Weekly Roundup of Events in Wiltshire: 17th โ€“ 23rd November 2022

Got a proper soaking this morning, fat lot of good it is whinging to you about it, you are here only for the lowdown on autumn happenings this coming week, so Iโ€™ll waste no time waffling, donโ€™t worry about me, yeah, yeah, Iโ€™ll be fine!

Currently up and running, until Saturday, is TITCOโ€™s Dinner Party at The Wharf Theatre.

Staying in Devizes, Thursday 17th sees the opening of the historic event, Devizes Eisteddfod. Hereโ€™s the place to find future local stars of the arts, a five-day festival of over 400 classes of music, speech, drama, dance, writing, art, photography, and composition, for people of all ages, who may enter individually or through a school or group. There are competitive and non-competitive classes. The Music, Speech and Drama classes will be held in Devizes Town Hall. Find out more HERE.

Over in Bradford-on-Avon, check out Dylan Smith who has an official launch gig for his Cruel to be Kind album at The Boathouse.

Also find Ezio playing Chapel Arts, Bath. And for some doom metal and stoner rock, try a double-header at The Vic, Swindon, with Phantom Droid and Dark Prophecy.


Friday 18th is Marlboroughโ€™s Christmas Light Switch-On.

After The Rocky Horror Experience, Soul II Soulโ€™s Feel Free Tour comes to Meca. Yes, I said Soul II Soul, wowzers! But if youโ€™ve no tickets get in or check the alternatives in Swindon; The Beverley May Band at The Sun Inn, Coate, Splat the Rat play The Hop Inn for Swindon Folk Club.

In Devizes, itโ€™s pub quiz time in aid of Arts Together at the Cavalier, and Iโ€™ve got to recommend the highly entertaining Blondie & Ska duo, who play The Pelican. Chippenham duo, as it says on the tin, do Blondie covers but also include those Two-Tone classics, in a kind of fashion youโ€™d wished Blondie covered them; itโ€™s lots of fun. In fact, it was going to be editor’s pick of the week! UPDATE: sorry to hear this has been cancelled. Postponed until 3rd February.

Drag Show at the Neeld, Chippenham, with The Dazzling Diamonds. Limehouse Lizzy at Salisbury Arts Centre.

After Nโ€™Famady Kouyate at Wiltshire Music Centre in Bradford-on-Avon, theyโ€™ve got something on my hitlist, the acclaimed Moments of Pleasure, a Kate Bush tribute. Meanwhile, itโ€™s bonkers at The Three Horseshoes with a triple bill of Hell Death Fury, Lone Sharks, & Monkish.

Craig Charles is on the wheels of steel at the Cheese & Grain, Frome, while Richard Norris plays sister venue, The Tree House.


Saturday 19th, kids, Lego Club, at Chippenham Museum from 3-4pm. I know I keep mentioning this regular event, but I love the sound of it, wish there was a Lego club when I was a kid, and well, I might go one day anyway. My own kids will be like, โ€œdad, I need a lift to my science book writerโ€™s guild annual general meeting,โ€ and Iโ€™ll be like, โ€œfat chance, Iโ€™m off to Lego Club!โ€

Find handmade jewellery, woodwork, hand-poured candles, scented soap, artwork, and handbags at the Mynt Image Craft Fair at Devizes Corn Exchange from 10am-4pm. And in the evening find the Hardwicke Circus and The Alex Voysey Trio at Long Street Blues Club; upcoming talent Saturday, sounds tempting, very tempting! UPDATE: being our Editor’s pick of the season has been postponed, this isnew Editor’s pick of week!

The Southgate promises folky blues with Sโ€™Go, a new one on me; Deborah tells me, โ€œTheyโ€™re an eclectic folky blues collective. They played a few crazy tunes in a circle in the middle of the pub once. Everyone loved it, we booked them!โ€ Cannot argue with that. Ye gods, that sounds tempting, very tempting too, what am I to do?!

Night Jar play Woodbrough Social Club, Miranda Sykesโ€™ Show of Hands is at Marlborough Folk Roots, at the Town Hall, and the local favourites, Humdinger play The Lamb, Marlborough.

Thereโ€™s a Trowbridge Weavers Christmas Market, and Gaz Brookfield plays the Pump, with Heartwork and Be Like Will in support, but I believe itโ€™s sold out, check their website, but be quick on the flux capacitor. You could always head to the Somerset Arms, Semington failing that, where youโ€™ll find The Beverley Maye Band, or The Buckly Rage at the Three Horseshoes, Bradford-on-Avon.

The wonderful seven-piece soul band, aptly named Blue Soul Band play the Contsti, in Chippenham, tributes The Faux Fighters at The Vic, Swindon and Coldplace at the Cheese & Grain, Frome.

Jessica Fostekewโ€™s Wench runs at Salisbury Arts Centre, and thatโ€™s your Saturday night.


Sunday 20th. Iโ€™ve checked this over and over, and it definitely says, Jazz Sabbath is at the Corn Exchange, Devizes on Sunday, are we sure itโ€™s not Saturday, people? Damn your eyes, thatโ€™s a school night!

Also occurring, Wiltshire Youth Jazz Orchestra with Huw Warren at Wiltshire Music Centre, Bradford-on-Avon, Clinton Baptiste tour at the Cheese & Grain, Frome, after a record fair, and tribute L1nkn P4rk at The Vic, Swindon.


And thatโ€™s your lot, I got nought for Monday and Tuesday, but donโ€™t forget itโ€™s the regular acoustic jam at the Southgate Devizes on Wednesday, 23rd, and Richard Robbins presents Passage of Time at Wiltshire Music Centre, Bradford-on-Avon, thereโ€™s a Willow Reindeer Festive Workshop beginning at Salisbury Arts Centre, which runs until 30th, and Matt Deighton is at The Tree House in Frome.


The biggies next week are of course, the Winter Festival and lantern parade in Devizes, Friday, and the start of the Window Wanderland. Saturday sees the second feast at Soup Chick, of Kashmir cuisine, and The Scribes come to Devizes, at the Muck & Dundar. We love the Scribes here at Devizine and are thoroughly looking forward to this; get a ticket!

John Otway at the Pump, Trowbridge on Friday, and The Moscow Drug Club on Saturday, both worthy of your attention. Then, gawd blimey, itโ€™ll be December. Iโ€™m trying to keep up and update as regularly as possible, including getting the biggies up for next year. Have a great weekend, keep a check on our event calendar for updates, and planning ahead.


Trending….

Hot Juice Project at The Three Crowns

Whoa! What happened last night at the trusty Three Crowns?! What happened last night at the Three Crowns has clearly happened before, and happens mostโ€ฆ

Ruby Darbyshire: God is Offline

Wiltshire singer-songwriter Ruby Darbyshire, youโ€™re most likely familiar with, unless you joined Devizine family readerโ€™s circle today, has a new song on YouTube, one sheโ€™sโ€ฆ

Large It Norm, in Trowbridge!

Yes, we’ve got to praise Trowbridgeโ€™s Old Town Hall like we should, because Fatboy Slim is going to be right there, but not right now;โ€ฆ

Emergency Alert: Wessex Water Hosepipe Ban!

Surprised your mobile didn’t sound the apocalyptic alarm to notify you about Wessex Water’s hosepipe ban?! Then, you’re a gullible idiot! But being 22,239 votersโ€ฆ

Weekly Roundup of Events in Wiltshire: 26th Oct โ€“ 2nd Nov 2022

So, Rishi Sunak is prime minister, eh, how about that for diversity? Last time, a woman, of sorts, now an Asian chap. A tax-avoiding billionaire Asian chap with a name which sounds like a brand of orange fizzy-pop, but one nonetheless. You’ve got to wonder who it’ll be next week.

My money is on a Klingon, but I must commend the Tories, seems they’re not quite as prejudice as Nazis after all. It doesn’t matter, age, gender, race or religion; providing you’re working class they’ll shit on all of us from a-high, but with a degree of equality.

It would’ve been nice if Liz Truss could’ve stuck around for another week, if only for topical pumpkin carving purposes, because yes, it is the ancient American-over-commercialised Gaelic feast of Samhain, or Halloween to Christian cultural thieves.

After a family outing to pick our own pumpkins on a farm near Rowde in torrential rain last Saturday, confirming I married into a rural family, and kids who consider themselves too matured to trick or treat, I’d like to go out on creepy tiles (see editor’s pick of the week) but tickets are being grabbed fast, and I’m not sure how I’ll feel by the weekend after being brutally attacked last Saturday by a hanging basket.

Where were Wiltshire Police when the attack took place, you cry? Nowhere to be seen, that’s where. Typical, and that hanging basket is still at large somewhere, be warned. Needless to say, I sustained a surprisingly substantial head injury, though not the reason I’m talking complete toilet; I’m always like this.

I did manage to see a doctor. After a reply I pre-empted to be a telephone appointment sometime in May 2023, going by social media rants, I was invited to Southbroom surgery faster than I could change out of my Paddington jimmy-jams, and within the hour I was let back on the street. Not forgoing I retain a sore head with bolts of pain shooting through it upon the slightest of movement, but I’m after no sympathy. It’s the worry of 50 coming like a rocket over the hill at me. Any previous age and I’d have been, like, ah, just a bump to the noggin, be right as reign come morning. But now, any slight aliment and I’m drafting my bucket list; though I’d suspect Kylie Minogue won’t respond favourably in any case.

Onwards with what’s happening this creepy weekend, before I dose myself in more paracetamol. As usual the only link you need for more info and tickets is our event calendar HERE. If thereโ€™s stuff going on Iโ€™ve not mentioned below, stay tuned to the guide as I might yet update it through the week, and if itโ€™s your event I missed, thatโ€™s likely because you didnโ€™t tell me about it.

Wednesday 26th, and itโ€™s the White Horse Operaโ€™s opening night of Lโ€™elisir dโ€™amore at Lavington School, which runs until 29th. And the Rondo Theatre, Bath has Female Transport, also running the same dates.


On Thursday 27th Devizes Lgbtq+ hold their Drag Queen Bingo, Halloqueen Edition at The Exchange in Devizes, which was a sell-out last time, so get in quick.

Find reggae at Level III, Swindon with the Erin Bardwell Three, and Grim Slickers at The Vic.


Friday 28th, Halloween Family Disco at The Neeld, Chippenham. LGBTQ+ Halloween night at The Exchange, Devizes.

Violin, rapper and loop artist, Mike Dennis is at The Pump, Trowbridge.

Bit confused as Iโ€™ve a poster from the Specialised Project, advertising Monkey Ska at the Vic, Swindon, but listings show Getrz, Vicuals and I See Orange playing there too, so perhaps the first one has been cancelled, unsure. The Terraplanes Blues Band play the Rolleston Arms, though, that much I do know!

Also find Barnstormers Comedy at Salisbury Arts Centre, Muze at The Tree House, Frome, while The Freddie & Queen Experience are at the Cheese & Grain.


Saturday 29th, everything is awesome at Chippenham Museumโ€™s Lego Club, 3-4pm every Saturday. Itโ€™s Autumn in the Park at Hillworth in Devizes, see poster, and St Johnโ€™s Michaelmas Fayre too.

Getting very Halloween now, with Halloween Karaoke at The Pelican Inn, Devizes, Devizes Scooter Clubโ€™s Skalloween at the Cavalier, a Halloween party with DJ James Therelfall at the Muck & Dunder, Thriller Halloween party at the Exchange, and The Monster Ball at Melksham Assembly Hall.

Kind of optional creepy fancy dress at Editorโ€™s Pick of The Week: The Female of the Species 7th Annual Fundraising Gig at Seend Community Hall.

Tickets are going like hot cakes for this annual extravaganza from our lovely all-female local supergroup, now packing a punch at Seend, so get in quickly, it is always an amazing show.

Away from Halloween vibes, those masters of vintage blues, Barrelhouse play The Southgate, Devizes, Trash Panda, The Bastard Son of Humdinger & My Mateโ€™s Band play The Coppers Arms, Pewsey. Strange Folk at The Three Horseshoes, Bradford-on-Avon.

Stop Stop at The Vic, Swindon, Judas Rising at the Rolleston.

Congress at Salisbury Cathedral, Spritato โ€“ Inspiring Bach at Wiltshire Music Centre, Bradford-on-Avon. Oh, and The Lightning Seeds play The Cheese & Grain, Frome.


Sunday 30th, The Innes Sibun Band arrive at The Three Horseshoes, Bradford-on-Avon, guaranteed knockout.

Spooky stuff continues as Monday 31st is the opening night for Picnic at Hanging Rock at The Wharf Theatre, Devizes; of which Iโ€™m hoping to get a review of out by Monday, or Tuesday latest. Running until 5th November, preview here.

And weโ€™re into November, Wednesday 2nd donโ€™t forget, acoustic jam at the Southgate, Devizes, and Jordan Bak is at Wiltshire Music Centre, Bradford-on-Avon.

Keep on scrolling for future fings to do, hopefully Iโ€™ll join you real soon, hanging basket though, I ask you, evil hanging basket; why canโ€™t they just plant flowers in the ground like normal folk? They should be brought to justice! Have a good week, the doctor told me to stay off devices and screens, so Iโ€™m outta here, going to take up badminton instead, which is an extreme sport to me!


Trending……

JAZZ โ€“ Our Local Guide

Andy Fawthrop All That Jazz โ€“ Nice! D-Town certainly punches above its weight when it comes to providing a vibrant and varied music scene.ย  Itโ€ฆ

Something Evil Is Waiting at The Wharf Theatre…

Isoceles Theatre Company Brings a Spine-Chillingย Dr Jekyll & Mr Hydeย to The Wharf Theatre, Devizes, on Saturday 29th August….. Devizes, Wiltshire | Saturday 29 August 2026โ€ฆ

Weekly Roundup of Events in Wiltshire: 19th- 26th Oct 2022

Hereโ€™s our weekly summary of things to do over the coming week. It saves you surfing every individual event calendar, and saves me waffling on about some unrelated rubbish, which I admit I have a tendency to do, but in the words of the great philosopher, KC, and, of course, his Sunshine Band; thatโ€™s the way, uh-huh uh-huh, I like itโ€ฆ… oh, Iโ€™m doing it again arenโ€™t I?!

Onwards, not forgetting further details and links can be found on our event calendar, itโ€™s too time consuming adding them a second time, and besides, there you can scroll away until your heartโ€™s content, planning future weekends.


Best way to kick off live music early is Swindonโ€™s experimental dub duo, Subject A, are at The Bell on Walcott Street, Bath, on Wednesday 19th; consider it highly recommended. Meanwhile, Beth Nielsen Chapman plays The Cheese & Grain, Frome.


Thursday 20th sees a Very Hungry Caterpillar, on show at Neeld Hall, Chippenham.

Mr Love & Justice are at The Beehive, Swindon, Hannah Sanders & Ben Savage at Chapel Arts, Bath. But the link to Faustus at Salisbury Arts Centre seems to be broken, unsure if thatโ€™s still going ahead.


Friday 21st and Trowbridgeโ€™s Pump is the place to be, Matt Owens of Noah & The Whale headlines, with the amazing Concrete Prairie in support.

The magical Lady Nade plays Pound Arts, Corsham, The Little Unsaid at Chapel Arts, Bath.

Hatepenny at The Three Horseshoes, Bradford-on-Avon, The Reservoir Hogs at The Old Ham Tree, Holt. And in Marlborough youโ€™ll find @59 at The Wellington, and the incredibly good fun, Dr Zebos Wheezy Club at The Bear.

That just leaves me with the tributes, Queen tribute, Majesty at Melksham Assembly Hall, while Fleetwood Bac are at The Cheese & Grain, Frome.

Devizes, I have got nothing at all for this Friday, unless you know different? When near-on every known pub in town put live music on last Friday night, with a guaranteed crowd-puller from Longcroft at the Corn Exchange too! This town isnโ€™t a competition, guys, please try to coordinate, through us, if you like, but it works better for you all if we do. Rant over!


Swiftly onto Saturday 22nd, itโ€™s Trowbridge Carnival, plus Lego Club at Chippenham Museum, free and at 3-4pm every Saturday; everything is awesome!

Thereโ€™s an evening of Irish classics with Asa Murphy and Shenanigans at the Devizes Corn Exchange, and the unmissable Eddie Martin Band is back for some blues at The Southgate.

Daz n Chave at Neeld Community & Arts Centre, Chippenham sounds a laugh, and thereโ€™s a Melksham Rock n Roll Club dance this week, with Glenn Darren & The Krewkats.

Full-Tone Orchestra presents their Symphonie Fantastique at Marlborough College, and if you check the quote on the poster, yes, I said that! Itโ€™s always nice to be quoted, on the rare occasion I say something nice, that is!

Sheer are down the Trowbridge Town Hall, putting on Lucky Number 7 and the Lindup Brothers, with promising local teen band Boston Green in support. Meanwhile The Forgetting Curve play The Three Horseshoes, Bradford-on-Avon. A tribute to Pearl Jam at The Vic, Swindon, Earl Ham, and Tundra plays The Woodlandโ€™s Edge.

But if you want to boss the night away with some serious skanking, I cannot recommend Bristolโ€™s legendary ska and reggae skinhead, Ya Freshness, of Strictly Rockers Records enough, who is with his Big Boss Band at Odd Down Football Club in Bath. Fiver a shot for a cracking knees up. In fact, what the heck, letโ€™s make this one Editorโ€™s Pick of The Week!

For a mellower experience in Bath, try The Tom Petty Legacy at Chapel Arts.

The Grief Opera, Love Goes On at St Andrewโ€™s, Chippenham, Shift Social presents I Was Born in the Wrong Decade at Salisbury Arts Centre, and a Vintage Bazaar is followed by Moments of Pleasure, The Music of Kate Bush, at The Cheese & Grain, Frome.


Halloween Scavenger Hunt at Hillworth Park on Sunday 23rd October, PSG Choir hold an autumn concert at Devizes Town Hall, and the Chas Thorogood Trio play an afternoon session at the Southgate.

Kavus Torabi, Richard Wileman & Amy Fry at The Vic, Swindon, Richard and Amy appear on our Juliaโ€™s House compilation album, show them your support if possible. Always in for a great night with the Joh Amor Band, who play The Three Horseshoes, Bradford-on-Avon. And oh, CSF wrestling at the Cheese & Grain finishes our weekend off.


Got nothing through the weekdays Iโ€™m afraid, but lots of updating to the calendar still to do, so check in from time to time. That is, of course, until Wednesday, the 26th, when White Horse Opera presents Lโ€™elisir Dโ€™amore at Lavington School, which is running until 29th October, and also running on the same dates, Female Transport at the Rondo Theatre, Bath.

And thatโ€™s your lot for this week, can I go now?!


Trending…..

An Apology to Councillor Wallis

I would like to apologise to Devizes Town Councillor Iain Wallis for incorrect quotes in a spoof article concerning a BBC Wiltshire video we criticisedโ€ฆ

Jurassic Hillworth Park!

You know, there’s umpteen articles, studies, and even a six and half minute YouTube video explaining that Steven Spielberg’s 1993 family sci-fi movie Jurassic Parkโ€ฆ

Jol Rose For Tomorrow

New single from Swindonโ€™s finest Americana singer-songwriter Jol Rose, the kind of artist whoโ€™ll finish a song and leave a jammed pub in such aweโ€ฆ

Weekly Roundup of Events in Wiltshire: 13th -19th October 2022

Here we are again, happy as can be, but slightly older, opps, soz, missed a C, slightly colder! Though we are a week older too, but that means nothing, only as old as you feel. Quite aggravated by chipping ice of the car windscreen this morning though, itโ€™s only October for crying out loud; who do I need to write to about this diabolical travesty?

Still, going out is the new going out, and hereโ€™s a lowdown of local stuff to do this coming week. The link you need is HERE, our ever-updating event calendar; you know the score by now.


Thereโ€™s Craft and Chat at Chippenham Library on Thursday 13th October, and Beauty the Beast: The Guardians of the Forest at the Neeld.

Meanwhile lots still happening at the Calne Music & Arts Festival, with the Music Scholars of St. Maryโ€™s School, Calne, The Primary School Choirs present: โ€˜Songs from Disneyโ€™, Kingsbury Green Academy Music Department in Concert and Tim Hughes presents โ€˜120 years of the Blues.โ€™

Dick and Dom, yes, I did say Dick and Dom, are in Da Bungalow at the Cheese & Grain, Frome, while Mitch Bennโ€™s Itโ€™s About Time tour takes to the Rondo Theatre, Bath.


Friday 14th, thereโ€™s an instore session at Sound Knowledge, Marlborough with Rachael Dadd. Sour Apple at The Condado Lounge, Devizes, while Illingworth play The Three Crowns, and Funked Up funk up the Pelican. But all eyes will on the Corn Exchange in Devizes when Longcroft Productions presents the all-female Black Sabbath tribute, Black Sabbitch; if it’s good enough for Dave Grohl it’s good enough for us!

DJ Stevie Mc holds the afterparty at the Exchange below, Friday nights is retro 80s,90s,00s night, free entry before 11pm.

Calne Music & Arts Festival has a piano recital from Helen Davies, and an evening of traditional Andalusian guitar and flamenco dance.

The astounding acoustic rave act, The Showhawk Duo plays Salisbury Arts Centre, while Erlestoke Golf Club has Barry Paull as Elvis!

Billy in the Lowground at The Three Horseshoes, Bradford-on-Avon, The Derellas & Liabilities at The Vic, Swindon, The Chesterfields & Mighty One at the Tree House, Frome, while the Rhythm of the 90s bang out at The Cheese & Grain; sorted.

Impromptu Shakespeare at Rondo Theatre, Bath.


Moving on up to Saturday 15th, when the big Marlborough Mop Fair hits, with Grey Smith at The Bear.

Rockhoppaz at The Southgate, Devizes. Exchange has resident DJ Stevie Mc in the mix. Mick Jogger & The Stones Experience are at Steeple Ashton Village Hall, tickets ยฃ15 from their village shop.

Lego Club, never forget Lego Club at the everything-is-awesome Chippenham Museum, 3-4pm, every Saturday. While Wiltshire Museum, Devizes has a Building Materials conference on Industrial Archaeology.

Trowbridge has their annual Apple Festival at Emmanuelโ€™s Yard, while NerveEndings play the Pump, with support from The Sunnies; ah yes, loud and proud.

Over in Swindon, the long-awaited Swindon Paint Fest begins; really good this looks, for all street art fans, head into Swindon Centre over the weekend. And The Moonrakers has The Specialized Project holding a ska fest too. Peloton play The Vic, and Hip Replacements at The Woodland Edge.

Tributes in Chippenham, The Tom Petty Legacy at the Neeld, and The Beatles for Sale at The Pewsham.

Siren plays The Talbot, Calne, which leads me nicely onto my editorโ€™s pick of the week, in a minute, because the Calne Music & Arts Festival reaches its crowning, after Chris Dunn and Genevieve Sioka have a โ€˜Meet the Artistโ€™ session, and a Photographic Talk titled โ€˜Down the Mekong, Cambodia and Vietnamโ€™ the grand finale is my editorโ€™s pick of the weekโ€ฆ…

Editorโ€™s pick of the weekโ€ฆ…

Concrete Prairie at Marden Hall, Calne

My new favourite thing, Concrete Prairie will be at Marden Hall, Calne as part of the Calne Music & Arts Festival, for a full set. Itโ€™s a tenner, seated event, which is going to be tricky if I go, I might just break into my jig down the aisle! Review of their album here.

Anyway, Apache Smoke at The Three Horseshoes, Bradford-on-Avon, Ion Maiden at The Tree House, Frome, while eighties electronica band Blancmange play The Cheese & Grain; no, never heard of them, far too young!!

Mitch Benn is at Salisbury Arts Centre today, and Rob Autonโ€™s The Crowd Show is at Rondo Theatre, Bath.


I mean, there might be more added as time goes on, but thatโ€™s all I got for now; smaller venues, please submit your event listings to us asap, as you are the important ones which we really need to get the information out about. If you make me come find you on social media it never works, because I donโ€™t know about you, but Iโ€™m getting really narked off about social media at the moment!


Sunday 16th, then, and Wiltshire Soul & Blues Club have their exclusive monthly jam at the Owl Lodge, Swindon Paint Fest continues, and sax lovers, do check Guinea Lane Saxophones, Pewsey Players and Take Five at Pewsey Heritage Centre.

Highly recommended, Jack Grace Band at the Southgate, Devizss and The James Oliver Band plays The Three Horseshoes, Bradford-on-Avon, and Blackbeardโ€™s Tea Party and Imprints at The Winchester Gate, Salisbury.

Frome Wessex Camera Fair at The Cheese & Grain, with Ned Boulting in the evening.


Monday, I got nought, but nobody likes Mondays anyway. Ban them, ban them all now!!

Tuesday 18th, Assassins opens at Rondo Theatre, Bath, runs until 21st October, Good Luck, Studio at Salisbury Playhouse, and legendary folk at The Cheese & Grain, Frome, with Steeleye Span.

Wednesday 19th, and Swindonโ€™s dub reggae outfit Subject A are live at the Bell on Walcot Street, Bath, Beth Nielson Chapman at The Cheese & Grain, Frome and donโ€™t forget, Wednesday evening acoustic jam at the Southgate, Devizes, ah, yes.

Have a good week, donโ€™t work too hard; that is a direct order!



Trending….

Book Review: Dave McKenna’s Death Wish

It was back in March last year when I last mentioned Devizes author Dave McKenna,ย reviewing his debut, The Killer & The Catalyst. He’s returned withโ€ฆ

My Reflection on the Fate of Carnivals

It’s Saturday morning on the 13th July 1985, and there’s a dilemma brewing in my household I’m indifferent with. I’m twelve, aware I should doโ€ฆ

Sheer Music Grand Return to Devizes

Ah, it’s on the grapevine alright; godfather of Wiltshire’s millennial live indie scene, Kieran Moore isn’t sneaking in the back door with his tail between his legs like the prodigal son, rather he’s returning to Devizes, the origins of his promotional stamp Sheer Music, in a blaze of heavy rock glory.

Not content with setting the soul of live music in the bright light city of viva Trowvegas on fire, or getting those stakes up higher at Komedia in Bath and legendary venue the Vic in Swindon, he’s
just a devil with love to spare…. for his roots!

It’ll be loud and proud, that much is for sure, when Sheer takes the Corn Exchange on Friday 7th October, and, hold your breath, it’ll be a free gig, yes I said free. When was the last time you got in the Corn Exchange for nought? Obviously as chief blagger I’m not at liberty to answer that question myself, but you catch my drift I hope!

They’ve got that kick-ass skater punk collaboration of Trowbridge, Devizes, Westbury and Wotton Bassett,ย Start The Sirens as support. A promising upcomer we handsomely reviewed their debut “Just the Beginning,” back in June.

Next up is two-thirds homegrown purveyors of noise NervEndings, who should need no introduction locally, abielt to note the boys are creating quite the stir forever further abound, headlining this Saturday at the very same Victoria, for the Swindon Shuffle.

Plus hard-rocking contemporary punkers Lucky Number Seven, which I’ll confess is a new one to me, but they certainly sound like a belter, featured alongside NervEndings at the Shuffle, and who tore Bristol’s Fleece apart at the beginning of the month.

Kieran labels his promo posts with “shit the bed, Devizes,” leaving me pondering; are you sure you’re ready for this, Devizes? Stage diving all the way to Chick-O-Land?!


Weekly Roundup of Events in Wiltshire: 1st-7th September 2022

It might not be bank holiday, but itโ€™s not blank holiday, if you see what I mean? Nah, forget it; hereโ€™s whatโ€™s happening over the next week in Wiltshire.

Pinch punch, Thursday is the first of September, and Iโ€™ve got nothing, yet! Do keep a check when updates come into our event calendar, the one link you need for info on all the stuff below and for planning future events.

Friday 2nd is the Wax Palaceโ€™s Kaleidoscope Festival in Erlestoke, ravers, thereโ€™s also the End of the Road Festival, Salisbury way on the Dorset border, and the Punchbowl Festival in Codford.

Closer to us, The Devizes Living Room has a โ€œbloc-party,โ€ on the Green, all welcome. Potterne Social Club has People Like Us, The Roughcut Rebels play The Barge Inn at Seend Cleeve, Navajo Dogs are at The New Inn, Winterbourne Monkton.

Comedy at The Boathouse, Bradford-on-Avon with Sally-Anne Heywood.

And over in Swindon, youโ€™ll find the Groove Club Collective at The Vic, Mac N Cheese at the Queenโ€™s Tap, and The Total Stone Roses playing Level III.

Saturday 3rd, and itโ€™s the start of Salisbury Art Trail, running until 18th September.

Itโ€™s Malmesbury Carnival, the Melksham Food & River Festival, and Tripwire Presents Bristol Comic Con over the weekend. Lego fans check out The Cheese & Grain, Frome where thereโ€™s a Lego show and market, Brickinโ€™ It!

Editorโ€™s Pick of The Week

In Devizes itโ€™s Confetti Battle time, and the Colour Rush, yay! No tokens this year, so you will just need to line up to buy you confetti so arrive early to avoid the queues. Youโ€™ll still need to line up to collect your confetti prior to the 8pm kick-off.

As far as we know Devizes is the only town in the world that has a Confetti Battle tradition. No one can remember the first official battle but we know its roots date back to the old Devizes Carnival in 1913, where confetti and rose petals were thrown by the crowd at people in the procession. The tradition evolved into a fully-fledged battle around 1955 when it was started by Jim Jennings; should make it my editorโ€™s pick of the of the week really.

This year the Confetti Battle continues to grow and the colourful chaos has been added to with the introduction of the Colour Rush, an amazing 5 km mixed terrain fun run โ€“ what better way to arrive at a Confetti Battle than covered in multi-coloured powder!

There is no โ€˜battleโ€™ as such, just a very silly half-hour during which a lot of fun is had, and a lot of confetti is thrown about. Expect to get โ€˜attackedโ€™ by complete strangers throwing paper!  The Battle continues to gain popularity and 2017 saw over 3500 people take part. The event takes place at the finish line of our new Colour Rush 5k run so expect to see some exceptionally colourful visitors in the crowd.

Jennings funfair is in the Market Place on Friday 2nd September until Sunday 3rd of September operating between 5.30 pm until 11.00 pm.

The DOCA website says โ€œkeep your eyes peeled when collecting your confetti as one lucky person will receive a Golden Ticket in a confetti bag,โ€ it continues so say, โ€œthis will entitleโ€ฆโ€ and then it ends, so Iโ€™ve no idea what the golden ticket entitles you to! Maybe they need to keep their eyes peeled on their typos, but I guess theyโ€™re too busy making fun for us all, and I, for one, bless them for it.

Staying in Devizes for confetti free events, Jamie R Hawkins will be at The Southgate, while Paradox plays The Cellar Bar of the Bear Hotel. Tamsin Quin plays the Barge on HoneyStreet.

Wiltshire BKA Honey Bee Health Day at Market Lavington, some Carnival Music by Jenny Bracey at The Crown in Aldbourne. Local Heroes Inc play Prestbury Sports Bar, Warminster.

In Swindon Moonwire and Lung at The Vic, Dragon Eye at The Rolleston, Larkhill at the Queens Tap, Echo at Coleview Community Centre and Dreuw & Will Killen at The Hop Inn.

Sunday 4th September, and thereโ€™s a RSPCA fun dog show on the Green in Devizes, and the monthly residency of Jon Amor at the Southgate at 5pm, featuring guest Nat Martin.

Composer-pianist and creative coder, Larkhall will be taking his innovative live show to venues across the UK this year, he comes to Schtum in Box on Sunday, and playing Pound Arts in Corsham on the 9th.

White Horse Classic and Vintage Vehicle Show in Westbury, and Minety has a Beer & Cider Festival.  

Rainbow Fest at The Olive Tree Cafe in Swindon, promises crafts, live Music and poetry for ยฃ2 entry (under 12 free) with all funds going to charities supporting LGBQIA+. Meanwhile, local acoustic duo Sweet Nightingale play Queens Park.

And thatโ€™s your weekend, folks. Monday 5th sees a live art Demonstration by Artist Paul Oakley at Devizes Conservative Club, organised by the Lawrence Society of Art. And that for now is all I have for midweek, but I promise to do some digging and update the event calendar more often, pinky promise.

Okay, that leaves me with stuff to get prepared for, that means buying tickets, dammit! September 10th sees the Party For Life fundraiser at Melksham Town FC, details here, get yourself a ticket for this, raising funds and awareness of Suicide prevention.

Also, the Wharf Theatre opens for its Autumn/winter season with Hedda Gabler running from 9th to the 24th. Bath Children’s Literature Festival, Devizes Food & Drink Festival, Swindon Shuffle and Swindon Folk & Blues Festival; itโ€™s still happening, summer isnโ€™t throughโ€ฆ. yet!

And if you’ve still found nothing to interest you, stay in and listen to our new volume of the 4 Julia’s House compilation album, which we released last week. 35 amazing, locally-sourced songs, and all the proceeds go to Julia’s House Children’s Hospices; thank you!


Trending…

Speed Reduction on Caen Hill to 50mph

Be honest now, who likes to bomb it up and down Caen Hill dual carriageway like they’re Lewis Hamilton on a promise? Who thinks onceโ€ฆ

Jamsters Festival at The Southgate

January last year, The Southgate Inn Devizes announced Jamsters, a monthly Friday night platform for loose groupings and associations created at their regular jam sessionsโ€ฆ

Weekly Roundup of Events in Wiltshire: 24th โ€“ 31st August 2022

We canโ€™t wait until roundup Tuesday, when we usually roundup the weekly roundup, itโ€™s the last big summer blowout bank holiday, so weโ€™re simply too excited and thought you might wanna plan early, so here it is, hold on to your horses… or just let them run wild, I’m not worried, just too excited, did I say I was too excited?!

Repetition is fine, but there’s no links here, too time-consuming, so please us this link to our event calendar, and you can grab details and ticket links from there, but you knew that already, I hope. Oh, did I say, repetition is fine?

All quiet on Wednesday 24th, but if youโ€™re eager to get the ball rolling, 41 Fords play the Kilminton Home Guard Club in Warminster, entry by donation, and donโ€™t forget Wednesday s are the regular acoustic jam night down our trusty Southgate in Devizes, and is always a wonderful night.


Thursday 25th then, and Honey Fest kicks off at the Barge on HoneyStreet, and banging out the whole weekend; I believe thereโ€™s a few tickets up for grabs.

Meanwhile, unmissable rock soloist Adam Masterson plays The Tuppenny in Swindon with Jules Hill in support. Bath Forum have The Billy Joel Songbook, and lots of lucky people will be making their way to either Reading Festival or GoatFest; have fun!


Warming up to Friday, the 26th August, when our brilliant Irish folk duo, the Celtic Roots Collective are at the Pelican in Devizes.

Over in the land of chips and ham, thereโ€™s an August Bank Holiday Beer & Cider Festival at the Three Crowns, and ska-punkers Operation77 play The Black Horse, Chippenham.

Illingworth takes on triple gigs this weekend, catch them at Flan Oโ€™Brianโ€™s in Bath on Friday, where Komedia have a night with The Ministry of Burlesqueโ€™s Cabaret; ding dong!

Mod band Peloton plays The Vic, Swindon, and wow, the Cheese & Grain, Frome have Morcheeba, yes, I said Morcheeba; show offs!


Saturday 27th, is the big one. Shall I start it with theโ€ฆ.

Editorโ€™s Pick of Week: The Full Tone Festival, The Green, Devizes

Yep, you probably guessed it, itโ€™s time for the hills of Devizes to come alive with the sound of music. It is the Full Tone Festival Weekend. Hurry and get your ticket, and say hi if you see me wandering around like a lost puppy. Said what needed to be said about this corker, let the show begin.

Over in Devizes Market Place from 9am-1pm thereโ€™s a Mind, Body & Spirit Market. Thereโ€™s free live music all day at the Crown Inn, Bishops Cannings, with 12 Bars Later, Plan of Action, and Itโ€™s Complicated. Later, 12 Bars Later nip across to the Southgate, Devizes!

And where do I even begin elsewhere? Holt Scarecrow Trail begins, itโ€™s Aldbourne Carnival, a Rod Stewart tribute at The Pewsham, Near Chippenham, thereโ€™s a Summer Party at Westbury Cons Club with Wade Merritt and Jay, followed by People Like Us, and the West of England Youth Orchestra perform at Wiltshire Music Centre, Bradford-on-Avon.

A debut performance, at the Gloucester Road Conservative Club in Trowbridge for soul band Dimensions, and thatโ€™s free entry. Kurt Vile & The Violators at Bath Forum, Apollo Ghosts at the Cheese & Grain, Frome, and in Swindon, the wonderful The Daybreakers are live at The Vic, while The Tin Shack Band play the Woodlands Edge. Oh, and The Swiss Chalet has a Harryโ€™s Heroes fundraiser.


Sunday is where things usually start to calm down, but not this weekend. The 28th sees the second day of Full Tone, Great Cheverall Soap Box Derby and Potterne Festival.

Illingworth play The Churchill Arms in West Lavington today, and a young local band to watch out for, Nothing Rhymes With Orange are in support.

Thereโ€™s a mini fest at the Talbot in Calne with Six Oโ€™clock Circus, People Like Us, Wet Frank, End of Story and others.

LodgeFest aptly at Warminsterโ€™s Lodge, an M4 Classic Car & Bike Show in Chippenham, and the Hammervilles have a bank holiday beach party at the Cheese & Grain, Frome.

Swindon is gearing up for the Shuffle next month, but in the meantime, Shades of Seattle plays the Vic, highly recommended Atari Pilot are at the Castle, and for the kids, thereโ€™s always Milkshake live at the Wyvern.


If youโ€™re still standing in Devizes on Monday, 29th August, hereโ€™s what to doโ€ฆ. Black Rat Monday, down The British Lion, with the Celtic Roots Collective and a jam to follow. Or Finley & Mark support The Reason at the Three Crowns; nice either way!

From 5pm Illingworth will be at the Waterfront, Pewsey, and the Beverley May Band play The Milk Churn, Melksham. Itโ€™s the Chippenham River Festival, thereโ€™s a massive line-up for a free music festival across the entire village of Box, it is Box Rocks. The Lost Trades and Dolly Mavies headline a mini-festival at The Lamb Yard in Bradford-on-Avon, and Abba tribute 21st Century ABBA play The Bowl in Town Gardens, Swindon.

Iโ€™m sure thereโ€™s going to be more added as the week goes by, so keep up-to-date with our event calendar. Thatโ€™s the weekend forecast to date, though.

Tuesday 30th and Gently Tender play The Royal Oak in Marlborough, the regular Jazz Knights at Swindonโ€™s Royal Oak has the Kevin Figes Quartet, during the day thereโ€™s a Farmyard Circus at Queenโ€™s Park, and Russell Brand comes to the Wyvern.

Wednesday 31st, look out for the Wind in the Willows at the Corsham Almshouses, and phew, thatโ€™s me done, dusted and ready for a nap; have a great weekend!


Trending….

Deadlight Dance New Single & Video

New single from our gothic duo Deadlight Dance, taken from Marchโ€™s album Vox Populiโ€ฆ. Second tune on the album, a ballad to the poisonous evergreenโ€ฆ

Brian on FullTone Festival

Our regular historian and Visiting Research Fellow of The Regional History Centre, UWE Bristol, Brian Edwards takes some time to sketch the FullTone Orchestra aheadโ€ฆ

The Grand Return of CrownFest

The first week into July, and two local festivals of five ticked off! CrownFest went down a hit with those who attended this fantastic reputationโ€ฆ

An Update on our Postcard Criticism

Earlier today I published an opinion piece on the postcard sent by someone at Devizes Town Council to the Department for Culture, Media and Sport,โ€ฆ

Weekly Roundup of Events in Wiltshire: 17th-24th August 2022

Ah this is more like it, the English summer we know and love! Tad wet, but hereโ€™s what we have to do this week and the last weekend before the big summer blow-out which is the August Bank Holiday.….

Donโ€™t forget, more info and all links for bookings are on our event calendar, where you can also plan ahead, so long as it keeps updating, which Iโ€™m trying my best to, honest!

Thereโ€™s a floral demonstration at Devizes Town Hall on Wednesday 17th August, by the Devizes Flower Club; opens at 7pm, ยฃ5.

Parents head for the Wiltshire Music Centre, Bradford-on-Avon where thereโ€™s a messy art session and a singing day ahead.

Manchesterโ€™s noughties art rock band Everything Everything play the Cheese & Grain, Frome.


Thursday 18th, and again, kids can visit The Musical Zoo at the wonderful Wiltshire Music Centre, Bradford-on-Avon. Three bands at The Beehive, Swindon on Thursday, The Acoustic Buzz 52, Larkham & Hall and Jol Rose. Also, at The Vic the have Monasteries, Creak, Persadian & Chasing Dolls. The Summer Youth Project performance of Legally Blonde is at the Wyvern.


Onto Friday 19th, and itโ€™s the Wine Tasting event at St Maryโ€™s Devizes, previewed here.

If youโ€™re lucky you can still book a fantastic Survival Camp for any young adventurous children who are aged between 10 years old and 12 years old, with the Wild Edge Survival Camp at West Lavington.

Folk duo Fly Yeti Fly are at The Bear Inn, Bradford on Avon, The Beverley May Band at The Kings Arms, Melksham, Hayden Lloyd at Komedia, Bath. @59 play The Wellington in Marlborough.

In Swindon, Judas Rising plays the Vic, while Bobbi Nicholles is at Woodlands Edge.


Saturday 20th, itโ€™s my pick of the week; the Bath Comic & Gaming Festival at Bath Uni. Full of UK based comic artist guests, some film and tv guests and cosplay guests, a dinosaur zone, Stranger Things, Ghostbusters and Star Wars props, and lots of stuff for kids to empty fanboy dadโ€™s wallet! Lord, help me!

Roots and folk at the Southgate Devizes, with Barney Kelly, and the welcome return of Long Street Blues Club with Skinny Molly, I believe is a sell-out. Worth checking though, I might be wrong, as, I sometimes am; I said sometimes!

Dutty Moonshine Big Band play The Barge, HoneyStreet, Emily Barker is at The Pump in Trowbridge, and another successful Pipe & Slippers Rave at Trowbridge Town Hall goes off; I have to see this for myself; dust off the old whistle and white gloves! Oh, and if Sausage & Cider is more your thing, thereโ€™s a Day of it at The Brewery Inn, Seend Cleeve.

Shame Live at Lydiard had to cancel, but People Like Us play The Swiss Chalet, Swindon and Click! are at Woodlands Edge.


Sunday afternoon on the 21st August then, has another Fantasy Radio Lark in Hillworth Park, Devizes, though Iโ€™ve no idea whoโ€™s playing, because they never say. But Chaz Throughgood is at the Southgate.

Itโ€™s the August Jam for the exclusive Wiltshire Blues & Soul Club, in their hiding place at Lacock, while the fantastic Sarah C. Ryan Band play a lazy afternoon at Richard Jefferies Museum, Swindon, and Jim Blackmann plays Komedia, Bath.

And thatโ€™s your weekend over. On Tuesday 23rd Radio Banska play Jazz Knights at The Royal Oak, Swindon, and at this moment in time Iโ€™ve nought else in the week until Thursdayโ€™s opening of HoneyFest at the Barge on HoneyStreet.

But it will be bank holiday next weekend, and thereโ€™s much to be looking into and planning. Weโ€™ll be at The Full Tone Festival on the Green in Devizes, and that one, I promise you, will be awesome, but not the same without you, so get your ticket as soon as possible!

But yeah, same weekend you can find Reading Festival, GoatFest, Potterne Festival, Holt Scarecrow Trail, the Great Cheverall Soap Box Derby, Mini Talbot Fest at The Talbot, Calne, LodgeFest at The Lodge, Warminster, an M4 Classic Car & Bike Show in Chippenham, Chippenham River Festival, a live music festival at the Lamb Yard in Bradford-on-Avon, 21st Century ABBA at The Bowl, Town Gardens, Swindon as well as multitude of smaller gigs at just about every local pub and venue you can mention; and itโ€™s all here on our event calendar, just hope the rain gives it a break!


Trending…..

Mantonfest Magic Multiplies

Mantonfest, the longstanding gem on Marlborough’s event calendar, finalised for another fantastic year last night, with metal-driven mayhem, as the sounds of AC/DC ripped acrossโ€ฆ

George Wilding Feeding His Head

Featured Image: Helen Polarpix As if itโ€™s not hot enough, Aveburyโ€™s finest musical export George Wilding is bounding back with another new single, Feed Yourโ€ฆ

Chloe Hepburnโ€™s Lullaby

New single from Swindon soul diva Chloe Hepburn, under the rebranding CHLร–VER out last week, is worthy of your attention in my honest opinion. Forโ€ฆ

McDonalds Coming to Devizes?!

Okay, it was the April Fools joke I broke the Internet with in 2021, but it’s not the 1st of April todayโ€ฆ.. Bishop’s Cannings Parishโ€ฆ

Tickling Your Fancy with the Hard Rock Lifestyle

You ever have one of those almost comical “you want some, do yer?” type confrontations, whereby your drunk challenger is absolutely determined to fight you? No matter how passive your posture, regardless of complimentary reactions, they only retort the precise opposite, even if it jeopardises their own reputation; as in, “no, thanks for asking, but you look very tough,” and the reply thickens the plot, “no, I’m not!”

Or is it just me, with “one of those faces?!โ€ After seventeen years idle, Bradford-on-Avon rockers Peace return under a new guise called Tickle Your Fancy, to blast the musical “in your face” equivalent, and it absolutely kicks back, residing in retrospective hard rock rather than ear-bleeding all-out grunge or thrash…which better floats my boat, subtle hints of the take-no-prisoners punk attitude, et al.

For five three-minute heroes in this name-your-price download or cassette EP aptly titled “Hard Rock Lifestyle,” never settle, never meanders off up sentimental stairways, or drifts to Mordor, rather similar to an edgy ZZ Top, AC-DC at the top of their game, they don’t come up for air.

