For Dave Young; Swindon’s Old Town Bowl Rocks for Charity This August with New Festival

Planned for Saturday 28th August, from midday until 10pm, an all-day festival in Swindon’s Town Gardens will be getting Swindon rockin’, and it’s all in aid of The Prospect Hospice.

Prospect Hospice has offered end-of-life care services in Swindon and north east Wiltshire since 1980.

The unconventional yet catchy named, ‘The My Dad’s Bigger Than Your Dad Festival’ is being organised by the people behind The Swindon Shuffle in partnership with South Swindon Parish Council, is being held in tribute to Dave Young, the former landlord of The Victoria and 12 Bar, who sadly died in early June at the Prospect Hospice after a hard-fought battle against cancer.

The charity festival, will be held at Town Gardens Bowl, a venue I thought was in a state of disrepair, after finding it walking through the park in Old Town as a student. Showing my age now, as it was refurbished in the mid-1990s, and is currently being used by the South Swindon Parish Council for a summer program of outdoor theatre!

Since 1936 the auditorium-styled Bowl has hosted many musical events. Standing in a grass-banked amphitheatre, created by quarry workings in the eighteenth century, it’s a beautiful setting known its outstanding acoustics.

Swindon Railway Band at the Town Gardens, Old Town

Organiser Ed Dyer, of The Swindon Shuffle, said: “During their tenure at The Victoria and the 12 Bar, Dave, along with his wife Anna, revitalised the Swindon music scene, offering opportunities to hundreds of local musicians to show off and develop their talents. The pair created friendships and a lasting music family that still endures, leaving an indelible stamp on this town and many of the people within it.”

“It’s only fitting that this legacy is recognised by throwing a great big musical party and raising as much money as possible for Prospect, who helped keep David comfortable in his last months.”

The festival is now calling on local businesses to come forward to help fund the event so that as much money as possible can be raised for the charity. They are also looking for volunteers who want to show their support.

Sheryl Crouch, head of income at Prospect Hospice, said: “We’ve been so pleased to have been chosen as the local charity to benefit from this fantastic bank holiday music event in memory of the groups wonderful friend, I really can’t thank them enough. I can see the passion in the team to raise vital funds for the hospice after we cared for Anna’s husband Dave at the end of his life.”

“Support like this means a huge deal to us, especially at the moment when we’ve been unable to fundraise in our traditional ways but continue to offer specialist care to those who need it. I wish them all the very best for a successful and enjoyable event and we’ll be here to support them wherever we can.”

The organisers are made up of several key members of the Swindon music scene, including Andy Loddington, the man behind Summer Breeze and Jamie Hill, editor of The Ocelot. They are also working very closely with Anna Sprawson, the widow of Dave Young, who said: “Dave’s death has been a tragic loss to all who knew him. He was so full of life and gave so much to others whether it was his family and friends or to the music community.”

“I couldn’t think of a better way to celebrate his life and all he meant to others by holding this one-day festival in aid of the Prospect Hospice who helped us all during such difficult times. We can’t do enough for this wonderful charity and we’re hoping to raise as much money as possible so they can continue helping more families in their time of need.”

Press Cutting from May 1993, the Boys From County Hell deut gig.

The stellar musical line up is headed by David’s former folk-punk band, The Boys From County Hell, reuniting for the occasion to perform for the first time in more than a decade. They toured the internationally to huge acclaim.

Gaz Brookfield & The Company of Thieves. Image: Jennifer Berry

Joining them will be Dave’s last band, the legendary punk covers outfit The Chaos Brothers along with Gaz Brookfield & The Company of Thieves, with whom he toured the UK as sound engineer.

Also featuring are a host of acts who were all championed by David in one way or another during his time as a cornerstone of the local music scene, including parody-party covers act Kova Me Badd, ska-punk band Slagerij, blues-funk three-piece Hip Route, and reggae act The Erin Bardwell Trio, and more are in the working. One only has to look at the diversity and quantity of acts queuing to play the legendary Swindon Shuffle, to know, the team have the experience to pull off a most fitting and memorable concert.

South Swindon Parish Council, who manage Town Gardens have also offered their full support to the festival. Cllr Neil Hopkins, Chair of Leisure, Environment and Amenities said, “We are really pleased to be working in partnership with The Shuffle, in support of what promises to be a fantastic family-friendly music festival in the heart of Town Gardens, in aid of Prospect Hospice.”

The festival is now calling on local businesses to come forward to help fund the event so that as much money as possible can be raised for the charity as well as volunteers to help on the day. Businesses and volunteers can get in touch with the team via email – mdbtydfestival@gmail.com

‘The My Dad’s Bigger Than Your Dad Festival’ will be held at Town Gardens Bowl on Saturday 28 August, from midday until 10pm. Tickets are available online via seetickets.com or in person at Holmes Music and The Tuppenny in Swindon and Sound Knowledge in Marlborough.

Tickets:

Early Bird (18+) – £15

Adult Ticket (18+) – £20

Concession Ticket (10-17 years) – £12

Child Ticket (Under 10 years old) – Free

Family Ticket – two adults and two concessions – £50

To keep up to date with information about the festival visit www.mydadsbiggerthanyourdad.co.uk

Daisy’s Good Luck Songs

If I learned to take heed of Sheer Music chief promoter Kieran J Moore, when he Facebook posts about a new local discovery on a previous occasion, when I had the unexpected realisation outstanding Americana artist, Joe Edwards was virtually a neighbour, it’s paid off again.

The sounds of Daisy Chapman the subject this time, and it’s exquisite.

“How have we only just discovered each other?” Daisy responded. She may reside in Trowbridge but rarely gigs locally, concentrating on touring the continent. I listened fondly to the song he prompted, time for me to cut in on this dance.

Starter for ten, Daisy has an angelic voice of vast range. It could conjure enough emotion to make you tearful over a Chas n Dave cover, if she were to attempt it, which she probably wouldn’t, purely hypothetical!

Orchestral, at times, but dark, folk in another, if unconventional, there’s a thin line between heavenly and infernal here, as a sense of generation X sneaks in too, through conceivably progressive writing. Coupled with poignant narrative in these nine original good luck songs, a waiver away from archetype instruments and riffs of country and folk, and bold genre experimentations and crossovers, makes her third studio album, 2020’s Good Luck Songs something of a masterpiece.

It opens lone on piano, this divine voice, almost liturgical, but layers are building, a trusty cello will become a trademark throughout the album. The title track preps you for something unique, something obviously wonderful.

Into the second tune, Home Fires, and the tender euphoria continues through piano and cello combination, whisking you on its journey, of nostalgic recollections annotating seasonal change, the wordplay is sublime. Neatly layered into the existing recipe, a gothic folk element slips neatly into play by the third tune. Daisy’s voice willingly commands you, captivating you, like a child mesmerised with a campfire fable.

Then there’s Generation Next, a strictly country feel with a delicate fiddle, and brass, accompanying a tongue-in-cheek division, a tale which, despite the Americana sound, nods to gigging on a local circuit, from well-versed experts to the concept their advice is to be ignored by the younger upcoming performers. It is, quite simply, fascinatingly ingenious.

I used to own an Empire is another compellingly written emotional piece; on bonding to face a greater cause, articulated by a crusader boldness against aggrandizement. Through historic references it compares devastating impacts of political cuts, The Beeching Report, Miner’s Strike and even Custer and the Gettysburg Address to the ignorance of Icarus, as the wax of his wings melted from flying too close to the sun. An archetypal subject of leftism maybe, but you’ve never heard such expressed with such academic prose and orientation.

Daisy, Daisy, give me your answer, do! The subjects of Good Luck Songs are concentrated, factual and tangible, emotionally expressed and divinely produced to an exceptionally high standard. But diversity makes it tricky to pin down, there’s a moment, in the haunting ambient opening of The Decalogue, which sounds so soulful, held steady with military style drum riff, yet the following song There’s a Storm Coming has a drum loop and high-hat, akin to a contemporary RnB song, or the country-pop of Shania Twain. Feels like succumbing to commercialisation, but in this, there’s a point; Daisy’s voice is so lithe, it could flex into any given genre or style, and finish on top.

Said versatility was first noticed by UK prog-rock band Crippled Black Phoenix, and since 2009, on and off Daisy has travelled as pianist/BV with the band on tours covering every corner of Europe as well as a short trip to China. Daisy was also chosen as vocalist on their cover of AC-DC’s “Let Me Put My Love Into You.” With a penchant for prog-rock, Daisy shares lead vocals with ex CBP singer, Daniel Anghede in the group Venus Principle.

And anyway, Good Luck Songs finishes with a sublime cover of Tom Waits’ Tom Traubert’s Blues, to confirm Daisy’s dedication to acoustic rock, but as expectable, it strips out the croaking vocals of Waits and replaces it with the pure silk that is Daisy Chapman. Believe me, if you’re captivated by strong female vocals, the kind that could bring a church down, but want for intelligent lyrics, this album will hold you spellbound from start to finish.

Girls Go Ska; Frente al Mar!

Rude girls grito! Far from home perhaps, but so, so worth mentioning for tropical vibes of rock steady and ska in a fashion proportionately you’ll find hard to come by around these parts, it’s my beloved all-girl-bar-one Mexican ska band, Girls Go Ska with a bran-new album Frente al Mar. Girls and ska, what’s not to like?!

From the off, the title track simply melts, mellowly, and builds in tempo, but is never overdramatic; “cool” is the operative word; fresco! If I’ve put them on a pedestal before, they’ve now put another couple of pedestals atop it. Often steady paced for the genre, it proves ska, while upbeat doesn’t have to be full of macho-bravura skinheads, or a frenzied rancour attack against dogmatic tyranny it’s often misperceived here through the eighties’ second-generation Two-Tone scene, and within the dominate contemporary ska-punk internationally. I’ve made this point in the past when penning a more general piece about ska and reggae in South America, in which Girls Go Ska were featured.

Frente al Mar is breezy, bright and fun, light-hearted and beguiling. It roots the genre to its original Jamaican ethos, as a carefree dance music. Though, there’s a large chunk of assumption with those observations, as my Spanish isn’t up to scratch, so my presumption rests on the design, the album name, which translates to the seaside, basically, and mood of the vocals; if they’re singing about anything other than romantic themes and enjoying oneself dancing on a tropical beach, like making political statement, it certainly doesn’t sound that way! You just have to enjoy the professionality and untroubled vibe this album breezes in your direction, it’s gorgeous, and it absolutely skanks!

Packaged femininely in loud pink and decorated with cute shōjo manga, rather than our typecast black and white chequered trade identity with Walt Jabsco splashed all over, Frente al Mar provides an alternative to norm, but is no way attributes the “fairer sex,” rather riot grrrl kick-ass in tenet, gender-neutral in sound. Not that punk comes into play; throughout it’s steadfast traditional ska sound, one should credit Studio One rather than Two-Tone, or even Reel Big Fish for, there’s also sprinklings of Latino sound traditional to Mexico, of ranchera, norteño and their contemporary offshoots, but are subtle and likely naturally occurring.

Imagine, if your English mind will adapt, Gloria Estefan performing ska, and you’re nearer to the mark than The Specials. But no, eight sublimely flowing tunes is what you get, a sun-kissed blessing on the ear, in the style of brass-based rock steady and good ol’ ska. While pukka boys, Death of Guitar Pop are currently returning the welcomed Nutty-Boys-esque frivolous and fairground ska home for lads, further afield, here comes the girls.

Meanwhile here in my hometown of Devizes, the newly opened rum bar, The Muck & Dundar has been a roaring success, proving a taste of the tropical is welcomed, ergo, taken out of its context and origins, Frente al Mar would make the perfect soundtrack to it. Me? I’m smitten, with a little crush!

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Longcoats Get Dancing

Opps, near-on delayed a month due to the amount of work involved with promoting our Julia’s House album, other stuff going on, and generally slacking off in my garden with my belly hanging over my khaki shorts, I’ve a backlist of music to tell you about, hopefully, before you visualise me slacking off in the garden with my belly hanging over my khaki shorts.

To begin, Bath’s indie-pop favs, Longcoats have an official new bassist, Will Vickery. The band claim he was “a stray man we found on the street and august-rush style he could just hear the music and play it.” Proof in the pudding, I’ll double-bet ya you’ll going to love their new belter, “Get Dancing,” which is, incidentally just what we all need right now.

Probably why it’s blossoming attention and airtime from the likes of BBC Bristol, Target, Soho Radio, Sheppey FM, New York’s New Visions Radio Network, and even Australia’s Valley FM, and seeing them bookings at Moles, Brighton’s Pipeline, and supporting The Rift at Swindon’s Rolleston.

Just as Pretty in Pink did, which incidentally Longcoats kindly donated to our aforementioned and plugged charity fundraising compilation, (which I’m not going to shut up about until you buy it) Get Dancing is symbolic of the band’s ability to compose such a beguiling and catchy riff it feels like it’s always been in your life after just one listen.

It’s lively, carefree, resides bopping over hopeless romantically conversing, as it says on the tin, encouraging to dance in both sound and theme. And with that, I should take heed, stop writing how great it is and just add the Spotify link so you can hear it for yourself and I can revert back to the building mountain of new music I’ve yet to explore. But rest assured, this one is a keeper, and perhaps true to the word; I should get dancing if I’m ever going to work off this belly hanging over my khaki shorts!

Tracks 4Julia’s House Album; The Final Countdown

Long overdue is the last third of our detailed track-listing for the compilation album, Various Artists 4Julia’s House, like most things on Devizine at the moment. What? I’ve been busy sorting out my wardrobe, throwing out the unfashionable items.

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Read about the first tracks

Read the second part

34. Mr Tea & The Minions – Mutiny

I have to say, I was over the moon when Bristol’s premiere ska-folk band Mr Tea & The Minions allowed us to use the title track from their 2019 album Mutiny. We fondly reviewed the album back then, haven’t quite gotten over it yet, and continue to insist I spin tracks on my Boot Boy Radio show, Ska-ing West Country. As while I might assume it wouldn’t go down so well with the largely older Two-Tone audience, when I do “folk shit up” there’s never a complaint.

It’s the infectious blend of the irresistibly danceable Balkan ska style, dub, and upbeat folk which does it, resistance is futile, you will bop till you drop, and Mr Tea & The Minions are truly top of this game. United by a love of tea, energetic dancing, cheeky riffs, silly hats, and cake, Mr Tea and the Minions have been unleashing their colourful explosion of musical mayhem on unsuspecting audiences since 2013.

Festival favourites with almost 100 festival appearances including Glastonbury, Boomtown, WOMAD, Secret Garden Party, Shambala, Belladrum, Wilderness, Nozstock, and Goulash Disko, to name just a few. The Independent had this to say; “The Minions seamlessly weave Balkan Beats with ska, dub and swing to create a bouncing set. It’s impossible not to get involved.”

35. Cosmic Shuffling – Night in Palermo

If we’re bordering ska, which you know is the first love in my eclectic tastes, we’re in deep now. While most of our tunes are locally based, I looked further afield for this. Switzerland has a wonderful ska and reggae scene, and Fruits Records produce the classic and traditional sounds with the rare skill level of Studio One. So much so, reggae legends are queuing to record with them, and the likes of the Silvertones and Cornell Campbell have.

Two in-house bands, the 18^th Parallel, and Cosmic Shuffling, this track is taken from the latter’s 2020 album Magic Rocket Ship.

They’ve been sending me press releases and tunes to play on Boot Boy, more than worthy breaking the local norms of Devizine to review tenderly. It was only in chatting to studio boss Mathias Liengme about the project, they were keen to donate a tune and allowed me to pick any off of Magic Rocket Ship; I chose this one, it’s wonderful, but not alone on the album, could’ve picked any one of them to be honest; just delighted to introduce you to them.

36. Blondie & Ska – Boom Boom Bang Bang

Returning to local affairs, while ska and reggae are somethings of a rarity around these parts, Chippenham duo, Blondie & Ska have really challenged my pigeonholing of what a tribute act is and does. Not only are the live performances they travel the lengths and breadths of the country to show a unique tenet of a Blondie tribute blended with covers of all those eighties Two-Tone classics, but they occasionally write and record their own compositions. And when they do, they sound like they could be a particularly ska’d up Blondie album track, what’s not to like?!

I spoke to one half, Dave Lewis about all this, back in May. I’m so glad they agreed to donate a tune, but much more than this, Boom Boom Bang Bang is mint, which has been exclusively created for the album. Now, that’s dedication to our cause, for which I’m eternally grateful to Dave and Lorraine for. Plus, it’s a rock steady banger!

The duo have been live streaming through the lockdown, an entertaining show

37. The Birth of Bonoyster – The Way I Like To Be

To be the finale of our ska section of the album, it’s an all-out indie-ska-punk ride now, from London’s The Birth of Bonoyster. As if Jarvis Cocker fronted The Divine Comedy, there’s breakouts of Britpop, but warmed by being wrapped firmly in geeky-fashioned ska-punker tin foil.

Made friends with the frontman, Stew Simpson, rhythm guitarist and artist, when I complimented his sketch of Dave and Deborah of Devizes’ Southgate Inn, some time ago, and that’s a tenacious link to locality enough to present this amazingly addictive, if not slightly sweary, track, The Way I Like To Be. Aided by bassist Paul Stromdale, Paul Langford on lead guitar, and drummer Stu Soulsby, this nugget is from the album OYSTER, recorded in 2006 but never released until 2020.

38. The Two Man Travelling Medicine Show – Ghosts

With one of those band names which sticks in your mind, THE TWO MAN TRAVELLING MEDICINE SHOW. I’d heard of Dorset’s seven-piece folk bohemians somewhere or other, before they kindly sent this gorgeous track. Formed in 2016, they’re storming the alternative-Celtic-punk-folk scene with their unique, and eccentric sound. Often dark, sporadically upbeat, there’s a flair of lyricism that’s hard to ignore, and a deep sound of country-core; Ghosts proves this, but the band are prolifically releasing EPs, like They Say I Don’t Write Love Songs, Oh Me Oh Mi, A Snake’s Snake, and Weeding out the Wicked, you need to take a listen to, Soundcloud being their favoured platform.

39. Julie Meikle and Mel Reeves – This Time

If the previous tune from The Two Man Travelling Medicine Show cools the tempo, this one melts it. Like it too, it was sent surprisingly, I was completely unaware of Julie and Mel, and left astounded. Such a lovely, sentimental song about getting a second chance. It was written by Mel Reeves and Julie Meikle, a Taunton partnership reconnected from being old friends in 2019, and, together, they write and record their own distinctive material for which Julie creates much loved videos.

Julie Meikle has been a music teacher for primary children for over 30 years. She has sung with the Devon-based rock band Littermouth, and the pop band The Random Frogs. Julie has led many community choirs and orchestras, plays clarinet with the street band The Big Noise and a variety of folk groups.

Mel Reeves has been involved in music since leaving school. Whether it has been teaching guitar, playing in The Threepenny Opera (flamenco version!) or writing film scores for the I.L.E.A – his life has revolved around music making.

He founded the legendary Guitar Studio in Reading with Pete Lincoln (Sweet, Cliff Richard. Sailor, etc.) and Trevor Grant (Gary Numan’s Tubeway Army) where he wrote more than 24 tuition book/cassette packages for rock, jazz and blues guitarists. He went on to write and present more than 20 DVD programmes (Play Now Series) teaching, acoustic guitar, heavy metal, jazz and blues plus keyboard and bass programmes.

A move to Somerset saw Mel resume his teaching work, he also recorded/produced Noel (Windmills of Your Mind) Harrison’s final album and went on to accompany Noel for live performances of Noel’s touring show. Mel also plays in The Deane Big Band, Deftone 17, Big Noise Street Band and a jazz trio with multi-instrumentalist Timothy Milton Hill and bassist Jules Bushell.

40. Meru Michael – Mother Nature’s Boy

Another unbeknown to me before this project, Somerset’s singer/songwriter/sound healer Meru Michael. Meru has spent a number of years in the music business, as an independent label owner, recording studio and artist manager, and is currently co-managing Octopus Studios in Bruton. However, he has always been a player and songwriter and is currently devoted to releasing his own material. Meru currently resides in Somerset in the UK but has travelled widely and spent his formative years in the USA and Canada.

Mother’s Nature Boy is soulfully produced, with an irresistible cool vibe, picking our album up for what’s to come. It’s the title track from his 2020 4-track EP.

41. Cutsmith – Osorio

With his roots in the Canary Islands, Cutsmith now resides in Pewsey, and performs acoustically but largely inspired by urban sounds, hip hop and drum n bass, which he fuses with this “melodic folk and soul from the fields.” Vocalising for Devizes-based drum n bass label, SubRat Records, which he co-founded with Re:Tone, we reviewed the euphoric drum n bass tune Falling back in May last year. This track though, Osorio, sits better defined as hip hop, and is a wonderful praise of his homeland, which Cutsmith skilfully weaves back into love for living here now.

42. The Tremor Tones – Don’t Darken my Door

Cutsmith is the man to wind it nicely into the crucial reggae section of the album. If you know me well enough, you’ll know it couldn’t be complete without some reggae! Yet, locally reggae is harder to come by. I reverted back to a couple of years ago, when Bath-based The Tremor Tones sent me this splendidly gloomy-paced nugget of melancholy back when I started my show on Boot Boy Radio, and I knew I had to have it feature on the album.

But a despatched message to Adam of the band returned with the unfortunate note, The Tremor Tones ceased-to-be before the pandemic. The original drummer on the record passed away and nothing was officially released through a label after covid. Fortunately, suggested, being it was shame not to have promoted the tunes as much as they would’ve liked, it may as well be used for something positive and uplifting. And thus, for part-prosperity, part because it’s a great song, here is Don’t Darken my Door.

43. Big Ship Alliance, Feat Johnny2Bad, Robbie Levi & Stones – All in this Thing Together

So yes, with the absence of much reggae locally, and Erin Bardwell already topper most on our track-listing, I used connections made via Boot Boy Radio to source some tunes. When I first heard All in this Thing Together, I’d come up with idea of having a “song of day” article, something I could quickly post from my phone, without the need to type a lengthy review. I wasn’t expecting the idea to have much clout, at first, but when I realised artists on international levels would share the post, as Big Ship Alliance did, it gave Devizine wider attention.

Newly-formed just a year ago, this Birmingham-based seven-piece reggae collective, Big Ship Alliance started out as possibly the only tribute act to reggae legend Freddie McGregor, but on track to record their own material they’ve teamed up with the outstanding UB40 tribute act, Johnny2Bad for this gorgeous topical debut single, an anthem for lockdown. I’m glad they so kindly donated here, so the notion of unity, bought about by the pandemic, has universal meaning.

44. Urban Lions – We Say I

Of course, while I’m searching far and wide for reggae, there was some under my nose all the time. Urban Lions roar from Pewsey. I messaged them when planning this, we waffled on a variety of subjects, where Rupert Bear for some random reason was where it ended, when it should have been what we were doing about the track! Such is the relationship between them and Devizine, we’ve been reviewing their tracks since day dot.

In the midst of contacting so many artists at one time, I had clean forgotten where we left the decision, so this track was fashionably late for inclusion on the album; I’m so glad it made it.

Urban Lions are the live band from underground homegrown label Lionheart Records, creating and producing contemporary reggae steppa styles, dub and dancehall, and meshing them into a lively show which sees them step onto the world stage.

45. Neonian – Bubblejet

If I’m honest, I wanted more “dance” music, to give the album an unforgettable culmination, but the diversity and blend of styles Trowbridge’s Neonian can lattice into one song is so incredible, I’m content with the two tunes we did get. At times trance-techno, at time chemical beats, Bubblejet is the explosive finale I was hoping for, and it’s another exclusive track produced especially for the album.

Ian Sawyer is the man behind Neonian, his EP Vaxxor we glowingly, with neon, reviewed in March. The brilliance of Neonian’s sound is such it’s conversant to modernism but reflects all which has gone prior in electronic dance music. Ian describes it vaguely but aptly, “I make music, for myself. I can’t really describe it, but it’s mainly made with synthesisers, loops and samples. Influences include New Order, Boards Of Canada, Coil, Pye Corner Audio, Factory Floor.”

46. First Born Losers – Ground Loop

If Neonian cites the post-punk dawn of electronica, groups like New Order as an influence, even more so with this track from Devizes-based producer Robert Pennells, and “outcasts from a number of experimental bands,” aka First-Born Losers.

It’s meaty synth, dark experimental bass music with distorted melodies, effected drums, mangled samples and guitars, akin to the properties of dubstep or chemical beats but as moody as gothic of yore, yet, I don’t know, trying hard to put my finger on it.

I think if Art of Nosie or Yello were still around, they might sound a little some like this. It grinds our album to a memorable halt. They’ve just released a newer single of similar content, Dead Chicken Society, and we await the forthcoming album via “Miasma Records”.

And that’s all folks. It’s been a pleasure and experience compiling this album, and I know there were many others who wanted to contribute but didn’t send a track in time. There’s no point in taking what I’ve learned along this journey without putting it to good use, so a more streamlined process will be used to create a second volume. The concept is, if you have a song you’d like to contribute, please send it whenever and I will gradually build up the list and release it when we’ve enough tracks. Undecided, but I might yet raise for a different charity next time.

I’m thinking the brilliant Devizes & District Opportunity Centre, a preschool for children with learning disabilities. I originally approached them about the project, but they took some time to reply, so I promised it to Julia’s House. As with all the artists who didn’t send me a tune quick enough, unfortunately I was keen to push ahead with haste on this project, as once lockdown restrictions opened up once again, artists and bands would be busy concentrating on gigs and festivals, etc.

And I wish them all the best, so kind under the pressure of the times, they freely donated a tune, and it makes for a diverse compilation, showcasing so many you may not have heard of before. In a year of no festivals, this album, I wanted to do what the festival does, introduce you to some new acts, so please give these guys your support, buy their albums and catch them at live gigs. Of which on the latter, if you do, be sure to tell them where you heard of them before.

Lastly, thanks to you, in considering purchasing this album, it’s a bargain, and for such a good cause; I hope you enjoy the ride!

Buy the album here

Was a TwoManTing at the Southgate

Managed to make it somewhere between out and Micky Flanagan’s out-out last night. In other words, I didn’t change out of my manky khaki shorts I’d been gardening in, but still got a pint or so down “the Gate.” I’ve been aching to witness the duo, TwoManTing for myself, Captain Obvious; yes, TwoManTing is a duo, you can’t make it up.

Appearing at the Devizes trusty Southgate a few times previously, it’s been something I’ve been meaning to catch-up with, being their appellation sounds all rather reggae, my favourite cup of tea. My residual curiosity though, how can a duo make reggae, something you surely need a gang for; a bassist, a drummer, brass section et all?

Answer revealed, the “ting” part might be misconceiving to our preconceived notion the phonologic is Jamaican patois. The Bristol-based duo consists of English guitarist Jon Lewis, who has a clear penchant for Two-Tone and punk inclinations of yore, and Jah-man Aggrey, a Sierra Leonean percussionist. They met playing together as part of dance band, Le Cod Afrique, at venues such as Montreux Jazz Festival and WOMAD, formed the duo in 2004, and make for an interesting and highly entertaining two-man show.

Something of a surprise then, and a rarity around these backwaters, to hear maringa, demonstrative folk of Sierra Leone, perhaps catered more to our tastes via Jon, but essentially the same ballpark, acoustic guitar and percussion. Somewhere between calypso but with the Latino twinge of rhumba, best pigeonholed, their sound is motivating and beguiling, and achieved with originality. In fact, to my surprise most of their compositions were their own creations, save the sublimely executed known cover of The Clash’s Guns of Brixton, Jon’s clear punk inspiration showing forth.

They told there’s a Clash cover on each album, of which they’ve produced three. Story checks out; Armagideon Time on their first album Legacy, which I could quibble is actually a Coxsone’s Studio One cover by the Clash, aforementioned Guns of Brixton on 2015’s Say What? and something of a rarity from Combat Rock, the poet Allen Ginsberg’s duet with Strummer, Ghetto Defendant, which can be found on their most up-to-date album, 2019’s Rhymes With Orange.

But this punk influence is sure subtle, the mainstay of their enticing sound is the acoustic maringa, palm wine music traditional throughout West Africa, at least for the start of the show. The most poignant moment for me was Jah-man attributing his homeland’s natural glory, rather than that which people tend to ask him about, the civil conflicts and war, in a chorus which went, “why not ask me about….”

Jah-man and George hanging out after the gig

As the performance progressed the fashion modernised, live loops upped the tempo, and it became highly danceable afro-pop, in the style of soukous, more spouge than cariso in delivery; how apt for the current heatwave! At times lost in the music, it was easy to throw-off the notion the wonderful sound was reverberating from just two guys, rather than an eight-piece band, reason enough for BBC 6Music’s Lauren Laverne to say of TwoManTing, “brilliant – if you want a bit of early summer, then get this into your ear-holes!”

Today they can be caught at Salisbury’s Winchester Gate, but appreciation again to The Southgate for supplying Devizes with something diverse and entertaining. Next Saturday at “the Gate,” Rockport Blues appear, for a night of blues, rock and soul classics, starting at 7:30pm.

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Spend August Bank Holiday at Manton-Fest!

Got your ticket for Manton-Fest yet? Well, hurry up, I need you to give me a lift!

“Tickets for this summer’s Manton-Fest are up for grabs, a one-day festival I’ve heard only good things about;” that’s what I said in a preview last January, oblivious to what was about to be thrown up in our faces. At least all my typing did not go to waste with this one preview, as Manton-Fest is back for 2021 and set to go ahead on the Saturday of the August Bank Holiday, the 21^st.

Here comes a clip-show then, part-copy and paste, as some of the faithful acts booked for last year are intending to come to this one. As I’ve said before, write off 2020, pretend it didn’t happen, and look forward to this summer. Nesting in the water meadow of Manton Grange, below Treacle Brolly, Manton-Fest is surely one to put in your diary.

The tickets are online only: £30 for adults, £10 for teenagers 12 to 15 years and £5 for 7 to 11 years. But hurry, as there’s a pre-crowd; tickets bought in 2020 are valid for 2021 and ticket numbers will be restricted to allow social distancing.

The headliner is Edinburgh’s Blondie tribute, Dirty Harry. While there’s Blondie tributes aplenty, the band say, “the essence of Dirty Harry is to put on a show Blondie would give the nod to and in true punk style.” Call me, I’m convinced, and slightly hot under the collar. I’m lucky enough to have seen the real McCoy, so expect me to be critical!

The legendary hard-driving rock n roll- blues virtuosos, Dr Feelgood are also booked. A band which never left the road, from forming in 1971 to lead vocalist, Lee Brilleaux’s untimely passing in 1994, they’re still strong.

The Ex-Men are next on the hierarchy, as the name suggests, it’s an amalgamation group made up of Alan Sagar ex-Big Country, Graham Pollock ex-The Hollies, Peter Barton ex-The Animals, Phil Bates ex-ELO and Geoff Hammond ex-Denny Laine; you get the idea. A stimulating sounding assembly, with a wealth of experience between them it couldn’t possibly go wrong.

Vintage blues with a hard-edge groove is the ethos of Barrelhouse, a band who delivered such a mind-blowingly addictive riff on our (plug) 4Julia’s House album, and one I’m very much looking forward to. Another unticked on my must-see tick-list is the excellent Richard Davies and The Dissidents. Since glowingly reviewing their album Human Traffic, they’ve also kindly contributed a track to our Julia’s House album, an outtake from the album.

Lancashire singer-songwriter Joe Martin returns after being a hit in previous years. Josie & The Outlaw are “MantonFest veterans,” a 4-piece Americana multi-genre band, blending rock n roll and rhythm & blues into country. Marlborough based beat-combo Catfish are a returning favourite, and Skedaddle are Manton’s very own six-piece semi-acoustic band.

All of this, and perhaps more, will be compered by Marie Lennon for BBC Radio Wiltshire. This festival has a long history, with Katrina & The Waves, Toyah, The Troggs and Led Zeppelin tribute Whole Lotta Led on the billings, so they know what they’re doing; me, I’m looking forward to finally breaking my MantonFest cherry; is there time to buy a festival-jester’s hat?!

tickets and info here

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Fun Things to Do in Wiltshire During the School Summer Holidays; 2021

Oh yes, it’s coming, you can feel it in the air; or is that more rain? Take a deep breath, because here’s our lowdown on stuff to keep your darling princesses and special little guys busy during the summer break, across our area, to retain some of your sanity and keep you from maxin’ your Wine Warehouse loyalty card.

Ongoing and regularly updated, bookmark this, mums and dads, and check back from time as more stuff will hopefully be added. Please note Devizine cannot accept responsibility for the safety of links outside of this site, the cancelation or failure of organisers to maintain events listed. Thanks, enjoy your summer holidays, and stay safe!

Submissions: use the contact form at the bottom to tell us about your event, and I will add it onto our list!

JULY

From Saturday July 10^th: Wild World Heroes Summer Reading Challenge @ Devizes Library

Join the Wild World Heroes Summer Reading Challenge for four- to 11-year-olds from Sat 10 July. The fun free challenge helps children improve their reading skills whilst having fun, it’s also great for good mental health. Children are challenged is to read six library books over the summer (including eBooks), so come into the library from this Saturday and pick up your bag of materials (including a map of Wilderville and stickers) while stocks last! Medals and certificates for children who complete the challenge will be available for collection after Monday 2 August.

Tuesday 13^th – Saturday 17^th: Collected Grimm Tales @ Wharf Theatre Devizes

Running from Tuesday 13^th until Saturday 17th July, The Wharf Theatre in Devizes presents Collected Grimm Tales, by the Brothers Grimm, directed by Debby Wilkinson.

Familiar and less known stories from the Brothers Grimm are brought to the stage in this acclaimed adaptation. Using a physical and non-natural style of performance, these are stories that will journey into the warped world of imagination. We will see Hansel and Gretel, Ashputtel, Rumpelstiltskin and others, all performed by a small, adult cast on a simple set. The audience will be required to use their imagination and fully embrace the living power of theatre. Suitable for adults and children alike!

Wednesday July 14th: Starcrazy – Open-Air Theatre back again at Ogbourne Maizey

WRITTEN & DIRECTED BY BILL SCOTT, WITH ORIGINAL MUSIC BY TOM ADAMS

October 1957: the world lives in fear of nuclear war, Russia has launched Sputnik 1, UFOs are cropping up everywhere, MI5 is on high alert and Stanley is building something in his garden shed.

He may live in suburbia but, in his mind, Stanley is voyaging through outer space. He hopes to make contact with other life forms. His neighbour, Gwen, thinks he should be exploring the unknown much closer to home…

A cosmic comedy about obsession and the rekindling of love, hope and possibility

Estimated running time: 1hr 10 mins, no interval

Everyone welcome, but as a guide we recommend the show for age 7+

Saturday July 17^th – Saturday July 24^th: Charlie & Stan @ Theatre Royal Bath

Show your kids the brilliance of the silent movie comedy greats at Bath’s Theatre Royal.

In 1910, the then unknown Charlie Chaplin and Stan Laurel set sail from Liverpool to New York as part of Fred Karno’s famous music hall troupe. On the voyage, they shared a cabin, they shared comedy routines and they shared laughter. Inspired by real life events, Told by an Idiot’s acclaimed production is the remarkable story of the greatest double act that nearly was and is a hilarious and deeply moving homage to two men who changed the world of comedy forever. Tickets from £23. Children best seats £22.50 at all performances.

Friday July 16^th: Under 5’s Coffee and Craft Morning @ Wiltshire Scrapstore

Bowden Hill, Lacock. https://www.wiltshirescrapstore.org.uk/

Friday July 16^th: King Arthur at Manor Farm, Upton Cheyney

Local theatrical tour of a fun and farcical family adventure by The Last Baguette. Suitable for ages 5+

Somewhere in England, a long time ago, a very, very, very long time ago. So long ago that nobody quite knows whether it happened or not. Or where it happened or not. A boy pulled a sword from a stone and became King. A story of the old world, with knights, wizards, mist and magic. This fun and farcical adventure is deliberately anarchic and anachronistic re-telling of the Arthurian Legend with live music, physical comedy and lo-fi acrobatics. And some silly jokes…

This is an outdoor production, please bring your own chairs, blankets. The field at Manor Farm will be open from 6pm for picnics, prior to the 7pm performance. The tour continues, courtesy of Pound Arts, see below for other venue dates.

Saturday July 17^th: Food Glorious Food Photography Day: Cricketts Lane & Lords Mead Allotments, Chippenham.

Join the Photo Club and Chippenham Museum at a local Chippenham allotment to learn how to capture portraits of fresh produce. These free sessions take place on Saturday 17 July at the following times: Time: 10am – 12pm Ages: 9-14years. Location: Cricketts Lane. Time: 12:30-2:30pm Ages: 15-18 years. Location: Cricketts Lane.

These free sessions are part of a celebration of locally grown and seasonal produce by The Food School have been made possible through funding from Chippenham Borough Lands Charity.

Saturday 17^th and Sunday 18^th July: the Southern Counties Organ Festival on The Large Green Devizes.

Sunday July 18^th: King Arthur at Kington Langley Recreation Ground.

See above (Friday July 16^th)

Monday July 19th: The Farm Cookery School

Kids who can cook, well, I say, have to be the best kind of kids ever! The Farm Cookery School at Netherstreet Farm near Bromham has a great summer programme, in a kitchen divided into 6 Covid-Safe Acrylic ‘Cookery Pods’. Each pod is suitable for 2 children to share.

Starting Monday 19th July with a Cookery Camp, for children aged 11+ where the young chefs get to come along for 2 days (8.30am – 4.00pm) to learn all about food; make breakfast, lunch & snacks to eat at the school, then make tea and desserts which they will take home with them. The camp includes 2 days of tuition, ingredients, recipes & meals.

I’ll list the events here, simply with a brief title, as there’s so many good ones!

Monday July 19th – September 12th: Under the Moon @ Longleat

Discover the wonderful creatures of the dark who have inhabited The Longhouse under the light of the Moon. Then explore Longleat’s nocturnal wildlife with dramatically enlarged straw sculptures in the open air.

Experience the astounding astronomical work of art by UK artist, Luke Jerram, titled the Museum of the Moon, as you wander up close to the orbital illuminator of the night. This 6 metre suspended replica of our Moon was created using detailed NASA imagery with each centimetre of the internally lit spherical sculpture representing 6km of the moon’s surface!

Then observe the fascinating flora and fauna of the dark such as bioluminescent algae, blind cave fish, and the slender loris. Discover the mysterious creatures of dark with illuminating insights on their adaptations like why the blind cavefish have no eyes and emperor scorpions glow a bluish-green under UV light.

Step outside of The Longhouse and the wildlife exploration continues with a focus on the native animals active around the Park at night. Discover more about the barn owl, fox, mole, snail and others as we celebrate our nocturnal wildlife with huge straw sculptures.

Join us for a summer of exploration of new and native animals

Need to know

This exhibition is designed to be a sensory, calm experience, utilising the wide space of The Longhouse.
The Longhouse is fully accessible.
The number of guests in the Longhouse will be monitored and managed throughout the day to maintain safe social distancing and guest comfort.

Tues 20th

Wednesday July 21st: +8 Holiday Club @ The Farm Cookery School

Thurs 22nd

Friday July 23^rd: King Arthur at Sherston Village Hall

See above (Friday July 16th)

Saturday July 24^th: Bromham Teddy Bear Trail

Bromham Carnival may’ve been cancelled but there will be a Teddy Bear Trail on Saturday 24^th and Sunday 25^th July. This year’s theme will be ’60 Years of Family Films’ with 40+ Teddies around the village, created and generously sponsored by local businesses and individuals. See how many you can guess – and enjoy a walk round the beautiful village of Bromham. Refreshments available. Entry forms £2.50 each available from the Social Centre in New Road.

Sun 25th

Monday July 26th: +5 Holiday Club @ The Farm Cookery School

Monday July 26^th: PH Camps begin

Tuesday July 27th: +8 Holiday Club @ The Farm Cookery School

Tuesday July 27^th: Devizes Tennis Club Holiday Camp

Anyone for tennis? Summer camps start on 27^th July at Devizes Tennis Club, ongoing sessions from 10am-3pm, every Tuesday, Wednesday and Thursday until 19^th August.

Wednesday July 28^th: Youth Theatre Summer Workshop @ the Wharf Theatre

I’ve given details of Devizes’ Wharf Theatre’s exciting ongoing Youth Theatre, which starts the full courses towards the end of September. But, in addition to the fuller workshops the Wharf are also offering two Summer Workshops this year. These will offer an opportunity to have fun and participate in various drama activities. Whilst they will give you a flavour of the work you could be exploring over the forthcoming terms these are stand-alone sessions and are open to all. The first is Senior Actors with Lou is on Wednesday July 28^th, for school years 10-13.

Wednesday July 28th: +11 Holiday Club @ The Farm Cookery School

Wednesday July 28^th: Summer Holiday Workshops @ Chippenham Museum: Make an Embroidery Sampler.

Ages 8 and above. 10.30am – 12.30pm Join Members of the Bath Textile Artist Group to make an embroidery sampler at Chippenham Museum. Once it was only girls who used to have fun with samplers but now anyone can have a go. Come and explore the history of samplers and start to stich your own. You will learn different stitches and can choose a range of motifs to produce your own design or sew a prepared piece. Whether you are a beginner or more experienced stitcher there will be something for you.

Wednesday July 28th: Bath Rugby Summer Camp coming to Devizes RFC

Bath Rugby coaches are back on the road again and coming to a rugby club near you! A full summer of coaching activity has been planned across Somerset, Wiltshire and Dorset ensuring that everybody has the chance to get involved. And what’s more, we have a session at Devizes RFC on Wednesday 28th July! The camp is designed for U7’s through to U16’s looking to hone their skills and is open to all abilities.

Thursday July 29th: Fireman Sam Saves the Circus @ Bath Forum

When all of his friends go away, Norman Price decides to find adventure in Pontypandy and become the star of a visiting circus. But with a tiger on the loose and faulty lights, the adventure soon turns to danger. Can Fireman Sam come to the rescue and save the circus?

Join Sam, Penny, Elvis, Station Officer Steele and Norman in an all singing, dancing, action-packed show. You can become a fire-fighter cadet and then watch the magic of the circus.

So, come along to Pontypandy and watch the adventures unfold!

This event is being sold as a socially distanced event at the present time, but should government guidelines allow, socially distanced seating may not be in place at the time of the event. Book Here

Thursday July 29th: The Cake Lady’s +8 Holiday Club @ The Farm Cookery School

Friday July 30^th: King Arthur at The Corsham Almshouse

See above (Friday July 16th)

Saturday 31^st July: MFor 2021 @ Lydiard Park

If you fancy taking your kids to a local family festival with acts they’ll enjoy, rather than being dragged along to, check out MFor 2021 at Swindon’s Lydiard Park. Craig David, TS5, Sigala, Raye, Ella Henderson, Gracey & more! Lots of entertainment is included in the Saturday ticket price and you are promised a fantastic music line-up. Under 5s go FREE.

The Great Poppy Party @ The Crown, Bishops Cannings

August

Sun 1st

Monday August 2nd: +5 Holiday Club @ The Farm Cookery School

Tuesday 3^rd – Thursday 5^th August: RW Football School Summer Football Camp @ Green Lane, Devizes Ages 6-11

Tuesday August 3rd: +8 Holiday Club @ The Farm Cookery School

Wednesday August 4^th: Youth Theatre Summer Workshop @ the Wharf Theatre

I’ve given details of Devizes’ Wharf Theatre’s exciting ongoing Youth Theatre, which starts the full courses towards the end of September. But, in addition to the fuller workshops the Wharf are also offering two Summer Workshops this year. These will offer an opportunity to have fun and participate in various drama activities. Whilst they will give you a flavour of the work you could be exploring over the forthcoming terms these are stand-alone sessions and are open to all. The first Junior Actors with Lucia workshop is on Wednesday August 4^th, for school years 6-9.

Wednesday August 4^th: Children’s Art Walk by Chippenham Museum

2pm – 3pm. £4 per child. Recommended age 6 and above, all children must be accompanied. Meet at the town bridge entrance to Monkton Park.

Take a walk through Monkton Park with a bit of a difference. For this fun arty session, you will receive a pack with pencils, crayons and plenty of paper and join local artist Kirsty Jones to explore the wonderful setting of the park.

Wednesday August 4th: +8 Holiday Club @ The Farm Cookery School

Thursday 5^thand 6^th August: Summer Kid’s Art Club @ Wiltshire Scrapstore, Bowden Hill, Lacock

Sessions from 10:30 am – 12:00 pm at Wiltshire Scrapstore, run every Thursday and Friday through August, starting on the 5^th. https://www.wiltshirescrapstore.org.uk/

Friday 6^th -Saturday 7^th: Miss Red @ Bath Forum

An interesting sounding new family musical written and produced by Mel Lawman is staged at Bath’s Forum early August. Devizes folk support this, because our homegrown talented twelve-year-old Jessica Self from Centre Stage Academy of Dance in Devizes and Stagecoach Trowbridge is in the cast, playing Daisy Blewitt. We wish you all the best, Jessica.

Sat 7th

Sun 8th

Monday August 9th: +8 Holiday Club @ The Farm Cookery School

Tuesday August 10th: +11 Holiday Club @ The Farm Cookery School

Wednesday 11^th August: Youth Theatre Summer Workshop @ the Wharf Theatre

I’ve given details of Devizes’ Wharf Theatre’s exciting ongoing Youth Theatre, which starts the full courses towards the end of September. But, in addition to the fuller workshops the Wharf are also offering two Summer Workshops this year. These will offer an opportunity to have fun and participate in various drama activities. Whilst they will give you a flavour of the work you could be exploring over the forthcoming terms these are stand-alone sessions and are open to all. The second workshop for Senior Actors with Lou, for school years 10-13 and Junior Actors with Lucia workshop, for school years 6-9.

Writing & Performance Workshop by Chippenham Museum

9.30am – 3.30pm. Ages 8 and above, please bring a packed lunch.

