Released by ScreamLite Records SCLRREP001

Taken from Last Of The Small Town Heroes

https://screamliterecords.bandcamp.com/album/holding-tides-last-of-the-small-town-hereos

53. Das Speculoos: Crowdsurfer (grimALKin Mix)

Written & Performed by Das Speculoos

Taken from Crowdsurfer

https://dasspeculoos.bandcamp.com/

54. NFU: In The Details

Written & Performed by Jeremy Pitcoff, Dan De Filippo, Rob Masterson & Frank Dโ€™Agostino

Recorded at Suffolk Recording Studio, New York & Released by ScreamLite Records SCLRREP003

Taken from Treason

https://www.facebook.com/NYNFU https://screamliterecords.bandcamp.com/album/nfu-treason

55. Foxpalmer: Forever EXCLUSIVE

Written by Fern McNulty, Performed by Fern McNulty, Mat Dal Pos, Andy Payne & Pauline

https://www.facebook.com/foxpalmer.band

https://screamliterecords.bandcamp.com/album/foxpalmer-locked-in-memory

56. Darklight Horizon: Oxide EXCLUSIVE

Written & Performed by V. Celso, R.C. Paxford, J. Waterman & J. Twinning

https://www.facebook.com/DarklightHorizon

57. William Mawer: Take Me To A Time

Written by William Mawer, Performed by William Mawer, Jazzy Lily Heath, Ryan Nicklin, Ed

Livingstone & Dominic Watton

Recorded at University Of Gloucestershire Studios

Taken from Take Me To A Time

https://willmawer.bandcamp.com/

58. Joshua Kinghorn: Party Queen

Written & Performed by Joshua Kinghorn

Recorded at University Of Gloucestershire Studios & Released by ScreamLite Records SCLRFEP003

Taken from Bits & Pieces

https://screamliterecords.bandcamp.com/album/joshua-kinghorn-bits-pieces

59. Gypsy Pistoleros: Soho Daze, Just Another Friday Night

Written & Performed by Gypsy Pistoleros

Taken from The Mescalito Vampires

http://www.gypsypistoleros.com/ https://www.facebook.com/GPistoleros

60. Connor Begley: Comedown

Written & Performed by Connor Begley

Recorded at University Of Gloucestershire Studios

61. EllJay Goldstone: Putting On That Smile

Written & Performed by EllJay Goldstone

Recorded at University Of Gloucestershire Studios & Released by ScreamLite Records SCLRFEP001

Taken from Long Time Coming

https://screamliterecords.bandcamp.com/album/elljay-goldstone-long-time-coming

62. Chameleon: Itโ€™s Not Quite Me Now

Written & Performed by Chameleon

Recorded at Platform Studios, Reading

Taken from What Are We Waiting For?

https://www.facebook.com/bandchameleon https://bandchameleon.bandcamp.com/

63. Conal Kelly: In My Head

Written & Performed by Conal Kelly

Taken from In My Head

https://www.facebook.com/conalkellymusic

64. Spoons & Saucepans: Sing With Thanks

Written by Ceinwen E. Cariad Haydon & David Gwyn-Jones, Performed by Spoons & Saucepans

Taken from Sing With Thanks

65. Afterlite: Below The Lights (Reprise)

Written & Performed by Luke Beesley

Recorded at Ruby Studios, Bristol & Released by ScreamLite Records SCLRMA001

Taken from Eden Abandon

https://screamliterecords.bandcamp.com/album/afterlite-eden-ab

Human Traffic; Richard Davies & The Dissidents

Gaining rave reviews and a new European audience, particularly in Spain, I confess Iโ€™m a little late for the party. How can I excuse myself, turkey-stuffing, abundance of toy packaging, putting batteries in gadgets and other Christmassy eggnog shenanigans? Nevertheless, Bucketfull of Brains Records released this album, Human Traffic by Wiltshire-based Richard Davies & The Dissidents back in June. Iโ€™ve only just caught wind of its timeless rock n roll splendour, anthemic and emotive, and Iโ€™m letting you guys know, if you didnโ€™t already.

Not to be confused with a movie about welsh clubbers, Human Traffic is pure road-driving rock. Maintaining a regressive, tried-and-tested rock formulae it never strides into experimentation but rides the eternal recipe with bells on. Iโ€™m getting UK-Americana crossover, the classic smooth eighties rockers, of Steve Winwood, Springsteen in all his Darkness/Born in the USA glory, Traveling Wilburys and particularly, Tom Petty & the Heartbreakers.

Thereโ€™s also a subtle hint of English punk, Heartbeat Smile exemplifies this though upbeat and jubilant, one cannot ignore a rawness of the Clash. My valuation overall comes to a head with Way of The Wild, probably the most beguiling, but this ten-track strong album rarely comes up for air, and never diverts off its chosen path. Ergo, if confident, driving, ageless rocking out is what you want, itโ€™s double-strength concentrate.

If clichรฉ abound doesnโ€™t matter, lyrical subjects matches the music, with long road to hearts, wild ways, getting under oneโ€™s skin etc. Yet maintaining the fashion is good, and they do it so, so well; it worked for Clapton, et all. This is why I think you, you with your black band t-shirt in the loft and memories of friendship bracelets up the arm, will love this album, perhaps even more than me. Because it flows, doesnโ€™t jolt metal unexpectedly at you, or push an unwanted genre down your throat with that one oddity, tentative track.

Thereโ€™s deffo something moreish about this, we want guitarist Richard Davies front and centre again, after years as a collaborator, gun for hire and band member, most notably with London bands The Snakes and Tiny Monroe, this is debut as lead vocalist and principal songwriter, but his background paid off. Also, the perfect band-gel of these โ€œdissidents,โ€ the backing of Daviesโ€™ friends, drummer Chris Cannon of Mega City Four and The Snakes, and bassist Tim Emery of Case Hardin and Last Great Dreamers, of whom Iโ€™ve not met since our schooldays. Fortuitously, itโ€™s nice to be reviewing something inspiring with a local connection, thatโ€™s the principal reason for blogging here.

โ€œRecording this album was something that Iโ€™d always wanted to do but never really got round to doing until now,โ€ Richard explained. โ€œSome of the songs are about me, some of them are about other people, but they all capture reality as I see it. I wanted to record an album that was about real life and with all the highs and lows that go with itโ€.

Richard began his career playing guitar for indie band Tiny Monroe in the 90s, recording several singles, an EP and an album for London Records, touring with The Pretenders, Radiohead and Suede and appearing at the Glastonbury, Reading and T in the Park festivals along the way. Following this, Richard recorded three albums with The Snakes: Songs From The Satellites, Sometime Soon and The Last Days of Rockโ€˜nโ€™Roll , as the band became major players on the UK Americana scene, picking up mainstream national airplay from the likes of Bob Harris and Mark Lamarr.

Fox Hunters Ignore Restrictions For Boxing Day Hunts

You’d be excused for thinking COVID19 restrictions would mean a peaceful Boxing day in Britain’s countryside. Unfortunately while townsfolk and villagers might not have seen them blatantly displaying their pomposity and cruelty with the usual parade through the streets, some still shamelessly ignored the regulations and went ahead and hunted anyway.

The Country Alliance website doesn’t hold its head in shame, freely admitting with pride hunts occured up and down the country, stating “activities on Boxing Day remained much the same as they have done all season.”

Wiltshire Hunt Sabs said, “many hunts have had to cancel their planned meets, and Boxing Day parades through village or town centres as a result of Covid.ย 

Many of them simply decided to make alternative meets away from the usual crowds of cap doffing sycophants, including the Avon Vale.”

Though there’s some light at the end of the tunnel, Swedish billionaire and owner of H&M Stefan Persson, who owns Ramsbury Estates covering 19,000 acres across Wiltshire and Hampshire stopped allowing hunts on the estates at the beginning of the month.

The sabs agree the land upon which hunts are allowed to meet is becoming somewhat smaller, “thanks not just to Covid but also because of the leaked webinars which has seen many landowners withdraw permission for hunts to hunt on their land.”

The landowner of Crown Estate still permits hunts on its land. Recently sabs from Wiltshire and Bath sabbed a meet of the Avon Vale Hunt. The sabs claim “a subsequent assault by the Huntmaster and his friend on two sabs,” occured during the day, as they walked along a public footpath across a field.

The sickening loopholes must be closed, and police should act, as the trail hunt is proved to be a โ€œsmokescreenโ€ for illegal hunting. We live in the country, we know it happens, the Countryside Alliance has little to do with any other rural issue, else it would focus also on rural poverty, racism and social isolation due to the pandemic which elderly folk are suffering in our villages, least spare a thought for them over the season of goodwill.

But no, they have to risk virus spreading to fulfil their passion for bloodsport, and in attacking anyone who might be offended by it, surely proving their barbarism, yes? But with a clown prime minster who’s only response to the issue being it gives him a boner, what chance does the fox have, really?

Another twisted Boxing day in the countryside …

Short Story: A Christmas Incident on the Motorway

Hereโ€™s a short story which I wrote all on my own for Christmas, such a brave boy. Iโ€™d also like to take this opportunity, before the drinks start flowing and I lose the capacity for words, to wish you all a very merry Christmas!

The young officer sighed as he scanned the scene. Alone at junction eight of the M3, he called for backup. โ€œTwo car collision,โ€ he dolefully reported over his radio, โ€œrequesting backup.โ€

PC Waite didn’t need this; he was an hour short of shift completion. Sixty minutes of peace he longed for, and then he could go home. Home, where his wife would be prepping tomorrow’s feast. Home where his two children were excited about Santa Claus paying them a visit. Home, away from his duties, from all the hassle, for two whole days he needn’t worry about other peopleโ€™s problems.

He worked the motorway patrol, usually with a partner, but Callum called in sick; skivalitis. He was instructed to continue, but should a situation arise he should immediately call for assistance. Such a thing did, “bloody typical,” he vexed as he slid his finger over the mouthpiece of his radio to mute it and avoid detection of his annoyance from HQ. He approached the first car, a small Volkswagen over-decorated in tinsel, fairy lights and bells. He clocked the driver at a mere ten miles an hour, with the window rolled down. He had observed the elderly male leaning out and peering down at the road below, as if he was frantically looking for something.

Even at this slow speed the multitude of bells attached chimed. Just when PC Waite considered pulling him over, as driving so slowly, without due care and attention was a twofold offense and dangerous, but lesser so than the distraction to other drivers caused by the bells ringing. However, as he pulled out, a, what can only be described as sleek, black, personalised, custom-built heavily armoured tactical assault vehicle hurtled up behind him, lost a wheel for want of braking, and crashed into the rear of the Volkswagen.

If PC Waite hadn’t seen such an oddity in all his years as an officer, which were few, the icing on the cake was the third vehicle, a clown car of all things, of which the assault vehicle appeared to be in pursuit of. This car though, had raced off.

The old gent in the Volkswagen looked dazed and confused, still frantically searching for something, now checking the glovebox. “Please sir,” Gavin tapped on his window, “take your hand out of the glovebox and put them where I can see them.”

“Oh,” the aged driver stumbled on his words, “I….I’m erm, I’m sorry, officer. I was, well, I was looking for my, erm, something. I erm, yes, that man in the black, erm, car, he’s a maniac! He crashed into me!”

“Yes,” Gavin replied dutifully, “I observed the incident. But I must conclude, you were driving extremely slowly, under ten miles an hour on a motorway, sir, I should inform you is highly dangerous, and against the law.”

“I was, looking….”

“Yes, you told me,” Gavin interrupted, “can I ask exactly what it was that you were looking for?”

“I’d erm, rather not say.” The man added embarrassed to his emotions, on top of the flustered he already displayed. “It’s, erm, rather personal.”

“I see,” Gavin replied, looking over the exterior of the car in astonishment. “Furthermore, you realise the masses of tinsel, fairy lights and bells you have attached to your vehicle is extremely distracting to other road users?”

“But,” the odd fellow pointed out, “it’s Christmas.” At this point he looked up at Gavin as if to plea his innocence. Recognition suddenly struck the driver, “Gavin? Gavin, is that you?”

PC Waite did not recognise the suspect and raised an eyebrow. The driver continued; excitement glowed in his tone. “Well, your dad told me you joined the force, well I never, you’ve grown up so fast.” The driver noted the policeman’s confusion. “I’m his brother, William!”

Gavin gasped, “Uncle Billy?!”

“Yes,” the man smiled. Gavin couldn’t believe it; he hadn’t heard of his uncle for so long, not since the operation. Yet he knew he must act professional. “Please, sir, stay in your vehicle, I need to check on the others involved in the incident. In the meantime, erm, William, I suggest you consider telling me what it is you’ve lost, on the motorway, as it may harm your defence if you later rely on something you didn’t inform me of at the time, okay?”

“It’s kind of hard to say,” the officer’s uncle confessed, and with a deep embarrassment he looked soberly at his own lap.

Gavin turned on his foot, knowing this would take some paperwork. He had heard rumour about the nature of his uncleโ€™s painful operation, but never wished to believe it. Evidence would suggest his older brother was not lying. He approached the second vehicle and crunched something underfoot, nearby its rear door. He lifted his boot and observed yolk, with confusion. “An egg?”

The driver of the unknown personalised assault vehicle sat at his steering wheel dressed in a tight black bodysuit, cloak and facemask. At least he observed COVID-19 regulations, Gavin figured. Though when he put his head through the driver’s window, he was sent reeling backwards by his sense of smell.

There was a funk about this mysterious chap which owned a universe by itself. It was a pungent stink of body odour which overpowered the junior officer. The man inside detected the issue by facial expression alone.

โ€œPart asbestos, part nomex,โ€ the driver said in an irritated, husky tone.

โ€œExcuse me?โ€ PC Waite queried.

โ€œThe reason for me smelling,โ€ the fellow expanded. โ€œMy costume is polyester-based, part asbestos, part nomex covered body-armour; a little body odour is normal. If you had to run around chasing bad guys with as much ferocity and exertion as me, wearing this getup, you would smell equally as bad.โ€

โ€œI see,โ€ PC Waite snorted, although he didnโ€™t.

โ€œWhatever it is you want, officer, I must inform you that you have allowed a principal criminal mind get away,” the man spoke in a deep tone.

“Were you alone in the vehicle at the time of the impact?” Gavin asked, as he thought he saw a strange character dressed in a red waistcoat, green tights and a yellow cloak flee the scene.

โ€œMy assistant was with me,” the driver explained with a sigh, โ€œweโ€™ve been through this so many times in the past; some say he flew away; others suggest he laid an egg.โ€

Gavin looked perplexed, though it might explain why there was indeed an egg under his boot. “He is a bird,” the stranger elucidated, “you see?”

After much deliberation Gavin responded. “I think I see what is going on here. I am in touch with modern culture, you know.โ€

“In which case,” the driver retorted, “allow me to fix my wheel and attend to capturing the assailant, which, if you were a better policeman, you would be assisting me with.”

“Please wait, sir,” Gavin insisted, “I need to report back to my base.”

“I only talk to chief commissioner Gordon,” the driver informed Gavin.

PC Waite moved away from the vehicle, and called in on his radio. The voice was his direct superior. “Ah, PC Waite, any progress down there? I mean, have you established the cause of the crash?”

“Yes sir. But you’re not going to believe me.”

His chief replied, “try me.”

“Very well sir,” Gavin explained, “jingle bells.”

There was a momentary pause, “jingle bells, are you sure, jingleโ€ฆ?” The chief sounded astonished.

โ€œAll the way,โ€ Gavin added nervously.

The voice over the radio sounded part alarmed, part concerned. โ€œI am sending backup, PC Waite, are there any dangers on the scene your fellow officers should be made aware of?โ€

He didnโ€™t want to, but Gavin replied, โ€œBatman smells.โ€

โ€œI see,โ€ came the reply, โ€œany witnesses?โ€

โ€œRobin, flew away, or he laid an egg,โ€ PC Waite replied. โ€œCanโ€™t be sure at this early stage, sir.โ€

โ€œAnd the condition of the vehicles?โ€

โ€œThe Batmobile lost a wheel,โ€ Gavin sighed with embarrassment.

โ€œAnd anyone else involved?โ€

โ€œThe Joker, sir, but he got away.โ€

The sound of his chief scratching his head with worry concerned the young officer. After a cold silence his radio spoke once more. โ€œI think you should relieve yourself of your duty with immediate effect, PC Waite. Either you are under a lot of stress, or your idea of work banter is beyond what is expected of an officer of the law. Is there anything youโ€™d like to inform me about the incident, I mean, what about the other person involved?โ€

Gavin sighed and took a deep breath, โ€œitโ€™s my Uncle Billy, sir, I erm, I believe heโ€™s somehow managed to lose his willy, on the motorway.โ€

Vegan for Life, not just for Christmas!

Thinking of going vegan? Maybe after your turkey and pigs in blankets?! I have a chat about the possibilities, lifestyle and, you know me, a number of silly tangents, with Wiltshire foodie blogger Jill; to see if she can convert me! ย 

I dissented my daughterโ€™s culinary request on peculiar grounds; two everyday objects, sausages and bacon, when the latter is wrapped around the other, are, for some outlandish reason, a treat retained for Christmas dinner only, and to have them on our mid-December roast dinner would spoil the magic of the imminent feast. But once served, I ate โ€˜em anyway!

An oddity, why certain things, like Brussel sprouts are attributed only to Christmas dinner and eating them at any other time is like swearing at a vicar. Absorbed by the explicit naming of pigs in blankets too, like a hog-roast or rabbit stew, and unlike venison or beef, they donโ€™t attempt to disguise the notion youโ€™re munching on dead animal. Rather celebrate pride in the fact.

Such is my allure for something in blankets, if not pigs, I was intrigued by a recipe for a vegan alternative on a local based website, Especially Vegan. The siteโ€™s creator, Jill, uses parsnips wrapped in vegan bacon. I quiver at meat alternatives, but love a good parsnip; becoming vegetarian is something although I consider pursuing, I never attain. I blame pigs in blankets; oh, the smell of bacon cooking, chicken and numerous other dishes of godโ€™s creatures great and small.

Roasted Butternut-Squash Skin & Seeds

However much I preach about environmental issues, I find the idea we all must go vegan the hardest pill to swallow. On principle I agree, but the reality, the golden aura of a roasted chicken, just overrides my carnal appetite and I cave helplessly like the carnivorous beast I am. If it was going to happen, youโ€™d have thought my years working at a butcher, skinning rabbits and watching turkeys meeting their maker might have dissuaded me.

Can Jill help? Especially Vegan is a fantastic website, chockful of hints, tips and recipes. Can Jill convince someone as thick skinned as me to turn vegan? No, not really, sheโ€™s not the pushy type. โ€œThatโ€™s the thing,โ€ she explained, โ€œI am not trying to change your mind. I would like a happier world, you know, world peace,โ€ she laughed.

โ€œI am not trying to change your mind. I would like a happier world, you know, world peace.”

Rather stereotypical of vegans, they rarely preach or thrust their ideas down your throat. Perhaps this is the undoing, I need the direct approach, a seven-foot skinhead vegan to order me to give up   hotdog-stuffed pizza, or else!

I put it to Jill I could meet her halfway, reduce my meat allowance by 50%. Environmentally if everyone did, weโ€™d reduce carbon emissions from 18% to 9%. โ€œI feel we should all make our own choices about what we eat,โ€ Jill clarified, โ€œbut obviously, the more those choices are based on the environment and health and, for me personally, animal welfare, the better.โ€ A dislike of meat-eating is perhaps the most common reason, Jill wrote a post on the blog explaining why she became a vegan; โ€œin recent years itโ€™s more about health for a lot of people. For me it’s always been about animals.โ€ I was still keen to gage her on her feelings about the environmental impact of not turning vegan.

Vegan Couscous & Halloumi Salad

โ€œAbsolutely,โ€ she replied, โ€œit has a big influence now. But not when I ‘turned’ back in the nineties! I feel any reason that people eat less meat is a good thing. It is fact now, regardless of what the meat industry says, less meat will help the planet. But there are other things we could all do that will also help.โ€ Jill continued on recycling and the supermarkets cutting down on packaging. โ€œI also know that cost is a big factor.  When low-income families can buy cheaper meat due to the way it is farmed, they may have no choice.  I think the government should make well-bred and cared for animal meat affordable for all.โ€

But if you know the methods, I figured, most of the recipes on Especially Vegan wouldnโ€™t break the bank. It was Jillโ€™s husband who came up with the idea for Especially Vegan, in May, and the blog was launched in August. โ€œSo,โ€ Jill enlightened, โ€œitโ€™s still quite small but growing weekly.โ€

Jill still cooks meat for her friends and family, โ€œthat’s their choice,โ€ and was keen to point out her blog is not just for vegans. โ€œI take the meat, etc, out of recipes I like, so there’s no reason why people can’t add meat to my recipes. The hope is that they will try it my way. So, try parsnips but with your bacon!โ€

“There’s no reason why people can’t add meat to my recipes. The hope is that they will try it my way….”

Jill was direct when I asked if she felt thereโ€™s a lot of misguided information, “meat propaganda” which ridicules or gives incorrect facts about vegans? โ€œYes, I do. I havenโ€™t researched it fully myself because I do not preach about being vegan, my choice!ย  However, I do belong to some Facebook groups and see posts about industry starting rumours about vegans and it being a dreadful, non-healthy diet.ย  I am pleased to say, I have thrived on it for over twenty-two years and have never taken a supplement, which is another area for misguided influence from the drug companies who sell supplements.โ€

I did read the blogpost on her not taking vitamin supplements; it’s necessity to is a given stereotype, isnโ€™t it? โ€œYes, a stereotype!โ€ Jill replied, โ€œhowever, not everyone can absorb vitamins naturally and do need help. But, not just vegans. There are a couple of things that are a little more difficult to obtain as a vegan. B12 – I get from marmite and fortified cereals and milks. And the new one is Vitamin D.ย  Which can be an issue, but if you are careful and research your dietary needs well, then it can be overcome. However, I am not saying there is not a need, but that need could be for anyone whose body needs it, non-vegans too!โ€

Vegan Date & Nut Chocolates

If I was going to consider this, is it a good idea to dip my toe in the water, you know, try being a vegetarian first, or diving right in to vegan?

โ€œWay back when,โ€ Jill elucidated, โ€œI didn’t really know much about veganism, so vegetarianism was the way for me.ย  It was only later as I learnt more about vegetarianism that veganism crept into what I was reading. No internet to hand back then, like it is today.ย  And cheese was the hardest for me to give up when I turned vegan. I think with all the info there is today, and you are really sure itโ€™s what you want, then, yeah, head straight in.ย  But otherwise, take it slow.ย  If itโ€™s your end goal, the importance is getting there, not how fast you get there.โ€ Meat was Jillโ€™s favourite thing on her plate, growing up, and said she couldnโ€™t stand vegetables. Internet or not, though, I wasnโ€™t put off by Icelandโ€™s chicken tikka lasagne; itโ€™s surely too late for me!

“Cheese was the hardest for me to give up when I turned vegan.”

The internet is an information minefield. I typed into Google: “do we need to go vegan to…” intending to add โ€œenvironment,โ€ but a more popular choice suggestion freaked me out. It was “…to get into heaven?!” Seems people use the word of god to encourage their own opinion on it. Thereโ€™s some shocking stuff suggesting you’re on your way to hell for not eating meat! But equally thereโ€™s many who say, and I’d agree, if I wasnโ€™t an atheist, you’d be a higher tier in heaven for not eating God’s creatures.

โ€œSay no more!โ€ Jill agreed, even as a bellringer, โ€œI have to honestly say, what a load of rubbish. But that’s what happens with everything, there will always be people out there who say stuff like that. Iโ€™m sat here with a G & T so I must be heading downwards, surely; but it is vegan!โ€

The Especially Vegan website has hosted events and cookery courses, and offers a free tapas recipe eBook on signup. I asked Jill what was next, if a paperback was an option. โ€œI will try to grow it and, yes, would love to have some books in print, also looking to develop a YouTube channel, but for now, I will just keep developing and adding recipes to the blog. It would be lovely to have friendly people subscribe as that’s an incentive to keep going.โ€

Our chat drifted on tangents hereafter, ending with me waffling. I cannot believe I bought up the subject of Douglas Adamsโ€™ ironic โ€œAmegluan Cow,โ€ with a vegan; an animal which wants to be eaten. Served live it offers the diners its rump or its organs, and theyโ€™re horrified, save for the alien Zaphod Beeblebrox, who offered to Arthur Dent that he would gladly eat a creature which didnโ€™t want to be eaten. Furthermore, the Ameglian Cow added many vegetables were “very clear” on the point of not wanting to be eaten!

Mind you, Jill bought up a horrible scene in The Waking Dead, where they ate a horse, likened it to Tesco’s burgers, and suggested she hoped she never meets an Ameglian Cow.

But she was an endearing and interesting person to chat with, and Especially Vegan is a well-written, personal styled foodie blog, you should check it out. I noted my sad hypocrisy, given the horsemeat refraction, as I wouldnโ€™t eat nice and fluffy animals. But perhaps my hypocrisy is my reason for an interest in veganism.

Jill mentioned how horrified she was by shark catching fishermen who put big hooks through live dogsโ€™ jaws. She can be horrified, but I’m a hypocrite for being equally horrified, does she think?

โ€œNo,โ€ she replied, โ€œjust the way we are.โ€ See, a genuinely nice person, and she left pondering her next recipe post, orange zest cake. Nice, in my mind I’m there already!


The Scribes about to go Stir Crazy

I decided some time ago to construct our westward boundary at Bath, as far as events are concerned. Reason being, Bristol is so vast in culture there’s not enough hours I can dedicate to comprehensively cover it. We do however review and feature Bristol acts, because it’s impossible to ignore the wealth of talent, burgeoning since the nineties downbeat triphop era.

So, Bristol hip hop outfit, The Scribes gained a mention recently when they played Salisbury’s Winchester Gate, and consequently they sent their EP The Totem Trilogy pt1 which I fell hand-over-heels about.

In a little under four hours time, The Scribes are going to unleash a new tune, Stir Crazy on YouTube, a link I’ll embed below, and encourage you to return here when it goes live. There’s not a second to lose, You. Need. To. Hear. This. Because If UK hip hip is taken with a pinch of salt over the pond, The Scribes will be the ones they cannot ignore.I’ve given justified praise of the Totem Trilogy, but Stir Crazy goes beyond what constitutes good local sounds, and I’d tip The Scribes to be the international breakthrough act of the decade.

Released on Get Down Records, Stir Crazy is a collaboration between Finland’s own boom bap beatsmith extraordinaire J-Boom and The Scribes.

This forthcoming track, which I’ve sneakily previewed is, without doubt, seriously dope, in the hip hop jargon, and emotivly powerful without! There’s an air of the Fu-Schnickens about the techniques of The Scribes, experimental and diverse adaptations abound in their lyrical play on, not just words, but sounds and emotions.


The Fu-Schnickens could amusingly deal out classic Warner Brothers’ cartoon characters as if Mel Blanc was Schoolly D, and in turn tracks like Visions (20-20) were nervingly concerning, borderline frightening. Stir Crazy adopts this tenet with bells on. It’s uncompromisingily edgy, and as unsettling as a musical Stephen King’s Shining.

Dealing with psychosis under lockdown this wrecks a schizophrenic nightmare, and is as psychologically disturbing as its theme, the way the rappers roll their vocals to suit the mood is as Edvard Munch used colour. Hence why I’m saying forget the southwest connection, I’m tipping them the best hip hop act I’ve heard since Pubic Enemy.

Anyway, I’ll drop the link here, and add some pasted details from the press release. Soz, but I gotta hit the hay. If I can sleep after watching that video!

The single will be available exclusively through The Get Down Records bandcamp page from December the 11thย as a digital download (With instrumental) and as a limited edition double A-Side transparent 7โ€ vinyl with second collaboration track โ€œHaunted House Partyโ€. The video for โ€œStir Crazyโ€ will then be launched a week later on December the 18thย before the single is made available on all online streaming services/retailers from the 15thย of January.

“Stir Crazy” showcases J-Boom’s trademark MPC production at it’s effortless finest, pairing a haunting piano loop with hard hitting drums to create a moody, atmospheric soundscape fitting for these strange times. The incisive vocals, provided by The Scribes alongside dark alter-ego Mr Teatime, talk candidly about the feelings of isolation and helplessness brought on by the various lockdowns of 2020, documenting the artist’s creation of an imaginary friend who goes on to take over his mind.

The accompanying music video, with clothing provided by The Scribes’ sponsors Aekor Apparel and Bones Clothing, is a strikingly bleak visual telling the story of the track across a day in the life of The Scribes. The sinister presence of Mr Teatime gives the video an edgy b-movie horror feel, perfectly suiting the vibe of the project as whole.

Together the release provides a perfect and entertaining summary of the year 2020 and the claustrophobic environment that the world has suffered throughout the year and is certain to find fans both in the hip hop scene and beyond.

Chilly Gonzales Vs Toddla T with Jarvis Cocker; A Very Chilly Christmas Mixtape

Following the release of Chillyโ€™s new album โ€˜A Very Chilly Christmasโ€™, platinum selling UK producer Toddla T has put his very own spin on the record, The Coldest Crimbo out today (16th Dec.) Featuring help from friends Nadia Rose, Serocee, Coco and Deli OneFourz, and even Jarvis Cocker features, Toddla T and Chilly Gonzales delight with this tongue-in-cheek hip hop โ€œvery festive mixtape.โ€

Itโ€™s an amusing quarter-of-an-hour of naughtiness seasonal rap, like a nativity gone bad. Chilly Gonzales may revisit old carols and the new pop standards on his album, but it wouldnโ€™t be Christmas without friends and family, so Gonzo has assembled his gang to celebrate the holidays in his playful and intimate style.

A Very Chilly Christmas Special gives old-school TV Christmas variety shows a 2020 makeover. โ€œSanta Claus, like all of us, has had a challenging year,โ€ Chilly says, โ€œand has decided to go to therapy.โ€

A very chilly christmas special, with guests Feist, Jarvis Cocker and more, streams December 23. Details and ticketsย here.ย 

808 Delavega; Contemporary Dancehall, Swiss Style.

Not to be confused with Howard Rosen and Jerry Gordonโ€™s American jazz and blues record label of the same name, Evidence Music is a prolific contemporary reggae label with their recording studio in Geneva, Switzerland, but franchising and presenting many upcoming Jamaican artists. Ergo, while Iโ€™ve mentioned before the Swiss valuing archaic origins of reggae, with ska, rock steady and roots subgenres through labels like the fantastic Fruits Records, Helvetia also has a penchant for modern styles of Jamaicaโ€™s musical outpourings.

A decade prior to Bob Marley & The Wailers playing Zurich as part of their final Uprising tour, the presence of reggae was oven ready, in the seventies popular Swiss band Rumpelstilz produced Kiosk, with a definite reggae influence. Nowadays, the international market blends their own brand and traditions into reggae, and the Swiss are of no exception. Local artists Dodo and Jo Elle perform in the native tongue, and Zurichโ€™s Rote Fabrik club plays a key role in promoting reggae.

Still though, back across the ocean reggae is never stagnant and rarely dabbles in retrospection. Itโ€™s progressive. I look now to Wellington Smart, aka selector Freddy Krugerโ€™s Boot Boy Radio show after my own, to hear the latest trends via his label, Drop Di Bass and what I do hear is similar to Evidence Musicโ€™s DJ and producer 808 Delavega, on his self-titled debut album.

In tune with said progression, weโ€™ve come along way from the nineties divide between dancehall and lovers, through the millennial cross-over inclination to include dancehall toasting in US RnB and hip-hop tracks, and we find ourselves today with a sound almost void of offbeat and one-drop riddims antiquatedly associated with the reggae of Marleyโ€™s heyday. An era where Damien Marleyโ€™s anthological dancehall is more important than his fatherโ€™s. 808 Delavega embraces this, he’s passionate about hip-hop as well as dancehall, and founded Derrick Sound in the 2000s.

With Nicolas Maรฎtre and Nicolas Meury of Little Lion Sound, Derrick Sound was the mainstay for the formation of the Evidence Music label and it fast become Switzerlandโ€™s leading urban label. There the team involve themselves in a multitude of projects, 808 Delavega produces popular Jamaican artists such as Sizzla, Capleton, Morgan Heritage and Danitsa. Reflecting back on his excursions to Jamaica, he focussed on the innovative subgenres of afrobeat and trap to produce this fresh debut, and itโ€™s certainly that.

Iโ€™m not going to suggest this is for everyone, our retrospective preconceptions of reggae persist, Iโ€™m suggesting forward-thinking youth, maybe already partly allied via current pop trends in dancehall which seen Sean Paul featured on a Little Mix track, et all. But in essence this is diverse, experimental, and underground, pulling the boundaries of RnB grind and dancehall even tighter. There can even be intros here which ring of eighties electro and electronica, and relics of garage house; imagine David Morales producing dancehall and youโ€™re somewhere in the light of this interesting blend. How I think this works so well is the splinters of afro-beat, a beguiling genre Iโ€™m personally hot under the collar about.

Always held a penchant for dancehall too, though accepting the sparseness of the beats and uncompromising patois can sound alien to European and American audiences. 808 Delavega plays this down. The jargon is not misconstrued, and once the beat kicks in youโ€™ll hear nothing of the of scarcity of millennial dancehall, but riddims which ride along smoothly, like RnB. Dancehall artists established and upcoming feature, yet even when legendary Beenie Man toasts on the subject of election violence, it adopts this ambiently slick tenet. It may be rather glossy but this breaths wide-appeal, beyond reggae aficionados.

Charly Black offers possibly the sparsest track, Eesah perhaps the most sensual. Throughout though it never frenzies and takes it mellowly and euphorically. So yeah, I like it (despite it makes mi waistline feel old!) for its innovativeness, and freshness.

808 Delavega album backlinks

Sound Affects Find the Ley Lines

Make no mistake, we love Swindon folk-rock duo Sound Affects here at Devizine. Ergo Iโ€™m prepped with some fond words and in high expectations prior to listening to their new album out today (13th Dec) Ley Lines. Itโ€™s been over two years since reviewing Everyday Escapism, their previous nugget of wonderful. And if I praised them for the honest folk songs then, Ley Lines is an immense enhancement for acute subject matter, and is lyrically grafted with more passionate prose. The result is sublime, as I anticipated, but that smidgen more.

From the off Gouldy and Cath compose with significance, and these eleven tunes donโ€™t simply drift over you aimlessly with acoustic goodness, though they have that. They stand as testaments to the tenet of injustices of modern social and political issues. Upon faced with the political reformist opening song, One Man Army, you know thereโ€™s an aim to reinforce the lost ethos of political standing in a song, as is the direct influences they often cover as their band, The Daybreakers; of power-pop, new wave post-punk, eighties garage and mod. Though as a duo, Sound Affects are strictly folk-rock, only maintaining the ethos of their inspirations in lyrics.

The second tune projects like a musical of an Alan Bleasdale play, thereโ€™s certain bitterness in the broken dreams and prewritten fate of folk in the decay of modern poverty, and Gouldy nails it akin to Ken Loach, with No Means to Pay. What follows is a Kafkaesque, revolutionary dream, but if you felt this is all liberal point-scoring, King for a Day has more acquitted associations similar to the drifting and euphoric sounds of Everyday Escapism.

Windmills drifts similarly, gorgeously, and is naturally Edenic. While shards of the aforementioned bitterness are subtle now, replaced with an idyllic moment, you consider if theyโ€™re losing the edginess of the opening tunes. Then Cathโ€™s flute takes us back to a tender era with Giving Something Back, and Gouldy sings, perhaps the most simplistic chorus, but genius song here, it opens a clear nod to his love for the narrative of Irish folk; itโ€™s a working-class ideology, and you can effectively visualise the labours leaving for home on a dark winterโ€™s eve, with the backdrop of a cold red-bricked factory. Thereโ€™s something acutely Levellers, but a sprinkling of Springsteenโ€™s Nebraska about it.

Typically, romance with a twist is a not forgotten subject, but played well, in Say it to my Face, and it returns with ponderings of conspiracy and dogmatic hierarchy. Unanswered Questions has overtones of a missing girl, without mentioning the McCann family, thereโ€™s connotations of a similar tragedy, and itโ€™s heartbreakingly candid. Yet throughout any dejection in theme, Sound Affects always ascertain a joyful euphoria through the sublimeness and effortlessness of their sound; acoustic guitar and flute, fiddle; tried and tested formula to hold a pub gig spellbound, as they recurrently do.

Together what you have is a numinously uplifting, wandering and softened euphoric album which drifts on rancorous and sometimes acrimonious subjects many modern musicians might steer away from. Itโ€™s folk alright, but with a bygone bite and righteous morals. More importantly, itโ€™s so damn good, itโ€™s essential.

Skates & Wagons EP

Fashionably late for the party, this Oxford duoโ€™s self-titled debut EP was released on White Label Records at the beginning of the month; what can I say for an excuse? Glad to catch up though, as Skates & Wagons are well worth it.

Thereโ€™s retrospective grandeur on offer here; even down to the bracketed song titles, as was common at the time, of these four diligently composed tunes of sixties-fashioned mod psych-pop. Itโ€™s as if weโ€™d not progressed from the era of The Kinks or Small Faces, The Spencer Davis Group and The Troggs at all. And to hear this makes one wonder if it was ever progress anyway.

Yeah, the dawn of the beatnik epoch, developed from the blues and soul inspired pop of Merseybeat is formulated, tried and tested, and anyone who mimics it is dependant on the only element left to ensure it’s respectable, the quality. Skates & Wagons set such a benchmark, taking a big chunk of the influence from this aforementioned style, but with a fresh approach rather than a shoddy and aged tribute, paling by comparison to its original.

Weโ€™ve seen this youthful blast of retrospection recently with the awesome blues detonation of Little Geneva, least to suggest this is more the pop of the fab decade, it also expands to classic electric rock, and is immediately beguiling via its wonderful musings. Skates & Wagons have long established themselves on the live circuit in Oxfordshire and beyond, but the EP is something precured over time like a fine wine. Initially they started working on it as far back as 2011, and completed it earlier in 2020, a testament to that old adage, you canโ€™t rush art.

Opening borderline glam, Just Because you Can (Doesnโ€™t Mean you Should) is possibly the most progressive, early Genesis fashioned, and vocally thereโ€™s harmony parallel to Gabriel and Collins. Itโ€™s as if Skates & Wagons regress through time as it goes on. Spin my Wheels is decidedly backdated in sound from the opening song, mid-Kinks period of their โ€˜66 album, Face-to-Face.

A nuanced approach to sixties-indebted structures, all four songs drip with instant fascination, as if you mayโ€™ve heard them on a classic radio show. The third tune is perhaps the most sublime, Tender (is the Night) is affectionate acoustic guitar-led emotive mellowness, to slip into a Who rock opera unnoticed. Itโ€™s an epic, seasonal-spanning romance themed masterpiece.

Yet, the final tune, Law As I Am True plays-out with the thump of pre-psychedelia sixties pop, but itโ€™s got the kick of how The Jam re-enacted the sound, and itโ€™s catchy because thereโ€™s subtle hints and swirls of the imminent next move to flower-power. Together hereโ€™s four memorable tunes which would have undoubtedly sailed to the Top of the Pops during that golden era, yet somehow completely original and uniquely fitting for the now.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement. Though I caution them, thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


Fairy-Tale of New Park Street; And Better Local Christmas Songs!

It was Christmas Eve moi lover, outside Carpet Right, an old man without facemask said to me, won’t be seeing another one, and then he yelled a song, Shaky Stevenโ€™s Merry Christmas Everyone, I turned my face away, and puked all over youโ€ฆโ€ฆ

Okay, Iโ€™ll hold my hands up, thatโ€™s all Iโ€™ve got when it comes to writing a Christmas song. Time to call in the pros, because without venues many of our local musicians are so bored, theyโ€™ve produced some great Christmas songs! As ever Iโ€™ll list them alphabetically, not to prove I know my a, b, c, but because whenever I do these โ€œlistyโ€ type articles some of you assume itโ€™s a top ten countdown. This isnโ€™t Top of the Pops, but we do have some nice tunes for you:


Ben Borrill – (untitled?)

Colm McCarthy – Christmas Time – 2020 Remix

Gecko – Last Christmas’ sung by a sad bird

Illingworth – Yes It’s Christmas!ย 

Peloton – Father Christmas Won’t Be Long

Pete Lamb & Colette Cassin – I Remember Christmas

Sound Affects – Taking Back Christmas

Splat the Rat – 2020 you Arse (Ho Ho its Xmas)

Will Lawton – Have Yourself A Merry Little Christmas

Did we miss you out? I’m sorry, tell me quick and I can add it!


The Monkey with no Bum!