Just when I was pondering a possible method of introducing Led Zeppelin to my daughter today, by suggesting while those screamingly gritty vocals might be clichรฉ in contemporary metal, these guys were the originators, they set the bar, Tickle Your Fancy come at it so insatiably, it’s compulsory to toss annotations of platitude aside, like a groupie’s bra, and just rock out in its sublime portrayals of an after-party in the green room of a Kiss concert.

Akin to the irony of their past name, being doubtful if they were ever best described โ€œpeaceful,โ€ “Hard Rock Lifestyle,” rarely tackles serious issues “that fill our everyday lives,” as disingenuously claimed, other than suggesting partying through an apocalypse. Yeah, thereโ€™s a sample in the finale of a fictional cold war nuclear strike newsreel, which, like the fact itโ€™s released on cassette, only increases the idea weโ€™re living in a time of pre-soft metal yore; hard rockโ€™s finest hour, an era when long-haired men belted out songs about gorgeous ladies carefree of chauvinistic ripostes. I mean, said sample appears in an anthemic song called, Pull Down Your Pantz, for crying out loud; coupled with a cover of a chic businessman skateboarding to the office, it kind of says it all about the tongue-in-cheek nature of this crazy ride. ย ย ย 

Good old, untroubled rock n roll is whatโ€™s on offer here, adroitly captured. Predominately themed of fun-loving carnal appreciation, tracks like Hot Blondes and One Oโ€™clock Gun reek of ZZ Top’s Legs, and thus said party begins with an eponymous opening tune. Top marks for a release of energy I was unsure of which way would go in appeasing to my personal taste, but I’m locked into this direct-to-audio cassette release from Wiltshire’s Crest Studios, by Garlic Bill of The Raw Data Recording Company. You can’t escape it’s hold; it targets you and won’t give up until you attempt to swing a punch; Tickle Your Fancy will give it yer!


Proper Job; Devizes Beer & Cider Festival is Back!

If I said of the Full Tone Festival, last year, “and in the history of events in Devizes, the magnitude of what The Full-Tone Orchestra achieved yesterday will forever be imprinted,”  it was for two reasons; that it was, and also, aside their free gig in the Market Place, it was inaugural. Still, there’s a number of annual events well established in town, already historically imprinted.

One firm favourite, The Devizes Beer & Cider Festival returned post-lockdown, yesterday, for it’s 21st anniversary, a day which can be best described as monumental, if more expected to be than first timers, like FullTone.

I’ve been to a few drinks festivals, where you can choose from top to bottom, left or right, from the displayed kegs, work your way through the lot and return home a tad tipsy. Not so here, unless you’re Oliver Reed. There was just too many to choose from, and I’m only a cider drinker, beer drinkers would’ve needed Norris McWhirter on standby for a Guinness World Record.

You will need to join Devies branch of the beer trainspotters club CAMRA for some detailed analysis of indivdual brands on offer, I took the pin-in-a-map system and came out on top with such a variety of appley tipples I couldn’t begin to list, unless you have all day? Which you might have, being it’s Sunday, and if you attended, you’re probably not feeling motivated to cut the grass!

The main concentration here should, I believe, be focussed not in review of the contents of my souvenir glass, but in sincere thanks to the volunteers who had this huge beer hall running like clockwork.There must have been a pile of socks around the back, because they sure worked them off, and like robots with charisma programming as standard, they served proper job.

The most common verbal appraisals to Devizes Wharfside being transformed into a beer top-heavy festival, on the day, was, like Christmas day after the Grinch, ones of sheer delight that said monumental occasion has been returned to them after the triple year break.

But it’s far from Devizions just loitering, downing this vast selection and singing the event’s praises. Rather than hoist in hired food vans of varying quality, Devizes Rotary took care of the nosh, superbly. With standard barbecue favourites and king sized woks of meat or vegetable chilli, and the ice cream van was busy too.

Busy is an operative word for the event as a whole. Rapping with organiser Don Jones, I was informed attendance figures were very much governed on how much beer they had to sell. Yet by the end, the approximate 1,700 strong crowd prioritised drinking that colossal beer tent dry, and should you be new to town, welcome to Devizes!

It must take experienced organisers to estimate so precisely how much a crowd of this size will drink without too much waste or predicted riot if underestimated. I have trouble guessing how much pasta to plop into the pan when cooking for four!

Anyhoo, rain didn’t rear its ugly mug, and under shaded skies of tolerable temperature, surrounded by deck chair city, sat the main attraction aside the beer tent, ah, some musical entertainment; twist my arm why don’t you?! Atop transport company Garrbutts’ trailer the stage was set for a host of locally-sourced acts. Devizes CAMRA made a wise move to bring in local music aficionados, Ben and his partner Victoria to arrange the entertainment. Being their first time coordinating they knocked it out of the park, or at least, the wharf!

Devizes Town Band opened. I rolled up to Tom Harris and Claire’s rather sea shanty set, inspired by the neighbouring canal I gather, giving it Chicken on a Raft, and other joyful sing-a-longs, they never fail to please.

Followed quickly by Devizes favourite, unpretentious singer-songwriter Vince Bell, who’s intelligently crafted songs and guitar skills shines with every tune. Not content with showing his spellbinding aptitude with self-penned songs rich in emotion and often topically local, he covered David Gray’s Babylon, and proved talent is hereditary, when his, also all-singing (for Devizes Musical Theatre) partner, Lisa’s daughter, Evie, joined him for a homely enchanting tune, Lisa’s kitchen. The finale was the icing, his audience participation unofficial Devizes theme, which if you know, you know!

New to me, Warminster’s Dr Zebo’s Wheezy Club was up next, proving the timelessness of classic olde timey Americana. They were a highly skilled trio, guitarist, double-bass and fiddle authenticity breathed life in 1920s swing, tango, and a touch of bluegrass. Something different and welcomed, Tom Waits covers and revised banned rarities, shockingly more effective than it sounds.

With the only warning from “voice of Devizes,” compere Ian Diddams, we were next whisked away to Irish taverns with popular flute and guitar combo, The Celtic Roots Collective, who never fail to engage an audience with isometric Irish folk dance, and seem to me to improve tenfold with every day that passes.

Headlining was the rock classic covers band, Triple JD, from Chippenham, yet a welcomed and regular feature of Devizes’ Southgate’s never-ending musical rota. Cover bands aplenty and available for hire, but if you want something mindblowingly above average, Triple JD put the overtime in. Even dropped from four-piece to three on this occasion, sublime covers of Cream, Deep Purple et al, came thick, fast and acutely delivered with unsurpassed accuracy. But it’s the plethora of Hendrix classics which both dominate the set, and astound; any band who can do that without offending the legend is a cut far above the rest, and Triple JD really push the boundaries of what a cover band should produce.

And so came the end of a hugely successful and highly entertaining day here in Devizes, putting The Beer & Cider Festival firmly back on the event calendar, where it so obviously belongs. It’s affordable, enjoyable through variety, and it’s already historically bookmarked, yesterday served only to reaffirm it.

It’s not really a reggae crowd,”  Nick Newman professed to me, “so, we’re just going to play some Bob Marley and popular tunes.” But if the finale was the wildcard, it proved though a show of heavy dubplates might be niche, everybody loves reggae and it moves the crowd like nothing else.

Dancing broke out across the Wharf as Knati P and Nick Razah did their sound system ting. Knati toasting the crowd, a majority perhaps unaware of “rewind” Jamaican DJ methods, but nevertheless feeling the vibes of a set akin to a breif history of everything that’s great about reggae, from Marley to Millie Small, from Two-Tone to contemporary subgenres, like Groove Amarda. In this they showcased the diversity of a misunderstood genre around these backwaters; causing me to uncaringly spill my cider down my t-shirt in gyrating to the Wailers inaugural ska hit, Simmer Down!

And on that point, it surely clarifies my point about Ben and Victoria’s devotion to bring as larger quality and variety to the music program as the selection of beers and ciders, in what was the perfect denouement to a wonderful evening; in my honest opinion, naturally!


Hooch on Streaming

Once a cover band, east Wiltshire’s rootsy four-piece Hooch have moved to writing and recording original material. Their discography goes onto music streaming sites today (Sunday 3rd July,) and if you like your country-rock breezy and uplifting, with a subtle touch of psychedelia and surf, then it’s worthy of your attention…..

The instrumental Eagle Ray is particularly awash with this aforementioned surf-rock style, while all tracks have this sunny-side-of-the-street, retrospective feel about them. Slowburn, for instance, is good time mid-era-Beatles in nature and Voodoo Hair is outright groovy.

Well even if you don’t do the streaming platforms you can get a listen direct from their website.Ten tunes on offer here, enough for an album, guys? An album of ten jumpy, anthemic ballads like Sweet Maria would see us fine, this one in particular is a beguiling peach I could imagine fans chanting back at them after only a few listens.

Live is a bigger part to Hooch, I’m certain you’ll make a beeline for a gig upon hearing these well crafted tunes, they’re at the Seven Stars in Bottlesford Saturday July 16th, tickets are a purple one, I believe this includes a barbecue thrown into the bargin, and a summer mini-fest at the Horseshoe Inn, Mildenhall July 23rd.

Expect “unusual” covers choices, they say, but I’d argue the cited Depeche Mode, Space and The Coral are apt, this upbeat melodic blend from Martyn Appleford, Nesh Thompson, Simon Dryland and Matt Ryan reflects this, with a dash more roots than perhaps, new wave mod, but with a move to electrification enhacing their acoustic roots, they weave perfect pop simplicity into their lyrics, and that’s where it is to pinning an imitatble, memorable style.

If the name derives from the late 19th century abbreviation ofย Hoochinoo, a North American tribe in Alaska renowned for brewing booze, this is certainly fun time drinking music, but the sound is far more matured than its commonly associated brand of alcopop. Ha, whatever happened to that, do they still sell it? It certainly took the brunt of the blame for underage drinking in the nineties, as if they invented the concept and no kid ever tried alcohol before their ingenious bottle of wobbly lemonade came onto the market!

Sickly sweet though, wasn’t it? Precursor to the Bacardi Breezer and Smirnoff Ice, but try the tune Aluna for size, and you’ll see, though there’s elements of the Kinks at their most comical, or subtle Bonzo Dog Doo-Dah Band at times, it’s a choice for grownups, with no immature persuasion; I love it, and hope they’re encouraged to perform their own tunes live, rather than an all-covers set; the difference between buying spirits and mixing it to your own taste or letting mainstream brewers decide on your sugar levels!


REVIEW โ€“ Devizes Arts Festival โ€“The Homing @ Conservative Club 17th June 2022

A Game of Two Halves

Andy Fawthrop

Another day, another Arts Festival presentation. Following classical, rock, comedy, it was time for something completely different โ€“ this time it was alt-country/ folk/ Americana from London-based The Homing, and yet another different D-Town venue. We were up at the Con Club in Long Street, normally home to the very successful Long Street Blues Club. The place was pretty full and, due to the lack of any air-conditioning, a very hot place to be.

The Homing are: Dani Somerside (vocals, percussion), June Brawner (vocals, keyboards, guitar, mandolin), with Abraham Kane (acoustic and electric guitars), Rob Navrati (drums, vocals) and
Arnold Carrete (bass).

This concert, for me at least, was a game of two halves. In the first half the band struggled to reach its stride and to generate much enthusiasm, either on stage or in the audience. The songs were pleasant enough and competently performed, but the vibe was steady and plodding, rather than exciting. Slow and medium tempo numbers ran into one another, and it was a relief to get to half time.

After the break things were different. I donโ€™t know if there was a hairdryer moment in the dressing room, or whether this is just how their shows usually run. But suddenly there was a flash of that missing spark. They lifted the tempo a few notches and, hey presto, the dance-floor quickly filled up. There were still the odd mis-steps in the set-list as the band, inexplicably, twice cleared a busy dance-floor by doing a long rambling intro, followed by another slow one. However, they kept rescuing it, and we just about reached the finishing-line with a guarded thumbs up.

Not the best gig Iโ€™ve been to, to be honest, but you canโ€™t like everything. A better-ordered set-list, a couple more upbeat numbers, and slightly less chat might have lifted this performance to โ€œgoodโ€. It was an enjoyable night out (just), but I was left feeling that it could have been rather better than it actually was. Oh, and I wouldnโ€™t have called this Americana or alt-country either โ€“ more like soft/ folk-rock. Not massively important in the grand scheme of things, but we do worry about our labels donโ€™t we?

The Devizes Arts Festival continues every day until 25th June at various venues across town. Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk


Just the Beginning, Start The Sirens

If itโ€™s the beginning, itโ€™s a loud one; kicking punk album release from Start the Sirens out last week has got me potentially stage-diving off the top of wardrobe.…..

A collaboration of members from Trowbridge, Devizes, Westbury and Wotton Bassett, Start The Sirens formed in 2019, hit the pandemic with an acoustic EP, which bassist Leyton Jones, aka Rocky explains was an experimental project to โ€œfind our own style, and achieve that upbeat sound.โ€ Just the Beginning is the kicking debut, and a testament to accomplishment; they rock it with bells on.

If Forget What You Heard sets the mood, kick-ass skater punk which takes no prisoners, the second track Sunset to Sunrise breathes an air of carefree ingenuity akin to millennial pop-punk. Three tunes in though, Tell Me hints of traditional punk, well, at me it does! Lead vocalist Holly Harwood in Siouxsie Sioux fashion, especially with the โ€œWhoa Whoaโ€ chorus. Itโ€™s beguiling stuff hard to pinpoint but with a wave insensible to pigeonholing; just shut it and rock out.

Keen though I am to shelf this with punk roots, for it has that DIY ethos, Rocky was adamant to cite pop-punk and emo bands like New Found Glory and Blink 182 as obvious influences, and Iโ€™m forced to shed my aged perceptions and agree, itโ€™s high-energy vibes and doesnโ€™t come up for air, but cast in positive light rather than the dejected attitude of original punk. Positivity was key, Rocky established with me.

Design by Nikki Noodle

We spoke of tricky placements in local circuit pub gigs, though the band rocked Trowbridgeโ€™s Stallards last weekend, play the Old Bear Staverton tonight (2nd June) at 8pm, and support USAโ€™s Hit Like A Girl with Brighton-based I Feel Fine, for a Sheer Music gig at The Village Pump on Friday 17th June. Rocky spelled out their motivation was a labour of love, and based on this showcase album, they should be placed firmly on a touring map of UK punk venues. Though I think Swindonโ€™s Vic should snap them up, Bradfordโ€™s Three Horseshoes and Devizes Southgate would love it too.

Seven original three-to-four-minute heroes here, the penultimate This Oneโ€™s For You perhaps the most enticingly commercially viable, and it finishes with one final name-sake anthem blast; Iโ€™m looking forward to catching these guys live. What? No, Iโ€™m convinced I still got it, mate! Iโ€™ve told you my story of Dadโ€™s taxi to a Bowling for Soup gig at Bristolโ€™s O2 before, havenโ€™t I? I was like leaning on the railings of the upper area when I perchance to spot another glum looking expression on a guy of similar age. Seems like he was also chaperone to his kids, and we did the dad nod. Then I thought fuck it, Iโ€™m here, allowed to enjoy myself too and tried to drag that son to the mosh pit!

I may be outdated for the skater punk detonation, but itโ€™s high energy, full of zest and aspiration, thatโ€™s my take, and something Start the Sirens has captured here; have a listen, get ’em in your local….  


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Using Fulltone as a Proper Noun

To most, โ€œfullโ€ and โ€œtoneโ€ are two separate words, but around here it’s been a portmanteau and a proper noun since 2019, conveying a uniqueโ€ฆ

Looking Back At Devizes Arts Festival 2026

Featured Image: Gail Foster. Features extracts from reviews by Andy Fawthrop, Ian Diddams and Madelaine Blake. Does it ever stop?! The weekend is upon usโ€ฆ

Cobalt Fireโ€™s Butterfly

In the words of the great Suggs, โ€œbut I like to stay in, and watch TV, on my own, every now and then,โ€ after three gigs on the previous weekend, I opted a weekend off, albeit I was with the family, and succumbed to Britainโ€™s Got Talent for my entertainment, one little part of me wishing Iโ€™d headed down the Southgate.….

To rub salt in the wound, Swindon-(I think)-based Cobalt Fire, who were providing the sounds at Devizes most dependable pub for original music last Saturday, also released a debut album called Butterfly, so naturally I wanted to hear what I missed.

Self-defined as a fusion of โ€œthe retro sound of 90โ€™s grunge and post-punk with a modern take on folk,โ€ I can see where theyโ€™re coming from, and itโ€™s no new thing for them, formerly known as Ells and the Southern Wild, the band developed their fresh sound from acoustic roots, and yes, thereโ€™s tinges of this still in them. Though their bio suggests they formed in 2103, I gather thereโ€™s either a typo or a gothic timelord in there! But in their switch to electric they strive to retain the core features of the songs, โ€œcreating a more muscular beast in the process,โ€ they put it.

And theyโ€™ve certainly achieved this, Butterfly, usually more bug than beast, is a boom of emotional overdrive, as grunge commands, with echoes more of Evanescence than Nirvana, what with Ells Chaddโ€™s haunting vocal range. It packs punches from beginning to end, the finale of which, Another Round, particularly poignant to this nod to acoustic roots, middle tracks like His Words Lie Heavy breath an air of eighties post-punk, ah, goth tinge, Siouxsie Sioux style, while it begins strictly grunge, with those rising and falling echoes of emotive authority.

The magnum opus, though, is three tracks in, Crimson Red summarises everything great about this potent four-piece, itโ€™s dynamitic, driving.

It’s basically ten professionally executed, blindingly touching three-minute heroes, in a fashion not usually my cuppa. But if I sing praises for a genre more me, thatโ€™s easy work, for music to make me consider oh yeah, I like this though pigeonholing obligation says I shouldnโ€™t, the result is even more impressive, and with Butterfly Iโ€™m near to breaking out some multi-belt buckle platform boots, growing my hair and dying it black!

This is a powerful and emotive creation, indulgent of all rock subgenres, yet beguiling grunge, and it never strays from its unique sound. See now, Iโ€™m sorry I missed you guys, another time and Iโ€™m beeline; embarrassingly for BGT too, though Iโ€™ve given my best cat ate my homework excuse, and though I doubt youโ€™ll turn Simon Cowellโ€™s frown upside-down, going on this album, youโ€™d have got my golden buzzer.

Ah, it’s all lies, anyway; not sure my hair will grow back!


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Milton Jones; Deadpan in Devizes

Mock the Weekโ€™s recurring panellist and Radio 4 comedian Milton Jones stood on the stage of Devizes Corn Exchange on Friday, with the setter, โ€œitโ€™sโ€ฆ

Letโ€™s Go Swimming with Poppy Rose

Two years ago we fondly reviewed Iโ€™m Ready Now, a debut EP from Bathโ€™s Poppy Rose. I praised her unique take, her thoughtful prose andโ€ฆ

Worried Men at the Southgate

Glad to find time between running Dad’s taxi to nip over to Devizes’ trusty Southgate, for one reason unworthy of explaing here or another, feels like an age since frequenting our favouritemost tavern, and I’m all smiles to return.

Historically efficient, nonetheless, I’m here to find out what the men are worried about; possibly an ironic namesake for Jamie Thyer’s tradtional electric RnB three-piece, a pub trio very worthy of your attention, should you not have come across them on their 28 years on the circuit.

Sure, I’ve seen The Worried Men’s name about a bit of recent, last time listed at Trowbridge’s Pump with our Tamsin in support. Maybe there’s the reason for my assumption it’d have a folk twinge, but you know what they say about assumption.

Marvellously proficient, in a manner vien of classic sixties and seventies rock bands derived via blues rather than folk, The Worried Men seemed not in the least bit worried to me. Rather brewing in deserved confidence, Jamie’s wealth of experience shows as his fingers glide across those strings, governed, it seemed, from the gods. At one point this guitar virtuoso accepts a mug of tea, drinks it mid-song while continuing to make it look like childsplay.

Treated to the perfect balance of originals and self-stamped covers, they weaved between electric blues and psychedelia rock n roll with a clear nod to its roots. So to blend any subgenre fitted sublimely into a firey set, whether Deep Purple’s Smoke on the Water riff, frenzied hints of punk rock, mellowed Flyod-eske moments or reaching further back to rock n roll’s golden era, every experiment in rock history was crafted into their unique style, without the need to metalise. Though Motorhead did get a moment in their repertoire.

What came out the other side was a loud and proud plethora of excellence of which you could only nod your appreciation to, confident you were in the hands of some really experienced long-haired rockers with Cuban heels.

Jamie holds an expression of concentration, occasionally looking up at you through these spellbinding Hendrix fashioned exercursions, as if to ask “is that alright for you?” Like a dentist with his tools stuck in your gum, you feel like responding, “yes, fine, thank you doctor.”

I guess therein lies the beauty of the rather cramped Devizes answer to the 02 arena, virtually perched atop of a band you’d usually witness from a stage distance, makes it an intimate experience, personal. While this may not suit all, The Southgate does it their own way, and they continue to host free gigs you’d happy pay a ticket stub for.

For this, and the clash of similar as The Long Street Blues Club knocking out, I’d suspect, a blinder at the Corn Exchange, last night down the Gate wasn’t as full as it could’ve possibly been for an act so warrent of the highest praise possible. Again, the strive in The Gate to present us with great live music every weekend needs nourishing and respecting, with other local boozers only doing this sporadically, it’s the only dependant offering of entertainment in town, unless of course you keep up with what’s happening via this rather special website, if I do say so myself!

So, if you were in that exclusive club last night, I wager you were as bowlled over by The Worried Men as was I. From moments of intricate guitar picking with amps low, to the frenzied finale where Chuck Berry’s “Bye Bye Johnny,” fused into medley with Muddy Waters’ “Little Red Rooster” with emphasis on the Stones cover, and The Kingsmen’s “Louie Louie,” with an audience participation encouraged encore of Them’s “Gloria,” this surely was an astounding performance to satisfy the craving of rock aficionados from any given generation.

Onwards, next Saturday’s offering at The Southgate also takes on a blues edge, slightly east of us, local blues group Barrelhouse take up the legendary alcove, and take it from me, if you like your entertainment as gritty and vintage as the great Howlin’ Wolf, you’re in for a treat.


The Dark Horizon of Sam Bishop

Oh, for the rolling years since Devizes Sixth Form-Hardenhuish collaborated boy band 98 Reasons, time cannot stand still, we know this, we still see the bassist of which, Finely, on the local circuit with cousin Harvey as the Truzzy Boys, and as frontman of astounding mod-rock covers band The Roughcut Rebels. And occasionally we hear from his partner in the duo spin-off Larkin, Sam Bishop, itโ€™s good to hear from him again with an awesome new EP, Dark Horizons; out now……

While still studying music over in Winchester, his unique brand of pop, while momentously contemporary, didnโ€™t agree with me personally one occasion, a couple of years ago, and he took it on the chin; I have to be honest. If something definably โ€œpopโ€ doesnโ€™t agree with my grumpy aging expectations it doesnโ€™t make it bad, just means Iโ€™m too old! He rebuked any past criticism with a sublime last EP homing more auditory on my cabbaged ears, but hereโ€™s a young singer and musician who just keeps getting better.

Honestly, cast off any doubts, Dark Horizons is another massive progression, enriched with euphoric soundscapes, some often dark in subject, as the EP title suggests, yet all uplifting. It plods open with digital notes, Same Stars, and Iโ€™m nodding approval; love it. Thereโ€™s contemporary pop on offer here, bleached with William Orbit or Moby style soundscapes.

Yet the second track, Playing in Shadows transcends the previous for retrospective influences, think eighties electronica, especially on the intro, virtually Kraftwerk! Yet again, nothing is passรฉ no matter how far the basslines and synth-pop arch back for recollections, as the vocals roll with repetitive elegance, stirringly upbeat and ultramodern, Years And Years fashion.

Clearly thereโ€™s vast experiments washing like waves onto the beachy mind of Sam Bishop, yet by the third tune out of four, Stay Close, we hear the accustomed acoustic croon of Sam, a floating love-song which builds with a subtle aforementioned ambience, but essentially retains the guitar riff over chanting backing vocals. Itโ€™s the standout track you mightโ€™ve been suspecting when you clicked on the link, if aware of Samโ€™s past work, but herein lies the point; the EP in general a massive advance forward, looking headlong rather than rearward.

To confirm this progression, here’s Sam a few years ago with a drumstick up his nose, of which he’ll kill me for posting!

The finale, Backroads has a piano riff, building into current pop with elegance, like a lot of Samโ€™s themes it relies on lifeโ€™s directional decisions, yet it delves deeper into trialling and investigation both musically and lyrically, which intertwine in such a way Iโ€™ve not felt so connected to Samโ€™s solo work than this wonderful EP previously. And before you suggest, thatโ€™s cos you is, like, getting old, brah, Iโ€™ll have you know I get my teenage daughter DJ on car journeys, so I may not have the gen Z patois of a roadman but I know my Cardi B from my Ariana Grande, and this is as a blend akin to what The Weeknd and The Kid Laroi are putting out; sick, apparently!

ALBUM LINK HERE


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Manning Lifeboats, In Devizes!

Manning the lifeboats with Devizes Arts Festival in landlocked Devizes last night, and I didnโ€™t even get a sticker. I did shake a tailfeather outโ€ฆ

Devizes; Full of Scummy Mummies!

Guys out on โ€œthe pullโ€ on Thursday in Devizes were cut short. The Scummy Mummies were back in town, and youโ€™ve never heard so manyโ€ฆ

On The Road With Talk in Code!

You know that millennial movie, Almost Famous, set mid-seventies, where Rolling Stone Magazine mistake a nerdy teenager for a music journalist and send him on the road with an outrageous prog-rock band? It was nothing like that. Neither did it resemble 200 Motels, where a man dressed as a vacuum cleaner convinces you Ringo Starr is actually Frank Zappa in some freaky acid flashback. But I did have an awesome adventure yesterday, on the road with local premier indie-pop favs, Talk in Code.…..

There were no campervans with CND slogans painted on the side-door, no sign of Goldie Hawnโ€™s daughter unfortunately, and though my bubbles of anachronistic pre-imaginings burst, it allowed me to chart the regular labour of a touring band, rather than my usual practise of slouching up halfway through a performance with lame excuse. For if Iโ€™m going to write on the subject, I need to comprehend the inner workings, and the thoughts of a band going to a gig; even though Iโ€™m far from teenage music journalist with an advance from Rolling Stone!

So, by dinnertime Iโ€™m lone with guitarist Alastair Sneddon at the steering wheel, hereafter referred to as โ€œSnedds,โ€ with an amp case knocking in the rear of his car, and distracted by my inane waffling, weaving between musical subjects, badly following his sat-nav to Portsmouth.

Likely the eldest of this four-piece band, Snedds is a family man with a wealth of musical experience. He fondly recalls playing in cover bands, jazz and blues groups and our chat swifts across his past, musical influence brushing off on his children, current past gigs and local venues, to the importance, or insignificance of pop culture, the mainstream music industry and current trends of listening to music from streaming platforms to amplification to listening through phone speakers; we couldโ€™ve chatted all night on his passionate chosen subject, least it perceived to reduce the travel time. ย 

Before I knew it, we were awkwardly parked on a busy street in Southsea. Awash with cheesy club type pubs, restaurants, kebab houses and chippies, lies an equally misplaced theatre to our right, and a more traditional looking city tavern, The Lord John Russell, which will be our venue for the evening. Like a true roadie I felt a sense of haughtiness as I assisted lugging equipment through the already bustling pub; make way, yes, Iโ€™m with the band, ladies control yourselves!

But nothing felt ostentatious for the band as they amassed their kit in a corner, greeted each other and the promoter; hereโ€™s a tight working team despite the geographic distance between them. Talk in Code are part from Swindon, Reading and Devizes, but here they are with an excited air of anticipation brewing. Thereโ€™s a trio of bands on tonight, Talk in Code are second on, while the first are already sound checking, locally based to Portsmouth, Southerlies are a seven-piece covers band, fusing Americana with punchy hooks into contemporary pop; they proficiently delivered their set with good male-female vocal harmonies, and being local I observe they attracted a fanbase.

Quite eclectic then, to switch to Talk in Codeโ€™s more electronica indie-pop, which as I discussed in the car with Snedds, perpetually seemed to fuse conventional nineties indie sound to a more inimitable eighties synth-pop style with every new tune. Yet tricker still was the notion the Talkers insist to play only their originals, which would be unknown to this rather heterogenous crowd. Besides, frontman Chris gets his fill of covers with the Britpop Boys.

Seems Friday live music nights are relatively new-fangled for the Lord John Russell, with a promoter keen to create the venture, the pub also adhered to cater for the pull on itโ€™s street with screens showing sport and archetypical club music between acts. As much as market town pubs like Devizesโ€™ Southgate work here, with a penchant for original live music and solely that, it wouldnโ€™t work in this busy city location judging by the footfall. But a splendid, convivial and dynamic pub it was with a wide demographic.

One thing I was keen to gage from Talk in Code, the priorities and feelings towards playing a gig outside their usual stomping ground as opposed to returning to a venue like Swindonโ€™s Victoria where a fanbase would be welcoming. They stressed the importance of both, and being their recent connection to Regent Street Records, thereโ€™s a keenness in the band to grab wider-appeal in anticipation of the forthcoming album. The release of which has been pushed back to accommodate this collaboration.

Still, all the band are united in praising recent local gigs, particularly Trowbridge Town Hall where they supported The Worried Men, and were keen to pick out the importance of the many locally-based festivals theyโ€™re booked at, from Minety to Live at Lydiard and IWild in Gloucestershire. And with appearances at places like Oxfordโ€™s HMV, things are really looking up for them post-lockdown.

And itโ€™s easy to see why when they bounced on stage last night at the Lord John Russell, after their virtually nail-biting eagerness while the Southerlies launched into their final song, Chris already polishing his guitar and Snedds confessing the waiting game is a pet hate. A technical issue with leads to the backing tracks solved, the band applauded the previous and proficiently executed their thing, introducing themselves and delivering their songs with panache.

For me it was a blessing, being Iโ€™m aware of much of their discography, to finally get to witness them do it live, and had to stop to ponder their stage presence is as exhilarating as their recorded work. Yet, my view of the performance differed from the crowd as the band were likely new to them. Still, they got the place jumping, sprightlier, and louder than the previous band. They confessed a spirit of fair competition was unavoidable in them, yet affirmed their ethos to never do their set and bunk, in respect for other bands; Talk in Code come off as outgoing throughout and it was an honour to be welcomed into their web.

Also present, I spent time chatting connections, her background as music journalist and her fanzine making past, with manager Lyndsey. From Milton Keynes she avidly followed the group in their early years, falling in love with their sound it seemed only natural to mutually agree for her to manage. And part-time freelance photographer Helen, whose PolarPix Facebook page is dominated with Talk in Code shots. I put it to her she seems to have another band photographed then a Talk in Code one, then another Talk in Code one, then another random band. She acknowledged most of the other bands were on the same bill as TIC! A true โ€œTalker,โ€ as is their fanbase appellation.

Percival Elliott

A pleasant change from trudging the local circuit, as the finale was a euphoric rock band named Percival Elliott, who, with barefoot frontman on keys, executed a sublime set, the like youโ€™d want Coldplay to achieve. In many ways here was a band apt for our own fond venues such as aforementioned Southgate and Trowbridge Town Hall. Without boast, coming highly recommended by yours truly occasionally has some clout, though there was part of me who, if in control of this triple-bill, wouldโ€™ve put Talk in Code as the final band, being more upbeat popish.

We give no more review of The Lord John Russell for the sake of it being outside our boundaries, but if youโ€™re Pompy bound this would be an ideal pub to consider, offering a variety of free live music dates on Fridays. Now Iโ€™m home, unpacked my Peppa Pig bucket and spade, but while I unfortunately didnโ€™t see the seaside, or Kate Hudson, I was in good company with a band which goes from strength-to-strength. ย 


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Pride Where Pride is Needed

Pride month finds me wondering if Pride events are actually needed more in our smaller market towns where awareness and acceptance is perhaps lesser thanโ€ฆ

After Ruby, Barrelhouse and RowdeFest 26

Images by Jess Worrow A busy late spring weekend across the county, with major events from Bradford-on-Avon to Swindon, but I’m bringing quality acts Iโ€ฆ

Devizes Gives Wiltshire Blues & Soul Club a Warm Welcome

Since their formation last June, Wiltshire Blues & Soul Club have held jamming sessions at the rather splendid Owl Lodge, tucked away on Bowden Hill, near Lacock. Video teasers on the book of face attracted my eye; membership-schemed freestyle blues within a cosy log cabin setting, firepit et al. But if this rural blues society has been stealthy, it was high time for them to blow the lid on the secret.….

And they pulled it off with bells on, staging a multiple act show at The Corn Exchange, in the bright city lights of Devizes(!); a market town historically marked on the blues map of England.

If the event came off with niggling teething troubles, organisers admitted hosting a show on this scale was a learning curve for them. Yet the exceptional high standard of acts booked guaranteed it infallible to be anything less than the awesome night it was.

Failsafe came in the form of the part rockabilly part big band-edged blues frenzy of headliners, Ruzz Guitar Blues Revue, with that guitar virtuoso frontman you could worry will dehydrate up there for want of extending feverish moments from traditional three-minute hero into Pink Floyd record lengths.

Our homegrown legend, Innes Sibun, who glides electric guitar strings as if the lovechild of Page and Hendrix, in sporadically performing, internationally famed collaboration Innes Sibun Blues Explosion. If this was any kind of detonation as the band name suggests, it was a seriously smooth one. Frontman Patrick Hibbert eased sublimely delivered soulful vocals, while Innes did his matchless thing.

Bristol-based one-man-band and regular favourite at Devizesโ€™ Southgate, Eddie Martin, who perfectly filled gaps between bands with sublime solo renditions of long-lost blues legends, encouraging audience participation, with nuggets of a blues history lesson and witty repartee.

And part co-ordinator of the Wiltshire Blues & Soul Club, Will Blake, who with full band straddled a burgundy grand piano akin to Jerry-Lee Lewis, when I walked into the joint, and delivered some outstanding soul and rock n roll classics with a few originals thrown in. Alluring singer Rosa Gray occasionally complimented this line-up with sassy vocals, perhaps most memorable duetting with Will on Marvin Gaye & Tammi Terrellโ€™s Ainโ€™t No Mountain High Enough.

If, in comparison to the later acts, one debates the repertoire of The Will Blake Band to be wedding requests, it would surely be the one wedding youโ€™ll remember for the rest of your life. Besides, platitude covers added a dimension and awoke the majority elder audience with familiarity; it was a booming flinch creating a buzz of anticipation; this was to be grand night of quality entertainment.

If similar shows fill gaps between bands with recorded sound or second-rate comedians, drafting in the great Eddie Martin proved the club never skipped on quality, even for intervals. A prolific recording artist whose devotion to the old-timey blues of legends like Robert Johnson, Son House and Blind Willie Johnson, Edโ€™s spellbinding solo tribute is unparalleled, and just as all other acts here tonight, wouldโ€™ve made an unforgettable show alone.

In this, one prevention of selling out that vast hall could arguably be the score ticket-stub, but to deliver a lush line-up this rammed costs. Nevertheless, it was adequately filled to begin with, a mature majority able to justify and swallow the cost lessened off gradually as the evening drew late. This left the hall disappointingly bare by the time Ruzz Guitar belted on stage, but those who remained made the most of it and dancing upfront lambasted the decision to provide show styled seating. If Iโ€™m nit-picking criticisms theyโ€™re justified as future considerations, because cost is insignificant when the proficiency of all these acts, combined, was priceless, seating arrangements are hugely debatable, considering the age demographic, and others, well, Iโ€™m certain there was no more. This was a great evening, presenting Wiltshire Blues & Soul Club with potential new members, as jams are planned to kick off again in April; will keep you posted.

Long Street Blues Club proprietors Ian and Liz in attendance proved no rivalry, I conversed with Exchange club owner Ian James, who reminisced on blues gigs of yore, based in town; something I never tire of hearing. These, combined with the likes of Innes and Jon Amor affirms Devizesโ€™ place of the blues map of England, surely? So, there was no local location more apt for this kind of event, and a massive respect to the Wiltshire Blues & Soul Club for taking on the challenge of appeasing local blues aficionados, proud of Devizes, akin to what Coventry means to Two-Tone or Bristol to UK hip hop, least near as dammit for a small town!

I personally think you guys pulled the rabbit from the hat.

It was something I was pondering beforehand, now confirmed my need to relabel after Innes Sibun Blues Explosionโ€™s textbook performance last night, that my terminology โ€œlocal musicโ€ I often overuse. Itโ€™s inapt to refer to the likes of Innes and Jon Amor as local musicians, despite being born here, with the same marker as those rarely venturing outside our local circuit. Last time I was standing beside Innes and Jon, I earwigged their recollections of tours of eastern European countries; these guys are internationally renowned, The Innes Sibun Blues Explosion have been somewhat dormant for over thirty years, likely due to their individual location being so far apart, and this was a reunion gig for them. But where does one draw the line? With folk trio The Lost Tradesโ€™ recent success, they too straddle this borderline now.

Four of the Five original members, Innes Sibun, John Baggot, Patrick Hibbert and also drummer for Ruzz, Mike Hoddinott, reformed for this gig, performing songs from their 1991 album That’s What The Blues Can Do. Coupled with Ruzz, officially endorsed by Gretsch Guitars, who knocked my personal favourite Sweet as Honey out of the park as a grand finale, encored by Will Blake joining them adlibbing on piano, made this evening a notable notch on the history of blues events in town, and a delight to have attended such a memorable occasion.

Where the Wiltshire Blues & Soul Club go from here is anyoneโ€™s guess, but we look forward to prospect they might least match this again rather top it, or even hope it breathes interest into their more humbling jamming sessions at the Owl Lodge. Top marks all round I say; anyone got an ibuprofen?!


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Chatting with Ruby Darbyshire

There’s the story of one newfound fan who, after her performance, asked Ruby how many copies of her CDs she had, bought the lot andโ€ฆ

Shindig Festival Goes Ahead, with Bob Vylan

After months of speculation, controversy, and local media bias, The Shindig Festival at Malmesbury’s Charton Park has been given the green lightโ€ฆ.. Despite Newsquest floggingโ€ฆ

Wife Cooks Husband in Devizes!

A wife cooked her husband on Thursday evening in Devizes. I watched the whole thing unfold, but would have politely passed off any offering ofโ€ฆ

New Devizes Mayor; Congratulations, Vanessa!

Three short years ago, we first spoke with Vanessa Tanner, campaigning in the Devizes Town Council by-election for Devizes East. In those few minutes, Iโ€ฆ

Should Wiltshire Council Fly the Pride Flag?

Wiltshire Council will discuss granting itself permission to fly the Pride Progress flag outside County Hall and other Wiltshire Council offices during Pride Month. Theโ€ฆ

Marching On, Things to do Next Month, Part 1……

I bloominโ€™ love March, usually, but as we show this month the door, and with such a mild winter, do not get over excited; while temperatures improve slightly, except it’ll be a wet one. A day of snow predicted Thursday, March kicks in better, but worsens by the second week, with a forecast 15-22 days of perpetual rain, hopefully clearing at the end, from Thursday 24th.

To add a degree of optimism to all this, thereโ€™s a truckload of things to do over the first month of so-called spring, thereโ€™s hope we can see less events being cancelled and life in the great outdoors taking steps towards the positive. Still, I advise to check ahead before venturing out, via the links provided; our ever-updating event calendar doesnโ€™t update that quickly to include cancelations, and I canโ€™t be held responsible for such cancelations or failure of organisers to refund tickets. Also, itโ€™s a minefield adding links to these events, so find them all on the calendar, ta muchly.

And do not take this as comprehensive, the calendar is being updated all the time, this is just some advance highlights and all things Iโ€™d do, if I had cloning technologyโ€ฆโ€ฆ

Given all Iโ€™ve said about the weather, it doesnโ€™t seem too bad for Bathโ€™s Big Sleepout on Friday 4th in Alice Park; hats off to Julian House and all doing it, raising vital funds and awareness for people forced to sleep-out every night.

Prior, live rock, electronica and folk from novelist, playwright and stand-up comedian Grant Sharkey, with ecologist Thomas Haynes and Bristol the Badger, aka Grasslands, on Wednesday 2nd, at that little coffee shop Baristocats, on Commercial Road Swindon. While Thursday sees one half of Show of Hands, Steve Knightly, at Trowbridgeโ€™s Pump, and the other, Phil Beer kicking off his So Much to Choose From tour at Corshamโ€™s Pound Arts. Meanwhile, it’s a three-way guitar showdown at Chapel Arts in Bath with Daryl Kellie, Will McNicol and David Mead, and the Apricity Theatre group bring a Greenhouse of emerging artists out of lockdown to the Rondo Theatre.

WEEK 1

Friday 4th

To week one, then; starting Friday 4th, for parents and babies, Pound Arts has Swings & Roundabouts by the Filskit Theatre, who are inviting the bum wipers, bedtime boppers and owners of tiny humans, to join actor, musician, and mummy, Sophie Ross, for a brand-new comedy musical. A nappy change in the evening though, with dark, gut-wrenching adult stand-up from Bobby Mair, on his Cockroach tour.

The Exchange, Devizes pushes up the Tempo with a drum n bass night, while for a more hip-hop/reggae related evening, try DJ Nicewun & Mac Lloyd at The Village Pump. For something lighter, Alan Titchmarsh is at the Theatre Royal, Bath!

If you are in Bath, though, and into folk, try internationally renowned Faustus at Chapel Arts, who also come to Marlborough folk Roots the next week, Friday11th, or The Rondo, where Cindy Stratton and Marius Frank, ZBella, menโ€™s choir Sasspafellas and upcoming singer/songwriter Ellie Frank headline an evening of entertainment raising money for the refugee charity UNHCR.

Closer to home, our good friends Bran and Mirko, as The Celtic Roots Collective bring some Irish roots to Seend Community Centre, from 7pm, which is free or donations. Also look out for one-man mechanical alt-blues band, Funke and the Two-Tone Baby at the Winchester Gate, Salisbury, a tribute to Nightwash, Knightwish, at the Vic, Swindon, or Coyote Kings at the Village Inn. Oh, and the Fillers play the Cheese & Grain, Frome.

Saturday 5th

Saturday, and the Wharf Theatre, Devizes has the award-winning theatre company White Cobra, presenting Bette & Joan, i.e., Bette Davis and Joan Crawford, in danger of becoming has-beens but get an opportunity to appear together in a new film, if the arch-rivals donโ€™t clash.

Swindonโ€™s original band with bluesy intent, Thud come to The Southgate, while the Bearโ€™s Cellar Bar reopens with free entry to a 70s-80s Disco with DJ Andy Saunders.

Itโ€™s happy third birthday to Melkshamโ€™s The Hiding Place, and The Carpenters Experience, which speaks for itself, at the Assembly Hall.

Trowbridge Town Hall get post-punk DIY vibes with a triple billing of Slagheap, Slug Puppie and Carsick, while Chippenhamโ€™s Neeld have Amen Cornerโ€™s Andy Fairweather Low & the Low Riders, and The Cuban Brothers take The Cheese & Grain, but when in Frome, local punkers One Chord Wonders play the Sun. In complete contrast, Pound Arts has critical acclaimed folk and Americana, with Ida Wenรธe & Samantha Whates.

Back to the arts, Rondo Theatre, Bath have Charlotte Palmer in an hilarious and moving one woman show, sometimes angry exploration of women over 50, who find themselves overlooked, ignored, disregarded, in short becoming The Invisible Woman, and Theatre Royalโ€™s Egg have The Dark, Peut-Etrรช Theatre which merges vibrant physicality with live music to create captivating and energetic performances for the whole family. It is even accessible for blind and visually impaired children through integrated audio description and touch tours.

Sunday 6th

Jon Amorโ€™s first Sunday of the month residency at the Southgate, Devizes is the place to be, promising guest Jonny Henderson. But allow me to also recommend Bathโ€™s Yiddish folk collective, Chai For All, who celebrate International Womenโ€™s Day at the Grapes.

Week 2

The Theatre Royal, Bath starts Willy Russelโ€™s musical Blood Brothers on Tuesday 8th and running until Saturday, while the Ustinov Studio has an epic cycle of short plays exploring the personal and political effect of war on modern life, called Shoot/Get Treasure/Repeat running from Thursday to Saturday.

But for a locally themed performance, try the Theatre screening of Naming The View at Pound Arts, Corsham, on Thursday. Naming the View takes its inspiration from Shakespeareโ€™s much-loved comedy, The Taming of the Shrew, yet itโ€™s setting is Seend.

Meanwhile, Chapel Arts, Bath has three days on the trot of acoustic folk with Chris Wood on Wednesday, Nick Hart on Thursday, and The Lost Trades play Friday.

Friday 11th

Aforementioned internationally renowned folk with Faustus at Marlborough Folk Roots club, and thereโ€™s open mic night at Trowbridgeโ€™s Pump, the third heat for amateur musicians of Take The Stage at Chippenhamโ€™s Neeld, and ancient ballads promise to be awoken, poems given the tunes theyโ€™ve long deserved with Salt House, Scotlandโ€™s foremost performers; Jenny Sturgeon, Ewan MacPherson and Lauren MacColl at Pound Arts.

Iโ€™d recommend the experimental jazz-fusion of SexJazz, at Swindonโ€™s Beehive for a Harbour Project FUNdraiser, funding art sessions for Swindon refugees and asylum seekers. Also, the Relayaz Band at Bradford-on-Avonโ€™s Boathouse, or for Thin Lizzy fans, as I know thereโ€™s a few, Limehouse Lizzy play The Cheese & Grain.

But Devizes best of luck wishes go out to our Full Tone Orchestra, who present Gilbert & Sullivan Pirates of Penzance at Bath Abbey; glorious!

Saturday 12th

Saturday is a whopper, spoiled for choice you are! The most excellently unique Bristol-based Two-Tone punk meets Sierra Leonean percussion duo, Two Man Ting return to The Southgate, Devizes. Meanwhile the Corn Exchange opens its doors to the Lacock-based Wiltshire Soul & Blues Club with a blues extravaganza headlining Ruzz Guitar Blues Revue, and thereโ€™s a rock n roll night at the Conservative Club, fundraising for Kennet Gateway Club with Mickey Ace and the Wildcards and DJ.