Come and join writer, facilitator and performer Ruth Hill for a day of writing and performing. In the morning you will write something inspired by the museum’s exhibition which focusses on local Victorian diarist Rev. Francis Kilvert. Using the exhibition for inspiration, you will write stories, poems and scripts. Ruth will help you create a piece of work you are proud of and in the afternoon, you will work together to direct, stage and perform your pieces of writing to a small audience of your family and friends. You can take part as a writer, performer, director or all three. Come and develop your skills, whether you love writing and performing, or just want to give it a go.

Thursday 12^th – Friday 13^th: Summer Kid’s Art Club @ Wiltshire Scrapstore, Bowden Hill, Lacock

Sessions from 10:30 am – 12:00 pm at Wiltshire Scrapstore, run every Thursday and Friday through August, starting on the 5th. https://www.wiltshirescrapstore.org.uk/

Thursday August 12th: The Cake Lady’s +8 Holiday Club @ The Farm Cookery School

Fri 13th

Saturday 14^th August: Charity Emergency Service Day @ Cobbs, Hungerford

A police car and van, fire responder car, and fire truck are visiting Cobbs. A free event hoping to raise some money and put a little love back into our emergency services, to say thank you for the incredible job that they do. There will be a raffle. Please note: If you would like breakfast or lunch in the cafe, book a table in advance: www.cobbsfarmshops.co.uk/book-a-table

Sun 15th

Monday August 16th: +11 Holiday Club @ The Farm Cookery School

Monday August 16th: RW Football School Melksham

Tuesday August 17th

Wednesday August 18th: +5 Holiday Club @ The Farm Cookery School

Thursday August 19th: +8 Holiday Club @ The Farm Cookery School

Friday August 20^th: The Grimm Sisters @ Corsham Almshouses (outdoor theatre)

Suitable for ages 6+. Pound Arts are excited to welcome Scratchworks Theatre Company’s joyful and mischievous brand-new show to Corsham, for an outdoor performance at Corsham Almshouses. Please bring along chairs, blankets, cushions, afternoon teas and picnics. The venue will be open one hour prior to the performance start time for audience to arrive, settle in and get comfortable.

Saturday August 21^st: Live at Lydiard 2021

Another one-day festival at Swindon’s Lydiard Park, with Anne‐Marie, Dizzee Rascal and Clean Bandit headlining. Information is vague on this one, but by the line-up it sounds family-friendly.

Sun 22nd

Monday August 23rd: +8 Holiday Club @ The Farm Cookery School

Tuesday 24^th – Thursday 26^thAugust: RW Football School Summer Football Camp @ Green Lane, Devizes Ages 6-11

Tuesday August 24th: 11+ Holiday Club @ The Farm Cookery School

Wednesday 25th August: Simple Scrapbooking at Chippenham Museum

10am / 11.30am / 1pm / 2.30pm. Ages 6+ (under 8s accompanied)

In this one-hour workshop create your own simple mini scrap book inspired by our latest exhibition. Use words, photos and your own drawings to explore this popular Victorian pastime.

Thursday 26^th – Friday 27^th: Summer Kid’s Art Club @ Wiltshire Scrapstore, Bowden Hill, Lacock

Sessions from 10:30 am – 12:00 pm at Wiltshire Scrapstore, run every Thursday and Friday through August, starting on the 5th. https://www.wiltshirescrapstore.org.uk/

Thursday 26^th August: Alex Danson Hockey Masterclass @ Devizes Hockey Club

Olympic Gold Medallist Alex Danson runs a hockey masterclass. Open to all hockey players aged 11-18 – you don’t have to be a member of DHC.

Fri 27th

Saturday 28^th: The Fulltone Festival 2021 @ The Green, Devizes

The highly anticipated FullTone Festival returns to Devizes Green.

WIND IN THE WILLOWS, 28 August, 6.30pm @ Pound Arts.

A theatrical outdoor re-telling of Kenneth Grahame’s classic, performed in The Pound arts centre car park. Calf 2 Cow wowed a sold out crowd here at the arts centre back in June with their outdoor theatrical extravaganza “The Wave”, and now they’re back! This time they’re retelling a classic children’s tale, known the world over, with a modern gig-theatre twist. https://mailchi.mp/poundarts/wind-in-the-willows-a-theatrical-outdoor-experience

Sunday August 29^th: Pop Princesses @ Wyvern Theatre, Swindon

A Magical show where beautiful Princesses become Pop Stars! This is the children’s pop concert with a big difference. A musical spectacular starring four fabulous Fairy tale Princesses who just love to sing! It’s the perfect mix. Featuring a soundtrack of top pop hits from artists such as Little Mix, Ariana Grande, Taylor Swift, Meghan Trainor, and internet sensation, JoJo Siwa, plus songs from all your favourite Films and Musicals.

Mon 30th

Tues 31^st

September:

Wed 1st

Thurs 2nd

Fri 3rd

Saturday 4^th September: Twilight Cinema in the Park @ Hillworth Park, Devizes

Ladies and gents, this is the moment you’ve been waiting for! Hillworth announce this year’s Twilight Cinema film is the Greatest Showman Sing-a-Long!! Pre-film music, pop-up bars, and food. Tickets.

Saturday 4^th September: Horrible Histories Live @ Bath Forum

We all want to meet people from history! The trouble is everyone is dead!

So it’s time to prepare for Horrible Histories live on stage with the acclaimed production of Gorgeous Georgians and Vile Victorians!

Are you ready to swing with a Georgian king? Can you see eye to eye with Admiral Nelson? Does the Duke the Wellington get the boot? Dare you dance the Tyburn jig? Will you be saved by Florence Nightingale? Find out what a baby farmer did and move to the groove with party Queen Victoria!

Don’t miss this horrible history of Britain with the nasty bits left in!

BOOK HERE.

Sun 5th

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A Detonation at the Southgate with Vince, Tamsin, Phil and Jamie

Could it be, I wonder this Sunday morning after a grand evening at our dependable Southgate, that being couped up and unable to play to a live audience for what feels like a decade, has planted fire in the bellies of musicians and a drive to return to the spotlight in an explosively intense and mind-blowing manner?

It certainly felt this way with the Boot Hill All Stars giving it their all, last weekend at Honey Street’s Barge, and again, last night where a “Plus Friends,” gig took place at the Gate, in the blaze of glory local folk have come to expect from the homegrown talented musicians involved.

As far from a band name as a desperate attempt to rehash a once-trendy US sitcom, Plus Friends is the banner for a looser formulation, I’m assuming, to temporarily disassociate the trio of Phil Cooper, Jamie R Hawkins and Tamsin Quin from their Lost Trades Americana branding and allow themselves the freedom to adlib and play in unison their separate songs as solo artists, generally rock out, and perhaps throw in a cover at will, as they did with a finale of Talking Heads’ Road to Nowhere. Though covers were scarce, the crowd know these guys only too well, and their original penned songs.

Plus, and, most importantly where the “plus” part falls neatly into place, to add a fourth member in par rather than “support,” that being the modest acoustic local legend, Vince Bell. Not forgoing this allowance also saw Jamie’s eldest son occasionally join them on percussion, adding to the overall “family” nature of the homecoming gig.

And that’s precisely how it felt for punters and performers alike, a true community recovering from isolation the best way they know how. “This is how it should be,” delighted photographer Nick Padmore told me at the end. Because while the Southgate’s dedication to bringing variety, and artists who might well be unbeknown to Devizes is most welcomed, nothing raises the roof quite like Vince belting out his satirical prose about his hometown and the crowds joyously joining in with the “and you ain’t ever leaving!” chorus.

It hallmarks everything great about this splendid occasion, and a true Devizes-fashioned return of live music with homegrown talent abound.

But it’s not just the brilliance of Vince, Tammy, Jamie and birthday-boy Phil, to perform with bells on, which made the evening, rather the friendly assembly of local live music aficionados too, with their meeting of the “same ol’ faces” not fully grouped since lockdown begun. And, in turn, the Southgate to accommodate them so welcomingly within current regulations.

There’s a streamlined table service, its dedicated staff have the efficiency of McDonald’s, and the genuine friendliness of Disneyland. Though such comparisons should end there, for The Southgate is far from the mechanism of commercialism, rather a rustic haven for those seeking a “real” West Country pub experience, and within it, creating a free music venue that performers are queuing to play.

It’s without doubt the sum of all these parts made it so many chose our Southgate over Gareth’s squad on the tele-box, a brief “footballs coming home” chant raised by Jamie being the only reference to the Euros necessary. No, we’re happy here, thank you. Content to hear the welcoming homely vocals of Tamsin Quin, the passionately executed sentimental writings of Jamie as he rings out solo classics such as his tribute to his dad, the rockier side to Phil Cooper as he selects a tune from his solo lockdown album, These Revelation Games and the beautifully arranged understated lyrics of Vince as they so eloquently weave a tapestry of narrative. And as my opening presumption noted, they delivered it with such Jack-in-the-box passion, what once would have been a pretty standard gig down the Gate was more akin to a Phoenix rising from the ashes. Oh yes, more of that, please!

And our wish is granted, as The Southgate’s gig calendar is building as if 2020 never happened; next Saturday, 10^th July sees Swindon’s premier ska covers band The Skandals, with ex-Skanxter Carl Humphries returning as frontman. Sunday is the turn of Essex’s finest Americana roots band, Jamie Williams & The Roots Collective.

One weekend after is all you need to wait until reggae duo Jon Lewis & Jah-man Aggrey, TwoManTing, on Saturday 17^th, Rockport Blues on 24^th, and Blind River Scare’s Tim Manning rocks up on the final Saturday of July. The dates are booked into August too, with Kevin Brown on the 7^th and the brilliant Strange Folk on the 9^th October, but you can bet your bottom dollar dates in-between these will crop up very soon, check the event guide as I attempt to keep ahead and update it without getting too frustrated with cancelations, or the Southgate’s Facebook page, where the spirit of live music lives on, as proved last night.

Update: check the board, not the Facebook!

All Images used with kind permission of Nick Padmore

Our compilation album is out now and raising money for Julia’s House Children’s Hospices; click to download your copy!

Got your ticket to MantonFest yet? Hurry up, I need a lift!

International Reggae Day; 10 Reggae Facts You May/May Not Know!

Ya mon, today, July 1^st marks International Reggae Day, so put pan sum a dat irie muzik an git skanking. To help celebrate here’s some interesting facts about Jamacia’s national sound you may/may not have heard before, depending how up pon da scene you is.

1: Bob Marley &The Wailers Were Fired as Support Act for Sly & The Family Stone

Debatably, Bob Marley & The Wailers were booted off the 1973 Sly & The Family Stone US tour for upstaging them. It was early days for the band internationally, and they had fire in their heart and motivation to succeed. Meanwhile, Sly and The Family Stone were at the top of their game, the peak of their career, and it was largely reported the funk misfits were too intoxicated to play well. The Wailers were fired after the first four or five shows with Sly and The Family Stone, leaving much dispute to the reason. Me, I can read between the lines and it’s blatantly obvious why!

2: One of the Most Influential Figures of Reggae, was a Nun

Aside the obvious Bob Marely, one of the single most influential figures in the history of reggae was Sister Mary Ignatius Davies. A Sister of Mercy, Mary Ignatius Davies was an inspirational music teacher at Kingston’s Alpha Boys School. Prominent in the advances of ska and reggae, her music tuition at this “school for wayward boys” influenced many of the pioneers of ska, including Coxsone Dodd’s Studio One legendary inhouse band, The Skatalites, many who would later make up the Wailers backing band for Bob Marley.

3: Desmond Dekker Was Turned Down by Major Recording Producers

One of the greatest figures of reggae has to be Desmond Dekker, famed for the 1969 Pyramid song, The Israelites with his backing band, The Aces. Indeed, Desmond was prominent throughout the ska and rock steady periods too, and it was Dekker who encouraged a young Bob Marley, workmate in a welding factory, to approach Jimmy Cliff, which sparked his success. But if Desmond Dekker is celebrated for his smooth vocals, we should note he failed his own auditions at both the most dominant Jamaican studios, Coxsone Dodd’s Studio One and Duke Reid’s Treasure Isle, in 1961. Resulting in working for the lesser Leslie Kong’s Beverley’s record label later that year.

4: Red, Red Wine Was Written and Originally Performed by Neil Diamond

Think any of any reggae single to be most asked at a standard family disco in the UK, and I’ll guarantee it will be UB40’s 1983 version of Red, Red Wine. A number 1 hit for UB40, it sparked a new path for them in recreating and covering older reggae tunes. But while the song had indeed been a boss reggae hit for Tony Tribe, reaching only 46 on the UK chart in 1969, it was in fact written and originally recorded by Neil Diamond in 1967, included on Diamond’s second studio album, Just for You; a fact that even UB40 was unaware of at the time of releasing the song!

5: The Ethos of Hip Hop Came from Reggae

Okay, I might get shot via a drive-by for this one, but it’s an often-obscured fact that the originator of hip hop, the Bronx’s DJ Kool Herc was a Jamaican immigrant to New York, who despite moving with his family at just twelve years old, he grew up around Kingston’s dance hall sound system parties and wanted to bring the ethos to New York. Indeed, he did, as the bloc-party can be easily compared with the Jamaican sound system parties of the fifties and sixties. The only difference was, New Yorkers favoured the currently trending funk music, like James Brown, and Herc was quick to pick up on what the people wanted and adapt to the genre. But still, the ethos is comparable to reggae far more than soul.

6: Aswad are the Backing Band on Bob Marley’s Jamming

There are many facts I could throw at you about Marley’s second stay in England during 1977, while for his protection he was encouraged to flee Jamacia after a shooting incident. Firstly, that Punky Reggae Party was inspired by Don Letts introducing him to the punk movement, especially the Clash, it wasn’t recorded until he returned to Jamaica, at Joe Gibbs studio. The B-side was recorded in London though, with Aswad as backing. And I bet you thought the pinnacle of their career wasn’t until 1988 when they scored a UK number one with “Don’t Turn Around?”

7: Naomi Campbell Appeared in Marely’s Is This Love Video

Another fact about Marley’s stay in England was the music video for 1978’s Is This Love, produced and shot at the Keskidee Arts Centre in London. It’s a wonderful film in which Bob parties with the children of the centre, but watch out for the little girl sleeping, who Marley covers up with a blanket; it’s supermodel Naomi Campbell, at only seven years old!

8: Johnny Rotten Flooded the UK Market with Reggae

Richard Branson too, for he created Virgin’s short-lived reggae subsidy in 1978, Front Line, by sending Johnny Lydon of the Sex Pistols to Jamacia to sign as many artists as he could in reaction of Chris Blackwell’s Island Records success with Bob Marley & The Wailers. Rotten came back with contracts from U-Roy, The Mighty Diamonds, Keith Hudson, Johnny Clarke, Peter Tosh, I Roy, Prince Far I, Big Youth, Prince Hammer, Tappa Zukie, Sly Dunbar, and The Twinkle Brothers, to name but a few.

9: Toots & The Maytals Narrowly Missed Being Bigger Than Bob Marley & The Wailers

At a time when reggae was seen as a “novelty” music outside of Jamacia, resident Chris Blackwell, owner of Island Records wanted to bring a reggae band to the international stage in a similar light to a rock band. For this he toyed between signing either The Maytals or The Wailers. Though he didn’t want to deal with the young, rude boys which were the Wailers, he figured he would take his chances, as Toots & The Maytals sung too gospel for a white audience to accept. Together with the notion Marely was mixed-raced, he signed The Wailers first and advanced them money to make their debut album, Catch a Fire. While he quickly signed the Maytals soon after, he concentrated his efforts mainly on Bob, dividing him from Pete Tosh and Bunny Wailer, and it was in competition with Toots which concerned Marley the most.

10: Mark Lamarr Stopped Shabba Ranks from Becoming Reggae’s Next International Reggae Superstar

By 1992 Dancehall was fast becoming acceptable on an international level, and the king was due to be Shabba Ranks. He had gained popularity partulcarly in the USA, where he secured a contract with Epic Records, and won a Grammy Award for Best Reggae Album. How a shadow was cast during his appearance on Channel 4’s The Word, when Mark Lamarr probed him for his opinion on Buju Banton’s controversial homophobic song Boom Bye Bye, which advocated the shooting of gays.

Live on TV, grasping a bible, Shabba called for the “crucifixion of homosexuals,” claiming it to be the “word of God.” Lamarr retorted, “That’s absolute crap and you know it!” Shabba may have been unaware just how grave his comments were, where in Jamacia such values are lesser thought of at the time, but it had serious consequences for him, and sent dancehall music back a decade in advancing to a popular international music. Immediately Ranks was dropped from a Bobby Brown concert, and despite making a formal apology, Sony released him from his contract three years later.

Blue Sky Festival Returns to Corsham’s Pound Arts

Blue Sky Festival returns to Corsham’s Pound Arts this July. The thriving arts centre will be filled with music, dance, film, family entertainment and workshops, plus outdoor theatre. There really is something for everyone, including Claymation model-making workshops with Aardman Animations, music from upcoming Americana soulstress Lady Nade, and the breath-taking folky ambiance of Emily Barker, and comedy from Lucy Porter, who you’ll know from Live At The Apollo, Would I Lie To You and QI.

Kicking off on the 5^thand continuing throughout until 11^th, there’s theatre for the very youngest, check out the The Bug Hotel and there’s even a Bug Making Workshop. Fly in/Drive in Cinemas, pre-school workshops where you will create your very own broomstick and hat before flying into the auditorium to watch a free, short family film, on 7^th and 8^th July.

Absurdist-fiction author and New York Times Bestseller Jasper Fforde does an author’s talk on the 9th July, and the 10^th is the All Day Aardman Filmathon with an Aardman Model Making Workshop aimed at children aged 6 and above.

And it’s the 8th July, at 8:00pm when the wonderful Lady Nade takes the stage, Emily Barker on the Saturday the 10^th. Sunday polishes off the festival with Lucy Porter, after Apocalyptic Circus return to The Pound with a visually striking, highly skilled circus and comedy show for all the family called My House.

Other events planned throughout the festival include a Blue-Sky Mural project, a Silent Disco, Fun Community Singalong Workshop, Jimmy Jams Breakfast Storytime with Gav Cross, work in progress from the Debut Dance Company.

Book tickets here

OUT NOW! Various Artists 4 Julia’s House

As a nipper I’d spend days, entire school holidays, making mixtapes as if I worked for Now, That’s What I Call Music! In the era before hi-fi, I’d sit holding a microphone to the radio’s speaker, adventurously attempting to anticipate when Tony Blackburn was going to talk over the tune, and just when In the Air Tonight peaked with Phil’s crashing drums, my dad would shout up the stairs that my tea was ready; eternally caught on tape, at least until my Walkman screwed up the cassette.

Crude to look back, even when I advanced to tape-to-tape, I discovered if I pressed the pause button very slowly on the recording cassette deck, it would slide into the next song, and with a second of grinding squeal Howard Jones glided into Yazoo!! Always the DJ, just never with the tech! Rest assured; this doesn’t happen on this, our Various Artists compilation album, 4 Julia’s House. And oh, have I got some news about that?!

Huh? Yes, I have, and here it is….

We did it! Thanks once again to all our fabulous contributing artists, our third instalment of detailed sleeve notes will follow shortly, but for now, I couldn’t wait another day, therefore, I’ve released it half a day early, this afternoon!

Buy it here!

Now all that needs to happen is to get promoting it, and you can help by sharing news of this on your social media pages, thank you. Bloggers and media please get in touch, and help me raise some funds for Julia’s House.

I’ve embedded a player, in which you should be able to get a full try before you buy, I believe you get three listens before it’ll default and tell you to buy it. I hope you enjoy, it has been a mission and half, but one I’d gladly do again.

Please note: there are many artists giving it, “oh no, I was going to send you a track!” Fear not, there is still time, as I’ll causally start collecting tunes for a volume 2, and when the time is ready and we have enough songs, we will do it. It might be for another charity, I’d personally like to do another raising funds for The Devizes & District Opportunity Centre, but that’s unconfirmed as of yet.

You know, sometimes I think I could raise more money with less effort by trekking down through the Market Place in a bath of cold baked beans, but I wanted to bring you a treasured item comprising of so many great artists we’ve featured, or will be featuring in the near future on Devizine. Never before has all these artists been on one huge album like this, and look, even if you don’t care for a particular tune, there’s 46 of them, check my maths as I pride myself on being exceptionally rubbish at it, but I make that 22p a track, and all for such a worthy cause!

Track listing details part 1

Track listing details part2

Click for info on Julia’s House

“We are so grateful to Devizine and all of the local artists who are taking part in the charity album to raise funds for Julia’s House. We don’t receive any government funding for the care we give to families in Wiltshire, so the support we receive from our local community is so important.”

Claudia Hickin, Community Fundraiser at Julia’s House

Various Artists 4 Julia’s House; Here’s More of the Tracks!

I have been a busy bee, trying to get the truckload of info we need to cover to get a full perspective on just how great this album is and all the fabulous artists and bands have thankfully got behind it. So, find below another bout of the extensive track listings with a brief bio and links to the artists. I’m dividing it into three sections, this is the second, the final piece of the puzzle will be here shortly. It would be simply too much information to digest if were all the tracks in one article, and I really need you to check out the acts you like the sound of, like them up on social media, send them love, and buy their music, as they’ve so generously given to this worthy project.

Click here to read part one of the tracks

Through reading blogposts and case studies on the Julia’s House website, it’s only becoming clear how outstanding the charity is, and how much amazing and often heart-breaking work they do. I was honoured to meet with Claudia Hickin, Community Fundraiser at Julia’s House, who said, “we are so grateful to Devizine and all of the local artists who are taking part in the charity album to raise funds for Julia’s House. We don’t receive any government funding for the care we give to families in Wiltshire, so the support we receive from our local community is so important.”

Click here; you need only read one of the many ‘stories’ to realise why we’re doing this…

Stuart Whant of the band Barrelhouse also turned up, and Gazette & Herald reporter Kirsten Robertson, who should be penning an article this coming week, which is our official release date; finally, as of Tuesday 29^th June, it should be live and ready to download. You can, by the way, pre-order it, as many have already done, and we’ve raised around about £75 already, and it’s not even out yet! But we still need you to not only buy, but share your shopping hoard with the world, let them know they need this album in their life, to help save other lives.

Aware you cannot sample the songs, probably due to something I’ve messed up in the BandCamp settings, I put together a YouTube video, which took an age, but has a clip of every song on the album.

There’s also a change, as we welcome Urban Lions late to the party. Entirely my fault, juggling conversing to so many musicians in different chat windows I lost track waffling about cover versions and Rupert Bear to recall where we were in asking them to donate a tune. Corrected now, track 44 will be Urban Lions – We Say I. Our most amazing Big Ship Alliance track, All in this Thing Together, should’ve also added the info it features Johnny2Bad, Robbie Levi & Stones too, so I’ve corrected this. More on those tunes in the next instalment, when we detail the finale of the track listing; not enough hours in the day! Here’s 21 to 33, and I’m going to have a little lie down!

21. Sam Bishop – Wild Heart (Live Acoustic)

Member of Devizes School boy band, 98 Reasons in the noughties, Sam partnered with another bandmate, Finley Trusler to create the popular Larkin duo. Now he’s studying music at Winchester, and releasing solo singles and the recent EP Lost Promises. This really shows experimentation into some amazing vocal arrangements, and we’re delighted to have a live acoustic version of one track, Wild Heart.

https://www.facebook.com/sambishopmusician/

22. Mr Love & Justice – The Other Side of Here

Steve Cox is frontman of this Swindon-based 21st Century Anglicana, acoustic guitar-driven folk/pop collective. A contemporary English take on the west coast cross-over sound of the late 1960s, Mr Love & Justice are a Swindon-based, fronted by singer/songwriter Steve Cox. Since 1992, they’ve four albums under their belts and handful of EPs. This track is an out-take from the 2003 album Homeground, available as a download only single from the forthcoming album Memory Box, and it’s wonderful.

https://mrloveandjustice.com/the-homepage

23. Barmy Park – Oakfield Road

Southampton-based five-piece mod band, Barmy Park, consists of bassist Paul Smith, Chris White on lead guitar, Martin Ford on keys, drummer Terry Goulding and guitarist and lead vocals Jeff Worrow. Yes, you read that right, another one with the palindrome surname Worrow, and yes, somewhere along the line we are related; that’s how I got to hear about this awesome band!

https://barmypark.bandcamp.com/

24. The Truzzy Boys – Summer Time

One half of this cousin duo we’ve already mentioned, Finley Trusler partnered with Sam Bishop to form Larkin from the ashes of their school boyband 98 Reasons. Finely now partners with Harvey Trusler to form this beguiling, usually covers duo The Truzzy Boys. Like many live bands, during lockdown the boys worked on some singles, releasing this one in March 2020, and Not the One more recently. Finely also recently joined fantastic local mod group, The Roughcut Rebels, as frontman; no doubt to lower the group’s age demographic!

25. Daydream Runaways – Light the Spark

Here’s a shining example of why I love doing Devizine; I’ve tracked the progress of this promising young indie-pop band since day dot, and like a fine wine, they get better with age! Hailing half from Swindon, half from Devizes, Daydream Runaways restored my faith in the genre, with a feelgood eighties sound, they rock. They raised the roof at our fundraising gig in Devizes Cellar bar, after a tragic fire devastated some local residents. They rocked Vinyl Realm’s second stage at our town’s street festival, and they’ve continued to wow with every single release, compiling them onto an EP called Dreamlands. I’m proud to offer you this revamped version of their debut single, Light the Spark. June sees the release of a new track, Curtains.

26. Talk in Code – Talk Like That

It was January 2019 when I reviewed Resolve, and album of indie-pop by Swindon band Talk in Code, and akin to Daydream Runaways, they’ve gone from strength to strength since. Locally they’ve created a huge fanbase, they call “talkers,” and festival bookings have been widespread. Talk Like That was released in January last year, and was the beginnings of this crisp eighties pop-rock style we’ve now come to love them for. Last month saw the release of Face to Face.

27. Longcoats – Pretty in Pink

More indie-pop with an eighties twist, from Bath’s latest sensation, Longcoats. Here’s their penultimate single, Pretty in Pink, and it rocks. We reviewed it, we love it here at Devizine, in fact, we’ve loved their sound since we joined frontman Ollie’s Facebook group The Indie Network in May last year. Another young band going from strength to strength.

28. Atari Pilot – When We Were Children

Wrapping up our upcoming indie-pop bands section, sonically, Swindon’s Atari Pilot are massively prolific. I discovered them early last year, and reviewed Wrong Captain, been loving their sound since. Supporting Talk in Code recently at Swindon’s Level III, there’s a community of comparable bands on the same circuit, the aforementioned Daydreamers and Longcoats, creating a great, flourishing scene. I’m delighted to be able to create a compilation with all of them featured.

29. Andy J Williams – Post Nup

During lockdown I kicked off an idea which caught on, save a concentrated review where I tend of waffle off on a tangent, I could quickly turnaround a Song of the Day post, on my phone usually. This allows me to find new artists to plug, and a funky track called Something to Believe in, by Bristol’s Andy J Williams had me hook, line and sinker, leading to a full review of his album Buy all the $tuff!

30. The Dirty Smooth – Seed to the Spark

Did everyone know Malmsbury’s The Dirty Smooth, except me, I asked back in November last year, when they sent me this absolutely blinding track for a mention. Since their debut single six years ago, The Dirty Smooth are no strangers to the festival circuit, gaining a reputation for playing original, anthemic pop songs. On top of numerous live appearances, they helped organise the Minety Music Festival in 2017. Shortlisted at the UK Festival Awards it has become a well-established festival, hosting acts like Toploader, Republica and Chesney Hawkes. Over the past two years, but setback by lockdown, they’ve been working towards a forthcoming album, Running From The Radar.

31. SexJazz – Metallic Blue

What can I say? The name grabbed me, right off the poster for this September’s Swindon Shuffle. Additional information on this alternative electronica/funky-punk, highly-fluorescently branded Swindon outfit Facebook page reads, “Don’t worry, it will be alright. Kind Regards, SexJazz.” The latest single in their prolific discography is titled, “Time is a Twat,” so I’ll leave it up to you to decide how seriously they take themselves. This, Metallic Blue, is a dynamite tune, completely original, in-your-face and addictive.

32. Ruzz Guitar Blues Revue – Hammer Down

Ah, it wouldn’t be a complete compilation without Ruzz Guitar and his Blues Revue. Bristol-based rock n roll like you’ve never heard before, I’m not having a 50^th birthday party unless I can book these guys! Frenzied rock n roll fused blues with panache, extended from what would usually exhaust a musician in over three-minutes, to epic proportions, probably the reason with he’s endorsed by Gretsch Guitars and worked with legends. This track is taken from a wholly instrumental album, aptly called “The Instrumental Sounds Of…” and it’s wonderful with bells on and a double-bass.

33. The Boot Hill All Stars – Monkey in the Hold

Ah, those crazy Boot Hill All Stars from Frome, favourites of the west country festival circuit for over 12 years, present this frenzied ska-related riff over their scrumpy & western style. As writing this I’ve returned from The Barge at Honeystreet where they blew the roof off the marquee. So pleased to be able to blast a track of theirs in your general direction, but you’ll have to provide your own feather dusters and girdles.

And that’s quite enough to digest for one Sunday; I’ll get to last 13 tracks as soon as my sausage-fingers will allow, hopefully by Tuesday, when the album is launched.

Boot Hills Take The Barge

If there’s one business to be in during this period of paced easing of lockdown, it must be the marquee business, it’s another for pubs to adequately comprehend what to put inside them. Establishments erect a tent and furnish it with tables so punters can eat and drink alfresco, and some might have an acoustic singer compliment it, but supplying entertainment to suit a crowd eager to get social lives up and running again is the tricky part.

For the Barge at Honeystreet, with its unique combo of a pub, wharf and campsite, historically it created a perpetual mini-festival atmosphere, ergo they’re no strangers to understanding how to accommodate restrictions and still throw a mind-blowing party.

What the now-owners have done is nothing short of miraculous; to enhance this ethos, and create an apt space to house the original concept.

With fields-worth of camping pitches, tipi glamping zone, the derelict barn transformed into a tremendously decorated arts and performance space, a brilliant children’s playpark, suitable showers and washroom facilities, the many vast improvements have made the Barge something folk could only dream of in years gone by. And for which they should be extremely proud.

Naturally, I had to check this out myself, improvements already underway prior to lockdown when I last paid a visit, for Knati P and Nick’s Skanga sound system. Of course, back then we danced inside the pub, and given when I booked tickets for this Boot Hill All Stars extravaganza, we were under the impression restrictions would be fully lifted.

To maintain decorum and keep everyone seated while hosting a gig from a scrumpy and western, Wurzels-meets-the Specials in a kind of frenzied gypsy-folk-punk band of misfits, eagerly anticipating their first performance since lockdown, was never going to be easy. Yet through sheer respect for what the owners of the Barge have achieved, restrictions were adhered to and the best made of a bad situation.

Crowds remained seated, within the huge airy marquee, though were aching to break out in dance fever, as the celebrated Boot Hill All Stars did their thing, with bells on, corsets, fluffy dusters and frontman Flounder wearing a testicles necklace and sporting a new twin-tooth Ripsaw Resonator made from recycled and renovated material from Junksville Guitars. All revealed as they disrobed from their “lockdown attire” dressing gowns!

But this was not before support came from the bizarrely unique jack-hammered blues duo, Dry White Bones. Unique I say by way of a Dave on harmonica, and a washboard dangling from his neck, with metallic camping mug, and a variety of homemade percussion features attached, to compliment his other half’s rusty but powerful blues vocals plus acoustic guitar. The pair make quite a show, with entertaining banter and an improbably unpredicted sound; Dave breaking into a sublime harmonica solo of Louis Armstrong and Ella Fitzgerald’s Summertime, only as an intro to their own composition, for example, is nothing short of genius. Yet, if you feel a guy tapping a camping mug sounds a bit silly, this is something you really have to witness yourself to fully appreciate.

To the main event of the show, and it is a show, rather than a gig; think vaudeville in a gypsy caravan, circus at Madstock to just go part of the way. It’s an expression of unabashed folly, where Toots & the Maytals’ Monkey Man, can befittingly follow a frantic cover of Dolly Parton’s Jolene. Props such as chairs for Cossack dancing, and handheld signs, one reading “tiny Jesus,” the other, “on a hot cross bun” correspond to their original and humorous song titles. A gig where if dancing is not allowed the gang encourage items of clothing be waved around instead, ending with a pair of bloomers landing on Flounder’s guitar headstock.

Classics known to Boot Hill fans, the comical female masturbatory subject of Devil’s Doorbell to ska-fuelled Night Bus and Monkey in the Hold and were accomplished, (the latter I plug is on our 4 Julia’s House compilation,) but not before a few new, lockdown-related tunes were presented; one of the NHS, the second concerning the Homer Simpson practise of drinking alone in your underpants. With twelve years of doing this under their belt, though they confessed nerves to me prior to going on, it seemed like riding a bike to the punters, stimulated by the epic routine.

There could be no act more apt for The Barge at Honeystreet, yet with a restaurant, and passing activities along the canal or campsite like paddle boating, The Record Deck longboat record store, and Stephanie and Simon’s traditional printing press from a pink milkfloat to name but a few, there’s always something happening, and it’s usually bonkers. As for gigs, the show must go on, and for a mere fiver ticket stub, next Friday sees the arrival of Grizzley and the Grasshoppers, Saturday night will go off with local legendary resident DJ and producer Rich the Ditch and friends on the wheels of steel, and Somerset hip hop outfit, Monkey Bizzle’s album launch on the following Friday 9^th July, in this pocket of resistance from our affluent conservative corner of the universe.

Me? I got out of the rut and had a blinder, thanks for asking.

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Thirty Years a Raver. Part 6: Impact Zone

Final piece of the series then, and a conclusion… One More Tune!!!

Read from start

recap last chapter

By 1994 the Criminal Justice Bill had become an act. Attempts to enforce it were either greatly exaggerated, such as riot vans and police helicopters crashing a birthday barbeque, or were disregarded as an unnecessary government enforcement from the police on the ground. Though we may never have had another Castlemorton, the mid-nineties and even into the millennium, free raves struck back from the body-blow.

Urbanised parties took over railway arches, disused warehouses and squats, the people fought tooth and nail to preserve the culture, and in a way, they did. Rural parties continued, localised and smaller, but communal and friendly. Albeit any forces resisting against them, caused many larger ones to become more viciously anarchistic over time. There were attempts to party in aid of a greater cause, environmental issues for example, such as the Reclaim the Streets protests.

Yet in turn, rave bore an impact on culture and society, which outreached the free party scene. We spoke of musical genres breaking apart, so that large pay-raves erected multiple tents of differing sounds; house, drum n bass, techno, happy hardcore, speed garage, the list continued to get more diverse, until at Universe’s Tribal Gathering 1997, where originators of computer-generated music, Kraftwerk played a main stage, and everyone from each individual subgenre tent came out to pay respects to the roots.

Likewise, Liverpool super-club Cream wanted in on the large festival rave, and created Creamfields, where the likes of Run DMC played. And the scene redeveloped in many avenues, Acid Jazz was popularised, and if it was only short-lived, it birthed incredibly successful Jamiroquai. It also returned hip hop to the forefront, as breakbeat, chemical and big beat were the sounds of the later nineties. The indie and rave divide, parted dramatically since the days of Madchester, the Happy Mondays, Stone Roses, and Primal Scream’s Screamadeleica had realigned, with the punk nature of the Prodigy’s new look. The crossover blended once again, as indie kids accepted electronica wasn’t intending to lay down and die.

Clubs rocked to The Dust Brothers, later to be the Chemical Brothers. Mo-Wax, Skint and Wall of Sound roared a big beat, hip hop melting pot ethos, rooted by rave parties, and everyone flooded to Brighton beach to see Norman Cook “large it” as Fatboy Slim.

What was clear, by this conjunction, while the movement had altered, and divided, rave was now embedded in our culture, and was spreading globally. The paid peanuts DJs who once rocked up to an illegal rave now jetsetters, playing clubs worldwide.

https://www.youtube.com/watch?v=6Xf1mdGVDmc

Clubland never had it so good, buy a MixMag, relish in a party, legally, without the need of convoys, service station coups and risks of police brutality. I bought a silk shirt, wore it at Lakota in Bristol, but headed there after a free party in the forest of Longleat, the night before, and without care for basic hygiene, my paisley chic was ruined by the sweat marks of a boxer. I was oblivious ‘til presented with embarrassing photographic evidence afterwards.

But commercialisation of the culture had always loomed. In the race to become the “king of rave,” as rock n roll had Elvis and reggae had Marley, they failed to note this plastic throwaway ethos I’ve previously mentioned. In 1992, thousands of twenty-somethings blissfully unaware of the references, sang ‘Eezer Goode ‘Eezer Goode He’s Ebeneezer Goode, simply because the Shamen reached number one in the pop charts, in just the same way thirty years previously, no-hopers sang “Lucy in the Sky with Diamonds,” oblivious to its blatant LSD connotations. I’d argue if we have to have a “king of rave” it’d would have been the ever-progressive Prodigy, but they never cared to call for the title.

The point is, commercialisation got the better of us eventually, as it did for every previous outrageous youth culture. It would be difficult to imagine in the days of Scott Joplin, that his rags would be considered conforming for a hoity-toity jazz festival in market towns like Marlborough, as in the 1910s, he played to lewd degenerates and desperate sailors in New York’s underworld and bawdy brothels. In a short few years after the peak of rave culture, Leftfield’s Release the Pressure will be used in an advert for Cheese Strings. And don’t get me started on Yo Gabba Gabba.

https://www.youtube.com/watch?v=U4Aq31eRNVw

And now we live in a time when reflections of nostalgia from forty-somethings comply with Albert Trotter moments, and a misunderstanding of what happened is ingrained in our culture. I cringe at how the tragic Wonder Woman sequel depicted the eighties, in an almost caricatured version of the fashion, and foresee bearded twenty-somethings attending wistful “rave” nights dressed in glow sticks like tourists on planet Mars. I never waved a fucking glowstick in the nineties, any more than I wore legwarmers in the eighties!

A van speeds past me, a youngster wears his hood up while driving. Why? Is there a leak in the van’s roof? Yes, we ravers popularised the hooded top in the UK long before the “hoody” culture, and if we wore the hood up, it was because we came out from a sweatbox into the cool night air with perspiration evaporating off of us. We did it to prevent dehydration from precipitation, rather than cos it made us look well ‘ard.

And then Ollie Murs’ heart skips a beat, with a drum loop the Ratpack would’ve rejected in 91, and I yell, NO! Get your own youth culture kids, nicking ours is disillusioned by commercialisation, unless you’re standing chilly at Peartree services at 3am, teeth masticating the life out of a slice of Wrigleys, eyes like saucers, and waving your arms about like a broken robot with a hundred others, surrounded by cars beeping their horn and playing a chewed up Easygroove cassette, then you are not a raver. And don’t you even let me see you asking Alexa to search the word cassette!

Last thing I want to do is end this series on a sour note, but duty calls. I read an article about how the days of the illegal rave had returned in all its former glory. “It was just like 1992,” they quoted in a story about a warehouse takeover, then informed partygoers discovered the happening via a Tweet. Eh? Have a word with yourself, Tweets were a novelty eighties band who rehashed an oom-pah so your granny could do a little bit of this and a little bit of that and shake her bum at some family disco of yore. We went raving without a clue what a pager was, while scare-story spreading tabloids suggested we all had mobile phones, in an era where mobile phones were thought of as the devil’s business. They couldn’t comprehend how an entire generation could all descend onto one field simply by word-of-mouth.

“…and if you tell that to the young people today, they won’t believe you…”

The Four Yorkshire Men sketch, Monty Python.

In conclusion; as we say farewell to my little series reflecting back on those heady ravey dayz, I’ll confirm, there was numerous amazing times, the best times of my life, times evoking stories I could bore you into an early grave with. And by the thankful response to this series and the masses of posts of stories from so many old skool ravers in the variety of Facebook groups, it is clear I’m not alone in this theory. Although, my rose-tinted specs were large enough to engulf those dilated pupils throughout most of the examination.

Probably the most active of those groups, aforementioned DOCU FREE PARTY ERA 1990-1994 – WERE YOU THERE? was originally set up as a research project by one Aaron Trinder a filmmaker on a mission to document the era in a film. We wish him all the best of luck with this monumental task. And it is a monumental task, as unlike most previous youth cultures which borrowed from various trends and cultures, say the teddy boys borrowed extensively from rock-n-roll, mods borrowed from jazz, Italian suits and scooters, and so on, rave borrowed from everything and anything.

United, the melting pot came from any source, we electrified it and, even if it was relatively short-lived, what exhausted out inspired everything that went hereafter; modern pop, multiple dance music subgenres, fashion, video technology, literature, children’s entertainment, and most importantly, despite the authorises misunderstanding us and their traditionist values causing hateful vengeance upon us, a wealth of people power; the notion that masses can make a difference to life, society and politics. Evident by politicians consistently doing what our Iron Lady wouldn’t do at the time, make a U-turn to save their popularity and votes. For this, we should all be proud.

I would reward myself with one last disco biscuit, but I’m unsure if my ticker would take it. Slapped with a finale date though, it would be on my bucket list, and what a way to go, reaching for the skies in one last sweet harmony…..

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Lady Nade; Willing

Americana folk singer-songwriter Lady Nade beautifully attributes her granddad for her traits, in the song Peace and Calm, citing his love of gardening as his mellowed happy place. Wonderfully sentimental, the boot fits, as is this stunningly crafted new album, Willing, released yesterday, and undoubtedly the reason why she plays to a sold-out audience tonight at St George’s in her hometown of Bristol.

Reviewing after just the one listen is usually dodgy ground, but when an album engrosses you as Willing does, it’s all that’s necessary to reverberate the news to you just how fabulous this is.

If Lady Nade has a physical resemblance to Heather Small, she certainly has the deep and soulful voice to match, but any musical comparisons have to end there, unless either Mike Pickering is taken out of the equation or the nineties electronica inclination was mysteriously replaced by Nashville country. For pigeonholing this, it is soulful country, in sound and subject matter.

Written during the pandemic, there’s a secluded ambience echoing through these eleven sublime three-minute plus stories of friendship, love and loneliness lost and found, reflecting the fact it was recorded in multiple studios and engineered by all the musicians in isolation. Yet to hear it will hold you spellbound in a single place, till its conclusion.

With a folk tinge the title track kicks us off, and sucks you in with a romantic notion of loyalty. The slide-guitar fills a tale of faith against missing someone follows, and, lighter, You’re my Number One, trickles euphoria, warmly.

Indeed, mellow is the key throughout, Josette being breezily romantic, while Wild Fire offers a darker, moodier tenet. Whimsically spoken, One-Sided is perhaps the most beguilingly pop-like with a cannonball despondency you cannot help but be touched by. But if identification is what you’re after, Call Yourself a Friend has the sorrowful, trust vs cheating friendship, and accompanied by pedal-steel guitar-picking, traditional country music is honoured.

By Rock Bottom, as the title suggests, there’s a slight rock breeze to it without defiling its roots, Tom Petty style. Then we have the aforementioned, Peace and Calm, an upbeat, jollily ironic Many Ways to Sink This Ship, and Ain’t One Thing makes for a perfect finale, by summing up the perfect person to be in love with. What a gorgeous sentiment to seamlessly end a captivating album from start to finish.

It often perplexes me, how Ray Charles deviating from the jazz-laden soul ABC Records necessitated as the key to his achievement, to release the double-album, Modern Sounds in Country and Western Music was considered so shocking, when artists such as Nashville’s DeFord Bailey was fusing harmonica blues into the more acceptable country style forty years prior. Still, some may be surprised by Lady Nade’s affection for Americana folk, but after one listen the surprise will turn into amazement.

As a form of healing from grief, Lady Nade started writing poems and songs, and performing locally, learning loss and sorrow isn’t something one can recover from alone, and with her music and recipes she creates a communal experience, a calling to connect with her fans on a deeper level. This shows in the sublime dedication she transfers to this, her third album.

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Those aware, who thought 2018’s album by the trio, Now That’s What I Call Boom Boom Racoon vol1 was off the head, newly released Songs From The Before Times & Some More takes it to a whole other level. Lockdown raw, rougher and more in your arrogant, fat consumerist face than ever before; put that sausage roll down and prepare to be barked at with a charming slice of satire and counterculture commentary.

Now reading that paragraph back makes it all seem so terrible, but under a blanket punk term, which only goes some way to pigeonhole the unpigeonholeable, irony is abound and Boom Boom Racoon are quite the opposite. This is nine three-minute plus enthrallingly exciting rides, and is undoubtedly entertaining to say the least.

Mixing rum and coffee, ie. turbo mocha time, Covid19-related Public Service Announcement 2020, are the lighter, comical subjects.

Whereas tightening border control in States and Nations, laboratory animal testing in Cages, human unecological practices compared to dinosaur extinction, and another anti-capitalist rant on how difficult it is to be sustainable in the modern era, are the more sombre and acute subjects, setting the world to rights.

And the way they work it, the words they’ve planned go against the homemade rawness of the sound. This isn’t off-the-cuff, there’s ingenious wordplay and poignant messages hidden beneath the fun attitude. The abolition, against the psychological effect of imprisonment and a need to sustain numbers by reforming laws to create criminals, for example, Boom Boom Racoon touch on radical notions or campaigns, and are fearless to state their core values.

Anthropocene it, Say it, Sorted probably carries the most poignant message, and is also the only track which has an amusing sample, unlike the previous aforementioned more polished album which has more, from The Simpsons to Harry Potter. And it comes in the shape of a rather stumblingly polite call from Kent Police regarding an animal rights protest, which is highly amusing.

The album ends hilariously on the most brilliant retort from taunts by your average knuckle-dragging homophobic bigot, I’m certain you know the sort, completing the overall contemporary leftism and reformist ethos which, if you tag the piffle term “snowflake” onto, beware, the unity here is compounded into a masterfully literate snowball, and it’s a brown one, and it’s aiming at your face!

Myself, I’d love for these raccoon pests to come trash the bins of our narrowminded community and welcome the opportunity of our more daring venues to book them for a live performance on the theory, well, on the theory, they’d steal the show.