No, looks to me like, from the front cover picture, the monkey does indeed have a bum, albeit it quite small and the motion lines suggest itโ€™s shrinking. No matter the outcome of the debate, it cannot be good news for this monkey called Charlie. I could ask the author Asa Murphy why, but we donโ€™t need spoilers. All you need to know is Charlie has either no bum or an incredibly shrinking bum, and thatโ€™s plenty of background, cos, kids like the word bum, and I donโ€™t blame them. I like the word bum, and intend to use it as much as possible here today.

If this Liverpudlian now childrenโ€™s authorโ€™s name rings a bell, itโ€™s because he loves Devizes and in honour of our late local fundraising musician, Bruce Hopkins, he staged his most prestigious performance at the Corn Exchange, a self-penned musical about the life of Buddy Holly.

Asa just glows with the charm and entertaining charisma of a one-man Ratpack. With sell-out shows at Ronnie Scotts, topping the bill at the famous Liverpool Empire, he also has a decade under his belt with a popular BBC Radio show up in Liverpool. Last year he turned to writing, the intention being stage musicals, of which heโ€™s crafted three shows, Buddy Holly Lives, Mack The Knife and Irish Annies.

But if you think changing from musical writer to childrenโ€™s author is tenacious, think again. Asa plans to launch a childrenโ€™s musical from his debut book, and will be at the Corn Exchangein 2021. For now, though itโ€™s self-published book (Murphy-World Books,) that tale of monkey with no bum, and was taken from a story Asa told to his nephew, and continued to tell to my own children. โ€œI wanted them to be aware that in my eyes,โ€ Asa explains, โ€œthey were perfect in every way. The story developed into an idea that I felt all children should hear, so I sat down and wrote the story with the dream of it being turned into a childrenโ€™s illustrated book.โ€

I asked Asa if there was more to come, whether Charlie might be back, with or without his bum! โ€œItโ€™ll be a series of five books, all featuring Charlie the Monkey, and with valuable lessons for children.โ€ Might make a great Christmas pressie for the young ones, or anyone, I like saying bum, and I think, if weโ€™re honest with ourselves, we all do!

You can buy it here, or itโ€™s now stocked at Devizes Books for ยฃ6.99.

Tankus the Hengeโ€™s Luna Park

Londonโ€™s Tankus the Hengeโ€™s third studio album is released today (4th Dec.) Tis a quixotic rockโ€™nโ€™roll fable, a utopian realm of wonderment with ingenious prose and the composition of a variety performanceโ€ฆ.

Picked on this new release to scribe a few words about based upon Devizes Arts Festival organiser Margaret Bryantโ€™s thrilled expression when she leaked booking Tankus the Henge for the 2020 line-up, that sadly never was. Yet, sadder is the reality of the era, where so other many events didnโ€™t happen either, and the decline of live music venues. Such is the subject of this inimitable London-based groupโ€™s Luna Park, an album out today.

If the pandemic has been a catalyst for music production, and often the theme too, from all Iโ€™ve heard it generally focuses on the virus itself. Although Luna Park centres around the decline of music venues, an allegory for what is happening on Londonโ€™s Denmark Street and all across the UK, one should note while it may resonate of lockdown fever, it was actually recorded during the winter of 2019.

Though nothing comes across melancholic with Tankus, itโ€™s all clouts of glam-rock and funk wrapped in a showy, big top magnificence. They describe their sound as โ€œfive-wheeled, funk fuelled, open top, custom paint job, rock โ€˜nโ€™ roll jalopy that comes careering around the corner on a tranquil summerโ€™s day, ruining the silence and disturbing the bats.โ€ While rock n rolling songs blast, thereโ€™s refined moments, as with The only Thing that Passes Here is Time, but it’s gawdy big band fashioned horn-blowing. Picking it apart thereโ€™s so much on offer here, like a variety performance in one album, and for this, despite Iโ€™m grinch for glam, itโ€™s ingeniously composed and addictive.

Glitterlung, is borderline downtempo โ€œPortisheadโ€ triphop, for example, while the incredible Susie Sidewinder comes across as if Lloyd Cole and the Commotions wrote Sgt Pepper. Of course, it relies heavily on the glam side of rock n roll, but thereโ€™s rudiments of everything; Deacon Blue to Zappa is showing a bit shoulder here. Each influence it throws into the melting pot is taken with a pinch and is wholly fun. Particularly noted for the amusing element, Staying on the Side of the Dirt was the tune which swayed me, itโ€™s terribly Dennis Waterman theme tune fun, and I mean this is a good way! Chas n Dave are legends, given electric guitars and told to work with Noddy Holder, you might get something along similar lines.

During listening I pondered if this rock opera, and decided more on rock circus. I usually reserve that fairground comparison for the two-tone sound of groups akin to Madness, but it applies here too. Itโ€™s not a concept album as such, more a vision. A fantasy of a realm where creativity is celebrated and live music thrives. A place where venue closures are a thing of the past, and corporate gentrification is a non-entity. A refuge from greed and capitalism, and the salvation of independent music, free thought and good-times, packaged in dark, wry satire with a neon glow.

Speaking about the underlying themes at play, frontman Jaz Delorean said, โ€œI donโ€™t think the public knows the entire truth when it comes to the hardships and thin margins of running a venue, and most of the time we donโ€™t want them to. They go out to have a good time and forget about life for a while. Thousands of people work all hours to keep venues, and festivals alive, and at the moment all of it is under threat. The ripples will be felt in every household eventuallyโ€ฆ We learned and started honing our skill in Denmark Street, in clubs like 12 Bar Club and Alleycat, both of which have closed. Jamboree, Passing Clouds, The Peel, 14 Bacon Street, Madame Jojoโ€™s. All these venues were haunts of ours and are now closed permanently too.  We need to support these small venues so much more.โ€

Yet Luna Park is more then the sum of its parts, thereโ€™s gorgeous portrayals and the well-grafted, thoughtful characters of a novel, in disordered or decisive situations. If anything twisted my opinion on flares and glitter itโ€™d be this very entertaining scrapbook of sounds.

https://www.tankusthehenge.com


Small Wonders Art Auction in aid of Arts Together

It was one of my most memorable days following a story for Devizine, when I attended an Arts Together workshop in a sheltered accommodation hall in Bowerhill, last February with the artist Clifton Powell. I found out these sessions meant so much more than โ€œart therapyโ€ to the folk there, and it was delightful to talk to them about what they were doing. You can read about it here, and the amazing work this charity does locally.

This Christmas, Arts Together are hoping to raise up to ยฃ5,000, to enable them to continue supporting isolated and lonely older people in the community. Several of the thirteen accomplished artists who help, and many others, have donated artwork for an online auction. The auction is currently running and will last until 13th December.

You can take a look all the beautiful paintings, prints, photographs, ceramics and crafts on show, and make your bid to own one, by clicking here and browsing the images. All the proceeds are going to Arts Together to help them continue our support for older people during this winter.

If you are an artist and would like to donate a piece of small artwork, Arts Together would be delighted to add it to the online auction. Plus, alongside your work they will add a link to your ownโ€ฏwebsite and social media.

Please give this some attention if you can, such a brilliant charity, plus you could bag yourself a piece of fine original art for Christmas. Here’s a look at some of the variety of offer:

Leaping Frog from Roy Evans
Small Salt-Glazed Jug by Lexa Laurence
Beetle by Clifton Powell
Christmas in Snowdonia II by Penny Leaver-Green
Storm Warning by Jeff Pigott

Adverts and Stuff!



The Tiers of a Clown

Wiltshire Council outlined what the new restrictions mean for us yesterday. I have copied and pasted it for your reference. Although some parts were accidentally deleted so I had to fill them in, as best as I remembered it reading. Apologies for any slight inaccuracies, but it’s Monday, alright?

The actual report can be found here: https://www.wiltshire.gov.uk/news/wiltshire-covid-high-category but, yeah, it was basically this, or very similar:

The Wiltshire Council local totalitarian area has been confirmed to be in the Government’s Tier 2 ‘let’s get high’ category, which will replace national put a pillow on your fridge day on 2 December.

This is a different Tier that the county was in prior to the current national restrictions and it means that from 2nd December:

โ€ข People must not socialise with anyone they do not like or who is not in bubble wrap, in any indoor sitting area, whether wrapped at home or in a public place.

โ€ข People must also not socialisitate group sex, with people or gnomes, outside, including in a garden in outer space.

โ€ข Businesses and emus can remain open in a COVID secure manner, other than those which are closed by law, bankruptcy or eighties electronica band Blancmange.

โ€ข Pubs in cars must close, unless they are operating as restaurants which sell sausage rolls.

โ€ข Hospitality venues can only serve alcohol with substantial meals or drug deals to politicians. A Scotch egg is not a substantial meal unless you are Nicola Sturgeon, but vodka jelly is.

โ€ข Hospitality businesses selling food or drink for consumption on their premises are required to serve table tennis players only. In premises which sell alcohol, they need to close between 11pm and 5am as those are past covid’s bedtime, with some exemptions to large chain businesses who’ve slipped Bojo ten grand, and stop taking orders over 10p.

โ€ข Education settings remain open because kids are rocking through the herd immunity scheme.

โ€ข Council services such as leisure centres, libraries, deporting Jamaicans and throwing disabled residents out of their homes will be able to open their doors again.

โ€ข Weddings, funerals and conservative tainset enthusiasts can go ahead with restrictions on numbers of attendees – 15 people can attend wedding ceremonies and receptions, 30 people can attend funeral ceremonies, and 200 conservative train enthusiasts can attend meetings about making a Lego station on the Lydeway.

โ€ข Outdoor street markets will be able to sell full a range of cheese, not just cheddar, provided they only shout their pitches in a non-chav accent.

โ€ข Places of worship, except those for pagans and druids remain open, but people must not attend, or socialise inside them to have sex with goats, unless there’s a legal exemption or bonafide fetish exemption card.

Earlier in the week, the Prime Minister Bojo the clown waffled about something or other, partly in Latin, partly in gibberish; thought you might like to know we love the ground he wobbles on, and if he shot his load onto his thighs Wiltshire  council would gladly lick it off.

This week, the Government also confirmed that regardless of Tier, three wise men can form a Christmas bauble between 23rd to the 27th December. Once this bauble has been formed, it can be changed at Whitehall Garden Centre only.

Cllr Phil “poppa” Yellowhead, furher of Wiltshire Council, said:

“It is disappointing, I had the Urch-funk crew rocking up for a Christmas sesh, but surprising, that we find ourselves in a Tier higher than before, being we’re all filthy rich, least I am. We have been planning for such an eventuality with plastic Paw Patrol characters and we want to reassure residents and businesses that we have no idea how to get through this.

COVID-19 is still very prevalent and will be here for as long as Christmas Only Fools & Horses specials, so I advise everyone to keep social distancing, listen to Cliff Richard, have a good hand shandy, wear a mask or reindeer boob jumper, and self-masturbate when required to do so. If we maintain that behaviour and everyone plays the fart game, then there’s no reason why we can’t move the entire county to the Scilly Isles in the lowest Tier, and then eventually get to the other side of this with only Brexit left to wreck the economy.

Anyone can access the Wiltshire Well-hung mo-fo Hub who may be struggling to find prawn crackers during this convenient time to enforce total control. This may include those who are self-masturbating and don’t have a support network, 3G, or fluffy bras around them or know where to get help and disco lights. Let’s rock this lockdown and have a jolly good time, for Father Christmas was born on this faithful day, or close to it.”


Top Twenty Local Music CDs For Christmas

Bag yourself some of our recommended long players for your friends, family or even yourself this Christmas and help a local musical talent.

Look at him, Grumpus Maximus, slouching on his sofa-throne investigating the inside of his y-fronts with one hand and clasping a tinnie with the other. Heโ€™ll need Google maps to find his local watering hole when things return to normal, and if he has to endure Kirstie Allsopp for one more half-hour episode heโ€™ll threaten to relocate to his shed for the yule. What do you get for someone like pops this Christmas, or anyone whoโ€™s lost the will of independent thought due to the modest inability to enjoy the odd fellow and guitar down their pub of choice, for that matter?

How about this suggestion; buy a CD from a local hero? Because not only will you cheer the old bugger up enough for him to consider shaving once a week, but youโ€™ll be putting your hard-earned shekels into the hands of a local independent creative sort, who, without revenue from standing in a draughty pub alcove singing the blues, really needs some pocket money right now.

Itโ€™s not my idea, I say let them scavenge for dead flies on their filthy windowsills while insanely mumbling a ditty about minute pixies invading grassroot venues. Thanks to our reader, George for this suggestion. Of course, this is the 21st century, or so Iโ€™ve been informed, and nowadays next to nothing is physical. Much as we find the online format or download accessible, you canโ€™t wrap an online stream up with a pretty bow and put it under your tree. So, our list is restricted to the ones putting out a CD copy; thatโ€™s a compact disc to youngsters, or even, dare I say it, vinyl, you know, some archaic listening format.

But how, ye cry. Iโ€™m going to provide links where I can, but another shot is your local indie record store; for if they care one iota for music, theyโ€™ll stock a range of locally sourced sounds. If they donโ€™t tell them to, without swearing.

Hereโ€™s an ideal template to use: โ€œthe brilliant, one and only Vinyl Realm Music Store in old Devizes town stocks many local artist discs, so I suggest if you want to be half as good as them, youโ€™d consider it.โ€ And that, is one good place to start; open the yellow door on Northgate Street, turn to your right and by the window thereโ€™s a stand with some local outpourings on. If you get lost ask one of the owners, they bite but not hard. I know, shopping is beneath you, be aware they have an online service and will deliver, cos theyโ€™re nice like that.

Am I waffling now? I tend to tangent, like to, did you come here for that, or are you looking for some music options? Very well, sit quietly, or stand noisily if you like, and I shall beginโ€ฆ. hopefully before Boxing Day. But oi, bear in mind this isnโ€™t a top twenty countdown, I just used that as the title for clickbait. Iโ€™ve not put these in any kind of hierarchy or rank, just listed alphabetical by artist name, to prove I know my A, B, C!

Billy Green 3: Still

Released at the beginning of this year, Devizes post-Britpop trio produce a beguiling sound that couldโ€™ve come straight from indieโ€™s finest hour. Itโ€™s scooterist, with a taste of mod and soul, but itโ€™s passionately scribed and delivered proudly. Review. Buy@ Vinyl Realm.

Chris Tweedie: Reflections

Affectionately reviewed at the beginning of the month, Melksham-based monarch of chill, Chris Tweedie has produced a mind-blowing album. If you like Mike Oldfield, Crosby, Stills and Nash, or George Harrison, you need to check this one out. Review. Buy.

Cracked Machine: Gates of Keras

Hometown space-rock has never been so good. This is the outfitโ€™s second album, and its journey of spacey rock like no other. Fans of Pink Floyd or the Ozrics will relive every minute of their misspent youth and clamber to the loft to find their fractural posters and chillum! Review. Buy.

Erin Bardwell: Interval

This year, without his Collective, Swindonโ€™s rock steady keyboard virtuoso blessed us with this unique lockdown inspired bundle of distant memories over sparse two-tone and reggae beats. If you think this genre can be samey, youโ€™ve not heard Erin Bardwell. This album is one of a kind. Review. Buy.

George Wilding: Being Ragdollian

Let the arguments begin, this 2013 EP is the definitive George Wilding. One not to collate tracks to an album, the EP may only contain three songs, but their brilliance makes up for at least ten mediocre ones. You can grab this at Vinyl Realm.

Joe Edwards: Keep on Running

Whilst itโ€™s had glowing international reviews, locally I feel this is severely unacquainted. Though I did say at the time of review Iโ€™ll be hard pressed to find another โ€˜album of the year,โ€™ back in May, this still stands. This is melancholic Americana played out with utter perfection, and I will never tire of its authentic and sublime stories. Review. Buy.

Jon Amor: Colour in the Sky

Though we fondly reviewed Jonโ€™s latest album just yesterday, like I said, thatโ€™s one which is only on download at the moment. Take his 2018 masterpiece of quirky electric blues as red, red as his telephone; this is the must-have album for every fan of local music. You can buy this in Devizes Books as well as Vinyl Realm, or you can buy online. Hereโ€™s a review from all those heavenly years ago, when Devizine was funny.

The King Dukes: Numb Tongues

Out in 2018, if you like your music with a taste of old-timey soul and blues, The King Dukes of Bristol do this with bells on. Numb Tongues is lively and memorable. Review. Buy.

Little Geneva: Eel Pie

Freshly produced and lively sixties mod-blues-rock done supremely, Little Geneva are Bristol-based but the Docherty brothers have the Devizes connection, enough to debut this down the Bear’s Cellar Bar a few years ago, and boy, was it a sweaty and memorable night! Buy.

Mr Love & Justice: Watchword

Mr Love himself, Swindonโ€™s Steve Coxโ€™s 2009 album is a must, a classic, even though I havenโ€™t reviewed it, because itโ€™s dated, its gorgeous acoustic goodness extends beyond atypical country-rock sounds and branches into many genres, even bhangra at one point. You can find this in Vinyl Realm for a mere fiver.

Mr Tea & The Minions: Mutiny!

Oh my, this chunk of energetic Balkan-ska influenced Bristol folk is breathtakingly good. I reviewed it last year, havenโ€™t gotten over it yet! Review. Buy.

Paul Lappin: The Boy Who Wants to Fly

Breezy Britpop acoustics shine throughout this ingeniously written debut from Swindonโ€™s Paul Lappin. Highly recommended and all-round good vibes. Review. Buy.

Phil Cooper: These Revelation Games

Trow-Vegas legend, Phil Cooper really gives it some with his latest offering, rocking out the lockdown. Review. Buy.

Ruzz Guitarโ€™s Blues Revue: Live at the Louisiana

No list would be complete without a bit of Ruzz Guitar and the gang; guitar by name and nature. This album captures his skill where he does it best, live. Rock n roll the night away as if you were there; this is a must have album for blues and rock n roll fans. Review. Buy.

Sound Effects: Everyday Escapism

Self-penned Irish-fashioned folk at itโ€™s most divine, Swindon duo Cath and Gouldy classic here. This is sweet and thought-provoking. Review. Buy.

Strange Tales: Unknown to Science

Iโ€™m unsure how old this is, but I do recall Pewsey singer Sally Dobson running back to her car to get me a copy at the long-lost Saddleback Festival. With Paul Sloots, Strange Tales are a wonderful if occasional electronica gothic-rock duo, and Unknown to Science is a spookily glorious album. Review. Buy or at Vinyl Realm.

Talk in Code: Resolve

True, Swindonโ€™s darlings of indie-pop have come along way since this 2018 album, fashioned closer each time to retrospective eighties electronica, Resolve stands as a testament to their dedication, but more importantly highlights their roots in indie-rock. Review. Buy.

Tamsin Quin: Gypsy Blood

Man-about-Devizes, surely, youโ€™ve a copy of this already? Tamsin Quinโ€™s debut 2018 debut album is something kinda wonderful, eight self-penned nuggets of goodness introduces you to the now one third of the Lost Trades and personifies anything that was awesome about our local music circuit. A local classic. Review. Available in Vinyl Realm, or online.

The Lost Trades: EP

When three of our most loved local musicians officially bonded, debuting at the Pump just prior to lockdown, it was clear all their talents combined into this one project and could only ever be a winner. We highly anticipate the debut album, but for now, this five track EP will whisk you to a better era of folk harmonies. All original songs, thereโ€™s a taste of Phil, Jamie and Tamsinโ€™s song writing talents, though each track wouldnโ€™t look out of place on the Oh Brother Where Art Thou? soundtrack. Review. Buy.

Ya Freshness & the Big Boss Band: Knockout

Boots and braces time, get skanking to the loud and proud ska sound of Ya Freshness and the Big Boss Band. This is joyful, fun and chockful of ska and rock steady riddims from 2018. We eagerly await a new double-album promised from these Bristol misfits of ska, but for now, this is great. Review. Buy.


No way is this list exhaustive; Iโ€™ve basically run this off adlib and will no doubt suddenly think, โ€œoh bugger, I forget this or that.โ€ But Iโ€™ve nailed it down to twenty, which was tricky. Do feel free to add a comment on something I might have overlooked, and apologises if I did. Remember, it should be available as physical copy. This is an interactive article!

Message my advice line if youโ€™re still in the dark for a pressie for Dad. Helpful hint, look through his old records. If you see one of a pig floating above Battersea power station, or a plain black album with a spectrum shining through a triangle, try Cracked Machine. If you see lots of black and white chequered patterns or a naked girlโ€™s torso with Tighten Up written across her abdomen, try Erin Bardwell or Ya Freshness. And if you see a rather splendidly busty woman carrying a hosepipe and various decorating equipment, try The Lost Trades; best of luck!


Jon Amorโ€™s Remote Control

Pop is pop for a reason. Without sounding like a government soundbite, what I mean is, pop, as in the music, is popular for good reason; the catchiness often in the simplicity, which consequently sells. And if it sells, itโ€™s pop, regardless of the many subgenres and youth cultures which an era carries pop along, itโ€™s always continued this ethos. Itโ€™s only a particular โ€œgenreโ€ for the time being. I use the term as loosely, then, as it should be used. Feel free to shudder at modern commercialisation, but thatโ€™s been building for decades and you shouldnโ€™t let it put you off; youโ€™ll miss something special because you preconceive its popularity is a hallmark from a polluted industrial mechanism.

The above annotation I write because I donโ€™t want you to run off with the idea, Iโ€™m talking contemporary chart hits when I use the term pop. Out of the assortment Devizesโ€™ legendary bluesman Jon Amor offered on his last major album two years ago, Colour in the Sky, I tended to cherry-pick those deviating from his traditional electric blues style, and they promptly became the standout tracks, Illuminous Girl and Red Telephone. He need not appease his devotees; they follow this modification with bells on. Because, fundamentally itโ€™s more โ€œpop,โ€ in so much as itโ€™s appealing for this beguiling ease.

This transitory, perhaps, shift for Jon was stamped on the last single, the incredibly addictive Peppercorn, a lively upbeat and Elvis Costello fashioned rock, without the leftist post-punk political angle of yore. Now the single has been followed up with an album, Remote Control, impulsively launched without the need for the usual pe-hype. All the tunes follow the aforementioned style of Peppercorn, the penultimate track on the collection. Dammit, this is good, but you knew it would be.

News of it literally arrived via Facebook post yesterday, โ€œthis year,โ€ Jon posted, โ€œIโ€™ve been spending a lot of my weekends recording some songs, and I appear to have made an album.โ€ And as if by magic, today (27th November) itโ€™s a thing. So, was it as spontaneous as it sounds, a result of lockdown?

โ€œI suppose initially it was the result of lockdown,โ€ Jon replied, โ€œyeah, I was working all week and had nothing to do at weekends!โ€ If there’s only one good thing to come out of all this, I noted, thinking Erin Bardwellโ€™s Interval album in particular, is that artists have had the time to write and create, and there’s good material flowing from all genres. Then I waffled some similarities in a piece I was reading about the great plague, where it modernised and revolutionized both folk and classical music, possibly gave birth to the renaissance.  

โ€œI think a lot of people embraced the spare time and the isolation and turned it into a positive,โ€ Jon added. โ€œNow Iโ€™m picturing video conference calls and zoom quizzes in the 1600s…โ€

While Jon is clearly experimenting, dabbling this more pop sound with Remote Control, itโ€™s also temptingly raw and punchy. There are some retrospective glances, the opening tune Song and Dance is a catchy three-minute Merseybeat blast, whereas If a Million is demarcated Curtis Mayfield funk. 03 57961 (Thatโ€™s my Number) bounces like a quirky ZZ Top, whereas Robot Skin follows, using the guitar like white noise, overridden with a Gecko styled rap.

Iโ€™m intrigued now, wondering where this will take me next, and even if Next plays out the downbeat trip-hop style, akin to Portishead meeting Costello, it remains definitively Jon Amor. Just a Bomb booms power pop, with a singable chorus after just the one listen. Weโ€™re one track down before Peppercorn, youโ€™d be mistaken by the title that this is locally-themed, Moonraker, is Bowie spacey and maybe a reference to the Bond movie rather than a Devizes pond fable.

Image by Nick Padmore

The finale rings with everything weโ€™ve suggested at the start, this is poptastic for catchiness. Do Bop-Bop is staunchly irresistible. Exotic bongos, Californian beatnik surfer goodness; ideal daydream for wintertime locked down in England!

In conclusion, I need not convince Jonโ€™s lifetime fans, they will buy it and love the fact they have. For others, this is an interesting progression with great prose, itโ€™s joyful and quirky and explores styles without selling-out or shifting the central pivot point, which is Jon Amor, da man rocks! All the above basically adds up to; this is highly entertaining on the ears and persuasive on the feet to tap.

     


Beans on Toast Knee Deep in Nostalgia

If growing up in Witham meant Braintree appeared to be Shelbyville to our Springfield, I should go no further. The Prodigy are undoubtedly Essexโ€™s finest musical export in the last three decades, next to Colchesterโ€™s Blur, and what did Witham give us? Olly Murs, thatโ€™s who.

Though if Jay McAllisterโ€™s hometown evokes my own childhood memories, his forthcoming album, Knee Deep in Nostalgia will for all. Itโ€™s released, as all his annual studios albums are, on his birthday, the 1st December. Yet whereas Braintreeโ€™s Prodigy were sovereigns of progression, thereโ€™s nothing particularly ground-breaking about Jay, from the same Essex community, whoโ€™s tongue-in-cheek stage name, Beans on Toast suggests. But it makes up for it in highly entertaining folk songs which doesnโ€™t take themselves too seriously.

As with Frank Turner, who incidentally guested on and produced previous Beans on Toast albums, I jumped on the chance to review this on the endorsement from Sheer Musicโ€™s Kieran Moore, and just as before, perhaps more so, he didnโ€™t let me down. For as a folk singer-songwriter Iโ€™d evaluate Beans on Toast isnโ€™t Tammy Wynette, or Willie Nelson, of whom he takes a nod to in a song on this album, but he is the best thing at least since the sliced bread in his namesake. He is Beans on Toast, indefinitely, and I love beans on toast. you can add cheese, you can add little sausages, but as it remains, none matter, simplicity is key; just beans, on two slices of toast, it works.

Aptly, just as the dish, his style is simple but effective and immediately likable. He drafts songs from the heart, served with a side-order of cheeky Essex humour, the reason why heโ€™s played every Glasto since his first, and Boomtown, recorded with and shared the stage with many legends, recorded in Kansas with Truckstop Honeymoon, opened for Kate Nash and Flogging Molly, and aforementioned Turner on his sell-out Wembley show. Why havenโ€™t I cottoned on about his brilliance before? Itโ€™s an age thing; old dog, new tricks. But that, in a nutshell, is the theme for this album, as the name suggests, but not without both sentimental and humorous prose.

For this whippersnapper contemplates his looming fortieth, which, if I get the honour of you reading this, Jay, Iโ€™ll confirm it gets no better. And with it reminisces his past. One concerning the thrills and pitfalls of gigging in Camden, but most poignant are those which go back to childhood; being frightened on Halloween, inspirational teachers, family discos at a village hall, and one which ingeniously sums up the whole shebang of daydreaming about the past.

Knee Deep in Nostalgia isnโ€™t going to wow you with technological advances in sound, it isnโ€™t going to whisk you to a fantasy world. Iโ€™d even say thereโ€™s sometimes clichรฉ with the subject matter, but when done itโ€™s done uniquely, insightfully reflective. Thereโ€™s ingeniously uncensored meagre material here, offering a range aside the general theme of nostalgia, particularly the upbeat and carefree Coincidence, which rings almost on a level of Madness for fairground joy.

The gem is precisely in its simplicity, Beans on Toast reflects and rebounds onto the listener, acknowledging their own life in his words. You may have known a crazy Australian dude, as depicted here, you may giggle at your own fondness for Finderโ€™s Crispy Pancakes, or when the streetlights coming on was a signal to go home, and the other everyday juvenile cultural references. And for this, and more, I bloody love this album.

There is a particular nugget which knocked me head-over-heels, and itโ€™s when Beans on Toast get sentimental. Reminiscing often spawns from watching your own children, and interacting with their joy and innocence at discovering the world again. Tricky to pinpoint why having kids is overwhelmingly fantastic, being they poo on your hand, launch their dinner in your face, cost you a kingโ€™s ransom, belittle you and grow to ignore your every word, but with a simple leitmotif Beans on Toast nails it. Again, even when semimetal, nothing is psychologically challenging, itโ€™s just the premise of The Album of the Day, which touches the heartstrings; sharing a moment with his daughter, as with alongside other memorable doings, he temps her musical taste with choices from his record collection. It sounds sickly, but I promise you, as I did earlier, this guy can pull it off with bells on.

That said, kids grow, and the fragile years, when theyโ€™d take heed and listen to Bob Marley, Dire Straits, Paul Simon, or whoever inspired you, are too short. Theyโ€™ll find their own way, and you have to allow them to, as your house turns into a bass funnel and you metamorphize into your own misunderstanding parents; itโ€™s unavoidable no matter how you might think when they were inspired by your likes, and in this, is the brilliance of the song.

I mean my offspring, they donโ€™t even like beans on toast, right, which I think is abnormal; all kids like beans, it should be enforced! Such should this album. And it comes with an accompanying album, The Unforeseeable Future, which I could only speculate about, as the title suggests, as they didnโ€™t send that. On the basis of this one though, Iโ€™m musically smitten.

Knee Deep in Nostalgia is out on 1st December; Pre-order it here.


You Do You, George

A message goes ping from that George Wilding, heโ€™s got a new single out since when we reviewed his band Wildingโ€™s last outing. Are they building up to an EP? I asked, and got the reply, this is a solo one. Then, nought, despite saying if you send it, Iโ€™ll bless it with some words. Thatโ€™s our George, never too hot on a press release, and if I criticise myself for being a technophobe, Iโ€™m Zuckerberg by comparison! So, I gotta go find it on these blasted streaming sites, but you know, and he does too, Iโ€™m going to, even if Dave Franklyn got in before me with a super review. Blinking Loreal; he’s worth it!

I take the chance not to read anything Dave has written prior to scribing something myself, if itโ€™s on the same subject. Such an expert with words, my penmanship pales in contrast. Still, I got to say a little something, George being such a popular charismatic and approachable guy, aside his natural flare and virtuosity, musically. ย ย ย ย ย 

Encouragement and reassurance for a falling star, practically rather than spiritually, seems to be the subject for You Do You, a delicate resonance in such a fashion only George could execute. Perhaps the most melancholic yet, opposed to the bouncy country acoustic of some of his earlier classic bombasts, it contains no skilfully-placed vulgarity, itโ€™s mellowed, inspired and stunning. Itโ€™s crying out for an emotional upsurge, yet whispered with sincerity, the key to a great song, and George nails it, unsurprisingly.

The kind if performed live it would suspend the whole venue in awe, as if time suddenly stopped and nothing mattered other than counselling this lone girl. Everything moral spells this character needs help, yet by natural testosterone, perhaps her beauty distracts; a perpetual cycle of bad karma. Like any truly-written masterpiece, thereโ€™s obviously a private connection with the author, yet the listener identifies by conjuring a similarity to a particular own experience, in this case be it a girl, your mind locates the ideal suspect. Yeah, I know that chick, you contemplate, least one too close for comfort!

Every need then, to check it out for yourself. George Wildingโ€™s You Do You is out now, across all streaming platforms.

https://open.spotify.com/embed/album/3PQr8HIQjtQBv6f9WsC7hb


Tunnel Rat Refurb their Studio for Social Distancing Recordings

Unaware of their sound until now, but Iโ€™ve heard only good things about South Wiltshire duo Illingworth. Via this video you can hear their worth, a wonderfully executed rock power ballad, โ€œSing it.โ€ High time to review their September debut album New Normal based on this, me thinks, but for now weโ€™re here to mention the recording studio, as thatโ€™s what the video is promoting.

In a friendly, rural setting Tunnel Rat Studios is based in Haxton, near Salisbury, and only opened last year, but since had clients such as professional opera singer, Deborah Mansi, singer-songwriters Paige Dobson and Emma Burton, as well as aforementioned Illingworth. The news is though, they have just had a major refurb. โ€œIs this to enable better social distancing measures?โ€ I asked engineer and producer Eddie Prestige, one half of studioโ€™s pair, with Jolyon Dixon, each of whom have over thirty years proven experience in the industry.

โ€œYes,โ€ he replied, โ€œit was mainly for social distancing measures. However, we have upgraded our equipment too.โ€

Tunnel Rat Studios can now offer fantastic quality recording in a larger, covid19 secure environment, with experienced professional engineers and session musicians available in house to help. There are separate performance and engineering rooms, with full line of sight between the two.

Their comfortable live room is plenty big enough for up to four people to play together. The control room, which can record up to sixteen channels of audio simultaneously, and have high-end outboard equipment, like the Manley Voxbox channel strip, and itโ€™s accessed by a separate door. Containing a 2020 iMac, running Logic pro X with many of the latest software instruments and first-rate plug-ins, including Waves bundles and Celemony Melodyne studio 5, a Black Lion audio analogue to digital converters, mind-print DTC channel, and Kemper profiling amplifier, and Peluso 2247le (Tube U47 clone) Lauten audio Clarion (FET Condenser) microphones. There are a matched pair of Miktek C5 (small diaphragm condensers) and 2 MXL Lundahl edition R77 ribbon mics. They also have all the usual dynamic mics like shure SM57 (x2) shure SM91 (x2), and for monitoring they use genelec 8020 speakers and Event Opals.

Now, you see, that technical jargon is all double-Dutch to me, sounds good though and Iโ€™m certain if youโ€™re a musician into getting sound production perfection, considering Tunnel Rat might be an option, they promise itโ€™ll be an affordable one. Theyโ€™ve even a unique Christmas gift package, a voucher for the aspiring singer or musician, offering studio time vouchers from as little as ยฃ125, valid for a whole year from purchase. Each voucher entitles the recipient to studio time at Tunnel Rat, and they encourage you to get in touch for more details or to discuss any special requirements you may have.

Here is their website.


Shiine Weekender Festival 2021

Imagine, a festival. Right now, imagining Joe Bloggs from the down the road clonking the ivory and singing a ditty down your local is wishful thinking. Itโ€™s hard to envisage an autumn a year away, and I accept, not ideal to invest in a ticket until you are sure this fiasco is blown over. However, if we donโ€™t least assume it will have and buy advance tickets for events, there will be nought sorted for when we can and are itching to go out.

While festivals, for me, are something of a past reality, I just know Iโ€™m going to aching to get out as much as feasible. So, we have to tip our hats at those ambitious organisers trying to arrange bonza events on the hope things will return to relative normal. Hereโ€™s a blinding example, the Shiine On Weekender at Butlins Minehead. Itโ€™s not due until November 2021, when if it hasnโ€™t blown over by then, I think weโ€™ll be clinically insane! Check out the knockout line up.

The festival returns for itโ€™s sixth year, with Feeder, Cast, Peter Hook & The Light, The Coral, Black Grape, Glasvegas and The Bluetones all headlining. Plus 808 State, Asian Dub Foundation, Sice Boo & The Radleys, Nedโ€™s Acoustic Dustbin, Jim Bob, Chameleons, The Pigeon Detectives, Milltown Brothers, Neville Staple Band, and more. Ding dong, I say, tickets are on sale now.

The rest of this piece Iโ€™m copy and pasting direct from the press release, save a bit of typing! Go knock yourselves out.

Staking its place as a stalwart of the UKโ€™s Winter festival scene, the Shiiine On Weekender returns for its sixth instalment on the 12th, 13th and 14th November 2021 and boasts an unbeatable crop of indie and dance as always.

Taking over Butlinโ€™s Minehead Arena for a long-weekend escape of music and mayhem, the fest will be hosting a trio of legendary headline acts of the highest order…

Getting the festival underway in style, Friday night headliners FEEDER will see dynamic duo Grant Nicholas & Taka Hirose blasting through over 20 years of hits, from โ€˜Buck Rogersโ€™ to โ€˜Just A Dayโ€™ and airing cuts from their revitalised comeback LP of 2019: โ€˜Tallulahโ€™. Marking the 25th anniversary of their seminal โ€˜All Changeโ€™ album, Saturday night will see CAST top the bill with their electrifying live show to remind us just why they were crowned โ€˜The Who of the 90sโ€™; expect a healthy dose of classics in a confirmed Greatest Hits set too. PLUS, closing-out the Shiiine On Weekender with a Sunday showdown of pure substance: PETER HOOK & THE LIGHT will bring a set brim-full of Joy Division and New Orderโ€™s very finest moments.

Giving plenty of reasons to get down the front early, there will be superior supporting sets across the weekend from some long-established festival heroes. Merseyside psych-pop sorcerers THE CORAL (Friday), Shaun Ryderโ€™s rabble-rousers BLACK GRAPE, plus a long overdue return from Scottish shoegazers GLASVEGAS (Sunday), will throw down the gauntlet to the headliners each night.

And of course, the mainstage is just the tip of the iceberg. Revealing its full and complete billing today, the Shiiine On Weekender will pack the holiday park with incendiary indie acts from all eras….

Thereโ€™ll be sets by Brit-Pop powerhouses like THE BLUETONES who will be arriving for an all-guns blazing greatest hits slot; PLUS, a Shiiine On 2021 festival exclusive set from SICE BOO & THE RADLEYS, which will see Sice reunited with the Boo Radleys rhythm section Tim Brown and Rob Cieka to โ€˜Wake Up, Boo!โ€™ and their many dormant classics at long last. There will also be sets from The Seahorsesโ€™ CHRIS HELME, JAMES ATKIN (of EMF), REPUBLICA, BENTLEY RHYTHM ACE, MOLLY

HALF HEAD, THE CLONE ROSES, and THE SPACE MONKEYS will all be flying the flag for that seminal era of British music.

Elsewhere, 21st Century alternative torchbearers like HUMANIST, THE PIGEON DETECTIVES and GOLDIE LOOKINโ€™ CHAIN will be showcasing their own tried-and-tested modern festival anthems.

Showing the kids how itโ€™s done, vintage indie veterans including: CHAMELEONS, NEDโ€™S ACOUSTIC DUSTBIN, JIM BOB (of Carter The Unstoppable Sex Machine), THE MILLTOWN BROTHERS, and the JAMES TAYLOR QUARTET will be bringing timeless tunes and experience to the fest.

And with a packed programme of music day and night, the entertainment wonโ€™t stop when the mainstage lights go up. Throwing their doors open from 10pm – 4 am, the Shiiine On Weekenderโ€™s Centre Stage and Reds Stage promises to be the-place-to-be for top tunes late into the night. Full live sets from proven party starters inc. Acid House innovators 808 STATE, original rude boy NEVILLE STAPLE BAND (ex-The Specials), plus an unmissable closing party set from Electronic/Dub overlords: ASIAN DUB FOUNDATION. In addition, late-night slots from ALISON LIMERICK, DUB PISTOLS, SHADES OF RHYTHM, SUNSCREEM, plus DJ sets from SLIPMATT, JON DASILVA (Hacienda), RHODA DAKAR (Bodysnatchers), radio legends STEVE LAMACQ (BBC 6 Music) and CLINT BOON (XS Manchester / Inspiral Carpets) will ensure thereโ€™s good reason to keep the candles burning at both ends.

Announcing nearly 80 artists and performers today, the Shiiine On Weekender can also confirm a huge array of new and established acts who will also be making tracks for the seaside resort come this November. Across the weekend, look out for: ELECTRIC SOFT PARADE, DEJA VEGA, TOM HINGLEY, MARTIN BLUNT, ANDY BUSH, HOLY APES, MATT McMANAMON, THE WALTONES, SECTION 25, THE CHESTERFIELDS, MIDWAY STILL, THE CLAUSE, THE SHAKES, PSYCHO COMEDY, DERMO, DJ MILF, PHIL SMITH, LEO STANLEY, SHADER, UKE2, OASIS (UK), TAM COYLE, DIRTY LACES, CUT GLASS KINGS, THE ROOM IN THE WOOD, THE JACQUES, CROSS WIRES, THE IDLE HANDS, THE MALAKITES, GOOD MIXER, TRAPPSY, DAN FULHAM, WELSH LEE,  LEE HOWE,  DJ STARKEY, DAVID DUTTON, MISFIT MAN, ALEX LIPINSKI, NIRVANALOT, and STEVE ADJ; all of whom will be making the festival’s sixth edition its biggest and best yet.

Itโ€™s not all just about the bands either. The Shiiine On Weekender will also be throwing one big holiday park house-party to rival the best, crammed end-to-end with even more entertainment inducing: CLUB NIGHTS, POOL PARTIES, LIVE COMEDY, CINEMA SCREENINGS, a SOCIAL RECLUSE EXHIBITION and much, much more. 

TICKET DETAILS

Taking place 12th, 13th, 14th November 2021, tickets and packages for the SHIIINE ON WEEKENDER 2021 at Butlinโ€™s Minehead Arena, Somerset are on sale now. All packages include 3 nightsโ€™ accommodation on-site at the Butlin’s Minehead Holiday Resort. (A deposit scheme is also available for customers who wish to pay by instalments.)

