Devizine to Release Various Artists Compilation, 4 Juliaโ€™s House

If it’s been a quiet week here at Devizine Towers, itโ€™s not because we remain in the perpetual Groundhog Day of lockdown, things are beginning to open up and folk are gathering to take advantage. Time will tell if we’ve made the right move, and fingers are crossed, but we surely have to attempt to emerge from his global hibernation. Rather, I’ve been away for the week, playing the grandad role on the single most tranquil UK holiday camp getaway ever!

Don’t get me wrong, even with restrictions, itโ€™s been lovely nonetheless. Now, Iโ€™m back, back like a bad smell on your shoe rack, and if you think I’ve been lazing around watching paint dry, youโ€™re not totally wrong. But I do have an exciting announcement, which has kept me out of trouble for the last fortnight.

The announcement might be something more suitable for lockdown, but despite, I’m feeling this blossoming project is definitely heading in the right direction. We’ve 24 tracks kindly contributed already for a compilation album of local or music related to Devizine, however tenacious, subjects we’ve reviewed or covered in the past, or we simply love! Binding them together and hopefully presenting them as soon as feasible on one chunky download album via the most brilliant website, Bandcamp.

It’ll be a cross-genre extravaganza of music, and you’ve not even heard the best bit about it. To explain that bit I need to first stress my eternal gratitude and thanks to the wonderful artists already freely contributed a song for this, and those planning to. Now, where was I? Oh yeah, the really, really good bit; get this, all proceeds, 100% of them will go to Julia’s House.

Tree Image by Wolfgang Hasselman

Juliaโ€™s House is not a typical childrenโ€™s hospice. They provide practical and emotional support for families caring for a child with a life-limiting or life-threatening condition, providing frequent and regular support in their own homes, in the community or at our hospices across Dorset and Wiltshire.

Devizine asks musicians and bands, be they locally based or otherwise, to send us an original song for us to add the already bulging track list, if youโ€™ve one to spare. Iโ€™m fully aware the pressure is already on artists at this time, but Iโ€™m not asking you to create a tune especially, or give away something which is currently selling well. It could be pre-released from an album or an older single you have; just something in your archives, you wouldnโ€™t mind allowing us to use.

Iโ€™m being harassed about a deadline, we should set one, although I firmly detest the word deadline! Let’s pencil in 15th May, so if youโ€™ve a song you’d like to throw at us, please do send a WAV file if possible, mp3 if not, by then. Send via We Transfer or Google Drive to: devizine@hotmail.com

But don’t despair if you cannot make the gig. With the popularity of this project to date, I’m looking in my crystal ball and predicting a volume two on the cards.

Only thing I will ask you to bear in mind, if thinking of contributing, is that this is for a children’s charity, and while I’m not expecting The Wheels on the Bus, please avoid swearing like sailor. No NWA tribute acts, please!

It gives me great delight to tell you we have many fantastic songs already sent to us, a mahoosive thanks to everyone who’s bunged us a tune, and so many others who have promised to, shortly. A full track listing with details and links will follow nearer to launchpad day, but for now, I’m excited to let you know local legend Pete Lamb provides an apt title track, Julia, (actually it’s Julie, but who’s splitting hairs, I’m renaming it!) for which he’s teamed up Cliff Hall, pianist for The Shadows; a glorious benchmark to open with.

Other artists featuring, to date are The King Dukes, Erin Bardwell, Mr Tea & The Minions, Talk in Code, Timid Deer, Kirsty Clinch, Duck n Cuvver, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Will Lawton, Jamie Williams & The Roots Collective, Sam Bishop, Mr Love & Justice, The Truzzy Boys, Longcoats, Atari Pilot, Andy J Williams, Cutsmith, The Oyster, The Birth of Bonoyster, The Two Man Travelling Medicine Show and Richard Wileman.

UPDATE:

Wow, as of Monday 19th May, we now have a staggering 37 tracks contributed. The list now looks like this: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Will Lawton, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Kier Cronin, Sam Bishop, Mr Love & Justice, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, The Oyster, Nigel G. Lowndes, The Birth of Bonoyster, Revival, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Cutsmith, Big Ship Alliance and Knati P.

And thereโ€™s more in the pipeline, hopefully creating a hefty genre-busting mega-box set!! So, please be part of it if you can, and bung us your song! More the merrier. Thank you! Oh, I love it when a plan comes together.


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Whatever Happened to Pancake Races in Devizes?

It seems Shrove Tuesday celebrations in Devizes have fallen as flat as aโ€ฆ.well, you get the gagโ€ฆ Traditionally organised by Age Concern Wiltshire, and oftenโ€ฆ

Rowdefest 26 Lineup Reveal!

Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโ€ฆ

DOCA Receives Culture Recovering Funding

The future of Devizesโ€™ carnival and Outdoor Celebratory Arts is looking great, as DOCA announce today some exciting news; they are delighted to have received funding from the governmentโ€™s #CultureRecoveryFund.

The much-needed funding will cover their overheads in the coming months. Allowing investments in developing their Board of Trustees, employ a Volunteer Coordinator and begin reconnecting with the existing โ€œfamilyโ€ of volunteers. They also seek new recruits to help deliver the fantastic program of events. Such as new volunteer coordinator, Holly Solo-Hawthorn, who joined the team in last November. If volunteering with DOCA is something you are interested in please email: docavolunteer@gmail.com

Chair of the Trustees, Kelvin Nash said, โ€œwe know people canโ€™t wait to get out and meet up with others and enjoy all the things we might have taken for granted before COVID. We also know we are very privileged to receive this funding that will help us continue bringing great events to Devizes. We hope everyone will continue to support us this year to make these events happen safely, plans are still tentative of course, but it does feel like there is now a light at the end of the tunnel.”

Artistic Director, Loz Samuels expressed although DOCA are able to start planning Summer events, not all of the usual events will be back this year. โ€œThis year will have a different feel but we know that it will be just as amazing as ever. There will be no Confetti Battle this year we hope to combine the Colour Rush with the Street Festival which will add an explosion of colour to the day and we hope to attract some new people along to the event.โ€

As we look forward to future events in Devizes, DOCA will be touching base with market traders and coordinating a hopeful new season of celebrations. Hereโ€™s the plan to date:

Sunday 22nd August 2021 โ€“ Picnic in the Park

Monday 30th August 2021 โ€“ Devizes International Street Festival

Monday 30th August 2021 โ€“ Colour Rush

Friday 26th November 2021 โ€“ Winter Parade

Saturday 27th November 2021 โ€“ 31 Trees and Counting

Saturday 26th & Sunday 27th Feb 2022 โ€“ Festival of Winter Ales

Image: Gail Foster

Summer Solstice Celebrations Looking Likely at Stonehenge

With the green light given for the A303 tunnel at Stonehenge, the lockdown restrictions at winter solstice and EH’s solstice parking fee demands, it’s understandable we haven’t seen a positive message from the pagan high priest, Uther Pendragon for a while. But this week proved different. If Uther used emojis on his social media posts it would be near all smiley faces, but he’s not the type to, so there wasn’t!

Nevertheless, the leader of the warrior and political arm of the modern druid movement, The Loyal Arthurian Warband, reported back from a virtual RT meeting with English Heritage, Police and other interested parties, save Wiltshire Council who Uther noted, “steadfastly refused to attend.”

Assurances about this year’s summer solstice celebrations at Stonehenge appear positive. Urther called for “assurances from EH and their partnering ‘authorities’ that there are no plans to restrict access by ticket and/or advance booking, or to take part in any Goverment pilot or other such ‘trial’ that restricts access to ‘all-comers’ due to perceived health issues or certification. And that no pilgrims will be denied entrance, save for those who’s anti social behavior dictates such.”

EH are continuing to make plans and arrangments,” Urther reported, “for the managed open access to go ahead as scheduled for the night of 20th/dawn of the 21st June, subject to the lifting of Government restrictions, due to end by this point.”

On the eve of lockdown last year, English Heritage said, “we know how appealing it is to come to Stonehenge for Winter Solstice, but we are asking everyone to stay safe and to watch the sunset and sunrise online instead. We look forward to welcoming people back for solstice next year.” And with that, and this positive development, we hope things will run smoothly for 2021.


Wiltshire Council Leader Advises Tory Candidates to Block Correspondence With Save Furlong Close Campaign

It has been some time since weโ€™ve covered the disgraceful fiasco at Rowdeโ€™s Furlong Close, where residents with learning disabilities face closure of the HFT site, their home, and undefined, separated relocation.

The reason being, the situation had fallen into a political stalemate, as HFT ceased all dealings with Wiltshire Council. It seems HFT are no strangers to closing sites down, and equally Wiltshire Councilโ€™s reaction is lacklustre. I cannot decide who is really to blame in all this, but something certainly doesnโ€™t add up; perhaps theyโ€™re both as bad as each other, and the clock is ticking for May 19th when closure is planned. You know me, Iโ€™ve been concerned my anger at this issue will lead me to publish speculation, and the last thing I want is put forth misleading information.

Now, it seems, via a Tweet from The Save Furlong Close campaign group, in a memo released on Easter Sunday, Wiltshire Council Leader, Philip Whitehead advised councillors and future Conservative candidates to block all correspondence with Save Furlong Close Campaigners, in fear itโ€™s being used as โ€œan election matter.โ€

This is very concerning, while both sides battle the politics out, the Save Furlong Close campaigners are merely worried for the future prospects for the residents there, and least deserve a voice. So, Iโ€™m pleased to be able to publish an article, by Mark Steele, a member of the campaignโ€™s steering group, which outlines the history and current situation.

I merely offer to endorse their rightful campaign and promote it as much as possible. If then, residents of Furlong Close are indeed moved out, it will be a terrible day for Wiltshire, and a shameful reflection on a county council, but if this happens and I stood there and did nothing, itโ€™s a shame I would partly bear too, and I have no intentions of that happening. I hope our readers and supporters will agree, and I fully believe, with the permissions of the campaign group, we need to arrange a socially distanced peaceful protest, as soon as feasible. So, WHO IS WITH ME? Watch this space, but hereโ€™s Markโ€™s outline of the happenings in Rowde.


SAVE FURLONG CLOSE

โ€œThe true measure of any society can be found in how it treats its most vulnerable members.โ€

(Mahatma Ghandi)

Save Furlong Close

For the last 30 years, Furlong Close has been home to 36 vulnerable adults with learning disabilities, including Down syndrome, autism and epilepsy.  The residents live in 5 bungalows in a cul-de-sac at the edge of the village of Rowde, sharing a community hall, workshops and gardens (including a market garden and pens for sheep and rabbits).  It is a short walk to the centre of Rowde and a short bus ride to Devizes.  Many of the residents have lived at Furlong Close for more than 20 years.  They are happy and settled, have formed life-long friendships and are a close and caring community. 

In October last year, however, it was announced that Hft (the charity which owns and operates the site) and Wiltshire Council (which funds the majority of the residents) had โ€œjointlyโ€ decided that everyone was to be โ€œmoved onโ€ by June 2021, the site shut down and the land sold off for development.  The shocked families were told that there would be no consultation or discussion; it was a โ€œdone dealโ€. 

Already reeling from the emotional impact of the pandemic and cut off from the support of their families, the residents were fearful and anxious.  Their disabilities make change extremely stressful for them and being forcibly evicted from their home of 20+ years would cause them great trauma and distress.  For some, the trauma would be life-shortening.  My cousin, David, who has lived at Furlong Close for 18 years, was left in fear of the future and telephoned his 95-year-old mother, Audrey, many times a day, often in tears, to ask her where he would go and who would look after him.  Sadly, Audrey passed away in March, spending the last months of her life wracked with worry about what would happen to her beloved and vulnerable only child (https://twitter.com/savefurlongcl/status/1374671484187242507).

So, why is Furlong Close facing closure?  At first, Hft and the Council said it was โ€œnot about moneyโ€, but was only about doing the best for the residents.  It was said that โ€œmoving them onโ€ from their settled and happy homes would be an โ€œexciting opportunityโ€ for them, but no-one could quite explain how breaking up a happy community and scattering them to new and strange places would be either โ€œexcitingโ€ or an โ€œopportunityโ€.   Certainly, it was an โ€œopportunityโ€ which none of the residents or their families wanted.  Subsequently, it became clear that it was in fact โ€œall about moneyโ€ after all, with Hft accusing the Council of grossly underfunding the site over many years and refusing to pay the full costs of care.

Faced with this cruel threat to the well-being of our vulnerable relatives, the families organised and the local community rallied to our cause.  People became angry.  43,000 people, from Wiltshire and beyond, signed a petition.  Legal proceedings were commenced by the family of one resident, to seek to have the decision set aside as a breach of her human rights.

Faced with this local anger, Wiltshire Council promptly threw Hft under the bus.  It claimed that the โ€œjoint decisionโ€ was nothing to do with it, but solely a matter for Hft.  Hft responded angrily, accusing the Council of โ€œlyingโ€ and trying to โ€œhide behindโ€ it, and gave notice that it was withdrawing services, not just from Furlong Close, but from Wiltshire as a whole.  With Hft and the Council each pointing the finger at the other, the situation deteriorated into what has recently been described by a judge in the pending legal proceedings as โ€œa shambolic messโ€.

As the clock ticks down to the termination of Hftโ€™s contract for the site on 19 May, the residents and their families fear that we are being hung out to dry.  Hft has offered the Council the chance to buy or lease the site and bring in another operator, but neither has taken decisive action to make this happen.  Many suspect that the Council is just playing for time, to try and kick the can down the road until after the Council election in May.  Meanwhile innocent and vulnerable people are suffering and the families are calling on Hft and Wiltshire Council to act now to save Furlong Close. 

Please, if you want to help:

Thank you


Protect Drews Pond Wood Area

Local enviromental campaigners are calling on Devizes Town Council to designate ten areas of land around Drews Pond Wood as Local Green Spaces due to their importance for wildlife, health and wellbeing as well as historical significance.

Please sign the petition, here.

Drews Pond Wood Project has looked after the Local Nature Reserve since 1990 to keep it as a special place for wildlife and a resource for local people. They are asking for your help to get more protection for the wood and its surroundings.

The Local Plan and Neighbourhood Plan are being reviewed. These plans will decide where to put hundreds more houses in Devizes. These plans shouldnโ€™t just be about where to put development – they also need to identify areas that are special and important for people and wildlife so that they can be protected for the future.

The National Planning Framework enables communities to identify and protect areas that are of value to them through Local and Neighbourhood Plans by designating Local Green Space. This designation ensures strong development restrictions on an area. 

Make no mistake, Drew’s Pond Wood has been earmarked for development, though the application has been rejected, this doesn’t protect the area should future applications are made.

Thanks goes to local environmentalist, Joe Brindle and his team for creating the campaign and raising awareness of this. It is supported by the Drew’s Pond Wood Project.

Please sign the petition, here.


Crossed Wires with a Timid Deer

OMG, and coming from someone who refuses to use OMG on principle, rather than its blasphemous connotations, that old dogs, new tricks, I donโ€™t usually conform to trending words or abbreviations. I just donโ€™t get the irony. I mean, kids use the word sick to mean something thatโ€™s good. Why canโ€™t they just use wicked like we used to do?

Anyway, itโ€™s my third music review of the day, and while I may be knocking them out, tangents tend to creep in without apologies. But hereโ€™s my new favourite discovery while washing the dishes, Salisburyโ€™s Timid Deer, a band Iโ€™ve seen listed here and there, supporting our Lost Trades, a track I loved on Screamliteโ€™s New Hero Sounds NHS fundraising compilation, et all, but had yet to delve fully into. And the result is the reason I used OMG despite all I said about it.

Ah yeah, at the Lost Trades launch at the Pump!

All I will say is, if our mission is to seek out new local music, new bands and boldly go where no blog has blogged before, Captain Kirk needs a crew therefore so do I. Mind you, my own daughter suggests I look more like Suru on Discovery, which I beg to differ; the guy walks like the back end of a donkey while Iโ€™ve got the more Charlie Chaplin swagger, and I excuse another tangent. Why didnโ€™t someone least hint, oi, Worrow, I reckon youโ€™d like Timid Deer, reckon its right up your street?

Before Iโ€™d even put the fairy liquid in the sink, Iโ€™m warmed to these mellow electronic and soulful vibes. Akin to Portishead and Morcheeba, without the need to be locked in the nineties trip hop era, Timid Deer is a blessing in the indie-fuse of euphoric keys by Tim, with Tom on double bass, guitarist Matt, drummer Chris, and the mind-blowingly gifted vocals of Naomi, who has the vocal strength of Mayyadda, but with the childlike uniqueness of Bjork.

The name-your-price single Crossed Wires came out end of last month, unbeknown to me. An uplifting piano three-minute masterwork, engulfing your soul and building layers with smooth electronic beats. Evocative as Enya without the orchestrated strings, as expressive as Clannad without the folk roots, and closer to Yazoo via electronica, rather than the aforementioned influences of Portishead and Morcheeba. Ticks all my boxes.

There are two gorgeous previous albums, Mountains stretches back as far as 2012 and Melodies for Nocturnal from 2019, and there you go, see, Iโ€™m nocturnal, why didnโ€™t someone nudge me further towards this great band? I dunno, if a jobs worth doingโ€ฆ..


Trending….

Agricultural Appropriation with Monkey Bizzle

There’s no sophomore slump for Monkey Bizzle; prolific in their art, these rural chav-choppers return with a second album, Agricultural Appropriation, only five years andโ€ฆ

Doctor Faustus Sells His Soulโ€ฆ. in Devizes!

Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisonsโ€ฆ

Chandra Finds Heaven on Earth

Usually I just write what I think, but if I had a point-scoring system this new single from Bristol-based indie-pop outfit Chandra would tick everyโ€ฆ

Erin Bardwell Gets Organised

A new album released yesterday from Swindonโ€™s premier reggae keyboardist and producer Erin Bardwell made me contemplate a section of Henri Charriรจreโ€™s book Papillon. The autobiographical account of a fellow no prison or penal colony can seem to keep incarcerated. Thereโ€™s a point where Papillon deliberately causes a disturbance in order to be put in solitary confinement. He claims he prefers it to the regular cells, because away from the other inmates, alone in pitch darkness he can reimagine, practically hallucinate and relive his better days.

For the concept of the album and accompanying film Get Organised is largely reminiscing and reflecting on his past. Possibly, I suspect, due to age becoming, the fact this marks a thirtieth anniversary of the formation of his heyday two-tone band, The Skanxters, but largely due to lockdown.

Myself, lockdown has been parttime. Iโ€™ve worked throughout, galivanting through the villages, meeting early morning risers, and itโ€™s all been much the same as it ever was, just cannot nip tโ€™ pub, or see family living out of the area. Which is frustrating at times, but I accept itโ€™s not as bad as those shielding and self-isolating; that wouldโ€™ve driven me insane my now. Itโ€™s common in isolation to consider oneโ€™s life and recollect, but Erin does it over a reggae beat; and I approve!

Weโ€™ve been here before; this is not Erinโ€™s first reflection of lockdown. Pre-pandemic he directed a collective who were pushing new boundaries in rock steady. But April last year saw the solo release of Interval, a deeply personal reflection and mind-blowingly cavernous concept album, diving into the psyche and exploring past events; scarce formula for reggae.

Erin Bardwell

Yet Erinโ€™s style is such; relished in unconformity, individualism and freethinking, factors which make it so utterly unique itโ€™s hard to compare. Itโ€™s this standout signature which Erin stamps on all projects, be them solo, as the Collective, or side projects such as the experimental dub of Subject A with Dean Sartain, or The Man on the Bridge project with ex-Hotknives Dave Clifton, which defines the very sound of reggae in Swindon and puts it on the skanking map. If there was a skanking map, which I wish there was!

Whereas Intervalโ€™s morose mood merged styles through experimentation, some often out of the confines of reggae, be they jazz, ambient and space rock, Get Organised will wash better with the matured skinheads, scooterists and Two-Tone aficionados, for it sits with more golden era reggae, particularly of the sixties Trojan โ€œbossโ€ reggae epoch. They tend to know what they like, and favour tradition over risky and radical progressions.

In this notion too itโ€™s sprightlier and more optimistic than Interval, a result of vaccinations and this โ€œroadmapโ€ out of lockdown, perhaps; The Erin Bardwell Trio booked for a gig at Swindonโ€™s Victoria on 1st July. Though at times thereโ€™s still the thoughtful prose Erin is fashioned for, reflecting the effect of lockdown. The lyrics of Eight Oโ€™clock, for example, which notes despite the usually lively nightlife at this time, the town is quiet.

The Erin Bardwell Collective

Theyโ€™re all sublimely crafted pieces, the title trackโ€™s mellow riff nods to Lee Scratch Perryโ€™s middling Upsetters period with something akin to a tune like Dollar in the Teeth. And in that, we have to consider the great producers of rockers reggae for comparisons, rather than the artists. Aforementioned Perry, but of Niney the Observer, of Harry J too, and Get Organised subtly delves into dub, so I guess King Tubby also. Yet the opening tune reminded me of the earlier, legendary producer Duke Reid.

Erin has the proficiency to cherry-pick elements from reggaeโ€™s rich history, effectively merge them and retain this said signature style. The Savoy Ballroom has the expertise keys of Jackie Mittoo, with the vaudeville toytown sound of Madness. That said has opened another Pandoraโ€™s box, as Two-Tone also has a significant influence on Get Organised, naturally. The grand finale We Put on that Show is reflective of the era, along the lines of the steady plod of Do Nothing rather than the frenzied ska of Little Bitch, if weโ€™re going to make a Specials contrast, which I think is apt.

Equally, youโ€™re going to love this if, like me, you cite the debut album Signing Off, as UB40โ€™s magnum opus rather than their following pop covers, or just if youโ€™re looking for something different from the norm.

These recollections are visualised in a half-hour video, making it more poignant. Itโ€™s a scrapbook film, with homemade clips of The Skanxters setting up or driving to a gig, footage Iโ€™d expect to have been largely unseen until now. Thereโ€™s also a montage of memoirs chronicling Erinโ€™s career, as the camera pans across gig posters, bus tickets, vinyl and press cuttings. Though far from documentary, the sound plays out the album, the material an aid to the songs, and a fascinating art project to accompany it.

 โ€œA second solo album wasn’t really part of the plan,โ€ Erin explains, โ€œbut with the current climate as it is, I still found myself coming up with music and songs. These tunes started following a theme, that led to a film idea, and the sounds and visuals grew together influencing each other.โ€

The point in the early nineties, when the Skanxters were the pride of Swindonโ€™s two-tone scene is captured well, and while those on the circuit, or even living locally then, will love recognising the many memoirs, anyone into the scene at the time will thoroughly enjoy this outing. Overall, though, Erin continues to break boundaries, and this album is a blessing and pleasure to listen to, alone from its narrative and meaning, as all good reggae should.


Trending……

Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

Who Broke into Joyrobberโ€™s Car?!

Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโ€™sโ€ฆ

Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

Asa is Back in Devizes

Give or take a week, it’s been two years since Devizes Corn Exchange reverberated rock n roll when Liverpool’s entertainer Asa Murphy presented his Buddy Holly tribute show. An amazing fundraising night, in dedication to local music hero Bruce Hopkins, the show had perfect renditions of Buddy’s songs wrapped in a simple narrative to set the scenes, and by the end, Age Concern need not be called as young and old, the audience danced in the aisles!

Deja-vu on many preview pieces we wrote about this time last year, including announcing Asa set to return without the Buddy specs in April with a variety performance and handpicked guest appearances.

Obviously and sadly, it couldn’t be, but I’m pleased to now re-announce the Corn Exchange is booked for this show on October 16th, and will feature the original lineup; superb sixties singer,ย Sandy Collins and Lennie Anderson, an excellent comic.
Tickets are on sale at Devizes Books, which you can call to secure your seats until the shop is bookshop is open again for business.

For more details you could check last year’s preview, by clicking here; saves me writing it all again, but don’t look directly at the old date, look around that date and concentrate your mind on October 16th 2021! Oh, and I hope to see you there!


The Ruzz Guitar Sessions; Going to the City

Driving home through Devizes last week, itโ€™s only 10pm but I contemplate, it could be three in the morning itโ€™s deathly silent. Our once lively little market town, like everywhere else, has lost a sparkle due to the pandemic; hope it can rekindle is all that is left. And now, the Facebook memories fires a bittersweet reminder at me, for even if you paint only a rose-tinted view of your life on the social media giant, a memory still pops up which is kind of sad on reflection.

Musically, blues is apt.

Thought was fairly stable that evening proved wrong. That memory was a wobbly video of the absolutely blinding night when Ruzz Guitar’s Blues Revue blew, or blue, perhaps, the roof off the Sports Club, aided by a supergroup of Innes Sibun, Jon Amor and Pete Gage. It was in a word, treasured. The sadness being, at the time it was only speculation it could be the final night of live music, and I didnโ€™t want or care to digest that notion at the time, but it was; way to go out with style, though!

Now weโ€™ve come around to the anniversary of that moment, with a prospective reopening light at the end of tunnel, primarily being only a possibility. Yet the world turns on its axis, and music has, like so many other arts, been forced to change methods of distribution. The live stream, the Zoom recording session, and, for an extremely short summer stint, an afternoon solo session in a socially distanced pub when we were disillusioned into believing the virus was on its way out, have become the norm.

As many others, Ruzz Guitar has adapted, and a Facebook group called the RG Sessions aims to launch a new style of assemblies, producing the exceptionally high-quality electric blues weโ€™ve come to expect from the Blues Revue. You can buy them a virtual pint, and you can grab this gorgeous name-your-price single, which features all the musicians as on that fateful night. And in a way, itโ€™s so good it near makes up for the depressing notion of this live music loss.

With the expert gritty vocals of keyboardist Pete Gage, โ€œIf You’re Going To The City,โ€ also features our homegrown guitarists Innes Sibun and Jon Amor, with Ruzzโ€™s proficient Blues Revue members, drummer Mike Hoddinott, bassist Richie Blake and Michael Gavaghan on sax. And with that said, I donโ€™t feel the need to review it, take it as red, theyโ€™re the ingredients for perfection.

After the previous spellbinding single with Peter, Ainโ€™t Nobodyโ€™s Business, we live in hope this faultless coupling will be retained for more of the same. But what surprises these Sessions will magically pull from their sleeves next will keep us guessing; Iโ€™d advise you follow the page for updates.


Ha! Let’s Laugh at Hunt Supporters!

Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโ€ฆ

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

St John’s Choir Christmas Concert in Devizes

Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโ€ฆ

The Lost Trades Live Stream in Advance of Album Launch

April 1st is All Fools Day, the day after youโ€™d be a fool to miss this. Much I hark on about local folk harmony trio, The Lost Trades, even before they were united as such, but only for good reason. It was always a win-win when the three singer-songwriters officially formed, Phil Cooper, Jamie R Hawkins and Tamsin Quin all excelled on the local circuit as solo artists and regularly appeared together for gigs.

Together this force to be reckoned with has formed a definite style akin to a corporate identity, and uniformed they move towards a debut album with all new, original songs. Based on their EP, which we fondly reviewed, the album launch is rightfully highly anticipated.

ย The albumโ€™s name has been revealed by the trio, “The Bird, The Book & The Barrel,” and will be released on 4th June. Though the band want to make the most of the Bandcamp Friday before that, where the platform-based music site kindly site waivers their fees, giving the artists full royalties. Therefore, The Lost Trades will be taking pre-orders on 2nd April and 7th May. There will be a live stream, something the Trades have always been on the top of their game with, on 2nd April, to celebrate.

The trio promise the full sound system, concert-style at live stream, scheduled at 7.30pm, will present everything from the album, including brand new, never before heard songs. The live stream will be broadcast from their Bandcamp page, and is ticketed at a very reasonable ยฃ2.50, with Bandcamp also waiving their fees on all live stream tickets sold until the end of March.

Best of luck, Tammy, Jamie and Phil; sounds like a virtual cake kind of occasion to me, but then, any occasion sounds like a cake one to me! Get your tickets HERE. Follow the event on Facebook.


Trending…..

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s moreโ€ฆ

Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โ€ฆ

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โ€œlarge unlicenced musicโ€ฆ

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Hoping for a Summer of Local Music Festivals

Presented a punter-based cautionary piece on the hopeful move forward for live music this year, and how chancy it all is at this stage. If the playground remains uneven, I never intended the article to be pessimistic, though it mayโ€™ve been perceived that way. I just advised applying caution may be necessary prior to a compulsory detonation of over-excitement.

The other side of the coin of this vicious circle is that, without ticket sales there will be no show. While many organisers have cancelled their regular events, some keep their fingers and toes crossed, others are trying to work through it, and are dowsing a silver lining to this cloud with a summer of festivals planned.

Letโ€™s hope and pray it pays off. Festival websites report that it is, and tickets are selling fast, which agreed, could be a sales pitch. So, you’re left to risk the call, and snap up tickets, especially for the most popular ones. I have faith most festivals will refund you if it either goes Pete Tong, or Pete Tong is booked to DJ, or else ask to retain your ticket for another year, because they organise festivals, and festivals are all about openness and sharing. Booking agents on the other hand, might be another story.

Personally, I’ve done gone got the festival t-shirt many moons ago, and the jester’s hat too, come to think about it; I can bide my time from power-napping in a spinning canvas pyramid, paying over the odds for a baggie of basil, and sliding headlong into a ditch of piss. For many though, particularly younger generations, festivals are essential, and vital, for their wonderful feeling of togetherness. For the music industry it’s crucial to maintain this notion; ignore my aged rant, there is no ditch of piss, not really, not in this clean-cut era!

Letโ€™s run through the locally based choicest ones, which sound too good to miss… but remember to check the individual planned conditions of entry, some will ask you to provide evidence of licensed vaccination or negative PCR test within the previous 48 hour period.

June


11th โ€“ 13th: Kite Festival

Kirtlington Park, Oxfordshire

Born from a Kickstarter campaign in January 2020, but cancelled for the obvious reasons, itโ€™s this festivalโ€™s maiden voyage this year. KITE aims to combine incredible music and breakthrough ideas in a unique programme of live performances and interactive discussions. โ€œWe wanted to bring together contemporary and legendary performers, thinkers, writers and public figures from the world of music, politics, business, technology and the arts and give you the opportunity to engage with the people who are influencing the way we live.โ€

Cultural icon Grace Jones, multi-Grammy-Award winning jazz singer Gregory Porter and gospel legend Mavis Staples were set to lead the music programme for the original date last year, we wait in anticipation to hear the line-up now, as Kite announce theyโ€™re working on their 2021 programme. Sign up for their newsletter for updates.


18th-20th: Bigfoot Festival

Ragely Hall, Warwickshire

Another first outing cancelled last year sees its debut this June. Just the map is enticing enough, with a boating lake and woodland and all that stuff. Local breweries and bands, who share the stages with a great line up, including Primal Scream, Fat White Family, Hot Chip Megamix, Maribou State (DJ) Baxter Dury and Dinosaur Pile-Up. Thereโ€™s also an intersting wellbeing programme with hip hop yoga, boxercise, Let’s Talk About Sex Meditation & Mindfulness, and biscuits & burpees; Iโ€™ll just have the biscuits, thank you! Find Bigfoot here.


July


2nd โ€“ 4th: Minety Music Festival

Hornbury Hill, Malmesbury

Fourth outing for this popular do. A community non-profit triple day extravaganza, run entirely by volunteers which raised funds for the Wiltshire Air Ambulance, and local schools and charities last year. Guaranteed excellent music, a great, wide range of food and a well-stocked house Bar, Gin & Prosecco Bar and Cocktail Tiki Bar! There will also be a range of FREE activities in the Kidzone, including rock climbing wall, rock climbing digi-wall, an inflatable slide and assault course, bouncy castles, circus skills workshops and kids craft workshops, plus many more activities.

Line-up includes, Dr & The Medics, Space, Jesus Jones, Dreadzone, Crikey Minogue & Six Packs, a Ministry of Samba workshop, and a great local roster of Devizine favourites The Tribe, Talk In Code, The Dirty Smooth, A’La-Ska, Navajo Dogs, Sloe Train and Plucking Different. This is going to be a brilliant one, make sure thereโ€™s room in your backpack to sneak me in! Info Here.

Should get you in the mood…..

8th-10th: 2000trees Festival

Withington, Cheltenham

A largely rock and indie festival, 2000trees has a good reputation and won awards. This year sees Jimmy Eat World headline, with Thrice, Creeper, The Amazons, Dinosaur Pile-Up, The Menzingers, The Get Up Kids and many more to make me feel old!  Tickets & info Here.

9th-11th: โ€“ Cornbury Festival

Great Tew, Oxfordshire

Still in the planning stages, this ever-growing festival in the most beautiful Oxfordshire Cotswold location think itโ€™s enough just to announce on headline act, yeah, but it is Bryan Adams; show offs! Should be good though. Info here.


22nd-25th Womad (?)

Charlton Park, Malmesbury

Still hopeful, Womad are holding off announcing acts, but you know, I know, we all know itโ€™ll be the crรจme de la crรจme of world music on our doorstep, if all goes well, theyโ€™ve secured the date and tickets are here.


31st Mfor 2021

Lydiard Park, Swindon

A family orientated, affordable, one day pop-tastic festival I’ve only heard good things about, could be just the thing to introduce kids to festivals. And with Craig David, Rudimental, Ella Henderson, Phats & Small, Mark Hill (Original Artful Dodger), Lindy Layton on the line-up, itโ€™s easy to see how this party is going to go down. I believe local acts will also be on agenda, certain our friends Talk in Code feature. Thereโ€™s even an over 18 Friday night special additional event, with Five, S Club, Liberty X, Baby and Rozalla; everybody is freeeee, to feeeel gooood, apparently. Info & Tickets.


August


5th-8th: Wickham Festival

Fareham, Hampshire

New one on me this, but The Wickham Festival is an annual four-dayer of music and arts. Boasting three stages, and rated as one of the safest, most relaxed and family-friendly festivals in the UK, Wickham was voted ‘Best UK Festival, cap. under 15000’ at the Live UK Music Business Awards in October 2015; so, they know their stuff; I mean, theyโ€™ve got Van the man, and The Waterboys. Note also, Devizine favs, Beans on Toast, Gaz Brookfield, Tankus the Henge along with Nick Parker on the agenda; sweet! Tickets & Info Here.


6th: Love Summer Festival Devon: SOLD OUT.


7th- 8th: The Bath Festival Finale Weekend

And what a finale it is, Saturday; McFly, Scouting For Girls, Orla Gartland, Lauren Hibberd, George Pelham, Josh Gray, Novacub, Dessie Magee and Luna Lake. Sunday; UB40 featuring Ali Campbell & Astro, Billy Ocean, Fun Lovin’ Criminals, Seth Lakeman, Bloco B, Hannah Grace, Casey Lowry, Port Erin Life, and Life In Mono, with more to be announced… Tickets HERE.


21st: Mantonfest

Manton, Marlborough

Any closer than this and itโ€™ll be in your back garden! But thatโ€™s not the sole reason to grab a ticket for MantonFest! Just thirty notes for adults, a tenner for teenagers, and a fiver for kids, but thatโ€™s not the only other reason. Reports on this family, broad ranging charity fundraising annual do has never been negative, and weโ€™re glad to hear itโ€™s back for 2021. Number one Blondie tribute Dirty Harry headline, along with Dr. Feelgood, Ex-Men (five members of original 60’s bands), Barrelhouse, Jo Martin with his band, Devizine favs Richard Davies and The Dissidents, Josie and the Outlaw and homegrown Skeddadle. We previewed it last year before shit hit the fan; tickets bought in 2020 are valid for 2021. Mantonfest say, โ€œwe may have to introduce some anti-covid restrictions. These will be announced nearer the time and will be in line with the latest developments and best practice;โ€ letโ€™s hope this goes off this time. Tickets & Info here.


21st: Live at Lydiard

Lydiard Park, Swindon

Anneโ€Marie, Sean Kingston, Roman Kemp [DJ set] Artful Dodger, Chaney, Fabian Darcy on the line-up over four stages for this day festival at Lydiard, with a dance tent, boutique cocktail bar and food court. Info & Tickets here.


21st: Bath Reggae Festival

Now pushed back to August bank holiday, this is the maiden voyage for the Bath Reggae Festival, and we bless them with the best of luck. With a line-up this supreme though, Iโ€™d imagine itโ€™ll sell itself. Legends Maxi Priest, Aswad, Big Mountain, Dawn Penn, and The Slits solo extraordinaire Hollie Cook, Laid Back and lovers rocker Wayne Wonder, this is a must for reggae fans. Tickets & info here.


September


4th-5th: Concert at the Kings

All Cannings, Devizes

For locals little more can be said about how awesome this ground-breaking festival raising staggering funds for cancer research is. Since 2012 it has bought international headline acts to the sleepy village outside Devizes; legendary fables and the fondest memories have been had there. No difference this time around, save for some social distancing. Billy Ocean, 10CC, Steve Harley & Cockney Rebel, Sweet, Strawbs, Lindisfarne and Devizine favs Talk in Code, with more to be announced; twist your arm anymore, sir? No; no need to! Tickets & Info here.


9th-12th: Swindon Shuffle

Venues across Swindon

A later date for this annual extravaganza of local live music, spread across Swindonโ€™s premiere venues and hugely supportive of original homegrown talent, this is weekend to head for the railway town. Since 2007 the Shuffle raises funds for MIND, and is largely free to attend. Ah, thereโ€™s plenty time to arrange a line-up, which is underway, but you can guarantee a truckload of our local favourites will be there, somewhere! Info.


10th-12th: Vintage Nostalgia Festival

Stockton Park, Near Warminster

The mature place to glamp this summer if you want to get retro; classic cars is the concentrate, but thereโ€™s no shortage of great bands from rockabilly, doo-wop, blues to mod skiffle, boogie woogie jazz and beyond. Sarah Mai Rhythm & Blues Band, “Great Scott,” Shana Mai and the Mayhems, The Bandits, Junco Shakers,The Flaming Feathers, The Harlem Rhythm Cats, Little Dave & The Sunshine Sessions, The Rough Cut Rebels, Riley K, The Ukey D’ukes and loads more. Info & Tickets Here.


You know, this one could be for me, rather than trying to look youthful clutching onto a marquee pole for dear life while a hoard of sugared-up teeny-boppers check Instagram amidst a soundtrack of dubstep! But look, I reckon thereโ€™s something for everyone here, but if I did miss yours, let me know, for a squashy cup of cider at the festie bar, I must just add your do here too!


โ€‹

Trending….

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโ€ฆ

Wharf Theatre Has Some Positive News

The struggle is real; the theatre world in general is facing many issues and they lit their exteriors and foyers up in a red alert tone. Devizes beloved The Wharf Theatre joined forces again with fellow venues and took part in the Light It in Red campaign. They say, โ€œthe message this year is one of hope and support and we are using the universal symbol of the heart with the message; Weโ€™re still beating.โ€

Anyone passing The Wharf next week will note a series of posters created specially to celebrate this campaign, but they also have some exciting news. Subject to government guidelines eight shows are in pre-production and the scheduled dates are:

JULY: Collected Grimm Tales

SEPTEMBER: Jesus Christ Superstar

OCTOBER: The Navy Lark; The Tommy Cooper Story; Glorious (subject to rights)

NOVEMBER: The Paul Simon Story

DECEMBER: Dick Whittington

JANUARY: My Mother Said I Never Should

Tickets can be purchased by ringing 03336 663 366; from the website or, when open, at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm. Whilst restrictions remain in place please continue to refer to their website for the latest details or and donโ€™t follow on Instagram and Twitter.

In the meantime, thereโ€™s still a few places left for the on-line masterclass with West End star Luke Bayer on Thursday 25th March 7pm โ€“ 8pm. ย Would you like to be able to spend an hour with the Star of Jamie the Musical, learn a routine from the show and take part in a Q&A afterwards?ย  Tickets can be purchased from TicketSource โ€“ see website for further details.


The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ

The Return of Local Live Music; should I add a question mark?

โ€œBut I’m bidin’ my time

‘Cause that’s the kinda guy I’m

While other folks grow dizzy

I keep busy

Bidin’ my time,โ€

George Gershwin

Itโ€™s important, I think, not to get over-excited, but I understand and expect a major outbreak of momentary bipolar disorder from myself and many others when we look somewhere over the rainbow at the prospect of events restarting, and live music in particular.

How the next few months pan out will be crucial to this concept of returning to normality, and we all play the part of Sarah Connor in Terminator 2; Judgement Day, when she said, โ€œthe unknown future rolls toward us. I face it, for the first time, with a sense of hope.โ€ Hereafter the bit about a Terminator learning the value of human life is inconsequential to our particular occasion, but maybe has some relevance. We have to hold it down, guys, we have to be like little Fonzies here, and as Samuel L Jackson will ask you, Yolanda, whatโ€™s Fonzie like?

If we charge this thing it could backfire. It was heart-breaking and annoying too, running through our event calendar deleting everything, and despite the concern Iโ€™m going to be a busy bee updating it when events actually start happening, Iโ€™m like George Gershwin, biding his time. This said, you should note month-to-month the event calendar is far from void, thereโ€™s lots of live streams, online events and popup kitchens to check out; do not abandon it. But, and this a big but, bigger than the butt of Rod Stewart and Jennifer Lopezโ€™s lovechild, we should keep in mind the word of the day is possibilities, and nothing should be set in concrete yet.

Still the local rag seems more gung-ho than me, which is odd until you figure theyโ€™ve staff to pay, advertisers to appease and content must be attractive. As I write this, they announce the headline โ€œFulltone Festival will be back in town this summer!โ€ as Iโ€™m sure youโ€™ll all be happy to hear this news, planning to go ahead on the 28th and 29th August, as am I, but I worry for the word โ€œwillโ€ in this piece of clickbait, because right now can we really say will?

Look, my olโ€™ mucker, I donโ€™t want to pop your bubble of optimism, Iโ€™m just playing the realist. Tomorrow sees schools and higher education heading back out; how strict testing will be, given pupils will test themselves in some circumstances, the same pupils who created the user-name โ€œreconnecting,โ€ so teachers would think theyโ€™re having connection issues with their online class! The R-rating hinges on this moment and its success, ergo the rest of this so-called roadmap does.

The second part of this giant step, on the 29th March includes the use of outdoor swimming pools, for example, but pubs wonโ€™t reopen until step 2 on April 12th. How are fifty-plus bods dribbling into a swimming pool safer than a socially distanced pint in your local? Thereโ€™s inconsistences and flaws, to be expected, the further the pitch extends, but the wording is all made up of โ€œwe hope,โ€ and โ€œthe government will look to continue easing limits,โ€ there is no โ€œWill,โ€ therefore no media outlet should be using the word, unless mass hysteria is what they want.

The COVID-19 Response – Spring 2021 (Summary) on Gov.UK is quite clear, โ€œin implementing this plan we will be guided by data, not dates, so that we do not risk a surge in infections that would put unsustainable pressure on the NHS. For that reason, all the dates in the roadmap are indicative and subject to change.โ€ Yet bands are getting bookings, events are being arranged, money is being pumped into thin ice. The Victoria in Swindon is planning a comeback with Ion Maiden, Iron Maiden tribute on 14th May, but The Tuppenny arenโ€™t announcing yet. Bradford-on-Avonโ€™s Three Horseshoes havenโ€™t added anything on Facebook until 7th August, when the brilliant Strange Folk are booked, whereas same band are the only thing to be listed at Devizes Southgate on 9th October.

But can you rely on the Fakebook as a source? Southgate landlady Deborah has been “quietly booking up bands,” with seventeen in the pipeline to date, starting from 22nd May. “This year,” she explained, “weโ€™re concentrating almost entirely on just one gig per week. The earliest gigs will be outside with early evening start and finish times, but we hope to get back to our pre-COVID timings as soon as possible.”

The Long Street Blues Club state โ€œthere is light at the end of the tunnel,โ€ aiming to restart their program on Saturday 18th September with the popular Billy Walton Band. This is brilliant news, but here, I believe is where the boundary lies, the smaller pub and club gigs. The idea of large-scale concerts and festivals, and upholding conditions are simply incalculable, for some.

Devizes Scooter Club have sadly cancelled their brilliant rally, as organiser Adam Ford said after making the decision in February, โ€œeven if it were allowed to proceed, we feel it will not be possible to host any event to the standard we would want to, and that attendees deserve.โ€ There’s a similar feeling at Devizes CAMRA who have cancelled the Beer Festival. This is, sad but true, the exact logical response we should respect from those in the responsibility of organising events, well done to them both.

One should follow the lead of the Eavis family, experts in, quite literally, their field. If Glasto says no, then you, as an organiser should perhaps take heed. Meanwhile, Lydiard Park in Swindon is set for MFor 2021 is set as early as 31st July, and tickets are 50% sold. They remain adamant theyโ€™ve not the massive structure and organisation as Glasto, and will proceed with social distancing measures in operation. What I am questioning with these events still on the agenda, will we need proof of vaccination, as weโ€™re a long way from vaccinating the country? Unless you imagine an evening with only over-70s going to watch Craig David, itโ€™s a melon twister.

Talking with Kieran J Moore of Sheer Music, he stated, โ€œthe proof question hasn’t been answered by the Music Venue Trust yet, so there is no guidance or anything for the venues to base their decisions on. We can’t do gigs until May either, so still plenty of time for the working outs to begin.โ€ Sheer has something in pipeline in Frome at the end of June, but isnโ€™t really resurfacing until the highly anticipated Jon Gomm gig with support from The Lost Trades at Trowbridgeโ€™s Emmanuelโ€™s Yard on the 15th October.

Satisfied that their safety measures conformed to the government regulations last Summer, the Southgate will do the same this time around. “Government guidelines have not yet been published,” Deborah said. “Unless we are required to do so, we have no intention whatsoever of  demanding proof of vaccination.”

Loz of Devizes Outdoor Celebratory Arts, who give us the unforgettable carnival, street festival and winter ales events, among others is looking forward to coming back โ€œto help us make amazing things happen in the future.โ€ She said, โ€œI’ve spent every spare minute searching for and writing funding applications to ensure DOCA can relaunch at the end of this crazy blip in our history. I’m currently working on an Arts Council Cultural Recovery Bid; it’s a lot of work and I am supported by our fantastic Trustees whenever I have a question I stall on.โ€

But still, carnival in Devizes hangs in the ropes. But this is how it has to be, unfortunately. Believe me, I am adamant my next gig will not be when a kindly lady wheels her Bontempi organ into my care home to recite Bridge over Troubled Water, all Iโ€™m urging people to do is keep things in perspective and not raise their hopes, or more-so, let their guard down, just yet.


Trending…

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

DOCAโ€™s Young Urban Digitals

In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโ€ฆ

A Chat with Wiltshire PCC Candidate Liz Webster

โ€œPerhaps it will take electing a determined and feisty female Lib-Dem to turn that around in standing up for our Police and communities.โ€ Wiltshire PCC Candidate Liz Webster opened up about her life, priorities for the role, and her reasons for standingโ€ฆ.

If our jolly chinwag with Wiltshire Police Crime Commissioner candidate, Johnathon Seed, last month went supernova, hijacked with best intentions by those offended with field sports (oops, did I say field sports, when I meant the inglorious barbaric biota slaughter dressed as a requisite pageant?) and we found solace with the hospitable dude, Mike Rees, who independently campaigns for the same position, itโ€™s all kind of, I dunno, left me in limbo.

My apologies if you came here looking for impartiality, you should know by now, I donโ€™t dither on traditionalisms. Still, Iโ€™m between a rock and hard place, questioning the necessity for politics within this PCC job thingy, as while Rees favours his wealth of on-the-job experience, Seed is adamant politics is essential.

I went searching for a third opinion, and found it with the Liberal Democratโ€™s PCC candidate, Liz Webster. But I discovered more than I bargained for. Away from campaigning, Liz runs a farm with her husband and stressed her passion for the future of farming. โ€œIt’s calving season,โ€ she explained, โ€œand I’m deeply worried about trade deals that will be a disaster for our environment, animal welfare, food standards and for shoppers and farmers alike.โ€ Liz and her husband set up campaign website, Save British Farming, protesting the Governmentโ€™s current Agriculture and Trade Bills.

I didnโ€™t want to dwell on my aforementioned ruckus, wanted the focus today to be what she would bring to the table, but I felt it imperative to ask Liz for her views on fox hunting, if she encourages the law to be upheld on these matters, oh and the boy’s ruckus too!

โ€œIโ€™m too busy responding to residentsโ€™ concerns about speeding, anti-social behaviour, domestic violence, pet theft, police station closures, drug dealers and cyber-crime to pay attention to personal spats between other candidates,โ€ she stated.

โ€œHowever, I have had very many anxious residents ask me asking about fox hunting, so here is where I stand. As an animal lover and keen horse rider when young, I have never had any involvement in huntingโ€Ž. My husband and I farm at the northern tip of Wiltshireโ€Ž and we work with Matt Prior on his Marlborough Downs: Space for Nature project to conserve and protect wildlife on our farm.โ€

โ€œAnimal welfare matters to me. which is why I’ve been campaigning for Wiltshire Police to treat the crime of pet theft much more seriously, and I’m having some success. I want the law strengthened in this area. Protecting our pets, farmed animals and wildlife is important.โ€

โ€œIf the voters of Wiltshire and Swindon vote me in as our next Police and Crime Commissionerโ€Ž, I will urge that all laws to protect our animals, including our wildlife, are respected and that we investigate and prosecute those that break the law.โ€

Below is an extract of a recently published article which Liz penned. The section sets out her views on the issue, and farmed animal welfare, โ€œwhich aligns with the vast majority of our citizens,โ€ Liz expressed, โ€œand against those of our current Prime Minister, and apparently my Conservative opponent.โ€

Take the latest discovery of his (Boris Johnson) opinions on foxhunting laws from an article he wrote for the Spectator in 2005. In it, he said: โ€œIt is like skiing, in that you are personally tracing, at speed, the contour of the landscape, and then there is the added interest of the weird semi-sexual relation with the horse, in which you have the illusion of understanding and control. There is the military-style pleasure of wheeling and charging as one, the emulative fun of a pseudo-campaign.โ€ [our emphasis]

Boris Johnson, 2005

He argued that the foxhunting ban was โ€œa Marxian attackโ€ by the Labour government on the upper classes and nothing to do with animal cruelty, and he urged foxhunters to break the law and keep killing animals.