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Liddington Hill Celtic Punk!

Sometimes, and quite a number of times I might add, nothing fits the bill quite like a bout of pounding bibulous Celtic punk, by a band with a girl donning a cow’s head as a mascot. But how far would you expect to trek to find such a group of misfits, Wales, Ireland?

Suggested in the name, Liddington Hill, the beautiful down overlooking Swindon, with the Ridgeway traversing and its iron age hillfort, is local enough. Not since the days of the Blitz, when the area was used as a “Starfish” decoy bombing bunker, has it been so explosive.

What’s the link to Liddington with this scorching five-piece band, who have just released their debut EP, Cow after a few singles, I felt imperative to ask? “We all lived in Swindon at the time we started,” fiddle and vocalist Matt told, “our singer grew up around the area and went up to Liddington Castle a lot as a child. It seemed to be a bit of a landmark and with the Ridgway close by had great links to the past, so I guess it just seemed like a good name.”

Two members remain in Swindon, the other two now live in Oxford, and drummer Chris hails from Chippenham. With fiddles and a bodhrán meshed with electric guitars, the line between punk and traditional Celtic folk cannot be yanked apart, not that there’s any good reason to try to.

The bobbing theme of a band drinking excursion to Oxford, Pub Crawl, follows a dynamic and unique slide-guitar take of the folk sea shanty, Whip Jamboree.

An almost new-wave post-punk feel is implemented into the melting pot with the third tune, Marshlands, an original song about lead guitarist Liam’s Grandfather in Ireland, “who wouldn’t ride a horse,” Matt explained, “but insisted on riding a cow!” Hence the cow symbolism, I’m best guessing.

The EP ends traditionally, with Joseph B. Geoghegan’s anti-war music hall classic, Johnny I Hardly Knew Ye, and Liddington Hill bless the folk feel with their brand of punk, making for a perfect finale. While it might not be as authentic as The Pouges, or as aggressive as The Levellers, with bands like Flogging Molly and Dropkick Murphys storming success in the US, there’s a huge market for this beguiling genre, yet a scarcity on the local scene, and Liddington Hill pack a punch.

It’s a grower, and I’m loving this, anticipating possibility of an album to greater extend their scope, but as far as energetic presence is concerned, it’s kick-ass. Branded subtly, though, to suit a pub environment, so a live show, fingers crossed for their definite return, would be something highly memorable and I’d recommend landlords book them in; certainly, it’d push up the beer sales!

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Thirty Years a Raver, Part 4; “Get off of the Railway Track!”

read last chapter

read from beginning

I’ve parked the van on the opening of a farm track, to have a sandwich and scan the area. I’m looking for a quarry which runs alongside the train track. A few years ago, I was a delivery driver, and though I didn’t know the roads, I’d recognise village names with fond memories. On this occasion I’ve turned off through the sleepy Oxfordshire village of Cassington; my memory of it was not so sleepy.

Those reading this too young or not into the south west free party movement of the nineties might wonder why, while those who were will know exactly why, and no doubt will be screaming a delighted, “yes mate, red and blacks!” Later to be referred to as Dennis the Menaces, without concern to what Beano publishers DC Thompson may’ve made of it all.

The distant resonance of an MC echoed through the valley, alas only in my head. “Get off the railway track,” he warned, “that is a live railway track!” A memory abetted by a rave tape capturing the irreplaceable moment, one of thousands I carelessly released into a skip many moons ago, foolish to the notion they’d be sought after.

On rave tapes, we’d either have a “master” or a recorded, taped from Christ knows how many cassettes down the line. Often inaudible by today’s standards, but recorded live at various events, they chartered the era. Endless weekday hours spent cutting up flyers to use as covers, doubles of those already pasted on my bedroom wall. In 1990 I had obtained a few, in the space of a year the wall was covered with them, overlapping to hide the roached edges.

Akin to the accumulation of flyers, my rave tape collection increased like wildfire. From popping into Swindon’s Homeboyz Records, which at the time occupied a loft space in a head shop on Fleet Street, to ask for “the kind of tunes I’ve been hearing at the raves,” in which I was sold two, recorded from Coventry’s Eclipse; Frank De Wulf, and the second, Sasha and Top Buzz, to the point where an entire collapsing shelf was bursting with alphabetically arranged cassette boxes, with the wrong tapes in each. Ah, weekday timewasting activities; we lived for the weekend.

Another delivery driving time, after a few visits to Great Tew, I found the private airfield at Enstone. I recalled arriving there in 1991, one misty morning after a lengthy standoff at Peartree services outside Oxford. These were customary; convoys from every direction flooded in, police would surround them, rumours would circulate they were to search every vehicle moving out, meanwhile the bottleneck swelled, car stereos melded into one colossal clamour as kids danced on the embankments, blowing horns and whistles, undaunted to the likelihood of a tipoff, lawlessness supervened, petrol and spearmint chewing gum went mysteriously missing, and police finally acknowledged they were outnumbered, and allowed free passage out of there.

For the journey my mate spoke of nothing other this track he’d heard. “You remember the don’t talk to strangers’ advert with the boy and his cat, Charlie, went, like, Charlie says……” Yeah, I did, but hadn’t heard the song. Coincidently the DJ spun it as we arrived, and he wasted no time, leaping from the car prior to stopping, yelling “this is it!” and running off headlong into the fog.

I myself got lost in that fog sometime later, asked a friendly crusty if I could climb on his van to see if I could find my friends. The view of synchronised trilby hats and bobbed hair dipping into the low-level mist enticed me to dance, to which he seemed completely content with, as I stomped on top of his van. But as others, noting my joy, decided to do similar, I climbed off, persuading them not to follow my bad example, it was this guy’s home from home.

Charlie did say that, but with these carefree strangers, it didn’t seem to matter, hence the irony in the Prodigy’s song. Everyone had the smile of the Cheshire Cat, everyone would lend you a chewing gum in exchange for a rizla, and right in the moment, that was all that mattered. It was short-lived, a few years of complete bonkers, but it had a profound effect on society. Football fans returned from clubbing the night before, far too intoxicated with love drugs to cause the trouble the sport had become associated with. Football chants were adapted from “you’re going home in a fucking ambulance,” to “you’re going home in a fluffy ambience.”

In a clubland where once, to accidently knock over someone’s pint, or look at their girlfriend for longer than a millisecond, would likely evoke a fight. Now, the clubber sighed, “I know you didn’t mean to spill it, no worries mate,” to which the reply would be “sorry, I’ll get you another.” One clubber said, “is that your girlfriend pal? She’s gorgeous,” and that’d be seen as a compliment, perhaps understandably backed by an informal warning, but it certainly wouldn’t end in a drunken scrap.

Such was the scene expanding, a legendary party at the end of the summer of 91, somewhere near Banbury, extended into a nearby field, with a narrow track joining to two. A continuous stream of pedestrians sauntered to-and-fro, until a BMW hurtled through the wanders. A lone hippy cursed the driver, pleading he slowed down. The car came to a screeching halt and backed up. All four doors opened and some rather mean-looking urbanites, full of sovereign rings and bling stepped out to confront the scrawny fellow. Towering over him, the driver and his passengers asked him to repeat what he said; it was a setting akin to a violent scene of a gangster movie, and the expectant crowd held their breath. The crusty replied he had asked them to slow down, because someone could get hurt. The rude boys considered this, got back into the BMW and drove on, at a snail’s pace all the way to the end, carefully stopping for pedestrians.

An incident I’ll reiterate as an example to how genuinely passive and diplomatic raves were. We policed ourselves, troublemakers were dealt with, often in a medieval fashion. Yet troublemakers were few, unlike nightclubs you had to make reasonable effort to find a party, so most were aligned to the concept we were there for that and only that, to party. So too, if you overstayed a party till its conclusion, you willingly picked up and bin liner and helped clean the area, (okay, there was always a chance of finding some money or hashish, I’ll give you!)

The country suddenly seemed at peace, least it did to us, and the authorities had a problem with this.

There was a frustrated lost terrier, scrambling around in the dark, barking, scared without its owner; it was the Conservative Party. John Major walked into this, and knew if he was to overthrow the shadow of Thatcher, he’d need to take drastic change to society.

Me, my mates? We didn’t give a fuck. Other than the annoyance of the odd rave being broken up, when the police got the itch, we had no political opinion, we had no concern over much at all. Because, we knew there was a happy place, somewhere we could go, freely, and we were in the moment of building our own society, shaped as we wished, policed as we required, but as many adolescent dreams, we thought we knew it all.

read part 5

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Devizine Proudly Presents Various Artists 4 Julia’s House; Here’s the Track Listing!

Sleeve Notes for our Album 4 Julia’s House

Here it is, the moment you’ve all been waiting for, I hope! The track listing and details of all our wonderful songs presented on our forthcoming album, Various Artists 4 Julia’s House. Read on in awe….

Pre-order album on Bandcamp here!

Released: 29th June 2021

1. Pete Lamb & Cliff Hall – Julie

2. King Dukes – Dying Man

3. Erin Bardwell – (Like the Reflection on) The Liffey view

4. Timid Deer – The Shallows

5. Duck n Cuvver – Henge of Stone

6. Strange Folk – Glitter

7. Strange Tales – Entropy

8. Paul Lappin – Broken Record

9. Billy Green 3 – I Should be Moved

10. Jon Veale – Flick the Switch

11. Wilding – Falling Dream

12. Barrelhouse – Mainline Voodoo

13. Richard Davis & The Dissidents – Higher Station

14. Tom Harris – Ebb & Flow

15. Will Lawton – Evanescence

16. Jamie Williams & The Roots Collective – Dreams Can Come True

17. Kirsty Clinch – Stay With Us

18. Richard Wileman – Pilot

19. Nigel G. Lowndes – Who?

20. Kier Cronin – Crying

21. Sam Bishop – Wild Heart (Live Acoustic)

22. Mr Love & Justice – The Other Side of Here

23. Barmy Park – Oakfield Road

24. The Truzzy Boys – Summer Time

25. Daydream Runaways – Light the Spark

26. Talk in Code – Talk Like That

27. Longcoats – Pretty in Pink

28. Atari Pilot – When We Were Children

29. Andy J Williams – Post Nup

30. The Dirty Smooth – Seed to the Spark

31. SexJazz – Metallic Blue

32. Ruzz Guitar Blues Revue – Hammer Down

33. The Boot Hill All Stars – Monkey in the Hold

34. Mr Tea & The Minions – Mutiny

35. Cosmic Shuffling – Night in Palermo

36. Boom Boom Bang Bang – Blondie & Ska

37. The Birth of Bonoyster – The Way I Like to Be

38. The Oyster – No Love No Law

39. The Two Man Travelling Medicine Show – Ghosts

40. Julie Meikle and Mel Reeves – This Time

41. Cutsmith – Osorio

42. The Tremor Tones – Don’t Darken my Door

43. Big Ship Alliance – All in this Thing Together

44. Neonian – Bubblejet

45. First Born Losers – Ground Loop

I’ll tell you what though, kids. This has been a lot more work than I originally anticipated! Yeah, I figured, just collect some tunes, let the artists do all the hard work and take the credit! But no, mate, wasn’t like that at all. The most important part for me, is ensuring the artists are properly thanked, so, just like those Now, That’s What I Call Music albums, I wanted to write up a full track listing with sleeve notes and links. Please support the artists you like on the album by checking them out, following and liking on social media and buying their music.

But to list all 45 tunes in one article will blow the attention span of the most avid reader, and if, like me, you’ve the attention span of a goldfish, find below the first twenty, and then the next 25 will follow as soon as my writer’s cramp ceases! Just putting them onto the bag was tedious enough, but worth the effort.

To all the artists below, message me if links are incorrect or broken, or if there’s any changes to the details you’d like me to edit, thanks, you blooming superstars.

1- Pete Lamb & Cliff Hall – Julie

Not so much that Julie is similar to Julia, there could be no song more apt to start the album. Something of a local musical legend is Pete Lamb, owner of The Music Workshop, producing and recording local, national and international artists. His career in music stretches back to the sixties, creating such groups as The Colette Cassin Quintet and Pete Lamb’s Heartbeats. Yet it is also his aid to local music which makes him a prominent figure, Kieran J Moore tells how Pete lent him equipment for the first Sheer Music gigs.

A wonderful rock n roll ballad with a poignant backstory, Julie was written in remembrance of Pete’s daughter who passed away in 2004 to Non-Hodgkin’s Lymphoma. It was featured on an album for the charity Hope for Tomorrow. The song also features Cliff Hall, keyboardist with the Shadows for many years, playing piano and strings.

2 – The King Dukes – Dying Man

Formed in Bristol in April 2019, a merger of a variety of local bands, including Crippled Black Phoenix, Screamin’ Miss Jackson and the John E. Vistic Experience, The King Dukes combine said talent and experience to create a unique, authentic sound, dipped in a heritage reuniting contemporary slices of British RnB with a dollop of Memphis soul.

Dying Man is a prime example, taken from the album Numb Tongues which we fondly reviewed back in the October of 2019. The brilliance of which hasn’t waned for me yet, and isn’t likely to.

3- Erin Bardwell – (Like the Reflection on) The Liffey

One cannot chat about reggae in Swindon without Erin’s name popping up. Keyboardist in the former ska-revival band, The Skanxters during the nineties, Erin now operates under various guises; the rock steady outfit Erin Bardwell Collective chiefly, experimental dub project Subject A with Dean Sartain, and The Man on the Bridge with ex-Hotknives Dave Clifton, to name but a few.

(Like the Reflection on) The Liffey is an eloquently emotive tune, staunch to the ethos of reggae, yet profoundly unique to appeal further. It is taken from the album Interval, one of two solo ventures for Erin during lockdown.

4 – Timid Deer – The Shallows

My new favourite thing, after noting Timid Deer supported the Lost Trades debut gig at Trowbridge’s Pump. Though self-labelled indie, I was surprised how electronica they are, with a nod to the ninety’s downtempo scene of bands like Morcheeba and Portishead, hold the trip hop element. This Salisbury five-piece consisting of vocalist Naomi Henstridge, keyboardist Tim Milne, Tom Laws on double bass, guitarist Matt Jackson and drummers Chris and Jason Allen have created such an uplifting euphoric sound, hairs stand tall on the back of your neck.

Taken from the 2019 album Melodies for the Nocturnal Pt. 1, I’m so pleased to present this.

5- Duck n Cuvver – Henge of Stone

Yes, enthralled to have the song frontman Robert Hardie of Duck n Cuvver refers to as “his baby.” This is Salisbury Celtic roots rock band so aching to film part of their video for Henge of Stone inside Stonehenge, they’ve campaigned for the funds to do it, ending with Rab breaking into the monument to promote the campaign!

With references to the importance of solstice and the pilgrimage to Stonehenge, what other song could be so locally linked?

6 – Strange Folk – Glitter

A dark west country folk band in the realm of a beatnik time of yore, with a serious slice of gothic too, Strange Folk came to my attention playing the Vinyl Realm stage at the Devizes Street Festival. Hailing from Hertfordshire, band members also now reside in Somerset, Strange Folk is comprised of four songwriters; vocalist Annalise Spurr, guitarist David Setterfield, Ian Prangnell on bass and backing vocals, and drummer Steve Birkett. Glitter features cello by Helen Robertson, and is a name-your-price gift to fans during lockdown, a wonderful teaser which if you like, and I can’t see why you wouldn’t, you should try the 2014 mini-album Hollow, part one.

7 – Strange Tales – Entropy

With singer Sally Dobson on the Wiltshire acoustic circuit and the synth/drum programming of Paul Sloots, who resides in West Sussex, catching this duo, Strange Tales live would be a rare opportunity not to be missed. Though their brilliance in melodic, bass and synth-driven goth-punk is captured in the 2018 album Unknown to Science, in which our track Entropy is taken.

Their songs relate baroque cautionary tales drawn from the murkier corners of the human psyche, while retaining a pop sensibility and stripped-down, punk-rock approach. Fans of the darker side of eighties electronica, of Joy Division and Depeche Mode will love this. You can buy this album at Vinyl Realm in Devizes.

Strange Tales; Paul Sloots & Sally Dobson

8- Paul Lappin – Broken Record

Imagine George Harrison present on the Britpop scene, and you’re somewhere lost in Lappin’s world. Paul hails from Swindon originally, but resides mostly in the Occitanie region of the south of France, where he wrote and recorded the mind-blowingly brilliant album The Boy Who Wants to Fly, released in October 2020. Our chosen track, Broken Record was a single just prior, in August, and features Lee Alder – bass guitar, electric guitar, Robert Brian – drums, Jon Buckett – Hammond organ, electric guitar, Paul Lappin – vocals, synths, Lee Moulding – percussion, Harki Popli – table.

9- Billy Green 3 – I Should be Moved

Now Devizes-based, Bill Green was a genuine Geordie Britpop article, co-creating the local band Still during those heady nineties. Today his band on the circuit, Billy Green 3 consists also of Harvey Schorah and Neil Hopkins, who’s talents can be witnessed in the awesome album this track comes from, also titled Still. Mastered and produced by Martin Spencer and Matt Clements at Potterne’s Badger Set studio in 2020, it’s wonderfully captures the remnants of the eighties scooter scene in reflected in Britpop.

I’m sure you can buy the album at Vinyl Realm, Devizes; I would if I were you.

10- Jon Veale – Flick the Switch

Marlborough guitar tutor, singer-songwriter and bassist of local covers band Humdinger, Jon Veale’s single, Flick the Switch, also illuminated Potterne’s Badger Set studio in August of 2020, and it immediately hits you square in the chops, despite the drums were recorded prior to lockdown, by legend Woody from Bastille, and Jon waited tolerantly for the first lockdown to end before getting Paul Stagg into Martin Spencer’s studio to record the vocals. Glad to have featured it then, even more pleased Jon contributed it to this album.

11- Wilding – Falling Dream

What can be said which hasn’t about Avebury’s exceptionally talented singer-songwriter George Wilding? A true legend in the making. Now residing in Bristol, George has the backing of some superb musicians to create the force to be reckoned with, Wilding. Perry Sangha assists with writing, as well electric guitar, loads more electric guitars, acoustic guitar, organ and weird synth things. Bassist James Barlow also handles backing vocals and cous cous. Daniel Roe is on drums.

The debut EP, Soul Sucker knocked me for six back in November 2018, as did this here latest single recorded at the elusive Dangerous Dave’s Den, mixed and mastered by Dan Roe, during October last year.

12 – Barrelhouse – Mainline Voodoo

One good thing about preparing this album is to hear bands I’ve seen the names of, kicking around, and added to our event guide many times over, but I’ve never had the opportunity to see at a gig. Marlborough-based Barrelhouse is one, and after hearing Mainline Voodoo, I’m intending to make a beeline to a gig. Favourites over at their local festival, MantonFest, headlined Marlborough’s 2019 Christmas Lights Switch-On, and right up my street!

Formed in early 2014, Barrelhouse offer vintage blues and rock classics, heavily influenced by the golden age of Chicago Blues and the early pioneers of the British blues scene, staying true to the essence that made these tunes great and adding their own style of hard-edge groove. Overjoyed to feature Mainline Voodoo, title track from their 2020 album, which broke into the UK’s national Blues Top 40.

13 – Richard Davis & The Dissidents – Higher Station (R. Davies)

Absolutely bowled over, I am, to have Swindon’s road-driving rock band with a hint of punk, Richard Davis & The Dissidents send is this exclusive outtake from the Human Traffic album, out now on Bucketfull of Brains. We reviewed it back in December. Recorded at Mooncalf Studios. Produced by Richard Davies, Nick Beere and Tim Emery. If the outtake is this amazing, imagine the album!

14 – Tom Harris – Ebb & Flow

Lockdown may’ve delayed new material from Devizes-based progressive-metal five-piece Kinasis, but frontman Tom Harris has sent us something solo, and entirely different. Ebb & Flow is an exclusive track made for this album, a delicate and beautiful strings journey; enjoy.

15 – Will Lawton & The Alchemists – Evanescence

Wiltshire singer-songwriter, pianist and music therapist Will Lawton, here with his group The Alchemists. A weave of many progressive influences from jazz to folk, Will recently surprised me by telling me drum n bass is among them too. The latest album ‘Salt of the Earth, Vol. 1 (Lockdown)’, is a collection of original poems embedded in meditative piano and ambient soundscapes. But we’ve taken this spellbinding tune from the previous release, Abbey House Session.

16- Jamie Williams & The Roots Collective – Dreams Can Come True

Hailing from Essex but prevalent on our local live music circuit, with some amazing performances at Devizes’ Southgate, Jamie Williams & The Roots Collective offer us this uplifting country-rock/roots anthem, which, after one listen, will see you singing the chorus, guaranteed. It is the finale to their superb 2020 album, Do What you Love.

Jamie Williams & The Roots Collective rocking the Southgate last year

17 – Kirsty Clinch – Stay With Us

If we’ve been massively impressed with Wiltshire’s country sensation, Kirsty Clinch’s new country-pop singles Fit the Shoe, Around and Around, and most recently, Waters Running Low and anticipating her forthcoming album, it’s when we get the golden opportunity to catch her live which is really heart-warming. This older track, recorded at Pete Lamb’s Music Workshop, exemplifies everything amazing about her acoustic live performances, her voice just melts my soul every listen.

18- Richard Wileman – Pilot

Incredibly prolific, Swindon’s composer Richard Wileman is known for his pre-symphonic rock band Karda Estra. Idols of the Flesh is his latest offering from a discography of sixteen albums, which we reviewed. Along a similar, blissful ethos Richard Wileman served up Arcana in September this year, where this track is taken from. While maintaining a certain ambiance, his own named productions are more conventional than Karda Estra, more attributed to the standard model of popular music, yet with experimental divine folk and prog-rock, think Mike Oldfield, and you’re part-way there.

19 – Nigel G. Lowndes – Who?

Bristol’s Nigel G Lowndes is a one-man variety show. Vaudeville at times, tongue-in-cheek loungeroom art-punk meets country folk; think if Talking Heads met Johnny Cash. Who? is the unreleased 11^th track from his album Hello Mystery, we reviewed in March, and we’re glad to present it here.

20 – Kier Cronin – Crying

Unsolicited this one was sent, and I love it for its rockabilly reel although a Google search defines this Swindon based singer songwriter as indie/alternative. Obsessed with the music and the joy of writing, Kier told me, “I once had a dream Bruce Springsteen told me to give it up… So, this one’s for you Bruce!” Crying was released as a single in March, also check out his EP of last year called One.

Countin the Blues, Punkishly, with Elli de Mon

Well, that certainly took the serrated edge off Alanis Morissette’s Jagged Little Pill. Imagine an episode where you are Doctor Who. You’ve landed the Tardis nearby a juke joint, deep in 1920s Mississippi. A bunch of wild railroad convicts won’t let you out unless your assistant plays them some songs. Trouble is, your assistant is Siouxsie Sioux. You pray to the timelords of Gallifrey she won’t corrupt continuity, by introducing punk fifty years too early. Just when you think she might have found middle-ground, Ravi Shanker drops in to join the jam!

The score could be provided by Italian multi-instrumentalist and soloist Elli De Mon, who’s forthcoming album, out 18^th June, Countin the Blues is packaged like a delta blues album of yore; sepia photo of Elli, guitar between legs, and graphics to match. It weighs in well with sound too, a twangy guitar opening, but it jerks between tradition and modern. Reimaging ten female vocalist, vintage blues rarities from the 1920s, Countin the Blues varies between adhering to the original, or converting it into kick-ass contemporary punk. This works, exceptionally well under the skilled labour of Elli, primarily because those songs are as raw and filthy as punk could be or has ever been.

This album should put Elli de Mon on the UK map, as she’s been thrilling blues audiences across Europe with this unique take on the blues for best part of decade. A prolific one-woman-band, releasing six albums since 2014, she breezes through vox, rezophonic and lapsteel guitars, organ, drums, dilruba, and even an outplaced sitar, on this magnificent album.

Primordial blues being a major influence, during pregnancy Elli penned, Countin’ The Blues: Indomitable Women, a book about the women blues artists of the twenties. Published in 2020, it must’ve been a natural progression for her to decide to record the songs she wrote of, in tribute to these great women. It’s a win-win for documentation of songs which has been forgotten by most. The only tune I’d heard of was Memphis Minni’s When The Levee Breaks, as many would know it from the Led Zeppelin adaptation.

Kicking in, as I said, twangy guitar introduces us, but seconds later Elli’s version Ma Rainey’s Prove It On Me Blues electrifies. One could shrug at this conjunction, pop-punk has the T-shirt on this, if Alanis Morissette coined it, Sheryl Crow and Shania Twain commercialised it. Yet there’s a definite rawness here, a dusky garage punk nod. This notion drags you in, darkened by the second track, Bessie Smith’s Blue Spirit Blues; eloquently macabre, and the theme continues for a further two tunes until Lucille Bogan’s Shave ‘Em Dry pounces on you like a seventies punk anthem.

Proving drugs and music went hand-in-hand since day dot, the overlooked iconoclast Victoria Spivey recorded Dope Head Blues in 1928, yet Elli implements a beatnik lysergic aura to it, by adding a sitar; hence the Ravi Shanker connection mentioned in my Doctor Who visualisation!

Just when you consider reeling in your assistant Siouxsie Sioux, with your extended scarf (because Dr Who will eternally be Tom Baker in any of my imaginary scenarios) dragging her to the crossroads in hope the devil, or Davros even, is up for purchasing a soul, we’re back on the agenda, less Sgt Pepper, and more traditioned twangy acoustic guitar blues is aired now more than previous songs.

With the sublime acoustics of Elizabeth Cotten’s Freight Train, it feels as if Elli figured it had all gone too far the other way, and returned her salutes the queens of the blues by traditional method. This acoustic trend continues for four amazing tunes, ingulfing the aforementioned When The Levee Breaks. In my scenario Doctor Who would be effectively saved, these last few tunes would adhere to the angry railroad convicts’ expectations. But just as you assume the cliché happy ending is near, there’s a vinyl only bonus track, Geeshie Wiley’s Last Kind Words Blues, which slivers back into psychedelia sitar, and the Doctor is doomed, to be continued next week!

This album is a treasure, if not for the tremendous tributes to historical blues standards, or the adaptions of unearthed rarities returned to modern times through punk rock, but for the overwhelming effort of this Italian multi-skilled virtuoso who accompanied herself on nearly every instrument, and arranged the whole album in a new key, to align to her personal punkish style.

And Elli, if you read this, I wonder, and I’d imagine you do too, what the mother of the blues, Ma Rainey and the other subjects you’ve so wonderfully recaptured here would think of it all? It may well take some time for them to get their head around music’s progression, but I’m certain you should be proud as they’d nod their approval.

Sentences I’d Like to Hear the End of, with the Bakesys

No matter the subject, a lesson is only as interesting as the teacher teaching it. Johnny Ball did the impossible, he made maths fun! Likewise, but more modern, Terry Deary’s books and subsequent CBBC show, Horrible Histories made what’s often perceived as a dull subject by pupils, somehow entertaining, amusing even. If Deary was my history teacher, rather than a thick-rimmed speccy, bearded beatnik with leather elbow patches on his tweed jacket, well, I might just have taken heed of their wisdoms.

Equally, if you want to teach history to a bunch of scooterist skinheads, consider employing The Bakesys, for they are a skanking Horrible Histories, at least for this new album, released last Thursday called Sentences I’d Like to Hear the End of.

Stu, Kevin & Bakesy onstage at Newbury College in December 1990!

Something of an elusive band despite twenty years presence on the UK ska scene, the early stages of The Bakesys reflected heavily on punk inspirations, such as the Buzzcocks, crossed with later developments of a definite Two-Tone influence. Sentences I’d Like to Hear the End of takes it to whole other level. Akin to what On-U Sound did for dub in the nineties, sprinkling in a counter culture punk ethos, The Bakesys do for ska. It’s more upbeat than the usual plod of dub, but strewn with samples, heavy basslines, and drum machine loops, it has its elements.

From another angle though, as Dreadzone meld such influences into the electronic dance scene, there’s a contemporary sound, a mesh of offbeat influences with the Bakesys, more in line with the current ska scene. The flood of brass and chugging rhythms confirms its allegiance to authentic 1960’s Jamaican ska. What comes out the end is unique beguiling buoyancy, and it’s absolutely addictive.

Yet we’re only scraping the surface of why, the theme of the album is the kingpin here. Reflecting the era of its influences, subjects are historic affairs based in the sixties. The opening title track raps of Christine Keeler and the Profumo Affair. Get Your Moonboots on is on Apollo 11’s moon landing, and the third, most haunting tune, You are Leaving the American Sector takes newsreels of the Berlin Wall. One I’ve been playing endlessly the single of on my Friday night Boot Boy radio show.

Atomic Invasion explores the Cold War, yet, as with Keeler, this sublime set of songs often concentrates more on the personalities than facts of the events. The Space Race is up next, with a nod to Yuri Gagarin’s luminary. Then it’s the Cuban Missile Crisis with the numerous failed attempts to assassinate Fidel Castro, Cassius Clay’s rise to heavyweight champion of the world, and Robert F. Kennedy’s assignation.

Despite these often-dark subjects, it’s surprisingly upbeat, as if, like I said, The Bakeseys are the funky relief history teacher, and your class is about get moon stomping! The last three tracks offers dub versions of the most poignant tunes on offer here, yet the album as a complete concept is nothing short of brilliant.

The third CD album released on Bandcamp, and quite the best place to start if you’re unaware of them. Keyboardist Kevin Flowerdew, has self-published the ska scene’s definitive zine, Do The Dog Skazine for many decades, which has released this under its label namesake, Do the Dog Music, so he certainly knows what makes a great sound; which this does with bells on.

Mark, Stu & Bakesy backstage at the Epplehaus, Tubingen during The Bakesys’ June 1992 German tour.

Song of the Day 38: Gecko

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And that’s my song of the day!! Very good, carry on…..

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Lost Trades; The Bird, The Book & The Barrel

Even though they put a man on the moon four years before I was born, I swear it’s the little things summoning me to a care-home for the terminally bewildered. I’m pre-empting what-they-can’t-do-these-days scenarios, but why so soon? All the years of diluting the kid’s squash, I observed they look rather stout of recent. My daughter calls it a ‘senior moment,’ pointing out, it’s double-strength squash. She was right too, says so on the bottle, in huge, unmissable letters.

In a way, it’s kinda like the highly anticipated album from The Lost Trades. Because, if in the past I’ve put them deservedly on pedestals as individuals, when they first joined together, they shimmed said pedestals closer, and nicely complimented each other’s voices. This can be heard in the three tunes which reappear from the earlier EP, Robots, Good Old Days, and Wait for my Boat; the first one being definitively Phil’s song while the latter two have the marks of Jamie. Awesome as these are, it’s the unreleased tunes which I need to draw your attention to, as they’ve balanced the pedestals atop of each other, like a daring circus act; the lines between them as individual performers are now totally absorbed, in both writing and vocals, akin to the double-strength squash, this is triple-strength!

If you’ve never known them as individual performers, you’d be forgiven for mistaking that they ever were, with these new set of songs. And with other tricks up their sleeves, The Bird, the Book & The Barrel exceeded my high expectation. Solving the conundrum of what else to write about a trio we’ve already covered so much on Devizine.

The Bird, the Book & The Barrel, released on Friday, the 4^th June, can be pre-ordered, and you get two tracks in advance, if you cannot wait, which is understandable. With a rustic wood-cabin corporate identity they don’t waiver from, the essence of folk-roots of yore are embellished with modern themes, from which they project the perfect balance of vocal harmonies one could only compare to family groups. Save Simon & Garfunkel and The Drifters, who could do it, we have to think from the apt genre, of the Carter Family, to The Carpenters, and The Everly Brothers, but perhaps onto The Jacksons, for in soul their voices harmonised with similar perfection. Yes, it really works akin with the Lost Trades, I’m pleased to announce, and here more than ever.

And in this, the opening tune could be constituted as somewhat boastful about their precision, if not a simple premise of unification; only in sharing one vision will the world be ours for the taking; if you got it, flaunt it! One Voice sums up my own overall thoughts on the album, and makes for a beautiful introduction.

The second track is where the magic really starts. The fleeting romantic interlude of a fast-paced, maybe dodgy, roamer is the theme of Road of Solid Gold, which is as the road, solid and gold. An unusual composition, being the fiddle is habitually played during instrumental breaks, but here it accompanies the vocals. This violin mastery is performed by legend of folk, Peter Knight, a founding member of Steeleye Span, undoubtedly the most renowned group of the British folk revival alongside Fairport Convention, and secretly was Uncle Bulgaria of the Wombles band too! Additionally, this is where we hear the Trades really melding their voices into one, which occurs more frequently as the album progresses.

Elements combine, regardless if one takes the lead, or verses are harmonies too, it’s all a big slice of wonderful. The astute song writing weaves narrative timelessly, be it nostalgic-based such as Good Old Days, unification against the odds like Distance Brings us Closer, both where Jamie leads, and the most poignant, Kingdom Falls, a tale of the pen being mightier than the sword through the eyes of a prisoner of war.

Then there’s lighter subject matter, often where Phil leads, such as the trickling Your Winning Days, but his lead also offers one of most divergent tunes, Robots, an apprehension of automation, in which a steady guiro offers a pertinent clockwork effect.

At seven tracks in one could wonder where’s the girl power, but when Tamsin takes lead on Hope Cove, it’s been worth the wait. A heartfelt romance actualised as a geographical location isn’t an uncommon concept, but you know Tamsin handles it inimitably and spectacularly, like only the finest tunes of her solo album Gypsy Blood. Shanty theme continues with Jamie leading on Waiting for my Boat, equivalent to the sentiment of his classic solo songs, Not Going Anywhere and As Big as You, this is nothing less than sublime.

With just two tunes remaining, Silent Noise of the Mind sums my “triple-strength” notion of the progress of the Trades, fusing the vocals entirely throughout, the beauty of it embraces the air, drifting your mind like a feather in a gentle zephyr. Tree-hugging Oaks light-heartedly polishes the journey off wonderfully, with a ukulele exhaling a Hawaiian ambiance and a cheery whistle, it leaves you knowing you’ve arrived somewhere where you wouldn’t mind travelling to time and time again.

But I’d wager you knew I’d only have good things to say about The Bird, the Book & The Barrel, therefore I implore your faith in my honesty, it’s as amazing as I say, and a little chipping more.

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Thirty Years a Raver: Part 3: We Made Some Noise

Read 1st part

Read 2nd part

Twas the night before my life done gone flipped upside down. It may not have been the colossal party the rest of the country were having, but Marlborough was, and always will be, lost in its own little world. Numerous attendees at the aforementioned Read’m and Weep rock concert on the common, just three years earlier, I’d suspect now joined us in marching up to the same common after the pubs called last orders, this time heading for an “acid house party.” Others, who failed to register or accept the change of era continued on their rocky road. No harm done.

With a fire at one end, and an older comrade who rigged a speaker to his Beetle at the other, blasting out whatever music he had which could be deemed as close to acid house as possible, it was a Marlborough-fashioned interpretation of an acid house party, and in rural backwaters you learned to make do.

The morning after undoubtedly the strangest of my life, for some reason everything I’d ever thought had been turned on its head. For the remainder of 1990 we continued with archetypical house parties, where gullible parents went away, but by the spring of 1991 we invited ourselves onto traveller sites, the first being the Belthane festival on Hungerford Common. And while it opened my eyes to see so many living on the road, they seemed unconcerned of our presence and were, on the whole, welcoming. If the urban raver story starts in clubland, note rural ravers didn’t have that luxury, least not without a vehicle.

Indeed, we had a small nightclub in town, but like many it favoured appeasing the old-hat drinking culture. If club owners were aware of rave clubs, they weren’t prepared to make the switch, fearing it’d only diminish their drink sales. At the time the closet place to head for was Swindon, where Extos held legendary nights at Hardings. By the time we’d scrouge a lift and arrived, the club was full, and we’d stand outside in blankets, waiting for a tip off to the party.

So, for a while, best my mate and I could hope for, was to loiter outside the pub, as going in would empty the wallet we needed to escape our town. As newfound ravers leapt in cars and soared off, one of us dared to ask, “alright mate, going to the party?” in hope of scrouging a ride. At art college I had a reliable source, two Oxfordshire individuals into the scene, with bob haircuts and a VW Beetle, one phone call would reveal a clue where to head, if only someone would give us a lift!

The Oxfordshire buddies listened to what we called, “bleep.” For many years I considered it, like ska, a description of the sound, but sources online class it as genre. Rave, or hardcore were the sweeping generalisations, and in 1990 little had been done to separate it into subgenres. There was mellowed vibes type rave, hardcore, house and garage, sure, but at the time it cured into one immense, chaotic noise. Subgenres would derive much later, as the scene exploded and separated. It was however, of small significance UK artists now created their own sound, aside acid-house styled bleep, German techno, which was stiff and structured but lacking soul, and the trancey Goa House, breakbeat house was looming on the horizon.

Here’s a thing; I argue with myself if we could even call all this a “youth culture,” rather class it a movement. Youth cultures of yore had a definitive uniform, musically and fashionably. Rave was a melting pot, electronics seeped its way into all genres, and new arrivals descended onto it from all walks. If the Northern Soul clubbers say it was them who inspired it, they’re not wrong. Neither are the travellers, punks and skins, new romantics, Rastas, or trendy eighties kids. What were once separate identities, rarely seen together, now flocked to the same party, danced and celebrated together, without fussing or fighting, save a mite of banter. This was the chief reason why I class this era as the most wonderful show of unification the nation had seen since the second world war, and I’m honoured to have been a part of. But I’m uncertain if it matched the definition of regulated youth culture, as previous mods, rockers, punks and skins did.

The music reflected this, a melting pot of inspirations, whatever angle you came at rave from, you added your portion into the mix. The upcoming trend derived from Britain’s ties with reggae through the Windrush generation, and the surging dancehall flavours we deemed “ragga.” Fused with the archaic hip-hop concept of breaking the beat, ragga and breakbeat house surged over bleep, and fast became the mainstay. X-L Recordings, Moving Shadow, Urban Shakedown and many other labels headed this change.

But here is the second thing; we were the throwaway generation, jilted, plastic population, and didn’t care for who created the music. There was no interest in holding a torch for particular bands or labels, unless you were master of ceremonies, the DJ. Leaving the choice to one person, it existed as a DJ culture, and they’d soon become the stars of the show. If it was genre-bending, we relied on their faith to perpetrate a certain style; when Sasha got on the decks it would be “fluffy,” whereas as when Easygroove did, it would be “hardcore,” with the upcoming breakbeat twist. That’s all we knew, and rightly cared about.

What swept at us as a trend became a way of life; we lived for the weekend, vaguely remembering to attend college or jobs in the week. Every weekend an ever-growing number roamed the roads at night, invading unsuspecting service stations, joining to convoys with a lead car who we hoped had an inkling where the party was. Bristol moved east, London moved west, meeting in the Shires, where police would be outnumbered and, rather prevent a riot, would grudgingly allow us free movement. Naturally there were times when they got flustered, upon service stations appropriations, for example, but suspect many appreciated the overtime, and left us to enjoy the ride.

At the Gloucestershire one fondly recalled as “the one with the haystacks,” someone drew my attention to the police standing on a ridge overlooking the site. To our amusement, and seemingly theirs too, they were imitating our dance moves, and you know what they say about imitation, sincerest form of flattery!

Despite the ruminates of bad blood with travellers, from the Beanfields and free festival movement of the previous decade, they tended to only throw their weight at them. Attempts to move them on, before ravers flocked to their sites turned hostile. Though if, as my friend and I did once at Pitton near Salisbury, ravers arrived early, they’d witness the true horrors of life on the road, as eviction resembled a massacre rather than a battle. There are shocking things I could tell, of which I’ve witnessed, effectively ethnic cleansing, destruction of a way of life, and homes. It was not the vision of Britain I pre-held, naïvely, reason enough for us to continue to rebel, when all we really wanted to do was party. Opps, some pig knocked off my rose-tinted specs.

Sorry to pop the bubble of happy daze, but there were downsides. Aside the growing harassment from authorities, which would see rave’s demise in the end, there was also comedowns, maintaining motivation for everyday life, failed attempts to find the party, else the event raided and broken up too early. The latter became greater with every weekend, as the sensation blossomed.

You see, we adopted a pyramid-selling technique, only wanted to spread word of our newfound love. Kids we hadn’t seen since leaving school would wander into the pub, they were looking for something, they didn’t know what, but we did. We had the answer, the escapism, and we welcomed them with open arms, took them under our wings and looked after them during their first rave experience. Then, the following week they’d shed their old identity, and we’d see them fully assimilated, like Star Trek’s Borgg, through the foggy morning, wearing a puffa jacket, round pink shades and diamond-cut trilby, giving it, “alright? I’m mullered mate, wot you done?!”

Thus, we all played a part in promoting the scene, until it got too big for the authorities to leave alone. Some weekends when we didn’t go party, somehow rave crept in. I ventured back to Essex to see old friends, and they’d have similar stories, of Raindance and other events there. One weekend we attended my mate’s brother’s wedding in Liverpool, only to find in the basement where the reception was held, a steaming club-rave. The sound attracted us, and we unbolted a fire escape to both gate-crash, and discover likeminded raves were happening nationwide. Meanwhile, his mum wondered where we’d got to, and wandered in to find us amidst a pumping party. Upon her return she’d been shocked, but happily reported the scene as “loads of kids, just dancing, having fun, no one fighting, no one drunk, and one gave me a hug!”

If a little old lady who accidently stumbled into a rave could see it for all its upsides and worth, why couldn’t the police and government? Why did it ever have to end? Because at the time we couldn’t envision that finale, we assumed it would go on forever.

Read Part 4

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2025 on Devizine; Review of the Year; Part 1, Jan-JuneJan 4, 2026
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!Dec 30, 2025
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Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3Dec 30, 2025
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Ha! Let’s Laugh at Hunt Supporters!Dec 22, 2025
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Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2Dec 16, 2025
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June: State of the Thing; a Monthly Guide to Last and This Coming Month of Devizine

So, who told the April showers that the lockdown applied to it? Come on, I want names! Last month of lockdown was dry and clement, as soon as things starts opening up again, it phased between drizzle and downpour; you can’t make it up.

Yes, I wrote this too soon; bang on cue, here comes the sun for June.

If May saw a gradual return to normality, pray it continues; June should explode, either way. We started the month with concerns over Calne’s Central Youth & Community Centre, and I attended a small protest in Rowde to save Furlong Close. Not forgetting local election would inevitably send me on the usual rant, but Wiltshire lays all its eggs in the same basket. And then, wham, had to rant twice in one day when Seedy pulled out of the PCC election, you certainly couldn’t make that up!

Musically, a couple of press releases from Sheer, announcing Salem’s national tour with them hosting Swindon’s Vic gig in October, and Frank Turner at Frome’s Cheese & Grain on both Saturday 26th and Sunday 27th June. But the best Sheer post was more about Kieran’s mum, jumping out of a plane, fundraising for her grandson.

I reviewed Cornish psych-punkers The Brainiac 5’s album Another Time Another Dimension, Trowbridge’s Sitting Tenants album A Kitchen Sink Drama. Also, Sam Bishop’s great EP Lost Promises, a single from Stockwell, Storm Jae and Nory’s called Can’t Come Home, and a new track from the Longcoats, Nothing Good. We also did a great interview with Dave Lewis, one half of Blondie & Ska. Reviews in the next few days will be an EP of Celtic punk from Liddington Hill, some awesome punkish blues from Elli De Mon, and the new album from The Lost Trades, due on 2^nd June.

I started a new Sunday series, being the last one was so popular. No satire this time, just a reflection back thirty years to the era of the rave, from a personal angle; I’m having lots of fun with this, if it does make me feel old! This continues into June. So, without further to do, here’s what’s occurring in June.

Firstly, staying at home we can entertain you too. I’m gradually working through writing promotional material and sleeve notes for our compilation album, 4 Julia’s House, which, as it sounds, all proceeds will go to Julia’s House. This has proved more work than I anticipated for me, due to the most amazing line up of talent who has kindly donated a song. The penultimate entry was an exclusive rock steady track by Blondie & Ska, and the latest entry is by none other than Richard Davis & the Dissidents. See what I mean now, don’t you? Absolutely fantastic, massively hugely massive this is going to be, over three hours of genre-crossing music; something for everyone on there. Okay, I’ll copy and paste the artists featured; hold onto your jawbone.

A mahoosive thanks goes to: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Wilding, Richard Davis & The Dissidents, Barrelhouse, Tom Harris, Will Lawton & the Alchemists, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Nigel G. Lowndes, Kier Cronin, Sam Bishop, Mr Love & Justice, Barmy Park, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, Cosmic Shuffling, Blondie & Ska, The Birth of Bonoyster, The Oyster, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Meru Michae, Cutsmith, The Tremor Tones, Big Ship Alliance, First Born Losers, Dutch Money(s), and last but by no means least, Neonian, who is working on a track as we speak.

Phew, so, yes, who is as out-out as Mickey Flanagan in June? I know right, how surreal. I went to a pub, an actual pub, and heard live music last Saturday; down the trusty gate for those Daybreakers. Bloody fantastic it was too. Here’s some things to be looking forward to over this month. Note, this is in no way exhaustive, (which is what I’m going to be trying to keep up to date with it all!) You must continue to check our event guide, for details of all events listed here, updates of events, and even live streamed.

Half term sees us into June, ongoing from Tuesday 1^st there’s holiday activities at Wiltshire Museum, which we welcome their reopening, and program of forthcoming events.

Also, back in business is the Nether-Street’s Farm Cookery School, who has a parent and child class called Cake Lady on Thursday 3^rd.

The weekend sees The Devizes Lions Sports Coaching Weekend at Devizes Leisure Centre, IndieDay happening across Devizes town centre, meanwhile Devizes Southgate welcomes Texas Tick Fever.

There’s a Court Room Cabaret at Trowbridge Town Hall, Talk In Code play Swindon’s Level 3, with Atari Pilot, and Rude Mood are at The Vic.

Eddie Martin is live at The Bell in Bath, and we wish the Bath Reggae Festival a successful first event, let’s hope it’ll become an annual thing.