PURCHASE TICKETS HERE:

EXCLUSIVE EARLY BIRD DISCOUNT

** PLUS, early bird customers who use the promo code NCB10 will also be offered a discounted rate. This is an 18+ event only. For more T&Cs please visit the website.


1/2 Dove – 1/2 Pigeon with Micko and the Mellotronics

Had to chuckle to myself, trying to find this album stored on my phone I kept thinking about Mike & The Mechanics! Just, No, leave it; nothing of the sort, Londonโ€™s Micko and the Mellotronics debuted last year with the single The Finger, the accompanying album 1/2 Dove – 1/2 Pigeon is due for release Friday (27th November.)

Weโ€™ve come so far since Televisionโ€™s Marquee Moon, neo-avant-garde anarchism comes across cleaner this decade. You Killed My Father, now you must die, is a tune lesser aggressively executed than you might imagine from the lyrics. Thereโ€™s a fairground, vaudeville style to Micko & The Mellotronics, wrapped in wryness, at times; which you donโ€™t get with Sonic Youth, but unpredictably often spawned cringeworthy from the Velvet Underground.

Melancholic free, though; thereโ€™s nothing retrospective on offer, this is post art-punk, a distant cry from Talking Heads, feistier, it floors the vox, elevates to high-fidelity and fires on all four cylinders. At times it shadows Pulp, and at others Blur creeps in, but throughout, itโ€™s fresh and exhilarant. Welcome to the eccentric and individual biosphere of Micko Westmoreland, actor and creative, hitherto renowned for solo releases and material as The Bowling Green.

The Mellotronics initially began playing out as a three-piece with founding member Nick Mackay (drums) and the enigmatic addition of Vicky Carroll (band โ€œwicket keeperโ€ and bass player). In 2018, the band were joined by revolutionary guitarist Jon Klein (Siouxsie & the Banshees/Specimen, and founder of the iconic Batcave club) who also adds his flare to their upcoming debut.

A stellar array of special guest musicians feature too, including The Specialsโ€™ bassist Horace Panter (a friend & collaborator who has worked with Micko on an annual charity record alongside Rat Scabies for the last 7 years), horn impresario Terry Edwards (PJ Harvey/Madness/Nick Cave) and alternative violinist in excelsis Dylan Bates (Waiting On Dwarfs/Penge Triangle), plus the late Monty Python/The Rutles/Bonzos great: Neil Innes. Early videos for featured singles โ€˜The Fingerโ€™ and โ€˜Noisy Neighboursโ€™, have also seen the band working with actors Paul Putner (Little Britain) and Susy Kane (The I.T. Crowd, Gavin & Stacey) respectively.

ยฝ Dove – ยฝ Pigeon is elated trialling, chockful of historical and philosophical references, palpably paranoid of a modern apocalypse and merged in citations to pop-culture, at times rocking, others a tad unnerving. But while power-driven guitar impediments contribute to the discomforting moments, off-kilter horns counteract it with this sardonic glee.

Contradictory this arrangement puts your defences up, akin to walking into a modern art gallery not knowing what to expect. I wanted at times not to like it, as tracks like The Fear does what it says on the tin, but Good Friend is having-it joyously and bought me around. If I remain undecided itโ€™s due to my own personal preference, and have to tip my hat at the ingeniousness of the writing and composition. It took me some adjusting to fully appreciate, yet I feel those leaning harder to post-punk rock and emo-indie will take Micko & The Mellotronics as new idols.

This is especially true of the next single released from it, Psychedelic Shirt. A coming of age theme, eighties set, when the culturally cool was at loggerheads with Thatcherite careerism, and tribalism was rife on the dancefloors of the local disco. Micko sums his notions, โ€œPsychedelic Shirt tells the story of venturing to an out of hours school disco in a dishevelled scout hut in Leeds. Where Top Man flick heads had seized upon my newly procured paisley shirt and sought about destroying it. Iโ€™d taken it off because I was too hot, left it on a peg in the boyโ€™s loos. Later, I found the article, โ€˜mopped up in the fluid, screwed up in a ballโ€™ on the lino floor as the songโ€™s lyrics state. I was forced to make a choice between victimhood or empowerment but left contemplating shades somewhere in betweenโ€ฆโ€

Itโ€™s one slick album, razor-edged rockโ€™nโ€™roll meets avant-garde pop-art meets satirical Edgar Allan Poe short story, but in a cracker of fun.

PRE-ORDER HERE: Facebook: Twitter:


Youโ€™ve Been Mangoed; With Mango Thomas!

Vast developments in the later days of breakbeat house saw a split in the blossoming rave scene. Techno-heads being directed away from the newfound UK sound found solace in a subgenre dubbed โ€œhappy hardcore,โ€ whereas the trialling occurred in the dawn of drum and bass, or โ€œjungleโ€ as it was known at the time. Yet it was still underground and reserved for the party. No one considered a concept album, myself included, until I heard A Guy Called Geraldโ€™s Black Secret Technology. I bought it on a memory tip-off, I loved the late eighties acid house anthem Voodoo Ray. It was like splinters of drum n bass over an ambient soundscape, and wasnโ€™t for everyone, but while I was still gulping about it, Goldie released Timeless and the rest is history.

Creative outpourings too radical or experimental for the time are commonplace, and perhaps our necessity to pigeonhole excludes Manchesterโ€™s Mango Thomas. He emailed with a list of rejections from specific music blogs and radio shows, being if one part did, the rest of his new EP โ€œGoes De,โ€ out today (22nd Nov) didnโ€™t fit their restrictive agenda. Thereโ€™s part of me which says I donโ€™t blame them, this is a hard pill to swallow, juxtaposed randomly at breakneck speed, itโ€™s a roller-coaster alright; you have no control where itโ€™ll take you.

Mango Thomas throws every conceivable psychedelic genre of yore into a breakcore melting pot, and pours you a jug; if you take a sip you might as well down the whole thing, for it works fast, itโ€™s a trip and youโ€™re in it for the duration. You have to be, if only to wonder whatโ€™s coming next. And in that, it has to be one the most interesting things Iโ€™ll review here for a while. Yeah, it uses contemporary breakcore, but at times nods back to drum n bass of yore, but it funks too, it rocks, unexpectedly, and if you thought you could be shocked no more, it even mellowly bhangras at the finale, as if Ravi Shankar wandered in.

There are so many elements to contemplate in this hedonistic frenzy of chaos, yet with crashing hi-hats, stripped down rhythms, sonic belters, echoes and reverbs, it primarily relies on dub techniques absorbing industrial metal and hardcore. Imagine an alternative universe where the Mad Professor is remixing Bootsy Collins, but in this realm Bootsy actually fronts a thrash metal band, and Frank Zappa peers over the mixing board putting his tuppence in; something like that, but more bonkers.

Picking it apart, at times youโ€™ll contemplate Mango Thomasโ€™ location and hear shards of the Madchester scene, other points will wobble you over to the Butthole Surfers, for if it is industrial hardcore skater, itโ€™s done tongue-in-cheek. But it doesnโ€™t come over dejected, as such a genre archetypically does, rather showy and egotistical like a funkmaster general. The man himself explains the effect will leave you โ€œmangoed,โ€ Iโ€™ve a tendency to agree.

Itโ€™s four major tracks with reprises and clippits between, often Bonzo Dog Doo-Dah Band fashioned, bizarre, amusing or deliberately belligerent to the mainstream, in true counter culture fashion. Do I like it, though, thatโ€™s what you want to know, isnโ€™t it? Damn you and your demands, fuck, I donโ€™t know. Itโ€™s always going to be something you have to be in the mood for, certainly not drifting Sunday afternoon music to take a snooze to after a roastie. A younger me would lap it up, as it twists so unexpectedly. Any psychedelia gone before doesnโ€™t touch it for cross-genre experimentation, and for that, in my artier moods, I give it full points. A sensible somebody as Iโ€™d prefer to strive for might suggest itโ€™s too far out there. But it entertained me for sure, so it has its place.

Can I suggest you throw caution to the wind, listen and see how long you can bear to hold out for? If you like Tim Burton, Zappa or Lee Scratch Perry youโ€™ll be partly prepared. Try though, as the finale is something quite astounding and as an erratic mishmash it mirrors A Guy Called Geraldโ€™s Black Secret Technology for pushing new boundaries, but it mirrors Sgt Peppers, the Doughnut in Granny’s Greenhouse and Bitches Brew too.


Arcana & Idols of the Flesh: Ambience and Chamber-Prog with Swindon Composer Richard Wileman

One portion my nostalgia rarely serves, and thatโ€™s my once veneration for spacey sounds, apexed through the ambient house movement in the nineties, but not comprehensively; we always had Sgt Pepper, Pink Floyd and Hendrixโ€™s intro to Electric Ladyland. Iโ€™ve long detached myself from adolescent experimentation of non-licit medications, lying lone in a dark bedroom chillaxing to mood music, and moved onto a full house of commotional kids; progress they call it.

Incredibly prolific, Swindonโ€™s composer Richard Wileman might yet stir the memories, if these headphones drown out the sound of a nearby X-Box tournament. Best known for his pre-symphonic rock band Karda Estra, there is nothing vertical or frenetic about his musical approach. Idols of the Flesh is his latest offering from a discography of sixteen albums. Yet far from my preconceptions of layers of decelerated techno, as was The Orb or KLF, or psychedelic space-rock moments of my elders, which our own Cracked Machine continue the splendour of, Richardโ€™s sounds with Karda Estra bases more orchestrally, neo-classical, as if the opening of a thriller movie. Though, so intense is this sound you need no images to provoke you.

Idols of the Flesh is dark and deeply surreal, with swirls of cosmic and gothic hauntings which drifts the listener on a voyage of bliss. Nirvana is tricky to pinpoint in my household, but with my ears suctioned to my headphones I jumped out of my skin upon a tap on the shoulder, daughter offering me some sweets! Momentarily snapped back in the room as if Iโ€™d surfaced from a hypnotistโ€™s invocation, but aching to fall backwards into it once again.

Agreeably, this is not headbanging driving music, neither does it build like Leftfield for those anticipating beats to start rolling after a ten-minute intro, it simply drifts as a soundscape, perhaps coming to its apex at the eloquently medieval church organed Church of Flesh, one of two named tunes out of the six on offer, the others given part numbers. Then, with running water, the final part echoes a distant chant of female vocals as if a wind blowing across a sea for another eleven minutes, itโ€™s stirring, incredibly emotive and perfected.

Along a similar, blissful ethos Richard Wileman served up Arcana in September this year, a third album this time under his own name. While maintaining a certain ambiance, itโ€™s more conventional than his Karda Estra, more attributed to the standard model of popular music. Itโ€™s an eerie and spectral resonance, though, with occasional vocals which meander on divine folk and prog-rock; contemporary hippy vibes, rather than timeworn psychedelia. Released on Kavus Torabi’s Believers Roast label, a sprinkling of Byrds and Mamas & Papas ring through with an unmistakable likeness to a homemade Mike Oldfield. When vocals come into effect, with one guest singer Sienna Wileman, itโ€™s astutely drafted and beguiling.

Select anything from the bulging discographies of Karda Estra or Richard Wileman and youโ€™re onto a mood-setting journey, composed with expertise and passion. If ambient house is lost in a bygone era, this is reforming the balance of atmospheric compositions with modernism, so mesmeric it remains without the need for intoxication. Now, where did I stash my old chillum?! Probably in a dusty box in the loft with my Pete Loveday comics and some Mandelbrot fractal postcardsโ€ฆ.



Rowde Villagers Rally in Support of Residential Centre Facility

Stop the closure of HFT in Rowde

Sign the Petition here.

It was a wonderfully professional-looking cake, we bought for a birthday of yore, from the residents of the nearby facility for adults with learning disabilities, now known as HFT Rowde. Making this a tricky piece to balance. While one doesnโ€™t want to criticise a charity, as villagers and townsfolk of Devizes rally to get a decision to close the facility by the central office of the charity HFT overturned, thereโ€™s a notion this is not in the best interest of the residents.

HFT divisional director Emma Bagley explained they have, โ€œbeen supporting people at our residential, day and supported living services at Rowde, which is a campus site, for many years.โ€ It has, in fact, been running the facility for only five out of twenty-eight years it has been active. Furlong Close was first opened in 1992 as Care (Cottage and Rural Enterprises Ltd,) which was pioneered by Peter Forbes in the sixties. The site endorsed an โ€œindependent livingโ€ model, revolutionary at the time, consisting of four purpose-built bungalows, each with two associated one-bed flats and it was made possible by a generous ยฃ1.25m gift from Birminghamโ€™s the Dofra Masonic Lodge.

The director outlined, โ€œit has long been recognised that campus sites (group homes clustered together in the same site and usually sharing staff and some facilities) do not offer the best outcomes for most people. Our regulator, CQC, and Wiltshire Council do not support this model of care and a campus style site would not be registered by CQC, should a provider propose to set one up now.โ€ Causing me to ponder, in which case, why did they take it over in the first place, if itโ€™s so unsuitable?

Some background notes provided by a relative of one of the residents considered of the โ€œairy, spacious, and homelyโ€ purpose-built homes, made to accommodate wheelchair users, and each with private outdoor space as well as free access to the grounds, โ€œdemonstrated the Gold Standard of what care for learning disabled adults should look like. That vision stands today, but is being systematically destroyed by regulation and drastic underspending on adult social care over many years and governments.โ€ Irrefutably, the grounds are idyllic in a desirable location, with a central hall for social events, and a horticulture workshop, chicken runs, an orchard and even a sheep grazing area. Rumoured in the village, HFT attempted to sell part of the land some years ago. Herein lies my understandable concern, and if you mess with anyone who made me a cake, you mess with me!

Itโ€™s as if HFT perceive the site as โ€œCraggy Island,โ€ some barren garrison cut off from the mainland. Yet villagers know as well as the excellent facilities used by residents, for day service users and training purposes, Rowde is not far from town, and the residents of Furlong Close are known and liked in the village. They are welcomed here and valued, often taking jobs in pubs and cafes, or cutting the churchyard grass. This is not an isolated, campus style residential care home, rather it is home, which many residents have lived in since it was built.

HFT expressed, โ€œHFT and Wiltshire Council are committed to finding services that follow best practice and support people to live as independently as possible in smaller, community-based settings where people have more independence, choice and control over their lives.โ€ Now, I ask you, is there anything Iโ€™ve outlined about life in Furlong close which would make you consider it not meeting these conditions?

Furlong Close, Rowde; yeah, doesn’t fit the “model.” Looks kind of nice to me.

โ€œFor this reason,โ€ they continue, despite the grey area outlined, โ€œwe have made the decision to close our service at Rowde. The targeted closure date is the end of June 2021 after a careful transition process has taken place to support people to find new support. However, this is dependent on all of the people living at Rowde successfully moving to their new homes. Wiltshire Council and other out of county commissioners will be consulting with the people supported at Furlong Close to conduct a detailed assessment of their individual needs, to secure them a new home and/or support in line with their assessed needs and best interests.โ€ Consulting, yes, consulting is good. Did anyone think to consult the actual people living there, you know, prior to the decision being made? Might’ve been a thoughtful option.

HFT make a point in saying, theyโ€™re โ€œworking closely with local authorities to support the ongoing assessment process. In addition to this we are closely monitoring the impact of the closure on the health and wellbeing of individuals.โ€ Described akin to livestock here, the bombshell was delivered to residents, their family, and staff in the form of a letter, dated October 13th, preceded by some phone calls. Could they pinpoint Rowde on a map?

I apologise if I am slamming a charity doing great work with disabilities, their website glosses a firm and assertively caring approach, though my comments asking why on their Facebook page were promptly deleted, but I cannot see it another way. It is cruel and inhumane, a content and settled community of extremely vulnerable learning-disabled adults, some elderly and suffering from underlying health problems and dementia, are being turfed out of their homes to be relocated at the cost of the Council; something is fishy here. Is HFT a charity, or a business with an eye on a right good earner for WC?

Iโ€™ve had a similar issue with an eminent charity when I wanted to donate profits from a forthcoming book project. I was told I had to guarantee them a fixed donation or I would be liable for the rest, under the guise they have a corporate identity to uphold. I expressed concern the book would not raise the thousands they asked for, and I left feeling uneasy and upset, being more like a business deal than fundraising. Villager Mandy Humphreys has initiated a petition to get this decision overturned. She says โ€œitโ€™s very hard in this climate to effectively protest, no marches allowed, no properly public council meetings.โ€

I put my suspicions to Mandy, โ€œit seems to me, HFT may be non-profit making, perhaps not, but itโ€™s almost as if itโ€™s a โ€˜business in disguise,โ€™ they use a charity status to their advantage, as do public schools who collect as a charity then run a simple outreach program and get a better tax deal.โ€

โ€œExactly,โ€ was the short answer, others I have spoken to rebuked it, thus it becomes political. Perhaps Iโ€™m reading too much into this, and need to focus on the issue in hand.

โ€œMy question is,โ€ Mandy sustained, โ€œif HFT think this is in the best interests of the residents, then why are they not closing all their campus-based centres? The residents are really upset, some have lived there since it opened and were told that it was their home for as long as they needed it. Just awful.โ€

And it is too, I ponder, as I receive a friendly โ€œmorningโ€ from a passing villager off for his morning walk, in which it would seem he counts every step he takes. He is resident at Furlong Close. He takes the same route every day, he is pleasant, always stops to talk. Though I fear putting him off his count if I chat, he takes a mental note of the number and initiates the conversation! He continues on his way. He seems content, appears happy. Please, please, sign this petition, whatever the reasoning, and while it is not for me to criticise those decisions made from professionals, something about this whole affair feels inhumane and ill-thought out regardless of if cruelty was the intention, or profit is on the agenda or not.

Dirty and Smooth Seed to the Spark

That moment after a message from a local band, when you click on their Facebook page to find eleven friends already โ€œlikeโ€ them, and not one of them told you! Yeah, Iโ€™m talking, but I ainโ€™t saying anything new; does everyone know Malmsburyโ€™s The Dirty Smooth, except me?!

If not, you should. Since their debut single five years ago, The Dirty Smooth are no strangers to the festival circuit, gaining a reputation for playing original, anthemic pop songs. On top of numerous live appearances, they helped organise the Minety Music Festival in 2017. Shortlisted at the UK Festival Awards it has become a well-established festival, hosting acts like Toploader, Republica and Chesney Hawkes. Over the past two years, but setback by lockdown, theyโ€™ve been working towards a forthcoming album, Running From The Radar, due to be released in February. Theyโ€™ve a very worthy teaser from it, a single you should check out, Seed To The Spark; itโ€™s certainly convinced me.

With a sonic booming bass intro, itโ€™s as it suggests on the tin; dirty. Yet itโ€™s got that perfect pop blend in melody, which draws in many influences. Central vocal hooks of eighties rock, punky attitude, but beguiling backing female vocals and funky rhythmic grooves of soul-related pop, ah, the smooth part. Iโ€™m left thinking if Simple Minds met Deacon Blue, or Roxette. Though Iโ€™m contemplating they met today, for nothing is left completely to retrospection with The Dirty Smooth, thereโ€™s vibrant freshness to the sound too. Thing is, itโ€™s aching with confidence and undoubtedly brewing with potential. The ingredients are all there and being unified by some musical Michelin star chefs, who clearly love their cuisine.

Few local bands aim for the stadium sound, knowing a pub circuit is more workable. Here, as with Swindonโ€™s Talk in Code, is something which needs some big stage festival airing, it has that range, it has that wide appeal. As with the apt band name, Dirty and Smooth righty word their single, you get the sensation this is far from their opus-magnum, for if it is just a seed to a spark youโ€™ll want to be there when that bomb drops.


Rocking Steady For Some Cosmic Shuffling?

Righty, a pop quiz question prior to todayโ€™s review, if youโ€™re game? Look at the three people pictured below, which one of them influenced reggae music the most, A, B or C?

Answer: A. Did you guess right? Probably, because you know me well enough to know it was a trick question! C is Jamaican National team footballer, Allan โ€œSkillโ€ Cole, though as a close friend of Bob Marley he became the Wailers tour manager and was credited in co-writing some songs. And B is just Brad Pitt with a Bob Marley makeover for a biopic which has yet to see the light of day!

On the other hand, A is Sister of Mercy, Sister Mary Ignatius Davies, a teacher of Kingstonโ€™s vocational residential school, Alpha Cottage School, a school for โ€œwayward boys.โ€ A devotee of blues and jazz, she operated a sound system at the school and tutored many of Jamaicaโ€™s most influential musicians. As a musical mentor for graduates she dubbed โ€œthe old boys,โ€ would later make up the backbone of The Skatalites, producer Coxsone Doddโ€™s inhouse band which shaped the very foundation of ska at Studio One.

The Skatalites in 1964

Here is the unrivalled benchmark of Jamaican music, as well as a plethora of instrumental ska classics, just like Booker T & the MGs were the inhouse band of Stax, The Skatalites backed more memorable singles from too many singers to sensibly name here, yes, including Bob Marley.

To suggest a ska band isnโ€™t as good as Studio Oneโ€™s Skatalites is not an insult, rather a compliment to even be mentioned in the same sentence. Itโ€™d be the rock equivalent of saying that guitarist isnโ€™t as good as Jimi Hendrix. For all intents and purposes, Cosmic Shuffling are not a new Skatalites, but to find anyone to come close nowadays, you need not look further than Switzerland; yeah, you read that right.

Ska in Switzerland usually abbreviates Square Kilometre Array, the forefront organisation of fundamental science, with a mahoosive universe-scoping telescope. Yet Iโ€™ve discovered some stars of my own, creating some sublime ska music. While Skaladdin are strictly ska-punk, and the amazing Sir Jay & The Skatanauts are majorly jazz-inspired, there is a scene blossoming. Geneva based combo Cosmic Shuffling are ones to watch. With a penchant and dedication to the authentic golden age of Jamaican sounds, Cosmic Shuffling deserve a comparison to Skatalites more than anyone else I could roll off, even to note, theyโ€™re Fruits Recordโ€™s inhouse band.

After a few scorching singles on Fruits Records, Cosmic Shuffling release an album, Magic Rocket Ship, tomorrow, 13th November. Nine tracks strong, this is mega-ska bliss. Without the usual ethos of speed being the essence, this lends perhaps closer to rock steady, but prevalent horns give it that initial changeover between styles, when ska was slowing, due to curfew in Jamaica and a particularly sweltering summer. Rock Steady mayโ€™ve been short-lived but was reggaeโ€™s blueprint, skaโ€™s successor and arguably the most creative period of Jamaican recorded music history.

If youโ€™ve even a slight fondness for traditional ska and reggae, I cannot recommend this enough. At one point I felt the English lyrics slightly quirky, with wonky connotations perhaps lost in translation, albeit with a tune stimulated from a Dr Seuss character, namely The Cat in the Hat, I guess seriousness is not on the agenda. Neither are vocals wholly on show here, but the โ€œtightnessโ€ of the band, making the composition of every tune simply divine. I canโ€™t fault it, only jump and twist to it like it was going out of fashion! Which, by the way, in my world, it never will.

Magic Rocket Ship is both a tribute to Jamaican music and a breakthrough into the innovative world of the sextet. Recorded in the aesthetics of sixties sound; ribbon microphones, magnetic tapes and analogue saturation, by extraordinary Spanish producer Roberto Sรกnchez, itโ€™s a delight to listen to. From itโ€™s opening vocal title track, which doubles up as an explanation to the band name, to the fantastic instrumental up-tempo finale Eastern Ska, every tune is a banger.

Perhaps with Anne Bonny as the most subject worthy, Short Break the most romantically inducing, and Night In Palermo being the most sublimely jazzy, itโ€™s clear with Magic Rocket Ship vocalist Leo Mohr, with Loรฏc Moret on drums, backing vocals and percussion, Mathias Liengme on piano, organ, backing vocals, percussion, Basile Rickli on alto saxophone, backing vocals, Anthony Dietrich Buclin on trombone, backing vocals and bassist Primo Viviani. With guest guitarists Roberto Sรกnchez, Josu Santamaria and Tom Brunt, Gregor Vidic on tenor saxophone, William Jacquemet on trombone and trumpeters Thomas Florin, and Ludovic Lagana, Cosmic Shuffling have set a new benchmark, mimicking those legendary Skatalites, without the help of a nun. At least, I donโ€™t believe there was a nun involved!


Tune into my show on http://www.bootboyradio.co.uk every Friday night, 10pm GMT till midnight

Shake a Leg this Christmas in Swindon with The Tribe, Showhawk Duo, and Brother From Another

With the beguling blend of hip hop and reggae, Swindon’s pride The Tribe are a force to be reckoned with. Always a lively show, they team up with a most original act you’ll see this millennium, the Showhawk Duo. Recreating rave classics acoustically, yes you read that right, they’re super amazingly awesome.

And not stopping there, local purveyors of funky reggae, the ever-entertaing Brother From Another are also invited to the Christmas Shake a Leg party at Swindon’s Meca.

It โ€™s been a crazy year to say the least and we all need a good olโ€™ knees up so weโ€™d like to invite you to the Shake A Leg Christmas Party on 12th December.

This could be just what you need to liven up this terrible year.

Full production for the show; Amber Audio & Patch are providing sound, IC Lighting will be bringing the stage to life with a lighting show and OT Films will be streaming the event live.

Adhering to restrictions, thereโ€™s a limited capacity and table service for the show. Tables of up to five are ยฃ33. Over 18’s only.

Frank Turner and Jon Snodgrass; Still Buddies

Ten years ago, Frank Turner and Jon Snodgrass recorded an album that became a cult favourite among fans: โ€˜Buddiesโ€™. Here comes the long awaited follow up…

Right, Iโ€™m gonna try. Without Google, it goes: Hartnell, the guy with the black combover, Pertwee, Baker, Davidson, Sylvester McMonkey Mcbean…I think, Bernie Ecclestone, wee David Tennant, Matt Smith and erm, Forrest Whitaker.

Somewhere near close, I reckon. But when Davros, least the guy who played him, leaned over a table at a comic con and asked me what my favourite Dr Who episode was, Iโ€™m like, wha? I dunno, pal, you want me, what, to roll off an exact series and episode number like an overweight geek in a Buffy tee? I can barely recall all the actors, or what I just ate.

Similar to another occasion when a fanboy’s jaw hit the deck at a comic con upon my confession, I hadnโ€™t read Maus. I have now, for the record, thinking my life might depend on it, but at the time, no, I hadnโ€™t. Iโ€™m not Denis Gifford for crying out loud into a Millennium Falcon, Iโ€™m not intending to draft a history of comics. I was only there to punt my stoner comic, for want of a next meal. Still, I get narked by the expectance Iโ€™m supposed to know everything about everything, to have read every piece of literature in the developed world, to have listened to every album, and seen every film, because I write reviews. Especially being Iโ€™m partial to occupying a hefty percentage of my time daydreaming through a closed window.

Still I worry Sheer Musicโ€™s Kieran will kill me, or least tell big Mikey Barham, whoโ€™ll hunt me down, if I say Iโ€™ve a Frank Turner album to review, and this is the first time I have listened to him. Itโ€™s nothing personal, Frank, just an oversight on my part, I could apologise, but Davros takes priority.  Fact is prog-rock is not my bag, I slipped headphones on with only minimal caution, being Mr Moore hasnโ€™t failed me yet. Prolific Hampshire punk and folk singer, Frank Turner begun as vocalist for post-hardcore band Million Dead, and pursued an acoustic solo career in 2005, after the bandโ€™s breakup, accompanied by The Sleeping Souls, his backing band.

Apparently, a decade past saw Frank team up with Missouri-born alternative-country musician, Jon Snodgrass of the Armchair Martian, Scorpios, and Drag the River bands to drink whisky and record Buddies, a 10โ€ split album that became a cult favourite among fans. Written in four hours, recorded the following day, itโ€™s an experimental project proved popular and now followed up with โ€œBuddies II: Still Buddies,โ€ out this Friday 13th November.

Under similar premise as the original, the sequel was written in just one day, albeit via the internet due to lockdown. Iโ€™m going in blind, but informed they were able to flesh out the album with more time on their hands, and recruited the aid of Descendents/ALL drummer Stephen Egerton and Todd Beene of Lucero, Chuck Ragan and Glossary, on pedal steel. Blind is good though, as I was pleasantly surprised, completely unexpectedly entertained. For itโ€™s more podcast than album, they chat like a comical zoom meeting and bounce off each other while adlibbing their next song.

A musical Whose Line is it Anyway, where straight-man Frank, akin to Ernie Wise replaces Eric for Cheech or Chong, Jon sounding like the Californian beatnik, the guys amusingly chinwag on all manner of random subjects: having children, their travels across the States, and name-checking other songwriter โ€œbuddiesโ€ like they did on the original, but with lockdown prose. Musically it contrasts they desired genres, getting heavy and thrash at times via Frankโ€™s ideas, or country with Jonโ€™s, who often attempts to slip in a kazoo! Yet the opening tune, a parody theme tune sounding uncannily like Randy Newmanโ€™s Toy Story โ€œYouโ€™ve got a Friend in Me,โ€ is decidedly novelty ska-punk, and thereโ€™s a promise of a third Buddies album with the prospectus of an even funnier marine theme.

Frank explains, โ€œlockdown has been such a blow to the music industry, and such a drag that we were all looking for things to do. Jon and I have been buddies a long time, and I noticed the 10-year anniversary of our collaborative album was coming up. Technology is such that we were able to reprise the writing method remotely, and indeed it turns out we’ve got a lot better at it in the intervening decade. I’m really, really proud of the record.โ€

And Snodgrass adds, โ€œBUDDIES II was somehow even more fun to make. It even sounds better too! Frank mixed it & we enlisted Todd Beene & Stephen Egerton. So yeah, 2 more buddies. Itโ€™s twice as good, imo. I canโ€™t wait until 2030! Itโ€™s gonna be three times better & weโ€™re gonna do it at sea!!โ€

If improv Facebook feeds from novice jokers are becoming tiresome in these times, I believe many of the more memorable will become a testament to era, and Buddies is perhaps the best Iโ€™ve heard, but as an album itโ€™s not what Turner fans might expect, but will be delighted by the variance. It entertained me, that is, Iโ€™m not about to be die-hard fandom, but it placed both Frank and Jon on ones not to be missed out again.

Out on Xtra Mile Recordings this cheerful reflection is out on Friday 13thย  November. If unlucky for some, itโ€™s certainly not for Frank Turner fans. Oh, and Patrick Trouton was Doctor with the black hair, and I canโ€™t imagine how I ever forgot about Peter Capaldi.


Who Remembers our First Birthday Bash?

Proof you donโ€™t know whatโ€™s around the next corner, I put off doing a second birthday bash last year as weโ€™d run a few fundraising events, in favour for doing a mahossive one this year. As it stands any third birthday celebration for Devizine would constitute me, with a cup of tea, sitting at the computer. Two years ago, though, to the day, our birthday bash was monumental, personally, as it made Devizine feel actual, a real โ€œthing,โ€ so much more than me, with a cup of tea, sitting at the computer!

Still, I can reminisce and remember how so many of us come together at Devizes Conservative Club, made it such a fantastic night, and raised close to four-hundred smackers for the Devizes branch of Cancer Research. But it was down to a Facebook messenger chat with Dean Czerwionka, who now organises Devizes Family Club at The Cavalier. If memory serves me right, unusually, I was unable to draft anything, suffering a hangover. Rapping with da man, I merely suggested the possibility of putting on a charity event, and before I knew what was what, tickets were being sold online.

Such was the nature of the evening, throughout. Dean and Cons Club staff worked hard to make it such a great event. Those fantastic Daybreakers arrived early despite being the grand finale, and set up the system, organised the other acts. My wife prepared a buffet and son helped arrange it on the table. Ben Borrillโ€™s mum Beverly, who had told me about her famous hamsters but neglected to tell me of her musically talented son, made a Black Forest gateau. Local poet Gail Foster entertained intervals between acts. Matthew Hennessy and Nick Padmore snapped the photos and Nickโ€™s wife Joy made an effective bouncer on door duty! Even Resul of the Turkish Barbers gave me a free trim, and Tamsin Quinโ€™s niece Erin rounded up everyoneโ€™s loose change for the bucket collection. All the while I swanned around talking toilet, propping up the bar and taking all the credit!

It should be bought to attention, now time has passed and any argument could be condensed to water under the bridge, that it wasnโ€™t really Devizineโ€™s birthday at all! I started it back in the September the previous year, it just took us a while to sort it out and get news out there. In that, it taught me a hell of a lot about putting an event on, all of which I now haveโ€ฆ. erm, forgotten.

But it makes me proud to look back at our acts. Lottie J was only fifteen at the time, is now a star, off to music school, and producing some amazing pop. She jammed with the next act, the sadly disbanded Larkin, despite never having met. Sam Bishop of Larkin is studying music in Winchester, and has produced some great singles, solo, and with a new band. Martin of The Badger Set tipped me off he has something new up his sleeve. Then musical partner, Finely Trusler has since worked on solo projects, with his cousin as the duo The Truzzy Boys and now donned a Fred Perry and fronts the ever-awesome Roughcut Rebels.

We had, of course, our darlings, The Lost Trades, collaborating with each other, long before they were the Lost Trades. Jamie joined after an eleventh-hour cancelation, which I was overjoyed to have fit him in. Tamsin wasnโ€™t feeling so good, but still performed to her usual higher than high standard anyway. Cutting her slot short, as things became quite a squeeze, Phil Cooper followed and really shook the place up. Still performing solo, but ever helping each other out, as The Lost Trades theyโ€™ve set a precedence on a national scale despite debuting just a week prior to lockdown.

Everyoneโ€™s favourite, George followed, with added Bryony Cox for a few numbers. After a move to Bristol, Mr Wilding set up a highly accomplished namesake band, Wilding, of which talents are boundless. Bryony continues working as a fine artist, with a penchant for landscapes.

Aching to get on and get everyone dancing, The Daybreakers did their lively covers thing. A change in line-up, they continue to do so today, composing their first original song recently. Yet really, theyโ€™re no strangers to writing and composing, Gouldy and Cath as an original duo are Sound Affects, and they sneaked in a slot at our Birthday Bash too.

It really was a great night in the end, if there was an end, I cannot recall, and Iโ€™m eternally grateful to everyone for their help, particularly proud to hear how much theyโ€™ve progressed and how far weโ€™ve all come. Itโ€™s a crying shame we cannot yet replicate it, but I sure would like to when we reach that better day. So, look at for our fourth birthday bash, all things well by that time. Hereโ€™s some photos to get me teary-eyed.

Devizes Town Band Comes to You for Remembrance

Had everything gone to plan, Devizes Town Band would have been taking their places right now, to perform another sell-out Poppy Concert, raising funds for the Royal British Legion’s Poppy Appeal.

Sadly, that was not to be.

We are in a second lockdown, so things are slightly differentโ€ฆ

โ€ฆ As you can’t go to them, they’ll come to you!

Sit back and enjoy their latest video; a compilation of a recordings from their last rehearsal in the Wyvern Club and other pieces! Due to the social distancing restrictions on space, some of their musicians joined in via Zoom. Which I always marvel at the harmony of without timekeeping together in one place.

Our wonderful town band are still collecting funds for the Poppy Appeal; they would be very grateful if you would click on the link provided below to make your donation. The band give a huge thank you!

We Will Remember Them.

https://fb.watch/1FmaUORIFr/

Would you Rave Through Covid?

In view of recent illegal raves in Wigan and Bristol, I’ve a theoretical question which is twisting my melon, making me contemplate my past, my attitude at the time weighed against my moral judgement of adulthood.

My art college gave me an ultimatum, return at the end of the summer break having redone three pieces, and on their merit my application for the second year of the course will be based. My young life hinged on this challenge. But what was on my mind as I walked out of the meeting? Iโ€™ll tell you, it was, where this weekendโ€™s party would be.

It was the summer of 1991, the peak(y blinder) of my rave honeymoon, partying was not a treat, it was a necessity, a way of life. If we had this pandemic, and consequent lockdown restrictions, would it have stopped me from going raving? Thatโ€™s the conundrum sliding a wedge between the hypocrisy of my matured moral standards if I fancied following sheep and bleating on social media about youth attending recent events, and my own prerogative and carefree attitude during that era. I quiver at deciding if I should therefore blame todayโ€™s youth for their ignorance toward these modern boundaries, be they for safety or a judicious excuse for control.

And if I did throw caution to the wind, as I suspect the most likely, would it be possible to adhere to social distancing measures, given our brand of intoxication caused the type of enhanced euphoria one simply had to share? Effusive embraces were routine, sharing of accessories from hand-to-hand and mouth-to-mouth commonly accepted, hugging random strangers all part of the joyous moment.

Of course, itโ€™s hindsight, and our generation should thank our lucky stars we didnโ€™t have something along these lines to prevent us. Still, unresolved, I called to help opinions of members of a Facebook group, โ€œDOCU: FREE PARTY ERA 1990-1994 – WERE YOU THERE?โ€ Taking as red by its very title, affiliates were indeed there, when rave culture was at its peak in the UK, and by their want to join the group, might just be capable of recalling at least fragments of it!

In contradiction to my rampant hugging observation, one member figured social distancing was possible at a rave, provided there were no marquees. โ€œBecause free festivals and outdoor free raves never had singular big stages,โ€ they pointed out, โ€œthere was always plenty of space.โ€

The overall consensus was, 79% said yes, they do think they would have still attended raves in spite of the pandemic, against 14% saying no, and 7% unsure. I requested thoughts rather than stats, and thus where grey areas and interesting points occur. I stated shouting โ€œfuck yeah!โ€ wasnโ€™t really supplying constructive assessment, but many, I guess, are still partying too hard! Palpable comments flooded in, such as โ€œIโ€™d have given no fucks and partied on regardless,โ€ โ€œIโ€™d have dropped everything an jumped in a motor if was going to Bristol party on Saturday but Iโ€™m sitting here feeling gutted, reading reports on news of what Iโ€™ve missed; Iโ€™m 56 by the way!โ€ and โ€œI wouldnโ€™t of given a flying fuck,โ€ which balanced against frankness I secretly wanted to hear, like, โ€œto be honest, in 1991 I donโ€™t think anything would have stopped me going out.โ€

Pop Quiz: where were you heading if you had one of these?

Some thoughtful estimations came with a twist or satirical stab, like โ€œbut hey, send ya kids to school, thatโ€™s fine!โ€ and โ€œIโ€™ve seen three covid deaths; all had underline health issues. With that in mind I wouldโ€™ve stayed at home until it was safe, however, it seems there are a few laws that pushed through that are total designed to stop the dance. If these total draconian laws arenโ€™t removed after covid then I will be at the base of Nelsonโ€™s Column with 40k ready to fucking roll and dance, as this total gets my wick!โ€ And therein lies a common accord, bringing the restrictions, or punishments into question, rather than prevention of spreading a virus. โ€œDo I blame the kids? No. Do I think less of them for raving? No. Do I worry about them spreading covid? Yes. Do I think covid is a real issue? Yes. Do I think that the Tories are using it to their full advantage? Yes.โ€

By the early ninetiesโ€™ businesses sought profit from legal raves, be clubs or outdoor events, but rave rose from the ashes of the free festival scene, its fundamental roots was illegal, many faced persecution from the law and anger towards authorities are imbedded eternally. Itโ€™s fathomable to question the motives of lockdowns. โ€œAs it was right in the middle of the Criminal justice act and freedom to party marches,โ€ one said, โ€œIโ€™d likely have been full blown cospirytard and thought it all to be another way for the cops and government to stop us having a good time, would have gone anyway, stuck my fingers up and hoped it was fake, or that the amount of chemicals in my system killed Covid before it killed me!โ€

โ€œThey are not anti-rave laws,โ€ one protested, โ€œthey are anti-people rules, temporary measures, as none of them have passed through a white paper in parliament so cannot be ratified by the Lords, ergo, NOT A LAW!โ€

Hunt Emerson shows us one method of social distancing; you need this comic in your life…https://largecow.com/

Others calmly suggested similar, without the need of caps-lock. โ€œSeems to me they were brought in to stop raves, but had the benefit of also stopping other social gatherings with >6 people. Nothing the Tories do is ‘the will of the people’ – they just get on with shafting us whether we like it or not.โ€ Adding, โ€œmy comment was only trying to express what a minefield this topic is, and that it is okay to have what might appear to be contradictory views because the whole thing is a mess.โ€ I know, thatโ€™s why Iโ€™m raising it; always spoiling for a rumble! But letโ€™s not forget here, no one is condoning the actions of the modern kids raving through a pandemic, merely pondering what they themselves might have done under the circumstances.