Bizarre that he should totally disregard the will of the people that is still overwhelmingly against hunting, irrespective of the relationship with the horse, semi-sexual or otherwise.

Itโ€™s one rule for them and another for us: let them eat chlorinated chicken and hormone infused meat! Boris Johnson also completely ignores the will of the people on food and animal welfare standards.

Recent polls have shown that between 80 and 90% of the public are aligned against lowering our standards to help deliver a quick and grubby USA trade deal.

Righteousness aside, Iโ€™m forever baffled by his weird semi-sexual relation with the horse, but Iโ€™m too nauseated to ponder deeper, and thereโ€™s not much which dribbles from his Gugelhupf-hole that makes sense to me. But we must push on, the importance of politics in the duties of police crime commissioner is my kingpin, and I asked Liz, โ€œwhy?โ€

โ€œOur Police and Crime Commissioner (PCC) takes decisions that impact on all of us,โ€ Liz replied. โ€œThey set the strategic priorities for our Police Force. Those decisions will reflect their values, those values are why people join together in political parties. The political alignment of the candidates should provide voters with assurances and clues about how those decisions will made.โ€

โ€œMy values are liberal; that means being open, tolerant, caring and respectful of others, being inclusive, strong on the importance of communities and our environment but also willing to listen and to compromise to make real progress. For example, I believe that putting real effort and resources into community cohesion will prevent crime and limit damage.  That’s why I’m โ€Ža Liberal Democrat.โ€

โ€œNow that we, the people get to choose our PCC it is important that we know their values, where they stand on the key issues and what their priorities are. Mine are set out in my Plan for Wiltshire. I have experienced very directly the reality of inadequate action, funding and systemic failure. That woke me up to the reality that I should not stand quietly and watch but get involvedโ€Ž to prevent it happening to others.โ€

If you supposed Liz Webster just woke up one day and thought, I know, I fancy being police crime commissioner, think again. The revelation came to her a decade ago, when her eldest son, Henry, was the victim of a hate crime in one of Wiltshireโ€™s schools. โ€œHe was attacked by a gang with hammer. Like all parents, I trusted The Ridgeway School and the Local Council who are the Education Authority to be responsible for my childrenโ€™s safety while they were at school.โ€

โ€œWhen they failed to protect Henry,โ€ Liz expressed, โ€œthat fundamental belief ensured I campaigned hard for three and half years for real change and eventually succeeded in getting an independent inquiry (Serious Case Review) published. That set out the lessons that had to be learnt to stop horrific attacks on children from happening again. I have written an article which touches on some of these lessons.โ€

โ€œThe Conservatives say they dislike โ€˜big government.โ€™ Their grip on power over the last decade has seen our public services cut to the bone. Wiltshire Police โ€“ already at the bottom of the funding league table โ€“ has suffered deeply damaging cuts at the hand of Conservatives. This has ensured that our communities are less safe and left our police force feeling undervalued.โ€

โ€œSeven Conservative MPs, two Conservative Councils and a Conservative Police and Crime Commissioner (and all mostly male)โ€Ž have allowed this to happen. Perhaps it will take electing a determined and feisty female LibDems to turn that around in standing up for our Police and communities.โ€

Liz has said, โ€œWiltshire is one of the lowest funded police forces in the country because of an outdated formula which favours densely populated urban counties,โ€ a notion also high on Johnathon Seedโ€™s agenda. Yet while Liz recently wrote to the Home Secretary, she hasnโ€™t responded. Meanwhile, hey-ho, pictures are circulating of Mr Seed blushing over Priti Patel as if she was Marilyn Monroe, (with a decided lack of facemask and social distancing measures I might add, though perhaps being beside the point!)

Isnโ€™t this proof of a self-righteous, monopolising attitude with conservatives, where taking total control of not only government but our councils and policing too is paramount; thereโ€™s no room for any alternative? You donโ€™t got to answer that; I put it Liz!

โ€œThe Conservatives are all about being in power,โ€ she replied, (you think?!) โ€œBoth they and the Labour Party centralise power. Liberals believe in decentralising power. That’s why I’m passionate about setting up and properly supporting Community Safety Forums and making sure our senior Police Officers attend and listen to residentsโ€™ real concerns.โ€

โ€œThey make campaign promises are not anchored in reality, like my Conservative opponent’s pledge to recruit an extra one hundred police officers with no explanation of the vast increase in the precept that it will take to get anywhere near this or the vast practical problems of getting it done.โ€

โ€œI want our Government to fairly fund Wiltshire Police and to be smart about how we use technology and increased community engagement to tackle and prevent crime and get local parish, town and Wiltshire and Swindon Borough Councils working with charities, school, businesses and volunteers alongside our Police.โ€

โ€œThe Conservative candidate is attacking the policies of the Conservative incumbent PCC, the Conservative Council, of which he is a member, and the Conservative Government that he surely voted for. He is gaslighting his past very active campaigning to get rid of the hunting ban, ignoring the fact that he has spent four years sitting on the Police and Crime Panel where all these issues and policies on the Police estate were discussed, just to try to get himself elected.โ€

โ€œBoth the Labour and Conservative PCC candidates have been sitting councillors on the Police and Crime Panel and yet neither have installed cost effective technology to deal with speeding in their wards and neither said a word about the police station closures until now.โ€

โ€œAs PCC I will be straight forward with people, โ€Žmake communications and community engagement my priority. Look at smart ways and good ideas being used by other police forces. Look to get our Police, local councils, schools, businesses and community organisation working together rather than against each other.โ€

Iโ€™ll tip my cap, shine your shoes for a shilling, guvnor and suppose itโ€™s the working class in me which, throughout my warming to Liz and her policies, maintain clarity in Mike Reesโ€™s argument; a PCC with on-hand experience is greater than a political standpoint.

Her angle and priority on rural theft of pets, trees and hedges, no matter how big the budget, and how many new officers are employed, in a rural setting cannot be everywhere all the time. Ergo, a bigger budget allowing more officers and resources will solve crimes and capture criminals more efficiently, but itโ€™s not as proactive in preventing crimes as on-hand experience. Learned that from Telly Savalas, they call it โ€œthe hunch!โ€

But Liz thinks, โ€œunfortunately, I think Mike Rees is standing for the wrong job. I think we wants to be Chief Constable not our Police and Crime Commissioner. Judging by his comments, so does my Conservative opponent.  A Police and Crime Commissioner is not a military or police operational role. No one standing in this election should be trying to replace our Chief Constable.โ€

Yeah, but Mike looks more like Telly Savalas than Liz does!

โ€œThe role of the PCC is to involve our communities, enhance their support for and engagement with our Police to make our lives safer. They are also required to listen to the public and give candid feedback and direction when community needs are not being met or when real issues like pet theft are being ignored or downgraded.โ€

โ€œThe PCC is there to set the strategy for safer communities and to influence how policing is delivered to prevent crime and protect people and ensure that victims voices are heard. They are a bridge between the people and the police.โ€

โ€œA successful PCC should strive to deliver less crime, less victims, safer communities and a happier police force. You do that by making good collegiate decisions and by working effectively with others that can help deliver those goals.โ€

โ€œMy family were victims in one of Wiltshireโ€™s more high-profile cases back in 2007 when Wiltshire Police was run by the Police Authority and not by the PCC. We found that as the victims of this horrific crime we were marginalised. The whole emphasis was on the prosecution of the case and the protection of the offenders.โ€

โ€œMy son and several of the offenders were minors. But my son did not get same protection as his attackers. To this day some of them enjoy the luxury of anonymity as their identities were protected from the media. My sonโ€™s pictures and our address were printed in newspapers within hours of the attack. We had no help to deal with the media onslaught at the same time as we dealt with a serious medical emergency.โ€

โ€œIf I am elected, one of my key jobs I will ensure that Wiltshire Police are reminded to that the victims of crime need real help and support.โ€

Itโ€™s inspiring motivation from a moving and terrible incident, summed up by her campaignโ€™s strapline:  Offering a more victim-led and preventative approach to the role of Wiltshire Police and Crime Commissioner. But how do we prevent rural crime such as the aforementioned animal theft, and even speeding through sleepy villages, when theyโ€™re so hard to police due to the openness of the countryside?

โ€œFarming in a very rural corner of Wiltshire,โ€ Liz started, โ€œI am thoroughly awake to the difficulties we face dealing with rural crime. Thatโ€™s why I have put forward practical policies that will help tackle such crimes. For example, I want to immediately abolish the position of deputy PCC. After discussions with our Chief Constable, I want that money used for a Traveller liaison officer to ensure cohesion throughout our rural communities.โ€

โ€œI want to create a county wide DNA database for livestock to tackle sheep and cattle rustling, a growing area of violent, organised crime. This approach would combine that with reaching out to ensure all Farm vehicles and items are logged and safely returned.โ€

โ€œI am committed to using smart and cost-effective camera technology to tackle speeding in our villages and rural areas. This will empower our excellent Community Speed Watch teams.  It will identify those driving without paying their road tax and deter and detect offenders of rural crime.โ€

Liz recently posted thoughts on an article about what controls the state should be allowed to hold on to once things start to get back normal, as Covid infections and fatalities reduce. She wrote, โ€œthe balance between safety and freedom is an eternal tug of war, but itโ€™s paramount that the suspensions of freedoms agreed in a health emergency donโ€™t become permanent.โ€ But with governmentโ€™s talk of free speech reform, and scrapping the bill of human rights, on top of predicted poverty increases due to economic downturn, tensions are bound to mount. How would police in Wilts under Lizโ€™s control react to possible protests, racist and hate crime, and acts of violence bought about by this tension?

โ€œMy values are centred in the Human Right Actโ€ Liz affirmed, โ€œit is effectively the incorporation of the document, drafted in large part by the UK, post the atrocities of the Second World War โ€“ the European Convention on Human Rights โ€“ of which the UK is a founding member. To withdraw from a commitment that guaranteed certain rights for all, regardless of your political affiliation is anti-British.โ€

โ€œIt is of great concern that the economic and financial impacts of Covid19 could see tensions run high. That is why we need a PCC who will make communicating with the public a priority and really values community engagement, as I do. A PCC who will, through social interventions and crime prevention policies seek to settle tensions rather than preside over their explosion.โ€

โ€œAs a mother I experienced directly what happens if things are ignored and tensions are allowed to build to flashpoint; it ends in violence and threat to life, to the life of my son, Henry. Having lived through that nightmare, I would never sit by and allow that to happen to other families. I am someone who wants to enjoy living in a county which is free and safe.โ€

โ€œThe rights to free speech and peaceful protest are fundamental. They have been respected in our country down the years. The tolerant attitude they represent alongside the rule of law is part of why Britain has been respected around the world. But should protest or hate speech break the law, lead to damage and violence then, of course, the lawbreakers must be held to account and brought to justice, whoever they are.โ€

Very liberal response! But thatโ€™s where its advantageous to have a Lib Dem PCC, rather than another Conservative whoโ€™ll surely simply toe the line. โ€œYes, I can confirm that I am a Liberal Democrat,โ€ Liz said. โ€œWithin our broad set of Liberal principles, I am free to think for and be myself. To use my strengths to communicate openly and honestly without being told what to do or say. The Conservative Party has become increasingly extreme and intolerant, forcing out good people because they disagreed with Brexit and had the courage to say so. No wonder Nigel Farage was happy to instruct his candidates to stand down at the General Election and so many UKIP members joined the Conservative Party. Another Conservative PCC will see more of the same. Wiltshire will stay at the bottom of the funding pile.โ€

I donโ€™t know about you, but all I see these days, perhaps due to lockdown, is internet and phone scams. Itโ€™s an international issue rather than county, but does Liz think police could do better in this area? โ€œMore international action is needed to control the internet and telephone scams,โ€ she explained, โ€œbut yes with such a widespread issue the only answer is to educate and support people as best we can. This is why the PCC needs to have the ability and motivation to work closely with other those who support vulnerable people in our communities. Our businesses, particularly the smaller ones and those run by self-employed people are also an increasing target of these cyber criminals.   I have a meeting with a womenโ€™s business group next week to discuss the increasing levels of crime they are experiencing. I will report back on this issue.โ€

Domestic abuse rising is another topical post hot on Lizโ€™s social media campaign, stressing the importance of calling a helpline. โ€œPerhaps as the only female candidate this issue of domestic abuse is high on my agenda,โ€ she expressed. โ€œIt highlights the need for far more education and empowerment of women. That is the real way of breaking this dire crime that means people cannot feel safe in their own homes.โ€

โ€œI also welcome and back enthusiastically the Ask Ana initiative. This has seen training staff in pharmacies to enable victims of domestic abuse to simply “ask for Anaโ€Ž”. That code will see them taken into the pharmacy private space and be linked to trained police and support staff. This is a great example of what I mean by harnessing all of our communitiesโ€™ various resources to combat crime and keep people safe.โ€

โ€œI am also fully committed to ensuring the essential services offered by Domestic Abuse charities are properly funded and resourced. I have met with the leaders of our domestic abuse refuge in Swindon. If I am elected, I will go above what has already been done to ensure this vital service is protected.โ€

Iโ€™m grateful to Liz, and immediately warmed to her and her campaign, she has good sense of direction, motivation for engaging positively and justly in the role, and given her save British Farming campaign, will no doubt have a close and honoured connection with Wiltshire folk.

Iโ€™m supposing now there may be a need for political perspective within the role of PCC, however much Iโ€™ve taken to Mikeโ€™s approach. If so, I believe we must not take this disheartening conception that there is no alternative, as red. Youโ€™re welcomed to name-call, assume my political stance, but Iโ€™m growing evermore sceptical of the nodding dog which is Keir Starmer, but I wonโ€™t bow to this Tory appropriation; there is an alternative, and perhaps, just perhaps Police Crime Commissioner is a great place to start the trial.

I thank Liz for taking time out of her busy schedule on the campaign trail, which you can find out more about here, and wish her all the very best. Still, none of them will beat Kojak in my honest opinion; cootchie-coo, he loves ya, baby!


Trending….

Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

Vince Bell in the 21st Century!

Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ€™ most modest acoustic virtuoso arrives at the 21st just shortโ€ฆ

Deadlight Dance New Single: Gloss

You go cover yourself in hormone messing phthalates, toxic formaldehyde, or even I Can’t Believe It’s Not Body Butter, if you wish, but it’s allโ€ฆ

Things to Do During Halloween Half Term

The spookiest of half terms is nearly upon us again; kids excited, parents not quite so much! But hey, as well as Halloween, here’s whatโ€ฆ

CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

Song of the Day 28: Kevin Brown

Launched today, ‘Square Peg in a Round Hole.’ How’s that for efficiency? I know, I’m not usually this quick off the mark, must be something in the water!

But yeah, but no, though; you’ve got to hear this beauty of blues-folk from Kevin Brown, it’ll take you away with it, and we all need to get away; who’s been living in their Jimmy-jams for months?!

A song inspired by, Kevin explains, “people living on the edges of society, in and around Bath in the mid 80โ€™s… people who don’t quite fit in.”

We’ve chosen some stunning photographs by Steven A Chandler for the montage – they really capture the mood of the track.” And emotive it is. I’ll use the term emotive rather than ‘moody,’ if you don’t mind, Kevin, as it has a subtle uplifting hint, and it’s simply gorgeous.

Subscribe to the man’s YouTube channel, here. I’ve stressed this before, and reinforcing it by subscribing to as many as I find. It’s crucial for all musical artists that you do, gives them possible revenue, if they get to a certain amount of subscribers, but they do a LOT of them to get there. Whereas, a “YouTuber” podcasting a hoard of bling and clothes, or playing Minecraft while chatting nonsense, can elevate to stardom in a matter of milliseconds. Such is the way of modern life.

Anyhoo, that’s my song for the day, very good, carry on…


Swindon Sound System Mid Life Krisis Live Streams

If youโ€™re missing a tubthumping club night, you could clear your laminate flooring of breakables, blag your kidโ€™s colour-changing lightbulb, overcharge yourself for a Bacardi Breezer from your own fridge, and belch up kebab behind your sofa.

All these things are optional to simulate the full lockdown nightclub in your own home. But, even creating a cardboard cut-out queue for the downstairs bog, or hiring a doggie tuxedo so your pet can double-up as the bouncer, extreme measures in extreme times will doubtfully replicate the genuine clubbing experience; sad but true.

However, if props donโ€™t make the neon grade, the music can. Swindon-based tri-county sound system, Mid Life Krisis, abbreviated to MiLK, announce an online schedule for live DJ feeds and multi-genre events. โ€œWe will be putting on events post Covid for the people of Swindon and beyond,โ€ they say.

Thereโ€™s an interesting line-up ahead, prompted to me by Pewsey acoustic performer Cutsmith, who is on this Sunday (28th Feb.) Yet most are hard floor, afro/tribal house, trance, techno and drum n bass DJ sessions, freely shared onto a Facebook group, here. Join the group, throw your hands in the air, scream oh yeah, just donโ€™t set your own roof on fire, itโ€™s only going to increase your insurance direct debits, mo-fo.

Your exhaust cannot drop off en-route, girlfriend needs not to spend umpteen hours sorting her hair, and thereโ€™s no over-vocal knob jockey giving you all that in the carpark to distract you. No excuse for unattendance; no dress-code either, get funky in your jimmy-jams, if you like, you know I will. Shit, Iโ€™m like the Arthur Dent of Mixmag!

Now, Iโ€™m also gonna start adding these posters to our event calendar, which despite being about as tech-savvy as Captain Caveman, Iโ€™ve taken the time when nought is really happening to redesign it, to be more user-friendly.

All needs doing is directing buggers to the thing, as weโ€™re listing global online and streamed events, and until a time when Bojo the Clown finally stops mugging us off and announces a release date, itโ€™s not worth adding real live events for me to have to go delete them again.

That said, I find difficulties in keeping up to scratch with whatโ€™s on in the online sense, partly because Iโ€™m fucking lazy, but mostly because they pop up sporadically and unexpectedly.

Else theyโ€™re mainstream acts begging via a price-tagged ticket. I can appreciate this, itโ€™s a rock and hard place, and we all need to get some pocket money, but from a punterโ€™s POV, charging to watch their own laptop screen in hope they get a good speed for their feed, can be asking a bit much and one now favours a PayPal tip jar system.

Such is the nature of the beast, where a performer or DJ could be slumped in front of Netflix one minute and suddenly decide they fancy going live. Thankful then, we should be, to these Facebook groups hosting streams, in order to create some kind of structure.

The positive, for what itโ€™s worth, is boundaries have been ripped down. Without travel issues, online, your performance has the potential to reach a global audience, and hopefully attract newbies to your released material. Who knows, pre-lockdown you played to a handful of buddies at your local watering hole, but afterwards tribes from Timbuctoo might rock up at your show. Okay, Iโ€™ll give you, they might not, but potentially, the world is your oyster. Just a shame its shell is clamped shut.


Trending….

Six Reasons to Rock in Market Lavington

Alright yeah, itโ€™s a play on band names and thereโ€™s only really two reasons to rock on Friday 17th October at Market Lavington Community Hall;โ€ฆ

Happy 50th Anniversary Devizes Lions!

Join me in thanking and congratulating The Devizes Lions in celebrating fifty years of serving the community.

Two members of DEVIZES LIONS Club have together amassed over 100 years of voluntary service to the local community. This milestone has been reached during the year in which the Club marks the 50th anniversary of its founding.

Soon after the Club formed in 1970 David Bousfield joined, and John Hurley did so a few months later. Over the years they have helped to organise many Lionsโ€™ events, including assisting individuals and groups in need of practical or financial help as well as organising large scale events such as Gymkhanas and the May and Christmas Fayres

David was President of the Club in 1984 and again in 2014. Like many of the Lions, David is well known in other fields. He is a solicitor with Wansbroughs in Devizes and has lived in Potterne for many years, he is a former trustee of the Wiltshire Community Foundation and governor of Devizes School. A keen sportsman, he was previously a county hockey player and remains a keen golfer.

John was President of the Club in 1977, and now lives in New Park Street. He was Engineer & Surveyor to the former Devizes Rural District Council and then Kennet District Council. With his late wife Beryl he was active in the establishment of the Wharf Theatre and they were also leading figures in the Wiltshire family history scene, transcribing and publishing many records and giving talks over much of the country.

Both John and David remain active Club members preparing for the restart of the Clubโ€™s public activities and its next 50 years helping local individuals, families and groups in need of support.


Offended by a Rainbow; Assault on Wiltshire Policeโ€™s Temporary LGBT History Month Facebook Logo

To clarify, I like dunking biscuits into my tea, but if itโ€™s not my cup of tea, and someone else wants to dip their biscuit in it, why on Earth would I have a problem? It affects me in no way whatsoever, it has zero consequences to my brew, nada.

If I dunk my biscuit into your tea, however, half drops off and dissolves into your cup, we might have a minor issue; itโ€™s impolite and I shouldโ€™ve asked first. Truth be told, though, this has never manifested, because Iโ€™ve basic manners, and only dunk into my own tea. Ergo, I say; dunk, and let others dunk. Itโ€™s a fair and just modern tenet, tasty too, you should try it sometime.

Since Henry VIIIโ€™s Buggery Act of 1533, of which defines the term as โ€œan unnatural sexual act against the will of God and Man,โ€ the timeline of LGBT history in UK law reads like the genocidal presupposing of a tyrannical third world regime. Wrought with disturbing arrogances, cruel and misconstrued judgements and fatal sentences, its roots lie biblically, a confine we no longer adhere our hearts and souls fully into, anyway. Least we accept the book was drafted over centuries of prejudiced editing by megalomaniac nutcases who couldnโ€™t possibly have known the word of god any more than an amoeba knows the name of the pond it lives on.

As time moves forward, the religious connotations are secreted under political judgement, yet so inherit is our belief in chapters 18 and 20 of Leviticus, โ€œthou shall not lie with a male as with a woman; it is an abomination,โ€ and for the sake of obeying, it will be 328 years after the passing of the Buggery Act, that the death penalty for it was abolished. Hereโ€™s my melon-twister for starters, if law had to be based on the apparent, word of god, what happened, when executing an offender, to deadly sin number five, แฝˆฯฮณฮฎ, or โ€œwrathโ€ to us? And while youโ€™re explaining that one to me, maybe explicate Luke 6:37 too; โ€œdo not judge, and you will not be judged. Do not condemn, and you will not be condemned. Forgive, and you will be forgiven?โ€

Hard to imagine, this would be the way of things until only fifty-four years ago, when despite restrictions The Sexual Offences Act 1967 legalized consensual homosexual acts, privately, and only for over twenty-ones. My own lifetime witnessed this step in the right direction continue. Through the hullabaloo of celebs bravely confessing and campaigning, even during the dawn of AIDS, as Boy George and many others colourfully threw it in their faces, pride to be homosexual was still controversial and a long way from general acceptance. The ingrained discrimination turned from angered hatred to taboo, and the butt of the joke. Dick Emery made his fortune; his angle was awful, but we liked him.

Sticks and stones, not quite as bad as the death penalty, though psychologically damaging, itโ€™s been a rocky road to where we now sit, dunking our biscuits. A gender-neutral era of law, media acceptance and general consensus, where anyone can marry anyone, where the sexual orientation of pop stars is of no significance, and when a character in a prime-time childrenโ€™s cartoon, namely The Loud House, can have two Dads. A notion as brilliant as the colours of a rainbow.

Even to look back as recent as twenty years ago, where Will Young โ€œcame out of the closet,โ€ society has achieved something unthinkable given the history, and for everyone hung, to those necessitating toilet trading, and from those who hid in denial and shame to those queens who wafted it their judicious faces, despite your personal orientation, this is something, in my view to be proud of, and to celebrate.

Yet, when the social media manager of those ordered by government to uphold the law decides to acknowledge this acceptance, on the shortest month of the year marking LGBT History Month, by taking two minutes out of their day to add rainbow colours symbolising Pride, to the backdrop of their Facebook logo, cabin-fevered keyboard warriors gather to accumulate a thread of hatred comments, condemning the decision.

Yep, despite the repulsive and discriminating history, when we finally reach this trailblazing conjunction, Wiltshire Policeโ€™s temporary Facebook profile picture is plagued by self-righteous little Englanders, again shamelessly twisting the narrative of positivity for their own wonky agenda. It comes from the same school of thought which devised โ€œAll Lives Matter.โ€ Regardless of the plight of a cause, they have to have their share of the glory, less launch their toys from their prams.

Given the plight and horrors history exposes on the campaign, you really have an issue with this?

Largely, the feeble excuse for their prejudges was police should be out there, arresting people, as if every officer on the force gathered around one laptop, each clicking one Photoshop option. See here, it took me precisely two minutes to lone extract a rainbow backdrop off Google and paste it onto my logo, and I kind of like it, might keep it, if it annoys.

The other popular justification is in doing this, police are side-tracking and singling out a particular group, precariously extenuating the issue. Hummโ€ฆ only, it seems by bringing it to your personal attention. Wiltshire Police explain their reasoning, โ€œthe rainbow is a symbol of hope. It represents everyone, irrespective of their sex, gender identity, sexual orientation, religion or disability. People are people. All of us need kindness, tolerance and acceptance. Please remember this when you post your comments.โ€

Top answer is, survey says no; โ€œJust accept people for who they are, there is no room for any form of prejudice, but I cannot help but think that highlighting individual groups just widens the gap, instead of building the bridge.โ€ Really? Two “buts;” you like buts?

Think historically, the death penalty denotes the gap started quite wide, awareness and celebration of said cognizance is a bridge building machine. Some need to take a long hard look at themselves, and dunk their custard cream in a fresh new cuppa. Growling at a rainbow like a dog barks at the moon; give me strength!

One can only conclude, even if itโ€™s ingrained and those passing negative opinion genuinely believe theyโ€™re not discriminating, they are. Your archaic notion of abhorrence is regressive, and yet again, unwelcome to general consensus.

If you trust thereโ€™s no need to symbolise this progress, then thereโ€™s no need to pass negative comment. But by the very fact you did, represents a definite need to; snakes and ladders. Because thereโ€™s looming underlining issue, and it lies in your own psyche. Ergo, eradication is teetering, weโ€™ve come a long way; u ok, hun? If the reprehensible repercussions of this episode represent anything, it is not Pride, but shame, and evidently, the sat-nav of equality has not announced we are at our destination, quite yet.

Trending…..

Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

Swindon Branch of Your Party is Growing

Following the excitement and success of the first meeting of โ€˜Your Partyโ€™ in Swindon, a second meeting has been arranged for 18th September 7.30 -โ€ฆ

No Rest For JP Oldfield, New Single Out Today

It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโ€ฆ

DOCA’s Early Lantern Workshops

Is it too early for the C word?! Of course not, Grinch! With DOCA’S Winter Festival confirmed for Friday 28th November this year, there willโ€ฆ


Online Stuff 2 Do This Half Term

Yay! Home Schooling is out for half term, but before itโ€™s replaced with excruciating racket, higgledy-piggledy hullabaloos, and junior revolutionary uprisings, diligent stay-at-home parents teetering on the edge of wine oโ€™clock should note, if the outside activity mountain won’t come to Muhammad, well, Muhammad has to get there online. Hereโ€™s some โ€œlitโ€ bodacious suggies to get him harnessing his cramponsโ€ฆ.

No, Iโ€™ve no idea what that meant either, just hit me with your suggestions, homies, and Iโ€™ll add them here without beef!

Firstly, keep them well fed, and if you’re having difficulty…….

FREE SCHOOL MEALS ELIGIBILITY

Wiltshire Council is urging families who find themselves in difficult circumstances to check if they are also eligible for free school meals and the holiday food funding. Families can find out details of how to apply for free school meals support on the Wiltshire Council website including those families on: -โ€ข Income Supportโ€ข Job Seeker’s Allowance (income-based)โ€ข Employment and Support Allowance (income-related)โ€ข Support under part six of the Immigration and Asylum Act 1999โ€ข The Guarantee element of State Pension Creditโ€ข Child Tax Credit – providing you are NOT entitled to Working Tax Credit and your family’s annual income (as assessed by HMRC) is not more than ยฃ16,190 (as at 6 April 2012)โ€ข Working Tax Credit ‘run-on’ – the payment you may receive for a further four weeks after you stop qualifying for Working Tax Creditโ€ข Universal Credit (provided you have an annual net earned income of no more than ยฃ7,400, as assessed by earnings from up to three of your most recent assessment periods) โ€ข Better2Gether Funding (two year olds only) Universal Credit – if you and your partner are on a low income from work (this usually means a combined income of less than ยฃ15,400 a year after tax)Or if the two year old child: -โ€ข Has a statutory statement of Special Educational Needs (SEN) or an Education, Health and Care Plan.โ€ข Has left local authority care through a Special Guardianship Order, adoption or a Residence Orderโ€ข Is currently a Looked After Child, for example in foster careโ€ข Is in receipt of Disability Living Allowance (DLA)People should apply directly to Wiltshire Council if they are eligible but currently do not have free school meals by using the form on the Council website.

Morrisons Kids Meal and Pizza making Boxes Here!


Creative

Stuff!

Get Cartooning!

Thereโ€™s always cartoon and comic workshops to get creative darlings budding. Enter Beano artist and charismatic comedian Kev F, whose Comic Art Masterclass usually travels the schools and libraries of the country, and ends with some seriously entertained kids each with their own homemade comic. The only need to travel is to grab some paper and pens now Kevโ€™s class is online.

But check here for a number of different creators giving away their artistic secrets in comic workshopsโ€ฆ


The End of the Pier Show

Jonny Fluffypunk presents a brand spanking new show for families, with poetry, puppetry, story, song and a healthy dose of ramshackle anarchy.

Cooking

Stuff!

The Farm Cookery School in Netherstreet

have their popular holiday clubs online, and are available to book NOW! They are only ยฃ10 – ยฃ15 per login and that includes LIVE Tuition as well as a Recipe and Ingredients Guide which will be emailed to you straight away. Just imagine, dinner may be served by your little horrors!

Learning

Stuff!

Family half term activities among online events at Chippenham Museum

Prior to lockdown Wiltshire Museum were really enjoying hosting Curious Kids sessions for under 5โ€™s and their grown-ups. They have adapted sessions to deliver them on zoom. A chance for younger children to have some interaction with people from outside the home and for families to learn, create and play together โ€“ supported by the museum.

February Half term session will focus on Saxon Crafts and will look at weaving jewellery.


STEM Venturi

 February Half Term online coding courses for 7 – 12+ year olds. Also debuting Girls Who Code course…โ€ฆ Lots of coding courses including Minecraft!


Music

Stuff!

Open to all young people aged 12 โ€“ 18s who love to sing, the new Wiltshire Youth Choir (WYC) will take your singing and performance to the next level.
– Learn from inspiring choir leaders with years of professional experience
– Explore music from different genres: musical theatre, pop, classical and more…
– Work towards performances in some of the countyโ€™s top music venues
Join us for our next free virtual Come and Sing workshop on Thursday, 18 February, 10.00 – 12.00 via zoom.

Trending now….

I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released atโ€ฆ

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโ€ฆ

Song of the Day 18: The Lost Trades

If you’ve not heard of The Lost Trades before, you must be new to Devizine! Not a problem, we welcome newbies with open arms.

For further information we have a search bar, use it!There are plenty of archived features on The Lost Trades, Phil Cooper, Jamie R Hawkins and Tamsin Quin: enough for Devizine to be an official fan club! These Song of the Day posts are brief and are not intended to be full reviews.

They’re also about introducing you to artists we’ve not, or hardly ever mentioned much of before. Today’s case differs.

I should explain, we’ve followed the individual careers of this local vocal harmony trio since the website’s creation, and they’re three out of many in through doing this, have become personal friends.

Naturally, there’s a danger to the bias of honest criticism in a reviewer befriending the creators; mainstream artists use “enemy” as a term to describe NME journalists.

Although they’re aware I’d be critical if there was ever anything to be critical about, this is also, never a problem, because, simply, the awkward situation never arises.

Partly, I believe, this is because Devizine isn’t a job, it’s a hobby, and if I thought for a second I’ll unjustly slag anyone off for kicks, then the whole objective of it is compromised. Though it’s a delicate balance to provide honest content and maintain relationships with the talented subjects, there’s no reason to wreck a career, and I’d sooner avoid scribbling anything on the matter at all.

The fact if you do search for the Lost Trades or the musicians which make the trio up, you’ll find a fair amount of matter on the subject, can therefore mean only one thing: there never is a problem because they’re genuinely awesome, and this would still be the case even if they hated my guts. Which I’m not ruling out, but suspect it’s unlikely; least I can hope for is they think I’m a headcase. A friendly headcase, but a headcase nonetheless!

Still, it’s a great song, as ever, with a fascinating homemade video fusing Jamie’s enthusiasm for stop motion animation. Get it here.

And that’s my song for the day. Very good. Carry on….


Getting Cosy with the Gyros; Greek Pop-up Catering Coming to Devizes & Melksham

For the love of Eros, whatโ€™s the plan for your Valentineโ€™s weekend in this restricted era? Just a language of love suggestion in view of limitations, because Iโ€™ve not tasted a Greek gyro, yet, but boy, the ones at The Cosy Kitchen pop-up takeaway look scrum-diddly-umptious! And word on the street is; theyโ€™re heading our way. Find them at the Wiltshire School of Gymnastics on Friday 12th and The Moonraker Pub, Devizes on the 13th February.

Iโ€™ve been chatting to these SBS winners, finding out how it works and asking them, why Greek. The foremost is simple, just rock up, order and obviously adhere to social distancing measures. They donโ€™t offer pre-orders or deliveries, itโ€™s collection only, โ€œwe find itโ€™s not fair to the people queueing to then stop serving them when theyโ€™ve been waiting, for someone who has called up,โ€ they explained.

The Cosy Kitchen started in 2019, on the events circuit, which is probably what jogged my memory of their popularity at Devizes Food & Drink Festival that year. โ€œIt has been difficult as we have had every event cancelled and I feel most of this year is going to be the same,โ€ they told me, โ€œso we’ve had to adapt to how things are to ensure we’re adhering to guidelines by putting things in place to keep everyone safe, it’s not been easy but all our customers have been amazing!โ€

The Cosy Kitchen at 2019 Devizes Food & Drink Festival

Iโ€™m reckoning itโ€™s great for towns like Devizes, despite awesome Italian, Chinese and Indian restaurants, the choice is mostly limited to these. But why did the Cosy Kitchen decide upon Greek cuisine? I asked if there was a connection.

โ€œWe love Greece,โ€ they added, โ€œit was the first place my partner and I went on holiday and we fell in love with the place, since then we go back a couple times a year, to a little village where we are friends with everyone! We would come home, wanting gyros or Greek food and would drive long distances, and not be 100% happy with it, either not tasting right or the wrong atmosphere. So, we thought, letโ€™s just do it ourselves!โ€

With a chef in the family, a connection to Greek suppliers, and friends who had restaurants (one called The Cosy Corner, influencing the name) to teach them recipes, The Cosy Kitchen was born and it treks Wiltshire towns and villages, bringing them a taste of Greece; whatโ€™s not to like?!

Cyprus is as close to Greece Iโ€™ve been, personally. An island which seems to cater for the majority English tourist by offering, I found tiresomely, chips with every meal. Much to my initial delight, at one point we tried an Australian bar where the owner proudly acclaimed in broad Sydney accent, โ€œtoday weโ€™ve got the Sunday roast.โ€ But to my horror, even this was served with chips!

Due to this, the sustenance experience of my life occurred there, and Iโ€™ve been a fan of Greek food since. Yep, weโ€™re talking the meze, a boundless round of courses until you drop. Honest, Iโ€™m a big eater, but this broke me. Thereโ€™s a photo Iโ€™m not sharing, of me at this conjunction, reddened in face and blotted beyond compare. The waiter noted my faltering and tapped me reassuringly on the shoulder, โ€œnot long to go now!โ€ But it was a big fat fib, as they covered the table in traditional Greek dishes, and Iโ€™m not one to excuse myself. They were all so fine, I had to try at least a bit of each!

The Cosy Kitchen found my recollection amusing, โ€œha-ha! Greeks do not understand portion control!โ€ Which led us nicely onto the details of what a gyro is. Akin to the Turkish kebab, its meat cooked on a vertical rotisserie, typically served wrapped or stuffed in a pita, along with ingredients such as tomato, onion, and tzatziki sauce. โ€œIn Cyprus,โ€ those Cosy Kitchen folk informed, โ€œthey mostly don’t put chips inside their gyros, whereas in Greece they do.โ€ I zoomed in their photos, story checks out, there be chips in there; fortunately, Iโ€™d just had my dinner, still got a tad eager though. But the Cosy Kitchen get only good feedback on their brand of “herby fries,” โ€œpeople just love them!โ€

It all sounds good, and in my mind, Iโ€™m already queuing at the Moonies! But the proof is in the pudding, as they say, of which, incidentally, you can order cheesecake for ยฃ3 a slice, and I think we should report back on how they taste on the day, if youโ€™re not tempted already!


Trending…

A Busy Week For Lunch Box Buddy!

It was great to bump into Lunch Box Buddy in Devizes today. Last week was hectic for him; first BBC Wiltshire stopped by his standโ€ฆ

Wither; Debut Single From Butane Skies

Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory,  Butane Skies is a name increasingly exploding on local circuits. The young andโ€ฆ

Song of the Day 16: Blondie & Ska

If you came here looking for an original song by upcoming hopefuls, look away. Chippenham’s Blondie & Ska may not be groundbreaking or looking for a mainstream recording contract, a Blondie tribute act who fuse ska and Two-Tone classics into their repertoire, but what they do they do with a barrel load of lively fun. And, in a nutshell, lively carefree fun is the backbone of ska.

Heores of the live stream currently, booking Blondie & Ska for a party or pub gig in the future, and you can gurantee, if fussy music devotees tut, the majority will be up dancing. For this reason enough, I blinking love this duo, but that alone is plentiful. Like their Facebook page for details of future free streams, it’s an entertaining, unpretentious show.

And that’s my song for the day. Very good. Carry on….


Around and Around, and Hitting a High; Kirsty Clinch on Top Form

You can give it to me straight and agree, Iโ€™m old. Though as much as I hold dear the hours browsing record shops for a seven-inch slither of vinyl, the streamโ€™s advantage is manyfold. Perhaps none more than the increased availability and distribution of home-made wares.

Vinyl junkies were restricted to what the music industry decided. While DIY music was around then, it was a needle in an underground haystack, obscured by a lack of prior knowledge of counter culture distribution, and even if you were aware, still they cost post and packaging.

Send a SAE in good faith, and when the musician finally finished his last bong, made it off his scabby sofa to the post office, youโ€™d receive your cassette, only to find out it wasnโ€™t as good as youโ€™d been convinced it was by the crazy fractal advert in a punk-paste zine. Weโ€™ve come a long way, folks.

Local independent, country, singer songwriter, Kirsty Clinch posts on Facebook, one of the many social media platforms she tweaks to promote her music. Her latest single, Around and Around has reached a staggering 2K Spotify streams in just five days, managing to peak at number four in the iTunes country chart. Itโ€™s an achievement made mostly on her own, but does it prove the value of DIY rather than aiming to be signed by a label, can anyone with social media savvy achieve it, or is simply that itโ€™s a great song from an exceptionally talented musician?

Itโ€™s certainly that much. Dreamy and evoking, Around and Around sees the ever-enlightening Kirsty at the ultimate perch in her career, in line for the forthcoming album, it leaves you dripping in anticipation for more. โ€œAround & Around is all about catching your dreams,โ€ she explained, โ€œtaking chances and not getting stuck in ruts; thatโ€™s just what Iโ€™m doing right now.โ€

A smidgen punchier than her previous release, Fit the Shoe, and perhaps even more beguiling than that beauty. To hear it is to engrossed in its pensive narrative, as all classic country should. But its Americana influences are subtle, it never references peripheral subject, as much UK country artists feel impelled to mention boxcars, dustbowls, and things you wouldnโ€™t expect to find in their English suburban hometowns. No, Around and Around, like, Fit the Shoe is romantically topsy-turvy themed, flexible for a wider, international audience and contemporary sounding.

That said, Kirsty is no stranger to authenticity, travelling and performing in Nashville at venues such as the Blue Bird. Aside the clear influence of countryโ€™s leading ladies, the likes of Parton and Wynette and modern folk-rock artists, KT Tunstall and KD Lang spring to mind, Around and Around evoked memories of Kate Bush more than any other tune Iโ€™ve heard of Kirstyโ€™s, in its haunting atmosphere rather than vocal arrangement. I put this to her.

โ€œI donโ€™t get the Kate Bush thing; my voice is not as squeaky!โ€ she laughed, โ€œIโ€™m not a big fan of hers, which is weird as youโ€™re not the first person to say it either. Sheโ€™s huge though and loved for whatโ€™s she does, so I wonโ€™t complain!โ€  I had to explain I meant more the whole ambience of the sound rather than squeakiness of her voice, but we needed to move onto the immediate success of this particular tune, and where she hope it will lead.

โ€œIt wonโ€™t go higher,โ€ Kirsty predicts, and I hope sheโ€™s wrong. โ€œOnly slowly hides away after that, the famous people take over sooner or later! But songs can always come back, so [Iโ€™ve] just got to keep hustling.โ€

I took Kirsty back a couple of years, sitting chatting on the lawn at BromFest, we discussed the hopes of an album then; best things come to those who wait. Aside her nonchalant social media persona, I perceive Kirsty to be a perfectionist on the quiet, certainly shows with these two singles. โ€œYes, I have one more coming out hopefully before May, and then Iโ€™ll drop the 14-track album,โ€ she announced, โ€œThatโ€™s why itโ€™s taken so long, itโ€™s a big one, but for a first timer in online sales, I had to do it to catch up!โ€

Iโ€™m aware Peter Lamb had a hand in this remarkable achievement, so I name-dropped the local legend, โ€œall produced by Pete?โ€

โ€œI did the whole thing in my bedroom studio by myself,โ€ Kirsty replied, adding an angel emoji. โ€œPete added the bass, and then corrected my mixing and mastering mistakes at the end, as I got frustrated on the last bit! So, Iโ€™m pretty proud of it for that reason.โ€

It must be a relief to get an album complete, but the hard work is only halfway there, getting out and promoting it follows. Which part does Kirsty favour, despite psychically getting out and launching is impossible at the moment?

โ€œI like all of the process,โ€ she chuckled. โ€œGigs will come back, Iโ€™m just making the most of the situation and working with what Iโ€™ve got for now, there is always a way around things when youโ€™re creative.โ€

Returning to my opening notion, due to developments in tech and a motivation for independence, a professional sound can be achieved at home. Kirsty furthered that she did the artwork and music video for this track all by herself too, due to lockdown.

โ€œThe album launch is not so essential,โ€ she pondered, โ€œwhen I can promote it just as good online anyway now.โ€ As I said, Kirsty has a sturdy online presence, accomplished at building a YouTube audience, but is that more important to her than an album?

โ€œItโ€™s equal. All my fans are excited for the album! But the social media side of things mean they get to know you more, which is essential for selling music in the first place. Loads of people sell music, the marketing is the part that makes them what to listen to yours.โ€

And her secret?

โ€œGet to know your story etc,โ€ Kirsty elucidated, โ€œand connect with the music; if you just say โ€˜buy my singleโ€™ and thatโ€™s all your social media is about, you wonโ€™t get many results.โ€

For the end of our chat, we dithered and pondered if the angle of this piece should focus on the song or herself. Iโ€™m of the opinion, when the creative open themselves up to releasing art, a part of creator is revealed through it, so practically, theyโ€™re similar. You are the song; the song is you; be one with the song! Itโ€™s why naรฏve teenage fans really believe they know a popstar enough to fall in love with them, and perhaps is augmented with homemade product. There’s a huge connection between the singer and the song, though, I put to Kirsty.

โ€œYah, subscribe to my YouTube channel, and they would have all the details anyway!โ€ I suggest you do, as the interconnection is all-encompassing, the song is awesome, and likewise, so is Kirsty Clinch.


FullTone Festival 2026: A New Home

It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโ€ฆ

Carmela Wins Points of Light Prime Minister Award

A huge congratulations to Carmela and the Chillery-Watson family of Lavington, who knew nothing about the Points of Light awards until Carmela was rewarded with one this week. โ€œWe are absolutely bowled over with pure happiness at this surprise award,โ€ mum Lucy said.

First established in the USA by President George Bush in 1990, UK Points of Light was developed in partnership with the US programme and launched at Downing Street in 2014. Since then, hundreds have been named Points of Light by the Prime Minister, highlighting an enormous array of innovative and inspirational volunteering across the length and breadth of Britain.

Points of Light are outstanding individual volunteers; people making a change in their community, and after her 300km challenge last year, we couldnโ€™t think of anyone more suitable and deserving than our lovable Carmela.

Diagnosed at the age of three with L-CMD, a progressive muscle-wasting disease which weakens every muscle over time, Carmela is now six and has come a colossal way in raising awareness and funds for Muscular Dystrophy, and continues to be an inspiration to us all.

โ€œThank you, Boris,โ€ Carmela said, โ€œthis is awesome news, I canโ€™t believe it, itโ€™s so amazing. Thank you so much.โ€ Although the prime minister is just another celebrity notched on Carmelaโ€™s campaign trail, meeting with the likes of Beverly Knight, Frank Bruno, Jimmy Carr, and even Harry Duke of Sussex. Oh, and not forgetting last September when Wonder Woman actress, Gal Gadot, donated over ยฃ3K to Carmelaโ€™s fund. Face it, between Boris and Gal, I know which one Iโ€™d rather meet!

Itโ€™s a wonder, excuse the pun, if Carmela remembers the morning when she helped me on my milk round at all. I hope so, as it was a pleasure to meet her, Lucy and dad, Darren, and an occasion, Iโ€™ll always hold dear; even if I was a little tired and smelly!

CEO of Muscular Dystrophy UK Catherine Woodhead congratulated Carmela, and added, โ€œeveryone at MDUK is thrilled that Carmelaโ€™s outstanding fundraising efforts for the charity have been recognised by the Prime Minister. To date, Carmela and her family have raised nearly ยฃ50,000 for MDUK.โ€ Which is simply, amazing. Well done Carmela.


Trending……


Candidate for Wiltshire Police & Crime Commissioner barred from Volunteering to Administer Lateral Flow Covid Tests

Is it campaign point-scoring, as the authorities seem to presume, or concern for health which encouraged Wiltshire PCC candidate, Mike Rees to volunteer to administer lateral flow tests? Whatever, the bottom line is discouraging anyone from attempting to help out during this crisis is bureaucratic nonsense.

And besides, just a brief chat with Mike recently, throughly convinced me his motives are genuine. He’s an open minded, authentic and down-to-earth guy, with experience in the field and a passion for the role.

Mike explains: “It’s with great surprise and disappointment that I have to let you know that I have been stopped, and apparently barred, from becoming a volunteer in the police effort to combat Covid19.

As a retired police officer I put my name forward for volunteer duties last year when the pandemic struck.

Mike Rees

This month I answered another call to volunteer to administer lateral flow tests to police officers and staff. I had a training session earlier this week and completed the online NHS assessment and passed to certificate my competency for the task.

Today I was expecting to attend a ‘dry run’ session however I’ve now been told I cannot attend as they have to investigate the ‘rules’ as allowing me to volunteer may suggest bias on their part because I’m a candidate for the role of Wiltshire Police Crime Commissioner.

I’m disappointed and dismayed to be denied the opportunity to volunteer to support the police, a force I worked in for 30 years.

I’ve asked for the ‘rules’ to be clarified as I see no possible concerns.

For your information, I do not agree with this decision to bar me from volunteering. 

I’m standing as an independent candidate, not aligned to any political party and volunteering was a personal decision.”

Mike is fast becoming the outside chance of becoming our PCC, and we’re backing him fully here on Devizine after his Malmesbury boxing club recently helped out the homeless, appealing forย  donations of sleeping bags , food and clothes from locals and delivering them to the OpenDoors support agency in Devizes.

Plus, this is, by far, not the first charitable thing Mike has engaged in.


Song of the Day 13: Antoine & Owena

Congratulations go to folk duo Antonie & Owena for winning the G.S.M.C award for Best Album this year. Yet it’s not their first award, winning best duo at last year’s GSMC, and others. Here’s Something Out of Nothing, which I think explains all you need to know about how and why they won it!

And that’s my song for the day. Very good. Carry on….


Rise of the Snowmen!

Ladies and gents, this is the moment you’ve waited for…. or maybe not. This isn’t the Greatest Showman, this is the greatest SNOWman! Yes, we held a little snowman competition, and here’s how it went…..

Two things didn’t occur to me upon posting a picture of our snowman on our Facebook page, offering others to do likewise in a competition fashion. Firstly, the colossal response, but I guess Sunday’s snowfall was a golden opportunity to get out of houses and have a little social distanced fun. Alas, now the power of the sun and rain has reduced the white blanket to the odd splatter here and there. We will always have photographic memories of our once proud sculptures, and a carrot on the front lawn. Here comes some now…โ€ฆ

Secondly, how to actually go about judging a snowman competition, never having judged anything of the sort before. I gathered some thoughts to criteria, I Googled and found some rather serious rules from other such competitions.

Jonesy McSnow and Lucy (age 10)

Certain I wasn’t intending to make it half as serious as these, their judgements were much as I anticipated. There are factors to consider. Creativity for starters. Originality, tradition, competence, and dedication are equally important. Size is good, but it’s, as you know, not everything, when building a snowman that is.

Towering over the playpark on Devizes Green, Bally Bongo’s Bob stands at over 6ft 2. By
Archie(8) Blu (4) and a little help by the parents!
This snow Kong at the Henly’s has sacred everyone back inside!
The Russell Family’s got an outie belly button bigger than the average snowman!
The Waterman’s daughter’s first snowman is huge!
Stay back, he’s got a taste for meat, or is that a twig?!
From the tall to the small, it doesn’t matter, he looks happy!
Don’t, don’t, don’t you, forget about me!

Many were divided into age groups, which I figured awkward. Building a snowman is usually a group activity, it’s about families, all ages contribute. Kids run around trying to construct the starting ball, dads get the backbreaking task of rolling it up and taking half the grass and autumn leaves with it, while mums usually stay in the warm sourcing carrots and hats; it’s a communal experience for sure! Okay, Iโ€™m generalising for artistic license and know itโ€™s not really like that, trying to be funny, when really, judging a snowman competition is snow joke (see what I did there?) But making a snowman has no boundaries or conditions, any age, and race and gender, everyone together, getting creative….