With support by the awesome Train to Skaville, boot boys need to get to Melksham, where Madness tribute Complete Madness take the Assembly Hall one step beyond. Meanwhile our indie-pop heroes, Talk in Code support for The Worried Men at Trowbridge Town Hall. The Dunwells play The Croft, Hungerford.

The Roving Crows play Chapel Arts, Bath, masters of euro-trance, Transglobal Underground at The Cheese & Grain, Frome, and thereโ€™s a Party & The Pavilion at Minety Rugby Club, featuring a number of bands, including our friends The Dirty Smooth.

Deep Purple, Rainbow and Whitesnake tributes rolled into one at the Vic, Swindon, with Rising from the Deep, meanwhile, Room 101 take the Castle, and Mean as Custard, Loaded Dice and Six Oโ€™clock Circus have a free band-off at Level III, fundraising for Swindon homeless charity the Moonlight Express Project. Oh, and MECA have a Sausage & Cider Fest; two of my favourite things!

But if gigs donโ€™t tickle your fancy, thereโ€™s some excellent family theatre too; Saturday and Sunday at the Theatre Royal, is the place to find The Super Greedy Caterpillar, and Pound Arts in Corsham have Zoo Co Theatre coming in, presenting Messy, where you can meet Daisy. Sheโ€™s got a messy brain and a messy bedroom, which makes it very difficult to look after her class hamster Mr Twiggy! A magical visual story, complete with original music, puppets, tap dancing and even a trip to the moon!

Messy is performed by a deaf and hearing cast with Sign Supported English, created in partnership with ADHD Foundation, where all performances are Relaxed, without loud noises and lights left on, and it is followed by a free workshop afterwards.

Saturday at Pound Arts also sees ENG-ER-LAND by Hannah Kumari and WoLab, a football-themed play set in 97, with 13-year-old Lizzie, obsessed with the beautiful game.

Sunday 13th and I got nothing, yet, except CSF Wrestling at The Cheese & Grain, but thatโ€™s why you need to keep checking into our bulging event calendar, as more comes in all the time. So much, Iโ€™m leaving it there, through fear of repetitive strain injury of my typing fingees. Either that, or itโ€™ll be the middle of April before you finish reading it. But donโ€™t, whatever you do, think for a second thereโ€™s nought to do in Wiltshire, and weโ€™ll finish off the rest of March in a few days, give you time to digest this lot first!


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M3G, De-Anchored

At the end of last year Chippenham singer-songwriter M3G released the single Rooks. I felt it set her bar at a whole new higher level.โ€ฆ

Ready for RowdeFest?

Not long now, for Rowdefest! Which, as the name suggests, is in Rowde, near Devizes, on Saturday 30th May, and is a free, community spiritedโ€ฆ

Time to Be Thinking About CrownFest 2026

Not just a pretty spiral church, there’s plenty for Bishop’s Cannings to be proud about. Evidence with the personal touch recently defeated a brazen landgrab,โ€ฆ

Trowbridge Town Hall Rides into Spring

At the beginning of the month Devizine covered Trowbridgeโ€™s musical renaissance, highlighting The Village Pump and Town Hallโ€™s dedication to introducing a variety of upcoming local bands and performers. Explaining Sheer Musicโ€™s Kieran Moore had โ€œbig shoes to fill,โ€ taking over as chief event coordinator for the Town Hall from Gavin Osborn. Well, the proof is in the pudding, and that dish has made it off the serving counter and onto our table.….

Not forgoing, the programme is already in full-swing, with Truckstop Honeymoon at the Pump on Friday, (18th) a cider swigginโ€™ scrumpy and western hoedown with The Skimmity Hitchers and our great friends, and the Boot Hill All Stars supporting at the Town Hall on Saturday.     

Boot Hill All Stars

Such is the fashion for live music in Trowbridge, Fridays at the Pump, Saturday at the Town Hall, aside some great happenings at Stallards and Emmanuelโ€™s Yard, comedy and more commercial nights at the Civic. Gecko appears next Saturday at the Town Hall, and all-day Sunday thereโ€™s   fundraising session, Kalefest, a family-orientated mini-festival for some musical equipment for a teenager with a severe brain injury, in which Zone Club, Pete Lambโ€™s Heart Beats and The Relayz play.

Marching on atop this free six-week interactive course of workshops for 16- to 18-year-olds, covering all aspects of the music industry, next month sees a continuation of great bookings, of which we highlighted in the aforementioned preview, here. What weโ€™re here today for is to check in on Kieran, see if he indeed โ€œfilledโ€ those shoes for the ongoing season.

So, just revealed, April and May listings at the Town Hall and Pump, which have equally exciting news, as, perhaps, Mr Moore asks the shopkeeper for a shoehorn. Isle of Manโ€™s recent export to Wiltshire, Becky Lawrence, the musical theatre singer-songwriter who wasted no time fitting into the local circuit, joining established local bands, The Bourbons UK and Clyve and the Soul City Foundation, teams up Bristolian country singer-songwriter Zoe Newton to pinch-punch April at the Pump.

Zoe Newton at Bradford Roots Festival

Whereas, in the name of variety Iโ€™m surprised to see The Town Hall hosting a โ€œrum and reggae nightโ€ on Saturday April 2nd; itโ€™s as if theyโ€™re calling to me! Seriously though, Iโ€™d wager youngsters reading this are asking Siri what the hell a shoehorn is.

But nice surprises flow, as Gavin Osborn himself plays The Pump, Friday 8th, with his band Comment Section. Regulars at Stallardโ€™s, locally-based indie-rockers Riviera Arcade arrive at the Town Hall with Gloucestershireโ€™s electric-punk favourites, Chasing Dolls on Saturday, with (udated) Devizes/Swindon NervEndings headling the show.

NervEndings

Alcopops Recordsโ€™ Croydon duo, The Frauds play the Pump on the 15th, with Ipswichโ€™s experimental indie-pop darlings, Lucky Number 7, while Henry Wacey and Dan Oโ€™Farrell are there on Saturday. Surreal stand-up, Welsh hard rockers The Vega Bodegas are at the Town Hall on the Saturday, with support from Wiltshire-based metal trio newcomers, Last Alvor and self-confessed โ€œdegenerates,โ€ synth-punk noise-makers Benzo Queen.

If that weekend is atypical of what Iโ€™d expect Mr Moore to assign, the following, Saturday 23rd is different. Kieran is no stranger to asking what acts local giggers would like to see via social media, as Brightonโ€™s Chap-Hop legend Professor Elemental comes to the Town Hall, with support from my recommendation, Bristolโ€™s fantastic veganomic ska-punk-folk crazies, Boom Boom Racoon, whoโ€™ve we fondly followed in the past on Devizine.

Boom Boom Racoon

If Iโ€™m excited with boom boom coming soon, while โ€œSunday leagueโ€ songwriter Tom Jenkins finishes off April on Saturday 30th, May is positively booming too. Local soul-hip hop DJ, Mac-Llyod gets the crowd prepped for another of my personal favourites, Bristolโ€™s bouncy boom-bap virtuosos The Scribes, on Saturday 7th May. Aching to encourage these guys a gig more local than Salisburyโ€™s Winchester Gate, Iโ€™m delighted to see this on Trowbridge Town Hallโ€™s listing; theyโ€™re definitely calling to me now!

Pan-European ‘inventive and thrilling’ alt-folk duo, singer-songwriter Tobias Jacob and double-bass playing multi-instrumentalist Lukas Drinkwater play the Pump on Thursday 12th May, whereas Iโ€™m notified Saturday 14thโ€™s do at the Town Hall will be a โ€œpipe and slippers rave,โ€ of which I had to inquire if, as it sounds, itโ€™ll be an old skool DJ rave type thing, and this it was confirmed, โ€œthat’s exactly it.โ€ If theyโ€™re calling me, now theyโ€™re mocking; the feet in my slippers were stomping in mud when you were an itch, whippersnappers! โ€œHoney, whereโ€™s my whistle and white gloves?โ€

Sheffieldโ€™s award-winning finger-style guitarist, Martin Simpson breathes some folk to the Pump on Friday 20th May, while the Town Hall blow cobwebs off with Trowbridgeโ€™s own hardcore metal quartet, Severed Illusions. With nine years under their belts, they opened for Hed PE at the now defaulted Beirkeller in Bristol, and played metal festivalsโ€™ assemblage M2TM. Joined by doomcore fourpiece Eyesnomouth, and Salisburyโ€™s screaming metalcore Next Stop Olympus; thatโ€™s going to go off.

The Lost Trades

From here gigs are pencilled in, June sees Martin Carthy, Jon Amor with Kyla Brox, Hip Route and Billy & The Low Ground feature, but be certain the near-future looks bright and varied for Trowbridgeโ€™s live music scene, particularly as the last gig of May is our beloved folk-harmony trio The Lost Trades on Saturday 28th. Bring in the summer with Graham Steelโ€™s award-winning Phil, Jamie and Tamsin, what more could you ask for?


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Vinyl Realm Settles Into New Home

A median haul of vinyl can weigh in, but thereโ€™s no longer a trek down Northgate Street for record collectors and musicians alike. Vinylโ€ฆ

Radium on Liddington Hill

Swindon-based adrenaline pumping five-piece Liddington Hill released their first EP for three years, and Radium is highly radioactiveโ€ฆ.. For most on the North Wessexโ€ฆ

Devizine 4 Juliaโ€™s House; Volume 2 in the Pipeline, Need Your Help!

Iโ€™m delighted to transfer ยฃ186.46 over to Juliaโ€™s House Childrenโ€™s Hospices today, the proceeds to-date of our compilation album; well, I call it an album, but itโ€™s one mahoosive boxset really, a staggering forty-six tracks from local artists and others worldwide whoโ€™ve featured somewhere on Devizine in the past.

If youโ€™ve not heard this absolutely stunning Miss World of music before, a virtual Now, Thatโ€™s What I Call Devizine Music, sheโ€™s here for your viewing pleasure, please download your copy, exclusive on Bandcamp, as I feel this site offers the best deal to artists. Once you buy it, it stores in your account cloud, and you have unlimited downloads, so you can put it onto various devices.

Unlike a fundraising event, here is something which will stay in the domain, something you can download whenever you like, and weโ€™ll continue to build a little stash and send it over to this wonderful registered charity once it builds up again. If Iโ€™m honest, Iโ€™ve been waiting for it to total to a nice round ยฃ200 before sending, but attention on the project has waned recently, and itโ€™s been a while.

There are ways I could prompt folk towards it, a poster or flyer campaign would be handy, but I figure, as lots of bands and musicians expressed an interest to be included, after its release, time is nigh to start plotting a second volume.

As we penned all the acts onto an army surplus bag for the front cover, as many students in my era did just this, I thought weโ€™d do similar this time. So, see our old school desk below, eerily free of graffiti? It is aching for me to inscribe your band name or logo onto it, with chewed biro.

You should note we have three tunes for volume 2 already, from Nick Harper, yes, I said Nick Harper, the wonderful Onika Venus, and Marlborough rockers, Catfish. But we need you onboard too. I envision it being entirely new artists, so if you contributed a track to volume one, I sincerely thank you, but unless youโ€™re absolutely bursting with enthusiasm to forward a second song, letโ€™s try to compile a whole new set of artists.

What got to me last time, was the unexpected amount of work Iโ€™d set myself. There was me, at the beginning, thinking Iโ€™d just be bobbing about, enjoying the ride, while our contributing artists did all the hard labour!

It occurred to me at the time, Iโ€™d likely raise better funds riding through town in a bathtub full of cold baked beans, and while Iโ€™ve certainly not scrubbed the idea, I would like this compilation project to build into a series, really prompting and promoting the best of the music we feature on Devizine, and giving the good folk out there a sampler of what great music there is, as well as raising funds for such a brilliant charity; itโ€™s a double-whammy. Ergo, sending us a song will put you straight onto the good list!

So, I ask, if you want to contribute a song, please bear with, and Iโ€™ll be back in touch as soon as possible, but last time I was inundated. Streamlined, thatโ€™s the key here, so Iโ€™ve set out some guidelines to contributing below.

Firstly, we NEED original songs, NO COVERS, not even Chas & Dave ones, as copyright is a minefield. You must own the rights to the song, or have permission from everyone who owns the rights to it, and you MUST TELL ME THIS, see the form at the bottom.

Secondly, please remember this is a childrenโ€™s charity, and while Juliaโ€™s House has been accepting of all the styles and content, really, I donโ€™t want songs with unsuitable themes, or constant bad language. Willing to accept the odd naughty word, and extreme content should be avoided, thanks.

Thirdly, any genre is fine; I want to get a real cross-section of sounds, no pigeonholing. While some chose to record an exclusive song, and that was great, all I ask is for an album track or outtake not currently doing the rounds, but youโ€™re free to choose whatever one suits you best.

Fourthly, there is NO DEADLINE set as of yet, but I will email you once one is decided; please do not wait for the deadline if you can help it; last time I got confused where I stood on so many promised contributions, and it doesnโ€™t take a lot of confuse me.

And, oh fifthly, if that’s not already too much to take in already?! Please ensure you include how you’d like the song to be listed, i.e. Name of Artist and Song. Sounds rather obvious, but also, if I don’t know you already, send some links to websites, social media, and a short bio too!

You can copy and paste this passage below into an email, fill in the dotty bits, and send it to me at devizine@hotmail.com โ€“ attach a WAV file format of the song youโ€™d like me to add, and wait patiently for a reply; I look forward to hearing your song; you flipping superstar, you!

I, (FULL NAME) confirm Iโ€™m the full copyright holder of the track (ENTER SONG NAME) or that I have contacted any other parties which holds rights to the track and have gained their permission also. 

I hereby grant Darren Worrow of Devizine, my permission to use it as part of the 4 Juliaโ€™s House Volume 2 compilation album, fundraising for Juliaโ€™s House. Registered Charity Number 1067125. I also agree to allow clips of the track to be used for promotional purposes of the album mentioned above only.

In turn, Darren Worrow and Juliaโ€™s House maintain the artist of the track reserves all rights to the track, and it is only used in conjunction with the aforementioned album.

(If you have PRS details, Tunecode or ISWC, please add them.)


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Serenโ€™s New Single; Worm

Thereโ€™s a cold remote ambience of burrowing doubt in the opening of Westburyโ€™s singer-songwriter Serenโ€™s debut song, in which, as the title suggests, she usesโ€ฆ

Talk in Code; Young Loves Dreamers

Set to release their new single โ€˜Young Loves Dreamโ€™ on Friday 11th February across all digital platforms, Talk in Code are rinsing their inimitable and uniformed sound with anthemic pop goodness; itโ€™s to be expectedโ€ฆโ€ฆ

Coincidently, three years and one day ago Devizine reviewed this Swindon indie-pop four-pieceโ€™s album, Resolve, with the retrospective angle of eighties power-pop rock, yet subtle nods to indie shifts through the heady nineties. Though as the band progress through four further singles weโ€™ve seen the latter dwindle and this take on a classic eighties sound coming through more and more.

Though Talk in Code is no tribute, this is progressive, refreshingly contemporary and exclusively perfected, a hi-fidelity ambience where instruments simply meld as flawlessly as those eightiesโ€™ gods of pop. An era of one-hit-wonders, accepted, but those who succeeded beyond this point did so by creating a defining sound, so no youth would confuse their Spandau Ballet with their Human League, and this is precisely where Talk in Code now stand; nowadays we compare their singles with their previous singles rather than cite influences, because their uniqueness is peerless. ย 

The reason why, I consider, the band strive with matchless momentum on the local circuit, having headlined three of Wiltshireโ€™s largest music events last year, the big named bookings of pop-fused Mfor at Lydiard Park, the memorable rock for cancer Concert At The Kings and Swindonโ€™s homegrown talent showcase, the Shuffle. Also, it is why Talk in Code have shared billings with Scouting For Girls, Sophie Ellis-Bextor, Craig David, SAS Band, 10cc and Lindisfarne, why devotees are dubbed โ€œtalkersโ€ and theyโ€™ve accumulated 180,000 Spotify streams, or added to over 700 Spotify playlists.

So, this new single, โ€˜Young Loves Dreamโ€™ is of no exception, it gloriously follows the formula, which is, as suggested, key to their brilliance. It booms straight in, breaks when it needs to and reaches an undefinable bridge, flowing nicely with steady BPMs, and a bright, uplifting vibe. As suggested by the title, itโ€™s romantically themed, exploring the hopefulness of youth; an ode to the potentials of initial infatuation, prior to the twists and turns life throws at you. In that, the mood of the enriching instrumentation reflects the vocals sublimely, and will have you pondering that butterfly moment of early romance, you know the kind of emotion which will make you hug the pillow in their absence, as their scent lingers, or, oh, was that just me?!

Anyway, where was I? Oh yeah, all the previous singles weโ€™ve fondly reviewed can be found on this here Spotify link, and with this progressive new track, will make up part of โ€˜The Big Screen,โ€™ Talk in Codeโ€™s second album, due on Friday 15th April, playing the launch at Swindonโ€™s Level 3, Swindon, on Saturday April 16th 2022.

Just prior, Iโ€™m hopeful we can set up an interview with Chris and the band, one crucial question will be whatโ€™s in a name, as Talk in Codeโ€™s style is never cryptic, you need not untangle painstaking poetic wordplay, it is good, honest pop kept simple, and they do it so well itโ€™s mainstream in the making. Loveโ€™s Young Dream takes this pattern and truly celebrates it, projecting positive evolution for this radical band.


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The date is set for Imberbus 2026 !

We are pleased to start 2026 by announcing that this year, we are planning to run the Imberbus service on Saturday 15th August 2026 whenโ€ฆ

Don’t Click on Illegal Rave Rage-Bait!

The biggest risk for any media reporting negatively on illegal raves is that, in their youth, their fifty-plus target audience probably attended illegal raves themselves!โ€ฆ

The Makers Exchange; DOCA Call to the Creative

Thimbles on standby, Devizes Outdoor Celebratory Arts are calling all creative craftspeople and makers to their new project, The Makers Exchange. Itโ€™s a new craftโ€ฆ

Harmony Asia Can Do This

Itโ€™s a question Iโ€™ve asked Chippenham singer-songwriter Harmony Asia on each rare occasion I catch her for a chat; if sheโ€™s planning to capture aโ€ฆ

Jon Amor to Take Up Sunday Residency at The Southgate

Featured images by Nick Padmore

I still remember landlord Deborahโ€™s face aglow some years back, when she told me Devizes blues legend Jon Amor was booked to play The Southgate. Heโ€™s made several appearances since, as solo and as frontman of King Street Turnaround, but today the Southgate announced Jon will take up a Sunday residence at the lively Devizes pub…..

It will be a quieter New Yearโ€™s Eve for the Southgate, there is no music booked and from Monday 3rd to Monday 10th January the pub will be closed. โ€œWeโ€™re keeping it simple on NYE, no live music, believe it or not!โ€ Deborah said. โ€œBut weโ€™re saving the best of the best until Sunday with a mega Blues/Funk/Rock gig to blow away the extended hangovers!โ€

With an awesome line-up on Sunday 2nd, as Jon is joined with Innes Sibun, Pete Gage, Jerry Soffe, and Tom Gilkes, I knew about this little marvel, and it has been up on our calendar for a while now. What I didnโ€™t know is this will build a new house band for the Gate, โ€œyes,โ€ Deborah delights to inform, โ€œJon Amor and friends are taking up residency! Sunday afternoon gigs, first Sunday every month for 2022.โ€

So expect to see King Street Turnaround with Jon and friends on the first Sunday of each month down the Gate, which is some great news!

The future is bright, the future is The Southgate! Reopening on Tuesday 11th Jan, with the absolutely awesome rock covers band Triple JD Band on Saturday 15th! Rock on!

Dave and Deborah at the Southgate

Meanwhile our event calendar is building up with choices for New Yearโ€™s Eve, do check it out for links, and have a great New Year; hopefully might catch you down the Southgate on Sunday, if Iโ€™m allowed out to play by the boss!

Billy Green (solo) @ The Hourglass, Devizes

Devizes Scooter Club NYE Party @ Devizes Cons Club

New Yearโ€™s Eve @ The Vaults

New Yearโ€™s Eve @ Massimos, Devizes

Rip it Up @ The Greyhound, Bromham

Sour Apple @ The Brewery Inn, Seend Cleeve

Six O’clock Circus @ The Talbot, Calne

The Roughcut Rebels NYE bash @ The Churchill Arms, West Lavington

New Yearโ€™s Eve Party @ The Green Dragon, Market Lavington

Illingworth @ the Waterfront Bar, Pewsey

Get Schwithty (Jamie R Hawkins & Phil Cooper) @ The Bear, Marlborough

80s, 90s, 00s NYE Party @ Wellington Arms, Marlborough

Deathproof Audio NYE Party @ the Vic, Swindon

Dubsouls & The Rumble-O’s @ The Bell, Walcott Street, Bath

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How it Feels for a Bluebeard!

The first time I heard the name Bluebeard and the Desperate Hours, I presumed their sound might be folk or blues inspired. Judging a bookโ€ฆ

Extended Lineup for CrownFest

It was back in October when we revealed CrownFest at The Crown in Bishopโ€™s Cannings was returning this summer, and January when we last mentionedโ€ฆ

Chandra Likely To Go Boom!

Buzzwords, like โ€œturbo,โ€ or โ€œsonicโ€ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoidโ€ฆ

Paul Lappin & The Keylines Live at Pink Moon Studios

If you need a breather from the perpetual cycle of cliche Christmas song mush, do yourself a favour; Paul Lappin & The Keylines released a live EP last week, itโ€™s as โ€œname your priceโ€ on Bandcamp, and Iโ€™ll wager my Christmas stocking and all of its contents, youโ€™ll eternally thank me for the advice.….

On the 12th November 2021 Paul Lappin & The Keylines invited a few close friends and family to Pink Music Studios in France for a chilled evening of wine, food and live music. This EP is a recording of five of the songs performed during that session. For a tenacious link to our ambiguous local rule, note while now residing in France, Paul is originally from Swindon.

Back in October 2020 we fondly reviewed his studio album The Boy Who Wants to Fly, celebrating its vibrant Britpop rock, immersed in some astute and genius song writing prose. And in turn, we were allowed to use the outstanding single Broken Record for our Juliaโ€™s House charity compilation. For which, you might suggest, Iโ€™m duty bound to sing the praises of everyone who contributed, to which Iโ€™d reply, yeah, only partly but unnecessary, just shut up and listen to this; Live at Pink Moon Studios is utterly gorgeous.

If Broken Record packs a punch, and The Boy Who Wants to Fly meanders between forthright rock and tenderer acoustics, this little piece of wonderful revels in the latter. So much so, it smooths out of the restrictions of a label like Britpop, though subtle shards of it remain, and is comparable to acoustic folk rock from way beyond the subgenre, say, as steady and emotive as Nick Drake.

In the past Iโ€™ve made comparison to our own song-writing local legend Jamie R Hawkins, in their shared ability to twist a narrative so deeply into sentiment, tears will well; this EP comes closer to my point than Iโ€™ve ever heard from Paul. Itโ€™s so wonderfully placed subjects, wistfully glides your mind away, on the journey with Paul, like all good acoustic should.

The first two tunes, After the Rain, and Lying Awake in the Dark both come unplugged versions from The Boy Who Wants to Fly, Slow and Steady featured on his 2018 album, Move On, and Iโ€™m uncertain of the last two, Seeds of Doubt and Set in Stone, perhaps theyโ€™re new, or exclusive to this EP. Iโ€™m far from all out intending to research their origin, as itโ€™s just to easy to be set adrift on the songs, relishing in the moment.

Morish simplicity, man and guitar composition youโ€™ll crave it never ends, and I can honestly say, I donโ€™t think Iโ€™ve hit the replay button with such haste before! Paul is at his dreamiest, fluffiest and virtually subterranean in his deliverance of these masterpieces.

Subjects not so unusual but handled with the proficiency to wow, of lost or found love, picking up with a bongo drumbeat and wailing electric backing guitar at track three, Slow and Steady, with a chorus dripping of anthemic Britpop, of Oasis or Verve in their prime, yet maintaining that spellbinding acoustic goodness.

And for the last two tunes of mysterious origins, are perhaps my favourites, Seeds of Doubt, is a self-analysis theme, mind-bogglingly passionate, and the parable soulful finale, Set in Stone, as is with a live album, thereโ€™s a wholesome rawness about it, echoing honesty and scrupulousness throughout, you feel like youโ€™re a guest into a secret meeting, you feel a part of it, and that, is simply, beautiful.


Trending….

Only The Brave Burn The Midnight Oil

Hurrah, at last! Only The Brave is the debut song from Burn The Midnight Oilโ€™s revised lineup; something Iโ€™ve been anticipating since watchingโ€ฆ

Running with a Timid Deer

An absolutely spellbinding new electronica jazz-blues single out this week, of which Iโ€™d expect nothing less from what I believe to be one of Wiltshireโ€™s most underrated bands, Salisburyโ€™s Timid Deer, and produced by the brilliant Jason Allen.

With a grand piano opening, their evocative part-indie-part-trip hop ambience is accomplished to a new standard here, with Naomi Henstridgeโ€™s both soothing yet haunting vocals embracing howling strings and, wow, this rolling piano. Itโ€™s reflective of nineties nu-cool, the brilliance of Morcheeba or Portishead, yet without so much inspired of acid jazz or trip hop to make it clichรฉ, rather itโ€™s owning this refreshing edge to appeal to the more guitar-laced indie fans, too.

Run, their first single since Februaryโ€™s Crossed Wires, and they never cease to amaze me. This is cooler than the climate outside, just beautiful. โ€œHere’s something we’ve been working on for what feels like an age,โ€ Timid Deer say, finishing by saying theyโ€™re aiming for a new EP early in New Year, and for some Salisbury gigs, but I say no, please gig organisers, letโ€™s get these guys aiming much further afield too; we need to see you in Devizes (Deborah Bufton Barnett, Ian Hopkins and Phil Moakes, Iโ€™m talking to you, make my Christmas wish come true!) Trowbridge, (Mr Moore) too!


And yes, Find Timid Deer with 45 other amazing artists on our 4 Julia’s House Compilation by clicking here!

Trending….

Whatever Happened to Pancake Races in Devizes?

It seems Shrove Tuesday celebrations in Devizes have fallen as flat as aโ€ฆ.well, you get the gagโ€ฆ Traditionally organised by Age Concern Wiltshire, and oftenโ€ฆ

Old Habits of Treetop Flyers

Mega-retrospective bliss, this album from London’s Treetop Flyers, got me reminiscing…..

An expression of mixed emotions hung on my dadโ€™s face as he sauntered past my bedroom. โ€œWhat you listening to?โ€ he grumbly enquired. Heโ€™s joined the dots between my music listening habits and his diminishing record collection, โ€œyeah? I used to have that albumโ€ฆ.โ€

Property is theft for the anarchist, least this isnโ€™t even theft, just relocated within the same household, and Iโ€™d like to think, flattery and the notion his records were getting revitalised befell my father. Not my fault this was the mid-eighties, a void between creative post-punk electronica and house, when we, the youth, were fully aware the hit factories was mugging us off with a monotonous catalogue of samey bullshit. Finding good music prior to my own days was a must, and we hadnโ€™t YouTube, we just had these treasure chests of hand-me-down records.

Everything about Treetop Flyersโ€™ new album, Old Habits suggests I should despise it, yet nothing could be further from the truth. The divine retrospection delivered the aforementioned fond memory; close your eyes and you can see the Ronco logo revolving at 33rpm on a mahogany music centre. My mind even sees the autochanger arm hinged aside. The only gender neutrality in the seventies was hair length; ladies played singles, men albums, big, hairy men with chest rugs you could lose a prawn cocktail in. And Old Habits couldโ€™ve nested between those long-players, not looking out of place.

This is Old Habitsโ€™ follow-up to 2018โ€™s critically acclaimed eponymous album, which held a distinct American West Coast vibe, yet Old Habits moves away from this, guiding into the wonderous era of seventies British rock n roll pop; absorbing late mod soul, subtly hinting at psychedelia, but wallowing in Carnaby Street cool. Just like its influences, the Faces, Van Morrison, George Harrison, The Who, Ronnie Lane and Traffic, Treetop Flyers has produced a mellowed masterpiece now, which if it was recorded back then, would remain equally classic.

You will tingle akin to the saxophone riff of Gerry Raffertyโ€™s Baker Street throughout this absolutely spellbinding journey, that much I guarantee. Treetop Flyers were formed in 2013 by frontman Reid Morrison, Laurie Sherman and Sam Beer, who met whilst playing in other projects as part of the West London folk scene. I went in blind, this is their fourth studio album, I was unaware of them, I came out the other side overwhelmed with a sense bliss.

From the off, Golden Hour, the opening track sets the scene; drumbeat retrospectively sublime, the piano and guitar combo marries, vocals enchantingly cool, and the tempo of each following tune blends into another; youโ€™ll be tingling by the second tune, Dancing Figurines, hooked by the third.

If the horn-blowing Cool Your Jets is the most upbeat and beguiling, with essences of scooter culture, Castlewood Road calibrates the whole album and brings it to an apex. Itโ€™s dripping of Curtis Mayfield, or how youโ€™d like a later Weller song. The theme is a street on Stoke Newington which the bandโ€™s lead guitarist Laurie Sherman lives, and the accompanying video was shot in Laurieโ€™s house. โ€œThere have been many a British song about places where people lived or grew up and this is our kinda take on that,โ€ explains Morrison. โ€œWe spent a lot of time there over the years writing and chatting, drinking coffee listening to records etc and Laurie actually mixed the new album (Old Habits) in that house too. So, I guess itโ€™s a love song and thank you to those walls really.โ€

After a couple of listens Iโ€™m determine to dive deeper into this, and come out singing the songs; if you need me, Iโ€™ll be in a beige flowery shirt flowing across an oversized belt buckle, slouching in the corner of the front-room of a house party in 1976, next to the lava lamp, bellbottoms swishing, with headphones fit for Godzilla affixed, paying attention to nothing other than this absolutely gorgeous album.


Trending……

Rowdefest 26 Lineup Reveal!

Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโ€ฆ

Agricultural Appropriation with Monkey Bizzle

There’s no sophomore slump for Monkey Bizzle; prolific in their art, these rural chav-choppers return with a second album, Agricultural Appropriation, only five years andโ€ฆ

The Life of Brian, in Rowde

So, itโ€™s finally come to pass, beginning to look a lot like autumn and a Halloween weekend crammed with events I feel I should attend conflict against the general drizzle looming outside. Having a soaking every morning at work Iโ€™m dubious to continue past summery wanders up the hill to Devizes, coupled with my newfound knowledge itโ€™s actually easier to get to the Sham from Rowde via public transport and I really felt like a cider or five.

While I appreciate the killons (thatโ€™s a zillon zillions) of invitations I get per weekend, I opted for the easy route and headed for The Cross Keys in Rowde, a local I neglect in pursuit of trekking the county gig hunting, yet which holds many fond memories, including my own wedding reception!

A grand open-plan Waddies, The Keys served the village community with historically a mixed bunch of landlords, some, it must be said, far more dedicated to the task than others. Given an interior paint job complete with retro movie and rock n roll stencils the new owners have recreated the friendly and down-to-earth welcoming atmosphere. They boast a new chef and the continuation of an affordable Sunday carvery, the legacy of the previous owner.

But Iโ€™m not here on chance, or for a roast potato; the Rowde landmark opens itself back up for a live music event, and Iโ€™ve not heard of the billed โ€œLife of Brian Band.โ€ Promising pop-rock from the sixties to the noughties and boasting the frontman, conveniently called Brian to avoid any Monty Python quips, as a former guitarist for Kate Bush. Okay, Iโ€™m game.

Usual wobbly photo from yours truly; always the mark of a good night!

Took a while to kick off, as best things to come to those who wait, plus with their usual drummer absent, Jim from Rowde band Eazilyled made an outstanding adlib performance between this couple of, shall we say, matured and proficient gents, on lead and bass guitars. Eventually cracking open with The Temptationsโ€™ My Girl, and following with a plethora of well-defined Beatles, Rolling Stones and Kinks classics, including a wonderfully delivered Waterloo Sunset, Brain and his bass player skilfully executed a grand show of anthemic rock n roll and blues pop covers.

Though there was nothing ground-breaking going on here, it was a rousing and professional sporadic pub band clearly and nostalgically loving every minute of the spotlight. That makes it for me, the sheer expression of bliss and fun, particularly from the bassist. It gives the impression theyโ€™re in their element, and they were, rocking out. The couple bouncing off each other with slight banter and dexterous guitarwork, with drummer Jim challenged to improv the next moves from this refined double act, blessed the Cross Keys with an exhilarant evening; hereโ€™s hoping for more.

Arguably the noughties where underrepresented, but I donโ€™t believe this mattered one iota to the punters, as Beatles and Stones works for every generation. Plus, alongside we had guaranteed crowd-pleasers from Cream, Free, even the Travelling Wilburys, at times soul with Wilson Pickett and Sam & Dave covers, an especially adroit couple of flashes of the Policeโ€™s Roxanne and Message in a Bottle, and some memorable moments with the Whoโ€™s Squeeze Box and Tom Pettyโ€™s Learning to Fly. What they did they do with charm, professionalism and enjoyment, and one canโ€™t ask for more than this.

A blessing to know the Cross Keys is on top form, and Iโ€™d welcome more live music nights, encourage Paul, the landlord to get in touch with some recommendations, if he so wishes. Because while one might trek to towns and cities in want of live music, our villages need some love and attention too, saving stranded people some taxi fees or steps on their FitBits!


Trending…..

Doctor Faustus Sells His Soulโ€ฆ. in Devizes!

Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisonsโ€ฆ

Chandra Finds Heaven on Earth

Usually I just write what I think, but if I had a point-scoring system this new single from Bristol-based indie-pop outfit Chandra would tick everyโ€ฆ

Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

Who Broke into Joyrobberโ€™s Car?!

Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโ€™sโ€ฆ

Barry Reviews Strange Folk at The Southgate!

Well, what can I say? They might lose a couple of brownie points for the singer continuously referring to me as โ€œBarry,โ€ but Somerset-Hampshire psych-folk rock four-piece, Strange Folk, who graced Devizesโ€™ Southgateโ€™s little magic box last night can afford to!

Aside an acoustic set in Crewkerne, it was their first electric gig post-lockdown, and the first time theyโ€™d played at Devizes answer to the O2, though some may cast their minds back to a brighter sunny day when they showed us what theyโ€™re made of at Pete & Jackie of Vinyl Realmโ€™s alternative stage at DOCAโ€™s street festival. It was on the grounds of this outstanding performance which summon me to the Gate, not forgoing the awe-inspiring tune they sent us for the Juliaโ€™s House compilation. Which, in turn wouldโ€™ve substituted any lost gold stars for the Barry banter!

A small price to pay to ensure they played Glitter the very song they kindly contributed, a request which took them by surprise, being recorded during lockdown, they were unprepared, and hadnโ€™t yet played it live. Still, as was the entire gig, they made a grand job of it, and Iโ€™m about explain why.

Itโ€™s David Setterfieldโ€™s sublime electric and acoustic guitarwork coupled with the awe-inspiring power of Annaliseโ€™s voice, which bounds their sound beyond the confounds of the usual gothic-folk rock genre. So soulfully captivating is this voice, and is the gifted guitar, at times thereโ€™s a natural nod to electric blues, particularly of the late psychedelic sixties sort. In fact, I was praising them to someone, Bran Kerdhynen, I believe, one half of the Celtic Roots Collective, by suggesting they remind me of โ€œWhite Rabbit,โ€ which they indeed later covered, along with the other Jefferson Airplane anthem โ€œSomebody to Love.โ€

If I could think of no other cover so apt for their particular and inimitable sound, covers of T-Rexโ€™s 20th Century Boy, Gold Dust Woman by Fleetwood Mac, and the Stones at their most enchanting with Gimmie Shelter, also fit the bill perfectly. Tainted Love being perhaps the outside chance, but very much based on Soft Cellโ€™s version, Iโ€™ll give them that too, for the goth perspective.

Similarly, though, as I said about Freyโ€™s Beerโ€™s Beast album a few days ago, the professional finish and hauntingly alluring female voice, rather than the gritty vocals common with said genre, despite not being the black hair dyed and leather friendship bands type, I devoured, because Strange Folk sweep the arena of All About Eve, into System of a Down and Blind Melon, to blend Fairport Convention with Jethro Tull and Hendrix. And I was born out of time, loving to have hitchhiked to San Francisco with a flower in my hair.

Yet at times covers at the Gate last night felt pushed, as to appease a perceived audience, compared to their own original compositions; they were the icing on the cake and truly ushered you away on a petite mind-trip. The coupling of David and Annalise would be bare without the proficient bassist, Ian and drummer, Steve tucked in the back of the skittle ally, and they rocked through their own songs more so. For future reference, unlike many a pub gig, originals are encouraged here.

Talking of here, it was lovely to be back at the Southgate after gallivanting somewhat to bring news of other venues in our rural precinct, for while they do exist, for me, just like Norm Peterson and Cliff Clavin, sometimes you wanna go where everybody knows your name, except, it seems for the lead singer on this occasion! I mean, Barry, for crying out loud; do I really look like a Barry to you?! Rhetorical, you donโ€™t have to answer that.

The canopies over the beer garden have become locally legendary, a testament in our town, to upholding live music throughout this era, and Deborah and Dave have created this haven, where youโ€™ll see no drunken squabbles and feel no bad vibes.

Nice to hear their communal acoustic jams have respawned on Wednesday evenings, and next Saturday is the time for The Blind Lemon Experience, Billy and the Low Ground following on the 23rd October.

Meanwhile Strange Folk have three singles, an EP from 2014 called Hollow Part 1, and a debut promo EP from 2004, which are very worthy of your attention. Around our way again at B-O-Aโ€™s Three Horseshoes for Halloween, their sound is a gorgeous gothic-folk crossover professional enough to captivate even those with a passing interest in the genre.

ย 


Freya Beerโ€™s Beast

Driving my inner-goth, Iโ€™m comfortable with this, because London-based Freya Beerโ€™s voice is hauntingly alluring, similar to Nina Persson of The Cardigans, or more obviously, Siouxsie Sioux, rather than the gritty vocals common with arch art-rock. So, despite not being the black hair dyed and leather friendship bands type, I devoured this long-awaited debut album, Beast, with the emotive response it evokes, and thoroughly deserves cathedral-sized praise.

Beast is out today, 7th October 2021, via her own Sisterhood label. Iโ€™m going to nail it to a few words after only an initial listen prior to this review, lyrically it needs time to fully digest with the clarity it warrants, but I can appreciate the echoing expression and exceptionally grafted narrative of disheartening passion. Savour it, this is a keeper.

Itโ€™s perhaps the crashing drums, almost the Burundi style slued upon eighties post punk pop by Malcolm McLaren, through Bow Wow Wow and Adam & The Ants, added with Fuzzbox frenzy, which gives it this welcoming retrospective tangent, or the mainstay All About Eve feel of the aforementioned sublime vocals, like Kate Bush at her darkest moment.

Yes, Beast is all these things, yet a contemporary, calculated record of primal power and animalistic instinct, carnal; hence its name, I guess!

Expressing her joy at finally setting her first collection of songs free, Freya Beer said, โ€œit feels really exciting that Iโ€™ve released my debut album. I would never have been able to achieve the album without the incredibly talented people I met and worked with along the way. At my upcoming live shows, you can expect everything you hear on the album because my band is bigger now.โ€

Recorded between studios in Manchester and London, โ€˜Beastโ€™ features longstanding drummer Owain Hanford on percussion, Arnoldas Daunys on bass, and lead guitars from Peter Hobbs (The Boy Least Likely To), who also produced the album. Additional contributions come from Dave Fidler and Andy Hargreaves. The album artwork was photographed by Paul Johnson (Say Goodnight Films), accompanied by Jupiter – the Sphinx cat.

Swiftly following the albumโ€™s release, Freya will be embarking on a major UK tour throughout November and December 2021. Full dates and details on the website. Closest to us is The Lanes, Bristol on Wednesday 10th November, or on Sunday 5th December at The 1865 in Southampton.

It conjures visually like Hieronymus Bosch, literate, a tangle of Edgar Allan Poe, but through sensual masochism, felinely elegant but eerie, all unpromising, like goblins will materialise out of inimical misty woods to corrupt your most emotive moment, or, something like that!

Website: http://www.freyabeer.com

Facebook: @freyabeerofficial

Twitter: @freyabeer

Instagram: @freya_beer


Trending….

Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Sonny Vincent’s Snake Pit Therapy

Hereโ€™s me doubting using the phrase โ€œtraditional punk rock,โ€ because wouldnโ€™t punk castoff anything deemed traditional? Yet I feel the term punk is loosely thrown about these days, compared to its original ethos. Much of the sneaker and drainpipe crowd-surfing youngsters barely relates to the sound and attitude of the Pistols or Ramones.  

While Iโ€™m a little behind, and smell like one too, Svart Records released Snake Pit Therapy on 17th of September, legendary NYC rocker Sonny Vincent is something we have to mention, because itโ€™s loud, dangerous and pretty much nails the aforementioned oxymoron, โ€œtraditional punk rock.โ€

Born in New York City and raised on its streets and in its clubs, Sonny Vincent is infamous from NYC punk early fire-starters Testors, who from โ€˜75 to ’79 were attitude-laden fixtures on the CBGB and Maxโ€™s Kansas City scenes. An extraordinarily prolific artist, active since the late 60s, Sonny has released numerous albums collaborating with members of the Stooges, Dead Boys, The Damned, Husker Du, The Replacements, Rocket From The Crypt and releasing four albums with the Velvet Underground’s Moe Tucker. He recently collaborated with Pentagram’s Bobby Liebling in the new supergroup The Limit, whose Caveman Logic album was released in the spring.

Snake Pit Therapy maintains the rawness of real-deal blazing protopunk with heaps of psychedelia and hard rock, all taken to the edge with Vincent’s naked aggression, passionate voice and his trademark caustic guitar. Yet scrupulousness rides this razor-sharp rock n roll testament, because Vincentโ€™s life and antics are more than legend; they are real, as documented in his recent memoirs, bearing the same title as this very album.

In and out of homes for bad kids, committed to the psych ward for observation and forcibly conscripted into a tour of duty in Vietnam courtesy of the U.S. Marine Corp, Vincentโ€™s experience of wild and tough living has awarded his songs hardness with humanity. Sincerity without mawkishness, Snake Pit Therapy is glorious rock ‘n’ roll with an edge thatโ€™ll slice your finger clean off.

For this, Iโ€™ll say, at first it was a hard pill to swallow, blasting it straight in your face when I was in somewhat of a laidback mood, rather Snake Pit Therapy grows on me like a wart with each listen, and if youโ€™re looking for rage without clichรฉ or irrationality, youโ€™ve come to right album.

It was ten tracks into this fifteen-track indestructible primal scream when I was smitten, Japan Mofo, has the start stop of blues-riffed rock n roll, while retaining the ferociousness of previous tracks. Yet itโ€™s the earlier driving rock tune, The End of Light which is the first single released, Never Tired follows, which a heart-ripped-open chorus, is having it.

Note, if youโ€™re expecting it calm down, youโ€™ll be disappointed until the final song, Forest offers a slightly mellowed psychedelic tenet, in comparison with the rest, still though this is verging on metal at times, inline with his recently formed heavy punk-metal band The Limit, featuring Bobby Liebling of Pentagram, and garnering glowing reviews worldwide.

So yeah, while a tad weighty for me, I still see itโ€™s quality and know thereโ€™s a lot of people who are going locally whoโ€™ll love this, and I do too, when Iโ€™m in the raging like of mood, which has been known to happen for anything as long as thirty seconds! In the past, I reached for Iggy Pop, he now will have competition.


Trending…..

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

St John’s Choir Christmas Concert in Devizes

Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโ€ฆ

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s moreโ€ฆ

Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โ€ฆ

Captain Ricoโ€™s Forgotten Memory of The Beaches

As much as I enjoyed Django Unchained, I’ve not seen the other Tarantino spaghetti western pastiche yet, but I think I should cap it until such a time ol’ QT hires Captain Rico and the Ghost Band to score it.

Echoes of a gothic Ennio Morricone in his darkest hour shudder through this epic instrumental album, transporting you to an alternate reality where The Shadows came after Hawkwind.

A realm where rock history is suffering the same fate as Benjamin Button, created as Britpop, slowly working its way back to rock n roll, and we’re about halfway; USA in the mid-sixties, hardcore surfing with the Beach Boys. Indeed, the sound of The Forgotten Memory of The Beaches,โ€™ which was unleashed last Friday on Spider Music, is inspired by the classic surf-rock sound, pioneered by the likes of The Shadows, The Beach Boys, and The Ventures, yet itโ€™s heavier, man, like vintage psychedelia heavier.

For this, I have to say, amidst sonic blasts, flares of garage fuzz and dark post-punk drumming undertones, there’s nothing really definable as in-your-face heavy metal here, more Chuck Berry’s Gibson ES-355 taken for a journey by Dave Murray, and for this it’s completely unique; a warlockโ€™s cauldron in which he adds a tablespoonful of Duane Eddy and a pinch of The Cramps.

This incredible sound of sixties Southern California has been recaptured and reshaped by a trio based in the South of France, guitarist Damien Ricaud, Yves Manceau on percussion, and bassist Ludovic Timoteo, and itโ€™s a breathless race. Given the psychedelic swirls of space rock at the beginning, you assume youโ€™re in for a mellow trip, assume as Pink Floyd, there will be peaks and troughs, but through a magnitude of twelve relentless three-to-four-minute tracks, it rarely comes up for air.

Neither does it poke a standalone track at you, given itโ€™s completely instrumental, without the hint of sampled spoken word, it flows right through as one masterpiece of mind-blowing nuanced mayhem, causing you wonder what the heck to listen to, or even do next. But for me, makes it tricky to nail a few direct words about it, to pick it apart, reason enough to love it.