Ah, social distancing circa; 1991

And there were moments of conformed clarity, โ€œlives are at risk here – the kids going to lockdown raves might not get any symptoms, but they could easily pass it on to somebody else who dies or suffers long-term damage. Kids will be kids and their thoughts are probably not with the greater good. I even understand that they just want to hang out with their mates and have a good time… but I still worry about what will come of their actions, and part of me thinks they could just hold off having 700-strong raves in warehouses for a little while.โ€

And others in denial, โ€œI wouldโ€™ve carried on going to free parties regardless of some non-existent virus!โ€ Or completely oblivious, โ€œI was tripping so much I doubt Iโ€™d have noticed, just presumed it was Sunday or bank holiday for 3 months!โ€

Some brilliantly imbalanced professionally considered thoughts with fond reminiscences, โ€œwe were the lucky generation. Would I have partied back then with Covid? Most certainly. I feel sorry for my teenage daughter and generation who arenโ€™t able to know what freedom to party was all about. Hell, they canโ€™t even have normal rights if passage anymore. We need to be careful, as there will be a generation growing up scared to go out into the world. Itโ€™s happening already. Working in mental health, Iโ€™m seeing already what could happen to a whole generation if this carries on for too long. My fear is, it will.โ€

And โ€œafter being locked indoors for months, young people are going stir crazy and I don’t blame them. At 22 I didn’t need to shield anyone and really only thought of my needs. My 50-year-old self however is sensible and won’t even go to the pub.โ€

So, the general mood was either, โ€œI would like to think my younger self would be wise enough to not do raves in a pandemic, but I doubt I would have been. So, can neither applaud them or condemn them,โ€ or โ€œI would go, but I have never been very responsible.โ€ With the added notion, โ€œit’s very difficult for me to say whether that might have changed if someone I knew or loved died of the virus.โ€

….or maybe not….

Yet punters aside, thereโ€™s no party if thereโ€™s no one to organise it. Perhaps irresponsibly, the ten grand fine dissuaded organisers, rather than spreading a virus.  โ€œFines might have made me think twice about trying to put anything on,โ€ one suggested. Back then, least post-Criminal Justice Act, police had powers to confiscate the PA, hence their point. โ€œLosing your rig is one thing, getting stung for ten grand, is quite another.โ€ Though another pointed out inflation, โ€œa 10k fine in 2020 wouldโ€™ve probably been about 2k in 1990 so the risk wouldโ€™ve been different.โ€

Specifically, a shareware notion was given, โ€œat RTS, Stop the City, CJB, police asked โ€˜who owns the rig?โ€ The crowd reply they all do. A ten grand fine could be met if everyone put a percentage in. โ€œFight them at their own game…. with smarty pants on.โ€

Whereas an owner of a sound system professed more consideration, โ€œas to whether I would have run a rave this year – no. Iโ€™ve chosen not to go to any events this year, although I think Bath and Branwen were โ€˜acceptableโ€™ – they were outside of the main lockdown periods, they were outside, so ventilated, and people were able to social distance. I don’t think that Halloween or NYE indoor parties are a good idea, and in fact are pretty irresponsible in the current times and situation. But as was said, to lambast them could be hypocritical. We were all young once, and our irresponsibility levels probably exceeded what we like to think they would be looking back with our rose tints on.โ€

Another who begun their party outside Perth in the mid-seventies, proudly still going, โ€œbasically if thereโ€™s a party going on, weโ€™re in the van, rig loaded,โ€ still offered caution. โ€œNow weโ€™re in a whole different kettle of sardines. I know of too many deaths of this pandemic, so I ainโ€™t partying anywhere indoors and, deffo keeping my distance if I do go anywhere, and wearing a mask. So those that went to the party at Yate, itโ€™s only your loved ones youโ€™re gonna hurt.โ€

In conclusion, maturity develops responsibly, we didnโ€™t allow time for it in youth. Yet, thereโ€™s a notion these regulations are implemented deceitfully and with a tyrannical agenda. The point of suspending events and pubs whoโ€™ve gone to great lengths to ensure safety, when schools and universities remain open, despite the improved technology of providing online tuition, feels draconian to many, and consequently a backlash is a nature course.

Thereโ€™s two ways of reacting to a pandemic. The archetypal social order of medieval Europe completely disintegrated during the Black Death. People felt death was inevitable, but had a unique way of handling it. Some desperately sought refuge, others braved the disease, laughed in its face, and partied. They cossetted themselves in the finer aspects of life, alcohol, music and, of course, disorderly parties, causing a flourishing new era of music and art, like the virelai, ballade, and rondeau.

Anyone got any Veras? The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel

One member of the group pointed out, โ€œno one stopped partying during the 2000/2001 flu epidemic in the UK. The virus was ‘only’ killing old people and the medically vulnerable. Most people didn’t know it was happening. 22,000 people died in a very short period in the UK.โ€ They also believed there was a pandemic going on during Woodstock Festival. Though this proved to be a slightly ambiguous urban myth by Reuters factchecker, who states, โ€œWoodstock took place months after the first season of the Hong Kong flu had ended in the United States. Although there was to be a second wave in the U.S. the following winter, it is misleading to say it happened in the middle of a pandemic.โ€

and then this happened in someone’s back garden…. Castlemorton 1992.

What is clear though, no generation can be blamed for irresponsibly in youth, and the need to party is naturally paramount. Whether or not it is correct to do so under these conditions is debatable, but while you are, for many, the show must go on. Question is, can you blame them, if you once liked to blow your whistle and wave your hands in the air, like, I dunno, you just didnโ€™t care?

Tuareggae; Bombino is the African Hendrix

In conventional record shops of yore, albeit some survived, youโ€™d find the mainstream alphabetically presented, and itโ€™d be a dare on to yourself to venture to separate genres. They were usually labelled thus; Reggae, Classical, Easy Listening, and World, perhaps Blues too. While some conveniently slip into a standardised genre, others must have had grey areas. But, surely the most diverse was โ€œWorld,โ€ as if every remaining country in the world except the one you live in, and probs America, sounds the same, and furthermore, youโ€™d be some kind of beatnik pseudoscientist weirdo to even contemplate browsing there.

Itโ€™s all so vague, and without the music industry pushing, a minefield of guestimation. I was fairly young when I figured thereโ€™s a world of music weโ€™re not exposed to, pop was the tip of an iceberg. I dipped my head under, but it was freezing with typecasts, impossible to know where to search to find something affable.

Today, and thank goodness, the internet is a universal reference library, there are no excuses for not thinking outside your geographical sphere. But with anything foreign to your ears, you need to unlearn your ingrained judgements, and listen with an open mind. Rarely something comes along so exclusive and diverse, but with a familiar element to comfort you.

On November 27th Partisan Records will release, Niger-born Tuareg guitar virtuoso Bombinoโ€™s first live album as a solo artist, Live in Amsterdam. Iโ€™ve had this unique marvel on play for a while now, and if youโ€™re put off by the presumption any African music never relates to our rock music, this could be the introduction to a world outside said sphere.

The ingenious part of this album, other than the atmospheric quality of a live performance, and Bombinoโ€™s sublime proficiently with a guitar, is the rich musical palette. It rings with genres youโ€™re accustomed to, shards of funky soul and reggae, which often come into play in African music, but the man, I swear to you now, is the African Jimi Hendrix, so bluesy rock is prominent.

Tuareggae is his self-penned, totally unique genre to define it. The โ€œTuarโ€ part derives from his own people, the Tuareg people, a Berber ethnic confederation of nomadic pastoralists, which populate the Sahara in a vast area stretching from far southwestern Libya to southern Algeria, Niger, Mali and Burkina Faso. So, what we have here is principally a fusion of these accepted European and American genres with this brand of North African folk.

Just as a bhangra-pop hybrid now appeases western ears, Bombino has something which will placate any preconditioned aversion of African musical styles. In fact, the untrained ear might liken it something Eastern, or middle eastern at least, as it is spoken in Bombinoโ€™s native tongue. Note though, his on-the-record fans includes Keith Richards, Stevie Wonder, and Robert Plant, and if itโ€™s good enough for themโ€ฆ…

This album will not only challenge your presumptions, itโ€™ll do so while drifting you on gorgeous a journey of musical greatness akin to any known bluesman. Bombino knows precisely what buttons to press to evoke a mood, it can drift down a river at times, it can explode into up-tempo funk, but its ambience is awe-inspiring throughout.

Recorded in November of 2019, while Bombino and his band were touring behind his acclaimed latest studio album Deran. Live In Amsterdam is dedicated to the loving memory of long time Bombino rhythm guitarist and vocalist Illias Mohamed Alhassane, who sadly and suddenly passed away in September. The recording, then, features Illias in his final performance with his โ€˜brothersโ€™ in Bombinoโ€™s band. Yet, you need no background, not really, if youโ€™re looking for something different, but with shards of something familiar, if you like either blues, reggae, rock or funk, or if you want to be taken on a musical journey beyond your usual perimeters, Bombino is your newfound gem. You donโ€™t have to thank me, but you will; Iโ€™m here all week.


Chris Tweedieโ€™s Reflections

With over three decades experience writing music and composing songs, Melksham-based Chris Tweedie acknowledges on his website he can sing, but disparages his ability to limitations, inquiring of other singers for possible collaborations. While timorousness is common when self-assessing the worth of your own output, especially for musicians, thereโ€™s an argument that no one can express your own words better than you. While the many whoโ€™ve taken on songs of Dylan, who letโ€™s face it, isnโ€™t the most accomplished vocalist, may well have manufactured a better sound, but lack the sincerity and emotion of the written word coming from its author. ย ย ย ย ย 

First impressions last, Iโ€™m only a few songs into Reflections, his debut album released yesterday, (6th Nov) and Iโ€™m drifting into its gorgeous portrayals, meditative and knowing his notion is modesty. The vocals are apt for this wandering, sublimely ambient twelve uniformed tunes. And anyway, Tracy Whatleyโ€™s beautifully grafted vocals with a country twinge feature on the one tune, Virtuous Circle, and the title tune is an instrumental finale to make Mike Oldfield blush. The rest are self-penned and executed with vocals, mellowly with acoustic goodness, reminding me of the posthumous Nick Drake.

With poetic thoughtful prose, these are exceptionally well-written songs, performed with passion and produced under the ever-proficient Martin Spencer at the Badger Set Studio. His website and the CD inlay has text of said lyrics, to pick one entirely at random; โ€œYou are the thousand winds that blow, You are the diamond glints on snow, You are sunlight on ripened grain, You are the gentle autumn rain,โ€ taken from You are the Stars, are not the exception, theyโ€™re all this serenely stunning.

Itโ€™s Sunday sunrise music, sitting by a stretch of water, and we all need this once in a while. The album cover of such a scene sums it up in one image.

The relaxed attitude hardly drifts to anything of a negative narrative, perhaps with the exception of Slow Down, which suggests oneโ€™s life is moving too fast. The majority on offer is uplifting, perhaps reaching the apex at the seventh song, aforementioned You are the Stars, which is enriching, period.

โ€œThere are various musical influences that come through in my music,โ€ Chris says, citing rock, pop, country and folk. โ€œThe direction this mix has taken my songs is still fairly mainstream with a leaning towards the West Coast path and an element of Americana in places.โ€ I certainly agree, thereโ€™s hints of the Byrds, of Crosby, Stills and Nash, but majorly its definingly English, think George Harrison, not to hype but to compare the style of. Thereโ€™s experimentation at work here, but the experience shines through, Chris Tweedie could chill out Donald Duck!

Buy Chris Tweedie’s Reflections here


Bionic Rats, Alive in Dublin

A superb new live album from Dublin’s finest ska-reggae outfit, The Bionic Rats….

Thereโ€™s some wonky logic in the character Jimmy Rabbitteโ€™s bemusing outburst in The Commitments film, โ€œThe Irish are the blacks of Europe. And Dubliners are the blacks of Ireland. And the Northside Dubliners are the blacks of Dublin. So, say it once and say it loud, I’m black and I’m proud!โ€ Persecuted before the slave trade, there are some intelligible contrasts between the oppressed races.

Still, the thought of Dublin conjures rock legends to outsiders of every decade, be it from Thin Lizzy to Skid Row and U2 to The Script. Diverse as any city though, if you thought the idea of music of black origin was the stuff of films, think again.

Far from a retrospective regression going through the motions of a bygone Two-Tone era, The Bionic Rats are an exciting, energetic reggae and ska six-piece from Dublin with a building collection of original and stimulating material. Even their band name, I suspect, is taken from a Black Ark tune, Lee Scratch Perryโ€™s renowned studio. Yesterday they released a dynamic album doing their thing where they do it best, on stage, in their home city.

In a conclusively roots reggae inspired track, Red Gold and Green, frontman, Del Bionic lays down a chorus not so far fled from the Commitments quote, โ€œreggae is talking about the things I bear witness to, on and off the Liffey quays. Iโ€™m not Jamaican, Dublin born and bred, I don’t wanna be a natty dread,” Though a bulk of the material here is upbeat ska, if it relates to a modern ska era, it borrows extensively from Two-Tone, particularly for itโ€™s no bullshit attitude and social commentary. A component definingly reggae, or correlated to any plight of poverty and societal righteousness in general. It rings out the enduring message, reggae is universal.

Reggae often takes on board regional folk roots, be it influenced by, or using traditional instruments of that area, the recent surge in Balkan ska for example. Yet, the only local element the Bionic Rats take is said Irish bitter repartee and attitude within their subject matter.

Their sound is beguiling and directed towards the very origins of Jamaican pop music, and skanks to any highest region! The very reason why theyโ€™re a force to be reckoned with, internationally, having shared the stage with their mentors, Madness, Bad Manners, Horace Andy, Israel Vibration, Johnny Clarke and their aforementioned namesake, Lee ‘Scratch’ Perry, also opening for Damien Dempsey and Imelda May. A hit with the crowds at the One Love Festival in Sussex, London International Ska Festival, theyโ€™ve made the frontpage of eminent Do The Dog Skazine, Doc Marten’s used their song Dear John for an online campaign and they continue to skank the crowd at Dublinโ€™s longest running reggae night โ€˜The Sunday Skankโ€™ in the Temple Bar.

Ironically the 2009 debut album was titled Return of The Bionic Rats, and since three more albums have followed. The good news is, wonderful as their studio albums are, we can all now pretend weโ€™re in the crowd of a Sunday Skank with this beauty of a recorded live show, and boy, do they give it some.

The premise is simple, as it is with ska. Lyrics often minor compared to offbeats and horns. Subject matter slight; between girls, lust, dancing, record buying and being rude, the Rats offer sentiments on prejudges, tyranny and oppression, but seldom will romance be on the cards. You may not be enchanted by The Bionic Rats, who describe this release as โ€œperfectly capturing The Bionic Rats in all their sloppy greatness,โ€ but your waistline will get a darn good workout.

While weโ€™re tempted by the simplicity of the upbeat ska sound in danceable tracks like Annie Oakes, the sweary Bad Garda and the particularly well grafted tale of obsessive record buying, Hooked on 45s, thereโ€™s roots, like aforementioned Red, Gold & Green, and rock steady numbers such as prejudice themed Dear John. Thereโ€™s no end of expected banter and comical themes, such as the English Beat sounding Girl with Big Hands. Then thereโ€™s that contemporary third-gen fashioned ska-reggae but wrapped in a no-bars-held cussing, of which titles speak for themselves; Twisted Little Bitter Little Fuckers, for example.

Such is the expected acrimonious nature of an Irish ska band; lap it up, itโ€™s refined rudeness. Done too, with experience, The Bionic Rats rose from the ashes of Dublin-based reggae band, King Sativa, who were active on the scene from 1998 until their breakup in 2005. Their guitarist Graham Birney, and drummer Anthony Kenny moved over to the Bionic Rats. Like them, or not, Iโ€™m convinced they probably donโ€™t give a toss, but going on this superb live album, you certainly canโ€™t ignore them.

Alive in Dublin, out now, here.

Singer, Del Bionic also does a live streaming set every Sunday from Facebook at 9pm (GMT) well worth tuning in to: https://www.facebook.com/thebionicratspage/live/


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Join me every Friday night from 10pm to midnight GMT for a fun two hours of ska, reggae and anything goes!

My Darling Clementineโ€™s Country Darkness

My Darling Clementine’s new album Country Darkness vividly reimagines twelve hidden gems from the Elvis Costello repertoire, in the duetโ€™s definitive, dark country-soul fashion with original Attractions keyboardist, Steve Nieve.

As a ska DJ youโ€™d be forgiven for assuming the Two-Tone 7โ€ rarity, I Canโ€™t Stand up from Falling Down, would be my introduction Elvis Costello & The Attractions. Rather embarrassingly, the one-shot liable recording which was given away at his gigs was not, rather the one true comedic genius of Hi-Di-Hi was. Sue Pollard stood flustered but ever-spontaneous with odd shoes behind the stage at Live Aid. Interviewer Mark Ellen asked her if sheโ€™d seen Elvis. An expression of shock overcome her, as Ellen expanded with the performers surname. โ€œOh, I thought you meant Presley, I was gonna say, poor thing, resurrected!โ€

I found this amusing a kid, as most of her witticisms were. Yet, I didnโ€™t know much about the man in question. Like a DC Thompson artist unable to sign his comic pages, I never knew who did R. White’s Secret Lemonade Drinker Elvis impersonation; Costelloโ€™s father, and young Elvis, or then plain olโ€™ Declan, as backing. Was it this which swayed Stiff Recordsโ€™ Jake Riviera to suggest he used Elvis as a forename?

However it did come to pass, if his renowned namesake is the king of rock n roll, Costello surpassed him in at least one avenue, diversity. Beginnings as a new wave punk Buddy Holly, Costello stretched beyond pigeonholes and always strived to cross the streams, and country music was a mainstay. Take the derisive warning on his 1981 country covers album Almost Blue; โ€œthis album contains country and western music, and may cause offence to narrow minded listeners!โ€

As new wave as you thought he was, an American country ensemble residing in England, Clover, would attend his backing for the debut album. Members later joined Huey Lewis and the News and the Doobie Brothers. Costello would go onto record many a country cover and use the genre as a blueprint for his own song writing. His obvious love of country is bought to an apex by a new release today, 6th November, from My Darling Clementine, of which Royal College of Music dropout, Steve Nieve joins with familiar husband-wife pairing, Michael Weston King and Lou Dalgleish to vividly reimagine twelve hidden gems from the Elvis Costello repertoire, in the duetโ€™s definitive, dark country-soul fashion.

But for want of prior knowledge of the songs, note, Steve Nieve dropped out of college in 1977, to join the Attractions as pianist. The man was there when Costello released his first major hit single, โ€œWatching the Detectives.โ€ Why is he called Nieve, pronounced naรฏve? Youโ€™d have to have asked Ian Dury.

While the first single released from Country Darkness, The Crooked Line is taken from the album, Secret, Profane & Sugarcane, Costelloโ€™s later folksy-era, the adaption is surprisingly electric and upbeat, a tantalising precedent for an album typically leaning more toward country, even if the track being revised is not originally inspired from Costelloโ€™s country passion. This intricate then is interesting, while My Clementine has judiciously measured the retrospective repertoire, taken on hidden gems throughout Costelloโ€™s career, including tracks from his Imposters and Attractions eras, solo efforts and his collaborations with the likes of Paul McCartney and Emmylou Harris, it doesnโ€™t mean all tracks were selected because of their closeness to country.

While his Heart Shaped Bruise from the Imposters album Delivery Man, for example, is acoustic goodness the country tinge is slight, the Darling Clementine version leans heavier on the genre, is more gothic americana, outlaw folk. Whereas That Day is Done almost rings gospel on the original, thereโ€™s something definitively Nashville about this version. In such, you need not be a fan of Elvis Costello to relish the country splendour on offer here, rather a Tammy Wynette devotee.

The album is sublime, without doubt, akin to an artist stripping back to accentuate the attention of song-writing ability, the nimble expertise of narrative which flows through a country legend, like Wynetteโ€™s or Partonโ€™s, can be seen, full-colour within Costelloโ€™s writing. Yet through the eyes of another, there is even more scope for alternative angles and interpretation.

โ€œMaking these recordings took me back to my 19-year-old-self,โ€ Michael Weston King explained, โ€œout buying a copy of โ€˜Almost Blueโ€™ during my lunch hour. It was Elvis and Steveโ€™s making of that album which set me, and I think many others of my generation, off along a country path to discover more about this form of music previously only viewed with suspicion. For me it became something of a pilgrimage, a vocation, even a โ€˜career.โ€™ So, this feels like the completing of a musical circle of sorts; to record a selection of some of mine and Louโ€™s favourite EC country songs with the added thrill of performing them with Steveโ€.

Steve Nieve

The award-winning partnership of King and the awe-inspiring vocals of his wife, Lou Dalgleish is prevalent, theyโ€™ve scored four albums previously, co- written a stage play/audio book with best-selling crime writer Mark Billingham, played over 800 shows worldwide, and collaborated with a wide variety of major artists including Graham Parker, Kinky Friedman, The Brodsky Quartet, and Jim Lauderdale. Their harmonies reflect the strength of this rรฉsumรฉ, making this a win-win for country music fans and Elvis Costello fans alike.

The Country Darkness album compiles all the tracks featured across a set of three EPs, released over the last year, with a bonus track called Powerless, of which I can find no reference to the original. To web-search Elvis Costello Powerless is to find recent articles plugging his latest album, in which he offers โ€œI was trying to make a rockโ€™nโ€™roll sound that wasnโ€™t like anything Iโ€™d done before,โ€ and comments how he was โ€œpowerlessโ€ to prevent his young children viewing the horrors of news broadcasts. Yet they paint the picture of the once new wave, angry performer who rampaged through his youth, sardonically mocking imperialistic politicians, despotic fascists and firing expressive verses at punk fashionistas, as a now suave jazz and country music raconteur. But here with My Darling Clementine, the country side to Costello is bought to a western American mountainy summit.

My Darling Clementineโ€™s Country Darkness will be available on CD and digitally on 6th November 2020, via Fretsore Records. https://mydarlingclementinemusic.co.uk/store/


Important Update From Wharf Theatre

Following the Prime Ministerโ€™s announcement Devizes’ Wharf Theatre has been forced to postpone their production of Adam and the Gurglewinkย which was due to open later this month. They have now rescheduled the show for the 18th and 19th December.

Suitable for adults and children this delightful and original pre-Christmas show tells the story of Adam, played by Karl Montgomery-Williams, who is planning to run away when he stumbles across The Gurglewink, a childhood toy who has come to life in the attic.  Reality blurs as Adam is whisked away to meet Rainbow girl who challenges him to a dangerous quest to travel to the end of the rainbow for a cup of magical golden dust..  Rainbow Towns survival depends on Adams ability to keep goingโ€ฆ..

In addition theย December production ofย The Grimm Talesย has been postponed to the New Year and they will be contacting customers to arrange transfer of tickets.ย  Please continue to monitor the website for the latest details.

The Wharf were delighted to have been awarded the COVID-19 industry standard โ€˜Good to Goโ€™ certification by Visit England and they are therefore hugely disappointed to have to re-schedule shows. ย 

However they remain determined to re-open as soon as possible and send strength and solidarity to everyone across the industry who is working tirelessly to bring theatre back.ย  Finally they want to thank the amazing community for your continued support.

30 tickets are available for each performance, in line with current guidelines.ย  They can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm

ย Whilst social distancing restrictions remain in place please continue to refer to the website for the latest details.


Dreamlands; New EP from Daydream Runaways

In fairness to you readers, Iโ€™ll come clean, the new EP from Daydream Runaways, Dreamlands, is a collection of three pre-released singles, Fairytale Scene, Light the Spark, and the latest, Crazy Stupid Love. Each of which if you click on, youโ€™ll see Iโ€™ve reviewed already, here on Devizine.

So, what do those demanding guys want from me this time?! Except to say I canโ€™t praise the band or these songs enough. Making the opportunity to announce the release imperative, suppose, but forgive me for not running back over the same notions in said reviews.

So, I figured Iโ€™d catch up with them, harass them for few more questions I overlooked when we interviewed them last. Notably, when Cameron Bianchi enlightened us that, โ€œwe brought back two older songs and reworked them, as they fit really well next to the lead single Crazy Stupid Love.โ€

Ah, cool ,this progressive young band have reworked them. I supposed itโ€™s good to have the singles on one EP. โ€œAnd those three are among our oldest songs so it felt right to release them,โ€ Cameron continued. โ€œThen Brad had an opportunity to record us for his Final Year Project at Uni and an EP seemed like a great project to take on.โ€

Out on the 13th November, the releaseโ€™s title I was asked to keep it under my hat, for a โ€˜guess the name of the EPโ€™ competition was to be announced. The title got me to pondering the name Daydream Runaways. So, I asked them how they came about it.

Frontman Ben Heathcote replied, โ€œCameron came in with the name suggestion after numerous discussions and almost instantly we knew that was it. It seemed to describe us and have a connection immediately to our sound. We all daydream and get lost running away in our minds, our dreamsโ€ฆโ€

Cameron added, โ€œWe spent quite a while trying to work out a name that suited us, actually. We were looking for something that sounded hopeful and had a sense of escapism about it. Ben remembers that I brought it to a practice one evening, I think Iโ€™d been reeling off loads of names that the boys didnโ€™t love. Then one day my fiancรฉe had been playing lots of Ben Howard and he used those two words in a few of his songs and I just liked the way the sounded when merged together.โ€

Shame, I adopted the guesstimation Cameron was the sort of kid at school who would rather stare out of the window daydreaming than pay attention to the lesson. โ€œI know I was!โ€ he confessed, โ€œprocrastination is my second favourite hobby…next to playing guitar!โ€

An apt name it is though, it relates to the bandโ€™s brand of dreamy, nostalgic and acceptable indie-rock, which has found them glowing reviews elsewhere. James Threlfall of BBC Introducing in the West, said of Fairytale Scene, โ€œI’ve had the pleasure of seeing this band absolutely smash it live.โ€ Theyโ€™re favourites on Sue Davisโ€™ show on Wiltshire Sound, but I was drawn in particular to a quote by Dave Franklyn on his Dancing About Architecture website, a man who does similar to what we do here, only better. He said Crazy Stupid Love, โ€œhas got that great Alt-USA feel to it; Fountains of Wayne style and early 00โ€™s vibe.โ€

Coincidently I mentioned Fountains of Wayne yesterday when pondering the new EP from End of the World, Calneโ€™s skater-punk five-piece. Hereโ€™s where I tip my hat to Freewheelinโ€™ Franklyn, always able to view another angle. For in the way of comparisons, I spent nearly all my effort reminiscing classic eighties bands such as Simple Minds, perhaps U2. I wrote paragraph upon paragraph suggesting the Daydream Runaways songs would slip neatly into a John Hughes coming-of-age movie, when really, I needed only to rewind twenty years; itโ€™s an age thing.

I asked them for their thoughts on this comparison to noughties US bands, all a bit skater punk. As all I know of Fountain of Youth is the one tune, and while the Daydreamerโ€™s material has a coming-of-age type content, I couldn’t imagine them knocking out something as quirky as a song about fancying their girlfriendโ€™s mum.

Nathaniel Heathcote confirmed, โ€œyeah, itโ€™s definitely reminiscent of skater punk, very 2000s with baggy jeans, spiky hair and a skateboard in hand!โ€

Cameron also clarified, โ€œitโ€™s kind of a weird blend of Indie meets Country meets 00s rock. Not that it started out that way. I think I was trying to write a riff like The Smithโ€™s Girl Afraid.โ€ Ah, mention of a band I know! Heaven help me, are we due a noughties comeback, I pondered, I guess itโ€™s time, despite Iโ€™m still living in 1991.

โ€œThey seem to be!โ€ Cameron figured, โ€œI was listening to Machine Gun Kelly the other day and his sound is very 00s. We obviously inspired himโ€ฆโ€

From here I teased about the possibility of getting a rapper in, if thatโ€™s the case. But Daydream Runaways has spent their few years really nailing a uniformed style, I hoped I wasnโ€™t rocking the boat. Thereโ€™s a question developing in that though, how far theyโ€™re willing to diversify?!

Cameron admitted, โ€œBen has floated that idea about actually, we always say we donโ€™t want to write the same song twice or be bound to one genre. And I think that comes across in our music. It helps that each of our individual musical influences are quite different so that makes the song writing process quite fun and the songs are always a bit unexpected.โ€

โ€œThis is something we differ on in my opinion,โ€ Ben interjected, โ€œCam enjoys the idea of a more consistent sound and style that is familiar, whereas I strive for an ever changing/evolving sound, dipping into varying genres.โ€

โ€œSo,โ€ Cameron replied, “I think we balance each other out?โ€

Ben Heathcote got deep, โ€œthe world canโ€™t exist without Ying and Yang.โ€

But I often rock their boat, probing their thoughts of an album, and they have differing opinions on it, but Iโ€™m always impressed how they stabilise it mutually; I do hope itโ€™s a solid band, as this EP rocks and I always look forward to hearing some new from them. They even went as portentous to hint at an albumโ€™s possibility, but rather concentrate on the idea of a sequential set of songs on a running theme. There you go, Mr Franklyn, I surmise theyโ€™ll be writing the next soundtrack to a John Hughes rework!

If so, I get first dibs on the actress playing Molly Ringwaldโ€™s part, but probably not, though with this blinding new EP, it is fair to assume itโ€™s only just the beginnings for The Daydream Runaways. The peak will be unimaginably awesome.


Very Brave or Very Stupid; End of Story

Very brave or very stupid, to suggest five-piece band End of Story are terrible, more so if I tell you theyโ€™re a bus journey away in Calne! Terrible is as terrible does, Forrest; a complimentary adjective in punk, like the magnificence of being spat on by Sid Vicious, itโ€™s a term of endearment.

For End of Story are the localist epithet of skate-punk, they do it well and as it should be done. Their new EP of four original tracks titled thus, Very Brave or Very Stupid is terrible, if terrible means awesome. Itโ€™s raw, angry, energetically entertaining; the very blueprint of punk.

Through the passage of time, generations warped the tenure of the house of punk, and new subgenres evolved, their attributes far-flung from the roots. No wonder why Iโ€™m particularly picky about the genre, tending to steer away from modern takes. Be they aiming commercially, like power-pop, like Blink 182, or excessively overkill it, like skatecore. Principally I guess itโ€™s predominantly youthful American, and I tick neither box.

I reserve my right to appreciate from afar, though, especially when procured with an amusing take, Back to the Future references, fancying your girlfriendโ€™s mum, for examples. Or if thereโ€™s a clever narrative like Avril Lavigneโ€™s Sk8er Boi. I even allowed myself to be dragged to a Bowling for Soup gig at Bristolโ€™s 02 by my son, albeit a taxi service. I gulp and confess, didn’t stage dive, but it was alright. But, and this is a big but, my erroneous dejection; canโ€™t help but feel itโ€™s lost its raw way from my first love, Ramones, Pistols, Buzzcocks, et all.

Precisely why I find End of Story refreshing, skate-punk it may be, but with full beams blasting into original punk, shining the way, reminding me of Welsh punkers, Sally & Kev Records and punk-paste zines of yore. The four tunes are archetype skate-punk subjects, Sweet Sticky Kiss of Mary Jane the only stoner ballad, the others theme on disjected romance and broken promises. But itโ€™s catchy with boundless rage, and as garage as punk should be.

Nosebleed perhaps the loudest, Shattered Earth perhaps the most interestingly grafted, and the finale, Itโ€™s not Him, perhaps the most commercially viable within the confounds of skater punk, but all equally beguiling. Top effort guys, highly enthralling, and itโ€™s out today. Punkers, check it out:

https://music.apple.com/gb/artist/end-of-story/1535986645


Devizine Christmas Shopping Challenge!

Too early to even mention the big C? Yes, I accept, but needs must with four weeks of lockdown at our door. The gauntlet laid, the challenge: to seek out Christmas shopping items suggested by our Facebook readers within a two-hour limit, including an obligatory breakfast, by shopping in Devizes, using independent shops as much as possible. Can it be done, will I get a soaking, will I remain relatively sane?!

A Tuesday morning in earliest November, Iโ€™m confident and at a steady pace. Itโ€™s overcast but dry, the sun attempts to peak through, and surprisingly, there appears to be no rush or panic buying with three days prior to the lockdown sequel. Is there any point to all this, one may ask? Yeah, I said I was going to do it, despite my general loathing of shopping (retail therapy is an oxymoron to me.) We still have three days, and fingers crossed all will reopen next month. I did make a point of asking the relative shops about their online presence too. All is not lost, Devizes is a wonderful little place to shop, but million dollar question, can you get everything you want there?

This list then, lets have a look. I have only six items suggested, therefore added something of my own. Got to look after number one after all. So, added to the list is a new jumper, and a cuddly elephant; note Iโ€™m a grandad now, itโ€™s not for me!

Items on the list as follows: Clair Goodwin Figes wants a spatula spurtle, of which I had to Google. Jenny Moore wants a tagine, yep, that too. Ema Waterman wants an electric whisk, or, failing that a bottle of whiskey. I guess with enough whiskey inside you an electric whisk is unnecessary. There seems to be a running theme of kitchen utensils here, but I was prewarned popping into Ma Cuisine and scooping the whole bundle in one would be frowned upon.

Other, non utensil items were a Galileo thermometer for Leannie Cherry, a specific album for Catherine York, Nine Below Zeroโ€™s Don’t Point Your Finger, and Teri Stout wanted some gouache paints; I hope youโ€™re all on the good list ladies.

Result, I think, was fair. Did I manage it in two hours? Well, I didnโ€™t get a parking ticket, letโ€™s put it that way. Inclusive of laps around town trying to find a parking place, I was dusted well within the time limit, and survived to tell the tale.

First port of call I figured was easy, Teriโ€™s gouache; thereโ€™s an artistโ€™s shop in St Johns near the Vaults. Yeah, I govern my way around by pub names. In fact, as I do, I fail to notice changes to our shop fronts, and found a nice-looking tearoom come Chinese restaurant called the Mayflower. Though it was closed, I was like, oh, never seen that before. Much was the nature of my start to the challenge, as what I figured would be easy, was not. The artist suppliers kaput, who knew? A picture framer and dรฉcor supplier, Original Glory stood in its place. Not so original as its namesake, as it used to be an artistโ€™s shop, and had been for as long as I can recall. They were however friendly and recommended Devizes Books.

Itโ€™s plastic gloves on at Handell House, and Jo there to great me. I could spend eons in this cathedral of all thingโ€™s literature and art. Devizes Books is wonderful, always has been. Alas they only sold watercolours and pastels. I was diverted to WH Smith, in which doubtful about as it broke the rules, and anyway, they only had watercolours and acrylic paint. Sorry Teri, item one; failed.

Down Maryport Street I marched unperturbed of my failure. I spotted an electric whisk in Mainlys, Ema, that shop which has got everything hardware and a whole lot more; I took a snap through the window.

Detour Clothing was the destination to fulfil my own want of a new jumper. The only menโ€™s clothes shop in Devizes has been on scene for twenty-four years, once situated down Swan Yard. The thing is, and I put it to the chatty shop owner, people drift by assuming as itโ€™s breached a gap in the market, it must be pricey. โ€œWe get more tourists than young local people come in,โ€ she explained. When really, prices are reasonable, thereโ€™s jumpers on racks, a steal at ยฃ15. The notion you need to travel afar to obtain new threads, guys, is proven wrong by this great little store.

Now, I did promise myself a breakie, I love a bit of New Society, you know that, and was recommended Brogans and Soup Chick in the Shambles. Time pushing on, Iโ€™m heading for the back of the Shambles for a sample of soup, but it was closed. โ€œPeople shutting up early,โ€ said a trader, โ€œbefore lockdown.โ€ A sign of the times, perhaps. Maybe they were simply out of croutons.ย 

Biddles it was, a warming and hospitable alcove of the Shambles, after the draft of the doors. Biddles supplied me with a mug of tea and a tasty bacon roll, cooked just how I like it, all in for ยฃ2.50. Youโ€™ll not get that in Costa. Iโ€™m not one for delicate aโ€™ la carte when it comes to breakfast, I want good honest grub at a steal, job done at Biddles.

Refreshed, Iโ€™m on my way to sort Cathโ€™s request out; rather like Highlander, there can be only one. Vinyl Realm, under their new roof in Northgate Street is just how you remember a record shop being. I dragged my daughter in just last week, flicked through vinyl and told her thatโ€™s how we made a Spotify playlist back in my day. Pete brushed his hand over his record deck, for people to use and try before they buy. โ€œKids come in and play the vinyl on here,โ€ he smiled in reminiscence, โ€œjust how we did.โ€

They sold a copy of Don’t Point Your Finger not so long ago, but assured me they had other albums by Nine Below Zero; so, I half-met the agenda. Thing is though, Iโ€™m in there now, browsing, and could be some time. What Pete and Jackie donโ€™t know about music you could write on the back of a matchbox, with space for diagrams. And theyโ€™ll happily chat about it till the cows on a Pink Floyd album come home. Man, I noticed an original Atlantic 7โ€ of Wilsonโ€™s Picketโ€™s In the Midnight Hour, for a mere fiver. But I spent my pearl on local band Mr Love & Justiceโ€™s 2009 CD, Watchworld. Pete and Jackie are dedicated to our local music scene and will sell unsigned bands’ wares in abundance.

But thereโ€™s more to the activities happening here in the yellow gem on Northgate Street. Pete showed me out back of his new digs, where I was greeted by a wall of sound, and a guitar lay on a desk ready for new strings. Whether itโ€™s instruments or simply a band t-shirt, Vinyl Realm got it down, and PA hire to a vintage hi-fi, it fits any bill. What is more, lockdown is no worries, Pete explained he was still busy during the last one, as they have a website, ordering service and will deliver what you need if you ask them.

Time ticking Iโ€™m hopping out of there and down the Market Place. The Ginnel, that little pathway of ever-changing indie boutiques and tea rooms is a must. Tea Inc is bustling, but Iโ€™m on for a cuddly elephant here, I can feel it in my bones. Handmade gift shops are plentiful in town, Beezes is a beauty. Next door an extension for children, Little Bโ€™s is simply delightful, lots of crochet and knitted cuddlies, wooden toys and books await you there; a cute little elephant awaited me. For less than ยฃ13, heโ€™s a steal and would warm any childโ€™s heart. I took his mugshot on the desk; he deserves a loving home. Beezes set up a website last lockdown and so will continue to trade, they warmly informed.

But Iโ€™m still in the dark with all the kitchen utensils from the demanding girls! Oh, and Leannieโ€™s Galileo thermometer; please, canโ€™t I just go home now?

What the heck, Ma Cuisine it is. Never been in there before, but itโ€™s a maze of kitchen goodies stacked to the ceiling. A small chain based in Bath, itโ€™s glorious. I sauntered the aisles, assured Iโ€™d find them all here. Amidst spatulas a-plenty I couldnโ€™t see a spurtle, but nothing was โ€œman-labelledโ€ and I confess, I didnโ€™t have a Scooby-Doo what it looked like! Trouble is, I felt like a mere peasant in the Queenโ€™s chamber, and scared for my monthโ€™s pay, to knock so much as a kettle off the shelf, I made a sharp exit.

Gloomy outlook, I failed, I spent too much time lapping up my bacon roll and gassing in the Realm. Iโ€™m homebound, grab some teabags from Iceland which is what I came out for. Thereโ€™s the very misconception though; residents nip to town to grab a necessity, save a big shop for a larger town. But walking through Devizes is a delight, and though we mayโ€™ve not made the outlandish requests on the list precisely, thereโ€™s plenty to purchase here, and little need to venture elsewhere.

Example, and hole-in-one. On my trek to Iceland I pass through the Little Brittox. There, at number 3, is the Giving Tree. What a wonderful name for a gift shop, and so, as name suggests it, I give it a last go. Whoop bang wallop! No, I didnโ€™t smash anything. The lady inside sprung to order when I told her the nature of my visit. I noted a fine wood spatula, that will have to do Clair!

A tagine, for Jenny, yep, right above it, she told me. I tried my luck and inquired about the Galileo thermometer for Leannie. โ€œYes,โ€ came the reply, and she hurried to fetch this wonderful workable charm. Placed together it was the perfect ending; result! Three in one, done, thanks to The Giving Tree. And yep, just like the others, they trade online, and you wonโ€™t find customer service like this at a sprawling blot on the landscape retail park.

Even the name gets my goat up, honestly, โ€œRetail Park,โ€ โ€œShopping Village,โ€ doesnโ€™t fool me, call a spade a spade, itโ€™s a shopping centre, nothing like a park or a village at all. You’ve been had by the name alone, how can you trust them further? Ak! Shop local!


Carmela’s Superhero Salvation Army Toy Appeal

Massive shout out to People Like Us member, Pip Phillips for getting his head shaved on Sunday in aid of Carmela’s Stand Up to Muscular Dystrophy. I told him he needs to join a ska band with his new skinhead look!