Amazing!
Best buddies!
Hide your carrots, there’s a snow bunny about! Pictured with it’s creator; grand job, Faith!
The apple of Pingu’s eye! Well done Willow & Jonah!
Very retro, Kiana!
Shiver me timbers!
Mange tout, Hoffman, you plonker!

He made snow chicks, cats and dogs….

Arrow through the head??!
Great rocket ship, Isacc…. oh, you’ve sledged away!
Shark invasion in Sam’s garden!
And a hoodie in Kev’s yard!
Buddha in Urchfont!
And some lounging about!

But part of the beauty of creating a snowman is the feeling of togetherness. Here is an art where anyone can be the artist, provided theyโ€™re willing to get wet gloves. And in that notion, where some strive to be original, often the traditional method is tried and tested. A good snowman doesnโ€™t need to be carved by Henry Moore with flawless features; he needs a carrot for a nose, he needs two pebbles for eyes, twigs for arms and an old hat and scarf. We live in a traditional county, after all.

Tracey and Sara Whatley did the hard work, the horses reaped the benefits!

Then again, thereโ€™s something striking when creative genius gets to work and original ideas bend the theme. Some can be topical, facemasks a common theme this year, or culture based, whereas some can be funny, others damn-right rude….

The Barter family make use of their brussels sprouts after Christmas!
Zeb’s snowman has a snow booty!
Ol’ broccoli eyes is back; Guardian of the wheelie bins!
Either they tried to put wellies on this snowman, or it ate a small child!
Facemasks on, here comes the foreman tree inspector!
Dog photobomb at the Diskett’s!
Somebody call the snow doctor!
Anyone seen the funnel bit to mum’s vacuum cleaner?!
Take two bottles into the shower? No, I just wash n snow!
Anymore snow coming, I need a friend? Not for you, sprout-face!
Got to look your best when doing a spot of gardening…
Hit and run snowman attack!
Skateboarding on ice is dangerous, but when else can a snowman hit the half-pipe?
I’m all for gender neutral snow people, but this one has lady’s assets and a six-pack!
You’re only ever one jacket away from being a goth!
I thought about making this the winner; they’ve got to win something after all!
Office party, you know how it goes…..
Jimmy Saville goes skiing?

Rudeness I can take, live by it; but at least drag yourself away from Babestation for a few minutes to get out and actually build a snowman, rather than, as some did, Google โ€œrude snowmanโ€ and share the first image which pops up. Sad, but true, spoils it for the kids, of all ages.

Rule Britannia, we shall, we shall never stuff a whole loaf in our mouths at once?
Heavy night, anyone got a paracetamol?
I’ve had enough of this, I’m off to live with the wolves…..
Will you be my friend?
I am robo-snowman!

Can I pick a winner?

Drum rollโ€ฆโ€ฆ Tricky. Iโ€™ve narrowed it down to my ten favourites, and here they are. I apologise, I tried to source a snowman type of prize, but theyโ€™re a tad out of season and this was a spontaneous idea. I think a bit of future planning, for next yearโ€™s snow storm, being the idea was so popular, and we could have prizes. For now, winners can print off my certificate here, and a colour-me-in sheet, if they like that sort of thing! Thank you all so much for letting me see your brilliant snowmen, I loved looking at them all, having a penchant for snowmen, I admit unashamedly!

Oh, and if you do colour them, Iโ€™d love to see your fine colouring skills!

Never over-complicate the objective. Matrim Vaux, age 6 knows less is more with Bill the snow owl.
Leo, age 5, and Hallie, age 2 looking a tad cold, but like they’re having so much fun!
Topical from the Collins family, but he looks awesome!
I just love this picture, Casey, age 6 looks so proud as she strikes a pose, but Archie, age 3, seems distracted by something else happening elsewhere; it’s a guy thing Casey!
By Justina Hams and her seven year-old. Because he’s so smooth and grand looking!
Rob Jobson understated his snowman, saying “it’s the taking part that matters!” No mate, he’s superb in his simplicity!
A team effort from the Lake family, and a grand job made of it!
Marc Spartacus Fleming and Leia (2!) This is Steve the snowman, and he just works!
Are you in competition with your snowman for the best hat, Ava-Mae?! A grand effort, you look proud and so you should be!
Just to put a hat on her snowman wasn’t enough, Alison Sinclair (45!) carved it, and all other features so brilliantly!

โ€œNobody has Wanted to Talk about Hunting, Other than Trolls!โ€ Says PCC Candidate Jonathon Seed

Busy day, chatting to Wiltshire Police Crime Commissioner candidates and The Wilts Hunt Sabs; something is conflictingโ€ฆ

In 2012 five members of the Avon Vale Hunt, including the master huntsman and Wiltshire councillor, Jonathon Seed appeared in court charged with breaching the Hunting Act 2004. Though they all denied the breach before magistrates in Chippenham, Seed made a statement released to the Wiltshire Times, โ€œThis is a private prosecution by the RSPCA and I believe that it has been commenced for political reasons, as their stance against hunting is well known and it is of great significance that Wiltshire Police, after advice from the Crown Prosecution Service, declined to take this case forward. These proceedings are an abuse of the private prosecution system, which needs to be addressed in due course.โ€

And how best to address said abuse? Elect to become Police Crime Commissioner, thatโ€™s how. Perhaps itโ€™s an episode the councillor wishes would disappear, going on the rather defensive attitude he put up when I chatted with him about his campaign this morning. And for whatโ€™s itโ€™s worth, he provided some great ideas and valid points on subjects he attempted to divert me onto, but I was wondering where he actually stood on hunting, being, you know, itโ€™s illegal, and heโ€™s wants to be Police Crime Commissioner, just felt, well, a tad conflicting.

โ€œOkay, so, not about the campaign then,โ€ he started.

But I think it’s relevant. โ€œHunting is illegal,โ€ I pointed to the seemingly obvious, โ€œsurely we would want a PCC who upholds the law?โ€

โ€œAre you suggesting that I wouldnโ€™t want the law upheld?โ€ came Jonathonโ€™s reply. Had to say, far from suggesting anything, the question was built behind the datum the huntsmaster for the Avon Vale hunt appeared in court with allegations he broke the law. And upon experts in the field, Wiltshire Hunt Sabs, who seemed convinced laws had been broken that day. โ€œThe badger sett incident,โ€ they confirmed, โ€œitโ€™s clear evidence they were illegally hunting. Itโ€™s illegal to use terriers underground (the exemption is in relation to birds, which isnโ€™t relevant on a hunt.) There can only be one reason for sending terriers to ground and that is to flush a fox.โ€

โ€œYou were,โ€ I checked, โ€œhuntsmaster for the Avon Vale hunt at the time?โ€

โ€œYou will already know that I was,โ€ Johnathon stated, โ€œthe allegation against me that was unfounded was dropped and is covered in the blog.โ€

Wiltshire Hunt Sabs claimed, โ€œit wasnโ€™t unfounded at all, the current Huntmaster (Stuart Radborne) was found guilty of interfering with the sett. The fact they couldnโ€™t prove hunting act charges is yet more evidence that the law around hunting needs tightening.โ€

โ€œDo you have anything to ask about the campaign,โ€ Johnathon inquired, โ€œor are you just interested in the Avon Vale Hunt?โ€

Yes, I do. So, I asked him, โ€œif successful in the post, would you therefore discourage police to act against hunting offences? I mean, I understand, because they’d be personal friends engaged in something you firmly believe in. Also, would you support a turnaround of the law to allow hunting?โ€

And thus, came the jaw-dropper.

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€ Rather than be labelled a โ€œtroll,โ€ by Tory boss-cop I allowed myself to be side-tracked. Jonathon was keen to lobby government for further funding, โ€œWiltshire is the third poorest funded force per head of population in the country, it needs overhauling and I will work with government to achieve this.โ€

โ€œI have spoken to thousands of people about policing over the last four years,โ€ he said, โ€œresidents, officers, volunteers, victims of crime and nobody has wanted to talk about hunting other than trolls online.โ€

Funds would put more officers in our communities, and offer better support for training and officers and staffโ€™s mental health, and I cannot argue with this, though I pondered why it should be; are we all so better behaved in rural Wiltshire, so we donโ€™t need as much policing as an urban area? I know I am!

โ€œHistoric underfunding of the force will continue to be an issue due to the way the funding formula is weighted towards some areas,โ€ Johnathon explained, โ€œThe current PCC has done nothing to improve the situation and I believe the public deserve a PCC who will lobby the heart of government for better funding.โ€

I overlooked the oxymoron; “heart of government.”

In true Conservative fashion he blamed Labour, because fourteen years isnโ€™t enough to up a budget. โ€œThe formula was created under Blair so naturally favoured labour voting areas,โ€ he reckoned. โ€œGetting the central government funding addressed has to be a priority. Just because we are a rural county doesnโ€™t mean we donโ€™t have sophisticated criminals operating in our towns and villages; domestic abuse, child sexual exploitation, modern day slavery, county drugs lines all affect our communitiesโ€ฆ.โ€

โ€œAnd fox hunters?โ€ I added!

โ€œItโ€™s a shame that without knowing me or talking to me you would assume I would actively seek to have the law overlooked,โ€ Johnathon asserted. โ€œI do not and would not want our police to do this for any crime. The Chief Constable has my full backing to ensure that the law is upheld. There is no picking and choosing who the police โ€˜police.โ€™ Operational policing isnโ€™t the responsibility of the PCC.โ€

On the front seems Johnathon has good policies, but theyโ€™re undoubtably all politically motivated. Do we need a local councillor in the role, or someone who has been actively in the field, policing? I also spoke to independent candidate Mike Rees, passionate about delivering a quality police service for the people. And have to admit, it was akin to chatting to eager musicians when interviewing them. In fact, if thereโ€™s irony in voting for a police candidate suspected of breaking the law, the only similarity is that Mike is in a heavy rock band called โ€œthe Lawless!โ€

He told me of annual fundraising gigs at Level III with a plethora of other bands, which has raised ยฃ13K for his own charity โ€œFatboyโ€™s Cancer Charity,โ€ which aims to bring a smile to children who are suffering from cancer or have other life-threatening illnesses. He was also adamant he loved animals, and aside his respect for traditional aspects of rural life, more needed to be done to enforce the Hunting Act. Mike went as far as telling me heโ€™d like to set up a hedgehog rescue centre in his retirement.

โ€œI know thereโ€™s a difference between what the boss says and what the police see, Iโ€™d like to see a happy workforce, not demoralised.โ€ He expressed a want to improve the service, the relationship between officers and the bosses, and the public, as heโ€™s been on the beat in Swindon, working up through surveillance and CID to counter-terrorism, called in to help during the London bombing. โ€œNo wool pulled over my eyes,โ€ Mike added.

โ€œWeโ€™ve seen year on year increases to the policing precept, yet no tangible changes or improvements to the service the public of Wiltshire receive,โ€ Mike stated, โ€œseems evident to me and the many people who I speak with, that the Police sometimes do not have the resources to deal with many of the basic responsibilities that we expect; and all too often we see the cracks of struggling service delivery being papered over with a slick marketing campaign, or dare I say it, a social media post!โ€

โ€œI know that savings can be made, and I also know how tax-payers money is sometimes squandered by Police managers,โ€ he continued. โ€œA politician who doesnโ€™t understand policing can be told that something is required or best value, and will just accept what they are told. I know whether it is actually nice to have or need to have. Spending needs to be scrutinised very closely and I would look to do that to ensure money is diverted to the right resources and needs.โ€

Though Mike said Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently. To my knowledge, I am the only independent candidate for Wiltshire so his comments are clearly directed to me!โ€ But โ€œthe last thing I want to do is get involved in a continual slanging match with any of the other candidates.โ€ Which is just as well for them, as an amateur boxer, I wouldnโ€™t argue!

Jonathon Seed was โ€œvery critical of Independent Candidates on his Facebook page recently.”

He compared his own campaign budget to Johnathonโ€™s on the precept he doesnโ€™t mind if he doesnโ€™t get the job, estimating Seed has โ€œabout ยฃ50k to spend on campaigning, Iโ€™ve got about ยฃ50, and I begrudge paying that! Money is squandered when it should be to improve services.โ€

The hunting issue will always be a touchy subject in any rural settings with opinions so divided. But the law is the law, and if anyone upholds it, it should be Police Crime Commissioner. Though while Mr Seedโ€™s blogposts call for his innocence, they also state: โ€œMillions of people in this country engage in perfectly legal fishing, hunting and shooting pastimes and should not be demonised and bullied by a small but vocal minority who do not approve of these pastimes,โ€ and โ€œIt is utterly irrelevant to the vast majority of the electorate whether or not a political candidate had a lawful interest in country sports along with millions of other law-abiding people.โ€ Left me wondering how defending wild animals under lawful methods, could possibly deemed demonising and bullying.

โ€œIf you wanted to ask me something sensible about fox hunting,โ€ Johnathon said, โ€œrather than the usual stuff that has been well rehearsed and I know doesnโ€™t resonate with rural voters, ask me my views on the change to trespass and who it will apply to.โ€

But I didnโ€™t like to ask, changing rules to trespass blatantly is there to halt operations from protesters. The Wiltshire Hunt Sabs said, โ€œweโ€™d love to know if he still hunts, we havenโ€™t seen him out with the AVH, but there was a rumour he may go out with the Tedworth. I suspect he has paused for the election. Itโ€™s interesting he calls concerned members of the public โ€œtrollsโ€. How arrogant do you have to be to think that regular members of the public arenโ€™t interested in his background as a fox hunter!โ€

Iโ€™ll let the hits on this article decide, and leave it there. Iโ€™m all for deciding the next Police Crime Commissioner based purely on a doughnut eating contest, might be easier, might even win myself! Then youโ€™d all be buggered!


Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathewsโ€ฆ

Live in Pewsey, at the First Oak-Fest

Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโ€™s turn to shine; always a law unto itself, things went off; if itโ€™sโ€ฆ

Choo-Choo; Dreams of Devizes Railway Station

I know what youโ€™re thinking, Iโ€™m a naughty boy; why hasnโ€™t Devizine shared news of the survey about the Devizes Park/Gate/Safe-Way railway station proposal yet, the one on the โ€œofficialโ€ Devizes website? Well, Iโ€™ve been deliberating. But before you judge me, I ask you hear me out.

When I took a bus from the Leigh end of Southend-on-Sea to Shoeburyness, at the other end, which Iโ€™d estimate being the equivalent of Devizes to Melksham, it cost one pound. The bus was bustling with a wide demographic, it cost the same across the entire city.

Live in a village just two miles out of Devizes and itโ€™s ยฃ2.50 for a single on the bus. Given Devizes Parkway would be a similar distance out on the other side of town, Iโ€™d wager itโ€™d be much the same price. Letโ€™s take a family of four from their village for a nice day out to London; a tenner to get town, a purple one just to get to this imaginary station for an overpriced train ticket; not including inflation.

Okay, Iโ€™m playing devilโ€™s advocate. Everyone wants a station, including me. Back, long before Devizine, and Danny Kruger could pinpoint Devizes on a map, I put a poll on Facebook for my satirical rant column on Index:Wiltshire, asking what, if you could have anything which was once in Devizes but no longer, would you like to see returned. The top answer was unanimously, a railway station. And I agree. I agree with you all, from young and old, fat and thin, from Tory to leftie and beyond, everyone would like to catch a train from Devizes, even if only to escape!

The argument of education, getting students to colleges, and employment, getting them to work, rather than relying on a rural bus service and of course lessening the environmental impact of commuting are, of course, valid and ample justification. The idea it will attract visitors, helping our local businesses and economy is slightly more dubious, an untested valuation. Simply because they can get here doesnโ€™t mean they will, especially if thereโ€™s nothing here to entice them. A view of Monument Hill and the Clock Inn Park are nice, but are hardly an exciting hive of activity.

I cannot help but feel, just as Brexit, and these grand and glorious schemes, a futurism-fashioned Festival of Britain, money saved from being in the EU to help the NHS, vaccinations for everyone by March, a high-speed train to gain three and a half minutes off the journey time from London to Birmingham, or a tunnel under Stonehenge to prevent erosion and people from seeing it without paying, the right-wing majority are suffering delusions of grandeur in a country potentially at itโ€™s knees by the time these under-budgeted dreams will become anywhere near reality. Iโ€™m sorry to have to see it this way, but the system is crumbling under our feet because our leaders are only in it for themselves.

Oh, need a relevant example? Boris Johnson only proposed this ยฃ500m fund to reopen some of the passenger rail services axed in the Beeching review to win seats from Labour prior to the 2019 general election.

To bring it back to local affairs, feels to me like the potential railway station is only on the cards because Danny Kruger wants to get to Westminster quicker, and Hornby enthusiasts are rallying to kiss his ring. And yeah, as I said, itโ€™s a great idea, for all the reasons stated. But given thereโ€™s surely far more important things we could spend the money on in this dilapidating town to improve it for everyone, you know what Iโ€™d like to see first and foremost? If we have spare cash to build a Lego station, Iโ€™d like to see our poorest, our youngest, eldest and people in care being supported.

I donโ€™t want to see homeless being cleared out from camping in the woods so dog walkers can be free to roam and tie poo-bags to trees. I want to see projects being put into reality which would cost far less than a station, give them a hostel. Iโ€™d like to see our playparks and green spaces maintained better, youth clubs and facilities reopened, providing activities which kids actually want to go to.

At the beginning of year, when Melksham got a splashpad, Devizes said yeah, we could that too, but, as I forecast at the time, it was brushed aside. Iโ€™d like to drive on flat local roads, rather than negotiating potholes like itโ€™s a lunar landscape. Iโ€™d like better road planning, infrastructure and affordable public transport, to avoid congestion. I want to park somewhere without taking out a bank loan. I want to see markets and The Shambles bustling with life, smells of street food and music. I want a free-thinking, flatpack and proactive council, funding sporting events and arts, and not idly watching as so-called charities throw folk with learning disabilities out of their homes.

And once we have achieved these, yes, Iโ€™d like a railway station, ta muchly. Not asking for much is it? Tee-hee, yeah, Iโ€™m hearing you, life isnโ€™t so simple, this is Devizes, not Shangri-La. That said, Iโ€™m uncertain if Shangri-La has a railway station, still, it manages, as we have done since Beeching waved his wand, to get by without one. My family of four, twenty quid down just getting to the station, now theyโ€™re looking at train ticket prices. Have you seen train ticket prices recently? Remain calm, but they do often come in triple figure sums. Iโ€™ve seen aeroplane tickets to Barcelona cheaper than a return to Paddington.

The big question is, then, how much will it all cost and who is footing the bill? Did we get this grant, and what was that for? I asked Tamara of Devizes Gateway Railway Station steering group.

โ€œThe Restoring Your Railway grant from the DfT is for the cost of the Strategic Outline Business Case only and is being supplemented by Wiltshire Council,โ€ she informed me. So already weโ€™ve all put some cost into it through our council tax. โ€œThereafter, funding would need to be secured for the rest of the Business Case process (Outline Business Case and Full Business Case) and then for the capital costs to build the station.โ€ Tamara added, โ€œwe are at the beginning of the process, but the fact that we have secure the grant monies from the DfT puts us in a good place. We now need to prove the business case.โ€

From there I was directed to a presentation made to the Devizes Area Board in November, which doesnโ€™t explain where the dosh is coming from. Iโ€™m only opting for a station if they promise I can drive the train! Just once. But more importantly, I honestly look forward to a time, if I make it to 2025 without Thomas the Tank Engine shooting me, when we could smash my piggy bank for a train ticket, I really do, but the bottom line is, it has to be affordable, for all, especially if the public is footing the bill to build the thing.

Answer the survey, with your thoughts, if you wish. But the jury is still out with me. Itโ€™s on the site where a certain member, who shall remain nameless, accused me of spamming when I first launched Devizine, and mysteriously moments later I was in Facebook jail. Of which, such general pettiness is neither here nor there, but I feel worthy of mentioning. I know what youโ€™re thinking, Iโ€™m still such a naughty boy!


Trending….

IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

Are the Fire & Rescue Service Cutting Vital Flood Equipment?

Concern mounts after a petition was launched claiming vital flood equipment and training is being planned to be moved from fire stations from Chippenham and Trowbridge to Dorset, and Stratton in Swindon. You know me, usually I jumped at the chance to expose a transgression by authority, but on this occasion, as a response from Assistant Chief Fire Officer James Mahoney suggests the service is merely aligning the way in which all stations operate interchangeably, the jury is out on this one. I know right, impartiality; is this the new me?!

Not really. It gets rather technical, and I donโ€™t do technical. The last thing I will do is belittle the fire service for the grand job they do. So, as Iโ€™ve been asked to share news of the petition, like a real reporter, Iโ€™ll give you the low down from both sides of the argument, and itโ€™s up to if you choose to sign it; righty then?

Becky Montague, who started the petition argues, โ€œmembers of the public will have to wait an hour to be rescued safely, instead of eight minutes in the River Avon area, because Chief Fire Officer Ben Ansell has decided to remove vital equipment from Chippenham and Trowbridge stations to Dorset, and Stratton in Swindon. This will put the lives at risk of people caught in flooding in an area Mr Ansell knows to be of high risk.โ€

โ€œRemoving equipment and training from the firefighters means that they will respond but be unable to rescue people quickly and with the right tools. Rather than watch people die, they will be forced to carry out dangerous rescues without the vital safety equipment they need.โ€

โ€œThere is no flood risk in Swindon like there is in the Chippenham, Bradford-on-Avon and Trowbridge areas. Mr Ansell will put residents of Wiltshire at risk and put firefighters in danger.โ€

This sounds like cause for alarm, and Iโ€™m grateful for our reader bringing to my attention. Theyโ€™re concerned and angered, โ€œWe donโ€™t distribute emergency equipment based on geography we do it based on risk otherwise we would have a fire station in the middle of Salisbury plain, we donโ€™t do that because thereโ€™s no risk there,โ€ they informed, โ€œThe flooding risk is in the river Avon area not in Stratton in Swindon. Theyโ€™re going to put the council tax precept up again this year, what are Wiltshire residents going to get for that, other than the grateful thanks of Dorset residents for part-funding the service that they provide from the fire service?โ€

However, Assistant Chief Fire Officer James Mahoney had this response; โ€œA strategic review of the technical rescue provision of Dorset & Wiltshire Fire and Rescue Service has been carried out. This considered risk and demand across the whole Service area; evidence from historical incident data; geographical station locations; and neighbouring Service capability. A decision on the placement of these facilities is now being considered internally.โ€

 โ€œTechnical rescue includes technical search, rescue from swift water, rescue from height, bariatric rescue, confined space rescue and large animal rescue capability. There are currently six stations providing differing aspects of technical rescue across the two counties of Dorset and Wiltshire. In addition to these technical rescue stations, all fire stations have initial water safety equipment and training, and a large number of our stations also have wading team capability. The provisions at these six stations are not consistent, and most stations do not provide all of the capabilities listed above. As a combined Service, this is neither effective, efficient or resilient.โ€

 โ€œWhilst technical rescue is not a funded statutory duty for the Fire and Rescue Service, we recognise the importance of having this capability commensurate with the risks faced within our communities across the whole of Dorset and Wiltshire. We are looking to enhance, not diminish, our capability, allowing us a more strategic approach to the positioning of the key elements of technical rescue – which will also add greater resilience by aligning the way in which all stations operate interchangeably.

 โ€œStaff and representative bodies have been briefed, and given the opportunity to contribute their views throughout and engage in this process, and we will be carrying out public consultation on our draft Community Safety Plan for 2021-25 from 17 February to 13 May 2021.โ€

If I remember rightly, when our estate flooded some years ago, a fire service came from Yeovil to help, stating Wiltshire forces were preoccupied elsewhere. Understandably, this took some time for them arrive, but had it not been for the fire services to be integrated, it may not have happened at all. On the other hand, the dubious line from the Assistant Chief Fire Officerโ€™s statement, โ€œtechnical rescue is not a funded statutory duty for the Fire and Rescue Service,โ€ concerns me. What constitutes a technical rescue? And if itโ€™s not a statutory duty, why call yourself Fire and Rescue Service?

And, as the Gazette reports, โ€œSummerham and Seend Wiltshire councillor Jonathon Seed, who is also running for the Police and Crime Commissioner post, has pledged to take the case up with MPs saying the decision is outrageous,โ€ well, something is iffy with it; deffo.

Being a man of the people, who Iโ€™d like to hear the views of is an actual local firefighter. Your anonymity will be respected if you contact us; but we need the opinion of the men on the ground. In general, Iโ€™m at my tetherโ€™s end with bureaucratic nonsense from pen-pushers, and I urge any firefighter concerned to please do let us know.

Hereโ€™s the petition, should you decide to sign it: https://www.change.org/p/dorset-wiltshire-fire-authority-stop-the-removal-of-vital-rescue-equipment-from-wiltshire-fire-stations


Stonehenge or Bust; Duck n Cuvver Scale the Fence!

The last thing Robert Hardie wants is to be portrayed as villainous, or condoning mass trespass, though he accepts some might interpret breaking over the fence at Stonehenge as such. Chatting to this veteran on the phone this morning, he described the exhilaration and sensation of wellbeing, wandering between Wiltshireโ€™s legendary stone pillars, but expressed he doesnโ€™t wish to encourage others to follow his example, only to raise awareness of his crusade.

Frustration with English Heritage was the prime motive for taking the leap, displayed in his video doing the rounds on social media. But one half of Salisbury folk-rock indie duo, Duck n Cuvver has been fundraising for over three years to be able to shoot the final part of a music video inside the stone circle. โ€œInitially,โ€ he said, โ€œEnglish Heritage said it would cost ยฃ750, then they suddenly upped it to ยฃ4,500.โ€ I asked Rob if they gave an explanation, a breakdown of what the costs involved to them would be. He replied they hadnโ€™t.

My musing wandered over the occasion two years ago when local reggae band, Brother from Another pulled a publicity stunt recording themselves atop Silbury Hill, to wide criticism, but how The Lost Trades recently played around Avebury stone circle without trouble. Rob and Ian cannot call a compromise though, being the subject of the song, Henge of Stone, is as it says on the tin. As he explained to the Salisbury Journal back in 2019, โ€œThis video will make history โ€“ singing about Stonehenge in Stonehenge.โ€

Clearly enthusiastic about covering our ancient local landmarks as song themes, Rob told me heโ€™d written about Avebury too, and how he played them to the solstice crowd there. This part of our conversation ended with him reciting a few verses in song, and expressing the feeling of joy as the crowds sang them back to him.

While he didnโ€™t rule out this was a publicity stunt too, we discussed the necessities of the project. Rather than being a colossal movie production, with the atypical entourage, trailers and crew, all thatโ€™s needed is his partner in crime, Ian Lawes, and possibly the accompanying musicians, Chris Lawes, Jamez Williams, Louis Sellers and Paul Loveridge, a cameraman and a few instruments. The mechanics of shooting the footage would be simple, itโ€™s unplugged, being thereโ€™s no electricity on site, and Rob explained how mats would be provided to protect the grass. Besides, if EHโ€™s concerns were for the welfare of the site theyโ€™d simply say no, surely, not put a price on it.

Thereโ€™s therefore no justice, in my mind, really, on the exceptionally high price tag. Only to assume English Heritage is out to profit. Contemplating on recent outcries concerning activities around Stonehenge; the solstice parking debacle, closing for winter solstice and of course the tunnel, which we mutually dismissed as ludicrous on the grounds excavating there would obviously turn up some ancient findings and archaeological digs, and protection rights would whack the project way over budget, it feels the quango run agency is not the best method to protect our heritage sites, if the conservative ethos is revenue driven rather than insuring itโ€™s splendour is for all to enjoy and savour. As Rob points out in the film, โ€œStonehenge belongs to fucking us!โ€

Ah, story checks out; even English Heritage states similar on their website, if not quite so sweary! โ€œThe monument remained in private ownership until 1918 when Cecil Chubb, a local man who had purchased Stonehenge from the Atrobus family at an auction three years previously, gave it to the nation. Thereafter, the duty to conserve the monument fell to the state, today a role performed on its behalf by English Heritage.โ€ Itโ€™s basically one extortionate babysitter, calling the shots.

I enjoyed chatting with Rob, even if my plan to record the dialogue backfired due to my poor tech skills! I apologise to him for this improv article.

Iโ€™m surprised to not have previously heard of Duck n Cuvver, we tend to get vague coverage of the Salisbury area; something I need to work on. We did rap about our mutual friend, the pianist prodigy, young Will Foulstone, among other things.

The duo are sound as a pound, though, real quality folk rock come indie sound, the song is cracking, proper job. Which is why theyโ€™ve supported the likes of the Kaiser Chiefs and The Feeling, and recently performed at the National Armed Forces Day. Ardent about his music, this veteran explained his service inspired the band name, and continued to express his passion for this particular song, something which has been evolving over five years, and it shows. He described it as a โ€œcelebration of life,โ€ dedicated to a friend who passed away, from cancer.

Both members of the duo are good, charitable folk, and if Rob did climb the fence at Stonehenge recently, note he lives within the restricted range of it to constitute it being his daily exercise. From our phone call alone, I could tell theyโ€™re not the sort to abuse the trust, if it was given to them, to perform at Stonehenge, thatโ€™d be a magical moment, and, well, we could do with a magical moment right now. So, if you can help fund their campaign, youโ€™ll find a link to do so here.

I’ll pop the song which is kicking up all the fuss below, and leave with a thanks for the natter, Rob, and I wish you all the best with the crusade; Stonehenge or bust!

    


Song of the Day 1: Atari Pilot

Irregularly I share a music video to our Facebook page with the status “song of the day,” or week, or whenever, as if it’s a daily occurrence. When the reality is it’s a big, fat fib on my part, it’s only when I happen to find such a video and can be arsed to share it. What-cha gonna do, sue me?

So, just in case your lawyer says you have a case, I thought I’d streamline this sporadic idea for 2021, make it an actual feature on the site rather than a Facebook post, and show off that I know what long words like “sporadic” mean.

Little more gone into it than this, you should be used to it by now. I’m not going to review them, just embed them here for your own appraisal and entertainment purposes. Potentially, it’ll be a groundbreakingily breif post, a simple but effective phenomenon, and something I can do without missing the Simpsons.

The challenge is consistency; whether I actually stick to the idea or, like others, it’ll be a flash in the pan. Who knows, this could be the start of something beautiful, this could be the thing they’re talking about in decades to come. A holographic Ken Bruce could be asking “what was the very first Devizine Song of the Day” in a Pop Master 200 years from now.

And you can answer it with who I bestow this honour, Atari Pilot. They’ll be revelling in the triumph of the hour if it wasn’t lockdown, I bet.

History in the making then, the only issue I foresee is I over-waffle any old crap, which is, incidentally, not what’s happening now and rarely does here; I had to explain myself, didn’t I?

Okay, I get message; here it is then, enjoy the tune, enjoy the rest of your evening. Good job, carry on.


  • Devizine Steps Down From Organising Wiltshire Music Awards

    After much deliberation, Devizine is to pull out of any further organisation of the Wiltshire Music Awardsโ€ฆ..

    It has not been an easy decision, and I remain super-proud of what Ed and I achieved last year, getting this special occasion off the ground. The Wiltshire Music Awards takes complex organisation. Therefore, I feel I cannot commit to the workload involved this year effectively enough for what the event deserves whilst continuing to run Devizine too.

    Obviously, I’m still dedicated to supporting and promoting the Wiltshire Music Awards through Devizine for this and subsequent years. I also still believe it’s a very worthy cause, highlighting what a fantastic live music scene we have in Wiltshire and rewarding those who continue to contribute to it.

    Eddie Prestidge of Stone Circle Music Events said, โ€œwe want to publicly thank Darren for the time, effort, and genuine passion he has poured into the awards and into the wider Wiltshire music scene. The spirit of collaboration and encouragement heโ€™s brought has helped shape what this event stands for; celebrating local talent, lifting one another up, and strengthening our creative community.โ€

    Nominations for this yearโ€™s Wiltshire Music Awards will open on 1st May. I’d like to take this opportunity to thank Eddie, who has been a pleasure and an inspiration to work with, as I am certain we will maintain the same good working relationship for the future awards and many other events. And to wish all the best for the future of the Wiltshire Music Awards.


  • Whatever Happened to Pancake Races in Devizes?

    It seems Shrove Tuesday celebrations in Devizes have fallen as flat as aโ€ฆ.well, you get the gagโ€ฆ

    Traditionally organised by Age Concern Wiltshire, and often supported by local partners like the Black Swan Hotel, which provided the pancakes, and the Devizes Rotary Club, pancake races in Devizes were an annual occasion, aptly on Pancake Day.

    Originally held in the Market Place and shifted over to Hillworth Park in later years, you may have fond memories of trying to win a running race, giggling whilst tossing pancakes in frying pans, but these days it all seems to be lost; correct me if I’m wrong, you usually do!

    What happened to pancake races in Devizes? Was it stopped during the lockdown? Seems not, the last one I can find evidence of was in 2015, and appeared on a now archived blog called Devizes Days.

    Was it stopped because of health and safety reasons? Sounds possible, but other towns, such as Bradford-on-Avon, continue the tradition. Why not Devizes?

    I mean, hey, if you want to get technical, the indulgence of Pancake Day is that final day of feasting before fasting for Lent, and being everyone stuffs pancakes but no one actually fasts, maybe the powers that be got a bit over zealous with punishment for our sins?!

    Or, perhaps, and most likely, it’s just because everyone has too much to do in their daily rat race to organise a pancake race, which is a sad sign of the times. You know, kids don’t know how to play conkers anymore? Could pancake races be just as obsolete? Or could we revive it? I’d be happy to help, provided there’s sugar and lemon juice.

    I feel sorry for the kids today; “No, you can’t have social media!”

    “Can we run around tossing pancakes then?”

    “Absolutely no chance!!”

    I mean, we’d probably have to have frying pans made from foam and a soft landing surface. Pancakes would probably need to be dairy free, and disclaimers would need parent signatures, and failing to find a location to do this might result in the whole thing being played out in Minecraft, but still, it’s a thought. Do let me know yoursโ€ฆ..who stopped pancake races, and why?!


  • Minety Music Festival Announce Headliners; The Bluetones and Dub Pistols

    The mighty mighty Minety Music Festival announced The Bluetones as their Sunday headliner at their Eames Laurie Main Stage, and The Dub Pistols on the Saturday…..

    It’s not unspoken, we LOVE Minety Music Festival here at Devizine and don’t care who knows! It never fails to attract with some superb renowned names, and then throws in a plethora of local acts either established or upcoming, and in doing so creates a marvellous atmosphere where local music is supported via the followings of international headliners.

    Formed in London in 1996 byย Barry Ashworth, the Dub Pistols are a renowned British collective fusing dub, reggae, ska, hip-hop, and electronic music, and the party rockers will be headlining the Saturday.

    “We’re super excited and have wanted to bring The Dub Pistols to Minety for around three years,” chief organiser Rich Swatton tells us, “and this time, the stars have finally aligned. If you know, you know, and if you don’t know… speak to someone who knows. You’re going to love this!”

    The Bluetones first came to prominence in 1995, when their debut release โ€˜Are You Blue Or Are You Blind?โ€™ broke into the top 40. The single proved to be the launching pad for a run that saw 14 hit singles and 6 albums follow on from it. They headline Sunday.

    The Bluetones, formed in Hounslow, are made up of brothers Mark & Scott Morriss, alongside Adam Devlin and Eds Chesters, enjoyed considerable UK and Ireland successes, extending out across into Europe and Japan, before taking a hiatus in 2011 that lasted for 4 years. Since then they have re-established themselves as one of the UKโ€™s most consistently entertaining live acts, regularly touring their extensive catalogue to their army of devoted fans.

    2024 saw the release of the first new Bluetones material in 14 years; a renaissance that saw the four original band members take in the summer festivals, before a full UK tour in the autumn/winter of 2024.

    The release of ‘London Weekend Television’ in 2025 saw them reaffirm themselves as indie-pop royalty, and 2026 sees the band celebrate the 30th anniversary of Platinum selling album โ€˜Expecting To Flyโ€™, famed for hit singles, such as โ€˜Bluetonicโ€™, โ€˜Slight Returnโ€™ and Cut Some Rugโ€™.

    “We can’t wait to welcome them to Minety Music Festival, for the very first time,” Rich said, “you’re in for a real treat!”

    Minety is near Malmesbury, Wiltshire, and is happening from 2nd-5th July 2026. Tickets only available from: www.minetyfestival.co.uk/buy-tickets


  • Shindig Festival Announces Bob Vylan as Headliner

    The celebrated Shindig Festival at Malmesbury’s Charton Park announced their headline act for May bank holiday 2026, and being that it’s Bob Vylan, it is bound to open debateโ€ฆ.

    London based grime rappers Bob Vylan are no strangers to controversy through their criticisms of the establishment and calling out inequalities. Whilst they were one of many acts at last year’s Glastonbury to make statements condemning the genocide in Palestine, they seemed to take the brunt of the rightwing media assault.

    Online opinions from Shindig’s announcement are already strongly divided, but mostly positive from the devoted regular attendees of this marvellous festival. Some suggest it will be great to see them live and away from media exposure, others state otherwise. One said it’s an โ€œembarrassing choice. Heโ€™ll make it political and a hate filled performance.โ€™ But hey, who wants to party with those in support of such barbarism?

    Another suggests there’s plenty of other things they could be doing at the festival, and they need not attend this particular performance if they disagree with the social statements the band make; now there’s an idea!

    The Shindig team said they are โ€œvery excited to announce one of the most vital, fearless and electrifying live acts in the UK right now. Expect high-energy, sharp lyricism and a reputation for using music as a force for conversation and change. We believe art should challenge as well as unite.โ€ย 

    I find myself wondering what would become of punk if it suddenly stopped campaigning for righteousness, or what these triggered objectors would say if it was the seventies and John Lennon or Bob Marley was booked, for music has always had political or social motivations, and to censor it for the purposes of propaganda or ignorance would be sacrilegious. Well done, Shindig pose, it’s a seriously important booking.


  • Help DOCA Raise Fundsโ€ฆ.by Drinking Booze! Winter of Festive Ales Returns

    Now, you know when you see a fundraising advert and think, I’d like to raise some wonga for this or that cause, but further reading reveals you’re expected to take on an extreme mission like trekking the Great Wall on a unicycle made from coat hangers, or scaling Everest in just clogs and your wife’s undercrackers? Well, this one is a smidgen easier, and it’s something Devizions take great pride in accomplishingโ€ฆ..

    Yes, the end of February is nigh, when Devizes Outdoor Celebratory Arts asks the good folk of Devizes to raise some needed funds, which they inevitably pump back into a system supplying said good folk with a year of free events such as carnival and the Winter Festival, so it’s for their own benefit. And all they need to do to help is drink fine ale and enjoy some quality entertainment. Throw down the gauntlet, why don’t you DOCA, and roll out the barrel, for this is a challenge I’m confident both you and I can really get behind!

    This happens annually at The Corn Exchange, and this year’s is on Saturday 28th February. I’m told a fair amount of tickets are still up for grabs, so after reading this don’t vegetate playing Royal Match on your phone, put it to good use and buy yourself a pass to The Festival of Winter Ales. And here’s seven darn good (or at least reasonable) reasons why I think you should:

    As usual the event is divided into two sessions, one of quieter reflection for the true ale connoisseur in the afternoon, and the evening more lively session, for the party people; how amicable and considerate.

    Equifinal, though, is pies, and the extensive range of booze, from the dark ales experts of The Southgate and Stealth Brew Co, to IPAs, American pale ales, ciders, perry, and, if you donโ€™t mind handing your hard-earned cash to TVโ€™s tax-avoiding billionaire gammon, Clarkson, the Pour House brings Hawkstone Lager!

    Also predetermined whatever session you rock up to, is a raffle, and Social Club Cabaret starring puppeteer and self-acclaimed all-round nutter Dik Downey, some aerialโ€fusion salsa with Amy G, and The Amazing Malcolm, who may or may not be the same amazing Malcolm who runs Stealth Brewery, but if it is, I want at least half of my money back; bless him!

    Everyone’s favourites, and who certainly gets my seal of approval, Talk in Code are headlining the evening session, with their unique take on indie-pop originals, although I’m informed they recently took vow of beverage abstinence and said I could drink all their beer.

    Those immortalised in Lego lads, Talk in Code are supported by The Wholesome Soul Trio, regulars at The Southgate, and though Iโ€™ve yet to tick them off my must-see list, Iโ€™ve heard nothing but good things about their classic playlist of soul and funk with improvised solos.

    Even the afternoon session looks intriguing, as Iโ€™ve not heard of either act, but singer Amy Irvine is accompanied by local legend John E. Wright, so must be doing something Wright! And A Call from Tomorrow are a young indie covers duo from Wiltshire we wish the very best of luck.

    And the last good reason is that physical tickets are available to purchase at Devizes Books; so you could treat yourself to a copy of my outrageous murder-mystery whodunnit-whocares novel while youโ€™re there!!


  • Devizes Acting Company to Debut New Show at Edinburgh Fringe 2026

    A gameshow unlike any other is set to take local actors to the world stage. The Wharf Theatre is proud to present the debut of a brand-new show, “Whose Play is it Anyway?”

    Set to enjoy a week-long run at the Edinburgh Fringe Festival 2026 from August 17th to the 22nd, this innovative original production offers a fresh perspective on contemporary storytelling, using a gameshow format to explore a range of devised, scripted and improvised pieces, many created by the talented cast themselves. As part of the game, each performance order will be left to chance, creating a unique experience every time.

    Join your host, Barry Ruffles and his glamorous assistant, Jenny Flannel as they present 18 pieces of theatre in 50 minutes; all you have to do is guess the genre, playwright or year to win a speedboat, cuddly toy or a holiday for two on the Isle of Fernando!ย 

    Prior to the Fringe, the show will preview at the Wharf Theatre, Devizes, running from 29th to the 30th May, Bristolโ€™s Alma Tavern and the Shaftesbury Art Centre; giving West Country audiences an opportunity to experience the production ahead of its official festival run.

    Whether youโ€™re a seasoned Fringe attendee or a first-time visitor, Whose Play Is It Anyway promises to entertain. The show will be performed at the SpaceUK, located at the heart of Edinburghโ€™s bustling festival district. Tickets are available from [Ticket Provider] and can be purchased online or at the venue box office.

    Lou Cox, director of The Wharf Acting Company, who perform & devised this show, is also taking her solo show, Having a Baby and The Sh!t They Donโ€™t Tell You in Books, for a week at the Edinburgh Fringe. Inspired by the loss of her baby girl, Lou described the play as a โ€œcomedic and brutally honest one-woman show which gifts audiences an emotional, and at times highly entertaining, whirlwind of witty anecdotes and graphic storytelling, with an ending no mother could ever imagine.โ€ And this one too will be performed at The Wharf Theatre, also running from 29th to the 30th May, of which the previous run was reviewed by Helen, HERE.


  • Thieves Plan Unplugged Gig at Brokerswood

    We don’t like many thieves here at Devizine, but we do love Thieves the band! Well, those Thieves have an interesting next gig it’s worthwhile mentioningโ€ฆ..

    The first time I saw these Thieves it was a paradox of coincidences. I was hiding in the back of the Wild & Wooley room of Bradford Roots Festival at The Wiltshire Music Centre, and I was suitably wowed by their Americana/UK folk harmonies. I likened them to The Lost Trades at the time, and told the person next to me, only to realise it was Phil Cooper, one third of the Lost Trades! I then proceeded to vocalise my observation that the guy on the banjo looked uncannily like soloist Adam Woodhouse, only for Phil to sigh, โ€œit is Adam Woodhouse!โ€ Should have gone to Specsavers.

    Since, the collective of Adam with Rory Coleman-Smith, Jo Deacon and Matt Hughes have gone from strength to strength, regularly gigging, you might have seen them; consider yourself lucky. They gained me enormous kudos when they played so beautifully at Rowdefest last year, it was uplifting and toe-tapping goodness. Oh, and, we fondly reviewed their debut EP.

    They’reย  excited to announce a headline appearance at Brokerswood’s Tin Church, near Westbury, on the 28th February, with support from the amazing Feral Beryl. Though the Thieves explained, โ€œwe were lucky enough to perform in this wonderful venue last year as a supporting act,โ€ it’s the first I’ve heard of a gig there, ‘cos no one tells me nuthin’, but I do recall sitting with the kids on the miniature train!

    As an outdoor pursuit area, Brokerswood has been a popular attraction for families and campers since 1968, now in an effort to preserve the land, it’s converted into a holiday park.ย 

    With no electricity, The Tin Church is a beautifully unique venue where the musicians are lit solely by candlelight and the original paraffin lamps and perform completely unplugged, taking advantage of the wonderful acoustics of the space. The band say, โ€œitโ€™s an experience like no other and an evening of music not to be missed!โ€

    Sounds good to me; who needs electricity when youโ€™ve got beautiful music?! Priced at ยฃ18, it gets even better because it includes canapรฉs, with tickets available from The Cheese & Gain website. But, if you happen to miss this, as it’s a busy weekend what with The Festival of Winter Ales in Devizes and much more, Thieves will be playing this spring festival in March at Trowbridge Town Hall.


  • Rowdefest 26 Lineup Reveal!

    Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up a bit!ย 

    It was a hugely successful Rowdefest last year, and was lots of fun for all the family. We cordially invite you to do it all again this year! The wonderful committee is still hard at work, planning the day, and some work needs doing. But, weโ€™ve set a date, Saturday 30th May, and kept the same times, from 1pm until 7pm.

    Itโ€™s free, and itโ€™s at the same location, the Small Playing Field in Rowde. There will be food and drink, lots of side stalls, tea, coffee and cakes in St Matthews Church. Our villageโ€™s famous ice cream parlour, The Rowdey Cow will be there, and you are welcome to bring deckchairs but the haystacks will be back too.

    We really crammed in some fantastic music acts last year; this time we want you to explore the side stalls and have some fun before getting comfy around the main stage, but we will be opening the day with some music. A bit of a disco I reckon, some loved pop classics for all. Iโ€™m thinking eighties, the committee might knock me back a couple of decades, weโ€™ll have to wait and see! I want to see some dancers though, and maybe there will be best dancers prizes, so get up and shake your thang!

    The Devizes Jubilee Morris Dancers were brilliant last year, so weโ€™ve invited them back again. Interactive by the end, more dancing required!

    Iโ€™m delighted to say we have the sublime Ruby Darbyshire playing for us, who many of you will already know, and, I promise, will leave you in awe.

    Headliner this year is Barrelhouse, Marlboroughโ€™s finest purveyors of vintage blues with a groove. You are going to love these guys, and you will be up dancing, again!

    Mantonfest 2023

    Thatโ€™s all Iโ€™ve got, less is more. Just pop it in your diary and I hope to see you there!


  • Breaking News in Rowde: Wiltshire Road Gets Resurfaced!

    Are you sitting down, as this may come as a shock? Residents of the Springfield Road estate in Rowde should be feeling rather privileged at the moment, as bucking the countywide trend of having roads which look like Mars has suffered a doodlebug air-raid, it’s actually been resurfaced!

    Not all of them seem satisfied they’ve the only road in the county which is, comparatively, as smooth as a baby’s botty though, and have taken to their local Facebook group, Rowde all About it, to whinge about the inconvenience of waiting an extra day before work could commence due to poor weather, as they probably would’ve whinged about the state of the road beforehand! Awl, that’s Facebook for you; an adult’s playground for venting Karen’s petty fury.

    The operation has run just as smooth, with jolly-faced roadworkers jumping at the opportunity to move some cones and allow residents access; it breaks up the monotonous teabreaks. One resident lightened the mood on the Facebook group by suggesting offering them tea and chocolate digestives was key to their friendly attitude, though we’ve no proof of this because I’m keeping all my biscuits for myself.

    It is, though, quite a delight to drive on a road in Wiltshire without worrying for your wheel alignment and suspension, if a smidgen eerie. And, of course, once you’ve got to the main road it’s back to the usual sensation of cycling a penny-farthing over a lunar landscape, but hey, for a moment there it’s driving heaven.

    Okay, so a few motorist residents didn’t read the social media posts nor see the cones and massive signs stating no parking for the duration of the repair, leaving sweeping gaps untreated, but they finally caught on, moved them, and the roadworkers are rubbing their hands together for a Sunday bonus; all is well.

    Residents are advised to drive slowly across the new tarmac, to delay in its inevitable dilapidation. It’s a flipping housing estate, for crying out loud! An estate with the rare blessing in modern times, whereby children can still play relatively safely outside, so it’s in everyone’s best interests to drive through it with caution in the first bloody place!ย 

    Bearing in mind this is a busy estate, where some residents are in the habit of parking wherever the hell they fancy, despite the inconvenience it may cause for other residents, and those headless chicken non-residents swerving through, using it as a short cut to avoid Marsh Lane.

    Thereโ€™s an ever- increasing population using Springfield Road, accumulating by the questionable requirements of gradually extending the estate with further Lego houses, when it would’ve been far better to accept the expansion was inevitable years ago, and build it a new access road from the other side of the school; but planning is for other counties.

    Not forgoing the colossal construction traffic used to bring these part-built monstrosities past the school gates and playpark without pavements, and through the already busy estate, leaving people wondering how the area obtained such dilapidated roads in the first place!

    But not only is the road smooth, for a moment in time, there’s the additional Facebook group story of a rogue โ€œcarerโ€ who apparently โ€œdrives like a maniac,โ€ revealing their misdoings by apparently telling the road workers to โ€œf-off,โ€ which kind of makes it all worthwhile being in the group, and should remain as a stern message to all roadworkers not to piss off carers, because theyโ€™ve got caring to do, god dammit, and if anyone gets in their way of caring, wellโ€ฆ.

  • Chippenham’s New Venue, The Ruze Opens with The Showhawk Duo

    It could be bigger than Diggers! See what I did there? Okay, you youngsters might need Google, but while you’re researching Chippenham’s hedonistic past, a new music venue and studio is preparing to open its doors at the end of Februaryโ€ฆ..

    The Ruze on Union Road opens on Friday, 27th February. It’s a daring era to be opening a new venue, but this looks rather special. I believe it’s captured a gap in the market, and we wish them the very best of luck.

    James Humphrys, Mac Lloyd, and Beth Thornton kick off the proceedings on Friday night, while Saturday the 27th sees The Showhawk Duo perform their unique take on club classics, acoustically.