On our local circuit, guitar heroes Innes Sibun jamming with Ruzz Evans might come somewhere close to capturing something similar. Should they choose to, because despite these sixtiesโ€™ surfer influences cited in its press release, The Rivieras, for example, wouldโ€™ve reacted like the crowd at the Under the Sea Dance scene in Back to the Future, when Marty blasts Johnny B Goode, or in reality, the impact Hendrix had on music. Captain Rico and the Ghost Band really are, this exciting.


Sheer Music to Host Frank Turner and the Sleeping Souls UK Tour at Bath Forum

Featured Image by Clair McAllister

Little doubt Frank Turner is the top of his game, the prolific indie-rockerโ€™s ninth studio album, โ€œFTHCโ€ is highly anticipated….

The previously released lead single, โ€œThe Gatheringโ€ only gives a small insight into the new direction of the record. Though Frank is not only able to feature guest appearances from Muse, Nine Inch Nails, Biffy Clyro and more, the supporting tour allows him to cherry-pick venues and promoters.

Frank will be doing a unique tour playing all thirty-nine English historic counties, plus nine districts of Scotland, eight counties in Wales, six in N. Ireland and a further eight counties in Ireland. The ambition is to reach all of his fans with his new record and play where most artists will not go.

Sheer Music is the obvious choice for the west country, and promoter, Kieran J Moore is delighted to have been asked. Frank has chosen The Forum in Bath for his Somerset date, which will be Friday 18th February 2022.

The beautiful art-deco Forum gave Frank one of his last shows from his previous album tour, just prior to lockdown. The venue remains a firm favourite with artists and fans alike. It will be Sheerโ€™s first show at the historic venue, Mr Moore says, โ€œitโ€™s an opportunity weโ€™re truly honoured and excited about being given!โ€

Image: Clair McAllister

Given the nature of the show and the current climate, (itโ€™s as if no one was allowed out for a year or more!) tickets will be snatched quickly, so a heads up for Turner fans, that tickets will be available in the following structure;

Album Pre Order for Pre-Sale: Tuesday, 21 September @ 5PM BST

Album Order Pre-Sale: Wednesday, 22 September @ 12PM BST โ€“ Friday, 24 September @ 12PM BST

Promoter Pre-Sale: Thursday, 23 September @ 12PM BST

General On Sale: Friday, 24 September @ 12PM BST


WIN 2 TICKETS HERE

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One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โ€œlarge unlicenced musicโ€ฆ

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

Whatโ€™s Happening in September?

Thatโ€™s it, one big blowout of a bank holiday weekend and August is kaput. Nights drawing in, the fall will be here before you can say โ€œwas that it, summer?โ€ Given last years blazing heatwave, while we were couped up, this summerโ€™s been comparatively damp, you couldโ€™ve have made it up. There were lots of great things to do, and that doesnโ€™t show signs of slowing through next month.

So, check in and scroll down to see whatโ€™s happening this bank holiday, whereโ€™s thereโ€™s more than enough just in Devizes alone to keep us busy. Awesome, firstly, to see Swindonโ€™s indie-pop stars, Talk in Code will join our favourite Daydream Runaways, for the first Friday night of music down at The Southgate. Then the town goes festival crazy, for three solid days! Full-Tone Festival hits the Green, Saturday and Sunday, and Monday you have to get down to the Market Place for our wonderful, Devizes Street Festival and the Colour Rush.

September 2021Once youโ€™ve gotten over that, September then, hereโ€™s the highlights:

Running now until the 4th, Four artists exhibit at Trowbridge Town Hall. A selection of 2D and 3D works by local artists Deborah Clement, Sonja Kuratle, Jennie Quigley and Jane Scrivener.

It was in August 1979 that arguably Swindon’s greatest-ever band, XTC, released their first commercially successful album, 42 years on, original drummer Terry Chambers pays tribute as EXTC, at Swindonโ€™s Victoria on Thursday 2nd.

Following night, Friday 3rd, the Pink Floyd-Fleetwood Mac double-tribute act, Pink Mac will stand on the same stage, at the Vic, while The Wiltshire Blues & Soul Club presents an evening with Sloe Train at Owl Lodge in Lacock, and Corshamโ€™s Pound Arts has comedy with the brilliantly titled โ€œRescheduled Rescheduled Rescheduled Time Show Tour 2021โ€ by Rob Auton.

Burbage celebrates their the 24th Beer, Cider and Music Festival, with Humdinger and Kova me Badd.

Saturday 4th and thereโ€™s a Greatest Showman Sing-a-Long with the Twilight Cinema at Hillworth Park, yet it will be loud down Devizes Southgate, with a welcome return of NervEndings, Fangs & The Tyrants sound equally as loud, theyโ€™re at Swindonโ€™s Vic. For a more chilled evening, Cara Dillon plays the Neeld. An extraordinary, captivating Irish singer Mojo magazine claims to be โ€œquite possibly the worldโ€™s most beautiful female voice.โ€

It is also good to see the Melksham Assembly Hall back in the biz, they have Travelling Wilbury tribute, The Unravelling Wilburys! And thereโ€™s a unique blend of melodic folk-pop blowing out from Trowbridge Town Hall as Bristol band Sugarmoon come to town.

One to overshadow the lot, is The Concert at the Kings at All Cannings, happening over the weekend. Great line-up for Rock against Cancer, as ever, with Billy Ocean headlining Saturday and 10CC on Sunday, albeit they seem completely unresponsive to messages from us. While I accept the strength of booked acts alone means they need no local press presence, itโ€™s a shame they wonโ€™t care to respond; it would be great to cover this.

Ah well, Sunday rocks anyway, with an incredible booking by The Southgate, mind-blowingly awesome US blues outfit of Well-Hung Heart, with a local twist, Beaux Gris Gris & The Apocalypse play. Not to be missed. Westwards, Schtumm presents Will Lawton & The Alchemists with support by Hazir at the Queens Head, Box, and north, Syteria play the Vic, with Adam & The Hellcats and Awakening Savannah.

Oh, and The Lions Clubs of Trowbridge & Westbury have their White Horse Classic & Vintage Vehicle Show on Sunday 5th too!

Second weekend of September and things just get better, from Thursday to Sunday, the place to be is Swindon. The free roaming festival is back, with a line-up across too many venues to list, see the poster. The Swindon Shuffle is truly a testament to local music, everyone who is anyone will be there, in the words of Zaphod Beeblebrox.

Itโ€™s time for Jesus Christ Superstar to magically appear in Devizes, as the Wharf Theatre showcases the retro musical, opening Friday 10th, running until 18th.

A hidden gem in the heart of the Wylye valley, the Vintage Nostalgia Festival begins too, running until Sunday at Stockton Park, near Warminster. Sarah Mai Rhythm & Blues Band, Great Scott, Shana Mai and the Mayhems all headline, with those crazy The Ukey D’ukes and our favourites The Roughcut Rebels also play. Lucky if youโ€™re off to the Tangled Roots Festival in Radstock, all sold out.

Closer to home though, Saturday 11th sees the Stert Country House Car Boot Sale, for Cancer Research, the Corsham Street Fair, Women in Rock at the Neeld and The Rock Orchestra by Candlelight at Swindonโ€™s MECA. Eddie Martinโ€™s solo album launch, Birdcage Sessions, at the Southgate, Devizes and the awesome Will Lawton and the Alchemists are at Trowbridge Town Hall. Two Tone All Skaโ€™s play Chippenhamโ€™s Consti Club.

Staying in Trowbridge, Rockhoppaz at the Park for an Alzheimerโ€™s Support Gig on Sunday 12th. Meanwhile itโ€™s Hillworth Proms in the Park with Devizes Town Band, and the incredible homegrown guitar virtuoso, Innes Sibun is at The Southgate. ย 

Third weeks into September, find some jazz with Emma Harris & Graham Dent Duo at Il Ponte Ristorante Italiano, in Bradford-on-Avon. By Thursday 16th, The Derellas play the Vic, and a welcomed reopening of the the Seend Community Centre sees our good friends Celtic Roots Collective play on Friday 17th.

Also Friday, in Swindon, Road Trip play The Vic, and Hawkwind, yes, Hawkwind at MECA!

Itโ€™s Dauntsey Academy Scarecrow Trail and thereโ€™s a Happy Circus in aid of Nursteed School in Devizes on Saturday 18th, and the welcomed return of Devizes Long Street Blues Club, with the Billy Walton Band. People Like Us are playing The Churchill Arms in West Lavington, ELO Beatles Beyond at Melksham Assembly Hall, and the amazing Onika Venus is at Trowbridge Town Hall.

Sunday 19th sees the Rock The Rec for Macmillan Cancer Support, free fundraiser at Calne Recreation Club.

On Thursday 23rd Antoine & Owena support the The Lost Trades at Komedia, Bath, Steve Knightley plays the Neeld, and thereโ€™s โ€˜An autobiographical journey of a deaf person trapped in a hearing worldโ€™ calledLouder Is Not Always Clearer at Pound Arts.

Tom Odell is at Marlborough College Memorial Hall on Friday 24th, and Fossil Fools play the Vic in Swindon.

Sat 25th sees the opening of the Devizes Food & Drink Festival, with the market. A Full Preview of everything happening at HERE. The HooDoos do The Southgate.

Meanwhile, Melksham Rock n Roll Club presents Johnnie Fox & The Hunters, Juice Menace play Trowbridge Town Hall. Wildwood Kin at Christ Church, Old Town, Swindon, and, this will go off; Talk in Code, The Dirty Smooth & The Vooz at the Vic, while tributes to Katy Perry vs Taylor Swift @ MECA.

Award for the most interesting thing to do this Saturday goes to Pound Arts. Sh!t Theatre Drink Rum with Expats is a production which contains distressing themes, images covering topics including migration and political assassination, plus a dog onstage; make of that what you will!

By the end of the month things look a little sportier, with bookworms, Sunday 26th is The Hullavington Full Marathon & 10K, travel author and TV presenter Simon Reeve talks at Dauntseys on Wednesday 29th, Thursday sees the opening of Marlborough Literature Festival.

But this list is by no means exhaustive, stuff to do is coming in all the time, making it near impossible to keep up, you need to regularly check our event calendar. Help me to help you by letting me know of your events, and if youโ€™ve the time, write us a preview or review, I canโ€™t be everywhere at once, and sometimes get so overloaded I just want to slouch on the sofa watching Netflix!

Have a good September!


Trending….

Steatopygous Album Marks Pinnacle for Sketchbook Records

Raging expressions of angered feminist teenage anguish this month, perfectly delivered by Steatopygous via their mindblowing debut album Songs of Salome, I hail as the pinnacle of Sketchbook Records to date. But it’s only beenโ€ฆ

Cheerio Wilko; Wiltshireโ€™s PCC is Shown the Door!

The only good to have come from Wiltshire having a Police Crime Commissioner was proof The Conservatives used their power to reward their elite bum chums and family with overpaid, high power and often completelyโ€ฆ

Sarah C Ryan Band’s Radio Silence

If you need a reason to understand why I was so excited about The Sarah C Ryan Band coming to RowdeFest back in May, you wasn’t there!! And if you wasn’t, well, I’m not goingโ€ฆ

Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil and they gained air time, but the interview was published shortโ€ฆ

Stone Circle Wiltshire Music Awards Will Continue into 2026

In thanking everyone who supported this year’s Wiltshire Music Awards, Eddie Prestidge of Stone Circle Music Events revealed his intentions of continuing with the awards into next yearโ€ฆย  โ€œFirstly, I want to say a heartfeltโ€ฆ

Jesus Christ Superstar at The Wharf

With Jesus Christ Superstar coming to Devizesโ€™ Wharf Theatre, Iโ€™m pondering, just how outrageous was it at the time, and how has adaptations and satires of biblical stories become more acceptable? ย 

So yeah, from what I remember, knee-high to a puppy at the time, he came down from heaven on a Yamaha, pulled a skid, killed a kid, trapped his balls in a dustbin lid.

Other rhymes circulated school playgrounds nationwide, but all the variations of the Jesus Christ Superstar theme were considered on the topper-most level of naughtiness, most likely because we figured it lampooned Jesus. When in all actual fact, above the tittering of school children, had the damage not already been done by the very thing we were parodying?

In a competitive era when the concept album had come of age, so rock musicals and rock opera were becoming fashionable, one had to raise the controversy bar in order to get noticed. With Joseph and the Amazing Technicolor Dreamcoat already under their belts and bugging religious zealots, Andrew Lloyd Webber and Tim Rice knew blasphemy long before Madge frolicked with an ethnic Jesus in Like a Prayer.

Cover story was, by twisting the Easter story into modern terminology and themes, it reached out to a new generation, but many didnโ€™t see it that way. Banned briefly by the BBC for being sacrilegious, Christian and Jewish orders despised the album alike, and the musical was banned in South Africa and Hungary.

Such was the narrative, focussing on Judas rather than Jesus, his fears the compassionate movement had become a cult, Jesusโ€™s declarations being besmirched by his followers, and this was a dangerous game which would attract the attention of the Romans, not forgoing it was condoning the common assumption Mary Magdalene was a prostitute, it might seem an unusual choice for the Wharf Theatre in Devizes. Yet, if anything, the degrading in offensiveness of Jesus Christ Superstar, is symbolic of how far weโ€™ve progressed and become more accepting towards biblical adaptations and ret-cons.

After all Monty Pythonโ€™s Life of Brian was only eight short years away, and today we live in a world where Homer Simpson prays for doughnuts, Trey Parker and Matt Stone depict Jesus in a boxing match with Satan or else hosting a call-in chat show called โ€œJesus and Pals,โ€ and even locally where The Boot Hill All Stars sing a song about a โ€œtiny Jesusโ€ crucified on a hot cross bun!

For extreme retroactive continuity of the character of Judas, though, Iโ€™d highly recommend the self-published series by author Roy Bright, whereby, punished by God with immortality and banished to Earth, Judas rights his wrong by becoming a super-heroic, Hollywood-fashioned action hero!

Still, the revival of the controversial musical is trending, which through the aforementioned hullabaloo, took best part of decade to alter from rock opera album to the stage in London, and only because of its success in the USA. A new production was staged at the Stratford Shakespeare Festival, in Ontario, in 2011, and by the 45th anniversary of its run, on Broadway, it returned to London at Regent’s Park Open Air Theatre.

Whether you were intrigued or outraged at the time, or if like me, too young to form an opinion further than the amusing notion of Jesusโ€™s nad-sack caught in a dustbin lid, to see it now might cast a different perspective on the synopsis than how it was perceived at the time, and you can do exactly that, a stone throw away.

A rescheduled performance from last year, The Really Useful Group Ltd presents Jesus Christ Superstar at Devizes Wharf Theatre from Friday 10th to Saturday 18th September. The strapline runs, Jesus must be stoppedโ€ฆ.  which is tricky to say the least, I mean, on a Yamaha and all!

It will, at last, be open to a full house, after restrictions have reduced capacity of our lovely theatre, and Devizine wishes it well. โ€œIt has been a long hard wait,โ€ expresses publicity manager Karen, โ€œas we were due to stage this just days after the first lockdown was announced.โ€ And further to this, plans are ahead for the Christmas panto, Dick Whittington, with auditions on Wednesday next week, 18th August.

The box office is also open for the adaption of The Navy Lark, a classic radio comedy which originally featured Leslie Phillips, Dennis Price, Ronnie Barker and Jon Pertwee, on 2nd October, and Just Like That! The Tommy Cooper Show on the 16th.

The end of October sees an hilarious farce play, based on the true story of Florence Foster Jenkins, dubbed โ€˜the worst singer in the worldโ€™ in 1940s New York, running from 25th to the 30th of October, and a one-off on the 16th November, Dan Clews portrays Paul Simon in The Paul Simon Story.

Wharf Theatre

Tickets can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk and at the Devizes Community Hub and Library on Sheep Street.


Trending…….

The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Roughcut Rebels Hit Trowbridge

If I was ever to be privileged to interview Bruce Springsteen, which I doubt I would be, Iโ€™d like to ask him of his thoughts now heโ€™s 71, of penning a song called Growinโ€™ Up at the tender age of 23. Similarly, Iโ€™d probe Pete Townshend, only a year young than the Boss, over lyrics of My Generation, which go, โ€œhope I die before I get old!โ€

Yet, despite its title, I view My Generation to be less about a specific generation, and more about the attitudes of youth, and with this in mind, it could easily be placed into any subsequent generation. The Oasis cover aside, for this opens another Pandoraโ€™s Box Iโ€™m not willing to go down (Iโ€™ve a gig to review here,) itโ€™s fair to say, akin to any song of the โ€œmodโ€ genre, itโ€™s timeless.

To believe the โ€œmodโ€ is wrapped in sixties nostalgia is only partly factual, Londonโ€™s emerging mod-girl sweetheart, Emily Capell sports a beehive hairstyle, but often sing-raps, like Kate Nash, and collaborates with Dreadzone. Similarly, the age demographic of Devizes-based mod cover band, The Roughcut Rebels spans generations, particularly now young Finley Trusler fronts it; still, he stands, belting out a vigorous and eloquent cover of My Generation.

Itโ€™s my reasoning for trekking to Trow-Vegas, keen to finally scrub โ€œmust see Finley fronting the Roughcutsโ€ off my to-do-list. He got the job with two gigs before lockdown, thankfully bookings are returning for the band. For through his musical journey, started in the Devizes School boy band 98 Reasons, which branched off to duo Larkin with Sam Bishop, and still works with cousin, Harvey, as the Truzzy Boys, his cool demeanour stage presence and exceptional talent has to been celebrated. Query being, how would this fair with a proficient, yet older mod cover band?

The answer; very well indeed, thanks for asking. I jested with Fin outside the pub, asked him if he had to learn the songs senior to him, and he replied โ€œnot really.โ€ This, and their dynamic performance, of course, proved my โ€œmod is timelessโ€ theory. In an explosive manner and highly entertaining show, they rocked Mortimer Streetโ€™s The Greyhound, and could do the same for any given venue.

Think of the eras the term encompasses, from The Beatles, Stones, Kinks and Spencer Davis through to The Jam and Purple Hearts, onto Ocean Colour Scene, The Stone Roses, to Britpop, Oasis and Blur, and modern times like Jake Buggโ€™s Lightning Bolt, The Roughcut Rebels got them all covered, and, loving every minute of it, they took the slight crowd with them.

To blend A Hard Dayโ€™s Night into a set with A Town Called Malice, swiftly move onto Park Life, or The Day We Caught The Train, and return with the Kingsmenโ€™s Louie Louie, displays their ability and keenness to incorporate and fuse epochs, and they do it with certain ease. Grant Blackmanโ€™s expert drumming and John Burnโ€™s bass played upfront gives it oomph, while Mark Slade adds the succulent and memorable rhythms, topped by Finelyโ€™s accomplished vocals, accompanying guitar or else showy tambourine timekeeping like a young Jagger giving it Jumpinโ€™ Jack Flash. Roughcut, huh? Yeah, they are a cut far above the average cover band on the circuit.

As for the venue, The Greyhound, I like it, in the shadow of The Pump, a long-bar town pub unexpectedly clean and tidy, with hospitable staff and drinks cheap as chips. Without so much as a blackboard, it couldโ€™ve done with promoting its live music event, as a regular told me he was unaware of it and only popped in because he heard the music. Consequently, the crowd was slight, and all-male (ladies, if you want to bag yourself a drunken Trow-Vegas native in a cheap polo shirt, this place is for you) but through the excellence of the Rebelโ€™s music, all were up dancing.

Hereโ€™s a great local covers band which will pull in an age-spanning crowd to your pub, and spur them to spend at your bar; because thereโ€™s an anthem or ten for all generations, and itโ€™s lively, accomplished and entertaining.


Trending…..

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Today is Bandcamp Friday, Best Day to Bag Our 4Juliaโ€™s House Compilation

As the headline suggests, itโ€™s Bandcamp Friday, August 6, 2021, when the music platform waivers its fees, from midnight-to-midnight Pacific Time. Thereโ€™s no better time to buy our awesome fundraising compilation album as an average 93% of your tenner will go to Juliaโ€™s House Childrenโ€™s Hospice.

Bandcamp Friday has been operating since March of 2020, on the first Friday of every month. Bandcamp is a wonderful site, it doesnโ€™t prioritise signed artists, but level pegs all musicians. They waivered their shares to help support the many artists who have seen their livelihoods disrupted by the pandemic. You can explore Bandcamp forever, finding your favourite artists, local music, or do as I like do sometimes, and venture off for a musical journey beyond your usual haunts. You can trek to a country and find all manner of musical styles youโ€™ve never heard before, safe in the knowledge, unlike streaming sites, it is fair trade for the artists.

Streaming sites offer a pittance of revenue share to the artist, they have to get millions of listens to make the price of sausage roll, whereas Bandcamp is a buying service, where merchandising can be added too. This is why I chose the site to launch our compilation album. Money comes straight over to us when you buy, and weโ€™ve currently raised over ยฃ150 for Juliaโ€™s House, please help us to raise this bar.

Besides, itโ€™s a cracking album, where if youโ€™re in the local area, name your favourite local artist, and I thereโ€™s a high chance theyโ€™ll be on it, and I guarantee youโ€™ll discover some new ones too. 46 full length songs of various genres, thoughtfully placed in sections according to those genres, to create a soundscape encompassing everything thatโ€™s amazing about both our local music scene, and beyond, artists weโ€™ve featured on Devizine in the past.

In fact, I call it an album, but a โ€œboxsetโ€ would be a more appropriate term if it was a physical product. Unfortunately, it is only as a download, as to make it an album would take over 5 CDS, and the expense of producing a product is too much to risk taking any profits made for the charity. I would be keen to hear from a business willing to sponsor the production of a small run of CDs, but as it is, download it is. Thereโ€™s a good thing with download, your purchase is stored in a cloud, so youโ€™ll never lose it as you have unlimited downloads of it. You can transfer it from one devise to another, you could burn it onto your own CD, if you wished.

It will never fail to amaze me, just how many musicians rallied to donate a song to this project, and Iโ€™m forever grateful to them all. Artists you should branch out to, and buy some of their albums and singles, as Iโ€™ve handpicked these fantastic people, so you can be rest-assured of their quality and talent.

For detailed track listing click here, but hereโ€™s the lowdown of who youโ€™ll be hearing on this musical journey of over three hours, in order of appearence: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Wilding, Barrelhouse, Richard Davies & The Dissidents, Tom Harris, Will Lawton โ€“ Evanescence, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Nigel G. Lowndes, Kier Cronin, Sam Bishop, Mr Love & Justice, Barmy Park, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, Cosmic Shuffling, Blondie & Ska,The Birth of Bonoyster, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Meru Michael, Cutsmith, The Tremor Tones, Big Ship Alliance, Feat Johnny2Bad, Robbie Levi & Stones, Urban Lions, Neonian, First Born Losers.


Disenchanted Webb

Swindonโ€™s one-man red-hot chilli pepper, Webb is about to blow your mind, speakers and pants off with his new EP Disenchanted; Iโ€™ve heard it, and live to tell the taleโ€ฆ.

First impressions last, and Iโ€™m having one of those mornings. Perpetual drizzle, darker mornings conspicuously drawing nearer, and other trivial irritations which I canโ€™t quite put my finger on, are building to a generally low-spirited mood. Tedious has the eighties pop mix Iโ€™m listening to become, even nostalgia cannot help me. I stop for a break, knowing Iโ€™ve got Ryan Webbโ€™s new EP Disenchanted to review, which promises to mark the emergence of WEBBโ€™s new, heavier direction. This is displayed by the forename being dropped, saving as Webb.

I consider playing the Lost Trades, for their folky calmness will do wonders for my wellbeing, and I suspect Disenchanted might have the opposite effect. Though I acknowledge it will be of high quality, Ryanโ€™s sound has always been substantial, heavy rock or metal isnโ€™t my bag, and Iโ€™m usually highly critical of it. Donโ€™t do it, I deliberate, last thing they need is for me to be set to whinge mode. But I did anyway, and given all algorithms, I worried this could head south rather quickly.

The five track EP includes the previously released track โ€œDONโ€™T!โ€, which we reviewed in May last year. I didnโ€™t headcount the tracks but noted, after a while, Iโ€™d heard the one playing before; itโ€™s gone around on repeat unnoticed, Iโ€™ve been sucked in, and it surpassed my preconceptions by a country mile. Ha, turns out it did suit the mood after all, in fact, it fitted all too well, and is, essentially a magnificent piece of music.

Now, given all Iโ€™ve said, about heavy rock not being my cup of tea, and this is something rather special even to me, if you are partial to the heavier weight of rock, itโ€™s got your name all over it.

So, now Iโ€™ve awarded my mind the task of figuring out why it works so well. And to do this is to honestly unravel why I maintain qualms about metal. Donโ€™t get me wrong, after the hip hop boom in the eighties became somewhat tiresome, like many I looked towards the soft metal genre for solace; I was shot in the heart too, just like Bon Jovi, longed for crazy, crazy nights, and if Heart sang how can I get you alone one more time when all they had to do was ask me, Iโ€™d be content. And as student years rolled in, I lost myself in the classics. Noting if it was compulsory for every soft metal band to sound like Jimmy Page, which while this is no bad thing, the vocal trend over time seemed to metamorphize into a hackneyed caricature of the voice of Satan. My qualm begins here, you donโ€™t know if Satan actually sounds like that, all coarse and demonic, he could have a camp voice for all you know!

There it is, the negativity, the hellish themes of death and destruction, and the long hair; I donโ€™t want to bring my, or anyone elseโ€™s daughter to the slaughter, if you donโ€™t mind. Even if itโ€™s tongue-in-cheek, times when I want to push the extensive fringes of metallers from their foreheads so they might see the beauty in life, the positives. Nu-metal, I say, feels like a long stretch to the elements I favour, the frenzied driving passion of Zeppelin, of The Ace of Spades, even Black Sabbathโ€™s Paranoid Iโ€™ll give you.

And hereโ€™s where Disenchanted fits; contemporary with nods to the classics, the vocals more on Page than Beelzebub, and Webb can hold a note like a tenor, while sublime drums roll over it blissfully. This fits because it’s precisely the opposite of mindless headbanging for headbanging sake, it’s composed and constructed with clarity and a truckload of talent.

The reason the EP rolled on unnoticed is because it captures all that is positive, all the elements I appreciate of the genre. Webb says, โ€œIโ€™m really excited about Disenchanted. Itโ€™s an EP that I am really proud of, and I feel that now I have found the right direction for my music,โ€ and proud he should be, for in technical jargon, Disenchanted can be summed as oomph; here, have a bit of that.

It amplifies a quote from my review of the single, โ€œa one-man red-hot chilli pepper.โ€ Ryan wrote, produced, sang, wailed his guitar, recorded and mixed this track in his studio. The only collaborators being Dave Collins on Don’t, the mastering engineer for Metallicaโ€™s last album, and Pete Maher who mastered the whole EP; heโ€™s mastered the Rolling Stones and the Killers to name but a few.

Within seven seconds it pounds, the stunning lead single Concrete Beds; oh, those rolling drums, proficient howling guitars and Webbโ€™s mighty soulful vocals; it rocks. Disenchanted demonstrates the multi-instrumental talent that makes him unique.

Thereโ€™s acute narrative to boot, Concrete Beds aptly homelessness themed, Iโ€™m Standing Here erotically scorching, the third track though, Secrets is a haunting ambient caution to bottling up, and debatably the most poignant on the EP. When Darkness Falls lifts the tempo once more, and is heavy, but Iโ€™m still engrossed, then the finale, Donโ€™t rips you a new arsehole, the riff beguiling, the considerable power and passion launched into this is exceptional.

The test of good โ€œdrivingโ€ rock is just that, your footโ€™s tension on the accelerator is judge and jury, and Disenchanted will have your pedal to the metal. Itโ€™s unleashed to the world next Saturday, the 14th August, and tickets are now available for the launch show at The Vic, Swindon.

CD pre-orders are available directly from WEBBโ€™s online store: https://www.webbofficial.com/product/disenchanted-pre-order

You can also pre-save/pre-add to your favourite music platform https://ditto.fm/disenchanted

I suggest you do, then hold on tight to the nearest thing nailed down.


Hotting up for August 2021: Things to Do Across Wiltshire and Beyond

If July saw the gradual return to normality, and cautiously events crawled back with a welcomed but awkward feeling, while it may be hugely debatable if weโ€™re doing the right thing, or not, August is warming up to be stonker. Events of all types are flung up each day, itโ€™s hard to keep track and up-to-date, nevertheless I try.

Fingers crossed it doesnโ€™t go Pete Tong. Such a divided issue with good arguments on each side, Iโ€™m not about to start ranting for either, but I salute everyone organising events, at great risk to themselves financially. All I will say is, it is vital for the success of any event and the continuation of them in general, that we still apply certain rules, restrictions set by the organisers, and adopt the necessary etiquette when attending them. We know what the precautions are, theyโ€™re second nature now. The government passed the buck, it is up to us, each and everyone of us to think for ourselves, respect otherโ€™s decisions on how to act, but I appeal, act responsibly and long may this continue.

Without further-a-do then, hereโ€™s what weโ€™ve found on Devizine for August. Itโ€™s far easier to knock this article up with providing too many links, they can be found at the event calendar, and for family events throughout the school holidays, check here; but please do check for updates, itโ€™s never an exhaustive thing, new events are being added. Said that bit before, but it is even more vital to check ahead, to ensure events are going ahead as planned, and what restrictions might be in place at them individually. Have a great August, stay safe.

Week 1:

Kicking off on Monday August 2nd with the +5 Holiday Club at The Farm Cookery School. Tuesday 3rd and running until Thursday 5th August, RW Football School Summer Football Camp are at Green Lane, Devizes, ages 6-11.

Wednesday August 4th, then. Chippenham Museum host a Childrenโ€™s Art Walk. Take a walk, through Monkton Park for this fun arty session. You will receive a pack with pencils, crayons and plenty of paper and join local artist Kirsty Jones to explore the wonderful setting of the park.2pm โ€“ 3pm. ยฃ4 per child. Recommended age 6 and above, all children must be accompanied. Meet at the town bridge entrance to Monkton Park. Thereโ€™s also the +8 Holiday Club @ The Farm Cookery School.

Wednesday also sees the first Junior Actors with Lucia, for school years 6-9, for the Youth Theatre Summer Workshop at the Wharf Theatre, Devizes.

Thursday 5th and the Summer Kidโ€™s Art Club at Wiltshire Scrapstore starts on Bowden Hill, Lacock. Sessions from 10:30 am โ€“ 12:00 pm, run every Thursday and Friday through August.

Our first August festival starts Thursday, Wickham Festival in Hampshire, where Van the Man headlines, and the Love Summer Festival at Plympton, Devon starts Friday.

Thereโ€™s an interesting-sounding new family musical written and produced by Mel Lawman staged at Bathโ€™s Forum on Friday 6th -Saturday 7th Miss Red. Devizes folk support this, because our homegrown talented twelve-year-old, Jessica Self from Centre Stage Academy of Dance in Devizes and Stagecoach Trowbridge is in the cast, playing Daisy Blewitt. We wish you all the best, Jessica.

Friday 6th also sees the Salisbury Comedy Festival start, Black Sabbath tribute, Supernaut play the Vic in Swindon, and HoneyStreetโ€™s Barge will be kicking as the Mid Life Krisis Collective head down there.

On Saturday 7th time for Sheer Music to put aside their lockdown TV presenting skills and get on with what they do best, hosting gigs. And what a way to start, itโ€™s Frank Turner at the Cheese & Grain. Also, catch the amazing Kevin Brown the Southgate, Devizes, and those mods, The Roughcut Rebels play the Greyhound in Trowbridge.

The wonderful Strange Folk are at The Three Horseshoes in Bradford on Avon. Concord Drive, Transfer Window and Man in Vest play Swindonโ€™s Vic, Jive Talkinโ€™ perform the Bee Gees at Chippenhamโ€™s Neeld Hall and itโ€™s The Bath Festival Finale Weekend, where McFly headline.

For Sunday chilling, on the 8th, get down to the Queens Head in Box where Schtumm presents The Lost Trades with support from Lee Broderick, alternatively the Neeld play The Rod Stewart Songbook.

Week 2:

Monday 9th August thereโ€™s a +8 Holiday Club, The Farm Cookery School and +11 on Tuesday.

Wednesday sees another Youth Theatre Summer Workshop, at Devizes, the Wharf Theatre, check their website for details. Chippenham Museum also hosts a Writing & Performance Workshop with performer Ruth Hill, for ages 8 and above. More Summer Kidโ€™s Art Club at Wiltshire Scrapstore on Thursday and Friday, and The Cake Lady takes The Farm Cookery Schoolโ€™s +8 Holiday Club.

Friday night, Iโ€™ve got Stop Stop playing Swindonโ€™s Vic, and thatโ€™s it so far.

Saturday 14th, Cobbs at Hungerford have a charity Emergency Service Day, should be fun for the little ones. For the grownups, cider fest at the Civic in Trowbridge with the Mangled Wurzels.

Lewis Clark is at The Southgate, Devizes, Shepardโ€™s Pie at Wanboroughโ€™s The Harrow, and Webb, formally known as Ryan Webb has this EP launch party at Swindonโ€™s Vic, with Broken Empire and Land Captains in support. Hope to get a copy of this for reviewing, some clog in the pipeline at the moment. But hey, itโ€™s also Buckfest at Marlborough The Roebuck where the loud and proud Humdigger headline.

Bedpost, Transfer Window and Pool play the Vic in Swindon on Sunday.

Week 3:

+11 Holiday Club at The Farm Cookery School on Monday 16th, and the RW Football School are in Melksham. Suitable for ages 6+, Pound Arts welcome Scratchworks Theatre Companyโ€™s joyful and mischievous show to Corsham Almshouses, for an outdoor performance of The Grimm Sisters.

A welcomed return of events at Melksham Assembly Hall on Thursday 19th, with Neil Sands Bringing Back the Good Times; olโ€™ time favourite show tunes from the 40s, 50s & 60s and a heart-warming tribute to Dame Vera Lynn.

Friday 20th and Jack Deeโ€™s new show, Warm Up is at Chippenhamโ€™s Neeld Hall. Iโ€™ve nothing else for Friday night yet, but Saturday21st, woah, festival time!

First up, is where I plan to be, Mantonfest, near Marlborough, with Blondie tribute Dirty Harry, Dr Feelgood, Barrelhouse, Richard Davies & The Dissidents and many more. Over the downs, OakStock at Pewseyโ€™s Royal Oak is another safe bet; Amy Winehouse, Rag n Bone Man tributes, alongside the brilliant Illingsworth.

Meanwhile the rescheduled Bath Reggae Festival takes place, with Maxi Priest, Aswad, Big Mountain, Dawn Penn, Hollie Cook and more. Anneโ€Marie, Dizzee Rascal and Clean Bandit headline Live at Lydiard 2021.

Howlinโ€™ Mat plays The Southgate, Devizes, while Sex Pistolโ€™s tribute Pretty Vacant are at Swindonโ€™s Vic, with support by The Half Wits and Subject Ex.

Week 4:

Monday 23rd August is +8 Holiday Club at The Farm Cookery School, and Tuesday is11+.From Tuesday until Thursday, The RW Football School Summer Football Camp returns to Green Lane, Devizes, for ages 6-11.

Chippenham Museum has a one-hour workshop to create your own simple mini scrap book inspired by their latest exhibition on Wednesday, for ages 6+.

Thursday and Friday itโ€™s Summer Kidโ€™s Art Club at Wiltshire Scrapstore. And Thursday 26th August sees an Olympic Gold Medallist, Alex Danson running a Hockey Masterclass at Devizes Hockey Club. Open to all hockey players aged 11-18 โ€“ you donโ€™t have to be a member of DHC.

All weekender at The Barge on Honeystreet, when Honey Fest kicks off Thursday, with a grand local line-up, including The Lost Trades, The Blunders, and Chicken Shed Zeppelin, to name but a few.

The Southgate is the place to head towards on Friday in Devizes, where my personal indie-pop favourites, (not that I should have favourites) Daydream Runaways are booked in. Also, the highly anticipated FullTone Festival returns to Devizes Green, all weekend, with the Full Tone Orchestra and Pete Lambโ€™s Heartbeats appearing Sunday.

A theatrical outdoor re-telling of Kenneth Grahameโ€™s classic, Wind in the Willows on Saturday 28th August at Corshamโ€™s Pound Arts. And Sunday, a Magical show where beautiful Princesses become Pop Stars, Pop Princesses comes to Wyvern Theatre, Swindon.

Meanwhile, itโ€™s the welcomed Triple JD Band at The Southgate, Devizes and HarrowFest at Wanboroughโ€™s The Harrow, featuring Jamie R Hawkins, The Blind Lemon Experience and moreโ€ฆ


OUT NOW! Various Artists 4 Julia’s House

As a nipper Iโ€™d spend days, entire school holidays, making mixtapes as if I worked for Now, Thatโ€™s What I Call Music! In the era before hi-fi, Iโ€™d sit holding a microphone to the radioโ€™s speaker, adventurously attempting to anticipate when Tony Blackburn was going to talk over the tune, and just when In the Air Tonight peaked with Philโ€™s crashing drums, my dad would shout up the stairs that my tea was ready; eternally caught on tape, at least until my Walkman screwed up the cassette.

Crude to look back, even when I advanced to tape-to-tape, I discovered if I pressed the pause button very slowly on the recording cassette deck, it would slide into the next song, and with a second of grinding squeal Howard Jones glided into Yazoo!! Always the DJ, just never with the tech! Rest assured; this doesnโ€™t happen on this, our Various Artists compilation album, 4 Juliaโ€™s House. And oh, have I got some news about that?!

Huh? Yes, I have, and here it isโ€ฆ. ย 

We did it! Thanks once again to all our fabulous contributing artists, our third instalment of detailed sleeve notes will follow shortly, but for now, I couldnโ€™t wait another day, therefore, Iโ€™ve released it half a day early, this afternoon!

Now all that needs to happen is to get promoting it, and you can help by sharing news of this on your social media pages, thank you. Bloggers and media please get in touch, and help me raise some funds for Juliaโ€™s House.

Iโ€™ve embedded a player, in which you should be able to get a full try before you buy, I believe you get three listens before itโ€™ll default and tell you to buy it. I hope you enjoy, it has been a mission and half, but one Iโ€™d gladly do again.

Please note: there are many artists giving it, โ€œoh no, I was going to send you a track!โ€ Fear not, there is still time, as Iโ€™ll causally start collecting tunes for a volume 2, and when the time is ready and we have enough songs, we will do it. It might be for another charity, Iโ€™d personally like to do another raising funds for The Devizes & District Opportunity Centre, but thatโ€™s unconfirmed as of yet.

You know, sometimes I think I could raise more money with less effort by trekking down through the Market Place in a bath of cold baked beans, but I wanted to bring you a treasured item comprising of so many great artists weโ€™ve featured, or will be featuring in the near future on Devizine. Never before has all these artists been on one huge album like this, and look, even if you donโ€™t care for a particular tune, thereโ€™s 46 of them, check my maths as I pride myself on being exceptionally rubbish at it, but I make that 22p a track, and all for such a worthy cause!


Click for info on Julia’s House

โ€œWe are so grateful to Devizine and all of the local artists who are taking part in the charity album to raise funds for Juliaโ€™s House. We donโ€™t receive any government funding for the care we give to families in Wiltshire, so the support we receive from our local community is so important.โ€

Claudia Hickin, Community Fundraiser at Juliaโ€™s House

Devizine Proudly Presents Various Artists 4 Juliaโ€™s House; Hereโ€™s the Track Listing!

Sleeve Notes for our Album 4 Juliaโ€™s House

Here it is, the moment youโ€™ve all been waiting for, I hope! The track listing and details of all our wonderful songs presented on our forthcoming album, Various Artists 4 Juliaโ€™s House. Read on in aweโ€ฆ.

Pre-order album on Bandcamp here!

Released: 29th June 2021

1. Pete Lamb & Cliff Hall – Julie

2. King Dukes – Dying Man

3. Erin Bardwell โ€“ (Like the Reflection on) The Liffey view

4. Timid Deer โ€“ The Shallows

5. Duck n Cuvver – Henge of Stone

6. Strange Folk โ€“ Glitter

7. Strange Tales โ€“ Entropy

8. Paul Lappin โ€“ Broken Record

9. Billy Green 3 – I Should be Moved

10. Jon Veale – Flick the Switch

11. Wilding โ€“ Falling Dream

12. Barrelhouse โ€“ Mainline Voodoo

13. Richard Davis & The Dissidents โ€“ Higher Station

14. Tom Harris โ€“ Ebb & Flow

15. Will Lawton โ€“ Evanescence

16. Jamie Williams & The Roots Collective โ€“ Dreams Can Come True

17. Kirsty Clinch – Stay With Us

18. Richard Wileman โ€“ Pilot

19. Nigel G. Lowndes โ€“ Who?

20. Kier Cronin โ€“ Crying

21. Sam Bishop โ€“ Wild Heart (Live Acoustic)

22. Mr Love & Justice โ€“ The Other Side of Here

23. Barmy Park โ€“ Oakfield Road

24. The Truzzy Boys – Summer Time

25. Daydream Runaways โ€“ Light the Spark

26. Talk in Code โ€“ Talk Like That

27. Longcoats โ€“ Pretty in Pink

28. Atari Pilot – When We Were Children

29. Andy J Williams โ€“ Post Nup

30. The Dirty Smooth โ€“ Seed to the Spark

31. SexJazz – Metallic Blue

32. Ruzz Guitar Blues Revue โ€“ Hammer Down

33. The Boot Hill All Stars โ€“ Monkey in the Hold

34. Mr Tea & The Minions โ€“ Mutiny

35. Cosmic Shuffling – Night in Palermo

36. Boom Boom Bang Bang โ€“ Blondie & Ska

37. The Birth of Bonoyster – The Way I Like to Be

38. The Oyster – No Love No Law

39. The Two Man Travelling Medicine Show โ€“ Ghosts

40. Julie Meikle and Mel Reeves โ€“ This Time

41. Cutsmith – Osorio

42. The Tremor Tones โ€“ Donโ€™t Darken my Door

43. Big Ship Alliance โ€“ All in this Thing Together

44. Neonian – Bubblejet

45. First Born Losers โ€“ Ground Loop

Iโ€™ll tell you what though, kids. This has been a lot more work than I originally anticipated! Yeah, I figured, just collect some tunes, let the artists do all the hard work and take the credit! But no, mate, wasnโ€™t like that at all. The most important part for me, is ensuring the artists are properly thanked, so, just like those Now, Thatโ€™s What I Call Music albums, I wanted to write up a full track listing with sleeve notes and links. Please support the artists you like on the album by checking them out, following and liking on social media and buying their music.

But to list all 45 tunes in one article will blow the attention span of the most avid reader, and if, like me, you’ve the attention span of a goldfish, find below the first twenty, and then the next 25 will follow as soon as my writerโ€™s cramp ceases! Just putting them onto the bag was tedious enough, but worth the effort.


To all the artists below, message me if links are incorrect or broken, or if there’s any changes to the details you’d like me to edit, thanks, you blooming superstars.

1- Pete Lamb & Cliff Hall โ€“ Julie

Not so much that Julie is similar to Julia, there could be no song more apt to start the album. Something of a local musical legend is Pete Lamb, owner of The Music Workshop, producing and recording local, national and international artists. His career in music stretches back to the sixties, creating such groups as The Colette Cassin Quintet and Pete Lambโ€™s Heartbeats. Yet it is also his aid to local music which makes him a prominent figure, Kieran J Moore tells how Pete lent him equipment for the first Sheer Music gigs.

Pete Lamb

A wonderful rock n roll ballad with a poignant backstory, Julie was written in remembrance of Peteโ€™s daughter who passed away in 2004 to Non-Hodgkinโ€™s Lymphoma. It was featured on an album for the charity Hope for Tomorrow. The song also features Cliff Hall, keyboardist with the Shadows for many years, playing piano and strings.

Cliff Hall

2 – The King Dukes – Dying Man

Formed in Bristol in April 2019, a merger of a variety of local bands, including Crippled Black Phoenix, Screaminโ€™ Miss Jackson and the John E. Vistic Experience, The King Dukes combine said talent and experience to create a unique, authentic sound, dipped in a heritage reuniting contemporary slices of British RnB with a dollop of Memphis soul.

Dying Man is a prime example, taken from the album Numb Tongues which we fondly reviewed back in the October of 2019. The brilliance of which hasnโ€™t waned for me yet, and isnโ€™t likely to.

The King Dukes

3- Erin Bardwell โ€“ (Like the Reflection on) The Liffey

One cannot chat about reggae in Swindon without Erinโ€™s name popping up. Keyboardist in the former ska-revival band, The Skanxters during the nineties, Erin now operates under various guises; the rock steady outfit Erin Bardwell Collective chiefly, experimental dub project Subject A with Dean Sartain, and The Man on the Bridge with ex-Hotknives Dave Clifton, to name but a few.

(Like the Reflection on) The Liffey is an eloquently emotive tune, staunch to the ethos of reggae, yet profoundly unique to appeal further. It is taken from the album Interval, one of two solo ventures for Erin during lockdown.

Erin Bardwell

4 – Timid Deer โ€“ The Shallows

My new favourite thing, after noting Timid Deer supported the Lost Trades debut gig at Trowbridgeโ€™s Pump. Though self-labelled indie, I was surprised how electronica they are, with a nod to the ninetyโ€™s downtempo scene of bands like Morcheeba and Portishead, hold the trip hop element. This Salisbury five-piece consisting of vocalist Naomi Henstridge, keyboardist Tim Milne, Tom Laws on double bass, guitarist Matt Jackson and drummers Chris and Jason Allen have created such an uplifting euphoric sound, hairs stand tall on the back of your neck.   

Taken from the 2019 album Melodies for the Nocturnal Pt. 1, Iโ€™m so pleased to present this.

Naomi Henstridge


5- Duck n Cuvver – Henge of Stone

Yes, enthralled to have the song frontman Robert Hardie of Duck n Cuvver refers to as โ€œhis baby.โ€ This is Salisbury Celtic roots rock band so aching to film part of their video for Henge of Stone inside Stonehenge, theyโ€™ve campaigned for the funds to do it, ending with Rab breaking into the monument to promote the campaign!