While we’re on about festivals, the following weekend, from Friday 11^th is Kite Festival at Kirtlington Park, Oxfordshire. Closer to home, Trevor Babajack Steger is at The Southgate, Devizes on Saturday, and don’t forget Lions on the Green in Devizes, Sunday 13^th; let’s support their brand-new fund-raising event. Joh Griven also has a guided tour of the Heritage Walk of Devizes.

This sounds fun too, Mustard Brass Band live at The Bell in Walcott Street, Bath

Monday 14^th there’s an important meeting online, a progress report on Wiltshire Museum’s hopeful move to the Assize Court.

Summer Solstice weekend, (solstice being 4:30 on Monday 21^st) kicks off the Bigfoot Festival at Ragely Hall, Warwickshire. Closer to home, as it goes to press, the Kington Langley Scarecrow Festival is still happening. The HoneyStreet Barge presents Troyka, on Saturday 19^th, Jon Amor’s King Street Turnaround at The Southgate, Devizes and Ruzz Guitar’s Blues Revue with the Pete Gage Band at The Cheese & Grain, Frome.

There are also two great charity fundraising events, Caroline Lowe as Amy Winehouse at Swindon’s Swiss Chalet, in aid of The Specialized Project, which acts as a fundraising portal for many charitable causes and projects. And at The Rose & Crown in Worton, Chloe Jordan, Mistral and the Celtic Roots Collective have a fundraiser for MacMillan Cancer Support.

To the last weekend of what will, finger’s crossed, be an amazing return to normality, on Saturday 26^th, The Southgate, Devizes welcomes Blind Justice, and the brilliant Blondie & Ska play The Greyhound, Trowbridge. But I’m hopefully saddling up and heading east, for geetars and corset swinging fun at the Barge on HoneyStreet, where those Boot Hill All Stars plan to moor up, with Dry White Bones; that one will go off!

As far as I know, the legendary Black Uhuru at Frome’s Cheese & Grain, and Sunday 27^th Blondie & Ska will be at the Royal Oak, Corsham. But as I say, loads more will be listed by the time we know what’s what, and hopefully a summer to remember is on the cards; just have to take responsibility for adhering to regulations and observing social distancing. Have a great June.

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Thirty Years a Raver, Part 2: We Called it Acieeed!

read the first part here

A branch of a classy supermarket chain seems an unlikely place to start a story of one’s first rave experience. It was a shop which, on a later occasion, my mate and I decided to walk ten miles back to, to thank them for such a lovely pizza. Overlooking the fact, it was the extra topping of liberty caps we added ourselves which sparked the idea, and, in turn caused us to only make it a hundred yards out of the village before we collapsed in a hysterical heap. Just as well, given I worked there at the time.

Oh, for the time, I’m slipping down my rose-tinted specs again, but, while I’m grateful to those reading this who lived it, I’d rather those too young would too, who they need to understand the era leading up to it, to know why we did what we did……

A protest at end of term school disco, 1988. Teachers, thought they were “hip” enough to do the “in” thing, hiring a standard DJ to deliver the latest pop sounds. One year away from leaving the institution we saw ourselves as mature. Obviously not, but sufficient to warrant a plain and simple fact; the pop chart was not aimed at us.

A decade old now and electronica has become timeworn and abused by the Hit Factory and Stock Aitken Waterman. The formula was simple, derived from sixties bubble-gum pop, and aimed an even younger audience. An assembly line of drum machine synthpop churned out uninspiring samey trash, a monotonous drone promoting pop stardom to Australian soap opera actors, failing have-been musicians convinced by a fat cheque and dreadful teenage dreamboats. They punished the last part of the decade; they commercialised the once experimental epoch. It should have been a crime.

We all sat in protest on the dancefloor, booing, as the DJ spun, I Owe You Nothing by latest teen-pop sensation Bros, two brothers from Camberley with Pet Shop Boys manager Tom Watkins, stupid belt buckles and leather vests donning crucifixes, which seeing as what they did for pop, was actually quite apt. The only person left dancing was a good friend of mine, who took the ingenuity to bring a Sony Walkman, and he skanked out of time, through the protesters in his own little world, lip-syncing the words to Buffalo Solider.

For me, even my love of hip hop worn thin. While it still had a nostalgic place in my heart, as it spread out from the Bronx it seemed to be whitewashed, typecast far from the original ethos. Yes, Grandmaster Melle Mel rapped conscious lyrics on The Message, but that was the exception to the rule. Now, seemed every rapper had a chip on their shoulder, something to criticise, a plastic attitude and some serious bling. It was either this, or sell yourself like a cheap tart; take MC Miker G & DJ Sven rapping over Madonna’s Holiday as red for why hip hop lost its way.

A far cry from the untroubled origins of hip-hop, where the idea was to throw your cares away for the duration and party. A notion closer to the new impending wave of electronic music, fresh from the underground.

In any case, at 14 I’d moved to Marlborough, where breakdance seemingly hadn’t the same impact as it had on my Essex town. Prior to starting school there, my mother suggested my brother and I attend a concert on the common, as promoted on GWR Radio, surprisingly. It may’ve been a tactic to encourage us to blend into our new home. What actually happened freaked me out. If I considered I’d descended time, back to the seventies, before this day, I certainly did now. I believe the band playing to have been popular local rock band, Read’m and Weep.

Looking back now, they were excellent, but through my trendy suburban Essex eyes I was shocked at the sight of scruffy rock kids perched on car bonnets, uniformed in black, smoking, drinking from bottles before me. I felt like the character Sam Emerson, the younger brother in the movie The Lost Boys, when they go to the beach fair. If one of these “weirdos” glimmered fangs at me, I was legging it.

In fairness, being bored with the direction of hip-hop, and annoyed with commercial pop, I had a sweeping overview of rock, as soft metal took the charts by storm. And as I emersed fuller into the cultural differences of my environment. I began to find it was the only musical avenue worthy of attention, and had to backtrack my knowledge to the classics. But as I was taking in Led Zeppelin, Hendrix and The Doors, in order to make friends at school, they became accepting of a new wave of electronic music called “house,” as it was, it had a commercial side, but looming was the psychedelic underground roots, sub-labelled “acid house.” We kind of met in the middle.

I find it amusing child-friendly raves have become a popular attraction recently. Organisers such Raver Tots and Big Fish, Little Fish attained a gap in the market with new parents who thought the stork has ended their raving days.

Ingeniously they create a pay-rave/soft play centre crossover, largely based on the hardcore era of the mid-nineties, as that’s the generation with easily persuaded toddlers. Way to go to push your diehard habits onto your saucepan and lids, but indulge now, as it doesn’t last! If you asked my daughter ten years ago what her favourite music is, she’d reply “reggae,” an obvious spoon-fed response. Now she’s engulfed by current pop, and you have to let them find their own path, their own thing. Pushy parenting backfires.

But that’s not the reason it amuses me, neither is the fact since the dawn of rave participants never take themselves too seriously. Yes, it’s “cheesy” by their own definition. Yes, there’s a childlike euphoria involved with raving too. Sucking of lollies, cuddling complete strangers, and dancing like a lunatic to a breakbeat sample of the Sesame Street theme. But it’s a notion the flipside, the “indie” kids could never fathom, in all their depressing reality-driven gloom; rave was never to be taken too seriously. It was quintessentially an escapism.

No, the reason it amuses me is thus, at the time rave was not the place to take a toddler and few did, save for perhaps the travelling folk who, for them, the sites were their home. Rave was illegal, primarily, until big businesses saw the opportunity to make a fast buck. Rave was daring, criminal and that’s what, unashamedly, made it exciting. In fact, the spread of the trend grew from a scare story, a tabloid attempt to frighten parents into believing every teenager, including theirs, was off their rockers in a dangerous derelict warehouse somewhere around the London orbital. Truth is, my friends and I hadn’t a clue about it, until now.

In fact, in 1988, just before some doughnut invited a lucky journalist to an acid house party, the scene was tiny, a secret association only a select few Ibiza diehards knew about. The desire to recreate their hedonistic holiday in the Balearics in London gained little attention, until one day the newspapers splashed it across their front pages. Needless to say, it backfired, now every teenager in the country wanted in on the deal. Including me.

As ever, the Sun was the main culprit, Gary Bushell pasting a light-hearted angle, often satirical and tongue-in-cheek but definitely in favour of the exploding trend, in order to sell their “acid house t-shirt.” Soon as sales dropped, they turned nasty on the surge they had a hand in prompting. It’s almost as if they deliberately blossomed a teenage rebellious phenomenon in order to flip it over and create hysteria, to sell papers; who knew they could be so callous?!

But it was too late. D-Mob sounded it out; We Call It Acieeed. Prior tunes to hit the charts never wrote it directly on the wall. It was always just about “house” music, pumping up the volume, or jackin’ your body. One could differentiate, draw a definite line between run-of-the-mill “house,” hence being commercial, or the evil, drug suggested “acid house.” At least to our adolescent mind. Truth is, it was all the same.

Yet meanwhile we were still convinced electronic music was sold out to commercialisation, therefore we’d rewound back to the space rock of psychedelic sixties and seventies. Unlike my peers though, I retained small penchant for the original hip hop, and swept house with the same brush. It was short lived, but I liked house for all the silly samples of Bomb the Bass’ Beat Dis. It was as if electro had turned full circle, and divided from the cliche of fierce rap styled US hip hop, particularly now the west coast had as much clout as the east.

It’s also worth noting, although we took its source as American, British acts like Coldcut were now producing house. As the media hysteria became old news and mellowed, by 1990, the average joe blogs could be forgiven for assuming it had all been a flash in the pan. Little did even we know the trend was growing, and since graduating from pupil to student, felt we had moral responsibility to check it out for ourselves.

Perhaps not just our age, but also rural Wiltshire was hardly cutting edge when it came to trends. So, two years on and the words on our lips were “acid house,” despite the term had metamorphosed into “rave.”

With local Tory backhanding secret social clubs’ slaps on the back, our school opened its doors and poured children into the only supermarket in town, where the branch manager welcomed weekend staff, he could offer £2.20 an hour to. I succumbed for want of my own pocket money. Surprisingly, it was there where my adventure into rave begun.

Yet it was there, working my Saturday job, allowing us the newfound financial freedom to maturely decide where best to invest our earning, which happened to be getting wasted. A friend, a year or so senior, dropped the killer bombshell, to which I hide my excitement and pretended to know all about. “You going to the acid house party tonight, up the common?” he inquired.

Well, my feet didn’t touch the floor before arriving at the opposite side of the warehouse below the store, where my buddy priced up tins of soup. Shocking to think barcodes were still some way off, and one would have to be like Clint Eastwood with a pricing gun. But nevertheless, he stopped as I told him the news, and his face lit up with excitement, and a slight evil grin.

1991 beckons next week, as I relive my rave honeymoon, be there!

Read Part 3

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Shock, horror OMG and other unsuitable internet abbreviations, yes it happened. Like mutated survivors emerging from their underground lair in some post-apocalyptic movie, to snuffle fresh air once again, tonight could’ve been any other night two years ago, but with renewed captivation I sat in a beer garden, an actual beer garden, with a real pint of scrumpy, while the incredible Daybreakers played music. Yes, real, live music, which received not one applause emoji, but real applause, the like of human hands clapping and everything; how surreal.

I don’t ask for much these days, but let me tell you, it was both a relief and joy to feel somewhere back to normal, and I couldn’t think of a more appropriate band to be there for the occasion.

Of course, It’s our trusty Southgate, the Devizes O2 arena. A rustic watering hole of sociability, hospitality and scraggy dogs. Fingers and toes crossed future Saturday nights will look like this, as blues-rock Leon Daye Band arrive next week, followed by Trevor Babajack Steger on 12^th June and Jon Amor’s King St Turnaround on 19^th.

Life isn’t fully repaired, expect table service, adhere to etiquette, remain seated wherever possible, and wear masks while moving around, but it is an awesome beginning. I’ve returned home, loaded up Word to pen a citation, but while it was booting, I worried; it’s been so long since I’ve knocked up live music review, is it like riding a bike?

Ah, bollocks. I was never much cop at either, anyway.

Unlike me, the professionalism of Gouldy, Cath and those Daybreakers, who lost no grip on their skills, played a blinder, seemingly thoroughly loving every minute of it. I arrived to hear the Jam’s Start, which was good start, ba-boom, and they continued through their plethora of wonderful era-spanning covers, from the Cure to The Levellers and OMD to the Specials, and so on; even adding their original song, I think they called The Wait. The masses of optimism in the cool air came to an apex when those Daybreakers burst into Dexy’s Come on Eileen just as it once, always did. And the wildcard, thrown in at the last moment, was a beautiful rendition of Ah-Ha’s Take on Me, believe it or not, yet as they have a tendency to do, they smashed it out of the park.

Hats off to them, and of course, Dave, Deborah and staff at the Gate. With their newfound roles of waiters and waitresses, I’m guessing not in the original job description, they catered to everyone promptly, with their charm and wit, and I’d imagine a smile under their facemasks. Here’s to many more perfect gigs at the Southgate.

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One surprise track contributed for our forthcoming compilation album for Julia’s House, (yes, it’s going sluggish but well, thanks for asking!) comes from Chippenham’s part-Blondie-tribute-part-ska-covers duo, Blondie & Ska. It’s a solid, rock steady original, with the added bonus it sounds as if it could’ve been an album track from Parallel Lines, Plastic Letters or another Blondie album at the peak of their game.

It’s given me the opportunity to have a chat with Dave Lewis, one half of the duo, on how they started doing what they do, pondering if you just wake up one morning and think, I know, I’m going to be tribute act. If Blondie & Ska actually see themselves wholly as a Blondie tribute act at all, given they not only record original songs, but in a unique slant, perform classic Two-Tone songs from the same period. But most importantly, answering some conundrums I’ve had since hearing a tune with a similar concept by UB40 tribute Johnny2Bad, about tribute acts going the extra mile and recording tracks in the fashion of their inspiration. I mean, is it deliberate that it sounds akin, or simply natural method given the music is based around imitating the act?

Certainly, Blondie & Ska wasn’t formed on a whim. For a decade prior to forming the duo, Lorraine and Dave were both co-members of various bands on the same circuit. The idea, Dave explained, “occurred over a number of phases,” and expressed, as a mod, his love for The Beat. Anxious not to live up to expectations of his idols, Dave continued, “playing ska, was one of those things, because you love it so much, you don’t want to go that direction, but when we kind of got dragged into it, there was no stopping us, because the more we did it, the more we loved doing it, and there was no reason to be nervous!”

In the band as well, was Steve Edge, who co-wrote our song. “Steve and I used to write back in the nineties,” Dave explained, chuffed to be reunited to write this track specifically for us. “And we performed as an originals band,” he enthusiastically continued.

After the originals band, Dave joined his drummer and played in a local blues band called No Ties, which Lorraine also started in, while Dave concentrated on a secondary band aptly named Band Two, which Lorraine would later join. It was there where Dave suggested the concept of Blondie & Ska to Lorraine, in 2013. “She replied, hum, I fancy having a go at that,” Dave revealed. “It took about six months to get rehearsed. We did our first gig, and thought, why didn’t we do this before?” They’ve been performing weekly as a duo act from Land’s End to Barnsley since, clocking up hundreds or appearances together.

I moved onto the question, given recording originals and this mixture of lateral ska tunes added to the Blondie tribute, if they even classed themselves at ‘tribute act’ in the same light as the run-of-the-mill ones. “It’s weird one,” he admitted, “I kind of call it that Blondie and ska sound. Whatever we tend to do, people say I didn’t expect it to be like that, but that’s way things are. If I’m going to do something, we want to do it in a different way.” It’s also practical, using pre-recorded sections such as drums and horns, Blondie & Ska can accommodate the smallest of venues, unlike a large ska band with a horn section. “The other thing which is difficult, with signature bands, is it’s hard work keeping the bands together,” Dave observed, a notorious hindrance with ska bands in particular.

Dubious it would work at first, during lockdowns alternate Saturdays have seen regular blossoming live streams from Blondie & Ska. “We had over 10 thousand viewers on one,” Dave delighted, “which is bonkers! I think it was just a sign of the time, everyone was just at their computer!” For your attention, next one is tonight at 8pm (Saturday 22^nd May) on Facebook, HERE. “If people don’t know us,” Dave suggested, “it’s always a nice test. We’ve been surprised by the positive feedback.”

There’s the thing with Blondie & Ska, and I put it to Dave without trying to cause offence, that though it’s unique, nothing they’re doing is particularly ground-breaking. They’ve no stars in their eyes, but the niche is they’re two musicians having a whole lot of fun, doing what they love doing. And this is what comes across, and why it sounds so good. “Absolutely,” he agreed, suggesting the original blues band was tiresome. “I wasn’t really up for anything after that, and later wanted to get back into the action. We’re doing it now because we enjoy doing it. The Blondie & Ska stuff, you know, the more we play, the more people ask, and more bookings we get in ska clubs, and our repertoire is pushed in that direction.” I laughed, so prolific was the Jamaican record industry during the ska era, there’s always going to be one trainspotter, like me (!) who comes up and asks for some obscure Coxsone rarity!

But in turn, that’s precisely the ethos of both ska, and seemingly Blondie’s music. Aside the political unrest occasionally portrayed in the Two-Tone ska revival of the eighties, the memorable songs come from a carefree perceptive of jollity, and like Madness and Bad Manners, ska is eternally dance music, from the very roots. Likewise, Blondie rarely, if at all, socially commented about anything more than romance.

Dave was so enthusiastic to chat about the reasoning and history behind Blondie & Ska, about the technicalities of recreating the perfect tribute sound, and appeasing the aficionados, we could’ve chatted forever, but I feel you need to witness them in the arena they love, rather than waffle some!

An interesting story surrounding the chosen name for the duo we finished on, as while setting up for an early gig, the organiser summed up the sound on the blackboard by chalking up “Blondie & Ska,” under the premise a lot of blond girls and a lot of male ska fans had turned up. “I was standing there, looking at the name on the poster,” Dave explained. “Lorraine was saying, can you just get on and set up, cos we’ve got to be playing in an hour?! I said, but look at the name on the poster, and she was going, no, get on with what you’re supposed to be doing!” But Dave approached the guy, knowing him through many past gigs, to ask him if he could use it. “The girls danced to the Blondie songs, and the guys danced to the ska,” he noted. Story checks out, the mix works. Tune into their live streams to find out for yourself, or here’s hoping to catch them at a real gig soon.

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IndieDay is Back in Devizes

With a few i’s to dot and t’s to cross, the non-profit organisation Devizes Retailers & Independents announce a second IndieDay in Devizes on Saturday 5^th June. With an aim to spread the word about all the excellent independent retail shops and small businesses in Devizes, last year’s event was well received and enjoyed, at such a crucial time.

Firstly, there will be trail maps, with the chance to win an indie hamper with goodies donated by generous independent retailers across Devizes. You can get one on the day from the Market Place, or pick a map up prior, during the first week of June, from any participating independent shops, or download one here. You need to post your entry form at the post office, at Cositas Bonitas or Tea Inc. by 4.30pm on the day.

Unfortunately, Devizine will not be arranging any live music this time, as we did last year. The need is must for our local musicians to concentrate on obtaining bookings for paid events, and I feel asking them to freely contribute their valuable time at this delicate moment is, quite simply unfair on them. Though we did have a wonderful day last time, and I reach out my eternal gratitude to Tamsin, Jamie, Cath and Gouldy, and particularly Mike Barham for setting it up.

Tamsin Quin, Mike Barham and Sound Affects @ IndieDay 2020

There will be lots of things to do on the day though. Youth Traders at Albion Place in Sidmouth Street, will be giving some young traders the chance to take part and experience running a market stall. Something worthy of supporting. Artist/picture framer Becky Hanney Art will be there, with amazing quality craftsmanship for wood turning and bespoke pieces from Jack Baldwin. Eyah Bakes Cakes brings some amazing cake creations that are like a works of art. With prints and postcards from Harriet’s Crafts & Creations, unique handmade works in wool from Vintage Cyanide Kira, and the promise for more to be confirmed.

The ever-important face painting still has to be found a space to make me into a lion, as is my preferred choice, or risk my tantrum! But we also have music at various locations throughout the day, organised by Jemma Brown. At 10am in the Market Place Take Five perform, TITCO at 11am, and Segregation 6 Brass at midday.

Meanwhile in The Brittox, find Devizes Jubilee Morris from midday. And at The Shambles from 1pm piano and cello with Dominic and Dori, and never to be missed, young Will Foulstone on piano from 3pm. It’s a sterling effort from inDevizes and Devizes Retailers & Independents to encourage local shopping at this tricky junction, but with everyone adhering to social distancing and regulations, let’s hope for a successful IndieDay on 5^th June.

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Thirty Years a Raver; Part 1: Planet Rock & Tooth Extractions!

New short series of articles exploring rave culture thirty years on, from a personal perspective….

In the early eighties my nan and grandad stood at the head of the hall, preparing from requests they adlib a speech for their surprise anniversary party. My grandad did the standard honours, thanking everyone for coming, excusing any clumsiness with his words by suggesting, “we’re still at ten thousand feet with the surprise.” At this point my nan’s sister interrupted with astute cockney humour; “bit like your wedding night, eh, Carrie?!”

“No,” my Nan causally retorted, “there were bombs on our wedding night!”

It’s a sentiment which will live with me forever, how anyone can pass off bombs during their wedding, in jest. Most people nowadays get irate if rains on their special day. Because, whenever my grandparents spoke of the war and living in the east-end during the blitz, it was a joyous transcript, never revealing horrors we know happened. I ponder my own memories of youth, wonder if it’s the same rose-tinted specs, or if the era really was as utterly fantastic as my memory of it is.

And in this much, there’s a thing; nothing we did was particularly new-fangled. Tribally, ancient folk gathered to celebrate and hypnotically dance to drum beats, and the occurrence never trended or waivered. Though it maybe debatable, I think, with the introduction of computer technology in music, designer chemicals and enough chewing gum to keep Wrigley’s in business, we partied harder, faster and longer than any previous youth culture did, and probably ever will in the future!

We made party a way of life. We did not think politically until they came for us. Our only concerns were where the next party would be and if we’d have enough cash for some petrol and necessities. Our only motivation was the joyous unification of a tribal-like movement, or in other words, a fuck-off legendary party. Our only philosophies were how beautiful said unification was, and how we could promote it to the world. Yet, unbeknown at the time, the latter was most likely our downfall. No one makes some fucking noise anymore.

Often referred to as “you remember, the one with the haystacks!”

I do recall the fabled week of the second bank holiday of May 1992, how we gathered at a common in Malvern. I also recollect wandering up a hillside on the first morning, observing how large the event had grown, and I remember thinking to myself, nice as it was, they were never going to let us live this one down, they were going to have to attempt to put a stop to it, politically.

So, I’m drafting a series of articles exploring the time, from a personal interpretation, hoping to conclude, it’s a bit of both; rose-tinted specs, and the most explosive period of counter-culture hedonism ever. Individual because events and accounts vary vastly from person-to-person; how, where and why they “got into,” the sybaritic nineties trend of rave. Lots of memoirs I do read or see, like the most successful, Justin Kerrigan’s 1999 film Human Traffic, are set in an urban environment. Unlike these, we spent our youth in the Wiltshire countryside, and this I feel is a major contributing factor which differs our story from most, especially prior to passing my driving test! Thumbs out, “you going to the party, mate?”

I’m doing it now because of the significance of the anniversary. Thirty years ago, I class my “personal summer of love.” It was 1991, I was eighteen, standing in an unidentified field somewhere in the Oxfordshire Cotswolds, gyrating like a robot through the morning mist, eyes large as saucers, and a jawbone tremor you could break a walnut with. Imagine, not alone, but with countless likeminded others. In fact, I’d lost my mates an uncalculatable time ago, which mattered not one iota. How did I get here? Why did I go there? Where the bloody hell was I anyway? To reflect back with any hope of clarity is not only to understand the epoch and the time, but the mindset, and for this we need to go back further, much further.

I put my pre-initiation to becoming a “raver,” into two significant recollections. The first was in the spring of 1984, in my Dad’s Ford Cortina, heading for the Asda at the Chelmer Village outside Chelmsford. Growing up in Essex had one advantage to my friends in the west country, we had pirate radio, and I mean pirates. Anchored off the East Anglia coast were the legendary Radio Caroline, where BBC Radio headhunted many DJs, but who appeased their fanbase by continuing playing sixties and seventies songs, and its sister, the short-lived Laser 558, which toppled Caroline’s listeners by using American DJs which played a continuous mix of contemporary tunes.

Hard to imagine at the time we considered having a cassette deck in a car radio as something only for the gods. In fact, I went to edit that last sentence to call it a car stereo, but reflecting back it wasn’t even stereo, just the one speaker below the dashboard! Reason why my brother and I would screech requests from the backseats for my Dad to turn it up. On this occasion we were particularly demanding, as there was a song, I’d never heard the like of ever before. Sure, Giorgio Moroder and Pete Bellotte’s I Feel Love was timeworn, and we existed amidst the dawn of new romantic, the electronic eighties pop in Britain was governed by the experimental post-punks. They either got with the program or fell into obscurity, whinging about how Adam Ant sold out.

Nope, I hadn’t a Scooby-Doo what a Roland TR-808 was, but I knew what I liked. I wasn’t aware of Factory Records, but I knew what Blue Monday was, and I knew liking Duran Duran might make me more attractive to the opposite sex. But this American song was wildly different, it was like ultramodern sonic funk, it was Planet Rock by Afrika Bambaataa & The Soul Sonic Force. I figured aside the Dr Who theme, this was the sound of the future, this was space-age, flying cars type stuff. And for the best part, I was right. Little did I know I’d be standing in a cold west country field seven years later, gnashing my teeth to electronic beats which made this sound old-hat.

I went out and loaded myself with American electro and early hip hop, discovering Grandmaster Melle Mel, Hashim, Newcleus et all, and we nagged Dad for a video recorder. My parents couldn’t see the point to recording TV, or hiring a VHS cassette, but the latter soon become a family weekend activity. We hired National Lampoons Vacation the first weekend, but prior to that, my brother rented the movie Beat Street, and everything, the Bronx culture, the graffiti, the breakdancing, the rapping, all fell into place.

Before I knew what was what, we were breaking in the school playground to commercialised versions, Break Machine’s Street Dance, Ollie & Jerry’s Breakin’… There’s No Stopping Us and Hey, you The Rock Steady Crew. Well, I say breakdancing, but that was a showy skilful fad for flexible kids. As a shy, cumbersome one, surrounded by puppy-fat I ticked none of those boxes and made do with “body popping.” This was far simpler, just had to join hands with the kids in the circle either side of you and do a kind of connected wave. That will impress the fairer sex, we must have figured, least I don’t know why else we did it, but we did, and less said about it the better.

Just like our school playground….. or maybe not!

The second significant recollection as a pre-cursor to becoming a “raver,” was a trip to the dentist. I needed my four remaining milk teeth extracted. For this, unlike today where you stay awake, numbed but perceptible to the dentist tensioning a foot to the side of the chair while he wrenches into your gum full force, they put me to sleep using gas. The nurse held my hand and told me to count to ten, I remember feeling uneasy as the gas took effect, it felt strange, it was the first time I was high; destined to be a “raver,” I’ll leave it up to your imagination if it was the last!

Do come again next Sunday, for the second part; might actually get on to the party stuff by then!

read second part here

https://youtu.be/SXKDxS3aums

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Last week we were able get a valuable insight into Sam’s portfolio and progress, as he releases a five-track EP of new material across streaming platforms; Lost Promises. Seems education pays off; this is a dynamite of powerful pop, and showcases Sam’s vocal range with much more intricate and often daring arrangements.

But perhaps, what is more, there’s matured themes on show. Opening tune, Below the Surface is evidence enough, an emotionally-driven social issues context of two characters, firstly a young single mum thrown out of the family home and a motherless son turning to drug abuse. The haunting piano gathers a peek to courage against the face of misfortune, and it stings.

Relevance is key in a convincing performance of this style, personal reflection on your own words pulls the heartstrings. “I’m so proud of each and every song on it,” Sam says. “They all relate to a significant point of my life, when I was feeling a certain way. it’s the rawest and most explorative I’ve been as a songwriter.”

Fallen Sky we’ve reviewed as a single last year, a dark, moody ambience, backed with a deep bassline, sonic piano and ticking drumbeats; as if William Orbit took boyband to dubstep. It characterises dejected teenage anguish and echoes the passion in early romantic interactions. While it’s a bromide subject at the best of times, Sam rests on it well, as was a time when we wanted Phil Collins to have a broken heart, so his reflection on it would be so powerfully crushing and relevant to our own life.

The back riff of Decide trickles, reminding me of the deep South American riffs of the Graceland shadowed Paul Simon sequel The Rhythm of the Saints, but its pace and catchiness makes it perhaps the most beguiling. As the title suggests there’s a romantic dilemma, again cliché subject, but you know Sam’s vocal penitence has it covered to perfection.

We’re lucky enough to have an acoustic version of the fourth track for our forthcoming charity album; I know, yep, I’m working on it, okay! Largely guitar-based, Wild Heart gives prominence in particular to my observation about trialling in Sam’s vocal arrangements, there’s some complicated measures to handle, and he does. Trust is a continuing notion, which makes a running theme, I guess where the title developed from.

The trick is the balance, and Sam’s a magician, but not without friends he thanks for assistance, “this EP wouldn’t have been possible without the hard work of some of the best musicians I’ve had the pleasure to work with,” Sam continues, “Toby, Ellie, Martin, Robbie, Woody and Stephanie.”

As it suggests, The End is the perfect finale, a ballad of missing someone, praying fondness will prevail and it’s not the end. In this track, and in all, there’s a poignant concept, the mainstay of all good pop. Hey, teacher, Sam deserves top marks for this, it’s highly listenable and hauntingly deeper than anything previous, yet retaining freshness of memorable pop. Progress is sweet, and to prove it here’s Sam in his early days with a drumstick up his nostril. Something he’ll annoy for me adding, but honestly bud, you can’t unsee it now!

Stockwell, Storm Jae and Nory Can’t Come Home

It’s not every day we hear a quintessentially hip-hop track with the magnitude of enriching classic rock riffs, say, as Gerry Rafferty’s Baker Street or Pink Floyd’s The Great Gig in the Sky.

Agreeably the nineties downbeat and trip hop era unleashed some masterful acts, particularly of the Bristol scene. And there’s shards of precisely this too, of Massive Attack and Portishead, in Can’t Come Home, a new Wise Monkey single from Stockwell featuring Storm Jae and Nory.

If I retain through rose-tinted specs, a passion for those naughty nineties it’s fuelled by nostalgia; I was young, once! Can even recall some bits of it. But rather than the drifting layers sluggishly building of aforementioned trip hop, the wailing guitar here hits you full in the face, more akin to said enriching classic rock tracks.

Even all this said and done, there’s nothing content to rest in a time of yore here, as the alignment of beats, astute male rap and uplifting female vocals of Can’t Come Home is fundamentally fresh and contemporary. Enough, I feel, to cross the barrier from myself to my teenage daughter’s musical taste, and that rarely occurs! This combination makes the song especially unique and substantially epic.

With the attitude and gumption of Stevie Nicks, and the mezzo-soprano range of Joni Mitchell, Storm Jae is a jolt in the right direction for an enveloping new era of singer-songwriters. Nory seems more elusive, I can’t find any information on! But teaming up with the trailblazing hip-hop-come-rock crossover musician and producer Stockwell is a match made in heaven, a heaven you can hear for yourself.

It’s agelessly sharp, emotionally elevating and an impactful grower, which will tease the palate of rock and urban adherents alike. If I make you wince to note Run DMC walked this way with Aerosmith some thirty-five years ago, or if you have to ask Siri what I mean by that, neither matters, this tune will appease either.

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Apr 28, 2025

A Trowbridge Kitchen Sink Drama; Sitting Tenants

Wednesday, racing down to the newsagent on the corner on my Rayleigh Tomahawk, fifteen pee in sweaty palm. Pick up my Beano, six pence left for halfpenny sweets. The lady stood irritated behind the counter holding a small paper bag, as the kid front of the queue rubbed his chin pondering the crucial quandary. “You’ve got four pee left,” she’d calculate, while the boy finally opted for another flying saucer rather than a fruit salad chew.

If there’s something delightfully everyday about the subjects on Trowbridge’s Sitting Tenants lockdown album, A Kitchen Sink Drama, none more retrospectively thought-provoking than the fifth tune, the Newsagent, which encouraged the placement of this archived memory to my frontal cortex.

Unlike many a lockdown inspired project, this lives on the sunny side of the street, no matter how working-class notion of destitution. A semi-acoustic concept album, all from a shed in Trowbridge, as folk, as best pigeonholed, it’s acutely observational and mostly sentimentally mellow, perfect lazy Sunday afternoon music. Yet it never escorts you down a dark alley. Of people-watching in a back street pub, of a welcomed arrival of a letter from an old friend; subjects are ordinary, with an optimistic air of market town affairs. Even the album sleeve is a line drawing of Trowbridge town centre.

Released on 208 Records, usually reserved for garage mod-revival, still it retains something of that period in sound and particularly subject. Rob himself polished his skill fronting Swindon mod band Roundabout, some twenty-five years past. A band I do recall fondly. But even if you don’t, here is something indie-folky, with a taste of local excellence.

Revived since lockdown this garage-folk band’s fifth album was recorded in Rob’s garden shed, with only bassist Geoff Allwright, and using Ian Hunter’s lyrics. It’s beautifully peculiar, a mite psychedelic in as much as McCartney vaudeville moments on Sgt Pepper, engrossing as Nick Drake, quirky as Pentangle or The Pretty Things. It’s the Kinks jamming carefree on a Sunday, especially on the most upbeat Lincoln Green. It nods to Lionel Bart on the Austerity Street, John Martyn on The Tin Man, and incredibly on the captivating eleven-minute finale, Falling Backwards, where things do get acute, Ralph McTell.

Like a Ralph of Trowbridge, it’s like, why is this down the road but new to me? Why didn’t it post a leaflet through my letterbox instead of a pleading politician?

Trending…

No Alarms No Devizes, Aptly in Devizes!

If I’ve been galavanting recently, gorging on other local town’s live music scenes, what better way to return to Devizes than a visit to the…

Apr 27, 2025

Hannah Rose Platt’s Fragile Creatures

If Whitney Houston set a benchmark for female vocalists many did before her too, but while others were influenced by them, they never felt obliged…

Apr 24, 2025

Yea Devizes; The Future of Events in Devizes

The premise is really quite simple, the prospect is positively glowing with brilliance, the result remains to be seen, but on Sunday the 4th May…

Apr 23, 2025

Alien Invasion in Frome; Henge at The Cheese & Grain

Two people asked me in Frome what the music scene was like in Devizes. I replied it’s great, but by comparison it’s conventional, and this…

Apr 20, 2025

Devizes South Conservative Candidate Accused of Election Fraud

Melksham & Devizes Conservatives released a statement on the 7th April explaining an internal audit revealed one of their candidates was “not qualified by residence…

Apr 19, 2025Aug 11, 2025

Wiltshire Music Awards Website Goes Live

Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which are…

Apr 14, 2025Apr 15, 2025

Soupchick in the Park

And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizes’ Shambles opened their second branch,…

Apr 14, 2025Apr 14, 2025

Where’s the Music on Sunday in Swindon? Fran Daisy at The Plough

Sometimes I believe we don’t know how lucky we are in Devizes. Sunday afternoon live music is a thing here, and we’re often spoiled for…

Apr 8, 2025Apr 8, 2025

Family Easter Holiday Events

Devizine isn’t only about music and gigs for grownups, y’know? It’s about events for everyone. This Easter we’ve lots of things to do over the…

Apr 7, 2025Apr 7, 2025

Un/Common People: Folk Culture in Wessex; Latest Fascinating Exhibition at Wiltshire Museum

Stuffed my dinner, scanned the brief, headlonged out the door, forgot about the road diversion into the Market Place, made a u-turn, arrived at Wiltshire…

Apr 5, 2025

Brainiac 5’s Other Dimension

And it is precisely that. Cornish psych-punkers The Brainiac 5 release this mind-blowing album of both reflective new tunes and lost archived tracks, today. Another Time Another Dimension bursts the cliché term genre-breaking to compose scattered influences, with this kind of low-fi garage style, which while loans to punk, even reggae, has the nod to acid rock of a previous psychedelia era. Most befitting a title, this is a tricky nugget to nail down, but it’s grower.

The band stress this is not a lockdown album, the impetus came from two other sources, namely a digging through the archives for unreleased material, and secondly, the passing of a long-time friend of the band, Martin Griffin. A supportive engineering assistant to the band in its earliest days, allowing them extensive use of his Roach Recording studio. Both reasons sparked the writing of some new songs, in this fifteen-track bundle of era-spanning and mind-expanding goodness.

I confess I was dubious at first, it’s as if The Beatles came after punk, but still recorded in a garage. It made me ponder the Clash singing “phoney Beatlemania has bitten the dust,” and in turn the target audience, presumably a fairly eclectic bunch. As I said, it’s a grower, and I suspect I’ll be digging bits of “oh yeah, I get it now,” for many listens to come. But time has got the best of me, got to get this review out tonight.

“The four albums released during our second coming have all garnered many reviews noting our continuing desire to experiment and expand while still maintaining the basic psych/punk ethos,” they say, “Indeed, the three new tracks here do continue this tradition of experimentation. However, although it is clear that the band has grown and developed over the years it is remarkable just how much we were experimenting right from the band’s inception.”

The bulk of Another Time Another Dimension, then, are memoirs, lost archives from 1976-1980, in what the band name “our initial Cornwall period.” Taking John D. Loudermilk’s Tobacco Road to Hendrix proportions, yep, sure is blues to be found here, and the rough and ready cover of Move’s Do Ya revels in low-fi garage rock.

But it’s loud, proud and sonic trialling, denoting a path through dubby seventies roots reggae, with a few tracks which offbeat, such as I Call Your Name and though Our Devils is another, it reeks of avant-garde, a Bonzo Dog Doo-Dah Band-come post-punk Talking Heads. Then I return to thinking, definitely punk, I Feel Good a prime example. And then, wham, there’s freaky drunken Jim Morrison weirdness in tracks like Khazi Persona.

Though the ground here is bumpy at the best of times, your head doesn’t smash on the top; it may be raw, but blends with a flowing refinement of proficiency. “There is a lot of ground covered here,” they rightly explain, “hang on and enjoy the ride.” And there’s the very thing; once you’ve found your footing, it’s a fantastic, adventurous ride, just lacks suspension!

But, with the third eye being squeegeed so succulently as this, suspension is for losers, anyway. Another Time Another Dimension encompasses a past with a present, as if neither really happened, and that’s refreshingly effective against pigeonholing.

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Beauty & the Beast; Devizes Musical Theatre at its Best

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Junk Street Drumming Workshop in Devizes; Easter Holiday Fun for All Ages

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UrchFunk; The Forgotten Tale of How George Clinton Created Funk Music in the Wiltshire Village of Urchfont

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Devizes Auctioneers Henry Aldridge and Son Relocating to Old Emporium

Renowned Devizes auctioneers and valuers, Henry Aldridge and Son announced today they are relocating their auction rooms to The Old Emporium, a Grade II listed…

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Devizes Kebab Van Riding High But Staying Put!

Four months on from the tragic fire on Northgate Street in Devizes which took out the popular Kebab House, owner Mustafa Suna and his dedicated…

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JP Oldfield Meets The Devil’s Doorbell at the Cellar Bar

To suggest I’m knowledgeable about the music of the 1920s because I lived through the era is plain cheeky, though I wouldn’t put it past…

Mar 30, 2025Mar 30, 2025

“Blood Brothers” at The Mission Theatre, Bath, March 27th-30th 2025

by Ian Diddamsimages by Ann Ellison. What can possibly be better than watching a performance of “Blood Brothers” by Willy Russell? Watching TWO performances of…

Mar 27, 2025Mar 28, 2025

“Flatpack” at The Rondo Theatre, Larkhall, Bath, March 26th-29th 2025.

by Ian Diddamsimages by Josie Mae Ross and Richard Fletcher John Hodge is well known for his screenwriting of “Shallow Grave”, “The Beach”, “A Life…

Mar 26, 2025Mar 27, 2025

Killers, Catalysts and Devizes Author Dave McKenna’s New Novelette

On impulse I speculated, just short of a quarter way through this book and at the conjunction the format of the narrative is sussed, that…

Mar 23, 2025

Bits of Elation; Chatting with The Belladonna Treatment

One of Swindon’s premier grunge pop-punkers, The Belladonna Treatment released their debut single, Bits of Elation, with London-based SODEH Records earlier this month. I spoke…

Mar 23, 2025Mar 25, 2025

Sheer Reveal Frank Turner at Cheese & Grain

To celebrate the release of his new single “the Gathering,” featuring Jason Isbell and Muse’s Dom Howard, multi-award-winning Frank Turner, one of the UK’s most successful solo artists of the past decade, selling over one million records worldwide and playing to over two million people from small venues to a sold-out show at London’s famous Wembley Arena, announces a UK tour. The good news for Turner fans is, Sheer Music nabbed the man himself for two dates at the Cheese & Grain.

Out via Xtra Mile Recordings of Polydor Records, The Gathering is his first new solo music in nearly two years. That said, we did review his Buddies sequel album with Jon Snodgrass not so long ago.

Launching today, The Gathering is available to stream now across all platforms, alongside are the exciting details for a series of nine live show ‘Gatherings’, headed by Frank and Xtra Mile Recordings and running over summer 2021. Tickets for all shows on sale from 10am BST on Friday May 7th.

It’s said Frank Turner didn’t want to write a lockdown song. Over the past year he’s written and rewritten songs, trying to steer himself away from the subject that will no doubt dominate the charts for years to come. But for a man whose life and career are so intrinsically linked to live music, not referencing the dearth of festivals and gigs started to prove impossible. Not least since Turner himself has spent much of lockdown playing virtual shows from his living room, raising over £250,000 to support endangered grassroots venues up and down the UK, many of which might not have otherwise survived the pandemic.

So, it’s fitting that Frank’s new single ‘The Gathering’ is an upbeat, Glam-esque stomp. It puts a positive spin on things, anticipating a return to normality. “It’s about that moment when you come together in a room full of people, and you lean on a stranger and sing along with the chorus and get the words wrong,” explained Frank.

Produced by Rich Costey (Biffy Clyro, Foo Fighters), who Frank worked with on 2013’s Tape Deck Heart, ‘The Gathering’ features pile driving drums courtesy of Muse’s Dom Howard and a triumphant guitar solo from Jason Isbell, who recorded remotely from Los Angeles and Nashville. The new track follows a number of huge life changes for the star, who left his beloved London for the Essex coast, also getting married after the release of 2019’s No Man’s Land. “The biggest thing for me about the lockdown experience was about identity,” he says. “I am the guy who tours, this is who I’ve been since I was sixteen. This is the longest period of time I’ve slept in the same bed continuously since I was seven.”

Set to change this summer, when, in celebration of the ethos behind ‘The Gathering’ Frank and label Xtra Mile Recordings will present a run of outdoor shows, helping to kick start the return of live music. It’s been a catastrophic year for the Industry as a whole, with the Covid pandemic dealing blow after blow for everyone in the sector. In true punk rock style, Xtra Mile and Turner want to take matters into their own hands with a set of versatile events that can either be socially distanced or full capacity depending on the maximum safety of the audience, performers and crews and in accordance with any national restrictions in place at the time of the event. Frank says; “At a time when the pandemic has wreaked havoc all across the live music industry, I feel like it’s important to get back to the basics – playing live music to entertain a crowd. This summer, with Xtra Mile and friends, I’m taking the punk approach – do it yourself, find a way. I can’t wait.”

2021 UK ‘Gathering’ Live Shows include Bideford in June, and Frome’s Cheese & Grain on both Saturday 26^th and Sunday 27^th June. The tour continues through July with dates in Liverpool and Gloucester, August at Manchester and Hull will need to wait until September.

The Guv’ of Sheer, Kieran Moore is keen to point out the Sunday is his birthday, so if you are going, take him a cake. I dunno, good question; add about 50ish candles I reckon!

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Situationships With Chloe Hepburn

A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, this…

Mar 22, 2025

Devizes to Host New County-Wide Music Awards

I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. The…

Mar 18, 2025Mar 18, 2025

Ruby, Sunday at the Gate

It’s a rarity that I should drag myself off the sofa on a Sunday these days, one usually reserved for the monthly Jon Amor Trio…

Mar 16, 2025Mar 16, 2025

Headline Tickets For Devizes Arts Festival Available Now, And What Else is to Come?!

Tickets for the headline acts at Devizes Arts Festival are up for grabs now, and the rest will follow for general release on April 28th,…

Mar 14, 2025

Take Our Wiltshire Pothole or Moon Crater Quiz Challenge!!

Can You Find The Wiltshire Potholes From The Moon Craters?! Now, at Devizine Towers we are far too mature and sensible to mock Wiltshire Council’s…

Mar 14, 2025Mar 14, 2025

Swindon Palestine Solidarity’s Charity Iftar and Poetry and Art for Palestine Events

Two upcoming events from Swindon Palestine Solidarity in March. The first is a charity Iftar this Friday 14th March, from 6pm – 8pm at the…

Mar 13, 2025

𝐀 𝐍𝐢𝐠𝐡𝐭 𝐨𝐟 𝐌𝐮𝐬𝐢𝐜 𝐚𝐧𝐝 𝐌𝐞𝐚𝐧𝐢𝐧𝐠: 𝐅𝐮𝐥𝐥𝐭𝐨𝐧𝐞 𝐎𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚 𝐚𝐭 𝐓𝐞𝐰𝐤𝐞𝐬𝐛𝐮𝐫𝐲 𝐀𝐛𝐛𝐞𝐲

Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Doves…

Mar 12, 2025Mar 12, 2025

CUDS, Devizes Town Litter Pick for GB Spring Clean

Clean Up Devizes invites you to help with a town littler pick for the GB Spring Clean on 22nd March. The Litter Pick is open…

Mar 10, 2025

Hells Bells! AC/DC tribute in Devizes

With our roads being the state they’re in, is it any wonder on the 5th April Hells Bells, rated as the UK’s top AC/DC tribute,…

Mar 10, 2025

Soupchick to Take Over The Hillworth Park Cafe

We’re delighted to hear Anya & Marc of the fantastically tasty Soupchick in the Devizes Shambles are to take over the cafe at Hillworth Park.…

Mar 10, 2025Mar 10, 2025

Salem Announce National Tour with Sheer Hosting Swindon’s Vic Gig

There’s something indefinitely old school punk about Salem, with nods to pop-punk, goth and rockabilly, hoisting them to the absolute top of their scene. No one in the UK are delivering this genre better right now.