    These guys remain toppermost on my must-see list. I should’ve known better to question festival organiser and Boot Hill All Star Flounder Murray when he spoke of โ€œacoustic raveโ€ some years ago. โ€œAcoustic rave?โ€ I responded, โ€œhow does that work then?โ€

    โ€œVery well,โ€ was his reply, with a mindblowing Showhawk Duo video attached; I’m still at odds comprehending how these guys manage to pull off such a stunt, to recreate those floorfillers with just two guitars.



    Supporting the duo are Lucca Mae, John Fairhurst, Kane Pollastrone, and Seren. Other than the brilliant Mac Lloyd, these are all new names to me; looks like The Ruze has a quality vetting process with an ethos lending to supporting upcoming local acts, and I like that in a venue!

    If daytime clubbing is a thing now, Sunday March 1st from 3-8pm, The Ruze turns into Club Kudo, with some dance anthems and Ibiza classics, finalising their grand opening weekend.

    Tickets for all nights are limited, and go on sale at 6pm today, Friday 6th Feb. HERE.


Wiltshire Council to spend ยฃ1.1m on digital devices so struggling families can access remote education

Wiltshire Council is allocating ยฃ1.1m of government COVID-19 funding to buy laptops and digital devices for disadvantaged pupils who currently canโ€™t join classmates learning from home.

The decision to allocate the funding to buy around 2,500 devices means these children will be able to access their school lessons from home rather than have to attend school to do so.

Currently pupils who do not have a laptop can attend school alongside children of key workers and vulnerable students. The new approach will help manage school spaces and continue to help prevent COVID-19 transmission.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œIt is essential our children and young people can continue to be taught and have an education in these difficult times as well as being able to maintain links with friends and have face to face contact with their teachers. With the news this week that schools will close we are aware there are families and young people out there who are left without the means to access that education and this is not acceptable.

โ€œBy using our government COVID-19 funding in this way we are ensuring families are not disadvantaged and can join their peers working from home. We will be working with our schools to ensure those children who need devices can access them.

โ€œI know schools have already been receiving many requests for laptops and some are sending children into school as under the new government rules you can attend. By providing additional laptops we will be freeing up those school places for other pupils who need to be in school.

โ€œAcross Wiltshire we have some great charity work happening with many community minded charities offering to recycle second hand laptops so they can be used in schools and I would like to thank them for this extraordinary effort.โ€


During the summer term Wiltshire Council distributedย 1,232 devices provided by the DfE across 138 schools which were designated specifically for disadvantaged and vulnerable children and young people. Currently secondary schools are accessing further allocated devices directly via the DfE and the council is reviewing opportunities to ensure a further reach so children in need have access to the tools for remote learning including tablets, laptops and wifi and data. The DfE has also announced that all primary schools will be able to order laptops and tablets by 15 January and the DfE will contact all primary schools by that date to invite them to order devices.

Wiltshire Council will also be working with schools following the government news that schools, trusts and local authorities can request mobile data increases for disadvantaged children and young people who do not have fixed broadband, if they cannot afford additional data for their devices and are experiencing disruption to their face-to-face education.

Schools are also working with families directly to ensure Free School Meals continues. For those families who are not sure if they are eligible for Free School Meals they can check here.  


Will Lawton’s Rhythm Practice

Local music therapist Will Lawton plans to open a Music Therapy practice in early 2021, based at The Pound Arts Centre in Corsham. The service will help develop a positive change in the well-being of individuals of all ages through the creative use of music, facilitated by trained music therapists. Can you help Will reach his target?

In total, ยฃ8500 is required in order to equip a room with high quality music instruments and equipment. ยฃ6000 of this target has already been pledged by the council and a school, leaving an outstanding balance of ยฃ2500. This final balance must be found in order to unlock the rest of the grant funding to bring this project to life.

Donate here, thank you


Between Two Worlds with Ruzz Guitar

He might be between two worlds but he can also be in your home, in your very own ears, and that’s the best place for Ruzz Guitar to be. With a striking Funk-O-Pop styled cartoon cover, Ruzz Guitar has a new album out and yeah, just yeah! Shadowing the Shadows with a belter of anโ€ฆ

Film maker, author and a future star of celebrity traitors, David Olusoga OBE comes to Fromeโ€ฆ

This summer David is returning with a brand-new show “Historyโ€™s Missing Chapters”, a show made to uncover why, throughout history, some people and events have been remembered and some have been completely forgotten…. Heโ€™ll be taking examples from the world wars, the Industrial revolution and many other pivotal moments throughout history in an attempt toโ€ฆ

@The Southgate

Massimoโ€™s; Locale Pizza Paradiso

Talking Pizza today, why? Why not?

Who remembers BTโ€™s friends & family scheme in the nineties, reducing call charges for five selected favourite phone numbers? If you didnโ€™t submit your favs, BT would select them on your behalf based on calls to the number you made the most. Mine, living in Swindon at the time, Iโ€™ll confess, went: 1. my mum and dad, 2. my best mate, and 3. Dominoโ€™s Pizza. Four mayโ€™ve been a girlfriend, itโ€™s dubious but not impossible!

Some years later I moved to Marlborough, where given Ask, Pizza Express and so many others operate today, you couldnโ€™t get a pizza for love nor money. Enter the incredible, if slightly hazardous, Fronkie Fritzheimer, a legend in his own time. From his own kitchen and later progressing to working out of the football club, a move only the fire brigade grumbled about, he serviced Marlboroughโ€™s pizza lovers with, darn it, some of the most heavenly pizzas to have blessed my lips.

Fronkie on the move in the late 90s.

I posted on a Marlborough Facebook group, to see if bods recall his presence, or if I dreamed it, and much to my delight, while Fronkie moved to pastures new some years ago, his memory is stamped as firmly in Marlboroughโ€™s cultural history as the Earl of Cardigan. From an A4 photocopied leaflet weโ€™d regularly phone our order, and some weeks after his arrival, the delivery operative arrived at our door with complimentary desserts. โ€œBetween you and the rugby club,โ€ they thanked us without jest, โ€œare our best customers yet!โ€ We were honoured, proud we ate as much pizza as an entire rugby club!

My case study justified; trust, I know a good pizza when I see/smell or taste one, from a distance of anything up to three hundred yards. With Fronkie fertig, me now living in the Vizes, and Dominoโ€™s, face it, is an acquired taste, there was a social media much ado about nothing concerning news of Pizza Express closing in town, which left me wondering why. I am sorry to hear the news for the sake of the staff, but with mixed reviews in the comments, some moaning of the loss is bemusing to me, and Iโ€™d wager to anyone else who has sampled a Massimo pizza.

Pizza Express closing is not the end of the world, as overpriced as the mighty Dominos anyway, unless with the latter you take out an offer, where youโ€™re bundled with a pot of watery coleslaw or barely-cooked fries which droop like an impotent greasy baboonโ€™s todger! Iโ€™ve moved on from Dominoโ€™s, as you can see by my unpolished comparison, Iโ€™ve matured.

No, no, no; Massimos will cost you no more, but it is a house of quality, and I guarantee youโ€™ll taste the difference, heck, youโ€™ll smell the difference through the box! If it wasnโ€™t such a generous portion and the sort of taste you have to savour, making it filling, Iโ€™d probably have eaten the box too.

You Beauty!

Look, see here, this is no advertorial, theyโ€™ve no idea Iโ€™m writing this, much to their surprise. Buying local and all that aside, Massimo makes one tasty, fresh pizza, with topping to die for and even the crust is moreish. Heโ€™s undoubtedly stolen my homegrown crown from Fronkie. And lockdown is not stopping them, takeaway is available. Itโ€™s a crying shame thereโ€™s a ristorante left unopened until a better day, a day I was waiting for until I wrote a review for them, but sadly seems weโ€™ve lost the immediate opportunity once more.

So, think this not as a review, do I look like, Jay Rayner? Actually, donโ€™t answer that. Just saying, I love a Massimoโ€™s pizza, the family does, Iโ€™d wager Devizions-in-know do. Treat yourself, thereโ€™s a full menu to takeaway, the lasagne, ah, the lasagne, speaks for itself. You can call them 01380 724007, message them on Facebook, or, thereโ€™s a little bell at the door in Swan Yard, just ring it when theyโ€™re open, 5-8:30pm. Theyโ€™re fantastically welcoming and will bring you takeaway Ring Donuts, Nutella Donuts, Cartoccio with sweet Ricotta filled, Nutella Croissants, any two for three quidโ€ฆ whoa, I apologise; getting a tad over-excited. But, right, the guy won the coveted Gold Star for 2020 for his own Napoletano sauce; how much more convincing do you need?!

hot dang!

@ The Southgate

Devizineโ€™s Review of 2020; You Canโ€™t Polish a Turd!

On Social and Political Mattersโ€ฆ…

For me the year can be summed up by one Tweet from the Eurosceptic MEP and creator of the Brexit Party, Nigel Farage. A knob-jockey inspired into politics when Enoch Powell visited his private school, of which ignored pleas from an English teacher who wrote to the headmaster encouraging him to reconsider Farageโ€™s appointed prefect position, as he displayed clear signs of fascism. The lovable patriot, conspiring, compulsive liar photographed marching with National Front leader Martin Webster in 1979, who strongly denies his fascist ethos despite guest-speaking at a right-wing populist conference in Germany, hosted by its leader, the granddaughter of Adolf Hitlerโ€™s fiancรฉ; yeah, him.

He tweeted โ€œChristmas is cancelled. Thank you, China.โ€ It magically contains every element of the utter diabolical, infuriating and catastrophic year weโ€™ve most likely ever seen; blind traditionalist propaganda, undeniable xenophobia, unrefuted misinformation, and oh yes, the subject is covid19 related.

And now the end is near, an isolated New Yearโ€™s Eve of a year democracy prevailed against common sense. The bigoted, conceited blue-blooded clown we picked to lead us up our crazy-paved path of economic self-annihilation has presented us with an EU deal so similar to the one some crazy old hag, once prime minster delivered to us two years back itโ€™s uncanny, and highly amusing that Bojo the clown himself mocked and ridiculed it at the time. Iโ€™d wager itโ€™s just the beginning.

You can’t write humour this horrifically real, the love child of Stephen King and Spike Milligan couldn’t.

Still, I will attempt to polish the turd and review the year, as itโ€™s somewhat tradition here on Devizine. The mainstay of the piece, to highlight what weโ€™ve done, covered and accomplished with our friendly website of local entertainment and news and events, yet to holistically interrelate current affairs is unavoidable.

We have even separated the monster paragraphs with an easier, monthly photo montage, for the hard of thinking.

January

You get the impression it has been no walk in the park, but minor are my complaints against what others have suffered. Convenient surely is the pandemic in an era brewing with potential mass hysteria, the need to control a population paramount. An orthornavirae strain of a respiratory contamination first reported as infecting chickens in the twenties in North Dakota, a snip at 10,400km away from China.

Decidedly bizarre then, an entire race could be blamed and no egg fried rice bought, as featured in Farageโ€™s audacious Tweet, being itโ€™s relatively simple to generate in a lab, inconclusively originated at Wuhanโ€™s Huanan Seafood Wholesale Market, rather spread from there, and debatably arrived via live bat or pangolin, mostly used in traditional Chinese medicine, a pseudoscience only the narrowminded minority in China trusts.

Ah, inconsistent pseudoscience, embellished, unfalsifiable claims, void of orderly practices when developing hypotheses and notably causing hoodwinked cohorts. Yet if we consider blaming an ethos, rather than a race, perhaps we could look closer to home for evidence of this trend of blind irrationality. Truth in Science, for example, an English bunch of Darwin-reputing deluded evangelicals who this year thought itโ€™d be a grand and worthy idea to disguise their creationist agenda and pitch their preposterous pseudoscientific theory that homosexuality is a disease of the mind which can be cured with electro-shock treatment to alter the mind inline with the bodyโ€™s gender, rather than change the body to suit the mindโ€™s gender orientation, to schoolchildren!

Yep, these bible-bashing fruit-bats, one lower than flat earth theorists actually wrote to headmasters encouraging their homophobia to be spread to innocent minds, only to be picked up by a local headmaster of the LGBTQ community. Hereโ€™s an article on Devizine which never saw the light of day. Said that Truth in Scienceโ€™s Facebook page is chockful with feedback of praise and appreciation, my comments seemed to instantly disappear, my messages to them unanswered. All I wanted was a fair-sided evaluation for an article, impossible if you zip up.

Justly, no one trusts me to paint an unbiased picture. This isnโ€™t the Beeb, as I said in our 2017 annual review: The chances of impartiality here, equals the chances of Tories sticking to their manifesto. Rattling cages is fun, thereโ€™s no apologies Iโ€™m afraid, if I rattled yours, it just means youโ€™re either mean or misguided.

Herein lies the issue, news travels so fast, we scroll through social media unable to digest and compose them to a greater picture, let alone muster any trust in what we read. Iโ€™m too comfortable to reside against the grain, everyoneโ€™s at it. I reserve my right to shamelessly side with the people rather than tax-avoiding multinationals and malevolent political barons; so now you know.

February

If you choose to support these twats thatโ€™s your own lookout, least someone should raise the alarm; youโ€™d have thought ignoring World Health Organisation advise and not locking down your country until your mates made a packet on horseracing bets is systematic genocide and the government should be put on trial for this, combined with fraud and failure of duty. If not, ask why weโ€™re the worst hit country in the world with this pandemic. Rather the current trend where the old blame the young, the young blame the old, the whites blame the blacks, the thin blame the fat, when none of us paid much attention to restrictions because they were delivered in a confused, nonsensical manner by those who don’t either, and mores to the pity, believe they’re above the calling of oppressive regulations.

If you choose to support these twats, youโ€™re either a twat too, or trust what you read by those standing to profit from our desperation; ergo, twats. Theres no getting away from the fact you reep what you sow; and the harvest of 2020 was a colossal pile of twat.


Onto Devizineโ€ฆ. kind of.

For me what started as a local-based entertainment zine-like blog, changed into the only media I trust, cos I wrote the bollocks! But worser is the general obliteration of controversy, criticism and debate in other media. An argument lost by a conformer is shadowed behind a meme, or followed up with a witch hunt, a torrent of personal abuse and mockery, usually by inept grammar by a knuckle-dragging keyboard warrior with caps-lock stuck on; buy a fucking copy of the Oxford Guide to English Grammar or we’re all going to hell in a beautiful pale green boat.

We’re dangerously close to treating an Orwellian nightmare as a self-help guide, and despite fascists took a knockdown in the USA and common sense prevailed, the monster responded with a childish tantrum; what does this tell you? The simple fact, far right extremism is misled and selfish delinquency which history proves did no good to anyone, ever. Still the charade marches on, one guy finished a Facebook debate sharing a photo of his Boris โ€œget Brexit doneโ€ tea-towel. I pondered when the idiot decided a photo of his tea towel would suffice to satisfy his opinion and convince others, before or after the wave of irony washed over his head in calling them Muppets.

I hate the term, itโ€™s offensive. Offensive to Jim Hensonโ€™s creations; try snowflake or gammon, both judgemental sweeping generalisations but personally inoffensive to any individual, aside Peppa Pig. I wager you wander through Kent’s lorry park mocking the drivers and calling them snowflakes rather than tweeting; see how far you get.

So, the initial lockdown in March saw us bonded and dedicated, to the cause. We ice-skated through it, developed best methods to counteract the restrictions and still abide by them; it was kind of nice, peaceful and environmentally less impacting. But cracks in the ice developed under our feet, the idea covid19 was a flash in pan, akin to when Blitz sufferers asserted itโ€™d all be over by Christmas, waned as we came to terms, we were in it for the duration.

Yet comparisons to WWII end there, lounging on the sofa for three months with Netflix and desperate peasants delivering essential foodstuff, like oysters, truffles and foie gras is hardly equivalent to the trench warfare of Normandy. Hypocritical is me, not only avoiding isolation as, like a nurse, my labour was temporarily clapped as key worker in March, I figured my site would only get hits if I wrote something about Covid19, and my ignorance to what the future resulted in clearly displayed in spoofy, ill-informed articles, Corona Virus and Devizine; Anyone got a Loo Roll? on the impending panic-buying inclination, and later, I Will Not Bleat About Coronavirus, Write it Out a Hundred Timesโ€ฆ

The only thing I maintained in opinion to the subject, was that it should be light-hearted and amusing; fearing if we lose our sense of humour, all is lost. Am I wrong? Probably, itโ€™s been a very serious year.

It was my first pandemic-related mention, hereafter nearly every article paid reference to it, no matter how disparate; itโ€™s the tragedy which occupied the planet. But letโ€™s go back, to oblivious January, when one could shake hands and knew where the pub was. Melksham got a splashpad, Devizes top councillors bleated it wasnโ€™t fair, and they wanted a splashpad too. They planned ripping out the dilapidated brick shithouses on the Green and replacing it with a glorious splashpad, as if they cared about the youth of the town. I reported the feelings of grandeur, Splashpad, Iโ€™m all over it, Pal! A project long swept under the carpet, replaced with the delusion weโ€™ll get an affordable railway station. As I said, convenient surely is the pandemic.

So many projects, so many previews of events, binned. Not realising at the time my usual listing, Half Term Worries Over; things to do with little ones during February half-termโ€ฆ would come to an abrupt halt. Many events previewed, the first being the Mayoral Fundraising Events, dates set for the Imberbus, and Chef Peter Vaughan & Indecisionโ€™s Alzheimerโ€™s Support Chinese New Year celebration, to name but a few, Iโ€™m unaware if they survived or not.

March


On Musicโ€ฆ…

But it was the cold, early days of winter, when local concerns focused more on the tragic fire at Waiblingen Way. In conjunction with the incredible Liz Denbury, who worked tirelessly organising fundraising and ensuring donations of essentials went to the affected folk, we held a bash in commemoration and aid down that there Cellar Bar; remember?

It was in fact an idea by Daydream Runaways, who blew the low roof off the Cellar Bar at the finale. But variety was the order of the evening, with young pianist prodigy Will Foulstone kicking us off, opera with the amazing Chole Jordan, Irish folk with Mirko and Bran of the Celtic Roots Collective and the acoustic goodness of Ben Borrill. Thanks also has to go to the big man Mike Barham who set up the technical bits before heading off to a paid gig. At the time I vowed this will be the future of our events, smaller but more than the first birthday bash; never saw it coming, insert sad-face emoji.

We managed to host another gig, though, after lockdown when shopping was encouraged by In:Devizes, group Devizes Retailers and Independents, a assemblage of businesses set up to promote reopening of town. We rocked up in Brogans and used their garden to have a summer celebration. Mike set up again, and played this time, alongside the awesome Cath and Gouldy, aka, Sound Affects on their way to the Southgate, and Jamie R Hawkins accompanied Tamsin Quin with a breath-taking set. It was lovely to see friends on the local music scene, but it wasnโ€™t the reopening for live music we anticipated.

Before all this live music was the backbone of Devizine, between Andy and myself we previewed Bradford Roots Music Festival, MantonFest, White Horse Operaโ€™s Spring Concert, Neeld Hallโ€™s Tribute to Eddie Cochran, and the return of Asa Murphy. We reviewed the Long Street Blues Club Weekender, Festival of Winter Ales, Chris Oโ€™Leary at Three Crowns, Jon Walsh, Phil Jinder Dewhurst, Mule and George Wilding at The White Bear, Skandalโ€™s at Marlboroughโ€™s Lamb, and without forgetting the incredible weekly line-up at the Southgate; Jack Grace Band, Arnie Cottrell Tendency, Skedaddle, Navajo Dogs, Lewis Clark & The Essentials, King Street Turnaround, Celtic Roots Collective, Jamie, Tamsin, Phil, and Vince Bell.

The collection of Jamie R Hawkins, Tamsin Quin and Phil Cooper at the Gate was memorable, partly because theyโ€™re great, partly because, it was the last time we needed to refer to them as a collection (save for the time when Phil gave us the album, Revelation Games.) Such was the fate of live music for all, it was felt by their newly organised trio, The Lost Trades, whose debut gig came a week prior to lockdown, at the Pump, which our new writer Helen Robertson covered so nicely.

For me, the weekend before the doom and gloom consisted of a check-in at the Cavy, where the Day Breakers played, only to nip across to Devizes Sports Club, where the incredible Ruzz Guitar hosted a monster evening of blues, with his revue, Peter Gage, Innes Sibun and Jon Amor. It was a blowout, despite elbow greetings, I never figured itโ€™d be the last.

It was a knee-jerk reaction which made me set up a virtual festival on the site. It was radical, but depleted due to my inability to keep up with an explosion of streamed events, where performers took to Facebook, YouTube sporadically, and other sites on a national scale, and far superior tech knowhow took over; alas there was Zoom. I was happy with this, and prompted streaming events such as Swindonโ€™s โ€œStaticโ€ Shuffle, and when PSG Choirs Showed Their True Lockdown Colours. Folk would message me, ask me how the virtual festival was going to work, and to be honest, I had no idea how to execute the idea, but it was worth a stab.

One thing which did change, musically, was we lowered our borders, being as the internet is outernational and local bands were now being watched by people from four corners of the world, Devizine began reviewing music sourced worldwide. Fair enough, innit?

The bleeding hearts of isolated artists and musicians, no gigs gave them time on their hands to produce some quality music, therefore our focus shifted to reviewing them, although we always did review records. Early local reviews of 2020 came from NerveEndings with the single Muddy Puddles, who later moved onto an album, For The People. Daydream Runawaysโ€™ live version of Light the Spark and Talk in Codeโ€™s Like That, who fantastically progressed through lockdown to a defining eighties electronica sound with later singles Taste the Sun and Secret.

We notified you of Sam Bishopโ€™s crowdfunding for a quarantine song, One of a Kind, which was released and followed by Fallen Sky. Albums came too, we covered, Billy Green 3โ€™s Still in January, and The Grated Hits of the Real Cheesemakers followed, With the former, later came a nugget of Billy Greenโ€™s past, revealing some lost demos of his nineties outfit, Still, evidently what the album was named after.

Whereas the sublime soul of Mayyadda from Minnesota was the first international artist featured this year, and from Shrewsbury, our review of Cosmic Raysโ€™ album Hard to Destroy extended our presence elsewhere in the UK, I sworn to prioritise local music, with single reviews of Phil Cooperโ€™s Without a Sound, TheTruzzy Boysโ€™ debut Summertime, Courage (Leave it Behind), a new single from Talk in Code, and for Daydream Runawaysโ€™ single Gravity we gave them an extensive interview. This was followed by Crazy Stupid Love and compiled for an EP, Dreamlands, proving theyโ€™re a band continuously improving.

April

Probably the most diverse single around spring though was an epic drum n bass track produced right here in Devizes, featuring the vocals of Pewseyโ€™s Cutsmith. Though while Falling by ReTone took us to new foundations, I ran a piece on the new blues sounds locally, as advised by Sheer Musicโ€™s Kieran Moore. Sheer, like all music promoters were, understandably, scrambling around in the dark for the beginnings of lockdown, streaming stuff. It wasnโ€™t long before they became YouTube presenters! The Sheer podcast really is something special, in an era leaving local musicians as dry as Ghandiโ€™s flip-flop, they present a show to make โ€˜em moist!

Spawned from this new blues article, one name which knocked me for six, prior to their YouTube adventures, was Devizes-own Joe Edwards. I figured now I was reviewing internationally; would it be fair to local musicians to suggest a favourite album of the year? However, Joeโ€™s Keep on Running was always a hot contender from the start, and despite crashing the borders on what we will review, I believe it still is my favourite album of the year.

Other top local albums, many inspired from lockdown came flowing, perhaps the most sublime was Interval by Swindonโ€™s reggae keyboardist virtuoso, Erin Bardwell. The prolific Bardwell later teamed with ex-Hotknive Dave Clifton for a project called Man on the Bridge.

Perhaps the most spacey, Devizesโ€™ Cracked Machineโ€™s third outing, Gates of Keras. Top local singles? Well, George Wilding never let us down with Postcard, from a Motorway, and after lockdown reappeared with his band Wilding, for Falling Dreams and later with a solo single, You Do You. Jon Amor was cooking with Peppercorn, which later led to a great if unexpected album, Remote Control.

There was a momentary lapse of reason, that live streaming was the musical staple diet of the now, when Mr Amor climbed out onto his roof to perform, like an ageless fifth Beatle. Blooming marvellous.

Growing up fast, Swindonโ€™s pop singer Lottie J blasted out a modern pop classic with Cold Water, and no one could ignore Kirsty Clinchโ€™s atmospheric country-pop goodness with Fit the Shoe.

Maybe though it wasnโ€™t the ones recorded before, but our musicians on the live circuit coming out with singles to give them some pocket money, which was the best news. I suggest you take note of Ben Borrillโ€™s Takes A Little Time, for example.

I made new friends through music, reviewing so many singles and EPs; Bathโ€™s Long Coats, and JAYโ€™s Sunset Remedy. Swindonโ€™s composer Richard Wileman, guitarist Ryan Webb, and unforgettable Paul Lappin, who, after a couple of singles would later release the amazing acoustic Britpop album The Boy Who Wanted to Fly. Dirty and Smooth and Atari Pilot too, the latter gave us to cool singles, Right Crew, Wrong Captain, and later, Blank Pages. To Calne for End of Story and Chris Tweedie, and over the downs to Marlborough with Jon Vealeโ€™s Flick the Switch. I even discovered Hew Miller, a hidden gem in our own town.

May

But we geographically go so much further these days, even if not physically much more than taking the bins out. Outside our sphere we covered Essexโ€™s Mr B & The Wolf, Limerickโ€™s Emma Langford, Londonโ€™s Gecko, and from the US, Shuffle & Bang, and Jim White. Johnny Lloyd, Skates & Wagons, My Darling Clementine, Micko and the Mellotronics, Typhoidmary, Frank Turner and Jon Snodgrass, Mango Thomas, Beans on Toast, Tankus the Henge; long may the list continue.

Bombino though, the tuareggae artist really impressed me, but I donโ€™t like to pick a favourite, rather to push us onto another angle. I began reviewing stuff sent via my Boot Boy radio show, and covered a ska scene blossoming in South America. But as well as Neville Staple Bandโ€™s single Lockdown, The Bighead, the Bionic Rats, and Hugo Lobo teaming up with Lynval Golding and Val Douglas, we found reggae in Switzerland through Fruits Records, the awesome Cosmic Shuffling and progressive 808 Delavega.

So much music, is it going on a bit? Okay Iโ€™ll change the record, if you pardon the pun, but not until Iโ€™ve mentioned The Instrumental Sounds Of Ruzz Guitarโ€™s Blues Revue, naturally, Sound Affectsโ€™ album Ley Lines, Tunnel Rat refurbing their studio, and Bristolโ€™s freshest new hip hop act The Scribes. Ah, pause for breath.

Oh, and outside too, we did get a breather from lockdown and tiers, all Jamies for me, Mr R Hawkins was my first outing at the Gate and followed by Jamie Williams and the Roots Collective. Sad to have missed Two Man Ting and when The Big Yellow Bus Rocked the Gazebo, but hey, I thought we were out of the deep water.

June

Splashed straight back in again; โ€œtiersโ€ this time, sounds nicer than lockdown. Who knows what 2021 will bring, a vaccine, two vaccines, a mesh of both despite being ill-advised by experts? Just jab me, bitch, taxi me to the nearest gig, if venues still exist, by spring and Iโ€™ll shut up about it.


On Artsโ€ฆ..

Bugger, Iโ€™m going to need Google maps to find my local boozer. But yeah, they, whoever they are, think weโ€™re all about music, but we cover anything arts and entertainment, you know? We previewed Andy Hamilton coming to Swindonโ€™s Wyvern, Josie Long coming to Bath, The Return of the Wharf Theatre, and the county library tours of Truth Sluth: Epistemological Investigations for the Modern Age. Surely the best bit was being sent a private viewing of a new movie, Onus, by the Swindon filmmakers who gave us Follow the Crows.

I shared poems by Gail Foster, and reviewed her book Blossom. Desperate for subject matter I rewrote a short story Dizzy Heights. I featured artists Bryony Cox and Alan Watters, both selling their wares for the NHS, Ros Hewittโ€™s Glass Art open studio, Small Wonders Art Auction in aid of Arts Together and Asa Murphy published a childrenโ€™s book, The Monkey with no Bum! I dunno, don’t ask.

July


On Foodโ€ฆ

Despite my Oliver Twist pleads, we never get enough on the subject of grub. January saw us preview Peter Vaughanโ€™s Chinese New Year dinner party in aid of Alzheimerโ€™s Support and with music from Indecision, we covered DOCAโ€™s Festival of Winter Ales, and looked forward to the Muck & Dunderโ€™s Born 2 Rum festival, which was cancelled.

From here the dining experience reverted to takeaways, and I gave Sujayโ€™s Jerk Pan Kitchen at big shout, and thought it best to wait until things reopened before singing Massimos’ praise, but I guess for now I should mention their awesome takeaway service next.

The Gourmet Brownie Kitchen supplied my welcomed Father’s Day gift, even nipped over to Swindon, in search of their best breakfast at the Butcher’s cafe, and recently I featured vegan blogger, Jill. Still though I need more food articles, as restaurants should take note, theyโ€™re extremely popular posts. Sadly, our while self-explanatory article, โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ did quite well, at third most popular, the earlier โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all; giving a sombre redefining of the term, dying to go out.

Back to my point though, food articles do so well, Iโ€™m not just after a free lunch, or maybe I am. But here, look, the fourth most popular article this year was our review of New Society, which was actually from 2019. Does lead us on nicely to the touchy subject of stats this year.

August


On Stats, Spoofs and the Futureโ€ฆ.

As well as an opportunity to review what weโ€™ve done over the past year and to slag off the government, I also see this rather lengthy article which no one reads till the end of, a kind of AGM. It should be no surprise or disappointment, being this is a whatโ€™s-on guide, and being nothing was actually on, our stats failed to achieve what we hit in 2019. Though, it is with good news I report we did much better than 2018, and in the last couple of months hits have given me over the stats I predicted. Devizine is still out there, still a thing; just donโ€™t hug it, for fuckโ€™s sake.

I did, sometime ago, have a meeting with the publishers of Life In, RedPin. You mayโ€™ve seen Life in Devizes or various other local town names. The idea to put Devizine into print is something Iโ€™ve toyed with, but as it stands it seems unlikely. My pitch was terrible, my funds worse. If I did this it would cease to be a hobby and become a fulltime business, Iโ€™d need contributors, a sales department, Iโ€™d need an expert or ten, skills and a budget for five issues ahead of myself, and I tick none of those boxes. A risk too risky, I guess that’s why they call a risk a risk, watching the brilliant Ocelot reduced to online, publications suffer, the local newspaper house scrambling for news and desperately coming up with national clickbait gobbledygook, I know now is not the time to lick slices of tree with my wares.

So, for the near future I predict trickling along as ever. Other than irrational bursts of enthusiasm that this pandemic is coming to an end, Iโ€™ve given in updating our event calendar until such really happens. And it will, every clown has a silver lifeboat, or something like that.

September

Most popular articles then, as I said, desperation to return to normal is not just me, โ€œEat Out to Help Out, Locally, Independently,โ€ was our highest hitting of all, whereas โ€œWe Cannot Let our Young People go Hungry; those locally rallying the call to #endchildfoodpoverty,โ€ came in third. Nestled between two foodie articles our April Fools spoof came second. As much as it nags me, I have to hold up my hands and thank Danny Kruger for being a good sport. He shared our joke, Boris to Replace Danny Kruger as Devizes MP.

We do love a spoof though, and given a lack of events, I had time to rattle some off, A Pictorial Guide to Those Exempt from Wearing a Facemask, Guide to Local Facebook Groups pt1 (never followed up) The Tiers of a Clown, Sign the Seagull Survey, Bob! and Danny featuring again in The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?! all being as popular as my two-part return of the once celebrated No Surprises columns, No Surprises Locked Down in Devizes.

Perhaps not so popular spoofs were The Worldโ€™s Most Famous Fences! and Worst Pop Crimes of the Mid-Eighties! But what the hell, I enjoyed writing them. 


On Other News and Miscellaneous Articlesโ€ฆ…

I was right though, articles about lockdown or how weโ€™re coping were gratefully received, and during this time, a needed assurance we werenโ€™t becoming manically depressed or found a new definition of bored. Devizes together in Lockdown, After the Lock Down, Wiltshire is not Due a second Lockdown, the obvious but rather than bleating on the subject, how we celebrated VE Day in Devizes & Rowde, the Devizes Scooter Club auctioning their rally banner for the NHS, Town Council raising ยฃ750 to support the Devizes Mayorโ€™s Charities, DOCA Announce Next Yearโ€™s Carnival & Street Festival Dates, DOCAโ€™s Window Wanderland, and a Drive-In Harvest Festival! to boot. Town Council making Marlborough High Street a safer place, all came alongside great hope things would change, and pestering why not: The State of the Thing: Post Lockdown Devizine and How We Can Help, Open Music Venues, or Do They Hate Art? Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine.

 If Who Remembers our First Birthday Bash? Saw me reminiscing, I went back further when raves begun to hit the news. Covered it with Opinion: The End and Reawakening of Rave, and asked old skool ravers Would you Rave Through Covid? But we also highlighted others not adhering to restrictions With Rule of Six and Effects on Local Hunting and Blood Sports, it was nice to chat with Wiltshire Hunt Sabs.

October

Controversy always attracts a crowd, but couldnโ€™t help myself highlighting misdoings. From internet scams, like The Artist Melinda Copyright Scam, tolocal trouble, Rowde Villagers Rally in Support of Residential Centre Facility, for instance, Sheer Musicโ€™s MVT Open Letter to Government, Help Pewsey Mum on her Campaign to free her Children from Abduction, important stuff like that. We try to help where we can, honest.

Most controversial though, me thinks, was our poor attempt at coverage of the international BLM issue. Iโ€™ve been waffling enough already to get into how I feel personally; been writing this โ€œsummaryโ€ for what feels like eons, time to shut up and advise you read these articles yourself, because no matter how you fair on the argument, xenophobia affects us all, even in the sticks. We therefore had a chat with BLM in the Stix and did a three-part look at the issue, the third part a conclusion and the middle bit, well, that came in light of Urchfont Parish Council turning down a youth art display; what a pompous notion highlighting the issue on a local level.

But campaigns and fundraising came in thick and fast, despite nought cash in anyoneโ€™s pockets to follow them up. I understand, but we featured Go Operation Teddy Bear, Devizes Wide Community Yard Sale, Hero Wayne Cherry Back in Action! Lucieโ€™s Haircut Fundraiser for the Little Princess Trust, Crusader Vouchers, Juliaโ€™s House Gameathon, Devizes for Europe launching โ€œSay #YES2ARealDealโ€ campaign, and of course, our superheroine Carmellaโ€™s ongoing campaigns.

November


In conclusionโ€ฆ.

It has, in conclusion, been a hectic year, without the need for live music reviews, though some mightโ€™ve been nice! Hereโ€™s to a better day. We reserve our right to support local arts, music, and business, whatever the weather, and pandemic. We offered you, on top of the aforementioned; Fatherโ€™s Day; Keeping Ideas Local, Floating Record Shop Moored on Kennet & Avon, Devizes Town Band Comes to You for Remembrance and Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities! to name but a few in the wake of our move to online events, although theyโ€™ll never stream as effectively as being pissed in a pub alcove unable to find the loo.

We also did our easy-reading list type features which are the trend; Top Twenty Local Music CDs For Christmas and Fairy-Tale of New Park Street; And Better Local Christmas Songs! I went on my Devizine Christmas Shopping Challenge, and tried to tweak the website to include podcasts to fund our musicians.

Yeah, that one is put on hold, I couldnโ€™t do it as I saw able to, but it needs work and Iโ€™ve another plan up my sleeve, just takes a bit of planning is all, which I guess is why they call it a plan in the first fucking place! You did blag a Free Afro-Beat, Cumbia and Funk Mix out of the deal. Maybe I could do more, but upwards and onwards, Devizine is now operating as both international music zine and local affairs. I maybe could separate them, but this means building a new audience and starting over. I like it as it is, and besides, Iโ€™m open to feedback, love to hear what you reckon, and will promise to act on suggestions, which is more than I can say for this fucking, cockwomble-led government; just leave it there shall we?!

The only gripe is that I ask that you have to believe in what Iโ€™m trying to do and supply me with the news, what youโ€™re doing, creating or getting narked about, else I donโ€™t know about it; hacked off with Face-sodding-Book, see?

Sure, you could put your trust in a real journalist through all their generalizations and unbiased writings, and grammar errors, or you could try here, where we deliver more than just a pint of semi. Look now at the going back to school debate, you know, I know, we all fucking know, senior school kids can stay at home because they can look after themselves while parents go to work, whereas primary kids can’t, so have to go back to school. It has nought to do with the spread of the virus, and everything to do with what’s best financially, and that, my friends, is not only the way this government have applied regulations throughout, but also not the kind of truths you’ll be reading in the newspapers.

All hail Devizine then, please do; I’m trying my fucking best amidst the wankology of Britain’s governing regime. Iโ€™m planning to rock on for another year, trapped in Blighty with flag-waving, panic-buying tossers until weโ€™re queuing for bread or waging war on France like the good old days, namely the dark ages, letโ€™s see where it gets us; with or without loo roll.

No, I’m not bitter; just slightly narked at the difficulties made in making people laugh by these idiots, so I find it apt to aim my satirical guns at them.

December

Chris TT Live at Trowbridge Town Hall 2017

Catching up with more stuff on a quiet(ish) Sunday, this got pushed towards the bottom, Iโ€™ve no valid excuses. Taking you back to April 2017, Brightonโ€™s misfit leftist comic poet-acoustic performer performed at Trowbridgeโ€™s Town Hall for Sheer Music. It would be a gig on his last ever tour. After twenty years Chris announced he was giving up his music career, and finalised it with an autumn farewell concert in London.

The recording was released on Chrisโ€™ Bandcamp page at the beginning of the month. Itโ€™s a pay-what-you-like and he waivers all fees to the Music Venue Trust.

Since 2014 the registered charity MVT, was setup to protect the UK live music network by focussing its support on grassroots venues, but since lockdown itโ€™s understandably become essential. Grassroots venues play a crucial role, nurturing local talent, providing a platform for artists to build their careers and develop their music and their performance skills. We need them back; we need them open. Hearing this album helps you to understand why, makes you remember what youโ€™re missing.

Itโ€™s easy to hear the influence of upcoming artists like Gecko, as Chris weaves unrelated subjects like an observational stand-up comedian, and also, with the same comical timing. His guitar picking is quality and together it makes for a highly entertaining show. Stabs at the establishment come thick and fast, songs randomly seriatim through motorways, anti-hunt rants, gorilla gardening, his own self-worth and musical talent, even a jab at Trowbridgeโ€™s political demographic in Love me, Iโ€™m Liberal. Thereโ€™s a beautifully played out winter portrayal, Tunguska, and more intelligently drafted thoughts to boot.

This is folk upfront, with woven narrative and amusing rudiments, chronicles the now, and highlights the passion of the simplest gig, man with thoughts and guitar.    

On the night he was supported by Phil Cooper, and Kyle D Evans, the show recorded by Bromhamโ€™s Owlโ€™s soundman Gareth Nicholas. Makes me wish I was bobbing about on the scene at the time, but Devizine was a year behind in the making. Still, albums got a picture of Trowbridge on it, any monies you can give helps a charity, but most of all, this is just the enjoyable and proficient performance weโ€™ve come to expect from Sheer.


Human Traffic; Richard Davies & The Dissidents

Gaining rave reviews and a new European audience, particularly in Spain, I confess Iโ€™m a little late for the party. How can I excuse myself, turkey-stuffing, abundance of toy packaging, putting batteries in gadgets and other Christmassy eggnog shenanigans? Nevertheless, Bucketfull of Brains Records released this album, Human Traffic by Wiltshire-based Richard Davies & The Dissidents back in June. Iโ€™ve only just caught wind of its timeless rock n roll splendour, anthemic and emotive, and Iโ€™m letting you guys know, if you didnโ€™t already.

Not to be confused with a movie about welsh clubbers, Human Traffic is pure road-driving rock. Maintaining a regressive, tried-and-tested rock formulae it never strides into experimentation but rides the eternal recipe with bells on. Iโ€™m getting UK-Americana crossover, the classic smooth eighties rockers, of Steve Winwood, Springsteen in all his Darkness/Born in the USA glory, Traveling Wilburys and particularly, Tom Petty & the Heartbreakers.

Thereโ€™s also a subtle hint of English punk, Heartbeat Smile exemplifies this though upbeat and jubilant, one cannot ignore a rawness of the Clash. My valuation overall comes to a head with Way of The Wild, probably the most beguiling, but this ten-track strong album rarely comes up for air, and never diverts off its chosen path. Ergo, if confident, driving, ageless rocking out is what you want, itโ€™s double-strength concentrate.

If clichรฉ abound doesnโ€™t matter, lyrical subjects matches the music, with long road to hearts, wild ways, getting under oneโ€™s skin etc. Yet maintaining the fashion is good, and they do it so, so well; it worked for Clapton, et all. This is why I think you, you with your black band t-shirt in the loft and memories of friendship bracelets up the arm, will love this album, perhaps even more than me. Because it flows, doesnโ€™t jolt metal unexpectedly at you, or push an unwanted genre down your throat with that one oddity, tentative track.

Thereโ€™s deffo something moreish about this, we want guitarist Richard Davies front and centre again, after years as a collaborator, gun for hire and band member, most notably with London bands The Snakes and Tiny Monroe, this is debut as lead vocalist and principal songwriter, but his background paid off. Also, the perfect band-gel of these โ€œdissidents,โ€ the backing of Daviesโ€™ friends, drummer Chris Cannon of Mega City Four and The Snakes, and bassist Tim Emery of Case Hardin and Last Great Dreamers, of whom Iโ€™ve not met since our schooldays. Fortuitously, itโ€™s nice to be reviewing something inspiring with a local connection, thatโ€™s the principal reason for blogging here.

โ€œRecording this album was something that Iโ€™d always wanted to do but never really got round to doing until now,โ€ Richard explained. โ€œSome of the songs are about me, some of them are about other people, but they all capture reality as I see it. I wanted to record an album that was about real life and with all the highs and lows that go with itโ€.

Richard began his career playing guitar for indie band Tiny Monroe in the 90s, recording several singles, an EP and an album for London Records, touring with The Pretenders, Radiohead and Suede and appearing at the Glastonbury, Reading and T in the Park festivals along the way. Following this, Richard recorded three albums with The Snakes: Songs From The Satellites, Sometime Soon and The Last Days of Rockโ€˜nโ€™Roll , as the band became major players on the UK Americana scene, picking up mainstream national airplay from the likes of Bob Harris and Mark Lamarr.

Vegan for Life, not just for Christmas!

Thinking of going vegan? Maybe after your turkey and pigs in blankets?! I have a chat about the possibilities, lifestyle and, you know me, a number of silly tangents, with Wiltshire foodie blogger Jill; to see if she can convert me! ย 

I dissented my daughterโ€™s culinary request on peculiar grounds; two everyday objects, sausages and bacon, when the latter is wrapped around the other, are, for some outlandish reason, a treat retained for Christmas dinner only, and to have them on our mid-December roast dinner would spoil the magic of the imminent feast. But once served, I ate โ€˜em anyway!

An oddity, why certain things, like Brussel sprouts are attributed only to Christmas dinner and eating them at any other time is like swearing at a vicar. Absorbed by the explicit naming of pigs in blankets too, like a hog-roast or rabbit stew, and unlike venison or beef, they donโ€™t attempt to disguise the notion youโ€™re munching on dead animal. Rather celebrate pride in the fact.

Such is my allure for something in blankets, if not pigs, I was intrigued by a recipe for a vegan alternative on a local based website, Especially Vegan. The siteโ€™s creator, Jill, uses parsnips wrapped in vegan bacon. I quiver at meat alternatives, but love a good parsnip; becoming vegetarian is something although I consider pursuing, I never attain. I blame pigs in blankets; oh, the smell of bacon cooking, chicken and numerous other dishes of godโ€™s creatures great and small.

Roasted Butternut-Squash Skin & Seeds

However much I preach about environmental issues, I find the idea we all must go vegan the hardest pill to swallow. On principle I agree, but the reality, the golden aura of a roasted chicken, just overrides my carnal appetite and I cave helplessly like the carnivorous beast I am. If it was going to happen, youโ€™d have thought my years working at a butcher, skinning rabbits and watching turkeys meeting their maker might have dissuaded me.

Can Jill help? Especially Vegan is a fantastic website, chockful of hints, tips and recipes. Can Jill convince someone as thick skinned as me to turn vegan? No, not really, sheโ€™s not the pushy type. โ€œThatโ€™s the thing,โ€ she explained, โ€œI am not trying to change your mind. I would like a happier world, you know, world peace,โ€ she laughed.

โ€œI am not trying to change your mind. I would like a happier world, you know, world peace.”

Rather stereotypical of vegans, they rarely preach or thrust their ideas down your throat. Perhaps this is the undoing, I need the direct approach, a seven-foot skinhead vegan to order me to give up   hotdog-stuffed pizza, or else!

I put it to Jill I could meet her halfway, reduce my meat allowance by 50%. Environmentally if everyone did, weโ€™d reduce carbon emissions from 18% to 9%. โ€œI feel we should all make our own choices about what we eat,โ€ Jill clarified, โ€œbut obviously, the more those choices are based on the environment and health and, for me personally, animal welfare, the better.โ€ A dislike of meat-eating is perhaps the most common reason, Jill wrote a post on the blog explaining why she became a vegan; โ€œin recent years itโ€™s more about health for a lot of people. For me it’s always been about animals.โ€ I was still keen to gage her on her feelings about the environmental impact of not turning vegan.

Vegan Couscous & Halloumi Salad

โ€œAbsolutely,โ€ she replied, โ€œit has a big influence now. But not when I ‘turned’ back in the nineties! I feel any reason that people eat less meat is a good thing. It is fact now, regardless of what the meat industry says, less meat will help the planet. But there are other things we could all do that will also help.โ€ Jill continued on recycling and the supermarkets cutting down on packaging. โ€œI also know that cost is a big factor.  When low-income families can buy cheaper meat due to the way it is farmed, they may have no choice.  I think the government should make well-bred and cared for animal meat affordable for all.โ€

But if you know the methods, I figured, most of the recipes on Especially Vegan wouldnโ€™t break the bank. It was Jillโ€™s husband who came up with the idea for Especially Vegan, in May, and the blog was launched in August. โ€œSo,โ€ Jill enlightened, โ€œitโ€™s still quite small but growing weekly.โ€

Jill still cooks meat for her friends and family, โ€œthat’s their choice,โ€ and was keen to point out her blog is not just for vegans. โ€œI take the meat, etc, out of recipes I like, so there’s no reason why people can’t add meat to my recipes. The hope is that they will try it my way. So, try parsnips but with your bacon!โ€

“There’s no reason why people can’t add meat to my recipes. The hope is that they will try it my way….”

Jill was direct when I asked if she felt thereโ€™s a lot of misguided information, “meat propaganda” which ridicules or gives incorrect facts about vegans? โ€œYes, I do. I havenโ€™t researched it fully myself because I do not preach about being vegan, my choice!ย  However, I do belong to some Facebook groups and see posts about industry starting rumours about vegans and it being a dreadful, non-healthy diet.ย  I am pleased to say, I have thrived on it for over twenty-two years and have never taken a supplement, which is another area for misguided influence from the drug companies who sell supplements.โ€

I did read the blogpost on her not taking vitamin supplements; it’s necessity to is a given stereotype, isnโ€™t it? โ€œYes, a stereotype!โ€ Jill replied, โ€œhowever, not everyone can absorb vitamins naturally and do need help. But, not just vegans. There are a couple of things that are a little more difficult to obtain as a vegan. B12 – I get from marmite and fortified cereals and milks. And the new one is Vitamin D.ย  Which can be an issue, but if you are careful and research your dietary needs well, then it can be overcome. However, I am not saying there is not a need, but that need could be for anyone whose body needs it, non-vegans too!โ€

Vegan Date & Nut Chocolates

If I was going to consider this, is it a good idea to dip my toe in the water, you know, try being a vegetarian first, or diving right in to vegan?

โ€œWay back when,โ€ Jill elucidated, โ€œI didn’t really know much about veganism, so vegetarianism was the way for me.ย  It was only later as I learnt more about vegetarianism that veganism crept into what I was reading. No internet to hand back then, like it is today.ย  And cheese was the hardest for me to give up when I turned vegan. I think with all the info there is today, and you are really sure itโ€™s what you want, then, yeah, head straight in.ย  But otherwise, take it slow.ย  If itโ€™s your end goal, the importance is getting there, not how fast you get there.โ€ Meat was Jillโ€™s favourite thing on her plate, growing up, and said she couldnโ€™t stand vegetables. Internet or not, though, I wasnโ€™t put off by Icelandโ€™s chicken tikka lasagne; itโ€™s surely too late for me!

“Cheese was the hardest for me to give up when I turned vegan.”

The internet is an information minefield. I typed into Google: “do we need to go vegan to…” intending to add โ€œenvironment,โ€ but a more popular choice suggestion freaked me out. It was “…to get into heaven?!” Seems people use the word of god to encourage their own opinion on it. Thereโ€™s some shocking stuff suggesting you’re on your way to hell for not eating meat! But equally thereโ€™s many who say, and I’d agree, if I wasnโ€™t an atheist, you’d be a higher tier in heaven for not eating God’s creatures.

โ€œSay no more!โ€ Jill agreed, even as a bellringer, โ€œI have to honestly say, what a load of rubbish. But that’s what happens with everything, there will always be people out there who say stuff like that. Iโ€™m sat here with a G & T so I must be heading downwards, surely; but it is vegan!โ€

The Especially Vegan website has hosted events and cookery courses, and offers a free tapas recipe eBook on signup. I asked Jill what was next, if a paperback was an option. โ€œI will try to grow it and, yes, would love to have some books in print, also looking to develop a YouTube channel, but for now, I will just keep developing and adding recipes to the blog. It would be lovely to have friendly people subscribe as that’s an incentive to keep going.โ€

Our chat drifted on tangents hereafter, ending with me waffling. I cannot believe I bought up the subject of Douglas Adamsโ€™ ironic โ€œAmegluan Cow,โ€ with a vegan; an animal which wants to be eaten. Served live it offers the diners its rump or its organs, and theyโ€™re horrified, save for the alien Zaphod Beeblebrox, who offered to Arthur Dent that he would gladly eat a creature which didnโ€™t want to be eaten. Furthermore, the Ameglian Cow added many vegetables were “very clear” on the point of not wanting to be eaten!