With references to the importance of solstice and the pilgrimage to Stonehenge, what other song could be so locally linked?

Duck & Curver

6 – Strange Folk โ€“ Glitter

A dark west country folk band in the realm of a beatnik time of yore, with a serious slice of gothic too, Strange Folk came to my attention playing the Vinyl Realm stage at the Devizes Street Festival. Hailing from Hertfordshire, band members also now reside in Somerset, Strange Folk is comprised of four songwriters; vocalist Annalise Spurr, guitarist David Setterfield, Ian Prangnell on bass and backing vocals, and drummer Steve Birkett. Glitter features cello by Helen Robertson, and is a name-your-price gift to fans during lockdown, a wonderful teaser which if you like, and I canโ€™t see why you wouldnโ€™t, you should try the 2014 mini-album Hollow, part one.

Strange Folk

7 – Strange Tales โ€“ Entropy

With singer Sally Dobson on the Wiltshire acoustic circuit and the synth/drum programming of Paul Sloots, who resides in West Sussex, catching this duo, Strange Tales live would be a rare opportunity not to be missed. Though their brilliance in melodic, bass and synth-driven goth-punk is captured in the 2018 album Unknown to Science, in which our track Entropy is taken.

Their songs relate baroque cautionary tales drawn from the murkier corners of the human psyche, while retaining a pop sensibility and stripped-down, punk-rock approach. Fans of the darker side of eighties electronica, of Joy Division and Depeche Mode will love this. You can buy this album at Vinyl Realm in Devizes.

Strange Tales; Paul Sloots & Sally Dobson

8- Paul Lappin โ€“ Broken Record

Imagine George Harrison present on the Britpop scene, and youโ€™re somewhere lost in Lappinโ€™s world. Paul hails from Swindon originally, but resides mostly in the Occitanie region of the south of France, where he wrote and recorded the mind-blowingly brilliant album The Boy Who Wants to Fly, released in October 2020. Our chosen track, Broken Record was a single just prior, in August, and features Lee Alder โ€“ bass guitar, electric guitar, Robert Brian โ€“ drums, Jon Buckett โ€“ Hammond organ, electric guitar, Paul Lappin โ€“ vocals, synths, Lee Moulding โ€“ percussion, Harki Popli โ€“ table.

Music & lyrics by Paul Lappin ยฉ2020. Recorded at Earthworm Recording Studio, Swindon. Produced & Mixed by Jon Buckett. Mastered by Pete Maher.

Paul Lappin

9- Billy Green 3 – I Should be Moved

Now Devizes-based, Bill Green was a genuine Geordie Britpop article, co-creating the local band Still during those heady nineties. Today his band on the circuit, Billy Green 3 consists also of Harvey Schorah and Neil Hopkins, whoโ€™s talents can be witnessed in the awesome album this track comes from, also titled Still. Mastered and produced by Martin Spencer and Matt Clements at Potterneโ€™s Badger Set studio in 2020, itโ€™s wonderfully captures the remnants of the eighties scooter scene in reflected in Britpop.

I’m sure you can buy the album at Vinyl Realm, Devizes; I would if I were you.

Billy Green 3

10- Jon Veale – Flick the Switch

Marlborough guitar tutor, singer-songwriter and bassist of local covers band Humdinger, Jon Vealeโ€™s single, Flick the Switch, also illuminated Potterneโ€™s Badger Set studio in August of 2020, and it immediately hits you square in the chops, despite the drums were recorded prior to lockdown, by legend Woody from Bastille, and Jon waited tolerantly for the first lockdown to end before getting Paul Stagg into Martin Spencerโ€™s studio to record the vocals. Glad to have featured it then, even more pleased Jon contributed it to this album.

Jon Veale

11- Wilding โ€“ Falling Dream

What can be said which hasnโ€™t about Aveburyโ€™s exceptionally talented singer-songwriter George Wilding? A true legend in the making. Now residing in Bristol, George has the backing of some superb musicians to create the force to be reckoned with, Wilding. Perry Sangha assists with writing, as well electric guitar, loads more electric guitars, acoustic guitar, organ and weird synth things. Bassist James Barlow also handles backing vocals and cous cous. Daniel Roe is on drums.

The debut EP, Soul Sucker knocked me for six back in November 2018, as did this here latest single recorded at the elusive Dangerous Dave’s Den, mixed and mastered by Dan Roe, during October last year.

Wilding

12 – Barrelhouse โ€“ Mainline Voodoo

One good thing about preparing this album is to hear bands Iโ€™ve seen the names of, kicking around, and added to our event guide many times over, but Iโ€™ve never had the opportunity to see at a gig. Marlborough-based Barrelhouse is one, and after hearing Mainline Voodoo, Iโ€™m intending to make a beeline to a gig. Favourites over at their local festival, MantonFest, headlined Marlboroughโ€™s 2019 Christmas Lights Switch-On, and right up my street!

Formed in early 2014, Barrelhouse offer vintage blues and rock classics, heavily influenced by the golden age of Chicago Blues and the early pioneers of the British blues scene, staying true to the essence that made these tunes great and adding their own style of hard-edge groove. Overjoyed to feature Mainline Voodoo, title track from their 2020 album, which broke into the UKโ€™s national Blues Top 40.

Barrelhouse

13 – Richard Davis & The Dissidents โ€“ Higher Station (R. Davies)

Absolutely bowled over, I am, to have Swindonโ€™s road-driving rock band with a hint of punk, Richard Davis & The Dissidents send is this exclusive outtake from the Human Traffic album, out now on Bucketfull of Brains. We reviewed it back in December. Recorded at Mooncalf Studios. Produced by Richard Davies, Nick Beere and Tim Emery. If the outtake is this amazing, imagine the album!

Richard Davis & The Dissidents

14 – Tom Harris โ€“ Ebb & Flow

Lockdown mayโ€™ve delayed new material from Devizes-based progressive-metal five-piece Kinasis, but frontman Tom Harris has sent us something solo, and entirely different. Ebb & Flow is an exclusive track made for this album, a delicate and beautiful strings journey; enjoy.

Tom Harris

15 – Will Lawton & The Alchemists โ€“ Evanescence

Wiltshire singer-songwriter, pianist and music therapist Will Lawton, here with his group The Alchemists. A weave of many progressive influences from jazz to folk, Will recently surprised me by telling me drum n bass is among them too. The latest album ‘Salt of the Earth, Vol. 1 (Lockdown)’, is a collection of original poems embedded in meditative piano and ambient soundscapes. But weโ€™ve taken this spellbinding tune from the previous release, Abbey House Session.

Will Lawton

16- Jamie Williams & The Roots Collective โ€“ Dreams Can Come True

Hailing from Essex but prevalent on our local live music circuit, with some amazing performances at Devizesโ€™ Southgate, Jamie Williams & The Roots Collective offer us this uplifting country-rock/roots anthem, which, after one listen, will see you singing the chorus, guaranteed. It is the finale to their superb 2020 album, Do What you Love.

Jamie Williams & The Roots Collective rocking the Southgate last year

17 – Kirsty Clinch – Stay With Us

If weโ€™ve been massively impressed with Wiltshireโ€™s country sensation, Kirsty Clinchโ€™s new country-pop singles Fit the Shoe, Around and Around, and most recently, Waters Running Low and anticipating her forthcoming album, itโ€™s when we get the golden opportunity to catch her live which is really heart-warming. This older track, recorded at Pete Lambโ€™s Music Workshop, exemplifies everything amazing about her acoustic live performances, her voice just melts my soul every listen.

Kirsty Clinch


18- Richard Wileman โ€“ Pilot

Incredibly prolific, Swindonโ€™s composer Richard Wileman is known for his pre-symphonic rock band Karda Estra. Idols of the Flesh is his latest offering from a discography of sixteen albums, which we reviewed. Along a similar, blissful ethos Richard Wileman served up Arcana in September this year, where this track is taken from. While maintaining a certain ambiance, his own named productions are more conventional than Karda Estra, more attributed to the standard model of popular music, yet with experimental divine folk and prog-rock, think Mike Oldfield, and youโ€™re part-way there.


19 – Nigel G. Lowndes โ€“ Who?

Bristolโ€™s Nigel G Lowndes is a one-man variety show. Vaudeville at times, tongue-in-cheek loungeroom art-punk meets country folk; think if Talking Heads met Johnny Cash. Who? is the unreleased 11th track from his album Hello Mystery, we reviewed in March, and weโ€™re glad to present it here.

Nigel G Lowndes

20 – Kier Cronin โ€“ Crying

Unsolicited this one was sent, and I love it for its rockabilly reel although a Google search defines this Swindon based singer songwriter as indie/alternative. Obsessed with the music and the joy of writing, Kier told me, โ€œI once had a dream Bruce Springsteen told me to give it upโ€ฆ So, this one’s for you Bruce!โ€ Crying was released as a single in March, also check out his EP of last year called One.


Stockwell, Storm Jae and Nory Canโ€™t Come Home

Itโ€™s not every day we hear a quintessentially hip-hop track with the magnitude of enriching classic rock riffs, say, as Gerry Raffertyโ€™s Baker Street or Pink Floydโ€™s The Great Gig in the Sky.

Agreeably the nineties downbeat and trip hop era unleashed some masterful acts, particularly of the Bristol scene. And thereโ€™s shards of precisely this too, of Massive Attack and Portishead, in Canโ€™t Come Home, a new Wise Monkey single from Stockwell featuring Storm Jae and Nory.

If I retain through rose-tinted specs, a passion for those naughty nineties itโ€™s fuelled by nostalgia; I was young, once! Can even recall some bits of it. But rather than the drifting layers sluggishly building of aforementioned trip hop, the wailing guitar here hits you full in the face, more akin to said enriching classic rock tracks.

Stockwell

Even all this said and done, thereโ€™s nothing content to rest in a time of yore here, as the alignment of beats, astute male rap and uplifting female vocals of Canโ€™t Come Home is fundamentally fresh and contemporary. Enough, I feel, to cross the barrier from myself to my teenage daughterโ€™s musical taste, and that rarely occurs! This combination makes the song especially unique and substantially epic.

Storm Jae

With the attitude and gumption of Stevie Nicks, and the mezzo-soprano range of Joni Mitchell, Storm Jae is a jolt in the right direction for an enveloping new era of singer-songwriters. Nory seems more elusive, I canโ€™t find any information on! But teaming up with the trailblazing hip-hop-come-rock crossover musician and producer Stockwell is a match made in heaven, a heaven you can hear for yourself.

Itโ€™s agelessly sharp, emotionally elevating and an impactful grower, which will tease the palate of rock and urban adherents alike. If I make you wince to note Run DMC walked this way with Aerosmith some thirty-five years ago, or if you have to ask Siri what I mean by that, neither matters, this tune will appease either.


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The spookiest of half terms is nearly upon us again; kids excited, parents not quite so much! But hey, as well as Halloween, here’s whatโ€ฆ

CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Brainiac 5โ€™s Other Dimension

And it is precisely that. Cornish psych-punkers The Brainiac 5 release this mind-blowing album of both reflective new tunes and lost archived tracks, today. Another Time Another Dimension bursts the clichรฉ term genre-breaking to compose scattered influences, with this kind of low-fi garage style, which while loans to punk, even reggae, has the nod to acid rock of a previous psychedelia era. Most befitting a title, this is a tricky nugget to nail down, but itโ€™s grower.

The band stress this is not a lockdown album, the impetus came from two other sources, namely a digging through the archives for unreleased material, and secondly, the passing of a long-time friend of the band, Martin Griffin. A supportive engineering assistant to the band in its earliest days, allowing them extensive use of his Roach Recording studio. Both reasons sparked the writing of some new songs, in this fifteen-track bundle of era-spanning and mind-expanding goodness.

I confess I was dubious at first, itโ€™s as if The Beatles came after punk, but still recorded in a garage. It made me ponder the Clash singing โ€œphoney Beatlemania has bitten the dust,โ€ and in turn the target audience, presumably a fairly eclectic bunch. As I said, itโ€™s a grower, and I suspect Iโ€™ll be digging bits of โ€œoh yeah, I get it now,โ€ for many listens to come. But time has got the best of me, got to get this review out tonight.

โ€œThe four albums released during our second coming have all garnered many reviews noting our continuing desire to experiment and expand while still maintaining the basic psych/punk ethos,โ€ they say, โ€œIndeed, the three new tracks here do continue this tradition of experimentation. However, although it is clear that the band has grown and developed over the years it is remarkable just how much we were experimenting right from the bandโ€™s inception.โ€

The bulk of Another Time Another Dimension, then, are memoirs, lost archives from 1976-1980, in what the band name โ€œour initial Cornwall period.โ€ Taking John D. Loudermilkโ€™s Tobacco Road to Hendrix proportions, yep, sure is blues to be found here, and the rough and ready cover of Moveโ€™s Do Ya revels in low-fi garage rock.

But itโ€™s loud, proud and sonic trialling, denoting a path through dubby seventies roots reggae, with a few tracks which offbeat, such as I Call Your Name and though Our Devils is another, it reeks of avant-garde, a Bonzo Dog Doo-Dah Band-come post-punk Talking Heads. Then I return to thinking, definitely punk, I Feel Good a prime example. And then, wham, thereโ€™s freaky drunken Jim Morrison weirdness in tracks like Khazi Persona.

Though the ground here is bumpy at the best of times, your head doesnโ€™t smash on the top; it may be raw, but blends with a flowing refinement of proficiency. โ€œThere is a lot of ground covered here,โ€ they rightly explain, โ€œhang on and enjoy the ride.โ€ And thereโ€™s the very thing; once youโ€™ve found your footing, itโ€™s a fantastic, adventurous ride, just lacks suspension!

But, with the third eye being squeegeed so succulently as this, suspension is for losers, anyway. Another Time Another Dimension encompasses a past with a present, as if neither really happened, and that’s refreshingly effective against pigeonholing.


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Six Reasons to Rock in Market Lavington

Alright yeah, itโ€™s a play on band names and thereโ€™s only really two reasons to rock on Friday 17th October at Market Lavington Community Hall;โ€ฆ

Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Cult Figures; Deritend, Yes Mate!

Itโ€™s not just me, is it? Eighteen seconds into the Cultโ€™s She Sells Sanctuary, you know, when it breaks, and youโ€™re like, thatโ€™s it, right there. It matters not what youth culture you were into, at the time, or even now, it doesnโ€™t give a hoot about your favoured genres, haircut, colour of anorak, age, gender or race, it just does it, and you, youโ€™re like, as I said, thatโ€™s it, right there.

Something similar happens with this Cult Figures album Deritend, out last week; heck, if they havenโ€™t even got a comparable name. Perhaps not so nostalgia-filled, as these are all originals, though the sound harks back to an era or yore, when cookies were in a biscuit barrel rather than your web browser, Tories were governed a demoness made from iron rather than a clown made of teddy bear stuffing, and a wet wipe was when your mum spat into a handkerchief and wiped it over your Space-Dust covered chops.

Mind, as happens when Iโ€™m sent files not numbered, it lists them alphabetically rather than in the running order, so the opening track is actually the penultimate Camping in the Rain, but it makes the perfect intro into the world of these London-based masters of retrospection. From its off, itโ€™s, well, off, leaving me to reminisce about those classic post-punk new wave bands of the eighties. At times though, as itโ€™s a mesh of this and reflective of the scooterist mod culture of same period, Iโ€™m thinking of the likes of the Jam and Merton Parkas too. Contemplate the musical differences are subtle, though worlds apart at the time, and this sits comfortably somewhere in-between.

To add to their perfection of authenticity, one must note this is the second album from Cult Figures, and is comprised of tracks written in their earlier incarnation between 1977 and 1980, just recorded more recently.

The real opening tune, Chicken Bones, has the same impact, something beguiling and anthemic, setting the way itโ€™s going to go down. Donut Life, which follows, sounds like carefree pop, the Chords, for a comparison. In fact, as it progresses the guitar riffs of next tune, Lights Out, is sounding more pre-gothic, Joy Division, yet with a catchy whistle more akin to The Piranhas. Things get really poignant with Exile, almost dub Visage meets the Clash, and Omen extenuates the seriousness of a running theme.  

โ€œDeritend draws a line under the past,โ€ they explain, โ€œall eleven tracks composed and recorded since our 2016 comeback, simultaneously reflecting a maturity gained in 40 years of life experience, whilst still embracing the accessible three Ps of the early days; punk, pop and psychedelia.โ€ The albumโ€™s title owes to a historic industrial area outside Birminghamโ€™s centre, โ€œa few miles from where Gary and I grew up.โ€

The mysterious iconic name was a bus route terminus and has a strong emotional connection to the band, โ€œevoking the nervous excitement of those long rides into town on our way to Barbarellas. But it conveys so much more: Deritend is an album that reflects on the past, speculates on the future, but for the most part is fairly and squarely a comment on the lives we are living now.โ€ They convey this well, for through its retrospection, subject matter, growing up with the dilapidation of a working-class industrial chip, could equally apply to then, or now.

A timeless piece of art within a captivating musical style which embraces the traditions of generation X, just curled up at an edge like an old poster on the congregated iron fence of a closed factory. I mean Silver Blades and White Noise crave you dive back into punk; thereโ€™s a definite Clash feel to the latter. As girlโ€™s names for titles generally do, Julie-Anne is archetypical upbeat but themed of desire, and the sound of it is particularly challenging to pin down, thereโ€™s Weller there, but a drum roll youโ€™d expect Annabella Lwin to surface from (of Bow Wow Wow if you need to, Google it, youngster!)

Most bizarre and experimental is the brilliantly executed talky sound of Concrete and Glass. Cast your mind back to 86, if poss, remember Jimโ€™s tune, yeah? Driving Away From Home by Itโ€™s Immaterial, and youโ€™re not far from the mark.

The aforementioned Camping in the Rain which couldโ€™ve been the opening track, is next, and itโ€™s the epithet of all weโ€™ve mentioned. This combination is not juxtaposed cumbersomely like a tribute act, rather the genuine article lost in time, and it, well, in a nutshell, absolutely rocks. The finale, Privilege is plentiful to summarise; Clash-styled punk rock, themed on the expectations of irritated propertyless youth, akin to Jimmy Cliffโ€™s You Can Get It If You Really Want.

But, unless all you want is a zig-a-zig-ah and to spice up your life with commercialised bubble-gum pop, nothing here is oven-ready for criticism, just relish yourself in a bygone era, and rock.


The Lost Trades Live Stream their new album on Friday; tickets here

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Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโ€ฆ

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there willโ€ฆ

I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released atโ€ฆ

The Lost Trades Live Stream in Advance of Album Launch

April 1st is All Fools Day, the day after youโ€™d be a fool to miss this. Much I hark on about local folk harmony trio, The Lost Trades, even before they were united as such, but only for good reason. It was always a win-win when the three singer-songwriters officially formed, Phil Cooper, Jamie R Hawkins and Tamsin Quin all excelled on the local circuit as solo artists and regularly appeared together for gigs.

Together this force to be reckoned with has formed a definite style akin to a corporate identity, and uniformed they move towards a debut album with all new, original songs. Based on their EP, which we fondly reviewed, the album launch is rightfully highly anticipated.

ย The albumโ€™s name has been revealed by the trio, “The Bird, The Book & The Barrel,” and will be released on 4th June. Though the band want to make the most of the Bandcamp Friday before that, where the platform-based music site kindly site waivers their fees, giving the artists full royalties. Therefore, The Lost Trades will be taking pre-orders on 2nd April and 7th May. There will be a live stream, something the Trades have always been on the top of their game with, on 2nd April, to celebrate.

The trio promise the full sound system, concert-style at live stream, scheduled at 7.30pm, will present everything from the album, including brand new, never before heard songs. The live stream will be broadcast from their Bandcamp page, and is ticketed at a very reasonable ยฃ2.50, with Bandcamp also waiving their fees on all live stream tickets sold until the end of March.

Best of luck, Tammy, Jamie and Phil; sounds like a virtual cake kind of occasion to me, but then, any occasion sounds like a cake one to me! Get your tickets HERE. Follow the event on Facebook.


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Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโ€ฆ

Eighties Mod Revival Lost Gem: The Direct Hits

If I waffle positively here, and yes, I do waffle, about retrospection and a trend in sounds trying to be authentically from a time of yore, this one doesnโ€™t need to try. The Broadway Recording Sessions thrusts you rearward into the eightyโ€™s mod revival scene, whether you want to go there or not.

Battersea trio, The Direct Hits may only be remembered by the connoisseur of mod, having one-shot at charting in โ€™82, when TV presenter Dan Treacy released their song, Modesty Blaise on his Whamm! imprint. The music press hailed this as not just another Jam, crash-bang-wallop mod revivalist tune, and their explosive live shows avowed them pioneers of a โ€œBattersea Beat.โ€

Whamm were financially struggling to fund an album, so the band pooled their limited resources and booked the cheapest studio time they could find, Tootingโ€™s Broadway Sounds. By the afternoon they had knocked out nine songs, the other three on this album were recorded a fortnight later. It would be two years later when they re-recorded some of these songs for their debut album โ€œBlow Up.โ€

Now remastered, these lost recordings have surfaced finally, and, with warts and all, show the uncooked spirit of a hopeful mod garage band. Iโ€™ve had this playing for a few weeks since itโ€™s late February release, and it heralds the hallmarks of a post-punk return to the basics, which sixties groups like The Kinks and The Small Faces mastered. To expect this yardstick is pushing it, but through all its rawness thereโ€™s some beguilingly adroit songs to make you wonder why they wasnโ€™t as their namesake suggests, direct hits!

Perhaps it was that bit too retrospective for the progressive eighties. Because, elements capture neo-psychedelia, rather than soulful eighties mod assigned via The Spencer Davis Group and into bands like The Merton Parkas. That era where the beatnik style was teetering on influencing the pop sound, but Merseybeat was still riding the high ground. Thereโ€™s a delicate balance here, avoiding things getting too clichรฉ Mamas & Papas, these upbeat three-minute-heroes never fails to kick ass.

Consistently high-spirted and energetic garage sound, yet psychedelically enhanced; think if Syd Barrettโ€™s days spent at Pink Floyd wouldโ€™ve been spent with The Who instead, and you get the idea. Thereโ€™s even a bike song, just like on Relics. Lyrically thereโ€™s unassuming stories with clear narratives and characters to challenge the Beatles.

A polished rerecording of a track from the album.

Overall, though, youโ€™ve got twelve mind-blowing rarities which perfectly capture a raw moment of youthful optimism for an inspiring band, in an era where everyone felt encouraged to pick up an instrument and give it bash; and theyโ€™re good, really good. In a funny kind of way, I see similarities to the now; the forgone passing of DJ culture in a rave new world and tasteless manufactured pop, to an imminent inclination of online DIY indie, I see hopefuls taking to a guitar and giving it a go. Perhaps then, thereโ€™s no time like the present for this to resurface.

Buy The Broadway Recording Sessions Here


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A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his standโ€ฆ

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young andโ€ฆ

Make Headway for Ariel Posen

Try this: think of some tunes of the decade you were born, songs which you like but donโ€™t know why, songs which, for some reason, ring alarm bells at you as characteristic of the era. Your taste screams no, you shouldnโ€™t like these, but you do. Then check the year they charted. I wager many of them were in the year you were born, the previous or following.

I remember liking, at the time, and Iโ€™m not proud but in the name of science Iโ€™m going to confess, Brotherhood of Manโ€™s Save All Your Kisses for Me! Oh, while weโ€™re there, Abbaโ€™s Dancing Queen too! Thing is, I know why. They were in the charts in 1976, when I was three, the sort of excruciating pop mush anthems a toddler graduates to after the Wheels on the Bus. However, I cannot put my finger on why Iโ€™m engrossed with glam rock songs, such as Gary Glitterโ€™s Iโ€™m the Leader of the Gang, The Sweetโ€™s Blockbuster and Sladeโ€™s Cum Feel the Noise, when the genre makes me generally quiver.

Any doubt I was born in the 70s cleared up with this family photo; I’m the baby!

Why flower-power sold out and hippies took to wearing kipper ties and platform shoes with goldfish in the heel is beyond my understanding of youth culture vicissitudes. Still, when I hear the aforementioned glam rock screeches, they stir something vague inside, indications of a life obscured by cognition. Coincidence they all charted in 1973, the year I was born? Or could the sounds around you, as a baby, implant permanent scars?! If so, Iโ€™ll be dammed, deeply archived Little Jimmy Osmondโ€™s Long-Haired Lover From Liverpool!

Though you should never condemn an entire decade for its pop chart. Given youโ€™ll throw Sonia, Jason & Kylie, even Blacklace at me, and tell me to shaddup my face. Despite the lack of technological advances of the seventies when compared with the eighties, there was numerous classics. Iโ€™m drawn to the cherished saxophone riff of Gerry Raffertyโ€™s Baker Street, but surprised to note, it broke my theory and wasnโ€™t until โ€˜78.

The research was stirred by Canadian singer-songwriter, Ariel Posenโ€™s forthcoming album, โ€˜Headway,โ€™ released on 5th March. Oh, yeah, I am coming to an eventual music review, excuse my waffle. Thereโ€™s something retrospectively seventies about it, my mind sees a Ronco record label revolving on the turntable of a seventyโ€™s mahogany music centre. A quick flick through the tracks suggested motives not to like this are manyfold. Yet, akin to why I cannot put my finger on why I like those glam tunes of my birth year, Iโ€™m finding it tricky to reason with this too, but I do like it, a lot.

With magnificent guitar riffs which nods subtly to country and heartland rock & roll, combined with smooth, blue-eyed soul vocals, thereโ€™s something very Springsteenโ€™s Darkness on the Edge of Town, or Tom Pettyโ€™s Full Moon Fever about this potential electrified Americana rock classic.

The harmonious and tenderly sensual soul of Coming Back, against the folksy- blues guitar picking of the single Heart by Heart suggests thereโ€™s a vast melting pot, but Posen meticulously stirs it into one seriously chilled groove, David Soul styled, which will leave you causally drifting through till the end. Hence my reasons for pondering my little science experiment while listening. Again, comparisons to seventies music, hereโ€™s an album to listen to complete, afar from youthful trend of flicking through Spotify playlists like time is against them.

Upon first impressions I was dubious about a Springsteen comparison, contemplating the subjects are generally of romance, and perhaps simpler than the Bossโ€™s interweaved wordplay, yet again humbler Beatlesโ€™ pop formulas clearly influence it greatly too. Harder listening conjured a progressive prose of evolution in life, love, and all points in between. Theyโ€™re poignant and beguiling, combined, you just have to dive a little deeper.

Two years in production, Posen began recording Headway in December 2019, a week after wrapping up an international tour in support of his acclaimed debut, How Long; the effort shows. The gigs received standing ovations, and Rolling Stone dubbed him โ€œa modern-day guitar hero.โ€ Music Radar listed him as a fan voted top 10 rock guitarist of the year, and the Western Canadian Music Awards nominated him for Breakout Artist of the Year.

So, yeah, this is worthy of your attention, and if I attempt to lambast the seventies again, remind me of the current sate of my lockdown coiffure; Iโ€™ve got the big hair of a middle-aged Caucasian from 1976. Iโ€™m going out on my Raleigh Chopper now, mum, call me when my mince in gravy is ready!

Artic Roll for pudding? Hunky dory!

Pre-order Headway HERE


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FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

And There it is, Araluen

Ever considered Jolene mightโ€™ve been an innocent victim of circumstance? Dollyโ€™s husband was obsessed with her, talked about her in his sleep. But thereโ€™s no evidence in the song to suggest she enacted, nothing to say she consciously encouraged it or made the first move. Dolly persecuted her, couldโ€™ve been jealously. Thereโ€™re two sides to every story and we never hear Joleneโ€™s.  

Sounds rather conservative to me, Dolly blames anyone but herself. Rather, Araluenโ€™s song In the Arms of Another, offers a liberal angle on a similar premise. The singer admits and regrets her part in pushing him into the arms of another, by not seeing the significance of those tell-tale signs.

Credit: Music Closeup

Arguably, its notion is more provocative than Jolene, but itโ€™s certainly the most poignant tune on this captivating album, And There it is, released last month. Araluen being the project of Australian-born, (hence the name,) but resident in the UK, Paul Lush, known for his contributions with Rockingbirds singer Alan Tyler and Danny And The Champions Of The World. With a repute on the UK Americana circuit, guitarist and award-winning songwriter, Paul, has been plying his trade as a fleet-fingered gun for hire and now sets up his own project.

โ€œAraluen is the vehicle that I use to record my songs,โ€ explained Paul. โ€œIt’s an idea more than anything, that allows me to use whoever I want without having to stick to a set band line-up. I’ve written and recorded a lot of songs but have never done anything with them. So, once I started this project, it was with the idea to finally release something – get it out there.โ€

Occasionally here, the sound slips skilfully into folk-rock, and thereโ€™s an electric slide guitar instrumental decidedly rock, but for the bulk, itโ€™s uplifting country, graced by the alluring vocals of Angela Gannon from Magic Numbers. Also important to note this flows between changing styles with acute precision, rather than jumps in and out of styles.

Credit: Music Closeup

Maybe my mumโ€™s insistence we listened to her Tammy Wynette cassette in the car as kids, prepped me for my newfound affection for country, projected within our local circuit, our Tammy, Quin, Jamie R Hawkins and Dean Czerwionkaโ€™s invitations to attend his Americana club nights, but I must say, I actually prefer the string-bending country ballards on And There it is more than the rock ones; or is it an age thing?!

I could speculate till the cows come home, but itโ€™s likely the style suits Angelaโ€™s voice more. It is, by its very essence, hypnotically divine, and amatory too, in a kind of chequered shirts with tassels and Daisy Dukes fashion. Virtually all romantically themed in small-town matters and secrecy, I found myself drifting into its gorgeous, effectively unpretentious narratives, as thirteen of them roll off the ears like waves on a tropical ocean.

Such is the alluring vocals, my mind contemplated the classic Simpsons episode, where Homer is near-tempted by the advances of country singer Lurleen Lumpkin, incidentally voiced by actress and singer Beverly D’Angelo, who as well as being Ellen Griswold in the National Lampoon’s Vacation films, was nominated for a Golden Globe Award for her role as Patsy Cline in Coal Miner’s Daughter, so itโ€™s a fair credit.

Credit: Music Closeup

โ€œI’d admired Ange’s vocals for a long time, so one night while we were talking over a drink I asked if she was interested in singing on my new album,โ€ Paul elucidated. โ€œWe went through the songs a couple of times and then recorded them. She blew me away. I had never heard her sing like that. This was the first time I’d heard her sing as the main featured vocalist for a whole album and she’s fantastic.โ€

And she certainly is. Lush by name, Paul has created a cross-bred masterpiece here to appease both country aficionados and those merely window-shopping into the genre via rock n roll avenue. This is a keeper.


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Song of the Day 25: Strange Folk

I know, I accept your question, and let me just say, I think it’s a very good question, one which I fully intend to answer in the fullness of time, but first, let me just say this, and this alone, and let us be totally sure that this is the correct time to, indeed, as you ask, for me to answer that question, one which I think is a very good question, as I may or may not have said and I really feel it is a question which needs answering….and so on, and so forth….

Think I’ve got what it takes for national politics?! I can waffle shit for Queen and country, and yes, I promised a Song of the Day feature everyday, and I haven’t delivered on that promise for a few days now, and any excuse I could provide wouldn’t be fully truthful. That’s why I believe I’ve got what it takes, my capacity to lie is acute, and my moral responsibility is pretty much shot, besides I couldn’t possibly mess it up further than it already is anyway, so yeah; I might stand.

The fact you’re probably all watching real politicians waffling about the easing stages of lockdown, is neither here nor there. I’m going to slip our song of the day in now, when you least expect me to.

And it’s wonderful, earthy folk outfit Strange Folk, with a track called Glitter. You may recall them playing the Vinyl Realm Stage at Devizes Street Festival, you may not. But enjoy, it’s gorgeously fantastical, the kind of escapism we need right now.

Back to reality, why they gotta keep calling it a “roadmap,” for crying out loud? Boris navigating for real and you’d end up driving headlong into a lake.

Strange Folk they might be, but not as strange as those leading us, I might add. The announcement will be on all night, while the Daily Mirror managed to sum it all up, hours prior to the conference, in one neat graphic.

And that’s my song for the day. Very good. Carry on…..


Song of the Day 21: Andy J Williams

Ever just float around your favourite social media site with no objective in mind, to unexpectedly find something which pounces on you as utterly brilliant, and wonder why you’ve not heard about it before?

Took a second of watching this to establish it’s one of those rare occasions, and not just a pointless scrolling exercise for your index finger. You know the kind, where you only see your mate’s unappealing dinner, a wonky, windup political opinion, or video of a young prankster posing as a magician hoaxing eye candy on a Florida beach.

Took a further second to confirm it’s not to be confused with senior easy listening giant, Andy Williams, rather an indie-pop Bristol-based singer-songwriter namesake, but with an added middle J, a penchant for a funky riff and eye for a beguiling tune.

Check this cracking danceable video out, where one could ponder if the middle J stands for “Jacko!”

Not that I’m usually one to allow a cracking video convince me, even with dancing stormtroopers. So, you should note, he’s on his third album “Buy all the $tuff,” of which you can, here. I’m reckoning I need a window to review this fully in the near future. For now it came as big as a nice surprise as spotting an unidentified circular yellow object in the sky this morning, for a near halfhour! Amazing.

And that’s my song for the day. Very good. Carry on…..


Song of the Day 12: Darla Jade

Even portions of expressive contemporary pop, the ambience of post-goth and downtempo electric blues of trip hop makes this Staffordshire singer, Darla Jade really someone to watch. With a haunting uniqueness about her voice and style, there’s shards of Evanescence fused with Beth Orton. It’s somehow individually chartable but would also appease alternative rock or goth aficionados alike.

Subscribe to her YouTube channel, hear her own stamp on Radiohead’s Creep, and realise, her talent is so very special.

And that’s my song for the day. Very good. Carry on….


Song the Day 10: Summit 9 Studios

Funkin’ for Devizes. This lockdown project from Tom Harris, Dan and Ross Allen and Rich, Summit 9 Studios has just been given a funky lift with this blinder, Change Change Change, bang on cue for me hunting for a song of the day.

Saucy effort guys, love it!

Very good. Carry on….


Stonehenge or Bust; Duck n Cuvver Scale the Fence!

The last thing Robert Hardie wants is to be portrayed as villainous, or condoning mass trespass, though he accepts some might interpret breaking over the fence at Stonehenge as such. Chatting to this veteran on the phone this morning, he described the exhilaration and sensation of wellbeing, wandering between Wiltshireโ€™s legendary stone pillars, but expressed he doesnโ€™t wish to encourage others to follow his example, only to raise awareness of his crusade.

Frustration with English Heritage was the prime motive for taking the leap, displayed in his video doing the rounds on social media. But one half of Salisbury folk-rock indie duo, Duck n Cuvver has been fundraising for over three years to be able to shoot the final part of a music video inside the stone circle. โ€œInitially,โ€ he said, โ€œEnglish Heritage said it would cost ยฃ750, then they suddenly upped it to ยฃ4,500.โ€ I asked Rob if they gave an explanation, a breakdown of what the costs involved to them would be. He replied they hadnโ€™t.

My musing wandered over the occasion two years ago when local reggae band, Brother from Another pulled a publicity stunt recording themselves atop Silbury Hill, to wide criticism, but how The Lost Trades recently played around Avebury stone circle without trouble. Rob and Ian cannot call a compromise though, being the subject of the song, Henge of Stone, is as it says on the tin. As he explained to the Salisbury Journal back in 2019, โ€œThis video will make history โ€“ singing about Stonehenge in Stonehenge.โ€

Clearly enthusiastic about covering our ancient local landmarks as song themes, Rob told me heโ€™d written about Avebury too, and how he played them to the solstice crowd there. This part of our conversation ended with him reciting a few verses in song, and expressing the feeling of joy as the crowds sang them back to him.

While he didnโ€™t rule out this was a publicity stunt too, we discussed the necessities of the project. Rather than being a colossal movie production, with the atypical entourage, trailers and crew, all thatโ€™s needed is his partner in crime, Ian Lawes, and possibly the accompanying musicians, Chris Lawes, Jamez Williams, Louis Sellers and Paul Loveridge, a cameraman and a few instruments. The mechanics of shooting the footage would be simple, itโ€™s unplugged, being thereโ€™s no electricity on site, and Rob explained how mats would be provided to protect the grass. Besides, if EHโ€™s concerns were for the welfare of the site theyโ€™d simply say no, surely, not put a price on it.

Thereโ€™s therefore no justice, in my mind, really, on the exceptionally high price tag. Only to assume English Heritage is out to profit. Contemplating on recent outcries concerning activities around Stonehenge; the solstice parking debacle, closing for winter solstice and of course the tunnel, which we mutually dismissed as ludicrous on the grounds excavating there would obviously turn up some ancient findings and archaeological digs, and protection rights would whack the project way over budget, it feels the quango run agency is not the best method to protect our heritage sites, if the conservative ethos is revenue driven rather than insuring itโ€™s splendour is for all to enjoy and savour. As Rob points out in the film, โ€œStonehenge belongs to fucking us!โ€

Ah, story checks out; even English Heritage states similar on their website, if not quite so sweary! โ€œThe monument remained in private ownership until 1918 when Cecil Chubb, a local man who had purchased Stonehenge from the Atrobus family at an auction three years previously, gave it to the nation. Thereafter, the duty to conserve the monument fell to the state, today a role performed on its behalf by English Heritage.โ€ Itโ€™s basically one extortionate babysitter, calling the shots.

I enjoyed chatting with Rob, even if my plan to record the dialogue backfired due to my poor tech skills! I apologise to him for this improv article.

Iโ€™m surprised to not have previously heard of Duck n Cuvver, we tend to get vague coverage of the Salisbury area; something I need to work on. We did rap about our mutual friend, the pianist prodigy, young Will Foulstone, among other things.

The duo are sound as a pound, though, real quality folk rock come indie sound, the song is cracking, proper job. Which is why theyโ€™ve supported the likes of the Kaiser Chiefs and The Feeling, and recently performed at the National Armed Forces Day. Ardent about his music, this veteran explained his service inspired the band name, and continued to express his passion for this particular song, something which has been evolving over five years, and it shows. He described it as a โ€œcelebration of life,โ€ dedicated to a friend who passed away, from cancer.

Both members of the duo are good, charitable folk, and if Rob did climb the fence at Stonehenge recently, note he lives within the restricted range of it to constitute it being his daily exercise. From our phone call alone, I could tell theyโ€™re not the sort to abuse the trust, if it was given to them, to perform at Stonehenge, thatโ€™d be a magical moment, and, well, we could do with a magical moment right now. So, if you can help fund their campaign, youโ€™ll find a link to do so here.

I’ll pop the song which is kicking up all the fuss below, and leave with a thanks for the natter, Rob, and I wish you all the best with the crusade; Stonehenge or bust!

    


Song of the Day 1: Atari Pilot

Irregularly I share a music video to our Facebook page with the status “song of the day,” or week, or whenever, as if it’s a daily occurrence. When the reality is it’s a big, fat fib on my part, it’s only when I happen to find such a video and can be arsed to share it. What-cha gonna do, sue me?

So, just in case your lawyer says you have a case, I thought I’d streamline this sporadic idea for 2021, make it an actual feature on the site rather than a Facebook post, and show off that I know what long words like “sporadic” mean.

Little more gone into it than this, you should be used to it by now. I’m not going to review them, just embed them here for your own appraisal and entertainment purposes. Potentially, it’ll be a groundbreakingily breif post, a simple but effective phenomenon, and something I can do without missing the Simpsons.

The challenge is consistency; whether I actually stick to the idea or, like others, it’ll be a flash in the pan. Who knows, this could be the start of something beautiful, this could be the thing they’re talking about in decades to come. A holographic Ken Bruce could be asking “what was the very first Devizine Song of the Day” in a Pop Master 200 years from now.

And you can answer it with who I bestow this honour, Atari Pilot. They’ll be revelling in the triumph of the hour if it wasn’t lockdown, I bet.

History in the making then, the only issue I foresee is I over-waffle any old crap, which is, incidentally, not what’s happening now and rarely does here; I had to explain myself, didn’t I?

Okay, I get message; here it is then, enjoy the tune, enjoy the rest of your evening. Good job, carry on.


  • The Turn; Debut Album from Salisburyโ€™s 5 Nights at Adyans

    Formed just two years ago at Bishop Wordsworth’s School in Salisbury, award-winning four-piece youth band, 5 Nights at Adyans, look set to release their highly-anticipated debut album, The Turn for the 30th anniversary of the prominent community youth music initiative, Bass Connection, at Salisbury Arts Centre on Saturday 5th Septemberโ€ฆ..

    I confess I was uneasy about pressing play on the link they sent. In a chat, a little birdy compared them to Devizesโ€™ export Nothing Rhymes with Orange, likely because said birdy knows how much I like them. While now, NRWO are producing concentrated material merging boundaries, they cut their teeth here with quick and catchy indie-punk-pop. I therefore, assumed this would be along similar lines.

    The link sent was 5 Nights at Adyansโ€™ initial takes of songs to appear on the album, in an unedited, raw format. While sometimes raw can work, with thrashy punky sounds it usually doesnโ€™t do the band justice compared to the final masters. However, itโ€™s far from โ€œthrashy,โ€ certainly not โ€œtrashy,โ€ and I couldnโ€™t have been more pleasantly surprised as I was.

    Five tunes, conveniently one for each night at Adyans; I love them all! But the unexpected twist is this; with an incredibly expressive vocal range to make Jim Morrison blush, thereโ€™s a majority of elements more akin to classic prog rock riffs than than the punk annihilation I was expecting because of the wonky verbal comparison I received!

    Throughout the tracks they sent, thereโ€™s swirly psychedelic elements of a sixties acid band, crashing bridges of The Nice, the blues rock of Cream, intense ballad moments and the unstoppable moody layer-building of Led Zeppelin, rather than anything to come out of Busted or Blink 182. The band recently posted a pastiche of the Oasis album cover for Morning Glory to their Facebook page, with themselves posing as Liam and Noel do on it. Here they joked, asking if their fans thought it would make a good cover design; Iโ€™d suggest it gives the wrong impression, as Iโ€™d not compare this to ephemeral Britpop either.ย 

    Darling You Got Me came across as a nicely flowing blues-rock introduction, with a hot step to it, and it was all go from the off. But it was the following, Final Location which especially captured my ear, as the tempo slowed to ballad; if thereโ€™s punk there itโ€™s subtle at best, matured. Itโ€™s gorgeously expressive and emotive, but Final Location isnโ€™t an exception; it becomes the rule. 

    Tear it Apart also goes there, albeit upbeat, like Rush. Title track Turn brings the dramatic to an apex. The emotional outpour is in full splendour, would appease anyone coming from an aged rock spectrum, and theyโ€™d likely assume 5 Nights at Adyans have been at it since 1976! With this thought in mind, this band could save your multi-generational festival!

    At times itโ€™s also the mood-shifting sentiment more akin to soft metal rather than grunge. I mean this as the highest compliment, because moodswing is one thing metal could do exceptionally, when it came to aiming into an eighties pop chart. Think how Guns & Roses timelessly transcend the changing trends with their power ballads, like The Doors did decades earlier, whereas the others โ€œhalfway thereโ€ and โ€œfinal countdowningโ€ failed the test of time with their commercially viable pop-rock, now only drunken party night nostalgia can save.

    I hope you get what I mean?! Because you can go back to a song like Break on Through to the Other Side; itโ€™s enduring. You can unearth Pink Floyd and listen to them again, find new solace with The Who, but often modern sounds fail to stand that test of time. If the finale of The Turn, Knots has an indie, even grunge twinkle, Iโ€™d still liken it more to something classic rock.

    Thereโ€™s no three-minute hero here. All the songs are thoughtfully written and composed, are full-bodied and complete odysseys, but being a debut, I predict, might not necessarily age like fine wine, because hereโ€™s a progressive band screaming with potential to produce something far greater than the sum of these current parts, cool though they are. In years to come they should reflect back proudly on this beginning, because itโ€™s exceptionally impressive.

    Surprised and impressed, with high hopes, Salisbury-based 5 Nights at Adyans certainly took me on a journey. It never fails to amaze how attuned youth can be, from a sixth form band to achieving remarkable regional recognition recently, vocalist Owen Morgan, guitarist Toby Allen, bassist Jasper Hill and drummer Thomas Clarke might spend 5 Nights at Adyans, but going on this debut, should be spending forthcoming decades concreted into rock history.

    Find them on Facebook and Instagram, and await for this debut with as much patience as you can bare!


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  • Lightnin’ Willie and the Poorboys Opens New Season at Long Street Blues Club

    September is a week away; parents will be brushing off school uniforms, but Devizes blues fans wonโ€™t be dusting their brooms, because Long Steet Blues Club opens for the autumn/winter season on the first Saturday, the 5th with Lightnin’ Willie and the Poorboysโ€ฆ..ย ย ย 

    After a long absence the club welcome back one of the club favourites from California, Lightning Willie and his backing band The Poorboys. Lightninโ€™ Willie has a very distinctive approach to his music. He is a songwriter, singer and guitarist in that order. The sound is an irresistible blend of tradition and spontaneous creativity, with a deliciously insidious emphasis on the groove. It is a compelling, hard swinging brand of blues that, whenever he performs, packs the floor.

    He has gone from the low down beer joints to become a staple on the international circuit, with wild stops along the way, from Londonโ€™s Royal Albert Hall Igniter Series to Willie Nelsonโ€™s infamous 4th of July Picnic, where he appeared alongside Paula Nelson, Willie, Bob Dylan, and Leon Russell.

    Touring the United States and Europe for over twenty years has given him the relaxed, confident and sometimes humorous quality of a seasoned performer. These attributes have won him stacks of enthusiastic praise from the press while landing his original tunes on numerous film and television soundtracks.