For those who don’t know Carmela, she has a very rare progressive muscle wasting disease which weakens all skeletal muscles, weakens the respiratory system and cardiac issues occur, and receives care from Julia’s House Children’s Hospice twice a week. You may recall the day I did my milk round in my Spiderman onesie August last year, when I was delighted Carmela came to help dressed as Wonder Woman.

Her love for Wonder Woman has become somewhat of a running theme in the fundraising effort, Wonder Woman actress Gal Gadot recently donated over three thousand pounds when Carmela walked her own mini marathon in place of her father Darren, who was intending to run the London Marathon.

Superhero is apt though, to describe Carmela, she is a little fighter, determined with her physical exercise to stay as mobile and strong for as long as possible. More to the point though, I can vouch for her charm, youโ€™ll never meet a more inspirational girl than six-year-old Carmela and everyone immediately warms to her natural magnetism.

The tables have turned for this venture though, as her determination is to put smiles on otherโ€™s faces this Christmas. November is a time when Carmela usually raises money for her cure campaign with Muscular Dystrophy UK. But she asked to help children have presents for Christmas, as she saw a TV programme about vulnerable families and wants to help.

So, Carmela will be taking part in a virtual 4-week physical challenge with http://www.superheroseries.co.uk called Winter Wonder Wheels, Race Around The World, and instead of asking for sponsorship she is asking for at least ยฃ5 unwrapped gifts for any aged child sent to her home address so they can take them to The Salvation Army, as one trip at the end of her event. Please privately message Carmela on her page for address. Precisely why we love Carmela! If you want to get involved, here is the Facebook event page.


Johnny Lloydโ€™s Cheap Medication

Coming from a more Tribe Called Quest angle than Johnny Lloyd, Dan White, Jim Cratchley and Miguel Demeloโ€™s three-year stint under the banner Tribes, Iโ€™m trying to like Johnnyโ€™s new solo album Cheap Medication, but thereโ€™s no hope in forcing me to commit to say itโ€™s more than mediocre. Soz, intent to say something, certain many readers will disagree with me.

Iโ€™ve had nothing but praise for the โ€œindieโ€ Iโ€™ve been sent recently, thereโ€™s been some great stuff, particularly on our local scene. Thereโ€™s only a tenacious local link, being Johnny is going out with Swindonโ€™s nineties teen heartthrob Billie Piper. This isnโ€™t Hello magazine, though, least not the last time I checked.

The bulk of Cheap Medication is produced to a high standard, to be expected, but feels overall pretentious. Affluent celebrity blues amidst tunes like Oh Lord are unidentifiable to us commoners, ballads to his newfound love are somewhat conceited and wishy-washy. The tempo drags, sentiments are middling. Though Johnny has a key to winding emotion in his vocals and tunes, like Better Weather, which drifts like Radiohead, dreamy like Spiritualized. Not that Iโ€™m too keen on them, truth be told! Guess you could summarize, itโ€™s not for me. Or am I just having a bad hair day?

I like the cover, given the brilliant Gecko used a photo from his childhood for his recent outing, a kid Johnny proudly shows off his Batman uniform in a Christmassy regular looking home. I like this approach, especially from someone already in the spotlight. Perhaps thereโ€™s more meaning in the image of a once proud superhero, from this rock luminary than there is hidden in the songs, or theyโ€™re too intricately hidden.

Tabloids quote smitten Johnny declaring he was lost before he met Billie, and in so much as hope and love, this album is personal and openly frank, though through the often too private bulk I couldnโ€™t identify with where it wanted to take me. Itโ€™s like that infatuated associate who speaks of nothing else.  

In this World carries the twangy guitar of a country classic, acoustical goodness presides with Based on Real Life, an upbeat Simon & Garfunkel-eske tune, downbeat Heaven Up Here comes over all Morcheeba; credit where itโ€™s due, itโ€™s not all dull. There was one magical nugget, an uplifting track called Suze which breezes akin to Harry Nilssonโ€™s Everybody’s Talking, so who knows, it might grow on me if I gave it time, but Iโ€™ve got to push on with lots more to review. For indie aficionados and leaden adolescents, this may agree with you; itโ€™s out now, give it try.


MeTooMpls โ€“ Various Artists (album review by Dave Franklin)

Even up until about a year ago I was bemoaning the fact that, despite the way the world was turning, music still seemed to lack any political bite or social messaging, had forgotten what a great platform it had in favour of serving itself, was about the โ€œmeโ€ rather that the โ€œus.โ€ Where was the [โ€ฆ]

MeTooMpls โ€“ Various Artists (album review)

Longcoats in October EP

Further to their couple of singles since forming last year, Longcoats, Bathโ€™s self -proclaimed indie pop โ€œfor nerds,โ€ four-piece, released a four-track EP last week, pertinently titled The October EP. As launched at Moles last week. Not that thereโ€™s an EP in any other month, named after that month, and uncertain if there will be. Letโ€™s move on and give it a listen, shall we? As I fondly plugged the singles within a piece centred around their frontman, Ollie Sharpโ€™s social networking group, The Indie Network.

As said groupโ€™s name suggests, Longcoats are the youthful embodiment of gratifyingly saccharine indie, if indie is a genre rather than a favoured shortening of the word independent. Darn, too vague, sweetie? Okay, by saccharine I didnโ€™t mean cloy, thereโ€™s nothing bubble-gum pop on offer here. I meant sentimental in themes, and the title track, October is the perfect example, with its hopeful romantic chronicle. The chiming backing vocals also arm it with amiability and all-round nice vibes.

But while thereโ€™s no fear of Longcoats going all Rage Against the Machine on us, itโ€™s not drippy either, and Iโ€™d argue their own โ€œnerdโ€ label diminishes itโ€™s worth, even if tongue-in-cheek. It comes over agreeable and congenial, and thatโ€™s coming from an indie window-shopper. Thatโ€™s good though, isnโ€™t it? Good it will satisfy non-devotees of the genre too.

The majority of indie jilted the rougher elements of its underground origins long ago, leaving any bitterness behind in hope to impress a mainstream, ergo I stand by my Longcoats are the embodiment of gratifyingly saccharine indie statement, just donโ€™t take it as a negative in any hardy hooligan fantasy your ego might invoke. Find your yang rather than yin.

Last year guitarist Arthur Foulstone and drummer Kane Pollastrone added to frontman Sharpโ€™s lone act, which bridged the gap between band and solo artist. The final piece of the puzzle came upon recruiting permanent bassist Norton Robey. With the assistance of producer Jack Daffin, Longcoats have created a beguiling and entertaining, instantly recognisable sound to wide appeal.

Prior to the title track the two singles start the EP off, thereโ€™s a trudging guitar riffin Used to Being Used, a blueprint of indie-pop with its theme of dejected ardour, yet itโ€™s done with skill, catchiness and promising aptitude. The latter single, Drag, which came out in March takes a similar tempo, and cool attitude. But I think they left the best to last.

Plasticine is a beautiful song, taking an arbitrary metaphor like a heart of plasticine, itโ€™s a tune of hope. In a nutshell it wraps up the direction of the EP, flowing and uniformed, subtle but uncommercial. Yeah, itโ€™s a nice debut from we young band we look forward to hearing more of.


Americana maverick Jim White returns with Misfitโ€™s Jubilee

Going in blind, crucify me if you will, but Iโ€™m unfamiliar with Americana maverick Jim White. Additionally, Iโ€™m streamlining due to the backlog and giving this one listen prior to reviewing. Yet, even if my analysis isnโ€™t as exhaustive as other fervent bloggers, Iโ€™m bloody loving his latest album Misfitโ€™s Jubilee.

Itโ€™s precisely what it says on the tin, a discarded rusty old tin in a desert somewhere. An upbeat roll in a haystack of psychedelic Southern Americana, and a festivity of folk-driven geriatric observation. Yet thereโ€™s his trademark, apparently; dark trippy twist of narrative in the depths. Jim White muses US politics, divided state ethos, and national stereotypes. Subjects range from a dope smuggling teenager to Big Foot, and he does it with the professionalism of quart-century experience, and self-confessed โ€œhole of sickness, depression and poverty.โ€

Multiple-instrumentalist, singer-songwriter, Jim, works this personal arse-whipping outing with only the tangibly cohesive musicianship of his long-time drummer Marlon Patton, trusted Belgian sidemen Geert Hellings on guitar and banjo, and Nicolas Rombouts on keys. Recorded primarily at Studio Caporal in Antwerp, it features new songs, plus some older-penned ones, only now surfaced. Put out on Loose Records, it’s out now. To me itโ€™s all new, but Iโ€™m contemplating Neil Young jamming with the Pixies as its mind-blowing cogitates flow over my psyche like waves of a resilient dustbowl.

Ruminations are somewhat curtain-twitching but contemporary, and it hardly ceases its brainy grip on the necks of proletarian American orthodox devotees, but does so with the fashion of a perpetual parade of agitated and cynical characters, but oh, joyfully, and with a heartfelt sonic agenda.

The sound is toe-tappingly memorable, maintains upbeat jovial generation X indie-folk-rock, yet smells of vintage. If some moody piano rings out, as it does with The Sum of What Weโ€™ve Been, a zephyr of buoyant guitar riff repairs it. There were times when I figured itโ€™d mellowed, like Mystery of You, but it was just building the track. And for that, it rocks!

Through ever-thickening material, straggly kitsch metaphors and uncensored outpourings, itโ€™s perhaps the twanging guitars juxtaposed with samples from authentic US police chases which makes my reasoning for citing the tune, Highway of Lost Hats as the peak of Misfitโ€™s Jubilee. Thereโ€™s rib-tickling Hollywood narrative, adroitly directed at the carefree insolence in defence of US counter culture of yore. Herein is its niche, a bombast of the direction his nation heads, and comparison of what it could be. It is Born in the USA times a billion, itโ€™s Guthrie partnering with Lou Reed, for a new era.

The finale defines this, an earnest and heartfelt speech, reflecting on quotes from George Washington, poet Emma Lazarus and even Jesus, but after the contemplative, it slides into a fading McDonalds order. Such a nimbly placed, sombre scrutiny, is the conclusion of the Divided States of America, as itdumps you in cold silence gasping for air.

Iโ€™m going to have to dive deeper into this impressive torrent of melodic genius, as I figure itโ€™ll be some time before I fully unpick it, and its gist is sussed; thatโ€™s when you get the notion, itโ€™s value for your hard-earned pennies.


Alanโ€™s Fine Art Christmas Cards for NHS Charities

Local artist Alan Watters has launched these wonderful pencil-signed greetings cards, with all profits from his website going to NHS charities only until the end of October. The cards are individually pencil signed and sold in packs of ten for ยฃ12 (+ ยฃ3 UK P&P.) But hurry, Alan says theyโ€™re going fast!

Limited edition prints are also available, making a great Christmas present idea. Click here to order.


Cold Water; New Single from Lottie J

Wasn’t it in my review of Talk in Code’s latest single where I waffled on the subject of my passenger seat DJ on trips to her football, and thinking about it, every time she gets in the car even if we’re only going half mile up the road?

Matter of factually then, my daughter ensures I’m as up-to-date with pop, as far as a middle-aged pop can be. So it may surprise you to note this rocking grandad knows his Dua Lipa from his Doja Cat, just about, and I know the “peng” sound of now, and Lottie J’s single is bang on the mark.

Though, I’ll probs get dissed by da yoot for my hopeless attempts to align with the trends in lingo, and peng is probably, like ancient history; soooooo last decade. But everything about Cold Water rings contemporary pop hit to me.

Lottie has come some way from teen singing her own heartfelt compositions at a piano on the local circuit, and the days when Jamie Cullum encouraged her upon visiting her school to donate his old piano.

If she has stars in her eyes, they’re directed and affirmed in a business acumen which knows exactly how to point them in the right direction; Cold Water confirms this. It is fresh, it is the pop sound of now, and assures me, through the chosen path of self-promotion in an era which allows it through streaming sites, Simon Cowell is not necessary. I predict we will be hearing more from Lottie J, bigger and better each time, and with her sublime voice and beauty abound, she is the pop star in the making.

It’s cool, emotionally prevoking, it’s pop-tastic beats and has all the ingredients of a contemporary r&b come dance hit. All it takes is word of mouth and online sharing. I usually run anything modern past my daughter, who mostly scoffs at my attempts to influence her musical taste, but on the position of Lottie J we mutually appreciate her talent. And that’s good, innit, I mean she could be my excuse for attending Radio 1’s Party in the Park. Post Malone, we’re on our way!

No, he’s an American rapper, no, he hasn’t got a black and white cat; get with the program!

Streaming Link

Island Bop with Shuffle & Bang

San Diego, California, 2018, King Pops Horn and son, Korey Kingston began on a musical partnership, merging Koreyโ€™s deep vested love for dub and reggae with his fatherโ€™s tenure as a decorated traditional jazz singer.

Gathering a gang of musicians with resumes including savvy veterans from The Aggrolites, Rhythm Doctors, Suedehead, Brian Setzer Orchestra, The Original Wailers, Stevie Wonder and a pianist who plays organ for the San Diego Padres baseball team, they formed Shuffle & Bang.

Over multiple recording sessions taking two years, this unique musical journey culminated in an accomplished album, Island Bop. Pirates Press Records, partnered with the bandโ€™s own Jetsetter Records are ready to deliver this gem to the world on 6th November; everything about it suggests itโ€™s right up my street and banging loudly on my door.

And it is, and it is loud. Dressed as a classic Blue Note jazz album, with indistinct band-in-action photo and simple capitalised font running down the left side, it comes exceptionally close to capturing the elegance of an era of definitive jazz and soul. Yet it drifts wildly between genres, a surprise to know whatโ€™s coming next in many ways, but often, perhaps, constituting a Jack-of-all-trades.

I mean this in the nicest way possible, to hit the benchmarks of such legendary epochs, to come close to all the variety of influences represented here in one shebang, from Blue Note to Stax and Studio One, is quite near impossible. You got to hand it to them for trying. For all it is worth, it is accomplished, highly polished and grand. Itโ€™s exceedingly entertaining and highly danceable, to boot! Just donโ€™t let the cover art allow to run off with the idea youโ€™ve stumbled upon a new Marvin Gayeโ€™s Whatโ€™s Going on.

At all times, no matter what subgenre itโ€™s mimicking, itโ€™s brash but not slapdash, flamboyant and proud. Thereโ€™s minimal subtly of soul, delicately tight riffs of ska, and to cast it overall is to say it is akin to big band, as itโ€™s in your face and wonโ€™t let you escape, even if you wanted to, which, you probably wouldnโ€™t. Big Band does jump blues, ska, soul, and even by the end, dub reggae.

Yep, you heard it right; it ticks all the boxes. The opening song is a deep acapella with a booming Teddy Pendergrass fashioned soul voice, whereas the second sets the running theme as this big band panache. Taking the jazz end of a classic ska sound, the third tune dragged me onto the dancefloor, or my kitchen lino to be more precise; yep, Iโ€™m reviewing while washing the dishes again!

Switching back to Cab Calloway big band groove for a fifth song, it is perhaps the next which is most interesting to date, Naima maintains a big band style but serves it with a rock steady riff. Quickly as it does it, it shifts again, onto a shuffle rhythm with some killer horns, more Louis Jordan than T-Bone Walker.

Within the thirteen strong songs, the whole album is showy and that makes it rather magnificently inimitable, and because of this running big band ethos incorporating all the various styles, at no time does it jerk into an alternative genre, shudder the goalposts, rather surprisingly, they flow all rather splendidly.

It gets unpremeditated and rides the Ratpack train, with beguiling vocal gorgeousness, When I Take My Sugar to Tea, particularly, or a take of traditional ska like the Skatalites, but the next tune might again return to up-tempo swing. Given our Louis Jordan reference, the only recognisable cover is his Tympany Fiveโ€™s Let the Good Times Roll, at least you think it is, until the end song.

If you figured this cover might act as a grand finale, prepare, because after a drum and cymbal interlude, the groove suddenly and without warning dubs. Yep, true dat; with a deep rolling bass and reverbs akin to King Tubby, and perhaps melodica to impersonate Augustus Pablo, we are treated to a divine dub of the Gorillazโ€™s Clint Eastwood. Although theyโ€™re calling it Drum Song.

The culmination forces you to hardly recognise the style at the beginning of the album, and to return to it might make you think, no, I want to go listen to some Sly & Robbie now instead. However, Island Bop will rest accustomed in a jazz, blues, soul or reggae record collection, and you will return to its gorgeous portrayals. For all its swapping and merging, yes, Island Bop is hard to pin down, but for eclectic jazz and soul fans, its refreshingly experimental and a damn good groove!


Gigs Continue at the Southgate with a Bonza Line-up for November

Remember around this time of year, how the UKโ€™s terrestrial television stations would wind down quality of their schedules in order to accrual a superior agenda for Christmas? Well, the near-only dependable live music venue in Devizes we have left is showing no sign of copying the idea. Abiding by restrictions and regulations, Dave and Deborah at The Southgate Inn on Potterne Road continue to bring us the very best of local music, and show no sign of letting up for November.

Maintaining Wednesdayโ€™s consistent Acoustic Jam evenings, and on top of regular Fridayโ€™s Ukelele Group, thereโ€™s something for all tastes during the lead up to the big C. Letโ€™s run through them, but remember most gigs are early, from 4-6 or 7pm, and to adhere to the social distancing rules, and respect others at all times. Booking a table is recommended, particularly for the more popular gigs, and boy, thereโ€™s plenty of them upcoming. Call them on 01380 722872 or send them a Facebook message to let them know youโ€™re coming!

This Saturday, 31st, we see the return of Swindonโ€™s Navajo Dogs. Theyโ€™ve not played since lockdown, and say they canโ€™t wait to blow the cobwebs off, with their own-brand of punky, blues-rock, and as they say, โ€œsome face melting guitar solos!โ€

On Sunday, the local family band Skedaddle are in the house, with their popular singalong covers.

Next Sunday, the 8th November, is bound to be awesome as what The Southgate brand their house band pay a visit for some unforgettable funky blues. Local legend Jon Amor, Jerry Soffe, Tom Gilkes and Evan Newman make up King Street Turnaround

Saturday 14th and itโ€™s time for Mirko and Bran, aka, The Celtic Roots Collective. The wonderful duo you should all know by now for their blend of Irish and Celtic folk and rock.

The Sunday, 15th, sees Bristol-based regular original folk, soul and bluesman, Lewis Clark, who appears solo rather than with his full band, The Essentials, focusing on new original material written during lockdown.

Saturday 21st has the combination of Mantonโ€™s own Ed Witcomb, of the aforementioned Skedaddle, & Marlboroughโ€™s talented Nick Beere, promising magical mellow blues, catchy guitar riffs, and a combination of chilled acoustic covers and original material.

More blues on the Sunday 22nd, and why not? Bare blues with rural roots, delivered via slide guitar, harp and stomp-box with energy and passion. The Gate welcome back Trevor Babajack Steger.

Saturday 28th Iโ€™ve defo bookmarked, when Swindonโ€™s two-tone ska darlings, The Skandals skank the Gate. Since the split with frontman Mark Colton, the lively band welcome back their original lead, ex-Skanxter Carl Humphries. Playing as selection of two-tone ska covers, is always welcome.

The Southgate are keen to point out at this stage, gigs do depend on changing covid regulations and should things alter, larger and louder bands might have to sadly be cancelled. Fingers crossed, as Bite the Hand are due to arrive on the last Sunday of November, the 29th. Like many, itโ€™ll be these crazy metal-headsโ€™ first gig since lockdown. Bite The Hand perform fast and furious punk and metal, self-penned reasoning is โ€œto try and offer audiences something less vanilla. Itโ€™s the kick in the teeth youโ€™ve always wanted, the dirty habit you just gotta have.โ€

Personally, as well as wishing Dave a happy belated birthday for yesterday, I just wanted to thank them and their team for continuing to work through this period safely and provide Devizes with such a great line-up of free entertainment from their hospitable and welcoming, best pub in Wiltshire!


Wiltshire Council’s Live Covid Update

Wiltshire Council are hosting a live public COVID-19 update on Tues 3 Nov at 5pm.

The online broadcast will feature Wiltshire Council Leader, Philip Whitehead, Chief Executive, Terence Herbert and Director of Public Health for Wiltshire, Kate Blackburn.

They will be providing an update on the latest number of positive cases and the rate of COVID-19 cases in Wiltshire, and the arrangements in place to mitigate the spread of the virus. There will also be details on how schools, care homes and council services are responding to the situation and planning for the coming weeks.

They want to hear from you.

You can submit your questions about COVID-19 and the local response in advance by emailing communications@wiltshire.gov.uk, no later than 5pm on Sunday 1 November.

Full details: http://orlo.uk/szlOg

Devizes Winter Festival

The weekend traditionally for Devizes Lantern Parade, 27th-28th November, there promises to be a huge magical community event this year, because of circumstances beyond their control, DOCA are doing things a little differently, and invites you to be apart of the Devizes Winter Festival. There are plenty of things to do, see, and get involved in.

FOR YOUR ENTERTAINMENT
For your delight, they will have roaming performers and an amazing walking trail for you to visit, suitable for all ages.

Projector Boom Bikes by Sound Intervention

Dan Fox will be bringing his amazing projector bikes which will fill the streets with music and light. Interact with all the strange and familiar creatures the bikes project onto the buildings of Devizes.
Location: Leaving from the yard of the Black Swan
Appearing: Friday 27th 17.00 -17.45, 18.30-19.15 &
20.15-21.00 Saturday 28th – 16.45- 17.30 & 18.00-19.00

Celestial Sound Cloud by Pif Paf

Dance and wave and the Sound Cloud will react to you to create a unique conversation in sound and light. Donโ€™t be shy, itโ€™s your chance to be the conductor to create beautiful harmonies and make light patterns like youโ€™ve never seen before. Access to the SoundCloud will be managed by volunteers for your safety.
Location: Wiltshire Museumโ€™s garden, Long Street, SN10 1NS. Access through the rear car park
Times: Friday 27th – 16:00 โ€“ 21:00, Saturday 28th – 16:00 โ€“ 19:00

The Bell Orchestra by Beautiful Creatures

This amazing supersize instrument is waiting for you to come and play. Created by Beautiful Creatures Theatre who will invite you to experiment with these giant illuminated chimes. Come and enjoy some safe togetherness and make some beautiful music in this lovely Devizes square. Suitable for all ages and abilities
Location: The Chequers Garden, High Street, SN10 1AT
Times: Friday 27th 16:30 โ€“ 18:30 & 19:00 โ€“ 21:00

Devizes Town Band

Devizes Town Band will bring the sound of festive tunes that you know and love to the Market Place.
Saturday Morning โ€“ times to be announced soon

Virtual light switch on by Father Christmas From his home

Like most of us Father Christmas is having a trickier year than usual! To make sure everyone is safe he wonโ€™t be appearing in person at the Light Switch on this year but heโ€™ll do it from his home.
Heโ€™s asking children to write to him, to help you he has sent us a letter template which you can pick up from the Shambles Market between the 31st of October and the 14th of November. If you want him to write back youโ€™ll need to tick the box on the back of the letter and post it into the red letterbox in the Shambles by 4pm on the 16th of November. All the letters will be sent to Father Christmas who will be reading out a selection on You Tube at 7pm on the 27th along with a tour of his house and workshop. Heโ€™ll also write back to you, your letters will be ready for collection on Saturday the 5th and 12th of December between 9am and 12 noon from the Shambles.
The YouTube channel address is http://bit.ly/DevizesSanta

FOR YOUR SHOPPING NEEDS

Doca have selected the best traders in the area, offering a host of fantastic flavours, amazing tipples, beautiful handmade gifts and more. Explore the expanded festive markets in safety over 3 days at your leisure. Please view trading times below.

Friday 27th
Market Place 4 – 9pm
Corn Exchange  2.30 – 8:30pm
The Shambles 10:00am – 8:30pm
Town Hall 2.30 – 8:30pm

Saturday 28th
Market Place 10am – 7pm
Corn Exchange 10am – 7pm
Town Hall 10am – 7pm

Sunday 29th
Market Place 10am – 2pm
Town Hall 10am- 2pm

BE APART OF THE MAGIC  with Window Wanderland

Doca have invited homes, venues and shops to get creative through this Internationally known event, and hope it will become a new tradition in Devizes. Look on the Window Wanderland website or follow the link from ours for more information.
http://www.windowwanderland.com/event/devizes-2020/
Times: 17:30 to 21:00 each night.

Shambles Festive Makeover

With your help DOCA are attempting to transform the Shambles, the roof will be decked with baubles made by the community. Check their website for details for dates and opening times.
docadevizes.org.uk/make-a-bauble-for-the-shambles-installation

HELPING TO KEEP YOU SAFE

Attendees and audiences will be required to follow safety measure. Please ensure you use our track and trace system, scan the QR code in all venues and register using your smartphone
Use hand sanitizer provided
Wear a mask at all times
Maintain a safe distance from people
Bring your own cups for drinks and help the environment too

For more information on Devizes Winter Festival please visit the DOCA website https://www.docadevizes.org.uk/winter-festival/

Paul Lappin Wants to Fly

Tad snowed under with the plethora of great new music at the moment, but delighted to hear Swindonโ€™s breezy Britpop fashioned artist, Paul Lappin has progressed from the few singles weโ€™ve reviewed fondly in the past, to release an album of all new material, this week. So, yeah, apologies for lack of advance notice, The Boy Who Wants To Fly is out now, and very worthy of our attention.

It binds all the goodness of the singles into something you can nourish extensively, thereโ€™s a real concentration of composition here as each track drifts adroitly. Itโ€™s astutely written pensiveness, nicely implemented, with the expertise likened to our own Jamie R Hawkins; Iโ€™ve made this comparison before. This moulds what could be great acoustic into a full band experience, handsomely; As Billy Green 3 are accomplishing this side of the M4, but letโ€™s not get all road map. Best way, imagine George Harrison present on the Britpop scene, and youโ€™re somewhere lost in Lappinโ€™s world.

Not a lot standout in theme, Paul mostly takes on the classic subject matters, sometimes optimistic romance, often uplifting reflections on past observation, such as the title track which Paul clarifies, โ€œit was originally written for my young nieces and nephews, but listening to it now I can also hear a lot of my younger self in there.โ€ But thereโ€™s a nod to current affairs, such as the citation towards the refugee crisis in the wonderfully executed Song for Someone.

Iโ€™m getting shards of Tom Pettyโ€™s Freefalling, particularly with the title track. Story behind the album reaches back six years, when Paul was looking after an isolated farmhouse in the Occitanie region of the south of France, coinciding with a particularly motivated period developing song ideas. โ€œMost of the songs on the album were written within the first few months of arriving at the house,โ€ he explains, โ€œthe melodies came during long walks in the surrounding hills and vineyards, the lyrics were penned in local cafรฉs.โ€

Haven’t yet had the pleasure of meeting Paul yet, but through the openness of his songs you feel like you know him already, and that constitutes an exceptional song-writer.

Ten tunes strong, optimism drops by the eighth, The Eye of the Storm, and darker, heavier elements ensue, if only for a track. โ€œEye of the Storm was a reaction to how helpless and frustrated I felt to all the crap that was going on at the time,โ€ Paul elucidates. Life was Good is critically observant too, but retains the feel-good factor, and that sums the general ambiance of the entire album. Common with creative geniuses, they shy, and this self-indulgence uneasiness I see in Paul. โ€œEntering the For The Song competition in 2019 changed all that,โ€ he expressed when he won with the song Life Was Good, boosting his confidence, which has ultimately led to this worthy and proud album; as he rightfully should be. I urge you to take a listen.


Talk in Codeโ€™s Secret

New single from Swindonโ€™s indie-pop darlings, and, as foreseen, itโ€™s blinking marvellous, Gloria.

โ€œEighties,โ€ I yell, but my daughter corrects me. Itโ€™s a tune from Miley Circus, apparently. Story checks out, searched YouTube for it. Now Iโ€™m distracted from reviewing Talk in Codeโ€™s new single, Secret, by her suggestive gyrations in a black studded swimsuit and equally studded elbow-length gloves. Only from a health and safety perspective, you understand. Metallic studs are unsuitable for swimwear, gloves would fill with water; I should warn her PR.

When behind the wheel of Dadโ€™s taxi, my daughter plays DJ; curse that built-in Bluetooth function. Least I can pretend Iโ€™m hip with the kids by distinguishing my George Ezras from my Sam Fenders. โ€œAh,โ€ but I clarify, โ€œI didnโ€™t mean that, I meant it sounds like something from the eighties.โ€ She agrees, tells me theyโ€™re all inspired from the eighties. โ€œLike, Blondie,โ€ I add, sheโ€™d have to Google that, but she watched The Breakfast Club and Uncle Buck, she is aware of the style of sound demarcated by eighties electronica pop.

Refrained from telling her about these guys though, some things are best left in the past.

If a retrospective inclination influenced by the decade of Danny Kendal v Mr Bronson, Rubikโ€™s cubes and skinhead Weetabix characters is good for you, ok, look no further than upcoming local bands like Talk in Code and Daydream Runaways. Iโ€™ve often grouped these two on this very notion, and Iโ€™m delighted to note via my comparison, the Daydreamers are supporting the Talkers at Level III in Swindon on November 20th, my only annoyance is that itโ€™s a Friday and I canโ€™t make it.

To differentiate, Daydream Runaways take a rock edge, the like of Simple Minds, but Talk in Code seem to strive for the electronica angle of bands like Yazoo and The Human League. They do it far better than well though, and if I branded it, โ€œsophisticated pop with modern sparkle,โ€ their last single, Taste the Sun, back in July, embodied this more than anything previous. So, here we are again with another belter which adds to this uniform style, though the climate may not be so clement, Secret sparkles too.

It snaps straight in, this aforementioned feel-good 80s electronica guitar pop sound, and itโ€™s so beguiling and catchy itโ€™s certain to appeal wide, agelessly. If I was attending a local festival and Talkers took the stage, Iโ€™d imagine my daughter and I would dance together, and right now with her tastes directed to my odium, calculatingly sweary modern pop R&B, this would be a miracle! I do not twerk.

Secret is right out of a John Hughes movie then, a stuck record comparison I say to near-on every release by them and Daydream Runaways too, but this undeviating style is consistently cultivating and improving. Lyrically itโ€™s characterised by the same simple but effective theme of optimistic romance, and a bright, catchy chorus, as every classic pop song should. ย 

The band cite pop classics such as King of Wishful Thinking, How Will I Know and Alexander Oโ€™Nealโ€™s Criticise as evaluations. I can only but agree, but add, those can be cringingly timeworn, whereas, this is not Dr Beat, no need for an ambulance sound effect, and the Talker guys donโ€™t got no hairspray, this is renewed and exhilarating for a modern generation.

You can pre-save TALK IN CODEโ€™s brand new 80โ€™s infused indie pop belter, on the platform of your choice and listen in full, but itโ€™s not released until November 16th. Yeah, I know right, Iโ€™m so lucky to have these things in advance, but with Secret I can guarantee by the time it comes your way, Iโ€™ll still be up dancing to it, perhaps my daughter too. Care to join me on the dancefloor? But oi, watch the handbag, Miley, and donโ€™t yank my diddy-boppers, Iโ€™m no that kind of guy; saving myself for Gloria Estefan.


The Conclusion to my Black History Month Articlesโ€ฆ.

If Dunbarโ€™s number is a thing, then isnโ€™t it a human instinct, be it more than a wish but perhaps a need, to group people outside of your given sphere? Does this constitute prejudges, and are they therefore ingrained in society through nurture and history? Iโ€™m continuing to bash on about Black History month before itโ€™s over; remember, no one is forcing you to read this!

An evening in the mid-nineties and the Dreadzone gig at the Shepardโ€™s Bush Empire ended. Me, a tad intoxicated, has drawn the short straw, gathered friendโ€™s cloakroom tickets and patiently wobbled in the crammed queue to retrieve our jackets. A couple in front had found love, or lust at least, and I mean directly in front, like, so close if I wanted, I could have joined in. Pecking very nearly turned to copulating, as the couple furiously exchanged salvia. I confess, I was nauseous and uncompromising, the queue packed so tight it was difficult to concentrate my path of vision elsewhere, and even if I did, I could not disguise the sound of their slurping.

Now, I fully accept my mouth can override my sensitivity in times of intoxication, yet to me I enquired of the couple politely. Iโ€™m pleased for them, that they found mutual attraction and desired to explore it, but I wished they could wait until somewhere a tad more private. My subtle approach, if memory serves me right, was to say, โ€œoi, do you have to do that here?โ€ They retorted and accused me of homophobia, as they were a same sex couple. I affirmed I was no such thing, and annoyed by the accusation I replied it was nothing to do with gender, if they were a heterosexual couple Iโ€™d have been equally as irritated. Yet, till this day, I worry myself, were they right? Does this mean Iโ€™m homophobic?

Personally, the idea of myself engaging sexually with a guy is defo off the cards, but I like to think Iโ€™ve a liberal opinion and I accept others feel different. I know homosexuality happens in nature, Iโ€™m aware homosexuals were persecuted in the past, and I support the ethos of live and let live. But Iโ€™m nerved by the incident, and wonder if I might have reacted differently if they were heterosexual. I even contemplate if my attitude would be different if they were both female; might have perversely enjoyed the show; there, I said it, Iโ€™m only human! Is this an ingrained prejudice Iโ€™m unaware of, or mechanically unprepared to accept? Iโ€™m not ruling it out.

If you figure I tend to write these opinion pieces with a theme of personal perfection, that I do not stand accused myself, I give you this. Yet, Iโ€™d still be angered by a reaction of someone who falls into this grouping who states, yep, Iโ€™m afraid you are a hypocritical homophobic denier, defo, because I am adamant, I am not. I see the same reaction by a few in my recent articles about racism. They are unyieldingly positive they are not racist, to the point I believe they genuinely consider they are not. But, are they? โ€œRepeat a lie often enough and it becomes the truth,โ€ is a law of propaganda often attributed to the Nazi Joseph Goebbels.

Yet, as evident in the parish councilโ€™s refusal to display an exhibit in their phonebox on the theme from their village youth, they criticise recent motives and analyse with a natural bias, it seems to me. Yet the council in Urchfont are volunteer residents and is, obviously, not systematically racist. But I have to wonder if our history has ingrained prejudges into us, be it via the slave trade, The Buggery Act of 1533, passed by Parliament during the reign of Henry VIII, punishable by death, or every attitude pre-The Chartist Movement of 1838, and, of course, the Women’s Social and Political Union formed in 1903.

Though, despite the umpteen explanations the slogan, for it is such, black lives matter doesnโ€™t mean that all lives do not, itโ€™s still paraded around as rejoinder. Yes, small groups mayโ€™ve used the slogan in their name, and some may be activistic, the motto is simply decentralised social movements advocating for non-violent civil disobedience, and in any protest, some will disobey the objective and cause trouble.

A campaign only becomes political if a dogmatic rule opposes it. Negative reactions of the president, our own drive here in Britain to disengage immigration policy, remarks from our own royal family and jokes made by our prime minister, and, obviously, the murder of George Floyd, suggests it is. Unfortunate as it may be, often such a violent reaction is what it takes to raise awareness and change. On 19th February 1913 a bomb brought down ceilings and cracked walls in the home of the Chancellor of the Exchequer, Lloyd George; Emmeline Pankhurst claimed responsibility. Suffragettes smashed windows, cut telephone lines, spat at police and politicians, cut or burned slogans into turf, sent letter bombs, destroyed greenhouses at Kew gardens, attacked a doctor was with a rhino whip, chained themselves to railings and blew up houses. 1912, Mary Leigh threw a hatchet at Prime Minister H. H. Asquith, for change we now consider ludicrous not to uphold.

In this I see agism too, the campaign is worse than anything you recall with rose-tinted specs.  โ€œTimes are bad. Children no longer obey their parents, and everyone is writing a book.โ€ Who said this, was it recent? Answer; Marcus Tullius Cicero, 43 BC, Rome.

Iโ€™m permitted to quote Keith Rowe of the classic reggae duo, Keith & Tex, when back in June he posted these thoughts; โ€œAs I digest this moment in time and observe whatโ€™s been going on in this country [USA], I am disappointed, yet hopeful, that maybe this time there will be changes in policing.

Disappointed that it would take an uprising to get peopleโ€™s attention to what African Americans have been experiencing for generations. It took this latest despicable video of George Floyd to realize that this has been our reality. Iโ€™m hopeful because itโ€™s the young people that are leading this protest.  Letโ€™s not forget that back in the 60s, protests were being led by young people. Martin Luther King was only 26 when he started leading the nonviolent protests. 

We need an end to systemic racism and itโ€™s good to see multigenerational, multicultural protests going on in many cities. Youโ€™re either a racist or an anti-racist, there is no in between. Having served the military for 20 years, I am amazed at how militarized the police have become. Iโ€™ve never heard before civilian protests referred to as a โ€œBattlespaceโ€ Itโ€™s as if they are facing an enemy force and are going to battle them in the streets.  We need to relook at how policing is done in this country and make drastic changes. It just canโ€™t go on like this. Black Lives really do Matter!โ€

I left this quote unedited, as I thought it inspiring, heartfelt and an honest reflection, but, the subject of this series or articles was principally intended to focus on a local issue. Racism is wrought, everywhere. How do we compare? To put it mildly, weโ€™re in the thick of affluence, much of which is unescapably the profits of the slave trade. Consider Simon Watson Taylor, to name but one, the MP for Devizes from 1857 to 1859. His family derived its wealth from sugar and slavery in the Colony of Jamaica. In 1852, Simon Watson Taylor inherited his Jamaican estates from his mother Anna, he livedโ€ฆguessโ€ฆat Urchfont Manor.

Taking the advice given at my online meeting with Gurpreet Kaurย of BLMintheStix, an organisation addressing racism in rural areas, to be open and unafraid to discuss the subject with those affected, I did chat with a Jamaican-born friend living here. He messaged me, to say he found my article interesting. I suggested the Urchfont phone box issue is bizarre, stating I didnโ€™t believe those parish councillors are deliberately being prejudiced, but they’ve believed the media propaganda against BLM and constitute any reference to racism as being arranged by some political activist organisation, enough to stop children of their own village displaying an art exhibit. As an artist himself, he replied, โ€œthat is sad,โ€ and was keen to point out, โ€œhow it was, how it is and how it will always be.โ€ Though he expressed content living here and said he had no issues in his village, โ€œall very friendly. Happy at my yard.โ€ ย Here is an important point I tend so see here, the negativity is rarely cast upon an individual locally, and for this much alone, we should be grateful.

I therefore stand by my original observation, no particular place could be viewed as more or less racist than any other, our own stands well and we should be proud of this. But we do need to consider this current movement is no more violent or dogmatically driven than any other previous campaign on any particular issue, itโ€™s only a media interpretation of, their reasoning for is a drop in the ocean for debate Iโ€™m not willing to speculate without another two-thousand words. Which, we donโ€™t need me harking on even more!

So, to conclude, before my fingers fall off, I feel our prejudges are indeed inherited and ingrained upon us unwillingly, and this is no oneโ€™s fault. But we should want to address them, and strive to change, so there will be a possibility that they will be eradicated in the future. As is the section of Haile Selassieโ€™s 1963 address to the United Nations, recited by Bob Marley in his song War; โ€œthat until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned; that until there are no longer first class and second class citizens of any nation; that until the colour of a man’s skin is of no more significance than the colour of his eyes; that until the basic human rights are equally guaranteed to all without regard to race; that until that day, the dream of lasting peace and world citizenship and the rule of international morality will remain but a fleeting illusion, to be pursued but never attained.โ€

If I thought for a second it is but a fleeting illusion, to be pursued but never attained, then there is no hope. I know itโ€™s doubtful Iโ€™ll ever see that kissing couple in the Shepardโ€™s Bush Empire again, wouldnโ€™t recognise them if I did, but if I did Iโ€™d like to say, โ€œI sincerely hope you are wrong when you surmise Iโ€™m homophobic, but if not, and I am, I intend to change my view.โ€ For a generation whose grandparents stared in shock at Boy George on Top of the Pops in 1983, we have come so far. And to watch same-sex couples unquestioned on game shows and reality TV, and accredited childrenโ€™s cartoons such as the ground-breaking โ€œThe Loud House,โ€ which openly has the protagonistโ€™s best friend parented by a gay couple, I have to be proud as a generation we have nearly attained equality. Yet I quiver and anger at the notion this is slowly being torn down around us.

Return this back to our original article, our interview with Gurpreet, when I asked โ€œare racist attitudes increasing?โ€

โ€œOnly if we let it,โ€ Gurpreet replied.

“We Cannot Let our Young People go Hungry;” those locally rallying the call to #endchildfoodpoverty

Time is against me to get this out with haste, forgive me that I donโ€™t to go on one of my usual longwinded rants, I know you love them, plus, you know Iโ€™m aching to do so!  