Mind you, Jill bought up a horrible scene in The Waking Dead, where they ate a horse, likened it to Tesco’s burgers, and suggested she hoped she never meets an Ameglian Cow.

But she was an endearing and interesting person to chat with, and Especially Vegan is a well-written, personal styled foodie blog, you should check it out. I noted my sad hypocrisy, given the horsemeat refraction, as I wouldnโ€™t eat nice and fluffy animals. But perhaps my hypocrisy is my reason for an interest in veganism.

Jill mentioned how horrified she was by shark catching fishermen who put big hooks through live dogsโ€™ jaws. She can be horrified, but I’m a hypocrite for being equally horrified, does she think?

โ€œNo,โ€ she replied, โ€œjust the way we are.โ€ See, a genuinely nice person, and she left pondering her next recipe post, orange zest cake. Nice, in my mind I’m there already!


Sound Affects Find the Ley Lines

Make no mistake, we love Swindon folk-rock duo Sound Affects here at Devizine. Ergo Iโ€™m prepped with some fond words and in high expectations prior to listening to their new album out today (13th Dec) Ley Lines. Itโ€™s been over two years since reviewing Everyday Escapism, their previous nugget of wonderful. And if I praised them for the honest folk songs then, Ley Lines is an immense enhancement for acute subject matter, and is lyrically grafted with more passionate prose. The result is sublime, as I anticipated, but that smidgen more.

From the off Gouldy and Cath compose with significance, and these eleven tunes donโ€™t simply drift over you aimlessly with acoustic goodness, though they have that. They stand as testaments to the tenet of injustices of modern social and political issues. Upon faced with the political reformist opening song, One Man Army, you know thereโ€™s an aim to reinforce the lost ethos of political standing in a song, as is the direct influences they often cover as their band, The Daybreakers; of power-pop, new wave post-punk, eighties garage and mod. Though as a duo, Sound Affects are strictly folk-rock, only maintaining the ethos of their inspirations in lyrics.

The second tune projects like a musical of an Alan Bleasdale play, thereโ€™s certain bitterness in the broken dreams and prewritten fate of folk in the decay of modern poverty, and Gouldy nails it akin to Ken Loach, with No Means to Pay. What follows is a Kafkaesque, revolutionary dream, but if you felt this is all liberal point-scoring, King for a Day has more acquitted associations similar to the drifting and euphoric sounds of Everyday Escapism.

Windmills drifts similarly, gorgeously, and is naturally Edenic. While shards of the aforementioned bitterness are subtle now, replaced with an idyllic moment, you consider if theyโ€™re losing the edginess of the opening tunes. Then Cathโ€™s flute takes us back to a tender era with Giving Something Back, and Gouldy sings, perhaps the most simplistic chorus, but genius song here, it opens a clear nod to his love for the narrative of Irish folk; itโ€™s a working-class ideology, and you can effectively visualise the labours leaving for home on a dark winterโ€™s eve, with the backdrop of a cold red-bricked factory. Thereโ€™s something acutely Levellers, but a sprinkling of Springsteenโ€™s Nebraska about it.

Typically, romance with a twist is a not forgotten subject, but played well, in Say it to my Face, and it returns with ponderings of conspiracy and dogmatic hierarchy. Unanswered Questions has overtones of a missing girl, without mentioning the McCann family, thereโ€™s connotations of a similar tragedy, and itโ€™s heartbreakingly candid. Yet throughout any dejection in theme, Sound Affects always ascertain a joyful euphoria through the sublimeness and effortlessness of their sound; acoustic guitar and flute, fiddle; tried and tested formula to hold a pub gig spellbound, as they recurrently do.

Together what you have is a numinously uplifting, wandering and softened euphoric album which drifts on rancorous and sometimes acrimonious subjects many modern musicians might steer away from. Itโ€™s folk alright, but with a bygone bite and righteous morals. More importantly, itโ€™s so damn good, itโ€™s essential.

Small Wonders Art Auction in aid of Arts Together

It was one of my most memorable days following a story for Devizine, when I attended an Arts Together workshop in a sheltered accommodation hall in Bowerhill, last February with the artist Clifton Powell. I found out these sessions meant so much more than โ€œart therapyโ€ to the folk there, and it was delightful to talk to them about what they were doing. You can read about it here, and the amazing work this charity does locally.

This Christmas, Arts Together are hoping to raise up to ยฃ5,000, to enable them to continue supporting isolated and lonely older people in the community. Several of the thirteen accomplished artists who help, and many others, have donated artwork for an online auction. The auction is currently running and will last until 13th December.

You can take a look all the beautiful paintings, prints, photographs, ceramics and crafts on show, and make your bid to own one, by clicking here and browsing the images. All the proceeds are going to Arts Together to help them continue our support for older people during this winter.

If you are an artist and would like to donate a piece of small artwork, Arts Together would be delighted to add it to the online auction. Plus, alongside your work they will add a link to your ownโ€ฏwebsite and social media.

Please give this some attention if you can, such a brilliant charity, plus you could bag yourself a piece of fine original art for Christmas. Here’s a look at some of the variety of offer:

Leaping Frog from Roy Evans
Small Salt-Glazed Jug by Lexa Laurence
Beetle by Clifton Powell
Christmas in Snowdonia II by Penny Leaver-Green
Storm Warning by Jeff Pigott

Adverts and Stuff!



Top Twenty Local Music CDs For Christmas

Bag yourself some of our recommended long players for your friends, family or even yourself this Christmas and help a local musical talent.

Look at him, Grumpus Maximus, slouching on his sofa-throne investigating the inside of his y-fronts with one hand and clasping a tinnie with the other. Heโ€™ll need Google maps to find his local watering hole when things return to normal, and if he has to endure Kirstie Allsopp for one more half-hour episode heโ€™ll threaten to relocate to his shed for the yule. What do you get for someone like pops this Christmas, or anyone whoโ€™s lost the will of independent thought due to the modest inability to enjoy the odd fellow and guitar down their pub of choice, for that matter?

How about this suggestion; buy a CD from a local hero? Because not only will you cheer the old bugger up enough for him to consider shaving once a week, but youโ€™ll be putting your hard-earned shekels into the hands of a local independent creative sort, who, without revenue from standing in a draughty pub alcove singing the blues, really needs some pocket money right now.

Itโ€™s not my idea, I say let them scavenge for dead flies on their filthy windowsills while insanely mumbling a ditty about minute pixies invading grassroot venues. Thanks to our reader, George for this suggestion. Of course, this is the 21st century, or so Iโ€™ve been informed, and nowadays next to nothing is physical. Much as we find the online format or download accessible, you canโ€™t wrap an online stream up with a pretty bow and put it under your tree. So, our list is restricted to the ones putting out a CD copy; thatโ€™s a compact disc to youngsters, or even, dare I say it, vinyl, you know, some archaic listening format.

But how, ye cry. Iโ€™m going to provide links where I can, but another shot is your local indie record store; for if they care one iota for music, theyโ€™ll stock a range of locally sourced sounds. If they donโ€™t tell them to, without swearing.

Hereโ€™s an ideal template to use: โ€œthe brilliant, one and only Vinyl Realm Music Store in old Devizes town stocks many local artist discs, so I suggest if you want to be half as good as them, youโ€™d consider it.โ€ And that, is one good place to start; open the yellow door on Northgate Street, turn to your right and by the window thereโ€™s a stand with some local outpourings on. If you get lost ask one of the owners, they bite but not hard. I know, shopping is beneath you, be aware they have an online service and will deliver, cos theyโ€™re nice like that.

Am I waffling now? I tend to tangent, like to, did you come here for that, or are you looking for some music options? Very well, sit quietly, or stand noisily if you like, and I shall beginโ€ฆ. hopefully before Boxing Day. But oi, bear in mind this isnโ€™t a top twenty countdown, I just used that as the title for clickbait. Iโ€™ve not put these in any kind of hierarchy or rank, just listed alphabetical by artist name, to prove I know my A, B, C!

Billy Green 3: Still

Released at the beginning of this year, Devizes post-Britpop trio produce a beguiling sound that couldโ€™ve come straight from indieโ€™s finest hour. Itโ€™s scooterist, with a taste of mod and soul, but itโ€™s passionately scribed and delivered proudly. Review. Buy@ Vinyl Realm.

Chris Tweedie: Reflections

Affectionately reviewed at the beginning of the month, Melksham-based monarch of chill, Chris Tweedie has produced a mind-blowing album. If you like Mike Oldfield, Crosby, Stills and Nash, or George Harrison, you need to check this one out. Review. Buy.

Cracked Machine: Gates of Keras

Hometown space-rock has never been so good. This is the outfitโ€™s second album, and its journey of spacey rock like no other. Fans of Pink Floyd or the Ozrics will relive every minute of their misspent youth and clamber to the loft to find their fractural posters and chillum! Review. Buy.

Erin Bardwell: Interval

This year, without his Collective, Swindonโ€™s rock steady keyboard virtuoso blessed us with this unique lockdown inspired bundle of distant memories over sparse two-tone and reggae beats. If you think this genre can be samey, youโ€™ve not heard Erin Bardwell. This album is one of a kind. Review. Buy.

George Wilding: Being Ragdollian

Let the arguments begin, this 2013 EP is the definitive George Wilding. One not to collate tracks to an album, the EP may only contain three songs, but their brilliance makes up for at least ten mediocre ones. You can grab this at Vinyl Realm.

Joe Edwards: Keep on Running

Whilst itโ€™s had glowing international reviews, locally I feel this is severely unacquainted. Though I did say at the time of review Iโ€™ll be hard pressed to find another โ€˜album of the year,โ€™ back in May, this still stands. This is melancholic Americana played out with utter perfection, and I will never tire of its authentic and sublime stories. Review. Buy.

Jon Amor: Colour in the Sky

Though we fondly reviewed Jonโ€™s latest album just yesterday, like I said, thatโ€™s one which is only on download at the moment. Take his 2018 masterpiece of quirky electric blues as red, red as his telephone; this is the must-have album for every fan of local music. You can buy this in Devizes Books as well as Vinyl Realm, or you can buy online. Hereโ€™s a review from all those heavenly years ago, when Devizine was funny.

The King Dukes: Numb Tongues

Out in 2018, if you like your music with a taste of old-timey soul and blues, The King Dukes of Bristol do this with bells on. Numb Tongues is lively and memorable. Review. Buy.

Little Geneva: Eel Pie

Freshly produced and lively sixties mod-blues-rock done supremely, Little Geneva are Bristol-based but the Docherty brothers have the Devizes connection, enough to debut this down the Bear’s Cellar Bar a few years ago, and boy, was it a sweaty and memorable night! Buy.

Mr Love & Justice: Watchword

Mr Love himself, Swindonโ€™s Steve Coxโ€™s 2009 album is a must, a classic, even though I havenโ€™t reviewed it, because itโ€™s dated, its gorgeous acoustic goodness extends beyond atypical country-rock sounds and branches into many genres, even bhangra at one point. You can find this in Vinyl Realm for a mere fiver.

Mr Tea & The Minions: Mutiny!

Oh my, this chunk of energetic Balkan-ska influenced Bristol folk is breathtakingly good. I reviewed it last year, havenโ€™t gotten over it yet! Review. Buy.

Paul Lappin: The Boy Who Wants to Fly

Breezy Britpop acoustics shine throughout this ingeniously written debut from Swindonโ€™s Paul Lappin. Highly recommended and all-round good vibes. Review. Buy.

Phil Cooper: These Revelation Games

Trow-Vegas legend, Phil Cooper really gives it some with his latest offering, rocking out the lockdown. Review. Buy.

Ruzz Guitarโ€™s Blues Revue: Live at the Louisiana

No list would be complete without a bit of Ruzz Guitar and the gang; guitar by name and nature. This album captures his skill where he does it best, live. Rock n roll the night away as if you were there; this is a must have album for blues and rock n roll fans. Review. Buy.

Sound Effects: Everyday Escapism

Self-penned Irish-fashioned folk at itโ€™s most divine, Swindon duo Cath and Gouldy classic here. This is sweet and thought-provoking. Review. Buy.

Strange Tales: Unknown to Science

Iโ€™m unsure how old this is, but I do recall Pewsey singer Sally Dobson running back to her car to get me a copy at the long-lost Saddleback Festival. With Paul Sloots, Strange Tales are a wonderful if occasional electronica gothic-rock duo, and Unknown to Science is a spookily glorious album. Review. Buy or at Vinyl Realm.

Talk in Code: Resolve

True, Swindonโ€™s darlings of indie-pop have come along way since this 2018 album, fashioned closer each time to retrospective eighties electronica, Resolve stands as a testament to their dedication, but more importantly highlights their roots in indie-rock. Review. Buy.

Tamsin Quin: Gypsy Blood

Man-about-Devizes, surely, youโ€™ve a copy of this already? Tamsin Quinโ€™s debut 2018 debut album is something kinda wonderful, eight self-penned nuggets of goodness introduces you to the now one third of the Lost Trades and personifies anything that was awesome about our local music circuit. A local classic. Review. Available in Vinyl Realm, or online.

The Lost Trades: EP

When three of our most loved local musicians officially bonded, debuting at the Pump just prior to lockdown, it was clear all their talents combined into this one project and could only ever be a winner. We highly anticipate the debut album, but for now, this five track EP will whisk you to a better era of folk harmonies. All original songs, thereโ€™s a taste of Phil, Jamie and Tamsinโ€™s song writing talents, though each track wouldnโ€™t look out of place on the Oh Brother Where Art Thou? soundtrack. Review. Buy.

Ya Freshness & the Big Boss Band: Knockout

Boots and braces time, get skanking to the loud and proud ska sound of Ya Freshness and the Big Boss Band. This is joyful, fun and chockful of ska and rock steady riddims from 2018. We eagerly await a new double-album promised from these Bristol misfits of ska, but for now, this is great. Review. Buy.


No way is this list exhaustive; Iโ€™ve basically run this off adlib and will no doubt suddenly think, โ€œoh bugger, I forget this or that.โ€ But Iโ€™ve nailed it down to twenty, which was tricky. Do feel free to add a comment on something I might have overlooked, and apologises if I did. Remember, it should be available as physical copy. This is an interactive article!

Message my advice line if youโ€™re still in the dark for a pressie for Dad. Helpful hint, look through his old records. If you see one of a pig floating above Battersea power station, or a plain black album with a spectrum shining through a triangle, try Cracked Machine. If you see lots of black and white chequered patterns or a naked girlโ€™s torso with Tighten Up written across her abdomen, try Erin Bardwell or Ya Freshness. And if you see a rather splendidly busty woman carrying a hosepipe and various decorating equipment, try The Lost Trades; best of luck!


Jon Amorโ€™s Remote Control

Pop is pop for a reason. Without sounding like a government soundbite, what I mean is, pop, as in the music, is popular for good reason; the catchiness often in the simplicity, which consequently sells. And if it sells, itโ€™s pop, regardless of the many subgenres and youth cultures which an era carries pop along, itโ€™s always continued this ethos. Itโ€™s only a particular โ€œgenreโ€ for the time being. I use the term as loosely, then, as it should be used. Feel free to shudder at modern commercialisation, but thatโ€™s been building for decades and you shouldnโ€™t let it put you off; youโ€™ll miss something special because you preconceive its popularity is a hallmark from a polluted industrial mechanism.

The above annotation I write because I donโ€™t want you to run off with the idea, Iโ€™m talking contemporary chart hits when I use the term pop. Out of the assortment Devizesโ€™ legendary bluesman Jon Amor offered on his last major album two years ago, Colour in the Sky, I tended to cherry-pick those deviating from his traditional electric blues style, and they promptly became the standout tracks, Illuminous Girl and Red Telephone. He need not appease his devotees; they follow this modification with bells on. Because, fundamentally itโ€™s more โ€œpop,โ€ in so much as itโ€™s appealing for this beguiling ease.

This transitory, perhaps, shift for Jon was stamped on the last single, the incredibly addictive Peppercorn, a lively upbeat and Elvis Costello fashioned rock, without the leftist post-punk political angle of yore. Now the single has been followed up with an album, Remote Control, impulsively launched without the need for the usual pe-hype. All the tunes follow the aforementioned style of Peppercorn, the penultimate track on the collection. Dammit, this is good, but you knew it would be.

News of it literally arrived via Facebook post yesterday, โ€œthis year,โ€ Jon posted, โ€œIโ€™ve been spending a lot of my weekends recording some songs, and I appear to have made an album.โ€ And as if by magic, today (27th November) itโ€™s a thing. So, was it as spontaneous as it sounds, a result of lockdown?

โ€œI suppose initially it was the result of lockdown,โ€ Jon replied, โ€œyeah, I was working all week and had nothing to do at weekends!โ€ If there’s only one good thing to come out of all this, I noted, thinking Erin Bardwellโ€™s Interval album in particular, is that artists have had the time to write and create, and there’s good material flowing from all genres. Then I waffled some similarities in a piece I was reading about the great plague, where it modernised and revolutionized both folk and classical music, possibly gave birth to the renaissance.  

โ€œI think a lot of people embraced the spare time and the isolation and turned it into a positive,โ€ Jon added. โ€œNow Iโ€™m picturing video conference calls and zoom quizzes in the 1600s…โ€

While Jon is clearly experimenting, dabbling this more pop sound with Remote Control, itโ€™s also temptingly raw and punchy. There are some retrospective glances, the opening tune Song and Dance is a catchy three-minute Merseybeat blast, whereas If a Million is demarcated Curtis Mayfield funk. 03 57961 (Thatโ€™s my Number) bounces like a quirky ZZ Top, whereas Robot Skin follows, using the guitar like white noise, overridden with a Gecko styled rap.

Iโ€™m intrigued now, wondering where this will take me next, and even if Next plays out the downbeat trip-hop style, akin to Portishead meeting Costello, it remains definitively Jon Amor. Just a Bomb booms power pop, with a singable chorus after just the one listen. Weโ€™re one track down before Peppercorn, youโ€™d be mistaken by the title that this is locally-themed, Moonraker, is Bowie spacey and maybe a reference to the Bond movie rather than a Devizes pond fable.

Image by Nick Padmore

The finale rings with everything weโ€™ve suggested at the start, this is poptastic for catchiness. Do Bop-Bop is staunchly irresistible. Exotic bongos, Californian beatnik surfer goodness; ideal daydream for wintertime locked down in England!

In conclusion, I need not convince Jonโ€™s lifetime fans, they will buy it and love the fact they have. For others, this is an interesting progression with great prose, itโ€™s joyful and quirky and explores styles without selling-out or shifting the central pivot point, which is Jon Amor, da man rocks! All the above basically adds up to; this is highly entertaining on the ears and persuasive on the feet to tap.

     


You Do You, George

A message goes ping from that George Wilding, heโ€™s got a new single out since when we reviewed his band Wildingโ€™s last outing. Are they building up to an EP? I asked, and got the reply, this is a solo one. Then, nought, despite saying if you send it, Iโ€™ll bless it with some words. Thatโ€™s our George, never too hot on a press release, and if I criticise myself for being a technophobe, Iโ€™m Zuckerberg by comparison! So, I gotta go find it on these blasted streaming sites, but you know, and he does too, Iโ€™m going to, even if Dave Franklyn got in before me with a super review. Blinking Loreal; he’s worth it!

I take the chance not to read anything Dave has written prior to scribing something myself, if itโ€™s on the same subject. Such an expert with words, my penmanship pales in contrast. Still, I got to say a little something, George being such a popular charismatic and approachable guy, aside his natural flare and virtuosity, musically. ย ย ย ย ย 

Encouragement and reassurance for a falling star, practically rather than spiritually, seems to be the subject for You Do You, a delicate resonance in such a fashion only George could execute. Perhaps the most melancholic yet, opposed to the bouncy country acoustic of some of his earlier classic bombasts, it contains no skilfully-placed vulgarity, itโ€™s mellowed, inspired and stunning. Itโ€™s crying out for an emotional upsurge, yet whispered with sincerity, the key to a great song, and George nails it, unsurprisingly.

The kind if performed live it would suspend the whole venue in awe, as if time suddenly stopped and nothing mattered other than counselling this lone girl. Everything moral spells this character needs help, yet by natural testosterone, perhaps her beauty distracts; a perpetual cycle of bad karma. Like any truly-written masterpiece, thereโ€™s obviously a private connection with the author, yet the listener identifies by conjuring a similarity to a particular own experience, in this case be it a girl, your mind locates the ideal suspect. Yeah, I know that chick, you contemplate, least one too close for comfort!

Every need then, to check it out for yourself. George Wildingโ€™s You Do You is out now, across all streaming platforms.

https://open.spotify.com/embed/album/3PQr8HIQjtQBv6f9WsC7hb


Tunnel Rat Refurb their Studio for Social Distancing Recordings

Unaware of their sound until now, but Iโ€™ve heard only good things about South Wiltshire duo Illingworth. Via this video you can hear their worth, a wonderfully executed rock power ballad, โ€œSing it.โ€ High time to review their September debut album New Normal based on this, me thinks, but for now weโ€™re here to mention the recording studio, as thatโ€™s what the video is promoting.

In a friendly, rural setting Tunnel Rat Studios is based in Haxton, near Salisbury, and only opened last year, but since had clients such as professional opera singer, Deborah Mansi, singer-songwriters Paige Dobson and Emma Burton, as well as aforementioned Illingworth. The news is though, they have just had a major refurb. โ€œIs this to enable better social distancing measures?โ€ I asked engineer and producer Eddie Prestige, one half of studioโ€™s pair, with Jolyon Dixon, each of whom have over thirty years proven experience in the industry.

โ€œYes,โ€ he replied, โ€œit was mainly for social distancing measures. However, we have upgraded our equipment too.โ€

Tunnel Rat Studios can now offer fantastic quality recording in a larger, covid19 secure environment, with experienced professional engineers and session musicians available in house to help. There are separate performance and engineering rooms, with full line of sight between the two.

Their comfortable live room is plenty big enough for up to four people to play together. The control room, which can record up to sixteen channels of audio simultaneously, and have high-end outboard equipment, like the Manley Voxbox channel strip, and itโ€™s accessed by a separate door. Containing a 2020 iMac, running Logic pro X with many of the latest software instruments and first-rate plug-ins, including Waves bundles and Celemony Melodyne studio 5, a Black Lion audio analogue to digital converters, mind-print DTC channel, and Kemper profiling amplifier, and Peluso 2247le (Tube U47 clone) Lauten audio Clarion (FET Condenser) microphones. There are a matched pair of Miktek C5 (small diaphragm condensers) and 2 MXL Lundahl edition R77 ribbon mics. They also have all the usual dynamic mics like shure SM57 (x2) shure SM91 (x2), and for monitoring they use genelec 8020 speakers and Event Opals.

Now, you see, that technical jargon is all double-Dutch to me, sounds good though and Iโ€™m certain if youโ€™re a musician into getting sound production perfection, considering Tunnel Rat might be an option, they promise itโ€™ll be an affordable one. Theyโ€™ve even a unique Christmas gift package, a voucher for the aspiring singer or musician, offering studio time vouchers from as little as ยฃ125, valid for a whole year from purchase. Each voucher entitles the recipient to studio time at Tunnel Rat, and they encourage you to get in touch for more details or to discuss any special requirements you may have.

Here is their website.


Arcana & Idols of the Flesh: Ambience and Chamber-Prog with Swindon Composer Richard Wileman

One portion my nostalgia rarely serves, and thatโ€™s my once veneration for spacey sounds, apexed through the ambient house movement in the nineties, but not comprehensively; we always had Sgt Pepper, Pink Floyd and Hendrixโ€™s intro to Electric Ladyland. Iโ€™ve long detached myself from adolescent experimentation of non-licit medications, lying lone in a dark bedroom chillaxing to mood music, and moved onto a full house of commotional kids; progress they call it.

Incredibly prolific, Swindonโ€™s composer Richard Wileman might yet stir the memories, if these headphones drown out the sound of a nearby X-Box tournament. Best known for his pre-symphonic rock band Karda Estra, there is nothing vertical or frenetic about his musical approach. Idols of the Flesh is his latest offering from a discography of sixteen albums. Yet far from my preconceptions of layers of decelerated techno, as was The Orb or KLF, or psychedelic space-rock moments of my elders, which our own Cracked Machine continue the splendour of, Richardโ€™s sounds with Karda Estra bases more orchestrally, neo-classical, as if the opening of a thriller movie. Though, so intense is this sound you need no images to provoke you.

Idols of the Flesh is dark and deeply surreal, with swirls of cosmic and gothic hauntings which drifts the listener on a voyage of bliss. Nirvana is tricky to pinpoint in my household, but with my ears suctioned to my headphones I jumped out of my skin upon a tap on the shoulder, daughter offering me some sweets! Momentarily snapped back in the room as if Iโ€™d surfaced from a hypnotistโ€™s invocation, but aching to fall backwards into it once again.

Agreeably, this is not headbanging driving music, neither does it build like Leftfield for those anticipating beats to start rolling after a ten-minute intro, it simply drifts as a soundscape, perhaps coming to its apex at the eloquently medieval church organed Church of Flesh, one of two named tunes out of the six on offer, the others given part numbers. Then, with running water, the final part echoes a distant chant of female vocals as if a wind blowing across a sea for another eleven minutes, itโ€™s stirring, incredibly emotive and perfected.

Along a similar, blissful ethos Richard Wileman served up Arcana in September this year, a third album this time under his own name. While maintaining a certain ambiance, itโ€™s more conventional than his Karda Estra, more attributed to the standard model of popular music. Itโ€™s an eerie and spectral resonance, though, with occasional vocals which meander on divine folk and prog-rock; contemporary hippy vibes, rather than timeworn psychedelia. Released on Kavus Torabi’s Believers Roast label, a sprinkling of Byrds and Mamas & Papas ring through with an unmistakable likeness to a homemade Mike Oldfield. When vocals come into effect, with one guest singer Sienna Wileman, itโ€™s astutely drafted and beguiling.

Select anything from the bulging discographies of Karda Estra or Richard Wileman and youโ€™re onto a mood-setting journey, composed with expertise and passion. If ambient house is lost in a bygone era, this is reforming the balance of atmospheric compositions with modernism, so mesmeric it remains without the need for intoxication. Now, where did I stash my old chillum?! Probably in a dusty box in the loft with my Pete Loveday comics and some Mandelbrot fractal postcardsโ€ฆ.



Dirty and Smooth Seed to the Spark

That moment after a message from a local band, when you click on their Facebook page to find eleven friends already โ€œlikeโ€ them, and not one of them told you! Yeah, Iโ€™m talking, but I ainโ€™t saying anything new; does everyone know Malmsburyโ€™s The Dirty Smooth, except me?!

If not, you should. Since their debut single five years ago, The Dirty Smooth are no strangers to the festival circuit, gaining a reputation for playing original, anthemic pop songs. On top of numerous live appearances, they helped organise the Minety Music Festival in 2017. Shortlisted at the UK Festival Awards it has become a well-established festival, hosting acts like Toploader, Republica and Chesney Hawkes. Over the past two years, but setback by lockdown, theyโ€™ve been working towards a forthcoming album, Running From The Radar, due to be released in February. Theyโ€™ve a very worthy teaser from it, a single you should check out, Seed To The Spark; itโ€™s certainly convinced me.

With a sonic booming bass intro, itโ€™s as it suggests on the tin; dirty. Yet itโ€™s got that perfect pop blend in melody, which draws in many influences. Central vocal hooks of eighties rock, punky attitude, but beguiling backing female vocals and funky rhythmic grooves of soul-related pop, ah, the smooth part. Iโ€™m left thinking if Simple Minds met Deacon Blue, or Roxette. Though Iโ€™m contemplating they met today, for nothing is left completely to retrospection with The Dirty Smooth, thereโ€™s vibrant freshness to the sound too. Thing is, itโ€™s aching with confidence and undoubtedly brewing with potential. The ingredients are all there and being unified by some musical Michelin star chefs, who clearly love their cuisine.

Few local bands aim for the stadium sound, knowing a pub circuit is more workable. Here, as with Swindonโ€™s Talk in Code, is something which needs some big stage festival airing, it has that range, it has that wide appeal. As with the apt band name, Dirty and Smooth righty word their single, you get the sensation this is far from their opus-magnum, for if it is just a seed to a spark youโ€™ll want to be there when that bomb drops.


Shake a Leg this Christmas in Swindon with The Tribe, Showhawk Duo, and Brother From Another

With the beguling blend of hip hop and reggae, Swindon’s pride The Tribe are a force to be reckoned with. Always a lively show, they team up with a most original act you’ll see this millennium, the Showhawk Duo. Recreating rave classics acoustically, yes you read that right, they’re super amazingly awesome.

And not stopping there, local purveyors of funky reggae, the ever-entertaing Brother From Another are also invited to the Christmas Shake a Leg party at Swindon’s Meca.

It โ€™s been a crazy year to say the least and we all need a good olโ€™ knees up so weโ€™d like to invite you to the Shake A Leg Christmas Party on 12th December.

This could be just what you need to liven up this terrible year.

Full production for the show; Amber Audio & Patch are providing sound, IC Lighting will be bringing the stage to life with a lighting show and OT Films will be streaming the event live.

Adhering to restrictions, thereโ€™s a limited capacity and table service for the show. Tables of up to five are ยฃ33. Over 18’s only.

Frank Turner and Jon Snodgrass; Still Buddies

Ten years ago, Frank Turner and Jon Snodgrass recorded an album that became a cult favourite among fans: โ€˜Buddiesโ€™. Here comes the long awaited follow up…

Right, Iโ€™m gonna try. Without Google, it goes: Hartnell, the guy with the black combover, Pertwee, Baker, Davidson, Sylvester McMonkey Mcbean…I think, Bernie Ecclestone, wee David Tennant, Matt Smith and erm, Forrest Whitaker.

Somewhere near close, I reckon. But when Davros, least the guy who played him, leaned over a table at a comic con and asked me what my favourite Dr Who episode was, Iโ€™m like, wha? I dunno, pal, you want me, what, to roll off an exact series and episode number like an overweight geek in a Buffy tee? I can barely recall all the actors, or what I just ate.

Similar to another occasion when a fanboy’s jaw hit the deck at a comic con upon my confession, I hadnโ€™t read Maus. I have now, for the record, thinking my life might depend on it, but at the time, no, I hadnโ€™t. Iโ€™m not Denis Gifford for crying out loud into a Millennium Falcon, Iโ€™m not intending to draft a history of comics. I was only there to punt my stoner comic, for want of a next meal. Still, I get narked by the expectance Iโ€™m supposed to know everything about everything, to have read every piece of literature in the developed world, to have listened to every album, and seen every film, because I write reviews. Especially being Iโ€™m partial to occupying a hefty percentage of my time daydreaming through a closed window.

Still I worry Sheer Musicโ€™s Kieran will kill me, or least tell big Mikey Barham, whoโ€™ll hunt me down, if I say Iโ€™ve a Frank Turner album to review, and this is the first time I have listened to him. Itโ€™s nothing personal, Frank, just an oversight on my part, I could apologise, but Davros takes priority.  Fact is prog-rock is not my bag, I slipped headphones on with only minimal caution, being Mr Moore hasnโ€™t failed me yet. Prolific Hampshire punk and folk singer, Frank Turner begun as vocalist for post-hardcore band Million Dead, and pursued an acoustic solo career in 2005, after the bandโ€™s breakup, accompanied by The Sleeping Souls, his backing band.

Apparently, a decade past saw Frank team up with Missouri-born alternative-country musician, Jon Snodgrass of the Armchair Martian, Scorpios, and Drag the River bands to drink whisky and record Buddies, a 10โ€ split album that became a cult favourite among fans. Written in four hours, recorded the following day, itโ€™s an experimental project proved popular and now followed up with โ€œBuddies II: Still Buddies,โ€ out this Friday 13th November.

Under similar premise as the original, the sequel was written in just one day, albeit via the internet due to lockdown. Iโ€™m going in blind, but informed they were able to flesh out the album with more time on their hands, and recruited the aid of Descendents/ALL drummer Stephen Egerton and Todd Beene of Lucero, Chuck Ragan and Glossary, on pedal steel. Blind is good though, as I was pleasantly surprised, completely unexpectedly entertained. For itโ€™s more podcast than album, they chat like a comical zoom meeting and bounce off each other while adlibbing their next song.

A musical Whose Line is it Anyway, where straight-man Frank, akin to Ernie Wise replaces Eric for Cheech or Chong, Jon sounding like the Californian beatnik, the guys amusingly chinwag on all manner of random subjects: having children, their travels across the States, and name-checking other songwriter โ€œbuddiesโ€ like they did on the original, but with lockdown prose. Musically it contrasts they desired genres, getting heavy and thrash at times via Frankโ€™s ideas, or country with Jonโ€™s, who often attempts to slip in a kazoo! Yet the opening tune, a parody theme tune sounding uncannily like Randy Newmanโ€™s Toy Story โ€œYouโ€™ve got a Friend in Me,โ€ is decidedly novelty ska-punk, and thereโ€™s a promise of a third Buddies album with the prospectus of an even funnier marine theme.

Frank explains, โ€œlockdown has been such a blow to the music industry, and such a drag that we were all looking for things to do. Jon and I have been buddies a long time, and I noticed the 10-year anniversary of our collaborative album was coming up. Technology is such that we were able to reprise the writing method remotely, and indeed it turns out we’ve got a lot better at it in the intervening decade. I’m really, really proud of the record.โ€

And Snodgrass adds, โ€œBUDDIES II was somehow even more fun to make. It even sounds better too! Frank mixed it & we enlisted Todd Beene & Stephen Egerton. So yeah, 2 more buddies. Itโ€™s twice as good, imo. I canโ€™t wait until 2030! Itโ€™s gonna be three times better & weโ€™re gonna do it at sea!!โ€

If improv Facebook feeds from novice jokers are becoming tiresome in these times, I believe many of the more memorable will become a testament to era, and Buddies is perhaps the best Iโ€™ve heard, but as an album itโ€™s not what Turner fans might expect, but will be delighted by the variance. It entertained me, that is, Iโ€™m not about to be die-hard fandom, but it placed both Frank and Jon on ones not to be missed out again.

Out on Xtra Mile Recordings this cheerful reflection is out on Friday 13thย  November. If unlucky for some, itโ€™s certainly not for Frank Turner fans. Oh, and Patrick Trouton was Doctor with the black hair, and I canโ€™t imagine how I ever forgot about Peter Capaldi.


Who Remembers our First Birthday Bash?

Proof you donโ€™t know whatโ€™s around the next corner, I put off doing a second birthday bash last year as weโ€™d run a few fundraising events, in favour for doing a mahossive one this year. As it stands any third birthday celebration for Devizine would constitute me, with a cup of tea, sitting at the computer. Two years ago, though, to the day, our birthday bash was monumental, personally, as it made Devizine feel actual, a real โ€œthing,โ€ so much more than me, with a cup of tea, sitting at the computer!

Still, I can reminisce and remember how so many of us come together at Devizes Conservative Club, made it such a fantastic night, and raised close to four-hundred smackers for the Devizes branch of Cancer Research. But it was down to a Facebook messenger chat with Dean Czerwionka, who now organises Devizes Family Club at The Cavalier. If memory serves me right, unusually, I was unable to draft anything, suffering a hangover. Rapping with da man, I merely suggested the possibility of putting on a charity event, and before I knew what was what, tickets were being sold online.

Such was the nature of the evening, throughout. Dean and Cons Club staff worked hard to make it such a great event. Those fantastic Daybreakers arrived early despite being the grand finale, and set up the system, organised the other acts. My wife prepared a buffet and son helped arrange it on the table. Ben Borrillโ€™s mum Beverly, who had told me about her famous hamsters but neglected to tell me of her musically talented son, made a Black Forest gateau. Local poet Gail Foster entertained intervals between acts. Matthew Hennessy and Nick Padmore snapped the photos and Nickโ€™s wife Joy made an effective bouncer on door duty! Even Resul of the Turkish Barbers gave me a free trim, and Tamsin Quinโ€™s niece Erin rounded up everyoneโ€™s loose change for the bucket collection. All the while I swanned around talking toilet, propping up the bar and taking all the credit!

It should be bought to attention, now time has passed and any argument could be condensed to water under the bridge, that it wasnโ€™t really Devizineโ€™s birthday at all! I started it back in the September the previous year, it just took us a while to sort it out and get news out there. In that, it taught me a hell of a lot about putting an event on, all of which I now haveโ€ฆ. erm, forgotten.

But it makes me proud to look back at our acts. Lottie J was only fifteen at the time, is now a star, off to music school, and producing some amazing pop. She jammed with the next act, the sadly disbanded Larkin, despite never having met. Sam Bishop of Larkin is studying music in Winchester, and has produced some great singles, solo, and with a new band. Martin of The Badger Set tipped me off he has something new up his sleeve. Then musical partner, Finely Trusler has since worked on solo projects, with his cousin as the duo The Truzzy Boys and now donned a Fred Perry and fronts the ever-awesome Roughcut Rebels.

We had, of course, our darlings, The Lost Trades, collaborating with each other, long before they were the Lost Trades. Jamie joined after an eleventh-hour cancelation, which I was overjoyed to have fit him in. Tamsin wasnโ€™t feeling so good, but still performed to her usual higher than high standard anyway. Cutting her slot short, as things became quite a squeeze, Phil Cooper followed and really shook the place up. Still performing solo, but ever helping each other out, as The Lost Trades theyโ€™ve set a precedence on a national scale despite debuting just a week prior to lockdown.

Everyoneโ€™s favourite, George followed, with added Bryony Cox for a few numbers. After a move to Bristol, Mr Wilding set up a highly accomplished namesake band, Wilding, of which talents are boundless. Bryony continues working as a fine artist, with a penchant for landscapes.

Aching to get on and get everyone dancing, The Daybreakers did their lively covers thing. A change in line-up, they continue to do so today, composing their first original song recently. Yet really, theyโ€™re no strangers to writing and composing, Gouldy and Cath as an original duo are Sound Affects, and they sneaked in a slot at our Birthday Bash too.

It really was a great night in the end, if there was an end, I cannot recall, and Iโ€™m eternally grateful to everyone for their help, particularly proud to hear how much theyโ€™ve progressed and how far weโ€™ve all come. Itโ€™s a crying shame we cannot yet replicate it, but I sure would like to when we reach that better day. So, look at for our fourth birthday bash, all things well by that time. Hereโ€™s some photos to get me teary-eyed.

Devizes Town Band Comes to You for Remembrance

Had everything gone to plan, Devizes Town Band would have been taking their places right now, to perform another sell-out Poppy Concert, raising funds for the Royal British Legion’s Poppy Appeal.

Sadly, that was not to be.

We are in a second lockdown, so things are slightly differentโ€ฆ

โ€ฆ As you can’t go to them, they’ll come to you!

Sit back and enjoy their latest video; a compilation of a recordings from their last rehearsal in the Wyvern Club and other pieces! Due to the social distancing restrictions on space, some of their musicians joined in via Zoom. Which I always marvel at the harmony of without timekeeping together in one place.

Our wonderful town band are still collecting funds for the Poppy Appeal; they would be very grateful if you would click on the link provided below to make your donation. The band give a huge thank you!

We Will Remember Them.

https://fb.watch/1FmaUORIFr/

Chris Tweedieโ€™s Reflections

With over three decades experience writing music and composing songs, Melksham-based Chris Tweedie acknowledges on his website he can sing, but disparages his ability to limitations, inquiring of other singers for possible collaborations. While timorousness is common when self-assessing the worth of your own output, especially for musicians, thereโ€™s an argument that no one can express your own words better than you. While the many whoโ€™ve taken on songs of Dylan, who letโ€™s face it, isnโ€™t the most accomplished vocalist, may well have manufactured a better sound, but lack the sincerity and emotion of the written word coming from its author. ย ย ย ย ย 

First impressions last, Iโ€™m only a few songs into Reflections, his debut album released yesterday, (6th Nov) and Iโ€™m drifting into its gorgeous portrayals, meditative and knowing his notion is modesty. The vocals are apt for this wandering, sublimely ambient twelve uniformed tunes. And anyway, Tracy Whatleyโ€™s beautifully grafted vocals with a country twinge feature on the one tune, Virtuous Circle, and the title tune is an instrumental finale to make Mike Oldfield blush. The rest are self-penned and executed with vocals, mellowly with acoustic goodness, reminding me of the posthumous Nick Drake.

With poetic thoughtful prose, these are exceptionally well-written songs, performed with passion and produced under the ever-proficient Martin Spencer at the Badger Set Studio. His website and the CD inlay has text of said lyrics, to pick one entirely at random; โ€œYou are the thousand winds that blow, You are the diamond glints on snow, You are sunlight on ripened grain, You are the gentle autumn rain,โ€ taken from You are the Stars, are not the exception, theyโ€™re all this serenely stunning.

Itโ€™s Sunday sunrise music, sitting by a stretch of water, and we all need this once in a while. The album cover of such a scene sums it up in one image.

The relaxed attitude hardly drifts to anything of a negative narrative, perhaps with the exception of Slow Down, which suggests oneโ€™s life is moving too fast. The majority on offer is uplifting, perhaps reaching the apex at the seventh song, aforementioned You are the Stars, which is enriching, period.

โ€œThere are various musical influences that come through in my music,โ€ Chris says, citing rock, pop, country and folk. โ€œThe direction this mix has taken my songs is still fairly mainstream with a leaning towards the West Coast path and an element of Americana in places.โ€ I certainly agree, thereโ€™s hints of the Byrds, of Crosby, Stills and Nash, but majorly its definingly English, think George Harrison, not to hype but to compare the style of. Thereโ€™s experimentation at work here, but the experience shines through, Chris Tweedie could chill out Donald Duck!

Buy Chris Tweedie’s Reflections here


Important Update From Wharf Theatre

Following the Prime Ministerโ€™s announcement Devizes’ Wharf Theatre has been forced to postpone their production of Adam and the Gurglewinkย which was due to open later this month. They have now rescheduled the show for the 18th and 19th December.

Suitable for adults and children this delightful and original pre-Christmas show tells the story of Adam, played by Karl Montgomery-Williams, who is planning to run away when he stumbles across The Gurglewink, a childhood toy who has come to life in the attic.  Reality blurs as Adam is whisked away to meet Rainbow girl who challenges him to a dangerous quest to travel to the end of the rainbow for a cup of magical golden dust..  Rainbow Towns survival depends on Adams ability to keep goingโ€ฆ..

In addition theย December production ofย The Grimm Talesย has been postponed to the New Year and they will be contacting customers to arrange transfer of tickets.ย  Please continue to monitor the website for the latest details.

The Wharf were delighted to have been awarded the COVID-19 industry standard โ€˜Good to Goโ€™ certification by Visit England and they are therefore hugely disappointed to have to re-schedule shows. ย 

However they remain determined to re-open as soon as possible and send strength and solidarity to everyone across the industry who is working tirelessly to bring theatre back.ย  Finally they want to thank the amazing community for your continued support.

30 tickets are available for each performance, in line with current guidelines.ย  They can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm

ย Whilst social distancing restrictions remain in place please continue to refer to the website for the latest details.


Dreamlands; New EP from Daydream Runaways

In fairness to you readers, Iโ€™ll come clean, the new EP from Daydream Runaways, Dreamlands, is a collection of three pre-released singles, Fairytale Scene, Light the Spark, and the latest, Crazy Stupid Love. Each of which if you click on, youโ€™ll see Iโ€™ve reviewed already, here on Devizine.

So, what do those demanding guys want from me this time?! Except to say I canโ€™t praise the band or these songs enough. Making the opportunity to announce the release imperative, suppose, but forgive me for not running back over the same notions in said reviews.

So, I figured Iโ€™d catch up with them, harass them for few more questions I overlooked when we interviewed them last. Notably, when Cameron Bianchi enlightened us that, โ€œwe brought back two older songs and reworked them, as they fit really well next to the lead single Crazy Stupid Love.โ€

Ah, cool ,this progressive young band have reworked them. I supposed itโ€™s good to have the singles on one EP. โ€œAnd those three are among our oldest songs so it felt right to release them,โ€ Cameron continued. โ€œThen Brad had an opportunity to record us for his Final Year Project at Uni and an EP seemed like a great project to take on.โ€

Out on the 13th November, the releaseโ€™s title I was asked to keep it under my hat, for a โ€˜guess the name of the EPโ€™ competition was to be announced. The title got me to pondering the name Daydream Runaways. So, I asked them how they came about it.

Frontman Ben Heathcote replied, โ€œCameron came in with the name suggestion after numerous discussions and almost instantly we knew that was it. It seemed to describe us and have a connection immediately to our sound. We all daydream and get lost running away in our minds, our dreamsโ€ฆโ€

Cameron added, โ€œWe spent quite a while trying to work out a name that suited us, actually. We were looking for something that sounded hopeful and had a sense of escapism about it. Ben remembers that I brought it to a practice one evening, I think Iโ€™d been reeling off loads of names that the boys didnโ€™t love. Then one day my fiancรฉe had been playing lots of Ben Howard and he used those two words in a few of his songs and I just liked the way the sounded when merged together.โ€

Shame, I adopted the guesstimation Cameron was the sort of kid at school who would rather stare out of the window daydreaming than pay attention to the lesson. โ€œI know I was!โ€ he confessed, โ€œprocrastination is my second favourite hobby…next to playing guitar!โ€

An apt name it is though, it relates to the bandโ€™s brand of dreamy, nostalgic and acceptable indie-rock, which has found them glowing reviews elsewhere. James Threlfall of BBC Introducing in the West, said of Fairytale Scene, โ€œI’ve had the pleasure of seeing this band absolutely smash it live.โ€ Theyโ€™re favourites on Sue Davisโ€™ show on Wiltshire Sound, but I was drawn in particular to a quote by Dave Franklyn on his Dancing About Architecture website, a man who does similar to what we do here, only better. He said Crazy Stupid Love, โ€œhas got that great Alt-USA feel to it; Fountains of Wayne style and early 00โ€™s vibe.โ€

Coincidently I mentioned Fountains of Wayne yesterday when pondering the new EP from End of the World, Calneโ€™s skater-punk five-piece. Hereโ€™s where I tip my hat to Freewheelinโ€™ Franklyn, always able to view another angle. For in the way of comparisons, I spent nearly all my effort reminiscing classic eighties bands such as Simple Minds, perhaps U2. I wrote paragraph upon paragraph suggesting the Daydream Runaways songs would slip neatly into a John Hughes coming-of-age movie, when really, I needed only to rewind twenty years; itโ€™s an age thing.

I asked them for their thoughts on this comparison to noughties US bands, all a bit skater punk. As all I know of Fountain of Youth is the one tune, and while the Daydreamerโ€™s material has a coming-of-age type content, I couldn’t imagine them knocking out something as quirky as a song about fancying their girlfriendโ€™s mum.

Nathaniel Heathcote confirmed, โ€œyeah, itโ€™s definitely reminiscent of skater punk, very 2000s with baggy jeans, spiky hair and a skateboard in hand!โ€

Cameron also clarified, โ€œitโ€™s kind of a weird blend of Indie meets Country meets 00s rock. Not that it started out that way. I think I was trying to write a riff like The Smithโ€™s Girl Afraid.โ€ Ah, mention of a band I know! Heaven help me, are we due a noughties comeback, I pondered, I guess itโ€™s time, despite Iโ€™m still living in 1991.

โ€œThey seem to be!โ€ Cameron figured, โ€œI was listening to Machine Gun Kelly the other day and his sound is very 00s. We obviously inspired himโ€ฆโ€

From here I teased about the possibility of getting a rapper in, if thatโ€™s the case. But Daydream Runaways has spent their few years really nailing a uniformed style, I hoped I wasnโ€™t rocking the boat. Thereโ€™s a question developing in that though, how far theyโ€™re willing to diversify?!

Cameron admitted, โ€œBen has floated that idea about actually, we always say we donโ€™t want to write the same song twice or be bound to one genre. And I think that comes across in our music. It helps that each of our individual musical influences are quite different so that makes the song writing process quite fun and the songs are always a bit unexpected.โ€

โ€œThis is something we differ on in my opinion,โ€ Ben interjected, โ€œCam enjoys the idea of a more consistent sound and style that is familiar, whereas I strive for an ever changing/evolving sound, dipping into varying genres.โ€

โ€œSo,โ€ Cameron replied, “I think we balance each other out?โ€

Ben Heathcote got deep, โ€œthe world canโ€™t exist without Ying and Yang.โ€

But I often rock their boat, probing their thoughts of an album, and they have differing opinions on it, but Iโ€™m always impressed how they stabilise it mutually; I do hope itโ€™s a solid band, as this EP rocks and I always look forward to hearing some new from them. They even went as portentous to hint at an albumโ€™s possibility, but rather concentrate on the idea of a sequential set of songs on a running theme. There you go, Mr Franklyn, I surmise theyโ€™ll be writing the next soundtrack to a John Hughes rework!

If so, I get first dibs on the actress playing Molly Ringwaldโ€™s part, but probably not, though with this blinding new EP, it is fair to assume itโ€™s only just the beginnings for The Daydream Runaways. The peak will be unimaginably awesome.


Very Brave or Very Stupid; End of Story

Very brave or very stupid, to suggest five-piece band End of Story are terrible, more so if I tell you theyโ€™re a bus journey away in Calne! Terrible is as terrible does, Forrest; a complimentary adjective in punk, like the magnificence of being spat on by Sid Vicious, itโ€™s a term of endearment.

For End of Story are the localist epithet of skate-punk, they do it well and as it should be done. Their new EP of four original tracks titled thus, Very Brave or Very Stupid is terrible, if terrible means awesome. Itโ€™s raw, angry, energetically entertaining; the very blueprint of punk.

Through the passage of time, generations warped the tenure of the house of punk, and new subgenres evolved, their attributes far-flung from the roots. No wonder why Iโ€™m particularly picky about the genre, tending to steer away from modern takes. Be they aiming commercially, like power-pop, like Blink 182, or excessively overkill it, like skatecore. Principally I guess itโ€™s predominantly youthful American, and I tick neither box.