    Lightninโ€™ Willie has the unique knack of bringing his audience into his โ€˜living roomโ€™ and making everyone comfortable while forgetting their problems for a couple of hours. At a recent show with legendary blues man Robert Cray they played to a packed house receiving a well deserved standing ovation. 2018 will find Willie on tour supporting his latest album No Black No White Just Blues.

    Willie is backed by his superb band, The Poorboys – Giles King on harmonica, bassist Aaron McRobbie and drummer Paul ‘Nobby’ Birch. Support for the evening comes from Gordon Wood.

    ON SALE NOW Advance Tickets are ยฃ18.00 from usual outlets or book online (online booking fee applies) Tickets ยฃ20.00 on the door.


    IDLES’ at Block Party

    With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

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  • Hot Juice Project at The Three Crowns

    Whoa! What happened last night at the trusty Three Crowns?! What happened last night at the Three Crowns has clearly happened before, and happens most weekends; Devizes folk old and particularly the young come to partyโ€ฆ.

    I’m aware of that much. But if the quality of the party rests in the hands of whoever is at the control tower, I’d not witnessed The Hot Juice Project boiling over the sides of this saucepan before.

    All I know is one half of this duo, with the capability of sounding like they’ve doubled-up and are an exceptionally loud four-piece band, Jake Lockhart, as an acoustic singer and a short-lived frontman of local mod covers band, The Roughcut Rebels. In the few occasions I’ve met him, he usually comes across charming but mild-mannered, even slightly diffident. 

    The last time I met him was at the private invite opening of The Birdhouse in Trowvegas. He was entertaining acoustically solo, but being the nature of the event was to show off this fabulous new venue, participants were engrossed in conversation, rather than taking much notice of Jake. It was here we had a quick chat, as he shyly told me of The Hot Juice Project he’d created; a duo where he has creative freedom to replicate covers using loop pedals and other techy tricks.

    I made a promise to him to check this out, next time he was doing it locally. So, despite my pilgrimage to the Southgate for Talk in Code, I decided to ensure I allot enough time to attend this too; glad I did, as The Three Crowns was having it.

    They’d arrived via a multi-act all dayer gig in the Sham, reportedly under-attended due to insufficient advertising. Equally it can often be a slow start here, where the trend for the younger regulars, governed by economics, is to attend the local Spoons, then descend on the Three Crowns like an exodus, once they’ve acquired sufficient intoxication levels. But hey, despite a humble gathering, The Hot Juice Project were loud and proud, knocking out contemporary indie, punky covers with all the desirable force and quality of a full band.

    I returned from the Gate suspecting this wonderful pub and the only one of its kind in town would be considerably fuller. I wasn’t mistaken. It was positively booming there, as The Hot Juice Project were in full flight, and their element. Knocking out beloved covers with such gusto, I was surprised to note Jake and his drummer and second vocalist Jack’s insane diversity and ability to absolutely and wholeheartedly rock out!

    If, despite his earned accomplishments as a skilled singer and guitarist, Jake has been wrongly typecast in genre and style, possibly in order to cut his teeth on the local circuit, here, where singalong hard rock covers are worshipped, he shines like a beacon in an otherwise blackened seascape. 

    The Hot Juice Project selected a repertoire likely to be rejected from the average covers duo, for being too technical, or too hard sounding; such as their grunge finale smelling of Nirvana’s Teen Spirit, and especially those involving raps, such as The Chilli Peppers. But this duo deliver them with fired frenzy, and adroit precision.

    It was indeed a sight to see, and for me, a pleasant surprise. I usually take grunge and modern harder-edged rock with a pinch, but the crowd was lapping it up. And it would be impossible for me to deny, if live music was a parcel delivery, The Hot Juice Project is not the courier to dump it in your blue wheelie bin and piss off! They’re the supermarket delivery boy eager for appraisal, who stands and waits until you’ve checked everything off and are satisfied. Perhaps even going overboard and offering to stack it in your fridge for you!

    The result is a content crowd at the Three Crowns, and another success for the pub who knows exactly what buttons to press. 

    I must say, a few seconds delay with wandering between pubs could’ve hindered my ability to scribe both reviews for them. Two teenagers on a moped revved their hairdryer up the curb of the High Street and rallied full force through the dark walkway between the old Wilkos and redundant Four Seasons pub, only to alert two Devizes bobbies, moments before I would’ve walked through it!

    Bored kids showing off I figured, ambiguously excused for their irresponsible and dangerous act, because there’s โ€œnothing to doโ€ in Devizes.

    Whereas whatever opinion the curtain-twitchers might make of youngsters drinking in a pub, the Three Crowns strictly age check and take safeguarding as paramount. At least they are contained there, and enjoying themselves. And when they are entertained they are not impelled to cause trouble or act in such a manner. 

    There’s never trouble at the Three Crowns. Townsfolk of all ages respect what the team has supplied far too much, and this reflects into a positive atmosphere with every attendance made. I tell landlord Simon, “they’re actually far better behaved than my generation ever was!โ€ Fact!

    It is a testament to what can be achieved in an era of financial doubt and questionable management affecting the hospitality industry, and, as it continues to source high quality entertainment, the cover bands are welcomed by the masses. Many come and rock it, the Hot Juice Project made its mark last night to a colossal applause. The town should be proud of what a welcoming and universal establishment and a vital palace for letting your hair down the Three Crowns remains to be.


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  • Talking in Code at The Southgate, Devizes

    I’ve got this Jetpack app on my phone which allows me to make adjustments to the site. There’s a new feature on it notifying me of articles published on this day in previous years. It revealed that on this day last year I fondly reviewed Talk in Code’s single launch gig at The Vic in Swindon. Some things never change; last night I dropped into the Southgate where Talk in Code smashed it againโ€ฆ

    Some stage banter included drummer Jambo claiming he had a โ€œlot to do back here,โ€ reminded me of the year they played the Fulltone Festival where he temporarily mislaid his drumsticks!ย 

    At the Vic Talk in Code play their homeground, whereas The Southgate is usually affiliated with blues or folk aficionados, and the Fulltone is an orchestral event. Although these three gigs vastly contrast, Talk in Code look equally comfy at either. If they were a creature from the Harry Potter universe they’d surely be the Occamy, a serpentine with choranaptyxic wings, allowing it the magical ability to grow or shrink to fit the exact size of the space it is in.

    Just how the Occamy doesn’t change appearance, only size, neither does Talk in Code change their strictly original set, only to fit, yet still manage to thrill any crowd no matter the diversity of their bookings.

    The essence of pop is imitable and “catchy,” not to be niche, or these days of sampling, even wholly original. A factor of non-commerciality is to be a cult. Talk in Code balances this with a popular fanbase, โ€œthe Talkersโ€ and this unique yet universal synth indie style which, with multi-era influences any age can reflect off, appeals to a wide range. That’s the secret of Talk in Code and it never fails to entertain.

    If Talk in Code time travelled back to the eighties, there’s little doubt in my mind they’d be a classic band akin to Duran Duran, Level 42 or perhaps Ah-Ha, and they’d be playing a stadium by now. Such is detrimental changes to the music industry they thrive locally, only sporadically reaching further afield. Amidst their fanbase they are that accomplished, and deserved, as they chant their songs back to them as if they really were pop stars. For in which case quantumly, they are.

    Goody bags and Lego sets of the band among their merch suggest prime and strategic marketing, still you’ve got to be in the club to know it’s true; Talk in Code will thrill not just you, but your whole family young and old. I looked around at the people dancing at The Gate, as I often do to settle my appraisal as more than personal opinion, and it proves it, each and every time. And that’s why, yeah, I bash on about Talk in Code a lot, but maybe not too much!

    I’ve actually a mission at the popular Three Crowns to highlight an act we’ve not mentioned before; the next review I’ll work on. But I could never allow myself to miss a Talk in Code gig at my local. Live music at The Southgate has been such a staple for so long now, it risks folk taking it for granted, but nights like this prove it still has what it takes to be that squeeze box of quality, especially in hosting original acts like Talk in Code.

    The guys took a first half of their earlier and more obscure tunes, still rocking the Gate, and a second half whereby they celebrate this continued dedication to creating danceable indie-pop anthems. Safe in knowledge The Southgate was appeased, and I was so familiar the guys would carry out orders uncompromisingly,  I headed off early to see what was occurring at The Three Crowns. Had I not been on a promise, I’d have stayed with Talk in Code, because pop demands an affliction for the familiar, at least it does when it’s as perfected as Talk in Code.

    As for the Southgate, worthy gigs abound there every weekend. Keep in the loop via our event calendar, and pop down there. I endeavour to list them as they come in, though Facebook shares of their chalkboard can be more sporadic these days, and I forget to take a snap of it when Iโ€™m there!!ย ย 


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  • XTCโ€™s Colin Moulding Wants AI Slop, Bad

    Swindonite and founder member of XTC Colin Moulding released a new single last week, Want It Bad (The Pep Talks and Playing Fields of Old England). Itโ€™s previewing a three-track CD single being released via Burning Shed. This is Moulding’s second single in five years, following 2021โ€™s The Hardest Battle, but is it simply a smooth, rose-tinted specs wishful motivation, or is Colin really making plans for Nigel?!

    In this single, Moulding continues to explore the distinctly English pop sensibility trademark of XTC, through qualities of melody, rhythm, variety, idiosyncratic subject matter and a bucketload of nostalgia. It began as a song of sport and camaraderie, but soon took on a broader meaning. Colin explained, โ€œalthough this song started life as a sporting pep talk, it was clear that it could easily be thought of as a mantra for one’s own life ambitions whatever they may be. If you want something in this life you have to really want it. And if you really want it, youโ€™ll get it; that was my mantra.โ€

    And, like Paul McCartneyโ€™s Wings, it is a lovely song of motivation from a mature, experienced professional, seemingly themed ambiguously, with meaning that could be interpreted by the listener. Itโ€™s the accompanying video which unfortunately feels like a cringeworthy political allegory, and this causes any imagination the listener might have conjured, to collapse within itself.

    Colin was born in Swindon in 1955 to a GWR worker and a laundrette wife and lived in Penhill. They were in every essence working class. Through jam sessions he met Andy Partridge around about 1972, introduced him to Terry Chambers and they formed the band Helium Kidz, which changed name to XTC. Through their angular guitar riffs considered pop in an era of punk and new wave, and an abrupt ending due to contractual disagreements with Virgin, they achieved only sporadic commercial success, but attracted a considerable cult following.ย 

    Thereโ€™s therefore every reason for Colin to write a song about wanting it bad. But what is it he wants so bad? The video begins with Great British sporting achievements and more randomly, the Moon landing. Yet it wanders off onto some kind of patriotic kickback to an England of yore, with Colin handshaking a wealthy dummy, driving through the fields in a psychedelic dressed Morris Minor, is adorned with images of Lord Kitchener and spitfires, housewives marching village streets wearing gasmasks, and toy soldiers on a bandstand. The irony is, the video might feel like an Orphism collage influenced by Aardmanโ€™s Sledgehammer, but appears to be prompted rather than created by Thomas Walsh, who is renowned for using AI slop. This is suspiciously AI, and I cannot abide by that.

    Iโ€™ve no issue with patriotism, and rose tinted spec nostalgia, provided itโ€™s divisive and supports equality, and the content here, while glorifying war, isnโ€™t suggesting anything more. Except, similar cringeworthy AI creations are predominately used for far-right propaganda, causing the video to feel uneasily related to such politically motivated imagery; which is a shame. Particularly due to XTCโ€™s most known hit โ€œMaking Plans for Nigel,โ€ recently being used, for and against, the rise of Reform and fascism in England.

    You can want something bad, you could strive to reach that goal, but, I quiver, as a professional musician, should you sacrilegiously destroy any further creativity with AI? And if you do, how in the good name of England’s green and pleasant land is that nostalgic in any shape or form?!

    Nice song, shame about the video! Want It Bad is available on CD from the 18th September, exclusively via Burning Shed.


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    Swindon Palestine Solidarity Upcoming Events

    Swindon Palestine Solidarity continues to call for a ceasefire in Gaza and for aid to be allowed to enter Gazaโ€ฆ.. Their three recent roadside sign actions generated a lot of positive responses. Itโ€™s an effective way to keep people talking about what is happening in Gaza and these actions will be one of the manyโ€ฆ

    No Surprises Living in Devizes; Local Politics Rant Returns!

    I want Devizine to be primarily about arts and entertainment, but Iโ€™m often pathetically persuaded by bickering political factions to pass opinion on local politics for petty point-scoring, despite being more Olly Murs than Andrew Marr; trouble, troublemaker, yeah, thatโ€™s my middle nameโ€ฆ… Butter me up with an overpriced burger if you will, but myโ€ฆ

    Gender-Queered Production of Shakespearean Classic at Bath’s Rondo Theatre Raises Money for Charities

    Photo credit: ยฉ Rondo Theatre Company / Jazz Hazelwood A gender-queered production of William Shakespeareโ€™s classic play, โ€˜The Taming of the Shrewโ€™, will be performed at the Rondo Theatre in Bath this June, as part of Queer Bath and LGBTQIA+ Pride Month, with all profits being donated to charity…… โ€˜The Taming of the Shrewโ€™ isโ€ฆ

  • Henge Frontman Matthew C. Whitaker Solo Tour Comes to Frome

    Featured Image: Antony Barkworth-Knight

    Despite intentionally making his tricks go wrong, Tommy Cooper was actually a skilled magician and member of The Magic Circle. SpongeBob SquarePants creator Stephen Hillenburg was a marine biologist, and Benny Hill really was a milkman. In order to deride an art effectively you must first master it. It therefore stands to reason Matthew C. Whitaker, frontman of the cosplay prog-rave outfit HENGE, also has some highly acclaimed solo materialโ€ฆ.

    Matthew takes his February album Songs for the Weary on the road solo this October, opening in Belgium and the Netherlands before touring across the UK, including Fromeโ€™s Cheese & Grainโ€™s sister venue The Tree House on Wednesday 21st October.

    The one and only time Iโ€™ve seen Henge was at the Cheese, making haste for the county border after fondly reviewing their album Journey to Voltus B last year, and it was a gig Iโ€™d need to be abducted and lobotomised to forget. Matthewโ€™s solo material can be equally as cosmic, as it drifts through gentle pieces for classical guitar, lush string arrangements, and subtle electronics, but it also contrasts vastly, and is a particularly mellower experience than Henge.

    Thereโ€™s cool jazz sax, whistles, fingerpicked guitar and delicate yet quirky observations in these hushed and patient patterns, taking you along with it as it drifts through space. Songs for the Weary has found a home on BBC Radio 6 Music, with singles Lucid Dreamer and Chestnut Tree championed by Mark Radcliffe and Stuart Maconie, Craig Charles, and Deb Grant.

    The run follows a widely praised set of UK and European dates earlier this year, when Whitaker was joined on stage by the album’s producer and multi-instrumentalist Alan Keary. This time, he takes to the stage completely solo.

    Manchester-based musician and composer Matthew sings about losing a train of thought, which is apt, it twinkles through you like Bowie at his most exquisite or Paulโ€™s later work with The Beatles, backed by Peter, Paul and Mary, for an episode of Button Moon.

    And before you say it, milkman is an art; it can take years to master the three-bottle-grip whilst being chased by an enraged Yorkshire terrier up a garden path.

    More info on Matthew C. Whitaker

    The UK tour dates look like this:

    11/10/26 – Lancaster Music Festival, Lancaster

    13/10/26 – Nice N Sleazy, Glasgow

    14/10/26 – Sneaky Pete’s, Edinburgh

    18/10/26 – Storyhouse, Chester

    19/10/26 – The Bullingdon, Oxford

    20/10/26 – Colchester Arts Centre, Colchester

    21/10/26 – The Tree House, Frome

    24/10/26 – The Grand, Clitheroe

    26/10/26 – The Hare And Hounds, Birmingham

    27/10/26 – Signature Brew, London

    29/10/26 – Amped, Huddersfield


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    Clock Radio Turf Out The Maniacs

    The first full album by Wiltshireโ€™s finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโ€™s calledโ€ฆ

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  • Ruby Darbyshire: God is Offline

    Wiltshire singer-songwriter Ruby Darbyshire, youโ€™re most likely familiar with, unless you joined Devizine family readerโ€™s circle today, has a new song on YouTube, one sheโ€™s been playing at recent gigs. Here the track has a subtle piano added, and those wonderful brush drum strokes texturing it with that smooth jazzy ambience, yet with poignant narrative too. Give God is Offline a quick whirl, and bless your earsโ€ฆ

    Ruby mentioned working on this song when we talked in May. โ€œIt was inspired by our recent trip to Egypt,โ€ Ruby explained, โ€œwhere we narrowly escaped Dubaiโ€™s missile attack by a few hours. When we got to our apartment, we could see down on the street. There were loads of prayer mats, because the mosque was so filled, people had to spill out onto the road. And so that inspired it.โ€

    Its deeper meaning, I presumed, was not to seek faith online, but to look either spiritually or in the real world. Ruby elucidated, โ€œmore just the fact that everyone is the same, whether they believe in a different God or they are from a different part of the world, theyโ€™re all the same. Weโ€™re all just trying to live our lives..โ€

    Find Ruby’s LinkTree HERE


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    Thieves Debut EP

    Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโ€ฆ

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  • Blood, Sweat and Tears; Burn the Midnight Oilโ€™s New Single

    Pleasantly surprised in July when an awesome new single from Devizesโ€™ rootsy Americana with a gothic twist collective, Burn the Midnight Oil revealed a more carefree and commercially viable style to their previously darker themed and rawer material. It was enough for James Threlfall to pick it up for BBC Introducing. With a new single out on Friday 28th August called Blood, Sweat & Tears you might be fooled into assuming by the title theyโ€™ve turned back to the sombre moods of before. Think againโ€ฆ..

    Though frontgirl Chrissy mightโ€™ve elucidated, least hinted something darker might be in the pipeline, for now Blood, Sweat & Tears follows neatly on from Slow Burn with an incredible upbeat driving vibe, verging on Shania Twain sassy, yet retaining the cool rock riff of Fleetwood Mac. Itโ€™s immediately compulsive, with a danceable and anthemic combo. I find myself contemplating if itโ€™s better than Slow Burn, or not, but with a hook razor-sharpened, itโ€™s undoubtedly on par, and proves it wasnโ€™t pot luck in July.

    With this divine product of Potterne’s Badger Set blessing my ears I also find myself reflecting back to an interview we did with the band last November. Guitarist John Lane spoke of achieving such a hook as these last two singles, and expressed the importance of the sound. โ€œFirst thing people take in is rhythm,โ€ he suggested, โ€œthen melody, last of all, lyrics. So if you hook the first bit, you donโ€™t get the second one, then they come back for the lyrics.โ€

    In this I sensed a healthy division between John and Chrissyโ€™s perspectives. Knowing how much thought and creativity Chrissy loads into her writing, drawing inspiration from personal and often emotional experiences, and exporting them into relatable and poignant lyrics, there was a non-confrontational difference. I supposed of this stalemate at the time, โ€œa good blend of opinion is surely necessary to compose the elements of a song professionally.โ€ And that is precisely what they put in, making this song work; the dynamics of pop, a conscious composition where both arguments meet in harmony.

    Chrissy taglines the song thus; โ€œsome dreams begin as little more than a whisper, an idea that refuses to let go, a vision that quietly demands more of you until ignoring it is no longer an option.โ€ Ah, yes, I can reflect the notion; any inventive mind will tell, thatโ€™s the creative juices flowing and the desire to express them. Blood, Sweat & Tears concerns itself with the acceptance of that call, and the feeling of unlocking your potential. As Chrissy says, โ€œbreaking through self-imposed limitations and pursuing a future worth fighting for.โ€

    An expressive tenet full of contemplation and self-analysis, it remains positively angled, like Jimmy Cliff on his hard road to travel, but with steadfast faith he canโ€™t turn back because his mind is set. Chrissy views her theme similarly, as a meaningful journey of courage and determination against odds stacked not in your favour. Such concepts are not so uncommon in music, and an acoustic singer-songwriter will expose similar thoughts abound. But here, with Burn the Midnight Oil the prose is perfectly packaged by the sound of her exceptionally accomplished and unified band, complementing her natural vocal balance, and that harmoniousness is what makes Blood Sweat & Tears so complete and engaging.

    Hereโ€™s their LinkTree, new single is out next Friday 28th August 2026, but you can pre-save it and listen to the last one. I suggest you do. Perks of the job; this one is stuck in my head already!


    Trending….

    You; Lucas Hardy Teams With Rosie Jay

    One of Salisburyโ€™s most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโ€™s upcoming talent who’s name is on everyoneโ€™s lips, Rosieโ€ฆ

    Bands At The Bridge

    Organised by Kingston Media – to raise money for Dorothy House and Wiltshire Air Ambulance – the 3rd of May saw Bands At The Bridgeโ€ฆ

    Phil Cooper is Playing Solitaire

    Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโ€™s released a new solo albumโ€ฆ

    Something went wrong. Please refresh the page and/or try again.

  • Large It Norm, in Trowbridge!

    Yes, we’ve got to praise Trowbridgeโ€™s Old Town Hall like we should, because Fatboy Slim is going to be right there, but not right now; the 5th Novemberโ€ฆ bugger, it’s a Thursday!

    Ian Sawyer wins the Facebook comment section on this post with โ€œThat’s my knees buggered for November then!โ€ Which couldn’t reflect on my own predicament more perfectly.

    It’s been decades since my mates and I followed Norm like little lost sheep, yelling โ€œBrimful of Asha on the 45โ€ across Brighton to Glastonbury. But it was an era when I was more able-bodied. Then again, if the Fatboy is still tripping, then why confine myself to my nursing home so soon?!

    A great booking, Old Town Hall, whose manager whispered he had a secret when I rapped with him at next door’s opening night at The Birdhouse. I didn’t guess it’d be this groundbreaking DJ. Large it!


  • Emergency Alert: Wessex Water Hosepipe Ban!

    Surprised your mobile didn’t sound the apocalyptic alarm to notify you about Wessex Water’s hosepipe ban?! Then, you’re a gullible idiot!

    But being 22,239 voters in one seaside town opted, again, for a fascist criminal ringmaster to lead them, and, similarly as stupid, a man named Bruce shoved nine Creme Eggs up his rectum, perhaps we’ve entered the satirical realm of Mike Judge and Ethan Cohen’s Idiocracy, and, therefore the alarm last week was necessary, even if you jumped so much you knocked over your barbecue.

    Let’s clear this up before we rap hosepipes. If you’re subject to domestic violence and own a secret phone, yes, you should switch the alerts off on it. Otherwise you should realise any Conservatives or other climate change denying opposition party members taking to their social media encouraging us to switch the alarm off, on a system they themselves installed, are not doing it for your safety or peace of mind, rather an irresponsible and dangerous attempt to slander the current government.

    It was not as the dirty Rees-Dogg yarned uninvited on my Faceache newsfeed; Burnham unnecessarily alerting us that it’s summer. While the usage of the emergency alert could be debated, wildfires are spreading on an unprecedented scale across the UK, due to the now undeniable climate change that the previous governments did absolutely zilch to address, therefore, triggered at the request of overloaded fire and rescue officers, the emergency alert was justified. Unless you, your family and friends wish to burn in hellfire whilst erecting flags on lamposts and painting rural roundabouts, apply some common sense and avoid using disposable barbecues for the time being; big ask!!

    Equally, a hosepipe ban is unfortunately understandable if we are to reserve the little water we retain in reservoirs. Though this announcement is far more easily attacked, being Wessex Water has faced intense public and regulatory backlash over widespread raw sewage discharges, environmental damage, large shareholder payouts, and rising executive pay amid mounting network failures, it should be the privatisation of public services under question, rather than if you should, or shouldn’t, water your rhododendrons or wash birdshit off your Tesla. 

    It’s hard to take orders from a company Ofwat finalised an ยฃ11 million enforcement package against, requiring Wessex Water shareholders to fund local environmental and infrastructure upgrades after the company failed to properly maintain and upgrade its wastewater network. Even worse when the company was criminally convicted and fined ยฃ500,000 following a prolonged sewage pumping station failure at Bowerhill Lodge near Melksham, which discharged untreated waste into Clackers Brook and killed over 2,100 fish.

    Or, hey there was that time when a backed-up sewer spilled into a River Yeo tributary in Somerset, resulting in a ยฃ300,000 payout by the company toward local river and habitat restoration trusts. But who are we to judge their Chief Executive Ruth Jefferson, after she received her pay rise, taking her total package to roughly ยฃ791,000?!

    Even if the company itself acknowledged it risked breaching sector-wide environmental bonus restrictions on this pay rise, because they clearly cannot be trusted any further than be thrown, the responsibility remains on us, the public, to not only save water during a drought, but vote for a party with core environmental concerns and pledging to renationalise our public services. 

    And I say this not because of political sway, but that I consider the extinction of all life on Earth a pretty fundamental concern and โ€œbig deal.โ€

    I therefore condemn irresponsible reporting on all environmental issues; that’s relevant, isn’t it? Rather you support your chosen party who backs companies where the utility recorded tens of thousands of sewage spills spanning hundreds of thousands of hours across the south-west of England, if you want to. Free country last time I checked, but tomfoolery on this to sway popular opinion is criminal against no one but ourselves and our future generations, of which we hand them the world in a state similar to what Wayne and Waynetta Slob might leave their council flat. 

    Therefore I call out reporters like Neil Shaw of Wiltshire’s gutter press Wiltshire Live, for publishing a story about a consumer expert pointing out โ€œa little-known fact about hosepipe bans – claiming not one person has ever been prosecuted for ignoring the orders.โ€

    How insanely irresponsible, despite evidence, it is to encourage rebellious acts against protecting our water supply, for clickbait. For if you continue to ignore the warning, it is akin to acknowledging an absence of police and speed cameras implies you can accelerate to your heart’s desire, only to rundown a child. 

    Oh, quick, BBC Wiltshire, the Crammer in Devizes has dried up, what should we do?

    Send down a reporter who looks like Borat to interview a Conservative town councillor about the Moonrakers folklore!ย 

    This is not a novel by Frank Herbert, yet, but, like Lemmings, we strive on with the madness, councillor Maria Hoult for Devizes South complaining that the โ€œTown Council are no longer permitted to water the floral displays and trees.โ€ And good folk perhaps need an emergency alert as they gather online to rage at Wessex Water, throbbing the very backbone out of the water guzzling data centres spreading their message. When the real message should surely be, just because our water companies, politicians and media can’t act responsibly it doesn’t mean you have to follow their example.

    The hosepipe ban comes into place on Tuesday the 18th August and lasts forty days, coincidentally the same time period Jesus fasted in the desert with the devil on his back, before they nailed him to a cross, for asking people to be nice to each other. Obviously they didn’t have Facebook back then; is this going to happen every fifty years? Itโ€™s an attack on my civil liberties!!


Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

Sound Affects Find the Ley Lines

Make no mistake, we love Swindon folk-rock duo Sound Affects here at Devizine. Ergo Iโ€™m prepped with some fond words and in high expectations prior to listening to their new album out today (13th Dec) Ley Lines. Itโ€™s been over two years since reviewing Everyday Escapism, their previous nugget of wonderful. And if I praised them for the honest folk songs then, Ley Lines is an immense enhancement for acute subject matter, and is lyrically grafted with more passionate prose. The result is sublime, as I anticipated, but that smidgen more.

From the off Gouldy and Cath compose with significance, and these eleven tunes donโ€™t simply drift over you aimlessly with acoustic goodness, though they have that. They stand as testaments to the tenet of injustices of modern social and political issues. Upon faced with the political reformist opening song, One Man Army, you know thereโ€™s an aim to reinforce the lost ethos of political standing in a song, as is the direct influences they often cover as their band, The Daybreakers; of power-pop, new wave post-punk, eighties garage and mod. Though as a duo, Sound Affects are strictly folk-rock, only maintaining the ethos of their inspirations in lyrics.

The second tune projects like a musical of an Alan Bleasdale play, thereโ€™s certain bitterness in the broken dreams and prewritten fate of folk in the decay of modern poverty, and Gouldy nails it akin to Ken Loach, with No Means to Pay. What follows is a Kafkaesque, revolutionary dream, but if you felt this is all liberal point-scoring, King for a Day has more acquitted associations similar to the drifting and euphoric sounds of Everyday Escapism.

Windmills drifts similarly, gorgeously, and is naturally Edenic. While shards of the aforementioned bitterness are subtle now, replaced with an idyllic moment, you consider if theyโ€™re losing the edginess of the opening tunes. Then Cathโ€™s flute takes us back to a tender era with Giving Something Back, and Gouldy sings, perhaps the most simplistic chorus, but genius song here, it opens a clear nod to his love for the narrative of Irish folk; itโ€™s a working-class ideology, and you can effectively visualise the labours leaving for home on a dark winterโ€™s eve, with the backdrop of a cold red-bricked factory. Thereโ€™s something acutely Levellers, but a sprinkling of Springsteenโ€™s Nebraska about it.

Typically, romance with a twist is a not forgotten subject, but played well, in Say it to my Face, and it returns with ponderings of conspiracy and dogmatic hierarchy. Unanswered Questions has overtones of a missing girl, without mentioning the McCann family, thereโ€™s connotations of a similar tragedy, and itโ€™s heartbreakingly candid. Yet throughout any dejection in theme, Sound Affects always ascertain a joyful euphoria through the sublimeness and effortlessness of their sound; acoustic guitar and flute, fiddle; tried and tested formula to hold a pub gig spellbound, as they recurrently do.

Together what you have is a numinously uplifting, wandering and softened euphoric album which drifts on rancorous and sometimes acrimonious subjects many modern musicians might steer away from. Itโ€™s folk alright, but with a bygone bite and righteous morals. More importantly, itโ€™s so damn good, itโ€™s essential.

Skates & Wagons EP

Fashionably late for the party, this Oxford duoโ€™s self-titled debut EP was released on White Label Records at the beginning of the month; what can I say for an excuse? Glad to catch up though, as Skates & Wagons are well worth it.

Thereโ€™s retrospective grandeur on offer here; even down to the bracketed song titles, as was common at the time, of these four diligently composed tunes of sixties-fashioned mod psych-pop. Itโ€™s as if weโ€™d not progressed from the era of The Kinks or Small Faces, The Spencer Davis Group and The Troggs at all. And to hear this makes one wonder if it was ever progress anyway.

Yeah, the dawn of the beatnik epoch, developed from the blues and soul inspired pop of Merseybeat is formulated, tried and tested, and anyone who mimics it is dependant on the only element left to ensure it’s respectable, the quality. Skates & Wagons set such a benchmark, taking a big chunk of the influence from this aforementioned style, but with a fresh approach rather than a shoddy and aged tribute, paling by comparison to its original.

Weโ€™ve seen this youthful blast of retrospection recently with the awesome blues detonation of Little Geneva, least to suggest this is more the pop of the fab decade, it also expands to classic electric rock, and is immediately beguiling via its wonderful musings. Skates & Wagons have long established themselves on the live circuit in Oxfordshire and beyond, but the EP is something precured over time like a fine wine. Initially they started working on it as far back as 2011, and completed it earlier in 2020, a testament to that old adage, you canโ€™t rush art.

Opening borderline glam, Just Because you Can (Doesnโ€™t Mean you Should) is possibly the most progressive, early Genesis fashioned, and vocally thereโ€™s harmony parallel to Gabriel and Collins. Itโ€™s as if Skates & Wagons regress through time as it goes on. Spin my Wheels is decidedly backdated in sound from the opening song, mid-Kinks period of their โ€˜66 album, Face-to-Face.

A nuanced approach to sixties-indebted structures, all four songs drip with instant fascination, as if you mayโ€™ve heard them on a classic radio show. The third tune is perhaps the most sublime, Tender (is the Night) is affectionate acoustic guitar-led emotive mellowness, to slip into a Who rock opera unnoticed. Itโ€™s an epic, seasonal-spanning romance themed masterpiece.

Yet, the final tune, Law As I Am True plays-out with the thump of pre-psychedelia sixties pop, but itโ€™s got the kick of how The Jam re-enacted the sound, and itโ€™s catchy because thereโ€™s subtle hints and swirls of the imminent next move to flower-power. Together hereโ€™s four memorable tunes which would have undoubtedly sailed to the Top of the Pops during that golden era, yet somehow completely original and uniquely fitting for the now.

If weโ€™ve seen a relived trend with scooterists and mod culture recently, these guys are a hot contender to front such a movement. Though I caution them, thereโ€™s often a dispelling, or more, overlooked aspect with the current trend, in the interesting and natural progress to the late-sixties beatnik and flower-power movements, and while thereโ€™s nothing so โ€œway-outโ€ as Zappa on offer through Skates & Wagons, it does reflect those initial, optimistic changes of the mid-sixties. And in this notion, is what divides the duo from the bulk standard; yeah, fab, love it!


Tankus the Hengeโ€™s Luna Park

Londonโ€™s Tankus the Hengeโ€™s third studio album is released today (4th Dec.) Tis a quixotic rockโ€™nโ€™roll fable, a utopian realm of wonderment with ingenious prose and the composition of a variety performanceโ€ฆ.

Picked on this new release to scribe a few words about based upon Devizes Arts Festival organiser Margaret Bryantโ€™s thrilled expression when she leaked booking Tankus the Henge for the 2020 line-up, that sadly never was. Yet, sadder is the reality of the era, where so other many events didnโ€™t happen either, and the decline of live music venues. Such is the subject of this inimitable London-based groupโ€™s Luna Park, an album out today.

If the pandemic has been a catalyst for music production, and often the theme too, from all Iโ€™ve heard it generally focuses on the virus itself. Although Luna Park centres around the decline of music venues, an allegory for what is happening on Londonโ€™s Denmark Street and all across the UK, one should note while it may resonate of lockdown fever, it was actually recorded during the winter of 2019.

Though nothing comes across melancholic with Tankus, itโ€™s all clouts of glam-rock and funk wrapped in a showy, big top magnificence. They describe their sound as โ€œfive-wheeled, funk fuelled, open top, custom paint job, rock โ€˜nโ€™ roll jalopy that comes careering around the corner on a tranquil summerโ€™s day, ruining the silence and disturbing the bats.โ€ While rock n rolling songs blast, thereโ€™s refined moments, as with The only Thing that Passes Here is Time, but it’s gawdy big band fashioned horn-blowing. Picking it apart thereโ€™s so much on offer here, like a variety performance in one album, and for this, despite Iโ€™m grinch for glam, itโ€™s ingeniously composed and addictive.

Glitterlung, is borderline downtempo โ€œPortisheadโ€ triphop, for example, while the incredible Susie Sidewinder comes across as if Lloyd Cole and the Commotions wrote Sgt Pepper. Of course, it relies heavily on the glam side of rock n roll, but thereโ€™s rudiments of everything; Deacon Blue to Zappa is showing a bit shoulder here. Each influence it throws into the melting pot is taken with a pinch and is wholly fun. Particularly noted for the amusing element, Staying on the Side of the Dirt was the tune which swayed me, itโ€™s terribly Dennis Waterman theme tune fun, and I mean this is a good way! Chas n Dave are legends, given electric guitars and told to work with Noddy Holder, you might get something along similar lines.

During listening I pondered if this rock opera, and decided more on rock circus. I usually reserve that fairground comparison for the two-tone sound of groups akin to Madness, but it applies here too. Itโ€™s not a concept album as such, more a vision. A fantasy of a realm where creativity is celebrated and live music thrives. A place where venue closures are a thing of the past, and corporate gentrification is a non-entity. A refuge from greed and capitalism, and the salvation of independent music, free thought and good-times, packaged in dark, wry satire with a neon glow.

Speaking about the underlying themes at play, frontman Jaz Delorean said, โ€œI donโ€™t think the public knows the entire truth when it comes to the hardships and thin margins of running a venue, and most of the time we donโ€™t want them to. They go out to have a good time and forget about life for a while. Thousands of people work all hours to keep venues, and festivals alive, and at the moment all of it is under threat. The ripples will be felt in every household eventuallyโ€ฆ We learned and started honing our skill in Denmark Street, in clubs like 12 Bar Club and Alleycat, both of which have closed. Jamboree, Passing Clouds, The Peel, 14 Bacon Street, Madame Jojoโ€™s. All these venues were haunts of ours and are now closed permanently too.  We need to support these small venues so much more.โ€

Yet Luna Park is more then the sum of its parts, thereโ€™s gorgeous portrayals and the well-grafted, thoughtful characters of a novel, in disordered or decisive situations. If anything twisted my opinion on flares and glitter itโ€™d be this very entertaining scrapbook of sounds.

https://www.tankusthehenge.com


Jon Amorโ€™s Remote Control

Pop is pop for a reason. Without sounding like a government soundbite, what I mean is, pop, as in the music, is popular for good reason; the catchiness often in the simplicity, which consequently sells. And if it sells, itโ€™s pop, regardless of the many subgenres and youth cultures which an era carries pop along, itโ€™s always continued this ethos. Itโ€™s only a particular โ€œgenreโ€ for the time being. I use the term as loosely, then, as it should be used. Feel free to shudder at modern commercialisation, but thatโ€™s been building for decades and you shouldnโ€™t let it put you off; youโ€™ll miss something special because you preconceive its popularity is a hallmark from a polluted industrial mechanism.

The above annotation I write because I donโ€™t want you to run off with the idea, Iโ€™m talking contemporary chart hits when I use the term pop. Out of the assortment Devizesโ€™ legendary bluesman Jon Amor offered on his last major album two years ago, Colour in the Sky, I tended to cherry-pick those deviating from his traditional electric blues style, and they promptly became the standout tracks, Illuminous Girl and Red Telephone. He need not appease his devotees; they follow this modification with bells on. Because, fundamentally itโ€™s more โ€œpop,โ€ in so much as itโ€™s appealing for this beguiling ease.

This transitory, perhaps, shift for Jon was stamped on the last single, the incredibly addictive Peppercorn, a lively upbeat and Elvis Costello fashioned rock, without the leftist post-punk political angle of yore. Now the single has been followed up with an album, Remote Control, impulsively launched without the need for the usual pe-hype. All the tunes follow the aforementioned style of Peppercorn, the penultimate track on the collection. Dammit, this is good, but you knew it would be.

News of it literally arrived via Facebook post yesterday, โ€œthis year,โ€ Jon posted, โ€œIโ€™ve been spending a lot of my weekends recording some songs, and I appear to have made an album.โ€ And as if by magic, today (27th November) itโ€™s a thing. So, was it as spontaneous as it sounds, a result of lockdown?

โ€œI suppose initially it was the result of lockdown,โ€ Jon replied, โ€œyeah, I was working all week and had nothing to do at weekends!โ€ If there’s only one good thing to come out of all this, I noted, thinking Erin Bardwellโ€™s Interval album in particular, is that artists have had the time to write and create, and there’s good material flowing from all genres. Then I waffled some similarities in a piece I was reading about the great plague, where it modernised and revolutionized both folk and classical music, possibly gave birth to the renaissance.  

โ€œI think a lot of people embraced the spare time and the isolation and turned it into a positive,โ€ Jon added. โ€œNow Iโ€™m picturing video conference calls and zoom quizzes in the 1600s…โ€

While Jon is clearly experimenting, dabbling this more pop sound with Remote Control, itโ€™s also temptingly raw and punchy. There are some retrospective glances, the opening tune Song and Dance is a catchy three-minute Merseybeat blast, whereas If a Million is demarcated Curtis Mayfield funk. 03 57961 (Thatโ€™s my Number) bounces like a quirky ZZ Top, whereas Robot Skin follows, using the guitar like white noise, overridden with a Gecko styled rap.

Iโ€™m intrigued now, wondering where this will take me next, and even if Next plays out the downbeat trip-hop style, akin to Portishead meeting Costello, it remains definitively Jon Amor. Just a Bomb booms power pop, with a singable chorus after just the one listen. Weโ€™re one track down before Peppercorn, youโ€™d be mistaken by the title that this is locally-themed, Moonraker, is Bowie spacey and maybe a reference to the Bond movie rather than a Devizes pond fable.

Image by Nick Padmore

The finale rings with everything weโ€™ve suggested at the start, this is poptastic for catchiness. Do Bop-Bop is staunchly irresistible. Exotic bongos, Californian beatnik surfer goodness; ideal daydream for wintertime locked down in England!

In conclusion, I need not convince Jonโ€™s lifetime fans, they will buy it and love the fact they have. For others, this is an interesting progression with great prose, itโ€™s joyful and quirky and explores styles without selling-out or shifting the central pivot point, which is Jon Amor, da man rocks! All the above basically adds up to; this is highly entertaining on the ears and persuasive on the feet to tap.

     


1/2 Dove – 1/2 Pigeon with Micko and the Mellotronics

Had to chuckle to myself, trying to find this album stored on my phone I kept thinking about Mike & The Mechanics! Just, No, leave it; nothing of the sort, Londonโ€™s Micko and the Mellotronics debuted last year with the single The Finger, the accompanying album 1/2 Dove – 1/2 Pigeon is due for release Friday (27th November.)

Weโ€™ve come so far since Televisionโ€™s Marquee Moon, neo-avant-garde anarchism comes across cleaner this decade. You Killed My Father, now you must die, is a tune lesser aggressively executed than you might imagine from the lyrics. Thereโ€™s a fairground, vaudeville style to Micko & The Mellotronics, wrapped in wryness, at times; which you donโ€™t get with Sonic Youth, but unpredictably often spawned cringeworthy from the Velvet Underground.

Melancholic free, though; thereโ€™s nothing retrospective on offer, this is post art-punk, a distant cry from Talking Heads, feistier, it floors the vox, elevates to high-fidelity and fires on all four cylinders. At times it shadows Pulp, and at others Blur creeps in, but throughout, itโ€™s fresh and exhilarant. Welcome to the eccentric and individual biosphere of Micko Westmoreland, actor and creative, hitherto renowned for solo releases and material as The Bowling Green.

The Mellotronics initially began playing out as a three-piece with founding member Nick Mackay (drums) and the enigmatic addition of Vicky Carroll (band โ€œwicket keeperโ€ and bass player). In 2018, the band were joined by revolutionary guitarist Jon Klein (Siouxsie & the Banshees/Specimen, and founder of the iconic Batcave club) who also adds his flare to their upcoming debut.

A stellar array of special guest musicians feature too, including The Specialsโ€™ bassist Horace Panter (a friend & collaborator who has worked with Micko on an annual charity record alongside Rat Scabies for the last 7 years), horn impresario Terry Edwards (PJ Harvey/Madness/Nick Cave) and alternative violinist in excelsis Dylan Bates (Waiting On Dwarfs/Penge Triangle), plus the late Monty Python/The Rutles/Bonzos great: Neil Innes. Early videos for featured singles โ€˜The Fingerโ€™ and โ€˜Noisy Neighboursโ€™, have also seen the band working with actors Paul Putner (Little Britain) and Susy Kane (The I.T. Crowd, Gavin & Stacey) respectively.

ยฝ Dove – ยฝ Pigeon is elated trialling, chockful of historical and philosophical references, palpably paranoid of a modern apocalypse and merged in citations to pop-culture, at times rocking, others a tad unnerving. But while power-driven guitar impediments contribute to the discomforting moments, off-kilter horns counteract it with this sardonic glee.

Contradictory this arrangement puts your defences up, akin to walking into a modern art gallery not knowing what to expect. I wanted at times not to like it, as tracks like The Fear does what it says on the tin, but Good Friend is having-it joyously and bought me around. If I remain undecided itโ€™s due to my own personal preference, and have to tip my hat at the ingeniousness of the writing and composition. It took me some adjusting to fully appreciate, yet I feel those leaning harder to post-punk rock and emo-indie will take Micko & The Mellotronics as new idols.

This is especially true of the next single released from it, Psychedelic Shirt. A coming of age theme, eighties set, when the culturally cool was at loggerheads with Thatcherite careerism, and tribalism was rife on the dancefloors of the local disco. Micko sums his notions, โ€œPsychedelic Shirt tells the story of venturing to an out of hours school disco in a dishevelled scout hut in Leeds. Where Top Man flick heads had seized upon my newly procured paisley shirt and sought about destroying it. Iโ€™d taken it off because I was too hot, left it on a peg in the boyโ€™s loos. Later, I found the article, โ€˜mopped up in the fluid, screwed up in a ballโ€™ on the lino floor as the songโ€™s lyrics state. I was forced to make a choice between victimhood or empowerment but left contemplating shades somewhere in betweenโ€ฆโ€

Itโ€™s one slick album, razor-edged rockโ€™nโ€™roll meets avant-garde pop-art meets satirical Edgar Allan Poe short story, but in a cracker of fun.

PRE-ORDER HERE: Facebook: Twitter:


My Darling Clementineโ€™s Country Darkness

My Darling Clementine’s new album Country Darkness vividly reimagines twelve hidden gems from the Elvis Costello repertoire, in the duetโ€™s definitive, dark country-soul fashion with original Attractions keyboardist, Steve Nieve.

As a ska DJ youโ€™d be forgiven for assuming the Two-Tone 7โ€ rarity, I Canโ€™t Stand up from Falling Down, would be my introduction Elvis Costello & The Attractions. Rather embarrassingly, the one-shot liable recording which was given away at his gigs was not, rather the one true comedic genius of Hi-Di-Hi was. Sue Pollard stood flustered but ever-spontaneous with odd shoes behind the stage at Live Aid. Interviewer Mark Ellen asked her if sheโ€™d seen Elvis. An expression of shock overcome her, as Ellen expanded with the performers surname. โ€œOh, I thought you meant Presley, I was gonna say, poor thing, resurrected!โ€

I found this amusing a kid, as most of her witticisms were. Yet, I didnโ€™t know much about the man in question. Like a DC Thompson artist unable to sign his comic pages, I never knew who did R. White’s Secret Lemonade Drinker Elvis impersonation; Costelloโ€™s father, and young Elvis, or then plain olโ€™ Declan, as backing. Was it this which swayed Stiff Recordsโ€™ Jake Riviera to suggest he used Elvis as a forename?