This side project of Will Gould from Creepers and Matt Reynolds of Howards Alias is loud, proud and spitting; dripping with Siouxsie and the Banshees, laddered fishnet stockings and Robert Smith influences. Quite honestly, Kieran’s right, again; it’s knocking deafeningly at my front door!

They described their self-titled debut 2020 EP as “spooky, silly, romantic punk rock songs.” Yeah, figures.

Today they announce their October UK tour, with Oxford’s Bullingdon, Frome’s Cheese & Grain, and Bristol’s Exchange included, and nestled between them, on October 16^th, Sheer Music & Bandit present them at Swindon’s grandstand music venue, The Victoria.

Support for the Salem’s tour comes from a new solo project from Welsh former Holding Absence bassist, James Joseph; James and the Cold Gun. A playful twist on his name, James and the Cold Gun is named after a Kath Bush song. They promise to be something of a rock n’ roll blues revue, akin to former British rock n’ roll heroes The Computers. They signed to Gallows label Venn Records for the release of their debut album.

Tickets go on sale Thursday (6th May.) £10 adv. / £13 OTD for the Vic.

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Cracked Machine at The Southgate

If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There might…

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Isn’t She Lonely, New George Wilding Single

The second single from George’s sessions with Jolyon Dixon is out today, Isn’t She Lonely. With the vaudeville ambience of Queen’s later material and sprinkles…

Mar 7, 2025

Favourite Waste of Time: Chatting with Owen Paul Ahead a Devizes 80s Gig

July 1986, Madonna was asking her papa not to preach, Chris De Burgh was fantasising about a lady in red, and they were the only…

Mar 6, 2025Mar 6, 2025

Gecko’s Big Picture

In 1998 a pair of pigs escaped while being unloaded off a lorry at an abattoir in Malmesbury and were on the run for a…

Mar 4, 2025

The Trump & Zelenskiy Meeting; A Personal Reflection From a Ukrainian Living in Wiltshire

I’m certain most of us have seen the disturbing video of Zelenskiy meeting Trump at the White House last week, and have formed our own…

Mar 3, 2025

Park Farm; New Music Festival in Devizes

A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs and…

Mar 3, 2025Mar 3, 2025

Results of Salisbury Music Awards

All images: ©️ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,…

Mar 2, 2025Mar 2, 2025

Exchange Comedy Back in Devizes Thursday 6th March

Monsieur, with these Exchange Comedy night you are really spoiling us, for usually comedy in Devizes is just what we make ourselves; laughing at visitors…

Mar 2, 2025

Political Point Scoring on the Roads of Wiltshire, Again!

While world leaders have a slagging match over world war three, let’s have a Sunday roast about the state of our roads, shall we?! Because,…

Mar 2, 2025Mar 2, 2025

Drone Dogfight; Beaufort Hunters Attack Sabs’ Drone

A drone operated by Wiltshire Hunt Sabs was attacked by a second drone, twice, while surveying The Beaufort Hunt, after it recorded them illegally hunting…

Feb 27, 2025Feb 27, 2025

State of the Thing; a Monthly Guide to Last and This Coming Month of Devizine

Particularly crucial at this point, in the midst of this “roadmap” out of lockdown, for me to consider writing a monthly post outlining where we’re at, what we’ve been doing, and looking forward to the next month. A two-part article then, the second half on what’s happening locally during May particularly important.

But first, I have to say, despite the lack of events causing the lowering of hits annually, stats for April hit a record-breaking high, a staggering 132% higher than March. This is fantastic and I thank our readers for their support. Generally, April is a good month, All Fools Day being our bread and butter. This year’s was exceptionally accommodating, when I convinced thousands, Devizes was to get a McDonalds! This prank was in the pipeline long before April, and I suspected it would spread like wildfire, but only issue now, is how to top it next year.

Other popular articles this month have been political, when Tory Wiltshire Councillors were instructed by head councillor, Philip Whitehead to block correspondence with the Stop the Closure of Furlong Close campaigners, particularly prevalent. So too has been the interest of the Police Crime Commissioner election, with our interviews of Mike Rees and Liz Webster. And we’ve played impartial, allowing all council candidates an untainted paragraph in which to pitch the reason while we should vote for them.

Such is lockdown, when another seemingly popular doing, was my satirical fictional story serial, The Adventures of Councillor Yellowhead; honestly, I don’t know where these ideas come from! I think serials might be good addition to Devizine, and I’ve a new, wholly different approach to the next one, a personal account celebrating thirty years since the blossoming of the rave scene. So, wave your hands in the air for that one, if I find the time to write it!

Yet, proving our stomachs are more important than our politics, the best hitting articles, second only to the April Fools, have been when the Naan Guru opened, and my visit to the Feisty Fish. Proof of what I say, time and time again, but few owners of eateries listen; throwing me a luncheon voucher will boast your sales! We published our Feisty Fish review Wednesday, by Friday they sold out at their pitch in Littleton Pannell!

And I thought our mainstay was music and arts. But without live music reviews, it’s been no walk in the park. The live streams continue, but I cannot justify reviewing them in the same manner, only drawing your attention to them, and all other online events. This is why, and I can’t stress this enough, because I spend eons adding to it, our event guide is crucial, the coming months doubly so.

Our Song of the Day features continues, if slightly more sporadic than previous months, and we’ve covered reviews of Erin Bardwell, The Horses of Gods, Longcoats, Fruits Records and Black Market, with more to follow. But, with fingers crossed, and it’s looking rosy, May is the month live music is returning, so let’s muck about now more, wallowing in the past, and bang straight on with what’s happening over May.

Not forgoing, before I get onto this, my efforts this month will be focussed on our forthcoming compilation album, For Julia’s House, which I hope to be released later in the month or early June. The list of contributors now looks like this, all of them I’d like to thank eternally: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Will Lawton, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Kier Cronin, Sam Bishop, Mr Love & Justice, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, The Oyster, Nigel G. Lowndes, The Birth of Bonoyster, Revival, Room 101, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Cutsmith, Big Ship Alliance and Knati P. What a line up!

And I’ve more promised in the pipeline, possible tracks from Clock Radio, the Horse of Gods, Cutfish, The Lost Trades, and so many more; how utterly fantastic is that? I just have to pull my finger out and get on the case!

So, to what’s happening in May!

Events, remember them, that’s the kiddy, that’s what we’re looking forward to. And with positive feedback from the Liverpool clubbing experiment, stuff is being arranged and events organised, and everyone is undoubtedly as excited as a kid at Christmas.

May is the month which will, hopefully, keep on giving. I’ve a mega-task trying to keep up with changes and added events, updating our new look event calendar. You can help, by letting me know about your event, rather than expecting me to go digging. Thanks. Oh, and people, this preview is not exhausted, take heed, the calendar is going to explode with updates, so keep on top of it. Plus, the notion events will often be under usual capacity due to social distancing, and ticketed, so keeping ahead of the game is vital, if you want to head on out with a destination in mind!

For the now though, events remain online, but not void. Do check out the Wylye Valley Arts Trail, running until next Sunday, 9th May, and the Online Swindon Festival of Literature starting tomorrow until the same Sunday the 9^th.

Later today, I’d recommend you check out the Kyla Brox Band stream, or for banging clubland, the Midlife Krisis has it’s Sunday Session. Tomorrow, Monday 3^rd, head down to Hillworth Park in Devizes, where there’s a fundraising books and toys stand in Hillworth Park, for Wiltshire Air Ambulance. 10am till 2pm.

But on Saturday 8^th the Prestbury Sports Bar in Warminster is the first I’ve noted to open their doors to a live gig, and the fantaboulouso People Like Us will kick it off. Good luck to Nicky, Pip and the Scooby gang!

The first to brave the water on mass, though, is our brilliant Big Yellow Bus co-ordinator, Gerry Watkins with a Gloucestershire VW Bus Meet and Chill, a free event on 15^th May at Cirencester Town Football Club. “It’s just that,” Gerry explains, “meet up with old and new friends that share the same passion for the VW bus, it doesn’t matter if it’s a rusty old shed or a sparking bran new one it’s your pride and joy and we are here to enjoy and have fun, it’s also to help raise funds for The Big Yellow Bus Project a homeless shelter.” Bands playing include: Six O Clock Circus, Loaded Dice, The Daybreakers, and The Roughcut Rebels. Sounds super, but like I said, all events this early need booking, and once all 85 spaces have been filled that’s it; which it might already be. Just leaves me to say, have a great time, guys, and I hope you raise some serious funds for the Big Yellow Bus project.

But it’s the following weekend when shit really hits the fan. Swindon’s Victoria kicks off the return of live music with Awakening Savannah on Friday 21^st, and Thin Lizzy tribute, The Lizzy Legacy on the Saturday, I wish you all the best for these gigs, Darren Simons and the team at the Vic.

Both Pewsey and Devizes kick off live music too, on the Saturday. As for a fiver a pop, the Barge at Honeystreet offer Paul Ruck paying his tribute to legendary guitarist Eric Clapton, and at our trusty Southgate in Devizes, the long awaited return of live music will be supplied by the band who finished off at the last live music session prior to the lockdown, I believe, Swindon’s fantastic Sound Affects, who will double-up as the Daybreakers; something I’ve been looking forward to since I dunno when, and hope to see many faces I haven’t seen for ages, perhaps lockdown hair!

The Daybreakers pop up again the following Friday at Swindon’s Vic, while Honeystreet’s Barge offers you their favourites Jassy and Ted, aka SwingleTree, a wonderous folky duo with songs of the sea, lost loves, the ol’ canal, heart-warming harmonies, luscious squeeze boxes, and toe tapping tunes.

Saturday 29^th The Barge has the Dryadic collective, The Southgate have Leon Daye, and there’s few tickets left for an Attitude Is Everything fundraiser with Longcoats and Tangled Oaks at Bath’s Moles. But in general, the fantastic news is, slow and few in between, live music is returning to Wiltshire this month, and if everyone bonds, taking care and adhering to the restrictions set out, by June, we could have ourselves a mini summer of love!

Apologises if I’ve missed your event here, it’s most likely because you didn’t tell me about it! But it’s never too late to let me know. For fun-seekers crawling out of the woodwork, as I said, this list is not exhaustive, and over the coming weeks you must take a peek at our calendar, as it will continuously blossom with stuff to do. I mean, take a look at June, when festivals begin; oh, my lord, remember them?!

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Feb 21, 2025

Jamie Hawkins’ Teeth and Side Owl Short Films

Devizes singer-songwriter Jamie Hawkins, famed for poignant narrative in his songs and one-third Lost Trade, has always had a passion for filmmaking; Teeth is the…

Feb 20, 2025Feb 20, 2025

The Emporium in Devizes to Close

If Devizes boasts an abundance of independent gift shops of unique and exquisite or often novelty items in the face of a national pandemic of…

Feb 18, 2025Feb 18, 2025

PREVIEW – Jazz Sabbath @ Corn Exchange, Devizes – Saturday 1st March 2025

Don’t Miss This One! Andy Fawthrop Just over two years ago I was privileged to be in the audience when Jazz Sabbath played their only…

Feb 18, 2025

Mental Rot; New I See Orange Single

Hold on tight, the new single from I See Orange, Mental Rot embodies everything I love about this Swindon grunge trio, and takes no prisoners…..…

Feb 13, 2025

Song of the Day 37: Lady Nade

I could scrutinise my archives, like a minister’s accountant, but without doing so I highly suspect Lady Nade has had a song featured on our Song of the Day feature once before.

Futile to check, as if I’ve implimented a ruling of one song per artist on our feature, which I haven’t. And even if I had, I’m my own boss here, and have every right to override it. And for what? What purpose?

I’ll tell you, shall I? If only to share and spread the word, this is a gorgeous tune, with a video nodding to her home city, Bristol, and its hint of topical affairs, despite the conotations of the song not revealing a similar notion, rather a classic theme of romance.

But the soulful expertise of Lady Nade makes it look so easy, and in this beautifully executed breezy ballad, one can only gasp at her skill and wallow in its splendour.

And that’s my song of the day!! Very good, carry on…..

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-June
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3G
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New Season
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Dear John, Concert Album for War Child renacts Lennon’s Classics

A star-studded celebration of John Lennon’s music will be released this Summer in aid of War Child UK.

Originally recorded live in concert last year ‘DEAR JOHN – CONCERT FOR WAR CHILD UK’ will receive official digital release on 11^th June 2021, with all proceeds going to the charity.

The record features a number of legendary artists from across the globe who came together virtually to celebrate what would have been the 80th birthday of The Beatles icon: John Lennon. Pledging their support for the renowned charity and hoping to inspire change, the recording features stunning renditions of Lennon classics as performed by Sepp Osley and his band Blurred Vision, alongside a glittering array of guest stars including MAXI JAZZ (Faithless), KT TUNSTALL, JOHN ILLSLEY (Dire Straits), NICK VAN EEDE (Cutting Crew), GOWAN (Styx), GRAHAM GOULDMAN (10CC), P.P. ARNOLD and many more.

The full track listing for the record is as follows:

‘DEAR JOHN – CONCERT FOR WAR CHILD UK’

1. STRAWBERRY FIELDS FOREVER – BLURRED VISION
2. REAL LOVE – BLURRED VISION feat LAURA JEAN ANDERSON
3. DON’T LET ME DOWN – BLURRED VISION feat MOLLIE MARRIOTT
4. ACROSS THE UNIVERSE – GRAHAM GOULDMAN of 10CC
5. NORWEGIAN WOOD – NICK VAN EEDE of CUTTING CREW
6. POWER TO THE PEOPLE – MAXI JAZZ of FAITHLESS
7. TOMORROW NEVER KNOWS – GOWAN of STYX
8. DEAR JOHN – BLURRED VISION feat NICK VAN EEDE
9. A DAY IN THE LIFE – BLURRED VISION
10. GIMME SOME TRUTH – KT TUNSTALL
11. I’M ONLY SLEEPING – JOHN ILLSLEY of DIRE STRAITS
12. IMAGINE – P.P. ARNOLD & SEPP OSLEY

In 2019, a career-long dream to bring together a variety of artists to celebrate the music, the legacy, and the birthday of Beatle legend John Lennon came true for Sepp Osley and his up-and-coming band Blurred Vision. Hosted virtually mid-lockdown, the event would not only be a celebration of the iconic cultural figure, but also a fundraiser for the charity War Child, an organisation personally and deeply close to Osley’s heart.

Born in war torn Iran in the mid 80’s, Sepp escaped the war gripped country of his birth with his family, beginning a tumultuous journey through the ancient lands, onto Europe and finally settling in Canada. With this clarity and artistic spark, the band Blurred Vision was formed with his brother and former bandmate. After a string of successes with his band, Sepp hosted the first ‘Dear John concert in 2019, in which musicians came together for a charity night celebrating Lennon, his musical impact, and the message of love he advocated. Fast forward to 2020, when the world was in lockdown. With no possibility of live music in sight, tours Sepp turned attention to the 2^nd Annual ‘Dear John’ Concert and the situation created by the Covid19 pandemic brought about the idea to take the show to an online platform in the year where virtual concerts became the norm.

“I began reaching out to artists around the world who I respected and admired,” says Sepp. “Before I knew it, an unbelievable roster of artists had signed up and were going to be a part of the 80^th birthday celebrations for our mutual hero and help us raise money for the charity so close to my heart.”

What started as a hopeful, yet incredibly daunting endeavour turned into one of the most exciting concert productions of the year. Now in 2021, the 2^nd Annual concert event is being turned into a digital charity album release. Featuring artists such as Laura Jean Anderson, John Illsley of Dire Straits, Maxi Jazz, and Sepp’s own band Blurred Vision, the album serves an addictive amalgamation of talent, in which fans can listen to discover musicians worldwide, relive the unforgettable performances of the classic Beatles and Lennon tracks, and raise funds for War Child UK in the process. ‘Dear John – Concert For War Child UK’ is a snippet of history now in audio form, that will live on for years to come.

‘DEAR JOHN – CONCERT FOR WAR CHILD UK’- RELEASED: 11^TH JUNE 2021 ITUNES PRE ORDERS BEGIN: 5 MAY PRE-ORDER HERE

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026Jan 9, 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!Jan 4, 2026
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-JuneJan 4, 2026
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!Dec 30, 2025
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3Dec 30, 2025
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!Dec 27, 2025
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!Dec 22, 2025
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3GDec 18, 2025
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New SeasonDec 18, 2025
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2Dec 16, 2025
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Song of the Day 36: Daydream Runaways

It’s those guys again. Yes, we’ve reviewed the song before, but this our quick song of day feature, which usually requires a video, and it’s the vid which is new…. and marvelous.

“Something Anerican Pie about it,” Ollie of the Longcoats suggests on Instagram, and I tend to agree. Due to lockdown the Daydreamers haven’t managed to produce a video for it, so photographer Vansessa Paiton made it using stock footage. And what a grand job, it looks fantastic and apt for the tune. Makes feel young again, but I’ll say no more!

And that’s my song of the day!! Very good, carry on…..

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026Jan 9, 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!Jan 4, 2026
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-JuneJan 4, 2026
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!Dec 30, 2025
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3Dec 30, 2025
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!Dec 27, 2025
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!Dec 22, 2025
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3GDec 18, 2025
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New SeasonDec 18, 2025
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2Dec 16, 2025
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Devizes Town Band in Chippenham

“We’ve been waiting patiently to get back to playing again,” says our town band here in good old Devizes, “but now we are getting excited!”

The reason, with regulations permitting, they’ll be at Chippenham’s John Coles Park, off Malmesbury Road, on Sunday 23rd May, 3pm-5pm, for some free live music, promising to be a “musical extravaganza!” Bring a picnic, “we’ll be using our marquee, so you won’t miss us!”

Devizes Town Band formed in April 1999 as the Alpha Wind Ensemble. Mike Ward of Bratton Silver Band joined as Musical Director a year later, and by 2001 they became the Devizes Town Band and gained permission from the Town Council to use the town crest.

Since then, the band has gone from strength to strength, with various concerts including Proms at Hillworth Park. They’ve raised funds for many local charities, including Alzheimer’s Support, Julia’s House Hospice. They’ve played at Royal Victoria Park in Bath and the bandstand at Bournemouth, via their association with Bournemouth Symphony Orchestra, but recently reduced to making monthly Zoom videos during the lockdown to keep in practise.

For my best memory will always be the Christmas Light Switch-On and Lantern Parade, when, with cold fingers warming around a cup of mulled wine, the Town Band played a brilliant classical version of Jona Lewie’s Stop The Cavalry; and it’s not yule until I hear that song!

And now, showtime is nearing! Devizine wishes Devizes Town Band the very best of luck for a refreshed season. Until then, thanks to Bill Huntly’s now disbanded Devizes TV, enjoy a memory from the 2014 Proms at Hilworth Park.

Trending…..

Last Few Tickets for Devizes Festival of Winter Ales This Saturday!

There are only a few tickets left for this year’s Devizes Festival of Winter Ales, an important fundraiser for DOCA….. This year DOCA has teamed…

Feb 11, 2025

Electric Dream Comes True; Cephid’s Sparks in the Darkness at The Rondo

A sublime evening of electronic elegance was had at Bath’s humble Rondo Theatre last night, where Cephid’s album, Sparks in The Darkness, was played out…

Feb 9, 2025Feb 9, 2025

Just a Little New Single From Sam Bishop

“This song speaks to anyone who’s ever felt like they weren’t quite enough for someone, yet still held out hope for just a hint of…

Feb 7, 2025Feb 7, 2025

SwinterFest Broke Me Out of Hibernation!

Like a hedgehog poking his nose out of the bracken, just a few hours on the Sunday at Swinterfest was enough to cure me of…

Feb 5, 2025

RowdeFest 2025!

Okay, I can’t keep the secret any longer or I’ll pop! While all the hard work is being organised by a lovely committee, because they…

Feb 4, 2025Mar 29, 2025

An Insight into Devizes New Youth Centre Project

I caught up with an excited Jonathan Hunter, leader of Devizes Town Council’s independent party The Guardians, and local loyal youth worker Steve Dewar to…

Feb 1, 2025Feb 1, 2025

Events This Weekend; January Into February!

If we’re nearly out of the prolonged gloom of January, note it’s still winter but we’ve climatised and are ready to party. February this year…

Jan 30, 2025

Bradford-on-Avon Green Man Festival Returns In May

Experience the Bradford on Avon Green Man Festival, a vibrant, family-friendly community gathering featuring traditional dance, music, song, and folklore throughout the town centre on…

Jan 30, 2025

Henge Journey to Voltus B, Via Frome’s Cheese & Grain; Abduct Me!

If I’m considering reviewing worldwide music again, why stop with this planet?! Though I’ve reasoned two tenacious links to mention this madcap Scottish interstellar outfit;…

Jan 28, 2025

Swindon Festival prevails for fourth consecutive year having raised over £40,000 for Prospect Hospice

The team behind popular all-day music extravaganza, My Dad’s Bigger Than Your Dad Festival, can now reveal that nearly £11,500 was raised for Prospect Hospice…

Jan 28, 2025

Looking Forward to the Trades’ Road of Solid Gold

Scrub the headline as ‘news,’ here at Devizine Towers, as we look forward to any update The Lost Trades trio throw at us, especially a nice pint in a pub with those guys playing. Which is what we’re building to, fingers crossed, as they pencil in HoneyFest at the Honeystreet Barge on their growing confirmed gig list.

Among them, Frome’s Cheese & Grain, Salisbury’s Winchester Gate, the Couch in Bracknell, Schtum in Box and WeyFest. Proof their exceptional and convivial brand of folk is resounding far and wide. Another validation for the Lost Trade’s reputation is news today the second single from the highly anticipated debut album, out on 7^th May, features the violin mastery of the incredible Peter Knight.

A legend of folk, Peter learned his trade at Royal Academy of Music, and not only was a founding member of Steeleye Span, undoubtedly the most renowned group of the British folk revival alongside Fairport Convention, but secretly was Uncle Bulgaria of the Wombles band too! He’s worked with blues legend Alexis Korner and Mary Hopkin to namedrop out of many, and today his occasional big band, Peter Knight’s Gigspanner Band are a unique force in British folk music with high-energy, virtuosic performances appealing equally to traditionalists and to those looking for something experimental.

Peter Knight; by Heritage Focus Photography

See, I love a mean fiddler garnish on my folk, and as the Trades say, “as collaborations go, it doesn’t get much more mouth-watering than this.”

Road of Solid Gold – The Lost Trades (featuring Peter Knight) will be released on 7th May, another appetiser for the foresaid album. “When we were recording the song, we knew we had the seeds of something a bit special, but we felt it needed some extra magic. We were thrilled when Peter agreed to add that magic and we can’t wait for you to hear it.” Umm, yes indeedy, and we can’t wait to hear it!

Trending….

“Veronica’s Room” at The Wharf Theatre, Devizes, January 27th-February 1st 2025

By Ian DiddamsImages by Jeni Meade No aficionado of 1960s and 1970s horror films would have missed seeing “Rosemary’s Baby”, a story of Satanic pregnancy,…

Jan 25, 2025Jan 25, 2025

Devizes Musical Theatre’s Next Production; Beauty & The Beast

If I had to be magically turned into a candlestick or a teapot, I believe I’d rather be a teapot than have a wax candle…

Jan 23, 2025

Returning to Kaya Street For Fuller Soul Sessions

In November last year I was mightily impressed with Bristol soul-reggae producer Kaya Street, and reviewed their EP The Soul Sessions, read it here for…

Jan 23, 2025

New Album from Illingworth; Man Made of Glass

Four years of hard work in the making, and it sure shows, Man Made of Glass, the third album from John and Jolyon, aka Illingworth,…

Jan 22, 2025Jan 22, 2025

“Jerusalem” at the Mission Theatre, Bath, January 21st-25th.

By Ian DiddamsImages by Gail Foster What is reality? Is it the cold light of everyday activities? Is it the symbiosis of contemporary time and…

Jan 21, 2025Jan 21, 2025

REVIEW – Devizes International Blues Festival – Saturday 18th January 2025, Corn Exchange, Devizes

Another Stunning Week-End For Live Music Andy Fawthrop Normally I’d be raving about just how good the live music was at The Southgate on Sunday afternoon.…

Jan 20, 2025Jan 20, 2025

Stepping Up My Spine; New Nothing Rhymes With Orange Single

Developed in Devizes, blossoming in Bristol, as well as a snazzy new website, indie-punk phenomenon Nothing Rhymes with Orange released their next single, and it’s…

Jan 18, 2025

The Oak Festival; The Best Thing to Hit Pewsey Since…..?!

Yet to witness it myself but heard on the grapevine, the blossoming liveliest place to be in Pewsey at the moment, is, apparently the Royal…

Jan 17, 2025Jan 18, 2025

Devizes Welcomes New Coffee Shop, Caffe Vialottie

Devizes welcomed a charming new coffee shop to The Market Place today, called Caffe Vialottie; I thought it best to drop by, poke my nose…

Jan 15, 2025

La Belle Hélène; White Horse Opera’s Debut at The Wharf Theatre

Seems odd the perfect combination between Devizes’ only theatre, The Wharf, and one of the longest-running performance group, White Horse Opera hasn’t linked before, but…

Jan 15, 2025Jan 15, 2025

Black Market Dubs Elton

On 6th February 1989 an unidentified lone gunman in Kingston, Jamaica killed Osbourne Ruddock. He made off with his gold chain and licensed gun, the music industry lost a pioneer often under-represented in history. The likely reason for this obscurity, he was not a musician, rather a producer and sound engineer who begun his career fixing disgraced radios.

Better known to the world as King Tubby, during his sound system dances of the mid-sixties he noted the crowd favoured the instrumental sections of the song. This rock steady era was dominated by vocal harmony groups, but with a handful of others, including Lee Scratch Perry and Bunny Striker Lee, Tubby set about extending the instrumental sections, cutting the mid-range, dropping the basslines and limiting the vocals with echo delays.

He had created “dub,” more technique than genre, it revolutionised music way beyond reggae and is the mainstay formula of all pop since hip hop; today, we take the remix for granted.

But aside the pioneering techniques we owe Tubby for, dub has too developed into a reconised genre and given us subgenres, from drum and bass to dubstep and dembow.

Still the origins were remixes of rock steady and reggae songs, and from the most unsuspecting area to find dub thriving that ethos, Nashville, Tennessee, Nate Bridges uses the techniques rather to reimagine pop, rock, even film or TV soundtracks, or anything which takes his fancy, under the guise Black Market.

The magic of Black Market is they retain the offbeat formula of reggae, while being versions of four-beat tunes. The strapline goes “what would happen if The Beach Boys had The Wailers as their backing band instead of The Wrecking Crew? What if David Bowie spent the summer of 1975 in Kingston, Jamaica with King Tubby instead of Philidelphia? Michael Jackson meets Scratch Perry? These questions are the basic thesis of Black Market.”

While few of these mainstream sources could easily be converted, such as the Clash, the magic is when Nate and friends takes something wholly non-reggae and breathes an air of dub to it. The Beach Boys album first attracted me to this, but with every new release he never fails to take it to the next step.

The latest release from this prolthic genius is Elton John classics, and I felt it’s long overdue to mention him. This is, without doubt, utterly sublimely executed and would appeal to reggae lovers and fans of the subjects being reimagined alike; hearing is believing.

While we’ve had the astounding recordings of the Easy Star Allstars, when they dubbed classic albums, Dark Side of the Moon, Sgt Peppers and “Radiodread,” they pride themselves in originally recreating the music without samples, Black Market are the purveyors of sampling, the kingpin is the lifting of the original and placing it in a reggae setting.

Find the Michael Jackson Thriller album dubbed, Bowie, Tempations, Talking Heads and Twin Peaks, Batman and Ghostbusters soundtracks among others, and all name your price on Bandcamp.

Astounded by pinning a ska riff to Michael Jackson’s Billie Jean, Nate told me it was the only way to accomplish the track to such standard he requires, the predominantly downtempo of dub simply didn’t fit the bill. This made me contemplate the complexities of what he’s dealing with, when opposed to simply remixing a tune. And it’s this which makes Black Market such a fascinating project which leaves you wondering what’s next on his agenda, and if there’s anything which he wouldn’t rise to the challenge of dubbing. I’d like to throw Mozart at him!

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026Jan 9, 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!Jan 4, 2026
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-JuneJan 4, 2026
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!Dec 30, 2025
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3Dec 30, 2025
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!Dec 27, 2025
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!Dec 22, 2025
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3GDec 18, 2025
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New SeasonDec 18, 2025
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2Dec 16, 2025
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Devizine to Release Various Artists Compilation, 4 Julia’s House

If it’s been a quiet week here at Devizine Towers, it’s not because we remain in the perpetual Groundhog Day of lockdown, things are beginning to open up and folk are gathering to take advantage. Time will tell if we’ve made the right move, and fingers are crossed, but we surely have to attempt to emerge from his global hibernation. Rather, I’ve been away for the week, playing the grandad role on the single most tranquil UK holiday camp getaway ever!

Don’t get me wrong, even with restrictions, it’s been lovely nonetheless. Now, I’m back, back like a bad smell on your shoe rack, and if you think I’ve been lazing around watching paint dry, you’re not totally wrong. But I do have an exciting announcement, which has kept me out of trouble for the last fortnight.

The announcement might be something more suitable for lockdown, but despite, I’m feeling this blossoming project is definitely heading in the right direction. We’ve 24 tracks kindly contributed already for a compilation album of local or music related to Devizine, however tenacious, subjects we’ve reviewed or covered in the past, or we simply love! Binding them together and hopefully presenting them as soon as feasible on one chunky download album via the most brilliant website, Bandcamp.

It’ll be a cross-genre extravaganza of music, and you’ve not even heard the best bit about it. To explain that bit I need to first stress my eternal gratitude and thanks to the wonderful artists already freely contributed a song for this, and those planning to. Now, where was I? Oh yeah, the really, really good bit; get this, all proceeds, 100% of them will go to Julia’s House.

Julia’s House is not a typical children’s hospice. They provide practical and emotional support for families caring for a child with a life-limiting or life-threatening condition, providing frequent and regular support in their own homes, in the community or at our hospices across Dorset and Wiltshire.

Devizine asks musicians and bands, be they locally based or otherwise, to send us an original song for us to add the already bulging track list, if you’ve one to spare. I’m fully aware the pressure is already on artists at this time, but I’m not asking you to create a tune especially, or give away something which is currently selling well. It could be pre-released from an album or an older single you have; just something in your archives, you wouldn’t mind allowing us to use.

I’m being harassed about a deadline, we should set one, although I firmly detest the word deadline! Let’s pencil in 15th May, so if you’ve a song you’d like to throw at us, please do send a WAV file if possible, mp3 if not, by then. Send via We Transfer or Google Drive to: devizine@hotmail.com

But don’t despair if you cannot make the gig. With the popularity of this project to date, I’m looking in my crystal ball and predicting a volume two on the cards.

Only thing I will ask you to bear in mind, if thinking of contributing, is that this is for a children’s charity, and while I’m not expecting The Wheels on the Bus, please avoid swearing like sailor. No NWA tribute acts, please!

It gives me great delight to tell you we have many fantastic songs already sent to us, a mahoosive thanks to everyone who’s bunged us a tune, and so many others who have promised to, shortly. A full track listing with details and links will follow nearer to launchpad day, but for now, I’m excited to let you know local legend Pete Lamb provides an apt title track, Julia, (actually it’s Julie, but who’s splitting hairs, I’m renaming it!) for which he’s teamed up Cliff Hall, pianist for The Shadows; a glorious benchmark to open with.

Other artists featuring, to date are The King Dukes, Erin Bardwell, Mr Tea & The Minions, Talk in Code, Timid Deer, Kirsty Clinch, Duck n Cuvver, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Will Lawton, Jamie Williams & The Roots Collective, Sam Bishop, Mr Love & Justice, The Truzzy Boys, Longcoats, Atari Pilot, Andy J Williams, Cutsmith, The Oyster, The Birth of Bonoyster, The Two Man Travelling Medicine Show and Richard Wileman.

UPDATE:

Wow, as of Monday 19th May, we now have a staggering 37 tracks contributed. The list now looks like this: Pete Lamb & Cliff Hall, King Dukes, Erin Bardwell, Timid Deer, Duck n Cuvver, Strange Folk, Strange Tales, Paul Lappin, Billy Green 3, Jon Veale, Will Lawton, Jamie Williams & The Roots Collective, Kirsty Clinch, Richard Wileman, Kier Cronin, Sam Bishop, Mr Love & Justice, The Truzzy Boys, Daydream Runaways, Talk in Code, Longcoats, Atari Pilot, Andy J Williams, The Dirty Smooth, SexJazz, Ruzz Guitar Blues Revue, The Boot Hill All Stars, Mr Tea & The Minions, The Oyster, Nigel G. Lowndes, The Birth of Bonoyster, Revival, The Two Man Travelling Medicine Show, Julie Meikle and Mel Reeves, Cutsmith, Big Ship Alliance and Knati P.

And there’s more in the pipeline, hopefully creating a hefty genre-busting mega-box set!! So, please be part of it if you can, and bung us your song! More the merrier. Thank you! Oh, I love it when a plan comes together.

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DOCA Receives Culture Recovering Funding

The future of Devizes’ carnival and Outdoor Celebratory Arts is looking great, as DOCA announce today some exciting news; they are delighted to have received funding from the government’s #CultureRecoveryFund.

The much-needed funding will cover their overheads in the coming months. Allowing investments in developing their Board of Trustees, employ a Volunteer Coordinator and begin reconnecting with the existing “family” of volunteers. They also seek new recruits to help deliver the fantastic program of events. Such as new volunteer coordinator, Holly Solo-Hawthorn, who joined the team in last November. If volunteering with DOCA is something you are interested in please email: docavolunteer@gmail.com

Chair of the Trustees, Kelvin Nash said, “we know people can’t wait to get out and meet up with others and enjoy all the things we might have taken for granted before COVID. We also know we are very privileged to receive this funding that will help us continue bringing great events to Devizes. We hope everyone will continue to support us this year to make these events happen safely, plans are still tentative of course, but it does feel like there is now a light at the end of the tunnel.”

Artistic Director, Loz Samuels expressed although DOCA are able to start planning Summer events, not all of the usual events will be back this year. “This year will have a different feel but we know that it will be just as amazing as ever. There will be no Confetti Battle this year we hope to combine the Colour Rush with the Street Festival which will add an explosion of colour to the day and we hope to attract some new people along to the event.”

As we look forward to future events in Devizes, DOCA will be touching base with market traders and coordinating a hopeful new season of celebrations. Here’s the plan to date:

Sunday 22nd August 2021 – Picnic in the Park

Monday 30th August 2021 – Devizes International Street Festival

Monday 30th August 2021 – Colour Rush

Friday 26th November 2021 – Winter Parade

Saturday 27th November 2021 – 31 Trees and Counting

Saturday 26th & Sunday 27th Feb 2022 – Festival of Winter Ales

Pretty in Pink Longcoats!

Bath’s young indie-pop favourites, Longcoats has a forthcoming belter of a single, with a generous slice of retrospection; you may admire them again today.

As one who usually supports the underdog, I favoured the originally intended ending of the John Hughes cult, Pretty in Pink. Although it’s all in the past, Duckie deserved his promqueen for the overtime he put in. I mean, don’t get me wrong, boyishly I wouldn’t have chucked Kirsty Swanson out of bed, but by the final cut, the Duckster failed at the goal he set. And I liked him, rooted for him against the dweeby snob Blane. Though it was never about the guys fighting, Molly got what she wanted, I suppose, and Duckie learned not to cross the friends barrier; c’est la vie.

But I’m not here to rap eighties coming-of-age romcoms, less you’ll never hear the end of it. Windows down driving music we are here for. Out this Friday (16th April) I’m backing this will be an instant indie-pop anthem, with the same name as that movie.

Frontman Ollie Sharp confesses, “John Huges is a big inspo for us, always loved Breakfast Club and Pretty in Pink.”

Bath’s Longcoats rocking the summertime vibe with a beguiling riff, and feel good factor. Pretty in Pink has to be the best we’ve heard of this promising indie three-piece, to date.

Akin to recent tunes we’ve reviewed from the likes of Talk in Code, Daydream Runaways and Atari Pilot, here’s a fresh indie track, retaining the contemporary yet with that sublime nod to eighties pop-rock, which, as precisely as the title suggests, wouldn’t look out of place on a John Hughes soundtrack any more than the Psychedelic Furs’ title theme.

It’s an upbeat wah-wah scorcher, fading to emotively driven verses, powerful as anything you might hear on such a film score, with a popping an earing in and punching the sky ending.

Since last October’s awesome EP, named conveniently after the month, things have progressed in a direction I’m liking for the Longcoats, being a Thatcher’s child and all!

This is a grand job, find it on Spotify on Friday. Pre-sale link here.

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Reggae Perfection; Winds of Matterhorn

Again, we find ourselves in the most unsuspecting part of the world to find the perfect reggae sound, Switzerland. Fruits Records release Winds of Matterhorn at the end of this month, 30^th April.

Rather than the unanimous Rastafarian camp, Jamacia’s hills of Wareika, Swiss-Italian trombonist Mattbrass and producer Jackayouth have taken inspiration from the eminent mountain in the Alps for this four-track instrumental EP. Unlike the progressive nature of the Jamaican music industry, Fruits Records, as ever, find their penchant in a more classic sound. The tried-and-tested formula of roots reggae may be deemed old hat on the island of reggae’s origin, but no one can refute the global influence of Bob Marley and the Wailers, and the consequential epoch which followed.

The mechanics of the profound effect reggae’s golden era has had on music as a whole is inconsequential here, because there is no fusion or experimental divergence. You will not hear rock or soul’s pastiches of the formula, there’s no preaching vocals, you will only hear a crisp and refined approach to the true sound. This is reggae at its finest, a driving riddim, occasional wail of an electric guitar, heavy bassline and saturated in sublime horns.

To emphasise these classic elements of reggae are evidently profound, each tune is singularly named after the four classic elements; earth, air, fire and water.

Earth is marching one-drop reggae, the kind you’ll identify with the later works Bob Marley & The Wailers, such as the 1979 album Survival. But Air is no lighter, there’s a real deep, roots feel to it, a plodding bassline fills said air, but throughout there’s this continuation of a tight horn section, managed to perfection. Fire has more upbeat jollity about it, so much so it near-verges on the classic ska of the unrivalled Skatalites. Water brings it back around, with that proud one-drop march.

This is the traditions of reggae, elsewhere at its very best, the only thing it lacks is the vocal affirmation to Rastafari, or anything else uniquely indigenous to JA, rather a structured salute to the sound, as if it was performed by Mozart or Beethoven. There’s the nutshell, if Beethoven went to sister Mary Ignatius Davies’ class at Kingston’s Alpha Cottage School, with Don Drummond, Rico Rodriguez, Roland Alphonso et all, his symphonies might end up sounding something like this; it is that accomplished.

Top marks, as if they not done it before on Devizine, and I’ve still not gotten fully over how awesome Wonderland of Green was!

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Song of the Day 34: Jon Amor

Here’s a thing, did you know the Michael and Janet Jackson duet “Scream,” is cited as the world’s most expensive music video, totaling a cost of $7 million? And Wacko dished the cash out of his own pocket?

Despite critical acclaim at the time, reaching number 3 in the UK pop charts, and the retaliatory nature of the song against the tabloid assault on Michael after sexual abuse accusations, I thought, and always will think, it was a bit shit, to be perfectly frank!

Look, I mean, okay, bit harsh were the allegations, so MJ thinks, I know, I’ll bag myself a B-movie spaceship, take my sister off the planet, buy us both matching knobbly jumpers, dance about in zero g, and cough up seven million dollars for someone to film it, that’ll convince the fans I’m not a complete fruitcake.

They didn’t even save enough pennies to get it filmed in technicolor. Input sad face emoji.

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Horses of the Gods; We Wish You Health

I once reviewed a cassette with a photocopied punk-paste zine style picture of Mr Blobby as the cover, where a distraught male voice screeched, “take an overdose, ginseng!” continuously over some white noise. Thank heavens that’s in a long-lost past!

Fortunately, I’ve never had anything quite so bizarre to review since, not even this week when, Erin Bardwell messaged; “one of the drummers I do things with, Matty Bane, has a side duo project and wanted to let you know about their latest album.”

Sure, I’ve heard of Matty, seen him listed as one of Erin’s collective, trekking with them to Jamaica in 2003 to record with Recoldo Fleming at Dynamic Sounds. Further research shows he’s drummed in Bad Manners for over ten years, and is now part of Neville Staple’s From the Specials setup, headhunted from days as part of the Special Beat tour with the original rude boy.

Given this, I was naturally expecting said side-project to be reggae, stands to reason. What might’ve eased the surprise was to have pre-known of Matty’s own band The Transpersonals, a minimalistic, psych-rock outfit lounging somewhere between Pink Floyd and Spaceman 3. Still, nothing was going to prep me for what I got; We Wish you Health by Horses of the Gods.

There’s only one reason for facetiously mentioning the eccentric Mr Blobby cassette, because this is unusual too. The likeness ends there, though. “Bizarre” can connote excruciating, as with the cassette, but, as with We Wish you Health, can also imply uniquely stimulating and inimitably disparate. So much so, it’s astonishingly good. For those seeking the peculiar, those at their happiest dancing barefoot in Avebury’s morning dew, or for whom reaching the summit of Glastonbury Tor before sunrise is priority, will adore this, with jester’s bells on.

Matty teams up Mike Ballard, a media and games lecturer with a penchant for folk. And essentially this is what we ought to pigeonhole Horses of the Gods as; Somerset folk, is as near in modern terminology you’re going to get. But for comparisons I’m going to have to max my flux capacitor way beyond my usual backtracking.

If I relish in music history without the technical knowledge, I understand one has to either accept four-time pop, or untrain their ear to acknowledge other musical metres, in order to appreciate folk, classical, even jazz, but particularly the kind of sounds We Wish you Health is embracing. There’s something medieval, least pagan mysticism about the influences here, of shawms and hand-cranked hurdy-gurdies, miracle plays, and Gallican chants of plainsong. And it’s swathed with chants and poetry as if in variant West Country Brittonic tongue.

We have to trek beyond futurist Francesco Balilla Pratella’s Art of Noises theory, to an olden ambience of nature, of birdsong, storms and waterfalls. The opening track starts as a spoken-word toast and ends akin to medieval court jester entertainment, over a haunting chant. Equally passe but equally amicable is a sea shanty called Down in the Bay. Then a clocktower chime follows; left wondering if this was Dark Side of the Moon recorded in 1648. Sow In uses mellowed hurdy-gurdy to mimic what the untrained ear might deem an Eastern ambience. With a solstice theme, it’s so earthy it makes the Afro-Celt Sound System sound like Ace of Base! (Joke; I love the Afro-Celt Sound System!)

In many ways the next tune Ostara follows suit, more eastern promise yet slightly more upbeat. Consider George Harrison’s collaborations with Ravi Shanker. As the album continues, experimentation with traditional abound, obscure instruments are thrown into the melting pot; the Victorian circus sound of The Thing and I, the rural west country ditty of Digger’s Songs, in which you can almost smell spilt scrumpy as folk rise from haystacks to jig.

Throughout you’re chopping randomly at influences, this medieval court running theme, blended with an oompah band styled sound on The Whole World Goes Around, will make you want bells on your shins like a drunken Morris dancer at the village fete. Else you’re haunted by the chill of evocative soundscapes, unable to pinpoint an era this falls into. I’ll tell you now, it was aptly released at Samhain last year.

We Wish you Health may be bespoke, and some wouldn’t give themselves adjustment time, yet Sgt Pepper and Pet Sounds were famed for pushing the boundaries of what is acceptable in contemporary pop. This is a fissure to the norm, a testimony of yore, for while there’s a demonstration of newfound passion within ancient realms, it is fundamentally timeless. Though I suspect there’s myth and history behind each track, which extends the album from a set of songs to a research project for the listener.

The finale, for example, has a reference in Wikipedia; John Barleycorn, a personification of the importance of sowing barley and of the alcoholic beverages made from it, beer and whisky. Though in the House of Gods, cider gets a mention. John Barleycorn is represented as suffering indignities, attacks and death that correspond to the various stages of barley cultivation. It goes onto reprint a Robert Burns version from 1782, though stating countless variations exist; Matty and Mike use an earlier version:

There was three men come out o’ the west their fortunes for to try, And these three men made a solemn vow, John Barleycorn must die, They ploughed, they sowed, they harrowed him in, throwed clods upon his head, Til these three men were satisfied John Barleycorn was dead.

I’ve rushed out this review to make you aware of it, and because I’m so utterly astounded by its uniqueness, but fear I’m only teetering on the edge of its fascinating historical references myself. Thus, is the general nature of folk music, to dig out lost fables which once would’ve entertained young and old, and bring them to new audiences, and The Horses of the Gods does this in such a way, the negative confines and stereotypes commonly associated with folk music just melt away.

Link Tree to album

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Chapters, New Single From Kirsty Clinch

Okay, so, I’m a little behind, recently opting to perfect my couch potato posture and consider hibernation, meaning I’ve not yet mentioned Kirsty Clinch’s new…

Nov 26, 2024

Cephid’s Sparks in the Darkness Goes Live at Bath’s Rondo Theatre

Best part of a year has passed since Cephid released the groundbreaking electronica album, Sparks in the Darkness. At the time I said of West…

Nov 26, 2024

“A Monster Calls” at The Mission Theatre, Bath, November 26th-30th.

by Ian DiddamsImages by Rowan Bendle and Ann Ellison When is a Monster not a Monster? When is a good person not good? When is…

Nov 26, 2024Nov 26, 2024

Cult Figures; Deritend, Yes Mate!