Suffice it to say weโ€™re all horrified and angered by this government-voting-down-free-school-meals fiasco and Marcus Rashfordโ€™s righteous campaign. Itโ€™s been suggested by HuffPost, MPs have a bee in their bonnet about being called โ€œscumโ€ by Angela Rayner! Something about sticks and stones; letโ€™s not dwell, but have a local honourโ€™s list of who is here to counteract this appalling decision from the scum, sorry, I meant kindly government, and help out anyway they can.

Marcus Rashford asks one thing of us in a Tweet; sign the petition.

Nationally thereโ€™s many independent establishments rallying to offer what they can, and after the bad card the lockdown dealt them, their generosity should be awarded; a massive thank you to everyone offering their services. Least we can do is compile a list of local places, who, if you are struggling to put food on the table this bank holiday or Christmas break, can help.

If I missed you, please message us and miss you we will no longer! Bless you all.

Update: Wiltshire Council are on the case!

Press release from WC, and it’s good news…..

Free meals for vulnerable children in Wiltshire during school holidays

Wiltshireโ€™s vulnerable children will benefit from free meals during October half-term after Wiltshire Council agreed to ensure families struggling with food poverty in the county are supported.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œWe know that many families are feeling the financial pressure during the COVID-19 pandemic, and we want to do all we can to support them.
โ€œWe want to ensure that children do not go hungry during these school holidays and want to ensure that Wiltshire families know that they will be supported during these difficult times by putting these measures in place. Therefore the council will be funding free meals during the October half term. This will be reviewed throughout the pandemic and we will continue to make sure that any child and family who needs help gets it. As we have done throughout, we will continue to work with our partners in the community and voluntary sector to make sure the needs of our residents are met at this unprecedented time. The work of our community groups has been, and continues to be, amazing and I must thank them for their tremendous support throughout the pandemic.

โ€œIf you are entitled to free school meals or universal credit and struggling to pay for food over half term, please contact the Wiltshire Wellbeing Hub for support.

โ€œEveryone in Wiltshire needs to play their part to help prevent the spread of COVID-19.

โ€œWe ask that people regularly wash hands, maintain social distancing and wear face coverings where appropriate. This is the best way to keep us all safe as much as possible, and helps to prevent the spread of the virus.”

For more information on how to claim, please contact the Wiltshire Wellbeing Hub Team on wellbeinghub@wiltshire.gov.uk or call 0300 003 4576. The team is available Monday to Friday between 9am-5pm.

Devizes

The Gourmet Kitchen Brownie in Poulshot is offering free packed lunches. Please message their Facebook page for more information.

The Cavalier on Eastleigh Road are offering a free lunch pack, (sandwich, drink, piece of fruit and a bag of crisps to takeaway) available to collect from the pub for any child, during half term from 26th October. If you are in need of a packed lunch or know someone who might, please send them a message or call on 01380 725193

The Eastleigh Road Fish n Chip Shop is also offering free sausage and chips to school age children this half term, on Wednesday 28th between 4.15 -5PM.

The Raintree Indian Restaurant on New Park Street has taken the initiative too, during this half term week from Monday 26th to Friday 30th Oct.

For this special occasion, they will be open from 1:00 pm – 2:00 pm for collection of a lunchpack everyday.

For every child, the lunch pack will include one chicken curry and pilau rice, one juice and a piece of fruit.

Parents or guardians, feel free to call them on 01380 725649, or send them a Facebook message, to request your free lunch pack. You can call between 5:00pm- 8:00pm everyday for the next day order. A massive thanks goes to the Raintree, who are really going the extra mile; “as a parent,” they say, “if you are going through difficulty during this hard time, please feel free to order one extra meal for yourself as well. No question will be asked.”

Please note, they won’t be able to take any order for the same day collection. Every order needs to be placed the day before during the mentioned time above.

Pearce Electrical Contractors in New Park Street, have decided as a business to support Marcus Rashford’s movement. In partnership with Biddles Cafe in the Shambles, they will be providing a warm bacon roll and hot drink to any child that usually receives a free school meal throughout half term free of charge, No questions asked. These will be available until 2pm each day Monday, Tuesday, Thursday and Friday.

Potterne

The George & Dragon are providing free lunches and hot food over half term. Collection from the Pub for any child,

If you would like a pack lunch or a hot meal this half term for your child/children then please donโ€™t be afraid to phone or text to book in their meal.

Available every day, collection times between 12pm-1pm

Phone ๐Ÿ“ž 01380 722139
Text 07814182252

Seend

Wednesday, Thursday and Friday, the Brewery Inn at Seend Cleeve will have packed lunches made up ready to collect from 12 noon, offering a free school lunch during half term to those that our eligible. Please message them in confidence to make arrangements.

Melksham

The Future of Football organisation. From Monday next week Future of Football FC will be providing free takeaway packed lunches for those in the Melksham area, available for collection from Bowerhill Sports Field. Starting this Monday with 50 lunches and if the demand is there, we will up numbers for Tuesday and so on. Simply turn up at Bowerhill Sports Field and collect between 11.00am and 12.30pm. There is a GoFundMe page here to donate.

Marlborough

In Marlborough, a Facebook group has been set up, Love Marlborough Kids Meals.  A community initiative to make sure all Marlborough children have access to free meals during the current crisis. No fuss, no forms, no referrals. Just meals for kids who need them. Please like the page for more information. There are details of places taking part, including Sue Brady Catering operating in conjunction with the Town Hall. Meals are being distributed at St Marys Church hall on Silverless St.

Pewsey

If you’re in Pewsey and need support of any kind, from food to help with shopping and library services, there’s a community website which can help.

https://pcca.org.uk/

The PCCA says, “we have stepped up to fill a gap that government should provide and will be offering school meals through the school holidays. If you would like to offer time or donations please sign up at pcca.org.uk or phone 01672487022.
If you are a family who needs help you can call us confidentially or email meals@pcca.org.uk

Pewsey Spar shop say, โ€œWe will be providing a lunch for any child in need from Monday October 26 to Friday 30. Just pop instore with your child/children and we will give them a lunch. There is no shame in asking for help and accepting a helping hand. We, as always, are there for you.โ€

The Little Lunch Box in Pewsey High Street is also offering help. โ€œWith many children not receiving free school meals during the holidays we would love to help. If you are affected and finding it difficult during this time, please feel free to get in contact totally confidential, no judgement. Weโ€™re all in this together, no child should go hungry and  irrespective of the Free School Meals for half term decision โ€“ if you run out of food or necessities, or times are just tough, please donโ€™t let you or your kids go to sleep on an empty stomach.

Donโ€™t be afraid or embarrassed to send us a private message. We will do anything we can to help. It may simply be a case of dropping off a food parcel and leaving. No one has to know and where others are concerned, it never happened.โ€   Phone: 01672 564901

The Woodbridge Inn are also providing lunches, see the poster.

Upavon

Contact the Ship if you require a free packed lunch for kids in Upavon.

Calne

There’s a Facebook group called Calne Town Dinners. Any volunteers who has cooked too much food and can supply you with a meal are encouraged to donate to the needy, for any reason.

Corsham

If you normally get a free meal at school, please visit to the cafe at Pound Arts with your adult, and they’ll give you a healthy meal for free. No need to buy anything. No questions asked.

Tasty Bites Sandwich shop on the High Street says, “if your child is normally entitled to a free school meal then bring them in,” and theyโ€™ll give you a free lunch bag for your child during half term.

Salisbury

Popeyes in Estcourt Road are offering free kids meals to those who need it. These are available:- For collection only- Between 4-6pm- Any kids meal option on the menu- Until Sunday 1st November 2020. You will also be able to choose:- Pot of beans OR- Side salad- Either Orange OR Apple & Blackcurrant fruit shoot (instead of a can of fizzy drink – if you wish). If ordering by phone, please just quote free kids meal. If ordering in person, please just show this message (taken from their Facebook page) when placing your order. Not available online.

Chisldon

The Patriots Arms is offering a free lunch pack available to collect from the pub for any child. The lunch pack is made up of a sandwich, drink, piece of fruit and a bag of crisps. Please message or call Sunny on 07807 037231 or Sanjay on 07587 694373 

Swindon

Mazzaโ€™s Munchies has teamed up with G Waste and Your Sport Swindon to offer free lunch packs for any children who are in need of food. Please message them if you can to arrange collection or simply turn up at our snack van at B&Q Swindon, Great Western Way.


Not just businesses helping out…

Another interesting angle to this Iโ€™ve just been informed about, is that out in the villages some people have been posting on their village Facebook pages, inviting any needy over to their home for lunch. For me, this proves undoubtedly, they are not doing this to promote a business, only to help in a time and issue the government are callously snubbing.

Potterne

Anna Villette in Potterne contacted us to say she had done just this, posted on Potterneโ€™s village Facebook group for people in need to message her, where they could be invited over for tea as their guest, with her own children. How utterly selfless and decent is that? Well done and thank you, Anna. If youโ€™re in Potterne and do wish to contact Anna, please message the page and I will pass on her phone number. She is even willing to put portions in a plastic tub to takeaway if preferred. โ€œI knew I was hoarding those tubs for a reason,โ€ she told me!

Devizes

If anyone in any other villages or in towns are thinking of doing similar, and wish us spread word, do let me know! KJ Jeffreys in Devizes is also willing to help.

Trowbridge

Caroline Jackson (click name to email) is planning to cook Spaghetti Penne Pasta on Monday for families in need in Trowbridge. Please could parents let Caroline know how many meals they would like & their address. She plans to deliver on Monday afternoon between 3-5pm.

Barred from his own local!

Thatโ€™s all Iโ€™ve found so far, going to get this article up and running as time is short, but please, if youโ€™ve a service to offer youโ€™d like to me to list, contact Devizine and letโ€™s get as comprehensible list as possible. Half term is upon us, but this could extend to Christmas holidays too.

Here, Danny Kruger, MP for Devizes, admits he doesn’t read your emails, “These citizens send abusive emails which, they may like to know, I never read: my team just delete them without bothering to show me.” You have to admire his honesty if nothing else.


Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities!

Bangles not required, entertain your saucepans over the half-term with some Egyptian themed art and craft activities at Wiltshire Museum in Devizes, which is linked to their current Out of Egypt exhibition.

Tuesday 27 October and Wednesday 28 October you could find out about the Ancient Egyptians through their artefacts? Find out about mummification then create a mummy mask, a golden amulet and hieroglyphic bookmark to take home. Finish your session with the chance to see some of the amazing real artefacts from the Out of Egypt Exhibition.

The museum ensures it is Covid-secure, by putting a number of measures in place; details on their website.

And on Thursday 29 October – 2pm, you can zoom like an Egyptian with a digital event for curious kids. The Museum are offering Curious Kids the chance to engage with the museum and get creative as a family, via Zoom!  The session will also be inspired by their โ€œOut of Egyptโ€ Exhibition from Hampshire Cultural Trust.

Ideal for children ages 2 to 5 (including reception aged children) the session will last 30 minutes and will be broken up into short sections, to focus on your interaction, rather than attention to the screen.

Other craft activities you can do yourself with advice via videos created by local artist, Emma Kerr, is to make your own Egyptian mask using household items such as milk-bottles or from natural ingredients. Visit the website for more craft ideas for all the family.

Details and booking from the website. General entry to the Museum:

โ€ข             Thursday, Friday and Saturday – 10am to 4pm (closed 1pm to 2pm)

โ€ข             OPEN Sunday 25 October and Sunday 1 November – 11am to 3pm.

Pre-book to ensure entry, as they are continuing to limit numbers.

The exhibition, featuring genuine Egyptian artefacts, including scarabs and mummified animals, mummy masks and wrappings, shabti (a figurine found in many ancient Egyptian tombs) figures and jewellery, Out of Egypt closes on November 1st.


The Return of Wilding; Falling Dreams

It doesnโ€™t hang about, it doesnโ€™t drift dreamily as some previous tracks on the Soul Sucker debut EP, unbelievably near-on a couple of years ago, but it is unmistakably Wilding, this beguiling new tune from George Wilding, back with his band after lockdown. As a frustrating era for all creative groups, it feels as if with โ€œFalling Dreamsโ€ they concentrated all their het-up energy, impetus and vigour, directed it into a trunk, padlocked it for a few months, then smashed the deadbolt and channelled it direct into an adroit three-and-half minute explosion.

Excellence is a watermark of Bristolโ€™s Wilding, what initially began as a backing band for our homemade favourite lead singer, George Wildingโ€™s prodigious young solo career, I expected no less. Though, while itโ€™s not excessively upbeat it rocks steady, but Falling Down is a grower, appeal increases with every listen. It fits their self-penned label, psychedelic Britpop, but what is more, unlike Hendrix and Joplin itโ€™s not psychedelia lost in time, similarly with Britpop darlings Oasis or Blur, which are somehow suspended in nineties nostalgia, a more apt comparison would be the Doors, a band with jazz and classically trained elements, and wild frontman poet, their sound is timeless.

Processed with VSCO with p5 preset

If Soul Sucker received regular rotation on BBC Radio 2 from Graham Norton and burgeoning interest from major labels, here is a natural progression and a multi-layered detonation, compacted into one song. Writer and frontman George, multi-instrumentalist Perry Sangha, bassist James Barlow and drummer Dan Roe have shattered expectations and produced something here to refine their style. If this is a glimmer of what is to come, you had better watch out.

Why? Because, as I said to George, thereโ€™s so much good music being released during this troubled time for musicians, if they can get some writing and production out to help fill the shortfall, itโ€™s all good. โ€œI suppose thatโ€™s been the upside,โ€ he replied, โ€œeverybody has so much time on their hands to create.โ€

The theme of Falling Dreams is ambiguously defined, as any strong songwriter should allow audience interpretation. To me it feels bitterly like a broken romance theme, but George jests, โ€œthey’re usually about girls, but ‘Falling Dreams’ is just about being fucking cool,โ€ adding, โ€œit’s about me…โ€ Herein requires some prior knowledge to his character to fully appreciate, as far from egotistical, Georgeโ€™s charisma lies with tongue-in-cheek witticisms shadowing a selfless good egg. But yeah, he is fucking cool too! They all are, this song verifies it.

To see what I mean, hold out for its release this Friday, 23rd October. If youโ€™re used to George providing entertaining covers on our pub circuit and his sublimely succulent solo EPโ€™s of dreamy indie, this will be a wonderful surprise, but as I said, its skill and catchiness is neither unexpected or unmistakable.


On the Climbing Frame with Gecko

If our last music review from Ruzz Guitar impressed me for its exploration of traditional blues styles, note Iโ€™m not conventional and you need not rewind progress to appease me; I love Climbing Frame, the second forthcoming album by London-based Gecko, equally, but for completely opposite reasons.

Partly, it reminded me of the time Louis Theroux rapped for one of his โ€œWeird Weekendโ€ episodes. In the mockumentary Theroux was advised by the US rap producers to โ€œkeep it real,โ€ yet upon drafting lyrics about eating cheese and driving a compact car, sardonically citing as that as what is real to him, they contradictorily sniggered it off and recommended he rapped on clichรฉ subject matter; bling, hoes, cold cash, etc.

If commercial US hip hop has lost its direction, UK rap thrives and remains faithful to the origins by pushing new boundaries. But if you feel the midway โ€œcockneeโ€ chat-come-singing style, the likes of Lilly Allen and Kate Nash, has come of age and flatlined for being samey, Gecko is a refreshing breeze of originality, and so multi-layered itโ€™s difficult to pin it down and compare. Fact is, Iโ€™m uncertain defining it as โ€œrapโ€ is a fair shout, as hip-hop fashioned beats here have been left to the bare minimum and what we have is intelligent chat, often thought-provoking or comical, which slips into song over either acoustic indie guitar or retrospective electronica pop; as if Scritti Politti met the Streets.

If youโ€™re contemplating, sounds rather geeky, Iโ€™d reply ah, it could head one of two ways, and in the hands of many itโ€™d be bad news, but Iโ€™m happy to report Gecko accomplishes it in a proficient and highly entertaining way.

Awash with sentimental or witty verses reflecting on all manner of unique themes, the bulk of Geckoโ€™s thoughts are honest observations, whole-heartedly personal, often retrospective anecdotes. Gecko does not uphold the ego or bravura of prominence; rather like Jarvis Cocker, thereโ€™s a contestant notion heโ€™s opening his soul and depicting his innermost feelings, but is never without a punchline, and never afraid to show compassion. After a spoken word intro, for example, the opening song, โ€œCanโ€™t Know all the Songs,โ€ is an upbeat riposte which any live performer could identify with; the annoyance of an audience shouting requests he doesnโ€™t know. Itโ€™s ingeniously droll.     

But if the opening tune cites Geckoโ€™s mature issues, the title track follows on this juvenile running theme, reflecting on childhood. The climbing in frame in question is a fallen tree, an amusing photo of Gecko estimated age of eight as the cover design reinforces this notion. Gecko perceives the unusual and expresses it inimitably, here, a reference to an age where we once recycled natureโ€™s way for childlike kicks. Hope that the youngest people in this world will turn the apocalyptic hand that theyโ€™ve been dealt into something positive that we have not yet seen; โ€œthey werenโ€™t trying to be symbolic, they were just having a laugh, but where most saw an obstacle, they just saw a path.โ€

Soaring does similar, but reverting to a simple acoustic guitar riff, it highlights the awe of childhood innocence in discovering something they think is exclusive, only to be knocked back by their parentโ€™s clarification. I canโ€™t detail it anymore without it being a spoiler, but believe me, if you donโ€™t see yourself in this song and laugh out loud, you mustโ€™ve been born an adult. However, Gecko twists the narrative with genius writing akin to John Sullivan, and completes the track with a sentimental and virtuous moral. Hence my concern of my comparison; UK rap is not nearly multi-layered enough; donโ€™t know why I even mentioned it really, only in desperation to pigeonhole this unique sound.

After this other recollection, Gecko proceeds to explain the theme of the next song, and performs a sublimely sentimental tale of Laika, a Moscow stray used to send into space, from the point of view of the dog. Perfect example of what I’m getting at with my originality angle; who dreams up a theme for a song on this subject? Gecko is part songwriter part author, Jack London in this case, and a damn good one to boot.

Furthering the childhood theme and his unpretentious tenet, he takes it to the next step with a real recording from his childhood, displaying the roots of his talent.

It’s a chockful album of twelve tunes, Breathe maybe the most commercially pliable with uplifting eighties synth-pop goodness. Yet Always and Pass it On plod like nineties indie anthems, Stereo MCs fashion. Whereas thereโ€™s a piano-based ballad, All I Know, and whoa, back to acoustic splendour with an immature narrative called A Whole Life. Here, Gecko writes from the perspective of a child just started primary school, giving a speech to a reception class about his experiences in ‘big school.’ This is, quite simply, ingenious writing and played out with sentiments so ultrafine and intelligently placed, you could listen to Climbing Frame over and over and still pick out elements you may’ve missed.

Best start then, as itโ€™s released this Friday, 23rd October. Itโ€™s so multi-layered and original I’d highly recommend it to anyone, loving any genre, with an open mind, and perhaps a twinkling for nostalgic dreams.


Urchfont Parish Council Turn Down Youth Art Display

Further to my article reflecting on black history month, and our chat with BLM in the Stix organiser Gurpreet Kaur, I said I had a local issue to raise which could be conceived as the perfect example of the message Iโ€™m trying to get across regarding rural racism so ingrained we fail to recognise it, or simply donโ€™t care to consider it as such. I was waiting for a response from relevant sources in order to give an impartial valuation. In the meantime, the good olโ€™ Gazette & Herald beat me to it!

In all fairness they didnโ€™t make a bad job, but itโ€™s the reactionary and presumptuous comments flowing on social media where the story warps out of all proportion and skewers the facts; keyboard warriors tend to do that.

Urchfont Parish Councilโ€™s Chairman, Graham Day explains, โ€œat its meeting on 8th July, Urchfont Parish Council discussed a proposal for a possible use of the High Street telephone box which is owned by the Council. A lengthy debate on this matter took place, with substantial public input both from those present at the meeting and others who had submitted comments to our Clerk.โ€

As with many rural out of service phone boxes, the community has gathered to find alternative usage for it. Many have become community hubs, noticeboards and others rural self-governed lending libraries. Urchfontโ€™s phone-box was adopted by the Parish Council in 2018, โ€œto protect it and to provide an unusual venue to promote village events and,โ€ hereโ€™s the biting point taken from the phone boxโ€™s own Facebook page, โ€œshowcase work by local groups.โ€

So, members of such a group, Youth Of Urchfont, moved by recent racial injustices, proposed a display presenting art and literature on the theme of racism. Immediately the goalposts are moved, and the ethos of the phone box altered by councillors, stating, โ€œthe telephone box should be used only for local community purposes, as such this proposal covering the wider issue of racism should be rejected.โ€

For the first few minutes of the agendaโ€™s proposal by the teenagers everything seems to be going well. But as the discussion flowed, it appeared an assumption the idea was linked to black lives matter, which rather than a slogan, is perceived by villagers to be an organised political movement.  Intent to maintain the Parish Council is a non-political body, it rejected the proposal five votes against three.

Spirally out of control, social media comments claimed all manner of fabrications, such as the youth wished to paint the phonebox. It hardly constituted any such vandalism, just a display of art and literature on the subject of racism, rather than a paint job, or even a salute to the BLM movement. What is a given thing for the Parish Council, is that the youth are someway promoting BLM, when really, they’re simply reflecting on racism in general; a fair observation? I asked one of the parents, David Kinnaird.

โ€œThey had never suggested painting the phonebox!โ€ he stated. โ€œNeither did they ever suggest any support for the BLM movement. When they first messaged the community bell to say they wanted to do something they immediately said BLM might be too political, and so the kids knew that this was off the table.  Sadly, and predictably, most of the opposition stemmed from perception of what the movement represents, and not to what was actually proposed. In fact, they didnโ€™t really know what they wanted to display, no idea at all really, just wanted to do something. It was lockdown, they hadnโ€™t been to school for months and wanted to do something…โ€

One of the youths, Polly, explained to the Parish Council, that she is really passionate about the proposed display. She questioned the fact that the kiosk had been previously used for political displays, citing the VE day soldier, for example. Wiltshire Council had expressed solidarity with BLM movement, protests had taken place in Wiltshire highlighting human rights, and racial inequality issues. Polly believed that the display will highlight all of these issues, adding it could link with other charities and be a great show for the Village. The Chairman then closed the meeting for public participation.

Councillor Mr Kemp made a statement outlining the ethos of the usage for the phonebox, including โ€œlocal residents had an opportunity to exhibit artisan skills, workshops or art work,โ€ and โ€œit supported the interests of the community as a whole.โ€ He strongly objected, virtually pitchforking the idea, stating โ€œBLM, a patently political movement, is clearly the catalyst, a movement that is demonstrably contentious and of itself offers little, to enhance the lives of the Urchfont community. Unfortunately, a mood of โ€˜if you are not with us then you must be against usโ€™ currently prevails and it can be easier to acquiesce in the face of public demand, against the better judgement of the individual or organisation, when that position is both emotive and forcefully declared.โ€

โ€œIt is clear from additional comments that the BLM movement and the (sometimes offensive) rhetoric associated with it resonates,โ€ he continued waffling, โ€œwhile these may be the legitimate expressions of personal views, the politically divisive nature underlying the issue as a whole is clear and cannot be ignored.โ€ And, democratically, it wasnโ€™t.

Here comes the opinion part, watch out! Ah, you know me well enough by now, not to possibly or in any way suggest this is concentrated prejudice on two parts, race and agism, and allow you to be the judge of if itโ€™s concentrated prejudice on two parts, race and agism, or not, though itโ€™s certainly possible it could be conceived as concentrated prejudice on two parts, race and agism.

The irony is, rather than allow a display organised by enthusiastic youth of their own village, encourage and support free-thinking from young people in an idyllic but humdrum Wiltshire outpost detained in lockdown, the alternative is nothing, and the phonebox currently and since the time it was suggested back in June exhibits such, absolutely nought, nothing, nada.

Nothing until these last few days, where the annual event โ€œcandles around the pond,โ€ was reduced to โ€œcandles in the phonebox,โ€ and raised funds for the church. And there was me thinking in Christianity the candle represents the light of God, and their ethics endorsed virtuous behaviour within its moral theology, as is their duty put in Leviticus 19:18 to love thy neighbour as thyself, and extend an unconditional hand of friendship that loves when not loved back, that gives without getting, and ever looks for what is best in others.

And here, their own children were rejected an art display as if they were suggesting a riot. To me, that is a sad reflection on todayโ€™s blinkered and hypocritic rural society and the very reason we need to openly discuss an issue most would wish to be eradicated many moons ago.


Todayย Devizes for Europeย launched โ€œSay #YES2ARealDealโ€ campaign.

Formerly local remain group Devizes for the EU has moved forward, changing it’s name to Devizes for Europe, and laid plans for action to avoid a no deal. Here’s their details from their press release…


Now that the UK has left the European Union, we need to take action to secure our future relations with Europe and avoid a catastrophic โ€˜no dealโ€™ crash-out. 

The UK has entered the final phase of negotiations with the EU. Talks are not just about trade, critically important though that is. They cover everything: security, food standards, health, education, employment, research โ€“ and, yes, even fish.

The risk is that the talks could break down. That would mean โ€˜no dealโ€™ โ€“ another catastrophe on top of the continuing nightmare of COVID-19. The electorate was promised a great โ€œoven readyโ€ deal but there is little sign of it so far.  

Our โ€˜#YES2ARealDealโ€™ pledge on our new website will use your signature to urge Danny Kruger and other Wiltshire MPs [Note 1] to confirm their commitment to the deal they promised in order to avoid a national catastrophe and the break up of the United Kingdom.

The Real Deal needs to include:

โ€ข Todayโ€™s high food, labour and environment standards
โ€ข
โ€ข Tariff-free trade to and from Europe
โ€ข
โ€ข Visa-less travel in Europe
โ€ข
โ€ข Europeโ€™s education and apprenticeship schemes
โ€ข
โ€ข Enhanced security through EuroPol
โ€ข
โ€ข European partnerships for research and medicines
โ€ข
Such a deal would keep the UK strong โ€“ and United.

โ€œA โ€˜no dealโ€™ risks dissolution of the Union.  Nobody voted for that. Time is of the essence. The transition period runs out at the end of this year. If by then the UK and the EU have not agreed terms for their shared future, there will be a โ€˜no dealโ€™ catastrophe. Itโ€™s high time to make our voices heard!โ€ said Kate Freeman, Chair of Devizes for Europe.

โ€œLorry parks will not just transform Kent but using emergency powers 28 other lorry parks across England could be built to cope with border trading chaos after Brexit. 

โ€œWe can expect delays of food and medicines, increased prices, and complicated travel to and from the continent.  All this at a time when the governmentโ€™s energies should be focused on COVID-19 not to mention the climate change crisis.

โ€œI urge everyone to sign the pledge to urge Danny Kruger and other Wiltshire MPs to do the same.โ€

Rural Racism; Welcome to BLM in the Stix

Could โ€œis Devizes a racist town?โ€ be a clickbait headline?! Iโ€™m not out to infuriate. Ah, thatโ€™s why I didnโ€™t use it. That and, hope this to be only a part of a wider subject incorporating rural racism in a series of reflections for Black History Month. And here we meet an organiser of a new campaign highlighting a different angle of Black Lives Matterโ€ฆ…  

Nicotine stained wallpaper curled off the walls and tacky brass jumbles hadnโ€™t seen a duster for decades. We sauntered to the unattended bar. A balding head popped up from arranging glasses underneath it. The landlord scanned us with a discontented frown, paying particular attention to one of my friends. Long before Iโ€™d moved to Devizes, I was with a group who were residents here; it was the first time Iโ€™d been in a pub in this town. Iโ€™m not going to name the pub; this was many years ago, itโ€™s changed hands and is now converted to a rather splendid bar. The landlord avoided eye contact, and called down to the cellar where it would become obvious his wife was below. โ€œLove, weโ€™ve got a darkie up here needs serving,โ€ he sighed as he walked off.

My jaw hit the floor and I suggested we go elsewhere, but the target shrugged it off as routine; โ€œitโ€™s okay.โ€ Recently, following a Facebook thread debating racism on a local group, one comment offered, โ€œbecause Devizes is a racist town.โ€ Do I agree? Not really, is the simple answer. Devizes is a wonderful market town of which we should be proud to live in, yet with any affluent area, racism lurks and often can be so ingrained itโ€™s overlooked, accepted as the norm, or taken with a pinch of salt. I see it here, as I see it everywhere.

Image taken from Gazette & Herald article: Black Lives Matter gathering to be held in Devizes

The concern, then, is more generally and nationally; are racist attitudes increasing? โ€œOnly if we let it,โ€ Gurpreet Kaur replied during our online meeting. In August Gurpreet created a campaign group to raise awareness of racism in rural environments in the UK, called BLM in the Stix. Though it has no website yet, it operates over social media and has staged protest from her home in rural Essex. She moved from London for her son to attend the university, and because she wanted to live rurally, โ€œit felt safe,โ€ she explained.

But Gurpreet expressed, โ€œyou are three times more likely to be victim of racial abuse in the countryside than in urban areas.โ€ We tend to associate racism as an urban issue, perceptibly being a more multicultural society. Yet, BLM in the Stix states, being active in fighting against racism is even more fundamental when your ethnic population is minimal. You will send a message to non-whites that they are supported and welcomed, and for those who are overtly racist you will be demonstrating that their behaviour is unacceptable; systemic racism.

Gurpreet Kaurย 

Gurpreet specified this was the angle of the group, as I predicted the response to anything I write would be preaching to the converted. โ€œItโ€™s often denied, downplayed and dismissed,โ€ she said, what was more important to her was opening up to the concerned and encouraging them to be active. โ€œItโ€™s not about targeting racists,โ€ Gurpreet explained, โ€œmore about encouraging people to think differently, and act.โ€

I gave Gurpreet my above anecdote in the pub, and I said I feared discussing it with people of ethnic minorities. She looked shocked but far from surprised, and asked why I felt like this. That got me, I didnโ€™t have an answer. Perhaps we should feel easier about discussing the subject, in turn the ethos of Black Lives Matter. Gurpreet suggested I should consider addressing the individual dishing out the abuse, โ€œbut not in a confrontational way.โ€

Black lives matter. Yeah, I know, right, โ€œall lives matterโ€ donโ€™t they; well done you. If I had a pound every time… Itโ€™s an ingrained xenophobic get-out-clause, a shrewd one, but only one under โ€œIโ€™m not racist, but…โ€ For the amount of times explaining is needed, youโ€™d think the feeblest of minds could grasp, quite simply, no one is suggesting they donโ€™t, but the focus of the objective is black lives matter equally. I beg we get over this stumbling block, BLM is but a slogan, like Keep Britain Tidy, or Stay at home, protect the NHS, save lives; theyโ€™re direct, often sweeping and not all-encompassing.

Akin to when protests over the George Floyd murder in the US kicked off, the great orange one whacked one out on Twitter, as he tends to mindlessly do, stating antifa was a terrorist organisation and enemy of the state. Ha, there was me thinking the term โ€œantifaโ€ was simply an Americanism shortening for anti-fascist. Seems right-wing thinkers cannot fathom free-willed movements of the masses is possible, and have to therefore assume itโ€™s some malevolent chief organisation, radicalising the left-wing; as if weโ€™re far too stupid to have abstract thought ourselves. Just because you couldnโ€™t organise a piss up in a brewery, others have this โ€œthingโ€ called sociability.

Contradicting my rant, though, as well as Gurpreet insisting her group was generally here to raise awareness, she stated they needed good case studies and hoped the campaign would be more organised, as far right groups tend to be. โ€œWe bury our heads in the sand at times.โ€

Alongside a Tweet from a conservative Afro-American writer, suggesting black people didnโ€™t care for white do-gooders campaigning the issue, which was shared wide under the crass banner this guy somehow speaks for an entire ethnic worldwide population, one comment on a local thread which horrified me put that BLM was doing more worse than good, as it was encouraging racism. Gurpreet suggested the aims of BLM in the Stix were twofold, โ€œhelping doing anti-racism work,โ€ and, rightfully contradicting the tweet, โ€œasking white people to change and recognise it does affect them.โ€

โ€œRacism is for every day,โ€ she added. One thing is clear from our meeting, brushing it under the carpet and fearing to discuss it isnโ€™t going to make it go away.  

Now, Iโ€™ve used the word โ€œingrainedโ€ a bit here, as our conditioning, particularly in rural environments where the majority are Caucasian, is entrenched historically. I honestly feel, knowing people I consider good people, but a little racist, that some often fail to even register how their thoughts and remarks are considered prejudice. We disguise and excuse them light-heartedly or with humour; that, I feel, is the issue with rural racism, here today.

So, during this black history month, expect this article to be part of a series in which we need to unbiasedly dig a little deeper. Both my reasoning and the fact I contacted Gurpreet was to expose a controversial rejection of a perfectly acceptable proposal to display some BLM related art by a local parish council. I await a response from said council before we can progress with it.  

For now, I asked Gurpreet how interested people can help. She suggested supporting them, in which you can like the BLM in Stix Facebook page as good start, but also getting involved with local BME groups, which lack funds as monies tend to be poured into city organisations.


The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, While Washing Up!

Who says men can’t multitask? I’m washing up and reviewing this forthcoming musical extravaganza…..

Ruling in my household, being the better-half does the majority of cooking, I therefore wash-up. And on sporadic occasions I cook, I still do the washing up. I know what youโ€™re thinking; under the thumb, Worrow. I beg to differ, family are watching some revamped eighties game show; squeamishly sickening the first time around, or else a bronze lady of all teeth and earrings, in a buttery summer dress is assisting affluent chavs to relocate to a Mediterranean costa.

Meanwhile, Iโ€™m preparing my chore. First task is not to clear the drainer of previously cleaned utensils, that comes after I Bluetooth my phone to the soundbar. Firmly of the belief washing up should be done to music, and such a law should be implemented nationally.

Those completed, time to fill the sink with hot water and Fairy. Cheaper varieties a no-brainer, you use twice as much for the same effect. Much like my choice of music, others donโ€™t have the same clout. For retrospective genres, such as rock n roll, today largely consists of wishy-washy tributes and anodyne honours of a once dicey outrageous bravura. Else thereโ€™s a disturbing scene fusing techno with swing to revamp classics which really donโ€™t need or desire the wonky attention.

Let me be the first, I suspect, to compare Ruzz Guitarโ€™s Blues Revue to Fairy washing-up liquid. But if you want the job of recreating the true spirit of bygone blues styles done properly, accept no substitute. Add equal amount of Fairy as needed with a cheaper alternative and youโ€™ve got an Ibiza foam party in your kitchen.

Iโ€™ve got an advance copy of their instrumental album, โ€˜The Instrumental Sounds Ofโ€ฆโ€™ not due for release until 6th December, but ready for pre-order; I strongly suggest you do. Because hereโ€™s a Bristol-based rockabilly/blues trio, with three-piece horn section, who encompass everything once rousing and electrifying about musical styles ranging from jazz to rock n roll, originally, and with a benchmark of contemporary quality.

While Ruzzโ€™s singing is passable, the guitar is his true calling; Gretsch agrees and endorses this, if you donโ€™t take someone chained to the kitchen sinkโ€™s word for it. In genres such as these, where one imagines and perceives the vocals to hold a deep Mississippi accent, to hear his Bristol enunciation is novel, but unusual. Ruzz Guitarโ€™s Blues Revue have the astounding ability to stretch a song to the proportions of a space-rock band like Pink Floyd, but retain the frenzy of traditional rock n roll, which would once be over within three minutes. At that point, though, itโ€™s nice to simmer it with occasional vocals, but itโ€™s not their forte.

Here then, is what they do best; concentrated instrumentals, a collection of musical styles, based within the blues, that have influenced Ruzz throughout his career. A project Ruzz has been wanting to do, and lockdown has provided the time. Iโ€™m strutting across the kitchen, shoving plates and utensils roughly back in the cupboards they belong in, while contemplating how I didnโ€™t fully appreciate my dadโ€™s obsession with the Shadows. For their instrumental goodness mayโ€™ve gone over my adolescent head, at the time. But this is a blinding upbeat opening tune, Hold Fast, with remnants of The Shadows’ slide-guitar. Yet itโ€™s blaring horns make it like Hank, et al were in a big band.

Now to the main task, wrist-deep in foamy water Iโ€™m timely scrubbing with brillo-pad, like the ivory of a boogie-woogie piano. Swing Thing maintains big band, but slides neatly into swing. Itโ€™s spectacularly captivating.

Three tunes in and itโ€™s mellowed to a sax ballad with Hawaiian guitar riff. Longing to See You drifts, as I causally dip dinner plates into their foam bath, and caress them as if theyโ€™re sun-kissed skin of a beautiful seรฑorita! The Instrumentals Of album strides jazzily, continuing with a slight nod to that tropical guitar on the fourth track. But this is shrewdly quirky and experimental, Ruffled Up is as if Miles Davis joined a big band.

So many influences but so meshed itโ€™s hard to pick it apart and balance washed up items on the draining board. Men can multitask, believe it. Now Iโ€™m striding, Clint Eastwood style, to obtain a tea towel dumped on the breadbin like it was a six shooter. Duel at High Noon is as perceived by title; Ennio Morricone influenced Shadows.

Heating up back at the sink with some fiery jump blues to make Louis Jordan blush. Jump In does what it says on the tin; I’m doing Chuck Berry legs, rattling those pots and pans like glam rock never happened.

Mambo takes a hit next, Ruzz-style, added funk. Spag Mambo is like Starsky & Hutch doing the Charleston on a Cuban vacation. Gotta go barehand; Iโ€™d look stupid doing jazz hands with marigolds, but Swing G-String is swing firing on all cylinders. Dishes done; I’m jitterbugging the sides down, soggy J-cloth in hand.

Opportunity to clear waste from the plug hole, never an appealing part of the process, nevertheless Iโ€™m cool; Soulful Blues made it so. Itโ€™s equably soul-blues, Ruby Turner could drop vocals, but it never strays from its ethos, yet saunters wonderfully between the variety of jazz and blues from 1940 to 60. Thereโ€™s one more tune, but the job is completed.

Hammer Down polishes with dirty, deep Mississippi jump blues with a clunky rock n roll double bass. Like the rest of this sublime album, it’s irresistible and beguiling. It can’t end early; have to extend the task for five minutes. The floor may look wooden, but itโ€™s lino really; ask Turbo B, or any break-dancer the value of lino; the kitchen is my dancefloor. Time to watusi with broom; the Mrs will be delighted. Even bending to get every last fallen crumb into the dustpan was a pleasure with this album playing in the background; blooming marvellous stuff.

Click to pre-order; gorgeous Christmas pressie!

Juliaโ€™s House Gameathon is Back!

Now, I know some gamers who’ll quite willingly play videogames until the cows come home, and if there was a videogame where the objective was to herd cows back into their cattle shed, they’d probably play for longer, just to see what happens in level two!

Myself, I’m impartial. My son teaches me the complexities of modern gaming, but while I could potentially survive in a Minecraft realm, he is the equivalent of a god inside that block world. Now I’m told I’ve to retrain, forget how to craft a diamond sword, and concentrate on the ways of a game called Terraria.

I can’t keep up. Is there a game where you have to teach old dogs new tricks, I wonder? I’m still stuck in the Attic room in Jetset Willy (kids, you’ll have to Google that.)

Kids, you don’t know you’ve been born!

But if you’ve progressed from the rubber keys of the ZX Spectrum, you flop into a gamer chair for eons at a time, and Lara Croft is but a bygone childhood crush, you’ll take to this like Sonic the Hedgehog in a jewellers.

Ready, player one? The Juliaโ€™s House Gameathon is back! Their popular virtual fundraising challenge returns this autumn and it promises to be bigger and better than ever.

I’ll say no more, I’ve got some birds to catapult at some green pigs. Oh, come back Pac-man, all is forgiven. But hey, if you’re into this brilliant idea, see Julia’s House website for more details….


Worsley Training Brings First Aid Course to Devizes Corn Exchange

The last first aid course I attended was quite some time ago, in plain old Wotton Bassett prior to the added Royal in their name, thatโ€™s how long ago it was. But did I learn anything from it, and do I remember any of it? Well, yeah, took some of it in, but, you know, it takes confidence to carry out first aid in an emergency, and refresher courses are essential.

Owner of Upavonโ€™s Worsley Training, Louise Worsley, is a professional teacher with over ten yearsโ€™ experience in the classroom, and over fifteen years of hands-on First Aid experience. With an instinctive ability to make learning First Aid memorable and enjoyable, she draws from this teaching to bring First Aid to life for participants, providing practical training grounded in realistic examples of how the techniques could be used.