However it did come to pass, if his renowned namesake is the king of rock n roll, Costello surpassed him in at least one avenue, diversity. Beginnings as a new wave punk Buddy Holly, Costello stretched beyond pigeonholes and always strived to cross the streams, and country music was a mainstay. Take the derisive warning on his 1981 country covers album Almost Blue; โ€œthis album contains country and western music, and may cause offence to narrow minded listeners!โ€

As new wave as you thought he was, an American country ensemble residing in England, Clover, would attend his backing for the debut album. Members later joined Huey Lewis and the News and the Doobie Brothers. Costello would go onto record many a country cover and use the genre as a blueprint for his own song writing. His obvious love of country is bought to an apex by a new release today, 6th November, from My Darling Clementine, of which Royal College of Music dropout, Steve Nieve joins with familiar husband-wife pairing, Michael Weston King and Lou Dalgleish to vividly reimagine twelve hidden gems from the Elvis Costello repertoire, in the duetโ€™s definitive, dark country-soul fashion.

But for want of prior knowledge of the songs, note, Steve Nieve dropped out of college in 1977, to join the Attractions as pianist. The man was there when Costello released his first major hit single, โ€œWatching the Detectives.โ€ Why is he called Nieve, pronounced naรฏve? Youโ€™d have to have asked Ian Dury.

While the first single released from Country Darkness, The Crooked Line is taken from the album, Secret, Profane & Sugarcane, Costelloโ€™s later folksy-era, the adaption is surprisingly electric and upbeat, a tantalising precedent for an album typically leaning more toward country, even if the track being revised is not originally inspired from Costelloโ€™s country passion. This intricate then is interesting, while My Clementine has judiciously measured the retrospective repertoire, taken on hidden gems throughout Costelloโ€™s career, including tracks from his Imposters and Attractions eras, solo efforts and his collaborations with the likes of Paul McCartney and Emmylou Harris, it doesnโ€™t mean all tracks were selected because of their closeness to country.

While his Heart Shaped Bruise from the Imposters album Delivery Man, for example, is acoustic goodness the country tinge is slight, the Darling Clementine version leans heavier on the genre, is more gothic americana, outlaw folk. Whereas That Day is Done almost rings gospel on the original, thereโ€™s something definitively Nashville about this version. In such, you need not be a fan of Elvis Costello to relish the country splendour on offer here, rather a Tammy Wynette devotee.

The album is sublime, without doubt, akin to an artist stripping back to accentuate the attention of song-writing ability, the nimble expertise of narrative which flows through a country legend, like Wynetteโ€™s or Partonโ€™s, can be seen, full-colour within Costelloโ€™s writing. Yet through the eyes of another, there is even more scope for alternative angles and interpretation.

โ€œMaking these recordings took me back to my 19-year-old-self,โ€ Michael Weston King explained, โ€œout buying a copy of โ€˜Almost Blueโ€™ during my lunch hour. It was Elvis and Steveโ€™s making of that album which set me, and I think many others of my generation, off along a country path to discover more about this form of music previously only viewed with suspicion. For me it became something of a pilgrimage, a vocation, even a โ€˜career.โ€™ So, this feels like the completing of a musical circle of sorts; to record a selection of some of mine and Louโ€™s favourite EC country songs with the added thrill of performing them with Steveโ€.

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The award-winning partnership of King and the awe-inspiring vocals of his wife, Lou Dalgleish is prevalent, theyโ€™ve scored four albums previously, co- written a stage play/audio book with best-selling crime writer Mark Billingham, played over 800 shows worldwide, and collaborated with a wide variety of major artists including Graham Parker, Kinky Friedman, The Brodsky Quartet, and Jim Lauderdale. Their harmonies reflect the strength of this rรฉsumรฉ, making this a win-win for country music fans and Elvis Costello fans alike.

The Country Darkness album compiles all the tracks featured across a set of three EPs, released over the last year, with a bonus track called Powerless, of which I can find no reference to the original. To web-search Elvis Costello Powerless is to find recent articles plugging his latest album, in which he offers โ€œI was trying to make a rockโ€™nโ€™roll sound that wasnโ€™t like anything Iโ€™d done before,โ€ and comments how he was โ€œpowerlessโ€ to prevent his young children viewing the horrors of news broadcasts. Yet they paint the picture of the once new wave, angry performer who rampaged through his youth, sardonically mocking imperialistic politicians, despotic fascists and firing expressive verses at punk fashionistas, as a now suave jazz and country music raconteur. But here with My Darling Clementine, the country side to Costello is bought to a western American mountainy summit.

My Darling Clementineโ€™s Country Darkness will be available on CD and digitally on 6th November 2020, via Fretsore Records. https://mydarlingclementinemusic.co.uk/store/


Talk in Codeโ€™s Secret

New single from Swindonโ€™s indie-pop darlings, and, as foreseen, itโ€™s blinking marvellous, Gloria.

โ€œEighties,โ€ I yell, but my daughter corrects me. Itโ€™s a tune from Miley Circus, apparently. Story checks out, searched YouTube for it. Now Iโ€™m distracted from reviewing Talk in Codeโ€™s new single, Secret, by her suggestive gyrations in a black studded swimsuit and equally studded elbow-length gloves. Only from a health and safety perspective, you understand. Metallic studs are unsuitable for swimwear, gloves would fill with water; I should warn her PR.

When behind the wheel of Dadโ€™s taxi, my daughter plays DJ; curse that built-in Bluetooth function. Least I can pretend Iโ€™m hip with the kids by distinguishing my George Ezras from my Sam Fenders. โ€œAh,โ€ but I clarify, โ€œI didnโ€™t mean that, I meant it sounds like something from the eighties.โ€ She agrees, tells me theyโ€™re all inspired from the eighties. โ€œLike, Blondie,โ€ I add, sheโ€™d have to Google that, but she watched The Breakfast Club and Uncle Buck, she is aware of the style of sound demarcated by eighties electronica pop.

Refrained from telling her about these guys though, some things are best left in the past.

If a retrospective inclination influenced by the decade of Danny Kendal v Mr Bronson, Rubikโ€™s cubes and skinhead Weetabix characters is good for you, ok, look no further than upcoming local bands like Talk in Code and Daydream Runaways. Iโ€™ve often grouped these two on this very notion, and Iโ€™m delighted to note via my comparison, the Daydreamers are supporting the Talkers at Level III in Swindon on November 20th, my only annoyance is that itโ€™s a Friday and I canโ€™t make it.

To differentiate, Daydream Runaways take a rock edge, the like of Simple Minds, but Talk in Code seem to strive for the electronica angle of bands like Yazoo and The Human League. They do it far better than well though, and if I branded it, โ€œsophisticated pop with modern sparkle,โ€ their last single, Taste the Sun, back in July, embodied this more than anything previous. So, here we are again with another belter which adds to this uniform style, though the climate may not be so clement, Secret sparkles too.

It snaps straight in, this aforementioned feel-good 80s electronica guitar pop sound, and itโ€™s so beguiling and catchy itโ€™s certain to appeal wide, agelessly. If I was attending a local festival and Talkers took the stage, Iโ€™d imagine my daughter and I would dance together, and right now with her tastes directed to my odium, calculatingly sweary modern pop R&B, this would be a miracle! I do not twerk.

Secret is right out of a John Hughes movie then, a stuck record comparison I say to near-on every release by them and Daydream Runaways too, but this undeviating style is consistently cultivating and improving. Lyrically itโ€™s characterised by the same simple but effective theme of optimistic romance, and a bright, catchy chorus, as every classic pop song should. ย 

The band cite pop classics such as King of Wishful Thinking, How Will I Know and Alexander Oโ€™Nealโ€™s Criticise as evaluations. I can only but agree, but add, those can be cringingly timeworn, whereas, this is not Dr Beat, no need for an ambulance sound effect, and the Talker guys donโ€™t got no hairspray, this is renewed and exhilarating for a modern generation.

You can pre-save TALK IN CODEโ€™s brand new 80โ€™s infused indie pop belter, on the platform of your choice and listen in full, but itโ€™s not released until November 16th. Yeah, I know right, Iโ€™m so lucky to have these things in advance, but with Secret I can guarantee by the time it comes your way, Iโ€™ll still be up dancing to it, perhaps my daughter too. Care to join me on the dancefloor? But oi, watch the handbag, Miley, and donโ€™t yank my diddy-boppers, Iโ€™m no that kind of guy; saving myself for Gloria Estefan.


The Revelation Games of Phil Cooper

Crouching beside me at our IndieDay outing last month, one third of our local folk trio, The Lost Trades, Tamsin Quin explained sheโ€™s slowly working toward her second album but a lot of time is spent concentrating on progressing the Lost Trades. I supposed here is an advantage to DIY projects, as if The Lost Trades were signed to contract itโ€™d likely be an order to focus entirely on the group.

In pop weโ€™ve seen the pressure put on bands to collaborate equitably, and the result usually causes a split in the end. Major record companies in tough competition donโ€™t do enough to discourage this. Note drama sells in Simon Cowellโ€™s โ€˜show-me-how-easy-it-is-to-manufacture-a-pop-starโ€™ dressed-up karaoke television show, and hear the boos as he obstinately and impassively divides a prearranged group. He sells the tears of the rejected and the tension as young friends split. You could blame Yoko Ono, if you must, but bands breaking up is, sadly, no new thing.

Hence the accord and friendship between unsigned bands is a delightful contradiction to the harsh realities of the music industry, and I sense an unequalled unity in The Lost Trades, and deep respect for each otherโ€™s solo work. Cue another third, Phil Cooper, the binding, organised element of the Lost Trades, and his new solo album, These Revelation Games due for release by Infinite Hive on 30th October. Itโ€™s great, Iโ€™d expect no less, and Philโ€™s fanbase too, but itโ€™s varied content would also serve as a taster for newcomers to his repertoire.

Historically itโ€™s been over a couple of years since he sent me his Thoughts & Observations album to review, which does what it says on the tin, largely acoustic-based annotations and judgements. But I focus on a particular night down the Southgate when Phil was accompanied by his Slight Band. Man, he was on fire, loudly and proudly rocking our legendary live music tavern with unsurpassed esteem and passion. ย Make no mistake, These Revelation Games contains many a track comparable with Thoughts & Observations, theyโ€™re observational and sometimes quirkily humoured. But this new solo album takes no prisoners, and blasts its doors clean off their hinges from the off. ย 

Yeah, while so the opening tune, House of Mirrors explodes rock, and dare I say it, has that impact of the sixties Batman theme, it shouts the riff at you, second up Phil returns us to the mellowed aural breeze weโ€™re more accustomed to with his recorded material. So, itโ€™s a mixed bag of astutely written and perfectly executed songs with Philโ€™s joyful aura and defining style.

Eleven songs heavy, the early tunes creep us slowly back to the up-tempo as it progresses. Without a Sound particularly adroitly manages to raise that notion, and Keep Your Hands on the Wheel is a prime example of how Phil ingeniously twists metaphors of the simplest of everyday things. Leading us onto the quirkiest song, I am a Radio. Akin to Robots on the Lost Trades EP, Phil makes a heartfelt connection to an inanimate object, yet here using sound effects to create the idea his voice is operating on shortwave. Itโ€™s by far the most interesting and experimental, also absorbing his electronica work under the title BCC.

For marvellously prolific and diversified is our Phil, performing as solo, as The Slight Band, his electronica side-project, or what itโ€™s now concentrated on, the outstanding folk harmonies of The Lost Trades with Jamie R Hawkins and Tamsin Quin, Phil never slacks off or confines himself to one sound. โ€œI wasn’t planning a new album this year,โ€ Phil expressed, โ€œbut then, all plans for 2020 went out the window six months ago. So, I spent my time in lockdown writing and recording a whole load of songs that explored influences I’ve never explored before.โ€ Therefore, as a solo album, bought about by lockdown, donโ€™t expect it to remain in one place.

It rocks without reference to this folk avenue, for sure, but stretches to every corner of rock. There are surprisingly heavy guitar riffs. Fervent ballads like the particularly adroit Into the Void, whisking Lennon-like. And thereโ€™s ardent electric blues, Changing Times perhaps best example of the latter. It polishes the experience off with a Clapton-fashioned smooth blues finale called The Horseman Rides Tonight.

With a plethora of new music being produced, lockdown it seems did have one benefit, and These Revelation Games in a varied taster of a concentrated Phil Cooper at his peak. I look forward to the progression of the Lost Trades, but love this aforementioned freedom to produce solo work too. I mentioned my chat with Tamsin to Phil, about the time and effort dedicated to the Lost Trades, but the joy of the flexibility of freely venturing off to work solo, thoroughly supported by the other members of the trio. โ€œYou’re far from the band in the Commitments film,โ€ I noted!

โ€œYeah,โ€ Phil responded, โ€œhaving a record label release it has helped keep the balance between solo and Lost Trades stuff. The Lost Trades has always been built on mutual respect for each other’s work, so we’ll always support each other.โ€ Which kinda wraps it up aptly, the ethos of the trio is like this album, nice. Nice one Phil, nice one, son!

Details on Phil Cooper and These Revelation Games, here.


Jamie Williams and the Roots Collective Do What They Love, at The Southgate

Heโ€™s a fast learner, that Keanu Reeves; think how he progressed to โ€œthe chosen oneโ€ in little over an hour and half, while his superiors barely advanced at all; comes with the chosen one job, I suppose. Think cat scene, for example, where this novice presumed dรฉjร  vu, but twas a glitch in the Matrix.

Had a touch of dรฉjร  vu myself on Sunday, chatting with Essexโ€™s Jamie Williams and the Roots Collective; alas Iโ€™m not the chosen one, until itโ€™s time to do the washing up. Barefacedly had to check my own website, suspecting theyโ€™d been mentioned before. And I was right, Andy wrote a part-review back in July; I was briefly there too. Blame it on a glitch, rather than memory loss; this is 2020, glitches in the Matrix are abundant.

Regulars at the Southgate in Devizes, Jamie Williams and the Roots Collective are as the name suggests, but donโ€™t do run of the mill. Cowboy hats and chequered shirts held a clue, but arrive excepting unadulterated county & western and youโ€™ll get nipped. While thereโ€™re clear Americana influences, hereโ€™s an exclusive sound unafraid to experiment.

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Jamieโ€™s abrasive vocals are gritty and resolute, perfect for this overall country-blues sound, but it progressively rocks like Springsteen or Petty, rather than attempts to banjo twang back to bluegrass. It also boundlessly exploits other folk and roots influences, with a plethora of instruments and expertise to merge them into this melting pot. And in this essence, they are an agreeable rock band, appealing to commonalities; but do it remarkably, with upbeat riffs, tested but original material, and passion.

Not forgoing, I still need to be careful, and it was but a whistle-stop to the Gate, to wet my whistle. As current live music restrictions being the way they are, itโ€™s unfair to use a gig review as a base for an actโ€™s entirety. For starters, theyโ€™re missing bassist Jake Milligan, and drums deemed too loud to bring, James โ€œthe hogโ€ Bacon made do with a cajon and bongos. The remaining two, Jamie and Dave Milligan, cramped in the doorway of the skittle ally with acoustic and electric guitar, respectively. Which, in a way, proves this bandโ€™s aforementioned adaptability and desire to experiment. The proof is the pudding though, and battling through the restrictions of the era, they came up with a chef-d’oeuvre.

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Professionally, they scorched out a great sound nonetheless, mostly original, but a rather fitting Knockinโ€™ on Heavenโ€™s Door, with Jamieโ€™s grinding vocals apt for a later Dylan classic. But this downtempo cover was the exception to the rule, their originals upbeat and driving.

To pitch a fair review, though, is to take a listen to their latest album, Do What You Love. The cover of which is unlike your clichรฉ Americana tribute too; highly graphical splashes of colour akin more to pop, or a branding of fizzy drink. The songs match, a popular formula of cleverly crafted nuggets intertwining these wide-spanning influences. One track they did live from their album was accompanied with an explanation the recorded version used a brass section and even a DJ scratching, yet they made do with Jake joining James for a hit on the bongos.

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They certainly enjoy what they do, and appear relaxed in the spotlight. This doesnโ€™t make them tongue-in-cheek, like, say Californian Watsky & Mody, who blend hip hop into bluegrass for jokes. Rather Jamie Williams & The Roots Collective has evenly balanced said collectiveโ€™s influences and conjured this celebrated, danceable and fun sound, flexible for a standard function, like a wedding party but would also liven up the day at a mini-festival.

As an album though it encompasses all Iโ€™ve said above, thereโ€™s cool tunes like Lazy Day, the orchestrated reprise If I met my Hero, and rather gorgeously executed ballad, Held in Your Glow, but also frenetic tunes, driving down the A12 with the windows open music, Red Hot and Raunchy being a grand, light-hearted example but Iโ€™m A Stone as my favourite, with its clever pastiches of Dylan and The Rolling Stones, it rocks.

You need not visit the Oracle, waiting with spoon-bending broods, Keanu Reeves, for her to tell you Jamie Williams & The Roots Collective are not some โ€œchosenโ€ livid teenagers trailblazing a new sound and striving for the spotlight, but a collective of passionate and talented musicians loving every minute of performing, and this comes across as highly entertaining.


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Paul Lappinโ€™s Broken Record

A cracker of a single from Swindonโ€™s Paul Lappin this week, a Britpop echoing of Norwegian Wood, perhaps, but tougher than that which belongs on Rubber Soul. Broken Record is an immediate like, especially the way it opens as crackling vinyl and the finale repeats the final line into a fade, as if it was indeed, a broken record.

Shrewdly written, the venerable subject of a passionate breakup metaphors the title, โ€œignore the voice of reason, leave the key and close the door, do you think youโ€™re ready, to become unsteady, like a broken record, you have heard it all before.โ€ Paul does this frankly, with appetite and it plays out as a darn good, timeless track.

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Itโ€™s head-spinning rock, intelligent indie. Harki Popli on tabla drum and Jon Buckettโ€™s subtle Hammond organ most certainly attributes to my imaginings of a late-Beatles vibe. Yet if this is a tried and tested formula, as I believe Iโ€™ve said before about Paulโ€™s music, he does it with bells on.

For less than a chocolate bar, download this track from Bandcamp, it doesnโ€™t disappoint.


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Sunset Remedy with JAY

Is it still fashionable to be late for a party, or are we conversant enough to realise this refined art is solely perpetrated by egocentrics pretending to be too popular to be punctual? Rather, Iโ€™m am obsolete slob who can only apologise to Jay and Wise Monkey for my delay in reviewing his debut single featuring the vocals of Ben Keatt, but what excuse can I give? Hereโ€™s where fatherhood comes in handy, being too candid to be vain, least I can blame it on my kids and their perpetual school holiday! That said, Iโ€™ve gained some experience on Minecraft and, if I really try, I can do more than two keep-me-upsies.

Sunset Remedy is the track, released last Friday. Jay, Bathโ€™s first external artist of Wise Monkey Music is a producer and instrumentalist, defined as โ€œa bright shining light in the future of DIY and Bedroom Pop,โ€ and I can only but agree. In the fashion of the classic neighbouring Bristol downtempo sound of Massive Attack and Portishead, it came as a surprise to note the soulfulness beats of this sublime track, as it melodically traipses with funky guitar, poignant lyrics and an uplifting air.

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If Pink Floyd came after Morcheeba, they might have sounded a little something like this; neo-soul, the kind of song you wish was physical matter, so you could pluck it out and give it a cuddle! Itโ€™s breezing with nu cool, with a melancholic plod and would blend between tracks on Blue Lines unnoticed, save for perhaps this backdrop guitar riff, providing scope of multi-genre appeasement. Benโ€™s vocals are breathtakingly touching and accompanies the earnest lyrics and smooth beats perfectly. Yeah, this is a nonchalant chef-d’oeuvre, crossing indie pigeonholes and one Iโ€™m going to be playing until I hear more from Jay.

And don’t run away with the idea I’m singing it’s praises simply because of the delay in getting to reviewing it! So not me. You trust I speak my fractured mind, and anyway, time is an illusion to this aging hippy. If punctuality was money I’d be happily broke; procrastination rules, ok. No, I urge you grab this beauty, and show some love to Jay’s Facebook page.


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Three Times Better; The Lost Trades @ The Southgate

From Robert Johnson selling his soul to the devil at the crossroads to bipolar bank robber George โ€œBabyfaceโ€ Nelson, thereโ€™s so many Americana mythologies and folklore veracities apropos in the Cohen Brotherโ€™s โ€œOh Brother, Where Art Thou?โ€ I could draft a lengthy essay. One Iโ€™m reminded of last Sunday down our trusty Southgate, was the scene depicting the Carter Family singing โ€œKeep on the Sunny Sideโ€ at a governorโ€™s election rally. Reason; thereโ€™s something simplistically bluegrass about The Lost Trades, matchless vocal harmonies, ensuring the circle is unbroken, even in a distant Wiltshire.

It was only a whistle-stop to wet my whistle, and when I did arrive the trio Iโ€™d came for where on their break. Tamsin was selling handcrafted spoons and lesser original band merchandise such as t-shirts and CDs, Phil was lapping the pub chatting enthusiastically and Jamie was having a pint with his family. None of this really matters, as individuals, weโ€™ve rightfully nothing but praised these marvellous local musicians. When they formed a more official grouping and the Lost Trades were born, we broke the news. Neither did it matter, at the time, that I would be unable to attend their debut gig at the Village Pump. I had my new writer Helen offer to take my place, and what is more, I knew Iโ€™d be catching up with The Lost Trades in due course; couldnโ€™t have predicted the impending lockdown the following week.

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Yet prior to Sunday I had ponder if there was anything else to write about these individuals weโ€™ve not covered in the past, but I was wrong. The angle can only be the difference between them as individuals or periodically helping one another out at a gig, to the trio The Lost Trades. Because, when they did everything was very much adlib, with the Lost Trades three minds are working closer than ever before, and if two brains are better than one, three is not, in this case, a crowd.

It wasnโ€™t long before they resettled, and huddled in the doorway of the skittle room playing to the crowd in the garden, as is the current arrangement for these brief acoustic sessions at the Gate. They joyfully toiled with a cover of Talking Headsโ€™ โ€œRoad to Nowhere.โ€ This was followed by my favourite track from Tamsinโ€™s album Gypsy Blood, aptly, โ€œHome.โ€ Topped off with a sublime version of Cat Stevensโ€™ โ€œMoon Shadow.โ€ But I did say it was a whistle stop.

In consolation I picked up their self-titled debut EP, something I should have done months ago. With this beauty in hand I could take a little of The Lost Trades home with me; itโ€™ll play perpetually through those thoughtful moments. Recorded in session at The Village Pump, โ€œbecause we really like the acoustics in there,โ€ explained Tamsin, here is a recording oozing with a quality which, despite predicting, still blew me for six. As I say, itโ€™s the combination of these three fantastic artists in their own right, as opposed the jamming weโ€™ve previously become accustomed to, which really makes the difference.

Five tunes strong, this EP equally celebrates these three talents and harmonises them on a level weโ€™ve not heard before. The acapella beginning of the opening tune, โ€œHummingbirdโ€ glides into stripped back xylophone and acoustic guitar, and is so incredibly saccharine, it trickles like some beatniks performing on a seventies Childrenโ€™s TV show. Yet, it works. In true Simon & Garfunkel manner, itโ€™s not mawkish, just nice.

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Hummingbird serves as a great introduction, but is by no means the template. As is commonplace, from the Beatles to The Wailers, The Trades, I detect, conjoin the writing effort but the lead singer seems to be the one who plucked the idea. โ€œGood Old Days,โ€ then, screams Jamie at me, who leads. It has his stamp, ingenious narrative centred around thoughtful prose. โ€œWherever You Are,โ€ likewise is a Tamsin classic, wildly romantic and wayfarer.

โ€œRobots,โ€ follows, the quirkiest and perhaps erroneous after an initial listen. Yet through subtle metaphors the satirical slant charms in a manner which nods Phil Cooper, and why should one stick to a formula in subject matter? Because the sound is authentically Americana of yore, Robots superbly deflects the notion itโ€™s lost in a bygone era and cannot use modern concepts, and Robots ruling the world is, however much a metaphor, still fundamentally sci-fi, and that makes for an interesting contrast. With that thought in mind, this could be the track which stands out for originality.

As in this review, weโ€™ve returned to the unbroken circle. In full circle the final song, โ€œWait for my Boat,โ€ is a sublimely cool track, casting a direction the trio are clearly heading. For although Jamie leads, thereโ€™s elements of all three middle tracks combined in this sea shanty sounding song. Itโ€™s metaphorical, romantic, with sentimental narrative. It wraps up the EP perfectly, leaving you hanging for the album theyโ€™re working on.

Yes, the Lost Trades is a live group you need to see in person, but this EP really is way beyond my already high expectations. Itโ€™s combination of talents is honest, bluegrass-inspired acoustic gorgeousness you need in your life.

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Atari Pilotโ€™s Right Crew, Wrong Captain

Only gamers of a certain age will know of The Attic Bug. Hedonistic socialiser, Miner Willy had a party in his manor and wanted to retire for the evening. Just how a miner in the eighties couldโ€™ve afforded a manor remains a mystery; but that erroneous flaw was the tip of the iceberg. In this ground-breaking ZX Spectrum platform game, the Ribena Kidโ€™s mum appeared to guard Willyโ€™s bedroom, tapping her foot impatiently. Touch this mean rotund mama and sheโ€™d kill you, unless youโ€™d tided every bit of leftovers from the bash. Turned out, months after the gameโ€™s release, one piece, in the Attic, was impossible to collect. Until this glitch became public knowledge, players were fuming as an intolerable bleeping version of โ€œIf I was a Rich Man,โ€ perpetually looped them to insanity.

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I swear, if I hear that tune, even some forty years on I cringe; the haunting memory of my perseverance with the impossible Jetset Willy. Music in videogames has come a long way, thank your chosen deity. Yet in this trend of retrospection I terror at musical artists influenced by these cringeworthy clunky, bleeping melodies of early Mario, or Sonic soundtracks; like techno never happened, what are they thinking of? It was with caution, then, when I pressed play on the new single from Swindon band โ€œAtari Pilot.โ€ I had heard of them, but not heard them. I was pleasantly surprised.

For starters, this is rock, rather than, taken from the bandโ€™s name, my preconceived suspicion I would be subject to a lo-fi electronica computer geekโ€™s wet dream. While there is something undeniably retrospective gamer about the sonic synth blasts in Right Crew, Wrong Captain, it is done well, with taste and this track drives on a slight, space-rock tip. Though comparisons are tricky, Atari Pilot has a unique pop sound. No stranger to retrospection, with echoey vocals and a cover akin to an illustration from Captain Pugwash, still this sound is fresh, kind of straddling a bridge between space-rock and danceable indie. Oh, and itโ€™s certainly loud and proud.

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A grower, takes a few listens and Iโ€™m hooked. Their Facebook blurb claims to โ€œchange the rules of the game, take the face from the name, trade the soul for the fame…I’m an Atari Pilot.โ€ After their debut album โ€œNavigation of The World by Soundโ€ in 2011, a long hiatus took in a serious cancer battle. But Atari Pilot returned in 2018 with an acoustic set at the Swindon Shuffle. The full band gathered once again the following year with live shows and a new set of โ€œSongs for the Struggle.โ€ This will be the title of their forthcoming follow-up album, โ€œWhen we were Childrenโ€ being the first single from it, and now this one, โ€œRight Crew, Wrong Captain,โ€ is available from the end of July.

Its theme is of isolation, โ€œand defiance, after the ship has gone down,โ€ frontman Onze informs me. Thereโ€™s a haunting metaphor within the intelligent lyrics, โ€œyou nail yourself to the mast and you pray that everything lasts, you just want to know hope floats, when the water rises, coz it’s gonna rise, take a deep breath and count to ten, sink to the bottom and start again.โ€

Thereโ€™s a bracing movement which dispels predefined ideas of indie and progresses towards something encompassing a general pop feel, of bands Iโ€™ve highlighted previously, Talk in Code and Daydream Runaways, Atari Pilot would not look out of place billed in a festival line-up with these acts, and would add that clever cross between space-rock with shards of the videogames of yore, yet, not enough to warrant my aforementioned fears of cringeworthy bleeps. Hereโ€™s hoping itโ€™s โ€œgame overโ€ for that genre. That said, thinking back, when you bought your Atari 2600, if you recall, oldie, you got the entire package of two joysticks and those circler controllers too, as standard; could you imagine that much hardware included with a modern console? Na, mate, one controller, youโ€™ve got to buy others separately.

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So, if decades to come we have a band called X-Box or PlayStation Pilot, Iโ€™d be dubious, but Atari gave us quality, a complete package; likewise, with Atari Pilot!


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The Big Yellow Bus Rocks The Gazebo

Two things former humble truck driver Gerry Watkins is a natural at, plucking an ingenious idea and putting it into action, and putting on a gig to fund it. In 2017 Gerry raised four-grand to buy a double-decker bus, which he converted into a homeless shelter in Cirencester. Since heโ€™s launched a similar plan in Swindon, and continues to raise funds for this amazing homeless project. The Big Yellow Bus project is innovative but simple, and Gerry works tirelessly to keep it running.

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With live music teetering on return, it still maybe a while before some venues are ready to reopen, despite yesterdayโ€™s sudden given date of August 1st. The following weekend, 7&8th, sees a grand restart for The Big Yellow Bus, to get funds rolling once again. The Tavern Inn in Kembleplays host to this glorious two-day mini festival, which is free, with collection buckets for the Big Yellow Bus doing the rounds.

Music plans to kick off at 7pm on Friday 7th August with our good friends, Absolute Beginners. I know, like most, Cath, Gouldy and the gang will be itching to get back to live music. While thereโ€™s still a few gaps in the line-up to confirm, The Roughcut Rebels will be a welcomed act, introducing their new frontman, the one and only Finley Trusler; an awesome unification we look forward to hearing. Mick O Toole is also on Fridayโ€™s header.

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Saturday 8th though is an all-dayer. Paul Cooper (Martin Mucklowe) from the twice BAFTA award-winning BBC tv series, This Country, will be opening up the event at midday. Shaun Peter Smith will be the Compรจre for the day, as Miss Lucy Luscious Lips, heโ€™s certain to add a little bit of glamour and sparkle. Thereโ€™s a number of faces I know to this busy line-up, and plenty new to me.

An interesting Opening at midday, Ascenda are a four-piece, playing smooth music with a rock edge and thoughtful, theatrical vocals. Their current collection of songs ‘Celeste,’ forms a love story that explores conflicts; solitude versus companionship, and spirituality versus practicality.

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Acenda (image by Eric Hobson Photography)

Cath, Gouldy and the gang return as The Day Breakers at 1pm, with their irresistible blend of Celtic and mod-rock covers, itโ€™s guaranteed to go off! Swindonโ€™s all-girl rock and pop covers band, Bimbo follow at 2pm. Dirty and filthy punk is promised to followed with The Useless Eaters, a band who accurately recreate the iconic sound of late 70โ€™s British and American punk.

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Six Lives Left

Cirencesterโ€™s masters of high-energy classic eighties rock covers, Loaded Dice are on at 4pm, followed by a mesh of Britpop, new wave and ska with SkAโ€™D Hearts at 6pm. Era-spanning soul follows with Joli and The Souls, and rock restarts in style with Six Lives Left. Sticking with six as the magic number, the finale will be from Calneโ€™s fantastic misfits of Britpop and new wave, Six O Clock Circus, who are always up for a party!

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Joili & The Souls

Yeah, itโ€™s all slightly out of our usual jurisdiction, but with a line up like this, all for such a great cause, and with limited events these lockdown days, this is highly recommended and worth the effort. Kemble Railway Station is right opposite The Tavern Inn so itโ€™s easy to find.

Note, putting such an event on so early after lockdown will not be without expected guidelines, everyone must abide by. Gerry urges social distancing and that you respect those around you. โ€œThis is all done so you can enjoy yourself and have a great time watching and dancing to great live bands and performers, thank you for all your support and together we can have a great time.โ€ I’m sure they will, Gerry. If anyone is heading off from Devizes, gimmie a lift, pal, because this sounds unmissable!

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NervEndings For The People

More clout than Ocean Colour Scene Iโ€™d expected after hearing frontman Mike Barhamโ€™s prior thrashing solo releases and drummer Luke Bartels previous band, but more roaring blues than Reef was an angle I didnโ€™t see coming when I first checked our local purveyors of loud, NervEndings.

Weโ€™re countless gigs in now, the band, with bassist and secondary vocalist Rob McKelvey, still tight and raucous. Iโ€™m glad thereโ€™s a six-track album doing the rounds on the streaming sites, as by way of a meanderingly drunken tรชte-ร -tรชte with Luke down the Gate, an album in the pipeline was one of the random topics breezed over, but so was the debatable aggression levels between Welsh and English badgers too, so I only held hope itโ€™d see the light!

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โ€œFor The Peopleโ€theyโ€™re calling it, then, out last week. Itโ€™s got the kick I now predicted, with that surprising blues element to boot, particularly in the opening track, Infectious Groove. Yet the Muddy Puddles single weโ€™ve reviewed in the past follows, and sets the ball really rolling; it takes no prisoners, yet, for its catchiness, contains a slither of something very sixties; imagine pre-Zeppelin metal.

Emo, to audaciously use an unfamiliar genre, Iโ€™d best describe Colour Blind; smoother, drifting indie rock. And in that, Fighting Medicine is more as Iโ€™d supposed, guitar riff rocking like a driving song and Mikeโ€™s brainy lyrics, with added profanity to describe the drunken hooligan spoiling for a rumble. You know the bloke, thereโ€™s always one.

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With themes of non-pretentious indie, Chin up continues this ethos, forget the attempts to conform to expectances, itโ€™s a be-yourself song. Best, in my humble opinion, though, is Dark Dance; as it says on the tin, teetering on crashing punk, itโ€™s upbeat and danceable, in a throwing-your-head mosh-pit kind of way, which isnโ€™t my way, usually, but it reaches a bridge of mellow romance-themed splendour. Hereโ€™s Jimi Hendrix covering Blurโ€™s Song Two, as the blues is retained in all these contemporary rock tunes, and for a dude indifferent to the clichรฉ indie sound, it works on my level too.

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Nicely done, and, double-whammy, Mike has forced upon me this streaming inclination which defies all my generation stood for when collecting music. Our parents called us by name when shouting up the stairs to turn the music down, not โ€œAlexa!โ€ Ah, it needed to be done and Iโ€™m grateful, in a sense. โ€œSend me a download or something,โ€ I pleaded, โ€œI donโ€™t understand this Spotty-Fly thing!โ€ But it only met with the reply, โ€œitโ€™s on all the streaming sitesโ€ฆ.โ€ Iโ€™m of the generation who tried to turn over the first CD they got, to listen to the B-side, and only just got the hang of downloading. Now Iโ€™m causally informed downloadingโ€™s sooo millennial.

I dunno, all moving too fast it; seems so unphysical, not to have a record collection, rather a playlist. You canโ€™t skin up on a Deezer playlist. At least downloading had a file, nearer, somewhat, to owning a record. But Iโ€™ve persevered and found the Spotify app on my PC more user friendly; I didnโ€™t harass my daughter for assistance once, as I regularly do with the phone.

So, cheers, Mike. Hopefully this will help me surpass the โ€œnoobโ€ label my son has tied to me, which, Iโ€™m told is a word for both a novice and an insult in one. Honestly, I feel like my grandad, who, when he came over once, stood staring at our new LCD television and asked, โ€œwhereโ€™s your tele?!โ€ For the People needs to include the older people too, as I reckon many would either love it, or give this trio a ruddy good clip around the ear, which is maybe what they deserve for being so damn good; they’d have me talking emoji next.


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A Cracked Machine at the Gates of Keras

Don my headphones, chillax with a cider, and prepare my eardrums for a new album from our local purveyors of space-rock goodness; Cracked Machine is a wild rideโ€ฆ.

There are few occasions when mellowed music truly suspends me in the moment, when it just exists in the air like oxygen and totally incarcerates and engulfs my psyche. Jah Shaka and ambient house rascals the Orb both achieved this a couple of dusks at Glastonbury, but the same with likewise happenings, I confess I was intoxicated on matter maturity caused me to long leave in my past!

The issue for any reborn psychedelic-head is pondering the notion, will it ever be the same again, will music and art tease my perception to quite the same degree. The sorry answer is no, unless your intransigent mate slips something in your drink. Yet itโ€™s not all despair, with a sound as rich and absorbing as Cracked Machine, itโ€™s doable without drugtaking shenanigans.

They proved this at the most fantastic day in Devizes last year, which was that bit more fantastic, when what was intended to be a bolt-on feature became the highlight of DOCAโ€™s Street Festival. Funded and arranged by Pete and Jacki of Vinyl Realm, the second stage highlighted everything positive about local music; a historic occasion weโ€™ll be harking on for some time yet. I nipped away briefly after Daydream Runaways stole the early part of the day. But where the lively indie-pop newcomers had roused the audience, I returned to witness a hypnotised crowd and a mesmerising ambience distilling the blistering summer air. Smalltalk was numbed, as if the area was suspended in time. A doubletake to confirm we were still perpendicular, sitting in deckchairs or slouching against a wall on the corner of Long Street and St Johns and not slipped through a time vortex to a Hawkwind set at a 1970 free-party love-in. I was beyond mesmerised, but not surprised.

For this is how it was with their impressive 2017 debut album, I, Cosmonaut, the soundscapes just drifted through me, as I causally drafted the review, reminding me of a smoky haze of yore, giggling in a mateโ€™s bedroom, listening to Hawkwindโ€™s Masters of Universe. Youth of my era though, were subjected to electronic transformation in music, which would soon engulf us. Rave culture cut our space-rock honeymoon short, though, Spaceman 3 were a precursor to the ambient house movement of the Orb, Aphex Twin and KLF, others changed their style, like Fromeโ€™s Ozric Tentacles merging into Eat Static, and a perpetually changing line-up for Hawkwind appeased the older rock diehards.

I love I, Cosmonaut, it manages to subtly borrow from electronica and trance, only enough to make it contemporary, but keep it from being classed as anything else other than space-rock. I felt their second album, The Call of the Void avoided this slice of Tangerine Dream, and submerged itself totally in the hard rock edge; bloody headbangers! Therefore, itโ€™s a refreshing notion to note newly released Gates of Keras bonds the two albums and sits between them perfectly.

Again, thereโ€™s little to scrutinise as it rarely changes, it meanders, trundles me to a world beyond wordplay, as these completely instrumental tracks roll into one another, gorgeously. A Deep Purple styled heavy bass guitar may kick it off, yet the opening track Cold Iron Light takes me to the flipside of Floydโ€™s Meddle, with seven and half minutes of crashing drums and rolling guitar riffs. Temple of Zaum continues on theme, Ozrics-inspired funkier bassline, and weโ€™re off on the drifting journey, splicing subtle influences. The Woods Demon, for example, stands out for particularly smooth almost Latino guitar riff, making it my personal fave. Yet Move 37 is heavier, upbeat, like the second album. Low Winter Sun is sublime blues-inspired, imagine Led Zeppelin created Satisfaction rather than the Stones, if you will.

Recorded back in November, this is eight lengthy soundscapes of pure bliss, and will guarantee you a safe trip. A signature album for a lonely lockdown of dark, yet emersed in a time of Tolkien-esque vibes and mandelbrot set fractal posters. If this was released in the mid-seventies-to early-eighties every spotty teenager would be inking their army surplus school bag with a biro-version of Cracked Machineโ€™s logo. As it is, age taking its toll and all, I have no idea if this still happens, but doubt it. None of that matters, here is a matured era of the genre, only with a glimpse of how it once was. Nicely done.

Mr B & The Wolf come out of The Mist

On our promise, via The Indie Network Facebook group, and generally a growing cognisant inside me, for Devizine to musically venture outside our local area, geographically, here we go with a starter for ten. Though itโ€™s no new thing, in the past weโ€™ve mentioned many, from Cosmic Rays in Shropshire, to Mayyadda from Minnesota; I invite this pandemic to officially crash our bordersโ€ฆ.

One request recently came from one Vince Henry, whoโ€™s digitally-adapted Facebook profile pic makes Doug Bradley in his Pinhead guise from the Hellraiser films look like a bedtime Care Bear, and led me to assume the band he manages, Mr B & The Wolf was about to unleash some thrash death metal or psychobilly peculiarity unwillingly into my aging eardrums. I prepped myself accordingly, one ear in the headphone, paracetamol within reach, but I was pleasantly surprised.

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As a function band based in my motherland, Essex, Mr B, and his wolf too, are lively, true, but present a flowing range from blues-based rock and Americana to โ€œthrowbackโ€ pop and soul, and do it with the finesse of a contemporary Fleetwood Mac. Itโ€™s a zephyr blowing your locks, the single Iโ€™ve been sent, Out of the Mist archetypal of the bandโ€™s bravura. I liked it and now have the album, LazyDay to give a fuller appraisal.

With echoes of driving rock Mr B and the Wolf keep a balance, thereโ€™s no tearing off metal as I preconceived, no angry underscores, rather a commercially viable equilibrium of uplifting rock radio stations cannot excuse for not spinning. Second tune, Rise Up, a great example of this breezy and enriching chic. Yet in the acceptance lies an aching sensation eighties power ballad bands, like Huey Lewis and the News shouldโ€™ve been striving for a sound more like Mr B & The Wolf.

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Three tunes in then, and Crazy Town strips the style back to a deeper blues riff, vocally gritty, vocalist Dean Baker handles it very well indeed. Out of the Mist combines the two and stands out, for both catchiness and composition. Chestnut subject matter, yeah, but it doesnโ€™t sway me when itโ€™s performed so well.

What we find here is a bonded, proficient band with stains of all rock has produced before but boy, do they know how to wear it well. They being, Ben Pellicci on lead and backing vocals, Jason Bird on bass and backing vocals, George Wallis on rhythm, and Jason Chown on Drums; unconfirmed which one is the wolf!

Phoenix ballads us to the finale, harmoniously and mellowly. I couldnโ€™t go as far to compare it with the way Morrison would direct the Doors through an audience-mesmerising voyage, but it does equate the great soft metal bands of yoreโ€™s more magically rousing moments. I nod to Heart and of course, Bon Jovi, but they’d be knocking on the doors of Floyd or Cream, see if they’re coming out to play.

The finale though, belts back the blues riff and takes us full circle. In conclusion then, Mr B & The Wolf certainly donโ€™t drift from blues-rock formulae, though itโ€™s a damn fine established blueprint anyway, and this Chelmsford band do it with style. LazyDay would refrain you from road rage in traffic and compel you to turn it up when you hit the open road, Mr B & The Wolf would be a gig youโ€™d return from with fond memories.


Mr B & The Wolf Website

BandCamp for the album (ยฃ3.50)

Find Mr B & The Wolf on Spotify

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Donโ€™t, Ryan!

Okay I confess, in my last article I did, didnโ€™t I, state there was a trend of indie music taming to mass appeal? And yeah, I suggested this is no bad thing. There will, however be exceptions to the rule, and rock will, and should always retain its hard edge; we have room for all here. Swindonโ€™s Ryan Webb, for instance, whoโ€™s just dropped a new single, โ€œDonโ€™t,โ€ takes no prisoners.

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This is militantly metal, with spikes. It rocks with edge, it doesnโ€™t hang around with an ambient intro, stop for a melodic break, the bridge is reached in seconds, the rolling guitar riff perpetually quivering your bones. A one-man red-hot chilli pepper, Ryan wrote, produced, sang, wailed his guitar, recorded and mixed the track in his studio. The only collaborator being Dave Collins, the mastering engineer for Metallicaโ€™s last album, who mastered this too.

It must be said, this not the template of Ryan Webb, who quotes influences ranging from Pink Floyd, Joe Satriani, and Zeppellin, to Coldplay, Muse, and Kings of Leon. He has the range encompassing any rock avenue, and projects all with comfort and competence.

โ€œDonโ€™tโ€ though, whoa there Ryan, Iโ€™m inclined to put my frayed denim jacket over my AC-DC t-shirt and head-bang my way to the highway from hell, and Iโ€™m not usually one for all that; havenโ€™t even got an army surplus bag with badly grafted pictures of Eddie the Head and Megadeath logos!

So yeah, if I like it, you iron maidens will love it! What is more, the track is โ€œa plea to anyone contemplating suicide to take a step back and see that they have a lot going on for them in the world. Even when times are really bad, itโ€™s important to talk to those around you.โ€

Ryan has chosen All Call Signs as the beneficiary for any sales from the single. All Call Signs is a UK organisation set up by two veteran soldiers, Dan Arnold and SJ James, in order to help other vets/serving military personnel who may be finding life difficult. They have also created an app which helps locate those reported missing and in need of urgent support.


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Indie Networking and Long Coats

If social media is the rearguard in musicโ€™s battle against the Coronavirus lockdown, thereโ€™s plenty of battalions networking at this last stand, and physical location is no issue. A virtual realm is borderless, and for this reason, while Devizine is concentrated on content local to Wiltshire, there are many avenues worthy to waiver the rule for. So, expect us to cover some bands and artists without borders, ones Iโ€™ll connect with through social media, such as the Facebook group Iโ€™m here to mention, as is the groupโ€™s tenet.

That said, Ollie Sharp is a young performer from within our geographical catchment, Bath, who recently set up said Facebook group for indie music, called, aptly, The Indie Network. Its welcoming and dynamic attitude is gaining attention. I joined, they cast a thread of introductions; made me feel old! Funny cos itโ€™s true, pipsqueaks by comparison. Young enough to have to Google my antiquated phraseology, like cassette tapes and Danny Kendal. Some poor guy confessed he was older, at 43, at which he faced compassionate reassurances such as, โ€œitโ€™s only a number.โ€ I knew then to keep my gob shtum, so I stated I was โ€œold enough to know better, too old to care.โ€ Least itโ€™d do no good for our Kieran from Sheer Music, who also joined, to grass me up as an old skool raver, historical to those barely an itch!

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Though weโ€™ve jested before about the era of yore where never the twain would indie kids and ravers mingle, Mr Moore and I, and come to the conclusion Iโ€™m exempt on account of my eclectic taste. Let it be known now, I like the sound of Ollieโ€™s recently formed band The Longcoats, and itโ€™s just the sort of thing which allows Kieran to win the genre argument! Itโ€™s breezy, placid indie, acceptable on a larger scale than predecessors, much least my aging preconceptions, bit like what our Daydream Runaways and Talk in Code are putting out; and I like them. I even refer to them as โ€œour,โ€ see, like a northern working-class family. Shoot, pass my Smiths tee Mr Moore, Iโ€™m an indie kid! (kid used here in its most unlikely definition.)