It’s not just me, is it? Eighteen seconds into the Cult’s She Sells Sanctuary, you know, when it breaks, and you’re like, that’s it, right there. It matters not what youth culture you were into, at the time, or even now, it doesn’t give a hoot about your favoured genres, haircut, colour of anorak, age, gender or race, it just does it, and you, you’re like, as I said, that’s it, right there.

Something similar happens with this Cult Figures album Deritend, out last week; heck, if they haven’t even got a comparable name. Perhaps not so nostalgia-filled, as these are all originals, though the sound harks back to an era or yore, when cookies were in a biscuit barrel rather than your web browser, Tories were governed a demoness made from iron rather than a clown made of teddy bear stuffing, and a wet wipe was when your mum spat into a handkerchief and wiped it over your Space-Dust covered chops.

Mind, as happens when I’m sent files not numbered, it lists them alphabetically rather than in the running order, so the opening track is actually the penultimate Camping in the Rain, but it makes the perfect intro into the world of these London-based masters of retrospection. From its off, it’s, well, off, leaving me to reminisce about those classic post-punk new wave bands of the eighties. At times though, as it’s a mesh of this and reflective of the scooterist mod culture of same period, I’m thinking of the likes of the Jam and Merton Parkas too. Contemplate the musical differences are subtle, though worlds apart at the time, and this sits comfortably somewhere in-between.

To add to their perfection of authenticity, one must note this is the second album from Cult Figures, and is comprised of tracks written in their earlier incarnation between 1977 and 1980, just recorded more recently.

The real opening tune, Chicken Bones, has the same impact, something beguiling and anthemic, setting the way it’s going to go down. Donut Life, which follows, sounds like carefree pop, the Chords, for a comparison. In fact, as it progresses the guitar riffs of next tune, Lights Out, is sounding more pre-gothic, Joy Division, yet with a catchy whistle more akin to The Piranhas. Things get really poignant with Exile, almost dub Visage meets the Clash, and Omen extenuates the seriousness of a running theme.

“Deritend draws a line under the past,” they explain, “all eleven tracks composed and recorded since our 2016 comeback, simultaneously reflecting a maturity gained in 40 years of life experience, whilst still embracing the accessible three Ps of the early days; punk, pop and psychedelia.” The album’s title owes to a historic industrial area outside Birmingham’s centre, “a few miles from where Gary and I grew up.”

The mysterious iconic name was a bus route terminus and has a strong emotional connection to the band, “evoking the nervous excitement of those long rides into town on our way to Barbarellas. But it conveys so much more: Deritend is an album that reflects on the past, speculates on the future, but for the most part is fairly and squarely a comment on the lives we are living now.” They convey this well, for through its retrospection, subject matter, growing up with the dilapidation of a working-class industrial chip, could equally apply to then, or now.

A timeless piece of art within a captivating musical style which embraces the traditions of generation X, just curled up at an edge like an old poster on the congregated iron fence of a closed factory. I mean Silver Blades and White Noise crave you dive back into punk; there’s a definite Clash feel to the latter. As girl’s names for titles generally do, Julie-Anne is archetypical upbeat but themed of desire, and the sound of it is particularly challenging to pin down, there’s Weller there, but a drum roll you’d expect Annabella Lwin to surface from (of Bow Wow Wow if you need to, Google it, youngster!)

Most bizarre and experimental is the brilliantly executed talky sound of Concrete and Glass. Cast your mind back to 86, if poss, remember Jim’s tune, yeah? Driving Away From Home by It’s Immaterial, and you’re not far from the mark.

The aforementioned Camping in the Rain which could’ve been the opening track, is next, and it’s the epithet of all we’ve mentioned. This combination is not juxtaposed cumbersomely like a tribute act, rather the genuine article lost in time, and it, well, in a nutshell, absolutely rocks. The finale, Privilege is plentiful to summarise; Clash-styled punk rock, themed on the expectations of irritated propertyless youth, akin to Jimmy Cliff’s You Can Get It If You Really Want.

But, unless all you want is a zig-a-zig-ah and to spice up your life with commercialised bubble-gum pop, nothing here is oven-ready for criticism, just relish yourself in a bygone era, and rock.

The Lost Trades Live Stream their new album on Friday; tickets here

Trending……

Christmas in Devizes: Everything Happening From Now Until NYE!

Being as we received a taster of wintery weather to come this week, I believe it’s okay to use the C-word; yes, Christmas!! Here’s everything…

Nov 21, 2024Nov 22, 2024

Local Tech Firm Encourages Shoppers to Think Pre-Loved this Christmas

With Black Friday just a few weeks away, Wiltshire based Blackmore Computers Ltd, is encouraging people to think pre-loved if they’re planning on buying laptops…

Nov 20, 2024

Westbury Trance Masters Hedge Monkey Reunite For Hometown Gig

If rural West Country had a penchant for trance in the happy daze of the mid-nineties, heady nights of fluorescent-clad crusties with eyes like flying…

Nov 20, 2024

Devizes Writers Group Win Silver Award

Congratulations to Rosalind Ambler and Paul Snook from Devizes Writers Group… At the National Community Radio Awards held in Cardiff on 16th November Together!, the…

Nov 18, 2024

Market Lavington’s Killer Circus Show This Saturday

Two of the county’s top retrospective cover bands meet for a double-bill of action in Market Lavington This Saturday. Calne’s indie rock five-piece Six O’clock…

Nov 18, 2024

Congratulations to Chloe Boyle, Fundraising for Devizes OpenDoors

Again we find ourselves congratulating and thanking young Chloe Boyle for fantastic fundraising efforts for Devizes homeless charity OpenDoors…. With friends and family she spent…

Nov 18, 2024

Hansel & Gretel: Panto at the Wharf!

Images: Chris Watkins Media It was lovely to spend Sunday afternoon at Devizes’ Wharf Theatre, to see how this year’s pantomime Hansel & Gretel, is…

Nov 18, 2024

No Worries; Worried Men at The Pump

Long overdue a visit to the Pump in Trowbridge, Jamie Thyer, frontman of the Worried Men twisted my arm Friday night and there I was,…

Nov 16, 2024

Emo Night: Slash Fiction and The Yacht Club Nationwide Tour Comes to Trowbridge’s Pump

Sheffield’s DIY punk queer emo five-piece, Slash Fiction will be at the Pump in Trowbridge on Wednesday 20th November as part of their nationwide tour.…

Nov 10, 2024

Ian Siegal at Long Street Blues Club

Devizes is often spoiled for choice when it comes to live music. Swindon folk ensemble SGO at the Gate would’ve been an excellent decision for…

Nov 10, 2024

Song of the Day 33: Andy J Williams

Having a great album reviewed fairly recently on Devizine doesn’t exclude you from being in the spotlight of our Song of the Day posts. And if it ever does, call me out on it. Just ask me who hell I think I am, Vlad the Impaler, or something similar.

Check the review of Buy All That $tuff by Andy, here, or just enjoy today’s video, Night Terrors, exposing where the band practice, under the beds of children, obviously! Which kinda makes we wish I was a kid again, as there were no bands practicing under beds back then. Just once I’d like to have discovered, I dunno, the Bangles perhaps, practicing under my bed!

And that’s my song of the day!! Very good, carry on….

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026Jan 9, 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!Jan 4, 2026
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-JuneJan 4, 2026
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!Dec 30, 2025
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3Dec 30, 2025
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!Dec 27, 2025
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!Dec 22, 2025
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3GDec 18, 2025
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New SeasonDec 18, 2025
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2Dec 16, 2025
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Crossed Wires with a Timid Deer

OMG, and coming from someone who refuses to use OMG on principle, rather than its blasphemous connotations, that old dogs, new tricks, I don’t usually conform to trending words or abbreviations. I just don’t get the irony. I mean, kids use the word sick to mean something that’s good. Why can’t they just use wicked like we used to do?

Anyway, it’s my third music review of the day, and while I may be knocking them out, tangents tend to creep in without apologies. But here’s my new favourite discovery while washing the dishes, Salisbury’s Timid Deer, a band I’ve seen listed here and there, supporting our Lost Trades, a track I loved on Screamlite’s New Hero Sounds NHS fundraising compilation, et all, but had yet to delve fully into. And the result is the reason I used OMG despite all I said about it.

Ah yeah, at the Lost Trades launch at the Pump!

All I will say is, if our mission is to seek out new local music, new bands and boldly go where no blog has blogged before, Captain Kirk needs a crew therefore so do I. Mind you, my own daughter suggests I look more like Suru on Discovery, which I beg to differ; the guy walks like the back end of a donkey while I’ve got the more Charlie Chaplin swagger, and I excuse another tangent. Why didn’t someone least hint, oi, Worrow, I reckon you’d like Timid Deer, reckon its right up your street?

Before I’d even put the fairy liquid in the sink, I’m warmed to these mellow electronic and soulful vibes. Akin to Portishead and Morcheeba, without the need to be locked in the nineties trip hop era, Timid Deer is a blessing in the indie-fuse of euphoric keys by Tim, with Tom on double bass, guitarist Matt, drummer Chris, and the mind-blowingly gifted vocals of Naomi, who has the vocal strength of Mayyadda, but with the childlike uniqueness of Bjork.

The name-your-price single Crossed Wires came out end of last month, unbeknown to me. An uplifting piano three-minute masterwork, engulfing your soul and building layers with smooth electronic beats. Evocative as Enya without the orchestrated strings, as expressive as Clannad without the folk roots, and closer to Yazoo via electronica, rather than the aforementioned influences of Portishead and Morcheeba. Ticks all my boxes.

There are two gorgeous previous albums, Mountains stretches back as far as 2012 and Melodies for Nocturnal from 2019, and there you go, see, I’m nocturnal, why didn’t someone nudge me further towards this great band? I dunno, if a jobs worth doing…..

Trending….

“The Real Inspector Hound”, at the Rondo Theatre, Larkhall, Bath, November 8th 2024.

by Ian Diddamsimages by Playing Up Theatre Company When is a mousetrap not a mousetrap? When it’s written by Tom Stoppard…If you have seen “The…

Nov 10, 2024Nov 10, 2024

False Allegations Against Wiltshire Hunt Sabs About Drone Fly Zones is Unapologetically Reversed By Illegal Hunt Supporting Facebook Group

Due to my real job making regular home deliveries I get to know when folk are away on their holibobs, and when they plan on…

Nov 8, 2024Nov 8, 2024

Wiltshire Music Centre Announces New Joint Leadership

Wiltshire Music Centre is delighted to announce the new appointments of Daniel Clark as Artistic Director, and Sarah Robertson as Executive Director. Daniel and Sarah join Wiltshire Music Centre in a new co-leadership…

Nov 7, 2024

The Soul Sessions from Bristol’s Kaya Street

In 1985 Tenor Saw toasted the lyric, “another sound is dying,” in Ring the Alarm. It implied his sound was the contemporary champion, yet while…

Nov 6, 2024

El Toro Fundraiser at The Old Road Tavern, Chippenham

Over to Chippenham for my dose of live music this Saturday. I didn’t see any chips nor ham, there were some pasties passed around a…

Nov 3, 2024

“The Little Mermaid” at St. Augustine’s, Trowbridge, October 30th–November 3rd, 2024.

By Mick Brianphotos by Chris Watkins Media Disney aficionados will need no introduction to “The Little Mermaid,” Disney’s 1989 film about mermaids falling in love…

Oct 31, 2024Nov 1, 2024

What’s Happening During November in Devizes?

Remember, remember, we’re moving into November; leaves, loads of ‘em! Being as we are no longer doing weekly roundups, here’s some highlights of events in…

Oct 31, 2024Oct 31, 2024

La Bruja; New Halloween Single From I See Orange

There’s a trick and a treat for Halloween from Swindon’s finest alt-rock trio I See Orange; new single, La Bruja, or The Witch translated from…

Oct 30, 2024Oct 31, 2024

Chippenham Musicians Gather For El Toro Fundraising Gig at the Old Tavern

The end of autumn shows no signs of preventing there being lots of events locally. We move into November still with a packed event calendar,…

Oct 27, 2024

Should we be Concerned Over Wiltshire Council’s Refusal to Engage with Melksham News?

The simple answer is yes, very concerned. Following the publication of an article in Melksham News’s last issue questioning the council’s public notice policy, Wiltshire…

Oct 24, 2024

Osorio With Cutsmith

After fondly reviewing the single Falling from ReTone’s homegrown drum n bass label SubRat last May, the Pewsey-based vocalist featured, Cutsmith, who also runs the label, has his debut single under the name out in a manner of days, and I’ll whisper to you now, it’s outstandingly good.

On a musical journey due to be released on SubRat, Osorio returns Cutsmith to his Canarian roots. Principally it’s hip hop, yet with a meshed element of west country acoustic guitar, but chiefly and precisely why it’s so mesmeric, is that Latino tinge. I’m damned if this, aside the missing wailing electric guitar, wouldn’t look out of place on Carlos Santana’s classic 1999 album Supernatural.

Yet that said, the practise of a Latino hip/trip hop blend influencing modern reggae should not be cited via the mainstream, but pioneered in the nineties by artists like Ky Mani, and what Jus Right is putting out now. Osorio would mould nicely with these, rather than reggaeton, which is something I admit still needs to find a place in my affections. Yet Cutsmith is not Wyclef Jean, hence there’s something definitely local when he slips neatly from song to rap, and it’s smoothly accomplished, brewing with confidence.

In theme, but, and this is a big but, not in style, there’s something like Totally Tropical about it too! When, you know, they sang “we’re going to Barbados,” in as much as there’s a homesick notion to Osorio, excepting of his love of the British festival and music scene, but partly wishes to soak up some exotic sunshine and ambience. Can’t say I blame him really!

The very reason I’m tipping this so much, is because the subject works so incredibly well with the sound. As well as it’s fresh and exciting, the prospect of Wiltshire-based hip hop is something we so desperately need more of.

If Cutsmith’s relationship with Devizine got off to a shaky start when playing a White Bear Sunday session, where our writer Andy was critical that while good, it wasn’t his cup of tea, it’s been fully mended now. I spoke personally to Cutsmith at the time, who took it in good stead, and I said it was a shame it wasn’t me at the Bear at that weekend. Opinion is all we can cast, and while trying to be fair I do ask for honesty, it’s not worth the effort if flattery is all the reader gets. Oh, woe is the subjective nature of casting a review, as for the areas Andy was critical of, are the precise same reasons why I’ve got lots of time for Cutsmith’s music.

A case of differing tastes and perhaps a generational thing. But whatever, this debut single proves it today; it’s a grand job, I love it, and I’d like to see Cutsmith working on an EP or album as the potential is overwhelming.

The Space Between Mike Clerk Ears….

My teenage daughter’s banter knows no limits. Upon noting I was wearing a logoed T-shirt the Swindon sound system “Mid Life Krisis” kindly sent, she responded thus; “you can’t wear that, you’re too old for a midlife crisis!” There comes a time in life when you have to cut your losses, realise there’s no longer a point in assessing prospects and goals, and getting upset you failed to reach them. The anguish of youth is but a fleeting memory, and you’re numb to life, rather than wallowing in self-pity you’re neither here nor there on achievements and failures, simply plodding on worrying more about earwax or teeth issues.

It’s the reason I absorb indie-rock with a squint, but then I’ve never felt like barging through pedestrians like Richard Ashcroft, ignorant to the fact others have issues far outreaching my own. I cannot abide themes of despair and downright dark subject matter without reasonable motive; they do nothing to cheer me up. Music from my childhood spat rebellious notions that the world was shit, then electronica came and we went off into the fields and warehouses waving our arms in the air, throwing our troubles away. There was never despair on the rave scene, no woeful self-analysis and no political tirade, until they came for us.

Yet to expect a thoroughly negative review from me is rare, and for the debut album of Mike Clerk, The Space Between my Ears, I have to confess it does what it says on the tin, and does it very well. There’s thoughtful prose, if rather negatively, but it doesn’t trudge on as my niggling criticisms over much indie; at times there’s uplifting riffs, but the theme is unfortunately despondent. Has Mike never heard of the “every cloud” idiom?

Many, say younger people, will love this with bells on, though, and for that much this is a damn fine album, if not my cup of tea. See, I like it when our George Wilding does melancholy in a pub, because he does it so well. Heck, the guy even bought me to reconsidering the worth of Radiohead! And similarly, there’s a tinge of euphoria in the way this former frontman of The Lost Generation, plays this out, musically. Lyrically I was left waiting for the silver lining, which simply doesn’t arrive, and this does nothing for maintaining my interest.

The proficiency and skill on show here is top dollar, Clerk has a blinding pedigree of experience in the music industry; the band played exclusive gigs for the NME, Alan McGee’s Death Disco club nights, and Clerk had a close call with guitar duties for Primal Scream. A GoFundMe campaign put the ball in motion for his solo career, The Space Between My Ears was the result, released yesterday (26^th March.)

Written and recorded almost-entirely by Clerk at his own home studio, additional drum sessions took place at the local YMCA in Kirkcaldy. With contributions from sound-engineer Alan Ramsey, the album was mastered by Pete Maher of whom has the likes of The Rolling Stones, U2, and Paul Weller on his résumé. This stamp of professionalism shows through in the rewarding sound.

I’m supposing lockdown has bought a natural movement towards misery. Clerk’s words inspired by isolation and the endless roll of apocalyptic news, flow aptly into these themes of redemption, mental health and addiction. If here’s alt-rock’s mainstay, the desolation of unhappiness, I’m going to criticise it. Yes, The Space Between My Ears delivers an acute and perfected mind-set of the human psyche, but like watching a perpetual boxset of EastEnders, it does nothing to turn that frown upside down. And for me, there’s a crucial element to life sorely missing here. Laughter is the best medicine, even if it’s insane giggling like The Joker.

Yet I confess, I like the blues, I like how every morning Muddy Waters wakes up his woman is gone and his dog has died, I crave his misfortune. There’s something beguiling in that authentic twangy guitar sound, which the electric drone of cantankerous indie or alt.rock doesn’t appeal in quite the same manner. Not for me at any rate, but if it does for you, I would ignore the bleating rant of a grouch who’s watching fifty rush over a mountain swiftly towards him, as this album divinely flows and clearly has perfected the art of it!

Trending……

Sign of Life; The New Single From George Wilding

Am I going to tell you about this new George Wilding tune, or not? Huh? Oh, sorry mate, what was that again?! Sounds like George…

Oct 22, 2024

Pumpkins are No Treat for Woodland Wildlife

Dumping pumpkins in the woods is bad for wildlife says Forestry England. As millions of pumpkins hit supermarket shelves and make their way to gardens,…

Oct 22, 2024

“Cosi Fan Tutte” at Easterton Village Hall, October 11th 2024.

by Ian Diddamsphotos by Gail Foster Devizes based White Horse Opera has a fine and longstanding tradition of a touring opera – a show taken…

Oct 20, 2024Oct 20, 2024

New Single: Phil Cooper Still Holding His Breath

If Phil Cooper’s 2018 “Thoughts and Observations,” was one of the first albums we ever reviewed here on Devizine, it’s been a while since I’ve…

Oct 19, 2024

YEA Devizes: DOCA New Youth Project

Devizes Outdoor Celebratory Arts announced their upcoming project, YEA Devizes today. Made possible by a grant from National Grid Electricity Transmission’s Community Grant Programme, the…

Oct 18, 2024

Alberta Cross Frontman Joins Line Up for Frome Festival Fundraising Gig

Alberta Cross, along with the up-and-coming local bands Something Moves and BroccoliBoy, will perform at a charity gig on Saturday 30th November at 23 Bath…

Oct 18, 2024Oct 18, 2024

The Mist; New Single from Meg

Chippenham’s young folk singer-songwriter Meg, or M3G if you want to get numeric, will release her 6th single The Mist on Friday 18th October, and…

Oct 17, 2024

“Pericles” at the Wharf Theatre, Devizes, October 21st–26th 2024.

by Ian Diddamsimages by Chris Watkins Media, Jeni Meade. It would be fair to say that once William Shakespeare found or invented a plot device,…

Oct 16, 2024Oct 18, 2024

Watermark: Fulltone Orchestra Brings Enya’s Iconic Album to Life…

Our very own illustrious orchestra, The Fulltone Orchestra, are staging live performances of Enya’s 1988 breakthrough album, Watermark in Basingstoke, Bath and Cheltenham later this…

Oct 16, 2024

Rachel Sinnetta & Rosie Jay at the Crown, Bishops Cannings

Must confess it felt somewhat odd to return to The Crown in Bishops Cannings for my weekly ration of live music. The only pub in…

Oct 13, 2024Oct 13, 2024

Song of the Day 32: The Lost Trades

Song of the Day hoggers! Yes, they’ve had a song featured on our song of the day feature once before, and yes, they’ve had so many thumbs up on Devizine in general, thumbs are starting to ache, but The Lost Trades have a new song, getting another thumbs up, a sneak from the forthcoming album, and it simply, without question, has to be our song of the day… I’m the editor, what I sez goes, sue me if I’m wrong, I double dare you!

And that’s my song of the day!! Very good, carry on….

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-June
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!
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Rooks; New Single From M3G
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New Season
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

The Mystery of Nigel G Lowndes

Must have been about fifteen or so years ago, random folk in a pub told me they were off to the Rocky Horror Picture Show. I was surprised to hear it was still going, and had it in my head its writer, Richard O’Brien had passed away. I pointed this out, and they refuted the fact. Someone pulled a mobile phone out their pocket and, in a flash, proved me wrong. With a virtual reference library at one’s fingertips the lively debate which would’ve, in previous times, circulated around the boozer, was kaput, the potential conversation starter settled, and the pub fell silent.

In the interest of truth, provided it’s a trustworthy source, fact checking is no bad thing. Obviously, I wished no malice on Mr O’Brien, just an incorrect piece of trivia I’d picked up. But it was the first time it occurred to me, sadly, as well as the art of spreading urban myths, we live in an era where any mystery is immediately solved. I mean, loads of money was wasted hoping to find the Loch Ness Monster, but if an Android app actually proves it either way, the myth is ruined. Bristol-based Nigel G Lowndes nails this unfortunate reality in the title track of new album, Hello Mystery.

But whoa, we’re getting ahead of ourselves. Mystery is the eighth track of this varied ten track show, released tomorrow (26^th March 21.) To commence at the beginning, the direct boomer, Boring screams Talking Heads at me, and I’m left thinking this is going to be an easy ride, one comparison to art-pop and I’m done. But, oh no, far from it. And it’s all because Nigel is a one-man variety show. To conclude there’s elements of tongue-in-cheek loungeroom and easy listening, akin to Richard Cheese or The Mike Flowers Pops, although there largely is, is not to have listened till end, where the finale Always Leaving London, is an acute folk-rock acoustic masterwork.

Track-by-track then is the best method to sum up this highly entertaining album. As I’ve mentioned you’ll start by contemplating he’s a 21^st century Talking Heads without the punk edge of the era. But the second song, Tell me Tomorrow would confirm this if it wasn’t so much more vaudeville than the risky titled Boring, (as all of it is far from boring) but it’s becoming clear not to take Nigel too seriously.

When a relationship breakdown, caused by the partner’s affection for some critter-like pets he buys for her is the subject matter for the third, bluegrass parodied song, Furry Little Vampires, it’s become laugh-out-loud funny. Country and doo-wop merge afterwards, but the fifth track, Bubble, has a Casio keyboard samba rhythm with a floating romance theme. What are you doing to me, Nigel?!

As randomly foodie based as Streetband’s Toast, we’re back to uplifting art-pop with the very British notion a cup of tea will sort all your problems out, even psychosis. But random as this is, White Roses, which follows, is a more sombre nod to Nigel’s appreciation of country. Stand alone, it’s a gorgeous ballad; Nigel recognises the need to know the rules in order to break them. As he does by the very next song; Shoes follows country-rock again, but with a sillier, nonsensical subject.

The album plays out on the country tip, its influence seems to build throughout. The aforementioned obituary to mystery is as wonderful in thoughtful narrative as a country classic, and then we’re treated to Always Leaving London. Despite its skipping variety, nothing on Hello Mystery will, as the beguiling opening track shouts, bore you, that much I can guarantee.

If you’re looking for dopily swaying while holding your elongated black and sapphire dyed fringe under your hoody, as a melancholic indie-rock icon miserably recites his teenage anguish with a whining semitone through his nose, then avoid this. For everyone else, Nigel G Lowndes is very worthy of your attention; a sparkly beacon of showbiz, more surprising than a contemporary David Byrne with a Stetson, and when it comes to diversity, it puts The Mike Flowers Pops back on the shelf in the garden centre. Hello Mystery is as it says on the tin, and for this I give it full marks. Johnny Cash pastiche meets Tonight at the London Palladium; love it!

Website

Facebook

Apple Music

Spotify Link to Nigel’s singles from the album, released tomorrow, 26th March 2021.

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“Design for Living” at the Rondo Theatre October 2nd–5th 2024.

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Erin Bardwell Gets Organised

A new album released yesterday from Swindon’s premier reggae keyboardist and producer Erin Bardwell made me contemplate a section of Henri Charrière’s book Papillon. The autobiographical account of a fellow no prison or penal colony can seem to keep incarcerated. There’s a point where Papillon deliberately causes a disturbance in order to be put in solitary confinement. He claims he prefers it to the regular cells, because away from the other inmates, alone in pitch darkness he can reimagine, practically hallucinate and relive his better days.

For the concept of the album and accompanying film Get Organised is largely reminiscing and reflecting on his past. Possibly, I suspect, due to age becoming, the fact this marks a thirtieth anniversary of the formation of his heyday two-tone band, The Skanxters, but largely due to lockdown.

Myself, lockdown has been parttime. I’ve worked throughout, galivanting through the villages, meeting early morning risers, and it’s all been much the same as it ever was, just cannot nip t’ pub, or see family living out of the area. Which is frustrating at times, but I accept it’s not as bad as those shielding and self-isolating; that would’ve driven me insane my now. It’s common in isolation to consider one’s life and recollect, but Erin does it over a reggae beat; and I approve!

We’ve been here before; this is not Erin’s first reflection of lockdown. Pre-pandemic he directed a collective who were pushing new boundaries in rock steady. But April last year saw the solo release of Interval, a deeply personal reflection and mind-blowingly cavernous concept album, diving into the psyche and exploring past events; scarce formula for reggae.

Yet Erin’s style is such; relished in unconformity, individualism and freethinking, factors which make it so utterly unique it’s hard to compare. It’s this standout signature which Erin stamps on all projects, be them solo, as the Collective, or side projects such as the experimental dub of Subject A with Dean Sartain, or The Man on the Bridge project with ex-Hotknives Dave Clifton, which defines the very sound of reggae in Swindon and puts it on the skanking map. If there was a skanking map, which I wish there was!

Whereas Interval’s morose mood merged styles through experimentation, some often out of the confines of reggae, be they jazz, ambient and space rock, Get Organised will wash better with the matured skinheads, scooterists and Two-Tone aficionados, for it sits with more golden era reggae, particularly of the sixties Trojan “boss” reggae epoch. They tend to know what they like, and favour tradition over risky and radical progressions.

In this notion too it’s sprightlier and more optimistic than Interval, a result of vaccinations and this “roadmap” out of lockdown, perhaps; The Erin Bardwell Trio booked for a gig at Swindon’s Victoria on 1^st July. Though at times there’s still the thoughtful prose Erin is fashioned for, reflecting the effect of lockdown. The lyrics of Eight O’clock, for example, which notes despite the usually lively nightlife at this time, the town is quiet.

They’re all sublimely crafted pieces, the title track’s mellow riff nods to Lee Scratch Perry’s middling Upsetters period with something akin to a tune like Dollar in the Teeth. And in that, we have to consider the great producers of rockers reggae for comparisons, rather than the artists. Aforementioned Perry, but of Niney the Observer, of Harry J too, and Get Organised subtly delves into dub, so I guess King Tubby also. Yet the opening tune reminded me of the earlier, legendary producer Duke Reid.

Erin has the proficiency to cherry-pick elements from reggae’s rich history, effectively merge them and retain this said signature style. The Savoy Ballroom has the expertise keys of Jackie Mittoo, with the vaudeville toytown sound of Madness. That said has opened another Pandora’s box, as Two-Tone also has a significant influence on Get Organised, naturally. The grand finale We Put on that Show is reflective of the era, along the lines of the steady plod of Do Nothing rather than the frenzied ska of Little Bitch, if we’re going to make a Specials contrast, which I think is apt.

Equally, you’re going to love this if, like me, you cite the debut album Signing Off, as UB40’s magnum opus rather than their following pop covers, or just if you’re looking for something different from the norm.

These recollections are visualised in a half-hour video, making it more poignant. It’s a scrapbook film, with homemade clips of The Skanxters setting up or driving to a gig, footage I’d expect to have been largely unseen until now. There’s also a montage of memoirs chronicling Erin’s career, as the camera pans across gig posters, bus tickets, vinyl and press cuttings. Though far from documentary, the sound plays out the album, the material an aid to the songs, and a fascinating art project to accompany it.

“A second solo album wasn’t really part of the plan,” Erin explains, “but with the current climate as it is, I still found myself coming up with music and songs. These tunes started following a theme, that led to a film idea, and the sounds and visuals grew together influencing each other.”

The point in the early nineties, when the Skanxters were the pride of Swindon’s two-tone scene is captured well, and while those on the circuit, or even living locally then, will love recognising the many memoirs, anyone into the scene at the time will thoroughly enjoy this outing. Overall, though, Erin continues to break boundaries, and this album is a blessing and pleasure to listen to, alone from its narrative and meaning, as all good reggae should.

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Wiltshire Music Events’ Grand Music Fundraiser In Salisbury Market Place

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Forestry Operations Due to Start at West Woods

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Have Your Say on Forestry England’s Future Plans for West Woods and Collingbourne Woodland

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Asa is Back in Devizes

Give or take a week, it’s been two years since Devizes Corn Exchange reverberated rock n roll when Liverpool’s entertainer Asa Murphy presented his Buddy Holly tribute show. An amazing fundraising night, in dedication to local music hero Bruce Hopkins, the show had perfect renditions of Buddy’s songs wrapped in a simple narrative to set the scenes, and by the end, Age Concern need not be called as young and old, the audience danced in the aisles!

Deja-vu on many preview pieces we wrote about this time last year, including announcing Asa set to return without the Buddy specs in April with a variety performance and handpicked guest appearances.

Obviously and sadly, it couldn’t be, but I’m pleased to now re-announce the Corn Exchange is booked for this show on October 16th, and will feature the original lineup; superb sixties singer, Sandy Collins and Lennie Anderson, an excellent comic.
Tickets are on sale at Devizes Books, which you can call to secure your seats until the shop is bookshop is open again for business.

For more details you could check last year’s preview, by clicking here; saves me writing it all again, but don’t look directly at the old date, look around that date and concentrate your mind on October 16th 2021! Oh, and I hope to see you there!

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Andy J Williams; Buy all his $tuff!

I’m sure it’ll shock you to hear, I made a technical hitch, best described as a cock-up. It seldom happens, blame my masculinity; the wife often reminds me men cannot multi-task. We featured the indie-pop Bristol-based singer-songwriter Andy J Williams last month, as part of our Song of the Day feature, and I promised to review the whole album “Buy all the $tuff,” which was released at the beginning of February.

Musicians you wait for like buses, then two come along at the same time, and accidently I mind-merged them. Even joked in our Song of the Day post not to confuse Andy J Williams with his namesake senior easy listening giant, then mixed him up with someone else, whose name is nothing remotely similar. The only parallel is they’re both from Bristol, though many are, but being as the other artist’s album involved in this cock-up isn’t released until next week, both got put on the backburner. My virtual to-do-list saved the day; acts as my brain.

Extend a short story longer, here’s an apology to Andy, and a belated review of “Buy all the $tuff,” which is very worthy of not being missed out. To begin with his cohesive band firmly behind him, there’s a Britpop feel, I sensed, vocally, a similarity with Trowbridge’s finest, Phil Cooper, if Phil was aiming for pop. But there’s a lot going on here, influences are wide but mould into each other exceptionally well; a tad tongue-in-cheek at times too. It’s indie on the outer crust, but with a dynamite mantle blending of layers which incorporates funk, new wave post-punk, art-pop, and contemporary electric bluesy-folk, all with equal measure and passion.

Reminisces flood my neurons upon initial listening, of how eighties electronica fused funk into pop, a kind of “funk-lite,” avoiding the substantial seventies untainted funk vibe, and through post-punk new wave, rewrote the club-pop formula. Bands like Duran Duran and Roxette spring to mind, I’d even go as far as Michael Jackson meets Huey Lewis, but while I’m aware there’s a bizarre subgenre called “funk metal,” pleased to report Andy doesn’t get that heavy! This is more like musical cubism, with a skilful composition akin to King Tubby’s mixing board, and it comes out the other end as extraordinarily unique beguiling pop.

Don’t take the opening Britpop track as red, the next, Post Nup, opens up this funk riff, but no matter where it takes you, lyrically this well-crafted too, written with thoughtful prose. There’s topical subject matter amidst the archetypical romance, including the referendum and social media, but no theme distracts from the overall musical presentation. Night Terrors, for example, works opposite to Jon Amor, who uses Elvis Costello pop to create a more frivolous blues, Andy maintains pop by adding elements of electric blues. Then, piano solo, layered with subtle percussion. Andy rinses a fine ballad, undoubtedly the most evoking track on the album, Stay.

Buy This $tuff reaches an apex immediately after, Something to Believe in is masterfully danceable, bathed with handclaps and a funky riff, it is to Andy what Superstition is to Stevie Wonder. From here on, the album takes to this upbeat terpsichore concept. It’s highly entertaining.

Ballads follow, Celia and Now She’s Gone are particularly adroit, but you know Andy isn’t going to end this with melancholy. Be Mine returns to rock as it’s mainstay. Radicalised equally comes in hard, with an electronica feel. And Your Truth Hits Everyone is anthemic, concluding there’s a need to ponder what the Beatles would sound like if still around today, with Britpop, new wave electronica, and clubland techno at their disposal. Through this, I might provide a suggestion.

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Song of the Day 31: Ilingsworth

My classic excuses don’t wash in an online era; the dog ate my Song of the Day blogpost, I’m certain I put it in my bag when I left school, bull like that.

I know, right. It’s been a while since my last Song of the Day, a post I promised on a daily basis but failed, miserably. I got nothing, no excuse that’ll wash. But the moment you hear this tune from John Smith and Jolyon Dixon, the duo known as Illingworth, you’ll understand the need to bring it back.

They’re the Kenco of local music, instantly, each new song comes across as a rock classic, sounding as if it’s always been swimming around in your head.

But Man Made of Glass is emotionally topical and contemporary. Just, go on, have a listen, and I might be persuaded to realign my promise to bring you a song of the day each day, else I’ll have to change the title to song of the month, which is a bit lack lusture of me.

Pulling my finger out, if you’re looking for someone to blame; Netflix. There, it’s out there. Why has every fair idea got to be flipping twelve season series of 200 episodes each, consisting of a drawn-out narrative a better writer could’ve concluded in a hour and half movie? For God’s sake, bring back live music!

Anyway, I’m waffling, feel free to stop me; that’s my song of the day. Very good, carry on….

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The Ruzz Guitar Sessions; Going to the City

Driving home through Devizes last week, it’s only 10pm but I contemplate, it could be three in the morning it’s deathly silent. Our once lively little market town, like everywhere else, has lost a sparkle due to the pandemic; hope it can rekindle is all that is left. And now, the Facebook memories fires a bittersweet reminder at me, for even if you paint only a rose-tinted view of your life on the social media giant, a memory still pops up which is kind of sad on reflection.

Musically, blues is apt.

Thought was fairly stable that evening proved wrong. That memory was a wobbly video of the absolutely blinding night when Ruzz Guitar’s Blues Revue blew, or blue, perhaps, the roof off the Sports Club, aided by a supergroup of Innes Sibun, Jon Amor and Pete Gage. It was in a word, treasured. The sadness being, at the time it was only speculation it could be the final night of live music, and I didn’t want or care to digest that notion at the time, but it was; way to go out with style, though!

Now we’ve come around to the anniversary of that moment, with a prospective reopening light at the end of tunnel, primarily being only a possibility. Yet the world turns on its axis, and music has, like so many other arts, been forced to change methods of distribution. The live stream, the Zoom recording session, and, for an extremely short summer stint, an afternoon solo session in a socially distanced pub when we were disillusioned into believing the virus was on its way out, have become the norm.

As many others, Ruzz Guitar has adapted, and a Facebook group called the RG Sessions aims to launch a new style of assemblies, producing the exceptionally high-quality electric blues we’ve come to expect from the Blues Revue. You can buy them a virtual pint, and you can grab this gorgeous name-your-price single, which features all the musicians as on that fateful night. And in a way, it’s so good it near makes up for the depressing notion of this live music loss.

With the expert gritty vocals of keyboardist Pete Gage, “If You’re Going To The City,” also features our homegrown guitarists Innes Sibun and Jon Amor, with Ruzz’s proficient Blues Revue members, drummer Mike Hoddinott, bassist Richie Blake and Michael Gavaghan on sax. And with that said, I don’t feel the need to review it, take it as red, they’re the ingredients for perfection.

After the previous spellbinding single with Peter, Ain’t Nobody’s Business, we live in hope this faultless coupling will be retained for more of the same. But what surprises these Sessions will magically pull from their sleeves next will keep us guessing; I’d advise you follow the page for updates.

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Get ‘Lifted’ by Chandra

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Local Book Review: Dad’s New Dress

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Some Days with Paul Lappin

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Mojo Workin’ fo’ Autumn: Long Street Blues Club’s Next Season….

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The Lost Trades Live Stream in Advance of Album Launch

April 1^st is All Fools Day, the day after you’d be a fool to miss this. Much I hark on about local folk harmony trio, The Lost Trades, even before they were united as such, but only for good reason. It was always a win-win when the three singer-songwriters officially formed, Phil Cooper, Jamie R Hawkins and Tamsin Quin all excelled on the local circuit as solo artists and regularly appeared together for gigs.

Together this force to be reckoned with has formed a definite style akin to a corporate identity, and uniformed they move towards a debut album with all new, original songs. Based on their EP, which we fondly reviewed, the album launch is rightfully highly anticipated.

The album’s name has been revealed by the trio, “The Bird, The Book & The Barrel,” and will be released on 4th June. Though the band want to make the most of the Bandcamp Friday before that, where the platform-based music site kindly site waivers their fees, giving the artists full royalties. Therefore, The Lost Trades will be taking pre-orders on 2nd April and 7th May. There will be a live stream, something the Trades have always been on the top of their game with, on 2^nd April, to celebrate.

The trio promise the full sound system, concert-style at live stream, scheduled at 7.30pm, will present everything from the album, including brand new, never before heard songs. The live stream will be broadcast from their Bandcamp page, and is ticketed at a very reasonable £2.50, with Bandcamp also waiving their fees on all live stream tickets sold until the end of March.

Best of luck, Tammy, Jamie and Phil; sounds like a virtual cake kind of occasion to me, but then, any occasion sounds like a cake one to me! Get your tickets HERE. Follow the event on Facebook.

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Imberbus is running this Saturday !

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Weekly Roundup of Events in Wiltshire: 14th-20th August 2024

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Elles Bailey – at Sound Knowedge, Marlborough

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Marlborough, I’ve Seen Your Pants

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Few Remaining Tickets for The Importance of Being Earnest at West Lavington Manor House and Garden

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Ruzz Up The Gate!

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Canute’s Plastic Army; Hollow Children of Men

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Haunted House Party; Chatting with Ill Literate of The Scribes

I caught up with Ill Literate, one third of Bristol hip hop trio, The Scribes, to chat about their new single, how they, and in general, writing a rap is composed, a bit of their backstory, on diversity and where they’re heading…….

After the unnerving atmosphere of their mind-blowing previous single, Stir Crazy, Bristol hip hop ground-breakers The Scribes release Haunted House Party today, featuring Mr Teatime and DJ Steadi, which will act as a double-A-side with Stir Crazy. Somewhat slighter in neurotic ambience than its flipside, still it maintains a lingering disturbed undertone, an eerie mood weaved by the intensely hypnotic lyrical style which we’ve come to expect from the Scribes.

Despite the haunting opening piano solo, there’s nothing tongue-in-cheek with this haunted house, as might be wrongly perceived by cliché pop songs with similar themed titles. The Scribes aren’t doing the Monster Mash, don’t even go into this expecting something similar!

But you know me, I showed my age with the trio, jokingly citing a lampooning track, The Haunted House of Rock from the debut EP of eighties hip hop trio Whodini. Why one third of the trio, Shaun Amos, aka Ill Literate agreed to chat is beyond me, but he did, and here’s the awkward questions I threw at him, and his answers!

Hopeful he’d humour me, I went wrangling on a technicality with the group’s name. I reckoned it should be “Scribes,” and not “THE Scribes,” as the first denotes a copyist, i.e., anyone who writes, prior to the printing press and can be traced back to ancient Egypt, whereas the latter usually relates to a particular group from biblical times who were largely critical of Jesus, probably contributed to his crucifixion. “What’s in a name,” I asked!

“Wow man, I’ve got to say I don’t think we’ve ever thought about it to that extent!” Shaun acknowledged, “when we first came up with the name, we did have a list of possibilities, including some genuinely terrible ideas like “Guttersnipes”. When we settled on “The Scribes” we did quite like the vaguely iconoclastic undertones going with the main thrust of writing. We already knew we wanted to write music by our own rules rather than by going with trends or scenes.”

I’m glad he didn’t bite at my absurd logic, as likely it matters not one iota, rather there was reason. Being scribes are writers, it leads us into my intrigue at how they, and rappers in general go about writing and composing a track, if they have a set formula?

“It really does vary hugely, we work with a lot of producers and the process of getting a track completed is different every time,” he replied. “When I’ve composed the music, myself I tend to bring it to the rest of the group with an idea of what I want the song to be about, maybe even with a hook already written and recorded. Sometimes we’ve got a topic we want to write about and we’ll seek out music that will fit with it. Quite often producers will make a selection of pieces for us to listen to and mess around with and we’ll get a vibe off a particular track, sometimes by jamming it out in the studio, sometimes on the road between gigs listening to bits on the car stereo.”

I see the writing process for a solo, say acoustic musician, usually being a lone affair. Whereas scripting an episode of the Simpsons, for instance, is a group affair, the best writers gather around a table and knock the jokes and narrative about, which is more how I’d envision they work a song, because there’s three of them and the subject has to harmonise, as they bounce lyrics off each other. Unless, one contributes an idea and the others adlib their parts?

“We do bounce our lyrics off each other a lot,” he confirmed, “checking they make sense mostly!
Shaun Amos.

“We do bounce our lyrics off each other a lot,” he confirmed, “checking they make sense mostly! Whichever one of the aforementioned routes we’ve taken to write the track, it’ll almost always end up with us all agreeing a hook together, that then tends to set the topic of the track in stone. We then go off and write our verses separately before coming back together to record. So, while the hooks/theming is generally a group effort, the verses are much more of a lone affair!”

But what of adlibbing rappers freestyling, I’m guessing they’ve set templates to fuse with a running theme, but usually this consists of a simple premise; boastfully bigging themselves, or criticising the opposing rapper. Yet tracks from the Scribes meld like crochet, tackling tricky subject matter, they weave in and out of notions, rather than repeating words or thoughts. How does this process start, with a subject, or with a set of words which flow?

“It pretty much always starts with a subject,” Shaun elucidated. “Maybe not even something as specific as a subject, sometimes it might just be a feeling or an emotion or a general statement. Either way it’s enough for us to aim our verses at, and I think doing the actual verses as individuals does mean we end up with maybe a couple of different takes on each topic, or at least a couple of different ways of expressing it. Having said that, in hip hop there’s always room for a bit of bragging wordplay and head nodding crowd pleasing!”

That said, I guarantee The Scribes could freestyle the ass off most!

“That’s not really for me to say!” he laughed. “I think our freestyle game is pretty tight, we crack it out at most performances!”

Does Ill Literate find a trio is, as De La Soul say, the magic number, when it comes to composing a rap? “Where,” I asked, “and when did it all start? I mean, were you all separate artists who assembled, or have you always been a trio?”

“I don’t know if it’s the number of people involved that’s important, more that the people involved are on the same wavelength and get along well. Both for the writing process and for the amount of time you end up spending together on the road! Me and Jonny have been best mates since we were five, and have basically always rapped together, we met Lacey during the early days of gigging and he got onboard straight away!”

While on the backstory, I asked Shaun for his first musical memory, particularly his introduction to hip hop, feeling it was time to remind him when I cited buying Whodini’s “Haunted House of Rock,” in, shit, 1983, though this was not my first hip hop record!

Ah, there it is! I remember it well; and owe it all to Mr Magic’s wand!

“We do have some pretty old school influences,” he chuckled, “though Whodini may be a bit old school even for us! I think my first introduction to conscious hip hop, as opposed to mainstream hip hop which was very gangster back in the day, was through friends at school. We used to listen to records at each other’s houses, a lot of the early Rawkus Records compilations like Lyricist’s Lounge and Soundbombing. Bristol has a pretty big scene for hip hop so there were also a few local records shops with a good selection of underground releases that we could dig through, though a lot of the time we’d just look for instrumentals we could rap to! I think that late 90’s boom bap hip hop sound is pretty much the backbone of all The Scribes’ tracks!”

I confess; had to Google the subgenre boom bap, certain it wasn’t an explosive breast, as I originally fathomed! I discovered while unfamiliar with the term, many of my personal hip hop likes relate, pioneers like Marley Marl, and acts such as LL Cool J and A Tribe Called Quest. But I’m going to throw Shaun off subject, ask him if he liked English Lit at school, if teachers accepted anything he might’ve have wrote as credible by their formal standards, and if he sees his writing as poetry.