Qualified through and regulated by Remote Emergency Care, Nuco Training and ProTrainings, Louise brings her โ€œEmergency First Aid at Work or Basic Life Support course,โ€ to Devizes Corn Exchange on Tuesday 10th November. 

The course includes basic first aid, including the use of a defibrillator, for personal confidence, or a small business owner who needs the full 1-day accredited certificate to fulfil service to clients.

โ€œI am planning to run the 4-hour emergency course concurrently with the full 6-hour accredited Emergency First Aid at Work,โ€ Louise explained, โ€œas the initial content is the same and then you can choose to stay on to cover the more everyday situations.โ€

The course will mix theoretical and practical learning and assessment, and the accredited certificate lasts for three years.

The cost per person including a manual and certificate is:

– 4-hour non-accredited basic life support ยฃ50

– 4-hour accredited basic life support ยฃ55

– 6-hour accredited emergency first aid at work ยฃ70

One question I wanted to ask Louise, as itโ€™s bound to be a concern, being a first aid course is very hands on and practical, often involving close contact, how does she get over these obstacles in order to align it to current restrictions.

โ€œOf course!โ€ Louise replied, โ€œI’ve been classroom teaching again since 15th June with these adaptations, when the covid level went from 4 to 3, so we were allowed to teach again, (click for Worsleyโ€™s COVID-19 Classroom Control Measures) and everyone has been really happy! Plus, the rule of 6 is excluded for work education and training.โ€

Louise will use the Ceres Hall, for this course, so at 90sq/m thereโ€™s plenty of space to socially distance.

So, is Louise a doctor? โ€œNo, I’m a teacher,โ€ she explained, โ€œThis is one of the most common questions I get asked, when I say what I do. The assumption that you need to be a medical professional to be a first aid trainer is highly misleading.โ€

โ€œPrimarily because first aiders need to assess everything but diagnose very little. We gather all the information on levels of consciousness, breathing rates, sources of pain etc, and then pass that onto the doctors to establish exactly what is wrong. If immediate treatment is required e.g. for choking or using a defibrillator then we can step forward, but most of the time it is not that obvious.โ€

โ€œSecondly, a medical degree is very different from a teaching degree. As a trainer you need to know how to present information so that the learners understand and memorise it regardless of the subject. Sadly, there are many first aid trainers out there who lack these vital teaching skills, even though their medical knowledge is way more advanced than what their learners need.โ€

โ€œSo, I am proud to say I am a qualified, experienced teacher, who also has plenty of hands-on first aid experience from over 8 years of leading adventurous expeditions overseas and more recently as a parent.โ€

Book your place on this first aid course, or for more information, click here.


Best Breakfast in Swindon?

So, on my Jack Jones I’ve time to kill this morning in that great western railway  megatropolis (least it is to us bumpkins, hanging onto a thread of Tory promise a train might one day stop in our backwaters.)

While I’m familiar with an antique Swindon of twenty-five years gone, and pockets of it remain surpringly unchanged, I’m alien to the contemporary choice of cafes and such. Still the objective is stomach-governed; get a decent breakie in me.

Thank heavens for the internet, innit tho? Gone is a time when a stranger would need swan around, hunting for a place to eat. One doesn’t recommend appearing like a tourist in Gorse Hill, I left my green wellies and Barbour jacket back at argh farmhouse. But tis where my intellectually far superior phone instructed me to head towards upon searching “best breakfast in Swindon.”

So, is The Butcher’s Cafe on Cricklade Road in that hill of gorse, the best breakfast in town? How the hell should I know, unless I trek the entire urban landscape stopping at each and every eatery? ….it’s a thought though. Something I’d be quite capable and motivated to attempt…let’s change the subject shall we? What the heck is a “gorse” anyway?

Away with such trivia and progessing to the nitty gritty. No doubt, The Butcher’s Cafe could justifiably call claim to hold the crown for best breakfast in Swindon, but it didn’t boast. It is, in it’s very essence, a no-frills, affordable home-cooked gaff, an ethos which wins my approval. I don’t need my baked beans served in a heart-shaped side-bowl and my cup of rosey on a doily. I need an English breakfast to be substantial, tasty and served with only a smile and ketchup. And that’s how it was.

Ticked nearly all my fussy boxes, yes sirey. As the name suggests it’s situated neighbouring a butchers, ergo sourcing those darn tasty sausages and bacon should come as no surprise, but the remaining ingredients were also cooked to perfection. It was in a word, scrumptious.

Where the egg would’ve fitted, if I’d wanted one, I’ve no idea!

Okay, nit-picking; I favour fresh tomatoes as apposed to tinned, and accept a slice of black pudding is reserved for north of the Watford gap and swanky folk in the south. Other than this, and that my no egg request wasn’t offered an alternative, a personal benchmark of greatness, it was a decent dish of quality and quantity; making the Butcher’s Cafe a very worthy gaff indeed.

It serves home cooked lunches and snacks, and it’s certainly not going to break the bank. Three quid for a smaller breakie, but you know me, large was ยฃ6.25 inclusive of what you don’t see in the photo was the perfectly toasted toast which arrived a split second later, and a mug of tea.

All round a nice, simple cafe with great service. Plucked out of the top ratings on TripAdvisor, there’s one who decided an autication over usage of the toilet, when they claimed staff mumbled their breath about customers using “their” facilities, was worthily of losing a whole four stars over. I figured I’d test the water, needed to point Percy at the porcelain anyways. Was courteously guided to the little boy’s room without issue; you can’t believe everything you read; amateurs, probably own a cafe up the road!

For the record, they knew not of my intended appraisal, so to treat me like royalty, but they was aware I was no regular, and still service was spot on. Also, a gorse is a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa. See? My smarty-pants phone told me that, I’m not David Bellamy but I know a gorgeous breakfast when I see one!


Floating Record Shop Moored on Kennet & Avon

Jiggin’ in thar riggin’! Ahoy vinyl-buyin’ landlubbers, a record shop has been sighted floatin’ off arh local shores ‘n be due t’ dock along th’ Kennet & Avon canal o’er th’ next few weeks, ye hath been warned!

Argh, shiver me timbers, I did say a record shop, fer Th’ Record Deck be such, jus’ as I did see it wif me very own eyes; a floatin’ record shop, argh, on a barge, o’ all thin’s. Wha’ they can nah do these days, eh?

No, I nart be ganderflankin’ yer, moi lover, these pirate purveyors o’ vinyl ‘ave cited our waterways as thar last port o’ call afore winter sets in.

Th’ Record Deck opens on dry weekends ‘n at festivals ‘n events on UK canals ‘n rivers, tradin’ in vinyl ‘n sometimes recitin’ a sea shanty or two. Tomorrow they plan t’ stop at Hungerford lock. By Sunday 11th, they’ll moor at th’ legendary Barge in HoneyStreet, ‘n will drop anchor in th’ Vizes on Friday 16th ‘n stay fer th’ weekend. Tharn it be bound fer Bradford on Avon and Bath.

‘Tis okay, I plan t’ board them at some point, ‘n hopefully see whart they be up to, or least see them ‘n thar bloomin marvellous idea off! I will report moi findings back to arh captain’s table.

Go follow thar WordPress site or like th’ Facebook page fer more details!

Will Lawton and the Alchemistsโ€™ Live Stream Album Launch

While Andy has fondly mentioned the Malmesbury combo of frontman and pianist Will Lawton and drummer Weasel Howlett a few times in the past here, Iโ€™m still yet to witness them live. Such is the restrictions of today, could be a while.

Still, both are the backbone of Will Lawton and the Alchemists, formed in 2015 when Will and Weasel started to jam, record and perform their celebrated debut album, Fossils of the Mind three years later. The sound, the band, and their following, is constantly growing and evolving. Now a four-piece with Buddy Fonzarelli on upright bass, Ami Kaelyn on guitar and vocals, and Harki Popli with tabla, they have a live stream next Sunday 11th October to launch their second album, Abbey House Session, which is available now.

This is a six-track part-studio, part-live recording which was all captured in the library at Abbey House in Malmesbury. They describe their music as โ€œbeautiful, musical daydreams, with forays into jazz with drum and bass beats.โ€

The show promises interviews with the band members, and kicks off at 8pm, filmed live from Pound Arts. Tickets are ยฃ5 with ALL money going to Changing Tunes, a Bristol based charity who work in prisons using music and mentoring to help people lead meaningful lives, free from crime.

Ticket link: http://livelounge.tv/show-will-lawton-and-the-alchemists…


A Thrashing Surprise, with Typhoidmaryโ€™s Death Trans

See, I like an ordinary cuppa like the next Englishman, but thereโ€™s lots of varieties of tea, some Iโ€™m impartial about, others I outright donโ€™t like. To say it โ€œisnโ€™t my cup of teaโ€ doesnโ€™t mean it definitely tastes like shit, to others it might be the best thing theyโ€™ve drunk.

Itโ€™s far harder to review something โ€œnot my cup of tea,โ€ then something which is. If you think my reviews have been flattery recently, youโ€™ve strayed from the ethos; thereโ€™s been lots of timelessly brilliant music released, most agrees with me. Yet, what if it doesnโ€™t?

The evaluation is simple; on my opinion anyone producing original music outside the safety-zone of the commercial industry deserves a medal of bravery, I make a point not to outright slag something off, rather not review it at all and provide constructive criticism directly to the creator.

First impression of the newly released debut album independent Cheltenham-based record label, Screamlite kindly sent, Typhoidmaryโ€™s โ€œDeath Trans,โ€ was borderline. Pragmatic about the name choice; throughout her life, Mary Mallon fiercely denied she was the cause of infection, and consequently hated her nickname. Who, in their right mind, would deliberately label themselves Typhoid Mary? Perhaps thatโ€™s the point, thereโ€™s an unparalleled clandestinely dark, clinically insane tenet to this album.

This, coupled with my initial revulsion to the substantial thrashing guitars and accomplished but screeching yells which explodes within six seconds on this album, I predicted drafting a reply explaining why I wouldnโ€™t review it. The fact I didnโ€™t, and the review is here, means something changed my mind.

To confine my eclectic tastes to particular genres, see, gets kicked in the teeth when something defined under my few detested pigeonholes impresses me. Metal and grunge are a couple of my off-putting genres, yet when Motรถrhead blast the Ace Of Spades, or I catch Nirvanaโ€™s Smells Like Teen Spirit I understand their worth, and while I might draw the line at stagediving a mosh pit, I rock the fuck out! If it does what it says on the tin, points are bestowed.

Given director Chris Bowen stated, โ€œitโ€™s one of the best albums Iโ€™ve heard this year,โ€ I decided to throw caution to the wind; it deserves a really closer listen. For its production is quality, with eminence in the delivery. What I discovered was an emotive outpouring of tension and anguish like no other, the very reason why Iโ€™m reviewing it after all.

It drifts between ambiance to these thrashing guitar executions of temper, expelling strains of interrogative quandaries, discharging a bruised wreck of an authentic character, angry and confused at their sexuality and orientation, and the relationships which develop, or fail to, from it.

While gothic outcries of depression and anxiety are not my thing, this is accomplished in a manner fiercer and more emotional than anything I could contemplate to compare it to. Be it the post-punk of Siouxsie And The Banshees, commercialised gothic of Fields of Nephilim or Bauhaus, the battering metal of Slayer of thrashing hardcore skater sound of The Dead Kennedys and Black Flag, they all pale in compassion to the appetite and antagonism displayed by Typhoidmary, and Death Trans takes anguish to a whole other level. It spat in my tea, then smashed my cup; spilt boiling fucking tea on my lap! And for that alone, I award it full credit.

With distant soundscapes separating these ten tracks of haunting annotations, resonating desperate pleas and cynical cries over driven, hard-edged gothic-come-thrash metal riffs, Death Trans is not for the fainthearted. Itโ€™s a musical equivalent of Nabokovโ€™s Lolita or Spielbergโ€™s Schindler’s List, in so much as it takes you to a place youโ€™d rather not be, but intrigue suspends you there.

Typhoidmary has released this spellbinding album for streaming and on her Bandcamp page, Screamlite aims to distribute it to all major digital stores on 16th of October. Fans of such goth and grunge will be bowled over with its exquisitely dark portrayals, yet if, like me, youโ€™re a window shopper of such shadowy and adversative genres, this might be the album which drags you inside with your purse open.

Myself, I confess, I pretended to like Robert Smith in order to get off with pale, sorrow-filled rich chicks with black hair-dye and a chip on their shoulder, which, I might add, rarely paid off! Perhaps then, the younger me is the archetypal predator this album wedges a knife into, but it drove even me on an emotional roller-coaster ride, caused me to regret, and changed my preconceived ideas about the genre. Sod it, Iโ€™m off to get my nose pierced!


Drive-In Harvest Festival!

If the words “Drive In” conjours romantic images of fifties’ American youth, waking up little Suzie before her reputation is shot, we live in a changing era where inventive ideas to celebrate will overcome the restrictions. But here, I’d wager, is one you’ve not heard of before: a drive-in harvest festival!

This Sunday, October 4th the Wellsprings Benefice, a community that worships together across the five churches of Bulkington, Potterne, Poulshot, Seend and Worton & Marston, have a drive-in harvest festival at Five Lanes Farm. Starting at 11am.

The event will also be available on Zoom, if you are unable to attend. What an ingenious idea, and we wish them all the best.

More information here: https://www.wellspringsbenefice.co.uk

DOCA’s Window Wanderland

As part of their new Winter Festival, DOCA are inviting our local community to create something special in their windows to show just what an amazingly creative place Devizes is. Window Wonderland is a Covid-sade way to connect people, transforming streets into magical outdoor galleries.

DOCA invite anyone with a window to create a display which will become part of a programme of events over a weekend which they hope will light up Devizes. Over the weekend you will be able to pick up a map or download online.

Follow the trail of windows into Devizes Town Centre where youโ€™ll find seasonal markets both indoors and out, selling beautiful artisan gifts, delicious food and drink, light installations and walkabout performers, a warm welcome and plenty of smiles.

TAKE PART
To take part and register your own window for this event follow the link to the Windon Wanderland website. Everyone that registers a Window will be added to our event map. You will be reminded of when to display your window and keep your light on!

Take part and register your window: https://www.windowwanderland.com/event/devizes-2020/

WALK THE TRAIL


You will be able to download a map from the DOCA website, the Facebook event, or pick one up from The Shambles over the weekend.

Windows will be displayed between 27th โ€“ 29th November from 5:30pm to 9pm.

Window Inspiration


Devizes is putting on a Window Wanderland and you want to take part? Wanderful! Welcome aboard.

Taking part is FREE and everyone is welcome. You can use the windows of your flat, house, business, school, nursery, car, camper van, shopโ€ฆ


It doesnโ€™t even have to windows, you can also use your front door, the front of your house, your front gardenโ€ฆ
Visit our website for ideas, FAQs and some top tips:

Devizes Window Wanderland


The Revelation Games of Phil Cooper

Crouching beside me at our IndieDay outing last month, one third of our local folk trio, The Lost Trades, Tamsin Quin explained sheโ€™s slowly working toward her second album but a lot of time is spent concentrating on progressing the Lost Trades. I supposed here is an advantage to DIY projects, as if The Lost Trades were signed to contract itโ€™d likely be an order to focus entirely on the group.

In pop weโ€™ve seen the pressure put on bands to collaborate equitably, and the result usually causes a split in the end. Major record companies in tough competition donโ€™t do enough to discourage this. Note drama sells in Simon Cowellโ€™s โ€˜show-me-how-easy-it-is-to-manufacture-a-pop-starโ€™ dressed-up karaoke television show, and hear the boos as he obstinately and impassively divides a prearranged group. He sells the tears of the rejected and the tension as young friends split. You could blame Yoko Ono, if you must, but bands breaking up is, sadly, no new thing.

Hence the accord and friendship between unsigned bands is a delightful contradiction to the harsh realities of the music industry, and I sense an unequalled unity in The Lost Trades, and deep respect for each otherโ€™s solo work. Cue another third, Phil Cooper, the binding, organised element of the Lost Trades, and his new solo album, These Revelation Games due for release by Infinite Hive on 30th October. Itโ€™s great, Iโ€™d expect no less, and Philโ€™s fanbase too, but itโ€™s varied content would also serve as a taster for newcomers to his repertoire.

Historically itโ€™s been over a couple of years since he sent me his Thoughts & Observations album to review, which does what it says on the tin, largely acoustic-based annotations and judgements. But I focus on a particular night down the Southgate when Phil was accompanied by his Slight Band. Man, he was on fire, loudly and proudly rocking our legendary live music tavern with unsurpassed esteem and passion. ย Make no mistake, These Revelation Games contains many a track comparable with Thoughts & Observations, theyโ€™re observational and sometimes quirkily humoured. But this new solo album takes no prisoners, and blasts its doors clean off their hinges from the off. ย 

Yeah, while so the opening tune, House of Mirrors explodes rock, and dare I say it, has that impact of the sixties Batman theme, it shouts the riff at you, second up Phil returns us to the mellowed aural breeze weโ€™re more accustomed to with his recorded material. So, itโ€™s a mixed bag of astutely written and perfectly executed songs with Philโ€™s joyful aura and defining style.

Eleven songs heavy, the early tunes creep us slowly back to the up-tempo as it progresses. Without a Sound particularly adroitly manages to raise that notion, and Keep Your Hands on the Wheel is a prime example of how Phil ingeniously twists metaphors of the simplest of everyday things. Leading us onto the quirkiest song, I am a Radio. Akin to Robots on the Lost Trades EP, Phil makes a heartfelt connection to an inanimate object, yet here using sound effects to create the idea his voice is operating on shortwave. Itโ€™s by far the most interesting and experimental, also absorbing his electronica work under the title BCC.

For marvellously prolific and diversified is our Phil, performing as solo, as The Slight Band, his electronica side-project, or what itโ€™s now concentrated on, the outstanding folk harmonies of The Lost Trades with Jamie R Hawkins and Tamsin Quin, Phil never slacks off or confines himself to one sound. โ€œI wasn’t planning a new album this year,โ€ Phil expressed, โ€œbut then, all plans for 2020 went out the window six months ago. So, I spent my time in lockdown writing and recording a whole load of songs that explored influences I’ve never explored before.โ€ Therefore, as a solo album, bought about by lockdown, donโ€™t expect it to remain in one place.

It rocks without reference to this folk avenue, for sure, but stretches to every corner of rock. There are surprisingly heavy guitar riffs. Fervent ballads like the particularly adroit Into the Void, whisking Lennon-like. And thereโ€™s ardent electric blues, Changing Times perhaps best example of the latter. It polishes the experience off with a Clapton-fashioned smooth blues finale called The Horseman Rides Tonight.

With a plethora of new music being produced, lockdown it seems did have one benefit, and These Revelation Games in a varied taster of a concentrated Phil Cooper at his peak. I look forward to the progression of the Lost Trades, but love this aforementioned freedom to produce solo work too. I mentioned my chat with Tamsin to Phil, about the time and effort dedicated to the Lost Trades, but the joy of the flexibility of freely venturing off to work solo, thoroughly supported by the other members of the trio. โ€œYou’re far from the band in the Commitments film,โ€ I noted!

โ€œYeah,โ€ Phil responded, โ€œhaving a record label release it has helped keep the balance between solo and Lost Trades stuff. The Lost Trades has always been built on mutual respect for each other’s work, so we’ll always support each other.โ€ Which kinda wraps it up aptly, the ethos of the trio is like this album, nice. Nice one Phil, nice one, son!

Details on Phil Cooper and These Revelation Games, here.


113 Mile walk to London To Help Free Angel & Maya

We’ve covered Tanya Borg’s ongoing campaign in the past, now she is taking a 113-mile walk to London. For five, long, earth-shattering years, Tanya Borg has fought in vain to be reunited with her beautiful daughters Angel and Maya. Maya will be turning 9 on the 24th October, the 5th birthday without celebrating, seeing or speaking to her Mother.

In 2015, Angel, then 15, and Maya, then 3, were snatched by their father under the guise of a short holiday to Tunisia to see their grandmother. Instead, they were whisked across the border to Libya and have been held against their will and away from their mother, friends and family.

Despite judges in both the UK and Libya granting in Tanyaโ€™s favour and their father jailed for non-compliance of court orders in the UK, the girlsโ€™ grandmother has kept them secretly locked away, with Tanya not even having spoken to โ€˜her babiesโ€™ for over a year.

With the British Embassy in Libya closing in 2015, Tanya has been given no assistance in her plight from the UK Government. Police have refused to reopen the case, meaning Interpol are not involved.

On 23rd October, 2020, Tanya will be setting off on foot from her home in Wiltshire to walk 113 miles โ€“ across five days – to 10 Downing Street in London, to help raise awareness of her fight – and deliver a petition asking Prime Minister Boris Johnson for political assistance. In 2009, then Prime Minister Gordon Brown intervened in a similar case, speaking personally to Libyaโ€™s leader Muammar Gaddafi to help reunite six-year-old Nadia Fawzi with mother Sarah Taylor after her abduction by her father.

Although now a different political sphere, Tanya and her family are imploring Boris Johnson โ€“ a new father himself โ€“ to similarly intervene and attempt to help them, also. Please, if you can, support Tanyaโ€™s walk and Go Fund Me Appeal. All donations will be spent locating her daughtersโ€™ whereabouts in Libya and on solicitor fees, in her attempts to finally bring Angel and Maya home.


Rule of Six and Effects on Local Hunting and Blood Sports

Rapping with Wiltshire Hunt Sabs, about new rules, the possible return of hunting, and their battle against badger cullsโ€ฆ.

After a rant in the week, concerning Danny Krugerโ€™s either forgetful or mediocre disregard to the facemask rule extended to an all-purpose bleat questioning the true motives of many of these everchanging Covid19 regulations, I bought up this exemption for hunting and shooting wildlife from the rule of six. For seems to me to be symbolic of this notion theyโ€™re using Covid19 as an excuse to return us to an era of yore; tally ho! Letโ€™s go butchering innocent wildlife again what what.

Exemption depends solely on Borisโ€™s personal preference, and he loves to shoot a grouse or three.

With the Mendip Hunt Sabs reporting a demonstrator was seriously assaulted just yesterday, when rocks were thrown at vehicles, surely, itโ€™s advisable campaigning against cruel sports is best done by safety in numbers. Ergo, the rule of six makes protesting the hunting either illegal or risky for the individual, so I contacted Wiltshire Hunt Sabs and we had a nice chat. They agreed; โ€œalong the lines of exempting hunts from illegally gathering, so they can carry on illegally hunting,โ€ they replied. โ€œSo, effectively turning the law banning hunting on its head. Which is what the conservatives have wanted for ages.โ€ Bingo.

It took a few days to touch base with the sabs, as itโ€™s badger culling season, and they were out. They excused my ignorance on the matter, explaining while grouse shooting is the news, it doesnโ€™t happen in Wiltshire. โ€œGrouse shooting normally happens on moors, they shoot red grouse,โ€ they told me, โ€œgrouse arenโ€™t reared, they live on moorlands. Loads of pheasant shoots around here, though.  Pheasants are bred and reared for purpose.โ€

But pheasant doesnโ€™t cause agriculture a problem, Iโ€™m going to find an angle on this tricky disco, as they shoot them for food, and Iโ€™m far from vegan; love a bacon butty, me! โ€œWith pheasants,โ€ they explained, โ€œdespite what they claim, huge swathes of them end up in stink pits, they kill far more than they can possibly eat. Iโ€™ve seen one with my own eyes.โ€

Yep, my suspicions check out; bloodthirsty carnage dressed up as an obligatory pageant, the lot of it. Still, Iโ€™m in the dark about the Hunt Sabsโ€™ priorities, and how they go about their operations. The concentration of our chat centred on the badger cull, a practise which can be avoided if funds were available for vaccination; like yeah, magic money tree you might cry. The Wildlife Trust reports the tax payer coughed up ยฃ16.8 million on the culling of 2,476 badgers between 2012 and 2014, equating to ยฃ6,785 per badger. By contrast, in the same time period, vaccination would cost just ยฃ293 per badger.

It also goes onto say cattle-to-cattle transmission remains the primary cause of outbreaks of bTB in cattle, and culling badgersโ€™ risks making the problem even worse. โ€œThe Government has undermined the scientific credibility of its own research,โ€ the Wildlife Trust explain, โ€œby repeatedly changing targets and methods. As a result, no definitive scientific conclusions can be drawn from the pilot culls, as the scientific evidence used to justify them is highly selective.โ€ The badger cull does not have the support of scientists, the British Veterinary Association (BVA) or the public; so how to go about protecting our wildlife?

โ€œThe cull is licenced by Natural England,โ€ the Sabs tell me. โ€œThe licences last four years, although they are only authorised to shoot between certain dates; usually a 6-8-week period which begins in September. There are groups who protest and groups who take direct action.  Obviously as sabs we take direct action, but will also undertake other forms of protest too.โ€

And the direct action is to what, get in their way or disrupt the shoot, I asked. โ€œWell usually it involves looking for cages as well,โ€ they enlighten me, โ€œthere are people who deal with them.ย  Shooters can be dealt with by protestors too, simply being present on a footpath in a field they intend shooting in is enough to stop them.โ€

I plead they excuse my ignorance, not knowing they used traps. It must piss the cullers off, protesters wandering the footpath. I wondered if they ever get violent as we’ve seen the fox hunters do. โ€œNot really,โ€ came the reply, โ€œthey are generally better behaved because they have firearms.  Any aggressive behaviour on their part would lose them their licence.โ€ Being the only justifiable reason for killing a badger, I can see, is a trigger-happy obsession akin to a redneck with a Biden supporter on his dude ranch, I can see taking away their toys might be a preventative. Unless of course, you can rationalise otherwise, given the Wildlife Trustโ€™s evidence?

Technically then, with a badger cull here in relative placate Wiltshire, the good news is, at least, they donโ€™t need โ€œsafety in numbersโ€ and could abide by the rule of six. โ€œWe usually work in twos or threes as we can get more ground covered,โ€ the Sabs say.

How can people help? You could buy Wiltshire Hunt Saboteurs a coffee, see here. But what if you found a cage on a walk? Should you damage it, or take it home to trash? The sabs advise against this. โ€œI personally wouldnโ€™t recommend just asking people to trash cages,โ€ they instruct. โ€œThey arenโ€™t easy to trash, and itโ€™s a criminal offence. Better that people contact the page if they find one and take a 10-figure grid reference or what3words.โ€

Badgers are nocturnal, like me; theyโ€™re my work buddies. Traps, I cry, lightweights. If it is a sport, as they claim, it should therefore be a fair challenge and they should drag their malicious and over-privileged arses out of their beds in the wee hours to chase them, rather than have a pop at them during their bedtime. Thatโ€™s like the ref allowing Arsenal to wait for Tottenham to get back on their coach before aiming for top bins!

Save badger culls though, wildlife protectors still have the legal upper hand, and police will attend and arrest those flouting the law. Wiltshire Police made an arrest during an operation into bird of prey persecution in Beckhampton and Pewsey on Wednesday, for example. PC Marc Jackson of Wiltshire Police Rural Crime Team, said, โ€œfollowing an extensive search of both locations, we have recovered the remains of a number of birds of prey, including red kites and buzzards. The recovery of these remains presented a number of complex challenges and we are grateful for the support from other agencies. If anybody has any information that they think could support our investigation, please contact us on 101.โ€

Inspector Liz Coles, Tactical Lead for Rural Crime in Wiltshire, said: โ€œTodayโ€™s warrant shows that we take all aspects of rural crime seriously and we will proactively work with partners to protect wildlife and our rural communities. Last week saw the introduction of the new dedicated rural crime officers to the team, and this is a prime example of how they will help us moving forward. We continue to develop more intelligence-led policing in relation to prevention, detecting criminal activity and proactive operations.โ€

While it might not look good for Natural Englandโ€™s preposterous project to reintroduce hen harriers to southern England, the struggle to uphold our preservation and protection for wildlife against a government which appears to warrant a return of fox hunting and blood sports sadly continues. And if other’s concern for animal welfare enrages you enough to throw your toys out of the pram, sadly social distancing measures will follow.


Daydream Runaways and their Crazy Stupid Love

Thereโ€™s no fooling me, no quixotic baseball-wielding delinquent is going to sway me in giving my honest opinion on Daydream Runawayโ€™s forthcoming single; itโ€™s just a drawing, guys!

It might well be coming a clichรฉ on Devizine, that Daydream Runaways send me over their latest single, tell me they think itโ€™s their best yet, I agree and tell you itโ€™s their best single yet. But Iโ€™m at a stalemate, because Iโ€™m likely to say once again, the new single from Daydream Runaways is their best yet, for the simple reason, the new single from Daydream Runaways is their best yet!

Ah, sure sign of natural progression from a young band always striving to improve, Crazy Stupid Love is out on Friday 2nd October on streaming platforms and it will be the first single from their upcoming EP. Given this strength of this song, and inclining itโ€™ll have a running narrative, Iโ€™m highly anticipating the EP, with bells on. Meanwhile I have to concoct some words on why I think itโ€™s their best single yet, rather than just repeating the same sentence. Well, technically I donโ€™t have to, but I will because I want to.

Image by Van

I wouldnโ€™t have to if you could hear what Iโ€™m hearing, thatโ€™s the fluky bit about doing this. While itโ€™s not always this seamless; I occasionally receive tunes which make me shudder, though delight when these guys message me as I can guarantee itโ€™ll be a non-shudder experience.

So, if I called their second single Fairy Tale Scene, โ€œcatchy melody, pop-tastically, with slight eighties, pre-indie label overtones,โ€ Closing the Line as โ€œa progressive step into local topical subject matter. An emotive and illustrative indie rock track akin to Springsteenโ€™s woes of factories shutting,โ€ and I said Gravity, โ€œpushes firmer towards a heavy rock division,โ€ then Crazy Stupid Love is the counterbalance, calibrating the best elements of their previous singles and weighing them equally. In this feat, it defines a forming style, a signature, I reckon, in which to base future releases.

Image by Van

Inspired by characters in a hit Hollywood film of the same name, which Iโ€™ve not seen, the guys claim โ€œthe song is set to be the sound of a Post-Lockdown world.โ€ I hope so, but it fondly reminds me of a time of yore, pre-nineties indie and Britpop, back to the days of Simple Minds and U2; no bad thing. For, just like the moment Judd Nelson sticks Molly Ringwaldโ€™s earing in his lughole, these bands were beguiling, memorable and emotive. Crazy Stupid Love is like them, infectiously uplifting, and with a coming-of-age narrative, articulating moods of a youthful, verboten romance, it suits.

Surprisingly dicey too, it also creates a mysterious character within the narrative, namely Chad, intended to market the single with a hashtag #whoischad. We canโ€™t see his mug on the cover, but the likelihood itโ€™s Bradโ€™s alter-ego, just because he rhymes with Chad and heโ€™s wearing the same baseball jacket in the accompanying photoshoot is slight. With a penchant for fireworks he carries a baseball bat to a fairground, and anyone who does such is surely asking for trouble. But, I dunno, Brad just doesnโ€™t seem the type!

Image by Van

This self-produced nostalgic nugget has those swirling harmonies, chiming guitars and an infectious chorus hook, to compare it to those eighties greats. But akin to what Talk in Code are putting out, it retains the modernism and freshness, acting as a nod to influences rather than a tribute.

In mentioning this to the Talkers they hadnโ€™t heard of Daydream Runaways, but now Iโ€™m pleased to hear theyโ€™re supporting Talk in Code for an exclusive gig at Swindonโ€™s Vic in November. Did I connect this, guys? Because if so, it makes me proud, sound wise I believe itโ€™s a perfect match. Though BBC Wiltshireโ€™s Sue Davis also has taken a big shining to the Runaways, asking them back on the 3rd October. Just, you dark horse, you, leave the baseball bat at home, Brad, I mean Chad. In my experience the Beeb pay for your parking if you ask, so no need to get nasty. Tut, always the quiet ones!

Super single, guys and look forward to catching up with you soon.


Atmospheric Country Goodness Fits Kirstyโ€™s Shoes.

Subscribe on YouTube to local independent country, singer-songwriter Kirsty Clinch and youโ€™ll receive a selection of wonderful pop-driven covers with a country feel, lots of chat videos where she explains her thought processes and announces news, provides advise and even beauty tips. Catch Kirsty live and sheโ€™s unplugged, expressing the same dedication to her music but as an acoustic performer. Either way, she is a pleasure to hear, a smooth silky voice and accomplished guitarist.

It is also the very reason Iโ€™ve been in anticipation of this debut single, to hear which way Kirsty will take it, lean more on her matured live acoustic sets, perhaps, or the pop-inspired subtlety of her videos. Iโ€™m pleased to say, Fit the Shoe balances both equally. Though far from bubble-gum, it uses a sublime bassline behind her country guitar-picking to create a wonderful and emotive sound. This is contemporary country, combining popโ€™s ambient-influence of William Orbit and blending it with the vocal range and narrative of classic Dolly Parton, enough to make Madonna blush.

Yet thereโ€™s another side to Kirsty, a fervently astute entrepreneur with clear direction on how to market a vocation through projecting the perfect appeal and disposition. Yet none of these reasons, I suspect are the sole reason why Fit the Shoe, is shooting up the streaming sites after being released only today, rather an amalgamation of them all, but mostly, because itโ€™s gorgeous and immediately lovable.

Our fiery redhead instinctively knows where the goal is, shoots and next thing you know the net is pulsating with the shock. โ€œMy main goal is to touch the hearts of many though my art and spread awareness that a positive attitude leads to better paths,โ€ she explains. โ€œI already achieved my first goal by travelling and performing in Nashville at venues such as the BlueBird.โ€ Nashville is something Kirsty regularly brings into conversation, who wouldnโ€™t. But itโ€™s here, in collaboration with Peter Lamb, providing bass and mastering, in the atmospheric splendour of this single that we see a true star shining.  

โ€œAs an independent artist,โ€ Kirsty Clinch speaks her motivation, โ€œyou must have 100% faith in yourself and your worth, you must work hard to gain all your goals and dreams you desire and I have a lot of energy to still give to the world, so I’m going hard or I’m going home.โ€

Stick this on your playlist and freeze in awe.

Man on the Bridge: Erin Bardwell teams up with ex-Hotknives Dave Clifton

Local reggae a rarity around these backwaters, but when it does rise you can trust Pop-A-Top Records is a watermark of quality. Since prolific Swindon Skanxter keyboardist, Erin Bardwellโ€™s amazing solo album, Interval, heโ€™s rubbed his unique style into a collaboration with Hotknives co-founder, Dave Clifton on this sublime project called The Man on the Bridge.

A double-A EP was out in April, followed this week by a six-track album A Million Miles. There are chilled echoes of rocksteady and traditional boss reggae blended with slight roots and dressed with a garnish of Bardwellโ€™s inimitable take on the genre. Naturally, thereโ€™s a splinter of Two-Tone reggae too, which works on so many levels.

Dave Clifton

The Hotknives are best known for their live albums, but did release one studio album The Way Things Are. Formed in Horsham, back in 1982, they principally play ska. Guitarist Dave Clifton was among the original line-up. He left in 1993, but with a slimmer roster the band still perform today.

Opening tune to A Million Miles, Donโ€™t Blame Me, is immediately likeable rocksteady, and wouldnโ€™t look out of place on a classic Trojan Tighten Up compilation. Looking over the Land plods securely, resonances Erinโ€™s band the Erin Bardwell Collective and is just simply beguiling.

Erin Bardwell

Just Dreaming though dubs, is as at sounds, dreamy, using flute, by another ex-Hotknives, Paul Mumford of Too Many Crooks, it connotes that eastern dub vibe of Augustus Pablo. Yet with Believe we return to chugging boss, with sublime horns, also by Mumford, and Daveโ€™s picking guitar riff. The guest vocal is a refreshing change, provided by Pat Powell of the Melbourne Ska Orchestra. Proof, as Iโ€™ve said, ska is an international thing, and the Melbourne Ska Orchestra are pushing boundaries on the other side of the world.

Title track, A Million Miles again deviates, fusing a slight English folk influence, it reflects memories and cites Dave and Ansell Collins and the Oโ€™Jays in a theme of a lost romance. Never Say Never raps up the journey you donโ€™t want to end, with a plonking fairground twist; as if Madness worked with UB40. With Erinโ€™s dream team, Drummer Pete O’Driscoll, Pete Fitzsimmons on bass, except Looking Over The Land where long term friend from The Skanxters, Vinny Hill features, weโ€™re in capable hands, and this is a memorable collaboration producing a superb and varied mellow reggae vibe. You need this right now!


Ros Hewittโ€™s Glass Art Open Studio

Stained glass and mixed-media artist, Ros Hewitt takes stained glass to contemporary levels. Using fused and sandblasted glass techniques, her designs are refreshingly modern and graphically stunning. She opens her studio in Great Bedwyn on Saturday 24th & Sunday 25th October. 11am-5pm.

Working as a graphic designer in the field of scientific illustration, it was a quirk of fate which embarked Ros on a new artistic career in stained glass, initially while living in Sydney, Australia. On returning to the UK, she took a course in traditional stained-glass painting with Paul San Casciani, (author of The Technique of Traditional Stained Glass) in Oxford.

Ros has been using her lockdown time experimenting with capturing air bubbles within glass, and reflecting on her residence in Wiltshire, she has a new collection of bestselling Wessex White Horses, painted and fired onto glass.

Thereโ€™s also a collection of acrylic paintings of local bird life, something that has long been a favourite subject; professional scientific illustrator graduate, see? As I said! Yes, I did!

Might be the perfect opportunity to buy some lovely, local, artisan gifts for Christmas, they really are quite special. No appointment is necessary to see the artists’ work, and you can meet Ros, discuss techniques, equipment and discover her inspiration.

Due to Covid-19, all visitors are required to use anti-bac gel provided, wear a mask, and enter the small studio one at a time. Parents/guardians can enter with their children. For details: ย http://ros.glass/index.html Email: ros@ros.glass Phone: 01672 871 025. Location: Ros Hewitt Glass Studio, Great Bedwyn, SN8 3LT


Crusader Vouchers to the Rescue!

Is it a bird? Is it a plane? Nope, just shopping Iโ€™m afraid, but a marvellous idea to help small businesses locally!

With a striking superhero comic-book themed corporate identity, a small group of marketing agents from Westbury have donned cloaks and set up a voucher system in support of our local high streets.

Claire Rowlands runs Fundraising in the Community, a local company dedicated to supporting businesses in Wiltshire, whilst helping schools, groups, charities and organisations raise funds. They plan to launch Crusader Vouchers as a subsidiary to FITC Media. As it sounds, itโ€™s a voucher-based concept akin to the website Groupon, but for local small businesses, the ones hit hardest by the lockdown.

Fundraising in the Community is a quality, professional service that offers a unique platform with a tailored audience to help drive prospective new business through the doors of local companies; whilst helping schools, charities, clubs and organisations within the community fundraise for their good causes.

Their voucher idea launches this October, and asks you to โ€œput on your mask, grab your vouchers, support local businesses and bag yourself the best deals in town!โ€ They have a website, but the majority of action is via Facebook, so like their page, where youโ€™ll be able to access monthly vouchers for independent shops and small businesses throughout the South West.

These crusaders of independent shopping say, โ€œthe offers that we provide are free for everyone to enjoy, no catches, just straight forward vouchers to take advantage of each month for local small businesses and independent businesses. Due to Covid-19 our businesses need us more than ever so we’re appealing to you to put your mask on, grab your vouchers, buy local and bag yourself the best deals in town!โ€

Since the successful IndieDay in Devizes, Iโ€™ve noticed many similar schemes in local towns but hereโ€™s something truly original but like any new scheme, itโ€™ll only work if people get behind it. So please do, everyone loves a voucher!


The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?!

On the day the governmentโ€™s chief scientific adviser Sir Patrick Vallance predicts 50,000 new coronavirus cases a day by mid-October in the UK, leading to over 200 deaths per day a month after, still the rules are being flouted, and we shamelessly play the blame game, because weโ€™re encouraged to grass up our friends and neighbours by a government who arenโ€™t playing by the rules themselves.

Two days into the facemask covering law, my eagerness to grab some Derickโ€™s Deals saw me headlong into the Spar shop without a facemask, I confess. Weโ€™ve now had two months to get used to it, and for me, like all of us, itโ€™s become routine, a habit. It is also, because not wearing one in indoor public places meets a ยฃ100 fine. A fine Danny Kruger needs cough up, if a local university student whose party got uncontrollably out of hand faces a ยฃ10,000 fine.  