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Anyway, I digress. Weโ€™ve reached the part of the show where the artist mumbles โ€œis this codger going to actually review my single?โ€ Apologies for my Uncle Albert moment, ha, there was me thinking Boris had made arbitrary tangents trendy. Thereโ€™s no telling some, heโ€™s a bastard. However, weโ€™ll never get going if I branch into politics.

โ€œUsed to Being Usedโ€ is the single I was sent, the earlier one of two on their Bandcamp page. It follows a blueprint of indie-pop, thereโ€™s a trudging guitar riff, a theme of dejected ardour, yet itโ€™s done with skill, catchiness and promising aptitude. The latter single, Drag, which came out in March takes a similar tempo, and cool attitude; there is no need to be angry in an era which accepts the genre, so ever with edge but only enough, The Longcoats create a beguiling and entertaining sound to appeal wide.

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Last year guitarist Arthur Foulstone and drummer Kane Pollastrone added to frontman Sharpโ€™s lone act, which bridged the gap between band and solo artist. The final piece of the puzzle came upon recruiting permanent bassist Norton Robey. With the assistance of producer Jack Daffin, The Longcoats have created a defining sound which is appealing and instantly recognisable.

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There is nothing about this Bath four-piece indie-pop-rock band here, Iโ€™ll be honest, which will act as their magnum opus, but an auspicious start dripping with potential. Hereโ€™s one to watch, with their debut EP โ€˜Octoberโ€™ in the pipeline, hereโ€™s hoping itโ€™ll reach us before the month of its namesake.

But itโ€™s not so much about the individual band here which maketh this article, rather the conscious efforts to unite and network, thus creating a scene. Even through this era of wishing for a live gig, the networks thrive, perhaps even more so. Ollie also created Wise Monkey Music, a multi-media music and events promotion company based in the Southwest, of which we look forward to hearing more of; attention, the like Facebook group The Indie Network is likely to bring. They even let this aging raver in, dammit; though my white gloves and whistle must be in a box in the loft somewhere, itโ€™s a deceased stereotype, of which Iโ€™m glad.

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I do find though, as someone who glued and photocopied zine after zine, aside the mass media driven pop tripe, the underground thrives as it ever did, the internet only creates an easy route in. Just like the bands of the now, such as The Longcoats and others rapidly joining the group, whatโ€™s not to like about it?

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Talking Gravity, and other things, with Daydream Runaways

With some images used by Nick Padmore

How professional of me to create a to-do-list of outstanding subjects for articles, but then spoil said professionalism by dithering to the Daydream Runaways boys about the nineties rave-indie divide and becoming a grandad. The sensible members of the band promptly left the group chat, save guitarist Cameron Bianchi who stayed to endure my inane waffling up as far as the Madchester scene.

Prior to this though we had a great heart-to-heart early in the week, but if the title of this article is misleading, I should add the subject of Sir Isaac Newton never came up, rather Gravity is their latest single, hot off the streaming sites yesterday. Itโ€™s quality, as expected, going on their three previous releases, blinding reviews and an appearance on BBC Wiltshire.

It does indeed, as the press release states, โ€œdeliver on their brand of retro-modern indie rock,โ€ but while maintaining an emerging signature panache, it pushes firmer towards a heavy rock division. A hasty grinding atmospheric intro with a pause, then the spiralling sonic guitar takes no prisoners. If the last tune, Closing the Line bore topical sentiment with a theme of the townโ€™s Honda Plant closing, Gravity is perhaps more general, but even more powerful. This imminent Swindon-Devizes four-piece really have dug into an emotional slant with Gravity.

The combination of Ben Heathcoteโ€™s idiosyncratic vocals, said sonic guitars and class production value, this belts across as a rock anthem to not only scare The Darkness but fight a Foo. They say it comes from โ€œa time of turbulence and explores the burden of life’s toughest decisions.โ€ If I predicted the air of gloom surrounding the era would produce some intensely expressive songs, here is the all the proof you need, if indeed itโ€™s a product of the pandemic. Iโ€™m going to find out.

So, Iโ€™m wondering, if the recording was done at a distance, or prior to the lockdown. Drummer, Brad Kinsey informed, โ€œit was done in February, in Swindon, with an engineer from Westbury.โ€

I explained my reasoning, โ€œit sounds heavy, rather darker than usual. So, I wondered if it was a result of the lockdown. Is there a drive to take it that route, I mean slightly darker and heavier, or is just the mood of this particular track?โ€

Cameron replied โ€œI think it was just the mood of the track. Everything kind of centres around the experience Benโ€™s lyrics are speaking about. In fact, Benโ€™s probably the best person to about the story behind the song. But we definitely made a conscious effort to push ourselves on this on to do the song justice.โ€

It certainly does. โ€œIt doesnโ€™t hang around,โ€ I pointed out, โ€œand the vocals are more powerful than before. Seems like a natural progression, a maturity. Not that Iโ€™m calling you immature, you understand?!โ€

Bradley responded, โ€œnah, I get that. I think we gained confidence and are more unified about this sound.โ€

Cameron interjected, โ€œI think itโ€™s important to all of us to keep pushing ourselves with each release and not churn out the same number. Iโ€™m not saying weโ€™re the Beatles or anything, but you know give it some time. Weโ€™re still young!โ€

Bradley bantered, โ€œare you, Cam?!โ€

Cameron added, โ€œwell, some of us are still young…โ€ Laughing emojis are added, but Iโ€™m getting paranoid.

โ€œOkay,โ€ I opposed, โ€œspring chickens; donโ€™t rub it in!โ€ But even with any such change, such as the edgier component of Gravity, thereโ€™s a distinct signature maintained in all their tunes and this, I feel, sets them apart from many a local band. I could have guessed it was them before knowing it. โ€œIs that important,โ€ I questioned, โ€œto be instantly recognisable?โ€

Cameron said, โ€œI think it helps that Ben has got a very distinctive and powerful voice. I suppose weโ€™re starting to find our sound as well. Ben & Nath wanted to go a bit heavier with this track but Iโ€™m not a massive fan of heavy guitar. So, I opted for a more chimney yet overdriven guitar style that suits me, but also packs a punch. Plus, I got to flex my inner Graham Coxon/Jonny Greenwood with the effects heavy solo part!โ€

Brad covered this shot too, โ€œI would say so, yeah. Itโ€™s good to build a sonic trademark, all the greats have that! Itโ€™s a good thing when people can still recognise you, even when you change things. Shows that youโ€™re using that style but without losing the integrity of what you are.โ€

At this early stage, Daydream Runaways call a good compromise between them, witnessed when they tuned for our Waiblingen Way Fire fundraiser. โ€œThereโ€™s always going to be differing opinions,โ€ I pondered, โ€œBit like marriage!โ€

Cameron replied, โ€œno relationship comes without some disagreements, a band included. But weโ€™re all good at finding a compromise, which is good!โ€
Throughout the interview Iโ€™m concerned if I should bring the idea of a possible album up, as when we did the fundraiser I asked, and it met with varying opinions between them. However, with the topic running on compromise, itโ€™s now or never! โ€œI wasnโ€™t sure, though wanting to ask, if I should bring it up again!โ€

Cameron delegated, โ€œBradley…over to you on the album talk!โ€

I interjected with the proposal before he did, โ€œI think you should, but accept I’m not thinking about current climate in the music industry, rather an old fashioned ideal.โ€

Bradley answered, โ€œthere was a plan. However, the coronavirus has impacted that. Not going to say itโ€™s completely gone but weโ€™ll wait and see what happens. You canโ€™t really make any plans at the moment.โ€

Cameron expressed, โ€œitโ€™s not a matter of if but a matter of when is probably all weโ€™ll say for now!โ€

Brad added, โ€œIโ€™d say doing an album is all dependent on what genre youโ€™re doing. Rock music fans are still very defiant and keeping the album alive. So maybe with this Gravity sound weโ€™ll go down that route.โ€

It did bring us onto these strange times, and my deliberations on whatโ€™s the best approach for artists on how to continue, continues. โ€œWhat’s best for musicians,โ€ I asked them for their tuppence, โ€œthe live stream is simply not the same as a gig, and while charging for it is a bit cheeky, itโ€™s difficult to know where to go to get some revenue for the work you put it. In short, must be a bitch. Let’s not say the word again!โ€

I couldnโ€™t argue with Bradโ€™s comment, โ€œsome bands I follow have rejected the idea and directed people to supporting more pressing causes.โ€

Meanwhile, Cam elucidated his feelings about the lockdown. โ€œWhilst you really miss that immediate response from a crowd, and the fact youโ€™re in a room where you can play loud and really get into it, theyโ€™re still fun to do! We were lucky enough to do one right before the lockdown was enforced. Probably one of the first bands to do it, then Chris Martin came along after with his solidarity sessions. We still havenโ€™t forgiven him for that!โ€

โ€œSpringsteen did one! But not before you!โ€ I supplemented.
Bradley was proud to say, โ€œwe were the first UK band to do a self-isolation livestream. There, I said it; Let the feud with Chris Martin begin!โ€

The topic continued for a while, this dilemma between fan etiquette and revenue for artists. But I wanted to notify how much I enjoyed theirs, โ€œyeah, good it was too. Saw that! Right now, I guess, it’s all we have. That’s the point I cleared with Kieran at Sheer. Itโ€™s never going to be the best plan. I think it’s time to get down and write some killer songs, agree?โ€

Cameron agreed with a feel-good quote, โ€œdefinitely, but now is also the time to look out for each other, even though weโ€™re all apart. If we can reach out to people with our music or it helps them get through their day, then thatโ€™s amazing.โ€

Bradley approved too, โ€œyeah, and thereโ€™s never been a better time to write. Technologyโ€™s made it so accessible now to bounce ideas. Who knows, we could even release a song in lockdown without even meeting up.โ€

It always amazed a younger me, that Paul Simon could collaborate with the South African musicians on Graceland, back in the late eighties, and it sounded like they were playing in harmony in the same studio. It is possible to edit parts and stitch together. Must bugger up the flow of it though, make it sound mechanical or manufactured.โ€

Bradley replied, โ€œwell, if the band records the parts individually themselves and lays off the editing itโ€™s possible to get that organic feel. I wouldnโ€™t be surprise if we start seeing artists jump on this idea and release original tracks.โ€

It was at this point Ben Heathcote joined us. โ€œIt seems like the boys have covered the questions quite well! As Cam said, Gravity comes from a place of uncertainty and pain from circumstances and the decisions triggered from them. A crossroad of the mind. And yeah, lockdown wise weโ€™re hoping it makes people see the value in their freedom before and hopefully will bring out further support when pubs, clubs and entertainment reopen.โ€

I see Benโ€™s clarification reflected in the cover art too. With a kind of โ€œstairway to heaven concept,โ€ an impressionist character is looking lost, pondering which road to take. Itโ€™s apt for the song.โ€

Ben welcomed this, โ€œyou got it. And again, the artwork is something were really proud of. Provided by ezra.mae.art. We also enjoyed working with Reloopaudio on the production, a friend who we will be working with again. We love this song and we’ve loved the whole creation, writing and everything about it. It’s nice to have developed it from the live sound too.โ€
For Benโ€™s benefit, we found ourselves back on the subject of Gravityโ€™s edgier side, โ€œI think it will please the hardcore indie fans, and those which come from a heavy rock side, which is good, thereโ€™s a majority of them locally.โ€

Ben replied, โ€œas you mentioned earlier, with the style sounding fresh, but still us. This is something I’ve always been hot on since the band formed. I’ve never wanted us to be doing the same thing every time. The aim was, and continues to be; to write and produce fresh sounds with hints of varying styles that is still recognisable as us, allowing it to not be boring or repetitive; kind of inspired by many of our favourite artists who keep developing their sound.โ€

I take off my hat to this, โ€œI might come across pop or soul-ish but I had my day, and do still listen to bands like Zeppelin and Floyd etc. I think Gravity will be boss with that crowd.โ€ With which I asked for their influences, and if they mutual.

Ben reacted, โ€œIโ€™d say our choices are not miles apart, but to pin a group favourite would be impossible as we all have our firm favourite influences.โ€

Cam agreed, โ€œyeah, I donโ€™t think there was a particular band or artist that inspired the track as such but we all agreed what the sound was we were aiming for. Making sure that each of us brought our own thing to it.โ€

Laughing emojis made a reappearance, when I teased, โ€œEd Sheeran it is then!โ€

Keen to take it back, Brad nods at my sixties psychedelic citations, โ€œFloyd and Zeppelin are timeless though. Prefect example of bands that pushed themselves overtime.โ€ And the Daydream Runaways can relate to that with this progressive new release.

Ben said, โ€œI think before we produced the track, we all knew in our head how it should sound.โ€ Itโ€™s definitely a belter. I thank them for their time, with one last question before we headed into our tangent about the rave-indie divide of the nineties! Where do the Daydreamers see themselves in five years?

Ben suggested in five yearsโ€™ time he would like them to have a steady schedule, โ€œplaying to crowds who know our words, filling sold out venues as well as intimate gigs, which we can always remember.โ€

Cameron felt theyโ€™d have โ€œan album or two under our belt, playing to crowds in our favourite venues. Having a slot on The John Peel Stage at Glastonbury is a bit of a dream of mine!โ€ Ah, thereโ€™s the source of my waffling, started with seeing Oasis at Glasto but, unbeknown to me at the time, I paid them little attention.

Daydream Runaways though, worthy of your attention, hereโ€™s the Spotify link to Gravity, like them up on the book of face, and cross your fingers and toes weโ€™ll be seeing them live soon, if not the John Peel Stage at Glastonbury!


ยฉ 2017-2020 Devizine (Darren Worrow)
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Phil Jinder Dewhurst at the White Bear

You know youโ€™re stockpiling years when you decide staying in for your birthday is the choicest option. I did, finally, haul my birthday-cake belly off the sofa on Sunday, driven by lingering desire, or an essence of ritual, which put up a fierce battle against my indolence; Iโ€™m glad it won.

Though the anticipated birthday banter and celebratory sacraments were scarce, as the White Bear was held captive by an extraordinarily acute and enthralling sound. An artist I thought Andy had reviewed for a past Sunday session here at this snug tavern, but searching came up with no reference to it, Phil Dewhurst, known as Jinder was mysterious to me as either. Yet he weaves intricate and personal storytelling as an introduction to each song, so you leave feeling you know a little about the musician.

If itโ€™s a Springsteen-esque clichรฉ, Phil summarises well, each song illustrated with an explanation to his thoughts and inspiration while writing it. No matter if itโ€™s fashioned with poetic riddle, once youโ€™ve a background to it stimulus you comprehend. And his writing is well crafted, eloquent and precise.

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While the songs were melodic and mellowing, few with a melancholic theme, Phil conducts his prose against the cynical, and his songs breath an air of positivity over pessimism. There was a running leitmotif of keeping on the sunny side of the street against all odds, and for such, I compare him again to Springsteen, for his wild romantic style. Never was the subject quixotic, pragmatism showed his true colours as he poured his emotion fluently into his songs, attached to acoustic guitar so you couldnโ€™t see the join, through proficient use of the loop peddle he created a beautiful soundscape, like a one-man Pink Floyd.

And it was when to come back with the following verse which really impressed me, Jinder has professionalism in his timing and a natural flare, making this afternoon a notable and entertaining affair.

See, I observe the loop pedal operation with a certain fascination, particularly under the command of the multi-instrumentalist, previous referencing Chris James Marr from a Sheer gig, or when the Arts Festival introduced Devizes to She Robot last summer, but it never ceases to amaze me when a man like Jinder can weave such intense resonances with just an acoustic guitar. The instrumental sections penetrated the mind and drifted from person to person; he clearly knows what heโ€™s doing there, wincing an electric guitar sound or bashing a beat on the side of it.

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Big โ€œbutโ€ here though, it was the crux when he let off the pedal, the songs of simplicity; man, and guitar, ah, the acoustic really showed his true expertise. Iโ€™d recommend and welcome a Phil Jinder Dewhurst gig to all mature aficionados of rock. And marvellously prolific is he, a West Country based international touring musician, Jinder has released ten critically acclaimed albums for five different labels, including Sony BMG and Universal, had top 40 singles with ‘Overthinkers Anonymous’ and ‘Keep Me In Your Heart’, the latter of which has been successfully covered by many other artists and features in 2019’s international smash hit movie ‘Fishermen’s Friends’.

Through the delicacy of lo-fi folk-noir to the crank but pleasing blues tune he charmed the humble audience with personal anecdotes of woe, or uplifting inspirational moments, he expressed his passion for his art, that of friends in collaboration, and he pitched his landmark album The Silver Age with accounts of its orchestration. Iโ€™d like to hear that, yet as solo he has a force of his own, and was the perfect finale to a weekend.


ยฉ 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Live Album at the Louisiana with Ruzz Guitar’s Blues Revue

A cheetah can achieve motorway speeds, but not long enough to get off the slip road; worthless trivia, unless youโ€™re an antelope. I like to think cheetahs listen to rock n roll; no, hear me out. Akin to this feline fact, those RnB and rock n roll classics are one short burst of energy. Fortunately for the artists the 78rpm record lasted a maximum of five minutes, and for radio play theyโ€™d cut it to little over three, any longer they surely risk congestive heart failure.

As the era passed to late sixties, psychedelia stretched recorded music to live and extended dimensions Little Richard could never maintain. Mellowing tendency matured rock, but arguably robbed its dynamism. Ah, come the eighties twelve inch single and the mega-mix, prompting the question; why didnโ€™t Glenn Close choose the Jive Bunny to boil?

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Image byย 
Jerry Tremaine Photography

Rare then it is, to hear a frenzied traditional rock n roll sound encompass ten minutes; welcome to Ruzz Evansโ€™ world. Embodiment of Johnny B Goode, Ruzz can pick guitar like heโ€™s ringing a bell, for an astounding period too. Due for release on 10th February, but available for pre-order from December 1st, Iโ€™ve been adoring this album recorded live at the Louisiana in Ruzzโ€™s hometown of Bristol.

Forgive me for sustaining the rock n roll pigeonhole, for Ruzz has the quiff and is photographed in a teddy boy drape jacket. With backing from an incredible band including drummer Mike Hoddinott and upright bassist Joe Allen, the panache of Ruzz Guitar’s Blues Revue straddles rock and its namesake blues. Since 2016, when they added an awesome horn trio to the roster, we can add big band jazz to their style. Thatโ€™s my thoughts while absorbed in this, of what Miles Davis did to jazz, or Pink Floyd to prog rock, Ruzz does to traditional rhythm and blues come rock n roll; the result is breath-taking.

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Bearing in mind his voice isnโ€™t growling Tennessean, yet neither was Gene Vincentโ€™s, rather quirky Bristolian, the vocals are sporadic, instruments reign. Thereโ€™s an amusing conclusion to โ€œUnder Your Spell,โ€ where 10 minutes of detonating electric blues is broken by a genuinely surprised thank you from Ruzz in said accent. This often amuses me, pondering, no, thank you, mate, I just clapped, youโ€™ve just held me spellbound for ten minutes, the pleasure is all mine!

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In this instance Iโ€™m not even there, merely listening on my headphones, but still entranced. While theyโ€™re Bristol based Ruzz and his Guitar’s Blues Revue are no strangers here, and you can catch them at the Southgate (Nov 30th), White Swan Trowbridge (tonight 9th Nov) at the R&B bar in March at Devizes Sports Club. Iโ€™m quivering, ashamed after hearing this that Iโ€™ve not caught them live yet; an offence I will rectify, you would too if you hear this.

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Live at the Louisiana explodes from the off; the two, Hold It and Baby Please Come Home, for starters envelope all Iโ€™ve said, lively jump blues come big band rock n roll. Catchy, youโ€™ll be lindy hopping before your first sip. Yet if Movin On groovily notches to allegro moderato, Back Home to Stay boogie-woogies again, and Sleepwalk is as dreamy as it suggests. The last two tunes, Sweet as Honey and the aforementioned Under You Spell embrace all weโ€™ve so far said, making this release, I reckon, a treasure; fantastic!

With two self-released studios albums already under their big rockabilly buckles, and opening for Dr Feelgood, The BlockHeads, Kirk Fletcher and Bill Kirchen and Darrel Higham, theyโ€™re stamping an authority of quality worldwide. Ruzz has been honoured by being officially endorsed by Gretsch Guitars, and thatโ€™s what I perceive of him, the kind of obsessive guy who will turn any conversation to his labour of love, but when itโ€™s this proficient, you cannot help but take heed. Iโ€™m off to find out what they can do in the studio, but with such a formula I think this live album captures the spirit perfectly.


ยฉ 2017-2019 Devizine (Darren Worrow)
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Rock Hopping in the Free Rowde

When apathetic to galivant to a gig, and not for want of staying in my village, thereโ€™s always the Cross Keys in Rowde. Hum, been a while, historically had its ups and downs. Last report I did here things were looking up; food-wise, a few craft fairs and various goings-on. But itโ€™s changed hands again, and the one thing it lacked other than the sporadic Splat of the Rat, live music, has returned to the agenda by the new landlord.

Arm twisted, Iโ€™m back in the watering hole where I had my wedding reception and the kidโ€™s christening parties. Little visually has changed, punters included. No bad thing, village hub. The landlord tells me theyโ€™ll be renovating the restaurant area, but if it isnโ€™t broken. For the functional the main pub is perfect, aesthetically itโ€™s apt. Although the change for the evening is the pool table area, where guitars and drums swim amidst wires and foot pedals. Devizes band Rockhoppaz are due to kick off a season of performances here. This is good, heard of but not seen these guys yet.

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Holding a preconceived idea, largely based upon the name, I was mistaken to assume Iโ€™d be knocked over by rock verging on metal, which though not my cuppa, Iโ€™ll endure to support live music in my village for sure. Pleasantly surprised then to hear this matured four-pieceโ€™s repertories, though while varied, were largely based on rock and punk-mod classics.

Tuning teaser being Johnny B Goode, the age range of songs went from contemporary back to rock n roll. Commencing with the Kaiser Chiefs, we heard Dandy Warhols and Primal Scream covers, we were cast rearward to Buzzcocks and The Jam, and plopped into a pinnacle of Rolling Stones and Kinks. It was this era where I thought the band reigned, with an awesome Brown Sugar. Yet the range was achieved in its entirety with equal passion and skill, but when lead singer, Jim Smith rolled out an adroit version of Neil Youngโ€™s Rockin in the Free World, I changed my mind.

I questioned this namesake preconceived idea to the band during their beer-break, pointing out drummer, Ian โ€œTefโ€ Martinโ€™s AC/DC tee-shirt. Oh yes, I was told, theyโ€™ll be playing an AC/DC cover in the second half. What ensued was a potentially everlasting musical trivia conversation, indicting their passion was their motivation, and herein lies the spirit of Rockhoppaz, I feel.

Theyโ€™re not the next big thing, just a bunch of guys satisfying an appetite on the pub circuit, but as far that notion travels, lead Jim Smith, aforementioned drummer Ian Martin, guitarist Chris Downing and โ€œBigโ€ Ben Robinson bassist pull to its bumper, and would do your function a huge favour, for their thirst and talent rubs off on the audience; punching above the average pub circuit bandโ€™s weight.

In various incarnations theyโ€™ve been around for a while, previous band names being more profane, they say, causing me to think they once had a punk vibe about them. Theyโ€™ve played the Opportunity Centre charity fundraiser at Wadworth Brewery, The Yeoman, The George in Frome, Melkshamโ€™s Pig & Whistle and our trusty Southgate, theyโ€™ve gigged the Midlands, Windsor and Bath. The Cavalier, Devizes has them on November 2nd, their next local gig.

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As for the Cross Keys, I hope itโ€™s the first of many, and with the great pub-grub and Sunday roast menu retained, I wish them all the best. The landlord calls for more, monthly, with local mod-rockers, Cover Up appearing next. Iโ€™d like to see some local heroes with some original acoustic booked too, happy to recommend the usual suspects. There is a notion cover bands will undoubtedly satisfy the regulars at The Cross Keys, but said originals will bring others in. Itโ€™s not a long walk from Devizes, I do it the other way many weekends, and thatโ€™s uphill, pal! That said though, getting a bit autumny innit, so nice to know live music has extended out to Rowde.


ยฉ 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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The Relevance of Mike Barham

After a โ€œknackering weekendโ€ Devizes music sceneโ€™s gentle giant rests up, prepping for All Roads Lead to Frome on Saturday, where heโ€™s one of twenty acts to be thrown onto the Cheese & Grainโ€™s stage. He sends me Relevance, new single, out tomorrow (30th August) telling heโ€™s โ€œbeen sitting on it for like, two years, never got round to recording it, and over the summer hols I just thought; you really should give this a go, otherwise itโ€™s just a stopper in the pipe.โ€

Have to rub some stubble, yes, literally have a number of them myself. Often apposite to stockpile ideas, but creative tend to doubt them the longer they linger. Yet every now and then, your scrapbook is worth browsing, dust off a rough and finish it.

โ€œExactly,โ€ Mike agrees, โ€œitโ€™s one of those things I just needed to get off the mental shelving you know? Not a clear-out, because itโ€™s no good, but more like; stop resting on my laurels and progress!โ€

Pardon the pun, but relevance to that conviction, doubled with the notion he confesses nerves writing, recording, mixing and releasing this solo single by himself for the first time, Relevance is not only Mike on his best behaviour, itโ€™s a prodigious single, emotive and fuller than anything you may previous have heard from Mr Barham.

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Image by Nick Padmore

Maintaining those grating bluesy vocals, for those familiar with his fiery debut album, Altitude with Attitude, expect later, acoustic tracks Signal Fires or Short, Never Forgotten rather than the blast of Bowserโ€™s Castle or The Cider Song. Yet, think more evocative and shadier, a ripened Mike Barham, perhaps, after all we were talking about last week down the Southgate too, Mr B!

โ€œItโ€™s a bit of a mellower direction,โ€ he describes, โ€œreflective but no less direct lyrically I feel, sort of a City and Colour/Death Cab for Cutie vibe, very simplistic with just vocal, acoustic and one electric for texture.โ€ It works for me, I envision Phil Cooper tipping his porkpie hat to its expressive maturity, and Jamie R Hawkins nodding approval at its narrative too.

Alongside working with his band Nerve Endings on some recorded material, hereโ€™s a poignant solo single which stamps Mike firmly on scene. If it’s with Nerve Endings, or solo, Mike Barham will entertain a crowd, undoubtedly, but here’s something with more universal appeal. Least I reckon, you’ll have to hear it for yourself.


ยฉ 2017-2019 Devizine (Darren Worrow)
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Back on the Saddle!

Tipsy suggestions to those Saddlebackers at their gurt lush day festival at Devizes Sports Ground were poo-pooed from the off! With this yearโ€™s line up rolling out across social media, itโ€™s easy to see they took my expansive notions as nonsensical dribble. A dance tent; yeah, right, circus and performing arts acts; get outta town, even a reggae stage is not to be. Feasibly, they know what they like!

With seemingly no plans to overinflate or cater for revellers outside their chosen target audience, this yearโ€™s Saddleback Festival drives surely on quality not quantity, and if good olโ€™ rock and blues music is what you want, and face it, itโ€™s the most desirable around these backwaters, then it looks like Saddleback return to deliver.

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Deliver they intend to, on 20th July, at a busy time with The Full Tone Orchestra promising a free event on the Green and Melkshamโ€™s Party in the Park on the same date, Devizes Carnival, Trowbridgeโ€™s Once Upon a Time in West Fest and the Swindon Shuffle the weekend prior, the Beer Festival and Devizesโ€™ first scooter rally at the beginning of the month, perhaps itโ€™s a reasonable move for Saddleback to stick with the working formula of previous years.

No extra acoustic stage for local acts has been announced, like the โ€œbolt-onโ€ last year. While being just that, it was at least a presence for them. Itโ€™s all focus on whoโ€™s performing main stage then, and tribute acts seem to feature predominantly. The longest running, full-time professional tribute to Led Zeppelin, Whole Lotta Led headline; and we all like a lotta Led.

Significant changes to their original line-up from 1996, six years ago, has seen considerable progress with the Whole Lotta Ledโ€™s customary two- and half-hour shows, receiving international acclamation from Zeppelin fans. With over 1,300 shows under the belts, theyโ€™ve performed Stairway to Heaven more than any other band in the world, interestingly, including Led Zeppelin!

To truly dedicated fans who witnessed the real McCoy at their prime, Whole Lotta Led avoid wigs, costumes, and look-alike paraphernalia to focus on recreating the music to an astonishing level of accuracy. Theyโ€™ve recreated some of Led Zeppelinโ€™s legendary live shows; 2001 they performed the โ€˜Bath Festivalโ€™ set, in 2003 staged the โ€˜Earlโ€™s Courtโ€™ tour, in 2005 they recreated Zepโ€™s last shows in England with the โ€˜Knebworthโ€™ set, performed the live CD โ€˜How The West Was Wonโ€™ in 2006 and in 2008 they completed the โ€˜2007 O2 Reunion Showโ€™ tour.

In a similar fashion, Creedence Clearwater Review are the UKโ€™s premier tribute to Creedence Clearwater Revival, capturing the feel, sound and atmosphere of the short-lived late sixties American band. With audience involvement, singalongs and plenty of rousing choruses the Review promise an authentic and power packed tribute to the Creedence legacy, sticking as closely to the album tracks as possible. Thereโ€™s also a nod to John Fogertyโ€™s solo career in the show.

To concentrate on original acts, most are Bristol-based, like Elles Bailey is that wonderful hard-blues chick weโ€™ve covered on Devizine before. With a prolific and authentic blend of country and blues, Elles is the UK dynamite on the scene.

The second name to continually popup locally is Ruzz Evans, who since 2014, with drummer Mike Hoddinott and Joe Allen on upright bass make up Ruzzโ€™s Guitar Blues Revue. The trio house a powerful, soul-injected mesh of Blues, R’n’B and Rock’n’Roll of retrospective energy. The opportunities to open for some class acts, from Rockabillyโ€™s the Delta Bombers and the Rhythm Shakers from Vegas to Dr Feelgood and The Blockheads. Plus, the newly released studio album, Burn Out, which features Pete Gage from Dr Feelgoodโ€™s band, certainly shows enthusiasm, skill and passion; this one is going to get lively.

 

Also booked is four-piece blues/funk outfit, The Will Edmunds Band, who perform interpretations of classics from the likes of Robert Johnson, BB King, Albert King and The Meters. Their sound promises to be tight and fresh, yet retaining old-school mojo!

And thatโ€™s what weโ€™ve been told so far. No mention of Jon Amor; surely, heโ€™ll drop in, wouldโ€™ve thought? Ah, one step ahead of you. The Friday before , 19th July, heโ€™s at the pre-festival event at the Sports Club, where for a tenner youโ€™ll get Saddleback favourites Innes Sibun and Jon, with Mike Hoddinott of Ruzzโ€™s Guitar Blues Revue and whatโ€™s worth the entire weekend price-tag in my humble opinion, for all itโ€™s worth, the awesome UK-USA blues conglomerate, Beaux Gris Gris who weโ€™ve reviewed a night of before.

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A further tenner means you can camp for the weekend, from 5.00pm Friday 19th July, with campers asked to leave the site by 10.30am on Sunday 21st July. It may be whacking the total from ยฃ25, for a main ticket, to ยฃ45 for the whole shebang, and in all honesty the mods may have it cheaper than the rockers this year, the Scooter Rally tallying to ยฃ25 for the whole weekend with free camping, but a considerable donation of Saddleback is off to chosen charities Juliaโ€™s House and Care If, and going on the sturdy and reliable security, strategic setup and organisation that went into last yearโ€™s event, together with an awesome line-up, Saddleback will not go unnoticed, even if promotion of it seems somewhat lessened this year.

 

Here’s last year’s snaps to get you in the mood; all images by Nick Padmore

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Half a Review from The Southgate: Soapbox and Patrick Goodenough

Yeah, I knowโ€ฆ..

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Whatโ€™s Devizine coming to when I back out of a full night of live music? But with jam-packed weekends ahead, general fatigue and, like Suggs, sometimes I like to stay in and watch TV now and then, please allow my lethargy some slack, people. Britainโ€™s Got Talentโ€™s non-offensive new look of letting every idiot through was wearing thin by the second act, and I ventured off for a pint. Wasnโ€™t a great deal to wet this lightweightโ€™s appetite anyways, save George Wilding down the Owl, and of course, if youโ€™re ever stuck for a weekend eveningโ€™s entertainment, the Southgate is the guaranteed safe bet in the Vizes.

Yet itโ€™s walking up that Dunkirk Hill which drains enthusiasm, so steep Churchill pulled the troops out. Fine, it is, to roll back down at the end with a bellyful of cider navigating me off-route down Browfort, as it did last weekend, and perhaps it was this occurrence which avowed the need to drive.

I knew Nerve Endings were booked; knew they had a support, and still I epically failed, but was impressed with what I did perchance to witness, and thus prepared to draft a little something about that. Yep, the Southgate rocked again, and I know, you know, Mike, Luke and Rob will make a grand, and loud job of it. On bass and vocals, Rob McKelvey and brilliant drummer from the valley, Luke Bartels really add the extra dimension to Mike Barham, if he ever needed one; shame I shirked it.

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But Patrick Goodenough, who kicked off the proceedings with a solo debut of stripped back songs from his band, The Compact Pussycat, was indeed more than good enough, as his name suggests. There was emotion and sentiment in his performance, and popping his solo act virginity, with added banter of band-member Jack Moore floating around, he should be highly commended.

Following this, Salisbury three-piece, Soapbox came to kick-ass. Proclaiming it was their heaviest song to date, they blasted out an introduction called โ€œProblems,โ€ and thus was the general theme of these lively and edgy, punk-inspired, rock n roll originals.

Acutely written shards of anarchy and virtue, they packed attitude and were delivered ferociously yet responsively, a tune called Rollercoaster, for example, clichรฉ life metaphor perhaps, but delivered with passion and enthusiasm. There was an acceptable Iggy Pop in them, The Rabbit Ear perhaps the most poignant, and the final lambast, Shut the Fuck Up, the most direct.

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I nodded approval as the bass player packed away, telling me though theyโ€™d sporadically been together as a band in the past, this incarnation has only been on the circuit a year. With this in mind, excusing myself doing the need-a-wee dance, Soapbox is defo one to watch out for. Good choice Mr B, apologies for my slackness!

 

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April Warming with Asa Murphy as Buddy Holly

The Corn Exchange, Devizes most prestigious and largest venue, sets to rock n roll on April 6th when Asa Murphy and gang brings his hit Liverpool show, Buddy Holly Lives to town.

Posting a rehearsal video on Facebook this week proved a plan, it sounds marvellous. Asa also made an appearance at Devizes Books last week. Yet, the weekend may not have been the most carefully selected, the popular Long Street Blues Club hosts the Billy Walton Band, while The Melksham Rock n Roll Club are bound to pull a crowd for the Hurricanes, all on the same night. With rock n rollers spoiled itโ€™s just to express why Buddy Holly Lives is my personal choice for the most unmissable event this April, hopeful to reach to an audience beyond rock n roll aficionados, and I base it upon the simple fact Buddyโ€™s music was such it transcends its genre.

Timeless performers of Buddyโ€™s level of talent and prolific drive come around one in a generation, if weโ€™re lucky. Above all of their peers, Buddy Holly and the Crickets were the experimentalists, the pioneers who avoided rock n roll crashing out of fashion with their diverseness in musical formats. The unpretentious, simplest formulas are the backbone of every pop classic, take the ease which Buddy mastered this notion in a tune like โ€œItโ€™s Raining in my Heart,โ€ or โ€œIt Doesnโ€™t Matter Anymore.โ€

 
But if we are to strip down a song for analysis, take โ€œEverydayโ€ as a prime example of what Iโ€™m attempting to get at. An out of studio rehearsal of the song, where without drums Jerry Allison tapped the rhythm with his hands on his thighs, it is Buddyโ€™s immediate eureka moment to keep it as that, rather than use drums which represents the genius in simplicity which the Beatles borrowed, the same cognitive creative virtuoso producers like Quincy Jones, Lee Scratch Perry, Giorgio Moroder, or William Orbit would adopt to make a song into a hit, in their respective eras.

 

Do you see where Iโ€™m coming from? It is why Iโ€™d recommend any contemporary aspiring musician to take heed of Buddyโ€™s catalogue, and also why Iโ€™d advise, if thereโ€™s one show this month you need to be at locally, itโ€™s this homage to the utmost pioneer of pop, aside being a fan rock n roll, or not.

 
This is without the added detail itโ€™s a celebration of the life of Bruce Hopkins, who through his music raised substantial amounts for Cancer Research, a donation will be made to charity, and Asaโ€™s professionalism and dynamic charisma. Bought to together with Buddyโ€™s music, with narrative, Iโ€™m not only looking forward to this, but dragging my mum halfway across the country to come see it! As a Buddy fan since early teenage, she will be a far harsher critic than me, Asa!

 
Tickets are ยฃ20, available now from Devizes Books.

 

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Saddle Up! Devizes Most Prestigious Festival Steps Up Their Game

Your creative sorts usually appreciate music, but, stereotypically, entertainment for โ€œsporty-typesโ€ would rather be waving fists and hurling abuse at a team projected to them via a widescreen TV, seemingly oblivious; television is a one-way communication devise. Itโ€™s not until someone puts โ€œEye of the Tiger,โ€ on a jukebox, or Bonnie Tyler croaks sheโ€™s holding out for a hero, that they get all sweaty, and start flexing biceps in a dance comprising of getting friends in a headlock and rubbing knuckles atop their cranium.

 
It couldnโ€™t be further from the truth for the Devizes Sports Club, and anyway, my generalising just a witticism in hope the ladyโ€™s rugby team might fulfil my daydream and chase me down the street! The Sports Club, enthusiastic for the remaining month before their Saddleback Festival, are serious about presenting the town with an exciting and professionally organised festival.

 

Itโ€™s the music festivalโ€™s second innings, after the sun-drenched blues event last year, and theyโ€™re determined to up their gameโ€ฆ..not a lot, no point in running before they can walk, but enough to make this, in my opinion, our most anticipated event of the year.

 
For starters, theyโ€™ve dropped the โ€œbluesโ€ tag from its title, making it less specialised. While the concentration on blues music still sturdy, itโ€™ll be joined predominantly with rock, acoustic and folk.

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Certain other moves are to be introduced, Iโ€™m at the British Lion, having a pint with organiser, Mirko Pangrazzi, to find out what they might be.

 
I suggest they could drop the โ€œmusicโ€ label too, add a comedy tent, or possibly street theatre. Mirko considers, but stops at the idea of a โ€œdanceโ€ tent. Their chosen genres equate to a family-styled event. A mass of fledgling โ€œraversโ€ descending brings its own issues.

 
Thereโ€™s an air about the conversation which leads me to believe the organisers value quality over quantity, with no intentions of expanding to Glasto proportions. We laugh as Mirko recalls people last year leaving, only to return with chairs in which they would switch the angle of to face their chosen stage; that is sooo Devizes and surely associates this family ethos.

 

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Jon Amor

Mirko is keen to show me a list of activities theyโ€™ve organised for children; a fun bus, inflatables, face painting, a bungee run, Striker game, slot machines and of course, a sweet stall, to name but a few. Plus, it goes without saying itโ€™s at a sports club with abundant space to kick a football till you drop.

 
For hereโ€™s a thing, Iโ€™m convinced no one is to get fleeced at Saddleback, the food stalls enter freely, organisers only asking for a donation to chosen charities; Juliaโ€™s House, Wiltshire Air Ambulance and others, while punters get value with a wealth of talented acts for a reasonable twenty-five quid, and their kids under 13, well, they get in for FREE and for 13-17 itโ€™s just a fiver.

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Mirko introduces me to John, a newcomer to the committee but with a wealth of experience on the festival scene. What John doesnโ€™t know about coordinating a festival could be written on the back of a matchbox, with diagrams, pie charts and a few dirty doodles on the bottom.

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Mollie Marriott

Having worked on littler-known events like, say, Glastonbury and Boomtown, John is a welcomed asset to provide a fully professional team, determined to make this work wonders. Thereโ€™s more than meets the eye to arranging such an event, a note others need take heed of in these clichรฉ days of any Tom, Dick, Harry, or Harryโ€™s pet dog attempting to hold one. Theyโ€™re delighted to have halted construction plans for a new pipeline running through the site, due bang on the 14th July when Saddleback takes place. For when music promoter Mirko and Sports Club owner Rick get going on a project, theyโ€™re the sort who work tirelessly to make it the very best they can.

 
It didnโ€™t matter of the success of last yearโ€™s, though Mirko was pleased with the result, theyโ€™ve assigned themselves to this ongoing project and intend to make it an annual event.

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Marcus Bonfanti

So, the second major change is camping. People will be able to set up a tent this year, from Friday to Sunday, for a tenner, or just fifteen smackers to bring their campervan on site. This will add an extra dimension to the ambience, with visitors able to mingle with locals. Add this to the real ale and cider bars, prosecco, Pimms, wines, soft drinks, and craft beer from Devitera, merge it with a wide assortment of food stalls, such as Happy Hog Catering, Asian cuisine, obligatory barbeque and a tea/coffee and crepe bus, I think theyโ€™re building the perfect recipe for a blinding day which will go down in Devizes history and will firmly put our town on the festival map.

 
Notwithstanding an unforgettable line-up, with blues singer, songwriter and guitarist, Marcus Bonfanti, rockers Bad Touch, ballad-esque pop-rockette, Mollie Marriott, daughter of Small Faces and Humble Pie singer and guitarist Steve Marriott, Devizes-own blues/alternate rock deities The Jon Amor Band, Bradfordโ€™s legendary John Verity, Blues/Rock guitarist Innes Sibun and Aveburyโ€™s own George Wilding.

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George Wilding

If you need further proof of the authenticity of my recommendation, bear in mind it was a great thing when George Wilding won his place at the festival at the Battle of the Bands earlier this year and said heโ€™d do it, if the other contestants could have the opportunity to play too. But itโ€™s an even greater thing when Rick and Mirko took heed, and before we knew what was what, a third โ€œacousticโ€ stage was added, introducing local heroes and heroines Mike Barham, Jamie R Hawkins, Alex Cash, Sally Dobson and Clare, who was coincidently serving at the British Lion at the time!

 
She smiled when we chatted, not realising who I was she said, โ€œbut Iโ€™ve known you for years!โ€ That is whatโ€™s special about Devizes, that is what Saddleback will adhere, and that is also whatโ€™ll make Saddleback a knockout.

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So, donโ€™t miss out, leave a comment on a local Facebook group, giving it, โ€œwhats that wonderful music I can hear from my garden?โ€ – thereโ€™s tickets on the gate, or in advance, here.

 

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Emma Langford and the Quiet Giant

Ever had the awkward scenario where a acquaintance posts a song with a caption, โ€œthis is my daughter singing,โ€ you feel obliged to listen, humour their parental pride and bend the truth that you reckon itโ€™s awesome?! This was NOT one of those occasions.

 

Iโ€™ve been an online friend with Des for many-a-year; we share a love of comics and cartoons. Heโ€™s an exceptionally talented artist and sign-writer; his cartoon frescos adorn his hometown of Limerick, in school playgrounds and on shop windows. I was honoured when Des contributed a cover for my charity-based anthology book, โ€œI am not Frazzle;โ€ it became an iconic image in Devizes.

 

Never more apparent that creative talent filters through the generations; from the moment I clicked on that link and heard Emmaโ€™s voice, I was in love with her music. Renowned in Limerick, Iโ€™m dedicated to switching as many as I can onto this, Iโ€™d shout it from the highest mountain, if we had any here; the folk-rock pop of Emma Langford is simply sublime.

 

So while I couldโ€™ve approached this by hiding our friendship to promote Emmaโ€™s latest album, Quiet Giant, and try to find a tenacious link between her and Wiltshire, not to unhinge the tenet this website is of locally produced talent, Iโ€™d rather be honest. Plus, in this era of YouTube, you can judge for yourself from the couple of videos below; I ainโ€™t a fibber.

 

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Akin to Andrea Corr or a young Kirsty McColl, Quiet Giant is Emma Langford, refined to perfection; nothing here is left to chance. Released on the 18th October, I confirm a crashing symbol and delicate piano opens ten tracks of absolute gorgeousness. All songs are written by Emma with a sophisticated, evocative narrative. It eases you in with certain grace, a couple of earnest mellow songs; the folky title track and smooth jazzy Sandman insure youโ€™ve made the right choice for your listening pleasure.

 

Then Peter Hanaganโ€™s Double bass and fiddles by Tadhg Murphy up the tempo for Closed Book, a storming tune skilfully separating honourable people from the general, ostensibly an effective running theme throughout Quiet Giant which makes its hauntingly nimble quality so endearing.

Emma Langford and her accomplished collective, aforementioned Peter and Tadhg, plus particular prestige for Cellist Alec Brown and pianist Hannah Nic Gearailt, insightfully have produced something special; Quiet Giant is a suave survey of dignity and passionate despondency with uplifting string arrangements and traditional Irish folk values, all wrapped in the wonderful cover art of Jacob Stack; youโ€™d be sorry to have missed it.

 

When I heard Emma had a gig in Bristol and was looking for another date in London a few months ago, I attempted to hassle known local music promoters into booking her for a gig in Devizes, hoping itโ€™d be a halfway house. But Emma explained she only had two days here, still she seemed keen to visit us. The promoters were in awe, told me she really needs to head for London for maximum exposure, โ€œsheโ€™s too darn good for Devizes,โ€ I was told!

So then I worried I was being selfish, trying to hook her into our tiny market town just so I can hear her live when they were right, she needs, and she did play a gig in London. Next time itโ€™s bookmarked; Iโ€™m bunking the next day off work!

 

Order the pre-release of Quiet Giant here on Bandcamp; out on 18th October.

Like her Facebook page for more information and updates.

 

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