“I never really liked it as a subject, but I have always read a lot, I love books! It’s probably the main thing I do outside of music. That and watching pro-wrestling. It’s a heady mix! I don’t think I ever showed any verses to teachers in school, not sure what the reaction would have been to be honest. I’ve never really found it important to label anything we do but I would personally say it is a form of poetry, just a very rhythmic and flexible one that’s written to be performed rather than read.”

I’ve likened, in previous reviews, The Scribe’s sound, the way they intertwine lyrics and alter voices with accents and intonations to create a certain mood, be it fearful or humorous, to the Fu-Schnickens, but the way its composed, like the magic of Tribe Called Quest, as I reckon, they mastered this best. “That a fair evaluation?!”

“We will always happily take ANY comparison to Fu-Schnickens or Tribe!”
Shaun Amos.

“We will always happily take ANY comparison to Fu-Schnickens or Tribe!” Ill Literate contently responded, “that’s good company to be in!”

Yet nothing I’ve heard from their album, Quill Equipped Villainy, or the Totem Trilogy and singles, unless I’m mistaken, use recognisable samples. It’s an easy gimmick to include beats or a riff which people will recognise, whereas everything they seem to do is original. I asked him if I was right, and if so, if that’s something important to them.

“I guess this is something that varies from producer to producer. I personally don’t use any samples in my production, I just play/compose everything myself in the studio on guitar/bass/keys. I know a lot of producers who pride themselves on using only incredibly unknown and niche samples, spending a huge amount of time digging through obscure vinyl to find tiny little elements. I also know a lot who don’t really mind how “known” a sample is, as long as they switch it up so much it ends up as something unrecognisable from the original. I guess including a sample that is well known, so that the song becomes essentially a hip hop version of the original track, almost like a cover, is an easy way to get a bit of traction. Same as if you sample a movie theme song and do a song about the movie. But having said that I’ve heard some great tracks that do just that, so who knows?!”

On multiplicity, the album sees a number of collaborations; Akil from Jurassic 5, and Leon Rhymes. How far would they take diversity; “would it be acceptable to you for a producer to create a drum n bass, or house track from your lyrics? What about a mainstream artist asking you to fuse a rap into some cheesy pop? Because it’s a tricky balance isn’t it, not being seen as selling out to the ethos and genre, but creating publicity and notice?”

“We’re always up for anything,” Shaun replied, “I love hearing remixes people do of our tracks, be it Drum and Bass, Funky House or anything else. Even if someone did want to take our work and turn it into cheesy pop, I think I’d be cool with that. More just so I can hear what they do with it, rather than for any publicity or fame! I’m always interested in seeing what other musicians do and how they work and the different techniques used by different genres.”

Haunted House Party is released today, and yeah, it rocks, but what’s next for the Scribes?

“Well, hopefully we’ll be back gigging before too long, at least in time for the festival season this summer! Til then we’re working on keeping the releases and videos coming! Hoping to do a few more special one-offs on The Get Down Records, like transparent 7″ vinyl for “Stir Crazy”/”Haunted House Party.” People can keep up to date by signing up to our mailing list at QuillEquipped.com and on all the usual social media bits, Facebook and Instagram. It also helps a lot if you follow us on Spotify so we can make sure you know when we drop new tracks!”

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Homestead; New Festival Coming to the South West from Husband and Wife team

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Sing Another Love Song with Rosie Jay

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Devizes Food & Drink Festival 2024 Program Announced

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Cotswold Water Park to be Renamed

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Wiltshire Council Leader Weeps Over The Scrapping of the Stonehenge Tunnel!

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Weekly Roundup of Events in Wiltshire: 31st July – 6th August 2024

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Devizes Scooter Rally Rules, OK?!

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My Complaint About Devizes’ Full-Tone Festival!

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The Rob Lear Band at The Piggy Bank, Calne July 23rd 2024

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Can You Volunteer to Help Devizes Opendoors?

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Eighties Mod Revival Lost Gem: The Direct Hits

If I waffle positively here, and yes, I do waffle, about retrospection and a trend in sounds trying to be authentically from a time of yore, this one doesn’t need to try. The Broadway Recording Sessions thrusts you rearward into the eighty’s mod revival scene, whether you want to go there or not.

Battersea trio, The Direct Hits may only be remembered by the connoisseur of mod, having one-shot at charting in ’82, when TV presenter Dan Treacy released their song, Modesty Blaise on his Whamm! imprint. The music press hailed this as not just another Jam, crash-bang-wallop mod revivalist tune, and their explosive live shows avowed them pioneers of a “Battersea Beat.”

Whamm were financially struggling to fund an album, so the band pooled their limited resources and booked the cheapest studio time they could find, Tooting’s Broadway Sounds. By the afternoon they had knocked out nine songs, the other three on this album were recorded a fortnight later. It would be two years later when they re-recorded some of these songs for their debut album “Blow Up.”

Now remastered, these lost recordings have surfaced finally, and, with warts and all, show the uncooked spirit of a hopeful mod garage band. I’ve had this playing for a few weeks since it’s late February release, and it heralds the hallmarks of a post-punk return to the basics, which sixties groups like The Kinks and The Small Faces mastered. To expect this yardstick is pushing it, but through all its rawness there’s some beguilingly adroit songs to make you wonder why they wasn’t as their namesake suggests, direct hits!

Perhaps it was that bit too retrospective for the progressive eighties. Because, elements capture neo-psychedelia, rather than soulful eighties mod assigned via The Spencer Davis Group and into bands like The Merton Parkas. That era where the beatnik style was teetering on influencing the pop sound, but Merseybeat was still riding the high ground. There’s a delicate balance here, avoiding things getting too cliché Mamas & Papas, these upbeat three-minute-heroes never fails to kick ass.

Consistently high-spirted and energetic garage sound, yet psychedelically enhanced; think if Syd Barrett’s days spent at Pink Floyd would’ve been spent with The Who instead, and you get the idea. There’s even a bike song, just like on Relics. Lyrically there’s unassuming stories with clear narratives and characters to challenge the Beatles.

A polished rerecording of a track from the album.

Overall, though, you’ve got twelve mind-blowing rarities which perfectly capture a raw moment of youthful optimism for an inspiring band, in an era where everyone felt encouraged to pick up an instrument and give it bash; and they’re good, really good. In a funny kind of way, I see similarities to the now; the forgone passing of DJ culture in a rave new world and tasteless manufactured pop, to an imminent inclination of online DIY indie, I see hopefuls taking to a guitar and giving it a go. Perhaps then, there’s no time like the present for this to resurface.

Buy The Broadway Recording Sessions Here

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FullTone Festival and Scooter Rally; Big Weekend in Devizes

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A Perfect Picnic in the Park

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Hoping for a Summer of Local Music Festivals

Presented a punter-based cautionary piece on the hopeful move forward for live music this year, and how chancy it all is at this stage. If the playground remains uneven, I never intended the article to be pessimistic, though it may’ve been perceived that way. I just advised applying caution may be necessary prior to a compulsory detonation of over-excitement.

The other side of the coin of this vicious circle is that, without ticket sales there will be no show. While many organisers have cancelled their regular events, some keep their fingers and toes crossed, others are trying to work through it, and are dowsing a silver lining to this cloud with a summer of festivals planned.

Let’s hope and pray it pays off. Festival websites report that it is, and tickets are selling fast, which agreed, could be a sales pitch. So, you’re left to risk the call, and snap up tickets, especially for the most popular ones. I have faith most festivals will refund you if it either goes Pete Tong, or Pete Tong is booked to DJ, or else ask to retain your ticket for another year, because they organise festivals, and festivals are all about openness and sharing. Booking agents on the other hand, might be another story.

Personally, I’ve done gone got the festival t-shirt many moons ago, and the jester’s hat too, come to think about it; I can bide my time from power-napping in a spinning canvas pyramid, paying over the odds for a baggie of basil, and sliding headlong into a ditch of piss. For many though, particularly younger generations, festivals are essential, and vital, for their wonderful feeling of togetherness. For the music industry it’s crucial to maintain this notion; ignore my aged rant, there is no ditch of piss, not really, not in this clean-cut era!

Let’s run through the locally based choicest ones, which sound too good to miss… but remember to check the individual planned conditions of entry, some will ask you to provide evidence of licensed vaccination or negative PCR test within the previous 48 hour period.

June

11^th– 13^th: Kite Festival

Kirtlington Park, Oxfordshire

Born from a Kickstarter campaign in January 2020, but cancelled for the obvious reasons, it’s this festival’s maiden voyage this year. KITE aims to combine incredible music and breakthrough ideas in a unique programme of live performances and interactive discussions. “We wanted to bring together contemporary and legendary performers, thinkers, writers and public figures from the world of music, politics, business, technology and the arts and give you the opportunity to engage with the people who are influencing the way we live.”

Cultural icon Grace Jones, multi-Grammy-Award winning jazz singer Gregory Porter and gospel legend Mavis Staples were set to lead the music programme for the original date last year, we wait in anticipation to hear the line-up now, as Kite announce they’re working on their 2021 programme. Sign up for their newsletter for updates.

18^th-20^th: Bigfoot Festival

Ragely Hall, Warwickshire

Another first outing cancelled last year sees its debut this June. Just the map is enticing enough, with a boating lake and woodland and all that stuff. Local breweries and bands, who share the stages with a great line up, including Primal Scream, Fat White Family, Hot Chip Megamix, Maribou State (DJ) Baxter Dury and Dinosaur Pile-Up. There’s also an intersting wellbeing programme with hip hop yoga, boxercise, Let’s Talk About Sex Meditation & Mindfulness, and biscuits & burpees; I’ll just have the biscuits, thank you! Find Bigfoot here.

July

2^nd – 4^th: Minety Music Festival

Hornbury Hill, Malmesbury

Fourth outing for this popular do. A community non-profit triple day extravaganza, run entirely by volunteers which raised funds for the Wiltshire Air Ambulance, and local schools and charities last year. Guaranteed excellent music, a great, wide range of food and a well-stocked house Bar, Gin & Prosecco Bar and Cocktail Tiki Bar! There will also be a range of FREE activities in the Kidzone, including rock climbing wall, rock climbing digi-wall, an inflatable slide and assault course, bouncy castles, circus skills workshops and kids craft workshops, plus many more activities.

Line-up includes, Dr & The Medics, Space, Jesus Jones, Dreadzone, Crikey Minogue & Six Packs, a Ministry of Samba workshop, and a great local roster of Devizine favourites The Tribe, Talk In Code, The Dirty Smooth, A’La-Ska, Navajo Dogs, Sloe Train and Plucking Different. This is going to be a brilliant one, make sure there’s room in your backpack to sneak me in! Info Here.

Should get you in the mood…..

8^th-10^th: 2000trees Festival

Withington, Cheltenham

A largely rock and indie festival, 2000trees has a good reputation and won awards. This year sees Jimmy Eat World headline, with Thrice, Creeper, The Amazons, Dinosaur Pile-Up, The Menzingers, The Get Up Kids and many more to make me feel old! Tickets & info Here.

9^th-11^th: – Cornbury Festival

Great Tew, Oxfordshire

Still in the planning stages, this ever-growing festival in the most beautiful Oxfordshire Cotswold location think it’s enough just to announce on headline act, yeah, but it is Bryan Adams; show offs! Should be good though. Info here.

22^nd-25^thWomad (?)

Charlton Park, Malmesbury

Still hopeful, Womad are holding off announcing acts, but you know, I know, we all know it’ll be the crème de la crème of world music on our doorstep, if all goes well, they’ve secured the date and tickets are here.

31^st Mfor 2021

Lydiard Park, Swindon

A family orientated, affordable, one day pop-tastic festival I’ve only heard good things about, could be just the thing to introduce kids to festivals. And with Craig David, Rudimental, Ella Henderson, Phats & Small, Mark Hill (Original Artful Dodger), Lindy Layton on the line-up, it’s easy to see how this party is going to go down. I believe local acts will also be on agenda, certain our friends Talk in Code feature. There’s even an over 18 Friday night special additional event, with Five, S Club, Liberty X, Baby and Rozalla; everybody is freeeee, to feeeel gooood, apparently. Info & Tickets.

August

5^th-8^th: Wickham Festival

Fareham, Hampshire

New one on me this, but The Wickham Festival is an annual four-dayer of music and arts. Boasting three stages, and rated as one of the safest, most relaxed and family-friendly festivals in the UK, Wickham was voted ‘Best UK Festival, cap. under 15000’ at the Live UK Music Business Awards in October 2015; so, they know their stuff; I mean, they’ve got Van the man, and The Waterboys. Note also, Devizine favs, Beans on Toast, Gaz Brookfield, Tankus the Henge along with Nick Parker on the agenda; sweet! Tickets & Info Here.

6^th: Love Summer Festival Devon: SOLD OUT.

7^th-8^th: The Bath Festival Finale Weekend

And what a finale it is, Saturday; McFly, Scouting For Girls, Orla Gartland, Lauren Hibberd, George Pelham, Josh Gray, Novacub, Dessie Magee and Luna Lake. Sunday; UB40 featuring Ali Campbell & Astro, Billy Ocean, Fun Lovin’ Criminals, Seth Lakeman, Bloco B, Hannah Grace, Casey Lowry, Port Erin Life, and Life In Mono, with more to be announced… Tickets HERE.

21^st: Mantonfest

Manton, Marlborough

Any closer than this and it’ll be in your back garden! But that’s not the sole reason to grab a ticket for MantonFest! Just thirty notes for adults, a tenner for teenagers, and a fiver for kids, but that’s not the only other reason. Reports on this family, broad ranging charity fundraising annual do has never been negative, and we’re glad to hear it’s back for 2021. Number one Blondie tribute Dirty Harry headline, along with Dr. Feelgood, Ex-Men (five members of original 60’s bands), Barrelhouse, Jo Martin with his band, Devizine favs Richard Davies and The Dissidents, Josie and the Outlaw and homegrown Skeddadle. We previewed it last year before shit hit the fan; tickets bought in 2020 are valid for 2021. Mantonfest say, “we may have to introduce some anti-covid restrictions. These will be announced nearer the time and will be in line with the latest developments and best practice;” let’s hope this goes off this time. Tickets & Info here.

21^st: Live at Lydiard

Lydiard Park, Swindon

Anne‐Marie, Sean Kingston, Roman Kemp [DJ set] Artful Dodger, Chaney, Fabian Darcy on the line-up over four stages for this day festival at Lydiard, with a dance tent, boutique cocktail bar and food court. Info & Tickets here.

21^st: Bath Reggae Festival

Now pushed back to August bank holiday, this is the maiden voyage for the Bath Reggae Festival, and we bless them with the best of luck. With a line-up this supreme though, I’d imagine it’ll sell itself. Legends Maxi Priest, Aswad, Big Mountain, Dawn Penn, and The Slits solo extraordinaire Hollie Cook, Laid Back and lovers rocker Wayne Wonder, this is a must for reggae fans. Tickets & info here.

September

4^th-5^th: Concert at the Kings

All Cannings, Devizes

For locals little more can be said about how awesome this ground-breaking festival raising staggering funds for cancer research is. Since 2012 it has bought international headline acts to the sleepy village outside Devizes; legendary fables and the fondest memories have been had there. No difference this time around, save for some social distancing. Billy Ocean, 10CC, Steve Harley & Cockney Rebel, Sweet, Strawbs, Lindisfarne and Devizine favs Talk in Code, with more to be announced; twist your arm anymore, sir? No; no need to! Tickets & Info here.

9^th-12^th: Swindon Shuffle

Venues across Swindon

A later date for this annual extravaganza of local live music, spread across Swindon’s premiere venues and hugely supportive of original homegrown talent, this is weekend to head for the railway town. Since 2007 the Shuffle raises funds for MIND, and is largely free to attend. Ah, there’s plenty time to arrange a line-up, which is underway, but you can guarantee a truckload of our local favourites will be there, somewhere! Info.

10^th-12^th: Vintage Nostalgia Festival

Stockton Park, Near Warminster

The mature place to glamp this summer if you want to get retro; classic cars is the concentrate, but there’s no shortage of great bands from rockabilly, doo-wop, blues to mod skiffle, boogie woogie jazz and beyond. Sarah Mai Rhythm & Blues Band, “Great Scott,” Shana Mai and the Mayhems, The Bandits, Junco Shakers,The Flaming Feathers, The Harlem Rhythm Cats, Little Dave & The Sunshine Sessions, The Rough Cut Rebels, Riley K, The Ukey D’ukes and loads more. Info & Tickets Here.

You know, this one could be for me, rather than trying to look youthful clutching onto a marquee pole for dear life while a hoard of sugared-up teeny-boppers check Instagram amidst a soundtrack of dubstep! But look, I reckon there’s something for everyone here, but if I did miss yours, let me know, for a squashy cup of cider at the festie bar, I must just add your do here too!

Trending….

Weekly Roundup of Events in Wiltshire: 10th – 16th July 2024

Jam-packed July! If there’s always lots to do throughout the year, July especially so! Here’s what we’ve found in the wilds of Wiltshire this coming…

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The Pleasure was all Minety!

Broke my Minety Music Festival cherry, and it was gurt lush! When it comes to live music and festivals, I initially set a high bar.…

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DOCA Picnicing in the Park!

With the unfortunate cancellation of Devizes International Street Festival this year due to Arts Council cuts, all eyes are on our wonderful Hillworth Park next…

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Michelle Gonelan Makes History

Last political rant from me for a while, given all that happened today, pinky promise! Hitler shot himself, then, as requested, he was doused in…

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WOK SNOWFLICKS GIT THERE KICKS ON DEVIZS ISSUES (BIT BETTER) THIS ELEKTION!!

Need to keep informed and updated on the general election and its effect locally? Don’t bother with national media sources, everything you need to vomit…

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Weekly Roundup of Events in Wiltshire: 3rd -9th July 2024

Jam-packed July! If there’s always lots to do throughout the year, July especially so! Here’s what we’ve found in the wilds of Wiltshire this coming week….…

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MantonFest Magic, Again

With the danceable penultimate act attracting a packed crowd, I observed a young teenager, who, on spotting a disregarded beer bottle, picked it up and…

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“Macbeth” at Cleeve House, Seend, July 1st-6th 2024

By Mick BrianPhotos by cast and arenaphotography William Shakespeare’s tragedy, inspired by real life eleventh century Scottish kings, is well known by anybody that’s done…

Jul 2, 2024Jul 2, 2024

Jim Blair and the Mojo Makers atThe Beehive, Swindon

By Ben Niamor A heaving heavenly hive last night for the inaugural outing of Jim Blair and the Mojo Makers…. Right out of the gate,…

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Robert Vincent & Ryan Davis PAs at Marlborough’s Sound Knowledge

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Wharf Theatre Has Some Positive News

The struggle is real; the theatre world in general is facing many issues and they lit their exteriors and foyers up in a red alert tone. Devizes beloved The Wharf Theatre joined forces again with fellow venues and took part in the Light It in Red campaign. They say, “the message this year is one of hope and support and we are using the universal symbol of the heart with the message; We’re still beating.”

Anyone passing The Wharf next week will note a series of posters created specially to celebrate this campaign, but they also have some exciting news. Subject to government guidelines eight shows are in pre-production and the scheduled dates are:

JULY: Collected Grimm Tales

SEPTEMBER: Jesus Christ Superstar

OCTOBER: The Navy Lark; The Tommy Cooper Story; Glorious (subject to rights)

NOVEMBER: The Paul Simon Story

DECEMBER: Dick Whittington

JANUARY: My Mother Said I Never Should

Tickets can be purchased by ringing 03336 663 366; from the website or, when open, at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm. Whilst restrictions remain in place please continue to refer to their website for the latest details or and don’t follow on Instagram and Twitter.

In the meantime, there’s still a few places left for the on-line masterclass with West End star Luke Bayer on Thursday 25th March 7pm – 8pm. Would you like to be able to spend an hour with the Star of Jamie the Musical, learn a routine from the show and take part in a Q&A afterwards? Tickets can be purchased from TicketSource – see website for further details.

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I See Orange at The Pump with Devizes-own Steatopygous!

Being our reporter Flo was unfortunately unable to attend the Devizes Youth Action Group’s second sell-out gig on Friday, I sought to catch up with…

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Devizes Arts Festival Rules, OK?!

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A Chat with Melksham-Devizes Labour Candidate Kerry Postlewhite

Here comes another slice of tree through my letterbox, I receive two or three per day, all from the Conservatives; I love the overkill of…

Jun 19, 2024

“The Collaborators” at the Rondo Theatre, Larkhall, Bath, June 19th-22nd.

by Ian Diddamsphotos by Richard Fletcher & Lisa Hounsome The concept of historical brutal dictatorships and comedy is not necessarily one that one considers as…

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“Where’s The Cat? Live!” at the Wharf Theatre June 27th 2024

by Mick BrianPhotos by the “Where’s the Cat?” team Within the walls of Devizes very own Wharf Theatre meets an eclectic group of script writers.…

Jun 18, 2024Jun 18, 2024

A Junco Shakin’ Finale for Devizes Arts Festival at The British Lion

A leopard doesn’t change its spots, and neither does a British Lion. Watch other Devizes pubs change landlord, decor, attractions, and styles. Watch them close,…

Jun 16, 2024

A Chat With Lib Dem Candidate for Melksham & Devizes, Brian Matthew

You know I’m a lady’s man but nestled between chats with Green Party candidate Catherine and our forthcoming one with Kerry of Labour, I’m with…

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Boomers Rule – “The Slambovian Circus of Dreams” at the Devizes Arts Festival, June 14th, 2024.

by Ian Diddamsphotos by Gail Foster Way back in the mists of time (August 2022 – y’know that REALLY, REALLY hot summer?) I saw the…

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Talk in Code, Atari Pilot and Sarah C Ryan Taking to Level III

Yeah, I know, right, there was an element of pessimism in my last piece regarding over-excitement at the prospect of the return of live music, but I wasn’t being cynical, just cautious. In the coming months I want to highlight hopeful upcoming gigs and festivals, the ones which tickle my fancy, but can’t promise this for all, so keep checking our event calendar for updates; I’m working on it, slowly!

One thing which will always be a general issue, which I didn’t cover, is that capacity will be lower, ergo tickets scarcer. Prime example; what should be a fantastic night for indie-fans, when our progressive, with a slice of retrospection, indie-pop favourites Talk in Code do Swindon’s Level III on June 5^th, bringing with them another favourite here on Devizine, Atari Pilot, and solo Americana performer, Sarah C Ryan, who I’ve yet to hear live, but hopefully will. Tickets are limited to eighty, so, if you want to get in on these things, you have to be the early bird.

You may take heed of my warning about events only being possibilities at this delicate time, and caution is understandable when forking out a fortune for a festival ticket. This will unfortunately be a spanner in the works for larger events, and I only hope is something they can digest financially. It truly is a rock and hard place. The difference here is a gradual, little toe in the water, as the hit for my example, Talk in Code at Level III, is far easier on the wallet, at £6.60; can’t complain about that!

As grand adverts for summer festivals take to our newsfeeds, I believe the reopening of live music will be concentrated, to start with, on the smaller, grassroots gigs; and this one guarantees to be a blast. Tickets HERE.

Trending….

Talk in Code are All In for New Single

Swindon indie pop virtuosos Talk in Code released their brand new single, All In, Yesterday, via Regent Street Records. And We. Love. Talk in Code…

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REVIEW – Devizes Arts Festival – The Sound Of Blue Note @ Assembly Room 13th June 2024

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REVIEW – Devizes Arts Festival – Duo Tutti @ Assembly Room 13th June 2024

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Discovering Antarctica: Heroic tales of Shackleton, Crean and Scott; at the Wharf Theatre for Devizes Arts Festival

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REVIEW – Devizes Arts Festival – Martin Simpson @ Corn Exchange 12th June 2024

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Award-Winning Devizes Scooter Club Revving for Rally!

Devizes Scooter Club put their braces together and their boots on their feet, for a moonstomping win of the Best Turned-Out Club at the 25th…

Jun 12, 2024

A Chat With Green Party Candidate For Melksham-Devizes, Catherine Read

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REVIEW – Devizes Arts Festival – Belinda Kirk @ Cheese Hall 11th June 2024

Right Out Of The Comfort Zone by Andy Fawthrop Following a lively few days of entertaining and varied events over this last weekend, we’re now…

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REVIEW – Devizes Arts Festival – Ida Pelliccioli @ Assembly Room 10th June 2024

World Class Piano by Andy Fawthrop And, following a lively few days of varied events over this last weekend, we’re now into Devizes Arts Festival’s…

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Song of the Day 30: Maple Glider (A.K.A. Tori Ziestch)

Naarm/Melbourne-based singer-songwriter, Maple Glider releasesd a new single today, “Good Thing.”

Her striking emotionality is at the centre of her performance, which opens with her light and velvety voice accompanied by a sparsely strummed guitar. She wastes no time in revealing the state of sadness she’s in, offering such tenderness and introspection that the listener feels as though they’re inside her bedroom as she plays for herself. Eschewing a traditional chorus, the repeated refrain is more a bookend to each verse. The emotional apex hits in verse three, turning the song into a spectral folk powerhouse with the revelation that she’s cutting ties before things turn sour.

Ziestch explains: “I wrote this song out of a place of defeat. I was really heartbroken at this point, and very confused. I like the feeling of my independence and I think I was afraid of putting energy into the wrong people. Sometimes we make decisions out of fear and sometimes it’s because we know that it is the best decision to make. Those lines can get very blurry.”

And that’s my song of the day. Very good, carry on….

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Song of the Day 29: Bunny Wailer 1947-2021

Photo Credit: Redferns/Gem

I know, this feature is supposed to be for new music, promoting new and upcoming bands and artists. But here’s a notion, without the pioneers of many sounds their music would sound very different. So perhaps, when we lose a legend, we could also use it to pay tribute to them.

Sound like a plan?

Righty then, suitable for the agenda is the sad news today of the passing of the last of the three original Wailers, Neville O’Riley Livingston, aka Bunny Wailer. The red, gold and green flag flies at halfmast today, blessings to his family and friends.

And that’s my song of the day.

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Trowbridge DJ and Producer, Neonian Releases Debut EP

A figure appears through the labyrinth of florescent drapes, strobing with ultra-violet lights. She’s void of expression, hypnotised in her individual realm she perpetually gyrates, wearing a black figure-hugging bodysuit, highly decorated in costume jewellery constructed from glowsticks. It’s not the image families would conceive of when thinking of Longleat, rather a cheeky posse of rhesus macaque monkeys ripping the rubber insulation off their Volvo.

Yet the Wiltshire raver of yore will note, and reminisce, to trek to Swindon’s Brunel Rooms would be to face happy hardcore, jungle or house, whereas there was a tribal movement of tranced techno-heads, a conglomerate of Wilts and Somerset rural ravers in the basement of the Warminster manor, and it took on a wildlife of its own; the UFO Club at the Berkley Suite. Memories of it flood what’s left of my neurons, I’m halfway into Trowbridge DJ and Producer, Neonian’s debut EP Vaxxor, released this coming Friday (5^th March.)

Not before the opening title track, that is, which detonates a more breakbeat house prose at you, something for the peaky middle of a set by Plump DJs in a glasshouse club off Brighton beach in the latter nineties. There’s a lot going on here, for a four track EP, and it’s having all subgenres large.

Released through Weatnu Records, there’s parts of Vaxxor where I thought a more conventional and contemporary danceable beat might rear its head, but it doesn’t, it solidly rides a wave of classic electronic dance music with a penchant for the techno-trance feel, hence my memories of the UFO Club. That said, Vaxxor, as a tune contains definite traces of punky chemical beats, akin the Prodigy or Chemical Brothers, yet rather than a gimmicky vocal or sample element for possible mass-appeal, Neonian seems aware pop has detracted from this trend of recent, ergo its concentration is on perusing a consistent beat and sonic hi-hats.

This leaves you semi-prepared for the more trance-techno sound of the following tune, Glow. For this it is thumbs up as the most poignantly danceable, in the four-by-four psytrance fashion akin to Goa trance. Hypnotic Jerk takes elements of this, and slides into a downbeat “hypnotic cocoon teetering on the edge of normality.” Imagine Nightmares on Wax if triphop hadn’t been invented. We’re in the chillout tent, Eat Static are playing a Sunday morning set, that’s where it is; yeah, I’m with you, mate, got a flyer I can roach?!

All these four tracks were recorded during the lockdowns, and together are a glorious testament to the psych-subgenres of the UK underground dance scene. But if you’ve any misgivings to the variety of the melting pot, I’ll confirm Neonian blends and crafts it with distinct precision. To affirm he’s clearly nodding to his influences, the testament comes to a finale like a returning migratory bird to its nest. Proof to the Tower finishes this short journey off with something, though layered with aforementioned influences, strips the sound back the subgenres’ combined roots.

Proof to the Tower drips with elegant attributes of post-punk electronica, aligning New Order, Depeche Mode and even the stiffer originators, Kraftwerk and The Art of Noise. The EP is getting radio plays from BBC Radio Wiltshire, Kinetic7Radio (Bleeps & Beats show), Radio TFSC and Radio Wigwam, and I’m far from surprised.

Neonian is the work of Ian Sawyer, who has previously released a few singles, a mini LP ‘Treasure’ and provided remixes for Frannie B, NNYz?, Sergeant Thunderhoof and James Harriman. “I make music, for myself,” Ian explains, “I can’t really describe it but it’s mainly made with synthesisers, loops and samples. Influences include New Order, Boards Of Canada, Coil, Pye Corner Audio, Factory Floor, and Russ Abbot.” Unsure about citing that last one, though Vaxxor certainly has an atmosphere!

Nonetheless these tributes to the pioneers of electronica and nineties trance, techno and breakbeats are often viewed as rather soulless, this does what it says on the tin while retaining something fresh to boot. Clearly, four tracks with Neonian aren’t enough, I’d like to hear a fully-mixed electronic concept album, perhaps, to be fully sucked into its deep and hypnotic grooves.

Excuse me for being so fussy, but some uplifting sections, with gimmicky elements such as female vocals would be advantageous. Not solely for my own palate, rather in hope it’ll attract the attention of a wider audience. As, like William Orbit did when he got the phone call from Madonna, I think while Vaxxor is damn cool with florescent socks on, Neonian, I feel has yet to achieve his magnum opus, but when he does, judging by this EP, you’ll want to standing in the middle of it, making boxes and reaching for the stars.

Available on all Digital Platforms March 5th 2021; ‘Vaxxor’ is now available to Pre-Order on Bandcamp via the following link. You get to download the track ‘Glow’ now and the rest of the EP when it is released on March 5th.

Make Headway for Ariel Posen

Try this: think of some tunes of the decade you were born, songs which you like but don’t know why, songs which, for some reason, ring alarm bells at you as characteristic of the era. Your taste screams no, you shouldn’t like these, but you do. Then check the year they charted. I wager many of them were in the year you were born, the previous or following.

I remember liking, at the time, and I’m not proud but in the name of science I’m going to confess, Brotherhood of Man’s Save All Your Kisses for Me! Oh, while we’re there, Abba’s Dancing Queen too! Thing is, I know why. They were in the charts in 1976, when I was three, the sort of excruciating pop mush anthems a toddler graduates to after the Wheels on the Bus. However, I cannot put my finger on why I’m engrossed with glam rock songs, such as Gary Glitter’s I’m the Leader of the Gang, The Sweet’s Blockbuster and Slade’s Cum Feel the Noise, when the genre makes me generally quiver.

Any doubt I was born in the 70s cleared up with this family photo; I’m the baby!

Why flower-power sold out and hippies took to wearing kipper ties and platform shoes with goldfish in the heel is beyond my understanding of youth culture vicissitudes. Still, when I hear the aforementioned glam rock screeches, they stir something vague inside, indications of a life obscured by cognition. Coincidence they all charted in 1973, the year I was born? Or could the sounds around you, as a baby, implant permanent scars?! If so, I’ll be dammed, deeply archived Little Jimmy Osmond’s Long-Haired Lover From Liverpool!

Though you should never condemn an entire decade for its pop chart. Given you’ll throw Sonia, Jason & Kylie, even Blacklace at me, and tell me to shaddup my face. Despite the lack of technological advances of the seventies when compared with the eighties, there was numerous classics. I’m drawn to the cherished saxophone riff of Gerry Rafferty’s Baker Street, but surprised to note, it broke my theory and wasn’t until ‘78.

The research was stirred by Canadian singer-songwriter, Ariel Posen’s forthcoming album, ‘Headway,’ released on 5th March. Oh, yeah, I am coming to an eventual music review, excuse my waffle. There’s something retrospectively seventies about it, my mind sees a Ronco record label revolving on the turntable of a seventy’s mahogany music centre. A quick flick through the tracks suggested motives not to like this are manyfold. Yet, akin to why I cannot put my finger on why I like those glam tunes of my birth year, I’m finding it tricky to reason with this too, but I do like it, a lot.

With magnificent guitar riffs which nods subtly to country and heartland rock & roll, combined with smooth, blue-eyed soul vocals, there’s something very Springsteen’s Darkness on the Edge of Town, or Tom Petty’s Full Moon Fever about this potential electrified Americana rock classic.

The harmonious and tenderly sensual soul of Coming Back, against the folksy- blues guitar picking of the single Heart by Heart suggests there’s a vast melting pot, but Posen meticulously stirs it into one seriously chilled groove, David Soul styled, which will leave you causally drifting through till the end. Hence my reasons for pondering my little science experiment while listening. Again, comparisons to seventies music, here’s an album to listen to complete, afar from youthful trend of flicking through Spotify playlists like time is against them.

Upon first impressions I was dubious about a Springsteen comparison, contemplating the subjects are generally of romance, and perhaps simpler than the Boss’s interweaved wordplay, yet again humbler Beatles’ pop formulas clearly influence it greatly too. Harder listening conjured a progressive prose of evolution in life, love, and all points in between. They’re poignant and beguiling, combined, you just have to dive a little deeper.

Two years in production, Posen began recording Headway in December 2019, a week after wrapping up an international tour in support of his acclaimed debut, How Long; the effort shows. The gigs received standing ovations, and Rolling Stone dubbed him “a modern-day guitar hero.” Music Radar listed him as a fan voted top 10 rock guitarist of the year, and the Western Canadian Music Awards nominated him for Breakout Artist of the Year.

So, yeah, this is worthy of your attention, and if I attempt to lambast the seventies again, remind me of the current sate of my lockdown coiffure; I’ve got the big hair of a middle-aged Caucasian from 1976. I’m going out on my Raleigh Chopper now, mum, call me when my mince in gravy is ready!

Artic Roll for pudding? Hunky dory!

Pre-order Headway HERE

Trending….

Arts Festival’s Rumour Fringing at the Free Crowns!

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Cable Street Collective at Devizes Arts Festival

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As if the FullTone Festival isn’t exciting enough for Devizes, the Town Council has allowed them an extra day, on the Friday 26th July….. Seeing…

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REVIEW – Devizes Arts Festival – Lucy Porter + Support @ Corn Exchange 6th June 2024

Funny You Should Say That Andy Fawthrop And finally it was time to see the girl we’ve all been seeing on the poster for the…

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REVIEW – Devizes Arts Festival – Adam Rutherford @ Corn Exchange 5th June 2024

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Devizes Youth Action Group Gig Night is Back!

The first gig and club night by Devizes Youth Action Group exclusively for secondary school aged youth in Devizes back in February was hugely successful,…

Jun 4, 2024

REVIEW – Devizes Arts Festival – Edward Cross Quintet @ Assembly Room 4th June 2024

By Andy Fawthrop Fine Music In A Fine Room Today Devizes Arts Festival wheeled out its first classical offering, and chose a particularly fine room…

Jun 4, 2024

Weekly Roundup of Events in Wiltshire: 5th -11th June 2024

Here’s what we’ve found to do in the wilds of Wiltshire this coming week. Don’t forget your sunscreen and a nice party umbrella! Everything listed…

Jun 4, 2024

The Visit; Wiltshire’s Councillors Endorsing Michelle Donelan

Have you had “the visit” yet? Your local councillor house-calling hand-in-hand with Conservative candidate Michelle Donelan? I have. At least it broke up my busy…

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REVIEW – Devizes Arts Festival – Dr. Phil Hammond @ Corn Exchange 3rd June 2024

by Andy Fawthrop The Doctor Will See You Now! Devizes Arts Festival has already got off to a storming start over this last weekend, with…

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Song of the Day 28: Kevin Brown

Launched today, ‘Square Peg in a Round Hole.’ How’s that for efficiency? I know, I’m not usually this quick off the mark, must be something in the water!

But yeah, but no, though; you’ve got to hear this beauty of blues-folk from Kevin Brown, it’ll take you away with it, and we all need to get away; who’s been living in their Jimmy-jams for months?!

A song inspired by, Kevin explains, “people living on the edges of society, in and around Bath in the mid 80’s… people who don’t quite fit in.”

“We’ve chosen some stunning photographs by Steven A Chandler for the montage – they really capture the mood of the track.” And emotive it is. I’ll use the term emotive rather than ‘moody,’ if you don’t mind, Kevin, as it has a subtle uplifting hint, and it’s simply gorgeous.

Subscribe to the man’s YouTube channel, here. I’ve stressed this before, and reinforcing it by subscribing to as many as I find. It’s crucial for all musical artists that you do, gives them possible revenue, if they get to a certain amount of subscribers, but they do a LOT of them to get there. Whereas, a “YouTuber” podcasting a hoard of bling and clothes, or playing Minecraft while chatting nonsense, can elevate to stardom in a matter of milliseconds. Such is the way of modern life.

Anyhoo, that’s my song for the day, very good, carry on…

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Song of the Day 27: Emily Capell

We are the mods, we are the mods, we are, we are, okay, you get the gist. Imagine Kate Nash is Doctor Who’s assistant, and they tracked back to Carnaby Street in 1963. If she dressed and performed without raising suspicion that they’re time travellers, you’ve got a general picture of the fantastic Emily Capell.

On one hand, this is fab retrospective meddling, on the other it’s lively and fresh fun, with a beehive hairdo.

There’s nothing here not to like, unless you’re a ret-con rocker and if so, I’ll see you on Brighton beach, pal. All I ask is you aim for the face, so you don’t crease my suit.

And, that’s my song for the day. Very good. Carry on….. oh yeah, nearly forgot to mention, Emily has a live stream coming up Friday 12th March, here; groovy.

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And There it is, Araluen

Ever considered Jolene might’ve been an innocent victim of circumstance? Dolly’s husband was obsessed with her, talked about her in his sleep. But there’s no evidence in the song to suggest she enacted, nothing to say she consciously encouraged it or made the first move. Dolly persecuted her, could’ve been jealously. There’re two sides to every story and we never hear Jolene’s.

Sounds rather conservative to me, Dolly blames anyone but herself. Rather, Araluen’s song In the Arms of Another, offers a liberal angle on a similar premise. The singer admits and regrets her part in pushing him into the arms of another, by not seeing the significance of those tell-tale signs.

Arguably, its notion is more provocative than Jolene, but it’s certainly the most poignant tune on this captivating album, And There it is, released last month. Araluen being the project of Australian-born, (hence the name,) but resident in the UK, Paul Lush, known for his contributions with Rockingbirds singer Alan Tyler and Danny And The Champions Of The World. With a repute on the UK Americana circuit, guitarist and award-winning songwriter, Paul, has been plying his trade as a fleet-fingered gun for hire and now sets up his own project.

“Araluen is the vehicle that I use to record my songs,” explained Paul. “It’s an idea more than anything, that allows me to use whoever I want without having to stick to a set band line-up. I’ve written and recorded a lot of songs but have never done anything with them. So, once I started this project, it was with the idea to finally release something – get it out there.”

Occasionally here, the sound slips skilfully into folk-rock, and there’s an electric slide guitar instrumental decidedly rock, but for the bulk, it’s uplifting country, graced by the alluring vocals of Angela Gannon from Magic Numbers. Also important to note this flows between changing styles with acute precision, rather than jumps in and out of styles.

Maybe my mum’s insistence we listened to her Tammy Wynette cassette in the car as kids, prepped me for my newfound affection for country, projected within our local circuit, our Tammy, Quin, Jamie R Hawkins and Dean Czerwionka’s invitations to attend his Americana club nights, but I must say, I actually prefer the string-bending country ballards on And There it is more than the rock ones; or is it an age thing?!

I could speculate till the cows come home, but it’s likely the style suits Angela’s voice more. It is, by its very essence, hypnotically divine, and amatory too, in a kind of chequered shirts with tassels and Daisy Dukes fashion. Virtually all romantically themed in small-town matters and secrecy, I found myself drifting into its gorgeous, effectively unpretentious narratives, as thirteen of them roll off the ears like waves on a tropical ocean.

Such is the alluring vocals, my mind contemplated the classic Simpsons episode, where Homer is near-tempted by the advances of country singer Lurleen Lumpkin, incidentally voiced by actress and singer Beverly D’Angelo, who as well as being Ellen Griswold in the National Lampoon’s Vacation films, was nominated for a Golden Globe Award for her role as Patsy Cline in Coal Miner’s Daughter, so it’s a fair credit.

“I’d admired Ange’s vocals for a long time, so one night while we were talking over a drink I asked if she was interested in singing on my new album,” Paul elucidated. “We went through the songs a couple of times and then recorded them. She blew me away. I had never heard her sing like that. This was the first time I’d heard her sing as the main featured vocalist for a whole album and she’s fantastic.”

And she certainly is. Lush by name, Paul has created a cross-bred masterpiece here to appease both country aficionados and those merely window-shopping into the genre via rock n roll avenue. This is a keeper.

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Song of the Day 26: The Maitree Express

Reggae and ska’s association with trains tracks back to its very roots, that beguiling chugging offbeat replicates engine noise, ergo subject matter and band names suit.

Here’s hoping if Devizes does ever get a station, more reggae bands will stop here and bring their sunshine music. Prime example; I’d sure make a beeline for this Bath-Bristol seven-piece locomotive, with their lively blend of dub, ska and soul.
Failing that, I’m trekking, have roots, will travel.

Offering an exciting live show, the Maitree Express has been in the recording studio and the effect projects onto wax; proof here, in the pudding.

Wait, did someone say pudding? My work here is done, that’s my song for the day. Very good. Carry on…..

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Song of the Day 25: Strange Folk

I know, I accept your question, and let me just say, I think it’s a very good question, one which I fully intend to answer in the fullness of time, but first, let me just say this, and this alone, and let us be totally sure that this is the correct time to, indeed, as you ask, for me to answer that question, one which I think is a very good question, as I may or may not have said and I really feel it is a question which needs answering….and so on, and so forth….

Think I’ve got what it takes for national politics?! I can waffle shit for Queen and country, and yes, I promised a Song of the Day feature everyday, and I haven’t delivered on that promise for a few days now, and any excuse I could provide wouldn’t be fully truthful. That’s why I believe I’ve got what it takes, my capacity to lie is acute, and my moral responsibility is pretty much shot, besides I couldn’t possibly mess it up further than it already is anyway, so yeah; I might stand.

The fact you’re probably all watching real politicians waffling about the easing stages of lockdown, is neither here nor there. I’m going to slip our song of the day in now, when you least expect me to.

And it’s wonderful, earthy folk outfit Strange Folk, with a track called Glitter. You may recall them playing the Vinyl Realm Stage at Devizes Street Festival, you may not. But enjoy, it’s gorgeously fantastical, the kind of escapism we need right now.

Back to reality, why they gotta keep calling it a “roadmap,” for crying out loud? Boris navigating for real and you’d end up driving headlong into a lake.

Strange Folk they might be, but not as strange as those leading us, I might add. The announcement will be on all night, while the Daily Mirror managed to sum it all up, hours prior to the conference, in one neat graphic.

And that’s my song for the day. Very good. Carry on…..

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Swindon Sound System Mid Life Krisis Live Streams

If you’re missing a tubthumping club night, you could clear your laminate flooring of breakables, blag your kid’s colour-changing lightbulb, overcharge yourself for a Bacardi Breezer from your own fridge, and belch up kebab behind your sofa.

All these things are optional to simulate the full lockdown nightclub in your own home. But, even creating a cardboard cut-out queue for the downstairs bog, or hiring a doggie tuxedo so your pet can double-up as the bouncer, extreme measures in extreme times will doubtfully replicate the genuine clubbing experience; sad but true.

However, if props don’t make the neon grade, the music can. Swindon-based tri-county sound system, Mid Life Krisis, abbreviated to MiLK, announce an online schedule for live DJ feeds and multi-genre events. “We will be putting on events post Covid for the people of Swindon and beyond,” they say.

There’s an interesting line-up ahead, prompted to me by Pewsey acoustic performer Cutsmith, who is on this Sunday (28^th Feb.) Yet most are hard floor, afro/tribal house, trance, techno and drum n bass DJ sessions, freely shared onto a Facebook group, here. Join the group, throw your hands in the air, scream oh yeah, just don’t set your own roof on fire, it’s only going to increase your insurance direct debits, mo-fo.

Your exhaust cannot drop off en-route, girlfriend needs not to spend umpteen hours sorting her hair, and there’s no over-vocal knob jockey giving you all that in the carpark to distract you. No excuse for unattendance; no dress-code either, get funky in your jimmy-jams, if you like, you know I will. Shit, I’m like the Arthur Dent of Mixmag!

Now, I’m also gonna start adding these posters to our event calendar, which despite being about as tech-savvy as Captain Caveman, I’ve taken the time when nought is really happening to redesign it, to be more user-friendly.

All needs doing is directing buggers to the thing, as we’re listing global online and streamed events, and until a time when Bojo the Clown finally stops mugging us off and announces a release date, it’s not worth adding real live events for me to have to go delete them again.

That said, I find difficulties in keeping up to scratch with what’s on in the online sense, partly because I’m fucking lazy, but mostly because they pop up sporadically and unexpectedly.

Else they’re mainstream acts begging via a price-tagged ticket. I can appreciate this, it’s a rock and hard place, and we all need to get some pocket money, but from a punter’s POV, charging to watch their own laptop screen in hope they get a good speed for their feed, can be asking a bit much and one now favours a PayPal tip jar system.

Such is the nature of the beast, where a performer or DJ could be slumped in front of Netflix one minute and suddenly decide they fancy going live. Thankful then, we should be, to these Facebook groups hosting streams, in order to create some kind of structure.