Oops a daisy, and other timid posh-boy idioms for Iโ€™m pretending to care, our local MP was pictured on the train without his mask. For the entire London to Hungerford journey it didnโ€™t cross his mind, bless. Because, as he explained, he forgot, the train carriage was empty. Obviously not empty enough for someone to snap a photo, though, to which his reaction, according to Wiltshire 999โ€™s was, โ€œIf the person had reminded me rather than taking a photo and posting it on social media, I would of course have put on my mask then and there. I do apologise for my mistake.โ€

He said this, in a country with standards and decorum so high most are uncomfortable pointing out minor transgressions, like not wearing a facemask, in case the perpetrator is exempt. They may be suffering a medical condition or severe anxiety, and be subject to enough harassment from so-called do-gooders. Last time I did bag me some Derickโ€™s Deals there was a facemask dissident in the shop, did I growl at them? No, I have basic manners. ย ย 

He said this, working for, as I said, a government who encourage us to report such misdoings, precisely what the photographer did. Itโ€™s not under the control of the photographer if a social media witch hunt ensues. ย 

Predictably, Priti Patel said sheโ€™d dog in her neighbours, as if living next door to the home secretary wouldnโ€™t be traumatic enough. Boris waffled, as he does, something about only grassing if itโ€™s an โ€œanimal house,โ€ party complete with a hot tub. Uncertainly looms if he referred to the National Lampoons movie, or animals really need to be present at the party. If so, this leaves David Cameronโ€™s idea of fun questionable, if he was still around of course.

Oh, but he is, magically popping up like the shopkeeper in Mr Benn this week to tell us all his forbidding austerity cuts prepared the UK for the pandemic, despite we were the single most unprepared nation in the developed world, and are consequently reaping what we sowed. Just what the NHS needed, cuts, keeps the staff on their toes, doesnโ€™t it? The ones still alive that is.

What an absolute crock-of-shit, of which, unfortunately, Danny Krugerโ€™s blatant flouting of the regulations is trivial, but relevant to the undeniable feeling building in this country, that itโ€™s one rule for them and another for us. Given Dannyโ€™s last newsletter to his constituents reads, โ€œI detest the rule of six, the compulsory facemasks, the Covid marshals and the snooping on your neighbours (not that weโ€™re doing that in Wiltshire, Iโ€™m glad to say,โ€ it doesnโ€™t look as if wearing his mask is top priority for him, which is a shame, I bet heโ€™s got a really fancy one.

Though I suspect the issue will fall into the archives after the social media assault mellows. Heโ€™s conservative, so every conservative will defend him, and those not will sneer. We make political point scoring out of a deadly pandemic, then wonder why weโ€™re suffering the worst.     

Iโ€™ll confess, I found myself disagreeing with left-wing rags, painting a picture of a stressed and exhausted Prime Minister, forecasting the end of both his teether and reign. Aching to show him in a bad light, selective photography; the guy had more getaways than Judith Chalmers, missing vital Cobra meetings about an impending pandemic. Having financial difficulties, now he is; Earth calling Boris.

Do you ever get the uneasy feeling our Prime Minister is rubbing his hands together behind closed doors, sniggering like an insane Bond villain? Logical steps are indisputable; itโ€™s unavoidable if we ease restrictions, more cases will occur. Yet daily it feels more like an ingenious trap. Conservatives crave traditionalism, whether the public feel rudiments maybe outdated, oppressive and intolerant or not.

A Matrix red pill revelation, are they using the pandemic to maintain control, make their prejudicial vision a reality, Morpheus, and as an excuse when it goes economically tits up on their watch? The tranquillity of the initial lockdown trashed as they encourage us to shop our neighbours, because thatโ€™s how their own backstabbing agenda functions. Face facts, itโ€™s up the swanny because day-to-day they move the goalposts and confuse all, abuse their own loopholes and encourage every cluster of the public to blame another while nipping out for a Nandos. Ha, there was me thinking the buck stopped at the top.

Hancockโ€™s Half Hour has never been so dreary, as the health secretary blathers โ€œfollow Covid rules or they will get tougher.โ€ Surely a case of do as we say and not as we do?

Clamping down on the reappearance of illegal gatherings; theyโ€™ve craved this since illegal gathering begun, yet freedom to jet around the world is fine and dandy. Pubs shut early, like the good olโ€™ days, because drinking at 10pm rather than 11 makes a massive difference. Places of worship get special attention, unless youโ€™re a pagan. Then consider this exemption for hunting and shooting wildlife from the rule of six regulation, symbolic of this notion theyโ€™re using Covid19 as an excuse to return us to an era of yore, tally ho. Exemption depends solely on Borisโ€™s personal preference.ย 

If you want your hobby or interest exempt from the rule of six, be like Carphone Warehouse co-founder David Ross and slip Boris ยฃ15,000 for a winter break in the Caribbean. Or is it coincidence the guy owns two grouse moor estates? This bothers me, enough to warrant contacting our local hunt sab group. What did they say? Thatโ€™s for next time, folks, stay tuned; Iโ€™ve waffled enough over something trivial; politician is a stressful occupation, I wouldnโ€™t want it. Forgiveness is a virtue; apology accepted, Danny, get your wallet out and letโ€™s move on with the next inconsistent contradiction from our leaders.


Emma Langford Sowing Acorns

If Iโ€™m majorly disappointed by all the planned events and gigs this year done gone cancelled, probably the biggest of all was when I badgered Devizes Arts Festival into booking Limerickโ€™s folk singer-songwriter Emma Langford. It didnโ€™t take much convincing, just a song or two, and if you hear her new album Sowing Acorns, released yesterday, I guarantee your arm will be twisted too.

Sowing Acorns is everything Iโ€™d expect and much more. A spellbinding composition of intelligent lyrics reflecting on past, a place or observation, Emmaโ€™s mellifluous vocals and enchanting folk melodies. A magnum opus for this award-winning emerging artist who Iโ€™ve followed the progress of for many years.

Itโ€™s an album which will transport you to an Irish coastal path, a gentle zephyr as you peer out to the ocean. Port Na bPรบcaรญ perhaps the prime example, with its chilling cello merging into the drifting poetic title track. Itโ€™s a whisk of untamed Andrea Corr blending Clannad to Mari Boine, yet somehow completely inimitable. Yet thereโ€™s astute honesty within these pieces of musical jigsaw, tales of family woe or enriching scrutiny of a lifecycle. Thereโ€™s enough going on here to pull to pieces and discover alternative angles with each listen, but allowing it to drift over you is recommended, like waves upon said ocean.

But while Sowing Acorns opens acapella and drifts into traditional acoustic folk, it doesnโ€™t rest, rather merges styles, and by the time you get to Ready Oh some nine tracks in, thereโ€™s a blithe soul pop feel, teetering do-wop, similarly the Latino marketable feel of Goodbye Hawaii. Towards the end it returns to the thoughtful prose of Emmaโ€™s sublime acoustic and feelgood Irish charm, and it ends with an ambient trance remix of the title track by Avro Party. But each and every segment, every journey this album takes you on, darker or uplifting, is expressively awe-inspiring, as if Emma pushed everything she has into this release; the definitive Emma Langford.

It is, in a word, utterly gorgeous, a definite contender for album of my year, and one Iโ€™ll be submerged in its mesmerising portrayals for a long time yet.

Click to download from Bandcamp

Hew Miller; Does Something!

When I started Devizine it was an exploration, knowing next to nought about local performers and artists. Nowadays I consider venturing further afield, figuring Iโ€™ve successfully mapped our region of musical talent. But whenever I do, I find an area of unchartered territory, a Devizes resident lurking undetected in a dusty shed. Literally this month, itโ€™s Hew Miller, a singer-songwriter, multi-instrumentalist, producer and mix engineer living among us.

Upon hearing his uplifting and breezy pop-rock latest release, Let’s Do Something (but nothing at all) I figured, Iโ€™m going to hassle this guy for an article and expose any inhibitions he might have about his talent, as itโ€™s common for an artist to shy away from shameless self-promotion. I warned him what we do here, and how scrupulous we are. He replied heโ€™s a reader but โ€œthe reason you haven’t heard of me is that I’ve been pretty backwards in coming forwards!โ€

None of that matters, you see, backwards or forwards is all the same to me because I never know which way I’m going. Itโ€™s not so much about allowing me to spread wild gossip about him, rather I haven’t seen Hew listed for a gig locally either. Does he like playing live?

โ€œI haven’t played live for quite a long time. I tend to focus on writing, producing and recording,โ€ he explained.

Hew Miller

Hew has three singles released on Bandcamp, the earliest, Upside Down World (We’re fine in here) was this April. Itโ€™s a stomping Peter-Gabriel-fashioned pop-rock observation on the tranquillity of lockdown. And in the middle, itโ€™s not over yet, causally breezes with equal skill, a trumpet and quirky romantic reflexion. That one was released in July, but youโ€™ve only got to listen to the competence in song writing and production to assume Hewโ€™s must have been making music long before that.

โ€œI played in bands when I was younger but then moved down to Devizes for work and never found the time or musicians to start up a band,โ€ he tells. Hewโ€™s been in the Vizes since 2002, moved from Nottingham.

โ€œI’ve been a recording and mix engineer mainly as a hobby for many years; it was an underground thing but I’ve been wanting to get more exposure for my own music and to expand on the producing, mixing and mastering sides.โ€ Hence his nom-de-plume, Hew, โ€œbecause there are loads Matthew Millers and the name has already been taken on Spotify.โ€

Ah, story checked out. I found a Hungarian one on Bandcamp, among others, who by his profile pic, bears an uncanny resemblance to Elvis Presley. ย โ€œDefinitely not me!โ€ he expressed, as did the rest of our chat retain a witty and light-hearted angle. Flicking through his Facebook page I paused on an image of an amazingly plush tree-house styled studio, and given heโ€™s called his studio Dusty Shed Studios, I figured this was it. โ€œNo,โ€ he owed up, โ€œI wish…. I went there for a weekend! Mine is less grand…. it literally is a shed!โ€

โ€œIt was in the middle of a fields away from everyone. No-one to complain about the volume of the drums,โ€ Hew enlightened, but I changed the subject, fearing it might get like a Monty Python sketch continuing discussing his shed! โ€œYes,โ€ he agreed, โ€œwell when I was young, we lived in a cardboard boxโ€ฆโ€

On the subject of boxes, Let’s Do Something was recorded at Real World Studio in Box, and his own studio, said Dusty Shed. โ€œIโ€™m open for mixing/mastering and recording projects,โ€ He informed. Hew works a DIY ethos, all instruments and production are his own. I like this, freedom of creativity an all; judging by these singles, he knows his way around those buttons and switches.

โ€œYou said you were in some bands back in Nottingham,โ€ I asked, trying to unearth a possible heady past of thrashing metal or punk, โ€œwhat kind of genres?โ€

โ€œYes,โ€ he replied, โ€œI guess it hasn’t changed that much; its indie pop/rock.โ€ No juicy gossip there then, I thought Iโ€™d inquire about Hewโ€™s influences. โ€œThey range from David Bowie to Peter Gabriel, David Sylvian to The Psychedelic Furs to The BareNakedLadies.โ€ Hew seems at ease with where he is with his music, a quiet hidden gem, and as the tranquillity of lockdown subject of his first single, Upside Down World, might suggest, heโ€™s happy mixing and producing in his dusty shed; itโ€™s a guy thing!

Just as lockdown tore down borders of what weโ€™ll feature here, Hew found it a rather fruitful period, โ€œas everyone is getting into playing music,โ€ and continued to say about some tunes heโ€™s mixed for some American rappers and another international artist, โ€œwhich I probably wouldn’t have done without lockdown. Hopefully we can now get back to some normality and live music can flourish with more musicians.โ€

True, for his easy-going amiable sound would be great for a Sunday session at the White Bear, or an afternoon in the Southgateโ€™s garden, but even if we cannot prise Hew from his dusty shed, you should check out his discography. On Bandcamp, here. And his latest, Let’s Do Something (but nothing at all) is released on the streaming services on 25th September.


Blank Pages of an Atari Pilot

This extensive belter of eighties-fashioned high-fidelity pop waits for no man, a sonic blast opens it, and the riff wouldnโ€™t sound alien appearing in a John Hughes coming-of-age eighties movie. Visualise Jud, Molly, Emilio et all, dancing around a school library to this latest track from Swindonโ€™s Atari Pilot.

After our glorious appraisal of their previous single Right Crew, Wrong Captain in July, they reckon Iโ€™m going to be fair on them again, but really, thereโ€™s nothing to dislike about Blank Pages. A review in which they quoted me suggesting, โ€œthis sound is fresh, kind of straddling a bridge between space-rock and danceable indie.โ€ Here though, save the strong bassline, the space-rock element is lessened and retrospective synth-pop chimes in a racing beat, twisting this into a real grower on the ears.

Press release aptly cites โ€œeverything from Springsteen to Daft punk, Kathleen Edwards to Love,โ€ as influences. As if Daft Punk would work with Springsteen, but if they did, Iโ€™d imagine something rather like this. And that alone, makes for an interesting sound, again akin to what Talk in Code are putting out locally, perhaps more so for this single. While we could hinge on an inglorious comeback from an eighties pop star and be thoroughly disappointed by their timeworn platitude and fame induced narcissistic attitude, nostalgia has never been so energetic and fresh when itโ€™s channelled as an influence rather than comeback or tacky tribute act.

Thereโ€™s a backstory about Atari Pilot, I may have mentioned before but worth reminding. After their debut album โ€œNavigation of The World by Soundโ€ in 2011, a long hiatus took in a serious cancer battle for Onze. But getting a second chance at life gave him the inspiration to get back to writing, and Atari Pilot reformed in 2018 with an acoustic set at the Swindon Shuffle. Reforming the band was actually planned from his hospital bed.

With this in mind, Onze describes the thinking behind this great song, โ€œBlank Pages, like the other songs for the struggle, were inspired by being diagnosed with and recovering from cancer. The songs reflect the highs and lows of life and the struggles we are faced with and have to overcome to reach where we want to be.โ€

Thereโ€™s a heartening theme of struggle in the face of change, โ€œitโ€™s also about trying to recognise that we canโ€™t escape ourselves, and asks whether we can use our history and baggage to fire a brighter future,โ€ Onze explains.

Itโ€™s a DIY production, recorded and mixed in Onzeโ€™s home studio by using Logic Pro X, but sounds stunningly professional. Atari Pilot are Onze (vox,) Paj (bass,) Frosty (guitar) and drummer Andy, and we look forward to hearing more from them. I even managed to review this one without mentioning retro-gaming:


The Bighead!

“The Truth is Hard to Find celebrates their unique but retrospective style with a passion for pop-reggae, an uplifting beat, chugging ska riff and beguiling two-tone vocal harmonies….”

Far from what the name suggests, and common generalisation of the genre, I found Northamptonโ€™s six-piece reggae/ska band, The Bighead, not in the slightest egotistical and very approachable! Thus, Iโ€™ll be spinning their tunes on Ska-ing West Country on Friday, and for the foreseeable future.

That said in this era where a plethora of bands like the Dualers and Death of Guitar Pop have breathed renewed energy and a fresh approach to the UK two-tone scene, which otherwise risked falling into a diehard cult of seniors on Lambrettas who spent their pension on a pair of cherry Doc Martins!

Though nothing with Bighead is as the frenzied ska blended with delinquent-filled punk of yore. They tend to flow maturely, with rocksteady and roots reggae, while attire the fashion akin to the two-tone era. Iโ€™ve no issue there, through the furious ska thrashings of The Specials, the downtempo Ghost Town is likely cited foremostly, and on the island of origination, the short rocksteady age between ska and reggae was undoubtedly the most creative musical period in Jamaican history.

Seems while previous decades hugged youth cultures which devoted to a sole variety of Jamaican music, newly formed bands, like Bighead in 2008 by Da Costa, follow a similar ethos as what we discussed when Trevor Evansโ€™ Barbdwire came to Devizes Arts Festival. They select the benefits and choosiest elements of ska, rocksteady and all subgenres of reggae, and fuse them with sublime results.

Thereโ€™s a plentiful gap to fill, and itโ€™s all trilbies and shades for Bighead. Their May single, The Truth is Hard to Find celebrates their unique but retrospective style with a passion for pop-reggae, an uplifting beat, chugging ska riff and beguiling two-tone vocal harmonies, signifying an optimistic new era for the old genre. In contrast, the other two brilliant tunes Da Costa kindly emailed me, Step Up and Try Me Again, rely on roots reggae and doo-wop rocksteady respectively.

The Bighead are no strangers to the festival and club circuit, have headlined and supported original 2-Tone acts such as the Beat, The Selector, Bad Manners and a 2013 show with Madness. Theyโ€™ve played over Europe and are regulars on the Berlin Reggae scene.

So, polish your boots, snap on your braces and follow Bighead; not that I should really be flattering a band who are already self-confessed big heads!


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The Return of the Wharf Theatre

Word on the towpath is our wonderful theatre, the only theatre in Devizes, The Wharf Theatre is preparing for curtains up in October, starting with an amateur production of My Mother Said I Never Should.

Since being forced to close in March the team have been working tirelessly to keep East Wiltshireโ€™s best loved and only theatre afloat. There was a time, in June, when the future looked rather bleak for the little theatre. After the renovation three years ago, surplus funds were already low, then lockdown happened. The Gazette reported it may have to close due to a ยฃ30,000 shortfall in income. Celebrity patron Christopher Biggins praised and promoted a campaign, at the time they hoped to reopen for 2021. So good news is, weโ€™re some months earlier you can enjoy the Wharf productions once again.

While itโ€™s great news for entertainment in town, be aware and be quick to book. Only thirty tickets are available for each performance, in line with current guidelines. They can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm

Last yearsโ€™ Chair, Oli Beech says: โ€œBreak out the bottles, the phoenix of theatre does rise from the ashes and soars high above Devizes! Our dear little theatre is back in the black after a close encounter with disaster! The call went out and boy, was it answered. Weโ€™ve had donations pouring in, generous members and locals passing the hats around, bake sale proceeds, even an overwhelming donation of ยฃ10,000. We are so thankful to everyone who has helped us either financially or with their many words of support and encouragementโ€ฆ.โ€

During their enforced closure the team hosted three costume sales to raise further funds; completely updated their website and launched a YouTube channel to keep people entertained with specially filmed monologues and some short behind the scene films.

The Wharf also welcome a new Artistic Director, Debby Wilkinson. โ€œRestrictions are beginning to lift but with social distancing still very much in place,โ€ Debby said, โ€œanything we do in the theatre itself will be limited. However, we are very proud to launch the first three plays of our Autumn/Winter season.โ€

Whilst social distancing restrictions remain in place please continue to refer to their website for the latest details. But Iโ€™m happy to announce the new performances will be:

My Mother Said I Never Should

Friday 16th and Saturday 17th October 2020ย 7.30pm each evening

Written by Charlotte Keatley and Directed by Debby Wilkinson       

This rehearsed reading is scheduled to run on October 16th and 17th.   First performed in 1987, this play breaks with convention in that it doesnโ€™t follow a linear timeline.  The text is now studied for both GCSE and A level and tells the stories of four women throughout several periods of their lives. It explores the relationships between mothers and daughters along the themes of independence and secrets. It is a poignant bittersweet story of love, jealousy and the price of freedom through the immense social changes of the 20th century.                   Copyright: this amateur production is presented by arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd concordtheatricals.co.uk


 Tickets: ยฃ10/ยฃ8 concessions.

Adam and the Gurglewink

Friday 13th and Saturday 14th November

7.30pm each evening with a 2.30pm Saturday Matinee

Written and Directed by Helen Langford

Three rehearsed readings of an original play by the Wharfโ€™s own Helen Langford.   Adam is planning to run away when he stumbles across The Gurglewink, a childhood toy who has come to life in the attic.  They form a reluctant friendship where reality blurs and magic happen. They meet Rainbowgirl who challenges Adam to a dangerous quest which will depend on his ability to keep going when things are not always what they seem.

Suitable for children 6-12 years and their parents. Tickets:/ ยฃ8/ยฃ6 concessions


Collected Grimm Tales

Monday 14th to Saturday 19th December       7.30pm each evening with a 2.30pm Saturday Matinee

By: The Brothers Grimm     Directed by: Debby Wilkinson

Familiar and lesser known stories are brought to the stage using a physical and non-natural style of performance.  These stories journey into the warped world of imagination.  We will meet Hansel and Gretel, Ashputtel, Rumpelstiltskin and others, performed by a small adult cast, on a simple set.  The audience will need to use their imagination and fully embrace the living power of theatre. Suitable for children and adults.

Copyright: this amateur production is presented by arrangement with Concord Theatricals Ltd. On behalf of Samuel French Ltd concordtheatricals.co.ukย  Adaptor Carol Ann Duffy Dramatised by Tim Supple and the Young Vic Co.ย ย Tickets: ยฃ14/ยฃ12 concessions

The Scribes: Totem Trilogy

Getting snowed under here at Devizine Towers, but speedily need to push this to top priority, ahead of tonightโ€™s (Saturday 12th) gig at Salisburyโ€™s Winchester Gate from Bristol hip hop outfit, The Scribes. I whopped up a quick preview of the event, but as I pressed publish an email popped up with their latest EP The Totem Trilogy Part 1, made in collaboration with Chicago raised producer Astro Snare. Should fans of UK hip hop hear it, theyโ€™d be planning to head to the Gate for this free gig, by hook or by crook.

The Scribes are a multi-award-winning hip hop three piece based in Bristol consisting of lyricist/multi-instrumentalist Ill Literate, rapper Jonny Steele and beatboxer Maestro Lacey. In 2013 they signed with US label Kamikazi Airlines, co-owned by Dizzy Dustin of legendary hip hop act Ugly Duckling and released two albums, The Sky Is Falling and The Scribes Present Ill Literature worldwide to critical acclaim, garnering the group a sponsorship deal with ethical clothing company THTC, alongside artists such as Ed Sheeran and Foreign Beggars.

By 2016 they had signed with Reel Me Records, releasing a sonically challenging 16-track album which thrived on a perfected blend of poignant lyricism, A Story All About How, and the apocalyptic concept album, Mr Teatime & The End Of The World, winner of the UndergroundHH.com โ€œConcept Album of The Yearโ€ award. Last year The Scribes received global recognition, upon releasing Quill Equipped Villainy, featuring Akil the MC from Jurassic 5, TrueMendous and Leon Rhymes from Too Many Tโ€™s.

My personal affection for the genre though, goes back to the old skool. Prepped by Kraftwerkโ€™s influence on eighties electronica, rolled with Giorgio Moroder and Pete Bellotteโ€™s production on Donna Summerโ€™s I Feel Love, and still nothing equipped me for the eureka moment I first heard Afrika Bambaataaโ€™s Planet Rock, on a journey to Asda in my Dadโ€™s Cortina! Only lingering in the underground less than a year, the US hip hop and breakdancing movement swept the UK, and it was inevitable weโ€™d develop our own brand.

As hip hop spread through the States it distorted to hackneyed fashion far from the original blithe ethos of revelry. Pretentious bling, hoes and pimping oneโ€™s ride, and of course gangland rivalry were never on the original agenda. While some during the later eighties, like De La Soul and A Tribe Called Quest, strived away from this tenet, recapturing hippy, carefree roots, the east-coast/west coast rivalry and vehement bravura dominated and hallmarked the modern preconception of hip hop.

Meanwhile, by a method akin to rock n roll some twenty years prior, the place to hunt for creative and innovative progression of the genre was neither east nor west coast, but here in the UK.

Because hip hop was never supposed to be uniform, shaped by urban multiculturism itโ€™s naturally a melting-pot of genres and an experimentation in fusion, always has been. Given Caribbean roots and common affection for reggae, itโ€™s inevitable those influences would have a profound effect on UK hip hop.

Full-circle in actual fact, considering pioneer of the genre, Kool Herc was a young Jamaican NY immigrant with a sound system, who altered from dub to disco and funk as residents didnโ€™t favour reggae. And, in a nutshell, and to wrap up my waffling, thatโ€™s precisely why I love this EP; itโ€™s like The Scribes dipped a colander into said melting pot, and extracted only the very best ingredients.

Itโ€™s a non-commercial, bundle of heavy beats not relying on a single subgenre. Opening with Iโ€™m Back, for example, fresh, dripping with early east coast scratching and rapping. Yet Mighty Mighty follows, leaning on dub akin to Roots Manuva with brass, subs and a contemporary dogmatic theme comparable to Silent Eclipse, albeit this was divergent towards John Majorโ€™s government (apologies for my archaic comparisons, itโ€™s an age thing!)

By the third tune weโ€™re back to nonchalant fun with Rock This; Iโ€™m in awe, this is lyrically composed with a witty genius parallel to the Fu-Schnickens. Heart Breaks though swaps back to east coast; sublime rap harmony with a R&B slant, pensive piano chops and soaring strings with a definitive Bristol angle, as if a Tribe Called Quest came out of St Pauls!

Keep Bouncing ends the ride, and Iโ€™m left pondering Dizzee Rascalโ€™s influence, yet tougher, as Rodney P, this is fresh, possibly the most marketable sound given todayโ€™s impact on the scene. The Totem Trilogy Part 1 is the first of a 3 EP series featuring the stunning artwork of renowned illustrator Chris Malbon. The absolutely gorgeous cover designs of the 3 EPs will link together to form one image of the titular totem. With guest vocals from both AstroSnare himself and founding father of the UK hip hop scene MC Duke, here, clearly, is something imminent, a rise of The Scribes, a method grasping an evolution for UK hip hop, yet firmly aware of its roots and unafraid to exploit them.

http://www.quillequipped.com

http://www.facebook.com/scribesmusic

http://www.instagram.com/thescribes

Can you Help Lucie with her Haircut Fundraiser for the Little Princess Trust?

Most girls want wireless Mpow headphones, an iPhone 11, a Himalayan salt lamp, or something like that for their fifteenth birthday. Maybe Lucie Green of Devizes does too, but in an awesome act of kindness, her focus is on having twenty inches of her hair cut off to donate to the Little Princess Trust.

The Little Princess Trust is an amazing charity which provides real hair wigs for children suffering from hair loss. When a child loses their hair to cancer or another condition, the Little Princess Trust provide a free, real hair wig to help restore their confidence and identity.

They also fund research and say, โ€œwe won’t stop until the research that we fund ends childhood cancer forever. Promise.โ€ Though the Trust relies solely on the efforts of enthusiastic community fundraisers, and receive no formal funding.

Can we help her raise money for this worthy cause? Even the smallest donation is greatly appreciated, and all the money will go towards the cost of making a wig, which can be up to ยฃ500.

You can donate via Just Giving, Here.

Wishing you the very best of luck, Lucie. Maybe we could get a before and after picture?! For more information on the Little Princess Trust: www.littleprincesses.org.uk

A Modern Reggae Classic: Wonderland of Green

On first hearing Wonderland of Green, I was like, yeah, thatโ€™s as sweet as a sugarcane field. But itโ€™s moreish; every listen it approves all elements, everything I love about reggae, and why I love it.

Fruits Records may be based in Switzerland, but their dedication to authentic Jamaican roots reggae is paramount. This latest release featuring the Silvertones is a prime example, a sublimely balanced one-drop riddim with all the hallmarks of reggaeโ€™s golden era; the roots sound of the seventies, Black Ark, the legendary studio of Lee “Scratch” Perry, and the Roots Radics rub-a-dub riddims of the early eighties. These traditional styles echo through this 7โ€ EP; the heavy bass, the offbeat guitar riff, and the traditional female backing vocals as passed into mainstream by the Wailersโ€™ I-Threes.

Yet it also pounds contemporary at you too, fresh sounding, with a version, Living In A Wonderland, toasted by Burro Banton, an incredibly gritty-voiced DJ popular in the late eighties and nineties dancehalls of Jamaica. Even the subject matter of Wonderland of Green is timeless, as it suggests, itโ€™s earthy and ecological, a tenet inherent in Rastafarians long before it became trendy.

The band behind the riddim is the 18th Parallel. Produced, composed and arranged by Antonin Chatelain, Lรฉo Marin and Mathias Liengme, and recorded at Genevaโ€™s Bridge Studio by Liengme. Thereโ€™s an instrumental on the flipside, and an extra killer dub mix by French wizard Westfinga, who retains the retrospective ethos using the traditional dub values set by King Tubby.

Burro Banton

But what makes it so thoroughly beguiling is the vocals by The Silvertones. A legendary vocal harmony trio from the early ska era, originally, Keith Coley, and Gilmore Grant, with Delroy Denton joining early in their career. Delroyโ€™s individual baritone and guitar skills saw him quickly become the frontman. Though he migrated to the States and was replaced by Joel โ€œKushโ€ Brown.

Though the only remaining member is Keith, who takes lead, thatโ€™s just technicalities, as the modern line up rests with Norris Knight and Nathan Skyers on harmonies, both of whom have solo careers in their own right.

Westfinga & The 18th Parallel’s Wonderland of Dub

Recording at Coxsone Doddโ€™s Studio One, they interestingly triumphed in Jamaica with their debut single, a ska re-creation of Brook Bentonโ€™s โ€œTrue Confession,โ€ a track producer Duke Reid would also have the early Wailers record, but the Silvertones is indisputably more poignant. They also recorded under guises The Gold Tones, The Admirals, but most popularly as The Valentines, prevalent with the skinheadโ€™s ska revival era was a tune called โ€œBlam Blam Fever,โ€ denouncing the rude boyโ€™s gun culture.

The Silvertones

Through the late sixties they enjoyed success recording for Reidโ€™s Treasure Isle label and Clancy Eccles, as vocal harmonies became more significant during the rock steady era. Yet their dominant period was the early seventies when they stepped into the converted carport which was Black Ark.

The eccentric amplifier genius, Lee โ€œScratchโ€ Perry is renowned for getting the best out of any artist, he shaped the way we view Bob Marley & The Wailers. With penchant for outlandish, heavyweight psychedelic sound testing, he was the experimentalist who would pave the way for dub pioneers like King Tubby.

Historically then, Wonderland of Green slips right in as if itโ€™s been there all along, but prominent now with its environmental subject matter, itโ€™s gorgeous. I look forward to blasting it on my Boot Boy Radio show this Friday, maybe blending versions together, even if theyโ€™re live from the Skinhead Reunion, and whoโ€™s punters would favour boss reggae!

Wonderland of Green is newly released this week, as download, or on regular black wax 7โ€ vinyl and on a beautiful limited and numbered picture sleeve edition with opaque dark green vinyl; how apt!

Streaming: http://hyperurl.co/wonderlandofgreen

Vinyl records: https://fruitsrecords.bandcamp.com/album/wonderland-of-green


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Our IndieDay at Brogans!

Images by Gail Foster

Coming from Essex where shopping is religion, youโ€™d think Iโ€™d be impartial to the duty. But no. To be bluntly honest, as I believe I mostly am, I find nothing entertaining or enjoyable in sauntering a continuous stream of mundane chain stores aimlessly, other than to spend money I havenโ€™t got on crap I didnโ€™t want or need in the first place. Blessed we are then, in Devizes, with an array of original, charming and interesting independent shops, which make shopping endurable for whinging cronies like me! An ethos celebrated, kind of, this Saturday by the group Devizes Retailers and Independents who, in order to return commerce to our wonderful and lively town, held an โ€œIndieDay.โ€

MP Danny Kruger opened the event, I missed that, loads of shops got involved and opened their doors to a festivity-fashioned celebration, missed that too. Donkeys and more, I missed. Far better for me to contribute by loitering outside Brogans cafรฉ, munching on a bacon roll and taking credit for Mike J Barhamโ€™s hard work!

I arrived late, The Devizes Rotary Club arrived long before to lend us a grand gazebo, and Mike too, he set up a PA, he managed the PA, he hosted the event with his charming and entertaining charisma, and everyone came up to me and thanked me; result!

Honestly, as Iโ€™ve said, I have to give a massive thanks to everyone involved for making it such a special day, and in this day and age it was indeed even greater. Mike Barham for one, aforementioned contributions, but two, for rocking both the opening and finale with a plethora of his own work, such as the lively Bowserโ€™s Castle, and thoughtful prose through downtempo blues, to the thundering satire of a west-country-styled Top Gun theme, Danger Zone! The guy is a one-man machine, the best of the best, of the best.

So yes, breakfast to a late lunchtime at Brogans got lively, as people filled the plot outside and the carpark, in the sunshine. It was something until late last night I feared would fail, with gapping gaps between the confirmed acts. Sadly, and for various reasons, Archie Combe and Tom Harris had to cancel, and our opening act, Pewsey singer-songwriter, Cutsmith was also unable to attend. The worry took me until 10pm when I unleashed a masterplan; Tamsin Quin cropped up on the book of face, to thank me for reviewing the new Lost Trades single, and so, whammy, I dispatched note of my concern and asked nicely if she would be able to grace us with her presence, and naturally, sing us a song or three.

I highly suspect theyโ€™re secretly superheroes, Tamsin, Jamie and Phil, and if not, they certainly saved my skin, more than once before. Tamsin dragged Jamie R Hawkins along, and as their alter-egos with no need for superhero costumes, they did it again. Thank you both so, so much. Tamsin gave it her all, which needs no surprise, her confidence and professionalism doesnโ€™t preside her charming grace and skill to entertain. Jamie accompanied her brilliantly on cajon, claiming to be โ€œgetting into it now!โ€ after just two songs in.

Then Cath and Gouldy rocked up on their way to the Southgate, to play as their folk duo Sound Affects, which was, as ever, blindingly awesome. All originals and finishing on Mr Blue Sky and Come on Eileen covers, it was superb. So, a massive thanks to them.

The finale then, was rocked by Mr Michael J Barham, which Iโ€™ve said already, but needs another mention. Thanks to everyone who turned up and made it really special day, including our photographers, Ruth, Nick and Gail, writer Andy and all the supporters. Thanks to Brogans for having us, I trust we behaved, least it couldโ€™ve been worse, believe me! Itโ€™s times like this which make Devizine feel more than me clonking on a keyboard, and rather a thing of community, of spirit and substance. Though now Iโ€™m back clonking, vainly bigging up our own gig, which I justify by noting itโ€™s not about me, or my bacon roll, and more about the good folk who regularly contribute to make this website function, the musicians, writers and photographers, and supporters. Hereโ€™s to more, I want more!

This is not an act of vanity, but a condition Gail set forth in order for me to get permission to use them! Thanks Gail, it takes a highly skilled photographer to capture me smiling!

Bristol Hip Hop Group, The Scribes Coming to Salisbury

Described by The Evening Herald as, โ€œraw and exciting, honest and sensitive, a soulful brand of rap,โ€ Bristolโ€™s trailblazing hip hop outfit, The Scribes play Salisburyโ€™s The Winchester Gate, on Saturday September the 12th.

The Winchester Gate is a community pub just on the out skirts of Salisbury city centre which heralds live music, particularly supporting reggae and hip-hop culture. The event is free, The Scribe planning to begin at 7pm.

The Scribes are a multi-award-winning hip hop trio, whose unique blend of beatboxing, off-the-cuff freestyling and genre-spanning music has created a critically acclaimed live show quite unlike any other on the scene today, with appeal ranging far beyond traditional hip hop fare.

The Scribes at BeCider Festival

They have consistently proven to be an impressive and engaging live act with 2019 festival appearances at Glastonbury, Wilderness Festival, Shambala, Boomtown Fair, Bearded Theory, to name but a few, and have toured extensively across the UK and onto Europe.

The Scribes are also proud winners of both the Exposure Music Award’s “Best UK Urban Act” and the EatMusic Radio Award’s “Best Live Act”, and have provided original music for BBC and Channel 4 television, as well as being featured regularly on both national and local radio and media including BBC 1Xtra and BBC Radio 1 Introducing.

Hotly tipped as one to watch, The Scribes have shared stages with the likes of Macklemore, Wu Tang Clan, Dizzee Rascal, Kelis, Rag N Bone Man, Example, Lethal Bizzle, The Wailers, Jurassic 5, Sugarhill Gang, KRS One, De La Soul, MF Doom, and Souls Of Mischief, and are steadily establishing a growing following across the continent to add to their already significant fan base at home.

Check out their new EP, The Totem Trilogy Part 1 here.


Two Man Ting Bring Sunshine to the Southgate Today

Winding up their โ€œmini tour,โ€ after last nightโ€™s gig at Salisburyโ€™s Winchester Gate, world/reggae duo, Two Man Ting appear at Devizes Southgate for an afternoon session from 4 to 6pm.

Midlands Jon Lewis and Sierra Leonian Jah-Man Aggrey, are a branch of world dance collective Le Cod Afrique, who play a cheerful combination of multicultural roots-pop. A welcome addition to the Southgateโ€™s continuing mission to provide a diverse range of live music to Devizes; and a grand job theyโ€™re making of it!

With Aggreyโ€™s bright, chatty vocals and bongos, and Lewisโ€™s acoustic guitar picking, this promises to be something great and wholly different around these waters. Theyโ€™ve done the festival scene from Womad and Glasto to the Montreux Jazz Festival & Glastonbury, and their acclaimed album “Legacy” has been much featured on BBC Radio 3 & BBC 6 Music.

Should be a good ‘un!

Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine

Daniel Jae Webb reports for Wiltshire 999s that the organiser of the house party, in Wick Lane, Devizes on Friday night, has been issued a ยฃ10,000 fine by Wiltshire Police, for ignoring a police warning.

Officers were called to the house and requested the party was be shut down in line with COVID-19 regulations, and claims their pleas were ignored. A spokesperson for Wiltshire Police said, (which Iโ€™ve had to amend the basic grammar of, like a primary school teacher): โ€œAs we continue to navigate through the COVID pandemic, we all have to take personal responsibility for our actions and adhere to the regulations.โ€

โ€œDespite a warning, the organiser allowed the gathering of 80-100 people to continue, which is in clear breach of the current restrictions. Which states that โ€˜no gathering of more than 30 people may take place indoors, which would constitute a rave, if it were outdoors; amplified music, at night and due to loudness, duration and time it would likely cause significant distress to locals.โ€

Partygoers were dispersed and the hefty fine was issued. Itโ€™s a substantial amount for anyone to digest, the website stated, โ€œthere is no discretion given to set a lower amount.โ€ Job done police, story dusted and archived. In my opinion, though, Iโ€™m afraid it feels far from over and arguably raises a number of questions.

I feel impelled ask then, firstly, was it shut down for safety reasons, due to the pandemic, or as the Wiltshire Police spokesman clearly states here, โ€œamplified music at night would likely cause significant distress to locals?โ€

I cannot help but agree in this era of the pandemic we all must consider the risks and act accordingly, but the environment must be attained for people to want to do this, and take action appropriately, rather than feel they are being forced by law. Yes, the organiser and everyone who attended was putting their own health and the health of others at risk, and were foolish to do so. And when the officers attempted to engage with the group, they should have taken heed. Yet they should have wanted to do this of their own free will.

The harder the law, the more likely the rebellion toward it, though it may be important for the law to be enforced, an unaffordable fine such as this is draconian. Itโ€™s likely to have an adverse effect from the youth, who understandably see their lives disrupted in the same manner as everyone else, yet with no clear indication of ideas are being pitched to support them.

Weโ€™re casting our children out into the riskiest easing of lockdown ruling since it began, by returning them to school and college, and though you may deem it necessary, can you not also see they must feel like lab rats?

From all ancient philosophies and all of history we see a continuous pattern; people wishing to gather and celebrate is ingrained in our psyche and culture. And letโ€™s face it, the conservative ethos set to stamp out partying long before this pandemic.

The breakup of the trend of the free festival scene in the eighties, only constituted a bigger problem to attempt to outlaw, the raves in the nineties. Retrospective youth cultures we can reflect back on now, and realise and agree the occurrences of these events were not only ground-breaking for artistic progression, and memorable for the attendees, but in reality, harmless fun.

Regulating and eventual normalising of the Criminal Justice Bill, saw something far worse; a political and social rejection of society, and a fight between police and people; a disgruntled conflict.

The psychological effect of lockdown is only just beginning to be felt, as we venture away from it. You feel isolation for the elderly was difficult, how was it for our younger generation who, by the illusion of timespan, six months feels far longer? The need in younger people to party must be recognised, as Iโ€™d imagine older generations reflect upon their youth misdoings. Rather weโ€™re stamping our authority around and closing individual cases with a pat on the back and a job well done. We should, as a society in the dawn of change, be considering how we can arrange and organise celebratory events and parties sensibly and safely.

We have managed to adopt and implement new systems for shopping, for eating out, travel, and all other activities older generations wish to engage in, we should now focus on ways to keep the younger satisfied too. I donโ€™t profess to have the answers, but believe by thinking together, and frankly, giving a hoot about our entire population, we can work out methods to accomplish it. Furthermore, if ideas were suggested and implemented so parties could go ahead safely, the need and want to break the law will surely lessen.

Break up the party, yes indeed, as weโ€™re far from out of the water, but chuck people a paddle. They need a release; they need party and celebrate now more than ever in these trying times. If not, issue 10k fines to all who break the regulations; every grandad who forgets and leans over you in a supermarket, every businessman internationally jetting around the world, anyone, I dunno, who felt like driving across the country during lockdown to visit a castle, perhaps?