I reserve my right to appreciate from afar, though, especially when procured with an amusing take, Back to the Future references, fancying your girlfriendโ€™s mum, for examples. Or if thereโ€™s a clever narrative like Avril Lavigneโ€™s Sk8er Boi. I even allowed myself to be dragged to a Bowling for Soup gig at Bristolโ€™s 02 by my son, albeit a taxi service. I gulp and confess, didn’t stage dive, but it was alright. But, and this is a big but, my erroneous dejection; canโ€™t help but feel itโ€™s lost its raw way from my first love, Ramones, Pistols, Buzzcocks, et all.

Precisely why I find End of Story refreshing, skate-punk it may be, but with full beams blasting into original punk, shining the way, reminding me of Welsh punkers, Sally & Kev Records and punk-paste zines of yore. The four tunes are archetype skate-punk subjects, Sweet Sticky Kiss of Mary Jane the only stoner ballad, the others theme on disjected romance and broken promises. But itโ€™s catchy with boundless rage, and as garage as punk should be.

Nosebleed perhaps the loudest, Shattered Earth perhaps the most interestingly grafted, and the finale, Itโ€™s not Him, perhaps the most commercially viable within the confounds of skater punk, but all equally beguiling. Top effort guys, highly enthralling, and itโ€™s out today. Punkers, check it out:

https://music.apple.com/gb/artist/end-of-story/1535986645


Carmela’s Superhero Salvation Army Toy Appeal

Massive shout out to People Like Us member, Pip Phillips for getting his head shaved on Sunday in aid of Carmela’s Stand Up to Muscular Dystrophy. I told him he needs to join a ska band with his new skinhead look!

For those who don’t know Carmela, she has a very rare progressive muscle wasting disease which weakens all skeletal muscles, weakens the respiratory system and cardiac issues occur, and receives care from Julia’s House Children’s Hospice twice a week. You may recall the day I did my milk round in my Spiderman onesie August last year, when I was delighted Carmela came to help dressed as Wonder Woman.

Her love for Wonder Woman has become somewhat of a running theme in the fundraising effort, Wonder Woman actress Gal Gadot recently donated over three thousand pounds when Carmela walked her own mini marathon in place of her father Darren, who was intending to run the London Marathon.

Superhero is apt though, to describe Carmela, she is a little fighter, determined with her physical exercise to stay as mobile and strong for as long as possible. More to the point though, I can vouch for her charm, youโ€™ll never meet a more inspirational girl than six-year-old Carmela and everyone immediately warms to her natural magnetism.

The tables have turned for this venture though, as her determination is to put smiles on otherโ€™s faces this Christmas. November is a time when Carmela usually raises money for her cure campaign with Muscular Dystrophy UK. But she asked to help children have presents for Christmas, as she saw a TV programme about vulnerable families and wants to help.

So, Carmela will be taking part in a virtual 4-week physical challenge with http://www.superheroseries.co.uk called Winter Wonder Wheels, Race Around The World, and instead of asking for sponsorship she is asking for at least ยฃ5 unwrapped gifts for any aged child sent to her home address so they can take them to The Salvation Army, as one trip at the end of her event. Please privately message Carmela on her page for address. Precisely why we love Carmela! If you want to get involved, here is the Facebook event page.


Cold Water; New Single from Lottie J

Wasn’t it in my review of Talk in Code’s latest single where I waffled on the subject of my passenger seat DJ on trips to her football, and thinking about it, every time she gets in the car even if we’re only going half mile up the road?

Matter of factually then, my daughter ensures I’m as up-to-date with pop, as far as a middle-aged pop can be. So it may surprise you to note this rocking grandad knows his Dua Lipa from his Doja Cat, just about, and I know the “peng” sound of now, and Lottie J’s single is bang on the mark.

Though, I’ll probs get dissed by da yoot for my hopeless attempts to align with the trends in lingo, and peng is probably, like ancient history; soooooo last decade. But everything about Cold Water rings contemporary pop hit to me.

Lottie has come some way from teen singing her own heartfelt compositions at a piano on the local circuit, and the days when Jamie Cullum encouraged her upon visiting her school to donate his old piano.

If she has stars in her eyes, they’re directed and affirmed in a business acumen which knows exactly how to point them in the right direction; Cold Water confirms this. It is fresh, it is the pop sound of now, and assures me, through the chosen path of self-promotion in an era which allows it through streaming sites, Simon Cowell is not necessary. I predict we will be hearing more from Lottie J, bigger and better each time, and with her sublime voice and beauty abound, she is the pop star in the making.

It’s cool, emotionally prevoking, it’s pop-tastic beats and has all the ingredients of a contemporary r&b come dance hit. All it takes is word of mouth and online sharing. I usually run anything modern past my daughter, who mostly scoffs at my attempts to influence her musical taste, but on the position of Lottie J we mutually appreciate her talent. And that’s good, innit, I mean she could be my excuse for attending Radio 1’s Party in the Park. Post Malone, we’re on our way!

No, he’s an American rapper, no, he hasn’t got a black and white cat; get with the program!

Streaming Link

Gigs Continue at the Southgate with a Bonza Line-up for November

Remember around this time of year, how the UKโ€™s terrestrial television stations would wind down quality of their schedules in order to accrual a superior agenda for Christmas? Well, the near-only dependable live music venue in Devizes we have left is showing no sign of copying the idea. Abiding by restrictions and regulations, Dave and Deborah at The Southgate Inn on Potterne Road continue to bring us the very best of local music, and show no sign of letting up for November.

Maintaining Wednesdayโ€™s consistent Acoustic Jam evenings, and on top of regular Fridayโ€™s Ukelele Group, thereโ€™s something for all tastes during the lead up to the big C. Letโ€™s run through them, but remember most gigs are early, from 4-6 or 7pm, and to adhere to the social distancing rules, and respect others at all times. Booking a table is recommended, particularly for the more popular gigs, and boy, thereโ€™s plenty of them upcoming. Call them on 01380 722872 or send them a Facebook message to let them know youโ€™re coming!

This Saturday, 31st, we see the return of Swindonโ€™s Navajo Dogs. Theyโ€™ve not played since lockdown, and say they canโ€™t wait to blow the cobwebs off, with their own-brand of punky, blues-rock, and as they say, โ€œsome face melting guitar solos!โ€

On Sunday, the local family band Skedaddle are in the house, with their popular singalong covers.

Next Sunday, the 8th November, is bound to be awesome as what The Southgate brand their house band pay a visit for some unforgettable funky blues. Local legend Jon Amor, Jerry Soffe, Tom Gilkes and Evan Newman make up King Street Turnaround

Saturday 14th and itโ€™s time for Mirko and Bran, aka, The Celtic Roots Collective. The wonderful duo you should all know by now for their blend of Irish and Celtic folk and rock.

The Sunday, 15th, sees Bristol-based regular original folk, soul and bluesman, Lewis Clark, who appears solo rather than with his full band, The Essentials, focusing on new original material written during lockdown.

Saturday 21st has the combination of Mantonโ€™s own Ed Witcomb, of the aforementioned Skedaddle, & Marlboroughโ€™s talented Nick Beere, promising magical mellow blues, catchy guitar riffs, and a combination of chilled acoustic covers and original material.

More blues on the Sunday 22nd, and why not? Bare blues with rural roots, delivered via slide guitar, harp and stomp-box with energy and passion. The Gate welcome back Trevor Babajack Steger.

Saturday 28th Iโ€™ve defo bookmarked, when Swindonโ€™s two-tone ska darlings, The Skandals skank the Gate. Since the split with frontman Mark Colton, the lively band welcome back their original lead, ex-Skanxter Carl Humphries. Playing as selection of two-tone ska covers, is always welcome.

The Southgate are keen to point out at this stage, gigs do depend on changing covid regulations and should things alter, larger and louder bands might have to sadly be cancelled. Fingers crossed, as Bite the Hand are due to arrive on the last Sunday of November, the 29th. Like many, itโ€™ll be these crazy metal-headsโ€™ first gig since lockdown. Bite The Hand perform fast and furious punk and metal, self-penned reasoning is โ€œto try and offer audiences something less vanilla. Itโ€™s the kick in the teeth youโ€™ve always wanted, the dirty habit you just gotta have.โ€

Personally, as well as wishing Dave a happy belated birthday for yesterday, I just wanted to thank them and their team for continuing to work through this period safely and provide Devizes with such a great line-up of free entertainment from their hospitable and welcoming, best pub in Wiltshire!


Wiltshire Council’s Live Covid Update

Wiltshire Council are hosting a live public COVID-19 update on Tues 3 Nov at 5pm.

The online broadcast will feature Wiltshire Council Leader, Philip Whitehead, Chief Executive, Terence Herbert and Director of Public Health for Wiltshire, Kate Blackburn.

They will be providing an update on the latest number of positive cases and the rate of COVID-19 cases in Wiltshire, and the arrangements in place to mitigate the spread of the virus. There will also be details on how schools, care homes and council services are responding to the situation and planning for the coming weeks.

They want to hear from you.

You can submit your questions about COVID-19 and the local response in advance by emailing communications@wiltshire.gov.uk, no later than 5pm on Sunday 1 November.

Full details: http://orlo.uk/szlOg

Devizes Winter Festival

The weekend traditionally for Devizes Lantern Parade, 27th-28th November, there promises to be a huge magical community event this year, because of circumstances beyond their control, DOCA are doing things a little differently, and invites you to be apart of the Devizes Winter Festival. There are plenty of things to do, see, and get involved in.

FOR YOUR ENTERTAINMENT
For your delight, they will have roaming performers and an amazing walking trail for you to visit, suitable for all ages.

Projector Boom Bikes by Sound Intervention

Dan Fox will be bringing his amazing projector bikes which will fill the streets with music and light. Interact with all the strange and familiar creatures the bikes project onto the buildings of Devizes.
Location: Leaving from the yard of the Black Swan
Appearing: Friday 27th 17.00 -17.45, 18.30-19.15 &
20.15-21.00 Saturday 28th – 16.45- 17.30 & 18.00-19.00

Celestial Sound Cloud by Pif Paf

Dance and wave and the Sound Cloud will react to you to create a unique conversation in sound and light. Donโ€™t be shy, itโ€™s your chance to be the conductor to create beautiful harmonies and make light patterns like youโ€™ve never seen before. Access to the SoundCloud will be managed by volunteers for your safety.
Location: Wiltshire Museumโ€™s garden, Long Street, SN10 1NS. Access through the rear car park
Times: Friday 27th – 16:00 โ€“ 21:00, Saturday 28th – 16:00 โ€“ 19:00

The Bell Orchestra by Beautiful Creatures

This amazing supersize instrument is waiting for you to come and play. Created by Beautiful Creatures Theatre who will invite you to experiment with these giant illuminated chimes. Come and enjoy some safe togetherness and make some beautiful music in this lovely Devizes square. Suitable for all ages and abilities
Location: The Chequers Garden, High Street, SN10 1AT
Times: Friday 27th 16:30 โ€“ 18:30 & 19:00 โ€“ 21:00

Devizes Town Band

Devizes Town Band will bring the sound of festive tunes that you know and love to the Market Place.
Saturday Morning โ€“ times to be announced soon

Virtual light switch on by Father Christmas From his home

Like most of us Father Christmas is having a trickier year than usual! To make sure everyone is safe he wonโ€™t be appearing in person at the Light Switch on this year but heโ€™ll do it from his home.
Heโ€™s asking children to write to him, to help you he has sent us a letter template which you can pick up from the Shambles Market between the 31st of October and the 14th of November. If you want him to write back youโ€™ll need to tick the box on the back of the letter and post it into the red letterbox in the Shambles by 4pm on the 16th of November. All the letters will be sent to Father Christmas who will be reading out a selection on You Tube at 7pm on the 27th along with a tour of his house and workshop. Heโ€™ll also write back to you, your letters will be ready for collection on Saturday the 5th and 12th of December between 9am and 12 noon from the Shambles.
The YouTube channel address is http://bit.ly/DevizesSanta

FOR YOUR SHOPPING NEEDS

Doca have selected the best traders in the area, offering a host of fantastic flavours, amazing tipples, beautiful handmade gifts and more. Explore the expanded festive markets in safety over 3 days at your leisure. Please view trading times below.

Friday 27th
Market Place 4 – 9pm
Corn Exchange  2.30 – 8:30pm
The Shambles 10:00am – 8:30pm
Town Hall 2.30 – 8:30pm

Saturday 28th
Market Place 10am – 7pm
Corn Exchange 10am – 7pm
Town Hall 10am – 7pm

Sunday 29th
Market Place 10am – 2pm
Town Hall 10am- 2pm

BE APART OF THE MAGIC  with Window Wanderland

Doca have invited homes, venues and shops to get creative through this Internationally known event, and hope it will become a new tradition in Devizes. Look on the Window Wanderland website or follow the link from ours for more information.
http://www.windowwanderland.com/event/devizes-2020/
Times: 17:30 to 21:00 each night.

Shambles Festive Makeover

With your help DOCA are attempting to transform the Shambles, the roof will be decked with baubles made by the community. Check their website for details for dates and opening times.
docadevizes.org.uk/make-a-bauble-for-the-shambles-installation

HELPING TO KEEP YOU SAFE

Attendees and audiences will be required to follow safety measure. Please ensure you use our track and trace system, scan the QR code in all venues and register using your smartphone
Use hand sanitizer provided
Wear a mask at all times
Maintain a safe distance from people
Bring your own cups for drinks and help the environment too

For more information on Devizes Winter Festival please visit the DOCA website https://www.docadevizes.org.uk/winter-festival/

Paul Lappin Wants to Fly

Tad snowed under with the plethora of great new music at the moment, but delighted to hear Swindonโ€™s breezy Britpop fashioned artist, Paul Lappin has progressed from the few singles weโ€™ve reviewed fondly in the past, to release an album of all new material, this week. So, yeah, apologies for lack of advance notice, The Boy Who Wants To Fly is out now, and very worthy of our attention.

It binds all the goodness of the singles into something you can nourish extensively, thereโ€™s a real concentration of composition here as each track drifts adroitly. Itโ€™s astutely written pensiveness, nicely implemented, with the expertise likened to our own Jamie R Hawkins; Iโ€™ve made this comparison before. This moulds what could be great acoustic into a full band experience, handsomely; As Billy Green 3 are accomplishing this side of the M4, but letโ€™s not get all road map. Best way, imagine George Harrison present on the Britpop scene, and youโ€™re somewhere lost in Lappinโ€™s world.

Not a lot standout in theme, Paul mostly takes on the classic subject matters, sometimes optimistic romance, often uplifting reflections on past observation, such as the title track which Paul clarifies, โ€œit was originally written for my young nieces and nephews, but listening to it now I can also hear a lot of my younger self in there.โ€ But thereโ€™s a nod to current affairs, such as the citation towards the refugee crisis in the wonderfully executed Song for Someone.

Iโ€™m getting shards of Tom Pettyโ€™s Freefalling, particularly with the title track. Story behind the album reaches back six years, when Paul was looking after an isolated farmhouse in the Occitanie region of the south of France, coinciding with a particularly motivated period developing song ideas. โ€œMost of the songs on the album were written within the first few months of arriving at the house,โ€ he explains, โ€œthe melodies came during long walks in the surrounding hills and vineyards, the lyrics were penned in local cafรฉs.โ€

Haven’t yet had the pleasure of meeting Paul yet, but through the openness of his songs you feel like you know him already, and that constitutes an exceptional song-writer.

Ten tunes strong, optimism drops by the eighth, The Eye of the Storm, and darker, heavier elements ensue, if only for a track. โ€œEye of the Storm was a reaction to how helpless and frustrated I felt to all the crap that was going on at the time,โ€ Paul elucidates. Life was Good is critically observant too, but retains the feel-good factor, and that sums the general ambiance of the entire album. Common with creative geniuses, they shy, and this self-indulgence uneasiness I see in Paul. โ€œEntering the For The Song competition in 2019 changed all that,โ€ he expressed when he won with the song Life Was Good, boosting his confidence, which has ultimately led to this worthy and proud album; as he rightfully should be. I urge you to take a listen.


Talk in Codeโ€™s Secret

New single from Swindonโ€™s indie-pop darlings, and, as foreseen, itโ€™s blinking marvellous, Gloria.

โ€œEighties,โ€ I yell, but my daughter corrects me. Itโ€™s a tune from Miley Circus, apparently. Story checks out, searched YouTube for it. Now Iโ€™m distracted from reviewing Talk in Codeโ€™s new single, Secret, by her suggestive gyrations in a black studded swimsuit and equally studded elbow-length gloves. Only from a health and safety perspective, you understand. Metallic studs are unsuitable for swimwear, gloves would fill with water; I should warn her PR.

When behind the wheel of Dadโ€™s taxi, my daughter plays DJ; curse that built-in Bluetooth function. Least I can pretend Iโ€™m hip with the kids by distinguishing my George Ezras from my Sam Fenders. โ€œAh,โ€ but I clarify, โ€œI didnโ€™t mean that, I meant it sounds like something from the eighties.โ€ She agrees, tells me theyโ€™re all inspired from the eighties. โ€œLike, Blondie,โ€ I add, sheโ€™d have to Google that, but she watched The Breakfast Club and Uncle Buck, she is aware of the style of sound demarcated by eighties electronica pop.

Refrained from telling her about these guys though, some things are best left in the past.

If a retrospective inclination influenced by the decade of Danny Kendal v Mr Bronson, Rubikโ€™s cubes and skinhead Weetabix characters is good for you, ok, look no further than upcoming local bands like Talk in Code and Daydream Runaways. Iโ€™ve often grouped these two on this very notion, and Iโ€™m delighted to note via my comparison, the Daydreamers are supporting the Talkers at Level III in Swindon on November 20th, my only annoyance is that itโ€™s a Friday and I canโ€™t make it.

To differentiate, Daydream Runaways take a rock edge, the like of Simple Minds, but Talk in Code seem to strive for the electronica angle of bands like Yazoo and The Human League. They do it far better than well though, and if I branded it, โ€œsophisticated pop with modern sparkle,โ€ their last single, Taste the Sun, back in July, embodied this more than anything previous. So, here we are again with another belter which adds to this uniform style, though the climate may not be so clement, Secret sparkles too.

It snaps straight in, this aforementioned feel-good 80s electronica guitar pop sound, and itโ€™s so beguiling and catchy itโ€™s certain to appeal wide, agelessly. If I was attending a local festival and Talkers took the stage, Iโ€™d imagine my daughter and I would dance together, and right now with her tastes directed to my odium, calculatingly sweary modern pop R&B, this would be a miracle! I do not twerk.

Secret is right out of a John Hughes movie then, a stuck record comparison I say to near-on every release by them and Daydream Runaways too, but this undeviating style is consistently cultivating and improving. Lyrically itโ€™s characterised by the same simple but effective theme of optimistic romance, and a bright, catchy chorus, as every classic pop song should. ย 

The band cite pop classics such as King of Wishful Thinking, How Will I Know and Alexander Oโ€™Nealโ€™s Criticise as evaluations. I can only but agree, but add, those can be cringingly timeworn, whereas, this is not Dr Beat, no need for an ambulance sound effect, and the Talker guys donโ€™t got no hairspray, this is renewed and exhilarating for a modern generation.

You can pre-save TALK IN CODEโ€™s brand new 80โ€™s infused indie pop belter, on the platform of your choice and listen in full, but itโ€™s not released until November 16th. Yeah, I know right, Iโ€™m so lucky to have these things in advance, but with Secret I can guarantee by the time it comes your way, Iโ€™ll still be up dancing to it, perhaps my daughter too. Care to join me on the dancefloor? But oi, watch the handbag, Miley, and donโ€™t yank my diddy-boppers, Iโ€™m no that kind of guy; saving myself for Gloria Estefan.


The Conclusion to my Black History Month Articlesโ€ฆ.

If Dunbarโ€™s number is a thing, then isnโ€™t it a human instinct, be it more than a wish but perhaps a need, to group people outside of your given sphere? Does this constitute prejudges, and are they therefore ingrained in society through nurture and history? Iโ€™m continuing to bash on about Black History month before itโ€™s over; remember, no one is forcing you to read this!

An evening in the mid-nineties and the Dreadzone gig at the Shepardโ€™s Bush Empire ended. Me, a tad intoxicated, has drawn the short straw, gathered friendโ€™s cloakroom tickets and patiently wobbled in the crammed queue to retrieve our jackets. A couple in front had found love, or lust at least, and I mean directly in front, like, so close if I wanted, I could have joined in. Pecking very nearly turned to copulating, as the couple furiously exchanged salvia. I confess, I was nauseous and uncompromising, the queue packed so tight it was difficult to concentrate my path of vision elsewhere, and even if I did, I could not disguise the sound of their slurping.

Now, I fully accept my mouth can override my sensitivity in times of intoxication, yet to me I enquired of the couple politely. Iโ€™m pleased for them, that they found mutual attraction and desired to explore it, but I wished they could wait until somewhere a tad more private. My subtle approach, if memory serves me right, was to say, โ€œoi, do you have to do that here?โ€ They retorted and accused me of homophobia, as they were a same sex couple. I affirmed I was no such thing, and annoyed by the accusation I replied it was nothing to do with gender, if they were a heterosexual couple Iโ€™d have been equally as irritated. Yet, till this day, I worry myself, were they right? Does this mean Iโ€™m homophobic?

Personally, the idea of myself engaging sexually with a guy is defo off the cards, but I like to think Iโ€™ve a liberal opinion and I accept others feel different. I know homosexuality happens in nature, Iโ€™m aware homosexuals were persecuted in the past, and I support the ethos of live and let live. But Iโ€™m nerved by the incident, and wonder if I might have reacted differently if they were heterosexual. I even contemplate if my attitude would be different if they were both female; might have perversely enjoyed the show; there, I said it, Iโ€™m only human! Is this an ingrained prejudice Iโ€™m unaware of, or mechanically unprepared to accept? Iโ€™m not ruling it out.

If you figure I tend to write these opinion pieces with a theme of personal perfection, that I do not stand accused myself, I give you this. Yet, Iโ€™d still be angered by a reaction of someone who falls into this grouping who states, yep, Iโ€™m afraid you are a hypocritical homophobic denier, defo, because I am adamant, I am not. I see the same reaction by a few in my recent articles about racism. They are unyieldingly positive they are not racist, to the point I believe they genuinely consider they are not. But, are they? โ€œRepeat a lie often enough and it becomes the truth,โ€ is a law of propaganda often attributed to the Nazi Joseph Goebbels.

Yet, as evident in the parish councilโ€™s refusal to display an exhibit in their phonebox on the theme from their village youth, they criticise recent motives and analyse with a natural bias, it seems to me. Yet the council in Urchfont are volunteer residents and is, obviously, not systematically racist. But I have to wonder if our history has ingrained prejudges into us, be it via the slave trade, The Buggery Act of 1533, passed by Parliament during the reign of Henry VIII, punishable by death, or every attitude pre-The Chartist Movement of 1838, and, of course, the Women’s Social and Political Union formed in 1903.

Though, despite the umpteen explanations the slogan, for it is such, black lives matter doesnโ€™t mean that all lives do not, itโ€™s still paraded around as rejoinder. Yes, small groups mayโ€™ve used the slogan in their name, and some may be activistic, the motto is simply decentralised social movements advocating for non-violent civil disobedience, and in any protest, some will disobey the objective and cause trouble.

A campaign only becomes political if a dogmatic rule opposes it. Negative reactions of the president, our own drive here in Britain to disengage immigration policy, remarks from our own royal family and jokes made by our prime minister, and, obviously, the murder of George Floyd, suggests it is. Unfortunate as it may be, often such a violent reaction is what it takes to raise awareness and change. On 19th February 1913 a bomb brought down ceilings and cracked walls in the home of the Chancellor of the Exchequer, Lloyd George; Emmeline Pankhurst claimed responsibility. Suffragettes smashed windows, cut telephone lines, spat at police and politicians, cut or burned slogans into turf, sent letter bombs, destroyed greenhouses at Kew gardens, attacked a doctor was with a rhino whip, chained themselves to railings and blew up houses. 1912, Mary Leigh threw a hatchet at Prime Minister H. H. Asquith, for change we now consider ludicrous not to uphold.

In this I see agism too, the campaign is worse than anything you recall with rose-tinted specs.  โ€œTimes are bad. Children no longer obey their parents, and everyone is writing a book.โ€ Who said this, was it recent? Answer; Marcus Tullius Cicero, 43 BC, Rome.

Iโ€™m permitted to quote Keith Rowe of the classic reggae duo, Keith & Tex, when back in June he posted these thoughts; โ€œAs I digest this moment in time and observe whatโ€™s been going on in this country [USA], I am disappointed, yet hopeful, that maybe this time there will be changes in policing.

Disappointed that it would take an uprising to get peopleโ€™s attention to what African Americans have been experiencing for generations. It took this latest despicable video of George Floyd to realize that this has been our reality. Iโ€™m hopeful because itโ€™s the young people that are leading this protest.  Letโ€™s not forget that back in the 60s, protests were being led by young people. Martin Luther King was only 26 when he started leading the nonviolent protests. 

We need an end to systemic racism and itโ€™s good to see multigenerational, multicultural protests going on in many cities. Youโ€™re either a racist or an anti-racist, there is no in between. Having served the military for 20 years, I am amazed at how militarized the police have become. Iโ€™ve never heard before civilian protests referred to as a โ€œBattlespaceโ€ Itโ€™s as if they are facing an enemy force and are going to battle them in the streets.  We need to relook at how policing is done in this country and make drastic changes. It just canโ€™t go on like this. Black Lives really do Matter!โ€

I left this quote unedited, as I thought it inspiring, heartfelt and an honest reflection, but, the subject of this series or articles was principally intended to focus on a local issue. Racism is wrought, everywhere. How do we compare? To put it mildly, weโ€™re in the thick of affluence, much of which is unescapably the profits of the slave trade. Consider Simon Watson Taylor, to name but one, the MP for Devizes from 1857 to 1859. His family derived its wealth from sugar and slavery in the Colony of Jamaica. In 1852, Simon Watson Taylor inherited his Jamaican estates from his mother Anna, he livedโ€ฆguessโ€ฆat Urchfont Manor.

Taking the advice given at my online meeting with Gurpreet Kaurย of BLMintheStix, an organisation addressing racism in rural areas, to be open and unafraid to discuss the subject with those affected, I did chat with a Jamaican-born friend living here. He messaged me, to say he found my article interesting. I suggested the Urchfont phone box issue is bizarre, stating I didnโ€™t believe those parish councillors are deliberately being prejudiced, but they’ve believed the media propaganda against BLM and constitute any reference to racism as being arranged by some political activist organisation, enough to stop children of their own village displaying an art exhibit. As an artist himself, he replied, โ€œthat is sad,โ€ and was keen to point out, โ€œhow it was, how it is and how it will always be.โ€ Though he expressed content living here and said he had no issues in his village, โ€œall very friendly. Happy at my yard.โ€ ย Here is an important point I tend so see here, the negativity is rarely cast upon an individual locally, and for this much alone, we should be grateful.

I therefore stand by my original observation, no particular place could be viewed as more or less racist than any other, our own stands well and we should be proud of this. But we do need to consider this current movement is no more violent or dogmatically driven than any other previous campaign on any particular issue, itโ€™s only a media interpretation of, their reasoning for is a drop in the ocean for debate Iโ€™m not willing to speculate without another two-thousand words. Which, we donโ€™t need me harking on even more!

So, to conclude, before my fingers fall off, I feel our prejudges are indeed inherited and ingrained upon us unwillingly, and this is no oneโ€™s fault. But we should want to address them, and strive to change, so there will be a possibility that they will be eradicated in the future. As is the section of Haile Selassieโ€™s 1963 address to the United Nations, recited by Bob Marley in his song War; โ€œthat until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned; that until there are no longer first class and second class citizens of any nation; that until the colour of a man’s skin is of no more significance than the colour of his eyes; that until the basic human rights are equally guaranteed to all without regard to race; that until that day, the dream of lasting peace and world citizenship and the rule of international morality will remain but a fleeting illusion, to be pursued but never attained.โ€

If I thought for a second it is but a fleeting illusion, to be pursued but never attained, then there is no hope. I know itโ€™s doubtful Iโ€™ll ever see that kissing couple in the Shepardโ€™s Bush Empire again, wouldnโ€™t recognise them if I did, but if I did Iโ€™d like to say, โ€œI sincerely hope you are wrong when you surmise Iโ€™m homophobic, but if not, and I am, I intend to change my view.โ€ For a generation whose grandparents stared in shock at Boy George on Top of the Pops in 1983, we have come so far. And to watch same-sex couples unquestioned on game shows and reality TV, and accredited childrenโ€™s cartoons such as the ground-breaking โ€œThe Loud House,โ€ which openly has the protagonistโ€™s best friend parented by a gay couple, I have to be proud as a generation we have nearly attained equality. Yet I quiver and anger at the notion this is slowly being torn down around us.

Return this back to our original article, our interview with Gurpreet, when I asked โ€œare racist attitudes increasing?โ€

โ€œOnly if we let it,โ€ Gurpreet replied.

“We Cannot Let our Young People go Hungry;” those locally rallying the call to #endchildfoodpoverty

Time is against me to get this out with haste, forgive me that I donโ€™t to go on one of my usual longwinded rants, I know you love them, plus, you know Iโ€™m aching to do so!  

Suffice it to say weโ€™re all horrified and angered by this government-voting-down-free-school-meals fiasco and Marcus Rashfordโ€™s righteous campaign. Itโ€™s been suggested by HuffPost, MPs have a bee in their bonnet about being called โ€œscumโ€ by Angela Rayner! Something about sticks and stones; letโ€™s not dwell, but have a local honourโ€™s list of who is here to counteract this appalling decision from the scum, sorry, I meant kindly government, and help out anyway they can.

Marcus Rashford asks one thing of us in a Tweet; sign the petition.

Nationally thereโ€™s many independent establishments rallying to offer what they can, and after the bad card the lockdown dealt them, their generosity should be awarded; a massive thank you to everyone offering their services. Least we can do is compile a list of local places, who, if you are struggling to put food on the table this bank holiday or Christmas break, can help.

If I missed you, please message us and miss you we will no longer! Bless you all.

Update: Wiltshire Council are on the case!

Press release from WC, and it’s good news…..

Free meals for vulnerable children in Wiltshire during school holidays

Wiltshireโ€™s vulnerable children will benefit from free meals during October half-term after Wiltshire Council agreed to ensure families struggling with food poverty in the county are supported.

Cllr Laura Mayes, Cabinet Member for Children, Education and Skills, said: โ€œWe know that many families are feeling the financial pressure during the COVID-19 pandemic, and we want to do all we can to support them.
โ€œWe want to ensure that children do not go hungry during these school holidays and want to ensure that Wiltshire families know that they will be supported during these difficult times by putting these measures in place. Therefore the council will be funding free meals during the October half term. This will be reviewed throughout the pandemic and we will continue to make sure that any child and family who needs help gets it. As we have done throughout, we will continue to work with our partners in the community and voluntary sector to make sure the needs of our residents are met at this unprecedented time. The work of our community groups has been, and continues to be, amazing and I must thank them for their tremendous support throughout the pandemic.

โ€œIf you are entitled to free school meals or universal credit and struggling to pay for food over half term, please contact the Wiltshire Wellbeing Hub for support.

โ€œEveryone in Wiltshire needs to play their part to help prevent the spread of COVID-19.

โ€œWe ask that people regularly wash hands, maintain social distancing and wear face coverings where appropriate. This is the best way to keep us all safe as much as possible, and helps to prevent the spread of the virus.”

For more information on how to claim, please contact the Wiltshire Wellbeing Hub Team on wellbeinghub@wiltshire.gov.uk or call 0300 003 4576. The team is available Monday to Friday between 9am-5pm.

Devizes

The Gourmet Kitchen Brownie in Poulshot is offering free packed lunches. Please message their Facebook page for more information.

The Cavalier on Eastleigh Road are offering a free lunch pack, (sandwich, drink, piece of fruit and a bag of crisps to takeaway) available to collect from the pub for any child, during half term from 26th October. If you are in need of a packed lunch or know someone who might, please send them a message or call on 01380 725193

The Eastleigh Road Fish n Chip Shop is also offering free sausage and chips to school age children this half term, on Wednesday 28th between 4.15 -5PM.

The Raintree Indian Restaurant on New Park Street has taken the initiative too, during this half term week from Monday 26th to Friday 30th Oct.

For this special occasion, they will be open from 1:00 pm – 2:00 pm for collection of a lunchpack everyday.

For every child, the lunch pack will include one chicken curry and pilau rice, one juice and a piece of fruit.

Parents or guardians, feel free to call them on 01380 725649, or send them a Facebook message, to request your free lunch pack. You can call between 5:00pm- 8:00pm everyday for the next day order. A massive thanks goes to the Raintree, who are really going the extra mile; “as a parent,” they say, “if you are going through difficulty during this hard time, please feel free to order one extra meal for yourself as well. No question will be asked.”

Please note, they won’t be able to take any order for the same day collection. Every order needs to be placed the day before during the mentioned time above.

Pearce Electrical Contractors in New Park Street, have decided as a business to support Marcus Rashford’s movement. In partnership with Biddles Cafe in the Shambles, they will be providing a warm bacon roll and hot drink to any child that usually receives a free school meal throughout half term free of charge, No questions asked. These will be available until 2pm each day Monday, Tuesday, Thursday and Friday.

Potterne

The George & Dragon are providing free lunches and hot food over half term. Collection from the Pub for any child,

If you would like a pack lunch or a hot meal this half term for your child/children then please donโ€™t be afraid to phone or text to book in their meal.

Available every day, collection times between 12pm-1pm

Phone ๐Ÿ“ž 01380 722139
Text 07814182252

Seend

Wednesday, Thursday and Friday, the Brewery Inn at Seend Cleeve will have packed lunches made up ready to collect from 12 noon, offering a free school lunch during half term to those that our eligible. Please message them in confidence to make arrangements.

Melksham

The Future of Football organisation. From Monday next week Future of Football FC will be providing free takeaway packed lunches for those in the Melksham area, available for collection from Bowerhill Sports Field. Starting this Monday with 50 lunches and if the demand is there, we will up numbers for Tuesday and so on. Simply turn up at Bowerhill Sports Field and collect between 11.00am and 12.30pm. There is a GoFundMe page here to donate.

Marlborough

In Marlborough, a Facebook group has been set up, Love Marlborough Kids Meals.  A community initiative to make sure all Marlborough children have access to free meals during the current crisis. No fuss, no forms, no referrals. Just meals for kids who need them. Please like the page for more information. There are details of places taking part, including Sue Brady Catering operating in conjunction with the Town Hall. Meals are being distributed at St Marys Church hall on Silverless St.

Pewsey

If you’re in Pewsey and need support of any kind, from food to help with shopping and library services, there’s a community website which can help.

https://pcca.org.uk/

The PCCA says, “we have stepped up to fill a gap that government should provide and will be offering school meals through the school holidays. If you would like to offer time or donations please sign up at pcca.org.uk or phone 01672487022.
If you are a family who needs help you can call us confidentially or email meals@pcca.org.uk

Pewsey Spar shop say, โ€œWe will be providing a lunch for any child in need from Monday October 26 to Friday 30. Just pop instore with your child/children and we will give them a lunch. There is no shame in asking for help and accepting a helping hand. We, as always, are there for you.โ€

The Little Lunch Box in Pewsey High Street is also offering help. โ€œWith many children not receiving free school meals during the holidays we would love to help. If you are affected and finding it difficult during this time, please feel free to get in contact totally confidential, no judgement. Weโ€™re all in this together, no child should go hungry and  irrespective of the Free School Meals for half term decision โ€“ if you run out of food or necessities, or times are just tough, please donโ€™t let you or your kids go to sleep on an empty stomach.

Donโ€™t be afraid or embarrassed to send us a private message. We will do anything we can to help. It may simply be a case of dropping off a food parcel and leaving. No one has to know and where others are concerned, it never happened.โ€   Phone: 01672 564901

The Woodbridge Inn are also providing lunches, see the poster.

Upavon

Contact the Ship if you require a free packed lunch for kids in Upavon.

Calne

There’s a Facebook group called Calne Town Dinners. Any volunteers who has cooked too much food and can supply you with a meal are encouraged to donate to the needy, for any reason.

Corsham

If you normally get a free meal at school, please visit to the cafe at Pound Arts with your adult, and they’ll give you a healthy meal for free. No need to buy anything. No questions asked.

Tasty Bites Sandwich shop on the High Street says, “if your child is normally entitled to a free school meal then bring them in,” and theyโ€™ll give you a free lunch bag for your child during half term.

Salisbury

Popeyes in Estcourt Road are offering free kids meals to those who need it. These are available:- For collection only- Between 4-6pm- Any kids meal option on the menu- Until Sunday 1st November 2020. You will also be able to choose:- Pot of beans OR- Side salad- Either Orange OR Apple & Blackcurrant fruit shoot (instead of a can of fizzy drink – if you wish). If ordering by phone, please just quote free kids meal. If ordering in person, please just show this message (taken from their Facebook page) when placing your order. Not available online.

Chisldon

The Patriots Arms is offering a free lunch pack available to collect from the pub for any child. The lunch pack is made up of a sandwich, drink, piece of fruit and a bag of crisps. Please message or call Sunny on 07807 037231 or Sanjay on 07587 694373 

Swindon

Mazzaโ€™s Munchies has teamed up with G Waste and Your Sport Swindon to offer free lunch packs for any children who are in need of food. Please message them if you can to arrange collection or simply turn up at our snack van at B&Q Swindon, Great Western Way.


Not just businesses helping out…

Another interesting angle to this Iโ€™ve just been informed about, is that out in the villages some people have been posting on their village Facebook pages, inviting any needy over to their home for lunch. For me, this proves undoubtedly, they are not doing this to promote a business, only to help in a time and issue the government are callously snubbing.

Potterne

Anna Villette in Potterne contacted us to say she had done just this, posted on Potterneโ€™s village Facebook group for people in need to message her, where they could be invited over for tea as their guest, with her own children. How utterly selfless and decent is that? Well done and thank you, Anna. If youโ€™re in Potterne and do wish to contact Anna, please message the page and I will pass on her phone number. She is even willing to put portions in a plastic tub to takeaway if preferred. โ€œI knew I was hoarding those tubs for a reason,โ€ she told me!

Devizes

If anyone in any other villages or in towns are thinking of doing similar, and wish us spread word, do let me know! KJ Jeffreys in Devizes is also willing to help.

Trowbridge

Caroline Jackson (click name to email) is planning to cook Spaghetti Penne Pasta on Monday for families in need in Trowbridge. Please could parents let Caroline know how many meals they would like & their address. She plans to deliver on Monday afternoon between 3-5pm.

Barred from his own local!

Thatโ€™s all Iโ€™ve found so far, going to get this article up and running as time is short, but please, if youโ€™ve a service to offer youโ€™d like to me to list, contact Devizine and letโ€™s get as comprehensible list as possible. Half term is upon us, but this could extend to Christmas holidays too.

Here, Danny Kruger, MP for Devizes, admits he doesn’t read your emails, “These citizens send abusive emails which, they may like to know, I never read: my team just delete them without bothering to show me.” You have to admire his honesty if nothing else.


Zoom Like an Egyptian: Wiltshire Museum Half-Term Activities!

Bangles not required, entertain your saucepans over the half-term with some Egyptian themed art and craft activities at Wiltshire Museum in Devizes, which is linked to their current Out of Egypt exhibition.

Tuesday 27 October and Wednesday 28 October you could find out about the Ancient Egyptians through their artefacts? Find out about mummification then create a mummy mask, a golden amulet and hieroglyphic bookmark to take home. Finish your session with the chance to see some of the amazing real artefacts from the Out of Egypt Exhibition.

The museum ensures it is Covid-secure, by putting a number of measures in place; details on their website.

And on Thursday 29 October – 2pm, you can zoom like an Egyptian with a digital event for curious kids. The Museum are offering Curious Kids the chance to engage with the museum and get creative as a family, via Zoom!  The session will also be inspired by their โ€œOut of Egyptโ€ Exhibition from Hampshire Cultural Trust.

Ideal for children ages 2 to 5 (including reception aged children) the session will last 30 minutes and will be broken up into short sections, to focus on your interaction, rather than attention to the screen.

Other craft activities you can do yourself with advice via videos created by local artist, Emma Kerr, is to make your own Egyptian mask using household items such as milk-bottles or from natural ingredients. Visit the website for more craft ideas for all the family.

Details and booking from the website. General entry to the Museum:

โ€ข             Thursday, Friday and Saturday – 10am to 4pm (closed 1pm to 2pm)

โ€ข             OPEN Sunday 25 October and Sunday 1 November – 11am to 3pm.

Pre-book to ensure entry, as they are continuing to limit numbers.

The exhibition, featuring genuine Egyptian artefacts, including scarabs and mummified animals, mummy masks and wrappings, shabti (a figurine found in many ancient Egyptian tombs) figures and jewellery, Out of Egypt closes on November 1st.


The Return of Wilding; Falling Dreams

It doesnโ€™t hang about, it doesnโ€™t drift dreamily as some previous tracks on the Soul Sucker debut EP, unbelievably near-on a couple of years ago, but it is unmistakably Wilding, this beguiling new tune from George Wilding, back with his band after lockdown. As a frustrating era for all creative groups, it feels as if with โ€œFalling Dreamsโ€ they concentrated all their het-up energy, impetus and vigour, directed it into a trunk, padlocked it for a few months, then smashed the deadbolt and channelled it direct into an adroit three-and-half minute explosion.

Excellence is a watermark of Bristolโ€™s Wilding, what initially began as a backing band for our homemade favourite lead singer, George Wildingโ€™s prodigious young solo career, I expected no less. Though, while itโ€™s not excessively upbeat it rocks steady, but Falling Down is a grower, appeal increases with every listen. It fits their self-penned label, psychedelic Britpop, but what is more, unlike Hendrix and Joplin itโ€™s not psychedelia lost in time, similarly with Britpop darlings Oasis or Blur, which are somehow suspended in nineties nostalgia, a more apt comparison would be the Doors, a band with jazz and classically trained elements, and wild frontman poet, their sound is timeless.

Processed with VSCO with p5 preset

If Soul Sucker received regular rotation on BBC Radio 2 from Graham Norton and burgeoning interest from major labels, here is a natural progression and a multi-layered detonation, compacted into one song. Writer and frontman George, multi-instrumentalist Perry Sangha, bassist James Barlow and drummer Dan Roe have shattered expectations and produced something here to refine their style. If this is a glimmer of what is to come, you had better watch out.

Why? Because, as I said to George, thereโ€™s so much good music being released during this troubled time for musicians, if they can get some writing and production out to help fill the shortfall, itโ€™s all good. โ€œI suppose thatโ€™s been the upside,โ€ he replied, โ€œeverybody has so much time on their hands to create.โ€

The theme of Falling Dreams is ambiguously defined, as any strong songwriter should allow audience interpretation. To me it feels bitterly like a broken romance theme, but George jests, โ€œthey’re usually about girls, but ‘Falling Dreams’ is just about being fucking cool,โ€ adding, โ€œit’s about me…โ€ Herein requires some prior knowledge to his character to fully appreciate, as far from egotistical, Georgeโ€™s charisma lies with tongue-in-cheek witticisms shadowing a selfless good egg. But yeah, he is fucking cool too! They all are, this song verifies it.

To see what I mean, hold out for its release this Friday, 23rd October. If youโ€™re used to George providing entertaining covers on our pub circuit and his sublimely succulent solo EPโ€™s of dreamy indie, this will be a wonderful surprise, but as I said, its skill and catchiness is neither unexpected or unmistakable.


Urchfont Parish Council Turn Down Youth Art Display

Further to my article reflecting on black history month, and our chat with BLM in the Stix organiser Gurpreet Kaur, I said I had a local issue to raise which could be conceived as the perfect example of the message Iโ€™m trying to get across regarding rural racism so ingrained we fail to recognise it, or simply donโ€™t care to consider it as such. I was waiting for a response from relevant sources in order to give an impartial valuation. In the meantime, the good olโ€™ Gazette & Herald beat me to it!

In all fairness they didnโ€™t make a bad job, but itโ€™s the reactionary and presumptuous comments flowing on social media where the story warps out of all proportion and skewers the facts; keyboard warriors tend to do that.

Urchfont Parish Councilโ€™s Chairman, Graham Day explains, โ€œat its meeting on 8th July, Urchfont Parish Council discussed a proposal for a possible use of the High Street telephone box which is owned by the Council. A lengthy debate on this matter took place, with substantial public input both from those present at the meeting and others who had submitted comments to our Clerk.โ€

As with many rural out of service phone boxes, the community has gathered to find alternative usage for it. Many have become community hubs, noticeboards and others rural self-governed lending libraries. Urchfontโ€™s phone-box was adopted by the Parish Council in 2018, โ€œto protect it and to provide an unusual venue to promote village events and,โ€ hereโ€™s the biting point taken from the phone boxโ€™s own Facebook page, โ€œshowcase work by local groups.โ€

So, members of such a group, Youth Of Urchfont, moved by recent racial injustices, proposed a display presenting art and literature on the theme of racism. Immediately the goalposts are moved, and the ethos of the phone box altered by councillors, stating, โ€œthe telephone box should be used only for local community purposes, as such this proposal covering the wider issue of racism should be rejected.โ€

For the first few minutes of the agendaโ€™s proposal by the teenagers everything seems to be going well. But as the discussion flowed, it appeared an assumption the idea was linked to black lives matter, which rather than a slogan, is perceived by villagers to be an organised political movement.  Intent to maintain the Parish Council is a non-political body, it rejected the proposal five votes against three.

Spirally out of control, social media comments claimed all manner of fabrications, such as the youth wished to paint the phonebox. It hardly constituted any such vandalism, just a display of art and literature on the subject of racism, rather than a paint job, or even a salute to the BLM movement. What is a given thing for the Parish Council, is that the youth are someway promoting BLM, when really, they’re simply reflecting on racism in general; a fair observation? I asked one of the parents, David Kinnaird.

โ€œThey had never suggested painting the phonebox!โ€ he stated. โ€œNeither did they ever suggest any support for the BLM movement. When they first messaged the community bell to say they wanted to do something they immediately said BLM might be too political, and so the kids knew that this was off the table.  Sadly, and predictably, most of the opposition stemmed from perception of what the movement represents, and not to what was actually proposed. In fact, they didnโ€™t really know what they wanted to display, no idea at all really, just wanted to do something. It was lockdown, they hadnโ€™t been to school for months and wanted to do something…โ€

One of the youths, Polly, explained to the Parish Council, that she is really passionate about the proposed display. She questioned the fact that the kiosk had been previously used for political displays, citing the VE day soldier, for example. Wiltshire Council had expressed solidarity with BLM movement, protests had taken place in Wiltshire highlighting human rights, and racial inequality issues. Polly believed that the display will highlight all of these issues, adding it could link with other charities and be a great show for the Village. The Chairman then closed the meeting for public participation.

Councillor Mr Kemp made a statement outlining the ethos of the usage for the phonebox, including โ€œlocal residents had an opportunity to exhibit artisan skills, workshops or art work,โ€ and โ€œit supported the interests of the community as a whole.โ€ He strongly objected, virtually pitchforking the idea, stating โ€œBLM, a patently political movement, is clearly the catalyst, a movement that is demonstrably contentious and of itself offers little, to enhance the lives of the Urchfont community. Unfortunately, a mood of โ€˜if you are not with us then you must be against usโ€™ currently prevails and it can be easier to acquiesce in the face of public demand, against the better judgement of the individual or organisation, when that position is both emotive and forcefully declared.โ€

โ€œIt is clear from additional comments that the BLM movement and the (sometimes offensive) rhetoric associated with it resonates,โ€ he continued waffling, โ€œwhile these may be the legitimate expressions of personal views, the politically divisive nature underlying the issue as a whole is clear and cannot be ignored.โ€ And, democratically, it wasnโ€™t.

Here comes the opinion part, watch out! Ah, you know me well enough by now, not to possibly or in any way suggest this is concentrated prejudice on two parts, race and agism, and allow you to be the judge of if itโ€™s concentrated prejudice on two parts, race and agism, or not, though itโ€™s certainly possible it could be conceived as concentrated prejudice on two parts, race and agism.

The irony is, rather than allow a display organised by enthusiastic youth of their own village, encourage and support free-thinking from young people in an idyllic but humdrum Wiltshire outpost detained in lockdown, the alternative is nothing, and the phonebox currently and since the time it was suggested back in June exhibits such, absolutely nought, nothing, nada.

Nothing until these last few days, where the annual event โ€œcandles around the pond,โ€ was reduced to โ€œcandles in the phonebox,โ€ and raised funds for the church. And there was me thinking in Christianity the candle represents the light of God, and their ethics endorsed virtuous behaviour within its moral theology, as is their duty put in Leviticus 19:18 to love thy neighbour as thyself, and extend an unconditional hand of friendship that loves when not loved back, that gives without getting, and ever looks for what is best in others.

And here, their own children were rejected an art display as if they were suggesting a riot. To me, that is a sad reflection on todayโ€™s blinkered and hypocritic rural society and the very reason we need to openly discuss an issue most would wish to be eradicated many moons ago.


Rural Racism; Welcome to BLM in the Stix

Could โ€œis Devizes a racist town?โ€ be a clickbait headline?! Iโ€™m not out to infuriate. Ah, thatโ€™s why I didnโ€™t use it. That and, hope this to be only a part of a wider subject incorporating rural racism in a series of reflections for Black History Month. And here we meet an organiser of a new campaign highlighting a different angle of Black Lives Matterโ€ฆ…  

Nicotine stained wallpaper curled off the walls and tacky brass jumbles hadnโ€™t seen a duster for decades. We sauntered to the unattended bar. A balding head popped up from arranging glasses underneath it. The landlord scanned us with a discontented frown, paying particular attention to one of my friends. Long before Iโ€™d moved to Devizes, I was with a group who were residents here; it was the first time Iโ€™d been in a pub in this town. Iโ€™m not going to name the pub; this was many years ago, itโ€™s changed hands and is now converted to a rather splendid bar. The landlord avoided eye contact, and called down to the cellar where it would become obvious his wife was below. โ€œLove, weโ€™ve got a darkie up here needs serving,โ€ he sighed as he walked off.