The positive, for what it’s worth, is boundaries have been ripped down. Without travel issues, online, your performance has the potential to reach a global audience, and hopefully attract newbies to your released material. Who knows, pre-lockdown you played to a handful of buddies at your local watering hole, but afterwards tribes from Timbuctoo might rock up at your show. Okay, I’ll give you, they might not, but potentially, the world is your oyster. Just a shame its shell is clamped shut.

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Become part of a movement calling for Affordable School Costs for all

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“Sister Act” at St. Augustine’s, Trowbridge May 29th-June 1st

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St James Devizes Vicar Keith Brindle Honoured as a Canon of Salisbury Cathedral

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Potterne Vicar Faces Soaking “Baptism!”

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Dark Matter: Chloe Glover

In probably the oddest way, I’ve discovered Manchester folk-punker Chloe Glover, during a rather slow news week, in which I opted to watch Star Trek rather than write. So, I’ve got stuff to review building, just, you know, a Netflix, sofa-lounging savoury snack calling. Meanwhile on the other side of the country, Chloe joined the nation’s joggers and tweeted a finish-line “I feel fantastic,” photo which reminded me of the “no makeup selfie” passing trend, being she added, “even with no makeup and covered in sweat and rain…”

See, a thing I don’t get intrigues me. Chloe affirms insecurities, and states her love of running, despite “looking objectively quite gross,” when she clearly doesn’t, and mutual friend, Kieran from Sheer Music concurred she doesn’t in a comment. That’s the link, how I discovered her. Knowing Mr Moore, I clicked on Chloe’s account, a fair assumption she’s a musician. Such is da powers of da inter-web, before you could say Joan Jett, I’m rocking to this debut EP “Dark Matter,” released just under a year gone.

While the opening track, Fool, is edgy, despondent themed folk-rock, and immediately obvious Chole has commanding and emotive vocals, it’s only dipping a little toe in the EP’s range. Only four tracks long, things escalate quickly. Get Back Up follows, and it’s time to rearward past the cliché and sappy direction P!nk commercialised riot grrrl and contemplate the impact of Alanis Morissette’s Jagged Little Pill, or possibly, Skunk Anansie. Here’s a beguiling potential punk-pop anthem, with balls, big balls, and sweary words to boot.

Three tunes and it’s dumped you in the kick-ass mood, courteously. Hurricane is really showing a vocal range, it’s decidedly indie taking on punk-pop, and it rocks. By the finale, Silver Linings, I’ve gone way beyond my previous nineties’ comparisons, because essentially, we’re in proper punk country, and I’m thinking Suzi Quatro, Joan Jett & the Blackhearts; this level of definitive punk.

Life after The Slits, and the hackneyed chauvinism backlashed against them, there was a celebrative sense about feminist punk, just prior to Spice Girl’s “Girl Power.” An epoch grasped beyond the fanzine culture, of Bikini Kill and Huggy Bear. But if you tried my recommendation of the Smalltown Tigers recently, and thought wow, that blew up in my face kinda quickly, you should note while Chloe doesn’t muck about, there’s a tenderer, leisurelier build-up to the rage, via folk, but perhaps closer associated with modern day too. This layered accumulation holds one in uncertainty on just how far Chole will take you, so, when she plucks these emotive and sharp frenzies, it’s a nice surprise, abso-fucking-lutely sublime and executed with a celestial meticulousness.

It’s immediately amiable and addictive, projected to an effective live show too, with band or acoustically, which has seen Chloe support Frank Turner. Still, I don’t get the no makeup fear thing, that recent Facebook selfie trend, like a dare. I’m always left scratching my head as to the fuss; they look gorgeous to me. Makeup, yeah, can highlight best features, but it’s not the makeup which is beautiful, is it? Just sitting in on a shelf in Superdrug, a nonentity, no lure there.

I recall you’d never see my Nan, until she’d “put her face on,” as she put it. As a kid I’d imagine her behind her bedroom door as Darth Vader in the scene of the Empire Strikes Back, you know the one, when his helmet eases down? But, for crying out loud, if you choose to see it like this, as your war paint, your confidence is shot, and you’re overthinking it. Slap or no slap, doesn’t make hide nor hair. Fuck what L’Oréal want to convince you of, and what Estée Lauder say you need; you are girls, women, the female human form, and that makes you beautiful, as standard, all of you. It really is that simple, and bollocks to anyone who says otherwise.

For Chole, the power, essence and obvious devotion to her music garnishes this unique EP. Dejected themes conclude to optimistic premise, and to nail a concept, an inclusive narrative within four songs is sheer talent. If the punk element to it is a like a girl, full of makeup, or the stripped-back folk is the girl without, neither matter, it’s all beautifully crafted, kick-ass music.

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Song of the Day 24: Jon Gomm

With gig and event organisers clutching at straws for potential summer dates, awaiting a bumbling announcement from the mighty Bojo the Clown, Sheer are keeping it in perspective and looking forward to October when they host an evening at Emmanuel’s Yard, Trowbridge, postponed from last December.

Our favourites The Lost Trades will be supporting Jon Gomm. If you’ve not heard of Jon, today’s song is a taster, as tickets are on sale now, and after watching this, I believe you’ll want one!

In fact, if I could bunk the Saturday off work, might be possible to kick my Devizine GigBus idea into touch; it’s in the pipeline, guys, just waiting and hoping….

And that’s my song for the day. Very good. Carry on…..

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Yasmin Lacey Live Stream Tonight

Nottingham has never been so soulful since Yasmin Lacey came onto the scene.

But for Yasmin it’s been too long since playing live. “I’ve been missing playing with my band so much, and being able to meet and interact with you all after shows. So, this is the next best thing,” she expresses on announcing a live stream tonight.

Tickets are £7 from Bandcamp, here. A chatroom will be open where Yasmin encourages you to engage with.

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Song of the Day 23: Nigel G. Lowndes

Nigel writes to confirm he’s from the “Devizes side of Bristol!” Had to laugh about the perceived strictness of an obnoxious aging school teacher, and feel I should explain. While Devizine does offer local news subjects, since lockdown we’ve blown up our border control and now rampage internationally when it comes to featuring arts and music. So, it makes hide nor hair what side of Bristol you come from, or even if you come from Bristol Connecticut, if I like it or I think my readers will, I’ll mention it, and despite the title, Boring, yeah, I do.

Seems we’re alike, Nigel, least in the concept don’t judge a book by its cover, because this nugget of quirky art-pop reminds me of Talking Heads and is far from boring. Nigel explained the meaning, “[it’s] written after spending time with people who only seem to like the sound of their own voice – warning, I may be one of them!” Yep, me too. But if we’re not one of them, we all know one who is.

“The song started off as a Stones/Pistols rant,” he continued, “and has developed into a soft indie rock stomp, with an added lyrical twist at the end.”

It’s the first single from a forthcoming album, Hello Mystery, which I think we need to review nearer the time. Until then, that’s my song of the day, very good, carry on….

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David Gray’s Skellig; Enchantingly Sublime

Music technology bears a burden on the acoustic singer-songwriter, hopefully awaiting a practical gap in the market to sneak into the mainstream. Locked in the adolescent tantrum of the drum machine, pop charts of the late eighties were awash with electronica, hip hop, and the dawn of house, either this, or jean commercials revitalised sixties soul classics. Then, along came a short dreadlocked female singer, clasping her guitar.

Had Tracey Chapman arrived a decade earlier when Joan Armatrading was prevalent, the impact might not have had the same clout. As it was her appearance was exhilarating, a breath of fresh air, but seems sometimes acoustic artists are to pop charts as Christopher Lambert is to Highlander, there can be only one.

In 1998 David Gray’s self-released studio album, White Ladder looked as if it would be no more successful than his previous three. While renowned on the folk scene, Gray didn’t break the mainstream until its ATO re-issue in 2000. Perhaps we could speculate the charts of 98 was held hostage by Britpop, else the reign of rave was at its apex. People looked for something fresh for the millennium, and Gray’s folktronica found that gap.

Folktronica is a strapline, rather than subgenre. A causal grouping for fusing string instruments into electronic music, born at a time of public acceptance in hip hop. It was courageous, but a natural progression, and Gray was atop of the game, appearing in David Kane’s rom-com This Year’s Love, which he based a song around its title.

Like an Andy Warhol prediction, the sequel to White Ladder, A New Day at Midnight, failed to obtain the same critical acclaim, despite charting at the top, and whipping Pop Idol runner-up Gareth Gates’s debut album, which is enough for me! Exhaustion in the spotlight saw David Gray rest, and gradually fall into cult status, returning to the folk circuit.

At the millennium I was neither here nor there about David Gray. Yeah, I liked his charted songs, but entangled in denying rave had perished I sought heavier trip hop, or else a model folk formula; the two were strictly separate entities. It wasn’t until a near decade ago, reviewing a self-published book which suggested White Ladder was a revelation of pious significance, that I gave second thought to David Gray, and just how good the album was. Mind you, the flimsy autobiographical plot continued onto how, under hypnosis, the author turned out to be an incarnation of Cleopatra, so it all had to be taken with a pinch!

This is the culprit, the reason I’ve been knocked for six by his new album, Skellig, released tomorrow (19^th Feb 2021.) Naturally I expected it to be pretty awesome, but hadn’t fathomed how awesome. Astounded, on continuous play and taking me on a journey for the best part of this week, I confirm its ambient, acoustic gorgeousness.

If last year’s twentieth anniversary of White Ladder saw a deluxe edition launched, but a subsequent tour cancelled due to the pandemic, Skellig counteracts; it is simply perfection for isolation, though written prior. The elements of folktronica are even more subtle than previously, with just a hint they set the scene, welcoming a sparser, shared soundscape with the atmospheric songs focussing around six-part vocals with Gray trading his signature gravel for a softer tone; mega-bliss. Though, a sense of shingle develops vocally as the album reaches a conclusion, not at Dylan level, but adjacent.

Skellig takes its name from a formation of precipitous rocky islands off the coast of Co. Kerry, the most westerly point in Ireland. Ravaged by the Atlantic, the seemingly un-inhabitable location of Skellig Michael became an unlikely site of pilgrimage in 600AD for a group of monks, who believed leading such a merciful existence, they would leave the distraction of the human realm to be ultimately closer to God.

Gray asks for no literal translation of the above, nor prescribes any religious allegiance; the story, told to him by a friend, has haunted his imagination ever since: “The more I contemplated the idea of a small group of people landing on those rocks and establishing a monastic life there, the more overpowered I became by a dizzying sense of awe. How close to God could you possibly wish to get? Life must have been unbelievably hard for them and trying to fathom the deep spiritual conviction that compelled them to escape the mediaeval world led me to acknowledge my own deepest longings to be free of all the endless human noise that we now so readily accept as being such an inescapable part of our day to day lives. Dreams of revelation, dreams of a cleansing purity, dreams of escape. Ideas that I think almost any 21st century person shouldn’t find it too hard to relate to!”

A notion which saw Gray gather his team and venture to the Scottish Highlands to live out the creation of the record. In the significant of this backstory, Skellig paints a picture with sound akin to Gogh’s Starry Starry Night. You can sense the sea crashing into the rocks of a barren Irish landmass, hear the haunting echo through the draughty halls of a desolate monastery, through multi-layered vocals, delicate Celtic guitar picks and morose piano solos.

Written astutely and with maturity in comparison to White Ladder, subjects twist dejection into uplifting awe. Carried by a singular baritone guitar, the opening title track bobs on an ocean like a chantey, familiarising you with how it’s going to go down. From there on it free-flows thirteen tracks of blissful enchantment. While listening I noted the songs seemed short, but in checking most weigh over the four-minute mark, proof how engrossing Skellig is. Lost in its splendour it comes to a masterful finale with the graceful, All That We Asked For And More; which sums up the album perfectly. A ten from me!

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Song of the Day 22: Kiano Taylee

Can you go twice on our Song of the Day feature? No, certainly not, one shot is all, get over it!

Wha? Cabin fever, me? Getting tetchy, perpetual rain the only visible sign of spring, going to need Google maps to locate my local pub if it ever gets back to normal, whatever normal is, been so long, forgotten, might need retraining in how to order a pint… ah, okay, point taken. I’m calm….

Here we go with the brilliant Big Ship Alliance reggae band, who may’ve had a Song of Day before but hey, when you hear this you’ll realise why I’m making the exception to my steadfast iron ruling.

My Life, it’s called, featuring Mitchell Joseph Thompson, and the Alliance introduces us to the incredible Kiano Taylee. At 13, it’s an emotive and sentimental debut single, capturing teenage anguish, bullying and family issues which bear heavy on modern youth. Moving stuff.

Available for download here.

For the record, I was young once too, you know. But, don’t let me get started on my memoirs, it’s a longwinded tale of nothingness but reading the Beano and eating spaghetti hoops. But, that’s my song for the day. Very good. Carry on…..

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Song of the Day 22: Lady Nade

A tad shocked my car fluked its way through its MOT today, first time. Going on the theory good luck is a positive virus, maybe I should get a lottery ticket.

It’s your lucky day too, Song of the Day needs no introduction; Lady Nade, ’nuff said?

And that’s my song for the day. Very good. Carry on…..

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Awesome! Talk in Code Immortalised as Lego Minifigures!
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3G
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New Season
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Song of the Day 21: Andy J Williams

Ever just float around your favourite social media site with no objective in mind, to unexpectedly find something which pounces on you as utterly brilliant, and wonder why you’ve not heard about it before?

Took a second of watching this to establish it’s one of those rare occasions, and not just a pointless scrolling exercise for your index finger. You know the kind, where you only see your mate’s unappealing dinner, a wonky, windup political opinion, or video of a young prankster posing as a magician hoaxing eye candy on a Florida beach.

Took a further second to confirm it’s not to be confused with senior easy listening giant, Andy Williams, rather an indie-pop Bristol-based singer-songwriter namesake, but with an added middle J, a penchant for a funky riff and eye for a beguiling tune.

Check this cracking danceable video out, where one could ponder if the middle J stands for “Jacko!”

Not that I’m usually one to allow a cracking video convince me, even with dancing stormtroopers. So, you should note, he’s on his third album “Buy all the $tuff,” of which you can, here. I’m reckoning I need a window to review this fully in the near future. For now it came as big as a nice surprise as spotting an unidentified circular yellow object in the sky this morning, for a near halfhour! Amazing.

And that’s my song for the day. Very good. Carry on…..

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-June
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3G
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New Season
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Glowing in the Dark with Django Django

Drive Doc Emmett Brown’s DeLorean to 1966 and dump the Pet Shop Boys off at Sunset Sounds, see how they get on helping the Beach Boys record Pet Sounds. Think of the marvel of time travel’s possibilities, Pet Shop Boy Sounds; if only it were possible!

But while you ponder what kind of sound might it be, imagine what paradox you’d cause in the wake of your return, what contemporary music would’ve warped into; now I’m twisting your melon, man. Maybe give Django Django’s fourth album Glowing in The Dark a try, if you’re incapable of kicking Kraftwerk out of your Tardis at Abbey Road’s eight-track studio as John, Paul, George and Ringo plan Sgt Pepper, for in essence, the result might be uncannily parallel.

As the track Headrush fades into The Ark, halfway through this genre-bending electronica, you’d be forgiven for aching to hear Soft Cell’s Tainted Love cover for prosperity, but hurry or you’ll be reaching for Pink Floyd’s Meddle too. If you think electronica has no avenues left to stride along and come out of the woods unscathed, here is a new journey, which though splices many influences, is perfected in matchlessness.

Equally, if you feel electronica lost its way after new wave, as hit factories seized the era and everything underground which followed for a decade seemed to involve waving glowsticks or making imaginary boxes to mindless and soulless techno while chewing your bottom lip off, then this is your reawakening.

For lyrically, Glowing in the Dark has a rather platitude running theme of escapism. Cliché as leitmotifs vis-à-vis to despair from constraints of small-town life, or terrain ascending dreams might sound, it’s handled well. Acoustic rock goodness is graced here too, then, the World will Turn is quintessentially The Byrds, at best comparison, and miniature road movie Waking Up hints at T-Rex combining Serge Gainsbourg’s Bonnie and Clyde with Gainsbourg’s daughter Charlotte guest vocalist, just to ascertain. But it’s like Mike Oldfield plucks a funky guitar for the next tune, and Daft Punk will jaw drop at the simplified meticulousness of the danceable title track.

The finale then achieves what the late great Andrew Weatherall set out to do with Primal Scream’s Screamadelica, precisely, oh my god, not, no, not thirty years ago, surely?! Tie a fluorescent French horn to my Zimmer frame and pass my meds, Glowing in the Dark relishes in all which has passed in music technology from the psychedelic nature of space rock, the dreamy accompaniments of acoustic, the bellbottoms of glam, through to new wave and rave, yet somehow, while embracing all familiarities, charges something exclusive and fresh at you.

But I feel now the end is here, all the aforementioned is not why this album is so beguiling and attained, because it’s fair to say such blends have been attempted before, yet its originality is maintained and its splendour achieved by the free-flowing composition; it just, works.

Released 12th February 2021, via Because Music, on limited edition glow-in-the-dark vinyl, standard black vinyl, CD and digital download/streaming on all usual platforms.

Trending….

From Kerouac to Hagrid – Jinder at the Queens Head, Box April 28th 2024

by Ian Diddamsimages from Jinder facebook It has somehow been a few years since I last saw Jinder – or Phil Jinder Dewhurst – play…

Blessed are the Toolmakers – Mark Harrison at the Queens Head, Box April 28th 2024

by Ian Diddamsimages from Mark Harrison Facebook Last summer I was lucky enough to see Mark Harrison play at the “Tangled Roots” festival over Radstock…

Liar, Liar, Wiltshire Police Crime Commissioner Philip Wilkinson’s Pants are on Fire!!

In what appears to be a deliberate attempt to smear the campaign of opposition candidate for Wiltshire Police Crime Commissioner, independent Mike Rees, it seems…

Familiarity: Barrelhouse Take The Southgate, Roughcut Rebels in The Three Crowns

Familiarity was key for me last night, if last weekend was new, trekking to Swindon for their soul and jazz festival, watching an amazing Gambian…

Led Zep’s Victorian Thatcher Cover Pin-up is Star of His Own Show at Wiltshire Museum!

It’s just as unlikely Jimmy Page, who, it is said, designed the cover of Led Zeppelin 4, could’ve imagined Long Lot, the thatcher in a…

Simply The Best; Tina Turner Tribute Coming to Devizes

Ah, the Tina Turner tribute, which turned my criticism of Tina Turner tribute acts on its head, is coming to Devizes in August. In the…

“Skylight” at the Rondo Theatre, Larkhall, Bath, April 24th-27th.

by Ian Diddamsimages by Jim McCauley & Bath Drama Its 3 a.m. You are tired. You are still going round and round in circles in…

Amnesty in Salisbury Responds to Passing of Rwanda Bill

Read on by clicking link below….

Adrenaline Stomper or Storm in Teacup? Wiltshire Council Gloat About Prosecuting Fly-Posting Club Night

If we spoke only last month about Wiltshire Council’s threats to prosecute Wiltshire Music Events over posters advertising a Bob Marley tribute event in Devizes,…

Weekly Roundup of Events in Wiltshire: 24th-30th April 2024

One weekend away from Beltane, or May Day to Christains, bank holiday Monday to everyone else, still lots to do in the wilds of Wiltshire…

Kirsty Clinch Lauches Pre-School Music School

Wishing local singer-songwriter Kirsty Clinch only the best of luck today, as she announces a new project; a music school for pre-school age and above, called First Melodies.

As well as private tuition, Kirsty plans to combine published books and a YouTube channel to create a wider audience. Anyone interested should contact the website and subscribe to the channel…. I need not explain further, as it’s covered in this video…

Best of luck Kirsty, we reckon it’s the perfect idea for you.

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-June
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3G
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New Season
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Five Things of Smalltown Tigers

Being fashionably late for a party with a trio of female Rimini punks, their album, Five Things released in April last year on Area Pirata Records, mightn’t be as bad as it sounds, because post-1973 this music is timeless, recapturing the genre’s very essence and roots; welcome to the world of Smalltown Tigers.

Because, the punk the era was a short-lived explosion which although never toppled the rise of disco and funk, surely stamped its mark on everything which followed in its aftermath, from fashion, tenet and sound. Yet the aggressively modern attack of the first wave of punk rock in the face of hippie culture perpetually allowed itself to be watered down and fused. Just as every popular genre tends to do. Concluded new wave and avant-garde art-punk through to the skater contemporary fusion with metal, or oi ska, it’s warped into many guises. Yeah, they’ve got edge, but as dicey as the original simplicity of early seventies punk? I think not.

That’s where Smalltown Tigers pack their sucker-punch, from the hip of the original garage formula, as if post-punk never happened. They cut their teeth playing Ramones songs at squats and beach parties, spreading their love for surfboards and punk rock. Tommy Ramone stated on the lineages of the youth culture, “punk rock had to come along because the rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock ‘n’ roll.” And from the off of Five things this notion resonates to modern day.

But it doesn’t allow you time to contemplate any of this, it doesn’t wait for you to come up for air, it doesn’t causally drift in, and it certainly doesn’t stop to excuse itself. It detonates eight under three-minute tunes of punk noise in your face before you’ve time to take cover, and while their energy might leave adolescents jittery and flabbergasted, craving for what they consider a crazy new sound, punk diehards will wink with acknowledgement and welcome its blissful eruption with open arms.

While you won’t find this mini-album settling down to a ballad, or suddenly branching out to experimentation, as time passes obvious influences of Patti Smith and the Ramones slip into elements of Joan Jett and the B52’s fashioned rockabilly, but remain elusive at best. Mostly of what you have here is no nonsense, high-energy, fuzz box punk rock n roll with a calling to its roots, and in this much, it absolutely rocks my world!

Recorded mostly live in the studio with no overdubs, mixed by analogue master Roberto Villa on 2” tape, and mastered by Detroit garage-punk guru Jim Diamond, these eight songs testify that these girls are no Dolce Vita. Time to forget your Busted and Blink 182s; punk has never been so retro or raw since its incarnation, the opening for Smalltown Tigers is gaping.

Trending Now…..

Shox & Steatopygous; Devizes Bands Support Menthol Lungs at The Pump’s Future Sound of Trowbridge

By Florence Lee Images by Kiesha Films ‘They promised hardcore shenanigans which never fall below 180 bpm’ SHOX: After seeing Shox in February I was…

Apr 23, 2024

A View to a Thrill

“The Thrill of Love” at the Wharf Theatre by Ian Diddamsimages by Chris Watkins Media Just over a year ago, the Wharf theatre performed a…

Apr 22, 2024Apr 24, 2024

Pig Hill No More! Swindon’s Fantastic Jazz & Soul Festival

If a rare journey to Swindon usually lands me in the Vic or Beehive, today things were going to be different. A lack of beer…

Apr 21, 2024Apr 21, 2024

The Female of the Species to Fundraise for Rainbow Early Years in Trowbridge

Girls, girls, girls, we love them here at Devizine, especially our esteemed all-female local supergroup The Female of the Species. 2024 will be their ninth…

Apr 18, 2024

REVIEW – The Lost Trades @ The Piggy Bank, Calne – Tuesday 16th April 2024

by Andy Fawthrop The Start of Something Big? Off and on we’ve been writing about The Lost Trades for a couple of years now. Combining…

Apr 17, 2024Apr 17, 2024

Weekly Roundup of Events in Wiltshire: 17th-23rd April 2024

Here we go with what we’ve found to do in the wilds of Wiltshire this coming week, exciting stuff, I know! Everything listed here is…

Apr 16, 2024

Steatopygous & SHOX: Two Teen Devizes Punk Bands Appear on Trowbridge’s Pump Triple-bill this Saturday

Two teen Devizes punker bands appear on Trowbridge’s Pump triple-bill this Saturday, as the search for the Future of Trowbridge reaches its eighth instalment; unsure…

Apr 16, 2024

Bradford Roots Session Special With Bill in the Lowground, Daisy Chapman & Thieves This Friday…..

There will be some foot-tapping folky goodness at the wonderful Wiltshire Music Centre in Bradford-on-Avon on Friday. This year’s Bradford Roots Festival may be a…

Apr 16, 2024

Jammin’ till the Jam is Through: The Marley Experience Came to Devizes

I woke up yesterday morning long before the rising sun, but I did have a smile, because I witnessed the sheer magic of The Marley…

Apr 14, 2024

Sax in the Country; Patsy Gamble Jazz Trio Comes to Bromham

After an inaugural midweek gig with local legend Andrew Hurst this month, it seems Bromham’s St Nicholas Church could be the unexpected new rural music…

Apr 11, 2024Apr 11, 2024

Song of the Day 20: Darling Boy

Self-taught multi-instrumentalist, singer and actor, Darling Boy, aka Alexander Gold adds reminisces about his game childhood with this video for his new single “Tea Drinkers of the World.” An unusual move for this brand of indie-pop, but a colourful and entertaining 16-bit retro game fashioned video; enjoy.

And that’s my song for the day. Stream it here. Facebook here. Very good. Carry on….

Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. … Continue reading “Westbury Town Council Announced Postponement of Westbury White Horse Soap Box Derby 2026”
Lady Nade; Sober!
Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4°C eucalyptus sauna for a social media reel. But whilst I’d require a stiff … Continue reading “Lady Nade; Sober!”
2025 on Devizine; Review of the Year; Part 1, Jan-June
If past years seem to be racing by me on roller-skates, now they’re in Formula 1 cars! 2025, in a word, was “average,” though the … Continue reading “2025 on Devizine; Review of the Year; Part 1, Jan-June”
Awesome! Talk in Code Immortalised as Lego Minifigures!
Ah, let’s talk about Talk in Code one more time this year, because we’re secret Talkers here, and everything has been awesome this year for … Continue reading “Awesome! Talk in Code Immortalised as Lego Minifigures!”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3
Oramics and its Place in the Progression of Electronic Music In 1997 I was a 24 year-old factory worker, keen to learn all tasks on … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound Part 3”
Everything Going on For New Year’s Eve 2025!
Ah, I hope you’ve all had a great Christmas, now it’s time for New Year’s Eve, and here’s what we’ve found to do. Wishing everyone … Continue reading “Everything Going on For New Year’s Eve 2025!”
Ha! Let’s Laugh at Hunt Supporters!
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trail … Continue reading “Ha! Let’s Laugh at Hunt Supporters!”
Rooks; New Single From M3G
Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Wiltshire Music Centre Unveils Star-Studded New Season
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their … Continue reading “Wiltshire Music Centre Unveils Star-Studded New Season”
Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2
Daphne’s Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the … Continue reading “Daphne Oram; Devizes’ Unsung Pioneer of Electronic Sound: Part 2”

Online Stuff 2 Do This Half Term

Yay! Home Schooling is out for half term, but before it’s replaced with excruciating racket, higgledy-piggledy hullabaloos, and junior revolutionary uprisings, diligent stay-at-home parents teetering on the edge of wine o’clock should note, if the outside activity mountain won’t come to Muhammad, well, Muhammad has to get there online. Here’s some “lit” bodacious suggies to get him harnessing his crampons….

No, I’ve no idea what that meant either, just hit me with your suggestions, homies, and I’ll add them here without beef!

Firstly, keep them well fed, and if you’re having difficulty…….

FREE SCHOOL MEALS ELIGIBILITY

Wiltshire Council is urging families who find themselves in difficult circumstances to check if they are also eligible for free school meals and the holiday food funding. Families can find out details of how to apply for free school meals support on the Wiltshire Council website including those families on: -• Income Support• Job Seeker’s Allowance (income-based)• Employment and Support Allowance (income-related)• Support under part six of the Immigration and Asylum Act 1999• The Guarantee element of State Pension Credit• Child Tax Credit – providing you are NOT entitled to Working Tax Credit and your family’s annual income (as assessed by HMRC) is not more than £16,190 (as at 6 April 2012)• Working Tax Credit ‘run-on’ – the payment you may receive for a further four weeks after you stop qualifying for Working Tax Credit• Universal Credit (provided you have an annual net earned income of no more than £7,400, as assessed by earnings from up to three of your most recent assessment periods) • Better2Gether Funding (two year olds only) Universal Credit – if you and your partner are on a low income from work (this usually means a combined income of less than £15,400 a year after tax)Or if the two year old child: -• Has a statutory statement of Special Educational Needs (SEN) or an Education, Health and Care Plan.• Has left local authority care through a Special Guardianship Order, adoption or a Residence Order• Is currently a Looked After Child, for example in foster care• Is in receipt of Disability Living Allowance (DLA)People should apply directly to Wiltshire Council if they are eligible but currently do not have free school meals by using the form on the Council website.

Morrisons Kids Meal and Pizza making Boxes Here!

Creative

Stuff!

https://www.wiltshire.police.uk/article/7124/Local-children-encouraged-to-challenge-online-safety-and-enter-competition-

Get Cartooning!

There’s always cartoon and comic workshops to get creative darlings budding. Enter Beano artist and charismatic comedian Kev F, whose Comic Art Masterclass usually travels the schools and libraries of the country, and ends with some seriously entertained kids each with their own homemade comic. The only need to travel is to grab some paper and pens now Kev’s class is online.

But check here for a number of different creators giving away their artistic secrets in comic workshops…

The End of the Pier Show

Jonny Fluffypunk presents a brand spanking new show for families, with poetry, puppetry, story, song and a healthy dose of ramshackle anarchy.

Cooking

Stuff!

The Farm Cookery School in Netherstreet

have their popular holiday clubs online, and are available to book NOW! They are only £10 – £15 per login and that includes LIVE Tuition as well as a Recipe and Ingredients Guide which will be emailed to you straight away. Just imagine, dinner may be served by your little horrors!

Learning

Stuff!

Family half term activities among online events at Chippenham Museum

Join the WWF Really Wild Quiz!

Prior to lockdown Wiltshire Museum were really enjoying hosting Curious Kids sessions for under 5’s and their grown-ups. They have adapted sessions to deliver them on zoom. A chance for younger children to have some interaction with people from outside the home and for families to learn, create and play together – supported by the museum.

February Half term session will focus on Saxon Crafts and will look at weaving jewellery.

STEM Venturi

February Half Term online coding courses for 7 – 12+ year olds. Also debuting Girls Who Code course…… Lots of coding courses including Minecraft!

Join NASA Kid’s Club!

Music

Stuff!

Open to all young people aged 12 – 18s who love to sing, the new Wiltshire Youth Choir (WYC) will take your singing and performance to the next level.
– Learn from inspiring choir leaders with years of professional experience
– Explore music from different genres: musical theatre, pop, classical and more…
– Work towards performances in some of the county’s top music venues
Join us for our next free virtual Come and Sing workshop on Thursday, 18 February, 10.00 – 12.00 via zoom.

Trending now….

Michelle Donelan’s Fake Magazine Promoted By Drink Driving Fox Hunter

And so it begins. Expect an influx of Tory propaganda and lies rammed through your letterbox over the coming weeks; you’d be better taking your…

Apr 10, 2024Apr 10, 2024

PREVIEW – White Horse Opera’s Puccini’s “La Boheme”@ Lavington School, Devizes – Wednesday 10th, Friday 12th, and Saturday 13th April 2024

by Andy Fawthrop A Sparkling Production Last night I was privileged to sit in on the Dress Rehearsal for this wonderful production. It was like…

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Weekly Roundup of Events in Wiltshire: 10th-16th April 2024

Spring has sprung! There were two snails on my milk-float this morning, opening “doing it,” without shame; absolute filth! …. I should have filmed it…

Apr 9, 2024

The Clones at the Three Crowns, Devizes

Forget your pedal board setup for a moment, it was as if The Clones knew precisely what buttons to press to rouse the party crowd…

Apr 7, 2024

“And Then There Were None” at The Wharf Theatre, Devizes, April 8th-13th 2024

By Mick Brian.Images by Chris Watkins Media Mention the name of the author “Agatha Christie” and most people will immediately think of her two main…

Apr 7, 2024Apr 8, 2024

Six:Teen Edition; Devizes Music Academy’s Historic Pop Blast Showcase!

Images Used With Permission of Gail Foster Last night at Devizes Corn Exchange I, and a packed house, witnessed the retelling of the six wives…

Apr 7, 2024Apr 7, 2024

Seven Year Old Chloe Raised £600 for Devizes Opendoors

Brave young fundraiser, Chloe Boyle did it! Just as she promised, Chloe slept outside in her garden Friday night, and raised an amazing £600 for…

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Six:Teen Edition: Devizes Music Academy’s First Show!

Devizes Music Academy brings us Six: Teen Edition This Saturday, and we wish all the young performers the very best of luck!

Apr 4, 2024Apr 4, 2024

Devizes House Promoters Palooza’s Second Night at The Exchange

Well, I had fun, danced my little socks off at Palooza’s inaugural house music experiment back in early March, and I’m glad to hear they’ve…

Apr 4, 2024

Swindon Jazz & Soul Festival 19th & 20th April featuring Darius Brubeck, The Wonder of Stevie, and Suntou Susso

Swindon Jazz & Soul Festival is coming soon, over the 18th to the 20th April at Christ Church and free fringe events at the Royal…

Apr 4, 2024

Song of the Day 19: Macka B

Topical, in view of Mark Little of Bristol Rovers’ social media attack, here’s a year-old message which, idealistically shouldn’t need repeating, but, unfortunately, seems it does.

And who better to deliver it than Wolverhampton’s Christopher MacFarlane, better known to the world as Macka B?

His righteous, yet witty DJ toasting style is often mimicked but never bettered. Since his early days on the Exodus sound system, through the eighties fast-style origination of Fashion Records, of which the late great Smiley Culture bought to mainstream charts, to today’s international recognition, award-winning Macka B never fails to breathe charisma and charm to a subject with intelligent and amusing verse.

The premise of his song is simple, the message is resounding.

And that’s my song for the day. Very good. Carry on….

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15 Sensual Songs for Valentines

Here you go, right; the meal was flawless, the wine is taking effect, the candles are in perfect position, the rose petals spread on the duvet, made sure you changed the sheets and hidden your Razzle collection. Now all you need is the perfect valentines evening playlist as the icing on the cake.

One track wrong, just one accidental selection, could prove fatal for getting to final base. At worst you’ll be alone, regretting how that Slipknot track got mixed in there, or which prankster mate added Iron Maiden’s Bring Your Daughter to the Slaughter. At best, mistakes can be made in picking from the plethora of timeless love songs available. One narrative of break-up, something just too damn perverse or slushy, or even a song which reverts your partner back to past lost love, can be dangerous and a waste of your hard-earned cash at the johnny vending machine.

It is with great empathy and consideration I offer you my tuppence on the perfect Valentine’s Day playlist. To begin, you must understand, love songs come in four main categories; the cliché slushy, soppy sort which are so wet they’re Wet Wet Wet. These are best avoided. The second are the breakup songs, often beautifully crafted nuggets of melancholy, but again, not best for enticement. The third sort, Frankie Says, is the outright filth, centred around the kind of mindless, unattached, no bars held bonking frenzy you have to clean up with a mop and bucket. While at times these are the best of the aforementioned options, what you really need to set the appropriate mood is the fourth category, the songs I deem “sensual.”

Sensual songs arouse the neurons, make the hairs on the back of your neck stand up. They neither absolutely call out the knob-fest you’re hoping for, merely hint at it, or relish in slushiness so maudlin it all comes over corny and nauseating. Don’t blame me if everything you do you do it with Bryan Adams’ songs on repeat, it horribly backfires and all which remains of their presence is a fading odour of Superdrug’s own make Eau de Parfum. Here’s the list, adhere to it, fool!

1- Try a little Tenderness – Otis Redding

Otis was a magician, indisputably. His effortless vocals are so sublimely sensual, one play of this and women’s clothes automatically fall off. Guys, if it was good enough for the Ducky, it’s good enough for you; a guaranteed win-win.

2 – Let’s stay together – Al Green

Again, this one is a given. Why do people break up, turn around and make up? Well, it’s for the make-up sex, Al, obviously. Look, we all know make-up sex is the best and stickiest kind of sex, but when setting the mood for the now, never dwell on the possibilities of the future; price of prams these days, prenuptial agreements, stuff like that. Nope, this song pledges nought can possibly go wrong, you are 100% devoted, and that assurance will see knickers on the bedroom floor.

3- Sexual Healing – Marvin Gaye

Marvin with the topper most sex blag, only one under the notion it’s greater for weight-loss than a diet. Here, Motown’s senior figure suggests wellbeing, that sex is good for him emotionally and psychologically. But there’s cohesion, it is affirmed, he’s no slapper, and only wants to do it with you. Although you guessed this song would be listed, it works a like a charm.

4- Je T’aime…Moi Non-Plus – The Scamps

Okay, Serge Gainsbourg’s classic obviously needs consideration, but is about as corny as seventies lava lamps, and Jane Birkin’s aching French orgasmic harmonies might be off-putting if you’re still eating pudding or not making quite as good a job as Serge himself. Therefore, try this; this Scamps version is instrumental reggae, and reggae in general, is kinky as. For added effect, should things be going well and your French up-to-scratch, you can have fun arranging your own vocals.

5- Bob Marley & The Wailers – Guava Jelly

So, pandora’s box opened. If we’re going to do reggae, there’s so many Bob Marley tunes which are more than apt, picking just one is a minefield. Let’s go demining like Steve, it’s okay, I’m a professional. For starters Guava Jelly teeters on the edge of reggae, rather deemed closer to rock steady, the pioneering transitory period between ska and reggae. Rock steady is the definitive romantic period of the music of Jamaica, and Bob is one charmer. This particular song is the perfect balance for what I’m proposing here, it’s connotations of lubrication is pure filth, but its backstory of love is quixotic; precision engineering from the Tuff Gong.

6 – Henry III – With a Girl Like You

Now, after all I said about rock steady, a word of warning. Don’t, whatever you do go gung-ho and add any old rock steady song to your playlist. Such is the way of bygone eras and particularly in Jamaica, many are not PC by today’s standards. Often subjects deal with cheating, disintegrations or can be degrading to the fairer sex. Sometimes it helps, if going with rock steady to check covers, take this divine version of The Troggs “With a Girl Like You,” for example; this’ll work.

7 – Lorna Bennett – Breakfast in Bed

Now, if you’re only up for covers being the kind you jiggle about underneath, by all means go for the original of Breakfast in Bed, on Dusty Springfield’s ultimate “Dusty in Memphis,” as it’s more than suitable. But if you want a bit of reggae in said jeggae, the UB40 version is not your best option. Lorna Bennett does this with bells on. This is so sexy it should be illegal.

8 – Claude Fontaine – Cry for Another

If it’s sexy reggae you want, but contemporary you fancy, and you’ve taken heed of the importance of French accents we’ve mentioned, here’s a lesser-known masterpiece by multi-platinum, Grammy award-winning record producer, Lester Mendez, certain to hold the object of your affections mesmerised and putty in your hands. Claude Fontaine’s voice just, just, just…. oh, no, pass the Kleenex.

9- Kingston Town – Lord Creator

Look, I like UB40, I really do. But whence you listen to the original Lord Creator version of this, you won’t go back. Its subtle idealistic references paint a romantic image of Kingston Jamaica, in contrast to the biting reality it’s often depicted as. Like the notion, any place is beautiful when you’re there, sure to cause a love tidal wave, in your direction.

10- Swimmer – Black Star Liner

Now, you’ve done the groundwork and things are moving fast. Unlike technology of the era, owning a pager isn’t going to get to you close enough to the opposite sex to be sneezed on these days, the electronica of the nineties can be your friend. Dance music came of age mid-nineties and no longer concerned itself wholly for standing in a muddy field wearing a dust-mask and gyrating like a broken robot. In fact, local city Bristol took a whopping portion of credit for the downtempo trip hop trend. But, while you know Massive Attack will make it onto this list or it’s not worth publishing, unless you lived it, and I mean, really lived it, I forgive you for not knowing this and the next two sublime nuggets of dreamy dance. Black Star Liner are as if Massive Attack did bhangra for film scores.

11 – Long as I Can See the Light – Monkey Mafia

As the finale of Shoot the Boss, an album with enough cutthroat techno and dark ragga to scare the willies out of Moby, Jon Carter places this gorgeous protuberance of uplifting trip hop to bring a lump to your throat, or elsewhere.

12 –Soldissimo – Air (Etienne de Crécy Remix)

Again, the French know saucy. This Air remix by the super discounted Etienne de Crécy is such a barely known, absolute inspiring masterpiece, and when that acoustic guitar breaks in, oh my, eyes will implode, and the bedsheets will need changing.

13 – Unfinished Sympathy – Massive Attack

For me to pick a single song from my misspent youth wouldn’t be easy, until I’m reminded of this. You know it, you must do, so will your partner. They’ll whimper, “I love this song,” ergo, I love you for thinking it’s suitable to reflect your feelings towards me, and bingo; fire in the hole.

14 – Sharing the Night Together- Square One

To take heed of my warning about picking any reggae tune, apply doubly so with soca. Subject matter of most soca is outright filth, if not being about waving your flag about during crop over, it’s generally about waving something more phallic about. Which is great for the rugby club’s Christmas party, but not so much when wooing. However, there’s always exceptions to the rule, and when Alison Hinds does it by covering this Dr Hook track, she makes Rhianna sound like Cathy Lesurf by comparison.

15 – Lovely Day – Bill Withers

Okay, so a few might be new to you, this is good, but let’s end it with a classic. The sunlight hurts his eyes, and something without warning bears heavy on his mind. Yes, it does have slight negativity about it, but the very notion just by looking at your partner, it’s all inconsequential and can all melt away, will guarantee your bedposts will be thumping against the floorboards in no time at all. Have a happy and successful valentine’s day. Best of luck, mucky comrade. Over and out!

And if these fail, something is wrong and you should either try Nina Simone, or consult your GP, just don’t bother me, do I look like Deidre Saunders? Actually, don’t answer that, just keep your mind on the job at hand, else your hand will be the only…..okay, you get the idea….

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Song of the Day 18: The Lost Trades

If you’ve not heard of The Lost Trades before, you must be new to Devizine! Not a problem, we welcome newbies with open arms.

For further information we have a search bar, use it!There are plenty of archived features on The Lost Trades, Phil Cooper, Jamie R Hawkins and Tamsin Quin: enough for Devizine to be an official fan club! These Song of the Day posts are brief and are not intended to be full reviews.

They’re also about introducing you to artists we’ve not, or hardly ever mentioned much of before. Today’s case differs.

I should explain, we’ve followed the individual careers of this local vocal harmony trio since the website’s creation, and they’re three out of many in through doing this, have become personal friends.

Naturally, there’s a danger to the bias of honest criticism in a reviewer befriending the creators; mainstream artists use “enemy” as a term to describe NME journalists.

Although they’re aware I’d be critical if there was ever anything to be critical about, this is also, never a problem, because, simply, the awkward situation never arises.

Partly, I believe, this is because Devizine isn’t a job, it’s a hobby, and if I thought for a second I’ll unjustly slag anyone off for kicks, then the whole objective of it is compromised. Though it’s a delicate balance to provide honest content and maintain relationships with the talented subjects, there’s no reason to wreck a career, and I’d sooner avoid scribbling anything on the matter at all.

The fact if you do search for the Lost Trades or the musicians which make the trio up, you’ll find a fair amount of matter on the subject, can therefore mean only one thing: there never is a problem because they’re genuinely awesome, and this would still be the case even if they hated my guts. Which I’m not ruling out, but suspect it’s unlikely; least I can hope for is they think I’m a headcase. A friendly headcase, but a headcase nonetheless!

Still, it’s a great song, as ever, with a fascinating homemade video fusing Jamie’s enthusiasm for stop motion animation. Get it here.

And that’s my song for the day. Very good. Carry on….

Song of the Day 17: Diana Leoport

What’s Spanish for “diva?” Oh, Google translate aptly says it’s “diva!”

Super sassy Spanish vocalised RnB-pop doesn’t come sexier than Mexican singer Diana Leoport’s debut single. Aching with masses of Latino promise there’s elements of Shakira and Gloria Estefan in this smooth tune. My glasses have steamed up!

https://youtu.be/jrd-0EwJurY

Out on all platforms here.

And that’s my song for the day. Very good. Carry on….

Song of the Day 16: Blondie & Ska

If you came here looking for an original song by upcoming hopefuls, look away. Chippenham’s Blondie & Ska may not be groundbreaking or looking for a mainstream recording contract, a Blondie tribute act who fuse ska and Two-Tone classics into their repertoire, but what they do they do with a barrel load of lively fun. And, in a nutshell, lively carefree fun is the backbone of ska.

Heores of the live stream currently, booking Blondie & Ska for a party or pub gig in the future, and you can gurantee, if fussy music devotees tut, the majority will be up dancing. For this reason enough, I blinking love this duo, but that alone is plentiful. Like their Facebook page for details of future free streams, it’s an entertaining, unpretentious show.

And that’s my song for the day. Very good. Carry on….

Song of the Day 15: The Emertarians

Anytime is a good time for some roots reggae, Sunday morning, doublely so.

Enter one of my favourite current reggae bands, from Madrid, the Emertarians.

They always remind me of an occasion, at a festival in Andalusia. I watched this great French reggae band. The slighty rotound frontman looked rather like the late, great Jacob Miller. After the performance I noted he was standing close to me, watching the following act. I went over in hope of telling him how much I enjoyed their music, praying they spoke English.

I momentarily regretted my school French lessons, which I spent making homemade comics out of text books, as he replied with an adamant no upon asking if he spoke English.

All the vocabulary my intoxicated mind could conjour was “tres bien,” so I repeated it perpetually in true Del-Boy fashion!

Otherwise the meeting was the awkward silence of communication breakdown, in which I suspected they thought I was completely nuts. Not so far from the truth.

So, I namedropped Jacob Miller and suddenly we had understanding and mutual respect for the man. My point is, sometimes the Emertarians sing in Spanish and sometimes English, often the Spanish ones more emotive, but reggae has no language barriers, because it’s spiritual meaning and uplifting ambiance is universal. As with the French Jacob Miller-alike, we were on the same song sheet….

Naturally at that conjunction, I rolled a joint.

And that’s my song for the day. Very good. Carry on….