My jaw hit the floor and I suggested we go elsewhere, but the target shrugged it off as routine; โ€œitโ€™s okay.โ€ Recently, following a Facebook thread debating racism on a local group, one comment offered, โ€œbecause Devizes is a racist town.โ€ Do I agree? Not really, is the simple answer. Devizes is a wonderful market town of which we should be proud to live in, yet with any affluent area, racism lurks and often can be so ingrained itโ€™s overlooked, accepted as the norm, or taken with a pinch of salt. I see it here, as I see it everywhere.

Image taken from Gazette & Herald article: Black Lives Matter gathering to be held in Devizes

The concern, then, is more generally and nationally; are racist attitudes increasing? โ€œOnly if we let it,โ€ Gurpreet Kaur replied during our online meeting. In August Gurpreet created a campaign group to raise awareness of racism in rural environments in the UK, called BLM in the Stix. Though it has no website yet, it operates over social media and has staged protest from her home in rural Essex. She moved from London for her son to attend the university, and because she wanted to live rurally, โ€œit felt safe,โ€ she explained.

But Gurpreet expressed, โ€œyou are three times more likely to be victim of racial abuse in the countryside than in urban areas.โ€ We tend to associate racism as an urban issue, perceptibly being a more multicultural society. Yet, BLM in the Stix states, being active in fighting against racism is even more fundamental when your ethnic population is minimal. You will send a message to non-whites that they are supported and welcomed, and for those who are overtly racist you will be demonstrating that their behaviour is unacceptable; systemic racism.

Gurpreet Kaurย 

Gurpreet specified this was the angle of the group, as I predicted the response to anything I write would be preaching to the converted. โ€œItโ€™s often denied, downplayed and dismissed,โ€ she said, what was more important to her was opening up to the concerned and encouraging them to be active. โ€œItโ€™s not about targeting racists,โ€ Gurpreet explained, โ€œmore about encouraging people to think differently, and act.โ€

I gave Gurpreet my above anecdote in the pub, and I said I feared discussing it with people of ethnic minorities. She looked shocked but far from surprised, and asked why I felt like this. That got me, I didnโ€™t have an answer. Perhaps we should feel easier about discussing the subject, in turn the ethos of Black Lives Matter. Gurpreet suggested I should consider addressing the individual dishing out the abuse, โ€œbut not in a confrontational way.โ€

Black lives matter. Yeah, I know, right, โ€œall lives matterโ€ donโ€™t they; well done you. If I had a pound every time… Itโ€™s an ingrained xenophobic get-out-clause, a shrewd one, but only one under โ€œIโ€™m not racist, but…โ€ For the amount of times explaining is needed, youโ€™d think the feeblest of minds could grasp, quite simply, no one is suggesting they donโ€™t, but the focus of the objective is black lives matter equally. I beg we get over this stumbling block, BLM is but a slogan, like Keep Britain Tidy, or Stay at home, protect the NHS, save lives; theyโ€™re direct, often sweeping and not all-encompassing.

Akin to when protests over the George Floyd murder in the US kicked off, the great orange one whacked one out on Twitter, as he tends to mindlessly do, stating antifa was a terrorist organisation and enemy of the state. Ha, there was me thinking the term โ€œantifaโ€ was simply an Americanism shortening for anti-fascist. Seems right-wing thinkers cannot fathom free-willed movements of the masses is possible, and have to therefore assume itโ€™s some malevolent chief organisation, radicalising the left-wing; as if weโ€™re far too stupid to have abstract thought ourselves. Just because you couldnโ€™t organise a piss up in a brewery, others have this โ€œthingโ€ called sociability.

Contradicting my rant, though, as well as Gurpreet insisting her group was generally here to raise awareness, she stated they needed good case studies and hoped the campaign would be more organised, as far right groups tend to be. โ€œWe bury our heads in the sand at times.โ€

Alongside a Tweet from a conservative Afro-American writer, suggesting black people didnโ€™t care for white do-gooders campaigning the issue, which was shared wide under the crass banner this guy somehow speaks for an entire ethnic worldwide population, one comment on a local thread which horrified me put that BLM was doing more worse than good, as it was encouraging racism. Gurpreet suggested the aims of BLM in the Stix were twofold, โ€œhelping doing anti-racism work,โ€ and, rightfully contradicting the tweet, โ€œasking white people to change and recognise it does affect them.โ€

โ€œRacism is for every day,โ€ she added. One thing is clear from our meeting, brushing it under the carpet and fearing to discuss it isnโ€™t going to make it go away.  

Now, Iโ€™ve used the word โ€œingrainedโ€ a bit here, as our conditioning, particularly in rural environments where the majority are Caucasian, is entrenched historically. I honestly feel, knowing people I consider good people, but a little racist, that some often fail to even register how their thoughts and remarks are considered prejudice. We disguise and excuse them light-heartedly or with humour; that, I feel, is the issue with rural racism, here today.

So, during this black history month, expect this article to be part of a series in which we need to unbiasedly dig a little deeper. Both my reasoning and the fact I contacted Gurpreet was to expose a controversial rejection of a perfectly acceptable proposal to display some BLM related art by a local parish council. I await a response from said council before we can progress with it.  

For now, I asked Gurpreet how interested people can help. She suggested supporting them, in which you can like the BLM in Stix Facebook page as good start, but also getting involved with local BME groups, which lack funds as monies tend to be poured into city organisations.


Worsley Training Brings First Aid Course to Devizes Corn Exchange

The last first aid course I attended was quite some time ago, in plain old Wotton Bassett prior to the added Royal in their name, thatโ€™s how long ago it was. But did I learn anything from it, and do I remember any of it? Well, yeah, took some of it in, but, you know, it takes confidence to carry out first aid in an emergency, and refresher courses are essential.

Owner of Upavonโ€™s Worsley Training, Louise Worsley, is a professional teacher with over ten yearsโ€™ experience in the classroom, and over fifteen years of hands-on First Aid experience. With an instinctive ability to make learning First Aid memorable and enjoyable, she draws from this teaching to bring First Aid to life for participants, providing practical training grounded in realistic examples of how the techniques could be used.

Qualified through and regulated by Remote Emergency Care, Nuco Training and ProTrainings, Louise brings her โ€œEmergency First Aid at Work or Basic Life Support course,โ€ to Devizes Corn Exchange on Tuesday 10th November. 

The course includes basic first aid, including the use of a defibrillator, for personal confidence, or a small business owner who needs the full 1-day accredited certificate to fulfil service to clients.

โ€œI am planning to run the 4-hour emergency course concurrently with the full 6-hour accredited Emergency First Aid at Work,โ€ Louise explained, โ€œas the initial content is the same and then you can choose to stay on to cover the more everyday situations.โ€

The course will mix theoretical and practical learning and assessment, and the accredited certificate lasts for three years.

The cost per person including a manual and certificate is:

– 4-hour non-accredited basic life support ยฃ50

– 4-hour accredited basic life support ยฃ55

– 6-hour accredited emergency first aid at work ยฃ70

One question I wanted to ask Louise, as itโ€™s bound to be a concern, being a first aid course is very hands on and practical, often involving close contact, how does she get over these obstacles in order to align it to current restrictions.

โ€œOf course!โ€ Louise replied, โ€œI’ve been classroom teaching again since 15th June with these adaptations, when the covid level went from 4 to 3, so we were allowed to teach again, (click for Worsleyโ€™s COVID-19 Classroom Control Measures) and everyone has been really happy! Plus, the rule of 6 is excluded for work education and training.โ€

Louise will use the Ceres Hall, for this course, so at 90sq/m thereโ€™s plenty of space to socially distance.

So, is Louise a doctor? โ€œNo, I’m a teacher,โ€ she explained, โ€œThis is one of the most common questions I get asked, when I say what I do. The assumption that you need to be a medical professional to be a first aid trainer is highly misleading.โ€

โ€œPrimarily because first aiders need to assess everything but diagnose very little. We gather all the information on levels of consciousness, breathing rates, sources of pain etc, and then pass that onto the doctors to establish exactly what is wrong. If immediate treatment is required e.g. for choking or using a defibrillator then we can step forward, but most of the time it is not that obvious.โ€

โ€œSecondly, a medical degree is very different from a teaching degree. As a trainer you need to know how to present information so that the learners understand and memorise it regardless of the subject. Sadly, there are many first aid trainers out there who lack these vital teaching skills, even though their medical knowledge is way more advanced than what their learners need.โ€

โ€œSo, I am proud to say I am a qualified, experienced teacher, who also has plenty of hands-on first aid experience from over 8 years of leading adventurous expeditions overseas and more recently as a parent.โ€

Book your place on this first aid course, or for more information, click here.


Best Breakfast in Swindon?

So, on my Jack Jones I’ve time to kill this morning in that great western railway  megatropolis (least it is to us bumpkins, hanging onto a thread of Tory promise a train might one day stop in our backwaters.)

While I’m familiar with an antique Swindon of twenty-five years gone, and pockets of it remain surpringly unchanged, I’m alien to the contemporary choice of cafes and such. Still the objective is stomach-governed; get a decent breakie in me.

Thank heavens for the internet, innit tho? Gone is a time when a stranger would need swan around, hunting for a place to eat. One doesn’t recommend appearing like a tourist in Gorse Hill, I left my green wellies and Barbour jacket back at argh farmhouse. But tis where my intellectually far superior phone instructed me to head towards upon searching “best breakfast in Swindon.”

So, is The Butcher’s Cafe on Cricklade Road in that hill of gorse, the best breakfast in town? How the hell should I know, unless I trek the entire urban landscape stopping at each and every eatery? ….it’s a thought though. Something I’d be quite capable and motivated to attempt…let’s change the subject shall we? What the heck is a “gorse” anyway?

Away with such trivia and progessing to the nitty gritty. No doubt, The Butcher’s Cafe could justifiably call claim to hold the crown for best breakfast in Swindon, but it didn’t boast. It is, in it’s very essence, a no-frills, affordable home-cooked gaff, an ethos which wins my approval. I don’t need my baked beans served in a heart-shaped side-bowl and my cup of rosey on a doily. I need an English breakfast to be substantial, tasty and served with only a smile and ketchup. And that’s how it was.

Ticked nearly all my fussy boxes, yes sirey. As the name suggests it’s situated neighbouring a butchers, ergo sourcing those darn tasty sausages and bacon should come as no surprise, but the remaining ingredients were also cooked to perfection. It was in a word, scrumptious.

Where the egg would’ve fitted, if I’d wanted one, I’ve no idea!

Okay, nit-picking; I favour fresh tomatoes as apposed to tinned, and accept a slice of black pudding is reserved for north of the Watford gap and swanky folk in the south. Other than this, and that my no egg request wasn’t offered an alternative, a personal benchmark of greatness, it was a decent dish of quality and quantity; making the Butcher’s Cafe a very worthy gaff indeed.

It serves home cooked lunches and snacks, and it’s certainly not going to break the bank. Three quid for a smaller breakie, but you know me, large was ยฃ6.25 inclusive of what you don’t see in the photo was the perfectly toasted toast which arrived a split second later, and a mug of tea.

All round a nice, simple cafe with great service. Plucked out of the top ratings on TripAdvisor, there’s one who decided an autication over usage of the toilet, when they claimed staff mumbled their breath about customers using “their” facilities, was worthily of losing a whole four stars over. I figured I’d test the water, needed to point Percy at the porcelain anyways. Was courteously guided to the little boy’s room without issue; you can’t believe everything you read; amateurs, probably own a cafe up the road!

For the record, they knew not of my intended appraisal, so to treat me like royalty, but they was aware I was no regular, and still service was spot on. Also, a gorse is a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa. See? My smarty-pants phone told me that, I’m not David Bellamy but I know a gorgeous breakfast when I see one!


Will Lawton and the Alchemistsโ€™ Live Stream Album Launch

While Andy has fondly mentioned the Malmesbury combo of frontman and pianist Will Lawton and drummer Weasel Howlett a few times in the past here, Iโ€™m still yet to witness them live. Such is the restrictions of today, could be a while.

Still, both are the backbone of Will Lawton and the Alchemists, formed in 2015 when Will and Weasel started to jam, record and perform their celebrated debut album, Fossils of the Mind three years later. The sound, the band, and their following, is constantly growing and evolving. Now a four-piece with Buddy Fonzarelli on upright bass, Ami Kaelyn on guitar and vocals, and Harki Popli with tabla, they have a live stream next Sunday 11th October to launch their second album, Abbey House Session, which is available now.

This is a six-track part-studio, part-live recording which was all captured in the library at Abbey House in Malmesbury. They describe their music as โ€œbeautiful, musical daydreams, with forays into jazz with drum and bass beats.โ€

The show promises interviews with the band members, and kicks off at 8pm, filmed live from Pound Arts. Tickets are ยฃ5 with ALL money going to Changing Tunes, a Bristol based charity who work in prisons using music and mentoring to help people lead meaningful lives, free from crime.

Ticket link: http://livelounge.tv/show-will-lawton-and-the-alchemists…


Drive-In Harvest Festival!

If the words “Drive In” conjours romantic images of fifties’ American youth, waking up little Suzie before her reputation is shot, we live in a changing era where inventive ideas to celebrate will overcome the restrictions. But here, I’d wager, is one you’ve not heard of before: a drive-in harvest festival!

This Sunday, October 4th the Wellsprings Benefice, a community that worships together across the five churches of Bulkington, Potterne, Poulshot, Seend and Worton & Marston, have a drive-in harvest festival at Five Lanes Farm. Starting at 11am.

The event will also be available on Zoom, if you are unable to attend. What an ingenious idea, and we wish them all the best.

More information here: https://www.wellspringsbenefice.co.uk

DOCA’s Window Wanderland

As part of their new Winter Festival, DOCA are inviting our local community to create something special in their windows to show just what an amazingly creative place Devizes is. Window Wonderland is a Covid-sade way to connect people, transforming streets into magical outdoor galleries.

DOCA invite anyone with a window to create a display which will become part of a programme of events over a weekend which they hope will light up Devizes. Over the weekend you will be able to pick up a map or download online.

Follow the trail of windows into Devizes Town Centre where youโ€™ll find seasonal markets both indoors and out, selling beautiful artisan gifts, delicious food and drink, light installations and walkabout performers, a warm welcome and plenty of smiles.

TAKE PART
To take part and register your own window for this event follow the link to the Windon Wanderland website. Everyone that registers a Window will be added to our event map. You will be reminded of when to display your window and keep your light on!

Take part and register your window: https://www.windowwanderland.com/event/devizes-2020/

WALK THE TRAIL


You will be able to download a map from the DOCA website, the Facebook event, or pick one up from The Shambles over the weekend.

Windows will be displayed between 27th โ€“ 29th November from 5:30pm to 9pm.

Window Inspiration


Devizes is putting on a Window Wanderland and you want to take part? Wanderful! Welcome aboard.

Taking part is FREE and everyone is welcome. You can use the windows of your flat, house, business, school, nursery, car, camper van, shopโ€ฆ


It doesnโ€™t even have to windows, you can also use your front door, the front of your house, your front gardenโ€ฆ
Visit our website for ideas, FAQs and some top tips:

Devizes Window Wanderland


The Revelation Games of Phil Cooper

Crouching beside me at our IndieDay outing last month, one third of our local folk trio, The Lost Trades, Tamsin Quin explained sheโ€™s slowly working toward her second album but a lot of time is spent concentrating on progressing the Lost Trades. I supposed here is an advantage to DIY projects, as if The Lost Trades were signed to contract itโ€™d likely be an order to focus entirely on the group.

In pop weโ€™ve seen the pressure put on bands to collaborate equitably, and the result usually causes a split in the end. Major record companies in tough competition donโ€™t do enough to discourage this. Note drama sells in Simon Cowellโ€™s โ€˜show-me-how-easy-it-is-to-manufacture-a-pop-starโ€™ dressed-up karaoke television show, and hear the boos as he obstinately and impassively divides a prearranged group. He sells the tears of the rejected and the tension as young friends split. You could blame Yoko Ono, if you must, but bands breaking up is, sadly, no new thing.

Hence the accord and friendship between unsigned bands is a delightful contradiction to the harsh realities of the music industry, and I sense an unequalled unity in The Lost Trades, and deep respect for each otherโ€™s solo work. Cue another third, Phil Cooper, the binding, organised element of the Lost Trades, and his new solo album, These Revelation Games due for release by Infinite Hive on 30th October. Itโ€™s great, Iโ€™d expect no less, and Philโ€™s fanbase too, but itโ€™s varied content would also serve as a taster for newcomers to his repertoire.

Historically itโ€™s been over a couple of years since he sent me his Thoughts & Observations album to review, which does what it says on the tin, largely acoustic-based annotations and judgements. But I focus on a particular night down the Southgate when Phil was accompanied by his Slight Band. Man, he was on fire, loudly and proudly rocking our legendary live music tavern with unsurpassed esteem and passion. ย Make no mistake, These Revelation Games contains many a track comparable with Thoughts & Observations, theyโ€™re observational and sometimes quirkily humoured. But this new solo album takes no prisoners, and blasts its doors clean off their hinges from the off. ย 

Yeah, while so the opening tune, House of Mirrors explodes rock, and dare I say it, has that impact of the sixties Batman theme, it shouts the riff at you, second up Phil returns us to the mellowed aural breeze weโ€™re more accustomed to with his recorded material. So, itโ€™s a mixed bag of astutely written and perfectly executed songs with Philโ€™s joyful aura and defining style.

Eleven songs heavy, the early tunes creep us slowly back to the up-tempo as it progresses. Without a Sound particularly adroitly manages to raise that notion, and Keep Your Hands on the Wheel is a prime example of how Phil ingeniously twists metaphors of the simplest of everyday things. Leading us onto the quirkiest song, I am a Radio. Akin to Robots on the Lost Trades EP, Phil makes a heartfelt connection to an inanimate object, yet here using sound effects to create the idea his voice is operating on shortwave. Itโ€™s by far the most interesting and experimental, also absorbing his electronica work under the title BCC.

For marvellously prolific and diversified is our Phil, performing as solo, as The Slight Band, his electronica side-project, or what itโ€™s now concentrated on, the outstanding folk harmonies of The Lost Trades with Jamie R Hawkins and Tamsin Quin, Phil never slacks off or confines himself to one sound. โ€œI wasn’t planning a new album this year,โ€ Phil expressed, โ€œbut then, all plans for 2020 went out the window six months ago. So, I spent my time in lockdown writing and recording a whole load of songs that explored influences I’ve never explored before.โ€ Therefore, as a solo album, bought about by lockdown, donโ€™t expect it to remain in one place.

It rocks without reference to this folk avenue, for sure, but stretches to every corner of rock. There are surprisingly heavy guitar riffs. Fervent ballads like the particularly adroit Into the Void, whisking Lennon-like. And thereโ€™s ardent electric blues, Changing Times perhaps best example of the latter. It polishes the experience off with a Clapton-fashioned smooth blues finale called The Horseman Rides Tonight.

With a plethora of new music being produced, lockdown it seems did have one benefit, and These Revelation Games in a varied taster of a concentrated Phil Cooper at his peak. I look forward to the progression of the Lost Trades, but love this aforementioned freedom to produce solo work too. I mentioned my chat with Tamsin to Phil, about the time and effort dedicated to the Lost Trades, but the joy of the flexibility of freely venturing off to work solo, thoroughly supported by the other members of the trio. โ€œYou’re far from the band in the Commitments film,โ€ I noted!

โ€œYeah,โ€ Phil responded, โ€œhaving a record label release it has helped keep the balance between solo and Lost Trades stuff. The Lost Trades has always been built on mutual respect for each other’s work, so we’ll always support each other.โ€ Which kinda wraps it up aptly, the ethos of the trio is like this album, nice. Nice one Phil, nice one, son!

Details on Phil Cooper and These Revelation Games, here.


Rule of Six and Effects on Local Hunting and Blood Sports

Rapping with Wiltshire Hunt Sabs, about new rules, the possible return of hunting, and their battle against badger cullsโ€ฆ.

After a rant in the week, concerning Danny Krugerโ€™s either forgetful or mediocre disregard to the facemask rule extended to an all-purpose bleat questioning the true motives of many of these everchanging Covid19 regulations, I bought up this exemption for hunting and shooting wildlife from the rule of six. For seems to me to be symbolic of this notion theyโ€™re using Covid19 as an excuse to return us to an era of yore; tally ho! Letโ€™s go butchering innocent wildlife again what what.

Exemption depends solely on Borisโ€™s personal preference, and he loves to shoot a grouse or three.

With the Mendip Hunt Sabs reporting a demonstrator was seriously assaulted just yesterday, when rocks were thrown at vehicles, surely, itโ€™s advisable campaigning against cruel sports is best done by safety in numbers. Ergo, the rule of six makes protesting the hunting either illegal or risky for the individual, so I contacted Wiltshire Hunt Sabs and we had a nice chat. They agreed; โ€œalong the lines of exempting hunts from illegally gathering, so they can carry on illegally hunting,โ€ they replied. โ€œSo, effectively turning the law banning hunting on its head. Which is what the conservatives have wanted for ages.โ€ Bingo.

It took a few days to touch base with the sabs, as itโ€™s badger culling season, and they were out. They excused my ignorance on the matter, explaining while grouse shooting is the news, it doesnโ€™t happen in Wiltshire. โ€œGrouse shooting normally happens on moors, they shoot red grouse,โ€ they told me, โ€œgrouse arenโ€™t reared, they live on moorlands. Loads of pheasant shoots around here, though.  Pheasants are bred and reared for purpose.โ€

But pheasant doesnโ€™t cause agriculture a problem, Iโ€™m going to find an angle on this tricky disco, as they shoot them for food, and Iโ€™m far from vegan; love a bacon butty, me! โ€œWith pheasants,โ€ they explained, โ€œdespite what they claim, huge swathes of them end up in stink pits, they kill far more than they can possibly eat. Iโ€™ve seen one with my own eyes.โ€

Yep, my suspicions check out; bloodthirsty carnage dressed up as an obligatory pageant, the lot of it. Still, Iโ€™m in the dark about the Hunt Sabsโ€™ priorities, and how they go about their operations. The concentration of our chat centred on the badger cull, a practise which can be avoided if funds were available for vaccination; like yeah, magic money tree you might cry. The Wildlife Trust reports the tax payer coughed up ยฃ16.8 million on the culling of 2,476 badgers between 2012 and 2014, equating to ยฃ6,785 per badger. By contrast, in the same time period, vaccination would cost just ยฃ293 per badger.

It also goes onto say cattle-to-cattle transmission remains the primary cause of outbreaks of bTB in cattle, and culling badgersโ€™ risks making the problem even worse. โ€œThe Government has undermined the scientific credibility of its own research,โ€ the Wildlife Trust explain, โ€œby repeatedly changing targets and methods. As a result, no definitive scientific conclusions can be drawn from the pilot culls, as the scientific evidence used to justify them is highly selective.โ€ The badger cull does not have the support of scientists, the British Veterinary Association (BVA) or the public; so how to go about protecting our wildlife?

โ€œThe cull is licenced by Natural England,โ€ the Sabs tell me. โ€œThe licences last four years, although they are only authorised to shoot between certain dates; usually a 6-8-week period which begins in September. There are groups who protest and groups who take direct action.  Obviously as sabs we take direct action, but will also undertake other forms of protest too.โ€

And the direct action is to what, get in their way or disrupt the shoot, I asked. โ€œWell usually it involves looking for cages as well,โ€ they enlighten me, โ€œthere are people who deal with them.ย  Shooters can be dealt with by protestors too, simply being present on a footpath in a field they intend shooting in is enough to stop them.โ€

I plead they excuse my ignorance, not knowing they used traps. It must piss the cullers off, protesters wandering the footpath. I wondered if they ever get violent as we’ve seen the fox hunters do. โ€œNot really,โ€ came the reply, โ€œthey are generally better behaved because they have firearms.  Any aggressive behaviour on their part would lose them their licence.โ€ Being the only justifiable reason for killing a badger, I can see, is a trigger-happy obsession akin to a redneck with a Biden supporter on his dude ranch, I can see taking away their toys might be a preventative. Unless of course, you can rationalise otherwise, given the Wildlife Trustโ€™s evidence?

Technically then, with a badger cull here in relative placate Wiltshire, the good news is, at least, they donโ€™t need โ€œsafety in numbersโ€ and could abide by the rule of six. โ€œWe usually work in twos or threes as we can get more ground covered,โ€ the Sabs say.

How can people help? You could buy Wiltshire Hunt Saboteurs a coffee, see here. But what if you found a cage on a walk? Should you damage it, or take it home to trash? The sabs advise against this. โ€œI personally wouldnโ€™t recommend just asking people to trash cages,โ€ they instruct. โ€œThey arenโ€™t easy to trash, and itโ€™s a criminal offence. Better that people contact the page if they find one and take a 10-figure grid reference or what3words.โ€

Badgers are nocturnal, like me; theyโ€™re my work buddies. Traps, I cry, lightweights. If it is a sport, as they claim, it should therefore be a fair challenge and they should drag their malicious and over-privileged arses out of their beds in the wee hours to chase them, rather than have a pop at them during their bedtime. Thatโ€™s like the ref allowing Arsenal to wait for Tottenham to get back on their coach before aiming for top bins!

Save badger culls though, wildlife protectors still have the legal upper hand, and police will attend and arrest those flouting the law. Wiltshire Police made an arrest during an operation into bird of prey persecution in Beckhampton and Pewsey on Wednesday, for example. PC Marc Jackson of Wiltshire Police Rural Crime Team, said, โ€œfollowing an extensive search of both locations, we have recovered the remains of a number of birds of prey, including red kites and buzzards. The recovery of these remains presented a number of complex challenges and we are grateful for the support from other agencies. If anybody has any information that they think could support our investigation, please contact us on 101.โ€

Inspector Liz Coles, Tactical Lead for Rural Crime in Wiltshire, said: โ€œTodayโ€™s warrant shows that we take all aspects of rural crime seriously and we will proactively work with partners to protect wildlife and our rural communities. Last week saw the introduction of the new dedicated rural crime officers to the team, and this is a prime example of how they will help us moving forward. We continue to develop more intelligence-led policing in relation to prevention, detecting criminal activity and proactive operations.โ€

While it might not look good for Natural Englandโ€™s preposterous project to reintroduce hen harriers to southern England, the struggle to uphold our preservation and protection for wildlife against a government which appears to warrant a return of fox hunting and blood sports sadly continues. And if other’s concern for animal welfare enrages you enough to throw your toys out of the pram, sadly social distancing measures will follow.


Daydream Runaways and their Crazy Stupid Love

Thereโ€™s no fooling me, no quixotic baseball-wielding delinquent is going to sway me in giving my honest opinion on Daydream Runawayโ€™s forthcoming single; itโ€™s just a drawing, guys!

It might well be coming a clichรฉ on Devizine, that Daydream Runaways send me over their latest single, tell me they think itโ€™s their best yet, I agree and tell you itโ€™s their best single yet. But Iโ€™m at a stalemate, because Iโ€™m likely to say once again, the new single from Daydream Runaways is their best yet, for the simple reason, the new single from Daydream Runaways is their best yet!

Ah, sure sign of natural progression from a young band always striving to improve, Crazy Stupid Love is out on Friday 2nd October on streaming platforms and it will be the first single from their upcoming EP. Given this strength of this song, and inclining itโ€™ll have a running narrative, Iโ€™m highly anticipating the EP, with bells on. Meanwhile I have to concoct some words on why I think itโ€™s their best single yet, rather than just repeating the same sentence. Well, technically I donโ€™t have to, but I will because I want to.

Image by Van

I wouldnโ€™t have to if you could hear what Iโ€™m hearing, thatโ€™s the fluky bit about doing this. While itโ€™s not always this seamless; I occasionally receive tunes which make me shudder, though delight when these guys message me as I can guarantee itโ€™ll be a non-shudder experience.

So, if I called their second single Fairy Tale Scene, โ€œcatchy melody, pop-tastically, with slight eighties, pre-indie label overtones,โ€ Closing the Line as โ€œa progressive step into local topical subject matter. An emotive and illustrative indie rock track akin to Springsteenโ€™s woes of factories shutting,โ€ and I said Gravity, โ€œpushes firmer towards a heavy rock division,โ€ then Crazy Stupid Love is the counterbalance, calibrating the best elements of their previous singles and weighing them equally. In this feat, it defines a forming style, a signature, I reckon, in which to base future releases.

Image by Van

Inspired by characters in a hit Hollywood film of the same name, which Iโ€™ve not seen, the guys claim โ€œthe song is set to be the sound of a Post-Lockdown world.โ€ I hope so, but it fondly reminds me of a time of yore, pre-nineties indie and Britpop, back to the days of Simple Minds and U2; no bad thing. For, just like the moment Judd Nelson sticks Molly Ringwaldโ€™s earing in his lughole, these bands were beguiling, memorable and emotive. Crazy Stupid Love is like them, infectiously uplifting, and with a coming-of-age narrative, articulating moods of a youthful, verboten romance, it suits.

Surprisingly dicey too, it also creates a mysterious character within the narrative, namely Chad, intended to market the single with a hashtag #whoischad. We canโ€™t see his mug on the cover, but the likelihood itโ€™s Bradโ€™s alter-ego, just because he rhymes with Chad and heโ€™s wearing the same baseball jacket in the accompanying photoshoot is slight. With a penchant for fireworks he carries a baseball bat to a fairground, and anyone who does such is surely asking for trouble. But, I dunno, Brad just doesnโ€™t seem the type!

Image by Van

This self-produced nostalgic nugget has those swirling harmonies, chiming guitars and an infectious chorus hook, to compare it to those eighties greats. But akin to what Talk in Code are putting out, it retains the modernism and freshness, acting as a nod to influences rather than a tribute.

In mentioning this to the Talkers they hadnโ€™t heard of Daydream Runaways, but now Iโ€™m pleased to hear theyโ€™re supporting Talk in Code for an exclusive gig at Swindonโ€™s Vic in November. Did I connect this, guys? Because if so, it makes me proud, sound wise I believe itโ€™s a perfect match. Though BBC Wiltshireโ€™s Sue Davis also has taken a big shining to the Runaways, asking them back on the 3rd October. Just, you dark horse, you, leave the baseball bat at home, Brad, I mean Chad. In my experience the Beeb pay for your parking if you ask, so no need to get nasty. Tut, always the quiet ones!

Super single, guys and look forward to catching up with you soon.


Atmospheric Country Goodness Fits Kirstyโ€™s Shoes.

Subscribe on YouTube to local independent country, singer-songwriter Kirsty Clinch and youโ€™ll receive a selection of wonderful pop-driven covers with a country feel, lots of chat videos where she explains her thought processes and announces news, provides advise and even beauty tips. Catch Kirsty live and sheโ€™s unplugged, expressing the same dedication to her music but as an acoustic performer. Either way, she is a pleasure to hear, a smooth silky voice and accomplished guitarist.

It is also the very reason Iโ€™ve been in anticipation of this debut single, to hear which way Kirsty will take it, lean more on her matured live acoustic sets, perhaps, or the pop-inspired subtlety of her videos. Iโ€™m pleased to say, Fit the Shoe balances both equally. Though far from bubble-gum, it uses a sublime bassline behind her country guitar-picking to create a wonderful and emotive sound. This is contemporary country, combining popโ€™s ambient-influence of William Orbit and blending it with the vocal range and narrative of classic Dolly Parton, enough to make Madonna blush.

Yet thereโ€™s another side to Kirsty, a fervently astute entrepreneur with clear direction on how to market a vocation through projecting the perfect appeal and disposition. Yet none of these reasons, I suspect are the sole reason why Fit the Shoe, is shooting up the streaming sites after being released only today, rather an amalgamation of them all, but mostly, because itโ€™s gorgeous and immediately lovable.

Our fiery redhead instinctively knows where the goal is, shoots and next thing you know the net is pulsating with the shock. โ€œMy main goal is to touch the hearts of many though my art and spread awareness that a positive attitude leads to better paths,โ€ she explains. โ€œI already achieved my first goal by travelling and performing in Nashville at venues such as the BlueBird.โ€ Nashville is something Kirsty regularly brings into conversation, who wouldnโ€™t. But itโ€™s here, in collaboration with Peter Lamb, providing bass and mastering, in the atmospheric splendour of this single that we see a true star shining.  

โ€œAs an independent artist,โ€ Kirsty Clinch speaks her motivation, โ€œyou must have 100% faith in yourself and your worth, you must work hard to gain all your goals and dreams you desire and I have a lot of energy to still give to the world, so I’m going hard or I’m going home.โ€

Stick this on your playlist and freeze in awe.

Man on the Bridge: Erin Bardwell teams up with ex-Hotknives Dave Clifton

Local reggae a rarity around these backwaters, but when it does rise you can trust Pop-A-Top Records is a watermark of quality. Since prolific Swindon Skanxter keyboardist, Erin Bardwellโ€™s amazing solo album, Interval, heโ€™s rubbed his unique style into a collaboration with Hotknives co-founder, Dave Clifton on this sublime project called The Man on the Bridge.

A double-A EP was out in April, followed this week by a six-track album A Million Miles. There are chilled echoes of rocksteady and traditional boss reggae blended with slight roots and dressed with a garnish of Bardwellโ€™s inimitable take on the genre. Naturally, thereโ€™s a splinter of Two-Tone reggae too, which works on so many levels.

Dave Clifton

The Hotknives are best known for their live albums, but did release one studio album The Way Things Are. Formed in Horsham, back in 1982, they principally play ska. Guitarist Dave Clifton was among the original line-up. He left in 1993, but with a slimmer roster the band still perform today.

Opening tune to A Million Miles, Donโ€™t Blame Me, is immediately likeable rocksteady, and wouldnโ€™t look out of place on a classic Trojan Tighten Up compilation. Looking over the Land plods securely, resonances Erinโ€™s band the Erin Bardwell Collective and is just simply beguiling.

Erin Bardwell

Just Dreaming though dubs, is as at sounds, dreamy, using flute, by another ex-Hotknives, Paul Mumford of Too Many Crooks, it connotes that eastern dub vibe of Augustus Pablo. Yet with Believe we return to chugging boss, with sublime horns, also by Mumford, and Daveโ€™s picking guitar riff. The guest vocal is a refreshing change, provided by Pat Powell of the Melbourne Ska Orchestra. Proof, as Iโ€™ve said, ska is an international thing, and the Melbourne Ska Orchestra are pushing boundaries on the other side of the world.

Title track, A Million Miles again deviates, fusing a slight English folk influence, it reflects memories and cites Dave and Ansell Collins and the Oโ€™Jays in a theme of a lost romance. Never Say Never raps up the journey you donโ€™t want to end, with a plonking fairground twist; as if Madness worked with UB40. With Erinโ€™s dream team, Drummer Pete O’Driscoll, Pete Fitzsimmons on bass, except Looking Over The Land where long term friend from The Skanxters, Vinny Hill features, weโ€™re in capable hands, and this is a memorable collaboration producing a superb and varied mellow reggae vibe. You need this right now!


Crusader Vouchers to the Rescue!

Is it a bird? Is it a plane? Nope, just shopping Iโ€™m afraid, but a marvellous idea to help small businesses locally!

With a striking superhero comic-book themed corporate identity, a small group of marketing agents from Westbury have donned cloaks and set up a voucher system in support of our local high streets.

Claire Rowlands runs Fundraising in the Community, a local company dedicated to supporting businesses in Wiltshire, whilst helping schools, groups, charities and organisations raise funds. They plan to launch Crusader Vouchers as a subsidiary to FITC Media. As it sounds, itโ€™s a voucher-based concept akin to the website Groupon, but for local small businesses, the ones hit hardest by the lockdown.

Fundraising in the Community is a quality, professional service that offers a unique platform with a tailored audience to help drive prospective new business through the doors of local companies; whilst helping schools, charities, clubs and organisations within the community fundraise for their good causes.

Their voucher idea launches this October, and asks you to โ€œput on your mask, grab your vouchers, support local businesses and bag yourself the best deals in town!โ€ They have a website, but the majority of action is via Facebook, so like their page, where youโ€™ll be able to access monthly vouchers for independent shops and small businesses throughout the South West.

These crusaders of independent shopping say, โ€œthe offers that we provide are free for everyone to enjoy, no catches, just straight forward vouchers to take advantage of each month for local small businesses and independent businesses. Due to Covid-19 our businesses need us more than ever so we’re appealing to you to put your mask on, grab your vouchers, buy local and bag yourself the best deals in town!โ€

Since the successful IndieDay in Devizes, Iโ€™ve noticed many similar schemes in local towns but hereโ€™s something truly original but like any new scheme, itโ€™ll only work if people get behind it. So please do, everyone loves a voucher!


The Ladies Shout as I go by, oh Danny, Whereโ€™s Your Facemask?!

On the day the governmentโ€™s chief scientific adviser Sir Patrick Vallance predicts 50,000 new coronavirus cases a day by mid-October in the UK, leading to over 200 deaths per day a month after, still the rules are being flouted, and we shamelessly play the blame game, because weโ€™re encouraged to grass up our friends and neighbours by a government who arenโ€™t playing by the rules themselves.

Two days into the facemask covering law, my eagerness to grab some Derickโ€™s Deals saw me headlong into the Spar shop without a facemask, I confess. Weโ€™ve now had two months to get used to it, and for me, like all of us, itโ€™s become routine, a habit. It is also, because not wearing one in indoor public places meets a ยฃ100 fine. A fine Danny Kruger needs cough up, if a local university student whose party got uncontrollably out of hand faces a ยฃ10,000 fine.  

Oops a daisy, and other timid posh-boy idioms for Iโ€™m pretending to care, our local MP was pictured on the train without his mask. For the entire London to Hungerford journey it didnโ€™t cross his mind, bless. Because, as he explained, he forgot, the train carriage was empty. Obviously not empty enough for someone to snap a photo, though, to which his reaction, according to Wiltshire 999โ€™s was, โ€œIf the person had reminded me rather than taking a photo and posting it on social media, I would of course have put on my mask then and there. I do apologise for my mistake.โ€

He said this, in a country with standards and decorum so high most are uncomfortable pointing out minor transgressions, like not wearing a facemask, in case the perpetrator is exempt. They may be suffering a medical condition or severe anxiety, and be subject to enough harassment from so-called do-gooders. Last time I did bag me some Derickโ€™s Deals there was a facemask dissident in the shop, did I growl at them? No, I have basic manners. ย ย 

He said this, working for, as I said, a government who encourage us to report such misdoings, precisely what the photographer did. Itโ€™s not under the control of the photographer if a social media witch hunt ensues. ย 

Predictably, Priti Patel said sheโ€™d dog in her neighbours, as if living next door to the home secretary wouldnโ€™t be traumatic enough. Boris waffled, as he does, something about only grassing if itโ€™s an โ€œanimal house,โ€ party complete with a hot tub. Uncertainly looms if he referred to the National Lampoons movie, or animals really need to be present at the party. If so, this leaves David Cameronโ€™s idea of fun questionable, if he was still around of course.

Oh, but he is, magically popping up like the shopkeeper in Mr Benn this week to tell us all his forbidding austerity cuts prepared the UK for the pandemic, despite we were the single most unprepared nation in the developed world, and are consequently reaping what we sowed. Just what the NHS needed, cuts, keeps the staff on their toes, doesnโ€™t it? The ones still alive that is.

What an absolute crock-of-shit, of which, unfortunately, Danny Krugerโ€™s blatant flouting of the regulations is trivial, but relevant to the undeniable feeling building in this country, that itโ€™s one rule for them and another for us. Given Dannyโ€™s last newsletter to his constituents reads, โ€œI detest the rule of six, the compulsory facemasks, the Covid marshals and the snooping on your neighbours (not that weโ€™re doing that in Wiltshire, Iโ€™m glad to say,โ€ it doesnโ€™t look as if wearing his mask is top priority for him, which is a shame, I bet heโ€™s got a really fancy one.

Though I suspect the issue will fall into the archives after the social media assault mellows. Heโ€™s conservative, so every conservative will defend him, and those not will sneer. We make political point scoring out of a deadly pandemic, then wonder why weโ€™re suffering the worst.     

Iโ€™ll confess, I found myself disagreeing with left-wing rags, painting a picture of a stressed and exhausted Prime Minister, forecasting the end of both his teether and reign. Aching to show him in a bad light, selective photography; the guy had more getaways than Judith Chalmers, missing vital Cobra meetings about an impending pandemic. Having financial difficulties, now he is; Earth calling Boris.

Do you ever get the uneasy feeling our Prime Minister is rubbing his hands together behind closed doors, sniggering like an insane Bond villain? Logical steps are indisputable; itโ€™s unavoidable if we ease restrictions, more cases will occur. Yet daily it feels more like an ingenious trap. Conservatives crave traditionalism, whether the public feel rudiments maybe outdated, oppressive and intolerant or not.

A Matrix red pill revelation, are they using the pandemic to maintain control, make their prejudicial vision a reality, Morpheus, and as an excuse when it goes economically tits up on their watch? The tranquillity of the initial lockdown trashed as they encourage us to shop our neighbours, because thatโ€™s how their own backstabbing agenda functions. Face facts, itโ€™s up the swanny because day-to-day they move the goalposts and confuse all, abuse their own loopholes and encourage every cluster of the public to blame another while nipping out for a Nandos. Ha, there was me thinking the buck stopped at the top.

Hancockโ€™s Half Hour has never been so dreary, as the health secretary blathers โ€œfollow Covid rules or they will get tougher.โ€ Surely a case of do as we say and not as we do?

Clamping down on the reappearance of illegal gatherings; theyโ€™ve craved this since illegal gathering begun, yet freedom to jet around the world is fine and dandy. Pubs shut early, like the good olโ€™ days, because drinking at 10pm rather than 11 makes a massive difference. Places of worship get special attention, unless youโ€™re a pagan. Then consider this exemption for hunting and shooting wildlife from the rule of six regulation, symbolic of this notion theyโ€™re using Covid19 as an excuse to return us to an era of yore, tally ho. Exemption depends solely on Borisโ€™s personal preference.ย 

If you want your hobby or interest exempt from the rule of six, be like Carphone Warehouse co-founder David Ross and slip Boris ยฃ15,000 for a winter break in the Caribbean. Or is it coincidence the guy owns two grouse moor estates? This bothers me, enough to warrant contacting our local hunt sab group. What did they say? Thatโ€™s for next time, folks, stay tuned; Iโ€™ve waffled enough over something trivial; politician is a stressful occupation, I wouldnโ€™t want it. Forgiveness is a virtue; apology accepted, Danny, get your wallet out and letโ€™s move on with the next inconsistent contradiction from our leaders.


Hew Miller; Does Something!

When I started Devizine it was an exploration, knowing next to nought about local performers and artists. Nowadays I consider venturing further afield, figuring Iโ€™ve successfully mapped our region of musical talent. But whenever I do, I find an area of unchartered territory, a Devizes resident lurking undetected in a dusty shed. Literally this month, itโ€™s Hew Miller, a singer-songwriter, multi-instrumentalist, producer and mix engineer living among us.

Upon hearing his uplifting and breezy pop-rock latest release, Let’s Do Something (but nothing at all) I figured, Iโ€™m going to hassle this guy for an article and expose any inhibitions he might have about his talent, as itโ€™s common for an artist to shy away from shameless self-promotion. I warned him what we do here, and how scrupulous we are. He replied heโ€™s a reader but โ€œthe reason you haven’t heard of me is that I’ve been pretty backwards in coming forwards!โ€

None of that matters, you see, backwards or forwards is all the same to me because I never know which way I’m going. Itโ€™s not so much about allowing me to spread wild gossip about him, rather I haven’t seen Hew listed for a gig locally either. Does he like playing live?

โ€œI haven’t played live for quite a long time. I tend to focus on writing, producing and recording,โ€ he explained.

Hew Miller

Hew has three singles released on Bandcamp, the earliest, Upside Down World (We’re fine in here) was this April. Itโ€™s a stomping Peter-Gabriel-fashioned pop-rock observation on the tranquillity of lockdown. And in the middle, itโ€™s not over yet, causally breezes with equal skill, a trumpet and quirky romantic reflexion. That one was released in July, but youโ€™ve only got to listen to the competence in song writing and production to assume Hewโ€™s must have been making music long before that.

โ€œI played in bands when I was younger but then moved down to Devizes for work and never found the time or musicians to start up a band,โ€ he tells. Hewโ€™s been in the Vizes since 2002, moved from Nottingham.

โ€œI’ve been a recording and mix engineer mainly as a hobby for many years; it was an underground thing but I’ve been wanting to get more exposure for my own music and to expand on the producing, mixing and mastering sides.โ€ Hence his nom-de-plume, Hew, โ€œbecause there are loads Matthew Millers and the name has already been taken on Spotify.โ€

Ah, story checked out. I found a Hungarian one on Bandcamp, among others, who by his profile pic, bears an uncanny resemblance to Elvis Presley. ย โ€œDefinitely not me!โ€ he expressed, as did the rest of our chat retain a witty and light-hearted angle. Flicking through his Facebook page I paused on an image of an amazingly plush tree-house styled studio, and given heโ€™s called his studio Dusty Shed Studios, I figured this was it. โ€œNo,โ€ he owed up, โ€œI wish…. I went there for a weekend! Mine is less grand…. it literally is a shed!โ€

โ€œIt was in the middle of a fields away from everyone. No-one to complain about the volume of the drums,โ€ Hew enlightened, but I changed the subject, fearing it might get like a Monty Python sketch continuing discussing his shed! โ€œYes,โ€ he agreed, โ€œwell when I was young, we lived in a cardboard boxโ€ฆโ€

On the subject of boxes, Let’s Do Something was recorded at Real World Studio in Box, and his own studio, said Dusty Shed. โ€œIโ€™m open for mixing/mastering and recording projects,โ€ He informed. Hew works a DIY ethos, all instruments and production are his own. I like this, freedom of creativity an all; judging by these singles, he knows his way around those buttons and switches.

โ€œYou said you were in some bands back in Nottingham,โ€ I asked, trying to unearth a possible heady past of thrashing metal or punk, โ€œwhat kind of genres?โ€

โ€œYes,โ€ he replied, โ€œI guess it hasn’t changed that much; its indie pop/rock.โ€ No juicy gossip there then, I thought Iโ€™d inquire about Hewโ€™s influences. โ€œThey range from David Bowie to Peter Gabriel, David Sylvian to The Psychedelic Furs to The BareNakedLadies.โ€ Hew seems at ease with where he is with his music, a quiet hidden gem, and as the tranquillity of lockdown subject of his first single, Upside Down World, might suggest, heโ€™s happy mixing and producing in his dusty shed; itโ€™s a guy thing!

Just as lockdown tore down borders of what weโ€™ll feature here, Hew found it a rather fruitful period, โ€œas everyone is getting into playing music,โ€ and continued to say about some tunes heโ€™s mixed for some American rappers and another international artist, โ€œwhich I probably wouldn’t have done without lockdown. Hopefully we can now get back to some normality and live music can flourish with more musicians.โ€

True, for his easy-going amiable sound would be great for a Sunday session at the White Bear, or an afternoon in the Southgateโ€™s garden, but even if we cannot prise Hew from his dusty shed, you should check out his discography. On Bandcamp, here. And his latest, Let’s Do Something (but nothing at all) is released on the streaming services on 25th September.


Blank Pages of an Atari Pilot

This extensive belter of eighties-fashioned high-fidelity pop waits for no man, a sonic blast opens it, and the riff wouldnโ€™t sound alien appearing in a John Hughes coming-of-age eighties movie. Visualise Jud, Molly, Emilio et all, dancing around a school library to this latest track from Swindonโ€™s Atari Pilot.

After our glorious appraisal of their previous single Right Crew, Wrong Captain in July, they reckon Iโ€™m going to be fair on them again, but really, thereโ€™s nothing to dislike about Blank Pages. A review in which they quoted me suggesting, โ€œthis sound is fresh, kind of straddling a bridge between space-rock and danceable indie.โ€ Here though, save the strong bassline, the space-rock element is lessened and retrospective synth-pop chimes in a racing beat, twisting this into a real grower on the ears.

Press release aptly cites โ€œeverything from Springsteen to Daft punk, Kathleen Edwards to Love,โ€ as influences. As if Daft Punk would work with Springsteen, but if they did, Iโ€™d imagine something rather like this. And that alone, makes for an interesting sound, again akin to what Talk in Code are putting out locally, perhaps more so for this single. While we could hinge on an inglorious comeback from an eighties pop star and be thoroughly disappointed by their timeworn platitude and fame induced narcissistic attitude, nostalgia has never been so energetic and fresh when itโ€™s channelled as an influence rather than comeback or tacky tribute act.

Thereโ€™s a backstory about Atari Pilot, I may have mentioned before but worth reminding. After their debut album โ€œNavigation of The World by Soundโ€ in 2011, a long hiatus took in a serious cancer battle for Onze. But getting a second chance at life gave him the inspiration to get back to writing, and Atari Pilot reformed in 2018 with an acoustic set at the Swindon Shuffle. Reforming the band was actually planned from his hospital bed.

With this in mind, Onze describes the thinking behind this great song, โ€œBlank Pages, like the other songs for the struggle, were inspired by being diagnosed with and recovering from cancer. The songs reflect the highs and lows of life and the struggles we are faced with and have to overcome to reach where we want to be.โ€

Thereโ€™s a heartening theme of struggle in the face of change, โ€œitโ€™s also about trying to recognise that we canโ€™t escape ourselves, and asks whether we can use our history and baggage to fire a brighter future,โ€ Onze explains.

Itโ€™s a DIY production, recorded and mixed in Onzeโ€™s home studio by using Logic Pro X, but sounds stunningly professional. Atari Pilot are Onze (vox,) Paj (bass,) Frosty (guitar) and drummer Andy, and we look forward to hearing more from them. I even managed to review this one without mentioning retro-gaming:


The Return of the Wharf Theatre

Word on the towpath is our wonderful theatre, the only theatre in Devizes, The Wharf Theatre is preparing for curtains up in October, starting with an amateur production of My Mother Said I Never Should.

Since being forced to close in March the team have been working tirelessly to keep East Wiltshireโ€™s best loved and only theatre afloat. There was a time, in June, when the future looked rather bleak for the little theatre. After the renovation three years ago, surplus funds were already low, then lockdown happened. The Gazette reported it may have to close due to a ยฃ30,000 shortfall in income. Celebrity patron Christopher Biggins praised and promoted a campaign, at the time they hoped to reopen for 2021. So good news is, weโ€™re some months earlier you can enjoy the Wharf productions once again.

While itโ€™s great news for entertainment in town, be aware and be quick to book. Only thirty tickets are available for each performance, in line with current guidelines. They can be purchased by ringing 03336 663 366; from the website Wharftheatre.co.uk or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm

Last yearsโ€™ Chair, Oli Beech says: โ€œBreak out the bottles, the phoenix of theatre does rise from the ashes and soars high above Devizes! Our dear little theatre is back in the black after a close encounter with disaster! The call went out and boy, was it answered. Weโ€™ve had donations pouring in, generous members and locals passing the hats around, bake sale proceeds, even an overwhelming donation of ยฃ10,000. We are so thankful to everyone who has helped us either financially or with their many words of support and encouragementโ€ฆ.โ€

During their enforced closure the team hosted three costume sales to raise further funds; completely updated their website and launched a YouTube channel to keep people entertained with specially filmed monologues and some short behind the scene films.

The Wharf also welcome a new Artistic Director, Debby Wilkinson. โ€œRestrictions are beginning to lift but with social distancing still very much in place,โ€ Debby said, โ€œanything we do in the theatre itself will be limited. However, we are very proud to launch the first three plays of our Autumn/Winter season.โ€

Whilst social distancing restrictions remain in place please continue to refer to their website for the latest details. But Iโ€™m happy to announce the new performances will be:

My Mother Said I Never Should

Friday 16th and Saturday 17th October 2020ย 7.30pm each evening

Written by Charlotte Keatley and Directed by Debby Wilkinson       

This rehearsed reading is scheduled to run on October 16th and 17th.   First performed in 1987, this play breaks with convention in that it doesnโ€™t follow a linear timeline.  The text is now studied for both GCSE and A level and tells the stories of four women throughout several periods of their lives. It explores the relationships between mothers and daughters along the themes of independence and secrets. It is a poignant bittersweet story of love, jealousy and the price of freedom through the immense social changes of the 20th century.                   Copyright: this amateur production is presented by arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd concordtheatricals.co.uk


 Tickets: ยฃ10/ยฃ8 concessions.

Adam and the Gurglewink

Friday 13th and Saturday 14th November

7.30pm each evening with a 2.30pm Saturday Matinee

Written and Directed by Helen Langford

Three rehearsed readings of an original play by the Wharfโ€™s own Helen Langford.   Adam is planning to run away when he stumbles across The Gurglewink, a childhood toy who has come to life in the attic.  They form a reluctant friendship where reality blurs and magic happen. They meet Rainbowgirl who challenges Adam to a dangerous quest which will depend on his ability to keep going when things are not always what they seem.

Suitable for children 6-12 years and their parents. Tickets:/ ยฃ8/ยฃ6 concessions


Collected Grimm Tales

Monday 14th to Saturday 19th December       7.30pm each evening with a 2.30pm Saturday Matinee

By: The Brothers Grimm     Directed by: Debby Wilkinson

Familiar and lesser known stories are brought to the stage using a physical and non-natural style of performance.  These stories journey into the warped world of imagination.  We will meet Hansel and Gretel, Ashputtel, Rumpelstiltskin and others, performed by a small adult cast, on a simple set.  The audience will need to use their imagination and fully embrace the living power of theatre. Suitable for children and adults.

Copyright: this amateur production is presented by arrangement with Concord Theatricals Ltd. On behalf of Samuel French Ltd concordtheatricals.co.ukย  Adaptor Carol Ann Duffy Dramatised by Tim Supple and the Young Vic Co.ย ย Tickets: ยฃ14/ยฃ12 concessions

Can you Help Lucie with her Haircut Fundraiser for the Little Princess Trust?

Most girls want wireless Mpow headphones, an iPhone 11, a Himalayan salt lamp, or something like that for their fifteenth birthday. Maybe Lucie Green of Devizes does too, but in an awesome act of kindness, her focus is on having twenty inches of her hair cut off to donate to the Little Princess Trust.

The Little Princess Trust is an amazing charity which provides real hair wigs for children suffering from hair loss. When a child loses their hair to cancer or another condition, the Little Princess Trust provide a free, real hair wig to help restore their confidence and identity.

They also fund research and say, โ€œwe won’t stop until the research that we fund ends childhood cancer forever. Promise.โ€ Though the Trust relies solely on the efforts of enthusiastic community fundraisers, and receive no formal funding.

Can we help her raise money for this worthy cause? Even the smallest donation is greatly appreciated, and all the money will go towards the cost of making a wig, which can be up to ยฃ500.

You can donate via Just Giving, Here.

Wishing you the very best of luck, Lucie. Maybe we could get a before and after picture?! For more information on the Little Princess Trust: www.littleprincesses.org.uk

Our IndieDay at Brogans!

Images by Gail Foster

Coming from Essex where shopping is religion, youโ€™d think Iโ€™d be impartial to the duty. But no. To be bluntly honest, as I believe I mostly am, I find nothing entertaining or enjoyable in sauntering a continuous stream of mundane chain stores aimlessly, other than to spend money I havenโ€™t got on crap I didnโ€™t want or need in the first place. Blessed we are then, in Devizes, with an array of original, charming and interesting independent shops, which make shopping endurable for whinging cronies like me! An ethos celebrated, kind of, this Saturday by the group Devizes Retailers and Independents who, in order to return commerce to our wonderful and lively town, held an โ€œIndieDay.โ€

MP Danny Kruger opened the event, I missed that, loads of shops got involved and opened their doors to a festivity-fashioned celebration, missed that too. Donkeys and more, I missed. Far better for me to contribute by loitering outside Brogans cafรฉ, munching on a bacon roll and taking credit for Mike J Barhamโ€™s hard work!

I arrived late, The Devizes Rotary Club arrived long before to lend us a grand gazebo, and Mike too, he set up a PA, he managed the PA, he hosted the event with his charming and entertaining charisma, and everyone came up to me and thanked me; result!

Honestly, as Iโ€™ve said, I have to give a massive thanks to everyone involved for making it such a special day, and in this day and age it was indeed even greater. Mike Barham for one, aforementioned contributions, but two, for rocking both the opening and finale with a plethora of his own work, such as the lively Bowserโ€™s Castle, and thoughtful prose through downtempo blues, to the thundering satire of a west-country-styled Top Gun theme, Danger Zone! The guy is a one-man machine, the best of the best, of the best.

So yes, breakfast to a late lunchtime at Brogans got lively, as people filled the plot outside and the carpark, in the sunshine. It was something until late last night I feared would fail, with gapping gaps between the confirmed acts. Sadly, and for various reasons, Archie Combe and Tom Harris had to cancel, and our opening act, Pewsey singer-songwriter, Cutsmith was also unable to attend. The worry took me until 10pm when I unleashed a masterplan; Tamsin Quin cropped up on the book of face, to thank me for reviewing the new Lost Trades single, and so, whammy, I dispatched note of my concern and asked nicely if she would be able to grace us with her presence, and naturally, sing us a song or three.

I highly suspect theyโ€™re secretly superheroes, Tamsin, Jamie and Phil, and if not, they certainly saved my skin, more than once before. Tamsin dragged Jamie R Hawkins along, and as their alter-egos with no need for superhero costumes, they did it again. Thank you both so, so much. Tamsin gave it her all, which needs no surprise, her confidence and professionalism doesnโ€™t preside her charming grace and skill to entertain. Jamie accompanied her brilliantly on cajon, claiming to be โ€œgetting into it now!โ€ after just two songs in.

Then Cath and Gouldy rocked up on their way to the Southgate, to play as their folk duo Sound Affects, which was, as ever, blindingly awesome. All originals and finishing on Mr Blue Sky and Come on Eileen covers, it was superb. So, a massive thanks to them.

The finale then, was rocked by Mr Michael J Barham, which Iโ€™ve said already, but needs another mention. Thanks to everyone who turned up and made it really special day, including our photographers, Ruth, Nick and Gail, writer Andy and all the supporters. Thanks to Brogans for having us, I trust we behaved, least it couldโ€™ve been worse, believe me! Itโ€™s times like this which make Devizine feel more than me clonking on a keyboard, and rather a thing of community, of spirit and substance. Though now Iโ€™m back clonking, vainly bigging up our own gig, which I justify by noting itโ€™s not about me, or my bacon roll, and more about the good folk who regularly contribute to make this website function, the musicians, writers and photographers, and supporters. Hereโ€™s to more, I want more!

This is not an act of vanity, but a condition Gail set forth in order for me to get permission to use them! Thanks Gail, it takes a highly skilled photographer to capture me smiling!

Bristol Hip Hop Group, The Scribes Coming to Salisbury

Described by The Evening Herald as, โ€œraw and exciting, honest and sensitive, a soulful brand of rap,โ€ Bristolโ€™s trailblazing hip hop outfit, The Scribes play Salisburyโ€™s The Winchester Gate, on Saturday September the 12th.

The Winchester Gate is a community pub just on the out skirts of Salisbury city centre which heralds live music, particularly supporting reggae and hip-hop culture. The event is free, The Scribe planning to begin at 7pm.

The Scribes are a multi-award-winning hip hop trio, whose unique blend of beatboxing, off-the-cuff freestyling and genre-spanning music has created a critically acclaimed live show quite unlike any other on the scene today, with appeal ranging far beyond traditional hip hop fare.

The Scribes at BeCider Festival

They have consistently proven to be an impressive and engaging live act with 2019 festival appearances at Glastonbury, Wilderness Festival, Shambala, Boomtown Fair, Bearded Theory, to name but a few, and have toured extensively across the UK and onto Europe.

The Scribes are also proud winners of both the Exposure Music Award’s “Best UK Urban Act” and the EatMusic Radio Award’s “Best Live Act”, and have provided original music for BBC and Channel 4 television, as well as being featured regularly on both national and local radio and media including BBC 1Xtra and BBC Radio 1 Introducing.

Hotly tipped as one to watch, The Scribes have shared stages with the likes of Macklemore, Wu Tang Clan, Dizzee Rascal, Kelis, Rag N Bone Man, Example, Lethal Bizzle, The Wailers, Jurassic 5, Sugarhill Gang, KRS One, De La Soul, MF Doom, and Souls Of Mischief, and are steadily establishing a growing following across the continent to add to their already significant fan base at home.

Check out their new EP, The Totem Trilogy Part 1 here.


Two Man Ting Bring Sunshine to the Southgate Today

Winding up their โ€œmini tour,โ€ after last nightโ€™s gig at Salisburyโ€™s Winchester Gate, world/reggae duo, Two Man Ting appear at Devizes Southgate for an afternoon session from 4 to 6pm.

Midlands Jon Lewis and Sierra Leonian Jah-Man Aggrey, are a branch of world dance collective Le Cod Afrique, who play a cheerful combination of multicultural roots-pop. A welcome addition to the Southgateโ€™s continuing mission to provide a diverse range of live music to Devizes; and a grand job theyโ€™re making of it!

With Aggreyโ€™s bright, chatty vocals and bongos, and Lewisโ€™s acoustic guitar picking, this promises to be something great and wholly different around these waters. Theyโ€™ve done the festival scene from Womad and Glasto to the Montreux Jazz Festival & Glastonbury, and their acclaimed album “Legacy” has been much featured on BBC Radio 3 & BBC 6 Music.

Should be a good ‘un!

Opinion: House Party Organiser in Devizes Issued with ยฃ10,000 Fine

Daniel Jae Webb reports for Wiltshire 999s that the organiser of the house party, in Wick Lane, Devizes on Friday night, has been issued a ยฃ10,000 fine by Wiltshire Police, for ignoring a police warning.

Officers were called to the house and requested the party was be shut down in line with COVID-19 regulations, and claims their pleas were ignored. A spokesperson for Wiltshire Police said, (which Iโ€™ve had to amend the basic grammar of, like a primary school teacher): โ€œAs we continue to navigate through the COVID pandemic, we all have to take personal responsibility for our actions and adhere to the regulations.โ€

โ€œDespite a warning, the organiser allowed the gathering of 80-100 people to continue, which is in clear breach of the current restrictions. Which states that โ€˜no gathering of more than 30 people may take place indoors, which would constitute a rave, if it were outdoors; amplified music, at night and due to loudness, duration and time it would likely cause significant distress to locals.โ€

Partygoers were dispersed and the hefty fine was issued. Itโ€™s a substantial amount for anyone to digest, the website stated, โ€œthere is no discretion given to set a lower amount.โ€ Job done police, story dusted and archived. In my opinion, though, Iโ€™m afraid it feels far from over and arguably raises a number of questions.

I feel impelled ask then, firstly, was it shut down for safety reasons, due to the pandemic, or as the Wiltshire Police spokesman clearly states here, โ€œamplified music at night would likely cause significant distress to locals?โ€

I cannot help but agree in this era of the pandemic we all must consider the risks and act accordingly, but the environment must be attained for people to want to do this, and take action appropriately, rather than feel they are being forced by law. Yes, the organiser and everyone who attended was putting their own health and the health of others at risk, and were foolish to do so. And when the officers attempted to engage with the group, they should have taken heed. Yet they should have wanted to do this of their own free will.

The harder the law, the more likely the rebellion toward it, though it may be important for the law to be enforced, an unaffordable fine such as this is draconian. Itโ€™s likely to have an adverse effect from the youth, who understandably see their lives disrupted in the same manner as everyone else, yet with no clear indication of ideas are being pitched to support them.

Weโ€™re casting our children out into the riskiest easing of lockdown ruling since it began, by returning them to school and college, and though you may deem it necessary, can you not also see they must feel like lab rats?

From all ancient philosophies and all of history we see a continuous pattern; people wishing to gather and celebrate is ingrained in our psyche and culture. And letโ€™s face it, the conservative ethos set to stamp out partying long before this pandemic.

The breakup of the trend of the free festival scene in the eighties, only constituted a bigger problem to attempt to outlaw, the raves in the nineties. Retrospective youth cultures we can reflect back on now, and realise and agree the occurrences of these events were not only ground-breaking for artistic progression, and memorable for the attendees, but in reality, harmless fun.

Regulating and eventual normalising of the Criminal Justice Bill, saw something far worse; a political and social rejection of society, and a fight between police and people; a disgruntled conflict.

The psychological effect of lockdown is only just beginning to be felt, as we venture away from it. You feel isolation for the elderly was difficult, how was it for our younger generation who, by the illusion of timespan, six months feels far longer? The need in younger people to party must be recognised, as Iโ€™d imagine older generations reflect upon their youth misdoings. Rather weโ€™re stamping our authority around and closing individual cases with a pat on the back and a job well done. We should, as a society in the dawn of change, be considering how we can arrange and organise celebratory events and parties sensibly and safely.

We have managed to adopt and implement new systems for shopping, for eating out, travel, and all other activities older generations wish to engage in, we should now focus on ways to keep the younger satisfied too. I donโ€™t profess to have the answers, but believe by thinking together, and frankly, giving a hoot about our entire population, we can work out methods to accomplish it. Furthermore, if ideas were suggested and implemented so parties could go ahead safely, the need and want to break the law will surely lessen.

Break up the party, yes indeed, as weโ€™re far from out of the water, but chuck people a paddle. They need a release; they need party and celebrate now more than ever in these trying times. If not, issue 10k fines to all who break the regulations; every grandad who forgets and leans over you in a supermarket, every businessman internationally jetting around the world, anyone, I dunno, who felt like driving across the country during lockdown to visit a castle, perhaps?

The Lost Trades on Cloud 9

New song from our local purveyors of the perfect folk vocal harmony trio, The Lost Trades. Out for another Bandcamp Day, today, Friday, where the website drops itโ€™s fees and gives the artists 100% royalties; and darn it, if this isnโ€™t worth a quid when it constitutes a mere quarter-cup of coffee from a posh cafรฉ these days, I dunno what is.

The origin of the idiom, cloud nine is largely debated. Explanations relating the US Weather Bureau of the 1950s denoting fluffy cumulonimbus type clouds, or the penultimate stage of the progress to enlightenment for a Bodhisattva, are mostly debunked. But who needs a debate when youโ€™re in a definite state of blissful contentment anyway?!

All you need know is this tune will land you on said cloud as if you were the monkey-god Sun Wukong on a mission. We are blessed with all the hallmarks of a Lost Trades signature tune; the calming tingle of xylophone, the gentle sway of acoustic guitar, the heavenly vocal harmonies, and uplifting lyrics to boot.

As Pink Floyd, around the Meddle era, after a bout of heavy space rock, when it suddenly drifts into thoughtful acoustic mega-bliss, this song just drifts akin, without need of heaviness, of Simon & Garfunkel, perhaps, meandering along a river on a gondola, thinking; hey man, letโ€™s, like, sing; and itโ€™s gorgeous, as we mayโ€™ve come to expect from this Trowbridge-Devizes trio. I wonder if weโ€™re looking at a track from the highly anticipated album, yet, even if no, itโ€™s the perfect display of progression for the newly-formed trio, whoโ€™s exceptional solo careers combine to create just as the title suggests; sitting on cloud nine.

With Tamsin advancing with her album, and Phil some way in front, teasing us with a cover design for his, titled Revelation, itโ€™s clear the solo side projects will continue, but as a trio they bounce perfectly off each other, though itโ€™s hardly a shove, more mooch. ย Download it here.


Devizineโ€™s IndieDay Outing!

Well blow me down, cover me in peri-peri sauce and call me Natisha if weโ€™ve had a Devizine event recently. Understandable all things considered. Annoying though, being I passed on the idea of holding a second birthday bash last autumn thinking weโ€™d host or co-host something better in the summer.

Crystal ball smashed, see? Face bothered? Yeah, a bit, yโ€™ know. Hits to the website has taken a blow, yet that informs me just how many people were using it as a whatโ€™s on guide in times prior to lockdown. And anyhoo, for me itโ€™s a hobby, like trainspotting, just without the trainsโ€ฆ.and spots. I still don an anorak for formal appearances! For businesses and performers alike though, itโ€™s been a rough ride.

What was waffling about before a class 55 diesel locomotive chugged past me? Oh yeah, events. Well, you may/may not be aware town centre will be alive on Saturday, 5th September, when the Devizes Retailers and Independents group hold their Indie Day, celebrating our array of independent shops and cafes. Thereโ€™s fun to be had, shopping and eating and stuff, with lots of prizes to be won, etc. Original idea was to have buskers around and about, but I believe thatโ€™s not so easy to do with current restrictions.

So, we plan to be in presence, centred in the rear garden of Brogans in the Brittox, purveyors of a fine breakfast, nice tea or coffee and scrumptious lunches and cakes. In which we will have some live acoustic music running throughout the day from, I dunno, 10ish till 3ish; that sound good?

Check dis out; Vegan Jaffa Cake style cake @ Brogans, say no more!

Rather hastily put together at short notice, due to getting approval on our proposal to observe social distancing, so if you come along, itโ€™s essential you abide by them. We will track and trace, advise you to wear a facemask if wandering outside of your โ€œbubble,โ€ and Brogans has measures already in place too.

I think itโ€™s important, the day as a whole, being local business have been hit hard by the lockdown. Yet equally is our side-stall, gigs were the bread and butter for musicians, sadly missed by the punter, desperately reducing performerโ€™s revenue. That said, the budget Iโ€™m working on is zero and Iโ€™m asking the acts to come for the love of it. I sincerely hope if you come along, you can show your appreciation when I badger you with a bucket, thank you.

I also encourage them to bring their wares, CDs and any merchandise they have for sale on the table; and this goes for anyone passing by also, who may have a creation for sale. Make sure you drop past by 3pm to pick up any earning. Any earnings are 100% yours, I might get my arm twisted if your offer me a bacon butty, other than that Iโ€™m asking for nothing!

Said tip bucket will be shared between all participating performers at the end. Shutdown is around 3pm, giving us time to finish up and head to the Southgate where the amazing Absolute Beginners will play from 4pm, and Iโ€™m getting a round in for all the performers. Thatโ€™s the plan anyway, subject to change as ever. In fact, Iโ€™m delighted to say Cath and Gouldy of Absolute Beginners are pencilled in to drop by around 1pm, before the gig at the Gate, so you can see for yourself how damn good they are.

Everything is in pencil at the moment, just wanted you to give you plenty of notice before you start planning a shopping trip to the Greenbridge retail park, or anything wildly hedonistic like that. Colour pencil though, rainbow; on the cards we have the one-man army, Mr Mike J Barham, whoโ€™s kindly to offered to setup a small PA while I rub my stubble, and pretend I know the technicalities heโ€™s referring to.

Also, hopefully dropping by will be our brilliant Tom Harris of the Lockdown Lizards, Pewseyโ€™s finest Cutsmith, and London-based Archie Combe, a classically trained jazz pianist, composer and musical director. Iโ€™ve not given them timeslots as of yet, but weโ€™ll play it by ear, which will be a beautiful thing given the wealth of talent. There might be room for one more, if youโ€™re up for it, let me know, or just drop by with a guitar on the day and Iโ€™ll try fit you in; canโ€™t be any vaguer than that! But vague is my middle name (actually, itโ€™s Lee, but cโ€™est la vie, Lee.)

So yes, it only leaves you to browse past and enjoy the day. Danny Kruger is coming, and if he can make it so can you; donโ€™t believe the hype! Let us know you’re coming on the book of Face.


Adverts & Stuff!

Jon Veale Flicks the Switch

How long does it take to take to put together a single, and how much longer during the lockdown?

I dunno; donโ€™t ask me, I just write about this stuff, and donโ€™t make a great job of that! I suppose youโ€™ve got pull in all the elements, yโ€™ know, paste together drums and vocals and stuff like that, and yโ€™ know; okay, Iโ€™ve no idea what Iโ€™m talking about. But they do down at Potterneโ€™s Badger Set.

Marlborough guitar tutor, singer-songwriter and bassist of local covers band Humdinger, Jon Vealeโ€™s single, โ€œFlick the Switch,โ€ is flicked on tonight. As the name suggests it immediately hits you square in the chops, despite the drums were recorded prior to lockdown, by legend Woody from Bastille, and Jon waited tolerantly for lockdown to end before getting Paul Stagg into Martin Spencerโ€™s studio to record the vocals.

Jon Veale

Patience paid off, with a speedy vocal harmony intro, this song packs a steady rock punch, yet none too metal. It appeals wide, as a driving, rolling-stone-themed belter, and Paulโ€™s vocals are stimulating, reminding me of a grinding Jamie R Hawkins. Yet, for what itโ€™s worth, itโ€™s the composition which makes this a winner; a couple of listens is all it takes to be singing the chorus, allowing the drums and guitar combo to wash over you like a warm wave crashing on a tropical beach, or, something like that, (apologies, I need a holiday.)

As well as this supportive team, the distribution through Emu Records, Jon also thanks Christine Hurkett who has produced โ€œan insaneโ€ lyric video and cover for the song. โ€œIn case youโ€™re wondering what did I do on this song,โ€ he jokes, โ€œI wrote the music, the lyrics and played all the guitars!โ€

Iโ€™m intrigued to hear more now, for if this was a track on an album itโ€™d be a title track, unless Jon has something else up his sleeve, there’s already a previous tune featuring the vocals of our Sam Bishop on the iTunes link, so yeah, I dunno, donโ€™t ask me, I just write this stuff!

Spotify Link

iTunes Link


Adverts and Stuff!

Bill Greenโ€™s Still Lost Demos

Spent a recent evening flicking through old zines I contributed cartoons to, relishing in my own nostalgia. Not egotistically admiring the artwork, or even laughing, rather cringe at most of it. More so because every publication has a backstory; where I was, what the hell I was up to, and thinking, if at all, at the time. Itโ€™s like Granโ€™s photo album, to me. But I guess reminiscing is symbolic of this pandemic year, nought else happening.

With that in mind, Bill Green of local self-titled Britpop trio Billy Green 3 has a great story to tell, ending with a retrospective release on the streaming platforms. He met Simon Hunt at a party, they liked each otherโ€™s jumpers, shared a love of music from the Beatles to the Stone Roses, and hung out on the guest list with Chesterโ€™s indie rock band, Mansun on their โ€™96 tour.

Billyโ€™s mate John โ€˜Jimmyโ€™ Burns โ€œsimply wanted to be in a band and dressed well.โ€  Never having played their instruments before, let alone in a band, one night they decided to form one with another of Billyโ€™s friends, Mark Molloy. โ€œWeโ€ Bill explained, โ€œjumped about to โ€˜The Jamโ€™ and had often spent nights drumming along on bars and tables.โ€

With Mark on drums, Simon on Vox, Jimmy on bass and Billy on guitar, Still was forming. Yet I guess Bill was reminiscing this foundation when deciding upon a name for his debut album as the trio, back in January, which we cordially reviewed, here.

โ€œIโ€™d written a few songs,โ€ Bill continued, โ€œso we set up second-hand instruments in Marston Village Hall, and banged out a few tunes, no covers mind.โ€ย  He had been DJing the โ€˜Vroom!โ€™ Club, at the Corn Exchange. โ€œIan James was kind enough to put us on that Christmas and New Yearโ€™s, and people actually came to watch, a band was born.โ€

Still played the local circuit and even had a dalliance with Virgin Records, having spent a day travelling around London knocking on doors and dodging receptionists and PAs. They booked studio time with Pete Lambโ€™s studio in Potterne, followed by more studio time at Holt Studios, where a personnel change saw Andy Phillips join on drums and later, James Ennis on guitar.

As a five-piece they played into early 1999, before calling it a day and believing the recordings were lost. Simon Hunt recently unearthed the cassette, much to Billโ€™s delight, and the demos have been remastered โ€œand tidied up a bit,โ€ with the help of Danny Wise. Returned to Bill, who has enthusiastically released it as an album called Destruction at the beginning of the month. โ€œAnd here they are,โ€ he excitedly called, โ€œas a permanent record of the biggest indie band ever from Devizesโ€ฆ. called Still!โ€

โ€œI’m just shocked that Marston has, or had a village hall,โ€ I expressed.

โ€œRubble when we finished playing!โ€ Billy kidded, possibly.

These are raw demos, but brilliantly echo a time of yore when Britpop was in the making and a newfound generation of garage bands were spawning like a wart on the bottom of commercialised pop. What is great about this album, aside the backstory, is it represents all those early influences of the scene and mergers in a way we might today take for granted, but were, in essence, different scenes and youth cultures divided by decades, at the time. Yes, these may have been bought together by his more defined recent album, Still, but this is essential history for fans of that album, as it opens the casing and shows the very workings of it. Similarly, it works more generally than that, as an insight for fans of the genre.

For if influences of Britpopโ€™s โ€˜big fourโ€™ are represented here, in the jaunty attitude of Blur, the maladroit studiousness of Pulp, the euphoric ballads of Oasis, and the brashness of Suede, thereโ€™s also arty punk rock and psychedelic reprises, like Elasticaโ€™s affection for Wire, even the Beatles.

There are echoes of Britpop inspirations, โ€˜Respect Nowโ€™ feels like itโ€™s drawn from the genreโ€™s eighties influences; the Jam, up to the Stone Roses. Yet tracks like โ€˜Happier Nowโ€™ ring drum-based upbeat riffs, but slating postpunk vocals, and the sobering drone of The Smiths. Whereas, โ€˜Pale Impression, Manโ€™ is closer indie enthused from post-punk gothic, rather the end of the era anthems, like the track โ€˜Catch,โ€™ which rings Suede or The Verve.

โ€˜Lady Leisureโ€™ just rocks, simple; this was produced at Pete Lambโ€™s, along with the other first bout of garage-style rock, โ€˜Happier Nowโ€™, and โ€˜Superstars,โ€™ the latter savouring the sound of the Kinks. Perhaps the most poignant are two the love ballads, which along with โ€˜Catchโ€™ were recorded at Holt. Bill informed me, โ€œโ€˜Gav4Safโ€™ was a fledging love song written for a friendโ€™s wedding.โ€ But the beautifully crafted โ€˜LoveSongโ€™ is a missing piece of Oasis, and as a stand-out ballad is the only track rightfully to be reworked for Billy Green 3โ€™s modern album Still. The finale is the title track, with a sublime rolling bass guitar, Who-like.

ย โ€œWe hope there are some people who will listen and remember those heady days as fondly as we do,โ€ Bill expressed, โ€œitโ€™s basically demos but such good memories!โ€ It may help, but is not, I reckon, essential. I reason, quite regularly, that finding the early recordings of any artist is often more worthy than the celebrated later releases, when eagerness overrides rawness and economical recording sessions. They brought out the original enthusiasm, the roots to greatness. I favour โ€˜The Wild, Innocent and E-Street Shuffleโ€™ rather than Springsteenโ€™s โ€˜Born in the USA,โ€™ for example. Even delve into bootlegs of Steel Mill, where despite the boss not being frontman, you can hear a distant echo of genius harking from the background. โ€˜Destructionโ€™ is out now, as well as the single, โ€˜Catch,โ€™ across the streaming sites, (Spotify) a notable antiquity of the local music scene.


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Jamie Williams and the Roots Collective Do What They Love, at The Southgate

Heโ€™s a fast learner, that Keanu Reeves; think how he progressed to โ€œthe chosen oneโ€ in little over an hour and half, while his superiors barely advanced at all; comes with the chosen one job, I suppose. Think cat scene, for example, where this novice presumed dรฉjร  vu, but twas a glitch in the Matrix.

Had a touch of dรฉjร  vu myself on Sunday, chatting with Essexโ€™s Jamie Williams and the Roots Collective; alas Iโ€™m not the chosen one, until itโ€™s time to do the washing up. Barefacedly had to check my own website, suspecting theyโ€™d been mentioned before. And I was right, Andy wrote a part-review back in July; I was briefly there too. Blame it on a glitch, rather than memory loss; this is 2020, glitches in the Matrix are abundant.

Regulars at the Southgate in Devizes, Jamie Williams and the Roots Collective are as the name suggests, but donโ€™t do run of the mill. Cowboy hats and chequered shirts held a clue, but arrive excepting unadulterated county & western and youโ€™ll get nipped. While thereโ€™re clear Americana influences, hereโ€™s an exclusive sound unafraid to experiment.

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Jamieโ€™s abrasive vocals are gritty and resolute, perfect for this overall country-blues sound, but it progressively rocks like Springsteen or Petty, rather than attempts to banjo twang back to bluegrass. It also boundlessly exploits other folk and roots influences, with a plethora of instruments and expertise to merge them into this melting pot. And in this essence, they are an agreeable rock band, appealing to commonalities; but do it remarkably, with upbeat riffs, tested but original material, and passion.

Not forgoing, I still need to be careful, and it was but a whistle-stop to the Gate, to wet my whistle. As current live music restrictions being the way they are, itโ€™s unfair to use a gig review as a base for an actโ€™s entirety. For starters, theyโ€™re missing bassist Jake Milligan, and drums deemed too loud to bring, James โ€œthe hogโ€ Bacon made do with a cajon and bongos. The remaining two, Jamie and Dave Milligan, cramped in the doorway of the skittle ally with acoustic and electric guitar, respectively. Which, in a way, proves this bandโ€™s aforementioned adaptability and desire to experiment. The proof is the pudding though, and battling through the restrictions of the era, they came up with a chef-d’oeuvre.

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Professionally, they scorched out a great sound nonetheless, mostly original, but a rather fitting Knockinโ€™ on Heavenโ€™s Door, with Jamieโ€™s grinding vocals apt for a later Dylan classic. But this downtempo cover was the exception to the rule, their originals upbeat and driving.

To pitch a fair review, though, is to take a listen to their latest album, Do What You Love. The cover of which is unlike your clichรฉ Americana tribute too; highly graphical splashes of colour akin more to pop, or a branding of fizzy drink. The songs match, a popular formula of cleverly crafted nuggets intertwining these wide-spanning influences. One track they did live from their album was accompanied with an explanation the recorded version used a brass section and even a DJ scratching, yet they made do with Jake joining James for a hit on the bongos.

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They certainly enjoy what they do, and appear relaxed in the spotlight. This doesnโ€™t make them tongue-in-cheek, like, say Californian Watsky & Mody, who blend hip hop into bluegrass for jokes. Rather Jamie Williams & The Roots Collective has evenly balanced said collectiveโ€™s influences and conjured this celebrated, danceable and fun sound, flexible for a standard function, like a wedding party but would also liven up the day at a mini-festival.

As an album though it encompasses all Iโ€™ve said above, thereโ€™s cool tunes like Lazy Day, the orchestrated reprise If I met my Hero, and rather gorgeously executed ballad, Held in Your Glow, but also frenetic tunes, driving down the A12 with the windows open music, Red Hot and Raunchy being a grand, light-hearted example but Iโ€™m A Stone as my favourite, with its clever pastiches of Dylan and The Rolling Stones, it rocks.

You need not visit the Oracle, waiting with spoon-bending broods, Keanu Reeves, for her to tell you Jamie Williams & The Roots Collective are not some โ€œchosenโ€ livid teenagers trailblazing a new sound and striving for the spotlight, but a collective of passionate and talented musicians loving every minute of performing, and this comes across as highly entertaining.


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Paul Lappinโ€™s Broken Record

A cracker of a single from Swindonโ€™s Paul Lappin this week, a Britpop echoing of Norwegian Wood, perhaps, but tougher than that which belongs on Rubber Soul. Broken Record is an immediate like, especially the way it opens as crackling vinyl and the finale repeats the final line into a fade, as if it was indeed, a broken record.

Shrewdly written, the venerable subject of a passionate breakup metaphors the title, โ€œignore the voice of reason, leave the key and close the door, do you think youโ€™re ready, to become unsteady, like a broken record, you have heard it all before.โ€ Paul does this frankly, with appetite and it plays out as a darn good, timeless track.

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Itโ€™s head-spinning rock, intelligent indie. Harki Popli on tabla drum and Jon Buckettโ€™s subtle Hammond organ most certainly attributes to my imaginings of a late-Beatles vibe. Yet if this is a tried and tested formula, as I believe Iโ€™ve said before about Paulโ€™s music, he does it with bells on.

For less than a chocolate bar, download this track from Bandcamp, it doesnโ€™t disappoint.


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Sunset Remedy with JAY

Is it still fashionable to be late for a party, or are we conversant enough to realise this refined art is solely perpetrated by egocentrics pretending to be too popular to be punctual? Rather, Iโ€™m am obsolete slob who can only apologise to Jay and Wise Monkey for my delay in reviewing his debut single featuring the vocals of Ben Keatt, but what excuse can I give? Hereโ€™s where fatherhood comes in handy, being too candid to be vain, least I can blame it on my kids and their perpetual school holiday! That said, Iโ€™ve gained some experience on Minecraft and, if I really try, I can do more than two keep-me-upsies.

Sunset Remedy is the track, released last Friday. Jay, Bathโ€™s first external artist of Wise Monkey Music is a producer and instrumentalist, defined as โ€œa bright shining light in the future of DIY and Bedroom Pop,โ€ and I can only but agree. In the fashion of the classic neighbouring Bristol downtempo sound of Massive Attack and Portishead, it came as a surprise to note the soulfulness beats of this sublime track, as it melodically traipses with funky guitar, poignant lyrics and an uplifting air.

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If Pink Floyd came after Morcheeba, they might have sounded a little something like this; neo-soul, the kind of song you wish was physical matter, so you could pluck it out and give it a cuddle! Itโ€™s breezing with nu cool, with a melancholic plod and would blend between tracks on Blue Lines unnoticed, save for perhaps this backdrop guitar riff, providing scope of multi-genre appeasement. Benโ€™s vocals are breathtakingly touching and accompanies the earnest lyrics and smooth beats perfectly. Yeah, this is a nonchalant chef-d’oeuvre, crossing indie pigeonholes and one Iโ€™m going to be playing until I hear more from Jay.

And don’t run away with the idea I’m singing it’s praises simply because of the delay in getting to reviewing it! So not me. You trust I speak my fractured mind, and anyway, time is an illusion to this aging hippy. If punctuality was money I’d be happily broke; procrastination rules, ok. No, I urge you grab this beauty, and show some love to Jay’s Facebook page.


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Tanya Continues her Campaign; Promised Meeting with Danny Kruger

The protest at Downing Street due to happen today has been postponed, but Tanya Borg has been working tirelessly to raise awareness of her campaign since we reported on it, a fortnight ago. So, a quick update on its progress and how you can help this Pewsey mum fight to get her children home.

Tanyaโ€™s two daughters, Angel and Maya were abducted by their father five years ago, and taken to Libya to live with his family. After being granted full custody in both nations, Tanya travelled to Libya to rescue them, but Tanya explains when they tried to get away, they were bundled in a car and driven away. She hasnโ€™t seen or had contact with them since.

Iโ€™m glad to have received a reply from our email to Danny Kruger on the issue. He stated โ€œI share your concern for the awful and distressing position of this family. Please be reassured I am in contact with Ms Borg and with the Foreign Office, and of course I share your belief that the British government should do everything it can on behalf of British citizens.โ€

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Although Tanya expressed, she has had a reply from Danny, forwarding the response from the African representative, โ€œitโ€™s the same response I got two years ago saying they canโ€™t help, but also that Danny Kruger can offer me a meeting.โ€

A glimmer of hope must go a long way for anyone involved in such a heart-breaking situation, as Tanya awaits a date for this meeting, โ€œbut it could be interesting,โ€ she says.

Meanwhile there is an important petition you can sign, here. Please do.

Here is the Go Fund Me Link, if you can help.

There is also a tee-spring hoody, and tote bag with printed logos of the campaign, and all the money raised will go to the fund, here. Join the Facebook group for further updates, here.


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Hero Wayne Cherry Back in Action!

You may recall hero, Wayne Cherry of Rowde, standing for a hundred hours in remembrance at the top of the Brittox in Devizes during November 2018, to honour those lost in the First World War.

For this yearโ€™s 75th VE day celebrations, self-isolating never stopped Wayne, he pledged to stand in his garden for 75 hours, raising ยฃ1,272 for the NHS fund.

Now Wayne is back, and he has decided to raise funds for SSAFA the Armed Forces charity, for VJ Day in August by completing a 75-mile trek around the Devizes area.

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Under the banner, โ€œNot Forgotten,โ€ Wayne explains his reasoning, โ€œtreatment of allied prisoners of war by the hands of the Japanese army in Asia during WW2 was without question, barbaric. Those who survived struggled to come to terms with their experience and many would never talk about it. 15 August 2020 is the 75th anniversary of the end of the war in Asia and one that I shall be marking with respect.โ€

I asked Wayne how many days he planned to take over it. โ€œI will have to start on Friday 7th,โ€ he replied, โ€œlooking to average ten miles a day, which in reality is a push with a knee replacement and diagnosed with Polymyalgia Rheumatica, which is painful hips and shoulders.โ€ The walk will end on Friday 14th August. โ€œI just grit my teeth and get on with it,โ€ he continued, โ€œnothing compared to those who have paid the ultimate price for the freedom we enjoy today.โ€

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Wayne will start his route each day leaving from Wadworths 10am. He will head towards the Market Place on Northgate St, through the Little Brittox, along the High St following Long St, to Southbroom Rd, and continuing onto Sidmouth St to Maryport St, through the Brittox, and back through the Little Brittox into the Market Place, up to Snuff St, along to New Park St and finally, heading back towards Wadworths. Thatโ€™s approximately a 2-mile circuit, 5 times a day.

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โ€œIt would be very much appreciated,โ€ Wayne expressed, โ€œif anyone would like to accompany me for as little or as long as you wish, I will be carrying a collection bucket each day for anyone who may wish to make a donation.โ€ Alternatively, if you join his Facebook group, here, you can follow and support him, and find bank details, if you would like to contribute this way.

Iโ€™d like to take this opportunity to wish Wayne the very best with his astounding effort, and congratulate him on the amazing fundraising he has done to date already. I know the people of Devizes and the surrounding area will rally to support him, as they have done in the past. Go Wayne Cherry, you are an inspiration to us all.


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Three Times Better; The Lost Trades @ The Southgate

From Robert Johnson selling his soul to the devil at the crossroads to bipolar bank robber George โ€œBabyfaceโ€ Nelson, thereโ€™s so many Americana mythologies and folklore veracities apropos in the Cohen Brotherโ€™s โ€œOh Brother, Where Art Thou?โ€ I could draft a lengthy essay. One Iโ€™m reminded of last Sunday down our trusty Southgate, was the scene depicting the Carter Family singing โ€œKeep on the Sunny Sideโ€ at a governorโ€™s election rally. Reason; thereโ€™s something simplistically bluegrass about The Lost Trades, matchless vocal harmonies, ensuring the circle is unbroken, even in a distant Wiltshire.

It was only a whistle-stop to wet my whistle, and when I did arrive the trio Iโ€™d came for where on their break. Tamsin was selling handcrafted spoons and lesser original band merchandise such as t-shirts and CDs, Phil was lapping the pub chatting enthusiastically and Jamie was having a pint with his family. None of this really matters, as individuals, weโ€™ve rightfully nothing but praised these marvellous local musicians. When they formed a more official grouping and the Lost Trades were born, we broke the news. Neither did it matter, at the time, that I would be unable to attend their debut gig at the Village Pump. I had my new writer Helen offer to take my place, and what is more, I knew Iโ€™d be catching up with The Lost Trades in due course; couldnโ€™t have predicted the impending lockdown the following week.

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Yet prior to Sunday I had ponder if there was anything else to write about these individuals weโ€™ve not covered in the past, but I was wrong. The angle can only be the difference between them as individuals or periodically helping one another out at a gig, to the trio The Lost Trades. Because, when they did everything was very much adlib, with the Lost Trades three minds are working closer than ever before, and if two brains are better than one, three is not, in this case, a crowd.

It wasnโ€™t long before they resettled, and huddled in the doorway of the skittle room playing to the crowd in the garden, as is the current arrangement for these brief acoustic sessions at the Gate. They joyfully toiled with a cover of Talking Headsโ€™ โ€œRoad to Nowhere.โ€ This was followed by my favourite track from Tamsinโ€™s album Gypsy Blood, aptly, โ€œHome.โ€ Topped off with a sublime version of Cat Stevensโ€™ โ€œMoon Shadow.โ€ But I did say it was a whistle stop.

In consolation I picked up their self-titled debut EP, something I should have done months ago. With this beauty in hand I could take a little of The Lost Trades home with me; itโ€™ll play perpetually through those thoughtful moments. Recorded in session at The Village Pump, โ€œbecause we really like the acoustics in there,โ€ explained Tamsin, here is a recording oozing with a quality which, despite predicting, still blew me for six. As I say, itโ€™s the combination of these three fantastic artists in their own right, as opposed the jamming weโ€™ve previously become accustomed to, which really makes the difference.

Five tunes strong, this EP equally celebrates these three talents and harmonises them on a level weโ€™ve not heard before. The acapella beginning of the opening tune, โ€œHummingbirdโ€ glides into stripped back xylophone and acoustic guitar, and is so incredibly saccharine, it trickles like some beatniks performing on a seventies Childrenโ€™s TV show. Yet, it works. In true Simon & Garfunkel manner, itโ€™s not mawkish, just nice.

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Hummingbird serves as a great introduction, but is by no means the template. As is commonplace, from the Beatles to The Wailers, The Trades, I detect, conjoin the writing effort but the lead singer seems to be the one who plucked the idea. โ€œGood Old Days,โ€ then, screams Jamie at me, who leads. It has his stamp, ingenious narrative centred around thoughtful prose. โ€œWherever You Are,โ€ likewise is a Tamsin classic, wildly romantic and wayfarer.

โ€œRobots,โ€ follows, the quirkiest and perhaps erroneous after an initial listen. Yet through subtle metaphors the satirical slant charms in a manner which nods Phil Cooper, and why should one stick to a formula in subject matter? Because the sound is authentically Americana of yore, Robots superbly deflects the notion itโ€™s lost in a bygone era and cannot use modern concepts, and Robots ruling the world is, however much a metaphor, still fundamentally sci-fi, and that makes for an interesting contrast. With that thought in mind, this could be the track which stands out for originality.

As in this review, weโ€™ve returned to the unbroken circle. In full circle the final song, โ€œWait for my Boat,โ€ is a sublimely cool track, casting a direction the trio are clearly heading. For although Jamie leads, thereโ€™s elements of all three middle tracks combined in this sea shanty sounding song. Itโ€™s metaphorical, romantic, with sentimental narrative. It wraps up the EP perfectly, leaving you hanging for the album theyโ€™re working on.

Yes, the Lost Trades is a live group you need to see in person, but this EP really is way beyond my already high expectations. Itโ€™s combination of talents is honest, bluegrass-inspired acoustic gorgeousness you need in your life.

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Devizes Wide Community Yard Sale; what a great idea!

The pandemic has pulled us into a time of change for everyone, we find methods and ways around restrictions to try to continue, best we can, the way of life weโ€™re used to living. Historically eras like these see great innovations and ideas which now have become commonplace. Online meetings through Zoom, drive-in concerts and many new-fangled concepts are falling into place, but sometimes, the best ideas are the simpler ones. Devizes resident Laura Johns had such an idea, the kind that if she was a cartoon character it would be represented by a lightbulb above the head!

Laura has created a Facebook group dedicated to holding a town-wide, community yard sale and intends to run the first one on Sunday August 16th, running from 8am-5pm. Anyone is free to host a yard sale in their garden or close green space on that date, and the group are hoping itโ€™ll turn the town into a whopping great car booty, without the cars; kinder on the environment too, Laura!

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I reckon this is a great idea, and something which has the potential to be a regular event. Many of us undoubtedly have been having a clear-out during lockdown, made some home improvements, and now have โ€œstuff,โ€ for want of a better word, clogging up space in their homes. The obvious banning of car boot and jumble sales means youโ€™re restricted to donating to charity shops, dumping them at the recycling centre if you get a slot, but selling via Facebook pages is the only way youโ€™re going to make a little money back. Of course, you could hold a yard sale at any time, but with this clever scheme, we will all know when and where.

All participates are invited to set their own yard sale up, freely, and they will be included on a map of the town, so buyers are free to roam the town and browse. Last count, 16 people wish to set up their own yard sale, and more are joining. My work is done notifying you and hoping youโ€™ll join in on the day, setting up your own, or browsing the yard sales on offer. Laura and the team hope to extend the idea to neighbouring villages, where an alternative day will be set for each village. Who knows how far this idea will catch on?

So, join the group for more information and updates as they develop, and support this ingeniously simple idea. Oh, and there’s a Facebook event page you can respond to; great if you wish to attend as a buyer but not participate in the selling part. I like it so much itโ€™s my pleasure to donated a little poster/header for the group, and you can be sure Devizine will be supporting the event as best we can, provided thereโ€™s not too many pubs en-route!!


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Atari Pilotโ€™s Right Crew, Wrong Captain

Only gamers of a certain age will know of The Attic Bug. Hedonistic socialiser, Miner Willy had a party in his manor and wanted to retire for the evening. Just how a miner in the eighties couldโ€™ve afforded a manor remains a mystery; but that erroneous flaw was the tip of the iceberg. In this ground-breaking ZX Spectrum platform game, the Ribena Kidโ€™s mum appeared to guard Willyโ€™s bedroom, tapping her foot impatiently. Touch this mean rotund mama and sheโ€™d kill you, unless youโ€™d tided every bit of leftovers from the bash. Turned out, months after the gameโ€™s release, one piece, in the Attic, was impossible to collect. Until this glitch became public knowledge, players were fuming as an intolerable bleeping version of โ€œIf I was a Rich Man,โ€ perpetually looped them to insanity.

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I swear, if I hear that tune, even some forty years on I cringe; the haunting memory of my perseverance with the impossible Jetset Willy. Music in videogames has come a long way, thank your chosen deity. Yet in this trend of retrospection I terror at musical artists influenced by these cringeworthy clunky, bleeping melodies of early Mario, or Sonic soundtracks; like techno never happened, what are they thinking of? It was with caution, then, when I pressed play on the new single from Swindon band โ€œAtari Pilot.โ€ I had heard of them, but not heard them. I was pleasantly surprised.

For starters, this is rock, rather than, taken from the bandโ€™s name, my preconceived suspicion I would be subject to a lo-fi electronica computer geekโ€™s wet dream. While there is something undeniably retrospective gamer about the sonic synth blasts in Right Crew, Wrong Captain, it is done well, with taste and this track drives on a slight, space-rock tip. Though comparisons are tricky, Atari Pilot has a unique pop sound. No stranger to retrospection, with echoey vocals and a cover akin to an illustration from Captain Pugwash, still this sound is fresh, kind of straddling a bridge between space-rock and danceable indie. Oh, and itโ€™s certainly loud and proud.

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A grower, takes a few listens and Iโ€™m hooked. Their Facebook blurb claims to โ€œchange the rules of the game, take the face from the name, trade the soul for the fame…I’m an Atari Pilot.โ€ After their debut album โ€œNavigation of The World by Soundโ€ in 2011, a long hiatus took in a serious cancer battle. But Atari Pilot returned in 2018 with an acoustic set at the Swindon Shuffle. The full band gathered once again the following year with live shows and a new set of โ€œSongs for the Struggle.โ€ This will be the title of their forthcoming follow-up album, โ€œWhen we were Childrenโ€ being the first single from it, and now this one, โ€œRight Crew, Wrong Captain,โ€ is available from the end of July.

Its theme is of isolation, โ€œand defiance, after the ship has gone down,โ€ frontman Onze informs me. Thereโ€™s a haunting metaphor within the intelligent lyrics, โ€œyou nail yourself to the mast and you pray that everything lasts, you just want to know hope floats, when the water rises, coz it’s gonna rise, take a deep breath and count to ten, sink to the bottom and start again.โ€

Thereโ€™s a bracing movement which dispels predefined ideas of indie and progresses towards something encompassing a general pop feel, of bands Iโ€™ve highlighted previously, Talk in Code and Daydream Runaways, Atari Pilot would not look out of place billed in a festival line-up with these acts, and would add that clever cross between space-rock with shards of the videogames of yore, yet, not enough to warrant my aforementioned fears of cringeworthy bleeps. Hereโ€™s hoping itโ€™s โ€œgame overโ€ for that genre. That said, thinking back, when you bought your Atari 2600, if you recall, oldie, you got the entire package of two joysticks and those circler controllers too, as standard; could you imagine that much hardware included with a modern console? Na, mate, one controller, youโ€™ve got to buy others separately.

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So, if decades to come we have a band called X-Box or PlayStation Pilot, Iโ€™d be dubious, but Atari gave us quality, a complete package; likewise, with Atari Pilot!


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